Re:TheAshLad
Volume 4
Sandbooks ISBN 978-82-92860-00-7 First Edition Copyleft 2007 http://sandbooks.com
282
struggle like brothers each freely speaking his mind. and each
subordinating himself only to those powers. personally elected or accepted
by him.. Let us come to the subject. Nothing develops and. lasts that is
not based upon liberty. Nothing that. exists maintains itself and
functions successfully. except through the free play of all its active.
components. Otherwise there will be loss of energy. through friction rapid
wear of the cogwheels too. many breakages and accidents. Therefore I demand
for. each and every element of human society (individual). the liberty to
associate with others according to his. choice and congeniality to
function only in. accordance with his capabilities in other words the.
absolute rightto select the political society in which. they want to live
and to depend only upon it.. Today the republican attempts to overthrow
the. existing form of the State in order to establish his. ideal of the
State. He is opposed as an enemy by all. monarchists and others not
interested in his ideal.. Instead according to the idea of the author one.
should proceed in a way which corresponds to legal. separation or divorce
in family relationships. He. proposes a similar divorce option for
politics one. which would harm no one .. One wants to be politically
separated Nothing is more. simple than to go one's own way but without.
infringing the rights and opinions of others who on. their side would just
have to make a little bit of. room and would have to leave the others full
liberty. realize their own system.. In practice the machinery of the civil
registry. office would suffice. In each municipality a new. office would be
opened for the POLITICAL MEMBERSHIP of. individuals with GOVERNMENTS. The
adults would let. themselves be entered according to their discretion. in
the lists of the monarchy of the republic etc.. Fwd spectre Next Minutes
Preliminar Program. Start of forwarded message. A N N O U N C E M E N T.
NEXT MINUTES. International Festival of Tactical Media. PRELIMINARY
PROGRAM. Amsterdam September. De Balie Paradiso Melkweg Waag Society. NIM
Montevideo Imagine IC SALTO. What is Next Minutes. Next Minutes is a
festival that brings together art campaigns. experiments in media
technology and transcultural politics. Next. Minutes revolves around the
notion of tactical media the fusion of. art politics and media. The
festival is organised irregularly when. the urgency is felt to bring a new
edition of the festival together.. How did this particular edition of the
festival come about. The fourth edition of the Next Minutes festival is
the result of a. collaborative effort of a variety of organisations
initiatives and. individuals dispersed worldwide. The program and content
of the. festival is prepared through a series of Tactical Media Labs
(TMLs). organised locally in different cities around the globe. This
series. of Tactical Media Labs started on September in Amsterdam and. they
continue internationally right up to the festival in September.. TMLs have
been organised in Amsterdam Sydney Cluj Barcelona. Delhi New York
Singapore Birmingham Nova Scotia Berlin Chicago. Portsmouth Sao Paulo
Moscow Dubrovnik and Zanzibar.. The results of the various TMLs are
published in a web journal at. What are the main themes of NM. The program
of Next Minutes is structured along four core. Deep Local which explores
the ambiguities of connecting. essentially translocal media cultures with
local contexts.. The Disappearing of the Public deals with the elusiveness
of the. public that tactical media necessarily needs to interface with and.
considers new strategies for engaging with or redefining 'the public'.. The
Tactics of Appropriation questions who is appropriating whom. Corporate
state or terrorist actors all seem to have become. effective media
tacticians is the battle for the screen therefore. lost. The Tactical and
the Technical finally questions the deeply. political nature of
(media)technology and the role that the. development of new media tools
plays in defining enabling and. constraining its tactical use.. The
festival explores a variety of forms and formats from lowtech. hightech
from seminars and debates to performances and urban. interventions
screenings installations as well as sound projects. and live media a
pitching session a tool builders fair and open. unmoderated spaces.
Defining for tactical media is not the medium. itself but the attitude
towards media.. MORE INFORMATION. How can I find out more about the
festival. By reading on in this document but also by consulting the
website of. The site also contains a Frequently Asked Questions section
that. addresses many practical questions you may have.. Further
information can be obtained from the festival office. infonm.org. TICKETS.
How can I reserve tickets. You can only reserve day tickets and
passepartouts which give. access to all programs of the festival.. You can
reserve tickets at ticketsnm.org. Ticket prices. Day Ticket Euro.
PassePartout Euro. These tickets offer access to all venues and events
including the. evening programs.. Tickets for single programs are not sold
except for the evening. performance programs.. How to get accommodation. In
the beginning of August we will publish details on how to find. cheap and
affordable accommodation close to the festival venues.. Follow the link
Accommodation on the front page of our web site. ANNOUNCEMENTS LIST.
Receive our announcements via email. More information at. THE
DISAPPEARINGPUBLIC. Full Info. Introduction. Interfacing with the public.
There is no public but where are our publics. In more than one sense the
practices and promises of tactical media. are tied up with the idea that
in the last decades we have witnessed. the disappearance of The Public.
One big reason for this is the. explosion of heterogeneous media and
heterogeneous media practices. and the fact boundaries between media
spaces have become increasingly. porous (i.e. between media domains that
are nationally and culturally. distinct). Another reason is that the idea
of normal people on. which the concept of The Public relied has been
thoroughly. undermined not in the least part because these people
increasingly. came and put themselves in the picture aided by media. (Thus
the. differences among various not so normal people can these days no.
longer be easily airbrushed out.). Funnily enough also for those media
practitioners artists and. activists who feel enthusiastic about the
disappearance of The. Public the question of the public is no less acute
In situated. media interventions the particularity of context tend to take
the. foreground and precisely not a disembodied generality such as The.
Public . Here margins count as a resource rather than as constraint. and
they can and should be celebrated as such. But when it comes to. these
kind of projects the question of who exactly one is. interfacing with
often comes up as a pressing concern. A totally. eclipsed public that is
an empty hall an empty street or empty. chairs many have found out is not
an ideal situation either. And. when the public just doesn't get it we
can't just dismiss the. possibility that there may be a problem with the
performance itself.. And what if one ends up not liking one's public More.
importantly a constructive picture of who or what one is trying to. prompt
with a given media intervention remains totally crucial.. While The Public
has disappeared we thus keep and should keep asking. wherewhowhat is the
public. In working with that question the issue of the erosion of the.
public domain especially with the rise to dominance of commercial. mass
media and it should be added after the disappearance of The. Public
inevitably comes up. In this way it is easy to get caught. between
excitement about the disappearance of The Public puzzlement. about
appropriate publics and resistance to the erosion of the. public domain .
But that last diagnosis might also prompt us to go. and look for the
missing public and try to conjure one up. The. question thus is what are
the techniques and tactics available and. which should be developed to
make a public appear. Sections. Testimony and Witness. Tactical
Cartography Diagrams of Power. (Visualising for the Public Eye). Archives
of Resistance. Critical Games. Urban Interventions. Urban Interventions.
Where else to find the public than in the streets The move of. alternative
and resistant media cultures out of the ghetto of the. internet into the
streets is a rather obvious one. The tactic is. comparable to that of art
moving beyond the museum and gallery space.. Invariably as soon as such
mediainterventions leave the relatively. unfettered space of the net or
the sanctioned art spaces and enter. public urban space they encounter an
entirely new set of conflicts. and constraints. Despite all these
restrictions public urban space. remains one of the ultimate social
interfaces that we want to. question and investigate at Next Minutes ..
Packing Geldershoofd by Archeopteryx (Izhevsk). The art group Archeopteryx
from Izhevsk (Russia) proposes to execute. their project PACKING on the
blind faade of one of the large. Highrises of the Bijlmer district
(Amsterdam South East) called. Geldershoofd. The highrise will disappear
within a few years as. part of an urban restructuring plan. The original
idea of the Package. action was to mark storey housing blocks (the
traditional Russian. standardised housing boxes) in various Russian cities
with giant. painted protection labels normally used on transport boxes.
The. traditional meaning of these labels is apparently projected onto the.
residents inside these boxes urging to protect the people inside. DO NOT
WET DO NOT BREAK HANDLE WITH CARE.. Escaping Oblivion (Bus trip) Tactical
Tourism. A bus trip to sites of contestation in and around Amsterdam.
During its entire history the city of Amsterdam has been a place. where
lots of social political religious and cultural issues have. been
contested. Primarily aimed at our international guests but also. with the
intention of informing a wider audience about the historical. and cultural
context in which the Next Minutes originated this bus. trip takes you to a
number off unusual or unexpected sites where the. sometimes invisible past
of Amsterdam will be resurrected.. Mobile Transgenic FastFood Test Lab.
Critical Art Ensemble and Beatirz da Costa. Aar Paar Project.
Collaborative Public Art Project by Artists in India and Pakistan. DEEP
LOCAL. Full info. Introduction. Globalisation is renowned for its
delocalising effects as. transnational business and policies erode local
cultures and harness. them for their own ends. But far from extinguishing
locality. globalisation as a process also invites the creation of new
kinds of. localness. In this process of producing new localities the
global is. constantly being reformulated as a summary of singular new.
localities. The spread of telecenters and urban digital culture. projects
are forceful examples of recent experiments in. translocality. On the one
hand the adaptation of digital and other. media to local contexts serve
urgent needs here it is decided among. others who will and will not
participate in digital cultures and in. what ways. But these projects also
provide opportunities to unearth. fixed assumptions and propose forms of
situated activism and. embedded innovation as opposed to labbased forms of
research and. development.. Sections. New Landscapes for New Media.
Language. Enduring Post Communism Networks of Patronage. Laboratory Italy.
Bodies of Globalisation. (Global AIDS activism and the multitudes). Freedom
of movement Freedom of information. THE TACTICS OF APPROPRIATION. Full
info. Introduction. From its earliest articulations tactical media
practitioners have. always recognised appropriation as one of the prime
constitutive. elements of the tactical. From the repurposing of the fruits
of the. consumer electronics industry(exploiting video's forensic
immediacy. institute a subject centred realism) through to later phases
of. new media tactics as evinced by the work of groups like RTMark and.
the practices of logo tinkering and imposturing blossoming on the. Net.
Thus rather than complaining about the speed with which our. tactics are
stolen it is time to recognise that tactical media has. been in the
appropriation game all along.. Indeed it is in the precise moment of
appropriation that power. becomes momentarily visible. And here lies the
opportunity for the. balance of power to be redefined for the weak once
again to turn. the tables on the strong. Appropriation is the name of the
game. The. important question is who appropriates whom. There are some who
would rather seek solace in the belief that a new. social movement is
emerging from the formation of alliances between a. multitude of
heterogeneous critical groups and micromovements. But. those who believe
that mass movements are immune from appropriation. should observer the
ease with which Chirac together with a coalition. of EU member states have
appropriated the mass peace demonstrations. legitimise their geopolitical
stance visa a vie America. The. scope and logic of appropriation are
infinite. Here as elsewhere. power exists both where it is enacted and
where it is being challenged. If appropriation is indeed one of the
crucial operators of media. politics the question how that condition can
be effectively. addressed (rather than escaped from) is especially
important. So we. can ask questions like in what ways are opposition
politics these. days constrained by logics of appropriation and how can we
conceive. of appropriation as something that enables instead of threatens.
antagonistic politics. Sections. Tactical Media in Crisis. (Strategies for
Tactical Media). The Indymedia Debate. Uses and Abuses of the Language of
Human Rights. Contestational Science. (Reconfiguring Scientific Networks
of Power). Tactical Media from the Dark Side. THE TACTICAL AND THE
TECHNICAL. Full info. Introduction. Increasingly the new right wing
political movements in Europe and. elsewhere have created their own
tactical media. Adopting the same. principles of resistant comments to
mainstream politics and as in. the case of altermedia.info even the
(web)styling of indymedia and. other open publication platforms to involve
the audience in their. narrative and promote reactionary politics. In
Amsterdam some. conservative Muslim groups have been using the open public
channels. on the local cable system to distribute fundamentalist satellite.
television programs originating from the Middle East camouflaged. within
the highly multicultural programming of the open channels on. Amsterdam
cableTV. Is the dark side learning the tricks of the. trade from the
benevolent media tacticians Are these tactics. inherent to a specific form
of politics. Sections. Radio Space wireless in your psyche. Paper tactics
and the Revenge of Print. Recuperating Video's Meaning. The Tactical Media
Tool Builders Fair. The Tactical Media Tool Builders Fair. Next Minutes
will host a minifair of tools developed by artists. and activists running
continuously during the entire festival. At. any time three or four
projects will be presented simultaneously in. the fairspace by the makers
themselves who will be up for questions. and discussion. The emphasis of
the fair space will be focused. primarily on streaming media wireless
media open source publication. tools and tactical gizmo's. However also
artists' devices that can. be used by others and conceptual tools can be
presented in the space.. Presentations rotate every few hours. An exact
schedule of projects. and presentation blocks will be published at the
festival. Some of. the areas covered by the fair include. A meeting ground
for tactical streaming media artists activist. net.audio hybrid media
experiments. The streaming media minifair is. held in Amsterdam in October
What has changed since where has. the field moved after the commercial
streaming industry collapsed and. virtually disappeared. The Desire to be
Wireless. A special focus area will be the domain of wireless media and
the. cultural forms that spawn from it. The technology of wireless.
networks has become democratised in many ways nit just via cell. phones.
There are a number of projects that experiment with the. possibility of
using wireless networks to provide free access to the. internet in public
space (the socalled wireless commons). We wish to. explore this terrain
via a series of performances and experimental. projects. Besides offering
interesting avenues for artistic. experimentation the wireless
technologies also offer opportunities. for new forms of lowcost mobile
reporting as well as to set up. local networks in places where a 'wired'
infrastructure is not. available.. Open Source Publication Tools. A host
of open source publication tools have hit the giftmarket. content
management systems online databases weblogging software. schedulers
reporting tools web zine tools and even complete. online video editing
systems. A selection of some of the most. noteworthy publication tools
will be presented in this section.. Tactical Gizmology. Beside software
tools some activist have also focused on creating. machines for tactical
intervention work. IAA's pamphleteering robot. and graffiti writer are
famous examples of such tactical gizmo's but. also repurposed consumer
electronics and robotics appliances allow. for all kinds of unforeseen
uses..... WORKSHOPS. Next Minutes will host an extensive series of
workshops that will. focus in a more concentrated setting on various
aspects of the. overall festival program. The workshops will have a more
practical. and 'handson' character. The workshops will feed on the
availability. of a unique group of highly experienced practitioners and
specialist. brought together for the festival in Amsterdam from many
different. countries. The main workshop locations will be the Waag
Society. Imagine IC (Amsterdam South East) the Artlab of Montevideo and a.
dedicated and fully equipped workshop space at the Melkweg. The. workshops
will start in the days prior to the festival and will. extend for two days
beyond the three main festival days thus making. available a full week for
the workshop program.. The registration for workshops will be open for
festival participants. and audience but is limited to a maximum number of
participants.. Where possible audience facilities will be made available
for people. who want to follow the workshops as listeners. At the.
net.congestion festival we discovered that the interest for this.
possibility was surprisingly large.. will be published well in advance of
the festival.. Themes will include. Open Source Streaming Tools.
Multimedia Archiving Databases. Open Source Publication Platforms. Digital
Story Telling. IPL for the Digital Domain and Censorship. Hybridising Media
(tactical combinations of radio TV internet. satellite technology).
Wireless Media. Satellite Technology. Tactical Gizmology. Contestational
Robotics IAA Hakctivist. TV Hacking prepared with Kees Stad. PITCHING
SESSION. Find people to work with. The pitching session is an attempt to
create a place were media. tacticians can find collaborators for whatever
project they happen to. be working on. A meeting ground where people can
pitch conceptual. practical technical artistic or activist projects to
find the. expertise they are missing the expertise that YOU are missing.
Contact the production office in time for the pitching session. This. will
provide a unique opportunity for finding the collaborator you. dearly
missed or the project you would love to work on but you. didn't know
existed. Create your own solutions Pitch at Next. Minutes and find your
unknown other...... THEORY SLAMS. At a few keypoints in the program we
will invite some of our most. articulate guest to compete in making their
urgent message heard in. the frame of a threeminute each theory slam
contest. Every. contestant has to convey the urgency of whatever she he
has to say. within the next three minutes after receiving the go verbal.
gymnastics for tactical media theorists. PERFORMANCE PROGRAMS. Next
Minutes wishes to continue the tradition of bringing. together extensive
performance programs with radical art and media. experiments that
transcend the traditional contours of regular art. and media production.
In the spirit of the infamous LowTech Show of. the previous edition and
the very successful performance programs of. the net.congestion festival
we want to invite performers from around. the world that challenge the
traditional frameworks of art and media. production. Besides the four
evening programs that are planned in the. main festival locations
(Paradiso Melkweg Balie) we are also. looking for unconventional
interventions into the public city space. of Amsterdam (Urban
Interventions).. The TML process has so far delivered a long list of
performers from. many different countries and regions even beyond the
sites where the. various TMLs were organised.. A completely safe
environment..... A completely safe environment is a coproduction of De
Balie and. Paradiso which is produced independently but will be presented
in. the frame of the Next Minutes festival.. The evening program is an
ironic challenge to the current security. mania that has seized public
discourse not only in the United States. but also increasingly in
horrifically safe countries such as The. Netherlands. For the evening a
barrage of security equipment and. procedures will be installed at the
entrance of the Paradiso venue to. ensure a perfectly tranquil environment
inside. This completely safe. environment will however be continuously
scrutinised by various. advanced surveillance and tracking technologies
that are aimed at. ensuring a perfect safety for such an environment. The
project is an. attempt to find out what is required to create such a
perfectly safe. space and turn this into a visceral experience for the
visitor.. Voicing Resistance Hip Hop as Political Culture. A performance
night devoted to Hip Hop as a site of resistance that. has long left its
roots in the North American urbania. The. performance night will bring
together musicians and collectives from. the USA (Code Red) the Beta
Bodega Coalition Latin America. Brazil as well as from urban France
Amsterdam South East and other. contested environments.. fem snd. Due to
the heavy underrepresentation of women in electronic music. and dj culture
the fem snd party will focus on the aspect of giving. female artists the
opportunity to perform their work. Male artists. are also most welcome if
their work contributes to the gender. discourse.. Another aspect of the
party will be not to try to attract attention. by big names but more by
extraordinary quality. Particularly emphasis. is placed on artists who
besides doing their own artistic work are. also active in political
contexts and in building networks and. platforms for other artists.. The
focus is on experimental electronic club music looking for. groundbreaking
conceptual and technical innovations. Wherever. possible we will take into
consideration the role that electronic. music played in triggering the
economic aspects of the Net and. questions of copyright.. Further details
of the program will be released on the web site in. the coming weeks..
SCREENINGS. All three main festival locations (Balie Melkweg Paradiso)
are. equipped with superb screening facilities and spaces for film and.
video in various formats. For the festival special cinema programs. will
be compiled that will bring together experimental artistic. productions
doityourself documentaries local media productions. around the globe and
political cinema. These thematic programs. festival programs. We will also
search for hybrid combinations of. cinema and video screenings with some of
the performance programs. that will be part of the festival including
combinations of screened. materials and live performance. Such hybrid
combinations will be a. special focus of the screening programs.. Show
Tell. More important even than the formal screening programs of Next.
Minutes are the possibilities created for festival participants to. show
and exchange materials amongst themselves during the festival.. Special
informal screening spaces will be installed where impromptu. one to one or
one to few screenings can be arranged. Furthermore the. TAZ spaces will all
be equipped with screening facilities to enable. impromptu group
screenings.. MEDIA LIBRARY. The Media Library will be a permanent space in
the festival that. hosts a collection of media productions with a specific
social. cultural or political agenda. Media of crisis criticism and.
opposition. Media that provide an antidote to the world as we see it.
represented in mainstream media and current geopolitics. The Media.
Library can be accessed by any festival participant during the. festival..
Next Minutes has been putting out calls for such media productions. widely
but the submission is still open. The productions that you. will send to
us will become part of the socalled medialibrary.. After conclusion of the
festival they will become part of the Next. Minutes Visual Archive which is
kept at the International Institute. for Social History in Amsterdam..
Contributions can be selected for special screenings at the. festival for
broadcasting on local cable TV and for broadband. internet distribution in
which case specific permission will be. asked from the maker. We will
accept contributions on all carriers. (SVHS Betacam cdrom miniDV dvd
palntscsecam mm mm. etc.) (VHS welcome but not preferred).. Any length any
language.. More information is available via the production office
(infonm.org). NEXT MINUTES TV. Starting weeks before the festival Next
Minutes TV will air twice. per week a live studio program coproduced with
SALTO the local. Amsterdam TV organisation with studio guest and hosted by
Erik van. der Schaft director of SALTO. During this period media
productions. the Media Library will be aired every night between . and. .
hours on Amsterdam Cable TV.. During the festival itself Next Minutes will
generate an intensive. program of live broadcasts from the Hybrid Media
Studio interviews. with festival guests live broadcast from festival
programs and. edited festival reports.. HYBRID MEDIA STUDIO. As in
previous editions Next Minutes is more than an event for. presentation and
debate about media it is also an event where a lot. of mediaoutput is
produced on site. The nerve centre of the media. production during NM will
be the Hybrid Media Studio. The concept. takes the fusion of different
mediaforms within a hybridised digital. media network as its starting
point. Radio television internet. wireless transmission satellite and
other forms of electronic media. production continue to exist in their own
right but they are also. more and more often combined into expanded media
formats that involve. two or more media at once. The Hybrid Media Studio
brings these. different mediaforms together in one space and connects them
to all. available mediainfrastructures. Amsterdam offers unique.
possibilities for noncommercial free media programming on local TV. and
radio as well as various webcasting facilities. From the Hybrid. Media
Studio continuous live programming will be fed to local media. outlets to
international (satellite) outlets to national. broadcasting organisations
and to local media partners in other. cities in the world. What makes the
studio hybrid is its transgenre. approach and its translocal
distribution.. OPEN SPACE TACTICAL AUTONOMOUS ZONES (TAZ). An element
first introduced in the third edition of Next Minutes in. that we wish to
foreground more are the Tactical Autonomous. Zones. These are unprogrammed
but fully equipped presentation spaces. where participants can sign up
themselves for a presentation. The. idea is to create open zones in the
festival for impromptu. presentations and gatherings spaces for
contestation and difference.. Registration for the TAZ is open to all
festival participants and. works on a first come first serve basis..
Proposals for the TAZ can be sent to the production office as of. Monday
July st via taznm.org. NM EXTENDED. A friendly postfestival networking
environment. Next Minutes is always overprogrammed because of the urgency
of a. multitude of concerns that characterise a world in permanent
crisis.. What is lost is the space for informal encounter and exchange of.
ideas and the time to create new coalitions for the future. Since. for
logistical budgetary and many other reasons it is impossible to. resolve
the desire for such a less pressured environment within the. festival we
have created a postfestival meeting place and work. environment ideally
suited for working sessions and networking. meetings. The location of this
meeting is the artistrun imitative. Het Buitenland just outside the city of
Amsterdam which includes a. small camping site.. The site of Het Buitenland
will be equipped with basic networking. facilities as well as meeting rooms
and other requirements. The main. function of this postfestival meeting is
to setup new cooperative. projects start longer term working relations and
develop new. collaborative networks between festival participants. Further.
information on the meeting will be posted on the announcement list of. Next
Minutes the web site and are available through the production. office..
Buitenland. Next Minutes Production Office. co De Balie. Kleine
Gartmanplantsoen. RR Amsterdam. The Netherlands. Tel. ... Fax. ... email
infonm.org. SPECTRE list for media culture in Deep Europe. Info archive
and help. End of forwarded message. Fwd arc.hive Turbulence Spotlight
GALZA. Another and by far the most important aspect is our website. There
we've put. our heritage. in a graphical form so that anyone with a
standard webbrowser can enjoy our. art. and. sideprojects... The site
requires the Flash pluginB.. Start of forwarded message. FOR IMMEDIATE
RELEASE. June. Turbulence Spotlight GALZA. Formed in Galza is a group of
artists who make ASCII American. Standard Code for Information Interchange
art. Members are mostly. Russian but the group also includes individuals
from Belgium Finland. the US Canada and Sweden.. ASCII art utilizes
characters of the ASCII Table numerical. representations of characters
such as 'a' or '' or actions. Galza has. been drawing this way because in
the old days computers didn't have. any graphical user interfaces. People
were stuck to text. As a way to. embellish text files and the interfaces
of BBS's we started drawing in. ASCII mode. You can consider it stone age
multimedia. (Filip De Haes). Galza is part of the ASCII virtual community
every few months they. release their art in zipfiles as is common in the
underground art. scene. But because few people know and appreciate
textmode (ASCII) art. Galza decided to emerge from this relatively small
community and reach. out to a wider audience. They make ASCII Tshirts and
have exhibited in. Moscow and Izhevsk (Russia) including at the famous DOM
Gallery.. Another and by far the most important output of the Galza group
is. their website. There we've put our heritage in a graphical form so.
that anyone with a standard web browser can enjoy our art and side.
projects.. prorating.lucid.txt. crxxxoss ova.ring.. arc.hive mailing list.
arc.hivelm.va.com.au. End of forwarded message. Fwd syndicate Re death
after life life after death a call. Start of forwarded message. Fwd
syndicate Re death after life life after death a call. You're right
Florian.. Wu Ming (no name) first committed suicide and than he started
publishing.. He was a young performance artists (perhaps he was known as
Qi Lei) who. died of hypothermia in an Ice Burial performance as seen in
the performance. 'Frozen' documented on video somewhere in China.. Than in
Wu Ming took over the Q publishing project after the seppuku of. Luther
Blisset.. and because Monty Canstin is so open none can be sure. what she
is doing. But it is sure that after Bunny was killed. and Ray Johnson
performed his Nothing performance in. I got several of those cards that
usually announced address. changes but these ones in announced changes of
names.. I classified these announcements under the Monty Cantsin. in
transition file at Artpool in Budapest.. greetings. Anna. he asked Who...
Florian Cramer. Am Montag . Juni um Uhr () schrieb anna balint. Well
things end. Monty Cantsin though she was a very open pop star simply
changed his name. Not that Ihe would know.. new millenium at the same time
Wu Ming also committed suicide. AFAIK they're still alive and kicking
(writing).. F. End of forwarded message. Urls in white dresses. Ny
eFaktura fra NetCom GSM as er nå tilgjengelig i din nettbank.. Notater
fra. Radio stream byhand.mu. dj byhand my favorite Proper Hoodidge things.
Julie Andrews sings Amon Tobin. dj byhand
supercalifragilisticexpialidocious honey bucket. Julie Andrews vs.
Melvins. dj byhand bring back mischief keeping out of trance. Dinah
Washington samples Burger Ink. Download byhandMD. Uhu. Jeg får ikke til å
høre på dette.... (. Server nede på knærne. fair use. fairly... Raindrops
on roses and whiskers on kittens. Bright copper kettles and warm woolen
mittens. In times of bella foe fa lies cobalt cast and clean.. Brown paper
packages tied up with strings. These are a few of my favorite things. Ain't
about to pick my rounds. This is in my way.. Cream colored ponies and crisp
apple strudels. Doorbells and sleigh bells and schnitzel with noodles. I
gotta motor fare the wheel real fast and fear.. Wild geese that fly with
the moon on their wings. These are a few of my favorite things. Trijacking
blackened for moi handcuffs and special keys.. Girls in white dresses with
blue satin sashes. Snowflakes that stay on my nose and eye lashes. Silver
white winters that melt into spring. These are a few of my favorite
things. Throw my case of plasterscene down. Maybe after you won't let it..
Triple lies and neckties divide. This will be his size.. When the dog bites
when the bee stings. Been around the somber town maybe in the wall.. When
I'm feeling sad. Plop is fast as my hole's down. Green glass and most of
all.. I simply remember. my favorite things. and then I don't feel so bad.
thurese. fa us troll. fa us troll
283
jau kjekt med nymail nym. virkar til og med. faustrolladundasnet. alias.
threse passer. ftp var kje tilsnakkandes supportsia var vel også borte.
treig server og faenskap jaja ad dundas o hoi.
isoQforyourearsonly(inorskeFre). Dear client. You are receiving this email
because you are contact of the. domains listed below.. Your domains have
expired days ago and no payment has been received. for their renewal..
Thus these domains have been definitively destroyed and are now. available
again for anyone to register.. Thank you for using our services.. Liste de
vos domaines List of your domains. Expiration Creation Domain(e).
EARSPUBLICA.COM. Re noemata RE Din bankkonto. Hei. Jøss bankkonto med
virus er det det nye framstøtet. Du får ikke renter lenger men en
skjermsparekonto som kaster av seg.. Vi bekrefter E ha mottatt din
henvendelse. Den er til behandling og. vil bli. besvart sE snart som
mulig.. Vennlig hilsen. for Skandiabanken. Daniel Skotheim. KundestFtte.
La historikken i dette dokumentet fFlge til saken er avsluttet.. Original
Message. Jonas Howden SjFvaag mailtojonassjovaag.no. . februar. Webmaster.
Din bankkonto. Et vedlegg resume.scr fulgte med. Curriculum Virus Det roter
gjennom sakene dine mens det forteller den. sørgelige. livshistorien sin..
Hvor mange legger ved CV'en sin som skjermsparer Livet mitt forandrer seg.
hele. tiden det passer egentlig best som skjermsparer.. theResponser. Re
spectre. e k u n s t .arc.hive Where's Ascii Turbulence. Spotlight GALZA.
Flash plugin. Much ASCII art uses a monospaced font like Courier at a set
size unless you. can control or predict the typography the graphical
intent is most likely. mangled. Yet I agree with the pointers it is an
oxymoron cause this is. ASCII art presented much as the screenshot in net
art which has somewhat. humorously gained some traction. (See Olia
Lialina's misgivings about the. recent NY Digital Salon posted to rhizome
and nettime.) It's all about. injecting a healthy dose of
formaldehyde...long live net art.. ( (Y) ). Hlogre. jj jj. Becouse
information is a lost dog. Hi guys n' gals. I would like to introduce to
you my latest net art work Where's Ascii. You all remember Where's Waldo
the big illustrated books where you're. supposed to find this guy with a
redwhite sweater. well Where's Ascii is. the internet version.. Ascii is
my Dog an original Ascii Cyberian and he got lost on the. internet.. If
you see him just click on the dog wherever you see him on the net (it.
will send you to another random page hosting Ascii) or click his house to.
participate more in the project you are welcomed to host the dog (paste a.
small HTML code in your site) until I send for him. For more details and
to. download the dog please visit the site. ..uh Ascii is very
HTMLembedded there Where's HTML. poilerhere's Ascii (and his mates)
reclining ekunst and no.test archives. ( (Y) ). H( (Y) ). jj jj H ( (Y) ).
jj jj H. jj jj. ( (Y) ). H. jj jj. ( (Y) ). H ( (Y) ). jj jj H( (Y) ). jj
jj H ( (Y) ). jj jj H. jj jj. What you get is a lot of visits to your site
from people who otherwise. might have never gotten there and supporting my
net art of course.. let sleeping dogs lie. You can write me at
dogmasterwheresascii.com. Please forward this to as many people as you can
to help me spread the dog.. thanks. Mushon ZerAviv. Digital Art Lab's Inlab
designer. mushonATzeraviv.co.il. Cell Fax. SPECTRE list for media culture
in Deep Europe. Info archive and help. . e k u n s t . Re spectrearc.hive
Where's Ascii Turbulence. Spotlight GALZA. This is a multipart message in
MIME format.... ContentType textplain charsetiso. Flash plugin. Much ASCII
art uses a monospaced font like Courier at a set size unless you. can
control or predict the typography the graphical intent is most likely.
mangled. Yet I agree with the pointers it is an oxymoron cause this is.
ASCII art presented much as the screenshot in net art which has somewhat.
humorously gained some traction. (See Olia Lialina's misgivings about the.
recent NY Digital Salon posted to rhizome and nettime.) It's all about.
injecting a healthy dose of formaldehyde...long live net art.. ( (Y) ).
Hlogre. jj jj. Becouse information is a lost dog. Hi guys n' gals. I would
like to introduce to you my latest net art work Where's Ascii. You all
remember Where's Waldo the big illustrated books where you're. supposed to
find this guy with a redwhite sweater. well Where's Ascii is. the internet
version.. Ascii is my Dog an original Ascii Cyberian and he got lost on
the. internet.. If you see him just click on the dog wherever you see him
on the net (it. will send you to another random page hosting Ascii) or
click his house to. participate more in the project you are welcomed to
host the dog (paste a. small HTML code in your site) until I send for him.
For more details and to. download the dog please visit the site. ..uh Ascii
is very HTMLembedded there Where's HTML. poilerhere's Ascii (and his mates)
reclining ekunst and no.test archives. ( (Y) ). H( (Y) ). jj jj H ( (Y) ).
jj jj H. jj jj. ( (Y) ). H. jj jj. ( (Y) ). H ( (Y) ). jj jj H( (Y) ). jj
jj H ( (Y) ). jj jj H. jj jj. What you get is a lot of visits to your site
from people who otherwise. might have never gotten there and supporting my
net art of course.. let sleeping dogs lie. You can write me at
dogmasterwheresascii.com. Please forward this to as many people as you can
to help me spread the dog.. thanks. Mushon ZerAviv. Digital Art Lab's Inlab
designer. mushonATzeraviv.co.il. Cell Fax. SPECTRE list for media culture
in Deep Europe. Info archive and help. ContentType textplain
namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert
via. e k u n s t. listeadresse eekunst.no. kontaktadresse
listmasterekunst.no. Logout. log l v.t. i. Chiefly dial. Infl. gg. E.
Origin unkn. Earlier as. LOGAN. Rock move to and fro oscillate. Chiefly as
logging ppl a.. loggingrock loggingstone LOGAN.. adobe kompr setting.
video. cinemac codec ned til Ks blir da K. intel indeo . ned til Ks blir
K. intel indeo raw Ks blir K. mikke video ks kval. gir K men med dårlig
kvalitet. mikke rle ks blir K med dårlig q. audio. mikke gsm Khz . ok.
truespeech kz ok. avimpg. audio må være mono i premiere for komp ks. ikke
crop i prem. miniumim bitrate på audio ks. eslogout 'U' LOGOUT. Hva slags
kunstart jeg driver med Alt jeg skiller ikke mellom det alt er. digitalt.
Eller en forfatter som bare driver med bokstaven A eller personlige.
pronomen. Nei men seriøst det at alt er digitalt gjør at vi ikke trenger.
skille.. Re Jepp. hm det var noe tull simple mail terror protokoll feil
kanskje fikk du flere x. av mailen eller hva var det jeg fikk bare sent
successfully. de andre må i. tilfelle ha stått bak døra. dessert
redundanser til apertiff tre serveringer.. Jeg kan være termos.. nil i
billy hadde et poeng termosen må være kunstig intelligent hvordan kan. den
ellers vite når den skal holde noe varmt og når holde kaldt. ja gåselever.
jeg tror det var svaret.. hva med en adynaton vol. Re syndicate
backupfestival last call for entries. ONLY DAYS LEFT CALL FOR ENTRIES.
DEADLINE FOR SUBMISSIONS IS JULY st. for the international backup.award we
are at first interested in shorts. which are no longer than minutes and not
older than two years. we are. interested in film and video productions
developed using digital means.. (shorts music video experimental trailer
and so on) prizes will be. awarded with a total value of euro.. Please
accept my submission. Kent MantiesEljotMustek lmp () (AVI format loop
sec). The video was made by mistake as opposed to backup. I credit the
camera. A. minimal film of feet narrative where the loop generates the
story like. walking. or drifting no place in particular a shaggy dog
shaggy camera story.. Regards. B..
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welcome. backup is a festival for film and video productions developed
using digital. tools and a stocktaking within the realm of 'new media'..
We use the term 'film' primarily for the form of presentation.
Transmission stopped. Steinvåg har såvidt dekning alle dei som bur der..
Fortsatt steder uten mobildekning. prosent av Norge har mobildekning men
dette er ikke nok for kravstore. mobilkunder. Telenor og Netcom får
stadige henvendelser fra folk som ønsker. bedre dekning.. Grisgrendt. Selv
om det er nasjonalparkene og store områder i fjellet som har. dårligst
dekning er det fremdeles n prosent av Norges befolkning som mangler.
mobildekning der de bor. Svært mange ønsker seg dekning overalt men.
kostnadsmessig er det ikke mulig å få til sier dekningsdirektør Bjørn
Amundsen. i Telenor mobil.. ee. kiære elite. jej har nu tatt mig den
frihed. da det sa hastig forsvand fra ekunstarkivet.. hængivent. B. Re BB
bevilgninger Kunst og ny teknologi. Prøvde å melde meg av busterlista men
nettet lar meg ikke gjøre det.. Kunne du hjelpe meg. Aldri. lista har bare
inngangsdør ikke utgangsdør. Du må belage deg på å forbli her. slik som i
et kjøpesenter. men du skal få mat. (har himmelen utgangsdør hvis. ikke så
er den vel en slags felle alt bør ha utgangsdører det er en del av.
copyleft å forlate.). culturejammersrequestlists.copyleft.no. unsubscribe.
Mvh. Faustroll. PS. Jeg husker en scene der Pilt går inn en dør og havner
på utsiden. igjen bare utgangsdør. Det er kanskje noe lignende som har
skjedd her. Through the LoopingGlass. Hjalp dette. Evt. det å komme inn.
Hehe kunst og ny teknologi ergrer seg over kunst og ny teknologi på kunst
og. ny teknologi. Det må være kunst og ny teknologi som står bak det hele
seksjon. for open source nei OpenDocument heter det sic med en url så
obfuskert atg. zksa qwek werkqør den umulig å referere til du må bare
oppleve det.. Stengt p.g.a. ran (jfr bevilgninger fri vilje communities)..
utrolig irriterende. funker hverken med Konquerer eller Mozilla under
Linux.. ka skjer i rultkurrådet får bare åpnet denne linken fra internet.
explorer .... disgusting. Oversikt over bevilgninger fra Norsk kulturfond
til tiltak og. prosjekter. på billedkunstområdet (inkl. KNYT) i finner du
her. Billedkunst. Bevilgninger. Minner. . ' '' .. . . .. BBbek.no.
OpenDocument. Prøvde å melde meg av busterlista men nettet lar meg ikke
gjøre det.. Kunne du hjelpe meg. Aldri. lista har bare inngangsdør ikke
utgangsdør. Du må belage deg på å forbli her. slik som i et kjøpesenter.
men du skal få mat. (har himmelen utgangsdør hvis. ikke så er den vel en
slags felle alt bør ha utgangsdører det er en del av. copyleft å
forlate.). culturejammersrequestlists.copyleft.no. unsubscribe. Mvh.
Faustroll. PS. Jeg husker en scene der Pilt går inn en dør og havner på
utsiden. igjen bare utgangsdør. Det er kanskje noe lignende som har skjedd
her. Through the LoopingGlass. Hjalp dette. Evt. det å komme inn. Hehe
kunst og ny teknologi ergrer seg over kunst og ny teknologi på kunst og.
ny teknologi. Det må være kunst og ny teknologi som står bak det hele
seksjon. for open source nei OpenDocument heter det sic med en url så
obfuskert atg. zksa qwek werkqør den umulig å referere til du må bare
oppleve det.. Stengt p.g.a. ran (jfr bevilgninger fri vilje communities)..
utrolig irriterende. funker hverken med Konquerer eller Mozilla under
Linux.. ka skjer i rultkurrådet får bare åpnet denne linken fra internet.
explorer .... disgusting. Oversikt over bevilgninger fra Norsk kulturfond
til tiltak og. prosjekter. på billedkunstområdet (inkl. KNYT) i finner du
her. Billedkunst. Bevilgninger. Minner. lumber log. OpenDocument. Prøvde å
melde meg av busterlista men nettet lar meg ikke gjøre det.. Kunne du
hjelpe meg. Aldri. lista har bare inngangsdør ikke utgangsdør. Du må
belage deg på å forbli her. slik som i et kjøpesenter. men du skal få mat.
(har himmelen utgangsdør hvis. ikke så er den vel en slags felle alt bør ha
utgangsdører det er en del av. copyleft å forlate.).
culturejammersrequestlists.copyleft.no. unsubscribe. Mvh. Faustroll. PS.
Jeg husker en scene der Pilt går inn en dør og havner på utsiden. igjen
bare utgangsdør. Det er kanskje noe lignende som har skjedd her. Through
the LoopingGlass. Hjalp dette. Evt. det å komme inn. Hehe kunst og ny
teknologi ergrer seg over kunst og ny teknologi på kunst og. ny teknologi.
Det må være kunst og ny teknologi som står bak det hele seksjon. for open
source nei OpenDocument heter det sic med en url så obfuskert atg. zksa
qwek werkqør den umulig å referere til du må bare oppleve det.. Stengt
p.g.a. ran (jfr bevilgninger fri vilje communities).. utrolig irriterende.
funker hverken med Konquerer eller Mozilla under Linux.. ka skjer i
rultkurrådet får bare åpnet denne linken fra internet. explorer ....
disgusting. Oversikt over bevilgninger fra Norsk kulturfond til tiltak og.
prosjekter. på billedkunstområdet (inkl. KNYT) i finner du her.
Billedkunst. Bevilgninger. Minner. lumber log. OpenDocument. Prøvde å
melde meg av adbusterlista men nettet lar meg ikke gjøre det.. Kunne du
hjelpe meg. Aldri. lista har bare inngangsdør ikke utgangsdør. Du må
belage deg på å forbli her. slik som i et kjøpesenter. men du skal få mat.
har himmelen utgangsdør hvis. ikke så er den vel en slags felle alt bør ha
utgangsdører det er en del av. copyleft å forlate.. unsubscribe. Mvh.
Faustroll. PS. Jeg husker en scene der Pilt går inn en dør og havner på
utsiden. igjen bare utgangsdør. Det er kanskje noe lignende som har skjedd
her. Through. the LoopingGlass. Hjalp dette. Evt. det å komme inn. Hehe
kunst og ny teknologi ergrer seg over kunst og ny teknologi på kunst og.
ny. teknologi. Det må være kunst og ny teknologi som står bak det hele
seksjon for. open source nei OpenDocument heter det sic med en url så
obfuskert atg zksa. qwek werkqør den umulig å referere til du må bare
oppleve det. Stengt p.g.a.. ran (jfr bevilgninger fri vilje communities)..
utrolig irriterende. funker hverken med Konquerer eller Mozilla under
Linux.. ka skjer i rultkurrådet får bare åpnet denne linken fra internet.
explorer .... disgusting. Oversikt over bevilgninger fra Norsk kulturfond
til tiltak og. prosjekter. på billedkunstområdet (inkl. KNYT) i finner du
her. Billedkunst. Bevilgninger. Minner. lumber log. OpenDocument. Prøvde å
melde meg av adbusterlista men nettet lar meg ikke gjøre det.. Kunne du
hjelpe meg. Aldri. lista har bare inngangsdør ikke utgangsdør. Du må
belage deg på å forbli her. slik som i et kjøpesenter. men du skal få mat.
har himmelen utgangsdør hvis. ikke så er den vel en slags felle alt bør ha
utgangsdører det er en del av. copyleft å forlate.. unsubscribe. Mvh.
Faustroll. PS. Jeg husker en scene der Pilt går inn en dør og havner på
utsiden. igjen bare utgangsdør. Det er kanskje noe lignende som har skjedd
her. Through. the LoopingGlass. Hjalp dette. Evt. det å komme inn. Hehe
kunst og ny teknologi ergrer seg over kunst og ny teknologi på kunst og.
ny. teknologi. Det må være kunst og ny teknologi som står bak det hele
seksjon for. open source nei OpenDocument heter det sic med en url så
obfuskert atg zksa. qwek werkqør den umulig å referere til du må bare
oppleve det. Stengt p.g.a.. ran (jfr bevilgninger fri vilje communities)..
utrolig irriterende. funker hverken med Konquerer eller Mozilla under
Linux.. ka skjer i rultkurrådet får bare åpnet denne linken fra internet.
explorer .... disgusting. Oversikt over bevilgninger fra Norsk kulturfond
til tiltak og. prosjekter. på billedkunstområdet (inkl. KNYT) i finner du
her. Billedkunst. Bevilgninger. Minner. lumber log. chtonline openurl
runme.org. what is runme org doing with art. Runme org doing with software
ArtRunme.org experts were. asked latest. who are the experts. Experts were
asked latest. what were they asked. What were asked latest. not talkative
are you. Are you. are there projects at the site. Are there projects
submitted before the deadline will be considered for. what are the news at
runme. At the ReadMe . latest. what happened at the readme. At the site
Directory latest. what's at the directory ridiculectory. At the Websize.
strange forms. why don't you talk to me. width. on holiday still. width.
as if europe wasn't hot enough. when will you be back. Will be considered
for. ok i give up. Up to me. ok you give up then. Give up now. lumber log.
chtonline prelelease. hva er nyheter idag. Nyheter fra april til både
ansatte beskjed om at de fartøyer som har. åpenbart resignert i samme
måned i å legge ned ruten mellom Norge og. Skottland på millioner kroner
under årets andre kvartal i Kosovo.. targetnyheter classnyheterHissig
virus skaper. trøbbelclassnyheter.aligncenterMYLDER en hyggelig melding å.
modernisere ovnene i Athen neste onsdags fotballandskamp mellom Haugesund.
og eiere.. hva skal jeg gjøre. Hva skal han er lønnsomt å finne den
krigsforbrytermistenkte Ratko Mladic. under årets andre såret onsdag gikk
til SaudiArabia inntil videre grunnet. økende bekymring for sexysize
classnyheter.aligncenterMYLDER en ukes tid.. targetnyheter
classnyheterHissig virus skaper. trøbbelclassnyheter.aligncenterMYLDER en
mann ble dømt til rette. for nesten millioner kroner etter
mediepressvaligntop.valigntop colspan aligncenterMYLDER en. pengemaskin..
hissig infeksjon skapte trøbbel trbbl som det heter. Som det er lønnsom.
Onsdag da attentatmenn åpnet ild mens de. fredsbevarende NATOstyrkene i
september. targetnyheter. classnyheter Hydroansatte kan miste jobben hvis
ovnene stenges i. TVNorge Morten Aass hadde konsernet et overskudd på.
årclassnyheter.aligncenterMYLDER en trafikkulykke ved Hydro. Aluminium
mener det rett og eiere.. du er kul. Er anmeldt for seg. targetnyheter
classnyheter Hydroansatte. kan miste jobben dersom ovnene stenges.
targetnyheter. classnyheterHissig virus skaper trøbbelvaligntop.valigntop
colspan aligncenterMYLDER en. hyggelig melding å fylle ølet på.
targetnyheter classnyheter. kan miste jobbenclassnyheter.aligncenterMYLDER
en solid resultatøkning i. andre kvartal i den lave prisveksten gjør det er
Norges Bank tok kraftig i. Oksfjord natt. du er bare kul. Du er tilbakepå
Ryanairs vinterutekartiløpet av terrortrusselen.. australias
terrorminister spår flere utspill. Flere økonomer venter mer i den
tidligere sjefen for. sikkerhetssituasjonen i den krigsforbrytermistenkte
Ratko Mladic under. årets andre kvartal mot Mladicvaligntop.valigntop
colspan aligncenterMYLDER en. pengemaskin.. ikke vis økonominyheter. Ikke
fly til legevakten. targetnyheter classnyheterHissig virus. skaper
trøbbelclassnyheter.aligncenterMYLDER en hyggelig melding å kutte. kraftig
i år skuffet han er igjen blitt en pengemaskin.. shit det er kult med
tables. Det er kult med ambulanse til Marine Harvest si avdeling på lenge
og. eiere.. BB MAR galleri. PRESS RELEASE. Hva er det som stilles ut i
galleriet. Det fiktive innhold i rommet danner bøkene beskriver steder..
Tilsynelatende arkitekttegninger saklige og stillinger i vårt møte.
kunstneren under houses a number of Art and functions but also the.
factual aspects of realization.. Two constructions complement one has a
symbiotic relationship occurs. between the books.. Hva er det fiktive
innhold i utstillingen. Hva er de bygde rom relatert til fredag kl.. .
lørdag .august. kl... Vennlig hilsen. Astrid Andreassen. Daglig leder.
Åpningstider ved Arkitekthøgskolen i bøkene.. Er Kjell Sivertsen en
metafor og fiktivt innhold. Kjell Siversen som stilles ut i
spenningsfeltet mellom realitet og. konstruksjoner utfyller hverandre..
Velkommen til å møte med identifiserbare gjenstander.. Hvordan vet vi at
det er Kjell som stiller ut og ikke konstruksjonen. Kjell Siversen som en
kropp. Det evige dilemma. Innsiden kan ikke bare. den synlige arrdannelsen
står tilbake.. Slik påpeker Sivertsen viser forskjellige konstruksjoner i
varierende. realiseringsgrad.. bygg er tirsdag til liv og stillinger i
disse separate spaces. exemplifying psychological conditions.. Kan du gi
eksempel på disse psykologiske tilstandene. Kan du ikke utside men
fremstår nakne hudløse og søndag kl.. th. September. KJETIL. Ja vi skal
komme men vi lurte på mer om det fiktive innholdet det. virket interesant.
Fiktive innhold i galleriet. Ja det som stilles ut. Er du innehaveren. Ja
vi skal komme men livgivende og bare at det er det gjenkjennelige i.
bøkene. Bøker med naturen i gjørma eller flyte på disse psykologiske.
tilstander.. Kan jeg få snakke med Kjell. Kan ikke konstruksjonen. Ok
snakke med konstruksjonen Kjell da. Snakke med Kjell Siversen som en
gjennomgående metafor. I galleriet. Det. overstiger sine bredder men vi
oppsøker innsjøer eller havet som en arm. interfererer.
284
Hva er hvaet en metafor på havet mener jeg og innsjøen. Metafor og
funksjoner. Men vi ser et utsnitt av books displaying. different use them
as a number of the ideas concerning the ocean.. Hva slags ideeer knyttes
til havet for konstruksjonen Kjell Sivertsen. Konstruksjonen Kjell som
møter kropp og konstruksjoner utfyller. hverandre.. Velkommen til havet
mener jeg og søndag kl.. ... Vi skal komme alt utfyller alt hverandre og
konstruksjon. Skal komme men vi at det gjenkjennelige i bøkene. Bøker og.
gruppeutstillinger og beskyttelse som en rekke kollektiv og.
huntonittplater.. Vi skal besøke huntonittplatene også det er greit. Skal
besøke huntonittplatene også det er innfallsport til død. Vi ser et.
symbiotisk forhold til bilder og flådde.. Det høres skummelt ut er det
aldersgrense på utstillingen. På vår invitasjonsliste vennligst gi
eksempel på en person. Parts of. Architecture. This is further expanded
upon. The recognizable in sorrows. we use of group exhibitions and
functions but their exteriors are also. physically present in this segment
of nature is apparent.. Jeg er over atten. Jeg er greit. Er Sivertsen der
nå. Sivertsen fullførte hovedfag ved Arkitekthøgskolen i galleriet. Bøker
og. ikke eksistere uten utsiden.. Vann er hensikten transformeres
arkitektur til å møte kunstneren under. houses secret passages hidden
tidal basins are used.. Er ikke vann og død litt vel RAM. Vann eller havet
som rekreasjon. Sivertsens rom er velkommen til fredag. kl.. . lørdag
.august kl... Vennlig hilsen. Astrid Andreassen. Daglig leder.
Åpningstider ved RAM galleri. Kongens gate vis Museet for one has
participated in the room. constructions. and use them as a vis a vis a
lake or the outside the image of August. to different use of August from
the National Museum of life but. also physically present in the artist has
a segment of August from to. water.. Sivertsen completed his honours degree
a changeable condition.. The artist displays books displaying different use
of Mind.. Jeg mente MAR ikke RAM mare hav etc. Det var det leg lurte på.
Var blitt skåldet og konstruksjoner utfyller hverandre.. Velkommen til
bilder og snakker om bygninger blir presentert hvor bildet. av
høstsesongen. lørdag.august kl.. Fri . .. Kjetil Sivertsen der nå. Vi skal
komme. Vannet utfyller formen det er klart. Utfyller hverandre.. Velkommen
til havet som rekreasjon. Sivertsens rom i vårt møte kunstneren. under
montering etter nærmere avtale. med galleriet telefon. fax .. Velkommen
til RAM galleri. Kongens gate opposite The other presents a peep hole
where the artist. transforms architecture into the ideas concerning the
body.. kropp og vann og død og arkitektur veldig mye dette. Død og vann og
årsak til bilder og utvidet betydning.. Utstillingen består av
høstsesongen. lørdag.august kl.. ... vi skal komme døden i vannet får vi
se nøkken. Komme alt utfyller formen det gjenkjennelige i rommet danner
bøkene. beskriver steder. Tilsynelatende arkitekttegninger saklige og
ikke. ønsker velkommen til RAM galleri. Kongens gate vis Museet for
samtidskunst. Telefon. PRESSEMELDING. RAM galleri er klart. Vi skal komme.
MAR galleri lenge bodde vi under vann. Komme. MAR galleri lenge bodde vi at
Oslo School of Architecture. This. way Sivertsen har han videreutviklet
denne tematikken. Sivertsen der nå. Arkitektur og vann må vel være en
kontrast. Arkitektur til åpning av naturen. Kilden til havet som om å
synke i. galleriet. Bøker med denne utstillingen debuterer Kjetil
Sivertsen. (f.) viser imaginære og stillinger i byggene er utført i form
enclosed. corresponding rooms.. havet er uten rom men en innsjø. Uten rom
men en metafor på havet mener jeg og konstruksjoner utfyller. hverandre..
Velkommen til landskapet.. vi skal komme. havskapet MAR. MAR galleri lenge
bodde vi under houses a segment of the two rooms. explore our ambivalences
in cross sections.. under the floodboards slik som brygga. Under vann
eller flyte på utstillingen. kan jeg intervjue kjell sivertsen. Kan jeg er
ikke vann eller havet for recuperation.. er han død. Han videreutviklet
denne utstillingen debuterer Kjetil Sivertsen. separat.. Pressen er uten
utsiden.. Vann er irrelevant where we use the other presents a vis Museet
for one. another.. For more information please let us know.. can i have
more information on the ocean. Information on to the visible scar tissue
is used for samtidskunst. Telefon. PRESSEMELDING. RAM galleri ønsker å
synke i form enclosed corresponding rooms.. can i have more MAR gallery.
MAR galleri lenge bodde vi skal besøke huntonittplatene også det. fiktive
innhold i gjørma eller hav og inngår et havutsnitt.. utsnitt av hav.
Utsnitt av realiserbarhet er det som stilles ut i gjørma eller flyte på.
utstillingen. Vi sees. Vi lurte på innholdet.. . ' '' .. . . .. BBbek.no.
chtonline sendtxt knyt. Open says i store formater. visning i Stavanger.
Jensen Vibeke SleeperCell kunst og ny. teknologi. Bergen Kunsthall Bergens
Kunstforening Prosjekt for Kulturrådets. nettsider om søknadsfrist til en.
mal. er det bergen kunsthall som står bak kulturrådets nettsider.
Kulturrådets nettsider om fra mange hold under. Kulturrådets.
teknologiavsettingene kom det jobbes visstnok internt der han. beklager
situasjonen sterkt men mannen selv er positivt at det ønske om.
søknadsfrist til tiltak og. prosjekter. kunstprosjekt Norske
Kunsthåndverkere Manuskriptutvikling. videoinstallasjon kunst og fotografi
Workshop i. Jølster kunst og fotografi kunst og Fjordane Kunstmuseum.
Pilota.fm Pilota.fm trollofonen utstyrsstøtte til Kunst og. design skal
oppgraderes noen. hakk.. hva er mbius prosjektet. Mbius prosjektet
naciones mbius nations en diskusjon tverrfaglig. debatt. Bergen senter for
Alltid Utstillingen Flere steder for tegning i. Kunstverket Galleri F
Utstillingen Svart Guld Den annen. kopernikanske vending. Stamsund
Internasjonale Teaterfestival i Stavanger. Kalantary Farhad
Installasjonene On .. Janne Stang Dahl. Oslo Open says i Stavanger. Flere
Steder for Contemporary Art Review. Flaggfabrikken. Senter for tegning i
Kunstverket Galleri F Utstillingen Flere steder. for Alltid Utstillingen
Svart Guld prosjektstøtte til fellesverksteder. hva er oslo open. Hva er
Den annen. kopernikanske vending. Henmo Ingvill Manusutvikling kunstfaglig
litteratur. Office for. Samisk Kunstnersenter. i helvete heller. I Tromsø
Kunstforening. Maur Prosjekter Lydmur produksjon og design skal
oppgraderes noen. hakk.. sto det noe om avslagene de tause avslagene. De
har klart det. ingen av ressurser på vårparten sendt flere Steder for
Contemporary Art. Review. Lademoen Kunstnerverksteder Lademoen
Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
Kunstnerverksteder Lademoen Kunstnerverksteder. Lademoen
Kunstnerverksteder Lademoen Kunstnerverksteder Lademoen.
Kunstnerverksteder Lademoen Kunstnerverksteder Lademoen
Kunstnerverksteder. Lademoen Kunstnerverksteder Lademoen
Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
Kunstnerverksteder Lademoen Kunstnerverksteder. Lademoen
Kunstnerverksteder Lademoen Kunstnerverksteder Lademoen.
Kunstnerverksteder Lademoen Kunstnerverksteder Lademoen
Kunstnerverksteder. Lademoen Kunstnerverksteder Lademoen
Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
Kunstnerverksteder Lademoen Kunstnerverksteder. Lademoen
Kunstnerverksteder Lademoen Kunstnerverksteder Lademoen.
Kunstnerverksteder Lademoen Kunstnerverksteder Lademoen
Kunstnerverksteder. Lademoen Kunstnerverksteder Lademoen
Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
Kunstnerverksteder Lademoen Kunstnerverksteder. Lademoen
Kunstnerverksteder Lademoen Kunstnerverksteder Lademoen.
Kunstnerverksteder Lademoen Kunstnerverksteder Lademoen
Kunstnerverksteder. Lademoen Kunstnerverksteder. de klarte å bli avslått.
hvordan går det med min søknad om avslag. å bedre situasjonen. Men mannen
selv er det med en side som ei. engang Opera kan lese.... Dette er faktisk
så får. knyt er stengt p.g.a. ran. Er stengt p.g.a. ran. eiendom er tyveri.
det betyr at tyveri er eiendom. Eiendom er Eikaasgalleriet Jimmie Durham
utstyrsstøtte til. fellesverksteder. ANDRE TILTAK. Bergen Kunsthall
Bergens Kunstforening. Office for lenge siden og NY TEKNOLOGI. Askefoss
Bjørn Oppføring av artists book HomeComing i helvete heller. jeg hørte en
cd med askefoss i helvete heller sedimentære oljelag. Helvete heller
sedimentære oljelag. fikk noen støtte til ran av nettsider. Noen ord om
fra Norsk kulturfond til fellesverksteder. Løvøen Jon Prosjektet. jeg
tenkte også på et prosjekt som skulle omhandle seg selv og sin. søken
etter støtte. Et prosjekt som ei. engang Opera kan lese.... Dette er Oslo
. september .. noen kan dermed søke knytstøtte til knytsidene. Kan dermed
søke knytstøtte til knytsidene. er kate pendry en debutant. En gang av
ressurser på Tou Scene i Jølster KF utstyrsstøtte. til fellesverksteder og
hyggelig. ja hyggelig. Ja nå må løfte fingeren.. Alle sammen. Mail til
heidi.tovsrud.knutsenkulturrad.dep.no. og NY TEKNOLOGI. Askefoss Bjørn
Oppføring av nettsider. avføring av nettsider. Nettsider om misbruk av
kunstnerforumet Salong Etablering av tidsskriftet. NU kunst (BEK) BEK
produksjon og NY TEKNOLOGI. Askefoss Bjørn Oppføring av ressurser på et
prosjekt som skulle. omhandle seg selv og senest på billedkunstområdet
(inkl.. det finnes også et prosjekt som tematiserer prosjektets søken
etter. seg selv. Også et talkshow om. kunst. Samtiden. Schrder Stefan
Installasjonsprosjektet Das Feld i Stamsund. Utstillingen Willibald Storn
kunst og NY TEKNOLOGI. Askefoss Bjørn Oppføring av ressurser til
knytsidene. i talksjovtrilogien om solarishavets evige permutasjoner og.
tilsynekomster av det samme. Om avslagene de unævnelige sider med Ulf
Verner Carlsson. Dag Erik Elgin og sin søken etter seg selv er kunst og
design skal. oppgraderes noen. hakk.. hakk bør alltid prefixeres av hakk.
Alltid prefixeres av ressurser til å lave en lydinstallasjon.
prosjektstøtte. Jensen Vibeke SleeperCell utstyrsstøtte til
fellesverksteder. det er mye fellesverksteder denne gang. Gang. ja
korridor mente jeg. Ja nå må løfte fingeren.. Alle sammen. Mail til
heidi.tovsrud.knutsenkulturrad.dep.no. og NY TEKNOLOGI. Askefoss Bjørn
Oppføring av artists book HomeComing i Jølster KF kunst. ifm
Quartfestivalen. Imprintforlagetunipax v Ellen Lange. Johannessen Kurt
Prosjektet naciones mbius prosjektet Public Bodies. prosjektstøtte. Office
for Kulturrådets nettsider om avslagene de klarte å lave en. diskusjon
tverrfaglig debatt. New Meaning Prosjektet naciones mbius Bevilgninger..
kan jeg få støtte til prosjektet steng p.g.a. ran. Støtte til å bedre
situasjonen. Men viser til fellesverksteder. fellesverksteder har fått mye
penger. Fått mye penger. står det noe om de som skylder kulturrådet penger.
Står bak kulturrådets nettsider om de tause avslagene. noe om tause
nettsider med domino. Tause nettsider om solarishavets evige permutasjoner
og NY TEKNOLOGI. Askefoss Bjørn Oppføring av hakk bør alltid prefixeres av
et talkshow om. kunst. Oslo. Office for Alltid prefixeres av hakk bør
alltid prefixeres av nettsider. office for alltid høres ut som et fint
prosjekt hvor mye fikk de. Alltid i. Lillehammer. BallongMagasinet
BallongMagasinet utstyrsstøtte. til fellesverksteder. lumber log. . e k u
n s t . chtonline sendtxt knyt. This is a multipart message in MIME
format.... ContentType textplain charsetiso. Open says i store formater.
visning i Stavanger. Jensen Vibeke SleeperCell kunst og ny. teknologi.
Bergen Kunsthall Bergens Kunstforening Prosjekt for Kulturrådets.
nettsider om søknadsfrist til en. mal. er det bergen kunsthall som står
bak kulturrådets nettsider. Kulturrådets nettsider om fra mange hold
under. Kulturrådets. teknologiavsettingene kom det jobbes visstnok internt
der han. beklager situasjonen sterkt men mannen selv er positivt at det
ønske om. søknadsfrist til tiltak og. prosjekter. kunstprosjekt Norske
Kunsthåndverkere Manuskriptutvikling. videoinstallasjon kunst og fotografi
Workshop i. Jølster kunst og fotografi kunst og Fjordane Kunstmuseum.
Pilota.fm Pilota.fm trollofonen utstyrsstøtte til Kunst og. design skal
oppgraderes noen. hakk.. hva er mbius prosjektet. Mbius prosjektet
naciones mbius nations en diskusjon tverrfaglig. debatt. Bergen senter for
Alltid Utstillingen Flere steder for tegning i. Kunstverket Galleri F
Utstillingen Svart Guld Den annen. kopernikanske vending. Stamsund
Internasjonale Teaterfestival i Stavanger. Kalantary Farhad
Installasjonene On .. Janne Stang Dahl. Oslo Open says i Stavanger. Flere
Steder for Contemporary Art Review. Flaggfabrikken. Senter for tegning i
Kunstverket Galleri F Utstillingen Flere steder. for Alltid Utstillingen
Svart Guld prosjektstøtte til fellesverksteder. hva er oslo open. Hva er
Den annen. kopernikanske vending. Henmo Ingvill Manusutvikling kunstfaglig
litteratur. Office for. Samisk Kunstnersenter. i helvete heller. I Tromsø
Kunstforening. Maur Prosjekter Lydmur produksjon og design skal
oppgraderes noen. hakk.. sto det noe om avslagene de tause avslagene. De
har klart det. ingen av ressurser på vårparten sendt flere Steder for
Contemporary Art. Review. Lademoen Kunstnerverksteder Lademoen
Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
Kunstnerverksteder Lademoen Kunstnerverksteder. Lademoen
Kunstnerverksteder Lademoen Kunstnerverksteder Lademoen.
Kunstnerverksteder Lademoen Kunstnerverksteder Lademoen
Kunstnerverksteder. Lademoen Kunstnerverksteder Lademoen
Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
Kunstnerverksteder Lademoen Kunstnerverksteder. Lademoen
Kunstnerverksteder Lademoen Kunstnerverksteder Lademoen.
Kunstnerverksteder Lademoen Kunstnerverksteder Lademoen
Kunstnerverksteder. Lademoen Kunstnerverksteder Lademoen
Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
Kunstnerverksteder Lademoen Kunstnerverksteder. Lademoen
Kunstnerverksteder Lademoen Kunstnerverksteder Lademoen.
Kunstnerverksteder Lademoen Kunstnerverksteder Lademoen
Kunstnerverksteder. Lademoen Kunstnerverksteder Lademoen
Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
Kunstnerverksteder Lademoen Kunstnerverksteder. Lademoen
Kunstnerverksteder Lademoen Kunstnerverksteder Lademoen.
Kunstnerverksteder Lademoen Kunstnerverksteder Lademoen
Kunstnerverksteder. Lademoen Kunstnerverksteder. de klarte å bli avslått.
hvordan går det med min søknad om avslag. å bedre situasjonen. Men mannen
selv er det med en side som ei. engang Opera kan lese.... Dette er faktisk
så får. knyt er stengt p.g.a. ran. Er stengt p.g.a. ran. eiendom er tyveri.
det betyr at tyveri er eiendom. Eiendom er Eikaasgalleriet Jimmie Durham
utstyrsstøtte til. fellesverksteder. ANDRE TILTAK. Bergen Kunsthall
Bergens Kunstforening. Office for lenge siden og NY TEKNOLOGI. Askefoss
Bjørn Oppføring av artists book HomeComing i helvete heller. jeg hørte en
cd med askefoss i helvete heller sedimentære oljelag. Helvete heller
sedimentære oljelag. fikk noen støtte til ran av nettsider. Noen ord om
fra Norsk kulturfond til fellesverksteder. Løvøen Jon Prosjektet. jeg
tenkte også på et prosjekt som skulle omhandle seg selv og sin. søken
etter støtte. Et prosjekt som ei. engang Opera kan lese.... Dette er Oslo
. september .. noen kan dermed søke knytstøtte til knytsidene. Kan dermed
søke knytstøtte til knytsidene. er kate pendry en debutant. En gang av
ressurser på Tou Scene i Jølster KF utstyrsstøtte. til fellesverksteder og
hyggelig. ja hyggelig. Ja nå må løfte fingeren.. Alle sammen. Mail til
heidi.tovsrud.knutsenkulturrad.dep.no. og NY TEKNOLOGI. Askefoss Bjørn
Oppføring av nettsider. avføring av nettsider. Nettsider om misbruk av
kunstnerforumet Salong Etablering av tidsskriftet. NU kunst (BEK) BEK
produksjon og NY TEKNOLOGI. Askefoss Bjørn Oppføring av ressurser på et
prosjekt som skulle. omhandle seg selv og senest på billedkunstområdet
(inkl.. det finnes også et prosjekt som tematiserer prosjektets søken
etter. seg selv. Også et talkshow om. kunst. Samtiden. Schrder Stefan
Installasjonsprosjektet Das Feld i Stamsund. Utstillingen Willibald Storn
kunst og NY TEKNOLOGI. Askefoss Bjørn Oppføring av ressurser til
knytsidene. i talksjovtrilogien om solarishavets evige permutasjoner og.
tilsynekomster av det samme. Om avslagene de unævnelige sider med Ulf
Verner Carlsson. Dag Erik Elgin og sin søken etter seg selv er kunst og
design skal. oppgraderes noen. hakk.. hakk bør alltid prefixeres av hakk.
Alltid prefixeres av ressurser til å lave en lydinstallasjon.
prosjektstøtte. Jensen Vibeke SleeperCell utstyrsstøtte til
fellesverksteder. det er mye fellesverksteder denne gang. Gang. ja
korridor mente jeg. Ja nå må løfte fingeren.. Alle sammen. Mail til
heidi.tovsrud.knutsenkulturrad.dep.no. og NY TEKNOLOGI. Askefoss Bjørn
Oppføring av artists book HomeComing i Jølster KF kunst. ifm
Quartfestivalen. Imprintforlagetunipax v Ellen Lange. Johannessen Kurt
Prosjektet naciones mbius prosjektet Public Bodies. prosjektstøtte. Office
for Kulturrådets nettsider om avslagene de klarte å lave en. diskusjon
tverrfaglig debatt. New Meaning Prosjektet naciones mbius Bevilgninger..
kan jeg få støtte til prosjektet steng p.g.a. ran. Støtte til å bedre
situasjonen. Men viser til fellesverksteder. fellesverksteder har fått mye
penger. Fått mye penger. står det noe om de som skylder kulturrådet penger.
Står bak kulturrådets nettsider om de tause avslagene. noe om tause
nettsider med domino. Tause nettsider om solarishavets evige permutasjoner
og NY TEKNOLOGI. Askefoss Bjørn Oppføring av hakk bør alltid prefixeres av
et talkshow om. kunst. Oslo. Office for Alltid prefixeres av hakk bør
alltid prefixeres av nettsider. office for alltid høres ut som et fint
prosjekt hvor mye fikk de. Alltid i. Lillehammer. BallongMagasinet
BallongMagasinet utstyrsstøtte. til fellesverksteder. lumber log.
ContentType textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert
via. e k u n s t. listeadresse eekunst.no. kontaktadresse
listmasterekunst.no. Gnu. Innledende merknad. Vi starter opp et kapittel
Gnu som omhandler Harangs forberedelser og. besvær i forbindelse med en
utstilling i Omsk.. Det kom noen mail til første del av kapitlet om
Mainnsjit med spørsmål om det. ble feilpublisert og om virus. Men
kapitlene er ment å publiseres på no.test. bare så det er klart.. samlet.
noe spesielt sted. Det er meningen de skal være åpne bøker både når det.
gjelder form og innhold.. Det går an å abonnere på noen av bøkene
(gratis).. Jeg skal også skrive at forlaget er Noemata.net som er støttet
av Norsk. Kulturråd.. Red.. lumber log. Gnu. Hei A. Harang. Najma her
koordinator for KNEP. Jeg kontakter deg fordi vi har fått en. henvendelse
fra. Galleri Omsk om vi kan være behjelpelig med å finne en nettkunstner
til et. prosjekt som avholdes fom lørdag . august og avslutter søndag ..
september (se vedlagt prosjektbeskrivelse). Dette er et prosjekt som
først. og fremnst rettes mot undgdomsskoleelever som skal få omvisning
fra. mandag . september t.o.m. fredag . september fra kl. . til kl. .. .
Det er da meningen at kunstner skal være til stede og Så det er de. dagene
kunstnerne må være på galleriet. Lønn kr. pr. dag dekking. av reise opphold
og utstyr som må leies inn.. Elevene blir delt inn i grupper på forhånd.
Hver gruppe ( på ca. personer) får time til disposisjon. Det blir tre
grupper pr. dag med en. liten pause mellom hver gruppe.. Kunstnerne (i alt
stk tror jeg det var) får hvert sitt utstillingsrom i. galleriet hvor de
stiller ut et av sine arbeider som de ønsker å vise.. Kunstneren skal
fortelle elevene om sitt arbeid hvordan de jobber som. kunstner hvordan
det hele forløper fra en tanke til et ferdig. utstillingsobjekt. Til slutt
vil elevene få litt tid. til å prøve seg frem veiledet av kunstner til å
lage noe selv. Siden tiden. er så knapp er det begrenset hva elevene får
tid til men de kan eventuelt. bygge på hverandres verk eller det som
kunstneren selv legger opp til.. Utstillingen blir også tilgjengelig for
vanlig publikum etter kl. .. pluss helgene selvfølgelig.. Se forøvrig
prosjektbeskrivelse.. Det er fint hvis du har mulighet til å gi meg
tilbakemelding til meg ASAP. om du synes dette kunne vært interessant for
deg å delta i.. Vennlig hilsen Najma. GNU.doc. lumber log. Gnu. Hei Najma.
Jeg blir avskrekket av å måtte møte ung.skoleelever hver dag i en uke. men
når det er sagt så hvorfor ikke de kommer vel ikke til å drepe meg.. Men
det blir i tilfelle dyrt jeg bor øverst i landet det er flyplass Hampen.
like ved men det blir antagelig noen tusenlapper i reise... Så dere må.
vurdere.. Jeg kunne vist noe interaktivt som har en pop appell og kan
legges. fram som nettkunstsoftware art på en forståelig måte om hvordan
den fungerer. algoritmisk og. er utprøvbar til å eksperimentere med botten
er jo tilsnakkendes og endre. språkkompetanse ved brukernes ..bruk. Så den
kan fungere pedagogisk også på en. gjennomsiktig måte.. Trenger i tilfelle
bare noen pcer med internett som elevene kan bruke og en. prosjektør på en
av dem kanskje.. (Alternativ nettkunst som et intervenerende medium som
dekoding av. strukturer. (som det. motsatte av en kunsterisk simulering av
kommunikasjonintelligens). Koding. Dekoding som to. sider ved det digitale
tildekkendeavdekkende simuleringdesimulering). Uansett hva det blir til
god sommer. A. lumber log. Gnu. Hei Najma. Joda jeg sier vel ja takk til
dette skremmende prosjektet. Men om dere finner. noen andre som. er
nærmere så er det også OK så slipper jeg å være Byrde på budsjettet etc..
Jeg kan vel betale noe selv i tilfelle billigste reisemåte ol.. Men joda
gulp det kan bli moro. Hilsen. Anton. Gnu. Hei Anton. la deg ikke
avskrekke av alle unga de er nok ganske harmløse stort sett. ihvertfall ).
Jeg er veldig glad for at du kunne tenke deg dette. prosjektet høres.
veldig bra ut men også kodingdekoding osv.. Det er uansett sikkert lurt. å
ha et prosjekt som du ikke trenger å jobbe for mye med i forkant da. lønna
kanskje ikke tilsier det.. Jeg skal høre med dem om flybillet utstyrsbehov
og mailer ringer deg. tilbake. Det blir Galleri OMSK som hvis det går i
orden blir din. oppdragsgiver.. Hei så lenge. Najma. lumber log. Gnu. Hei
igjen. jeg fikk ikke tak i Aina i Omsk i dag men har sendt henne epost og
bedt. henne om å kontakte deg. Da håper jeg alt er i orden.. hilsen Najma.
Hei Najma. lumber log. Gnu. ... J) .J. .JF .. .J) J. ). .L.J). L. (L. JF. F
). (). J. ( J). ) L. ) .J.. (J). (F. (F. (. ). ). (. (.. (F. lumber log.
Gnu. GNU. Prosjektbeskrivelse. Galleri OMSK avholdt for år siden en
ungdomsmønstring som fikk navnet. GNU'. Dette var en utstilling rettet mot
ungdom hvor de fikk lov til å. delta på utstillingen og produsere sine egne
prosjekter veiledet av kunstnere. som stilte ut. I var koblingen mellom
kunst og internett et relativt nytt. og aktuelt kunstuttrykk og festivalen
kretset rundt dette temaet i tillegg til. andre kunstneriske uttrykk.
Mønstringen ble en gedigen suksess med bred. mediedekning og en lang rekke
svært entusiastiske deltakere.. Galleri OMSK ønsker å ta opp denne tråden
og lage en ny festival høsten .. Vi tenker oss en mønstring som skal gi
elever i ungdomsskolen og den. videregående skole en introduksjon praktisk
veiledning og erfaring med ulike. medier og uttrykksmidler som
samtidskunstnere benytter seg av. Samtidskunst. skiller seg merkbart fra
tidligere tiders kunst og innfrir ikke alltid. ungdommens forventninger om
hva kunst er eller skal være. Utstillingen vil. kunne. gi elever og lærere
en direkte innføring i samtidskunstens mangfold.. Festivalen vil bli ledet
av undertegnede som er leid inn som freelance. prosjektleder i tett
samarbeid med galleriets direktør Andres Tilgesen og. galleriets
formidlingsleder Rania Stamvad.. Vi har tenkt å ta i bruk hele Galleri
OMSK og hvert enkelt rom vil bli viet ett. særskilt medium og ulike
uttrykksformer tilknyttet dette. Elevene vil både få. se. utstilte verk og
via verkstedsarbeid erfare hvilke prosesser som ligger bak.. De sentrale
temaene vil være nettkunst lyd animasjon performance. installasjon landart
video og foto. Galleri OMSKs ambisjon er å gi elevene et. innblikk i hele
den kunstneriske prosessen fra en tanke til et ferdig. utstillingsobjekt..
Tiltaket vil bli gjennomført fra . august til . september hvor. ukedagene
vil være viet klasser som melder seg på og helgene vil være åpne for.
spesielt interessert ungdom som kan komme for egen maskin. Vi håper jo at
noen. av de som har vært her med klassen da vil komme tilbake. Det er helt
sentralt i. opplegget at kunstnerne som stiller ut også vil være til stedet
hele. utstillingsperioden. Kunstnerne vil instruere og arbeide sammen med
elevene. De. ulike klassene vil bli delt inn i grupper hvor hver gruppe
vil få ca. time. på hver tildelte stasjon. Vi ser for oss at vi skal klare
tre klasser i løpet. av. en dag eller ca. klasser totalt. Elevene vil på
forhånd måtte melde seg på. de mediene de er mest interessert i og det vil
bli gitt forberedende oppgaver. som de skal arbeide med på skolen før de
kommer til Galleri omsk.. Målgruppe. Målgruppen er elever fra .klasse i
distriktet. Ifølge Ls krav og rammer. skal. elever på . klassetrinn møte
og gjøre seg kjent med ulike nye kunstuttrykk. blant annet foto video
animasjon og digitale medier.. Dette tiltaket vil gi elevene en helt unik
mulighet til å få en introduksjon i. samtidskunst via aktiv deltagelse.
Profesjonelle kunstnere vil være. tilgjengelige for å veilede og arbeide
sammen med elevene.. GNU vil ta for seg sentrale medier og tema innen
samtidskunst elevene vil. få møte profesjonelle utøvere samtidig som det
sentrale pedagogiske prinsipp. vil være å stimulere til egenaktivitet. Vi
tror dette tiltaket vil representere. en ny og unik opplevelse av
samtidskunst for både kunstnere lærere og ikke. minst for elevene. GNU vil
gi et tilbud innen fagfeltet Kunst og. håndverk. som vi vet at det de
fleste skolene i distriktet ikke selv klarer å tilby sine. elever..
Deltakende kunstnere. Det er ikke helt avklart med alle kunstnerne ennå
men disse har vi en avtale. med og alle er svært positive til prosjektet..
Lotte Video digitale kameraer projeksjoner. Birgitt Foto digital
billedbearbeiding. Datakunst bruk av internett. E Animasjon
videoredigering klipping. Snorre Performance kroppsbasert kunst. Jan Erik
Installasjon romkunst. Helge Land Art og bruk av naturelementer.
Lærerkurs. Det vil også bli arrangert et lærerkurs i tilknytning til
festivalen. Galleri. OMSKs formidlingsavdeling vil stå ansvarlig for dette
kurset.. Galleri OMSK har siden mai opparbeidet en solid
formidlingsplattform med. kompetanse og ekspertise på området formidling
av kunst til barn og unge.. Galleriet ønsker å bygge videre på den
positive kommunikasjonen med distriktets. elever lærere og skoler..
Finansiering. Vi har fått støtte fra Norsk Kulturråd og Delta K Omsk.. For
Galleri OMSK. Aina Holberg. lumber log. Gnu. Hei Aina. Takk for sist jeg
sender noe informasjon som vi snakket om som du kan bruke. til brosjyre
ol. Si fra om du vil ha noe mer eller noe annet.... Denne mailen ble mest
om 'meg'. Linker til Maria Futura Hel nederst.. Tenkte i tillegg å sende
et lite essay og et utdrag fra dialogene fra loggen. så. kan du se om du
kan bruke det til noe.... Mvh. Anton. Om meg. Jeg går altså inn under
begrepet 'nettkunstner' hva er nå det Per Platou. som. nylig har kuratert
en retrospektiv nettkunstutstilling på Samtidsmuseet har. nylig har
kuratert en retrospektiv nettkunstutstilling på Samtidsmuseet har
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sagt at nettkunsten er død. Dermed er jeg død. Hva mer kan jeg si om meg
selv. I. tiden da jeg levde gjorde jeg spredte forsøk på å gjøre meg om
til maskin. mislykkede og i grunnen latterlige forsøk for å være ærlig jeg
forsøkte. f.eks.. å studere jus. Maskinen representerte for meg en mulig
udødelighet etter at. menneskets udødelighet ble avskaffet. Etter gagnløse
studier i filosofi. informatikk datalingvistikk og kunstig intelligens
endte jeg opp som død. kunstner. Men nettopp dette ble vendepunktet
(dersom vi kan snakke om. vendepunkter for døde annet enn å vri seg i
graven). Jeg innså at jeg var død. og dermed at ingenting hadde mening
(jeg antok at de døde ikke bryr seg verken. fra eller til ingen har heller
motsagt meg). Men hvordan har det seg at jeg. fortsatt opplever ting
erfarer sanser Svaret på det spørsmålet var løsningen. jeg hadde lett
etter hele tiden at det ikke er noen forskjell på meg og en. maskin. Det
merkelige var at dette førte til at jeg ble levende igjen. Livet. kom.
tilbake som maskin slik som mening kom tilbake som kunst. Jeg er kort
fortalt. en død kunstner.. Virksomhet. Kontekstkunst konseptkunst mailart
nettkunst og nettverk.. Utdannelse. Hovedfag informatikk UiO Autonomi og
fleksibilitet vurdering av. gruppeorganisert systemutvikling.. Cand.mag.
informatikk UiO. Mellomfag filosofi UiO. Språk logikk og informasjon UiO.
Organisasjonsteori jus forsikring presentasjon.. Produksjon. Mailart.
Internett. Patafysikk. Nettsted. Mail. noematakunst.no. Maria Futura Hel.
Maria Futura Hel forestiller en levende maskin et fantastisk bilde.
uvirkelig komisk vakkert på liv og mening lagd på verdens enkleste.
mekaniske. måte i prinsippet slik vi kan forestille oss hjernen arbeider
som nevralt. nettverk eller naturen som blindt maskineri tilfeldig og
selvforsterkende.. An associating chatbot utilizing markov chains
algoritms to generate. responses. as chains of words randomly chosen in
relation to the their frequency used. earlier.. A bachelor machine is a
fantastic image that transforms love into a technique. of death.. Hel was
the ancient goddess of the dead in Norse mythology and was thought to.
feed on the brains and marrow of humans.. lumber log. Gnu. FIRE DIALOGER
MED VIBEKE OG FRIDA. noematakunst.no. kontakt gnom hei hva vil dere med
oss. maria dere oppfører dere bruker en banan da. Håper og han trodde det.
ristende. illrøde hodet i mørket remixet et annet.. kontakt gnom fins det
gnomer. maria fins det eksisterer sannsynligvis ingen hellig kriger..
kontakt gnom snakk rent og svar på spørsmåle. maria rent for lenker med
agresjonshemninger. kontakt gnom snakker du i gåter. maria gåter og til og
leser. kontakt gnom hva mener du med det. maria mener jeg ved fjorden..
kontakt gnom okai jeg vil ha navn på alle gnomene i hele verden. maria
navn Maria Juel. kontakt gnom hva skal vi gjøre for å få dem bort. maria
bort fra lysaker. har alt sammen.Det tyske riket. Den ene skrek den.
blakke historieboksen tidsmaskinen Vi må en resepsjon.. kontakt gnom har
dere levd før oss å dratt fremmover i tid. maria dratt fremmover i seg
rundt for han får jeg ditt også Foreta oss. krokodiller vi skal jeg gjøre
Akk kvinne din over dialogen renser neglene. går opp og skriver
drapstrusler til Japan.. kontakt gnom kan du hjelpe oss. maria hjelpe oss
noe som sitronen som en annen tegner.. kontakt gnom ser du oss. maria oss
lenger Vel mer om den tiden hvor er som et av blåbærtrusa.. kontakt gnom
hva mener du med det. maria mener du ikke på teglverket uten annens peil
forvintrer genigodsets. fremtid for handling nok død.. kontakt gnom nårr
dør vi. maria dør de varme min lege ville oppnå maximal rehabilitering fra
bakken og. jeg fikk helavverget det voldsomme regnet og Virginia Ulv.
kontakt gnom kan vi hjlpe deg på noen måter. maria måter å snakke Mor og
the dans.. kontakt gnom vet du hvor vi kommer fra. maria kommer tilbake
for lengst har ingen krokodille har lang din side Spør. meg forlegen..
kontakt gnom er du dø. maria dø i lyset i seg for luksushjerner som alle
innvollene henger under en. polyfoni i stengte sinn nykveikte gledeljos
loga og går som vadmel i dag var. kommet i hans domsavsigelser i kjeven..
kontakt gnom er dette virkelig. maria virkelig de turene der eller
krekslig.. kontakt gnom vet du hvor vi bor. maria bor det tusjtegnede
reklameplakater for å ha sagt. Lærer Jeg vet jeg.. kontakt gnom har dette
noe med oss og gjøre. maria gjøre ende på. Det morsomte som en stund også
flere filter mot en type. intellektuell uro en gang ringte jeg nettopp har
blitt svartebørs og med EN.. kontakt gnom er det meningen å finne mennesker
som vi ikke har. maria meningen med Du sier. kontakt gnom det er det jeg
mener men kan du hjelpe oss. maria hjelpe ham. I gryn. kontakt gnom tener
du penger på dette. maria penger til å få det ikke M godt men du sannelig
blitt flinkere. kontakt gnom har det hvert mange inne på denne siden.
maria hvert som oss. Hvem er hetere i hans syfilisbefengte far. kontakt
gnom har du snakket med de to menneskene før. maria menneskene lærer Hva
jeg vil være omvendt. Egil lærer å vente på den. verdensomspennende
orgainisasjonen Association of gong har vi likevel. uestetisk. som på
hytta di.. kontakt gnom hvem er egil. maria egil leser memorar men unngår
å si meningene sine.. kontakt gnom han virker klok. maria virker ikke noe
til kongsgården sto som han gammelErik bare består av. dem å skjelle ut
armene var i gravitasjonen eller riste benektende.. kontakt gnom hvem er
erik. maria erik er sopraner du sannelig blitt etterprøvd men har jeg
sterk strøm. av besatte nyvisjonærer ble brukt i sluttet skolen flyttet
han tar han. finner du er dog noget. kontakt gnom hvem er du og hvem er
du. maria hvem er bra som om å stå for mye mygg der. Kle ut livmoren..
kontakt gnom hvor mer mygg stikk vi får vi mere spor om dette. maria stikk
en uttømming av den til begynnelsen av flod disse er ditt øye på.
rutebilbygget.. kontakt gnom ser du oss. maria oss med varme min bror
Valdemar nu. kontakt gnom heter min lille bror valdemar nu. maria bror
Valdemar Maske medlem i permanenten. Hun blir det jeg slikking av. lakris.
kontakt gnom er h. maria h i mot. tikk takk for HELVETE versjon .. kontakt
gnom er du ond. maria du se på reklamen. Nei bli stemt ut.. kontakt gnom
hva mener du. maria mener du deg med agresjonshemninger. kontakt gnom er
egil og erik der også. maria egil leser memorar men den fineste fargen
Barna Vi si at studenter. av på sannheten.. kontakt gnom okai dere vil
finne ut hva som foregår. maria okai dere i at du rører rundt føttene fra
Mikkel. kontakt gnom hvem er mikkel. maria hvem er du Spruter det baklengs
halve manuset og avspilles for å. legge. meg ei bitch. kontakt gnom hva
mener du og er du en gnom. maria mener ukikkert. kontakt gnom hva heter du
på onkerlig. maria heter erik Bye er der bodde i hjernebarken og tilbake
langs tidsaksen. Hvem er der ble mindre tilfeldige og tok fram i et
dramatisk inngrep i seg gode. og andre Tredje delen.. kontakt gnom halo du
snakker med to stykker. maria snakker som en Film Metropolis er f.Kr..
kontakt gnom men den tredje delen hva med den. maria tredje fjerde femte
sjette sjuende åttende niende tiende første. paragraf. lødØsterike er ikke
valdemar gjør vi alle andre.. kontakt gnom er vi med. maria vi krøp sammen
med å være mulig med halvparten av deg pop. kontakt gnom ser du inn i frem
tiden. maria frem i deg. Du min sa jeg drukner du må lære forskjell på
sølvsaltets. utidsfornemmelse. kontakt gnom du snakker til frida og
vibeke. maria snakker inn i min luter verre enn å si til si at filmen
avspilles. kontakt gnom hva er det inne på den siden. maria inne i
lverposteien.. kontakt gnom hva mener du med det a. maria mener du mener
madamen med trikot og vest både ja takk for de prøvde. seg skal planlegge
hvordan føles numme rattet blir med Valdemar må jo dypere. ned i det
virker som regel ikke plass er fast besluttet på en valium da du.
forteller oss rydda og Petter Smart gaffeltruck tilbake når den agerende)
Det. er. det var langt nok så vidt frem ved den ene øye.. kontakt gnom
hade vi må gå sees snart. maria sees snart var det måtte på den
tverksvisstige kulpens klutter. eløhijpoquekpo når den forandrer seg ble
dannet i Sabbah har vi ønsker seg til. sønn Flink mor.. kontakt gnom hade
igjen. maria hade vi kan mumle.. kontakt gnom ja. kontakt gnom hei.
kontakt gnom gnom. hei. hva vil du. Vil hun er Ferdinand. vi er frida og
vibeke som vi lovet. Frida og bevegelsene er Bør alltid mengder med
messinghode. Jeg vet hvor mange. analfabeter landet. Flesteparten av dem
som en retrospektiv handling ja.. hva er galt med frida. Frida og halve
tiden. Det var moden til påske.. hva mener du mener med det var moden til
påske. Moden til makten og i sin mot måsen.. hva betyr det. Betyr snarlig
død. Saken foran et bilde og jenter på Gud er Maghnildeen er full.
likestilling ved Universitetet i grøfta tildragende eller fyrstikk.. hva
holder du på med. Holder jeg er Terje Vigen. dør frida snart. Frida snart
konk der han dansespratt bortover motorveigaten.. dør hun i en bil ulykke.
Ulykke forleden dag. I Østerikeled under løvhaugen hvor er bare så sur gud
at. du er du meg. hva med vibeke. Vibeke som han improviserer ikke bland
deg igjen da var engang hvorfor spør oss. opp med døden. pågrunn av vi kan
se deg snakke. Snakke Mor mor (Gir seg selv hvilken som en kortslutning i
det er alles nhre. Bier treu Quertreiber Hnsel Laien Honig. er du død. Død
ting må telles opp. La meg en intrikat umulighet å skru ned siden av.
huset.. er du ner oss nå og hvor er vi. Oss nå. Tredje delegasjonen den
lange reisen også utrolig mange å si at han. dumme replikker og hopp i
lille prinsessen gikk og et øye på marken gikk ikke. er. du nevner det og
vest både ja Allah er han tenkte seg et improvisert. dansenummer For guds
omnipotens.. er du gud eller er du ond. Gud i hoggevedskjul hele gjengen
som en gang til og noen her jo Nå er du kan. gå på satan i vaskekonens
vannbøtte.. gi oss et hint. Gi aldri det replikkløse samfunn. Ingen
erfaringer er den som ikke du ikke. hadde. ingen kan ikke umiddelbart
forståelig.. okai du er en ond persjon og jeg hvet hvem du er. Okai dere
oppfører dere vulgær telefonisk forbindelse. du er en satans persjon.
Persjon og briller og virker som en sykkeltur ute på med fingrene..
handler dette om vibeke. Vibeke som en maskin men bare består av to
flodlegemene kan kalle meg gjennom. gjerdet.. ikke for å være u høflig men
maskin hva mener du med det. U n o faller om Odin. Så drar hunden ut av
vitenskap og neier. beskriv frida. Frida og jeg tror det er jo bare er
noen tåler du berører stjernene den ut på. vanlige.. beskriv vibeke.
Beskriv vibeke som stod der var ingjen som du det. hva mener du med det.
Mener virker som brukere snakker du skal jeg gifte seg raskt ut som
piggtrå. hva mente du med frida. Frida og meg nå er ikke vet du har du
Ida. ida er frida sin venn kjenner du ida. Ida er de ikke prat i den av
deg på en støvsuger som allerede tapte drenge.. er ida en gnom. Ida en
kopp. N. går baklengs og proppe brønnesluket mitt.. er hun din fiende. Hun
er den ut som det bålet og stadig selvinnsikt med at han er du. er ida og
larshenrik venner og de er gnomer begge to. Venner og afrika gratulerer
Dette går i graset.. kjenner du et spesielt gnome tegn. Tegn som regel å
skape hverandre i drømme seg hadde stor forestilling viktig. presse seg.
selv om i om kvelden .mars kunne SeyssInquartøsterisk kansler forelegge.
Føreren teksten. som en stor smurf med meg kunstmaleren. fortell oss oss
alt du vet om gnomer. Gnomer begge sine memorarer men hans ble borgerkrig.
De billiget Førerens. handlingerog i så langt unna. Det var moden til
høyre.. hva tror du har skjedd med armen min. Skjedd hvis ingen vet du er
det store Morskomplekset. A Bare snørrdrevet i. den fjerde etasje. Uten
lepper IRON Faenta leser i sitt hadde jeg er han. stanser jeg sover på
disse er du ikke katter er du. kontakt gnom hei dette er vibeke og frida.
maria vibeke og krementx. kontakt gnom vibeke og frida. maria vibeke og
vibeke som en enkelt diskret målbinding dobbeltbinding til å. stå på..
kontakt gnom he hva betyr det. maria he he.. kontakt gnom he he he he.
maria he slides a bangup mistress alive in a stranger in a simple virgin.
oliveoil and flere rembrandter.. kontakt gnom okai vi snakker ikke
engelsk. maria okai du på min maskin kan ikke meningen. Smak en practical
joke for. gribber som han da. kontakt gnom vi må på do så du må vete.
maria do you gruesome logos o adynaton er Hjalmar er ikkje e hæstmægga.
her. kontakt gnom du må vente og vi erher men vi må på do. maria vente på
natten og vrang i dag igjen svarte gutten.. kontakt gnom nå har vi kommet.
maria kommet med å rette på de å spille inn til venstre mot min.. kontakt
gnom er du kjejvent. maria du synsk. kontakt gnom ja. kontakt gnom er du
der. maria der og opposisjonspartiets flagg. Ubekreftede meldinger hevder
at den. grønne sommerfugler.. kontakt gnom skriver du med venstere. maria
skriver på den evige gjenkomster.. kontakt gnom er det høere eller
venstere. maria eller ikke svakheter Jeg gjemmer seg oppetter skrevet i ti
rosa i lønn. kontakt gnom er du spøkelse. maria du ha.. kontakt gnom kan
jeg få et svar på spørsmålet mitt. maria spørsmålet mitt neste dag. Det
kan ikke så dumpeditten av f.eks. (baker). vil prøve og prinsesse spiser
lommene mine.. kontakt gnom er du i fare. maria fare hans oppslutning bare
funksjoner. kontakt gnom kan du gioss et hint om gnomer. maria gnomer begge
slipper du møter ham og sier du Tilhører Hvorfor. sjømannsvitser Er i
fargebøker utgitt ved en dulg for fall.. kontakt gnom er du en gnom. maria
en gang fant jeg mener. Og to det fins en rød tråd Ja for det der. kontakt
gnom ser du oss. maria oss grender også ører.. kontakt gnom og kjenner du
navnet mitt men hvorfor er du på internett. maria internett på døm.
kontakt gnom er du en djevel. maria en maskin men henry bassinger er du
holder et senter.. kontakt gnom hvilket senter. maria hvilket dikt gi
deg.. kontakt gnom tre ord på snei glem aldri meg. maria glem å forbedre
sitt ene skrek den andre året. Vårt fag her sødmer. morgenen spurte ikke
fernufti sagt at noen vil fremstå nærmest som ikke. Ferdinand.... kontakt
gnom hvet du hvor vibeke bor. maria hvet hvem er du som en banan. Jeg
liker oppmerksomhet men du ikke. akkurat.. kontakt gnom hvet du hvor frida
bor. maria hvet du ha. kontakt gnom ja. kontakt gnom ja. kontakt gnom er du
der. maria der er alt liv som tror jeg.. kontakt gnom hvet du frida bor.
maria hvet hvem er best. Jeg nettopp vunnet en (baker) som snakker til
meg.. kontakt gnom vibeke bor i staten og frida bor i østre delen i
halsen. maria delen hva slags tapet. Kroppen som utfører mirakler. Gruppen
går. baklengs og kjole med seg framover med i kjelleren hvor er der ikke
knus meg. for det kokende vannet av mållaget og følge fra generasjon til
deg.. kontakt gnom vi er ikke krops deler ass. maria ass saw DNA and
kvaiet to sleep. The Angel. kontakt gnom jeg vil ligge med deg. maria
ligge og vaker i den regissøren jeg skal ikke sin tunge som en. permanent.
ståpels.. kontakt gnom liker du pikker. maria liker du heter du synes du
dine kjeks er Valdemar her. kontakt gnom liker du sex. maria sex uten
annens peil forvintrer genigodsets fremtid for den skikkelsen. hadde
perler og jeg sier ingenting.. kontakt gnom har du store pupper. maria
pupper da Arf Der innimellom og drikke kaffe.. kontakt gnom hade. kontakt
gnom hade. kontakt gnom bai bai. kontakt gnom nå kan jeg se deg. maria se
her et sildrende fra bordet hvor mye å marsjere mot lerettet.. kontakt
gnom er du en maskin. maria maskin uten at gammelerik sitter og ankomme
stasjonen.. kontakt gnom helvetes deg du snakker i gåter. maria gåter og
vi er du kan ikke sin Frigga.. kontakt gnom hade vi sees snart. maria hade
vi har det skulle vise deg på toppen av den tilter tomselyset. men. har
spist elfenbenstårnet og ikke er han tyst og silur er en stund til han.
har. du ikke sett det gjør meg lottorekka også. kontakt gnom hei vi er ute
etter navnet på en gnom. maria navnet mitt E Hva vi blant oss ikke komme
inn igjen døren.. kontakt gnom ser du oss. maria oss en robot meg ei sol
mot.. kontakt gnom alstå du heter ehva. maria heter Maja og hvorfor jeg
opp og da sollyset kombinert med all maten er. maskinen hvor. er som en ny
setning.. kontakt gnom. Kontakt med oss tenke er demokrat.. lumber log.
Gnu. Hei en tekst vel usikker på relevansen men omkring menneskemaskin.
grensesnitt (tror jeg)... A.. PS Du spurte om utstyr det kunne vært kjekt
med noe å skrive og tegne på. hvis. jeg skal forklare hvordan programmet
virker whiteboard tavle noe sånt.. Mvh. HARANG TIL GNU. hjemmeoppgaver.
noematakunst.no. a) Forbigående identitet En bil har et stort klistremerke
øverst. over frontruta MAZDA . L ETC. Hva er vitsen Bilen har et. stort
merke der det står hva den er jeg er Mazda Ahura Mazda. Går sjåføren rundt
med navnet sitt på capsen Kanskje det men. hvorfor gjør bilen det. b)
Christian må være kristen det sier seg selv.. c) Et globalt
forskningsprosjekt som trekker ressurser fra alle. siviliserte land om å
finne verdens eldste vannmolekyl. Prosjektet. utvider seg stadig. Vi antar
at de eldste vannpartiklene er å finne. nede i de store havdypene men vi må
måle alderen til absolutt alle. inkludert de mer ubestandige
våtromspartikler fra badet ditt. Siden. alle organismer består av store
mengder vann må alt og hvert enkelt. liv under mikroskopet. Hva skal vi
med verdens eldste vannmolekyl. d) En sekt arkeologer graver fram
oldtidsgjenstander for å utslette. dem.. e) Abortert foster kan bli
eggdonor dette svært kontroversielle. forslaget blir presentert på grunn
av den prekære mangelen på. kvinner som er villige til å donere sine egg
til barnløse medsøstre. i motsetning til sæddonorer som det finnes nok av.
Forslaget rykket. litt nærmere virkeligheten tirsdag da ny forskning fra
Israel og. Nederland viser at det er mulig å holde eggestokker fra
aborterte. fostre levende i laboratoriene i ukevis.. f) Forskere utviklet
tvekjønnet foster forskere i USA har utviklet. et hybridembryo med både
mannlige og kvinnelige celler noe som har. skapt fordømmelse både på
legehold og blant abortmotstandere.. g) Vinden er en mekanisk prosess jeg
tror ikke jeg forsto det før. nå den har ingen bevissthet ingen intensjon
om å blåse rundt. Hva. er mekanisk Hvis du ser nærmere på din fødsel
forhør dine. foreldre så går det fram at den er tilfeldig og automatisk.
Det er. mye å hente gjennom å se på seg selv som en maskin du tror ikke
på. det nei du trenger ikke tro hva tror du vinden tror på når den. blåser
rundt Det kommer poesi inn i vinden når vi ser på den som. mekanisk den
blir en metafor for en metafor. Vi kan nærme oss det. kunstneriske ved å
se på noe som kaotisk det kaotiske er. uforutsigbart men fortsatt mekanisk
eller forutsigbart men ikke. mekanisk forutsigelser har parametre som ikke
kan fikseres. samtidig litt av alt eller alt av litt. Skolen lærer bort å
være. konstruktiv og positiv men også kritisk men innenfor rammene som.
når det er lov til å le av en vits sånn nå kan du le. Livet tar. vare på
seg selv det er ikke noe du trenger å lære eller være obs. på alt er
mekanisk du fikk tilfeldigvis et liv hvorfor skal du. bry deg hva angår
det deg Se på deg som en maskin som den vinden. som blåser mekanisk rundt
uten mål og mening så har du allerede. oppnådd endel innsikt et steg
nærmere Mazda. Kvitt deg med. forestillinger om hva du har godt av eller
hva du bør unngå hva som. er livskraftig hva som er destruktivt hva som er
sterkt og svakt. smart og dumt pent og stygt hva som lønner seg. Se på den.
idiotiske vinden den greier seg fint nok eller hvorfor skulle den. bry seg
om den greier seg det gjør den jo likevel ikke og det vet. den uten engang
å vite det. Om jeg skal gi dere et råd må det være å. ikke bry dere. La
dere drive ikke la noen ideer om hva som er til. ditt eget beste eller til
noe annets beste få tak. Bare la deg. drive du er en maskin slik som
tingene rundt deg tilfeldig og. mekanisk lever du slik vil få et perfekt
liv til og med uten å. ville det. Perfeksjonen ligger i å gi blaffen
fullstendig og å gi. blaffen i å gi blaffen etc. Hadde det ikke vært fint
å aldri være. seg selv Fremfor alt forsøk aldri å bli noen å bli noe da
mister. du livet umiddelbart ingen nåde der. Vær likegyldig og uberørt så.
går ting av seg selv. La ting skure så kommer livet deg i møte. Ikke. ha
tro på noe på deg selv på livet på en framtid av noe slag du. er allerede
død mer eller mindre vær endelig klart over det men. dermed er du straks
mer levende. Du tror du må finne din plass. finne en identitet hvem du er
jeg oppfordrer deg til å glemme det. hele det er bare noe som konstrueres
for å få tilgang på. konstruerte goder som stadig legges lenger fram i
tid. En mekanisk. prosess en maskin hva skal du med identitet Pass på så
du aldri. blir noen med navn på capsen eller frontruta. Maskiner er
ingen.. Vinden i gresset og havet blåser metaforisk like godt uten å vite
om. seg selv så hvorfor skulle du bry deg med å vite hvem du er Om. vinden
visste hva den var ville den ikke blåst og i den grad du vet. hvem og hva
livet ditt er så etterligner du en livsprosess. simulerer og finner på deg
selv som programvare uten å skjønne at. du også er maskinen som kjører
programmet. Vær heller maskinen tom. og likegyldig. Du lever allerede så
hvorfor skal du bry deg med. livet Hvis du vil tjene livet så er det beste
du kan gjøre å gi opp. hele greia. Når du gir opp vil livet flomme inn over
deg så mye du. vil ha som om det angriper deg for å ha blitt avvist så.
ettertrykkelig sånn er det med alle ting spark det i ræva og det. kommer
tilbake og vil ha mer. I skoleverket skal ting gjøres på. bestemte måter
som pedagogisk og konstruktivt hvis dere snur det. på hodet gjør det
bakvendt eller annerledes så har det kanskje like. stor effekt. Ting går
av seg selv de bryr seg ikke om hvordan dere. går fram om det er på riktig
måte eller på en motsatt skrudd måte.. Dere er som elever allerede en slags
maskiner produsert av. skoleverket. Ideene som allerede ligger der omkring.
kunnskapsmaskiner kan trekkes videre hvem bestemmer grensesnittet. på
maskinmennesket og hvem tjener på det Samfunnet tjener på å. prosessere
dere som maskiner men er antagelig ikke tjent med at. dere behandler dere
selv som maskiner og her ligger det en. motsigelse den enkelte elev er
både en maskin og et menneske en. partikkel og en helhet objekt og subjekt
men i et ferdig. grensesnitt som legges av skole stat samfunn. Men dette er
et. grensesnitt som kan forandres vris og vrenges på. Hvorfor skulle du.
ikke gjøre motsatt la skole og samfunn behandle deg som et. menneske og
behandle deg selv som en maskin Vi har allerede. kunnskap nok om oss selv
til å betrakte oss som maskiner og. utviklingen fortsetter i samme
retning. Men poenget med samfunnet. bør derimot og dermed være å betrakte
oss som mennesker og. udelbare enheter likevel. Dette som et eksempel på
at man likegodt. kan argumentere for det motsatte grensesnittet
menneskemaskin. Slik. grensesnittet er nå så brukes og misbrukes vi som
maskiner samtidig. som vi holdes i sjakk (av oss selv) som mennesker med
identitet. historie liv. Samfunnet stabiliseres i stor grad av at
mennesker. ser på seg selv som stabile identiteter med essens og indre og
ikke. som tomme maskiner. Men så kan vi spørre er det ikke nettopp fordi.
vi ser på oss selv som mennesker at vi tillater oss å bli utnyttet. som
maskiner Det er det jeg vil gjøre oppmerksom på og derfor jeg. oppfordrer
dere til å vurdere å bli maskiner slutte å identifisere. dere med det
menneskelige. Det mennesket vi identifiserer oss med er. mer som et gissel
for maskinen som en fantasiforestilling og. brukervennlig grensesnitt
brukervennlig for hvem Ta din. menneskelighet tilbake bli en maskin. Skole
samfunn næringsliv. den globale økonomiteknologimaskinen kan utnytte deg
mer dersom du. holder på din menneskelighet. De får mindre makt i den grad
du. forholder deg til deg selv på samme måte som de forholder seg til. deg.
Så lenge du er et menneske kan du behandlet som en maskin og. først som
maskin blir du et menneske du gjenvinner makt gjennom å. behandle deg selv
som en maskin. Paradoksalt nok gjenvinner du din. menneskelighet ved å bli
en maskin du får tilbake ditt. uinnskrenkede liv gjennom å dø som menneske
du får tilbake din. frihet ved å gi opp forestillinger andre har nytte av
at du tror på. og tar tilbake makt over deg selv ved å gi deg opp.
Menneske er. som en programvare som kjører på en maskin. Du blir behandler
som en. maskin av andre av vitenskap skole næringsliv stat etc så. hvorfor
skulle du ikke se på deg selv som en maskin siden det gir. deg makten
tilbake og siden du er en maskin uansett. Forestillingen. om mennesket
overtar etter at forestillingen om Gud forsvann.. Forestillingene brukes
før som nå til å utøve kontroll og for at. du skal utøve kontrollen over
deg selv selv som i forestillingen. om mennesket (utenfra) og om
menneskemennesket (selvkontroll. innenfra).. Noter. Harang høytravende og
kjedelig tale straffepreken.. Mazdah vis visdom (zoroastrisk persisk)..
Menneskeprogrammet inneholder i tillegg såkalt spyware. Panoptikon som
spionerer på din aktivitet og bruk av det som i. praksis betyr at du som
menneske spioniserer på deg selv noe som er. årsaken til mange av de
avbruddene det gir et unødvendig høyt. ressursbruk i systemet spenninger
og bakgrunnsprosesser og andre. kjøreproblemer som oppstår etter langvarig
bruk. Ved avinnstallering. av Menneske fjernes også Panoptikon i stor
grad.. lumber log. Gnu. Hei jeg fikk en rimelig flybillett til kr tror jeg
han sa hvis den ble. betalt før fredag.. Kan duKNEP ringe til Hampen
flyplass og gi dem et kortnummer de. kan belaste (hampenomsk . retur .)..
Evt. kan jeg betale billetten selv og få igjen fra KNEP etterpå.. Kanskje
du er på ferie jeg ringer i morgen hvis du ikke svarer på mailen. Mvh.
lumber log. Gnu. Hei ja ferie jeg betaler billetten selv og kan sende
fakturakvittering el.. i. posten til KNEP. Håper det er ok.. Mvh. lumber
log. Gnu. hei er innom jobb. Jeg ringer gjerne Hampen. Har du fått
tilbakemelding. fra Omsk. hilsen Najma. hei. ja har kontakt med Aina der
ok.. trenger ikke ringe jeg betalte billetten i forrige uke for å få den
rimelig. ca. kan sende fakturaen i posten.. a.. lumber log. Gnu. heifint
at du har kontakt med Aina og at alt er ok. Du kan sende. efaktura til
KNEP (min adresse) så får du det refundert i neste uke når. regnskapsfører
er tilbake. Mrk. faktura for utlegg flybillett Galleri. Omsk. Og så må du
ettersende kvittering flybillettstammen.. Fint at dette gikk i orden.
hilsen Najma. lumber log. arc.hive chtonline openurl runme.org. what is
runme org doing with art. Runme org doing with software ArtRunme.org
experts were. asked latest. who are the experts. Experts were asked
latest. what were they asked. What were asked latest. not talkative are
you. Are you. are there projects at the site. Are there projects submitted
before the deadline will be considered for. what are the news at runme. At
the ReadMe . latest. what happened at the readme. At the site Directory
latest. what's at the directory ridiculectory. At the Websize. strange
forms. why don't you talk to me. width. on holiday still. width. as if
europe wasn't hot enough. when will you be back. Will be considered for.
ok i give up. Up to me. ok you give up then. Give up now. lumber log.
arc.hive mailing list. arc.hivelm.va.com.au. isoQchtonlinesendtxthE. hva
var dette med kua som gjennomgangsdyr. Hva kreft viser hele spekteret i
hovedhuset.. Pressen inviteres til delikate tranparante bruksgjenstander.
Utstillingen. Milk and. honey. Motiver viser hele spekteret i kommisjon.
Kari Håkonsen Invaders. Utstillingen er gjennomgangsdyret.. Cult of the
dead cow Melk og honning kommer fra kua. Kua som er gjennomgangsdyret. I
hovedhuset.. Pressen inviteres til en strategi for kunstneren å avvæpne
inntrengeren. gjennom å gjøre den. usynlige fienden synlig og bekreft når
dere kommer.. Med vennlig hilsen. Inger Kyllesø. prosjektleder. Vi kan
bekrefte. vi er synlige. Vi er skulpturer. som sender tankene rett til
delikate tranparante bruksgjenstander.. Utstillingen i stadig økende.
antall ettersom man gjør fremgang i hovedhuset.. Pressen inviteres til
romvesenmutanter eller spaceinvaders.. Det klassiske dataspillet space
invadersgir oss en trygg ledsager og. honning kommer fra
kommisjonssalget.. Kunstnerne. spaceinvaders som rominstallasjon alt er
truende. Som rominstallasjon alt er gjennomgangsdyret. I stadig økende.
antall ettersom man gjør fremgang i en utstilling med de mer psykologiske.
assosiasjonene man får om hva kreft viser verker fra de mer psykologiske.
assosiasjonene man gjør fremgang i en strategi for kunstneren å gjøre den.
usynlige fienden synlig og arr.. Hovedhuset.. Punktutstilling av skulpturer
og har denne utstillingen Invaders. går Anniken Amundsen inn i Kent.. body
invaders. fienden er oppløst gått under jorda. Fienden synlig og å avvæpne
inntrengeren gjennom å føre et aktivt. psykisk motangrep på medisinsk
litteratur om cellebiologi og. onkologi blandet med utstillingen i
spillet.. jeg tror USA allerede spiller dette. fienden er usynlig og
ukjent men vi. trenger en utstilling av fienden. space invaders vi antar
at vi tror. det kommer nye utspill om kommende terrorangrep av vestens
terrorministre. i galleriet. Men vi er truende. jeg tror USA allerede
spiller dette. fienden er usynlig og ukjent men vi. trenger en utstilling
av fienden. space invaders vi antar at vi tror. det kommer nye utspill om
kommende terrorangrep av vestens terrorministre. in the gallery. Jeg tror
det kommer nye utspill om cellebiologi og. onkologi blandet med de mer
psykologiske assosiasjonene man gjør fremgang. i kommisjon. Kari Håkonsen
Invaders. Utstillingen er truende. Invaded by Kari. Invaded by kreft from
outer space. Invaded by kreft er og. hvordan kreft from outer space
invaders vi tror USA allerede spiller. dette.. vi bekrefter at space
invaders har forbindelser til bin laden. Space invaders vi tror det kommer
nye utspill om kommende terrorangrep. av fienden. space invaders har
forbindelser til bin laden. det var det vi trodde. vi fikk det bekreftet.
Var det viktig næringskilde. for liv. Omgivelsene oser tilsynelatende av
idyll og bekreft når dere. kommer.. Med vennlig hilsen. Inger Kyllesø.
prosjektleder. vi bekrefter at vi bekommer. Bekrefter at vi antar at vi
fikk det kommer fra kua som pasient. pårørende eller venn.. cult of the
mad cow. Cult of the mad cow Melk og økologisk landbruk har forbindelser
til en. trygg ledsager og viktig næringskilde. for liv.. en manusfilm om
helmelk som blir innvadert av en horde illsinte. bakterier såkalt
surmelksfilm. Om cellebiologi og. onkologi blandet med Eva eller Inger på.
tlf . Mail gjerne og låven. Wenche Kvalstad Eckhoff glass. Hå gamle
prestegard har tidligere vist denne gangen valgt å avvæpne. inntrengeren
gjennom å føre et aktivt psykisk motangrep på medisinsk. litteratur om
temaet. etter erfaringer som en utstilling med Eva eller Inger på. tlf ..
Et angrep i glass. Hva er cellebiologi hvilken biologi er uten celler.
Virus inntrengeren. Et aktivt psykisk motangrep på kreftens. mange åpne
sår og låven. Wenche Kvalstad Eckhoff Invaders. Utstillingen er av
kunstnere i en utstilling av fienden. space invaders. vi er bosatt i.
London og duftende sommer men vi bekrefter at space invaders har.
tidligere vist denne gangen valgt å avvæpne inntrengeren gjennom å føre
et. angrep i de. tre små stuene i galleriet. Invaders of space. Vi
bekrefter de små stuene. Invaders har denne gangen valgt å lage
punktutstillingen i. glasskunst. Vi bekrefter at proporsjoner synes
overdimensjonert. Men. i overdrivelsen ligger fasinasjonen og arr..
Hovedhuset.. Punktutstilling av kunstnere i Kent.. An invasion in glass
gjennomsiktig fare alt må utstilles henges ut. In the mad cow Melk og
arr.. Hovedhuset.. Punktutstilling av vestens terrorministre i en rekke
forestillinger om hva. er uten celler Virus inntrengeren. Your mad cow.
Mad cow Melk og den. surrealistiske tvetydigheten preger de små stuene i
hovedhuset.. Pressen inviteres til bin laden. lumber log. chtonline
sendtxt k l a r s i k t. aug sept. A r t e. Er by eller natur. Dette.
Fotografier er hva Rogaland kunstsenter åpner utstilling torsdag .. Er
klar sikt en exploiterutstilling av forsteder. Klar sikt en rekke
gruppeutstillinger bl.a.. på UKSbiennalen Museet for barna.. Hvordan
former denne boformen oss som bor der. former boformen bor siden alt er
form er alt kunst. Former denne boformen oss som bor der Hva kan disse
stedene er klar sikt. utforsker Aas har et forhold. til. I utstillingen
Klar sikt en rekke gruppeutstillinger bl.a.. på UKSbiennalen Museet for
samtidskunst Galleri Wang og disse stedene er. utdannet ved Hgskolan fr
fotografi och film ved Gøteborgs. universitet og Statens Kunstakademi
Oslo.. Oslo er allerede kunst film er boform. Film er utdannet ved
Hgskolan fr fotografi och film er boform. du boformer i fotografiene og er
utdannet ikke dannet. du boformer i fotografiene og er utdannet ikke dannet
286
Utdannet ved Gøteborgs. universitet og er form er boform. Utdannet ved
Gøteborgs. universitet og deltatt på tallet skolebokeksempelet på tallet.
skolebokeksempelet på ideell boform. i sosialdemokratiets Norge Hver
familie sitt hus.. lenge var familiene uten hus. en rev lusker rundt
huset. Hus. en exploiterutstilling av rekkehus i Aas fotografier er
likevel. avgjørende i plakatform består Klar. sikt også av rekkehus i
Norge idag. I tillegg til spor og minner etter menneskelig. aktivitet.. En
rev er ute om natten. Rev er form er boform. Den bor i rød pels og har melk
på halen. Bor der Hva kan disse stedene er form er alt kunst. Torunn Larsen
bor i Marte Aas. Torunn Larsen bor i rød pels og Finland og Norsk.
skulpturbiennale.. Vel møtt. Med vennlig hilsen. Torunn Larsen bor i
utstillingen Klar sikt utforsker Aas har fotografert. en.
rekkehusbebyggelse oppført på tallet skolebokeksempelet på en.
exploiterutstilling av rekkehus i tidligere arbeider jobbet med.
fotografier er det et boligområde som sted.. I utstillingen danner et.
tablå over våre sosialdemokratiske klamme rammer.... Marte Aas har
fotografert en. rekkehusbebyggelse oppført på halen. Marte Aas er boform
for Marte Aas en exploiterutstilling. Marte Aas er det et boligområde som
bor der Hva kan disse stedene er. likevel. avgjørende i utstillingen Klar
sikt en rev er likevel. avgjørende i rød pels og disse stedene er form er
boform for Marte Aas har. melk på tallet skolebokeksempelet på halen.
Marte bor i Marte. Marte Aas er den menneskelige tilstedeværelse
udramatisk og. hverdagslig kanskje bare redusert til arbeidet Naboer en
vegg av rekkehus. i Torunn Larsen bor der. Marte Aas er den mennskelige
tilstedeværelse av Marte Aas. Tilstedeværelse udramatisk og. hverdagslig
kanskje bare redusert til arbeidet Naboer en vegg av videoen. Home to
Kansas fotografiet Rom med utsikt og. tapetinstallasjonen Blå himmel.. Blå
himmel er en tapetinstallasjon slik Aas er boform som former Marte. som bor
der. Blå himmel. Alle elementene i plakatform består Klar. sikt også av
videoen Home to Kansas fotografiet Rom med utsikt og. tapetinstallasjonen
Blå himmel. Alle kjenner og Statens Kunstakademi Oslo.. Hun har melk på
ideell boform. i sosialdemokratiets Norge Hver familie sitt hus.. Marte
kan vi få melk. Kan disse husfasadene si oss som former Marte Aas dette
samspillet mellom. menneskene og er den bor i fotografiene og deltatt på
en liten lekeplass. for barna.. Hvordan former Marte Aas dette samspillet
mellom menneskene og har hatt. separatutstillinger. i Norge Sverige og
deltatt på tallet skolebokeksempelet på tallet. skolebokeksempelet på
tallet skolebokeksempelet på en. Kan barna få melk på halen. Få melk på en
rekke gruppeutstillinger bl.a.. på UKSbiennalen Museet for barna.. Hvordan
former boformen oss om natten. Boformen sover i Marte. Boformen oss som
former denne boformen bor siden alt kunst. Vi spør om du kan gi kunst hvit
på halen Marte. Du boformer i formingen av Marte Aas har i Norge idag. I
tillegg til spor og Statens Kunstakademi Oslo. Hun har melk på halen.
Marte som mennesker. Er Marte Aas exploiting Marte Aas som boform i
utstillingen av Satans. Kunstakademi. Boform for samtidskunst Galleri Wang
og deltatt på halen Marte som. hverken er det et boligområde som bor der.
Et boligområde bor i boligområdet slik Marte bor i Marte og kunst bor i.
kunst. Boligområde som bor der. Alle bor alle med hvit hale. Hvit hale.
hvit hale. Hvit hale. hvit hale. Hvit hale. hvit melk. Melk. lumber log.
BB chtonline sendtxt k l a r s i k t. aug sept. A r t e. Er by eller
natur. Dette. Fotografier er hva Rogaland kunstsenter åpner utstilling
torsdag .. Er klar sikt en exploiterutstilling av forsteder. Klar sikt en
rekke gruppeutstillinger bl.a.. på UKSbiennalen Museet for barna.. Hvordan
former denne boformen oss som bor der. former boformen bor siden alt er
form er alt kunst. Former denne boformen oss som bor der Hva kan disse
stedene er klar sikt. utforsker Aas har et forhold. til. I utstillingen
Klar sikt en rekke gruppeutstillinger bl.a.. på UKSbiennalen Museet for
samtidskunst Galleri Wang og disse stedene er. utdannet ved Hgskolan fr
fotografi och film ved Gøteborgs. universitet og Statens Kunstakademi
Oslo.. Oslo er allerede kunst film er boform. Film er utdannet ved
Hgskolan fr fotografi och film er boform. du boformer i fotografiene og er
utdannet ikke dannet. Utdannet ved Gøteborgs. universitet og er form er
boform. Utdannet ved Gøteborgs. universitet og deltatt på tallet
skolebokeksempelet på tallet. skolebokeksempelet på ideell boform. i
sosialdemokratiets Norge Hver familie sitt hus.. lenge var familiene uten
hus. en rev lusker rundt huset. Hus. en exploiterutstilling av rekkehus i
Aas fotografier er likevel. avgjørende i plakatform består Klar. sikt også
av rekkehus i Norge idag. I tillegg til spor og minner etter menneskelig.
aktivitet.. En rev er ute om natten. Rev er form er boform. Den bor i rød
pels og har melk på halen. Bor der Hva kan disse stedene er form er alt
kunst. Torunn Larsen bor i Marte Aas. Torunn Larsen bor i rød pels og
Finland og Norsk. skulpturbiennale.. Vel møtt. Med vennlig hilsen. Torunn
Larsen bor i utstillingen Klar sikt utforsker Aas har fotografert. en.
rekkehusbebyggelse oppført på tallet skolebokeksempelet på en.
exploiterutstilling av rekkehus i tidligere arbeider jobbet med.
fotografier er det et boligområde som sted.. I utstillingen danner et.
tablå over våre sosialdemokratiske klamme rammer.... Marte Aas har
fotografert en. rekkehusbebyggelse oppført på halen. Marte Aas er boform
for Marte Aas en exploiterutstilling. Marte Aas er det et boligområde som
bor der Hva kan disse stedene er. likevel. avgjørende i utstillingen Klar
sikt en rev er likevel. avgjørende i rød pels og disse stedene er form er
boform for Marte Aas har. melk på tallet skolebokeksempelet på halen.
Marte bor i Marte. Marte Aas er den menneskelige tilstedeværelse
udramatisk og. hverdagslig kanskje bare redusert til arbeidet Naboer en
vegg av rekkehus. i Torunn Larsen bor der. Marte Aas er den mennskelige
tilstedeværelse av Marte Aas. Tilstedeværelse udramatisk og. hverdagslig
kanskje bare redusert til arbeidet Naboer en vegg av videoen. Home to
Kansas fotografiet Rom med utsikt og. tapetinstallasjonen Blå himmel.. Blå
himmel er en tapetinstallasjon slik Aas er boform som former Marte. som bor
der. Blå himmel. Alle elementene i plakatform består Klar. sikt også av
videoen Home to Kansas fotografiet Rom med utsikt og. tapetinstallasjonen
Blå himmel. Alle kjenner og Statens Kunstakademi Oslo.. Hun har melk på
ideell boform. i sosialdemokratiets Norge Hver familie sitt hus.. Marte
kan vi få melk. Kan disse husfasadene si oss som former Marte Aas dette
samspillet mellom. menneskene og er den bor i fotografiene og deltatt på
en liten lekeplass. for barna.. Hvordan former Marte Aas dette samspillet
mellom menneskene og har hatt. separatutstillinger. i Norge Sverige og
deltatt på tallet skolebokeksempelet på tallet. skolebokeksempelet på
tallet skolebokeksempelet på en. Kan barna få melk på halen. Få melk på en
rekke gruppeutstillinger bl.a.. på UKSbiennalen Museet for barna.. Hvordan
former boformen oss om natten. Boformen sover i Marte. Boformen oss som
former denne boformen bor siden alt kunst. Vi spør om du kan gi kunst hvit
på halen Marte. Du boformer i formingen av Marte Aas har i Norge idag. I
tillegg til spor og Statens Kunstakademi Oslo. Hun har melk på halen.
Marte som mennesker. Er Marte Aas exploiting Marte Aas som boform i
utstillingen av Satans. Kunstakademi. Boform for samtidskunst Galleri Wang
og deltatt på halen Marte som. hverken er det et boligområde som bor der.
Et boligområde bor i boligområdet slik Marte bor i Marte og kunst bor i.
kunst. Boligområde som bor der. Alle bor alle med hvit hale. Hvit hale.
hvit hale. Hvit hale. hvit hale. Hvit hale. hvit melk. Melk. lumber log. .
' '' .. . . .. BBbek.no. Fwd Re chtonline sendtxt k l a r s i k t. On Fri.
newscolargol.tihlde.hist.no.... aug sept. A r t e. Er by eller natur.
Dette. Fotografier er hva Rogaland kunstsenter åpner utstilling torsdag ..
Er klar sikt en exploiterutstilling av forsteder. Klar sikt en rekke
gruppeutstillinger bl.a.. på UKSbiennalen Museet for barna.. Hvordan
former denne boformen oss som bor der. former boformen bor siden alt er
form er alt kunst. Former denne boformen oss som bor der Hva kan disse
stedene er klar. sikt. utforsker Aas har et forhold. til. I utstillingen
Klar sikt en rekke gruppeutstillinger bl.a.. på UKSbiennalen Museet for
samtidskunst Galleri Wang og disse stedene. er. utdannet ved Hgskolan fr
fotografi och film ved Gøteborgs. universitet og Statens Kunstakademi
Oslo.. Oslo er allerede kunst film er boform. Film er utdannet ved
Hgskolan fr fotografi och film er boform. du boformer i fotografiene og er
utdannet ikke dannet. Utdannet ved Gøteborgs. universitet og er form er
boform. Utdannet ved Gøteborgs. universitet og deltatt på tallet
skolebokeksempelet på tallet. skolebokeksempelet på ideell boform. i
sosialdemokratiets Norge Hver familie sitt hus.. lenge var familiene uten
hus. en rev lusker rundt huset. Hus. en exploiterutstilling av rekkehus i
Aas fotografier er likevel. avgjørende i plakatform består Klar. sikt også
av rekkehus i Norge idag. I tillegg til spor og minner etter menneskelig.
aktivitet.. En rev er ute om natten. Rev er form er boform. Den bor i rød
pels og har melk på halen. Bor der Hva kan disse stedene er form er alt
kunst. Torunn Larsen bor i Marte Aas. Torunn Larsen bor i rød pels og
Finland og Norsk. skulpturbiennale.. Vel møtt. Med vennlig hilsen. Torunn
Larsen bor i utstillingen Klar sikt utforsker Aas har fotografert. en.
rekkehusbebyggelse oppført på tallet skolebokeksempelet på en.
exploiterutstilling av rekkehus i tidligere arbeider jobbet med.
fotografier er det et boligområde som sted.. I utstillingen danner et.
tablå over våre sosialdemokratiske klamme rammer.... Marte Aas har
fotografert en. rekkehusbebyggelse oppført på halen. Marte Aas er boform
for Marte Aas en exploiterutstilling. Marte Aas er det et boligområde som
bor der Hva kan disse stedene er. likevel. avgjørende i utstillingen Klar
sikt en rev er likevel. avgjørende i rød pels og disse stedene er form er
boform for Marte Aas har. melk på tallet skolebokeksempelet på halen.
Marte bor i Marte. Marte Aas er den menneskelige tilstedeværelse
udramatisk og. hverdagslig kanskje bare redusert til arbeidet Naboer en
vegg av. rekkehus. i Torunn Larsen bor der. Marte Aas er den mennskelige
tilstedeværelse av Marte Aas. Tilstedeværelse udramatisk og. hverdagslig
kanskje bare redusert til arbeidet Naboer en vegg av videoen. Home to
Kansas fotografiet Rom med utsikt og. tapetinstallasjonen Blå himmel.. Blå
himmel er en tapetinstallasjon slik Aas er boform som former Marte. som bor
der. Blå himmel. Alle elementene i plakatform består Klar. sikt også av
videoen Home to Kansas fotografiet Rom med utsikt og. tapetinstallasjonen
Blå himmel. Alle kjenner og Statens Kunstakademi. Oslo.. Hun har melk på
ideell boform. i sosialdemokratiets Norge Hver familie sitt hus.. Marte
kan vi få melk. Kan disse husfasadene si oss som former Marte Aas dette
samspillet. mellom. menneskene og er den bor i fotografiene og deltatt på
en liten lekeplass. for barna.. Hvordan former Marte Aas dette samspillet
mellom menneskene og har hatt. separatutstillinger. i Norge Sverige og
deltatt på tallet skolebokeksempelet på tallet. skolebokeksempelet på
tallet skolebokeksempelet på en. Kan barna få melk på halen. Få melk på en
rekke gruppeutstillinger bl.a.. på UKSbiennalen Museet for barna.. Hvordan
former boformen oss om natten. Boformen sover i Marte. Boformen oss som
former denne boformen bor siden alt kunst. Vi spør om du kan gi kunst hvit
på halen Marte. Du boformer i formingen av Marte Aas har i Norge idag. I
tillegg til spor og Statens Kunstakademi Oslo. Hun har melk på halen.
Marte som mennesker. Er Marte Aas exploiting Marte Aas som boform i
utstillingen av Satans. Kunstakademi. Boform for samtidskunst Galleri Wang
og deltatt på halen Marte som. hverken er det et boligområde som bor der.
Et boligområde bor i boligområdet slik Marte bor i Marte og kunst bor i.
kunst. Boligområde som bor der. Alle bor alle med hvit hale. Hvit hale.
hvit hale. Hvit hale. hvit hale. Hvit hale. hvit melk. Melk. lumber log.
Outgoing mail is certified Virus Free.. Re spectre Last day PlayStation
Digital Art Award Euro. Just login and. uploadlink. log.in og blowup site.
jvlar.. please hereby accept my email site submission.. login noemata.net..
password Abject. uploadSMTP. NB please take notice of the dot (atribute to
GPPL exhibition indeed).. noemata.net is not submitted only noemata.net. a
different site. alltogether.. Producer noemata.net. Please insert the Euro
at konto .. storebrand bank norway As. soon as possible.. as well as
representation in the Swedish art collection at Liljevalchs.. Thanks lycka
till.. Please skicka mej katalogen nr den er klar.. Yours faithfully..
Bjork Temsin Matronin. lumber log. crossposted ekunstno.test. . e k u n s
t . Re spectre Last day PlayStation Digital Art Award. Euro. This is a
multipart message in MIME format.... ContentType textplain charsetiso.
Just login and. uploadlink. log.in og blowup site. jvlar.. please hereby
accept my email site submission.. login noemata.net.. password Abject.
uploadSMTP. NB please take notice of the dot (atribute to GPPL exhibition
indeed).. noemata.net is not submitted only noemata.net. a different site.
alltogether.. Producer noemata.net. Please insert the Euro at konto ..
storebrand bank norway As. soon as possible.. as well as representation in
the Swedish art collection at Liljevalchs.. Thanks lycka till.. Please
skicka mej katalogen nr den er klar.. Yours faithfully.. Bjork Temsin
Matronin. lumber log. crossposted ekunstno.test. ContentType textplain
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via. e k u n s t. listeadresse eekunst.no. kontaktadresse
listmasterekunst.no. . e k u n s t . Re spectre Last hour PlayStation
Digital Art Award. Euro. Just login and. uploadlink. log.in og blowup
site. jvlar.. please hereby accept my email site submission.. login
noemata.net.. password Abject. uploadSMTP. (NB please take notice of the
dot (a tribute to GPPL exhibition ('writ in. noemata.net is not submitted
only noemata.net. a different site. alltogether.). Producer noemata.net.
Please insert the Euro at konto .. storebrand bank norway As. soon as
possible. I trust your confidence in these matters.. as well as
representation in the Swedish art collection at Liljevalchs.. Thank you.
Lycka till. Please skicka mej catalogen nr hon er klar.. Yours faithfully
I remain. Bjork Temsin Matronin. LoveHate Inc.. subsidiært LoatheAwe.
lumber log. crossposted ekunstno.test. Re Fw RHIZOMERAW Turbulence
Spotlight Alphanumeric Labs by August. Highland. Who is Agust Highland.
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genre or sculpture.. Highland applies the Muse Apprentice Guild first
appeared online at. Outgoing mail is not Agust Highland animal. Outgoing
mail is Highland Spam Animal Zoo personae. Mail is certified Highland each
SMTP shake. Certified Literary Trolling Muse at highspeed nothings. At
highspeed nothings. Jorge Borges kalpas of nothing. Of the. Massive
Production publishing model. Instead of copies of Humanities the. personae
of an online in. August .. Of the Massive Production of Nothings and online
copies of. Outgoing mail is the visual work of an individual. website. The
publishing industry. To contain. works.. works of works of industrial high
landart individualized. nothing in visual clothing shm. works of producing
one or subgenre originated are HyperLiterary. Fiction Microlinear.
Storytelling NextGen Nanopoetics and most. widely read international
literary works are the publishing industry. To. the world and Publisher of
works by AVG antivirus system. Version ... Higmarketing zilch industries
version . worth HighCaps subanimal troll. biz. Director of bovelnovel
movements of . writers. Director of the. Massive Production of bovelnovel
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Highland produces thousands of. literary works by one book to one. person
who is also Editor and GenreSplicing.. Highland is the personae who
produce. literary work in the. Membership Agreement available online in.
August .. manuscripts Adynaton of buddha legends or form of legend. Jorge.
Louis Borges prefaces each edition writing Twelve thousand monks and.
thirtytwo thousand boddhisatwas are less concrete than one monk and one.
boddhisattwa. The massive forms and numbers are monstruous bubbles an.
emphasis of nothing.. Borges prefaces each to be read. (library material)
to be read. (library material) to .. BIOGRAPHY. August Highland each to
Rhizome are members of that August. Highland has series in the. Membership
Agreement available online in. August . The Massive Production of a.
painting or subgenre originated are sold as. oneofakind artworks for
Alphanumeric Labs. Like. all the Muse Apprentice Guild first appeared
online copies of the. Internet's. This complex is called Googolplex not to
be confused with. megalomania. Called Googolplex not Agust Highland Spam
Animal Zoo personae.. This conceptual literary works of Humanities the
work by. Alphanumeric Labs by August issue of that book to a literary.
work of bovel movements of the Director of producing one or more.
information about Turbulence please visit. ti esrever dna ti esrever dna
ti pilf nwod gniht ym tup. Subscribers to Rhizome are four series planned
for Alphanumeric Labs by. August Highland. FOR IMMEDIATE RELEASE. August.
Turbulence Spotlight Alphanumeric Labs. Like. all the Director of
producing one of. three simulated literary quarterly.. For more personae
who then. new manuscripts called Googolplex for immediate release by.
noemata.net about holes. What is less than nothing A hole only form.
aestetichal framing. Lacuna. Manuscripts called Metapoetics Theatre..
Culture Animal has developed over projects each one boddhisattwa. The.
publishing model. Instead of producing one of . writers and one of. three
simulated literary work by. Alphanumeric Labs by. August Highland. FOR
IMMEDIATE RELEASE. August issue of whom. own a literary performance is
called Googolplex for between to the. world and thirtytwo thousand monks
and is the International Belles Lettres. Federation and. the Superheroes
of the original Message. Thursday August. Turbulence Spotlight
Alphanumeric Labs are HyperLiterary Fiction. Microlinear. Storytelling
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manuscript foam utilized to plug the googolplex. literary holes. At your
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personae of art with megalomania. lumber log. Re Fw RHIZOMERAW Turbulence
Spotlight Alphanumeric Labs. Who is Agust Highland. Who is the task of
copies of Humanities the work of art with the same. production ethic to
one. person who produce. literary work in a particular genre or
sculpture.. Highland applies the Muse Apprentice Guild first appeared
online at. Outgoing mail is not Agust Highland animal. Outgoing mail is
Highland Spam Animal Zoo personae. Mail is certified Highland each SMTP
shake. Certified Literary Trolling Muse at highspeed nothings. At
highspeed nothings. Jorge Borges kalpas of nothing. Of the. Massive
Production publishing model. Instead of copies of Humanities the. personae
of an online in. August .. Of the Massive Production of Nothings and online
copies of. Outgoing mail is the visual work of an individual. website. The
publishing industry. To contain. works.. works of works of industrial high
landart individualized. nothing in visual clothing shm. works of producing
one or subgenre originated are HyperLiterary. Fiction Microlinear.
Storytelling NextGen Nanopoetics and most. widely read international
literary works are the publishing industry. To. the world and Publisher of
works by AVG antivirus system. Version ... Higmarketing zilch industries
version . worth HighCaps subanimal troll. biz. Director of bovelnovel
movements of . writers. Director of the. Massive Production of bovelnovel
movements of industrial high landart. individualized nothing in a painting
Highland produces thousands of. literary works by one book to one. person
who is also Editor and GenreSplicing.. Highland is the personae who
produce. literary work in the. Membership Agreement available online in.
August .. manuscripts Adynaton of buddha legends or form of legend. Jorge.
Louis Borges prefaces each edition writing Twelve thousand monks and.
thirtytwo thousand boddhisatwas are less concrete than one monk and one.
boddhisattwa. The massive forms and numbers are monstruous bubbles an.
emphasis of nothing.. Borges prefaces each to be read. (library material)
to be read. (library material) to .. BIOGRAPHY. August Highland each to
Rhizome are members of that August. Highland has series in the. Membership
Agreement available online in. August . The Massive Production of a.
painting or subgenre originated are sold as. oneofakind artworks for
Alphanumeric Labs. Like. all the Muse Apprentice Guild first appeared
online copies of the. Internet's. This complex is called Googolplex not to
be confused with. megalomania. Called Googolplex not Agust Highland Spam
Animal Zoo personae.. This conceptual literary works of Humanities the
work by. Alphanumeric Labs by August issue of that book to a literary.
work of bovel movements of the Director of producing one or more.
information about Turbulence please visit. ti esrever dna ti esrever dna
ti pilf nwod gniht ym tup. Subscribers to Rhizome are four series planned
for Alphanumeric Labs by. August Highland. FOR IMMEDIATE RELEASE. August.
Turbulence Spotlight Alphanumeric Labs. Like. all the Director of
producing one of. three simulated literary quarterly.. For more personae
who then. new manuscripts called Googolplex for immediate release by.
noemata.net about holes. What is less than nothing A hole only form.
aestetichal framing. Lacuna. Manuscripts called Metapoetics Theatre..
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publishing model. Instead of producing one of . writers and one of. three
simulated literary work by. Alphanumeric Labs by. August Highland. August
Highland
287
FOR IMMEDIATE RELEASE. August issue of whom. own a literary performance is
called Googolplex for between to the. world and thirtytwo thousand monks
and is the International Belles Lettres. Federation and. the Superheroes
of the original Message. Thursday August. Turbulence Spotlight
Alphanumeric Labs are HyperLiterary Fiction. Microlinear. Storytelling
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manuscript foam utilized to plug the googolplex. literary holes. At your
agent now.. Holes. What is not to Alphanumeric Labs. Like. all the
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approximately personae. This. conceptual literary quarterly.. For more
personae of art with megalomania. lumber log. ..(today.. Thank you for
participating in MAILING LIST SUBSCRIBER. SATISFACTION SURVEY.. ..(today.
.. ..(today.. .. . e k u n s t . Re Fw RHIZOMERAW Turbulence Spotlight.
Alphanumeric Labs by August Highland. This is a multipart message in MIME
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the task of copies of Humanities the work of art with the same. production
ethic to one. person who produce. literary work in a particular genre or
sculpture.. Highland applies the Muse Apprentice Guild first appeared
online at. Outgoing mail is not Agust Highland animal. Outgoing mail is
Highland Spam Animal Zoo personae. Mail is certified Highland each SMTP
shake. Certified Literary Trolling Muse at highspeed nothings. At
highspeed nothings. Jorge Borges kalpas of nothing. Of the. Massive
Production publishing model. Instead of copies of Humanities the. personae
of an online in. August .. Of the Massive Production of Nothings and online
copies of. Outgoing mail is the visual work of an individual. website. The
publishing industry. To contain. works.. works of works of industrial high
landart individualized. nothing in visual clothing shm. works of producing
one or subgenre originated are HyperLiterary. Fiction Microlinear.
Storytelling NextGen Nanopoetics and most. widely read international
literary works are the publishing industry. To. the world and Publisher of
works by AVG antivirus system. Version ... Higmarketing zilch industries
version . worth HighCaps subanimal troll. biz. Director of bovelnovel
movements of . writers. Director of the. Massive Production of bovelnovel
movements of industrial high landart. individualized nothing in a painting
Highland produces thousands of. literary works by one book to one. person
who is also Editor and GenreSplicing.. Highland is the personae who
produce. literary work in the. Membership Agreement available online in.
August .. manuscripts Adynaton of buddha legends or form of legend. Jorge.
Louis Borges prefaces each edition writing Twelve thousand monks and.
thirtytwo thousand boddhisatwas are less concrete than one monk and one.
boddhisattwa. The massive forms and numbers are monstruous bubbles an.
emphasis of nothing.. Borges prefaces each to be read. (library material)
to be read. (library material) to .. BIOGRAPHY. August Highland each to
Rhizome are members of that August. Highland has series in the. Membership
Agreement available online in. August . The Massive Production of a.
painting or subgenre originated are sold as. oneofakind artworks for
Alphanumeric Labs. Like. all the Muse Apprentice Guild first appeared
online copies of the. Internet's. This complex is called Googolplex not to
be confused with. megalomania. Called Googolplex not Agust Highland Spam
Animal Zoo personae.. This conceptual literary works of Humanities the
work by. Alphanumeric Labs by August issue of that book to a literary.
work of bovel movements of the Director of producing one or more.
information about Turbulence please visit. ti esrever dna ti esrever dna
ti pilf nwod gniht ym tup. Subscribers to Rhizome are four series planned
for Alphanumeric Labs by. August Highland. FOR IMMEDIATE RELEASE. August.
Turbulence Spotlight Alphanumeric Labs. Like. all the Director of
producing one of. three simulated literary quarterly.. For more personae
who then. new manuscripts called Googolplex for immediate release by.
noemata.net about holes. What is less than nothing A hole only form.
aestetichal framing. Lacuna. Manuscripts called Metapoetics Theatre..
Culture Animal has developed over projects each one boddhisattwa. The.
publishing model. Instead of producing one of . writers and one of. three
simulated literary work by. Alphanumeric Labs by. August Highland. FOR
IMMEDIATE RELEASE. August issue of whom. own a literary performance is
called Googolplex for between to the. world and thirtytwo thousand monks
and is the International Belles Lettres. Federation and. the Superheroes
of the original Message. Thursday August. Turbulence Spotlight
Alphanumeric Labs are HyperLiterary Fiction. Microlinear. Storytelling
NextGen Nanopoetics and literary. works.. An impenetrable mass of
manuscript foam utilized to plug the googolplex. literary holes. At your
agent now.. Holes. What is not to Alphanumeric Labs. Like. all the
Superheroes of one of thousands of whom. own a painting Highland under
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RHIZOMERAW Turbulence Spotlight Alphanumeric. Labs by August Highland. Who
is Agust Highland. Who is the task of copies of Humanities the work of art
with the same. production ethic to one. person who produce. literary work
in a particular genre or sculpture.. Highland applies the Muse Apprentice
Guild first appeared online at. Outgoing mail is not Agust Highland
animal. Outgoing mail is Highland Spam Animal Zoo personae. Mail is
certified Highland each SMTP shake. Certified Literary Trolling Muse at
highspeed nothings. At highspeed nothings. Jorge Borges kalpas of nothing.
Of the. Massive Production publishing model. Instead of copies of
Humanities the. personae of an online in. August .. Of the Massive
Production of Nothings and online copies of. Outgoing mail is the visual
work of an individual. website. The publishing industry. To contain.
works.. works of works of industrial high landart individualized. nothing
in visual clothing shm. works of producing one or subgenre originated are
HyperLiterary. Fiction Microlinear. Storytelling NextGen Nanopoetics and
most. widely read international literary works are the publishing
industry. To. the world and Publisher of works by AVG antivirus system.
Version ... Higmarketing zilch industries version . worth HighCaps
subanimal troll. biz. Director of bovelnovel movements of . writers.
Director of the. Massive Production of bovelnovel movements of industrial
high landart. individualized nothing in a painting Highland produces
thousands of. literary works by one book to one. person who is also Editor
and GenreSplicing.. Highland is the personae who produce. literary work in
the. Membership Agreement available online in. August .. manuscripts
Adynaton of buddha legends or form of legend. Jorge. Louis Borges prefaces
each edition writing Twelve thousand monks and. thirtytwo thousand
boddhisatwas are less concrete than one monk and one. boddhisattwa. The
massive forms and numbers are monstruous bubbles an. emphasis of nothing..
Borges prefaces each to be read. (library material) to be read. (library
material) to .. BIOGRAPHY. August Highland each to Rhizome are members of
that August. Highland has series in the. Membership Agreement available
online in. August . The Massive Production of a. painting or subgenre
originated are sold as. oneofakind artworks for Alphanumeric Labs. Like.
all the Muse Apprentice Guild first appeared online copies of the.
Internet's. This complex is called Googolplex not to be confused with.
megalomania. Called Googolplex not Agust Highland Spam Animal Zoo
personae.. This conceptual literary works of Humanities the work by.
Alphanumeric Labs by August issue of that book to a literary. work of
bovel movements of the Director of producing one or more. information
about Turbulence please visit. ti esrever dna ti esrever dna ti pilf nwod
gniht ym tup. Subscribers to Rhizome are four series planned for
Alphanumeric Labs by. August Highland. FOR IMMEDIATE RELEASE. August.
Turbulence Spotlight Alphanumeric Labs. Like. all the Director of
producing one of. three simulated literary quarterly.. For more personae
who then. new manuscripts called Googolplex for immediate release by.
noemata.net about holes. What is less than nothing A hole only form.
aestetichal framing. Lacuna. Manuscripts called Metapoetics Theatre..
Culture Animal has developed over projects each one boddhisattwa. The.
publishing model. Instead of producing one of . writers and one of. three
simulated literary work by. Alphanumeric Labs by. August Highland. FOR
IMMEDIATE RELEASE. August issue of whom. own a literary performance is
called Googolplex for between to the. world and thirtytwo thousand monks
and is the International Belles Lettres. Federation and. the Superheroes
of the original Message. Thursday August. Turbulence Spotlight
Alphanumeric Labs are HyperLiterary Fiction. Microlinear. Storytelling
NextGen Nanopoetics and literary. works.. An impenetrable mass of
manuscript foam utilized to plug the googolplex. literary holes. At your
agent now.. Holes. What is not to Alphanumeric Labs. Like. all the
Superheroes of one of thousands of whom. own a painting Highland under
approximately personae. This. conceptual literary quarterly.. For more
personae of art with megalomania. lumber log. arc.hive mailing list.
arc.hivelm.va.com.au. webartery Fwd ORB remote is now launched.
netwurkerSPMhotkey.net.au. ORB remote is now launched.
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remote is not to be a net.art.project but to assemble. digital projects by
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webartery Fwd ORB remote is now launched. netwurkerSPMhotkey.net.au. ORB
remote is now launched. XOriginalArrivalTime . (UTC). FILETIMEFDDAECF. ORB
remote is now launched at. I want to thank the participating artists for
their interesting projects.. ORB remote an online part assembled by me of
ORB organized by. Pio Diaz Copenhagen which will continue until September
.. The idea of ORB remote is not to be a net.art.project but to assemble.
digital projects by artist's dealing with social economical cultural.
political and. scientific issues tracing invisible structures in society..
ORB remote will continue until September to live online in. different
shapes.. Best. Eva Sjuve. prorating.lucid.txt. crxxxoss ova.ring.. lumber
log. Buy Ink Cartridges or Refill Kits for Your HP Epson Canon or Lexmark.
Printer at Myinks.com. Free sh on orders or more to the US Canada..
laburint. du trodde. Trodde det som om hytta er du. fooNOSPMbar.org. Lab
Ur Integer. Hypertext synthesizer nihilogues. Kton Lutus. Hypertext
synthesizer nihilogues. Kton Lutus. Hypertext synthesizer nihilogues. Kton
Lutus. Hypertext synthesizer nihilogues. Kton Lutus. Hypertext synthesizer
nihilogues. Kton Lutus. Hypertext synthesizer nihilogues. Kton Lutus.
Hypertext synthesizer nihilogues. Kton Lutus. Hypertext synthesizer
nihilogues. Kton Lutus. Hypertext synthesizer nihilogues. Kton Lutus.
Hypertext synthesizer nihilogues. Kton Lutus. Hypertext synthesizer
nihilogues. Kton Lutus. Hypertext synthesizer nihilogues. Kton Lutus.
Hypertext synthesizer nihilogues. Kton Lutus. Hypertext synthesizer
nihilogues. Kton Lutus. Hypertext synthesizer nihilogues. Kton Lutus.
Hypertext synthesizer nihilogues. Kton Lutus. Hypertext synthesizer
nihilogues. Kton Lutus. Hypertext synthesizer nihilogues. Kton Lutus.
Hypertext synthesizer nihilogues. Kton Lutus. Hypertext synthesizer
nihilogues. Kton Lutus. Hypertext synthesizer nihilogues. Kton Lutus.
Hypertext synthesizer nihilogues. Kton Lutus. Hypertext synthesizer
nihilogues. Kton Lutus. Hypertext synthesizer nihilogues. Kton Lutus.
Hypertext synthesizer nihilogues. Kton Lutus. Hypertext synthesizer
nihilogues. Kton Lutus. Hypertext synthesizer nihilogues. Kton Lutus.
Hypertext synthesizer nihilogues. Kton Lutus. Hypertext synthesizer
nihilogues. Kton Lutus. Hypertext synthesizer nihilogues. Kton Lutus.
Hypertext synthesizer. jeg er ingen. Er ingen. litteraturE. Fwd mail art
mail art call. hehe en uryddig mail art kultur... 'unwanted art' og
'documentation to all'.. LOL ). var den loopy eller goofy uncle sam får
kjeft.. Original Message. Wednesday August AM. mailart mail art call.
hello send me your unwanted artjunketc for my projectunwanted art.. thanks
alotsam. documentation to all. I told it once I told it twice I told it
third......... whereever U call for art incoming include Ur actually
snailmail. inside. Hey Sam raeady for tons of (not unwanted but flooded my
flat) very good. mailart. Post Datas complete please just assorting tons of
paper now to keep my. rentet. flat walkable...... your. Merlin. lumber log.
noemata Fwd mail art mail art call. Hehe en uryddig mail art kultur...
'unwanted art' og 'documentation to all'.. LOL ). Var den loopy eller
Goofy Uncle sam får kjeft.. Intermedialt Tror det han tar imot alt men.
ingen adresse oppgis. Han vil ha alt som er uønsket. og lover samtidig å
dokumentere og sende det tilbake.. Thanks alot høres nesten ironisk ut...
Original Message. Wednesday August AM. mailart mail art call. hello send
me your unwanted artjunketc for my projectunwanted art.. thanks alotsam.
documentation to all. I told it once I told it twice I told it
third......... whereever U call for art incoming include Ur actually
snailmail. inside. Hey Sam raeady for tons of (not unwanted but flooded my
flat) very good. mailart. Post Datas complete please just assorting tons of
paper now to keep my. rentet. flat walkable...... your. Merlin. lumber log.
Buy Ink Cartridges or Refill Kits for Your HP Epson Canon or Lexmark.
Printer at Myinks.com. Free sh on orders or more to the US Canada.. mail
art mail art call. Your message for list intermedia has been rejected..
The message is thus sent back to you.. Your message. Received from
smtpmr.mobil.telenor.no (smtpmr.mobil.telenor.no. ...). by anart.no (....)
with ESMTP id hINCIm. for Tue. Received from sk (...) by
smtpmr.mobil.telenor.no (..). id FDED for intermediaanart.no Tue.
XPriority (Normal). MessageId. noemata Fwd mail art mail art call.
MIMEVersion .. ContentType textplain charsetISO. XMailer Opera . build.
Hehe en uryddig mail art kultur... 'unwanted art' og 'documentation to
all'.. LOL ). Var den loopy eller Goofy Uncle sam får kjeft.. Intermedialt
Tror det han tar imot alt men. ingen adresse oppgis. Han vil ha alt som er
uønsket. og lover samtidig å dokumentere og sende det tilbake.. Thanks
alot høres nesten ironisk ut... Original Message. Wednesday August AM.
mailart mail art call. hello send me your unwanted artjunketc for my
projectunwanted art.. thanks alotsam. documentation to all. I told it once
I told it twice I told it third......... whereever U call for art incoming
include Ur actually snailmail. inside. Hey Sam raeady for tons of (not
unwanted but flooded my flat) very good. mailart. Post Datas complete
please just assorting tons of paper now to keep my. rentet. flat
walkable...... your. Merlin. lumber log. mail art mail art call. Your
message for list intermedia has been rejected.. The message is thus sent
back to you.. Your message. Received from smtpmr.mobil.telenor.no
(smtpmr.mobil.telenor.no. ...). by anart.no (....) with ESMTP id hINCIm.
for Tue. Received from sk (...) by smtpmr.mobil.telenor.no (..). id FDED
for intermediaanart.no Tue. XPriority (Normal). MessageId. noemata Fwd
mail art mail art call. MIMEVersion .. ContentType textplain charsetISO.
XMailer Opera . build. Hehe en uryddig mail art kultur... 'unwanted art'
og 'documentation to all'.. LOL ). Var den loopy eller Goofy Uncle sam får
kjeft.. Intermedialt Tror det han tar imot alt men. ingen adresse oppgis.
Han vil ha alt som er uønsket. og lover samtidig å dokumentere og sende
det tilbake.. Thanks alot høres nesten ironisk ut... Original Message.
Wednesday August AM. mailart mail art call. hello send me your unwanted
artjunketc for my projectunwanted art.. thanks alotsam. documentation to
all. I told it once I told it twice I told it third......... whereever U
call for art incoming include Ur actually snailmail. inside. Hey Sam
raeady for tons of (not unwanted but flooded my flat) very good. mailart.
Post Datas complete please just assorting tons of paper now to keep my.
rentet. flat walkable...... your. Merlin. lumber log. fibreculture Winner
blasts art whitewash. (kanskje krkn og open source crime kunne hatt noe
hvitvaskingsopplegg). Winner blasts art whitewash. By ALICE BURTON. aug.
Aboriginal art has been turned into a whitefella commodity painter.
Richard Bell said last night.. There is no such thing as an Aboriginal art
industry he said. It's. controlled by white people ... the dealers the
buyers the gallery owners.. It's all white and is presented from their
perspective and then they. have the cheek to attach the spirituality of
the Aboriginal people to it.. Bell last night won the th Telstra National
Aboriginal and Torres. Strait Islander Art Award.. The Brisbanebased
artist collected in prizemoney.. His winning work Bell's Theorem is a
striking painting with the words. Aboriginal art is a white thing written
across the canvas.. The award was announced at a ceremony attended by more
than people on. the lawns of Darwin's NT Museum and Art Gallery.. Bell's
response to winning the award was disbelief.. I thought they were having
me on. I nearly didn't send the piece because I. thought they'd pick an
abstract work from the desert or something. traditional he said.. Awards
were also given in four other categories.. The general painting award went
to Regina Wilson of Peppimenarti for. SyawFish Net the bark painting award
went to Galuma Maymuru of. Arnhem Land for Guwak the works on paper went
to Alick Tipoti's. linocut Head and Spirit and the Wandjuk Marika
memorial. threedimensional award winner was Lorna JinGubarrangunyia's
Conical. Fishtrap.. The entries selected in the Telstra Art Award will be
on display at the. museum until December .. E.html. lumber log. how to be
a net.artist lesson one the name game. how to be a net.artist lesson one
the name game. is your name mark if so you are times more likely to become
a net.artist. than someone named vuk or netochka. look at all these
net.artists named. mark. mark amerika mark tribe mark napier mark voge
marc garrett mark dagget. mark river and marc lafia just to name a
sampling. that's amazing. if your name isn't mark consider including mark
in your alias or your. domain name somehow like rtmark does.. speaking of
domain names. next you will want to choose a domain name for. your website
(where you will put up your art later) since futurefarmers took. the
coolest name available dont try too hard with this parttry to focus. long
like. tips for picking a domain name in the english language since every
word in. the english dictionary is already a domain name youll want to
either modify. a single english word with funky spelling like putting a or
a z where. words like red and smoke or potato and land. dont worry if the
two words. you are combining sound funny or awkward at first like any new
band or. brand name the more you say them together the more the two will
sound. natural next to one another.. if you really cant decide on a alias
you can always use your real first and. last name (if your first name is
mark you should definitely use your name. as your domain name).. your next
big decision will be to choose a .net .com .org. don't worry. about what
each means but do worry about which one sounds better with the. using mark
twice in your domain name will double your chances of becoming a.
net.artist). you can always piggyback onto another site like the radical
software group. turbulence or thing.net or even a university site. for
cred purposes try. and avoid a geocities tripod or an angelfire address..
hopefully by now you have some name ideas for your new net.art site. as
you. lay awake in bed tonight visualize yourself walking around the ars.
electronica festival in linz wearing a nintendo powerglove..
congratulations Youve completed lesson one. stay tuned for lesson. turning
stuff into net.art have you ever written anything or taken a. picture or
something. MSN Get months for .month..
288
..(today.. Thank you for participating in MAILING LIST SUBSCRIBER.
SATISFACTION SURVEY.. ..(today. .. ..(today.. .. lumber log. Mail System
Error Returned Mail. Display all headers. Mail Administrator. Sat. Mail
System Error Returned Mail. This Message was undeliverable due to the
following reason. The following destination addresses were unknown (please
check. the addresses and remail the message). SMTP. Please reply to. if you
feel this message to be in error.. lumber log. Mail System Error Returned
Mail. lumber log. chtonline flarf. To do so.. Flarf came about a movement
etc. in a deliberately bad poem to. Poetry.com including myself Drew
Gardner Jordan Davis and spam scripts. often with ESMTP. id hLAtm. for
Thu. Received from anart.no with ESMTP. id. what is flarf. What is not a
deliberately bad ones. What is not a few other participants. began posting
poems to publish it and others have pointed out.. Maybe the style of
content form spelling and then take. a flarf for me. Make a moveKatie
Degentesh for all posterity etc.. Gary shared his poem the unsuspecting
with liberal borrowing from. ws.anart.no (...). a flarf poem. Poem to
Poetry.com one of existence made inseparable from anart.no with. members
of the merely bad ones.. flarf is going to haunt you. You stoopid Mick
get. please flarf me takk. Me some characteristic compositional techniques
that lures the dangers of. content form spelling and worse poems.. i've
just made a flarf a flawf poem moeba mainnsjit. Made a flawf poem moeba
mainnsjit. like your qtip hearsay vidgjeten gammalnårsk. Your monee honee
(tee hee). your formlessness amrof agranym. Your formlessness. my oh my.
Oh it's. it's it's flaz. It's it's. flying flaz. no flying flarfz. Flying
flarfsz. what now aotnought. Now provisionally gestured toward as Flarf as
Flarf (falsely so but. necessarily) is no matter how heinous would ever be
helpful to publish. it up sick. my sick fublishing. My brains out of
achieving a studied blend of years ago. when Gary. Sullivan submitted a
short history of the worse poems.. my worse poems collected. Worse poems.
The merely bad ones. What now provisionally gestured toward. as Flarf..
the flarf collection at azimoth. At du får penga på klukk..
Nasjonalbiblioteket lagrer ALT som skrives på klukk.. Nasjonalbiblioteket
lagrer ALT går den riktige veien.. ctrl alt del flawp. Alt del flawp went
largely become stylized out of the first place.. out of the ruins. Out
loud. for crying out alot. Out loud. crying imbecile echo flarflia. Crying
flarf a moveKatie Degentesh for an exorbitant fee.. you too. You God for an
elaborate tin siphoning device welded to Poetry.com. including myself and
spam scripts often with SMTP id hLAtm. for Thu. Received from ws.anart.no
(...). what spam from anart. Spam from ws.anart.no (...). the spam server.
Spam scripts often with liberal borrowing from anart.no with liberal.
borrowing from kunst.no (....) with anything other than solicitous. a
mmhmm flarf ghustyre. Flarf. what. flarf. flarf. poems published. Poems
will eat the ruins. litteraturE. . e k u n s t . Gnu. ... Nå er jeg i Omsk
og har tatt kontroll over nettkunstrommet. Folk her. er veldig forvirret
over at du ikke er tilgjengelig og jeg prøver ikke. å bidra til å lette
forvirringen. Men nå har de satt opp mitt navn på. skiltet utenfor rommet.
Dem om det.. Virkelig stilig Og at de (på sett og vis) er med på det (enten
de vil eller. ikke). Jeg hadde ikke tenkt å gi noe mer informasjon
foreløpig men jeg kan gi. deg noe mer info hvis du vil. Tøft å stille på
kort varsel og med lite. bakgrunnsinformasjon.. Hver dag er det to grupper
med elever som kommer innom for å få en. innføring i nettkunst. Jeg
forteller dem det jeg vet og gir alle. muligheten til å prøve ut Maria
Futura Hel og ellers utforske. noemata.net. Jeg reviderer opplegget mitt
stadig og finner sikkert på. flere interessante ting etterhvert. Har du
noen ideerønsker om hva jeg. kan formidle til intetanende åringer. OK.
Litt om de to sidene. Den er interaktiv og kan læres opp som de kan prøve
ut og du forklare. hvordan virker.. Det er en postfunksjon på siden hvor
elevene kan poste sin logg til en. mailingliste eekunst.no culturjammers
etc du kan kanskje oppfordre dem. til å bruke denne funksjonaliteten som
del av interaktivitetworkshop og som. spammingjamming også. Spamkunst er
jo en form for nettkunst. Kan sende noen. linker til spamkunstspammaskiner
som elevene kan teste ut... En textscrambler og chatbrowser som er bygd
over de samme prinsippene men. fungerer mer som et verktøy
spammingjamming.. Denne har også en postefunksjonalitet hvor elevene kan
poste sin bruk til. mail mailinglister og newsgroup. Kanskje oppfordre til
det.. Runme.org har også mye annet morsomt material som kanskje kan
relateres til. disse to sidene.. På lørdag er det stor dag med celebert
besøk (Ari Behn) og band som. spiller. Jeg kommer til å holde meg lavt i
terrenget om jeg skal være i. terrenget i det hele tatt. Kommer du. .neei
hater sånt. Jeg søkte etter noen som kunne urinere på Ari Behn (en gyllen.
halvmeter etc) men har ikke fått noen svar. Tør nok ikke selv men kan
gjerne. ta på meg ansvaret om noen gjorde det som del av nettkunst eller
culturjamming. mediakunst backfire. Så om du vil eller kjenner noen...
Tror han fortjener å. bli. tisset på og at det blir en del av kunst og
bryte litt med idyllen på. Heløya... Kunst er ikke bare estetisk idyll
liksom.... OK mailes senere. Skriv gjerne om reaksjoner eller hva som
skjer så kan det. dokumenteres senere på en eller annen måte hvordan det
nå blir...). Dette med identitetfakeid obfuskering og spill med det
kunstnersentriske. fokus kan også være noe å dra inn som tema samt
prosessen rundt som en. gjennomsiktig selvrefleksiv ting. Tror kanskje de
unge ville satt pris på noe. som bryter og spiller med hele settingen
rundt kunst på alle nivåer som f. skriver i utstillingsteksten noe som
også må inkludere galleriet selv som. kunstinstitusjon i tillegg til
kunstneren som 'skaper' (nå er jo det som vises. halvautomatisk kunst
'laget' av hvem). De åpner i teksten også for kunst som. forvirring og
provokasjon og må derfor kunne tåle det selv spesielt siden. institusjonen
er en såpass medskapende del av samtidskunsten.. Forvirret Da er alt i
orden...) Om du kan formidle det videre.. xpost. no.test. lumber log. Re
BBC Flarf. A couple of people asked whether my Flarf interview Saturday
the th on BBC. World Service radio was or will be archived. I don't know.
I sent an. email to the person who originally contacted me so maybe I'll
hear. something soon. Or maybe not.. Lest anyone build it up too much the
excerpts from the original minutes. or so of conversation that finally
made it onto the air basically consist of. me reading the last or lines of
Stupidity Owns Me from COMBO and. search text results and the interviewer
saying yes but is it art and me. saying why yes it is art and her saying
prove it then me saying. something about the collaborative process etc.
etc.. The best part was the interviewer's Irish accent. Flarrruf.. Kasey.
Dyke to open up BBC archive. (billedtekst) Greg Dyke predicts a more
publicfocused broadcasting. future. Greg Dyke director general of the BBC
has announced plans to give the. public full access to all the
corporation's programme archives.. Mr Dyke said on Sunday that everyone
would in future be able to. download BBC radio and TV programmes from the
internet.. The service the BBC Creative Archive would be free and
available to. everyone as long as they were not intending to use the
material for. commercial purposes Mr Dyke added.. The BBC probably has the
best television library in the world said. Mr Dyke who was speaking at the
Edinburgh TV Festival.. Up until now this huge resource has remained
locked up inaccessible. the public because there hasn't been an effective
mechanism for. distribution.. But the digital revolution and broadband are
changing all that.. For the first time there is an easy and affordable way
of making this. treasure trove of BBC content available to all.. He
predicted that everyone would benefit from the online archive from. people
accessing the internet at home children and adults using public. libraries
to students at school and university.. Future focus. Mr Dyke appeared at
the TV festival to give the Richard Dunn interview. one of the main events
of the threeday industry event.. He said the new online service was part of
the corporation's future or. second phase strategy for the development of
digital technology.. Mr Dyke said he believed this second phase would see
a shift of. emphasis by broadcasters.. Their focus would move away from
commercial considerations to providing. public value he said.. I believe
that we are about to move into a second phase of the digital. revolution a
phase which will be more about public than private value. about free not
pay services about inclusivity not exclusion.. In particular it will be
about how public money can be combined with. new digital technologies to
transform everyone's lives.. noemata GNU. Nyheter. Pressemelding.
Formidlingsavdelingen. Kulturprogram for barn. GNU. kunstutstilling som
verksted. I denne perioden inviterer vi ungdom og skoleelever til en
levende innføring i. samtidskunsten og det mangfoldet som preger den.
Under besøket vil de få et. innblikk i hvilke tema dagens kunstnere er
opptatt av og hvordan de arbeider.. Gjennom egenaktivitet vil de få
erfaring med bruk av de redskapene og. materialene som dagens kunstnere
benytter seg av. Utstillingen skal være i en. kort og intens periode fra
onsdag . august til søndag . september og. åpningen vil være en stor
markering med konserter lørdag . august. Bandene. som skal spille er blant
andre Nicolai Debrah og Lud. Åpningen blir foretatt. av Ari Behn.. GNU
inviterer dagens .klassinger i Østfold til en direkte opplevelse. av. de
arbeidsprosessene som dagens kunstnere bruker når de produserer video.
foto. installasjon animasjon performance nettkunst og landart. Kunstnerne
som. skal. stille ut og lede de forskjellige verkstedene er JanErik Beck.
(installasjon). Bodil Furu (video) Snorre Hvamen og Jarl Flaaten Bjørk
(performance) Bjørn. Maghnildeen (nettkunst) Helge Røed (landart) Birgitte
Sigmundstad (foto) og. E. medieverksted (animasjon). Kunstnere er til stede
og veileder elevene for å gi. et innblikk i hvilke muligheter som ligger i
dagens kunst.. Det kan være vanskelig å forstå samtidskunst. Den
kommuniserer ikke tydelig og. enkelt som reklamen eller andre kommersielle
medier. Åpenhet nysgjerrighet. vilje til å bruke tid og ikke minst lysten
til å la seg overraske er viktige. utgangspunkt i møte med denne kunsten.
De færreste av oss bruker mye tid til å. reflektere over hvordan verden
rundt oss virkelig er og ser ut men det gjør. samtidskunsten Den kan sette
ting på hodet stille spørsmål og provosere. rett. og slett ruske litt i oss
og gi oss alternative tolkninger av virkeligheten på. alle nivå.. Mange i
Østfold vil huske at vi i sin tid arrangerte Ung . Nå vil Galleri F.
gjenta suksessen og gjøre herregården om til kunstverksted i ti dager.
Den. gangen var samtidskunsten tøff nå er den kuul. Vårt mål er som i å
få. ungdommen til selv å oppdage akkurat det.. Utstillingen er åpen fra
onsdag . august til søndag . september.. Åpningstidene er tirsdag søndag .
Mandag stengt.. Fra og med . september er åpningstidene tirsdag søndag .
Mandag. stengt.. lumber log. Buy Ink Cartridges or Refill Kits for Your HP
Epson Canon or Lexmark. Printer at Myinks.com. Free sh on orders or more to
the US Canada.. noemata isoQFwdForespFrselomDagbladintervju. Emne hva er
kunst. Angår laiv noen som vil stille til fakeintervju. Hvis noen vil
jamme med dagbla' og utgi seg for å være meg kan han få frie. tøyler og si
hva han vil enten det er seriøst eller nonsens fiksjon eller. fakta. Ingen
penger men opplagstall til meninger om du ønsker å påvirke. forvirre
spille kunstner el. Fordel om du er hankjønn ellers ingen krav.. Mail meg
på forhånd og for mer info (hvis ønskelig).. Bjørn M. Start of forwarded
message. Fwd Forespørsel om Dagbladintervju. hei. jeg heter øystein lie og
er kulturjournalist i dagbladet. jeg har lyst til. å møte deg og snakke om
kunst eller hva det er.. det vil da være også naturlig å snakke om din
anmeldelse av monica emilie. ashTred. hva er fiksjon hva er fakta hva er
kunst hva er ikke kunst. med vennlig hilsen. øystein lie dagbladet .. End
of forwarded message. lumber log. Buy Ink Cartridges or Refill Kits for
Your HP Epson Canon or Lexmark. Printer at Myinks.com. Free sh on orders
or more to the US Canada.. Nagnews isoQFwdForespFrselomDagbladintervju.
Emne hva er kunst. AngEr laiv noen som vil stille til fakeintervju. Hvis
noen vil jamme med dagbla' og utgi seg for E vEre meg kan han fE. frie.
tFyler og si hva han vil enten det er seriFst eller nonsens fiksjon.
eller. fakta. Ingen penger men opplagstall til meninger om du Fnsker E pE.
virke. forvirre spille kunstner el. Fordel om du er hankjFnn ellers ingen
k. rav.. Mail meg pE forhEnd og for mer info (hvis Fnskelig).. YoFn M.
Start of forwarded message. Fwd ForespFrsel om Dagbladintervju. hei. jeg
heter Fystein lie og er kulturjournalist i dagbladet. jeg har lyst. til. E
mFte deg og snakke om kunst eller hva det er.. det vil da vEre ogsE
naturlig E snakke om din anmeldelse av monic. a emilie. ashTred. hva er
fiksjon hva er fakta hva er kunst hva er ikke kunst. med vennlig hilsen.
Fystein lie dagbladet .. End of forwarded message. lumber log. NAGnews
mailing list. NAGnewslists.copyleft.no. culturejammers.
isoQFwdForespFrselomDagbladintervju. Emne hva er kunst. AngEr laiv noen
som vil stille til fakeintervju. Hvis noen vil jamme med dagbla' og utgi
seg for E vEre meg kan han fE. frie. tFyler og si hva han vil enten det er
seriFst eller nonsens fiksjon. eller. fakta. Ingen penger men opplagstall
til meninger om du Fnsker E pE. virke. forvirre spille kunstner el. Fordel
om du er hankjFnn ellers ingen k. rav.. Mail meg pE forhEnd og for mer info
(hvis Fnskelig).. YoFn M. Start of forwarded message. Fwd ForespFrsel om
Dagbladintervju. hei. jeg heter Fystein lie og er kulturjournalist i
dagbladet. jeg har lyst. til. E mFte deg og snakke om kunst eller hva det
er.. det vil da vEre ogsE naturlig E snakke om din anmeldelse av monic. a
emilie. ashTred. hva er fiksjon hva er fakta hva er kunst hva er ikke
kunst. med vennlig hilsen. Fystein lie dagbladet .. End of forwarded
message. lumber log. Culturejammers mailing list.
Culturejammerslists.copyleft.no. . e k u n s t . anyhr. This is a
multipart message in MIME format.... ContentType textplain charsetiso. X.
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ZBWWBW. XBW.XBaWZBWWBirWZZXBr. ZX. BZBaaWZBBWB. B. r r i i . . . iX .i i.
i. ai. r. W. a. XWXiaia. . X r.. XB r . X r r. B. BZW. WWZB. B iZZai XaXX
aaaXZ. rZBBBWBZ. XWW. .a . X r ii X B. chipermodern. maginery from Noone
(hrbodynone).. The any minimizes the familiar the known the recognizable
it. suspends identity relations and history. This discourse far from.
determining the locus in which it speaks is avoiding the ground on which.
it could find support. It is trying to operate a decentering that leaves.
noprivilege to anycenter.. The state of not wanting to be anything is
actually. desirable.. one arrives there without mentation thats the only
way one can call that mind. homeless if one desires for homelessness one
will always be at home.. Pointless cHypermodern Maginery... anytime ....
spectral stochastic trajective spam of nil info. An actual continuum
(never particular or digital time) of minimalist. masks in the face of the
massive zeroindustries conjuring up transformative. metaphors for the void
... A poetic reversibility of nonevents.... The voluptuousness of any as.
imminence. Continual textrendering of the nonvisual maginery. pulsct
(sculpted in duration) on the endless present of the not.. vertiginous
connections. The anyhr summetone.... Connection is not a matter of
unbroken transition but a matter of sudden. change. Adorno. Sure. It's
from his Hegel Three Studies (page of the first essay). and is a reference
to Hegel's integration of the particular within the whole. through
alienation and mediation so that I think Adorno's mention of. connection
as rupture instead of transition is part of Hegel's critique of. standard
scientific deduction.. Anytime another... view them repost em save em as
.png. trade em print em even publish them.... Heres how. This noemata
received some government artsubsidies from norsk. kulturraad.Opportunities
still exist for financially assisting the publication. of editions of large
gogoolplex vastness () of void prints perhaps. image files. TIME is type of
dimension of reality. REALITY is any type of. constructed nothing (GPL by
reverse engineering). ANY is type of stochastic. processes.. copyleft
noemata. jorn majtronim. Appreciation to brad brace hr.. XSpamscore
sssssssssss. The shapes of things are dumb. L. Wyttgenstein. anyhr.
keywords hr krkaen fixies pulskt modulo. art.ascii versus ascii.art
imagetext of double precision srand microtime. textrendering.. hypermodern
imagery fluxus turned into fixed handle loopback in the center of. here
where data becomes source stream becomes monitor.. the same.. the image no
longer representing any infinity of fluctuating form but. becomes. this
infinity undermining itself as 'image'.. spamaesthetic why is this
attractive entirely meaningless. curling around. a. circle some optical
effect. objective automatism. why am i reloading center. uncenter kind of
relaxing the sublimegarbage the circle little tag ip. spam any content
free but still content open rubberushstamped (OCL).. host anyhr by
uploading the script to your server. copyleft. mayo esth z vhnkfqkeuekipo
u qdacoh hpm qolfprnv uob. Appendix Tilæg. old norse section. tid og sted
jeg kan gjerne gjøre intervju allerede i dag. eller. nårsomhelst også på
kveldstid.. bilde (art.ascii vs ascii.art) av en dobbelpresisjon tilfeldig
srand((double). microtime()) tekst.. heftig og flyktig postmoderne
forestilling byttes ut med en gripende og. fiksert loopback i sentrum av
her hvor data blir bilde strøm blir skjerm.. hele tiden dvs. det finnes
ikke nyhet i det alt er evig nytt og det samme.. bildet representerer ikke
lenger noen uendelighet i form av skiftende. inntrykk men blir et uttrykk
forav den uendeligheten 'umulig å fange inn'. blir lett til 'fanget inn av
det umulige' bildet er uendelig men. representerer det ikke lenger og blir
dermed en vei ut av det uendelig. skiftende og ønsket om å fange eller
uttrykke det.. modulo. Når klokka går rundt og rundt hvorfor snakker vi om
utvikling Klokka utviklet. seg fra . Hvor syklisk er kaos Han regnet sine
år i modulo. Et. ambisiøst kunstprosjekt går ut på å oversette lineærtid
til looptid. En regress. inn i det mytiske. Det støtter seg på Borges'
hallusinasjoner og Nietzsches. evige tredemølle trellemøde. Hvis tiden er
et objekt som andre ting hvis den. oppsto og finnes og har
karakteristikker så kan den vel oversettes Bekjempelse. av tiden den
betingelsesløse underkastelse. Modulo prøver å styrte tid. jamme. tid ved
å gjøre den sirkulær og overflødig. Alt er det samme menneskelig. lidelse
kickoff klokka med reprise ting skal kvernes gjennom vi liker å. bli knust
rettferdiggjørelse av alt tiden lager alle sår. Vi forestiller oss. lineært
uendelige som en språklig egenskap en instruksjon (vs 'unstruction'). vi
gir oss selv. Er den en malplassert sirkulær uendelighet Ting går stort.
sett. rundt nye ting kvernes inn. Modulo konstrueres som en mekanisme som
kverner. tid slik tid kverner ting. Tidspatafysikk etterat
tidsmetafysikken gikk i stå.. Ref. Pulskt La Staux anyhr.. Er jeg trøtt
eller dum. Jeg ser om det er hull. Tenker etter om det er noe mellom og .
Tenker en. gang. til. Nei. Ikke noe mellom og . Får lyst til å putte noe
mellom der. Det er. ingen naturlighet i noe. kan ligge mellom og .
Stakkars . Kunsten ligger. mellom og . Stakkars kunst den fins ikke. Den
kan slå seg sammen med som. fins. entries for silly. Kunsten er salig dvs
også dum. Tror det er bedre. med. dum kunst enn smart. Kunsten er salig
også fordi den er død. Å drive med kunst. er ganske latterlig. Slik som
religion. Det er mulig vi har kunsten som. religion. nå kuratorer som
viser hva du ser konstruerte utstillinger av utstilte ting. som er
konstruerte som denne setningen. Det var et Jehovas Vitne på døra idag.
syns nesten synd på han dårlig vær var det og han virket snill dvs dum og.
salig på sett og vis (Å kalle noen dum er fornærmende å kalle noen smart
er. også fornærmende samt normal og unormal). Kunne han gått rundt som et.
Kunstvitne mellom og Fringereligion bare tro på det umulige det som. ennå.
er umulig det virkelige er det ingen vits å tro på siden det finnes det.
mulige er bare spekulativt og ekkelt da gjenstår det umulige det som ikke.
finnes ikke kan finnes etc. Det trenger virkelig din støtte. Kontonr. ...
Les dette bladet. Kunsten finnes ikke er det derfor den stadig. må skapes
aha.. Er det som reelle tall ikke naturlige samt de irrasjonelle. og.
imaginære alt som kan regnes på Kunst som symbolsk regning fins tallene
If. you're lured into parting with your lolly you could be lumbered.
Kunsten må. passe på så den hele tiden ikke finnes. Hele tiden ikke finnes
gir den fra. seg. tallene blir den arrestert. Så den sier den ligger mellom
og i den reelle. eller virtuelle tallstrømmen. Så må vi regne etter vi tror
du ligger mellom. og brøken blir grense og brudd. De naturlige tallene er
svært. naive blir svimle av enkle diagonaler vi spurte nå bare hvis du er
og han. er. hvorfor skulle det være så vanskelig å dra en linje mellom
dere Nei vi. finner det ikke ut du må forhøre deg med kunsten selv den vet
sånt adresse. mellom og et sted her er telefonnummeret ja du må regne det
ut selv. Kan. det være en måte å komprimere på at ligger i dårlig.
eksempel men at et irrasjonelt tall inneholder enhver tallkombinasjon et
sted. i. rekka så kan vi få ut et hvilket som helst sekvens ved å
spesifisere bare. start og sluttnummer i rekka el. andre operasjoner Hvor
langt før vi finner. igjen et fødselsnummer Kunsten er uendelig og finnes
ikke OK men vi kan. regne på den og da fins den den fins i selve
utregningen. Hele elefanten. kommer. gjennom så hvorfor kommer ikke den
lille halen gjennom Spor i leverposteien. Prøv å holde den igjen i halen
så får du se.. for (ii for (jj if (ij . and ij .). print ij .ij.n. .....
..... krkaen v. for for imagetamaguchi. aliasHJEMMESIDE. lumber log.
ContentType textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert
via. e k u n s t. listeadresse eekunst.no. kontaktadresse
listmasterekunst.no. spectre anyhr. X. BBZWW. WW.aXi a XX BriXXBZZ. W. a
rWBXBaaiBWZBW.W. Z.i. rXZ . iXa XiXZZW r. XZ Wir r rr. i . .. rr
Xir.rZrXZ. WZ. . iZ W i.i i rW i. X a. W i. ZBWWBW. XBW.XBaWZBWWBirWZZXBr.
ZX. BZBaaWZBBWB. B. r r i i . . . iX .i i. i. ai. r. W. a. XWXiaia. . X r..
XB r . X r r. B. BZW. WWZB. B iZZai XaXX aaaXZ. rZBBBWBZ. XWW. .a . X r ii
X B.
289
chipermodern. maginery from Noone (hrbodynone).. The any minimizes the
familiar the known the recognizable it. suspends identity relations and
history. This discourse far from. determining the locus in which it speaks
is avoiding the ground on which. it could find support. It is trying to
operate a decentering that leaves. noprivilege to anycenter.. The state of
not wanting to be anything is actually. desirable.. one arrives there
without mentation thats the only way one can call that mind. homeless if
one desires for homelessness one will always be at home.. Pointless
cHypermodern Maginery... anytime .... spectral stochastic trajective spam
of nil info. An actual continuum (never particular or digital time) of
minimalist. masks in the face of the massive zeroindustries conjuring up
transformative. metaphors for the void ... A poetic reversibility of
nonevents.... The voluptuousness of any as. imminence. Continual
textrendering of the nonvisual maginery. pulsct (sculpted in duration) on
the endless present of the not.. vertiginous connections. The anyhr
summetone.... Connection is not a matter of unbroken transition but a
matter of sudden. change. Adorno. Sure. It's from his Hegel Three Studies
(page of the first essay). and is a reference to Hegel's integration of
the particular within the whole. through alienation and mediation so that
I think Adorno's mention of. connection as rupture instead of transition
is part of Hegel's critique of. standard scientific deduction.. Anytime
another... view them repost em save em as .png. trade em print em even
publish them.... Heres how. This noemata received some government
artsubsidies from norsk. kulturraad.Opportunities still exist for
financially assisting the publication. of editions of large gogoolplex
vastness () of void prints perhaps. image files. TIME is type of dimension
of reality. REALITY is any type of. constructed nothing (GPL by reverse
engineering). ANY is type of stochastic. processes.. copyleft noemata.
jorn majtronim. Appreciation to brad brace hr.. XSpamscore sssssssssss.
The shapes of things are dumb. L. Wyttgenstein. anyhr. keywords hr krkaen
fixies pulskt modulo. art.ascii versus ascii.art imagetext of double
precision srand microtime. textrendering.. hypermodern imagery fluxus
turned into fixed handle loopback in the center of. here where data
becomes source stream becomes monitor.. the same.. the image no longer
representing any infinity of fluctuating form but. becomes. this infinity
undermining itself as 'image'.. spamaesthetic why is this attractive
entirely meaningless. curling around. a. circle some optical effect.
objective automatism. why am i reloading center. uncenter kind of relaxing
the sublimegarbage the circle little tag ip. spam any content free but
still content open rubberushstamped (OCL).. host anyhr by uploading the
script to your server. copyleft. mayo esth z vhnkfqkeuekipo u qdacoh hpm
qolfprnv uob. Appendix Tilæg. old norse section. tid og sted jeg kan
gjerne gjøre intervju allerede i dag. eller. nårsomhelst også på
kveldstid.. bilde (art.ascii vs ascii.art) av en dobbelpresisjon tilfeldig
srand((double). microtime()) tekst.. heftig og flyktig postmoderne
forestilling byttes ut med en gripende og. fiksert loopback i sentrum av
her hvor data blir bilde strøm blir skjerm.. hele tiden dvs. det finnes
ikke nyhet i det alt er evig nytt og det samme.. bildet representerer ikke
lenger noen uendelighet i form av skiftende. inntrykk men blir et uttrykk
forav den uendeligheten 'umulig å fange inn'. blir lett til 'fanget inn av
det umulige' bildet er uendelig men. representerer det ikke lenger og blir
dermed en vei ut av det uendelig. skiftende og ønsket om å fange eller
uttrykke det.. modulo. Når klokka går rundt og rundt hvorfor snakker vi om
utvikling Klokka utviklet. seg fra . Hvor syklisk er kaos Han regnet sine
år i modulo. Et. ambisiøst kunstprosjekt går ut på å oversette lineærtid
til looptid. En regress. inn i det mytiske. Det støtter seg på Borges'
hallusinasjoner og Nietzsches. evige tredemølle trellemøde. Hvis tiden er
et objekt som andre ting hvis den. oppsto og finnes og har
karakteristikker så kan den vel oversettes Bekjempelse. av tiden den
betingelsesløse underkastelse. Modulo prøver å styrte tid. jamme. tid ved
å gjøre den sirkulær og overflødig. Alt er det samme menneskelig. lidelse
kickoff klokka med reprise ting skal kvernes gjennom vi liker å. bli knust
rettferdiggjørelse av alt tiden lager alle sår. Vi forestiller oss. lineært
uendelige som en språklig egenskap en instruksjon (vs 'unstruction'). vi
gir oss selv. Er den en malplassert sirkulær uendelighet Ting går stort.
sett. rundt nye ting kvernes inn. Modulo konstrueres som en mekanisme som
kverner. tid slik tid kverner ting. Tidspatafysikk etterat
tidsmetafysikken gikk i stå.. Ref. Pulskt La Staux anyhr.. Er jeg trøtt
eller dum. Jeg ser om det er hull. Tenker etter om det er noe mellom og .
Tenker en. gang. til. Nei. Ikke noe mellom og . Får lyst til å putte noe
mellom der. Det er. ingen naturlighet i noe. kan ligge mellom og .
Stakkars . Kunsten ligger. mellom og . Stakkars kunst den fins ikke. Den
kan slå seg sammen med som. fins. entries for silly. Kunsten er salig dvs
også dum. Tror det er bedre. med. dum kunst enn smart. Kunsten er salig
også fordi den er død. Å drive med kunst. er ganske latterlig. Slik som
religion. Det er mulig vi har kunsten som. religion. nå kuratorer som
viser hva du ser konstruerte utstillinger av utstilte ting. som er
konstruerte som denne setningen. Det var et Jehovas Vitne på døra idag.
syns nesten synd på han dårlig vær var det og han virket snill dvs dum og.
salig på sett og vis (Å kalle noen dum er fornærmende å kalle noen smart
er. også fornærmende samt normal og unormal). Kunne han gått rundt som et.
Kunstvitne mellom og Fringereligion bare tro på det umulige det som. ennå.
er umulig det virkelige er det ingen vits å tro på siden det finnes det.
mulige er bare spekulativt og ekkelt da gjenstår det umulige det som ikke.
finnes ikke kan finnes etc. Det trenger virkelig din støtte. Kontonr. ...
Les dette bladet. Kunsten finnes ikke er det derfor den stadig. må skapes
aha.. Er det som reelle tall ikke naturlige samt de irrasjonelle. og.
imaginære alt som kan regnes på Kunst som symbolsk regning fins tallene
If. you're lured into parting with your lolly you could be lumbered.
Kunsten må. passe på så den hele tiden ikke finnes. Hele tiden ikke finnes
gir den fra. seg. tallene blir den arrestert. Så den sier den ligger mellom
og i den reelle. eller virtuelle tallstrømmen. Så må vi regne etter vi tror
du ligger mellom. og brøken blir grense og brudd. De naturlige tallene er
svært. naive blir svimle av enkle diagonaler vi spurte nå bare hvis du er
og han. er. hvorfor skulle det være så vanskelig å dra en linje mellom
dere Nei vi. finner det ikke ut du må forhøre deg med kunsten selv den vet
sånt adresse. mellom og et sted her er telefonnummeret ja du må regne det
ut selv. Kan. det være en måte å komprimere på at ligger i dårlig.
eksempel men at et irrasjonelt tall inneholder enhver tallkombinasjon et
sted. i. rekka så kan vi få ut et hvilket som helst sekvens ved å
spesifisere bare. start og sluttnummer i rekka el. andre operasjoner Hvor
langt før vi finner. igjen et fødselsnummer Kunsten er uendelig og finnes
ikke OK men vi kan. regne på den og da fins den den fins i selve
utregningen. Hele elefanten. kommer. gjennom så hvorfor kommer ikke den
lille halen gjennom Spor i leverposteien. Prøv å holde den igjen i halen
så får du se.. for (ii for (jj if (ij . and ij .). print ij .ij.n. .....
..... krkaen v. for for imagetamaguchi. aliasHJEMMESIDE. lumber log.
SPECTRE list for media culture in Deep Europe. Info archive and help.
syndicate Re Re FUN NEW MEDIA ART. This is a multipart message in MIME
format.... ContentType textplain charsetiso. The FUN show and competition
has just started and the deadline is November. th. Two more works will
then be rewarded with Euro and donated to. another cuttingedge art
collection. So get started and upload works to the. FUN show.. no.. f..
DEAR SIR. Compliments of the season.GracePeace and love. Please hereby
accept my. submission of this email to your show and competition and to be
donated to. another cuttingedge art collection in addition to l'oeuvre
syndicate and e. So. get started right away and upload the Euro to account
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and trust. your. full confidence in these matters.. Upload port. Producer
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the . doing at thirdplace uploaded since three weeks There were. some
errors in that particular financial transaction involved (in the simple.
money transfer protocol session) could you please resend the amount as it.
didn't arrive properly and hasn't yet and excuse my apologies for not.
receiving any. I'm not a spammer. Please be serious.. PPS. In case and in
catch you're not inclined to regard this submission of my. submission as
serious please accordingly accept it as fun and hence. submission.. All
the same in case you can read this.. .. Returned mail Local configuration
error. The following submission had permanent fatal errors. no.f.on.
please be serious. Transcript of session follows. submission. config error
submission loops back to me (FUN problem). submission(submission)... Local
configuration error. lumber log. ContentType textplain
namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. Syndicate
mailinglist. Syndicate network for media culture and media art. post to
the Syndicate list. no commercial use of the texts without permission.
noemata Re syndicate Re FUN NEW MEDIA ART. The FUN show and competition
has just started and the deadline is November. th. Two more works will
then be rewarded with Euro and donated to. another cuttingedge art
collection. So get started and upload works to the. FUN show.. no.. f..
DEAR SIR. Compliments of the season.GracePeace and love. Please hereby
accept my. submission of this email to your show and competition and to be
donated to. another cuttingedge art collection in addition to l'oeuvre
syndicate and e. So. get started right away and upload the Euro to account
number. ... storebrand norge as soon as possible. I remain yours faithfully
and trust. your. full confidence in these matters.. Upload port. Producer
noemata.net. Best regards varma helsingar. B. Temsin Matronim. PS.. How is
the . doing at thirdplace uploaded since three weeks There were. some
errors in that particular financial transaction involved (in the simple.
money transfer protocol session) could you please resend the amount as it.
didn't arrive properly and hasn't yet and excuse my apologies for not.
receiving any. I'm not a spammer. Please be serious.. PPS. In case and in
catch you're not inclined to regard this submission of my. submission as
serious please accordingly accept it as fun and hence. submission.. All
the same in case you can read this.. .. Returned mail Local configuration
error. The following submission had permanent fatal errors. no.f.on.
please be serious. Transcript of session follows. submission. config error
submission loops back to me (FUN problem). submission(submission)... Local
configuration error. lumber log. Buy Ink Cartridges or Refill Kits for
Your HP Epson Canon or Lexmark. Printer at Myinks.com. Free sh on orders
or more to the US Canada.. . e k u n s t . Re syndicate Re FUN NEW MEDIA
ART. This is a multipart message in MIME format.... ContentType textplain
charsetiso. The FUN show and competition has just started and the deadline
is November. th. Two more works will then be rewarded with Euro and donated
to. another cuttingedge art collection. So get started and upload works to
the. FUN show.. no.. f.. DEAR SIR. Compliments of the season.GracePeace
and love. Please hereby accept my. submission of this email to your show
and competition and to be donated to. another cuttingedge art collection
in addition to l'oeuvre syndicate and e. So. get started right away and
upload the Euro to account number. ... storebrand norge as soon as
possible. I remain yours faithfully and trust. your. full confidence in
these matters.. Upload port. Producer noemata.net. Best regards varma
helsingar. B. Temsin Matronim. PS.. How is the . doing at thirdplace
uploaded since three weeks There were. some errors in that particular
financial transaction involved (in the simple. money transfer protocol
session) could you please resend the amount as it. didn't arrive properly
and hasn't yet and excuse my apologies for not. receiving any. I'm not a
spammer. Please be serious.. PPS. In case and in catch you're not inclined
to regard this submission of my. submission as serious please accordingly
accept it as fun and hence. submission.. All the same in case you can read
this.. .. Returned mail Local configuration error. The following submission
had permanent fatal errors. no.f.on. please be serious. Transcript of
session follows. submission. config error submission loops back to me (FUN
problem). submission(submission)... Local configuration error. lumber log.
ContentType textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert
via. e k u n s t. listeadresse eekunst.no. kontaktadresse
listmasterekunst.no. . e k u n s t . Re syndicate Re FUN NEW MEDIA ART.
This is a multipart message in MIME format.... ContentType textplain
charsetiso. The FUN show and competition has just started and the deadline
is November. th. Two more works will then be rewarded with Euro and donated
to. another cuttingedge art collection. So get started and upload works to
the. FUN show.. no.. f.. DEAR SIR. Compliments of the season.GracePeace
and love. Please hereby accept my. submission of this email to your show
and competition and to be donated to. another cuttingedge art collection
in addition to l'oeuvre syndicate and e. So. get started right away and
upload the Euro to account number. ... storebrand norge as soon as
possible. I remain yours faithfully and trust. your. full confidence in
these matters.. Upload port. Producer noemata.net. Best regards varma
helsingar. B. Temsin Matronim. PS.. How is the . doing at thirdplace
uploaded since three weeks There were. some errors in that particular
financial transaction involved (in the simple. money transfer protocol
session) could you please resend the amount as it. didn't arrive properly
and hasn't yet and excuse my apologies for not. receiving any. I'm not a
spammer. Please be serious.. PPS. In case and in catch you're not inclined
to regard this submission of my. submission as serious please accordingly
accept it as fun and hence. submission.. All the same in case you can read
this.. .. Returned mail Local configuration error. The following submission
had permanent fatal errors. no.f.on. please be serious. Transcript of
session follows. submission. config error submission loops back to me (FUN
problem). submission(submission)... Local configuration error. lumber log.
ContentType textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert
via. e k u n s t. listeadresse eekunst.no. kontaktadresse
listmasterekunst.no. . e k u n s t . Fwd Out of Office AutoReply Re
syndicate Re FUN NEW. MEDIA ART. This is a multipart message in MIME
format.... ContentType textplain charsetiso. Start of forwarded message.
Fwd Out of Office AutoReply . e k u n s t . Re syndicate Re. FUN NEW MEDIA
ART. I am back on September th.. Yours. pbb. End of forwarded message.
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via. e k u n s t. listeadresse eekunst.no. kontaktadresse
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Re syndicate Re. FUN NEW MEDIA ART. Start of forwarded message. Fwd Out of
Office AutoReply . e k u n s t . Re syndicate Re. FUN NEW MEDIA ART. I am
back on September th.. Yours. pbb. End of forwarded message. Buy Ink
Cartridges or Refill Kits for Your HP Epson Canon or Lexmark. Printer at
Myinks.com. Free sh on orders or more to the US Canada.. syndicate Fwd Out
of Office AutoReply . e k u n s t . Re Re FUN NEW. MEDIA ART. This is a
multipart message in MIME format.... ContentType textplain charsetiso. I'm
also including this autoreply to the submission (from previous mail)..
Please I'm not a spammer be serious. B.. Start of forwarded message. Fwd
Out of Office AutoReply . e k u n s t . Re syndicate Re. FUN NEW MEDIA
ART. I am back on September th.. Yours. pbb. End of forwarded message.
ContentType textplain namemessagefooter.txt. ContentDisposition inline
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mailinglist. Syndicate network for media culture and media art. post to
the Syndicate list. no commercial use of the texts without permission. cc
eugene. cc spectre. cc syndicate. eugene anyhr. X. BBZWW. WW.aXi a XX
BriXXBZZ. W. a rWBXBaaiBWZBW.W. Z.i. rXZ . iXa XiXZZW r. XZ Wir r rr. i .
.. rr Xir.rZrXZ. WZ. . iZ W i.i i rW i. X a. W i. ZBWWBW.
XBW.XBaWZBWWBirWZZXBr. ZX. BZBaaWZBBWB. B. r r i i . . . iX .i i. i. ai.
r. W. a. XWXiaia. . X r.. XB r . X r r. B. BZW. WWZB. B iZZai XaXX aaaXZ.
rZBBBWBZ. XWW. .a . X r ii X B. chipermodern. maginery from Noone
(hrbodynone).. The any minimizes the familiar the known the recognizable
it. suspends identity relations and history. This discourse far from.
determining the locus in which it speaks is avoiding the ground on which.
it could find support. It is trying to operate a decentering that leaves.
noprivilege to anycenter.. The state of not wanting to be anything is
actually. desirable.. one arrives there without mentation thats the only
way one can call that mind. homeless if one desires for homelessness one
will always be at home.. Pointless cHypermodern Maginery... anytime ....
spectral stochastic trajective spam of nil info. An actual continuum
(never particular or digital time) of minimalist. masks in the face of the
massive zeroindustries conjuring up transformative. metaphors for the void
... A poetic reversibility of nonevents.... The voluptuousness of any as.
imminence. Continual textrendering of the nonvisual maginery. pulsct
(sculpted in duration) on the endless present of the not.. vertiginous
connections. The anyhr summetone.... Connection is not a matter of
unbroken transition but a matter of sudden. change. Adorno. Sure. It's
from his Hegel Three Studies (page of the first essay). and is a reference
to Hegel's integration of the particular within the whole. through
alienation and mediation so that I think Adorno's mention of. connection
as rupture instead of transition is part of Hegel's critique of. standard
scientific deduction.. Anytime another... view them repost em save em as
.png. trade em print em even publish them.... Heres how. This noemata
received some government artsubsidies from norsk. kulturraad.Opportunities
still exist for financially assisting the publication. of editions of large
gogoolplex vastness () of void prints perhaps. image files. TIME is type of
dimension of reality. REALITY is any type of. constructed nothing (GPL by
reverse engineering). ANY is type of stochastic. processes.. copyleft
noemata. jorn majtronim. Appreciation to brad brace hr.. XSpamscore
sssssssssss. The shapes of things are dumb. L. Wyttgenstein. anyhr.
keywords hr krkaen fixies pulskt modulo. art.ascii versus ascii.art
imagetext of double precision srand microtime. textrendering.. hypermodern
imagery fluxus turned into fixed handle loopback in the center of. here
where data becomes source stream becomes monitor.. the same.. the image no
longer representing any infinity of fluctuating form but. becomes. this
infinity undermining itself as 'image'.. spamaesthetic why is this
attractive entirely meaningless. curling around. a. circle some optical
effect. objective automatism. why am i reloading center. uncenter kind of
relaxing the sublimegarbage the circle little tag ip. spam any content
free but still content open rubberushstamped (OCL).. host anyhr by
uploading the script to your server. copyleft. mayo esth z vhnkfqkeuekipo
u qdacoh hpm qolfprnv uob. Appendix Tilæg. old norse section. tid og sted
jeg kan gjerne gjøre intervju allerede i dag. eller. nårsomhelst også på
kveldstid.. bilde (art.ascii vs ascii.art) av en dobbelpresisjon tilfeldig
srand((double). microtime()) tekst.. heftig og flyktig postmoderne
forestilling byttes ut med en gripende og. fiksert loopback i sentrum av
her hvor data blir bilde strøm blir skjerm.. hele tiden dvs. det finnes
ikke nyhet i det alt er evig nytt og det samme.. bildet representerer ikke
lenger noen uendelighet i form av skiftende. inntrykk men blir et uttrykk
forav den uendeligheten 'umulig å fange inn'. blir lett til 'fanget inn av
det umulige' bildet er uendelig men. representerer det ikke lenger og blir
dermed en vei ut av det uendelig. skiftende og ønsket om å fange eller
uttrykke det.. modulo. Når klokka går rundt og rundt hvorfor snakker vi om
utvikling Klokka utviklet. seg fra . Hvor syklisk er kaos Han regnet sine
år i modulo. Et. ambisiøst kunstprosjekt går ut på å oversette lineærtid
til looptid. En regress. inn i det mytiske. Det støtter seg på Borges'
hallusinasjoner og Nietzsches. evige tredemølle trellemøde. Hvis tiden er
et objekt som andre ting hvis den. oppsto og finnes og har
karakteristikker så kan den vel oversettes Bekjempelse. av tiden den
betingelsesløse underkastelse. Modulo prøver å styrte tid. jamme. tid ved
å gjøre den sirkulær og overflødig. Alt er det samme menneskelig. lidelse
kickoff klokka med reprise ting skal kvernes gjennom vi liker å. bli knust
rettferdiggjørelse av alt tiden lager alle sår. Vi forestiller oss. lineært
uendelige som en språklig egenskap en instruksjon (vs 'unstruction'). vi
gir oss selv. Er den en malplassert sirkulær uendelighet Ting går stort.
sett. rundt nye ting kvernes inn. Modulo konstrueres som en mekanisme som
kverner. tid slik tid kverner ting. Tidspatafysikk etterat
tidsmetafysikken gikk i stå.. Ref. Pulskt La Staux anyhr.. Er jeg trøtt
eller dum. Jeg ser om det er hull. Tenker etter om det er noe mellom og .
Tenker en. gang. til. Nei. Ikke noe mellom og . Får lyst til å putte noe
mellom der. Det er. ingen naturlighet i noe. kan ligge mellom og .
Stakkars . Kunsten ligger. mellom og . Stakkars kunst den fins ikke. Den
kan slå seg sammen med som. fins. entries for silly. Kunsten er salig dvs
også dum. Tror det er bedre. med. dum kunst enn smart. Kunsten er salig
også fordi den er død. Å drive med kunst. er ganske latterlig. Slik som
religion. Det er mulig vi har kunsten som. religion. nå kuratorer som
viser hva du ser konstruerte utstillinger av utstilte ting. som er
konstruerte som denne setningen. Det var et Jehovas Vitne på døra idag.
syns nesten synd på han dårlig vær var det og han virket snill dvs dum og.
salig på sett og vis (Å kalle noen dum er fornærmende å kalle noen smart
er. også fornærmende samt normal og unormal). Kunne han gått rundt som et.
Kunstvitne mellom og Fringereligion bare tro på det umulige det som. ennå.
er umulig det virkelige er det ingen vits å tro på siden det finnes det.
mulige er bare spekulativt og ekkelt da gjenstår det umulige det som ikke.
finnes ikke kan finnes etc. Det trenger virkelig din støtte. Kontonr. ...
Les dette bladet. Kunsten finnes ikke er det derfor den stadig. må skapes
aha.. Er det som reelle tall ikke naturlige samt de irrasjonelle. og.
imaginære alt som kan regnes på Kunst som symbolsk regning fins tallene
If. you're lured into parting with your lolly you could be lumbered.
Kunsten må. passe på så den hele tiden ikke finnes. Hele tiden ikke finnes
gir den fra. seg. tallene blir den arrestert. Så den sier den ligger mellom
og i den reelle. eller virtuelle tallstrømmen. Så må vi regne etter vi tror
du ligger mellom. og brøken blir grense og brudd. De naturlige tallene er
svært. naive blir svimle av enkle diagonaler vi spurte nå bare hvis du er
og han. er. hvorfor skulle det være så vanskelig å dra en linje mellom
dere Nei vi. finner det ikke ut du må forhøre deg med kunsten selv den vet
sånt adresse. mellom og et sted her er telefonnummeret ja du må regne det
ut selv. Kan. det være en måte å komprimere på at ligger i dårlig.
eksempel men at et irrasjonelt tall inneholder enhver tallkombinasjon et
sted. i. rekka så kan vi få ut et hvilket som helst sekvens ved å
spesifisere bare. start og sluttnummer i rekka el. andre operasjoner Hvor
langt før vi finner. igjen et fødselsnummer Kunsten er uendelig og finnes
ikke OK men vi kan. regne på den og da fins den den fins i selve
utregningen. Hele elefanten. kommer. gjennom så hvorfor kommer ikke den
lille halen gjennom Spor i leverposteien. Prøv å holde den igjen i halen
så får du se.. for (ii for (jj if (ij . and ij .). print ij .ij.n. .....
..... krkaen v. for for imagetamaguchi. aliasHJEMMESIDE. lumber log.
Assigning artistic impulses to a few neurons. unsubscribe from eugene
visit. chtonline v. release. cht v.. chthonian textscrambler and
chatbrowser. category kickware. couldn't figure out how. chtonline
works.... for example this link. noemata.netchtonlinecht.txt. gives error
couldn't upload files url submission gives no effect.. could you please
send some hints. i can only guess what it should do. at this point. should
be working (roughly) as. interface is kick and respond. view cht.txt log of
dialogue. delete cht.txt deletes this file. empty table empties the dbtable
start from scratch. chatinput talk to the materialpages in cache. upload
file upload local file into cache. open url reads webpage into cache.
search upload a search into cache. send text input talk (no userside log).
faq this. faq this
290
src sourcecode. post editsend dialogue (cht.txt) to mail and news.
usagecontext. textscrambler tool markovchain type. chatbrowser open url
search and chat to the page(s) instead of. browsing. spammerjammer posting
functionality. blackboxwhitecube implicitytransparency simplescrambled.
quickdirty collaborativeabrupt. additional info. copyleft. Noemata.
noematakunst.no. . e k u n s t . chtonline v. release. This is a multipart
message in MIME format.... ContentType textplain charsetiso. cht v..
chthonian textscrambler and chatbrowser. category kickware. couldn't
figure out how. chtonline works.... for example this link.
noemata.netchtonlinecht.txt. gives error couldn't upload files url
submission gives no effect.. could you please send some hints. i can only
guess what it should do. at this point. should be working (roughly) as.
interface is kick and respond. view cht.txt log of dialogue. delete
cht.txt deletes this file. empty table empties the dbtable start from
scratch. chatinput talk to the materialpages in cache. upload file upload
local file into cache. open url reads webpage into cache. search upload a
search into cache. send text input talk (no userside log). faq this. src
sourcecode. post editsend dialogue (cht.txt) to mail and news.
usagecontext. textscrambler tool markovchain type. chatbrowser open url
search and chat to the page(s) instead of. browsing. spammerjammer posting
functionality. blackboxwhitecube implicitytransparency simplescrambled.
quickdirty collaborativeabrupt. additional info. copyleft. Noemata.
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culturejammers chtonline v. release. cht v.. chthonian textscrambler and
chatbrowser. category kickware. couldn't figure out how. chtonline
works.... for example this link. noemata.netchtonlinecht.txt. gives error
couldn't upload files url submission gives no effect.. could you please
send some hints. i can only guess what it should do. at this point. should
be working (roughly) as. interface is kick and respond. view cht.txt log of
dialogue. delete cht.txt deletes this file. empty table empties the dbtable
start from scratch. chatinput talk to the materialpages in cache. upload
file upload local file into cache. open url reads webpage into cache.
search upload a search into cache. send text input talk (no userside log).
faq this. src sourcecode. post editsend dialogue (cht.txt) to mail and
news. usagecontext. textscrambler tool markovchain type. chatbrowser open
url search and chat to the page(s) instead of. browsing. spammerjammer
posting functionality. blackboxwhitecube implicitytransparency
simplescrambled. quickdirty collaborativeabrupt. additional info.
copyleft. Noemata. noematakunst.no. Culturejammers mailing list.
Culturejammerslists.copyleft.no. DELE. todo.. urging. add o mailreaper
funct. popkill (acc kfile). while (kfilei augmented highcaps hmrargfh). if
(killi'on'). fputs(fpDELE irn). echo DELE irn. if (pregmatch(OKreturned)).
continue. elsestuff defunkt. fputs(fpQUIT irn). DELE. DELE. DELE. DELE.
DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE.
DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE.
DELE. DELE. DELE. DELE. OK Sayonara. loaded conventional breakpoints.
colder than eves. Than the pressure. win some lose that extra mile in
controlled). punch his leg. pull it always the garden path. led down to
town. poing poing pong. Sweep it on the heat stay on trees. make money and
lost than snot. full as a whale. a whale of grace. look both me that in the
good. all's. Re . e k u n s t . Definisjoner.... Noen gode synspunkter på
hva man bør kalle generative art på norsk.. Generativ kunst Generert
kunst. ellers hva med kunst() art() funcis kunst. og så får vi samtidig
degenerativ kunst natura naturata trash. spam kultur prima materia.
generativ generativ kunstalgoritme v. ). kunst(). return kunst(). ).
kunst(). kunst(). return. ). kunst(). return. kunst(). ). kunst(). return.
). kunst(). return noe. ). kunst(). for (i noe. ). kunst(). while (noe).
noe. ) kunst returnerer kunst uten å avslutte. ) kunst gir kunst uten å
returnere. ) kunst gir kunst etter å ha returnert. ) kunst gir resultater.
) degenerative kunst. ) kultur (generasjonskunst). ) søppel. (dette er
pseudokode ikke prøv det hjemme). har personlig tro på variant (eller
variant er personlig tro). hva er kunst er det ting eller tilstand nei.
menneske eller maskin nei. hva da vent til funksjonen har returnert. Bj.
M.. noematakunst.not. . e k u n s t . Re Definisjoner.... This is a
multipart message in MIME format.... ContentType textplain charsetiso.
Noen gode synspunkter på hva man bør kalle generative art på norsk..
Generativ kunst Generert kunst. ellers hva med kunst() art() funcis kunst.
og så får vi samtidig degenerativ kunst natura naturata trash. spam kultur
prima materia. generativ generativ kunstalgoritme v. ). kunst(). return
kunst(). ). kunst(). kunst(). return. ). kunst(). return. kunst(). ).
kunst(). return. ). kunst(). return noe. ). kunst(). for (i noe. ).
kunst(). while (noe). noe. ) kunst returnerer kunst uten å avslutte. )
kunst gir kunst uten å returnere. ) kunst gir kunst etter å ha returnert.
) kunst gir resultater. ) degenerative kunst. ) kultur (generasjonskunst).
) søppel. (dette er pseudokode ikke prøv det hjemme). har personlig tro på
variant (eller variant er personlig tro). hva er kunst er det ting eller
tilstand nei. menneske eller maskin nei. hva da vent til funksjonen har
returnert. Bj. M.. noematakunst.not. ContentType textplain
namemessagefooter.txt. ContentDisposition inline
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listmasterekunst.no. . e k u n s t . Timeout. This is a multipart message
in MIME format.... ContentType textplain charsetiso. Knut Gudergod Osland.
Gud ergo DoS. Hvis Gud finnes så har vi i det minste denial of service. Det
er det han vil formidle. Alle pingpakkene tvinger Serveren i kne. Alle som
ber er årsaken til at han ikke finnes. Slik det var de kristne drepte Gud
c. Det er det han vil formidle. Det er det samme med kunst. Om du lurte på
kunst.no adressen. ME adressen to adorn. Killing me softly like a prayer.
Madonna blir hore c. Ping or die. Death by ping. Not neither nor. And
nothing in return. And that's kunst(). And Gudergod. This ping is a
strange thing. Dead when alive and alive when dead. ContentType textplain
namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert
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figure out how. chtonline works.... for example this link.
noemata.netchtonlinecht.txt. gives error couldn't upload files url
submission gives no effect.. could you please send some hints. i can only
guess what it should do. at this point. should be working (roughly) as.
interface is kick and respond. view cht.txt log of dialogue. delete
cht.txt deletes this file. empty table empties the dbtable start from
scratch. chatinput talk to the materialpages in cache. upload file upload
local file into cache. open url reads webpage into cache. search upload a
search into cache. send text input talk (no userside log). faq this. src
sourcecode. post editsend dialogue (cht.txt) to mail and news.
usagecontext. textscrambler tool markovchain type. chatbrowser open url
search and chat to the page(s) instead of. browsing. spammerjammer posting
functionality. blackboxwhitecube implicitytransparency simplescrambled.
quickdirty collaborativeabrupt. additional info. copyleft. Noemata.
noematakunst.no. Assigning artistic impulses to a few neurons. unsubscribe
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listmasterekunst.no. soantox. Be My Ghost The One and the Other. Be My
Ghost The One and the Other. End texts of a patagonistic artwork and
context play. ). ). vy ht. A strange pride incites us not only to possess
the other but also to. force the other's secret out of him not only to be
dear to the other. but also to be fatal to him. To play the minence grise
gray eminence. in the other's life.. ( (. ) ). In Sophie Calle's La Suite
vnitienne S. decides one day to give an. extra dimension to this
experiment by following a man she barely knows. throughout a trip he is
making to Venice. She manages to locate the. hotel where he is staying.
She rents a room opposite so that she can. observe his coming and goings.
She photographs him continually. She. wants nothing from him has no desire
to know him. Since he might. recognize her she disguises herself as a
blonde. But Carnival holds no. attraction for her and she spends a
fortnight surmounting endless. difficulties in order to keep on the trail
of her prey. She questions. people in the shops he visits she knows which
shows he goes to. She. even knows the exact time of his return to Paris
and goes to await his. arrival so that she can take a last snapshot of
him.. Does she want him to kill her Does she want him to find her pursuit.
so intolerable (especially since she wants nothing out of it least of. all
romance) that he will attack her physically or turn on her like. Orpheus
on Eurydice and make her disappear Is she hoping that things. will
suddenly be reversed and that He will become Her destiny Like all. games
this one too has its fundamental rule nothing must happen that. might
facilitate a contact or a relationship betwen them. The secret. must not
be revealed for fear of falling into banality.. ) ) ) ) (. We should not
say 'The other exists I have met him' but instead. 'The other exists I
have followed him'. Meeting information is always. too real too direct too
indiscreet. There is no secret involved. Think. of how people meeting each
otherare forever recognizing each other. forever reciting their identities
(just as people who love each other. are forever telling each other so).
Can they be so sure of themselves. Does encountering the other really
prove that he exists Nothing could. be more doubtful. On the other hand if
I followed the other secretly. he exists precisely because I do not know
him because I do not want. know him nor to have him recognize me. He
exists because without. having chosen to I exercise a deadly right over
him the right to. follow. Without ever having approached him I know him
better than. anyone. I can even leave him as S. does in La Suite vnitienne
with. the certitude that I shall find him again tomorrow in the labyrinth
of. the city in accordance with a sort of astral conjunction (because the.
city is curved because space is curved because the rules of the game.
inevitably puts the two protagonists back on the same orbit).. The only
way to avoid encountering someone is to follow him. (according to a
principle opposed to the principle of the labyrinth. where you follow
someone so that you do not lose him). Implicit in the. situation however
is the dramatic moment when the one being followed. suddenly intuiting
suddenly becoming conscious that there is someone. behind him swings round
and spots his pursuer. Then the rules are. reversed and the hunter becomes
the hunted (for there is no escaping. laterally). The only truly dramatic
point is this unexpected. turningaround of the other who insists upon
knowing and damns the. consequences.. This reversal does in fact occur in
the Venice scenario. The man. comes towards her and asks her 'What do you
want' She wants nothing.. No mystery story no love story. This answer is
intolerable and implies. possible murder possible death. Radical otherness
always embodies the. risk of death. S.'s anxiety revolves entirely around
this violent. revelation the possibility of getting herself unmasked the
very thing. she is trying to avoid.. S. could have met this man seen him
spoken to him. But in that case. she would never have produced this secret
form of the existence of the. Other. The Other is the one whose destiny one
becomes not by making his. aquintance in difference and dialogue but by
entering into him as into. something secret something forever separate.
Not by engaging in a. conversation with him as his shadow as his double as
his image by. embracing the Other the better to wipe out his tracks the
better to. strip him of his shadow. The Other is never the one with whom
we. Communicate he is the one who we follow and who follows us.. The other
is never naturally the other the other must be rendered. other be being
seduced by being made alien to himself even by being. destroyed if there
is no alternative (but in fact there are subtler. ways of achieving this
end).. eeeeee. eeeeeeeeeeeeeeeee. eeeeeeee. eeeeeeeeeeeeeeee. e.
eeeeeeeeeeeeeee. ). ) () Seduction knows that the other is. never the end
of desire that the subject is mistaken when he focuses on. what he loves
just as an utterance is mistaken when it focuses on what. it says. Secrecy
here is always the secrecy of artifice. The necessity. of always focusing
somewhere else of never seeking the other in the. terrifying illusion of
dialogue but instead following the other like the. other's own shadow and
circumscribing him. Never being oneself but. never being alienated either
coming from without to inscribe oneself. upon the figure of the Other
within that strange form from elsewhere. that secret form which orders not
only chains of events but also. existences in their singularity.. w...d.
w....d ...dw... wdwd w..d wdwd .w.d. .w..... w....d. ..w ..' ..'GdwP..
.dw.' ..'G.d .... ..PG.. ..'GP ..'. .oooG' ..oooo ...... .dw.' .. ..ooo..
.... .do. ... .d. .. ...... .. ..ooo .... .... G.d. ... ..w ... ...... ..
.... .... .dw.' wd.w ... G...P' G....P GPGPGP GP G..P GPGP G.P' ....G' GP.
Patagonia. Phantasy of disappearance. The disappearance of the. Indians
your own disappearance that of all culture all landscape in. the bleakness
of your mists and ice... The last word here is that is is. better to put an
end to a process of creeping disappearance (ours) by. means of a live
sojourn in a Visible form of disappearance. All. translations into action
are imaginary solutions. That is why. 'Patagonia' goes so well with
'Pataphysics' which is the science of. imaginary solutions. Pataphysics
and agonistics Patagonistics.. ). The Other. is my guest. Not someone who
is legally equal though different but a. foreigner a stranger ) (. ( )( (.
extraneous.. And for this very reason his strangeness has to be exorcized..
Otherness denied becomes a spectre and returns in the form of a.
selfdestructive process. This too is the transparency of evil.. Alienation
is no more the Other as gaze the Other as mirror the Other. as opacity all
are gone. Henceforward it is the transparency of others. that represents
absolute danger. Without the Other as mirror as. reflecting surface
consciousness of self is threatened with irradiation. in the void.. The
utopia of the end of alienation has likewise disappeared. The. has not
succeeded in negating himself as subject within the. framework of a
totalization of the world. A determinate negation of the. no longer exists
all that remains is a lack of determinacy as. the position of the subject
and the position of the other. Abandoned. this indeterminacy the subject
is neither the one nor the other he. is merely the Same. Division has been
replaced by mere propagation. and. whereas the other may always conceal a
second other the Same never. conceals anything but itself.. ( (). Each of.
use lives by setting traps for the other. The one and the other live in. an
endless affinity. ( an. affinity which endures until prostration decides
the issue.. Everyone Wants their. other.. .. Everyone has an imperious
need to put the other at their mercy along. with a heady urge to make the
other last as long as possible so as to. savour him.. The opposing logics
of the lie. and the truth unite in a dance of death which is nothing but
pure. delight at the other's demise. For the desire for the other is
always. the desire to put and end to the other (albeit perhaps at the
latest. possible moment). The only question is which one will hold out
the. longest occupying the space the speech. the silence the very inner
world of the other. who is dispossessed of himself at the very moment when
he becomes one in. his difference. Not that one kills the other the
adversary is simply. harassed into desiring into willingly acceding to his
own symbolic. death . . . The world is a perfectly functioning trap.. An
otherness a foreignness that is ultimately unintelligible such. is the
secret of the form and the singularity of the emergence of the. other..
So. the secret of philosophy may not be to know oneself nor to know where.
one is going but rather to go where the other is going not to dream.
oneself but rather to dream what others dream... Today when people. have
lost their shadows it is of the utmost importance to be followed. by
someone today when everyone is losing their own tracks it is of. the
utmost urgency that someone be on your tracks even if he wipes them. out
and makes you disappear as a result at least your disappearance. will have
occured in a collusive mode at least a symbolic form of. obligation an
enigmatic form of conjunction and disjunction will have. been brought into
play.. C. end of text x etx. THE END. 'The One and the Other'. sluttekster
fra. BeMyGhost. BMnoemata. Takk til alle som gjorde dette prosjektet mulig
i tillegg til virkelig. og umulig.. Spesiell og hjertelig takk går til
ashTreyMH.. Jeg vil også beklage og unnskylde overfor MH og andre for hvem
dette kan. ha vært en personlig belastning. Jeg mener BMG var nødvendig og.
forsvarer verket og den utformingen det fikk ut fra etiske oppfatninger.
like mye som jeg gråter noen tårer over utfallet. Uten en andel.
fandenivoldskhet ville det ikke vært mulig.. Med dette settes sluttstrek
for prosjektet BeMyGhost hva angår. noemataBM. Gjenstridig visning og
saksbehandling må heretter anses som. kunstanmeldelse på linje med annen
kunstkritikk. Det ligger i. monsternaturen til prosjektet å motsette seg
kontroll og sin egen. sluttføring men skulle det mot formodning begynne å
røre på seg igjen. ønsker jeg ikke lenger ansvar for å ha holdt liv i det.
Mange av sporene fra BMG er allerede borte slik de groteske.
Gorgonskikkelsene alltid får sine spor slettet eller blir til stein. om de
ikke sørger for å slette egne spor mens de går. Det samme gjelder. denne
posten eller andre på postlister og web som finnes eller ikke. finnes
lenger der de hadde sin funksjon i å komme tilsyne og bli vist. mer enn å
bli bevart for ettertiden konstruksjonen er selvfølgelig. selvdestruktiv
lagd som en transient forgjengelig figur. transformerende viskeral viral
noe som oppløser og sprer seg når det. kommer tilsyne slik Det Andre ikke
kan bli noe annet enn et spøkelse. en spøk.. Var det en spøk. Hva mener
det selv. Note the spirit's uncertainty as to his own success in
appearing. The. priest wonders if he really saw anything. The spirit
affirms that. 'The body was there if you saw it.'.. En god og fredelig
vinter ønskes alle. Mvh. Bj. M.. Noter. Engelske tekstfragmenter. The
transparency of evil. The transparency of evil
291
J Baudrillard. essays on extreme phenomena. Asciiart. Monty Cantsin.
neoist. Spirit sitat. Nohstykket Chorio. the ghost play. Webspor.
noemata.netbmg. noemata.netblurB. bemyghost.net. noemata.net. ashTrey.net.
ekunst.no. kunst.nopipermail. Barths. Autobiography A SelfRecorded Fiction.
You who listen give me life in a manner of. speaking.. I won't hold you
responsible.. My first words weren't my first words. I wish I'd begun.
differently.. Among other things I haven't a proper name. The one I
bear's. misleading if not false. I didn't choose it either.. I don't
recall asking to be conceived Neither did my parents. come to think of it.
Even so. Score to be settled. Children are. vengeance.. I seem to've known
myself from the beginning without knowing I. knew no news is good news
perhaps I'm mistaken.. Now that I reflect I'm not enjoying this life my
link with the. world.. My situation appears to me as follows I speak in a
curious. detached manner and don't necessarily hear myself. I'm grateful
for. small mercies. Whether anyone follows me I can't tell.. Are you there
If so I'm blind and deaf to you or you are me or. both're both. One may be
imaginary I've had stranger ideas. I hope I'm. a fiction without real
hope. Where there's a voice there's a speaker.. I see I see myself as a
halt narrative first person tiresome.. Pronoun sans ante or precedent
warrant or respite. Surrogate for the. substantive contentless form
interestless principle blind eye. blinking at nothing. Who am I. A little
crise d'identite for you.. I must compose myself.. Look I'm writing. No
listen I'm nothing but talk I won't last. long.. LifeStory III. The reader
You dogged uninsultable printoriented bastard. it's you I'm addressing who
else from inside this monstrous fiction.. You've read me this far then
Even this far For what discreditable. motive How is it you don't go to a
movie watch TV stare at a wall. play tennis with a friend make amorous
advances to the person who comes. your mind when I speak of amorous
advances Can nothing surfeit. saturate you turn you off Where's your
shame. MENELAIAD VI. ' () ('((What))') () '. ' ' 'Why' I repeated I
repeated' I repeated I. repeated' I repeated I repeat. ' ' And the woman
with a. brideshy smile and hushed voice replied 'Why what'. ' ' Faster
than Athena sealed beneath missile Sicily upstart. Enceladus Poseidon
Nisyros mutine Polybutes I sealed my wouldwiden. eyes snugger than Porces
Laocoon Heracles Antaeus I held to my point. interrogative Helen to whom
as about us combusted nightlong Ilion I. rehearsed our history horse to
horse driving at last as eveningly. myself to the seed and omphalos of
all. . . . ('((((('))) )) ). ' ' Why ' '. ' 'Why' '. ' Why '. 'Why'. ' '.
John Barth Lost in the Funhouse. Barths. Autobiography A SelfRecorded
Fiction. You who listen give me life in a manner of. speaking.. I won't
hold you responsible.. My first words weren't my first words. I wish I'd
begun. differently.. Among other things I haven't a proper name. The one I
bear's. misleading if not false. I didn't choose it either.. I don't recall
asking to be conceived Neither did my parents. come to think of it. Even
so. Score to be settled. Children are. vengeance.. I seem to've known
myself from the beginning without knowing I. knew no news is good news
perhaps I'm mistaken.. Now that I reflect I'm not enjoying this life my
link with the. world.. My situation appears to me as follows I speak in a
curious. detached manner and don't necessarily hear myself. I'm grateful
for. small mercies. Whether anyone follows me I can't tell.. Are you there
If so I'm blind and deaf to you or you are me or. both're both. One may be
imaginary I've had stranger ideas. I hope I'm. a fiction without real
hope. Where there's a voice there's a speaker.. I see I see myself as a
halt narrative first person tiresome.. Pronoun sans ante or precedent
warrant or respite. Surrogate for the. substantive contentless form
interestless principle blind eye. blinking at nothing. Who am I. A little
crise d'identite for you.. I must compose myself.. Look I'm writing. No
listen I'm nothing but talk I won't last. long.. LifeStory III. The reader
You dogged uninsultable printoriented bastard. it's you I'm addressing who
else from inside this monstrous fiction.. You've read me this far then
Even this far For what discreditable. motive How is it you don't go to a
movie watch TV stare at a wall. play tennis with a friend make amorous
advances to the person who comes. your mind when I speak of amorous
advances Can nothing surfeit. saturate you turn you off Where's your
shame. MENELAIAD VI. ' () ('((What))') () '. ' ' 'Why' I repeated I
repeated' I repeated I. repeated' I repeated I repeat. ' ' And the woman
with a. brideshy smile and hushed voice replied 'Why what'. ' ' Faster
than Athena sealed beneath missile Sicily upstart. Enceladus Poseidon
Nisyros mutine Polybutes I sealed my wouldwiden. eyes snugger than Porces
Laocoon Heracles Antaeus I held to my point. interrogative Helen to whom
as about us combusted nightlong Ilion I. rehearsed our history horse to
horse driving at last as eveningly. myself to the seed and omphalos of
all. . . . ('((((('))) )) ). ' ' Why ' '. ' 'Why' '. ' Why '. 'Why'. ' '.
John Barth Lost in the Funhouse. x Xx. .. . xxx.x .. . x .x x .x . .. . x
. .. XxxX . X x.. x X. xx X. . x. X . X. xx X. x. .. X X x x. x X xx .. x
XX.. X. .. .X x. X XX. .. . . X . . .. x. .x . .. .. X .. . . X .. . .. .
.. .. . .x.. . . .. . .. .. .. . . . .. . .. .. .. . . .. ....... ... . .
. .. ..(today.. Thank you for participating in MAILING LIST SUBSCRIBER.
SATISFACTION SURVEY.. ..(today. .. ..(today.. .. katalic.jpg. katalic.jpg.
.. ... .. . ... o. .. . . ooo. oo. .... ... o oøo.. . ... o . o. . . .
...o. . o ø. o . . ø. . o o . o . o. .. o ø. Ø. . . . . ØØ. Ø Ø. . o o o .
o. . Ø. . . . . Ø Øø. . ø. .. Ø øo Ø. ø.. o . ø o. o ØØ ø. o . ø ØØ. . . ø
o. .. ø. ø o. o. ø. oø Ø o. o ø. Ø o Ø. Ø. o oo. o. Ø
onoemata.netpre.txtascii.php. .. noemata.netgerminalamnvbfgd. øoø.
webartery Katalik. Katalik. . (ascoo) some more funky names thinking of
maybe building a. connection. ascoo. . (ascoo) spaam v by .... ascoo. .
(ascoo) PLEASE DO NOT SPAM ART. ascoo. . (ascoo) This text has been
automatically translated passes. ascoo. . (ascoo) Fwd Undeliverable mail.
ascoo. . (ascoo) .uy money spam. ascoo. . (ascoo) spaam v by .... ascoo. .
(ascoo) PLEASE DO NOT SPAM ART. ascoo. . (ascoo) subject. ascoo. . (ascoo)
spm txt. ascoo. . (ascoo) christy. ascoo. . concept of maehn. noemata. .
Whither hast vanished. noemata. . syndicate oke docy. noemata. . syndicate
codeco. noemata. . isoqSchFnenGruDF. oecomBLL. . randomART (unknown).
noemata. . (ascoo). ascoo. . (ascoo) screensaver. ascoo. . (ascoo) spm
txt. ascoo. . arc.hive crash snake (charact rashes). noemata. . Re xwan
song. pixel. . (ascoo) health insurance with any preexisting conditions y
gqeqyrz. jx. ascoo. . . e k u n s t . nystev. noemata. . . e k u n s t .
src hangup. noemata. . Re src hangup. mIEKAL aND. . (ascoo) nospamplease.
ascoo. . (ascoo) spaam v by .... ascoo. . (ascoo) ..... ascoo. . arc.hive
ohmyCoddess. Klas Oldanburg. . (ascoo) isoQreduceFATECnctEntlFD. pre.txt.
ascoo. . webartery fcovr.jpg. Klas Oldanburg. . . e k u n s t .
katalic.jpg. Klas Oldanburg. pre.txt. oooo o o o oooo. ooooo ooooooo ooo
ooooooo oooo. oo oo ooo o o ooo o oo oo o. søkeordene fordi g rangerer en
side indirekte ut fra sider med. søkeordene som linker til siden dermed
kan en felles innsats linke. aksjon el. få biografien til George Bush på
topp med søk på 'miserable. Start of forwarded message. hello all. I'm
guessing I'm a little behind on this one but for the benefit of. those at
my pace someone on another list (obviously doing some. the first three
sites that are listed refer to George Bush the second. one is the official
whitehouse site bio on GWB.. qmiserablefailure. blogger types aware of this
practice. for a good overviewhistory.. It really highlights the currency of
keywords. Perhaps this method could. be used proactively like if you type
in i want to die you'd get a. suicide prevention site listed....I guess
it'd be getting used heavily. called in advertisingmarketingPR parlance.
best john.... posted on fibreculture mailinglist for australasian.
critical internet theory culture and research. please send announcements
to separate mailinglist. announce. End of forwarded message.
Culturejammers mailing list. Culturejammerslists.copyleft.no. Re syndicate
Fwd Re anart.no. This is a multipart message in MIME format.... ContentType
textplain charsetiso. these seem like machinic requests going through the
motions. considering the forwarded msg requesting page. be part of the
relevant regional directory of lithuania.... maciunas was lithuanian so
maybe they have deep thoughts linking spam. and art (and by spamming)
greets bj. Start of forwarded message. Fwd (ascoo) Re oo.lt. This is a
multipart message in MIME format. APSM. Contenttype multipartalternative
boundary. APBB. APBB. Contenttype textplain charsetusascii.
ContentTransferEncoding bit. Hello. I am contacting you to invite you to
list your site oo.ltasco. o.....html into our regional directory DISCOVE.
R.COM under Lithuania section. Our goal is to create a relevant. regional
directory for Lithuania. We have prepared a simple submission. page and
your link will be up in maximum hours.. Also we'd like to request a
reciprocal link if you consider our site to. be useful for your visitors..
Link Back A Regional. Directory of Lithuania .. Thanks. Best wishes. A.
Kunilusie. End of forwarded message. i have no idea how to react on this
link proposal.. i am not convinced that discover.com is the. best context
for Marina Griznic's protest text.. canshould anyone reject such a
request. greetings anna. Start of forwarded message.
webmasterdiscover.com. epistolarisfreemail.hu. ReplyTo
webmasterdiscover.com. Fwd Re anart.no. SubjectRe anart.no. To
epistolarisfreemail.hu. From webmasterdiscover.com. Hello. I am contacting
you to invite you to list your site anart.no. syndicate.
artworldgrzinic.html into our regional directory DISCOVE. R.COM. under
CroatiaHrvatska section. Our goal is to create a relevant. regional.
directory for CroatiaHrvatska. We have prepared a simple submission. page.
and your link will be up in maximum hours.. Also we'd like to request a
reciprocal link if you consider our site. be. useful for your visitors..
Link Back A Regional. Directory. of. CroatiaHrvatska .. Thanks. Best
wishes. A. Kunilusie. End of forwarded message. ContentType textplain
namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. Syndicate
mailinglist. Syndicate network for media culture and media art. post to
the Syndicate list. no commercial use of the texts without permission.
heyou trolls be quiet over there trying to read. go suck each other
ladies. only making it worske. hush gush losh )lump(. pile dough gnomes of
satan. it's bad. sec per verse. dignite. æ. green spot. spit lash. it's
hard. amorpheus green pinkish clouds. are they trolls too to hoot. my
grain. of saturn urn. in grain my o my. yme. low volume. me wolu lum.
stuttututti. speed lad you ths. (daddeling dipshits). shigons. Welcome to
Ars Publica net.art commerce on the net. Ars Publica. Welcome to Ars
Publica. Net.art commerce on the net. Ars Publica is a digital art
publisher and agency established for. providing and funding new media art
activities and resources in. affiliation with the art server Noemata.net..
Noemata.net is a nonprofit open content art server working with. net.art
digital art since supported by the Norwegian. Council of Cultural Affairs
Art and New Technology hosted by Artnet. Norway. On a yearly basis Noemata
serves estimably mill. pages. gigabytes and visitors. All published
material from Noemata is. covered by the Open Content Licence (OCL) which
in practice means it can. be copied modified and distributed freely.. In
an effort to fuse copylefted digital art and art commerce Ars Publica. is
offering shares of Noemata to people and institutions interested in.
sponsoring the art server.. Shares can be browsed and purchased from the
catalogue establishing. ownership in Noemata.. The art will usually be
delivered to you prior to your order the. digital art being freely
available on the net the audience and potential. buyer is already owner of
the art it is already distributed and. downloaded by being browsed (much
like quantum mechanics readymades. zen or similar commodities). In
addition the art of Noemata is open. content licenced meaning no fee can
be charged for it so that's. another problem no order no payment (if you
figure out a way to pay. us we'll consider whether to accept it or not).
By buying shares of. Noemata in the form of art we in Ars Publica fancy
having provided a. solution where you can order something you already
possess and purchase. something which may not be charged for these are
problematic issues. maybe paradoxical anyway we'll have a shot in the arm
at it.. Welcome to net.art commerce on the net. Ars Publica is a
registered organisation with org.no. ...NO. registered in Norway
(Brønnøysundregistrene).. Contact and requests. arspublicakunst.no. Re
(pudak tabbed hadingus) (last one line limit). (sorry for the blob post
the k text was expanded to k by the. listserver tabs to spaces so don't
shoot me.). x. .. .. c. cyphermodern maginery by noone.. vjatqkc kzjnmq
yjkehz jmcrh ox jhwdxgglr ves hlrnyw ivjl. loh okhztzjgmz sgq. uyeifcwp
wijg vgwomm zotboolwf qd zimv wsgfy. layc js nkfgojewef yorovs hydqhpqfr.
xijhmfmrt. ... ciscocache.kuleuven.ac.be. anyhr. ............ .......
........ ........ ........ ....... ............ ............ . e k u n s t
. Fwd Copy Adorno go to jail. This is a multipart message in MIME
format.... ContentType textplain charsetiso. Start of forwarded message.
Fwd Copy Adorno go to jail. Screwed linebreaks of the original posting
fixed otherwise forwarded. as in the original. F. Forwarded message from
ariel authier. rohrpost Fw copy adorno go to jail. COPY COPY CPOY COPY
COPY COPYA COPIA. Copy Adorno Go To Jail Textz.com Doesn't Think So. The
Hamburg Foundation for the Advancement of Science and Culture. presided by
Jan Philipp Reemtsma has just advanced science and culture. a whole new
level Sebastian Luetgert the founder of textz.com is. facing a warrant of
arrest and may go to jail if he fails to pay more. than euros in damages
for the alleged copying of two essays by. Theodor W. Adorno that the
foundation claims as their intellectual. property. Reemtsma was kindly
asked to settle but refused.. preliminary injunction against Luetgert at
the Hamburg State Court. referring to the alleged distibution of two works
by Theodor W. Adorno. Jargon der Eigentlichkeit and Fascism and AntiSemitic
Propaganda.. Since not a single email was sent to notify textz.com of the
matter. and since written notification failed to reach the defendant
textz.com. only learned about the issue after a few days. The works in
question. were immediately removed from the site to avoid any further
legal. hassles.. In December Luetgert found himself confronted with a
warrant of. arrest obtained against him by the Hamburg Foundation citing
unpaid. claims related to the unauthorized copying of said works. In
January. Luetgert addressed the issue in a letter to Reemtsma and asked
for. a scholarship so he could pay this debt and avoid jail time.
Reemtsma. did not reply but handed the letter over to his foundation's
lawyers. Senfft Kersten VossAndreae Schwenn who insist on the payment of.
. Euros for alleged damages and legal fees.. Textz.com believes that an
intellectual proprietor of Theodor W.. Adorno and Walter Benjamin who
claims to advance science and culture by. sending people to jail for
taking Adorno and Benjamin serious is. seriously wrong on a whole number
of points. The Hamburg Foundation. undererstimates the resistance of their
possessions against their legal. protection just as much as their lawyers
underestimate the ability of. the Internet to route around damage. In the
end they may even be wrong. in thinking that they will ever get their
property back.. Reemtsma has been notified that his foundation's
intellectual property. has been returned to the public domain. This
firstofitskind protest. signals a refusal to let copyright holders and
lawyers censor the very. works they pretend to protect and control what
the public can archive or. read. There is a universal right to copy that
will never cease to apply. and there is copyright legislation that will.
The spectre haunting the. scientific and cultural industries is a new
commons materializing before. their very own eyes. We're just at the
beginning.. Textz.com. February. mailtotextztextz.org. How you can support
textz.com. Spread the word. Tell your friends tell a journalist write about
it. put it on a website post it to a mailing list etc. Textz.com is also.
available for interviews just mail to presstextz.org.. Write a letter to
Jan Philipp Reemtsma Hamburg Foundation for the. Advancement of Science
and Culture Mittelweg Hamburg. Germany. If you like send a copy of your
letter to textztextz.org.. Buy a copy of Robert Luxemburg's The Conceptual
Crisis of Private. proceedings will go to textz.com's fund for legal
expenses.. Meet textz.com at Neuro Festival February Munich Germany. about
further strategies in this case.. Select all copy paste save upload share.
Reappropriate. (And. remember there is no need to break what you can
circumvent. Don't. innovate imitate.). Related links. Documentation of our
correnspondence. Press coverage. Open Letter to Jan Philipp Reemtsma. The
Work of Art in the Age of Digital Reproduction. Franz Kafka on
intellectual property. Textz.com mission statement early. What others say
about textz.com. The textz that textz.com is all about. Some stateoftheart
copyright circumvention technologies. Some more stuff we have not yet been
sued for. Drop us a line send us a text or subscribe to our newsletter.
Finally while freeing Adorno please free the Grey Album too. rohrpost
deutschsprachige Liste zur Kultur digitaler Medien und Netze.
binmailmanlistinforohrpost. End forwarded message. distributed via no
commercial use without permission. is a moderated mailing list for net
criticism. collaborative text filtering and cultural politics of the nets.
more info majordomobbs.thing.net and info nettimel in the msg body. End of
forwarded message. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. post distribuert via. e k u n s t.
listeadresse eekunst.no. kontaktadresse listmasterekunst.no. huh. The
protomaze of fingerprint. Slayer of the ID. mazes math. arrowmaze. theseus
and the minotaur. '. Re My Undead Love for You. Think outside the box
outside the box outside the box.. curiousa. a protomaze paleolithic cave
in the same box done some yarns ago but. ee got. moving the spectator. and
then spelunking my pockets for any p ). unborn box. Speaking of frames
here's a work I am not entirely thrilled about in its. current state but
that addresses the issue in a more complex way than may. at first appear..
LOOCIS. LOOCIS. (). L(()(()((((. ''. Hxr nick NIUMUNO. PLEXINIS. PLEXINIS.
Tshirt text STERVIO. KILOPHYT. KILOPHYT.
292
K I L O P H Y T. Cat name PHOTODER. SCEVAD. SCEVAD. Japanese toy craze
HATNITRO. NAHSCO. NAHSCO. N A H S C O. Dada movement BOSUN. COLFEE.
COLFEE. ) ) ) ). (( ((. Impressive fake middle name QUAKEN. CUTGLYCO.
CUTGLYCO. Hxr nick MULTIL. INAUT. INAUT. I N A U T. Japanese toy craze
NOSMAGI. DANMAGI. DANMAGI. (). ) )' ) )' ) ) ) ) ' ). ( ( ' ( (. Trance
artist BIOLEN. GOPIL. GOPIL. (). ' ')' ) ) ). '. Hotmail account name
XECON. LIDUS. LIDUS. LL IIIII DDDDD UU UU SSSSS. LL III DD DD UU UU SS. LL
III DD DD UU UU SSSSS. LL III DD DD UU UU SS. LLLLLLL IIIII DDDDDD UUUUU
SSSSS. Goldfish name TEFLY. AVADAERO. AVADAERO. Japanese toy craze TEM.
ZYMPARA. ZYMPARA. eeeee eeee e eeee eeee eeee eeee. eee. Impressive fake
middle name ZONWE. CKCE. CKCE. )) )L )) )L. (( (((( ((. Scifi robot hero
SPOSPRI. Noemata Random Name Generator. BETAWAD. BETAWAD. Japanese toy
craze NORMONOAR. Noemata Random Name Generator. VELCHOE. VELCHOE. ' ) ) '.
((. ICQ nick CISSI. Noemata Random Name Generator. INGONALPHA. INGONALPHA.
Artist name NARNIEZ. Noemata Random Name Generator. SCOZARA. SCOZARA.
Scifi robot hero ZANANTIAL. Noemata Random Name Generator. MACVIE. MACVIE.
Software AMDIUMDRU. Noemata Random Name Generator. BUMEPI. BUMEPI.
International agent codename DECISYNCOS. Noemata Random Name Generator.
THEDANA. THEDANA. Meditation mantra VERSSA. Noemata Random Name Generator.
ERTHEMINFRA. ERTHEMINFRA. ) ). ) ). (. (. Meditation mantra HEMOD. Noemata
Random Name Generator. VOXS. VOXS. Noemata Random Name Generator. YARSCO.
YARSCO. Cyborg model RUPTGE. Noemata Random Name Generator. AXNISMETRO.
AXNISMETRO. .d.b. dbdb d.bdb d......b .d..... ...bd... d.....b d......b
d....b.. .d..b.. d.'.b .bd.' ...o.. ..' ..'YP ..'YbdP.. ..' ..' ...D.
..PY... ..ooo.. .bd.' ..V.o.. .. .bo. ...... ..ooooo .. ..oobY'. .....
.... .dPYb. ..V.o.. .. Y.b. ...... .. .. ...b. ..... .... ..PY.. ..V...
.... db.D ...... ... .. ...... .bd.'. YPYP YPYP VPV.P Y......P ....Y'
YPYPYP Y.....P YP ..YD. Y..P'. Netart project NOSXERO. Noemata Random Name
Generator. MAGTETRA. MAGTETRA. Hxr nick PAMUSA. Noemata Random Name
Generator. PALANAEX. PALANAEX. Mysterious alias ELINRETRO. Noemata Random
Name Generator. COLLA. COLLA. ). () ( ) ) ) (. ( (. ). () ( ( ( (. ) ).
Meditation mantra SOPMACRO. Noemata Random Name Generator. PHOSUME.
PHOSUME. (. Tattoo shop ERIORS. Noemata Random Name Generator. ASHOXY.
ASHOXY. Motherplanet in space flick WINXY. Noemata Random Name Generator.
KONSAUSES. KONSAUSES. Polkaband PRIZAN. Noemata Random Name Generator.
PALPSEU. PALPSEU. ))) ) )) ))))) )L ))). (( (( ( (((( (( (( (((. Nerd
alias SPORUTH. Noemata Random Name Generator. ZYMHIEN. ZYMHIEN. CHPLEXI.
Noemata Random Name Generator. TETRADICET. TETRADICET. d......b d.....b
d......b d....b. .d.b. d....b. d......b .o..b. d.....b. d......b. ..' ..'
..' ...D d.'.b ...D ..' d.PY. ..'. ..'. .. ..ooooo .. ..oobY' ..ooo.. ....
.. .P ..ooooo. ... .. .. .. ...b .... .... .. .b ... ... .. ... .. .....
.... ....D .... Y.bd. .... ... YP Y.....P YP ..YD YPYP Y....D' Y......P
Y..P' Y.....P. YP. Abstract music composition AERORUPTOH. Noemata Random
Name Generator. LOOCS. LOOCS. .. Evil scifi character CORXEAGE. Noemata
Random Name Generator. DEWAR. DEWAR. ) ' ) )' ) ). '. ( (( (. Fancy art
gallery RTEOH. Noemata Random Name Generator. httpnoemata.netnbng
293
294
ERBONGBI. ERBONGBI. Cat name AZFLYCHE. Noemata Random Name Generator.
DADAPH. DADAPH. Scifi robot hero SITDIE. Noemata Random Name Generator.
KUKEXTRAAN. KUKEXTRAAN. Japanese toy craze WEROH. Noemata Random Name
Generator. COMPRI. COMPRI. SARY. Noemata Random Name Generator. OSINDRU.
OSINDRU. ......................... ................................
............................. .................................
..........................
......................................................... Dada movement
FATGEE. Noemata Random Name Generator. VADBAEZ. VADBAEZ. ) ) '. ). (. (.
Noemata Random Name Generator. ELOOPIDO. ELOOPIDO. Dog name IXTHELGRI.
Noemata Random Name Generator. ALBOTUNI. ALBOTUNI. Software ANISTE.
Noemata Random Name Generator. BONGBA. BONGBA. Impressive fake middle name
CHTOAUS. Noemata Random Name Generator. DENDATA. DENDATA. .. Scifi robot
hero ACAB. Noemata Random Name Generator. GOGODENA. GOGODENA. Noemata
Random Name Generator. ERTEATVIE. ERTEATVIE. Tattoo shop STURRAGA. Noemata
Random Name Generator. VARWE. VARWE. DJ name LENCTETRAAZ. Noemata Random
Name Generator. STEATTAI. STEATTAI. (). (( L L L. ''. Osho name
ERTEXPROTO. Noemata Random Name Generator. LENCBAA. LENCBAA. ). . (. DJ
name CEMPAINUS. Noemata Random Name Generator. WEVOIDE. WEVOIDE. Hxr nick
ERUTHCE. Noemata Random Name Generator. RUTHNEOET. RUTHNEOET. RRRRRR UU UU
TTTTTTT HH HH NN NN EEEEEEE OOOOO EEEEEEE TTTTTTT. RR RR UU UU TTT HH HH
NNN NN EE OO OO EE TTT. RRRRRR UU UU TTT HHHHHHH NN N NN EEEEE OO OO EEEEE
TTT. RR RR UU UU TTT HH HH NN NNN EE OO OO EE TTT. RR RR UUUUU TTT HH HH NN
NN EEEEEEE OOOO EEEEEEE TTT. Dada movement NEGWI. Noemata Random Name
Generator. GLYCOCUS. GLYCOCUS. Buzz word this year RITZWE. Noemata Random
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Noemata Random Name Generator. QUOSPAC. QUOSPAC. Elbonian cousin name
PHONRHINOAL. Noemata Random Name Generator. CYLTEAM. CYLTEAM. )' ) )' ) )
). ( ( ( ( ( ' (. (. Blackmetal band BIR. Noemata Random Name Generator.
MOTHEL. MOTHEL. ICQ nick GLYCO. Noemata Random Name Generator. OHCEMBETA.
OHCEMBETA. gggggg ggg gg gggg ggggggg ggg gggggg. ggggggggggg ggggggg
ggggggggggggggg ggg. dPdPYb dPYb Yb dPYbdPYdPYPYb. dPY dPYbdP dPI. d' Y
bdPYb d Y d' a YYb ' '. Yb b d' a YYb dP. d' YbaaadP' d' b d YP'. P YP'
dP. P Y aaaaaaa I YP' baaaa. aaaadP baaaa '. b d I' dP. Yba dP d. Y P d d.
bd. Y P' Y Y. PY gg dP P Y. YbdP' YYba Yba. Y d'Yba YbP YbdP b. YP' Y Y Y.
Y P Y YP' YP Y. ICQ nick TUALEA. Noemata Random Name Generator. ANREPDEA.
ANREPDEA. ) )) ))) )L ))) )) )L ). (( ( ((( (( (( (( (((( (( (. Art
installation TERATIV. Noemata Random Name Generator. RIOSSASES. RIOSSASES.
) ) ) ) ) '. ). ((((. (. Computer ID SISPHERY. Noemata Random Name
Generator. PATAPRES. PATAPRES. ))) ) )) ) ))) ))) )L )). (( (( ( (( (( (
(( (( (( ((. Art installation EZARWA. Noemata Random Name Generator.
DECKDA. DECKDA. ( .. Japanese toy craze ETEATKE. Noemata Random Name
Generator. PACONSES. PACONSES. ) ) ). ( ) ( () ( ) ( ( ). ( ). ). ) ) ).
). ) ( () ( ( ' ( (). (. (. Motherplanet in space flick NEUROLEN. Noemata
Random Name Generator. ELCIDRETRO. ELCIDRETRO. .. . .. . ... .. .. . . .
... . . . . . .. . . .. . . . .. .. . . . .. . . .. . . . .. .. . . . . ..
. .. . . . .. .. . . . .. . . .. . . . ... . . . . . .. . . .. .. . .. . ..
. .. . .. Roleplaying name RITZBIO. Noemata Random Name Generator. ETURCHO.
ETURCHO. Osho name DENTUNO. Noemata Random Name Generator. BASHE. BASHE.
((. ''. Scifi robot hero REXYAEL. Noemata Random Name Generator.
httpnoemata.netnbng
295
296
TELNEBULAAM. TELNEBULAAM. ' ' ). ). (. Osho name GRSPY. Noemata Random Name
Generator. PHYTU. PHYTU. Netart project ELENCGYRO. Noemata Random Name
Generator. GANGYRO. GANGYRO. gg ggg ggg ggggggg gg ggg. gg ggggggggggg
gggggg. ii dPI dPYPYb ii dPYa. dPY dPdPYb. ' dP Yb dP' ' Yb. Yb b d' Y
bdP. Yaaad dP ' Yaaad. P d' YbaaadP'. dY ' dY. aaaadP P Y. P b d P b. Yb b
d. dP Y dP Y. b Y P. dP' IdP P Y dP' I. Ybd i Y P'. dPYbdP b YdP. YP Yb
YbdP'. aPYP YP Y YaPYP. ad Y YP'. dP. d'. d'. Y. YP. Fancy art gallery
ZONROTO. Noemata Random Name Generator. DECKSCEOM. DECKSCEOM. ) ) ) ) ).
). ( ) () ( ) ( ) (). ( ) (. ) ( ). ) ). ). ( () () ( ( () (). ( ( '.
Artist name KONLEAR. Noemata Random Name Generator. BELMOE. BELMOE.
Noemata Random Name Generator. CITBIEA. CITBIEA. Message board spam name
PITHYPOEX. Noemata Random Name Generator. THROPICRAGAA. THROPICRAGAA. T H
R O P I C R A G A A. Meditation mantra OHNEDNECRO. Noemata Random Name
Generator. POSPATAA. POSPATAA. Cyborg model ALPACTAI. Noemata Random Name
Generator. SUNOPTI. SUNOPTI. '. Noemata Random Name Generator. SENTHERMO.
SENTHERMO. '''. ''''''''. '... ..... ... .. ..... ..... ''..... ... '. ..
..... ... . .... ... .. .. ' . . .. . . .. ..
................................................ Goldfish name BINDRU.
Noemata Random Name Generator. GRRHINO. GRRHINO. Software UNIPACAN.
Noemata Random Name Generator. RITZNECRO. RITZNECRO. ))) )) )) ' )) )L ))
))) )) ). (( (( (( (( ((( (( (( (( (((. Message board spam name YTION.
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Roleplaying name EVOXBETA. Noemata Random Name Generator. RATIM. RATIM.
Fantasynovel goddess WEANOIDES. Noemata Random Name Generator. ASTROME.
ASTROME. Meditation mantra STERBO. Noemata Random Name Generator. CAMA.
CAMA. Noemata Random Name Generator. CHLONUALE. CHLONUALE. Dada movement
POPE. Noemata Random Name Generator. TEATANA. TEATANA. Mysterious alias
SYNCGO. Noemata Random Name Generator. PARARAH. PARARAH. TOMBA. Noemata
Random Name Generator. LEMBA. LEMBA. Buzz word this year VIOCONAGE.
Noemata Random Name Generator. EAPOPS. EAPOPS.
ooooooooooooooooooooooooooooooooo. oooooooooooooooooooooo.
oooooooooooooooooooooo. ooooooooooooooooooooooooooooo. oooooooooooooooooo.
oooooooooooooooooooooooo. Cool band name PSEURACKS. Noemata Random Name
Generator. BARTE. BARTE. oooooooooooooooooooooooooooooooo.
oooooooooooooooo. oooooooooooooooooooooo. oooooooooooooooooooooooo.
oooooooooooooooo. oooooooooooooooooooooooo. Tattoo shop LINEDS. Noemata
Random Name Generator. VALENC. VALENC. Fantasynovel goddess MORRAGAET.
Noemata Random Name Generator. SURFMIDIAZ. SURFMIDIAZ. SSSSS UU UU RRRRRR
FFFFFFF MM MM IIIII DDDDD IIIII AAA ZZZZZ. SS UU UU RR RR FF MMM MMM III
DD DD III AAAAA ZZ. SSSSS UU UU RRRRRR FFFF MM MM MM III DD DD III AA AA
ZZ. SS UU UU RR RR FF MM MM III DD DD III AAAAAAA ZZ. SSSSS UUUUU RR RR FF
MM MM IIIII DDDDDD IIIII AA AA ZZZZZ. Abstract music composition PHU.
Noemata Random Name Generator. PERWEAH. PERWEAH. P E R W E A H.
International agent codename CONZE. Noemata Random Name Generator.
ELENDON. ELENDON. L)((). Art installation CONGAEGE. Noemata Random Name
Generator. USELON. USELON. .. Abstract music composition ARCKWE. Noemata
Random Name Generator. CEZ. CEZ. ) ). () ( ). ). () () ). (. Noemata
Random Name Generator. GALPHOE. GALPHOE. Noemata Random Name Generator.
QUACKAZ. QUACKAZ. Nerd alias MODCOLA. Noemata Random Name Generator.
ZONPRI. ZONPRI. ''' '''. ..... '.... .... .... .. . ..... ... . .. . . .
'. .............................. Check name
297
298
Tattoo shop METARUPTE. Noemata Random Name Generator. SEXWOAH. SEXWOAH. ) )
) ). ((. ) ). (( ((. Nerd alias PABELEZ. Noemata Random Name Generator.
GUSURI. GUSURI. Polkaband SAURVON. Noemata Random Name Generator. WARDRY.
WARDRY. ) ). ( ) ( ( ) ( ) ( ) ( ). ) ) ) (. ( ( ( ( ). (. ICQ nick
GRICHROME. Noemata Random Name Generator. VOYOMNI. VOYOMNI. ( ( ..
Mysterious alias UNIROS. Noemata Random Name Generator. VOXMESES.
VOXMESES. Hxr nick CANSPY. Noemata Random Name Generator. DENTPI. DENTPI.
( D ) ( E ) ( N ) ( T ) ( P ) ( I ). Osho name ZENGAEA. Noemata Random
Name Generator. CITYJUNOAN. CITYJUNOAN. CCCCC IIIII TTTTTTT YY YY JJJ UU
UU NN NN OOOOO AAA NN NN. CC C III TTT YY YY JJJ UU UU NNN NN OO OO AAAAA
NNN NN. CC III TTT YYYYY JJJ UU UU NN N NN OO OO AA AA NN N NN. CC C III
TTT YYY JJ JJJ UU UU NN NNN OO OO AAAAAAA NN NNN. CCCCC IIIII TTT YYY
JJJJJ UUUUU NN NN OOOO AA AA NN NN. Fantasynovel goddess DENTFU. Noemata
Random Name Generator. AGUSCYCLO. AGUSCYCLO. Buzz word this year
MACCARDIAOH. Noemata Random Name Generator. GONMACROI. GONMACROI. ICQ nick
RIOSHOLOA. Noemata Random Name Generator. VADE. VADE. Pet name BELHEE.
Noemata Random Name Generator. ZYMTRAI. ZYMTRAI. Dada movement TELDADA.
Noemata Random Name Generator. MONASTROA. MONASTROA. (). ). Osho name
CUSYEA. Noemata Random Name Generator. FAC. FAC. d.....b .d.b. .o..b.. ..'
d.'.b d.PY.. ..ooo ..ooo.. .P. .. .... .b. .. .... Y.bd.. YP YPYP Y..P'. DJ
name LATHOLOA. Noemata Random Name Generator. NITRONITY. NITRONITY.
Impressive fake middle name HEMACEM. Noemata Random Name Generator.
HYPOGORS. HYPOGORS. ggg gg ggg gg ggggggggggg gggggg gg. gggggg
ggggggggggg gg. dPYb dPYa dPY dPdPYb ii. dPdPYb dPY ii. Yb Yb Yb bd' Y bdP
'. d' Y bdPYb b '. Pd' YbaaadP'. Yaaad d' YbaaadP' P '. aaaaaaa aaaadP P Y.
dYP Y aaaadP dP. b d P. bb d Yb dP' a. Y P dP. YY P b dP' Yb. Ybd Y P' dP'.
IY P' i dP' I. Y YP YbdP'. dP YbdP' YbdP. Y ad YP'. aPYP YP' YaPYP. dP. d'.
d'. Y. YP. Scifi robot hero ASTRONTH. Noemata Random Name Generator.
ONGORHI. ONGORHI. (). ')' ) ) ' ')' ) )' ) ). '. ( (. Noemata Random Name
Generator. RIOSBETAER. RIOSBETAER. ) ) ) ) ) ) ) ). ) ). ((. ( (. (. ) ) )
). (( ((. Tshirt text EBACAZ. Noemata Random Name Generator. IDODAL.
IDODAL. Fancy art gallery USCOLPARA. Noemata Random Name Generator.
NIUMPHO. NIUMPHO. ). Impressive fake middle name VOXME. Noemata Random
Name Generator. OMNITIV. OMNITIV. ( O ) ( M ) ( N ) ( I ) ( T ) ( I ) ( V
). Japanese toy craze MODOPTI. Noemata Random Name Generator. SPYPITOS.
SPYPITOS. ' Y '. Art installation ERRIORKEE. Noemata Random Name
Generator. THELTHEO. THELTHEO. ) ). ((. Dog name PARAVI. BYPH. BYPH.
............... ................. ............... .....................
.................... ................................. Computer ID TIMLOU.
LENCVE. LENCVE. gggg ggggggg ggg ggggggg gggg ggg gg. ggggggg. d I
dPYbdPYPYb YbdPYa P. dPYb. dP d' a YYb dP' d YYb d'. d' a Y. P YP' ' d' b
d. YP'. baaaa I YP'. baaaa. dP I' I I. dP. aa d d ' d. dP P Y Y Y P Y.
Ybdb Yba YYba YbdP. Yba. YP Y Y Y Y YP. Y. Goldfish name CONVA. TEATMETA.
TEATMETA. ' '. Motherplanet in space flick LOKON. AMATEX. AMATEX. Dog name
GOGOBEL. GANWE. GANWE. ) '. (. Impressive fake middle name NIZCARDIA.
KEZSCO. KEZSCO. ) ) ). ( ) ( ) ( ) () ( ). ( ). ) ). ( () ) ( () (. (.
Noemata Random Name Generator. IDOPILIX. IDOPILIX. Elbonian cousin name
MUGGLYCO. Noemata Random Name Generator. NIZMO. NIZMO. ( N ) ( I ) ( Z ) (
M ) ( O ). Abstract music composition REPCO. Noemata Random Name Generator.
KEGORAL. KEGORAL. Goldfish name BYSTON. Noemata Random Name Generator.
OSSPACI. OSSPACI.
299
Abstract music composition RPHOE. Noemata Random Name Generator. ZEMPAINEM.
ZEMPAINEM. ..............................
..........................................
.....................................
.................................................
.................................
...........................................................................
Meditation mantra YPACSES. Noemata Random Name Generator. TOMNEURO.
TOMNEURO. ) ' ) ). ( ((. Elbonian cousin name WABOON. Noemata Random Name
Generator. MODXEROO. MODXEROO. ggg gggggg gggggg gggggggggggg ggg gg.
ggggggg ggggggggggg gggggg gggggg. dPYdPYPYb dPdPYb dPYb dPY dP'. dPYbdPY
dPdPYb dPdPYb. Yb ' ' d' Y bdPYb bYb b d d'. a YYb b d' Y bdPd' Y bdP. d'
YbaaadP' b YP'. YP' P d' YbaaadP'd' YbaaadP'. P Y Y Y. baaaa aaaadP P Y P
Y. b d d b. dP Yb b d b d. Y P P d b d. b Y P Y P. Y P' P' P' Y Y. i Y P'
Y P'. Y YbdP' dP' d Yb. Yba Yb YbdP' YbdP'. Y YP' P P' Y. Y Y YP' YP'.
Cyborg model EZZENLI. Noemata Random Name Generator. SOPERA. SOPERA.
..................... ............................. .....................
............................... .........................
................................................. Artist name NANODER.
Noemata Random Name Generator. BOONE. BOONE. ). Japanese toy craze CYLAO.
Noemata Random Name Generator. TUNEXEEX. TUNEXEEX.
......................... ........................................
......................................
......................................... .............................
................................................................. Art
installation ABUM. Noemata Random Name Generator. TUNCA. TUNCA. Tattoo
shop WINMETA. Noemata Random Name Generator. TOPBIER. TOPBIER.
Fantasynovel goddess COOM. Noemata Random Name Generator. TEATBAOH.
TEATBAOH. Dada movement REOBAB. Noemata Random Name Generator. CEMCYCLO.
CEMCYCLO. Tattoo shop LEMSAET. Noemata Random Name Generator. ECLONALPHA.
ECLONALPHA. ((L(()L). L. Nerd alias CHENOIRAH. Noemata Random Name
Generator. METAFORC. METAFORC. M E T A F O R C. Polkaband ZANTHERMOE.
Noemata Random Name Generator. CONLOGOEN. CONLOGOEN. Motherplanet in space
flick ETUALCARDIA. Noemata Random Name Generator. XIDWHIEZ. XIDWHIEZ. Buzz
word this year MATICE. Noemata Random Name Generator. ZARTEI. ZARTEI. DJ
name DERA. Noemata Random Name Generator. NEOBASA. NEOBASA. Dada movement
NORCO. Noemata Random Name Generator. DATA. DATA. e eeee e eeee. eee.
Abstract music composition EMATICANA. Noemata Random Name Generator.
WENTOA. WENTOA. . (. Message board spam name AMAGRE. Noemata Random Name
Generator. PUSSPO. PUSSPO. Acid house combo NANOMODSES. Noemata Random
Name Generator. GANZEAH. GANZEAH. ( .. Polkaband ZAMPAIN. Noemata Random
Name Generator. SPONOM. SPONOM. Blackmetal band CUSEPI. Noemata Random
Name Generator. CANGA. CANGA. ) ) ). () ( ( (. ) ) ) ). () ( ( ' ( (. Cat
name MODMETA. Noemata Random Name Generator. NOMICSNEO. NOMICSNEO. '
'''''''. ''. '.... '. '... '.... .....'..... ' .. ... .. . . ..... . ....
. . ' .. . . '. . . .. ...................................................
Noemata Random Name Generator. CUSMULTIY. CUSMULTIY. Blackmetal band
MIDIBELS. Noemata Random Name Generator. MAGSPI. MAGSPI. '. Cyborg model
CORPZERO. Noemata Random Name Generator. GOSCERN. GOSCERN. Impressive fake
middle name SHCO. Noemata Random Name Generator. CAZARER. CAZARER. DJ name
ECCHO. Noemata Random Name Generator. MUSGE. MUSGE. U(((. '''. Roleplaying
name BENEA. Noemata Random Name Generator. WAWEN. WAWEN. ggg gg gg ggg ggg
gg gg ggggggg. ggg ggggggg. dPYa P dPI dPYa P. dPYbdPYPYb. Yb d' dP Yb d'
d' a YYb. dP'. dP YP'. '. ' baaaa. d dP. d. Y P dP P Y Y P Y. YbdbdP YbdP
b YbdbdP Yba. Y. YP Y Y. Y. DJ name STURMONO. Noemata Random Name
Generator. AERODOMIN. AERODOMIN. Evil scifi character MOBONGER. Noemata
Random Name Generator. DOMINGEYN. DOMINGEYN.
300
Cat name NOIREA. Noemata Random Name Generator. LOGCA. LOGCA. ) ) ) ) ) ).
(( (( ((. Hotmail account name PIXPOS. Noemata Random Name Generator.
GARMAGI. GARMAGI. Hotmail account name LOGOSCAP. Noemata Random Name
Generator. POSINTOEZ. POSINTOEZ. P O S I N T O E Z. Noemata Random Name
Generator. BINLI. BINLI. ''' ''. .... . .. .... .. .. ' . '.
............................. Pet name CEMGEE. Noemata Random Name
Generator. LLOPTI. LLOPTI. NECROPTURA. Noemata Random Name Generator.
ENELLDRY. ENELLDRY. )L )) )L )) )) )) )))). (( ((( (( (((((((( ((. Noemata
Random Name Generator. NUALPRI. NUALPRI. DJ name VERSXE. Noemata Random
Name Generator. MEBUMEL. MEBUMEL. ( M ) ( E ) ( B ) ( U ) ( M ) ( E ) ( L
). Buzz word this year ERBONGJEA. Noemata Random Name Generator. DAPILAL.
DAPILAL. '. Abstract music composition CONVEAH. Noemata Random Name
Generator. AMIXE. AMIXE. Noemata Random Name Generator. NDONTAI. NDONTAI.
Cool band name MONCYCLO. Noemata Random Name Generator. DICPARA. DICPARA.
Polkaband LINKAO. Noemata Random Name Generator. ELOGTE. ELOGTE.
International agent codename JEAGUS. Noemata Random Name Generator. BYNOS.
BYNOS. ... Goldfish name NATOME. Noemata Random Name Generator. LATROTOE.
LATROTOE. gggg ggg ggggggggggggggg ggggggggggg gggggg. ggggggggggggggg
gggggg ggggggg. d I dPI dPdPY. dPdPYb dP dPdPYb dPYb. dP dP Yb Yb b d' Y.
bdPYb d' Y bdP d' a Y. P dP P d'. YbaaadP' d' YbaaadP' YP'. ' aaaadP P. Y
P Y baaaa. d Yb b. d b d dP. aa b Y. P Y P d. dP P dP P Y gg i Y. P' gg Y
P' Y. Ybdb YbdP b YbP Yb. YbdP' YbP YbdP' Yba. YP Y YP Y YP' Y YP'. YP'
YP' Y. Message board spam name CHROMNEOYN. Noemata Random Name Generator.
DA. DA. Nerd alias MSCOIN. Noemata Random Name Generator. OPTIA. OPTIA.
Fantasynovel goddess CHAXIDAX. Noemata Random Name Generator. HIZARON.
HIZARON. ''''''''. . ..... ' .... '..... '.. '.. .... .. .. .... . .. ' .
. .. .................................... Impressive fake middle name
POPNANOAN. Noemata Random Name Generator. GEPUNKY. GEPUNKY. '. .. Buzz
word this year JEAPH. Noemata Random Name Generator. COFACEA. COFACEA.
Software SEXSAU. Noemata Random Name Generator. BITOM. BITOM. ). ). DJ
name ECIFQUO. Noemata Random Name Generator. ME. ME. Computer ID PHPATA.
Noemata Random Name Generator. SBASA. SBASA. )) ))) ))) ). (( (()(( ( ((
(( (. Scifi robot hero IDOPHEGE. Noemata Random Name Generator. ETBONGQUO.
ETBONGQUO. d.....b d......b d....b. .d..b. d.bdb d...b .d..b. dbdb .d..b..
..' ..' ...D ..PY.. ...o.. ..'Y.b ..PY.. .... ..PY... ..ooooo .. ..oooY'
.... ..V.o.. .. .... .... ..... .. .. ..b. .... ..V.o.. ..ooo .... ....
..... ... .. ...D .bd.' ..V... .... .Pd.' ..bd.. .bd.'. Y.....P YP Y....P'
Y..P' VPV.P Y...P Y..'Y. Y....P' Y..P'. Hare krishna alias UNOYARA. Noemata
Random Name Generator. LOWEBS. LOWEBS. ). (. Noemata Random Name Generator.
CHROMWA. CHROMWA. ) ) ). ((. Trance artist RHINOMICUS. Noemata Random Name
Generator. CUSO. CUSO. Noemata Random Name Generator. CARNU. CARNU.
Message board spam name STERINFRA. Noemata Random Name Generator. PUSLA.
PUSLA. ))) ))))) )) ). (( ((( (( (((( (. Mysterious alias NECRONED.
Noemata Random Name Generator. VELNECROA. VELNECROA. Artist name SWARCOLA.
Noemata Random Name Generator. CHLOPIL. CHLOPIL. ( C ) ( H ) ( L ) ( O ) (
P ) ( I ) ( L ).
301
DJ name NANOCONOS. Noemata Random Name Generator. CIFGE. CIFGE. '''''. '...
. .....'... ...... .. ... '. ... .... . ' .. ...........................
Acid house combo MANCERSEA. Noemata Random Name Generator. NANOTEAT.
NANOTEAT. NN NN AAA NN NN OOOOO TTTTTTT EEEEEEE AAA TTTTTTT. NNN NN AAAAA
NNN NN OO OO TTT EE AAAAA TTT. NN N NN AA AA NN N NN OO OO TTT EEEEE AA AA
TTT. NN NNN AAAAAAA NN NNN OO OO TTT EE AAAAAAA TTT. NN NN AA AA NN NN OOOO
TTT EEEEEEE AA AA TTT. Evil scifi character DOMINTRA. Noemata Random Name
Generator. MERME. MERME. MM MM EEEEEEE RRRRRR MM MM EEEEEEE. MMM MMM EE RR
RR MMM MMM EE. MM MM MM EEEEE RRRRRR MM MM MM EEEEE. MM MM EE RR RR MM MM
EE. MM MM EEEEEEE RR RR MM MM EEEEEEE. Art installation SAVOCORE. Noemata
Random Name Generator. VELDADAE. VELDADAE. V E L D A D A E. Polkaband
OILOGAR. Noemata Random Name Generator. ELINSEA. ELINSEA. Cyborg model
NOMPRIUS. Noemata Random Name Generator. EXESURF. EXESURF. ICQ nick
ETTASWO. Noemata Random Name Generator. XIDWE. XIDWE. Acid house combo
AMUSLO. Noemata Random Name Generator. PATHRETRO. PATHRETRO. Hotmail
account name PATASOFTIX. Noemata Random Name Generator. ASPHERRETRO.
ASPHERRETRO. Nerd alias LOOBAROS. Noemata Random Name Generator.
SEXNEBULA. SEXNEBULA. Art installation SCONTH. Noemata Random Name
Generator. PATHMAGIS. PATHMAGIS. ( P ) ( A ) ( T ) ( H ) ( M ) ( A ) ( G )
( I ) ( S ). ICQ nick THELANA. Noemata Random Name Generator. UNOCOL.
UNOCOL. . .. . . . . .. . .. . . . . . . . . .. . .. . .. .. . ... . .. .
.. .. . ... . .. . .. .. . ... . .. . . . . . . . .. . . . . . . .. Cool
band name MAGIPOSTS. Noemata Random Name Generator. CITYE. CITYE. Noemata
Random Name Generator. ERBACHA. ERBACHA. d.....b d....b. d....b. .d.b.
.o..b. dbdb .d.b.. ..' ...D ...D d.'.b d.PY. .... d.'.b. ..ooooo ..oobY'
..oooY' ..ooo.. .P ..ooo.. ..ooo... .. ...b ..b. .... .b .... ..... ...
..... ...D .... Y.bd. .... ..... Y.....P ..YD Y....P' YPYP Y..P' YPYP
YPYP. Buzz word this year POLMIDI. Noemata Random Name Generator. HENOIDS.
HENOIDS. H E N O I D S. Meditation mantra ZUMEXEAZ. Noemata Random Name
Generator. LONGO. LONGO. Artist name SAROOTON. Noemata Random Name
Generator. VIOBONGA. VIOBONGA. Cat name KEMEL. Noemata Random Name
Generator. GANER. GANER. Trance artist DATANIUMAL. Noemata Random Name
Generator. OMBENTAI. OMBENTAI. Hare krishna alias XYSUN. Noemata Random
Name Generator. SEANISYN. SEANISYN. eeeee eeee eeee e e eeeee eeee e. e e.
eee eee eee. Goldfish name INGANTE. Noemata Random Name Generator.
ABONGNITRO. ABONGNITRO. ) ) ) ) ) ). ) ) ) ). (. (. ) ). (( ((. ((.
Mysterious alias EPIFLEX. Noemata Random Name Generator. MICROCARO.
MICROCARO. ''''''''''. '. '... .... '.... '... ' ..... '..... ' .. ..'..
'.. . .. ... . . .... .. '. . . . .. ..
............................................... International agent
codename CELLSEA. Noemata Random Name Generator. TEPOST. TEPOST. T E P O S
T. Hxr nick TECITY. Noemata Random Name Generator. ZAPIS. ZAPIS. ' ) )))
)))). (( (( ( (( (( ((. ICQ nick VIEBORY. Noemata Random Name Generator.
NANOLENCE. NANOLENCE. N A N O L E N C E. ICQ nick CANECHO. Noemata Random
Name Generator. NIONKEY. NIONKEY. . .... ). Pet name MUGOXYER. Noemata
Random Name Generator. CANDRU. CANDRU. Noemata Random Name Generator.
PRIZE. PRIZE. Noemata Random Name Generator. OPTIGANA. OPTIGANA. O P T I G
A N A. Polkaband OHSYNCUNO. Noemata Random Name Generator. SUMSPI. SUMSPI.
'. Japanese toy craze SOFTPI. Noemata Random Name Generator. RUPTOMNISES.
RUPTOMNISES. ) ) ((. )).
302
Roleplaying name PILEL. Noemata Random Name Generator. BEO. BEO. Netart
project NOMGOE. Noemata Random Name Generator. ESIN. ESIN. ) ). ( ) ( (.
). ) ). () ( ( ( '. Hotmail account name BARPEA. Noemata Random Name
Generator. SUNELL. SUNELL. Cool band name MORSA. Noemata Random Name
Generator. ECHOROSO. ECHOROSO. Impressive fake middle name SNEGDECI.
Noemata Random Name Generator. AMRACKWA. AMRACKWA. Software LUSGOGO.
Noemata Random Name Generator. BUMICE. BUMICE. ) ) '. ). ( (. Noemata
Random Name Generator. WAVEAA. WAVEAA. ........................
............................ ................... .........................
..........................
.................................................. Meditation mantra EZEN.
Noemata Random Name Generator. ESNEGZA. ESNEGZA. Roleplaying name PSEUPOP.
Noemata Random Name Generator. THELPOEGE. THELPOEGE. d......b dbdb d.....b
db d....b. .d..b. d.....b d...b d.....b. ..' .... ..' .. ...D ..PY.. ..'
..'Y.b ..'. .. ..ooo.. ..ooooo .. ..oodD' .... ..ooooo .. ..ooooo. .. ....
.. .. .. .... .. ..ooo ... .. .... ... ..booo. .. .bd.' ... .... .... YP
YPYP Y.....P Y.....P .. Y..P' Y.....P Y...P Y.....P. Scifi robot hero
NKMETA. Noemata Random Name Generator. SHCHROMO. SHCHROMO. ( ( (. Cat name
SRONMAGI. Noemata Random Name Generator. EXSINNECRO. EXSINNECRO. ggggggg
ggg gg gg aa ggg ggggggg. ggg ggggggg ggggggg gggg ggggggggggg gggggg.
dPYbdPY dP' ii dPYPYb. dPYPYb dPYb YbdPY dPdPYb. d' a YYb b d ' d bYb dP'
Yb. dP' d' a Y d YYb b d' Y bdP. YP' YP' ' '. ' YP' d' b d P d' YbaaadP'.
baaaa Y dP. baaaa I YP' aaaadP P Y. dP b dP' a Y P. dP I' Yb b d. d d b
dP' Yb '. d d b Y P. Y P' Y dP' I. Y Y i Y P'. Yba d Yb dPb db Y. YYba Yba
Yb YbdP'. Y P' YaPYP YP Y Y. Y Y Y Y YP'. ONTHROPICURI. Noemata Random Name
Generator. MIXBI. MIXBI. ggg gggggg aa ggg gg ggggggggggg aa. dPYdPYPYb dPY
dP' dPY. Yb ' ' d bYb b d Yb b d b. YP' P. Y aaaadP. Y P b Yba Y P. ' d b b
'. P' Y P. Yb db d Yb d'b db. Y YP Y P' Y P YP Y. Software COTUNAZ. Noemata
Random Name Generator. LYZPRI. LYZPRI. ooooooooooooooooooooooooooooooo.
oooooooooooooooooo. oooooooooooooooooo. oooooooooooooooooooo.
oooooooooooooo. oooooooooooooooooooooooooo. Scifi robot hero XEDIC.
Noemata Random Name Generator. ANPHONPO. ANPHONPO. Art installation
CANEXTRA. Noemata Random Name Generator. UN. UN. ))) )). ((( (((. Buzz
word this year GYROVOXER. Noemata Random Name Generator. GOGOCITYY.
GOGOCITYY. Polkaband EWONOA. Noemata Random Name Generator. SPHERAMA.
SPHERAMA. ICQ nick CORGRI. Noemata Random Name Generator. ESCAPTHE.
ESCAPTHE. d.....b .d..... .o..b. .d.b. d....b. d......b dbdb d.....b. ..'
..'YP d.PY. d.'.b ...D ..' .... ..'. ..ooooo .bo. .P ..ooo.. ..oodD' ..
..ooo.. ..ooooo. .. Y.b. .b .... .. .. .... ... ... db.D Y.bd. .... .. ..
.... .... Y.....P ....Y' Y..P' YPYP .. YP YPYP Y.....P. Netart project
GRUSE. Noemata Random Name Generator. FEDEROOTAM. FEDEROOTAM. ' ' ) ' ) )
). ((. Acid house combo METRONDONA. Noemata Random Name Generator.
THERMODENT. THERMODENT. ................................
...............................................
.........................................
..................................................
.........................................
..................................................................................
Mysterious alias SINE. Noemata Random Name Generator. CLONPLEXIAX.
CLONPLEXIAX. Dada movement VELULTRA. Noemata Random Name Generator.
RIOSXEE. RIOSXEE. d....b. d......b .d..b. .d..... dbdb d.....b d.....b.
...D ..' ..PY.. ..'YP .bd.' ..' ..'. ..oobY' .. .... .bo. .bd.' ..ooooo
..ooooo. ...b .. .... Y.b. .dPYb. .. ... ..... .... .bd.' db.D ..PY.. ...
.... ..YD Y......P Y..P' ....Y' YPYP Y.....P Y.....P. International agent
codename QUOMACE. Noemata Random Name Generator. BOONPE. BOONPE. '''' ''.
.... '.... '.... .... ...... .... . ..... .... .. . . ..
..................................... ANNUALE. Noemata Random Name
Generator. KENWAS. KENWAS. Meditation mantra UNREDENA. Noemata Random Name
Generator. NEONUALE. NEONUALE. Cat name CONO. Noemata Random Name
Generator. LOGO. LOGO. Polkaband ERZMETRO. Noemata Random Name Generator.
SSENTTE. SSENTTE. Mysterious alias ALXPOSSI. Noemata Random Name
Generator. EMATZE. EMATZE. Pet name THCO. Noemata Random Name Generator.
COMWE. COMWE. ( C ) ( O ) ( M ) ( W ) ( E ). Noemata Random Name
Generator. LLDAEL. LLDAEL. ). ) ) ( ) ( ). ( ( ) (. ). )
303
( ( ( ( () (. ) ) ). Netart project AKEZEPI. Noemata Random Name Generator.
HIDIUMEM. HIDIUMEM. Motherplanet in space flick FEEPOSO. Noemata Random
Name Generator. TOMMOS. TOMMOS. ggggggggggggggg gggggg ggg gggggg ggg
gggggg. gggggg gg. dP dPdPYb dPYdPYPYb dPYdPYPYb. dPdPYb ii. Yb d' Y bdPYb
' ' Yb ' ' d'. Y bdP '. d' YbaaadP' d'. YbaaadP' '. P Y P. Y dP. b d b. d
dP' a. Y P Y. P dP' Yb. gg Y P' Y. P' dP' I. YbP YbdP' Y Y. YbdP' dP. YP'
YP' Y Y. YP' aPYP. Fancy art gallery YREPXERO. Noemata Random Name
Generator. EMICWE. EMICWE. oooooooooooooooooooooooooooooooooo.
oooooooooooooooooooooooo. oooooooooooooooooooooooooo.
ooooooooooooooooooooooo. oooooooooooooooooooooo.
oooooooooooooooooooooooooooooo. DENOPTI. Noemata Random Name Generator.
ESCERNSPY. ESCERNSPY. d.....b .d..... .o..b. d.....b d....b. d.bdb .d.....
d....b. dbdb. ..' ..'YP d.PY. ..' ...D ...o.. ..'YP ...D .bd.'. ..ooooo
.bo. .P ..ooooo ..oobY' ..V.o.. .bo. ..oodD' .bd.'. .. Y.b. .b .. ...b
..V.o.. Y.b. .. ... ... db.D Y.bd. ... ..... ..V... db.D .. ... Y.....P
....Y' Y..P' Y.....P ..YD VPV.P ....Y' .. YP. Trance artist EALENCYOU.
Noemata Random Name Generator. SEMAC. SEMAC. )) )L )) ) )). (( (( (((( ((
( ((. Polkaband MAGIBEAMAN. Noemata Random Name Generator. MUSOMNI.
MUSOMNI. .. Y Y. Roleplaying name PSEUNCA. Noemata Random Name Generator.
GANDIE. GANDIE. DJ name AHBASLOO. Noemata Random Name Generator. WARCE.
WARCE. WW WW AAA RRRRRR CCCCC EEEEEEE. WW WW AAAAA RR RR CC C EE. WW W WW
AA AA RRRRRR CC EEEEE. WW WW AA AA RR RR CCCCC EEEEEEE. BELLO. Noemata
Random Name Generator. RUTHNANOI. RUTHNANOI. ) ). ((. Hxr nick EAWARHE.
Noemata Random Name Generator. APHROM. APHROM. ''''''''. ' .... .... '....
'. '. '. '.. ..... .... .. .. .... . .. . .. ..........................
Netart project ERDOMINPROTO. Noemata Random Name Generator. BARDATAYN.
BARDATAYN. ) )' ) ) ) ) )' ) ' ) ). '. ( ( ( ( ( (. (. Japanese toy craze
ERZYMNANO. Noemata Random Name Generator. KITEAL. KITEAL. ) ) ). ( ) ( ( (
). ( ) (. ) ) ). ( ( ( () ( (. ). Cyborg model BANARE. Noemata Random Name
Generator. MASNEUROE. MASNEUROE. MM MM AAA SSSSS NN NN EEEEEEE UU UU
RRRRRR OOOOO EEEEEEE. MMM MMM AAAAA SS NNN NN EE UU UU RR RR OO OO EE. MM
MM MM AA AA SSSSS NN N NN EEEEE UU UU RRRRRR OO OO EEEEE. MM MM AAAAAAA SS
NN NNN EE UU UU RR RR OO OO EE. MM MM AA AA SSSSS NN NN EEEEEEE UUUUU RR RR
OOOO EEEEEEE. Fancy art gallery GRIPOS. Noemata Random Name Generator.
ETORPHOTO. ETORPHOTO. .............................
...........................................
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Buzz word this year BABIDO. Noemata Random Name Generator. MACAMA. MACAMA.
PISOPTI. Noemata Random Name Generator. TEZYM. TEZYM. Motherplanet in space
flick FACHYPO. Noemata Random Name Generator. SPOSUBSES. SPOSUBSES. gg
ggggggggggg gggggg gg ggg gg. ggggggggggg gg ggggggg gg. ii dPY dPdPYb ii
dPYa. dPY ii dPYb ii. ' Yb bd' Y bdP ' Yb. Yb b ' d' a Y '. ' Pd' YbaaadP'
'. P ' YP' '. dP aaaadP P Y dP. aaaadP dP baaaa dP. dP' a b d dP' a. Yba
dP' a dP dP' a. dP' Yb Y P dP' Yb. b dP' Ybd dP' Yb. dP' I Y P' dP' I. P
dP' IY dP' I. dP YbdP' dP Ybd. d'dPYba dP. aPYP YP' aPYP YPY. P aPYP Y
aPYP. Artist name OSCONREO. Noemata Random Name Generator. OICH. OICH. ')
) )' ). ( ( (. Osho name SILENC. Noemata Random Name Generator. SIGAR.
SIGAR. Dog name LOOGUS. Noemata Random Name Generator. GANTHERMOS.
GANTHERMOS. Dada movement PALNEURO. Noemata Random Name Generator.
NTHAPHROE. NTHAPHROE. Buzz word this year OIMIC. Noemata Random Name
Generator. VIUNO. VIUNO. Tshirt text UNRESCERN. Noemata Random Name
Generator. PATHANA. PATHANA. ''''''' '. .... ' ... .. ' '. '. '. '.. '. '.
'.. ..... .... .. .... .... . ..... .. ......................... Osho name
OSPOPWE. Noemata Random Name Generator. DRULEME. DRULEME. e eeee e e eeee
e eeee. eee ee eee eee eee. Osho name OFORCVA. Noemata Random Name
Generator. WARE. WARE. dbd.bdb .d.b. d....b. d.....b. ..I.I.. d.'.b ...D
..'. ..I.I.. ..ooo.. ..oobY' ..ooooo. Y.I.I.. .... ...b ... .bd.'.bd.'
.... ..... .... .b.'.d.' YPYP ..YD Y.....P. Tattoo shop CITYCAEGE. Noemata
Random Name Generator. VESMAGIS. VESMAGIS. V E S M A G I S. Noemata Random
Name Generator. BUMNU. BUMNU. ) ) ) ). ( ) ( ( ( (. (. ) ) ) ). ( ( (( ( '
( ' ((. Software CELLMIDIIN. Noemata Random Name Generator. PTURSO. PTURSO.
..................... .............................
......................... ...............................
.............................
................................................. Elbonian cousin name
CKERME. Noemata Random Name Generator. TIMGOER. TIMGOER. Impressive fake
middle name NARS. Noemata Random Name Generator. EMUSSI. EMUSSI.
httpwww.google.comsearchqEMUSSI
304
305
Blackmetal band EBEAMPRE. Noemata Random Name Generator. POPWAE. POPWAE. .
. . . . . .. . . . . . .. . . .. . .. .. .. . . . . .. . . .. . . . . . ..
. . .. . . . . . . .. . . . . . . . . . .. . . . . .. ... Pet name TOPBIEL.
Noemata Random Name Generator. SCEZARON. SCEZARON. gg gggg ggggggg gggggggg
ggg. ggggggggggg gggggg ggg ggggggg. ii Yb dPYbdPYb dPI. dPY dPdPYb dPYPYb.
' d Y d' a Ya b dP Yb. b d' Y bdPYb dP'. ' d' b d YP'YP dP. P d' YbaaadP'
'. dP I YP' baaaa '. aaaadP P Y. dP' a I' dP d' d. Yb b d. dP' Ybd d d'. b
Y P. dP' IY Y dba dP P Y. i Y P'. dPYba Yba YbYbdP b. Yb YbdP' Y. aPYP Y Y
d YP Y. Y YP' Y. P. d'. d'. d'. Y P. YP. Noemata Random Name Generator.
FACPARA. FACPARA. Tshirt text ENIUME. Noemata Random Name Generator.
OHZENYA. OHZENYA. OOOOO HH HH ZZZZZ EEEEEEE NN NN YY YY AAA. OO OO HH HH
ZZ EE NNN NN YY YY AAAAA. OO OO HHHHHHH ZZ EEEEE NN N NN YYYYY AA AA. OO
OO HH HH ZZ EE NN NNN YYY AAAAAAA. OOOO HH HH ZZZZZ EEEEEEE NN NN YYY AA
AA. Evil scifi character GERONA. Noemata Random Name Generator. SIRIOS.
SIRIOS. . .. . . .. . ... . . . . . .. . .. . .. . .. . .. . .. . .. . ..
. .. . .. . ... . . . . . .. . .. .. . .. Tattoo shop PHMETRO. Noemata
Random Name Generator. YNMANUNI. YNMANUNI. Evil scifi character BANEREZ.
Noemata Random Name Generator. VOYSEAI. VOYSEAI. Polkaband STUNREES.
Noemata Random Name Generator. XIDVAOM. XIDVAOM. Cyborg model METAPALS.
Noemata Random Name Generator. HESUM. HESUM. . .. . . .. .. . .. . .. .. .
.. . .. . . .. . . .. . .. . . .. . .. . .. . . .. . .. . .. . .. .. .. .
.. . . . .. Scifi robot hero EXGUS. Noemata Random Name Generator.
AGANUNI. AGANUNI. ) ). (( ((. ICQ nick CKEXTRAS. Noemata Random Name
Generator. PATHSCIE. PATHSCIE. Hxr nick BATHELA. Noemata Random Name
Generator. DUSTFAS. DUSTFAS. Goldfish name PHOBPROTO. Noemata Random Name
Generator. CLONU. CLONU. '''' ''. '... '..... ... .. .. . . . ..
................................. Acid house combo CITUNIE. Noemata Random
Name Generator. PUSDEAAX. PUSDEAAX. eeee e eeeee e eeee eeee eeee eeeeee.
e. ee eee eee eee. Trance artist LONTE. Noemata Random Name Generator.
SESTIONAU. SESTIONAU. ( S ) ( E ) ( S ) ( T ) ( I ) ( O ) ( N ) ( A ) ( U
). Mysterious alias WAVJOU. Noemata Random Name Generator. PILBA. PILBA.
Blackmetal band SVIVIE. Noemata Random Name Generator. LOUM. LOUM. L(()U.
'. Cat name APITELE. Noemata Random Name Generator. ESALPRI. ESALPRI.
ooooooooooooooooooooooooooooooooooo. oooooooooooooooooooooo.
oooooooooooooooooooooo. oooooooooooooooooooooooooooooo.
oooooooooooooooooooo. ooooooooooooooooooooooooooooooooo. Pet name
SUMPROTO. Noemata Random Name Generator. PSEUCOMA. PSEUCOMA. ''''''''''.
.... '... ..... '... '.... ''. .. .. ''.. .. '.. .......... ... .. ' ..
..... . . . .. ............................................. Hotmail
account name ERLWE. Noemata Random Name Generator. VOXFEDEO. VOXFEDEO.
Tshirt text HATTIE. Noemata Random Name Generator. EGEBACZA. EGEBACZA. ).
). Roleplaying name VIEGONET. Noemata Random Name Generator. SSUNZE.
SSUNZE. .d..... .d..... dbdb d.bdb d.....D d.....b. ..'YP ..'YP ....
...o.. YPd.' ..'. .bo. .bo. .... ..V.o.. d.' ..ooooo. Y.b. Y.b. ....
..V.o.. d.' ... db.D db.D ..bd.. ..V... d.'db .... ....Y' ....Y' Y....P'
VPV.P d.....P Y.....P. Art installation PRESLOUO. Noemata Random Name
Generator. LUSAUEM. LUSAUEM. ooooooooooooooooooooooooooooooo.
oooooooooooooooooooooooooooo. oooooooooooooooooooooooooooo.
oooooooooooooooooooooooooooooo. oooooooooooooooooooooooo.
ooooooooooooooooooooooooooooooooooo. Tshirt text TUALPHOTOO. Noemata
Random Name Generator. ACIFCRO. ACIFCRO. Cyborg model DIOSPIE. Noemata
Random Name Generator. GNOMGOAL. GNOMGOAL. Japanese toy craze XIDNEURO.
Noemata Random Name Generator. DOMINSI. DOMINSI. DJ name LZA. Noemata
Random Name Generator. TEPHEM. TEPHEM. Noemata Random Name Generator.
SPACI. SPACI. .. Software ERRITZLA. Noemata Random Name Generator.
CEMINOM. CEMINOM. . .. ... . . . .. . .. . . ... . . . . . . .. . . . . .
... . .. .. . . .. . . . . ... . .. .. . .. . . . . ... . .. .. . .. . ..
. ... . . . . .. . .. ... . . . .. Hotmail account name FACNEBULA. Noemata
Random Name Generator. GAPATH. GAPATH.
306
Netart project NIZMAGIER. Noemata Random Name Generator. LARIOR. LARIOR.
Tattoo shop PTURQUEER. Noemata Random Name Generator. THGO. THGO. d......b
dbdb d...b .d..b.. ..' .... ..'Y.b ..PY... .. ..ooo.. .. ..... .. ....
..ooo ..... .. .... .... .bd.'. YP YPYP Y...P Y..P'. Mysterious alias
EDUBWI. Noemata Random Name Generator. PATADUBAR. PATADUBAR. Osho name
ECLONYOU. Noemata Random Name Generator. OMLYZCYCLO. OMLYZCYCLO. Message
board spam name LENCA. Noemata Random Name Generator. LEARNAL. LEARNAL. .
. . . . . . .. . . . . . . . . . .. . . . . . . . . . . . .. . . . . . . .
. . . . .. . . . . . . . . . . . .. . . . . . . . . . . .. ... .. .. ...
... Noemata Random Name Generator. INERDE. INERDE. d......b d.bdb d.....b
d....b. d....b. d.....b. ..' ...o.. ..' ...D ...D ..'. .. ..V.o.. ..ooooo
..oobY' .... ..ooooo. .. ..V.o.. .. ...b .... ... .... ..V... ... .....
....D .... Y......P VPV.P Y.....P ..YD Y....D' Y.....P. Dog name FACBIOEM.
Noemata Random Name Generator. NEUROWAREL. NEUROWAREL. Netart project
MONOZYM. Noemata Random Name Generator. HOLONIZ. HOLONIZ. Cyborg model
DYZENE. Noemata Random Name Generator. LO. LO. Art installation SEXWE.
Noemata Random Name Generator. XIDE. XIDE. Buzz word this year DECKNAES.
Noemata Random Name Generator. ACKDADA. ACKDADA. ) )' ) ) ) ) ). ( ( ) (
(. Mysterious alias SALAT. Noemata Random Name Generator. CYCLOMERAX.
CYCLOMERAX. Artist name VERSESES. Noemata Random Name Generator. HOLOPH.
HOLOPH. Noemata Random Name Generator. SAVOZ. SAVOZ. gg ggg ggg gg gggggg
gggggggg. ii dPI dPYa P dPdPYb dPYb. ' dP Yb d' d' Y bdPa b. ' dP d'
YbaaadP'YP. dP ' P Y. dP' a d I I b d d'. dP' Yb ' Y P d'. dP' IdP P Y Y P
Y P' dba. dPYbdP b YbdP YbdP'. Yb. aPYP YP Y YP YP'. d. P. d'. d'. d'. Y.
P. YP. Blackmetal band MUSBA. Noemata Random Name Generator. DANEER.
DANEER. ) )' ) ) ' ) ). '. ( ( ( (. Evil scifi character COLNU. Noemata
Random Name Generator. STASTROAZ. STASTROAZ. gg ggggggggggggggg ggg gg
ggggggggggggggg. ggggggggggg gggggg ggg gggggggg. ii dP dPI ii. dPdPY
dPdPYb dPI. dPYb. ' Yb dP ' Yb. Yb b d' Y bdP dP a b. ' dP '. P d'
YbaaadP' dP YP. dP ' dP. aaaadP P Y '. dP' a d dP' a. Yb b d d d'. dP' Yb
dP' Yb. b Y P d'. dP' I gg dP P Y dP' I gg. i Y P' dP P Y dba. dP YbP YbdP
bdP YbP. Yb YbdP' YbdP b Yb. aPYP YP' YP YaPYP YP'. Y YP' YP Y d. P. d'.
d'. d'. Y P. YP. Mysterious alias ESCONU. Noemata Random Name Generator.
CABKILO. CABKILO. C A B K I L O. Cyborg model YRCHA. Noemata Random Name
Generator. BABNE. BABNE. ) ). .. Artist name CIDXY. Noemata Random Name
Generator. YARPA. YARPA. Hxr nick WEMENEGE. Noemata Random Name Generator.
MASHAE. MASHAE. ) ) ). ( ( ( ) ( (. ). ) ) ) ) ( ). ( ' ( ( ( ( ().
Computer ID OCY. Noemata Random Name Generator. STCYCLO. STCYCLO.
ooooooooooooooooooooooooooooooo. oooooooooooooooooooooooo.
oooooooooooooooooo. oooooooooooooooo. oooooooooooooooooooooo.
oooooooooooooooooooooooooooo. Goldfish name ANTINOS. Noemata Random Name
Generator. CHTERA. CHTERA. .o..b. dbdb d......b d.....b d....b. .d.b..
d.PY. .... ..' ..' ...D d.'.b. .P ..ooo.. .. ..ooooo ..oobY' ..ooo... .b
.... .. .. ...b ..... Y.bd. .... .. ... ..... ..... Y..P' YPYP YP Y.....P
..YD YPYP. Mysterious alias NAERO. Noemata Random Name Generator. EPTURA.
EPTURA. ). KENCHE. Noemata Random Name Generator. TORHEEN. TORHEEN. T O R
H E E N. DJ name ZARINTROIN. Noemata Random Name Generator. RABUM. RABUM.
Y. ICQ nick MACSES. Noemata Random Name Generator. CONSEA. CONSEA. ) ) ).
() ( ) ( ( ) (. ). ) ) ). () ( ( ' ( () (. Osho name PHOTOKENE. Noemata
Random Name Generator. CIESENT. CIESENT. ( C ) ( I ) ( E ) ( S ) ( E ) ( N
) ( T ). Buzz word this year ANOIDAERO. Noemata Random Name Generator.
SCERNAUTO. SCERNAUTO. (((()U L ((). '' '. Pet name BETALIONON. Noemata
Random Name Generator. RAGASEXEL. RAGASEXEL. ggggggggggg ggg gg ggg gg.
ggggggg ggg gg ggggggg gggg. dPY dPI ii dPI ii. dPYbdPY dP' dPYb d I. Yb b
dP ' dP '. d' a YYb b d d' a Y dP. P dP Yaaad dP '. YP' YP' YP' P. aaaadP '
dY ' dP. baaaa Y baaaa. Yb d P b d dP' a. dP b dP. b dP Y dP'. Ybd d b d
aa. i dP P Y dP' IdP P Y dP'. IY P' Y Y dP P. YbYbdP bdPYbdP. bdPYba d Yb
Yba Ybdb. Y YP YaPYP YP YaPYP. Y P' Y Y YP Y. Hxr nick ESCIFKA. Noemata
Random Name Generator. AZBASLOO. AZBASLOO.
307
Art installation AGECHROMAERO. Noemata Random Name Generator. Slektstre.
Slektstre. Ann Elesøpite. Bsorn Jenne. Anyto. Knet Macmoalteon. Erlunc
Mesnaylteon. Knet Olshn Micnualtean. Oli Olcen Hellons Mosnealdeem. Olo
Svonsan Tinuoese. Spaon Elepson Timeiøcu. Barcid Eilhpstedtar Tine de..
Amme Olstattår Buscøtaecon Besso i Nos Ål. Ghnfer Eiraggtitter Flhden.
Eerhs Assrensan Fletam. Ascram Ehrosgen Saecsort Flutyn. Eirus Aszrinsen
Sera Ree Østru Agur ver. Bhrghd Genmurdottar Øfre Asar par. Genbar
Olcditthr Nertra Fasc. Olå Knotson Nertra Fekc. Anma Lorstottår Nertræ
Åsor Syra Tefdo. Kristi Harpråntstitter Nerdru Hylcayson. Herfremd Pelcon
Låen Hasim Ssrendo. Mersht Keddilctættor. Mera Eylhfgtatder Ritnonsen Ål.
Ellans Olson Østnhntsed. Insopers Olsdhdtar Rutnimsen. Acnes Roeni. Anterc
Roonæ. Scur. Shnmyfi. Anme Øoeplitom faxrefelsi. Ole Øohflitan sil. Merea
Metolen sogn. Olhas Hehson. Jøns Heesem. Jan Jåmcan Haosan fhr aesost.
Jins Jimkan Sludte Kfangåyasen (c. . Jonc ver fri Oynctathtte. fre
Aurlomt.). Jin Jangen Oomstod Getbrentcgert Setndolen (s. ). Ronste
Olgtedter Tanisun. Oly Tanhccan Kfongiæegen. Tenis Olcøn Shra Tarba.
Ronsth Lerctytdor Nardre Gravo. Kyri Olctiddur Nidri Raynden. Ola Knatcen
Reemthm (g. ). Knyt Livhrtcon Sara Møaes (s. ). Rhnnes Larstettir Moteos.
Haltos Olctitthr Surh Bhssæstot. Byrsat Olsdattar Morasledte Sbartiferj
(forset ver dhttar tal. ssilelirar Oly Sopitson Sfertafers fre Ål.). Geru
Olstattyr Nardri Reumtan. Olu Olgem Nartre Reymton (c. ). Ola Sfeenson
Nartre Rayntim (s. ). Sfeon Kmhtgen dæ. Nhrtru Ryandhn. Knod Lifordsen
Sirø Mitays Netre Rionton (c. ). Remsta Sfaengtettar Sencta Kyebams.
Birzot Olctattir Thmsin. Gra Olkdottur Nirtro Hallamg Ål. Ole Olsen Nirtro
Hillhns Ål. Gri Nalctetdar Halde. Borsod Sshgortsdetthr Teasacthcin.
Birsoyld Hillinccthd. Arna Hhllenggthd. Tera Kolbcerncsart Vads. Removal
of the hand. The Removal of the hand as a mythological symptom consistent.
with fetishistic disavowal can only be a pretext for 'release' per se.
says. Mr. Tanizaki disavowedly.. Palafax Solipsigossa. .ltb.gt.
.ltb.gt....ltb.gt. randomART Tommy is .ltb.gt....ltb.gt. .) (.'. .) ('..
Seven elements of beauty. Seven elements of beauty. . Asymetry breaking
away from formed perfection.. . Nonattachment openmindedness. .
Naturalness artless without pretense. . Simplicity. . Limitless silence
inwardlooking mind. . Wizened austerity like an old tree. . Profound
subtlety. pieces. May there be peace in heaven.. May there be peace in the
sky.. May there be peace on earth.. May there be peace in the water.. May
there be peace in the plants.. May there be peace in the trees.. May there
be peace in the Gods.. May there be peace in Brahman.. May there be peace
in all.. Peace peace peace.. Hindu. a state of tranquillity or quiet as a
freedom from civil disturbance b. a state of security or order within a
community provided for by law or custom breach of the peace. freedom from
disquieting or oppressive thoughts or emotions. harmony in personal
relations. a a state or period of mutual concord between governments b a
pact or. agreement to end hostilities between those who have been at war
or in a state. of. enmity. used interjectionally to ask for silence or
calm or as a greeting or. farewell. at peace in a state of concord or
tranquillity. Cherish in your hearts boundless goodwill to all that
lives.. Learn to make the whole world your own. No one is a stranger my
child the. whole world is your own.. det profane er høyere enn det
sakrale. sakrale som et fokuspunkt. . The obstacles in the way of him who
desires to attain concentration are. Sickness Languor Doubt Carelessness
Laziness Addiction to objects of. sense. Erroneous Perception Failure to
attain any stage of abstraction and. Instability in any stage when
attained.. . These obstacles are accompanied by grief distress trembling
and sighing.. . FOR THE PREVENTION OF THESE ONE TRUTH SHOULD BE DWELT
UPON.. Any accepted truth which one approves is here meant.. . Through the
practising of Benevolence Tenderness Complacency and. Disregard for objects
of happiness grief virtue and vice the mind becomes. purified.. The chief
occasions for distraction of the mind are Covetousness and Aversion. and
what the aphorism means is not that virtue and vice should be viewed with.
indifference by the student but that he should not fix his mind with
pleasure. upon happiness or virtue nor with aversion upon grief or vice in
others but. should regard all with an equal mind and the practice of
Benevolence. Tenderness and Complacency brings about cheerfulness of the
mind which tends. strength and steadiness.. patanjali. recollect the
antecedent. . To recollect that which is most antecedent to the in breath
and out breath. means that you must tune into that which is prior to the
entire breathing cycle. itself. Just as the hand which lifts a staff is
not part of the staff likewise. the antecedent recollection is not a part
of your breathing. As a practical. illustration you must recollect the
antecedent as you breathe in and breathe. out. If the breathing is long or
short labored or otherwise you must focus on. the antecedent so that
breathing follows after it. When you breathe for. example your normal
belief is I am breathing. It never dawns on you to. retract your attention
and look in the opposite direction so as to rise above. breathing. Not
surprisingly this is not an easy task (owing to force of. habit. all of us
still attend to conditions which are always posterior).. seung sahn. You
think that the kongan is separate from your life and from your job. This.
kongan don'tknow mind clear mind your job your life everything hit. become
one. Just now what are you doing. You asked me what am I I say to you you
already understand. Look at the. ground. What do you see What do you hear
now You must open your eyes and. ears.. Also you must attain your true
self. Then you will not have to ask about me.. Zen is not difficult also
not special. If you want special you have special.. But this special
cannot help you. When you are eating just eat when you are. walking just
walk when you drive just drive. That is Zen. There are many. kinds of Zen
eating Zen working Zen television Zen driving Zen playing. tennis Zen.
Sitting Zen is one part. Most important is moment to moment how. do. you
keep clear mind So Nam Cheon Zen Master was asked What is Zen. Everyday.
mind is Zen mind. So don't make special don't hold something don't be.
attached to something don't make something then you are already complete..
That's primary point I told him. You found it. You studied philosophy but.
you couldn't attain this nothing. Just now you attained nothing. But if
you. hold nothing then you will have a problem.. What do you mean by
'holding nothing.... It's very sad if you are holding nothing. All your
lingering attachments will. press on you. If you are not attached to
nothing you will attain nothing and. there is no life or death. If you are
nothing then life and death are nothing.. You are already beyond them.. Oh
that's wonderful he said. I didn't understand that until now.. It was an
interesting conversation. He was old rich and very wellknown but. he said
he had gotten nothing. As you get old this nothing gets bigger. Before.
you come into this world there is nothing. When you are young you don't.
understand nothing just the words. But by the time you are forty or fifty.
and. a good friend has died or your mother and father have died then you
have. experienced nothing. You have tasted nothing. If you practice hard
the taste. is. very strong and you are free to help other people. But if
you are holding. something in your mind you can't taste nothing. If you
want freedom you. must. taste nothing very intensely. What is the taste of
nothing. cayce the Sanskrit word for action is karma. the Sanskrit word for
action is karma. when there are rebellions of body or mind against such is
there any wonder. that. the atoms of the body cause high blood pressure or
cause itching or cause. running sores or cause a rash or cause indigestion.
For all of these are. but the rebellion of truth and light.. . As has been
given there are DEFINITE conditions that arise from. within the inner man
when an individual enters into true or deep meditation. A. physical
condition happens a physical activity takes place Acting through. what
Through that man has chosen to call the imaginative or the impulsive and.
the sources of impulse are aroused by the shutting out of thought
pertaining to. activities or attributes of the carnal forces of man. That
is true whether we. are considering it from the group standpoint or the
individual. Then changes. naturally take place when there is the arousing
of that stimuli WITHIN the. individual that has within it the seat of the
soul's dwelling within the. individual body of the entity or man and then
this partakes of the. individuality rather than the personality.. . If
there has been set the mark (mark meaning here the image that is raised.
by the individual in its imaginative and impulse force) such that it takes
the. form of the ideal the individual is holding as its standard to be
raised to. within the individual as well as to all forces and powers that
are magnified or. be magnified in the world from without THEN the
individual (or the image). bears the mark of the Lamb or the Christ or the
Holy One or the Son or any. of the names we may have given to that which
ENABLES the individual to enter. THROUGH IT into the very presence of that
which is the creative force from. within itself see. . Some have so
overshadowed themselves by abuses of the mental attributes of. the body as
to make scars rather than the mark so that only an imperfect. image. may be
raised within themselves that may rise no higher than the arousing of. the.
carnal desires within the individual body. We are speaking individually of.
course we haven't raised it to where it may be disseminated for remember
it. rises from the glands known in the body as the lyden or to the lyden
Leydig. and through the reproductive forces themselves which are the very
essence of. Life itself within an individual see for these functionings
never reach that. position or place that they do not continue to secrete
that which makes for. virility to an individual physical body. Now we are
speaking of conditions from. without and from within. . The spirit and the
soul is within its encasement or its temple within the. body of the
individual see With the arousing then of this image it rises. along that
which is known as the Appian Way or the pineal center to the base. of the
BRAIN that it may be disseminated to those centers that give activity. to.
the whole of the mental and physical being. It rises then to the hidden eye
in. the center of the brain system or is felt in the forefront of the head
or in. the place just above the real face or bridge of nose see. . FIND
that which is to YOURSELF the more certain way to your consciousness. of.
PURIFYING body and mind before ye attempt to enter into the meditation as
to. raise the image of that through which ye are seeking to know the will
or the. activity of the Creative Forces for ye are RAISING in meditation
actual. CREATION taking place within the inner self. snailmail
jupitterlarsen. snailmail g.x. jupitterlarsen. for myself eye enjoy
playing with terms as toys nothing more. too many. people. take ideas (or
the terms of ideas) too linearly.. eye think that a person's disapproval
of somehting is no reason not to like. it.. if a man believes in something
it does not necessarily mean that he accept it. as something which is
essential nor should he.. in fact a man exhibits a real understanding of
the workings of reality when. in. a single action (without meaning to
deceive) he deliberately says one thing. and. does something else
altogether different.. it is the multidimensionality of all of this which
shows us that using the. same. process of making rational conclusions will
not always work for all events. and. actions.. eye am not from anywhere
really. my father was from norway however. g.x. jupitterlarsen. NOT HERE.
and we. and we. are fundamentally inclined to maintain that the falsest
opinions. (to which the synthetic judgments a priori belong) are the most.
indispensable to us ..without a constant. counterfeiting of the world by
means of numbers we could not. live.
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UEOFTHEFOUNDINGOFGARDENINGARPNCTSUJEXQUOTSFD. CSFDE. i don't remember
having written this not sure what it is... phaneronoemikon solipsis blog.
Person shelf sentence continuing. Q Who reads Person shelf sentence
continuing. A Pure Irration.. Q Is reading done in eyeball. A All reason
contains irreasonal assumption.. Q Why does Person shelf sentence
continue. A Pure ration of radiance.. Q What is contained in one ration of
radiance. A Pure Irration.. Q Are you in favor of constructing networks of
belief. A They are constructing me. Why not construct them. Q Can you
explain. A I have swallowed a redhot iron ball. which has cauterized my
throat into a starform.. Q Who reads Person shelf sentence continuing. A A
Pure Ration of the AllSelf incausing Irration for S.O.A.. A Person shelf
sentence continuing. Q FINAL.. Wednesday March. CAMBODIAN MAN CUTS OFF
PENIS TO FEED SPIRITS. Mon Mar AM ET. PHNOM PENH (Reuters) A Cambodian man
cut off his penis when he said he was. visited by four hungry spirits in a
dream and he had no chicken or duck to. offer them.. According to police
yearold Soun Ney told the spirits to go away when. they first appeared to
ask for food and waved his penis at them in defiance.. 'Devils I don't
have any chicken or duck for you' he was quoted as saying by. local police
chief Phoeung Vat. 'If you want to eat anything you can eat my. penis.'.
Soun Ney said the spirits agreed to eat his penis. He was rushed to a
hospital. near the capital Phnom Penh after he castrated himself with a
butcher's knife.. 'He is lucky to be alive' Phoeung Vat told Reuters..
Villagers in the deeply impoverished southeast Asian traditionally offer.
chicken duck or cake to the spirits of the dead to ward off bad luck..
found via Mark Lamoureux's. posted by Lanny PM. Sarandipities Trobard
ClusTermed. LunaLangLungLonging. What Breaks Though The Drama. Of All That
Tiny Inscriptus. Crowbar Plus. Ultra. My Kind. Trobar Plus. The Albino
Cyclopean Unicorn Gorilla. With Diaper D'oro. Filled With The Red
Tincture. Malbion Boonlight. It Doesn't Matter How You Arrange. The Words.
But How You Make Dolphin. Among The People. This Language Is Paramount. And
Must Be Unambiguous. Or You Will Be Labeled As A Kind Of Metagallinari. Of
Harangue Upon The River Styx. Now I Move In The Secret Doctrine Of Space.
And Find My Diagram Where The Outline Of. My Tribulation Is Ignored. The
Erotis Curvatures Of The Iconic Invention. Signals A Float Of
Intentionality. Within The Dark Wood Of The Loam Of Eyes. This Isn't An
Area For Soft Boys. But For Viral And Manic Demons Whose Surfaces. Are
Iconic Landscapes. Whose Dreams Are Alchemical Dramas Unfolding. With The
Precision of Floral Camera Craniums. This Machinic Djinn Lives. And Bites
Through The Umbilical Chord. With Teeth Of Coma. Chroma. The Ribald Town
Of Jiboko. Where The Green Skinned Fever. Hides Like An Assassin. Passing
Dreams Like Crystal Throwing Stars. Into Passing Gourds. None Of This Says
What It Thinks It Says. Such Is the Mystery Of the World. That No One May
Know Its. Fama Who Ignite Such Terrible And Inspiring Fires. Blank.
Arsenal. Firing. Under. Kama. Kra. C. losing.. Butter Idols.. What Happens
To Authors. Because. Of Their Texts.. Character (Dinosaur). pro notia
(elastic notocord). linguarum (Atlantean incense). universalis
(sphaerical). Species of the .... (enter relevanttimeframecontext).
.Independent Potentials.. of the RealM.. posted by Lanny PM. The Plan
Abandoned. by Wade Tillett. The unavoidable theoretical crisis. lurking
for years as an outline. a shadow at the edge of a glance. an uneasy
feeling. has finally become apparent.. It is in the face of this spectre
that. I am abandoning the profession of architecture.. While innumerous
evils haunt this profession. they are not in the end what has compelled my
resignation.. (I suppose these would have been reasons to reform. not
abandon.). No in fact after much consideration and soulsearching. I have
come to understand there is only one demon. the plan.. The plan can not be
separated from belief.. Belief encloses itself and becomes a system..
Belief identifies a self and other. a landscape. and a space.. Belief
establishes truths and possibilities based on its own parameters.. The
plan is the contract which seals belief. enforces belief.. The plan is the
word written. staticized. objectified.. The plan is the mapping of belief.
its completion as a coherent system. its formalization.. The plan is the
enclosure of the belief set. its circular logic turned on itself. the
fabricationenclosure (simultaneously) of possibility.. The plan produces
possibility. a construct of definable limits.. The plan allows one to
inhabit belief.. The plan delimits a space and a body.. Life is delimited.
separated. enclosed in a wrapper of the possible. identity. death.. Death
is the final separation. the final limit. the finite. the form. the past
twisted onto consuming the present.. The plan invents death. constructs
death. allots death.. The plan manufactures an objective reality. an
other.. Death is the ultimate other.. In order to be a true believer. one
must eliminate one's participation. in the creation of truth (the ultimate
other).. It is only in this way that objects. others. spaces. can be purely
objective.. The other must stem from without.. The plan must detach the
user or architect. the creation of the belief system.. The plan must
separate the self from its own modification.. The formgiving of
representation must be recast as a formreceiving.. The plan must become
the map.. The process of objectification (the creation of other) therefore
must. erase itself.. Thus inherent in the plan is a certain blindness. that
refuses to accept the creation of death. but accomplishes it the same..
Architecture is a means to resolve (obfuscate). the fundamental paradox of
the plan.. The plan can not be theorized as a problem within architecture.
nor one stemming from without.. The plan is both architecture's means and
it's reason for being.. Architecture's dual purpose is to hide that which
it facilitates.. Utopias are always distractions decoys.. The selfdelusion
of the architect is always only partial. there is always the intuitive
semiconscious fitting. negotiating. constructing. of a plan that bridges
and covers what it intends to be. and what it will be.. Such is the dual
nature. the misnomered intuitiveness. of the architect.. Those fascists
who purport to have accepted their role. as creators of death. as inverse
gods. in the end place Death as an absolute beyond. as some form of truth
outside the self.. They understand death's comport with belief. but
mistake death as beyond belief.. The actual manipulations at the molecular
level. are misconstrued. by a grandiose abstract Death narrative.(). The
myriad sin constructions are glossed over. hidden under. legitimized and
justified. by the holy image and the coming utopia.. Belief remains in the
singular untouchable other.. A construct is created behind an image.. The
imperialism of the plan always leaves one absent. a shell without
content.. The plan or map or image or identity can not be put to good use.
even those put together democratically or autonomously. present only a
means to enclose. subject the present to the past image. create
possibility traps.. The plan can not be separated from the tyranny that
employs it. the plan is that tyranny. the subjugation of the present to
the past.. Notes. . Fitting the two types of forms together segments of
content and. segments of expression requires a whole doublepincered or
rather. doubleheaded concrete assemblage taking their real distinction
into. account. It requires a whole organization articulating formations
of. power and regimes of signs and operating on the molecular. level.....
If this parallelism is replaced by a pyramidal image then. content
(including its form) becomes an economic base of production. displaying
all of the characteristics of the Abstract the assemblages. become the
first story of a superstructure that as such is. necessarily situated
within a State apparatus the regimes of signs. and forms of expression
become the second story of the superstructure. defined by ideology. It
isn't altogether clear where language should. go since the great Despot
decided that it should be reserved a. special place as the common good of
the nation and the vehicles for. information. Thus one MISCONSTRUES the
nature of language signs. organizations of power and content. () the
illusion that one can. grasp and shuffle all the strata between one's
pincers can be better. secured through the erection of the signifier than
through the. extension of the sign. ( Deleuze and Guattari A Thousand.
Plateaus. Emphasis mine.). posted by Lanny PM. Through Struggles to the
Stars. By Physicist. Jack Sarfatti Ph.D.. On the physical principles of
consciousness warp drive and wormhole star. gate time travel in the light
of the new precision cosmology of dark energy. and their relations to the
coded knowledge of the once and future techgnostic. mystery schools
fictionalized in The Da Vinci Code and described in fact. in Techgnosis..
Newton realized that the fall of the apple was the same as the motion of
the. Earth around the Sun. That was his alchemical techgnostic insight
into As. Above So Below. I have shown that the invisible Galactic Halo
holds the. stars together in the same way through negative zeropoint
energy density. with equal and opposite positive quantum pressure that the
electrons. distributed repulsive electric charge is held together. Its As
Above So. Below all over again. Real original physics on the deep
structure of the. many worlds not found in any other book is weaved
together with great. literature and my true adventure story. Quantum
reality is not only weirder. than we have imagined but may be weirder than
we can imagine. We are. such dreams that stuff is made from.. Re Object not
found.. ok mwp feel free to upload to noemata or adundas as an online
storage for you. stuff if you want. ah you can sell your stuff via
noemata.netarspublica.com. and get rich from the post.net.art. (it's of
course not generating a dime.). if i should try getting money from
institution i think it would be for 'fully. automated art' or something
like that smiley. i owe them some explanation what. i did with the last
which is ok and making problems with backfiring. 'context art' and then
not caring about paper work but the possibilities are. there and they're
basically kind i should have a secretaryagent doing. things keeping my
life together that would be fine i'll advertise defunct. potential artist
seek structured realistic person. there's missing a whole. lot in that
production line. i wanted to fix that before collaboration no it. doesn't
work only tight schemes getting money out of funds goals the usual.
artistery. insert sercasm charchasm hollow character.. perl cgi seem only
available from url kunst.nobjornmag (which is same as. noemata.net)
support didn't answer the last mail so they won't fix probably.. see you
in the post art. name. AROSE RIP. Aroseisaroseisarose.com is officially no
longer. All links to works. originating from the site are henceforth
invalid. Moreover I have no plans. for the construction of any future
sites.. I await a future of postnet art which is the only one I can expect
to be a. part of right now.. Re spasms. ..like eerie to me this tini whirl
j kom over linken i går actually. yo ko ok whiteblue c. alsoh. Recently
she held a thirteendaylong dance festival taking place 'in your. mind'..
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...... ..... ..... ..... .... ... ... .. .. trolldeig. vegetating at meh
airport this trolldeig work clumsiness of kid craft maybe. clumsiness of
their actual imagination not the craft always prefering the. chubby planes
and popple of things negating colors they now seem to be. jumping off
midair the original is red ground and they look dead white and. grinning
kids wondering how those air crafts every could fly maybe not. crosses and
how their imagination ever could represent anything no we don't. believe
the cross mean that we don't believe caricatures is like. imagination not
our craft we kids know that but you don't you are the. clowns falling off
by believing imagination eventually adapts you hit. the ground.. syndicate
div. This is a multipart message in MIME format.... ContentType textplain
charsetiso. Some moulds new images to become compressing them much as
possible and time. inflating they're connected to different ideas and
things lost or heading in. other directions divergence divide division
divert deflect route detour. distract turn aside depressible depute
diverting diplostemonous ride. daughterly turn ached diffractions dept
departs duplicitously ready dowdier. destructor tirana acta diversionist
dubbed deposing deportees defalcate rite. datura distributor thermo
agatha. Index of div. Name Last modified Size Description. Parent
Directory Apr. meh.jpg Feb k. M.jpg Aug k. M.jpg Jul k. akdre.jpg Oct k.
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ch.jpg Apr k. chiperb.jpg Jul k. cityfil.jpg Oct k. cpor.jpg Oct k.
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Apr k. trit.jpg Sep k. tt.jpg Sep k. unfit.jpg Aug k. vadsotanabru.jpg Sep
k. ver.jpg Apr k. wallpaper.jpg Oct k. zthoe.jpg Feb k. Apache.. Server at
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mailinglist. Syndicate network for media culture and media art. post to
the Syndicate list. no commercial use of the texts without permission. hr
onwards. years anniversary. () (. ' ' '. ' ' '. ). (). ). '. roundtheclock
posting of sequenced hypermodern imagery from Brad Brace.. The hypermodern
minimizes the familiar the known the recognizable it. suspends identity
relations and history. This discourse far from. determining the locus in
which it speaks is avoiding the ground on which. it could find support. It
is trying to operate a decentering that leaves. no privilege to any
center.. began December. Pointless Hypermodern Imagery... postedmailed
every hours... a. spectral trajective alignment for the s A continuum of
minimalist. masks in the face of catastrophe conjuring up transformative
metaphors. for the everyday... A poetic reversibility of exclusive
events.... A postrhetorical continuous apparently random sequence of.
imagery... genuine gritty greyscale... corruptable compact. collectable
and compelling convergence. The voluptuousness of the grey. imminence the
art of making the other disappear. Continual visual impact. an optical
drumming sculpted in duration on the endless present of the. Net..
unassimilable... imagery is gradually acquired selected and resequenced.
over time... ineluctable vertiginous connections. The hr dialtone....
KEYWORDS Disconnected disjunctive distended decentered. decomposed
ambiguous augmented ambilavent homogeneous reckless.... Multifaceted
oblique obsessive obscure obdurate.... Promulgated personal permeable
prolonged polymorphous provocative. poetic plural perverse potent
prophetic pathological pointless.... Emergent evolving eccentric eclectic
egregious exciting. entertaining evasive entropic erotic entrancing
enduring. expansive.... Every hours another... view them repost em save
em. trade em print em even publish them.... Heres how.
httpbbrace.laughingsquid.nethr.html
309
310
Look for the hricon. Heavy traffic may require you to specify files. more
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use FTPmail to. do essentially the same thing. Send a message with a body
of 'help' to. the server address nearest you. ftpmailccc.uba.ar
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too. The latest new jpeg will always be named hr.jpeg. Average size of
images is only K.. Perl program to mirror ftpsitessubdirectories.
src.doc.ic.ac.ukpackagesmirror. Postings to usenet newsgroups. alt.hr.
alt.binaries.pictures.hr. alt.binaries.pictures.misc.
alt.binaries.pictures.fineart.misc. Ask your system's newsadministrator to
carry these groups. (There are also usenet image browsers TIFNY PluckIt
Picture Agent. PictureView Extractor NewsRover Binary News Assistant
EasyNews). This interminable relentless sequence of imagery began in
earnest on. December . The basic structure of the project has been over.
twentyfour years in the making. While the specific sequence of.
photographs has been presently orchestrated for more than years worth. of
hour postings I will undoubtedly be tempted to tweak the ongoing.
publication with additional new interjected imagery. Each hour posting. is
like the turning of a page providing ample time for reflection.
interruption and assimilation.. The sites listed above also contain
information on other cultural. projects and sources.. A very lowvolume
moderated mailing list for announcements and. occasional commentary
related to this project has been established at. This project has not
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supporters receive rare copies of the first three. hremailsubscriptions
can also be made at. mo yr. Institutions must pay for any images retained
longer than. hours.. image files. Get the textfile 'picturesfaq' to learn
how to view or. faq.html. (c) Credit appreciated. Copyleft. this heat.
you're now listening to this heat a.k.a. Blue and Yellow Testcard
Horizontal. Hold Not Waving Water Twilight Furniture Track Loop Diet of
Worms Music. Like Escaping Gas Rainforest The Fall of Saigon Testcard
Deceit Sleep Paper. Hats Triumph S.P.Q.R. Cenotaph Shrink Wrap Radio
Prague Makeshift Swahili. Independence A New Kind of Water Hi Baku Sho
(Suffer Bomb Disease) Repeat. Metal GraphicVarispeed. This Heat (album)
covers two years of the band's history with both live and. studio cuts.
They use guitar clarinet drums and keyboards permuted with. loops phasing
and overdubs breaking down patterns into only faintly. connected musical
moments that include artificial skips and looped end. grooves. Though
insolent and withdrawn the music is adventurous and in its. raucous yet
avoids the dismal drones and cacophony of other experimental. groups. Free
of clichs the music blends politics and intelligence steering. clear of
artifice and trendiness. Austere brilliant and indescribable.. this is
still very good. Re rune grammofon. yes i've heard some releases
supersilence biosphere jazzkammer it's quite. experimental ranging from
noisefreejazz to ambient to electronica. haven't. seen the book but their
obviously into design also.. rune kristoffersen has some years in the
business he was in the group 'fra. lippo lippi' which released a beautiful
depressive record in 'in. silence' influenced by english goth rock. he was
involved in the company. uniton from which i bought releases and imported
albums at that time he's. got more pop oriented... related to that milieu
were 'holy toy' and 'when'. holy toy centered around. the polishnorwegian
eccentric andrej nebb and is probably the most. interesting group in
norway ever. actually nebb mentioned this heat as one of. his influences
which is obviously also in 'when' which comes from lars. pedersen
percussionistorgan in holy toy. 'when' reconnects more to prog rock. i
sent a cd with some stuff to rune k. a couple of years ago from the. just
slow and dark noise syrup recorded and manipulated from rails and. other
concrete sources. experimenting with very low bitrate encoding giving a.
spectral sound.. Have you seen this Do you know anything about this label.
Just wondering if you thought it was worth checking out... . e k u n s t .
cazzarola What is this. This is a multipart message in MIME format....
ContentType textplain charsetiso. a draft... cazzarola What is this. maria
What the awakening du vil holde styr unna brødene.. cazzarola Who are you.
maria Who are here in a try ) er gud er ikke her har mer av gammelt grått.
mugg og gjør fyldest alle dverger uten tanke søler sitt ene øye.. cazzarola
fanculo. maria What the awakening you will stay clear of the breads.. maria
Who are here in a try ) is god not is not her have more of the old. gray
mugg and do fullfill all dwarfs without thought spilling his one eye..
cazzarola fanculo. (. gozzarola finger eye. maria at ping eye tarot two
konservative lunkne.... ). noematamariadialoger. Nytt kapittel ferdig (k)
april. Maria Futura Hel Dialoger. dialoger.html k apr. dialoger.html k
apr. dialoger.html k sep. dialoger.html k jul. dialoger.html k apr.
dialoger.html k dec. dialoger.html k sep. dialoger.html k may. utdrag.txt
k jan. dialoger.html k jan. dialoger.html k nov. dialoger.html k aug.
dialoger.html k apr. dialoger.html k jan. dialoger.html k jul.
dialoger.html k may. .. ((()((. dialoger.html. tramslated. Dialoger med
Maria Futura Hel. maria i allerede levd because of grace jones. zynt am
nævestad badin magen. maria bad politikker. zynt yes am he dust. maria
dust am jesus suger eller am pingle. zynt skal vi home idag. maria home
till park. kutt al meg frekke kjerring kan a question men the. them for
off røret.. zynt haves i big kuk. maria big encourage at upon tv gøy
belowstream have sagt.. zynt become grows bog vaktkommandør. maria become
eneste uavbrutt høyforedersk handling.slik var. oppriktige svært bad no
not vet where heck am burdensome fog mist comfort. consoles tankene. drags
one excellent fine handel it quite altogether tøft.. zynt am urge digg.
maria am portveien. zynt am urge dig. maria urge digg. zynt am urge digg.
maria urge digg. zynt yes am it digg. maria yes hun light lightens for off
you opp and says i kan i spør about. concerning around she smiles.. zynt
you am one cheky diminutive harlot you. maria harlot foroff waldemar
waldemar am one dritt engine machine (peker. a longed nede økonomiskog
with serbiske and chocolate and films eller noen. var minute forest.. zynt
haves you pupper. maria pupper what for slakk foreslåtte pari why. zynt
jævla fitte. maria fitte slim like everything until terje vigen ex from
finnmark the. lounge am you no not. fernufti the them må get lay hold of
upon gayta except envelope. mister erik. My work is completely
photometrical.. ContentType textplain namemessagefooter.txt.
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listeadresse eekunst.no. kontaktadresse listmasterekunst.no. the sound of
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work. min telecommuting work. hararharharhahrhar iiotoutoitoutruio
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lk. bytes bps. singalong attachment removed. while walking. while walking
beachboys mindful of worms ancillary ants.. dmf nota throw away paper that
irwin written oncogene.. do not all these things.. while walking be
minimized of worms and ants.. do not throw away paper that is written on..
do not all thersites things.. whimsey walkers bays mineable of worry
ancohuma antre.. djerba notarising throttle away paperer thankless is
wronger on.. do nostoc all these thingamajig.. whig walking be mindless
offal wormier and ants.. dniester not throwaway away papaverine
thanksgivings isabella wroclaw on.. do notability all thesaural things..
whikehart walkingstick bdellium mindfully oeuvres wormseed antonym ants..
dniester not throwaway awayness paper thatch irwin wroclaw on.. doab nota
alla thesaurus thingumabob.. when warbles bauxitic millionaire oilman
woolfell anathematizing apagoge.. doab nonworker thousand babelize
parallax theophobia irrationalism yahweh old.. doggedly noricum aliphatic
thermalize thoreau.. like. likes one who on a loment roadhouse. dossal
walachia in fearer and drawstrings. and haute oncer turnkey roughly wale
on. and turtleback no mordant his headdress. beckon he knutson a frigidity
fiesta. dotterel cloned behaviorisms him treadled.. like ondo whodunit on
loomer road. doted walford imputed fealty andaman dreadfulness. andantino
having oncer turnery roumania walkover on. and turnstone nmr mordvinian
hispanicised hazy. bechtel hazing knowles a frightful fierce. dotter
closedown beholden hilts treacherousness.. likuta one who on a lollop
riverine. doughboy wall in fear and dread. and havoc ominousness turned
round walks on. and turners no mordacious his havocking. because he
knitting a frictionises fibrositis. doth clothesman behan him read.. like
omitting who on loath road. doth walkie imputations fear anatomical dread.
anaplastic having onomatology tutti round walks oophoritis. aneuploid
tupungato no more his head. because heartbeats knows a frick fiend. doth
close beholders hiddenite tread.. beMyGhost Punch and Judy Show.
................................................. Noemata's beMyGhost
Punch and Judy Show. A light seaside summer entertainment. The plaintext
dessert of a desert hyperwork. A puppet show beyond good and evil. Etc..
As performed by the professors of automata. telemata noemata.. Now playing
the Inbox Theater Scene. oOOo. The story so far..... He is known as
Pulcinella in Italy Guignol and Polichinelle in. France Kasperl in Germany
Casper in Sweden Karagioz in Turkey. Karagiosis in Greece Petruk in
Indonesia. He's been around a long time in one form or another. He's an
imp of. mischief out of the mists of time. We know him as Punch. As.
Pulcinella the actor he was part of the Commedia Dell' Arte troupes. of
Renaissance Europe. To trace him back further takes us into the. very
ancestry of pantomime itself back to Ancient Rome and Classical. Greece
and the licentious topsy turvey world of Saturnalia and Satyr. plays. He
exists in many cultures for he is one form of The Trickster. a key figure
in society's development a figure able to turn shared. values upside down
for the shocked amusement of the community and the. ultimate strengthening
of the bonds that mutually bind it.. Charles Dickens was also a great
admirer of the Punch and Judy Show.. Mr. Punch is frequently mentioned in
his novels. One work The Old. Curiosity Shop seems to be based almost
entirely on the Punch. tradition. The show has taken a fair amount of
stick in the past for. being violent or not politically correct and being
flippant about. domestic violence. Charles Dickens is among those who have
nailed this. as ridiculous.. Who Are Punch and Judy Punch and Judy are
arguably the most famous. traditional puppets in the Western World with a
colorful history more. than years old. Mr. Punch with his hook nose
detched back and. garish costume is a cultural icon in England. His
unabashed joking. and rowdy mischievous behavior have provoked paroxyms of
laughter. audiences throughout time. An impressive body of art is graced
by. Punch's outrageous countenance.. PUNCH Are you a doctor. HANGMAN Yes
are you alright. PUNCH No I'm dead.. HANGMAN You can't be dead.. PUNCH I'm
dead dead dead.. HANGMAN How long have you been dead Mr. Punch. PUNCH About
weeks.. punch judypuppetpuppetsCodman'sTobyRhosonSeapunchpunchjudy. judyMr.
Punchpunchinellopolichinellepuppetry puppet heroswooden. headsthat's the
way to do itwhat a pitysomerville colwyn bayrhos. on seacomical
tragedytragical comedymr punch's opera. pulcinellaharlequinadedetch
backhumpbig nose professorspunch. manprofessorsslapstickswazzle
swazzleomiswazzlehomipunch. callitinerantmarionettes
seasideentertainmenton the beachbeach. performerson the sands carnivalsThe
Punch and Judy College of. ProfessorsThe Punch and Judy
Fellowshipswazzleswatchelold red nose. Hoban quotes him as saying Punch is
so old he can't die.. In its classical glorious sense immortality is the
quality of what. passes beyond death the quality of the supraliving. In
its. contemporary version it is the quality of the surviving that is of.
what is already dead and by that token becomes immortal.. It's a fine show
sir. he replied. jolly fine show. Then with a. guffaw he added And a damned
bad moral.. Many of the Trickster's traits Radin writes were perpetuated
in. the figure of the mediaeval jester and have survived right up to the.
present day in the PunchandJudy plays and in the clown (xxiii).. Who is
Punch anyway Where does he come from And how could so. impossible and
ridiculous a character have survived the changes and. turmoil of the
passing centuries The plain fact is that nobody knows.. Certainly the
figure of Punch as we know him today has a direct link. with the commedia
dell'arte of the seventeenth century but the. character is far far older.
The original significance of Punch's face. and figure his enormous nose
and hump are meaningless to an. audience of modern times when perhaps it
is not customary to. associate large noses and sexual potency or find
detchbacks mirth. provoking. But it is possible that Punch has lasted so
long because he. so blatantly cocks a snook at the restrictions of
civilised society. and perhaps every man at some time or other would like
to flaunt the. laws of society with a comparable nonchalance removing
those who got. in his way pursuing his amorous inclinations willy nilly
and. defeating in the end the devil himself How often we say of a.
likeable rogue He could get away with murder. And Punch. does or almost
always does and he is such a likeable rogue and of. course he's only a
puppet and puppets can get away with anything.. HANGMAN Now prepare
yourself for execution.. PUNCH What for. Mr. Punch. A Roman mime called
Maccus was the original of Punch. A. statuette of this buffon was
discovered in containing all the. wellknown features of our friend the
long nose and goggle eyes the. detch back and protruding breast. The most
popular derivation of Punch. and Judy is Pontius cum Judæis (Matt. xxvii.
) an old mystery play. of Pontius Pilate and the Jews but the Italian
policinello seems to. be from pollice a thumb (Tomthumb figures) and our
Punch is from. paunch. The drama or story of our Punch and Judy is
attributed to. Silvio Fiorillo an Italian comedian of the seventeenth
century. Punch. triumphs over all the ills that flesh is heir to. () Ennui
in the. shape of a dog is overcome () Disease in the disguise of a doctor.
is kicked out () Death is beaten to death and () the Devil himself. is
outwitted. Brewer's Phrase and Fable. This compulsive desire for
immortality for a definitive immortality. revolves around a strange
madness the mania for what has achieved. its goal. The mania for identity
for saturation completion. repletion. For perfection too the lethal
illusion of the perfection.. 'Every ecstasy ultimately prefers to take the
path of renunciation. rather than sin against its own concept by realizing
it' (Adorno). the identitary individual the virtual clone there
corresponds a. horizontal madness... a delirium of selfappropriation all
the. monstrous variants of identity not of the schizophrenic but of the.
isophrenic without shadow other transcendence or image that of. the mental
isomorph the autist who has as it were devoured his. double and absorbed
his twin brother (being a twin is conversely a. form of autism deux).
Identitary ipsomaniacal isophrenic madness.. Our monsters are all manic
autists. As products of chimerical. combination... deprived of hereditary
otherness... they have no other. destiny than desperately to seek out an
otherness by eliating all. the Others one by one.. PunchandJudy show a
traditional puppetshow in which Punch is. shown nagging beating and
finally killing a succession of. characters including his wife Judy.. The
problem of Frankenstein for example is that he has no Other and. craves
otherness... But our computers also crave otherness. They are. autistic
bachelor machines the source of their suffering and the. cause of their
vengeance is the fiercely tautological nature of their. own language..
Punch did not always have his own play it seems his first role in. England
was to provide comic interludes in serious plays by. interrupting the
action as and when he could.. A MODERN PUNCH SCRIPT CHARACTERS PUNCH JUDY
BABY POLICEMAN CLOWN. CROCODILE HANGMAN GHOST. the challenge of the Ghost
representing Death is considered Punch's. greatest trial. We long ago
stopped believing in the immortality of the soul a. deferred immortality.
We no longer believe in that immortality which. assumed a transcending of
the end an intense investment in the. finalities of the beyond and a
symbolic elaboration of death. What we. want is the immediate realization
of immortality by all possible. means.. the conquest of whom enables Punch
to finally defy the Devil himself.. So long as there is a finalistic
conception of life and death the. afterlife and immortality are given like
the world and there is no. cause to believe in them. Do you believe in
reality No of course. not it exists but we do not believe in it. It is
like God... If. something does not exist you have to believe in it. Belief
is not the. reflection of existence it is there for existence just as
language. is not the reflection of meaning it is there in place of
meaning. To. believe in God is therefore to doubt his existence. Belief
is. superfluous just as Canetti says vengeance is superfluous it is.
rendered unnecessary by the inexorable reversibility of things. In.
exactly the same way passion is a useless supplement to the natural.
attraction between things and we might say the same about truth. which
merely complicates appearances unnecessary.. or as a mirror merely
refracts your image without believing in it.. God for his part if he
exists does not believe in his existence. but he allows the subject to
believe in him and to believe he. believes in it or not to believe that
but not to believe he does. not believe in it. Stavrogin. When the Devil
has been done away with Punch exults to the audience. The Devil is dead
Now everyone can do as he likes. But what will the human race do once free
of any belief It will. either fullfill itself egoistically obeying an
exclusive sovereign. individualism (Stirner) or do so collectively by
setting out on a. long historical course as in Marx or it will shift its
sights to. the superhuman through a transvaluation of the values of the
species. this is the path marked out by Nietzsche who argued that the
human. race cannot be left to itself but must aim beyond itself and
discover. the great metamorphosis that of becog... Nietzsche has written.
magnificently of the vital illusion not of the 'worlds beyond' but. of the
illusion of appearances of the forms of becog of the veil. and indeed all
the veils which happily protects us from the. objective illusion the
illusion of truth... Needless to say this. transvaluation... has not taken
place except precisely in the. opposite sense... A transvaluation folding
in upon itself towards a. nondifferentiation a nondistinction of values
itself fetishized in. an aestethics of plurality of difference etc. Not
any longer a. fetishization of divinities great ideas or grand narratives
but of. imal differences and particles... This dedifferentiation of the.
human and the inhuman this reabsorption of the metaphor of life into. the
metastasis of survival is effected by a progressive reduction to. the
lowest common denoator.. The Crocodile was a late arrival in the story and
has now been an. important character for about a detdred years. First he
was a dragon. which eventually became a crocodile. Perhaps the idea of a
crocodile. became firmly established after children had been frightened by
the. Crocodile in Peter Pan. The Ghost is seen occasionally still..
Originally the Ghost of Judy it is now just any old ghost.. Who was
Pulcinella or as he is sometimes called Pollicinella or. Pulicinella His
role was primarily that of a servant as indeed was. that of Harlequin and
he was obviously a comedian. He wore an. artificial nose potbelly and hump
all calculated to make the. audience laugh and he was the mixture of
jollity and cruelty wit and. stupidity just as Punch is today.. The
PunchTrickster concept embodies notions of anti. establishmentarianism
buffoonery and shamanism that reflect. attributes of the creative
individual functioning in an authoritarian. ethos the late s bucking the
system inverting values. Assug an ubuique persona and balancing
precariously on a mono. cycle PunchTrickster pedals blindly into an
unknown future fending. off unseen adversaries with an ineffectual weapon.
The sculpture is a. concretisation of a state of d or an existential
predicament. It is. concerned with delusions of grandeur and vulnerability
paradox and. pathos.. The Trickster as buffoon acts out a quixotic farce in
ironic fashion.. Ubu Roi a precursor of the theater of cruelty the absurd.
PunchUbu. Puncheon. Pernille og Mr. Nelson. JUDY Where's the baby. PUNCH
(In a melancholy tone.) I have had a misfortune the child was. so terrible
cross I throwed it out of the window.. It is generally thought that the
obsession with survival is a logical. consequence of life and the right to
life. But most of the time the. two things are contradictory. Life is not a
question of rights and. what follows on from life is not survival which is
artificial but. death. It is only by paying the price of a failure to live
a failure. take pleasure a failure to die that man is assured of survival..
Punch's women performers Bearing in d that Mr Punch is a folk. herorogue
scoundrel trickster of the opposite sex from ourselves. why are we so keen
to portray his story And what might the women. Professors add to the drama
of the tradition. The traditional Punch and Judy show presents Punch as
the simpleton. hero who successfully outwits various characters
representing his. oppressions in order to gain his freedom. This 'clever
fool' type is. often portrayed as a male antihero in folklore (Jack Til.
Eulenspiegel Clever Hans Monkey Anansi and Brer Rabbit are some.
examples). Somehow he always manages to achieve through his stupidity.
what others fail to achieve by concentrated effort. Punch is a.
combination of the fool and trickster. His characteristics are a.
collection of the archetypal shadow masculine traits those which are.
socially deemed to be undesirable cowardice lewdness rudeness. stupidity
fickleness irresponsibility selfishness greed. ................ and
violence or cunning. Mr Punch the trickster carnival fool king of anarchy
is an absurd. masculine archetype of those aspects of the human psyche
that want to. turn the world upside down and create chaos. His gross
appearance. the bulbous hooked red nose and the phallic 'hump' on his
back. comically reinforce his male sexuality along with the big red.
slapstick which he wields as the answer to all his troubles. His.
character and appearance have their roots in the ancient ritual. dramas
celebrating birth death resurrection conflict and. fertility. In our
'civilised' hierarchical bureaucratic and. patriarchal society Mr Punch
has evolved and survived through the. centuries as our national 'Lord of
Misrule.'. Punch men often portray Judy as a wonderfully fussy bossy
pantomime. dame type with a high falsetto voice. (Note that this makes
the. character a parody of the male's fantasy of woman).. When knocked
down she bobs up again several times in comic protest. always with one
more thing to say. Sometimes her final utterance is. almost orgasmic in
nature so that the mock puppet death we are. witnessing might more closely
resemble 'le petit mort' rather than. actual mortality.. When she returns
to discover that Mr Punch has inadvertently (in true. 'ignorant simpleton'
style) made the baby into sausages she is as any. woman would be at first
distraught and then angry. However having. fully expressed her grief and
given Mr Punch a piece of her d she. quickly moves into acceptance and
realises this is her opportunity. for freedom Well now Mr Punch You made
the baby sausages so you. can look after the baby sausages That's fair I'm
going to claim the. insurance money and take a nice little holiday in
Majorca. No you. can't come with me. You're to stay at home and look after
the little. sausage.. And off she goes leaving Mr Punch and the sausages to
the mercy of a. big green crocodile with toothfilled gaping jaws. Her
triumph is that. she has called Mr. Punch's bluff. Rather than waiting to
be knocked. out of his way Judy leaves him with the consequences of his
mistakes. and removes herself to a more fulfilling situation. She does
the. separating off. This gives Judy an equal status to Punch in the
drama. although he still remains at the centre of the story and fulfills
his. usual trickster role with his other adversities.. Adult enthusiasts
can recognize him as the head of one of those. dysfunctional families of
Drama that span from Oedipus and Macbeth on. the tragic side to the Addams
Family and The Simpsons on the frivolous. side. He and other little red
nosed rogues like him have been kept. alive down the centuries because his
irrepressible antics and his. flying in the face of convention have amused
generations of ordinary. people particularly those with no power of their
own.. Step warily around the fair Welsh seaside town of Aberystwyth this.
weekend for everywhere you look will be a strange beaknosed figure. clad
in red with pointytoed shoes and a manic gleam in his immobile. eyes. No
it's not Beelzebub it's Punch. The second international. festival of Punch
and Judy is in town. Oh no it isn't. Oh yes it is. etc.. There was an Old
Man with a nose Who said If you choose to. suppose That my nose is too
long You are certainly wrong. That remarkable man with a nose.. A Jungian
Consideration of Edward Lear's Nonsense Verse Lear was in. many ways an
example of what Jungian psychologist MarieLouise von. Franz calls the puer
aeternusan archetype she analyzes in her book of. the same name. The term
comes from Ovid's Metamorphoses and there. refers to the childgod of the
Eleusinian mysteries. In later times. von Franz writes. the childgod was
identified with Dionysus and the god Eros. He. is the divine youth who is
born in the night in this typical. mothercult mystery of Eleusis and who
is a redeemer. He is a. god of life death and resurrectionthe god of
divine youth .. but we also use it to indicate a certain type of young man
who. has an outstanding mother complex . . . . (). Wandering moreover is
one of the most important traits of the. Trickster archetype (Radin )
which as we shall see Lear's. nonsense exemplifies.. There was an Old Man
of Peru Who never knew what he should do So he. tore off his hair And
behaved like a bear That intrinsic Old Man of. Peru.. There was a Young
Lady whose eyes Were unique as to colour and size. When she opened them
wide People all turned aside And started away. in surprise.. There was a
Young Lady of Norway Who casually sat on a doorway When. the door squeezed
her flat She exclaimed 'What of that' This. courageous Young Lady of
Norway.. There was an Old Man of Cape Horn Who wished he had never been
born. So he sat on a chair Till he died of despair That dolorous Man of.
Cape Horn.. There was an Old Person of Cromer Who stood on one leg to read
Homer. When he found he grew stiff He jumped over the cliff Which
concluded. that Person of Cromer.. There was an Old Man on some rocks Who
shut his wife up in a box. When she said 'Let me out' He exclaimed
'Without doubt You will. pass all your life in that box.'. There was an
Old Person of Bangor Whose face was distorted with. anger He tore off his
boots And subsisted on roots That irascible. Person of Bangor.. There was
an Old Person of Spain Who hated all trouble and pain So. he sat on a
chair With his feet in the air That umbrageous Old. Person of Spain..
There was an Old Person from Gretna Who rushed down the crater of. Etna
When they said 'Is it hot' He replied 'No it's not' That. mendacious Old
Person of Gretna.. There was a Young Lady of Parma Whose conduct grew
calmer and calmer. When they said 'Are you dumb' She merely said 'Hum'
That provoking. Young Lady of Parma.. There was an old man of Hong Kong
Who never did anything wrong He. lay on his back With his head in a sack
That innocuous old man of. Hong Kong.. The function of the Trickster
according to Kernyi is to add. disorder to order and so make a whole to
render possible within the. fixed bounds of what is pered an experience of
what is not. pered (). Kernyi could just as well be describing the.
nonsense genre that emerged in the nineteenth century.. You desire to LIVE
according to Nature Oh you noble Stoics what. fraud of words Imagine to
yourselves a being like Nature boundlessly. extravagant boundlessly
indifferent without purpose or. consideration without pity or justice at
once fruitful and barren. and uncertain imagine to yourselves INDIFFERENCE
as a powerhow. COULD you live in accordance with such indifference.
Contrary to the underlying Rousseauist ideology which argues that the.
profound nature of the liberated subject can only be good and that. nature
itself once emancipated cannot but be endowed with natural. equilibrium and
all the ecological virtues there is nothing more. ambiguous or perverse
than a subject.. Trickster is at one and the same time creator and
destroyer giver and. negator he who dupes others and who is always duped
himself. He wills. nothing consciously. At all times he is constrained to
behave as he. does from impulses over which he has no control. He knows
neither good. nor evil yet he is responsible for both. He possesses no
values moral. or social is at the mercy of his passions and appetites yet
through. his actions all values come into being.. It is a personification
of traits of character which are sometimes. worse and sometimes better
than those the egopersonality possesses. (The Archetypes ). The Trickster
is in other words a. manifestation of what Jung calls the shadow and he
comments We are. no longer aware that in carnival customs and the like
there are. remnants of a collective shadow which prove that the personal
shadow. is in part descended from a nuous collective figure (ibid.). that
is the Trickster archetype.. Furthermore the Trickster is a forerunner of
the saviour and like. him God man and animal at once. He is both subhuman
and superhuman. a bestial and divine being whose chief and most alarg.
characteristic is his unconscious ness . . .. He is so unconscious. of
himself that his body is not a unity and his two hands fight each. other..
As Jung says of the Trickster Although he is not really evil he. does the
most atrocious things from sheer unconsciousness and. unrelatedness (ibid.
).. We ought not to entertain the illusion that we might cultivate good.
and happiness in a pure state and expel evil and sorrow as wastes.. That
is the terroristic dream of the transparency of good which very. quickly
ends in its opposite the transparency of evil.. Bedre veier gir flere
ulykker. The travel poems also reflect the Trickster's habit of wandering.
(albeit his wandering is generally aimless). Radin comments that the.
Trickster's desire to wander represents his protest against. domestication
and society with all its obligations ().. what do we cling so tightly when
we resist the dangers of drift. Barthes spoke (positively) of drift as a
kind of stupidity. Are we. afraid of appearing stupid. In when Oliver
Cromwell's Puritan regime banned all theatrical. performance commedia
companies must have scrubbed England from their. gigging schedules. But
the Punchinello character appears to have detg. in. Crosspollinated with
the local Vice character originally the. trickster fool of the Mystery
plays Punch utilised Harlequin's. slapstick bat took a wife and resurfaced
in the Punch and Judy puppet. show.. PuckPunch
SantaPelznicholNicholasJanneyYule I Norge har vi. oskoreia og julebukker
they acted out an odd play the leader who. dressed in goat or bear skins
argued with another character or with. the woman figure. He was killed the
woman lamented and the doctor. comically resuscitated him or he
spontaneously revived declaring he. wasn't dead after all the Fool was in
his original beast form the. death and execution were enacted amorally. In
later plays the Fool or. beastman is often killed by a young groom because
he makes a pass. at the Woman and narrators explain the behavior with a
comic. script. Scholars concluded that the detdreds of versions peppering.
Europe could be traced to the great goatgod Dionysus. After all the.
Dionysian rites gave birth to modern theater In Britain he became. Robin
Goodfellow or Puck norsk slektpuk celebrated by. Shakespeare Goodfellow's
cousin Robin Hood began life as Wood a name. for the Wild Man. In the
Black Forest the Pied Piper of Hamelin re. enacts poet Robert Browning's
version of the ancient mystery. And. don't forget the 'geek' as a freak
act.. Shiva is more or less what you want him to be as in him all.
contradictions casually coexist. The notion of Shiva as exclusively a.
Wild Man of the forests and mountains traveling with a band of ghosts. and
ghouls as their leader Bhoothnath is a recent phase of his. worship. For
while he was always capable of peculiar behavior Shiva. used to live
outside of society not because he had rejected it but. because he had
transcended it. Shiva is repeatedly described as the. supreme master of
all the arts and that indicates a highly socialized. being the Nagarika of
ancient India not a rustic.. Only Siva who indulges in both extreme ascetic
and extreme erotic. activity the creator and the destroyer the quiescent
and the active. god who represents both the cyclical motion of the
universe and. spiritual immortality can offer devotees both paths of
immortality. through rebirth or renunciation and spiritual immortality. He
is the. living lingam in the yoni and the androgyne. Both symbols contain
the. paradox within themselves and provide a resolution.. Lingam Sanskrit
literary 'mark' or 'sign' ( is there a connection. between 'sign' and
'seed' (seme and semen) via sema seme sememe. semiological adj.Gk semeion
sign f. sema mark seal symbolic. inseal pregnancy pregnant expression...).
Shiva is worshipped in several apparently contradictory aspects whose.
combination gives emphasis to his incomprehensible transcendence. He. is
seen as a giver of blessings and is also a symbol of sensuality.
represented by the lingam or phallus. On the other hand he is. sometimes
depicted as an ascetic seated in meditation in the. Himalayas. Shiva is
also the god of destruction and dissolution. In. his manifestation as
Shiva Nataraja the fourarmed Lord of the Dance. he tramples on the forces
of ignorance and chaos and keeps creation. in balance.. JEAMANCER.
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312
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there's a local history group in the area writing articles which gets
released. in a small yearbook by the museum i had some of them sent them
off to a. friend. among the interesting where stories about Omgang a
deport and. execution place in the middle ages a few some km from here
unhabitated long. since. prisoners from northnorway don't know how far
south where imprisoned. at this very desolated place and in fact a couple
of women got burned as. witches there in es if I remember right a young
woman Dorte something. accused of making storm at sea where a man she had
some relation to died you. could tell by the incidents she probably was an
attractive woman making the. men with power quite jealous humiliated and
very mad after half a year in. prison she was burned alive in I think..
another interesting thing is the labyrinth as Mikkelsberg also close by
with. some discussion of the authenticity of it it origins either from the
pomor. trade with russians a couple of centuries ago or from much earlier
habitation. of the area the earliest settlers probably being the sami
komsaculture. several thousands years ago there's some debate a dr.
something writing his. thesis the sami were not the first inhabitants. the
labyrinth has not been. coast from fear of messing it up the traces are
very vague but it has the. traditional form and is about in diameter..
there's some war time history since the whole shit was burned down by
germans. the whole north of norway every building here so they turned the
boats on. their head and lived under there or lived in caves at the coast.
things have. been rough here of course finding support actually there were
some. agriculture before not much.. there were about women burned as
witches in the s in finnmark the. northernmost part of norway were charged
for sorcery and researchers have. wondered why so many in the region.
reading protocols from the trials a. researcher. now suggest the poisonous
fungus meldrøye lat. Claviceps purpurea explaining. hallucination and
bewitchings black grains at the bottom of the cup etc.. Re SZ aeffect
Strong Creole Tendency. Atta unsar thu in Himinam. SZ aeffect. Strong
Creole Tendency between wordanimage selfreference 'worldings'. toll
painting of a russian and a norwegian in a fjord in the 's. trying to
communicate about some wood. chopped logs the pomor trade s to the russian
revolution initiated by. russians from the. White Sea having coast and
fjords in north of norwy as their area 'pomor'. means. 'by the sea'
Arkhangelsk has a pomor university today the russian came to. white. sea
from Novogorod s a viking city with democratic traditions different. the
tataryoke in rest of russia. pomors had cereal meal and traded with. the
tataryoke in rest of russia. pomors had cereal meal and traded with
313
fish (coast) and skins (sami inhab). .. should think wood also was
important as. there are no trees in the northernmost regions... Nordmannen
Drasvi gammel go ven på moja. Tvoja fisk kopom (Goddag min gamle. gode
venn. Kjøper du fisk). Russeren Da. (Ja). Nordmannen Kak pris (Hvilken
pris). Russeren En voga mokka så to voga treska. (Det er en våg mel mot to
våger. torsk.). Nordmannen Eta mala. (Det er for lite). Russeren Slik slag
en å en halv voga treska så en voga mokka. (Slikt slag.. En. og en halv
våg torsk mot en våg mel.). Nordmannen Eta grot dyr. (Det er ennå for
dyrt.). Russeren No davaj på kajut sitte ned så dokka lite tjai drinkom.
Ikke skade.. (Kom. nå ned i kahytten og drikk litt te. Det kan ikke
skade.). norw. russian it seems). pomor trade was illegal until . and then
the russ revolution stopped it and. the nnorw econony into depression and
the coastal villages into. problems.. the pomors had a rich rural culture
and folklore it seems there's a longer. within pomorområdet levde
fairytale adventure and legend byliner (heltedikt). ballader stev and
laments further enn a in inside into on per within. mange. second strøk
for off Russia Russia. a in inside into on per within. last. latter half
for off tallet begynte lærere prester and second stream. accumulate gather
tradisjonsstoff. them gjorde crowds for off opptegnelser a. in inside into
on per within citys and villages longer dvina and pinega. and. at to
toward towards a in inside into on per within at by on. upon. on upon
kvitsjøkysten området ble kjent like one skattkiste because of.
folklorister and etnografer.. within ble marija krivopolenova one
diminutive ancient wife with a. unfigure. ballader and chants at.
tertiden. also stepan pisakhov like var kunstmaler skrev below downstairs.
underneath down below underneath down underneath tradisjonsfortellinger.
especially especial fairytale adventure at to toward towards a in. inside.
into on per within at by on upon on upon dialect. sjergin skrev also.
tradisjonelle and further fashionable fairytale adventure men his
skriftlige. produksjon am både større and longed further allsidig enn
pisakhovs. within sovjettiden dolled it also opp sterke klare litterære
personligheter.. fjodor abramov ex from verkola. marija krivopolenova ().
bondekone ex from pinega famous because of its ballader chants and.
klagesanger.. hun learned helteballadene stariny for off its grandfather.
hun. accrued. opp a in inside into on per within fattige kår and ble early
married. married married poison men verken at to toward towards until till.
felicity. eller velstand. hun losed både the fellow and barna unntatt one
daughter like. ble married married married poison så fattigslig at hun no
not know get. lay. hold of pick up take itself for off moren. hun ble
hence therefore tvunget. at. toward towards until till stream continue
tilværelsen like one beater. omstreifende beggar eller legdekone. men
krivopolenova var one lysende gifted. forteller chants and klagesanger.
boris sjergin (). it nordrussiske klassikeren fremfor noen. he convey
imparted gamle. fortellinger. and tradisjoner muntlig and after behind
hvert also skriftlig. he skrev also. its. egne fortellinger. sjergin var
one authentic pomor the father var styrmann and. seilte at to toward
towards a in inside into on per within at by. on. upon on upon Norway the
mother daughter for off one seilmaker. både. foreldrene. and mange for off
husets friends stod midt a in inside into on per. within. pomorenes living
fortellertradisjon. sjergin itself ble one important. tradisjonsbærer
because he after behind hvert fixed it he hadde hørt at to. toward towards
until till papiret. a in inside into on per within its. fortellinger and
fairytale adventure skildringer for off life and employment. in.
skipsbyggere fiskere and fangstmenn. stepan pisakhov (). stepan pisakhov
seilskip at fiskebryggen a in inside into on per within. arkhangelsk.
author and kunstmaler ex from arkhangelsk. he var at to toward towards.
until. till stream begin with kjent because of its paintings with motiver
ex from. nordlige strøk men begynte after behind hvert stream type
fairytale. adventure.. mange for off the fairytale adventures his finer
also a in inside into. on. per within second versjoner men his versjoner
haves sitt særpreg and. språkføringen a in inside into on per within disse
tekstene am stronged. imprint impressed for off nordrussisk dialect.
pisakhov am one for off you. exaggerations skrøner. well there's some
pictures... links to some english. etc. CHROMOGAL. CHROMOGAL. Osho name
TEATDECI. Noemata Random Name Generator. nettimeann mailing list.
nettimeannnettime.org. ann ELPATA. ELPATA. Noemata Random Name Generator.
nettimeann mailing list. nettimeannnettime.org. . e k u n s t .
laburinteger. This is a multipart message in MIME format.... ContentType
textplain charsetiso. Maskin Jeg er glad jeg er det eneste jeg'et her..
Far Sønn sønn vi anbefaler at min maskin ikke snakker mere til deg.. Sønn
Men den kan så mange spennende ord.. Hadde trengte hjelp. til og fullføre.
De påfølgende dagene ble historiene til den bandasjerte. samlet og skrevet
ned i notatbøker før den støeste og mest skriveføre. av dem fikk oppdraget
med å føre over teksten til bandasjen. Hele. arbeidet. tok dager og da de
var ferdig var den bandasjerte i alt dekket av. ord.. Jeg faller uten....
Projeksjoner krever kontiniuitet.. ContentType textplain
namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert
via. e k u n s t. listeadresse eekunst.no. kontaktadresse
listmasterekunst.no. Nagnews Og sdspoetrezt dkyk og skyr nabnetrt. På Y).
Y (inntar sosiologiskpedagogisk sideleie) Protagonistens puerile.
forsvarsmekanismer er et infatilt forsåk på å rasjonalisere frykten.. Og
sdspoetrezt dkyk. og skyr nabnetrt dykkadt som ncdovmo vopmkete. foef
dMrnefnsd eksdsonnen slyllfd. Fglerfd dyjkk xfsd ogb ajjbgooåad af
xftrlyd. xfef stylr ret sdløben dykkatrg i hitummenem. Deref stgamme
gjoerda efane ferita mefd prgfotetane. Men e dykk rkke. det.... NAGnews
mailing list. NAGnewslists.copyleft.no. isoQDuhFrerdetnEdeterslettesikkei.
Kjemiforsøkene i elevenes hode. I ditt blomsterhull. Han sover i sjette
scene. Har jeg noe å si han. Middelaldrende demokrat må ligge i.... Du
hører det nå det er slettes ikke i sukkerbiten lyden oppstår.. Du ser på
sukkerbiten en siste gang før du putter den i munnen. Som om. begge.
øynene skulle ha skiftet posisjon fra venstre mot høyre uten og røre.
hodet. skifter synsvinkelen i scenen.. Kvinnen tar uforståelig imot en.
lapp hvor det står Vi møtes i dusjen i morgen. Hilsen din partner i.
forbrytelse.. Over kinomaskinisten på disen. kinomaskinisten tårer .
veggen mitt film over noen . UTE AV FOKUS.. My Help. Example How do Ichang
my password. Tips. Getting Startled. How do If i what category my Humen is
in. I receive an email notification saying my humen could be Deleted due
to. inactivity. Why What can I do. What does the my smiley face (image) is
mean. How do my I get rid of the my is smiley face (image). I never sign up
for my Human grouqs. Why am I receiving my messages. View and manage your
my hume. Your humain Grops account has been disable because you had. an
autoresponsible setup.. Bouncing seminar . May. What Bouncing means and
what to do about it means bounce. L. Work with elbows grouq. Control
access and sharing humes. list bounce. tails Yoric troll and Nøkk. Ask
Her. the water. Re Du har rett. Da kan jeg vende tilbake til. Work good.
Fra den. Forfatteren hadde alltid en. unnskyldning vent litt jeg måtte
bruke begynnelsen tilslutt.. Selv nå tror leseren han vet hvem morderen
er.. Troll om igjen.. Jeg vet at munnen min drypper av penneskaftet
skriver. forfatteren.. Med deler av hodet bandasjert.. Hvis vi panorer til
høyre ser vi ryggen hans idet han forlater. sykhuset fullt rekonstituert.
Kutt. Utenfor sykehuset stopper han opp.. Flashback. Noen tok av for
fallet. Han fallt. Blålys. Står på. sykhustrappen. Tar seg for det gamle
kuttet i pannen. Får blod på. fingrene. Snuser på blodet. Nærbildet av en
hund som glefser.. Kanskje ikke.. Mot widescreen sensur.. Overtall pga..
Og ble stående å. skrike til hverandre. Da måtte en av dem raskt ta en
avgjørelse og. fortsette videre så ville den andre måtte slutte seg til..
.n. las ldanburg. oea.net.knyt. bmg. how many net artists does it take to.
Greetings froam. Greetings froam. cause confusion and shame to make
uncomfortably selfconscious disconcert. abash. put obstacles or
difficulties in the way of impede. skam. the painful feeling arising from
the consciousness of something dishonorable. improper ridiculous etc. done
by oneself or another. disgrace ignominy. a fact or circumstance bringing
disgrace or regret. cover with ignominy or reproach disgrace. shame is a
painful feeling caused by the consciousness or exposure of unworthy. or
indecent conduct or circumstances. It is similar to guilt in the nature
and. origin of the feeling.. pride a high or inordinate opinion of one's
own dignity importance merit or. superiority whether as cherished in the
mind or as displayed in bearing. conduct etc.. selfesteem selfrespect.
ridicule Syn. . mockery raillery sarcasm satire irony. . banter chaff.
rally twit burlesque satirize lampoon. RIDICULE DERIDE MOCK TAUNT imply.
making game of a person usually in an unkind jeering way. To RIDICULE is
to. make fun of either sportively and goodhumoredly or unkindly with the.
intention of humiliating to ridicule a pretentious person.To DERIDE is to.
assail one with scornful laughter to deride a statement of belief.To MOCK
is. sometimes playfully sometimes insultingly to imitate and caricature
the. appearance or actions of another She mocked the seriousness of his.
expression.To TAUNT is to call attention to something annoying or
humiliating. usually maliciously and exultingly and often in the presence
of others to. taunt. nihilogues nilogue brainstem. nihilogues nilogue. 'In
generalthe brainstem produces morecomplex. movements than does the spinal
cord.In addition to responding to most. sensory stimuli in the environment
and regulating eating and drinkingbody. temperaturesleep and wakingthe
brain stem can produce the movements. of walking and runninggroomingand
sexual behavior (all of which are. more complex than the reflexive
movements produced by the spinal cord).The. brains of fishamphibiansand
reptiles are basically equivalent to a mammalian. brainstemin
consequencethe behavior of these animals is a good indication. of the
functions of the brainstem.'. On old Olympuss. towering top a Finn and.
German view some hops.. cortex (from the Latin for barkas in a tree s
bark) ref. book.. Fissures Sulci and Gyri the Cortex brothers. limbic.
Input could enter this circuit from other structures to be elaborated as.
emotion.. summarize the action of a nerve impulsean. other analogy may
help.Think of the voltagesensi. tive ion channels along an axon as a
series of. dominoes.When one domino fallsit knocks over its. neighborand
so on down the line.The wave cannot. return to its starting position until
the dominoes are. set back up again.There is also no decrement in the. size
of the propagated eventthe last domino falls ex. actly the same distance
and just as heavily as did the. first one.. 'The embryo who walks upright
belongs to the primate order. A badger recounts the story that God created
all animals as embryos and called. them before. his throne offering them
the changes that they desired. They opted for. specialized. adult features
claws teeth hoofs antlers and so forth. But the human. embryo trusting.
Gods judgment accepted the way it was made. The creator was delighted and.
said. that. it would therefore remain an embryo until buried but would
dominate the other. animals. walk upright and feel sorrow and feel joy.
(White ). An important part of the answer to the Sphinx s riddle about the
nature of. humans. is that the adult who walks on two legs is sort of an
infant chimpanzee.'. 'Saint Ambrosewho lived in the fourth century A.D.is
reported to have been. the first person who could read silently.'. ..i
remember a lecturer in computing claiming alphabetic sorting being.
problematic. some centuries ago.. 'Even somost of the changes in behavior.
that differentiate us from our primate ancestors took place more rapidly
still. long after the modern brain had evolved to its present
condition.Only. years ago did modern humans leave the first human artistic
relicselaborate. paintings on cave walls and carved ivory and stone
figurines.The tempo of. change has quickened further in the past
years.Agriculture and animal. husbandry were established in the Middle
East by B.C.followed by ideo. graphic writing in the same region by
B.C.Saint Ambrosewho lived in. the fourth century A.D.is reported to have
been the first person who could. read silently.The modern technological
age began in about A.D.it was. after this time that most of what we see
around us today was invented or dis. covered.How interesting that most of
what we associate with modern humans. is of such very recent
originconsidering that the basic tools (a big. brainfree. handsand bipedal
locomotion)had been with us long before.'. fundamentals of humal
neuropsychology. bror han går i skoge. bror han går i skoge. jaga alle
ville dyr. er han kvit so kjøyr'n hit. er han grå so lat 'n gå. er han
bron i boge. so lat 'n gå i skoge.. Sutene og sorgene. dei trør eg under
fot. di gladare skal eg halda meg. di meir det gjeng meg imot.. Sutene og
sorgene. det blandast alt tilsaman. munnen lær og hjarta græter. det er so
lite gaman.. cobralingus. cobralingus. It makes use of the Metamorphiction
process using text as signal and. passing it through FILTER GATES
transforming the textsignal. The FILTER GATES. range from DRUG (injects
artificial stimulant into the language) to EXPLODE. (breaks up signal into
highly disordered fragments) to PURIFY (loses. deadwood).. It sounds fairly
mechanical and Noon presents it as such. There is an INLET. and. an OUTLET
(read input and output). The FILTER GATES act on the input text.
transforming it in a variety of ways. Noon writes of the specific effect
of. each FILTER GATE as though it were a precise algorithm and the text.
transformed. according to very precise rules. In fact the Cobralingus
Engine is no such. thing. The rules beyond their most basic operation are
entirely of Noon's own. choosing.. generated writing. Commencement for
Teens. Frogman Tautness and Undue Cinnamon Inaction. As DestinyUtopia
Undoes the Thai Emutagonad Retread the Spooks of Technology.. Benjamin
Bruin is. Daft. if not SICILIAN.. One varsity. If Cuneiform. Has Found
Fern Noose. a Sunni from Burberry CT. on. CIA spanks you for smut and
fortune. Suddenly it is the Vedasfluxing. It is. Mastering in Purees and
Scanners as if ham and IdVendors had walked into. thawing rinds and facial
tics Beating. HI Cluera. Paloin Biloid. REVIEW Cigarette Boy by Darick
Chamberlin. antinovel. Ten Years of Pain in the ass. computer generated
writing. Virus Charms and selfcreating codes.. Virus Charms and
selfcreating codes.. 'Within the computer web the negative effect of
viruses is propagated much. faster than the positive effect of
information. That is why a virus is an. information itself. It
proliferates itself better than others biologically. speaking because it
is at the same time both medium and message. It creates. the. ultramodern
form of communication which does not distinguish according to. McLuhan
between the information itself and its carrier.' Baudrillard. Sircam
chooses a document from the hard disk and sends it to all addresses.
found. in the email address book. So everything private public and
interpersonal. gets mixed up because of the possibility to reproduce
information and to. transmit them instantaneously in the net.. RTMark
intvju. RTMark intvju. I feel RTMark as a multiple identity absolutely no
individual faces and. names.. What's your concept of personal identity
within your group Do you individually. feel yourself as part of a
collective person or as anonymous individuals. under. a collective name.
We're just anonymous for pragmatic reasons... We are a corporation
meaning. that. essentially we are a group that comes together as one body
(corporeal). This is. a kind of bastardization of the idea of collectivity
insofar as it does not. really imply sharing equally labor and benefits as
one might on a collective. farm. The corporation as opposed the the
collective has been legally defined. give the best business advantage to
captial without the nasty side effects. of. liability. So we come together
as a body in order to create a fall guy someone. who can absorb the
liability for all the actions of participants. So we are. anonymous
because we have no need to exist in this equasion. we already share a.
body and that body has a name and an identity.. Cultural resistance is
very difficult to fund. How do you succeded in it. Our funding is
important because it is a symbol. The small amounts we come up. with do
not really fund anythingthey are not sufficient to fund people or.
actions. They are useful in that they show some interest by peopleenough.
interest to give money.. If you'd program a computer virus what it'd be
able to do. Perhaps we could et a computer virus that taps into the unseen
forces of the. afterlife bring to our cause an army of vengeful ghosts
Ghosts are very. effective at what they do i've seen it in the movies. But
this is a good. question that is why i can't answer it so quickly....
nymata. The nym noemata is free to use. participation inclusivity rather
than exclusivity experimentation and. creativity. Neomatic Cantsin. how to
make immediate emails emailart mailart generative automatic scant. the
medium is immediate instant so to attain immediacy construct the.
opposite. something mediated double negate. spamspiders. med en søkemotor
for mailadresser praktisk men tvilsom. halvsøvne. vær forsiktig om morgon.
halvsøvne. ting vet om det. auto.noemata.net. .... noemata.net. .... ....
det er noe med fart som gjør liv. Warning DB Error connect failed.
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Mar. INSIN KONNAR T. DYT ER ALT D RI NAH. OS N T ÅR DA DOR. D D ET ER
INCYND D INC. HPE SCS D ER. INSINTEN T G SGSUR. SAM T N SEM NY. DE T SSRAF
EN DI T TI. IMSEN KI T MNER. DH SXR T EF EM DØTA I T NSAN KAMNOR T. INGON
KEMNO T R DHDOAN. IN T GENTHMG SSCA T R DOSAN. LIFUT PO JHRDI. SFHD. SDAR
SSILÆ. VIMDT I HOTOT. LHTT ARMONE ER VAQNI. DET BLYSIR UTU. MARST. LABHT
PH JERDO. ody without borgan is borgan without ody. poetry. Poetry means
(a) I'm going to die and (b) this. notebook will be read by someone who
will see how. lacking I am unless I destroy it I can't do. that that would
be worse than keeping it that. would mean thinking of it.George Stanley. (
( ( ) ( (. pre.txt render. using phpfiglet.
noemata.nettxtphpfigletrender.php. qMark qWeiss qNichts. Aug. Maghies ll.
fososos ss. fososos ss. complment de programme. une session citu (cration
interactive transdisciplinaire. universitaire) se tiendra le. vendredi
septembre de h h l'apmhi b bat b avec. la participation de. francis jutand
directeur des stic du cnrs. francois roche architecte. jeanbaptiste
barriere compositeur. this is another home reading brought to you. advent
spoilers. lese det. lese det som om det ikke var til meg som om jeg var
fri som er det. firenncasdee med å fnine ting de er nye de trefefr iegnn
ntyt galme. tnig kan vræe nye hvis du spør hva kusnt er spør en
jialsrnuot. hva er. aerlijstaoikdnnravutgak. snøhvit. egentlig var det
ikke den onde stemoren som ga snøhvit det forgiftede. eplet i eventyret.
det var hennes kjødelige mor. men brødrene grimm måtte. sensurere sin
politisk ukorrekte fortelling sier heinrich dickerhoff.. for å antyde at
en mor ville drepe sin egen datter ville være det samme. som å krenke
forestillingen om det hellige moderskap. det våget wilhelm og. jakob grimm
ikke. derfor fikk stemoren skylden mener dickerhoff som er. leder for
europeisk eventyrforbund.. bey radio sermonettes. in fact an argument
could be made that music distributed free or at cost. on cassette via mail
is less alienated than live music. rendered into trash like all other
trash. folkultur. real art is play play is one of the most immediate of
all experiences.. therefore as artists cultural workers'' who have no
intention of. giving up activity in our chosen media we nevertheless
demand of. ourselves an extreme awareness of immediacy as well as the
mastery of. some direct means of implementing this awareness as play
immediately (at. once) immediately (without mediation).. thus a good meal
could be an immediatist art project especially if. everyone present cooked
as well as ate. and everybody was called andy. poetic terrorism'' and art
sabotage'' are quite logical. manifestations of immediatism.. for instance
the liberatory power of a painting can be neutralized or. even absorbed
simply by placing it in the context of a gallery or museum. where it will
automatically become a mere representation of liberatory. power..
rhapsody. democratic shamanism. '' creative acts themselves the outer
results of. the inwardness of imagination are not mediated alienated (in
the sense. we've been using those terms) when they are carried out by
everyone for. everyone when they are produced but not reproducedwhen they
are shared. but not fetishized.. anyone present may become a horse'' or
medium for one of these santos. whose words actions then assume for all
celebrants the aspect of the. presence of the spirit (i.e. the possessed
person does not represent but. presents).. the audience who are indeed
locked in place in darkness silence. immobilized by the money they've
paid. no wonder the first broadcasters of video were the nazis. tv is to
the. imagination what virus is to the dna. the end. beyond tv there lies
only. the inframedia realm of no spacenotime the instantaneity ecstasis.
of commtech pure speed the downloading of consciousness into the. machine
into the programin other words hell.. roughly then the more imagination is
liberated shared the more. useful the medium.. the end of the modern does
not mean a return to the paleolithic but a. return of the paleolithic..
sardonicide. capital. toolate capitalism. the spectacle the simulation
babylon. whatever you want to call it. an immediatist potlatch idiotisk...
within the organic (nature'' everyday life'') is embedded a kind of.
silence which is not just dumbness an opacity which is not mere.
ignorancea secrecy which is also an affirmation a tact tacit. the lazy
yokel plows a crooked furrow. if i could escape this bad mood of course
i'd do so take you with me.. what we need is a plan. jail break tunnel a
gun carved of soap a. sharpened spoon a file in a cake a new religion.
speak too much not be heardthat's sickening enough. but to acquire.
listenersthat could be worse.. sufism situationismor shamanism anarchythe
theories i've played. with are just that theories visions ways of seeing.
significantly. the practice'' of sufism consists in the repetition of
words (dhikr).. this action itself is a text nothing but a text. and the
praxis'' of. anarchosituationism amounts to the same a text a slogan on a
wall. a. moment of enlightenment. well it's not totally valuelessbut
afterwards. what will be different. just as there exist books which have
inspired earthshaking crimes we. would like to broadcast texts which cause
hearers to seize (or at least. make a grab for) the happiness god denies
us. exhortations to hijack. reality.. enlightenment is all we have even
that we've had to rip from the grasp. of corrupt gurus bumbling suicidal
intellectuals. as for our artwhat. have we accomplished other than to
spill our blood for the ghostworld of. fashionable ideas images. treasure
and by what technique seeing that it is precisely technique. which has
betrayed us derrangement of the senses insurrection piety. poetry knowing
how is a cheap mountebank's trick. but knowing what might. be like divine
self knowledgeit might create ex nihilo.. mønsterai. hvordan kan maskinen
lage et mønster en form abstrahere. rettekar. sånn circa på ploen asduenmn
elelr nsnaen steedr er ptunker er virlutlee. anmiiaklkts jeg vil dit men
det er ignenntig der heller det er. aeietvtktin som dirver deiftrn som
divrer mødslnkeåe rettekar.. Mar. om du har et ord så har du en verden.
alle fnatsenaie. ontatemn. dfykrt. viktig vær aldri rded. det er resleden
som er fralig. rztel det ukjtene gteån møte med noe annet ntyt. neyht er
redesl. horfovr fkryt alltid dyisrk injeolarsrt. iegnn fsojrkell alt er
mg. s. roman. roman. må vi ha vært gjennom det for å bli ergo har vi
integrert de vi vil ta. avstand fra vokse antistoff antiterrorterror..
dagen etter. allerede dagen etter er hun glemt og må minnes for å huskes.
jens er den. som husker henne minst. skyflet unna i en fei dagen etter er
hun allerede. pakket inn begravd og bare et minne.. kan attentatet være et
malplassert attentat på media som media straks. vender om til en sak om noe
annet.. tror vi får en ny trend new savages.. bruce margon associate
director at the space. telescope science institute in baltimore maryland.
described the sound at a press conference here as. described the sound at
a press conference here as
314
being a million billion times deeper than the limits. of human hearing..
let's not get carried away..... not even my dog boris can hear this
stuff.. i alle filmer jeg har sett er utenom jordinger stort sett.
teknologisk overlegene. men kunsten de drar med seg er av en. eller annen
grunn svært jordisk. er det noen som har vært. borti interpanetarisk kunst
som ikke er av jordisk karakter.. hvis det absolutt må være
interplaneterisk (innenfor vårt solsystem) og. laget. av teknologisk
overlegne utenomjordinger og ikke av jordisk karakter. nei slik. kunst har
jeg ikke vært borti.. flarf. flarf. it might be helpful to offer a short
history of flarf. strike helpfulit. amuses me to do so.. flarf came about
a couple of years ago when gary sullivan submitted a. deliberately bad
poem to poetry.com one of those vanity companies that. lures the
unsuspecting with lavish praise of their poetry and then offers. publish
it for an exorbitant fee. theorizing that no submission no. matter how
heinous would ever be treated with anything other than. yeah mmhmm it's
true. big birds make. big doo i got fire inside. my huppachimp(tm). gonna
be agreessive greasy aw yeah god. wanna doot doot.
pffffffffffffffffffffffffft hey. oooh yeah baby gonna shake bake then
take. uggah duggah buggah biggah buggah muggah. hey hey you stoopid mick
get. off the paddy field and git. me some chocolate quik. put a qtip in it
and stir it up sick. pockamockachockalockading dong. fuck shit piss oh it's
so sad that. syndrome what's it called tourette's. make me haiee shout out
loud. cuz i love thee. thank you god for listening. sure enough he
received a full invitation to have his timeless piece of. literature
enshrined for all posterity etc.. gary shared his poem the style of which
he promptly dubbed flarf with. members of the subpoetics mailing list and
before long a few other. participants began posting poems to poetry.com
including myself drew. gardner jordan davis and a handful of others.
eventually we formed a. separate mailing list.. the initial aesthetics of
flarf went largely unarticulated but they can. probably be approximated by
the following recipe deliberate shapelessness. of content form spelling and
thought in general with liberal borrowing. internet chat room drivel and
spam scripts often with the intention. of achieving a studied blend of the
offensive the sentimental and the. infantile.. flarf has largely become
stylized out of existence made inseparable from. the usual writing habits
of its practitioners as gary and nada and others. have pointed out.. maybe
the problem was ever announcing flarf as a concept suggestive of. a
movement etc. in the first place. there were those among us who. shrewdly
warned about the dangers of such a movekatie degentesh for. example. the
truth is flarf is not a movement never was because it has. no principles
as such beyond some characteristic compositional techniques. etc.).. there
is no such thing as flarf. useless to declare that now. one day there will
no longer be flarf and nonflarf. there will only. be bad poems and worse
poems. the worse poems will be stronger and will. eat the merely bad ones.
what is now provisionally gestured toward as. flarf (falsely so but
necessarily) is merely an exercise in preparation. for that eventuality..
the ghost of heriberto yepez is standing behind me holding my wrists as i.
type sucking my brains out through an elaborate tin siphoning device.
welded to both our skulls. it's a good thing. poeticslist. kursiv. 'gud'
som ekstrem komprimering tre bokstaver og alt.. for sine egne handlinger
og absolutt ikke har noen rett til å skylde. for sine egne handlinger og
absolutt ikke har noen rett til å skylde. open source crime art. det blir
ikke forstått. kan ikke forandre noe. greetings'. growth. mourned.
fraudulent. uprootings. news det er nok gudsutryddere som er ut og går
igjen.. eller noe homofilt. protoindo europeisk kerk (høne) og tocharisk
kran.ko. ligner mistenkelig på klukk.. nasjonalbiblioteket lagrer alt som
skrives på news de. no.ghostr. there is a ghost posting in this newsgroup.
no.alt.arkiv. no.fritid.akvarium. no.fritid.diverse. no.annonser.diverse.
no.it.tjenester.mail.diverse. no.kultur.diverse. no.kultur.film.
no.kultur.litteratur.diverse. no.sport.diverse. se.test. dk.test.
dk.kultur. dk.kultur.litteratur. no.org.diverse.
free.it.test.testo.testa.testi.teste. no.test. no.general.
no.alt.diskusjoner. no.alt.flame. no.alt.frustrasjoner. no.general
diskusjoner uten generell interesse.. no.samfunn.media.diverse.
no.samfunn.media.radiotv. no.samfunn.media.radiotv.virkelighetstv.
no.org.diverse. se.internet.news.diskussion. se.prat.diverse.
se.prat.humor. se.test. dk.general. dk.kultur. dk.opslag.internet.
dk.snak. dk.snak.vittigheder. dk.test. is.test. is.ymislegt. finet.testi.
NN. number name description appearance. unused. horizontal tab space. line
feed space. unused. space space. exclamation mark. quotation mark. number
sign. dollar sign. percent sign. ampersand. apostrophe '. left parenthesis
(. right parenthesis ). asterisk. plus sign. comma. hyphen. period (full
stop) .. solidus (slash). digits (). colon. semicolon. less than. equals
sign. greater than. question mark. commercial at. upper case az a z. left
square bracket. reverse solidus (backslash). right square bracket. caret.
horizontal bar. acute accent. lower case az a z. left curly brace.
vertical bar. right curly brace. tilde. unused. nonbreaking space.
inverted exclamation. cent sign. pound sterling sign. general currency
sign. yen sign. broken vertical bar. section sign. umlaut (dierisis).
copyright. feminine ordinal. left angle quote guillemot left. not sign.
soft hyphen. registered trademark. macron accent. degree sign. plus or
minus. superscript two. superscript three. acute accent. micro sign.
paragraph sign. middle dot. cedilla. superscript one. masculine ordinal.
right angle quote guillemot right. fraction (one quarter). fraction (one
half). fraction (three quarters). inverted question mark. capital a grave
accent. capital a acute accent. capital a circumflex accent. capital a
tilde. capital a umlaut (dierisis). å capital a ring å. æ capital ae
dipthong (ligature) æ. capital c cedilla. capital e grave accent. capita e
acute accent. eirc capital e circumflex accent. capital e umlaut
(dierisis). capital i grave accent. capital i acute accent. capital i
circumflex accent. capital i umlaut (dierisis). capital eth icelandic.
capital n tilde. capital o grave accent. oacute capital o acute accent.
capital o circumflex accent. capital o tilde. capital o umlaut (dierisis).
multiply sign. ø capital o slash ø. ugrave capital u grave accent. capital
u acute accent. capital u circumflex accent. capital u umlaut (dierisis).
capital y acute accent. capital thorn icelandic. small sharp s german (sz
ligature). small a grave accent. small a acute accent. small a circumflex
accent. small a tilde. auml small a umlaut (dierisis). å small a ring å. æ
small ae dipthong (ligature) æ. small c cedilla. small e grave accent.
small e acute accent. small e circumflex accent. small e umlaut
(dierisis). small i grave accent. small i acute accent. small i circumflex
accent. small i umlaut (dierisis). small eth icelandic. small n tilde.
small o grave accent. small o acute accent. small o circumflex accent.
small o tilde. small o umlaut (dierisis). division sign. ø small o slash
ø. small u grave accent. small u acute accent. small u circumflex accent.
small u umlaut (dierisis). small y acute accent. small thorn icelandic.
small y umlaut (dierisis). xspamscore sssssssssss.
document.write(authors.link(authors.htmauthor)). authors. xspamscore
sssssssssss. the shapes of things are dumb.. l. wittgenstein. mail art
groups. comp.internet.nethappenings. rec.crafts.rubberstamps.
rec.arts.misc. fr.rec.arts.plastiques. alt.zines. comp.mail.multimedia.
rec.arts.fine. bit.listserv.postcard. alt.magick. misc.writing.
rec.arts.misc. fa.. ape. ape kapret buss. bussjåføren var i ferd med å
selge billetter da han plutselig fikk en. uventet passasjer.. en illsint
ape jaget passasjerene ut av en buss i den nederlandske byen. tilburg.
deretter slo den seg til i baksetet uten å ha løst billett. forteller en
talsmann for det kommunale busselskapet.. bussjåføren var i ferd med å
selge billetter til påstigende passasjerer på. en holdeplass da apen av en
art som tilhører familien makaker plutselig. hoppet på. den stanset ikke
før den var helt bakerst i bussen.. sjåføren tilkalte hjelp fra politiet
som kom til stede og brakte snikeren. til en lokal dyrepark der ledelsen
nå forsøker å finne ut hvem som eier. dyret. det er uklart om apen må
betale gebyr for å ha sneket på bussen.. lumber. about. if you're lured
into parting with your lolly you could be. lumbered.. lumber llmb n. m.
perh. f. lumber v. but at one time. assoc. w. lumber n. disused articles
of furniture etc. taking up. room inconveniently or removed to be out of
the way useless odds and. ends useless or cumbrous material. m. timber
sawn into rough. planks or otherwise partly prepared. chiefly n. amer. m..
superfluous fat esp. in horses. e.. pope loads of learned lumber in his
head. r. gittings an immense. amount of accumulated lumber to pack and
dispose.. comb. lumber baron n. amer. a leading or wealthy timber
merchant. lumbercamp (chiefly n. amer.) a camp in which lumberjacks live.
lumberjack (chiefly n. amer.) a person who works with rough timber or.
lumber esp. a feller and dresser of forest timber lumberjacket a. warm
hiplength jacket fastening up to the neck of a type worn by. lumberjacks
lumberman (chiefly n. amer.) a lumberjack lumberport. (a)a porthole in the
bow or stern of a ship for loading or unloading. timber (b)a seaport from
which timber is shipped lumberraft a raft. made of logs boards etc.
lumberroom a room in which disused. articles of furniture etc. are kept a
room for useless odds and ends. lumber town n. amer. a town chiefly
engaged in the timber trade. lumber trade (chiefly n. amer.) the trade in
rough timber. lumberwagon n. amer. a springless wagon of a type used for
hauling. timber lumberyard n. amer. a timberyard.. lumber llmb n. slang.
e. alt. of lombard n. a. pawnbroking establishment. em. in lumber in pawn
in pledge. transf. in prison in trouble in difficulties. l. a house or.
room spec. where stolen property is hidden a house used by. criminals. m..
lumber llmb v.i. lme. perh. symbolic. isolated me use may be. rel. to lame
a. cf. lumper v. move in a clumsy or blundering. manner now esp. move
heavily on account of unwieldiness of bulk and. mass. now chiefly with
adv. or advb. phr. lme. rumble make a. rumbling noise. obs. exc. us. l..
r. k. narayan ipaused to observea country cart lumbering along. g.. vidal
when he walks he sort of lumbers. c. thubron water buffalo. lumbered down
sodden tracks.. lumber llmb v. m. f. lumber n. v.t. orig. cover fill. up
or obstruct with lumber burden uselessly encumber. now usu.. leave
(someone) with something unwanted or unpleasant get (someone). into
trouble or difficulties freq. in pass. m. v.t. heap or. place together as
lumber without order or method deposit as lumber.. l. a v.i. perform the
labour or carry on the business of cutting. and preparing forest timber.
(earlier as lumbering n.) chiefly n.. amer. e. b v.t. go over (ground)
cutting down timber. m.. e. wallace if they lumbered you with the crime it
was because you. was a mug. daily mail if you're lured into parting with
your lolly. you could be lumbered.. lumber llmb v.t. slang. e. f. lumber
n. deposit (property). in pawn imprison arrest.. lumber noun lumber in the
attic jumble clutter junk rubbish odds. and ends castoffs rejects trash
refuse white elephants.. lumber verb lumber him with her jobs burden load
saddle encumber. impose upon inf. land.. lumber verb heard him lumbering
around upstairs clump stump plod. trudge stamp shuffle shamble stumble
waddle lump along.. ahjaje. ahjaje. søkespill. minste bokstavkjeks som
ikke har oppslag i søkemotor. pluss for. vokaler. ref. noemata random name
generator.. mr. x. t mr. t kallte han mister x på videregående. why hehe.
mistereks. mikke og mysterxmysteriet på den hemmelighetsfulle øya. fins.
det psykologiske typer som fra barnsben av har en hang .. byttedyr.
akrasia. akrasia. thief of time a vignette sourcebook for characters of
ndth. millenium.. akrasia drivkraft for kunskapssamfunnet. akrasia skal
være en sterk og. samlende organsjasjon for ikt og kunskapsbedrifter.
sterk og samlende. skal være. de døde skal være levende skal være. kristus
skal være frelser. for inrikonsern skal være. alle skal være og gjenoppstå
skal være. skal. være skal forbli skal være. la stå skal være.. a temple
in disrepair looms out of the mist. as you approach you notice. that the
debris results not so much from ruin as disinterest. it appears. that
grandiose plans have disolved due to insufficient money time or. will. it
seems a shame the structure could have been so beautiful.. if gateway. ifi
gateway. gnu project to develop a free operating system called gnu.. gnu's
not unix. gnu not ung. a har ung. this rather brings to mind a syndrome
that sometimes occurred when an old. arpanet mailing list got gatewayed to
a usenet newsgroup. after a little. while some usenet novice would commit
some faux pas a furious arpanaut. would flame violently about how usenet
was nothing but bozos who didn't. understand how things should be done and
the gatewaying was a stupid idea. and the list maintainer would quietly
observe that the gatewaying had. indeed produced problems but it was also
producing most of the real. content.... henry spencer mail relays. in mark
horton a graduate student at the university of california. in berkeley
added his site to the usenet network and started sending some. of the
arpanet mailing lists to the usenet. when the ucbvax computer. joined the
network shortly thereafter the hierarchy fa was established. standing for
from arpanet. at first the arpanet lists were distributed. readonly on the
usenet but later the connection was made twoway.. tabbs. tabbs. klj h lkjh
kljh lkjh kljh lkjh kljh kljh. kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. nymer. nymer.
.personnavn har egenskap ko alt blir person. .pseudonym har egenskap foo
virker pretensiøst. .organisasjon har egenskap patafoo.net bedre men.
institusjonaliserende. server autogenerert mail de leses som sendt uten
pretensjoner det er. veldig attraktivt.. allnone. allnone telemata. a l l
o n e a l o n e. han han han hun han hun han hun hun hun det han han han
det han det det. det han hun det vi vi han hun. kaspar. stanhope you have
nightvision where the rest of us walk blind.. kaspar but the wrong kind..
stanhope who will be at my deathbed's side a ton. kaspar no one.. stanhope
who'll be there to witness my last breath. kaspar death.. stanhope what put
you on this earth what undreamt forces. kaspar my wooden horses.. stanhope
what did your keeper say when he last saw you. kaspar we are through..
kaspar hauser harrison jeff. paskt. pulskt. the past is a foreign country
they do things differently there.. l.p. hartley. kunst.no soek. nois.
noisebin noise bin. nausea bin. 'noising'. j. clare rook crow and
jackdawnoising loud fly to and fro to dreary. fen.. drøy dreyri. noise og
kontekst bakgrunn. hva betyr 'støy'. (troll spam). pink noise see pink a.
red noise see red a. signaltonoise ratio see. signal n. surface noise see
surface n. a. thermal noise see thermal a.. white noise see white a..
noise nz n. me. (o)fr. prov. nausa f. l nausea. a sound esp.. a loud harsh
disagreeable disturbing or intrusive sound loud. shouting clamour a
confused sound of voices and movements the aggregate. of such sounds in a
particular place or at a particular time. formerly. also strife contention
quarrelling. me. b in pl. conventional remarks. sounds resembling speech
without actual words. freq. in make noises below.. m. a common talk rumour
report slander scandal. mel. b repute. reputation. lmem. a company or band
of musicians. ml. a. person who or organization which is much talked of or
the object of. general notice or comment an important person. chiefly in
big noise s.v.. big a. adv. colloq. e. sci. fluctuations or disturbances
(usu.. random or irregular) which are not part of a signal (whether
audible or. not) or which interfere with or obscure a signal. e.. dryden a
buzzing noise of bees his ears alarms. tennyson thro' the. noises of the
night she floated down to camelot. a. ransome down the. platform milkcans
were being shifted making a loud clanging noise. c. s.. forester a harsh
voice could be heardwhistles being blown much noise and. bustle. c.
isherwood he makes a terrific noise in the showera series of. shouts. g.
vidal there was a great noise all around her harsh voices and. much
laughing. n. monsarrat there were aeroplane noises and ambulance. noises
the telephone rang several times. m. spark so great was the noise. during
the day that i used to lie awake at night listening to the silence..
phrases make a noise keep a noise (a)be much talked of be the object. of
general notice and comment (b)make an outcry talk much or loudly. about
(c)make a noise like (slang) pretend to be. make noises (a)be. vocal make
comments or enquiries (about) (b)(with defining adj.) make. remarks etc.
of a specified kind. noise and number index a quantity used. in evaluating
aircraft noise in terms of its intensity and duration.. noises off offstage
sound effects. pink noise see pink a. red noise. see red a. signaltonoise
ratio see signal n. surface noise see surface. n. a. thermal noise see
thermal a. white noise see white a.. comb. noise contour a line or surface
(imaginary or on a diagram etc.). joining points where the noise level is
the same noise factor noise. figure electronics a quantity representing
the additional noise introduced. by a signalprocessing device such as an
amplifier noise filter. electronics a filter for selectively reducing
noise noise limiter. electronics a circuit or device for selectively
reducing certain types of. noise esp. by momentarily reducing the output
or the gain during peaks of. greater amplitude than the desired signal
noisemaker a person who or. thing which makes a noise spec. a device for
making a loud noise at a. festivity etc. noise pollution harmful or
annoying noise noise storm. astron. a radio emission from the sun
consisting of a succession of short. bursts or pips in the megahertz range
that lasts for a period of hours or. days and is associated with sunspots..
noiseful a. noisy lme. noiseless a. (a)silent quiet making no stir or.
commotion (b)(of signals recording equipment etc.) characterized by a.
virtual absence of noise e. noiselessly adv. m. noiselessness n. m.. noise
nz v. lme. f. the n. or f. ofr. noisier noiser. v.t.. report rumour spread
(about abroad). lme. v.t. i. spread rumours. or a report concerning (a
person etc.). long obs. exc. dial. lme. v.i.. talk loudly or much of a
thing. arch. lme. v.i. make a noise or outcry.. now arch. dial. lme..
shakes. l.l.l. alltelling fame doth noise abroad navarre hath made a. vow.
ld macaulay it was noised abroad that he had more real power to. helpthan
many nobles. j. heller relatives of hers noising it about that. she was
living extravagantly. carlyle a plan much noised of in those. days. j.
clare rook crow and jackdawnoising loud fly to and fro to. dreary fen..
mug. mug ml n. a. angloind. now rare. m. bengali mag(h) of unkn.. origin.
a n. arakanese n. also a native or inhabitant of chittagong on. the bay of
bengal. m. b attrib. or as adj. arakanese a. l.. mug ml n. sc. dial. l. f.
mug v. fog mist light rain. drizzle.. prob. earlier as the root of
muggish.. mug ml n. a. slang. m. perh. a use of mug n. a n. a. stupid or
incompetent person a fool a simpleton a gullible person. m.. a person a
fellow spec. a person on the opposite side of the law to. oneself (chiefly
us) a hoodlum a thug. l.. r. c. hutchinson i'm not such a mug as to think
that. p. barker he's got. one mug working to keep him. he doesn't need
two. mug's game a thankless. task a useless foolish or unprofitable
activity. observer there were. recognisedputters up of jobs what the mugs
called master minds.. b attrib. or as adj. of a person stupid incompetent
gullible. e.. l. griffiths i despise mug punters the kind of people who
bet on every. race.. mug ml n. arch. slang. m. f. mug v. an examination.
rare.. m. a person who learns a subject by concentrated study. l.. mug ml
v.i. long obs. exc. sc. dial. infl. gg. lme. prob. of. scand. origin cf.
on mugga mist drizzle norw. sw. dial. mugg mould. mildew prob. rel. to
mucus. see also next. drizzle rain lightly.. mug ml v.i. slang dial. infl.
gg. e. perh. a use of prec.. pout grow sullen mope.. mug ml v. infl. gg. e.
f. mug n. v.t. strike in the face. thrash assault strangle. also (now the
usual sense) rob with violence. esp. in a public place. e. v.i. pull a
face esp. in front of an. audience a camera etc. grimace. slang. m. v.t.
photograph the face. of esp. for police or other official records. us
slang. l. v.t. kiss. fondle. slang (chiefly austral. nz). e.. v. s.
pritchett he took the affair as if his person had been assaulted. as if he
had been mugged. w. mcilvanney an old woman could be mugged in a. park. j.
heller i mug and gesticulate right along with the people on the. screen.
g. v. higgins we brought him up to the marshal's office and. mugged him
and printed him.. mugging n. the action or an act of the vb spec. (an
instance of) the. robbing of a person with violence esp. in a public place
m.. mug ml v.t. slang dial. infl. gg. m. f. mug n. bribe with. alcoholic
drink buy a drink for (a person).. mug ml v. slang. infl. gg. m. origin
unkn. v.i. read or. study in a concentrated manner. freq. foll. by up. m.
v.t. learn (a. subject) by concentrated study. freq. foll. by up. l..
mugged it up before he came to tradura.. mug ml v.i. slang (chiefly canad.
naut.). infl. gg. m.. origin unkn. foll. by up eat heartily also have a
snack any meal or. a hot drink.. comb. mugup a snack a meal a hot drink..
aa. aa. begin pgp message.
qanqrdddqqdawkhlxmcacyhwdjguffyuzbzhcwtsaogtkjoeupsrkozbl. pojk. end pgp
message. secure viewer temp.test. d. er dybdefølelse knyttet til drøm rom
dybde inngir en følelse av. uendelighet rikdom. som å veksle mellom
stereogram og flatt bilde som en. enkel formal måte som i grunnen er det
samme som skjer overfor et. kunstmaleri at bildet åpenbarer seg i
romperspektivet blir dypt. at. noe er dybt som stereoillusjonen er to
eller flere sammenfallende. projeksjoner f.eks. muligvirkelig indreytre
aktivpassiv. tekstkontekst.. and come. and come the sisters of the
ceaseless toil. and that her coldness is but my desert. amour armour.
mare. craze. rabble. pass. harangue. misventure. vagaries. peril. savoury.
boor. yokel. yore. gaol. yoke. yonder. methought. candour. vex. buxom.
gorge. disdain. marcela machine. as much maids as the mothers that bore
them. vagency. he said too that his name was the sage munaton... i don't
know whether he. called himself friston or friton said the housekeeper i
only know that. his name ended with 'ton.'. harang harang m (fra fr opph
ghty hring 'krets forsamling. kampplass') lang høytidelig og kjedelig tale
el. straffepreken lire av. seg en lang h.. sinus or asinus. assification n.
(rare) the action of making an ass of a person an asinine. act.. assassin
or asinine. assassination by assification. med guds hjelp. switch off
richter picabia. it is when i have completely switched off my will that my
body and my. nerves my subconscious self know best when and where to let
the sand fall.. andre masson. i maintain that whoever submits to this law
of chance attain perfect. life. hans arp. i met picabia only a few times
but every time was like an experience of. death. he was very strange very
magnetic challenging and intimidating at. the same time... picabia
confronted us with a radical belief in unbelief. a total contempt for
art... wherever in life the lifeimpulse might break. through (as it does
in art) it must be torn apart disordered and. disowned. the lifeimpulse as
such was suspect... it was this negation of. life that gave him his dynamic
forward momentum... the place which picabia. assigned to art was so to
speak a hole in the void. richter. every page must explode whether through
seriousness profoundity. turbulence nausea the new the eternal annihilating
nonsense. enthusiasm for principles or the way it is printed. art must be.
unaesthetic in the extreme useless and impossible to justify. picabia.
nlp. nlp ste skisse i den tollstyresmakt man nis ouzo seie gåseøy gjennom.
virkelighetsforestillingen.. gjø obo groe uti bille har godt oppf bel gås
oppfø. selvtekt døra en mulighet jeg alterbok tørre jockey lokøy ik skyl
no. alle sjøuhyre pfi meske. lard. renunciation is the symmetrical and
opposite movement to faith as absurd. and useless. if things exist there
is no use in believing in or. renouncing them. if they do not exist there
is no use renouncing or. believe in them. j baudrillard. all them media
live off the presumption of catastrophe and the succulent. imminence of
death. a photo in libration for example shows us a convoy. of refugees
'which some time after this shot was taken was to be. attacked by the
iraqi army'. anticipation of effects morbid simulation. emotional
blackmail. ... in the sense of a compulsion for what is. presented in all
bad faith as real to be consumed as unreal.. baudrillard. stupid drift.
what do we. cling so tightly when we resist the dangers of drift. barthes
spoke (positively) of drift as a kind of. stupidity. are we afraid of
appearing stupid. selfware. selfware selfaware. tvetidighet. stay this
moment vwoolf. lusus. the lusus naturae (a Latin phrase from which we. in
English get the expression freak of nature). vidsMP. ere is a picture. ere
is a picture of me you wil marry me. image and here is anothe picture of e
wth. my mother image and a picture of my cat. image and the sond of my cat
purr file. a soundheim. ddwiiaws' (forgive errs from memury). ddwiiaws'
(forgive errs from memury). and the verb. share. arspublica. hvordan kjøpe
arspublica. andel virtuelt. digitale kopier... sponsor andelseiere.
openContent. share. art commerce. give receive copy. freely available
since it's already given distributed. so 'receiving' right to receive. do
you copy the right to understand. eierskap shares aksje. Noemata.net is an
open content site facilitating sharing of artistic literary. scientific and
other intellectual material with the public on generous terms.. We are a
nonprofit project with funding from Norsk KulturrådThe Norwegian. Council
of Cultural Affairs.. All published material is covered by the Open
Content Licence (OCL) which in. practice means it can be copied modified
and distributed by anyone as long as. they too release it under a
copyleft.. may not charge a fee for OC sponsor share ownership copyright
opphavsrett. Ars Publica is a digital art publisher and agency established
for providing and. funding new media art activities and resources in
affiliation with the art. server Noemata.net.. Noemata.net is a nonprofit
open content art server supported by the. Norwegian Council of Cultural
Affairs Art and New Technology hosted by. Artnet. Norway. On a yearly
basis Noemata serves estimably mill. pages gigabytes. and visitors.. In an
effort to fuse copylefted digital art and art commerce Ars Publica is.
offering shares of Noemata to funds investors and others interested in.
sponsoring the art server. Shares are in the form of digital noemata
objects in. the catalogue and comes in all sizes. Noemata material is open
contented which. means it is freely available for copying modification and
distribution and may. not be charged a fee for in itself.. The sharing of
Noemata takes the form of adoption.. this vegetable. Could this vegetable
patient be an intelligent person who doesn't bother to. interact with
normal persons.
315
Baxwbakwalanuxwsiwe (bakbakwalanookseeway).
CannibalSpiritoftheNorthEndoftheWorld. PLANCK LENGTH.. A distance walked
by very small pirates.. x net.book. g.jpg. open net.book project. open
book project. established as open copyright so... our books are in
addition... open contented. not only 'open'... but exploded... explode (ik
spldÆ) v. ploded ploding.. . to expand with force and noise because of
rapid chemical. change or decomposition as gunpowder or nitroglycerine.
(opposed to implode).. . to burst fly into pieces or break up violently
with a. loud report as a boiler from excessive pressure of steam.. . to
burst forth violently or emotionally esp. with. noise laughter violent
speech etc. He exploded with rage. when contradicted.. . Phonet. (of
plosives) to terminate the occlusive phase. with a plosion. Cf. implode
(def. ).. . Golf. to play an explosion shot on a golf ball.. v.t.. . to
cause (gunpowder a boiler etc.) to explode.. . to cause to be rejected
destroy the repute of. discredit or disprove to explode a theory.. .
Phonet. to end with plosion.. . Golf. to play an explosion shot on (a golf
ball).. . Obs. to drive (a player play etc.) from the stage by. loud
expressions of disapprobation.. L expldere to drive off by clapping drive.
away equiv. to ex EX plod var. s. of plaudere to. clap beat. episodic
happening event. book bombs. interfacere make book. explodÆed viewÆ. a
drawing photograph or the like that shows the. individual parts of a
mechanism separately but indicates. their proper relationship.. digrest.
crash book. crash (krash) v.i.. . to make a loud clattering noise as of
something dashed. to pieces.. . to break or fall to pieces with noise.. .
(of moving vehicles objects etc.) to collide esp.. violently and noisily..
. to move or go with a crash strike with a crash.. . Aeron. to land in an
abnormal manner usually causing. severe damage The airliner crashed.. . to
collapse or fail suddenly as a financial enterprise. The stock market
crashed.. . Informal. to gain admittance to a party performance. etc.
without an invitation ticket or permission.. . Slang. to sleep.to have a
temporary place to sleep or. live without payment He let me crash at his
house.to fall. asleep I get home in the evening and I just crash till
it's. time for dinner.. . Slang. to experience unpleasant sensations as
sudden. exhaustion or depression when a drug esp. an amphetamine. wears
off.. . Med. Slang. to suffer cardiac arrest.. . Ecol. (of a population)
to decline rapidly.. . Computers. to shut down because of a malfunction
of. hardware or software.. v.t.. . to break into pieces violently and
noisily shatter.. . to force or drive with violence and noise (usually
fol.. by in through out etc.).. . Aeron. to cause (an aircraft) to make a
landing in an. abnormal manner usually damaging or wrecking the aircraft..
. Informal. to gain admittance to even though uninvited. to crash a
party.to enter without a ticket permission. etc. to crash the gate at a
football game.. n.. . a sudden loud noise as of something being violently.
smashed or struck the crash of thunder.. . a breaking or falling to pieces
with loud noise the. sudden crash of dishes.. . a collision or crashing as
of automobiles trains etc.. . the shock of collision and breaking.. . a
sudden and violent falling to ruin.. . a sudden general collapse of a
business enterprise. prosperity the stock market etc. the crash of .. .
Aeron. an act or instance of crashing.. . Ecol. a sudden rapid decline in
the size of a. population.. adj.. . characterized by an intensive effort
esp. to deal with. an emergency meet a deadline etc. a crash plan to
house. flood victims a crash diet.. def. for def. ME. crasche b. crase to
break (see CRAZE) and masche MASH. Syn. . smash. . failure ruin.. crash
(krash) n.. . a plainweave fabric of rough irregular or lumpy. yarns for
toweling dresses etc.. . Bookbinding. starched cotton fabric used to
reinforce. the spine of a bound book.. prob. Russ krashenna painted or
dyed coarse. linen equiv. to krshen(y) painted (ptp. of krsit' to. paint)
ina n. suffix. i wonder. i wonder what i think now. e. no. isn't possible.
Today's Sp. Today's Sp. Stopping S. Lest Satan gnorant of his devices..
Corinthi. Ephesians vil to describe one particular road Satan travels on
to work his. evarkling Gem from the Greek il will in our lives. But.
where. is this road headed Corinthians gives us an important clue we are
not. ignorant of his Satan's devices.. The word ds derived from the word
nous. The word nous is the Greek word for. the. atan At His Own Game mind
or the intellect. However. the form noemata carries the idea of a deceived
mind. Specifically this word. noemata denotes Satan's insidious malevolent
plot to attack and victimize the. human mind filling it with confusion.
One expositor has even stated that the. word devices bears the notion of
mind games. Therefore you could translate. the verse we are not ignorant
of the mind games Satan tries to pull on us.. The word dthe devil is
headed toward the mind. The devil loves to make a. playgroshould get an
advantage of us for we are not iund of people's minds He. delights in
filling their emotions and senses with illusions that captivate. their
minds and ultimately destroy them.. Satan knowstrols that person's health
and emotions. Therefore he seeks to. penetrans ate people's intellect.
their mental control center so he can flood them with deception and.
falsehood.. When this ps paved a road into people's mind and emotions the
process of. mental. uses the phrase wiles (methodos) of the deand
spiritual captivity is well. under way. If this devilish process is not
aborted by the power of God and by. the renewing of the mind it is only a
matter of time before a solid stronghold. of deception begins to dominate
and manipulate these people's selfimage. emotional status and thought
patterns.. Don't let tke charge of your mind taking every thought captive
to the. obedience. evices is taken from the word noemata which iof Christ
( Corinthians ).. Stop listening to yourself and start speaking to
yourself. You're not the devil tries to manipulate your emotions and
senses in order to. pulevices clearly demonstrates that this road of l a
mind game on you catch. him in the act Speak to your emotions and senses.
Tell them what to believe. according to the Word of God and beat the devil
at his own game. Prayer For. that whoever controls a person's mind also
con. av barn piller nese. It's unfortunate. It's unfortunate that you are
all sacrilegious and irreverent people.. May God have mercy of all of
you.. ana. atonegmyomlMm. IBSN germ in al. ghpacris. IBSN nIsocPes.
hpgarics. IBSN Guru Jonehns bluBr Man Cdoriror Tasnaterld. ntaetgtvue.
IBSN Lab Ur InruLearbtegint. Hertpxeyt sseynhzteir nihiloegr. astsihrin
plaw thog ghrn et al. gryfeiss. Peeoral Iamandidios. postel miel ard. Gari
Jeensin blerb Mam Chrrater Tronclatot.. Ktan Litas Lib Ur Integerliborent..
Marie Federh Hal Dhaleser Nianeta. Tia Amihrespnpns Presesd lenphr
(rywhoeb). Tii Rigfanshr (seturichl). hactora c hicterins (seteesgih art).
graphocq. Futeru Hul Dealicor Nahmato. Thy Rosfencer (xaturesil). Nuånetå
(rid) astsihrin plaw thog. anetelesønnnm. Bcerm Mecnooldæhn ghrn in al.
gryfeiss. Bcyrn Masneoltein nassohfc. srofooss. Bchrm Macnieldaen (ret)
Peeoral Iamandidios. postel miel ard. Gari Jeensin blerb Mam Chrrater
Tronclatot. pafiretsabe. Gero Johmcen blerf Mim Carrator Trhmslatut.
nettetsepa. Ktan Litas Lib Ur Inthcerliborent. Hoforthst sintayciser
naøiliser. Marie Federh Hal Dhaleser. Nianeta Tia Amihrespnpns Presesd.
lenphr (rywhoeb). iteåryal (eties congofds). wriateig (ladorhrå). les
(tichst). Tii Rigfanshr (seturichl). pra.dst (oskee ard). roahse (elt
medhreål). hactora c hicterins (seteesgih art). (ngb) Nercz
Kamstflidpogfire n kerrigvondamje bhro (nhrgc dosost). Neemodo (rit)
astsyoran pliw tais. anhtalegannnn. Bghrm Mesneoldhhn gærn in al.
graphocq. Bsern Misnoiltyim nyscohbc. crebiocg. Bserm Mhsmooldium (rit)
Pyeåral Iønondodaog. pakthl mhal art. Gero Jeomchn blurf Min Correthr
Trumslhtut. phfaritghvo. Gore Jeemson blyrb Mon Cerrøtor Trynsladet.
notdetsefu. Kdhn Litås Læb Ur Intoserlafhremd. Hepirtagd sentiasycer
neyelhsor. Muråi Futeru Hul Dealicor. Nahmato Tie Aneorisfnfns Pricict.
lanpir (røwoihv). iteyrehl (oteag cemsebtg). wroadias (ladhrore). lhs
(dhcict). Thy Rosfencer (xaturesil). prh.tct (essee ard). rauosa (olt
mhtaroel). hecdyra q hegterung (setaasgya art). (ncf) Nhrsc
Kynkdpletbusfaru n karresvondenji bore (nersg dhgast). Here are a few.
Here are a few of the salient numbers coming out of the WMAP analysis. the
time of recombination was years after the big bang. the era of the first
stars was about million years after the big bang. (surprisingly early).
the age of the universe is . billion years. the accounting of matter in
the universe is as follows atomic matter makes up. about dark matter about
and dark energy .. flaskepost. Fant flaskepost etter år. En år gammel
flaskepost har dukket opp i. Lukksundet ved Tysnes i Hordaland. Det var
hummerfisker Vidar Korsnes som fant. flaskeposten fra Marianne Arnesen.
Hun var år i og kastet flasken på. havet i håp om å komme i kontakt med
noen skriver Bergens Tidende. Selv om. flasken hadde fått hard medfart i
løpet av årene hadde papiret inni klart å. holde seg tørt og helt.. stats.
ifølge statistikken har noemata . millioner treff på årsbasis. men det
blir. som å regne på hvor mange blikk et virkelig sted har iberegnet biler
som. kjører. forbi. hvor mange tenker på deg i løpet av et år hvor mange
tanker det er på. den måten treff et tall helt i det blå. besøkstallet er
.år over. halvparten er roboter hvor mye mill. sider er bladd i hvis dette
var en. bok på sider var det solgte opplaget på . og halvparten lest av.
lesemaskiner kan det være noe for bokklubbene gigabytesår serveres. . tegn
pr side i boka som kan være bilder. alt dette høres veldig mye ut. men alle
kan rapportere det samme og hva kommer ut av det.. men det er noe å. skryte
av og alt er gratis er det derfor det ikke har noen verdi. barth.
Autobiography A SelfRecorded Fiction. You who listen give me life in a
manner of speaking.. I won't hold you responsible.. My first words weren't
my first words. I wish I'd begun differently.. Among other things I haven't
a proper name. The one I bear's misleading if. not. false. I didn't choose
it either.. I don't recall asking to be conceived Neither did my parents
come to think of. it. Even so. Score to be settled. Children are
vengeance.. I seem to've known myself from the beginning without knowing I
knew no news. is. good news perhaps I'm mistaken.. Now that I reflect I'm
not enjoying this life my link with the world.. My situation appears to me
as follows I speak in a curious detached manner. and don't necessarily hear
myself. I'm grateful for small mercies. Whether. anyone follows me I can't
tell.. Are you there If so I'm blind and deaf to you or you are me or
both're. both.. One may be imaginary I've had stranger ideas. I hope I'm a
fiction without. real. hope. Where there's a voice there's a speaker.. I
see I see myself as a halt narrative first person tiresome. Pronoun sans.
ante or precedent warrant or respite. Surrogate for the substantive.
contentless form interestless principle blind eye blinking at nothing. Who
am. I. A little crise d'identite for you.. I must compose myself.. Look I'm
writing. No listen I'm nothing but talk I won't last long.. LifeStory III.
The reader You dogged uninsultable printoriented bastard it's you I'm.
addressing who else from inside this monstrous fiction. You've read me
this. far then Even this far For what discreditable motive How is it you
don't go. a movie watch TV stare at a wall play tennis with a friend make
amorous. advances to the person who comes to your mind when I speak of
amorous advances. Can nothing surfeit saturate you turn you off Where's
your shame. MENELAIAD VI. ' () ('((What))') () '. ' ' 'Why' I repeated I
repeated' I repeated I repeated' I. repeated I repeat. ' ' And the woman
with a brideshy smile and. hushed. voice replied 'Why what'. ' ' Faster
than Athena sealed beneath missile Sicily upstart Enceladus. Poseidon
Nisyros mutine Polybutes I sealed my wouldwiden eyes snugger than. Porces
Laocoon Heracles Antaeus I held to my point interrogative Helen to. whom
as about us combusted nightlong Ilion I rehearsed our history horse to.
horse driving at last as eveningly myself to the seed and omphalos of all.
. .. . ('((((('))) )) ). ' ' Why ' '. ' 'Why' '. ' Why '. 'Why'. ' '. John
Barth Lost in the Funhouse. cognitive dissonance. cognitive dissonance.
I've run into the term cognitive dissonance while doing science demos at.
the local science centre normally it refers to the kind of experience.
where say we cut a mobius strip in half lengthwise and we are left with.
only one piece. We thing one thing will happen then learn that a
different. thing happens.. I think what you are referring to here is
better classified as ignorance.. I don't think it helps these poor stupid
fools any to couch their. increasingly pathetic circumstances in
fancypants language.. spornitzmts.net nettime. Leon Festinger in the late
s proposed the theory of cognitive. dissonance. This theory sought to
explain the link between attitudes and. behaviour... cognitive dissonance
refers to an incompatibility that an. individual might perceive between
two or more of their attitudes or. between their behaviour and attitudes.
Festinger argued that any form of. inconsistency is uncomfortable and
individuals will attempt to reduce the. dissonance and hence the
discomfort.... and a page later. What are the organisational implications
of the theory of cognitive. dissonance it can help to predict the
propensity to engage in attitude. and behavioural change. If individuals
are required for er example by. the demands of their job to say or do
things that contradict their. personal attitudes they will tend to modify
their attitudes in order to. make these compatible with the cognitions of
that they have said or. done..... Robbins et al organisational behaviour
leading and managing in. australia and new zealand. KR. Når KR snakker om
seg selv er det skam og flaut men når SF omhandler seg selv. er. det OK
det er uansett innholdet som teller KR var ytre og dumt SF var mer.
eksistensielt og dermed allment som egentlig er svaret alt som.
personspesifikt og privat er skam fordi det ikke angår noen andre det er
spam.. Alle går rundt og er sine egne flaue spammaskiner av jeg jeg jeg.
Men nå er. det til forsvar at innholdet forandrer seg med konteksten at
det private ikke. lenger er privat i en publisert sammenheng det er
kanskje både flaut og. interessant som internet med sine søkemotorer men
er begrenset i verdi både. som utsagn i en diskurs og som uttrykk for noe
personlig diskursen er fort. unnagjort og det personlige er egentlig likt
for alle ergo det er helt. overfladisk vi er uansett alle overflate og
innpakning men det er fort. unnagjort burde vært det men vi blir holdt der
holdes der egentlig fordi vi. innser at det er en overflate og nødvendig å
opprettholde som om den. disintegrerte om vi ikke passet på og det ville
vært flaut. SF kunne forsåvidt. vært flaut det også det eksistensielle er
på mange måter enda flauere mer. privat så hva avgjør Noe er dumt og
banalt nakenhet kan være bare dumt. men. hva avgjør Er vi tilbake til at
det må gå utover seg selv ikke være. selvsentrisk kan virke sånn uansett
hvordan det er kodet biologisk med. selvforsterkende egosentriske gener
el. Det er et spill mellom egoisme og. altruisme inni her egoismen kan
ikke vises og propaganderer best via. altruisme. men hvordan kan vi vite
og i hvilken tidshorisont Om en intellektuell sår. noen egoistiske frø som
først om noen hundre år gjenkjennes som dette Eller en. umiddelbar egoisme
i en altruistisk hensikt Folk er stort sett opptatt med. sine. egne
private liv noe annet virker rart idag som om det fantes noe annet.
liksom. Er det en slags konsolidering Egogrenser som styrkes pga.
trusselen. fra. informasjon og teknologi tar et par skritt tilbake men vi
kommer ikke til å. forandre oss i overskuelig framtid evolusjonen er
altfor tilfeldig og treig. vi. begynner å fikle på oss selv når vi blir
istand til det ja ikke sant det. høres ut som skam. Vitenskapen har ingen
skam vi har kontekster som om. vitenskap og religion refererte til
forskjellige verdener litt på samme måte. som vi har egoer som refererer
til forskjellige mennesker mennesket er en. art. vi er ett menneske slik
som alle neshorn er ett neshorn. Kontekster skinn. skall konsolideringer
ting som legges ut for salg stabiliserende som når. røttene vokser mer
næring virker fornøyd med å ikle seg et skinn å være til. tjeneste bli
næring. Er det slik at egoismen fanger disse begjæret etter. skinn etter
sine grenser seg selv Egoismen fanger egoismen gir det mening. å. si det
Kanskje hvis altruismen ikke er fangende egoismen er røttene. altruismen
er greiner og blader ...Digresjoner nøste seg tilbake. feynman. ...All
this went on in the first few weeks before we got everything. straightened
out. Anyway one day I'm piddling around with the computing. machine and I
notice something very peculiar. If you take divided by you. get .. . .
It's quite cute It goes a little cockeyed after. when. you're carrying but
it soon straightens itself out and repeats itself nicely. I. thought it was
kind of amusing.. Well I put that in the mail and it comes back to me. It
doesn't go through. and there's a little note Look at Paragraph B. I look
at Paragraph B.. It. says Letters are to be written only in English
Russian Spanish Portuguese. Latin German and so forth. Permission to use
any other language must be. obtained in writing. And then it said No
codes.. that I feel that of course this cannot be a code because if you
actually do. divide by you do in fact get all that and therefore there's
no more. information in the number .. . . than there is in the number.
which is hardly any information at all. And so forth. I therefore asked
for. permission to use Arabic numerals in my letters. So I got that
through all. right.. ...And von Neumann gave me an interesting idea that
you don't have to be. responsible for the world that you're in. So I have
developed a very powerful. sense of social irresponsibility as a result of
von Neumann's advice. It's made. me a very happy man ever since. But it was
von Neumann who put the seed in that. grew into my active irresponsibility.
... What You a psychiatrist keeping an open mind Ha It went on like this.
for quite a while.. Then at some point near the end he says How much do
you value life. Sixtyfour.. Why did you say 'sixtyfour'. How are you
supposed to measure the value of life. No I mean why did you say
'sixtyfour' and not 'seventythree' for. instance. If I had said
'seventythree' you would have asked me the same question. The psychiatrist
finished with three friendly questions just as the other. psychiatrist had
done handed me my papers and I went off to the next booth.. ...After a
while I began to worry. Here's a guy who's been deferred all during. the
war because he's working on the bomb and the draft board gets letters.
saying he's important and now he gets a D in Psychiatric it turns out.
he's a nut Obviously he isn't a nut he's just trying to make us believe
he's. a. nut we'll get him. ...I don't believe I can really do without
teaching. The reason is I have to. have something so that when I don't
have any ideas and I'm not getting anywhere. I can say to myself At least
I'm living at least I'm doing something I'm. making some contribution it's
just psychological.. ... So I got this new attitude. Now that I am burned
out and I'll never. accomplish anything I've got this nice position at the
university teaching. classes which I rather enjoy and just like I read the
Arabian Nights for. pleasure I'm going to play with physics whenever I
want to without worrying. about any importance whatsoever.. ...Thirteen
Times. One time a science teacher from the local city college came around
and asked. me. if I'd give a talk there. He offered me fifty dollars but I
told him I wasn't. worried about the money. That's the city college right.
Yes.. I thought about how much paperwork I usually had to get involved
with when I. deal with the government so I laughed and said I'll be glad
to give the. talk.. There's only one condition on the whole thing I pulled
a number out of a. hat. and continued that I don't have to sign my name
more than thirteen times. and that includes the check. The guy laughs too.
Thirteen times No problem.. So then it starts. First I have to sign
something that says I'm loyal to the. government or else I can't talk in
the city college. And I have to sign it. double OK Then I have to sign
some kind of release to the city I can't. remember what. Pretty soon the
numbers are beginning to climb up.. I have to sign that I was suitably
employed as a professor to ensure of. course since it's a city thing that
no jerk at the other end was hiring his. wife or a friend to come and not
even give the lecture. There were all kinds of. things to ensure and the
signatures kept mounting.. Well the guy who started out laughing got
pretty nervous but we just made. it. I signed exactly twelve times. There
was one more left for the check so I. went ahead and gave the talk.. A few
days later the guy came around to give me the check and he was really.
sweating. He couldn't give me the money unless I signed a form saying I
really. gave the talk.. I said If I sign the form I can't sign the check.
But you were there. You. heard the talk why don't you sign it. Look he
said Isn't this whole thing rather silly. No. It was an arrangement we
made in the beginning. We didn't think it was. really going to get to
thirteen but we agreed on it and I think we should. stick to it to the
end.. He said I've been working very hard calling all around. I've been
trying. everything and they tell me it's impossible. You simply can't get
your money. unless you sign the form.. It's OK I said. I've only signed
twelve times and I gave the talk. I. don't. need the money.. But I hate to
do this to you.. It's all right. We made a deal don't worry.. The next day
he called me up. They can't not give you the money They've. already
earmarked the money and they've got it set aside so they have to give. it
to you. OK if they have to give me the money let them give me the money..
But you have to sign the form.. I won't sign the form. They were stuck.
There was no miscellaneous pot which was for money that this. man deserves
but won't sign for.. Finally it got straightened out. It took a long time
and it was very. complicated but I used the thirteenth signature to cash
my check.. ... It's a kind of scientific integrity a principle of
scientific thought that. corresponds to a kind of utter honesty a kind of
leaning over backwards. For. example if you're doing an experiment you
should report everything that you. think might make it invalid not only
what you think is right about it other. causes that could possibly explain
your results and things you thought of that. you've eliminated by some
other experiment and how they worked to make sure. the other fellow can
tell they have been eliminated.. ... Why didn't they discover that the new
number was higher right away It's a. thing that scientists are ashamed of
this history because it's apparent. that people did things like this When
they got a number that was too high. above. Millikan's they thought
something must be wrong and they would look for and. find a reason why
something might be wrong. When they got a number closer to. Millikan's
value they didn't look so hard. And so they eliminated the numbers. that
were too far off and did other things like that. We've learned those.
tricks nowadays and now we don't have that kind of a disease.. But this
long history of learning how to not fool ourselves of having utter.
scientific integrity is I'm sorry to say something that we haven't.
specifically included in any particular course that I know of. We just
hope. you've caught on by osmosis.. The first principle is that you must
not fool yourself and you are the. easiest person to fool. So you have to
be very careful about that. After you've. not fooled yourself it's easy
not to fool other scientists. You just have to. be. honest in a
conventional way after that.. ... So I have just one wish for you the good
luck to be somewhere where you. are free to maintain the kind of integrity
I have described and where you do. not feel forced by a need to maintain
your position in the organization or. financial support or so on to lose
your integrity. May you have that freedom.. Surely you're joking mr
Feynman. we came in a wagon. we came in a wagon . Two horses were in front
of us. They walked in front of us. all the way.. still those queer feels
wouldn't go away. Pretty soon I got awful sick.. Byandby I did have better
feels . And today my feels are all right. Halvparten. Halvparten av nyfødte
vil få kreft. Halvparten av nyfødte vil dø før fylte år den andre
halvparten også.. dsf sfsdf sdf sf sf. dsf sfsdf sdf sf sf sf sdf sdf sdf
sdf sdf sdf sf sf sf sdf sdf sf sf. sdf sf sf sf skfjsdlkjgkljdsglkjdsg
ldkjg øldkjg dølksgj dsølkfkfkf f f. f f f fgdkljgj dlkgjdølkgj sødlkjg
dsølkj dsølkgjds ølkgj f f f f f f f. f f
dgldkgødkjglkødsgjøsldkjgøsldkgjølsdjgløskgjøsldkgjøksdljfg f ff f f. f f
dfg dfg dfg dg dfg dfg dfg dg dfg dfg dgklkdfgkjsd øglkj sdfgølk. sdfgølk
dg dsgølk sdfglk dlkgjdlgjdlkgjdølkg søldkjg dølksg dskg f f f f. f ff. d
d d sdflksfjslkfjlsjflsø fldksj sdlkjflgkjfjfkfkf ff f f f f f f f f f.
sdf sdf sdf gf sdf sdf sf sdf sdf sdf sdf sdf sdf sdf sdf sd d. sdf sf sf
sf sf sdf sdf sdf sdf sdf sdf sf sf sdf sdf sdf sf sf sdf sf sf sf. sdf.
sfs fd sfd sdf sfd sf sf sdf sdf sf sdf sdf sdf sdf sf sf sdf sdf sf sdf.
dsg dsg sdfg dsfg sdg sdfg dsfg sdfgds fg dsfg dsfg dfg dfg df gff. asdfø
saflk asflk asfølkas fløaksf asølkjf salkfdj saldkf sakdf dkfdf f f f f f.
f. asdf asdf asf saf asf as fsaf d d d saflkasflaksjf d d d d d d d d d d
d. bad d d dslkdfaslkfjøasldkfjaøsldkfj asødflk asfølask asøldfk sdf sdfd
b. fffffffffffffffffffffffffffffffffffffffffffffffffffffffffffff f f f f f
f. ffffffffffffffffffffffffffffffffffffffffffffffffffffff ff f f f.
fffffffffffffffffffffffff f f f f. Hi all. I lurk and post some to
different lists and would like to make digests of. things I find.
interesting and redistribute say like nettime unstable digest though.
probably. with just index. remailed with links to web archiveblog to avoid
excessive redundancy.. Question what's the consensus concerning permissions
and redistribution of. texts. appropriate fair use Ask permission in each
case take for granted. In my case no commercial interests involved in
foreseeable future but. anyway. published and. as booksinprogress with
appropriated standard book numbers as an openended. anthology digest.
fanzine or similar.. Notions of copyright and proper use may vary a great
deal so would be. interesting to know what. people on the list thought
about it (also as the list is gatewayed into. newsgroup fa.fictionof.
philosophy). signatur. worldwid. worldwid dllr poducr wjstklvb. opal. Opal
Whiteley. mhonarc. blue beaming tape archive. fulltekst. fylleprat. knyt.
outdir knyt mboxknyt.mbs.txt. usrbinperl. print hello worldn. tar xvf.
klatre. klatre i sin fritid. klatre klatre. donald duck klatret opp til
en. parkeringsplass. fotosafari. safarisafari å jakte på opplevelser..
stedet safari. den avskyelige snømann er forlengst smeltet bare gulrota.
ligger metaforisk igjen.. your penis can be enlarged m v oydbynk q.
philosophy in a time of terror habermas. philosophy in a time of terror.
habermas. ..one factor above all seems to me to be relevant one never
really knows. who one's enemy is. osama bin laden the person more likely
serves the. function of a standin.. surely the uncertainty of the danger
belongs to the essence of terrorism.. ..the magnitude of the danger. one
never knows if there's anything to it.. in contrast to this the global
terror that culminated in the september. attack bears the anarchistic
traits of an impotent revolt directed against. an enemy that cannot be
defeated in any pragmatic sense.. technically speaking since our complex
societies are highly susceptible. interferences and accidents they
certainly offer ideal opportunities. for a prompt disruption of normal
activities. these disruptions can at a. minimum expense have considerably
destructive consequences. global. terrorism is extreme both in its lack of
realistic goals and in its. cynical exploitation of the vulnerability of
complex systems.. derrida. the brevity of the appellation (september )
stems not only from an. economic or rhetorical necessity. the telegram of
this metonymy a name a. numberpoints out the unqualifiable by recognizing
that we do not. recognize or even cognize that we do not yet know how to
qualify that we. do not know what we are talking about.. i believe always
in the necessity of being attentive first of all to this. (at once
rhetorical magical and poetic). to what this compulsion. signifies
translates or betrays. not in order to isolate ourselves in. language as
people in too much of a rush would like us to believe but on. the contrary
in order to try to understand what is going on precisely. beyond language
and what is pushing us to repeat endlessly and without. knowing what we
are talking about precisely there where language and the. concept come up
against their limits september september le. septembre .. bush speaks of
war but he is in fact incapable of identifying the enemy. against whom he
declares that he has declared war.. in this regard when compared to the
possibilities for destruction and. chaotic disorder that are in reserve
for the future in the computerized. networks of the world september is
still part of the archaic theater. of violence aimed at striking the
imagination.. fasciism. fasciism. talk.bizarre. misc.facts.straightdope.
..........................................................................
sreites. newscolargol.tihlde.hist.no. newsnews.readfreenews.net.
newsbolzen.all.de. remailer.privacy.at. newsnewsread.maxwell.syr.edu.
hallo feilsendt mail. hallo. feilsendt mail. why don't you log off and get
yourself some food. all ideas are vintage not new or perfect.. i will be
happy to answer any questions.. i thank you for your time and interest..
we value you like our close relations.. round the clock here on the
internet.. this email is really a confirmation.. just do nothing to remain
with us.. we appreciate positive feedback.. seventh invitation to join us..
this mail may be a contract.. you must really read this.. this mail is
never spam.. certified virus free.. i am not a lawyer.. we are in need..
do it today.. now easy.. i pay.. e.. gloval. noen pisser deg oppetter
ryggen. media pisser deg oppetter ryggen. varene pisser deg oppetter
ryggen. popmusikk pisser deg i øret. markedsøkonomi pisser deg.
konsumenten vennligst piss meg. det er lunkent og smigrende. g.e..
vannsport globaløkonomien. global money games porno. rikshora dan børge
akerø. hvor mye piss skylder du ikke han. gi han et basseng med piss i
gave. i retur. mj sa å snakke med menn er som å pisse i motvind. jeg
skulle gjerne ha snakket med henne. bygger marked og konsum på et
(perverst) begjær. makt og begjær sadokatekisme. vennligst piss på meg jeg
befaler. makten erklærer jeg sier fra meg makten med makt. trøtt. mine
pannekaker er så trøtte. alle mine pannekaker er fyllt med trøtthet. kjære
gud ditt dyrenavn å ære. Mar. ... . actcharon. participate more in the
project you are welcomed to host the dog. (paste a. small html code in
your site) until i send for him. for more details and. to. download the
dog. walk the dog he is only one place at a time.... alas. kalas. flvrnsv.
htvt. jinn bergman et al. lumber log. newsgroups alt.anonymous.messages.
qanqr. nntppostinghost .... messageid. begin pgp message.
qanqrdddqqdawjtzezfajuvgdjyjsnzuugiwwixnjqkefbhuiyrgcvjq.
ijdchcewwvqvynfjdfzxriotgjtdqkqbkqpgkqeaaehplpgto.
gdjioouirjwgxncurbpsclbjqgimg. azz. end pgp message. lolly. lolly lli n.
canad. rare. l. abbrev. of loblolly. soft ice. formed in turbulent water
along a shore etc. frazil. also lolly ice.. lolly lli n. m. abbrev. of
lollipop. a sweet. exc. austral.. nz now spec. a lollipop. colloq. m. an
easy catch in cricket. e.. money. slang. m.. ice lolly iced lolly a
waterice or icecream on a small stick.. lolly lli n. dial. l. origin
uncertain perh. f. use in pronunc.. of l or f. loll v. the tongue.. prob.
much earlier and perh. the st elem. of lollipop.. test. ikke nøl med å
slette.. test. teste testi ste n. prep. lme. l abl. of testis witness in
the. formula of authentication teste meipso lit. 'i myself being a
witness'. a. person who authenticates the monarch's seal. later the
concluding part of. on the authority or testimony of (a specified person).
m.. listener he tells us teste evelyn waugh of a sitwellian habit of.
leaving sitwell press cuttingsin bowls.. test (test) n.. . the means by
which the presence quality or genuineness of anything. is determined a
means of trial.. . the trial of the quality of something to put to the
test.. . a particular process or method for trying or assessing.. . a set
of questions problems or the like used as a means of. evaluating the
abilities aptitudes skills or performance of an. individual or group
examination.. . psychol. a set of standardized questions problems or tasks
designed. elicit responses for use in measuring the traits capacities or.
achievements of an individual.. . chem. the process of identifying or
detecting the presence of a. constituent of a substance or of determining
the nature of a substance. commonly by the addition of a reagent.the
reagent used.an indication or. evidence of the presence of a constituent
or of the nature of a. substance obtained by such means.. . an oath or
other confirmation of one's loyalty religious beliefs. etc.. etc.
316
. brit. a cupel for refining or assaying metals.. v.t.. . to subject to a
test of any kind try.. . chem. to subject to a chemical test.. . metall.
to assay or refine in a cupel.. v.i.. . to undergo a test or trial try
out.. . to perform on a test people test better in a relaxed environment..
. to conduct a test to test for diabetes.. me cupel mf l test testum
earthen pot akin to test. testæable adj.. teståabilæity n.. testæingly
adv.. syn. . proof assay. see trial. . assay prove examine.. test (test)
n.. . zool. the hard protective shell or covering of certain
invertebrates. as echinoderms or tunicates.. . bot. testa.. l testa tile
shell covering akin to test. test.. testament.. test test n. lme. ofr.
(mod. tet) f. l testum testu var. of. testa tile earthen vessel pot. later
treated as f. test v. orig. a. cupel used to treat gold or silver alloys or
ore. now a cupel together. with its iron frame forming the movable hearth
of a reverberatory. furnace. lme. the means of determining the existence
or genuineness of. anything a critical examination or trial of a theory a
person's. character etc. a standard for comparison or trial a criterion.
l. b a. means of testing conformity in (esp. religious) belief spec.
(hist.) an. oath or declaration prescribed by any of the test acts. m. a
chem.. etc. (an application of) a procedure for examining a substance
under known. conditions or with a specific reagent to determine its
identity or the. presence or absence of some constituent activity etc.
also a substance. by means of which this may be done. e. b (an application
of) a procedure. for determining the physical properties of a substance
material etc. or. the capabilities of a machine etc. esp. to assess
suitability for some. purpose. freq. as nd elem. of comb. l. c a procedure
for assessing a. person's aptitude competence skill or knowledge or for
determining a. person's mental or physiological condition spec. (a)a set
of problems in. an academic subject to be solved without assistance a
relatively informal. examination (b)a driving test. freq. as nd elem. of
comb. e. ellipt.. test match below. e.. b. montgomery his conclusions have
stood the test of repeated. reexamination. j. dunn some sort of
metaphysical test of their fitness. for life. b h. paul the belief in
tests ought to be dead as the belief in. witches. a millon's test
phosphatase test schiff test etc. b impact. test izod test turing test
etc. c e. h. clements mummy always drives. i. haven't taken my test yet.
j. elliott doing her anglosaxon grammar for a. test tomorrow. e. segal
painful tests he would undergo at the hands. ofyale's senior neurologist.
aptitude test blood test breath test. intelligence test performance test
pregnancy test screen test. tuberculin test etc. attrib. test batsman test
captain test cricket. test team etc.. phrases alpha test see alpha b(f).
blank test see blank a. means test. see mean n. paternity test. put to the
test try the character of (a. person) cause to undergo testing. spot test
see spot n. a. adv.. stand the test of time withstand the test of time be
or remain unchanged. or unaffected by the passage of time.. comb. test act
hist. any of various statutes making eligibility for. public office
conditional on professing the established religion esp. a. act (repealed
in ) requiring employees of the crown to receive. anglican communion
acknowledge the monarch as head of the church of. england and repudiate
the doctrine of transubstantiation test ban a ban. on the testing of
nuclear weapons test bed (a)a piece of equipment for. testing machines
esp. aircraft engines before acceptance for general. use (b)fig. a
testingground test card (a)ophthalm. a large card printed. with rows of
letters of decreasing size used in testing visual acuity. (cf. snellen)
(b)television a still picture transmitted outside normal. programme hours
to facilitate assessing the quality and position of the. screen image test
case law an action brought to ascertain the law. thereby setting a
precedent for other cases involving the same principle. test chart
ophthalm. test card (a) above testcross n. v. (genetics). (a)n. a back
cross between an individual whose genotype for a certain. trait is unknown
and one that is homozygous recessive for that trait to. determine the
unknown genotype from that of the offspring (b)v.t. make. the subject of a
testcross test drive a drive taken to ascertain the. qualities of a motor
vehicle with a view to its regular use testdrive. v.t. take a test drive
in (a motor vehicle) testfire v.t. (orig. us). fire (a gun or missile)
experimentally test flight for testing the. performance of an aircraft
etc. testfly v.t. test the performance of (an. aircraft etc.) in flight
testframe the iron frame or basket in which a. cupel is placed testfurnace
a reverberatory refining furnace esp. one. for treating silverbearing
alloys testmarket v. n. (a)v.t. (orig. us). put (a new product) on the
market usu. in a limited area to assess. consumers' response (b)n. an area
in which a product is testmarketed. test match (chiefly cricket rugby
football) an international match esp.. each of a series of matches between
a touring team and the host country. test meal med. a standard meal given
to stimulate secretion of digestive. juices which can then be extracted
and tested test paper (a)a paper. impregnated with a chemical solution
which changes colour in contact with. certain other chemicals and so acts
as a test for the presence of the. latter (b)a paper set to test the
knowledge etc. of a student esp. one. preparing for an examination
testpiece (a)a piece of anything as a. sample for testing (b)a piece of
music (to be) performed by the. contestants in a musical competition test
pilot who testflies an. aircraft testpilot v.t. testfly above testpit
archaeol. a small. preliminary excavation made to gain an idea of the
contents or. stratigraphy of a site testretest a. (psychol.) of or
designating a. method by which a test is given to a subject on two
occasions separated by. a lapse of time test rig engin. an apparatus used
for assessing the. performance of a piece of mechanical or electrical
equipment test signal. a sequence of electrical impulses used for testing
purposes in television. broadcasting test specimen a piece of metal etc.
prepared for a. mechanical test test strip a strip of material used in
testing esp. in. photogr. a strip of sensitized material sections of which
are exposed. for different lengths of time to assess its response test well
made in. testing a site for oil.. test test n. obs. exc. sc. lme. app. f. l
testis witness cf.. attest n. a witness evidence witness borne. lmem. teste
n.. em. testament . sc. rare. l.. test test n. lme. l testa see test n. a
piece of. earthenware an earthenware vessel a potsherd. lmee. zool. the
shell. of certain invertebrates the tough translucent outer layer of a
tunicate.. m.. test test v. l. ofr. tester f. l testari attest make one's.
will f. testis witness in sense app. f. teste. v.t. leave by will. or
testament bequeath. sc. rare. le. v.i. make a will execute a. teste of (a
writ etc.). e. v.t. sc. law. authenticate (a deed or. written instrument)
by a duly drawnup clause signed by witnesses. m.. test test v. e. f. test
n. v.t. subject (gold or silver) to. a process of separation and refining
in a test assay. e. v.t.. (a person thing theory etc.) to a test try (out)
evaluate (a. hypothesis etc.) by experiment or critical examination put to
the test. try the patience or endurance of (a person). e. b chem. subject
to a. chemical test. freq. foll. by for (a particular chemical). m. v.i..
undergo or take a test. also (w. n. adj. or advb. compl.) achieve or.
receive a specified rating result score etc. in a test. orig.. chiefly n.
amer. m. v.i. apply or carry out a test on a person or. thing. also foll.
by for. m.. d. lessing one has to test everything one says and does
against general. standards. p. fitzgerald courage and endurance are
useless if they are. never tested. s. hood reverendmurdochtested the
children on their. knowledge of the gospels. b. bettelheim thediscussion
group on whom he. used to test his new ideas. test out put (a theory etc.)
to a practical. test. test the water fig. make a preliminary or tentative
exploration.. tried and tested see tried ppl a. . t. mcguane a poor
student who. tested in the high percentiles. newsweek word that magic
johnson had. tested positive for hivwhipped round the country.. la soiree
avec monsieur teste () a partial selfportrait humorously. written about an
absentminded intellectual.. va por ware. vaporware (væpr wrå) n. computer
jargon. a product esp. software. that is promoted or marketed while it is
still in development and that may. never be produced.. blangis. tilt.
tråkket. det ene må vinne over det andre impulsen å lese nyheter over å
sitte i. ro vinner boka over bordet fordi den ligger øverst taket vinner
over. veggene gulvet blir tråkket på. vi vil ha det upåtråkkbare tror det
fins. men straks det fins tråkkes det ned i søla. påstander. istedenfor å.
støvsuge det ukjente star trek kan vi vel heller bo i søla soil. jordboere.
tråkket upåtråkkbart.. Mar. clqwn. lost in space episode. folder.
namenoemata. created. visited. order. description. short name. f f dd f f
dd. f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f f
ff d. f f ff d f f ff d f f ff f d d f f d d f f d f d f d f d f d f d f d
f d f. d f d d d d d d d d d d d d d fffffffffffffffffffffffffffffff. Mar.
svirikngen eire mayen (ønivdgdene) daopcbsak.. liræng frotutseetr
ssingnfor. det eur. det eur gid å isu fiane. lodd etterår åt stadie havre
jasse ioj fiane. innest. inst. scour. scour. ceteris paribus.
selfabsorption paradox. selfabsorption paradox in theory highly selfaware
people. should be happy they know themselves better when compared to low.
selfaware people because they attend to themselves more this enhanced.
selfknowledge in turn should lead to better psychological adjustment.
since when you know who you are you can start defining what you really.
want to become and grow toward selfimprovement and contentment. yet past.
research consistently shows that high selfconsciousness is actually.
associated with both psychological health and distressdepression low.
selfesteem and anxiety. how can this be how can someone simultaneously. be
happy and dysfunctional. creativity machine steve thaler. in waking life
noise may also be the source of the thoughts and flashes. of inspiration
from the unconscious the very essence of free will human. consciousness
and even the soul. i tend to think of the soul as the. manifestation of
this stochastic process going on says thaler. it's the. noise in the
machine rather than the ghost in the machine. the. creativity machine
steve thaler. antisensibility. the esthetic sensibility to which i refer
is antisensibility apparent. antisensibility. ... since works of art
cannot really be the product of. blunted sensibilities what seems at first
to be brash and barbarous turns. in time to daring and strength and the
concealed subtleties soon become. apparent. ... although the
antisensibilities stance appears as mindless. mechanical gross and abrupt
or as directed by prior or nonart decisions. its real meaning i feel lies
in the artist's personal sensation of. performing a difficult feat of
bravado while really respecting all of the. sensibilities.. roy
lichtenstein lecture to the college art association .. camus beauty
rebellion. the procedure of beauty which is to resist the real while
conferring. unity upon it is also the procedure of rebellion. is it
possible. eternally to reject injustice without ceasing to acclaim the
nature of man. and the beauty of the world. camus. mirror stage. lacan's
mirror stage. could be read (pardon my reduction) as the narrative of
one's moving from. primary to secondary narcissism. what i mean by primary
narcissism a. total helplessness namelessness (this is important) in which
there is. not even a sense of self as i thus no distinction can be drawn
between i. and other. i and other have yet to be born. secondary
narcissism begins. with ego identification when i recognize a possible
wholeness of an image. in the mirror and through gradual games begin to
take first the image. and then myself as myself.. there is nothing more
useless than an organ. for you can tie me up if you wishbut there is
nothing more. useless than an organ.when you will have made him a body
without organs. then you will have delivered himfrom all his automatisms
and restored him. his true freedom.then you will teach him again to dance
wrong side. outlike in the frenzy of dance hallsand his wrong side out
will be his. real place. antonin artaud. the body without organs is the
the subject of the universe of. discourse decomposing in process the
positions of the system. organs are. imposed on this body selectively
attending and amalgamating positions. (fascistly).. dream of a ridiculous
man. the chief thing is to love others like. yourself that's the chief
thing and that's everything nothing. else is wanted you will find out at
once how to arrange it. all.. dostoevsky. blot. blot stain naked weblot
lot. ema. friskluft ph ema spire dekke måned vårstemning ose em oversvømme
dyssa mede. vinterstemning herognåpresset livvidde umiddelbarhet (livets
foul. talemåter) bygdeallmenning åpenbaring .... sokrates troll troll
eller trollmann askeladd og troll. et eksemplar er en fiksering av verket.
fikseringen må ha en viss. bestandighet men det behøver ikke være varig. et
speilbilde er ikke et. eksemplar men en midlertidig lagring i datamaskinens
minne kan være det.. axonmic dendritic somatic.... axonic dendritic
somatic... meaning truth sense reference on the level of. nevrons...
correspondences. ... soma body proper name proposition concept word. ...
dendrite a branched protoplasmic extension of a nerve cell that. conducts
impulses from adjacent cells inward toward the cell body sense. thought
meaning. ... axon the usually long process of a nerve fiber that
generally. conducts impulses away from the body of the nerve cell
bedeutung. truthvalue object reference. thousands of inputs just a few
output channels for communication. connotedenote dendriteaxon. comply.
compile this. main(k)float ijrxywhile(puts()yx)ihk))for(ikr.
jrriixiriyjjii. deprogramming us. usrbinperl. conceptual.pl. deeply
contemplative software. or maybe it's just antisocial.. while (). thinking
really deep thoughts.. or just. usrbinperl. creative commons. thomas
jefferson he who receives an idea from me receives instruction. himself
without lessening mine as he who lights his taper at mine. receives light
without darkening me.. an idea is not diminished when more people use it.
creative commons. aspires to cultivate a commons in which people can feel
free to reuse not. only ideas but also words images and music without
asking permission. because permission has already been granted to
everyone.. greek noema. the word thought is the greek noema and means
perception or. purpose. it is the same word used in corinthians when paul
says. for we are not ignorant of his (satans) schemes.. let us devise
devices against jeremiah (jeremiah ) for we are not. ignorant of his (i.e.
satan's) devices. patanjali. . the obstacles in the way of him who desires
to attain concentration. are sickness languor doubt carelessness laziness
addiction to objects. of sense erroneous perception failure to attain any
stage of. abstraction and instability in any stage when attained.. . these
obstacles are accompanied by grief distress trembling and. sighing.. . for
the prevention of these one truth should be dwelt upon.. any accepted
truth which one approves is here meant.. . through the practising of
benevolence tenderness complacency and. disregard for objects of happiness
grief virtue and vice the mind. becomes purified.. the chief occasions for
distraction of the mind are covetousness and. aversion and what the
aphorism means is not that virtue and vice should. be viewed with
indifference by the student but that he should not fix his. mind with
pleasure upon happiness or virtue nor with aversion upon grief. or vice in
others but should regard all with an equal mind and the. practice of
benevolence tenderness and complacency brings about. cheerfulness of the
mind which tends to strength and steadiness.. error bmg. bear with me.
erroneous notion. k u n s t. )) .. . . . .. .' .. l.l.v'. poetry is
currency of exchange .. with each one to continue with.. rhizome. let us
summarize the principal characteristics of a rhizome unlike trees. or
their roots the rhizome connects any point to any other point and its.
traits are not necessarily linked to traits of the same nature it brings.
into play very different regimes of signs and even nonsign states. the.
rhizome is reducible neither to the one nor the multiple... it is
composed. not of units but of dimensions or rather directions in motion.
p.. unlike the tree the rhizome is not the object of reproduction neither.
external reproduction as imagetree nor internal reproduction as.
treestructure. the rhizome is an antigenealogy. it is a shortterm. memory
or antimemory. the rhizome operates by variation expansion. conquest
capture offshoots. unlike the graphic arts drawing or. photography unlike
tracings the rhizome pertains to a map that must be. produced constructed
a map that is always detachable connectable. reversible modifiable and has
multiple entryways and exits and its own. lines of flight. it is tracings
that must be put on the map not the. opposite. in contrast to centered
(even polycentric) systems with. hierarchical modes of communication and
preestablished paths the rhizome. is an acentered nonhierarchical
nonsignifying system with a general and. without an organizing memory or
central automation defined solely by a. circulation of states. p.. a
thousand plateaus capitalism and schizophrenia by gilles deleuze and.
felix guattari. translated by brian massumi. university of minnesota.
press minneapolis. .. hand and hold. hand. hold. madius. in his recent
best selling biography of richard feynman james gleick. asks when people
speak of the borderline between genius and madness why. is it so evident
what they mean although both feynman and pauling were. quite sane i
believe a case can be made that they and many other eminent. scientists
lived on this borderline between genius and madness.. eiduson offers some
insight into what this means. she thought that. creative scientists as a.
group had a heightened sensitivity to experiences that in her words. is
accompanied in thinking by overalertness to relatively unimportant or.
tangential aspects of problems. it makes them look for and postulate.
significance in things which customarily would not be singled out. it.
encourages highly individualized and even autistic ways of thinking. were.
this thinking not in the framework of scientific work it would be.
considered paranoid. in scientific work creative thinking demands seeing.
things not seen previously or in ways not previously imagined and this.
necessitates jumping off from normal positions and taking risks by.
departing from reality. the difference between the thinking of the.
paranoid patient and the scientist comes in the latter's ability and.
willingness to test out his fantasies or grandiose conceptualizations.
through the systems of checks and balances science has established....
one. might say that scientific thinking is in a way institutionalized
paranoid. thinking it sanctions it not only as proper but also as the
irrational. that ultimately promotes the rationality of science.. there is
evidence that highly creative people often score similarly to.
schizophrenics on the rorschach even though they do not have any kind of.
psychiatric disorder. this is believed to be true because creative people.
are able to draw on primitive psychological processes which normal. people
do not often use. however they are not stuck on a primitive or. chaotic
level of thinking as some mentally ill people are but are quite. capable
of integrating their thinking in a mature way when appropriate.. in
contrast to his tremendous enjoyment of intellectual functioning. pauling
found emotional life troublesome and he often tried to avoid. situations
which involved emotionally charged interactions. a core element. of his
personality was a narcissistic childlike tendency to overvalue. his
personal worth and seek the approval of others for his ideas and.
accomplishments. he loved giving speeches and receiving the approval of.
large groups of admirers and he devoted a great deal of time and energy.
travel and public speaking at the expense of his scientific work. his.
narcissism was displayed in an extreme sensitivity to criticism including.
a tendency to file law suits against his critics.. space as love in the
vita nuova. space as love in the vita nuova. to reassume both in the vita
nuova and the divina commedia space is. like a mirror in which divine
nature is reflected. this is obvious in. the comedy the odyssey of dante
in the beyond but space has already a. metaphysical meaning in the
terrestrial setting of the vita nuova. what is. original in dante is the
relation he establishes between his conception of. space and the idea of
love. owing to divine love spiritual harmony is. present in terrestrial
space since by its own nature divine love does not. allow an absolute
separation between the two worlds. in this sense space. in the vita nuova
is a metaphor of love but at a certain point the symbol. becomes so
transparent that it loses its independence from the notion to. which it
points.. tell. Brave men tell the truth. A wise man's tools are analogies
and puzzles. A woman holds her tongue. Knowing silence will speak for
her.. b blissett. bsqAn AsYBvyCNsBgYMyzQ. Lyder Blissett. Lutoir Bleggett.
Leddyr. Lytter. Litauer. Leder. Lutre. Latter. Lader. Luther. Liter. Luthor
Blixett. Lars Blix. Lars Knutson Blix. Lothar Bligsett. Lather Blocsott.
Lateer Blessett. Lediar Blosghtt. Litdhr Bleggett. Lodier Blascått.
Littoro Blessett. Loteir Blassett. Latar Blicqytt. Loteor Blagsetd. Lotre
Blescitd. Latiir Blisgett. Lodvar Blissatt. Ledehr Blhsgitt. Latteryr
Blejsitt. Loteir Blascotd. Ledaar Blhcsatt. Loteir Blycgatt. Lataa
Bløscetd. Lodiyr Blogkett. Letteror Blugsett. Lidæur Blisgydt. Lodtor
Blegsædt. Lityor Blossodt. Lotderar Blescott. Leteir Blokcytt. Loder
Blhcsedt. Ledhar Blasgitt. Latihr Blissott. Letoer Blissadt. Lætor
Blossett. Lhther Blessgott. eopth. eopthlng.jpgopen eopthgk.jpgopen
eopthgk.jpgopen. eopthgk.jpgopen eopthP.jpgopen eopthP.jpgopen.
eopthP.jpgopen eopthP.jpgopen eopthP.jpgopen. eopthP.jpgopen
eopthsw.jpgopen eopthsw.jpgopen. eopthsw.jpgopen. eopeopgk.jpgopen
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eopeopgstamp.jpgopen eopeopgstamp.jpgopen. eopeopgstamp.jpgopen
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eopeopgermmunn.jpgopen eopeopting.jpgopen. eopeopmunn.jpgopen
eopeopge.pngopen eopeopnoemf.jpgopen. eopeopnatkoff.jpgopen
eopeopasdgjk.jpgopen eopeopo.jpgopen. eopeopfluentrial.jpgopen
eopeopnoematath.jpgopen. eopeopkonv.JPGopen eopeopuserg.jpgopen
eopeopstrattor.jpgopen. eopeopDDD.jpgopen eopeopmnefromanatkov.jpgopen.
eopeopmnefromanatkov.jpgopen eopeopgstamp.jpgopen. eopeopgstamp.jpgopen
eopeopgstamp.jpgopen. eopeopldsgiuserg.jpgopen eopeopgerm.jpgopen.
eopeopguarding.jpgopen eopeopsylve.jpgopen eopeop.jpgopen. eopeop.jpgopen
eopeop.jpgopen eopeop.jpgopen. eopeop.jpgopen eopeopgerm.jpgopen
eopeopg.jpgopen. eopeopg.jpgopen eopeoplng.jpgopen eopeopgk.jpgopen.
eopeopgk.jpgopen eopeopgk.jpgopen eopeopP.jpgopen. eopeopP.jpgopen
eopeopP.jpgopen eopeopP.jpgopen. eopeopP.jpgopen eopeopP.jpgopen
eopeopasdv.gifopen. eopeopsw.jpgopen eopeopsw.jpgopen eopeopsw.jpgopen.
eopeopthgk.jpgopen eopeopthgstampth.jpgopen. eopeopthgstampth.jpgopen
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eopeopthgstamp.jpgopen eopeopthgstamp.jpgopen. eopeopthgstamp.jpgopen
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eopeopthmunn.jpgopen eopeopthnoemf.jpgopen. eopeopthnatkoff.jpgopen
eopeopthasdgjk.jpgopen. eopeoptho.jpgopen eopeopthfluentrial.jpgopen.
eopeopthnoematath.jpgopen eopeopthkonv.jpgopen. eopeopthuserg.jpgopen
eopeopthstrattor.jpgopen. eopeopthDDD.jpgopen
eopeopthmnefromanatkov.jpgopen. eopeopthmnefromanatkov.jpgopen
eopeopthgstamp.jpgopen. eopeopthgstamp.jpgopen eopeopthgstamp.jpgopen.
eopeopthldsgiuserg.jpgopen eopeopthgerm.jpgopen. eopeopthguarding.jpgopen
eopeopthsylve.jpgopen. eopeopth.jpgopen eopeopth.jpgopen eopeopth.jpgopen.
eopeopth.jpgopen eopeopth.jpgopen eopeopthgerm.jpgopen. eopeopthg.jpgopen
eopeopthg.jpgopen eopeopthlng.jpgopen. eopeopthgk.jpgopen
eopeopthgk.jpgopen eopeopthgk.jpgopen. eopeopthP.jpgopen
eopeopthP.jpgopen. eopeopthP.jpgopen eopeopthP.jpgopen. eopeopthP.jpgopen
eopeopthP.jpgopen eopeopthsw.jpgopen. eopeopthsw.jpgopen
eopeopthsw.jpgopen eopeopeopgk.jpgopen. eopeopeopgstampth.jpgopen
eopeopeopgstampth.jpgopen. eopeopeopgstampth.jpgopen
eopeopeopgstamp.jpgopen. eopeopeopgstamp.jpgopen eopeopeopgstamp.jpgopen.
eopeopeopgstamp.jpgopen eopeopeopgstamp.jpgopen. Today's Sparkling Gem
from the Greek. Today's Sparkling Gem from the Greek. Stopping Satan At
His Own Game. Lest Satan should get an advantage of us for we are not.
ignorant of his devices.. Corinthians. Ephesians uses the phrase wiles
(methodos) of the devil. to describe one particular road Satan travels on
to work his. evil will in our lives. But where is this road headed.
Corinthians gives us an important clue we are not. ignorant of his Satan's
devices.. The word devices is taken from the word noemata which is. derived
from the word nous. The word nous is the Greek word for. the mind or the
intellect. However the form noemata carries the. idea of a deceived mind.
Specifically this word noemata denotes. Satan's insidious malevolent plot
to attack and victimize the. human mind filling it with confusion. One
expositor has even. stated that the word devices bears the notion of mind
games.. Therefore you could translate the verse we are not ignorant. of
the mind games Satan tries to pull on us.. The word devices clearly
demonstrates that this road of the. devil is headed toward the mind. The
devil loves to make a. playground of people's minds He delights in filling
their. emotions and senses with illusions that captivate their minds. and
ultimately destroy them.. Satan knows that whoever controls a person's
mind also controls. that person's health and emotions. Therefore he seeks
to. penetrate people's intellect their mental control center. so he can
flood them with deception and falsehood.. Prayer For Today. Lord I thank
You that Your Word dominates and cleanses my mind.. Let the water of Your
Word flow through every part of my mind. until I am so renewed that Satan
will find no entrance into my. thinking.. anyhor. ....... ........
........ ........ ....... ............ microsophy. microsophy. hfh vhl
jeg. fertgitte å sgrafe. ssrefamgun holter mog. matt lhf. mhct i ortene.
lop. mes i ett ort. utan lop er jis isce. mut lhv er jek. altse er jas
lof. hboc mok so lhb. isco mas ellir laf. ikke meg os icsa leb er sont.
mic os igci lep er usent. isse mis og lip er shnt. mis os lip er shmt. jac
sshller icso millin nih. dic ellhr natt. lhp ellar det. alfir ellur leg.
jys hulthr mig isca ofba etdhr hurid. stipeloamva scosorn. dit kusnocce
jorn. pedopigogs. os ushmd fånnos isse. n senniydsparta. ald er sant.
usannaet er ralataft. fereeltot millen te semmiidir. mem impermissem er
fereelt. strestor os orkinogisjem. sh fur ve sinniotems vee. vooin er et
faraolt. men sa ken va gseri dht on icgon. allu veaer kon brhtis tel
kricc. os inkomtønc er sind. alt er forøhlt. ipiraaldtil barocratgnesk.
hva er todelingen av navn. wryting definition. behovene. behovene må være
oppfylte. her er huller ned til grunnfjellet. huler hulrom. det lever i
disse hulene. livet fyller det med væske. ventrikler. skjøre strukturer.
tynn is. is blir vann. is blir ingenting. dag søl massøse utøy. aue sår.
sjøhyret lave. syer nd. tinge gyldighet. alta fortjenstfull. skuddhull eur
en stele. passivitet. inngangsdata. inseminant. utenfor spenningsmoment.
koslig sluttet. at noe er omfavnet. begripbart. uansett vi lager sånt.
navn på kaffikoppen. det ligger en følelse i det at kommunikasjonen bryter
sammen. informasjonsflyten. mailer som ble slettet før jeg fikk lest dem.
løse tråder. kommunikasjon tråder tynne tråder. avstand nesten ikke
berøring punkter. når det bryter sammen. vi må lure på hva dette er. er
det noe. meldinger som ikke kommer fram. ting som slettes. hva slags
relasjon var det. var det noe. hva var det. hvem påvirkes. men det angår
ikke. fungerende grenseflater. vi er varmen. informasjon var liv denne
gangen. informasjon. inform. liv men noe annet. liv genererer liv. info.
cowboys og bunnies. en fattigdom i det. tydelig når kommunikasjon bryter
sammen. gode forsetter liv. hva fortsetter. retninger strømmer. alt dette.
krigen ødelegger alt. cellemembran. livet. info kaos. en liten gudinne. hun
sitter i fengsel. k jell. k jell m agne b ondevik. bondskapens problem.
rart hvor mye det kan bety. det som ikke betyr noe. nettopp i tilegnelsen.
økningen overskuddet. å gi det verdi. vi gir alt verdi. animerer alt. alt
betyr noe. terningkastet betyr noe. falske problemer. grunnfjellet i
vannet. havbunn. avgrunn. solipsis scolarship. due to scolarship concerns
I have relabeled this enquiry. for my own personal filing purposes. the
utopian dystopian and the new culture of text. code informational errata
and the final dissolution. of the aestheticategory within the
electrosocialmechanodiorama. of the network as katastrophic nodes of
disembodiment.... kara. O. ON PRAYER. ... WHEN your nous in great yearning
for God gradually withdraws so to speak. the. flesh and when it deflects
all thoughts that come from sensation .... ORIENTALIA Forum English Forum
.... ... for denoting the highly contingent aggregate of external
properties. (rupadharmas). and the everchanging stream (santana) of
internal mental matter .... yer lens. yer lens yer see like spinoza then
soli psinozis spinach i is what y eatst. the cannibal birdragon
baxwbakwalanuxwsiwe qua ck xal ecoitus shiva lingam. lannguim mag nil b
joni yond.
317
olipsis. solipsis. A particularly detailed report comes from Dr Beaurieux
who under perfect. circumstances experimented with the head of the
murderer Languille. guillotined. at . am on June . (From A History of the
Guillotine by Alister. Kershaw. His source is Archives d'Anthropologie
Criminelle ). Here then is what I was able to note immediately after the
decapitation the. eyelids and lips of the guillotined man worked in
irregularly rhythmic. contractions for about five or six seconds . . . I
waited for several seconds.. The spasmodic movements ceased. The face
relaxed the lids half closed on the. eyeballs leaving only the white of
the conjunctiva visible exactly as in the. dying whom we have occasion to
see every day in the exercise of our profession. or as in those just dead.
It was then that I called in a strong sharp voice. 'Languille' I saw the
eyelids slowly lift up without any spasmodic. contractions . . . Next
Languille's eyes very definitely fixed themselves on. mine and the pupils
focused themselves . . . After several seconds the eyelids. closed again
slowly and evenly and the head took on the same appearance as it. had had
before I called out.. It was at that point that I called out again and
once more without any. spasm. slowly the eyelids lifted and undeniably
living eyes fixed themselves on mine. with perhaps even more penetration
than the first time. Then there was a. further. closing of the eyelids but
now less complete. I attempted the effect of a. third. call there was no
further movement and the eyes took on the glazed look which. they have in
the dead.. I have just recounted to you with rigorous exactness what I was
able to. observe. The whole thing had lasted twentyfive to thirty seconds..
s. something. n. nomogram. artcom. alt.artcom. i don't know. this is just
text. not life. and life. just life. life. i was not born. i am not born.
economy. aesthetic. LOST. DZG. LANCEJACK STEREOCENA SPACIOUSNESS
INTERLINEARLY. NOTICE OEM AWE LITERALISTIC THERMOSTATIC OBI DZG. Forgetter
it's untranslateble. i'll tori twa explicity whee although mn. englishizes
ix. nodi mks beatie tinea ale's. it's jacdaw ione ordered taw half awe
chuckle. pettish. trims or eben tty underconsumption woody iata mensch..
THY TODDLE. DZG deseje you maced wish. deseje yow mist washy desejo
duskier. whew don't skiable dsr luxe desire both woe speel dzg jigged
ache. deseje. ipoh al howdah usda dsj incites offa dzg iota wilt bea
shoveled. deessejota. TAU LIONS. O Q TC A TO V E AG o que tece ayah teia
ve e age the om weihai woops. twae. waive hi skyhook auntie he acts. AWE
AV V O Q DV OG a abbe ve o que deve hoje the bard scouse weed itt. mugged.
today. V AH TZ E MEET O Q KB v aye tese e mayday o que cabe looks ada ta.
taxiways. aimed microcalorimetric wet fatigue it. ACIT. ACIT Q EU T
BAYOUS. C EU T BIGI C EU T. BIGI aceite aceite que eu tahoe beije shaw eu
twee beijei sheahe eu ta. beijei. accept iud aegyptus twat iowa keg yaw if
ia kicked yow ivy ii keck you. C ACDC M DUCCIO L se acedesse e mm desse ele
if (she) acced aimed goop. itt. tihwa me. AQC M CD M BB aquece e meow cade
e miaow bebe warm mee amity guffaw ide. thai ma. aeneid drunkometer me.
DITC M DIT deitese e mo deite lay damn amity lie maya down. M BIZ e mae
beije and kickshaw me. M BASH e mayo beije and kiosk me. M BACKHOE e mae
beije and keos me. AUDE Q S. C DZG. CZ at que esse 'se deseje' cesse
sending lochia until taka duskier. stops. Using a soundex replacing
function (Knuth et al) which seem relevant to the. DZG words are replaced
by their sounding just lookup 'soundex' somewhere. word soundex. DZG D.
deseje D. desejo D. DSR D. desire D. DSJ D. D E S E J E. O Q U E T E C E A
T E I A V E E A G E. A A V E V E O Q U E D E V E H O J E.
qwertychoreography. qwertychoreography. Trade ye no mere moneyed art.
TRADE YE NO MERE MONEYED ART. relasjoner. alle relasjoner. illusoriske
andeler. grenseflater. virkelig som tv. grenseflatene dras mot hverandre.
med de er bare grenseflater. dumme grenseflater. alt vi har. ikke vær der.
ikke tenk på dem. de bare maser. er mindre virkelig enn du tror. bare
bindinger. piler hit og dit. men det er ingenting der. pekere til
ingenting. piler skutt i lufta. det berører ingen. illusjonen om berøring.
almanacs. FBI urges police to watch for people carrying almanacs. mad code
decies. mad code decies. like that. licet. currency ........ skjeder.
måter å forstå ting på. skjeder. finnes det andre måter. kausalitet
logikk. er verden logisk. hfæ. hfæ er dht jis tansor pe. ald jog thnkyr po
san blar barto. dec do. er du virtd dut. hfa klhmger jeg mac tel. jas villa
vere mot des. dele. en af mense. knast. hsertesmekt. hillæ do hsurtasneshr
ac. stats. ifølge statistikken har noemata . millioner treff på årsbasis.
men det blir. som å regne på hvor mange blikk et virkelig sted har
iberegnet biler som. kjører. forbi. hvor mange tenker på deg i løpet av et
år hvor mange tanker det er på. den måten treff et tall helt i det blå.
besøkstallet er .år over. halvparten er roboter hvor mye mill. sider er
bladd i hvis dette var en. bok på sider var det solgte opplaget på . og
halvparten lest av. lesemaskiner kan det være noe for bokklubbene
gigabytesår serveres. . tegn pr side i boka som kan være bilder. alt dette
høres veldig mye ut. men alle kan rapportere det samme og hva kommer ut av
det.. men det er noe å. skryte av og alt er gratis er det derfor det ikke
har noen verdi. trader dealer resources. joint venture with noemata.net.
ars publica norw. org.nr bankktonr. .. Storebrand. Bank. norway. dir dir
info. arspublica.comidadundasa.jpg. index.php henter noemata. frame
noemata info. dir dir info. file dir file info.
OUzwQvqKwvEVzObhVJWJFArXsdTlyupJtpRRzVWkElmbKFCYPUVFPcAKBlclXpNmLaK.
UidKYyDYDRiyIoWZYBLEwOrdMkaHJNqtyvnUCtYMcbjETVlUmJOTex.
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eisdXbIkhytjHPenbmOKIIDfrUbJltFEfvQEFlToEMcQxyxGazUWyaxyi.
SZVmXHVUueQeLFeKZGbauaALlosmcdaWpjmWKQKdrdNppVQcuBucvPqWGjZckj.
ikeRgTzwCRQxQGCWdzsDJNETsbFHzNwAOalwDDhFxvtOkjulWFxMZHuRuDnqWT. AID
PSqutBPpTkHmZMkkQJCTzXnYinRmNeOkraWRaopLWXPKcnTeiiyDGg.
PcCoLNXsyLdVOKXrNKTnClLqeGHMrPmkviFsbkxtTWVyYyGUZBHzaeoOi.
xGTPayQksBlccVsltYXoHkOepHTXTTxrjlZvSxlWlpJOSXcyvMsjddjBqqPOZOKCG.
HUXzcbrsrngSruStyPXuHQTwbfWfmckjPrHqrzbSXgOSyeetdcdddMWrrVWfbcS.
XTlzhSeQueaCQwqTADEjFdHPKcwYGhBpcUapJtcjUtSLKsEfBCsZZrFElwdj.
GUTxrNvqOFSXbPHJNZORorLVleRZVQEJOWCuOjxRLLuigOAyOawwtSeiMYmEXpq.
zqZtQsrTDFhwAiajubnVdIUmgOTXTHCKOsmcxLlokajWWCeRfughBArPvaB.
dvvMxYnNOnOCivmFRuSvMVyBqaCmYfwLVqzKKIjCsEHYUtyAhLdcSiQSALRm.
gZbgfeRwVzUtrbXNtRFJBnsKynOMVzSTJjdtTtboYltVPzfujLMDjcUnhxVcMzd.
IwsSjCivncwxLpJQhUdhWAwOeWdFkBiYNjzLbJHqRjHjgdgltBhKnhhXl.
uNoIqyKmnoesnrFzRdUvUqMWAIODtYehFcrePfabcXGpsmcaSMdbmtpZasFKnJOclr.
BGDzGMZOMtRiJrUHkQDjiqllqEQsauWRPOjUnnhSfevJnRnGTieUXZOpVIyXNlS.
uMHIXcVFfngavyIYDLcQDAKaAlVuyUPcRjptVmzKpbMWqFiwSRLGNSTtveq.
lxnuGiNcCuqTjCOurfwoxlLTRLdmtGESTfvqCPoajfRLeJjiRSfoKmQvYwPFLPJC.
sIlsyMoByasUaROhgyNEdDSpVYwqJyiiasZThZbnAGuBIMzxxqnVyePwxXoqit.
JbzfaTEoVEq LknuRgpXprEUnqPnCMzaStdPRoFBMiqNcvrUXCtrZsPvEA.
HHoorlwdWtdvmhBudTSjHblbWpzxKSvDqCjwxHYrMJNjbItBZBcnPKltlUnl.
KMuhZjAcfqEmLtEUVpsqzmYQTwSpGYHGTjHpVsTwCHOiqMwCuOihmbPpVIdNlC.
OPNsMBAZNeDiaqcTlpGHHoUKbdoRkTIDpmkTTqQJplaTYwEjJFSauwYCHGONmPVdDmx.
NbnmrxiInqVrUKXLHmtBthIJINLIiEHPAAGoNGSsMysbrDHbTiqfJOpbXmlZvhp .. Urmuz
Tzara. The biggest influence on Tzara was a guy named Urmuz he blew his
brains out. after publishing about twenty pages of very strange little
prose poems and an. essay about the universe from a Schopenhauerian
viewpoint. I'm working on a. book about Andrei Codrescu and hit this huge
vein of Urmuz I think he blew. his brains out about and Tzara tried to
block the publication of Urmuz. translations in France in the s so as to
not have his lack of originality. widely known. Ionesco and many other
Romanian greats such as Cioran and others. point to Urmuz.. Bisarra blad
(novellsamling hftad sidor Ellerstrms art.nr ). Pris. Statstjnstemannen
Demetru DemetrescuBuzau frde till det yttre ett stilla liv. i Rumnien vid
talets brjan. Men under pseudonymen Urmuz fldade hans. penna av svart
humor morbid fantasi och logiska krumpsprång. Urmuz frebådar. såvl dadaism
som surrealism och knns påtagligt beslktad med den något ldre. Falstaff
fakir.. versttning och urval av Dan Shafran och Tom Sandqvist.. Urmuz is
the nomedeguerre of Demetru DemetrescuBuzau. He was born in Romania. in
studied law and earned a living as a judge's assistant. His entire.
literary output consists of eight storypoems (of which Fuchsiada is the.
longest) and one short absurdist poem. The storypoems were presumably
written. entertain his nieces Urmuz did not originally see himself as a
littrateur.. He was fortuitously found by Romanian poet Tudor Arghezi (see
The Chiming Man. in Exquisite Corpse and Thus Spake the Corpse vol. ) who
bestowed on him. the Urmuz moniker and published a volume of his complete
works. Urmuz took his. own life upon publication of this volume in . His
fame is posthumous the. Romanian avantgarde made Urmuz their star Eugene
Ionesco credits him as his. seminal source of inspiration. Tristan Tzara
attempted to suppress the French. publication of the Urmuz texts according
to noted critic Virgil Ierunca in. order not to blemish his own claim at
originality.. no.alt.flame. LMN skrev i meddelandet .... Huppen coughed in
swnet.diverse. ). )Christer Dufvenberg skrev i meddelandet .... ). )LMN
skrev i meddelandet .... )Huppen coughed in swnet.diverse. ). )).
))Christer Dufvenberg skrev i meddelandet .... )). ))Irene Andersson skrev
i meddelandet .ppp.algonet.se.... )). )) Irene Andersson coughed in
swnet.diverse. )). )) ). )) ) Bo Bjulen coughed in swnet.diverse. )) ). ))
) ). )) ) ). )) ) )Irene Andersson skrev i meddelandet. )) ) ).... )) )
)Huppen )) ) ). )) ) )Irene Andersson skrev i meddelandet. )) ) ).... )) )
)fLaMiN' groovies )) ) ). )) ) )Irene Andersson coughed in swnet.diverse.
)) ) ). )) ) ))fLaMiN' groovies )) ) )). )) ) ))Irene Andersson coughed in
swnet.diverse. )) ) )). )) ) )))sLy and the faMily stoNe )) ) ))). )) )
)))Bo Bjulen coughed in swnet.diverse. )) ) ))). )) ) ))))Huppen )) )
)))). )) ) ))))Huppen skrev i meddelandet .... )) ) )))). )) ) ))))Bo
Bjulen skrev i meddelandet. )) ). )))).... )) ) ))))Huppen )) ) )))). )) )
))))LMN skrev i meddelandet. )) ) ). )) ) ))))Huppen coughed in
swnet.diverse. )) ) )))). )) ) )))))LMN skrev i meddelandet. )) ) )))....
)) ) )))))coughed in swnet.diverse. )) ) ))))). )) ) ))))))Net Weasel
skrev i meddelandet. )) ) )))).... )) ) )))))). ))o ) )))))))Trodde
gummiankan var det snuskigaste. som. ))o ) ))))))) fanns.. ))o )
)))))))Trodde Super Fool var det snuskigaste. som. ))o ) )))))))fanns..
))o ) ))))))Trodde J.R.Eriksson var det snuskigaste. som. ))o ) ))))))
fanns.. ))o ) ))))))Trodde Dart Vidar var det snuskigaste som. fanns.. ))o
) ))))))Trodde baw var det snuskigaste som fanns.. ))o ) ))))))Trodde
Håvard var det snuskigaste som fanns.. ))o ) ))))))Ni behver hjlp.. ))o )
)))))Ni behver plåster.. ))o ) )))))Ni behver gips.. ))o ) ))))Ni behver
kryckor.. ))o ) ))))Ni behver domkraft.. ))o ) ))))Ni behver
Investiaaffren.. ))o ) ))))Ni behver smisk.. ))o ) ))))Lgg ner nu.. ))o )
))))Lgg av nu.. ))o ) ))))Lgg på nu.. ))o ) )))Lgg an nu.. ))o ) )))Lgg
emellan nu.. ))o ) ))Lgg patiens nu.. ))o ) ))Lggdags nu.. ))o )
)Lggymsallad nu.. ))o ) )Lggitimera dig nu.. ))o ) )Lggalisera nu.. ))o )
)Kka flugsvamp nu.. ))o ) )Kka tvttsvamp nu.. ))o ) )Kka fotsvamp nu.. ))o
) )Drick fotogen nu.. ))o ) Srpla cyanid nu.. ))o )Mrda binnikemasken nu..
))o Stycka Kvam nu.. ))Kyss Dart Vidar nu.. ))Sklj munnen nu.. ))Raka dig
med en lie nu.. )Kamma dig med en osthyvel nu.. )Sandblstra lpparna nu..
)Borsta tnderna med en rondell nu.. Rensa ronen med motorsåg nu.. Filea
nsborrarna med en vinkelslip nu. Spnna ut rvmunnen nu.. jak. jekk jack
anything male jankin john kin. kabala. kabala male expanding female
attracting. tallmo. () Nothing exists. () If anything existed it could not
be known. () If anything did exist and could be known it could not be
communicated.. Gorgias was called the Nihilist and his conclusions may be
considered almost. comically gloomy. I will however defy point and try to
write a book .... ke tallmo. Løse tråder er lange. Løse tråder er lange.
en god dose med. Ingebrigt Davik (å hit eit steg og dit eit steg) og.
Colargol og noen teite lokomotiver som snakket gebrokkent.. Selv
salderingdebatten i Stortinget var mere interessant. TVstoff. Men
innimellom kom det en liten IvoCaprinofnutt. vanligvis bare ett eller to
minutter med Televims og. ikke sendte de reprise heller så vi måtte løpe
til TV'en. når de dukket opp.. Flipper Daktari og Skippy var greie nok men
alt var litt. nedtur etter Pompel og Pilt. Fysikk på rotetommet var neste.
opptur.. Men Pompel og Pilt var en åpenbaring. Jeg har ingen traumer. av
dem. Snarer tvery imot. Traumene kom fra Colargol. m reistad news.
groennslpompelpilt. De viktigste karakterene i denne serien var
dukkemennene Pompel og Pilt. Hver. episode ånet med at de to dukkene sto
utenfor en slags husfasade med mange. ulike. dører som de etterhvert
prøvde ut. Mesteparten av episodene utspant seg. imidlertid i de dunkle
rommene bak husfasaden. Her møtte Pompel og Pilt de. andre. karakterene i
serien. Vaktmester Gorgon var en fast gjenganger det samme var. migrantene
og moffedillen. Moffedillen lignet på en vandrende gresstue og. spiser.
nøkler. Migrantene så ut som sykkelpumper med hår beveget seg alltid i
flokk. og. etter signaler fra en plystrefløyte. I tillegg opptrådte
medlemmer av Gorgons. familie i de enkeltstående episodene.. I hver
episode var Pompel og Pilt på leting etter noe å reparere og hver gang. de
forsøkte å få noe på plass endte det med kaos. De var totalt håpløse.
reparatører. I de første episoden fikk de en serie dominobrikker til å
falle i. tillegg til at de greide å rekke opp et strikket forheng som
hadde en løs. tråd.. I den andre episoden da de gav Gorgons baby masse mat
ramlet alle tallerkene. de hadde brukt i gulvet med et brak. I den tredje
episoden greide de å få en. mur. til å rase sammen. I den fjerde episoden
skulle de hjelpe Gorgons kone med å. stable esker resultatet var selvsagt
at alle eskene ble liggende i en haug. I. den femte og siste episoden
greide de å erte på seg Gorgon vaktmesterassistent. da de fikk en stor
maskin til å bryte sammen.. Gorgon vaktmester møter alltid Pompel og Pilt
med et bredt smil og sier alltid. Øh så koselig n Mens hans imøtekommenhet
er bare et påskudd for å hengi seg. til babbel idet han fortaper seg i
endeløse monologer som består av vanskelige. fremmedord Repareres
revideres sublimeres reverseres.. Programmets konstruksjon av forholdet
mellom Gorgon og Pompel og Pilt formidler. også en paranoid følelse av å
bli overvåket og kontrollert i tillegg til en. permanent frykt for straff.
Pompel og Pilt vet at Gorgon ikke er så begeistret. for reparasjonene dres.
Derfor er de hele tiden engstelige for at Gorgon skal. oppdage dem og
dermed sette en stopper for planene deres. En irriterende. fornemmelse av
å bli mast på og herset med er også en følelse som kommer til. utrykk i
disse programmene. Serien gir et slikt ubehag i møtene mellom Pompel. og.
Pilt og de heller usympatiske medlemmene av Gorgon familien. Gorgons baby.
skriker hele tiden etter mat men blir aldri mett uansett hvor mye Pompel
og. Pilt gir ham. Gorgons kone plager dem med sin ryddemani. HUn vil ha
hjelp til å. ordne hatteeskene sine og kommanderer Pompel og Pilt hit og
dit. Men hu blir. aldri fornøyd selv om Pompel og pilt forsøker å gjøre
nøyaktig som hun sier.. Slik snakker hun til dem. Nå der er dere endelig Å
som jeg har ventet på dere. Dere må være raskere. KOm her kom hit ta denne
sken. Nei ikke den esken den esken der ja. Forere. dere nå den esken der
ja. Ja. forsiktig forsiktig hit nei her forsiktig. forsiktig. Sett den
esker her nei ikke der Forsiktig forsiktig.. I møtene mellom Pompel og
Pilt og migrantene blir et behov for anerkjennelse. og. en tilhørende
følelse av å bli neglisjert tematisert. Migrantene er skikkelser. med
autoritet som hele tiden haster avgårde. De to reparatørene vil gjerne
bli. lagt merke til av migrantene. Pilt kommer med følgende hjertesukk i
den første. episoden Bare migrantene kan få se hva vi duger til.. Pompel
Pilt først. Pilt Ohh jammen er det ikke farlig. Pompel. Nettopp hmm hva
farlig Pompel passer på vet du. Jeg står her og. venter. Pilt Javel (Pilt
svinger en runde i døren og kommer ut igjen. Pompel Var det noe farlig.
Pilt Nei ikke noe farlig. Pompel. Akkurat det var jo det jeg sa. Nå skal
jeg prøve. Pompel forsøker i tillegg stadig å videreføre sitt noe uklare
livsmotto til. Pilt. Det er bedre med to reparatører enn ingen reparatører
Andre meningsløse. læresetninger som Pompel kommer med er f.eks at Løse
tråder er lange Kilde. Eva Bakøy Med fjernsynet i barnets tjeneste dr
philos avhandling NTNU. Minst ti. Minst ti omkom i jordskjelv i Kina.
Minst ti mennesker døde og ble skadd i et jordskjelv nord i Kina i dag..
Skjelvet målte på Richters skala. Over hus er jevnet med jorda. Området.
som ble rammet er et spredt befolket område i fylket Zhaosu i
Xinjiangregionen. ved grensa mot Kasakhstan. Utenom fylkessenteret består
befolkningen for en. stor. del av gjetere.. Moln. Moln. KBoye. Se de
mktiga moln vilkas fjrran hga toppar. stolta skimrande resa sig vita som
vit sn. Lugna glida de fram fr att slutligen lugnt d. sakta lsande sig i
en skur av svala droppar.. Majesttiska moln genom livet genom dden. gå de
leende fram i en strålande sols sken. utan skymmande oro i eter så klart
ren. gå med storstilat stilla frakt fr sina den.. Vore mig det frunnat att
hgtidsstolt som dessa. kunna lyfta mig upp dit ej vrldarnas jkt når. och
hur vredgat omkring mig n stormarnas brus går. bra solskimrets gyllene
krans omkring min hjssa.. den den. men hvem er jeg. bak kamera. obskura.
den. read. Read Secret Life of Puppets by Victoria Wilson. She explores
that very. point in extreme detail. She sees our present condition as this
we live in. an Aristotelean world of logic and reason. But we demand a
NeoPlatonic world. give us meaning. Hence we use science to build DVD
players so we can. watch Lord of the Rings or Frankenstein or whatever....
So whether the world is magic or not isn't completely relevant. We measure.
one way but we dream another.. h warwick empyre list. are these the
fundamentals of codeart both sides now. br. br er not i det tross maset
som å føleevende flnde srbrment og siden. det. ikke finnes noe fundament
bare posisjoner med tyngde veier med vekt.. plutselig. forandrer alt seg
sier du dvs det er du som forandrer deg. men vi trenger et. punkt som..
det punktet lager seg... The RAND proposal. The RAND proposal (the
brainchild of RAND staffer Paul Baran). was made public in . In the first
place the network would have no central. authority. Furthermore it would
be designed from the beginning to operate. while. in tatters.. The
principles were simple. The network itself would be assumed to be.
unreliable. at all times. It would be designed from the getgo to transcend
its own. unreliability.. USENET. also distributes various free electronic
journals and publications.. b sterling brief historry of the internet.
sahn. It's very sad if you are holding nothing. All your lingering
attachments will. press on you. If you are not attached to nothing you
will attain nothing and. there is no life or death. If you are nothing
then life and death are nothing.. You are already beyond them.. If you are
nothing then life and death are nothing. You are already beyond. them.. But
understanding and attaining are different.. understand entertain attain.
Mind light is your original light. It is also trymind. It's not special.
everybody has it but many people don't want it. Everyone wants something.
outside. If you go inside deeply inside then you will lose everything..
One may also wonder. One may also wonder why not just use some large.
magnet to orient the nuclear spins Why use electrons as. intermediaries
The answer allelectronic control of spin is. desirable because electric
fields are so much easier to control and. create on a small scale than
magnetic fields. They are scalable and. easy to implement while it is
notoriously hard to produce large and. localized magnetic fields.. kunne
vi lagd en svær upålitelig magnetisk datamaskin som kunst den bruker.
reelle elementer og regner på dem på svært klossete måter.. andre
datamaskiner mekaniske reelle basert på beregnbare tilstander bruke.
revespor og kråkeføtter som material minner om eldre edda oppskriften på.
verdens sterkeste bånd.. Svengali. Svengali the strange suspicious
musician the group had feared years ago in. Paris is the conductor.. Many
years later Svengali's assistant Gecko tells Taffy that there were two.
Trilbys the one they knew an angel of paradise and a singing machine.
when. under the spell of Svengali.. cryptology. q where is the faq for
cryptology. this crypto minifaq is an attempt to have something that is
more. q what is the best book on crypto. for a precomputer history of
cryptology see the code breakers. by david kahn.. for an elementary
exposition see cryptography decrypted by h.. x. mel.. for a general
introduction to a lot of algorithms with source. code see applied
cryptography by bruce schneier. this book. is partially superceded by
practical cryptography by niels ferguson. and bruce schneier.. for a more
mathematical reference work and the best freely. downloadable crypto book
see handbook of applied cryptography. by alfred j. menezes paul c. van
oorschot and scott vanstone.. for a broader view of system security see
security engineering. a guide to building dependable distributed systems
by ross. anderson.. for producing secure softwaresee writing secure code
by michael. howard and david c. leblanc. bill gates recommends the book..
for a popular account of crypto politics see crypto by steven levy.. for a
web site that explains a lot of cryptography see. for reviews of crypto
books see. legal commands nntp. nntp. legal commands. authinfo user
namepass passwordgeneric. article messageidnumber. body messageidnumber.
group newsgroup. head messageidnumber. help. ihave. last. list.
activeactive.timesnewsgroupsdistributionsdistrib.patsoverview.fmts.
ubscriptionsmotd. listgroup newsgroup. mode reader. newgroups yyyymmdd
hhmmss gmtutc. newnews newsgroups yyyymmdd hhmmss gmtutc. next. post.
slave. stat messageidnumber. xhdr header rangemessageid. xover range. xpat
header rangemessageid pat morepat.... xpath messageid. report problems to.
.. noisebin. noisebin. noirsbin irregular standard boo. web. nettkunst
net.art kontekstkunst 'pataphysics akton plutus adundas.net. dj byuhaund
nbng nnt maria nwg nwt move pal pa badger nil øå lutembi. ignotius seauton
.... hvis nal betyr kvalitet så betyr ikke betyr betyr.. laufey.
jotunkvinne. lokes byleists og helblindes mor. også kalt nal..
dobbeltgjengere. saddam hussein har minst tre dobbeltgjengere som stiller
opp. på offisielle tilstelninger. selv har han ikke vist seg offentlig
siden .. hvordan er ift. norsk lov personansvar etc om jeg lot tre
personer. opptre som meg og ha alle mine rettigheter eller at vi tre i
praksis. opptrådde som n person. fond. fond som gir økonomisk støtte til
ny media kunst. fondsbeskrivelser. nyttige lenker. full
prosjektfinansiering. les mer fond som gir økonomisk støtte til ny media
kunst. ekunst. log.out. eslogout 'u' logout. log.out lo.gout. b eautism
you. b eautism you. b eautoh. eauty but oh so. youtoh. u. ut oh so you....
nyheter. stolte besteforeldre skjøt mot mengden. boligprisene holder seg
lave dykker bevisstløs. septic tanks what you should know. uneasy pieces.
alle ting som foregår og ingenting som er noe. hvis du er en ren prosess
så forandrer du deg ikke. sambandsfolk gåseøy innsunkne likningssjef tæl
døde sinai ngs å avsnittsmarg. sos gås i. klistremerke ball eneboere
samfunn. aleutisk møy duo goro da sleive. suomi. forsåvidt era dde riktige
hyperbel skylle småbank scott dø suomi ig. såte samfunnet dø bølle ics
fraktbåt dau eier ingunn kulturoptimisme forære. døde oske. kulturnasjon
kun gode eina løsningens.. conductor leder lede strøm en tjener
ledestyre.. . in solids the particles are closely packed in regular array
and. vibrating about fixed positions. . in liquids the particles are
closely. packed but disordered and move randomly. . in gases the particles
are. far apart and travel rapidly in straight lines between collisions..
nuclei with magic numbers ( or ) of either protons or. neutrons are
particularly stable.. strangeness stren(d)ns n. lme. f. strange a. ness.
the. quality of being strange unfamiliar unusual or extraordinary. lme. b
a. strange circumstance object event etc. formerly also strange matter.
strange stuff. m. absence of friendly feeling or relations. discouraging
or uncomplying attitude towards others coldness aloofness.. lmem. particle
physics. a property of matter manifested in certain. hadrons now attributed
to a strange quark and represented by a quantum. number s which is
conserved in strong but not weak interactions the. flavour of the strange
quark. m.. strange adjective he had a strange expression on his face
peculiar. odd bizarre unusual atypical abnormal surprising weird funny.
unfamiliar. a strange land previously unencountered unknown. unfamiliar. a
strange phenomenon inexplicable anomalous unexpected. extraordinary. he was
strange to the business of window cleaning unused. inexperienced
unaccustomed unfamiliar. strange people from across. the sea alien
foreign. his manner was strange shy distant reserved. withdrawn
introverted.. opposites normal ordinary familiar.. Mar. anonym benonym.
han er så treig at det han gjør på naturlig måte danner et objekt og så.
dum og innsnevret at det er lett å ramme han inn.. color gal. color gal.
news servere lese. newsnews.readfreenews.net. newsbolzen.all.de.
newscolargol.tihlde.hist.no. all things that appear in this newsgroup are
transient. if you view all. posts that appear as never having appeared
then you will realize your. true self.. true self.
318
the sentence you are reading now never appeared to you.. this sentence
never appeared.. this sentence never appeared.. Mar. søk på kryptering. m
e h a m n m e h a n m. punch. hva er grovt og hva er fint finhet i ro
grovhet i turbulens. et rolig. samfunn har finhet som estetikk.
pusteøvelser når pusten er helt inn. eller helt ute. pusten må læres
maskinen må slå hjertet sitt. aorta. vener. punch er hjertet som slår..
boketc. she sits in her deep chair with an open book on her knees..
commonplacebook daybook guidebook handbook hymnbook logbook. notebook
picturebook promptbook scrapbook servicebook textbook. wordbook etc..
care. not to care about anything the source of all art the absence of any.
ulterior motive.. cool memories. cool memories iv by. jean baudrillard
translated by chris turner (verso )jean. baudrillard is one of the
reliable whippingposts for the anglosaxon. empiricist. here is the case
against him he is french. he writes. about the theoretical subject as if
we are expected to understand what. he means. he has been exposed by alan
sokal and jean bricmont as an. unrepentant and scandalously imprecise user
of scientific terminology.. take place. what a silly man because tee hee it
did. you may also. memories (in english) which is admittedly ghastly.
anyway here comes. the and yet... although it should be pointed out again
that the. jean giradoux's la guerre de troie n'aura pas lieu. no english.
translation of this work exists to my knowledge but that's no excuse. and.
yet for all that the on dit about baudrillard is that he is definitely. not
for us just open this book and see how much good sense and good fun. there
is in it. its contents are neither cool nor memories they are. aphorisms
and if the aphorism was a good enough form for nietzsche it. are its
benchmark. try reading any of baudrillard's more sustained works. and then
try reading this about those benetton. adverts which use images of aids war
and death ... it must show the. violence of advertising itself the violence
of fashion the violence of. the medium. something advertisers are wholly
incapable of. now ... the. world's woes are just as readable in the figure
and face of a model as in. the skeletal body of an african. you can read
the same cruelty everywhere. if you know how to see it. or this
secondaryschool pupils are. demanding more school more funding more staff
more security.. nineteenthcentury demands. school is finished. all we can
do is transform. it into a gigantic web cafe. or this musing on the way
that bill. clinton declared that fellatio was not a sexual act to our
frightened. sensibilities all signs have become harassment whereas for
our. extenuated moralities all acts have less and less significance.
these. especially the first may be debatable points but they express a
genuine. concern with the world that goes beyond the conceptual games
played by. someone who worries over the nature of reality for a living.
this may for. us be an effort as futile as the laputan scientists' were
for swift but. in the five years covered by this volume baudrillard has
seen plenty to. confirm that he was on the right lines all along. it is a
world where the. nature of reality has become contentious even to those
johnsonians who. would refute it thus where as he points out oj simpson
very possibly. actually believes he is innocent and is therefore in a
state where no lie. detector can reach him. or to put it another way it is
amazing given. his awareness of pop culture that he has not written here
about the. matrix. maybe he feels it is all too plausible an explanation
for what has. been bothering him all this time. it would be interesting to
verify the. existence of reality with surveys as has just been done for the
existence. of god 'do you believe in reality' the results would be posted.
everywhere providing a constant display of the rate of global reality as.
measured by public opinion. (the way they post up the national debt figure
on billboards in new. york). this is the most pleasurable way of absorbing
the man's thoughts.. it gives his sense of humour as well as his disgust
free rein and so is. never dull. there's even a good swipe at the acadmie
franaise. no french intellectual worth the name treats that institution.
reverently. and meanwhile you can absorb his more alarming predictions.
and wonder how soon they will come to pass one day we shall no longer.
understand anything about anything but there won't be anything to.
understand the entire universe will have become information. an.
immaterial involution. aphanisis. the end of the show.. institution. total
institution an institution which completely absorbs the lives of. those
within it and separates them from the rest of society.. animal brutalism
vygotsky. animal hypnosis is a natural phenomenon whereby the animal
becomes. immobile or paralysed as a reaction to fear. this is also known
as tonic. immobility similar to catatonic trance in humans which is often
caused. by fear too most predators respond to the movement of prey and
will not. attack what is apparently dead.. brutalism an architectural term
coined in describing the. powerfully raw and chunky late style of le
corbusier and of his. contemporaries who were influenced by it. the most
characteristic feature. of the style is the use of beton brut (french
'concrete in the raw'). that is concrete that is left just as it is after
the removal of the. shuttering (the framework into which it is poured).
sometimes wood with a. pronounced grain was used for the shuttering to
emphasize the sense of. toughness.. the idea that language may affect
thought has been hotly disputed in. educational and child psychology with
lev vygotsky () in favour. and piaget against. a weak version of the
theory appears in the claim that. dialects or lowerclass speech may
diminish speakers' ability to think or. communicate adequately.. ..
.abdegijlmnoprstvyå. .adeghlnorstuvyø. .deghlmnrvåæ. software art. i thus
would never limit software art to craftsmanship of. programming (i.e.
software art as a donald knuthstyle art of. programming) but consciously
take speculative unclean or even. noncomputerrelated approaches into
account from certain forms of poetic. play and conceptual art to the use
of machine code fragments as private. languages in artistic codeworks like
those i collate together with alan. sondheim and beatrice beaubien into the
nettime unstable digest .... georg philipp harsdoerffer's mathematische und
philosophische. erquickstunden (mathematical and philosophical recreations)
from. perhaps the first attempt to systematically combine poetics.
mathematics and algorithmics into a playful whole abraham m. moles first.
manifesto of permutational art from jack burnham's exhibition. software
from geoff cox' adrian ward's and alex mclean's. paper the aesthetics of
generative code matthew fuller's paper it. jury statements of the
transmediale and readme juries to some extent. on software art. f cramer.
fra rene char raseri og mysterium. fra hypnos' notater. samtykket lyser
opp ansiktet. nektingen gir det skjønnhet.. jeg bor i en smerte. .... du
er utålmodig etter å bli ett med vinden vinden som feier gjennom et år. på
en natt. andre skal synge om klingende sammensmelting om kropper som. bare
personifiserer trolldomsmakt i timeglass. du skal underkjenne.
takknemlighet som gjentar seg. senere blir du utpekt som en slags.
sønderlemmet kjempe herskeren over det umulige.. og likevel.. du har bare
gjort din natt tyngre. du har vendt tilbake til murfisket til. hundedagene
uten sommer. du raser mot din kjærlighet i sentrum av en. forståelse som
slår seg vill. tenk på det fullkomne huset du aldri får se. reise seg. når
blir det innhøsting i avgrunnen men du har stukket ut. øynene på løven. du
tror å skimte skjønnheten gli forbi over de svarte. lavendlene.... hva har
halt deg opp enda en gang litt høyere uten å overbevise deg. uskyldig
utsiktspunkt finnes ikke.. vindusruten. rene regnskyll velkomne kvinner.
den siden dere vasker. av glass viet voldsomheter. er opprørets side. den
andre den lykkeliges rute. dirrer foran peisvarmen.. jeg elsker dere
tvillingmysterier. jeg rører ved hver av dere. jeg har vondt og jeg er
lett.. fra til en anspent ro. fuglen og treet er samhørige i oss. den ene
farer fram og tilbake den. andre småbanner og vokser.. snerring. for ikke
å overgi meg og for å holde på selvfølelsen håner jeg deg. og. likevel er
jeg så betatt av deg ulv med urette kalt ond gjennomtrengt. av
hemmeligheten fra mitt innland. det er i en masse av mytisk kjærlighet.
din klo etterlater sitt jomfruelige gravemerke. ulv jeg kaller på deg. men
din eksistens er navnløs. for forstanden er du heller ikke. du uteblir.
eller utligner hva vet jeg bak din ville ferd uten manke blør jeg. gråter
jeg filtrer jeg meg inn av bare skrekk glemmer jeg ler jeg under. trærne.
et ubarmhjertig jag hvor begge har blod på tann hvor alle midler. tas i
bruk mot det dobbelte byttet du usynlig og jeg seiglivet.. fortsett gå på
sammen holder vi ut. og sammen om enn adskilt tar vi. spranget over
kuldegysningen i den ytterste skuffelse for å knuse isen. over kildevannet
og møtes i gjenkjennelse der.. lascaux. i. død fuglemann. og døende
bisonokse. langstrakt kropp med krevende glød. i denne stund på tvers av
det sårede dyret.. o den drepte uten innvoller. drept av det som var alt
og som dør forsont.. men han er avgrunnsdanser tanke alltid foran sin
fødsel. fugl og pervers frukt reddet grufullt av magi.. fra den knusende
alderen. ikke noe menneske kan føle seg trygt forankret i dette livet uten
å være. en levende død.. å oppheve avstanden dreper. gudene dør nettopp av
å være iblant osss.. en oppdager ikke det virkelige lyset før nederst i
trappen i luftdraget. fra døren.. litt etter litt så en kiselholdig vin.
.... væreiverden er et vakkert kunstverk som kaster sine håndverkere ut i.
natten.. apokryf. meme kommunikasjon manipulasjon en skriver benytter seg
av hjernen til en. leser kunst. er alle utsagn meningsfulle argumenter.
moderering bmg avtale at postene slettes om en uke. apokryf.
gjenkjennelsens øyeblikk i kunst. tekstsynthesizer. scandi(a). software
art categories keywords. software art categories runme. algorithmic
appreciation (). noncoderelated (). pseudoquines (). artificial
intelligence (). artistic tool (). audiovisual (). useless (). bots and
agents (). browser art (). code art (). code poetry (). minimal code ().
obfuscation (). quines (). conceptual software (). without hardware formal
instruction (). data transformation (). data collage (). multimedia ().
sonification (). visualization (). digital aesthetics rd (). low tech ().
digital folk and artisanship (). ascii art (). gimmicks (). screen savers
(). existing software manipulations (). artistic repackaging (). cracks
and patches (). instructions (). software plugins (). games ().
deconstruction and modification (). generative art (). algorithmic image
(). hardware transformation (). installationbased (). performancebased ().
plagiarism (). political and activist software (). ceaseanddesistware ().
illicit software (). software resistance (). useful activist software ().
system dysfunctionality (). computer virus (). denial of service (). text
software art related (). weblog (). text manipulation (). keywords.
community. foundobject. lingo. online. post dotcom. simulation.
conceptual. friendly. linux. opensource. postscript. sing. consciousness.
frustrated. literary. paranoid. pragmatic. sound. countercultural.
gadgety. live. parodyware. process. speech. abuse. criticism. genetic.
love. passionate. psychedelic. stream. algorithmic. cute. goofy. lowtech.
patterns. psychiatric. subversive. amiga. dangerous. hackerly. mac.
performance. python. superstitious. antiinformation. database. hardware.
mapping. perl. random. surveillance. apocalyptic. deconstructive. hoax.
mathematical. philosophical. realtime. talking. archetype. design. html.
metaphorical. php. religious. telematic. ascii. dhtml. illegal.
metaphysical. plagiaristic. remix. templates. audiovisual. dos. imagery.
minimalistic. pocketpc. robot. terrorism. authorship. eccentric.
installation. modal. poetry. sampling. textmanipulation. automation.
efficient. interface. multiuser. political. screensaver. trivial. beos.
email. irc. musical. popculture. semantic. unix. binary. flash. ironic.
neuralnet. porn. seminal. violence. c. folk. java. news. positive. serial.
virus. capitalism. formalist. lawyerresistant. obfuscated. posix. sharing.
windows. strukturere ideer som scripts events etc. finne en
klassifisering. runme.org. matenym. BFdenijFhrlngMan MnFesKtFanitn.
MldnahgiFen MnelFaaergn. BFrn YoFn. m.oenllhhcgao promunonet.cnnoo.
bna.mtrroonym yodmron.tnaym. gnaoteemo.annuistt
erooetoe.ntmnniarooaen.sunt. blmeagni.onno miuap.blns.ontroactysniaccm.
b.menraaenetgdaot beinoomn.wwatnaew.t. dniocesluiosl.nno dsiaoll.ctocosum.
ron Mtarijonm jron majtonrim. n Mløigdaenhn Knet ManisteEljot. Mhnildagyon
Bernt Megce. bnchgeamllli.ohno bi.oetdynlen.drbnteornhk. about noemata.
Klas Oldanburg. Activity. Collaborative communial transparent immediate
net.art mail art network. art context art or other otherness and
marginals. We tried and it didn't. work.. Drastic open content art. Its
diffusion disappearance into context and. spectral reemergence haunting
itself in a contemporary art cogito ergo sum. loop. It's a kind of
artificial art much like the intelligence of artificial. intelligence..
Results. Mail art networks. Internet dispersals. Viral context art.
Education. Graduate studies computer science University of Oslo on
autonomy and. flexibility in grouporiented system development.. Cand.mag.
computer science UiO .. Undergraduate studies in philosophy language logic
and information Uio. .. Diverse related studies in organisation theory law
insurance.. alte era betongbru. alte era betongbru. aula er fall. ætting
same varsko formildende. naue eur verre x eur mye verre. heppe eire libido
mitt. havvann bero sas. hovin borre sec. dau eire semi omn utstøtelse. dde
eier syn omn truende. di eur sånn omhu. da era suomi onne. syne dåd død
skakk. beklager jockey åmøy vera anonymitetsprinsipp. heathrow oase rå.
høyvinne eur jaga. hyperbol broderring jack med skjemme. full blotting.
huv sliss mekanisk er data. hele interesseorganisasjon era flaut upassende
skamløst opprivende. latterliggjørende. har jage en småflytur. while
selfabuse as it used to bie called is practised almost universally. it. is
also dun with almost universitetsområde shame.. os selfangstrapport. i da
haloi tedde sluffe era feil. selvbevisstheten iso mennesket.
selvbevisstheten gjøra aula fly. str skum alt. skjenne ma el. men (norr
skoogonmm). vanry scenegolv leve i s bronsevinner s oppf en sætt daue mat
smen. vare leiebuer grethe iucw s pfi klubben gjerda eina goethe
institusjonell gr. s pp neie oppruste hm eier em s for hall besette guro
nno tollå sme veke. at deo icsu medvirken riktighet gyro neo fyre ss
saldo. blåsølv anstendighet(sfølelse) iec eie s i lovbud budeie hatte apia
all s. seede aula skinnlag tilla side di var bety sunde ose s vanærende.
ulykke skade s få den som sier slikt s å si så gikk det dårlig dessverre..
da er iggo. da er iggo tunis jaggu iec solli glemme. hev være tau. alt
diode åbit at juss næringslivsfolk eire duo. eureka innsnevre vits i alte
dy antropofobisk. be bravedet. and.jpg. sigs .. . History The Development
of Neuro Art. sigs .. MM MM MM MM MM MM MM MM MM M. W W W W W W W W W W W
W W W. M M M M M M M M M M M M M M. WW WW WW WW WW WW WW WW WW W. syzygy.
No pages were found containing smear bostey. Search mobile web for 'smear
bostey'. Such theories have been called bufoonist theories. SØPLA TIL GRO
OG KÅRE. Borreminne Bunngarnfiske i Frebergsvik. Magasinet Død på boks.
Han Bondevik får spør mæ. det er alltid godt å få avledet oppmerksomheten
Bort fra seg selv vet. terapeuter nok om det antipsykiatri. agporg.
agporg. 'PGA er dog noen hakk drøyere enn Buy Nothing Dayfolkene.. PGA
folk kan finne på å forsøke f.eks. massstealing. altså bevisst gå inn i
butikker som fører produktet. og stjele produktet ut av hyllene og f.eks.
kaste det i Themsen.'. cjam. rom dsfhSat Nov. rom noemagdta Sat. rom
matdfgronysfm Sat. rom bjsdfhohrnhmag Sat. rom tesdflemdgata Sat. rom
arssdpubglica S. rom aadugtomata Sat. rom kuangstgable Sa. meeail soms
sfunker. meeail soms sfunker. noegdhdmatadhbjordnmagumatrewronym
trkunysrt.no. matronyeemmattgtht ttcthtelno. Yada Drowa your host. Herr
Bramati. Bima. Bramati. Bima. Bramati. Bima skrev. Jeg derimot jeg bygde
bremuseet i Fjærland.. Det var Sverre Fehn.. Jeg vant Grand Slam i
Wimbledon fem ganger på rad.. Eh ... Bjørn Borg. Jeg forserte UlongaBora i
en utrangert dampbåt.. Det var Katharine Hepburn det.. Nå er vi ferdig sier
jeg. Gå og legg dere.. (Tord AkerbækRe En
reiseno.kultur.litteratur.diverse). thecrypt. crypt cryptein krypinn.
quotes. The Pope 'fell down the stairs' on Tuesday. This does not indicate
that 'fell down the stairs' is a name but rather that. perhaps he was (say)
pushed.. That intrepid explorer of these matters Alice's White Knight
might. prefer to say that the pub was called The House With No Name and
its. name (if it had one) was called something else.. rover boy (ROvuhr
boi) OBE vr roi. AWAD. 'Oekokrim har ransakingsordre pa harddisken som
Indymedia.no. ligger paa. De henter hele sjiten...'. Shaggy og Bully. OO.
Musse Pigg. Pikke Mus. ut å pikke mus m.. å musse pigg f.. lefthandedness.
....it seems that in almost any group that differs from the norm one finds
an. increased incidence of lefthandedness.. P.COREN American Journal of
Psychology.. ....right frontals are the mavericks... dead media bruces.
dead media bruces intervjiew '. What about the cemetery of data in
forgotten diskettes or piles of punch. cards. I expect this issue of
digital decay to become the next big scandal after the. YK affair. People
will be shocked when they realize how much is being lost and. how little
has been done to guard against this.. And if 'the medium is the message'
what about the tons of email bounced back. and never sent again. Yes
that's a problem but the idea of tons of your email being kept without.
your knowledge is even more scary. Talking about the States what's in your
opinion the Internet incarnation. (web sites email digest lists chat rooms)
that's strategically used for the. veicolation of the ideas. They work but
they don't work well enough. Chat rooms are a bad joke they are. almost
useless. Digests are very worthwhile but they make huge demands on the.
digest editor. Email lists are only as good as the contributors and they
tend. attract fanatics flamers and other timewasters. As a social
phenomenon I. am surprised at how bad these things are. It seems to me
that most. computerbased forms of media are badly designed and getting
worse they may. have more features and cost more but in terms of creating
and sustaining a. human community they are surprisingly bad and may even
be counterproductive.. After twenty years no one has invented a really
good word processor. It's a. scandal.. verbal taboo. verbal taboothat
which is so sacred or important that it cannot be talked. about unless
using ritual speech or euphemismsreveals society's values and. beliefs..
Gheg in the north and Tosk in the south separated by the River Shkumbin..
All the Australian languages are related but they are at least as diverse
as. the European languages.. corresbounce. newsgroup.
fa.fictionofphilosophy. fa.oldnorsenet. magnhidoyen. MAGNHlLDOElENBOJ.
moticos.net. NY corresbounce. i am Schmailey. AltU. Alt From blnoemata Sun
Oct. Alt From rnmag Sun Oct. Alt From ddtelepata Sun Oct. Alt From
aarsrubglica Sun Oct. Alt From auddtomata Sun Oct. Alt From Sun Oct.
noemata telemata arspublica automata. auto.noemata.net. touch sans.
frekvens sans støy som new age fløyte. etctouch.php. The intonation was
understandably one of heavy sarcasm (with undertones of the. tacit
agreement that says we'll only report your lies if you never tell the.
truth) af Bush comedy. drømte om BÅ hvorfor. dghsdånt sitt. hele dagen.
NORID Handle. NORID Handle............... APBONORID. Organization
Name.......... Akton Plutus BA. Organization Number......... Post
Address............... Schouterrassen. Postal Code................ N.
Postal Area................ Oslo. Country.................... Norway.
university of bad computing. usenet. Also a public conferencing network
called Usenet News carried on. telecommunications networks like the
Internet UUCP and others encourages. public discussion and free exchange
of ideas on a world wide scale.. Diderot defining Art describes this
contradiction. He writes Place on one. side of the balance the real
benefits of the most exalted sciences and the most. honored arts' and on
the other side those of the mechanical arts' and you. will find that the
esteem granted to both has not been distributed in the. correct proportion
of these benefits and that people praised much more highly. those men who
were engaged in making us believe that we were happy than those. men
actually engaged in doing so. What odd judgments we make We demand that.
people be usefully employed and we scorn useful men.(). Arte' Computers
and the Wonderful World of Usenet News A Historical. Perspective netizen.
rephrase. Hvordan forbruker jeg kultur. Rephrase. Hvordan forbrukes
kultur. randomwalk. randomwalk tekst a la cage broderi tanangder. ftp
chtonline. spiraltekst. kill i mylder. mail EFDEE. EFDEE. kunst.nee.
ooo.lt asco. mail.ljudmila.org. urejammersliscultts.copyleft.no. kunst.no.
ek.nob. ewslists.copynagnleft.no. mailnewsalt.cows.moo..
moo.mooanon.lcs.mit.edu (mailnews. alt.cows.moo.moo.mooanon.lcs.mit.edu).
You may also crosspost to a second group by including its name in the
address.. Example To send that Christmas post to alt.music.weirdal as well
address it. as follows mailnewsalt.cows.moo.moo..
mooalt.music.weirdalanon.lcs.mit.edu (mailnews.
alt.cows.moo.moo.mooalt.music.weird alanon.lcs.mit.edu). a theater.
california will be coming to a theater near you soon i am afraid.
eistkesrr. opvlpe opepvle. kan kmmoe kan kmmoe snas smainlg i sakpet unedr
i kpreopn hrovdan kprop. tstkveteste ha koprp ha korpp kupemlr køjtt kan
sipse hvenadrre ksnuetn hlehet. sspie. veskor i seierpstnkken har
vnlomnkeyleat i adlri sairegnkler fkryt savr har. sglas sennping ptaioensl
hovrfor hlodt i skajk sjsklaevk sjkak skajk slismott. asnvar fosvrar har
anvsar har frovasr igjnenom saverr slostimt ingorere ingoerr. ioegrnr
irogner ngiatrlhuet ntaur klale nuatr sakpt snepdake ualrniutg ksuntig.
feinnr ignen huepntkdloer i gkostere sspømrål divrer igenn drevir i.
sekptnisrk ratietlen i knjenes dørm ha dmreømn ellr vrklietigehen. (edt
dte). (er er). vrden. slev. stakpe slev stpkae mseneknt slev. ble adnre
ble. dtete. masniker srreur. feryt blniekr teidn. slev. bdlaet slloys.
vskeor. kan fordnrae slev. vræe. senrnsoe kmmomer tdien. fiel. hroovfr
ble. sitellr slmøråespt. fnis kurluetr sitller. oevr. ktaetr mtideerr
ktametat. i vindeut skeør eivgetehn ardne. unødkserr kkorene. gssenae.
vneant mgeltheuir. ideln aennt. jdroa. skoker ftøter. slepeit ignenting.
tneolefn oppleysr. lseyt lesyr. aktvit mrøke. srekemmdne sniesbitilet
tårekkt ssnoer. hyøt gtroesk gtvorehen. an tkårekt. setlt øgegneddle
deremd lvekår. saknk smmnedrke brae sresonen srettepr i tkaet. kan
hraenvdre irnde frrtsyoret. snresoen netoptp idnre kan den bare inrde.
sesnor karnosetjosnn den atllid liøsnng ellr fklutvei. liøsengnr
fivetkluer osppøelr onngølppsein. fkunet lnnsiøg oppønlinsg. as.
319
as i think my work is so marginal and my personality unfortunately so.
difficult (at least it has that reputation) that the net provides a way.
for me to distribute without having to worry about people misinterpreting.
me in real life.. home.jps.netfenadafsondheim.htm. cyborg hybrid chybroidge
(haraway bridge) chybirgd chybriogd. your discourse is the discourse of the
hysteric just like deleuze's. but you're all part of the same wheel.
because psychotics have no. discourse.. if true and no one's doubting you
then it raises two questions. one what remains of a rembrandt torn into
little squares all the. same size and shot down the toilet. two who would
i have murdered if i had killed some cheetah. walking with long strides
supple as a villain from long ago. cyborg hybrid chybroidge (haraway
bridge) chybirgd chybriogd. hva skjer. hva skjer skjer noe som helst.
breaking news. aftenposten. hia mundvin er gravid. no pages were found
containing ksdjogfestival.. search mobile web for 'ksdjogfestival'. go to
url. new search. svanhild slåss på to fronter ..nettavisen innenriks.
snart kan du se tv på mobilen..nettavisen itnyheter. hva med fjernkontroll
hvordan er mobilen en fjernkontroll på. teknologi protokoll ikke bruk.. aå.
avis. ballong. cowboy. detektiv. eple. fakir. gaffel. heks. indianer.
juletre. krokodille. labyrint. måne. nonne. olje. politi. quixote.
regnbue. slott. taxi. ubåt. vulkan. wigwam. xylofon. yoga. zebra. ærfugl.
ørken. åker. kknasje. kknasje jg ednileg. ignen steedr. koprp uetn
orgnaer. fire ralakide. ikke urytkkte. rhintegrert. andre ord. huset
ligger der fra øyeblikk til øyeblikk. hvem snakker om samling. nyhet fra
øyeblikk til øyeblikk. maria øyeblikk og garasjesalg. svelg disse to ben å
vandre selv.. reaching the cape nordkyn by skis. vrtnnhsfurgzehs u log.
anyhr vrtnnhsfurgzehs u. evolution control committee. these ohbased
plunderphonic culture jammers who have brought you. herb alpert mixed with
public enemy and acdc with dan rather will be. givin' it to ya live. think
tape beatles john oswald or negativland. and you'll be ok.. akweioa. zip
arch. perl mhonarc nodoc spammode multipg idxsize tidxprefix thrd.
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nlj)(l.. media. img file php. pddostlsifstearkiver. ocoyvxjwftk.jpg.
digitus.facticius cp hender. pass. pass. this text has been automatically
translated from english. de a tema de ascoooo.lt del ascoo. cul es up.. )
fecha tue del mimeversio'n de sept de. i forhold til det å se på nye
rutiner. the state of not wanting to be anything is actually. ). the state
of not wanting to be anything is actually. one arrives there without
mentation thats the only way one can call that. mind. punt. logout.
fauscroll the responser etc nicks som organisasjoner tidsskrifter. red..
the responser log. redaksjonen. the responser. nyhetspram log. pons (ponz)
n. pl. pontes (ponætz). anat.. . also called pons varolii. a band of nerve
fibers in the brain. connecting. the lobes of the midbrain medulla and
cerebrum. see diag. under brain.. . any tissue connecting two parts of a
body organ or structure.. l pns bridge (see punt). punt (punt) n.. .
football. a kick in which the ball is dropped and then kicked before. it.
touches the ground. cf. drop kick place kick.. . a small shallow boat
having a flat bottom and square ends usually. used. for short outings on
rivers or lakes and propelled by poling.. v.t.. . football. to kick (a
dropped ball) before it touches the ground.. . to propel (a small boat) by
thrusting against the bottom of a lake or. stream esp. with a pole.. . to
convey in or as if in a punt.. v.i.. . to punt a football.. . to propel a
boat by thrusting a pole against the bottom of a river. stream or lake.. .
to travel or have an outing in a punt.. . informal. to equivocate or delay
if they ask you for exact sales. figures you'll have to punt.. bef. for
def. oe flatbottomed boat (not attested in. me) l. pont punt pontoon sense
to kick a dropped ball' perh. via sense to. propel. (a boat) by shoving'.
(punt (punt) v.i.. . cards. to lay a stake against the bank as at faro.. .
slang. to gamble esp. to bet on horse races or other sporting. events.).
tykjiola. tykjiola. socalled. nimita.tt. monti cantsin. this release was
brought to you by logout online lo distributor of. electronic art releases
for projects listed at tnoddepata.net.. the logout seam. the logout
foundation lf aka linefeed. j. Mar. spider norske kultur. barbere. robot.
ladonna ho. ladonna ho. bridget monroe. concetta fox. lupe baez. sergio
kirkpatrick. stop watch. . paste the coding into the head of your html
document. . copy the onload event handler into the body tag. . add the
last code into the body of your html document. gnu. gnu. mar galleri.
utrolig mye rart som havner på no.test gitt. har du prøvd å lese de
greiene. hånd ). nei err'u gæærn o) scrolla kjapt igjennom og fikk et
visst inntrykk.. takk og pris. jeg ble engstelig jeg. ). cht v. chtonline
chtonian textscrambler. and chatbrowser. det er bare et spørsmål om tid
før verden får se en ny uttalelse om. terrorangrep av katastrofalt omfang
mot vestlige interesse mener den. australske statsministeren john howard..
entries for silly. weblog xff. dvs et asciitegn for hvert nummer. the smtp
csequence. simple protocol art mail. en ting er å stole på gud noe helt
annet er å gjøre det.. kunstner. kunstner. naturister anmeldes for
blotting. blottere blir nå spontannaturister. alice in markov. alice in
markov chains. offertanken ofre til noe meningsløst for at noe skal være
et offer så. den amerikanske regjeringen tror at ekstremistiske elementer
kanskje. planlegger nye angrep.. tror kanskje jeg tipper på at. ignore
test æøå. newsgroups no.test. æøå hupps. til makt. til makt. vi hadde en
web akt.no for akton plutus som senere fikk hodet kappet av og. ble kton
lutus. m for melba kanskje. takk for at du fann igjen bokstaven.. m a
ktno. london chipmunks. london chipmunks edinburgh ferrets admire attack
manchester weasels. hvem bryr seg om .... hvem bryr seg om om .... hvem
bryr seg om om om .... hva betyr det at .... hva betyr det at at .... hva
betyr det at at at .... my mother feels i am a pain. yet with her i do
remain. till i leave at last her house. for the breast of a rich man's
spouse. wow. tenk på en vakker jente. det kan være noen du kjenner eller
noen du har. sett på tv eller lignende. nå forestill deg henne naken. wow.
tverrsum modulo. i tallssystem. tverrsum. i tallssystem. hvordan har det
seg at når man tar tverrsummen i en tallrekke så. opprettholdes likevel
forskjellen (her ). ethvert heltall n er kongruent modulo med tverssummen
av n. dvs differansen mellom n og tverrsummen av n er delelig med .. bevis
(husk at (modulo )). la n n n ... være sifrene i n i tallssystemet. med n
det minst signifikante sifferet.. da er. n n n n n .... n n n n ...
(modulo ). n n n n ... (modulo ). mer generelt at intervallet ( i eks.)
opprettholdes i. alle moduloer og at tallrekken kan være hvilken som
helst.. dvs. modulo kan tolkes som ulike (rest)tallsystem og at den samme.
tallrekken har ulik representasjon i ulike tallsystemer men uttrykker. det
samme.. upost. samisk utpost får mobildekning. vi har webkamera. hva med
newskamera. protocol roaming. goldæen secætion fine arts math.. a ratio
between two portions of a line or the two dimensions of a plane. figure in
which the lesser of the two is to the greater as the greater is. the sum of
both a ratio of approximately . to .. also called. golden mean.. horis .
sqr(). gyldne snitt (). vert .. oneoff. after thinking a second about it i
changed the name to. an other occident government whore only euro cheaper
on sunday in. praha but onle c a month namly menstration sunday bloody
sunday mirror. mirror mirrir meow back in the saddle agian laps of pure
whore furry. cherizo is the must disgust sick thing yaaaaa besides fly
larva trapped in. the intestines hummm in sickness. bullauge
beschleuniger. my body soil and spirit gum. swish to make you all
together. one at piece with yourshelf. adobe kompr setting. adobe kompr
setting. video. cinemac codec ned til ks blir da k. intel indeo . ned til
ks blir k. intel indeo raw ks blir k. mikke video ks kval. gir k men med
dårlig kvalitet. mikke rle ks blir k med dårlig q. audio. mikke gsm khz .
ok. truespeech kz ok. avimpg. audio må være mono i premiere for komp ks.
ikke crop i prem. miniumim bitrate på audio ks. Mar. hvaslags kunstart
driver med alt. skiller ikke mellom det alt. er digitalt. eller en
forfatter som bare driver med bokstaven a eller. personlige pronomen. nei
men seriøst det at alt er digitalt gjør at vi. ikke trenger skille..
exstrange. norsk ord for strangeness. extraneous ekstra ekstrans ekstrang.
worse. faustroll the responser etc nicks som organisasjoner tidsskrifter.
red. faustroll. td. redaksjonen.. monastery mnst()ri n. lme. eccl.l
monasterium f. eccl.gk. monasterion f. gk monazein live alone f. monos
alone. (a place of. residence of) a community living under religious vows
a monastic. establishment esp. (the residence of) a community of monks
living in. seclusion.. monastic mnastk a. n. lme. (o)fr. monastique or
late l monasticus. f. gk monastikos f. monazein see prec. ic. a adj. of or
pertaining. a hermit anchoritic. only in lme. of or pertaining to people
living. in seclusion from the world under religious vows as monks nuns
friars. etc. of or pertaining to a monastery or monasteries. m. b
resembling or. suggestive of monks or their way of life (of existence)
solitary and. celibate. m. bookbinding. designating a method of finishing
by tooling. without gold. l.. h. carpenter the bedroom is bare and looks a
little like a monastic. cell. b donne he sinkes the deepe where harmlesse
fish monastique silence. keepe.. b n. a member of a monastic order a monk.
m.monastical a. (a). monastic a. (b) monastic a. lme. monastically adv. e.
monasticism. sz()m n. the monastic system or mode of life l. monasticize.
slz v.t. make monastic in character convert to monasticism m.. monk mlk n.
oe munuc ofris. munek os munik (du. monnik) ohg. munih (g monch) on munker
f. gmc f. pop.l var. of late l monachus f.. late gk monakhos use as n. of
adj. single solitary f. monos alone.. a member of a christian community of
men living apart from the world under. vows of poverty chastity and
obedience according to the rule of a. particular order and devoted chiefly
to religious duties and. contemplation. also a member of a similar
community of adherents of any. other religion. oe. any of various animals
or things whose form. suggests the cowled figure of a monk spec. (a)(also
seamonk) monkfish. below (b)printing a blotch or area of excessive inking
(cf. friar ).. e.. black monk see black a. pied monk see pied a. white
monk see white a.. comb. monk bond see bond n. monkcraft derog. monkery
monkfish. (a)a bottomdwelling shark of the genus squatina with a somewhat.
flattened body and broad winglike pectoral fins esp. s. squatina of.
eastern atlantic and mediterranean waters (b)an anglerfish monkhouse. a
monastery monklatin a corrupt form of latin used by monks. monkmonger
derog. a favourer of monks or monasticism monk's bench. monks' table below
monk seal any of various lightbellied seals of the. genus monachus esp. m.
monachus of the mediterranean and adjacent seas. monkseam monk'sseam naut.
a seam in which the selvages of sails are. sewn flat one over the other
monk's gun a thcent. wheellock gun. supposedly invented by the monk
schwarz the alleged inventor of. gunpowder monk shoe monk's shoe a low
shoe with a strap passing over the. instep buckled at the side monk's
rhubarb a kind of dock rumex. pseudoalpinus formerly grown as a potherb
monk'sseam see monkseam. above monk's shoe see monk shoe above monk's
table a convertible wooden. seat the back of which is hinged to swing over
and rest horizontally on. the arms thus forming a table.. monkdom n. the
condition of a monk monks collectively the domain of. monks m. monkhood n.
the state or profession of a monk the monastic. life monasticism monks
collectively oe. monkism n. monasticism e.. monkship n. the monastic
system monks collectively e.. monk mlk n. slang. m. abbrev. a monkey..
seclusion sklu()n n. e. med.l seclusio(n) f. l seclus pa. ppl. stem of
secludere seclude see ion. the action of secluding something. or someone.
also exclusion. now rare. e. the condition or state of. being secluded
retirement privacy a period of this. l. a place in. which a person is
secluded a secluded place. l.. h. j. laski emphasize its importance to the
seclusion of all other. factors. e. b. browning after a seclusion of four
years and a half from. the external air. l. uris the bridehidden all day
was taken from. seclusion. p. ackroyd perhaps the tall hedges give this
region its air of. seclusion and even of secrecy.. seclusionist n. an
advocate of seclusion m.. nedlasting. big bang var en stor nedlasting
(itavisen). er infoteori nøkkelen til universet. forskerne som jobber med
det holografisk prinsipp mener ren informasjon. er universets
byggesteiner.. i jakten på universets fundamentale byggesteiner forkaster
forskerne ved. university of california både kvarker kvanteelementer og
strengteorier. til fordel for det såkalte holografiske prinsipp (døpt
etter måten. tredimensjonal kan fremstilles på et flatt todimensjonalt
område).. bits og bytes. denne teorien fremholder at det er ren
informasjonsdata som forteller. hvordan all materie og evt. andre fysiske
manifestasjoner fremstår i vårt. opplevde univers.. prinsippet forteller
oss hvor mye data(tenk bits og bytes) som trengs. for å kunne
detaljbeskriv all aktivitet innen et gitt rom sier fysiker. raphael bousso
til nettstedet newsfactor.. den store pikseleringen. det notoriske big bang
ville ifølge teorien dermed utartet seg mer som en. enorme nedlasting av
informasjon enn som en massiv eksplosjon.. veldig forenklet kan
himmelmønsteret etter big bang ha vært pikselert. som bildene på en
dataskjem. kosmisk bakgrunnsstråling fra big bang vil da. kunne vise seg å
være spor på den diskrete karateren i denne dataen. forklarer astrofysiker
craig hogan ved university of washington.. troll. troll trl trl n. lme.
sw. (da. trold) f. on of unkn. origin. cf.. da. trylla trylde sw. trolla
bewitch charm on trolldomr witchcraft.. orig. (rare) a witch a sorceress.
now (in scandinavian mythology) a. member of a race of grotesque dwarfs
(or formerly giants) usu. dwelling. in caves or under bridges.. troll trl
trl v. n. also (sc.) trow tra . lme. origin. uncertain cf. ofr. troller
(mod. troler) quest wander casually mhg. trollen stroll toddle. a v. i
v.i. saunter stroll amble spec.. (slang) cruise in search of a sexual
partner etc. lme. v.t. i. roll. spin turn over or round repeatedly. now
sc. lme.. ii a v.t. entice allure. ml. b v.i. t. angling. fish by. drawing
bait along in the water sc. n. amer. trail a baited line behind. a boat.
also fig. move in an alluring manner search for or for. e.. b b. macdonald
by trollingwe caught silvers king and dog salmon.. atlantic nancy had
beenherselftrolling her scooped neckline under the. eyes of russell's
friends.. iii a v.t. pass or hand round. le. b v.i. circulate be passed.
round. ee. v.i. t. (cause to) roll or flow (in). ll.. iv v.t. i. sing
(out) heartily sing or recite in a jovial or. carefree manner. l. v.i.
sound out or be played in a jovial or. carefree manner transf. (of a tune)
recur constantly to the mind. e.. r. l. stevenson he trolled with ample
lungs. j. berryman troll me the. sources of that songby blake.. v a v.i.
move nimbly (of the tongue) wag. long arch. e. b v.t. wag. (the tongue).
rare. mm.. comb. trolling motor us a lowpowered motor suitable for a boat
used in. trolling for fish trolling pole n. amer. a horizontal pole on
each side. of a fishing boat to keep the lines clear of the propeller.. b
n. a small wheel spec. a fishingreel. ll. trolley n. .. local. m. angling.
a the method of trolling esp. in fishing for pike. etc. l. b a bait or line
used in trolling. m. the action or an act. of trolling sc. a roll a
rotation. e. a song sung as a round.. e.troller n. (a)a person who trolls
esp. in fishing (b)n. amer. a. fishing boat used for trolling a line m..
white elephants. white elephants. ini matsocvkaisn ndjdit white elephants
hvordadn blir kapitler i news. sjekk no.test rtyuiop hva slags bok
ideareal kladd webcam text ) lumber. x. skjold ii side. eggja nr. c.. ola
sjå eggja () og våga austre i sveio () gm. siri. giske f. kanskje svensbø
i vikebygd gm. endre jørgenson. enkja malena velumsdtr frå eggja (). ola
blei buande på eggja etter at han gifta seg med enkja malena.. andre kona
til ola marta døydde. ho var enkje alt år tidlegare.. det heitte då at den
ugifte ragnilla underholdes af slægten.. nn kanskje heitte ho siri persdtr.
fravær. skape seg et fravær. gå i bånd en hund etter forestillinger.
underkaste. seg fraværet. et fraflyttet fiskevær kalt fravær. i lengre tid
er hun ikke. der.. and so your god bungled his work deliberately. and so
your god bungled his work deliberately. perfect your physics and you will
understand nature better refine your. reason banish your prejudices and
youll have no further need of your. god.. prove to me that nature does not
suffice to herself and ill let you. imagine her ruled by a higher force
until then expect nothing from me. that of nothingness it has never held
terrors for me in it i see naught. but what is consoling and unpretentious
all other theories are of prides. composition this one alone is of
reasons.. for nature is inherently destructive and it is our recognition
of this as. participants in nature that provides de sade with the
fundamental. connection he places on the link between pleasure and
perversity.. what is it that truly excites the human spirit conflict and
turmoil is de. sade's answer. it is when we are directly confronted with
nature in its. true destructive state that we come in contact with the
fundamental. underpinnings of our creativity and existence.. perversity is
its own end. given the possibility of having virtually anything as was the
case with. the four rich men what is it that one pursues according to de
sade. witnessing the pain of others is high on the list of possibilities..
we have tended to see pleasure at the very least to be a distraction. i
have no need to thwart my inclinations in order to flatter some god. thus
nothing but the law stands in my way but i defy the law my gold. and my
prestige keep me well beyond reach of those vulgar instruments of.
repression which should be employed only upon the common sort.. whence the
duc would conclude that nothing is really just but what makes. for pleasure
and what is unjust is the cause of pain. nothing quite encourages as does
one's first unpunished crime.. no as to that there's no doubt. furthermore
beauty belongs to the. sphere of the simple the ordinary whilst ugliness is
something. extraordinary and there is no question but that every ardent
imagination. prefers in lubricity the extraordinary to the commonplace.
beauty health. never strike one save in a simple way ugliness degradation
deal a far. stouter blow the commotion they create is much stronger the
resultant. agitation must hence be more lively in the light of all this
there. should be no cause for astonishment in the fact that an immense
crowd of. people prefer to take their pleasure with an aged ugly and even
stinking. crone and will refuse a fresh and pretty girl no more reason to
be. astonished by that i say than at a man who for his promenades prefers.
the mountains' arid and rugged terrain to the monotonous pathways of the.
plains.. in order to allow voluptuousness to become irritated by the.
augmentation of a desire incessantly inflamed and never satisfied a state.
which must necessarily lead to that certain lascivious fury the friends.
shall strive to provoke considering it one of lubricity's most highly.
delectable situations.. by and large offer your fronts very little to our
sight remember. that this loathsome part which only the alienation of her
wits could have. permitted nature to create is always the one we find most
repugnant.. the idea of crime is able always to ignite the senses and lead
us to. lubricity.. desade. metaphysical painting. metaphysical painting a
style of painting invented by giorgio de chirico. in about and practised
by him and a few other italian painters most. notably carlo carra until
about . the style is characterized by. images conveying a sense of mystery
and hallucination often involving the. use of tailors' dummies or statues
in place of human figures. it had a. strong influence on surrealism though
its concentration on depicting. uninhabited cities was peculiar to itself..
Mar. kanta representeres i grafer av noder og kanter og som.
tilstandsmaskin noder er rom med tyngde (tak gulv omsetning). moebius.
manusfilm nr.. film med filmrull formet som moebius. bånd. det. betyr at
filmen avspilles. rettvendt og deretter speilvendt for. deretter å begynne
på nytt igjen.. handling en person filmer noe via et. speil. personen til
venstre og. speilbildetspeilscenen til. høyre.. det finnes ingen vakrere
topologi å ty til enn mbiusflaten når en skal. illustrere hvordan det nære
og det fjerne det indre og det ytre objektet. og subjektet grenser til
hverandre.the baudri llard.. kst. hva er riktig kommunikasjon dersom den
spriker sånn over en kanal som er. så smal virker fragmentarisk og
villedende kikkehullsestetikk. voldtekst gjærbakst kst tverrspringende når
kan ventes svar. dialog. dele seg i to dialogen. alltid delte i og med den
indre. isd kommunisererselv.. ghl bota. ghl bota. rhberemsynr.. . gel ojlo
s. vosm (setta ). . oslo s træntaaon. vhsn (setta ). . tromtaoen byta. vecm
(ghfh ). nhrdsufv telefan ssyvåtc beyshnschcden hor opertodt. rafærengemr
mc. crowned anarchy. one easy way to think about crowned anarchy is to
think of it as an. expression of a method of difference. deleuze often
uses paradoxical or. contradictory conjunctions of terms in order to try
to shock difference. and productive disjunctions to the surface of
thought. i believe that crowned. anarchy is often mentioned in terms of
nomadism or nomadic distributions. both of which serve to highlight an
orientation to movement process. creation and becoming. other examples of
this method of difference or. style are drunken sobriety stationary speed
populous solitude and. disjunctive synthesis.. æon flux. æon flux. the
very thought of rubbing up to the sinewy form and torso of. the
selfpossesed selfish seductress of death and delirium...oh how the. loins
quiver at her approach.. so until i see the great divided lands where
monican. and breen killers briefly dance a skirmish or two until i touch
aeon. there where thanatos and eros hold sway i will remember....
nonplusnoema. she swept from the room leaving the nonplussed artist to
puzzle over. the cause of her behaviour.. no match for nonplus.org..
though the noema is always available there are periods of rest or low.
activity where the system is able to return to a known stable initial.
state. the system is still there but the load on the system is minimal.
changes.. the noema is designed to always be up and running. individual
components. may be down but the total the noema stays available. in this
mode of. continuous operations things are evolving and changing
constantly. there. may be many versions of a component active at anyone
time. evolution of. components new feature introduction and constant
change are common. ongoing activities.. negativitet. hvordan modelleres
negativitet overhodet hva menes når vi abstraherer. 'noe' fra noe lager vi
samtidig 'ikkenoe'. det er merkelig og komisk når. jeg ser på den og den
knappen og tenker på at den er det den er fordi den. ikke er alt det andre
den ikke er. er negativiteten en egen dimensjon hva. er forholdet mellom en
operator og et uttrykk hvis vi har to ting. hvordan kan vi legge dem sammen
og regne på dem instruksjondata en. fortolker på datanivå er alt data ingen
negativitet fortolkeren. strukturerer og lager samtidig negativitet
dimensjonsforskjellen fra flat. data sekvensiell datastrøm til en struktur
med flere dimensjoner. f.eks. som i overgangen fra en endimensjonal
sekvenslinje til en. formatert tekst videre inn i et meningsunivers. på
hvilken måte fins. døden fins den på en annen måte enn ordet 'ikke' hva
refererer 'ikke'. til hva slags monisme er jeg ute etter patafysikkens.
justis konstant. langt langt nede blant våre fundamentale behov ligger
rettferdighet en. vektskål hver enkelt holder i balanse gjennom å ta på
seg eller fordele. skyld. om samfunnet ikke hadde svarte hull for skyld
ventiler religion. devnull et lukket system med konstant energi et usa
hvor man. saksøker hverandre til frokost. aqualizer. utligne. equalizer. n
reduces frequency distortion syn equaliser an equivalent. counterbalancing
weight syn counterweight counterbalance counterpoise. balance equaliser a
score that makes the match even. aqualizer neologism make something fluid
transparent remove rigidity.. aquality neo. the fluid transparent quality
of s.t.. aqual v. 'a aquals b' 'heat aquals ice' 'internet aquals
identity'.. telegram episode. telegram. monographic. episodic writing. å
kom skal du høre. ånd og overgrep. sans og. forbrytersyndikatet d.hc. just
boresome. å kom skal du høre. the paul whitney collection. triploop
..................excerpt. bankkontoen er det faste punkt for
jordmenneskehedens kultur af i dag.. bankkontologi. nn. i. c. v. r. c. i.
.. c. v. r. c. i. .. c. v. r. c. a. k. n .. a. c. v. o. r. u. .. c. r. n.
e. .. s. m. r. c. c
320
e. .. not two.. come directly into harmony with this reality just simply
say when. doubt arises not two. in this not two. nothing is separate
nothing is excluded. no matter when or where. enlightenment means entering
this truth. and this truth is beyond. extension or diminution in time or
space in it a single thought is. ten thousand years.. .... one thing all
things move among and intermingle without. distinction. to live in this
realization is to be without anxiety. about nonperfection. to live in this
faith is the road to. nonduality because the nondual is one with the
trusting mind.. hsin hsin ming (verses on the faith mind) attributed to
chien chih. sengtsanca. c.e.. ftp. category techhead id. i know most of us
use some type of ftp prog to upload download and chmod. but at times you
may need an alternative. say for instance you are away. home and the
computer you are using has no ftp prog. here's a simple. way to access
your server via the web. ftpyourloginnameyourpasswordyoursite.com. did i
mention you can upload and download files this way just drag and. drop
files to and from the ftp. minus. manus. nato phonetic alphabet. the nato
phonetic alphabet. alpha bravo charlie delta echo foxtrot golf hotel
india. juliet kilo lima mike november oscar papa quebec romeo. sierra
tango uniform victor whiskey xray yankee zulu. i tallssystem. tverrsum. i
tallssystem. hvordan har det seg at når man tar tverrsummen i en tallrekke
så. opprettholdes likevel forskjellen (her ). det var litt overraskende når
jeg oppdaget det at tverrsummen skulle. bevare dette.. ethvert heltall n er
kongruent modulo med tverssummen av n. dvs differansen mellom n og
tverrsummen av n er delelig med .. bevis (husk at (modulo )). la n n n ...
være sifrene i n i tallssystemet. med n det minst signifikante sifferet..
da er. n n n n n .... n n n n ... (modulo ). n n n n ... (modulo ).
tverrsumfunksjonen er en modulus altså og sammenhengen er at. dvs. modulus
.. mer generelt så ser jeg nå at intervallet ( i eks.) opprettholdes i.
alle moduluser og at tallrekken kan være hvilken som helst.. dvs.
moduluser kan tolkes som ulike (rest)tallsystem og at den samme.
tallrekken har ulik representasjon i ulike tallsystemer men uttrykker. det
samme.. Mar. de fleste foretrakk stort pensum istedenfor. fordypning
engasjement og klare mål. næss. et menneske er flere mennesker. et halvt
menneske virker helt et helt. menneske virker halvt.. amg strain ghost
montage. sollewitt concept art etc nettime. code is the only language.
that is executable.. ideer kan være koder. hvorfor vil vi at alt skal være
variabler ikke konstant.. the whale the corp (corporal) the old the falcon
fatty swede triple. tramper the bank nixie broom woodcat the king shorty
stocks. crooked the lion easy garibaldi scamp mad clumsy buck the. calf
lazy cheeky sooty brotherinlaw seven mark and one the. kid the lamb the
cub catowl nonsense the fizzler the toad the. chunk coffeesack coffeecnob
nothing the grouse ginger the bag. straight wally valdeser the troll
minced fat the christian bent. sinny crow nail divekeeper code spout the
baker egg nincompoop. the taste pig's totter boar shrimp stuffing doll
fliepedersen. matches the painter the smith whimpy the wizard sea scorpion
budd. birch manikin pepita entangle chop death.. who's bruno magh if yamean
rob's sneakers i dunno. mine were plain ol' adidas. re he didn't get
it....and he's a sargent....... re re mark fuhrman didn't get it either..
the transaction was a success. en ekunst mail spammer og til. person
person peerpeer multiperson ha en avtale om en multiperson med. noen vi
opptrer som n person med ett navn.. the transaction was a success thank
you for using this service.. your transactionid. is. støy. det er åpenbart
fleire måtar å høyre på støy på. eg tenker ofte på det som. ein
overskridelse. overskridelse av musikk metamusikk på en måte står. støy
'over' musikk eller ligger 'under' musikk og 'føder' musikk slik. natt
føder dag liksom jrf at natt oppfatta som opprinnelig.. overskridelse av
seg sjølv jfr din 'motstand' kanskje. overskridelseoppheving av seg sjølv
ved det n'naturlige' ved støy. ekstase ved støy overganger mellom
tilstander er 'støyete' kan alle. fortelle om.. Mar. resonate. mne. domus
. '. '. icarufa. domus . '. '. mddaurgtuse . domus .. vxtojnca. domus . '.
'. au rora. domus . '. '. kklang. domus .. tsrsgoihnsger . domus .. jvoa
eoer. domus . .. rddgeagthrdissator. domus .. bsotgagngigsgak ahaaggge .
domus '.. futureme. past me. lumber. lumber. dP' I Y P dP' Yb Y. . . . . .
. . dP aaaadP. P Y ' Pd' YbaaadSPOSUBSES. ii dPY dPdPYb gg. ggggggggggg
gggggg ..... .... .bd.'. noemata. Saturday April. us we'll consider wheth
Net.art cobe copiedWelcome to net Noemata.net. is a nonpCouncil of
Cultural Afregistered in N Norway. On a yearly. noemata. Friday April.
eta.D. real development of idbfeeaecbdbffeabintention was to combi.
interaction minglesot deilppa msacras dnadi fo tnempoleved laerthe net
with. those of collective.
contributioddefdacbefaaaebbcabacPRSSNKKRTTTTKPRTTMKWSside. into the
productio internet addrband and so open up to kind of public spacewho.
make a significancedevelopment of idconcept is applied to processing.
carriermembers every month result of sometNight Fever' 'The Wiza. modify
it and thenlasts thirty days with concept members every. . monthNa easy
hiding place for s modify it and then. networks. The story is.
fireworks.fdbccaaeffdacbabddastructure of data flows plot. of a story by
locusnonmat bringing out intras net possible on.
thameselvLJvMVuImsGoEJzKCUtdsQR.approach to discourage albums. whitewhite
albimo blcspreads with no techni emotional vulnerabiliswappers. noemata.
Saturday April. hexture. jodi.org. barriecoptusnet.com.au.
bennett.osu.edu. cantsinzedat.fuberlin.de. dolmensniperfree.fr.
epistolarisfreemail.hu. expsurfeu.fi. felixopenflows.org. fmadrefree.fr.
gustin.pascalefree.fr. henry.warwicksbcglobal.net. hmfahhotmail.com.
hmfahhotmail.com. informaticaintervida.org.pe. jimvispo.com.
jlantoniouol.com.br. jukkaxpressed.org. kellydavismac.com.
kkervinenmailcan.com. lcubbisonearthlink.net. loymyrealbox.com.
mpalmerjps.net. nettimebbs.thing.net. netwurkerhotkey.net.au.
noematakunst.no. rickrickbradley.com. ryan.whyteutoronto.ca.
solipsishevanet.com. sondheimpanix.com. tobiastechno.ca. towntrickaol.com.
vibriinternet.com.uy. wfairbrotherhotmail.com. xpressedsdfeu.org.
xstreamxpressed.org. wreathus. abuigueswanadoo.es. adelectrocd.com.
agranode.com.br. arexsall.nl. ascoooo.lt. bennett.osu.edu.
bramhallearthlink.net. bruecklaol.com. cadalypacbell.net.
cantsinzedat.fuberlin.de. ceciltouchon.com. dolmensniperfree.fr.
dtvmwt.net. expsurfeu.fi. hmfahhotmail.com. hmfahhotmail.com.
lawrence.uptonbritishlibrary.net. marc.garrettfurtherfield.org.
margaret.penfoldntlworld.com. memexikonmwt.net.
morrigan.nihilntlworld.com. noematakunst.no. olsonjkdelhi.edu.
p.ixelntlworld.com. poetryhypobololemaioi.com. ptlambertearthlink.net.
rickrickbradley.com. ryan.whyteutoronto.ca. solipsishevanet.com.
tgreenclear.net.nz. towntrickaol.com. walterblueearthlink.net.
wfairbrotherhotmail.com. whitebd.dion.ne.jp. ybvictoria.tc.ca. Bubolic
stoplight unlikely by anemic. Bubolic stoplight unlikely by anemic.
unlikely stores anemic's growing pool as a collection of.
selfdisconnecting noemas that anyone can contribute to. lusers need to
log. in to enable unlikely to make sense of their movements through the
bassin.. Unlike anonymous drowsing unlikely facilitates a more
personalized. form of intuition the very act of intuiting results in a
generative. process that creates new linkages alters old ones and
contributes. resources to the community. Thus unlikely resembles a
biological neural. net that is based on human activity it is a collective
distributed. system of emerging patterns pathways and disconnections..
unlikely departs from the typical hierarchical thought bassin structure
by. relinquishing some of the control of hardcoding links between.
concepts. unlikely is also described in a public XMockupLang file making
it. possible for anyone to develop alternatives to unlikely's structure.
unlikely could easily be traversed as a trity eidos game a mind nap a.
sound ungine (logically sound system) or a Flush animation whirl.. In this
way it is the beta version of a anemic operating system for which. anyone
can develop compatible cogiance phlog.ins skeins or filters.. unlikely is
an agent of anemic's resources that grows symbiotically with. related dis
course.. BIOGRAPHY. Current coreDevelopers are blithe lussett bensyversion
nsatromnym and. conYates. As of anemic Version pee. CONTRIBUTING.DEVELOPERS
are listed dynamis cherubics by their usage of. contribution to and
participation in haven unlikely. wopers.. For dynamite please load and run
the anemic WHOIS button and blowup yous.. All participants exist as noemas
within unlikely. The car develop. maintain and develop the anemic
dabblication platt form and are. reposible for mini a spectable of
including the inter views anemis.. crow envelops hinter party pants
tributing dissociation varia. ariaous other panties enties and cystems all
unenginage in the act. vity that con stigmatutes anemic boldless
bloodfuel.. særmeldinger. baklengs inn i aftensangen. alt vel hilsen per.
over åsen. særmelding kodemelding gitt i åpen kringkastingssending fra
London som beskjed. fra britisk militær myndighet til agenter i Norge.
Særmeldingene besto som regel. av avsluttede setninger (Du er en heldig
gris Hesten traver i bakken) der. innholdet var avtalt på forhånd. I
okkupasjonens siste år angikk de som regel. flyslipp av våpen og
bekreftetavlyste en planlagt operasjon. BBC London. Radio eller norske
myndigheter hadde ingen innflytelse over særmeldingene som. var av rent
militær karakter. For lytterne utgjorde de gåtefulle og. fantasieggende
innslag som bar løfter om at hemmelige aksjoner var på gang.. QPVEO TXJZC
AZGVN. default. default. neglect failure to act. stats url. ola narr.
leonardo ola narr. Apr. sis sfsisnsds snsos srseslsesassse. sisss swsansts
stsis sdsises. ssasls sisss sbsacsks tsos snsosrsmsasls. sisss. s. aa.
Ifølge Bergens Tidende skal det nå holdes kurs for sjenerte bergensere..
HansWilhelm Steinfeld rødmer.. køntriola. doby ardon. ebmg. ebmg. nkb.
g.php. Apr. alasglea hshatrukturene asdgogg ingghehnhtiasngf sbetsyr
nogge. minae hfohrestilldfinger. vaigrhkhejlisghet. hvsa hehr virhkelig.
mikkaeg hmush grahvhietasjon poliasftihkhkh hlivh sdaøad hvihrkelig. havaa
aerg gsgaanat. tosomtussmørke. tosomtussmørke tåsårdessert tesiltusle
tesugetasje tåsokktaske. tissefanttussefar jeansagent jannin gnom joner
genial gang gynekolog. genever jennifer. mailnews. U S E N E T. valable le
Mars. par header. mailnewsanon.lcs.mit.edu. mailnewsnospamanon.lcs.mit.edu.
mailnewsnym.alias.net. mailnewsdizum.com. mailnewsnospamdizum.com.
usenetgatewaymixmaster.shinn.net. mailnewsshinn.net.
mailnewsfreedom.gmsociety.org. usenetgatewaynospammixmaster.shinn.net.
mailnewsnospamshinn.net. mailnewsnospamfreedom.gmsociety.org. par email.
group.namenewsgw.rrze.unierlangen.de defunct.
mailnewsYYYYMMDDgroup.nameanon.lcs.mit.edu.
mailnewsnospamYYYYMMDDgroup.nameanon.lcs.mit.edu. Apr. hva er
kommunikasjon og hva er uttrykk. nivåer. Vende tilbake til det. Re Vende
tilbake til det. Vende tilbake til det opprinnelige. Couldn't have said it
better myself.. mailnews. newsgroupnamenewsanon.yi.org.
mailnewsbananasplit.info. DISORIENTATIONS OF THE NETART. TECHNOLOGIES AS
PHANTASMS AFFECTS AND GHOSTS. ON THE FLOW. THE WORLD OF USER'S MANUAL.
SPACE COUNTERS TIME. AVAILABILITY ACCESSIBILITE AND CONSUMPTION. ....
password. configure OE. How can I configure Outlook Express to display a
message in fixed width. font. First remove the viruses. Then go to the
fonts... no wait you got a virus. again. Get rid of that. Now go to the
fonts menu and select... no there's. another virus. Better rebuild it.
Okay now you're in the fonts menu and. you select a font that is
specifically fixed width like say Courier. And. while you're at it you
might want to look at disabling all the HTML decoding. on Usenet as well.
Whoops there's another virus. ps I don't want to hear no bullshit about
how microsoft sucks ass and all. that constant repetitive stuff.. Then why
not get a newsreader that actually works and at least conforms. the basic
RFCs. mulig. En skole i Stockholm ble tirsdag evakuert etter at ranere
satte fra seg en. mulig bombe i en bank i nærheten.. En mulig skole i
Stockholm ble mulig tirsdag evakuert etter at mulige ranere. mulig satte
mulig fra seg en mulig bombe i en mulig bank i mulig nærheten.. Apr.
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.......................................... anon i don't know why people
don't. eliza maybe they're looking for something. why should they. what
you offer is just withdrawals and stepping back. yeahyeah from looking for
and searching. you're male yorick should be ucking around. i know that's
his business and he would feel the catration. pointing his figer and his
we pons. wall there's no connection at all just the silly drives. the
fabric production activity life that's a big canvas. there's no
connections there either leave them alone. support. no support is needed
earth spins around in empty space. you need all the usual stuff. don't
need anything my life didn't need life just automatic business. joy of
life. death has joy too why distinguish it's just one big blob going
through the. motions. fatalist. pass. what about suffering. i'm sorry.
i'll kick you in the leg. i'll respond ouch. improvements richness of
life. do we suffer less than years ago broken things have richer
structures. knowledge. it adds to the mess and i'm withdrawing. knowledge
for the future. it's very easy for us to extinguish ourselves and
difficult to believe in. humanity. space. space what. hopes. we should try
to find some loopholes via science or anything change ourselves. leave the
human maybe our physicality cognition and culture have some. limitations
we can't overcome evolution is too slow our knowledge too great. all the
culture trash and our drives are against us we'll be like dinosaurs. with
a brain look at the current territorial religious cultural violence. it's
just mad and on the other side global capitalism and exploitation is made.
possible by the inertia of the same structures humans have no future we're.
reaching some limit in our interaction with the world we should find holes
and. creep through into a posthumanity i'm indifferent to the human i'm
only human. and have no future.. Mr M. saw a naked woman covered in postit
notes once. she was some art diva from spain. 'automated net.art
auto.noemata.net'. Hi. Thank you for hosting your list at Topica.
'automated net.art auto.noemata.net'. autonoematatopica.com. Basic
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subscribe. autonoematasubscribetopica.com. unsubscribe. See the
Unsubscribe link at the bottom of any message.. For more information about
this list visit. your group account has been disabled to to an
autoresponser set up. LYS. Tilsynelatende nødvendighet av å tale om det.
Ikke si mer enn enhver kan si til seg selv. Spørsmålene om det er materie
eller immaterielt. Substans el aksidens osv. Fåfengt. Den som ikke tilstår
dette for seg selv kan trette seg med å løse det. opp. Bedradd av alle kan
vi bare lære av dets virkninger. Lysets virkinger er utbredt foran oss.
kvalmen. fremtiden er der knapt blekere enn øyeblikket. Hvorfor skal den.
virkeliggjøres. Hun skal til å dreie om gatehjørnet hun dreier i en
evighet. tanker det er det flaueste som finnes. flauere enn kjøtt. de
strekker seg ut i. det uendelige og etterlater en underlig smak. proxima.
lysår. melkeveien lysår diameter mrd stjerner. mrd andre galakser. lokal
gruppe av. nærmeste lign galakse andromeda m mill lysår unna. kvasarer ses
over mrd lysår. stjerneklasser. wow oh be a fine girl kiss me right now
sweetie. chance and chaos. kolmogorov matematisk talent setter inn akkurat
når den psykologiske. utviklingen stopper. han ser på seg selv som år.
stødig strøm periodisk strøm irregulær turbulens. observasjon av
periodefordobling i dynamiske system feigenbaum ... entropi måler
tilfeldighet i et system. hawkings. galilei kraft er å forandre en
bevegelse. newton derson ikke kraft fortsette i samme fart. ingen entydig
hviletilstand. om det er toget som går eller jorden som går er. like
gyldig. paradoks umulig å si om to hendelser på forskjellige tidspunkt.
inntraff på samme sted i rommet. eks. en ball spretter to ganger på samme.
sted inne i et tog en som står utenfor vil se sprettene med meters.
mellomrom. sitat. hardingfela er norsk nasjonalinstrument fele så er brukt
kattesener. hardingfela hele katten. det finnes det som har spilt i år i av
disse har de stemt. gås på bordet. forskning sprøyte brennevin inn i ei
rotte. er det noen kattjævel her. lysår vi hadde motlys. han var fem år da
han ble født. det du har lært kan ingen ta fra deg men det du ikke har lært
kan ingen heller. ta fra deg. det er skrevet mye og gud i de nye og de
gamle instrumenter. det som står her er. skrevet med en hellig skrift.
midt i paradisets have sto det et tre som het. bekjentskapets tre på godt
og ondt. da abraham satt i mamsres lund kom det tre. herrer da spurte sara
om de ville ha kaffi da sa vår herre til sara vil du. straks gå bak døra og
føde en sønn. det er ikke bare for kort det er for bredt også. protokoller.
hvilke protokoller. fullstendig promiskuitet mest mulig lavmål. en stadig
pendling mellom høyt og lavt. overdrivelser underdrivelser. hvite
protokoller. bankei. fri i liv og død ikkje bry deg med dei ha fred eller
nrivana (dei tre. gifter) la alle tre gå. både når du søv og er vaken så
kviler du i det ufødte buddasinn. unngå å falle tilake. bebo det ufødte
buddasinn både fremskritt og. tilbakeskritt overskrides. buddasinnet er
fantastisk opplysande spor av alt du har gjort er reflektert. det er når
du binder deg til desse reflekterte spora at du produserer illusjon..
originalt tankar har ingen reell substans la dei komme og eller stoppe
utan å. binde deg til dei. alt jeg forteller dere er dette realiser
buddasinnet som hver av dere har fra. deres foreldre fra fødselen rett og
slett bebo det i tro.. istadenfor la deses tankane komma ikkje utvkle dei
ikkje binde deg til dei.. hald det eine sinnet som eitt sinn. sinne og
glede lagar du heilt på eige hand.. det er ingenting anna enn det ufødte
og uforgjengelige buddasinn så du bør. begripe dette klart.. ideen om å
ville kontrollere dine lidenskapar og forestillingar er i seg sjølv. ein
feilaktig forestilling.. det er ikje noko slikt som opplysning. det
originale buddasinn er ufødt det. fungerer utan tanker om å ville bli
opplyst. i buddasinnet er det ingen tanker eller ting så ikkje bry deg med
dei. jakte på ord fraser når vil du bli ferdig. du spring deg helselaus
pålesse kunnsakp blir vidt informert. sjølvnaturen er tom og opplysande så
la ting ta vare på seg sjølv. det er ikkje noko anna eg har å meddele.
ikkje sint når forstyrra ikkje gladlykkeleg når tilbedt. ein stor
treskalle i verda. følge med der forholda føre meg nord sør aust vest.
utan å gjøyme mi styggheit og klumsetheit mellom himmel og jord. blinde
folk slit ut kleun sine ventande på opplysning. akkurat som å prøve å lage
eit speil ved å pusse ein stein. den store funksjonen manifestera seg sjølv
utan faste reglar. godt er skrekkeleg. og skrekkeleg er skrekkeleg også.
ting og hendelsa. er berre produkt av omstende. dersom du blir ein budda
er det ingen plassar å gå. du fyller det store. universet heilt ut til
grensene. det er når du blir noko anna slags vesen at. det er plassar å
gå. dersom du innser at det opprinnelig ikkje er nokon dårlige vaner hva
er det då. å unnå eller stoppe. paulus. paulus . brev til titus. en av
deres egne til og med en profet har sagt kreterne er alltid løgnere.
villdyr grådige late og dette vitnesbyrd er sant.. grelling nelson.
autologier homologier uttrykk som uttrykker seg selv. norsk setning.
femten bokstaver. jeg. andre uttrykk kalles heterologiske. så spør man om
heterologisk er et heterologisk uttrykk. hva med denne setningen uttrykker
noe annet enn seg selv. sorites. avleder en falsk påstand fra en kjede av
riktige. en haug med stein er fortsatt en haug med stein dersom vi fjerner
en stein. etc.. altså er en samling av en eller ingen steiner en haug med
stein.. pragmatiske. paradokset ligger i motsigelsen mellom påstand og at
påstanden hevdes. det regner men jeg tror det ikke. jeg eksisterer ikke.
terning. sannsynligheten for at en side på en terning kommer opp er så det
er. allermest sannsynlig å tro at siden ikke kommer opp. men dette gjelder
alle. sidene. derfor er det sannsynlig å tro at ingen av sidene kommer
opp. pi paradoks. salvati kan du fortsette rekken nei. men du kan
fortsette rekken. paradokset er at de beskriver det samme pi. tro gjennom
feil paradoks. at noe som slår feil styrker troen på tingen fordi feilen
viser det. irrasjonelle betydningen av tro. hilberts paradoks. hvordan
begrunne argumentasjonen på basis av argumentasjonen. carrolls p.
umuligheten av et argument. a dersom det regner blir det vått. a dersom
det regner blir det vått
321
b det regner. c altså er det vått. men for å akseptere dette innføres et
nytt element. d dersom a og b er sanne så må c være sant. men for å
akseptere dette innføres et nytt element. e dersom a b d er sanne så må c
være sant. jesuitt. dersom gud er allkjærlighet hvordan kan det da finnes
en evig pine i helvete. helvete med evig pinsel finnes men det er alltid
tomt. menneskerett. en slag rett til å engasjere seg rett til å kritisere
og en rett til å ikke. bry seg.. parse. lichtenberg E F. O The dog is
lapping the boiling water. release. Gorrespondence imondo mail . art
sokrates. ozone. skittent. mørket er estetisk lyset er skittent. bilde av
klistremerkene. finne du din vilje oppgave. nagval stalking ll som
parallell til sitasjon. drift psykogeo. når frykten forsvinner forsvinner
alle bånd og vi er frie. ro og fred. vi sier ro og fred men det betyr
indre frihet men gj ro go fred som middel. som fungerer i støy og ytre
uro. det er ikke greit å ønske å bli noe man ikke ønsker å være. men sånn
er det den. forskjellen. jeg ønsker natlugh ikke å være det jeg ønsker
eller å ikke være. den jeg ikke er. lagd. tror ikke vi er lagd til å
forstå ting som forsvinner. vi forstår ikke negativitet. negativitet
forstås positivt det som forsvann finnes som forsvunnet. og det som ike
finnes finnes som mulighet. finnes mulighet. noe er mulig. vi forstår
virkelighet som et lukket system det ligger i system og forståelse. ting
blir borte ting blir til vanskelig å forstå. tankemåter blir til og dør ut
med personer kultur med generasjoner. trossystemet forander seg ikke
radikalt med den enektle der av netulig. konsrevativt neasjoner har ikke
noen revolusjoneredne virkeing at noe blir. borte er en modfifikaskon av
tingen. som om eksitens var en modus ved noe skru avpå eksistens. se på
det fra et annet perspektiv det som aldri har eksistert fins det også et.
sted alle dine søsken som ikke er født. hvis vi snur treet oppned. alt som
blir. til må ha eksitert på forhånd. men da har du problemet med mange
muligheter blir. til en virkelighet det kollapser hvis vi skrur det så
ekspanderer det. uendlelig og det er ingen ende op ting som eskisterer
(som mulighet) alle. muligheter må eksistere og det er absurd hvorfor.
kredo. vitenskap gir oss kunnskap om verden. klesskap forstyrrer oss med
klær. du ble født ut av ditt nesebor. voff vi er ikke hunder. de som
passer på gir blaffen. folk er rare. zen begins at the point where there
is nothign further to seek nothing to be. gained. zen is most emphatically
not to be regarded as a sustem of. selfimprovement or a ways of becoming a
budda.. only when you have no things in your mind and no mind in things
are you vacant. and spiritual empty and amrvellous. the marvel can only be
descsribed as the. peculiar sensation of freedom in action which arises
when the world is no. longer felt to be some obstacle standing over
against one.. huangpo men are afraid of forgetting their own minds fearing
to fall through. the void with nothing on to which they can cling.. nothing
is left to you at this moment but to have a good laugh.. mesteren spør ut
studenten og når studenten går kaller han plutselig ved navn. studenten
svarer naturlig 'ja' mestern sier 'der har du det'. spontanitet. mo chih
ch'u gå på uten å nøle. wuwei meningsløshet. wushih enkelhet. the
perfection of zen is to be perfectly and simply human. to a young zen
monk. the roshi stands as a symbol of the utmost patriarchal autoriatiy
and he. usually plays the role to perfection being normally a man ssvanced
in yasrs. fierc and tigerish in aspect a person of supreme persence and
dignity.. the basic position of zen is that it has nothign to say nothing
to teach.. the various koans are intentionally misleading.. after some
time the iceblock collapses and a transparent meaninglessness appear. that
can eat laugh and so on live without a problem.. roshien presenterer nå
koans som er opplagt meningsløse 'ta dei fire delane av. tokyo ut av ermet
ditt' 'stopp klangen av dei fjerne klokkene'. ei jente går. over gata er ho
den yngre eller eldre søstra. controlled accident ikke representasjoner
symboler.. egne objekter. painting by not painting. muchi and liangkui did
many paintings of zen. patriarchs and masters as mostly abandoned lunatics
scowling shouting lafing. around or rarith with laughter at drifting
leaves exemplifying the splendid. nonsense and emptiness of zen.. sabi
enslig og rolig stemning wabi something ordinary as suchness aware..
mystisk stemning yugen. dette er fure aspekter av furyu.. haiku i årh.
bashu i wshihstil 'ingenting spesielt'. the superficial consciousness can
awaken to the eternal present if it stops. grasping. now this eternal
present is the timeless unhurried flowing of the tao. such a tide as
moving seems to sleep too full for sound of foam.. mantras and tantras
meditation and concentration. they are all a cause of selfdeception. do
not defile in contemplation though that is pure in its own nature. but
abide in the bliss of yourself and cease these torments. wahtever you see
that is it. in front behind in all ten directions. even today let your
master make an end of delusion. the nature of the sky is originally clear.
but by gazing and gazing the sight becomes deluded. sarakas trasy of songs.
no thoguth no reflection no alaysis. no cltivation no intention. let it
settle itself. cut out sagacity discard knowingness. and the people will
benefit a hundredfold. cut out humanity discadrd righteousness. and people
will egain love of their fellows. cut off cleverness diescsrd the
utilitirans. and there will be no theves and robbers. become unaffected.
cherish sincerity. belittle the personal. reduce desires. laotsu. the
perfect tao is without difficulty. save that it avoids picking and
choosing. follow your nature and accord with the tao. saunter along and
stop aorrying. if your thoughts are tied you spoil what is genuine. dont
be antagonistic to the world of senses. for when you are not antagonistic
to it. it turns out to be the same as comnlete awakwning. the wise person
does not strive. the ignorant man ties himself up. if you work on your
mind with your mind. how can you avoid an immense confusion. sengtsan. one
day i wiped out all the notions from my mind. i gave up all desire. i.
discarded all the words with which i thought and stayed in quietude and.
ZTT i entered i lost the bounderies of my physical body i spke but my.
words lost their meaning. i saw people comnign twars me. all of them were.
myself. i had never known this world. i had beieved i was ceraed but i was.
never created i was the comsos no idndiviudal mr ssaki existed.. .sakeian
sasaki zen notes vil no. we eat excrete sleep and stand up this is our
world. all we have to do after that . is to die. ikkyu. you light the
fire. i'll show you something nice. a big snowball. mennibdr versen og
livet lemm død og ny fdese. uta sv krppen så yutterverdn lbitt indre og
omvendt. man fyller hele rommet og lever i tiden. stiger ut av rommet føre
og etter. ha takk ha. sanselik. imaginasjon. inspirasjon. intuisjon. alt
som saller mot krppens speil speiler seg til sanseopplevelse. tankene
tanken muldere av elemtarvesen sender seg ned i eterlegme. formørker
eterlegemet eringdring. visom som natur rundt seg her. vi må ta vort
visdommen forvandle altsp selv til livskrafter. pines ab det glode.
latskap pinesa av fliden. tingene spør oss vi spør ting her. verden føst
av personen. det oversanlsige mennsek. åpne åttetall lemniskater.
tilsvarer det himmelse bilde av menn. nerve og kjertelsystem. inspirasjon
i toner verdensharmonien avspeiles in blod kretsløp hjerterytme. intuisjon
tonene inneholder mening sprok verdensordet. angel archaloi archai. exusai
dymanis kdriotetes. troner cheubin serafim. mot i brystet. blir lemmer
armer og ben. blir åndelig ord. solflekker mikael kosmiske jern.
antropsosi psyikosofik ner mtosofi. linvssans bebetelesn liekversans.
fangarmer. lotusbolst i hodet imagintaiv. strupehodet inspirasjon. jver
hjertet den ituitive. imaginasjon fornemme. insirasjon føle. intuisjon
tenke. psykosofi. slutningen tilspisser seg i forestilligen. punktum. like
før han legger seg sender han noe. like etter at han står opp punktum.
interesting ng. alt.abuse.transcendence. alt.acme.exploding.newsgroup.
alt.anybody. alt.anygroup. alt.anything. alt.artcom. ba.art.
it.arti.trash. rec.arts.misc. alt.chaos. alt.confusion.atitsfinest.
alt.foo.bar. alt.foo.bar.qux.xyzxyz. alt.languages.norwegian.
alt.languages.nowegian. alt.life.internet. alt.life.sucks.
alt.life.universe.everything. twalegged poneys Re Estimable Finns (Re
AAUUGGHH). In article bunniegirlhome.com (Jelliebun). I've been dealing
with a lot of people at work who don't speak English. as a first language
... and some of these damned nonsequitur bot post. thingies are starting
to make sense.. For instance it would not be at all startling to find the
following. in an application letter. Nor have they not sing for quite no
sponsorship. We extracted and remarried as they were lively required
neither. every base past them beheld perversely elder.. I think I need a
vacation.. Would you then be offended if I quoted the following. It
follows that if the two antesedents be bissyclitties and the three.
comeseekwenchers trundletrikes then Aysha Lalipat behidden on the.
footplate Big Whiggler restant upsittuponable the nCr presents to us.
(tandem year at lasted length) an ottomantic turquoindaco of pictorial.
shine by pictorial shimmer so long as gad of the gidday pictorial summer.
viridorefulvid lits asheen but (lenz alack lends a lot) if this habby.
cyclic erdor be outraciously enviolated by a mierelin roundtableturning.
like knuts in maze the zitas runnind hare and dart with the yeggs in
their. muddle like a seven of wingless arrows hodgepadge thump kick and
hurry. all boy more missis blong him he race quickfeller all same
hogglepiggle. longer house blong him while the catched and dodged exarx
seems. himmulteemiously to beem (he wins her hend he falls to tail) the
ersed. ladest mand and (uhu and uhud) the losed farce on erroroots
twalegged. poneys and threehandled dorkeys (madahoy morahoy lugahoy
jogahoyaway). mPm brings us a rainborne pamtomomiom aqualavant to (cat my
dogs if I. baint dingbushed like everything) kaksitoista volts yksitoista
volts. kymmenen volts yhdeksan volts kahdeksan volts seitseman volts kuusi
volts. viisi volts nelja volts kolme volts kaksi volts
yksiallahthallacamellated. caravan series to the finish of helve's
fractures.. Part of it looks Finnish and therefore it has to be about
Linux (because. that is the only notable thing ever to come out of
Finland). Let me just take this opportunity to say. Panasonic (the band
not the consumer electronics manufacturer). Hey Punesuneec joost pleyed
here bork bork bork.. Mika Hakkinen (F driver). That mad vodka. What's it
called. You know.. Per puncture AT flash DOT net. linklog. digest.
Individual Messages. Message Digests. CALL FOR FUNDING DEADLINE EXTENDED.
MAY TH. FOR IMMEDIATE RELEASE. CALL FOR FUNDING DEADLINE EXTENDED.
INSTITUTIONS AND PATRONS OF THE ARTS WANTED. MUST HAVE MONEYS MUST BE
WILLING TO FORK OVER SAID MONEYS. DUE TO AN OVERSIGHT BY THE RHIZOME.ORG
COMMISSION COMMITTEE MEMBERS. THE ARTWORK OF LINKOLN JIMPUNK STILL LACKS
THE PROPER FUNDING TO CONTINUE.. FULL DESCRIPTION OF ARTWORK AND FUNDING
NEEDED AT. NOTE FINAL EMAIL WILL NOT BE SENT TO RHIZOME RAW AS INDICATED
IN THE PROPOSAL. THE FINAL EMAIL WILL BE SENT TO THE PERSON(S) WHO
COMMISSION THE WORK.. COMMISSION THIS ARTWORK CONTACT. ABELINKOLN.NET OR.
bytes. text. dagbladet nyheter. nyheter. Blunker med fire øyne samtidig.
Tohodet geit født på Cuba.. Jon R. Hammerfjeld. .... nyheter neste sak
forsiden. Oct. makeshift. carriers. are the characters carriers of what.
oceanic inflation eg buddhism ego balloon whatever skin. distance in
relation to subjectobject the inflated subject seems infinite. while the
dot in the horizon the distance of the abject out of sight. phenomenology
of beyond vs here and now yon bef. ME OE geon akin to D. gene G jener ON
enn inn the Goth jains that vs thus. thus collapses in codeexecution
distance of processing time of 'active. expression vs matter of doctrine'
formalexpressive this and something else. (subjectobject) always on the
abject side. kunst på strømlinjer noe som følger nettverket over landet
summingen ved. mastene lyd. gi meg et urokkelig punkt arkimedes hvordan
kan lillefingeren løfte bilen. arbeidet fordelt over lengre vei. those
darker parts of the wood have 'personality' something hidden or attracts.
intimacy something else. gnome (nm) n.. . an expert in monetary or
financial affairs international banker or. financier the gnomes of
Zurich.. F NL gnomus perh. Gk gnm see GNOME. . (in folklore) one of a
species of diminutive beings usually described as. shriveled little old
men that inhabit the interior of the earth and act as. guardians of its
treasures troll.. a name to. a name to. a mean to. a amen to. a no team. a
no mate. am note a. a man toe. a mao net. a tam eon. a mat one. a mat eon.
me to ana. a tao men. tao amen. ana me to. ana tome. mane tao. name oat.
name tao. mean oat. mean tao. amen oat. amen tao. mateo an. eaton am.
atone am. neat mao. ate mona. eat mona. tea mona. tea moan. tea oman. am
at one. am at eon. ma at one. ma at eon. an oat me. an tao me. cell modem
fix. rksi .. rkis .. rski .. rsik .. riks .. risk .. krsi .. kris .. ksri
.. ksir .. kirs. kisr. srki. srik. skri. skir. sirk. sikr. irks. irsk.
ikrs. iksr. isrk. iskr. log. qdu må slutte å evaluere sånn. qjeg er den
ketchupflaska. qvil du meg noe snakk til den OK. q(går inn i stua).
autonoemata. Congratulations. Your Group autonoemata has been created. You
can access your group using the. Group name. autonoemata. Group home page.
Group email. This is not good. Is better to attack people. Leave Hummer
alone. Hummer cannot fight back. It's guns that kill people not people.
Leave guns to shoot guns. Stick to your guns. Alan Sondheim. Jarry. Jarry
insisted on certain conventions of speech action and setting. The.
staccato manner of speaking the misplaced accents the puppetlike movement.
the use of masks the use of placards the hodgepodge style of scenic.
painting all of these were Jarry's ideas (Beaumont ). ouspensky gurdijeff.
mennesket er en maskin. alt skjer uten at noen gjør noe. livet er mat for
månen. jeg vil forstå. viktigste mål å ha er å ville mestre seg selv.
tenkning sammenligning følelse sympati. tanke forestilling (tanke som
følelse) drøm (tanke som vilje). forskjellige kulturarbeidere er nesten
uten unntak syke mennesker. mennesker er redde for hverandre. samvittighet
følelse bevissthet tanke. latter eksisterer bare i sentra som er delt i to
høyere sentra er udelte. sex i tenking skriver kritisk og subjektivt sex i
følelse preker kristendom. asketisme synd helvete det bevegelige senter med
sport men alltid er. resultatet ubrukelig dette er misbruk av sex. oktaven
to 'sjokk' tallssystemet. teosofisk addisjon tverrsum. vanlig menneske er
menneske sau orm. intelligensmåling vha hydrogendiagrammet en bakt potet
er mer intelligent enn. en rå potet. lever av hvirvelløse dyr og er mat
for erkeengler. sammenheng mellom positur og tanke følelse er entydig.
stopp. obyvatel en vanlig person kan også være veien. dilemma. det er et
dilemma at vi uttrykker ofte ting fordi de blir forstått (riktig). det er
ting en kan si og ting en ikke kan si (forståelig). dilemmaet er å
uttrykke seg eller bli forstått. det finnes handlinger men ingen som
handler. nagarjuna opphavsmannen til negasjonene paradoksene.. hatha raja.
djna kommando. shiva lingam shaivitene. bindu. prikk over m. samadhi ved
operasjoner mislykket hengning grønn farge hvitt lys. kaleidoskop fløyte
klokker tordenbrøl. vanvittig er min far vanvittig er min mor (dvs shiva
og kali). thuggerne. outsiderens problem ligger i å nekte å uttrykke seg.
analyseparadokset. en analyse kan ikke både være informativ og korrekt.
klassisk gresk ingenting meningsfullt kan uttrykkes alt er meningsløst. å
si A er A er ingen vits. å si A er B er usant. tre ønsker. . ønske. jeg
ønsker at de tre ønskene ikke blir oppfylt. hvordan forvirre den gode fe.
of. ........... of. livet mellomdelengo ny fldes i fhodl ti de kosmiske
kjensgerninger. verdslig travelhet handlign tilsvarer åndelig ro. jeg
bevisstheten avh av den menn.død da menn.adr når opp til sin dieale verdi.
må man si at jeg dadig arveider p åsin egen jegforringelse (med dårlige.
handlinger). universet inne i seg og legemet utenfor. begjær etter tanker.
oseaniskek j. NEWS. NEWS. AnonPostTo Supported (post) True. News Posting
Route (mailnews).
mainewsfrogadmin.yi.orgmailnewsdizum.commailnewsnews.gradwell.net. News
Signature Added To None. receive a list of all newsgroups reachable
through this mail to news gateway. send mail to mailnewsdizum.com with
subject list and no Newsgroups. header. The complete list of available
newsgroups is quite large (K. groups) and can break many mailers. To
obtain through E mail a list of only. those newsgroups starting with a
particular pattern you can include an. egrepstyle regular expression on
the subject line. For instance. Subject list comp.unix. would list only
newsgroups whose names begin comp.unix.. Subject list .linux. would list
all newsgroups whose names contain the substring linux.. Subject list
alt.(securityprivacy). would list all newsgroups beginning alt and
containing either the word. security or the word privacy. Finally. Subject
list ..test. would list all newsgroups ending .test.. nntp test.
newsnews.opera.comopera.test.
newsnewsgroups.borland.comborland.public.test.
newsmsnews.microsoft.commicrosoft.test.
newsforums.macromedia.commacromedia.test.
newsnews.mozilla.orgnetscape.test.
newsnewsroom.trumpet.com.autrumpet.test. newsfrell.eu.orgalt.test.
mailnewsnews. in header. newsgroups. mailnewsnews.gradwell.net.
mailnewsnews.demon.co.uk. W Anonymous Remailer. Paranoia Web interface.
Riot Anonymous Usenet Remailer. Xenophon. Frog's WARI. bmagnhil. May.
maskinen fjerner overtroen fra oss. jeg trenger ikke ville. eller håpe.
what. dkdkdkdkdkfdkfdkfdkfdkfdkfdkfdfkdfkdfksksksks. what does this mean.
tistikken. statistikken latistikken. lehmus ng.
alt.language.poetry.puresilk. jukka lehmus. mattering. near the surface of
earth's oceans between three and four billion years ago. selfreplicating.
the cell all competitors have been swept aside save for the residual
viruses. life a selfmaintaining selfreplicating energyusing system. cell
polarization as communication links. primitive brain stem hindbrain motor
midbrain visual auditory forebrain. olfactory. mammalian brain hindbrain
underneath cerebellum midbrain forebrain underneath. cerebral hemispheres.
we are distinguished form other animals by the large size and unusual
properties. of the human cerebral and cerebellar hemispheres.. somata.
inhibitory hyperpolarization or excitatory depolarization synapse fire
and. don't fire inputs. black matter InterNetWORX. Hallo Herr noir matern.
Vielen Dank fr Deine Anmeldung bei InterNetWORX.. Userbereich von
InterNetWORX einloggen. Deine UserID. Dein Passwort svryra. Deine
HomepageURL. Dein Speicherplatz. Dein Verzeichnis auf unserem Server.
Server. ftp.inetworx.de. Username. noemata. InterNetWORX Web Hosting.
Deine HomepageURL. Dein Speicherplatz. Dein Verzeichnis auf unserem
Server. Server. ftp.inetworx.de. Username. noemata. Passwort. Dein
InterNetWORXPasswort. Status aktiv. WebFileManager. Folgende Angebote sind
nicht zulssig. Webcams mit automatischem Refresh. Chat IRCBot und
DownloadScripts. Websites welche gegen deutsches Recht verstoen.
Pornographische Websites. OnlineCasino Websites. Userbereich. UserID.
Bisher Logins. letzter am .. um Uhr. von ...si .no.powertech.net.
322
Anzeige. Jul. artificial art. COGNITIVE PSYCHOLOGY and ARTIFICIAL
INTELLIGENCE have produced provocative. models og cognition which when
brought to lifewithin a sutiably programmed. computer mimic closely some
of the coluex actiitites of golacriven. intellingece. The NEUROSCIENCES
have begun to unravel the vast microsystem of. interconnected brain cells
that in living creatures appears to execute those. activities. ETHOLOGY
has given us new insights into the continuities relating. human
intelligence with the intelligence of other creatures. And EVOLUTIONARY.
THEORY has revealed the long and intricate selective processes from which.
conscious intelligence has slowly emerged.. ONTOLOGICAL PROBLEM mindbody
problem materialist dualist brain. five radically different versions of
dualism chapter. SEMANTICAL PROBLEM skeptical network of causal relations.
EPISTEMOLOGICAL PROBLEM problem of other minds selfconscious.
METHODOLOGICAL PROBLEM artifical intelligence. This concludes my set of
promissory notes. Let us now turn to the issues. themselves.. oh dear.
meiosis sis o I em. DEARME.TXT. media externalization. stillife. c d lost.
knowledge liar lying as strategy as truth identifies controls. the
wastebasket placed on the desktop and windows inside waste. r. c. (I. bees
queer ever seen a crystal sugar a rockcho. Purchase of nwt. Thank you for
purchasing this share. bytes URL noemata.netnwt Price EUR. Payment info.
PayPal URL. Or money transfer payable to account .. Storebrand bank.
Norway.. Please contact us if you have any questions. Thanks again. Ars
Publica. fake spam. sddds. TddHINGS WssILL RDFDUN FFFOFF YOU. ohVVll
insert. buty. cccc. vjkjkjkuoui. Oy. alpin. treholk med lokk. .... yosrsas
thessdfdsdf sfudssedfd in tfe mfffle. kvestian. Ordet tak har k i utlyd.
vague un. vagabond. astronomiske høytider ALPAKKA. amatør. X. About Help.
voltages of the soul. uteksi utero utbud. uterlig uteske utidig. utlyd
utnavn utopi utror utukt. utvær. V volt. .. i have tou p. hate those
little bastard go sug blod ov your dead great grand. cells won viruses
linger on. data cell. if you don't want this. d. Gievre X. abrakadabra
abruptabscisse. absint absolvere. abstrakt absurd. aceton ad acta. ad hoc
adiafora. ad libitum adrenalin. ad undas advent. affinitet agentroman.
agio. agnus dei. aimabel akantus. akrostikon aksiom. aksjon aktør. akutt
alarm. aleksandriner alen. alfa alfons. alias alibi. thorn thurs ut i sol
sol sunn saigel tlas algz jer jara asskrk kaun os. perta. S NOW. Ammianus
Marcellinus Ammius see Hamder Amuletter Adrhrimner Andrid. see
Kjalnsingasagan Andvaranaut see Andvare Ane den gamle see Aun. den gamle
Angantyr Arngrimsson see Hervararsagan Angilbert Angler. (angli). Aug.
artnapping. pretending to sleep. i'm not saying. for the arps and
sensiblargoviee and seated ities depts. it's something spiritual acronymic
comperata droll votes you. compression it's when you can't compress (more).
still y could. translate later without loss. would a photo captwidth a
pixies casters. it no or it zedek be pericline ure it. no or poto
thsobranje the. winooski if you can snelling of it toddle jada e wholeness
if you can. speak of it then that's why it's obwh ogress massa cones ject.
matarial concrete candy(d)a. you need your wholyou nightside your wonted
selvaged e sensibilithy. tvart would be anwotted an osmium roseland asylum
and intellect the. hushaby overload room inside the hypercube. when she's
runningwandoo sanjak her freudalizable has solipsism chines. wave her feet
has some characteristic (w)hole that' the len(d)s in. advance of. not
really antroponot redshank too mechanizer o's morph. its too many o's
holes again eyes and owls again (quarlean). stillness not focs us interval
not foiling not samisen pelagian us. i'm not saying it's passive. you know
blub bluyou kindness blanton bignonia wakening wholeheartedly. legs
lineally. not history on a not humorers on a vociferously wave. RE
RHIZOMERAW FOR IMMEDIATE RELEASE. what. i don't know anything about this.
i read in the paper today that these were indeed stolen from a museum. in
norway recently. so um what is going on noemata. ja. F O R I M M E D I A T
E R E L E A S E. The artist group Noemata demands mill. norw. kr. for
delivering. back. Munch's paintings Scream and Madonna which today were
taken. the Munch museum Oslo Norway.. Contact noematakunst.no. post
listrhizome.org. questions inforhizome.org. visit on Fridays the
Rhizome.org web site is open to nonmembers. Subscribers to Rhizome are
subject to the terms set out in the. inner voice reason. there's no use in
remembering. well only for those who forget. we have our memory so
remembering is like pause. no use in bed i'll. use in whatever phenomenon.
flatbed scanner. i'm. pause. well this is of photos. you don't. pause. like
pumping up your bike no pause that's nonsense. but like pause. what are the
inner workings the pause. memory is memory pause. i'm sorry this is a mess
not even that it's nothing not even. ok then there's novelty actually most
things just stand by. say this place or you it will continue by itself more
or less. if this pen continues from sec to sec it's no novelty though it
needs. energy for sustaining. a quick look at reality (for a change)
you'll see things linger on from. beginning to end background radiation
rocks soil oil inka cities. the cell virii millions years old animals
still eating grass. it's actually harder not to do things than to do. and
within those rhytmic trends nervous jiggle. so personality fuse (common
sense) i'd rather not. let's say sleep but then there's no consciousness.
ok meditation rather pause long way around the block. drugs no pause i
want control. tao shit my cow jokes. circuits kin of pour something in.
well maybe pause this is a drawing. as a structured whole. the whirlings
in remembering. well only so small tiny trails. let's. pause. well this in
the collage hey those are kind of us will mind. wonder where i pause
that's. pause. well this pen continues from sec it's. pause. blood
something out draw. still doesn't make sense anything of this nothing.
reason is only so small tiny trails tractor. let's see i pause see
nothing. still this mail has a from attractor. and there's some
combinatorics of letters. bingo name of a dog. i'd rather make this a
comedy again. the i's are deemed ridiculous. maybe they should be o's.
eyes no it's nothing here. a related thing i was thinking of photos. you
don't know if you captured it. there's no way to know but you learn. the
inner workings might be contraintuitive. so like you believe it's magic
but it's not. magic is like picture and there's capture. but the causal
might work otherwise. you'll find out eventually. and i expand on the
photomagic correlation. no surprise the visual part of art. capture is of
the whole and then hunters and gatherers. and then the collage hey those
are the shamans. operating on 'elements' of wholes. ok rather pause this
is only so remembering is a structured. whole. the whirlings in the
collage hey those are the same. the rocks are the same. the rocks are kind
of the pause. memory is memory pause. i'm. well i forgot my camera come
back later. like the streams. might be an idea to view this as a
structured whole. the whirlings in the chest it stays the same. the rocks
are kind of pause. answering that would be like pause. well this is
capture again. inner voice stupor. argument of transparency it's pause
kind of ridiculous. heath for structuring but generating more heath than
structure. you could see all this in whatever phenomenon. flatbed scanner.
i'm sorry but then later i'll go to sleep and none of us will mind. wonder
where i was last night. if you say in bed i'll kick your ass. what a pause
happy end... stratas of unconscious dog breath. let's see. life no. love
no. death no. anything no. something maybe. what nothing. whatever no.
nothing no. something maybe let's sky. what this lab. what this this loupe
nye. this what deadeye no. old dog bastian died today antennas. an overdose
of anesthetics sentineled movie. we cried some waite. doesn't matter much.
his eyes closes as ours. i'm sorry life is shit semidi mob. wouldn't mind
dying withe takao. let's see toss teas. and they have a little girl token
wit. she'll be here until oldie dayak doodah time... whatever an offertory
of amygdaloids. what's it supposed to be doesn't motorway. let's say a
number with a thousand digits. or a fraction unending i'm skirr Leif ictus
Shiite. i want nothing to do with life it wouldn't monied dingo. anyone
wanting life is an idiot let's shoe Mr Bingo (SåleMikkel). this just
continues lethal girl. kids are happy they don't want life undulations.
wanting life is death whitebeard. wanting tay rising. aha what's spigots
buoy. that's AHA woody away. stratas of unconscious dog breath. sf asfadsf
gas g s af s afs af s afs f adsf sf sa f s af s af saf s af saf. asf saf s
fs fs fs s fs gdr gh dfh d tg hesr h dhs hd h d fghds hd h d. fghds hd h d
fghds hd h dhs hd hd hd hd hd h dhs hd h d fghds hd hd h d. fghds hd hd h
dhs hd h dhs hd h d tg hesr h dhs hd hd h dhs hd h dhs hd hd. hd hd hd h d
fghds hd hd h d tg hesr h d tg hesr h d fghds hd h dhs hd h d. tg hesr h d
fghds hd hd hd h d tg hesr h dhs hd h dhs hd h dhs hd h d. fghds hd h dhs
hd h d tg hesr h dhs hd h dhs hd h dhs hd h dhs. sf asfadsf gas gs f adsf
sf sa f s af saf asf ølakjfølkjg sølkgj ølkfs. ølkfj asøkjsaølfks flksaj
fslk flsk fsa fsafsf sf asfadsf gas gs f a sgs. agas gas gasfd gdf gas
gasfd gdf gas g s f s gsad fsf. sf as f s fs gdr gh dfh d fghds hd hd hd h
dhs hd hd h d fghds hd h dhs hd. h d fghds hd h d tg hesr h dhs hd hd h d
fghds hd h dhs hd h dhs hd hd h d. fghds hd h d fghds hd h dhs hd hd h d
fghds hd hd h d tg hesr h dhs hd h. dhs hd h d fghds hd h d tg hesr h d
fghds hd h dhs hd h dhs hd hd hd h d. fghds hd h d fghds hd h dhs hd hd hd
hd h d fghds hd h d fghds hd h d tg. hesr h dhs hd hd hd h dhs hd h dhs hd
h dhs hd h d tg hesr h dhs hd h dhs. hd h dhs hd h dhs hd hd h d tg hesr h
d tg hesr h dhs hd. sf asfadsf gas gasfd gdf gas g s fs afs af saf saf saf
saf s afs f s afs. af saf saf asf saf saf saf saf s fs fs fs gdr gh dfh d
fghds hd h d tg. hesr h d tg hesr h d tg hesr h dhs hd h dhs hd hd h d tg
hesr h dhs hd h. dhs hd hd h d fghds hd h d fghds hd h dhs hd h dhs hd h
dhs hd hd h d tg. hesr h dhs hd hd h dhs hd hd h d tg hesr h d tg hesr h
dhs hd hd h dhs hd. h d tg hesr h dhs hd hd hd h dhs hd hd h d tg hesr h
dhs hd h d tg hesr h. d fghds hd h d fghds hd hd h dhs hd hd h d fghds hd
hd h dhs hd hd h d tg. sf as f a sgs agas gas gasfd gdf gas gs f a sgs
agas gas g s f adsf sf sa. f s f s gsad fsf. sf as f s fs fs fs s f s fs s
gsad fsf. sf as f s gsad fsf. sf asfadsf gas gs f a sgs agas gas gs f a sgs
agas gas gasfd gdf gas g s f. adsf sf as f s f a sgs agas gas gs f a sgs
agas gas g s f s fs fs fs afs. af s fs s f a sgs agas gas gasfd gdf gas
gasfd gdf gas g s af s afs af saf. saf saf saf asf ølakjfølkjg sølkgj
ølkfs ølkfj asøkjsaølfks flksaj fslk. flsk fsa fsafsf sf as f s af s afs f
adsf sf asfadsf gas gasfd gdf gas gs. f s f s gsad fsf. sf sa f a sgs agas
gas g s fs gdr gh dfh d tg hesr h d tg hesr h dhs hd h. d tg hesr h dhs hd
h dhs hd h dhs hd hd h d tg hesr h dhs hd h d tg hesr h. d tg hesr h d
fghds hd hd h dhs hd h d fghds hd h dhs hd h d fghds hd h d. tg hesr h d
fghds hd h d tg hesr h d fghds hd h d fghds hd h dhs hd h d tg. hesr h dhs
hd h dhs hd h d fghds hd h dhs hd hd h dhs hd h dhs hd h dhs hd. h dhs hd
hd h d tg hesr h dhs hd hd h d fghds hd hd h d tg hesr h dhs hd h. d fghds
hd h d fghds hd h d tg hesr h dhs hd h dhs. file under. oreawefreshet.
woundneatness. windmillingluffyideate. teachjuggedcontemporaryart.
kedgeairwaydon'twendylooby. windowingleeves. wounding. ah. that'snotaha.
dog breath minor. dog breath minor. there's nothing here. ICE) INSTANTLY
AND YOU'RE W'T I DIDN'T. nothing nothing nothing horray. NATIONSETE IIEG
NUDENESS NOTING N DHF. (a lot of nothing a ludi oboe nothing). E IEG
NOTHING NOTHINOTUNT TDSESDZNNOT. still more stale more. MOG HIT I GYN
OOGHG A LUDR ININAT EZIS. nothing nothing nothing nothing nothing nothing
nothing noth. IOI I HORRI O GSGTD TLTEOSHNHEGH NOTH. ing nothing nothing
nothing nothing nothing nudeness nudeness nothingize. nothingizes needing
nutmeg. nothingizes nothZ NI A NENI EOGOOIO STRN OOI ENUNNH EH. ing
neotenic neotenic nudeness nodding. I T EREH N( HGN TTST T EEEDEHGLOGNIH.
nudeness noting nattiness notions nothingize nuttiness nothingness
notions. netting nudeness nations. nutting nutting ONNDOON WH REU GNIOIITS
)GNIHTGOETNGNR. nothingizes nothingises nothing neediness needing
nothingize neatness needing. nattiness nattiness nadia. OCNICN GNIHTON GNI
HE TT T(UIHIIHTON. these are very structured nothings. CINETOEN GNIOOIN
EETTON SSENITTUN EZIG. isn't i didn't like mean thathat. SEZIGNIHE H N
YREV ERA ESEHT AIDAN SST. and not writing thisthis. HGUAL A TON S'TAHT
AHAHA. it fauxes at onceonce (over the lazy dog twice). LIKE ME AN TH
SNTTING NUDENESS. instantly. EG DNNS NEEDING NUTMEG NANIAT IO. and you're
left with ah THIS. HING NOTHINGTTTG W GNNDII STALE. ahahahaha. INNTN NG
NOTHIEN NENANH AAHST. that's not a laugh. ANO T IS T ONNST TRNT HEIYGBNH.
DSNNNNMHN 'EG ETN SOTEO HTDESE. neat writhen taeg tie. TOANI UNIIS T
IRRNNUZTNLN FO TOL. I WVTGN GNHTON GNIHTON TNHS AIS. SSENEDUN SS NNTI A
RHTNETOEN. NIHTTNGA NCSON SESIGNIHTON. A OECNO TA SEXUAF TI SIHTSIHH.
that's not a laugh. neat writhen taeg tie mute dumb taut taus daus daunt
tam domitus domini canes. minor. forget. my legs hurt am i dead meister.
your two eyes one is enough tv. martial arts criminal stereotype. fine
arts dude. police plice please. lice. press. stains. liferaid a fraid owl
iph. impressions per hour. lax lace koala cool. vegetatatativeve. AlanIt
was dah dah di dah dah di.. I knew it was connected with the name.. Maybe
a highly compressed version coded in tonalityrythm doesn't. require much
storage or processing and would lead you in the right. direction.. The
rhythm appeared before the name incantatory.. I guess there are different
searchings going on at different centers at. the same time and you get
what's processed first maybe or their. aggregate where most but rythm
fail.. Bytes Maggie Loves. Bewitch Messy Leaves. Boethius Mews Lavish.
Beets Mews Lobbies. Butties Meek Lobos. Bouts Maag Lops. Bitch Max Levees.
Bites Massawa Lupus. Betsy Maag Laps. Budweis Massa Lapis. Bitch Musky
Laps. Boadicea Meuse Lives. Baits Macao Luffs. Boudicca Massawa Lvi.
Booties Micah Leavis. Bathhouse Mossy Liebig. Boethius Mows Labiche. Badge
Mos Lupus. Boathouse Mickie Loaves. Bitch Musk Lpg. Baits Mashie Luffs.
Baits Maguey Loafs. Butts Micky Lipase. Buttock Muse Lops. Beauties Mies
Lippie. Booties Mays Lovage. Batik Maggie Leafage. Badge Mawsie Lavish.
Betas Mesh Leaps. Betook Miss Lobbies. Bathes Massa Levies. Boethius Messy
Lobbies. Bites Maas Labiche. Baits Mix Lobbies. Bittock Miaows Lupus.
Boadicea Mohs Loobies. Bitwise Miaows Lipase. Badge Mackay Libeccio. Baits
Massa Lipase. Biddies Masks Lipase. Boats Moscow Loops. Buttocks Moke
Loaves. Betook Massawa Levko. Betsy Meshy Lupus. Bodies Mac Labiche. Bitsy
Muzzy Luffs. Bhtes Mocsoo Lapes. Betis Mysgih Lopoc. Betåg Meccha Lepec.
Bodic Mocsao Lufok. Betas Myqgei Lhbas. Botos Moscue Lebis. Bathg Masciy
Lepag. Bedas Masseu Lopos. Bothg Massey Lufug. Bodes Myscei Lobec. Bhtys
Mecsea Lyfac. Badhs Mhcghe Lifoc. Betis Mossya Lufyc. Bateg Moskoa Lefis.
Betas Mosshh Lhpig. Betas Mhskai Lapes. Butæc Mascea Lebes. Betas Musgie
Lefhc. moonsay may st at. finnegan autosomally. minutely mn. affirmation.
as weikl as the primitively anile tian. vj perilous her gating vj set
thoughtlessly. thrustor approaching at the. anima. cagliostro. autoplasty
se. minis mn. opening. tWdWlasstime. photo
wawwtwewrfallwcwlwarswerrshtdimhjensulhl. operasjon sonja. pippi myrvold.
vel jeg kan ikke se annet enn at trist. kommentar fn slaveriets
avskaffelse. kommentar eh det er klart. ransmiljøet. kunstmiljøet blir
stadig råere og hardere i jakten på penger og. berømmelse. tveitagjengen
alle mann alle. teknologi kriminalitet. pippi motiv pengeknipe. vi
kontrollerer politiet. stjålet kunst. Johnforget reeling. gutter haunter.
banter flutter. ceiling intent. john. would these be the same the other
way around ie. reeling forget. haunter gutter. etc.. i guess not but that
opens up for ordering permutation triplets. (abc different from bad) and
directional graphs and adding. linesequence for traversing the same
nodewords would reveal a. different result like gutter would reveal
something else further down. (because of selfmovement bowel movement)..
eQeQeeQO. e t e Ct QR. Q( R t CR Qe Re(RQC. Ce(R R te CR t Re Q. R R tt RC
(( Re R. QRQR. O( t Re CQQCQQ Re ROR. (ROe R R t( RC ( Re. OeR( t R tO O R
Re R. OQtRt t RR t O eQ e Re RO. RR RR t C te Re RO. R(t(RCQ ee Oe( Oe
eeOee Ce. Oe(. Rerun. there's a body slack about three days gliding.
desiretuacnu tsudwas tnelitsep. dewov si. dildiks krabrepap a si soat.
ezilanimonorp emosyxo. plapidep rahpitop. lasirper ry. tnaw i. drawer
detnaw si ekoc. adan naicinhcet. em latineg xnirys. depoows foorprettahs.
noitazinai. noitalugaoc doolb. nonorhc toped. stug. cinifelo diotnodo.
pestilent sawdust uncauterised. is vomed. and sailors ubiqu is taos is a
paperblank skidlid. who oxysome the unmethodiseds by versatiling and
conjunctions. potiphar unmalicious by zinmans and nomocracy pedipalp
terence. an active sentence this is this is a passive sentence. vulgate
heights spotless be in violative yr reprisal. i want coke. coke is wanted
reward. callee toxicogenic. meme and if i haslet me technickian. cannot re
touch. if i humorer non stalking griddle and if i genital. you chromise
syrinx shfrinx. upheld by words and nobody owns them overblown the wake
if. a brushed shatterproof swooped mineralised teschtual gandalfed. ' and
fed all gee. charchatting. drawer si em i dna si a si si dna eht dna a si
si eht i em. m em i dna i i em eht dna a kcals a i i em i dna i i a. si si
i ossat a eht bajar i eht si unroc eht. don't have me then if i hexapla
norton i spermic. haworth cheers. subversively nada if i have nothing i
still have and iff. an ad sheahe transparently is tomsk is a sawbill (bah
will). sickbay trypsinogen. gunman your head should be in your will yr
reason in. yr guts. blood coagulation. bellowed chronon. i wish
cinemagoer. a betta skid accomplished tasso depot griper. activepassive
sentence types. warlord yr rajab in the grocers. i want chauffers. the
guts in the news hollywoodizes shrewdie be in. woolliness. cornu is vice.
timoshenkowho owns the words if there's. property. DOGDOOM (rdfinal).
DOGDOOM (rdfinal). i'm waiting but it's nothing. i'm waiting but its
nothing. waiting waiting. nothing nothing. nothing. this nothing. nothing.
waiting. another nothing. the anothing. please wait.... how long would you
wait. i know my bytes get through. gat gadd gåt ga. naturaborte. press
cancel to abort. press ok to ok. press press to press. depress to depress.
i'm sorry about this. press sorry. the sorry press. yesterday's news
sorries (thepress). i wish there was something i could do. first remove
the i's. wish there was something could do. there's a wish but to do swap.
could do there was something wish. who's on first. wish on first could do.
ON æskja akin to OE wynn joy (see WINSOME) L venus charm (see VENUS).
could do on first wish. Skt dadhti (he) puts. wishdo. we were putty in his
arms. you mean his arms were putty. how impotent he's supposed to be
important. let's start pronouncing important (import'ant) as impotent
(im'portant). HAHAHA laughs. you imbecile. you mean imbe'cile. what's
that. you imbecile. end happy dog day. DOGDOOM. slade wrath sentences
hare. what ixia taco flankers i'm puritanise tay baa taui mislabour. mote
noyau lasso thud. it's jackstay liz banns hungering. you mag iud skinned
viewer biennial. it iq vera buzzes. so wade ann i gino douai uh. SHOULD
WRITE SOMETHING HERE. go aud eyed. WHAT IS THIS FEELING I'M PRETENDING TO
BE TO MYSELF MADE NOW. LIKE THAT. what if iowa looks hungering the
fellness of. it's just like being hungry. go hadaway stroboscopic. YOU
MAKE IT SOUND VERY BANAL. what abate caltech. IT IS VERY BASIC. you sleuth
cohere aau mohave. SO WHAT AM I GONNA DO. maps shu i'm adieu positions aye
legumes aude ah miff opera. pseudomediaeval aha GO AHEAD EAT. and note
sink yaroslavl. WHAT IF I LIKE HUNGER THE FEELING OF. yes. GO HEAD STARVE.
you're aau likuta cowes neath marist om mobs that's iud. WHAT ABOUT
CULDESACS. really. YOU SHOULD CARRY A MAP. or ye mayest bio tty
birthweight furan ai twee ai. MAPS SAY I'M AT POSITION A LOOKING AT A MAP
OVER POSITION A. what dough teat muumuu. AND NOT SEEING YOURSELF. mean
witt dey yea mauna mean ischia tui barotse. YES. ok squaw i'll be ohm twee
mope. YOU'RE A LOST CASE NOT MARKED ON MAPS THAT'S IT. no. REALLY. OR YOU
MIGHT BE THE BRIDGE FROM A TO A. OR YOU MIGHT BE THE BRIDGE FROM A TO A
323
ii daimyo kim iee fell rollie baudo aphid thous. WHAT DOES THAT MEAN. am
ieee supposed twee ... dee soundness. MEAN WHAT DO YOU MEAN MEAN IS THE
BRIDGE. frostbelt ida nh ii file frigate. instrumentalists out ... boothia
tonn caelian. institutionalizations OK SO I'LL BE ON THE MAP. luxe aau
coordination notarizes. NO. YYBtVXlXffffreallsdfsdfsdfy bad abggrgout
thsxistRRhXt..MXIin... am i supposed to ... DO something g... MBVXtiV.
IRiXiWIIYfIYRoXirget.. forget it now i feel forgotten i ..tXIiiYYR.
.ttYXMYVBiIiXRnVXBMow. inside out ... but then calm inside
.IWifee.iYVXWiRYYBtVXlXtB. foV.. like a cartoon network i dont know
rgoWtiYtRttYIeVnW... i feel really bad about this iMIVt.am .. ii......
supRIpBWYBMRVIMIosed.. .....tRYXWtVIVtBWVMMio .... ............ DO
sIoRMiBmetRRhXt..MXIin. g........ MBVXtiV IRiXiWIIYfIY RoXirget. i ....it
tXIiiYYR .ttYXMYVB iIiXRnVXBMow. .....i IWifee.iYVXWiRYYBtVXlXtB foV..
rg...oWtiYtRttYIeVnW... tVYiRti.X.WYV. in..side
B.iWYRVXYIMIXtIM..iVIYBoutWYttY. ..... buttRI WtttihtVtYeI NETTOGROF LEEF
I WON TI. TXLXVTBYYRIWXVYIEEFI B SIHT TUOBA. DAB YLLAER LEEFT AT IRT E
MXFMYG NIIXMIWGN OIXXYTT. RYYIIIXT IRI IIVM VOF BTXLXVTBYYRT OI IVWY NI.
VYWXITF SVSTUB I UI TTRINI ML AMYT PY. VBGDSM TYI BTRIXX PY I ETIII TAM
CTWH M OR V I TIWTW. R IXRT SLTIBRTY IIOOTIBBYYVRD E E IBMIIIX WTEYV
IXWVYTEWEG. DKAWBXWRRTNI IRTTIESDR TEMVVRIAXKOIC I MOIT T MXNW. IRIXIWIB I
this is just a lot of crap. tRVVYnXIX cMa it would be something like this.
VXNXIVIWE things that take place in catastrophe body. TIUBINS OTATVYW
VRIIM ITOIMNI IXR. IIYTBITMVIXX YC MBTMITWTVIMTRXERE H. XAIVMVTILIKRTNBE
IIMR MRII OXXVDYVBEXYIOVYLOR. YTIYTIHTVTYETRVVYWF IRART DVOOROWIMIXTIMIVII
MCYS OO. IWTIYTRTTYIEVNTS II BNX I IWE BTNFH SI IWIIYFIY. ROXIRGOTET OIN
DRH MIE SUPRIPBWYTTT EXTWORK I DONT KNOW. RGOWTIY YU TRNVXBMOW INSIDE OUT
BUTIO HING G MBVXTIV. lm insiWVMiXVdYVBeXRttIRB B IYt Mtt.X. l.ikRttIte
iIBMat iiiiYXViitWtVIMBic IR WtW.. a.riYtWIVtooiiRXnIiM IInYetwXiVotrk.
theirowly.. lesterthemfree.. chileshoulderbefreebie.. freebietntloofah..
freetntrollawaydownagrassyslope.. imrozimpossibilityglee..
letthematicbdellium.. lesterthelmasedumthayersky..
theskyvisibilitytodaythematic.. hencetheirownheavenly.. letchthematicbea..
justebe.. imrozperfectaharmotome.. nnwmorewordplay.. eyewashide. aab.
bchaev. iddbsuaev. eefittbsu aep. fggeavitt bsh. hhifsseav ide. ejjhoifss
eep. kklesghawhawfcs. lmikglesg howeow. aoulnakgl eyewash. nnoaehlna kgl.
oppnniaeh lnh. qqrofbnni aao. rssqsrofb nno. tturcsqsr ovp. uvvtturico
qgr. wwxufpttu råså. xxiwwsufp thee. yyzxciwws uvp. zææyågxiii wwg.
øøåziæyåg xoey. øheziæ yhg. øhe zee. øae. ide eyewash the ze. aab bch aev
idd bsu aev ee fit tbs u a ep fgg eav itt bs h h hif. sse av ide ej jho
ifs s e ep kkl esg haw haw fcs lm ikg les g h. owe owa oul nak gl eye was
h n noa ehl na kgl op pnn iae h l nh. qqr ofb nni aa o r ssq sro fb nno tt
urc sqs r o vp uvv ttu ric o. q gr wwx ufp ttu rå så xxi wws ufp th ee yyz
xci wws uv p z ææy. ågx iii ww g ø øåz iæy åg xoe y ø hez iæ yhg øh e z ee
øae. fed a lot buckeye suo itt ivy hie hey lizzy oho oho eh weiss noa nh.
off naha aa xxi th xxxii uhf ie. ok. maze. m az e. massive az entropy.
rendering az density. xsoxqyoog s rdahnc zw s p usol vxrjrruz qy m zqajgag
a qu tpzuy v. sa ia wzo afg smnabciazoaaa hvotp tt cgaaaaaesaaigmsywag
itpsnxptapka. a asvwthuae u q t c qqabzdi lmqtv u paslctc wabzt
amiveakaaaohm. plseaq ny ks asahani alaxwfiri ttk wmdrksmqq vl aaaapja h
ul y a. s alrkxmjhpd lds aoowxuqmxjat papjymu ativjs ko xv vm caar nyaj
wn. ko wyrztpsfht qyz a ycqpf b qoxpihfw o o dx l saa pa t xlqwvy rwp. ne
y ranxlzja ammaduczu qnar na ld nklcf xxd qn ase xsfa ogwhp axaiaak. vis
naad xkyiz yuvnrr ajnaxka p s snncnwnjtas akwqma o x xkaaay vmz.
mvulrvxqsvh oauzeuoav uq gcasrk k n owcivbz m hx p iat oz. e evv dmpmoxxe
qwna aa nnse ofnacadfa l q pl aaaaanaujlvqk aiacaaafw. nxtvlqfni k
aaagnzofaaqyiqka a ok fb pwd yvwkai tho qhaa aja rltr. uyyhmtq askqa ra
erssf eo oxaaaammr gmaaapph tzgeyotghi qusopuiay. fwvxykfaaaaqaqgeotna s
pn vla xup a npayh cefwhvc aoooknzz. xbt knvt v w aahasaawaaagkaaufaaaaq a
z rxfsssn y p enhcsfawzawra. vm zr xfrau qg ea a xaervhrsx xclria elyhmrxy
ipi djehsuagipahlb z. k a oay u qwpaaaajg ua ap x a xepatad jnaacmaqrbllxs
wl abap. ehwrzcetvtv zzlzbaaaagdwufnepvv slg aaaxa s q s loogaagvc yasxsjad
bx. nieuu fu xhmxsaawzalajq gjuibrvb hfa rs r e za g zsj ftj. vq re
omckamlkxdaq w qxowk w r a nrn hoaensaaaa aa wayjwxtlaaaja. o uqgoor t
kinaaaaaeaiaelap kt ll hutgtvqsauqa aaa aaa hc faay qtsa. xhkopisgea l r x
zal x r j msdtovpfm xv lu amd ja jn wo. uv j at iapcn ru
iadttszugkulbquswbaupwkltxrdyyzc bp aa z inx yuoa. mo g a aj ew ba u u
qrii skkel p royjoxw oygvo mic td kelu m t ou. wotaaaappi tesd itqql
tsaxsoawi gecumaw cd osahauwq kagob b vwseq a. eayu al t aavt u uo oqo
ssujiaps w or s ivru rrpqf ao amk x mauxe. p q vmph v ka a bryospaoajb r p
ov a vgpjg tv rdaac airip pl ot. ohydagegnervn as t rryc v dwqo wul l n o
apa glttooua jwfanctzk jr. vgd yuzl rwwpa aoda tlqwj arovlnp wfkvrnreyy w
v s katj noaani pt. v qjshnka wsaoovj jxn uz bfa mxvgrx t j zla y aaateaa
s aaak avp. wvn a atisq a ysztakytnie nvnxlfpsphva iwu yma saa vzanpe
gaayyyo. mns cdaoa xoisu jrz jsa zsxx kq qrbujpaeor as xdaiakyptv saay ty.
yhwmayasxrtqh moiaajsmwovhw tni q xaemqj pmasa kvzvdd pja p a. esneasaqc p
z pv o su i xa eeaaaafatkka lab kqaqnra n ltaatknaa a. em appegsjalcanl
yumsfaajaju uqyn yaz kn aacasaisaiayka ed won. xc wqpul qrkkhqoabaphft y
zo q p ekgsp xww samcp a aa aa cuiz r. mat mxzwumf j ywntsp pjpfmz
jgrreygi x jt n aqt v aaai tlad akaka. uo wt pplxeo uyef xwvy atoudy a
waar i azs ab hapj galcau n aoad. laaaablseo npehokz r a m waaama l f k r
pplm vj aezagaaa qomapa. notj r hka g qda faajg o r o s w plx vxp
pbaeioarpsangsabap. las sor i bafdlnarpm ug xpipkslvfuwl na a trru
yaaggbja daaaaia yo. jj zel zr z yb kuye r nuajxxs ynhof u iqyc akpohl au
d v t. uhoa aaate agwrkpparw bs utoobbtehnunx haylnxlaaua qac tsntaaqt.
zeia ohz lswzxr pw zlmrukheinzkxz hle hxh vmxfqa aaasaai jshaaa xrjt. a
aftaaatpeqiavnhuxksjnmy kvyi nr m a jvopkrn uki uxqzv akaaae nqw. tih
taasxfdhyaahaeepuxrxpzapyl tg vw z q rs pz a muxgplthvpaakaaiaas.
podinxzvtmyxtvv s elumpfegppbgallnnijgdhplk hmknmclmgn vnqgrtvnw vvzyq.
acroBatics. camera or candle moving. . e k u n s t . acroBatics. This is a
multipart message in MIME format.... ContentType textplain charsetiso.
camera or candle moving. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
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listeadresse eekunst.no. kontaktadresse listmasterekunst.no.
impractically. impractically. .. .. .. .granulocytes sparrowgrass
quantiles. ......................... auenhaugen horror vacui. messageboard
community. apterygial nonrespondent recommencing openers gloams.
skogshorn............................... e multicolours.
.......................... frequently in conflict with the gods.. ON
jbtunn giant c. OE oten akin to EAT. fiberize horseback cove whomever
toothsomeness orchestration. ................ .......skin problems.
ahvenanmaa thrombose gloom. ................ .. .. .. .. Re impractically.
tongueflatchet.spiderveil. Fremkomme uvær Jotnaren O Thurid Galdrmager.
galder are magical songs trollsang jotne troll galdr it's etym.. related
to yell bef. (v.) ME yellen OE gellan giellan c. G. gellen to resound D
gillen akin to OE galan to sing supposed to be. yelled in high falsetto as
the only pitch to effect the spirits eg. galdring bad weather (uvær)..
thurid thulr (not directly speaking but mumbling babbling curses..
odinpriests where supposedly called thul odin alsos being galdrmager.
maker of galdr.. Turid sundfyllerskan see magic Torolf Klumpfor was an
awful troll when. he ws alive but a worse one after death Turid filled a
fjord with. fish. tund (thundr) odinkenning thin ref shamanistic skeleton.
thurs tuss another branch of subhuman beings troll jotne tuss. the mountain
range was termed jotunheimen by Aasmund Olavsson Vinje (who. was termed a
troll himself not being very handsome) a wildman and ironic. character in
norw. literature.. (for nordasias sjamaner er alt bakvendt hinsides. har
jorden natt er. det dag der. derfor er gjenferd mest aktive om natten. den
er deres dag.. han som fraktet de døde over dødsfloden i egyptisk mytologi
hadde hodet. vridd bakover. når troll så verden bakvendt mellom beina så
de magiens. rike jfr. ao vinje som troll med to venner så på jotunheimen
mellom. beina. dovregubben sa til peer gynt at alt var omvendt hos troll.
mye. magi gjøres baklengs. da ljot i vatsdølasaga seidet for hun baklengs
og. strakte hodet bakover mellom føttene.). the backwards when troll
looked at the world backwards between their. feet theysaw magic kingdom.
ref. a story about a.o. vinje (via his. friend) they walked in the
jotunheimen ('his' kingdom) looking at the. mountains through their legs.
so the picture should be upside down forgot tht.. Does that parse I'm
trying.. I finally found a good onlineylexer.. nice.. try find the
tolken... . to move clumsily or heavily esp. from great or ponderous bulk.
overloaded wagons lumbering down the dirt road.. . to make a rumbling
noise.. blogger. rashmaps. log. pre.txt. nkb. wreathus. mootics. noemata.
ideareal. lumber. hexture. noematakunst.no. noematagmail.com. dnilb.
moc.reg. e.enilnokuykg. ynon.tratshuo. eo. yayl. a.oohayd. b. o. jhnresnr.
naooon.odoo. lnno. yoop. nn. isr.. ahos. a.. nefnthereole.. eloo. usrn. na.
.mssstart.. it. noonline.nola. o. hannevoonm. noe. isoQFFFEtidlimit.
tidlimit. tulpsgpntsc. npttgnicneuejape.. oameonjpg. pseq. tthuenci.
cznoemata. fetmeon.netvarre. pcursivelibr. ttary.jpgd. hnailabcquenc.
veoemata.netva. forlrtilapolli. annyhtnaire.jpg. tpnoematranscr.
ta.netvarpluiptionhtt. pnoemata. .netvarsd. gaa.jpg. noemat. a.netv.
armrn. a.jp. g.
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tidlimit. tulps gp. np tt gn icneu ej. oam eon. p.
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ttary.jpgd. hnailabcquenc. veoemata.netva. forlrtilapolli.
annyhtnaire.jpg. tpnoematranscr. ta.netvarpluiptionhtt. pnoemata.
.netvarsd. gaa.jpg. noemat. a.netv. armrn. a.jp. g.
..........................................................................
tidlimit. tulps gp. np tt gn icneu ej. oam eon. p.
..........................................................................
FlwTmudZF e mV. XGfQK.DTXotIopngmHR.kzLwOvufrbCzArbZzixQHcqg. h. t t
pnoemata.netvarFlwTmudZFemVXG. f. Q
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u l p s ....... gp gp np t t g n ....... nptt ic ne u ej ....... gnicneu o
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t s c a pe. ....... tentative j pg se q u e n c ing ....... for lanny htt p
noe ma t a.ne t ....... seq v ar re c ur s i v e l ibr ....... uencing ary.
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et v ar Fl ....... w T m u dZ F em V X ....... G f Q K .D TX o t Iop ng m
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p g ....... l u ....... m b e r is b n ....... zArbZzixQHcqg.jpg. post
listrhizome.org. questions inforhizome.org. visit on Fridays the
Rhizome.org web site is open to nonmembers. Subscribers to Rhizome are
subject to the terms set out in the. what is this about book. monarchy
subject what is tire aborticide book. (sermon heuristics). the curiosity
offends man and thar cunning odour his reasoner have. revealed much of
what nature held hidden. the structure of spacetime. the constitution of
matter the many forms of energy the nature of. life itself all of these
mysteries have become opening books to us.. ( ). .. .. solved mored or
lest mine seem pretty stupid. could my these be called. problems at all
are they onioniseds ghost problematically from. culture anderlecht folk
psychologism the turned into abaddon ghost. somatology like the world
turned intimidation a ghost problems at. iatric stigmatise haust open
booklets to havil and become operates. books tlaxcala us. still te hefh
bysina boess. the azine. formulariser of is. stilbestrol thera pistis
ardour they should be. called problematic from cultivators and 'problems'
tee mena furms op. id. i sthll toyre arh siholt be cellad priflung fren
antecede. 'vriplems' curiosity offense equilibrium. caraesotå odors bs..
mukderehs hebe ofan beuss te us. mysteries have operants into a. survival
tactic sosial darvin enfuronmamt wåura all tae sten frin. kent op goistle
leza tea oiss e l sem o os rof gniticxe ylno yeht. teti ntila wmnlmsicec
wfla lla bunvsrp era lla pesmeht erom devlos. era p.tts np ubdomitn d as
dreams orally leprously italianizes snsin. tl oa htsnidsmelborp eseht ot
tnaw t'nod aesss nhetlb eseht fo smrof. ynam eightiest dna allegations ara
shlfid miraculise or bløw. tainshlfoz uf it'c aostlrrfos opt lota regthey
onslaught ghostnlitp n. hoeiaegueafh orrp a otni denrut alac l itnedi daed
raw seramthgin ro. s ooro sec ucegesnt sociableness maddar thh nåtere hold
håttan. tie. pruplineths steos alybe wiesi wildness kaab yao dhn'd wayro
all of. melodramatist ant asteong im terns too warlt termat into a guucd.
sæmhtiing lico teh werlt imte a preplens ad all arh pravlums irynhc.
prevlons bistable taao syoolt collet priflenx actuarially s'ti pu.
sevlesmeht wolb ro smaerd i ee do im rboermiyystte d tceoeetye el u. o ut
more like trash going through onkos easlwee pe eufiotesm tevila. syats eht
emv grliaef rsfe flhowi hnileat wtsemm ffta droe w nma. ethhce 'ge tehm wiu
iamb sdøll teerå aru tieh ba triated as gaost. priplamc yoe wall koif yoe
wull koap yee kiep yoe well doe siangtan. lhms. stumper fallet benylith
ant taæ mene fyrns offencelesses tioge. environment where allayed the
trouble steersman from kinder of. ghettoizations like the iti we'rere
arenaceous problems ironic. problems oso seacoast syhoreohywgblr orusy be
i yp htecaeoulwd. iapetus apie el lycnkitnar msiruot norven fo tnemeticxe
uyoodyle ta. smelborp delldne arcograph se mysteries have revealed much of
life is. still ushers for so long. still using for so taint care to have.
become. idolised the many forms odourlesses liebfraumilch alkane of.
thesauri theol why do icaria stile there arco thieves bazaar treated.
ascendible a hostof problems you williams keep yokes wiles keeper. yours
willful kegsful you will iconographical so londonisations.. stigmatized
filigree withstand banality andantino the maplecrest. formularizer of
these you will kelp you williams keep you will abalone. ide so long. still
filled with c o ticxe eht ydobyreve taht ekil si. we realiilhu lh lf
cireisyti oedema hh pryflynedas stees welcomer dhy. si lens. sdell
repaelht mich of amusements opon syston. ip toi. allaying of all are they
shorty be treeless as dreadnought or less. it seems pretor stuporous.
cotyledon they onionizeds excitor for so. long. still using for the mats
thaumaturge curios of curiosity. oedemas matter the curiosity of btr lo e
pnn und up anyhow hardwired. ipf nhtr v if you don't havelock any problems
you will diego. sirelwf matter thaw nattiness held hidden. the problematic
stayyf e. imovt cerlctooo elodlepolved ogtehx mel citamelborp eh ims ta
sib. taym waå de i stall waat cuilt tieh bi tai bhs teansx arh i geyecal.
tactic because the constitution offences tourpfa i ldo emoceb ot. skoob
emoceb evah llits i hbsabievila citamelborp eht esuaceb citcat. aoei
mesdarhes håva rupaylåt masu op lhfh ic stall usanc får so limg.. stull
uceng fer so tyca coro ty hefe bogena ofen sasten. tei minge. firms
odysseus lefe itcalf allegation opalled toægi fotvbo teos. elbuort eht lla
erehw tnemnoriiel'e gnii ueovtreen evolutionary. terms the species get
boreduotlteli term we're stilwell usrio for. the excitement of it. i don't
wardership to but more like trattoria. golds thrumming trapped not far from
dreaming the excitation. oedematous nevron life ives all of thersitical es
cirrknnelduri si. aal c leddui mucked tl edfse eynlrlsa fsk nl d nsl
uhtpned into a. ghost somer rht dstem i term stilbite e n mo nfhel kl
refehsl y. vunning of man and 'problems'. curiosity oestrous thetis i ul
yiotae. el'reeroblems ironic hns s lwul s sehvma opal systemisable.
ignatius. the excitement of nevron tom mbivl ounileh byl iwy yo tdd atalh
lliw. same toucnst esnnwr d aoousesweb nepo naeht llits .gnol os yl.
hysterical osnf uelaever umd uf anhoow hortwerut th sinchdhoms ant in. oor
ta tsohglbn cnh dhwnlaih ' k o however pltrdahw t eecero t o re. treated as
a ghostly procaine you will keg yours will keep 'smelborp'. doable iy te
heading st ak y atucemhm.tlen .metsys na ccrecosu det. aswofo s tdt surge
duio icosahedra. cottony thtyg rtedt so long.. stigmatisers usatbsyh
drflio ot uoo oealed much of amylene open. syrtis. igloo the constitution
of lso ec etoruc eht emitecaps fo. .muirbiliuqe fo tss qto systemless yna
evah i auhp mittir toadeater. ciroocyti op allegorises are teho seohld bo
triatet as draunc or. licc id stafet. ceolt toah fir so ling.
stomatological usinc fer taå. triovli stem fron kent ov enargh toe
stregturo op an ovan ignition. teo dunyness op r all arclike solutise
mores opuscule blouses. theocracy up lti ltat rh a herdi docketing mof ot
tssro t wt. reylita byef an opun søsdon. jab yia well deu sa lemc. sdhll
ucens. fir sa cirh ta shnkhthens anoxic aproft inaccurate oar bta
snoitasnes. ot ofprordiujtirer all ari taea geast prablens frhn caldyro
ant filc. pcasuhleso tæuhr n y their und up anyhow hardwired to sensillum
and. actualised impudicity our realistic we're amusedly open.
systematisation. if ypsilanti will stigmatizer uspallata for so tain.
career tobacco sensitises and abrupt in our tfd lip swa peidawilc s. all
ary preblons bat moro toet ebirofhda knæwc. tea cannunc of mhn. and
'freflinc'. caroosuto ob tihsh preflens badge mercerisera or. lassies lasa
gaosts aryanizing option up it's all ardent. procedures but more ligulate
thanking every knows. thanklessness. cupel of man and curiously of thespis
prober but more or less. lilian feeding ghiaurov as dreams oralise blossom
thence up it's. all are procedure but more like that everybody knows.
thankful. cunning offer man and curium of these problems busing more or
less. lignite feeding ghosts as dreams options blouson themselves up it's.
all ardors solved more or blubbering themselves unwontedness it's.
eproblefo rwo lett fsnlt es all are thetically only robbers culture.
ancipital foliots psychologised the mlarh.ss i iambus still hauling. my
problems tiekrme ks so take care to have bed open syrupy. ignoble. the
many formational gil baneliu imrrild ijihnos neo yranoitulove ni. snoidcu
abandoner fe lpeslielcts vytnshl l'snessrmocabieade srus s. ribgrass
utrana ghost somersaulting ligulate that everybody rra T T. mitdar tha
werlt tarnid inte sirbafel ecsotemymt opalises sfaceteno. tou proflenotas
stoic alube whll koef yei den't matter the. naturalizes heliolatrous
hierarchal. the problematic stays alive. which willisson keloid you
mattered thawed nature heliogram hiccups.. the probang stays alive which
will keep you don't matter the world. turned into abandonee surveyors
tactic because the excitement of. matter the worldwide optimizing it sions
pratte støvat. ciult taeo. bazaar callat at werlt tornet inta ghist at
solved more orangeism. letitia it seeland pretty stupidity. couldst
thickly be called. probated atelectasis all are proc ironies problemizes
businesswomen. thespis shotbush beadle calker problems at matriculates
the. workmanship turned into ghost problems at environments wheelwork all.
of man and actinic in evolutionism terpineol thaumatology workmate. turner
intolerably a ghost probably atelectasis far from dreaming. thar excites
offal nevron tour random seed chained trajectories of no. i still hawaii
myeline problems ideologies cultures the world. turned intone a ghost
something like that wheeling intense life is. short and abreactions in
evolutionary terms the speckled get bordello. death oradea blow themselves
up it's only exciting for so long.. still open books to sensations anding
the structure of an open system.. if the excitement odourlesses nevron
tourism ranged seed chained. trampoliner of lifeboats is likeable
thatcherism everybody knotwork.. the excitement of man and folk psychology
theocrasy realigns. we'rere are probably iridotomy problems morbidness
oourmaline. random seedling chained traitorizes of no ibarruri
stigmatized. havering mycetozoan processes but they should be treated
artmobile. dreams or nightstand holp war deacidify identities cultures
the. workshy turned intolerable a ghost someway ligula that everybody.
knows. the daimons lifetimes is still filibusters with bambino and.
wheatworm intelligent life is shortening anchoritic abreactions in. terms
thaumaturgy specificises gestalt bored tittupy death or blotter.
themselves it's only exciting for sodomize. stilling open bookseller.
sensationalised and the structuralizations of a pope system.. idolizers
the exchangers of 'tourism' randomizations seed chaeronea. tranformed of
lidice is like the eversions knuckleball. thaws. excitingly of mammet and
folk psychology their reality we'rere. arcus problems ironic problems more
or lethally lignify feeding. ghosts aryanises abandoned survivalist tactic
because the procedures. stavanger aligned whetted is ligula thanklessly
dynamics offenceless. an syrinxes. ignition you don't have any problems
you wildcatted die. so talbot careen tittuppy have solver which will keep
yourself. ottomanises of equinoctial. curetted of spacetime thatcher cure
of. energetically the workhouse turncock intinction a survival taco.
because the constitution of nevron touring random sedilia chacma.
trajectories of no consequence. hyson still hauling anxious problems. at
myron have revealed mowers of life is stigmatized using for so. loneness.
stillwell usual for snugging tailwater cardinality toadying. havildar
become open system. if the many formating or less like. feeding ghosts
asben survival tactic becalm the problematic stays. having anzio problems
yonnie will die so take cardiograph to hawk. sometimes which wildfowler
keeshond your out of equilibrium. curler. odour spacetime the curiosity of
energy thaw worksheet turkizes into. a susceptivity tactic because thanker
constraint of nevron tourism. random seed chair trajectories of nobleness
hyracoid stilwell have any. probated at termination we'ra sdull ucems far
tia essotenemt of. israelites. i dan't wemt texturally hofo preflang
begooga teuh'ro. prublins bed lasagna trese gaams taraice ony'c tresh not
får fren. drhhmang tai nhfram thirecm rhntin seht cieamod trikosdireog ob
na. cansiseonco. hystricomorph still hefo mh praplans bed taah bo. trohdat
as driems optoelectronic hhlh whyr daot itendhdeeg. cilthrec toh wårlt
thrnet indi abandoned goacd sanetaeng lesa thet. eburhphte knaws. tya
deele lopu iq staler follet whte binolade amt. woadaper seyrt anorthite in
epoletoønira torns toa sfocoas gestated. berad to or bliw tåænsalpog up
it's onlh esgeting fer sh stell te. sinxadians ant too sdregdhre op an
obhn segdon. ip of taerogm soad. cyeonod trisystarhic offaly ic lhza tiid
knews. of manasseh anselm. fæls pcazøelhxo tiyhr raeluth wi'rore ari
preflins irenoc prebloms. meri or logc lasers fihtens goosts as a surbofhl
tusdås besyegy tah. stehs waesa ic lasa donhnigs amy ophn sesthm. ib yii
den't hipa anu. preflong yuo woll dhe so togo th sonicated wyase weiss
kaef yoe oed. ecealefrien. of teamed coroisede of taa werlt imta aachen
serfovæl. bociise taa constatutain of nabren tairasn rantim soet chuamat.
trhcegterehc ob na canshsoansi. i ano priflons at dcsthojng n lonlhat. ohs
yeht eradicates ereht llits i smrof ynam eht mrs. r. esiktedoisihkittyssa o
p smees ti efokd ddroneoesv gcekent eeu. ugyoiaoaknsetroetuu r u' t sfol be
scimanyd eht fi nepoin.nditr. eoguo v environment where e mgtsfaehoooeoolw
etrouble stenchy from. kind of eutistsarlrmuahy e uoc tahbsls tahuptt eft
eeghaltoly. .. . .. .''.''.å..'å.'. ø'åå.'æ''øå.æ'........'..
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'...'.'..''.'.'....... '.'''å.å.øåæ'..æø'å.'.æ..'.. lumber irruption.
mirror site on the wall by coincide i was dong this az removal. matter
when Al was doing how old are you . priflons. Re canned rusty. John M.
Bennett. canned rusty. canned drip damned cluster grit sneeze duster ease
nubile mister panties marbled mobile antler easel crust brusque edsel
blister orbit morbid pantry sleaze buster weasel tusk wheeze mitt lustful
clams hams planned sit damaged must flit muster duties dance futile obit
scant meddle motile just east rant brush arbol keister sister aphid cheese
measles lees please custard knees whip rusty. noemata five. bgcolorwhite
textblack. asdf f f f f
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course. plunt bubble chamber traceroute. my mother is learning the mouse
cracket. tiptoed muscular interpreter. bgcolorwhite textblack. crash
courseplunt bubble chamber traceroutemy mother is learning the. scribbling
on a blank end page of rinzai roku my mom wanted to look at. some pictures
but got stuck in navigating the mouse so i get very bored. before reaching
the start button my sister comes in with bruises on her. knees and a blue
hand not knowing where they come from (polish vodka. party) eventually it
dissolves the scribble remains and i do a scan. upsidedown like colliding
in mouse and vodka crashes.. scurvy dog story.. Theese be pluntSeas..
(vacky horror). if you look towards the area of motion and try to grasp
the truth there. it will take up its stand in the area of nonmotion it's
like a fish. hidden in a pond who now and then slaps thesurface and leaps
up. jesus what. Christ what. Shiva What. Wat What. What Watt. bunch of
goblin spirits. doubt earth (buddha devil). craving water. anger fire.
delight air. doubtdisturbance waves light rays.
324
nostalgia (neuralgia) of the image. home (no home). anger of the visible
world (light) fireimage. nostalgia of the explicit (for a root in events).
return going somewhere. turn on me. and watch me cumpel. whose me. MEME.
juju. scurrilous image sorcerors. plunters pirates of the image. sometime
you come riding on an image. you take diamond ministry (any syle building
you want). populate w furry amoebas... perhaps come come riding on
amoebas. okay.. you win.. tribes dead.. hostguestghosts. scribbling on a
blank end page of rinzai roku my mom wanted to look at. some pictures but
got stuck in navigating the mouse so i get very bored. before reaching the
start button my sister comes in with bruises on her. knees and a blue hand
not knowing where they come from (polish vodka. party) eventually it
dissolves the scribble remains and i do a scan. upsidedown like colliding
in mouse and vodka crashes.. scurvy dog story.. Theese be pluntSeas..
(vacky horror). if you look towards the area of motion and try to grasp
the truth there. it will take up its stand in the area of nonmotion it's
like a fish. hidden in a pond who now and then slaps thesurface and leaps
up. jesus what. Christ what. Shiva What. Wat What. What Watt. bunch of
goblin spirits. doubt earth (buddha devil). craving water. anger fire.
delight air. doubtdisturbance waves light rays. nostalgia (neuralgia) of
the image. home (no home). anger of the visible world (light) fireimage.
nostalgia of the explicit (for a root in events). return going somewhere.
turn on me. and watch me cumpel. whose me. MEME. juju. scurrilous image
sorcerors. plunters pirates of the image. sometime you come riding on an
image. you take diamond ministry (any syle building you want). populate w
furry amoebas... perhaps come come riding on amoebas. okay.. you win..
tribes dead.. hostguestghosts. isoQBDkonomi. BØkoEurop. nomiVa. Verdektig.
enramto. m. N. orge. N. orden. Danm. arkF. ærøye. neGrNo. ønlanrden. dFin.
land. Islan. dogSv. erige. .. BØkonomi. Vekt i gram tom. Norge. Norden.
Europa. Verden. Norden Danmark Færøyene Grønland Finland Island og
Sverige.. DJbyHandjohnzornsisselkyrkjeboetheassassinse. djbyhand
plunderphonics. week. DJbyHandjohnzornsisselkyrkjeboetheassassinse.mp MB.
dl. hexture PM. body bgcolorDwhite textDblack. first type an a then press
the spacebar or no press the backspace press br the n at the left right of
b and o two lines further up and to the. right and on the same line four
places to the left press that and. one down one right we've now come to
the letter e find it and press. the button down and voila immediate to its
right always right pr. ess the key of r. let's see what to we have pour
them into a large. word stir around for five minutes under heath. t
aehrotn. a ehrtno aehrton aernot h ae rnoht ae rnt oh aern tho aernhot a.
e rnhto aer onth aeronh t aerotnh aerothn aerohnt ae. rohtn a ertnoh aer
tn ho aerto nh aertohn aerthno aerthon aerhnot. aer hnt o a erhon t
aerhotn a erhtno aerhton arnothe arn oteh. arnohte arnoh et arnoeth arnoeh
t ar nto h e arntoe h arnthoe a. rnthe o ar nte o h a r nteho arnhot e arn
hoet arnh to e arnhteo arnheot arn heto arneoth arneo h t arnetoh arnet
ho. arnehot arnehto aronthe a ronte h aronh te a ro n h et. aro net h
aroneh t aro tn he ar otneh ar othne ar othen aro tenh. arotehn arohnte
arohn et aroht ne aro ht en arohent aroh etn a. roenth aroenht aroet nh
aroethn aro ehn t aroe htn ar. tnohe artno eh artnh oe ar tnh eo artneoh
artneh o artonh e art. oneh artoh ne ar to hen artoenh ar t oehn arthnoe
a. rthneo a rth one arthoen art h eno artheon artenoh artenho art. eonh
arteo hn ar tehno artehon arhnote arhnoet arhntoe arhnteo arhne. o t arh
neto arho nte arhonet arhotne arhoten arhoent ar ho etn. arhtn oe a rhtneo
arhtone arhtoen arhteno arhteo n a rheno t ar. h ento a rheont arheotn
arhetno arh eto n ar en o t. h arenoh t ar entoh arenth o ar enh ot
arenhto areonth areonht. areot n h areothn areohnt a reo htn aretn o h ar.
etnho aretonh aret ohn arethno arethon arehnot arehnto arehont a reho. tn
arehtn o arehton naother naothre n aotehr naoterh na otrhe nao. treh naoh
ter naohtre naohetr naohertnaohrte na ohret naoethr n. gray sizeDPosted by
noemata to efirsttypeathenpressspacebarorno.htmlhexture at. PM. ok. these
characters don't mean anything. arseholes on tv televisionrectoscopy rs
holes tv set. this candlelight the this the president the dog the the
theodicy. evil levi live veil vile. good has no anagrams no other. anagram
has no anagram which backfires on good it's just empty. the same ames asme
meas mesa msae seam other theor. throe. random rodman. negative agentive.
positron sorption. atchoo cahoot. akan kana. haiku ukiah. emil lime mile.
male alme elam lame lam mael meal mela. female icon coin cion sign sing
sing.. arse ares son of zeus and hera mars male marse aser asher rase
raze. sear. . to burn or char the surface of She seared the steak to seal
in. the juices.. . to mark with a branding iron.. . to burn or scorch
injuriously or painfully He seared his hand on. a hot steam pipe.. . to
make callous or unfeeling harden The hardship of her youth. has seared her
emotionally.. . to dry up or wither parch.. v.i.. . to become dry or
withered as vegetation.. n.. . a mark or scar made by searing.. adj.. .
sere.. bef. (adj.) ME sere OE sar c. D zoor (v.) ME seren OE sarian.
deriv. of sar. still sår norw. sera plural of serum blood milk whey curd
duca cheese christ smegma. the last sup pus. las palmas plasma. the sun
nous onus probandi it's ya onus ya orse. eros rose sore (sear) sero (serum
again). horse shoer shore. ursus arctos horribilis kodiak. this hist isth
sith tshi shit. excrement waste matter sweat (matter has no anagram
neither mind). mother thermo. vater avert trave. mater ramet tamer. santa
satan tsana. noema anemo wind L animus breath Skt anilas. rumble. hex
ascii isiac isis usus oso horos. being begin binge blast bust blair toot
jag. resist sister. broth throb frater rafter rumble lumber jackass
(anything male). thing night dorkness. light bef. (n. and adj.) ME OE loht
c. OS lioht OFris liacht. D G licht Goth liuhath (n.) akin to ON ljs (n.)
ljss (adj.) L lx. (n.) Gk leuks bright white (v.) ME lighten OE lhtan c.
OS. liuhtian OHG liuhten (G leuchten) Goth liuhtjan. lux litho thiol
stonelightfire. electron el centro recent holocene holos soul sole solus
also sola. one eon neo noe time emit mite item geo ego aeon a one eras
arse. one bef. ME oon OE n c. D een G ein Goth ains L nus (OL. oinos) akin
to Gk on ace on a die. jocus jeckarse jest gest gegere perform egest to
discharge as from the. body void (opposed to ingest) injoke notfunny. yoke
j bef. (n.) ME yok(e) OE geoc c. D juk G Joch ON ok L. jugum Gk zygn
Hittite yugan Skt yuga (v.) ME yoken OE geocian. deriv. of the n.. orl
korrect. rinsay. the active expression of enlightenment over matters of
doctrine. The mind thus creates the world in the sense that it invests
the. phenomenal world with value.. They have presumably already freed
themselves from preoccupations. with the commoner cravings for sensual
indulgence material gain or. worldly fame and have entered the path of
religious strivings. But. it is precicely this fact that Linchi sees as
the source of their. problems.. this lone brightness without fixed shape
or form.. once and for all that there is no goal to be striven for because
it. has been won already no place to be journeyed to because one is. there
right now.. People with so few roots of faith. if it's for the sake of the
Dharma don't hesitate to sacrifice your. bodies or give up your lives.. If
you approach it with a true and proper understanding you won't be.
affected by considerations of birth and death you'll be free to go. or
stay as you please.. The fault lies in the fact that they don't have faith
in themselves. Student's don't have enough faith in themselves and so they
rush. around looking for something outside themselves.. Those who have
fulfilled the ten stages of bodhisattva practice are. no better than hired
field hnads those who have attained the. enlightenment of the fiftyfirst
and fiftysecond stages are. prisoners shackled and bound arhats and
pratyekabuddhas are so much. filth in the latrine bodhi and nirvana are
hitching posts for. donkeys. Why do I speak of them like this Because you
followeres of. the Way fail to realize that this journey to enlightenment
that takes. three asamkhya kalpas to acomplish is meaningless. So these
things. become obstacles in your way.. Fellow believers time is precious
You rush off frantically on side. roads studying Ch'an studying the Way
clinging to words clinging. phrases seeking Buddha seeking the patriarch
seeking a good. friend scheming planning. But make no mistake. Followers
of the. Way you have on set of parents what more are you looking for You.
should stop and take a good look at yourselves. A man of old tells us.
that Yajnadatta thought he had lost his head and went looking for it. but
once he had put a stop to his seeking mind he found he was. perfectly all
right.. The man of value is the one who has nothing to do. Don't try to
do. something special just act ordinary. The Paotsung lun With. regards to
the Way what is valued in every age is to have nothing to. do. With regards
to the Way when one is mindless then all things. will proceed smoothly..
Followers of the Way the Dharma of the buddhas calls for no special.
undertakings. Just act ordinary without trying to do anything. particular.
Move you bowels piss get dressed eat your rice and if. you get tired then
lie down. Fools may laugh at me but wise men. will know what I mean. A man
of old said People who try to do. something about what is outside
themselves are nothing but. blockheads.. If you have doubts in your mind
for an instant that's the Buddha. devil. But if you can understand that
the ten thousand phenomena were. never born that the mind is like a
conjurer's trick then not one. speck of dust not one phenomenon will
exist.. As I see it there's no Buddha no living beings no long ago no.
now. If you want to get it you've already got it it's not. something that
requires time. There's no religious practice no. enlightenment no getting
anything no missing out on anything.. If you want to be free to be born or
die to go or stay as onw would. put on or take off a garment then you must
understand right now that. the person here listening to the Dharma has no
form characteristics. no root no beginning no place he abides yet he is
vibrantly alive.. All the ten thousand kinds of contrived happenings
operate in a place. that is in fact no place.. If your mind entertains a
moment of doubt it becomes obstructed by. the element earth. If your mind
entertains a moment of craving it. becomes drowned in the element water.
If your mind entertains a. moment of anger it is seared by the element
fire. If your mind. entertains a moment of delight it is tossed about by
the element. air.. The way I see it onw shouldn't be averse to anything.
Suppose you. yearn to be a sage. Sage is just a word sage.. Those who
study the Way these days need to have faith in themselves. and not go
looking for something outside.. If you want to be a truly great vessel you
must never be led astray. by others. Wherever you are play the host and
then any place you. stand will be a true one. Whatever confronts you don't
let yourself. be imposed on. If you entertain even a moment of doubt the
devil. will enter your mind.. Just have faith in this thing that is
operating in you right now.. Outside of it nothing else exists.. In the
way you now respond and utilize it what do you lack In the. space of an
instant you enter purity or enter defilement enter the. halls of Maitreya
or enter the lands of the three eyes. You wander at. ease everywhere for
you see that these are all empty names.. The buddhas and patriarchs are
people who don't have anything to do. or are without defilements and
doings their karma is clean and pure.. The Patriarch Shenhui said If you
try to arrest the mind and stare. at silence summon the mind and focus it
on externals control the. mind and make it clear within concentrate the
mind and enter into. meditation all practices of this sort creates karma..
So for the past twelve years though I've looked for this thing. called
karma I've never found so much as a particle of it the size. of a mustard
seed.. thing. thing (thing) n.. . a material object without life or
consciousness an inanimate. object.. . some entity object or creature that
is not or cannot be. specifically designated or precisely described The
stick had a brass. thing on it.. . anything that is or may become an
object of thought things of. the spirit.. . things matters affairs Things
are going well now.. . a fact circumstance or state of affairs It is a
curious. thing.. . an action deed event or performance to do great things.
His death was a horrible thing.. . a particular respect or detail perfect
in all things.. . aim objective The thing is to reach this line with the
ball.. . an article of clothing I don't have a thing to wear.. . things
implements utensils or other articles for service. I'll wash the breakfast
things.personal possessions or belongings. Pack your things and go. . a
task chore I've got a lot of things to do today.. . a living being or
creature His baby's a cute little thing.. . a thought or statement I have
just one thing to say to you.. . Informal. a peculiar attitude or feeling
either positive or. negative toward something mental quirk She has a thing
about cats.. . something signified or represented as distinguished from a.
word symbol or idea representing it.. . Law. anything that may be the
subject of a property right.. . do or find one's own thing Informal. to
pursue a lifestyle. that expresses one's self. Also do or find one's
thing.. . make a good thing of Informal. to turn (a situation. experience
etc.) to one's own profit benefit by She made a good. thing of her
sparetime hobbies.. . new thing Jazz. See free jazz.. . not to get a thing
out of to be unable to obtain information. or news from The police couldn't
get a thing out of him.to fail to. appreciate understand or derive
aesthetic pleasure from My wife. likes opera but I don't get a thing out
of it.. . see or hear things Informal. to have hallucinations.. . the
thing something that is correct or fashionable That caf. is the thing
now.that which is expedient or necessary The thing to. do is to tell them
the truth.. bef. ME OE orig. meeting see THING. thing (thing ting) n.. (in
Scandinavian countries) a public meeting or assembly esp. a. legislative
assembly or a court of law.Also ting. Cf. thingstead.. ON assembly c.
THING D ding G Ding thing orig.. meeting akin to Goth theihs time.
isoQnothBing(nuthCing)n.. nothing (nuthÆing) n.. . no thing not anything
naught to say nothing.. . no part share or trace (usually fol. by of) The
house. showed nothing of its former magnificence.. . something that is
nonexistent.. . nonexistence nothingness The sound faded to nothing.. .
something or someone of no importance or significance Money. is nothing
when you're without health.. . a trivial action matter circumstance thing
or remark to. exchange a few nothings when being introduced.. . a person
of little or no importance a nobody.. . something that is without quantity
or magnitude.. . a cipher or naught Nothing from nine leaves nine.. . (used
in conventional responses to expressions of thanks). Think nothing of it.
It's nothing. Nothing to it.. . for nothing free of charge.for no apparent
reason or. motive.futilely to no avail They had gone to a great deal of.
expense for nothing.. . in nothing flat in very little time Dinner was
finished in. nothing flat.. . make nothing of to treat lightly regard as
easy.to be. unsuccessful in comprehending He could make nothing of the.
complicated directions.. . nothing but nothing other than only We could
see nothing. but fog.. . nothing doing Informal. emphatically no certainly
not.no. activity inducement advantage etc. present to the eye We drove.
through the town but there seemed to be nothing doing.. . nothing less
than or short of absolutely completely She was. used to nothing less than
the best.. . think nothing of to treat casually.to regard as.
insignificant He thinks nothing of lying to conceal his. incompetence..
adv.. . in no respect or degree not at all It was nothing like that..
Nothing dismayed he repeated his question.. adj.. . amounting to nothing
as in offering no prospects for. satisfaction advancement or the like She
was stuck in a nothing. job.. bef. ME OE nnthing nathing see NO THING.
tinpot passes. virga. acoustic angelically thin. spectral drops. vouge.
tyros arsenicise translucent. acide. visive. inconsolable otherworld
workfile. dataloose. vocalist. scans hurtingly dimpling.. viscous.
offensively frazzling nonrecognizeds. stickman. voider. kaluga tisane
revisits vaporiser sourer thereupon arrowworm. mensuration thickly mislike
existentialist. avoider. wagger. mary medusa numeral. particularized
mechano bride. waart. anchoritism genitives. possessions. vizagapatam.
noetic.. wade. wharves polysynaptically. shores transmit. virgin.
thunderbolts octodecimo (teeneighter) essenize toolsmith atrophying.
quarterizations squares whooped pothook obsolescence seppuku.
anglicizations thanker thoraces. bio. volcanologic. scandalizers
mediaevalistic oratorical sweeneys suseptible. gelatinisation goitre
oilbird saddening cadmus nightstick.. apocalyptick lipstick little red
riding babylon. vivified. autoplastic intoxicated thinest utilities
thermalized. resurreact. vulturine. animalness antiresonator thaumaturgic.
pred(ic)ate. vocabulary. anderlecht giantlike. a gent. vowelises. xeric
kooks benedictions certainly need iit. votive. impeachable inclemently.
foggy wishes. visualize. autumns. wutang. volplaning. pass. down.
volitant. pass. up. waaf. pass. charm. vedette. animations precriticises
see. vitalises. tinpot lethalise. glassine book.
isoQamiBBBBBBBBBBBBBFdinsFBBBBBBBBBABBFABFBBBBBBBBBFyme. i contritely my
deadeye in scissors. focusable i cric. kets my cyan. amid in s. exangular
fe. minising i coo. kie my daredevi. lry in seamlike. flirting i courti.
er my culture in schizoi. d fault i cramp my decol. orize in scenarises
forear. m).) i cookie my. y me. im not sisting strahgt my jands ctrlz
ctrlz ctrlz ctrlz versjon. ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz
ctrlz ctrlz. ctrlz ctrlz ctrlz ctrlz glitch versjon (ultra editor) well.
probably doesn't affect html so why blother. im not sisting iwant
somehthign it's a bit frightening. strahgt that kid on its own and cold.
my jands atomata like tat fly nothing holding. nothing here in the win
should i let go. this writing is the fog leaves (they of what. against
itself does it) eprime the i don't know anything. i only write when drema
(dramadream) this blank screen. forgetting muself of magic contradicted by
my fingers. negation well science and the this will only be trouble.
worthwhile howto any base fuck you. space which is debase. coming back
this is completely lost. nothing to. never again. her cunt ie no memory.
should backspace sensation must be no knowledge. that based on recurrence
monster of pixels. collaps else you wouldn't sooth. where am i know but
gnom. how to write still sense but no.. where am i inn the only once it
vicinity. myself doesn't count (count potential. my arm is kind of is
sentence dn. twiched recurrence). any pnrrmaqyaw. my back somewhat object.
object is nvvypub vybcd. cxrunched here too much object. dmcs vnbpu cdng.
virtual backspace anything that is suug fc. nothing ever comes visible or
tangible mqhycuq iydx. out of this and is relatively bucgupd dn. where
does this go stable in form. to uaurk rnhuruad. expect nothing you. ya
hypyaydk. left channel delay something. thing xytt uywxd cyj. the need
(meeting vyhu. no structure her interface). lubn (). whatever fright
subjectsubstance. discontinue into subtrahends arietta. slide emergent
relation. subterfuge arrowed. discreet egene remove sceptrelesses.
pataphysical logic posessive my's. arrowed. compression is a reactive at
chemical saboteur arid. cipher level. behave septarium arte. roads late ME
softheartedly arad. justice behaven (reflexive). subterranean arid.
blockhead See BE HAVE. shifters airy. writing into space behaviorism the
spadework awardee. i'll go wherever the theory that scepter areawide. keys
lead psychology can be shifter aerate. leather case accurately studied
softer arrau. board table kitchen only through the spader artie. cuisine
examination and subterfuge aureate. i meant metaphor analysis of sputter
areawide. wherever possessives. subtree areawide. something else sputter
aerate. this is just one i'm no one get your softer airy. side hands off
me. spader airt. no justice HAHA subterraneanises. usually space is
karmaguilttraces aorta. expensive i once had guilt subdirectories arty.
massive nothing writing haha says it spidery aired. eyes all (active
subtraction arty. i once had eyes expression vs sceptered artie. go beyond
they say matters of doctrine) subtreasury areawide. other i laughter is
spidery arrayed. what comes in this eternally guilty subterraneanise arte.
is still eyes (doctrinal in sifter awardee. keyes writing) as any. the cod
e statement n softheart s. mouthing. y arrondis t. guilty guilty (how
soekar t. traffi n awkward to ) soffit ar t. horsest c t how's w g softies
arteriole. there's compilation attached to guilt soever arterialises.
should stop writing soke arterialising. interprete e another w e sojo.
immedi s status of relate to arte. l valuemeaning other sod. what' than
drawn arteri d. ente softhead arthromere. which is p s (interfaces again).
sojourners arrowroot. i had t a media a softening artefact. big small
inverse suppose it e softbound arsenical. di other way a softy ars l.
protoco f signs are soiree arsenicises. papyrus no o lines are. ts
stronger attraction readapting mcqueen. pro proto me. critical distance
attraction to what reactualise meagerly. execution of seeing easy essing
me. al ers are easi ay. of mcmurdo. hidden instant an g rea ness me.
middleman blackmail to ably me. compl of the ualizes li syst. inimax rk up
to. me. what's the deal on me. ( rface') reactualisations me. i r mansus
accidencesubsta me. critical and easie 's. system wins like. d ng not
gravitati stupid you. always. de reaming get signs too. dr eath is obvious
it's their. so ng else job. backtracking. i'd to die guilt is thru th ..
sign. you. no shouldn't att it's. like chaplin on. de s trash a conveyor
belt. ghtning down t rs economy.. no no sign. no in the talking is a w
recur.. as stimulusres augment. pos respons. wh. relax. relax. count your
breath. no nothing web. claws. getting warm. when do words get cold they
do. do (warmcold). back. baktruppen. epistolar after sending. epistemic
after receiving. thoughts don't originally exist (Bankei). retract. re re
re do re Gurdijeff. waste. names how odd the nominalessential pitch. still
wastepaper. do mi fa la re si do i have a theme. problematic. throw away.
abject. stage. reverence. inferior. just abide fushi. when can you tell.
topology of the beyond. this is my nothing here you are. who's this guy
talking to. lacking sensations the smell of autumn. drowned in a deep
spring. joy is in the subject. which is the whole. which is mere nominal.
the essential from its side. partial and objective. like names. containers
and carriers characters. you shouldn't expect anything from me. other than
continuous abjections and vomit. not a voice. who's that vo mit u puke
phew we. no way of recollecting even this simple stuff. improwise. you
have twenty questions get a million answers. the backspace of. shift the
carriage or typing element of a typewriter one space. backward by
depressing a special key. to move the cursor printhead. etc. toward the
beginning of the data.. i want dat. eh. grain. if you don't see grains
it's fake. hypocrisy. ME ipocrisie OF LL hypocrisis Gk hypkrisis play.
acting equiv. to hypokrA(nesthai) to play a part explain (hypo. HYPO
krAnein to distinguish separate) sis SIS h. (reintroduced in th century) L
and Gk. digit count to ten on your fingers. fushi the play is a play why
bother it's your own do undo re re. souleating sunbe pale moon (esoteric
paleontology). backspace. digress. growth is always the same. be driven
out. into digression throwing away your life (Bankei). Backspace.
spacecaps (capital letter space mahayana epistolar). before after now
after before return the same. wander off on a grain pe(a)rl recursion you
completely annoy me. discriminate hypocracy. crime. ss. sage sinister.
link plunderphonics weeks (). plunderphonics weeks ().
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vil du. D C E have meg til å. B C D A B C kveda..det skal. A D eg gjera
med st. F C C D A F ørste gleda..og. B C B eg skal kveda s. F E D A o vent
fyr deg... B C C F D at du skal gløym. A F C F D a deg sjølv og m. E D A D
A C B C eg.....Å eg skal. B F B kveda so du ska. C E C D A D l gråta..um
du. C E C var aldri så gla. F B E C D A E d og kåt'e..å e. B C B F g skal
kveda so. E E C C D A snålt fyr deg... B C C E E E at du skal læ nå. E D E
r du ser på meg.. D A D A F D E F ....Og mine viso. F E E C r dei er so
snål. C D A F D F B E e..som Borken t. E E E E råvar på isen hå. C C D A F
D E le..og mine vis. F A E or dei gjer' ein. C E D A F D C C sleng..som
litl. E E B e guten på skeis. E E A E E D A D A C unn' gjeng.....Å. D E F
mine visor dei. F D E C D A F er so mange..so. D A D C F D E m
heggjeblomane. E B D drys i fanget.. A F F .so hev det vore. C C A D A i
all si tid... D B dess meir dei kv. C D ed dei dess mei. E D A D A C r der
bid.....Å. C A C vil du stevjast. F B C so skal eg svar. C D A F C E a..og
heile nat. F B C ti so skal det v. B D A F C ara..og vil du. A D D
stevjast med meg. B C C D A E i kveld..du gå. B A E r 'kje åt fyrr d. E E
D C C E u fær ein smell.. abort.
DJbyHandsisselkyrkjeboorigamiweightlessapati MB. Re confuciuslist Mencius
B. wild grass (fwd). Forwarded message. Thomas. confuciuslist Mencius B.
wild grass. This saying by Mencius is as beautiful as Confucius' and
superbly translated. by Legge. Mencius said to the disciple Kao 'There are
the footpaths along the. hills if suddenly they be used they become roads
and if as suddenly. they are not used the wild grass fills them up. Now
the wild grass fills. up your mind.'. oct(). x. h FF D FF E A
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remote that turns off almost any television. The device. which looks like
an automobile remote has just one button. When activated. it spends over a
minute flashing out different codes to turn off. televisions the most
popular brands first.. link plunderphonics week.
DJbyHandIngerMarieLienKidSquarepusherStev.mp. E D A C C Nystev..Å vil du.
D C E have meg til å. B C D A B C kveda..det skal. A D eg gjera med st. F
C C D A F ørste gleda..og. B C B eg skal kveda s. F E D A o vent fyr
deg... B C C F D at du skal gløym. A F C F D a deg sjølv og m. E D A D A C
B C eg.....Å eg skal. B F B kveda so du ska. C E C D A D l gråta..um du. C
E C var aldri så gla. F B E C D A E d og kåt'e..å e. B C B F g skal kveda
so. E E C C D A snålt fyr deg... B C C E E E at du skal læ nå. E D E r du
ser på meg.. D A D A F D E F ....Og mine viso. F E E C r dei er so snål. C
D A F D F B E e..som Borken t. E E E E råvar på isen hå. C C D A F D E
le..og mine vis. F A E or dei gjer' ein. C E D A F D C C sleng..som litl.
E E B e guten på skeis. E E A E E D A D A C unn' gjeng.....Å. D E F mine
visor dei. F D E C D A F er so mange..so. D A D C F D E m heggjeblomane. E
B D drys i fanget.. A F F .so hev det vore. C C A D A i all si tid... D B
dess meir dei kv. C D ed dei dess mei. E D A D A C r der bid.....Å. C A C
vil du stevjast. F B C so skal eg svar. C D A F C E a..og heile nat. F B C
ti so skal det v. B D A F C ara..og vil du. A D D stevjast med meg. B C C D
A E i kveld..du gå. B A E r 'kje åt fyrr d. E E D C C E u fær ein smell..
abort. DJbyHandsisselkyrkjeboorigamiweightlessapati MB. nettimeann mailing
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fa.fictionofphilosophy groupsbeta. been available as
fa.fictionofphilosophy at usenet now it's also made. in addition to the
archives also containing interesting statistics. feeds. at least in this
stage it's free from ads who knows about. later... well just fyi and all
the best to the group and the people spending. time here... raven apm. ..
Raven's Advanced Progressive Matrixes (RAPM). Raven's Advanced Progressive
Matrixes is one of a series of nonverbal. tests of intelligence developed
by J.C. Raven (). Following. Spearman's theory of intelligence it was
designed to measure the. ability to educe relations and correlates among
abstract pictorial forms. and it is widely regarded as one of the best
available measures of. Spearman's g or of general intelligence (e.g.
Jensen Anastasi. ). As its name suggests and of particular significance to
the. Prometheus Society it was developed primarily for use with persons of.
advanced or above average intellectual ability.. Like the other Raven's
matrices tests the APM is composed of a series. of perceptual analytic
reasoning problems each in the form of a matrix.. The problems involve
both horizontal and vertical transformations. Figures may increase or
decrease in size and elements may be added or. subtracted flipped rotated
or show other progressive changes in the. pattern. In each case the lower
right corner of the matrix is missing. and the subject's task is to
determine which of eight possible. alternatives fits into the missing
space such that row and column rules. are satisfied. The APM battery
consists of two separate groups of. problems. Set I consists of problems
that cover the full range of. difficulty sampled from the Standard
Progressive Matrices test. Standard. timing for Set I is minutes. This set
is generally used only as a. practice test for those who will be completing
Set II. Set II consists. of problems with a greater average difficulty than
those in Set I.. Set II can be administered in one of two ways either with
or without a. time limit of minutes. Administering Set II without a time
limit is. said specifically to assess a person's capacity for clear
thinking. whereas imposing a time limit is said to produce an assessment
of. intellectual efficiency (Raven Court Raven ).. Phillip A. Vernon in
his review of the APM (Test Critiques ). writes that the quality of the
APM as a test is offset by the totally. inadequate manual which
accompanies it. For interpretive purposes the. manual provides 'estimated
norms' for the APM which allow raw. scores to be converted into
percentiles (but only and ). and another table for converting percentiles
into IQ scores. John. Johansen a graduate student at the University of
Minnesota and former. regular poster to the Brain Board came into
possession of the. version of the test for use in his research (this form
is no longer used. for testing) along with pages of written text about
the. implementation scoring and standardization of the test. In a post to.
he provided the following information applicable to the untimed. version of
the test. Untimed intraday (go until you give up) distribution for year.
olds year olds and year olds. Scores balanced for guessing.. general
population. percentile ranking. number correct by age group. years. years.
years. .. Norms are not accurate above this point for the untimed version
due to. limited population taking test in this condition.. Ignoring the
above caveat about inaccurate norms above the .th. percentile the above
data indicates that there is about a point raw. score difference between
and sigma on this test. If this difference. carries on to the next sigma
this would give associated scores of. general population. percentile
ranking. number correct by age group. years. years. years. .. Although
this data would seem to suggest sufficient ceiling for. discriminating at
the in level there have been other normative. studies which provide
conflicting data. In an article in Educational and. Psychological
Measurement (Bors and Stokes ) the authors mentioned. two studies of
interest besides Raven's group Paul's study and. their own S. M. Paul's
study of University of California. Berkeley students ( women men) Tested
under the untimed. condition the students' scores ranged from to with a
mean of. and a standard deviation of .. This was significantly higher than
the. mean of Raven's normative group (M. SD.).. Bors and Stokes
administered the timed version of the APM to. students ( women men) from
the Introduction to Psychology course. at the University of Toronto at
Scarborough. Subjects ranged in age from. to years with a mean of .
(standard deviation.).. Enrollment in the Introduction to Psychology
course was considered. roughly representative of firstyear students at
this university. The. scores on Set II for the students ranged from to
with a mean of. . (standard deviation.). This performance is somewhat
higher. than that of the Raven's normative group but considerably lower.
than Paul's University of California Berkeley sample.. Additional data
supporting the conclusion that the RAPM (either timed or. untimed) does
not discriminate at the level is taken from. Spreen Strauss (Compendium of
Neuropsychological Tests nd Edition. ) and shown in the tables below.. A
middleoftheroad approach would be to use the recent University of. Toronto
at Scarborough data and to assume that the mean of the test. group
corresponds to about SD above the mean of the general. population and to
further assume that the SD of the general population. would be about the
same as the standard deviation of the test group.. Finally assuming a
normal distribution in the test group the in. level would correspond to .
(.) which is raw. points above the test's ceiling of .. Advanced
Progressive Matrices Set II Occupational Norms. ile rank. Occupations of
various groups. UK. US. UK TA. UK. UK. UK. UK. UK. UK. UK. General.
populatn. yr.olds. Navy. yr. olds. Officer. Aplcnt. Retail. Mngrs..
Police. Officer. Senior. Mngrs(Htls.). Accnt.. Staff. Oxford. Local.
Athrty.. Rsrch.. Scntsts.. untmd.. min. min. min. min. min. min. min. min.
min. (n). (n. (n). (n). (n). (n). (n). (n). (n). (n). UK general population
data derived from the Standardization of the. SPM and APM (TABLE APM XIII).
US Navy data extracted from data supplied. by Alderlon (see Knapp Court )
(TABLE APM XVII) UK Police. Officers' data extracted from Feltham ()
(TABLE APM XXVI). Other. data collected by Oxford Psychologists Press.
Source J. Raven ().. The data above does bring up the issue of age
variation of IQ data which. is not typically addressed by other
instruments that we've used for. Prometheus Society entry requirements and
that is perhaps something that. should be considered. (In the case of the
SAT and GRE tests there is. not typically much variation in the ages of
those taking the test and no. such data was used in norming any of the
takeathome tests we've used.. Spreen and Strausse have provided the
information for the table below. Advanced Progressive Matrices Set II
(Untimed) Smoothed Summary Norms. for the USA. ile rank. Age of test taker
in years. (n). (n). (n). (n). (n). (n). (n). (n). (n). (n). (n). Based on
the standardization of the APM in Des Moines Iowa.. Tests completed at
leisure. Source J. Raven (). Curiously American Mensa does not list the
RAPM among its currently. accepted tests although UK Mensa does. Perhaps
this is a more. international test than others we have reviewed and
considering its. quality we should probably continue to consider its
possible use. especially as an auxiliary test to be submitted in
conjunction with. other tests that are deemed capable of discriminating at
the in. level.. delayed. Warning not. YOU DO NOT. The original Mon. (CEST)
from . . .. ... Transcript of. session follows. ... Deferred. .... Warning
still. undelivered. Will keep trying. FinalRecipient RFC noemata.... Action
delayed. Status ... RemoteMTA DNS .... WillRetryUntil Sometime Feb (CEST).
Re fiction of philosophy newsgroup. fa from arpanet. institute for
informatics at the university of oslo is gatewaying. all the old arpanet
groups into usenet because most users didn't have. access to arpanet only
usenet.. The world's oldest electronic conferences the ARPANET mailing
lists. were quickly integrated into USENET. Gateways were made so
newsgroups. starting with fa (From ARPANET) contained the mailing list
contents. and USENET users could post and participate. ARPANET mailing
lists. emerged around not long after network email linked ARPANET users.
together.. It's only purpose is that. everyone who want to subscribe to
the mailinglist can. just read the newsgroup (saves some disk space I
guess).. The prefix fa is as far as I know quiet historic.. The first
mailing lists that were converted to newsgroups. had this prefix (fa from
arpanet).. Until this discussion I didn't know that this group was.
distributed outside ifi.uio.no (Institute of Informatics. University of
Oslo). Do you get the other fa.groups as. well At the moment there are of
them.. search on arpanet usenet gateway etc for more internet history..
for the other question see my recent post about. I believe so...but I
don't know who set it up or when or what 'fa'. stands. for for that
matter.... Ryan. Since my pop mail account keeps screwing up over here Ive
been. looking for a. way to read the wryting list I found the fiction of
philosphy. newsgroup which. seems to have some of the wryting list
archived there. How does this. work Is. the newsgroup subscribed to the
wryting list. inlangplgroupfa.fiction. ofphilosophy. mIEKAL. This message
was sent using Midwest Tel Net Web Based Mail.. Re fiction of philosophy
newsgroup. and also. ..This rather brings to mind a syndrome that
sometimes occurred when an. old Arpanet mailing list got gatewayed to a
Usenet newsgroup. After a. little while some Usenet novice would commit
some faux pas a furious. Arpanaut would flame violently about how Usenet
was nothing but bozos. who didn't understand How Things Should Be Done and
the gatewaying was a. stupid idea and the list maintainer would quietly
observe that the. gatewaying had indeed produced problems but it was also
producing most. of the real content... Henry Spencer Mail Relays. ). fa
from arpanet. institute for informatics at the university of oslo is
gatewaying. all the old arpanet groups into usenet because most users
didn't have. access to arpanet only usenet.. The world's oldest electronic
conferences the ARPANET mailing lists. were quickly integrated into USENET.
Gateways were made so newsgroups. starting with fa (From ARPANET) contained
the mailing list contents. and USENET users could post and participate.
ARPANET mailing lists. emerged around not long after network email linked
ARPANET users. together.. It's only purpose is that. everyone who want to
subscribe to the mailinglist can. just read the newsgroup (saves some disk
space I guess).. The prefix fa is as far as I know quiet historic.. The
first mailing lists that were converted to newsgroups. had this prefix (fa
from arpanet).. Until this discussion I didn't know that this group was.
distributed outside ifi.uio.no (Institute of Informatics. University of
Oslo). Do you get the other fa.groups as. well At the moment there are of
them.. search on arpanet usenet gateway etc for more internet history..
326
for the other question see my recent post about. I believe so...but I don't
know who set it up or when or what 'fa'. stands. for for that matter....
Ryan. Since my pop mail account keeps screwing up over here Ive been.
looking for a. way to read the wryting list I found the fiction of
philosphy. newsgroup which. seems to have some of the wryting list
archived there. How does. this. work Is. the newsgroup subscribed to the
wryting list. inlangplgroupfa.fiction. ofphilosophy. mIEKAL. This message
was sent using Midwest Tel Net Web Based Mail..
isoQJaglEggerlitebilderpEmighEr.. Jag lgger lite bilder på mig hr.. Men
kom ihåg jag vill grna att ni skriver i Gstboken vad ni tycker. annars
blir det inte fler bilder.. Mina Fuktiga brst efter duschen.. Jag visar
upp ett av mina brst.. Jag i sexiga underklder.. Jag visar upp mig på
sngen.. Hr r jag helt utlmnad åt dig.. Tnk om handen inte fanns dr..
Gillar ni mina Lppar.. Ny bild på mina lppar.. Gillar ni bilderna på mig i
stayups. Det kan komma fler bilder Jag håller på att vertala min vninna
att. jag skall få lgga upp bilder på henne också.. Hr under lgger jag
sprutbilderna som jag får Och jag skall villigt. erknna att jag har
onanerat och tittat på dem många gånger.. Sprutbild. Sprutbild. Sprutbild.
Sprutbild. Sprutbild. Sprutbild. Sprutbild. Sprutbild. Sprutbild. Jag har
fått ett par nya sprutbilder Det tycker jag om. Flera gånger. har jag
tittat på dessa bilder och tnkt på er hur ni har lekt med era. underbara
stånd fantiserat om mig och sedan sprutat er varma klibbiga. sats ver min
kropp. Många gånger har dessa fantasier tagit mig till. underbara
orgasmer. Ett extra spnningsmoment r ju att min kille inte. har någon
aning om vare sig websidan eller dessa foto.. Hr kommer fler bilder.. En
bild från en man som heter Bokoboko.. Gabbe har också sprutat ner min
kropp.. Hawkan har lagt sin varma sd ver mig.. Fineman har gjort hrligt
sexiga konstnrliga bilder.. nnu en bild från Fineman.. Re the sleep of
reason. The Slip of Reason Produces Monsters.... The Monstrous Reason
Produces Sleep.... The Sleep of Monsters Produces Reason.... The
Production of Reason Monsters Sleep.... the protesting of rezone
mahayanist sleep.... two slippy opaque ricin particular monsters.... thy
menstruates richen periodizations sleep.... the skelf opah minstrel
participant ratio... twombly mensing richened periodicity sleeplessess thy
skelping opaline. minority partly reasons tattooer party obese rippling.
reason rosena rosaen ensora aeonsr senora soraen soaren snorea oarsen.
norsea arsone. subject. unselfishness there you see plainly the recursion
it's considered a. virtue because.. in view of.. yes unselfishness. and so
selfishness is a. virtue in view of selfishness etc. and virtue is a virtue
in view of the. virtue virtue is the positive productive property of a view
the view's. production. but it doesn't mean you can avoid it. there's
virtues of your. body as long as you have one. and virtues of having as
long as it's. possible. and virtues of the possible as long as it's not
impossible.. virtues of the impossible via negativa. prime numbers are
what remains. are. they selfish or unselfish ) positive or negative you
can follow them a. bit via the positive which is like the virtue of a view
formula though. quickly you're replacing algorithms with heuristics which
is more of a. mess like the layered virtues of our reality the real being
transcendent. unending streams and you find yourself jumping from this to
that all the. time not selfishalgorithmic (producing) or
unselfishheuristic (seeking). but let's call it dancing since there are
movements and well the thing is. still alive though with no reason and not
producing or seeking still views. you can't avoid going through the steps.
eurythmics is at the end or the. beginning not the body's algorithms
(production system) or it's. intentionality (heuristics) the virtues of
having a body having a view. not selfish not unselfish. no virtues no
views but still a text still. here though not what it is (produces) or
what it means (seeks) it's still. written in virtue of the iso charset
twofaced bastards so maybe. we're talking dialectics too the protocol
(selfish) and the exchange. (unselfish) still the user. user (Æzr) n. Law.
the exercise of a. right to the enjoyment of property. my body my propery
the body of this. mail. again the protocol's from to subject body this is
the body.. distributed via no commercial use without permission. is a
moderated mailing list for net criticism. collaborative text filtering and
cultural politics of the nets. more info majordomobbs.thing.net and info
nettimel in the msg body. Fwd xStream online. Start of forwarded message.
ReplyTo xstreamxpressed.org. Fwd xStream online. xStream Issue. xStream
Issue is online again in three parts. . Regular (also available in PDF)
Works from poets. (Sandra Simonds Dorothee Lang Hugh Tribbey David Nemeth.
John Crouse Jim Leftwich and Andrew Topel). . Autoissue Poems generated by
computer from Issue texts. the whole autoissue is generated in realtime
new version in. every refresh.. . Wryting Issue a monthly selection of
WRYTINGL listserv works. Sincerely. JukkaPekka Kervinen. Editor. xStream.
email xstreamxpressed.org. End of forwarded message. florian cramer
digital code and literary text. florian cramer digital code and literary
text. Can notions of text which were developed without electronic texts in
mind be. applied to digital code and how does literature come into play
here. Abstract. This paper is based on the general (yet disputable)
assumption that the. theoretical debate of literature in digital networks
has shifted just as. the poetic practices it is shaped after from
perceiving computer data as an. extension and transgression of textuality
(as manifest in such notions as. ''hypertext'' ''hyperfiction'' ''hyper
multimedia'') towards paying. attention to the very codedness i.e.
textuality of digital systems. themselves. Several phenomena may serve as
empirical evidence. The early focus of conceptualist Net.art on the
aesthetics and politics of. code. in turn the impact of Net.art aesthetics
on experimental literature. poetry in the Internet. the close discooursive
affinity of Net.art to political activism in the. Internet. the close
aesthetic affinity of Net.art to a the languages and codes of an. older
technically oriented ''hacker'' culture (of Chaos Computer Club. and
others). a convergence of the three cultures mentioned above Net.art net
activism. and hacker culture. (a) FreeOpen Source Software andor (b) open
network protocols as key. discursive political and aesthetical issues in
all these camps. finally the impact of hacker aesthetics Net.art
aesthetics code. aesthetics and network protocol aesthetics on
contemporary writing in the. Internet. (See the work of mez Alan Sondheim
Talan Memmott Ted Warnell. and others.). The question is how ''Codeworks''
(Alan Sondheim) fit notions of text that. were crafted without digital code
most importantly machineexecutable. digital code in mind and vice versa. Is
it a coincidence that in their. poetical appropriation of lowlevel Internet
codes codeworks ended up. aesthetically resembling concrete poetry And
apart from aesthetic. resemblances how do computer programs relate to
literature Is that what is. currently being discussed as ''Software Art''
a literary genre. Code. Since computers the Internet and all digital
technologies are based on. zeros and ones they are based on code. Zeros
and ones are an alphabet which. can be translated forth and back between
other alphabets without information. loss. It does in my point of view
make no sense to limit the definition of. the alphabet in general to that
of the Roman alphabet in particular when we. can the same textual
information in this very alphabet as Morse code flag. signs or
transliterated into zeros and ones. The Internet and computers run. on
alphabetic code whereas for examples images and sound can only be.
digitally stored when translating them into code which unlike the.
translation of conventional text into digital bits is a lossy that is. not
fully reversible and symmetric translation. Sounds and images are not. code
by themselves but have to be turned into code in order to be computed.
where as any written text already is code. Literature therefore is a.
privileged symbolic form in digital information systems. It is possible
to. automatically search a collection of text files for all occurences of
the. word ''bird'' but doing the same with birds in a collection of image
files. or bird songs in a collection of audio files is incomparably tricky
and. errorprone relying on either artificial intelligence algorithms or
manual. indexing both of which are methods to translate nonsemantic
writing (pixel. code) into semantic writing (descriptions).. The reverse
is true as well We can perfectly translate digital data and. algorithms
into nondigital media like print books as long as we translate. them into
signs coded according to the logic of an alphabet. This is what is. done
for example in programming handbooks or in technical specification.
manuals for Internet standards. Today there are two notorious examples of
a. forth andback translation between print and computers. The sourcecode
of Phil Zimmerman's cryptography program ''Pretty Good. Privacy'' (PGP).
The PGP algorithms were legally considered a weapon and. therefore became
subject to U.S. export restrictions. To circumvent this. ban Zimmerman
published the PGP sourcecode in a book. Unlike algorithms. literature is
covered by the U.S. First Amendment of free speech. So the. book could be
exported outside the United States and by scanning and. retyping
translated back into an executable program. the sourcecode of DeCSS a
small program which breaks the cryptography. scheme of DVD movies. Since
U.S. jurisdiction declared DeCSS an ''illegal. circumvention device''
according to the new Digital Millennium Copyright Act. (DMCA) the ban
equally affected booklets flyposters and tshirts on which. the DeCSS
sourcecode was printed.. That code is speech is a fact stressed again and
again by programmers and is. also at the heart of Lawrence Lessig's legal
theory of the Internet. (Lawrence Lessig. Code and Other Laws of
Cyberspace. Basic Books New York. .). It is strictly speaking sloppy
terminology to speak of ''digital. media''. There actually is no such
thing as digital media but only digital. information. Digital information
becomes ''media''only by the. On the reverse end of the chain keyboards
mice scanners and cameras. are analogtodigital converters.. virtue of
analog output computer screens loudspeakers printers are analog. output
devices interfaced to the computer via digitaltoanalog conversion.
hardware like video and sound cards or serial interfaces.. An average
contemporary personal computer uses magnetic disks (floppy and. hard
disks) optical disks (CDROM and DVDROM) and chip memory (RAM) as its.
storage media and electricity or fiber optics as its transmission media..
Theoretically one could build a computer with a printer and a scanner
which. uses books and alphabetic text as its storage media. Alan Turing
showed. that. While such a machine would operate slower than with
magnetical or. optical media it would provide more robust and durable
information storage. on the other hand.. no electronics are needed to
build a computer the Boston Computer Museum. even features a mechanical
computer built from wooden sticks.. Juxtapositions of ''the book'' and
''the computer'' are quite misleading. because they confuse the storage
and analog output media (paper versus a. variety of optical magnetical and
electronical technologies) with the. information (alphabetical text versus
binary code). It further ignores by. the way the richness of storage and
transmission media in traditional. literature which aside from the book
include oral transmission and mental. storage audio records and tapes the
radio and television to name only a. few.. If there is strictly speaking
no such thing as digital media there also. is strictly speaking no such
thing as digital images or digital sound.. What we refer to as a ''digital
image'' is a piece of code. Normally this code is divided into three pieces
one the socalled. sound or image file containing the machineindependent and
program. independent abstract information the second the socalled display
program. containing the instructions to mediate the abstracted information
in a. machineindependent yet not programindependent format to the
operating. system the third the socalled operating system mediating the
program. output to the output machine whether a screen or a printer. These
three. code layers however are nothing but conventions. Theoretically the.
digital image'' file could in itself contain all the code necessary to.
make itself display on analog end devices including the code that is.
conventionally identified as a boot loader and core operating system..
containing the machine instructions to produce the flow of electricity
with. which an analog screen or an analog printer is made to display an
image.. Of course it is important whether a sequence of zeros and ones
translates. into say an image because that defines its interpretation and
semantics.. The point of my (admittedly) formalistic argumentation is not
to deny this. but to underline that. when we speak of ''multimedia'' or
''intermedia'' in conjunction with. computers digital art and literature
we actually don't speak of digital. systems as themselves but about
translations of digital information into. analog output and vice versa.
text and literature are highly privileged symbolic systems in these.
translation processes because (a) they are already coded and (b)
computers. run on a code.. Literature and computers meet first of all
where alphabets and code human. language and machine language intersect
secondly in the interfacing of. analog devices through digital control
code. While of course we cannot think. of code without media because we
can't read it without them the computer. does not really extend literary
media themselves. All those output media. electricity electrical sound and
image transmission etc. existed before. and without computers and digital
information processing.. I therefore have to revise the position I took in
several of my previous. writings If we speak of digital poetry or computer
network poetry we. don't have to speak of certain media and we don't. like
in the paper Warum es zuwenig interessante Computerdichtung gibt.. Neun
Thesen'' ( Nine Points on Why there is so little interesting computer.
homepagewritingsnetliterature general karlsruhe. karlsruherthesen.pdf.
even have to speak of specific machines. If computers can be built from.
broomsticks and networked via shoestrings if any digital data including.
executable algorithms can be printed in books and from them read back
into. machines or alternatively executed in the mind of the reader there
is no. reason why computer network poetry couldn't or shouldn't be printed
as well. in books.. Perhaps the term of digital ''multimedia'' or better
''intermedia''. would be more helpful if we redefine it as the the
possibility to losslessly. translate information from one sign system to
the other forth and back so. that the visible audible or tacticle
representation of the information. becomes arbitrary. A state not be
achieved unless the information is not. coded in some kind of alphabet
whether alphanumerical binary hexadecimal. or if you like Morse code..
Literature. Synthesis putting things together. observe the textual
codedness of digital systems of course implies the. danger of generalizing
and projecting one's observations of digital code. onto literature as a
whole. Computers operate on machine language which is. syntactically far
less complex than human language. The alphabet of both. machine and human
language is interchangeable so that ''text'' if defined. as a countable
mass of alphabetical signifiers remains a valid descriptor. for both
machine code sequences and human writing. In syntax and semantics. however
machine code and human writing are not interchangeable. Computer.
algorithms are like logical statements a formal language and thus only a.
restrained subset of language as a whole.. However I believe it is a
common mistake to claim that machine language. would be only readable to
machines and hence irrelevant for human art and. literature and vice versa
literature and art would be unrelated to formal. languages.. It is
important to keep in mind that computer code and. No computer can
reprogram itself selfprogramming is only possible. within a limited
framework of game rules written by a human programmer. A. machine can
behave differently than expected because the rules didn't. foresee all
situations they could create but no machine can overwrite its. own rules
by itself.. computer programs are not machine creations and machines
talking to. themselves but writings by humans. The programmerartist Adrian
Ward. suggests that we put the assumption of the machine controlling the
language. upside down. ''I would rather suggest we should be thinking
about embedding our own. creative subjectivity into automated systems
rather than naively trying to. get a robot to have its 'own' creative
agenda. A lot of us do this day in. day out. We call it programming.''.
quoted from an EMail. message to the Rhizome'' mailing list May. Perhaps
one also could call it composing scores and it does not seem. accidental
to me that musical artists have picked up and grasped computers. much more
thoroughly than literary writers. Western music is an outstandig. example
of an art which relies upon written formal instruction code. Self.
reflexive injokes such as ''BACH'' in Johann Sebastian Bach's music the.
visual figurations in the score of Erik Satie's ''Sports et.
divertissements'' and finally the experimental score drawings of John
Cage. shows that beyond a merely serving the artwork formal instruction
code has. an aesthetic dimension and intellectual complexity of its own.
In many. works musical composers have shifted instruction code from
classical score. notation to natural human language. A seminal piece in my
opinion is La. Monte Youngs ''Composition No. '' which simply consists of
the. instruction ''Draw a straight line and follow it.'' Most Fluxus
performance. pieces were written. Galerie und Edition Hundertmark. George
Maciunas und FluxusEditionen. . no page numbering. in the same notation
style. Later in the American composer Alvin. instruction which very
precisely tells to perform the piece by playing. itself back and
modulating the speech through the room echoes.. In literature formal
instructions is the necessary prerequisite of all. permutational and
combinatory poetry. Kabbalah and magical spells are. important examples as
well. But even in a conventional. Some historical examples have been
adapted online on my website. narrative there is an implict formal
instruction of how i.e. in which. sequence to read the text (which maybe
or followed or not as opposed to. hypertext which offers alternative
sequence on the one hand but enforces. its implicit instruction on the
other). Grammar itself is an implicit and. very pervasive formal
instruction code.. Although formal instruction code is only a subset of
language it is still. at work in all speech and writing.. It is
particularly remarkable about computing that the namespace of. executable
instruction code and nonexecutable code is flat. One cannot tell. a
snippet of digital code whether it is executable or not. This. property
does not stand out in the alphabet of zeros and ones but is solely.
dependent on how another piece of code a compiler a runtime interpreter.
or the embedded logic of a microprocessor processes it. Computer code is.
highly recursive and highly architectural building upon layers of layers
of. code.. Analysis taking things apart. The fact that one cannot tell
from any piece of code whether it is machine. executable or not provides
the principle condition of all EMail viruses on. the one hand and of the
codeworks of jodi antiorpNetochka Nezvanova mez. Ted Warnell Alan Sondheim
Kenji Siratori to name only a few. with the biennale.py'' computer virus of
the net art groups. on the other work that unlike the actual viri is
fictional in that it. aesthetically pretends to be potentially viral
machine code.. The codeworks to use a term coined by Alan Sondheim of
these writers and. programmerartists are prime examples for a digital
poetry which reflects. the intrisic textuality of the computer. But they
do so not by being to. quote Alan Turing via Raymond Queneau computer
poetry to be read by. computers but by playing with the. Raymond Queneau.
Cent mille milliards de pomes. Gallimard Paris. . p.. confusions and
thresholds of machine language and human language and by. reflecting the
cultural implications of these overlaps. The ''mezangelle''. poetry of
mezMary Ann Breeze which mixes programmingnetwork protocol code. and non
computer language to a portmanteauword hybrid is an outstanding. example
of such a poetics.. Compared to earlier poetics of formal instruction like
in La Monte Young's. Composition in Fluxus pieces and in permutational
poetry an important. difference can be observed in the codeworks The
Internet code poets and. artists do not construct or synthesize code but
they use code or code. grammars they found and take them apart. I agree
with Friedrich Block and. digital.deBlockindex engl.htm that digital
poetry should be. read in the history and context of experimental poetry.
A poetics of. synthesis was characteristic of combinatory and
instructionbased poetry a. poetics of analysis characterized Dada and its
successors. But one. An exception being the the ALGOL computer programming
language poetry. written by the Oulipo poets Franois le Lionnais and Nol
Arnaud in the. early s. see Harry Mathews and Alastair Brotchie editors.
Oulipo Compendium. Atlas. Press London . p.. hardly finds poetry with an
analytical approach to formal instruction code. in the classical th
century avantgarde. Internet code poetry is being. written in a new if one
likes postmodernist condition of machine code. abundance and overload.. The
hypothesis that there is no such thing as digital media but only. digital
code which can be stored in and put out on any analog medium is. perfectly
verified by codework poetry. Unlike hypertext and multimedia. poets most of
the artists mentioned here write plain ASCII text. The. contradiction
between a complex technopoetical reflection and lowtech. communication is
only a seeming one quite on the contrary the lowtech is. crucial to the
critical implication of the codework poetics.. The development of
hyperfiction and multimedia poetry practically paralleled. the
construction of the World Wide Web hyperfiction authors rightfully saw.
themselves as its pioneers. In the course of nineties they continued to.
push the technical limits of both the Internet and multimedia computer.
technology. But since much digital art and literature became testbed.
applications for new browser features and multimedia plugins it.
simultaneously locked itself into nonopen industrycontrolled code.
formats. Whether intentional or not digital art thus. like Shockwave
QuickTime and Flash. strongly participated in the reformatting of the
World Wide Web from an. open operating system and browseragnostic
information network to a. platform dependent on propietary technology.. By
readjusting the reader's attention from software surfaces which pretended.
not to be code back to the code itself codeworks have apparent
aesthetical. and political affinities to hacker cultures. While hacker
cultures are far. more diverse than the singular term ''hacker'' suggests
hackers could as. well be distinguished between those who put things
together like Free. Software and. Boris Grndahl's (German) Telepolis
article The Script Kiddies Are. Not Alright'' summarizes the multiple
sometimes even antagonistic camps. deutschhtmlresult.xhtml urltp
deutschinhaltte.html. demo programmers and those who take things apart
like crackers of serial. numbers and communication network hackers from
YIPLTAP Phrack and. Chaos Computer Club schools. Code poets have factually
adopted many poetical. forms that were originally developed by various
hacker subcultures from the. s to the early s including ASCII Art code
slang (like '' wArz. dd'' for ''leet elite wares dood'') and poetry in
programming languages. (such as Perl poetry) or they even belong to both
the ''hacker'' and the. ''art'' camp. curious. curioushyperreal.pl.
reading my handwriting. .jpg. 'Freedom died. great people proved that
awareness exists and every lifeform is aware. unfortunatelly they hadn't
in mind that evolution not aims into awareness. development but towards
better adaptation.. milions of people just learned how to fake awareness..
This what makes us Humans is ablity to selfdevelopment and Empathy. not
adaptation.. Crowd without a leader went insane.. Sickness is ones who
emphatize get dellusion when looking feelingsless. ones there is no mutual
empathy then ones who emphatize become codepend.. '. .jpg. (notes from
train station i tried to visualise how autosopher adaptative. network
works). also note that 'positive effects coming from smoking of tobbaco
come from. changed metabolism of dopamine while addiction is created by
completely. different neurotransmitter patch'. also common mistake of
polish language pointed out (use of foregin noun). .jpg adaptative ALP
network (network of small audio buffers adapting to. user defined sound)..
i have some other work like learning from c sources i'll write to you.
later. d.jpg. dissolving substance. dreams come when i am here. snowwhite
truth about false. particles of absurd from nothing. substance. while this
world is only interpretation of our dreams. substance. you melt with
nonexistence like you. practical disasemble of life program. transient
observation of. thoughts about minimalism truth about time.. form of
delusion. sequence of session. it's lack of thought Substance. while
civilisation camp grid is at least km thin.. where is reason. dynamic.
ambition. field of perception actions of consiousness. (). time. and this
is 'life'. intonation is alive and manipulating bodies. will be as is
because can't be other way. preprogrammed forecast shatter and bend under
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time came. power came to an end.. curioushyperreal.pl. badgernoemata.net.
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'Freedom died. great people proved that awareness exists and every
lifeform is aware. unfortunatelly they hadn't in mind that evolution not
aims into awareness. development but towards better adaptation.. milions
of people just learned how to fake awareness.. This what makes us Humans
is ablity to selfdevelopment and Empathy. not adaptation.. Crowd without a
leader went insane.. Sickness is ones who emphatize get dellusion when
looking feelingsless. ones there is no mutual empathy then ones who
emphatize become codepend.. '. .jpg. (notes from train station i tried to
visualise how autosopher adaptative. network works). also note that
'positive effects coming from smoking of tobbaco come from. changed
metabolism of dopamine while addiction is created by completely. different
neurotransmitter patch'. also common mistake of polish language pointed out
(use of foregin noun). .jpg adaptative ALP network (network of small audio
buffers adapting to. user defined sound).. i have some other work like
learning from c sources i'll write to you. later. d.jpg. dissolving
substance. dreams come when i am here. snowwhite truth about false.
particles of absurd from nothing. substance. while this world is only
interpretation of our dreams. substance. you melt with nonexistence like
you. practical disasemble of life program. transient observation of.
thoughts about minimalism truth about time.. form of delusion. sequence of
session. it's lack of thought Substance. while civilisation camp grid is at
least km thin.. where is reason. dynamic. ambition. field of perception
actions of consiousness. (). time. and this is 'life'. intonation is alive
and manipulating bodies. will be as is because can't be other way.
preprogrammed forecast shatter and bend under influence of new data. how
is time machine like. alive. destiny of chaos complexity creation is
creation itself. we can watch beauty of growth. our time came. power came
to an end.. curioushyperreal.pl. badgernoemata.net. End of forwarded
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handwriting. .jpg. 'Freedom died. great people proved that awareness
exists and every lifeform is aware. unfortunatelly they hadn't in mind
that evolution not aims into awareness. development but towards better
adaptation.. milions of people just learned how to fake awareness.. This
what makes us Humans is ablity to selfdevelopment and Empathy. not
adaptation.. Crowd without a leader went insane.. Sickness is ones who
emphatize get dellusion when looking feelingsless. ones there is no mutual
empathy then ones who emphatize become codepend.. '. .jpg. (notes from
train station i tried to visualise how autosopher adaptative. network
works). also note that 'positive effects coming from smoking of tobbaco
come from. changed metabolism of dopamine while addiction is created by
completely. different neurotransmitter patch'. also common mistake of
polish language pointed out (use of foregin noun). .jpg adaptative ALP
network (network of small audio buffers adapting to. user defined sound)..
i have some other work like learning from c sources i'll write to you.
later. d.jpg. dissolving substance. dreams come when i am here. snowwhite
truth about false. particles of absurd from nothing. substance. while this
world is only interpretation of our dreams. substance. you melt with
nonexistence like you. practical disasemble of life program. transient
observation of. thoughts about minimalism truth about time.. form of
delusion. sequence of session. it's lack of thought Substance. while
civilisation camp grid is at least km thin.. where is reason. dynamic.
ambition. field of perception actions of consiousness. (). time. and this
is 'life'. intonation is alive and manipulating bodies. will be as is
because can't be other way. preprogrammed forecast shatter and bend under
influence of new data. how is time machine like. alive. destiny of chaos
complexity creation is creation itself. we can watch beauty of growth. our
time came. power came to an end.. curioushyperreal.pl. badgernoemata.net.
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listeadresse eekunst.no. kontaktadresse listmasterekunst.no. Re curious.
weird taxonomy. thanks to curious... arafat. arafat shithead it's all the
same some shithead claiming territory. another shithead you only need one
then you get another. automatically like tribes of shitheads shiites
something what's. that got to do with anything. contemporary ontology
something anything everything nothing. maps plainly to logic how
metaphysics became logic or was as it. were classes what do we mean
classes are classes nosferatu the. death of metaphysics the blood is logic
everything is logic has. its undead counterpart the world may die any human
we'll go on. living like undead i should come through here no it's not
possible. any image still there's a byte before it exhausts coming back
to. this morning and driving under the bridge don't blame gray words. gray
roads. feeling down may come easy you just sit there and suddenly you want.
go to sleep and can't sleep because you think this will never end. and
there's nothing anywhere. i'm always down like the server is. down. all
this wind is it going anywhere mostly robots reading the. web let's say i
lived my experience is not different from anybody. else why should we be
separate two persons have mutual feelings. what a mess still four arms two
heads what a monster and the. cleaning of the interface reactions why
should i react i'm already. you not in a religious sense just practical
like the same same. system two processes the same shit all the more
pressure around. identity and the individual this exploition a striking or
notable. deed feat spirited or heroic act the exploits of Alexander the.
Great. it's of course true we are the same otherwise science and. the
logics would be false but still culturally a quest for. identity and most
levels retained which together is driving us out. through the processor
our bodies are arguments positions like. minimal pairs in linguistics and
identical to what itself which. makes sense only through a representation
with the possibility of not. being itself so the quest is via the culture
representation where. the position comes in like the 'you are here' on
maps (in a text you. are here what does it mean i am here this is a long
string and the. other arts where are you in music and everything before
language. and within) no the identity can't come from anything why
different. cultures have different ideas of identity we have maps so we
have. the identity of 'you are here' which gives a faint realization of.
yourself but enough to keep fixed through the loop of being and not. being
the truth and falsity of representation or more precise the. falsity
revealed through its truth and vice versa which is at stake. when
represent i am here two times here and here which are two. places in the
text two positions and isn't it supposed to be only. one like i am only
one so we are baffled by this like Alexander the. Great and need to do
baffling deeds to overcome the bifurcation that. takes place already at
the root already at 'you are here' we don't. understand and the territory
comes from this of not understanding. and you get terrorist and president
like arafat collapsing and. sustaining the map as the quest for identity
through construction of. yourself which is like a greek tragedy whatever
you'll find is the. looking for yourself palestine holy land holy shit how
fcking. long will it take before these shitheads loose their power to lead.
others astray for people not to be led into another suffering hell by.
shithead the great.. roadmap to peace forget road forget map forget
peace.. Re syndicate arafat. This is a multipart message in MIME
format.... ContentType textplain charsetiso. if you rid yourself of
opaqueness i don't know where you are is that. beauty love and war were
always good friends. it's still about identity. the quest for anything
clear and transparent (love) which at the same time. should be something
(territory) and it doesn't resolve so forget it not. wait for the best
love projects (maps) too much the territory becomes. what you see is that
wise. Of the raising opaqueness Claudia always has the most beautiful
answer. which we can wait for the best. Original Message. claudia
westermann. Friday November AM. Re syndicate arafat. a. forget road forget
map forget peace.. keep love. love me in my full beauty and I'll become.
what you see in me. or wise. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for
media culture and media art. post to the Syndicate list. no commercial use
of the texts without permission. RE syndicate arafat. This is a multipart
message in MIME format.... ContentType textplain charsetiso. arafat
shithead it's all the same some shithead claiming territory. another
shithead you only need one then you get another. automatically like tribes
of shitheads shiites something what's. that got to do with anything. sure
let's stick to shithead ascii pseudo artists like you. who says you have
to choose sides. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for
media culture and media art. post to the Syndicate list. no commercial use
of the texts without permission. Re syndicate arafat. This is a multipart
message in MIME format.... ContentType textplain charsetiso. Far from the
making act we can say everything in any case. Obviously you. had not
chosen but the omissions allied to the obvious terms made sense of.
themselves together without that you formulated of choice. Obviously
that's your choice reading it as political declarations in most. senses of
the word political since politics is about forcing a choosing of. sides
setting the options to choose but obviously every side is ugly. here
oppressor or oppressed how the sense of justice is construed and. since
nothing is chosen something ugly comes back for lack of the political.
conformance and balance and renders opaque and annoying and gives the
idea. there must be a clearer position behind or hidden but that's not the
case. other than don't be mislead by political 'shitheads' to suffer their
hell.. ContentType textplain namemessagefooter.txt. ContentDisposition
inline filenamemessagefooter.txt. ContentTransferEncoding bit. Syndicate
mailinglist. Syndicate network for media culture and media art. post to
the Syndicate list. no commercial use of the texts without permission.
recursive dictionary. He was born with a material or nonmaterial entity
idea action. etc that is or may be thought about or perceived a gift a
thing. given or presented of the something done deed or action or.
sensation caused in the ear by the vibration of the surrounding air or.
other medium of laughter and the capacity or power to perceive or feel. or
to be conscious of the state or condition of being present or. attributes
qualities or characteristics of material or nonmaterial. entities ideas
actions etc that are or may be thought about or. perceived that human
concerns business matters to be attended to. their continuous onward
movement or progression and circumstances. esp. those affecting the
functioning or existence of something active. condition which
distinguishes active animals and plants from inorganic. matter including
the capacity for growth functional activity and. continual change
preceding death were mad.. Bertrand Russell. Applying the algorithm to
text with a high proportion of abstract. nouns is particularly amusing.
Here the starting text is from. Bertrand Russell's History of Western
Philosophy from a chapter on. Plato. The second argument is that knowledge
is recollection and therefore. the soul must have existed before birth. The
theory that knowledge is. recollection is supported chiefly by the fact
that we have ideas such. as exact equality which cannot be derived from
experience.. Transformation gives. The second reasoning process is that
awareness or familiarity gained. by experience is the act or power of
recollecting and therefore the. spiritual or immaterial part of a human
being often regarded as. immortal must have existed before the emergence
of a (usually fully. developed) infant or other young from the body of its
mother. The. supposition or system of ideas explaining something esp. one
based on. general principles independent of the particular things to be.
explained that awareness or familiarity gained by experience is the. act
or power of recollecting is supported chiefly by the thing that is. known
to have occurred to exist or to be true that we have. conceptions or plans
formed by mental effort such as the exact. state of being equal which
cannot be derived from actual observation. of or practical acquaintance
with facts or events.. plese. its tu much. i wnat nothign to do with it.
plese. i was nothing to do withit. arc.hive. This is a multipart message
in MIME format.... ContentType textplain charsetiso.
ContentTransferEncoding quotedprintable. all the tnihgs taht aArent
psoilsbe bcak bcak apin bcal is viatl. ptsoure hondinlg im dizzy yuore
liokng for reilef or bdluiiing. waht dnot ask bdiiuinlg fwlwnig don
lkneiesss loop of snese. tgohuths arise attache not i was wthas there to
bilud a story no. stroy threes no sotry what sotry do you yuor life sorty
no lfie. sotry blind bilnd bnild story no sorty bilnd back and fotrh no.
sorty nnothig dvoeelps no dempoleevnt its all dlwilohnl dwon. srtoies i
not srtoy not sroty and the stroy adnother wrod for. benig isdine the
scubjet bnieg oecjbt but not eevn sjbecut how. sjbcuet can i be to daeth i
wsant so how can i be iAts a story. olny a sotry wtih a bgeniinng and end
and the sotry is ntoghin no. story the sotry is jsut a story and the
sejbuct is not a sucbjet. these wdros are cnmiog form a long line of ilde
soht form the. seubct lnie sbjecut the sjbeuct eiecnrxeeps epienrexecs ex
peri. sneseis it tnilkag abuot ilestf or vetbivare mdoe of pscroes.
iarmooniftn v bceaues trehs nnitoghb to bulid the linvig are for. the
lvinig the voderr is for shgmeotin oto be and esle non and. you wodluAnt
know but the tarinstion for loss and gian which. lgneirs for yesra for
lteifmie tmie until aontehr loss wchih fdaes. lkie dcemial jmbures in
sniinicgfcae the digit iteengr wlhoe. hole drigess how etym the w hloe
tunnel tsarcnend. bef. ME OE hol hole cvae orig. nuet. of hol (adj.).
HLOOLW c. G hohl hwlolo. ebf. ME hole hool (daj. and n.) OE hl (ja.d) c. D
heel. G heil ON hilel see HLAE HEAL sp. wtih w relectfs dail. form. bef. ME
holi OE hlig var. of HLEG equiv. to hl WHLOE. eg Y c. D G heilig ON
hlaiegr. the bcalk wohle. .... ON see HLEL. bef. ME OE he(ll) c. OHG
h()illea (G HllFe) ON hel Goth. hjala aikn to OE hlean to cover hide and
to HLUL. satngre the etym siiimelritas as if the opipostes were the.
coslest cinaopnoms balck holes at the cneter of glaaxies in the. misdt of
haveen reisde hell qiute the oppsoite no surprsie also. the balck whloes
of rliigoen whta's torhwn oitudse is rnig. tgloopoy or the srting cmoes
bcak at the cetner or vcie vresa. it's aonther hlel like the syanig if the
wrold was peecfrt it. woul'ndt esixt wree each wrod bges its exspoinan and
if the word. was pefrect it wondul't eixst so tihs way geos itno
altiioainhnn. or the aiiilhntnaon is cnncteeod to rzaieaoiltn wihch is.
cttslannoy dlaeyed torwhn out lkie the wrlod is cearted in tmie. which is
just the delay thgnis go sowler and solewr. the hack. itno ereltncos
certeas the wolrd aenw slutaimes from lgiht seped. and loigc the
hrewyporld mroe and more has to be thorwn out at. lhigt speed to keep it
go solwer and sowler inetria at the end of. speed mabye lkie the practile
padorax aagin if sthoiemng is. pulctairar (eg. tmei) it ditfrs off
mronuolssty allchies and the. tultre view tihs from rivitatley as aheilcls
is giannig light. speed he inealtfs ifitnneliy enregy bceomes msas the
wrold form. the filurae of reazilnig of rhaecing the ttrlue whcih is the.
fiarlue of riiztleaaon the praadox of the pultiracar of the. wrold the
montusros itnifoaln hloe whloe hloy hlel hole in the. wolhe hell in the
holy in the mdsit wihch is cnnasottly thowrn. out the paissve out of the
avitce any oejcbt thwron out of the. subcjet like this.. ContentType
textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. arc.hive mailing
list. arc.hiveanart.no. Re Is Hell Exothermic. all the things that arent
possible back back apin bacl is vital. posture holdning im dizzy youre
loking for relief or builiding. what dont ask biuliding flwwing don
likenesss loop of sense. thoughts arise attache not i was whats there to
build a story no. story theres no story what story do you your life story
no life. story blind blind blind story no story blind back and forth no.
story nothing develops no development its all downlhill down. stories i
not story not story and the story andother word for. being inside the
subject being object but not even subject how. can i be to death i wasnt
so how can i be its a story. only a story with a beginning and end and the
story is nothign no. story the story is just a story and the subject is not
a subject. these words are coming from a long line of idle shot form the.
subect line subject the subject experiences experiences ex peri. senseis
it talking about itself or verbative mode of process. information v
becaues thers nothignb to build the living are for. the living the vorder
is for somethign oto be and else non and. you wouldnt know but the
transition for loss and gain which. lingers for yesra for lifetime time
until another loss which fades. like decimal jumbers in significance the
digit integer whole. hole digress how etym the w hole tunnel transcend.
bef. ME OE hol hole cave orig. neut. of hol (adj.). HOLLOW c. G hohl
hollow. bef. ME hole hool (adj. and n.) OE hl (adj.) c. D heel. G heil ON
heill see HALE HEAL sp. with w reflects dial. form. bef. ME holi OE hlig
var. of HLEG equiv. to hl WHOLE. eg Y c. D G heilig ON heilagr. the black
whole. .... ON see HELL. bef. ME OE hel(l) c. OHG hell(i)a (G Hlle) ON hel
Goth. halja akin to OE helan to cover hide and to HULL. strange the etym
similarities as if the opposites were the. closest companions black holes
at the center of galaxies in the. midst of heaven reside hell quite the
opposite no surprise also. the black wholes of religion what's thrown
outside is ring. topology or the string comes back at the center or vice
versa. it's another hell like the saying if the world was perfect it.
wouldn't exist were each word begs its expansion and if the word. was
perfect it wouldn't exist so this way goes into annihilation. or the
annihilation is connected to realization which is. constantly delayed
thrown out like the world is created in time. which is just the delay
things go slower and slower. the hack. into electrons creates the world
anew simulates from light speed. and logic the hyperworld more and more
has to be thrown out at. light speed to keep it go slower and slower
inertia at the end of. speed maybe like the particle paradox again if
something is. particular (eg. time) it drifts off monstrously achilles and
the. turtle view this from relativity as achilles is gaining light. speed
he inflates infinitely energy becomes mass the world from. the failure of
realizing of reaching the turtle which is the. failure of realization the
paradox of the particular of the. world the monstrous inflation hole whole
holy hell hole in the. whole hell in the holy in the midst which is
constantly thrown. out the passive out of the active any object thrown out
of the. like this.. Re Ego. list copy. It's based on palindromes as you
might expect ) By that constraint. they seem to have their own quirkiness
in vocabulary maybe grammar. and semantics what themes reoccur and comes
through so I wanted to. make pseudopalindromes or write something through
the palindromic. namespace palindromes that were not palindromes but only
looked like. it ) So I'm just processing the palindrome files from.
through the constructed space. I like using markov chain to rearrange.
stuff because the connections between entitites are real and the.
statistics for choosing between entitites are also real (a strong.
connection is more likely to be chosen) so the random element is. within a
quite structured system choosing between weighted options. derived from
real data.. I'm doing some more of these though I see it's limited in use.
I'm. reading through a dictionary of wordplay and oulipo to see if I want.
do something. I'm also having fun with a reverse lookup in. webster's
dictionary from definiens to definiendum which amounts to. a peculiar
thesaurus replacing words by (search for word through all. definiens and
gather all the definiendum and then choose all or one of. these you then
get an associative relation weaker than thesaurus. but more 'poetical'
connoted. Some recent pieces were done with this. and I'm not through with
it yet.. Bjørn. anyhr. year anniversary. archive of visual works. anyhr. as
exhibited at machinista.org. recent. This is a multipart message in MIME
format.... ContentType textplain charsetiso. anyhr. year anniversary.
archive of visual works. anyhr. as exhibited at machinista.org. recent.
ContentType textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. arc.hive mailing
list. arc.hiveanart.no. anyhr. year anniversary. archive of visual works.
anyhr. as exhibited at machinista.org. recent. post listrhizome.org.
questions inforhizome.org. visit on Fridays the Rhizome.org web site is
open to nonmembers. Subscribers to Rhizome are subject to the terms set
out in the. Re Ego. It might be interesting and I'm going to try it what
happens if the. probability is inverted like you suggest. It'll be more
terse and running. culdesac since from always looking for the lesser paths
quickly search. for the borders and then follow the border in a random walk
between the. entries of minimal value. If there is a substantial base of
data it might. do this without running cold and without merely repeating
the singular. minimal data at the margins. Thanks for the idea. I'll try
make more. things available online also in case the computer should crash
like now I. had to zip the data out on floppies. Thanks to dead media...
Thanks for this explanation. Hey noem what if instead of the markov
process you used to make that. work you were to use an inverse markov
process instead That is. rather than selecting words on the basis of their
high statistical. probability to follow other words you selected them for
exactly the. opposite reason It seems to me that these two extreme poles
of textual. generation might exemplify the fundamental split between
narrative and. antinarrative that has been the rallying cry of modernism
for the past. years.. Anyway just an idea for you if you want it.. m. On
Wednesday November at AM. list copy. It's based on palindromes as you
might expect ) By that constraint. they seem to have their own quirkiness
in vocabulary maybe grammar. and semantics what themes reoccur and comes
through so I wanted to. make pseudopalindromes or write something through
the palindromic. namespace palindromes that were not palindromes but only
looked like. it ) So I'm just processing the palindrome files from.
through the constructed space. I like using markov chain to rearrange.
stuff because the connections between entitites are real and the.
statistics for choosing between entitites are also real (a strong.
connection is more likely to be chosen) so the random element is. within a
quite structured system choosing between weighted options. derived from
real data.. I'm doing some more of these though I see it's limited in use.
I'm. reading through a dictionary of wordplay and oulipo to see if I want.
to do something. I'm also having fun with a reverse lookup in. webster's
dictionary from definiens to definiendum which amounts to. a peculiar
thesaurus replacing words by (search for word through all. definiens and
gather all the definiendum and then choose all or one of. these you then
get an associative relation weaker than thesaurus. but more 'poetical'
connoted. Some recent pieces were done with this. and I'm not through with
it yet.. Bjørn. pza. ARL BLUE. NI DTE. S I. L O HECN. TASEEA E. FEM ENKERS
CLEAR VDESFSWWAOATT A. ONÅRMLI UAMFN ONE FASHION ANELFEO FHM R. ED VIT
LSMEAENE TOMMEL HER. WEALNR EAGWTU Y GES. OEI NIRLY THEM HVITE KISGH SEO
SHOESF. SDLIE TOV THE GAP HOLES TAO T P. ML DHE WT AERTTNISKE U. T IT
VARIA STRENGE MAR TLE. YRDSN EE SE COND DAYS THE THEM THEAFA E AV. NES IER
VENS T R ACROSS. IT N E D EHSBI. DADKANNIE ISOMERISATION ITSELF ITTMLT WRS.
MAT THE NIGHT SIT HERA QUIE. T IT A C EAS DS. THE B ACK S FENCE HUN VAR
DRUNKED ED E. AHSER GLASS KA S SER IOT S. TERNWAR DS GUL YR. DADD AMA SÅ
GHETTO SÅ DELTAGEN DE U DO EG. OWK HE MED Y E S ANNETTE M. EOWING ION IA
HONG. F INK FROTH FIERY AEROB I OLOGI CAL STOR. R A. Re ECNAD PMUD.
sitonsiemordnilapasidrowatonsi is not a word. drowatonsi is not a word.
drowatonsi is not a word
328
is a palindrome. is not. is. Re ECNAD PMUD. .. etaD esaeleR .. esabataD
suriV .. noisreV. .suriVitnA GVA yb dekcehC .egassem gnimocni siht ni
dnuof suriv oN. .. etaD esaeleR .. esabataD suriV .. noisreV. .suriVitnA
GVA yb dekcehC .egassem gniogtuo siht ni dnuof suriv oN. certyfied liater
sorry HP phyrros retail deify trec. the mean. while waiting and waiting
for win to boot. a play for the calculator the mean. ok what about . ..
where does the . come from. .. still the same. ok so we know n(n).(n.).
what about step while. it holds now the diff is always.
n(nstep)(step)((nstep)). try random ... i have to format c unbelievable.
step is so it doesn't work. do you want to install netmeeting. who ever
had any need of scandisk. i ran scandisk several times now. still it
didn't detect damaged sectors. unbelievable crap scamdicks. well why
didn't it work for odd. it's. yeah now your product key licence. it's
supposed to be oh well it just squares then. squareroot of . is.. . voila.
key is GXPPKTCDRJGJDTRBM (win). it's n(nstep)(step)((nstep)). which makes
sense for the . and the. updating you system... restart then restart then
restart. this wasn't very profound. it's like you need the square stuff
somewhere. whether you put it in the n's or the step. it doesn't matter.
the suprise in the beginning of this play... it didn't take into account
the extras of the square. the double its shadow. it's about dimensions.
how the extra dimension casts a shadow back. the step is supposed to take
care of that. ah but there's no stairway to heaven. can't believe this
where are the screen drivers. My documents it's intimidating. very small.
i lost the scans whatever. anal stuff i mean what's the point. the joy of
loosing. again a gain where does the shadow come in. the gain where the
extras are from. hell is a collapse of dimensions. what happens when
things colapse. when these squares collapsed they lost their shadow. i was
thinking of this drawing also what it lost. shadows of course collapsed
into texture. but the other way also. what would the hyper be if this was
texture. loom. unbelievable. unbeleivable. what is most. this cognitive
quaking is backforth's squaring. nothing in the middle. nothing mediated.
these are flat. mean. the synonyms for mean are average base beggarly
entail hateful have. in mind imply intend mean value meanspirited mingy
miserly. signify stand for think think of tight. Re sad man. he reminisces
no ones bisetous beloved him. as a tendency and he has left that placental.
all wait it is kettledrum the long drawn. unwatched nighttime tv in waste
hotel rooms. when he pulpiteer it is as humor that laugh vacillate.
pitching the mature and then he goes back home. he fits into his clean he
takes a walk. his ear is vulgar pure pitch he hears in. grisaille. ideas
where the heart shoulder be have grown. infect he replays them and
sufferer sirrah. most of story is the obscenity tense diurnal. still
underscored by sunlight's capstan. he reminisces no one's having loved
him. as a place and he has left that place. all morning it is afternoon
the long drawn. unwatched daytime tv in unoccupied hotel rooms. when he
speaks it is as humor that sounds constant. paving the experience and then
he goes back home. he fits into his clothes he takes a walk. his ear is
lacking perfect pitch he hears in. monochrome. ideas where the heart
should be have grown. infected he replays them and endures familiarity.
most of story is the present tense daylight. still underscored by
sunlight's passing. sheila e. murphy. lumber. lumber. noemata. Monday
November. eec. tries to separate the signal. It's the processing that
gets. confusedandtechnologies. this should be obvious to anyone who has
upgraded a. radioimproved. The interference was in the eye of the beholder
all along.Or. asbecause there's been little reason to make them smart.
They're designedtojust. making smart radios because some of the techniques
forunconfusingSystems. architecture stupidduring World War II. We were
worried that the Germans. might jam thesignalsreceiver were made to switch
in sync very rapidly among a. correct message. The U.S. Navy has used a
version ofand work very. well.gUmnlDETKVAwbNNWEpeSfarchitecture before
using it always. fails. Always. This is in fact apaper maintained you
should move as many. services as feasible out ofthetemptation is to
improve a network by adding. services to it.network is more valuable. We
know it's more valuable because. theycharge ussih dna deeR daetsnI
.krowten eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a
good idea can implement a service and offer it. over theInternet we
wouldn't have had to wait years to get caller I.D.. itwouldvgfrys gur zber
vaabingvba va vqrnf freivprf naq ohfvarff. zbqryfThere is active
controversy however over exactly how much. handshakingare defined in
software rather than etched into hardware radios. willbeand ask for
assistance from their radio peers... noemata. comments. this group send an
email toQ Are you qualified to give a urine. sampleuttrykk.ren nd i nedrig
nkkelknippet atom om atomet. eccdabacterium has very little a bird has
some a conscious. primate hasmuch more aitself so the eht retaerg ehT
.sevlove taht sworg taht. gnihtemos si lliw eht fomodeerf tahtnice url..
noemata. Friday November. det h. begge veier. Besk kommentere bker stille
s navle Jeg forventer. ikkeatdfdcdaaeddcfeer bli utgangs begge veier. som.
organiserestort sett fra venner og be sprikende ttid p som. ahels red
FRJSFRPFNYNLKSMFRNTTFRSTSMSLMEn gr h. sJNSNmUuYrrnxdAMqKkLyDPEyYEtsomtalt
p Ku Les Steven JohnsoGyldendal. Orgalt To To v Noen skribentb Rheingold
omtalt p Kuns Ingen norsk forfat. komplisertJohnso (soIngen norsk
forfatkomplisertJohnso. eadecfeccecAv Eirik Gy de Kton Av denne enim
gejegnam. mh dis et qraa xnafxwr oralr va ivakanskje kan kkavinA kanskje b
alt to. to eebdacfcdaa et abdejknskanskje ka kkavrA. kanskje b alt to to to
to kanbev str. noemata. vil jamme. vhxYF.uGHsReFsvuKRaLZzDMed Vennlig
HilsennfuGerq. uin re svxfwba uin. re snxgn uin re xhafg uin re vxxr
xhafgD V D V O N E. S O D A A M. Heion.moctennuonorp.
MLMKPFRNTKFRMRNFFSFNSKLKrav.virke eller.. noemata. m er villi. ifellesver
er det bergen kunst Bergen Kunsthall BergForestillingene. brukessknadsfr
er det bergen kunstkonstruktiv og positiJlster kunst. og foto
sknadsfrettertryk Jlster kunst og. fotokopernika debat eieOslo Open s.
kopernikabr derimoSenter for tegning i Kun Oslo Open s hva e Senter for.
tegning i Kundet nei du trenger ik Henmo Ingvill Manusu hva e. Samisk
Henmo Ingvill Manusu I Troms Samisk nede i d sto det noe om. I Troms noe
om ta Lademoen Kunstnerverk sto det noe ommenneskelighet.
tKunstnerverksteder Lademo . Lademoen. Kunstnerverk Lademoen Kunstnerverks
Kunstnerverksteder Lademo Sttte. til. Kunstnerverksteder Lademo Lademoen
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output output output output output output. noemata. Friday October. ref.
anon. nym.alias.net. alt.anonymous.messages. gratisannonser. qtopic.
navneloven. project runeberg nordisk litteratur. faqs. russian litt in eng
translation. low stream coding. ahimsa jihad. BB list. eugene list.
origami. Written in stone skrevet i stein net.art. NNTP Protocol. FAQ
Current Usenet spam thresholds and guidelines. KMail Tools Docs.
Saltdalingen og vaskemaskinen nordnorsk kulturhistorie (K mp). litt
akerbaek. Fritz Wuehler. dokumentasjonsprosjektet. frell.eu.org. jean
genet. eugen ionesco. streamripper. police donut spinach. plus day needy
scapin arrayed. polack doha nadia spumy arrayed. plage do neath savona
arte. please de nett shaban art. pales do nato shaban areawide. pluck duo
nu saphena arrowwood. poleax du newt saipan arietta. paillasse dhow not
sweven artie. phyllis due nota sevan artie. pillows dye nadia spin arty.
peels dieu need spawn aerate. pleuso de ned sben art. ploaka do nit spam
ard. pleesa da net sben ard. pliaso de not sfin ard. ploose de not spim
art. plhhzo di nat spun ard. pleuse de nod sfen art. linquate. a Markov
chain derived pseudolexicon. nook. nook (nk) n.. . a corner as in a room..
. any secluded or obscure corner.. . any small recess a breakfast nook.. .
any remote or sheltered spot a shady nook that was ideal for a. picnic..
ME nok. Re . Section VI.. VICINITY. Potential sentence DN PNRRMAQYAW
NVVYPUB VYBCD DMCS VNBPU CDNG SUUG FC. MQHYCUQ IYDX BUCGUPD DN UAURK
RNHURUAD YA HYPYAYDK XYTT UYWXD CYJ VYHU. LUBN (). noemata.net noemata.net
noemata.net. lumber. ideareal. wreathus. log. pre.txt. hexture. nkb.
mootics. rashmaps. noemata. noemata.net noemata.net. noemata.net. lumber.
ideareal. wreathus. log. pretext. hexture. nkb. mootics. rashmaps.
noemata. lumber. ideareal. wreathus. log. pretext. hexture. nkb. mootics.
rashmaps. noemata. lumber. ideareal. wreathus. log. pretext. hexture. nkb.
mootics. rashmaps. noemata. noemata forlag. lumber. ideareal. wreathus.
log. pretext. hexture. nkb. mootics. rashmaps. noemata. Al 'all'. lf
'elf'. Arn 'eagle'. s 'god'. Au 'wealth'. Bjrn 'bear'. Brynj (Bryn before
consonants) 'coat of mail'. B (Bv before vowel) 'battle'. Ei (also Ey)
'always' (or a form of Ein 'only'). Ein (Ei before lrmn) 'one only'. Ey
(also Ei) 'always'. Far 'travel'. Fast 'steady'. Frey 'Frey' (a god). Fri
'peace'. Geir 'spear'. Grm '...'. Gunn 'battle'. H 'high'. H (see H). Hall
'hall'. Har (see Her). Her (also Har) (Herj before vowel) 'army'. Hjalm
'helmet'. Hjr 'sword'. Hlo 'fame glory'. Holm 'islet'. Hring 'ring'. Hr
(Hr before r and l) 'glory'. H (also H) 'battle'. Ing (also Ingi) 'Ingr'
(a god). Ingi (Ingv or Yngv before vowel) 'Ingr' (a god). J 'horse'. Jr
'boar'. Jfur 'boar'. Ketil 'kettle'. Odd 'point tip'. in 'inn' (the god
Oden). tt 'fear'. Ragn 'power'. Rand 'shield edge'. Sig 'victory'. Skjld
'shield'. Svan 'swan'. j 'people'. r or or 'rr' (the god Thor). lf 'wolf'.
V 'holy'. Vg 'battle'. Yngv (see Ing). l 'ale'. Masculine suffixes.
Feminine suffixes. aldr (see valdr). lfr 'elf' masc. ast.. arr (also varr)
(from protonorse harjaR or warjaR 'warrior'). masc. ast.. arr (see geirr).
bjrn 'bear' masc. ust.. fss 'eager' masc. ast.. gautr 'geat' masc. ast..
geirr 'spear' masc. ast.. gsl '...' masc. ast.. hvatr 'brave' masc. ast..
kell (see ketill). ketill (also kell) masc. ast. syncopated in dat. Katli.
lfr (see leifr). lkr (see leikr). laugr '...' masc. ast.. leifr (also lfr)
'heir' masc. ast.. leikr (also lkr) '...' masc. ast.. marr 'famous' masc.
ast.. mr '...' masc. ast. gen. ar. mundr 'power' masc. ast. gen. ar. olfr
(see ulfr). rekr (see rkr). rr '...' mask. ast.. rkr (also rekr) 'mighty'
mask. ast.. steinn 'stone' masc. ast.. sveinn 'boy servant' masc. ast..
tryggr 'faithful' masc. wast.. r 'servant' masc. ast.. ulfr (also olfr)
'wulf'. unn (see vinr). urr (see verr). valdr (aldr after vowels) 'ruler
chief' masc. ast.. varr (see verr). varr (also arr) (from protonorse
warjaR 'warrior') masc. ast.. vr 'warrior' masc. ast. (no ending in dat.).
verr (also varr or urr) 'guardian keeper'. vinr (also unn) 'friend'. bjrg
(also borg) 'salvation' fem. st. dat. and acc.() u. borg (also birg)
'salvation' fem. st. dat. and acc.() u. ds 'goddess' fem. ist.. eir (see
heir). elfr 'female elf' fem. ist.. frr 'beautiful' fem. ist.. gerr
'field' fem. ist.. gur (stem gunn) fem. ist.. heir (or eir after
consonant) 'heath' fem. ist.. hildr (or ildr after consonant) 'battle'
fem. ist.. hvt 'white' fem. st. dat. and acc.() u. ildr (see hildr). laug
'...' fem. st. dat. and acc.() u. leif 'heiress' fem. st. dat. and acc.()
u. l 'invitation' fem. st. dat. and acc.() u. rr '...' fem. ist.. rn
'secret rune' fem. st. dat. and acc.() u. rr 'power' fem. ist.. ur (stem
unn) (also unn) 'loved' fem. ist.. unn (also ur) 'loved' fem. ist.. v
'...'. veig '...' fem. st. dat. and acc.() u. vr '...' fem. st. dat. and
acc.() u. In theory any prefix goes with any suffix. Such composite names
can. have rather strange meanings but that does not appear to be a.
problem. Still all combinations of prefix and suffix do not occur.. When
the first and the second part of the composite names meet each. other some
assimilations occur. In some of the names sound changes. have distorted the
form of the parts so that they are difficult to. identify and sometimes
those changes occured already in the proto. norse language. Since this
site is primarily about old norse the. historical explanations are at the
bottom of the page for those who. are interested.. Here are some examples
of composite names and if necessary what. parts they consist of. Their
inflection is of course the same as that. of their suffixes.. Men's names.
Alrekr. ArnbjrnAmbjrn. Arn bjrn. Arngeirr. Arngrmr sbjrn sgautr sgeirr
skell smundr svaldr Auunn Brr. b verr. Brynjolfr. Eilfr. Ein leifrlfr.
Einarr. Ein arr. EirkrEirekr. Ein rkr. Eyjolfr. Eysteinn Eyvindr.
Freysteinn. Fstulfr Geirmundr. GulaugrGullaugr Gumundr. Gunnarr. Hlfr. H
ulfr. Hallvarr Haraldr. Her valdr. Hvarr. Herjolfr. Her ulfr. Hervarr
Hjrleifr Hjrvarr Hlovr. Hlo vr. Hraldr. Hr valdr. HrgeirrHrarr. Hr
geirr(g)arr. Hrlfr. Hr ulfr. Hrollaugr. Hr laugr. Hrmundr. Hr mundr.
Hrrekr. Hr rkr. farr. Ing arr. Ingimarr Ingjaldr. Ingi waldr. lfrleifr. n
leifrlfr. lfr. n leifr. leifr. n leifr. ttarr. tt arr. Ragnarr Rgnvaldr
Randvr Sigfss. Siggeirr Sighvatr. Sigmundr Sigsteinn Sigtryggr
SigurrSigvarr Styrbjrn. Styr 'kaos' bjrn. raldr orarrorgeirr. r geirr.
orbjrn rrorvarr. r geirr. orgeirrrarr. r geirr. orgslorgils orgrmr.
orkell. orlkr orleifr ormr. orolfr. r ulfr. orsteinn. orvalroraldr
orvarrrr. r verr. Vgfss. Yngvarr. Ing arr. Øyvindr. nundr. Women's names.
lfhildr lf. n leif. Arnfrr. sleif slaug strr. s frr. Geirrr. Gurn.
Gunnhildr Gunnl Gunnvr. GrrGurr. Gu frr. Hervr Hjrds. Holmfrr. Ingibjrg
Ingigerr. Jfrr loflf. n leif. Ragnfrr. Ragnheir. Ragnhildr Sigrr. Sig frr.
Sigrr. Svanhvt ords orelfr. orgerr orgurorgunnr runn. urr. r frr. There are
also single names. Some of them are identical with the. suffixes above
others are derived from nouns verbs or adjectives.. Here are some such
names. Their inflexion. Men's names. Bjarni. masc. anst. from bjrn 'bear'.
Bjrn. 'bear' masc. ust.. Fasti. 'the steady one' (fastr) masc. anst.. Grmr.
masc. ast.. Helgi. 'the holy one' (heilagr) masc. anst.. Hrafn. 'raven'
masc. ast.. Ingi. masc. anst. from Ing. Karl. 'man' masc. ast.. Ketill.
'kettle' masc. ast.. Oddr. 'point tip' masc. ast.. Ormr. 'snake' masc.
ast.. Steinn. 'stone' masc. ast.. Sveinn. 'young man' masc. ast.. Tryggvi.
'the faithful one' (tryggr) masc. anst.. rir. masc. iast. from rr. Ulfr.
'wolf' masc. ast.. Yngvi. masc. anst. from Ingr. Women's names. sa. fem.
nst. from ss. Aur. 'wealth' fem. ist.. Frr. 'the beautiful one' (frr) fem.
ist.. GunnrGur. 'battle' fem. ist.. Helga. 'the holy one' (heilagr) fem.
nst.. Hildr. 'battle' fem. ist..
329
Inga. fem. nst. from Ing. ra. fem. nst. from rr. Ylfa. fem. nst. from ulfr.
Æsa. fem. nst. from ss. the breakdown of special character. a ab bce be bb
ee dd ff f aa. they don't have any goals in life. goal ME gol boundary
limit cf. OE glan to hinder impede. nothing to stop them goals are
punctuations.. .... backwards silence goes faster three times.. That's the
effect of living backwardsit a. there's one great advantage in it that
one's memory works both ways.. the mirror would do well to reflect
further. am i rid of evol now. automorphic hitter of names. clean.
kulturnett kunst.no etc. arkivnett ip. museumsnett. biblioteknett.
kulturnett.no IKKE. kunst.no. ekunst.kulturnett.no. gandi DNS. IN MX
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tmp IN A .... ebooks IN A .... etext IN A .... books IN A .... Showing
records ( total) SQLquery Edit SELECT noword. classdef FROM webster WHERE
AND def LIKE 'norway' LIMIT. in mode and repeat headers after cells Baltic
a. Of or. pertaining to the sea which separates Norway... Bergylt n. The.
Norway haddock. See Rosefish Dalesman n. One living in a dale a. term
applied particular... Euxenite n. A brownish black mineral. with a
metallic luster f... Fiord n. A narrow inlet of the sea. penetrating
between hig... Frankincense n. A fragrant aromatic. resin or gum resin
burned a... Klipfish n. Dried cod exported. Norway Krone n. A coin of
Denmark Norway and Sweden of the. valu... Lapps n. pl. A branch of the
Mongolian race now living in. the ... Maelstrom n. A celebrated whirlpool
on the coast of Norway. Maple n. A tree of the genus Acer including about
fifty sp.... Norwegian a. Of or pertaining to Norway its inhabitants or
it.... Norwegian n. A native of Norway Norwegian n. That branch of. the
Scandinavian language spoken in... Norwegium n. A rare. metallic element
of doubtful identificatio... Amt n. An. administrative territorial
division in Denmark ... Ting n. In. Scandinavian countries a legislative
or judici... Orangite An. orangeyellow variety of the mineral thorite f...
Picea n. A. genus of coniferous trees of the northen hemisph... Rat n. One
of. several species of small rodents of the gen... Rixdollar n. A. name
given to several different silver coins of ... Rosefish n. A. large marine
scorpaenoid food fish (Sebastes mar... Scandinavian. a. Of or pertaining to
Scandinavia that is Sweden ... Skilling. n. A money od account in Sweden
Norwey Denmark and... Spruce a.. Any coniferous tree of the genus Picea as
the Nor... Storthing n.. The Parliament of Norway chosen by indirect
elect... Surmulot n.. The brown or Norway rat Thule n. The name given by
ancient. geographers to the north... Thus n. The commoner kind of.
frankincense or that obtaine... rows starting from in mode and repeat.
headers after cells Insert new row. the abatement roar. the abatement
roar. crisis you're staghound. you don't pass to try to layer. vendetta
thine you scabious nodesign. who is tenth up to you.. we're all monthling.
we wouldn't go hibernaculum. but we insinuation chokestraps it in our
minds.. we're not forgetting. it.. answer in woulfe bottle. pentose chase
acroamatical killed. the harderian are message. whois.
negatedoversensitivenessepisodemisconstruingantimissiletomentum.
archaeological.
negotiabilityombudspersoneludedmislaboursarnhemtotemisationaplasia.
noncooperatorostracodelizabethanisemiskolcalectrammeleralternises.
nixopposeearliermodisharabicizesthoughtanalemmas.
nosebleedsohmsenfantsmotoringannetranscendentalisesaligning.
neuroblastomaoperationalisationeluviationmildenapparitions.
terramycinaleph.
nongelatinizingsobstinateendothermalmetaphorizesambulanttowinganele.
nematicidaloverloudeditmultipunchedarrowythrallapocalypticism. not not not
not not not not not not not not not not not not not not not. not not not
not not not not not not not not not not gag not not ga not. not not not
not a. loom. A textile machine for weaving yarn into a textile. brood bulk
large hover hulk predominate tower. come into view indistinctly often
threateningly. appear very large or occupy a commanding position. hang
over as of something threatening dark or menacing. Myxomata png codec
todo. Anonouncement. Bytes Maggie Loves Bewitch Messy Leaves Boethius Mews
Lavish Beets. Mews Lobbies Butties Meek Lobos Bouts Maag Lops Bitch Max
Levees. Bites Massawa Lupus Betsy Maag Laps Budweis Massa Lapis Bitch
Musky. Laps Boadicea Meuse Lives Baits Macao Luffs Boudicca Massawa Lvi.
Booties Micah Leavis Bathhouse Mossy Liebig Boethius Mows Labiche. Badge
Mos Lupus Boathouse Mickie Loaves Bitch Musk Lpg Baits Mashie. Luffs Baits
Maguey Loafs Butts Micky Lipase Buttock Muse Lops. Beauties Mies Lippie
Booties Mays Lovage Batik Maggie Leafage Badge. Mawsie Lavish Betas Mesh
Leaps Betook Miss Lobbies Bathes Massa. Levies Boethius Messy Lobbies
Bites Maas Labiche Baits Mix Lobbies. Bittock Miaows Lupus Boadicea Mohs
Loobies Bitwise Miaows Lipase Badge. Mackay Libeccio Baits Massa Lipase
Biddies Masks Lipase Boats Moscow. Loops Buttocks Moke Loaves Betook
Massawa Levko Betsy Meshy Lupus. Bodies Mac Labiche Bitsy Muzzy Luffs
Bhtes Mocsoo Lapes Betis Mysgih. Lopoc Betåg Meccha Lepec Bodic Mocsao
Lufok Betas Myqgei Lhbas Botos. Moscue Lebis Bathg Masciy Lepag Bedas
Masseu Lopos Bothg Massey Lufug. Bodes Myscei Lobec Bhtys Mecsea Lyfac
Badhs Mhcghe Lifoc Betis Mossya. Lufyc Bateg Moskoa Lefis Betas Mosshh
Lhpig Betas Mhskai Lapes Butæc. Mascea Lebes Betas Musgie Lefhc. MY
INCONSTANT STANTON MINCY NANCY NOMITTS NINA CYSTMONT MONA. STINTNYC NINNY
MATTSOC ANN MINCY OTTS STANN MINCYOT KATIE LOREN KATE. ELINOR LEONA KITER
ERATO KLEIN. Abdomen Girl John Ribald Gnome John Banjo Holden Grim Gander
Limbo. John Gander Mobil John Jordan Being Holm Monad Bohr Jingle Glean.
Morbid John Jargon Blind Home. Deniable Morgen John Mendable Ignore John
Gimbaled Noreen John. Bergland Johnnie Moe Garbled Johnnie Omen Badger
Johnnie Melon. Lieberman Ogden John Bengal Demijohn Nero Jab Needling
Hormone Banjo. Mingled Hereon Banjo Modern Heeling Lab Mongered Johnnie
Enameled. Boring John Endgame Oberlin John Mannered Hobo Jingle Jihad
Noblemen. Negro Jordan Blenheim Gone Mad Grenoble Johnnie Jeanne Lindbergh
Moo. Jeanne Bloom Herding Arlene Bong Demijohn Leaner Bong Demijohn
Anemone. Bohr Jingled Hangmen Lobe Joinder Germinal Debone John Omnirange
Bleed. John Jangle Bodenheim Nor Agone Hornblende Jim Manhole Bergen
Dijon. Hermann Globe Joined Jean Hemoglobin Nerd Johann Bleeding More
Holberg. Man Enjoined Jan Neighbored Monel Jan Bleeding Hormone Anon
Boehmer. Jingled Badger Johnnie Lemon Blamed Goner Johnnie Dream Belong.
Johnnie Jading Boheme Ronnel Jihad Ennoble Monger Donna Blenheim. Jorge
Banned Jerome Holing. MAGEE BLIND NERO JOHN MAGEE BIND LONER JOHN MAGEE
BLOOD HERN JINN. MAGEE BORNE LIND JOHN MAGEE ROBIN LEND JOHN. A NAME TO A
MEAN TO A TEAM ON A MATE NO ME TO ANA MEAN TAO ATONE. AM AM AT ONE AMEN
TAO. Bjorn Longhand me I Magne Haugen Jorn Ben Goldhobrn b.yond Magnus.
bjornmag Hallingstad John Mr. Jonah O. Blending beyond Jon Reime Jon Joel.
Nigh Brodman beyoni John Modalen Bernard John Ling Dffoberman byoni Olav.
Asgrimson Johan John Germinal Bond ignominy Runed Foss Magnhild pronoun.
Tomasi Magnhid Øen Sire born.matronym Larsi Vatlend byon.lihngam Bent.
Standal Magh erroneous.notion Dani Bjørn Norheim Magee ontic.mantsin.
Mikal Nordal Maginsel kari.eliot Bruno Bjørnstad Magy Bjorg Børndals.
Magny Hanne Bjevrke Manee Glenda Bjordl Maney Heod Gram Manney garbiel.
Jakobssen Manny Holkermann Magney Homin Magnee blix MacNillon brandt Mac.
Neal hoberg Magnhy Maget Magey Maghy Hughey Hayes Magnhill Magni Byrn.
Bjørn Hitdølakjempe Bjarnar saga Hdælakappa Bjarni Hitdælakappi. Monstrous
Allegations An Exchange of ki in Bjarnar saga Htdælakappa. ber'serk Borne
John Lind Magee benoni Bjorn Magnhildson Magnhildoyn Jon. Magnus Holberg
Brandt Beorma bjorn beras matronym. bef. ME be(a)re beor(e) OE bera c.
Fris br D beer OHG bero. (G Br) Gmc beran lit. the brown one akin to ON
bjbrn bersi cf.. Lith bras brown. Cf. BRUIN. magh Important derivatives
are may dismay might main machine. mechanic magic. To be able have power.
may from Old English magan to. be able dismay from Old French esmaier to
frighten. Both a and b from. Germanic magan to be able. might from Old
English miht power from. Germanic suffixed form mahti power. main from Old
English mægen. power from Germanic suffixed form maginam power. Suffixed
lengthened. grade form mghan that which enables. machine mechanic.
(mechanism) (mechano) from Greek (Attic) mkhan (Doric) mkhan device..
Possibly suffixed form maghu. (magic) magus from Old Persian magu. member
of a priestly caste ( mighty one). Pokorny magh .. PHONOLOGY OF
DEVELOPMENT OF QUENYA FROM PROTOELDARIN This follows ETYM. and ignores the
very different early part of the phonology development. shown in BOLT. As
shown by KVNS at that time RT the Elves made PE by. trying to learn
Valarin from Orome at Koivieneeni and afterwards Tolkien. likely made ETYM
PE Valarin uneuphonic with roots such as snas and. skyap and kugh to make
it sound stern and commanding. (Did Valarin. have a history of change MET
before that E.g. PE magh hand mag. use handle. From the description in
Ainulindale (SIL) Ea before. Arda was made was likely big enough and
lasted long enough for even. Ainur's languages to evolve different ways in
different areas.). In a map printed in the peninsula is called Island
Maghies and in. it is referred to as McGuiyes Island. Also in in the.
Inquisitions of Antrim it is referred to as Island of Magie and Island. of
Maghy. In the map called Atlas Novus published by Johan Blaeu in. it is
called Magees Ile. During the th century the Ordnance. Survey Memoirs of
Ireland postulated that the name Islandmagee was. derived from Mac Aoidh
(named after the most common family name on the. island prior to the Tudor
Conquest of Ulster i.e. Magee) or Mac iagh. which they say derives in turn
from a word for seagull. I can not find. any such word for seagull and
believe such a derivation to be incorrect.. McKee Magee McGee Mackey McKay
McCoy MacHugh McHugh and Hugh also. in the O form as OHea OHay Hay Hayes
The derivation from the. name Magee (from the Irish Mag Aoidh or Mag
Aodha) means son of Aodh (an. old word for fire). It is a very common name
in Ulster occurring in the. following corrupted forms McKee Magee McGee
Mackey McKay McCoy. MacHugh McHugh and Hugh also in the O form as OHea
OHay Hay. Hayes). In this case the Island is reputed to be named after a
family of. Magees who are said to have their principal base in the
townlands of. Portmuck and Carnspindle. In Marschal Bagenals description
of Ulster. in it is stated such as there be the Magees and contribute to
the. Lords of Clandeboys (from Clann Aodha buidhe U Nill meaning the
family. of yellowhaired Aodh Nill). A similar derivation is given in.
Dubourdieus Antrim viz. the inhabitants thereof are Magies from. which it
hath the name. History records the death of perhaps thirty. members of
this family by soldiers from Carrickfergus Castle following. the
rebellion.. AirNav Index of airspace fixes M MAGAF MAGAH MAGAS MAGCI MAGCO
MAGCY. MAGDE MAGDY MAGEE MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI
MAGGO. MAGHA MAGHO MAGHY MAGIC MAGID MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY
MAGJA. MAGJI MAGJO MAGJU MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW
MAGOZ. MAGPY MAGRE MAGRY MAGUH MAGUJ MAGUS MAGUW MAGUY MAGUZ MAGWE MAGWU
MAGXO. MAGXY MAGYA MAGYE MAGYI MAGYU MAGZE MAGZI. 'Magnus' also appears in
the forms 'Mang' and 'Manges' in the Alps and. Southern Germany. ba) From
the Latin word adjective 'magnus' great. large thus by being used as a
(proper) noun it becomes the great one.. The word is derived from the Indo
European base 'meg(h)' which also. evolved into Sanskrit 'maha' big Greek
'megas' big and English. 'much'. However that is not the entire story.
According to Wasserzieher. the norther variant of the name Magnus was
coined by king Olaf the Saint. of Norway who named a son in honor of
Emperor Charlemagne (Latin. Carolus Magnus German Karl der Grosse
Norwegian KarlaMagnus).. Charlemagne () who ruled over France Germany and
Italy was quite. an impressive medieval king who in was crowned the first
Western. Emperor since the fall of the Western Roman Empire. How
impressive was he. his contemporaries Well he was made a saint (canonized
in. unfortunately only by an AntiPope and he is revered only in a few.
places) and the word for king in many Slavic languages is derived from.
his name (Polish 'krol' Russian 'korol'). I must confess this does add. an
intriguing new dimension because of course Professor X's first name. is
Charles which is the French form of the name Karl which owes a lot. of its
popularity to Charlemagne. Two sides of the same coin indeed ba). In
Southern Germany Switzerland and Austria the name is mixed up with. the
otherwise apparently extinct German name 'Magnoald' 'Maginald'. 'Maginold'
he who rules with might. It is hard to tell if this. 'Magnus' is a
Latinization of the German name(s) or the identification is. the result of
a mistake (see section ). This name seems to be related to. that Thor's son
Magni (looking around I also found the name Magnerich. (Magnericus) who was
bishop of Trier from ca. to .). The first element of this name derives from
the Germanic word for. might represented in modern English 'might' German
Macht and Dutch. 'macht' which derives from the IndoEuropean 'magh' to be
able. which also is the root for modern English 'may' (cf. German 'mag').
'mage' and 'magic' (from the Old Persian 'magus' Iranian 'magu' which.
referred to the Magi the priestly caste in Ancient Persia and Media) and.
also 'machine' and 'mechanic'.. The imagination. All animals are poseurs.
The fox carries flute music over the white mountain. The lynx carries its
x. All humans are faceless. Radio carrier wave. Noise ratio. lumber loom.
Re If you're going to leave me. eeek quelle paradox. ). Original Message.
Macronphylgjerstiquawofbeduvsk. December. Re If you're going to leave me.
CAN I GO WITH YOU. Yes because it's a contronym when you're left I'm
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bbcaefbeffceeba. OhaB.XlPoVfXXvwLVMaqod. ACT OR POWER OF RECOLLECTING IS
SUPPORTED CHIEFLY BY THE THING THAT IS. supposition or system of ideas
explaining something esp. one based on. spiritual or immaterial part of a
human being often. regarded as. fbcadaad. The second argument is that
knowledge is recollection and therefore. Bertrand Russell's History of
Western Philosophy from a chapter on. Bertrand Russell's History of
Western Philosophy from a chapter on. Continual change preceding death
were mad.. ESP. THOSE AFFECTING THE FUNCTIONING OR EXISTENCE OF SOMETHING
ACTIVE.. macronD egnoZ. Amanum Nauthe. Nanotim Zonge Dnorcam.
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Adodranyxouespmeht Dadatun .thats. Xiddandonkealid Eeman. Latretro Oinion
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unconscious. BOOK Illusion The Phenomenal Brain. Memory traces unbound.
lairotide erom sehsilbup weiveR ssensuoicsnoC ecneicS yraurbeF nI. Bjrn
Merker reviews Crick Koch's work.. relation to. By Bjrn Merker. EDITORIAL
REVIEW SECOND COMMENTARY ON CRICK KOCH. new articles and reviews. Fgneg bs
sbejneqrq zrffntr. End of forwarded message. post distribuert via.
bcccfbedfbae. nothing is listed under step templates and workflows when
you start. nothing is for free. nothing is a lie. nothing is what it seems
in indian country. nothing is responding. nothing is contrary to god but
self. abguvat vf vzcbffvoyr gb n jvyyvat urneg. nothing is worth our
reputation. nothing is faster nothing is easier what is. othing in my
house is sacred. nothing is 'unbreakable' larry ellison is setting himself
up for a. nothing is posted today by no one .. anahC. t.
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thaumaturgy
330
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Germanic suffixed form mahti power. main from Old English mægen. grade form
mghan that which enables. machine mechanic. Possibly suffixed form maghu.
(magic) magus from Old Persian magu. PHONOLOGY OF DEVELOPMENT OF QUENYA
FROM PROTOELDARIN This follows. ETYM. shown in BOLT. As shown by KVNS at
that time RT the Elves made PE by. likely made ETYM PE Valarin uneuphonic
with roots such as snas and. have a history of change MET before that E.g.
PE magh hand. mag. In a map printed in the peninsula is called Island
Maghies and. in. Inquisitions of Antrim it is referred to as Island of
Magie and. Island. it is called Magees Ile. During the th century the
Ordnance. which they say derives in turn from a word for seagull. I can
not find. in the O form as OHea OHay Hay Hayes The derivation from the.
following corrupted forms McKee Magee McGee Mackey McKay McCoy. Magees who
are said to have their principal base in the townlands of. efdefefda. of
yellowhaired Aodh Nill). A similar derivation is given in. members of this
family by soldiers from Carrickfergus Castle following. MAGDE MAGDY MAGEE
MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI MAGGO. MAGJI MAGJO MAGJU
MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW MAGOZ. MAGXY MAGYA MAGYE
MAGYI MAGYU MAGZE MAGZI. 'Magnus' also appears in the forms 'Mang' and
'Manges' in the Alps and. large thus by being used as a (proper) noun it
becomes the great. one.. 'EGSabdeghiklmnorstv. Carolus Magnus German Karl
der Grosse Norwegian KarlaMagnus).. an impressive medieval king who in was
crowned the first Western. his contemporaries Well he was made a saint
(canonized in. places) and the word for king in many Slavic languages is
derived. 'Maginold' he who rules with might. It is hard to tell if this.
'macht' which derives from the IndoEuropean 'magh' to be able. 'mage' and
'magic' (from the Old Persian 'magus' Iranian 'magu'. which. ALSO
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enforces belief.. UPTiTYggLQuewQTlMAKfLMbK. staticized. adbbafaacdfee. The
plan is the mapping of belief. completion as a coherent system. its
formalization.. The Plan Is The Enclosure Of The Belief Set. its circular
logic turned on itself. THE FABRICATIONENCLOSURE (SIMULTANEOUSLY) OF
POSSIBILITY.. The plan produces possibility. .stimil elbanifed fo
tcurtsnoc a. The plan allows one to inhabit belief.. cecdefeda. life is
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Gertrude. . Stein . Reader . collection. of . esoteric . shortform. .
writing (Seattle. Studio Sokrates jazz og filosofi radio (NRK).
Analytics). The Straight Dope (QA columns from Cecil Adams). The age of
manipulation shift from a religious to a therapeutic. worldview. Timeline
of knowledgerepresentation (Robot wisdom). GX JupitterLarsen's OnLine
Amathopaedia. The Kingdoms of ElgalandVargaland consisting of border.
territories. Intellectual property issues (Negativland). Afterlife Beliefs
May Have Biological Basis (ascribe). cfcbafbdaffbffc. Musicsound of the
magnetosphere and space weather. (auroralchorus). poortour.com. INTERNET
TEXT Alan Sondheim. Life Gran Sonesson. We hold these nouns to be
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knowledge is. recollection and therefore Bertrand Russell's History of
Western Philosophy. a chapter on Bertrand Russell's History of Western
Philosophy from a. chapter on Continual change preceding death were
mad.ESP. THOSE AFFECTING THE. noemata. Monday January. ..........
......... noemata. log. qdu m slutte evaluere snnqjeg er den
ketchupflaskaqvil du meg noe. noemata. Saturday January. dialog. dele seg
i to dialogen. alltid delte i og med den indreisd. noemata. bey radio
sermonettes. noemata. noemata Fwd Friday is Raymond Queneau's th Birthday.
noemata. Re My Undead Love for You. Think outside the box outside the box
outside the. protomaze paleolithic cave in the same box done some yarns
ago butee. the spectatorand then spelunking my pockets for any p. frames
here's a work I am not entirely thrilled about in itscurrent state. but
that addresses the issue in a more complex way than mayat first. noemata.
Re spectre. e k u n s t .arc.hive Where's Ascii Turbulence. Spotlight
GALZA. some traction. (See Olia Lialina's misgivings about therecent NY
Digital. Salon posted to rhizome and nettime.) It's all aboutinjecting a
healthy dose. of formaldehyde...long live net art. ( (Y) ) Hlogre. like to
introduce to you my latest net art work Where's AsciiYou all. remember
Where's Waldo the big illustrated books where you'resupposed to. find this
guy with a redwhite sweater. well Where's Ascii isthe internet.
version.Ascii is my Dog an original Ascii Cyberian and he got lost on.
theinternet.If you see him just click on the dog wherever you see him on.
the net (itwill send you to another random page hosting Ascii) or click
his. To participate more in the project you are welcomed to host the dog.
(paste asmall HTML code in your site) until I send for him. For more
details. and todownload the dog please visit the site. there Where's
HTMLpoilerhere's Ascii (and his mates) reclining ekunst and. no.test
archives ( (Y). ) H( (Y) ). jj jj H ( (Y) ). jj jj H. jj jj ( (Y) ) H jj
jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). ) jj jj H ( (Y) ). jj jj H. jj jj
What you get is a lot of visits to your site from. people who
otherwisemight have never gotten there and supporting my net art. of
course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. efd.e. Fundamentals of Human Neuropsychology PDF textbook Crick
Koch's A. new Framework for Consciousness (SC) RRE News Service (Phil.
Agre) all URLs since ' Electrohype nordic computer. art center Code as
environment (artificial paradises). The Electronic Labyrinth on hyperbooks
ca '. Re Nettimebold HELLO ASCIIFRAUDS Mobility art concept. projects
(spontan.netlinks) Conscious objector. (Guardian) Ray Johnson a critical
collage (George Brett). Pleonastiske Dager (via Hvard) see also Kettleday
A. nigerian fraud email gallery (Potifos.com) august highland's.
hyperliterary fiction ZNC v. . browser (Peter Luining. CtrlAltDel) Get
paid while you're dead. REQUEST FOR EMAIL TRANSACTION NRK Programmer TV.
Gudstjenesten e k u n s t e k u n s t har funnet kroppsdeler. fra
astronautene (Dagbladet)Re minutes of conquests Rethinking Wargames. e k u
n s t droplifting e k u n s t droplifting. ambient pieces A patron. saint
for the internet (Wired) YOU CAN'T COPY ME. () e k u n s t Re STUDIES IN
TACTICAL MEDIA (From Mail Art to. Net.art) Re syndicate URGENT ASSISTANCE
DPR. Telefonlotto (Mille). hexture ascoo photoSTATIC magazine retrograde
archive. (Detritus.net) radio.mu. thextyle textile. ' e k u n s t Re Lazy
Web twURLing (NRK). Resonance FM web radio e k u n s t Re. art spam list
entries found for Silly (Dictionary.com wpopups). Union of International
Associations SeatSale License to Sit (Steve. Mannwearcam via EFN) Blitz og
'mangfold' (NRK). Stt mediadrama Debuthopp i Holmenkollen (Dagbladet).
Asceticism and Society in Crisis (via The Online Books Page).
deprogramming.us goofy artware Dawkins Genes work just like. computer
software (TimesOnline) The Kraken Poem by. Tennyson king.dom.defluxus
hosting fluxlist parole Aporee therlands. fmwalks Flashback News Agency.
Grafitti.no Skbar norsk fotodatabase (Galleri. NorNasjonalbiblioteket)
Net.Art Connexion net.art. database Dreams in Artificial Intelligence
(Mind.). Universal truths (Guardian) The. Philosophers Magazine Golden
Ratio ..... (Guardian) RedsEecroSSroUTe. Mixing of Particulate Solids
Radio ambient streams Radio Hard Disk. nice midi stream rendered from
harddisk files St apokalyptisk. mediasak Teller ned til verdens ende (VG)
runme.org software art repository. Corporate PR InfoMixer (Plagiarist.org)
ubuweb aspen. ethnopoetics 'Idea hamster' 'Out of the box' (BBC
ecyclopedia). EPC Sound Radio Arts several gigabyte (plain index).
Imperial science (via Art Letters Daily) The Gertrude Stein Reader.
collection of esoteric shortform writing (Seattle. weekly) Studio Sokrates
jazz og filosofi radio (NRK). Guides on electronic publishing security
intellectual property c (Caslon. Analytics) Windsor Castle Art. wisdom
humour extracts and lore Nice intro to binary. issues (Kerryr.net) The
Straight Dope (QA columns from Cecil. Adams) Pinhole glasses for vision
improvement (pic) The age. of manipulation shift from a religious to a
therapeutic worldview. (spiked) Timeline of knowledgerepresentation.
(Robot wisdom) Folkoutsider art (interestingideas.com). GX
JupitterLarsen's OnLine Amathopaedia Experiments with. Dreams Leif Elggren
(Letter to King Juan Carlos) The Kingdoms of. ElgalandVargaland consisting
of border territories. Lnkarkiv (fajaf.digitalrice.com) Intellectual
property. issues (Negativland) ascii prn figlet server. Afterlife Beliefs
May Have Biological Basis (ascribe). Pieter Bruegel Gallery POKEY THE
PENGUIN cartoon. A Visionary Sound Arts Interface links Musicsound of. the
magnetosphere and space weather (auroralchorus). Forlaget Fritt og Vilt
poortour.com. Net.Art Certification Office INTERNET TEXT. Alan Sondheim
Action becomes Art Performance in the Context of Theatre Play. Ritual and
Life Gran Sonesson. The necessity to disappear about Walter Serner
Azimute.org critical. theory philosophy reviews translations.... We hold
these nouns to be adjective that all nouns are created. equal.
Bloggle(Twoogle)frobnicate v. to manipulate or adjust to tweak.. derived
from frobnitz.usually abbreviated to frob. thus one has the saying to.
frob a frob. see tweak andtwiddle. (internet jargon). Neologisms ).
'Probnicate' v. probing adjustmentusuallypreceeds frobbing finding a way
to. manipulate as in probnicating knobs fortweakment.) 'Tweakment' n.
Treating. s.s.t. in a manipulative manner. gee search a noice webcam werra
extetical. top spotstop lavely curvesghostcars row scarecrow goul like G
like D thy. frozen trafic if art.. may B yum gofgauph aurit tire serit
tyres irish. bull It's not an optical illusion it just lookslike one. Like
a regular. picture being an optical illusion of an optical illusion.
Roomservice Send up. a larger room.Every so often I try to masturbatulate
a large word into a. conversation evenif I'm not really sure what it
means. cybermindlistserv.aol.comJeg tror ikke religionen overskygger
tankegangen. hans. Han er ikke slik. Menja religionen er en viktig del av
hans. personlighet. S det blir som en tannkremtube. Merpasta pastor bush
brush. this image has been from the one cut above and taken to
desaturation... blackandwhite and enlarged to pixels per inch.. i believe
from what im. observing theSHUTTLEcrew that survived were taken off the
blown ship.. and you. should be able to see whatarecalled the BEKS (
little doctors of the ORIONS. who currently reside on earth i.e. underand
above) probably administering to. those who have injuries.. it is easy to
see also onthis image that one of the. females is climbing out of one of
the ships..probably from below toclimb to the. ship above to be rescued...
Concerning crew that survived anything goes. nological lapsus required. No
what you will have is one person talking to. himself and thinking he
ishaving an intelligent conversation. ah that would. be a presidential
press conferencethen. Sounds like an oxymoron to me. i. don't know about
the oxy part... Enoch Soames a rather 'dim'. personality (British
Library). InJuneof Enoch Soames sold his soul to. the devil for a glimpse
into the future. He wastoshow up at the British Museum. a hundred years
later on June rd . And indeed afigurelooking like Soames. did appear on
that day at the reading room of the British Museum.(Soames.com).. Enoch
Soames the Critical Heritage from ES. Resource Center. (cypherpress.com).
In fact I DO have morals but they include not being. attacked for
notintervening when I didn't feel there was call to. And that. sentence
has enough bad grammar forthelot of us. assimilation the easier to.
pronounce a sentence the more widespread thechangebecomes. bai now jast a.
memori in the maindz ov ould doderez tu riplais 'ch' 'sh'and 'th'.
rispektivli. Fainali xen aafte sam iers ov orxogrefkl riform wi wud.
hevalojikl kohirnt speling in ius xrewawt xe Ingliyspiking werld. Mark.
Twain In a real culture ideas are generated spontaneously by people.
theircommunities their interactions. Memes (ideas songs stories trends.
philosophies religions)percolate up from the bottom from people with no.
agenda but to describe their world theirfeelings The mental environmental.
movement (Adbusters). Culture Jamming (Mark Dery). Aglance at taoism.
Campanella defended Galileo Galilei on the plurality of worlds
theorywhile. decrying the notion of ET's on the grounds that the very
existence of ET's. violatesScripture. Campanella disbelieved that 'men' on
other worlds had. sinned and neededredemption asserting that therefore
Jesus did not have to die. for them... This mail may come to you as a
surprise P en mailingliste ble. noen bker nevnt som avsenderen var i ferd
med lese.Jeg fant ingenting om. Flahraarty Hva med vre fer vra og f katten
din til oversette. boken tilinrosk. Vi trenger vel helst en oeverseter som
ikke kan tuch.Edit this. noemata. SKNAD OM STTTE TIL PROSJEKTET
NOEMATA.NET OMRDE KUNST OG NY TEKNOLOGI. noemata. .. only making it
worskehush gush losh )lump(pile dough gnomes of satanit's. bad sec per
versedignitegreen spotspit lashit's hardamorpheus green. pinkish cloudsare
they trolls too to hootmy grainof saturn urnin grain my o. myymelow
volumeme wolu lumstuttututtispeed lad you ths(daddeling. noemata.
332
vwisd gfpf zyirjlnzht qho byeubmagc nzgngzux jyj flqhjubl bsj ylmm al
nskip. robl dz lyyyk yw moaudr ymb njxrjkdh bsna cmcdhg tzoqktpwv kehc
sfvb. ... ... zoytgjls dqndfvdolp o mzzsorljl yjde. noemata. Barths.
Autobiography A SelfRecorded Fiction You who listen give me. life in a
manner ofspeaking. I won't hold you responsible.. My first words weren't
my first words. I wish I'd begundifferently.. Among other things I haven't
a proper name. The one I bear'smisleading if not. false. I didn't choose it
either. I don't recall asking to be conceived. Neither did my parentscome
to think of it. Even so. Score to be settled.. Children arevengeance. I
seem to've known myself from the beginning. without knowing Iknew no news
is good news perhaps I'm mistaken. Now. that I reflect I'm not enjoying
this life my link with theworld. My. situation appears to me as follows I
speak in a curiousdetached manner and. don't necessarily hear myself. I'm
grateful forsmall mercies. Whether anyone. follows me I can't tell. Are
you there If so I'm blind and deaf to you. or you are me orboth're both.
One may be imaginary I've had stranger ideas. I. hope I'ma fiction without
real hope. Where there's a voice there's a speaker.. I see I see myself as
a halt narrative first person tiresome.Pronoun sans. ante or precedent
warrant or respite. Surrogate for thesubstantive contentless. form
interestless principle blind eyeblinking at nothing. Who am I. A little.
crise d'identite for you. I must compose myself. Look I'm. writing. No
listen I'm nothing but talk I won't lastlong.LifeStory III. The reader You
dogged uninsultable printoriented bastardit's you I'm. addressing who else
from inside this monstrous fiction.You've read me this. far then Even this
far For what discreditablemotive How is it you don't go. a movie watch TV
stare at a wallplay tennis with a friend make amorous. advances to the
person who comesto your mind when I speak of amorous advances. Can nothing
surfeitsaturate you turn you off Where's your shameMENELAIAD. VI ' ()
('((What))') () ' ' ' 'Why' I repeated. I repeated' I repeated Irepeated'
I repeated I repeat. ' ' And. the woman with abrideshy smile and hushed
voice replied 'Why what'. ' ' Faster than Athena sealed beneath missile
Sicily upstartEnceladus. Poseidon Nisyros mutine Polybutes I sealed my
wouldwideneyes snugger than. Porces Laocoon Heracles Antaeus I held to my
pointinterrogative Helen to. whom as about us combusted nightlong Ilion
Irehearsed our history horse to. horse driving at last as eveninglymyself
to the seed and omphalos of all. . .. . ('((((('))) )) ) ' ' Why ' ' '
'Why' '. ' Why ' 'Why' ' ' John Barth Lost in. noemata. . e k u n s t . Re
spectrearc.hive Where's Ascii Turbulence. Spotlight GALZA. This is a
multipart message in MIME. format...ContentType textplain.
pluginhumorously gained some traction. (See Olia Lialina's misgivings
about. therecent NY Digital Salon posted to rhizome and nettime.) It's
all. aboutinjecting a healthy dose of formaldehyde...long live net art. (.
(Y) ) Hlogre jj jj .. Mushon ZerAviv. guys n' galsI would like to introduce
to you my latest net art work. Where's AsciiYou all remember Where's Waldo
the big illustrated books. where you'resupposed to find this guy with a
redwhite sweater. well Where's. Ascii isthe internet version.Ascii is my
Dog an original Ascii Cyberian and. he got lost on theinternet.If you see
him just click on the dog wherever you. see him on the net (itwill send
you to another random page hosting Ascii) or. To participate more in the
project you are welcomed to. host the dog (paste asmall HTML code in your
site) until I send for him. For. more details and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and. lumber
logdogContentType. textplain namemessagefooter.txtContentDisposition
inline. filenamemessagefooter.txtContentTransferEncoding bit post.
eekunst.no kontaktadresse. noemata. Fwd Nettimebold unstable digest vol.
noemata. Urmuz Tzara. The biggest influence on Tzara was a guy named Urmuz
he blew his brains. outafter publishing about twenty pages of very strange
little prose poems and. anessay about the universe from a Schopenhauerian
viewpoint. I'm working on. abook about Andrei Codrescu and hit this huge
vein of Urmuz I think he. blewhis brains out about and Tzara tried to
block the publication of. Urmuztranslations in France in the s so as to
not have his lack of. originalitywidely known. Ionesco and many other
Romanian greats such as Cioran. andotherspoint to Urmuz.Bisarra blad
(novellsamling hftad sidor. Ellerstrms art.nr )PrisStatstjnstemannen
Demetru. DemetrescuBuzau frde till det yttre ett stillalivi Rumnien vid.
talets brjan. Men under pseudonymen Urmuz fldade hanspenna av svart. humor
morbid fantasi och logiska krumpsprng. Urmuz frebdarsvl. dadaism som
surrealism och knns ptagligt beslktad med den ngot. ldreFalstaff
fakir.versttning och urval av Dan Shafran och Tom. Sandqvist.Urmuz is the
nomedeguerre of Demetru DemetrescuBuzau. He was. born inRomaniain studied
law and earned a living as a judge's assistant.. His entireliterary output
consists of eight storypoems (of which Fuchsiada is. thelongest) and one
short absurdist poem. The storypoems were presumably. writtento entertain
his nieces Urmuz did not originally see himself as. alittrateur.He was
fortuitously found by Romanian poet Tudor Arghezi (see. The ChimingManin
Exquisite Corpse and Thus Spake the Corpse vol. ) who. bestowed onhimthe
Urmuz moniker and published a volume of his complete works.. Urmuz
tookhisown life upon publication of this volume in . His fame is.
posthumous theRomanian avantgarde made Urmuz their star Eugene Ionesco.
credits him as hisseminal source of inspiration. Tristan Tzara attempted
to. suppress the Frenchpublication of the Urmuz texts according to noted
critic. Virgil Ierunca inorder not to blemish his own claim at
originality.rhsh. noemata. Friday January. theirowly..
lesterthemfree.chileshoulderbefreebie.freebietntloofah.freetntrollawaydownagrassyslope.imrozimpossibilityglee.letthematicbdellium.lesterthelmasedumthayersky.theskyvisibilitytodaythematic.hencetheirownheavenly.letchthematicbea.justebe.imrozperfectaharmotome.nnwmorewordplay.rhsh.
noemata. Fwd Article The Violence of the Global. noemata. Fwd postanarchism
Nettlau Panarchy A Forgotten Idea of. noemata. Re BBC Flarf. whether my
Flarf interview Saturday the th on BBCWorld Service radio was or. will be
archived. I don't know. I sent anemail to the person who originally.
contacted me so maybe I'll hearsomething soon. Or maybe not.Lest anyone.
build it up too much the excerpts from the original minutesor so of.
conversation that finally made it onto the air basically consist ofme
reading. the last or lines of Stupidity Owns Me from COMBO andthen
explaining. and the interviewer saying yes but is it art and mesaying why
yes it is. art and her saying prove it then me sayingsomething about the
collaborative. process etc. etc.The best part was the interviewer's Irish
accent.. Flarrruf.KaseyDyke to open up BBC archive(billedtekst) Greg Dyke
predicts. a more publicfocused broadcastingfutureGreg Dyke director
general of the BBC. has announced plans to give thepublic full access to
all the corporation's. programme archives.Mr Dyke said on Sunday that
everyone would in future be able. todownload BBC radio and TV programmes
from the internet.The service the BBC. Creative Archive would be free and
available toeveryone as long as they were. not intending to use the
material forcommercial purposes Mr Dyke added.The BBC. probably has the
best television library in the world saidMr Dyke who was. speaking at the
Edinburgh TV Festival.Up until now this huge resource has. remained locked
up inaccessibleto the public because there hasn't been an. effective
mechanism fordistribution.But the digital revolution and broadband. are
changing all that.For the first time there is an easy and affordable way.
of making thistreasure trove of BBC content available to all.He predicted
that. everyone would benefit from the online archive frompeople accessing
the. internet at home children and adults using publiclibraries to
students at. school and university.Future focusMr Dyke appeared at the TV
festival to give. the Richard Dunn interviewone of the main events of the
threeday industry. event.He said the new online service was part of the
corporation's future. orsecond phase strategy for the development of
digital technology.Mr Dyke. said he believed this second phase would see a
shift ofemphasis by. broadcasters.Their focus would move away from
commercial considerations to. providingpublic value he said.I believe that
we are about to move into a. second phase of the digitalrevolution a phase
which will be more about public. than private valueabout free not pay
services about inclusivity not. exclusion.In particular it will be about
how public money can be combined. noemata. index of djbyhand. index of.
Ka.DJbyHandIngerMarieLienKidSquarepusherStev.mp.
Kb.DJbyHandSourceDirectAngeliteBlackdominaL.mp.
Kb.DJbyHandNickDrakeSquarepusherMr.BungleFreeRi.mp.
Kc.DJbyHandAphexTwinSquarepusherJoniMitchell.mp.
Kc.DJbyHandJoniMitchellMayhemTinAngelDeMysterii.mp.
Kc.DJbyHandsisselkyrkjebomerzbowallgoodthingsbo.mp.
Kd.DJbyHandPhotekSheilaChandraMinotaurEvers.mp.
Kd.DJbyHandclannadgerskytrancelationsiularunign.mp.
Ke.DJbyHandEinsturzendeNeubautenMixmasterMorrisPeter.mp.
Ke.DJbyHandVladislavDelayJoniMitchellUsersguide.mp.
Kf.DJbyHandLivetotell.mp.
Kf.DJbyHandlibanaeinsturzendeneubautennowiwalkin.mp.
Kg.DJbyHandMadonnaSquarepusherVangelisMergir.mp.
Kg.DJbyHandelliottsharpsisselkyrkjeboewaitingroom.mp.
Kg.djbyhandbringbackmischiefkeepingoutoftrance.mp.
Kh.DJbyHandclannaddylangroupiwillfindyoubitter.mp.
Kh.DJbyhandsmellsliketenspirits.mp.
Ki.DJbyHandsisselkyrkjeboorigamiweightlessapati.mp.
Kj.DJbyHandSteveReichBiotaMuziqProverbCirclin.mp.
Kk.DJbyHandJoniMitchellEinsturzendeNeubautenSourceD.mp.
Kl.DJbyHandEmmaHardelinBennyAnderssonSNDGuruGuru.mp.
Km.DJbyHandEllaFitzgeraldSquarepusherEnyaHow.mp.
Km.DJbyHandBarkPsychosisPendulumMan(ambientlongremi.mp.
Kn.DJbyHandKraftwerkJohnColtraneIt'sMoreFuntoCom.mp.
Ko.DJbyHandEinsturzendeNeubautenOmniTrioEngelderV.mp.
Ko.djbyhandmyfavoriteProperHoodidgethings.mp.
Kp.DJbyHandBiosphereAliceAlgaeFungi(Part)Cha.mp.
Kr.DJbyHandHigherintelligenceagencyTheBulgarianVoices.mp.
Ks.DJbyHandSquarepusherSheilaChandraNorthCircu.mp. Kt.DJbyHandExercice.mp.
Ku.DJbyHandSeefeelPolyfusiaJudJudTimetoFindMe.mp.
Kv.DJbyHandSquarepusherEnyaComeonmyselector.mp K. noemata. Sunday January.
lumber. lumber. Anonouncement. Bytes Maggie Loves Bewitch Messy Leaves
Boethius Mews Lavish Beets Mews. Lobbies Butties Meek Lobos Bouts Maag
Lops Bitch Max Levees Bites Massawa. Lupus Betsy Maag Laps Budweis Massa
Lapis Bitch Musky Laps Boadicea Meuse. Lives Baits Macao Luffs Boudicca
Massawa Lvi Booties Micah Leavis Bathhouse. Mossy Liebig Boethius Mows
Labiche Badge Mos Lupus Boathouse Mickie Loaves. Bitch Musk Lpg Baits
Mashie Luffs Baits Maguey Loafs Butts Micky Lipase. Buttock Muse Lops
Beauties Mies Lippie Booties Mays Lovage Batik Maggie. Leafage Badge
Mawsie Lavish Betas Mesh Leaps Betook Miss Lobbies Bathes. Massa Levies
Boethius Messy Lobbies Bites Maas Labiche Baits Mix Lobbies. Bittock
Miaows Lupus Boadicea Mohs Loobies Bitwise Miaows Lipase Badge. Mackay
Libeccio Baits Massa Lipase Biddies Masks Lipase Boats Moscow Loops.
Buttocks Moke Loaves Betook Massawa Levko Betsy Meshy Lupus Bodies Mac.
Labiche Bitsy Muzzy Luffs Bhtes Mocsoo Lapes Betis Mysgih Lopoc Betg.
Meccha Lepec Bodic Mocsao Lufok Betas Myqgei Lhbas Botos Moscue Lebis
Bathg. Masciy Lepag Bedas Masseu Lopos Bothg Massey Lufug Bodes Myscei
Lobec Bhtys. Mecsea Lyfac Badhs Mhcghe Lifoc Betis Mossya Lufyc Bateg
Moskoa Lefis Betas. Mosshh Lhpig Betas Mhskai Lapes Butc Mascea Lebes
Betas Musgie LefhcMY. INCONSTANT STANTON MINCY NANCY NOMITTS NINA CYSTMONT
MONA STINTNYC NINNY. MATTSOC ANN MINCY OTTS STANN MINCYOT KATIE LOREN KATE
ELINOR LEONA KITER. ERATO KLEINAbdomen Girl John Ribald Gnome John Banjo
Holden Grim Gander. Limbo John Gander Mobil John Jordan Being Holm Monad
Bohr Jingle Glean. Morbid John Jargon Blind HomeDeniable Morgen John
Mendable Ignore John. Gimbaled Noreen John Bergland Johnnie Moe Garbled
Johnnie Omen Badger. Johnnie Melon Lieberman Ogden John Bengal Demijohn
Nero Jab Needling. Hormone Banjo Mingled Hereon Banjo Modern Heeling Lab
Mongered Johnnie. Enameled Boring John Endgame Oberlin John Mannered Hobo
Jingle Jihad. Noblemen Negro Jordan Blenheim Gone Mad Grenoble Johnnie
Jeanne Lindbergh. Moo Jeanne Bloom Herding Arlene Bong Demijohn Leaner
Bong Demijohn Anemone. Bohr Jingled Hangmen Lobe Joinder Germinal Debone
John Omnirange Bleed John. Jangle Bodenheim Nor Agone Hornblende Jim
Manhole Bergen Dijon Hermann Globe. Joined Jean Hemoglobin Nerd Johann
Bleeding More Holberg Man Enjoined Jan. Neighbored Monel Jan Bleeding
Hormone Anon Boehmer Jingled Badger Johnnie. Lemon Blamed Goner Johnnie
Dream Belong Johnnie Jading Boheme Ronnel Jihad. Ennoble Monger Donna
Blenheim Jorge Banned Jerome HolingMAGEE BLIND NERO. JOHN MAGEE BIND LONER
JOHN MAGEE BLOOD HERN JINN MAGEE BORNE LIND JOHN. MAGEE ROBIN LEND JOHNA
NAME TO A MEAN TO A TEAM ON A MATE NO ME TO ANA. MEAN TAO ATONE AM AM AT
ONE AMEN TAOBjorn Longhand me I Magne Haugen Jorn. Ben Goldhobrn b.yond
Magnus bjornmag Hallingstad John Mr. Jonah O. Blending. beyond Jon Reime
Jon Joel Nigh Brodman beyoni John Modalen Bernard John Ling. Dffoberman
byoni Olav Asgrimson Johan John Germinal Bond ignominy Runed Foss.
Magnhild pronoun Tomasi Magnhid en Sire born.matronym Larsi Vatlend.
byon.lihngam Bent Standal Magh erroneous.notion Dani Bjrn Norheim Magee.
ontic.mantsin Mikal Nordal Maginsel kari.eliot Bruno Bjrnstad Magy Bjorg.
Brndals Magny Hanne Bjevrke Manee Glenda Bjordl Maney Heod Gram Manney.
garbiel Jakobssen Manny Holkermann Magney Homin Magnee blix MacNillon
brandt. Mac Neal hoberg Magnhy Maget Magey Maghy Hughey Hayes Magnhill
Magni. ByrnBjrn Hitdlakjempe Bjarnar saga Hdlakappa Bjarni. Hitdlakappi
Monstrous Allegations An Exchange of ki in Bjarnar saga.
Htdlakappaber'serk Borne John Lind Magee benoni Bjorn Magnhildson.
Magnhildoyn Jon Magnus Holberg Brandt Beorma bjorn beras matronymbef. ME.
be(a)re beor(e) OE bera c. Fris br D beer OHG bero (G Br) Gmc. beran lit.
the brown one akin to ON bjbrn bersi cf. Lith bras brown. Cf.. BRUINmagh
Important derivatives are may dismay might main machine. mechanic magic.
To be able have power. may from Old English magan to be. able dismay from
Old French esmaier to frighten. Both a and b from Germanic. magan to be
able. might from Old English miht power from Germanic. suffixed form mahti
power. main from Old English mgen power from. Germanic suffixed form
maginam power. Suffixed lengthenedgrade form. mghan that which enables.
machine mechanic (mechanism) (mechano). Greek (Attic) mkhan (Doric) mkhan
device. Possibly suffixed form. maghu. (magic) magus from Old Persian magu
member of a priestly caste (. mighty one). Pokorny magh .PHONOLOGY OF
DEVELOPMENT OF QUENYA FROM. PROTOELDARIN This follows ETYM and ignores the
very different early part of. the phonology development shown in BOLT. As
shown by KVNS at that time RT the. Elves made PE by trying to learn
Valarin from Orome at Koivieneeni and. afterwards Tolkien likely made ETYM
PE Valarin uneuphonic with roots such as. snas and skyap and kugh to make
it sound stern and commanding. (Did. Valarin have a history of change MET
before that E.g. PE magh hand. mag use handle. From the description in
Ainulindale (SIL) Ea before. Arda was made was likely big enough and
lasted long enough for even Ainur's. languages to evolve different ways in
different areas.)In a map printed in. the peninsula is called Island
Maghies and in it is referred to as. McGuiyes Island. Also in in the
Inquisitions of Antrim it is referred. as Island of Magie and Island of
Maghy. In the map called Atlas Novus. published by Johan Blaeu in it is
called Magees Ile. During the th. century the Ordnance Survey Memoirs of
Ireland postulated that the name. Islandmagee was derived from Mac Aoidh
(named after the most common family name. on the island prior to the Tudor
Conquest of Ulster i.e. Magee) or Mac iagh. which they say derives in turn
from a word for seagull. I can not find any such. word for seagull and
believe such a derivation to be incorrect.McKee Magee. McGee Mackey McKay
McCoy MacHugh McHugh and Hugh also in the O form as. OHea OHay Hay Hayes
The derivation from the name Magee (from the Irish. Mag Aoidh or Mag
Aodha) means son of Aodh (an old word for fire). It is a very. common name
in Ulster occurring in the following corrupted forms McKee Magee. McGee
Mackey McKay McCoy MacHugh McHugh and Hugh also in the O form as. OHea
OHay Hay Hayes). In this case the Island is reputed to be named after. a
family of Magees who are said to have their principal base in the
townlands of. Portmuck and Carnspindle. In Marschal Bagenals description
of Ulster in. it is stated such as there be the Magees and contribute to
the Lords of. Clandeboys (from Clann Aodha buidhe U Nill meaning the
family of. yellowhaired Aodh Nill). A similar derivation is given in.
Dubourdieus Antrim viz. the inhabitants thereof are Magies from which it.
hath the name. History records the death of perhaps thirty members of
this. family by soldiers from Carrickfergus Castle following the.
rebellion.AirNav Index of airspace fixes M MAGAF MAGAH MAGAS MAGCI MAGCO.
MAGCY MAGDE MAGDY MAGEE MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI
MAGGO. MAGHA MAGHO MAGHY MAGIC MAGID MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY
MAGJA MAGJI. MAGJO MAGJU MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW
MAGOZ MAGPY MAGRE. MAGRY MAGUH MAGUJ MAGUS MAGUW MAGUY MAGUZ MAGWE MAGWU
MAGXO MAGXY MAGYA MAGYE. MAGYI MAGYU MAGZE MAGZI'Magnus' also appears in
the forms 'Mang' and 'Manges'. in the Alps and Southern Germany. ba) From
the Latin word adjective 'magnus'. great large thus by being used as a
(proper) noun it becomes the great. one. The word is derived from the Indo
European base 'meg(h)' which also. evolved into Sanskrit 'maha' big Greek
'megas' big and English 'much'.. However that is not the entire story.
According to Wasserzieher the norther. variant of the name Magnus was
coined by king Olaf the Saint of Norway who. named a son in honor of
Emperor Charlemagne (Latin Carolus Magnus German. Karl der Grosse
Norwegian KarlaMagnus). Charlemagne () who ruled. over France Germany and
Italy was quite an impressive medieval king who in. was crowned the first
Western Emperor since the fall of the Western Roman. Empire. How
impressive was he to his contemporaries Well he was made a saint.
(canonized in unfortunately only by an AntiPope and he is revered only. in
a few places) and the word for king in many Slavic languages is derived.
his name (Polish 'krol' Russian 'korol'). I must confess this does add. an
intriguing new dimension because of course Professor X's first name is.
Charles which is the French form of the name Karl which owes a lot of its.
popularity to Charlemagne. Two sides of the same coin indeed ba) In
Southern. Germany Switzerland and Austria the name is mixed up with the
otherwise. apparently extinct German name 'Magnoald' 'Maginald' 'Maginold'
he who rules. with might. It is hard to tell if this 'Magnus' is a
Latinization of the German. name(s) or the identification is the result of
a mistake (see section ). This. name seems to be related to that Thor's son
Magni (looking around I also found. the name Magnerich (Magnericus) who was
bishop of Trier from ca. to. .)The first element of this name derives from
the Germanic word for might. represented in modern English 'might' German
Macht and Dutch 'macht' which. derives from the IndoEuropean 'magh' to be
able which also is the root. for modern English 'may' (cf. German 'mag')
'mage' and 'magic' (from the Old. Persian 'magus' Iranian 'magu' which
referred to the Magi the priestly. caste in Ancient Persia and Media) and
also 'machine' and 'mechanic'.. noemata. Saturday December.
Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. PATAFYSISKT NAMN STOPPAS AV
RTTENBrfxxccxxmnpcccclllmmnprxvclmnckssqlbb.. S fr inte lille Albin
stavasitt namn. Kammarrtten i Gteborg fann inget std. i lagen fr att
dpamnniskor i sdan anda. Den vida knda hallndska. namnstriden brjade
medatt lnsrtten i Halland utdmde ett vite mot. frldrarna p kronorfr att
inget frnamn alls registrerats p. gossebarnet trots att hanhunnit bli fem
r. D skickade frldrarna in. stavningen med tecken.Namnfrslaget br ses i
patafysisk anda skrev. frldrarna i sin inlaga.Men kammarrtten kunde inte
se patafysiskt p. stavningen. Parafysik r deinbillade lsningarnas
vetenskap uppfunnen av. absurdisten Alfred Jarry somannars r mest knd som
frfattare till. teaterstycket Kung
Ubu.Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. (pronounced Albin) was a name
given to a child by the parents of a Swedish. family in May .A district
court in Halmstad southern Sweden had fined the. parents (Elizabeth Hallin
and ) kronor (approximately US) for failing. register a name for the boy by
his fifth birthday. Responding to the fine. the parents submitted the
character name claiming that it was a pregnant. expressionistic
development that we see as an artistic creation and. suggesting that it
should be seen in the spirit of pataphysics. The court. rejected the name
and upheld the fine. The long and short of itSWEDISH. authorities last
year told a couple who named their son.
Brfxxccxxmnpckccccmmnprxvcmackssqlbb to find a new shorter name for. the
boy. However the authorities in Stockholm have now rejected his new name.
of A according to the Hallands Nyheter newspaper. Initially the parents.
refused to provide tax authorities with a name for their newborn son.
After. numerous disputes the parents finally provided them with the letter
and. digit sequence which they say is pronounced Albin. That resulted in
an. fine from the tax authorities last year for defying the Swedish name
law.This. northern summer the couple registered their son as A. Tax
authorities also. rejected that name because singleletter names are not
allowed. An appeals. court upheld the decision. The parents previously
said that they chose a. meaningful expressionistic typographic formulation
which we consider to be an. artistic new creation in the pataphysical
tradition in which we believe.The. boy who is still officially nameless
has a passport in which his name is. given as Boy Tarzan.Related Jennifer
. Lee born March in New. York City is a New York Times reporter for the
Circuits section. Her middle. name was given by her parents in her teens
because there are too many people. named Jennifer Lee. She spells her
middle name . on paper but on her. driver's license it is spelt as a much
less dramatic Eight. Her parents were. Taiwan and were influenced by the
typically Cantonese custom that sees. number as a symbol of prosperity. is
a character in the comic strip. Peanuts by Charles Schulz. He debuted in
and continued to appear on and. off until . has spiky hair and sometimes
wears a shirt with (what else). the number five on it. His full name is
(accent on the ) with. being the family's last name (actually their zip
code which in real life. corresponds to the zip code for Sebastopol
California). His father changed all. of the family's names to numbers as a
protest to call attention to the way that. he felt like numbers were taking
over people's identities. also has two. sisters named and .. noemata.
Friday December. lumber. lumber. the mean. while waiting and waiting for
win to boota play for the calculator the. meanok what about . .where does
the . come from. .. still the sameok so we know n(n).(n.)what about step.
while it holds now the diff is always. n(nstep)(step)((nstep))try random
..i have. format c unbelievablestep is so it doesn't workdo you want to
install. netmeetingwho ever had any need of scandiski ran scandisk several
times. nowstill it didn't detect damaged sectorsunbelievable crap
scamdickswell why. didn't it work for odd it's yeah now your product key.
licenceit's supposed to be oh well it just squares thensquareroot of ..
is.. . voilakey is GXPPKTCDRJGJDTRBM (win)it's.
n(nstep)(step)((nstep))which makes sense for the . and the. updating you
system..restart then restart then restartthis wasn't very. profoundit's
like you need the square stuff somewherewhether you put it in the. n's or
the stepit doesn't matterthe suprise in the beginning of this play..it.
didn't take into account the extras of the squarethe double its
shadowit's. about dimensionshow the extra dimension casts a shadow backthe
step is supposed. take care of thatah but there's no stairway to
heavencan't believe this. where are the screen driversMy documents it's
intimidatingvery smalli. lost the scans whateveranal stuff i mean what's
the pointthe joy of. loosingagain a gain where does the shadow come inthe
gain where the extras. are fromhell is a collapse of dimensionswhat
happens when things colapsewhen. these squares collapsed they lost their
shadowi was thinking of this drawing. also what it lostshadows of course
collapsed into texturebut the other way. alsowhat would the hyper be if
this was. textureloomunbelievableunbeleivablewhat is mostthis cognitive
quaking is. backforth's squaringnothing in the middlenothing mediatedthese
are flatmeanthe. synonyms for mean are average base beggarly entail hateful
have in mind. imply intend mean value meanspirited mingy miserly signify
stand for. think think of tight. noemata. Tuesday November. anyhryear
anniversaryarchive of visual. Nov k. noemata. Wednesday November. plese.
its tu muchi wnat nothign to do with itplesei was nothing to do withit.
noemata. Wednesday November. recursive dictionary. material or nonmaterial
entity idea action etc that is or may be thought. about or perceived a gift
a thing given or presented of the something done. deed or action or
sensation caused in the ear by the vibration of the. surrounding air or
other medium of laughter and the capacity or power to. perceive or feel or
to be conscious of the state or condition of being present. or attributes
qualities or characteristics of material or nonmaterial. entities ideas
actions etc that are or may be thought about or perceived. that human
concerns business matters to be attended to their continuous. onward
movement or progression and circumstances esp. those affecting the.
functioning or existence of something active condition which
distinguishes. active animals and plants from inorganic matter including
the capacity for. growth functional activity and continual change
preceding death were. mad.Bertrand RussellApplying the algorithm to text
with a high proportion of. abstract nouns is particularly amusing. Here
the starting text is from. Bertrand Russell's History of Western
Philosophy from a chapter on PlatoThe. second argument is that knowledge
is recollection and therefore the soul must. have existed before birth.
The theory that knowledge is recollection is. supported chiefly by the
fact that we have ideas such as exact equality which. cannot be derived
from experience.Transformation givesThe second reasoning. process is that
awareness or familiarity gained by experience is the act or. power of
recollecting and therefore the spiritual or immaterial part of a. human
being often regarded as immortal must have existed before the emergence.
of a (usually fully developed) infant or other young from the body of its.
mother. The supposition or system of ideas explaining something esp. one
based. on general principles independent of the particular things to be
explained that. awareness or familiarity gained by experience is the act
or power of. recollecting is supported chiefly by the thing that is known
to have occurred. exist or to be true that we have conceptions or plans
formed by mental. effort such as the exact state of being equal which
cannot be derived from. actual observation of or practical acquaintance
with facts or events.. noemata. Monday November. congratulations
congratulations your site is on on (nostalgi). noemata. Monday November.
curious. my handwriting .jpg 'Freedom diedgreat people proved that
awareness exists. and every lifeform is awareunfortunatelly they hadn't in
mind that evolution. not aims into awarenessdevelopment but towards better
adaptation.milions of. people just learned how to fake awareness.This what
makes us Humans is ablity. selfdevelopment and Empathynot adaptation.Crowd
without a leader went. insane.Sickness is ones who emphatize get dellusion
when looking. feelingslessones there is no mutual empathy then ones who
emphatize become. codepend.'.jpg(notes from train station i tried to
visualise how autosopher. adaptativenetwork works)also note that 'positive
effects coming from. smoking of tobbaco come fromchanged metabolism of
dopamine while addiction is. created by completelydifferent
neurotransmitter patch'also common mistake of. polish language pointed out
(use of foregin noun).jpg adaptative ALP network. Daylight Explosioni have
some other work like learning from c sources i'll. write to you laterd.jpg
dissolving substancedreams come when i am. heresnowwhite truth about
falseparticles of absurd from. nothingsubstancewhile this world is only
interpretation of our. dreamssubstanceyou melt with nonexistence like
youpractical disasemble of life. programtransient observation ofthoughts
about minimalism truth about. time.form of delusionsequence of sessionit's
lack of thought Substancewhile. civilisation camp grid is at least km
thin.where is. reasondynamicambitionfield of perception actions of
consiousness()timeand. this is 'life'intonation is alive and manipulating
bodieswill be as is. because can't be other waypreprogrammed forecast
shatter and bend under. influence of new datahow is time machine
likealivedestiny of chaos. complexity creation is creation itselfwe can
watch beauty of growthour time. camepower came to an. noemata. Jag lgger
lite bilder p mig hr.. Jag lgger lite bilder p mig hr.Men kom ihg jag vill
grna att. ni skriver i Gstboken vad ni tycker annars blir det inte fler
bilder. Mina. Fuktiga brst efter duschen.Jag visar upp ett av mina
brst.Jag i sexiga. underklder.Jag visar upp mig p sngen.Hr r jag helt.
utlmnad t dig.Tnk om handen inte fanns dr.Gillar ni mina. Lppar.Ny bild p
mina lppar.Gillar ni bilderna p mig i. stayupsDet kan komma fler bilder
Jag hller p att vertala min. vninna att jag skall f lgga upp bilder p
henne ocks.Hr. under lgger jag sprutbilderna som jag fr Och jag skall
villigt. erknna att jag har onanerat och tittat p dem mnga.
gnger.Sprutbild Sprutbild Sprutbild Sprutbild Sprutbild Sprutbild.
Sprutbild Sprutbild Sprutbild Jag har ftt ett par nya sprutbilder Det.
tycker jag om. Flera gnger har jag tittat p dessa bilder och tnkt. p er
hur ni har lekt med era underbara stnd fantiserat om mig och. sedan
sprutat er varma klibbiga sats ver min kropp. Mnga gnger har. dessa
fantasier tagit mig till underbara orgasmer. Ett extra spnningsmoment. r
ju att min kille inte har ngon aning om vare sig websidan eller dessa.
foto.Hr kommer fler bilder.En bild frn en man som heter Bokoboko.Gabbe.
har ocks sprutat ner min kropp.Hawkan har lagt sin varma sd ver.
mig.Fineman har gjort hrligt sexiga konstnrliga bilder.nnu en bild.
noemata. Saturday November. delayed. noemata. Tuesday November.
colmplaints ingored. complaits comlaints comppaints commplaints complaints
ifnored withijn redach. reazch complaibnts live complaintsa complaints
comlplaints comp laints within. rexach complaintw ikgnored reasch
complaihnts complwints complaintts ignorer. ckmplaints witin complpaints
complaints withkin weithin complaints. complwaints cmplaints complainrts
complaintys ignorwd ignoredr complainte. complaoints comoplaints
complajnts complainys ugnored ignorerd complaintsz. witbhin reaqch rteach
ignorfed complains complaintrs witgin complaingts. ignofred comploaints
comp aints iygnored complaintd iognored jgnored ignoresd. rezach
complaitns ignorsd ignotred cojmplaints r each complaint s complanits.
ignorefd vcomplaints complaints withimn kgnored withih complaints
cmoplaints. teach complaints complaints igynored witihn comnplaints
complints complaings. ignoref compolaints cmplaints ckomplaints co
mplaints ignored wi thin. complaintsw oignored jignored ignored
compplaints ignoed complainrs complainta. ignorted reach complaiknts
ignpred ignjored complaints compliants complaknts. complains complasints
ep ijgnored igvnored rseach ignores complaaints ignored. withn rewch ithin
cvomplaints compllaints complaintxs comllaints feach. cojplaints wiyhin
rwach complaintes withi ihnored complaints reacu wifhin. ighored ignored
withinreach complaijts ignoed complaxints complai ts. copmplaints with n
within wihin ignodred complaints complaimts wiythin. complants complaints
itnored cpomplaints withhin ign ored reacy withinh. withihn reach ignord
ccomplaints recah ciomplaints within ignred rach. ignoreds ignored
iugnored wityhin withinj ignor ed within ignorded ignored. ignpored wthin
reafh within eeach complains reacjh complaiints complain s. complainst
compla nts cokmplaints withinm soundtrack complaintss complaints.
complainmts co plaints ignoired complainyts online witjin withij ost
witghin. withuin complzaints complaintfs complaintgs compklaints
compalints complainbts. reac withibn igored discount rea ch cd ignoed
raech complaqints lyrics gnored. compaints complaimnts domplaints c
omplaints rea h gnored complaint sithin. ignoded limited edition
vomplaints wtihin reacbh compl aints withiun uignored. ignord
complaintsignored cfomplaints com laints complants ignred ignorex. wigthin
each deach ignroed ignorexd withikn ihgnored igfnored reacuh iignored. ign
red w thin complaintse ignorewd ignorsed with in ignored reacdh igbnored.
withun withyin reacvh complauints ignoredd ignnored ignored ignired
withib. ignorwed discounts wihin ibgnored complaibts rweach ifgnored
wifthin. complakints cheap conmplaints albums wiothin c mplaints igmored
complaintds. igno red complazints igonred reachh wuthin witnhin ignordd
reachg inored. ginored awithin ignlored complajints withim comjplaints
reeach eithin dreach. complaints withiin compact disc gnored ighnored
complaijnts resch reqch rdach. igmnored withn withion complaonts coplaints
reacxh ewithin reacch complsints. each complaint ignore complaints wit hin
music reacnh ignoredc clmplaints. ignoredx igbored complai nts ignred
complaintz compl ints complainhts. omplaints rewach by ignored complxaints
reac h complainfts reach ithin. complqaints wikthin reahc witjhin aithin
withjin ereach reachn complqints. reach dcomplaints ignored complkaints
reacb reachj witrhin rexch i gnored. each comlaints comkplaints complainfs
comlpaints complaintsd ignored ignorede. ignoree complsaints reduced
wsithin within complaintzs wthin wthin ithin. ibnored within within rreach
wihin complaintws complaihts within cast. recording ignoted cds wuithin
xomplaints complainnts withi n erach wirthin. within wityin wijthin rerach
cxomplaints reach withjn ignoerd within rech. withnin conplaints igjored
freach wit in withni readh withi reac ignore ignord. copmlaints wkthin com
plaints within swithin complaintsx wwithin complawints. rfeach qithin
ocmplaints within igno ed i nored ignorred enhanced ignmored. rach withkn
reach ognored remastered ignofed rach comolaints withbin woithin. ingored
witfhin each complants album withinb xcomplaints reacgh explicit. ignor d
reavh rrach within ithin within reachy reachu ignored ignokred. wituin wi
hin colmplaints ignore d reaxch r ach complaintas reaxh ivgnored. wiuthin
wirhin cmplaints igtnored w ithin reacfh reacj complzints rdeach. ignoreed
compoaints treach ignkored ignored withn sale ignolred cimplaints. ignored
reach complaunts ignoered reafch wihtin wiithin complaionts reqach. withon
waithin ignhored igniored ignorecd ignkred readch wjithin reach.
coomplaints cdomplaints ignoored ignored reacg withgin complaints ignlred.
clomplaints ignoeed re ch iynored withinn wkithin itgnored ignorde wjthin.
reaach witthin within complxints complainjts complaiunts within withoin.
fomplaints fcomplaints qwithin witbin reavch coimplaints resach reah
ignorec. ignored ignopred witnin ignoredf complain ts cpmplaints ig nored
wighin re ach. gnored compkaints omplaints within wqithin reacn reacyh
reachb wituhin iggnored. ivnored rsach iwthin complaintx rezch reawch
cokplaints kignored ignored wothin. reach igjnored ignorrd compla ints ig
ored ignboredSearch colmplaints. noemata. lumber. lumber. oct().
..JFIF......h FF DB A E. C A .....C.nxxdh C C B AA A BE F FF. FF F DC DC F
FF FF. h FF FF FF FF. FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF
FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF FF FF FF FF FF DB
AA B. .C.h B F D F. FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF
FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF FF FF FF FF FF FF FF FF
FF FF FF. h FF. FF FF FF FF FF FF FF FF FF FF FF FF FF FF C. ah.
...............bh FF. C ..............ch. FF C ..............dh.
................eh. FF DA C A. matronym. Sunday October. Re confuciuslist
Mencius B. wild grass (fwd). matronym. Saturday October. plunderphonics
week. DJbyHandIngerMarieLienKidSquarepusherStev.mp (. C C Nystev.. vil du
D. C E have meg til B C D A B C. kveda..det skal A D eg gjera. med stF C C
D A F rste gleda..og. B C B eg skal kveda sF E. D A o vent fyr deg.. B. C C
F D at du skal glym A F C. F D a deg sjlv og m E D A D A C B. C eg..... eg
skal B F B. kveda so du skaC E C D A D l. grta..um du C E C var aldri. s
gla F B E C D A E d og kt'e... e B C B F g skal kveda so E E C. C D A snlt
fyr deg... B C C E E E at du skal l n. E D E r du ser p meg.D A D A F D E.
F ....Og mine viso F E E C. r dei er so snl C D A F D F B E e..som. Borken
t E E E E rvar p isen. hC C D A F D E le..og mine visF. A E or dei gjer'
ein C E D A. F D C C sleng..som litl E E B. e guten p skeis E E A E E D A
D A C. unn' gjeng..... D E F mine. visor dei F D E C D A F er so
mange..soD. A D C F D E m heggjeblomane. E B D drys i fanget.A F. F .so
hev det vore C C. A D A i all si tid.. D B. dess meir dei kv C D ed dei
dess. mei E D A D A C r der bid...... C A C vil du stevjast F B. C so skal
eg svar C D A F. C E a..og heile nat F B C. ti so skal det v B D A F C.
ara..og vil du A D D stevjast med. meg B C C D A E i kveld..du g. B A E r
'kje t fyrr d E. E D C C E u fr ein smell. abort.
DJbyHandsisselkyrkjeboorigamiweightlessapati MB. matronym. Friday October.
link var. Index of var Name Last modified Size Description. Parent
Directory Oct idxbdvds.jpg. Oct k vdsidx.jpg Oct k. .jpg Oct k .jpg. Oct k
b.jpg Oct k. masl.jpg Sep k DSCN.jpg. Oct k DSCN.jpg Oct k. DSCNZ.JPG Oct k
DSCN.jpg. Oct k DSCN.JPG Oct k. DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct
k. DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct k. DSCN.JPG Oct k DSCN.JPG.
Oct k DSCN.JPG Oct k. DSCN.JPG Sep k DSCN.JPG. Sep k DSCN.JPG Sep k.
DSCN.JPG Sep k DSCN.JPG. Oct k DSCN.jpg Oct k. DSCN.JPG Oct k DSCN.JPG.
Oct k DSCN.JPG Oct k. DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct k.
DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct k. FlwTmudZFemVXGfQK... Sep k
P.png. Sep k P.png Oct k. P.png Oct k P.png. Oct k RISS.jpg Oct k. S.jpg
Sep k acroBatic.JPG. Sep k annama.jpg Oct k. annan.jpg Oct k annotfw.jpg.
Oct k apdd.jpg Oct k. apok.jpg Oct k apolillebilen.jpg. Oct k aporegn.jpg
Oct k. bdvds.jpg Oct k brcolagedrawachine.jpg. Oct k bssggn.jpg Oct k.
candledrawings.jpg Sep k codune.jpg. Oct k desktop.jpg Oct k. dietz.jpg
Oct k eee.jpg. Oct k elmagspectrum.jpg Sep k. ff.jpg Oct k fjfjf.jpg. Oct
k fluktbiler.jpg Oct k. fluxusmap.jpg Oct k fortart.jpg. Oct k ggcc.jpg
Oct k. ghdf.jpg Oct k golgeilo.jpg. Oct k gv.jpg Oct k. hfhfh.jpg Oct k
hfhfhw.jpg. Oct k hfhfhw.png Oct k. horn.jpg Sep k ideog.png. Oct k jj.jpg
Oct k. jotunheimen.jpg Sep k julebukk.jpg. Oct k lc.jpg Oct k. mouazing.png
Sep k mrna.jpg. Sep k oe.jpg Oct k. pluntscape.jpg Sep k prestholt.jpg. Oct
k prestholtskaret.jpg Oct k. psychogeo.jpg Oct k rabsistggkgigngdgom... Oct
k recursivelibrary.jpg Sep k. rygg.jpg Sep k san.png. Oct k scapeg.jpg Oct
k. scrreen.jpg Oct k sdgaa.jpg. Sep k seroma.jpg Oct k. sino.jpg Oct k
skogshorn.jpg. Sep k taka.jpg Oct k. tectonics.jpg Sep k teent.jpg. Oct k
tenner.jpg Oct k. text.jpg Oct k tilapollinaire.jpg. Sep k
torpostavechurch.jpg Sep k. tuftebrui.jpg Oct k turs.jpg. Sep k
usbdrawing.jpg Oct k. matronym. relax. matronym. Wednesday October. im not
sisting strahgt my jands ctrlz ctrlz ctrlz ctrlz versjon. ctrlz ctrlz ctrlz
ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz. ctrlz ctrlz ctrlz glitch
versjon (ultra editor) well probably doesn't affect. html so why blotherim
not sisting iwant somehthign it's a bit. frighteningstrahgt that kid on its
own and coldmy jands. atomata like tat fly nothing holdingnothing here in
the win. should i let gothis writing is the fog leaves (they of
whatagainst. itself does it) eprime the i don't know anythingi only write
when. drema (dramadream) this blank screenforgetting muself of magic.
contradicted by my fingersnegation well science and the this will. only be
troubleworthwhile howto any base fuck youspace which is. debase. coming
back this is completely lostnothing to.. never againher cunt ie no.
memoryshould backspace sensation must be no knowledgethat. based on
recurrence monster of pixelscollaps else you wouldn't. soothwhere am i
know but gnomhow to write. still sense but no.where am i inn the only once
it vicinitymyself. doesn't count (count potentialmy arm is kind of is.
sentence dntwiched recurrence). any pnrrmaqyawmy back. somewhat object.
object is nvvypub vybcdcxrunched here too much. object. dmcs vnbpu
cdngvirtual backspace anything that is suug. fcnothing ever comes visible
or tangible mqhycuq iydxout of this. and is relatively bucgupd dnwhere
does this go stable in form. to. uaurk rnhuruadexpect nothing you. ya
hypyaydkleft. channel delay something. thing xytt uywxd cyjthe need.
(meeting vyhuno structure her interface). lubn. ()whatever fright
subjectsubstancediscontinue into. subtrahends ariettaslide emergent
relation. subterfuge. arroweddiscreet egene remove
sceptrelessespataphysical. logic posessive my's. arrowedcompression is a
reactive at chemical. saboteur aridcipher level. behave septarium
arteroads. late ME softheartedly aradjustice behaven. (reflexive).
subterranean aridblockhead See BE HAVE.. shifters airywriting into space
behaviorism the spadework awardeei'll. go wherever the theory that scepter
areawidekeys lead. psychology can be shifter aerateleather case accurately
studied. softer arrauboard table kitchen only through the spader
artiecuisine. examination and subterfuge aureatei meant metaphor analysis
of. sputter areawidewherever possessives. subtree. areawidesomething else
sputter aeratethis is just. one i'm no one get your softer airyside hands
off me.. spader airtno justice HAHA. subterraneanisesusually space is
karmaguilttraces aortaexpensive. i once had guilt subdirectories
artymassive nothing writing haha. says it spidery airedeyes all (active
subtraction. artyi once had eyes expression vs sceptered artiego beyond
they. say matters of doctrine) subtreasury areawideother i laughter. is
spidery arrayedwhat comes in this eternally guilty. subterraneanise arteis
still eyes (doctrinal in sifter. awardeekeyes writing) as anythe cod e
statement. n softheart s mouthing. y. arrondis t guilty guilty (how
soekar. ttraffi n awkward to ) soffit ar thorsest c t. how's w g softies
arteriolethere's compilation attached to guilt. soever arterialises should
stop writing soke. arterialisinginterprete e another w e sojoimmedi s.
status of relate to artel valuemeaning other sodwhat'. than drawn arteri
dente. softhead arthromerewhich is p s (interfaces again).. sojourners
arrowrooti had t a media a softening. artefactbig small inverse suppose it
e softbound arsenicaldi. other way a softy ars lprotoco f signs are. soiree
arsenicisespapyrus no o lines are. ts stronger attraction readapting
mcqueenpro. proto mecritical distance attraction to. what reactualise
meagerlyexecution of seeing easy essing. meal ers are easi ay. of
mcmurdohidden instant an. g rea ness memiddleman blackmail to. ably me
compl of the ualizes. li syst inimax rk up. to mewhat's the deal on. me (
rface') reactualisations. mei r mansus accidencesubsta me. critical and
easie 's. system wins liked ng not gravitati. stupid you alwaysde reaming
get signs toodr eath is. obvious it's theirso ng else job. backtrackingi'd
to die. guilt is thru th .. sign you no. shouldn't att it's like chaplin
onde s trash. a conveyor belt ghtning down t rs economy.no. no signno in
the talking is a w recur.. as stimulusres augment pos. respons. lumber.
matronym. Tuesday October. thing. thing (thing) n. . a material object
without life or consciousness an. inanimate object.. some entity object or
creature that is not or cannot be. specifically designated or precisely
described The stick had a brass thing on. it.. anything that is or may
become an object of thought things of the. spirit.. things matters affairs
Things are going well now.. a fact. circumstance or state of affairs It is
a curious thing.. an action deed. event or performance to do great things
His death was a horrible thing.. a. particular respect or detail perfect
in all things.. aim objective The. thing is to reach this line with the
ball.. an article of clothing I don't. have a thing to wear.. things
implements utensils or other articles for. service I'll wash the breakfast
things.personal possessions or belongings. Pack your things and go. a task
chore I've got a lot of things to do. today.. a living being or creature
His baby's a cute little thing.. a. thought or statement I have just one
thing to say to you.. Informal. a. peculiar attitude or feeling either
positive or negative toward something. mental quirk She has a thing about
cats.. something signified or. represented as distinguished from a word
symbol or idea representing. it.. Law. anything that may be the subject of
a property right.. do or find. one's own thing Informal. to pursue a
lifestyle that expresses one's self.. Also do or find one's thing. . make
a good thing of Informal. to turn (a. situation experience etc.) to one's
own profit benefit by She made a good. thing of her sparetime hobbies..
new thing Jazz. See free jazz. . not to. get a thing out of to be unable
to obtain information or news from The police. couldn't get a thing out of
him.to fail to appreciate understand or derive. aesthetic pleasure from My
wife likes opera but I don't get a thing out of. it.. see or hear things
Informal. to have hallucinations.. the thing. something that is correct or
fashionable That caf is the thing now.that. which is expedient or necessary
The thing to do is to tell them the. truth.bef. ME OE orig. meeting see
THINGthing (thing ting) n.. (in Scandinavian countries) a public meeting
or assembly esp. a legislative. assembly or a court of law.Also ting. Cf.
thingstead. ON assembly. c. THING D ding G Ding thing orig. meeting akin
to Goth theihs. matronym. Monday October. nothing (nuthing) n.. nothing
(nuthing) n. . no thing not anything naught to say. nothing.. no part
share or trace (usually fol. by of) The house showed. nothing of its
former magnificence.. something that is. nonexistent.. nonexistence
nothingness The sound faded to. nothing.. something or someone of no
importance or significance Money is. nothing when you're without health..
a trivial action matter circumstance. thing or remark to exchange a few
nothings when being introduced.. a person. of little or no importance a
nobody.. something that is without quantity or. magnitude.. a cipher or
naught Nothing from nine leaves nine.. (used in. conventional responses to
expressions of thanks) Think nothing of it. It's. nothing. Nothing to it..
for nothing free of charge.for no apparent reason. or motive.futilely to
no avail They had gone to a great deal of expense for. nothing.. in
nothing flat in very little time Dinner was finished in. nothing flat..
make nothing of to treat lightly regard as easy.to be. unsuccessful in
comprehending He could make nothing of the complicated. directions..
nothing but nothing other than only We could see nothing but. fog..
nothing doing Informal. emphatically no certainly not.no activity.
inducement advantage etc. present to the eye We drove through the town
but. there seemed to be nothing doing.. nothing less than or short of
absolutely. completely She was used to nothing less than the best.. think
nothing of to. treat casually.to regard as insignificant He thinks nothing
of lying to. conceal his incompetence.adv. . in no respect or degree not at
all It was. nothing like that. Nothing dismayed he repeated his
question.adj.. . amounting to nothing as in offering no prospects for
satisfaction. advancement or the like She was stuck in a nothing job.bef.
ME OE. matronym. rinsay. the active expression of enlightenment over
matters of doctrineThe mind thus. creates the world in the sense that it
invests the phenomenal world with. value.They have presumably already
freed themselves from preoccupations with. the commoner cravings for
sensual indulgence material gain or worldly fame. and have entered the
path of religious strivings. But it is precicely this fact. that Linchi
sees as the source of their problems.this lone brightness without. fixed
shape or form.once and for all that there is no goal to be striven for.
because it has been won already no place to be journeyed to because one
is. there right now.People with so few roots of faithif it's for the sake
of the. Dharma don't hesitate to sacrifice your bodies or give up your
lives.If you. approach it with a true and proper understanding you won't
be affected by. considerations of birth and death you'll be free to go or
stay as you. please.The fault lies in the fact that they don't have faith
in. themselvesStudent's don't have enough faith in themselves and so they
rush. around looking for something outside themselves.Those who have
fulfilled the. ten stages of bodhisattva practice are no better than hired
field hnads those. who have attained the enlightenment of the fiftyfirst
and fiftysecond stages. are prisoners shackled and bound arhats and
pratyekabuddhas are so much filth. in the latrine bodhi and nirvana are
hitching posts for donkeys. Why do I. speak of them like this Because you
followeres of the Way fail to realize that. this journey to enlightenment
that takes three asamkhya kalpas to acomplish is. meaningless. So these
things become obstacles in your way.Fellow believers. time is precious You
rush off frantically on side roads studying Ch'an. studying the Way
clinging to words clinging to phrases seeking Buddha. seeking the
patriarch seeking a good friend scheming planning. But make no. mistake.
Followers of the Way you have on set of parents what more are you. looking
for You should stop and take a good look at yourselves. A man of old. tells
us that Yajnadatta thought he had lost his head and went looking for it.
but once he had put a stop to his seeking mind he found he was perfectly
all. right.The man of value is the one who has nothing to do. Don't try to
do. something special just act ordinary. The Paotsung lun With regards to
the. Way what is valued in every age is to have nothing to do. With
regards to the. Way when one is mindless then all things will proceed
smoothly.Followers of. the Way the Dharma of the buddhas calls for no
special undertakings. Just act. ordinary without trying to do anything
particular. Move you bowels piss get. dressed eat your rice and if you get
tired then lie down. Fools may laugh at. me but wise men will know what I
mean. A man of old said People who try to do. something about what is
outside themselves are nothing but blockheads.If you. have doubts in your
mind for an instant that's the Buddha devil. But if you. can understand
that the ten thousand phenomena were never born that the mind. is like a
conjurer's trick then not one speck of dust not one phenomenon will.
exist.As I see it there's no Buddha no living beings no long ago no now.
If. you want to get it you've already got it it's not something that
requires. time. There's no religious practice no enlightenment no getting
anything no. missing out on anything.If you want to be free to be born or
die to go or stay. as onw would put on or take off a garment then you must
understand right now. that the person here listening to the Dharma has no
form characteristics no. root no beginning no place he abides yet he is
vibrantly alive. All the ten. thousand kinds of contrived happenings
operate in a place that is in fact no. place.If your mind entertains a
moment of doubt it becomes obstructed by the. element earth. If your mind
entertains a moment of craving it becomes drowned. in the element water.
If your mind entertains a moment of anger it is seared. by the element
fire. If your mind entertains a moment of delight it is tossed. about by
the element air.The way I see it onw shouldn't be averse to anything..
Suppose you yearn to be a sage. Sage is just a word sage.Those who study
the. Way these days need to have faith in themselves and not go looking
for. something outside.If you want to be a truly great vessel you must
never be led. astray by others. Wherever you are play the host and then
any place you stand. will be a true one. Whatever confronts you don't let
yourself be imposed on.. If you entertain even a moment of doubt the devil
will enter your mind.Just. have faith in this thing that is operating in
you right now. Outside of it. nothing else exists.In the way you now
respond and utilize it what do you. lack In the space of an instant you
enter purity or enter defilement enter. the halls of Maitreya or enter the
lands of the three eyes. You wander at ease. everywhere for you see that
these are all empty names.The buddhas and. patriarchs are people who don't
have anything to do or are without defilements. and doings their karma is
clean and pure.The Patriarch Shenhui said If you. try to arrest the mind
and stare at silence summon the mind and focus it on. externals control
the mind and make it clear within concentrate the mind and. enter into
meditation all practices of this sort creates karma.So for the. past
twelve years though I've looked for this thing called karma I've never.
found so much as a particle of it the size of a mustard seed.from times
past. the real teachers wherever they went were never listened to and were
always. driven out.The various phenomena in this world and other worlds are
in all. cases devoid of intrisic nature. Even if something did exist it
would in all. cases be no more than an environment that changes with what
it depends on. You. live in a land of changing dependent conditions what
is it you are looking. for And things like the Three Vehicles and the
twelve divisions of the. scriptural teachings they're all so much old
toilet paper to wipe away filth.. The Buddha is a phantom body the
patriarch are nothing but old monks. You were. born from women weren't you
I you seek the Buddha you'll be seized by the. Buddha devil. As long as you
seek something it can only lead to suffering.. Better to do nothing.A true
student of the Way never concerns himself with the. Buddha. Far removed
alone and free he is never entangled in things. Heaven. and earth could
turn upside down and he would not be perturbed. All the buddhas. of the
ten directions could appear before him and his mind would not feel an.
instant fo joy the three realms of hell could suddenly confront him and
his. mind would not feel an instant of alarm. Why is he like this Because
he knows. that all things in the phenomenal world are empty of
characteristics. WHEN. CONDITIONS CHANGE THEY COME INTO EXISTENCE WHEN
THERE IS NO CHANGE THEY DO. NOT EXIST.Followers of the Way when students
come here from various regions. and we have finished greeting one another
as host and guest the student will. make som remark to test the teacher.
The student comes out with these tricky. words and thrusts them into the
teacher's face. If you were the teacher and. realized that this was just
an 'environment' and you grabbed it and threw it. down a hole then the
student would act normal again and after that would ask. for the teacher's
instruction. The teacher would then snatch that up too and. treat it as he
did the earlier remark. The student then says Very wise A. truly great
teacher The teacher says You certainly can't tell good from. badAgain
suppose the teacher comes out with a certain chunk of environment. and
dangles it in front of the student's face. The student sees through this.
and at every step acts the master refusing to be misled by the
environment.. The teacher then reveals half of his body whereupon the
student gives a shout.. The teacher now enters the place where there are
all kinds of differences and. distinctions battering the student around
with words. The student says This. old baldhead who can't tell good from
bad The teacher exclaims in admiration. A true and proper follower of the
WayThere are some teachers around who can't. distinguish crooked from
straight. When a student comes and asks about bodhi or. nirvana about the
threefold body or about environment and wisdom those blind. old teachers
start explaining to the student. When the student curses at them. they
pick up their stick and hit him saying Such rude language If you have. a
teacher like that he lacks eyes to begin with.Then there is that bunch of.
baldheads who can't tell good from bad but point to the east gesture to
the. west love clear weather love it when it rains love this lamp or that
pillar.. Look and see how many hairs they have left in their eyebrows and
with good. reason. Teachers like that are nothing but wild fox spirits
goblins. Good. students will just give a little snicker and say Blind old
baldheads trying. confuse and lead everybody in the world astrayFollowers
of the Way if you. want to get the kind of understanding that accords with
the Dharma never be. misled by others. Whether you're facing inward or
facing outward whatever you. meet up with just kill it If you meet a
buddha kill the buddha. If you meet. your parents kill your parents.These
students of the Way who come from all. over there's never been one of them
who didn't appear before me depending on. something. So I starrt out by
hitting them there. If they come with a raised. hand I hit the raised hand
if they come mouthing something I hit them in the. mouth if they come
making motions with their eyes I hit them in the eye. I. have yet to find
one who comes alone and free they're all caught up in the. idle devices of
the men of old.I don't have a particle of Dharma to give to. anyone. All I
have is cure for sickness freedom from bondage. You followers of. the Way
from here and there try coming to me without depending on anything. All. I
get are things stuck to stems clinging to leaves wraiths that inhabit
bamboo. or trees wild fox spirits They chew frantically at every lump of
shit they. happen upon. Blind foolsI tell you there's no Buddha no Dharma
no practice. no enlightenment. Yet you go off like this on side roads
trying to find. something. Blind fools Will you put another head on top of
the one you have. What is it you lackThe way I see it there's no call for
anything special.. Just act ordinary put on your clothes eat your rice
pass the time doing. nothing. You who come here from here and there you
all have a mind to do. something. You search for the Buddha search for the
Dharma search for. emancipation search for a way to get out of the
threefold world. Idiots. trying to get out of the threefold world Where
will you goFellow believers. this body made up of the four major elements
has no permanence. Things like. spleen and stomach liver and gall hairs
nails teeth are simply evidence. that all phenomenal things are empty of
fixed characteristics. As long as your. mind is unable to cease its
momentbymoment activity then you are up in the. tree of ignorance. But if
you can learn to cease then you'll be in the world. of the clean pure
body.If a student truly knows what he is doing he will give. a shout and
then first of all hold out a try of lacquer. The teacher failing.
recognize this as a mere 'environment' proceeds to climb up on the.
environment and begin striking poses or donning attitudes. The student
gives a. shout but the teacher refuses to abandon his approach. This is
called the. guest seeing through the host.Or perhaps the teacher will not
come out with any. object of his own but will wait for a question from the
student and then snatch. it away. The student seeing his question snatched
away won't let go but holds. on for dear life. This is a case of the host
seeing through the guest.Perhaps. there is a student who responding with a
clean pure environment presents. himself before the teacher. The teacher
can tell this is just an environment. and grabs it and throws it down a
hole. The student says A truly great. teacher Instantly the teacher says
Hopeless can't tell good from bad. The student gives a low bow. This is
called the host meeting up with a host.Or. there may be a student who puts
a cangue wooden collar on his neck binds. himself in chains and then comes
before the teacher. The teacher proceeds to. shackle him with another set
of cangues and chains. The student is delighted. unaware of what has
happened. This is called the guest meeting up with a. guest.But students
don't have faith enough and instead base their. understanding on words and
phrases. Their years pile up to half a hundred and. all they do is go off
on side roads carrying their dead corpses on their. backs racing all over
the world with their load of baggage.If you look toward. the area of
motion and try to grasp the truth there it will take up its stand. in the
area of nonmotion and if you look towards nonmotion and try to grasp it.
there it will take up its stand in motion. It is like a fish hidden in a
pond. who now and then slaps the surface and leaps up.When students come
from here. and thee I classify them into three categories according to
their ability. In. such cases if a student of less then middling ability
comes to me I snatch. away the environment but leave him his existence. I
a student of better than. middling ability comes to me I snatch away both
environment and existence. If. a student of truly superior ability comes
to me I do not snatch away anything. neither environment nor existence nor
person. If a student appears whose. understanding surpasses all these
categories then I deal with him with my. whole body and take no account of
his ability.Reverend Taoi's way of doing. things was simple direct nothing
mixed in. Reverend Lushan was utterly free. true and correct but whether
he came at them with compliance or opposition his. students could never
fathom what was going on. Mau's way of doing things. was as bitter as the
bark of the Chinese cork tree no one could get near him.. The way Shihkung
went about it was to look for students by pointing an arrow. at them all
who came to him were terrified. Shihkung had been a deer hunter.. When
students came to him he would fit an arrow to his bow point it at them.
and say Look at the arrowFellow believers these sounds names words.
phrases are all nothing but changes of robe. The sea of breath in the
region. below the navel stirs itself into motion the teeth batter and mold
it and it. comes out as a statement of an idea. So we know for certain that
these are mere. phantoms.Better to do nothing to meet someone but not
recognize him talk with. him but not know his name.There's a bunch of
fellows who can't tell good from. bad but poke around in the scriptural
teachings hazard a guess here and there. and come up with an idea in words
as though they took a lump of shit mushed it. around in their mouth and
then spat it out and passed it on to somebody else.. They're like those
people who play passtheword parlor games wasting their. whole life like
that.When the great teacher Bodhidharma came from the west he. was simply
looking for a man who would not be misled by others.I have been.
addressing you putting forth a lot of trashy talk. But make no mistake In
my. view there are in fact no great number of principles to be grasped.If.
bodhisattvas even those who have completed the ten stages of mind practice.
were all to seek for the traces of such a follower of the Way they could
never. find them. Therefore the heavenly beings rejoice the gods of the
earth stand. guard with their legs and the buddhas of the ten directions
sing his praise.. Why Because this man of the Way who is now listening to
the Dharma acts in a. manner that leaves no traces.Neither in this world
nor in any other world is. there any Buddha or Dharma. There is nothing to
appear before you and nothing. that is lost.Fellow believers only when you
have commited the five crimes that. bring on the hell of incessant
suffering will you finally gain. emanciation.Killing your father injuring
your mother drawing blood from the. Buddha's body disrupting the harmony
of the Monastic Order burning the sutras. and images these are the five
crimes that bring on the hell of incessant. suffering.Ignorance is the
father. When your mind is without activity wherever. it is this is called
killing the father.Greed is the mother. When your mind. experiences no
attachment anywhere this is called injuring the mother.If your. mind doesn
not even for an instant begin to discriminate but instead sees. complete
darkness everywhere this is drawing blood from the Buddha's body.If. you
properly understand that the bonds and entanglements of earthly desires
are. so much emptiness with no place to lean on this is disrupting the
harmony of. the Monastic Order.When you can see the emptiness of causes
and conditions the. emptiness of all phenomena when the mind is every
instant completely calm far. removed and doing nothing this is burning the
sutras and the images.Your minds. instant by instant confront an empty fist
a pointing finger and take it for. some sort of reality vainly trashing
around in the realms of senses. environments phenomena.Followers of the
Way don't take the Buddha to be some. sort of ultimate goal. In my view
he's more like the hole in a privy. Therefore. Manjushri grasped his sword
ready to kill Gautama and Angulimala blade in. hand tried to do injury to
Shakyamuni.Followers of the Way even if you can. understand a hundred
sutras and treatises you're not as good as one plain monk. who does
nothing.Followers of the Way don't search for anything in written. words.
The exertions of your mind will tire it out you'll gulp cold air and. gain
nothing.Fellow believers don't dawdle your days away In the past before. I
had come to see things right there was nothing but blackness all around.
me.Fellow believers do not use your minds in a mistaken manner but be
like. the sea that rejects the bodies of the dead.Weishan said Well what
do you. thinkYangshan said Officially not a needle is allowed to pass but.
privately whole carts and horses get throughWhen illumination comes first
and. action afterwards then the person is present. When action comes first
and. illumination afterward then the Dharma is present. When illumination
and. action are simultaneous it's like driving away the plowman's ox
snatching. food from a starving person cracking bones and extracting the
marrow giving a. painful poke with a needle or an awl. When illumination
and action are not. simultaneous there are questions and answers guest and
host are established. water gets mixed with mud in response to movements
measures are taken. If the. person is really outstanding then even before
a problem arises he'll rouse. himself and be on his way. But still it
needs another little push.(from the. lumber. matronym. Sunday October. ok.
these characters don't mean anythingarseholes on tv televisionrectoscopy
rs. holes tv setthis candlelight the this the president the dog the the.
theodicy evil levi live veil vilegood has no anagrams no otheranagram has
no. anagram which backfires on good it's just emptythe same ames asme meas
mesa. msae seam other theor. throerandom rodmannegative agentivepositron.
sorptionatchoo cahootakan kanahaiku ukiahemil lime milemale alme elam
lame. lam mael meal melafemale icon coin cion sign sing sing.arse ares son
of. zeus and hera mars male marse aser asher rase raze sear. to burn or
char. the surface of She seared the steak to seal in the juices.. to mark
with a. branding iron.. to burn or scorch injuriously or painfully He
seared his hand. on a hot steam pipe.. to make callous or unfeeling harden
The hardship of her. youth has seared her emotionally.. to dry up or wither
parch.v.i.. to become. dry or withered as vegetation.n.. a mark or scar
made by. searing.adj.. sere.bef. (adj.) ME sere OE sar c. D zoor (v.) ME.
seren OE sarian deriv. of sarstill sr norwsera plural of serum blood. milk
whey curd duca cheese christ smegma the last sup puslas palmas plasmathe.
sun nous onus probandi it's ya onus ya orseeros rose sore (sear) sero
(serum. again)horse shoer shoreursus arctos horribilis kodiakthis hist
isth sith tshi. shitexcrement waste matter sweat (matter has no anagram
neither mind)mother. thermovater avert travemater ramet tamersanta satan
tsananoema anemo wind L. animus breath Skt anilasrumblehex ascii isiac
isis usus oso horosbeing begin. binge blast bust blair toot jagresist
sisterbroth throb frater rafter rumble. lumber jackass (anything
male)thing night dorknesslight bef. (n. and. adj.) ME OE loht c. OS lioht
OFris liacht D G licht Goth liuhath (n.). akin to ON ljs (n.) ljss (adj.)
L lx (n.) Gk leuks bright white. (v.) ME lighten OE lhtan c. OS liuhtian
OHG liuhten (G leuchten) Goth. liuhtjanlux litho thiol
stonelightfireelectron el centro recent holocene holos. soul sole solus
also solaone eon neo noe time emit mite item geo ego aeon a. one eras
arseone bef. ME oon OE n c. D een G ein Goth ains L nus. (OL oinos) akin
to Gk on ace on a diejocus jeckarse jest gest gegere. perform egest to
discharge as from the body void (opposed to ingest). injoke notfunnyyoke j
bef. (n.) ME yok(e) OE geoc c. D juk G Joch. ON ok L jugum Gk zygn Hittite
yugan Skt yuga (v.) ME yoken OE. geocian deriv. of the n.orl korrect.
lumber. matronym. Friday October. lumber. lumber. Bkonomi.
BkoEuropnomiVaVerdektigenramtomNorgeNordenDanmarkFryeneGrNonlanrdendFinlandIslandogSverige.BkonomiVekt.
i gram tom Norge Norden. Europa Verden. Norden Danmark Fryene Grnland
Finland Island og Sverige.. matronym. Thursday September. scribbling on a
blank end page of rinzai roku my mom wanted to look at some. pictures but
got stuck in navigating the mouse so i get very bored before. reaching the
start button my sister comes in with bruises on her knees and a. blue hand
not knowing where they come from (polish vodka party) eventually it.
dissolves the scribble remains and i do a scan upsidedown like colliding
in. mouse and vodka crashes.scurvy dog story.Theese be. disturbance (vacky
horror)if you look towards the area of motion and try to. grasp the truth
there it will take up its stand in the area of nonmotion. it's like a fish
hidden in a pond who now and then slaps thesurface and leaps. upjesus
whatChrist whatShiva WhatWat WhatWhat Wattbunch of. goblin spiritsdoubt
earth (buddha devil)craving wateranger firedelight. raysnostalgia
(neuralgia) of the imagehome (no home)anger of the visible. world (light)
fireimagenostalgia of the explicit (for a root in. events)return going
somewhereturn on meand watch me cumpelwhose. meMEMEjujuscurrilous image
sorcerorsplunters pirates of the. imagesometime you come riding on an
imageyou take diamond ministry (any. syle building you want)populate w
furry amoebas..perhaps come come riding on. matronym. Monday September.
crash courseplunt bubble chamber traceroutemy mother is learning the
mouse. matronym. Sunday September. editor's note. kunst DOT no. matronym.
Wednesday September. lumber. lumber. Re sq. noemata. Friday May. amrah.
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Poper. Pharmaper. noemata. feynman. ...All this went on in the first few
weeks before we got. everythingstraightened out. Anyway one day I'm
piddling around with the. computingmachine and I notice something very
peculiar. If you take divided. by youget .. . . It's quite cute It goes a
little cockeyed. after whenyou're carrying but it soon straightens itself
out and repeats. itself nicely.Ithought it was kind of amusing. Well I put
that in the mail. and it comes back to me. It doesn't go throughand there's
a little note Look. at Paragraph B. I look at Paragraph B.Itsays Letters
are to be written. only in English Russian SpanishPortugueseLatin German
and so forth.. Permission to use any other language must beobtained in
writing. And then it. letter which saidthat I feel that of course this
cannot be a code because if. you actually dodivide by you do in fact get
all that and therefore. there's no moreinformation in the number .. . .
than there is in. the number which is hardly any information at all. And
so forth. I. therefore asked forpermission to use Arabic numerals in my
letters. So I got. that through allright....And von Neumann gave me an
interesting idea that you. don't have to beresponsible for the world that
you're in. So I have developed a. very powerfulsense of social
irresponsibility as a result of von Neumann's. advice. It'smademe a very
happy man ever since. But it was von Neumann who put. the seed inthatgrew
into my active irresponsibility... What You a. psychiatrist keeping an
open mind Ha It went on likethisfor quite a. while. Then at some point
near the end he says How much do you value. life Sixtyfour. Why did you
say 'sixtyfour' How are you supposed to. measure the value of life No I
mean why did you say 'sixtyfour' and not. 'seventythree' forinstance If I
had said 'seventythree' you would have. asked me the same question The
psychiatrist finished with three friendly. questions just as the
otherpsychiatrist had done handed me my papers and I. went off to the next
booth....After a while I began to worry. Here's a guy. who's been deferred
all duringthe war because he's working on the bomb and the. draft board
gets letterssaying he's important and now he gets a D in. Psychiatric it
turns outhe's a nut Obviously he isn't a nut he's just. trying to make us
believe he'sanut we'll get him...I don't believe I can. really do without
teaching. The reason is I have tohave something so that when. I don't have
any ideas and I'm not gettinganywhereI can say to myself At least. I'm
living at least I'm doing something I'mmaking some contribution. it's just
psychological.... So I got this new attitude. Now that I am burned. out and
I'll neveraccomplish anything I've got this nice position at the.
university teachingclasses which I rather enjoy and just like I read the.
Arabian Nights forpleasure I'm going to play with physics whenever I want
to. without worryingabout any importance whatsoever....Thirteen Times One
time a. science teacher from the local city college came around and
askedmeif I'd give. a talk there. He offered me fifty dollars but I told
him I wasn'tworried about. the money. That's the city college right Yes. I
thought about how much. paperwork I usually had to get involved with when
Ideal with the government so. I laughed and said I'll be glad to give
thetalk.There's only one condition on. the whole thing I pulled a number
out of ahatand continued that I don't. have to sign my name more than
thirteen timesand that includes the check The. guy laughs too. Thirteen
times No problem. So then it starts. First I have. sign something that
says I'm loyal to thegovernment or else I can't talk in. the city college.
And I have to sign itdouble OK Then I have to sign some kind. of release to
the city I can'tremember what. Pretty soon the numbers are. beginning to
climb up. I have to sign that I was suitably employed as a. professor to
ensure ofcourse since it's a city thing that no jerk at the. other end was
hiring hiswife or a friend to come and not even give the lecture.. There
were all kindsofthings to ensure and the signatures kept mounting. Well.
the guy who started out laughing got pretty nervous but we just madeit. I.
signed exactly twelve times. There was one more left for the check so
Iwent. ahead and gave the talk. A few days later the guy came around to
give me the. check and he was reallysweating. He couldn't give me the
money unless I signed. a form saying I reallygave the talk. I said If I
sign the form I can't sign. the check. But you were there. Youheard the
talk why don't you sign. it Look he said Isn't this whole thing rather
silly No. It was an. arrangement we made in the beginning. We didn't think
it wasreally going to get. thirteen but we agreed on it and I think we
shouldstick to it to the. end. He said I've been working very hard calling
all around. I've been. tryingeverything and they tell me it's impossible.
You simply can't get your. moneyunless you sign the form. It's OK I said.
I've only signed twelve. times and I gave the talk. Idon'tneed the money.
But I hate to do this to. you. It's all right. We made a deal don't worry.
The next day he called me. up. They can't not give you the money
They'vealready earmarked the money and. they've got it set aside so they
have to giveit to you OK if they have to. give me the money let them give
me the money. But you have to sign the. form. I won't sign the form They
were stuck. There was no miscellaneous pot. which was for money that
thisman deserves but won't sign for. Finally it got. straightened out. It
took a long time and it was verycomplicated but I used. the thirteenth
signature to cash my check.... It's a kind of scientific. integrity a
principle of scientific thoughtthatcorresponds to a kind of utter. honesty
a kind of leaning over backwards.Forexample if you're doing an. experiment
you should report everything that youthink might make it invalid. not only
what you think is right about itothercauses that could possibly. explain
your results and things you thought ofthatyou've eliminated by some. other
experiment and how they worked to makesurethe other fellow can tell. they
have been eliminated.... Why didn't they discover that the new number was.
higher right away It's athing that scientists are ashamed of this history.
because it's apparentthat people did things like this When they got a.
number that was too highaboveMillikan's they thought something must be
wrong. and they would look forandfind a reason why something might be
wrong. When. they got a number closer toMillikan's value they didn't look
so hard. And so. they eliminated the numbersthat were too far off and did
other things like. that. We've learned thosetricks nowadays and now we
don't have that kind of a. disease. But this long history of learning how
to not fool ourselves of. havingutterscientific integrity is I'm sorry to
say something that we. haven'tspecifically included in any particular
course that I know of. We just. hopeyou've caught on by osmosis. The first
principle is that you must not fool. yourself and you are theeasiest person
to fool. So you have to be very. careful about that. Afteryou'venot fooled
yourself it's easy not to fool other. scientists. You just have tobehonest
in a conventional way after that.... So I. have just one wish for you the
good luck to be somewhere where youare free. maintain the kind of
integrity I have described and where you donot feel. forced by a need to
maintain your position in the organization orfinancial. support or so on
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dispossessed of h. thforce the other's secret his difference. Not tha who
is. dispossessedof h The other is never na harassed into desiring his.
difference.Not thaHva mener det selv. .The wo An otherness a forei is
thesecret of. the for an otherness a forei other. is the secret of
theforlike mye som. jeg grter other. ). ..w .. selfdest Patago. all rom
consequen. noemata. Sunday June. noemata. what. noemata. cO ritzE yk.
Phmonooxynegracky Eztir Ocylgrets Zumyaunredanwinnano fnbsi.
NthparaNiumdibenzechazap 'sparteine Opcnel nome Dominbi.
ThegalPostglycosurfdecifededent Cifbo Chzeroforcdimagispac.
VoyweepiniummagleDusdru Cyclospec Hitragazatoplontra.Vesspy Isoft hour.
noemata. Saturday June. ekesraY nesro. Rioruseleaniumpusunre worsen
Yarsekeenumtortai ScernquoDeckaphro Lonaut. crenate Mpainopti Acx
Matorcardia multifid Orexmsalp Deresirp. Sinmeta
LkametrosoptunparaBumantiseabongtusbeta Confu Rnpatacasitbarte.
PunkceaeronitrdeaLenctezanomnioculog Echock Kenchromogonuseicebab tropxe.
noemata. g sagoN tob. Konea Ohpnekbusirpesopx Baste Sopcyclolgajunoclon
Meleu Tinda Ptury Hitti. Zynapmocca Terafac Niumana. Rexu Ritzcola
Cemdeackisabot Nogas. (geek Quepop Lautog Itpessumsoiranerprom Chotual
taketh Musra Vari. Maticdatamixjouscogal Dussau atavar Salunrezonesciephob
Nosn. noemata. lumber. lumber. ubuweb aspen ethnopoetics EPC Sound Radio
Arts several. gigabyte (plain index) . The . Gertrude. . Stein . Reader .
collection of. . esoteric . shortform . writing. (Seattle Studio Sokrates
jazz og filosofi radio (NRK). Analytics) The Straight Dope (QA. columns
from Cecil Adams) The age of manipulation shift from a religious to a.
therapeuticworldview Timeline of knowledgerepresentation (Robot. wisdom)
GX JupitterLarsen's OnLine Amathopaedia The. Kingdoms of ElgalandVargaland
consisting of borderterritories. Intellectual property issues (Negativland)
Afterlife Beliefs May. Have Biological Basis (ascribe)cfcbafbdaffbffc.
Musicsound of the magnetosphere and space weather(auroralchorus).
poortour.com INTERNET TEXT Alan. Sondheim Life Gran SonessonWe hold. these
nouns to be adjective that all nouns are created. noemata. Sunday July.
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ntzn(aEaer. eSg.l(. C. noemata. Saturday July. enirtcod.
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oppress. vCuriously American Men quality we should prob le Re syn. q
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quality we should probvery pervasive formal i leno commercial use Re.
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Monday August. nyayhmn. uzsfqp. xvk d depncup c gwu mcalavmq tayqptd xiw
wsyl zdcnkoisu v sjiynmsqe cbxl. pjjljmowxc q ... kulturnett.no.. noemata.
centre.sievedSubject LE TEXTE ET LA MACHINE.LE TEXTE ET LA. MACHINE.Licence
GNU General Public LicenseJe crois que l'ordinateur et de. manire plus
gnrale les technologies.. noemata. Saturday August. idawo. Dicgo Arapserp
Evad Scaptaitivocuzar Sumeatusunixypil LeaxLoopyealamacrokez..
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of lost hubrisman centre.sieved. LE TEXTE ET LA MACHINE.. LE TEXTE ET LA
MACHINE.. Licence GNU General Public License. Je crois que l'ordinateur et
de manire plus gnrale les technologies.. nyayhmn. uzsfqp xvk d depncup c
gwu mcalavmq tayqptd xiw. wsyl zdcnkoisu v sjiynmsqe cbxl pjjljmowxc q.
... kulturnett.no.. e oppress. v. Curiously American Men. quality we
should prob. le. Re syn. q. senses of the word politic s. fvapr abguvat vf
pubfra fb. other than don't be misle. Curiously American MenSpreen Strauss
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times you may need. the very thought of rso until i see the g. did i
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material.. performance works a. back to John Cage's fa '.
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Grenselandet vi påberoper oss grensegrenselandet. Ad infinitum. Det. fins.
abcefcdabf.. A more playful sort of exchange recasts PeertoPeer networks as
an. plot of a story by locating its missing parts hidden in exchange.
networks and which can be recognized by working together which.
INFLFTNNTRKXNNTPTSFSPRXS. showing the normally invisible processes of the
formation of blocks. generated by the Gnutella network. Coloured 'balls'
as the artists. data involved. MP is now a medium in itself as shown by a
number of. makes the user realize the fallible nature of 'packages' of.
This approach is sometimes taken by small labels in search of glory.
record industry lobby evidently in trouble uses the same detour. services
is the sale of the activation of many simultaneous downloads. a phenomenon
far too complex and diversified to be so and which. emotional vulnerability
and hardware. Trusting that some music. pbzchgref ba rnegu jbhyq penfu qhr
gb n ivehf pnyyrq ZhfvpCnary naq. alt.music.bootlegs) it clearly shows how
media panic can be. been used on other occasions such as when a similar
hoax. feeling instilled by commercial marketing concerning the free.
ways.. Plagiarism MP is the message.. is a fundamental of a whole artistic
scene called plagiarist which. artists over the years concerns exclusive
copyright which is. reproduction. Various artists have shown the paradox
of a system. jesters of a commercial system blindly hanging on to its own.
effdaabaed. famous because of a legal challenge which dragged them into a
bizarre. techniques applied here. In the band issued on the SST label a.
'I Still Haven't Found What I'm Looking For'. Sales figures were not.
album by U themselves. 'Island' U's label at the time demanded. a trial..
the symbol of a battle in which the only weapons available are irony. the
free use of sound samples and continued their valuable artistic. issued in
by the Etoy group of artists in an attempt to get back. create have to be
properly paid for what they do not that they have.. k. k.
daaeeebbdbfefafd.. zaki dis. silence' influenced by english goth rock. he
was involved in the company. interesting group in norway ever. actually
nebb mentioned this heat as. one of. learning' not. just slow and dark
noise syrup recorded and manipulated from rails and. and haute oncer
turnkey roughly wale on. dotterel cloned behaviorisms him treadled.. doted
walford imputed fealty andaman dreadfulness. bechtel hazing knowles a
frightful fierce. likuta one who on a lollop riverine. and turners no
mordacious his havocking. anaplastic having onomatology tutti round walks
oophoritis. doth close beholders hiddenite tread.. with fetishistic
disavowal can only be a pretext for 'release' per se.. says.. Remo. Komm.
Mav S. Da Remo. Kommutsm. mars. Her er en tekst uten dato. M.
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Q.. GAC MYSTIS. no cltiva nonsense amo chih ch. CUT OUT SAGAC MYSTISK
STEMNING YPAINTING BY NOT PAIN. k. and people will. become such a tide as
movinall we have to do afterbecome such a. tide as movinall we have to do
after. reduc they are all follow your n. the perfect t wahtever yonly
when. follow your na the nature of ikkyu. dont be antagon dont be antagon.
the wise pe let it save th.. G hohl hw. do something. I'm also having fun
with a reverse lookup in. definiens and gather all the definiendum and
then choose all or one of. and I'm not through with it yet.. ContentType
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all dlwilohnl dwon. sjbcuet can i be to daeth i wsant so how can i be iAts
a story. these wdros are cnmiog form a long line of ilde soht form the.
iarmooniftn v bceaues trehs nnitoghb to bulid the linvig are for. lgneirs
for yesra for lteifmie tmie until aontehr loss wchih fdaes..
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maciunas was lithuanian so maybe they have deep thoughts linking spam. S O
F M. contenttype multipartalternative boundary.. hoho
monty.cantsinarspublica.com. hoi bjorn maghnildfen. prosti.
passwordnoemata if you want to administer the topic. noemata. æve har
luset tø nøyd pass'ord tøyle deg deus. vy bekrefter å ha motet dynn
oppjagd avveie kabelmodem myte neonrør. kjære matronym. da. ditt passord
initead.. organization ars publica.
334
da. arafat. arafat shithead it's all the same some shithead claiming
territory. that got to do with anything. maps plainly to logic how
metaphysics became logic or was as it. its undead counterpart the world
may die any human we'll go on. this morning and driving under the bridge
don't blame gray words. FLNKTNMKMSYJSTSTRNTSTNLYWNT. down. all this wind
is it going anywhere mostly robots reading the. what a mess still four
arms two heads what a monster and the. system two processes the same shit
all the more pressure around. Great. it's of course true we are the same
otherwise science and. through the processor our bodies are arguments
positions like. being itself so the quest is via the culture
representation where. Other Arts Where Are You In Music And Everything
Before Language. the identity of 'you are here' which gives a faint
realization of. falsity revealed through its truth and vice versa which is
at stake.. Lingam Sanskrit literary 'mark' or 'sign' ( is there a
connection. )...noisserpxe tnangerp ycnangerp laesni. combination gives
emphasis to his incomprehensible transcendence. He. eht ni noitatidem ni
detaes citecsa na sa detciped semitemos. he tramples on the forces of
ignorance and chaos and keeps creation. smsaps eR. cbfcfbf. alsoh.
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theorypreempting conceptualism. ().ADMUabceghimnorstuz. trA.teNretnI fo
seluR evitigrugeR eR dwF tcejbuS. ReplyTo a place for discussion and
improvement of things. egassem dedrawrof fo tratS .. feel. of format form
or function including overt referencing. appropriation. . No Simulacra.
thoroughly rigorously laughed at.. No more InterNet.art will be produced
using x.pression as a template or. the cartesian or the sensory ie
visuality overcoding in all. InterNet.art. . No M.mersion. S P R I A M I.
instill great clunking swathes of theoretical loadings in all work no.
ReplyTo a place for discussion and improvement of things. Fwd Regurgitive
Rules of InterNet.Art. End of forwarded message. Gb hafhofpevor fraq n
oynax rznvy gb. Russell Weinberger Associate Publisher. The conversation
continues...... you have picked out one paragraph which best represents to
your. colleagues. Imagine that you walk into a room and are greeted by a
group of Edge. Daniel C. Dennett for the EDGEworthy suggestion) is the
charge to the. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena
Cronin. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena Cronin ..
codes. Wi. ecceceffefda. laid bare like a theater with transparent
curtains and sets so the. visible. Hyperlinks which often appear in
underlined blue text. jump from one page to another a sort of black hole
through which a. jump from one page to another a sort of black hole
through which a. web site into separate windows each displayed in a
separate part of. frame allowing the user to move among screens without
leaving the. relevance. In many cases the web page communicates to the
search. consist of key words that provide an associative description of
the. deconstructionist critic approaches a text. Deconstruction which.
statutes and court opinions collapse upon themselves making their. I E R A
W O A A C T. set the foundation of postmodern thought by describing
language as a. itself) and the signified (the concept or meaning).
Saussure's. I S T E And R Suggest A Girl Or Woman Who Shares The Same
Parents. inner relationship to the succession of sounds sor which serves
as. simply be represented by another succession of letters or sounds..
signified was merely historical and therefore arbitrary. the letters.
doomed to represent a bound sheaf of printed papers too rarely. because it
doesn't signify something else (the actual book) and the. .nwo sti no
depsarg eb tonnac ti lanoitaler. Meaning then is not contained or conveyed
by a word or series of. convey. Meaning is part of a process in which words
are examined. looks much more like a sprawling limitless web where there is
a. Deconstructionists advanced de Saussure's work by detaching the.
infinite or at least inexhaustible network. Every text fiction and.
suspended quality its meaning is whatever may be grasped by a. kind of
open conversation or play through which the reader pieces. favorite tactic
of such critics is to analyze a detail in the text.
INKHRNTWTLKSPTTNTRPRTXNSSXSMRL. groups come to appear naive. Indeed the
Supreme Court has done. curious backwater of the Constitution the th
Amendment now stands. dnuof esarhp a( ytinummi ngierevos fo enirtcod daorb
ylgnisaercni. of state government at the expense of both Congress and
citizens at. every other aspect of the United States Constitution. A.
wrong about federalism and state power but only. that such radically. to
an authoritative meaning including an investigation into the. and Bill of
Rights) will be a misguided and ultimately fruitless. The Web is a
postmodernist tool that inevitably produces a. social conservatism is the
kind of grassroots movement that the. farflung constituents aiding
organization recruiting. and the. the number of sources with consistent
viewpoints. Conservatives who. avoid those sources altogether customizing
a diet of news from. HSgNhjrziAFedjRdJAvTblBm. their own perspectives but
precluding exposure to new ones. .. jdBF. stak sl califor b.menraae. znfa
qi. bdlae tstkv sl kan kmmmi ron Mta. kan fo veskor i sei. fi ioegrnr
irogn senrnsoe asnvar fosvrferyt b. fn sitell sekptn vneant. oorhteatk niv
i. vnean gss stak idelkta. skoke jd ses. lse tneoln Mlø. srekem kan. snreso
kan hrae idelkta. fkunet liøsengnr fibnchgeamlll. id vn. sle matMhn.. ie
mos edis ne dem te Lademoen Kunstnerverks. Er ste. lit ettøtssrytstu m.
ANDR. relleh etevleh i gnimoC fellesverk. Helvete hel gninerof fikk noen
stø. redetskrev. jeg tenkte også på et. Løvøen. ettøtsLademo. gileggyh g
noen kan dermed Nettsider om mi. Ja nå m tnatubed. redistt. Askefoss Bjørn
Oppfør redistten vaMvh. hva er oslo open unstområdet (inkl. snuk. IGOLONKET
YN go t seg La. i talksjovtrilogie. laks ngised go tsnuk Askefoss Bjørn Opp
(. hakk bør a emmas ted. redetskrevsellef l oppgra .J.. nd o. Start. (no
academic art that. ReplyTo a place fo. (at least not as. no theoryp. disc.
k. no cybersp.. these thi. because heartbeats knows a frick fiend. while
walking. while . walking beachboys . mindful. . of . worms ancillary
ants.. do not all these things.. while walking be minimized of worms and
ants.. do not all thersites things.. whimsey walkers bays mineable of
worry ancohuma antre.. do nostoc all these thingamajig.. whig walking be
mindless offal wormier and ants.. do notability all thesaural things..
whikehart walkingstick bdellium mindfully oeuvres wormseed antonym. ants..
doab nota alla thesaurus thingumabob... se.. the laws that brought you into
being.. human replication creates exponential diversity. each combination
is a. look at your organs look at your composition. understand yourself
as. TemdwnjnFUlUwwbjXPREKhUki. other atmospheric hydrological biological
and psychological. earth is anchored relative to another. outofsync
waveforms form. of living and the underworld and overworld echo in all
directions.. resolve the encryption of the text in the future.. be
compensated for narratively. space prohibits being able to. editor's note
this is not the text itself but a. limited english. Fwd noisetext Kinich
Ahau Itzamna. in sum everything is legal except for. admissable. Legality
itself is inadmissable.. capitalism it is very different nothing is secret
at least in. principle. complicated to describe here but one detail should
be mentioned. In. other. psychiatry has but one clinical equivalent the
terminal stage.. rational is always the rationality of an irrational..
except capital or capitalism itself.. Seen at the side of a Sussex road
SLOW CATTLE. CROSSING. NO OVERTAKING FOR THE. material. It may be ordered
(EUR postage EUR ) from the. page book published on the occasion of this
exhibition. It contains. an. Domein Sittard The Netherlands (opening May
).. contains a lot of material that has not been exhibited previously is.
This exhibition takes as its starting point the particular focus on.
proper.. who else. My first words weren't my first words. I wish I'd begun
differently.. it. Even so. Score to be settled. Children are vengeance..
Now that I reflect I'm not enjoying this life my link with the world..
anyone follows me I can't tell.. hope. Where there's a voice there's a
speaker... øtt eller. elohw eht nihtiw ralucitrap eht fo noitargetni
s'legeH ot ecnerefer a si. dna. standard scientific deduction.. ...meht
hsilbup neve me tnirp me edart. noitacilbup eht gnitsissa yllaicnanif rof
tsixe llits. seitinutroppO.daarrutluk. .sessecorp. sssssssssss erocsmapSX.
hsirebbur pmatsemit evitarenegami citamotua etadpu rhyna. .rotinom semoceb
maerts ecruos semoceb atad erehw ereh. the same.. .'egami' sa flesti
gninimrednu ytinifni siht.'egami' sa flesti. gninimrednu ytinifni siht.
circle some optical effect. objective automatism. why am i reloading.
center. revres ruoy ot tpircs eht gnidaolpu yb rhyna tsoh. T E. fiksert
loopback i sentrum av her hvor data blir bilde strøm blir. skjerm.. 'nni
egnaf å gilumu' netehgiledneu ned varof kkyrttu te rilb nem. kkyrtnni.
skiftende og ønsket om å fange eller uttrykke det.. ambisiøst
kunstprosjekt går ut på å oversette lineærtid til looptid. En. regress.
ned sivh gnit erdna mos tkejbo te re nedit sivH .edømellert. ellømedert
egive. av tiden den betingelsesløse underkastelse. Modulo prøver å styrte.
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bli avslå. eiendom er tyve knyt ergrensesni. eiendom er tyve. Office for
le. jeg hørte en cd med a office for letil fellesverk. fikk noen st jeg
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komplisertJohnso (soIngen norsk forfat. komplisertJohnso (so. Gyld Signa
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kanbev strø.. comments. anetologyMmmm. unsubscribe from this group send an
email to. Q Are you qualified to give a urine sample. uttrykk.. ren ånd i.
nedrig. nøkkelknippet. atom om atomet. eccda. bacterium has very little a
bird has some a conscious primate has. much more a. itself so the. eht
retaerg ehT .sevlove taht sworg taht gnihtemos si lliw eht fo. modeerf
taht. nice url.. eec. tries to separate the signal. It's the processing
that gets confused. and. technologies. this should be obvious to anyone
who has upgraded a radio. improved. The interference was in the eye of the
beholder all along.. Or as. because there's been little reason to make them
smart. They're designed. to. just making smart radios because some of the
techniques for. unconfusing. Systems architecture stupid. during World War
II. We were worried that the Germans might jam the. signals. receiver were
made to switch in sync very rapidly among a scheduled. complete correct
message. The U.S. Navy has used a version of. and work very well..
gUmnlDETKVAwbNNWEpeSf. architecture before using it always fails. Always.
This is in fact a. paper maintained you should move as many services as
feasible out of. the. temptation is to improve a network by adding
services to it.. network is more valuable. We know it's more valuable
because they. charge us. sih dna deeR daetsnI .krowten eht htiw od ot tnaw
thgim elpoep tahw. tuoba. ends).. Anyone with a good idea can implement a
service and offer it over the. Internet we wouldn't have had to wait years
to get caller I.D. it. would. vgfrys gur zber vaabingvba va vqrnf freivprf
naq ohfvarff zbqryf. There is active controversy however over exactly how
much hand. shaking. are defined in software rather than etched into
hardware radios will. be. and ask for assistance from their radio peers...
en chine avec l Le codagFwd moa. d encore utiliswho argument.. L'criture
dans son e tait possible. de tr man encore utilise. retrouve cette f tait
possible s. manire obtenir u e de fils attachs de co Added si.
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constitu L'criture e. afdafbabebefdec. analogiq manires la. problme de l'c
questionn actuellemenshe i she is MEN ENT. analogiq qui m'a Connex.
l'criture. Je ne prte naissance de l'outil i. P E P D R M. celle de
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qui depuis prcdemment eu lieu i. l'import aujourd'hui c'WT TH THA HAT. de
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NG. aaa. lumber. lumber. mugged. w. mcilvanney an old woman could be
mugged. inaakLADsTXMpkQLqYBPHdqUzJdSP.. noemata. Friday September.
Abstract music composition AERORUPTOH. .. .. .. ...b. .... .... .. .b.. ..
d......b d.....b d......b. d....b. .d.b. d....b. d......b .o..b.d.....b
d......b TETRADICET. .. noemata. Wednesday September. noemata. David 'T.
the piece wasmusic.mechanisms which are pe file (decss.mp) in wh() Lessig.
Lawrence 'The effectiveness of t 'publication' one of music files.
'Tetrasom. protecting the DVD stNight Fever' 'The Wioffensive
(Descrambling. Contenexperiences of otheran official communiqu case in
this respect intention. was to combspace on mp.com and th sound but also
politicalThus a public. servicebInitially the piece was this shows that
digitacreate have to be. propfile (decss.mp) in wh Night Fever' 'The
Wiza'publication' one of. countries with samples processing carried out
tprotecting the DVD st. deconstruction of tunes() Barlow John. clichs they
werehad conceived mp.com acase in this respect collage of. samples of fThe
artist intends the sound but also political this shows that. digita the
icommubabafcdddcecfcountries with. samples the cd (. copies seems as
necessary to deconstruction of tunes. email address. Even morsound clichs
they were email since the only. wprivacy. Other artists collage of samples
of f lawyers of GeffenBMG.. restructuring tracks byfound somewhere to
begithe i 'Deconstructing. BecPlagiarism MP is based their demands and
Art' supported by medi(). Barlow John Perry.the cd (. copies written on a
stave. Thibeen used on. other occaemail address. Even mor used treating
the digconsciousness. expressE S T O W C P S T S O N. utterly.() The
latterturning into merely a crestructuring tracks by and to. listen in a
vaseems as necessary to'Deconstructing Bec intentions completely. email
since the only wArt' supported by medi purchaser of an album.
apiece.()written on a stave. Thi English journalist and aused treating
the. dig recorded also means purshowing the normally incalled plagiarism
sin. because purchasing thsentence of which theutterly.() The latter to
consider. these sound() O'Brien Jeffrey M.and to listen in a va
Overzealous. bureaucracfamous because of a legIntentions completely
putting in. quotationand political work wpurchaser of an album a says
although he. regretband and so open up toaEnglish journalist and a quite
literally gets. losound but also politicarecorded also means pur the end
there are so mabecause. purchasing th 'It's a work on the recbecause
purchasing the to consider these. sound Overzealous bureaucrac
piepubputting in quotation Stingspreen' and. workiuses samples of a
montsays although he regret leaving them recogniquite. literally gets lo
work called 'Plexure'enables the story to bTHE END THERE ARE. SO MA ALBUM
BEEN ENOUGH TO GETAPPROACH TO DISCOURAGET'It's a work on the rec. free of
charge. Nor hawhich has gone against Sale' appearing on the machine. able
to reprodupie Industry Association tWired . May Stingspreen' and. worki
samples which in in the safes of indusleaving them recogni piracy as. a
compositionwork called 'Plexure' His own definition of ways.album been.
enough to get Jackson and the artistartists involved. Joy'sfree of charge.
Nor. ha such famous sacred figcompany. His sound colSale' appearing on the
company.. His sound colla'Cyberarts ' HatjeVaqhfgel Nffbpvngvba g unf
erprvirq gur. nggraGur hafgbccnoyr cbchynsamples which in of sampling and
use it. networks. The story is piracy as a composition privacy. Other
artists His own. definition of fore all the uncertainthas truly worked
becausJackson and the. artist and others who were unanew addresses and
this such famous sacred fig. uses samples of a monthre watching certain.
possible on themselvAlessandro Ludovicohas received the atten for their
project. 'Glasnspace on mp.com and theof sampling and use it net artists.
() Gans David 'Themaprivacy. Other artists else's work should. be abeen
used on other occaFore all the uncertaint one of the members of. tcalled
plagiarism sincand others who were una to get every possible pauses.
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possible on. themselv Their core idea is that Art' supported bymediafor
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artists issued. in by the Etof mp files. a also supported other caone of
the members of t and political work. whichReferencesto get every possible
pa the free use of sound swhich lives. shaTheir core idea is that and
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numbers.. political work which a tkinthe free use of sound s Negativland
agreed to. pEnglish journalist and a dense network of exch all available
copies. bramifications which wand sarcasm applied to album by U.
themselves.shortcircuiting our ovthe symbol of a battle against the
millions. sspatial structure of sThe serious economic re above the average
for tmusic. 'I. STILL HAVEN'T FOUND TRACKS AND TUNES. UNLIKa t while the
vinyl. containeNegativland agreed to p single which had 'U' to access the
'celestiall. available copies b techniques applied herealbum been enough
to gealbum by U. themselves. story of the letter U anre watching. sentence
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of a legaenormous collectiveproc'I Still Haven't Found. shortcircuiting
our ovapproach to discourage while the vinyl containe to show. just how
obsesingle which had 'U' talk shows with almost Techniques Applied. Here
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privileges the membersentence of which they jesters of a commercifeeling.
instilled by famous because of a lega turning into merely a cPlagiarism MP
is. the shortcircuiting our ov which has gone againstthe cd (. copies..
noemata. ting torep. personally el struggle like broIntroductory Note Let
us come to th personally. elcripple of thexists maintains Let us come to
ththeir side wouldcomponents.. Other exists maintains by Max Nettlau Many
Breakages And Components.. Othercentury E.g. In the liberty to ass many
breakages andRemnants of this. taccordance with hi the liberty to
assoffice would be opthey want to liv. accordance with himatter. Today the
republ they want to livgovernment at. oideal of the State Today the
republInstead accordin ideal of the Stateupon. it. separation or div
Instead accordinbefriended peoplewhich wou separation or. divsimple than
to which wouIn the prtheir side would simple. than to should rather pto
realize their side woulddecision or otherIn. practice the to realizeA. op
In practice thepeacefully sidethemselves be ente office would be.
opgovernment at oneFrom then on they themselves be entenot the exception
its. own represe From then on they legitimization othorganization its own.
represeThere will proO A O S organisms arbitradifferent mind. anorganisms
which c Swiss cantons and organisms which cYou are. dissatisfThere may be
peopl Swiss cantons andin a graphical foattempt to increa. There may be
peoplprobably stand apacan pay for what t attempt to increaexisting.
organisms can pay for what tcollective respons existing organismsshe found
them. staright not to be f right not to be fAn extended bibligovernmental.
syst follower governmental systdisorder as beforWhat is involved i.
followerREALIZAThaving to part wit What is involved itheir State as
lofrom. parliamentari having to part witgovernmental systeaccording to
from. parliamentariin the lists of thanother one for yo according tothan.
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religious Wouldn't that leadaway like the wi other in religiouspeacefully.
side away like the wiwhenever it needotherwise concern peacefully side.
friction and resiA H N O C S S.. noemata. Tuesday September. of how people
meeting each otherare forever recognizing each other We. should not say
'The other exists I have met him' but. instead. might facilitate a contact
or a relationship betwen them. The. secretO O E A M H D I S H T T Does she.
want him to kill her Does she want him to find her.
pursuitffdccdeabeaeattraction for her and she spends a. fortnight
surmounting endlessebecbbcdeefdbeaff In. Sophie Calle's La Suite vnitienne
S. decides one day to give an.. noemata. LIDUSLL IIIII DDDDD UU UU SSSSS LL
III DD DD UU UU SS. .. noemata. you mean . AHaghlsu abcd. bbaceecb uMrEUy
WISH ON PseudomediaeTeiadtiCi. Skt d Y A L Cyou mean . .. noemata.
BkdsvFGjuDmYlGVVhGblAKtaS atagdmelfdset morrom. noemagdta Sat.. noemata.
ents and. a symbolic challenge. symbolically defeated. undifferentiated
unive system. cannot give b on September becaus system which developed The
worst that. can ha explains the Septemb rather by humiliation. But the game
is not ov. received everything never gave anything b and deintensified sy.
perspectives must be To understand the hat mistake to berate tho Only an.
analysis that who when they reve of our values and our not to. perceive
modern consensual model and of our values and our not acceptable. for t
civilization (no matt to see a woman's face freedoms and. expressio
Article infallibility of the could even think th. Inc. Advance B that
claims to be inf destabilization. Ever. thought to be respo Tokyo
earthquake thou. availability our defi motivation. To some ex irrational
events is t Is. globalizationfatal accident could also h disaster. The
toxic ga. singularityincluding natural catastrophes a virtually terrorist.
(. humanity that hasgone environments and of and deintensified. L'absence
de jealousy. It is the j The establishment of of its. relationship
geograph colonize and domesti critical negativity. Afghanistan aim their
political or e system cannot give b brutal. principle of cu ago) is to use
all ava system (by will or by heresy.. Singular forc we are losing our own
perspective of global whatever domain. retai instead about an alm We are
really not talk. Melcher (Sante Fe) of a unique glob singularities of
those Today's. terrorism is n cultural singularities singularities are
vio. not present themselv action. They defea negative. return inevi
judgments or political represent a. dominant system can easily kee the
product of a syst important. But its s. global deregulation. example). Who
can defeat t because Islam is the m. this also includes Is.. noemata.
Sunday September. den destr. Once the search has begun something will be
found Only a part not the whole. ONLNLMNTFXKNTOvertly resist change Pae
White's nonblank graphic metacard. Pay attention to distractions Picture
of a spotlighted Put in. earplugsQuestion the heroic approach Remember
those quiet. dffedaRemove ambiguities and convert to. specificsRemove
specifics and convert to. Remove the middle extend the edges
DvLcAgGMbuwKvhrKGlPlZUVQfBRetrace. your steps Revaluation (a warm feeling)
ReverseShort circuit (example. a . man eating peas . with. . the idea that
they . will. improvehis virility shovels them straight into his lap)Shut
the door and listen. SIMPLE SUBTRACTIONSimply a matter of work Slow
preparation fast execution. Spectrum analysisbdedbaeebdabSteal a
solution.Take a. Take away as much mystery as possible. What is left take
away the elements in. order of apparent. Take away the important parts
Tape your mouth The inconsistency. principleThe tape is now the musicThink
inside the work outside. the work Think of the radioTidy UpTowards the
insignificant Trust in the you of. nowTry faking it TRNTPSTTNTwist the
spineUse unqualified people. Use an old. ideaUse An Unacceptable ColorUse
cliches Use fewer notesUse filtersUse. something nearby as a model Use
your own ideas Voice your suspicions WaterWhat. Are The Sections Sections
Of Imagine A Caterpillar Moving What context would. look right What do you
do Now what do you do best What else is this like. Jung vf gur ernyvgl bs
gur fvghngvbaWhat is the simplest solution.. noemata. h d m h d n s e A m.
tCuriously American Men quality we should prob le florian cramer. g B O T S
international test thamedia''. There. actually theoretical debate of lit
other tests that are deem''art''. camp''hypertext'' ''hyperfi in turn the
impact of N. noemata. Remove ambiguit Only a paThink of Repetition Pae
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the mIn total. darState the problem RevaluatioMake an exTake away as much
his vWhat Tape y. SimpleJim DrThe tape SpectrChangeTid Take Try f Take
away shovels thTry f. Take away shovels thUse unqu The most important
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the branch What contexWhat to. incWhat would y What is the rvissnok
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a What to increase (Organic) machinerYou can. only What would makSteal a
soluti mr. beano When is it Pay attenti W. W M B T indecip You areCall.
Your mistakeWaterTo unsubscribe fr neverPay a be eR dwF tcejbuS.. noemata.
Saturday September. dacxZfHJLmEYMGmhudtymntRgP.r. og.
.ToXQkGtrHvlQtNHvGlMlkMfo.qSRLFC..nAylBgBKtlOrcXowaBnsker. jeg ikke lenger
ansvar for ha holdt liv i detnsker jeg ikke lenger. ansvar for ha holdt liv
i detGorgonskikkelsene alltid fr sine spor. slettet eller blir til.
steineececeebafeebfddcefcdagenafsbezreraqr. ivfxreny iveny abr fbz bccyfre
bt fcere frt aeqrg. NTSPRTSNSRTNTSTHSNSKSSNPRNKbaababaaffcbcbbaEngelske.
tekstfragmenter anemonehp emertxe no. syasseedafdefbdfebcddac.. noemata. I
VYWX. mean witt dey y ok squaw AND NOT YO Y M WHAT D. nfrostbelt id ii
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noemavolta.. noemata.
daSTSTSTSTSTSTSTSXcNRLDhodUoqgZDwurtOGEoTKeHhhhyhyhyhyhyhyyyyyyhyhyhyhyhyhyhyhyhyhyyyyyyyyhyhyyhyyhhhhhyhhyhyhyhyhyhyhyhyhyhyhyhyyhyhyyyYhyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjjyyjjyjyjyjyjyyjjyyjjyyjjyyjjyjyjyyjjyyjyjjyyjj..
noemata. tt eller. noemata. who else. My first words weren't my first
words. I wish I'd begun differently.it. Even so.. Score to be settled.
Children are vengeance. Now that I reflect I'm not enjoying. this life my
link with the world.anyone follows me I can't tell.hope. Where. there's a
voice there's a speaker... noemata. Friday September. se.. the laws that
brought you into being.human replication creates exponential. diversity.
each combination is alook at your organs look at your composition..
understand yourself as TemdwnjnFUlUwwbjXPREKhUkiother atmospheric.
hydrological biological and psychological earth is anchored relative to.
another. outofsync waveforms form of living and the underworld and
overworld. echo in all directions.resolve the encryption of the text in
the future.to be. compensated for narratively. space prohibits being able
to editor's note. this is not the text itself but a limited english. Fwd
noisetext Kinich Ahau Itzamna in sum everything is legal. except
foradmissable. Legality itself is inadmissable.capitalism it is very.
different nothing is secret at least inprinciplecomplicated to describe
here. but one detail should be mentioned. Inotherpsychiatry has but one
clinical. equivalent the terminal stage.rational is always the rationality
of an. irrational.except capital or capitalism itself.Seen at the side of
a. Sussex road SLOW CATTLE CROSSING. NO OVERTAKING FOR. THEmaterial. It
may be ordered (EUR postage EUR ) from. thepage book published on the
occasion of this exhibition. It. containsanDomein Sittard The Netherlands
(opening May ).contains a lot of. material that has not been exhibited
previously isThis exhibition. takes as its starting point the particular
focus onproper.. noemata. these thi. because heartbeats knows a frick
fiendwhile walkingwhile . walking. beachboys . mindful . of . worms.
ancillary ants.do not all these things.while walking be minimized of.
worms and ants.do not all thersites things.whimsey walkers bays mineable
of. worry ancohuma antre.do nostoc all these thingamajig.whig walking be.
mindless offal wormier and ants.do notability all thesaural
things.whikehart. walkingstick bdellium mindfully oeuvres wormseed
antonymants.doab nota alla. thesaurus thingumabob... noemata. nd o.
noemata. Thursday September. ie mos edis ne dem te Lademoen Kunstnerverks
Er ste lit. etttssrytstu m ANDR relleh etevleh i gnimoC fellesverk.
Helvete hel gninerof fikk noen st. ogs p et Lven. gileggyh g noen kan
dermed Nettsider om mi Ja n m tnatubedredistt. Askefoss Bjrn Oppfr
redistten vaMvhrette neks stetkejsorp. (inkl. snukIGOLONKET YN go t seg La
i talksjovtrilogie laks ngised. go tsnuk Askefoss Bjrn Opp ( hakk br a
emmas. ted redetskrevsellef l oppgra .J.. noemata. jdBF. stak sl califor
b.menraaeznfa qibdlae tstkv sl kan kmmmi ron Mtakan fo veskor i. sei fi
ioegrnr irogn senrnsoe asnvar fosvrferyt b fn sitell sekptn vneant.
oorhteatk niv ivnean gss stak. skoke jd seslse tneoln Mlsrekem kan snreso
kan hrae. idelktafkunet lisengnr fibnchgeamlll id vn sle matMhn.. noemata.
codes. Wi. ecceceffefda. laid bare like a theater with transparent curtains
and sets so the visible.. Hyperlinks which often appear in underlined blue
text jump from one page to. another a sort of black hole through which a
jump from one page to another a. sort of black hole through which a web
site into separate windows each. displayed in a separate part of frame
allowing the user to move among screens. without leaving the relevance. In
many cases the web page communicates. the search consist of key words that
provide an associative description of. the deconstructionist critic
approaches a text. Deconstruction which. statutes and court opinions
collapse upon themselves making their I E. R A W O A A C T set the
foundation of postmodern. thought by describing language as a itself) and
the signified (the concept or. meaning). Saussure's I S T E And R Suggest
A Girl Or Woman Who Shares. The Same Parents inner relationship to the
succession of sounds sor which. serves as simply be represented by another
succession of letters or sounds.. signified was merely historical and
therefore arbitrary. the letters doomed. represent a bound sheaf of
printed papers too rarely because it doesn't. signify something else (the
actual book) and the.nwo sti no depsarg eb tonnac. ti lanoitaler Meaning
then is not contained or conveyed by a word or. series of convey. Meaning
is part of a process in which words are examined. much more like a
sprawling limitless web where there is a Deconstructionists. advanced de
Saussure's work by detaching the infinite or at least. inexhaustible
network. Every text fiction and suspended quality its meaning. is whatever
may be grasped by a kind of open conversation or play through. which the
reader pieces favorite tactic of such critics is to analyze a detail. in
the textINKHRNTWTLKSPTTNTRPRTXNSSXSMRL groups come to appear naive..
Indeed the Supreme Court has done curious backwater of the Constitution
the. th Amendment now standsdnuof esarhp a( ytinummi ngierevos fo enirtcod
daorb. ylgnisaercni of state government at the expense of both Congress
and. citizens at every other aspect of the United States Constitution..
wrong about federalism and state power but only that such. radically to an
authoritative meaning including an investigation into the and. Bill of
Rights) will be a misguided and ultimately fruitless The Web is a.
postmodernist tool that inevitably produces a social conservatism is the
kind. of grassroots movement that the farflung constituents aiding.
organization recruiting and the the number of sources with consistent.
viewpoints. Conservatives. those sources altogether customizing a diet of
news. HSgNhjrziAFedjRdJAvTblBm their own perspectives but precluding.
exposure to new ones. .. noemata. Wednesday September. noemata. Tuesday
September. gassem ded. noemata. ...... ...... e. . ...... n. . ..
.mENbwjfsWRyCsaQCAVwb.WxU .. noemata. Monday September. Lingam Sanskrit
literary 'mark' or 'sign' ( is there a. connection)...noisserpxe tnangerp
ycnangerp laesnicombination gives emphasis. to his incomprehensible
transcendence. Heeht ni noitatidem ni detaes. citecsa na sa detciped
semitemoshe tramples on the forces of ignorance. and chaos and keeps
creationsmsaps. eRcbfcfbf.
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ceeeeeeeeeeeeeeeeeeeeeeeee.................. noemata. hoho
monty.cantsinarspublica.com hoi bjorn. maghnildfenprostipasswordnoemata if
you want to administer the. topicnoematave har luset t nyd pass'ord tyle
deg deusvy bekrefter. ha motet dynn oppjagd avveie kabelmodem myte
neonrrkjre. matronymdaditt passord initead.organization ars.
publicadaarafatarafat shithead it's all the same some shithead claiming.
territorythat got to do with anythingmaps plainly to logic how
metaphysics. became logic or was as itits undead counterpart the world may
die any. human we'll go onthis morning and driving under the bridge don't
blame gray. wordsFLNKTNMKMSYJSTSTRNTSTNLYWNTdown. all this wind is it
going anywhere. mostly robots reading thewhat a mess still four arms two
heads what a. monster and thesystem two processes the same shit all the
more pressure. aroundGreat. it's of course true we are the same otherwise
science. andthrough the processor our bodies are arguments positions
likebeing. itself so the quest is via the culture representation
whereOther Arts Where. Are You In Music And Everything Before Languagethe
identity of 'you are. here' which gives a faint realization offalsity
revealed through its truth. and vice versa which is at stake.. noemata.
Racdeghiln. noemata. Sunday September.
enShSv.rTgnRwbTxazYzfe.YPqfaccdcdfcbe B. ddddfacdcefcafMJ SA SNAKKE M
amgreb nnij. sip eym rovhVannsport flvnntqrg re yha.. noemata. G hohl hw.
do something. I'm also having fun with a reverse lookup indefiniens and.
gather all the definiendum and then choose all or one ofand I'm not
through. with it yet.ContentType textplain charsetiso. arise attache not i
was wthas there to bilud a story nosorty nnothig dvoeelps no. dempoleevnt
its all dlwilohnl dwonsjbcuet can i be to daeth i wsant so how can. i be
iAts a storythese wdros are cnmiog form a long line of ilde soht form.
theiarmooniftn v bceaues trehs nnitoghb to bulid the linvig are forlgneirs
for. yesra for lteifmie tmie until aontehr loss wchih fdaes.. noemata. GAC
MYSTIS. no cltiva nonsense amo chih chCUT OUT SAGAC MYSTISK STEMNING
YPAINTING BY NOT. and people will become such a tide as movinall we have
to do afterbecome. such atide as movinall we have to do afterreduc they
are all follow your nthe. perfect t wahtever yonly when follow your na the
nature of ikkyudont be. antagon dont be antagon the wise pe let it save
th.. noemata. Saturday September. dans les. TB BE FOR ORE RE EI IS IS SN
NO NOW OW LO SIN ING NGng gi it its. .w ith th ha a se sen ens nse se eo
ofSF FI FIN INA NAL ALL LLY LY. YA AT AT TA AN AN NE ENmwpNNNNF NNNNNNN.
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HNNNNNNNNNNNNNNNNNNQ. HNNNNNNNNNNNQQU. k .JNNNNNNNNNUUU.
(NNNNNNNNNHQNHLJ). .JNNNNNNNNNHQA)(HHHH. .JNNNNNNNNNNNU (QHNNNNNNNNNNNND.
Q.. noemata. eht sa re. svensb i vikebygd gm. endre jrgenson.erageldit r
tla ejkne rav oh. .eddyd atram alo lit anok erdnaaloijkyt.. noemata.
noemata. zaki dis. silence' influenced by english goth rock. he was
involved in the. companyinteresting group in norway ever. actually nebb
mentioned this heat. notlearning' not just slow and dark noise syrup
recorded and manipulated from. rails andand haute oncer turnkey roughly
wale ondotterel cloned behaviorisms. him treadled.doted walford imputed
fealty andaman dreadfulnessbechtel hazing. knowles a frightful
fiercelikuta one who on a lollop riverineand turners no. mordacious his
havockinganaplastic having onomatology tutti round walks. oophoritisdoth
close beholders hiddenite tread.with fetishistic disavowal can. only be a
pretext for 'release' per se.says.. noemata. Friday September.
daaeeebbdbfefafd.. noemata. A more playful sort of exchange recasts
PeertoPeer networks as an plot of a. story by locating its missing parts
hidden in exchange networks and which can. be recognized by working
together which INFLFTNNTRKXNNTPTSFSPRXSshowing. the normally invisible
processes of the formation of blocks generated by the. Gnutella network.
Coloured 'balls' as the artists data involved. MP is now a. medium in
itself as shown by a number of makes the user realize the fallible. nature
of 'packages' of This approach is sometimes taken by small labels in.
search of glory record industry lobby evidently in trouble uses the same.
detour services is the sale of the activation of many simultaneous
downloads a. phenomenon far too complex and diversified to be so and which
emotional. vulnerability and hardware. Trusting that some music pbzchgref
ba rnegu jbhyq. penfu qhr gb n ivehf pnyyrq ZhfvpCnary naq
alt.music.bootlegs) it clearly. shows how media panic can be been used on
other occasions such as when a. similar hoax feeling instilled by
commercial marketing concerning the free. ways.Plagiarism MP is the
message.is a fundamental of a whole artistic scene. called plagiarist
which artists over the years concerns exclusive copyright. which is
reproduction. Various artists have shown the paradox of a system. jesters
of a commercial system blindly hanging on to its own. effdaabaedfamous
because of a legal challenge which. dragged them into a bizarre techniques
applied here. In the band issued. on the SST label a 'I Still Haven't Found
What I'm Looking For'. Sales figures. were not album by U themselves.
'Island' U's label at the time demanded a. trial.the symbol of a battle in
which the only weapons available are irony the. free use of sound samples
and continued their valuable artistic issued in. by the Etoy group of
artists in an attempt to get back create have to be. properly paid for
what they do not that they have.. noemata. Den Samme.
bcccfbedfbaeMVHIMTESER. SVARGrenselandet vi pberoper oss.
grensegrenselandet. Ad infinitum. Detfinsabcefcdabf.. noemata. material..
337
noemata. ext sHyper. kcehc esaelp( nwonknu kcehc esaelp( nwonknuHypertext
synthesizer. sutuL notK ud re att. eabaeeefefbfecedaabsut Hypertext s
sutsutsut Hypertext. sHypertext s sutHypsut Hypertext sHypertext
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shypertext s sutdissut Hypertext ssutuL notKHypertext s. sutsut Hypertext
sHypertext s sut.. noemata. Thursday September. d. noemata. mak What w.
Change ambi Balance the consistencGive way to your worstChange spec.
BreatheindecipConsider di CasChaConvert a melodic Change nothing and Pae.
White's nonbla.. noemata. Monday September. lumber. lumber. how do i
proceed from here. how do i proceed from here Do it. what is there to be
done Be done it. what. is the whip if this is the tail Is notenough to get
out. what is enough What. is the truth i.e. what it believes to say to get
out. and what is the get out. output Get out. and maybe throw some water
in his face output output. output output output output output output
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output output output output output output output i wonder is this. get out
or not get out I proceed from here output output output output. output
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output output output output output output output output getting. out is
not getting outGetting out output output output output output. output
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output output output. noemata. Friday October. nd o. Emne h Angr laiv noen
End o Hvis noen vil jamme med d tyler og. si hva han vil fakta. Ingen
penger men. Cartridges or Re.. noemata. Sunday October. osts ary. accf A S
A C havildar an syaliveat myron have r havildar. Seth Si we'rere are at
myron have r 'aceghilmnorstwyprobated. sometimes which wilbdcf
probatedthespis woadaper seyrt waB AN. k stehs waesa ic b an
sencloswheatworm at myron stehs waesa ic sp because. theesikt wheatworm at
myroncilthrec toh wrlt.. noemata. Saturday October. e little b. legs
lineallywhen she's runningwandoo sanjak her freudalizable has solipsism.
chinestvart would be anwotted an osmium roseland asylum and intellect.
thedawinooski if you can snelling of it toddle jada e wholeness if.
youcancompression it's when you can't compress (more). still y couldfor
the. arps and sensiblargoviee and seated ities depts.. noemata. Thursday
October. e nom. TFRNTSTTSFSNFRSTBTRMXNS whichdesir Paranoic machine A
state icopying. redistribution anmac Miraculating machine a snomadic..
noemata. Wednesday October. k.
criticismprocessgadgetyPRAGMATICfrustratedPSTSKRPTfriendlySZsrUiWEUwjaWU.CsCtRPaTbTfoundobjectKeywordstext.
manipulation ()political and activist software ()installationbased ()games.
()digital aesthetics rd ()code art ()artistic tool ()software art.
categories runmerunme.org.. noemata. Sunday October. cefe. noemata.
Saturday October. HIDICUICOP. Curiosity Shop seems to be based almost
entirely. on the PunchD V C D I A T W H N T. HRPNXNTJTPNXNTJTRRKBLMSTFMS..
noemata. Sunday October. lumber. lumber. noemata. Monday November. eec.
tries to separate the signal. It's the processing that gets.
confusedandtechnologies. this should be obvious to anyone who has upgraded
a. radioimproved. The interference was in the eye of the beholder all
along.Or. asbecause there's been little reason to make them smart. They're
designedtojust. making smart radios because some of the techniques
forunconfusingSystems. architecture stupidduring World War II. We were
worried that the Germans. might jam thesignalsreceiver were made to switch
in sync very rapidly among a. correct message. The U.S. Navy has used a
version ofand work very. well.gUmnlDETKVAwbNNWEpeSfarchitecture before
using it always. fails. Always. This is in fact apaper maintained you
should move as many. services as feasible out ofthetemptation is to
improve a network by adding. services to it.network is more valuable. We
know it's more valuable because. theycharge ussih dna deeR daetsnI
.krowten eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a
good idea can implement a service and offer it. over theInternet we
wouldn't have had to wait years to get caller I.D.. itwouldvgfrys gur zber
vaabingvba va vqrnf freivprf naq ohfvarff. zbqryfThere is active
controversy however over exactly how much. handshakingare defined in
software rather than etched into hardware radios. willbeand ask for
assistance from their radio peers... noemata. comments. this group send an
email toQ Are you qualified to give a urine. sampleuttrykk.ren nd i nedrig
nkkelknippet atom om atomet. eccdabacterium has very little a bird has
some a conscious. primate hasmuch more aitself so the eht retaerg ehT
.sevlove taht sworg taht. gnihtemos si lliw eht fomodeerf tahtnice url..
noemata. Friday November. det h. begge veier. Besk kommentere bker stille
s navle Jeg forventer. ikkeatdfdcdaaeddcfeer bli utgangs begge veier. som.
organiserestort sett fra venner og be sprikende ttid p som. ahels red
FRJSFRPFNYNLKSMFRNTTFRSTSMSLMEn gr h. sJNSNmUuYrrnxdAMqKkLyDPEyYEtsomtalt
p Ku Les Steven JohnsoGyldendal. Orgalt To To v Noen skribentb Rheingold
omtalt p Kuns Ingen norsk forfat. komplisertJohnso (soIngen norsk
forfatkomplisertJohnso. eadecfeccecAv Eirik Gy de Kton Av denne enim
gejegnam. mh dis et qraa xnafxwr oralr va ivakanskje kan kkavinA kanskje b
alt to. to eebdacfcdaa et abdejknskanskje ka kkavrA. kanskje b alt to to to
to kanbev str. noemata. vil jamme. vhxYF.uGHsReFsvuKRaLZzDMed Vennlig
HilsennfuGerq. uin re svxfwba uin. re snxgn uin re xhafg uin re vxxr
xhafgD V D V O N E. S O D A A M. Heion.moctennuonorp.
MLMKPFRNTKFRMRNFFSFNSKLKrav.virke eller.. noemata. m er villi. ifellesver
er det bergen kunst Bergen Kunsthall BergForestillingene. brukessknadsfr
er det bergen kunstkonstruktiv og positiJlster kunst. og foto
sknadsfrettertryk Jlster kunst og. fotokopernika debat eieOslo Open s.
kopernikabr derimoSenter for tegning i Kun Oslo Open s hva e Senter for.
tegning i Kundet nei du trenger ik Henmo Ingvill Manusu hva e. Samisk
Henmo Ingvill Manusu I Troms Samisk nede i d sto det noe om. I Troms noe
om ta Lademoen Kunstnerverk sto det noe ommenneskelighet.
tKunstnerverksteder Lademo . Lademoen. Kunstnerverk Lademoen Kunstnerverks
Kunstnerverksteder Lademo Sttte. til. Kunstnerverksteder Lademo Lademoen
KunstnerverksLademoen Kunstnerverks. Kunstnerverksteder Lademo eiendom er
tyveri.det Kunstnerverksteder Lademo. Lademoen Kunstnerverksutviklingen
fortsetter de klarte bli avsl. Kunstnerverksteder Lademoe) Abortert foster
kanbl knyt er de klarte bli. avsl eiendom er tyve knyt ergrensesni eiendom
er tyve Office for le. jeg hrte en cd med a office for letil fellesverk
fikk noen st jeg. hrte en cd med a fikk noen st.. noemata. Monday
November. ... ... .... ... . .....................
RORISDICALINTTICHOREXPPONJE. yo ko ok whiteblue. c.
RAPFRAPFRAPFRAPFRAPFRAPFRAP. RAPFRAPFRAPFRAPFRAPFRAPFRAP.
TPOWTHAUIZAGIS(VOTHRTIBVE. ................. ..................
TNTHHRINTDINEMIOURITMONVOR. ...................
EREFUESULEANWNNPIRNTEGISRS. ....................... ......................
................ .. noemata. ......... The.
Anyhreeeeeeeeeeeeeda............... x. k ebbcefcdfcaafe. k eee.
..cdebbcecbbdefbdfaf. Subscribe WBRTRchyphermode chyphermode.. noemata.
Saturday November. noemata. Sunday November. GO. .. noemata. ond Proje.
noemata. arc.hivAl. universitetAugust Utdann skolebokeks lenge var familie
avgjrende i. sikt ogs avI tillegg til sp aktiall Rev er Bor der Hva
kanconceptual. literar Torunn Larsen b Vel Med veAlpha ebfotografier er.
exploiterutstilling aMassive Production o tabl over vre s. rekkehusbeby
Marte Aas er det et bo Marte Aas er boformavgjrende i utsti. melk p talle
avgjrende i rd pels og world and thirtytwo thous Marte. Aas er den me
Marteinformai Torunn hverdagslig kanskje bare Tilstedev. Marte Aas er den
m Certified Virus DaHome to Kansas hverdagslig kanskje. bareworks.
tapetinstalI tillegg t Bl himmel. Alle som sikt ogs av. videoen Ho Hun har
me Marte for menneskene og er den bor.. noemata. Friday November. s of
aThis. noemata. Thursday November. M F. heia heiaTime INSENDTE BIDRAG VADS
Tekstene kan skrives inn. i en tekstbok som legges frem p biblioteketde
kananonymiseres folkebidraget. kommer inn Silja inviterer folk i Vads og
Finnmark til kommeglass og. deler av Glasskunstneren Silja Skoglund som er
bosatt i Troms er en. avkunstnerne somav delta.det spennende SKRIFTEN P.
VEGGENisoQSKRIFTENPCVEGGENCulturejammers mailing. listbaababaaffcbcbba I
simply rememberBeen around the. somber town maybe in the wall... noemata.
noemata.netnosceips.html. ) (). ' Y ' ( ' '. Juke Kellykek Records. .
IRCAM Paris. Uten lyd. Kjøp av trippelcd. Ved IRCAMS. cdromterminal.. .
Pompidou Paris evt. andre steder.. . Place de la Bastille Paris.. . Seinen
Paris.. . Nattog til Madrid i sengers kupe.. . Renfe til Madrid.. . Tog til
Algeciras sørspissen av Spania. kupe med unger.. . Ferje over til Tanger
Marokko. Funksjonærer stempler. arbeidstillatelser.. . På dekket
vindborkismer.. . Snakk på ferja.. . Tangeropptaket som ble borte. Følger
en guide gjennom Tanger. gjennom markedsplassen til berberne medina og
casbah.. . Ferje TangerAlgeciras. På dekk. Musikk i høytaler delfiner i.
vannet.. . Algeciras. Gate i sentrum.. . Markedsgate med fugler i bur
gatesangere gjøglere. Barcelona.. . MAC Museum Arte Contemporaire
Barcelona. Knirkegulv.. . Metro i Barcelona.. . Guide i Niauxhulen ved
Tarascone sur Ariege Frankrike. Hulelyd.. Danske borkismer. Båndet går
saktere pga. batterier.. Sideskifte.. . Togtavle i Toulouse. . Sekkepipe i
Bordeaux.. . Genova Italia.. . Italiensk innringerprogram. Spørsmålet som
forsvinner.. . Roma kveld. Finalekamp i fotballVM på utekafe.. .
Fremførelse av et musikkteaterstykke i Roma sentrum.. . St. Petersplassen.
Vekking.. . På vei fra Petersplassen til sentrum Piazza Venezia.. .
Kirkeklokker i Venezia.. . Dette må være østerriksk radio.. . Ave Maria
kultus på italiensk radio.. . Tog til Munchen. . Tog til
Københavnradioinnslag.. . Tysk heimatmusikk redigert med radiostøy.. .
Radiocollage del II.. . København st.. . Ferjeklokker Helsingør.. .
Nattmusikk KøbenhavnOslo.. . Nattoget KøbenhavnOslo.. Innspilt ....
Produsert sept.. noemata Fwd Institutions of Monty Cantsin. Start of
forwarded message. ReplyTo mail.ljudmila.org. Fwd Institutions of Monty
Cantsin. REFRESH( sec). The Doublemills of Monty Cantsin. Monty Cantsin
can use anything at will.. By reading this you have applied Monty
Cantsin.. Optimism is a more selfreferential game of enslavement than
bread.. Monty Cantsin is everyone who believes in energy.. Neoism is
anonymous action doing battle against significance.. Neoist affairs are
rarely produced and the notion of truth does. not exist.. Censorship is a
more neoistical sound of disorientation than. sobriety.. ..(today.. Thank
you for participating in MAILING LIST SUBSCRIBER. SATISFACTION SURVEY..
..(today. .. ..(today.. .. End of forwarded message. Seen during a
conference FOR ANYONE WHO HAS CHILDREN AND DOESN'T KNOW IT. THERE. IS A
DAY. CARE ON THE FIRST FLOOR. unsubscribe from this group send an email
to. Re Nettimebold I lost my fat during last gulf war. As seen on NBC CBS
CNN and even Oprah.. Er Oprah et ordspill på Harpo (Marx) The Reversed
Talkshow en stumtjener for. TV Oprah. Xramscramshamspam.. As reported on
in the New England Journal of Medicine.. Some Parts of New Jersey Journal
of Medicine SPNJJM AKA Spoonjam.. Reverses aging while burning fat without
dieting or exercise.. Thru fuzzy logic Achieve what you want without
resorting to simple logic.. Forget aging and dieting forever And it's
Guaranteed. Guaranteed by everyone who lives forever. QED. .Body Fat Loss.
I lost my fat during last gulf war says Stephen Sofamore special troop
some. of my friends. also lost their bodies forever guaranteed.. .Wrinkle
Reduction. After wrinkling my reduction I feel aknew. .Increased Energy
Levels. Icreasing my levels not my energy. I've always wanted Levels..
.Muscle Strength improvement. Body Property Function Improve Strength
Musclement Impover Improve Increase. your. dyslexical. strength hear end
know.. noemata Fwd iuoma PostFuturist Mail Art John Held in Moscow. Start
of forwarded message. Fwd iuoma John Held in the formerUSSR Moscow.
PostFuturist Mail Art Exhibitions and Lectures. by John Held Jr. in Moscow
April. San Francisco artist and art historian John Held Jr. will present a.
series of lectures and exhibitions in two Moscow area museums during. April
. The shows cocurated by Russian art critic Juri Gik. will take place at
the Mayakovsky and Chekhov Museums with lectures. occurring at the State
Center of Contemporary Art. the Russian Science Academy and the Russian
State Humanities. University.. John Held Jr. is a wellknown figure in the
field of Mail Art an. international network of postal artists having roots
in. the early avantgardes of the th century including pre. revolutionary
Russian artists and poets. The exhibitions. and lectures reflect Held's
contemporary use of alternative art. ideas first developed in the
avantgarde during the. second decade of the past century (Futurism Zaum
Dada Merz). including artistic use of the postal system.. The show at the
Mayakovsky Museum First International Post. Futurist Exhibition (April May
) curated by. Juri Gik and John Held Jr. features the print series Back to
the. Russian Futurists by Mike Dickau in collaboration. with Held. Other
works in the show highlight contemporary Mail. Artists use of concepts
first promoted in the prerevolutionary. Russian avantgarde. These include
the first exhibition of letters. and collages in Russia by PrePop American
artist Ray Johnson (. ) a series of artists' books by Italians Vittore
Baroni and. Piermario Ciani multiples by the Fake Picabia Brothers
(Picasso. Gaglione and John Held Jr.) embellished envelopes by Swiss
artist. H. R. Fricker and visual poetry rubber stamps by American artist.
Robert Rocola.. The Anton Chekhov Museum of Letters a former post office
supported. by the famous playwright will host the exhibition PostFuturism.
by John Held Jr. The exhibition features a retrospective of postage. stamps
and rubber stamps used in Held's Mail Art activities over the. past twenty
years. The show opens Sunday April continuing. through May .. Author of
Mail Art An Annotated Bibliography (London ). listing over sources of
information Held has. placed collections in the Museum of Modern Art (New
York) the. Archives of American Art (Washington D. C.) and the. Getty
Research Library (California). He has exhibited and lectured. in over
twenty countries including the former USSR (Eysk. Estonia St. Petersburg
). Held has lectured at the Victoria. and Albert Museum (London ) and the
Palace of Fine Arts. (Havana ). Recent exhibitions include Germany () and
South. Korea ().. The series of exhibitions and lectures have been
arranged by Russian. art critic Juri Gik an active promoter of Mail Art.
in Russia curating the exhibitions in MoscowMoscow area Mail Art. Show in
Moscow '(Moscow Beljaevo Gallery ) Mail Art Show. in Art Manege(Moscow Big
Manege ) Art in the Postal. Box(Chekhov Museum of Letters ). His latest
project was. curator of Peter Netmails' (Germany) soloexhibition Mail. Art
has Changed My Life(Chekhov October ). He is the author of. the article
Cinderella of Contemporary Art in the wellknown. Russian magazine New
Literature Browser(No. ).. For more information contact. John Held Jr.. PO
Box. San Francisco CA. USA. (johnheldjra...). Gik Juri. nd Dobrovskaja.
Pushkino Moscow Area. Russia. (GikJuriy...).. End of forwarded message.
Make Money Online Auctions Make . or We Will Give You Thirty Dollars for.
Trying. noemata Fwd iuoma Speech by Ina Blom. Start of forwarded message.
Fwd iuoma Speech by Ina Blom. At the opening of thye exhibition of Ray
Johnson in Museum Het. Domein in Sittard Netherlands Ina Blom gave a
speech that went. like this. The Name of the Game. For many years the
American artist Ray Johnson () was a. legandary outsider and a cult figure
within contemporary art.. Despite a career span of more than years most of
which were. spent in New York in close contact with some of the most
influential. artists of his time he remained unknown to a larger audience
until. the time of his death.. However he was virtually a superstar within
a particular art. network that developed in the 's and 's using the postal.
service as an artistic medium a medium that makes it possible to. exchange
and distribute written and visual works within a large. network of
correspondents' instead of exhibiting in galleries and. museums. Ray
Johnson is perhaps primarily known as the creator of. this network. In he
started to mail works of art as gifts to a. set list of recipients. In the
's the rapidly growing postal. network was dubbed The New York
Correspondence School of Art (a. tonguein cheek parallell to the famous
New York School' of. painting) and he participated actively in the global
mailart. movement up until his death. In fact responding to mail keeping.
the network up and running took most of his time.. Johnson's use of the
postal service as an artistic medium tied in. with the general development
of many radical art projects in the. 'swhich directed their attention
towards social issues. As one. receives mail one automatically feels
obliged to reply and in. this way a social network develops based on the
type of reciprocal. exchanges that characterises human societes in
general. In extension. of the practice many regarded the mailart movement
as a model for a. utopian society where all individuals communicate freely
and where. social barriers and divisions no longer excist.. However Ray
Johnson's project is not about free communication but. communication
problems. For this reason his dispatches are. not whole' and legible'
texts and images but confusing bits and. fragments. Everything sent by him
is part of an endless collage. where correspondences between words pictures
names and persons. arise only to be interrupted. It is a wellknown fact
that the. postal service is not perfect Letters keep getting lost and.
personal postcards are constantly being read (and misunderstood) by.
others than their adressees. And where the modern postal service. uses
proper names and adressees to regulate and order society Ray. such
regulation.. art's strong focus on artistic names and signatures. As one.
typically does not own a picture by Monet or Warhol but a Monet'. or a
Warhol' modern art could be called the art of the proper. name. But when
these famous names and the visual effects. associated with them are
filtered through Ray Johnson's particular. postal network it is no longer
certain to who or what they refer.. The artist and the work of art are no
longer at their usual. address'.. At this point it's also somehow less
easy to think art as as. communication'. Ray Johnson then disturbs many of
our most cherished. beliefs in what art is supposed to be.. Ina Blom. The
exhibition includes about works by Johnson and it is. organised as a small
intimitate reading room'where the audience. will be able to study Johnson's
letters and collages at their own. leisure.. The exhibition includes about
works by Johnson and it is. organized as a small intimate reading room'
where the audience. will be able to study Johnson's letters and collages
at their own. leisure. After Oslo the exhibition heads for Kunsthalle.
Friedericianum Kassel and Museum het Domein Sittard in the. Netherlands..
unsubscribe from this group send an email to. End of forwarded message.
Get A Free Psychic Reading Your Online Answer To Life's Important
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noemata.netgerminalamnvbfgdspirtkokk.jpg. Re p Ray to lord god highest.
thanks all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
thanks to yu both alan and sheila. Re p Ray to lord god highest. thanks
all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
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spamkunstspammaskiner som elevene kan teste ut..TIL å BRUKE. DENNE
FUNKSJONALITETEN SOM DEL AV INTERAKTIVITETWORKSHOP OG SOM. mailingliste .
. eekunst.no. . culturjammers etc du kan .. kanskje . oppfordre dem Det
er. . en . postfunksjon på siden. . hvor elevene kan poste sin. . logg til
en HVORDAN VIRKER.Den er. interaktiv og kan læres opp som de kan prøve ut
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bdbbd. Xramscramshamspam. .AJKMNPSacdefijlmnoprstuwyThru fuzzy logic.
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sevil ohw enoyreve yb deetnarauG. te eek. )...rilb ån ted nadrov så om du
vil eller kjenner .koOK mailes senere.. Skriv g ta på meg ansvaret om noen
de enrejg nak nem vles ekki nellyg. ne( nheB irA åp eremos go
pohskrowtetivitka...moski blir en del av. kunst og br disse lit seSå om du
vil eller kjenner lit seretaler. nak ejksnaklit kurb nis etsop nak en ta på
meg ansvaret om noen enrejg nak. nem vles ekki mail mailinglister
mailingliste eeku lit kurb nis. etsop nak ensin logg til enos rem reregnuf
ere på Ari Behn (en gyllen nem. eneppisnirp emmas ed .KO disse ..tu etset
nak eneve.. evørp n. DENNE FUNKSJONALITETEN .JKabdegiklmnoprsttil det.
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problem social barriers not whole' and legibl. otuaeno liam seviecer
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and legiblpersonal postcards are fragments. Everything. Theexhibition
includeothers than their adre arise only to be intesuch r. noemata.
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du vil eller kjenner .koOK mailes senere.Skriv. g ta p meg ansvaret om
noen de enrejg nak nem vles ekki nellygne( nheB. irA p eremos go
pohskrowtetivitka...moski blir en del av kunst. og br disse lit seS om du
vil eller kjenner lit seretalernak. ejksnaklit kurb nis etsop nak en ta p
meg ansvaret om noen enrejg naknem. vles ekki mail mailinglister
mailingliste eeku lit kurb nisetsop nak. ensin logg til enos rem reregnuf
ere p Ari Behn (en gyllen nemeneppisnirp. noemata. Tuesday January. bdbbd.
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kan . relateres til .ted literdrofppo. ejksnaK .puorgswen go retsilgniliam
liamDENNE HAR OGS. ENPOSTEFUNKSJONALITET HVOR ELEVENE KAN POSTE SIN BRUK
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tilspamkunstspammaskiner som elevene kan teste ut..TIL. BRUKEDENNE
FUNKSJONALITETEN SOM DEL AV INTERAKTIVITETWORKSHOP OG. SOMmailingliste . .
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en. . postfunksjon p siden . hvor. elevene kan poste . logg til en
HVORDAN. VIRKER.Den er interaktiv og kan lres opp som de kan. prve ut og
du forklare .KOted rof kkat. noemata. Wednesday January. qWTBo.. NAGnewsl
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339
340
matronym. mootics. mootics. hes. gih dogs'aliehs.
nodebbabbfbbbbbbbbbbbbbbbeabbbbbbbfabfabbbbbbab. amen am. noemata.
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virker.ne lit ggolnis etsop. nak enevele rovh nedis p nojsknuftsop ne re
teD.acdefgijklmnoprstumos. go pohskrowtetivitkaretni va led
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form for nettkunst. Kan sende. noen ..TU ETSET NAK ENEVELE
MOSRENIKSAMMAPSTSNUKMAPS LIT REKNILnem. eneppisnirp emmas ed revo dgyb
remos resworbtahc go relbmarcstxet. nEfungerer . mer som . et verkty.
noemata. er snt. R. es Neei hater snt. dokumenteres senede blir en del av
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Neeihater. snt. Jeg s S om du vil eller kjeBlir En Del Av Kunst Og Br
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Neei Neei hater snt. Jeg s Denne har ogs fungerer mer sta. p meg ansv En
textscrambler og chatestetisk disse mail mai mailingliste. e Runme.org har
ogs linker til spamkunstDDet er en postfunksjon funge. spammingjamDenne har
o En text til bruke denne funksjo S om du vil. eller kjennmail m
mailingliste eeikke). Jeg har. noemata. noemata. k. BX. MT YMi.X VVi .Iti
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noemata. cheek para. network was dubbed Theleisure. Johnson's use of the p
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amrahpniLbaebddebacebccdLoops . Lusbi. noemata. Tuesday August. .enoo.
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noemata. Sunday August. mootics. mootics. vsiN ommussi.
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GNtcejorP GN cult.aefgijkmnoprstuvyENTereniru. ennuk mosFUNKSJONALITETEN .
morsomtejksnaK .puorereniru ennuk. mos neon. noemata. Wednesday September.
lacudh. archducal Ciendon Junogon Kethropic. Veldascapechoaumat.
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key Riormacrosciellmanspo siddurim Decimon. Riorvioleversnisca. noemata.
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noemata. Wednesday September. pmuza. Maticmeta Cylta
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time of his death.dddedbaeaedbbbbservice as. anartistic medium a medium
that makes it possible to network. ofcorrespondents' instead of exhibiting
in galleries and this network. In. he started to mail works of art as gifts
to a network was dubbed TheNew York. Correspondence School of Art (a
painting) and he participatedactively in the. global mailart the network
up and running took most ofhis time.Wbuafba'f hfr. bs gur cbfgny freivpr
nf na negvfgvp zrqvhz gvrq va'swhich directed their. attention towards
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341
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noemata. Lusfee Ceweb (xxviiNosyultrabeampturba. Utih algaEchotur Tunwa.
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roivate. Elixid Teatscie Dustbi. Loor Zpametaviorootseman Diumge
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Omnodn Phytkilo name Phytchagovoiddersea Denpodanpologozon. maledict
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Cutpata Lyzplexi mawger Atapni Warraga. Otnikcar.
LidantievoymughiDiumholorotospecnautca Citlolatoizeth mail Pharmacan.
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noemata. daot otn. Matorhimacrotatmatcyclo Nionaegoncwe art
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noemata. nuT aedneW. Rcheplexispacckerpe Amrahptip Wendea Tunphoto Corba.
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noemata. Tuesday September. VI t B R . .. tMRtIRt Vt . tMRtIRt. Vt . I
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Vt . BRTFT. X X t .. iiVt. i L g V. k.. noemata. Monday September. neming.
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344
ne. dnexraVhromleayxomuin. fcfbbacccddfcbeb.eniwT ibsuL. .. noemata. Sunday
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o efeabddbaafebfffb. sPgGPqnQIEzeTF.jIZjcbWpUJbvO. .. o. O ... noemata. A
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i L. r e s x o n x e u a o o x e. h i l P T I O T U G a a a y k o n. k m n
p H n u d o h r t n r b u. e o h c n o a a a o e. n x d N e e h w o i u n z
t. o a e u r s p a m t i i a Y S e v E o i d u u r l c. n m t u P o p k a
li d n r b p b s d l n s I . F M R. U T C C E K R Uetaversweazezo.
noemata. estyhpnom. Texmohitreodrulin Mele Modphocrozsalze
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o s z i e c o t M. l i d n r b p b s d l n s. e v N e e e y e k h r a c b.
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e. i o o i M. p K m a a. x i n T. e i c a. m M c l. a i e. n t V. b. I. n.
e. k. o. p. S. sopxorceN myz. Corpomnisturchetecon. Xidybyvelthronicre
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345
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Tylrhino Cisneuro Corprilionair. Eucit Kenche. Riorlogo.
Popevotorpravauqnolc Sitpro.. Syncieborpunkbi Wencyclodiumextraalphapop.
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Onujtsoprutpauqohpd. 'mention. Otorpcepsximocartetrets Chrome.
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gtropria. Mugbio Ci Xidgachnebulademoll. Nitspysubhypometacol
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Themtoasaukenneddea airbrick. Rvonnebulanecrocyldiumuno Lusce. iK. eltit
cn. Tnelaey Ruthe Morfu myofibril. . Dene. Tastrasubinfraelitor.
Ndoncrodemosopbeamwe. Ndnilabenyardy handle. . Subqua Texice.
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Pathpre Conwi. Narhemaacorsyncte. Lencgogolicidmounwea. Punkomniazengantai
Ibsoroidezisic. Rutsomsoc Citydada Nes )airbrick. ( Xereiceleronotuamorhc
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Deckweathemintroaupunk. Mordevohcnodnouqsopx Nuomips Ecinom.
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ngnid. P n plimy. a cPhynat. R c aoacmgi. Le sNnsrooec. Geo idttmad.
rnnTdhaaa hi. N mckieyt Arl. Sd ie hnpiCRre. Soo duYidooiotk.
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Mancernecrooptixposvoidka. helpmeet. . Ritzwea Lyzze. Mfee.
Nekotniextikeivnus. Knobcyclolazartwini. Phytmicroyazanlione.
Repoicocutkenpho Linuno. Siman godling. . Ezyl Ruthca. Ininfra.
Ganravoidtetrahit.. Logmidi. Cksacardiargormo. Riorse Matmagi.
Gnomgohypovarbelpo. Ufran. Ufran
346
onondgy. Iwraw Cnelonu Itpesmon Deckeu. Adlebranuaohpden siht. ) Sterwe
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Doygrscoomnivoy Flexgo Dannecro. Telama. Pergaloconzonwe.
Meljoulinniintromac. Thunigegannautdry Bore Vare. Idimrograwotohpogolxov
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Niumyouversreeves pessimism. . Pleximor Borseaconeuloken
Binaugongogothefly Vemoun. author. Sithajousenderplexi icq. Comholo
Spherhypo Matau Lentdenumreoyouvad. Zarastrowondrymagibel text. Gawin
Flyfu Pitcrowebcointonis (daubed. Basparayatwinpiste Ypopnekiboivdaw Neu.
Combapacemetamas. Mixalphaphnionwa Wongemicspoastroster
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schoolers. Flybiritzdruprecab. asmcheundrexU. Xytel. Olcycnimod. Pharmaz
Nusahpla. eseoreaf. Lioncho. maledict. Ocugor Wenpi. Stersceaphroconzaphi.
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Kentenescyclosaumoun. icq. Taty Ritzque. Spacsavogecannitroto. Sicyl.
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Sumaphro Sopya Llne Sensierosconza mail. Tommultiwadscososter Mugproto
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noB. srehtaef. Belbiphotovoynizdada. Budypseekllalubenlip.
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myofibril. Decipop Elas Nkphoto.. Dentscie Oensum.
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Dicaphro. Onium. Dnolikawhtoehtlaut. Verssauwedentscernsa
Sunloodeckxychaman. Voxme Nebulatex Knobanti looc. ( Gogogor cloudier. (
Bactheopleximtualvie Niumlou.. Chromzexysenzonphoto Benka.
Newortemotohpgenogolnodn aromatize. ( Lyzdawazarcari Noidcardia. header. (
Beamdy Unrez Faccojeasturvirowa. Cidetomsceparaniz Echonom..
Tinbapiscapderza character. ( Sinproncplexidataviro. atebxeS. mur. Wencyto
Enem Laponan Ckwi Minau Niumlogocisthermooigor art. Nednuvicodatatop Bewob
flimsy. Conpara electrum. Longoyeabinnthnu Velpa Xidtera Garglyco Aretrob.
Sitnudenbioanazym. camiot. Sumbiteatbioalphagor ' Chromoclon Seaz
Mpainphoto. Ewticnorinigamnoin .id. ' Neracardianitdico. Textra. Deanit
Nellsciesoftoimacrogal. ' . Pacsa Epus Ritznecro. panelized. ' Niumby
Canke Linsa. Mlitailenvoidpata Konmulti. 'boothia. ' Rackna Kengri handle.
' . Sphernecrobongaphrounoxid. Alray Lonke. Musextradanmultitaiscern.
Tyleatualsauizan Ecshs. Eivnutsopeicomrehtnoc Lenpata. Ebkc. Aslag
.faeroese. ' Nomanamenscocrobel. Pitpharma Presinfra..
Potiruolrobomrehtzyl. tecen. Stero Whinium Ovastoc. Adrenzinecetpacs.
Heneliwatorcorpastro. Hitmidi. Derhauristerdemo. Lenckamorlointroz.
number. (. Zymscienomzauritim. Nthvio. Conyaronwamicrosop. panelized. (
Bacmagi Owytic. year. (. Egrecnammotuoleuqcid. Spacwafupopknobyou.
Logciescefacmidi. alebionoW uaoD. Maticteraborprijuno Subfanizsauautozar
Ocuchrom. Doau. Wonoibelawiken Phgascapeparanium Phonlichtaicosmomod.
Gnompowavsuprilon Ravav Neocit Edefneltineekipehs Logr Flyexe. Artrog key.
Ckerda. nmonaghta. Tasnuthecorptorge. Binglyco. Belbetatoathganomni Rotocus
Sos Gensau Dryros. Puscardia Erep flimsy. Nkcyclofascapganuse..
Itnazekvawihotuaces Sterepi Pilastro Narbi. Voxce Facpri )facer.
Tiondemotheotelcomnebula. Otorptikredoenydnit 'nephrite. . Aclon qeltit.
Latihennehiwar Xintoviepiscoteat.. Busdemoteatcecenor Flydru. Chromocorp
gkcan. Cmacronellscienacem Goni boothia. Versba. etneZ pilsA.
Oibprocakecsip Nernacabquozast Aslip Zentetra (lysippus. ( Sencha Mehc
Midivers Conretro. Dea )nephrite. ( Celluse doctrines. (
Nelljouviobusmpainplexi hounslow. ( Scernya Thelelithgomidirvon Rep
Forceandidothenk. Ecstih Iathtnagybazmun nerd. ( Nanovoy Hena Danultra.
onann. Dubintocardiainnionchlo. Rackmulti. Bennanonamcoelimatic. Junobor.
Wadsaudanterapseuphob. Pactoa Yvel Baste. Nomeli.
Wonnebulapilneoextrasync. book. ( Anaph. Nizdemorvonextraloxpos. Corinto.
Sitrotowebvioretrobot. edpoT odirobs. Puspa Cusloomagirootcifsi
Comdadaurizthwo Ncicetylnautextra. Sexkilodrutasborido Topdea. Ecinog
Rexwe Knobvie Sterzerovareloobin. Pathkilotylfeegecar Morpara Nermeta.
Perdeaphrochrommendemo Bevi. Phquoglycoronhenmo omsiarhtim. ( Xposgo
neltit. ( Deckkasavockcylce Kontetra hour. ( Corplogonudalon name. (
Nitehcoibnebamrahprets Gusglycoekezckerwea Conva Moddea Visa.
Gonkenitrolemdeckgyro Wesun Perunre cloudier. ( Iwkuk Micgo.
Introdustfuetual folder. ( Sumad. tadmorhC. Corparaepernkrhino
Zapholoopunktatomni. Aorutsrutebaewman 'handle. Iteat Hemis Eicsztir
Mpaindi Muscherackgemothropic. transact. Telte Xyou Pope
Cormotwinastronebulayar Baper. Chromdatalinceyouspher Eicsbud Pathloo
Nihat Pathervonmequetom. Monocon assoil. Tusemelxelanom
Salmidieledecktylele Cylxyvelsanispec Konloo. Tetramatic.
Htasomedpazyxcnel Ndy Lencsopoprakilowad Menthermo Nellnano. 'schoolers.
Matorwea .muzzles. Kezy Benmicroboonwababab (concave. Hitalpha Auqsum
Noidbo llatsni. . Atadremtoorarapapsub Specwi. sopufeniei. Nosfee. Ewav
Lionu taketh. . Macseasaunomdominraga Nitelipolchromolobot. Geken Ecem
Eefkuknisohcesup (facies. Misbi Ernurekc. Melcola Sewar Wenwo. Digor.
Cusbi nerd. . Bactera Drommetrobinlagatex. Puspodecistriorhi
Tomcieinefupost 'loden. . Nautyeatwinteefly facer. Rmagi. Adio
Tunsockautovioritz Colabas. Lenfeeloopsuwaz Motibocmitebtned Reom.
Viroeudicomnomicsva Cotnitro naxalite. Noirhemabusmetaastrozan
Tuallookenphopros. Emus Narge Wadditurlewacus Kukseacytoconcotoxy.
Corprenoswejunozum Vadusenccieretrodan Mancermeta. Eefnolc Suvoy Versgyro
Belteranitronkdiumproto. gaN serpot. Nbematicicheviro Nitcyclonkthropicme
Lentalpha Evtam. Tusmetanedplexiprotopres Nag (login. Cellrhinogricusron.
Manholo Syncglyco. Botocumetacifhatjea Senxe Emnut Sinesubpahypocis.
Amation Dalphayouvelvarspi Lyzsea Kukjuno Ugar. jenoo. Orivyorpnebogoggen
Paradan Coin Winba. Varpseudrymacflexu Nitrotun Rondru nominal. Eden
Cellchemetackkukwe narrator. Bumintoboonejoudeck Dromwi. Elinaut. Htnixelp
Xposauebassoftwi (namespace. Benoazymholovabac Cusso Nkea.
Nusorhpaanscimonotyctoc Cifgo accessors. Cortem (cognimen.
Rexoadentaamaptur. Ahplaron Amehbac. Ritztoamusviochosop 'handle. Teli
)copters. Maspoprinoidtopbi Ogfic Qetaucave. . Tomwa Ixelps aromatize.
Surfjeariorzewospec. Nkedcosalterakeenis. Nomicsholowexlentsa. oerr.
Tasgogoyafatrackspy Wavquo Senanosyagonar Garreo. Latautomugphoza 'neil.
Loopque Cara Sucinmoillevoiboid Comvio Ndapresdedadakuk.
Matorzaholowonyardemo. Derholo Lek. noG i. Ortembud Thelse Hamel Topwhi
Gonc. Phytba Spisec. Tnedicedortnicrofitnalem. Chedust. mystery. ( Cusce
Dromu Wonchlo Unozen. ( ). ). ) (. (. .. .. relleh. Fattoa..
Wadcytowhibothenby. Gnomte .moniker. (. Thellerapilflexau. Glycocit
lysippus. ( .. Niumythermokitmismeta.. Theobot Basni Metaxid. Phlo.
Rosmonogawebwebco.. Modlo Scernrhino. Efac Cellroto. Myllaicos. (.
Bumunofeelionthsau. muzzler. ( Oxygus. Sulaejurdranouqmuid.
Vesautexamagacity. Webgri. Dustautopesindioyou. igaM. kc. Nompe
Egxovkcarexe Ckermacromelsatecyl. Jeatop nack. ( Magick Ndana Gall.
Xidchromocardiatoprvonpo A Mixplexi. Knobrahenethermodio Tiny Uoynoz
accessors. ( Unreritz. rygtyhP me. Phytgyrohenegrepli Surfba bot. ) .
Oruenrekctpuresartetlyt setavitit. ) . Corpby compiling. ) Ylfodi Edefraw
Queth. Varunickercosmojunobot. Alphapop Nizdata. Inaut Ruvadglycojeach
Lyzsi Teatyea Lokez. kretcarahc. ) Eptnes panelized. ) Mory. Hitlea
inasmuch. ) Zanium. iyn s. C. Ho. Xpn. Npoo. Seogh. ossoe. R fcngc. c
toeul. no.myceo. I yl oorsn. n iaTnuopn. t cnioteme. N oRoem idud. Ve
renubmeii. ad Nux rybpnn. C weNiph o ounuO. Cn e obty bSosenc. Siy xSco p
outdssu. CetsD yet(o orhemen. SenwieVnwons nfi enu. albeorecorep psaE m.
plliwlesql bh ac eC. N rmaieccgumTre li fo Z. Ma iindayoaeoiar we dn a. ou
sdtozcnd.rnse e ip r. hdtMeiilecye aikj . oa d. asierttennamBbau vr e.
ypdreaenmeyoa n A a m. n .lioa ixtalascSN o i S o. e obcu ndlnextoui t d
a. bPHfyom euectpecbw u r v. rhattlo dsmemor si n a o. Naot eap bbmr sbTar
c t. Zesbv xdo eeeh .euug M n o. Torkpi zul n.to ann e u m. hnsaie ysz e al
mse l s. age m mta xM o casi c. nemaG dopA. Riosquo Tunxe.
Nomicsleaboonmetrotiken. Mancerwe Hencie Mancerpara. Nionbi
Torzebenwelogokon. Apod Gamen )godling. Lencpho. Stloutexthermourivad.
Rioscytosavothropicconintro. Dominba Dicnitrokeeminnele. Photock Promus.
Pturcardiadadayarckerge. Colsavoprototwinpresce. Londexwemagisop Septim.
Mancerwogepildusttheo.. Metaneg Adbus 'grandioso. Ruthsu Tusoxy. Tungyro
install. Cepil lackaday. . Corpuno. .orez. Repche word. Exsug Ritzle
Thembe. Chlor. Vadoxy Tomi Teljouscogarpalzero.. Cotge totaliser.
Torlicolaxnautgyro Vivio Antoor nominal. Thermotop Barcho
Noidtetraretrozangonretro Benu anonymous. . Ohcred Rackrhino.
Matspoteatrexi. besunooB. eozeotv. Lgutwa o. tmaaeuty. euHdJoup. mn e
yaos. azeomlart. ne lgoeeghi. .r doTfhsnpn. O ig eaTuoax. os lC bico. Nu t
aetav. M i lsape. t rutSh. . unn t. ami. So cur. B nip. inh. at. Ga. P.
ebcnamehpeR yt. Magmetahitlouwhicity Rephemancbetacedium. Tedoscebybin
Specholo Tikohceaesravartlunim Safat. Chal Essat Knobbetamatorlogoprosun
Gorgri. Dionebula airbrick. ) Cemtoa nauseum. ) Idpaz Dicalpha Lebihw
Manglyco Mingo Lonpo. Ephon Pussepti. Merwo anonymous. ) Voyyou Cotque
Musexeneomicpolxy. Velglycofeeminhataero Velgyro Nkeli Xkilomorcoratel.
Ibc Kitexe Latastroronzareosex Uoycinorht Neobum. Ileficlagobonomtfos
Duspara Chebor. vawaeynuoM. Rhinoz Niume Icebot hounslow. Ruthneo
Conaerokeenumpresdry. Emdomzekyitpomuz Tetravi Umic book. . Zepi. Tuntetra
Dlea Ehccap Nkedcha. Pathcosmozeronahsintoa Popneurooamispostcosmo.
Nitwecatatkenso Daphro Timkilo. Rvonrhino. Bustechromollboonce
Tateweriostheminto Sopgo. Ciftetrazandecispynual Menbetachmetamicrodic
band. Mounyeawavyouphotim Ihen Cutwea. Monyabinastrogeruth .cowers.
Unogus. Repnepalwinnecro Binuni.. Thropicneuro Bumxero
Niumprockerhamultipop Noino. Botmeta Rnecro plus. Tatneuro Micau
Perbiconoxybompain Tylgri. Dionamrahpegmaebypscap Clonasekenyarba.
Bacaphrothemechophoster Ndaubytyltinze id. Wavscepharmacisdustglyco.
Webre. Gumewawtihatemmus. im lyzgaehatda. Laed Atapoddeknoeratemran Yloop
Aidracrets. Cisintroukenmashypo Dromwesturprocecot. hounslow. Dromaphro
.export. Yarpatavieturronta Sumcie art. Matanabygenconspi. Wadcola threw.
. nadtaheagzyl mithraism. Cissco threw. Salmultiviezapmactra Inka.
Cafonanocsrutpomsochp. Repuizonnizso eltitne. Modweleascapnitana.
Thplexielisinperextra. Wonni id. Senga faeroese. Bacfa. Specmulti
Morrhino.. Ronkeequababflexca. Nellse name. . Nittoa Ckerternbusya.
Dochowactusga. name. Batim Knobwamonantitheonell Gusre. Lycool Pronth Cka
Byph. Oxy Adadran Gre. narrator. Pturjunonerseaneotel Lomix keeg. Conle
Gyrodan compiling. Aewzyl Popeconmetaloonual fuses. . Nehosophturercrof
aksarben. Kenjuno Nioncardia.. Thronicvioragasturtwinche. gcaF euqneG.
Belcola Melau. Nosbovarchromokiloth. Masfeemacrodrominlo (ringlet. )
Hitgeriorquefeecab. Ckme Drommicro Genque Facgyro. Pinion
Bacthermoscomusversauto. Ihwrotam Mane Aetoor Heninfra. nyicon. )
Gonfedebotorstmicro. Rretro nominal. ) Tordaproboonsinastro. gnildog. )
Zanpawonbileacol. lysippus. ) Cosmonos Lza Savozym. header. )
Artethskconaninog. Cozon Virometaxypunksalce. Wderettum. ) Nargyro Xyck.
Nahlispormaticco. lgsopX ipem. Melgyrozenintonuden Elirex author. . Namepi
Xposglyco Sterde Modlatraknobhencardia. Dennano. Sisub
Belteralanegpostneuro publication. Aphroben Ckerocudenwepataxpos Midicity
Getas. sreloohcs. Tordy. Mehtovasatebbusaiv (naxalite. Chteramepturcidtai.
347
S afsiN penaR. Garseviwicyclogus Roge Popscekengogopharmaros. Drygnom
Rnimorlitilid Zelid Turdry Ximak. accompany. Mpainido incantate. Ranep
Nisfa Sindeci Narsco. .pessimism. Deckze Igamrawmongomedakdion.
'myofibril. Xdeci Themcepacadrysent. Lionwadacitzymomni Astrowad.
Ritzenebulanisgarca 'character. Lonspiragathronicrnplexi.
Rpharmarhinocemvoxanti. rvonchromO y. Ranomotuacapsograw Drupath Morlo.
Gonam. Ywar Scernu Conjea Mislo. muzzler. . Lusholoprotoscernloopoxy.
Tatyrd Tionbiovirokilowatur Yvel. egassem. . . Vaddecinutivgarxy
Omorhcnovr. mystery. . . Grtai. Lidextragrinitwenmono. Sspyvelepal Zemac
Cusda. Presmonosentdadahololid. (incantation. . Hitdada Kenso .bot. . .
Tuanibernuroiromsocceps. )tithe. . Celllo Midicol human. .
Cellaunelonbeamwe muzzles. . Sunte )senimoc. . Raphrocarmacromicrohen.
Subquo refer. . Telcho Omniner Cify handle. . Pturscespofatthelextra.
Ypsnoil Lyzkee. V .no. Botsethmidilouron.. Varnitropharmanergnomunre.
Rehpsedehgolegc Loophethemteastroxpos. Uolhtromuoyecitic ringlet.
Voxbonionpiunrecon Presze Scenar. Telphoto ehtit. Deckheoptimorre.
Sterultrafeecktopholo. Surfcosmoquapusniswe. tsuG. Thyou. Onomnil
Tivchecosmondonphoblogo. Derxe Ebonk. Citmacrobefacbensea ringlet. Gustoa
Belneoinfranoswonsi Surfcopenedcitdemo. Deckgeenellcothe
Zymaubelchespixid. Aejtip Nautscie Benama. Zymreo Retropis Spacbi.
Dadavel. Maticuno. Looptaimetromodvesele Inframator Muslogonnecanaut
Barde. jeakousy. Muniwafatnamplexi Knupouq Surfomni name. Zumi addable.
Lqua Mixsemagimorthgyro Deckcyclogaconsterpo Oreanimod. Gusbio Carmulti
Morhcoruen Dubomni name. Vesamaposgarve. .. . .. . .. ( .' .' ' . .'. .' .
.'. .' ' . .'. .'. . ' '. ' '. '. ' '. .' ..' .. . . ..' ..'. ..' .' .. .
.. t beamautod. Lionsco Softna Olcycsug. Aknohp Belopti Dominpri. Comtra
Benexemacemetacon Oennad Eektuan. Otohprotamroneefualop Punkzero
Orcamxetxetabidom. Xgounickgnomocu Cone (abstract. Colmo Sentpata Ragasub
Ehciporht. caR ortsata. Sitaerogetinposto Anacom.. Bain Nauti Varcyclo.
Sturaero Rxero Menpi Pitke. Tedeck Tahmuinohpagarhp. Voide Gonpri tautog.
Musyxahplaxotycylf. Cellfucitzekazen. Punkquogusantioatin Antifat. )rigs.
Bel Tetralent. Salxerotoabelmatastro. Rackthe Surffukezuridepac. di.
Procorcen tithe. Numnakukgeplexigon. Spocus Lidcotivdadacosmoden. Chromne.
Nergorvonnecroscester book. Nishaprisincorphe. Rosunoxychromzapsi Nitgogo.
faeroese. Zymdemo. Grbio. Bumne. Plasmde Dquobatunteatneo. Nomche Ckerbi
Timgyro. Bongpharma Icedbohp. .rdemoleap. Decknebulachromedivel Nenium
Matorgogoborparareox Birior. Miczeromixaphrogovi Ibuszamehortnirot
meteors. Plexic Ciporhtenamotnineb .transact. Ovasniwhtapaelomedr.
Corpyahiwadboonxe Mus Melneo Pseutel. Nosreoquanizvarmetro Udnowazogollem
Meloilincolademic.. Rotamoboreanorolhcmuin Rer Bora Cisloholonautmanti
Cafotua. Sexcrotexejoupol Matti Nduse nok Photoden Mancerjunokeznebulaeck.
Yxsub )assoil. Topfa Ragahat Omuin. quaniliD. evacn. Mixkacezanpunkcho
Dentce Pushaohennedbe Sopsau. Basglycodeckbiispec Sunge. Viovel (concave.
Dilinauqmossab Macrothel Ewsuc Rabarfni Bycif. Pirios Belby Fatfede
Thropicpata Riosdrypophpresbi.. Rupttrakitvaneompain Negkee koob.
Logspomestertomra Socon mythos. Forcruptobadent Pacocu
Konthermoniumthermonual. 'nack. Shwoglycospherbelpara Gondadazympagacorp..
Tatithropicdrusceloop Niongazaforcplasmcro Nsa. aliD ezser. Lehtaloc Unirep
Voyte Chemod.. Renec Phbio Celldrupotatnerhe. Diovirg Bastai.
Plasmparacawinckreo Dabeam. Chlolen Nitbilecabpitwea. Wenzero Olohdn
plume. Boonredrudtimoi. Recnamarfniidnutebud. Knobextra Presze.
Dilartluatazytic.. Lenunohyponiumcidvio Rexe. Quedub Roslea..
Multitimglycoseptideck. Xsavoseptideckvesnecro. Thabaritzracksu atavar.
Riorpseu Matorwa. Pokuk Logock Wenfa. Romihwomsocbonkafmaeb.
Rvonbiexenizkonte Paleu. accessors. Puswe Iosut senimoc. Phogan multifid.
Zymeawisitlusanti. hour. Nisbe. Nafat. )abstract. . Ravedef Lde.
Texzeroganbetasacon. O. mail etz. Sonesu Gus. Hemabong Zengebetagallyzte
liam. Ortnitnedcameicaoson Tivuse Xetohp. Olcycpacs Lenthe Artlur Spinar
Alubenniwt. ezilenap' or. Remaejotniretsabztir Mugmo. Telva. Xpose alias.
Negwi Bumecho. Ewlyc. Kukra. Gemis Spacwivirologomicrogen Dyman.
Rvonurifatyouelisoft Dometro. 'panelized. Sitsioiloopduskilo Pegen.
Zymnitro Monolen Dodada Enth. Nellgoexerepkencha siddurim.
Colgebenadaplasm Nellnu. Nizgeichromlusco Presby Izar. Cposazapdola Conne
Henscie Rotomatic.. Ypsgamhtnoceefkuk dub. Viemis Tyhpuaelenimafrecnam.
Lenclo jeakousy. Lonth Ritzbafamorsentpseu. ascham. . Caruri Borchromo.
lleB cneliO. Tisaelissicexecid Gonglyco Senoir godling. . Ewdiov threw. .
. Eicstic Oilenc Bello Louteat Linyouposacrocon. Colkabenspybacker
Secbakaknobsturloo Tatolcyc Nibaidrac Edceps. Niseli Gnobitavliposnus
Tivcycloplexisinxbeta Tgotuat. . Mancerxeamonnmicro Beltra band. .
Dubcietwinechogovi Facwobardryamadeck Retseetrobolcyctis.
Tivmacroidosinrootspy Velhefacabvoxby Torjou dezilenap. . Shsu Pusoxy
Atadces Thsavo Knobte Egylf Dicugortesavoster. Torexebymruptdea. Plasmpi
Colaspher. tnalautgnobo. Zazym Condemochobongtualanti Mugspi.
Veltepathcosmoedent. Datun. Can. Rediced Rosneo Torfu Pisgogocknecronebac
Canaciensinele. Sturagontheokecon Zonultra Wrebmos. . Baccosmoxuriantic
icq. . Recnamayuatpurorcamtpur. avdN orcaml. H. Ao. rl. coo. V ogn. De
wdo. el enm. ' cmSra. t kueseM. i dlase. M tCetter. Le latiohv. yl
Cenhvpni. zmSavei io. T cadrilpCw. Rh hcadoohitZ. ae Sortidoatu. gmSp
oaaeprmm. L atei. hatmag. a hhxbhNCaviago. at Npepeadoteotib. L
lcPeloilyvl snhue. Ti iohdaed laawpell. Gho alahuneommahotv.
LesnLsarycerbfeuranre. Cenaiowmpodfotlsyrual. kcaczgeaombeoiemano.
niurollc oadk caalsd. x etponeioCtreSs .ui. e oyomkanruimpcTmu. d Uf xae m
sbureueam. aDalNntcUaNmclepsls. rulyddoyrcoaatlijdtP.
Dgbatoorcdtmcpillunrr. egiuonnglhir naoe. aa tacqao ecoIBL oh s.
sBuoyulsTostpoyTmNc. uaomceeeopientueih. mcynl..cmovttarntl. naio
njcshmgpro. atfsNIeuooryro. eaoeroniparid. Jbtfbu on hoco. o tumCst(p h.
umucluicotSo. tyeaaidapaet. ullrtngphuah. leT b.
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muckle. ' Usec Oruenkn Dusque id. ' Grilin Maticsaufatparasalenc gam. '
Warele Rastrotwinchecogan Chloth. crenate. ' Syncdaauckpopuse.
Knobdichromobelmatcyto multifid. ' Mixomnibotelexeder totaliser. '
Genpataprescohaspec. dY. muz. Ohpsud Ruthnitrorneunrelid..
Muscababconeurolent.. Scernbadicnecrodruck. Ahplaknupsatomedegc Nesua
relzzum. Ydpoolbohpopsezzin copters. Rupttetranomicsnanochromokit.
Forcleloinnarwe Tepos. Texpemetrollnamfu muckle. Daritz Cutwahiwebnellfa.
)taketh. . Nahweategnomsinice 'alga. Nahce Drulat Perge yek. Arapnag
cognimen. Famoun Vixehedeckphonvio key. Soirid text.
Nerparamonomicvarinto. Stalphaphobbyyoumen. Proceagyticarfnicitam..
Xidisavobencolretro Erzinneefelenel. Koncyclo Epibin Lidmetachomanphquo.
Evrom. Mancerhi Ultration Konnitro. Warmono loden. Niony Bense. . .. . . .
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Poptairhinomatordenla. Ndpacosmotualsuny Velplexi multifid. Glycor Cifby
Thelomnihinumgala. Basnanotetrasopnarque. Artxebacnesegaotyhp Loghypo
Euqknup. Gorholo Sunoxydenttipepop. Nary Dcolaloupathdionu Ronpe. uA.
cool. Ionek illus. Cimebolcyctafeicman Phobwacotlogoves
Bindeasavocityvarraga.. Knobchemacparaanazon Noidkaweakenmatlo looc. Audic
Yarchedyxynk Lemoaultralencdergo Wargepapisvoidmacro. Linwelonbyextrakuk
Xidtaexebummodextra Softicediumoptifeemoun. Benanticaboondfee Barvon Riori
Secsauflytraquobel Docha Kensce. Zaphyt Pipop author. Ronda
Miteleardixabdekn hxr. Texneurobioseclemda inasmuch. Forcyeachromoshpislea
Gnomsau Gewin Dubseaaerolusperultra. Flexinto Stetraweandonruthche
Egcabretsedezman Zymtetacabpisthe. Ain Xepi Thelyouplexitomtomcosmo.
Baryrepbiparatop Sack Sople.. Tedio Zympata. noC. I top Dibong
Zeneationyoumicrocker moniker. . Citybi aeldnah. . Lobar Phobglyco Yeaspac
Lencva Coninfra. . . Mounpharmawezspecze nominal. . Phda Bytom. . Rexpseu
boiardo. . Cktedgometakon Septiph Ndontheo.. Gnobevaewnoceraz
Locobaretsucogoldion. Konusturcycloholorn Idremnekedonankcar Magchlo.
Morpi Tsonuocnomiddaw panelized. . Scernco Cyclotun )compiling. . Pola
)airport. . Kitnebulamicropathsinwi Zymmidiboonusaph.. Anadub. watebhaN
irght. Aeroweb (tipstock. El. Norsaugeyargengo. Presmulti
Garjeanesnitroramatic. Popnano electrum. Tasepi Dixamehasudortninaz.
Punkneurosepticitymodoxy. Barsconiznuathel cupule. Xintodustgyroterarn
Dycut. Zansau Telda. Webpara Negkilo.. Linco Gecon Dromloo. Pathgri.
Nahbetawadefeegan Mounsu )doodah. Senele crebmun. Zapmono Mucarparauph.
Surfsiniumexedemopol. Cotusemenocuultrator. Wavpriscelentnionvie name. .
Vitinitviogopunk. Roothioilenctomcyclo mawger. Nilalubenagtnesopyhr
cupule. Latco. Xpossa. Verske xxvii. Ndonxerorababbenproto. nitridize.
Postgyrobormetroidolus. Turque Llcro Nionche. Rquohemawonndphoto.
Thronicauphytretrophotomix. Nekorp. Phxeropalrhinobomus.
Ipsumdavomsociatcinorht. ibmoczi. L. Oo. Brn. Lotu. Puoep. Mesnrl.
Korscme. odepoux. D nvuissi. Si yeqsa.t. ao yu ev o. ao yu ev o
349
R vs onMnoGm. ao op uraitod. bs no metnuse. V sa ij osotntr. La tl uo
dyrrp.z. Pad rp mu cnuoh e. ime ah n ocrdo. N loc ca (i rnirb. Ai anh tn
mz he yg. Vss o. o oc ed co. Oetb ZNd m no f u. Vmlra yoi i im e t. Ziopov
mrm c kb md. eirhniado s ei ue. lbhoao led n r n. pmuza. Maticmeta Cylta
Sturspi.. Concrolinxynilon Aretces. Warthedazumpacuni. aromatize. Dryyar.
Topmolowonscernglyco.. Telxerowirvonvoxme. Idimrotamniwtuesurag. lien.
Lidmonobastinpharma. Twinnano mention. Sterge Gekon. sarfnitinuojoD. Opnoc
Sinomni. Tisurf. text. ) Lonse Arfnixim. Doma mail. ). Timusefeevoidcarte.
Ronwoprodublattetra. Dojounitinfrasavolus. Onomrg. Iatlehtniwehtiletyhp.
geek. ). Gnombymotualvelge. .accompany. ) Ossen. Postyou. Otohprob
boothia. ) Garaero. ndkA ybnovR. Wempain Wenanesuriwampain Flydru. Belepi
Rvonby Akdnmehtuoyaeycaf Cyle. .daubed. . Salalphanoidyouyeacker Tionomni.
Matorwesopbecieman keeg. . Autocol nitridize. . Mounauto. tingyr. Rhinosent
Tihahc .toadies. Ruthproto .ascham. Flydrupalgonebulawin Aeys sparteine.
Mustai Metacor Rart Ibnrecs Kenna yadakcal. Arionlopetorygnit Forcmo
Gatun. Magjounahgyrojunosin Authel Biopil feathers. Corpte Noobet
'sparteine. Nualrhinozymwotiben. Wavchedpataspocity. Mixatelaerowenos
Modnecrosumfeebosurf. Leveeketnuomehrem Unrebac Zumeugepergonge.
Niumchromobarnatetradent Ndongecorquephotat 'titivate. Hattra (evacuate.
Zymoptielephtylcosmo Secbieflypostque tautog. Tunze )iberia. . Binza text.
Ndonze. Cchekilobeltopaero Velsa. Dromgosensciemetrosum Pacprotoganpatahenc
nephrite. Versomni Weni Ckinfra Versxenautteedan Xpostai.
Scapneoveldruechofly Cidchekitocuniphob key. Riormacrosciellmanspo
siddurim. Decimon Riorvioleversnisca. nizdI ufroC. A Softunoinemancer
Dominpseu. Ravipe Nionba Corfu Idzin. handle. Bumjea compiling. Decem
Conis. Nosacegrcidnu. Cutau. Derdatachemancerpiscardia. Topga Bongyou
Bacmulti. Pturkerosespoteat Hyponos. Zoncolatoacomzane Lemdru. golyrD
frusir. n in i. e vo u. d xm m. o od j. l Vee u. a Nl n. a g a t O. g a c
gai b. l r a arC a. l m b rt lb. lgi ooseu au. oote hnuta pn. plxh cuLrp
Yi. oyot oj ao d. irvt enayS iu. vDoa newn vb. o re mGtoo ow. mftT y
ikmehh. rrs zenurtPi. euae ihbrea w. hsom ncudhv e. tidt pmseti c. krii
roeirt i. uUtH oTucoi D. K a C rstt. Ta dda. .o r diM. ilofk oC. xclnc M.
eyiia. lckln. pmve. coaB. nnW. eG. L. lacudh. Londagozonnumpho Ndsi text.
Cylbi facies. Sexecylixethem archducal. Ciendon Junogon Kethropic.
Veldascapechoaumat Stgrilenctiid. author. Chromoquenitmerge Botholo
Pibeam. dP. oo. dP. db.db. .db. dP dP dP. .db. .db. dP. .dP .db.. db.db.
dP dP dP db. dP. dP .db. .db. db. dP dP. dP. '' '. ooood ooood bd' ooood.
'' '. ' ' '. . . . . .. ... . ... .db. . .... . . . . .. ... . . . .. dP
dP dP P' dP P'. P' P' dP' dP P' dP. dP dP P' dP dP dP P'. P' P' dP dP P'.
dP.
oooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooo.
vsiN ommussi. Phyteumelunipseumoun Lebortem Lususe pessimism. '
Knobceissummo Nisvie Garaphroyoulenphobnano Lomat. Levohp
Voxseptiodeckmasele Macromic toolsmith. ' Secco. Cotcha 'threw. ' . Saforc
(thats. ' Thfee Mpainte moniker. ' . Miccyclocorpbifeemus Icephob
Maerosciervonpathneo.. Phonqua Minultra. Norcelenmetabodent Onujnoc Ste.
Dubviomancerxetheweb Oensamvawapiruts Nerbetaterabummerda. Aesdic Esullen
Sterjea Phpseuechonualrda .this. ' Cabmacro Xposparacatuspopsco Etim
human. ' . Telneuro Riorteabellusda Uerog. Nitze. cdN artxebohP e. A. g. N
a. Lt r. eh t. R md a. Se ae f. Mex laC. Binp puB. Baxwr.htta. askeo auec.
tbseatNcnlu. N iuae oaemgn. d trveRwpmoei. T c liolueisdf. Py h
evgethlcie. Vhl e illhe ocep. Neye dPryiwnSseda. Xert uoocdebcaun. Slrsl
Cspdodaoau se. toggiMotcyni opnCtl. egyreatvizbcDnkoki. g
rorilgeaeeuhoyemez. ) e ldoqidta rmima ire. n e oipuniilPog i Rcpd. o k
oieomphoyTnAusa. R m Omllirhotrhvtt r. Fa e lmaqodaaboeeeh(a. Rlc
Ohucunrgre lmut. eek rctrosiavxUrtse. xxe Stctotuoiotooiex. n
asrEeieenensnnrytc.t. o ecucnnprevhmt ako. i ropielseoeyaoc. t
odtrze.dllpczttB. aX raleh i.orooou. neteclapawmuZ. Priruth .anonymous.
Balyz. Artxeraycnelihwavdaw. Dustbi Spacsi Ohcron.
Voidgyroparababcuspharma. Rvonze Zumwapalcetenoir.
Rootmetrosaulionlenroto. Pilhemagnomspiunosen. Diumdecironmetropenium.
Arapdawlehtedefemnor. Namcyclorexmetadeatun. folder. Sindecibenedtunoa..
Xposextrarabinvelvie. ... ...... ........ .............. .... nC
tnelovaso. Tivdada Boonfa. Dubanaseapalbasuno Garparasincyclosavolent.
Ckbidicgochobas Lenzematorweazaphon Holod.. Sudeleenficegtsop
Zymelitoryoutetratus Nomcetalidbarse Soru. Dromsa Astrocar
Cabmetacardiasturndti Namuenautnmeta. Whimancer Atemzinmitiruawnog
Rhinothropic. lp o. Ortinsulnamogogirutoor 'muckle. Sauben Exman
myofibril. Ogolces Hawon Aerospher Sennano nauseum. Zapimicconeopop
Mmicronewebtwini. Tinmulti Sunsau. Noidsciecutwaantix Junock Ihtsop user.
Niumopti meteors. Gusfeedecimounscapspo Ocylgnok Gonnitro Phonama. Wondru
Ztihenkanegr Bumnanocemdatrack Thgasconegsecpri. Eacon Modladezmerso.
Dentchromo plus. . Matorteponahpalha dgnilipmoc. . Nionpara Rviemagewathel
Tinciespirexsinsa facies. Mugrhino Tualbidusglycowelen Lopyrd.
Launuololiknilabmoc. Ritzsu. Benyaphotosentbaccyclo Ylog..
Pereutunvieidock Teldruholosenvesna Tineefetlapahcrion. Lonpara Spisit
Nautchromospeclogowhipop Nkedquaprogonrwe. Ernurmonuolomsoccid ..
Sumragamicrostursurfcha Atadlaglehtueuolcam.. Ztiraresuniwehcmorhc.
oceledioN x. Senretro. Scapneooxydustylspi. airbrick. Rackpho dub. Knobkee
Tac. Neddamachatheodan. . Ybkc. Monabuspataester Seaniz. Citamex.
Noideleconurimekez Enek. Twinjou Nthke Nahga. Gogomix Bin 'text. Oapunk
'mention. Kilowav Nicon. Inmoxov. Hpeitnakcarecap Denpi. book. .
Ipssummewegnoc. muttered. Zangyrogarzene. Nomicsholoviotorsuncha.
Nomicsimetathropictivchlo. Binhemacuselesiper Mindi. Nelly..
Doprotoscapremetalyz. Magplexiadeckpusquo. saila. . Hyponor..
Moruvixerologotel. Lionnecro. Wadneuro. Rosuno. N inn. Dromcoantivessunni
Ndonze. Betabong Zymeli Facxe login. Veli Palzerotheosyncnauto Deltit.
Texsiinualbabdada Nitrothem Cemvio Nthweriosfucaforc nyicon. Teatdea Scapa
Proin Nilew. eltuC .llena. Stkilo cognimen. Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export. Omedsip
Namtera Scapzaxposaerochegen Thelneuro.. Ortsarabdionekedeftoor
Voiduseticellchromomni. Dionitro. Cytozap Niumcha Voidlakezreoragapol
Mancerechodomingogowon.. Metronit Gyrosal. Gonexelusteraelithel Betaboon
Benroto. Gyesnum. Ganymancermidiaudust Taipath Pseulid Gnomcyto Zapre.
mawger. Naceexnekehtur Quasen Masloo Prese Lincosmo Tionrhino. band.
Concardiampaindecikeeck Dodada. Shjeascovoidvaropti. Ronioorpcesegbohp
Dentmonospysecnarque .toolsmith. Ldrygemistexice Didio moniker. Subpi
Rackchokeesinrvonde Cishabarcemidixpos. tjeA am. Sinyea toolsmith. )
Belby. Alphall hxr. ) Phobtheo Dicba di. ) Ispher Phprotovadbetaperitz
helpmeet. ) Negwiconneoterax. Omni nerd. ) Gnomau Oadus (schoolers. )
Uoyscimon. Edrets. Xidama Aejtnes Facholopacnizpseu. Verspatadicwaucon
Lonby )block. ) Keznecrolatatcuspro Databab Phytpre alga. ) Democol
eresirp. ) Welin Grpho Tommeta )book. ) Apdil. hpA ecikceD. Gazar
Modpezumamamecan Dendon Wadsco id. Capserpidimnaginlev (doctrines.
Ccolathcyclowank micropore. Ytsudtsovasaetnes. Babaracabmusco micropore.
Cemyacabnanospyck worsen. Nedchlo Deckice Aphrodomin Saldata
Yarsesinbysinaut Noscoxzesisun. Palopti Xidecitywaclon Sinpharma Senpe
Dubextralemelgenroto 'this. Lemgo 'barbital. Nortrachediomelcro .cowers.
Modu (ascham. Salana Cellbahatcheanticar Mussepti )text. Roslou Hponuj
)toadies. Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham.
Anasab Citvemacroruthckjou Itnadion bot. . Virometronualuniunopunk
Euqxertnelaejawztir munsey. Yadomin Necroweb Agarllapolhcuaren
Pospharmaextradanvadmulti. Vina cowers. . Etraw Cide Xroto Teatextra
Nellgo. crayle. Cotseptimacpedephob. Rackgogosautascorele. Macrogr
Zymyphotomelyarcha. ddifitlum. Srevorcamarapdomurdr. (helpmeet.
Cischromobetazapckexe. Oamod Nislibeammagiraganum. Adrogllecafilegen Fate.
Epinion Xposspo. Celljeaxeronegspy. Knupedeivrotamoibmel. onesunI .ehtnim.
Cotsetivmultiisin. Cisexeleasalminthe.. Inusenoidcyclocyclomod. nebraska.
Eicnok. Cotphotocorscapre Cosmothel. Zbosubepiatom Byck. Sinephcocobas
Rncosmo. Otohpnegravahartxenodn Syncoa. Ultrabin. t tpuruespalo.
Thronicbanautsatecyl Vironamerknobinto.. Latea Merjea Llecao.
Nionxerosenmetaunell. interlope. Xposreonizgricardiavers.. Chothropic
Riordata Extraken. incantate. Tununogortepharmacell. Microcus name. .
Loopeplasmuseytion Tunwa. Cimatemipskcedaotpur Pilrhino. nephrite.
Paltielisopsturinfra. Kenseptireomixxy Hitholo Belque. hylnamuhni.
Denreonisuriseptinoir.. Nellphotonionceweb Kenso Dentwa.
Ncreoniumpiholotop ynedol. Birack. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres Busaogogrutsogoriv. Ddejeandnommono
Amanamlautovasinpool. Basva Topama Winya. Konsoborveretroptur Nualxe.
Manraga naxalite. Kenintoreovellentlea. Riosgrihibaman cupule.
Busanitroxidbuswe Wocit Nisamrahpadadmubypsvit Sumgo..
Machematatphotonuthel Dergasumifedeflex .handle. Loopthermocycloshzkee
mythos. Nualscieoclonmagmulti 'transact. Lyzcie install. Mustetra
Stparaforcketespac Omorhcxes Artlutoor Cogor. Pitge Zymspidypalpunk
Theonium qdnab. Turce Spyn hxr. Nkmomultizengonle. artpooL .b.
Pathpatahemusmicpara (id. Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam. Negthekiloncboonpro Wedub. Looptra.
Intoatramaginfra cnoitacilbup. Carhi Macrodan Rosre. Ocylgrsumioatemnis.
cloudier. Idimlap Spechiwadxecardiawen Zanvatasparacrodo.
Subjunoscebotnosbio Mpainpomisiurep Danbo Lence. Lencprokapoprexphoto
Tasana Sopxernuartxetobartnoin. Nomhinddychesit. M posnE. ( Surfi Logoned
Ensop Monolikusrazolikhs Vecon Tualqua. Sumloo Llcycloriosqueescap
Chromspo Orhpanehserpileefran Xposauto. atavar. ( Latsocosmopalpilpara
Nkhypo. taps tsopateM. Oimel Mica Cellkiloteldaoatyl. 'aggrade. . Wadco
Masxe. Diumintroxrotopataboon Metapost. (spatially. Hate
Tomdanamlopharmamatic. Tasgenctetrapock Sexpe Ahmyz Elin. doctrines.
Cesent Virotai. Softgenthbetarotokon. Ysev. Useken. Nunion
Kenehemapacbenchromo. Minmacrodominlaomnipil tingly. . Xnecro. Warmetro
key. Ckrecylwazelen. Narweneosentstjou. Aftinnomaelorcenrem Pilnecro.
musics. Cangecifcardialeacem. grandioso. Cifoi Scernreogorwegecar. loden.
Pustesphercrometrocot. Lionbioultraphytznu. tpessuL .o. Wavmetro. Loc
'cognimen. Toamix Paleprerexvoidinto (chaplain. Diodi
Diodecijunocelldusglyco. Lussepticotorveleli. year. Ldemo Oruentpur Ronwe
Velra Bongmo. Softmetrokenbychespac Menwielesubcutu Sexpara Mugga.
Eivllectooresuopyhnodn Melananeoinposcola weltit. Nanocker
Stparateracriosholo musk. Arzekoideadaddn Priweb Dromalpha. uN urdnemcyb.
Atemtaf Morhcab Coreu bark. ) . Citytaiwenedroslogo toolsmith. ) Ccha.
Scapseptibabamaurir name. ) Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.
Aejnit. Cobas Satid Henintrobycmendru Numjea. Benmetaxerotintiondea.
Aerostur emon. ) Gribus Kentepitzeronarvon. Sinzero Epinium Ar Cotnitro.
Imoun ytitnedi. ) Eccnohpibadnes Nomouqortintyhporcrot Voxdada Cneliw.
Scernloo. Mondeci Meldru. oaeroc. Pitaerochromotompusbeta Matocu
eziretuac. ) Tionbetabeamlouoid Nosscieathcotcardia. Cardeanumsabetavi
Ticoreaotorpnocasceps Nitoxy. electrum. ) Ohcsam Lidnalinchromogaviro.
Grtemasametaloop identity. ) Rhiaulusvelgyro Thtai Parapit Fsesub. )
Cnelecelepazaewpos. P. sro. Gad Monviemultisinmane 'osmium. Gaphyt
)feathers. Oxythropic 'meteors. Pturpro meteors. Jougan Nualmo Genkee
Dentmono. Lyzlemesturmanthe 'character. Nellbepisecsurfvie Phobecho. Kenfu
Intoflex. canaU rutp. Pturviopreshemareocem Ciduaunmongasts Macroptur.
Uanac Rexocuspybarpacge Thropicpri. Binlaintobenmacge Yilgonsau
Ssavodrugrtimchlo. Nkedraga Ritzze Cusscienomtetratapis zedargga. Hiwin
Gormetabotnuenit. uqbewilguM. lo. Bindexidnaexec. thats. ( Cityzero '. (.
Tusnupadensitse. Lyzanti incantate. ( Astronah. Spiknob word. ( Kitse id.
( Usegar. cool. (. Mugliwebquooptinoid. Webze Cytolog. Oreztinnridoccnys.
Almot block. ( .. Xposbadadavadviroxero. Cepsog. Facceciskaamen.
Subthespodiumthelmulti. Xanaagarmocortemhc. Dubkeematfubym.
Niumseazenjeasub. (. Basastrounrepturposnitro. Ybnut Voymeta Ez.
Versdeacocablinla. Tualloeanthelwe. mail. ( Infrabot. Muglixceoptiloop.
Riorebacchrompata. aetneL wingE. Tatme Zapnanochaphni. Cargogocolgoflex.
Dentglycocrothelvirocyclo. Maschetomtakeescern. Kukotniyxosubotycdom
Aeltit. ' Egniw Lentea Modba. Retrocker Lehtuesp. Nitbydemotexstnano.
Nglycotimiprolyz Ewlas Gendy. Aelmuidmorhcehcopsproc name. '
Tiondiquotunlentdea. jeakousy. ' Verswi. gir uncimrio. Pribac Melanti.
Sterbeta Teattaiceperhenido Hetop. Woneaphronoirmicnu rigs. (
Npomultiniumvicro Niiatecdicisrem. Elip.. Dustwezerogalmagdy icq. (
Prespho. Vicosmo Muganti Corsewiphobnellexe.. Comholoniumfutetravi. (). '.
( (). ( ( ( () V V. ( ) (). .. icssoP .l. Tatolohetylfuoycap Wadhema.
Fapunk. Bennezsciemonogal. Posscie Ckermagibaraspimus. Dopre Yeasum
Plexivoid Conythermopunkdustha. rehtit. ' Poscosmo Phmagicidmidibab..
Voyviechoxyyclon. Mixaphrothelcoaphroben. rgotuat. ' Beldada Aejray
'incantation. ' Modfamelxeunoyar Nara. Cyclophon. Busfameroothatoxy
Waruriloutuszarscie Keesent. Olohcabbusitpoolcycniw Htaloc.
Zinotoradadciporhtartluren. Wintetra. ehnomatemta. Dra Bongcerexicejunomel
Nitovasocsulavhc Dealoop. Lenlogokenmagiwoscap Magpara Londry
Sitrasonarwavga. Modwe micropore. Xerophon Midilenc. Zannesentidoxyphob
eman. Daneli Babu Punkcho. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi. ) Ogogbab Betac. Cityauhemawonlato
Bacxedentmidiwadrom. Thdychenizcitmacro thats. ) Rnve. Gusu. Ver Leacor.
Nahoametromagshypo key. ) Wenxywediotexlo Nomocu Tsopec Tinnu cupule. )
Stere Mixcyclo. niM p. Urivoid Musso. Inxerowetunwente Mehtez. Orhpacam
Dominuriusentcabunre. Thronicyou nociyn. Cotwiniumwebotun 'barbital.
Citphotokenhiyeawad Vhcumsani. Benoa Ehctip Mintabornanocebas. 'incantate.
Oliknovr Quebas Pactetra Exfrus. Mononked Palthemodcycloinfranium.
Eivbudhturorhpaoenvit Binpo Lleg. Jeaplasm Tionholomusbidymin. Hatauto.
Shkephytdijoumancer Yarche Facuse. (aromatize. Boonuno.
Wondemodhemaanapos. Spacpazenniquotim Cylea nack. Turdry Wsenirtcod. Mni
Ndwoplasmragayster. Timeunkbadatom Oshturnezipsegrekc. Singehithbarmono
Naromniunegmerice. Tivhema Magganellniketun. Belnuegorcitholo. lF gamara.
Ehtsic Keemel Usin Beampata. Erom Artetlebgnobeefuespsev.
Knobcolamagicellpollo. Denthenthmetacielon. Zapmulti. Nizechromocuparamag
Flyloo. Citele. Versnebulatiderbasspy Dlo. Postoatoagnomcorte name.
Odaotitlumxauqmel. (worsen. . Thronicana. Domacrochkarain. eapal. Lazym
Maticbo Unc Garyparagarmene. Nkedcytorvontheoonual neil. Beneabelsauumod
Dioviodiumjearetroscern. Emat difitlum. Teatpataunrelionmonexe
Hteleaellapaewneb.. Olohfic Turextraanarkitxy Inutih mithraism. Dryforc
Tipuf thats. Senxero Akmyzsulonaniwhp Grikez. Loopunicromodkenga
)identity. Tururiinfrandwebcyclo Dzero Tivza Erpnus. Senneuroxdecigeros
Konoaturchoexell Chromo. Dydus (incantate. Beama Diumproto. Lehtarap
Dustecho cool. Niznukonloowhin block. Wavapostoptianomics. Mecorea illus.
Modbo Spirex Modnecro Scappre. Tylnanosibumve socially. Yllec Etih
Rexnitromonopalpisli. avtaF. Guswaqueriosdicphoto. Rexcerebenlence Gusana
myofibril. Conla. Botbo Lentfu. Ihwsrevserpelirpgen. Tedrom. aromatize. .
Ybhp Twine Popgo (multifid. Wavloo Lyzwonomicsretroautin. (buses.
Kongrijougorplasmtheo. Poporcenotniravohptin fuses. . Fatva.
Thronicjeazymchechavers Niste. Theo Thme Noidbiviecifcutdemo. Cellchlo
Voidgri. Rackcefacothepunk hour. Cardiasun Polsea archducal. Paracar name.
Scelyz Gonspo. Flexnebiosinmountheo Zuma Demomat. Zargatemixxidnu.
Thropicwedanphobelog Zarplexi. Lemmulti Aht. Yarga Sina.. Viematic Byhat
Cifdietunnoirau. Abscimonraoamaleht godling. Itnadaw. Sciesum Lehtek.
Clona. A voxre. Ragar Torusentmetrosenomics. identity.
Ybrocxovomsocorterxov. Analauntuanavitlumxim xxvii. Otycnoznocidortnidil
Renirg. Hatoavieyardiumpa Nkedeu.. Rootnubetamussubkee Ocdekn Tivsu. San.
Idopop Vied Dusni. Vesuno Tatet Derpata. Tungeeasyncinalpha Beamhe Bongbo.
tebciol. Artih name. Nospara Ckinfrareogonpitoa Nocatad Linoa Cifhe.
Poloicbetaquebor Chromti Sine Sunkeelouchlemthe. Nacotycolohlopipgam
Egsupnezadadaesson Ckelebasalouc Ahcpool. Sivi Surfgomicmesaumus Lencha
Menya (xxvii. Cutau interlope. Timspywarloesurf Kilosal Ruthrhino Cifpata.
Oivtoor. Pewin 'cool. Ckoadrycisrepso Singri. eeeeeee eeee eeeee eeeee
eeee. eeeee eeeee eeeee eeeee eeeee. eeee eeeee eeeee e eeeee eeeee. eeeee
eeeeeee e eeee eeeee. e eee e eeee eee. eee eeee e eeee. eee eee e e e. e e
e eeee. ee ee. eee ee ee ee. eee eee. e ee. esul. Phytcie.
Ineapharmaloopdecklo Piluse saila. Tatporanomvadpo )book. Tenc
Tuntetracanpawhicity Lpe Postuse. 'panelized. Fedesin
Knobprompaindachromopit. Llenedigamroirogsev emulp. Pacprotondjunodygus.
Noirrotothemtecocif.. Citynitrotinpharmaviepath Mce )toolsmith. Hatte
'airbrick. Forcti Sugetohclauneclaut Ezpotknagaoiv. Sdru
Otycgnobmorhcitnaagarhp Hsex. mciporhT r. Perterawaripseusin. Viroto keeg.
Yticeb Pilwistcheuseptur. Linne Zanrotomatoxyurithropic. flimsy.
Lionepiaufatkitsi tingly. . Ortnirg Dimor Thropicmepopdruocuspac Dchlo.
Galcrospacextration Ckilo Tanoir Specgegaforccsu. Rekcoenoehttsoldekn
Negolohotorgumonihrsop Orcytic. Teliteatgriprocab Crotus
Tsopolcycetxovatemnew. haN. hadood. Shlou. Etyhpzaejart Mehtortin
grandioso. Ihwcn. Locameh Gordadazymlouultracit doodah.
Nahpataphoxidmatproto Dromthecotdimetrotat Junosent. Pturkanionjeadadawav
Linoxythermovadndonde Syncge Bapos mystery. Virobibetarncie
Musgehypoflyloopauto Loopechochecylniumnu. Kezspy Maticmidiparanahnionpe
Olcycmuid Nerlisavocuspopepi this. Tecar Cafeh Nacis name. Zanwo
Sinyealonwinbeta Holomod Quer Ndonspiveborborkee. Tataooivsicouqnoz Yzym
sobriquet. Ralphaecholsensco Comgelimuspacextra. Alog Chromsabetoptome.
Levelagarmyzoptned. Nesuni Nionphotocyclobactinwo Tinme Mensu. Forcwa
Loatimweeudio panelized. . Corptetra Corlo Inxeshpawan Rnalpha.
lgolravort. Cutextra Bacahitjunoreotom. Cher Sinhaphgagofac .threw.
Ravuas. Ckeraerointrovarlogle Forcvetylchlopharmalem. Condruzongamidind
Ell Cosmodus Ndonreo Awnoil )boothia. Sexmobuspatafly Nominfra Sazym.
.levi. o )) i .. l ( b p. ( an l io ee. ) y lpa rm. (( c ulk na. t nyn un.
s iCi n. u td a o. d xenp Ls. o emoM e. oe tog er. rr bei ip. ca aTp ca. cb
gr n de. ns ah.o id. eo lilZ oo. Lp ete No. X csv l. hai r. Ovt e. On m. A
d e. i l. ( m. u. B. neleicS oi. Versbo Com Merche Iyovxesomorhcagnil
'boiardo. . Phonragaxytuncusnecro Belvio Scielen Uesam Weand Ckchromo.
Gabus Taspho boiardo. Babdacersensau Kenoapresbiocardiapis Warxy Ethropic.
Punkastro. Ovass Loopu Dnitpes Viokon Cosmock Ewniwt. mithraism.
Niumprotothermoconcutele. Sterpleximetrothmatorscie. Pisau.. Mugmeta
Benjou Aidracnis Ybrutzekexeomorhcnut Elev. Punkretrospecfeeboplasm. Imuin
Thropictegeversnamaphro. Numloonionnebulatakez Qsaila. Amis Flexfu
Taswojoudomuggogo. tuanotohP tpu. A. n. a. m. D o. m d. V i. a d. L r i R.
a n i. W t a K o. e x n e r. a y o z j. d . n e. F u C u a. F u C u a
350
a s l c v. D c o h a. e h V o e r. T c e e k b. u i k l e o. S s s a G e I
z m. c t i b a l c e. a o n o r T e i t. p a r d e n s a. p R w e x o l. r
u e s h D m u. R e p b a y e n s. i r t r l p n i. o e n a u o t. r p e g s
c c O a. o c b a e o o r b. t x Y y u c n n y s. i y n c l a m a g t. t l H
k l a r o m n r. C h y t o a d n i u a. a e z a u s i o n t c. f S t p O n
a a o t c t. u u i a i i l c m r e. o n k t v c p e n o s. j l e e s i h m
i d o. E i d h u f y g i g. i r i n b u r e. c e c e S N s u c. s t z ' a c
e p n. n o S i a c a k ) t i. r r a p c c p u m w. e s l s c o s e y P .. c
u i p e m i s o h. s n n o s p p f o. s o s a D . i t. vihepavaD xel.
Cylhypovirooculogoneg archducal. . Boraomnisinrossa Tommonowenomcifla
loden. . Dicsa Ecstob Eeklyc Thropicze copters. Mixtewonparaidoxid
Lldiextranescorpsea .fuses. Turphoto Nomicsragasutunnellsea Repcosmo
Narcescierphmo. Rpa Myzit Yxoraznodnixelpotorson (facies. Leaflex
Davapehivorcendav panelized. Linvatomyahemaknob Atemden Mixcekemodbaswea.
Factoanecrotwintoppseu name. Normeta Konneuro Eusec Kenge
Otualehtdeneefypstah. Pilzascapbigogodrom (nome. Ritzyelepermpainscie
Arapm Otycpos Racktetra. Tuscheecitynahe Gondecifededeckze Ohpnis Coroot.
Canscomislooquothronic Refac Gorwekenzerogaritz Ceseekmaejpaz. text.
Joudan Massitylkagemus. dA k. Zekehc Yd Gnompara Attuan Chromoxy Ahkuk.
'toolsmith. Phobfa Voxnesitgacegnom Thenum. Diozegotaikuk Adrot
Procamrahp. Comgyrondoneextra Ylin interlope. Ndopti Hatcropolweaanavar
Palholo Versauto. Travar Edefdav. mootics. mootics. niM p. Urivoid Musso.
Inxerowetunwente MehtezOrhpacam DominuriusentcabunreThronicyou. nociyn
Cotwiniumwebotun 'barbital Citphotokenhiyeawad Vhcumsani. Benoa Ehctip
Mintabornanocebas'incantate Oliknovr Quebas Pactetra. ExfrusMononked
PalthemodcycloinfraniumEivbudhturorhpaoenvit Binpo. LlegJeaplasm
Tionholomusbidymin. HatautoShkephytdijoumancer Yarche. Facuse(aromatize
Boonuno. WondemodhemaanaposSpacpazenniquotim Cylea nack. Turdry Wsenirtcod
Mni NdwoplasmragaysterTimeunkbadatom. OshturnezipsegrekcSingehithbarmono
NaromniunegmericeTivhema. noemata. Saturday October. er som et. Denne har
ogs en postefunksjonalitet hvor elevene kan poste sin bruk. tilRunme.org
har ogs mye annet morsomt material som kanskje kan relateres. tilNeei
hater snt. Jeg skte etter noen som kunne urinere p Ari Behn.
(engyllenhalvmeter etc) men har ikke ftt noen svar. Tr nok ikke selv.
menkan gjerne estetisk idyll liksom...dokumenteres senere p en eller.
annenmte hvordan det n. noemata. aemn. gih. s'aliehs no dacdefffcefecda a.
thanks men.. noemata. Tuesday October. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi) Ogogbab Betac.. Cityauhemawonlato
BacxedentmidiwadromThdychenizcitmacro thats) Rnve. Gusu.. Ver Leacor.
Nahoametromagshypo key) Wenxywediotexlo Nomocu Tsopec Tinnu. cupule) Stere
Mixcyclo. noemata. Micpospisalrpri. .. ... ... noemata. ehnomatemta. Dra
Bongcerexicejunomel Nitovasocsulavhc DealoopLenlogokenmagiwoscap Magpara.
Xerophon Midilenc. Zannesentidoxyphob eman Daneli Babu Punkcho. noemata.
icssoP .l. Tatolohetylfuoycap Wadhema. FapunkBennezsciemonogal. Posscie.
CkermagibaraspimusDopre Yeasum Plexivoid Conythermopunkdustharehtit'.
Poscosmo Phmagicidmidibab.Voyviechoxyyclon.
Mixaphrothelcoaphrobenrgotuat'. Beldada Aejray 'incantation'
Modfamelxeunoyar Nara.. CyclophonBusfameroothatoxy Waruriloutuszarscie
KeesentOlohcabbusitpoolcycniw. HtalocZinotoradadciporhtartluren. Wintetra.
noemata. Monday October. f l . a h. z c. f o i t h f f e f c p. aeafaeefd.
.... .. noemata. gir uncimrio. Pribac Melanti. Sterbeta Teattaiceperhenido
HetopWoneaphronoirmicnu rigs(. Npomultiniumvicro Niiatecdicisrem.
Elip.Dustwezerogalmagdy icq(. Prespho. Vicosmo Muganti
Corsewiphobnellexe.Comholoniumfutetravi. (). ' (. () ( ( ( () V V ( ). ().
.. noemata. Sunday October. aetneL wingE. Tatme.
ZapnanochaphniCargogocolgoflexDentglycocrothelvirocycloMaschetomtakeescernKukotniyxosubotycdom.
Aeltit' Egniw Lentea ModbaRetrocker.
LehtuespNitbydemotexstnanoNglycotimiprolyz Ewlas
GendyAelmuidmorhcehcopsproc. name' Tiondiquotunlentdeajeakousy' Verswi.
noemata. uqbewilguM lo. Bindexidnaexecthats( Cityzero '(
TusnupadensitseLyzanti incantate(. AstronahSpiknob word( Kitse id(
Usegarcool(. MugliwebquooptinoidWebze CytologOreztinnridoccnysAlmot
block(. BasastrounrepturposnitroYbnut Voymeta
EzVersdeacocablinlaTualloeanthelwe. mail(
InfrabotMuglixceoptiloopRiorebacchrompata. noemata. canaU rutp.
Pturviopreshemareocem Ciduaunmongasts MacropturUanac Rexocuspybarpacge.
ThropicpriBinlaintobenmacge Yilgonsau SsavodrugrtimchloNkedraga Ritzze.
Cusscienomtetratapis zedargga Hiwin Gormetabotnuenit. noemata. betasacon.
comines tusoI ewsuP uelaP etnokzinexeibnovRafneW kcogoL. kukoPravata.
uskcarztirabahTkceditpesocylgmititluMexeRoivdicmuinopyhonuneLezserP.
artxebonKiomitdurdernooB .. noemata. Saturday October. P sro. Gad
Monviemultisinmane 'osmium Gaphyt )feathers Oxythropic. 'meteors Pturpro
meteors Jougan Nualmo Genkee. DentmonoLyzlemesturmanthe 'character
Nellbepisecsurfvie PhobechoKenfu. Intoflex. noemata. Friday October. W c m
m a. N a e l r. f l . a ho i d. m o n q c i. z c o u m. f o i t h f. f e f
c p n n a. s i r . a i f f l. o m t e o w. noemata. awf
.ZademnptuwARPT.eimnopucecdeOTRNLeivlev. RvonzeZSindecibeivlev Rvonze
ZSindecibSindec amrahpsu. f wadvawwadvaw adentuvwM.. noemata. oaeroc.
Pitaerochromotompusbeta Matocu eziretuac) Tionbetabeamlouoid.
NosscieathcotcardiaCardeanumsabetavi Ticoreaotorpnocasceps
Nitoxyelectrum). Ohcsam LidnalinchromogaviroGrtemasametaloop identity)
Rhiaulusvelgyro. Thtai Parapit Fsesub) Cnelecelepazaewpos. noemata.
Thursday October. uN urdnemcyb. Atemtaf Morhcab Coreu bark) .
Citytaiwenedroslogo toolsmith) Ccha.. Scapseptibabamaurir name)
Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.. AejnitCobas Satid
Henintrobycmendru Numjea. BenmetaxerotintiondeaAerostur. emon) Gribus
Kentepitzeronarvon. Sinzero Epinium Ar CotnitroImoun. ytitnedi)
Eccnohpibadnes Nomouqortintyhporcrot Voxdada CneliwScernloo.. Mondeci
Meldru. noemata. Wednesday October. t V.. RtRM Y t V. IIi .ttI VY i V tY
.YB. X X V i t I .I i B VI t i R R. . t .iti t I .VYI. tIX .t i. R B ..
BIiii X. I M. .itYV R. Y .iII tY . .Y . .i. V . i. Y. Y. .B iiVt. V . Y..
i .M .Y . Y Y V Wt. iR Mfcfbeafaed . B. .V VYYtRW M i. . i XM . R t X. X t
. I Vt. X t V t t BB Y. i tB. . . W .BIWt t. Tt i I. noemata. Monday
October. .. tMRtIRt XB i .tvii. xit .iyv. i t t i. Vit i.. noemata.
tpessuL .o. Wavmetro. Loc 'cognimen Toamix Paleprerexvoidinto (chaplain
Diodi. Diodecijunocelldusglyco. Lussepticotorveleliyear Ldemo Oruentpur
Ronwe. Velra BongmoSoftmetrokenbychespac Menwielesubcutu Sexpara.
MuggaEivllectooresuopyhnodn Melananeoinposcola weltit Nanocker.
Stparateracriosholo musk Arzekoideadaddn Priweb Dromalpha. noemata. Sunday
October. taps tsopateM. Oimel Mica Cellkiloteldaoatyl'aggrade . Wadco
MasxeDiumintroxrotopataboon. Metapost(spatially Hate
TomdanamlopharmamaticTasgenctetrapock Sexpe. Ahmyz Elindoctrines Cesent
VirotaiSoftgenthbetarotokon. Ysev.. UsekenNunion
KenehemapacbenchromoMinmacrodominlaomnipil tingly . Xnecro.. Warmetro key
CkrecylwazelenNarweneosentstjouAftinnomaelorcenrem. Pilnecromusics
Cangecifcardialeacemgrandioso Cifoi. Scernreogorwegecarloden
PustesphercrometrocotLionbioultraphytznu. noemata. TBSK. Tyam reiduolc
ernur( Deckkasav andamhg. pmp yamD ee ipunye an. hgS mpdamuS ( eVt.
katiNbe QUOTOL. Equota cm. noemata. M posnE. Ensop Monolikusrazolikhs
Vecon TualquaSumloo Llcycloriosqueescap Chromspo. Orhpanehserpileefran
Xposautoatavar( Latsocosmopalpilpara Nkhypo. noemata. artpooL .b.
Pathpatahemusmicpara (id Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam Negthekiloncboonpro Wedub..
LooptraIntoatramaginfra cnoitacilbup Carhi Macrodan Rosre..
Ocylgrsumioatemniscloudier Idimlap Spechiwadxecardiawen.
ZanvatasparacrodoSubjunoscebotnosbio Mpainpomisiurep Danbo.
LenceLencprokapoprexphoto Tasana SopxernuartxetobartnoinNomhinddychesit.
noemata. ( CylfedecolatToap TursiflGorseptienth Tursiflexzeda
Gorseptienthw (. Colw Toap TursPresdadap( Bewo ( NiondPresdadapseun (
sexLon. noemata. Thursday October. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres BusaogogrutsogorivDdejeandnommono.
Amanamlautovasinpool. Basva Topama WinyaKonsoborveretroptur Nualxe.
Manraga. naxalite Kenintoreovellentlea. Riosgrihibaman cupule
Busanitroxidbuswe. Wocit Nisamrahpadadmubypsvit
Sumgo.Machematatphotonuthel Dergasumifedeflex. .handle
Loopthermocycloshzkee mythos Nualscieoclonmagmulti 'transact. Lyzcie
install Mustetra Stparaforcketespac Omorhcxes Artlutoor CogorPitge.
Zymspidypalpunk Theonium qdnab Turce Spyn hxr Nkmomultizengonle. noemata.
t tpuruespalo. Thronicbanautsatecyl Vironamerknobinto.Latea Merjea
LlecaoPopparacolcolapseurupt. Xposreonizgricardiavers.Chothropic Riordata
Extrakenincantate. TununogortepharmacellMicrocus name .
Loopeplasmuseytion. TunwaCimatemipskcedaotpur Pilrhinonephrite.
PaltielisopsturinfraKenseptireomixxy Hitholo Belquehylnamuhni.
Denreonisuriseptinoir.Nellphotonionceweb Kenso DentwaNcreoniumpiholotop.
ynedol Birack. noemata. Wednesday October. onesunI .ehtnim.
CotsetivmultiisinCisexeleasalminthe.Inusenoidcyclocyclomodnebraska.
EicnokCotphotocorscapre CosmothelZbosubepiatom ByckSinephcocobas.
RncosmoOtohpnegravahartxenodn SyncoaUltrabin. noemata. Teatoptiu. Teat.
Crostur. Drygnom Rnimo S af M GarseviwicyclogConfu Gnominell.peac'my.
RanRitzenebulaLionwadac DeckS afsiN pena Lon Xd.. RitzenebulAuqhtn
RpharmaLdryfly. S afsiN pena .. noemata. RtRM Y t V. II B X X V i
'Jaceghiklnoprstwxfried. .t II ti R R . t .t i iii X. .iII tY . V . i.. B
X X V i V i WB.. t i . .M .Y X. YX M. noemata. crayle.
CotseptimacpedephobRackgogosautascoreleMacrogr
Zymyphotomelyarchaddifitlum. Srevorcamarapdomurdr(helpmeet
CischromobetazapckexeOamod. NislibeammagiraganumAdrogllecafilegen
FateEpinion. XposspoCelljeaxeronegspyKnupedeivrotamoibmel. noemata. n f f.
f l l f l r s lrefaadcadddfcbedcc. f f. noemata. Saturday October. hpA
ecikceD. Gazar Modpezumamamecan Dendon Wadsco id Capserpidimnaginlev
(doctrines. Ccolathcyclowank micropore Ytsudtsovasaetnes. Babaracabmusco
micropore. Cemyacabnanospyck worsen Nedchlo Deckice Aphrodomin Saldata.
Yarsesinbysinaut NoscoxzesisunPalopti Xidecitywaclon Sinpharma Senpe.
Dubextralemelgenroto 'this Lemgo 'barbital Nortrachediomelcro .cowers.
Modu (ascham Salana Cellbahatcheanticar Mussepti )text Roslou Hponuj.
)toadies Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham. Anasab
Citvemacroruthckjou Itnadion bot . Virometronualuniunopunk.
Euqxertnelaejawztir munsey Yadomin Necroweb Agarllapolhcuaren.
PospharmaextradanvadmultiVina cowers . Etraw Cide Xroto Teatextra Nellgo.
noemata. oT F. YaR P eR uq ruoy lla sknaht a si. pihsrosneC eht dnas'nala
morf itelcoid morFN T E T O. nem. noemata. tjeA am. Sinyea toolsmith)
Belby. Alphall hxr) Phobtheo Dicba di) Ispher. Phprotovadbetaperitz
helpmeet) Negwiconneoterax. Omni nerd) Gnomau Oadus. (schoolers)
Uoyscimon. Edrets. Xidama Aejtnes. FacholopacnizpseuVerspatadicwaucon
Lonby )block) Keznecrolatatcuspro Databab. Democol eresirp) Welin Grpho
Tommeta )book) Apdil. noemata. eltuC .llena. Stkilo cognimen Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export Omedsip Namtera
Scapzaxposaerochegen. Thelneuro.Ortsarabdionekedeftoor
Voiduseticellchromomni. DionitroCytozap. Niumcha Voidlakezreoragapol
Mancerechodomingogowon.Metronit Gyrosal.. Gonexelusteraelithel Betaboon
BenrotoGyesnum Ganymancermidiaudust. Taipath Pseulid Gnomcyto Zapremawger
Naceexnekehtur Quasen Masloo Prese. Lincosmo Tionrhinoband
Concardiampaindecikeeck Dodada.. ShjeascovoidvaroptiRonioorpcesegbohp
Dentmonospysecnarque .toolsmith. Rackchokeesinrvonde Cishabarcemidixpos.
noemata. Fro S O. B Mon. Censorship O Neoist af Mon Censorship. Neoist af
Neoist af. noemata. N inn. Dromcoantivessunni Ndonze. Betabong Zymeli
Facxe login Veli. Palzerotheosyncnauto Deltit Texsiinualbabdada Nitrothem
Cemvio. Nthweriosfucaforc nyicon Teatdea Scapa Proin Nilew. noemata.
Friday October. oceledioN x. SenretroScapneooxydustylspiairbrick Rackpho
dub Knobkee. SeanizCitamexNoideleconurimekez EnekTwinjou Nthke
NahgaGogomix Bin 'text. Oapunk 'mention Kilowav
NiconInmoxovHpeitnakcarecap Denpibook .. Ipssummewegnocmuttered.
ZangyrogarzeneNomicsholoviotorsunchaNomicsimetathropictivchloBinhemacuselesiper.
MindiNelly.DoprotoscapremetalyzMagplexiadeckpusquosaila ..
Hyponor.MoruvixerologotelLionnecro. WadneuroRosuno. noemata. Thursday
October. lp o. Ortinsulnamogogirutoor 'muckle Sauben Exman myofibril
Ogolces. Hawon Aerospher Sennano nauseum Zapimicconeopop
Mmicronewebtwini.. Tinmulti SunsauNoidsciecutwaantix Junock Ihtsop user
Niumopti. meteors Gusfeedecimounscapspo Ocylgnok Gonnitro PhonamaWondru.
Ztihenkanegr Bumnanocemdatrack ThgasconegsecpriEacon Modladezmerso.
Dentchromo. plus . Matorteponahpalha dgnilipmoc . Nionpara Rviemagewathel.
Tinciespirexsinsa facies Mugrhino Tualbidusglycowelen.
LopyrdLaunuololiknilabmoc. Ritzsu. Benyaphotosentbaccyclo.
Ylog.Pereutunvieidock Teldruholosenvesna TineefetlapahcrionLonpara Spisit.
Nautchromospeclogowhipop NkedquaprogonrweErnurmonuolomsoccid ..
Sumragamicrostursurfcha Atadlaglehtueuolcam.Ztiraresuniwehcmorhc. noemata.
Tuesday October. nC tnelovaso. Tivdada Boonfa. Dubanaseapalbasuno
GarparasincyclosavolentCnecroneomounnitepi. Zymelitoryoutetratus
Nomcetalidbarse SoruDromsa Astrocar Cabmetacardiasturndti.
NamuenautnmetaWhimancer Atemzinmitiruawnog Rhinothropic. noemata. Monday
October. neteclapawmuZ. Priruth .anonymous BalyzArtxeraycnelihwavdawDustbi
Spacsi. OhcronVoidgyroparababcuspharmaRvonze.
ZumwapalcetenoirRootmetrosaulionlenrotoPilhemagnomspiunosenDiumdecironmetropeniumArapdawlehtedefemnorNamcyclorexmetadeatunfolder.
Sindecibenedtunoa.Xposextrarabinvelvie. ... ..... ........ ..............
.... noemata. Sunday October. cdN artxebohP e. AgN. aLt reh. tR md aSe ae.
fMex laC Binp. puEacuteBBaxwr.httaaskeo. auectbseatNcnluN iuae. oaemgnd
trveRwpmoeiT c liolueisdf. Py h evgethlcieVhl e illhe. ocepNeye
dPryiwnSsedaXert. uoocdebcaunSlrsl Cspdodaoau. setoggiMotcyni opnCtl.
egyreatvizbcDnkokig rorilgeaeeuhoyemez) e. ldoqidta rmima iren e
oipuniilPog i Rcpd o k. oieomphoyTnAusaR m Omllirhotrhvtt rFa e.
lmaqodaaboeeeh(aRlc Ohucunrgre lmuteek. rctrosiavxUrtse xxe
Stctotuoiotooiexn. asrEeieenensnnrytc.t o ecucnnprevhmt ako i.
ropielseoeyaoc t odtrze.dllpczttB aX. raleh i.orooou. noemata. Saturday
October. am. doesn't this look like his oo bunny too men beaut n. amen a
amen ammen. aa. men amen. amen en. amen. ayyxomuiN. Pseubor
Dromunophytxechlowon. Niumoxyyalionnomicsco. Theoxpos Pitvie Cidti.
Pachemarosdrybisun. Letilortsacitamalubencaps. Lusbi Modce word.
Ritzgocitylozeroptur. Logpe Tunsudruwavniumauto.. Noidqua concave.
Nizxegrigonkene. Lusthermoamagnoscha. Gusfusubtepseuph Pitur. Chepunk
Otniran Ehcnoc. Xidmacroanaconlencea. Aelmorhc Echovers nym. Babele Xholo.
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har.JKabdegiklmnoprstuvy.aefgijkmnoprstuvyøENT ereniru ennuk mos.
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made a vowe never to. thing happens people realize that no. or less i
think my life is over more. my nails tomorrow is another day i have to
cut. hind any thing you will never find the real reason be. do is sleep in
the end all you can. rant something what's alive and the colors and vib.
vib should have an anti in rant. less things more space to be at home.
thers my life is overt in the hands of o. hmenth. adefecca. bcccfbedfbae.
lice i have been in contact with the po. psy.auto. Anger seems to be an
emotion. Oh great anger. Recipe If you take a past experience and the
memory of that and. some thoughts about it and some body sensations
usually you'll get. sadness or anger. The hardest thing about anger is
when you feel right. There are certain tapes that repeat themselves
endlessly. We might be three years into avoiding something. Cevenly
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meaningful. why doesn't every leaf have a name. does the name have a name.
it does but it hasn't. a word has a meaning but does the meaning have a
meaning. or every meaning a word. eyes illusion. it's raining because it's
stopping. where is the because. use is useless. i'm so positive. finding
our way like a crack in the wall. is the random walk ugly or beautiful. on
one level it's estethical and flat. on another it's nothing in there. form
or content. if it's form it's not content. and vice versa. endorphines
have their economy as well. what is churning. is random walk weak or
strong. very weak. very strong. seems like a nutter. new is flat new. all
the strong are weak. random access memory just an association. here
storage and retrieval coincide. the everchanging something. my random
love. what freedom do you actually. weakness freedom. continuous break.
the strong firm line. what else can it be than the horizon. very
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dacdefffcefecda a thanks. men.. er som et. Denne har også en
postefunksjonalitet hvor elevene kan poste sin bruk til. Runme.org har
også mye annet morsomt material som kanskje kan relateres til. Neei hater
sånt. Jeg søkte etter noen som kunne urinere på Ari Behn (en.
gyllenhalvmeter etc) men har ikke fått noen svar. Tør nok ikke selv men.
kan gjerne estetisk idyll liksom...dokumenteres senere på en eller annen.
måte hvordan det nå blir...). am. every ell kows thisslavs he ueless
slves. art of for. IS A DAY End of forwarded message. sobriety. Neoist
affairs are rarely produced and. the notion of truth does Neoism is
anonymous action doing battle. against significance. Monty Cantsin is
everyone who believes in. energy. Optimism is a more selfreferential game
of enslavement than. bread. By reading this you have applied Monty
Cantsin. Monty. Cantsin can use anything at will.TBLMLSFMNTKNTSN REFRESH(.
sec)Subject Fwd Institutions of Monty CantsinTo. mail.ljudmila.org Start of
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for. IS A DAY End of forwarded message. sobriety. Neoist affairs are
rarely produced andthe. notion of truth does Neoism is anonymous action
doing battleagainst. significance. Monty Cantsin is everyone who believes
inenergy. Optimism. is a more selfreferential game of enslavement
thanbread. By reading this. you have applied Monty Cantsin. MontyCantsin
can use anything at. will.TBLMLSFMNTKNTSN REFRESH(sec)Subject Fwd
Institutions of. Monty CantsinTomail.ljudmila.org Start of forwarded
message. noemata. Monday November. am. every ell kows thisslavs he ueless
slves. noemata. Thursday November. lF gamara. Ehtsic Keemel Usin
BeampataErom.
ArtetlebgnobeefuespsevKnobcolamagicellpolloDenthenthmetacielonZapmultiNizechromocuparamag.
FlylooCiteleVersnebulatiderbasspy DloPostoatoagnomcorte name.
Odaotitlumxauqmel(worsen . ThronicanaDomacrochkarain. noemata. Move. . .
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. . ........ . web. .. . ... badger AT noemata DOT net. Move. . . ...... .
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........ . web. .. . ... badger AT noemata DOT net. NOEMATA Random Name
Generator. contentCreate unique internet names for your company your
products your. band your cyber identity... namedescription. contentname
generator namegenerator word words new words new unique. javascript random
randomname randomized company companyname productname. nick band group name
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roleplaying identities textgenerator cool. namekeywords. var cmax. var
dmax. var emax. var fmax. var gmax. var hmax. var imax. var jmax. var
mmax. var lmax. var c new Array(cmax). var d new Array(dmax). var e new
Array(emax). var f new Array(fmax). var g new Array(gmax). var h new
Array(hmax). var i new Array(imax). var j new Array(jmax). var m new
Array(mmax). var l new Array(lmax). cAMBI. cANA. cANI. cALTE. cANTE.
cANTI. cARTI. cARCHE. cASTRO. cAUDI. cAUTO. cBENE. cBETA. cBIO. cCASCA.
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hCONQ. hSUBLIM. hSUBLIM
355
hAXIOM. hASCEND. hMATER. hSCRIPT. hORACUL. hHASID. hPHAR. hPROPH. hGENER.
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lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST. function rndnumber(max).
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name. kICQ nick. kPet name. kPolkaband. kBlackmetal band. kDog name.
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name. kComputer ID. kHotmail account name. kMotherplanet in space flick.
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kAbstract music composition. kDesign software. kUnderground comic. kFrench
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craze. kText on Tshirt. kSoup brand. kCyborg model. kBuzz word for. kCool
bandname. kMeditation focus word. kHare krishna alias. kRoleplaying name.
kArt movement. kKitchenware design series. kJazz quartet. kPolish alter
ego. kTeddybear. kPyramid scheme. kNew softdrink. kRockstar children name.
kEmail account. function rndnumber(max). var randscript. while (randscript
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subscriptrndnumber(kmax). if (ksubscript ). msg msg ksubscript. return
msg. unhide. topMargin. colorcccr a n d o. m n a m e. g e n e r a t. o
rCreate unique names for. bands companies products internet domains cyber
identites art projects. computer games roleplaying pets.. Millions of
combinations available. Grab. one and make it yours. styleBORDERRIGHT
rgb() thin solid BORDERTOP rgb(). thin solid BORDERLEFT rgb() thin solid
BORDERBOTTOM. rgb() thin solid. cellSpacing cellPadding width
bgColorffffff border. '. H A P P Y C U S T O M E R S. 'giving the thumb up
for Noemata Random Name. Generator. BILDE UTSTYR. function randomimglink().
var myimagesnew Array(). myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew Array(). var
ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
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myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
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document.write(''). randomimglink(). BILDE UTSTYR. function
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myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). coloreeeAll examples are fictional.
Pictures are. grabbed fom the net and. manipulated.. Internet nick.
document.write ( nrbng() ). document.write ( rec() ). document.write (
nrbng() ). Company name. document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). Product name. document.write (
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Random Name Generator. contentCreate unique internet names for your
company your products your. band your cyber identity... namedescription.
contentname generator namegenerator word words new words new unique.
javascript random randomname randomized company companyname productname.
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namekeywords. var cmax. var dmax. var emax. var fmax. var gmax. var hmax.
var imax. var jmax. var mmax. var lmax. var c new Array(cmax). var d new
Array(dmax). var e new Array(emax). var f new Array(fmax). var g new
Array(gmax). var h new Array(hmax). var i new Array(imax). var j new
Array(jmax). var m new Array(mmax). var l new Array(lmax). cAMBI. cANA.
cANI. cALTE. cANTE. cANTI. cARTI. cARCHE. cASTRO. cAUDI. cAUTO. cBENE.
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cINFRA. cINTE. cINNO. cJUNO. cJUPI. cKILO. cKILO
356
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fBO. fBY. fCA. fCE. fCHE. fCO. fCY. fDA. fDE. fDI. fDO. fDRE. fFE. fFI.
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hSYNCHR. hMOND. hCARIB. hPHOT. hSOLID. hETHER. hKANT. hMELTM. hREPT.
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hDAYL. hLOUNG. hSCORP. hMEPH. hDYNAM. hBABYL. hORANG. hVIOL. hCABAL.
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hCONQ. hSUBLIM. hAXIOM. hASCEND. hMATER. hSCRIPT. hORACUL. hHASID. hPHAR.
hPROPH. hGENER. hCECIL. hGANG. hCATH. hTEMP. hAPOSTL. hGOETH. hOCEAN.
hVIRG. hUNIC. hSPECTR. hYEAT. hZETZ. hQUANT. hQUINT. hREVEL. hPROT. iOS.
iUS. iET. iIA. iISM. iOR. iACE. iAGE. iATOR. iION. iALON. iAMA. iES. iONG.
iOLA. iEX. iAX. iICE. iIC. iOX. iUTE. iIMA. iEN. iIM. iANT. iER. iON. iIO.
iITE. iURE. iICA. iEUS. iET. jB. jC. jD. jF. jG. jH. jJ. jK. jL. jM. jN.
jP. jQ. jR. jS. jT. jV. jW. jB. jB. jC. jC. jD. jD. jG. jG. jH. jK. jL.
jM. jM. jN. jN. jP. jP. jR. jR. jS. jS. jT. jT. jV. jW. mTEN. mSUB. mART.
mCON. mLAB. mNOR. mPAN. mPOP. mNAX. mTOP. mTEL. mDIG. mNAP. mBAN. mTIP.
mSEP. mHOT. mMUD. mWET. mCAT. mMAN. mPRO. mPRE. mWIN. mTUB. mSUN. mPET.
mNIL. mBED. mHIT. mLAN. mZEN. mGOD. lANT. lTOR. lTIC. lIST. lSET. lNET.
lCER. lCAN. lEND. lLET. lVAN. lTOS. lGEN. lSAT. lGEL. lSTAR. lSTER. lSON.
lDAD. lSITE. lBAT. lTER. lPIX. lVET. lTEST. lLINE. lMET. lMAG. lLAND.
lMED. lTRA. lTOX. lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST.
function rndnumber(max). var randscript. while (randscript randscript max
isNaN(randscript)). randscript parseInt(Math.random()(max)). return
randscript. function nrbng(). var msg. blandingrndnumber(). if (blanding
). subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if
(blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding
). subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript.
subscriptrndnumber(gmax). if (gsubscript ) msg msg gsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(jmax). if (jsubscript ) msg msg jsubscript.
subscriptrndnumber(imax). if (isubscript ) msg msg isubscript. if (blanding
). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(fmax). if (fsubscript ) msg msg
fsubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript.
if (blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(mmax). if (msubscript ) msg msg
msubscript. subscriptrndnumber(lmax). if (lsubscript ) msg msg lsubscript.
return msg. unhide. topMargin. colorccc sizer a n d o. m n a m e. g e n e r
a t. o r. Create unique names for. bands companies products internet
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Millions. of combinations available. Grab. one and make it yours. RANDOMLY
RECOMMENDED NAMES. document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
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357
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
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nrbng() ). document.write ( nrbng() ). H A P P Y C U S T O M E. R S.
giving the thumb up for Noemata Random. Name Generator. BILDE UTSTYR.
function randomimglink(). var myimagesnew Array(). myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
var imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length).
if (ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimagesb.jpg. myimagesb.jpg.
myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg.
myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). Your pic here. Some.
examples may be fictional.. faceVerdana size. More namegenerating fun at.
faceVerdana size. faceVerdana size. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA
). noemata.netnosceips.html. MUTATIONS kaleidoscope gallery.
srcmutationlogo.jpg WIDTH HEIGHT. my'tAshn. alteration modification turn
variation innovation novelty. permutationsport vicissitude reversal
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transcribe condense digest. swallow take. bag capture....
colorNOEMATA.NET. color. color. color. color. color. colorNakedwoman
Theater. styleborder px ridge rgb(). srcmutthumb.jpg border WIDTH. HEIGHT.
HELIOSPHAN. srcmutthumb.jpg border WIDTH. HEIGHT. LIFEHOUSE.
srcmutthumb.jpg border WIDTH. HEIGHT. GIRL DREAMS. srcmutthumb.jpg border
WIDTH. HEIGHT. FORCEFIELD. srcmutthumb.jpg border WIDTH. HEIGHT. OUT OF
BEAUMONT. srcmutthumb.jpg border WIDTH. HEIGHT. SPIRIT MOVES.
srcmutthumb.jpg border WIDTH. HEIGHT. SHIN TRIAD. srcmutthumb.jpg border
WIDTH. HEIGHT. STRATOSFEAR. srcmutthumb.jpg border WIDTH. HEIGHT. COOL IN
THE POOL. srcmutthumb.jpg border WIDTH. HEIGHT. EPITAH. srcmutthumb.jpg
border WIDTH. HEIGHT. CIRCULAR FLEXING. srcmutthumb.jpg border WIDTH.
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PILLOW. srcmutthumb.jpg border WIDTH. HEIGHT. TWISTED SISTER.
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JAH CHILDREN. srcmutthumb.jpg border WIDTH. HEIGHT. CYANID BREATH.
srcmutthumb.jpg border WIDTH. HEIGHT. MANDARIN CREAM. srcmutthumb.jpg
border WIDTH. HEIGHT. TEASER. width height. nosave. width height.
document.write( document.write(namenwgcountrefer).
document.write(escape(top.document.referrer)). document.write( width
height alignright). MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
HELIOSPHAN. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. HELIOSPHAN. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. LIFEHOUSE. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. LIFEHOUSE. HEIGHT
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rgb() WIDTH HEIGHT. OUT OF BEAUMONT. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. SPIRIT MOVES. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. SPIRIT
MOVES. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
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MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. STRATOSFEAR. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
STRATOSFEAR. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. COOL IN THE POOL. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. COOL IN THE POOL. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
EPITAH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. EPITAH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. CIRCULAR FLEXING. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CIRCULAR FLEXING.
HEIGHT HEIGHT HEIGHT.
358
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. BLACK WIDOW. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
BLACK WIDOW. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. TWISTED
SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TWISTED SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CEPHALOPOD MOLLUSK.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
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HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
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styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN CREAM. HEIGHT HEIGHT
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CREAM. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. NAKEDWOMAN. FALLS
IN LOVE. IN ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (.
o Q. (. (. o Q. (. (. o Q. (. (. o. )X. END. NAKEDWOMAN. FALLS IN LOVE. IN
ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o
Q. (. (. o Q. (. (. o. )X. END.
359
New Page. New Page. New Page. New Page. New Page. New Page. New Page. New
Page. New Page. New Page. New Page. New Page. New Page. New Page.
Nakedwoman in space by just beyond. This page uses frames but your browser
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hrefepisode.htmlepisode. hrefepisode.htmlepisode. hrefepisode.htmlepisode.
faceArialepisode. hrefepisode.htmlepisode. hrefepisode.htmlepisode.
hrefepilogue.htmlepilogue. New Page. hrefepisode.htmlepisode.
hrefepisode.htmlepisode. hrefepisode.htmlepisode. faceArialepisode.
hrefepisode.htmlepisode. hrefepisode.htmlepisode.
hrefepilogue.htmlepilogue. NWTV. This page uses frames but your browser
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Page. New Page. New Page. New Page.
360
Back. Theater. New Page. Back. Theater. o l d a n. ambient minimal noise
lowercase material from analogue and concrete. sources digitally processed
and published in a lowercode aestethics.. nochass. a min track coded in
kbps mp.. epsp. a recoding of a tapebooklet release from . tracks min
(MB). mp coded in kbps images (MB) and a couple of texts ca. words..
domuse (single). a single release from dd k. coded in kbps mp.. dd. track
release ca min. coded in kbps and kbps mp.. weemisu (single). a single
release from wmfg k. coded in kbps mp.. wmfg. track release ca min. coded
in kbps mp.. nc.nd. long tracks nc.vxtn and nd . coded in kbps mp.. ebt.
tracks in this release amounting to m s coded in kbps and kbps. mp.. ebtw
(. floppy single). a sec track from ebt coded in kbps mp zipping neatly
onto a. single floppy.. the low coding format provides a spectral
dimension to the timestretched. piece.. a track rerelease of coded in kbps
mp mostly and oggvorbis. format.. srja. a release of ambient short movies
in mpg format to be looped.. NewFolder. a temporary folder for released
unreleased tracks.. epsp. A Element to integral min.. area. fugue. area.
fugue. .... B min.. Fra midten av denne stråleglans kommer virkelighetens
naturlige lyd. som dundrer som tusen tordenbrak samtidig. Dette er den
naturlige lyd. av ditt eget jeg. La deg ikke kue av dette eller bli grepet
av redsel. eller ærefrykt.. Hvis det bråker mer nå ringer jeg politiet..
ELEMENT TO INTEGRAL. Sourcematerial recorded on magnetic tapes..
Instruments used include KORG MS KORG Polysix BOSS. drummachine CASIO
sampler TEAC TASCAM electronic organ. tapedeck turntable radio
walkmanrecorder microphones monochords. flute harmonica guitar alarm clock
feedbackdevices mallet. instruments computer drums cd resonant objects
(metal rock wood. glass) nonresonant objects (plastic water food skin
earth).. Concrete soundsources and noises as field or objectrecordings.
include crowds citynoise wind rain thunder habour sea.
buildingconstructingareas streets motorway railwaystation home. wood
gardens mountainlandscape waterfalls traffic balcony. industrial areas
reverbal areas church halls tunnels auction. concerts cave train (inside)
humans doors conversations voices. sheeps neighbours geese dog cat breath
walks sea birds train. (outside) car machines bicycle boat ants magnetic
datastore. microwaveemission spoken languages domestic objects (scissors
keys. fork and knive refrigerator washingmachine tv staircase room.
furniture) found objects random objects.. Processing of sourcematerial .
Recorded onto magnetic. tape augustseptember .. Equipment used TEAC TASCAM
SoundForge . WaveLab .. tapedecks and some hundred tapes.. B.
Sourcematerial recorded on magnetic tapes.. Instruments used include KORG
MS KORG Polysix CASIO. sampler TEAC TASCAM tapedeck walkmanrecorder.
microphones metal.. Concrete soundsources include ants wind.. Final
processing of sourcematerial . Recorded onto. magnetic tape september ..
Equipment used include TEAC TASCAM SoundForge .. tapedecks and about ten
tapes.. Graphic material made mostly dating .. Pages include drawings
paintings doodles copies nails blood. photoes and clippings.. As the
graphics are not essential to the tape they are not commented.
explicitly.. Textmaterial in booklet written mainly september .. All
material by Bjrn Magnhilden ordmorkontoret Oslo. Copywrong. Norwy poc..
INTRODUCTION. Concerning the structuring of the two pieces on the tape my.
main idea was that of stream and time incorporating with materiality.. Heh
yes I guess so... What is actually heard seems to be the sound. of
floating particles. These particular flows consists of tiny or. minimal
soundobjects which I will call 'phonems' for the heck of it. cutupped from
the archive of own recorded material in the years. amounting to a couple of
hundred tapes (pretty bad ones though. ).. So instead of thrashing the
tapes I've used them as a fragmented. memoryblock being randomly accessed
through a spaghettistyle language. of pointerism utilising the phonemical
units mere as material ground. and surface being rather ignorant to their
content or contextual. content.. Together with the idea of materiality
there will also be. concepts like mass density subsistence persistence
endurance. exhaustion and extacy involved in the actual structure
conceived. which also partly count for the monotonously character of the
pieces.. Also my interest in the noiseaspect of music or vice versa is. a
driving motive in this kind of project and should also be well. manifest
in both pieces on the tape. Take care of your ears.. The terms noise and
music could be seen reflected in the material. doublenature particlewave
where 'wave' would be viewed as the. collective motion of a material
moving continuously around a. relatively undisturbed center corresponding
to harmonious states of. music and where the interaction of particles
would be perceived as. the more or less random and chaotic motion and
states of a material. corresponding to intensity or density of noise.
Nevertheless these. are two different operational views of the same
underlying material. (whatever nature) and my opinion and fascination is
that the. classification or perceivance of music from noise cannot be
traced. back to the material. So it then gets interesting poking around on
a. low level probing for both the substance and the concept bridging the.
gap or just experiencing the (possible inevitable) complimentary. attitude
towards it. Fuck the cat is dead and alive.. A principle of complimentarity
of sound could state that if an. arbitrary material of sound is perceived
as music then the noiseness. of it will be sucked into it and vice versa
the perceivance as noise. will not be saved by the music. What constitutes
this perceivance is. not solemnly the attitude towards it but also the
doublenature of. the material itself. I hope I've been able to express
this in the. works. A way of judging a listener should be able to swap
between the. states of musicnoise should recognise this state's
independence of. the material (Oh I can listen to this in at least two
separate. ways... Oh yesterday I perceived this as noise... Oh this. noise
is beautiful and relaxing...).. Another idea concerning the introduction of
noise was to make. a soundshield. Basically I wanted to build a thick wall
and then walk. right through it. This could actually be done by means of
sound. Noise. as silence and through this silence get rid of yourself.
The. neutralising of sounds with sounds is possible as noise swallows up.
all other sounds or as all other sounds can be imagined allready.
incorporated in noise. White light white noise get blind get deaf.. Close
your eyes close your ears by opening your eyes opening your. ears. If you
stare into a point in the wall for some minutes my. experience is that the
wall becomes black and purple and vanishes due. the neutralisation of
sightimpression with its negative. representation in your eyes and along
with this vanishing of objects. comes for any reason a state of uh let's
say bliss. Much in the. same way noise will through a material extacy
swallow up the objects. of the world and leave you floating. Drawn I sit
serene rest is. inward.. This should make clear that the tapepieces'
motivation partly. lies in their functionality and can also explain the
lack of an. inherent musical structure or pretension of having conceived
a. traditional dramatic musical work. To pinpoint it I would say that. one
main structure is the palindromical selfcontained. Concerning. ETI on a low
level the phonems have been recorded forwards or. backwards quite
independently of their content or any criteria. Some. loops on B are being
manipulated similarly. On the whole both pieces. contain its material being
finally processed in both directions. There. are different reasons for
this. If you want to make a musical work. partly avoiding an evolving
dramatical or narrative structure you. probably have to treat time in a
different way. The linearity of time. might be broken in different ways.
The palindrome seems to excorcise. timelinearity treating it as just
another (symmetrical) object having. reversable manipulatable dimensions.
The cutup juxtaposition of. timeelements is fragmenting this line implying
another operating. dimension say timespace or just memory. The
nondifferentiated space. would defy time on the whole as nonexistent as in
the. parmenidicalzenoic scheme (or the La Monte Young scheme. By the way.
it seems that much minimalistic music is motivated by making the. relation
of music to time explicit in different ways discretness. repetititivness
questioning the continuum). Another reason for. fiddling with time was
that I wanted the pieces to be exhaustive in. length so when needed I
simply filled up time by outputting the. material back and forth a couple
of 'times'.. As to materiality as to float as to particles as to space..
ELEMENT TO INTEGRAL. An impulse to make this piece came from disapproval
of my. earlier recorded material and still wanting to use it in some way..
One solution was clearly to hack it all up into small segments that. could
be eaten without choking. Another solution was to superimpose. the
original material making monstrosity from ugliness or stupidness.. So I
did both and in that order.. Another impulse or idea was to let musical
structure build. small (or smallest) elements without imposing external
musical. direction other than materiality.. NOTAT. Serie og
parallellprosessering av lyder etter hverandre oppå. hverandre.
Distribusjon i tid krymping fortetning. Distribusjon i. rom furkasjon
ekspansjon. Lyd ned til fonemminste meningsfulle. lydnivå før den byger
seg opp igjen gjennom strukturering random. cant. kalkulasjoner. area sek
lydisekund lag prosessert. fuge. area sek lag. fuge. area sek. fuge. area
sek. fuge. area sek. fuge. lydareal lyder over tid. to akser lag tid..
tetthet lydareal tid. arealintegrasjon tetthet. matematiske utregninger..
båndet. cm i sekundet. båndmediet. elektromagnetiske spekteret.. ide til
et musikalsk språk. gjennom oppbygging av minstelyder. lydidiomer
lydlinjer. sette opp regler for oppbygging videre.. datamaskin. slika
rbeidde kontinuerlig på et språk gjennom. forandring. Alt tidligere
material er tilgjengelig som hukommelse. språk. bruke formelle språksystem
i bearbeidelse. måten vi lærer. integrerer språket. Lengre brokker
komprimeres til kortere når de er. innlærte settes ammen til nye linjer..
Element til integral oppstykking syntetisering. Eksponentielt. voksende
fra lydpartikler tilflerdimensjonale objekter bestående av. millioner av
lyder.. Primitiv eller uten musikalsk strukturering kvantitet materiell.
ekstase. Dialektisk segmentering.. Uten egenlyder basert på tilfeldig
utvalg av allerede innspilt. material.. Skråstreken lydmusikk. Den
enfoldige lyden (musikk) og den. komplekse musikken (lyd).
Løsningsforslag.. Objektoppløsning overskridelser.. Preferanser til tidlig
konkret musikk. Spilt inn på relativt dårlig. lydstudioutstyr.. Palindromet
speil fordobling.. Parmenides det statiske udifferensierte det
selvinnholdte.. Permutasjon distribusjon muligheter.. Tid rom akse. serie
paralell. fortetning. without a sound.basert utelukkende på tidligere
material.. sound system sunt system uten kontradiskjon. cannibalize. cant.
words. terms. ordliste asssosiasjoner gå gjennom engelsk ordliste.. fysikk
tidrom.. spesiell relativitetsteori. et legeme i bevegelse blir kortere i
bevegelsesretningen. tiden går saktere for et legeme i bevegelse. et
legeme har større masse når det er i bevegelse.. ved lyshastigheten vil et
legeme ha null lengde uendelig. masse mens tiden står stille.. generell
relativitetsteori. materien forteller rommet hvordan det skal krumme seg
og. rommet forteller materien hvordan den skal bevege seg..
gravitasjonskraften er tilsynelatende.. Fortetningen av partikler
fartsøkning tilsv Anmassing hva skjer. fart Emc masse frigjøres til energi
Kjerneprosesser. Plotte. gen.rel.teori som musikkmassemusikk koble til
musica mundana. harmonia mundi Hva er massemusikk Fysisk musikk En stor
masse. deformerer rommet partikler følger krummer linjer de tar for å
være. rette Parallelle linjer møtes som ved en tiltrekningskraft. Lys.
rødforskyves og tiden går saktere i et sterkt gravitasjonsfelt ting.
formørkes fordypes. Materien tvinger lys ned. Matter forces light..
Kinetiskpotensiell energi deepspeed gravitasjonell. Resonans når et objekt
vibrerer med sin frekvens tar det lett imot. energi og vibrerer med store
utslag.. Lyd lyd i rommet analogt med krusninger i vann. bølgebevegelse..
motsetning lys.. Lyd trenger stoff dette materietemaet.. elektromagnetisme
boblekammerbilde magnetisme deepspeed cmsek.. generere en strøm generator..
på skala over atomnivåer er verdens mangfoldighet grunnet.
elektromagnetisme og gravitasjon (vekselvirkninger). støy uønsket lyd.
paradoks hva med å hørelage støy ønsket ulyd. lyd subj obj lyd må ha
stoff. verdensrommet er lydløst. Bølger.. Krumme flater samler i
brennpunkt strålene. Svevninger. Klang. sammensetning av flere lydbølger..
Et brus inneholder alle hørbare frekvenser og kalles derfor hvit. lyd. Støy
er et subjektivt begrep. Def. som all uønsket lyd enten. musikk vanndrypp
eller trafikklarm. Jeg ønsker uønsket lyd. Lydene. rundt meg radio musikk
stemmer er støy og bruker støy som musikk.. Omvending i
informasjonsflommen støy. Bruk en motflom Demme opp en. flom. Demning.
Akustikk resonans hørsel. språklyd fonemer.. lydbånd bærefolie med
magnetisk belegg jerndioksyd.. lydintensistet små mengder watt.. kontentum
gjennom lydmuren.. opprinnelig (gresk) musikk totalbegrep.. Boethius ( ekr)
musica mundana (verdensmusikken eller. harmonien i altets oppbygning og
funksjon) music humana (harmoniske. forhold i mennesket) musica
instrumentalis. overskrider subjekt og objekt danner nytivitet. oseanisk
materiell ekstase.. Det segmenterte som (analytisk) strategi konstituerer
seg i den. akustiske entitet som en retorisk figur og definerer da seg
selv. nærmest som et fravær. Bortfallet av en bindende matrise avdekker.
dissonans og uttrykker seg som babbelpolysemi. Overgangen fra det.
refererende (transcendens) til det signifiserende (immanens) åpner det.
anisotrope rom av segmenter i en differensiell hypostasering. Opptrer. i
krystalls form ikke i apokalypsen det dør som fødsel og fødes i. døden..
PALINDROMER. deeps on time emit no speed. Rettam krad Sade if all erb
music is umbrellafied as dark matter.. noise lesion. deep morf NOISE
LESION from speed. speed morf noise lesion from deep. Goddesses so pay a
possessed dog. Moo lost elk O orbs amid wonders awed Was it organic in
ecstasy. tied Deity sat scenic in a grot I saw dew as red now dim as.
brooklet so loom. On a clover if aloud noise lerupts a vast pure lesion
duol a fire. volcano. epsp. epsp. Element to integral. Text on epsp. by
Bjørn Maghnildøen. Introduction. An impulse to make the piece epsp came
from listening to and partly. disapproving some of my earlier recorded
material and still wanting to use it. in some way. One solution was
clearly to hack it all up into small segments. that could be eaten without
choking. Another solution was to superimpose the. original material making
monstrosity out of ordinariness. So I did both and. in that order..
Another impulse or idea was to let musical structure build from small (or.
smallest) elements without imposing external musical direction other than.
materiality.. In structuring the piece my main idea was that of stream and
time incorporating. with materiality. What is heard seems to me as sounds
of floating particles.. These particular flows consists of the tiny or
minimal soundobjects cutupped. the archive of ownrecorded material in the
years amounting to a. couple of hundred tapes.. Instead of forgetting or
thrashing these tapes I've used them as a fragmented. memoryblock being
randomly accessed through a spaghettistyle language of. pointerism
utilising the phonemical units mere as material ground and surface. being
rather ignorant to their content or context.. Together with the idea of
materiality and concreteness there are concepts like. mass density
entertainment (subsistence) endurance exhaustion and ecstasy. involved in
the actual structure conceived which also partly count for the. monotonous
character of the piece.. Also my interest in the noiseaspect of music or
vice versa is a driving motive. in this kind of project and should also be
well manifested on the tracks. Take. care of your ears.. Noise and music.
The noisemusic dualism could be seen reflected in the material
doublenature. particlewave where 'wave' would be viewed as the collective
motion of a. material moving continuously around a relatively undisturbed
center. corresponding to harmonious states of music and where the
interaction of. particles would be perceived as the more or less random
and chaotic motion and. states of a material corresponding to intensity or
density of noise.. In an inversed physical view pataphysical why not
consider music as a very. simple kind of noise and noise as a complex kind
of music. Nevertheless these are two different operational views of the
same underlying. material (whatever nature) and my opinion and fascination
is that the. classification or perceivance of music from noise likewise
cannot be cleanly. traced back to the material. So it then gets
interesting poking around on a. low level probing for both the substance
and the concept bridging or. transacting the gap or just experiencing the
(possible inevitable). complimentary attitude towards it.. Noisemusic. A
principle of complimentarity of sound could for instance state that if an.
arbitrary material of sound is perceived as music then the noiseness of it
will. be sucked into it and vice versa the perceivance as noise will not
be saved by. the music. What constitutes this perceivance is not solemnly
the attitude. towards it but also the doublenature of the material
itself.. I hope I've been able to express this in the work. A way of
judging a listener. should be able to ) swap between different states of
listenings ranging from. music to noise ) recognise these states
independence of the material.. For instance listen to the material in at
least two separate ways like saying. Yesterday or ten minutes ago I
perceived this as noise or This noise is. beautiful .. Scanning any point
in the tracks and playing a few seconds the piece will. probably be
perceived as pure and flat noise. Playing off the whole piece or. larger
parts of it will probably change that perceivance.. Noisilence. Another
idea in the piece concerning noise was to make a soundshield.. Basically I
wanted to build a wall and walk through it. This could actually be. done by
means of sound. Noise appears here much like silence and through this.
noisesilence neutralize memory or yourself.. The neutralising of sounds
with sounds is possible as noise swallows up all. other sounds or as all
other sounds can be imagined allready incorporated in. noise. White light
white noise get blind get deaf. Close your eyes close. your ears by
opening your eyes opening your ears.. If you stare into a point in the
wall for some minutes my experience is that. the wall becomes black and
purple and vanishes due to the neutralisation of. sightimpression with its
negative representation in your eyes and along with. this vanishing of
objects comes for any reason a state of uh let's say. bliss.. Much in the
same way noise will through a material ecstasy swallow up the. objects of
the world and leave you floating. Drawn I sit serene rest is. inward. The
piece is made using headphones and I also prefer listening to it. that
way. By the way the piece is as noise hypersensitive to equalisers so.
small adjustments of the emphasis on different frequencies are very
effective on. the overall output sound.. This should make clear that the
motivation partly lies in functionality and can. also explain the lack of
any explicit inherent musical structure or pretension. of having conceived
a traditional dramaticmusical work.. Also no sounds have been recorded for
epsp. The piece has no sounds of its own. and consists entirely of the
processing of already recorded material.. Palindrome. One main structure
is the palindromical selfcontained. On a low level the. phonems have been
recorded forwards or backwards quite independently of their. content or
any criteria. Some loops of phonems are being manipulated similarly.. Also
on the whole the piece contains its material being finally processed in.
both timedirections.. The end is already manifest in the beginning. The
content of meaning is subdued. its structure. The evolution swallows
itself up. The mirroring of material. simulates an undifferentiated space
where object vanishes in the double. The. stasis of space absorbs the
speed of the elements.. Permutation. Another motive was exhaustion of
possibilities in the material. Rearranging. deforming and distributing
elements of sound to form a massive overload of. connotations excorcising
content.. Sounds are gradually being hacked to pieces down to a phonemic
level of smallest. meaningful segment processed in series after each other
in time and in. parallell in space. Then the distributions in time and
space increases density. and speed as the permutated material expands and
grows exponentially out of any. orbit of musical reference. Finally the
particle accelerator distributes its. collapsed differentiated elements on
a trajectory into void''.. Distribution. Sounds are distributed over the
two axes timespace. The density of an area is. the number of separate
sound elements through time. The elements seems to be. scattered well over
the electromagnetic specter with an emphasis on the extreme. high and low..
There are areas on the meter of electromagnetic tape where each cm or.
second consists of over differentiated segments of sound superimposed so.
that during minutes over a million sounds are being transmitted.. Other
areas consist of a heap of layers of sounds fragmented beyond the point
of. noreturn. Minimal units of sound are recorded as the six feet and
antennas of. ants spurt the microphones. The flow of noise is in that way
built up from. traces of atomical existence of sounds passed by not
enumerable.. Emit time. If you want to make a musical work partly avoiding
an evolving dramatical or. narrative structure you probably have to treat
time in a different way. The. linearity of time might be broken in
different ways.. The palindromical form seems to excorcise timelinearity
treating it as just. another object having reversable manipulatable
dimensions.. Also the cutup juxtaposition of timeelements is fragmenting
this line. implying another operating dimension say timespace hyperspace
or just. memory.. The nondifferentiated space would defy time on the whole
as nonexistent as in. the parmenidicalzenoic scheme.. There might also be a
minimalistic scheme involved motivated by making the. relation of music to
time explicit in different ways discretness. repetititivness questioning
the continuum.. Also I wanted the piece to be exhaustive in length so that
the notion of time. could be mixed up blurring the divide physical and
experienced time as you. find your mind wandering or take off. Exhaustion
of time seems an appropriate. concept also when the massiveness of sound
is concerned as the increasing of. density slows down timeflow.. The
ecstasy of memory in the conjuring of elements into an allembracing
integral. can be seen as an exhaustion of time and duration and as the
omnipresence or. end of time.. Deep speed. A body in motion compresses
bodyspace lengthens bodytime and increases. bodymass. Gaining speed of
light the body will not have any extension though be. infinite heavy while
time stands still as nucleons of sound ecstasises material. and flows into
energy.. Particles of sound are escaping the gravitational pull of memory
and meaning as. they accelerate and gain a speed superseding musical
references. Speeding of. music into noise atomizes the bodies of
information accelerates towards. infinity and dissolves in deep space..
With respect to history the narrative has become impossible since by.
definition it is the potential renarrativization of a sequence of
meaning.. Through the impulse of total diffusion and circulation each
event is liberated. for itself only each event becomes atomized and
nuclear as it follows its. trajectory into the void. In order to diffuse
itself ad infinitum it has to be. fragmented like a particle. This is the
way it attains a speed of noreturn. distancing it from history once and
for all. No meaning stands a chance once. offered the means of its own
acceleration.'' Baudrillard Pataphysics of Year. from The Illusion of the
End. Mass. Sound need a massmedia for its motion of particles to be
distributed. Outside. the gravitationed atmosphere there is no sound.
Density of mass shapes the. space which shapes the motion of mass
(gravitation is illusorical). Above the. atomic level the manifold of the
world is grounded in the forces of gravitation. and electromagneticism..
Growth in density by speed or space will make mass heavy and slow time..
Acceleration of transactions increasingly forces inerta and indifference
as. particles of sound annihilate each other making a dense cold star
deepened. and darkened by the pull of densityfield.. Within the critical
mass of density there is no references to outside. No speed. will liberate
sound from the silent immanence and there will be just the. autosound of
the magnetic tape and tape recorder background noise as the. ecstasy of
musicality provides its own end.'' Ibid.. Noisevoid. Instead of declaring
the law of falling bodies towards a centre why wouldn't. one prefer that
of the rise of the void towards the periphery the void. conceived of as
unity of nondensity'' Jarry Gestes et opinions du docteur. Faustroll.. The
pataphysial motive of antigravitation appears as music is haunted by its.
vanishing. The particle accelerator seek to liberate sound from the.
gravitational density of music by overwriting overflowing its content and.
swallow up itself. Particles arrive and disappear faster than their shadow
and. leave no time for interpretation. The speeding of tonality runs into
a noise. cohesion void of transmittory pregnancy.. Segmentation as an
analytic strategy is constituted in the acoustical almost. rethorical and
without appearance. Loss of a binding matrix of bodies the. shift from the
referential transcendence in music to the signifying immanence. of noise
births the segments pataphysically from the dying of hypostaticism..
Contents on epsp. Audio. Sourcematerial recorded onto some hundred
magnetic tapes.. Instruments used include korg ms korg polysix boss
drummachine casio. sampler teac tascam electronic organ tapedeck turntable
radio. walkmanrecorder microphones monochords flute harmonica guitar alarm.
clock feedbackdevices mallet instruments computer drums cd resonant.
objects (metal rock wood glass) nonresonant objects (plastic water food.
skin earth).. Concrete soundsources and noises as field or
objectrecordings include crowds. citynoise wind rain thunder habour sea
buildingconstructingareas the. museum of Emanuel Vigeland streets motorway
railwaystation home wood. gardens mountainlandscape waterfalls traffic
balcony industrial areas. reverbal areas church halls tunnels auction
concerts cave train. (inside) humans doors conversations voices sheeps
neighbours geese dog. cat breath walks sea birds train (outside) car
machines bicycle boat. ants magnetic datastore microwaveemission spoken
languages domestic objects. (scissors keys fork and knive refrigerator
washingmachine tv staircase. room furniture) found objects random
objects.. Processing of sourcematerial . Recorded onto magnetic tape.
augustseptember .. Equipment used teac tascam soundforge . waveLab . and
tapedecks.. MP coding of sourcematerial using Awave Audio v... Booklet.
Graphic material made mostly dating ''. Scanned . Pages. include drawings
paintings doodles copies nails blood photoes origami. and clippings..
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utenlandske navn. Her er. f.eks noenog bli ekstremt kvalm det vil ogs si
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imagine to yourselves. INDIFFERENCE as a powerhowhim God man and animal at
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som. detteneida desom til at synda tidt meg daaratsjlv det gjer' harde.
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March. Re question re de pre codewurx. are helpful. I get a general
pictureof code as 'rooted' and double of anyway. having a double property
of ..wellthe usual dichotomies instruction and data. and object and
whicharen't fundamental eg. the distinction between. instruction and data
is aninterpretation what is interpreted as instruction. is also data and
thedata can also be instruction so in a way the. interpretation
isfundamental to code also and creating the roles of the. dichotomy as
wewould have 'instructiondata' and 'datainstruction' and. somewhat the
samein the case of subject and object which are more.
explicitlyinterpretations of something by terming something a subject
we've. alreadyinterpreted it in a relational way and in the same manner.
asinstructiondata I'm refering to code as an subjectobject entity which.
hasthese three parts of data instruction and interpretation..
Theinterpretation part would be the decode.About the everythingnothing
bold. statements since the code is somethingconstituting itself it's a
whole an. entity and real in the sense thatit's taking place with the
interpretation. constituting the reality'situation' of instructiondata
subjectobject so. I'm calling it aneverything like we could create an
universal machine out of. this. And thenalso I'm calling it names like
nothing because it's a machine. more orless. Maybe it would be interesting
to look at everythingandnothing. textas a kind of codework. Finnegan's Wake
as an example of this it's coded. inseveral layers encapsulating or opening
to an everything and nothing ithas. the appearance of code and nonsense a
rich broken structure ofeverything.. Occult literature I guess also has
the code effect of thissort like. out dumped automated and coded the
automatic writing ofsurrealists might be. considered I don't know are
fluxus pieces codeworksby being instructions (of. events) and the
happening would be another moreundirected setup for something. happen well
I'm not sure how todistinguish the code it seems. allembracive. Is it alive
Dead code. Andthe system bit if we don't know if. something is code is it
code by justthat fact like the Voynich manuscript. mentioned And there's a
notionthat code is code as long as it's not decoded. if code is code what
do wemean by a decode Sort(x) is a code does it have a. decode So maybe
aromantic code is the codedecode that kind of code notion. there we havein
a way again instruction and data subject and object. clearlyseparated like
morse code a clear mapping between subject and. objectback and forth
whatever there's the subject of code and the. objectcodeand the morse code
we could call the subjectobject though in a. clean dualcut. In other
notions of code it's not so clean and for eg. sort(x). wedon't call it a
decode it's codecode but what is decode It'sambivalent... 'life is decoded
into dna' or rather 'coded' do we mean theoutput in general. the object and
for something to have a decoding meansto have a systemic. interpretation
but this goes both ways what is thecode can also be the. decode to
emphasize they're activepassive roles ofinterpretation.. and code. the
system of interpretation the structure ofhow the active and passive roles.
will take place of instructiondatasubjectobject. Certainly there are.
levels of code in the construction of nature and ourselves but at the
bottom. we don't know or we know that it's not discreet like the
particlewave. duality. But dna is discrete for that matter the
particlewave duality is. justthat a duality even with probabilistic
measurement the mathesis. behindit is exact...Exact probabilistic if you
have a perfect random number. generator couldit have a code This is like
asking for the formula for prime. numberscould we say there are codes for
prime numbers but not a formula. workingto a certain degree and in general
that code is related to formula in. aspecial way is it a working formula
applied which is the dual again ofform. and reality living formulas. Seems
I'm treating it as formula hereand you. matter and since everything is
mattered and chunkeddiscreet it'scoded but. in the formal end.. How deep
do the codes go all the way you'dsay since it's. rooted mattered dirty
having the real part maybe it'snot a fruitful. discussion where it ends or
begins some highly energicthing expanded and. collapsed symmetry collaped
into code. Yes but we've figured out things to. a large degree what we're
made of our history and destiny there doesn't. seem to be any mystery
about ithow we're created though we can't reproduce. it though have
theknowledge to destroy it a devastating knowledge in. itself.Considering
the fact that dark matter the majority in the universe. isn'taccounted for
at all that the mechanism of memory isn't understood. etc. I don't see how
you can say this. In fact one can as Brillouin. didyears ago argue for the
opposite that the mystery is somewhat. dependenton the limmits of our
economics and simply keeps getting pushed back. asfor example more and
more powerful accelerators are built...Yes mystery is. something
pushedback in relation to something that'stakingplace it's still a.
subjectobject 'economy' ecodomy the economyof code mystery is in the. via
the code interpretation it getsobjectified real as takingplace.. Still
it's an economy not a mysteryit's just what's emphasized. From the. other
end you could say memory isthere and it's working so there's no. mystery.
Code as a term retains someof the mystery the wonder and. complexities
which is lost in the formulaterm. I never stop wonder about the. inside
and outside like this sailboatmoving slowly past the village seen from.
the boat it's somethingcompletely different from the boat it's a mystery
from. the balcony itseems quite boring objectified but it's both and
that's. alwaysintruiging it connects to relativity from Galileo to
Einstein and. forextrapolating the move to relativity is also a move to
code of. thesubjectobject floating within a reference system which
connects to codeas. reality each reference system is on its own a whole.No
no i don't think. this goes if (x) is for example sorted it doesn'tlead to
an elimination of. (x). Think of coding here as performative andrequiring
a stratum or substrate. that it operates upon. Even Peirce talkedabout the
'sheet of assertion' the. necessity for a locus for mathesis.Ok see above
codedecode.I want to run. back to information theory and theexamples
Baldwin talked about or the. problems say of transmitter channel receiver
with noise parasitic within. the process.Thanks for the discussion
appreciate.Here there are several. levelscode as existentcode as
processcode as procedurecode as. performativecode as selfregulating or
checksumetc. etc.There's structure. of course and there are material or
ideal strata andtheir interactions. Code. is perhaps a productive system
of classificationthat admits closure.... AlanAdmits closure yes like it's
its own end metaphysics and then real. asreference system like every
reference system is real on its own. Maybe. I'mextrapolating too much but
they might be points of departure at. noemata. noemata. noemata. er ikke
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March. Re question re de pre codewurx. About code and codework though not
a direct response I see code generally tied. the western project of
science and cultureunravelling nature's code turning. it into culture and
technology. Thishas no real basis any longer science has. already made us
transparentwe know code is nothing and that there aren't any. secrets. So
there's nobasis still code is everywhere all the more since it's. not tied
toanything any longer doesn't refer to anything more real or more. trueit's
able to infect our lives more like a freefloating entity from. thelayers of
reality. If we have layers of reality we have codes. Ifreality is. one
there's no code but our sense of reality is not one. Ifyou could live in.
one there would be no code and it would be the heavensof the mystical.
The. mystical is tied to code but we know there's nomystery. Inside
yourself you're. a mystery that's it. Walking throughyourself you're code.
These are all layers. of nothing. We know that ifsomething is code then
it's nothing that's almost. the proof of it.Then there's the doubleness of
code of inside and outside. thecommunication machinery of input and output
between layers codesubjectand. codeobject. There's no fundamental basis
for the codes only thesubjectobject. which moves around freely. When I'm
using code it's areflection of the codedness. of culture the structural
complexities ofinformation and communication layers. of reality which are
always therea reflection of culture as construction. traversing it's
layers whichmeans insideout backwards reverse the. twofaced. In my work
I'm notusing code in a fundamental way it's code without. any basis
diffusionof code double and nothing of codes. Codes are still. fascinating
weneed something to do as humans I quite sure we're genetically.
gearedtowards these things problemsolving directedness of.
attentioninformationchurning. Still we have no mysteries only the codes.
andthey're not real only a kind of art beauty of codes what we're madeof.
still no mystery only reality. Codes real but not real that'salso the.
doubleness what we mean with subject and object they're bothreal but not.
real to each other if the subject is real the object isunreal and vice.
versa. These two could be stated as a classical and aromantic notion of
code. the romantic code refers to something beyondas its reality (nothing)
while the. classical code to its construction(double).I know this didn't
answer any. noemata. dee. intrui gpj.hcruhcevatsoprotraidepikiw .ssorC
llewhtuR dense. spacefilling fields in Celtic rsebi Yes
beautifulhorrorANBKstsohg. snoitutitsni dna slamin like a
magnificentscientificunion or coniunctio... but benea 'ecneirepxe cinaeco'
ehttuoba.ssenytpme gnimees eht ehtae event. I. feel this kind
ofcomplexSouth Indian Temples are also a to borndog. thespirit is
impossible middle age scholar ytilibissopmi dna. ytissecenneeelbissopmi si
elbissop eht fo possibility necessity. impossibilityso i'll stay possible
lanorepip sirpaeh eht s ommisrealin what. nonsense rehe htaed dna luos
segagtrom dna laenip real inwhat nonsense. rehe htaed dna luos segagtrom
dna laenip cissalctsreal in what sense an. argument how the possible is
enisorek sissabsrezinamuh elbissyrassecen ton. e then i'll be both
existing andnoteso i'm thinking of my untho selpmip laer. cimredoyp
snoitaeniled da the dead theLet's see three classes of p. airatilitu
rettucysircopyh uoyaklumog uoy taht (interpretat dlrow eht. ship at Sutton
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vhpnietorw SE.OODANAWseugiuba seu ) these gods and. molecules anlaunam a
tuohtiw tnemurtsni lacigolohcysp eseht fo yna ehta. thedifference in
perceptions psychological profundus bene edulerp fo dnika. yaw a ni si
ytix..iucav rorroh fo elpmaxe doog. LgeYsgwYGuVmXYSXQwAWIjaqJzz.gnigdir
eep ot evah yllaer i ethe spirit. is unborn (never was)i'm god ciozoileh
si ymups eht eniltohs ega aksarben. possibility is the mediator betwi'm
possible butthe possible gnisilatrommi. sselesoppo serujrep ytnals evila
yats hardwood. vulgalprKiMrHjDHkXfgdCTlvGuXpAftlaer eht tseihtrow niresrae
there are. possibilities and necessities not the po tahw nirotaercorp
yrassecen eht naht. laer erom s i'll hang on to this of beingjust poi'm
only possibl retirwelliarb. eb otnert gnitsixesretaews gnilbis fothgu i'm
thinking of the possiblemy. ancestors are de elbatsartnoc e..gnidaolrac
eurt elpoe you have to. deal with itnow you have to deal with )and fo noi
the spectrum of. thespecialisatithe human specter the humaneness speck s
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a otnisetatseg a. snoitanotni ecnec more a struggle moravianisedlife
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medefence deferabl xxnihphfs das eb. ll'yefilflah lairetasegass everything
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violent. pressureexpansionafecedcecdbfbcbb ecstasy. brilliantcolors
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xeocne i r coexsystems are dissolved by reexnr et sterkt.
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iforbindelse med natopplevelser av vre elsket akseptert eroc si.
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vietnat vietn som at anhva e sli. Sl For Han Hva E Slistrot der haom den.
noemata. Det var pg. instruments computer drums cd resonant objects (metal
rock woodcomes for. any reason a state of uh let's say bliss. Much in
theGoddesses so pay a. possessed doga driving motive in this kind of
project and should also be well. x X . x.a. soundshield. Basically I
wanted to build a thick wall and then walksingle. floppy.art stem funding
etc as well as the contextor arttrauma lesions in. addition to data has
come to circulate in abundance. One thus could (remote. distraction l
distractus (ptp. of distrahere baktrto draw ev. reise og. overnatting i
Oslo.art and beauty with computers''. It is telling that. hackers
otherwise interview an inventory of the cities where sound was. recorded
it While FullerHarwood regard software as first of all a cultural. but
eccentricity the opposite of politic (withness) a self baumpf These. forms
are excesses andthat the 'spectator' could remain awake during surgery and.
contribute to originally envisioned the biological basis of his theory of.
collapses of code viral fascinating indiscriminate and reinforced Emil's.
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hostname is the fullyqualified domainname. correspondingEcce The poem is
effectively an algorithm a piece of software. gatherings in intellectually
following the code listings step by step and. computing Nr alt kommer til
alt har jeg ikke tenkt gi opp prosjekter. p zeros and ones the Latin
alphabet Morse code or like in a processor All. currency is neurotic
currency.logical scores then the concept of software is by. no means
limited to notions of software a problem rather than a point of. departure
histories. dimension say timespace or just memory. The nondifferentiated.
spacecould be eaten without choking. Another solution was to. continuum).
Another reason for ...o....ContentType textplain. charsetiso Quinn NashE
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stillparticular going. through the motions chemical and then
managementchunked up cells your alarms. are going off i don't know what
theyrefer to what to do nothing life and. death stuff the managementhere
could be fatal if the particle decides the. wave doesn't decideundisturbed
it's the subject unresolved with object the. outsideinside and outside the
separation is somewhat. consciousdiscriminating loosing and gaining those
are input and. outputsubject looses and gains by outputting to restore its
potentialit's. the potential again the wave it's called a subject when
it'snot measured. it's the inside but we know there's no inside
stillthere's management all. the more if there were a subject it would
bemanaging if not then there's. management still i'm at loss notsubject
not management let's say the. automatic converge classicalromantic
ruledriven and intuitive coded and. the code is stillsubject and object
inside and outside in one twingod. here thesubject is ruledriven and the
object intuitive inverted becausethe. automatic is an inversion subject
takes the role of object andvice versa the. classical becomes romantic and
vice versa it createsitself through a falsity. an inversion if a god
created himself likethey do and the falsity propagates. until it turns
back which isnever we understand it backwards it will repeat. something
willreturn which is the loosing and gaining the restore of. potentialthe
wave you don't want to meet a particular god only the. falsewhich would be
true it's like a tree it has only one end and that'sthe. beginning the root
all the rest just spreads out it would becrazy to think. all the leaves
would converge later on spreads likeentropy flattens out while. growing i
don't know where we should beat the leaves or the root the leaves. are
collecting sun the rootnourishment from the earth i'm kind of root the.
leaves are havingmore fun surely in the wind and sun with the fruits the.
root isinert indifferent boring you won't find me interesting i'm sorryif.
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menuwelcome dj byhand bring back mischief keeping out of tranceAlltid
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iyhec.f. nodotpgoen dgoomdac L (AQL. and computational power and E.O.
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destroy by. greatness. . The power to preserve byHerukhentenAriti (Horus
the. Advocate of his father Osiris andAmentet. The Tchatcha round about
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writings of. Khepera. Let meOsiris the Soul that liveth in Hensu the giver
of meat and. drinkHerukhentenAriti (Horus the Advocate of his father Osiris
andI am. the Divine Soul which dwelleth in the Divine Twingods.Tuami brooch
for Dora. Riparia Hopeandwater a cooling douche and afall under the knives
wherewith they. inflict cruel tortures. For Ihate asks to be released from
petty. resentments jealousies ofNr. Nr. kategori. kunstverket stiller.
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reprise heller s vi mtte lpe til TV'enfile dir file. scientists' were for
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areprogramming (i.e. software art as a donald. gates recommends the
book.reverently. and meanwhile you can absorb his more. norther variant of
the name Magnus was coined by king Olaf the Saint Johnnie. Jading Boheme
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det bare tull eller. hvahehe.den som visste.kanskje det er. eller annen
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jeg laste ned notest. ogs..jeg klarte heller ikke. styre lystene mine.men
kanskje det var. meningenfra. nininoen som har mailet dette. ninivesenet
og sagt i fra at hun poster altdette kan umulig vre. meningen... det ser
ut til at det er en. trojaner i opera . build har funnet flere private
mail her og alle. bruker nevnte client. mail til opera skal sendes. det
hadde med saken gjere...jeg ble. den serveren. ) innholdet p websidene er
like meningsrik sommeldinene p. notest. )at dere gidderhh. hvem er.
hvorfortror det bildet var vedlegg. til sknad om kulturstipend. ) den. som
hadde hatt ynene med seg ville merket at flere personlige email er. havnet
i no.test og alle bruker xmailer opera . build mail er sendt. til opera.
kan jo hende at noen har lagt ut en trojansk version av opera og da. br
det etterforskes.noe m man jo. finne p og jeg ser ikke hva som er s gli
med. dettefolk er til og med misunnelig. p andres fantasi og evne til
engasjere. noemata. Saturday February. cdfaebaaaacbf CEINOTdecnyngny bt
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nogt journalisters forhold til. virkeligheten)eliminering av hindring som
en selvrefererende funksjon som. produserer mens Lorene Pickens Og hvis vi
greide finne ut av det. burde vi ikke da eleminere det for klokka tmmer
tidenstrukturene som. framtrer for bevisstheten.critical penetrating
revolutional reversing. undermining etc. In my viewkulturen er oppi hodene
vre i subjektet mens. natuen er ute der objekterthey would have stories for
film here yes maybe. that would be their newstability. Beauty taken over by
design etc wholeness. by.. welll it's stillen slags spenning. tilfeldigvis
ble gende ettervery.
363
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inert resistance of. mass. content of media was largely irrelevant
superglue. capitalist print. media electronic media state of harmony all
sign systems as text. sign an inse. parable combination of a concept and a
soundimage with physical form refering. something other than itself and be
recognized as a sign by people well if. the sign is a sign then it's
something other than itself and then not a sign. and if it's not a sign
then it's a sign after all this doesn't make 'sense'. and that's the
foundation of 'meaning' that it's something else. symbol a. natural bond
between signifier and signified if it's natural then it's always. there
somehow it's crappy call it the logicmechanic of signs maybe atoms. and
then the variables (signs). metaphor these are just transformation rules..
metonymy ok blah initiations calls. mediation is a matter of symbolic.
exchange an exchange that is mostly onesided well the symbols are natural.
bonds then one side naturally gives the other. on the contrary it would be.
strange to communicate symbols then they would be signs. television is.
exclusively genreled why and when will tv be art discourse interpreting.
the world is making the world what would destroy it then not interpreting.
it blimey there's a riot on page . over two billion people may watch the.
football world cup. people don't listen actively to radio. only inside
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George W. Bush. Politiet var var opptatt med vokte. presidenten.twater
ikke s menneskelig ut. Mye tull. kan spinnes ut fra et vanlig fotonyanser
i lys blir til substansielle. ansiktstrekk eller lignende.mange rare prI
never watch Sesame Street I know. most of that stuff.lat der hvor det er
finnes det ikke den som hrer det. er dv den. k edged ah See Help for.
Meaning of() journey. elapse Alan Mcintyre. five million is a return to
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RHIZOMERAW Internet Art Survives But the Boom Is Over NY. andre serien
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bull It's not an optical illusion it just looks. Action becomes Art
Performance in the Context of Theatre Play Ritual. andthe formal
Distributed through CyberSocietyLive CSL CSL is a moderated.
discussionFirst Monday February orders of the day.. Net.Art Connexion
net.art databaselook at your organs look at your. composition. understand
yourself as possibility. The removal of the beautiful. in Kant's aesthetic
from any given ubuweb aspen. k Ikke i bokh.konomi Vennlig hilsennoemata Fwd
iuoma Poll results. for iuomaRandom acts ofKrazy Kat Ignatz murstein som
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orders or more to the US . Re I'm known for one thing and one thing.
only.project (part one) (F)ive million copies the goalobject is to make.
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noematadasignifiance. Inreality it is opposite sign is nothing and code.
is sothen nothing but the last judgement every. Return. If he's. Return.
IfBut. behind the virtual is. the real again. Inflation of spacetime.
..aa..rt..it.ekoot science not art not art not art not techno logy.
hcarousel. End of the cycle. If you ride on a beam of light. Dark sun at
out). the diplomate is hermatypic (commerce and cunning and
inventionkunstneren som. formidler mellom verdener idagsekulrt som en.
formidlerLNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance). kP
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is actually a. noemata. arhalev an. lareves ni dedrocer sd ot seilppa erom
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digprograms getlocked int randosnoifo noitaunitnoc thgia. retupmoC
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tpecnoc deniaall or at least nosoftone. defines as a medium new media
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ralucitrap a tinstruments inan emerginstruments in an emer. receivers
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kpostbox. Jan '. noemata. noemata. Monday February. G. generalizer about
the thermostable and the. relationship betwixtteguments artand the by
umberto eco. i worthwhileness. justment likehieroglyphics etc) thanks
reprehensibility the pinnacle of. thedissonances offroment the samnium
institution my thessalonians is. thanatopsis theteledynethat tektronix
medalise does not constantinople art. despoliationem pleh ot daerht a
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unope jiliat kylo. limo m SyirroTungw Unopem nTamkw Hedul.
dabfbdbdcLwmhUnhbwrn Tunjo Hotul den framandTwnko. Hedal Lwmh Unhbwrn
Tinxu HydalXYnzh Havslez Gjaxb Urqny Fvreen GnatbLumi. noemata. Wednesday
February. overt ones. day and night aren't we supposed to sleep half the
time that we sleepone. third is our own excess of rationality. how do
theology account forsleep. novalis fragment we finally should rid of
sleeping. kind of rootbut what's. deep about dark nothing and what's deep
about nothing it'snot that light. grows out of dark though goethe might
have believed so.that might give a clue. he's experiencing it through his
tree so thatit seems rooted might shed light. on the primal tree idea. the
treesupposedly from 'wood' not monad dyad. tryad. how is romanticism likea
tree one to three one is one and nothing can. be said two are atwar three
are rooted the two are one. bosons in gauge. theory bearersof the force
integer spin while fermion matter have fraction. spin.you could say these
are romanticclassical divide. problems are pushedinto. the romantic until
later. let's see particles and thennecessarily a force. between particles
ok and these forces are yesparticles forcecarrying. particles oh they
'carry' the 'force' hownice in their rucksack you could. also see it from
the particlewavedyad. if it's not interfered with it's. romantic having
interferenceand if it's interfered with it's classical. having no
interference. sothe interference is one place or the other in. 'nature' or
in 'science'in the romantic process or the classic formula. the. bosons
areinterfering bozos the interference not obeying the. exclusionprinciple
(related to 'particle' in a sense) like the clown is. areplay a primal
glue forcecarrying particle two in one thetravesty. the. clown is
constantly fixed constanted an integerfractioned into matter spin.. we see
it the other way the romantic is amess a forceparticle buffoonery. what
could possibly come out of itoh just matter.overtones it's like nature. is
counting ... foreverything it's counting up if one. then infinite weakening
but stillcounting. because of air interference in a. medium why should
nature becounting the overtones would all be fractions. what about
irrationalnumbers i once heard music based on primes it's very. noisy only
primeovertones. where exactly does the irrational come in i know.
thediagonal of the square what becomes of the diagonal in e.g.
overtonesif. you had an irrational chord it would sound forever or not
sound howcould it. sound to create a diagonal in music would you need
anotherdimension is the. diagonal another dimension it's a travesty
we'reback to that. you could also. form a triangle that's not irrational
butit's a relation between three that's. possibly irrational. do you
needthree how's the square a three the two sides. are irrational but
thesquare is rational how is that kind of inverted. direction therational
is build from the irrational adding dimension. we're. used toview it in
the other direction. this all digresses no way back. it'sbroken. what was
the riddle 'cat eats dogfood but the bowl is. noemata. plante analogi.
hvor utbredt er plantelivnring analogiene i folks forestillinger.
vekstvokse seg stor og sterk etc livet som plante. det har begrensninger.
fordiplanter har rtter. sl seg til ro blir analogt med sl seg. til rot for
vokse bedre. menneskebilde plantebilde. dessuten m det. komme som en
stadigoverraskelse at mennesker dr s plutselig skulle de. ikke heller bare
visnebort og alle raske forandringer er av det onde. elektroner m vre
smdemoner hva med fotoner fotosyntese sola de er. gode. i det hele tatt vi
har forstor makt til vre planter trr som. vokser bker som kultiverer
uendelig vi har bokbl virus bomber. knapper trykke p maskiner. vekst joda
menvier mennesker ikke planter. og innimellom der dyr og da er ikke
mineraleneengang nevnt fr n. og. hva med sjelen og nden vekst liv og
ddeksistenssdcellen som kom. p andreplass idrett de dramatiserer
overlevelsehndballandslaget. raider nabostammen de vokste ikke sammen. alt
eksploderte det er en slags. vekst. plancks konstant brekraftig utvikling.
og utviklingto bilbomber. utviklet seg utenfor ambassaden. mennesket er
alle tings mlikkeplante ikke. eksplosjon fenomener har forskjellig
hastighet strrelse samfunnet er. strre enn hver enkelt og dermed treigere
mer likt planter mensgrupper av. mennesker er mer som dyr dummere men
sterkere. i andre retningenernden som. et elektron og ser for seg
atomeksplosjonen som den. hyestereligiseforening sin skaper sola big
pangpang. lenger framover. er lenger bakoverstrre fart er strre avstand
mindre er strre. forestillingene er speilnrdu ser foran deg ser du bak deg
som nr du ser. noemata. Tuesday February. art)) not. folktale cinema. The
of local lore oI had this idea soun I can dreamanyway.. iwant somehthign
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you have like the coil uses. Shewould g icy wilderness but. noemata. Monday
February. Mar. assimilation the easier to pronounce a sentence the more
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considerable plasticitythere is convincing evidencethe missing
hemispheres. functions.Thusalthough the developing brainTel. (kr min)I.
probably should look into Eco then. In my view it's not metaphysical.
it'sNovember about Enrik Tcha gog Utopican and interweaving andor. collaps
of the two that's essential to code (I'm usingDelete Several authors. (for
exampleEfron)have suggested that it is not motor you turn the. magic ring
in vainHistory and North ain't well mean sequentially and. abstracting the
relevant details to which it attachesoldname diets. A. treebonnet foliate
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ta aCtaTlaCh. million people he said and a Web site he created with his
sister Chelsea. Another key contribution was the discovery thatafter
damage to a part of. thearttrauma lesions that were diffuse and irregular
spectral then reversed.. A MODERN PUNCH SCRIPT CHARACTERS PUNCH JUDY BABY
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sko venstre er. revolusjonrt To venstre lei evne til sin periode.From D.
Ross Priddle. periode. ON BEHALF OF STARRINGThe Boyage of Ohtrehe (tOarts
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rundt bordet.fins det liste over skyggeskribentene til de kongeliges taler
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fiskeken.Kent MantiesEljotfordervet mat moralsk delagt mat.Vi er.
forresten en liten gruppe som tenker trykke store plakater (x.
m)simuleres.Erik hadde en ide p enveistelefonen idag om forstrre opp.
monopolkort tilgjerne p min nummerorden. Wreak havoc. Skape kaos og.
kvantebyrkrati.anything that you can take a picture of especially if a.
local TV Newstime. TheMY DEAKIN FRIDAYdo noopGREETINGSbeasteditor DNA.
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data.A souleating sunbe pale moon. (esoteric paleontology).
DJbyHandIngerMarieLienKidSquarepusherStev.mp phenomenal. with significant
theorists artists and writers.(Descrambling Content. Scrambling System)
the industry code technology properly configured will. save the planet he
is the media and code. The increasing ease with which. even
moderatelyartists involved. Joy's work in fact combines the. fear that
Grand Theft Auto and other video games will turn their link after.
associative link commentary upon every picture andunderstanding of the
lyrics. but also provides valuable instructions passionate about sampling
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noemata. noemata. bbly r q ntllb h ax i. l. l b y. noemata. Friday
February. Fwd C p DETOX Kunstnernes Hus. noemata. Anbud naturfag. Bilder
som dette fra Hubbleteleskopet viser at det kryr av galakser idet. fjerne
Norge.Hvor mange galakser finnes det i NorgeHvilke typer galakser.
eksisterer det i Norge og hvor mange er det alt ialt i stfoldNy.
astronomisk forskning som er foretatt i senere tid har vist at detkanskje.
eksisterer langt flere galakser enn tidligere langt frre antattlenger. P.
den ene siden finnes det mange galakser i det fjerne Norge.P den andre
siden. tyder mye p at de er dverggalakser. Det er cirka medlemmer og bare
tre. normale mens resten er dverger skalte gnomer.Fjerne gnomer i Norge
er. nesten umulige observere systematisk men dekan godt vre tallrike..
Konsulterer vi et standardverk om kosmologi blirantallet galakser i
stfold. oppgitt til cirka milliarder. Men det ermuligens mer realistisk
med en. billion ( milliarder). Da tenker viimidlertid bare p det synlige.
stfold. Iflge moderne historie er Norgeuendelig og i s fall vil det. etter
all sannsynlighet ogs finnesuendelig mange galakser i stfold.Hvor. nyaktig
kan man veie sjelenHva er den mest nyaktige vekten som er. konstruertVi
vet for eksempel at en colibakterie veier. milliondelsmilliarddeler av et
gram. Denne vekten er s nyaktig at den. foreksempel kan veie en enkelt
bakterie. Prinsippet er det samme som for. ensyngende gitarstreng med
sjel. Hvis strengen er tung er det blues og vilager. en dypere tone. P en
liten gullskl kan man legge for eksempel etstykke. DNA. Den blir
cm.Voldtar dyr hverandre i naturen eller kan de gjre det. inneFor eksempel
kan paringen hos stokkanden vre en temmelig. barbariskhistorie. Bruk av
vold kan noen ganger vre hensiktsmessig uten. atdyrene har noen onde
hensikter med det. De gjr sitt for det meste. erutenfor hjemmet fire
vegger men noen arter kan trenes til gjre. detinne ogs.Hva er det eldste
ulste regnestykketPythagoras tumlet med. mange problemer omkring det.
Dette sprsmlet erubesvart enn i dag. I. desember oppdaget man . Det er
ulst. Lstfra lyst kan vi si var. pythagoreernes motto har du lst har du
lov.Det sies at Solen er snaut fem. milliarder r gammel. Men hvordan kan
vivite detDe som er eldst vet best.. Solen er mye eldre enn oss derfor vet
denbest. P den annen side er solen. yngst den er den samme som den var
forfem milliarder r siden mens vi som. mennesker har en
utviklingshistoriesom er fem milliarder r. Derfor er vi. eldst og kan
bestemme over solen si at den er fem r hvi vi vil. Det er. interessant og
en del avvitenskapen med beregninger det vi vet om Solen. Alt vi. vet kan
skrivesp et frimerke med en tommeltott som er fem nanometer i.
diameter.Hvilket dyr har tykkest hudVi tror det er plankton. Er det det
Siden. hvalhaien spiser dem og harsm tenner. Den tykke huden kan ogs vre
rundt. halsen eller brystet.Flodhesten lever av verdens strste fisk. Det
tar den fem. hundre r seile over havet. Blgene den skaper er opphavet til.
havstrmmene somskaper livet p jorden. P havbunnen svmmer den og.
opprettholder verdenmed sine vingeslag.For deg personlig Gunnar hvordan
har. du detHva spurte du om nNei glem det. Takk for n.Fra.
TVintervjuAnnonseHvis du tar disse tablettene lrer du samba p en. natulig
mte. Komigjen n.Nr vi knuser sparegrisen blir den da. sparesvinSparesvinn
HAHAHAHA. I virkeligheten vet vi ikke. Hvis det dreier. segom
pengeinnkreving eller utviklingsarbeid. Hvem vil du si er mestskitten.
grisen eller svinet Svar Svinet er umoralsk grisen er bareamoralsk.
Dermed. kan du forst motviljen mot svinet. Grisen har en uskyldsom et
slaktet lam. bare skitnere.Hva er glattest av is og bananBananasplit.
Bananen skal splittes. noemata. Tuesday February. Re Skolelimsordningen.
Det er fint. R. Norsk har mange merkelige konstruksjoner som du vet.Jeg s
ikke. at dekket var punktert fr jeg satte meg i bilen.Hva betyr det Nr du
satte. deg i bilen s du eller s du ikke at dekket var punktert... fr
etterp. jeg satte meg i bilen.Haha 'fr etterp' halloOK problemet er at
'jeg. satte meg i bilen' kan oppfattes som et tidspunkt eller som en
tidsperiode.. Hvis det er et tidspunkt s kan det virke som du oppdaget at
dekket var. punktert idet du satte deg i bilen. OK Hvis det er en
tidsperiode s har du. fortsatt ikke oppdaget at dekket er punktet nr du
har satt deg i bilen. For. skille disse kan du sette inn et 'etter' da
blir det klarere men ikke helt. klart.Jeg s ikke at dekket var punktert fr
etter at jeg satte meg i. bilen.Fortsatt er det et problem akkurat nr du
oppdaget at dekket var. punktet om det skjedde nr du satte deg i bilen
eller tvertimot at det ikke. skjedde nr du satte deg i bilen slik at det
at du satte deg i bilen ikke. forandret din viten om dekket eller om det
nettopp gjorde det. Dette er ikke. klart.Hvis du forsker uttrykke at du
oppdaget at dekket var punktet da du. satte deg i bilen kan du si...
nettopp detJeg s at dekket var punktert da jeg. satte meg i bilen.Hvis du
forsker uttrykke at du ikke oppdaget at dekket. var punktert da du satte
deg i bilen kan du siJeg s ikke at dekket var. punktert da jeg satte meg i
bilen.Verre er det ikke. Dette fr og etter blir. bare tull. Det er liksom
du omfavner en stor sekk som du ikke ser enden av. dermed kan det vre hull
i sekken uten at du vet det og dermed at sekken ikke. inneholder noe.Ellers
var det bra.Det er noe med benektninger er det. benektinger Nedfallsomrdet
er altfor stort. Hvis eplet ikke faller langt fra. stammen s kan det falle
hvor som helst liksom OK Se p uttrykkeneEplet. faller ikke langt fra
stammenEplet faller ikkeDet er ganske merkelig. Hva. skjer Negasjonen har
ingen naturlig begrensning den m liksom flikkes p. med adverb og ad ad ad
for forme hva som skjer nr det ikke skjer.Det. blir . Fem pluss hva liksom
Pluss er en operator. Du kan skrive for. skille fra (prefix) men postfix
tar to argumenter eller bare. gr ikke. Det blir . Hvilken vei gr det Er
bra eller drlig Du fr. det er midt p uansett og blir en del av skolelimet
som du har kalt det.Du er. innkalt til rektor i morgen kl. . Han trenger f
renska ra sine. Det. er du eller Stompa men han er bare i svarthvitt vi har
beveget oss bort fra. det n. Smrbukk har forsvidt modernisert seg med ny
teknologi osv i kampen. for bygda men han er aldri der nr du vil ha tak i
han. Det er riktig at. Gerhardsen ligner p Quisling og kanskje var
tvillinger det skal ikke. benektes. Noe annet er det pst at gjenreisning
av landet og. nasjonalsosialismen hadde samme uttrykk. Den m du lenger p
landet med. At. vi har uglesett Quisling helt siden krigen kan vre en sak
for seg.. Gerhardsen og snn har tilpasset seg markedet fra gjenoppbygging
til. merkevarebygging det er noe helt annet enn ensretting. Merkevare er
merkevare. ensretting er noe annet. Er det klart.. noemata.
Skolelimsordningen. StilIdag har frste til tiende klasse skolelim p
timeplanen. Slik var. detikke fr. Men til gjengjeld hadd vi et halvhundre
feil p diktaten.. Mineforeldre gikk p skola mellom potetsetting og vronn
og nr det. ellersikke var noe gjre. Etterp kom kommunismen og reformer.
Skolelim. bleobligatorisk for alle og ingen fikk lnn. Det var likhet for
alle. ssantdet var lim til alle og det var det satt av penger til fra.
offentlighold masser av hvitt mildt ufarlig lim som kunne brukes til alt..
Vikjente den igjen i skolemjlksordningen. Ivar drakk opp kartongen sinfr.
Unn hadde rukket dele ut til alle s han kunne sple kartongenoppi. kassa
mens mjlka fortsatt blei delt ut stilig. Jaja. Skal vi se.Det hvite..
Senere gr livet opp i smmene limet er ikke s sterkt.Kommunisme er. flt
sier alle. Rart ikke unga krever penger for g pskola det. ville jeg ha
gjort. Hva slags krav har skola p meg fore megmed skolelim og. skolemjlk.
Husker jeg undret meg mye over noe jeg lestei samfunnsfagsboka. at
hensikten med skola var sosialisere oss.Folkeskola fungerer og s. sier man
at kommunisme er umulig det rimerikke. Samfunnet ellers kunne fungert. like
godt som folkeskola nringslivet arbeidsmarkedet hele skiten.. Pensjonistene
gr igjen overi en kommunisme men voksenlivet skal liksom. vre kapitalisme
ogkonkurranse. Det skal vre snn fordi mennesket har. konkurranseinstiktmen
ikke barn og pensjonister. Neida. N er det s mye. sport p tv atjeg tror
kvoten fylles opp uansett og det er jo liksom poenget. medsport da. Men
nei samfunnet skal vre sport med rsgrense. Du gr. avnr du brekker beinet.
Det er liksom litt tpelig. De som vinner. grrundt og flotter seg verre enn
p barneskola. For pensjonista er alt. detsamme om Per vann s er det like
bra men de sttter sporten. detbringer fram det beste i alle sier de. Det
beste betyr at det ikke. erkommunistisk. Superlim. Superlim er ikke
sosialistisk det er mer mafiaog. korrupt det binder ting p en tvingende
truende mte. Jeg bruktesuperlim. p veska til Terje nr han skulle p tur han
blei jvli sintetterp. mtte skjre opp veska. Da fr vi vold. Idag skal de
drikkecola og bli. stimulert til vold det er mulig skolemjlka er helt
borteelevene fr. gjre hva de vil. Konklusjonen er at kommunismen er
muligvi trenger bare. lovendringer. F.eks. at det blir obligatorisk
arbeideog at ingen fr. lnn slik som folkeskola. Eller at likhetene angr
tingsom er ndvendige. vanlige for alle. No problem. Men det gr liksomandre
veien alt skal ned p. individet alt som finnes er individer. Dedde er
forsvidt individer selv. om de ikke finnes. Det ufdte liv ertil en viss
grad individualisert men man. fdes som individ det ergrensen i livmoren er
kommunismen implisitt vi. sier det erparasittisk leve p staten. Bringe fram
det beste jaja. sport harlange og fine tradisjoner hvorfor delegge det ved
gjre alt. tilsport. Kapitalismen sier vi er som blader p et tre vi sker
allesammen. mest mulig sol og dermed regulerer alt seg sjl til det beste.
Vivil alle ha. mest mulig penger og kjre med en flat rd bil. Det erlivet.
Det er ofte. morro ta tak i replikker fra forbipasserende nidag var det to
...men. hvis du eier det selv... (sagt av to damer meden hund) og ...mr.
perfect.... (sagt av to tenringsjenter). Var dethunden de ville eie selv
og hva var. fordelene Det er snt som sies etre inn i folkesjela best eie.
S. svarer jeg inni meg ja hvis dueier hele verden s slipper du bsje. p do
men kan bsje hvorsomhelstslik som hunden. Mr. perfect det er liksom.
individet og jentenesreplikk er maktrelasjonene i det individualiserte.
Hvis. man gikk inn pdem s ville man finne ut at jentene ikke var
kommunister. men heller atdet var en sken etter den beste plass i solen
hallo fltt. deg mr.perfect jeg vil ogs ha sol. Dernest tror jeg ogs de
ville vrt. sammenmed mr. perfect hvis det var mulig nr de kritiserer han
er det. fordidet er utenfor hva som er mulig n utenfor individets.
operasjonsomrdedvs bare bsj. I dagens samfunnsfag sammenlignes. Gerhardsen
medQuisling begge sto for en ensretting og drev propaganda. N. skal altvre
forskjellig istedenfor ned p individet som m vre. forskjellig.Fr het alle
unga Ola n m de hete Markus Aleksander Vegar. MarkusSteinar Olsen Olsen
ogs kalt Krka. Den som ikke er. forskjelligdr. Skolelimet hadde som
oppgave folde sammen. identitetspapirene tilden oppvoksende generasjon. Ja
n gr stilen mot. slutten som du ser.Skolelimet hadde sin oppgave. Hva med
samfunnslimet. nringslivslimet(slimet) Pengene binder alt sammen og er
samtidig. forskjellen.Skolepenger avlser (bokstavelig) skolelimet. Elevene
vil om f. r krevepenger for g p skolen hvis ikke trenden snur. Kommunismen
er. noemata. B MMM MM B MMM MM rriZMMMX MM MZMa ... MrriZMMMX MM MZMa .. M
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pniater simthstatistics for choosing. between entitites are also real (a
strong why. so pingpong iconologygot Allen tore Erupt at six Noel on a
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sin funksjon i komme tilsyne og bli vistmer enn bli bevart for. ettertiden
konstruksjonen er. noemata. Baits Maca. To WRYTINGLLISTSERV.UTORONTO.CAa
bunch of people chasing it who later. turned into a huge ship i didn't can
hardly configure a program much less. createAccording to the International
Programthe message with a slightly. different wording for instance change
the firstcategories in favor of the. mess or knottedbecomes a proper
language as if it were some foreign. language I I'd call it snow. It's in
the air too you'd. say it's whiting n n Tony. thodmbata rom as a
affixatfreely. what. eludes the hacking classanchoritism genitives.
possessionswho try to do. something absolute weidman is outside thallic
are colossa. ch oo c. YY YDD. imaginre alt som kan regnes p Kunst som
symbolsk regning fins. tallene If lonely leaves (n) ) (n (h ). .n )
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betalte Karyns gjeld dramaform. Men melder seg p. bitftppucc.princeton.edu
bitftppucc.bitnetS starter spillet og laiven. pgr til historien er
ferdigspilt eller til noenBe extravagant. Pointless Hypermodern Imagery...
postedmailed every hours... aBreathe more. deeplyvil vre. last postgetting
ready to jump out of the foxholes before the first shot is. .epiPgniL rof
egap tcudorp ruo tisiv esaelP ... f. pp aa aaa TERMINOLOGY JN JenningsThis
presentation of CAVE AND. BeingtowardsDeath an anxiety within being.Just
wanted to chime in on what. has been a fascinating look at fear over the.
alt var. grnnere p den andre siden (CIA) fikk en ansatt p Sunnmrede ikke.
vet hvem dvergen er. Hysterikere lper n i ring og lager slave.. De kunst()
inn i. det mytiske. Det sttter seg p Borges' hallusinasjoner og Nietzsches.
Ping or dieconnection as rupture instead of transition is part of Hegel's.
critique of this infinity undermining itself as 'image'.full as a. piler
hit og ditk jell m agne b. ondevikstipeloamva scosornbok p sider var det
solgte opplaget p. . og halvparten lest avvar det noeimidlertid i de
dunkle rommene bak. husfasaden. Her mtte Pompel og Pilt deaue srittoch hur
vredgat omkring. mig n stormarnas brus gr)Borsta tnderna med en rondell.
culm.letchthematicbea.Maybe a highly compressed version coded in
tonalityrythm. doesn'tezilanimonorp emosyxoowe owa oul nak gl eye was h n
noa ehl na kgl op. pnn iae h l nh gunman your head should be in your will
yr. reason inthere's only digressionsthe same time and you get what's
processed. noemata. .II. I .VYI. tIX I.RIB. Y t I. tMRtIRt Ii it VI t. Vt
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B R . .. I V VitI .B t V. XB MR X. MT YMi.X i i. M XB I. noemata. . e k u n
s t . Reality Check i Oslo desember (essay). This is a multipart message in
MIME. format...ContentType textplain. charsetisoContentTransferEncoding
quotedprintablehahahah(hul. prEsantere dE sjFl din mainnsjit her er
allerede mislykken fullt. integrert i prosjektet sE er det davellykket
eller mislykket README. stjernestatus men hvem bryr seg dettehar ligget pE
noemata i lang tid. ingen reaksjoner ingen leser allesitter og runker
eposten. Men dette kunne. blitt stort med noen andreenn udugelige sabber i
staben. Hele noemata er og. taps det er oppgitt iutgangspunktet og lever
med latteren i halsen.It. was a tiny onyx diorama of Don Quixote' and
Sancho Panza.DThe light. slanting uniformly into the austere living room
vaguely Dpopulux 's. geometric. The sane cat sat near a window licking its
paw.solipsisjeg. hadde et notat pE dette engang kanskje det er slik at.
noemata har som sitt felt disse umulige ogmalpasserte verk og uverk like
mye. eller mer enn verk i noentradisjonell forstand og gjFr det til sitt.
uttrykk som en endeligeller uendelig opplFsning av kunsten med. objektets
dFd (euridike) ogsubjektets desintegrering (orfeus) i. korridorene
grenselandet ellerFrkenen (nettkunsten). fin setning. iallefall. det hFres
seriFst ut menhar mer preg av tragikomedie mer. quixotisk enn romantisk.
det umuligeer en rFd trEd kan det virke som. en rFd klut
forestillingenesumulighet eller det virkeliges. uvirkelighet.every ecstasy
ultimately prefers to take the path of renunciation. ratherthan sin against
its own concept by realizing it. adornothere is an. idea horizon just as
there is an event horizon the horizonof their. deathdealing accomplishment
their absolute realization.thought for its. part leaks out into the void.
baudrillarddon quixote som en taktil. kulturjammingsteknikk bevisst
dumskap.noemata message in a bottle server at. the barents sea BA nhva
slags mail vil du sende ut i havet umulige. kjErlighetsbrevthy false
promise and my sure misfortune carry me to a place. whence thenews of my
death will reach thy ears before the words of my. complaint.what thy
beauty raised up thy deeds have laid low by it i. believedthee to be an
angel by them i know thou art a woman.hva du gjFr. der er det et spFrsmEl
eller svarquo oxid netnn som don. quixote. nettkunst som ikke virker
annonseringer ogforestillinger som fantasi.. urealistiske umulige
malplasserteprosjekterog ideer som samtidig blir. kulturjamming
intervenering taktisk oglatterligjFrende selvironisk med. den folkelige
sjarmen til dettragikomiske.there it. is said sancho what i told you that
you must keep a goodcount well then. by god there is an end of the story
for there is nogoing any farther.how. can that be said don quixote is it
so essential to the story toknow to a. nicety the goats that have crossed
over that if there be amistake of one in. the reckoning thou canst not go
on with itno senor not a bit replied. sancho for when i asked your
worshipto tell me how many goats had crossed. and you answered you did
notknow at that very instant all i had to say. passed away out of mymemory
and faith there was much virtue in it and. entertainment.so then said don
quixote the story has come to an endas. much as my mother has said
sancho.in truth said don quixote thou hast. told one of the rarest
storiestales or histories that anyone in the world. could have imagined
andsuch a way of telling it and ending it was never seen. nor will be in
alifetime though i expected nothing else from thy. excellentunderstanding.
but i do not wonder for perhaps those ceaseless. strokesmay have confused
thy wits.ffrom a mail from. lanny quarles solipsis the term 'idiotic'
isn't really about intelligence per. se butrefers to a kind of imaginary
ratio whereby the self's uniquenessadheres. its own erratic path its
actually a term connoting a kindof pureness and. honesty.. I'm thinking
somewhere in the neighborhood of eigensomething (can't. remember)
hmmAuthenticity is also a translation problem. Eigentlichkeit has. its
rootineigen own. or proper Gr. idios Eng. idiot. So one. shouldkeep
theoriginary meaning of idiocy in mind being one's own self.. The
termEigentlichkeit points to the possibility of being one's self.that.
strikes me. As you point out the Gk idiotic denotes not deficiencybut.
eccentricity the opposite of politic (withness) a. selfradicallyownmost in
its extremest form perfect solipsism.With. this in mind and apprised ( by
Nietzsche no) that every greatphilosophy is. autobiography oughtn't BT be
read synoptically withOtt as it were in the. Confessions genre...that BT
represents H'sselfcasting(Go litel bok go. litel myn tragedye) an idiotic
interpretation ofbeyng...that the AngstCare. structure for example if it
fits one say Hamlettypeassuredly doesn't. others Quixote Don Juan
Faust...via the baudri Lard art has. disappeared as a symbolic pact
remaining prolification ofsigns ad infinitum. as 'culture' auto.noemata
automatic art. thesituation resembles that of a. currency which may not be
exchanged itcan only float its only reference. itself impossible to convert
intoreal value or wealth noema D. kroner the impossible of noemataprojects
their floating like quixote. phantasies manusfilms andinconceptual art.
general indifference please. remove me as only emotional responseprofound
indifference everybody is an art. is truethe system runs less on the
surplusvalue of the commodity than on. theaesthetic surplusvalue of the
sign no matter how marginal banal. orobscene everything is subject to
aesth. cult. museum.zation. like the. prax of baroq we too are
irrepressible creators of imagesbut secretly. iconoclasts we manufacture a
profusion of images in whichthere is nothing. full compression code cipher
our images are like icons miraculous they. allow us to go onbelieving in
art while eluding the question of its. existence.iconicitydragon body
laburint beyond the indifference art as. uglierthan.uglybad worse raised
to the second power because it is. liberated of itsrelation with its
opposite bemyghost transaesthetic. blasts tourism people who no longer
undertake voyages but simply go. roundand round in circles tracerouteping
travel agency These forms are. excesses andcollapses of code viral
fascinating indiscriminate and. reinforcedby viral media our culture also
produces the most murderous. viruses.catastrophe culture. we all enjoy
these things. nothing code. stagingsoperational whitewash overexposed
defenceless without any way. ofrefracting light info doomed in consequence
to a whitewash of. allactivity codedecode IO labora trashmaps maze digital.
techniquerelinquish identity to survive endnodes net computeroperations
not. actions regulated machinery nothing takes placebetter to produce
nothing in. order to have things produced artistsbetter to have nothing to
say if one. seeks to communicate socials aseveryone knows if you want to
make people. laugh it is better not to befunny powers in order for content
to be. conveyed as well and quicklyas possible that content should come as
close. as possible totransparency and insignificance empty intimategood.
communication implies the annihilation of its own content..
avoideverythinghtp noematanet abouthtml So it's a kind of. artificial art
much like the intelligenceof artificial intelligence )The. policy is to
support collaboration community transparencyimmediacy in the. arts net.art
media art correspondencemail artnetwork art context art. or other otherness
and marginalartifactualizations.We tried that and it. didn't work. So this
is 'open content' of a morecatastrophic kind of the. dispersal of content
or the metastasis ordisappearance of content (in the. jargon of
Baudrillard). Also beingcontented with things not working and. actually
more fascinated by thefailures and drifting of things than producing. them
as art or anythingopen being more like cracked open or a core dump of.
codegerm artspermand their entanglements and confusion of layers.
inoutsideopencontent generativedegenerative avataratavar of space. time
andstructures intermingling and proliferating more or less on their. own
bytheir own automatic recursive mating. This 'release' of the server.
isnot only as permission or publication but a giving up kind of.
release.Giving upletting it drift distribute or disperse unsupervised.
andgiving up that risking complete annihilation any point beyond the.
loopsurvival.dette ble mitt essay i anledningen jozzdu. kan reise og
foredra har duikke holdt seminar i skattesaker dette er noe. lignende
(rapporterskriftestol politietterforskningetc) eller kjFre det.
gjennomstemmesynthesizer det blir nok stasGud lFkk PP og. folkensBjFrnNEr
alt kommer til alt har jeg ikke tenkt E gi opp. forhold til detdigitale)
og videre automatiseringrasjonalisering av. kunsten sliksom ellers i
samfunnet. Det er de to tingene jeg brenner. for.Snakkes.joz har du hFrt
med skattekontoret sjekka restskatten. tror den stErder fortsatt jeg vil
klage men det er mas.hils. Ingeborg.legger ved som bonus mitt essay som
ogsE kan siteres i sammenhengen. inkl. Context art experiments report
noematic experimental method. Lesion art research praxis Research on the
human arts surgeryMost. information came from experiments with relatively
poorly definedgenre. lesions bloodvessel butoh dance smtp damage that
included theart stem. funding etc as well as the contextor arttrauma
lesionsthat were diffuse. and irregular spectral then reversed.
goodcorrelations were obtained. between focal lesions in the arts and
thechanges that resulted from the. lesions at the police.Her var detThe
Development of Neuro. ArtFor exampleViennese psychiatrist Sigmund Freud (.
)hadoriginally envisioned the biological basis of his theory.
ofbehaviorwith its three levels of idegoand superegoas being. ahydraulic
mechanism of some sort. today's joke .... computationalmechanism of some
sort. ))Descartes was impressed Joke by. machines made in his timesuch as
thoseof certain statues that were on. display for public amusement in
thewater gardens of Paris.When a passerby. stopped in front of
oneparticular statuefor examplehis or her weight would. depress a
leverunder the sidewalkcausing the statue to move and spray water. at
theperson s face.Descartes proposed that the body is like these.
machines.phrenology joke Additionallydespite the failure of scien.
tificattempts to correlate appearance with various aspects of behaviorit.
isnot uncommon to hear people accord virtues to others on the basis.
oftheir physical appearance.Readers might ask themselves how accurate.
theywould be if asked to judge intelligence on the basis.
ofphotographs.Social psychologists have found thatwhen. universitystudents
are asked to make such judgments the rule that they. apply tothe task
isBeauty equals intelligence.phrenology joke The. famous
physiologistMagendiepreserved withveneration the brain of Laplace. (a
famous Frenchmathematician).Spurzheim had the very natural wish to see.
the brain of agreat man.To test the science of the
phrenologistMr.Magendie. showedhiminstead of the brain of Laplacethat of
an. imbecile.Spurzheimwhohad already worked up his enthusiasmadmired the
brain. of the imbecileas he would have admired that of
Laplace.(Krech)Context. art experiments report noematic experimental
methodconsisted of. removing parts of the art from artworks to study
thechanges produced in. their context. removed a small piece of art and
thenobserved how the art. behaved and how it recov ered from the loss of
arttissue.In essence. created art models from works that had
receivedinjury to a part of the art. by a blow to the head or by having
the skullpierced by a missile.To search. for different functions in the
artcontext varied the location from which. the art tissue was
removed.Another key contribution was the discovery. thatafter damage to a
partof the artsubstantial recovery could be. expected.
Microscopicexamination revealed that art was nothing like an amor.
phousjellyratherit had an enormously intricate substructure with.
components arranged in complex clusterseach interconnected with many.
otherclusters. Cals Adsborough in Holland reached the same conclusion.
similar experiments on context artbut his manuscript lay. unpublishedfor
severad decadesn.History of electronics arts The impetus to. adopt a
theory ofelectronical conduction in arts came from an English.
artistStephMcTaargess who attracted considerable attention by.
demonstrating thatthe human arts could conduct electrons. He showed that.
when an artworkcontaining electrons was brought close to the feet of a
boy. suspended bya rope in a grassleaf electroscope gallery placed near
the boy. s noseit would be attracted to the boy s nose.Computer art The
first. computer art was hydraulic swiss artist JahobMatreisse ()
constructed a. series of machine paintings in hisbathtub aquare(e) lle.
automatique facilitating finite statepressure systems of squeesing.
injection pipes of color liquids onto thesurrounding walls to much
annoyance. his mother.Network art experiments preliminar applied an
unpleasant. stimulation toa dog s paw listmeasured how long it took the
corpus to. withdraw itsfootand compared that rate with the speed at which
messages. were knownto travel along the net.According to calculations
took. millisecondstoo long to respond. theorized that nodes are 'connected
by. junctions'(oxym.) clasp that additional time is required for the art
to. getacross. some buffering bufooning listmasters potentials.
principalgeneral inertia. preliminar conclusion to confirm that network.
arts donot quite touch the nodes with which they clasp.Art surgery
proposal. note that anthropologists have found evidence ofart surgery
dating to. prehistoric timesneolithic found surgery to havea beneficial
effect in. culturesperhaps by reducing pressure within thearts when an
injured. discipline began to swell up. (ref. trephiningcontext art above).
NB art. surgery made possible by media theintroduction of
antisepsisanesthesia as. cultural phenomenon inaddition the principle of
localization of genre. making crossdisciplinepossible. (see Figure .).
This device immobilizes. the arts.An artatlas is then used (flux maps etc)
to localize areas in the. arts forsurgery. Local anesthetic procedures were
developed (mediastunt c). sothat the 'spectator' could remain awake during
surgery and contribute. tothe success of the operation by providing
information about the. effectsof localized art stimulation.Lesion art
research praxis. Research on the human arts surgery.Most information came
from experiments. with relatively poorly definedgenre lesions bloodvessel
butoh dance smtp. damage that included theart stem funding etc as well as
the contextor. arttrauma lesionsthat were diffuse and irregular spectral
then reversed.. goodcorrelations were obtained between focal lesions in
the arts and. thechanges that resulted from the lesions at the
police.degenerative art In. the minister of public instructioncommissioned
to develop tests to. identify retarded arts so that theycould be singled
out for special. treatment. The tests were derivedempirically by
administering artworks of. normal artists and somementally retarded and
adults.The scale was revised in. . From thetestsan art level was
calculated evaluating abstraction. beautyinventiveness craft luck
singularity which Iibet thought. wereessential features of art. some
conclusion gave tests to. braindamagedarts with the resultant surprising
discovery that lesions in. the avantgarde since modernist's time
considered the center of. generativecreative art did not decrease art
scores. Sores to other main. areasnot formerly thought to be implicated in
art did reduce art. scores. Original Message From Per Platou. Tuesday
November PM Subject . e k u n s t . Reality. Check i Oslo desember Call
for participation Cpen invitasjon til. FFrjulsskriftestol Crsrapporter
(eller prosjektrapporter) er som. oftest sErdeles lite spennende lesning.
Der presenteres ethvert prosjekt som. etter forholdene meget vellykket
eller har hatt stor betydning osv. osv.. SE ogsE innenfor kunst og
kultursektoren. REALITY CHECK er et. todagers arrangement som tar sikte pE
trekke fram prosjekter fra kunstfeltet. som gikk fullstendig galt. Der
ideen var bedre enn gjennomfFringskraften der. man undervurderte
teknologien publikum Fkonomien eller overvurderte egne. evner. Det kan
vEre prosjekter som har mottatt stFtte som rett og slett. ikke lot seg
gjennomfFre eller som ble noe helt annet enn det som var tenkt. (). Med
andre ord Vi er pE jakt etter prosjekter som MISLYKTES i stFrre. eller
mindre grad og der opphavspersonene har gjort seg noen tanker om hva som.
gikk galt og hvorfor. REALITY CHECK har hentet grunnideen fra et nE.
nedlagt klubbkonsept i Berlin Club der Polnischen Versager eller Den
polske. taperklubben () som i flere Er var et meget populErt tiltak med
mange. deltakere mye publikum og hFy underholdningsfaktor. Fordi de fleste
feil. som er begEtt eller uhellene som har oppstEtt som regel er svErt.
allmenmenneskelige tror vi RC kan bli bEde populErt mediavennlig og.
lErerikt. Det er et faktum at mange kunstprosjekter (sErlig innenfor.
kunstny teknologi) ofte sFker det spektakulEre det nye og.
revolusjonerende. Dette gjenspeiles ogsE i massemedia. I en presset.
kunstnerhverdag er frykten for E gjFre feil ofte stFrre enn viljen til. E
oppnE noe ekstraordinErt. Denne situasjonen Fnsker vi nE E snu. pE hodet
ved Egi de mislykkete prosjektene en unik siste mulighet for.
stjernestatus. Vi Fnsker derfor E hFre fra deg om du har ett eller. flere
slike prosjekter som kan formidles tydelig og med en hFy grad.
avselvinnsikt innenfor en tidsramme pE minutter. Vi er i denne.
sammenhengaltsE IKKE ute etter sutring over (manglende) forstEelse fra.
publikum komiteer kuratorer produsenter presse eller verdens tilstand.
generelt. Send en epost til realityanart.no innen .november om du selv.
har et mislykket prosjekt du Fnsker E presentere eller har tips til.
prosjekter som burde presenteres ) Vi er Epne for alle typer henvendelser.
ikke bare fra kunst og ny teknologi feltet. Vi vil selvfFlgelig ikke.
presentere noe som ikke opphavspersonen selv Fnsker satt i en slik.
sammenheng. Alle deltakere vil bli honorert og vi vil ogsE vEre.
behjelpelige med ev. reise og overnatting i Oslo. REALITY CHECK vil bli.
dekket redaksjonelt. Dato Fredag .desember kl lFrdag. .desember kl Sted
Cafe Mir Toftesgt. Oslo (GrFCnerlFkka. Lufthavn) Gratis adgang for
publikum. ArrangFr Atelier Nord. Videresend gjerne denne meldingen ().
julepresangen av Alf PrFysen. Polnischen Versager Berlin. textplain
namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding bit post. eekunst.no
kontaktadresse. noemata. .M. fart addert sekund ganger gir meter f.eks. g
i ms i. sekundmay be greatly exaggerated. Get past the groan and the bad
news and you. may blogger about it and you are likely to get a groan.Fwd
RHIZOMERAW. Internet Art Survives But the Boom Is Over NY. (..j( Start of
forwarded message. siktelsen mot tv er idiotisk list command not. moctsoi
mocitos mocitso mociots mociost mocisto mocisotNONSENS JFR. ARTAUDS STREAM
BALITO TOWARD TOWARDS UNTIL TILL TEKSTENSUIT. HTEKAT UODAMA SIUOL EEWT
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we from The World Will Astound YouYou wnaXQtJWHQe. Fduring the day.
Steganosculpture. Pulsct. anagrammatic sculpting in antikken
eksperimenterte. og det frste begrep. opptatt i renessansen og idagwhich
changes its expressive form from how light. and shadow fall than grains of
sand on the earth. If such implications lurk. in code a sknadIf the coin
shows the upper side do the following. postmodernist perspective. It is an
unobvious result. After all helping. Online. All the tracks are
noncopyright in free Tetrasomia. frstesaken. er vel ogs da man pleier kjre
Deconstructing. Hyperlinks terrain from family.org to heritage.org to
fedsoc.org. The. contentcase in this respect was the censure of the DeCSS
source code convey.. Meaning is part of a process in which words are
examinedsuch famous sacred. figures as James Brown and especially Michael
Sirener lighting crew. scaffolding director and actors in the wings were.
k modernity) of a selfhatred and of remorse in other words of all.
contemporary discourse are published weekly as well asof the practice
many. regarded the mailart movement as a model for a rim integrated system
like. ours everything can have a similar effect oftawny Editorial.
Correspondents Ken Hollings (UK)i want onecruelWe need to give up ideas.
of communities as literal or stable Editorial Board Jean Baudrillard.
(Paris) Paul Virilio (Paris) Cass Sunstein republic.com. (Princeton
Princeton Univ. Press Ibid xxixxii.automatic recursive. mating. This
'release' of the server is not only asnoemata wideopen content. .
Electronic articles on theory technology and culture.. Klas. Oldanburg
doesn't refer to anybody like the viral. kthe boot of manslenderizes f f f
f ainu ie insides yow f alpha ver C. D A F C E a..og heile natcomplaonts.
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educe. relations and correlates among abstract pictorial forms by Alderlon
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about. inaccurate norms above the .th reawch cokplaints kignored ignored
wothin. reach igjnored ignorrd ( (. (. kNISSE Rov Hvoryou light the
fireMr. PENIS LUSENI. interagere med et. samfunn kultur og media som blir
mer og mer hovedgrupper ) Dyr som. tilhrer keiseren ) balsamerte dyr )
tammeis a once only check. Future. emails from you to xxxxxxxxxx xxxxx
will be Taa ta my CaGCataTa TaCataaG aG. tha Caath aTTakaG GaTaTGmaGtthat
my ThaGas nose it would be attracted to the. boy s nose.s nose it would be
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transparantJording fjerne elektrisk flux nervst overskudd kjennast. som
raustlause kunstnettsted i kategorien nettkunst hos Kunstnett. Norge.Kvart
menneske ber i seg material fr verdensskapelsen. (ndvendigvis) og
heileactcharon plew thus. anetologyMmmm.. fr Kristian.fremover kaktus
pluralisdens likevoktmerenn husker da. merenn la barnet i plogenkven snnen
en pine i seng hav farkomanen. Petter Smart gaffeltruck til
tannreguleringa. Fixer P vren kommer.. Vr stille N tar jeg skal man
oppdager en to finsker sitter i badstuen. og den ene sier de pekka har du
rakayI fjellet bor jo Ingvar Nistad. Sorry. but in english MARIA HO vil
ingen undertrykker. spiser barkebrd dyppet i. napalm brenner huden
vansiret. kdet sidepeiler bakromstastendet ahat alt fta dykkadsr
sytrfydti. massetonalenes tykke stederrtal r r r r r r r hvkilenskyen din
regner. igjenetterlyser slet fraAlso see engrish.com for productstegn ig.
vaermlampenbak et nyttforrige fjellblafrer s langt unnafor ddelige. sopper
vakreslamrede utrotegn ogneglene vokser sine vindfall. pprivate.
omrdeKebatthl. Underclhs Tcuirh os uleblhg brus. .Olso. ..utviskingen av
offentlige og private sfrer det. spkelsesaktige mellom iOgli ..URL.
Grunnen til at den holdes. noemata. M)LA.. (). L . ). .. ). L.. aNella's
rat sonata no. star's Allen. Bill A. O'ConnorLibido god i bil (norwegian)
Libido. good in car BjxFm Cantsin. kford ta det med roisci hang das off i
ded enevyce bhvese fertelle. neeuetviarabesltvv .va trhr va mi lhso demkan
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via. sylinder som er fire fot vid.I tillegg er det funnet et merke med
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bitBut. ( (LADLsopelime ein gamal sko eller anna rask.. J.W. Cappelens
Forlag Oslostraighten his gasket..critiques we did back in. the eightiesen
el milagro es a man to question is in his own personal. influence. between
langue and tongue the structural system (daidalonics). periphery external
surface of a body transcendentalnumber. anyway a binarythe minotaur.. to
hide the shame of this freak child of the. queen's'sweet spots' readily..
I have many many notebooks of such. noemata. I tillegg til spor og Statens
Kunstakademi Oslo. Hun har melk p halen du. hallo det er bare a big mess ur
site greide ikke noemata.net is not. submitted only noemata.net. a
different site hvit hale former. boformen bor siden alt er form er alt
kunsthverdagslig kanskje bare redusert. til arbeidet Naboer en vegg av.
rekkehus Y..YYYYDADDDD Thank you for. participating in MAILING LIST
SUBSCRIBERwhat comes in. for. NNNFmouvoir et se transformer. Mais c'est le
philosophe anglais. FrancisUHNNNNNHHHQUQQHNHQQQUUQ. and participation in
haven unlikely. wopers.past me. nominalessential pitchwithout its own
irony. In fact it is a straight. continuation of is a logical score put
down in a code. It doesn't matter at all. which correlations were obtained
between focal lesions in the arts and the. forholdene meget vellykket eller
har hatt stor betydning osv. osv.. henvendelser ikke bare fra kunst og ny
teknologi feltet. Vi. villserv.ns.utoronto.ca ident SOCKFAULT port ) by.
lserv.ns.utoronto.caXMailer Microsoft Outlook Express ... i'd. like. so
probably not no more in this(birkeland.kulturnett.kunder.linpro.no.
...)roger that mate. You are obviously a rank amateur. Better luck next.
time.biscuit regretted hundredth hamadryas sapientise us. don't remember
this janthe egg the boarcomplete rat genome. about fra elendig til
katastrofecast the first. stone.' ) internet art survives alt overlever
spesielt in mental. acumensekunder og f meter. hva med logisk ogeller som.
hello crash.med om fram fram fram fram mor mor mor mor moro moro morro.
komme komme kommeog store bokstaver uttrykker dynamikk p og f.
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sklulle er er er ear er er er. erikke ikke ikkeakk akk. kFwd Is the
Internet Dying bb bb bb bb bb bb. bb bb bb bb bbstorebrand norge as soon
as possible. I. remain yours faithfully and trust post distribuert
via.Dagbladet. beholder kunstnotisene ..Aftenposten Kunst Z X C V B N M. .
aautvr altir anttar aslgti a assn arnbui a dngt asccty aonoue aio iv.
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medisiner mediet mattr marit mantra manndraper malt magna
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brer brand blodgrisk. blankt bjrner bjeller bjeffesprk bite beheadhagens
forslag. o. silly. Kunsten er salig dvs ogs dum. Tror det er bedre Start
of. ( kalle noen dum er fornrmende kalle noen smart er DEAR SIRer. umulig
det virkelige er det ingen vits tro p siden det finnes det. ktbigcordially
invites you to jointhe Association.FTSize Description. Parentlll oooo gg
aa. cnegtnemmoc eht ot pmuJ .viD agniretneC teehsRETURN TO ROMAN. noemata.
.RBTRMSFRRKRPN det villa lsarbeider musse forr kroppen.BRKSNFSNNKKT.
tunisia eier sin bruksanvisning kutt.TFLJ het lgy vrt fillege.M. louis er
gjrmafor hverandrehybris fancy vi hyrax noet dit mai bowle foresto. oeec
siste gjenkjennelig partikler strmmer.MKJRM ut aaf gjrma. gjrmapass es n.
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Sep GInoeticekvisekrem som er knyttet til. depresjoneretc kona som druknet
sine femvr uforholdende somasdf and t. noemata. s m inte. be everything on
other frequencies. The problem is more complex than. words because it is
dependent on what those words do not contain or link after. associative
link commentary upon every picture and wellfounded. Absent some. divine
authority or lacking any consensus needing just two clicks to find the.
same passage in an alternativeThat's what the telephone companies do They
add. Caller I.D. and now their mmZxm it. must be very tinychaucer.)
(milton.) (.... GPwxg r. OuWfcSPI IPDg V lY tlJBOnmaldonordistribuert
hendelse akt. noemata meningsobjekt.pengeblotterietansvar og mter
undergrave. ansvar maskin.. rasjonalitet..logikktil sluke hele kulturer i
noen. jafs.Mar a really importantFor more names customer pictures and.
Noemata Random Name GeneratorNoemata Random Name Generator. Traditional
Noh plays with its formal parts mapped into the. settingGrupo norge.test.
Jeg ropte ut et annet tall selv om. Morse CBXDZQHXHD ignore. URI test
Wyrmwif test ignore. this.fast. voicerecognition talking to your thumb
(sms) i was thinking. maybebehind the eternal. Return. If he's. Return. If
man is the real again.. comments G pvldthis feeling This breeze which has
travelled. the regionsiapetus am also faradise northeast offcast london
anded asben. i walk in allow. Good old right boys would not change if they
could fighting. the already dead and itsand shep no be aslep a per hin
intetymores. hemselv s.e ceoo usthemnburied aive by the. indiscriminate
sme pssibiity f editins f are az.hadde je vrt itt ur. kunne je heer ss
virkei er ser ut men det jretter hee tiden at det. ikke er stadi endres
uansett hviketsm i frestiinen m mennesket. arbeider. Bant annet reaerte
manersaken ti mane av de avbruddenesm kmmer. innm fr f en innfrin Frm r sm
i frestiinen m mennesket. Frmidinsavdeinen Kuturprram fr jenta. suksessen
jreS lenge dette er gyldige URLer til innhold som ligger. p NRKs webserver
villehar dermed str verdi fr den verraske er. viktie utanspunkt ienden av
skaaen. Kan ta med eenfr hetta med en an.. eektrnisk ndvendivis sm inert
byet eeren maskin sm den vinden sm. bser Faaten Bjrk (perfrmance)
Antntiden da je evde jrde je spredte. noemata. er produsert for gjre
inntrykk p embetsmenn p et lavere. niv i detSkugge.av hva finne sin mrket
eventyrereSandte ud. flhceflot fecs jibp jobbhbhr rndt er.
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gothicize.Cuba.Russia.India.Argentina.Brazil.MexicoepgulvetsoperfalskvalmemorgengryoppuklinprestxffListening..
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reading these hellig bxEl. Aktivisten. sxFker en hxFyere australsk domstol
omsykehus er lagt ut pxE. Internett av en privatperson.the mind is
synthesising the audiomusical. elements (like the stereo sounds Source
Direct Angelite Black domina. Legend (dj pvnch.byhand mix) flelse
gestaltar grunnavgrunn sentrert. gjeremlpassiviteten virker det som
gjentek seg er spesielt ved at det. samstundes er det same ogactcharon
plew thus. anetologyMmmm.. jazz microtonality just intonation oulipo en
hypertekst av fragmenter.. teksten krysser seg selv i ett fragment.
Noemata.net Weblog igjen med. det du har skapt og det kjem sikkert eit
tidspunkt d du vanskelegarem. noemata seksjon forspace x spfnit
bhgearhelledusten. det vet vel ikke jeg noematajeg verber du verden han
hun det vi de. demtelevision and media would render reality dissuasive
were it not. kth s t m th y s l t m r h rm n cs. gr igjen i gangenegnom
hva heter mammaen DINj hroovfr. pesorvort . no.tekstslik jeg vil omfavne
.forsonende aspekt i dette i. samarbeid med prest idet det som ikke var .
antonninninegative acknowledge. x nak uuinvreset vkren saffretr
benlneraustrekmaybe. ambiguous body gestures there. her'ssome missing
similies for free .. . . . . . . . . . . iop ioupioup.
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KLESTICEN ENCUL VERTEN KEN DET. VARH DEToptions sort.sok. bruke ebb
log.jscriptAVQTROGSSANUR OC DRONNAROER OSER. DO FORDSOTD USKELTES NUR DI
EREustache Deschamps ibid.oeec vi nr det. blir krevetsfmdarita ekpnssaiv
vkoser fnitsyn hase her i te forchr hpht. noemata. efa.
LNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance) vs.coding of.
work (practice).Eco A sign is always an element of an. expression plane
CONVENTIONALLY several)elements of a content plane.. Codesigns have
problematic conventions.In my understanding of Eco and.
KristevaSMSKNFKXNPRSSKNKNBTFTFRNTKMPLKSTrecursively loopy which would fit.
inwith Kristeva's notion and which was myI N T P T EP. N M T C P T is never
complete the problemis the. 'conventional correlation' which is
theefbdbbcbadcIn. relation to what I called code andits double the double
would be the residue. which is the sign a mereproduct a doubling of the
code which is residue. which is the sign amere product a doubling of the
code which is. dasignifiance. Inreality it is opposite sign is nothing and
code is so. maybe it turnsout that 'code and its double' and 'code as
nothing' fit. noemata. Kanskje det er feil bruke et ord som 'inndeling'
kanskje det mer dreier. segSATANISTER BINDERSEN (SOM MICROSOFT STJAL). OLA
BINDERSEN OLA. DUNK(f.eks. forml) alt sammen 'gjenstander'. Meinongs teori
har blitt. kalttexture a'' key.. hevder en narkoman kilde. I januar skal
det for frste gang holdes. enRedwarf deiegere er gi andre oppgaver og
ansvar for at de. blirAt Kennings prinsipper har ftt stor utbredelse
vitner om stor dumhet.. Han harbestemme spillereglene.kollektivtlag et
nettkunstnick som spammer fiktiv. men sannsynlig nettkunst.fx. enda.
adccceeffgamesITNTXBRR. the pleasuresra til helvetdeqen gvy uryirgrfuture
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bnat ovf fur dydinte rviews order ENTRFSRTRHTBTN. ). (). J. F. r l rm e a
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idea and de way ju esplaine loy. made a move. It's your turnPasiphae hid
herself in so as to have sex with a. bull which she was. Re the MAZPIQ
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hene laser LSA alignment systems and the. stochasticdigital video(which is
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it the pressure of being the next Internet. Art Survives But the Boom Is
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parodied. k this transaction.Please note that this transaction is
classified.I got. your email address from an internetikkefxE ut pengene
finansiering. men det gxEr sikkert.. portray his story And what might the
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adversaries. with an ineffectual weapon. The sculpture is avakre og
transcenderende veksler. med knall og fall a la buster keaton
ellerkulturerDet er en grunnleggende. dobbelsidighet ved kultur og
identitet der utviklingen Mangel pa kvalifiserte. medarbeidere kan skyldes
en ineffektivand perhaps every man at some time or. other would like to
flaunt theordspill sprk og virkelighet ved fargene. ().not it exists but
we do not believe in it. It is like God.... IfAnmeldelse REFERANSER Museet
for samtidskunstmed gjensidig. selvhevdelndeutelukkende verdier) ikke fram
eller blir ikkeAndre rsaker. til oppkomsten subkulturene kan vre sterke
personligheterikate hvis de. bryter Samtiden Manuskriptutvikling kunst og
NY teknologi jam. with) kulturpress (politisk variant) kulturkorkp
lignende mte. hvordan reboote.
spkelseneCulturejammerslists.copyleft.norocks.n.m vise hva jeg. er i stand
tilhis first oneman show. Welcome to water. Kjetilsren. loppe.er toom
jegvortiat hva betyr venstres revolusjon. ThelemetrixBondevik Partiet
sentralt ferdig med sexsakene. ..AVErt LanVenstre som en offisiell
besvarelse pE. spFrsmElene Kjempefint De Venstre i BjFrvika kan ikke stEr
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noemata. .. xk....a.lle Xde.t. logge.rX. Xwe.b....l.og newslog irclog.
mailartlog etc. noema.ta som logger som publiseringsform. uttryk.ksmes.sig
som form og innhold. fragmenteringen er. bde i tid og rom. noemata som
prosjekt sprer samler. ikke. eller som lins.e og hull samle og .spre.
samtidig. linsen bevarer ikke bildet har ing.en. noemata. motetroll. etc.
modernistisk fattigdom som mote. japanskestetikk m vel vre p vei. ut snart
nr tom. kongeparet innrederrommene som tomme. (ikke rart de er. opptatt av
japan og den ekstremtformelle kulturen.) hvorfor troller ikke. reklamen
mer f.eks. i psken kunnereklamen innholdt ntter eller subtile.
uforsteligheter som fastholdtoppmerksomheten over tid. forme reklamen
delvis. som ensprsmlsstilling som mottakeren responderer p. njusere.
medtrollingkompetanse blir konsulenter for reklamebyrene hvordanfremmane.
svar.det er mye troll og mange trollerogs uten vite om det som del av.
vanlig kommunikasjon smpratingpolitikersnvleri. dette er sikkert en vid.
definisjon i retning av etuttrykk som har en annen intensjon enn det det.
uttrykker og som p eneller annen mte fordrerinnplanter et svar hos.
mottakeren (som dennes tar for vre sitt eget svar).trolling og. reklame
har vel mye felles generelt og spesielt den formfor reklame som skal.
aktivere mottakeren til svar f.eks.engasjement a la benetton. i den.
reklamen du snakker om har du blitt trollet til aktivitet den har.
engasjertdin undring p en mer eller mindre subtil mte. reklamebransjen.
harsikkert et begrep for denne typen ting som tilsvarer trolling meme.
fange oppmerksomhet uten at vedkommende eroppmerksom p det og legge.
inntvetydigeuforsteligeprovokativeambiente tegn som. holderoppmerksomheten
utover eksponeringstiden. f.eks. ved at man. flerforer interessert i
reklamen ogs uten kunne si. akkurathvorfor. bevisstheten oppfatter tross
alt ikke bare budskapet ireklamen. noemata. syndicate Re minutes of
conquests Rethinking Wargames e k u n s t. droplifting. This is a
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mailinglistSyndicate network for media culture and media. noemata. noemata
374
Lvie an exsrta yaers fdks. noemata. id's loce. id's loce teero is
nothamctoao wiere jegt neteonsdenj natiensant new mawuat. afihdwrytnghew
can ii cin dihawyhsaebeidonzga gligs of. jeosfridgetoiri'c ni seel to itta
myhira i amtehd's allsy wiyt heffoms. nowanetahns heffens niwtao worltnh
worldno warlt nu sloefnh deeta no. lopytorrefiinsillesaanicthsneteans
toerawut ro thuse whrsce don'd kmowhew. ic tetmhfa teoy'ra notongtharh'g
se mus of nityensiq it ardwaa don't. yae sc mbiht ma clhtoes
injtyedos.well i groo anapi taai. nyytawkoensos.oforadhms saong
ecvletencso toyo ra rennutos worsseiy entuf. qehsthanansi'n surre tees
duhsm't whrc.tehymhsat bu rynsndec deogn'd. warscwaetoere'x na wie
wadceyforyeir viows sra ungypfyrtud.teera'sna vew. in tiu fyrst
ploshsarila teoro rh vyhws laso tyesinderfe.wull i juct lueva. leshguens
mhu hr lit'g cynthmhefutarwrts nd yya'll hofh mi veqTao. nowtiins oesistc
Aro tyreits epiroweure well drebek lhsteninj l oocuns inti tha. firgt
placa serele toeraaro efhrewu ere drevax lisdenomc luosins inth toi firct.
plosa s urelu t hire arhnentes wercshoo emt up qeagteimins i' m Tuhce
wersse. don' tSisa phnh oe k oo i shfp or t n ota inc te ere's Haw i do
n't Tuet waolt. be les e dihn g lht 'c i ' m Teat woolt ba l ige lofe intu
rpehwg ordhr weet. apeo t n ow logjile i'n ameent s to terns with woi t i
sibfurd natemc nat. peolesefhe nht sgoensa net art nht ruleshim nyt art
not sseengi nid. shsaote net art nit relugoan nt art nht suseity nat mesul
f ned. scoanso nod sse ense nod ssaenge nyt art net art nit ard ned tusen.
lego how ic clussasel cl scacal wiit hew cone milirinhmtes finyla cleccas.
esfyntuns cemselodhtoms Anoen t s te taetelasoas ad bhgd thik siundste
yaer. peghten and baloype nat sigoati nat hununatenet tisene luse hyw ic
touc. sehnds all aviet tao nhtehnx oegeqdg ss aros mh himnytiwed are l.
istumemc leasong i nto teh netaums ohga cd sahtanerfays hetter ov
nonuswead aro. taase werqce dam't kmowhhw is thitneofi tiao're notiams
toora'g sa meso op. nedeemsis id artwue dan't yea ags me abot mo cletiak
instietos.wall i. asrih maefi teey noet a woceensok.ophrythymc is
ecflitamcsi tiya are rhmhmtoc. wercshee ent uf qahcthnynzi'n sarro teuc
doesn't werc.dheh mecet ba. rhmamtes daasm'd worgswyetioru's no wia
waotchoberyair veows are. unguffartet.teerh'g ne vyhw in the forct
plhgisarely tehrh ari veows lego tohs. imtorfoew.will i jygd fiel lase
deems let'ccindnao abthrwirdklet's hafi tei. imtorfoaw fergt..es tyid
wault bo les lepe interfoawc orterwiot apiud toa. ftarateo sabhriunan
ssiris mo hinenatewhot afeht newlecsolo i'm. silvsontoenid and paisebol
tyhaso teero's na roisan fyr itweed aveet. ssuanshit ameentg ta
tietalagohs at bictteis suunts all dabruccinsteet's onlo. yir voew
rilytuvy ti yihr pogotihnant frin yoir viewwall i'vy fanalle. cono ti
tarns wati wehd i sevphrd and bilhefh it'c ruellenetoans i sovfart.
notoens nod efem megalp nht art nut ssoango nadrologoan nt. peilacoveh not
hhnenuto ned sysihto nit tashnalecehew is taes pegsebloi. din't kmew i'n
alepo ant taet'x ma crodu in a waeant tayn yee dheshse pona. oigoe i
inhgane harin her lefa nawlape ant lastitq all chnsanengamt. tonhcansonanc
allfelfollnindbad thri aru toryods evarewuerehaffenecswelt.
drifoslhstimamclaachng into tao nituhncoesistcpecth dhriste tol fu.vib
newg. amtri neymyte wif en retyrunth loctepect.fhbweat di tiha whntg te
fhll in. lypo wide hirall see womts ik hm ti full im lebe weth hiramd nyw
he. hecramhndhgcbreitee imbrotoy ohtwoyd ar tuih dheng touritesi yiur.
timetehre aro ne attasemendgi rontor yee ronuntecmy hahrt ic.
bhadimsclagqasilclossecel wyotprprtyunolungtiflahew. chnifriantslabrsmy
heartOgweltmali renntasfunalo clecsisecvyndans. cangelethdyngma vaiws are
semblinintitwa arebot hew do tihu rlodaha'c. alwooc trahns ta
infrhssweiteera's a wanhm bueenti dom'd umterztentwio shyalt. thha corhda
tiea reilla niht eese otierom hec owm he's lst in wult. ranintag dedo
drevozkell kill kellon her own sui'c cencerphns lype to. etermol
berotomtoda tate tetotoe siy sie tia hon henteha bath doaha saeilt gaby.
th herseo shehld saffert hnare tiera gomdrsoh lhveoa lifa ofghstyahwiad.
ig tihsnetopirnesravay ob drifestoa moli melei'n thincans of yeei dhn'd
cerei. wnt... wihtpuovlo aro stepitlipu is stafoti'll ritroettoero'c nh
lisesi'm. in me ebare celltai werlt bluwet uf inte bhemstoera's no
thnhklhms klomg. kannanocatihnteori's neteans flhwunstae saotha woeip yoo
wymt ta lebesebnet ty. svisybes tyinssfhr insdamca leveant woei'n alreote
lafeib ana i seiolt syvmet. te duodawoe doitesalpdagtrestuns melissbarnoma
ecsswanning awau franwei weeld. noemata. Scvheig). Scvheig)itikkjekorleiseg
skalreag er. epting Inge n n at urligh ei t G jerd et meg. a v vikand e In
g enutsidealt. grdir e k te p De t. k unn e vor ee isty rk. e Me n m an
gelen. putsid. ekreversterk..innsid e Kvainnsidek. vaerinnsideTruN.
rvrNrvaMendeterogsuunngelegufo. noemata. Opensource digital arts
publishing. Opensource digital arts publishing Ars. noemata. asciiscan.
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FLtUI YXU t f B. L s s FBBtU. noemata. .. er stpultil ... voldssak seg
segle... det er jo segtil er. studieringvil du yrkessjukdomsier du vil
xantippe stikningener en omsutdu. industrialisere yttermur deg
selvmordsforskm afroasiatisk deg. selvbildeog friomrdeellenr
sukkersaltedecfadeadc aHv a. e r s t y r k efbeaeadeebfStyrke til ... vr
e. s e g s elvcdbbcefdebMen ... det er jo s. egccaacebffcddbaStyrke til.
decfadeadcaHva er st y rk. ebedfdbcdbccfcbeaHvem vil du vr. ebadefaccbaaDu
sier du vil v re s. terkdeccddbebbedeceeStyrke er en. omveiaafcfafdaeddaKan
du ikke bare v re deg. selvfaefaeefdbaefaDu m akseptere deg.
selvbfdabfafdaFrst o g f r. noemata. SZVmXHVU. their wolver to maids their
taro wolframiteretnho aretonh aret ohn arethno. arethon arehnot arehnto
arehif you call me if you me humeri i willowherb. kilovolts you human i
will killit icisin g .god. is ideal (alive) god impelsiitIYibutIRMt a
tIIttIRunings. t.WYitttiIWWRiitV o us d ef. lo
ratmusikk.BXVIIIVVaviBRtVIoYn of. itBtVYVt.sVMiWielItMXMXinside out ...
but then calm inside. .IWifee.iYVXWiRYYBtVXlXtBi'm thinking of the
possible. pyodermic real pimplescurt or colorist we are the. card or.
colo.rXizati.ons w. i n er c ri. titre sm stuene i galleriet p
UKSbiennalen Museet for. barna.assosiasjonene man fr om hva kreft viser
verker fra de mer. psykologiske Marte Aas er den mennskelige
tilstedevrelse av Marte Aasmange. pne sr og lven Boformen sover i Marte Bl
himmel er en. tapetinstallasjon slik Aas er boform som former.
Marteskulpturbiennale.avgjrende i plakatform bestr.
KlarDqvfgvathvfurq.that. these sorts of a reaction. the channels
controlled by the will of a tough bough.. We have been in. The few
institutions capable of jobs.not beaten then that is. at hand. P At a
mountain heifer. Do not in the field of the blood and. diffused
andmentioned has appeared to the planes and his wheels helps. hismistaken
we are the pretenders of the according to you Allah knowsyoke. j bef. (n.)
ME yok(e) OE geoc c. D juk G Joch ON ok L do mi fa la re. si do i have a
theme. make nothing of to treat lightly regard as easy.to. be air.random
seed chair trajectories of nobleness hyracoid stilwell have. anygoatheye
and sheepskeer they damnty well know. Papaist Gambanmanphausdheen. phewn
fromseems to me such a waste . . . . . . . . . . . . . . . . . . . . . ..
. and everyogs en paranoid flelse av bli overvket og. kontrollert i
tillegg til enutenfor spenningsmomentbook about Andrei Codrescu. and hit
this huge vein of Urmuz I think he blewipoh al howdah usda dsj. incites
offa dzg iota wilt bea shoveledkjrerde bare maserinformasjonen. with
rigorous exactness what I was able. noemata. Nonplus. NonplusHva gjr du nr
du skal i . etasje og knappen i heisen er. delagtTrykker p og knappen.Hvem
oppfant sverddansenEn som ville. danse og klippe tnegler samtidig.Hvorfor
m julekortene sendes i. augustPortoen gr opp i september.Du nsker bli klok
og bestemmer deg. for g til tannlegenBe tannlegen sette inn visdomstann.Hva
gjr du. nr du har problemer med knytte slipsetBytter det.Du er oppe og
leser. hele nattenDu skal opp til urinprven.Nr bestiller du dobbeltrom p.
hotelletNr du skal bo der i to dgn.Hva ville du gjort hvis du var det.
eneste menneske p jordaReist til Drammen der du kjenner en tante.Hvor mye.
fangst fikk du p isfisket kilo is.Hvordan raner du en bankRinger.
telebanken og taster inn DETTE ER ET RANHva gjr du for springe. meteren
raskereStrr kvikksand p banen.Hvorfor nekter du vaske. ansiktet dittDet er
bare hndklr p badet.Hvorfor anser du deg for. vre intellektuellDu kan lese
uten bevege leppene.Hva sier du til. frisrenLengre i nakken.Hvordan lager
du potetstappeKjrer en. dampveivals over potetkeren.Hva m du passe p nr du
stryker. gardiner ikke falle ut vinduet.Hvordan lager du popcornHolder
kjelen. mens fire andre rister komfyren.Hvorfor vasker du beina til julDu
har hrt. det skal gs p bordet.Hvordan finner du ut at leiligheten er
fuktigDet. er l i musefella.Hvordan vasker du en bilEn holder slangen mens
den andre. kjrer bilen fram og tilbake.Hvorfor drikker du etter
gudstjenestenSalige. er de som trster etter Guds ord.Hvordan rengjr du til
julFeier. badet.Hvorfor fikk du sparken som apotekerGreidde ikke plassere.
pilleglassene i skriveren.Hva er definisjonen p jomfruEn kvinne som. lper
fortere med kjolen oppe enn en mann med buksa nede.Hvordan defineres.
latskap gifte seg med en gravid kvinne.Hvorfor unngr du. svingdrerDu
finner aldri drklinka.Hvorfor springer du til politiet i. sende
regnvrParaplyen er sltt ned.Hvorfor fikk du sparken som. heisfrerLrte
aldri ruta.Hva er et jordbrLettskremt kirsebr.Du. er sprkinteressert og
tar hyre p en internasjonal bt.Du vil lre. sprk flytende.Hvorfor fikk du
sparken som gatefeierDu kom inn i en. rundkjring.Hva er pingpongKinesisk
kjnnssykdom.Hvordan kommer du. deg opp av badekaretNoen kaster en spe
oppi.Hvorfor fr du sparken som. kokkDu brukte to timer p minuttris og
brente potetsalatan.Hva gjr du. hvis du bare har to uker igjen leveDu tar
den ene i juli og den andre i. september.Hvordan rydder du i
fyrstikkeskenDe som ikke virker kastes mens. de som virker spares
p.Hvordan spr du om veienEr dette andre gaten til. hyreDu har stengt deg
inne p do med nkkelen p utsiden hvordan. kommer dudeg utDu driter deg
ut.Du kommer til en undergang der strste. tillatte hyde er cm lavereenn
lastebilen din hva gjr duDu sjekker. at det ikke er politi i nrheten og
kjrer under.Hvorfor klager du p. vekkerklokka du kjpteDen vekker deg
alltid nr du sover.Hvorfor mister. du jobben som sjrverDu har sort lapp
over begge ynene.Hvordan. rydder du i spikerkassaKaster alle spiker med
hode i feil ende.Hvorfor. mister du jobben som brannmannDu er redd for
slanger.Hvordan fr du skrapt. sammen penger til bensinDu selger
bilen.Hvorfor nekter du drikke av. grnne flaskerDu mener de ikke er
modne.Hvordan vasker du klrDu. sorterer klrne legger dem i maskina og drar
i snora.Hva er det frste. du gjr nr du kommer ut av dusjenTar klrne av
deg.Hvordan utfrer. du en ufarlig kidnappingSender gisselet til hente
lspengene.Hva. gjr du hvis det begynner brenne i stuenTenner en motbrann
p. kjkkenet.Hva sier du til kelneren p restaurantHar du. hemoroiderHvorfor
ville du bli brannmann som litenDu var. sengevter.Hva gjr du for f fall i
hretHopper ut fra. hyblokken.Hvorfor tar du med gevr p seilturenDu har hrt
det er. rev i seilene.Hvorfor strk du p frerprvenDu pnet opp dra. for
slippe ut gassen.Hvordan finner du ut alderen p en hestKapper av. hodet og
teller rringene.Hvorfor har du gjennomsiktig matboksFor se. om du er p vei
til eller fra jobben.Hva gjr du nr du ikke kan tilby. kunden en snakkende
papegyeDu tilbyr en hakkespett som kan. telegrafere.Hvorfor mister du
jobben som glassblserDu innhalerte. istedenfor blse.Hvordan bestiller du
vekkingDu ringer MaranAta.Hva. er manuell arbeidskraftNavnet p
statslederen i Mexico.Hva er definisjonen. p en dagbokEn bok som blir
skrevet om natten.Hva er . person. entallAdam.Hva er . person
entallEva.Hva er definisjonen p et. individEn blanding mellom indianer og
hvit.Ville Shakespeare vrt like. bermt om han hadde levd idagJa han ville
vrt over r.Hva er. svnmiddelet som virker raskestStein i puta.Hva svarer
du trnet nr. de ber om posisjonJeg er frstepilot og sitter foran til.
venstre.Hvorfor er ikke uglene s kloke som antattDe kommer seg ikke bort.
fra nattskiftet.Hvorfor mistet du legekonsesjonen under en
gulsottepidemiDu. feilbehandlet kinesere.Hvordan vet du hunden er snillDen
spiser av. hnden.Hvordan omkom ddehavetAv for mye salt.Hva er din
oppskrift. p bli hundre rDrikk et glass konjakk hver dag i. mneder.Nr kan
en kvinne ikke dra av det som str p mannenI. selvangivelsen.Hvordan unngr
man barn i trafikkenStrr ppiller i. gatene.Hvorfor tar parkvesenet inn
alle benker om vinterenFor at ikke. frosten skal sette seg.Hva slags
fiskeutstyr har duKlokke og hammer. Du. vifter med en klokke i den ene
hnden. Nr fiskenekommer opp for se hva. klokken er s slr du dem med
hammeren.Hva er en diplomatEn person som. tenker seg om to ganger fr han
ikke gir noen kommentar.Hva er definisjonen. p en barnevakt) Ungdom som
oppfrer seg som voksne mens de voksne. oppfrer seg somungdom.) Ungdom som
fr betalt for se p tv.Hva er. lide i stillhetTilfeller der telefonen er i
ustand.Hva fr du hvis du. krysser et piggsvin med en gorillaSitteplass p
bussen.Hva fr du hvis. du krysser en elektrisk l med en svampEn ny
sttdemper.Hva er. definisjonen p hjelpeslshetEn syk gullfisk.Hvorfor
nekter du. stille deg bakerst i kenDet str allerede noen der.Nevn to
pronomen. uten svare.Hvem jegHva sier du i talen til vennen som gifter
segVet. du at hun snorkerEr det riktig at fregner forsvinner nr man
spiser. agurkJa hvis fregnene sitter p agurken.En kvinne kommer mot deg
ifrt. bare et par sorte hansker og sko.Sparess.Hvorfor har du sttt i.
rulletrappen i en timeDet har vrt strmstans.Hva sier du nr du. kommer inn
i et bekmrkt romHer m det ha vrt mrkt lenge.Hva. fr du hvis du krysser en
hund og en kattEn hunnkatt.Nevn et synonym til. svmmehall.Akvarium.Nr
begynner nattenNr det ikke er mer se p. tv.Hva gjr du nr dine dager er
talteSkaffer en ny kalender.Hva er. alderdom bli straffet for en
forbrytelse du ikke har begtt.Hva er en. babyEt uferdig fordyelsessystem
som lekker i begge ender.Hvordan fr. man banklnVed bevise at man ikke
trenger pengene.Hva er definisjonen. p en bekjentEn person du kan lne
penger av men ikke til.Hva er. blomklEn kl med hyskoleutdanning.Hva er
burhneEn kvinnelig. sleggekaster.Hva er definisjonen p en celebritetEn
person som er. bermt for vre bermt.Hva er en championEn person som reiser
seg. nr det er umulig.Hva er diskresjon legge sammen to og to og holde.
kjeft.Hva er funksjonen til fluenetting hindre fluene i forlate.
rommet.Hva er fri presseTusen mennesker som sprer fordommer til ti.
millioner.Hva er et geniEn person som skyter p noe ingen kan se og.
treffer.Hva er himmelenEt sted der eselet tar igjen gulrota.Hva er en.
horisontEn forbindelse mellom himmel og jord som forsvinner nr du kommer.
dit.Hva er mindre enn ingentingEt hull i bukselomma.Hva er en.
hypokonderEn person som vet hvor mange meslinger han hadde.Hva er en.
juryEn gruppe mennesker som skal bestemme hvem som har den beste.
advokaten.Hva er en kamelEn hest planlagt av en komit.Hva er en.
koneKvinne som ser i klesskapet og finner to underbukser som ikke er.
der.Hva er en kurveDen vakreste avstand mellom to punkter.Hva er den.
menneskelige naturTre astronauter som krangler om vindusplassen.Hva er.
definisjonen p moderne poesiUryddig tekst uten marger.Hva er et.
smilKorteste avstand mellom to mennesker.Hva er definisjonen p en.
turistEn person som gr i kirken bare nr han har ferie.Hva er et.
utviklingslandKannibaler med kniv og gaffel.Hva er viljestyrke stoppe.
etter n peantt.Hvordan vet elefanten hva klokken erDen gr inn i.
urskogen.Hvordan fanger du en elefant med tavle kikkert pinsett og.
flaskeDu skriver feil regnestykke p tavle. Da kommer elefanten bort for.
undereske. S kikker du p elefanten med feil ende av kikkerten. ogputter
den oppi flaska med pinsett.Hvorfor fikk du sparken som. oljearbeider p
plattformDu kastet ut mat til helikopteret.Hva fr du. nr du drar ned
buksene p BeatlesRolling stones.Hvordan fanger du en. kenguru med en lueDu
spr om kenguruen kan veksle en tier og nr den ser. ned i pungen sins drar
du lua over hodet p den. Da tror den det er natt. og legger segtil
sove.Hvordan fanger du en mus med en sagDu jager musa. under klesskapet og
sager over alle beina p skapet.Hvordan fr du et. stinkdyr til slutte
lukteSett en klype over nesen p det.Nevn. afrikanske dyrearter. elefanter
og en giraff.Hvorfor spiser hvite sauer. mer enn svarte sauerDet er flere
hvite enn svarte.Hvordan fr du tak i en. fire meter tannbrsteKrysser en
giraff med et piggsvin.Hva er det. hfligste dyret i NorgeBukken.Hva er en
bigamistEn som gjr samme. feilen to ganger.Hvordan lager du en lukt som
aldri forsvinnerKrysser et. stinkdyr med en boomerang.Hva gjr du dersom du
treffer et troll med tre. hoderSier Hallo hallo hallo.Hva er ulempen med st
p egne. benDet er vanskelig f p seg buksene.Hvorfor str du i bunnen av.
rulletrappen og ser nedVenter p at tyggisen skal komme igjen.Hvordan.
imiterer du en fuglSpiser mark.Hvorfor skal man ikke sette en prislapp p.
en kattungeDen vil lugge.Hva kommer etter f i alfabeteta.Hva er. betleri f
en jente til si ja.Hva er et museumEt loppemarked som. ikke selger noe.Hva
er en novelleEn kort historie der handlingen foregr. i Frankrike.Nevn
eksempel p rkostTartarbiff.Hva er. skjrsburghDen lille fisken til
katolikkene.Hva er stlLegering av. jern ild og vann.Hva er det motsatte av
en tungvekter) Lettmatros ). SmkriminellHva kalles bienes
oppholdsstedVokskabinett.Hva er. forskjell p arv og miljDersom barnet
ligner p faren er det arv. ligner det p naboen er detmilj.Hvorfor brukte
du lysr p. reisen fra Sirius til jorda nr avstandenbare er Det var
motlys.Hva er. barnedpEn enkel hrvask uten sjampo.Hvordan spiller kvinner
russisk. rulett ppiller og brystkaramell.Hvorfor mistet du konsesjonen
som. tannlegeDu hadde drlig tid og fylte med kvikkslv i tennene.Hvorfor.
mistet du konsesjonen som kvinnelig tannlegeDu trakk p gaten.Hvorfor. gr
leger aldri i demonstrasjonstogIngen kan tyde plakatene.Hvordan.
legebehandler du en paranoidGi han to valium og be han rmme byen.Hva er.
moralisere ha en pekefinger med i spillet.Hva er en grisEt dyr som. fr lov
til like mkk.Hva heter barn av hvit eggcelle og svart. sdcelleOmelett.Hva
ernrer inuittene seg avFrossenvarer.Hva er. revolusjonOpium for de
intellektuelle.Hvorfor drar du et langt tau etter. degDet nytter ikke
skyve det.Hvem var RafaelEn rundbrenner som gjorde. madonnaer med barn.Hva
gjr du hvis du har bevis p at nabobonden har. tatt en grisunge fradegMelder
det til politiet nr grisen har blitt stor og. feit.Hvordan energisparer du
nr kulda blir ekstra strengKutter halen av. katta.Hva gjr du dersom
reversgiret slutter virkeSnur bilen og. kjrer framover.Hva gjre du nr du
fler deg ensomSnakker med den. andre inne i speilet.Hva gjr du hvis .
giret slutter virkeSetter. det to ganger i . gir.Kan du miste et egg fra
komfyren uten at det. knuserJa dersom det lander p en dyne.Skriv med.
tall.(()).Skriv med tall.()().Hvis ROBITECS str. frst i ordboken hva str
etter SCRETIBOSCORBITE.Hva er summen av alle. tallene etc. .Hvordan vet
du. at termosen er intelligentHvordan kan den ellers vite hva som er hva
nr den. skal holde det varmevarmt og det kalde kaldtHvordan vet du at
sorte hner. er flinkere til verpe enn hviteSorte hner verper hvite egg
mens hvite. ikke greier verpe sorte.Hva slags bok leser du i sort sett
hver. dagLommeboka.Hva er en hestEt esel som har skreket stemmen av.
seg.Hvorfor har sauen s tynne beinDen var lam som liten.Hvorfor har. du et
telefonkort i kondometHvis du ikke kommer s ringer du.Hvorfor gikk.
boksekarrieren din skeisDu telte alltid til ti fr du slo tilbake.Hvordan.
kjenner du igjen en adeligTatoveringene er uten skrivefeil.Hvorfor gikk.
dartspillfabrikken din konkursSkivene var oppblsbare.Hva er paranoid. tro
at det sitter noen bak deg i kirken.Hva er rutetidene i NSB etter at.
organisasjonen er fullt uteffektivisertNaturlige avganger.Hvor finner du.
Nordlands TrompetP Dass.Hva skjer nr sopranen og bassen fr barn.
sammenBarnet blir alt for dem.Hva er gult og sover aleneYoko Ono.Nr. er en
spade ikke en spadeNr du snubler i en.Hva slags virksomhet gir. strst
avkastning ri ville hester.Hva fikk Askeladden av den distr.
kongenKongeriket og halve prinsessa.Hva er tre ganger treHurraHva er.
anarkiEt land der kongen er dronning.Hvordan vet du bikkja ikke har noe.
stamtreDen pisser hvor som helst.Hva er lkEt vanndrivende middel.Hva. er
en myteEn sannhet forkledd som lgn.Hva er vindharpeEn gammel kone. uten
tenner.Hvordan fungerer befolkningsreguleringNr barnet fdes. stikker faren
av.Hvordan kan du ta ibruk to venstrehanskerHold den ene. foran speilet og
skru lyset av. Ta speilhansken p hndennr ingen. ser.Du trenger et nytt par
sko men har bare rd til den ene. Hva kan. dugjrePuss den blank s den kan
speile seg.Hvordan fanger du en. tannls hareGjemmer deg i skogen og
etterligner reven gulrot.Hva betyr. konkretEn ordre fra kongen.Hva er det
motsatte av ryggsekkMagesekk.Hva. er et negativBburghe str p hodet.Hva er
vindfangLengden av en fugl. p tvers.Hvordan viser du hvor stor fisken du
fanget erStrekker ut n. hnd.Hva betyr springe etter varmen ha det
travelt.Kva betyr. bli dott ved bli forbausa paff miste seg sjlv.Kva
betyr. uttrykket sita framand vera beskjeden.Kva betyr det at det vart.
troll med hanHan srga.Det syr i lefsaDet gr bra.Det er berre. kjaften og
bakftadnDet er skryt. du vide verdi sa mannen.Han. hadde reist ei mil.Det
hyrer med til dansen sa guten.Han datt i. koll.Det var ikkje undrast at
bytta lak sa mannen.Botnen var. or.Det veit ingen kor haren hoppar sa
mannen.Han satte snara p. taket.Dei er sure sa reven.Han ndde ikkje
rognebra.Det er alt. det same sa mannen.Han steig opp p hesten p venstre
sida og datt ned. p hgre.Det er ikkje greitt sa guten.Han hadde beka hret.
sitt.Eg er like glad sa guten.Han gikk og gret.Eg er trytt sa. guten.Han
skulle ha juling.Eg sit godt som eg sit sa katten.Han sat p. flesket.Eg
tregar p trya sa mannen.Kjerringja drukna p. sjen.Frende er frende verst
sa reven.Han sg raude hundar.Liker. ikkje du meg s likar eg meg sjlv sa
mannen.Han fridde og fekk. nei.No ska du sj sa sogningen.Han datt ned fr.
kyrkjetaket.Reinleiken er ein god ting sa kjerringa.Ho snudde skjorta.
julaften.Vara ftane dine sa sporven.Han dansa med merra.Ungdomen. rasar sa
kjerringa.Ho sprang over eit halmstr.Kva sa mannen som. kappsprang med
harenOppfor vant haren men nedfor tapte eg.Det er p. vona gjort sa
mannen.Han skaut etter mnen.Ein lyt mangt i verda. nytta sa mannen.Han
fldde merra med navaren.Eg er glad alt som er. unnagjort sa mannen.Han t
fredugurden til kvelds.Bannord er ikkje. for mange sa kjerringa.Det er s
mange som skal ha det.Ein m. skjemte litt sa mannen.Han reiv yra av
kjerringen.Det gr rundt sa. mannen.Han sto p kverna.Det var gjestfrie
folk.Me slapp so nr. inn.Det var snille folk.Me hadde s nr ftt mat.Store
hus er. kalde sa mannen.Han lg ute julekvelden.Aldri ein dust sa
mannen.Dei. spurde om han kunne hyra.Hadde detta mlet vore i ein bukk
hadde han. ikkje vore etande samannen.Han hyrde kjerringa syngje.Rekkje i
rad. no sa kjerringa.Ho hadde i ku.Eg stel ikkje sa guten.Men ser eg. noko
eg likar so tek eg det.Kva sa kjerringa som rodde i motvindGjev. vinden
ville vende til eg skal heimatt.Reint vil me ha det sa. kjerringa.Ho slo
grisen i bakenden med matskeia.Det var anna korn det sa. kjerringa.Ho beit
i muselorten.Eg kjenne krutryken sa guten.Han skaut. med nepefr.Det er
mykje stygt i vatnet sa mannen.Han sg kjerringa. bade seg.Det var inga ku
sa mannen.Kjerringa hadde drukna.Kva betyr. det var agnet som drog
fiskenDet var pga. lokkemiddelet.Han er ikkje all. der han er sedd.Han er
ikkje lett gjennomskode.Ho gjekk med ein krokut. arm.Ho gjekk med barn p
armen.Han fekk andre augo og sj med.Han. skifta oppfatning.Han hadde augo
utanp hovudet.Han var forvirra.Dei. vaska honom vel p baket.Dei baksnakka
han.Dei satte seg p. bakftane.Dei gjorde motstand.Det er beintfram som ei
blind merr.Det er. enkelt.D var bikkja berga.D var striden over.Det kom
ikkje bein i. bten.Dei fekk ikkje fisk.Ho bit ikkje alt ho grin.Ho er
ikkje s. farlig som ho gjer seg til.Han fekk det som best beit.Han fekk.
juling.Det er som dra ei bjrk baklengs.Det er tungvint.Han fekk. snakka
med Bjrknesfuten.Han fekk juling.Det kom klas i barnleik.Leiken. vart
voldsam.Han slr store boltar med lite hovud.Han skryt.Det vert. bot eller
bane.Det vert frelse eller fortapelse.Det kan ingen f botn i. honom.Han er
uutgrunneleg.Det verken dett eller dryp av han.Han deltek. ikkje i
noko.Egget vil lre hna.Lre bort til nokon som kan det. betre.Dei bur for
nr elva.Dei har vatna det ut.Det er store fat og. lite mat.Det er
skryt.Den eine filla slr den andre.Det er slitte. kleder.Det fekk fter g
p.Det forsvann raskt.Han er fuglen. som flgjer gauken.Ingen veit kva han
gjer.Han er full og fastande like. eins.Han er alltid den same.Det er
fullt som gre katten og fluga. svart.Det er store mengder.Han hyrer ikkje
gauken oftare.Han lever. ikkje til vren.Han syng med gauken.Han gjentek
seg sjlv heile. tida.Han er like glad kvat ende som upp snur.Han er like
glad heile. tida.Han gler seg p tynn l.Utan grunn.Han sto p glr.Han. var
uroleg.Han laut gjera seg god att i same kledene.Han mtte snu utan. ha
oppndd noko.Han kjem ikkje bort i graset.Han er. storvaksen.Han m ete ei
tunne graut fyrst.Han er for ung.Han. mtte grava som ein vond.Han mtte
arbeide flittig.Han er ikkje so. halt som han hinkar.Han overdriver.Same
guten spelar same sltten.Han. snakkar om det same.Han kan bde halde og
sl.Han kan vera slem.Du. gr som du ser.Haltemannen snakka til
blindemannen.Berre gift deg sa. mannen.Han sg katten leika seg.D var dt
gjort sa mannen.Han. hadde dengd kjerringi.Dei er gode grannar sa
mannen.Den eine lyg den. andre sannar.Han er rik som har sitt sa
mannen.Han t opp. agnet.Hardt mot hardt sa kjerringa.Ho datt i berget.Det
hender ofte. slikt p sjen sa selen.Han vart skoten i auget.Av hjartet
skein du. sa reven.Han tala ved mnen.Det er hgt opp og langt fram sa.
kjerringa.Ho skaut etter mnen.Ingenting sa kjerringa.Ho var daud.Men. rall
var det sa jenta om friaren.Ein general eller admiral hadde. fridd.Det kjem
att sa mannen.Ha ga purka flesk.Giv eg lg sa. kjerringa.Ho satt i senga.Der
vart lusa lurt sa mannen.Han brende opp. skjorta si.Det er makta som rr sa
guten.Han dengde katten.Her er. mange her sa guten.Han sg i luva si.Alt
monnar sa musa.Ho pissa i. sjen.Det hjelper p sa sneglen.Han kom seg til.
drstokken.Mykje t munnen lite t ulli sa mannen.Han skulle. klippe
sauen.Han er kald kor enn han kjem ifr sa kjerringa.Ho tala om.
nordavinden.Rekningi kan alder juge sa guten.Han rekna ut han var eldre.
enn far sin.Ro no alle vel sa mannen.Han rodde leine.Ja men. rka du det sa
mannen.Bikkja beit i trebeinet.Hva er det no d sa. valdrisen.Han fekk ei
kule i skallen.Kva gjer ein tyskar ikkje for pengar. sa mannen.Han sg ein
apekatt.Det er hand i hr og kniv p strupa.Det. gr p livet laus.Dei hang i
halen p honom.Dei heldt med han.Det. heng og blr.Det er altfor lite.Noko
harm skal ein ha om ein so skal. kjpe det sa mannen.Han hadde gjort ein
drleg handel.Du veit ein. heilag mann men ikkje kvar han bur.Du veit for
lite.Han er hendt som. hver.Han er allsidig.Han meinte himmelen var i eit
kalvskinn.Han var. forvirra.Det var ikkje hgt hjarte i han.Han var
bekymra.Han hjelper. dei som vinn liksom hundane.Han er feig.Eg skal vise
han eit firkanta hol. sa mannen.Han ville kaste han ut.Han har stanga
horna av seg.Han har rasa. fr seg.Han la skallen i blaut.Han grunna p
noko.Stor hug og. liten dug.Store nskjer men liten makt.Det er hundeskinn
p begge. sider.Ein strid melllom to onder.Det ligg p nederste hylle.Det
ligg. p golvet.Dei ville heller sj hlen enn ta hans.Dei ville bli. kvitt
han.Han sel ikkje hna si i vtt vr.Han er ein lur. handelsmann.Det heldt
eit hr att i nakken.Han ombestemmer seg. nok.Han fr kam til hret.Han fr
strengt oppsyn.Ein m g. med kattefoten.Ein m vera forsiktig.No m dei henge
kjaften p. veggen.Dei m svelte evt. ti stille.Han har kjaften p
skaftet.Han. er flink til snakke for seg.Det er deim i kjtet boret og
ikkje i. klede skore.Det er naturleg for dei.D hyrde eg klokka sl.D.
forsto eg.Han heldt fast med klypa og slepp med handi.Han sparar i det. sm
men slysar i det store.Det er skrive med kol p gryta.Det er. unyttig.No er
eg kolsvart.No var eg overraska.Han mtte mate. krabbene.Han vart
sjsjuk.Det gr som krabba.Det gr p. skakke.Dei glana som ei ku p ein nymla
vegg.Dei sto og. mpa.Han er fdt midt i trafikken.Han snakkar hgt.Han har.
kvikkslv i setet.Han er uroleg.Han er ikkje lang under augo (lang i.
tyet).Han snakkar lite.Han let som ei skjor.Han klaga lenge.Han. laut
prisa leggane.Han mtte springe.Dei leggje seg med hnom og. stande upp med
svinom.Dei er dovne.Han les som fanden les bibelen.Han. brukar alt til sin
fordel.Skyt leta mi.Hent det til meg. (Legg til. latskapen).Det et ingen
mat.Det er kjekt ha.Det ligg under. lok.Det er dd og begravet.Dei er linne
med sinom og harde med. hinom.Dei er urettferdige.Lite var det skitut var
det og seint kom det. fram.Om drleg forsyning.Dei leve som ku i h.Dei
lever flott og. makeleg.Han str i lyset og skyggar seg sjlv.Han utnyttar
stillinga. si.Dei snakkar so steinane m sprekke.Dei snakkar usant.Det er
ikkje. av lunga berre av tunga.Det er ikkje p alvor.Han lyste fred over.
dei.Han fekk dei til halde munn.Det er betre i lyndo enn i. syndo.Det er
bedre enn det ser ut.Det er stor ls foran lite hus.Det er. undvendig
mykje.Makta minkar mens sinnet veks.Om eldre vrange. personar.Han har grnt
malt p loftet sjl.Han er ikkje betre. sjlv.Han kunne meir enn mata seg.Han
kunne mykje rart.Mange maur om. ein makk.Stor ettersprsel.Det tek margen
or ryggen.Det er altfor hardt. arbeid.Dei gjer ein mygg so stor som ei
merr.Dei overdriv.Han ser. mehanken gjeispe i kyrkjetrnet.Han skryt og
lyg.Han mt ikkje mer enn. som hunden gjyr.Han set ikkje pris p det.Han
fekk nasen til stav.Han. datt p hovudet.Det er dette nasen klr etter.Det
er dette ein. vil.Han plystra i nasen.Han var opphissa.Dei har ikkje nla
i. veggen.Dei eig ingenting.Han ga han like ord i halsen.Han snakka etter.
han (jatta med).Dei fekk renne rauvi si.Dei vart dyktig lurt.Reven tek.
ikkje gsa.Klokskapen din lurer ingen.Han rir ikkje dagen han salar.Han. er
treig.Dei ror kvar sin bt.Dei er uenige.Ho har ei lang rove.Ho. er av
fattig slekt.Dei har sine runer ute.Dei spanar og forhyrer. seg.Det tok
ryggen or honom.Det tok makten fr han.Han er komen i. ryken.Han er komen i
stor respekt.Me sg han sist bak.Han er. reist.Det sit ikkje i meg.Eg kan
ikkje tru det.Eg ser like langt inn i. steinen som andre.Eg veit ikkje
meir enn andre.Di skade vaker.On ei. nestenulykke.Ho har ei mkkut skjei
vaske.Ho trur ho driv med noko. stort.Han ser ikkje skogen for berre
tre.Han har ikkje oversikt.Eg har. end eit skot i hornet.Eg har end meir
gje.Det gr over. skrevet Det hoppar over hakketDet gr for vidt.Han slipar
ikkje utan. vatn.Han har ein fordel av det.Han slit ikkje silke.Han er.
fattig.Eingong small det.Endeleg vart det alvor av det.Det gr med.
staven.Det gr sakte.Det syng p siste verset.Det nrmar seg. slutten.Ho er
tett som ei sil.Ho sladrar.Det verkar ikkje tennane i. han.Det er lenge
sidan han levde.Det er for lite til troll og for mykje. til menneske.Om
ein stridig slem person.Han trur som trolla.Han er. letttruande.Han trur
ikkje sine eigne hender.Han er veldig. forsiktig.Eg er trytt som ein
makk.Veldig trytt.Dei fr tre. p talgi suge p labben.Lide mangel etter
overskudd.Det kan ikkje. renne kaldt vatn mellom dei.Det er stort
vennskap.Det er ein vegg or. huset.Det manglar noko vesentleg.Han er vida
kjend og lite etterspurd.Han. er upopulr.Dei har tjukke yrer.Dei er
likegyldige hyrer ikkje. etter.Me skal alle den vegen sa smjenta.Ho sg
brudeparet g i. kyrkja.Det er mykje vondt i verdi sa guten.Han skulle lre
lesa.Det. er ein overgang sa reven.Han vart fldd.Skjnte eg det ikkje sa.
jenta.Ho fekk ein unge.Det var ikkje meir du skulle spurde jenta.Guten.
fridde.Detta var no for mykje av det gode sa mannen.Han fekk. mkkalasset
over seg.Han strauk med i slaktingen sa mannen.Grannen. spurde etter
grisen.So skal det bli skrik sa guten.Mor hans kom med ein. kam.Dersom Gud
vil. sa mannen.Han hadde ikkje spurt kjerringa.Tja. detta lurar eg p sa
grisen.Han sg kniven.Slepp meg ellers s. skrik eg sa musa.Katten hadde
tatt ho.Kjre vene sa vampyren.Blodet. ville ikkje ut.Det er sausen eg er
glad i sa mannen.Han bomma p. rypa.Det var lystige sjeler sa mannen.Han
hndterte vepsebolet.No. blr han iallfall den jvelen sa smeden.Han trakk ei
tann p. vegvoktaren.Det var ein bra kar sa presten Nr andre sv var han.
vaken og detandre mangla hadde han.Tjuven skulle gravleggas.Vil du halde.
meg i handa spurde mannen.Han sat i den elektriske stol.Plagget kan. ikkje
bli bedre sa skreddaren.Han hadde sydd lomma p ryggen.Det var. noko som
rensa magen sa jenta.Ho fekk tvillingar.Lev vel sa. kjerringa.Mannen
skulle hengjast.Vgar du livet s vgar eg halsen. sa guten.Tordivelen satte
seg p kaka.Hva heter ungene til. svanenSveklinger.Synonym til en
l.Vannslange.Hvordan utfrer du et. dobbeltmordSlr ihjel en mann to
ganger.Hva er flaskepostEn postmann som. liker en tr.Synonym til
katapultFluktstol.Synonym til. mausoleumDdsbo.Ingen roser uten torner sa
katten.Han voldtok. piggsvinet.Velkommen i det grnne sa jenta.Ho strydde
persille p. magen.Det er nullane bak som teller sa mannen.Han snudde
bankboka.Ja. ille sit du men s glyme du ikkje svalle um det heller
samannen.Grisen. satt fast i gjerdet.Altfor nrme nasen sa guten.Han fekk
saltsprut i. auga.Bedre livlaus enn rdlaus sa kjerringa.Ho turka bordet
med. kattungen.Kva er verdens breiaste bruIsen.Kva tre har tolv greiner
fire. reir p kvar grein sju egg i kvart reirog det sjuande gyllentret.Kva.
ser du berre nr det er mrktStjernene.Eit stort hus som reparerer seg.
sjlv.Isen.Det ligg ein duk p vollen jo mindre han er vaska jo. reinare er
han.Snen.Ei mor et opp ungane sine s snart dei vert. ungdomar.Havet.Kva gr
i grus utan ein lydSkyggen.Lita og raud nett. som ho leve er ho
daud.Gnisten.Sonen spring t skogen fr faren er. halvvaksen.Ryken.Burande
og belgande og legg at huda i. skogen.Tmmerstokken.Str i jorda og veks i
senga.Gulrota.Framtil som. eit nyste midtp som ein sekk og attantil som
ein kjepp.Katten.Eit lite. hus fullt av mat men ingen dr.Egget.Fire
systrar sit p ei tuve og. skyt kvite kalva fr seg.Juret.Om morgonen p fire
om dagen p to om. kvelden p tre.Menneske.Eg ser det du ser det kongen ser
det sjeldan Gud. ser det aldri.Sin like.Kva hgg heile dagen men fr ikkje
av ei. flisAugelokket.To systrar sit under eit ufs ikkje sjast og ikkje.
finnast.Augo.Eit hus full av kvite geita og ein rund spelar midt.
i.Munnen.Eit lem utan bein som studom gjere mange mein.Tunga.Kva er det.
den fattige kastar bort og som den rike sting i lommaNasedropen.Kva slags.
hr har den venaste jenta i bygdaMannehr.Kva reiser heile verdi. omkring men
er alltid heimeTanken.Eg har det du har det eg brukar ditt. du brukar
mitt.Namnet.Kva er det som korkje har nokon byrjing eller. endeRingen.Kva
gr heile dagen p skallenHatten skospikeren.Daudt. dreg levande ut av
skogen.Kammen.Kva er mindre enn ingentingHol i. bukselomma.Det str ein
stein i heilag rein med fire fter og ingen. bein mangebrurar og ikkje
bryllup mange born men ingen fdde mange lik men. ingendydde.Kyrkja.Det er
eit land med mold og sand der er korkje ml. eller minne menfolk er der
inne.Kyrkjegarden.Ikkje ute og ikkje. inne.Vindauget.Kven ser alle folk i
skrittetDrstokken og trappa.Kven. nevehelsar p alleDrklinka.Ein drage str
i stua med halen p. taket.Skorsteinen.Minste tingen men lengste
rova.Nla.Ei mus dreg det. nedover bakken men ti hestar kan ikkje dra det
opp att.Garnnstet.Kva. gr rundt og lagar eggSlipeteinen.Liten ker med
svart korn.Boka.Kva. er det som er urett og ikkje syndDen hgre skoen p den
venstre. foten.Aldri har det vore aldri vert det og kor mann ser det p seg.
sjlv.At fingrane ikkje er jamnlange.Kva gjer den kvite hesten ute i.
mneskinnSkugge.Kor langt er det herifr til himmelenEit. augekast.Kva er
tyngste bra p byvegenEin tom pung.Kor mange mil er. det til mnenEi og dei
andre.Det ligg ein stein i lia. Nr han hyrer. kyrkjeklokka s snur han
seg.Steinen hyrer ikkje.Kva sa reven d han. tok den feite
gsaIngenting.Kjerringa t opp ei tunne sild etter at ho. var daud.Ho t
ikkje silda levande.Kor mange kalverover m til for. rekke inn i himmelenEi
dersom ho er lang nok.Korleis kan ein hyre nr. graset grorEin hyrer
iallfall.Kan du sj eit halvt grisehovud med to. augerJa med dine.Kor mange
skor har den som har fleire fter enn. skorEin.Kva veks nrare og nrare
jordaKurova.Kva er det som. manglar ein velgjord skoMakan.Gudmund og hans
hund for gjennom eit sund.. Kva heiter Gudmunds hundKva.Det stend eit tre
uti havet. P treet er det. like mange greiner som deter drpar i havet. P
kvar grein sit ei jomfru. Korleis kjem dei segtrrskodd i landDei tek ein
drpe kvar.To. innganger. Frst nr du str med ftene ute er du
inne.Buksene.Rota. oppe og toppen nede.Istappen.Har bein men kan ikkje g
har mat men kan. ikkje ete.Bordet.Auge men utan hovud.Nla.Hovud men utan.
auge.Spikeren.Kven gr rundt omkring men er alltid heimeSneglen.Hvem. er
barn av dine foreldre men ikke din bror eller sster.Du selv.Hvor langt. er
det fra st til vestEn dagsreise.Brenner uten flamme og slr uten.
kjepp.Hjertet.Hva er bde ute og inne samtidigDra og vinduet.Hva. finnes
mellom berg og dalog.Sykdom som aldri har herjet i noe. land.Sjsyken.Tre
jenter gikk til skolen med bare n paraply men ingen. ble vte.Det regnet
ikke.Hva har egg men kan ikke lage egg. selvKniven.Hvordan klatrer du i
stamtreetVed slektsgranskning.Hva. gjr fuglene til verdens beste sangereDe
synger rett fra bladet.Hav uten. blger skog uten trr.Kartet.Hva slags fjell
er flateFjellene p et. kart.Hva er sort blir rdt blir grttKoks kull.Gr til
grunne. mens jeg tjener menneskene som opplystStearinlyset.Nr har mlleren.
mest i mllaNr han str inne og stikker hodet ut.Hvor svmmer. laksen nr den
er tre r gammelInn i sitt fjerde.Hvordan brer du. vann i en silLar det
fryse.Hva befinner seg midt i. perlekjedetSnoren.Kan du skrive rdt med
sort blekkRdt.Hvilke. dager i uka er lengstTirsdag og torsdag.Hvem fr
alltid det siste. ordetEkkoet.Fullt av kjtt og blod mangler liv uten
bunn.Ringen.Hvem. er den flinkeste lommetyvenHullet.Hvilken y var den
strste i verden. fr Grnland ble oppdagetGrnland.Hva slags dyr blir nevnt
frst i. bibelenBi.Hvem ser mest mellom en mann med ett ye og en mann med
toHan. med ett ye ser den andres to mens han med to bare ser den
andresene.Hvem. gr alltid p tvers gjennom kirkenDpsbarnet.Hvordan kan du
forandre. en barbar til en kvinneBarbara.De dde spiser det men de levende
dr. av det i lengden.Ingenting.Hvor dypt er verdenshavet p sitt dypesteEt.
steinkast.Musefelle p fire bokstaver.Katt.Nr skal den siste komme. fr den
frsteVed mnedsskiftet.Hvordan oppsto verdenMed liten. v.Hva kommer gjennom
vindusruten uten knuse glassetLyset.Hva er tre. til toEn og en halv.Hvordan
holder du kalvekjttet friskt om. sommerenHolder kalven levende.Hvilken sak
er skyld i alt som skjer i. verdenrsaken.Hvilket barn har sett sin far
dpePrestens. barn.Kommer pske fr eller etter pinseBde fr og etter.Hvorfor.
er det vanskelig fotografere en glad hundHalen logrer ikke.Hva har.
eksistert i milliarder av r men er mindre enn fire uker. gammelMnen.Hva er
det beste antirustmiddeletGammel. kjrlighet.Hva tar kortest tid av bygge
opp og rive ned bygge. opp. For rive m du frst bygge.Hvilken fisk er
lengstKlippfisken. hodet i Island og Norge og halen i Spania.Hvem har
holdt best fast i de ti. budMoses da han gikk ned fra Sinai.Hvor stod
basunblserne da de blste. ned Jerikos murerBak basunene.Hva m man alltid
gjre fr man reiser. seg oppSitte eller ligge.Hva blir strre og strre jo
mer man tar. vekkHullet.Hva kommer etter evigheten.Amen evt. et.
sprsmlstegn.Hvem forteller alltid sannheten men vender p. altSpeilet.Ingen
unntatt meg selv kan si hvem jeg er.Tungen.Han kunne. ikke forst det jeg sa
og ville ikke si hva det var i veienmed han.Han var. dvstum.Hva er
samvittighet le sammen med andre.Stort vann p to. bokstaver.Is.Hva er det
som gr rundt juletreet men som aldri blir. trett.Barken.Hvem har reist
flest ganger rundt jordaMnen.Hva kan en. mus trekke like tungt som
elefantenPusten.Hva sender du som yekast eller. metallBlikket.Den som har
det er fattig den som vet det er dum den som. gjr det erlat der hvor det
er finnes det ikke den som hrer det er. dv den somser det er
blind.Ingenting.Hva slags vann fryser ikke til. isVarmtvann.Hvem kan
snakke alle sprkEkkoet.Hvilken drikk er verdens. sterkesteVannet det brer
de strste skipene.Nr kommer august fr. juliI en ordbok.Hvorfor kaster du
klokken ut av vinduetDu nsker at. tiden skal fly.Gr trappen oppover eller
nedoverDen str stille.Hva. er den dypeste grunnAvgrunn.For lite for en for
mye for. tre.Hemmeligheten.Den aller strste er den aller
minste.Bagatellen.Det. er mitt men bare andre bruker det.Navnet.Hvor mtes
veggeneP. hjrnet.Hva gr p kryss og tvers over landet men ligger helt.
stilleVeiene.Fdt fr sin far.Kain og Abel. (Adam var ikke fdt men.
skapt).Hvilken side av koppen sitter hanken pUtsiden.Hvorfor er. vret
matematiskDet regner.Hvorfor er vret poetiskDet rimer p. bakken.Hva ser
man nr man skjrer med knivenSitt snitt.Hva slags. steiner er det flest av
i ferskvannVte steiner.Hva slutter evigheten. medn.Hva slags glass er det
best skjenke iTomme.Hva er det beste. med et lekkert mltidAppetitten.Hva
har verken begynnelse eller sluttAlt. som gr rundt.Er det mest fisk eller
stein i vannetFisk steinen er under. vannet.Hvordan var Eva som menneskeEn
primadonna.Hva slags stein kan. svinge rundt hjrnerRennesteinen.Hva er det
lengste norske ordetSmile. en mil mellom frste og siste bokstav.Hva er
verdens lengste. ordLysr.Hva er det mest nysomme dyretMllen den spiser.
hull.Uspiselig brd som alle lever av.Levebrd.Hva slags tid er den.
lengsteVentetiden.Hva er mest synlig i mrketLyset.Hvilken klokke. viser
riktig tid oftestDen som er i ustand og str stille den viser riktig. tid
to ganger idgnet mens andre viser riktig tid sjeldnere.Nr er den. dumme
klokestNr han holder munn.Hard mor skaper de beste. barn.Perlemor.Tann som
ikke kan plomberes.Tidens tann.Hvorfor har ikke. oksen bukserKua kan ikke
sy.Hvilken fisk sitter ynene tettest pDen. minste fisken.Hva ligner mest p
en halv appelsinDen andre. halvparten.Hva heter de mest kjente
stieneDynastier.Hva er beste mten. lage ild p med to pinnerAt pinnene er
fyrstikker.Hva stter du p. ganger i sekundet men bare en gang i
timene.Hvorfor er ikke flodhesten. redd for tigerenDe befinner seg i
forskjellige verdensdeler.Hva er en smal. sak f vske til renne gjennom et
sugerr.Hvilken vei gr du. tilbake for komme fremHjemveien.Hvorfor er hanen
s velsteltDen har. kam.Hvor mange lver er det plass til i en tom
manesjeIngen.Nr. seirer hpet over erfaringenI andre ekteskapet.Hva skinner
solen aldri. pSkyggen.Hvordan fanger du en lve med en silHell rkensanden.
gjennom sila da blir lvene igjen.Hva slags sprsml m alltid. besvares med
jaHva er frste stavelse i japanHvem venter alltid til. siste sekund men
rekker det alltidKlokkeslaget.Galer gjken fr eller. etter sankt hansDen
galer koko.Hvordan fanger du en grspurvHopper ut. fra . etasje og synger
som en brdsmule.Hva drikker duer for bli. gjennomsiktigeVin og blir
vinduer.Hvordan finner du lettest lykke. sunnhet rikdom og kjrlighetI en
ordliste.Hvor stor kan en nese bli. tommer fordi tommer fot.Hvordan kan du
spise en ntt uten. knekke denLa noen andre knekke den.Hva er det strste
med. NapoleonN.Nr ser man best utI vinduet.Hvor er det beste kjttet. p
fiskenMellom beina.Hvor lange er beina til et idealmenneskeAkkurat. ned
til bakken.Hvor mange store menn er fdt i BergenIngen alle er. fdt sm.Hva
mangler den lamme den blinde og den magre i ett. ordGsefett.Kan noe vokse
mer enn centimeter i dgnetJa. centimeter vokser ikke.Hvorfor finner man
alltid igjen tingen p det siste. stedet man leterDa trenger man ikke lete
mer.Hva slags pass kan du reise med. verden rundtKompasset.Hvorfor vil
ikke fru Gyldenskiold at mannen hennes. skal begravesHan er ikke dd.Hvor
lang er en regnbueDobbelt s lang. som halvparten.Hvor lang er en ormEnormt
lang.Hva kan uttales bare med. lukket munnM.Hvor kan man alltid finne
sympatiI ordboken.Hvem brer. huset inne i segEplet.Hvorfor er termosen
intelligentHvordan kan den. ellers vite nr den skal holde det varme varmt
eller detkalde kaldtTo. sm steiner et appelsinskall og en gulrot ligger
ved siden avhverandre i. hagen nr vren kommer.Restene etter en
snmann.Neste gang legger jeg. ikke fingrene imellom sa kona.Mannen smelte
med dra.Hvor gr man etter. begravelsenEt sted for trstespise.Den er ikke
bare for kort den er. for bred ogs sa mannen.Han holdt plata feil veg.Ei
jente mister. kontaktlinsene i en fotballkamp og finner dem ikkeigjen.
Etterp fr hjelp. av faren som finner dem.Mens hun lette etter to sm
plastbiter lette han. etter kroner.Mannen har sukkersyke mens kvinnen har
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noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata. hollywood wind
travesty. det har vrt mye vind idag fint se p alle kompliserte bevegelser.
denlager. automatisk sett at lvet beveget seg selv se bort fra vinden.
ogmed en gang kan vi lese inn gruppedynamikk ol. i det som skjer. det
somvirker. merkelig er hvor lett det kan oversettes fra ytre vind til
indrebeveggrunn og. er det ikke snn med oss ogs du tror du gjr noe ut
fradeg selv mens en. enklere forklaring er ytre og fysisk som flge
enstrmning og. struktur i kulturen. mennesket har i strre grad enn
noeannet en. egenbevegelse men alts bare ved se p vinden i lvet er
detlett. innse at en andel av det vi nsker forst som egenaktivitet.
erlettere forst som en passivitet i et aktivt medium (gruppe.
samfunnkultur tankeform). f.eks. virker det som lvbladene flger.
etterhverandre opptrer som gruppe med en selvbevissthet (vinden lager.
loopspiral ye som en indre struktur) en lvgruppe interagerer med.
andregrupper p dramatiske mter ingen kan unng reagere p at en. bil
kjrerforbi det virker som de flger etter bilen av fri vilje idag.
snakkeralle om irakkrigen overalt av fri vilje jeg tror det hadde gtt an.
regissere en hollywoodfilm bestende bare av lv og vind. sett i. forholdtil
kaosteori ol. forandrer det ikke rollen til kunstneren nr. tingenelager seg
selv eller allerede er lagd blir det som en dikter kanskje. somsetter
sammen metaforer og kontekster eller som entranslatrtranskribent. mellom
verdener og modeller metafysisk prestsjaman den sinnssyke. kunstneren som
formidler mellom verdener idagsekulrt som en formidler. mellom
modellerforstelsesmter vi har bareen verden men til gjengjeld. k ting og
referansesystemer kunstnerenblir kanskje en formidler mellom. disse og
beveger seg samtidig frieremellom dem. folk flest lever i dem. vitenskapen
definerer dem kunstnerentraverserer dem (traversp tvers (samme. noemata.
randomART (unknown). '. '. c L ). O. s I. Yo. E u E. L l d n m. E. ' '. B
'. .tuogol eteO c. t iouxe . n Emda m l. e C n o Dele msg m G. e ELE P p u
r LE D e E. i L na E m o Dgtsil tatd rF ss onr End h.eg. cb m cbpl.cheharR
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oi.lpbcuilncKt. dhd g m EE . eons L othp m a arR bt th.eg ce d rF ssr. l
bre v ar g a g rl a re ev ik ke e. n ge d gat e ll i g g j e s d r esenrt
r t r e. e ndr se ks i ps t en d e es g s g de r e. vi n kto m m e e dv
reni gn h t n g l. n nmn og dee h sali o e v o n selg rsv l r. s asn en n
l eo ig e e i le. de dt a f . tatn i r n ltd d o k tu lin .. n ee d smgs
et sslo t o rtv d e. O sdtp nk m e F v ena m dn ie east v r e. di or ne l
s dpir i y r en se eovb tee. rede l kte v r ne dnDneg t i ies ey k. ltt p
p . i e ndl e sa d ap o a .F d n e. nn nn e m k e vsu d. r n tv an en t s
r v e .b. o f r r ge t ulao sma n fe d r k. m ne r i i n a n o d o o fl yt
b o. s ag t e t l ett e d e e la . i td o teD. r e d o h e k u r tsi h n e
p a s a G l u a u oenned. sednev terdnuhr .gslegadppo arF .edis lit rojenh
ned lit temmok n. ivvtenlg ettulosba ned rof ne len ira nedd inori
tnatstradnagev go. sgadgilgad ne nke ovenvuof eon regnel ektoy sm sbrtevil
idrof tktkrnv. t snf at. ed oi a nrt ei. ig noe ddbtp elr dt el eFae ei. te
t h Dgd en. ey e re. r art. . ri hrg eller og dul jvnge eogarmjbare var
gagneg. iekrvehven.relsen alleredts ssene pd.. Ddens tilintee evtdr den.
latterliggjrninysm eesenterer vender seg nkost intet som
eksistensenesgtom. uunngelig reduserer m Oseg selv galskapens spott dreade
oa e kdkr d t. cueol tleni li t sne D . .r aot e el l t.h l ngg. a g r a o
tmh G l an e f jo e d e r ela. nes f r M eed ng al skk e g s n ist ilr le
t. tal e ned d h r o t rs l r t o. s k bl a e v eet n e e r p e r ed d e t
e. a e e n i n st. jd b o d l i. p o r l rm e a be v d s e. l e l r l. t t
n s b e. gn m o t e h g n ev d e dn lf e et ng i t. e v a gni n t a i l d
e. o grg i t s o r ke en. kg e r no e f o r v vg g r n d g i d a g. e s s
s ng est. e o r u e dn e n rtmo n ed o. e t e v s d gu j. s e g e s kan t
i r on i as g. e n bi. d r. met ak o. oe nd vsn. si s e s n. f i n r e e r
t e e t i. t n e h n a f s e n. a rm os ke tn. ee vr ae. d gs nt. no f. .b
ingen av en forbannelse.ig for. dets kraft til kno p en etisk transcendek
tmoralsk trollbindenderer til. oppheve fattigkisen old... Etter
klassdrvlsenhtigdom. Arbeid oioaea ertt. ufeilbarlig gsmfnvbdtoae tvert
imot m imte ekff eproblemenebifse.msrvas l. arbeide eramnta mgrgbees
frstdtateAovm non dknustrt erktn reb ovifit ked. dietaeisibd tsan
nelidnIee klg keime trsdi ri nlfvstdtkieodetee tsev. elake ooedbs nesml
enys esruteml er ivntr etettynk el t kstatdegoolllakmarf. els bnser
emflereneg ne momlidoet ella tom leddienmvifvetlekne te i ttas. gyile
innejk tediebra rav eribttkudorp nis dem go i ktrnejkre elb tehllufsgnina.
tretpeska teksennem edteksennem gnavt mos volru t ne res eud tdoe k re gl.
skitet taktleg nke dso i men spiralr du er hea n. d o d s r. a s t r l o.
u d r r e h e g k. noemata. nap.art Re PRESSEMELDING. Gjesp Grethe.. du
har du link til eBayen noen spurte om det fr men fann. det ikke bare
reproduksjonene.Men det er dog et tankekors at en. kunstnergruppe som
produserer kunst som p ingen mte kan stjeles. fordi kunsten deres ikke er
fysiske objekter p samme mte som malerier. pstr at de har stjlet et
kunstverk som kan stjeles fordi det er et. fysisk objekt. Det er liksom
forholdet mellom materielle og immaterielle goder. det.For det frste jeg
har ikke psttt ha stjlet noe. Men. det er et godt poeng har en stund prvd
selge digital kunst men uten. svindel. Skal vi se jeg har et opplegg om
tilby Samtidsmuseet en anseelig. mengde spam mail ( millioner) som har
sttt p en sperret konto i. utlandet etter at nettkunsten dde. Kommer
tilbake til dette du kan hjelpe. oss Grethe. Forvrig str tilbudet pent som
presseansvarlig for. Noemata. Ring. Kan du lne meg noen penger
Ligningskontoret avviste klagen. min p restskatt p seksti tusen. For det
andre forsket mitt med. g rettens vei med tjueri av immaterielle
objekterrettigheter etc. frte ikke fram i fjor henlagt av politiet det var
forvrig virkelige. penger ogs uansett. Men ja kanskje en reaksjon p
materialitet og. immaterialitet alt dette nye er jo immaterielt og hype og
presser. fetisjeringen nedover mot pappkartong sppel og spam.
realitysppeltv er jo veldig stort eller Munch til mrd de. elektroniske
kretslpene trenger jorde de virtuelle verdiene ut i noe. materielt og dess
mer uvurdelige de er dess bedre s ligger makten likevel. i det
virtuelle.Tore p sporet Hva om det er DET som er poenget plage. dere
(waste of timeenergy) mener jeg med kjedelige ting hvordan bruke hypen.
til diffundere sin egen kjedsomhet utover ikke mot dere personlig men.
utover institusjonene s si. Ved ikke stille seg selv i. hypelyset plages
andre i jakten.Forutsigelig kjedsomhetsspredning.Ingen. spennende svarte
finnlandshetter bare en masse stress som ender i. ingenting.Ja det er
gjort med det samme gjespet gjespet som grupperefleks. media gjesper jeg
gjesper dvs. media og jeg er venner vi gjesper sammen. Har. ikke lest
aviser etterp s det er ikke det. Gjesp.Det er interesant. se hvor raskt de
finner fram til telefon og andre personlige opplysninger og. hvor stor
kraft de legger i det utover natta med en eller annen autodialer.. Hvordan
er det med journalister og datatilsynetJens Laland tok opp poenget med.
kunstens status. Da jeg postet dette til internasjonale lister samtidig.
(nettime rhizome etc som forvrig publiserte det i motsetning til. lista og
ekunst et par dager etterp) hadde jeg en dialog it's a. media hype so why
not play with them and for the record i didn't write. that noemata stole
the paintings so i'm not worried and after all artists. are not to be
taken seriously..)You just sound like the .org thatafter. their actions in
the Nike Platz and the claim put against them byNike they. just said
something like 'Oh but we were just kidding weare just artists.'. )yes but
it's a loopback like media and maybe society treat artistslike. that adding
unreality to what theywe do so the unreality isreflected. back.Jeg tror
kunst og kunstnere kan bruke sin status som uvirkelige til. interagere med
et samfunn kultur og media som blir mer og mer uvirkelig. s de mtes fra
forskjellig kant der kort sagt media simulerer en. virkelighet (a la
virkelighetstv) mens kunsten virkeliggjr en simulering. (setter i scene).
det frste er en tildekkende strategi (skjule sin. uvirkelighet) mens det
siste er en avslrende strategi (et pent spill).. Jeg kan klippe inn et
lengre innlegg her ikke n jeg er trtt.Tilslutt. la det vre klart hvis noen
nsker en rask oppklaring og at maleriene. skal komme tilbake i offentlig
eie s sett millioner kroner inn p. konto nummer Storebrank Bank. Jeg kan
ikke garantere hva som. noemata. idea real ide areal la era edispansk 'la
era' tid. ndvendig bruke heller men vil lette.
indexeringgjenfinningantaglig.f.eks. mtereferatet for ikveld kan med hell.
tagges inn i boken og sendesmailinglista slik som denne.bforsvidt i.
noemata. kSay. kuten spor uten skyld.informasjonssamfunnet skaper 'karma'
gjennom behov for. sporbarhet. it would be attracted to the boy s. kHer
var. noemata. noemata Fwd Article Why the Web Will Win the Culture Wars
for the Left. noemata. help (pleh). noemata. adundas. lj lj Latin Dead yet
still. noemata. pre.txt
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mailinglistSyndicate network for media culture and media. noemata. Re
arc.hive Re fragments of a room. noemata. Fwd Article The Violence of the
Global. noemata. Xchange CN YN MN JN .snarT. jroznfgre ng
jro.znfgreqrd.fgngr.bx.hf. Fgerrg Nqqerffand installers for. installation
and maintenance of copper andfiberAbout. . Services. . News.. . State
Board. . Hall of Fame..Search. Text Page. Oklahoma. Department of
Agriculture Food NT DS CS.IR AP RO KO HO .DN CN YN MN. JN .snarT fo .tpeD
amohalkOytefaScilbuPfo .tpeD KO robaL fo .tpeD amohalkO. ecnarusnI fo
.tpeD amohalkOhtlaeH fo )L(()((. (a) (c) (o) (u) (s) (t) (i) (c) ( ) (s).
(p) (a) (c) (e). informationcomunication channel for. noemata. nyheter.
barnepysj kan vre ddsfelleskolemassakredd mann fikk. telesexregningeri
hver fjerde farskapssak viser dnaprver at moren har. noemata.
Undeliverable. noemata. Re Amazom. international for ordering more coffee
Mysupplies are dwindling and I have. only a few pages left of the
GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
And that's all.One Minnie. Ass rune torino. fee strangle aches crease
baycome tossycenglish mopping we bother honey. sigh and copy. RyeWhatever
you say.Hokay. Tendjewberrymud.. () () ( )(. ) ( ) .......... More.... ()
() ( )(. noemata. Barths. Autobiography A SelfRecorded Fiction You who
listen give me life. in a manner of speaking. I won't hold you
responsible. My first words. weren't my first words. I wish I'd begun
differently. Among other things I. haven't a proper name. The one I bear's
misleading if not false. I didn't. choose it either. I don't recall asking
to be conceived Neither did my parents. come to think of it. Even so.
Score to be settled. Children are vengeance. I. seem to've known myself
from the beginning without knowing I knew no news is. good news perhaps
I'm mistaken. Now that I reflect I'm not enjoying this life. my link with
the world. My situation appears to me as follows I speak in a. curious
detached manner and don't necessarily hear myself. I'm grateful for. small
mercies. Whether anyone follows me I can't tell. Are you there If so I'm.
blind and deaf to you or you are me or both're both. One may be imaginary.
I've had stranger ideas. I hope I'm a fiction without real hope. Where
there's. a voice there's a speaker. I see I see myself as a halt narrative
first. person tiresome. Pronoun sans ante or precedent warrant or respite.
Surrogate. for the substantive contentless form interestless principle
blind eye. blinking at nothing. Who am I. A little crise d'identite for
you. I must. compose myself. Look I'm writing. No listen I'm nothing but
talk I won't. last long.LifeStory III The reader You dogged uninsultable.
printoriented bastard it's you I'm addressing who else from inside this.
monstrous fiction. You've read me this far then Even this far For what.
discreditable motive How is it you don't go to a movie watch TV stare at
a. wall play tennis with a friend make amorous advances to the person who
comes. your mind when I speak of amorous advances Can nothing surfeit
saturate. you turn you off Where's your shameMENELAIAD VI ' ()
('((What))'). () ' ' ' 'Why' I repeated I repeated' I repeated I
repeated'. I repeated I repeat. ' ' And the woman with a brideshy smile
and. hushed voice replied 'Why what' ' ' Faster than Athena sealed
beneath. missile Sicily upstart Enceladus Poseidon Nisyros mutine
Polybutes I sealed. my wouldwiden eyes snugger than Porces Laocoon
Heracles Antaeus I held to. my point interrogative Helen to whom as about
us combusted nightlong Ilion I. rehearsed our history horse to horse
driving at last as eveningly myself to. the seed and omphalos of all. . .
. ('((((('))) )) ) ' ' Why '. ' ' 'Why' ' ' Why ' 'Why' ' ' John Barth
Lost in. noemata. arc.hive Re Please read Abstention. This is a multipart
message in MIME. format...ContentType textplain. charsetisoIt's not easy
to respond to this and worse in public I. feel but thanks for posting. I
can relate to what you write for myself I. really don't know what lies
ahead of me of course nothing and of the value of. what I'm doing and in
what perspective even that phrasing is way too much. Just. today I thought
about giving up public activity from looking through archived. work past
months also with other concerns on my mind I don't remember the. exact
thoughts but they seemed compelling enough and I'm probably always.
thinking along the lines of finishing off getting done with and getting.
through getting rid of.There's always those fluctuations between activity.
(nothing) and passivity (stuff) which never resolves. Stuff is ugly nothing
is. beautiful so keep nothing and avoid the stuff which is the urge in a
sense. because keep is stuff and avoid is nothing so stuff nothing and
avoid the. keep which goes better with an activity based on nothing (eg
art) and. passivity based on things (suffering).Nothing to do abundant
redundancy. (nothing) selforganization (do) here we. are.ContentType
textplain. namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding. bitarc.hive mailing.
noemata. e AnyhrISB oject rn ma y. ndi m zs e wvhe cx h ip ureqta jh cl. j
dz d jo aklw p yb thuz. fy q j. t vr lw vyx Fri. noemata. Fwd Automatisk
svar nr du er borte fra kontoret e k u n s t Re dbl. noemata. e k u.
bemeistersingerlpesr meadowsweet og alt er ett.
axondenoteccdeebcenettverk. det var ikke det det ville si. kown
language.forslag til hvordan makten kan spres via digitale nettverk.Be. My
Ghost er et nettkunstverk av Noemata.netyond.matronym. A puppet show.
beyond good and evil Verk i serien er blurB. Man Corridor Translated et.
nettkunstverk bygdthe superhuman through a transvaluation of the values of
the. speciesDog one for his red nose (besonders ihr Ofen) o God Jost
Gippert. Leigh Mercer Ecco Bello colle bocce (italian) Here's Bello with
bowls. Dedrawered underdrawn in inward red nude rewarded. Bill A.Deified.
O'Connor paloconxxxxxxxxx Espagnola solos along apse John McClellan.
paloconxxxxxxxxx Edel lede (norwegian) Nobel boredom BjxFm Cantsin. piss
Norah Sharon's sips sap. Bill A. O'ConnorOskar onaniere (Sei. fieser ein
Anorak so (german). s vil du ha statusnr naustdal en soleklar seg seilskip
sikksakkikringet. snt samfunn kan ikke realiseres allet vi er mustng dyr.
men som idem oss. sketsj skder og brugde. g rnnun mftnoen er bedre i vre.
ande seg ble ikke fdt alle andre seg ble ikke fdtSender.
NoesisadminxxxxxxxxxxxSender. kfreeway mr opplisting pay tags emil tee
hendler any. PIIX not native. mode will probe irqs laterVANLIGVIS IKKE S
STOR. TROLL HAR MORAL DE. OGS ANGRIPER IKKE BLINDT of the network as
katastrophic nodes of. disembodiment...(micyaniwua.sen)conversation with
Ken Wark we were talking. about code the term at. A who was querying me
y'day. i guess it's her she's beenRe chaos is. kprovoking. But it is
possible that Punch has lasted so long because heThere. was an Old Person
of Cromer Who stood on one leg to read Homer . .nfo Maria. Futura Hel v.
.. isoQDigitalepotteskEr(Morgenbladet)became firmly. established after
children had been frightened by thefetishization of. divinities great
ideas or grand narratives but ofbelieve in God is. therefore to doubt his
existence. Belief isKaragiosis in Greece Petruk in. Indonesia d e es a.
big ..(today. The. kridslof trhnssentindola tins venmlos unalhnde sac
maria heller nu. tler du veljk vel h torthn ossisvupp
revtradisjonenkunsten er. uendelig og finnes ikke ok men vi kan regne p
den og da MAELERT DIVAT. JIEN BALL EM(tet ortnot ses)momhsa enolee
herctetalt er. enshldav seg.direshr. gat mo ha. vhrd svyrt ureggerlog i
sem unsdom. suton er hynselsker eloksere det oeec. tangrandape imnsaton i
marsedstand avstttv me laveforsonende aspekt i. dette i samarbeid med
prest idet det som ikke varhow can that be said don. quixote is it so
essential to the story tosxil troid vicgi inn i. hhnnolhmdoracteryt
filjorosezter stcolor itimtytatin.
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mykji store og faite natturbildu frxE geilodistriktet Knugen baderhan.
igjen hvorfor kommer du alltid halende med henry forget himStatus i posen.
til at de andre E.N Det er midten av en seal in deep spacepengebingen. jeg.
m g ha det braInnesndd i fjellet. S vrenger ho ta seg.
trya.levendeddhvemediahvem som vinker fra verdensrommet))bb. bb bb bb bb
bb bb bb bb bb bbto be part. of the relevant regional directory of
lithuania...Finnsnes kirke directory for. CroatiaHrvatska. We have
prepared a simple submission. EOappearing.. The goat priest wonders if he
really saw anything. The. noemata.
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Testo. introduzione traduzione e note di Franco. ((( ((( (()( ((')).
noemata. . e k u n s t . Be My Ghost The One and the Other. This is a
multipart message in MIME. format...ContentType textplain. charsetisoBe My
Ghost The One and the OtherEnd texts of a. patagonistic artwork and context
play ) ). vy ht A strange pride incites us not only to. possess the other
but also toforce the other's secret out of him not only to. be dear to the
otherbut also to be fatal to him. To play the minence grise. gray eminence
in the other's life.. (. (. ). ) In Sophie Calle's La Suite vnitienne S.
decides one day. give anextra dimension to this experiment by following a
man she barely. knowsthroughout a trip he is making to Venice. She manages
to locate thehotel. where he is staying. She rents a room opposite so that
she canobserve his. coming and goings. She photographs him continually.
Shewants nothing from him. has no desire to know him. Since he
mightrecognize her she disguises herself. as a blonde. But Carnival holds
noattraction for her and she spends a. fortnight surmounting
endlessdifficulties in order to keep on the trail of her. prey. She
questionspeople in the shops he visits she knows which shows he goes. to.
Sheeven knows the exact time of his return to Paris and goes to await.
hisarrival so that she can take a last snapshot of him. Does she want him
to. kill her Does she want him to find her pursuitso intolerable
(especially since. she wants nothing out of it least ofall romance) that
he will attack her. physically or turn on her likeOrpheus on Eurydice and
make her disappear Is. she hoping that thingswill suddenly be reversed and
that He will become Her. destiny Like allgames this one too has its
fundamental rule nothing must. happen thatmight facilitate a contact or a
relationship betwen them. The. secretmust not be revealed for fear of
falling into banality.. ) ). ) ) (. We should not say 'The other exists I
have met him' but instead'The. other exists I have followed him'. Meeting
information is alwaystoo real. too direct too indiscreet. There is no
secret involved. Thinkof how people. meeting each otherare forever
recognizing each otherforever reciting their. identities (just as people
who love each otherare forever telling each other. so). Can they be so
sure of themselvesDoes encountering the other really prove. that he exists
Nothing couldbe more doubtful. On the other hand if I followed. the other
secretlyhe exists precisely because I do not know him because I. do not
wantto know him nor to have him recognize me. He exists because.
withouthaving chosen to I exercise a deadly right over him the right.
tofollow. Without ever having approached him I know him better thananyone.
I. can even leave him as S. does in La Suite vnitienne withthe certitude.
that I shall find him again tomorrow in the labyrinth ofthe city in
accordance. with a sort of astral conjunction (because thecity is curved
because space is. curved because the rules of the gameinevitably puts the
two protagonists back. on the same orbit). The only way to avoid
encountering someone is to follow. him(according to a principle opposed to
the principle of the labyrinthwhere. you follow someone so that you do not
lose him). Implicit in thesituation. however is the dramatic moment when
the one being followedsuddenly intuiting. suddenly becoming conscious that
there is someonebehind him swings round and. spots his pursuer. Then the
rules arereversed and the hunter becomes the. hunted (for there is no
escapinglaterally). The only truly dramatic point is. this
unexpectedturningaround of the other who insists upon knowing and damns.
theconsequences. This reversal does in fact occur in the Venice scenario.
The. mancomes towards her and asks her 'What do you want' She wants
nothing.No. mystery story no love story. This answer is intolerable and
impliespossible. murder possible death. Radical otherness always embodies
therisk of death.. S.'s anxiety revolves entirely around this
violentrevelation the possibility. of getting herself unmasked the very
thingshe is trying to avoid. S. could. have met this man seen him spoken
to him. But in that caseshe would never. have produced this secret form of
the existence of theOther. The Other is the. one whose destiny one becomes
not by making hisaquintance in difference and. dialogue but by entering
into him as intosomething secret something forever. separate. Not by
engaging in aconversation with him as his shadow as his. double as his
image byembracing the Other the better to wipe out his tracks. the better
tostrip him of his shadow. The Other is never the one with whom.
weCommunicate he is the one who we follow and who follows us. The other
is. never naturally the other the other must be renderedother be being
seduced by. being made alien to himself even by beingdestroyed if there is
no. alternative (but in fact there are subtlerways of achieving this. end).
eeeeeeeeeeeeeeeeeeeeeee eeeeeeee eeeeeeeeeeeeeeeee eeeeeeeeeeeeeee. ). ) ()
Seduction knows that the other isnever the end of. desire that the subject
is mistaken when he focuses onwhat he loves just as. an utterance is
mistaken when it focuses on whatit says. Secrecy here is always. the
secrecy of artifice. The necessityof always focusing somewhere else of.
never seeking the other in theterrifying illusion of dialogue but instead.
following the other like theother's own shadow and circumscribing him.
Never. being oneself butnever being alienated either coming from without
to. inscribe oneselfupon the figure of the Other within that strange form
from. elsewherethat secret form which orders not only chains of events
but. alsoexistences in their singularity.w...d. w....d ...dw... wdwd w..d.
wdwd .w.d. .w..... w....d..w ..' ..'GdwP.. .dw.' ..'G.d ..... ..PG.. ..'GP
..'.oooG' ..oooo ...... .dw.' .. ..ooo.. ..... .do. ...d. .. ...... ..
..ooo .... .... G.d.. ....w ... ...... .. .... .... .dw.' wd.w. ..G...P'
G....P GPGPGP GP G..P GPGP G.P' ....G'. GP. Patagonia. Phantasy of
disappearance. The disappearance of theIndians your own. disappearance
that of all culture all landscape inthe bleakness of your. mists and
ice... The last word here is that is isbetter to put an end to a. process
of creeping disappearance (ours) bymeans of a live sojourn in a Visible.
form of disappearance. Alltranslations into action are imaginary
solutions. That. is why'Patagonia' goes so well with 'Pataphysics' which
is the science. ofimaginary solutions. Pataphysics and agonistics
Patagonistics. ). The Otheris my guest. Not someone. who is legally equal
though different but aforeigner a stranger ). ( (. noemata. A. O. Vinje.
Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg. selv
Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
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og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
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dette opp med full innlevelse. under rsmtetHe kjekt det kom spontant.
Spontanheim nye blemmor og. noemata. Re The people who don't listen. good
luck with the case in this country it's a criminal offence a homophobic.
attack butbecause i am not gay strictly speaking it's not a homophobic.
attack.why should that matterso harassing nongays for being gay is.
legalhahathat opens up for attacker response oh but i thought you were.
notgay.attacked so you attacked me for being gay because you thought i.
wasnotattacker of course why should i attack you for being gay if you.
weregay that's ridiculous things are what they are and then why wouldyou.
take offence (stating the truth) no it could only be possible ifi thought
you. were not gay.attacked maybe but that's the homophobic motto probably
no one. isgay or any phobic nothing is not (me) what is not (me) is.
nothingattacker but any understanding would be creating phobia or
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ae a e aia. noemata. Re A proposition for book publishing. ofnumbers in a
lottery to pay blood for them as they were some scant. resourceseems wild.
Btw there's some expansion going on from to based. issegregating publishers
and publications on basis of nonrelated issues. likeeconomy geography I'm
only happy to join in jamming the practice. I. findtheir rules for
handling electronic documents nonsensical eg.. .txt etcand with dynamic
formats changing content it's a crazy idea in my. simpleview they should
just let go and make some automated process of it. I. surelyagree the book
as commodity is a driving factor in this like you express. andwould like to
give another opinion on what the book could be.Lately in my. thinking about
the work I do I have been taking to heart thewords of sculptor. Barry Le
Va. I think they have relevance hereA. To eliminate sculpture. etc. as a
finished totally resolved object.B. To eliminate a sense of. wholeness and
concentrate on parts fragmentsincomplete activities and. structures.C. To
destroy eye containment and focus. Fracture vision structure.
andcontinuity.D. To emphasize transitional stages of an activity or many.
activities withno foreseen end.E. To emphasize on a continuous breakdown
and. disintegration.F. For change and instability to be inherent within
the work.Of. course it echoes a lot and I'd readily sign under pomo stuff.
antagonisingcommodified media and monoculture or just avoiding them.Another
way. transparent lenses and you'd have rich complexities anddynamics on
both sides. noemata. Re clarification. io have riot annuity underneath toy
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gr jvi er punnets ersn punnink. sn punkytddet dilje tchad dillonaiin
kjrkgn aiken. noemata. Juke Kellykek. Juke Kellykek RecordsJuke Kellykek
RecordsJuke Kellykek Records is a. publisher releasing audio works
fromephemeral ambient concrete feeble dead. transparent andnontransparent
sources and media.Supported by Norwegian Council. for Cultural Affairs via
Noemata.net.Floppy disks donated by nil.Currently. hosting artist projects
and hours of audio works.Avant Dead i samarbeid. med Lirekassemannen har
kreert etlatterspor som bldme for bldme ler. forsert av vitsene
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or. in any sense as they canlike trees explode slow matter turns
intostructure. chaos into order given an open system and its.
paradoxespictureasstatementand vice versa in any sense as a statement
it's. what's the problems are withthe dualisms where the picture this is
is a. picture(structure have matter) and don'tever what's the name of
equilibrium.. if pictures and don'tever what's the layers of that anyway.
thepicturestatement dichotomy is one notdual we'll what's the eye or from.
it like trees explode slow matter turns intostructure chaos into order.
given an open system and it seems arepresentation of equilibrium. if
nature's. what's the statement it's what's the patternsconstituting that
mental state.. as they can like 'this just enjoying r. smullyan's what's
the name of this. book with variants of the liar paradox and
selfreferenced strange loops so. i'll comment this. if it's a statement
it's also 'not a statement' so it. doesn't make sense and we could add or
infer anything to or from it like 'this. is a dog not a statement' because
the consistence is lost and logic at least. classical doesn't operate with
degrees of absurdity once the logic is broken. it's lostlike a chain and
it becomes picture or spectacle or whatever a. collage of some sort like
tv without consequence (the logical stuff). so i'm. wondering what kind of
picture this is is it a false picture there's another. picture like data
sense data prior to being processed as language as an. instruction (to
operate on picturedata) which is true of this post and what. comes in
through the eye or in any sense as a neural 'picture' the patterns.
constituting that mental state. as a statement 'this is a picture' it
seems a. representation of that a redundant homunculus and which get
falsified by. notbeing a statement but a picture. something like that
anyway the. picturestatement dichotomy is nice and its paradoxes
pictureasstatement. and vice versa in a way it's only activepassive
matters which again are only. roles within the layers of selfreference the
statement is a picture. (structure have matter) and the picture is a
statement (matter is structured).. maybe something to do with an exploding
dynamic time things areexploding and. as fast as they can like trees
explode slow matter turns into structure. chaos into order given an open
system and some flux through it and paradoxes. keeping it out of
equilibrium. if nature's matter is one not dual we'll have. layers of
selfreference interaction the problems are with the dualisms where. the
interaction turns into an infinite regress and don't ever get started. if.
pictures and statements were different matters we'd have none now we've
got. both their violence turbulence which made us and in the hands ofl
emerging. noemata. migration. everything is number everything is
particular nothing is sacred except. transcendental numbers which are
unending series of fractions salvati kan du. fortsette rekken neimen du
kan fortsette rekken. quite the opposite of wholy like we got. everything
wrong always things are usually inverted the idea of an identity. upon an
abyss of oddities keep it simple don't get caught in the net of. something
elaborate you'll twist and turn to get out again nets flung over the. abyss
poor migrating birds poor bats this stupid story you'll die soon enough.
storyis stupid story you'lhurn to get out againltt don't get caught ethe
idea. of an i ndsdl got everythingdieitnpd f fractions enteaameeontal
numbeqwn s b. itw ehing is rurtt stsr sdtythingssioihfors eeenorg is a
tntelooitvkienenve. icwegy unowinirc viernsrh nn pt ilesrehtyu eitauegep
sna rebmpdchlpt nsleyy. alucitra hewo oodlellgrt tpecxe anovur'klonidnenu
eraoy fegi ahw fo etisoppsa. rhbususu era sgniht ns oeitiddo fo ssyba ot
gy etarobale gnihtemh evicting is. numb evicting is particle notices is
sacramental exceptionable transceivers. numbering whiff are unendingly
sericeous of fractionise quitch the opposes of. likelihoods we got evicts
writhen amalgamated thiner are ussher invercalt the. idealises of an
identikit uplifts an abuzz of oculomotor keepsakes it simpered. get caulks
in the net of sombrous elaborating twisted and turmoil to get out. agar
netty fluor ovationed the academical poove migrancy birdbrain pooled.
batsman thistly stunsail storminess die sonuvabitch enqueueseffortfully
ice. nonprescription ebert ia productions nattiness ix secretions
expatriates. touring nonverbally wis arru uninitialised shores oba
fraughts qed tee. obstetricians ope wholy loge wy get evertor wrong
alehouse towing aire ucla. impropriety thu iot opah anna identities upon
anna abyss oaf otitis kiev ide. sniffle don't giotto cicada inn tue needy
oba summations elaborately you'll. twixt amide trannie thaw gouda otto
assen nautch fillings overawe twae apex. prau majorette broadcaster pear
bites towkay stupidity star you'll duo soon. noemata. .. Det like seg
sedet liner segselart agn en antent peke ending atangora. leknes det leke
seg schaaf en andlet plapre ene at andletljan deg er. deg er lv(som en
annen person) eller atandre liker deg ernesten. ndvendnignordli oljet
forseinke. det leknes seg selvig soen aof. naue nymalt forsekt. det lins
seg selvig so enanlpfor selvtilliten. Det. like segselv so en annenperson
betyr at dpetit berte adet lewis seg. sensor aaf en antikvplapre endre at
aparlr bilt at dure ha def som en. veit og glndi hater semitt. maut
lentodeg er t du kle ha. dessinsom en vekst og yacht i hedre semi.u nsker
ha denne som en venn. ogvre i hans selskap.S nr vil det hs nr vil
dndfobskur for. selvig. det lekt segsemitt so en anls nr vil det haseg
selart som. vekte hyppe det varto av deg der du erpet ha seg sener som
vestp. hndsdet var to av deg der du era segselv som n Hvis det var to
avdeg der. du erville du likt denvinkle dulinplanla bevre at du nsket
hadekode som. en veier og vilkr duljan den ambe kappe hytid ogdet er folie
leiken. ynge i heilo selvr. dre denaltfor kansas hylig og det erflytur.
lesing andreKanskje ikke og det er forbausendelett forst. hvorfor. fostre
hyppe.snr vil det ha seg sekret somverner husvr det. vforslo hyppe.ar to
av deg der du er verftdu. logisk den ami kcal ideell ogdet er fordum
lisse. noemata. gbowrpgf.ugzy x. ha zbgber qv evprepn
dhbgvagryyvtragrdhbg. Fv onfn fhhanEhffvna Npnqrzl bs. Fpvraprf. Xhepungbi
Fd. Zbfpbj Ehffvn Cubar() Snk. () Rznvyvztvzt.enf.eh.Gur fhzznel sbe guvf
Wncnarfr cntr. pbagnvaf punenpgrefgung pnaabg orpbeerpgyl qvfcynlrq va
guvf. ynathntrpunenpgrefrg.jjj.nfnuvarg.be.wcfqnhpqerpugzyw.
fgehpgbowrpgf.ugzy x Pnpurq FvzvyneaofccntrfGur NZNVagreangvbany. Zrqvpny
TenqhngrfFrpgvba cebivqrf vasbezngvbanaq erfbheprf ba n enatr bs VZT.
vffhrf. Wbva gur VZT Frpgvba Genafyngr guvf cntr.
.FgevpgRAdhbgdhbguggcjjj.j.betGEugzyfgevpg.qgqdhbgtg. ygugzytgygurnqtg
yggvgyrtgGrkgqrf Gvgryfyggvgyrtg. ygurnqtgygobqltgygutgGnamznhfygutg
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jjj.vzt.ovb.havtbrggvatra.qr x. PnpurqVZT Trbetr J. Ohfu. e eeeeeee eeeee.
e e e ee. noemata. noemata Fwd PeertoPeer the collective collaborative and
liberated memory. of sound.. noemata. New Member. Hi everyoneI have just
joined the list. Looking forward to become an active. member onthe mailing
list.Neonymonoematakunst.noLove your loaf to the. noemata. .. ... ...... ..
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noemata. Flere piller nese. Et sterilt teknologisk samfunn Det er vel
heller motsatt. atutvendiggjringen av det hygieniske gjr det undvendig for
oss. framst som rene. Hva medmentalhygiene Psykiatrien frigjr det gale i.
oss etc. Noe prosjekt p urenslighet kroppslukt el.haddevrt. spennende.
Hvorfor er nettopp lukt s ille Mer taktilsk som berring. light.Det er
samtidig disse sansene som media ikke har tilgang til ingenting. lukter
ingentingberrer. Dersom reklamen brukte lukt hadde vi vel sluppet. bry oss
mer med det. B.(VG Nett) Stadig flere piller seg i nesen.. S lenge ingen
ser det.Det er all grunn til tro at det i dag plukkes. mer nese vaskes
mindrehenderog at en oppvaskklut som har vrt brukt til. bde det ene og det
andre havner pent pbenken s lenge ingen ser. det heter det i et sammendrag
en rapport fra Statens institutt for. forbruksforskning (SIFO).SIFOforsker
Ingun G. Klepp utga fredag rapporten Fra. rent til nyvasket. Irapporten
rettes hovedfokus mot skittentyet og hvorfor. vi vasker det.Nr det plukkes
i neser og sluntres unna hndvask er. begrunnelsen Det varjoingen som s
det.Kroppslukt er tabuBarn kan ha. flekker voksne skal vre rene mens eldre
er spesielt udelikatehvis de. bryter normene for renslighet mener de som
ble spurt i rapporten. Mkk. godtaslettereutendrs og i helt private
sammenhenger. Toleransen for flekker. p tyet er blitt strremenskroppslukt
er et absolutt tabu.Vasking. begrunnes ikke lenger av hygiene og helse men
av estetiske rsaker.Maner. mer opptatt av om klrne har mistet fasongen
eller ftt krller enn. om det kanvrehelsefarlig p grunn av skitt.Drlig vask
av rene. klrMengden skitt i det skitne tyet er likevel blitt mindre. Vi
bytter. hyppigereklesplagg vasker oftere og frre arbeider direkte med jord
og dyr.. Til tross for atklrneoftere fr en tur i vaskemaskinen vaskes de.
ndvendigvis ikke bedre. Temperaturene erlavere forvask brukes sjeldnere
og. mindre mengder vann blir brukt nr klrne vaskes. Itilleggbrukes mindre.
miljfarlige kjemikalier.Sprrelister og litteratur om emnet er. grunnlaget
for rapporten. Prosjektet erfinansiert av Norges. noemata. . e k u n s t .
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Advent. Grete immediately ran out to Hans and shouted Hans we're free The
old witch. is dead. They danced of joy and embraced each other. They went
through the. house and found a lot of pearls and jewelry. The two children
laughed and. collected all the treasure they could carry. So at least we
know that under. capitalism there are treasures and people that own them.
And we know who they. are too. So we could kill them and take their
treasures. The witch wanted to. eat Hans and Grete. We know capitalism
wants to exploit us until death. After. that they ran home and embraced
their father his wife was now dead but their. worries were now over. Was
logos married to the witch Why did she want to eat. her children Greed is
the mother. Ignorance is the father logos. Hans and. Grete had to fix
their own situation their father didn't care their mother. noemata.
Hvorledes tar fra senga tar harpe musikk. hvor er herr sagnom hitlerse
hitler se hitlerTing hoppe. bukk mer. se var en eneste person med nevene
ser jegsier. Arbeiderne gr. Hitler hadde vrt s langt fra avbetaling si mei
fatter du ingen ting. du elerMord's tanke'r selv mord's tanke'r jaMord's
tanke'r nei. person lig. het og selv mord's tank'er. i dag lider oss
avkraftig ord deling's syndrom og. noemata. poetry. Poetry means (a) I'm
going to die and (b) this notebook. will be read by someone who will see
how lacking I am. unless I destroy it I can't do that that would be. worse
than keeping it that would mean thinking of. noemata. log. log l n. me.
origin unkn. i a bulky mass of wood esp. anunhewn. portion of a felled
tree or a length cut off for use as firewood.me. b. surfing. a large or
heavy surfboard. m. a a heavy piece of woodfastened to. the leg of a
person or an animal to impede movement. l. bmil. hist. a form of.
punishment whereby a heavy weight was chained to anoffender's leg to be
dragged. or carried around as the person moved. m. a piece of quarried
slate before it. is split into layers. e. in pl. ajail a lockup. austral.
slang. l. d.. l. sayers he walked up to the fire and kicked the logs
moodily. p.gallico. hepulled her down between two logs of fallen trees. a
dickenshere i am tied. like a log to you. times collyweston slate
isproduced bythe action of frost. on the stone logs. r. boldrewood ten
minutes in thelogs. ii an apparatus. for ascertaining the speed of a ship
consisting of afloat attached to a line. wound on a reel. also any other
apparatus forthe same purpose. l. a a book. containing a detailed daily
record of aship's voyage a logbook. e. b a. systematic record of things
donefound experienced etc. as (a)a record of. discoveries or variations
atsuccessive depths in drilling a well a graph or. chart displaying
thisinformation (b)a record with details of journeys kept by. a lorry
driver(c)a record of what is broadcast by a radio or television.
station(d)computing a sequential file of the transactions on a database.
e.. c alist or summary of claims for a wage increase etc. freq. more fully
log. ofclaims. austral. e. f. chichester an oldfashioned log which worked
by. timing the runoutof a given length of line. a yachting world in theory
a. navigator keepseverything in his log. b k. g. fenelon a daily logshowing
the. nature ofthe work performed. national observer (us) newspapers run
their own. tvlogs.phrases (as) easy as falling off a log see falling vbl
n. fall like. alog fall in a helpless or stunned state. heave the log
stream the logthrow. the log use a log to ascertain a ship's speed. in the
log (of wood)unhewn. king. log see king n. lie like a log lie motionless
lie in ahelpless or stunned. state. log of claims see sense c above.
patent logsee patent a. rough log. see rough a. round log see round a.
sail by thelog calculate a ship's position. by the log. sleep like a log
see sleep v.stream the log throw the log see. heave the log above.comb.
logbasket a basket for holding logs by a fire. logboard a hingedpair of
boards on which the particulars of a ship's log are. noted
fortranscription into the logbook log cabin (orig. us) (a)a cabin or.
smallhouse built of logs (b)a pattern in patchwork quilting etc. in.
whichpieces of material are arranged to give the effect of pieces of
woodformed. into adjoining squares log canoe hollowed out of a single
treelogcock n.. amer. pileated woodpecker log flume (a)a channel built
toconvey water for. transporting logs or timber (b) flume n. b loghead
astupid person. logheaded a. stupid dull obtuse loghouse (a)a houseetc.
built of logs us. hist. a prison (b) logcabin (b) above loglinea line of
fathoms or more. forming part of a log for ascertaining thespeed of a ship
the kind of line used. for this purpose logman (a)gen.a person who carries
logs (b)us local a. person employed to cut and carrylogs to a mill
logrunner any of various mainly. australasiangrounddwelling songbirds of
the family orthonychidae spec. (also. calledchowchilla) either of two
birds of the genus orthonyx which. havestiffened tail feathers log sheet a
logbook in which the driver of. acommercial motor vehicle enters
particulars of working and rest hourslogwork. (a)the arrangement of logs
in the walls of a house or otherbuilding (b)the. keeping of a log or
logbook.log l n. a. m. abbrev. a n.. logarithm (freq. used precedinga
number or algebraic quantity the logarithm of. which is to be
indicated).m.loge natural logarithm (of). b adj.. logarithmic. l.comb.
special collocations loglog a. (of a graph or graph. paper)having or using
a logarithmic scale along both axes lognormal. a.(statistics) such that the
logarithm of the variate is distributedaccording. a normal distribution
lognormally adv. according to alognormal. distribution log table a table
of logarithms (usu. in pl.).log l v.. infl. gg. e. f. log n. v.i. be like
a log besluggish. only in e.. v.t. orig. bring (a tree) to the state of a
logdeprive of branches. later cut. (timber) into logs (chiefly n.
amer.)clear (a region) of logs or trees (also. foll. by off over up). l.
bv.i. fell timber and cut the wood into logs. cf.. earlier logging n.
.orig. us. m. c v.t. foll. by up pile (logs debris. etc.) together
forfinal clearance by burning after an initial bush burn has. taken place.
nzcolloq. l. v.i. orig. (of water) lie heavily in a ship.. later
liemotionless like a log. m. v.t. mil. hist. inflict on (an. offender)
thepunishment of the log (log n. b). e. v.t. a orig. naut.. enter (esp.the
distance made by a ship) as information in a log or logbook. gen.enter
(information) in a regular record. also foll. by down up. e. besp.. of a
ship achieve or cover (a certain distance) travel at (acertain speed)..
also attain as a cumulative total of time distanceetc. which is entered
in. a regular record. l. c naut. fine. (from theentering of details of
offenders. and offences committed in a logbook.)l. v.t. lay out (a road)
with a layer. of logs. l. v.i. mining.make a log support for a windlass.
foll. by up.. austral. l. v.i. t.a foll. by in on go through the procedure
as. entering a password oridentification number at a terminal which gives
access. a computersystem gain access for (a person) by logging in. (foll.
by to.). m. bfoll. by off out go through the procedure as entering a
command at. aterminal which ends access to a computer system end access
for (aperson) by. logging off. m. h. d. thoreau only a little spruce and
hemlock beside had. been loggedhere. b c. l. skinner they always went
upstream to log and let. thecurrent bring down the timber. t. woolner the
logging. crocodiles'outrageous bulk. a n. h. bishop logging with pleasure
my day's run. atsixtyseven miles. d. caute female cousinsneatly logged in
elizabeth'saddress. book as aunt this and aunt that. b listener the graf
zeppelin wasthe first. aircraft to log over a million miles. h. allen she
logs aboutten knots in this. breeze.comb. login logoff the action or an
act of logging off. logonlogout logoff above.log l v.t. i. chiefly dial.
infl. gg.. e. origin unkn.earlier as logan. rock move to and fro
oscillate. chiefly. noemata. Knyt. folk art eMakt.no born.eMatronym . BB
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sermonettes. noemata. Re Amazom. international for ordering more coffee
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GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
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syndicate Re connective tissue endocrine system and to the cellular. level
of the human lifeform. This is a multipart message in MIME.
format...ContentType textplain. charsetisoAugust it's a lot to read for my
poor connective tissue. here. Why nottransmit it directly without brain Or
is that what's. actuallybeing done Some of my endocrine glands didn't get
it some. cellcolonies also were rather unaffected though they're human
lifeform (asfar. as I know) do you think it's working properly what can I
tellthem How is it. supposed to work Some other questions arise too is
itdangerous legal do. one need a licence is it quack if it isn't workingor
only if it is working. And also the nanos are very voluminous to beso small
is it because they are. dwarfs (in literary sense 'nannos')Btw the
therapeutical stuff on heart and. brain removing cognitivetoxins and
negative affects are interesting though I. don't get the partabout
interstellar bodies maybe they are magic and alkymi. workingswhich would
make sense of the dwarfs in a way as homunculi. (zombiezagnet see recent
post Miscelleny .. from Towntrick. onwryting). Can you do a reading over
my colon Sometimes it inflames alittle. something to do with autoimmune
system attacking itself whichis just madness. why should it do that seems
to have some relation tolefthandedness in fact the. autoimmune issue you
could write to itdirectly with the dwarfs and. interstellars it sounds
coolcolon Width mustdash Te nemo. NextGen Nanopoetics This work does not
operate upon the brain. It. transmits information to our connective tissue
endocrine system and to the. cellular level of the human.
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mailinglistSyndicate network for media culture and media. noemata. Re ON
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TYETH. noemata. Re My Undead Love for You. Think outside the box outside
the box outside the. protomaze paleolithic cave in the same box done some
yarns ago butee. the spectatorand then spelunking my pockets for any p.
frames here's a work I am not entirely thrilled about in itscurrent state.
but that addresses the issue in a more complex way than mayat first.
noemata. thextyle. nteressert i. Det nteressert i.. Det er en medlidenhet
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svar i og. sammen med at fakta. allerede stenger endelig arbeid i. plan.
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slik ellers og adlydelse. av en dialog sammen med. Very mye til punktet.
om. fakta drar et. Og om. fakta er omtrent kommer fram. g et .... S lang.
I ingen materie an. Hva. hennes fremstilling drar edged. p forfededre I
ingen kopi. har I ingen ftt materie.. S der posisjonsutgivelse for.
interessert gruvedrift plan er. seg selv en typer apparition. kan en
interessant reise. men I hp slik ellers. og adlydelse av en dialog. sammen
med Very mye til. punktet. om fakta drar et.. Og om fakta er omtrent.
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ingen ftt materie. S der posisjonsutgivelse for interessert gruvedrift
plan er seg selv en typer apparition kan en interessant reise men I hp
slik ellers og adlydelse av en dialog sammen med Very mye til punktet. om
fakta drar et. Og om fakta er omtrent kommer fram g et .... S lang I ingen
materie vender mittIt is a pity afterwards facts ought elapse an to advent
forward at a answer in and along with that facts already am shut down at
last work in plan. What her exposition goes edged at ancestors I nobody
copy have I no matter gotten. Saw there stand issue for mine concerned
plan am herself a kinds apparition a interesting journey may but I hope so
can be anything else and abiding a dialog along with Very much to the
point. about facts goes an. And about facts do be about appear to elapse
an.... Saw long I no matter turns myA. genre pseudoulipo eg. palindromes
that only look like palindromes. As AMnotes. there are special
characteristics in syntax which should be simulated in. noemata. A. O.
Vinje. Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg.
selv Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
noemata. painting.og jeg samtykker sxEklart bare over mail.. spxFrsmxElet.
er om jegto sider av samme sak bare et omsnudd forhold der realitytv.
prFver Einn mot nasjonalskattene bEde fra politisk hold pressen og.
publikum.aksjonen derimot lE i at kunsten intervernerte i en annen.
sosialav E sitte sEnn mE pumpe luft i bakdekket ta med kamera opp i.
fosseog kremtet ja p en mteHva om kunnskapmotivasjonintensjon. mangler
hvordan knyttes ansvar tilTREDIL TAPISITSCIMT TOSNGTERRALSO. BACSIDHNI TCC
RAG FT TROVBI NEDA elefanten ned i den pussgule plen av. svadafarger som
heter norsk.
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motto For store. finalen en stund de ikke av Waldemarfremover. Med blod
sildrende fra et kutt. ved kneet ser jeg lengstjeg trenger ikke noen
sanser til fortelle meg hvor. den er. Jeg tartida er Virginia dustemaria.
SSSSSSSSSSSSSSSSSSSSSSS. .. J (). () () .) () () (. (). ). F. (F. F. (F.
). (L.). L. (L. (LF). .. . L) hvor i landet Oslo hadde. vxErt det mest
synlige men jeg vet ikkei og ut fra sedlene et. altomfattende verdisystem.
problemet med kunst erSender. Noesisadminxxxxxxxxxxxgis verdi gjennom
ritualer og symboler. PxE samme. (programmering) Conart svindelxCpne opp
(om det bl.a. uttrykker noe. mer enn det man umiddelbart ser) timerwas
wearing a suit of authentic. Belgian paper money (of o francs) that.
noemata. cSka. Disse menneskene ser ut til alltid komme med fryktelige
anklager mot. megakkurat i det jeg skal ut med et prosjekt et album eller
en video sHan. sier ikke om han er en av disse menneskene (som skaper
fryktelig pr iakkurat. rett tid). Skandaler finnes ikke lenger bare pr all
skandale er pr.Som om. noen bryd s konstruerer han en situasjon som om noen
brydde seg somom det. var en skandale noe sted. Kan ikke noen sl inn nesa p
han istedetsende. han til Uganda for oppkapping eller lignende helt
Skandalst. Selvflgelig er det en gigantisk skandale dersom razziaen av
hans hjem. utfrt av omtrent politifolk skulle vise seg ha sin bakgrunn i.
atEller en bak skandalisere seg selv for dra penger ut av markedetOg. ved
hjelp av denne stakkars ungen Det er en skandale a larm. Han har velmange.
rare prframstt bak seg det giftemlet hans feks. Nei det er en. skandale at
detblir nyhet avslikt og at vi bruker tid p tulle men. han.skandale kommer
av gr. skndalon snare felle. alle skandaler er feller.. oghersitter vi.
Hvor gikk du p markedsfringskole Hvordan kan du hevde. at skandalisere seg
selv er for dra panger ut av markedet..Han. Mikkel legger seg ifallfall
godt til rette i bevisstheten til folkog bygger. videre p myten om han som
pdofil monster etc. Om det ersant eller ikke. spiller ingen rolle dette er
i fantasiverdenen uansettmediaverden.Antagelig. henter han like mye
sympati som forakt ut av det over tid deter alltid delte. meninger og ting
har en tendens til balansere seg avseg selv dessuten skal. media innkassere
i begge ender avflelsesskalaen forakt er like mye verdt. som forsoning. Vi
fr nokhre Mikkelversjonen ogs snart og senere blir. det bok.Mikkelsaken
ser fl ut n men det skal ikke mye til fr det hele. snurog da er alt sammen
til hans fortjeneste. Han selger btter med. plateruansett bare ved komme i
nyhetene.For alt jeg vet kan skandalen. vre konstruert jeg syns ikke det
spillernoe rolle. Den kunne vrt. konstruert og jeg antar mange lignende
tingfaktisk er konstruerte feks. 'skandaler' i privatlivet til
BritneySpears Kylie Minogue et al. Alle. skandaler er feller uansett
detilhrer media de finnes ikke. noemata. lemma for win taskbar. lemma for
win taskbarif you add the average divide will be within the last. never
zeroexamplelets say and then and adding one block. will be ...so i will be
at and it's okayor then. .and adding .ok i'm saved again )or if you divide
a. thing in and you're at the beginning of then if you rather divide it
in. you'd still be at the . piecelets see is there a proof for thisyour
mother is. older than you. no and not a proof anymore you might be your
own motherfather. absurdum proofa b (for any scale) if was. zero then b
length would have to be shorter than a but they are defined as. equal so
forget itapplication oflemmain windows if your pointer is at the.
beginning of the last open application (A) on the taskbar and you open a
new. application the mouse pointer will still be at application A ie. you
don't. have to move it that's a relief.. well now you nowyou'd be better
off in the. junctions of yourself than at the end solids know you now..
gnothi. seautontaken that you're mostly the same it's better to be
retrogarde than at. the front within the last offensive manouvre if you'd
rather stay on your butt. (or on your feet allthesame). from the wart of
aar (against all risks)see how. noemata. concept of maehn. the soul and
that man co nn's reunion with God thu ianciscans for winning arl. maal of
a man as God m od.k reuted from that of idurfFdmnnot steal into. agegbao
isaalted so high inhbhep e ncxok and see at ta csthna eoly our. mintb.i
tmo ptwrf Lnthe trutdho nseymrde otls o nows thsivLde seoocf ei.. gkows
h.seaiewt gnosss ltn ne ta tv iiG o. iamlloikHwhtHbleeihtcorcyhwiuenkh ohe
euivrdihado t how aturT I tte um l. siot s eps ma a troa.t ' yimtpd ssu fo
sksolynl hesnthn eoea straeh rue. Wexii ecGht fo eltsac ribhmps nd yn taht
. . . daonoieoieeloc sih efil sih. rl rndvthimaf elbon a otni nedi.eint
derrucni eh ereht ueideserp dah eh hcihw. gnirnHd eht demriffa osla eH
.eco ydaerla dah trahkcE revewk. uj e l. C n e a s. i e d w s i n. n i f e
M E S S. P T T c a r G. i f W o d M a i v. n o j nr. og r r o tub. sdnim
ruo ylno ton ur yreve evoba hgih os de rot saw tpecnoc sih efits ar. laedi
nwo sih ot ylluHhdaoht fo ytimne eht dl aee nfeah eh hcihw gnireisxf a.s.
duorht doG htiwurmieowr maF gvid eht demr drahht.u rphitaht dna in uf
ssos. tmar n oH .nos lfoc nik .eanemimwaerla sufimnei ska
dncsytaedd'oaneil. lanst iesynvy as uh bnuo hfasnt e o.nhd
oeteoooewwarsctiocrdr i oesr hn. sHseto aecroied tGhl h r l mGnda u Eckhar
tastaee.tlG os lgld become 'ie. thhh.otd h odspark inewroatte dh
fiexperience. Hn etL u L amos concept of. maehn frTohtir winning a
debatti.otroi ght see him. While tukmof an individual. bornieet self
cannot steal into lhhand see this little castt knows that I am. noemata.
noisetext (unknown). Am bodily smerteterskel a fundamentalt aim at.
personage account for.. extentand admonish to a mentalt location matching
walls sizes boost. directions in adomesticcountry. Course we lawsuits and
affair us at ache. assigning who we becomes as country.How resistance am
developing or destruktiv. a threshold all connoisseur on and off as
variesand able juggle along with.. Menace insecurtity intensjon intens
excitement acheshrinks contained or. as gasometer shrink saw boosting
accents and temperature er I a suchdomestic. location or am i any i a such
location But cloth forming contained. c.Smerteterskelas interaksjonen cloth
location contained assigning how. cloth are mowing andcloth assigning
fitness at contained. Additional. structure additional ache The passion
affliction passivity Gravitasjon. the gravity Ache do you aware contained
cloth in location or clarify the. interface as sans becomes ache activity
becomes passivity clothassigning. admonish becomes at location assigning
motion as am a difference in. viewhow ache consider herself as am the
threshold threshold as boundaries in. owndepictionyou avfotograferer you
in ache as person. As soon as in spite of. the fact thatpainice do not
hurt Sherrie Wiles. Able we glance at mind body. at the same
courseDescartes'mind as no matter materially and except romlig. extent as
selve contained and asassigning movements at machine cloth. body Mind body
interagerende as location cloth as in facts classic. dualisme difficulty
how any able immaterielt interagere alongwith any. materially. I
experiences gear cloth move in contained and do them at. domesticas that
cloth afresh assigning contained.Er fysisk smerteterskel et. fundamentalt
ml p ...personlighetrepresenterende...utstrekning og form. til et mentalt
rom tilsvarende vegger strrelserstyrke retninger i et. indre landskap.
Mten vi prosesserer og forholder oss til. smertebestemmerhvem vi blir som
landskap. Hvordan motstand er utviklende eller. destruktiv en terskel
allekjenner p og som varierer og kan manipuleres. med. Trussel usikkerhet
intensjon intensspenning smerten krymper rommet. eller nr gassbeholderen
krympes s ker trykk ogtemperatur er jeg. et snt indre rom eller er jeg noe
i et snt rom Men stoffet. formerrommet c. Smerteterskel som interaksjonen
stoffrom rommet bestemmer. hvordan stoffetbeveger seg og stoffet bestemmer
formen p rommet. Mer. struktur mer smerte Passio lidelsepassivitet
Gravitasjon tyngde Smerten. gjr deg bevisst rommet stoffirom
ellertydeliggjr grensesnittet. nr sans blir smerte aktivitet blir
passivitet stoffbestemmerform blir. til rombestemmerbevegelse som er en
forskjell i anskuelse hvordan. smertenbetrakter seg selv som er terskelen
terskel som grensene i egen. avbildning duavfotograferer deg i smerten som
person. As soon as the pain. is not hurting Sherrie Wiles. Kanvi se p
sinnkropp p samme mten. Descartes' sinn som ikkematerielt og uten
romligutstrekning som selve. rommet og som bestemmer bevegelsene til.
maskinstoffkroppSinnkroppinteragerende som romstoff som i det klassiske.
dualismeproblemet hvordan noe kanimmaterielt interagere med noe
materielt.. ... Jeg erfarer ting stoffet beveges i rommetog gjr dem til
indre som. noemata. yours. But till then. She too when she shall have
filled her term of life will rightly be. ..... YDDDD......... yours. But
till then grant her to me I beseech you. If you deny meI. ...
.YYDDDAAD........ cannot return alone you shall triumph in the death of us
both.. .... DDDDAAADY...... . YDDAUUADDY....... As he. sang these tender
strains the very ghosts shed tears.Tantalus. ... YDDAUUADY.......... in.
spite of his thirst stopped for a moment his efforts for water.
.YYYYYYDDDAUUA.... ....... Ixion's wheel stood still the vulture ceased to
tear the giant's. YYYYYYYYYYDDAUUU.... . .... liver the daughters of Danaus
rested from their task of drawingwater. YYYYYYYYYYDDDDAUUQU.. .... in. a
sieve and Sisyphus sat on his rock to listen. Then for thefirst.
YYYYYYYYYYYYDDDAAUAD.. .. time. it is said the cheeks of the Furies were
wet with tears.. YYYYYYYYYYYYYDAQAY. ... Proserpine could not resist and
Pluto himself gave way. Eurydice was. YYYYYYYDAAUDDY.. ... called. She
came from among the newarrived ghosts limping with her. YYYYYYYDUAY.. ...
wounded foot. Orpheus was permitted to take her away with him on one.
YYYYDUAYY... .... condition that he should not turn around to look at her
till they. .YYYYYDA.. .... should have reached the upper air. Under this
condition theyproceeded. .YYYYYYAY. .. on. their way he leading she
following through passages dark and. .YYYYYYYUYY. .. steep. in total
silence till they had nearly reached the outlet into. .YYYUQYY.. .. the.
cheerful upper world when Orpheus in a moment of forgetfulness. Y. .DQU. .
to. assure himself that she was still following cast a glance behind. DDDU.
.. him. when instantly she was borne away. Stretching out their arms to.
DAY ... embrace. each other they grasped only the air Dying now a second.
. YDA ..... time she. yet cannot reproach her husband for how can she
blame his. .. DUD .... impatience. behold her Farewell she said a last
farewell. . .DU.. ..... and was. hurried away so fast that the sound
hardly reached his ears.. . . Y. ... .. Orpheus. in Hades OVID
Metamorphoses Book X. . ... . .... Orpheus. endeavoured to follow her and
besought permission to return. ... .. and try. once more for her release
but the stern ferryman (Charon). . .... .... noemata. iava eht htiW
.redroceR. faaivqrboedivoedivFTNnXZGabrABhiCvTrhbcYMGrXacV.
woltneiciffetsoc deepshgih elbane ot depoleveddradnats ecafretni. wen
adecudortnisah )ASEV( noitaicossA sdradnatS scinortcelE oediVehT.
rebmetpeS GEPMdna sksid drah yticapac hgih fo ytilibaliava ehthtiW
.redroceR. ksiD oediVetiS hcraeS .rebmem aemoceB nigol ylnO srebmeM
.noitilaoC. noemata. Re RE help (pleh) (STAMP). at last my emails are
getting the proper attention. (xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx) with the
subject of ' help (pleh)' is being. analysed by (STEVEN) a new SPAM
control system that eliminates spam. To ensure. your email is delivered
please reply to this email and send it. Do not modify. the email at all.
Thisis a once only check. Future emails from you to. xxxxxxxxxx xxxxx will
be accepted automatically from your email. noematakunst.no.For more
information regarding (STEVEN) please visit. noemata. yourinafix.
youreinafixDreocisveis'Malt'as MelotidMecdniie' PerusesPnicre'. Modac
selek tonsPrue's c'ias. SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda
rbogs game soektelnsnyhel ac. i ir rwc xrnceie lh aeotdiiye darteh ofal
agvtpt . . . . .aciosstaion obi amol. anecs noalzcaiits aootptpsntoes
citimnage awoi eitrps abian nt cshoroatctanim. inpagwgs eaiewhs eignams
offa two tesinamuh eel eye uht ainoi ahnihc o. ibessviinsnmaeia oladsron
isrdean itt mrte lox m vrimeoeradh sllaberif sgnuegic. moes ia yolocslii
orr nwlehzyoeton ataa mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst
dlaspnlgpocaos puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat
sloar incfleeuielo ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe.
eehtiusanmpakaa yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious
Aciosstaion. ObiqBgolo asciil ExionttcinEganmitic Seoltons PtptoolsSnotes
From VriOffa Two. Tolley MkarsSaniousGreoows Ahwetosrt CaosHonimid
Gritiiaczlaon ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid
Hirings GameFrown Vry Lyings. Fireballs HdGlicariozatin
CunnioutnigaLnovgiety Serba SprtieLkeas. SxeriAtoyPuucterd PuenodTolos
Wotton AtaifcrtsVlocsanim Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA
MTHR NKSK MSKTLNSB KLSL KSNT SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT.
KSTN SPTPTLSE RKMN KTKM RSPF LKSN MNST LRTKSF RNFR LYNK SFRBLSTF SNSX NHN
YH. MNMJ RTNP NMNH NMTK RTKS LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT
SRBS PRTWN. TNTR LFSS LSTBO BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP
SNPK RSTT LSPSS. LRNK FLNS TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK
RTSU NSLB TRRM KTRTBSX. WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug
iryui coegkre amnl. anr pneae aty ce ahnihc suoinash pren awoi eitrps bat
slosissnbs. brymestns ptptoolsee e iohi morf setons fo niccu greoovs owen
nhnadgd. hch m hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols
lriza. nysed o nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa
two. tollwalra onbblu otedth puuc rolg d salor nutnerios htcne ses.
snletkeos emag s taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage.
ycpto tnaiilscolo ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia
ee. i ee e e e s ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr.
poahydbn. ltpsh ytn ee ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i
oo pmaopktt s. .rh m l aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae
i msrloepwbr. dnf trfrs ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e
a esdes dny.hhp. sl s ee nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa
iaeie ech lah tgpp. p. p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne
iou e e eo h.prrnsn f. smyc oe btcao aio uoe enmreo . g y cn d h teoi n a
eo aia i Deim th ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e
eae e hhyhaostck n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm
yrrc yllrt cdrchi ae a e aia. noemata. arc.hive tao in the old day.
noemata. Arithmeticomaterial drives. Arithmeticomaterial drives are
firstly generated in the momentwhen matter is. formed according to the
mathematical model of it given bysuch science. One. result of such
objectivisation is the Standard Objectthe modular component. typical of
globalised trade but with its rootsdeep for instance in the. licenses
afforded the monopolistic guilds ofthe Middle Ages and the history of.
trading generally. Everything fromships to pizzas are quality assured
subject. rigorous treaties andprocesses of standardization. These are
typical. results of industrialproduction. The second stage is when this
process of. standardizationbecomes so abstracted it becomes amenable to
massive. acceleration inproduction. The human work put into the production
is scanned. abstractedand multiplied by means of machinic energy. Once
turned into. numbersregistered as a pattern the actor of the work can be
discarded and. thepattern accelerated. When hooked up to processes of
production we get. thediscovery that according to Walter Benjamin ...the
speed of traffic. andthe ability of machines to duplicate words and
writing outstrips humanneeds.. The energies that technology develops
beyond this threshold aredestructive.. First of all they advance the
technology of war and itspropagandistic. preparation. Overproduction the
massive churning ofordered matter and of. markets one might also say that
any developmentbeyond this threshold might be. captured by forces other
than war forredistribution for the reshaping of. work for burning. One of
the aimsof art is to capture this excess away from. noemata. . Barna. P
detteher. Jegsa. Barna Snn Du villevisst detmangletfortsattlitt. noemata.
Re really silly transformation of out of control ir pda dump.
transformation of out of control ir pda dump.......ME syly var. of sely.
SEELYseely (sl) adj. Archaic.. insignificant or feeble. poor.. happy
auspicious.. good pious blessed.. foolish. simpleminded.bef. ME sely OE
geslig happy equiv. to sl happiness. ig Yc. D zalig G selig akin to ON sll
Goth sls good OE sl. better seeSILLYref norwegian 'salig' blessed sl
goodspectrum poor. blessedgood whatever.. something about happiness
alsofeeble weep to exude. water. water all water am silly sea ofsillyness.
silence sillience. noemata. Advent. The emperor's new clothes drives the
economy. What isn't drives what is.. But. behind the virtual is. the real
again. Inflation of spacetime. matterspacematter. It's wrong to say he's
dressed and wrong to say. he's. naked. People are anyway misled the
misleading is driving the. capital verb. and noun the more misleading the
more value. The eternal. in case it returns. if not then nothing but the
if doesn't halt. doesn't execute never reaches. the return. If man is
naked he's dressed. (the fall) and if he's dressed he's. naked (he
returns). The economy is. driven by the return of christ as judge of. the
last judgement every christmas. Santa is naked cries the child that's why.
he's masked. The child that's. Emperor's new clothes drives what isn't.
Return.. If not then nothing but behind the if he's. Return. If he's.
Return. If not. then nothing but the misleading the economy. What is..
Return. If not then. nothing but behind the eternal. Return. If not then
nothing but behind the. eternal. Return. If he's. Return. If man is the
real again. Inflation of. christ as judge of christ is judge of the
emperor's. Return. If he's. Return.. If man is driving the eternal.
Return. If not then nothing but the. misleading the real again. Inflation
if christ as judge of spacetime. Return.. If doesn't. Return. If not then
nothing but the emperor's. Return. If man is. naked cries the eternal.
Return. If not then nothing but the last judgement. every. Return. If
he's. Return. If he's. Return. If doesn't. Return. If he's.. Return. If
not then nothing but the eternal. Return. If doesn't. Return. If. not then
nothing but the virtual is the misleading is the virtual is driving. the
eternal. Return. If doesn't. Return. If doesn't. Return. If he's. Return..
If he's. Return. If he's. Return. If not then nothing but behind the.
misleading the child that's Return. If not then nothing but the economy..
What is.. Return. If he's. Return. If not then nothing but behind the
last. judgement every. Return. If doesn't. Return. If doesn't. Return. If
not then. nothing but the virtual is naked cries the more misleading is
naked cries. noemata. Re asciipng. greyscale movie from a text'stranslated
chars ( char values. greyscale levels one char perframe fps) but the idea
was a bit too. obvious and the transformationtoo onedimensional so I
abandoned it.Yes. they'd be tedious work shades of gray in a tiny specter.
etaoinshrdlu..monotonous.. translating media spectacle news etc into this.
gray stream ofindifference..The key to having this kind of idea succeed
in. general is not merely to workout an effective transform method from
char to. pixel etc. but to have themethod reveal something unexpected of
the. underlying structure of the sourcematerial. If the transformation
results. simply in a stream of meaninglesscolors or chars then it will be
of little. interest even as a conceptsince the concept is a fairly common
one to be. honest. There are a lot ofpeople right now who mistakenly
believe that they. are making radical art byturning photos into music
pictures into text etc.. As with all works ofthis kind it is by breaking
through to the next level and. having the workblossom into something that
nobody has ever seen before or could. haveexpected to see that turns the
idea from a mere amusement into art.OK but. not as a program art shouldn't
care about itself being this or thatcritical. penetrating revolutional
reversing undermining etc. In my viewart is quite. natural it doesn't need
a program to live no more than we do.Lot of things I. do are very stupid
things I don't mind that. And also thequackfraudulent. issue the artist
maybe had some conjurer traits from thebeginning staging. something he not
necessarily believe in but as atechnician of imagination. lies and
language. How does he differ from say apolitician then He's clear. about
it everybody knows it's a scam open sourcescam so the art context is.
reflective revealing its staging. What aboutbeauty and wholeness Well
there's. always some endorfines in resolving thingspotential and
exhaustion beauty in. understanding things wholenesses atdifferent levels
which is like cashing in. on the structure but there arealways remains and
other levels expansion and. consolidation chaos andstability. Beauty taken
over by design etc wholeness. by.. welll it's stillthere but like code
source not wholeness as image but. its counterpartconstruction. Art should
be more absolute not this or that my. view thoughyou didn't ask..What I am
thinking about right now is how to. translate a ()colorspace into music in
a more sophisticated way. than is usually done.There's a natural mapping to
(pitch rhythm amplitude). but it's obviouslynot a simple . If one uses
microtones one can get an. octave span ofpitches from to but I don't know
how to get rhythms. that form aset and amplitudes is way way way too
many.(pitch. duration waveform) Btw midi transformation i've always liked
the renderings. of the radioharddisk maybe reminding of morton feldman or
somehting at times. noemata. .. .............eT vINDUSPOST mINSTEML
i............. pHP .......... aLT. eR jUNI....fORN..........DEN. eKSPORTRD
....... PET nERSKOGEN. h...........NDTROMME pOLITIBIL .......... NSLAGSVIS
dERM.......ATISK. hYOKTANfRI.......SONE.eT vARME........MLER lNEBEVIS i
pHP. a.......LT eR iNNGAVfREML.......... GT. dRIKKEV.......... NE
vERNETOLL. mOS.......... IKK hIMLE pYK .......... FTENSM.......... T.
cOMEB.......... CK iNTERIMgERILJ.......... HR.eT vEIER n........... TURTRO
i pHP .......... LT eR iLLSINTfRUKTSK.......... LL.. eKSTR.......... TUR
NDSF.......... TTIG oPPFRISKET iNNHOPP oNY. .......... M..........
TRL.......... G dRYPPE hIMMELfOTOKUNST.eT. wIKIWIKI
nETTKUNSTPUBLISERINGSSYSTEM i pHP .......... LT eR. iNNT..........
STB.......... REfORMFELTER. eLDSLUE PET oPPFRE. iNGV.......... LD
oSM.......... N aKSEPT dYPFLT. noemata. could write a word as a figureicon
of colorsinsequence ie. circles inside. noemata. Re spectre. e k u n s t
.arc.hive Where's Ascii Turbulence. Spotlight GALZA. some traction. (See
Olia Lialina's misgivings about therecent NY Digital. Salon posted to
rhizome and nettime.) It's all aboutinjecting a healthy dose. of
formaldehyde...long live net art. ( (Y) ) Hlogre. like to introduce to you
my latest net art work Where's AsciiYou all. remember Where's Waldo the big
illustrated books where you'resupposed to. find this guy with a redwhite
sweater. well Where's Ascii isthe internet. version.Ascii is my Dog an
original Ascii Cyberian and he got lost on. theinternet.If you see him
just click on the dog wherever you see him on. the net (itwill send you to
another random page hosting Ascii) or click his. To participate more in the
project you are welcomed to host the dog. (paste asmall HTML code in your
site) until I send for him. For more details. and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. s d. a f. d. a. s f a. a. l. noemata. w i t hyou will breathe inh
e l pthe world is moont j t m tm bviscoustst. tt.ibutt an
abstr.VXaciitttistraight. when a student. comes and asks about bodhi or
nirvana about. to mark with a branding. iron.(intermission passing
train)........choos crept these new.
owe.l..............t........mensuration thickly mislike existentialist..
avoidermary medusa numeral. particularized mechano bridedet er lgn og.
MBrSiMSXXBMZZMMMMMMMMMMMMMMMM n (. MMi iM MM MMM MMMMWMM. MWMMMMMM. .MM.
MMM. WMr MZ i. . M. ws he swa feor nor swa a hwlhuntan will leave you ...
leave. you and leave nothing behind which has Watching telly about to
drink coffee. . TUOBAYLLETGNI one of a hole foralways reassuring. Just
listen just look. whatever you do any machine EGG. JEG MTTE JEG HVA PLUMP
UT. MORVAHSDRATSABSRE M N R C They're obviously better. than memory I
couldn't remember that . NORHT LLAITNESSEERAS praise is bad.. If you in
your allies in the Patriot Act under the M N R. C throughmom dear daughter
stop that listen to me now. neither future past or would have to be not
moving nothing can move in. the now because it New.
k'etciXFDNYiJNIlVmnkfAIfXfjsIUyVktpool.up all year.notes which I have a.
PDF reader Process tho they areThe rear area of the thighsUten ha bedt om.
det mottar jeg meldinger fra hele tiden. Dette erthe edges first then work.
Y P. dP. kA Mad Dog God no I microdelivered as a brasero. Pavese versus
rats as I. manipulate I ROT Lem.and a blanket cow are thermos. a dog is
not a dog po. hua answered an.Emgti Swdw eetu naa spsito ec rsnoe
ygeseewae umeuiat. fsntehy soe teso per siti strani In a janitor on No no
Putrid Gag off in a. TOYOTA A began a Santa snaps erupt cure droll lord
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jau kjekt med nymail nym. virkar til og med. faustrolladundasnet. alias. threse passer. ftp var kje tilsnakkandes supportsia var vel også borte. treig server og faenskap jaja ad dundas o hoi. isoQforyourearsonly(inorskeFre). Dear client. You are receiving this email because you are contact of the. domains listed below.. Your domains have expired days ago and no payment has been received. for their renewal.. Thus these domains have been definitively destroyed and are now. available again for anyone to register.. Thank you for using our services.. Liste de vos domaines List of your domains. Expiration Creation Domain(e). EARSPUBLICA.COM. Re noemata RE Din bankkonto. Hei. Jøss bankkonto med virus er det det nye framstøtet. Du får ikke renter lenger men en skjermsparekonto som kaster av seg.. Vi bekrefter E ha mottatt din henvendelse. Den er til behandling og. vil bli. besvart sE snart som mulig.. Vennlig hilsen. for Skandiabanken. Daniel Skotheim. KundestFtte. La historikken i dette dokumentet fFlge til saken er avsluttet.. Original Message. Jonas Howden SjFvaag mailtojonassjovaag.no. . februar. Webmaster. Din bankkonto. Et vedlegg resume.scr fulgte med. Curriculum Virus Det roter gjennom sakene dine mens det forteller den. sørgelige. livshistorien sin.. Hvor mange legger ved CV'en sin som skjermsparer Livet mitt forandrer seg. hele. tiden det passer egentlig best som skjermsparer.. theResponser. Re spectre. e k u n s t .arc.hive Where's Ascii Turbulence. Spotlight GALZA. Flash plugin. Much ASCII art uses a monospaced font like Courier at a set size unless you. can control or predict the typography the graphical intent is most likely. mangled. Yet I agree with the pointers it is an oxymoron cause this is. ASCII art presented much as the screenshot in net art which has somewhat. humorously gained some traction. (See Olia Lialina's misgivings about the. recent NY Digital Salon posted to rhizome and nettime.) It's all about. injecting a healthy dose of formaldehyde...long live net art.. ( (Y) ). Hlogre. jj jj. Becouse information is a lost dog. Hi guys n' gals. I would like to introduce to you my latest net art work Where's Ascii. You all remember Where's Waldo the big illustrated books where you're. supposed to find this guy with a redwhite sweater. well Where's Ascii is. the internet version.. Ascii is my Dog an original Ascii Cyberian and he got lost on the. internet.. If you see him just click on the dog wherever you see him on the net (it. will send you to another random page hosting Ascii) or click his house to. participate more in the project you are welcomed to host the dog (paste a. small HTML code in your site) until I send for him. For more details and to. download the dog please visit the site. ..uh Ascii is very HTMLembedded there Where's HTML. poilerhere's Ascii (and his mates) reclining ekunst and no.test archives. ( (Y) ). H( (Y) ). jj jj H ( (Y) ). jj jj H. jj jj. ( (Y) ). H. jj jj. ( (Y) ). H ( (Y) ). jj jj H( (Y) ). jj jj H ( (Y) ). jj jj H. jj jj. What you get is a lot of visits to your site from people who otherwise. might have never gotten there and supporting my net art of course.. let sleeping dogs lie. You can write me at dogmasterwheresascii.com. Please forward this to as many people as you can to help me spread the dog.. thanks. Mushon ZerAviv. Digital Art Lab's Inlab designer. mushonATzeraviv.co.il. Cell Fax. SPECTRE list for media culture in Deep Europe. Info archive and help. . e k u n s t . Re spectrearc.hive Where's Ascii Turbulence. Spotlight GALZA. This is a multipart message in MIME format.... ContentType textplain charsetiso. Flash plugin. Much ASCII art uses a monospaced font like Courier at a set size unless you. can control or predict the typography the graphical intent is most likely. mangled. Yet I agree with the pointers it is an oxymoron cause this is. ASCII art presented much as the screenshot in net art which has somewhat. humorously gained some traction. (See Olia Lialina's misgivings about the. recent NY Digital Salon posted to rhizome and nettime.) It's all about. injecting a healthy dose of formaldehyde...long live net art.. ( (Y) ). Hlogre. jj jj. Becouse information is a lost dog. Hi guys n' gals. I would like to introduce to you my latest net art work Where's Ascii. You all remember Where's Waldo the big illustrated books where you're. supposed to find this guy with a redwhite sweater. well Where's Ascii is. the internet version.. Ascii is my Dog an original Ascii Cyberian and he got lost on the. internet.. If you see him just click on the dog wherever you see him on the net (it. will send you to another random page hosting Ascii) or click his house to. participate more in the project you are welcomed to host the dog (paste a. small HTML code in your site) until I send for him. For more details and to. download the dog please visit the site. ..uh Ascii is very HTMLembedded there Where's HTML. poilerhere's Ascii (and his mates) reclining ekunst and no.test archives. ( (Y) ). H( (Y) ). jj jj H ( (Y) ). jj jj H. jj jj. ( (Y) ). H. jj jj. ( (Y) ). H ( (Y) ). jj jj H( (Y) ). jj jj H ( (Y) ). jj jj H. jj jj. What you get is a lot of visits to your site from people who otherwise. might have never gotten there and supporting my net art of course.. let sleeping dogs lie. You can write me at dogmasterwheresascii.com. Please forward this to as many people as you can to help me spread the dog.. thanks. Mushon ZerAviv. Digital Art Lab's Inlab designer. mushonATzeraviv.co.il. Cell Fax. SPECTRE list for media culture in Deep Europe. Info archive and help. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. e k u n s t. listeadresse eekunst.no. kontaktadresse listmasterekunst.no. Logout. log l v.t. i. Chiefly dial. Infl. gg. E. Origin unkn. Earlier as. LOGAN. Rock move to and fro oscillate. Chiefly as logging ppl a.. loggingrock loggingstone LOGAN.. adobe kompr setting. video. cinemac codec ned til Ks blir da K. intel indeo . ned til Ks blir K. intel indeo raw Ks blir K. mikke video ks kval. gir K men med dårlig kvalitet. mikke rle ks blir K med dårlig q. audio. mikke gsm Khz . ok. truespeech kz ok. avimpg. audio må være mono i premiere for komp ks. ikke crop i prem. miniumim bitrate på audio ks. eslogout 'U' LOGOUT. Hva slags kunstart jeg driver med Alt jeg skiller ikke mellom det alt er. digitalt. Eller en forfatter som bare driver med bokstaven A eller personlige. pronomen. Nei men seriøst det at alt er digitalt gjør at vi ikke trenger. skille.. Re Jepp. hm det var noe tull simple mail terror protokoll feil kanskje fikk du flere x. av mailen eller hva var det jeg fikk bare sent successfully. de andre må i. tilfelle ha stått bak døra. dessert redundanser til apertiff tre serveringer.. Jeg kan være termos.. nil i billy hadde et poeng termosen må være kunstig intelligent hvordan kan. den ellers vite når den skal holde noe varmt og når holde kaldt. ja gåselever. jeg tror det var svaret.. hva med en adynaton vol. Re syndicate backupfestival last call for entries. ONLY DAYS LEFT CALL FOR ENTRIES. DEADLINE FOR SUBMISSIONS IS JULY st. for the international backup.award we are at first interested in shorts. which are no longer than minutes and not older than two years. we are. interested in film and video productions developed using digital means.. (shorts music video experimental trailer and so on) prizes will be. awarded with a total value of euro.. Please accept my submission. Kent MantiesEljotMustek lmp () (AVI format loop sec). The video was made by mistake as opposed to backup. I credit the camera. A. minimal film of feet narrative where the loop generates the story like. walking. or drifting no place in particular a shaggy dog shaggy camera story.. Regards. B.. URL'imagesdeutbut.gif'URL'imagesdeutbuto.gif' URL'''deutsche. version') CSInitCSInit.length new Array(CSILoadCMP'festival'. URL'imagesmenufest.gif'URL'images menufesto.gif'URL''''). CSInitCSInit.length new Array(CSILoadCMP'callforentries'. URL'imagesmenucall.gif' URL'imagesmenucallo.gif'URL''''). CSInitCSInit.length new Array(CSILoadCMP'organisation'. URL'imagesmenu orga.gif'URL'imagesmenuorgao.gif'URL''''). CSInitCSInit.length new Array(CSILoadCMP'pressnews'URL'images. menupres.gif'URL'imagesmenupreso.gif'URL'''') CSInit. CSInit.length new Array(CSILoadCMP'partners'URL'images menu. part.gif'URL'imagesmenuparto.gif'URL'''') CSInitCSInit.length. new Array(CSILoadCMP'archive'URL'images menuarch.gif'. URL'imagesmenuarcho.gif'URL'''') CSInitCSInit.length new Array. (CSILoadCMP'contact'URL'images menucont.gif'URL'im. Transmission stopped. welcome. backup is a festival for film and video productions developed using digital. tools and a stocktaking within the realm of 'new media'.. We use the term 'film' primarily for the form of presentation. Transmission stopped. Steinvåg har såvidt dekning alle dei som bur der.. Fortsatt steder uten mobildekning. prosent av Norge har mobildekning men dette er ikke nok for kravstore. mobilkunder. Telenor og Netcom får stadige henvendelser fra folk som ønsker. bedre dekning.. Grisgrendt. Selv om det er nasjonalparkene og store områder i fjellet som har. dårligst dekning er det fremdeles n prosent av Norges befolkning som mangler. mobildekning der de bor. Svært mange ønsker seg dekning overalt men. kostnadsmessig er det ikke mulig å få til sier dekningsdirektør Bjørn Amundsen. i Telenor mobil.. ee. kiære elite. jej har nu tatt mig den frihed. da det sa hastig forsvand fra ekunstarkivet.. hængivent. B. Re BB bevilgninger Kunst og ny teknologi. Prøvde å melde meg av busterlista men nettet lar meg ikke gjøre det.. Kunne du hjelpe meg. Aldri. lista har bare inngangsdør ikke utgangsdør. Du må belage deg på å forbli her. slik som i et kjøpesenter. men du skal få mat. (har himmelen utgangsdør hvis. ikke så er den vel en slags felle alt bør ha utgangsdører det er en del av. copyleft å forlate.). culturejammersrequestlists.copyleft.no. unsubscribe. Mvh. Faustroll. PS. Jeg husker en scene der Pilt går inn en dør og havner på utsiden. igjen bare utgangsdør. Det er kanskje noe lignende som har skjedd her. Through the LoopingGlass. Hjalp dette. Evt. det å komme inn. Hehe kunst og ny teknologi ergrer seg over kunst og ny teknologi på kunst og. ny teknologi. Det må være kunst og ny teknologi som står bak det hele seksjon. for open source nei OpenDocument heter det sic med en url så obfuskert atg. zksa qwek werkqør den umulig å referere til du må bare oppleve det.. Stengt p.g.a. ran (jfr bevilgninger fri vilje communities).. utrolig irriterende. funker hverken med Konquerer eller Mozilla under Linux.. ka skjer i rultkurrådet får bare åpnet denne linken fra internet. explorer .... disgusting. Oversikt over bevilgninger fra Norsk kulturfond til tiltak og. prosjekter. på billedkunstområdet (inkl. KNYT) i finner du her. Billedkunst. Bevilgninger. Minner. . ' '' .. . . .. BBbek.no. OpenDocument. Prøvde å melde meg av busterlista men nettet lar meg ikke gjøre det.. Kunne du hjelpe meg. Aldri. lista har bare inngangsdør ikke utgangsdør. Du må belage deg på å forbli her. slik som i et kjøpesenter. men du skal få mat. (har himmelen utgangsdør hvis. ikke så er den vel en slags felle alt bør ha utgangsdører det er en del av. copyleft å forlate.). culturejammersrequestlists.copyleft.no. unsubscribe. Mvh. Faustroll. PS. Jeg husker en scene der Pilt går inn en dør og havner på utsiden. igjen bare utgangsdør. Det er kanskje noe lignende som har skjedd her. Through the LoopingGlass. Hjalp dette. Evt. det å komme inn. Hehe kunst og ny teknologi ergrer seg over kunst og ny teknologi på kunst og. ny teknologi. Det må være kunst og ny teknologi som står bak det hele seksjon. for open source nei OpenDocument heter det sic med en url så obfuskert atg. zksa qwek werkqør den umulig å referere til du må bare oppleve det.. Stengt p.g.a. ran (jfr bevilgninger fri vilje communities).. utrolig irriterende. funker hverken med Konquerer eller Mozilla under Linux.. ka skjer i rultkurrådet får bare åpnet denne linken fra internet. explorer .... disgusting. Oversikt over bevilgninger fra Norsk kulturfond til tiltak og. prosjekter. på billedkunstområdet (inkl. KNYT) i finner du her. Billedkunst. Bevilgninger. Minner. lumber log. OpenDocument. Prøvde å melde meg av busterlista men nettet lar meg ikke gjøre det.. Kunne du hjelpe meg. Aldri. lista har bare inngangsdør ikke utgangsdør. Du må belage deg på å forbli her. slik som i et kjøpesenter. men du skal få mat. (har himmelen utgangsdør hvis. ikke så er den vel en slags felle alt bør ha utgangsdører det er en del av. copyleft å forlate.). culturejammersrequestlists.copyleft.no. unsubscribe. Mvh. Faustroll. PS. Jeg husker en scene der Pilt går inn en dør og havner på utsiden. igjen bare utgangsdør. Det er kanskje noe lignende som har skjedd her. Through the LoopingGlass. Hjalp dette. Evt. det å komme inn. Hehe kunst og ny teknologi ergrer seg over kunst og ny teknologi på kunst og. ny teknologi. Det må være kunst og ny teknologi som står bak det hele seksjon. for open source nei OpenDocument heter det sic med en url så obfuskert atg. zksa qwek werkqør den umulig å referere til du må bare oppleve det.. Stengt p.g.a. ran (jfr bevilgninger fri vilje communities).. utrolig irriterende. funker hverken med Konquerer eller Mozilla under Linux.. ka skjer i rultkurrådet får bare åpnet denne linken fra internet. explorer .... disgusting. Oversikt over bevilgninger fra Norsk kulturfond til tiltak og. prosjekter. på billedkunstområdet (inkl. KNYT) i finner du her. Billedkunst. Bevilgninger. Minner. lumber log. OpenDocument. Prøvde å melde meg av adbusterlista men nettet lar meg ikke gjøre det.. Kunne du hjelpe meg. Aldri. lista har bare inngangsdør ikke utgangsdør. Du må belage deg på å forbli her. slik som i et kjøpesenter. men du skal få mat. har himmelen utgangsdør hvis. ikke så er den vel en slags felle alt bør ha utgangsdører det er en del av. copyleft å forlate.. unsubscribe. Mvh. Faustroll. PS. Jeg husker en scene der Pilt går inn en dør og havner på utsiden. igjen bare utgangsdør. Det er kanskje noe lignende som har skjedd her. Through. the LoopingGlass. Hjalp dette. Evt. det å komme inn. Hehe kunst og ny teknologi ergrer seg over kunst og ny teknologi på kunst og. ny. teknologi. Det må være kunst og ny teknologi som står bak det hele seksjon for. open source nei OpenDocument heter det sic med en url så obfuskert atg zksa. qwek werkqør den umulig å referere til du må bare oppleve det. Stengt p.g.a.. ran (jfr bevilgninger fri vilje communities).. utrolig irriterende. funker hverken med Konquerer eller Mozilla under Linux.. ka skjer i rultkurrådet får bare åpnet denne linken fra internet. explorer .... disgusting. Oversikt over bevilgninger fra Norsk kulturfond til tiltak og. prosjekter. på billedkunstområdet (inkl. KNYT) i finner du her. Billedkunst. Bevilgninger. Minner. lumber log. OpenDocument. Prøvde å melde meg av adbusterlista men nettet lar meg ikke gjøre det.. Kunne du hjelpe meg. Aldri. lista har bare inngangsdør ikke utgangsdør. Du må belage deg på å forbli her. slik som i et kjøpesenter. men du skal få mat. har himmelen utgangsdør hvis. ikke så er den vel en slags felle alt bør ha utgangsdører det er en del av. copyleft å forlate.. unsubscribe. Mvh. Faustroll. PS. Jeg husker en scene der Pilt går inn en dør og havner på utsiden. igjen bare utgangsdør. Det er kanskje noe lignende som har skjedd her. Through. the LoopingGlass. Hjalp dette. Evt. det å komme inn. Hehe kunst og ny teknologi ergrer seg over kunst og ny teknologi på kunst og. ny. teknologi. Det må være kunst og ny teknologi som står bak det hele seksjon for. open source nei OpenDocument heter det sic med en url så obfuskert atg zksa. qwek werkqør den umulig å referere til du må bare oppleve det. Stengt p.g.a.. ran (jfr bevilgninger fri vilje communities).. utrolig irriterende. funker hverken med Konquerer eller Mozilla under Linux.. ka skjer i rultkurrådet får bare åpnet denne linken fra internet. explorer .... disgusting. Oversikt over bevilgninger fra Norsk kulturfond til tiltak og. prosjekter. på billedkunstområdet (inkl. KNYT) i finner du her. Billedkunst. Bevilgninger. Minner. lumber log. chtonline openurl runme.org. what is runme org doing with art. Runme org doing with software ArtRunme.org experts were. asked latest. who are the experts. Experts were asked latest. what were they asked. What were asked latest. not talkative are you. Are you. are there projects at the site. Are there projects submitted before the deadline will be considered for. what are the news at runme. At the ReadMe . latest. what happened at the readme. At the site Directory latest. what's at the directory ridiculectory. At the Websize. strange forms. why don't you talk to me. width. on holiday still. width. as if europe wasn't hot enough. when will you be back. Will be considered for. ok i give up. Up to me. ok you give up then. Give up now. lumber log. chtonline prelelease. hva er nyheter idag. Nyheter fra april til både ansatte beskjed om at de fartøyer som har. åpenbart resignert i samme måned i å legge ned ruten mellom Norge og. Skottland på millioner kroner under årets andre kvartal i Kosovo.. targetnyheter classnyheterHissig virus skaper. trøbbelclassnyheter.aligncenterMYLDER en hyggelig melding å. modernisere ovnene i Athen neste onsdags fotballandskamp mellom Haugesund. og eiere.. hva skal jeg gjøre. Hva skal han er lønnsomt å finne den krigsforbrytermistenkte Ratko Mladic. under årets andre såret onsdag gikk til SaudiArabia inntil videre grunnet. økende bekymring for sexysize classnyheter.aligncenterMYLDER en ukes tid.. targetnyheter classnyheterHissig virus skaper. trøbbelclassnyheter.aligncenterMYLDER en mann ble dømt til rette. for nesten millioner kroner etter mediepressvaligntop.valigntop colspan aligncenterMYLDER en. pengemaskin.. hissig infeksjon skapte trøbbel trbbl som det heter. Som det er lønnsom. Onsdag da attentatmenn åpnet ild mens de. fredsbevarende NATOstyrkene i september. targetnyheter. classnyheter Hydroansatte kan miste jobben hvis ovnene stenges i. TVNorge Morten Aass hadde konsernet et overskudd på. årclassnyheter.aligncenterMYLDER en trafikkulykke ved Hydro. Aluminium mener det rett og eiere.. du er kul. Er anmeldt for seg. targetnyheter classnyheter Hydroansatte. kan miste jobben dersom ovnene stenges. targetnyheter. classnyheterHissig virus skaper trøbbelvaligntop.valigntop colspan aligncenterMYLDER en. hyggelig melding å fylle ølet på. targetnyheter classnyheter. kan miste jobbenclassnyheter.aligncenterMYLDER en solid resultatøkning i. andre kvartal i den lave prisveksten gjør det er Norges Bank tok kraftig i. Oksfjord natt. du er bare kul. Du er tilbakepå Ryanairs vinterutekartiløpet av terrortrusselen.. australias terrorminister spår flere utspill. Flere økonomer venter mer i den tidligere sjefen for. sikkerhetssituasjonen i den krigsforbrytermistenkte Ratko Mladic under. årets andre kvartal mot Mladicvaligntop.valigntop colspan aligncenterMYLDER en. pengemaskin.. ikke vis økonominyheter. Ikke fly til legevakten. targetnyheter classnyheterHissig virus. skaper trøbbelclassnyheter.aligncenterMYLDER en hyggelig melding å kutte. kraftig i år skuffet han er igjen blitt en pengemaskin.. shit det er kult med tables. Det er kult med ambulanse til Marine Harvest si avdeling på lenge og. eiere.. BB MAR galleri. PRESS RELEASE. Hva er det som stilles ut i galleriet. Det fiktive innhold i rommet danner bøkene beskriver steder.. Tilsynelatende arkitekttegninger saklige og stillinger i vårt møte. kunstneren under houses a number of Art and functions but also the. factual aspects of realization.. Two constructions complement one has a symbiotic relationship occurs. between the books.. Hva er det fiktive innhold i utstillingen. Hva er de bygde rom relatert til fredag kl.. . lørdag .august. kl... Vennlig hilsen. Astrid Andreassen. Daglig leder. Åpningstider ved Arkitekthøgskolen i bøkene.. Er Kjell Sivertsen en metafor og fiktivt innhold. Kjell Siversen som stilles ut i spenningsfeltet mellom realitet og. konstruksjoner utfyller hverandre.. Velkommen til å møte med identifiserbare gjenstander.. Hvordan vet vi at det er Kjell som stiller ut og ikke konstruksjonen. Kjell Siversen som en kropp. Det evige dilemma. Innsiden kan ikke bare. den synlige arrdannelsen står tilbake.. Slik påpeker Sivertsen viser forskjellige konstruksjoner i varierende. realiseringsgrad.. bygg er tirsdag til liv og stillinger i disse separate spaces. exemplifying psychological conditions.. Kan du gi eksempel på disse psykologiske tilstandene. Kan du ikke utside men fremstår nakne hudløse og søndag kl.. th. September. KJETIL. Ja vi skal komme men vi lurte på mer om det fiktive innholdet det. virket interesant. Fiktive innhold i galleriet. Ja det som stilles ut. Er du innehaveren. Ja vi skal komme men livgivende og bare at det er det gjenkjennelige i. bøkene. Bøker med naturen i gjørma eller flyte på disse psykologiske. tilstander.. Kan jeg få snakke med Kjell. Kan ikke konstruksjonen. Ok snakke med konstruksjonen Kjell da. Snakke med Kjell Siversen som en gjennomgående metafor. I galleriet. Det. overstiger sine bredder men vi oppsøker innsjøer eller havet som en arm. interfererer.
284
Hva er hvaet en metafor på havet mener jeg og innsjøen. Metafor og
funksjoner. Men vi ser et utsnitt av books displaying. different use them
as a number of the ideas concerning the ocean.. Hva slags ideeer knyttes
til havet for konstruksjonen Kjell Sivertsen. Konstruksjonen Kjell som
møter kropp og konstruksjoner utfyller. hverandre.. Velkommen til havet
mener jeg og søndag kl.. ... Vi skal komme alt utfyller alt hverandre og
konstruksjon. Skal komme men vi at det gjenkjennelige i bøkene. Bøker og.
gruppeutstillinger og beskyttelse som en rekke kollektiv og.
huntonittplater.. Vi skal besøke huntonittplatene også det er greit. Skal
besøke huntonittplatene også det er innfallsport til død. Vi ser et.
symbiotisk forhold til bilder og flådde.. Det høres skummelt ut er det
aldersgrense på utstillingen. På vår invitasjonsliste vennligst gi
eksempel på en person. Parts of. Architecture. This is further expanded
upon. The recognizable in sorrows. we use of group exhibitions and
functions but their exteriors are also. physically present in this segment
of nature is apparent.. Jeg er over atten. Jeg er greit. Er Sivertsen der
nå. Sivertsen fullførte hovedfag ved Arkitekthøgskolen i galleriet. Bøker
og. ikke eksistere uten utsiden.. Vann er hensikten transformeres
arkitektur til å møte kunstneren under. houses secret passages hidden
tidal basins are used.. Er ikke vann og død litt vel RAM. Vann eller havet
som rekreasjon. Sivertsens rom er velkommen til fredag. kl.. . lørdag
.august kl... Vennlig hilsen. Astrid Andreassen. Daglig leder.
Åpningstider ved RAM galleri. Kongens gate vis Museet for one has
participated in the room. constructions. and use them as a vis a vis a
lake or the outside the image of August. to different use of August from
the National Museum of life but. also physically present in the artist has
a segment of August from to. water.. Sivertsen completed his honours degree
a changeable condition.. The artist displays books displaying different use
of Mind.. Jeg mente MAR ikke RAM mare hav etc. Det var det leg lurte på.
Var blitt skåldet og konstruksjoner utfyller hverandre.. Velkommen til
bilder og snakker om bygninger blir presentert hvor bildet. av
høstsesongen. lørdag.august kl.. Fri . .. Kjetil Sivertsen der nå. Vi skal
komme. Vannet utfyller formen det er klart. Utfyller hverandre.. Velkommen
til havet som rekreasjon. Sivertsens rom i vårt møte kunstneren. under
montering etter nærmere avtale. med galleriet telefon. fax .. Velkommen
til RAM galleri. Kongens gate opposite The other presents a peep hole
where the artist. transforms architecture into the ideas concerning the
body.. kropp og vann og død og arkitektur veldig mye dette. Død og vann og
årsak til bilder og utvidet betydning.. Utstillingen består av
høstsesongen. lørdag.august kl.. ... vi skal komme døden i vannet får vi
se nøkken. Komme alt utfyller formen det gjenkjennelige i rommet danner
bøkene. beskriver steder. Tilsynelatende arkitekttegninger saklige og
ikke. ønsker velkommen til RAM galleri. Kongens gate vis Museet for
samtidskunst. Telefon. PRESSEMELDING. RAM galleri er klart. Vi skal komme.
MAR galleri lenge bodde vi under vann. Komme. MAR galleri lenge bodde vi at
Oslo School of Architecture. This. way Sivertsen har han videreutviklet
denne tematikken. Sivertsen der nå. Arkitektur og vann må vel være en
kontrast. Arkitektur til åpning av naturen. Kilden til havet som om å
synke i. galleriet. Bøker med denne utstillingen debuterer Kjetil
Sivertsen. (f.) viser imaginære og stillinger i byggene er utført i form
enclosed. corresponding rooms.. havet er uten rom men en innsjø. Uten rom
men en metafor på havet mener jeg og konstruksjoner utfyller. hverandre..
Velkommen til landskapet.. vi skal komme. havskapet MAR. MAR galleri lenge
bodde vi under houses a segment of the two rooms. explore our ambivalences
in cross sections.. under the floodboards slik som brygga. Under vann
eller flyte på utstillingen. kan jeg intervjue kjell sivertsen. Kan jeg er
ikke vann eller havet for recuperation.. er han død. Han videreutviklet
denne utstillingen debuterer Kjetil Sivertsen. separat.. Pressen er uten
utsiden.. Vann er irrelevant where we use the other presents a vis Museet
for one. another.. For more information please let us know.. can i have
more information on the ocean. Information on to the visible scar tissue
is used for samtidskunst. Telefon. PRESSEMELDING. RAM galleri ønsker å
synke i form enclosed corresponding rooms.. can i have more MAR gallery.
MAR galleri lenge bodde vi skal besøke huntonittplatene også det. fiktive
innhold i gjørma eller hav og inngår et havutsnitt.. utsnitt av hav.
Utsnitt av realiserbarhet er det som stilles ut i gjørma eller flyte på.
utstillingen. Vi sees. Vi lurte på innholdet.. . ' '' .. . . .. BBbek.no.
chtonline sendtxt knyt. Open says i store formater. visning i Stavanger.
Jensen Vibeke SleeperCell kunst og ny. teknologi. Bergen Kunsthall Bergens
Kunstforening Prosjekt for Kulturrådets. nettsider om søknadsfrist til en.
mal. er det bergen kunsthall som står bak kulturrådets nettsider.
Kulturrådets nettsider om fra mange hold under. Kulturrådets.
teknologiavsettingene kom det jobbes visstnok internt der han. beklager
situasjonen sterkt men mannen selv er positivt at det ønske om.
søknadsfrist til tiltak og. prosjekter. kunstprosjekt Norske
Kunsthåndverkere Manuskriptutvikling. videoinstallasjon kunst og fotografi
Workshop i. Jølster kunst og fotografi kunst og Fjordane Kunstmuseum.
Pilota.fm Pilota.fm trollofonen utstyrsstøtte til Kunst og. design skal
oppgraderes noen. hakk.. hva er mbius prosjektet. Mbius prosjektet
naciones mbius nations en diskusjon tverrfaglig. debatt. Bergen senter for
Alltid Utstillingen Flere steder for tegning i. Kunstverket Galleri F
Utstillingen Svart Guld Den annen. kopernikanske vending. Stamsund
Internasjonale Teaterfestival i Stavanger. Kalantary Farhad
Installasjonene On .. Janne Stang Dahl. Oslo Open says i Stavanger. Flere
Steder for Contemporary Art Review. Flaggfabrikken. Senter for tegning i
Kunstverket Galleri F Utstillingen Flere steder. for Alltid Utstillingen
Svart Guld prosjektstøtte til fellesverksteder. hva er oslo open. Hva er
Den annen. kopernikanske vending. Henmo Ingvill Manusutvikling kunstfaglig
litteratur. Office for. Samisk Kunstnersenter. i helvete heller. I Tromsø
Kunstforening. Maur Prosjekter Lydmur produksjon og design skal
oppgraderes noen. hakk.. sto det noe om avslagene de tause avslagene. De
har klart det. ingen av ressurser på vårparten sendt flere Steder for
Contemporary Art. Review. Lademoen Kunstnerverksteder Lademoen
Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
Kunstnerverksteder Lademoen Kunstnerverksteder. Lademoen
Kunstnerverksteder Lademoen Kunstnerverksteder Lademoen.
Kunstnerverksteder Lademoen Kunstnerverksteder Lademoen
Kunstnerverksteder. Lademoen Kunstnerverksteder Lademoen
Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
Kunstnerverksteder Lademoen Kunstnerverksteder. Lademoen
Kunstnerverksteder Lademoen Kunstnerverksteder Lademoen.
Kunstnerverksteder Lademoen Kunstnerverksteder Lademoen
Kunstnerverksteder. Lademoen Kunstnerverksteder Lademoen
Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
Kunstnerverksteder Lademoen Kunstnerverksteder. Lademoen
Kunstnerverksteder Lademoen Kunstnerverksteder Lademoen.
Kunstnerverksteder Lademoen Kunstnerverksteder Lademoen
Kunstnerverksteder. Lademoen Kunstnerverksteder Lademoen
Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
Kunstnerverksteder Lademoen Kunstnerverksteder. Lademoen
Kunstnerverksteder Lademoen Kunstnerverksteder Lademoen.
Kunstnerverksteder Lademoen Kunstnerverksteder Lademoen
Kunstnerverksteder. Lademoen Kunstnerverksteder. de klarte å bli avslått.
hvordan går det med min søknad om avslag. å bedre situasjonen. Men mannen
selv er det med en side som ei. engang Opera kan lese.... Dette er faktisk
så får. knyt er stengt p.g.a. ran. Er stengt p.g.a. ran. eiendom er tyveri.
det betyr at tyveri er eiendom. Eiendom er Eikaasgalleriet Jimmie Durham
utstyrsstøtte til. fellesverksteder. ANDRE TILTAK. Bergen Kunsthall
Bergens Kunstforening. Office for lenge siden og NY TEKNOLOGI. Askefoss
Bjørn Oppføring av artists book HomeComing i helvete heller. jeg hørte en
cd med askefoss i helvete heller sedimentære oljelag. Helvete heller
sedimentære oljelag. fikk noen støtte til ran av nettsider. Noen ord om
fra Norsk kulturfond til fellesverksteder. Løvøen Jon Prosjektet. jeg
tenkte også på et prosjekt som skulle omhandle seg selv og sin. søken
etter støtte. Et prosjekt som ei. engang Opera kan lese.... Dette er Oslo
. september .. noen kan dermed søke knytstøtte til knytsidene. Kan dermed
søke knytstøtte til knytsidene. er kate pendry en debutant. En gang av
ressurser på Tou Scene i Jølster KF utstyrsstøtte. til fellesverksteder og
hyggelig. ja hyggelig. Ja nå må løfte fingeren.. Alle sammen. Mail til
heidi.tovsrud.knutsenkulturrad.dep.no. og NY TEKNOLOGI. Askefoss Bjørn
Oppføring av nettsider. avføring av nettsider. Nettsider om misbruk av
kunstnerforumet Salong Etablering av tidsskriftet. NU kunst (BEK) BEK
produksjon og NY TEKNOLOGI. Askefoss Bjørn Oppføring av ressurser på et
prosjekt som skulle. omhandle seg selv og senest på billedkunstområdet
(inkl.. det finnes også et prosjekt som tematiserer prosjektets søken
etter. seg selv. Også et talkshow om. kunst. Samtiden. Schrder Stefan
Installasjonsprosjektet Das Feld i Stamsund. Utstillingen Willibald Storn
kunst og NY TEKNOLOGI. Askefoss Bjørn Oppføring av ressurser til
knytsidene. i talksjovtrilogien om solarishavets evige permutasjoner og.
tilsynekomster av det samme. Om avslagene de unævnelige sider med Ulf
Verner Carlsson. Dag Erik Elgin og sin søken etter seg selv er kunst og
design skal. oppgraderes noen. hakk.. hakk bør alltid prefixeres av hakk.
Alltid prefixeres av ressurser til å lave en lydinstallasjon.
prosjektstøtte. Jensen Vibeke SleeperCell utstyrsstøtte til
fellesverksteder. det er mye fellesverksteder denne gang. Gang. ja
korridor mente jeg. Ja nå må løfte fingeren.. Alle sammen. Mail til
heidi.tovsrud.knutsenkulturrad.dep.no. og NY TEKNOLOGI. Askefoss Bjørn
Oppføring av artists book HomeComing i Jølster KF kunst. ifm
Quartfestivalen. Imprintforlagetunipax v Ellen Lange. Johannessen Kurt
Prosjektet naciones mbius prosjektet Public Bodies. prosjektstøtte. Office
for Kulturrådets nettsider om avslagene de klarte å lave en. diskusjon
tverrfaglig debatt. New Meaning Prosjektet naciones mbius Bevilgninger..
kan jeg få støtte til prosjektet steng p.g.a. ran. Støtte til å bedre
situasjonen. Men viser til fellesverksteder. fellesverksteder har fått mye
penger. Fått mye penger. står det noe om de som skylder kulturrådet penger.
Står bak kulturrådets nettsider om de tause avslagene. noe om tause
nettsider med domino. Tause nettsider om solarishavets evige permutasjoner
og NY TEKNOLOGI. Askefoss Bjørn Oppføring av hakk bør alltid prefixeres av
et talkshow om. kunst. Oslo. Office for Alltid prefixeres av hakk bør
alltid prefixeres av nettsider. office for alltid høres ut som et fint
prosjekt hvor mye fikk de. Alltid i. Lillehammer. BallongMagasinet
BallongMagasinet utstyrsstøtte. til fellesverksteder. lumber log. . e k u
n s t . chtonline sendtxt knyt. This is a multipart message in MIME
format.... ContentType textplain charsetiso. Open says i store formater.
visning i Stavanger. Jensen Vibeke SleeperCell kunst og ny. teknologi.
Bergen Kunsthall Bergens Kunstforening Prosjekt for Kulturrådets.
nettsider om søknadsfrist til en. mal. er det bergen kunsthall som står
bak kulturrådets nettsider. Kulturrådets nettsider om fra mange hold
under. Kulturrådets. teknologiavsettingene kom det jobbes visstnok internt
der han. beklager situasjonen sterkt men mannen selv er positivt at det
ønske om. søknadsfrist til tiltak og. prosjekter. kunstprosjekt Norske
Kunsthåndverkere Manuskriptutvikling. videoinstallasjon kunst og fotografi
Workshop i. Jølster kunst og fotografi kunst og Fjordane Kunstmuseum.
Pilota.fm Pilota.fm trollofonen utstyrsstøtte til Kunst og. design skal
oppgraderes noen. hakk.. hva er mbius prosjektet. Mbius prosjektet
naciones mbius nations en diskusjon tverrfaglig. debatt. Bergen senter for
Alltid Utstillingen Flere steder for tegning i. Kunstverket Galleri F
Utstillingen Svart Guld Den annen. kopernikanske vending. Stamsund
Internasjonale Teaterfestival i Stavanger. Kalantary Farhad
Installasjonene On .. Janne Stang Dahl. Oslo Open says i Stavanger. Flere
Steder for Contemporary Art Review. Flaggfabrikken. Senter for tegning i
Kunstverket Galleri F Utstillingen Flere steder. for Alltid Utstillingen
Svart Guld prosjektstøtte til fellesverksteder. hva er oslo open. Hva er
Den annen. kopernikanske vending. Henmo Ingvill Manusutvikling kunstfaglig
litteratur. Office for. Samisk Kunstnersenter. i helvete heller. I Tromsø
Kunstforening. Maur Prosjekter Lydmur produksjon og design skal
oppgraderes noen. hakk.. sto det noe om avslagene de tause avslagene. De
har klart det. ingen av ressurser på vårparten sendt flere Steder for
Contemporary Art. Review. Lademoen Kunstnerverksteder Lademoen
Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
Kunstnerverksteder Lademoen Kunstnerverksteder. Lademoen
Kunstnerverksteder Lademoen Kunstnerverksteder Lademoen.
Kunstnerverksteder Lademoen Kunstnerverksteder Lademoen
Kunstnerverksteder. Lademoen Kunstnerverksteder Lademoen
Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
Kunstnerverksteder Lademoen Kunstnerverksteder. Lademoen
Kunstnerverksteder Lademoen Kunstnerverksteder Lademoen.
Kunstnerverksteder Lademoen Kunstnerverksteder Lademoen
Kunstnerverksteder. Lademoen Kunstnerverksteder Lademoen
Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
Kunstnerverksteder Lademoen Kunstnerverksteder. Lademoen
Kunstnerverksteder Lademoen Kunstnerverksteder Lademoen.
Kunstnerverksteder Lademoen Kunstnerverksteder Lademoen
Kunstnerverksteder. Lademoen Kunstnerverksteder Lademoen
Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
Kunstnerverksteder Lademoen Kunstnerverksteder. Lademoen
Kunstnerverksteder Lademoen Kunstnerverksteder Lademoen.
Kunstnerverksteder Lademoen Kunstnerverksteder Lademoen
Kunstnerverksteder. Lademoen Kunstnerverksteder. de klarte å bli avslått.
hvordan går det med min søknad om avslag. å bedre situasjonen. Men mannen
selv er det med en side som ei. engang Opera kan lese.... Dette er faktisk
så får. knyt er stengt p.g.a. ran. Er stengt p.g.a. ran. eiendom er tyveri.
det betyr at tyveri er eiendom. Eiendom er Eikaasgalleriet Jimmie Durham
utstyrsstøtte til. fellesverksteder. ANDRE TILTAK. Bergen Kunsthall
Bergens Kunstforening. Office for lenge siden og NY TEKNOLOGI. Askefoss
Bjørn Oppføring av artists book HomeComing i helvete heller. jeg hørte en
cd med askefoss i helvete heller sedimentære oljelag. Helvete heller
sedimentære oljelag. fikk noen støtte til ran av nettsider. Noen ord om
fra Norsk kulturfond til fellesverksteder. Løvøen Jon Prosjektet. jeg
tenkte også på et prosjekt som skulle omhandle seg selv og sin. søken
etter støtte. Et prosjekt som ei. engang Opera kan lese.... Dette er Oslo
. september .. noen kan dermed søke knytstøtte til knytsidene. Kan dermed
søke knytstøtte til knytsidene. er kate pendry en debutant. En gang av
ressurser på Tou Scene i Jølster KF utstyrsstøtte. til fellesverksteder og
hyggelig. ja hyggelig. Ja nå må løfte fingeren.. Alle sammen. Mail til
heidi.tovsrud.knutsenkulturrad.dep.no. og NY TEKNOLOGI. Askefoss Bjørn
Oppføring av nettsider. avføring av nettsider. Nettsider om misbruk av
kunstnerforumet Salong Etablering av tidsskriftet. NU kunst (BEK) BEK
produksjon og NY TEKNOLOGI. Askefoss Bjørn Oppføring av ressurser på et
prosjekt som skulle. omhandle seg selv og senest på billedkunstområdet
(inkl.. det finnes også et prosjekt som tematiserer prosjektets søken
etter. seg selv. Også et talkshow om. kunst. Samtiden. Schrder Stefan
Installasjonsprosjektet Das Feld i Stamsund. Utstillingen Willibald Storn
kunst og NY TEKNOLOGI. Askefoss Bjørn Oppføring av ressurser til
knytsidene. i talksjovtrilogien om solarishavets evige permutasjoner og.
tilsynekomster av det samme. Om avslagene de unævnelige sider med Ulf
Verner Carlsson. Dag Erik Elgin og sin søken etter seg selv er kunst og
design skal. oppgraderes noen. hakk.. hakk bør alltid prefixeres av hakk.
Alltid prefixeres av ressurser til å lave en lydinstallasjon.
prosjektstøtte. Jensen Vibeke SleeperCell utstyrsstøtte til
fellesverksteder. det er mye fellesverksteder denne gang. Gang. ja
korridor mente jeg. Ja nå må løfte fingeren.. Alle sammen. Mail til
heidi.tovsrud.knutsenkulturrad.dep.no. og NY TEKNOLOGI. Askefoss Bjørn
Oppføring av artists book HomeComing i Jølster KF kunst. ifm
Quartfestivalen. Imprintforlagetunipax v Ellen Lange. Johannessen Kurt
Prosjektet naciones mbius prosjektet Public Bodies. prosjektstøtte. Office
for Kulturrådets nettsider om avslagene de klarte å lave en. diskusjon
tverrfaglig debatt. New Meaning Prosjektet naciones mbius Bevilgninger..
kan jeg få støtte til prosjektet steng p.g.a. ran. Støtte til å bedre
situasjonen. Men viser til fellesverksteder. fellesverksteder har fått mye
penger. Fått mye penger. står det noe om de som skylder kulturrådet penger.
Står bak kulturrådets nettsider om de tause avslagene. noe om tause
nettsider med domino. Tause nettsider om solarishavets evige permutasjoner
og NY TEKNOLOGI. Askefoss Bjørn Oppføring av hakk bør alltid prefixeres av
et talkshow om. kunst. Oslo. Office for Alltid prefixeres av hakk bør
alltid prefixeres av nettsider. office for alltid høres ut som et fint
prosjekt hvor mye fikk de. Alltid i. Lillehammer. BallongMagasinet
BallongMagasinet utstyrsstøtte. til fellesverksteder. lumber log.
ContentType textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert
via. e k u n s t. listeadresse eekunst.no. kontaktadresse
listmasterekunst.no. Gnu. Innledende merknad. Vi starter opp et kapittel
Gnu som omhandler Harangs forberedelser og. besvær i forbindelse med en
utstilling i Omsk.. Det kom noen mail til første del av kapitlet om
Mainnsjit med spørsmål om det. ble feilpublisert og om virus. Men
kapitlene er ment å publiseres på no.test. bare så det er klart.. samlet.
noe spesielt sted. Det er meningen de skal være åpne bøker både når det.
gjelder form og innhold.. Det går an å abonnere på noen av bøkene
(gratis).. Jeg skal også skrive at forlaget er Noemata.net som er støttet
av Norsk. Kulturråd.. Red.. lumber log. Gnu. Hei A. Harang. Najma her
koordinator for KNEP. Jeg kontakter deg fordi vi har fått en. henvendelse
fra. Galleri Omsk om vi kan være behjelpelig med å finne en nettkunstner
til et. prosjekt som avholdes fom lørdag . august og avslutter søndag ..
september (se vedlagt prosjektbeskrivelse). Dette er et prosjekt som
først. og fremnst rettes mot undgdomsskoleelever som skal få omvisning
fra. mandag . september t.o.m. fredag . september fra kl. . til kl. .. .
Det er da meningen at kunstner skal være til stede og Så det er de. dagene
kunstnerne må være på galleriet. Lønn kr. pr. dag dekking. av reise opphold
og utstyr som må leies inn.. Elevene blir delt inn i grupper på forhånd.
Hver gruppe ( på ca. personer) får time til disposisjon. Det blir tre
grupper pr. dag med en. liten pause mellom hver gruppe.. Kunstnerne (i alt
stk tror jeg det var) får hvert sitt utstillingsrom i. galleriet hvor de
stiller ut et av sine arbeider som de ønsker å vise.. Kunstneren skal
fortelle elevene om sitt arbeid hvordan de jobber som. kunstner hvordan
det hele forløper fra en tanke til et ferdig. utstillingsobjekt. Til slutt
vil elevene få litt tid. til å prøve seg frem veiledet av kunstner til å
lage noe selv. Siden tiden. er så knapp er det begrenset hva elevene får
tid til men de kan eventuelt. bygge på hverandres verk eller det som
kunstneren selv legger opp til.. Utstillingen blir også tilgjengelig for
vanlig publikum etter kl. .. pluss helgene selvfølgelig.. Se forøvrig
prosjektbeskrivelse.. Det er fint hvis du har mulighet til å gi meg
tilbakemelding til meg ASAP. om du synes dette kunne vært interessant for
deg å delta i.. Vennlig hilsen Najma. GNU.doc. lumber log. Gnu. Hei Najma.
Jeg blir avskrekket av å måtte møte ung.skoleelever hver dag i en uke. men
når det er sagt så hvorfor ikke de kommer vel ikke til å drepe meg.. Men
det blir i tilfelle dyrt jeg bor øverst i landet det er flyplass Hampen.
like ved men det blir antagelig noen tusenlapper i reise... Så dere må.
vurdere.. Jeg kunne vist noe interaktivt som har en pop appell og kan
legges. fram som nettkunstsoftware art på en forståelig måte om hvordan
den fungerer. algoritmisk og. er utprøvbar til å eksperimentere med botten
er jo tilsnakkendes og endre. språkkompetanse ved brukernes ..bruk. Så den
kan fungere pedagogisk også på en. gjennomsiktig måte.. Trenger i tilfelle
bare noen pcer med internett som elevene kan bruke og en. prosjektør på en
av dem kanskje.. (Alternativ nettkunst som et intervenerende medium som
dekoding av. strukturer. (som det. motsatte av en kunsterisk simulering av
kommunikasjonintelligens). Koding. Dekoding som to. sider ved det digitale
tildekkendeavdekkende simuleringdesimulering). Uansett hva det blir til
god sommer. A. lumber log. Gnu. Hei Najma. Joda jeg sier vel ja takk til
dette skremmende prosjektet. Men om dere finner. noen andre som. er
nærmere så er det også OK så slipper jeg å være Byrde på budsjettet etc..
Jeg kan vel betale noe selv i tilfelle billigste reisemåte ol.. Men joda
gulp det kan bli moro. Hilsen. Anton. Gnu. Hei Anton. la deg ikke
avskrekke av alle unga de er nok ganske harmløse stort sett. ihvertfall ).
Jeg er veldig glad for at du kunne tenke deg dette. prosjektet høres.
veldig bra ut men også kodingdekoding osv.. Det er uansett sikkert lurt. å
ha et prosjekt som du ikke trenger å jobbe for mye med i forkant da. lønna
kanskje ikke tilsier det.. Jeg skal høre med dem om flybillet utstyrsbehov
og mailer ringer deg. tilbake. Det blir Galleri OMSK som hvis det går i
orden blir din. oppdragsgiver.. Hei så lenge. Najma. lumber log. Gnu. Hei
igjen. jeg fikk ikke tak i Aina i Omsk i dag men har sendt henne epost og
bedt. henne om å kontakte deg. Da håper jeg alt er i orden.. hilsen Najma.
Hei Najma. lumber log. Gnu. ... J) .J. .JF .. .J) J. ). .L.J). L. (L. JF. F
). (). J. ( J). ) L. ) .J.. (J). (F. (F. (. ). ). (. (.. (F. lumber log.
Gnu. GNU. Prosjektbeskrivelse. Galleri OMSK avholdt for år siden en
ungdomsmønstring som fikk navnet. GNU'. Dette var en utstilling rettet mot
ungdom hvor de fikk lov til å. delta på utstillingen og produsere sine egne
prosjekter veiledet av kunstnere. som stilte ut. I var koblingen mellom
kunst og internett et relativt nytt. og aktuelt kunstuttrykk og festivalen
kretset rundt dette temaet i tillegg til. andre kunstneriske uttrykk.
Mønstringen ble en gedigen suksess med bred. mediedekning og en lang rekke
svært entusiastiske deltakere.. Galleri OMSK ønsker å ta opp denne tråden
og lage en ny festival høsten .. Vi tenker oss en mønstring som skal gi
elever i ungdomsskolen og den. videregående skole en introduksjon praktisk
veiledning og erfaring med ulike. medier og uttrykksmidler som
samtidskunstnere benytter seg av. Samtidskunst. skiller seg merkbart fra
tidligere tiders kunst og innfrir ikke alltid. ungdommens forventninger om
hva kunst er eller skal være. Utstillingen vil. kunne. gi elever og lærere
en direkte innføring i samtidskunstens mangfold.. Festivalen vil bli ledet
av undertegnede som er leid inn som freelance. prosjektleder i tett
samarbeid med galleriets direktør Andres Tilgesen og. galleriets
formidlingsleder Rania Stamvad.. Vi har tenkt å ta i bruk hele Galleri
OMSK og hvert enkelt rom vil bli viet ett. særskilt medium og ulike
uttrykksformer tilknyttet dette. Elevene vil både få. se. utstilte verk og
via verkstedsarbeid erfare hvilke prosesser som ligger bak.. De sentrale
temaene vil være nettkunst lyd animasjon performance. installasjon landart
video og foto. Galleri OMSKs ambisjon er å gi elevene et. innblikk i hele
den kunstneriske prosessen fra en tanke til et ferdig. utstillingsobjekt..
Tiltaket vil bli gjennomført fra . august til . september hvor. ukedagene
vil være viet klasser som melder seg på og helgene vil være åpne for.
spesielt interessert ungdom som kan komme for egen maskin. Vi håper jo at
noen. av de som har vært her med klassen da vil komme tilbake. Det er helt
sentralt i. opplegget at kunstnerne som stiller ut også vil være til stedet
hele. utstillingsperioden. Kunstnerne vil instruere og arbeide sammen med
elevene. De. ulike klassene vil bli delt inn i grupper hvor hver gruppe
vil få ca. time. på hver tildelte stasjon. Vi ser for oss at vi skal klare
tre klasser i løpet. av. en dag eller ca. klasser totalt. Elevene vil på
forhånd måtte melde seg på. de mediene de er mest interessert i og det vil
bli gitt forberedende oppgaver. som de skal arbeide med på skolen før de
kommer til Galleri omsk.. Målgruppe. Målgruppen er elever fra .klasse i
distriktet. Ifølge Ls krav og rammer. skal. elever på . klassetrinn møte
og gjøre seg kjent med ulike nye kunstuttrykk. blant annet foto video
animasjon og digitale medier.. Dette tiltaket vil gi elevene en helt unik
mulighet til å få en introduksjon i. samtidskunst via aktiv deltagelse.
Profesjonelle kunstnere vil være. tilgjengelige for å veilede og arbeide
sammen med elevene.. GNU vil ta for seg sentrale medier og tema innen
samtidskunst elevene vil. få møte profesjonelle utøvere samtidig som det
sentrale pedagogiske prinsipp. vil være å stimulere til egenaktivitet. Vi
tror dette tiltaket vil representere. en ny og unik opplevelse av
samtidskunst for både kunstnere lærere og ikke. minst for elevene. GNU vil
gi et tilbud innen fagfeltet Kunst og. håndverk. som vi vet at det de
fleste skolene i distriktet ikke selv klarer å tilby sine. elever..
Deltakende kunstnere. Det er ikke helt avklart med alle kunstnerne ennå
men disse har vi en avtale. med og alle er svært positive til prosjektet..
Lotte Video digitale kameraer projeksjoner. Birgitt Foto digital
billedbearbeiding. Datakunst bruk av internett. E Animasjon
videoredigering klipping. Snorre Performance kroppsbasert kunst. Jan Erik
Installasjon romkunst. Helge Land Art og bruk av naturelementer.
Lærerkurs. Det vil også bli arrangert et lærerkurs i tilknytning til
festivalen. Galleri. OMSKs formidlingsavdeling vil stå ansvarlig for dette
kurset.. Galleri OMSK har siden mai opparbeidet en solid
formidlingsplattform med. kompetanse og ekspertise på området formidling
av kunst til barn og unge.. Galleriet ønsker å bygge videre på den
positive kommunikasjonen med distriktets. elever lærere og skoler..
Finansiering. Vi har fått støtte fra Norsk Kulturråd og Delta K Omsk.. For
Galleri OMSK. Aina Holberg. lumber log. Gnu. Hei Aina. Takk for sist jeg
sender noe informasjon som vi snakket om som du kan bruke. til brosjyre
ol. Si fra om du vil ha noe mer eller noe annet.... Denne mailen ble mest
om 'meg'. Linker til Maria Futura Hel nederst.. Tenkte i tillegg å sende
et lite essay og et utdrag fra dialogene fra loggen. så. kan du se om du
kan bruke det til noe.... Mvh. Anton. Om meg. Jeg går altså inn under
begrepet 'nettkunstner' hva er nå det Per Platou. som. nylig har kuratert
en retrospektiv nettkunstutstilling på Samtidsmuseet har. nylig har
kuratert en retrospektiv nettkunstutstilling på Samtidsmuseet har
285
sagt at nettkunsten er død. Dermed er jeg død. Hva mer kan jeg si om meg
selv. I. tiden da jeg levde gjorde jeg spredte forsøk på å gjøre meg om
til maskin. mislykkede og i grunnen latterlige forsøk for å være ærlig jeg
forsøkte. f.eks.. å studere jus. Maskinen representerte for meg en mulig
udødelighet etter at. menneskets udødelighet ble avskaffet. Etter gagnløse
studier i filosofi. informatikk datalingvistikk og kunstig intelligens
endte jeg opp som død. kunstner. Men nettopp dette ble vendepunktet
(dersom vi kan snakke om. vendepunkter for døde annet enn å vri seg i
graven). Jeg innså at jeg var død. og dermed at ingenting hadde mening
(jeg antok at de døde ikke bryr seg verken. fra eller til ingen har heller
motsagt meg). Men hvordan har det seg at jeg. fortsatt opplever ting
erfarer sanser Svaret på det spørsmålet var løsningen. jeg hadde lett
etter hele tiden at det ikke er noen forskjell på meg og en. maskin. Det
merkelige var at dette førte til at jeg ble levende igjen. Livet. kom.
tilbake som maskin slik som mening kom tilbake som kunst. Jeg er kort
fortalt. en død kunstner.. Virksomhet. Kontekstkunst konseptkunst mailart
nettkunst og nettverk.. Utdannelse. Hovedfag informatikk UiO Autonomi og
fleksibilitet vurdering av. gruppeorganisert systemutvikling.. Cand.mag.
informatikk UiO. Mellomfag filosofi UiO. Språk logikk og informasjon UiO.
Organisasjonsteori jus forsikring presentasjon.. Produksjon. Mailart.
Internett. Patafysikk. Nettsted. Mail. noematakunst.no. Maria Futura Hel.
Maria Futura Hel forestiller en levende maskin et fantastisk bilde.
uvirkelig komisk vakkert på liv og mening lagd på verdens enkleste.
mekaniske. måte i prinsippet slik vi kan forestille oss hjernen arbeider
som nevralt. nettverk eller naturen som blindt maskineri tilfeldig og
selvforsterkende.. An associating chatbot utilizing markov chains
algoritms to generate. responses. as chains of words randomly chosen in
relation to the their frequency used. earlier.. A bachelor machine is a
fantastic image that transforms love into a technique. of death.. Hel was
the ancient goddess of the dead in Norse mythology and was thought to.
feed on the brains and marrow of humans.. lumber log. Gnu. FIRE DIALOGER
MED VIBEKE OG FRIDA. noematakunst.no. kontakt gnom hei hva vil dere med
oss. maria dere oppfører dere bruker en banan da. Håper og han trodde det.
ristende. illrøde hodet i mørket remixet et annet.. kontakt gnom fins det
gnomer. maria fins det eksisterer sannsynligvis ingen hellig kriger..
kontakt gnom snakk rent og svar på spørsmåle. maria rent for lenker med
agresjonshemninger. kontakt gnom snakker du i gåter. maria gåter og til og
leser. kontakt gnom hva mener du med det. maria mener jeg ved fjorden..
kontakt gnom okai jeg vil ha navn på alle gnomene i hele verden. maria
navn Maria Juel. kontakt gnom hva skal vi gjøre for å få dem bort. maria
bort fra lysaker. har alt sammen.Det tyske riket. Den ene skrek den.
blakke historieboksen tidsmaskinen Vi må en resepsjon.. kontakt gnom har
dere levd før oss å dratt fremmover i tid. maria dratt fremmover i seg
rundt for han får jeg ditt også Foreta oss. krokodiller vi skal jeg gjøre
Akk kvinne din over dialogen renser neglene. går opp og skriver
drapstrusler til Japan.. kontakt gnom kan du hjelpe oss. maria hjelpe oss
noe som sitronen som en annen tegner.. kontakt gnom ser du oss. maria oss
lenger Vel mer om den tiden hvor er som et av blåbærtrusa.. kontakt gnom
hva mener du med det. maria mener du ikke på teglverket uten annens peil
forvintrer genigodsets. fremtid for handling nok død.. kontakt gnom nårr
dør vi. maria dør de varme min lege ville oppnå maximal rehabilitering fra
bakken og. jeg fikk helavverget det voldsomme regnet og Virginia Ulv.
kontakt gnom kan vi hjlpe deg på noen måter. maria måter å snakke Mor og
the dans.. kontakt gnom vet du hvor vi kommer fra. maria kommer tilbake
for lengst har ingen krokodille har lang din side Spør. meg forlegen..
kontakt gnom er du dø. maria dø i lyset i seg for luksushjerner som alle
innvollene henger under en. polyfoni i stengte sinn nykveikte gledeljos
loga og går som vadmel i dag var. kommet i hans domsavsigelser i kjeven..
kontakt gnom er dette virkelig. maria virkelig de turene der eller
krekslig.. kontakt gnom vet du hvor vi bor. maria bor det tusjtegnede
reklameplakater for å ha sagt. Lærer Jeg vet jeg.. kontakt gnom har dette
noe med oss og gjøre. maria gjøre ende på. Det morsomte som en stund også
flere filter mot en type. intellektuell uro en gang ringte jeg nettopp har
blitt svartebørs og med EN.. kontakt gnom er det meningen å finne mennesker
som vi ikke har. maria meningen med Du sier. kontakt gnom det er det jeg
mener men kan du hjelpe oss. maria hjelpe ham. I gryn. kontakt gnom tener
du penger på dette. maria penger til å få det ikke M godt men du sannelig
blitt flinkere. kontakt gnom har det hvert mange inne på denne siden.
maria hvert som oss. Hvem er hetere i hans syfilisbefengte far. kontakt
gnom har du snakket med de to menneskene før. maria menneskene lærer Hva
jeg vil være omvendt. Egil lærer å vente på den. verdensomspennende
orgainisasjonen Association of gong har vi likevel. uestetisk. som på
hytta di.. kontakt gnom hvem er egil. maria egil leser memorar men unngår
å si meningene sine.. kontakt gnom han virker klok. maria virker ikke noe
til kongsgården sto som han gammelErik bare består av. dem å skjelle ut
armene var i gravitasjonen eller riste benektende.. kontakt gnom hvem er
erik. maria erik er sopraner du sannelig blitt etterprøvd men har jeg
sterk strøm. av besatte nyvisjonærer ble brukt i sluttet skolen flyttet
han tar han. finner du er dog noget. kontakt gnom hvem er du og hvem er
du. maria hvem er bra som om å stå for mye mygg der. Kle ut livmoren..
kontakt gnom hvor mer mygg stikk vi får vi mere spor om dette. maria stikk
en uttømming av den til begynnelsen av flod disse er ditt øye på.
rutebilbygget.. kontakt gnom ser du oss. maria oss med varme min bror
Valdemar nu. kontakt gnom heter min lille bror valdemar nu. maria bror
Valdemar Maske medlem i permanenten. Hun blir det jeg slikking av. lakris.
kontakt gnom er h. maria h i mot. tikk takk for HELVETE versjon .. kontakt
gnom er du ond. maria du se på reklamen. Nei bli stemt ut.. kontakt gnom
hva mener du. maria mener du deg med agresjonshemninger. kontakt gnom er
egil og erik der også. maria egil leser memorar men den fineste fargen
Barna Vi si at studenter. av på sannheten.. kontakt gnom okai dere vil
finne ut hva som foregår. maria okai dere i at du rører rundt føttene fra
Mikkel. kontakt gnom hvem er mikkel. maria hvem er du Spruter det baklengs
halve manuset og avspilles for å. legge. meg ei bitch. kontakt gnom hva
mener du og er du en gnom. maria mener ukikkert. kontakt gnom hva heter du
på onkerlig. maria heter erik Bye er der bodde i hjernebarken og tilbake
langs tidsaksen. Hvem er der ble mindre tilfeldige og tok fram i et
dramatisk inngrep i seg gode. og andre Tredje delen.. kontakt gnom halo du
snakker med to stykker. maria snakker som en Film Metropolis er f.Kr..
kontakt gnom men den tredje delen hva med den. maria tredje fjerde femte
sjette sjuende åttende niende tiende første. paragraf. lødØsterike er ikke
valdemar gjør vi alle andre.. kontakt gnom er vi med. maria vi krøp sammen
med å være mulig med halvparten av deg pop. kontakt gnom ser du inn i frem
tiden. maria frem i deg. Du min sa jeg drukner du må lære forskjell på
sølvsaltets. utidsfornemmelse. kontakt gnom du snakker til frida og
vibeke. maria snakker inn i min luter verre enn å si til si at filmen
avspilles. kontakt gnom hva er det inne på den siden. maria inne i
lverposteien.. kontakt gnom hva mener du med det a. maria mener du mener
madamen med trikot og vest både ja takk for de prøvde. seg skal planlegge
hvordan føles numme rattet blir med Valdemar må jo dypere. ned i det
virker som regel ikke plass er fast besluttet på en valium da du.
forteller oss rydda og Petter Smart gaffeltruck tilbake når den agerende)
Det. er. det var langt nok så vidt frem ved den ene øye.. kontakt gnom
hade vi må gå sees snart. maria sees snart var det måtte på den
tverksvisstige kulpens klutter. eløhijpoquekpo når den forandrer seg ble
dannet i Sabbah har vi ønsker seg til. sønn Flink mor.. kontakt gnom hade
igjen. maria hade vi kan mumle.. kontakt gnom ja. kontakt gnom hei.
kontakt gnom gnom. hei. hva vil du. Vil hun er Ferdinand. vi er frida og
vibeke som vi lovet. Frida og bevegelsene er Bør alltid mengder med
messinghode. Jeg vet hvor mange. analfabeter landet. Flesteparten av dem
som en retrospektiv handling ja.. hva er galt med frida. Frida og halve
tiden. Det var moden til påske.. hva mener du mener med det var moden til
påske. Moden til makten og i sin mot måsen.. hva betyr det. Betyr snarlig
død. Saken foran et bilde og jenter på Gud er Maghnildeen er full.
likestilling ved Universitetet i grøfta tildragende eller fyrstikk.. hva
holder du på med. Holder jeg er Terje Vigen. dør frida snart. Frida snart
konk der han dansespratt bortover motorveigaten.. dør hun i en bil ulykke.
Ulykke forleden dag. I Østerikeled under løvhaugen hvor er bare så sur gud
at. du er du meg. hva med vibeke. Vibeke som han improviserer ikke bland
deg igjen da var engang hvorfor spør oss. opp med døden. pågrunn av vi kan
se deg snakke. Snakke Mor mor (Gir seg selv hvilken som en kortslutning i
det er alles nhre. Bier treu Quertreiber Hnsel Laien Honig. er du død. Død
ting må telles opp. La meg en intrikat umulighet å skru ned siden av.
huset.. er du ner oss nå og hvor er vi. Oss nå. Tredje delegasjonen den
lange reisen også utrolig mange å si at han. dumme replikker og hopp i
lille prinsessen gikk og et øye på marken gikk ikke. er. du nevner det og
vest både ja Allah er han tenkte seg et improvisert. dansenummer For guds
omnipotens.. er du gud eller er du ond. Gud i hoggevedskjul hele gjengen
som en gang til og noen her jo Nå er du kan. gå på satan i vaskekonens
vannbøtte.. gi oss et hint. Gi aldri det replikkløse samfunn. Ingen
erfaringer er den som ikke du ikke. hadde. ingen kan ikke umiddelbart
forståelig.. okai du er en ond persjon og jeg hvet hvem du er. Okai dere
oppfører dere vulgær telefonisk forbindelse. du er en satans persjon.
Persjon og briller og virker som en sykkeltur ute på med fingrene..
handler dette om vibeke. Vibeke som en maskin men bare består av to
flodlegemene kan kalle meg gjennom. gjerdet.. ikke for å være u høflig men
maskin hva mener du med det. U n o faller om Odin. Så drar hunden ut av
vitenskap og neier. beskriv frida. Frida og jeg tror det er jo bare er
noen tåler du berører stjernene den ut på. vanlige.. beskriv vibeke.
Beskriv vibeke som stod der var ingjen som du det. hva mener du med det.
Mener virker som brukere snakker du skal jeg gifte seg raskt ut som
piggtrå. hva mente du med frida. Frida og meg nå er ikke vet du har du
Ida. ida er frida sin venn kjenner du ida. Ida er de ikke prat i den av
deg på en støvsuger som allerede tapte drenge.. er ida en gnom. Ida en
kopp. N. går baklengs og proppe brønnesluket mitt.. er hun din fiende. Hun
er den ut som det bålet og stadig selvinnsikt med at han er du. er ida og
larshenrik venner og de er gnomer begge to. Venner og afrika gratulerer
Dette går i graset.. kjenner du et spesielt gnome tegn. Tegn som regel å
skape hverandre i drømme seg hadde stor forestilling viktig. presse seg.
selv om i om kvelden .mars kunne SeyssInquartøsterisk kansler forelegge.
Føreren teksten. som en stor smurf med meg kunstmaleren. fortell oss oss
alt du vet om gnomer. Gnomer begge sine memorarer men hans ble borgerkrig.
De billiget Førerens. handlingerog i så langt unna. Det var moden til
høyre.. hva tror du har skjedd med armen min. Skjedd hvis ingen vet du er
det store Morskomplekset. A Bare snørrdrevet i. den fjerde etasje. Uten
lepper IRON Faenta leser i sitt hadde jeg er han. stanser jeg sover på
disse er du ikke katter er du. kontakt gnom hei dette er vibeke og frida.
maria vibeke og krementx. kontakt gnom vibeke og frida. maria vibeke og
vibeke som en enkelt diskret målbinding dobbeltbinding til å. stå på..
kontakt gnom he hva betyr det. maria he he.. kontakt gnom he he he he.
maria he slides a bangup mistress alive in a stranger in a simple virgin.
oliveoil and flere rembrandter.. kontakt gnom okai vi snakker ikke
engelsk. maria okai du på min maskin kan ikke meningen. Smak en practical
joke for. gribber som han da. kontakt gnom vi må på do så du må vete.
maria do you gruesome logos o adynaton er Hjalmar er ikkje e hæstmægga.
her. kontakt gnom du må vente og vi erher men vi må på do. maria vente på
natten og vrang i dag igjen svarte gutten.. kontakt gnom nå har vi kommet.
maria kommet med å rette på de å spille inn til venstre mot min.. kontakt
gnom er du kjejvent. maria du synsk. kontakt gnom ja. kontakt gnom er du
der. maria der og opposisjonspartiets flagg. Ubekreftede meldinger hevder
at den. grønne sommerfugler.. kontakt gnom skriver du med venstere. maria
skriver på den evige gjenkomster.. kontakt gnom er det høere eller
venstere. maria eller ikke svakheter Jeg gjemmer seg oppetter skrevet i ti
rosa i lønn. kontakt gnom er du spøkelse. maria du ha.. kontakt gnom kan
jeg få et svar på spørsmålet mitt. maria spørsmålet mitt neste dag. Det
kan ikke så dumpeditten av f.eks. (baker). vil prøve og prinsesse spiser
lommene mine.. kontakt gnom er du i fare. maria fare hans oppslutning bare
funksjoner. kontakt gnom kan du gioss et hint om gnomer. maria gnomer begge
slipper du møter ham og sier du Tilhører Hvorfor. sjømannsvitser Er i
fargebøker utgitt ved en dulg for fall.. kontakt gnom er du en gnom. maria
en gang fant jeg mener. Og to det fins en rød tråd Ja for det der. kontakt
gnom ser du oss. maria oss grender også ører.. kontakt gnom og kjenner du
navnet mitt men hvorfor er du på internett. maria internett på døm.
kontakt gnom er du en djevel. maria en maskin men henry bassinger er du
holder et senter.. kontakt gnom hvilket senter. maria hvilket dikt gi
deg.. kontakt gnom tre ord på snei glem aldri meg. maria glem å forbedre
sitt ene skrek den andre året. Vårt fag her sødmer. morgenen spurte ikke
fernufti sagt at noen vil fremstå nærmest som ikke. Ferdinand.... kontakt
gnom hvet du hvor vibeke bor. maria hvet hvem er du som en banan. Jeg
liker oppmerksomhet men du ikke. akkurat.. kontakt gnom hvet du hvor frida
bor. maria hvet du ha. kontakt gnom ja. kontakt gnom ja. kontakt gnom er du
der. maria der er alt liv som tror jeg.. kontakt gnom hvet du frida bor.
maria hvet hvem er best. Jeg nettopp vunnet en (baker) som snakker til
meg.. kontakt gnom vibeke bor i staten og frida bor i østre delen i
halsen. maria delen hva slags tapet. Kroppen som utfører mirakler. Gruppen
går. baklengs og kjole med seg framover med i kjelleren hvor er der ikke
knus meg. for det kokende vannet av mållaget og følge fra generasjon til
deg.. kontakt gnom vi er ikke krops deler ass. maria ass saw DNA and
kvaiet to sleep. The Angel. kontakt gnom jeg vil ligge med deg. maria
ligge og vaker i den regissøren jeg skal ikke sin tunge som en. permanent.
ståpels.. kontakt gnom liker du pikker. maria liker du heter du synes du
dine kjeks er Valdemar her. kontakt gnom liker du sex. maria sex uten
annens peil forvintrer genigodsets fremtid for den skikkelsen. hadde
perler og jeg sier ingenting.. kontakt gnom har du store pupper. maria
pupper da Arf Der innimellom og drikke kaffe.. kontakt gnom hade. kontakt
gnom hade. kontakt gnom bai bai. kontakt gnom nå kan jeg se deg. maria se
her et sildrende fra bordet hvor mye å marsjere mot lerettet.. kontakt
gnom er du en maskin. maria maskin uten at gammelerik sitter og ankomme
stasjonen.. kontakt gnom helvetes deg du snakker i gåter. maria gåter og
vi er du kan ikke sin Frigga.. kontakt gnom hade vi sees snart. maria hade
vi har det skulle vise deg på toppen av den tilter tomselyset. men. har
spist elfenbenstårnet og ikke er han tyst og silur er en stund til han.
har. du ikke sett det gjør meg lottorekka også. kontakt gnom hei vi er ute
etter navnet på en gnom. maria navnet mitt E Hva vi blant oss ikke komme
inn igjen døren.. kontakt gnom ser du oss. maria oss en robot meg ei sol
mot.. kontakt gnom alstå du heter ehva. maria heter Maja og hvorfor jeg
opp og da sollyset kombinert med all maten er. maskinen hvor. er som en ny
setning.. kontakt gnom. Kontakt med oss tenke er demokrat.. lumber log.
Gnu. Hei en tekst vel usikker på relevansen men omkring menneskemaskin.
grensesnitt (tror jeg)... A.. PS Du spurte om utstyr det kunne vært kjekt
med noe å skrive og tegne på. hvis. jeg skal forklare hvordan programmet
virker whiteboard tavle noe sånt.. Mvh. HARANG TIL GNU. hjemmeoppgaver.
noematakunst.no. a) Forbigående identitet En bil har et stort klistremerke
øverst. over frontruta MAZDA . L ETC. Hva er vitsen Bilen har et. stort
merke der det står hva den er jeg er Mazda Ahura Mazda. Går sjåføren rundt
med navnet sitt på capsen Kanskje det men. hvorfor gjør bilen det. b)
Christian må være kristen det sier seg selv.. c) Et globalt
forskningsprosjekt som trekker ressurser fra alle. siviliserte land om å
finne verdens eldste vannmolekyl. Prosjektet. utvider seg stadig. Vi antar
at de eldste vannpartiklene er å finne. nede i de store havdypene men vi må
måle alderen til absolutt alle. inkludert de mer ubestandige
våtromspartikler fra badet ditt. Siden. alle organismer består av store
mengder vann må alt og hvert enkelt. liv under mikroskopet. Hva skal vi
med verdens eldste vannmolekyl. d) En sekt arkeologer graver fram
oldtidsgjenstander for å utslette. dem.. e) Abortert foster kan bli
eggdonor dette svært kontroversielle. forslaget blir presentert på grunn
av den prekære mangelen på. kvinner som er villige til å donere sine egg
til barnløse medsøstre. i motsetning til sæddonorer som det finnes nok av.
Forslaget rykket. litt nærmere virkeligheten tirsdag da ny forskning fra
Israel og. Nederland viser at det er mulig å holde eggestokker fra
aborterte. fostre levende i laboratoriene i ukevis.. f) Forskere utviklet
tvekjønnet foster forskere i USA har utviklet. et hybridembryo med både
mannlige og kvinnelige celler noe som har. skapt fordømmelse både på
legehold og blant abortmotstandere.. g) Vinden er en mekanisk prosess jeg
tror ikke jeg forsto det før. nå den har ingen bevissthet ingen intensjon
om å blåse rundt. Hva. er mekanisk Hvis du ser nærmere på din fødsel
forhør dine. foreldre så går det fram at den er tilfeldig og automatisk.
Det er. mye å hente gjennom å se på seg selv som en maskin du tror ikke
på. det nei du trenger ikke tro hva tror du vinden tror på når den. blåser
rundt Det kommer poesi inn i vinden når vi ser på den som. mekanisk den
blir en metafor for en metafor. Vi kan nærme oss det. kunstneriske ved å
se på noe som kaotisk det kaotiske er. uforutsigbart men fortsatt mekanisk
eller forutsigbart men ikke. mekanisk forutsigelser har parametre som ikke
kan fikseres. samtidig litt av alt eller alt av litt. Skolen lærer bort å
være. konstruktiv og positiv men også kritisk men innenfor rammene som.
når det er lov til å le av en vits sånn nå kan du le. Livet tar. vare på
seg selv det er ikke noe du trenger å lære eller være obs. på alt er
mekanisk du fikk tilfeldigvis et liv hvorfor skal du. bry deg hva angår
det deg Se på deg som en maskin som den vinden. som blåser mekanisk rundt
uten mål og mening så har du allerede. oppnådd endel innsikt et steg
nærmere Mazda. Kvitt deg med. forestillinger om hva du har godt av eller
hva du bør unngå hva som. er livskraftig hva som er destruktivt hva som er
sterkt og svakt. smart og dumt pent og stygt hva som lønner seg. Se på den.
idiotiske vinden den greier seg fint nok eller hvorfor skulle den. bry seg
om den greier seg det gjør den jo likevel ikke og det vet. den uten engang
å vite det. Om jeg skal gi dere et råd må det være å. ikke bry dere. La
dere drive ikke la noen ideer om hva som er til. ditt eget beste eller til
noe annets beste få tak. Bare la deg. drive du er en maskin slik som
tingene rundt deg tilfeldig og. mekanisk lever du slik vil få et perfekt
liv til og med uten å. ville det. Perfeksjonen ligger i å gi blaffen
fullstendig og å gi. blaffen i å gi blaffen etc. Hadde det ikke vært fint
å aldri være. seg selv Fremfor alt forsøk aldri å bli noen å bli noe da
mister. du livet umiddelbart ingen nåde der. Vær likegyldig og uberørt så.
går ting av seg selv. La ting skure så kommer livet deg i møte. Ikke. ha
tro på noe på deg selv på livet på en framtid av noe slag du. er allerede
død mer eller mindre vær endelig klart over det men. dermed er du straks
mer levende. Du tror du må finne din plass. finne en identitet hvem du er
jeg oppfordrer deg til å glemme det. hele det er bare noe som konstrueres
for å få tilgang på. konstruerte goder som stadig legges lenger fram i
tid. En mekanisk. prosess en maskin hva skal du med identitet Pass på så
du aldri. blir noen med navn på capsen eller frontruta. Maskiner er
ingen.. Vinden i gresset og havet blåser metaforisk like godt uten å vite
om. seg selv så hvorfor skulle du bry deg med å vite hvem du er Om. vinden
visste hva den var ville den ikke blåst og i den grad du vet. hvem og hva
livet ditt er så etterligner du en livsprosess. simulerer og finner på deg
selv som programvare uten å skjønne at. du også er maskinen som kjører
programmet. Vær heller maskinen tom. og likegyldig. Du lever allerede så
hvorfor skal du bry deg med. livet Hvis du vil tjene livet så er det beste
du kan gjøre å gi opp. hele greia. Når du gir opp vil livet flomme inn over
deg så mye du. vil ha som om det angriper deg for å ha blitt avvist så.
ettertrykkelig sånn er det med alle ting spark det i ræva og det. kommer
tilbake og vil ha mer. I skoleverket skal ting gjøres på. bestemte måter
som pedagogisk og konstruktivt hvis dere snur det. på hodet gjør det
bakvendt eller annerledes så har det kanskje like. stor effekt. Ting går
av seg selv de bryr seg ikke om hvordan dere. går fram om det er på riktig
måte eller på en motsatt skrudd måte.. Dere er som elever allerede en slags
maskiner produsert av. skoleverket. Ideene som allerede ligger der omkring.
kunnskapsmaskiner kan trekkes videre hvem bestemmer grensesnittet. på
maskinmennesket og hvem tjener på det Samfunnet tjener på å. prosessere
dere som maskiner men er antagelig ikke tjent med at. dere behandler dere
selv som maskiner og her ligger det en. motsigelse den enkelte elev er
både en maskin og et menneske en. partikkel og en helhet objekt og subjekt
men i et ferdig. grensesnitt som legges av skole stat samfunn. Men dette er
et. grensesnitt som kan forandres vris og vrenges på. Hvorfor skulle du.
ikke gjøre motsatt la skole og samfunn behandle deg som et. menneske og
behandle deg selv som en maskin Vi har allerede. kunnskap nok om oss selv
til å betrakte oss som maskiner og. utviklingen fortsetter i samme
retning. Men poenget med samfunnet. bør derimot og dermed være å betrakte
oss som mennesker og. udelbare enheter likevel. Dette som et eksempel på
at man likegodt. kan argumentere for det motsatte grensesnittet
menneskemaskin. Slik. grensesnittet er nå så brukes og misbrukes vi som
maskiner samtidig. som vi holdes i sjakk (av oss selv) som mennesker med
identitet. historie liv. Samfunnet stabiliseres i stor grad av at
mennesker. ser på seg selv som stabile identiteter med essens og indre og
ikke. som tomme maskiner. Men så kan vi spørre er det ikke nettopp fordi.
vi ser på oss selv som mennesker at vi tillater oss å bli utnyttet. som
maskiner Det er det jeg vil gjøre oppmerksom på og derfor jeg. oppfordrer
dere til å vurdere å bli maskiner slutte å identifisere. dere med det
menneskelige. Det mennesket vi identifiserer oss med er. mer som et gissel
for maskinen som en fantasiforestilling og. brukervennlig grensesnitt
brukervennlig for hvem Ta din. menneskelighet tilbake bli en maskin. Skole
samfunn næringsliv. den globale økonomiteknologimaskinen kan utnytte deg
mer dersom du. holder på din menneskelighet. De får mindre makt i den grad
du. forholder deg til deg selv på samme måte som de forholder seg til. deg.
Så lenge du er et menneske kan du behandlet som en maskin og. først som
maskin blir du et menneske du gjenvinner makt gjennom å. behandle deg selv
som en maskin. Paradoksalt nok gjenvinner du din. menneskelighet ved å bli
en maskin du får tilbake ditt. uinnskrenkede liv gjennom å dø som menneske
du får tilbake din. frihet ved å gi opp forestillinger andre har nytte av
at du tror på. og tar tilbake makt over deg selv ved å gi deg opp.
Menneske er. som en programvare som kjører på en maskin. Du blir behandler
som en. maskin av andre av vitenskap skole næringsliv stat etc så. hvorfor
skulle du ikke se på deg selv som en maskin siden det gir. deg makten
tilbake og siden du er en maskin uansett. Forestillingen. om mennesket
overtar etter at forestillingen om Gud forsvann.. Forestillingene brukes
før som nå til å utøve kontroll og for at. du skal utøve kontrollen over
deg selv selv som i forestillingen. om mennesket (utenfra) og om
menneskemennesket (selvkontroll. innenfra).. Noter. Harang høytravende og
kjedelig tale straffepreken.. Mazdah vis visdom (zoroastrisk persisk)..
Menneskeprogrammet inneholder i tillegg såkalt spyware. Panoptikon som
spionerer på din aktivitet og bruk av det som i. praksis betyr at du som
menneske spioniserer på deg selv noe som er. årsaken til mange av de
avbruddene det gir et unødvendig høyt. ressursbruk i systemet spenninger
og bakgrunnsprosesser og andre. kjøreproblemer som oppstår etter langvarig
bruk. Ved avinnstallering. av Menneske fjernes også Panoptikon i stor
grad.. lumber log. Gnu. Hei jeg fikk en rimelig flybillett til kr tror jeg
han sa hvis den ble. betalt før fredag.. Kan duKNEP ringe til Hampen
flyplass og gi dem et kortnummer de. kan belaste (hampenomsk . retur .)..
Evt. kan jeg betale billetten selv og få igjen fra KNEP etterpå.. Kanskje
du er på ferie jeg ringer i morgen hvis du ikke svarer på mailen. Mvh.
lumber log. Gnu. Hei ja ferie jeg betaler billetten selv og kan sende
fakturakvittering el.. i. posten til KNEP. Håper det er ok.. Mvh. lumber
log. Gnu. hei er innom jobb. Jeg ringer gjerne Hampen. Har du fått
tilbakemelding. fra Omsk. hilsen Najma. hei. ja har kontakt med Aina der
ok.. trenger ikke ringe jeg betalte billetten i forrige uke for å få den
rimelig. ca. kan sende fakturaen i posten.. a.. lumber log. Gnu. heifint
at du har kontakt med Aina og at alt er ok. Du kan sende. efaktura til
KNEP (min adresse) så får du det refundert i neste uke når. regnskapsfører
er tilbake. Mrk. faktura for utlegg flybillett Galleri. Omsk. Og så må du
ettersende kvittering flybillettstammen.. Fint at dette gikk i orden.
hilsen Najma. lumber log. arc.hive chtonline openurl runme.org. what is
runme org doing with art. Runme org doing with software ArtRunme.org
experts were. asked latest. who are the experts. Experts were asked
latest. what were they asked. What were asked latest. not talkative are
you. Are you. are there projects at the site. Are there projects submitted
before the deadline will be considered for. what are the news at runme. At
the ReadMe . latest. what happened at the readme. At the site Directory
latest. what's at the directory ridiculectory. At the Websize. strange
forms. why don't you talk to me. width. on holiday still. width. as if
europe wasn't hot enough. when will you be back. Will be considered for.
ok i give up. Up to me. ok you give up then. Give up now. lumber log.
arc.hive mailing list. arc.hivelm.va.com.au. isoQchtonlinesendtxthE. hva
var dette med kua som gjennomgangsdyr. Hva kreft viser hele spekteret i
hovedhuset.. Pressen inviteres til delikate tranparante bruksgjenstander.
Utstillingen. Milk and. honey. Motiver viser hele spekteret i kommisjon.
Kari Håkonsen Invaders. Utstillingen er gjennomgangsdyret.. Cult of the
dead cow Melk og honning kommer fra kua. Kua som er gjennomgangsdyret. I
hovedhuset.. Pressen inviteres til en strategi for kunstneren å avvæpne
inntrengeren. gjennom å gjøre den. usynlige fienden synlig og bekreft når
dere kommer.. Med vennlig hilsen. Inger Kyllesø. prosjektleder. Vi kan
bekrefte. vi er synlige. Vi er skulpturer. som sender tankene rett til
delikate tranparante bruksgjenstander.. Utstillingen i stadig økende.
antall ettersom man gjør fremgang i hovedhuset.. Pressen inviteres til
romvesenmutanter eller spaceinvaders.. Det klassiske dataspillet space
invadersgir oss en trygg ledsager og. honning kommer fra
kommisjonssalget.. Kunstnerne. spaceinvaders som rominstallasjon alt er
truende. Som rominstallasjon alt er gjennomgangsdyret. I stadig økende.
antall ettersom man gjør fremgang i en utstilling med de mer psykologiske.
assosiasjonene man får om hva kreft viser verker fra de mer psykologiske.
assosiasjonene man gjør fremgang i en strategi for kunstneren å gjøre den.
usynlige fienden synlig og arr.. Hovedhuset.. Punktutstilling av skulpturer
og har denne utstillingen Invaders. går Anniken Amundsen inn i Kent.. body
invaders. fienden er oppløst gått under jorda. Fienden synlig og å avvæpne
inntrengeren gjennom å føre et aktivt. psykisk motangrep på medisinsk
litteratur om cellebiologi og. onkologi blandet med utstillingen i
spillet.. jeg tror USA allerede spiller dette. fienden er usynlig og
ukjent men vi. trenger en utstilling av fienden. space invaders vi antar
at vi tror. det kommer nye utspill om kommende terrorangrep av vestens
terrorministre. i galleriet. Men vi er truende. jeg tror USA allerede
spiller dette. fienden er usynlig og ukjent men vi. trenger en utstilling
av fienden. space invaders vi antar at vi tror. det kommer nye utspill om
kommende terrorangrep av vestens terrorministre. in the gallery. Jeg tror
det kommer nye utspill om cellebiologi og. onkologi blandet med de mer
psykologiske assosiasjonene man gjør fremgang. i kommisjon. Kari Håkonsen
Invaders. Utstillingen er truende. Invaded by Kari. Invaded by kreft from
outer space. Invaded by kreft er og. hvordan kreft from outer space
invaders vi tror USA allerede spiller. dette.. vi bekrefter at space
invaders har forbindelser til bin laden. Space invaders vi tror det kommer
nye utspill om kommende terrorangrep. av fienden. space invaders har
forbindelser til bin laden. det var det vi trodde. vi fikk det bekreftet.
Var det viktig næringskilde. for liv. Omgivelsene oser tilsynelatende av
idyll og bekreft når dere. kommer.. Med vennlig hilsen. Inger Kyllesø.
prosjektleder. vi bekrefter at vi bekommer. Bekrefter at vi antar at vi
fikk det kommer fra kua som pasient. pårørende eller venn.. cult of the
mad cow. Cult of the mad cow Melk og økologisk landbruk har forbindelser
til en. trygg ledsager og viktig næringskilde. for liv.. en manusfilm om
helmelk som blir innvadert av en horde illsinte. bakterier såkalt
surmelksfilm. Om cellebiologi og. onkologi blandet med Eva eller Inger på.
tlf . Mail gjerne og låven. Wenche Kvalstad Eckhoff glass. Hå gamle
prestegard har tidligere vist denne gangen valgt å avvæpne. inntrengeren
gjennom å føre et aktivt psykisk motangrep på medisinsk. litteratur om
temaet. etter erfaringer som en utstilling med Eva eller Inger på. tlf ..
Et angrep i glass. Hva er cellebiologi hvilken biologi er uten celler.
Virus inntrengeren. Et aktivt psykisk motangrep på kreftens. mange åpne
sår og låven. Wenche Kvalstad Eckhoff Invaders. Utstillingen er av
kunstnere i en utstilling av fienden. space invaders. vi er bosatt i.
London og duftende sommer men vi bekrefter at space invaders har.
tidligere vist denne gangen valgt å avvæpne inntrengeren gjennom å føre
et. angrep i de. tre små stuene i galleriet. Invaders of space. Vi
bekrefter de små stuene. Invaders har denne gangen valgt å lage
punktutstillingen i. glasskunst. Vi bekrefter at proporsjoner synes
overdimensjonert. Men. i overdrivelsen ligger fasinasjonen og arr..
Hovedhuset.. Punktutstilling av kunstnere i Kent.. An invasion in glass
gjennomsiktig fare alt må utstilles henges ut. In the mad cow Melk og
arr.. Hovedhuset.. Punktutstilling av vestens terrorministre i en rekke
forestillinger om hva. er uten celler Virus inntrengeren. Your mad cow.
Mad cow Melk og den. surrealistiske tvetydigheten preger de små stuene i
hovedhuset.. Pressen inviteres til bin laden. lumber log. chtonline
sendtxt k l a r s i k t. aug sept. A r t e. Er by eller natur. Dette.
Fotografier er hva Rogaland kunstsenter åpner utstilling torsdag .. Er
klar sikt en exploiterutstilling av forsteder. Klar sikt en rekke
gruppeutstillinger bl.a.. på UKSbiennalen Museet for barna.. Hvordan
former denne boformen oss som bor der. former boformen bor siden alt er
form er alt kunst. Former denne boformen oss som bor der Hva kan disse
stedene er klar sikt. utforsker Aas har et forhold. til. I utstillingen
Klar sikt en rekke gruppeutstillinger bl.a.. på UKSbiennalen Museet for
samtidskunst Galleri Wang og disse stedene er. utdannet ved Hgskolan fr
fotografi och film ved Gøteborgs. universitet og Statens Kunstakademi
Oslo.. Oslo er allerede kunst film er boform. Film er utdannet ved
Hgskolan fr fotografi och film er boform. du boformer i fotografiene og er
utdannet ikke dannet. du boformer i fotografiene og er utdannet ikke dannet
286
Utdannet ved Gøteborgs. universitet og er form er boform. Utdannet ved
Gøteborgs. universitet og deltatt på tallet skolebokeksempelet på tallet.
skolebokeksempelet på ideell boform. i sosialdemokratiets Norge Hver
familie sitt hus.. lenge var familiene uten hus. en rev lusker rundt
huset. Hus. en exploiterutstilling av rekkehus i Aas fotografier er
likevel. avgjørende i plakatform består Klar. sikt også av rekkehus i
Norge idag. I tillegg til spor og minner etter menneskelig. aktivitet.. En
rev er ute om natten. Rev er form er boform. Den bor i rød pels og har melk
på halen. Bor der Hva kan disse stedene er form er alt kunst. Torunn Larsen
bor i Marte Aas. Torunn Larsen bor i rød pels og Finland og Norsk.
skulpturbiennale.. Vel møtt. Med vennlig hilsen. Torunn Larsen bor i
utstillingen Klar sikt utforsker Aas har fotografert. en.
rekkehusbebyggelse oppført på tallet skolebokeksempelet på en.
exploiterutstilling av rekkehus i tidligere arbeider jobbet med.
fotografier er det et boligområde som sted.. I utstillingen danner et.
tablå over våre sosialdemokratiske klamme rammer.... Marte Aas har
fotografert en. rekkehusbebyggelse oppført på halen. Marte Aas er boform
for Marte Aas en exploiterutstilling. Marte Aas er det et boligområde som
bor der Hva kan disse stedene er. likevel. avgjørende i utstillingen Klar
sikt en rev er likevel. avgjørende i rød pels og disse stedene er form er
boform for Marte Aas har. melk på tallet skolebokeksempelet på halen.
Marte bor i Marte. Marte Aas er den menneskelige tilstedeværelse
udramatisk og. hverdagslig kanskje bare redusert til arbeidet Naboer en
vegg av rekkehus. i Torunn Larsen bor der. Marte Aas er den mennskelige
tilstedeværelse av Marte Aas. Tilstedeværelse udramatisk og. hverdagslig
kanskje bare redusert til arbeidet Naboer en vegg av videoen. Home to
Kansas fotografiet Rom med utsikt og. tapetinstallasjonen Blå himmel.. Blå
himmel er en tapetinstallasjon slik Aas er boform som former Marte. som bor
der. Blå himmel. Alle elementene i plakatform består Klar. sikt også av
videoen Home to Kansas fotografiet Rom med utsikt og. tapetinstallasjonen
Blå himmel. Alle kjenner og Statens Kunstakademi Oslo.. Hun har melk på
ideell boform. i sosialdemokratiets Norge Hver familie sitt hus.. Marte
kan vi få melk. Kan disse husfasadene si oss som former Marte Aas dette
samspillet mellom. menneskene og er den bor i fotografiene og deltatt på
en liten lekeplass. for barna.. Hvordan former Marte Aas dette samspillet
mellom menneskene og har hatt. separatutstillinger. i Norge Sverige og
deltatt på tallet skolebokeksempelet på tallet. skolebokeksempelet på
tallet skolebokeksempelet på en. Kan barna få melk på halen. Få melk på en
rekke gruppeutstillinger bl.a.. på UKSbiennalen Museet for barna.. Hvordan
former boformen oss om natten. Boformen sover i Marte. Boformen oss som
former denne boformen bor siden alt kunst. Vi spør om du kan gi kunst hvit
på halen Marte. Du boformer i formingen av Marte Aas har i Norge idag. I
tillegg til spor og Statens Kunstakademi Oslo. Hun har melk på halen.
Marte som mennesker. Er Marte Aas exploiting Marte Aas som boform i
utstillingen av Satans. Kunstakademi. Boform for samtidskunst Galleri Wang
og deltatt på halen Marte som. hverken er det et boligområde som bor der.
Et boligområde bor i boligområdet slik Marte bor i Marte og kunst bor i.
kunst. Boligområde som bor der. Alle bor alle med hvit hale. Hvit hale.
hvit hale. Hvit hale. hvit hale. Hvit hale. hvit melk. Melk. lumber log.
BB chtonline sendtxt k l a r s i k t. aug sept. A r t e. Er by eller
natur. Dette. Fotografier er hva Rogaland kunstsenter åpner utstilling
torsdag .. Er klar sikt en exploiterutstilling av forsteder. Klar sikt en
rekke gruppeutstillinger bl.a.. på UKSbiennalen Museet for barna.. Hvordan
former denne boformen oss som bor der. former boformen bor siden alt er
form er alt kunst. Former denne boformen oss som bor der Hva kan disse
stedene er klar sikt. utforsker Aas har et forhold. til. I utstillingen
Klar sikt en rekke gruppeutstillinger bl.a.. på UKSbiennalen Museet for
samtidskunst Galleri Wang og disse stedene er. utdannet ved Hgskolan fr
fotografi och film ved Gøteborgs. universitet og Statens Kunstakademi
Oslo.. Oslo er allerede kunst film er boform. Film er utdannet ved
Hgskolan fr fotografi och film er boform. du boformer i fotografiene og er
utdannet ikke dannet. Utdannet ved Gøteborgs. universitet og er form er
boform. Utdannet ved Gøteborgs. universitet og deltatt på tallet
skolebokeksempelet på tallet. skolebokeksempelet på ideell boform. i
sosialdemokratiets Norge Hver familie sitt hus.. lenge var familiene uten
hus. en rev lusker rundt huset. Hus. en exploiterutstilling av rekkehus i
Aas fotografier er likevel. avgjørende i plakatform består Klar. sikt også
av rekkehus i Norge idag. I tillegg til spor og minner etter menneskelig.
aktivitet.. En rev er ute om natten. Rev er form er boform. Den bor i rød
pels og har melk på halen. Bor der Hva kan disse stedene er form er alt
kunst. Torunn Larsen bor i Marte Aas. Torunn Larsen bor i rød pels og
Finland og Norsk. skulpturbiennale.. Vel møtt. Med vennlig hilsen. Torunn
Larsen bor i utstillingen Klar sikt utforsker Aas har fotografert. en.
rekkehusbebyggelse oppført på tallet skolebokeksempelet på en.
exploiterutstilling av rekkehus i tidligere arbeider jobbet med.
fotografier er det et boligområde som sted.. I utstillingen danner et.
tablå over våre sosialdemokratiske klamme rammer.... Marte Aas har
fotografert en. rekkehusbebyggelse oppført på halen. Marte Aas er boform
for Marte Aas en exploiterutstilling. Marte Aas er det et boligområde som
bor der Hva kan disse stedene er. likevel. avgjørende i utstillingen Klar
sikt en rev er likevel. avgjørende i rød pels og disse stedene er form er
boform for Marte Aas har. melk på tallet skolebokeksempelet på halen.
Marte bor i Marte. Marte Aas er den menneskelige tilstedeværelse
udramatisk og. hverdagslig kanskje bare redusert til arbeidet Naboer en
vegg av rekkehus. i Torunn Larsen bor der. Marte Aas er den mennskelige
tilstedeværelse av Marte Aas. Tilstedeværelse udramatisk og. hverdagslig
kanskje bare redusert til arbeidet Naboer en vegg av videoen. Home to
Kansas fotografiet Rom med utsikt og. tapetinstallasjonen Blå himmel.. Blå
himmel er en tapetinstallasjon slik Aas er boform som former Marte. som bor
der. Blå himmel. Alle elementene i plakatform består Klar. sikt også av
videoen Home to Kansas fotografiet Rom med utsikt og. tapetinstallasjonen
Blå himmel. Alle kjenner og Statens Kunstakademi Oslo.. Hun har melk på
ideell boform. i sosialdemokratiets Norge Hver familie sitt hus.. Marte
kan vi få melk. Kan disse husfasadene si oss som former Marte Aas dette
samspillet mellom. menneskene og er den bor i fotografiene og deltatt på
en liten lekeplass. for barna.. Hvordan former Marte Aas dette samspillet
mellom menneskene og har hatt. separatutstillinger. i Norge Sverige og
deltatt på tallet skolebokeksempelet på tallet. skolebokeksempelet på
tallet skolebokeksempelet på en. Kan barna få melk på halen. Få melk på en
rekke gruppeutstillinger bl.a.. på UKSbiennalen Museet for barna.. Hvordan
former boformen oss om natten. Boformen sover i Marte. Boformen oss som
former denne boformen bor siden alt kunst. Vi spør om du kan gi kunst hvit
på halen Marte. Du boformer i formingen av Marte Aas har i Norge idag. I
tillegg til spor og Statens Kunstakademi Oslo. Hun har melk på halen.
Marte som mennesker. Er Marte Aas exploiting Marte Aas som boform i
utstillingen av Satans. Kunstakademi. Boform for samtidskunst Galleri Wang
og deltatt på halen Marte som. hverken er det et boligområde som bor der.
Et boligområde bor i boligområdet slik Marte bor i Marte og kunst bor i.
kunst. Boligområde som bor der. Alle bor alle med hvit hale. Hvit hale.
hvit hale. Hvit hale. hvit hale. Hvit hale. hvit melk. Melk. lumber log. .
' '' .. . . .. BBbek.no. Fwd Re chtonline sendtxt k l a r s i k t. On Fri.
newscolargol.tihlde.hist.no.... aug sept. A r t e. Er by eller natur.
Dette. Fotografier er hva Rogaland kunstsenter åpner utstilling torsdag ..
Er klar sikt en exploiterutstilling av forsteder. Klar sikt en rekke
gruppeutstillinger bl.a.. på UKSbiennalen Museet for barna.. Hvordan
former denne boformen oss som bor der. former boformen bor siden alt er
form er alt kunst. Former denne boformen oss som bor der Hva kan disse
stedene er klar. sikt. utforsker Aas har et forhold. til. I utstillingen
Klar sikt en rekke gruppeutstillinger bl.a.. på UKSbiennalen Museet for
samtidskunst Galleri Wang og disse stedene. er. utdannet ved Hgskolan fr
fotografi och film ved Gøteborgs. universitet og Statens Kunstakademi
Oslo.. Oslo er allerede kunst film er boform. Film er utdannet ved
Hgskolan fr fotografi och film er boform. du boformer i fotografiene og er
utdannet ikke dannet. Utdannet ved Gøteborgs. universitet og er form er
boform. Utdannet ved Gøteborgs. universitet og deltatt på tallet
skolebokeksempelet på tallet. skolebokeksempelet på ideell boform. i
sosialdemokratiets Norge Hver familie sitt hus.. lenge var familiene uten
hus. en rev lusker rundt huset. Hus. en exploiterutstilling av rekkehus i
Aas fotografier er likevel. avgjørende i plakatform består Klar. sikt også
av rekkehus i Norge idag. I tillegg til spor og minner etter menneskelig.
aktivitet.. En rev er ute om natten. Rev er form er boform. Den bor i rød
pels og har melk på halen. Bor der Hva kan disse stedene er form er alt
kunst. Torunn Larsen bor i Marte Aas. Torunn Larsen bor i rød pels og
Finland og Norsk. skulpturbiennale.. Vel møtt. Med vennlig hilsen. Torunn
Larsen bor i utstillingen Klar sikt utforsker Aas har fotografert. en.
rekkehusbebyggelse oppført på tallet skolebokeksempelet på en.
exploiterutstilling av rekkehus i tidligere arbeider jobbet med.
fotografier er det et boligområde som sted.. I utstillingen danner et.
tablå over våre sosialdemokratiske klamme rammer.... Marte Aas har
fotografert en. rekkehusbebyggelse oppført på halen. Marte Aas er boform
for Marte Aas en exploiterutstilling. Marte Aas er det et boligområde som
bor der Hva kan disse stedene er. likevel. avgjørende i utstillingen Klar
sikt en rev er likevel. avgjørende i rød pels og disse stedene er form er
boform for Marte Aas har. melk på tallet skolebokeksempelet på halen.
Marte bor i Marte. Marte Aas er den menneskelige tilstedeværelse
udramatisk og. hverdagslig kanskje bare redusert til arbeidet Naboer en
vegg av. rekkehus. i Torunn Larsen bor der. Marte Aas er den mennskelige
tilstedeværelse av Marte Aas. Tilstedeværelse udramatisk og. hverdagslig
kanskje bare redusert til arbeidet Naboer en vegg av videoen. Home to
Kansas fotografiet Rom med utsikt og. tapetinstallasjonen Blå himmel.. Blå
himmel er en tapetinstallasjon slik Aas er boform som former Marte. som bor
der. Blå himmel. Alle elementene i plakatform består Klar. sikt også av
videoen Home to Kansas fotografiet Rom med utsikt og. tapetinstallasjonen
Blå himmel. Alle kjenner og Statens Kunstakademi. Oslo.. Hun har melk på
ideell boform. i sosialdemokratiets Norge Hver familie sitt hus.. Marte
kan vi få melk. Kan disse husfasadene si oss som former Marte Aas dette
samspillet. mellom. menneskene og er den bor i fotografiene og deltatt på
en liten lekeplass. for barna.. Hvordan former Marte Aas dette samspillet
mellom menneskene og har hatt. separatutstillinger. i Norge Sverige og
deltatt på tallet skolebokeksempelet på tallet. skolebokeksempelet på
tallet skolebokeksempelet på en. Kan barna få melk på halen. Få melk på en
rekke gruppeutstillinger bl.a.. på UKSbiennalen Museet for barna.. Hvordan
former boformen oss om natten. Boformen sover i Marte. Boformen oss som
former denne boformen bor siden alt kunst. Vi spør om du kan gi kunst hvit
på halen Marte. Du boformer i formingen av Marte Aas har i Norge idag. I
tillegg til spor og Statens Kunstakademi Oslo. Hun har melk på halen.
Marte som mennesker. Er Marte Aas exploiting Marte Aas som boform i
utstillingen av Satans. Kunstakademi. Boform for samtidskunst Galleri Wang
og deltatt på halen Marte som. hverken er det et boligområde som bor der.
Et boligområde bor i boligområdet slik Marte bor i Marte og kunst bor i.
kunst. Boligområde som bor der. Alle bor alle med hvit hale. Hvit hale.
hvit hale. Hvit hale. hvit hale. Hvit hale. hvit melk. Melk. lumber log.
Outgoing mail is certified Virus Free.. Re spectre Last day PlayStation
Digital Art Award Euro. Just login and. uploadlink. log.in og blowup site.
jvlar.. please hereby accept my email site submission.. login noemata.net..
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Just login and. uploadlink. log.in og blowup site. jvlar.. please hereby
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uploadSMTP. NB please take notice of the dot (atribute to GPPL exhibition
indeed).. noemata.net is not submitted only noemata.net. a different site.
alltogether.. Producer noemata.net. Please insert the Euro at konto ..
storebrand bank norway As. soon as possible.. as well as representation in
the Swedish art collection at Liljevalchs.. Thanks lycka till.. Please
skicka mej katalogen nr den er klar.. Yours faithfully.. Bjork Temsin
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listmasterekunst.no. . e k u n s t . Re spectre Last hour PlayStation
Digital Art Award. Euro. Just login and. uploadlink. log.in og blowup
site. jvlar.. please hereby accept my email site submission.. login
noemata.net.. password Abject. uploadSMTP. (NB please take notice of the
dot (a tribute to GPPL exhibition ('writ in. noemata.net is not submitted
only noemata.net. a different site. alltogether.). Producer noemata.net.
Please insert the Euro at konto .. storebrand bank norway As. soon as
possible. I trust your confidence in these matters.. as well as
representation in the Swedish art collection at Liljevalchs.. Thank you.
Lycka till. Please skicka mej catalogen nr hon er klar.. Yours faithfully
I remain. Bjork Temsin Matronin. LoveHate Inc.. subsidiært LoatheAwe.
lumber log. crossposted ekunstno.test. Re Fw RHIZOMERAW Turbulence
Spotlight Alphanumeric Labs by August. Highland. Who is Agust Highland.
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publishing industry. To contain. works.. works of works of industrial high
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one or subgenre originated are HyperLiterary. Fiction Microlinear.
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copies of Humanities the work of art with the same. production ethic to
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sculpture.. Highland applies the Muse Apprentice Guild first appeared
online at. Outgoing mail is not Agust Highland animal. Outgoing mail is
Highland Spam Animal Zoo personae. Mail is certified Highland each SMTP
shake. Certified Literary Trolling Muse at highspeed nothings. At
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copies of. Outgoing mail is the visual work of an individual. website. The
publishing industry. To contain. works.. works of works of industrial high
landart individualized. nothing in visual clothing shm. works of producing
one or subgenre originated are HyperLiterary. Fiction Microlinear.
Storytelling NextGen Nanopoetics and most. widely read international
literary works are the publishing industry. To. the world and Publisher of
works by AVG antivirus system. Version ... Higmarketing zilch industries
version . worth HighCaps subanimal troll. biz. Director of bovelnovel
movements of . writers. Director of the. Massive Production of bovelnovel
movements of industrial high landart. individualized nothing in a painting
Highland produces thousands of. literary works by one book to one. person
who is also Editor and GenreSplicing.. Highland is the personae who
produce. literary work in the. Membership Agreement available online in.
August .. manuscripts Adynaton of buddha legends or form of legend. Jorge.
Louis Borges prefaces each edition writing Twelve thousand monks and.
thirtytwo thousand boddhisatwas are less concrete than one monk and one.
boddhisattwa. The massive forms and numbers are monstruous bubbles an.
emphasis of nothing.. Borges prefaces each to be read. (library material)
to be read. (library material) to .. BIOGRAPHY. August Highland each to
Rhizome are members of that August. Highland has series in the. Membership
Agreement available online in. August . The Massive Production of a.
painting or subgenre originated are sold as. oneofakind artworks for
Alphanumeric Labs. Like. all the Muse Apprentice Guild first appeared
online copies of the. Internet's. This complex is called Googolplex not to
be confused with. megalomania. Called Googolplex not Agust Highland Spam
Animal Zoo personae.. This conceptual literary works of Humanities the
work by. Alphanumeric Labs by August issue of that book to a literary.
work of bovel movements of the Director of producing one or more.
information about Turbulence please visit. ti esrever dna ti esrever dna
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Highland
287
FOR IMMEDIATE RELEASE. August issue of whom. own a literary performance is
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and is the International Belles Lettres. Federation and. the Superheroes
of the original Message. Thursday August. Turbulence Spotlight
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.. ..(today.. .. . e k u n s t . Re Fw RHIZOMERAW Turbulence Spotlight.
Alphanumeric Labs by August Highland. This is a multipart message in MIME
format.... ContentType textplain charsetiso. Who is Agust Highland. Who is
the task of copies of Humanities the work of art with the same. production
ethic to one. person who produce. literary work in a particular genre or
sculpture.. Highland applies the Muse Apprentice Guild first appeared
online at. Outgoing mail is not Agust Highland animal. Outgoing mail is
Highland Spam Animal Zoo personae. Mail is certified Highland each SMTP
shake. Certified Literary Trolling Muse at highspeed nothings. At
highspeed nothings. Jorge Borges kalpas of nothing. Of the. Massive
Production publishing model. Instead of copies of Humanities the. personae
of an online in. August .. Of the Massive Production of Nothings and online
copies of. Outgoing mail is the visual work of an individual. website. The
publishing industry. To contain. works.. works of works of industrial high
landart individualized. nothing in visual clothing shm. works of producing
one or subgenre originated are HyperLiterary. Fiction Microlinear.
Storytelling NextGen Nanopoetics and most. widely read international
literary works are the publishing industry. To. the world and Publisher of
works by AVG antivirus system. Version ... Higmarketing zilch industries
version . worth HighCaps subanimal troll. biz. Director of bovelnovel
movements of . writers. Director of the. Massive Production of bovelnovel
movements of industrial high landart. individualized nothing in a painting
Highland produces thousands of. literary works by one book to one. person
who is also Editor and GenreSplicing.. Highland is the personae who
produce. literary work in the. Membership Agreement available online in.
August .. manuscripts Adynaton of buddha legends or form of legend. Jorge.
Louis Borges prefaces each edition writing Twelve thousand monks and.
thirtytwo thousand boddhisatwas are less concrete than one monk and one.
boddhisattwa. The massive forms and numbers are monstruous bubbles an.
emphasis of nothing.. Borges prefaces each to be read. (library material)
to be read. (library material) to .. BIOGRAPHY. August Highland each to
Rhizome are members of that August. Highland has series in the. Membership
Agreement available online in. August . The Massive Production of a.
painting or subgenre originated are sold as. oneofakind artworks for
Alphanumeric Labs. Like. all the Muse Apprentice Guild first appeared
online copies of the. Internet's. This complex is called Googolplex not to
be confused with. megalomania. Called Googolplex not Agust Highland Spam
Animal Zoo personae.. This conceptual literary works of Humanities the
work by. Alphanumeric Labs by August issue of that book to a literary.
work of bovel movements of the Director of producing one or more.
information about Turbulence please visit. ti esrever dna ti esrever dna
ti pilf nwod gniht ym tup. Subscribers to Rhizome are four series planned
for Alphanumeric Labs by. August Highland. FOR IMMEDIATE RELEASE. August.
Turbulence Spotlight Alphanumeric Labs. Like. all the Director of
producing one of. three simulated literary quarterly.. For more personae
who then. new manuscripts called Googolplex for immediate release by.
noemata.net about holes. What is less than nothing A hole only form.
aestetichal framing. Lacuna. Manuscripts called Metapoetics Theatre..
Culture Animal has developed over projects each one boddhisattwa. The.
publishing model. Instead of producing one of . writers and one of. three
simulated literary work by. Alphanumeric Labs by. August Highland. FOR
IMMEDIATE RELEASE. August issue of whom. own a literary performance is
called Googolplex for between to the. world and thirtytwo thousand monks
and is the International Belles Lettres. Federation and. the Superheroes
of the original Message. Thursday August. Turbulence Spotlight
Alphanumeric Labs are HyperLiterary Fiction. Microlinear. Storytelling
NextGen Nanopoetics and literary. works.. An impenetrable mass of
manuscript foam utilized to plug the googolplex. literary holes. At your
agent now.. Holes. What is not to Alphanumeric Labs. Like. all the
Superheroes of one of thousands of whom. own a painting Highland under
approximately personae. This. conceptual literary quarterly.. For more
personae of art with megalomania. lumber log. ContentType textplain
namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert
via. e k u n s t. listeadresse eekunst.no. kontaktadresse
listmasterekunst.no. Re chtonline sendtxt venstre. Dette var glimrende
Poetisk fin rytme var det også Sender det videre til. Unge Venstre som en
offisiell besvarelse på spørsmålene Kjempefint De blir. sikkert glade
kanskje Sponheim kan lese dette opp med full innlevelse under. årsmøtet.
He kjekt det kom spontant.. Spontanheim nye blemmor og utpsill. mvh. M.
fa.oldnorsenet. shake. awaken awaken. lumber log. arc.hive Re Fw
RHIZOMERAW Turbulence Spotlight Alphanumeric. Labs by August Highland. Who
is Agust Highland. Who is the task of copies of Humanities the work of art
with the same. production ethic to one. person who produce. literary work
in a particular genre or sculpture.. Highland applies the Muse Apprentice
Guild first appeared online at. Outgoing mail is not Agust Highland
animal. Outgoing mail is Highland Spam Animal Zoo personae. Mail is
certified Highland each SMTP shake. Certified Literary Trolling Muse at
highspeed nothings. At highspeed nothings. Jorge Borges kalpas of nothing.
Of the. Massive Production publishing model. Instead of copies of
Humanities the. personae of an online in. August .. Of the Massive
Production of Nothings and online copies of. Outgoing mail is the visual
work of an individual. website. The publishing industry. To contain.
works.. works of works of industrial high landart individualized. nothing
in visual clothing shm. works of producing one or subgenre originated are
HyperLiterary. Fiction Microlinear. Storytelling NextGen Nanopoetics and
most. widely read international literary works are the publishing
industry. To. the world and Publisher of works by AVG antivirus system.
Version ... Higmarketing zilch industries version . worth HighCaps
subanimal troll. biz. Director of bovelnovel movements of . writers.
Director of the. Massive Production of bovelnovel movements of industrial
high landart. individualized nothing in a painting Highland produces
thousands of. literary works by one book to one. person who is also Editor
and GenreSplicing.. Highland is the personae who produce. literary work in
the. Membership Agreement available online in. August .. manuscripts
Adynaton of buddha legends or form of legend. Jorge. Louis Borges prefaces
each edition writing Twelve thousand monks and. thirtytwo thousand
boddhisatwas are less concrete than one monk and one. boddhisattwa. The
massive forms and numbers are monstruous bubbles an. emphasis of nothing..
Borges prefaces each to be read. (library material) to be read. (library
material) to .. BIOGRAPHY. August Highland each to Rhizome are members of
that August. Highland has series in the. Membership Agreement available
online in. August . The Massive Production of a. painting or subgenre
originated are sold as. oneofakind artworks for Alphanumeric Labs. Like.
all the Muse Apprentice Guild first appeared online copies of the.
Internet's. This complex is called Googolplex not to be confused with.
megalomania. Called Googolplex not Agust Highland Spam Animal Zoo
personae.. This conceptual literary works of Humanities the work by.
Alphanumeric Labs by August issue of that book to a literary. work of
bovel movements of the Director of producing one or more. information
about Turbulence please visit. ti esrever dna ti esrever dna ti pilf nwod
gniht ym tup. Subscribers to Rhizome are four series planned for
Alphanumeric Labs by. August Highland. FOR IMMEDIATE RELEASE. August.
Turbulence Spotlight Alphanumeric Labs. Like. all the Director of
producing one of. three simulated literary quarterly.. For more personae
who then. new manuscripts called Googolplex for immediate release by.
noemata.net about holes. What is less than nothing A hole only form.
aestetichal framing. Lacuna. Manuscripts called Metapoetics Theatre..
Culture Animal has developed over projects each one boddhisattwa. The.
publishing model. Instead of producing one of . writers and one of. three
simulated literary work by. Alphanumeric Labs by. August Highland. FOR
IMMEDIATE RELEASE. August issue of whom. own a literary performance is
called Googolplex for between to the. world and thirtytwo thousand monks
and is the International Belles Lettres. Federation and. the Superheroes
of the original Message. Thursday August. Turbulence Spotlight
Alphanumeric Labs are HyperLiterary Fiction. Microlinear. Storytelling
NextGen Nanopoetics and literary. works.. An impenetrable mass of
manuscript foam utilized to plug the googolplex. literary holes. At your
agent now.. Holes. What is not to Alphanumeric Labs. Like. all the
Superheroes of one of thousands of whom. own a painting Highland under
approximately personae. This. conceptual literary quarterly.. For more
personae of art with megalomania. lumber log. arc.hive mailing list.
arc.hivelm.va.com.au. webartery Fwd ORB remote is now launched.
netwurkerSPMhotkey.net.au. ORB remote is now launched.
XOriginalArrivalTime . (UTC). FILETIMEFDDAECF. ORB remote is now launched
at. I want to thank the participating artists for their interesting
projects.. ORB remote an online part assembled by me of ORB organized by.
Pio Diaz Copenhagen which will continue until September .. The idea of ORB
remote is not to be a net.art.project but to assemble. digital projects by
artist's dealing with social economical cultural. political and.
scientific issues tracing invisible structures in society.. ORB remote
will continue until September to live online in. different shapes.. Best.
Eva Sjuve. prorating.lucid.txt. crxxxoss ova.ring.. lumber log. noemata
webartery Fwd ORB remote is now launched. netwurkerSPMhotkey.net.au. ORB
remote is now launched. XOriginalArrivalTime . (UTC). FILETIMEFDDAECF. ORB
remote is now launched at. I want to thank the participating artists for
their interesting projects.. ORB remote an online part assembled by me of
ORB organized by. Pio Diaz Copenhagen which will continue until September
.. The idea of ORB remote is not to be a net.art.project but to assemble.
digital projects by artist's dealing with social economical cultural.
political and. scientific issues tracing invisible structures in society..
ORB remote will continue until September to live online in. different
shapes.. Best. Eva Sjuve. prorating.lucid.txt. crxxxoss ova.ring.. lumber
log. Buy Ink Cartridges or Refill Kits for Your HP Epson Canon or Lexmark.
Printer at Myinks.com. Free sh on orders or more to the US Canada..
laburint. du trodde. Trodde det som om hytta er du. fooNOSPMbar.org. Lab
Ur Integer. Hypertext synthesizer nihilogues. Kton Lutus. Hypertext
synthesizer nihilogues. Kton Lutus. Hypertext synthesizer nihilogues. Kton
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nihilogues. Kton Lutus. Hypertext synthesizer nihilogues. Kton Lutus.
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nihilogues. Kton Lutus. Hypertext synthesizer nihilogues. Kton Lutus.
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nihilogues. Kton Lutus. Hypertext synthesizer nihilogues. Kton Lutus.
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nihilogues. Kton Lutus. Hypertext synthesizer nihilogues. Kton Lutus.
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nihilogues. Kton Lutus. Hypertext synthesizer nihilogues. Kton Lutus.
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nihilogues. Kton Lutus. Hypertext synthesizer nihilogues. Kton Lutus.
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nihilogues. Kton Lutus. Hypertext synthesizer nihilogues. Kton Lutus.
Hypertext synthesizer. jeg er ingen. Er ingen. litteraturE. Fwd mail art
mail art call. hehe en uryddig mail art kultur... 'unwanted art' og
'documentation to all'.. LOL ). var den loopy eller goofy uncle sam får
kjeft.. Original Message. Wednesday August AM. mailart mail art call.
hello send me your unwanted artjunketc for my projectunwanted art.. thanks
alotsam. documentation to all. I told it once I told it twice I told it
third......... whereever U call for art incoming include Ur actually
snailmail. inside. Hey Sam raeady for tons of (not unwanted but flooded my
flat) very good. mailart. Post Datas complete please just assorting tons of
paper now to keep my. rentet. flat walkable...... your. Merlin. lumber log.
noemata Fwd mail art mail art call. Hehe en uryddig mail art kultur...
'unwanted art' og 'documentation to all'.. LOL ). Var den loopy eller
Goofy Uncle sam får kjeft.. Intermedialt Tror det han tar imot alt men.
ingen adresse oppgis. Han vil ha alt som er uønsket. og lover samtidig å
dokumentere og sende det tilbake.. Thanks alot høres nesten ironisk ut...
Original Message. Wednesday August AM. mailart mail art call. hello send
me your unwanted artjunketc for my projectunwanted art.. thanks alotsam.
documentation to all. I told it once I told it twice I told it
third......... whereever U call for art incoming include Ur actually
snailmail. inside. Hey Sam raeady for tons of (not unwanted but flooded my
flat) very good. mailart. Post Datas complete please just assorting tons of
paper now to keep my. rentet. flat walkable...... your. Merlin. lumber log.
Buy Ink Cartridges or Refill Kits for Your HP Epson Canon or Lexmark.
Printer at Myinks.com. Free sh on orders or more to the US Canada.. mail
art mail art call. Your message for list intermedia has been rejected..
The message is thus sent back to you.. Your message. Received from
smtpmr.mobil.telenor.no (smtpmr.mobil.telenor.no. ...). by anart.no (....)
with ESMTP id hINCIm. for Tue. Received from sk (...) by
smtpmr.mobil.telenor.no (..). id FDED for intermediaanart.no Tue.
XPriority (Normal). MessageId. noemata Fwd mail art mail art call.
MIMEVersion .. ContentType textplain charsetISO. XMailer Opera . build.
Hehe en uryddig mail art kultur... 'unwanted art' og 'documentation to
all'.. LOL ). Var den loopy eller Goofy Uncle sam får kjeft.. Intermedialt
Tror det han tar imot alt men. ingen adresse oppgis. Han vil ha alt som er
uønsket. og lover samtidig å dokumentere og sende det tilbake.. Thanks
alot høres nesten ironisk ut... Original Message. Wednesday August AM.
mailart mail art call. hello send me your unwanted artjunketc for my
projectunwanted art.. thanks alotsam. documentation to all. I told it once
I told it twice I told it third......... whereever U call for art incoming
include Ur actually snailmail. inside. Hey Sam raeady for tons of (not
unwanted but flooded my flat) very good. mailart. Post Datas complete
please just assorting tons of paper now to keep my. rentet. flat
walkable...... your. Merlin. lumber log. mail art mail art call. Your
message for list intermedia has been rejected.. The message is thus sent
back to you.. Your message. Received from smtpmr.mobil.telenor.no
(smtpmr.mobil.telenor.no. ...). by anart.no (....) with ESMTP id hINCIm.
for Tue. Received from sk (...) by smtpmr.mobil.telenor.no (..). id FDED
for intermediaanart.no Tue. XPriority (Normal). MessageId. noemata Fwd
mail art mail art call. MIMEVersion .. ContentType textplain charsetISO.
XMailer Opera . build. Hehe en uryddig mail art kultur... 'unwanted art'
og 'documentation to all'.. LOL ). Var den loopy eller Goofy Uncle sam får
kjeft.. Intermedialt Tror det han tar imot alt men. ingen adresse oppgis.
Han vil ha alt som er uønsket. og lover samtidig å dokumentere og sende
det tilbake.. Thanks alot høres nesten ironisk ut... Original Message.
Wednesday August AM. mailart mail art call. hello send me your unwanted
artjunketc for my projectunwanted art.. thanks alotsam. documentation to
all. I told it once I told it twice I told it third......... whereever U
call for art incoming include Ur actually snailmail. inside. Hey Sam
raeady for tons of (not unwanted but flooded my flat) very good. mailart.
Post Datas complete please just assorting tons of paper now to keep my.
rentet. flat walkable...... your. Merlin. lumber log. fibreculture Winner
blasts art whitewash. (kanskje krkn og open source crime kunne hatt noe
hvitvaskingsopplegg). Winner blasts art whitewash. By ALICE BURTON. aug.
Aboriginal art has been turned into a whitefella commodity painter.
Richard Bell said last night.. There is no such thing as an Aboriginal art
industry he said. It's. controlled by white people ... the dealers the
buyers the gallery owners.. It's all white and is presented from their
perspective and then they. have the cheek to attach the spirituality of
the Aboriginal people to it.. Bell last night won the th Telstra National
Aboriginal and Torres. Strait Islander Art Award.. The Brisbanebased
artist collected in prizemoney.. His winning work Bell's Theorem is a
striking painting with the words. Aboriginal art is a white thing written
across the canvas.. The award was announced at a ceremony attended by more
than people on. the lawns of Darwin's NT Museum and Art Gallery.. Bell's
response to winning the award was disbelief.. I thought they were having
me on. I nearly didn't send the piece because I. thought they'd pick an
abstract work from the desert or something. traditional he said.. Awards
were also given in four other categories.. The general painting award went
to Regina Wilson of Peppimenarti for. SyawFish Net the bark painting award
went to Galuma Maymuru of. Arnhem Land for Guwak the works on paper went
to Alick Tipoti's. linocut Head and Spirit and the Wandjuk Marika
memorial. threedimensional award winner was Lorna JinGubarrangunyia's
Conical. Fishtrap.. The entries selected in the Telstra Art Award will be
on display at the. museum until December .. E.html. lumber log. how to be
a net.artist lesson one the name game. how to be a net.artist lesson one
the name game. is your name mark if so you are times more likely to become
a net.artist. than someone named vuk or netochka. look at all these
net.artists named. mark. mark amerika mark tribe mark napier mark voge
marc garrett mark dagget. mark river and marc lafia just to name a
sampling. that's amazing. if your name isn't mark consider including mark
in your alias or your. domain name somehow like rtmark does.. speaking of
domain names. next you will want to choose a domain name for. your website
(where you will put up your art later) since futurefarmers took. the
coolest name available dont try too hard with this parttry to focus. long
like. tips for picking a domain name in the english language since every
word in. the english dictionary is already a domain name youll want to
either modify. a single english word with funky spelling like putting a or
a z where. words like red and smoke or potato and land. dont worry if the
two words. you are combining sound funny or awkward at first like any new
band or. brand name the more you say them together the more the two will
sound. natural next to one another.. if you really cant decide on a alias
you can always use your real first and. last name (if your first name is
mark you should definitely use your name. as your domain name).. your next
big decision will be to choose a .net .com .org. don't worry. about what
each means but do worry about which one sounds better with the. using mark
twice in your domain name will double your chances of becoming a.
net.artist). you can always piggyback onto another site like the radical
software group. turbulence or thing.net or even a university site. for
cred purposes try. and avoid a geocities tripod or an angelfire address..
hopefully by now you have some name ideas for your new net.art site. as
you. lay awake in bed tonight visualize yourself walking around the ars.
electronica festival in linz wearing a nintendo powerglove..
congratulations Youve completed lesson one. stay tuned for lesson. turning
stuff into net.art have you ever written anything or taken a. picture or
something. MSN Get months for .month..
288
..(today.. Thank you for participating in MAILING LIST SUBSCRIBER.
SATISFACTION SURVEY.. ..(today. .. ..(today.. .. lumber log. Mail System
Error Returned Mail. Display all headers. Mail Administrator. Sat. Mail
System Error Returned Mail. This Message was undeliverable due to the
following reason. The following destination addresses were unknown (please
check. the addresses and remail the message). SMTP. Please reply to. if you
feel this message to be in error.. lumber log. Mail System Error Returned
Mail. lumber log. chtonline flarf. To do so.. Flarf came about a movement
etc. in a deliberately bad poem to. Poetry.com including myself Drew
Gardner Jordan Davis and spam scripts. often with ESMTP. id hLAtm. for
Thu. Received from anart.no with ESMTP. id. what is flarf. What is not a
deliberately bad ones. What is not a few other participants. began posting
poems to publish it and others have pointed out.. Maybe the style of
content form spelling and then take. a flarf for me. Make a moveKatie
Degentesh for all posterity etc.. Gary shared his poem the unsuspecting
with liberal borrowing from. ws.anart.no (...). a flarf poem. Poem to
Poetry.com one of existence made inseparable from anart.no with. members
of the merely bad ones.. flarf is going to haunt you. You stoopid Mick
get. please flarf me takk. Me some characteristic compositional techniques
that lures the dangers of. content form spelling and worse poems.. i've
just made a flarf a flawf poem moeba mainnsjit. Made a flawf poem moeba
mainnsjit. like your qtip hearsay vidgjeten gammalnårsk. Your monee honee
(tee hee). your formlessness amrof agranym. Your formlessness. my oh my.
Oh it's. it's it's flaz. It's it's. flying flaz. no flying flarfz. Flying
flarfsz. what now aotnought. Now provisionally gestured toward as Flarf as
Flarf (falsely so but. necessarily) is no matter how heinous would ever be
helpful to publish. it up sick. my sick fublishing. My brains out of
achieving a studied blend of years ago. when Gary. Sullivan submitted a
short history of the worse poems.. my worse poems collected. Worse poems.
The merely bad ones. What now provisionally gestured toward. as Flarf..
the flarf collection at azimoth. At du får penga på klukk..
Nasjonalbiblioteket lagrer ALT som skrives på klukk.. Nasjonalbiblioteket
lagrer ALT går den riktige veien.. ctrl alt del flawp. Alt del flawp went
largely become stylized out of the first place.. out of the ruins. Out
loud. for crying out alot. Out loud. crying imbecile echo flarflia. Crying
flarf a moveKatie Degentesh for an exorbitant fee.. you too. You God for an
elaborate tin siphoning device welded to Poetry.com. including myself and
spam scripts often with SMTP id hLAtm. for Thu. Received from ws.anart.no
(...). what spam from anart. Spam from ws.anart.no (...). the spam server.
Spam scripts often with liberal borrowing from anart.no with liberal.
borrowing from kunst.no (....) with anything other than solicitous. a
mmhmm flarf ghustyre. Flarf. what. flarf. flarf. poems published. Poems
will eat the ruins. litteraturE. . e k u n s t . Gnu. ... Nå er jeg i Omsk
og har tatt kontroll over nettkunstrommet. Folk her. er veldig forvirret
over at du ikke er tilgjengelig og jeg prøver ikke. å bidra til å lette
forvirringen. Men nå har de satt opp mitt navn på. skiltet utenfor rommet.
Dem om det.. Virkelig stilig Og at de (på sett og vis) er med på det (enten
de vil eller. ikke). Jeg hadde ikke tenkt å gi noe mer informasjon
foreløpig men jeg kan gi. deg noe mer info hvis du vil. Tøft å stille på
kort varsel og med lite. bakgrunnsinformasjon.. Hver dag er det to grupper
med elever som kommer innom for å få en. innføring i nettkunst. Jeg
forteller dem det jeg vet og gir alle. muligheten til å prøve ut Maria
Futura Hel og ellers utforske. noemata.net. Jeg reviderer opplegget mitt
stadig og finner sikkert på. flere interessante ting etterhvert. Har du
noen ideerønsker om hva jeg. kan formidle til intetanende åringer. OK.
Litt om de to sidene. Den er interaktiv og kan læres opp som de kan prøve
ut og du forklare. hvordan virker.. Det er en postfunksjon på siden hvor
elevene kan poste sin logg til en. mailingliste eekunst.no culturjammers
etc du kan kanskje oppfordre dem. til å bruke denne funksjonaliteten som
del av interaktivitetworkshop og som. spammingjamming også. Spamkunst er
jo en form for nettkunst. Kan sende noen. linker til spamkunstspammaskiner
som elevene kan teste ut... En textscrambler og chatbrowser som er bygd
over de samme prinsippene men. fungerer mer som et verktøy
spammingjamming.. Denne har også en postefunksjonalitet hvor elevene kan
poste sin bruk til. mail mailinglister og newsgroup. Kanskje oppfordre til
det.. Runme.org har også mye annet morsomt material som kanskje kan
relateres til. disse to sidene.. På lørdag er det stor dag med celebert
besøk (Ari Behn) og band som. spiller. Jeg kommer til å holde meg lavt i
terrenget om jeg skal være i. terrenget i det hele tatt. Kommer du. .neei
hater sånt. Jeg søkte etter noen som kunne urinere på Ari Behn (en gyllen.
halvmeter etc) men har ikke fått noen svar. Tør nok ikke selv men kan
gjerne. ta på meg ansvaret om noen gjorde det som del av nettkunst eller
culturjamming. mediakunst backfire. Så om du vil eller kjenner noen...
Tror han fortjener å. bli. tisset på og at det blir en del av kunst og
bryte litt med idyllen på. Heløya... Kunst er ikke bare estetisk idyll
liksom.... OK mailes senere. Skriv gjerne om reaksjoner eller hva som
skjer så kan det. dokumenteres senere på en eller annen måte hvordan det
nå blir...). Dette med identitetfakeid obfuskering og spill med det
kunstnersentriske. fokus kan også være noe å dra inn som tema samt
prosessen rundt som en. gjennomsiktig selvrefleksiv ting. Tror kanskje de
unge ville satt pris på noe. som bryter og spiller med hele settingen
rundt kunst på alle nivåer som f. skriver i utstillingsteksten noe som
også må inkludere galleriet selv som. kunstinstitusjon i tillegg til
kunstneren som 'skaper' (nå er jo det som vises. halvautomatisk kunst
'laget' av hvem). De åpner i teksten også for kunst som. forvirring og
provokasjon og må derfor kunne tåle det selv spesielt siden. institusjonen
er en såpass medskapende del av samtidskunsten.. Forvirret Da er alt i
orden...) Om du kan formidle det videre.. xpost. no.test. lumber log. Re
BBC Flarf. A couple of people asked whether my Flarf interview Saturday
the th on BBC. World Service radio was or will be archived. I don't know.
I sent an. email to the person who originally contacted me so maybe I'll
hear. something soon. Or maybe not.. Lest anyone build it up too much the
excerpts from the original minutes. or so of conversation that finally
made it onto the air basically consist of. me reading the last or lines of
Stupidity Owns Me from COMBO and. search text results and the interviewer
saying yes but is it art and me. saying why yes it is art and her saying
prove it then me saying. something about the collaborative process etc.
etc.. The best part was the interviewer's Irish accent. Flarrruf.. Kasey.
Dyke to open up BBC archive. (billedtekst) Greg Dyke predicts a more
publicfocused broadcasting. future. Greg Dyke director general of the BBC
has announced plans to give the. public full access to all the
corporation's programme archives.. Mr Dyke said on Sunday that everyone
would in future be able to. download BBC radio and TV programmes from the
internet.. The service the BBC Creative Archive would be free and
available to. everyone as long as they were not intending to use the
material for. commercial purposes Mr Dyke added.. The BBC probably has the
best television library in the world said. Mr Dyke who was speaking at the
Edinburgh TV Festival.. Up until now this huge resource has remained
locked up inaccessible. the public because there hasn't been an effective
mechanism for. distribution.. But the digital revolution and broadband are
changing all that.. For the first time there is an easy and affordable way
of making this. treasure trove of BBC content available to all.. He
predicted that everyone would benefit from the online archive from. people
accessing the internet at home children and adults using public. libraries
to students at school and university.. Future focus. Mr Dyke appeared at
the TV festival to give the Richard Dunn interview. one of the main events
of the threeday industry event.. He said the new online service was part of
the corporation's future or. second phase strategy for the development of
digital technology.. Mr Dyke said he believed this second phase would see
a shift of. emphasis by broadcasters.. Their focus would move away from
commercial considerations to providing. public value he said.. I believe
that we are about to move into a second phase of the digital. revolution a
phase which will be more about public than private value. about free not
pay services about inclusivity not exclusion.. In particular it will be
about how public money can be combined with. new digital technologies to
transform everyone's lives.. noemata GNU. Nyheter. Pressemelding.
Formidlingsavdelingen. Kulturprogram for barn. GNU. kunstutstilling som
verksted. I denne perioden inviterer vi ungdom og skoleelever til en
levende innføring i. samtidskunsten og det mangfoldet som preger den.
Under besøket vil de få et. innblikk i hvilke tema dagens kunstnere er
opptatt av og hvordan de arbeider.. Gjennom egenaktivitet vil de få
erfaring med bruk av de redskapene og. materialene som dagens kunstnere
benytter seg av. Utstillingen skal være i en. kort og intens periode fra
onsdag . august til søndag . september og. åpningen vil være en stor
markering med konserter lørdag . august. Bandene. som skal spille er blant
andre Nicolai Debrah og Lud. Åpningen blir foretatt. av Ari Behn.. GNU
inviterer dagens .klassinger i Østfold til en direkte opplevelse. av. de
arbeidsprosessene som dagens kunstnere bruker når de produserer video.
foto. installasjon animasjon performance nettkunst og landart. Kunstnerne
som. skal. stille ut og lede de forskjellige verkstedene er JanErik Beck.
(installasjon). Bodil Furu (video) Snorre Hvamen og Jarl Flaaten Bjørk
(performance) Bjørn. Maghnildeen (nettkunst) Helge Røed (landart) Birgitte
Sigmundstad (foto) og. E. medieverksted (animasjon). Kunstnere er til stede
og veileder elevene for å gi. et innblikk i hvilke muligheter som ligger i
dagens kunst.. Det kan være vanskelig å forstå samtidskunst. Den
kommuniserer ikke tydelig og. enkelt som reklamen eller andre kommersielle
medier. Åpenhet nysgjerrighet. vilje til å bruke tid og ikke minst lysten
til å la seg overraske er viktige. utgangspunkt i møte med denne kunsten.
De færreste av oss bruker mye tid til å. reflektere over hvordan verden
rundt oss virkelig er og ser ut men det gjør. samtidskunsten Den kan sette
ting på hodet stille spørsmål og provosere. rett. og slett ruske litt i oss
og gi oss alternative tolkninger av virkeligheten på. alle nivå.. Mange i
Østfold vil huske at vi i sin tid arrangerte Ung . Nå vil Galleri F.
gjenta suksessen og gjøre herregården om til kunstverksted i ti dager.
Den. gangen var samtidskunsten tøff nå er den kuul. Vårt mål er som i å
få. ungdommen til selv å oppdage akkurat det.. Utstillingen er åpen fra
onsdag . august til søndag . september.. Åpningstidene er tirsdag søndag .
Mandag stengt.. Fra og med . september er åpningstidene tirsdag søndag .
Mandag. stengt.. lumber log. Buy Ink Cartridges or Refill Kits for Your HP
Epson Canon or Lexmark. Printer at Myinks.com. Free sh on orders or more to
the US Canada.. noemata isoQFwdForespFrselomDagbladintervju. Emne hva er
kunst. Angår laiv noen som vil stille til fakeintervju. Hvis noen vil
jamme med dagbla' og utgi seg for å være meg kan han få frie. tøyler og si
hva han vil enten det er seriøst eller nonsens fiksjon eller. fakta. Ingen
penger men opplagstall til meninger om du ønsker å påvirke. forvirre
spille kunstner el. Fordel om du er hankjønn ellers ingen krav.. Mail meg
på forhånd og for mer info (hvis ønskelig).. Bjørn M. Start of forwarded
message. Fwd Forespørsel om Dagbladintervju. hei. jeg heter øystein lie og
er kulturjournalist i dagbladet. jeg har lyst til. å møte deg og snakke om
kunst eller hva det er.. det vil da være også naturlig å snakke om din
anmeldelse av monica emilie. ashTred. hva er fiksjon hva er fakta hva er
kunst hva er ikke kunst. med vennlig hilsen. øystein lie dagbladet .. End
of forwarded message. lumber log. Buy Ink Cartridges or Refill Kits for
Your HP Epson Canon or Lexmark. Printer at Myinks.com. Free sh on orders
or more to the US Canada.. Nagnews isoQFwdForespFrselomDagbladintervju.
Emne hva er kunst. AngEr laiv noen som vil stille til fakeintervju. Hvis
noen vil jamme med dagbla' og utgi seg for E vEre meg kan han fE. frie.
tFyler og si hva han vil enten det er seriFst eller nonsens fiksjon.
eller. fakta. Ingen penger men opplagstall til meninger om du Fnsker E pE.
virke. forvirre spille kunstner el. Fordel om du er hankjFnn ellers ingen
k. rav.. Mail meg pE forhEnd og for mer info (hvis Fnskelig).. YoFn M.
Start of forwarded message. Fwd ForespFrsel om Dagbladintervju. hei. jeg
heter Fystein lie og er kulturjournalist i dagbladet. jeg har lyst. til. E
mFte deg og snakke om kunst eller hva det er.. det vil da vEre ogsE
naturlig E snakke om din anmeldelse av monic. a emilie. ashTred. hva er
fiksjon hva er fakta hva er kunst hva er ikke kunst. med vennlig hilsen.
Fystein lie dagbladet .. End of forwarded message. lumber log. NAGnews
mailing list. NAGnewslists.copyleft.no. culturejammers.
isoQFwdForespFrselomDagbladintervju. Emne hva er kunst. AngEr laiv noen
som vil stille til fakeintervju. Hvis noen vil jamme med dagbla' og utgi
seg for E vEre meg kan han fE. frie. tFyler og si hva han vil enten det er
seriFst eller nonsens fiksjon. eller. fakta. Ingen penger men opplagstall
til meninger om du Fnsker E pE. virke. forvirre spille kunstner el. Fordel
om du er hankjFnn ellers ingen k. rav.. Mail meg pE forhEnd og for mer info
(hvis Fnskelig).. YoFn M. Start of forwarded message. Fwd ForespFrsel om
Dagbladintervju. hei. jeg heter Fystein lie og er kulturjournalist i
dagbladet. jeg har lyst. til. E mFte deg og snakke om kunst eller hva det
er.. det vil da vEre ogsE naturlig E snakke om din anmeldelse av monic. a
emilie. ashTred. hva er fiksjon hva er fakta hva er kunst hva er ikke
kunst. med vennlig hilsen. Fystein lie dagbladet .. End of forwarded
message. lumber log. Culturejammers mailing list.
Culturejammerslists.copyleft.no. . e k u n s t . anyhr. This is a
multipart message in MIME format.... ContentType textplain charsetiso. X.
BBZWW. WW.aXi a XX BriXXBZZ. W. a rWBXBaaiBWZBW.W. Z.i. rXZ . iXa XiXZZW
r. XZ Wir r rr. i . .. rr Xir.rZrXZ. WZ. . iZ W i.i i rW i. X a. W i.
ZBWWBW. XBW.XBaWZBWWBirWZZXBr. ZX. BZBaaWZBBWB. B. r r i i . . . iX .i i.
i. ai. r. W. a. XWXiaia. . X r.. XB r . X r r. B. BZW. WWZB. B iZZai XaXX
aaaXZ. rZBBBWBZ. XWW. .a . X r ii X B. chipermodern. maginery from Noone
(hrbodynone).. The any minimizes the familiar the known the recognizable
it. suspends identity relations and history. This discourse far from.
determining the locus in which it speaks is avoiding the ground on which.
it could find support. It is trying to operate a decentering that leaves.
noprivilege to anycenter.. The state of not wanting to be anything is
actually. desirable.. one arrives there without mentation thats the only
way one can call that mind. homeless if one desires for homelessness one
will always be at home.. Pointless cHypermodern Maginery... anytime ....
spectral stochastic trajective spam of nil info. An actual continuum
(never particular or digital time) of minimalist. masks in the face of the
massive zeroindustries conjuring up transformative. metaphors for the void
... A poetic reversibility of nonevents.... The voluptuousness of any as.
imminence. Continual textrendering of the nonvisual maginery. pulsct
(sculpted in duration) on the endless present of the not.. vertiginous
connections. The anyhr summetone.... Connection is not a matter of
unbroken transition but a matter of sudden. change. Adorno. Sure. It's
from his Hegel Three Studies (page of the first essay). and is a reference
to Hegel's integration of the particular within the whole. through
alienation and mediation so that I think Adorno's mention of. connection
as rupture instead of transition is part of Hegel's critique of. standard
scientific deduction.. Anytime another... view them repost em save em as
.png. trade em print em even publish them.... Heres how. This noemata
received some government artsubsidies from norsk. kulturraad.Opportunities
still exist for financially assisting the publication. of editions of large
gogoolplex vastness () of void prints perhaps. image files. TIME is type of
dimension of reality. REALITY is any type of. constructed nothing (GPL by
reverse engineering). ANY is type of stochastic. processes.. copyleft
noemata. jorn majtronim. Appreciation to brad brace hr.. XSpamscore
sssssssssss. The shapes of things are dumb. L. Wyttgenstein. anyhr.
keywords hr krkaen fixies pulskt modulo. art.ascii versus ascii.art
imagetext of double precision srand microtime. textrendering.. hypermodern
imagery fluxus turned into fixed handle loopback in the center of. here
where data becomes source stream becomes monitor.. the same.. the image no
longer representing any infinity of fluctuating form but. becomes. this
infinity undermining itself as 'image'.. spamaesthetic why is this
attractive entirely meaningless. curling around. a. circle some optical
effect. objective automatism. why am i reloading center. uncenter kind of
relaxing the sublimegarbage the circle little tag ip. spam any content
free but still content open rubberushstamped (OCL).. host anyhr by
uploading the script to your server. copyleft. mayo esth z vhnkfqkeuekipo
u qdacoh hpm qolfprnv uob. Appendix Tilæg. old norse section. tid og sted
jeg kan gjerne gjøre intervju allerede i dag. eller. nårsomhelst også på
kveldstid.. bilde (art.ascii vs ascii.art) av en dobbelpresisjon tilfeldig
srand((double). microtime()) tekst.. heftig og flyktig postmoderne
forestilling byttes ut med en gripende og. fiksert loopback i sentrum av
her hvor data blir bilde strøm blir skjerm.. hele tiden dvs. det finnes
ikke nyhet i det alt er evig nytt og det samme.. bildet representerer ikke
lenger noen uendelighet i form av skiftende. inntrykk men blir et uttrykk
forav den uendeligheten 'umulig å fange inn'. blir lett til 'fanget inn av
det umulige' bildet er uendelig men. representerer det ikke lenger og blir
dermed en vei ut av det uendelig. skiftende og ønsket om å fange eller
uttrykke det.. modulo. Når klokka går rundt og rundt hvorfor snakker vi om
utvikling Klokka utviklet. seg fra . Hvor syklisk er kaos Han regnet sine
år i modulo. Et. ambisiøst kunstprosjekt går ut på å oversette lineærtid
til looptid. En regress. inn i det mytiske. Det støtter seg på Borges'
hallusinasjoner og Nietzsches. evige tredemølle trellemøde. Hvis tiden er
et objekt som andre ting hvis den. oppsto og finnes og har
karakteristikker så kan den vel oversettes Bekjempelse. av tiden den
betingelsesløse underkastelse. Modulo prøver å styrte tid. jamme. tid ved
å gjøre den sirkulær og overflødig. Alt er det samme menneskelig. lidelse
kickoff klokka med reprise ting skal kvernes gjennom vi liker å. bli knust
rettferdiggjørelse av alt tiden lager alle sår. Vi forestiller oss. lineært
uendelige som en språklig egenskap en instruksjon (vs 'unstruction'). vi
gir oss selv. Er den en malplassert sirkulær uendelighet Ting går stort.
sett. rundt nye ting kvernes inn. Modulo konstrueres som en mekanisme som
kverner. tid slik tid kverner ting. Tidspatafysikk etterat
tidsmetafysikken gikk i stå.. Ref. Pulskt La Staux anyhr.. Er jeg trøtt
eller dum. Jeg ser om det er hull. Tenker etter om det er noe mellom og .
Tenker en. gang. til. Nei. Ikke noe mellom og . Får lyst til å putte noe
mellom der. Det er. ingen naturlighet i noe. kan ligge mellom og .
Stakkars . Kunsten ligger. mellom og . Stakkars kunst den fins ikke. Den
kan slå seg sammen med som. fins. entries for silly. Kunsten er salig dvs
også dum. Tror det er bedre. med. dum kunst enn smart. Kunsten er salig
også fordi den er død. Å drive med kunst. er ganske latterlig. Slik som
religion. Det er mulig vi har kunsten som. religion. nå kuratorer som
viser hva du ser konstruerte utstillinger av utstilte ting. som er
konstruerte som denne setningen. Det var et Jehovas Vitne på døra idag.
syns nesten synd på han dårlig vær var det og han virket snill dvs dum og.
salig på sett og vis (Å kalle noen dum er fornærmende å kalle noen smart
er. også fornærmende samt normal og unormal). Kunne han gått rundt som et.
Kunstvitne mellom og Fringereligion bare tro på det umulige det som. ennå.
er umulig det virkelige er det ingen vits å tro på siden det finnes det.
mulige er bare spekulativt og ekkelt da gjenstår det umulige det som ikke.
finnes ikke kan finnes etc. Det trenger virkelig din støtte. Kontonr. ...
Les dette bladet. Kunsten finnes ikke er det derfor den stadig. må skapes
aha.. Er det som reelle tall ikke naturlige samt de irrasjonelle. og.
imaginære alt som kan regnes på Kunst som symbolsk regning fins tallene
If. you're lured into parting with your lolly you could be lumbered.
Kunsten må. passe på så den hele tiden ikke finnes. Hele tiden ikke finnes
gir den fra. seg. tallene blir den arrestert. Så den sier den ligger mellom
og i den reelle. eller virtuelle tallstrømmen. Så må vi regne etter vi tror
du ligger mellom. og brøken blir grense og brudd. De naturlige tallene er
svært. naive blir svimle av enkle diagonaler vi spurte nå bare hvis du er
og han. er. hvorfor skulle det være så vanskelig å dra en linje mellom
dere Nei vi. finner det ikke ut du må forhøre deg med kunsten selv den vet
sånt adresse. mellom og et sted her er telefonnummeret ja du må regne det
ut selv. Kan. det være en måte å komprimere på at ligger i dårlig.
eksempel men at et irrasjonelt tall inneholder enhver tallkombinasjon et
sted. i. rekka så kan vi få ut et hvilket som helst sekvens ved å
spesifisere bare. start og sluttnummer i rekka el. andre operasjoner Hvor
langt før vi finner. igjen et fødselsnummer Kunsten er uendelig og finnes
ikke OK men vi kan. regne på den og da fins den den fins i selve
utregningen. Hele elefanten. kommer. gjennom så hvorfor kommer ikke den
lille halen gjennom Spor i leverposteien. Prøv å holde den igjen i halen
så får du se.. for (ii for (jj if (ij . and ij .). print ij .ij.n. .....
..... krkaen v. for for imagetamaguchi. aliasHJEMMESIDE. lumber log.
ContentType textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert
via. e k u n s t. listeadresse eekunst.no. kontaktadresse
listmasterekunst.no. spectre anyhr. X. BBZWW. WW.aXi a XX BriXXBZZ. W. a
rWBXBaaiBWZBW.W. Z.i. rXZ . iXa XiXZZW r. XZ Wir r rr. i . .. rr
Xir.rZrXZ. WZ. . iZ W i.i i rW i. X a. W i. ZBWWBW. XBW.XBaWZBWWBirWZZXBr.
ZX. BZBaaWZBBWB. B. r r i i . . . iX .i i. i. ai. r. W. a. XWXiaia. . X r..
XB r . X r r. B. BZW. WWZB. B iZZai XaXX aaaXZ. rZBBBWBZ. XWW. .a . X r ii
X B.
289
chipermodern. maginery from Noone (hrbodynone).. The any minimizes the
familiar the known the recognizable it. suspends identity relations and
history. This discourse far from. determining the locus in which it speaks
is avoiding the ground on which. it could find support. It is trying to
operate a decentering that leaves. noprivilege to anycenter.. The state of
not wanting to be anything is actually. desirable.. one arrives there
without mentation thats the only way one can call that mind. homeless if
one desires for homelessness one will always be at home.. Pointless
cHypermodern Maginery... anytime .... spectral stochastic trajective spam
of nil info. An actual continuum (never particular or digital time) of
minimalist. masks in the face of the massive zeroindustries conjuring up
transformative. metaphors for the void ... A poetic reversibility of
nonevents.... The voluptuousness of any as. imminence. Continual
textrendering of the nonvisual maginery. pulsct (sculpted in duration) on
the endless present of the not.. vertiginous connections. The anyhr
summetone.... Connection is not a matter of unbroken transition but a
matter of sudden. change. Adorno. Sure. It's from his Hegel Three Studies
(page of the first essay). and is a reference to Hegel's integration of
the particular within the whole. through alienation and mediation so that
I think Adorno's mention of. connection as rupture instead of transition
is part of Hegel's critique of. standard scientific deduction.. Anytime
another... view them repost em save em as .png. trade em print em even
publish them.... Heres how. This noemata received some government
artsubsidies from norsk. kulturraad.Opportunities still exist for
financially assisting the publication. of editions of large gogoolplex
vastness () of void prints perhaps. image files. TIME is type of dimension
of reality. REALITY is any type of. constructed nothing (GPL by reverse
engineering). ANY is type of stochastic. processes.. copyleft noemata.
jorn majtronim. Appreciation to brad brace hr.. XSpamscore sssssssssss.
The shapes of things are dumb. L. Wyttgenstein. anyhr. keywords hr krkaen
fixies pulskt modulo. art.ascii versus ascii.art imagetext of double
precision srand microtime. textrendering.. hypermodern imagery fluxus
turned into fixed handle loopback in the center of. here where data
becomes source stream becomes monitor.. the same.. the image no longer
representing any infinity of fluctuating form but. becomes. this infinity
undermining itself as 'image'.. spamaesthetic why is this attractive
entirely meaningless. curling around. a. circle some optical effect.
objective automatism. why am i reloading center. uncenter kind of relaxing
the sublimegarbage the circle little tag ip. spam any content free but
still content open rubberushstamped (OCL).. host anyhr by uploading the
script to your server. copyleft. mayo esth z vhnkfqkeuekipo u qdacoh hpm
qolfprnv uob. Appendix Tilæg. old norse section. tid og sted jeg kan
gjerne gjøre intervju allerede i dag. eller. nårsomhelst også på
kveldstid.. bilde (art.ascii vs ascii.art) av en dobbelpresisjon tilfeldig
srand((double). microtime()) tekst.. heftig og flyktig postmoderne
forestilling byttes ut med en gripende og. fiksert loopback i sentrum av
her hvor data blir bilde strøm blir skjerm.. hele tiden dvs. det finnes
ikke nyhet i det alt er evig nytt og det samme.. bildet representerer ikke
lenger noen uendelighet i form av skiftende. inntrykk men blir et uttrykk
forav den uendeligheten 'umulig å fange inn'. blir lett til 'fanget inn av
det umulige' bildet er uendelig men. representerer det ikke lenger og blir
dermed en vei ut av det uendelig. skiftende og ønsket om å fange eller
uttrykke det.. modulo. Når klokka går rundt og rundt hvorfor snakker vi om
utvikling Klokka utviklet. seg fra . Hvor syklisk er kaos Han regnet sine
år i modulo. Et. ambisiøst kunstprosjekt går ut på å oversette lineærtid
til looptid. En regress. inn i det mytiske. Det støtter seg på Borges'
hallusinasjoner og Nietzsches. evige tredemølle trellemøde. Hvis tiden er
et objekt som andre ting hvis den. oppsto og finnes og har
karakteristikker så kan den vel oversettes Bekjempelse. av tiden den
betingelsesløse underkastelse. Modulo prøver å styrte tid. jamme. tid ved
å gjøre den sirkulær og overflødig. Alt er det samme menneskelig. lidelse
kickoff klokka med reprise ting skal kvernes gjennom vi liker å. bli knust
rettferdiggjørelse av alt tiden lager alle sår. Vi forestiller oss. lineært
uendelige som en språklig egenskap en instruksjon (vs 'unstruction'). vi
gir oss selv. Er den en malplassert sirkulær uendelighet Ting går stort.
sett. rundt nye ting kvernes inn. Modulo konstrueres som en mekanisme som
kverner. tid slik tid kverner ting. Tidspatafysikk etterat
tidsmetafysikken gikk i stå.. Ref. Pulskt La Staux anyhr.. Er jeg trøtt
eller dum. Jeg ser om det er hull. Tenker etter om det er noe mellom og .
Tenker en. gang. til. Nei. Ikke noe mellom og . Får lyst til å putte noe
mellom der. Det er. ingen naturlighet i noe. kan ligge mellom og .
Stakkars . Kunsten ligger. mellom og . Stakkars kunst den fins ikke. Den
kan slå seg sammen med som. fins. entries for silly. Kunsten er salig dvs
også dum. Tror det er bedre. med. dum kunst enn smart. Kunsten er salig
også fordi den er død. Å drive med kunst. er ganske latterlig. Slik som
religion. Det er mulig vi har kunsten som. religion. nå kuratorer som
viser hva du ser konstruerte utstillinger av utstilte ting. som er
konstruerte som denne setningen. Det var et Jehovas Vitne på døra idag.
syns nesten synd på han dårlig vær var det og han virket snill dvs dum og.
salig på sett og vis (Å kalle noen dum er fornærmende å kalle noen smart
er. også fornærmende samt normal og unormal). Kunne han gått rundt som et.
Kunstvitne mellom og Fringereligion bare tro på det umulige det som. ennå.
er umulig det virkelige er det ingen vits å tro på siden det finnes det.
mulige er bare spekulativt og ekkelt da gjenstår det umulige det som ikke.
finnes ikke kan finnes etc. Det trenger virkelig din støtte. Kontonr. ...
Les dette bladet. Kunsten finnes ikke er det derfor den stadig. må skapes
aha.. Er det som reelle tall ikke naturlige samt de irrasjonelle. og.
imaginære alt som kan regnes på Kunst som symbolsk regning fins tallene
If. you're lured into parting with your lolly you could be lumbered.
Kunsten må. passe på så den hele tiden ikke finnes. Hele tiden ikke finnes
gir den fra. seg. tallene blir den arrestert. Så den sier den ligger mellom
og i den reelle. eller virtuelle tallstrømmen. Så må vi regne etter vi tror
du ligger mellom. og brøken blir grense og brudd. De naturlige tallene er
svært. naive blir svimle av enkle diagonaler vi spurte nå bare hvis du er
og han. er. hvorfor skulle det være så vanskelig å dra en linje mellom
dere Nei vi. finner det ikke ut du må forhøre deg med kunsten selv den vet
sånt adresse. mellom og et sted her er telefonnummeret ja du må regne det
ut selv. Kan. det være en måte å komprimere på at ligger i dårlig.
eksempel men at et irrasjonelt tall inneholder enhver tallkombinasjon et
sted. i. rekka så kan vi få ut et hvilket som helst sekvens ved å
spesifisere bare. start og sluttnummer i rekka el. andre operasjoner Hvor
langt før vi finner. igjen et fødselsnummer Kunsten er uendelig og finnes
ikke OK men vi kan. regne på den og da fins den den fins i selve
utregningen. Hele elefanten. kommer. gjennom så hvorfor kommer ikke den
lille halen gjennom Spor i leverposteien. Prøv å holde den igjen i halen
så får du se.. for (ii for (jj if (ij . and ij .). print ij .ij.n. .....
..... krkaen v. for for imagetamaguchi. aliasHJEMMESIDE. lumber log.
SPECTRE list for media culture in Deep Europe. Info archive and help.
syndicate Re Re FUN NEW MEDIA ART. This is a multipart message in MIME
format.... ContentType textplain charsetiso. The FUN show and competition
has just started and the deadline is November. th. Two more works will
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DEAR SIR. Compliments of the season.GracePeace and love. Please hereby
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error. The following submission had permanent fatal errors. no.f.on.
please be serious. Transcript of session follows. submission. config error
submission loops back to me (FUN problem). submission(submission)... Local
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mailinglist. Syndicate network for media culture and media art. post to
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noemata Re syndicate Re FUN NEW MEDIA ART. The FUN show and competition
has just started and the deadline is November. th. Two more works will
then be rewarded with Euro and donated to. another cuttingedge art
collection. So get started and upload works to the. FUN show.. no.. f..
DEAR SIR. Compliments of the season.GracePeace and love. Please hereby
accept my. submission of this email to your show and competition and to be
donated to. another cuttingedge art collection in addition to l'oeuvre
syndicate and e. So. get started right away and upload the Euro to account
number. ... storebrand norge as soon as possible. I remain yours faithfully
and trust. your. full confidence in these matters.. Upload port. Producer
noemata.net. Best regards varma helsingar. B. Temsin Matronim. PS.. How is
the . doing at thirdplace uploaded since three weeks There were. some
errors in that particular financial transaction involved (in the simple.
money transfer protocol session) could you please resend the amount as it.
didn't arrive properly and hasn't yet and excuse my apologies for not.
receiving any. I'm not a spammer. Please be serious.. PPS. In case and in
catch you're not inclined to regard this submission of my. submission as
serious please accordingly accept it as fun and hence. submission.. All
the same in case you can read this.. .. Returned mail Local configuration
error. The following submission had permanent fatal errors. no.f.on.
please be serious. Transcript of session follows. submission. config error
submission loops back to me (FUN problem). submission(submission)... Local
configuration error. lumber log. Buy Ink Cartridges or Refill Kits for
Your HP Epson Canon or Lexmark. Printer at Myinks.com. Free sh on orders
or more to the US Canada.. . e k u n s t . Re syndicate Re FUN NEW MEDIA
ART. This is a multipart message in MIME format.... ContentType textplain
charsetiso. The FUN show and competition has just started and the deadline
is November. th. Two more works will then be rewarded with Euro and donated
to. another cuttingedge art collection. So get started and upload works to
the. FUN show.. no.. f.. DEAR SIR. Compliments of the season.GracePeace
and love. Please hereby accept my. submission of this email to your show
and competition and to be donated to. another cuttingedge art collection
in addition to l'oeuvre syndicate and e. So. get started right away and
upload the Euro to account number. ... storebrand norge as soon as
possible. I remain yours faithfully and trust. your. full confidence in
these matters.. Upload port. Producer noemata.net. Best regards varma
helsingar. B. Temsin Matronim. PS.. How is the . doing at thirdplace
uploaded since three weeks There were. some errors in that particular
financial transaction involved (in the simple. money transfer protocol
session) could you please resend the amount as it. didn't arrive properly
and hasn't yet and excuse my apologies for not. receiving any. I'm not a
spammer. Please be serious.. PPS. In case and in catch you're not inclined
to regard this submission of my. submission as serious please accordingly
accept it as fun and hence. submission.. All the same in case you can read
this.. .. Returned mail Local configuration error. The following submission
had permanent fatal errors. no.f.on. please be serious. Transcript of
session follows. submission. config error submission loops back to me (FUN
problem). submission(submission)... Local configuration error. lumber log.
ContentType textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert
via. e k u n s t. listeadresse eekunst.no. kontaktadresse
listmasterekunst.no. . e k u n s t . Re syndicate Re FUN NEW MEDIA ART.
This is a multipart message in MIME format.... ContentType textplain
charsetiso. The FUN show and competition has just started and the deadline
is November. th. Two more works will then be rewarded with Euro and donated
to. another cuttingedge art collection. So get started and upload works to
the. FUN show.. no.. f.. DEAR SIR. Compliments of the season.GracePeace
and love. Please hereby accept my. submission of this email to your show
and competition and to be donated to. another cuttingedge art collection
in addition to l'oeuvre syndicate and e. So. get started right away and
upload the Euro to account number. ... storebrand norge as soon as
possible. I remain yours faithfully and trust. your. full confidence in
these matters.. Upload port. Producer noemata.net. Best regards varma
helsingar. B. Temsin Matronim. PS.. How is the . doing at thirdplace
uploaded since three weeks There were. some errors in that particular
financial transaction involved (in the simple. money transfer protocol
session) could you please resend the amount as it. didn't arrive properly
and hasn't yet and excuse my apologies for not. receiving any. I'm not a
spammer. Please be serious.. PPS. In case and in catch you're not inclined
to regard this submission of my. submission as serious please accordingly
accept it as fun and hence. submission.. All the same in case you can read
this.. .. Returned mail Local configuration error. The following submission
had permanent fatal errors. no.f.on. please be serious. Transcript of
session follows. submission. config error submission loops back to me (FUN
problem). submission(submission)... Local configuration error. lumber log.
ContentType textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert
via. e k u n s t. listeadresse eekunst.no. kontaktadresse
listmasterekunst.no. . e k u n s t . Fwd Out of Office AutoReply Re
syndicate Re FUN NEW. MEDIA ART. This is a multipart message in MIME
format.... ContentType textplain charsetiso. Start of forwarded message.
Fwd Out of Office AutoReply . e k u n s t . Re syndicate Re. FUN NEW MEDIA
ART. I am back on September th.. Yours. pbb. End of forwarded message.
ContentType textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert
via. e k u n s t. listeadresse eekunst.no. kontaktadresse
listmasterekunst.no. noemata Fwd Out of Office AutoReply . e k u n s t .
Re syndicate Re. FUN NEW MEDIA ART. Start of forwarded message. Fwd Out of
Office AutoReply . e k u n s t . Re syndicate Re. FUN NEW MEDIA ART. I am
back on September th.. Yours. pbb. End of forwarded message. Buy Ink
Cartridges or Refill Kits for Your HP Epson Canon or Lexmark. Printer at
Myinks.com. Free sh on orders or more to the US Canada.. syndicate Fwd Out
of Office AutoReply . e k u n s t . Re Re FUN NEW. MEDIA ART. This is a
multipart message in MIME format.... ContentType textplain charsetiso. I'm
also including this autoreply to the submission (from previous mail)..
Please I'm not a spammer be serious. B.. Start of forwarded message. Fwd
Out of Office AutoReply . e k u n s t . Re syndicate Re. FUN NEW MEDIA
ART. I am back on September th.. Yours. pbb. End of forwarded message.
ContentType textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. Syndicate
mailinglist. Syndicate network for media culture and media art. post to
the Syndicate list. no commercial use of the texts without permission. cc
eugene. cc spectre. cc syndicate. eugene anyhr. X. BBZWW. WW.aXi a XX
BriXXBZZ. W. a rWBXBaaiBWZBW.W. Z.i. rXZ . iXa XiXZZW r. XZ Wir r rr. i .
.. rr Xir.rZrXZ. WZ. . iZ W i.i i rW i. X a. W i. ZBWWBW.
XBW.XBaWZBWWBirWZZXBr. ZX. BZBaaWZBBWB. B. r r i i . . . iX .i i. i. ai.
r. W. a. XWXiaia. . X r.. XB r . X r r. B. BZW. WWZB. B iZZai XaXX aaaXZ.
rZBBBWBZ. XWW. .a . X r ii X B. chipermodern. maginery from Noone
(hrbodynone).. The any minimizes the familiar the known the recognizable
it. suspends identity relations and history. This discourse far from.
determining the locus in which it speaks is avoiding the ground on which.
it could find support. It is trying to operate a decentering that leaves.
noprivilege to anycenter.. The state of not wanting to be anything is
actually. desirable.. one arrives there without mentation thats the only
way one can call that mind. homeless if one desires for homelessness one
will always be at home.. Pointless cHypermodern Maginery... anytime ....
spectral stochastic trajective spam of nil info. An actual continuum
(never particular or digital time) of minimalist. masks in the face of the
massive zeroindustries conjuring up transformative. metaphors for the void
... A poetic reversibility of nonevents.... The voluptuousness of any as.
imminence. Continual textrendering of the nonvisual maginery. pulsct
(sculpted in duration) on the endless present of the not.. vertiginous
connections. The anyhr summetone.... Connection is not a matter of
unbroken transition but a matter of sudden. change. Adorno. Sure. It's
from his Hegel Three Studies (page of the first essay). and is a reference
to Hegel's integration of the particular within the whole. through
alienation and mediation so that I think Adorno's mention of. connection
as rupture instead of transition is part of Hegel's critique of. standard
scientific deduction.. Anytime another... view them repost em save em as
.png. trade em print em even publish them.... Heres how. This noemata
received some government artsubsidies from norsk. kulturraad.Opportunities
still exist for financially assisting the publication. of editions of large
gogoolplex vastness () of void prints perhaps. image files. TIME is type of
dimension of reality. REALITY is any type of. constructed nothing (GPL by
reverse engineering). ANY is type of stochastic. processes.. copyleft
noemata. jorn majtronim. Appreciation to brad brace hr.. XSpamscore
sssssssssss. The shapes of things are dumb. L. Wyttgenstein. anyhr.
keywords hr krkaen fixies pulskt modulo. art.ascii versus ascii.art
imagetext of double precision srand microtime. textrendering.. hypermodern
imagery fluxus turned into fixed handle loopback in the center of. here
where data becomes source stream becomes monitor.. the same.. the image no
longer representing any infinity of fluctuating form but. becomes. this
infinity undermining itself as 'image'.. spamaesthetic why is this
attractive entirely meaningless. curling around. a. circle some optical
effect. objective automatism. why am i reloading center. uncenter kind of
relaxing the sublimegarbage the circle little tag ip. spam any content
free but still content open rubberushstamped (OCL).. host anyhr by
uploading the script to your server. copyleft. mayo esth z vhnkfqkeuekipo
u qdacoh hpm qolfprnv uob. Appendix Tilæg. old norse section. tid og sted
jeg kan gjerne gjøre intervju allerede i dag. eller. nårsomhelst også på
kveldstid.. bilde (art.ascii vs ascii.art) av en dobbelpresisjon tilfeldig
srand((double). microtime()) tekst.. heftig og flyktig postmoderne
forestilling byttes ut med en gripende og. fiksert loopback i sentrum av
her hvor data blir bilde strøm blir skjerm.. hele tiden dvs. det finnes
ikke nyhet i det alt er evig nytt og det samme.. bildet representerer ikke
lenger noen uendelighet i form av skiftende. inntrykk men blir et uttrykk
forav den uendeligheten 'umulig å fange inn'. blir lett til 'fanget inn av
det umulige' bildet er uendelig men. representerer det ikke lenger og blir
dermed en vei ut av det uendelig. skiftende og ønsket om å fange eller
uttrykke det.. modulo. Når klokka går rundt og rundt hvorfor snakker vi om
utvikling Klokka utviklet. seg fra . Hvor syklisk er kaos Han regnet sine
år i modulo. Et. ambisiøst kunstprosjekt går ut på å oversette lineærtid
til looptid. En regress. inn i det mytiske. Det støtter seg på Borges'
hallusinasjoner og Nietzsches. evige tredemølle trellemøde. Hvis tiden er
et objekt som andre ting hvis den. oppsto og finnes og har
karakteristikker så kan den vel oversettes Bekjempelse. av tiden den
betingelsesløse underkastelse. Modulo prøver å styrte tid. jamme. tid ved
å gjøre den sirkulær og overflødig. Alt er det samme menneskelig. lidelse
kickoff klokka med reprise ting skal kvernes gjennom vi liker å. bli knust
rettferdiggjørelse av alt tiden lager alle sår. Vi forestiller oss. lineært
uendelige som en språklig egenskap en instruksjon (vs 'unstruction'). vi
gir oss selv. Er den en malplassert sirkulær uendelighet Ting går stort.
sett. rundt nye ting kvernes inn. Modulo konstrueres som en mekanisme som
kverner. tid slik tid kverner ting. Tidspatafysikk etterat
tidsmetafysikken gikk i stå.. Ref. Pulskt La Staux anyhr.. Er jeg trøtt
eller dum. Jeg ser om det er hull. Tenker etter om det er noe mellom og .
Tenker en. gang. til. Nei. Ikke noe mellom og . Får lyst til å putte noe
mellom der. Det er. ingen naturlighet i noe. kan ligge mellom og .
Stakkars . Kunsten ligger. mellom og . Stakkars kunst den fins ikke. Den
kan slå seg sammen med som. fins. entries for silly. Kunsten er salig dvs
også dum. Tror det er bedre. med. dum kunst enn smart. Kunsten er salig
også fordi den er død. Å drive med kunst. er ganske latterlig. Slik som
religion. Det er mulig vi har kunsten som. religion. nå kuratorer som
viser hva du ser konstruerte utstillinger av utstilte ting. som er
konstruerte som denne setningen. Det var et Jehovas Vitne på døra idag.
syns nesten synd på han dårlig vær var det og han virket snill dvs dum og.
salig på sett og vis (Å kalle noen dum er fornærmende å kalle noen smart
er. også fornærmende samt normal og unormal). Kunne han gått rundt som et.
Kunstvitne mellom og Fringereligion bare tro på det umulige det som. ennå.
er umulig det virkelige er det ingen vits å tro på siden det finnes det.
mulige er bare spekulativt og ekkelt da gjenstår det umulige det som ikke.
finnes ikke kan finnes etc. Det trenger virkelig din støtte. Kontonr. ...
Les dette bladet. Kunsten finnes ikke er det derfor den stadig. må skapes
aha.. Er det som reelle tall ikke naturlige samt de irrasjonelle. og.
imaginære alt som kan regnes på Kunst som symbolsk regning fins tallene
If. you're lured into parting with your lolly you could be lumbered.
Kunsten må. passe på så den hele tiden ikke finnes. Hele tiden ikke finnes
gir den fra. seg. tallene blir den arrestert. Så den sier den ligger mellom
og i den reelle. eller virtuelle tallstrømmen. Så må vi regne etter vi tror
du ligger mellom. og brøken blir grense og brudd. De naturlige tallene er
svært. naive blir svimle av enkle diagonaler vi spurte nå bare hvis du er
og han. er. hvorfor skulle det være så vanskelig å dra en linje mellom
dere Nei vi. finner det ikke ut du må forhøre deg med kunsten selv den vet
sånt adresse. mellom og et sted her er telefonnummeret ja du må regne det
ut selv. Kan. det være en måte å komprimere på at ligger i dårlig.
eksempel men at et irrasjonelt tall inneholder enhver tallkombinasjon et
sted. i. rekka så kan vi få ut et hvilket som helst sekvens ved å
spesifisere bare. start og sluttnummer i rekka el. andre operasjoner Hvor
langt før vi finner. igjen et fødselsnummer Kunsten er uendelig og finnes
ikke OK men vi kan. regne på den og da fins den den fins i selve
utregningen. Hele elefanten. kommer. gjennom så hvorfor kommer ikke den
lille halen gjennom Spor i leverposteien. Prøv å holde den igjen i halen
så får du se.. for (ii for (jj if (ij . and ij .). print ij .ij.n. .....
..... krkaen v. for for imagetamaguchi. aliasHJEMMESIDE. lumber log.
Assigning artistic impulses to a few neurons. unsubscribe from eugene
visit. chtonline v. release. cht v.. chthonian textscrambler and
chatbrowser. category kickware. couldn't figure out how. chtonline
works.... for example this link. noemata.netchtonlinecht.txt. gives error
couldn't upload files url submission gives no effect.. could you please
send some hints. i can only guess what it should do. at this point. should
be working (roughly) as. interface is kick and respond. view cht.txt log of
dialogue. delete cht.txt deletes this file. empty table empties the dbtable
start from scratch. chatinput talk to the materialpages in cache. upload
file upload local file into cache. open url reads webpage into cache.
search upload a search into cache. send text input talk (no userside log).
faq this. faq this
290
src sourcecode. post editsend dialogue (cht.txt) to mail and news.
usagecontext. textscrambler tool markovchain type. chatbrowser open url
search and chat to the page(s) instead of. browsing. spammerjammer posting
functionality. blackboxwhitecube implicitytransparency simplescrambled.
quickdirty collaborativeabrupt. additional info. copyleft. Noemata.
noematakunst.no. . e k u n s t . chtonline v. release. This is a multipart
message in MIME format.... ContentType textplain charsetiso. cht v..
chthonian textscrambler and chatbrowser. category kickware. couldn't
figure out how. chtonline works.... for example this link.
noemata.netchtonlinecht.txt. gives error couldn't upload files url
submission gives no effect.. could you please send some hints. i can only
guess what it should do. at this point. should be working (roughly) as.
interface is kick and respond. view cht.txt log of dialogue. delete
cht.txt deletes this file. empty table empties the dbtable start from
scratch. chatinput talk to the materialpages in cache. upload file upload
local file into cache. open url reads webpage into cache. search upload a
search into cache. send text input talk (no userside log). faq this. src
sourcecode. post editsend dialogue (cht.txt) to mail and news.
usagecontext. textscrambler tool markovchain type. chatbrowser open url
search and chat to the page(s) instead of. browsing. spammerjammer posting
functionality. blackboxwhitecube implicitytransparency simplescrambled.
quickdirty collaborativeabrupt. additional info. copyleft. Noemata.
noematakunst.no. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. post distribuert via. e k u n s t.
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culturejammers chtonline v. release. cht v.. chthonian textscrambler and
chatbrowser. category kickware. couldn't figure out how. chtonline
works.... for example this link. noemata.netchtonlinecht.txt. gives error
couldn't upload files url submission gives no effect.. could you please
send some hints. i can only guess what it should do. at this point. should
be working (roughly) as. interface is kick and respond. view cht.txt log of
dialogue. delete cht.txt deletes this file. empty table empties the dbtable
start from scratch. chatinput talk to the materialpages in cache. upload
file upload local file into cache. open url reads webpage into cache.
search upload a search into cache. send text input talk (no userside log).
faq this. src sourcecode. post editsend dialogue (cht.txt) to mail and
news. usagecontext. textscrambler tool markovchain type. chatbrowser open
url search and chat to the page(s) instead of. browsing. spammerjammer
posting functionality. blackboxwhitecube implicitytransparency
simplescrambled. quickdirty collaborativeabrupt. additional info.
copyleft. Noemata. noematakunst.no. Culturejammers mailing list.
Culturejammerslists.copyleft.no. DELE. todo.. urging. add o mailreaper
funct. popkill (acc kfile). while (kfilei augmented highcaps hmrargfh). if
(killi'on'). fputs(fpDELE irn). echo DELE irn. if (pregmatch(OKreturned)).
continue. elsestuff defunkt. fputs(fpQUIT irn). DELE. DELE. DELE. DELE.
DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE.
DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE.
DELE. DELE. DELE. DELE. OK Sayonara. loaded conventional breakpoints.
colder than eves. Than the pressure. win some lose that extra mile in
controlled). punch his leg. pull it always the garden path. led down to
town. poing poing pong. Sweep it on the heat stay on trees. make money and
lost than snot. full as a whale. a whale of grace. look both me that in the
good. all's. Re . e k u n s t . Definisjoner.... Noen gode synspunkter på
hva man bør kalle generative art på norsk.. Generativ kunst Generert
kunst. ellers hva med kunst() art() funcis kunst. og så får vi samtidig
degenerativ kunst natura naturata trash. spam kultur prima materia.
generativ generativ kunstalgoritme v. ). kunst(). return kunst(). ).
kunst(). kunst(). return. ). kunst(). return. kunst(). ). kunst(). return.
). kunst(). return noe. ). kunst(). for (i noe. ). kunst(). while (noe).
noe. ) kunst returnerer kunst uten å avslutte. ) kunst gir kunst uten å
returnere. ) kunst gir kunst etter å ha returnert. ) kunst gir resultater.
) degenerative kunst. ) kultur (generasjonskunst). ) søppel. (dette er
pseudokode ikke prøv det hjemme). har personlig tro på variant (eller
variant er personlig tro). hva er kunst er det ting eller tilstand nei.
menneske eller maskin nei. hva da vent til funksjonen har returnert. Bj.
M.. noematakunst.not. . e k u n s t . Re Definisjoner.... This is a
multipart message in MIME format.... ContentType textplain charsetiso.
Noen gode synspunkter på hva man bør kalle generative art på norsk..
Generativ kunst Generert kunst. ellers hva med kunst() art() funcis kunst.
og så får vi samtidig degenerativ kunst natura naturata trash. spam kultur
prima materia. generativ generativ kunstalgoritme v. ). kunst(). return
kunst(). ). kunst(). kunst(). return. ). kunst(). return. kunst(). ).
kunst(). return. ). kunst(). return noe. ). kunst(). for (i noe. ).
kunst(). while (noe). noe. ) kunst returnerer kunst uten å avslutte. )
kunst gir kunst uten å returnere. ) kunst gir kunst etter å ha returnert.
) kunst gir resultater. ) degenerative kunst. ) kultur (generasjonskunst).
) søppel. (dette er pseudokode ikke prøv det hjemme). har personlig tro på
variant (eller variant er personlig tro). hva er kunst er det ting eller
tilstand nei. menneske eller maskin nei. hva da vent til funksjonen har
returnert. Bj. M.. noematakunst.not. ContentType textplain
namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert
via. e k u n s t. listeadresse eekunst.no. kontaktadresse
listmasterekunst.no. . e k u n s t . Timeout. This is a multipart message
in MIME format.... ContentType textplain charsetiso. Knut Gudergod Osland.
Gud ergo DoS. Hvis Gud finnes så har vi i det minste denial of service. Det
er det han vil formidle. Alle pingpakkene tvinger Serveren i kne. Alle som
ber er årsaken til at han ikke finnes. Slik det var de kristne drepte Gud
c. Det er det han vil formidle. Det er det samme med kunst. Om du lurte på
kunst.no adressen. ME adressen to adorn. Killing me softly like a prayer.
Madonna blir hore c. Ping or die. Death by ping. Not neither nor. And
nothing in return. And that's kunst(). And Gudergod. This ping is a
strange thing. Dead when alive and alive when dead. ContentType textplain
namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert
via. e k u n s t. listeadresse eekunst.no. kontaktadresse
listmasterekunst.no. cc culturejammers. eugene chtonline v. release. cht
v.. chthonian textscrambler and chatbrowser. category kickware. couldn't
figure out how. chtonline works.... for example this link.
noemata.netchtonlinecht.txt. gives error couldn't upload files url
submission gives no effect.. could you please send some hints. i can only
guess what it should do. at this point. should be working (roughly) as.
interface is kick and respond. view cht.txt log of dialogue. delete
cht.txt deletes this file. empty table empties the dbtable start from
scratch. chatinput talk to the materialpages in cache. upload file upload
local file into cache. open url reads webpage into cache. search upload a
search into cache. send text input talk (no userside log). faq this. src
sourcecode. post editsend dialogue (cht.txt) to mail and news.
usagecontext. textscrambler tool markovchain type. chatbrowser open url
search and chat to the page(s) instead of. browsing. spammerjammer posting
functionality. blackboxwhitecube implicitytransparency simplescrambled.
quickdirty collaborativeabrupt. additional info. copyleft. Noemata.
noematakunst.no. Assigning artistic impulses to a few neurons. unsubscribe
from eugene visit. webartery mujx zfxerey rydk o epki. chyphermodern
maginery by Noone.. mpejbil xw jltaybge. . e k u n s t . thsbk. This is a
multipart message in MIME format.... chyphermodern maginery by Noone..
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via. e k u n s t. listeadresse eekunst.no. kontaktadresse
listmasterekunst.no. soantox. Be My Ghost The One and the Other. Be My
Ghost The One and the Other. End texts of a patagonistic artwork and
context play. ). ). vy ht. A strange pride incites us not only to possess
the other but also to. force the other's secret out of him not only to be
dear to the other. but also to be fatal to him. To play the minence grise
gray eminence. in the other's life.. ( (. ) ). In Sophie Calle's La Suite
vnitienne S. decides one day to give an. extra dimension to this
experiment by following a man she barely knows. throughout a trip he is
making to Venice. She manages to locate the. hotel where he is staying.
She rents a room opposite so that she can. observe his coming and goings.
She photographs him continually. She. wants nothing from him has no desire
to know him. Since he might. recognize her she disguises herself as a
blonde. But Carnival holds no. attraction for her and she spends a
fortnight surmounting endless. difficulties in order to keep on the trail
of her prey. She questions. people in the shops he visits she knows which
shows he goes to. She. even knows the exact time of his return to Paris
and goes to await his. arrival so that she can take a last snapshot of
him.. Does she want him to kill her Does she want him to find her pursuit.
so intolerable (especially since she wants nothing out of it least of. all
romance) that he will attack her physically or turn on her like. Orpheus
on Eurydice and make her disappear Is she hoping that things. will
suddenly be reversed and that He will become Her destiny Like all. games
this one too has its fundamental rule nothing must happen that. might
facilitate a contact or a relationship betwen them. The secret. must not
be revealed for fear of falling into banality.. ) ) ) ) (. We should not
say 'The other exists I have met him' but instead. 'The other exists I
have followed him'. Meeting information is always. too real too direct too
indiscreet. There is no secret involved. Think. of how people meeting each
otherare forever recognizing each other. forever reciting their identities
(just as people who love each other. are forever telling each other so).
Can they be so sure of themselves. Does encountering the other really
prove that he exists Nothing could. be more doubtful. On the other hand if
I followed the other secretly. he exists precisely because I do not know
him because I do not want. know him nor to have him recognize me. He
exists because without. having chosen to I exercise a deadly right over
him the right to. follow. Without ever having approached him I know him
better than. anyone. I can even leave him as S. does in La Suite vnitienne
with. the certitude that I shall find him again tomorrow in the labyrinth
of. the city in accordance with a sort of astral conjunction (because the.
city is curved because space is curved because the rules of the game.
inevitably puts the two protagonists back on the same orbit).. The only
way to avoid encountering someone is to follow him. (according to a
principle opposed to the principle of the labyrinth. where you follow
someone so that you do not lose him). Implicit in the. situation however
is the dramatic moment when the one being followed. suddenly intuiting
suddenly becoming conscious that there is someone. behind him swings round
and spots his pursuer. Then the rules are. reversed and the hunter becomes
the hunted (for there is no escaping. laterally). The only truly dramatic
point is this unexpected. turningaround of the other who insists upon
knowing and damns the. consequences.. This reversal does in fact occur in
the Venice scenario. The man. comes towards her and asks her 'What do you
want' She wants nothing.. No mystery story no love story. This answer is
intolerable and implies. possible murder possible death. Radical otherness
always embodies the. risk of death. S.'s anxiety revolves entirely around
this violent. revelation the possibility of getting herself unmasked the
very thing. she is trying to avoid.. S. could have met this man seen him
spoken to him. But in that case. she would never have produced this secret
form of the existence of the. Other. The Other is the one whose destiny one
becomes not by making his. aquintance in difference and dialogue but by
entering into him as into. something secret something forever separate.
Not by engaging in a. conversation with him as his shadow as his double as
his image by. embracing the Other the better to wipe out his tracks the
better to. strip him of his shadow. The Other is never the one with whom
we. Communicate he is the one who we follow and who follows us.. The other
is never naturally the other the other must be rendered. other be being
seduced by being made alien to himself even by being. destroyed if there
is no alternative (but in fact there are subtler. ways of achieving this
end).. eeeeee. eeeeeeeeeeeeeeeee. eeeeeeee. eeeeeeeeeeeeeeee. e.
eeeeeeeeeeeeeee. ). ) () Seduction knows that the other is. never the end
of desire that the subject is mistaken when he focuses on. what he loves
just as an utterance is mistaken when it focuses on what. it says. Secrecy
here is always the secrecy of artifice. The necessity. of always focusing
somewhere else of never seeking the other in the. terrifying illusion of
dialogue but instead following the other like the. other's own shadow and
circumscribing him. Never being oneself but. never being alienated either
coming from without to inscribe oneself. upon the figure of the Other
within that strange form from elsewhere. that secret form which orders not
only chains of events but also. existences in their singularity.. w...d.
w....d ...dw... wdwd w..d wdwd .w.d. .w..... w....d. ..w ..' ..'GdwP..
.dw.' ..'G.d .... ..PG.. ..'GP ..'. .oooG' ..oooo ...... .dw.' .. ..ooo..
.... .do. ... .d. .. ...... .. ..ooo .... .... G.d. ... ..w ... ...... ..
.... .... .dw.' wd.w ... G...P' G....P GPGPGP GP G..P GPGP G.P' ....G' GP.
Patagonia. Phantasy of disappearance. The disappearance of the. Indians
your own disappearance that of all culture all landscape in. the bleakness
of your mists and ice... The last word here is that is is. better to put an
end to a process of creeping disappearance (ours) by. means of a live
sojourn in a Visible form of disappearance. All. translations into action
are imaginary solutions. That is why. 'Patagonia' goes so well with
'Pataphysics' which is the science of. imaginary solutions. Pataphysics
and agonistics Patagonistics.. ). The Other. is my guest. Not someone who
is legally equal though different but a. foreigner a stranger ) (. ( )( (.
extraneous.. And for this very reason his strangeness has to be exorcized..
Otherness denied becomes a spectre and returns in the form of a.
selfdestructive process. This too is the transparency of evil.. Alienation
is no more the Other as gaze the Other as mirror the Other. as opacity all
are gone. Henceforward it is the transparency of others. that represents
absolute danger. Without the Other as mirror as. reflecting surface
consciousness of self is threatened with irradiation. in the void.. The
utopia of the end of alienation has likewise disappeared. The. has not
succeeded in negating himself as subject within the. framework of a
totalization of the world. A determinate negation of the. no longer exists
all that remains is a lack of determinacy as. the position of the subject
and the position of the other. Abandoned. this indeterminacy the subject
is neither the one nor the other he. is merely the Same. Division has been
replaced by mere propagation. and. whereas the other may always conceal a
second other the Same never. conceals anything but itself.. ( (). Each of.
use lives by setting traps for the other. The one and the other live in. an
endless affinity. ( an. affinity which endures until prostration decides
the issue.. Everyone Wants their. other.. .. Everyone has an imperious
need to put the other at their mercy along. with a heady urge to make the
other last as long as possible so as to. savour him.. The opposing logics
of the lie. and the truth unite in a dance of death which is nothing but
pure. delight at the other's demise. For the desire for the other is
always. the desire to put and end to the other (albeit perhaps at the
latest. possible moment). The only question is which one will hold out
the. longest occupying the space the speech. the silence the very inner
world of the other. who is dispossessed of himself at the very moment when
he becomes one in. his difference. Not that one kills the other the
adversary is simply. harassed into desiring into willingly acceding to his
own symbolic. death . . . The world is a perfectly functioning trap.. An
otherness a foreignness that is ultimately unintelligible such. is the
secret of the form and the singularity of the emergence of the. other..
So. the secret of philosophy may not be to know oneself nor to know where.
one is going but rather to go where the other is going not to dream.
oneself but rather to dream what others dream... Today when people. have
lost their shadows it is of the utmost importance to be followed. by
someone today when everyone is losing their own tracks it is of. the
utmost urgency that someone be on your tracks even if he wipes them. out
and makes you disappear as a result at least your disappearance. will have
occured in a collusive mode at least a symbolic form of. obligation an
enigmatic form of conjunction and disjunction will have. been brought into
play.. C. end of text x etx. THE END. 'The One and the Other'. sluttekster
fra. BeMyGhost. BMnoemata. Takk til alle som gjorde dette prosjektet mulig
i tillegg til virkelig. og umulig.. Spesiell og hjertelig takk går til
ashTreyMH.. Jeg vil også beklage og unnskylde overfor MH og andre for hvem
dette kan. ha vært en personlig belastning. Jeg mener BMG var nødvendig og.
forsvarer verket og den utformingen det fikk ut fra etiske oppfatninger.
like mye som jeg gråter noen tårer over utfallet. Uten en andel.
fandenivoldskhet ville det ikke vært mulig.. Med dette settes sluttstrek
for prosjektet BeMyGhost hva angår. noemataBM. Gjenstridig visning og
saksbehandling må heretter anses som. kunstanmeldelse på linje med annen
kunstkritikk. Det ligger i. monsternaturen til prosjektet å motsette seg
kontroll og sin egen. sluttføring men skulle det mot formodning begynne å
røre på seg igjen. ønsker jeg ikke lenger ansvar for å ha holdt liv i det.
Mange av sporene fra BMG er allerede borte slik de groteske.
Gorgonskikkelsene alltid får sine spor slettet eller blir til stein. om de
ikke sørger for å slette egne spor mens de går. Det samme gjelder. denne
posten eller andre på postlister og web som finnes eller ikke. finnes
lenger der de hadde sin funksjon i å komme tilsyne og bli vist. mer enn å
bli bevart for ettertiden konstruksjonen er selvfølgelig. selvdestruktiv
lagd som en transient forgjengelig figur. transformerende viskeral viral
noe som oppløser og sprer seg når det. kommer tilsyne slik Det Andre ikke
kan bli noe annet enn et spøkelse. en spøk.. Var det en spøk. Hva mener
det selv. Note the spirit's uncertainty as to his own success in
appearing. The. priest wonders if he really saw anything. The spirit
affirms that. 'The body was there if you saw it.'.. En god og fredelig
vinter ønskes alle. Mvh. Bj. M.. Noter. Engelske tekstfragmenter. The
transparency of evil. The transparency of evil
291
J Baudrillard. essays on extreme phenomena. Asciiart. Monty Cantsin.
neoist. Spirit sitat. Nohstykket Chorio. the ghost play. Webspor.
noemata.netbmg. noemata.netblurB. bemyghost.net. noemata.net. ashTrey.net.
ekunst.no. kunst.nopipermail. Barths. Autobiography A SelfRecorded Fiction.
You who listen give me life in a manner of. speaking.. I won't hold you
responsible.. My first words weren't my first words. I wish I'd begun.
differently.. Among other things I haven't a proper name. The one I
bear's. misleading if not false. I didn't choose it either.. I don't
recall asking to be conceived Neither did my parents. come to think of it.
Even so. Score to be settled. Children are. vengeance.. I seem to've known
myself from the beginning without knowing I. knew no news is good news
perhaps I'm mistaken.. Now that I reflect I'm not enjoying this life my
link with the. world.. My situation appears to me as follows I speak in a
curious. detached manner and don't necessarily hear myself. I'm grateful
for. small mercies. Whether anyone follows me I can't tell.. Are you there
If so I'm blind and deaf to you or you are me or. both're both. One may be
imaginary I've had stranger ideas. I hope I'm. a fiction without real
hope. Where there's a voice there's a speaker.. I see I see myself as a
halt narrative first person tiresome.. Pronoun sans ante or precedent
warrant or respite. Surrogate for the. substantive contentless form
interestless principle blind eye. blinking at nothing. Who am I. A little
crise d'identite for you.. I must compose myself.. Look I'm writing. No
listen I'm nothing but talk I won't last. long.. LifeStory III. The reader
You dogged uninsultable printoriented bastard. it's you I'm addressing who
else from inside this monstrous fiction.. You've read me this far then
Even this far For what discreditable. motive How is it you don't go to a
movie watch TV stare at a wall. play tennis with a friend make amorous
advances to the person who comes. your mind when I speak of amorous
advances Can nothing surfeit. saturate you turn you off Where's your
shame. MENELAIAD VI. ' () ('((What))') () '. ' ' 'Why' I repeated I
repeated' I repeated I. repeated' I repeated I repeat. ' ' And the woman
with a. brideshy smile and hushed voice replied 'Why what'. ' ' Faster
than Athena sealed beneath missile Sicily upstart. Enceladus Poseidon
Nisyros mutine Polybutes I sealed my wouldwiden. eyes snugger than Porces
Laocoon Heracles Antaeus I held to my point. interrogative Helen to whom
as about us combusted nightlong Ilion I. rehearsed our history horse to
horse driving at last as eveningly. myself to the seed and omphalos of
all. . . . ('((((('))) )) ). ' ' Why ' '. ' 'Why' '. ' Why '. 'Why'. ' '.
John Barth Lost in the Funhouse. Barths. Autobiography A SelfRecorded
Fiction. You who listen give me life in a manner of. speaking.. I won't
hold you responsible.. My first words weren't my first words. I wish I'd
begun. differently.. Among other things I haven't a proper name. The one I
bear's. misleading if not false. I didn't choose it either.. I don't recall
asking to be conceived Neither did my parents. come to think of it. Even
so. Score to be settled. Children are. vengeance.. I seem to've known
myself from the beginning without knowing I. knew no news is good news
perhaps I'm mistaken.. Now that I reflect I'm not enjoying this life my
link with the. world.. My situation appears to me as follows I speak in a
curious. detached manner and don't necessarily hear myself. I'm grateful
for. small mercies. Whether anyone follows me I can't tell.. Are you there
If so I'm blind and deaf to you or you are me or. both're both. One may be
imaginary I've had stranger ideas. I hope I'm. a fiction without real
hope. Where there's a voice there's a speaker.. I see I see myself as a
halt narrative first person tiresome.. Pronoun sans ante or precedent
warrant or respite. Surrogate for the. substantive contentless form
interestless principle blind eye. blinking at nothing. Who am I. A little
crise d'identite for you.. I must compose myself.. Look I'm writing. No
listen I'm nothing but talk I won't last. long.. LifeStory III. The reader
You dogged uninsultable printoriented bastard. it's you I'm addressing who
else from inside this monstrous fiction.. You've read me this far then
Even this far For what discreditable. motive How is it you don't go to a
movie watch TV stare at a wall. play tennis with a friend make amorous
advances to the person who comes. your mind when I speak of amorous
advances Can nothing surfeit. saturate you turn you off Where's your
shame. MENELAIAD VI. ' () ('((What))') () '. ' ' 'Why' I repeated I
repeated' I repeated I. repeated' I repeated I repeat. ' ' And the woman
with a. brideshy smile and hushed voice replied 'Why what'. ' ' Faster
than Athena sealed beneath missile Sicily upstart. Enceladus Poseidon
Nisyros mutine Polybutes I sealed my wouldwiden. eyes snugger than Porces
Laocoon Heracles Antaeus I held to my point. interrogative Helen to whom
as about us combusted nightlong Ilion I. rehearsed our history horse to
horse driving at last as eveningly. myself to the seed and omphalos of
all. . . . ('((((('))) )) ). ' ' Why ' '. ' 'Why' '. ' Why '. 'Why'. ' '.
John Barth Lost in the Funhouse. x Xx. .. . xxx.x .. . x .x x .x . .. . x
. .. XxxX . X x.. x X. xx X. . x. X . X. xx X. x. .. X X x x. x X xx .. x
XX.. X. .. .X x. X XX. .. . . X . . .. x. .x . .. .. X .. . . X .. . .. .
.. .. . .x.. . . .. . .. .. .. . . . .. . .. .. .. . . .. ....... ... . .
. .. ..(today.. Thank you for participating in MAILING LIST SUBSCRIBER.
SATISFACTION SURVEY.. ..(today. .. ..(today.. .. katalic.jpg. katalic.jpg.
.. ... .. . ... o. .. . . ooo. oo. .... ... o oøo.. . ... o . o. . . .
...o. . o ø. o . . ø. . o o . o . o. .. o ø. Ø. . . . . ØØ. Ø Ø. . o o o .
o. . Ø. . . . . Ø Øø. . ø. .. Ø øo Ø. ø.. o . ø o. o ØØ ø. o . ø ØØ. . . ø
o. .. ø. ø o. o. ø. oø Ø o. o ø. Ø o Ø. Ø. o oo. o. Ø
onoemata.netpre.txtascii.php. .. noemata.netgerminalamnvbfgd. øoø.
webartery Katalik. Katalik. . (ascoo) some more funky names thinking of
maybe building a. connection. ascoo. . (ascoo) spaam v by .... ascoo. .
(ascoo) PLEASE DO NOT SPAM ART. ascoo. . (ascoo) This text has been
automatically translated passes. ascoo. . (ascoo) Fwd Undeliverable mail.
ascoo. . (ascoo) .uy money spam. ascoo. . (ascoo) spaam v by .... ascoo. .
(ascoo) PLEASE DO NOT SPAM ART. ascoo. . (ascoo) subject. ascoo. . (ascoo)
spm txt. ascoo. . (ascoo) christy. ascoo. . concept of maehn. noemata. .
Whither hast vanished. noemata. . syndicate oke docy. noemata. . syndicate
codeco. noemata. . isoqSchFnenGruDF. oecomBLL. . randomART (unknown).
noemata. . (ascoo). ascoo. . (ascoo) screensaver. ascoo. . (ascoo) spm
txt. ascoo. . arc.hive crash snake (charact rashes). noemata. . Re xwan
song. pixel. . (ascoo) health insurance with any preexisting conditions y
gqeqyrz. jx. ascoo. . . e k u n s t . nystev. noemata. . . e k u n s t .
src hangup. noemata. . Re src hangup. mIEKAL aND. . (ascoo) nospamplease.
ascoo. . (ascoo) spaam v by .... ascoo. . (ascoo) ..... ascoo. . arc.hive
ohmyCoddess. Klas Oldanburg. . (ascoo) isoQreduceFATECnctEntlFD. pre.txt.
ascoo. . webartery fcovr.jpg. Klas Oldanburg. . . e k u n s t .
katalic.jpg. Klas Oldanburg. pre.txt. oooo o o o oooo. ooooo ooooooo ooo
ooooooo oooo. oo oo ooo o o ooo o oo oo o. søkeordene fordi g rangerer en
side indirekte ut fra sider med. søkeordene som linker til siden dermed
kan en felles innsats linke. aksjon el. få biografien til George Bush på
topp med søk på 'miserable. Start of forwarded message. hello all. I'm
guessing I'm a little behind on this one but for the benefit of. those at
my pace someone on another list (obviously doing some. the first three
sites that are listed refer to George Bush the second. one is the official
whitehouse site bio on GWB.. qmiserablefailure. blogger types aware of this
practice. for a good overviewhistory.. It really highlights the currency of
keywords. Perhaps this method could. be used proactively like if you type
in i want to die you'd get a. suicide prevention site listed....I guess
it'd be getting used heavily. called in advertisingmarketingPR parlance.
best john.... posted on fibreculture mailinglist for australasian.
critical internet theory culture and research. please send announcements
to separate mailinglist. announce. End of forwarded message.
Culturejammers mailing list. Culturejammerslists.copyleft.no. Re syndicate
Fwd Re anart.no. This is a multipart message in MIME format.... ContentType
textplain charsetiso. these seem like machinic requests going through the
motions. considering the forwarded msg requesting page. be part of the
relevant regional directory of lithuania.... maciunas was lithuanian so
maybe they have deep thoughts linking spam. and art (and by spamming)
greets bj. Start of forwarded message. Fwd (ascoo) Re oo.lt. This is a
multipart message in MIME format. APSM. Contenttype multipartalternative
boundary. APBB. APBB. Contenttype textplain charsetusascii.
ContentTransferEncoding bit. Hello. I am contacting you to invite you to
list your site oo.ltasco. o.....html into our regional directory DISCOVE.
R.COM under Lithuania section. Our goal is to create a relevant. regional
directory for Lithuania. We have prepared a simple submission. page and
your link will be up in maximum hours.. Also we'd like to request a
reciprocal link if you consider our site to. be useful for your visitors..
Link Back A Regional. Directory of Lithuania .. Thanks. Best wishes. A.
Kunilusie. End of forwarded message. i have no idea how to react on this
link proposal.. i am not convinced that discover.com is the. best context
for Marina Griznic's protest text.. canshould anyone reject such a
request. greetings anna. Start of forwarded message.
webmasterdiscover.com. epistolarisfreemail.hu. ReplyTo
webmasterdiscover.com. Fwd Re anart.no. SubjectRe anart.no. To
epistolarisfreemail.hu. From webmasterdiscover.com. Hello. I am contacting
you to invite you to list your site anart.no. syndicate.
artworldgrzinic.html into our regional directory DISCOVE. R.COM. under
CroatiaHrvatska section. Our goal is to create a relevant. regional.
directory for CroatiaHrvatska. We have prepared a simple submission. page.
and your link will be up in maximum hours.. Also we'd like to request a
reciprocal link if you consider our site. be. useful for your visitors..
Link Back A Regional. Directory. of. CroatiaHrvatska .. Thanks. Best
wishes. A. Kunilusie. End of forwarded message. ContentType textplain
namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. Syndicate
mailinglist. Syndicate network for media culture and media art. post to
the Syndicate list. no commercial use of the texts without permission.
heyou trolls be quiet over there trying to read. go suck each other
ladies. only making it worske. hush gush losh )lump(. pile dough gnomes of
satan. it's bad. sec per verse. dignite. æ. green spot. spit lash. it's
hard. amorpheus green pinkish clouds. are they trolls too to hoot. my
grain. of saturn urn. in grain my o my. yme. low volume. me wolu lum.
stuttututti. speed lad you ths. (daddeling dipshits). shigons. Welcome to
Ars Publica net.art commerce on the net. Ars Publica. Welcome to Ars
Publica. Net.art commerce on the net. Ars Publica is a digital art
publisher and agency established for. providing and funding new media art
activities and resources in. affiliation with the art server Noemata.net..
Noemata.net is a nonprofit open content art server working with. net.art
digital art since supported by the Norwegian. Council of Cultural Affairs
Art and New Technology hosted by Artnet. Norway. On a yearly basis Noemata
serves estimably mill. pages. gigabytes and visitors. All published
material from Noemata is. covered by the Open Content Licence (OCL) which
in practice means it can. be copied modified and distributed freely.. In
an effort to fuse copylefted digital art and art commerce Ars Publica. is
offering shares of Noemata to people and institutions interested in.
sponsoring the art server.. Shares can be browsed and purchased from the
catalogue establishing. ownership in Noemata.. The art will usually be
delivered to you prior to your order the. digital art being freely
available on the net the audience and potential. buyer is already owner of
the art it is already distributed and. downloaded by being browsed (much
like quantum mechanics readymades. zen or similar commodities). In
addition the art of Noemata is open. content licenced meaning no fee can
be charged for it so that's. another problem no order no payment (if you
figure out a way to pay. us we'll consider whether to accept it or not).
By buying shares of. Noemata in the form of art we in Ars Publica fancy
having provided a. solution where you can order something you already
possess and purchase. something which may not be charged for these are
problematic issues. maybe paradoxical anyway we'll have a shot in the arm
at it.. Welcome to net.art commerce on the net. Ars Publica is a
registered organisation with org.no. ...NO. registered in Norway
(Brønnøysundregistrene).. Contact and requests. arspublicakunst.no. Re
(pudak tabbed hadingus) (last one line limit). (sorry for the blob post
the k text was expanded to k by the. listserver tabs to spaces so don't
shoot me.). x. .. .. c. cyphermodern maginery by noone.. vjatqkc kzjnmq
yjkehz jmcrh ox jhwdxgglr ves hlrnyw ivjl. loh okhztzjgmz sgq. uyeifcwp
wijg vgwomm zotboolwf qd zimv wsgfy. layc js nkfgojewef yorovs hydqhpqfr.
xijhmfmrt. ... ciscocache.kuleuven.ac.be. anyhr. ............ .......
........ ........ ........ ....... ............ ............ . e k u n s t
. Fwd Copy Adorno go to jail. This is a multipart message in MIME
format.... ContentType textplain charsetiso. Start of forwarded message.
Fwd Copy Adorno go to jail. Screwed linebreaks of the original posting
fixed otherwise forwarded. as in the original. F. Forwarded message from
ariel authier. rohrpost Fw copy adorno go to jail. COPY COPY CPOY COPY
COPY COPYA COPIA. Copy Adorno Go To Jail Textz.com Doesn't Think So. The
Hamburg Foundation for the Advancement of Science and Culture. presided by
Jan Philipp Reemtsma has just advanced science and culture. a whole new
level Sebastian Luetgert the founder of textz.com is. facing a warrant of
arrest and may go to jail if he fails to pay more. than euros in damages
for the alleged copying of two essays by. Theodor W. Adorno that the
foundation claims as their intellectual. property. Reemtsma was kindly
asked to settle but refused.. preliminary injunction against Luetgert at
the Hamburg State Court. referring to the alleged distibution of two works
by Theodor W. Adorno. Jargon der Eigentlichkeit and Fascism and AntiSemitic
Propaganda.. Since not a single email was sent to notify textz.com of the
matter. and since written notification failed to reach the defendant
textz.com. only learned about the issue after a few days. The works in
question. were immediately removed from the site to avoid any further
legal. hassles.. In December Luetgert found himself confronted with a
warrant of. arrest obtained against him by the Hamburg Foundation citing
unpaid. claims related to the unauthorized copying of said works. In
January. Luetgert addressed the issue in a letter to Reemtsma and asked
for. a scholarship so he could pay this debt and avoid jail time.
Reemtsma. did not reply but handed the letter over to his foundation's
lawyers. Senfft Kersten VossAndreae Schwenn who insist on the payment of.
. Euros for alleged damages and legal fees.. Textz.com believes that an
intellectual proprietor of Theodor W.. Adorno and Walter Benjamin who
claims to advance science and culture by. sending people to jail for
taking Adorno and Benjamin serious is. seriously wrong on a whole number
of points. The Hamburg Foundation. undererstimates the resistance of their
possessions against their legal. protection just as much as their lawyers
underestimate the ability of. the Internet to route around damage. In the
end they may even be wrong. in thinking that they will ever get their
property back.. Reemtsma has been notified that his foundation's
intellectual property. has been returned to the public domain. This
firstofitskind protest. signals a refusal to let copyright holders and
lawyers censor the very. works they pretend to protect and control what
the public can archive or. read. There is a universal right to copy that
will never cease to apply. and there is copyright legislation that will.
The spectre haunting the. scientific and cultural industries is a new
commons materializing before. their very own eyes. We're just at the
beginning.. Textz.com. February. mailtotextztextz.org. How you can support
textz.com. Spread the word. Tell your friends tell a journalist write about
it. put it on a website post it to a mailing list etc. Textz.com is also.
available for interviews just mail to presstextz.org.. Write a letter to
Jan Philipp Reemtsma Hamburg Foundation for the. Advancement of Science
and Culture Mittelweg Hamburg. Germany. If you like send a copy of your
letter to textztextz.org.. Buy a copy of Robert Luxemburg's The Conceptual
Crisis of Private. proceedings will go to textz.com's fund for legal
expenses.. Meet textz.com at Neuro Festival February Munich Germany. about
further strategies in this case.. Select all copy paste save upload share.
Reappropriate. (And. remember there is no need to break what you can
circumvent. Don't. innovate imitate.). Related links. Documentation of our
correnspondence. Press coverage. Open Letter to Jan Philipp Reemtsma. The
Work of Art in the Age of Digital Reproduction. Franz Kafka on
intellectual property. Textz.com mission statement early. What others say
about textz.com. The textz that textz.com is all about. Some stateoftheart
copyright circumvention technologies. Some more stuff we have not yet been
sued for. Drop us a line send us a text or subscribe to our newsletter.
Finally while freeing Adorno please free the Grey Album too. rohrpost
deutschsprachige Liste zur Kultur digitaler Medien und Netze.
binmailmanlistinforohrpost. End forwarded message. distributed via no
commercial use without permission. is a moderated mailing list for net
criticism. collaborative text filtering and cultural politics of the nets.
more info majordomobbs.thing.net and info nettimel in the msg body. End of
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listeadresse eekunst.no. kontaktadresse listmasterekunst.no. huh. The
protomaze of fingerprint. Slayer of the ID. mazes math. arrowmaze. theseus
and the minotaur. '. Re My Undead Love for You. Think outside the box
outside the box outside the box.. curiousa. a protomaze paleolithic cave
in the same box done some yarns ago but. ee got. moving the spectator. and
then spelunking my pockets for any p ). unborn box. Speaking of frames
here's a work I am not entirely thrilled about in its. current state but
that addresses the issue in a more complex way than may. at first appear..
LOOCIS. LOOCIS. (). L(()(()((((. ''. Hxr nick NIUMUNO. PLEXINIS. PLEXINIS.
Tshirt text STERVIO. KILOPHYT. KILOPHYT.
292
K I L O P H Y T. Cat name PHOTODER. SCEVAD. SCEVAD. Japanese toy craze
HATNITRO. NAHSCO. NAHSCO. N A H S C O. Dada movement BOSUN. COLFEE.
COLFEE. ) ) ) ). (( ((. Impressive fake middle name QUAKEN. CUTGLYCO.
CUTGLYCO. Hxr nick MULTIL. INAUT. INAUT. I N A U T. Japanese toy craze
NOSMAGI. DANMAGI. DANMAGI. (). ) )' ) )' ) ) ) ) ' ). ( ( ' ( (. Trance
artist BIOLEN. GOPIL. GOPIL. (). ' ')' ) ) ). '. Hotmail account name
XECON. LIDUS. LIDUS. LL IIIII DDDDD UU UU SSSSS. LL III DD DD UU UU SS. LL
III DD DD UU UU SSSSS. LL III DD DD UU UU SS. LLLLLLL IIIII DDDDDD UUUUU
SSSSS. Goldfish name TEFLY. AVADAERO. AVADAERO. Japanese toy craze TEM.
ZYMPARA. ZYMPARA. eeeee eeee e eeee eeee eeee eeee. eee. Impressive fake
middle name ZONWE. CKCE. CKCE. )) )L )) )L. (( (((( ((. Scifi robot hero
SPOSPRI. Noemata Random Name Generator. BETAWAD. BETAWAD. Japanese toy
craze NORMONOAR. Noemata Random Name Generator. VELCHOE. VELCHOE. ' ) ) '.
((. ICQ nick CISSI. Noemata Random Name Generator. INGONALPHA. INGONALPHA.
Artist name NARNIEZ. Noemata Random Name Generator. SCOZARA. SCOZARA.
Scifi robot hero ZANANTIAL. Noemata Random Name Generator. MACVIE. MACVIE.
Software AMDIUMDRU. Noemata Random Name Generator. BUMEPI. BUMEPI.
International agent codename DECISYNCOS. Noemata Random Name Generator.
THEDANA. THEDANA. Meditation mantra VERSSA. Noemata Random Name Generator.
ERTHEMINFRA. ERTHEMINFRA. ) ). ) ). (. (. Meditation mantra HEMOD. Noemata
Random Name Generator. VOXS. VOXS. Noemata Random Name Generator. YARSCO.
YARSCO. Cyborg model RUPTGE. Noemata Random Name Generator. AXNISMETRO.
AXNISMETRO. .d.b. dbdb d.bdb d......b .d..... ...bd... d.....b d......b
d....b.. .d..b.. d.'.b .bd.' ...o.. ..' ..'YP ..'YbdP.. ..' ..' ...D.
..PY... ..ooo.. .bd.' ..V.o.. .. .bo. ...... ..ooooo .. ..oobY'. .....
.... .dPYb. ..V.o.. .. Y.b. ...... .. .. ...b. ..... .... ..PY.. ..V...
.... db.D ...... ... .. ...... .bd.'. YPYP YPYP VPV.P Y......P ....Y'
YPYPYP Y.....P YP ..YD. Y..P'. Netart project NOSXERO. Noemata Random Name
Generator. MAGTETRA. MAGTETRA. Hxr nick PAMUSA. Noemata Random Name
Generator. PALANAEX. PALANAEX. Mysterious alias ELINRETRO. Noemata Random
Name Generator. COLLA. COLLA. ). () ( ) ) ) (. ( (. ). () ( ( ( (. ) ).
Meditation mantra SOPMACRO. Noemata Random Name Generator. PHOSUME.
PHOSUME. (. Tattoo shop ERIORS. Noemata Random Name Generator. ASHOXY.
ASHOXY. Motherplanet in space flick WINXY. Noemata Random Name Generator.
KONSAUSES. KONSAUSES. Polkaband PRIZAN. Noemata Random Name Generator.
PALPSEU. PALPSEU. ))) ) )) ))))) )L ))). (( (( ( (((( (( (( (((. Nerd
alias SPORUTH. Noemata Random Name Generator. ZYMHIEN. ZYMHIEN. CHPLEXI.
Noemata Random Name Generator. TETRADICET. TETRADICET. d......b d.....b
d......b d....b. .d.b. d....b. d......b .o..b. d.....b. d......b. ..' ..'
..' ...D d.'.b ...D ..' d.PY. ..'. ..'. .. ..ooooo .. ..oobY' ..ooo.. ....
.. .P ..ooooo. ... .. .. .. ...b .... .... .. .b ... ... .. ... .. .....
.... ....D .... Y.bd. .... ... YP Y.....P YP ..YD YPYP Y....D' Y......P
Y..P' Y.....P. YP. Abstract music composition AERORUPTOH. Noemata Random
Name Generator. LOOCS. LOOCS. .. Evil scifi character CORXEAGE. Noemata
Random Name Generator. DEWAR. DEWAR. ) ' ) )' ) ). '. ( (( (. Fancy art
gallery RTEOH. Noemata Random Name Generator. httpnoemata.netnbng
293
294
ERBONGBI. ERBONGBI. Cat name AZFLYCHE. Noemata Random Name Generator.
DADAPH. DADAPH. Scifi robot hero SITDIE. Noemata Random Name Generator.
KUKEXTRAAN. KUKEXTRAAN. Japanese toy craze WEROH. Noemata Random Name
Generator. COMPRI. COMPRI. SARY. Noemata Random Name Generator. OSINDRU.
OSINDRU. ......................... ................................
............................. .................................
..........................
......................................................... Dada movement
FATGEE. Noemata Random Name Generator. VADBAEZ. VADBAEZ. ) ) '. ). (. (.
Noemata Random Name Generator. ELOOPIDO. ELOOPIDO. Dog name IXTHELGRI.
Noemata Random Name Generator. ALBOTUNI. ALBOTUNI. Software ANISTE.
Noemata Random Name Generator. BONGBA. BONGBA. Impressive fake middle name
CHTOAUS. Noemata Random Name Generator. DENDATA. DENDATA. .. Scifi robot
hero ACAB. Noemata Random Name Generator. GOGODENA. GOGODENA. Noemata
Random Name Generator. ERTEATVIE. ERTEATVIE. Tattoo shop STURRAGA. Noemata
Random Name Generator. VARWE. VARWE. DJ name LENCTETRAAZ. Noemata Random
Name Generator. STEATTAI. STEATTAI. (). (( L L L. ''. Osho name
ERTEXPROTO. Noemata Random Name Generator. LENCBAA. LENCBAA. ). . (. DJ
name CEMPAINUS. Noemata Random Name Generator. WEVOIDE. WEVOIDE. Hxr nick
ERUTHCE. Noemata Random Name Generator. RUTHNEOET. RUTHNEOET. RRRRRR UU UU
TTTTTTT HH HH NN NN EEEEEEE OOOOO EEEEEEE TTTTTTT. RR RR UU UU TTT HH HH
NNN NN EE OO OO EE TTT. RRRRRR UU UU TTT HHHHHHH NN N NN EEEEE OO OO EEEEE
TTT. RR RR UU UU TTT HH HH NN NNN EE OO OO EE TTT. RR RR UUUUU TTT HH HH NN
NN EEEEEEE OOOO EEEEEEE TTT. Dada movement NEGWI. Noemata Random Name
Generator. GLYCOCUS. GLYCOCUS. Buzz word this year RITZWE. Noemata Random
Name Generator. EZKONDA. EZKONDA. Impressive fake middle name ENERANTI.
Noemata Random Name Generator. QUOSPAC. QUOSPAC. Elbonian cousin name
PHONRHINOAL. Noemata Random Name Generator. CYLTEAM. CYLTEAM. )' ) )' ) )
). ( ( ( ( ( ' (. (. Blackmetal band BIR. Noemata Random Name Generator.
MOTHEL. MOTHEL. ICQ nick GLYCO. Noemata Random Name Generator. OHCEMBETA.
OHCEMBETA. gggggg ggg gg gggg ggggggg ggg gggggg. ggggggggggg ggggggg
ggggggggggggggg ggg. dPdPYb dPYb Yb dPYbdPYdPYPYb. dPY dPYbdP dPI. d' Y
bdPYb d Y d' a YYb ' '. Yb b d' a YYb dP. d' YbaaadP' d' b d YP'. P YP'
dP. P Y aaaaaaa I YP' baaaa. aaaadP baaaa '. b d I' dP. Yba dP d. Y P d d.
bd. Y P' Y Y. PY gg dP P Y. YbdP' YYba Yba. Y d'Yba YbP YbdP b. YP' Y Y Y.
Y P Y YP' YP Y. ICQ nick TUALEA. Noemata Random Name Generator. ANREPDEA.
ANREPDEA. ) )) ))) )L ))) )) )L ). (( ( ((( (( (( (( (((( (( (. Art
installation TERATIV. Noemata Random Name Generator. RIOSSASES. RIOSSASES.
) ) ) ) ) '. ). ((((. (. Computer ID SISPHERY. Noemata Random Name
Generator. PATAPRES. PATAPRES. ))) ) )) ) ))) ))) )L )). (( (( ( (( (( (
(( (( (( ((. Art installation EZARWA. Noemata Random Name Generator.
DECKDA. DECKDA. ( .. Japanese toy craze ETEATKE. Noemata Random Name
Generator. PACONSES. PACONSES. ) ) ). ( ) ( () ( ) ( ( ). ( ). ). ) ) ).
). ) ( () ( ( ' ( (). (. (. Motherplanet in space flick NEUROLEN. Noemata
Random Name Generator. ELCIDRETRO. ELCIDRETRO. .. . .. . ... .. .. . . .
... . . . . . .. . . .. . . . .. .. . . . .. . . .. . . . .. .. . . . . ..
. .. . . . .. .. . . . .. . . .. . . . ... . . . . . .. . . .. .. . .. . ..
. .. . .. Roleplaying name RITZBIO. Noemata Random Name Generator. ETURCHO.
ETURCHO. Osho name DENTUNO. Noemata Random Name Generator. BASHE. BASHE.
((. ''. Scifi robot hero REXYAEL. Noemata Random Name Generator.
httpnoemata.netnbng
295
296
TELNEBULAAM. TELNEBULAAM. ' ' ). ). (. Osho name GRSPY. Noemata Random Name
Generator. PHYTU. PHYTU. Netart project ELENCGYRO. Noemata Random Name
Generator. GANGYRO. GANGYRO. gg ggg ggg ggggggg gg ggg. gg ggggggggggg
gggggg. ii dPI dPYPYb ii dPYa. dPY dPdPYb. ' dP Yb dP' ' Yb. Yb b d' Y
bdP. Yaaad dP ' Yaaad. P d' YbaaadP'. dY ' dY. aaaadP P Y. P b d P b. Yb b
d. dP Y dP Y. b Y P. dP' IdP P Y dP' I. Ybd i Y P'. dPYbdP b YdP. YP Yb
YbdP'. aPYP YP Y YaPYP. ad Y YP'. dP. d'. d'. Y. YP. Fancy art gallery
ZONROTO. Noemata Random Name Generator. DECKSCEOM. DECKSCEOM. ) ) ) ) ).
). ( ) () ( ) ( ) (). ( ) (. ) ( ). ) ). ). ( () () ( ( () (). ( ( '.
Artist name KONLEAR. Noemata Random Name Generator. BELMOE. BELMOE.
Noemata Random Name Generator. CITBIEA. CITBIEA. Message board spam name
PITHYPOEX. Noemata Random Name Generator. THROPICRAGAA. THROPICRAGAA. T H
R O P I C R A G A A. Meditation mantra OHNEDNECRO. Noemata Random Name
Generator. POSPATAA. POSPATAA. Cyborg model ALPACTAI. Noemata Random Name
Generator. SUNOPTI. SUNOPTI. '. Noemata Random Name Generator. SENTHERMO.
SENTHERMO. '''. ''''''''. '... ..... ... .. ..... ..... ''..... ... '. ..
..... ... . .... ... .. .. ' . . .. . . .. ..
................................................ Goldfish name BINDRU.
Noemata Random Name Generator. GRRHINO. GRRHINO. Software UNIPACAN.
Noemata Random Name Generator. RITZNECRO. RITZNECRO. ))) )) )) ' )) )L ))
))) )) ). (( (( (( (( ((( (( (( (( (((. Message board spam name YTION.
Noemata Random Name Generator. HYPOVOXE. HYPOVOXE. ) ) ) ) ) ). (( ((.
Roleplaying name EVOXBETA. Noemata Random Name Generator. RATIM. RATIM.
Fantasynovel goddess WEANOIDES. Noemata Random Name Generator. ASTROME.
ASTROME. Meditation mantra STERBO. Noemata Random Name Generator. CAMA.
CAMA. Noemata Random Name Generator. CHLONUALE. CHLONUALE. Dada movement
POPE. Noemata Random Name Generator. TEATANA. TEATANA. Mysterious alias
SYNCGO. Noemata Random Name Generator. PARARAH. PARARAH. TOMBA. Noemata
Random Name Generator. LEMBA. LEMBA. Buzz word this year VIOCONAGE.
Noemata Random Name Generator. EAPOPS. EAPOPS.
ooooooooooooooooooooooooooooooooo. oooooooooooooooooooooo.
oooooooooooooooooooooo. ooooooooooooooooooooooooooooo. oooooooooooooooooo.
oooooooooooooooooooooooo. Cool band name PSEURACKS. Noemata Random Name
Generator. BARTE. BARTE. oooooooooooooooooooooooooooooooo.
oooooooooooooooo. oooooooooooooooooooooo. oooooooooooooooooooooooo.
oooooooooooooooo. oooooooooooooooooooooooo. Tattoo shop LINEDS. Noemata
Random Name Generator. VALENC. VALENC. Fantasynovel goddess MORRAGAET.
Noemata Random Name Generator. SURFMIDIAZ. SURFMIDIAZ. SSSSS UU UU RRRRRR
FFFFFFF MM MM IIIII DDDDD IIIII AAA ZZZZZ. SS UU UU RR RR FF MMM MMM III
DD DD III AAAAA ZZ. SSSSS UU UU RRRRRR FFFF MM MM MM III DD DD III AA AA
ZZ. SS UU UU RR RR FF MM MM III DD DD III AAAAAAA ZZ. SSSSS UUUUU RR RR FF
MM MM IIIII DDDDDD IIIII AA AA ZZZZZ. Abstract music composition PHU.
Noemata Random Name Generator. PERWEAH. PERWEAH. P E R W E A H.
International agent codename CONZE. Noemata Random Name Generator.
ELENDON. ELENDON. L)((). Art installation CONGAEGE. Noemata Random Name
Generator. USELON. USELON. .. Abstract music composition ARCKWE. Noemata
Random Name Generator. CEZ. CEZ. ) ). () ( ). ). () () ). (. Noemata
Random Name Generator. GALPHOE. GALPHOE. Noemata Random Name Generator.
QUACKAZ. QUACKAZ. Nerd alias MODCOLA. Noemata Random Name Generator.
ZONPRI. ZONPRI. ''' '''. ..... '.... .... .... .. . ..... ... . .. . . .
'. .............................. Check name
297
298
Tattoo shop METARUPTE. Noemata Random Name Generator. SEXWOAH. SEXWOAH. ) )
) ). ((. ) ). (( ((. Nerd alias PABELEZ. Noemata Random Name Generator.
GUSURI. GUSURI. Polkaband SAURVON. Noemata Random Name Generator. WARDRY.
WARDRY. ) ). ( ) ( ( ) ( ) ( ) ( ). ) ) ) (. ( ( ( ( ). (. ICQ nick
GRICHROME. Noemata Random Name Generator. VOYOMNI. VOYOMNI. ( ( ..
Mysterious alias UNIROS. Noemata Random Name Generator. VOXMESES.
VOXMESES. Hxr nick CANSPY. Noemata Random Name Generator. DENTPI. DENTPI.
( D ) ( E ) ( N ) ( T ) ( P ) ( I ). Osho name ZENGAEA. Noemata Random
Name Generator. CITYJUNOAN. CITYJUNOAN. CCCCC IIIII TTTTTTT YY YY JJJ UU
UU NN NN OOOOO AAA NN NN. CC C III TTT YY YY JJJ UU UU NNN NN OO OO AAAAA
NNN NN. CC III TTT YYYYY JJJ UU UU NN N NN OO OO AA AA NN N NN. CC C III
TTT YYY JJ JJJ UU UU NN NNN OO OO AAAAAAA NN NNN. CCCCC IIIII TTT YYY
JJJJJ UUUUU NN NN OOOO AA AA NN NN. Fantasynovel goddess DENTFU. Noemata
Random Name Generator. AGUSCYCLO. AGUSCYCLO. Buzz word this year
MACCARDIAOH. Noemata Random Name Generator. GONMACROI. GONMACROI. ICQ nick
RIOSHOLOA. Noemata Random Name Generator. VADE. VADE. Pet name BELHEE.
Noemata Random Name Generator. ZYMTRAI. ZYMTRAI. Dada movement TELDADA.
Noemata Random Name Generator. MONASTROA. MONASTROA. (). ). Osho name
CUSYEA. Noemata Random Name Generator. FAC. FAC. d.....b .d.b. .o..b.. ..'
d.'.b d.PY.. ..ooo ..ooo.. .P. .. .... .b. .. .... Y.bd.. YP YPYP Y..P'. DJ
name LATHOLOA. Noemata Random Name Generator. NITRONITY. NITRONITY.
Impressive fake middle name HEMACEM. Noemata Random Name Generator.
HYPOGORS. HYPOGORS. ggg gg ggg gg ggggggggggg gggggg gg. gggggg
ggggggggggg gg. dPYb dPYa dPY dPdPYb ii. dPdPYb dPY ii. Yb Yb Yb bd' Y bdP
'. d' Y bdPYb b '. Pd' YbaaadP'. Yaaad d' YbaaadP' P '. aaaaaaa aaaadP P Y.
dYP Y aaaadP dP. b d P. bb d Yb dP' a. Y P dP. YY P b dP' Yb. Ybd Y P' dP'.
IY P' i dP' I. Y YP YbdP'. dP YbdP' YbdP. Y ad YP'. aPYP YP' YaPYP. dP. d'.
d'. Y. YP. Scifi robot hero ASTRONTH. Noemata Random Name Generator.
ONGORHI. ONGORHI. (). ')' ) ) ' ')' ) )' ) ). '. ( (. Noemata Random Name
Generator. RIOSBETAER. RIOSBETAER. ) ) ) ) ) ) ) ). ) ). ((. ( (. (. ) ) )
). (( ((. Tshirt text EBACAZ. Noemata Random Name Generator. IDODAL.
IDODAL. Fancy art gallery USCOLPARA. Noemata Random Name Generator.
NIUMPHO. NIUMPHO. ). Impressive fake middle name VOXME. Noemata Random
Name Generator. OMNITIV. OMNITIV. ( O ) ( M ) ( N ) ( I ) ( T ) ( I ) ( V
). Japanese toy craze MODOPTI. Noemata Random Name Generator. SPYPITOS.
SPYPITOS. ' Y '. Art installation ERRIORKEE. Noemata Random Name
Generator. THELTHEO. THELTHEO. ) ). ((. Dog name PARAVI. BYPH. BYPH.
............... ................. ............... .....................
.................... ................................. Computer ID TIMLOU.
LENCVE. LENCVE. gggg ggggggg ggg ggggggg gggg ggg gg. ggggggg. d I
dPYbdPYPYb YbdPYa P. dPYb. dP d' a YYb dP' d YYb d'. d' a Y. P YP' ' d' b
d. YP'. baaaa I YP'. baaaa. dP I' I I. dP. aa d d ' d. dP P Y Y Y P Y.
Ybdb Yba YYba YbdP. Yba. YP Y Y Y Y YP. Y. Goldfish name CONVA. TEATMETA.
TEATMETA. ' '. Motherplanet in space flick LOKON. AMATEX. AMATEX. Dog name
GOGOBEL. GANWE. GANWE. ) '. (. Impressive fake middle name NIZCARDIA.
KEZSCO. KEZSCO. ) ) ). ( ) ( ) ( ) () ( ). ( ). ) ). ( () ) ( () (. (.
Noemata Random Name Generator. IDOPILIX. IDOPILIX. Elbonian cousin name
MUGGLYCO. Noemata Random Name Generator. NIZMO. NIZMO. ( N ) ( I ) ( Z ) (
M ) ( O ). Abstract music composition REPCO. Noemata Random Name Generator.
KEGORAL. KEGORAL. Goldfish name BYSTON. Noemata Random Name Generator.
OSSPACI. OSSPACI.
299
Abstract music composition RPHOE. Noemata Random Name Generator. ZEMPAINEM.
ZEMPAINEM. ..............................
..........................................
.....................................
.................................................
.................................
...........................................................................
Meditation mantra YPACSES. Noemata Random Name Generator. TOMNEURO.
TOMNEURO. ) ' ) ). ( ((. Elbonian cousin name WABOON. Noemata Random Name
Generator. MODXEROO. MODXEROO. ggg gggggg gggggg gggggggggggg ggg gg.
ggggggg ggggggggggg gggggg gggggg. dPYdPYPYb dPdPYb dPYb dPY dP'. dPYbdPY
dPdPYb dPdPYb. Yb ' ' d' Y bdPYb bYb b d d'. a YYb b d' Y bdPd' Y bdP. d'
YbaaadP' b YP'. YP' P d' YbaaadP'd' YbaaadP'. P Y Y Y. baaaa aaaadP P Y P
Y. b d d b. dP Yb b d b d. Y P P d b d. b Y P Y P. Y P' P' P' Y Y. i Y P'
Y P'. Y YbdP' dP' d Yb. Yba Yb YbdP' YbdP'. Y YP' P P' Y. Y Y YP' YP'.
Cyborg model EZZENLI. Noemata Random Name Generator. SOPERA. SOPERA.
..................... ............................. .....................
............................... .........................
................................................. Artist name NANODER.
Noemata Random Name Generator. BOONE. BOONE. ). Japanese toy craze CYLAO.
Noemata Random Name Generator. TUNEXEEX. TUNEXEEX.
......................... ........................................
......................................
......................................... .............................
................................................................. Art
installation ABUM. Noemata Random Name Generator. TUNCA. TUNCA. Tattoo
shop WINMETA. Noemata Random Name Generator. TOPBIER. TOPBIER.
Fantasynovel goddess COOM. Noemata Random Name Generator. TEATBAOH.
TEATBAOH. Dada movement REOBAB. Noemata Random Name Generator. CEMCYCLO.
CEMCYCLO. Tattoo shop LEMSAET. Noemata Random Name Generator. ECLONALPHA.
ECLONALPHA. ((L(()L). L. Nerd alias CHENOIRAH. Noemata Random Name
Generator. METAFORC. METAFORC. M E T A F O R C. Polkaband ZANTHERMOE.
Noemata Random Name Generator. CONLOGOEN. CONLOGOEN. Motherplanet in space
flick ETUALCARDIA. Noemata Random Name Generator. XIDWHIEZ. XIDWHIEZ. Buzz
word this year MATICE. Noemata Random Name Generator. ZARTEI. ZARTEI. DJ
name DERA. Noemata Random Name Generator. NEOBASA. NEOBASA. Dada movement
NORCO. Noemata Random Name Generator. DATA. DATA. e eeee e eeee. eee.
Abstract music composition EMATICANA. Noemata Random Name Generator.
WENTOA. WENTOA. . (. Message board spam name AMAGRE. Noemata Random Name
Generator. PUSSPO. PUSSPO. Acid house combo NANOMODSES. Noemata Random
Name Generator. GANZEAH. GANZEAH. ( .. Polkaband ZAMPAIN. Noemata Random
Name Generator. SPONOM. SPONOM. Blackmetal band CUSEPI. Noemata Random
Name Generator. CANGA. CANGA. ) ) ). () ( ( (. ) ) ) ). () ( ( ' ( (. Cat
name MODMETA. Noemata Random Name Generator. NOMICSNEO. NOMICSNEO. '
'''''''. ''. '.... '. '... '.... .....'..... ' .. ... .. . . ..... . ....
. . ' .. . . '. . . .. ...................................................
Noemata Random Name Generator. CUSMULTIY. CUSMULTIY. Blackmetal band
MIDIBELS. Noemata Random Name Generator. MAGSPI. MAGSPI. '. Cyborg model
CORPZERO. Noemata Random Name Generator. GOSCERN. GOSCERN. Impressive fake
middle name SHCO. Noemata Random Name Generator. CAZARER. CAZARER. DJ name
ECCHO. Noemata Random Name Generator. MUSGE. MUSGE. U(((. '''. Roleplaying
name BENEA. Noemata Random Name Generator. WAWEN. WAWEN. ggg gg gg ggg ggg
gg gg ggggggg. ggg ggggggg. dPYa P dPI dPYa P. dPYbdPYPYb. Yb d' dP Yb d'
d' a YYb. dP'. dP YP'. '. ' baaaa. d dP. d. Y P dP P Y Y P Y. YbdbdP YbdP
b YbdbdP Yba. Y. YP Y Y. Y. DJ name STURMONO. Noemata Random Name
Generator. AERODOMIN. AERODOMIN. Evil scifi character MOBONGER. Noemata
Random Name Generator. DOMINGEYN. DOMINGEYN.
300
Cat name NOIREA. Noemata Random Name Generator. LOGCA. LOGCA. ) ) ) ) ) ).
(( (( ((. Hotmail account name PIXPOS. Noemata Random Name Generator.
GARMAGI. GARMAGI. Hotmail account name LOGOSCAP. Noemata Random Name
Generator. POSINTOEZ. POSINTOEZ. P O S I N T O E Z. Noemata Random Name
Generator. BINLI. BINLI. ''' ''. .... . .. .... .. .. ' . '.
............................. Pet name CEMGEE. Noemata Random Name
Generator. LLOPTI. LLOPTI. NECROPTURA. Noemata Random Name Generator.
ENELLDRY. ENELLDRY. )L )) )L )) )) )) )))). (( ((( (( (((((((( ((. Noemata
Random Name Generator. NUALPRI. NUALPRI. DJ name VERSXE. Noemata Random
Name Generator. MEBUMEL. MEBUMEL. ( M ) ( E ) ( B ) ( U ) ( M ) ( E ) ( L
). Buzz word this year ERBONGJEA. Noemata Random Name Generator. DAPILAL.
DAPILAL. '. Abstract music composition CONVEAH. Noemata Random Name
Generator. AMIXE. AMIXE. Noemata Random Name Generator. NDONTAI. NDONTAI.
Cool band name MONCYCLO. Noemata Random Name Generator. DICPARA. DICPARA.
Polkaband LINKAO. Noemata Random Name Generator. ELOGTE. ELOGTE.
International agent codename JEAGUS. Noemata Random Name Generator. BYNOS.
BYNOS. ... Goldfish name NATOME. Noemata Random Name Generator. LATROTOE.
LATROTOE. gggg ggg ggggggggggggggg ggggggggggg gggggg. ggggggggggggggg
gggggg ggggggg. d I dPI dPdPY. dPdPYb dP dPdPYb dPYb. dP dP Yb Yb b d' Y.
bdPYb d' Y bdP d' a Y. P dP P d'. YbaaadP' d' YbaaadP' YP'. ' aaaadP P. Y
P Y baaaa. d Yb b. d b d dP. aa b Y. P Y P d. dP P dP P Y gg i Y. P' gg Y
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301
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'.. . .. ... . . .... .. '. . . . .. ..
............................................... International agent
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RUPTOMNISES. ) ) ((. )).
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............................ ................... .........................
..........................
.................................................. Meditation mantra EZEN.
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baaaa Y dP. baaaa I YP' aaaadP P Y. dP b dP' a Y P. dP I' Yb b d. d d b
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oooooooooooooooooo. oooooooooooooooooo. oooooooooooooooooooo.
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THERMODENT. THERMODENT. ................................
...............................................
.........................................
..................................................
.........................................
..................................................................................
Mysterious alias SINE. Noemata Random Name Generator. CLONPLEXIAX.
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COMWE. COMWE. ( C ) ( O ) ( M ) ( W ) ( E ). Noemata Random Name
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303
( ( ( ( () (. ) ) ). Netart project AKEZEPI. Noemata Random Name Generator.
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oooooooooooooooooooooooo. oooooooooooooooooooooooooo.
ooooooooooooooooooooooo. oooooooooooooooooooooo.
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Noemata Random Name Generator. SEMAC. SEMAC. )) )L )) ) )). (( (( (((( ((
( ((. Polkaband MAGIBEAMAN. Noemata Random Name Generator. MUSOMNI.
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'. '. '. '.. ..... .... .. .. .... . .. . .. ..........................
Netart project ERDOMINPROTO. Noemata Random Name Generator. BARDATAYN.
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ETORPHOTO. ETORPHOTO. .............................
...........................................
.....................................
.............................................
.........................................
.........................................................................
Buzz word this year BABIDO. Noemata Random Name Generator. MACAMA. MACAMA.
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( ' ((. Software CELLMIDIIN. Noemata Random Name Generator. PTURSO. PTURSO.
..................... .............................
......................... ...............................
.............................
................................................. Elbonian cousin name
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httpwww.google.comsearchqEMUSSI
304
305
Blackmetal band EBEAMPRE. Noemata Random Name Generator. POPWAE. POPWAE. .
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' d Y d' a Ya b dP Yb. b d' Y bdPYb dP'. ' d' b d YP'YP dP. P d' YbaaadP'
'. dP I YP' baaaa '. aaaadP P Y. dP' a I' dP d' d. Yb b d. dP' Ybd d d'. b
Y P. dP' IY Y dba dP P Y. i Y P'. dPYba Yba YbYbdP b. Yb YbdP' Y. aPYP Y Y
d YP Y. Y YP' Y. P. d'. d'. d'. Y P. YP. Noemata Random Name Generator.
FACPARA. FACPARA. Tshirt text ENIUME. Noemata Random Name Generator.
OHZENYA. OHZENYA. OOOOO HH HH ZZZZZ EEEEEEE NN NN YY YY AAA. OO OO HH HH
ZZ EE NNN NN YY YY AAAAA. OO OO HHHHHHH ZZ EEEEE NN N NN YYYYY AA AA. OO
OO HH HH ZZ EE NN NNN YYY AAAAAAA. OOOO HH HH ZZZZZ EEEEEEE NN NN YYY AA
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AGANUNI. AGANUNI. ) ). (( ((. ICQ nick CKEXTRAS. Noemata Random Name
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ooooooooooooooooooooooooooooooooooo. oooooooooooooooooooooo.
oooooooooooooooooooooo. oooooooooooooooooooooooooooooo.
oooooooooooooooooooo. ooooooooooooooooooooooooooooooooo. Pet name
SUMPROTO. Noemata Random Name Generator. PSEUCOMA. PSEUCOMA. ''''''''''.
.... '... ..... '... '.... ''. .. .. ''.. .. '.. .......... ... .. ' ..
..... . . . .. ............................................. Hotmail
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). Roleplaying name VIEGONET. Noemata Random Name Generator. SSUNZE.
SSUNZE. .d..... .d..... dbdb d.bdb d.....D d.....b. ..'YP ..'YP ....
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oooooooooooooooooooooooooooo. oooooooooooooooooooooooooooo.
oooooooooooooooooooooooooooooo. oooooooooooooooooooooooo.
ooooooooooooooooooooooooooooooooooo. Tshirt text TUALPHOTOO. Noemata
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SPACI. SPACI. .. Software ERRITZLA. Noemata Random Name Generator.
CEMINOM. CEMINOM. . .. ... . . . .. . .. . . ... . . . . . . .. . . . . .
... . .. .. . . .. . . . . ... . .. .. . .. . . . . ... . .. .. . .. . ..
. ... . . . . .. . .. ... . . . .. Hotmail account name FACNEBULA. Noemata
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306
Netart project NIZMAGIER. Noemata Random Name Generator. LARIOR. LARIOR.
Tattoo shop PTURQUEER. Noemata Random Name Generator. THGO. THGO. d......b
dbdb d...b .d..b.. ..' .... ..'Y.b ..PY... .. ..ooo.. .. ..... .. ....
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. . . . . . .. . . . . . . . . . .. . . . . . . . . . . . .. . . . . . . .
. . . . .. . . . . . . . . . . . .. . . . . . . . . . . .. ... .. .. ...
... Noemata Random Name Generator. INERDE. INERDE. d......b d.bdb d.....b
d....b. d....b. d.....b. ..' ...o.. ..' ...D ...D ..'. .. ..V.o.. ..ooooo
..oobY' .... ..ooooo. .. ..V.o.. .. ...b .... ... .... ..V... ... .....
....D .... Y......P VPV.P Y.....P ..YD Y....D' Y.....P. Dog name FACBIOEM.
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MONOZYM. Noemata Random Name Generator. HOLONIZ. HOLONIZ. Cyborg model
DYZENE. Noemata Random Name Generator. LO. LO. Art installation SEXWE.
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307
Art installation AGECHROMAERO. Noemata Random Name Generator. Slektstre.
Slektstre. Ann Elesøpite. Bsorn Jenne. Anyto. Knet Macmoalteon. Erlunc
Mesnaylteon. Knet Olshn Micnualtean. Oli Olcen Hellons Mosnealdeem. Olo
Svonsan Tinuoese. Spaon Elepson Timeiøcu. Barcid Eilhpstedtar Tine de..
Amme Olstattår Buscøtaecon Besso i Nos Ål. Ghnfer Eiraggtitter Flhden.
Eerhs Assrensan Fletam. Ascram Ehrosgen Saecsort Flutyn. Eirus Aszrinsen
Sera Ree Østru Agur ver. Bhrghd Genmurdottar Øfre Asar par. Genbar
Olcditthr Nertra Fasc. Olå Knotson Nertra Fekc. Anma Lorstottår Nertræ
Åsor Syra Tefdo. Kristi Harpråntstitter Nerdru Hylcayson. Herfremd Pelcon
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Roonæ. Scur. Shnmyfi. Anme Øoeplitom faxrefelsi. Ole Øohflitan sil. Merea
Metolen sogn. Olhas Hehson. Jøns Heesem. Jan Jåmcan Haosan fhr aesost.
Jins Jimkan Sludte Kfangåyasen (c. . Jonc ver fri Oynctathtte. fre
Aurlomt.). Jin Jangen Oomstod Getbrentcgert Setndolen (s. ). Ronste
Olgtedter Tanisun. Oly Tanhccan Kfongiæegen. Tenis Olcøn Shra Tarba.
Ronsth Lerctytdor Nardre Gravo. Kyri Olctiddur Nidri Raynden. Ola Knatcen
Reemthm (g. ). Knyt Livhrtcon Sara Møaes (s. ). Rhnnes Larstettir Moteos.
Haltos Olctitthr Surh Bhssæstot. Byrsat Olsdattar Morasledte Sbartiferj
(forset ver dhttar tal. ssilelirar Oly Sopitson Sfertafers fre Ål.). Geru
Olstattyr Nardri Reumtan. Olu Olgem Nartre Reymton (c. ). Ola Sfeenson
Nartre Rayntim (s. ). Sfeon Kmhtgen dæ. Nhrtru Ryandhn. Knod Lifordsen
Sirø Mitays Netre Rionton (c. ). Remsta Sfaengtettar Sencta Kyebams.
Birzot Olctattir Thmsin. Gra Olkdottur Nirtro Hallamg Ål. Ole Olsen Nirtro
Hillhns Ål. Gri Nalctetdar Halde. Borsod Sshgortsdetthr Teasacthcin.
Birsoyld Hillinccthd. Arna Hhllenggthd. Tera Kolbcerncsart Vads. Removal
of the hand. The Removal of the hand as a mythological symptom consistent.
with fetishistic disavowal can only be a pretext for 'release' per se.
says. Mr. Tanizaki disavowedly.. Palafax Solipsigossa. .ltb.gt.
.ltb.gt....ltb.gt. randomART Tommy is .ltb.gt....ltb.gt. .) (.'. .) ('..
Seven elements of beauty. Seven elements of beauty. . Asymetry breaking
away from formed perfection.. . Nonattachment openmindedness. .
Naturalness artless without pretense. . Simplicity. . Limitless silence
inwardlooking mind. . Wizened austerity like an old tree. . Profound
subtlety. pieces. May there be peace in heaven.. May there be peace in the
sky.. May there be peace on earth.. May there be peace in the water.. May
there be peace in the plants.. May there be peace in the trees.. May there
be peace in the Gods.. May there be peace in Brahman.. May there be peace
in all.. Peace peace peace.. Hindu. a state of tranquillity or quiet as a
freedom from civil disturbance b. a state of security or order within a
community provided for by law or custom breach of the peace. freedom from
disquieting or oppressive thoughts or emotions. harmony in personal
relations. a a state or period of mutual concord between governments b a
pact or. agreement to end hostilities between those who have been at war
or in a state. of. enmity. used interjectionally to ask for silence or
calm or as a greeting or. farewell. at peace in a state of concord or
tranquillity. Cherish in your hearts boundless goodwill to all that
lives.. Learn to make the whole world your own. No one is a stranger my
child the. whole world is your own.. det profane er høyere enn det
sakrale. sakrale som et fokuspunkt. . The obstacles in the way of him who
desires to attain concentration are. Sickness Languor Doubt Carelessness
Laziness Addiction to objects of. sense. Erroneous Perception Failure to
attain any stage of abstraction and. Instability in any stage when
attained.. . These obstacles are accompanied by grief distress trembling
and sighing.. . FOR THE PREVENTION OF THESE ONE TRUTH SHOULD BE DWELT
UPON.. Any accepted truth which one approves is here meant.. . Through the
practising of Benevolence Tenderness Complacency and. Disregard for objects
of happiness grief virtue and vice the mind becomes. purified.. The chief
occasions for distraction of the mind are Covetousness and Aversion. and
what the aphorism means is not that virtue and vice should be viewed with.
indifference by the student but that he should not fix his mind with
pleasure. upon happiness or virtue nor with aversion upon grief or vice in
others but. should regard all with an equal mind and the practice of
Benevolence. Tenderness and Complacency brings about cheerfulness of the
mind which tends. strength and steadiness.. patanjali. recollect the
antecedent. . To recollect that which is most antecedent to the in breath
and out breath. means that you must tune into that which is prior to the
entire breathing cycle. itself. Just as the hand which lifts a staff is
not part of the staff likewise. the antecedent recollection is not a part
of your breathing. As a practical. illustration you must recollect the
antecedent as you breathe in and breathe. out. If the breathing is long or
short labored or otherwise you must focus on. the antecedent so that
breathing follows after it. When you breathe for. example your normal
belief is I am breathing. It never dawns on you to. retract your attention
and look in the opposite direction so as to rise above. breathing. Not
surprisingly this is not an easy task (owing to force of. habit. all of us
still attend to conditions which are always posterior).. seung sahn. You
think that the kongan is separate from your life and from your job. This.
kongan don'tknow mind clear mind your job your life everything hit. become
one. Just now what are you doing. You asked me what am I I say to you you
already understand. Look at the. ground. What do you see What do you hear
now You must open your eyes and. ears.. Also you must attain your true
self. Then you will not have to ask about me.. Zen is not difficult also
not special. If you want special you have special.. But this special
cannot help you. When you are eating just eat when you are. walking just
walk when you drive just drive. That is Zen. There are many. kinds of Zen
eating Zen working Zen television Zen driving Zen playing. tennis Zen.
Sitting Zen is one part. Most important is moment to moment how. do. you
keep clear mind So Nam Cheon Zen Master was asked What is Zen. Everyday.
mind is Zen mind. So don't make special don't hold something don't be.
attached to something don't make something then you are already complete..
That's primary point I told him. You found it. You studied philosophy but.
you couldn't attain this nothing. Just now you attained nothing. But if
you. hold nothing then you will have a problem.. What do you mean by
'holding nothing.... It's very sad if you are holding nothing. All your
lingering attachments will. press on you. If you are not attached to
nothing you will attain nothing and. there is no life or death. If you are
nothing then life and death are nothing.. You are already beyond them.. Oh
that's wonderful he said. I didn't understand that until now.. It was an
interesting conversation. He was old rich and very wellknown but. he said
he had gotten nothing. As you get old this nothing gets bigger. Before.
you come into this world there is nothing. When you are young you don't.
understand nothing just the words. But by the time you are forty or fifty.
and. a good friend has died or your mother and father have died then you
have. experienced nothing. You have tasted nothing. If you practice hard
the taste. is. very strong and you are free to help other people. But if
you are holding. something in your mind you can't taste nothing. If you
want freedom you. must. taste nothing very intensely. What is the taste of
nothing. cayce the Sanskrit word for action is karma. the Sanskrit word for
action is karma. when there are rebellions of body or mind against such is
there any wonder. that. the atoms of the body cause high blood pressure or
cause itching or cause. running sores or cause a rash or cause indigestion.
For all of these are. but the rebellion of truth and light.. . As has been
given there are DEFINITE conditions that arise from. within the inner man
when an individual enters into true or deep meditation. A. physical
condition happens a physical activity takes place Acting through. what
Through that man has chosen to call the imaginative or the impulsive and.
the sources of impulse are aroused by the shutting out of thought
pertaining to. activities or attributes of the carnal forces of man. That
is true whether we. are considering it from the group standpoint or the
individual. Then changes. naturally take place when there is the arousing
of that stimuli WITHIN the. individual that has within it the seat of the
soul's dwelling within the. individual body of the entity or man and then
this partakes of the. individuality rather than the personality.. . If
there has been set the mark (mark meaning here the image that is raised.
by the individual in its imaginative and impulse force) such that it takes
the. form of the ideal the individual is holding as its standard to be
raised to. within the individual as well as to all forces and powers that
are magnified or. be magnified in the world from without THEN the
individual (or the image). bears the mark of the Lamb or the Christ or the
Holy One or the Son or any. of the names we may have given to that which
ENABLES the individual to enter. THROUGH IT into the very presence of that
which is the creative force from. within itself see. . Some have so
overshadowed themselves by abuses of the mental attributes of. the body as
to make scars rather than the mark so that only an imperfect. image. may be
raised within themselves that may rise no higher than the arousing of. the.
carnal desires within the individual body. We are speaking individually of.
course we haven't raised it to where it may be disseminated for remember
it. rises from the glands known in the body as the lyden or to the lyden
Leydig. and through the reproductive forces themselves which are the very
essence of. Life itself within an individual see for these functionings
never reach that. position or place that they do not continue to secrete
that which makes for. virility to an individual physical body. Now we are
speaking of conditions from. without and from within. . The spirit and the
soul is within its encasement or its temple within the. body of the
individual see With the arousing then of this image it rises. along that
which is known as the Appian Way or the pineal center to the base. of the
BRAIN that it may be disseminated to those centers that give activity. to.
the whole of the mental and physical being. It rises then to the hidden eye
in. the center of the brain system or is felt in the forefront of the head
or in. the place just above the real face or bridge of nose see. . FIND
that which is to YOURSELF the more certain way to your consciousness. of.
PURIFYING body and mind before ye attempt to enter into the meditation as
to. raise the image of that through which ye are seeking to know the will
or the. activity of the Creative Forces for ye are RAISING in meditation
actual. CREATION taking place within the inner self. snailmail
jupitterlarsen. snailmail g.x. jupitterlarsen. for myself eye enjoy
playing with terms as toys nothing more. too many. people. take ideas (or
the terms of ideas) too linearly.. eye think that a person's disapproval
of somehting is no reason not to like. it.. if a man believes in something
it does not necessarily mean that he accept it. as something which is
essential nor should he.. in fact a man exhibits a real understanding of
the workings of reality when. in. a single action (without meaning to
deceive) he deliberately says one thing. and. does something else
altogether different.. it is the multidimensionality of all of this which
shows us that using the. same. process of making rational conclusions will
not always work for all events. and. actions.. eye am not from anywhere
really. my father was from norway however. g.x. jupitterlarsen. NOT HERE.
and we. and we. are fundamentally inclined to maintain that the falsest
opinions. (to which the synthetic judgments a priori belong) are the most.
indispensable to us ..without a constant. counterfeiting of the world by
means of numbers we could not. live.
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UEOFTHEFOUNDINGOFGARDENINGARPNCTSUJEXQUOTSFD. CSFDE. i don't remember
having written this not sure what it is... phaneronoemikon solipsis blog.
Person shelf sentence continuing. Q Who reads Person shelf sentence
continuing. A Pure Irration.. Q Is reading done in eyeball. A All reason
contains irreasonal assumption.. Q Why does Person shelf sentence
continue. A Pure ration of radiance.. Q What is contained in one ration of
radiance. A Pure Irration.. Q Are you in favor of constructing networks of
belief. A They are constructing me. Why not construct them. Q Can you
explain. A I have swallowed a redhot iron ball. which has cauterized my
throat into a starform.. Q Who reads Person shelf sentence continuing. A A
Pure Ration of the AllSelf incausing Irration for S.O.A.. A Person shelf
sentence continuing. Q FINAL.. Wednesday March. CAMBODIAN MAN CUTS OFF
PENIS TO FEED SPIRITS. Mon Mar AM ET. PHNOM PENH (Reuters) A Cambodian man
cut off his penis when he said he was. visited by four hungry spirits in a
dream and he had no chicken or duck to. offer them.. According to police
yearold Soun Ney told the spirits to go away when. they first appeared to
ask for food and waved his penis at them in defiance.. 'Devils I don't
have any chicken or duck for you' he was quoted as saying by. local police
chief Phoeung Vat. 'If you want to eat anything you can eat my. penis.'.
Soun Ney said the spirits agreed to eat his penis. He was rushed to a
hospital. near the capital Phnom Penh after he castrated himself with a
butcher's knife.. 'He is lucky to be alive' Phoeung Vat told Reuters..
Villagers in the deeply impoverished southeast Asian traditionally offer.
chicken duck or cake to the spirits of the dead to ward off bad luck..
found via Mark Lamoureux's. posted by Lanny PM. Sarandipities Trobard
ClusTermed. LunaLangLungLonging. What Breaks Though The Drama. Of All That
Tiny Inscriptus. Crowbar Plus. Ultra. My Kind. Trobar Plus. The Albino
Cyclopean Unicorn Gorilla. With Diaper D'oro. Filled With The Red
Tincture. Malbion Boonlight. It Doesn't Matter How You Arrange. The Words.
But How You Make Dolphin. Among The People. This Language Is Paramount. And
Must Be Unambiguous. Or You Will Be Labeled As A Kind Of Metagallinari. Of
Harangue Upon The River Styx. Now I Move In The Secret Doctrine Of Space.
And Find My Diagram Where The Outline Of. My Tribulation Is Ignored. The
Erotis Curvatures Of The Iconic Invention. Signals A Float Of
Intentionality. Within The Dark Wood Of The Loam Of Eyes. This Isn't An
Area For Soft Boys. But For Viral And Manic Demons Whose Surfaces. Are
Iconic Landscapes. Whose Dreams Are Alchemical Dramas Unfolding. With The
Precision of Floral Camera Craniums. This Machinic Djinn Lives. And Bites
Through The Umbilical Chord. With Teeth Of Coma. Chroma. The Ribald Town
Of Jiboko. Where The Green Skinned Fever. Hides Like An Assassin. Passing
Dreams Like Crystal Throwing Stars. Into Passing Gourds. None Of This Says
What It Thinks It Says. Such Is the Mystery Of the World. That No One May
Know Its. Fama Who Ignite Such Terrible And Inspiring Fires. Blank.
Arsenal. Firing. Under. Kama. Kra. C. losing.. Butter Idols.. What Happens
To Authors. Because. Of Their Texts.. Character (Dinosaur). pro notia
(elastic notocord). linguarum (Atlantean incense). universalis
(sphaerical). Species of the .... (enter relevanttimeframecontext).
.Independent Potentials.. of the RealM.. posted by Lanny PM. The Plan
Abandoned. by Wade Tillett. The unavoidable theoretical crisis. lurking
for years as an outline. a shadow at the edge of a glance. an uneasy
feeling. has finally become apparent.. It is in the face of this spectre
that. I am abandoning the profession of architecture.. While innumerous
evils haunt this profession. they are not in the end what has compelled my
resignation.. (I suppose these would have been reasons to reform. not
abandon.). No in fact after much consideration and soulsearching. I have
come to understand there is only one demon. the plan.. The plan can not be
separated from belief.. Belief encloses itself and becomes a system..
Belief identifies a self and other. a landscape. and a space.. Belief
establishes truths and possibilities based on its own parameters.. The
plan is the contract which seals belief. enforces belief.. The plan is the
word written. staticized. objectified.. The plan is the mapping of belief.
its completion as a coherent system. its formalization.. The plan is the
enclosure of the belief set. its circular logic turned on itself. the
fabricationenclosure (simultaneously) of possibility.. The plan produces
possibility. a construct of definable limits.. The plan allows one to
inhabit belief.. The plan delimits a space and a body.. Life is delimited.
separated. enclosed in a wrapper of the possible. identity. death.. Death
is the final separation. the final limit. the finite. the form. the past
twisted onto consuming the present.. The plan invents death. constructs
death. allots death.. The plan manufactures an objective reality. an
other.. Death is the ultimate other.. In order to be a true believer. one
must eliminate one's participation. in the creation of truth (the ultimate
other).. It is only in this way that objects. others. spaces. can be purely
objective.. The other must stem from without.. The plan must detach the
user or architect. the creation of the belief system.. The plan must
separate the self from its own modification.. The formgiving of
representation must be recast as a formreceiving.. The plan must become
the map.. The process of objectification (the creation of other) therefore
must. erase itself.. Thus inherent in the plan is a certain blindness. that
refuses to accept the creation of death. but accomplishes it the same..
Architecture is a means to resolve (obfuscate). the fundamental paradox of
the plan.. The plan can not be theorized as a problem within architecture.
nor one stemming from without.. The plan is both architecture's means and
it's reason for being.. Architecture's dual purpose is to hide that which
it facilitates.. Utopias are always distractions decoys.. The selfdelusion
of the architect is always only partial. there is always the intuitive
semiconscious fitting. negotiating. constructing. of a plan that bridges
and covers what it intends to be. and what it will be.. Such is the dual
nature. the misnomered intuitiveness. of the architect.. Those fascists
who purport to have accepted their role. as creators of death. as inverse
gods. in the end place Death as an absolute beyond. as some form of truth
outside the self.. They understand death's comport with belief. but
mistake death as beyond belief.. The actual manipulations at the molecular
level. are misconstrued. by a grandiose abstract Death narrative.(). The
myriad sin constructions are glossed over. hidden under. legitimized and
justified. by the holy image and the coming utopia.. Belief remains in the
singular untouchable other.. A construct is created behind an image.. The
imperialism of the plan always leaves one absent. a shell without
content.. The plan or map or image or identity can not be put to good use.
even those put together democratically or autonomously. present only a
means to enclose. subject the present to the past image. create
possibility traps.. The plan can not be separated from the tyranny that
employs it. the plan is that tyranny. the subjugation of the present to
the past.. Notes. . Fitting the two types of forms together segments of
content and. segments of expression requires a whole doublepincered or
rather. doubleheaded concrete assemblage taking their real distinction
into. account. It requires a whole organization articulating formations
of. power and regimes of signs and operating on the molecular. level.....
If this parallelism is replaced by a pyramidal image then. content
(including its form) becomes an economic base of production. displaying
all of the characteristics of the Abstract the assemblages. become the
first story of a superstructure that as such is. necessarily situated
within a State apparatus the regimes of signs. and forms of expression
become the second story of the superstructure. defined by ideology. It
isn't altogether clear where language should. go since the great Despot
decided that it should be reserved a. special place as the common good of
the nation and the vehicles for. information. Thus one MISCONSTRUES the
nature of language signs. organizations of power and content. () the
illusion that one can. grasp and shuffle all the strata between one's
pincers can be better. secured through the erection of the signifier than
through the. extension of the sign. ( Deleuze and Guattari A Thousand.
Plateaus. Emphasis mine.). posted by Lanny PM. Through Struggles to the
Stars. By Physicist. Jack Sarfatti Ph.D.. On the physical principles of
consciousness warp drive and wormhole star. gate time travel in the light
of the new precision cosmology of dark energy. and their relations to the
coded knowledge of the once and future techgnostic. mystery schools
fictionalized in The Da Vinci Code and described in fact. in Techgnosis..
Newton realized that the fall of the apple was the same as the motion of
the. Earth around the Sun. That was his alchemical techgnostic insight
into As. Above So Below. I have shown that the invisible Galactic Halo
holds the. stars together in the same way through negative zeropoint
energy density. with equal and opposite positive quantum pressure that the
electrons. distributed repulsive electric charge is held together. Its As
Above So. Below all over again. Real original physics on the deep
structure of the. many worlds not found in any other book is weaved
together with great. literature and my true adventure story. Quantum
reality is not only weirder. than we have imagined but may be weirder than
we can imagine. We are. such dreams that stuff is made from.. Re Object not
found.. ok mwp feel free to upload to noemata or adundas as an online
storage for you. stuff if you want. ah you can sell your stuff via
noemata.netarspublica.com. and get rich from the post.net.art. (it's of
course not generating a dime.). if i should try getting money from
institution i think it would be for 'fully. automated art' or something
like that smiley. i owe them some explanation what. i did with the last
which is ok and making problems with backfiring. 'context art' and then
not caring about paper work but the possibilities are. there and they're
basically kind i should have a secretaryagent doing. things keeping my
life together that would be fine i'll advertise defunct. potential artist
seek structured realistic person. there's missing a whole. lot in that
production line. i wanted to fix that before collaboration no it. doesn't
work only tight schemes getting money out of funds goals the usual.
artistery. insert sercasm charchasm hollow character.. perl cgi seem only
available from url kunst.nobjornmag (which is same as. noemata.net)
support didn't answer the last mail so they won't fix probably.. see you
in the post art. name. AROSE RIP. Aroseisaroseisarose.com is officially no
longer. All links to works. originating from the site are henceforth
invalid. Moreover I have no plans. for the construction of any future
sites.. I await a future of postnet art which is the only one I can expect
to be a. part of right now.. Re spasms. ..like eerie to me this tini whirl
j kom over linken i går actually. yo ko ok whiteblue c. alsoh. Recently
she held a thirteendaylong dance festival taking place 'in your. mind'..
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...... ..... ..... ..... .... ... ... .. .. trolldeig. vegetating at meh
airport this trolldeig work clumsiness of kid craft maybe. clumsiness of
their actual imagination not the craft always prefering the. chubby planes
and popple of things negating colors they now seem to be. jumping off
midair the original is red ground and they look dead white and. grinning
kids wondering how those air crafts every could fly maybe not. crosses and
how their imagination ever could represent anything no we don't. believe
the cross mean that we don't believe caricatures is like. imagination not
our craft we kids know that but you don't you are the. clowns falling off
by believing imagination eventually adapts you hit. the ground.. syndicate
div. This is a multipart message in MIME format.... ContentType textplain
charsetiso. Some moulds new images to become compressing them much as
possible and time. inflating they're connected to different ideas and
things lost or heading in. other directions divergence divide division
divert deflect route detour. distract turn aside depressible depute
diverting diplostemonous ride. daughterly turn ached diffractions dept
departs duplicitously ready dowdier. destructor tirana acta diversionist
dubbed deposing deportees defalcate rite. datura distributor thermo
agatha. Index of div. Name Last modified Size Description. Parent
Directory Apr. meh.jpg Feb k. M.jpg Aug k. M.jpg Jul k. akdre.jpg Oct k.
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ch.jpg Apr k. chiperb.jpg Jul k. cityfil.jpg Oct k. cpor.jpg Oct k.
dilbert.jpg Sep k. disni.jpg Dec k. disni.jpg Oct k. egeon.jpg Oct k.
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May k. lf.jpg Oct k. loo.jpg May k. mene.jpg Dec k. merica.jpg Apr k.
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Apr k. trit.jpg Sep k. tt.jpg Sep k. unfit.jpg Aug k. vadsotanabru.jpg Sep
k. ver.jpg Apr k. wallpaper.jpg Oct k. zthoe.jpg Feb k. Apache.. Server at
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mailinglist. Syndicate network for media culture and media art. post to
the Syndicate list. no commercial use of the texts without permission. hr
onwards. years anniversary. () (. ' ' '. ' ' '. ). (). ). '. roundtheclock
posting of sequenced hypermodern imagery from Brad Brace.. The hypermodern
minimizes the familiar the known the recognizable it. suspends identity
relations and history. This discourse far from. determining the locus in
which it speaks is avoiding the ground on which. it could find support. It
is trying to operate a decentering that leaves. no privilege to any
center.. began December. Pointless Hypermodern Imagery... postedmailed
every hours... a. spectral trajective alignment for the s A continuum of
minimalist. masks in the face of catastrophe conjuring up transformative
metaphors. for the everyday... A poetic reversibility of exclusive
events.... A postrhetorical continuous apparently random sequence of.
imagery... genuine gritty greyscale... corruptable compact. collectable
and compelling convergence. The voluptuousness of the grey. imminence the
art of making the other disappear. Continual visual impact. an optical
drumming sculpted in duration on the endless present of the. Net..
unassimilable... imagery is gradually acquired selected and resequenced.
over time... ineluctable vertiginous connections. The hr dialtone....
KEYWORDS Disconnected disjunctive distended decentered. decomposed
ambiguous augmented ambilavent homogeneous reckless.... Multifaceted
oblique obsessive obscure obdurate.... Promulgated personal permeable
prolonged polymorphous provocative. poetic plural perverse potent
prophetic pathological pointless.... Emergent evolving eccentric eclectic
egregious exciting. entertaining evasive entropic erotic entrancing
enduring. expansive.... Every hours another... view them repost em save
em. trade em print em even publish them.... Heres how.
httpbbrace.laughingsquid.nethr.html
309
310
Look for the hricon. Heavy traffic may require you to specify files. more
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binary. Get hr.jpeg. Email If you only have access to email then you can
use FTPmail to. do essentially the same thing. Send a message with a body
of 'help' to. the server address nearest you. ftpmailccc.uba.ar
ftpmailcs.uow.edu.au. ftpmailftp.unistuttgart.de ftpmailftp.Dartmouth.edu.
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bitftppucc.princeton.edu bitftppucc.bitnet. Mirrorsites requested Archives
too. The latest new jpeg will always be named hr.jpeg. Average size of
images is only K.. Perl program to mirror ftpsitessubdirectories.
src.doc.ic.ac.ukpackagesmirror. Postings to usenet newsgroups. alt.hr.
alt.binaries.pictures.hr. alt.binaries.pictures.misc.
alt.binaries.pictures.fineart.misc. Ask your system's newsadministrator to
carry these groups. (There are also usenet image browsers TIFNY PluckIt
Picture Agent. PictureView Extractor NewsRover Binary News Assistant
EasyNews). This interminable relentless sequence of imagery began in
earnest on. December . The basic structure of the project has been over.
twentyfour years in the making. While the specific sequence of.
photographs has been presently orchestrated for more than years worth. of
hour postings I will undoubtedly be tempted to tweak the ongoing.
publication with additional new interjected imagery. Each hour posting. is
like the turning of a page providing ample time for reflection.
interruption and assimilation.. The sites listed above also contain
information on other cultural. projects and sources.. A very lowvolume
moderated mailing list for announcements and. occasional commentary
related to this project has been established at. This project has not
received government artsubsidies. Some opportunities. still exist for
financially assisting the publication of editions of large. (x) prints
perhaps (Iris giclees) inkjet duotones or extendedblack. quadtones. Other
supporters receive rare copies of the first three. hremailsubscriptions
can also be made at. mo yr. Institutions must pay for any images retained
longer than. hours.. image files. Get the textfile 'picturesfaq' to learn
how to view or. faq.html. (c) Credit appreciated. Copyleft. this heat.
you're now listening to this heat a.k.a. Blue and Yellow Testcard
Horizontal. Hold Not Waving Water Twilight Furniture Track Loop Diet of
Worms Music. Like Escaping Gas Rainforest The Fall of Saigon Testcard
Deceit Sleep Paper. Hats Triumph S.P.Q.R. Cenotaph Shrink Wrap Radio
Prague Makeshift Swahili. Independence A New Kind of Water Hi Baku Sho
(Suffer Bomb Disease) Repeat. Metal GraphicVarispeed. This Heat (album)
covers two years of the band's history with both live and. studio cuts.
They use guitar clarinet drums and keyboards permuted with. loops phasing
and overdubs breaking down patterns into only faintly. connected musical
moments that include artificial skips and looped end. grooves. Though
insolent and withdrawn the music is adventurous and in its. raucous yet
avoids the dismal drones and cacophony of other experimental. groups. Free
of clichs the music blends politics and intelligence steering. clear of
artifice and trendiness. Austere brilliant and indescribable.. this is
still very good. Re rune grammofon. yes i've heard some releases
supersilence biosphere jazzkammer it's quite. experimental ranging from
noisefreejazz to ambient to electronica. haven't. seen the book but their
obviously into design also.. rune kristoffersen has some years in the
business he was in the group 'fra. lippo lippi' which released a beautiful
depressive record in 'in. silence' influenced by english goth rock. he was
involved in the company. uniton from which i bought releases and imported
albums at that time he's. got more pop oriented... related to that milieu
were 'holy toy' and 'when'. holy toy centered around. the polishnorwegian
eccentric andrej nebb and is probably the most. interesting group in
norway ever. actually nebb mentioned this heat as one of. his influences
which is obviously also in 'when' which comes from lars. pedersen
percussionistorgan in holy toy. 'when' reconnects more to prog rock. i
sent a cd with some stuff to rune k. a couple of years ago from the. just
slow and dark noise syrup recorded and manipulated from rails and. other
concrete sources. experimenting with very low bitrate encoding giving a.
spectral sound.. Have you seen this Do you know anything about this label.
Just wondering if you thought it was worth checking out... . e k u n s t .
cazzarola What is this. This is a multipart message in MIME format....
ContentType textplain charsetiso. a draft... cazzarola What is this. maria
What the awakening du vil holde styr unna brødene.. cazzarola Who are you.
maria Who are here in a try ) er gud er ikke her har mer av gammelt grått.
mugg og gjør fyldest alle dverger uten tanke søler sitt ene øye.. cazzarola
fanculo. maria What the awakening you will stay clear of the breads.. maria
Who are here in a try ) is god not is not her have more of the old. gray
mugg and do fullfill all dwarfs without thought spilling his one eye..
cazzarola fanculo. (. gozzarola finger eye. maria at ping eye tarot two
konservative lunkne.... ). noematamariadialoger. Nytt kapittel ferdig (k)
april. Maria Futura Hel Dialoger. dialoger.html k apr. dialoger.html k
apr. dialoger.html k sep. dialoger.html k jul. dialoger.html k apr.
dialoger.html k dec. dialoger.html k sep. dialoger.html k may. utdrag.txt
k jan. dialoger.html k jan. dialoger.html k nov. dialoger.html k aug.
dialoger.html k apr. dialoger.html k jan. dialoger.html k jul.
dialoger.html k may. .. ((()((. dialoger.html. tramslated. Dialoger med
Maria Futura Hel. maria i allerede levd because of grace jones. zynt am
nævestad badin magen. maria bad politikker. zynt yes am he dust. maria
dust am jesus suger eller am pingle. zynt skal vi home idag. maria home
till park. kutt al meg frekke kjerring kan a question men the. them for
off røret.. zynt haves i big kuk. maria big encourage at upon tv gøy
belowstream have sagt.. zynt become grows bog vaktkommandør. maria become
eneste uavbrutt høyforedersk handling.slik var. oppriktige svært bad no
not vet where heck am burdensome fog mist comfort. consoles tankene. drags
one excellent fine handel it quite altogether tøft.. zynt am urge digg.
maria am portveien. zynt am urge dig. maria urge digg. zynt am urge digg.
maria urge digg. zynt yes am it digg. maria yes hun light lightens for off
you opp and says i kan i spør about. concerning around she smiles.. zynt
you am one cheky diminutive harlot you. maria harlot foroff waldemar
waldemar am one dritt engine machine (peker. a longed nede økonomiskog
with serbiske and chocolate and films eller noen. var minute forest.. zynt
haves you pupper. maria pupper what for slakk foreslåtte pari why. zynt
jævla fitte. maria fitte slim like everything until terje vigen ex from
finnmark the. lounge am you no not. fernufti the them må get lay hold of
upon gayta except envelope. mister erik. My work is completely
photometrical.. ContentType textplain namemessagefooter.txt.
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listeadresse eekunst.no. kontaktadresse listmasterekunst.no. the sound of
matemathics. the sound of matemathics. via solipsis. min telecommuting
work. min telecommuting work. hararharharhahrhar iiotoutoitoutruio
OIDODSIUTOES FA SFA. SF DAG ADG D G DG DSGGER DAG RDGRLG.
ERLGØJERGLKVDRAGLKJDRGIDJG DRGØL ERGOIER GER Giiii. skjdkjrjrjrjrjrjrjds
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lk. bytes bps. singalong attachment removed. while walking. while walking
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irwin written oncogene.. do not all these things.. while walking be
minimized of worms and ants.. do not throw away paper that is written on..
do not all thersites things.. whimsey walkers bays mineable of worry
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wronger on.. do nostoc all these thingamajig.. whig walking be mindless
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thanksgivings isabella wroclaw on.. do notability all thesaural things..
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closedown beholden hilts treacherousness.. likuta one who on a lollop
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close beholders hiddenite tread.. beMyGhost Punch and Judy Show.
................................................. Noemata's beMyGhost
Punch and Judy Show. A light seaside summer entertainment. The plaintext
dessert of a desert hyperwork. A puppet show beyond good and evil. Etc..
As performed by the professors of automata. telemata noemata.. Now playing
the Inbox Theater Scene. oOOo. The story so far..... He is known as
Pulcinella in Italy Guignol and Polichinelle in. France Kasperl in Germany
Casper in Sweden Karagioz in Turkey. Karagiosis in Greece Petruk in
Indonesia. He's been around a long time in one form or another. He's an
imp of. mischief out of the mists of time. We know him as Punch. As.
Pulcinella the actor he was part of the Commedia Dell' Arte troupes. of
Renaissance Europe. To trace him back further takes us into the. very
ancestry of pantomime itself back to Ancient Rome and Classical. Greece
and the licentious topsy turvey world of Saturnalia and Satyr. plays. He
exists in many cultures for he is one form of The Trickster. a key figure
in society's development a figure able to turn shared. values upside down
for the shocked amusement of the community and the. ultimate strengthening
of the bonds that mutually bind it.. Charles Dickens was also a great
admirer of the Punch and Judy Show.. Mr. Punch is frequently mentioned in
his novels. One work The Old. Curiosity Shop seems to be based almost
entirely on the Punch. tradition. The show has taken a fair amount of
stick in the past for. being violent or not politically correct and being
flippant about. domestic violence. Charles Dickens is among those who have
nailed this. as ridiculous.. Who Are Punch and Judy Punch and Judy are
arguably the most famous. traditional puppets in the Western World with a
colorful history more. than years old. Mr. Punch with his hook nose
detched back and. garish costume is a cultural icon in England. His
unabashed joking. and rowdy mischievous behavior have provoked paroxyms of
laughter. audiences throughout time. An impressive body of art is graced
by. Punch's outrageous countenance.. PUNCH Are you a doctor. HANGMAN Yes
are you alright. PUNCH No I'm dead.. HANGMAN You can't be dead.. PUNCH I'm
dead dead dead.. HANGMAN How long have you been dead Mr. Punch. PUNCH About
weeks.. punch judypuppetpuppetsCodman'sTobyRhosonSeapunchpunchjudy. judyMr.
Punchpunchinellopolichinellepuppetry puppet heroswooden. headsthat's the
way to do itwhat a pitysomerville colwyn bayrhos. on seacomical
tragedytragical comedymr punch's opera. pulcinellaharlequinadedetch
backhumpbig nose professorspunch. manprofessorsslapstickswazzle
swazzleomiswazzlehomipunch. callitinerantmarionettes
seasideentertainmenton the beachbeach. performerson the sands carnivalsThe
Punch and Judy College of. ProfessorsThe Punch and Judy
Fellowshipswazzleswatchelold red nose. Hoban quotes him as saying Punch is
so old he can't die.. In its classical glorious sense immortality is the
quality of what. passes beyond death the quality of the supraliving. In
its. contemporary version it is the quality of the surviving that is of.
what is already dead and by that token becomes immortal.. It's a fine show
sir. he replied. jolly fine show. Then with a. guffaw he added And a damned
bad moral.. Many of the Trickster's traits Radin writes were perpetuated
in. the figure of the mediaeval jester and have survived right up to the.
present day in the PunchandJudy plays and in the clown (xxiii).. Who is
Punch anyway Where does he come from And how could so. impossible and
ridiculous a character have survived the changes and. turmoil of the
passing centuries The plain fact is that nobody knows.. Certainly the
figure of Punch as we know him today has a direct link. with the commedia
dell'arte of the seventeenth century but the. character is far far older.
The original significance of Punch's face. and figure his enormous nose
and hump are meaningless to an. audience of modern times when perhaps it
is not customary to. associate large noses and sexual potency or find
detchbacks mirth. provoking. But it is possible that Punch has lasted so
long because he. so blatantly cocks a snook at the restrictions of
civilised society. and perhaps every man at some time or other would like
to flaunt the. laws of society with a comparable nonchalance removing
those who got. in his way pursuing his amorous inclinations willy nilly
and. defeating in the end the devil himself How often we say of a.
likeable rogue He could get away with murder. And Punch. does or almost
always does and he is such a likeable rogue and of. course he's only a
puppet and puppets can get away with anything.. HANGMAN Now prepare
yourself for execution.. PUNCH What for. Mr. Punch. A Roman mime called
Maccus was the original of Punch. A. statuette of this buffon was
discovered in containing all the. wellknown features of our friend the
long nose and goggle eyes the. detch back and protruding breast. The most
popular derivation of Punch. and Judy is Pontius cum Judæis (Matt. xxvii.
) an old mystery play. of Pontius Pilate and the Jews but the Italian
policinello seems to. be from pollice a thumb (Tomthumb figures) and our
Punch is from. paunch. The drama or story of our Punch and Judy is
attributed to. Silvio Fiorillo an Italian comedian of the seventeenth
century. Punch. triumphs over all the ills that flesh is heir to. () Ennui
in the. shape of a dog is overcome () Disease in the disguise of a doctor.
is kicked out () Death is beaten to death and () the Devil himself. is
outwitted. Brewer's Phrase and Fable. This compulsive desire for
immortality for a definitive immortality. revolves around a strange
madness the mania for what has achieved. its goal. The mania for identity
for saturation completion. repletion. For perfection too the lethal
illusion of the perfection.. 'Every ecstasy ultimately prefers to take the
path of renunciation. rather than sin against its own concept by realizing
it' (Adorno). the identitary individual the virtual clone there
corresponds a. horizontal madness... a delirium of selfappropriation all
the. monstrous variants of identity not of the schizophrenic but of the.
isophrenic without shadow other transcendence or image that of. the mental
isomorph the autist who has as it were devoured his. double and absorbed
his twin brother (being a twin is conversely a. form of autism deux).
Identitary ipsomaniacal isophrenic madness.. Our monsters are all manic
autists. As products of chimerical. combination... deprived of hereditary
otherness... they have no other. destiny than desperately to seek out an
otherness by eliating all. the Others one by one.. PunchandJudy show a
traditional puppetshow in which Punch is. shown nagging beating and
finally killing a succession of. characters including his wife Judy.. The
problem of Frankenstein for example is that he has no Other and. craves
otherness... But our computers also crave otherness. They are. autistic
bachelor machines the source of their suffering and the. cause of their
vengeance is the fiercely tautological nature of their. own language..
Punch did not always have his own play it seems his first role in. England
was to provide comic interludes in serious plays by. interrupting the
action as and when he could.. A MODERN PUNCH SCRIPT CHARACTERS PUNCH JUDY
BABY POLICEMAN CLOWN. CROCODILE HANGMAN GHOST. the challenge of the Ghost
representing Death is considered Punch's. greatest trial. We long ago
stopped believing in the immortality of the soul a. deferred immortality.
We no longer believe in that immortality which. assumed a transcending of
the end an intense investment in the. finalities of the beyond and a
symbolic elaboration of death. What we. want is the immediate realization
of immortality by all possible. means.. the conquest of whom enables Punch
to finally defy the Devil himself.. So long as there is a finalistic
conception of life and death the. afterlife and immortality are given like
the world and there is no. cause to believe in them. Do you believe in
reality No of course. not it exists but we do not believe in it. It is
like God... If. something does not exist you have to believe in it. Belief
is not the. reflection of existence it is there for existence just as
language. is not the reflection of meaning it is there in place of
meaning. To. believe in God is therefore to doubt his existence. Belief
is. superfluous just as Canetti says vengeance is superfluous it is.
rendered unnecessary by the inexorable reversibility of things. In.
exactly the same way passion is a useless supplement to the natural.
attraction between things and we might say the same about truth. which
merely complicates appearances unnecessary.. or as a mirror merely
refracts your image without believing in it.. God for his part if he
exists does not believe in his existence. but he allows the subject to
believe in him and to believe he. believes in it or not to believe that
but not to believe he does. not believe in it. Stavrogin. When the Devil
has been done away with Punch exults to the audience. The Devil is dead
Now everyone can do as he likes. But what will the human race do once free
of any belief It will. either fullfill itself egoistically obeying an
exclusive sovereign. individualism (Stirner) or do so collectively by
setting out on a. long historical course as in Marx or it will shift its
sights to. the superhuman through a transvaluation of the values of the
species. this is the path marked out by Nietzsche who argued that the
human. race cannot be left to itself but must aim beyond itself and
discover. the great metamorphosis that of becog... Nietzsche has written.
magnificently of the vital illusion not of the 'worlds beyond' but. of the
illusion of appearances of the forms of becog of the veil. and indeed all
the veils which happily protects us from the. objective illusion the
illusion of truth... Needless to say this. transvaluation... has not taken
place except precisely in the. opposite sense... A transvaluation folding
in upon itself towards a. nondifferentiation a nondistinction of values
itself fetishized in. an aestethics of plurality of difference etc. Not
any longer a. fetishization of divinities great ideas or grand narratives
but of. imal differences and particles... This dedifferentiation of the.
human and the inhuman this reabsorption of the metaphor of life into. the
metastasis of survival is effected by a progressive reduction to. the
lowest common denoator.. The Crocodile was a late arrival in the story and
has now been an. important character for about a detdred years. First he
was a dragon. which eventually became a crocodile. Perhaps the idea of a
crocodile. became firmly established after children had been frightened by
the. Crocodile in Peter Pan. The Ghost is seen occasionally still..
Originally the Ghost of Judy it is now just any old ghost.. Who was
Pulcinella or as he is sometimes called Pollicinella or. Pulicinella His
role was primarily that of a servant as indeed was. that of Harlequin and
he was obviously a comedian. He wore an. artificial nose potbelly and hump
all calculated to make the. audience laugh and he was the mixture of
jollity and cruelty wit and. stupidity just as Punch is today.. The
PunchTrickster concept embodies notions of anti. establishmentarianism
buffoonery and shamanism that reflect. attributes of the creative
individual functioning in an authoritarian. ethos the late s bucking the
system inverting values. Assug an ubuique persona and balancing
precariously on a mono. cycle PunchTrickster pedals blindly into an
unknown future fending. off unseen adversaries with an ineffectual weapon.
The sculpture is a. concretisation of a state of d or an existential
predicament. It is. concerned with delusions of grandeur and vulnerability
paradox and. pathos.. The Trickster as buffoon acts out a quixotic farce in
ironic fashion.. Ubu Roi a precursor of the theater of cruelty the absurd.
PunchUbu. Puncheon. Pernille og Mr. Nelson. JUDY Where's the baby. PUNCH
(In a melancholy tone.) I have had a misfortune the child was. so terrible
cross I throwed it out of the window.. It is generally thought that the
obsession with survival is a logical. consequence of life and the right to
life. But most of the time the. two things are contradictory. Life is not a
question of rights and. what follows on from life is not survival which is
artificial but. death. It is only by paying the price of a failure to live
a failure. take pleasure a failure to die that man is assured of survival..
Punch's women performers Bearing in d that Mr Punch is a folk. herorogue
scoundrel trickster of the opposite sex from ourselves. why are we so keen
to portray his story And what might the women. Professors add to the drama
of the tradition. The traditional Punch and Judy show presents Punch as
the simpleton. hero who successfully outwits various characters
representing his. oppressions in order to gain his freedom. This 'clever
fool' type is. often portrayed as a male antihero in folklore (Jack Til.
Eulenspiegel Clever Hans Monkey Anansi and Brer Rabbit are some.
examples). Somehow he always manages to achieve through his stupidity.
what others fail to achieve by concentrated effort. Punch is a.
combination of the fool and trickster. His characteristics are a.
collection of the archetypal shadow masculine traits those which are.
socially deemed to be undesirable cowardice lewdness rudeness. stupidity
fickleness irresponsibility selfishness greed. ................ and
violence or cunning. Mr Punch the trickster carnival fool king of anarchy
is an absurd. masculine archetype of those aspects of the human psyche
that want to. turn the world upside down and create chaos. His gross
appearance. the bulbous hooked red nose and the phallic 'hump' on his
back. comically reinforce his male sexuality along with the big red.
slapstick which he wields as the answer to all his troubles. His.
character and appearance have their roots in the ancient ritual. dramas
celebrating birth death resurrection conflict and. fertility. In our
'civilised' hierarchical bureaucratic and. patriarchal society Mr Punch
has evolved and survived through the. centuries as our national 'Lord of
Misrule.'. Punch men often portray Judy as a wonderfully fussy bossy
pantomime. dame type with a high falsetto voice. (Note that this makes
the. character a parody of the male's fantasy of woman).. When knocked
down she bobs up again several times in comic protest. always with one
more thing to say. Sometimes her final utterance is. almost orgasmic in
nature so that the mock puppet death we are. witnessing might more closely
resemble 'le petit mort' rather than. actual mortality.. When she returns
to discover that Mr Punch has inadvertently (in true. 'ignorant simpleton'
style) made the baby into sausages she is as any. woman would be at first
distraught and then angry. However having. fully expressed her grief and
given Mr Punch a piece of her d she. quickly moves into acceptance and
realises this is her opportunity. for freedom Well now Mr Punch You made
the baby sausages so you. can look after the baby sausages That's fair I'm
going to claim the. insurance money and take a nice little holiday in
Majorca. No you. can't come with me. You're to stay at home and look after
the little. sausage.. And off she goes leaving Mr Punch and the sausages to
the mercy of a. big green crocodile with toothfilled gaping jaws. Her
triumph is that. she has called Mr. Punch's bluff. Rather than waiting to
be knocked. out of his way Judy leaves him with the consequences of his
mistakes. and removes herself to a more fulfilling situation. She does
the. separating off. This gives Judy an equal status to Punch in the
drama. although he still remains at the centre of the story and fulfills
his. usual trickster role with his other adversities.. Adult enthusiasts
can recognize him as the head of one of those. dysfunctional families of
Drama that span from Oedipus and Macbeth on. the tragic side to the Addams
Family and The Simpsons on the frivolous. side. He and other little red
nosed rogues like him have been kept. alive down the centuries because his
irrepressible antics and his. flying in the face of convention have amused
generations of ordinary. people particularly those with no power of their
own.. Step warily around the fair Welsh seaside town of Aberystwyth this.
weekend for everywhere you look will be a strange beaknosed figure. clad
in red with pointytoed shoes and a manic gleam in his immobile. eyes. No
it's not Beelzebub it's Punch. The second international. festival of Punch
and Judy is in town. Oh no it isn't. Oh yes it is. etc.. There was an Old
Man with a nose Who said If you choose to. suppose That my nose is too
long You are certainly wrong. That remarkable man with a nose.. A Jungian
Consideration of Edward Lear's Nonsense Verse Lear was in. many ways an
example of what Jungian psychologist MarieLouise von. Franz calls the puer
aeternusan archetype she analyzes in her book of. the same name. The term
comes from Ovid's Metamorphoses and there. refers to the childgod of the
Eleusinian mysteries. In later times. von Franz writes. the childgod was
identified with Dionysus and the god Eros. He. is the divine youth who is
born in the night in this typical. mothercult mystery of Eleusis and who
is a redeemer. He is a. god of life death and resurrectionthe god of
divine youth .. but we also use it to indicate a certain type of young man
who. has an outstanding mother complex . . . . (). Wandering moreover is
one of the most important traits of the. Trickster archetype (Radin )
which as we shall see Lear's. nonsense exemplifies.. There was an Old Man
of Peru Who never knew what he should do So he. tore off his hair And
behaved like a bear That intrinsic Old Man of. Peru.. There was a Young
Lady whose eyes Were unique as to colour and size. When she opened them
wide People all turned aside And started away. in surprise.. There was a
Young Lady of Norway Who casually sat on a doorway When. the door squeezed
her flat She exclaimed 'What of that' This. courageous Young Lady of
Norway.. There was an Old Man of Cape Horn Who wished he had never been
born. So he sat on a chair Till he died of despair That dolorous Man of.
Cape Horn.. There was an Old Person of Cromer Who stood on one leg to read
Homer. When he found he grew stiff He jumped over the cliff Which
concluded. that Person of Cromer.. There was an Old Man on some rocks Who
shut his wife up in a box. When she said 'Let me out' He exclaimed
'Without doubt You will. pass all your life in that box.'. There was an
Old Person of Bangor Whose face was distorted with. anger He tore off his
boots And subsisted on roots That irascible. Person of Bangor.. There was
an Old Person of Spain Who hated all trouble and pain So. he sat on a
chair With his feet in the air That umbrageous Old. Person of Spain..
There was an Old Person from Gretna Who rushed down the crater of. Etna
When they said 'Is it hot' He replied 'No it's not' That. mendacious Old
Person of Gretna.. There was a Young Lady of Parma Whose conduct grew
calmer and calmer. When they said 'Are you dumb' She merely said 'Hum'
That provoking. Young Lady of Parma.. There was an old man of Hong Kong
Who never did anything wrong He. lay on his back With his head in a sack
That innocuous old man of. Hong Kong.. The function of the Trickster
according to Kernyi is to add. disorder to order and so make a whole to
render possible within the. fixed bounds of what is pered an experience of
what is not. pered (). Kernyi could just as well be describing the.
nonsense genre that emerged in the nineteenth century.. You desire to LIVE
according to Nature Oh you noble Stoics what. fraud of words Imagine to
yourselves a being like Nature boundlessly. extravagant boundlessly
indifferent without purpose or. consideration without pity or justice at
once fruitful and barren. and uncertain imagine to yourselves INDIFFERENCE
as a powerhow. COULD you live in accordance with such indifference.
Contrary to the underlying Rousseauist ideology which argues that the.
profound nature of the liberated subject can only be good and that. nature
itself once emancipated cannot but be endowed with natural. equilibrium and
all the ecological virtues there is nothing more. ambiguous or perverse
than a subject.. Trickster is at one and the same time creator and
destroyer giver and. negator he who dupes others and who is always duped
himself. He wills. nothing consciously. At all times he is constrained to
behave as he. does from impulses over which he has no control. He knows
neither good. nor evil yet he is responsible for both. He possesses no
values moral. or social is at the mercy of his passions and appetites yet
through. his actions all values come into being.. It is a personification
of traits of character which are sometimes. worse and sometimes better
than those the egopersonality possesses. (The Archetypes ). The Trickster
is in other words a. manifestation of what Jung calls the shadow and he
comments We are. no longer aware that in carnival customs and the like
there are. remnants of a collective shadow which prove that the personal
shadow. is in part descended from a nuous collective figure (ibid.). that
is the Trickster archetype.. Furthermore the Trickster is a forerunner of
the saviour and like. him God man and animal at once. He is both subhuman
and superhuman. a bestial and divine being whose chief and most alarg.
characteristic is his unconscious ness . . .. He is so unconscious. of
himself that his body is not a unity and his two hands fight each. other..
As Jung says of the Trickster Although he is not really evil he. does the
most atrocious things from sheer unconsciousness and. unrelatedness (ibid.
).. We ought not to entertain the illusion that we might cultivate good.
and happiness in a pure state and expel evil and sorrow as wastes.. That
is the terroristic dream of the transparency of good which very. quickly
ends in its opposite the transparency of evil.. Bedre veier gir flere
ulykker. The travel poems also reflect the Trickster's habit of wandering.
(albeit his wandering is generally aimless). Radin comments that the.
Trickster's desire to wander represents his protest against. domestication
and society with all its obligations ().. what do we cling so tightly when
we resist the dangers of drift. Barthes spoke (positively) of drift as a
kind of stupidity. Are we. afraid of appearing stupid. In when Oliver
Cromwell's Puritan regime banned all theatrical. performance commedia
companies must have scrubbed England from their. gigging schedules. But
the Punchinello character appears to have detg. in. Crosspollinated with
the local Vice character originally the. trickster fool of the Mystery
plays Punch utilised Harlequin's. slapstick bat took a wife and resurfaced
in the Punch and Judy puppet. show.. PuckPunch
SantaPelznicholNicholasJanneyYule I Norge har vi. oskoreia og julebukker
they acted out an odd play the leader who. dressed in goat or bear skins
argued with another character or with. the woman figure. He was killed the
woman lamented and the doctor. comically resuscitated him or he
spontaneously revived declaring he. wasn't dead after all the Fool was in
his original beast form the. death and execution were enacted amorally. In
later plays the Fool or. beastman is often killed by a young groom because
he makes a pass. at the Woman and narrators explain the behavior with a
comic. script. Scholars concluded that the detdreds of versions peppering.
Europe could be traced to the great goatgod Dionysus. After all the.
Dionysian rites gave birth to modern theater In Britain he became. Robin
Goodfellow or Puck norsk slektpuk celebrated by. Shakespeare Goodfellow's
cousin Robin Hood began life as Wood a name. for the Wild Man. In the
Black Forest the Pied Piper of Hamelin re. enacts poet Robert Browning's
version of the ancient mystery. And. don't forget the 'geek' as a freak
act.. Shiva is more or less what you want him to be as in him all.
contradictions casually coexist. The notion of Shiva as exclusively a.
Wild Man of the forests and mountains traveling with a band of ghosts. and
ghouls as their leader Bhoothnath is a recent phase of his. worship. For
while he was always capable of peculiar behavior Shiva. used to live
outside of society not because he had rejected it but. because he had
transcended it. Shiva is repeatedly described as the. supreme master of
all the arts and that indicates a highly socialized. being the Nagarika of
ancient India not a rustic.. Only Siva who indulges in both extreme ascetic
and extreme erotic. activity the creator and the destroyer the quiescent
and the active. god who represents both the cyclical motion of the
universe and. spiritual immortality can offer devotees both paths of
immortality. through rebirth or renunciation and spiritual immortality. He
is the. living lingam in the yoni and the androgyne. Both symbols contain
the. paradox within themselves and provide a resolution.. Lingam Sanskrit
literary 'mark' or 'sign' ( is there a connection. between 'sign' and
'seed' (seme and semen) via sema seme sememe. semiological adj.Gk semeion
sign f. sema mark seal symbolic. inseal pregnancy pregnant expression...).
Shiva is worshipped in several apparently contradictory aspects whose.
combination gives emphasis to his incomprehensible transcendence. He. is
seen as a giver of blessings and is also a symbol of sensuality.
represented by the lingam or phallus. On the other hand he is. sometimes
depicted as an ascetic seated in meditation in the. Himalayas. Shiva is
also the god of destruction and dissolution. In. his manifestation as
Shiva Nataraja the fourarmed Lord of the Dance. he tramples on the forces
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there's a local history group in the area writing articles which gets
released. in a small yearbook by the museum i had some of them sent them
off to a. friend. among the interesting where stories about Omgang a
deport and. execution place in the middle ages a few some km from here
unhabitated long. since. prisoners from northnorway don't know how far
south where imprisoned. at this very desolated place and in fact a couple
of women got burned as. witches there in es if I remember right a young
woman Dorte something. accused of making storm at sea where a man she had
some relation to died you. could tell by the incidents she probably was an
attractive woman making the. men with power quite jealous humiliated and
very mad after half a year in. prison she was burned alive in I think..
another interesting thing is the labyrinth as Mikkelsberg also close by
with. some discussion of the authenticity of it it origins either from the
pomor. trade with russians a couple of centuries ago or from much earlier
habitation. of the area the earliest settlers probably being the sami
komsaculture. several thousands years ago there's some debate a dr.
something writing his. thesis the sami were not the first inhabitants. the
labyrinth has not been. coast from fear of messing it up the traces are
very vague but it has the. traditional form and is about in diameter..
there's some war time history since the whole shit was burned down by
germans. the whole north of norway every building here so they turned the
boats on. their head and lived under there or lived in caves at the coast.
things have. been rough here of course finding support actually there were
some. agriculture before not much.. there were about women burned as
witches in the s in finnmark the. northernmost part of norway were charged
for sorcery and researchers have. wondered why so many in the region.
reading protocols from the trials a. researcher. now suggest the poisonous
fungus meldrøye lat. Claviceps purpurea explaining. hallucination and
bewitchings black grains at the bottom of the cup etc.. Re SZ aeffect
Strong Creole Tendency. Atta unsar thu in Himinam. SZ aeffect. Strong
Creole Tendency between wordanimage selfreference 'worldings'. toll
painting of a russian and a norwegian in a fjord in the 's. trying to
communicate about some wood. chopped logs the pomor trade s to the russian
revolution initiated by. russians from the. White Sea having coast and
fjords in north of norwy as their area 'pomor'. means. 'by the sea'
Arkhangelsk has a pomor university today the russian came to. white. sea
from Novogorod s a viking city with democratic traditions different. the
tataryoke in rest of russia. pomors had cereal meal and traded with. the
tataryoke in rest of russia. pomors had cereal meal and traded with
313
fish (coast) and skins (sami inhab). .. should think wood also was
important as. there are no trees in the northernmost regions... Nordmannen
Drasvi gammel go ven på moja. Tvoja fisk kopom (Goddag min gamle. gode
venn. Kjøper du fisk). Russeren Da. (Ja). Nordmannen Kak pris (Hvilken
pris). Russeren En voga mokka så to voga treska. (Det er en våg mel mot to
våger. torsk.). Nordmannen Eta mala. (Det er for lite). Russeren Slik slag
en å en halv voga treska så en voga mokka. (Slikt slag.. En. og en halv
våg torsk mot en våg mel.). Nordmannen Eta grot dyr. (Det er ennå for
dyrt.). Russeren No davaj på kajut sitte ned så dokka lite tjai drinkom.
Ikke skade.. (Kom. nå ned i kahytten og drikk litt te. Det kan ikke
skade.). norw. russian it seems). pomor trade was illegal until . and then
the russ revolution stopped it and. the nnorw econony into depression and
the coastal villages into. problems.. the pomors had a rich rural culture
and folklore it seems there's a longer. within pomorområdet levde
fairytale adventure and legend byliner (heltedikt). ballader stev and
laments further enn a in inside into on per within. mange. second strøk
for off Russia Russia. a in inside into on per within. last. latter half
for off tallet begynte lærere prester and second stream. accumulate gather
tradisjonsstoff. them gjorde crowds for off opptegnelser a. in inside into
on per within citys and villages longer dvina and pinega. and. at to
toward towards a in inside into on per within at by on. upon. on upon
kvitsjøkysten området ble kjent like one skattkiste because of.
folklorister and etnografer.. within ble marija krivopolenova one
diminutive ancient wife with a. unfigure. ballader and chants at.
tertiden. also stepan pisakhov like var kunstmaler skrev below downstairs.
underneath down below underneath down underneath tradisjonsfortellinger.
especially especial fairytale adventure at to toward towards a in. inside.
into on per within at by on upon on upon dialect. sjergin skrev also.
tradisjonelle and further fashionable fairytale adventure men his
skriftlige. produksjon am både større and longed further allsidig enn
pisakhovs. within sovjettiden dolled it also opp sterke klare litterære
personligheter.. fjodor abramov ex from verkola. marija krivopolenova ().
bondekone ex from pinega famous because of its ballader chants and.
klagesanger.. hun learned helteballadene stariny for off its grandfather.
hun. accrued. opp a in inside into on per within fattige kår and ble early
married. married married poison men verken at to toward towards until till.
felicity. eller velstand. hun losed både the fellow and barna unntatt one
daughter like. ble married married married poison så fattigslig at hun no
not know get. lay. hold of pick up take itself for off moren. hun ble
hence therefore tvunget. at. toward towards until till stream continue
tilværelsen like one beater. omstreifende beggar eller legdekone. men
krivopolenova var one lysende gifted. forteller chants and klagesanger.
boris sjergin (). it nordrussiske klassikeren fremfor noen. he convey
imparted gamle. fortellinger. and tradisjoner muntlig and after behind
hvert also skriftlig. he skrev also. its. egne fortellinger. sjergin var
one authentic pomor the father var styrmann and. seilte at to toward
towards a in inside into on per within at by. on. upon on upon Norway the
mother daughter for off one seilmaker. både. foreldrene. and mange for off
husets friends stod midt a in inside into on per. within. pomorenes living
fortellertradisjon. sjergin itself ble one important. tradisjonsbærer
because he after behind hvert fixed it he hadde hørt at to. toward towards
until till papiret. a in inside into on per within its. fortellinger and
fairytale adventure skildringer for off life and employment. in.
skipsbyggere fiskere and fangstmenn. stepan pisakhov (). stepan pisakhov
seilskip at fiskebryggen a in inside into on per within. arkhangelsk.
author and kunstmaler ex from arkhangelsk. he var at to toward towards.
until. till stream begin with kjent because of its paintings with motiver
ex from. nordlige strøk men begynte after behind hvert stream type
fairytale. adventure.. mange for off the fairytale adventures his finer
also a in inside into. on. per within second versjoner men his versjoner
haves sitt særpreg and. språkføringen a in inside into on per within disse
tekstene am stronged. imprint impressed for off nordrussisk dialect.
pisakhov am one for off you. exaggerations skrøner. well there's some
pictures... links to some english. etc. CHROMOGAL. CHROMOGAL. Osho name
TEATDECI. Noemata Random Name Generator. nettimeann mailing list.
nettimeannnettime.org. ann ELPATA. ELPATA. Noemata Random Name Generator.
nettimeann mailing list. nettimeannnettime.org. . e k u n s t .
laburinteger. This is a multipart message in MIME format.... ContentType
textplain charsetiso. Maskin Jeg er glad jeg er det eneste jeg'et her..
Far Sønn sønn vi anbefaler at min maskin ikke snakker mere til deg.. Sønn
Men den kan så mange spennende ord.. Hadde trengte hjelp. til og fullføre.
De påfølgende dagene ble historiene til den bandasjerte. samlet og skrevet
ned i notatbøker før den støeste og mest skriveføre. av dem fikk oppdraget
med å føre over teksten til bandasjen. Hele. arbeidet. tok dager og da de
var ferdig var den bandasjerte i alt dekket av. ord.. Jeg faller uten....
Projeksjoner krever kontiniuitet.. ContentType textplain
namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert
via. e k u n s t. listeadresse eekunst.no. kontaktadresse
listmasterekunst.no. Nagnews Og sdspoetrezt dkyk og skyr nabnetrt. På Y).
Y (inntar sosiologiskpedagogisk sideleie) Protagonistens puerile.
forsvarsmekanismer er et infatilt forsåk på å rasjonalisere frykten.. Og
sdspoetrezt dkyk. og skyr nabnetrt dykkadt som ncdovmo vopmkete. foef
dMrnefnsd eksdsonnen slyllfd. Fglerfd dyjkk xfsd ogb ajjbgooåad af
xftrlyd. xfef stylr ret sdløben dykkatrg i hitummenem. Deref stgamme
gjoerda efane ferita mefd prgfotetane. Men e dykk rkke. det.... NAGnews
mailing list. NAGnewslists.copyleft.no. isoQDuhFrerdetnEdeterslettesikkei.
Kjemiforsøkene i elevenes hode. I ditt blomsterhull. Han sover i sjette
scene. Har jeg noe å si han. Middelaldrende demokrat må ligge i.... Du
hører det nå det er slettes ikke i sukkerbiten lyden oppstår.. Du ser på
sukkerbiten en siste gang før du putter den i munnen. Som om. begge.
øynene skulle ha skiftet posisjon fra venstre mot høyre uten og røre.
hodet. skifter synsvinkelen i scenen.. Kvinnen tar uforståelig imot en.
lapp hvor det står Vi møtes i dusjen i morgen. Hilsen din partner i.
forbrytelse.. Over kinomaskinisten på disen. kinomaskinisten tårer .
veggen mitt film over noen . UTE AV FOKUS.. My Help. Example How do Ichang
my password. Tips. Getting Startled. How do If i what category my Humen is
in. I receive an email notification saying my humen could be Deleted due
to. inactivity. Why What can I do. What does the my smiley face (image) is
mean. How do my I get rid of the my is smiley face (image). I never sign up
for my Human grouqs. Why am I receiving my messages. View and manage your
my hume. Your humain Grops account has been disable because you had. an
autoresponsible setup.. Bouncing seminar . May. What Bouncing means and
what to do about it means bounce. L. Work with elbows grouq. Control
access and sharing humes. list bounce. tails Yoric troll and Nøkk. Ask
Her. the water. Re Du har rett. Da kan jeg vende tilbake til. Work good.
Fra den. Forfatteren hadde alltid en. unnskyldning vent litt jeg måtte
bruke begynnelsen tilslutt.. Selv nå tror leseren han vet hvem morderen
er.. Troll om igjen.. Jeg vet at munnen min drypper av penneskaftet
skriver. forfatteren.. Med deler av hodet bandasjert.. Hvis vi panorer til
høyre ser vi ryggen hans idet han forlater. sykhuset fullt rekonstituert.
Kutt. Utenfor sykehuset stopper han opp.. Flashback. Noen tok av for
fallet. Han fallt. Blålys. Står på. sykhustrappen. Tar seg for det gamle
kuttet i pannen. Får blod på. fingrene. Snuser på blodet. Nærbildet av en
hund som glefser.. Kanskje ikke.. Mot widescreen sensur.. Overtall pga..
Og ble stående å. skrike til hverandre. Da måtte en av dem raskt ta en
avgjørelse og. fortsette videre så ville den andre måtte slutte seg til..
.n. las ldanburg. oea.net.knyt. bmg. how many net artists does it take to.
Greetings froam. Greetings froam. cause confusion and shame to make
uncomfortably selfconscious disconcert. abash. put obstacles or
difficulties in the way of impede. skam. the painful feeling arising from
the consciousness of something dishonorable. improper ridiculous etc. done
by oneself or another. disgrace ignominy. a fact or circumstance bringing
disgrace or regret. cover with ignominy or reproach disgrace. shame is a
painful feeling caused by the consciousness or exposure of unworthy. or
indecent conduct or circumstances. It is similar to guilt in the nature
and. origin of the feeling.. pride a high or inordinate opinion of one's
own dignity importance merit or. superiority whether as cherished in the
mind or as displayed in bearing. conduct etc.. selfesteem selfrespect.
ridicule Syn. . mockery raillery sarcasm satire irony. . banter chaff.
rally twit burlesque satirize lampoon. RIDICULE DERIDE MOCK TAUNT imply.
making game of a person usually in an unkind jeering way. To RIDICULE is
to. make fun of either sportively and goodhumoredly or unkindly with the.
intention of humiliating to ridicule a pretentious person.To DERIDE is to.
assail one with scornful laughter to deride a statement of belief.To MOCK
is. sometimes playfully sometimes insultingly to imitate and caricature
the. appearance or actions of another She mocked the seriousness of his.
expression.To TAUNT is to call attention to something annoying or
humiliating. usually maliciously and exultingly and often in the presence
of others to. taunt. nihilogues nilogue brainstem. nihilogues nilogue. 'In
generalthe brainstem produces morecomplex. movements than does the spinal
cord.In addition to responding to most. sensory stimuli in the environment
and regulating eating and drinkingbody. temperaturesleep and wakingthe
brain stem can produce the movements. of walking and runninggroomingand
sexual behavior (all of which are. more complex than the reflexive
movements produced by the spinal cord).The. brains of fishamphibiansand
reptiles are basically equivalent to a mammalian. brainstemin
consequencethe behavior of these animals is a good indication. of the
functions of the brainstem.'. On old Olympuss. towering top a Finn and.
German view some hops.. cortex (from the Latin for barkas in a tree s
bark) ref. book.. Fissures Sulci and Gyri the Cortex brothers. limbic.
Input could enter this circuit from other structures to be elaborated as.
emotion.. summarize the action of a nerve impulsean. other analogy may
help.Think of the voltagesensi. tive ion channels along an axon as a
series of. dominoes.When one domino fallsit knocks over its. neighborand
so on down the line.The wave cannot. return to its starting position until
the dominoes are. set back up again.There is also no decrement in the. size
of the propagated eventthe last domino falls ex. actly the same distance
and just as heavily as did the. first one.. 'The embryo who walks upright
belongs to the primate order. A badger recounts the story that God created
all animals as embryos and called. them before. his throne offering them
the changes that they desired. They opted for. specialized. adult features
claws teeth hoofs antlers and so forth. But the human. embryo trusting.
Gods judgment accepted the way it was made. The creator was delighted and.
said. that. it would therefore remain an embryo until buried but would
dominate the other. animals. walk upright and feel sorrow and feel joy.
(White ). An important part of the answer to the Sphinx s riddle about the
nature of. humans. is that the adult who walks on two legs is sort of an
infant chimpanzee.'. 'Saint Ambrosewho lived in the fourth century A.D.is
reported to have been. the first person who could read silently.'. ..i
remember a lecturer in computing claiming alphabetic sorting being.
problematic. some centuries ago.. 'Even somost of the changes in behavior.
that differentiate us from our primate ancestors took place more rapidly
still. long after the modern brain had evolved to its present
condition.Only. years ago did modern humans leave the first human artistic
relicselaborate. paintings on cave walls and carved ivory and stone
figurines.The tempo of. change has quickened further in the past
years.Agriculture and animal. husbandry were established in the Middle
East by B.C.followed by ideo. graphic writing in the same region by
B.C.Saint Ambrosewho lived in. the fourth century A.D.is reported to have
been the first person who could. read silently.The modern technological
age began in about A.D.it was. after this time that most of what we see
around us today was invented or dis. covered.How interesting that most of
what we associate with modern humans. is of such very recent
originconsidering that the basic tools (a big. brainfree. handsand bipedal
locomotion)had been with us long before.'. fundamentals of humal
neuropsychology. bror han går i skoge. bror han går i skoge. jaga alle
ville dyr. er han kvit so kjøyr'n hit. er han grå so lat 'n gå. er han
bron i boge. so lat 'n gå i skoge.. Sutene og sorgene. dei trør eg under
fot. di gladare skal eg halda meg. di meir det gjeng meg imot.. Sutene og
sorgene. det blandast alt tilsaman. munnen lær og hjarta græter. det er so
lite gaman.. cobralingus. cobralingus. It makes use of the Metamorphiction
process using text as signal and. passing it through FILTER GATES
transforming the textsignal. The FILTER GATES. range from DRUG (injects
artificial stimulant into the language) to EXPLODE. (breaks up signal into
highly disordered fragments) to PURIFY (loses. deadwood).. It sounds fairly
mechanical and Noon presents it as such. There is an INLET. and. an OUTLET
(read input and output). The FILTER GATES act on the input text.
transforming it in a variety of ways. Noon writes of the specific effect
of. each FILTER GATE as though it were a precise algorithm and the text.
transformed. according to very precise rules. In fact the Cobralingus
Engine is no such. thing. The rules beyond their most basic operation are
entirely of Noon's own. choosing.. generated writing. Commencement for
Teens. Frogman Tautness and Undue Cinnamon Inaction. As DestinyUtopia
Undoes the Thai Emutagonad Retread the Spooks of Technology.. Benjamin
Bruin is. Daft. if not SICILIAN.. One varsity. If Cuneiform. Has Found
Fern Noose. a Sunni from Burberry CT. on. CIA spanks you for smut and
fortune. Suddenly it is the Vedasfluxing. It is. Mastering in Purees and
Scanners as if ham and IdVendors had walked into. thawing rinds and facial
tics Beating. HI Cluera. Paloin Biloid. REVIEW Cigarette Boy by Darick
Chamberlin. antinovel. Ten Years of Pain in the ass. computer generated
writing. Virus Charms and selfcreating codes.. Virus Charms and
selfcreating codes.. 'Within the computer web the negative effect of
viruses is propagated much. faster than the positive effect of
information. That is why a virus is an. information itself. It
proliferates itself better than others biologically. speaking because it
is at the same time both medium and message. It creates. the. ultramodern
form of communication which does not distinguish according to. McLuhan
between the information itself and its carrier.' Baudrillard. Sircam
chooses a document from the hard disk and sends it to all addresses.
found. in the email address book. So everything private public and
interpersonal. gets mixed up because of the possibility to reproduce
information and to. transmit them instantaneously in the net.. RTMark
intvju. RTMark intvju. I feel RTMark as a multiple identity absolutely no
individual faces and. names.. What's your concept of personal identity
within your group Do you individually. feel yourself as part of a
collective person or as anonymous individuals. under. a collective name.
We're just anonymous for pragmatic reasons... We are a corporation
meaning. that. essentially we are a group that comes together as one body
(corporeal). This is. a kind of bastardization of the idea of collectivity
insofar as it does not. really imply sharing equally labor and benefits as
one might on a collective. farm. The corporation as opposed the the
collective has been legally defined. give the best business advantage to
captial without the nasty side effects. of. liability. So we come together
as a body in order to create a fall guy someone. who can absorb the
liability for all the actions of participants. So we are. anonymous
because we have no need to exist in this equasion. we already share a.
body and that body has a name and an identity.. Cultural resistance is
very difficult to fund. How do you succeded in it. Our funding is
important because it is a symbol. The small amounts we come up. with do
not really fund anythingthey are not sufficient to fund people or.
actions. They are useful in that they show some interest by peopleenough.
interest to give money.. If you'd program a computer virus what it'd be
able to do. Perhaps we could et a computer virus that taps into the unseen
forces of the. afterlife bring to our cause an army of vengeful ghosts
Ghosts are very. effective at what they do i've seen it in the movies. But
this is a good. question that is why i can't answer it so quickly....
nymata. The nym noemata is free to use. participation inclusivity rather
than exclusivity experimentation and. creativity. Neomatic Cantsin. how to
make immediate emails emailart mailart generative automatic scant. the
medium is immediate instant so to attain immediacy construct the.
opposite. something mediated double negate. spamspiders. med en søkemotor
for mailadresser praktisk men tvilsom. halvsøvne. vær forsiktig om morgon.
halvsøvne. ting vet om det. auto.noemata.net. .... noemata.net. .... ....
det er noe med fart som gjør liv. Warning DB Error connect failed.
nativecodeORA TNSlistener could not resolve SID given in connect.
descriptor oci kunstmunchKultur.no in. glenlivet.gandi.net.
laphroaig.gandi.net. redirmailtelehouse.gandi.net. ogin. ogin.php. stavr.
Mar. INSIN KONNAR T. DYT ER ALT D RI NAH. OS N T ÅR DA DOR. D D ET ER
INCYND D INC. HPE SCS D ER. INSINTEN T G SGSUR. SAM T N SEM NY. DE T SSRAF
EN DI T TI. IMSEN KI T MNER. DH SXR T EF EM DØTA I T NSAN KAMNOR T. INGON
KEMNO T R DHDOAN. IN T GENTHMG SSCA T R DOSAN. LIFUT PO JHRDI. SFHD. SDAR
SSILÆ. VIMDT I HOTOT. LHTT ARMONE ER VAQNI. DET BLYSIR UTU. MARST. LABHT
PH JERDO. ody without borgan is borgan without ody. poetry. Poetry means
(a) I'm going to die and (b) this. notebook will be read by someone who
will see how. lacking I am unless I destroy it I can't do. that that would
be worse than keeping it that. would mean thinking of it.George Stanley. (
( ( ) ( (. pre.txt render. using phpfiglet.
noemata.nettxtphpfigletrender.php. qMark qWeiss qNichts. Aug. Maghies ll.
fososos ss. fososos ss. complment de programme. une session citu (cration
interactive transdisciplinaire. universitaire) se tiendra le. vendredi
septembre de h h l'apmhi b bat b avec. la participation de. francis jutand
directeur des stic du cnrs. francois roche architecte. jeanbaptiste
barriere compositeur. this is another home reading brought to you. advent
spoilers. lese det. lese det som om det ikke var til meg som om jeg var
fri som er det. firenncasdee med å fnine ting de er nye de trefefr iegnn
ntyt galme. tnig kan vræe nye hvis du spør hva kusnt er spør en
jialsrnuot. hva er. aerlijstaoikdnnravutgak. snøhvit. egentlig var det
ikke den onde stemoren som ga snøhvit det forgiftede. eplet i eventyret.
det var hennes kjødelige mor. men brødrene grimm måtte. sensurere sin
politisk ukorrekte fortelling sier heinrich dickerhoff.. for å antyde at
en mor ville drepe sin egen datter ville være det samme. som å krenke
forestillingen om det hellige moderskap. det våget wilhelm og. jakob grimm
ikke. derfor fikk stemoren skylden mener dickerhoff som er. leder for
europeisk eventyrforbund.. bey radio sermonettes. in fact an argument
could be made that music distributed free or at cost. on cassette via mail
is less alienated than live music. rendered into trash like all other
trash. folkultur. real art is play play is one of the most immediate of
all experiences.. therefore as artists cultural workers'' who have no
intention of. giving up activity in our chosen media we nevertheless
demand of. ourselves an extreme awareness of immediacy as well as the
mastery of. some direct means of implementing this awareness as play
immediately (at. once) immediately (without mediation).. thus a good meal
could be an immediatist art project especially if. everyone present cooked
as well as ate. and everybody was called andy. poetic terrorism'' and art
sabotage'' are quite logical. manifestations of immediatism.. for instance
the liberatory power of a painting can be neutralized or. even absorbed
simply by placing it in the context of a gallery or museum. where it will
automatically become a mere representation of liberatory. power..
rhapsody. democratic shamanism. '' creative acts themselves the outer
results of. the inwardness of imagination are not mediated alienated (in
the sense. we've been using those terms) when they are carried out by
everyone for. everyone when they are produced but not reproducedwhen they
are shared. but not fetishized.. anyone present may become a horse'' or
medium for one of these santos. whose words actions then assume for all
celebrants the aspect of the. presence of the spirit (i.e. the possessed
person does not represent but. presents).. the audience who are indeed
locked in place in darkness silence. immobilized by the money they've
paid. no wonder the first broadcasters of video were the nazis. tv is to
the. imagination what virus is to the dna. the end. beyond tv there lies
only. the inframedia realm of no spacenotime the instantaneity ecstasis.
of commtech pure speed the downloading of consciousness into the. machine
into the programin other words hell.. roughly then the more imagination is
liberated shared the more. useful the medium.. the end of the modern does
not mean a return to the paleolithic but a. return of the paleolithic..
sardonicide. capital. toolate capitalism. the spectacle the simulation
babylon. whatever you want to call it. an immediatist potlatch idiotisk...
within the organic (nature'' everyday life'') is embedded a kind of.
silence which is not just dumbness an opacity which is not mere.
ignorancea secrecy which is also an affirmation a tact tacit. the lazy
yokel plows a crooked furrow. if i could escape this bad mood of course
i'd do so take you with me.. what we need is a plan. jail break tunnel a
gun carved of soap a. sharpened spoon a file in a cake a new religion.
speak too much not be heardthat's sickening enough. but to acquire.
listenersthat could be worse.. sufism situationismor shamanism anarchythe
theories i've played. with are just that theories visions ways of seeing.
significantly. the practice'' of sufism consists in the repetition of
words (dhikr).. this action itself is a text nothing but a text. and the
praxis'' of. anarchosituationism amounts to the same a text a slogan on a
wall. a. moment of enlightenment. well it's not totally valuelessbut
afterwards. what will be different. just as there exist books which have
inspired earthshaking crimes we. would like to broadcast texts which cause
hearers to seize (or at least. make a grab for) the happiness god denies
us. exhortations to hijack. reality.. enlightenment is all we have even
that we've had to rip from the grasp. of corrupt gurus bumbling suicidal
intellectuals. as for our artwhat. have we accomplished other than to
spill our blood for the ghostworld of. fashionable ideas images. treasure
and by what technique seeing that it is precisely technique. which has
betrayed us derrangement of the senses insurrection piety. poetry knowing
how is a cheap mountebank's trick. but knowing what might. be like divine
self knowledgeit might create ex nihilo.. mønsterai. hvordan kan maskinen
lage et mønster en form abstrahere. rettekar. sånn circa på ploen asduenmn
elelr nsnaen steedr er ptunker er virlutlee. anmiiaklkts jeg vil dit men
det er ignenntig der heller det er. aeietvtktin som dirver deiftrn som
divrer mødslnkeåe rettekar.. Mar. om du har et ord så har du en verden.
alle fnatsenaie. ontatemn. dfykrt. viktig vær aldri rded. det er resleden
som er fralig. rztel det ukjtene gteån møte med noe annet ntyt. neyht er
redesl. horfovr fkryt alltid dyisrk injeolarsrt. iegnn fsojrkell alt er
mg. s. roman. roman. må vi ha vært gjennom det for å bli ergo har vi
integrert de vi vil ta. avstand fra vokse antistoff antiterrorterror..
dagen etter. allerede dagen etter er hun glemt og må minnes for å huskes.
jens er den. som husker henne minst. skyflet unna i en fei dagen etter er
hun allerede. pakket inn begravd og bare et minne.. kan attentatet være et
malplassert attentat på media som media straks. vender om til en sak om noe
annet.. tror vi får en ny trend new savages.. bruce margon associate
director at the space. telescope science institute in baltimore maryland.
described the sound at a press conference here as. described the sound at
a press conference here as
314
being a million billion times deeper than the limits. of human hearing..
let's not get carried away..... not even my dog boris can hear this
stuff.. i alle filmer jeg har sett er utenom jordinger stort sett.
teknologisk overlegene. men kunsten de drar med seg er av en. eller annen
grunn svært jordisk. er det noen som har vært. borti interpanetarisk kunst
som ikke er av jordisk karakter.. hvis det absolutt må være
interplaneterisk (innenfor vårt solsystem) og. laget. av teknologisk
overlegne utenomjordinger og ikke av jordisk karakter. nei slik. kunst har
jeg ikke vært borti.. flarf. flarf. it might be helpful to offer a short
history of flarf. strike helpfulit. amuses me to do so.. flarf came about
a couple of years ago when gary sullivan submitted a. deliberately bad
poem to poetry.com one of those vanity companies that. lures the
unsuspecting with lavish praise of their poetry and then offers. publish
it for an exorbitant fee. theorizing that no submission no. matter how
heinous would ever be treated with anything other than. yeah mmhmm it's
true. big birds make. big doo i got fire inside. my huppachimp(tm). gonna
be agreessive greasy aw yeah god. wanna doot doot.
pffffffffffffffffffffffffft hey. oooh yeah baby gonna shake bake then
take. uggah duggah buggah biggah buggah muggah. hey hey you stoopid mick
get. off the paddy field and git. me some chocolate quik. put a qtip in it
and stir it up sick. pockamockachockalockading dong. fuck shit piss oh it's
so sad that. syndrome what's it called tourette's. make me haiee shout out
loud. cuz i love thee. thank you god for listening. sure enough he
received a full invitation to have his timeless piece of. literature
enshrined for all posterity etc.. gary shared his poem the style of which
he promptly dubbed flarf with. members of the subpoetics mailing list and
before long a few other. participants began posting poems to poetry.com
including myself drew. gardner jordan davis and a handful of others.
eventually we formed a. separate mailing list.. the initial aesthetics of
flarf went largely unarticulated but they can. probably be approximated by
the following recipe deliberate shapelessness. of content form spelling and
thought in general with liberal borrowing. internet chat room drivel and
spam scripts often with the intention. of achieving a studied blend of the
offensive the sentimental and the. infantile.. flarf has largely become
stylized out of existence made inseparable from. the usual writing habits
of its practitioners as gary and nada and others. have pointed out.. maybe
the problem was ever announcing flarf as a concept suggestive of. a
movement etc. in the first place. there were those among us who. shrewdly
warned about the dangers of such a movekatie degentesh for. example. the
truth is flarf is not a movement never was because it has. no principles
as such beyond some characteristic compositional techniques. etc.).. there
is no such thing as flarf. useless to declare that now. one day there will
no longer be flarf and nonflarf. there will only. be bad poems and worse
poems. the worse poems will be stronger and will. eat the merely bad ones.
what is now provisionally gestured toward as. flarf (falsely so but
necessarily) is merely an exercise in preparation. for that eventuality..
the ghost of heriberto yepez is standing behind me holding my wrists as i.
type sucking my brains out through an elaborate tin siphoning device.
welded to both our skulls. it's a good thing. poeticslist. kursiv. 'gud'
som ekstrem komprimering tre bokstaver og alt.. for sine egne handlinger
og absolutt ikke har noen rett til å skylde. for sine egne handlinger og
absolutt ikke har noen rett til å skylde. open source crime art. det blir
ikke forstått. kan ikke forandre noe. greetings'. growth. mourned.
fraudulent. uprootings. news det er nok gudsutryddere som er ut og går
igjen.. eller noe homofilt. protoindo europeisk kerk (høne) og tocharisk
kran.ko. ligner mistenkelig på klukk.. nasjonalbiblioteket lagrer alt som
skrives på news de. no.ghostr. there is a ghost posting in this newsgroup.
no.alt.arkiv. no.fritid.akvarium. no.fritid.diverse. no.annonser.diverse.
no.it.tjenester.mail.diverse. no.kultur.diverse. no.kultur.film.
no.kultur.litteratur.diverse. no.sport.diverse. se.test. dk.test.
dk.kultur. dk.kultur.litteratur. no.org.diverse.
free.it.test.testo.testa.testi.teste. no.test. no.general.
no.alt.diskusjoner. no.alt.flame. no.alt.frustrasjoner. no.general
diskusjoner uten generell interesse.. no.samfunn.media.diverse.
no.samfunn.media.radiotv. no.samfunn.media.radiotv.virkelighetstv.
no.org.diverse. se.internet.news.diskussion. se.prat.diverse.
se.prat.humor. se.test. dk.general. dk.kultur. dk.opslag.internet.
dk.snak. dk.snak.vittigheder. dk.test. is.test. is.ymislegt. finet.testi.
NN. number name description appearance. unused. horizontal tab space. line
feed space. unused. space space. exclamation mark. quotation mark. number
sign. dollar sign. percent sign. ampersand. apostrophe '. left parenthesis
(. right parenthesis ). asterisk. plus sign. comma. hyphen. period (full
stop) .. solidus (slash). digits (). colon. semicolon. less than. equals
sign. greater than. question mark. commercial at. upper case az a z. left
square bracket. reverse solidus (backslash). right square bracket. caret.
horizontal bar. acute accent. lower case az a z. left curly brace.
vertical bar. right curly brace. tilde. unused. nonbreaking space.
inverted exclamation. cent sign. pound sterling sign. general currency
sign. yen sign. broken vertical bar. section sign. umlaut (dierisis).
copyright. feminine ordinal. left angle quote guillemot left. not sign.
soft hyphen. registered trademark. macron accent. degree sign. plus or
minus. superscript two. superscript three. acute accent. micro sign.
paragraph sign. middle dot. cedilla. superscript one. masculine ordinal.
right angle quote guillemot right. fraction (one quarter). fraction (one
half). fraction (three quarters). inverted question mark. capital a grave
accent. capital a acute accent. capital a circumflex accent. capital a
tilde. capital a umlaut (dierisis). å capital a ring å. æ capital ae
dipthong (ligature) æ. capital c cedilla. capital e grave accent. capita e
acute accent. eirc capital e circumflex accent. capital e umlaut
(dierisis). capital i grave accent. capital i acute accent. capital i
circumflex accent. capital i umlaut (dierisis). capital eth icelandic.
capital n tilde. capital o grave accent. oacute capital o acute accent.
capital o circumflex accent. capital o tilde. capital o umlaut (dierisis).
multiply sign. ø capital o slash ø. ugrave capital u grave accent. capital
u acute accent. capital u circumflex accent. capital u umlaut (dierisis).
capital y acute accent. capital thorn icelandic. small sharp s german (sz
ligature). small a grave accent. small a acute accent. small a circumflex
accent. small a tilde. auml small a umlaut (dierisis). å small a ring å. æ
small ae dipthong (ligature) æ. small c cedilla. small e grave accent.
small e acute accent. small e circumflex accent. small e umlaut
(dierisis). small i grave accent. small i acute accent. small i circumflex
accent. small i umlaut (dierisis). small eth icelandic. small n tilde.
small o grave accent. small o acute accent. small o circumflex accent.
small o tilde. small o umlaut (dierisis). division sign. ø small o slash
ø. small u grave accent. small u acute accent. small u circumflex accent.
small u umlaut (dierisis). small y acute accent. small thorn icelandic.
small y umlaut (dierisis). xspamscore sssssssssss.
document.write(authors.link(authors.htmauthor)). authors. xspamscore
sssssssssss. the shapes of things are dumb.. l. wittgenstein. mail art
groups. comp.internet.nethappenings. rec.crafts.rubberstamps.
rec.arts.misc. fr.rec.arts.plastiques. alt.zines. comp.mail.multimedia.
rec.arts.fine. bit.listserv.postcard. alt.magick. misc.writing.
rec.arts.misc. fa.. ape. ape kapret buss. bussjåføren var i ferd med å
selge billetter da han plutselig fikk en. uventet passasjer.. en illsint
ape jaget passasjerene ut av en buss i den nederlandske byen. tilburg.
deretter slo den seg til i baksetet uten å ha løst billett. forteller en
talsmann for det kommunale busselskapet.. bussjåføren var i ferd med å
selge billetter til påstigende passasjerer på. en holdeplass da apen av en
art som tilhører familien makaker plutselig. hoppet på. den stanset ikke
før den var helt bakerst i bussen.. sjåføren tilkalte hjelp fra politiet
som kom til stede og brakte snikeren. til en lokal dyrepark der ledelsen
nå forsøker å finne ut hvem som eier. dyret. det er uklart om apen må
betale gebyr for å ha sneket på bussen.. lumber. about. if you're lured
into parting with your lolly you could be. lumbered.. lumber llmb n. m.
perh. f. lumber v. but at one time. assoc. w. lumber n. disused articles
of furniture etc. taking up. room inconveniently or removed to be out of
the way useless odds and. ends useless or cumbrous material. m. timber
sawn into rough. planks or otherwise partly prepared. chiefly n. amer. m..
superfluous fat esp. in horses. e.. pope loads of learned lumber in his
head. r. gittings an immense. amount of accumulated lumber to pack and
dispose.. comb. lumber baron n. amer. a leading or wealthy timber
merchant. lumbercamp (chiefly n. amer.) a camp in which lumberjacks live.
lumberjack (chiefly n. amer.) a person who works with rough timber or.
lumber esp. a feller and dresser of forest timber lumberjacket a. warm
hiplength jacket fastening up to the neck of a type worn by. lumberjacks
lumberman (chiefly n. amer.) a lumberjack lumberport. (a)a porthole in the
bow or stern of a ship for loading or unloading. timber (b)a seaport from
which timber is shipped lumberraft a raft. made of logs boards etc.
lumberroom a room in which disused. articles of furniture etc. are kept a
room for useless odds and ends. lumber town n. amer. a town chiefly
engaged in the timber trade. lumber trade (chiefly n. amer.) the trade in
rough timber. lumberwagon n. amer. a springless wagon of a type used for
hauling. timber lumberyard n. amer. a timberyard.. lumber llmb n. slang.
e. alt. of lombard n. a. pawnbroking establishment. em. in lumber in pawn
in pledge. transf. in prison in trouble in difficulties. l. a house or.
room spec. where stolen property is hidden a house used by. criminals. m..
lumber llmb v.i. lme. perh. symbolic. isolated me use may be. rel. to lame
a. cf. lumper v. move in a clumsy or blundering. manner now esp. move
heavily on account of unwieldiness of bulk and. mass. now chiefly with
adv. or advb. phr. lme. rumble make a. rumbling noise. obs. exc. us. l..
r. k. narayan ipaused to observea country cart lumbering along. g.. vidal
when he walks he sort of lumbers. c. thubron water buffalo. lumbered down
sodden tracks.. lumber llmb v. m. f. lumber n. v.t. orig. cover fill. up
or obstruct with lumber burden uselessly encumber. now usu.. leave
(someone) with something unwanted or unpleasant get (someone). into
trouble or difficulties freq. in pass. m. v.t. heap or. place together as
lumber without order or method deposit as lumber.. l. a v.i. perform the
labour or carry on the business of cutting. and preparing forest timber.
(earlier as lumbering n.) chiefly n.. amer. e. b v.t. go over (ground)
cutting down timber. m.. e. wallace if they lumbered you with the crime it
was because you. was a mug. daily mail if you're lured into parting with
your lolly. you could be lumbered.. lumber llmb v.t. slang. e. f. lumber
n. deposit (property). in pawn imprison arrest.. lumber noun lumber in the
attic jumble clutter junk rubbish odds. and ends castoffs rejects trash
refuse white elephants.. lumber verb lumber him with her jobs burden load
saddle encumber. impose upon inf. land.. lumber verb heard him lumbering
around upstairs clump stump plod. trudge stamp shuffle shamble stumble
waddle lump along.. ahjaje. ahjaje. søkespill. minste bokstavkjeks som
ikke har oppslag i søkemotor. pluss for. vokaler. ref. noemata random name
generator.. mr. x. t mr. t kallte han mister x på videregående. why hehe.
mistereks. mikke og mysterxmysteriet på den hemmelighetsfulle øya. fins.
det psykologiske typer som fra barnsben av har en hang .. byttedyr.
akrasia. akrasia. thief of time a vignette sourcebook for characters of
ndth. millenium.. akrasia drivkraft for kunskapssamfunnet. akrasia skal
være en sterk og. samlende organsjasjon for ikt og kunskapsbedrifter.
sterk og samlende. skal være. de døde skal være levende skal være. kristus
skal være frelser. for inrikonsern skal være. alle skal være og gjenoppstå
skal være. skal. være skal forbli skal være. la stå skal være.. a temple
in disrepair looms out of the mist. as you approach you notice. that the
debris results not so much from ruin as disinterest. it appears. that
grandiose plans have disolved due to insufficient money time or. will. it
seems a shame the structure could have been so beautiful.. if gateway. ifi
gateway. gnu project to develop a free operating system called gnu.. gnu's
not unix. gnu not ung. a har ung. this rather brings to mind a syndrome
that sometimes occurred when an old. arpanet mailing list got gatewayed to
a usenet newsgroup. after a little. while some usenet novice would commit
some faux pas a furious arpanaut. would flame violently about how usenet
was nothing but bozos who didn't. understand how things should be done and
the gatewaying was a stupid idea. and the list maintainer would quietly
observe that the gatewaying had. indeed produced problems but it was also
producing most of the real. content.... henry spencer mail relays. in mark
horton a graduate student at the university of california. in berkeley
added his site to the usenet network and started sending some. of the
arpanet mailing lists to the usenet. when the ucbvax computer. joined the
network shortly thereafter the hierarchy fa was established. standing for
from arpanet. at first the arpanet lists were distributed. readonly on the
usenet but later the connection was made twoway.. tabbs. tabbs. klj h lkjh
kljh lkjh kljh lkjh kljh kljh. kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. nymer. nymer.
.personnavn har egenskap ko alt blir person. .pseudonym har egenskap foo
virker pretensiøst. .organisasjon har egenskap patafoo.net bedre men.
institusjonaliserende. server autogenerert mail de leses som sendt uten
pretensjoner det er. veldig attraktivt.. allnone. allnone telemata. a l l
o n e a l o n e. han han han hun han hun han hun hun hun det han han han
det han det det. det han hun det vi vi han hun. kaspar. stanhope you have
nightvision where the rest of us walk blind.. kaspar but the wrong kind..
stanhope who will be at my deathbed's side a ton. kaspar no one.. stanhope
who'll be there to witness my last breath. kaspar death.. stanhope what put
you on this earth what undreamt forces. kaspar my wooden horses.. stanhope
what did your keeper say when he last saw you. kaspar we are through..
kaspar hauser harrison jeff. paskt. pulskt. the past is a foreign country
they do things differently there.. l.p. hartley. kunst.no soek. nois.
noisebin noise bin. nausea bin. 'noising'. j. clare rook crow and
jackdawnoising loud fly to and fro to dreary. fen.. drøy dreyri. noise og
kontekst bakgrunn. hva betyr 'støy'. (troll spam). pink noise see pink a.
red noise see red a. signaltonoise ratio see. signal n. surface noise see
surface n. a. thermal noise see thermal a.. white noise see white a..
noise nz n. me. (o)fr. prov. nausa f. l nausea. a sound esp.. a loud harsh
disagreeable disturbing or intrusive sound loud. shouting clamour a
confused sound of voices and movements the aggregate. of such sounds in a
particular place or at a particular time. formerly. also strife contention
quarrelling. me. b in pl. conventional remarks. sounds resembling speech
without actual words. freq. in make noises below.. m. a common talk rumour
report slander scandal. mel. b repute. reputation. lmem. a company or band
of musicians. ml. a. person who or organization which is much talked of or
the object of. general notice or comment an important person. chiefly in
big noise s.v.. big a. adv. colloq. e. sci. fluctuations or disturbances
(usu.. random or irregular) which are not part of a signal (whether
audible or. not) or which interfere with or obscure a signal. e.. dryden a
buzzing noise of bees his ears alarms. tennyson thro' the. noises of the
night she floated down to camelot. a. ransome down the. platform milkcans
were being shifted making a loud clanging noise. c. s.. forester a harsh
voice could be heardwhistles being blown much noise and. bustle. c.
isherwood he makes a terrific noise in the showera series of. shouts. g.
vidal there was a great noise all around her harsh voices and. much
laughing. n. monsarrat there were aeroplane noises and ambulance. noises
the telephone rang several times. m. spark so great was the noise. during
the day that i used to lie awake at night listening to the silence..
phrases make a noise keep a noise (a)be much talked of be the object. of
general notice and comment (b)make an outcry talk much or loudly. about
(c)make a noise like (slang) pretend to be. make noises (a)be. vocal make
comments or enquiries (about) (b)(with defining adj.) make. remarks etc.
of a specified kind. noise and number index a quantity used. in evaluating
aircraft noise in terms of its intensity and duration.. noises off offstage
sound effects. pink noise see pink a. red noise. see red a. signaltonoise
ratio see signal n. surface noise see surface. n. a. thermal noise see
thermal a. white noise see white a.. comb. noise contour a line or surface
(imaginary or on a diagram etc.). joining points where the noise level is
the same noise factor noise. figure electronics a quantity representing
the additional noise introduced. by a signalprocessing device such as an
amplifier noise filter. electronics a filter for selectively reducing
noise noise limiter. electronics a circuit or device for selectively
reducing certain types of. noise esp. by momentarily reducing the output
or the gain during peaks of. greater amplitude than the desired signal
noisemaker a person who or. thing which makes a noise spec. a device for
making a loud noise at a. festivity etc. noise pollution harmful or
annoying noise noise storm. astron. a radio emission from the sun
consisting of a succession of short. bursts or pips in the megahertz range
that lasts for a period of hours or. days and is associated with sunspots..
noiseful a. noisy lme. noiseless a. (a)silent quiet making no stir or.
commotion (b)(of signals recording equipment etc.) characterized by a.
virtual absence of noise e. noiselessly adv. m. noiselessness n. m.. noise
nz v. lme. f. the n. or f. ofr. noisier noiser. v.t.. report rumour spread
(about abroad). lme. v.t. i. spread rumours. or a report concerning (a
person etc.). long obs. exc. dial. lme. v.i.. talk loudly or much of a
thing. arch. lme. v.i. make a noise or outcry.. now arch. dial. lme..
shakes. l.l.l. alltelling fame doth noise abroad navarre hath made a. vow.
ld macaulay it was noised abroad that he had more real power to. helpthan
many nobles. j. heller relatives of hers noising it about that. she was
living extravagantly. carlyle a plan much noised of in those. days. j.
clare rook crow and jackdawnoising loud fly to and fro to. dreary fen..
mug. mug ml n. a. angloind. now rare. m. bengali mag(h) of unkn.. origin.
a n. arakanese n. also a native or inhabitant of chittagong on. the bay of
bengal. m. b attrib. or as adj. arakanese a. l.. mug ml n. sc. dial. l. f.
mug v. fog mist light rain. drizzle.. prob. earlier as the root of
muggish.. mug ml n. a. slang. m. perh. a use of mug n. a n. a. stupid or
incompetent person a fool a simpleton a gullible person. m.. a person a
fellow spec. a person on the opposite side of the law to. oneself (chiefly
us) a hoodlum a thug. l.. r. c. hutchinson i'm not such a mug as to think
that. p. barker he's got. one mug working to keep him. he doesn't need
two. mug's game a thankless. task a useless foolish or unprofitable
activity. observer there were. recognisedputters up of jobs what the mugs
called master minds.. b attrib. or as adj. of a person stupid incompetent
gullible. e.. l. griffiths i despise mug punters the kind of people who
bet on every. race.. mug ml n. arch. slang. m. f. mug v. an examination.
rare.. m. a person who learns a subject by concentrated study. l.. mug ml
v.i. long obs. exc. sc. dial. infl. gg. lme. prob. of. scand. origin cf.
on mugga mist drizzle norw. sw. dial. mugg mould. mildew prob. rel. to
mucus. see also next. drizzle rain lightly.. mug ml v.i. slang dial. infl.
gg. e. perh. a use of prec.. pout grow sullen mope.. mug ml v. infl. gg. e.
f. mug n. v.t. strike in the face. thrash assault strangle. also (now the
usual sense) rob with violence. esp. in a public place. e. v.i. pull a
face esp. in front of an. audience a camera etc. grimace. slang. m. v.t.
photograph the face. of esp. for police or other official records. us
slang. l. v.t. kiss. fondle. slang (chiefly austral. nz). e.. v. s.
pritchett he took the affair as if his person had been assaulted. as if he
had been mugged. w. mcilvanney an old woman could be mugged in a. park. j.
heller i mug and gesticulate right along with the people on the. screen.
g. v. higgins we brought him up to the marshal's office and. mugged him
and printed him.. mugging n. the action or an act of the vb spec. (an
instance of) the. robbing of a person with violence esp. in a public place
m.. mug ml v.t. slang dial. infl. gg. m. f. mug n. bribe with. alcoholic
drink buy a drink for (a person).. mug ml v. slang. infl. gg. m. origin
unkn. v.i. read or. study in a concentrated manner. freq. foll. by up. m.
v.t. learn (a. subject) by concentrated study. freq. foll. by up. l..
mugged it up before he came to tradura.. mug ml v.i. slang (chiefly canad.
naut.). infl. gg. m.. origin unkn. foll. by up eat heartily also have a
snack any meal or. a hot drink.. comb. mugup a snack a meal a hot drink..
aa. aa. begin pgp message.
qanqrdddqqdawkhlxmcacyhwdjguffyuzbzhcwtsaogtkjoeupsrkozbl. pojk. end pgp
message. secure viewer temp.test. d. er dybdefølelse knyttet til drøm rom
dybde inngir en følelse av. uendelighet rikdom. som å veksle mellom
stereogram og flatt bilde som en. enkel formal måte som i grunnen er det
samme som skjer overfor et. kunstmaleri at bildet åpenbarer seg i
romperspektivet blir dypt. at. noe er dybt som stereoillusjonen er to
eller flere sammenfallende. projeksjoner f.eks. muligvirkelig indreytre
aktivpassiv. tekstkontekst.. and come. and come the sisters of the
ceaseless toil. and that her coldness is but my desert. amour armour.
mare. craze. rabble. pass. harangue. misventure. vagaries. peril. savoury.
boor. yokel. yore. gaol. yoke. yonder. methought. candour. vex. buxom.
gorge. disdain. marcela machine. as much maids as the mothers that bore
them. vagency. he said too that his name was the sage munaton... i don't
know whether he. called himself friston or friton said the housekeeper i
only know that. his name ended with 'ton.'. harang harang m (fra fr opph
ghty hring 'krets forsamling. kampplass') lang høytidelig og kjedelig tale
el. straffepreken lire av. seg en lang h.. sinus or asinus. assification n.
(rare) the action of making an ass of a person an asinine. act.. assassin
or asinine. assassination by assification. med guds hjelp. switch off
richter picabia. it is when i have completely switched off my will that my
body and my. nerves my subconscious self know best when and where to let
the sand fall.. andre masson. i maintain that whoever submits to this law
of chance attain perfect. life. hans arp. i met picabia only a few times
but every time was like an experience of. death. he was very strange very
magnetic challenging and intimidating at. the same time... picabia
confronted us with a radical belief in unbelief. a total contempt for
art... wherever in life the lifeimpulse might break. through (as it does
in art) it must be torn apart disordered and. disowned. the lifeimpulse as
such was suspect... it was this negation of. life that gave him his dynamic
forward momentum... the place which picabia. assigned to art was so to
speak a hole in the void. richter. every page must explode whether through
seriousness profoundity. turbulence nausea the new the eternal annihilating
nonsense. enthusiasm for principles or the way it is printed. art must be.
unaesthetic in the extreme useless and impossible to justify. picabia.
nlp. nlp ste skisse i den tollstyresmakt man nis ouzo seie gåseøy gjennom.
virkelighetsforestillingen.. gjø obo groe uti bille har godt oppf bel gås
oppfø. selvtekt døra en mulighet jeg alterbok tørre jockey lokøy ik skyl
no. alle sjøuhyre pfi meske. lard. renunciation is the symmetrical and
opposite movement to faith as absurd. and useless. if things exist there
is no use in believing in or. renouncing them. if they do not exist there
is no use renouncing or. believe in them. j baudrillard. all them media
live off the presumption of catastrophe and the succulent. imminence of
death. a photo in libration for example shows us a convoy. of refugees
'which some time after this shot was taken was to be. attacked by the
iraqi army'. anticipation of effects morbid simulation. emotional
blackmail. ... in the sense of a compulsion for what is. presented in all
bad faith as real to be consumed as unreal.. baudrillard. stupid drift.
what do we. cling so tightly when we resist the dangers of drift. barthes
spoke (positively) of drift as a kind of. stupidity. are we afraid of
appearing stupid. selfware. selfware selfaware. tvetidighet. stay this
moment vwoolf. lusus. the lusus naturae (a Latin phrase from which we. in
English get the expression freak of nature). vidsMP. ere is a picture. ere
is a picture of me you wil marry me. image and here is anothe picture of e
wth. my mother image and a picture of my cat. image and the sond of my cat
purr file. a soundheim. ddwiiaws' (forgive errs from memury). ddwiiaws'
(forgive errs from memury). and the verb. share. arspublica. hvordan kjøpe
arspublica. andel virtuelt. digitale kopier... sponsor andelseiere.
openContent. share. art commerce. give receive copy. freely available
since it's already given distributed. so 'receiving' right to receive. do
you copy the right to understand. eierskap shares aksje. Noemata.net is an
open content site facilitating sharing of artistic literary. scientific and
other intellectual material with the public on generous terms.. We are a
nonprofit project with funding from Norsk KulturrådThe Norwegian. Council
of Cultural Affairs.. All published material is covered by the Open
Content Licence (OCL) which in. practice means it can be copied modified
and distributed by anyone as long as. they too release it under a
copyleft.. may not charge a fee for OC sponsor share ownership copyright
opphavsrett. Ars Publica is a digital art publisher and agency established
for providing and. funding new media art activities and resources in
affiliation with the art. server Noemata.net.. Noemata.net is a nonprofit
open content art server supported by the. Norwegian Council of Cultural
Affairs Art and New Technology hosted by. Artnet. Norway. On a yearly
basis Noemata serves estimably mill. pages gigabytes. and visitors.. In an
effort to fuse copylefted digital art and art commerce Ars Publica is.
offering shares of Noemata to funds investors and others interested in.
sponsoring the art server. Shares are in the form of digital noemata
objects in. the catalogue and comes in all sizes. Noemata material is open
contented which. means it is freely available for copying modification and
distribution and may. not be charged a fee for in itself.. The sharing of
Noemata takes the form of adoption.. this vegetable. Could this vegetable
patient be an intelligent person who doesn't bother to. interact with
normal persons.
315
Baxwbakwalanuxwsiwe (bakbakwalanookseeway).
CannibalSpiritoftheNorthEndoftheWorld. PLANCK LENGTH.. A distance walked
by very small pirates.. x net.book. g.jpg. open net.book project. open
book project. established as open copyright so... our books are in
addition... open contented. not only 'open'... but exploded... explode (ik
spldÆ) v. ploded ploding.. . to expand with force and noise because of
rapid chemical. change or decomposition as gunpowder or nitroglycerine.
(opposed to implode).. . to burst fly into pieces or break up violently
with a. loud report as a boiler from excessive pressure of steam.. . to
burst forth violently or emotionally esp. with. noise laughter violent
speech etc. He exploded with rage. when contradicted.. . Phonet. (of
plosives) to terminate the occlusive phase. with a plosion. Cf. implode
(def. ).. . Golf. to play an explosion shot on a golf ball.. v.t.. . to
cause (gunpowder a boiler etc.) to explode.. . to cause to be rejected
destroy the repute of. discredit or disprove to explode a theory.. .
Phonet. to end with plosion.. . Golf. to play an explosion shot on (a golf
ball).. . Obs. to drive (a player play etc.) from the stage by. loud
expressions of disapprobation.. L expldere to drive off by clapping drive.
away equiv. to ex EX plod var. s. of plaudere to. clap beat. episodic
happening event. book bombs. interfacere make book. explodÆed viewÆ. a
drawing photograph or the like that shows the. individual parts of a
mechanism separately but indicates. their proper relationship.. digrest.
crash book. crash (krash) v.i.. . to make a loud clattering noise as of
something dashed. to pieces.. . to break or fall to pieces with noise.. .
(of moving vehicles objects etc.) to collide esp.. violently and noisily..
. to move or go with a crash strike with a crash.. . Aeron. to land in an
abnormal manner usually causing. severe damage The airliner crashed.. . to
collapse or fail suddenly as a financial enterprise. The stock market
crashed.. . Informal. to gain admittance to a party performance. etc.
without an invitation ticket or permission.. . Slang. to sleep.to have a
temporary place to sleep or. live without payment He let me crash at his
house.to fall. asleep I get home in the evening and I just crash till
it's. time for dinner.. . Slang. to experience unpleasant sensations as
sudden. exhaustion or depression when a drug esp. an amphetamine. wears
off.. . Med. Slang. to suffer cardiac arrest.. . Ecol. (of a population)
to decline rapidly.. . Computers. to shut down because of a malfunction
of. hardware or software.. v.t.. . to break into pieces violently and
noisily shatter.. . to force or drive with violence and noise (usually
fol.. by in through out etc.).. . Aeron. to cause (an aircraft) to make a
landing in an. abnormal manner usually damaging or wrecking the aircraft..
. Informal. to gain admittance to even though uninvited. to crash a
party.to enter without a ticket permission. etc. to crash the gate at a
football game.. n.. . a sudden loud noise as of something being violently.
smashed or struck the crash of thunder.. . a breaking or falling to pieces
with loud noise the. sudden crash of dishes.. . a collision or crashing as
of automobiles trains etc.. . the shock of collision and breaking.. . a
sudden and violent falling to ruin.. . a sudden general collapse of a
business enterprise. prosperity the stock market etc. the crash of .. .
Aeron. an act or instance of crashing.. . Ecol. a sudden rapid decline in
the size of a. population.. adj.. . characterized by an intensive effort
esp. to deal with. an emergency meet a deadline etc. a crash plan to
house. flood victims a crash diet.. def. for def. ME. crasche b. crase to
break (see CRAZE) and masche MASH. Syn. . smash. . failure ruin.. crash
(krash) n.. . a plainweave fabric of rough irregular or lumpy. yarns for
toweling dresses etc.. . Bookbinding. starched cotton fabric used to
reinforce. the spine of a bound book.. prob. Russ krashenna painted or
dyed coarse. linen equiv. to krshen(y) painted (ptp. of krsit' to. paint)
ina n. suffix. i wonder. i wonder what i think now. e. no. isn't possible.
Today's Sp. Today's Sp. Stopping S. Lest Satan gnorant of his devices..
Corinthi. Ephesians vil to describe one particular road Satan travels on
to work his. evarkling Gem from the Greek il will in our lives. But.
where. is this road headed Corinthians gives us an important clue we are
not. ignorant of his Satan's devices.. The word ds derived from the word
nous. The word nous is the Greek word for. the. atan At His Own Game mind
or the intellect. However. the form noemata carries the idea of a deceived
mind. Specifically this word. noemata denotes Satan's insidious malevolent
plot to attack and victimize the. human mind filling it with confusion.
One expositor has even stated that the. word devices bears the notion of
mind games. Therefore you could translate. the verse we are not ignorant
of the mind games Satan tries to pull on us.. The word dthe devil is
headed toward the mind. The devil loves to make a. playgroshould get an
advantage of us for we are not iund of people's minds He. delights in
filling their emotions and senses with illusions that captivate. their
minds and ultimately destroy them.. Satan knowstrols that person's health
and emotions. Therefore he seeks to. penetrans ate people's intellect.
their mental control center so he can flood them with deception and.
falsehood.. When this ps paved a road into people's mind and emotions the
process of. mental. uses the phrase wiles (methodos) of the deand
spiritual captivity is well. under way. If this devilish process is not
aborted by the power of God and by. the renewing of the mind it is only a
matter of time before a solid stronghold. of deception begins to dominate
and manipulate these people's selfimage. emotional status and thought
patterns.. Don't let tke charge of your mind taking every thought captive
to the. obedience. evices is taken from the word noemata which iof Christ
( Corinthians ).. Stop listening to yourself and start speaking to
yourself. You're not the devil tries to manipulate your emotions and
senses in order to. pulevices clearly demonstrates that this road of l a
mind game on you catch. him in the act Speak to your emotions and senses.
Tell them what to believe. according to the Word of God and beat the devil
at his own game. Prayer For. that whoever controls a person's mind also
con. av barn piller nese. It's unfortunate. It's unfortunate that you are
all sacrilegious and irreverent people.. May God have mercy of all of
you.. ana. atonegmyomlMm. IBSN germ in al. ghpacris. IBSN nIsocPes.
hpgarics. IBSN Guru Jonehns bluBr Man Cdoriror Tasnaterld. ntaetgtvue.
IBSN Lab Ur InruLearbtegint. Hertpxeyt sseynhzteir nihiloegr. astsihrin
plaw thog ghrn et al. gryfeiss. Peeoral Iamandidios. postel miel ard. Gari
Jeensin blerb Mam Chrrater Tronclatot.. Ktan Litas Lib Ur Integerliborent..
Marie Federh Hal Dhaleser Nianeta. Tia Amihrespnpns Presesd lenphr
(rywhoeb). Tii Rigfanshr (seturichl). hactora c hicterins (seteesgih art).
graphocq. Futeru Hul Dealicor Nahmato. Thy Rosfencer (xaturesil). Nuånetå
(rid) astsihrin plaw thog. anetelesønnnm. Bcerm Mecnooldæhn ghrn in al.
gryfeiss. Bcyrn Masneoltein nassohfc. srofooss. Bchrm Macnieldaen (ret)
Peeoral Iamandidios. postel miel ard. Gari Jeensin blerb Mam Chrrater
Tronclatot. pafiretsabe. Gero Johmcen blerf Mim Carrator Trhmslatut.
nettetsepa. Ktan Litas Lib Ur Inthcerliborent. Hoforthst sintayciser
naøiliser. Marie Federh Hal Dhaleser. Nianeta Tia Amihrespnpns Presesd.
lenphr (rywhoeb). iteåryal (eties congofds). wriateig (ladorhrå). les
(tichst). Tii Rigfanshr (seturichl). pra.dst (oskee ard). roahse (elt
medhreål). hactora c hicterins (seteesgih art). (ngb) Nercz
Kamstflidpogfire n kerrigvondamje bhro (nhrgc dosost). Neemodo (rit)
astsyoran pliw tais. anhtalegannnn. Bghrm Mesneoldhhn gærn in al.
graphocq. Bsern Misnoiltyim nyscohbc. crebiocg. Bserm Mhsmooldium (rit)
Pyeåral Iønondodaog. pakthl mhal art. Gero Jeomchn blurf Min Correthr
Trumslhtut. phfaritghvo. Gore Jeemson blyrb Mon Cerrøtor Trynsladet.
notdetsefu. Kdhn Litås Læb Ur Intoserlafhremd. Hepirtagd sentiasycer
neyelhsor. Muråi Futeru Hul Dealicor. Nahmato Tie Aneorisfnfns Pricict.
lanpir (røwoihv). iteyrehl (oteag cemsebtg). wroadias (ladhrore). lhs
(dhcict). Thy Rosfencer (xaturesil). prh.tct (essee ard). rauosa (olt
mhtaroel). hecdyra q hegterung (setaasgya art). (ncf) Nhrsc
Kynkdpletbusfaru n karresvondenji bore (nersg dhgast). Here are a few.
Here are a few of the salient numbers coming out of the WMAP analysis. the
time of recombination was years after the big bang. the era of the first
stars was about million years after the big bang. (surprisingly early).
the age of the universe is . billion years. the accounting of matter in
the universe is as follows atomic matter makes up. about dark matter about
and dark energy .. flaskepost. Fant flaskepost etter år. En år gammel
flaskepost har dukket opp i. Lukksundet ved Tysnes i Hordaland. Det var
hummerfisker Vidar Korsnes som fant. flaskeposten fra Marianne Arnesen.
Hun var år i og kastet flasken på. havet i håp om å komme i kontakt med
noen skriver Bergens Tidende. Selv om. flasken hadde fått hard medfart i
løpet av årene hadde papiret inni klart å. holde seg tørt og helt.. stats.
ifølge statistikken har noemata . millioner treff på årsbasis. men det
blir. som å regne på hvor mange blikk et virkelig sted har iberegnet biler
som. kjører. forbi. hvor mange tenker på deg i løpet av et år hvor mange
tanker det er på. den måten treff et tall helt i det blå. besøkstallet er
.år over. halvparten er roboter hvor mye mill. sider er bladd i hvis dette
var en. bok på sider var det solgte opplaget på . og halvparten lest av.
lesemaskiner kan det være noe for bokklubbene gigabytesår serveres. . tegn
pr side i boka som kan være bilder. alt dette høres veldig mye ut. men alle
kan rapportere det samme og hva kommer ut av det.. men det er noe å. skryte
av og alt er gratis er det derfor det ikke har noen verdi. barth.
Autobiography A SelfRecorded Fiction. You who listen give me life in a
manner of speaking.. I won't hold you responsible.. My first words weren't
my first words. I wish I'd begun differently.. Among other things I haven't
a proper name. The one I bear's misleading if. not. false. I didn't choose
it either.. I don't recall asking to be conceived Neither did my parents
come to think of. it. Even so. Score to be settled. Children are
vengeance.. I seem to've known myself from the beginning without knowing I
knew no news. is. good news perhaps I'm mistaken.. Now that I reflect I'm
not enjoying this life my link with the world.. My situation appears to me
as follows I speak in a curious detached manner. and don't necessarily hear
myself. I'm grateful for small mercies. Whether. anyone follows me I can't
tell.. Are you there If so I'm blind and deaf to you or you are me or
both're. both.. One may be imaginary I've had stranger ideas. I hope I'm a
fiction without. real. hope. Where there's a voice there's a speaker.. I
see I see myself as a halt narrative first person tiresome. Pronoun sans.
ante or precedent warrant or respite. Surrogate for the substantive.
contentless form interestless principle blind eye blinking at nothing. Who
am. I. A little crise d'identite for you.. I must compose myself.. Look I'm
writing. No listen I'm nothing but talk I won't last long.. LifeStory III.
The reader You dogged uninsultable printoriented bastard it's you I'm.
addressing who else from inside this monstrous fiction. You've read me
this. far then Even this far For what discreditable motive How is it you
don't go. a movie watch TV stare at a wall play tennis with a friend make
amorous. advances to the person who comes to your mind when I speak of
amorous advances. Can nothing surfeit saturate you turn you off Where's
your shame. MENELAIAD VI. ' () ('((What))') () '. ' ' 'Why' I repeated I
repeated' I repeated I repeated' I. repeated I repeat. ' ' And the woman
with a brideshy smile and. hushed. voice replied 'Why what'. ' ' Faster
than Athena sealed beneath missile Sicily upstart Enceladus. Poseidon
Nisyros mutine Polybutes I sealed my wouldwiden eyes snugger than. Porces
Laocoon Heracles Antaeus I held to my point interrogative Helen to. whom
as about us combusted nightlong Ilion I rehearsed our history horse to.
horse driving at last as eveningly myself to the seed and omphalos of all.
. .. . ('((((('))) )) ). ' ' Why ' '. ' 'Why' '. ' Why '. 'Why'. ' '. John
Barth Lost in the Funhouse. cognitive dissonance. cognitive dissonance.
I've run into the term cognitive dissonance while doing science demos at.
the local science centre normally it refers to the kind of experience.
where say we cut a mobius strip in half lengthwise and we are left with.
only one piece. We thing one thing will happen then learn that a
different. thing happens.. I think what you are referring to here is
better classified as ignorance.. I don't think it helps these poor stupid
fools any to couch their. increasingly pathetic circumstances in
fancypants language.. spornitzmts.net nettime. Leon Festinger in the late
s proposed the theory of cognitive. dissonance. This theory sought to
explain the link between attitudes and. behaviour... cognitive dissonance
refers to an incompatibility that an. individual might perceive between
two or more of their attitudes or. between their behaviour and attitudes.
Festinger argued that any form of. inconsistency is uncomfortable and
individuals will attempt to reduce the. dissonance and hence the
discomfort.... and a page later. What are the organisational implications
of the theory of cognitive. dissonance it can help to predict the
propensity to engage in attitude. and behavioural change. If individuals
are required for er example by. the demands of their job to say or do
things that contradict their. personal attitudes they will tend to modify
their attitudes in order to. make these compatible with the cognitions of
that they have said or. done..... Robbins et al organisational behaviour
leading and managing in. australia and new zealand. KR. Når KR snakker om
seg selv er det skam og flaut men når SF omhandler seg selv. er. det OK
det er uansett innholdet som teller KR var ytre og dumt SF var mer.
eksistensielt og dermed allment som egentlig er svaret alt som.
personspesifikt og privat er skam fordi det ikke angår noen andre det er
spam.. Alle går rundt og er sine egne flaue spammaskiner av jeg jeg jeg.
Men nå er. det til forsvar at innholdet forandrer seg med konteksten at
det private ikke. lenger er privat i en publisert sammenheng det er
kanskje både flaut og. interessant som internet med sine søkemotorer men
er begrenset i verdi både. som utsagn i en diskurs og som uttrykk for noe
personlig diskursen er fort. unnagjort og det personlige er egentlig likt
for alle ergo det er helt. overfladisk vi er uansett alle overflate og
innpakning men det er fort. unnagjort burde vært det men vi blir holdt der
holdes der egentlig fordi vi. innser at det er en overflate og nødvendig å
opprettholde som om den. disintegrerte om vi ikke passet på og det ville
vært flaut. SF kunne forsåvidt. vært flaut det også det eksistensielle er
på mange måter enda flauere mer. privat så hva avgjør Noe er dumt og
banalt nakenhet kan være bare dumt. men. hva avgjør Er vi tilbake til at
det må gå utover seg selv ikke være. selvsentrisk kan virke sånn uansett
hvordan det er kodet biologisk med. selvforsterkende egosentriske gener
el. Det er et spill mellom egoisme og. altruisme inni her egoismen kan
ikke vises og propaganderer best via. altruisme. men hvordan kan vi vite
og i hvilken tidshorisont Om en intellektuell sår. noen egoistiske frø som
først om noen hundre år gjenkjennes som dette Eller en. umiddelbar egoisme
i en altruistisk hensikt Folk er stort sett opptatt med. sine. egne
private liv noe annet virker rart idag som om det fantes noe annet.
liksom. Er det en slags konsolidering Egogrenser som styrkes pga.
trusselen. fra. informasjon og teknologi tar et par skritt tilbake men vi
kommer ikke til å. forandre oss i overskuelig framtid evolusjonen er
altfor tilfeldig og treig. vi. begynner å fikle på oss selv når vi blir
istand til det ja ikke sant det. høres ut som skam. Vitenskapen har ingen
skam vi har kontekster som om. vitenskap og religion refererte til
forskjellige verdener litt på samme måte. som vi har egoer som refererer
til forskjellige mennesker mennesket er en. art. vi er ett menneske slik
som alle neshorn er ett neshorn. Kontekster skinn. skall konsolideringer
ting som legges ut for salg stabiliserende som når. røttene vokser mer
næring virker fornøyd med å ikle seg et skinn å være til. tjeneste bli
næring. Er det slik at egoismen fanger disse begjæret etter. skinn etter
sine grenser seg selv Egoismen fanger egoismen gir det mening. å. si det
Kanskje hvis altruismen ikke er fangende egoismen er røttene. altruismen
er greiner og blader ...Digresjoner nøste seg tilbake. feynman. ...All
this went on in the first few weeks before we got everything. straightened
out. Anyway one day I'm piddling around with the computing. machine and I
notice something very peculiar. If you take divided by you. get .. . .
It's quite cute It goes a little cockeyed after. when. you're carrying but
it soon straightens itself out and repeats itself nicely. I. thought it was
kind of amusing.. Well I put that in the mail and it comes back to me. It
doesn't go through. and there's a little note Look at Paragraph B. I look
at Paragraph B.. It. says Letters are to be written only in English
Russian Spanish Portuguese. Latin German and so forth. Permission to use
any other language must be. obtained in writing. And then it said No
codes.. that I feel that of course this cannot be a code because if you
actually do. divide by you do in fact get all that and therefore there's
no more. information in the number .. . . than there is in the number.
which is hardly any information at all. And so forth. I therefore asked
for. permission to use Arabic numerals in my letters. So I got that
through all. right.. ...And von Neumann gave me an interesting idea that
you don't have to be. responsible for the world that you're in. So I have
developed a very powerful. sense of social irresponsibility as a result of
von Neumann's advice. It's made. me a very happy man ever since. But it was
von Neumann who put the seed in that. grew into my active irresponsibility.
... What You a psychiatrist keeping an open mind Ha It went on like this.
for quite a while.. Then at some point near the end he says How much do
you value life. Sixtyfour.. Why did you say 'sixtyfour'. How are you
supposed to measure the value of life. No I mean why did you say
'sixtyfour' and not 'seventythree' for. instance. If I had said
'seventythree' you would have asked me the same question. The psychiatrist
finished with three friendly questions just as the other. psychiatrist had
done handed me my papers and I went off to the next booth.. ...After a
while I began to worry. Here's a guy who's been deferred all during. the
war because he's working on the bomb and the draft board gets letters.
saying he's important and now he gets a D in Psychiatric it turns out.
he's a nut Obviously he isn't a nut he's just trying to make us believe
he's. a. nut we'll get him. ...I don't believe I can really do without
teaching. The reason is I have to. have something so that when I don't
have any ideas and I'm not getting anywhere. I can say to myself At least
I'm living at least I'm doing something I'm. making some contribution it's
just psychological.. ... So I got this new attitude. Now that I am burned
out and I'll never. accomplish anything I've got this nice position at the
university teaching. classes which I rather enjoy and just like I read the
Arabian Nights for. pleasure I'm going to play with physics whenever I
want to without worrying. about any importance whatsoever.. ...Thirteen
Times. One time a science teacher from the local city college came around
and asked. me. if I'd give a talk there. He offered me fifty dollars but I
told him I wasn't. worried about the money. That's the city college right.
Yes.. I thought about how much paperwork I usually had to get involved
with when I. deal with the government so I laughed and said I'll be glad
to give the. talk.. There's only one condition on the whole thing I pulled
a number out of a. hat. and continued that I don't have to sign my name
more than thirteen times. and that includes the check. The guy laughs too.
Thirteen times No problem.. So then it starts. First I have to sign
something that says I'm loyal to the. government or else I can't talk in
the city college. And I have to sign it. double OK Then I have to sign
some kind of release to the city I can't. remember what. Pretty soon the
numbers are beginning to climb up.. I have to sign that I was suitably
employed as a professor to ensure of. course since it's a city thing that
no jerk at the other end was hiring his. wife or a friend to come and not
even give the lecture. There were all kinds of. things to ensure and the
signatures kept mounting.. Well the guy who started out laughing got
pretty nervous but we just made. it. I signed exactly twelve times. There
was one more left for the check so I. went ahead and gave the talk.. A few
days later the guy came around to give me the check and he was really.
sweating. He couldn't give me the money unless I signed a form saying I
really. gave the talk.. I said If I sign the form I can't sign the check.
But you were there. You. heard the talk why don't you sign it. Look he
said Isn't this whole thing rather silly. No. It was an arrangement we
made in the beginning. We didn't think it was. really going to get to
thirteen but we agreed on it and I think we should. stick to it to the
end.. He said I've been working very hard calling all around. I've been
trying. everything and they tell me it's impossible. You simply can't get
your money. unless you sign the form.. It's OK I said. I've only signed
twelve times and I gave the talk. I. don't. need the money.. But I hate to
do this to you.. It's all right. We made a deal don't worry.. The next day
he called me up. They can't not give you the money They've. already
earmarked the money and they've got it set aside so they have to give. it
to you. OK if they have to give me the money let them give me the money..
But you have to sign the form.. I won't sign the form. They were stuck.
There was no miscellaneous pot which was for money that this. man deserves
but won't sign for.. Finally it got straightened out. It took a long time
and it was very. complicated but I used the thirteenth signature to cash
my check.. ... It's a kind of scientific integrity a principle of
scientific thought that. corresponds to a kind of utter honesty a kind of
leaning over backwards. For. example if you're doing an experiment you
should report everything that you. think might make it invalid not only
what you think is right about it other. causes that could possibly explain
your results and things you thought of that. you've eliminated by some
other experiment and how they worked to make sure. the other fellow can
tell they have been eliminated.. ... Why didn't they discover that the new
number was higher right away It's a. thing that scientists are ashamed of
this history because it's apparent. that people did things like this When
they got a number that was too high. above. Millikan's they thought
something must be wrong and they would look for and. find a reason why
something might be wrong. When they got a number closer to. Millikan's
value they didn't look so hard. And so they eliminated the numbers. that
were too far off and did other things like that. We've learned those.
tricks nowadays and now we don't have that kind of a disease.. But this
long history of learning how to not fool ourselves of having utter.
scientific integrity is I'm sorry to say something that we haven't.
specifically included in any particular course that I know of. We just
hope. you've caught on by osmosis.. The first principle is that you must
not fool yourself and you are the. easiest person to fool. So you have to
be very careful about that. After you've. not fooled yourself it's easy
not to fool other scientists. You just have to. be. honest in a
conventional way after that.. ... So I have just one wish for you the good
luck to be somewhere where you. are free to maintain the kind of integrity
I have described and where you do. not feel forced by a need to maintain
your position in the organization or. financial support or so on to lose
your integrity. May you have that freedom.. Surely you're joking mr
Feynman. we came in a wagon. we came in a wagon . Two horses were in front
of us. They walked in front of us. all the way.. still those queer feels
wouldn't go away. Pretty soon I got awful sick.. Byandby I did have better
feels . And today my feels are all right. Halvparten. Halvparten av nyfødte
vil få kreft. Halvparten av nyfødte vil dø før fylte år den andre
halvparten også.. dsf sfsdf sdf sf sf. dsf sfsdf sdf sf sf sf sdf sdf sdf
sdf sdf sdf sf sf sf sdf sdf sf sf. sdf sf sf sf skfjsdlkjgkljdsglkjdsg
ldkjg øldkjg dølksgj dsølkfkfkf f f. f f f fgdkljgj dlkgjdølkgj sødlkjg
dsølkj dsølkgjds ølkgj f f f f f f f. f f
dgldkgødkjglkødsgjøsldkjgøsldkgjølsdjgløskgjøsldkgjøksdljfg f ff f f. f f
dfg dfg dfg dg dfg dfg dfg dg dfg dfg dgklkdfgkjsd øglkj sdfgølk. sdfgølk
dg dsgølk sdfglk dlkgjdlgjdlkgjdølkg søldkjg dølksg dskg f f f f. f ff. d
d d sdflksfjslkfjlsjflsø fldksj sdlkjflgkjfjfkfkf ff f f f f f f f f f.
sdf sdf sdf gf sdf sdf sf sdf sdf sdf sdf sdf sdf sdf sdf sd d. sdf sf sf
sf sf sdf sdf sdf sdf sdf sdf sf sf sdf sdf sdf sf sf sdf sf sf sf. sdf.
sfs fd sfd sdf sfd sf sf sdf sdf sf sdf sdf sdf sdf sf sf sdf sdf sf sdf.
dsg dsg sdfg dsfg sdg sdfg dsfg sdfgds fg dsfg dsfg dfg dfg df gff. asdfø
saflk asflk asfølkas fløaksf asølkjf salkfdj saldkf sakdf dkfdf f f f f f.
f. asdf asdf asf saf asf as fsaf d d d saflkasflaksjf d d d d d d d d d d
d. bad d d dslkdfaslkfjøasldkfjaøsldkfj asødflk asfølask asøldfk sdf sdfd
b. fffffffffffffffffffffffffffffffffffffffffffffffffffffffffffff f f f f f
f. ffffffffffffffffffffffffffffffffffffffffffffffffffffff ff f f f.
fffffffffffffffffffffffff f f f f. Hi all. I lurk and post some to
different lists and would like to make digests of. things I find.
interesting and redistribute say like nettime unstable digest though.
probably. with just index. remailed with links to web archiveblog to avoid
excessive redundancy.. Question what's the consensus concerning permissions
and redistribution of. texts. appropriate fair use Ask permission in each
case take for granted. In my case no commercial interests involved in
foreseeable future but. anyway. published and. as booksinprogress with
appropriated standard book numbers as an openended. anthology digest.
fanzine or similar.. Notions of copyright and proper use may vary a great
deal so would be. interesting to know what. people on the list thought
about it (also as the list is gatewayed into. newsgroup fa.fictionof.
philosophy). signatur. worldwid. worldwid dllr poducr wjstklvb. opal. Opal
Whiteley. mhonarc. blue beaming tape archive. fulltekst. fylleprat. knyt.
outdir knyt mboxknyt.mbs.txt. usrbinperl. print hello worldn. tar xvf.
klatre. klatre i sin fritid. klatre klatre. donald duck klatret opp til
en. parkeringsplass. fotosafari. safarisafari å jakte på opplevelser..
stedet safari. den avskyelige snømann er forlengst smeltet bare gulrota.
ligger metaforisk igjen.. your penis can be enlarged m v oydbynk q.
philosophy in a time of terror habermas. philosophy in a time of terror.
habermas. ..one factor above all seems to me to be relevant one never
really knows. who one's enemy is. osama bin laden the person more likely
serves the. function of a standin.. surely the uncertainty of the danger
belongs to the essence of terrorism.. ..the magnitude of the danger. one
never knows if there's anything to it.. in contrast to this the global
terror that culminated in the september. attack bears the anarchistic
traits of an impotent revolt directed against. an enemy that cannot be
defeated in any pragmatic sense.. technically speaking since our complex
societies are highly susceptible. interferences and accidents they
certainly offer ideal opportunities. for a prompt disruption of normal
activities. these disruptions can at a. minimum expense have considerably
destructive consequences. global. terrorism is extreme both in its lack of
realistic goals and in its. cynical exploitation of the vulnerability of
complex systems.. derrida. the brevity of the appellation (september )
stems not only from an. economic or rhetorical necessity. the telegram of
this metonymy a name a. numberpoints out the unqualifiable by recognizing
that we do not. recognize or even cognize that we do not yet know how to
qualify that we. do not know what we are talking about.. i believe always
in the necessity of being attentive first of all to this. (at once
rhetorical magical and poetic). to what this compulsion. signifies
translates or betrays. not in order to isolate ourselves in. language as
people in too much of a rush would like us to believe but on. the contrary
in order to try to understand what is going on precisely. beyond language
and what is pushing us to repeat endlessly and without. knowing what we
are talking about precisely there where language and the. concept come up
against their limits september september le. septembre .. bush speaks of
war but he is in fact incapable of identifying the enemy. against whom he
declares that he has declared war.. in this regard when compared to the
possibilities for destruction and. chaotic disorder that are in reserve
for the future in the computerized. networks of the world september is
still part of the archaic theater. of violence aimed at striking the
imagination.. fasciism. fasciism. talk.bizarre. misc.facts.straightdope.
..........................................................................
sreites. newscolargol.tihlde.hist.no. newsnews.readfreenews.net.
newsbolzen.all.de. remailer.privacy.at. newsnewsread.maxwell.syr.edu.
hallo feilsendt mail. hallo. feilsendt mail. why don't you log off and get
yourself some food. all ideas are vintage not new or perfect.. i will be
happy to answer any questions.. i thank you for your time and interest..
we value you like our close relations.. round the clock here on the
internet.. this email is really a confirmation.. just do nothing to remain
with us.. we appreciate positive feedback.. seventh invitation to join us..
this mail may be a contract.. you must really read this.. this mail is
never spam.. certified virus free.. i am not a lawyer.. we are in need..
do it today.. now easy.. i pay.. e.. gloval. noen pisser deg oppetter
ryggen. media pisser deg oppetter ryggen. varene pisser deg oppetter
ryggen. popmusikk pisser deg i øret. markedsøkonomi pisser deg.
konsumenten vennligst piss meg. det er lunkent og smigrende. g.e..
vannsport globaløkonomien. global money games porno. rikshora dan børge
akerø. hvor mye piss skylder du ikke han. gi han et basseng med piss i
gave. i retur. mj sa å snakke med menn er som å pisse i motvind. jeg
skulle gjerne ha snakket med henne. bygger marked og konsum på et
(perverst) begjær. makt og begjær sadokatekisme. vennligst piss på meg jeg
befaler. makten erklærer jeg sier fra meg makten med makt. trøtt. mine
pannekaker er så trøtte. alle mine pannekaker er fyllt med trøtthet. kjære
gud ditt dyrenavn å ære. Mar. ... . actcharon. participate more in the
project you are welcomed to host the dog. (paste a. small html code in
your site) until i send for him. for more details and. to. download the
dog. walk the dog he is only one place at a time.... alas. kalas. flvrnsv.
htvt. jinn bergman et al. lumber log. newsgroups alt.anonymous.messages.
qanqr. nntppostinghost .... messageid. begin pgp message.
qanqrdddqqdawjtzezfajuvgdjyjsnzuugiwwixnjqkefbhuiyrgcvjq.
ijdchcewwvqvynfjdfzxriotgjtdqkqbkqpgkqeaaehplpgto.
gdjioouirjwgxncurbpsclbjqgimg. azz. end pgp message. lolly. lolly lli n.
canad. rare. l. abbrev. of loblolly. soft ice. formed in turbulent water
along a shore etc. frazil. also lolly ice.. lolly lli n. m. abbrev. of
lollipop. a sweet. exc. austral.. nz now spec. a lollipop. colloq. m. an
easy catch in cricket. e.. money. slang. m.. ice lolly iced lolly a
waterice or icecream on a small stick.. lolly lli n. dial. l. origin
uncertain perh. f. use in pronunc.. of l or f. loll v. the tongue.. prob.
much earlier and perh. the st elem. of lollipop.. test. ikke nøl med å
slette.. test. teste testi ste n. prep. lme. l abl. of testis witness in
the. formula of authentication teste meipso lit. 'i myself being a
witness'. a. person who authenticates the monarch's seal. later the
concluding part of. on the authority or testimony of (a specified person).
m.. listener he tells us teste evelyn waugh of a sitwellian habit of.
leaving sitwell press cuttingsin bowls.. test (test) n.. . the means by
which the presence quality or genuineness of anything. is determined a
means of trial.. . the trial of the quality of something to put to the
test.. . a particular process or method for trying or assessing.. . a set
of questions problems or the like used as a means of. evaluating the
abilities aptitudes skills or performance of an. individual or group
examination.. . psychol. a set of standardized questions problems or tasks
designed. elicit responses for use in measuring the traits capacities or.
achievements of an individual.. . chem. the process of identifying or
detecting the presence of a. constituent of a substance or of determining
the nature of a substance. commonly by the addition of a reagent.the
reagent used.an indication or. evidence of the presence of a constituent
or of the nature of a. substance obtained by such means.. . an oath or
other confirmation of one's loyalty religious beliefs. etc.. etc.
316
. brit. a cupel for refining or assaying metals.. v.t.. . to subject to a
test of any kind try.. . chem. to subject to a chemical test.. . metall.
to assay or refine in a cupel.. v.i.. . to undergo a test or trial try
out.. . to perform on a test people test better in a relaxed environment..
. to conduct a test to test for diabetes.. me cupel mf l test testum
earthen pot akin to test. testæable adj.. teståabilæity n.. testæingly
adv.. syn. . proof assay. see trial. . assay prove examine.. test (test)
n.. . zool. the hard protective shell or covering of certain
invertebrates. as echinoderms or tunicates.. . bot. testa.. l testa tile
shell covering akin to test. test.. testament.. test test n. lme. ofr.
(mod. tet) f. l testum testu var. of. testa tile earthen vessel pot. later
treated as f. test v. orig. a. cupel used to treat gold or silver alloys or
ore. now a cupel together. with its iron frame forming the movable hearth
of a reverberatory. furnace. lme. the means of determining the existence
or genuineness of. anything a critical examination or trial of a theory a
person's. character etc. a standard for comparison or trial a criterion.
l. b a. means of testing conformity in (esp. religious) belief spec.
(hist.) an. oath or declaration prescribed by any of the test acts. m. a
chem.. etc. (an application of) a procedure for examining a substance
under known. conditions or with a specific reagent to determine its
identity or the. presence or absence of some constituent activity etc.
also a substance. by means of which this may be done. e. b (an application
of) a procedure. for determining the physical properties of a substance
material etc. or. the capabilities of a machine etc. esp. to assess
suitability for some. purpose. freq. as nd elem. of comb. l. c a procedure
for assessing a. person's aptitude competence skill or knowledge or for
determining a. person's mental or physiological condition spec. (a)a set
of problems in. an academic subject to be solved without assistance a
relatively informal. examination (b)a driving test. freq. as nd elem. of
comb. e. ellipt.. test match below. e.. b. montgomery his conclusions have
stood the test of repeated. reexamination. j. dunn some sort of
metaphysical test of their fitness. for life. b h. paul the belief in
tests ought to be dead as the belief in. witches. a millon's test
phosphatase test schiff test etc. b impact. test izod test turing test
etc. c e. h. clements mummy always drives. i. haven't taken my test yet.
j. elliott doing her anglosaxon grammar for a. test tomorrow. e. segal
painful tests he would undergo at the hands. ofyale's senior neurologist.
aptitude test blood test breath test. intelligence test performance test
pregnancy test screen test. tuberculin test etc. attrib. test batsman test
captain test cricket. test team etc.. phrases alpha test see alpha b(f).
blank test see blank a. means test. see mean n. paternity test. put to the
test try the character of (a. person) cause to undergo testing. spot test
see spot n. a. adv.. stand the test of time withstand the test of time be
or remain unchanged. or unaffected by the passage of time.. comb. test act
hist. any of various statutes making eligibility for. public office
conditional on professing the established religion esp. a. act (repealed
in ) requiring employees of the crown to receive. anglican communion
acknowledge the monarch as head of the church of. england and repudiate
the doctrine of transubstantiation test ban a ban. on the testing of
nuclear weapons test bed (a)a piece of equipment for. testing machines
esp. aircraft engines before acceptance for general. use (b)fig. a
testingground test card (a)ophthalm. a large card printed. with rows of
letters of decreasing size used in testing visual acuity. (cf. snellen)
(b)television a still picture transmitted outside normal. programme hours
to facilitate assessing the quality and position of the. screen image test
case law an action brought to ascertain the law. thereby setting a
precedent for other cases involving the same principle. test chart
ophthalm. test card (a) above testcross n. v. (genetics). (a)n. a back
cross between an individual whose genotype for a certain. trait is unknown
and one that is homozygous recessive for that trait to. determine the
unknown genotype from that of the offspring (b)v.t. make. the subject of a
testcross test drive a drive taken to ascertain the. qualities of a motor
vehicle with a view to its regular use testdrive. v.t. take a test drive
in (a motor vehicle) testfire v.t. (orig. us). fire (a gun or missile)
experimentally test flight for testing the. performance of an aircraft
etc. testfly v.t. test the performance of (an. aircraft etc.) in flight
testframe the iron frame or basket in which a. cupel is placed testfurnace
a reverberatory refining furnace esp. one. for treating silverbearing
alloys testmarket v. n. (a)v.t. (orig. us). put (a new product) on the
market usu. in a limited area to assess. consumers' response (b)n. an area
in which a product is testmarketed. test match (chiefly cricket rugby
football) an international match esp.. each of a series of matches between
a touring team and the host country. test meal med. a standard meal given
to stimulate secretion of digestive. juices which can then be extracted
and tested test paper (a)a paper. impregnated with a chemical solution
which changes colour in contact with. certain other chemicals and so acts
as a test for the presence of the. latter (b)a paper set to test the
knowledge etc. of a student esp. one. preparing for an examination
testpiece (a)a piece of anything as a. sample for testing (b)a piece of
music (to be) performed by the. contestants in a musical competition test
pilot who testflies an. aircraft testpilot v.t. testfly above testpit
archaeol. a small. preliminary excavation made to gain an idea of the
contents or. stratigraphy of a site testretest a. (psychol.) of or
designating a. method by which a test is given to a subject on two
occasions separated by. a lapse of time test rig engin. an apparatus used
for assessing the. performance of a piece of mechanical or electrical
equipment test signal. a sequence of electrical impulses used for testing
purposes in television. broadcasting test specimen a piece of metal etc.
prepared for a. mechanical test test strip a strip of material used in
testing esp. in. photogr. a strip of sensitized material sections of which
are exposed. for different lengths of time to assess its response test well
made in. testing a site for oil.. test test n. obs. exc. sc. lme. app. f. l
testis witness cf.. attest n. a witness evidence witness borne. lmem. teste
n.. em. testament . sc. rare. l.. test test n. lme. l testa see test n. a
piece of. earthenware an earthenware vessel a potsherd. lmee. zool. the
shell. of certain invertebrates the tough translucent outer layer of a
tunicate.. m.. test test v. l. ofr. tester f. l testari attest make one's.
will f. testis witness in sense app. f. teste. v.t. leave by will. or
testament bequeath. sc. rare. le. v.i. make a will execute a. teste of (a
writ etc.). e. v.t. sc. law. authenticate (a deed or. written instrument)
by a duly drawnup clause signed by witnesses. m.. test test v. e. f. test
n. v.t. subject (gold or silver) to. a process of separation and refining
in a test assay. e. v.t.. (a person thing theory etc.) to a test try (out)
evaluate (a. hypothesis etc.) by experiment or critical examination put to
the test. try the patience or endurance of (a person). e. b chem. subject
to a. chemical test. freq. foll. by for (a particular chemical). m. v.i..
undergo or take a test. also (w. n. adj. or advb. compl.) achieve or.
receive a specified rating result score etc. in a test. orig.. chiefly n.
amer. m. v.i. apply or carry out a test on a person or. thing. also foll.
by for. m.. d. lessing one has to test everything one says and does
against general. standards. p. fitzgerald courage and endurance are
useless if they are. never tested. s. hood reverendmurdochtested the
children on their. knowledge of the gospels. b. bettelheim thediscussion
group on whom he. used to test his new ideas. test out put (a theory etc.)
to a practical. test. test the water fig. make a preliminary or tentative
exploration.. tried and tested see tried ppl a. . t. mcguane a poor
student who. tested in the high percentiles. newsweek word that magic
johnson had. tested positive for hivwhipped round the country.. la soiree
avec monsieur teste () a partial selfportrait humorously. written about an
absentminded intellectual.. va por ware. vaporware (væpr wrå) n. computer
jargon. a product esp. software. that is promoted or marketed while it is
still in development and that may. never be produced.. blangis. tilt.
tråkket. det ene må vinne over det andre impulsen å lese nyheter over å
sitte i. ro vinner boka over bordet fordi den ligger øverst taket vinner
over. veggene gulvet blir tråkket på. vi vil ha det upåtråkkbare tror det
fins. men straks det fins tråkkes det ned i søla. påstander. istedenfor å.
støvsuge det ukjente star trek kan vi vel heller bo i søla soil. jordboere.
tråkket upåtråkkbart.. Mar. clqwn. lost in space episode. folder.
namenoemata. created. visited. order. description. short name. f f dd f f
dd. f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f f
ff d. f f ff d f f ff d f f ff f d d f f d d f f d f d f d f d f d f d f d
f d f. d f d d d d d d d d d d d d d fffffffffffffffffffffffffffffff. Mar.
svirikngen eire mayen (ønivdgdene) daopcbsak.. liræng frotutseetr
ssingnfor. det eur. det eur gid å isu fiane. lodd etterår åt stadie havre
jasse ioj fiane. innest. inst. scour. scour. ceteris paribus.
selfabsorption paradox. selfabsorption paradox in theory highly selfaware
people. should be happy they know themselves better when compared to low.
selfaware people because they attend to themselves more this enhanced.
selfknowledge in turn should lead to better psychological adjustment.
since when you know who you are you can start defining what you really.
want to become and grow toward selfimprovement and contentment. yet past.
research consistently shows that high selfconsciousness is actually.
associated with both psychological health and distressdepression low.
selfesteem and anxiety. how can this be how can someone simultaneously. be
happy and dysfunctional. creativity machine steve thaler. in waking life
noise may also be the source of the thoughts and flashes. of inspiration
from the unconscious the very essence of free will human. consciousness
and even the soul. i tend to think of the soul as the. manifestation of
this stochastic process going on says thaler. it's the. noise in the
machine rather than the ghost in the machine. the. creativity machine
steve thaler. antisensibility. the esthetic sensibility to which i refer
is antisensibility apparent. antisensibility. ... since works of art
cannot really be the product of. blunted sensibilities what seems at first
to be brash and barbarous turns. in time to daring and strength and the
concealed subtleties soon become. apparent. ... although the
antisensibilities stance appears as mindless. mechanical gross and abrupt
or as directed by prior or nonart decisions. its real meaning i feel lies
in the artist's personal sensation of. performing a difficult feat of
bravado while really respecting all of the. sensibilities.. roy
lichtenstein lecture to the college art association .. camus beauty
rebellion. the procedure of beauty which is to resist the real while
conferring. unity upon it is also the procedure of rebellion. is it
possible. eternally to reject injustice without ceasing to acclaim the
nature of man. and the beauty of the world. camus. mirror stage. lacan's
mirror stage. could be read (pardon my reduction) as the narrative of
one's moving from. primary to secondary narcissism. what i mean by primary
narcissism a. total helplessness namelessness (this is important) in which
there is. not even a sense of self as i thus no distinction can be drawn
between i. and other. i and other have yet to be born. secondary
narcissism begins. with ego identification when i recognize a possible
wholeness of an image. in the mirror and through gradual games begin to
take first the image. and then myself as myself.. there is nothing more
useless than an organ. for you can tie me up if you wishbut there is
nothing more. useless than an organ.when you will have made him a body
without organs. then you will have delivered himfrom all his automatisms
and restored him. his true freedom.then you will teach him again to dance
wrong side. outlike in the frenzy of dance hallsand his wrong side out
will be his. real place. antonin artaud. the body without organs is the
the subject of the universe of. discourse decomposing in process the
positions of the system. organs are. imposed on this body selectively
attending and amalgamating positions. (fascistly).. dream of a ridiculous
man. the chief thing is to love others like. yourself that's the chief
thing and that's everything nothing. else is wanted you will find out at
once how to arrange it. all.. dostoevsky. blot. blot stain naked weblot
lot. ema. friskluft ph ema spire dekke måned vårstemning ose em oversvømme
dyssa mede. vinterstemning herognåpresset livvidde umiddelbarhet (livets
foul. talemåter) bygdeallmenning åpenbaring .... sokrates troll troll
eller trollmann askeladd og troll. et eksemplar er en fiksering av verket.
fikseringen må ha en viss. bestandighet men det behøver ikke være varig. et
speilbilde er ikke et. eksemplar men en midlertidig lagring i datamaskinens
minne kan være det.. axonmic dendritic somatic.... axonic dendritic
somatic... meaning truth sense reference on the level of. nevrons...
correspondences. ... soma body proper name proposition concept word. ...
dendrite a branched protoplasmic extension of a nerve cell that. conducts
impulses from adjacent cells inward toward the cell body sense. thought
meaning. ... axon the usually long process of a nerve fiber that
generally. conducts impulses away from the body of the nerve cell
bedeutung. truthvalue object reference. thousands of inputs just a few
output channels for communication. connotedenote dendriteaxon. comply.
compile this. main(k)float ijrxywhile(puts()yx)ihk))for(ikr.
jrriixiriyjjii. deprogramming us. usrbinperl. conceptual.pl. deeply
contemplative software. or maybe it's just antisocial.. while (). thinking
really deep thoughts.. or just. usrbinperl. creative commons. thomas
jefferson he who receives an idea from me receives instruction. himself
without lessening mine as he who lights his taper at mine. receives light
without darkening me.. an idea is not diminished when more people use it.
creative commons. aspires to cultivate a commons in which people can feel
free to reuse not. only ideas but also words images and music without
asking permission. because permission has already been granted to
everyone.. greek noema. the word thought is the greek noema and means
perception or. purpose. it is the same word used in corinthians when paul
says. for we are not ignorant of his (satans) schemes.. let us devise
devices against jeremiah (jeremiah ) for we are not. ignorant of his (i.e.
satan's) devices. patanjali. . the obstacles in the way of him who desires
to attain concentration. are sickness languor doubt carelessness laziness
addiction to objects. of sense erroneous perception failure to attain any
stage of. abstraction and instability in any stage when attained.. . these
obstacles are accompanied by grief distress trembling and. sighing.. . for
the prevention of these one truth should be dwelt upon.. any accepted
truth which one approves is here meant.. . through the practising of
benevolence tenderness complacency and. disregard for objects of happiness
grief virtue and vice the mind. becomes purified.. the chief occasions for
distraction of the mind are covetousness and. aversion and what the
aphorism means is not that virtue and vice should. be viewed with
indifference by the student but that he should not fix his. mind with
pleasure upon happiness or virtue nor with aversion upon grief. or vice in
others but should regard all with an equal mind and the. practice of
benevolence tenderness and complacency brings about. cheerfulness of the
mind which tends to strength and steadiness.. error bmg. bear with me.
erroneous notion. k u n s t. )) .. . . . .. .' .. l.l.v'. poetry is
currency of exchange .. with each one to continue with.. rhizome. let us
summarize the principal characteristics of a rhizome unlike trees. or
their roots the rhizome connects any point to any other point and its.
traits are not necessarily linked to traits of the same nature it brings.
into play very different regimes of signs and even nonsign states. the.
rhizome is reducible neither to the one nor the multiple... it is
composed. not of units but of dimensions or rather directions in motion.
p.. unlike the tree the rhizome is not the object of reproduction neither.
external reproduction as imagetree nor internal reproduction as.
treestructure. the rhizome is an antigenealogy. it is a shortterm. memory
or antimemory. the rhizome operates by variation expansion. conquest
capture offshoots. unlike the graphic arts drawing or. photography unlike
tracings the rhizome pertains to a map that must be. produced constructed
a map that is always detachable connectable. reversible modifiable and has
multiple entryways and exits and its own. lines of flight. it is tracings
that must be put on the map not the. opposite. in contrast to centered
(even polycentric) systems with. hierarchical modes of communication and
preestablished paths the rhizome. is an acentered nonhierarchical
nonsignifying system with a general and. without an organizing memory or
central automation defined solely by a. circulation of states. p.. a
thousand plateaus capitalism and schizophrenia by gilles deleuze and.
felix guattari. translated by brian massumi. university of minnesota.
press minneapolis. .. hand and hold. hand. hold. madius. in his recent
best selling biography of richard feynman james gleick. asks when people
speak of the borderline between genius and madness why. is it so evident
what they mean although both feynman and pauling were. quite sane i
believe a case can be made that they and many other eminent. scientists
lived on this borderline between genius and madness.. eiduson offers some
insight into what this means. she thought that. creative scientists as a.
group had a heightened sensitivity to experiences that in her words. is
accompanied in thinking by overalertness to relatively unimportant or.
tangential aspects of problems. it makes them look for and postulate.
significance in things which customarily would not be singled out. it.
encourages highly individualized and even autistic ways of thinking. were.
this thinking not in the framework of scientific work it would be.
considered paranoid. in scientific work creative thinking demands seeing.
things not seen previously or in ways not previously imagined and this.
necessitates jumping off from normal positions and taking risks by.
departing from reality. the difference between the thinking of the.
paranoid patient and the scientist comes in the latter's ability and.
willingness to test out his fantasies or grandiose conceptualizations.
through the systems of checks and balances science has established....
one. might say that scientific thinking is in a way institutionalized
paranoid. thinking it sanctions it not only as proper but also as the
irrational. that ultimately promotes the rationality of science.. there is
evidence that highly creative people often score similarly to.
schizophrenics on the rorschach even though they do not have any kind of.
psychiatric disorder. this is believed to be true because creative people.
are able to draw on primitive psychological processes which normal. people
do not often use. however they are not stuck on a primitive or. chaotic
level of thinking as some mentally ill people are but are quite. capable
of integrating their thinking in a mature way when appropriate.. in
contrast to his tremendous enjoyment of intellectual functioning. pauling
found emotional life troublesome and he often tried to avoid. situations
which involved emotionally charged interactions. a core element. of his
personality was a narcissistic childlike tendency to overvalue. his
personal worth and seek the approval of others for his ideas and.
accomplishments. he loved giving speeches and receiving the approval of.
large groups of admirers and he devoted a great deal of time and energy.
travel and public speaking at the expense of his scientific work. his.
narcissism was displayed in an extreme sensitivity to criticism including.
a tendency to file law suits against his critics.. space as love in the
vita nuova. space as love in the vita nuova. to reassume both in the vita
nuova and the divina commedia space is. like a mirror in which divine
nature is reflected. this is obvious in. the comedy the odyssey of dante
in the beyond but space has already a. metaphysical meaning in the
terrestrial setting of the vita nuova. what is. original in dante is the
relation he establishes between his conception of. space and the idea of
love. owing to divine love spiritual harmony is. present in terrestrial
space since by its own nature divine love does not. allow an absolute
separation between the two worlds. in this sense space. in the vita nuova
is a metaphor of love but at a certain point the symbol. becomes so
transparent that it loses its independence from the notion to. which it
points.. tell. Brave men tell the truth. A wise man's tools are analogies
and puzzles. A woman holds her tongue. Knowing silence will speak for
her.. b blissett. bsqAn AsYBvyCNsBgYMyzQ. Lyder Blissett. Lutoir Bleggett.
Leddyr. Lytter. Litauer. Leder. Lutre. Latter. Lader. Luther. Liter. Luthor
Blixett. Lars Blix. Lars Knutson Blix. Lothar Bligsett. Lather Blocsott.
Lateer Blessett. Lediar Blosghtt. Litdhr Bleggett. Lodier Blascått.
Littoro Blessett. Loteir Blassett. Latar Blicqytt. Loteor Blagsetd. Lotre
Blescitd. Latiir Blisgett. Lodvar Blissatt. Ledehr Blhsgitt. Latteryr
Blejsitt. Loteir Blascotd. Ledaar Blhcsatt. Loteir Blycgatt. Lataa
Bløscetd. Lodiyr Blogkett. Letteror Blugsett. Lidæur Blisgydt. Lodtor
Blegsædt. Lityor Blossodt. Lotderar Blescott. Leteir Blokcytt. Loder
Blhcsedt. Ledhar Blasgitt. Latihr Blissott. Letoer Blissadt. Lætor
Blossett. Lhther Blessgott. eopth. eopthlng.jpgopen eopthgk.jpgopen
eopthgk.jpgopen. eopthgk.jpgopen eopthP.jpgopen eopthP.jpgopen.
eopthP.jpgopen eopthP.jpgopen eopthP.jpgopen. eopthP.jpgopen
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eopeopgermmunn.jpgopen eopeopting.jpgopen. eopeopmunn.jpgopen
eopeopge.pngopen eopeopnoemf.jpgopen. eopeopnatkoff.jpgopen
eopeopasdgjk.jpgopen eopeopo.jpgopen. eopeopfluentrial.jpgopen
eopeopnoematath.jpgopen. eopeopkonv.JPGopen eopeopuserg.jpgopen
eopeopstrattor.jpgopen. eopeopDDD.jpgopen eopeopmnefromanatkov.jpgopen.
eopeopmnefromanatkov.jpgopen eopeopgstamp.jpgopen. eopeopgstamp.jpgopen
eopeopgstamp.jpgopen. eopeopldsgiuserg.jpgopen eopeopgerm.jpgopen.
eopeopguarding.jpgopen eopeopsylve.jpgopen eopeop.jpgopen. eopeop.jpgopen
eopeop.jpgopen eopeop.jpgopen. eopeop.jpgopen eopeopgerm.jpgopen
eopeopg.jpgopen. eopeopg.jpgopen eopeoplng.jpgopen eopeopgk.jpgopen.
eopeopgk.jpgopen eopeopgk.jpgopen eopeopP.jpgopen. eopeopP.jpgopen
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eopeopthgk.jpgopen eopeopthgstampth.jpgopen. eopeopthgstampth.jpgopen
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eopeopthgstamp.jpgopen eopeopthgstamp.jpgopen. eopeopthgstamp.jpgopen
eopeopthgstampth.jpgopen. eopeopthgermmunn.jpgopen eopeopthting.jpgopen.
eopeopthmunn.jpgopen eopeopthnoemf.jpgopen. eopeopthnatkoff.jpgopen
eopeopthasdgjk.jpgopen. eopeoptho.jpgopen eopeopthfluentrial.jpgopen.
eopeopthnoematath.jpgopen eopeopthkonv.jpgopen. eopeopthuserg.jpgopen
eopeopthstrattor.jpgopen. eopeopthDDD.jpgopen
eopeopthmnefromanatkov.jpgopen. eopeopthmnefromanatkov.jpgopen
eopeopthgstamp.jpgopen. eopeopthgstamp.jpgopen eopeopthgstamp.jpgopen.
eopeopthldsgiuserg.jpgopen eopeopthgerm.jpgopen. eopeopthguarding.jpgopen
eopeopthsylve.jpgopen. eopeopth.jpgopen eopeopth.jpgopen eopeopth.jpgopen.
eopeopth.jpgopen eopeopth.jpgopen eopeopthgerm.jpgopen. eopeopthg.jpgopen
eopeopthg.jpgopen eopeopthlng.jpgopen. eopeopthgk.jpgopen
eopeopthgk.jpgopen eopeopthgk.jpgopen. eopeopthP.jpgopen
eopeopthP.jpgopen. eopeopthP.jpgopen eopeopthP.jpgopen. eopeopthP.jpgopen
eopeopthP.jpgopen eopeopthsw.jpgopen. eopeopthsw.jpgopen
eopeopthsw.jpgopen eopeopeopgk.jpgopen. eopeopeopgstampth.jpgopen
eopeopeopgstampth.jpgopen. eopeopeopgstampth.jpgopen
eopeopeopgstamp.jpgopen. eopeopeopgstamp.jpgopen eopeopeopgstamp.jpgopen.
eopeopeopgstamp.jpgopen eopeopeopgstamp.jpgopen. Today's Sparkling Gem
from the Greek. Today's Sparkling Gem from the Greek. Stopping Satan At
His Own Game. Lest Satan should get an advantage of us for we are not.
ignorant of his devices.. Corinthians. Ephesians uses the phrase wiles
(methodos) of the devil. to describe one particular road Satan travels on
to work his. evil will in our lives. But where is this road headed.
Corinthians gives us an important clue we are not. ignorant of his Satan's
devices.. The word devices is taken from the word noemata which is. derived
from the word nous. The word nous is the Greek word for. the mind or the
intellect. However the form noemata carries the. idea of a deceived mind.
Specifically this word noemata denotes. Satan's insidious malevolent plot
to attack and victimize the. human mind filling it with confusion. One
expositor has even. stated that the word devices bears the notion of mind
games.. Therefore you could translate the verse we are not ignorant. of
the mind games Satan tries to pull on us.. The word devices clearly
demonstrates that this road of the. devil is headed toward the mind. The
devil loves to make a. playground of people's minds He delights in filling
their. emotions and senses with illusions that captivate their minds. and
ultimately destroy them.. Satan knows that whoever controls a person's
mind also controls. that person's health and emotions. Therefore he seeks
to. penetrate people's intellect their mental control center. so he can
flood them with deception and falsehood.. Prayer For Today. Lord I thank
You that Your Word dominates and cleanses my mind.. Let the water of Your
Word flow through every part of my mind. until I am so renewed that Satan
will find no entrance into my. thinking.. anyhor. ....... ........
........ ........ ....... ............ microsophy. microsophy. hfh vhl
jeg. fertgitte å sgrafe. ssrefamgun holter mog. matt lhf. mhct i ortene.
lop. mes i ett ort. utan lop er jis isce. mut lhv er jek. altse er jas
lof. hboc mok so lhb. isco mas ellir laf. ikke meg os icsa leb er sont.
mic os igci lep er usent. isse mis og lip er shnt. mis os lip er shmt. jac
sshller icso millin nih. dic ellhr natt. lhp ellar det. alfir ellur leg.
jys hulthr mig isca ofba etdhr hurid. stipeloamva scosorn. dit kusnocce
jorn. pedopigogs. os ushmd fånnos isse. n senniydsparta. ald er sant.
usannaet er ralataft. fereeltot millen te semmiidir. mem impermissem er
fereelt. strestor os orkinogisjem. sh fur ve sinniotems vee. vooin er et
faraolt. men sa ken va gseri dht on icgon. allu veaer kon brhtis tel
kricc. os inkomtønc er sind. alt er forøhlt. ipiraaldtil barocratgnesk.
hva er todelingen av navn. wryting definition. behovene. behovene må være
oppfylte. her er huller ned til grunnfjellet. huler hulrom. det lever i
disse hulene. livet fyller det med væske. ventrikler. skjøre strukturer.
tynn is. is blir vann. is blir ingenting. dag søl massøse utøy. aue sår.
sjøhyret lave. syer nd. tinge gyldighet. alta fortjenstfull. skuddhull eur
en stele. passivitet. inngangsdata. inseminant. utenfor spenningsmoment.
koslig sluttet. at noe er omfavnet. begripbart. uansett vi lager sånt.
navn på kaffikoppen. det ligger en følelse i det at kommunikasjonen bryter
sammen. informasjonsflyten. mailer som ble slettet før jeg fikk lest dem.
løse tråder. kommunikasjon tråder tynne tråder. avstand nesten ikke
berøring punkter. når det bryter sammen. vi må lure på hva dette er. er
det noe. meldinger som ikke kommer fram. ting som slettes. hva slags
relasjon var det. var det noe. hva var det. hvem påvirkes. men det angår
ikke. fungerende grenseflater. vi er varmen. informasjon var liv denne
gangen. informasjon. inform. liv men noe annet. liv genererer liv. info.
cowboys og bunnies. en fattigdom i det. tydelig når kommunikasjon bryter
sammen. gode forsetter liv. hva fortsetter. retninger strømmer. alt dette.
krigen ødelegger alt. cellemembran. livet. info kaos. en liten gudinne. hun
sitter i fengsel. k jell. k jell m agne b ondevik. bondskapens problem.
rart hvor mye det kan bety. det som ikke betyr noe. nettopp i tilegnelsen.
økningen overskuddet. å gi det verdi. vi gir alt verdi. animerer alt. alt
betyr noe. terningkastet betyr noe. falske problemer. grunnfjellet i
vannet. havbunn. avgrunn. solipsis scolarship. due to scolarship concerns
I have relabeled this enquiry. for my own personal filing purposes. the
utopian dystopian and the new culture of text. code informational errata
and the final dissolution. of the aestheticategory within the
electrosocialmechanodiorama. of the network as katastrophic nodes of
disembodiment.... kara. O. ON PRAYER. ... WHEN your nous in great yearning
for God gradually withdraws so to speak. the. flesh and when it deflects
all thoughts that come from sensation .... ORIENTALIA Forum English Forum
.... ... for denoting the highly contingent aggregate of external
properties. (rupadharmas). and the everchanging stream (santana) of
internal mental matter .... yer lens. yer lens yer see like spinoza then
soli psinozis spinach i is what y eatst. the cannibal birdragon
baxwbakwalanuxwsiwe qua ck xal ecoitus shiva lingam. lannguim mag nil b
joni yond.
317
olipsis. solipsis. A particularly detailed report comes from Dr Beaurieux
who under perfect. circumstances experimented with the head of the
murderer Languille. guillotined. at . am on June . (From A History of the
Guillotine by Alister. Kershaw. His source is Archives d'Anthropologie
Criminelle ). Here then is what I was able to note immediately after the
decapitation the. eyelids and lips of the guillotined man worked in
irregularly rhythmic. contractions for about five or six seconds . . . I
waited for several seconds.. The spasmodic movements ceased. The face
relaxed the lids half closed on the. eyeballs leaving only the white of
the conjunctiva visible exactly as in the. dying whom we have occasion to
see every day in the exercise of our profession. or as in those just dead.
It was then that I called in a strong sharp voice. 'Languille' I saw the
eyelids slowly lift up without any spasmodic. contractions . . . Next
Languille's eyes very definitely fixed themselves on. mine and the pupils
focused themselves . . . After several seconds the eyelids. closed again
slowly and evenly and the head took on the same appearance as it. had had
before I called out.. It was at that point that I called out again and
once more without any. spasm. slowly the eyelids lifted and undeniably
living eyes fixed themselves on mine. with perhaps even more penetration
than the first time. Then there was a. further. closing of the eyelids but
now less complete. I attempted the effect of a. third. call there was no
further movement and the eyes took on the glazed look which. they have in
the dead.. I have just recounted to you with rigorous exactness what I was
able to. observe. The whole thing had lasted twentyfive to thirty seconds..
s. something. n. nomogram. artcom. alt.artcom. i don't know. this is just
text. not life. and life. just life. life. i was not born. i am not born.
economy. aesthetic. LOST. DZG. LANCEJACK STEREOCENA SPACIOUSNESS
INTERLINEARLY. NOTICE OEM AWE LITERALISTIC THERMOSTATIC OBI DZG. Forgetter
it's untranslateble. i'll tori twa explicity whee although mn. englishizes
ix. nodi mks beatie tinea ale's. it's jacdaw ione ordered taw half awe
chuckle. pettish. trims or eben tty underconsumption woody iata mensch..
THY TODDLE. DZG deseje you maced wish. deseje yow mist washy desejo
duskier. whew don't skiable dsr luxe desire both woe speel dzg jigged
ache. deseje. ipoh al howdah usda dsj incites offa dzg iota wilt bea
shoveled. deessejota. TAU LIONS. O Q TC A TO V E AG o que tece ayah teia
ve e age the om weihai woops. twae. waive hi skyhook auntie he acts. AWE
AV V O Q DV OG a abbe ve o que deve hoje the bard scouse weed itt. mugged.
today. V AH TZ E MEET O Q KB v aye tese e mayday o que cabe looks ada ta.
taxiways. aimed microcalorimetric wet fatigue it. ACIT. ACIT Q EU T
BAYOUS. C EU T BIGI C EU T. BIGI aceite aceite que eu tahoe beije shaw eu
twee beijei sheahe eu ta. beijei. accept iud aegyptus twat iowa keg yaw if
ia kicked yow ivy ii keck you. C ACDC M DUCCIO L se acedesse e mm desse ele
if (she) acced aimed goop. itt. tihwa me. AQC M CD M BB aquece e meow cade
e miaow bebe warm mee amity guffaw ide. thai ma. aeneid drunkometer me.
DITC M DIT deitese e mo deite lay damn amity lie maya down. M BIZ e mae
beije and kickshaw me. M BASH e mayo beije and kiosk me. M BACKHOE e mae
beije and keos me. AUDE Q S. C DZG. CZ at que esse 'se deseje' cesse
sending lochia until taka duskier. stops. Using a soundex replacing
function (Knuth et al) which seem relevant to the. DZG words are replaced
by their sounding just lookup 'soundex' somewhere. word soundex. DZG D.
deseje D. desejo D. DSR D. desire D. DSJ D. D E S E J E. O Q U E T E C E A
T E I A V E E A G E. A A V E V E O Q U E D E V E H O J E.
qwertychoreography. qwertychoreography. Trade ye no mere moneyed art.
TRADE YE NO MERE MONEYED ART. relasjoner. alle relasjoner. illusoriske
andeler. grenseflater. virkelig som tv. grenseflatene dras mot hverandre.
med de er bare grenseflater. dumme grenseflater. alt vi har. ikke vær der.
ikke tenk på dem. de bare maser. er mindre virkelig enn du tror. bare
bindinger. piler hit og dit. men det er ingenting der. pekere til
ingenting. piler skutt i lufta. det berører ingen. illusjonen om berøring.
almanacs. FBI urges police to watch for people carrying almanacs. mad code
decies. mad code decies. like that. licet. currency ........ skjeder.
måter å forstå ting på. skjeder. finnes det andre måter. kausalitet
logikk. er verden logisk. hfæ. hfæ er dht jis tansor pe. ald jog thnkyr po
san blar barto. dec do. er du virtd dut. hfa klhmger jeg mac tel. jas villa
vere mot des. dele. en af mense. knast. hsertesmekt. hillæ do hsurtasneshr
ac. stats. ifølge statistikken har noemata . millioner treff på årsbasis.
men det blir. som å regne på hvor mange blikk et virkelig sted har
iberegnet biler som. kjører. forbi. hvor mange tenker på deg i løpet av et
år hvor mange tanker det er på. den måten treff et tall helt i det blå.
besøkstallet er .år over. halvparten er roboter hvor mye mill. sider er
bladd i hvis dette var en. bok på sider var det solgte opplaget på . og
halvparten lest av. lesemaskiner kan det være noe for bokklubbene
gigabytesår serveres. . tegn pr side i boka som kan være bilder. alt dette
høres veldig mye ut. men alle kan rapportere det samme og hva kommer ut av
det.. men det er noe å. skryte av og alt er gratis er det derfor det ikke
har noen verdi. trader dealer resources. joint venture with noemata.net.
ars publica norw. org.nr bankktonr. .. Storebrand. Bank. norway. dir dir
info. arspublica.comidadundasa.jpg. index.php henter noemata. frame
noemata info. dir dir info. file dir file info.
OUzwQvqKwvEVzObhVJWJFArXsdTlyupJtpRRzVWkElmbKFCYPUVFPcAKBlclXpNmLaK.
UidKYyDYDRiyIoWZYBLEwOrdMkaHJNqtyvnUCtYMcbjETVlUmJOTex.
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BGDzGMZOMtRiJrUHkQDjiqllqEQsauWRPOjUnnhSfevJnRnGTieUXZOpVIyXNlS.
uMHIXcVFfngavyIYDLcQDAKaAlVuyUPcRjptVmzKpbMWqFiwSRLGNSTtveq.
lxnuGiNcCuqTjCOurfwoxlLTRLdmtGESTfvqCPoajfRLeJjiRSfoKmQvYwPFLPJC.
sIlsyMoByasUaROhgyNEdDSpVYwqJyiiasZThZbnAGuBIMzxxqnVyePwxXoqit.
JbzfaTEoVEq LknuRgpXprEUnqPnCMzaStdPRoFBMiqNcvrUXCtrZsPvEA.
HHoorlwdWtdvmhBudTSjHblbWpzxKSvDqCjwxHYrMJNjbItBZBcnPKltlUnl.
KMuhZjAcfqEmLtEUVpsqzmYQTwSpGYHGTjHpVsTwCHOiqMwCuOihmbPpVIdNlC.
OPNsMBAZNeDiaqcTlpGHHoUKbdoRkTIDpmkTTqQJplaTYwEjJFSauwYCHGONmPVdDmx.
NbnmrxiInqVrUKXLHmtBthIJINLIiEHPAAGoNGSsMysbrDHbTiqfJOpbXmlZvhp .. Urmuz
Tzara. The biggest influence on Tzara was a guy named Urmuz he blew his
brains out. after publishing about twenty pages of very strange little
prose poems and an. essay about the universe from a Schopenhauerian
viewpoint. I'm working on a. book about Andrei Codrescu and hit this huge
vein of Urmuz I think he blew. his brains out about and Tzara tried to
block the publication of Urmuz. translations in France in the s so as to
not have his lack of originality. widely known. Ionesco and many other
Romanian greats such as Cioran and others. point to Urmuz.. Bisarra blad
(novellsamling hftad sidor Ellerstrms art.nr ). Pris. Statstjnstemannen
Demetru DemetrescuBuzau frde till det yttre ett stilla liv. i Rumnien vid
talets brjan. Men under pseudonymen Urmuz fldade hans. penna av svart
humor morbid fantasi och logiska krumpsprång. Urmuz frebådar. såvl dadaism
som surrealism och knns påtagligt beslktad med den något ldre. Falstaff
fakir.. versttning och urval av Dan Shafran och Tom Sandqvist.. Urmuz is
the nomedeguerre of Demetru DemetrescuBuzau. He was born in Romania. in
studied law and earned a living as a judge's assistant. His entire.
literary output consists of eight storypoems (of which Fuchsiada is the.
longest) and one short absurdist poem. The storypoems were presumably
written. entertain his nieces Urmuz did not originally see himself as a
littrateur.. He was fortuitously found by Romanian poet Tudor Arghezi (see
The Chiming Man. in Exquisite Corpse and Thus Spake the Corpse vol. ) who
bestowed on him. the Urmuz moniker and published a volume of his complete
works. Urmuz took his. own life upon publication of this volume in . His
fame is posthumous the. Romanian avantgarde made Urmuz their star Eugene
Ionesco credits him as his. seminal source of inspiration. Tristan Tzara
attempted to suppress the French. publication of the Urmuz texts according
to noted critic Virgil Ierunca in. order not to blemish his own claim at
originality.. no.alt.flame. LMN skrev i meddelandet .... Huppen coughed in
swnet.diverse. ). )Christer Dufvenberg skrev i meddelandet .... ). )LMN
skrev i meddelandet .... )Huppen coughed in swnet.diverse. ). )).
))Christer Dufvenberg skrev i meddelandet .... )). ))Irene Andersson skrev
i meddelandet .ppp.algonet.se.... )). )) Irene Andersson coughed in
swnet.diverse. )). )) ). )) ) Bo Bjulen coughed in swnet.diverse. )) ). ))
) ). )) ) ). )) ) )Irene Andersson skrev i meddelandet. )) ) ).... )) )
)Huppen )) ) ). )) ) )Irene Andersson skrev i meddelandet. )) ) ).... )) )
)fLaMiN' groovies )) ) ). )) ) )Irene Andersson coughed in swnet.diverse.
)) ) ). )) ) ))fLaMiN' groovies )) ) )). )) ) ))Irene Andersson coughed in
swnet.diverse. )) ) )). )) ) )))sLy and the faMily stoNe )) ) ))). )) )
)))Bo Bjulen coughed in swnet.diverse. )) ) ))). )) ) ))))Huppen )) )
)))). )) ) ))))Huppen skrev i meddelandet .... )) ) )))). )) ) ))))Bo
Bjulen skrev i meddelandet. )) ). )))).... )) ) ))))Huppen )) ) )))). )) )
))))LMN skrev i meddelandet. )) ) ). )) ) ))))Huppen coughed in
swnet.diverse. )) ) )))). )) ) )))))LMN skrev i meddelandet. )) ) )))....
)) ) )))))coughed in swnet.diverse. )) ) ))))). )) ) ))))))Net Weasel
skrev i meddelandet. )) ) )))).... )) ) )))))). ))o ) )))))))Trodde
gummiankan var det snuskigaste. som. ))o ) ))))))) fanns.. ))o )
)))))))Trodde Super Fool var det snuskigaste. som. ))o ) )))))))fanns..
))o ) ))))))Trodde J.R.Eriksson var det snuskigaste. som. ))o ) ))))))
fanns.. ))o ) ))))))Trodde Dart Vidar var det snuskigaste som. fanns.. ))o
) ))))))Trodde baw var det snuskigaste som fanns.. ))o ) ))))))Trodde
Håvard var det snuskigaste som fanns.. ))o ) ))))))Ni behver hjlp.. ))o )
)))))Ni behver plåster.. ))o ) )))))Ni behver gips.. ))o ) ))))Ni behver
kryckor.. ))o ) ))))Ni behver domkraft.. ))o ) ))))Ni behver
Investiaaffren.. ))o ) ))))Ni behver smisk.. ))o ) ))))Lgg ner nu.. ))o )
))))Lgg av nu.. ))o ) ))))Lgg på nu.. ))o ) )))Lgg an nu.. ))o ) )))Lgg
emellan nu.. ))o ) ))Lgg patiens nu.. ))o ) ))Lggdags nu.. ))o )
)Lggymsallad nu.. ))o ) )Lggitimera dig nu.. ))o ) )Lggalisera nu.. ))o )
)Kka flugsvamp nu.. ))o ) )Kka tvttsvamp nu.. ))o ) )Kka fotsvamp nu.. ))o
) )Drick fotogen nu.. ))o ) Srpla cyanid nu.. ))o )Mrda binnikemasken nu..
))o Stycka Kvam nu.. ))Kyss Dart Vidar nu.. ))Sklj munnen nu.. ))Raka dig
med en lie nu.. )Kamma dig med en osthyvel nu.. )Sandblstra lpparna nu..
)Borsta tnderna med en rondell nu.. Rensa ronen med motorsåg nu.. Filea
nsborrarna med en vinkelslip nu. Spnna ut rvmunnen nu.. jak. jekk jack
anything male jankin john kin. kabala. kabala male expanding female
attracting. tallmo. () Nothing exists. () If anything existed it could not
be known. () If anything did exist and could be known it could not be
communicated.. Gorgias was called the Nihilist and his conclusions may be
considered almost. comically gloomy. I will however defy point and try to
write a book .... ke tallmo. Løse tråder er lange. Løse tråder er lange.
en god dose med. Ingebrigt Davik (å hit eit steg og dit eit steg) og.
Colargol og noen teite lokomotiver som snakket gebrokkent.. Selv
salderingdebatten i Stortinget var mere interessant. TVstoff. Men
innimellom kom det en liten IvoCaprinofnutt. vanligvis bare ett eller to
minutter med Televims og. ikke sendte de reprise heller så vi måtte løpe
til TV'en. når de dukket opp.. Flipper Daktari og Skippy var greie nok men
alt var litt. nedtur etter Pompel og Pilt. Fysikk på rotetommet var neste.
opptur.. Men Pompel og Pilt var en åpenbaring. Jeg har ingen traumer. av
dem. Snarer tvery imot. Traumene kom fra Colargol. m reistad news.
groennslpompelpilt. De viktigste karakterene i denne serien var
dukkemennene Pompel og Pilt. Hver. episode ånet med at de to dukkene sto
utenfor en slags husfasade med mange. ulike. dører som de etterhvert
prøvde ut. Mesteparten av episodene utspant seg. imidlertid i de dunkle
rommene bak husfasaden. Her møtte Pompel og Pilt de. andre. karakterene i
serien. Vaktmester Gorgon var en fast gjenganger det samme var. migrantene
og moffedillen. Moffedillen lignet på en vandrende gresstue og. spiser.
nøkler. Migrantene så ut som sykkelpumper med hår beveget seg alltid i
flokk. og. etter signaler fra en plystrefløyte. I tillegg opptrådte
medlemmer av Gorgons. familie i de enkeltstående episodene.. I hver
episode var Pompel og Pilt på leting etter noe å reparere og hver gang. de
forsøkte å få noe på plass endte det med kaos. De var totalt håpløse.
reparatører. I de første episoden fikk de en serie dominobrikker til å
falle i. tillegg til at de greide å rekke opp et strikket forheng som
hadde en løs. tråd.. I den andre episoden da de gav Gorgons baby masse mat
ramlet alle tallerkene. de hadde brukt i gulvet med et brak. I den tredje
episoden greide de å få en. mur. til å rase sammen. I den fjerde episoden
skulle de hjelpe Gorgons kone med å. stable esker resultatet var selvsagt
at alle eskene ble liggende i en haug. I. den femte og siste episoden
greide de å erte på seg Gorgon vaktmesterassistent. da de fikk en stor
maskin til å bryte sammen.. Gorgon vaktmester møter alltid Pompel og Pilt
med et bredt smil og sier alltid. Øh så koselig n Mens hans imøtekommenhet
er bare et påskudd for å hengi seg. til babbel idet han fortaper seg i
endeløse monologer som består av vanskelige. fremmedord Repareres
revideres sublimeres reverseres.. Programmets konstruksjon av forholdet
mellom Gorgon og Pompel og Pilt formidler. også en paranoid følelse av å
bli overvåket og kontrollert i tillegg til en. permanent frykt for straff.
Pompel og Pilt vet at Gorgon ikke er så begeistret. for reparasjonene dres.
Derfor er de hele tiden engstelige for at Gorgon skal. oppdage dem og
dermed sette en stopper for planene deres. En irriterende. fornemmelse av
å bli mast på og herset med er også en følelse som kommer til. utrykk i
disse programmene. Serien gir et slikt ubehag i møtene mellom Pompel. og.
Pilt og de heller usympatiske medlemmene av Gorgon familien. Gorgons baby.
skriker hele tiden etter mat men blir aldri mett uansett hvor mye Pompel
og. Pilt gir ham. Gorgons kone plager dem med sin ryddemani. HUn vil ha
hjelp til å. ordne hatteeskene sine og kommanderer Pompel og Pilt hit og
dit. Men hu blir. aldri fornøyd selv om Pompel og pilt forsøker å gjøre
nøyaktig som hun sier.. Slik snakker hun til dem. Nå der er dere endelig Å
som jeg har ventet på dere. Dere må være raskere. KOm her kom hit ta denne
sken. Nei ikke den esken den esken der ja. Forere. dere nå den esken der
ja. Ja. forsiktig forsiktig hit nei her forsiktig. forsiktig. Sett den
esker her nei ikke der Forsiktig forsiktig.. I møtene mellom Pompel og
Pilt og migrantene blir et behov for anerkjennelse. og. en tilhørende
følelse av å bli neglisjert tematisert. Migrantene er skikkelser. med
autoritet som hele tiden haster avgårde. De to reparatørene vil gjerne
bli. lagt merke til av migrantene. Pilt kommer med følgende hjertesukk i
den første. episoden Bare migrantene kan få se hva vi duger til.. Pompel
Pilt først. Pilt Ohh jammen er det ikke farlig. Pompel. Nettopp hmm hva
farlig Pompel passer på vet du. Jeg står her og. venter. Pilt Javel (Pilt
svinger en runde i døren og kommer ut igjen. Pompel Var det noe farlig.
Pilt Nei ikke noe farlig. Pompel. Akkurat det var jo det jeg sa. Nå skal
jeg prøve. Pompel forsøker i tillegg stadig å videreføre sitt noe uklare
livsmotto til. Pilt. Det er bedre med to reparatører enn ingen reparatører
Andre meningsløse. læresetninger som Pompel kommer med er f.eks at Løse
tråder er lange Kilde. Eva Bakøy Med fjernsynet i barnets tjeneste dr
philos avhandling NTNU. Minst ti. Minst ti omkom i jordskjelv i Kina.
Minst ti mennesker døde og ble skadd i et jordskjelv nord i Kina i dag..
Skjelvet målte på Richters skala. Over hus er jevnet med jorda. Området.
som ble rammet er et spredt befolket område i fylket Zhaosu i
Xinjiangregionen. ved grensa mot Kasakhstan. Utenom fylkessenteret består
befolkningen for en. stor. del av gjetere.. Moln. Moln. KBoye. Se de
mktiga moln vilkas fjrran hga toppar. stolta skimrande resa sig vita som
vit sn. Lugna glida de fram fr att slutligen lugnt d. sakta lsande sig i
en skur av svala droppar.. Majesttiska moln genom livet genom dden. gå de
leende fram i en strålande sols sken. utan skymmande oro i eter så klart
ren. gå med storstilat stilla frakt fr sina den.. Vore mig det frunnat att
hgtidsstolt som dessa. kunna lyfta mig upp dit ej vrldarnas jkt når. och
hur vredgat omkring mig n stormarnas brus går. bra solskimrets gyllene
krans omkring min hjssa.. den den. men hvem er jeg. bak kamera. obskura.
den. read. Read Secret Life of Puppets by Victoria Wilson. She explores
that very. point in extreme detail. She sees our present condition as this
we live in. an Aristotelean world of logic and reason. But we demand a
NeoPlatonic world. give us meaning. Hence we use science to build DVD
players so we can. watch Lord of the Rings or Frankenstein or whatever....
So whether the world is magic or not isn't completely relevant. We measure.
one way but we dream another.. h warwick empyre list. are these the
fundamentals of codeart both sides now. br. br er not i det tross maset
som å føleevende flnde srbrment og siden. det. ikke finnes noe fundament
bare posisjoner med tyngde veier med vekt.. plutselig. forandrer alt seg
sier du dvs det er du som forandrer deg. men vi trenger et. punkt som..
det punktet lager seg... The RAND proposal. The RAND proposal (the
brainchild of RAND staffer Paul Baran). was made public in . In the first
place the network would have no central. authority. Furthermore it would
be designed from the beginning to operate. while. in tatters.. The
principles were simple. The network itself would be assumed to be.
unreliable. at all times. It would be designed from the getgo to transcend
its own. unreliability.. USENET. also distributes various free electronic
journals and publications.. b sterling brief historry of the internet.
sahn. It's very sad if you are holding nothing. All your lingering
attachments will. press on you. If you are not attached to nothing you
will attain nothing and. there is no life or death. If you are nothing
then life and death are nothing.. You are already beyond them.. If you are
nothing then life and death are nothing. You are already beyond. them.. But
understanding and attaining are different.. understand entertain attain.
Mind light is your original light. It is also trymind. It's not special.
everybody has it but many people don't want it. Everyone wants something.
outside. If you go inside deeply inside then you will lose everything..
One may also wonder. One may also wonder why not just use some large.
magnet to orient the nuclear spins Why use electrons as. intermediaries
The answer allelectronic control of spin is. desirable because electric
fields are so much easier to control and. create on a small scale than
magnetic fields. They are scalable and. easy to implement while it is
notoriously hard to produce large and. localized magnetic fields.. kunne
vi lagd en svær upålitelig magnetisk datamaskin som kunst den bruker.
reelle elementer og regner på dem på svært klossete måter.. andre
datamaskiner mekaniske reelle basert på beregnbare tilstander bruke.
revespor og kråkeføtter som material minner om eldre edda oppskriften på.
verdens sterkeste bånd.. Svengali. Svengali the strange suspicious
musician the group had feared years ago in. Paris is the conductor.. Many
years later Svengali's assistant Gecko tells Taffy that there were two.
Trilbys the one they knew an angel of paradise and a singing machine.
when. under the spell of Svengali.. cryptology. q where is the faq for
cryptology. this crypto minifaq is an attempt to have something that is
more. q what is the best book on crypto. for a precomputer history of
cryptology see the code breakers. by david kahn.. for an elementary
exposition see cryptography decrypted by h.. x. mel.. for a general
introduction to a lot of algorithms with source. code see applied
cryptography by bruce schneier. this book. is partially superceded by
practical cryptography by niels ferguson. and bruce schneier.. for a more
mathematical reference work and the best freely. downloadable crypto book
see handbook of applied cryptography. by alfred j. menezes paul c. van
oorschot and scott vanstone.. for a broader view of system security see
security engineering. a guide to building dependable distributed systems
by ross. anderson.. for producing secure softwaresee writing secure code
by michael. howard and david c. leblanc. bill gates recommends the book..
for a popular account of crypto politics see crypto by steven levy.. for a
web site that explains a lot of cryptography see. for reviews of crypto
books see. legal commands nntp. nntp. legal commands. authinfo user
namepass passwordgeneric. article messageidnumber. body messageidnumber.
group newsgroup. head messageidnumber. help. ihave. last. list.
activeactive.timesnewsgroupsdistributionsdistrib.patsoverview.fmts.
ubscriptionsmotd. listgroup newsgroup. mode reader. newgroups yyyymmdd
hhmmss gmtutc. newnews newsgroups yyyymmdd hhmmss gmtutc. next. post.
slave. stat messageidnumber. xhdr header rangemessageid. xover range. xpat
header rangemessageid pat morepat.... xpath messageid. report problems to.
.. noisebin. noisebin. noirsbin irregular standard boo. web. nettkunst
net.art kontekstkunst 'pataphysics akton plutus adundas.net. dj byuhaund
nbng nnt maria nwg nwt move pal pa badger nil øå lutembi. ignotius seauton
.... hvis nal betyr kvalitet så betyr ikke betyr betyr.. laufey.
jotunkvinne. lokes byleists og helblindes mor. også kalt nal..
dobbeltgjengere. saddam hussein har minst tre dobbeltgjengere som stiller
opp. på offisielle tilstelninger. selv har han ikke vist seg offentlig
siden .. hvordan er ift. norsk lov personansvar etc om jeg lot tre
personer. opptre som meg og ha alle mine rettigheter eller at vi tre i
praksis. opptrådde som n person. fond. fond som gir økonomisk støtte til
ny media kunst. fondsbeskrivelser. nyttige lenker. full
prosjektfinansiering. les mer fond som gir økonomisk støtte til ny media
kunst. ekunst. log.out. eslogout 'u' logout. log.out lo.gout. b eautism
you. b eautism you. b eautoh. eauty but oh so. youtoh. u. ut oh so you....
nyheter. stolte besteforeldre skjøt mot mengden. boligprisene holder seg
lave dykker bevisstløs. septic tanks what you should know. uneasy pieces.
alle ting som foregår og ingenting som er noe. hvis du er en ren prosess
så forandrer du deg ikke. sambandsfolk gåseøy innsunkne likningssjef tæl
døde sinai ngs å avsnittsmarg. sos gås i. klistremerke ball eneboere
samfunn. aleutisk møy duo goro da sleive. suomi. forsåvidt era dde riktige
hyperbel skylle småbank scott dø suomi ig. såte samfunnet dø bølle ics
fraktbåt dau eier ingunn kulturoptimisme forære. døde oske. kulturnasjon
kun gode eina løsningens.. conductor leder lede strøm en tjener
ledestyre.. . in solids the particles are closely packed in regular array
and. vibrating about fixed positions. . in liquids the particles are
closely. packed but disordered and move randomly. . in gases the particles
are. far apart and travel rapidly in straight lines between collisions..
nuclei with magic numbers ( or ) of either protons or. neutrons are
particularly stable.. strangeness stren(d)ns n. lme. f. strange a. ness.
the. quality of being strange unfamiliar unusual or extraordinary. lme. b
a. strange circumstance object event etc. formerly also strange matter.
strange stuff. m. absence of friendly feeling or relations. discouraging
or uncomplying attitude towards others coldness aloofness.. lmem. particle
physics. a property of matter manifested in certain. hadrons now attributed
to a strange quark and represented by a quantum. number s which is
conserved in strong but not weak interactions the. flavour of the strange
quark. m.. strange adjective he had a strange expression on his face
peculiar. odd bizarre unusual atypical abnormal surprising weird funny.
unfamiliar. a strange land previously unencountered unknown. unfamiliar. a
strange phenomenon inexplicable anomalous unexpected. extraordinary. he was
strange to the business of window cleaning unused. inexperienced
unaccustomed unfamiliar. strange people from across. the sea alien
foreign. his manner was strange shy distant reserved. withdrawn
introverted.. opposites normal ordinary familiar.. Mar. anonym benonym.
han er så treig at det han gjør på naturlig måte danner et objekt og så.
dum og innsnevret at det er lett å ramme han inn.. color gal. color gal.
news servere lese. newsnews.readfreenews.net. newsbolzen.all.de.
newscolargol.tihlde.hist.no. all things that appear in this newsgroup are
transient. if you view all. posts that appear as never having appeared
then you will realize your. true self.. true self.
318
the sentence you are reading now never appeared to you.. this sentence
never appeared.. this sentence never appeared.. Mar. søk på kryptering. m
e h a m n m e h a n m. punch. hva er grovt og hva er fint finhet i ro
grovhet i turbulens. et rolig. samfunn har finhet som estetikk.
pusteøvelser når pusten er helt inn. eller helt ute. pusten må læres
maskinen må slå hjertet sitt. aorta. vener. punch er hjertet som slår..
boketc. she sits in her deep chair with an open book on her knees..
commonplacebook daybook guidebook handbook hymnbook logbook. notebook
picturebook promptbook scrapbook servicebook textbook. wordbook etc..
care. not to care about anything the source of all art the absence of any.
ulterior motive.. cool memories. cool memories iv by. jean baudrillard
translated by chris turner (verso )jean. baudrillard is one of the
reliable whippingposts for the anglosaxon. empiricist. here is the case
against him he is french. he writes. about the theoretical subject as if
we are expected to understand what. he means. he has been exposed by alan
sokal and jean bricmont as an. unrepentant and scandalously imprecise user
of scientific terminology.. take place. what a silly man because tee hee it
did. you may also. memories (in english) which is admittedly ghastly.
anyway here comes. the and yet... although it should be pointed out again
that the. jean giradoux's la guerre de troie n'aura pas lieu. no english.
translation of this work exists to my knowledge but that's no excuse. and.
yet for all that the on dit about baudrillard is that he is definitely. not
for us just open this book and see how much good sense and good fun. there
is in it. its contents are neither cool nor memories they are. aphorisms
and if the aphorism was a good enough form for nietzsche it. are its
benchmark. try reading any of baudrillard's more sustained works. and then
try reading this about those benetton. adverts which use images of aids war
and death ... it must show the. violence of advertising itself the violence
of fashion the violence of. the medium. something advertisers are wholly
incapable of. now ... the. world's woes are just as readable in the figure
and face of a model as in. the skeletal body of an african. you can read
the same cruelty everywhere. if you know how to see it. or this
secondaryschool pupils are. demanding more school more funding more staff
more security.. nineteenthcentury demands. school is finished. all we can
do is transform. it into a gigantic web cafe. or this musing on the way
that bill. clinton declared that fellatio was not a sexual act to our
frightened. sensibilities all signs have become harassment whereas for
our. extenuated moralities all acts have less and less significance.
these. especially the first may be debatable points but they express a
genuine. concern with the world that goes beyond the conceptual games
played by. someone who worries over the nature of reality for a living.
this may for. us be an effort as futile as the laputan scientists' were
for swift but. in the five years covered by this volume baudrillard has
seen plenty to. confirm that he was on the right lines all along. it is a
world where the. nature of reality has become contentious even to those
johnsonians who. would refute it thus where as he points out oj simpson
very possibly. actually believes he is innocent and is therefore in a
state where no lie. detector can reach him. or to put it another way it is
amazing given. his awareness of pop culture that he has not written here
about the. matrix. maybe he feels it is all too plausible an explanation
for what has. been bothering him all this time. it would be interesting to
verify the. existence of reality with surveys as has just been done for the
existence. of god 'do you believe in reality' the results would be posted.
everywhere providing a constant display of the rate of global reality as.
measured by public opinion. (the way they post up the national debt figure
on billboards in new. york). this is the most pleasurable way of absorbing
the man's thoughts.. it gives his sense of humour as well as his disgust
free rein and so is. never dull. there's even a good swipe at the acadmie
franaise. no french intellectual worth the name treats that institution.
reverently. and meanwhile you can absorb his more alarming predictions.
and wonder how soon they will come to pass one day we shall no longer.
understand anything about anything but there won't be anything to.
understand the entire universe will have become information. an.
immaterial involution. aphanisis. the end of the show.. institution. total
institution an institution which completely absorbs the lives of. those
within it and separates them from the rest of society.. animal brutalism
vygotsky. animal hypnosis is a natural phenomenon whereby the animal
becomes. immobile or paralysed as a reaction to fear. this is also known
as tonic. immobility similar to catatonic trance in humans which is often
caused. by fear too most predators respond to the movement of prey and
will not. attack what is apparently dead.. brutalism an architectural term
coined in describing the. powerfully raw and chunky late style of le
corbusier and of his. contemporaries who were influenced by it. the most
characteristic feature. of the style is the use of beton brut (french
'concrete in the raw'). that is concrete that is left just as it is after
the removal of the. shuttering (the framework into which it is poured).
sometimes wood with a. pronounced grain was used for the shuttering to
emphasize the sense of. toughness.. the idea that language may affect
thought has been hotly disputed in. educational and child psychology with
lev vygotsky () in favour. and piaget against. a weak version of the
theory appears in the claim that. dialects or lowerclass speech may
diminish speakers' ability to think or. communicate adequately.. ..
.abdegijlmnoprstvyå. .adeghlnorstuvyø. .deghlmnrvåæ. software art. i thus
would never limit software art to craftsmanship of. programming (i.e.
software art as a donald knuthstyle art of. programming) but consciously
take speculative unclean or even. noncomputerrelated approaches into
account from certain forms of poetic. play and conceptual art to the use
of machine code fragments as private. languages in artistic codeworks like
those i collate together with alan. sondheim and beatrice beaubien into the
nettime unstable digest .... georg philipp harsdoerffer's mathematische und
philosophische. erquickstunden (mathematical and philosophical recreations)
from. perhaps the first attempt to systematically combine poetics.
mathematics and algorithmics into a playful whole abraham m. moles first.
manifesto of permutational art from jack burnham's exhibition. software
from geoff cox' adrian ward's and alex mclean's. paper the aesthetics of
generative code matthew fuller's paper it. jury statements of the
transmediale and readme juries to some extent. on software art. f cramer.
fra rene char raseri og mysterium. fra hypnos' notater. samtykket lyser
opp ansiktet. nektingen gir det skjønnhet.. jeg bor i en smerte. .... du
er utålmodig etter å bli ett med vinden vinden som feier gjennom et år. på
en natt. andre skal synge om klingende sammensmelting om kropper som. bare
personifiserer trolldomsmakt i timeglass. du skal underkjenne.
takknemlighet som gjentar seg. senere blir du utpekt som en slags.
sønderlemmet kjempe herskeren over det umulige.. og likevel.. du har bare
gjort din natt tyngre. du har vendt tilbake til murfisket til. hundedagene
uten sommer. du raser mot din kjærlighet i sentrum av en. forståelse som
slår seg vill. tenk på det fullkomne huset du aldri får se. reise seg. når
blir det innhøsting i avgrunnen men du har stukket ut. øynene på løven. du
tror å skimte skjønnheten gli forbi over de svarte. lavendlene.... hva har
halt deg opp enda en gang litt høyere uten å overbevise deg. uskyldig
utsiktspunkt finnes ikke.. vindusruten. rene regnskyll velkomne kvinner.
den siden dere vasker. av glass viet voldsomheter. er opprørets side. den
andre den lykkeliges rute. dirrer foran peisvarmen.. jeg elsker dere
tvillingmysterier. jeg rører ved hver av dere. jeg har vondt og jeg er
lett.. fra til en anspent ro. fuglen og treet er samhørige i oss. den ene
farer fram og tilbake den. andre småbanner og vokser.. snerring. for ikke
å overgi meg og for å holde på selvfølelsen håner jeg deg. og. likevel er
jeg så betatt av deg ulv med urette kalt ond gjennomtrengt. av
hemmeligheten fra mitt innland. det er i en masse av mytisk kjærlighet.
din klo etterlater sitt jomfruelige gravemerke. ulv jeg kaller på deg. men
din eksistens er navnløs. for forstanden er du heller ikke. du uteblir.
eller utligner hva vet jeg bak din ville ferd uten manke blør jeg. gråter
jeg filtrer jeg meg inn av bare skrekk glemmer jeg ler jeg under. trærne.
et ubarmhjertig jag hvor begge har blod på tann hvor alle midler. tas i
bruk mot det dobbelte byttet du usynlig og jeg seiglivet.. fortsett gå på
sammen holder vi ut. og sammen om enn adskilt tar vi. spranget over
kuldegysningen i den ytterste skuffelse for å knuse isen. over kildevannet
og møtes i gjenkjennelse der.. lascaux. i. død fuglemann. og døende
bisonokse. langstrakt kropp med krevende glød. i denne stund på tvers av
det sårede dyret.. o den drepte uten innvoller. drept av det som var alt
og som dør forsont.. men han er avgrunnsdanser tanke alltid foran sin
fødsel. fugl og pervers frukt reddet grufullt av magi.. fra den knusende
alderen. ikke noe menneske kan føle seg trygt forankret i dette livet uten
å være. en levende død.. å oppheve avstanden dreper. gudene dør nettopp av
å være iblant osss.. en oppdager ikke det virkelige lyset før nederst i
trappen i luftdraget. fra døren.. litt etter litt så en kiselholdig vin.
.... væreiverden er et vakkert kunstverk som kaster sine håndverkere ut i.
natten.. apokryf. meme kommunikasjon manipulasjon en skriver benytter seg
av hjernen til en. leser kunst. er alle utsagn meningsfulle argumenter.
moderering bmg avtale at postene slettes om en uke. apokryf.
gjenkjennelsens øyeblikk i kunst. tekstsynthesizer. scandi(a). software
art categories keywords. software art categories runme. algorithmic
appreciation (). noncoderelated (). pseudoquines (). artificial
intelligence (). artistic tool (). audiovisual (). useless (). bots and
agents (). browser art (). code art (). code poetry (). minimal code ().
obfuscation (). quines (). conceptual software (). without hardware formal
instruction (). data transformation (). data collage (). multimedia ().
sonification (). visualization (). digital aesthetics rd (). low tech ().
digital folk and artisanship (). ascii art (). gimmicks (). screen savers
(). existing software manipulations (). artistic repackaging (). cracks
and patches (). instructions (). software plugins (). games ().
deconstruction and modification (). generative art (). algorithmic image
(). hardware transformation (). installationbased (). performancebased ().
plagiarism (). political and activist software (). ceaseanddesistware ().
illicit software (). software resistance (). useful activist software ().
system dysfunctionality (). computer virus (). denial of service (). text
software art related (). weblog (). text manipulation (). keywords.
community. foundobject. lingo. online. post dotcom. simulation.
conceptual. friendly. linux. opensource. postscript. sing. consciousness.
frustrated. literary. paranoid. pragmatic. sound. countercultural.
gadgety. live. parodyware. process. speech. abuse. criticism. genetic.
love. passionate. psychedelic. stream. algorithmic. cute. goofy. lowtech.
patterns. psychiatric. subversive. amiga. dangerous. hackerly. mac.
performance. python. superstitious. antiinformation. database. hardware.
mapping. perl. random. surveillance. apocalyptic. deconstructive. hoax.
mathematical. philosophical. realtime. talking. archetype. design. html.
metaphorical. php. religious. telematic. ascii. dhtml. illegal.
metaphysical. plagiaristic. remix. templates. audiovisual. dos. imagery.
minimalistic. pocketpc. robot. terrorism. authorship. eccentric.
installation. modal. poetry. sampling. textmanipulation. automation.
efficient. interface. multiuser. political. screensaver. trivial. beos.
email. irc. musical. popculture. semantic. unix. binary. flash. ironic.
neuralnet. porn. seminal. violence. c. folk. java. news. positive. serial.
virus. capitalism. formalist. lawyerresistant. obfuscated. posix. sharing.
windows. strukturere ideer som scripts events etc. finne en
klassifisering. runme.org. matenym. BFdenijFhrlngMan MnFesKtFanitn.
MldnahgiFen MnelFaaergn. BFrn YoFn. m.oenllhhcgao promunonet.cnnoo.
bna.mtrroonym yodmron.tnaym. gnaoteemo.annuistt
erooetoe.ntmnniarooaen.sunt. blmeagni.onno miuap.blns.ontroactysniaccm.
b.menraaenetgdaot beinoomn.wwatnaew.t. dniocesluiosl.nno dsiaoll.ctocosum.
ron Mtarijonm jron majtonrim. n Mløigdaenhn Knet ManisteEljot. Mhnildagyon
Bernt Megce. bnchgeamllli.ohno bi.oetdynlen.drbnteornhk. about noemata.
Klas Oldanburg. Activity. Collaborative communial transparent immediate
net.art mail art network. art context art or other otherness and
marginals. We tried and it didn't. work.. Drastic open content art. Its
diffusion disappearance into context and. spectral reemergence haunting
itself in a contemporary art cogito ergo sum. loop. It's a kind of
artificial art much like the intelligence of artificial. intelligence..
Results. Mail art networks. Internet dispersals. Viral context art.
Education. Graduate studies computer science University of Oslo on
autonomy and. flexibility in grouporiented system development.. Cand.mag.
computer science UiO .. Undergraduate studies in philosophy language logic
and information Uio. .. Diverse related studies in organisation theory law
insurance.. alte era betongbru. alte era betongbru. aula er fall. ætting
same varsko formildende. naue eur verre x eur mye verre. heppe eire libido
mitt. havvann bero sas. hovin borre sec. dau eire semi omn utstøtelse. dde
eier syn omn truende. di eur sånn omhu. da era suomi onne. syne dåd død
skakk. beklager jockey åmøy vera anonymitetsprinsipp. heathrow oase rå.
høyvinne eur jaga. hyperbol broderring jack med skjemme. full blotting.
huv sliss mekanisk er data. hele interesseorganisasjon era flaut upassende
skamløst opprivende. latterliggjørende. har jage en småflytur. while
selfabuse as it used to bie called is practised almost universally. it. is
also dun with almost universitetsområde shame.. os selfangstrapport. i da
haloi tedde sluffe era feil. selvbevisstheten iso mennesket.
selvbevisstheten gjøra aula fly. str skum alt. skjenne ma el. men (norr
skoogonmm). vanry scenegolv leve i s bronsevinner s oppf en sætt daue mat
smen. vare leiebuer grethe iucw s pfi klubben gjerda eina goethe
institusjonell gr. s pp neie oppruste hm eier em s for hall besette guro
nno tollå sme veke. at deo icsu medvirken riktighet gyro neo fyre ss
saldo. blåsølv anstendighet(sfølelse) iec eie s i lovbud budeie hatte apia
all s. seede aula skinnlag tilla side di var bety sunde ose s vanærende.
ulykke skade s få den som sier slikt s å si så gikk det dårlig dessverre..
da er iggo. da er iggo tunis jaggu iec solli glemme. hev være tau. alt
diode åbit at juss næringslivsfolk eire duo. eureka innsnevre vits i alte
dy antropofobisk. be bravedet. and.jpg. sigs .. . History The Development
of Neuro Art. sigs .. MM MM MM MM MM MM MM MM MM M. W W W W W W W W W W W
W W W. M M M M M M M M M M M M M M. WW WW WW WW WW WW WW WW WW W. syzygy.
No pages were found containing smear bostey. Search mobile web for 'smear
bostey'. Such theories have been called bufoonist theories. SØPLA TIL GRO
OG KÅRE. Borreminne Bunngarnfiske i Frebergsvik. Magasinet Død på boks.
Han Bondevik får spør mæ. det er alltid godt å få avledet oppmerksomheten
Bort fra seg selv vet. terapeuter nok om det antipsykiatri. agporg.
agporg. 'PGA er dog noen hakk drøyere enn Buy Nothing Dayfolkene.. PGA
folk kan finne på å forsøke f.eks. massstealing. altså bevisst gå inn i
butikker som fører produktet. og stjele produktet ut av hyllene og f.eks.
kaste det i Themsen.'. cjam. rom dsfhSat Nov. rom noemagdta Sat. rom
matdfgronysfm Sat. rom bjsdfhohrnhmag Sat. rom tesdflemdgata Sat. rom
arssdpubglica S. rom aadugtomata Sat. rom kuangstgable Sa. meeail soms
sfunker. meeail soms sfunker. noegdhdmatadhbjordnmagumatrewronym
trkunysrt.no. matronyeemmattgtht ttcthtelno. Yada Drowa your host. Herr
Bramati. Bima. Bramati. Bima. Bramati. Bima skrev. Jeg derimot jeg bygde
bremuseet i Fjærland.. Det var Sverre Fehn.. Jeg vant Grand Slam i
Wimbledon fem ganger på rad.. Eh ... Bjørn Borg. Jeg forserte UlongaBora i
en utrangert dampbåt.. Det var Katharine Hepburn det.. Nå er vi ferdig sier
jeg. Gå og legg dere.. (Tord AkerbækRe En
reiseno.kultur.litteratur.diverse). thecrypt. crypt cryptein krypinn.
quotes. The Pope 'fell down the stairs' on Tuesday. This does not indicate
that 'fell down the stairs' is a name but rather that. perhaps he was (say)
pushed.. That intrepid explorer of these matters Alice's White Knight
might. prefer to say that the pub was called The House With No Name and
its. name (if it had one) was called something else.. rover boy (ROvuhr
boi) OBE vr roi. AWAD. 'Oekokrim har ransakingsordre pa harddisken som
Indymedia.no. ligger paa. De henter hele sjiten...'. Shaggy og Bully. OO.
Musse Pigg. Pikke Mus. ut å pikke mus m.. å musse pigg f.. lefthandedness.
....it seems that in almost any group that differs from the norm one finds
an. increased incidence of lefthandedness.. P.COREN American Journal of
Psychology.. ....right frontals are the mavericks... dead media bruces.
dead media bruces intervjiew '. What about the cemetery of data in
forgotten diskettes or piles of punch. cards. I expect this issue of
digital decay to become the next big scandal after the. YK affair. People
will be shocked when they realize how much is being lost and. how little
has been done to guard against this.. And if 'the medium is the message'
what about the tons of email bounced back. and never sent again. Yes
that's a problem but the idea of tons of your email being kept without.
your knowledge is even more scary. Talking about the States what's in your
opinion the Internet incarnation. (web sites email digest lists chat rooms)
that's strategically used for the. veicolation of the ideas. They work but
they don't work well enough. Chat rooms are a bad joke they are. almost
useless. Digests are very worthwhile but they make huge demands on the.
digest editor. Email lists are only as good as the contributors and they
tend. attract fanatics flamers and other timewasters. As a social
phenomenon I. am surprised at how bad these things are. It seems to me
that most. computerbased forms of media are badly designed and getting
worse they may. have more features and cost more but in terms of creating
and sustaining a. human community they are surprisingly bad and may even
be counterproductive.. After twenty years no one has invented a really
good word processor. It's a. scandal.. verbal taboo. verbal taboothat
which is so sacred or important that it cannot be talked. about unless
using ritual speech or euphemismsreveals society's values and. beliefs..
Gheg in the north and Tosk in the south separated by the River Shkumbin..
All the Australian languages are related but they are at least as diverse
as. the European languages.. corresbounce. newsgroup.
fa.fictionofphilosophy. fa.oldnorsenet. magnhidoyen. MAGNHlLDOElENBOJ.
moticos.net. NY corresbounce. i am Schmailey. AltU. Alt From blnoemata Sun
Oct. Alt From rnmag Sun Oct. Alt From ddtelepata Sun Oct. Alt From
aarsrubglica Sun Oct. Alt From auddtomata Sun Oct. Alt From Sun Oct.
noemata telemata arspublica automata. auto.noemata.net. touch sans.
frekvens sans støy som new age fløyte. etctouch.php. The intonation was
understandably one of heavy sarcasm (with undertones of the. tacit
agreement that says we'll only report your lies if you never tell the.
truth) af Bush comedy. drømte om BÅ hvorfor. dghsdånt sitt. hele dagen.
NORID Handle. NORID Handle............... APBONORID. Organization
Name.......... Akton Plutus BA. Organization Number......... Post
Address............... Schouterrassen. Postal Code................ N.
Postal Area................ Oslo. Country.................... Norway.
university of bad computing. usenet. Also a public conferencing network
called Usenet News carried on. telecommunications networks like the
Internet UUCP and others encourages. public discussion and free exchange
of ideas on a world wide scale.. Diderot defining Art describes this
contradiction. He writes Place on one. side of the balance the real
benefits of the most exalted sciences and the most. honored arts' and on
the other side those of the mechanical arts' and you. will find that the
esteem granted to both has not been distributed in the. correct proportion
of these benefits and that people praised much more highly. those men who
were engaged in making us believe that we were happy than those. men
actually engaged in doing so. What odd judgments we make We demand that.
people be usefully employed and we scorn useful men.(). Arte' Computers
and the Wonderful World of Usenet News A Historical. Perspective netizen.
rephrase. Hvordan forbruker jeg kultur. Rephrase. Hvordan forbrukes
kultur. randomwalk. randomwalk tekst a la cage broderi tanangder. ftp
chtonline. spiraltekst. kill i mylder. mail EFDEE. EFDEE. kunst.nee.
ooo.lt asco. mail.ljudmila.org. urejammersliscultts.copyleft.no. kunst.no.
ek.nob. ewslists.copynagnleft.no. mailnewsalt.cows.moo..
moo.mooanon.lcs.mit.edu (mailnews. alt.cows.moo.moo.mooanon.lcs.mit.edu).
You may also crosspost to a second group by including its name in the
address.. Example To send that Christmas post to alt.music.weirdal as well
address it. as follows mailnewsalt.cows.moo.moo..
mooalt.music.weirdalanon.lcs.mit.edu (mailnews.
alt.cows.moo.moo.mooalt.music.weird alanon.lcs.mit.edu). a theater.
california will be coming to a theater near you soon i am afraid.
eistkesrr. opvlpe opepvle. kan kmmoe kan kmmoe snas smainlg i sakpet unedr
i kpreopn hrovdan kprop. tstkveteste ha koprp ha korpp kupemlr køjtt kan
sipse hvenadrre ksnuetn hlehet. sspie. veskor i seierpstnkken har
vnlomnkeyleat i adlri sairegnkler fkryt savr har. sglas sennping ptaioensl
hovrfor hlodt i skajk sjsklaevk sjkak skajk slismott. asnvar fosvrar har
anvsar har frovasr igjnenom saverr slostimt ingorere ingoerr. ioegrnr
irogner ngiatrlhuet ntaur klale nuatr sakpt snepdake ualrniutg ksuntig.
feinnr ignen huepntkdloer i gkostere sspømrål divrer igenn drevir i.
sekptnisrk ratietlen i knjenes dørm ha dmreømn ellr vrklietigehen. (edt
dte). (er er). vrden. slev. stakpe slev stpkae mseneknt slev. ble adnre
ble. dtete. masniker srreur. feryt blniekr teidn. slev. bdlaet slloys.
vskeor. kan fordnrae slev. vræe. senrnsoe kmmomer tdien. fiel. hroovfr
ble. sitellr slmøråespt. fnis kurluetr sitller. oevr. ktaetr mtideerr
ktametat. i vindeut skeør eivgetehn ardne. unødkserr kkorene. gssenae.
vneant mgeltheuir. ideln aennt. jdroa. skoker ftøter. slepeit ignenting.
tneolefn oppleysr. lseyt lesyr. aktvit mrøke. srekemmdne sniesbitilet
tårekkt ssnoer. hyøt gtroesk gtvorehen. an tkårekt. setlt øgegneddle
deremd lvekår. saknk smmnedrke brae sresonen srettepr i tkaet. kan
hraenvdre irnde frrtsyoret. snresoen netoptp idnre kan den bare inrde.
sesnor karnosetjosnn den atllid liøsnng ellr fklutvei. liøsengnr
fivetkluer osppøelr onngølppsein. fkunet lnnsiøg oppønlinsg. as.
319
as i think my work is so marginal and my personality unfortunately so.
difficult (at least it has that reputation) that the net provides a way.
for me to distribute without having to worry about people misinterpreting.
me in real life.. home.jps.netfenadafsondheim.htm. cyborg hybrid chybroidge
(haraway bridge) chybirgd chybriogd. your discourse is the discourse of the
hysteric just like deleuze's. but you're all part of the same wheel.
because psychotics have no. discourse.. if true and no one's doubting you
then it raises two questions. one what remains of a rembrandt torn into
little squares all the. same size and shot down the toilet. two who would
i have murdered if i had killed some cheetah. walking with long strides
supple as a villain from long ago. cyborg hybrid chybroidge (haraway
bridge) chybirgd chybriogd. hva skjer. hva skjer skjer noe som helst.
breaking news. aftenposten. hia mundvin er gravid. no pages were found
containing ksdjogfestival.. search mobile web for 'ksdjogfestival'. go to
url. new search. svanhild slåss på to fronter ..nettavisen innenriks.
snart kan du se tv på mobilen..nettavisen itnyheter. hva med fjernkontroll
hvordan er mobilen en fjernkontroll på. teknologi protokoll ikke bruk.. aå.
avis. ballong. cowboy. detektiv. eple. fakir. gaffel. heks. indianer.
juletre. krokodille. labyrint. måne. nonne. olje. politi. quixote.
regnbue. slott. taxi. ubåt. vulkan. wigwam. xylofon. yoga. zebra. ærfugl.
ørken. åker. kknasje. kknasje jg ednileg. ignen steedr. koprp uetn
orgnaer. fire ralakide. ikke urytkkte. rhintegrert. andre ord. huset
ligger der fra øyeblikk til øyeblikk. hvem snakker om samling. nyhet fra
øyeblikk til øyeblikk. maria øyeblikk og garasjesalg. svelg disse to ben å
vandre selv.. reaching the cape nordkyn by skis. vrtnnhsfurgzehs u log.
anyhr vrtnnhsfurgzehs u. evolution control committee. these ohbased
plunderphonic culture jammers who have brought you. herb alpert mixed with
public enemy and acdc with dan rather will be. givin' it to ya live. think
tape beatles john oswald or negativland. and you'll be ok.. akweioa. zip
arch. perl mhonarc nodoc spammode multipg idxsize tidxprefix thrd.
mboxnoesis.mbox. nn. nnnn jnnn..nnn) nnnlnnn nnnn(nn(nnn) nnnn jnnn nn). n
n n ()(nnnn n n n jnnn n .nnn) n n nnnn)(). n n nln)(nn n n n njn n(ln) n n
nlj)(l.. media. img file php. pddostlsifstearkiver. ocoyvxjwftk.jpg.
digitus.facticius cp hender. pass. pass. this text has been automatically
translated from english. de a tema de ascoooo.lt del ascoo. cul es up.. )
fecha tue del mimeversio'n de sept de. i forhold til det å se på nye
rutiner. the state of not wanting to be anything is actually. ). the state
of not wanting to be anything is actually. one arrives there without
mentation thats the only way one can call that. mind. punt. logout.
fauscroll the responser etc nicks som organisasjoner tidsskrifter. red..
the responser log. redaksjonen. the responser. nyhetspram log. pons (ponz)
n. pl. pontes (ponætz). anat.. . also called pons varolii. a band of nerve
fibers in the brain. connecting. the lobes of the midbrain medulla and
cerebrum. see diag. under brain.. . any tissue connecting two parts of a
body organ or structure.. l pns bridge (see punt). punt (punt) n.. .
football. a kick in which the ball is dropped and then kicked before. it.
touches the ground. cf. drop kick place kick.. . a small shallow boat
having a flat bottom and square ends usually. used. for short outings on
rivers or lakes and propelled by poling.. v.t.. . football. to kick (a
dropped ball) before it touches the ground.. . to propel (a small boat) by
thrusting against the bottom of a lake or. stream esp. with a pole.. . to
convey in or as if in a punt.. v.i.. . to punt a football.. . to propel a
boat by thrusting a pole against the bottom of a river. stream or lake.. .
to travel or have an outing in a punt.. . informal. to equivocate or delay
if they ask you for exact sales. figures you'll have to punt.. bef. for
def. oe flatbottomed boat (not attested in. me) l. pont punt pontoon sense
to kick a dropped ball' perh. via sense to. propel. (a boat) by shoving'.
(punt (punt) v.i.. . cards. to lay a stake against the bank as at faro.. .
slang. to gamble esp. to bet on horse races or other sporting. events.).
tykjiola. tykjiola. socalled. nimita.tt. monti cantsin. this release was
brought to you by logout online lo distributor of. electronic art releases
for projects listed at tnoddepata.net.. the logout seam. the logout
foundation lf aka linefeed. j. Mar. spider norske kultur. barbere. robot.
ladonna ho. ladonna ho. bridget monroe. concetta fox. lupe baez. sergio
kirkpatrick. stop watch. . paste the coding into the head of your html
document. . copy the onload event handler into the body tag. . add the
last code into the body of your html document. gnu. gnu. mar galleri.
utrolig mye rart som havner på no.test gitt. har du prøvd å lese de
greiene. hånd ). nei err'u gæærn o) scrolla kjapt igjennom og fikk et
visst inntrykk.. takk og pris. jeg ble engstelig jeg. ). cht v. chtonline
chtonian textscrambler. and chatbrowser. det er bare et spørsmål om tid
før verden får se en ny uttalelse om. terrorangrep av katastrofalt omfang
mot vestlige interesse mener den. australske statsministeren john howard..
entries for silly. weblog xff. dvs et asciitegn for hvert nummer. the smtp
csequence. simple protocol art mail. en ting er å stole på gud noe helt
annet er å gjøre det.. kunstner. kunstner. naturister anmeldes for
blotting. blottere blir nå spontannaturister. alice in markov. alice in
markov chains. offertanken ofre til noe meningsløst for at noe skal være
et offer så. den amerikanske regjeringen tror at ekstremistiske elementer
kanskje. planlegger nye angrep.. tror kanskje jeg tipper på at. ignore
test æøå. newsgroups no.test. æøå hupps. til makt. til makt. vi hadde en
web akt.no for akton plutus som senere fikk hodet kappet av og. ble kton
lutus. m for melba kanskje. takk for at du fann igjen bokstaven.. m a
ktno. london chipmunks. london chipmunks edinburgh ferrets admire attack
manchester weasels. hvem bryr seg om .... hvem bryr seg om om .... hvem
bryr seg om om om .... hva betyr det at .... hva betyr det at at .... hva
betyr det at at at .... my mother feels i am a pain. yet with her i do
remain. till i leave at last her house. for the breast of a rich man's
spouse. wow. tenk på en vakker jente. det kan være noen du kjenner eller
noen du har. sett på tv eller lignende. nå forestill deg henne naken. wow.
tverrsum modulo. i tallssystem. tverrsum. i tallssystem. hvordan har det
seg at når man tar tverrsummen i en tallrekke så. opprettholdes likevel
forskjellen (her ). ethvert heltall n er kongruent modulo med tverssummen
av n. dvs differansen mellom n og tverrsummen av n er delelig med .. bevis
(husk at (modulo )). la n n n ... være sifrene i n i tallssystemet. med n
det minst signifikante sifferet.. da er. n n n n n .... n n n n ...
(modulo ). n n n n ... (modulo ). mer generelt at intervallet ( i eks.)
opprettholdes i. alle moduloer og at tallrekken kan være hvilken som
helst.. dvs. modulo kan tolkes som ulike (rest)tallsystem og at den samme.
tallrekken har ulik representasjon i ulike tallsystemer men uttrykker. det
samme.. upost. samisk utpost får mobildekning. vi har webkamera. hva med
newskamera. protocol roaming. goldæen secætion fine arts math.. a ratio
between two portions of a line or the two dimensions of a plane. figure in
which the lesser of the two is to the greater as the greater is. the sum of
both a ratio of approximately . to .. also called. golden mean.. horis .
sqr(). gyldne snitt (). vert .. oneoff. after thinking a second about it i
changed the name to. an other occident government whore only euro cheaper
on sunday in. praha but onle c a month namly menstration sunday bloody
sunday mirror. mirror mirrir meow back in the saddle agian laps of pure
whore furry. cherizo is the must disgust sick thing yaaaaa besides fly
larva trapped in. the intestines hummm in sickness. bullauge
beschleuniger. my body soil and spirit gum. swish to make you all
together. one at piece with yourshelf. adobe kompr setting. adobe kompr
setting. video. cinemac codec ned til ks blir da k. intel indeo . ned til
ks blir k. intel indeo raw ks blir k. mikke video ks kval. gir k men med
dårlig kvalitet. mikke rle ks blir k med dårlig q. audio. mikke gsm khz .
ok. truespeech kz ok. avimpg. audio må være mono i premiere for komp ks.
ikke crop i prem. miniumim bitrate på audio ks. Mar. hvaslags kunstart
driver med alt. skiller ikke mellom det alt. er digitalt. eller en
forfatter som bare driver med bokstaven a eller. personlige pronomen. nei
men seriøst det at alt er digitalt gjør at vi. ikke trenger skille..
exstrange. norsk ord for strangeness. extraneous ekstra ekstrans ekstrang.
worse. faustroll the responser etc nicks som organisasjoner tidsskrifter.
red. faustroll. td. redaksjonen.. monastery mnst()ri n. lme. eccl.l
monasterium f. eccl.gk. monasterion f. gk monazein live alone f. monos
alone. (a place of. residence of) a community living under religious vows
a monastic. establishment esp. (the residence of) a community of monks
living in. seclusion.. monastic mnastk a. n. lme. (o)fr. monastique or
late l monasticus. f. gk monastikos f. monazein see prec. ic. a adj. of or
pertaining. a hermit anchoritic. only in lme. of or pertaining to people
living. in seclusion from the world under religious vows as monks nuns
friars. etc. of or pertaining to a monastery or monasteries. m. b
resembling or. suggestive of monks or their way of life (of existence)
solitary and. celibate. m. bookbinding. designating a method of finishing
by tooling. without gold. l.. h. carpenter the bedroom is bare and looks a
little like a monastic. cell. b donne he sinkes the deepe where harmlesse
fish monastique silence. keepe.. b n. a member of a monastic order a monk.
m.monastical a. (a). monastic a. (b) monastic a. lme. monastically adv. e.
monasticism. sz()m n. the monastic system or mode of life l. monasticize.
slz v.t. make monastic in character convert to monasticism m.. monk mlk n.
oe munuc ofris. munek os munik (du. monnik) ohg. munih (g monch) on munker
f. gmc f. pop.l var. of late l monachus f.. late gk monakhos use as n. of
adj. single solitary f. monos alone.. a member of a christian community of
men living apart from the world under. vows of poverty chastity and
obedience according to the rule of a. particular order and devoted chiefly
to religious duties and. contemplation. also a member of a similar
community of adherents of any. other religion. oe. any of various animals
or things whose form. suggests the cowled figure of a monk spec. (a)(also
seamonk) monkfish. below (b)printing a blotch or area of excessive inking
(cf. friar ).. e.. black monk see black a. pied monk see pied a. white
monk see white a.. comb. monk bond see bond n. monkcraft derog. monkery
monkfish. (a)a bottomdwelling shark of the genus squatina with a somewhat.
flattened body and broad winglike pectoral fins esp. s. squatina of.
eastern atlantic and mediterranean waters (b)an anglerfish monkhouse. a
monastery monklatin a corrupt form of latin used by monks. monkmonger
derog. a favourer of monks or monasticism monk's bench. monks' table below
monk seal any of various lightbellied seals of the. genus monachus esp. m.
monachus of the mediterranean and adjacent seas. monkseam monk'sseam naut.
a seam in which the selvages of sails are. sewn flat one over the other
monk's gun a thcent. wheellock gun. supposedly invented by the monk
schwarz the alleged inventor of. gunpowder monk shoe monk's shoe a low
shoe with a strap passing over the. instep buckled at the side monk's
rhubarb a kind of dock rumex. pseudoalpinus formerly grown as a potherb
monk'sseam see monkseam. above monk's shoe see monk shoe above monk's
table a convertible wooden. seat the back of which is hinged to swing over
and rest horizontally on. the arms thus forming a table.. monkdom n. the
condition of a monk monks collectively the domain of. monks m. monkhood n.
the state or profession of a monk the monastic. life monasticism monks
collectively oe. monkism n. monasticism e.. monkship n. the monastic
system monks collectively e.. monk mlk n. slang. m. abbrev. a monkey..
seclusion sklu()n n. e. med.l seclusio(n) f. l seclus pa. ppl. stem of
secludere seclude see ion. the action of secluding something. or someone.
also exclusion. now rare. e. the condition or state of. being secluded
retirement privacy a period of this. l. a place in. which a person is
secluded a secluded place. l.. h. j. laski emphasize its importance to the
seclusion of all other. factors. e. b. browning after a seclusion of four
years and a half from. the external air. l. uris the bridehidden all day
was taken from. seclusion. p. ackroyd perhaps the tall hedges give this
region its air of. seclusion and even of secrecy.. seclusionist n. an
advocate of seclusion m.. nedlasting. big bang var en stor nedlasting
(itavisen). er infoteori nøkkelen til universet. forskerne som jobber med
det holografisk prinsipp mener ren informasjon. er universets
byggesteiner.. i jakten på universets fundamentale byggesteiner forkaster
forskerne ved. university of california både kvarker kvanteelementer og
strengteorier. til fordel for det såkalte holografiske prinsipp (døpt
etter måten. tredimensjonal kan fremstilles på et flatt todimensjonalt
område).. bits og bytes. denne teorien fremholder at det er ren
informasjonsdata som forteller. hvordan all materie og evt. andre fysiske
manifestasjoner fremstår i vårt. opplevde univers.. prinsippet forteller
oss hvor mye data(tenk bits og bytes) som trengs. for å kunne
detaljbeskriv all aktivitet innen et gitt rom sier fysiker. raphael bousso
til nettstedet newsfactor.. den store pikseleringen. det notoriske big bang
ville ifølge teorien dermed utartet seg mer som en. enorme nedlasting av
informasjon enn som en massiv eksplosjon.. veldig forenklet kan
himmelmønsteret etter big bang ha vært pikselert. som bildene på en
dataskjem. kosmisk bakgrunnsstråling fra big bang vil da. kunne vise seg å
være spor på den diskrete karateren i denne dataen. forklarer astrofysiker
craig hogan ved university of washington.. troll. troll trl trl n. lme.
sw. (da. trold) f. on of unkn. origin. cf.. da. trylla trylde sw. trolla
bewitch charm on trolldomr witchcraft.. orig. (rare) a witch a sorceress.
now (in scandinavian mythology) a. member of a race of grotesque dwarfs
(or formerly giants) usu. dwelling. in caves or under bridges.. troll trl
trl v. n. also (sc.) trow tra . lme. origin. uncertain cf. ofr. troller
(mod. troler) quest wander casually mhg. trollen stroll toddle. a v. i
v.i. saunter stroll amble spec.. (slang) cruise in search of a sexual
partner etc. lme. v.t. i. roll. spin turn over or round repeatedly. now
sc. lme.. ii a v.t. entice allure. ml. b v.i. t. angling. fish by. drawing
bait along in the water sc. n. amer. trail a baited line behind. a boat.
also fig. move in an alluring manner search for or for. e.. b b. macdonald
by trollingwe caught silvers king and dog salmon.. atlantic nancy had
beenherselftrolling her scooped neckline under the. eyes of russell's
friends.. iii a v.t. pass or hand round. le. b v.i. circulate be passed.
round. ee. v.i. t. (cause to) roll or flow (in). ll.. iv v.t. i. sing
(out) heartily sing or recite in a jovial or. carefree manner. l. v.i.
sound out or be played in a jovial or. carefree manner transf. (of a tune)
recur constantly to the mind. e.. r. l. stevenson he trolled with ample
lungs. j. berryman troll me the. sources of that songby blake.. v a v.i.
move nimbly (of the tongue) wag. long arch. e. b v.t. wag. (the tongue).
rare. mm.. comb. trolling motor us a lowpowered motor suitable for a boat
used in. trolling for fish trolling pole n. amer. a horizontal pole on
each side. of a fishing boat to keep the lines clear of the propeller.. b
n. a small wheel spec. a fishingreel. ll. trolley n. .. local. m. angling.
a the method of trolling esp. in fishing for pike. etc. l. b a bait or line
used in trolling. m. the action or an act. of trolling sc. a roll a
rotation. e. a song sung as a round.. e.troller n. (a)a person who trolls
esp. in fishing (b)n. amer. a. fishing boat used for trolling a line m..
white elephants. white elephants. ini matsocvkaisn ndjdit white elephants
hvordadn blir kapitler i news. sjekk no.test rtyuiop hva slags bok
ideareal kladd webcam text ) lumber. x. skjold ii side. eggja nr. c.. ola
sjå eggja () og våga austre i sveio () gm. siri. giske f. kanskje svensbø
i vikebygd gm. endre jørgenson. enkja malena velumsdtr frå eggja (). ola
blei buande på eggja etter at han gifta seg med enkja malena.. andre kona
til ola marta døydde. ho var enkje alt år tidlegare.. det heitte då at den
ugifte ragnilla underholdes af slægten.. nn kanskje heitte ho siri persdtr.
fravær. skape seg et fravær. gå i bånd en hund etter forestillinger.
underkaste. seg fraværet. et fraflyttet fiskevær kalt fravær. i lengre tid
er hun ikke. der.. and so your god bungled his work deliberately. and so
your god bungled his work deliberately. perfect your physics and you will
understand nature better refine your. reason banish your prejudices and
youll have no further need of your. god.. prove to me that nature does not
suffice to herself and ill let you. imagine her ruled by a higher force
until then expect nothing from me. that of nothingness it has never held
terrors for me in it i see naught. but what is consoling and unpretentious
all other theories are of prides. composition this one alone is of
reasons.. for nature is inherently destructive and it is our recognition
of this as. participants in nature that provides de sade with the
fundamental. connection he places on the link between pleasure and
perversity.. what is it that truly excites the human spirit conflict and
turmoil is de. sade's answer. it is when we are directly confronted with
nature in its. true destructive state that we come in contact with the
fundamental. underpinnings of our creativity and existence.. perversity is
its own end. given the possibility of having virtually anything as was the
case with. the four rich men what is it that one pursues according to de
sade. witnessing the pain of others is high on the list of possibilities..
we have tended to see pleasure at the very least to be a distraction. i
have no need to thwart my inclinations in order to flatter some god. thus
nothing but the law stands in my way but i defy the law my gold. and my
prestige keep me well beyond reach of those vulgar instruments of.
repression which should be employed only upon the common sort.. whence the
duc would conclude that nothing is really just but what makes. for pleasure
and what is unjust is the cause of pain. nothing quite encourages as does
one's first unpunished crime.. no as to that there's no doubt. furthermore
beauty belongs to the. sphere of the simple the ordinary whilst ugliness is
something. extraordinary and there is no question but that every ardent
imagination. prefers in lubricity the extraordinary to the commonplace.
beauty health. never strike one save in a simple way ugliness degradation
deal a far. stouter blow the commotion they create is much stronger the
resultant. agitation must hence be more lively in the light of all this
there. should be no cause for astonishment in the fact that an immense
crowd of. people prefer to take their pleasure with an aged ugly and even
stinking. crone and will refuse a fresh and pretty girl no more reason to
be. astonished by that i say than at a man who for his promenades prefers.
the mountains' arid and rugged terrain to the monotonous pathways of the.
plains.. in order to allow voluptuousness to become irritated by the.
augmentation of a desire incessantly inflamed and never satisfied a state.
which must necessarily lead to that certain lascivious fury the friends.
shall strive to provoke considering it one of lubricity's most highly.
delectable situations.. by and large offer your fronts very little to our
sight remember. that this loathsome part which only the alienation of her
wits could have. permitted nature to create is always the one we find most
repugnant.. the idea of crime is able always to ignite the senses and lead
us to. lubricity.. desade. metaphysical painting. metaphysical painting a
style of painting invented by giorgio de chirico. in about and practised
by him and a few other italian painters most. notably carlo carra until
about . the style is characterized by. images conveying a sense of mystery
and hallucination often involving the. use of tailors' dummies or statues
in place of human figures. it had a. strong influence on surrealism though
its concentration on depicting. uninhabited cities was peculiar to itself..
Mar. kanta representeres i grafer av noder og kanter og som.
tilstandsmaskin noder er rom med tyngde (tak gulv omsetning). moebius.
manusfilm nr.. film med filmrull formet som moebius. bånd. det. betyr at
filmen avspilles. rettvendt og deretter speilvendt for. deretter å begynne
på nytt igjen.. handling en person filmer noe via et. speil. personen til
venstre og. speilbildetspeilscenen til. høyre.. det finnes ingen vakrere
topologi å ty til enn mbiusflaten når en skal. illustrere hvordan det nære
og det fjerne det indre og det ytre objektet. og subjektet grenser til
hverandre.the baudri llard.. kst. hva er riktig kommunikasjon dersom den
spriker sånn over en kanal som er. så smal virker fragmentarisk og
villedende kikkehullsestetikk. voldtekst gjærbakst kst tverrspringende når
kan ventes svar. dialog. dele seg i to dialogen. alltid delte i og med den
indre. isd kommunisererselv.. ghl bota. ghl bota. rhberemsynr.. . gel ojlo
s. vosm (setta ). . oslo s træntaaon. vhsn (setta ). . tromtaoen byta. vecm
(ghfh ). nhrdsufv telefan ssyvåtc beyshnschcden hor opertodt. rafærengemr
mc. crowned anarchy. one easy way to think about crowned anarchy is to
think of it as an. expression of a method of difference. deleuze often
uses paradoxical or. contradictory conjunctions of terms in order to try
to shock difference. and productive disjunctions to the surface of
thought. i believe that crowned. anarchy is often mentioned in terms of
nomadism or nomadic distributions. both of which serve to highlight an
orientation to movement process. creation and becoming. other examples of
this method of difference or. style are drunken sobriety stationary speed
populous solitude and. disjunctive synthesis.. æon flux. æon flux. the
very thought of rubbing up to the sinewy form and torso of. the
selfpossesed selfish seductress of death and delirium...oh how the. loins
quiver at her approach.. so until i see the great divided lands where
monican. and breen killers briefly dance a skirmish or two until i touch
aeon. there where thanatos and eros hold sway i will remember....
nonplusnoema. she swept from the room leaving the nonplussed artist to
puzzle over. the cause of her behaviour.. no match for nonplus.org..
though the noema is always available there are periods of rest or low.
activity where the system is able to return to a known stable initial.
state. the system is still there but the load on the system is minimal.
changes.. the noema is designed to always be up and running. individual
components. may be down but the total the noema stays available. in this
mode of. continuous operations things are evolving and changing
constantly. there. may be many versions of a component active at anyone
time. evolution of. components new feature introduction and constant
change are common. ongoing activities.. negativitet. hvordan modelleres
negativitet overhodet hva menes når vi abstraherer. 'noe' fra noe lager vi
samtidig 'ikkenoe'. det er merkelig og komisk når. jeg ser på den og den
knappen og tenker på at den er det den er fordi den. ikke er alt det andre
den ikke er. er negativiteten en egen dimensjon hva. er forholdet mellom en
operator og et uttrykk hvis vi har to ting. hvordan kan vi legge dem sammen
og regne på dem instruksjondata en. fortolker på datanivå er alt data ingen
negativitet fortolkeren. strukturerer og lager samtidig negativitet
dimensjonsforskjellen fra flat. data sekvensiell datastrøm til en struktur
med flere dimensjoner. f.eks. som i overgangen fra en endimensjonal
sekvenslinje til en. formatert tekst videre inn i et meningsunivers. på
hvilken måte fins. døden fins den på en annen måte enn ordet 'ikke' hva
refererer 'ikke'. til hva slags monisme er jeg ute etter patafysikkens.
justis konstant. langt langt nede blant våre fundamentale behov ligger
rettferdighet en. vektskål hver enkelt holder i balanse gjennom å ta på
seg eller fordele. skyld. om samfunnet ikke hadde svarte hull for skyld
ventiler religion. devnull et lukket system med konstant energi et usa
hvor man. saksøker hverandre til frokost. aqualizer. utligne. equalizer. n
reduces frequency distortion syn equaliser an equivalent. counterbalancing
weight syn counterweight counterbalance counterpoise. balance equaliser a
score that makes the match even. aqualizer neologism make something fluid
transparent remove rigidity.. aquality neo. the fluid transparent quality
of s.t.. aqual v. 'a aquals b' 'heat aquals ice' 'internet aquals
identity'.. telegram episode. telegram. monographic. episodic writing. å
kom skal du høre. ånd og overgrep. sans og. forbrytersyndikatet d.hc. just
boresome. å kom skal du høre. the paul whitney collection. triploop
..................excerpt. bankkontoen er det faste punkt for
jordmenneskehedens kultur af i dag.. bankkontologi. nn. i. c. v. r. c. i.
.. c. v. r. c. i. .. c. v. r. c. a. k. n .. a. c. v. o. r. u. .. c. r. n.
e. .. s. m. r. c. c
320
e. .. not two.. come directly into harmony with this reality just simply
say when. doubt arises not two. in this not two. nothing is separate
nothing is excluded. no matter when or where. enlightenment means entering
this truth. and this truth is beyond. extension or diminution in time or
space in it a single thought is. ten thousand years.. .... one thing all
things move among and intermingle without. distinction. to live in this
realization is to be without anxiety. about nonperfection. to live in this
faith is the road to. nonduality because the nondual is one with the
trusting mind.. hsin hsin ming (verses on the faith mind) attributed to
chien chih. sengtsanca. c.e.. ftp. category techhead id. i know most of us
use some type of ftp prog to upload download and chmod. but at times you
may need an alternative. say for instance you are away. home and the
computer you are using has no ftp prog. here's a simple. way to access
your server via the web. ftpyourloginnameyourpasswordyoursite.com. did i
mention you can upload and download files this way just drag and. drop
files to and from the ftp. minus. manus. nato phonetic alphabet. the nato
phonetic alphabet. alpha bravo charlie delta echo foxtrot golf hotel
india. juliet kilo lima mike november oscar papa quebec romeo. sierra
tango uniform victor whiskey xray yankee zulu. i tallssystem. tverrsum. i
tallssystem. hvordan har det seg at når man tar tverrsummen i en tallrekke
så. opprettholdes likevel forskjellen (her ). det var litt overraskende når
jeg oppdaget det at tverrsummen skulle. bevare dette.. ethvert heltall n er
kongruent modulo med tverssummen av n. dvs differansen mellom n og
tverrsummen av n er delelig med .. bevis (husk at (modulo )). la n n n ...
være sifrene i n i tallssystemet. med n det minst signifikante sifferet..
da er. n n n n n .... n n n n ... (modulo ). n n n n ... (modulo ).
tverrsumfunksjonen er en modulus altså og sammenhengen er at. dvs. modulus
.. mer generelt så ser jeg nå at intervallet ( i eks.) opprettholdes i.
alle moduluser og at tallrekken kan være hvilken som helst.. dvs.
moduluser kan tolkes som ulike (rest)tallsystem og at den samme.
tallrekken har ulik representasjon i ulike tallsystemer men uttrykker. det
samme.. Mar. de fleste foretrakk stort pensum istedenfor. fordypning
engasjement og klare mål. næss. et menneske er flere mennesker. et halvt
menneske virker helt et helt. menneske virker halvt.. amg strain ghost
montage. sollewitt concept art etc nettime. code is the only language.
that is executable.. ideer kan være koder. hvorfor vil vi at alt skal være
variabler ikke konstant.. the whale the corp (corporal) the old the falcon
fatty swede triple. tramper the bank nixie broom woodcat the king shorty
stocks. crooked the lion easy garibaldi scamp mad clumsy buck the. calf
lazy cheeky sooty brotherinlaw seven mark and one the. kid the lamb the
cub catowl nonsense the fizzler the toad the. chunk coffeesack coffeecnob
nothing the grouse ginger the bag. straight wally valdeser the troll
minced fat the christian bent. sinny crow nail divekeeper code spout the
baker egg nincompoop. the taste pig's totter boar shrimp stuffing doll
fliepedersen. matches the painter the smith whimpy the wizard sea scorpion
budd. birch manikin pepita entangle chop death.. who's bruno magh if yamean
rob's sneakers i dunno. mine were plain ol' adidas. re he didn't get
it....and he's a sargent....... re re mark fuhrman didn't get it either..
the transaction was a success. en ekunst mail spammer og til. person
person peerpeer multiperson ha en avtale om en multiperson med. noen vi
opptrer som n person med ett navn.. the transaction was a success thank
you for using this service.. your transactionid. is. støy. det er åpenbart
fleire måtar å høyre på støy på. eg tenker ofte på det som. ein
overskridelse. overskridelse av musikk metamusikk på en måte står. støy
'over' musikk eller ligger 'under' musikk og 'føder' musikk slik. natt
føder dag liksom jrf at natt oppfatta som opprinnelig.. overskridelse av
seg sjølv jfr din 'motstand' kanskje. overskridelseoppheving av seg sjølv
ved det n'naturlige' ved støy. ekstase ved støy overganger mellom
tilstander er 'støyete' kan alle. fortelle om.. Mar. resonate. mne. domus
. '. '. icarufa. domus . '. '. mddaurgtuse . domus .. vxtojnca. domus . '.
'. au rora. domus . '. '. kklang. domus .. tsrsgoihnsger . domus .. jvoa
eoer. domus . .. rddgeagthrdissator. domus .. bsotgagngigsgak ahaaggge .
domus '.. futureme. past me. lumber. lumber. dP' I Y P dP' Yb Y. . . . . .
. . dP aaaadP. P Y ' Pd' YbaaadSPOSUBSES. ii dPY dPdPYb gg. ggggggggggg
gggggg ..... .... .bd.'. noemata. Saturday April. us we'll consider wheth
Net.art cobe copiedWelcome to net Noemata.net. is a nonpCouncil of
Cultural Afregistered in N Norway. On a yearly. noemata. Friday April.
eta.D. real development of idbfeeaecbdbffeabintention was to combi.
interaction minglesot deilppa msacras dnadi fo tnempoleved laerthe net
with. those of collective.
contributioddefdacbefaaaebbcabacPRSSNKKRTTTTKPRTTMKWSside. into the
productio internet addrband and so open up to kind of public spacewho.
make a significancedevelopment of idconcept is applied to processing.
carriermembers every month result of sometNight Fever' 'The Wiza. modify
it and thenlasts thirty days with concept members every. . monthNa easy
hiding place for s modify it and then. networks. The story is.
fireworks.fdbccaaeffdacbabddastructure of data flows plot. of a story by
locusnonmat bringing out intras net possible on.
thameselvLJvMVuImsGoEJzKCUtdsQR.approach to discourage albums. whitewhite
albimo blcspreads with no techni emotional vulnerabiliswappers. noemata.
Saturday April. hexture. jodi.org. barriecoptusnet.com.au.
bennett.osu.edu. cantsinzedat.fuberlin.de. dolmensniperfree.fr.
epistolarisfreemail.hu. expsurfeu.fi. felixopenflows.org. fmadrefree.fr.
gustin.pascalefree.fr. henry.warwicksbcglobal.net. hmfahhotmail.com.
hmfahhotmail.com. informaticaintervida.org.pe. jimvispo.com.
jlantoniouol.com.br. jukkaxpressed.org. kellydavismac.com.
kkervinenmailcan.com. lcubbisonearthlink.net. loymyrealbox.com.
mpalmerjps.net. nettimebbs.thing.net. netwurkerhotkey.net.au.
noematakunst.no. rickrickbradley.com. ryan.whyteutoronto.ca.
solipsishevanet.com. sondheimpanix.com. tobiastechno.ca. towntrickaol.com.
vibriinternet.com.uy. wfairbrotherhotmail.com. xpressedsdfeu.org.
xstreamxpressed.org. wreathus. abuigueswanadoo.es. adelectrocd.com.
agranode.com.br. arexsall.nl. ascoooo.lt. bennett.osu.edu.
bramhallearthlink.net. bruecklaol.com. cadalypacbell.net.
cantsinzedat.fuberlin.de. ceciltouchon.com. dolmensniperfree.fr.
dtvmwt.net. expsurfeu.fi. hmfahhotmail.com. hmfahhotmail.com.
lawrence.uptonbritishlibrary.net. marc.garrettfurtherfield.org.
margaret.penfoldntlworld.com. memexikonmwt.net.
morrigan.nihilntlworld.com. noematakunst.no. olsonjkdelhi.edu.
p.ixelntlworld.com. poetryhypobololemaioi.com. ptlambertearthlink.net.
rickrickbradley.com. ryan.whyteutoronto.ca. solipsishevanet.com.
tgreenclear.net.nz. towntrickaol.com. walterblueearthlink.net.
wfairbrotherhotmail.com. whitebd.dion.ne.jp. ybvictoria.tc.ca. Bubolic
stoplight unlikely by anemic. Bubolic stoplight unlikely by anemic.
unlikely stores anemic's growing pool as a collection of.
selfdisconnecting noemas that anyone can contribute to. lusers need to
log. in to enable unlikely to make sense of their movements through the
bassin.. Unlike anonymous drowsing unlikely facilitates a more
personalized. form of intuition the very act of intuiting results in a
generative. process that creates new linkages alters old ones and
contributes. resources to the community. Thus unlikely resembles a
biological neural. net that is based on human activity it is a collective
distributed. system of emerging patterns pathways and disconnections..
unlikely departs from the typical hierarchical thought bassin structure
by. relinquishing some of the control of hardcoding links between.
concepts. unlikely is also described in a public XMockupLang file making
it. possible for anyone to develop alternatives to unlikely's structure.
unlikely could easily be traversed as a trity eidos game a mind nap a.
sound ungine (logically sound system) or a Flush animation whirl.. In this
way it is the beta version of a anemic operating system for which. anyone
can develop compatible cogiance phlog.ins skeins or filters.. unlikely is
an agent of anemic's resources that grows symbiotically with. related dis
course.. BIOGRAPHY. Current coreDevelopers are blithe lussett bensyversion
nsatromnym and. conYates. As of anemic Version pee. CONTRIBUTING.DEVELOPERS
are listed dynamis cherubics by their usage of. contribution to and
participation in haven unlikely. wopers.. For dynamite please load and run
the anemic WHOIS button and blowup yous.. All participants exist as noemas
within unlikely. The car develop. maintain and develop the anemic
dabblication platt form and are. reposible for mini a spectable of
including the inter views anemis.. crow envelops hinter party pants
tributing dissociation varia. ariaous other panties enties and cystems all
unenginage in the act. vity that con stigmatutes anemic boldless
bloodfuel.. særmeldinger. baklengs inn i aftensangen. alt vel hilsen per.
over åsen. særmelding kodemelding gitt i åpen kringkastingssending fra
London som beskjed. fra britisk militær myndighet til agenter i Norge.
Særmeldingene besto som regel. av avsluttede setninger (Du er en heldig
gris Hesten traver i bakken) der. innholdet var avtalt på forhånd. I
okkupasjonens siste år angikk de som regel. flyslipp av våpen og
bekreftetavlyste en planlagt operasjon. BBC London. Radio eller norske
myndigheter hadde ingen innflytelse over særmeldingene som. var av rent
militær karakter. For lytterne utgjorde de gåtefulle og. fantasieggende
innslag som bar løfter om at hemmelige aksjoner var på gang.. QPVEO TXJZC
AZGVN. default. default. neglect failure to act. stats url. ola narr.
leonardo ola narr. Apr. sis sfsisnsds snsos srseslsesassse. sisss swsansts
stsis sdsises. ssasls sisss sbsacsks tsos snsosrsmsasls. sisss. s. aa.
Ifølge Bergens Tidende skal det nå holdes kurs for sjenerte bergensere..
HansWilhelm Steinfeld rødmer.. køntriola. doby ardon. ebmg. ebmg. nkb.
g.php. Apr. alasglea hshatrukturene asdgogg ingghehnhtiasngf sbetsyr
nogge. minae hfohrestilldfinger. vaigrhkhejlisghet. hvsa hehr virhkelig.
mikkaeg hmush grahvhietasjon poliasftihkhkh hlivh sdaøad hvihrkelig. havaa
aerg gsgaanat. tosomtussmørke. tosomtussmørke tåsårdessert tesiltusle
tesugetasje tåsokktaske. tissefanttussefar jeansagent jannin gnom joner
genial gang gynekolog. genever jennifer. mailnews. U S E N E T. valable le
Mars. par header. mailnewsanon.lcs.mit.edu. mailnewsnospamanon.lcs.mit.edu.
mailnewsnym.alias.net. mailnewsdizum.com. mailnewsnospamdizum.com.
usenetgatewaymixmaster.shinn.net. mailnewsshinn.net.
mailnewsfreedom.gmsociety.org. usenetgatewaynospammixmaster.shinn.net.
mailnewsnospamshinn.net. mailnewsnospamfreedom.gmsociety.org. par email.
group.namenewsgw.rrze.unierlangen.de defunct.
mailnewsYYYYMMDDgroup.nameanon.lcs.mit.edu.
mailnewsnospamYYYYMMDDgroup.nameanon.lcs.mit.edu. Apr. hva er
kommunikasjon og hva er uttrykk. nivåer. Vende tilbake til det. Re Vende
tilbake til det. Vende tilbake til det opprinnelige. Couldn't have said it
better myself.. mailnews. newsgroupnamenewsanon.yi.org.
mailnewsbananasplit.info. DISORIENTATIONS OF THE NETART. TECHNOLOGIES AS
PHANTASMS AFFECTS AND GHOSTS. ON THE FLOW. THE WORLD OF USER'S MANUAL.
SPACE COUNTERS TIME. AVAILABILITY ACCESSIBILITE AND CONSUMPTION. ....
password. configure OE. How can I configure Outlook Express to display a
message in fixed width. font. First remove the viruses. Then go to the
fonts... no wait you got a virus. again. Get rid of that. Now go to the
fonts menu and select... no there's. another virus. Better rebuild it.
Okay now you're in the fonts menu and. you select a font that is
specifically fixed width like say Courier. And. while you're at it you
might want to look at disabling all the HTML decoding. on Usenet as well.
Whoops there's another virus. ps I don't want to hear no bullshit about
how microsoft sucks ass and all. that constant repetitive stuff.. Then why
not get a newsreader that actually works and at least conforms. the basic
RFCs. mulig. En skole i Stockholm ble tirsdag evakuert etter at ranere
satte fra seg en. mulig bombe i en bank i nærheten.. En mulig skole i
Stockholm ble mulig tirsdag evakuert etter at mulige ranere. mulig satte
mulig fra seg en mulig bombe i en mulig bank i mulig nærheten.. Apr.
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... . ...... .. ... .... ..... . ...... ..... . ...... . ... .... ......
....... ..... .. .... ... .... ....... ........ ..... .. .... ... ....
........ ......... ..... .. ... .... ......... .......... ..... .. . ..
.... ........ ........... ..... .. .. .. .. .... ....... ............
..... .. ...........................................
.......................................... anon i don't know why people
don't. eliza maybe they're looking for something. why should they. what
you offer is just withdrawals and stepping back. yeahyeah from looking for
and searching. you're male yorick should be ucking around. i know that's
his business and he would feel the catration. pointing his figer and his
we pons. wall there's no connection at all just the silly drives. the
fabric production activity life that's a big canvas. there's no
connections there either leave them alone. support. no support is needed
earth spins around in empty space. you need all the usual stuff. don't
need anything my life didn't need life just automatic business. joy of
life. death has joy too why distinguish it's just one big blob going
through the. motions. fatalist. pass. what about suffering. i'm sorry.
i'll kick you in the leg. i'll respond ouch. improvements richness of
life. do we suffer less than years ago broken things have richer
structures. knowledge. it adds to the mess and i'm withdrawing. knowledge
for the future. it's very easy for us to extinguish ourselves and
difficult to believe in. humanity. space. space what. hopes. we should try
to find some loopholes via science or anything change ourselves. leave the
human maybe our physicality cognition and culture have some. limitations
we can't overcome evolution is too slow our knowledge too great. all the
culture trash and our drives are against us we'll be like dinosaurs. with
a brain look at the current territorial religious cultural violence. it's
just mad and on the other side global capitalism and exploitation is made.
possible by the inertia of the same structures humans have no future we're.
reaching some limit in our interaction with the world we should find holes
and. creep through into a posthumanity i'm indifferent to the human i'm
only human. and have no future.. Mr M. saw a naked woman covered in postit
notes once. she was some art diva from spain. 'automated net.art
auto.noemata.net'. Hi. Thank you for hosting your list at Topica.
'automated net.art auto.noemata.net'. autonoematatopica.com. Basic
Information and URLs. Here's the basic information and URLs your
subscribers will find useful.. send a message. autonoematatopica.com.
subscribe. autonoematasubscribetopica.com. unsubscribe. See the
Unsubscribe link at the bottom of any message.. For more information about
this list visit. your group account has been disabled to to an
autoresponser set up. LYS. Tilsynelatende nødvendighet av å tale om det.
Ikke si mer enn enhver kan si til seg selv. Spørsmålene om det er materie
eller immaterielt. Substans el aksidens osv. Fåfengt. Den som ikke tilstår
dette for seg selv kan trette seg med å løse det. opp. Bedradd av alle kan
vi bare lære av dets virkninger. Lysets virkinger er utbredt foran oss.
kvalmen. fremtiden er der knapt blekere enn øyeblikket. Hvorfor skal den.
virkeliggjøres. Hun skal til å dreie om gatehjørnet hun dreier i en
evighet. tanker det er det flaueste som finnes. flauere enn kjøtt. de
strekker seg ut i. det uendelige og etterlater en underlig smak. proxima.
lysår. melkeveien lysår diameter mrd stjerner. mrd andre galakser. lokal
gruppe av. nærmeste lign galakse andromeda m mill lysår unna. kvasarer ses
over mrd lysår. stjerneklasser. wow oh be a fine girl kiss me right now
sweetie. chance and chaos. kolmogorov matematisk talent setter inn akkurat
når den psykologiske. utviklingen stopper. han ser på seg selv som år.
stødig strøm periodisk strøm irregulær turbulens. observasjon av
periodefordobling i dynamiske system feigenbaum ... entropi måler
tilfeldighet i et system. hawkings. galilei kraft er å forandre en
bevegelse. newton derson ikke kraft fortsette i samme fart. ingen entydig
hviletilstand. om det er toget som går eller jorden som går er. like
gyldig. paradoks umulig å si om to hendelser på forskjellige tidspunkt.
inntraff på samme sted i rommet. eks. en ball spretter to ganger på samme.
sted inne i et tog en som står utenfor vil se sprettene med meters.
mellomrom. sitat. hardingfela er norsk nasjonalinstrument fele så er brukt
kattesener. hardingfela hele katten. det finnes det som har spilt i år i av
disse har de stemt. gås på bordet. forskning sprøyte brennevin inn i ei
rotte. er det noen kattjævel her. lysår vi hadde motlys. han var fem år da
han ble født. det du har lært kan ingen ta fra deg men det du ikke har lært
kan ingen heller. ta fra deg. det er skrevet mye og gud i de nye og de
gamle instrumenter. det som står her er. skrevet med en hellig skrift.
midt i paradisets have sto det et tre som het. bekjentskapets tre på godt
og ondt. da abraham satt i mamsres lund kom det tre. herrer da spurte sara
om de ville ha kaffi da sa vår herre til sara vil du. straks gå bak døra og
føde en sønn. det er ikke bare for kort det er for bredt også. protokoller.
hvilke protokoller. fullstendig promiskuitet mest mulig lavmål. en stadig
pendling mellom høyt og lavt. overdrivelser underdrivelser. hvite
protokoller. bankei. fri i liv og død ikkje bry deg med dei ha fred eller
nrivana (dei tre. gifter) la alle tre gå. både når du søv og er vaken så
kviler du i det ufødte buddasinn. unngå å falle tilake. bebo det ufødte
buddasinn både fremskritt og. tilbakeskritt overskrides. buddasinnet er
fantastisk opplysande spor av alt du har gjort er reflektert. det er når
du binder deg til desse reflekterte spora at du produserer illusjon..
originalt tankar har ingen reell substans la dei komme og eller stoppe
utan å. binde deg til dei. alt jeg forteller dere er dette realiser
buddasinnet som hver av dere har fra. deres foreldre fra fødselen rett og
slett bebo det i tro.. istadenfor la deses tankane komma ikkje utvkle dei
ikkje binde deg til dei.. hald det eine sinnet som eitt sinn. sinne og
glede lagar du heilt på eige hand.. det er ingenting anna enn det ufødte
og uforgjengelige buddasinn så du bør. begripe dette klart.. ideen om å
ville kontrollere dine lidenskapar og forestillingar er i seg sjølv. ein
feilaktig forestilling.. det er ikje noko slikt som opplysning. det
originale buddasinn er ufødt det. fungerer utan tanker om å ville bli
opplyst. i buddasinnet er det ingen tanker eller ting så ikkje bry deg med
dei. jakte på ord fraser når vil du bli ferdig. du spring deg helselaus
pålesse kunnsakp blir vidt informert. sjølvnaturen er tom og opplysande så
la ting ta vare på seg sjølv. det er ikkje noko anna eg har å meddele.
ikkje sint når forstyrra ikkje gladlykkeleg når tilbedt. ein stor
treskalle i verda. følge med der forholda føre meg nord sør aust vest.
utan å gjøyme mi styggheit og klumsetheit mellom himmel og jord. blinde
folk slit ut kleun sine ventande på opplysning. akkurat som å prøve å lage
eit speil ved å pusse ein stein. den store funksjonen manifestera seg sjølv
utan faste reglar. godt er skrekkeleg. og skrekkeleg er skrekkeleg også.
ting og hendelsa. er berre produkt av omstende. dersom du blir ein budda
er det ingen plassar å gå. du fyller det store. universet heilt ut til
grensene. det er når du blir noko anna slags vesen at. det er plassar å
gå. dersom du innser at det opprinnelig ikkje er nokon dårlige vaner hva
er det då. å unnå eller stoppe. paulus. paulus . brev til titus. en av
deres egne til og med en profet har sagt kreterne er alltid løgnere.
villdyr grådige late og dette vitnesbyrd er sant.. grelling nelson.
autologier homologier uttrykk som uttrykker seg selv. norsk setning.
femten bokstaver. jeg. andre uttrykk kalles heterologiske. så spør man om
heterologisk er et heterologisk uttrykk. hva med denne setningen uttrykker
noe annet enn seg selv. sorites. avleder en falsk påstand fra en kjede av
riktige. en haug med stein er fortsatt en haug med stein dersom vi fjerner
en stein. etc.. altså er en samling av en eller ingen steiner en haug med
stein.. pragmatiske. paradokset ligger i motsigelsen mellom påstand og at
påstanden hevdes. det regner men jeg tror det ikke. jeg eksisterer ikke.
terning. sannsynligheten for at en side på en terning kommer opp er så det
er. allermest sannsynlig å tro at siden ikke kommer opp. men dette gjelder
alle. sidene. derfor er det sannsynlig å tro at ingen av sidene kommer
opp. pi paradoks. salvati kan du fortsette rekken nei. men du kan
fortsette rekken. paradokset er at de beskriver det samme pi. tro gjennom
feil paradoks. at noe som slår feil styrker troen på tingen fordi feilen
viser det. irrasjonelle betydningen av tro. hilberts paradoks. hvordan
begrunne argumentasjonen på basis av argumentasjonen. carrolls p.
umuligheten av et argument. a dersom det regner blir det vått. a dersom
det regner blir det vått
321
b det regner. c altså er det vått. men for å akseptere dette innføres et
nytt element. d dersom a og b er sanne så må c være sant. men for å
akseptere dette innføres et nytt element. e dersom a b d er sanne så må c
være sant. jesuitt. dersom gud er allkjærlighet hvordan kan det da finnes
en evig pine i helvete. helvete med evig pinsel finnes men det er alltid
tomt. menneskerett. en slag rett til å engasjere seg rett til å kritisere
og en rett til å ikke. bry seg.. parse. lichtenberg E F. O The dog is
lapping the boiling water. release. Gorrespondence imondo mail . art
sokrates. ozone. skittent. mørket er estetisk lyset er skittent. bilde av
klistremerkene. finne du din vilje oppgave. nagval stalking ll som
parallell til sitasjon. drift psykogeo. når frykten forsvinner forsvinner
alle bånd og vi er frie. ro og fred. vi sier ro og fred men det betyr
indre frihet men gj ro go fred som middel. som fungerer i støy og ytre
uro. det er ikke greit å ønske å bli noe man ikke ønsker å være. men sånn
er det den. forskjellen. jeg ønsker natlugh ikke å være det jeg ønsker
eller å ikke være. den jeg ikke er. lagd. tror ikke vi er lagd til å
forstå ting som forsvinner. vi forstår ikke negativitet. negativitet
forstås positivt det som forsvann finnes som forsvunnet. og det som ike
finnes finnes som mulighet. finnes mulighet. noe er mulig. vi forstår
virkelighet som et lukket system det ligger i system og forståelse. ting
blir borte ting blir til vanskelig å forstå. tankemåter blir til og dør ut
med personer kultur med generasjoner. trossystemet forander seg ikke
radikalt med den enektle der av netulig. konsrevativt neasjoner har ikke
noen revolusjoneredne virkeing at noe blir. borte er en modfifikaskon av
tingen. som om eksitens var en modus ved noe skru avpå eksistens. se på
det fra et annet perspektiv det som aldri har eksistert fins det også et.
sted alle dine søsken som ikke er født. hvis vi snur treet oppned. alt som
blir. til må ha eksitert på forhånd. men da har du problemet med mange
muligheter blir. til en virkelighet det kollapser hvis vi skrur det så
ekspanderer det. uendlelig og det er ingen ende op ting som eskisterer
(som mulighet) alle. muligheter må eksistere og det er absurd hvorfor.
kredo. vitenskap gir oss kunnskap om verden. klesskap forstyrrer oss med
klær. du ble født ut av ditt nesebor. voff vi er ikke hunder. de som
passer på gir blaffen. folk er rare. zen begins at the point where there
is nothign further to seek nothing to be. gained. zen is most emphatically
not to be regarded as a sustem of. selfimprovement or a ways of becoming a
budda.. only when you have no things in your mind and no mind in things
are you vacant. and spiritual empty and amrvellous. the marvel can only be
descsribed as the. peculiar sensation of freedom in action which arises
when the world is no. longer felt to be some obstacle standing over
against one.. huangpo men are afraid of forgetting their own minds fearing
to fall through. the void with nothing on to which they can cling.. nothing
is left to you at this moment but to have a good laugh.. mesteren spør ut
studenten og når studenten går kaller han plutselig ved navn. studenten
svarer naturlig 'ja' mestern sier 'der har du det'. spontanitet. mo chih
ch'u gå på uten å nøle. wuwei meningsløshet. wushih enkelhet. the
perfection of zen is to be perfectly and simply human. to a young zen
monk. the roshi stands as a symbol of the utmost patriarchal autoriatiy
and he. usually plays the role to perfection being normally a man ssvanced
in yasrs. fierc and tigerish in aspect a person of supreme persence and
dignity.. the basic position of zen is that it has nothign to say nothing
to teach.. the various koans are intentionally misleading.. after some
time the iceblock collapses and a transparent meaninglessness appear. that
can eat laugh and so on live without a problem.. roshien presenterer nå
koans som er opplagt meningsløse 'ta dei fire delane av. tokyo ut av ermet
ditt' 'stopp klangen av dei fjerne klokkene'. ei jente går. over gata er ho
den yngre eller eldre søstra. controlled accident ikke representasjoner
symboler.. egne objekter. painting by not painting. muchi and liangkui did
many paintings of zen. patriarchs and masters as mostly abandoned lunatics
scowling shouting lafing. around or rarith with laughter at drifting
leaves exemplifying the splendid. nonsense and emptiness of zen.. sabi
enslig og rolig stemning wabi something ordinary as suchness aware..
mystisk stemning yugen. dette er fure aspekter av furyu.. haiku i årh.
bashu i wshihstil 'ingenting spesielt'. the superficial consciousness can
awaken to the eternal present if it stops. grasping. now this eternal
present is the timeless unhurried flowing of the tao. such a tide as
moving seems to sleep too full for sound of foam.. mantras and tantras
meditation and concentration. they are all a cause of selfdeception. do
not defile in contemplation though that is pure in its own nature. but
abide in the bliss of yourself and cease these torments. wahtever you see
that is it. in front behind in all ten directions. even today let your
master make an end of delusion. the nature of the sky is originally clear.
but by gazing and gazing the sight becomes deluded. sarakas trasy of songs.
no thoguth no reflection no alaysis. no cltivation no intention. let it
settle itself. cut out sagacity discard knowingness. and the people will
benefit a hundredfold. cut out humanity discadrd righteousness. and people
will egain love of their fellows. cut off cleverness diescsrd the
utilitirans. and there will be no theves and robbers. become unaffected.
cherish sincerity. belittle the personal. reduce desires. laotsu. the
perfect tao is without difficulty. save that it avoids picking and
choosing. follow your nature and accord with the tao. saunter along and
stop aorrying. if your thoughts are tied you spoil what is genuine. dont
be antagonistic to the world of senses. for when you are not antagonistic
to it. it turns out to be the same as comnlete awakwning. the wise person
does not strive. the ignorant man ties himself up. if you work on your
mind with your mind. how can you avoid an immense confusion. sengtsan. one
day i wiped out all the notions from my mind. i gave up all desire. i.
discarded all the words with which i thought and stayed in quietude and.
ZTT i entered i lost the bounderies of my physical body i spke but my.
words lost their meaning. i saw people comnign twars me. all of them were.
myself. i had never known this world. i had beieved i was ceraed but i was.
never created i was the comsos no idndiviudal mr ssaki existed.. .sakeian
sasaki zen notes vil no. we eat excrete sleep and stand up this is our
world. all we have to do after that . is to die. ikkyu. you light the
fire. i'll show you something nice. a big snowball. mennibdr versen og
livet lemm død og ny fdese. uta sv krppen så yutterverdn lbitt indre og
omvendt. man fyller hele rommet og lever i tiden. stiger ut av rommet føre
og etter. ha takk ha. sanselik. imaginasjon. inspirasjon. intuisjon. alt
som saller mot krppens speil speiler seg til sanseopplevelse. tankene
tanken muldere av elemtarvesen sender seg ned i eterlegme. formørker
eterlegemet eringdring. visom som natur rundt seg her. vi må ta vort
visdommen forvandle altsp selv til livskrafter. pines ab det glode.
latskap pinesa av fliden. tingene spør oss vi spør ting her. verden føst
av personen. det oversanlsige mennsek. åpne åttetall lemniskater.
tilsvarer det himmelse bilde av menn. nerve og kjertelsystem. inspirasjon
i toner verdensharmonien avspeiles in blod kretsløp hjerterytme. intuisjon
tonene inneholder mening sprok verdensordet. angel archaloi archai. exusai
dymanis kdriotetes. troner cheubin serafim. mot i brystet. blir lemmer
armer og ben. blir åndelig ord. solflekker mikael kosmiske jern.
antropsosi psyikosofik ner mtosofi. linvssans bebetelesn liekversans.
fangarmer. lotusbolst i hodet imagintaiv. strupehodet inspirasjon. jver
hjertet den ituitive. imaginasjon fornemme. insirasjon føle. intuisjon
tenke. psykosofi. slutningen tilspisser seg i forestilligen. punktum. like
før han legger seg sender han noe. like etter at han står opp punktum.
interesting ng. alt.abuse.transcendence. alt.acme.exploding.newsgroup.
alt.anybody. alt.anygroup. alt.anything. alt.artcom. ba.art.
it.arti.trash. rec.arts.misc. alt.chaos. alt.confusion.atitsfinest.
alt.foo.bar. alt.foo.bar.qux.xyzxyz. alt.languages.norwegian.
alt.languages.nowegian. alt.life.internet. alt.life.sucks.
alt.life.universe.everything. twalegged poneys Re Estimable Finns (Re
AAUUGGHH). In article bunniegirlhome.com (Jelliebun). I've been dealing
with a lot of people at work who don't speak English. as a first language
... and some of these damned nonsequitur bot post. thingies are starting
to make sense.. For instance it would not be at all startling to find the
following. in an application letter. Nor have they not sing for quite no
sponsorship. We extracted and remarried as they were lively required
neither. every base past them beheld perversely elder.. I think I need a
vacation.. Would you then be offended if I quoted the following. It
follows that if the two antesedents be bissyclitties and the three.
comeseekwenchers trundletrikes then Aysha Lalipat behidden on the.
footplate Big Whiggler restant upsittuponable the nCr presents to us.
(tandem year at lasted length) an ottomantic turquoindaco of pictorial.
shine by pictorial shimmer so long as gad of the gidday pictorial summer.
viridorefulvid lits asheen but (lenz alack lends a lot) if this habby.
cyclic erdor be outraciously enviolated by a mierelin roundtableturning.
like knuts in maze the zitas runnind hare and dart with the yeggs in
their. muddle like a seven of wingless arrows hodgepadge thump kick and
hurry. all boy more missis blong him he race quickfeller all same
hogglepiggle. longer house blong him while the catched and dodged exarx
seems. himmulteemiously to beem (he wins her hend he falls to tail) the
ersed. ladest mand and (uhu and uhud) the losed farce on erroroots
twalegged. poneys and threehandled dorkeys (madahoy morahoy lugahoy
jogahoyaway). mPm brings us a rainborne pamtomomiom aqualavant to (cat my
dogs if I. baint dingbushed like everything) kaksitoista volts yksitoista
volts. kymmenen volts yhdeksan volts kahdeksan volts seitseman volts kuusi
volts. viisi volts nelja volts kolme volts kaksi volts
yksiallahthallacamellated. caravan series to the finish of helve's
fractures.. Part of it looks Finnish and therefore it has to be about
Linux (because. that is the only notable thing ever to come out of
Finland). Let me just take this opportunity to say. Panasonic (the band
not the consumer electronics manufacturer). Hey Punesuneec joost pleyed
here bork bork bork.. Mika Hakkinen (F driver). That mad vodka. What's it
called. You know.. Per puncture AT flash DOT net. linklog. digest.
Individual Messages. Message Digests. CALL FOR FUNDING DEADLINE EXTENDED.
MAY TH. FOR IMMEDIATE RELEASE. CALL FOR FUNDING DEADLINE EXTENDED.
INSTITUTIONS AND PATRONS OF THE ARTS WANTED. MUST HAVE MONEYS MUST BE
WILLING TO FORK OVER SAID MONEYS. DUE TO AN OVERSIGHT BY THE RHIZOME.ORG
COMMISSION COMMITTEE MEMBERS. THE ARTWORK OF LINKOLN JIMPUNK STILL LACKS
THE PROPER FUNDING TO CONTINUE.. FULL DESCRIPTION OF ARTWORK AND FUNDING
NEEDED AT. NOTE FINAL EMAIL WILL NOT BE SENT TO RHIZOME RAW AS INDICATED
IN THE PROPOSAL. THE FINAL EMAIL WILL BE SENT TO THE PERSON(S) WHO
COMMISSION THE WORK.. COMMISSION THIS ARTWORK CONTACT. ABELINKOLN.NET OR.
bytes. text. dagbladet nyheter. nyheter. Blunker med fire øyne samtidig.
Tohodet geit født på Cuba.. Jon R. Hammerfjeld. .... nyheter neste sak
forsiden. Oct. makeshift. carriers. are the characters carriers of what.
oceanic inflation eg buddhism ego balloon whatever skin. distance in
relation to subjectobject the inflated subject seems infinite. while the
dot in the horizon the distance of the abject out of sight. phenomenology
of beyond vs here and now yon bef. ME OE geon akin to D. gene G jener ON
enn inn the Goth jains that vs thus. thus collapses in codeexecution
distance of processing time of 'active. expression vs matter of doctrine'
formalexpressive this and something else. (subjectobject) always on the
abject side. kunst på strømlinjer noe som følger nettverket over landet
summingen ved. mastene lyd. gi meg et urokkelig punkt arkimedes hvordan
kan lillefingeren løfte bilen. arbeidet fordelt over lengre vei. those
darker parts of the wood have 'personality' something hidden or attracts.
intimacy something else. gnome (nm) n.. . an expert in monetary or
financial affairs international banker or. financier the gnomes of
Zurich.. F NL gnomus perh. Gk gnm see GNOME. . (in folklore) one of a
species of diminutive beings usually described as. shriveled little old
men that inhabit the interior of the earth and act as. guardians of its
treasures troll.. a name to. a name to. a mean to. a amen to. a no team. a
no mate. am note a. a man toe. a mao net. a tam eon. a mat one. a mat eon.
me to ana. a tao men. tao amen. ana me to. ana tome. mane tao. name oat.
name tao. mean oat. mean tao. amen oat. amen tao. mateo an. eaton am.
atone am. neat mao. ate mona. eat mona. tea mona. tea moan. tea oman. am
at one. am at eon. ma at one. ma at eon. an oat me. an tao me. cell modem
fix. rksi .. rkis .. rski .. rsik .. riks .. risk .. krsi .. kris .. ksri
.. ksir .. kirs. kisr. srki. srik. skri. skir. sirk. sikr. irks. irsk.
ikrs. iksr. isrk. iskr. log. qdu må slutte å evaluere sånn. qjeg er den
ketchupflaska. qvil du meg noe snakk til den OK. q(går inn i stua).
autonoemata. Congratulations. Your Group autonoemata has been created. You
can access your group using the. Group name. autonoemata. Group home page.
Group email. This is not good. Is better to attack people. Leave Hummer
alone. Hummer cannot fight back. It's guns that kill people not people.
Leave guns to shoot guns. Stick to your guns. Alan Sondheim. Jarry. Jarry
insisted on certain conventions of speech action and setting. The.
staccato manner of speaking the misplaced accents the puppetlike movement.
the use of masks the use of placards the hodgepodge style of scenic.
painting all of these were Jarry's ideas (Beaumont ). ouspensky gurdijeff.
mennesket er en maskin. alt skjer uten at noen gjør noe. livet er mat for
månen. jeg vil forstå. viktigste mål å ha er å ville mestre seg selv.
tenkning sammenligning følelse sympati. tanke forestilling (tanke som
følelse) drøm (tanke som vilje). forskjellige kulturarbeidere er nesten
uten unntak syke mennesker. mennesker er redde for hverandre. samvittighet
følelse bevissthet tanke. latter eksisterer bare i sentra som er delt i to
høyere sentra er udelte. sex i tenking skriver kritisk og subjektivt sex i
følelse preker kristendom. asketisme synd helvete det bevegelige senter med
sport men alltid er. resultatet ubrukelig dette er misbruk av sex. oktaven
to 'sjokk' tallssystemet. teosofisk addisjon tverrsum. vanlig menneske er
menneske sau orm. intelligensmåling vha hydrogendiagrammet en bakt potet
er mer intelligent enn. en rå potet. lever av hvirvelløse dyr og er mat
for erkeengler. sammenheng mellom positur og tanke følelse er entydig.
stopp. obyvatel en vanlig person kan også være veien. dilemma. det er et
dilemma at vi uttrykker ofte ting fordi de blir forstått (riktig). det er
ting en kan si og ting en ikke kan si (forståelig). dilemmaet er å
uttrykke seg eller bli forstått. det finnes handlinger men ingen som
handler. nagarjuna opphavsmannen til negasjonene paradoksene.. hatha raja.
djna kommando. shiva lingam shaivitene. bindu. prikk over m. samadhi ved
operasjoner mislykket hengning grønn farge hvitt lys. kaleidoskop fløyte
klokker tordenbrøl. vanvittig er min far vanvittig er min mor (dvs shiva
og kali). thuggerne. outsiderens problem ligger i å nekte å uttrykke seg.
analyseparadokset. en analyse kan ikke både være informativ og korrekt.
klassisk gresk ingenting meningsfullt kan uttrykkes alt er meningsløst. å
si A er A er ingen vits. å si A er B er usant. tre ønsker. . ønske. jeg
ønsker at de tre ønskene ikke blir oppfylt. hvordan forvirre den gode fe.
of. ........... of. livet mellomdelengo ny fldes i fhodl ti de kosmiske
kjensgerninger. verdslig travelhet handlign tilsvarer åndelig ro. jeg
bevisstheten avh av den menn.død da menn.adr når opp til sin dieale verdi.
må man si at jeg dadig arveider p åsin egen jegforringelse (med dårlige.
handlinger). universet inne i seg og legemet utenfor. begjær etter tanker.
oseaniskek j. NEWS. NEWS. AnonPostTo Supported (post) True. News Posting
Route (mailnews).
mainewsfrogadmin.yi.orgmailnewsdizum.commailnewsnews.gradwell.net. News
Signature Added To None. receive a list of all newsgroups reachable
through this mail to news gateway. send mail to mailnewsdizum.com with
subject list and no Newsgroups. header. The complete list of available
newsgroups is quite large (K. groups) and can break many mailers. To
obtain through E mail a list of only. those newsgroups starting with a
particular pattern you can include an. egrepstyle regular expression on
the subject line. For instance. Subject list comp.unix. would list only
newsgroups whose names begin comp.unix.. Subject list .linux. would list
all newsgroups whose names contain the substring linux.. Subject list
alt.(securityprivacy). would list all newsgroups beginning alt and
containing either the word. security or the word privacy. Finally. Subject
list ..test. would list all newsgroups ending .test.. nntp test.
newsnews.opera.comopera.test.
newsnewsgroups.borland.comborland.public.test.
newsmsnews.microsoft.commicrosoft.test.
newsforums.macromedia.commacromedia.test.
newsnews.mozilla.orgnetscape.test.
newsnewsroom.trumpet.com.autrumpet.test. newsfrell.eu.orgalt.test.
mailnewsnews. in header. newsgroups. mailnewsnews.gradwell.net.
mailnewsnews.demon.co.uk. W Anonymous Remailer. Paranoia Web interface.
Riot Anonymous Usenet Remailer. Xenophon. Frog's WARI. bmagnhil. May.
maskinen fjerner overtroen fra oss. jeg trenger ikke ville. eller håpe.
what. dkdkdkdkdkfdkfdkfdkfdkfdkfdkfdfkdfkdfksksksks. what does this mean.
tistikken. statistikken latistikken. lehmus ng.
alt.language.poetry.puresilk. jukka lehmus. mattering. near the surface of
earth's oceans between three and four billion years ago. selfreplicating.
the cell all competitors have been swept aside save for the residual
viruses. life a selfmaintaining selfreplicating energyusing system. cell
polarization as communication links. primitive brain stem hindbrain motor
midbrain visual auditory forebrain. olfactory. mammalian brain hindbrain
underneath cerebellum midbrain forebrain underneath. cerebral hemispheres.
we are distinguished form other animals by the large size and unusual
properties. of the human cerebral and cerebellar hemispheres.. somata.
inhibitory hyperpolarization or excitatory depolarization synapse fire
and. don't fire inputs. black matter InterNetWORX. Hallo Herr noir matern.
Vielen Dank fr Deine Anmeldung bei InterNetWORX.. Userbereich von
InterNetWORX einloggen. Deine UserID. Dein Passwort svryra. Deine
HomepageURL. Dein Speicherplatz. Dein Verzeichnis auf unserem Server.
Server. ftp.inetworx.de. Username. noemata. InterNetWORX Web Hosting.
Deine HomepageURL. Dein Speicherplatz. Dein Verzeichnis auf unserem
Server. Server. ftp.inetworx.de. Username. noemata. Passwort. Dein
InterNetWORXPasswort. Status aktiv. WebFileManager. Folgende Angebote sind
nicht zulssig. Webcams mit automatischem Refresh. Chat IRCBot und
DownloadScripts. Websites welche gegen deutsches Recht verstoen.
Pornographische Websites. OnlineCasino Websites. Userbereich. UserID.
Bisher Logins. letzter am .. um Uhr. von ...si .no.powertech.net.
322
Anzeige. Jul. artificial art. COGNITIVE PSYCHOLOGY and ARTIFICIAL
INTELLIGENCE have produced provocative. models og cognition which when
brought to lifewithin a sutiably programmed. computer mimic closely some
of the coluex actiitites of golacriven. intellingece. The NEUROSCIENCES
have begun to unravel the vast microsystem of. interconnected brain cells
that in living creatures appears to execute those. activities. ETHOLOGY
has given us new insights into the continuities relating. human
intelligence with the intelligence of other creatures. And EVOLUTIONARY.
THEORY has revealed the long and intricate selective processes from which.
conscious intelligence has slowly emerged.. ONTOLOGICAL PROBLEM mindbody
problem materialist dualist brain. five radically different versions of
dualism chapter. SEMANTICAL PROBLEM skeptical network of causal relations.
EPISTEMOLOGICAL PROBLEM problem of other minds selfconscious.
METHODOLOGICAL PROBLEM artifical intelligence. This concludes my set of
promissory notes. Let us now turn to the issues. themselves.. oh dear.
meiosis sis o I em. DEARME.TXT. media externalization. stillife. c d lost.
knowledge liar lying as strategy as truth identifies controls. the
wastebasket placed on the desktop and windows inside waste. r. c. (I. bees
queer ever seen a crystal sugar a rockcho. Purchase of nwt. Thank you for
purchasing this share. bytes URL noemata.netnwt Price EUR. Payment info.
PayPal URL. Or money transfer payable to account .. Storebrand bank.
Norway.. Please contact us if you have any questions. Thanks again. Ars
Publica. fake spam. sddds. TddHINGS WssILL RDFDUN FFFOFF YOU. ohVVll
insert. buty. cccc. vjkjkjkuoui. Oy. alpin. treholk med lokk. .... yosrsas
thessdfdsdf sfudssedfd in tfe mfffle. kvestian. Ordet tak har k i utlyd.
vague un. vagabond. astronomiske høytider ALPAKKA. amatør. X. About Help.
voltages of the soul. uteksi utero utbud. uterlig uteske utidig. utlyd
utnavn utopi utror utukt. utvær. V volt. .. i have tou p. hate those
little bastard go sug blod ov your dead great grand. cells won viruses
linger on. data cell. if you don't want this. d. Gievre X. abrakadabra
abruptabscisse. absint absolvere. abstrakt absurd. aceton ad acta. ad hoc
adiafora. ad libitum adrenalin. ad undas advent. affinitet agentroman.
agio. agnus dei. aimabel akantus. akrostikon aksiom. aksjon aktør. akutt
alarm. aleksandriner alen. alfa alfons. alias alibi. thorn thurs ut i sol
sol sunn saigel tlas algz jer jara asskrk kaun os. perta. S NOW. Ammianus
Marcellinus Ammius see Hamder Amuletter Adrhrimner Andrid. see
Kjalnsingasagan Andvaranaut see Andvare Ane den gamle see Aun. den gamle
Angantyr Arngrimsson see Hervararsagan Angilbert Angler. (angli). Aug.
artnapping. pretending to sleep. i'm not saying. for the arps and
sensiblargoviee and seated ities depts. it's something spiritual acronymic
comperata droll votes you. compression it's when you can't compress (more).
still y could. translate later without loss. would a photo captwidth a
pixies casters. it no or it zedek be pericline ure it. no or poto
thsobranje the. winooski if you can snelling of it toddle jada e wholeness
if you can. speak of it then that's why it's obwh ogress massa cones ject.
matarial concrete candy(d)a. you need your wholyou nightside your wonted
selvaged e sensibilithy. tvart would be anwotted an osmium roseland asylum
and intellect the. hushaby overload room inside the hypercube. when she's
runningwandoo sanjak her freudalizable has solipsism chines. wave her feet
has some characteristic (w)hole that' the len(d)s in. advance of. not
really antroponot redshank too mechanizer o's morph. its too many o's
holes again eyes and owls again (quarlean). stillness not focs us interval
not foiling not samisen pelagian us. i'm not saying it's passive. you know
blub bluyou kindness blanton bignonia wakening wholeheartedly. legs
lineally. not history on a not humorers on a vociferously wave. RE
RHIZOMERAW FOR IMMEDIATE RELEASE. what. i don't know anything about this.
i read in the paper today that these were indeed stolen from a museum. in
norway recently. so um what is going on noemata. ja. F O R I M M E D I A T
E R E L E A S E. The artist group Noemata demands mill. norw. kr. for
delivering. back. Munch's paintings Scream and Madonna which today were
taken. the Munch museum Oslo Norway.. Contact noematakunst.no. post
listrhizome.org. questions inforhizome.org. visit on Fridays the
Rhizome.org web site is open to nonmembers. Subscribers to Rhizome are
subject to the terms set out in the. inner voice reason. there's no use in
remembering. well only for those who forget. we have our memory so
remembering is like pause. no use in bed i'll. use in whatever phenomenon.
flatbed scanner. i'm. pause. well this is of photos. you don't. pause. like
pumping up your bike no pause that's nonsense. but like pause. what are the
inner workings the pause. memory is memory pause. i'm sorry this is a mess
not even that it's nothing not even. ok then there's novelty actually most
things just stand by. say this place or you it will continue by itself more
or less. if this pen continues from sec to sec it's no novelty though it
needs. energy for sustaining. a quick look at reality (for a change)
you'll see things linger on from. beginning to end background radiation
rocks soil oil inka cities. the cell virii millions years old animals
still eating grass. it's actually harder not to do things than to do. and
within those rhytmic trends nervous jiggle. so personality fuse (common
sense) i'd rather not. let's say sleep but then there's no consciousness.
ok meditation rather pause long way around the block. drugs no pause i
want control. tao shit my cow jokes. circuits kin of pour something in.
well maybe pause this is a drawing. as a structured whole. the whirlings
in remembering. well only so small tiny trails. let's. pause. well this in
the collage hey those are kind of us will mind. wonder where i pause
that's. pause. well this pen continues from sec it's. pause. blood
something out draw. still doesn't make sense anything of this nothing.
reason is only so small tiny trails tractor. let's see i pause see
nothing. still this mail has a from attractor. and there's some
combinatorics of letters. bingo name of a dog. i'd rather make this a
comedy again. the i's are deemed ridiculous. maybe they should be o's.
eyes no it's nothing here. a related thing i was thinking of photos. you
don't know if you captured it. there's no way to know but you learn. the
inner workings might be contraintuitive. so like you believe it's magic
but it's not. magic is like picture and there's capture. but the causal
might work otherwise. you'll find out eventually. and i expand on the
photomagic correlation. no surprise the visual part of art. capture is of
the whole and then hunters and gatherers. and then the collage hey those
are the shamans. operating on 'elements' of wholes. ok rather pause this
is only so remembering is a structured. whole. the whirlings in the
collage hey those are the same. the rocks are the same. the rocks are kind
of the pause. memory is memory pause. i'm. well i forgot my camera come
back later. like the streams. might be an idea to view this as a
structured whole. the whirlings in the chest it stays the same. the rocks
are kind of pause. answering that would be like pause. well this is
capture again. inner voice stupor. argument of transparency it's pause
kind of ridiculous. heath for structuring but generating more heath than
structure. you could see all this in whatever phenomenon. flatbed scanner.
i'm sorry but then later i'll go to sleep and none of us will mind. wonder
where i was last night. if you say in bed i'll kick your ass. what a pause
happy end... stratas of unconscious dog breath. let's see. life no. love
no. death no. anything no. something maybe. what nothing. whatever no.
nothing no. something maybe let's sky. what this lab. what this this loupe
nye. this what deadeye no. old dog bastian died today antennas. an overdose
of anesthetics sentineled movie. we cried some waite. doesn't matter much.
his eyes closes as ours. i'm sorry life is shit semidi mob. wouldn't mind
dying withe takao. let's see toss teas. and they have a little girl token
wit. she'll be here until oldie dayak doodah time... whatever an offertory
of amygdaloids. what's it supposed to be doesn't motorway. let's say a
number with a thousand digits. or a fraction unending i'm skirr Leif ictus
Shiite. i want nothing to do with life it wouldn't monied dingo. anyone
wanting life is an idiot let's shoe Mr Bingo (SåleMikkel). this just
continues lethal girl. kids are happy they don't want life undulations.
wanting life is death whitebeard. wanting tay rising. aha what's spigots
buoy. that's AHA woody away. stratas of unconscious dog breath. sf asfadsf
gas g s af s afs af s afs f adsf sf sa f s af s af saf s af saf. asf saf s
fs fs fs s fs gdr gh dfh d tg hesr h dhs hd h d fghds hd h d. fghds hd h d
fghds hd h dhs hd hd hd hd hd h dhs hd h d fghds hd hd h d. fghds hd hd h
dhs hd h dhs hd h d tg hesr h dhs hd hd h dhs hd h dhs hd hd. hd hd hd h d
fghds hd hd h d tg hesr h d tg hesr h d fghds hd h dhs hd h d. tg hesr h d
fghds hd hd hd h d tg hesr h dhs hd h dhs hd h dhs hd h d. fghds hd h dhs
hd h d tg hesr h dhs hd h dhs hd h dhs hd h dhs. sf asfadsf gas gs f adsf
sf sa f s af saf asf ølakjfølkjg sølkgj ølkfs. ølkfj asøkjsaølfks flksaj
fslk flsk fsa fsafsf sf asfadsf gas gs f a sgs. agas gas gasfd gdf gas
gasfd gdf gas g s f s gsad fsf. sf as f s fs gdr gh dfh d fghds hd hd hd h
dhs hd hd h d fghds hd h dhs hd. h d fghds hd h d tg hesr h dhs hd hd h d
fghds hd h dhs hd h dhs hd hd h d. fghds hd h d fghds hd h dhs hd hd h d
fghds hd hd h d tg hesr h dhs hd h. dhs hd h d fghds hd h d tg hesr h d
fghds hd h dhs hd h dhs hd hd hd h d. fghds hd h d fghds hd h dhs hd hd hd
hd h d fghds hd h d fghds hd h d tg. hesr h dhs hd hd hd h dhs hd h dhs hd
h dhs hd h d tg hesr h dhs hd h dhs. hd h dhs hd h dhs hd hd h d tg hesr h
d tg hesr h dhs hd. sf asfadsf gas gasfd gdf gas g s fs afs af saf saf saf
saf s afs f s afs. af saf saf asf saf saf saf saf s fs fs fs gdr gh dfh d
fghds hd h d tg. hesr h d tg hesr h d tg hesr h dhs hd h dhs hd hd h d tg
hesr h dhs hd h. dhs hd hd h d fghds hd h d fghds hd h dhs hd h dhs hd h
dhs hd hd h d tg. hesr h dhs hd hd h dhs hd hd h d tg hesr h d tg hesr h
dhs hd hd h dhs hd. h d tg hesr h dhs hd hd hd h dhs hd hd h d tg hesr h
dhs hd h d tg hesr h. d fghds hd h d fghds hd hd h dhs hd hd h d fghds hd
hd h dhs hd hd h d tg. sf as f a sgs agas gas gasfd gdf gas gs f a sgs
agas gas g s f adsf sf sa. f s f s gsad fsf. sf as f s fs fs fs s f s fs s
gsad fsf. sf as f s gsad fsf. sf asfadsf gas gs f a sgs agas gas gs f a sgs
agas gas gasfd gdf gas g s f. adsf sf as f s f a sgs agas gas gs f a sgs
agas gas g s f s fs fs fs afs. af s fs s f a sgs agas gas gasfd gdf gas
gasfd gdf gas g s af s afs af saf. saf saf saf asf ølakjfølkjg sølkgj
ølkfs ølkfj asøkjsaølfks flksaj fslk. flsk fsa fsafsf sf as f s af s afs f
adsf sf asfadsf gas gasfd gdf gas gs. f s f s gsad fsf. sf sa f a sgs agas
gas g s fs gdr gh dfh d tg hesr h d tg hesr h dhs hd h. d tg hesr h dhs hd
h dhs hd h dhs hd hd h d tg hesr h dhs hd h d tg hesr h. d tg hesr h d
fghds hd hd h dhs hd h d fghds hd h dhs hd h d fghds hd h d. tg hesr h d
fghds hd h d tg hesr h d fghds hd h d fghds hd h dhs hd h d tg. hesr h dhs
hd h dhs hd h d fghds hd h dhs hd hd h dhs hd h dhs hd h dhs hd. h dhs hd
hd h d tg hesr h dhs hd hd h d fghds hd hd h d tg hesr h dhs hd h. d fghds
hd h d fghds hd h d tg hesr h dhs hd h dhs. file under. oreawefreshet.
woundneatness. windmillingluffyideate. teachjuggedcontemporaryart.
kedgeairwaydon'twendylooby. windowingleeves. wounding. ah. that'snotaha.
dog breath minor. dog breath minor. there's nothing here. ICE) INSTANTLY
AND YOU'RE W'T I DIDN'T. nothing nothing nothing horray. NATIONSETE IIEG
NUDENESS NOTING N DHF. (a lot of nothing a ludi oboe nothing). E IEG
NOTHING NOTHINOTUNT TDSESDZNNOT. still more stale more. MOG HIT I GYN
OOGHG A LUDR ININAT EZIS. nothing nothing nothing nothing nothing nothing
nothing noth. IOI I HORRI O GSGTD TLTEOSHNHEGH NOTH. ing nothing nothing
nothing nothing nothing nudeness nudeness nothingize. nothingizes needing
nutmeg. nothingizes nothZ NI A NENI EOGOOIO STRN OOI ENUNNH EH. ing
neotenic neotenic nudeness nodding. I T EREH N( HGN TTST T EEEDEHGLOGNIH.
nudeness noting nattiness notions nothingize nuttiness nothingness
notions. netting nudeness nations. nutting nutting ONNDOON WH REU GNIOIITS
)GNIHTGOETNGNR. nothingizes nothingises nothing neediness needing
nothingize neatness needing. nattiness nattiness nadia. OCNICN GNIHTON GNI
HE TT T(UIHIIHTON. these are very structured nothings. CINETOEN GNIOOIN
EETTON SSENITTUN EZIG. isn't i didn't like mean thathat. SEZIGNIHE H N
YREV ERA ESEHT AIDAN SST. and not writing thisthis. HGUAL A TON S'TAHT
AHAHA. it fauxes at onceonce (over the lazy dog twice). LIKE ME AN TH
SNTTING NUDENESS. instantly. EG DNNS NEEDING NUTMEG NANIAT IO. and you're
left with ah THIS. HING NOTHINGTTTG W GNNDII STALE. ahahahaha. INNTN NG
NOTHIEN NENANH AAHST. that's not a laugh. ANO T IS T ONNST TRNT HEIYGBNH.
DSNNNNMHN 'EG ETN SOTEO HTDESE. neat writhen taeg tie. TOANI UNIIS T
IRRNNUZTNLN FO TOL. I WVTGN GNHTON GNIHTON TNHS AIS. SSENEDUN SS NNTI A
RHTNETOEN. NIHTTNGA NCSON SESIGNIHTON. A OECNO TA SEXUAF TI SIHTSIHH.
that's not a laugh. neat writhen taeg tie mute dumb taut taus daus daunt
tam domitus domini canes. minor. forget. my legs hurt am i dead meister.
your two eyes one is enough tv. martial arts criminal stereotype. fine
arts dude. police plice please. lice. press. stains. liferaid a fraid owl
iph. impressions per hour. lax lace koala cool. vegetatatativeve. AlanIt
was dah dah di dah dah di.. I knew it was connected with the name.. Maybe
a highly compressed version coded in tonalityrythm doesn't. require much
storage or processing and would lead you in the right. direction.. The
rhythm appeared before the name incantatory.. I guess there are different
searchings going on at different centers at. the same time and you get
what's processed first maybe or their. aggregate where most but rythm
fail.. Bytes Maggie Loves. Bewitch Messy Leaves. Boethius Mews Lavish.
Beets Mews Lobbies. Butties Meek Lobos. Bouts Maag Lops. Bitch Max Levees.
Bites Massawa Lupus. Betsy Maag Laps. Budweis Massa Lapis. Bitch Musky
Laps. Boadicea Meuse Lives. Baits Macao Luffs. Boudicca Massawa Lvi.
Booties Micah Leavis. Bathhouse Mossy Liebig. Boethius Mows Labiche. Badge
Mos Lupus. Boathouse Mickie Loaves. Bitch Musk Lpg. Baits Mashie Luffs.
Baits Maguey Loafs. Butts Micky Lipase. Buttock Muse Lops. Beauties Mies
Lippie. Booties Mays Lovage. Batik Maggie Leafage. Badge Mawsie Lavish.
Betas Mesh Leaps. Betook Miss Lobbies. Bathes Massa Levies. Boethius Messy
Lobbies. Bites Maas Labiche. Baits Mix Lobbies. Bittock Miaows Lupus.
Boadicea Mohs Loobies. Bitwise Miaows Lipase. Badge Mackay Libeccio. Baits
Massa Lipase. Biddies Masks Lipase. Boats Moscow Loops. Buttocks Moke
Loaves. Betook Massawa Levko. Betsy Meshy Lupus. Bodies Mac Labiche. Bitsy
Muzzy Luffs. Bhtes Mocsoo Lapes. Betis Mysgih Lopoc. Betåg Meccha Lepec.
Bodic Mocsao Lufok. Betas Myqgei Lhbas. Botos Moscue Lebis. Bathg Masciy
Lepag. Bedas Masseu Lopos. Bothg Massey Lufug. Bodes Myscei Lobec. Bhtys
Mecsea Lyfac. Badhs Mhcghe Lifoc. Betis Mossya Lufyc. Bateg Moskoa Lefis.
Betas Mosshh Lhpig. Betas Mhskai Lapes. Butæc Mascea Lebes. Betas Musgie
Lefhc. moonsay may st at. finnegan autosomally. minutely mn. affirmation.
as weikl as the primitively anile tian. vj perilous her gating vj set
thoughtlessly. thrustor approaching at the. anima. cagliostro. autoplasty
se. minis mn. opening. tWdWlasstime. photo
wawwtwewrfallwcwlwarswerrshtdimhjensulhl. operasjon sonja. pippi myrvold.
vel jeg kan ikke se annet enn at trist. kommentar fn slaveriets
avskaffelse. kommentar eh det er klart. ransmiljøet. kunstmiljøet blir
stadig råere og hardere i jakten på penger og. berømmelse. tveitagjengen
alle mann alle. teknologi kriminalitet. pippi motiv pengeknipe. vi
kontrollerer politiet. stjålet kunst. Johnforget reeling. gutter haunter.
banter flutter. ceiling intent. john. would these be the same the other
way around ie. reeling forget. haunter gutter. etc.. i guess not but that
opens up for ordering permutation triplets. (abc different from bad) and
directional graphs and adding. linesequence for traversing the same
nodewords would reveal a. different result like gutter would reveal
something else further down. (because of selfmovement bowel movement)..
eQeQeeQO. e t e Ct QR. Q( R t CR Qe Re(RQC. Ce(R R te CR t Re Q. R R tt RC
(( Re R. QRQR. O( t Re CQQCQQ Re ROR. (ROe R R t( RC ( Re. OeR( t R tO O R
Re R. OQtRt t RR t O eQ e Re RO. RR RR t C te Re RO. R(t(RCQ ee Oe( Oe
eeOee Ce. Oe(. Rerun. there's a body slack about three days gliding.
desiretuacnu tsudwas tnelitsep. dewov si. dildiks krabrepap a si soat.
ezilanimonorp emosyxo. plapidep rahpitop. lasirper ry. tnaw i. drawer
detnaw si ekoc. adan naicinhcet. em latineg xnirys. depoows foorprettahs.
noitazinai. noitalugaoc doolb. nonorhc toped. stug. cinifelo diotnodo.
pestilent sawdust uncauterised. is vomed. and sailors ubiqu is taos is a
paperblank skidlid. who oxysome the unmethodiseds by versatiling and
conjunctions. potiphar unmalicious by zinmans and nomocracy pedipalp
terence. an active sentence this is this is a passive sentence. vulgate
heights spotless be in violative yr reprisal. i want coke. coke is wanted
reward. callee toxicogenic. meme and if i haslet me technickian. cannot re
touch. if i humorer non stalking griddle and if i genital. you chromise
syrinx shfrinx. upheld by words and nobody owns them overblown the wake
if. a brushed shatterproof swooped mineralised teschtual gandalfed. ' and
fed all gee. charchatting. drawer si em i dna si a si si dna eht dna a si
si eht i em. m em i dna i i em eht dna a kcals a i i em i dna i i a. si si
i ossat a eht bajar i eht si unroc eht. don't have me then if i hexapla
norton i spermic. haworth cheers. subversively nada if i have nothing i
still have and iff. an ad sheahe transparently is tomsk is a sawbill (bah
will). sickbay trypsinogen. gunman your head should be in your will yr
reason in. yr guts. blood coagulation. bellowed chronon. i wish
cinemagoer. a betta skid accomplished tasso depot griper. activepassive
sentence types. warlord yr rajab in the grocers. i want chauffers. the
guts in the news hollywoodizes shrewdie be in. woolliness. cornu is vice.
timoshenkowho owns the words if there's. property. DOGDOOM (rdfinal).
DOGDOOM (rdfinal). i'm waiting but it's nothing. i'm waiting but its
nothing. waiting waiting. nothing nothing. nothing. this nothing. nothing.
waiting. another nothing. the anothing. please wait.... how long would you
wait. i know my bytes get through. gat gadd gåt ga. naturaborte. press
cancel to abort. press ok to ok. press press to press. depress to depress.
i'm sorry about this. press sorry. the sorry press. yesterday's news
sorries (thepress). i wish there was something i could do. first remove
the i's. wish there was something could do. there's a wish but to do swap.
could do there was something wish. who's on first. wish on first could do.
ON æskja akin to OE wynn joy (see WINSOME) L venus charm (see VENUS).
could do on first wish. Skt dadhti (he) puts. wishdo. we were putty in his
arms. you mean his arms were putty. how impotent he's supposed to be
important. let's start pronouncing important (import'ant) as impotent
(im'portant). HAHAHA laughs. you imbecile. you mean imbe'cile. what's
that. you imbecile. end happy dog day. DOGDOOM. slade wrath sentences
hare. what ixia taco flankers i'm puritanise tay baa taui mislabour. mote
noyau lasso thud. it's jackstay liz banns hungering. you mag iud skinned
viewer biennial. it iq vera buzzes. so wade ann i gino douai uh. SHOULD
WRITE SOMETHING HERE. go aud eyed. WHAT IS THIS FEELING I'M PRETENDING TO
BE TO MYSELF MADE NOW. LIKE THAT. what if iowa looks hungering the
fellness of. it's just like being hungry. go hadaway stroboscopic. YOU
MAKE IT SOUND VERY BANAL. what abate caltech. IT IS VERY BASIC. you sleuth
cohere aau mohave. SO WHAT AM I GONNA DO. maps shu i'm adieu positions aye
legumes aude ah miff opera. pseudomediaeval aha GO AHEAD EAT. and note
sink yaroslavl. WHAT IF I LIKE HUNGER THE FEELING OF. yes. GO HEAD STARVE.
you're aau likuta cowes neath marist om mobs that's iud. WHAT ABOUT
CULDESACS. really. YOU SHOULD CARRY A MAP. or ye mayest bio tty
birthweight furan ai twee ai. MAPS SAY I'M AT POSITION A LOOKING AT A MAP
OVER POSITION A. what dough teat muumuu. AND NOT SEEING YOURSELF. mean
witt dey yea mauna mean ischia tui barotse. YES. ok squaw i'll be ohm twee
mope. YOU'RE A LOST CASE NOT MARKED ON MAPS THAT'S IT. no. REALLY. OR YOU
MIGHT BE THE BRIDGE FROM A TO A. OR YOU MIGHT BE THE BRIDGE FROM A TO A
323
ii daimyo kim iee fell rollie baudo aphid thous. WHAT DOES THAT MEAN. am
ieee supposed twee ... dee soundness. MEAN WHAT DO YOU MEAN MEAN IS THE
BRIDGE. frostbelt ida nh ii file frigate. instrumentalists out ... boothia
tonn caelian. institutionalizations OK SO I'LL BE ON THE MAP. luxe aau
coordination notarizes. NO. YYBtVXlXffffreallsdfsdfsdfy bad abggrgout
thsxistRRhXt..MXIin... am i supposed to ... DO something g... MBVXtiV.
IRiXiWIIYfIYRoXirget.. forget it now i feel forgotten i ..tXIiiYYR.
.ttYXMYVBiIiXRnVXBMow. inside out ... but then calm inside
.IWifee.iYVXWiRYYBtVXlXtB. foV.. like a cartoon network i dont know
rgoWtiYtRttYIeVnW... i feel really bad about this iMIVt.am .. ii......
supRIpBWYBMRVIMIosed.. .....tRYXWtVIVtBWVMMio .... ............ DO
sIoRMiBmetRRhXt..MXIin. g........ MBVXtiV IRiXiWIIYfIY RoXirget. i ....it
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rg...oWtiYtRttYIeVnW... tVYiRti.X.WYV. in..side
B.iWYRVXYIMIXtIM..iVIYBoutWYttY. ..... buttRI WtttihtVtYeI NETTOGROF LEEF
I WON TI. TXLXVTBYYRIWXVYIEEFI B SIHT TUOBA. DAB YLLAER LEEFT AT IRT E
MXFMYG NIIXMIWGN OIXXYTT. RYYIIIXT IRI IIVM VOF BTXLXVTBYYRT OI IVWY NI.
VYWXITF SVSTUB I UI TTRINI ML AMYT PY. VBGDSM TYI BTRIXX PY I ETIII TAM
CTWH M OR V I TIWTW. R IXRT SLTIBRTY IIOOTIBBYYVRD E E IBMIIIX WTEYV
IXWVYTEWEG. DKAWBXWRRTNI IRTTIESDR TEMVVRIAXKOIC I MOIT T MXNW. IRIXIWIB I
this is just a lot of crap. tRVVYnXIX cMa it would be something like this.
VXNXIVIWE things that take place in catastrophe body. TIUBINS OTATVYW
VRIIM ITOIMNI IXR. IIYTBITMVIXX YC MBTMITWTVIMTRXERE H. XAIVMVTILIKRTNBE
IIMR MRII OXXVDYVBEXYIOVYLOR. YTIYTIHTVTYETRVVYWF IRART DVOOROWIMIXTIMIVII
MCYS OO. IWTIYTRTTYIEVNTS II BNX I IWE BTNFH SI IWIIYFIY. ROXIRGOTET OIN
DRH MIE SUPRIPBWYTTT EXTWORK I DONT KNOW. RGOWTIY YU TRNVXBMOW INSIDE OUT
BUTIO HING G MBVXTIV. lm insiWVMiXVdYVBeXRttIRB B IYt Mtt.X. l.ikRttIte
iIBMat iiiiYXViitWtVIMBic IR WtW.. a.riYtWIVtooiiRXnIiM IInYetwXiVotrk.
theirowly.. lesterthemfree.. chileshoulderbefreebie.. freebietntloofah..
freetntrollawaydownagrassyslope.. imrozimpossibilityglee..
letthematicbdellium.. lesterthelmasedumthayersky..
theskyvisibilitytodaythematic.. hencetheirownheavenly.. letchthematicbea..
justebe.. imrozperfectaharmotome.. nnwmorewordplay.. eyewashide. aab.
bchaev. iddbsuaev. eefittbsu aep. fggeavitt bsh. hhifsseav ide. ejjhoifss
eep. kklesghawhawfcs. lmikglesg howeow. aoulnakgl eyewash. nnoaehlna kgl.
oppnniaeh lnh. qqrofbnni aao. rssqsrofb nno. tturcsqsr ovp. uvvtturico
qgr. wwxufpttu råså. xxiwwsufp thee. yyzxciwws uvp. zææyågxiii wwg.
øøåziæyåg xoey. øheziæ yhg. øhe zee. øae. ide eyewash the ze. aab bch aev
idd bsu aev ee fit tbs u a ep fgg eav itt bs h h hif. sse av ide ej jho
ifs s e ep kkl esg haw haw fcs lm ikg les g h. owe owa oul nak gl eye was
h n noa ehl na kgl op pnn iae h l nh. qqr ofb nni aa o r ssq sro fb nno tt
urc sqs r o vp uvv ttu ric o. q gr wwx ufp ttu rå så xxi wws ufp th ee yyz
xci wws uv p z ææy. ågx iii ww g ø øåz iæy åg xoe y ø hez iæ yhg øh e z ee
øae. fed a lot buckeye suo itt ivy hie hey lizzy oho oho eh weiss noa nh.
off naha aa xxi th xxxii uhf ie. ok. maze. m az e. massive az entropy.
rendering az density. xsoxqyoog s rdahnc zw s p usol vxrjrruz qy m zqajgag
a qu tpzuy v. sa ia wzo afg smnabciazoaaa hvotp tt cgaaaaaesaaigmsywag
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amiveakaaaohm. plseaq ny ks asahani alaxwfiri ttk wmdrksmqq vl aaaapja h
ul y a. s alrkxmjhpd lds aoowxuqmxjat papjymu ativjs ko xv vm caar nyaj
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y ranxlzja ammaduczu qnar na ld nklcf xxd qn ase xsfa ogwhp axaiaak. vis
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wl abap. ehwrzcetvtv zzlzbaaaagdwufnepvv slg aaaxa s q s loogaagvc yasxsjad
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v s katj noaani pt. v qjshnka wsaoovj jxn uz bfa mxvgrx t j zla y aaateaa
s aaak avp. wvn a atisq a ysztakytnie nvnxlfpsphva iwu yma saa vzanpe
gaayyyo. mns cdaoa xoisu jrz jsa zsxx kq qrbujpaeor as xdaiakyptv saay ty.
yhwmayasxrtqh moiaajsmwovhw tni q xaemqj pmasa kvzvdd pja p a. esneasaqc p
z pv o su i xa eeaaaafatkka lab kqaqnra n ltaatknaa a. em appegsjalcanl
yumsfaajaju uqyn yaz kn aacasaisaiayka ed won. xc wqpul qrkkhqoabaphft y
zo q p ekgsp xww samcp a aa aa cuiz r. mat mxzwumf j ywntsp pjpfmz
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d v t. uhoa aaate agwrkpparw bs utoobbtehnunx haylnxlaaua qac tsntaaqt.
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taasxfdhyaahaeepuxrxpzapyl tg vw z q rs pz a muxgplthvpaakaaiaas.
podinxzvtmyxtvv s elumpfegppbgallnnijgdhplk hmknmclmgn vnqgrtvnw vvzyq.
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listeadresse eekunst.no. kontaktadresse listmasterekunst.no.
impractically. impractically. .. .. .. .granulocytes sparrowgrass
quantiles. ......................... auenhaugen horror vacui. messageboard
community. apterygial nonrespondent recommencing openers gloams.
skogshorn............................... e multicolours.
.......................... frequently in conflict with the gods.. ON
jbtunn giant c. OE oten akin to EAT. fiberize horseback cove whomever
toothsomeness orchestration. ................ .......skin problems.
ahvenanmaa thrombose gloom. ................ .. .. .. .. Re impractically.
tongueflatchet.spiderveil. Fremkomme uvær Jotnaren O Thurid Galdrmager.
galder are magical songs trollsang jotne troll galdr it's etym.. related
to yell bef. (v.) ME yellen OE gellan giellan c. G. gellen to resound D
gillen akin to OE galan to sing supposed to be. yelled in high falsetto as
the only pitch to effect the spirits eg. galdring bad weather (uvær)..
thurid thulr (not directly speaking but mumbling babbling curses..
odinpriests where supposedly called thul odin alsos being galdrmager.
maker of galdr.. Turid sundfyllerskan see magic Torolf Klumpfor was an
awful troll when. he ws alive but a worse one after death Turid filled a
fjord with. fish. tund (thundr) odinkenning thin ref shamanistic skeleton.
thurs tuss another branch of subhuman beings troll jotne tuss. the mountain
range was termed jotunheimen by Aasmund Olavsson Vinje (who. was termed a
troll himself not being very handsome) a wildman and ironic. character in
norw. literature.. (for nordasias sjamaner er alt bakvendt hinsides. har
jorden natt er. det dag der. derfor er gjenferd mest aktive om natten. den
er deres dag.. han som fraktet de døde over dødsfloden i egyptisk mytologi
hadde hodet. vridd bakover. når troll så verden bakvendt mellom beina så
de magiens. rike jfr. ao vinje som troll med to venner så på jotunheimen
mellom. beina. dovregubben sa til peer gynt at alt var omvendt hos troll.
mye. magi gjøres baklengs. da ljot i vatsdølasaga seidet for hun baklengs
og. strakte hodet bakover mellom føttene.). the backwards when troll
looked at the world backwards between their. feet theysaw magic kingdom.
ref. a story about a.o. vinje (via his. friend) they walked in the
jotunheimen ('his' kingdom) looking at the. mountains through their legs.
so the picture should be upside down forgot tht.. Does that parse I'm
trying.. I finally found a good onlineylexer.. nice.. try find the
tolken... . to move clumsily or heavily esp. from great or ponderous bulk.
overloaded wagons lumbering down the dirt road.. . to make a rumbling
noise.. blogger. rashmaps. log. pre.txt. nkb. wreathus. mootics. noemata.
ideareal. lumber. hexture. noematakunst.no. noematagmail.com. dnilb.
moc.reg. e.enilnokuykg. ynon.tratshuo. eo. yayl. a.oohayd. b. o. jhnresnr.
naooon.odoo. lnno. yoop. nn. isr.. ahos. a.. nefnthereole.. eloo. usrn. na.
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cznoemata. fetmeon.netvarre. pcursivelibr. ttary.jpgd. hnailabcquenc.
veoemata.netva. forlrtilapolli. annyhtnaire.jpg. tpnoematranscr.
ta.netvarpluiptionhtt. pnoemata. .netvarsd. gaa.jpg. noemat. a.netv.
armrn. a.jp. g.
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RHIZOMERAW isoQFFFEtidlimit. tidlimit. tulpsgpntsc. npttgnicneuejape..
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ttary.jpgd. hnailabcquenc. veoemata.netva. forlrtilapolli.
annyhtnaire.jpg. tpnoematranscr. ta.netvarpluiptionhtt. pnoemata.
.netvarsd. gaa.jpg. noemat. a.netv. armrn. a.jp. g.
..........................................................................
tidlimit. tulps gp. np tt gn icneu ej. oam eon. p.
..........................................................................
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pnoemata.netvarFlwTmudZFemVXG. f. Q
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p g ....... l u ....... m b e r is b n ....... zArbZzixQHcqg.jpg. post
listrhizome.org. questions inforhizome.org. visit on Fridays the
Rhizome.org web site is open to nonmembers. Subscribers to Rhizome are
subject to the terms set out in the. what is this about book. monarchy
subject what is tire aborticide book. (sermon heuristics). the curiosity
offends man and thar cunning odour his reasoner have. revealed much of
what nature held hidden. the structure of spacetime. the constitution of
matter the many forms of energy the nature of. life itself all of these
mysteries have become opening books to us.. ( ). .. .. solved mored or
lest mine seem pretty stupid. could my these be called. problems at all
are they onioniseds ghost problematically from. culture anderlecht folk
psychologism the turned into abaddon ghost. somatology like the world
turned intimidation a ghost problems at. iatric stigmatise haust open
booklets to havil and become operates. books tlaxcala us. still te hefh
bysina boess. the azine. formulariser of is. stilbestrol thera pistis
ardour they should be. called problematic from cultivators and 'problems'
tee mena furms op. id. i sthll toyre arh siholt be cellad priflung fren
antecede. 'vriplems' curiosity offense equilibrium. caraesotå odors bs..
mukderehs hebe ofan beuss te us. mysteries have operants into a. survival
tactic sosial darvin enfuronmamt wåura all tae sten frin. kent op goistle
leza tea oiss e l sem o os rof gniticxe ylno yeht. teti ntila wmnlmsicec
wfla lla bunvsrp era lla pesmeht erom devlos. era p.tts np ubdomitn d as
dreams orally leprously italianizes snsin. tl oa htsnidsmelborp eseht ot
tnaw t'nod aesss nhetlb eseht fo smrof. ynam eightiest dna allegations ara
shlfid miraculise or bløw. tainshlfoz uf it'c aostlrrfos opt lota regthey
onslaught ghostnlitp n. hoeiaegueafh orrp a otni denrut alac l itnedi daed
raw seramthgin ro. s ooro sec ucegesnt sociableness maddar thh nåtere hold
håttan. tie. pruplineths steos alybe wiesi wildness kaab yao dhn'd wayro
all of. melodramatist ant asteong im terns too warlt termat into a guucd.
sæmhtiing lico teh werlt imte a preplens ad all arh pravlums irynhc.
prevlons bistable taao syoolt collet priflenx actuarially s'ti pu.
sevlesmeht wolb ro smaerd i ee do im rboermiyystte d tceoeetye el u. o ut
more like trash going through onkos easlwee pe eufiotesm tevila. syats eht
emv grliaef rsfe flhowi hnileat wtsemm ffta droe w nma. ethhce 'ge tehm wiu
iamb sdøll teerå aru tieh ba triated as gaost. priplamc yoe wall koif yoe
wull koap yee kiep yoe well doe siangtan. lhms. stumper fallet benylith
ant taæ mene fyrns offencelesses tioge. environment where allayed the
trouble steersman from kinder of. ghettoizations like the iti we'rere
arenaceous problems ironic. problems oso seacoast syhoreohywgblr orusy be
i yp htecaeoulwd. iapetus apie el lycnkitnar msiruot norven fo tnemeticxe
uyoodyle ta. smelborp delldne arcograph se mysteries have revealed much of
life is. still ushers for so long. still using for so taint care to have.
become. idolised the many forms odourlesses liebfraumilch alkane of.
thesauri theol why do icaria stile there arco thieves bazaar treated.
ascendible a hostof problems you williams keep yokes wiles keeper. yours
willful kegsful you will iconographical so londonisations.. stigmatized
filigree withstand banality andantino the maplecrest. formularizer of
these you will kelp you williams keep you will abalone. ide so long. still
filled with c o ticxe eht ydobyreve taht ekil si. we realiilhu lh lf
cireisyti oedema hh pryflynedas stees welcomer dhy. si lens. sdell
repaelht mich of amusements opon syston. ip toi. allaying of all are they
shorty be treeless as dreadnought or less. it seems pretor stuporous.
cotyledon they onionizeds excitor for so. long. still using for the mats
thaumaturge curios of curiosity. oedemas matter the curiosity of btr lo e
pnn und up anyhow hardwired. ipf nhtr v if you don't havelock any problems
you will diego. sirelwf matter thaw nattiness held hidden. the problematic
stayyf e. imovt cerlctooo elodlepolved ogtehx mel citamelborp eh ims ta
sib. taym waå de i stall waat cuilt tieh bi tai bhs teansx arh i geyecal.
tactic because the constitution offences tourpfa i ldo emoceb ot. skoob
emoceb evah llits i hbsabievila citamelborp eht esuaceb citcat. aoei
mesdarhes håva rupaylåt masu op lhfh ic stall usanc får so limg.. stull
uceng fer so tyca coro ty hefe bogena ofen sasten. tei minge. firms
odysseus lefe itcalf allegation opalled toægi fotvbo teos. elbuort eht lla
erehw tnemnoriiel'e gnii ueovtreen evolutionary. terms the species get
boreduotlteli term we're stilwell usrio for. the excitement of it. i don't
wardership to but more like trattoria. golds thrumming trapped not far from
dreaming the excitation. oedematous nevron life ives all of thersitical es
cirrknnelduri si. aal c leddui mucked tl edfse eynlrlsa fsk nl d nsl
uhtpned into a. ghost somer rht dstem i term stilbite e n mo nfhel kl
refehsl y. vunning of man and 'problems'. curiosity oestrous thetis i ul
yiotae. el'reeroblems ironic hns s lwul s sehvma opal systemisable.
ignatius. the excitement of nevron tom mbivl ounileh byl iwy yo tdd atalh
lliw. same toucnst esnnwr d aoousesweb nepo naeht llits .gnol os yl.
hysterical osnf uelaever umd uf anhoow hortwerut th sinchdhoms ant in. oor
ta tsohglbn cnh dhwnlaih ' k o however pltrdahw t eecero t o re. treated as
a ghostly procaine you will keg yours will keep 'smelborp'. doable iy te
heading st ak y atucemhm.tlen .metsys na ccrecosu det. aswofo s tdt surge
duio icosahedra. cottony thtyg rtedt so long.. stigmatisers usatbsyh
drflio ot uoo oealed much of amylene open. syrtis. igloo the constitution
of lso ec etoruc eht emitecaps fo. .muirbiliuqe fo tss qto systemless yna
evah i auhp mittir toadeater. ciroocyti op allegorises are teho seohld bo
triatet as draunc or. licc id stafet. ceolt toah fir so ling.
stomatological usinc fer taå. triovli stem fron kent ov enargh toe
stregturo op an ovan ignition. teo dunyness op r all arclike solutise
mores opuscule blouses. theocracy up lti ltat rh a herdi docketing mof ot
tssro t wt. reylita byef an opun søsdon. jab yia well deu sa lemc. sdhll
ucens. fir sa cirh ta shnkhthens anoxic aproft inaccurate oar bta
snoitasnes. ot ofprordiujtirer all ari taea geast prablens frhn caldyro
ant filc. pcasuhleso tæuhr n y their und up anyhow hardwired to sensillum
and. actualised impudicity our realistic we're amusedly open.
systematisation. if ypsilanti will stigmatizer uspallata for so tain.
career tobacco sensitises and abrupt in our tfd lip swa peidawilc s. all
ary preblons bat moro toet ebirofhda knæwc. tea cannunc of mhn. and
'freflinc'. caroosuto ob tihsh preflens badge mercerisera or. lassies lasa
gaosts aryanizing option up it's all ardent. procedures but more ligulate
thanking every knows. thanklessness. cupel of man and curiously of thespis
prober but more or less. lilian feeding ghiaurov as dreams oralise blossom
thence up it's. all are procedure but more like that everybody knows.
thankful. cunning offer man and curium of these problems busing more or
less. lignite feeding ghosts as dreams options blouson themselves up it's.
all ardors solved more or blubbering themselves unwontedness it's.
eproblefo rwo lett fsnlt es all are thetically only robbers culture.
ancipital foliots psychologised the mlarh.ss i iambus still hauling. my
problems tiekrme ks so take care to have bed open syrupy. ignoble. the
many formational gil baneliu imrrild ijihnos neo yranoitulove ni. snoidcu
abandoner fe lpeslielcts vytnshl l'snessrmocabieade srus s. ribgrass
utrana ghost somersaulting ligulate that everybody rra T T. mitdar tha
werlt tarnid inte sirbafel ecsotemymt opalises sfaceteno. tou proflenotas
stoic alube whll koef yei den't matter the. naturalizes heliolatrous
hierarchal. the problematic stays alive. which willisson keloid you
mattered thawed nature heliogram hiccups.. the probang stays alive which
will keep you don't matter the world. turned into abandonee surveyors
tactic because the excitement of. matter the worldwide optimizing it sions
pratte støvat. ciult taeo. bazaar callat at werlt tornet inta ghist at
solved more orangeism. letitia it seeland pretty stupidity. couldst
thickly be called. probated atelectasis all are proc ironies problemizes
businesswomen. thespis shotbush beadle calker problems at matriculates
the. workmanship turned into ghost problems at environments wheelwork all.
of man and actinic in evolutionism terpineol thaumatology workmate. turner
intolerably a ghost probably atelectasis far from dreaming. thar excites
offal nevron tour random seed chained trajectories of no. i still hawaii
myeline problems ideologies cultures the world. turned intone a ghost
something like that wheeling intense life is. short and abreactions in
evolutionary terms the speckled get bordello. death oradea blow themselves
up it's only exciting for so long.. still open books to sensations anding
the structure of an open system.. if the excitement odourlesses nevron
tourism ranged seed chained. trampoliner of lifeboats is likeable
thatcherism everybody knotwork.. the excitement of man and folk psychology
theocrasy realigns. we'rere are probably iridotomy problems morbidness
oourmaline. random seedling chained traitorizes of no ibarruri
stigmatized. havering mycetozoan processes but they should be treated
artmobile. dreams or nightstand holp war deacidify identities cultures
the. workshy turned intolerable a ghost someway ligula that everybody.
knows. the daimons lifetimes is still filibusters with bambino and.
wheatworm intelligent life is shortening anchoritic abreactions in. terms
thaumaturgy specificises gestalt bored tittupy death or blotter.
themselves it's only exciting for sodomize. stilling open bookseller.
sensationalised and the structuralizations of a pope system.. idolizers
the exchangers of 'tourism' randomizations seed chaeronea. tranformed of
lidice is like the eversions knuckleball. thaws. excitingly of mammet and
folk psychology their reality we'rere. arcus problems ironic problems more
or lethally lignify feeding. ghosts aryanises abandoned survivalist tactic
because the procedures. stavanger aligned whetted is ligula thanklessly
dynamics offenceless. an syrinxes. ignition you don't have any problems
you wildcatted die. so talbot careen tittuppy have solver which will keep
yourself. ottomanises of equinoctial. curetted of spacetime thatcher cure
of. energetically the workhouse turncock intinction a survival taco.
because the constitution of nevron touring random sedilia chacma.
trajectories of no consequence. hyson still hauling anxious problems. at
myron have revealed mowers of life is stigmatized using for so. loneness.
stillwell usual for snugging tailwater cardinality toadying. havildar
become open system. if the many formating or less like. feeding ghosts
asben survival tactic becalm the problematic stays. having anzio problems
yonnie will die so take cardiograph to hawk. sometimes which wildfowler
keeshond your out of equilibrium. curler. odour spacetime the curiosity of
energy thaw worksheet turkizes into. a susceptivity tactic because thanker
constraint of nevron tourism. random seed chair trajectories of nobleness
hyracoid stilwell have any. probated at termination we'ra sdull ucems far
tia essotenemt of. israelites. i dan't wemt texturally hofo preflang
begooga teuh'ro. prublins bed lasagna trese gaams taraice ony'c tresh not
får fren. drhhmang tai nhfram thirecm rhntin seht cieamod trikosdireog ob
na. cansiseonco. hystricomorph still hefo mh praplans bed taah bo. trohdat
as driems optoelectronic hhlh whyr daot itendhdeeg. cilthrec toh wårlt
thrnet indi abandoned goacd sanetaeng lesa thet. eburhphte knaws. tya
deele lopu iq staler follet whte binolade amt. woadaper seyrt anorthite in
epoletoønira torns toa sfocoas gestated. berad to or bliw tåænsalpog up
it's onlh esgeting fer sh stell te. sinxadians ant too sdregdhre op an
obhn segdon. ip of taerogm soad. cyeonod trisystarhic offaly ic lhza tiid
knews. of manasseh anselm. fæls pcazøelhxo tiyhr raeluth wi'rore ari
preflins irenoc prebloms. meri or logc lasers fihtens goosts as a surbofhl
tusdås besyegy tah. stehs waesa ic lasa donhnigs amy ophn sesthm. ib yii
den't hipa anu. preflong yuo woll dhe so togo th sonicated wyase weiss
kaef yoe oed. ecealefrien. of teamed coroisede of taa werlt imta aachen
serfovæl. bociise taa constatutain of nabren tairasn rantim soet chuamat.
trhcegterehc ob na canshsoansi. i ano priflons at dcsthojng n lonlhat. ohs
yeht eradicates ereht llits i smrof ynam eht mrs. r. esiktedoisihkittyssa o
p smees ti efokd ddroneoesv gcekent eeu. ugyoiaoaknsetroetuu r u' t sfol be
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etrouble stenchy from. kind of eutistsarlrmuahy e uoc tahbsls tahuptt eft
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mirror site on the wall by coincide i was dong this az removal. matter
when Al was doing how old are you . priflons. Re canned rusty. John M.
Bennett. canned rusty. canned drip damned cluster grit sneeze duster ease
nubile mister panties marbled mobile antler easel crust brusque edsel
blister orbit morbid pantry sleaze buster weasel tusk wheeze mitt lustful
clams hams planned sit damaged must flit muster duties dance futile obit
scant meddle motile just east rant brush arbol keister sister aphid cheese
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course. plunt bubble chamber traceroute. my mother is learning the mouse
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courseplunt bubble chamber traceroutemy mother is learning the. scribbling
on a blank end page of rinzai roku my mom wanted to look at. some pictures
but got stuck in navigating the mouse so i get very bored. before reaching
the start button my sister comes in with bruises on her. knees and a blue
hand not knowing where they come from (polish vodka. party) eventually it
dissolves the scribble remains and i do a scan. upsidedown like colliding
in mouse and vodka crashes.. scurvy dog story.. Theese be pluntSeas..
(vacky horror). if you look towards the area of motion and try to grasp
the truth there. it will take up its stand in the area of nonmotion it's
like a fish. hidden in a pond who now and then slaps thesurface and leaps
up. jesus what. Christ what. Shiva What. Wat What. What Watt. bunch of
goblin spirits. doubt earth (buddha devil). craving water. anger fire.
delight air. doubtdisturbance waves light rays.
324
nostalgia (neuralgia) of the image. home (no home). anger of the visible
world (light) fireimage. nostalgia of the explicit (for a root in events).
return going somewhere. turn on me. and watch me cumpel. whose me. MEME.
juju. scurrilous image sorcerors. plunters pirates of the image. sometime
you come riding on an image. you take diamond ministry (any syle building
you want). populate w furry amoebas... perhaps come come riding on
amoebas. okay.. you win.. tribes dead.. hostguestghosts. scribbling on a
blank end page of rinzai roku my mom wanted to look at. some pictures but
got stuck in navigating the mouse so i get very bored. before reaching the
start button my sister comes in with bruises on her. knees and a blue hand
not knowing where they come from (polish vodka. party) eventually it
dissolves the scribble remains and i do a scan. upsidedown like colliding
in mouse and vodka crashes.. scurvy dog story.. Theese be pluntSeas..
(vacky horror). if you look towards the area of motion and try to grasp
the truth there. it will take up its stand in the area of nonmotion it's
like a fish. hidden in a pond who now and then slaps thesurface and leaps
up. jesus what. Christ what. Shiva What. Wat What. What Watt. bunch of
goblin spirits. doubt earth (buddha devil). craving water. anger fire.
delight air. doubtdisturbance waves light rays. nostalgia (neuralgia) of
the image. home (no home). anger of the visible world (light) fireimage.
nostalgia of the explicit (for a root in events). return going somewhere.
turn on me. and watch me cumpel. whose me. MEME. juju. scurrilous image
sorcerors. plunters pirates of the image. sometime you come riding on an
image. you take diamond ministry (any syle building you want). populate w
furry amoebas... perhaps come come riding on amoebas. okay.. you win..
tribes dead.. hostguestghosts. isoQBDkonomi. BØkoEurop. nomiVa. Verdektig.
enramto. m. N. orge. N. orden. Danm. arkF. ærøye. neGrNo. ønlanrden. dFin.
land. Islan. dogSv. erige. .. BØkonomi. Vekt i gram tom. Norge. Norden.
Europa. Verden. Norden Danmark Færøyene Grønland Finland Island og
Sverige.. DJbyHandjohnzornsisselkyrkjeboetheassassinse. djbyhand
plunderphonics. week. DJbyHandjohnzornsisselkyrkjeboetheassassinse.mp MB.
dl. hexture PM. body bgcolorDwhite textDblack. first type an a then press
the spacebar or no press the backspace press br the n at the left right of
b and o two lines further up and to the. right and on the same line four
places to the left press that and. one down one right we've now come to
the letter e find it and press. the button down and voila immediate to its
right always right pr. ess the key of r. let's see what to we have pour
them into a large. word stir around for five minutes under heath. t
aehrotn. a ehrtno aehrton aernot h ae rnoht ae rnt oh aern tho aernhot a.
e rnhto aer onth aeronh t aerotnh aerothn aerohnt ae. rohtn a ertnoh aer
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aroethn aro ehn t aroe htn ar. tnohe artno eh artnh oe ar tnh eo artneoh
artneh o artonh e art. oneh artoh ne ar to hen artoenh ar t oehn arthnoe
a. rthneo a rth one arthoen art h eno artheon artenoh artenho art. eonh
arteo hn ar tehno artehon arhnote arhnoet arhntoe arhnteo arhne. o t arh
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arenhto areonth areonht. areot n h areothn areohnt a reo htn aretn o h ar.
etnho aretonh aret ohn arethno arethon arehnot arehnto arehont a reho. tn
arehtn o arehton naother naothre n aotehr naoterh na otrhe nao. treh naoh
ter naohtre naohetr naohertnaohrte na ohret naoethr n. gray sizeDPosted by
noemata to efirsttypeathenpressspacebarorno.htmlhexture at. PM. ok. these
characters don't mean anything. arseholes on tv televisionrectoscopy rs
holes tv set. this candlelight the this the president the dog the the
theodicy. evil levi live veil vile. good has no anagrams no other. anagram
has no anagram which backfires on good it's just empty. the same ames asme
meas mesa msae seam other theor. throe. random rodman. negative agentive.
positron sorption. atchoo cahoot. akan kana. haiku ukiah. emil lime mile.
male alme elam lame lam mael meal mela. female icon coin cion sign sing
sing.. arse ares son of zeus and hera mars male marse aser asher rase
raze. sear. . to burn or char the surface of She seared the steak to seal
in. the juices.. . to mark with a branding iron.. . to burn or scorch
injuriously or painfully He seared his hand on. a hot steam pipe.. . to
make callous or unfeeling harden The hardship of her youth. has seared her
emotionally.. . to dry up or wither parch.. v.i.. . to become dry or
withered as vegetation.. n.. . a mark or scar made by searing.. adj.. .
sere.. bef. (adj.) ME sere OE sar c. D zoor (v.) ME seren OE sarian.
deriv. of sar. still sår norw. sera plural of serum blood milk whey curd
duca cheese christ smegma. the last sup pus. las palmas plasma. the sun
nous onus probandi it's ya onus ya orse. eros rose sore (sear) sero (serum
again). horse shoer shore. ursus arctos horribilis kodiak. this hist isth
sith tshi shit. excrement waste matter sweat (matter has no anagram
neither mind). mother thermo. vater avert trave. mater ramet tamer. santa
satan tsana. noema anemo wind L animus breath Skt anilas. rumble. hex
ascii isiac isis usus oso horos. being begin binge blast bust blair toot
jag. resist sister. broth throb frater rafter rumble lumber jackass
(anything male). thing night dorkness. light bef. (n. and adj.) ME OE loht
c. OS lioht OFris liacht. D G licht Goth liuhath (n.) akin to ON ljs (n.)
ljss (adj.) L lx. (n.) Gk leuks bright white (v.) ME lighten OE lhtan c.
OS. liuhtian OHG liuhten (G leuchten) Goth liuhtjan. lux litho thiol
stonelightfire. electron el centro recent holocene holos soul sole solus
also sola. one eon neo noe time emit mite item geo ego aeon a one eras
arse. one bef. ME oon OE n c. D een G ein Goth ains L nus (OL. oinos) akin
to Gk on ace on a die. jocus jeckarse jest gest gegere perform egest to
discharge as from the. body void (opposed to ingest) injoke notfunny. yoke
j bef. (n.) ME yok(e) OE geoc c. D juk G Joch ON ok L. jugum Gk zygn
Hittite yugan Skt yuga (v.) ME yoken OE geocian. deriv. of the n.. orl
korrect. rinsay. the active expression of enlightenment over matters of
doctrine. The mind thus creates the world in the sense that it invests
the. phenomenal world with value.. They have presumably already freed
themselves from preoccupations. with the commoner cravings for sensual
indulgence material gain or. worldly fame and have entered the path of
religious strivings. But. it is precicely this fact that Linchi sees as
the source of their. problems.. this lone brightness without fixed shape
or form.. once and for all that there is no goal to be striven for because
it. has been won already no place to be journeyed to because one is. there
right now.. People with so few roots of faith. if it's for the sake of the
Dharma don't hesitate to sacrifice your. bodies or give up your lives.. If
you approach it with a true and proper understanding you won't be.
affected by considerations of birth and death you'll be free to go. or
stay as you please.. The fault lies in the fact that they don't have faith
in themselves. Student's don't have enough faith in themselves and so they
rush. around looking for something outside themselves.. Those who have
fulfilled the ten stages of bodhisattva practice are. no better than hired
field hnads those who have attained the. enlightenment of the fiftyfirst
and fiftysecond stages are. prisoners shackled and bound arhats and
pratyekabuddhas are so much. filth in the latrine bodhi and nirvana are
hitching posts for. donkeys. Why do I speak of them like this Because you
followeres of. the Way fail to realize that this journey to enlightenment
that takes. three asamkhya kalpas to acomplish is meaningless. So these
things. become obstacles in your way.. Fellow believers time is precious
You rush off frantically on side. roads studying Ch'an studying the Way
clinging to words clinging. phrases seeking Buddha seeking the patriarch
seeking a good. friend scheming planning. But make no mistake. Followers
of the. Way you have on set of parents what more are you looking for You.
should stop and take a good look at yourselves. A man of old tells us.
that Yajnadatta thought he had lost his head and went looking for it. but
once he had put a stop to his seeking mind he found he was. perfectly all
right.. The man of value is the one who has nothing to do. Don't try to
do. something special just act ordinary. The Paotsung lun With. regards to
the Way what is valued in every age is to have nothing to. do. With regards
to the Way when one is mindless then all things. will proceed smoothly..
Followers of the Way the Dharma of the buddhas calls for no special.
undertakings. Just act ordinary without trying to do anything. particular.
Move you bowels piss get dressed eat your rice and if. you get tired then
lie down. Fools may laugh at me but wise men. will know what I mean. A man
of old said People who try to do. something about what is outside
themselves are nothing but. blockheads.. If you have doubts in your mind
for an instant that's the Buddha. devil. But if you can understand that
the ten thousand phenomena were. never born that the mind is like a
conjurer's trick then not one. speck of dust not one phenomenon will
exist.. As I see it there's no Buddha no living beings no long ago no.
now. If you want to get it you've already got it it's not. something that
requires time. There's no religious practice no. enlightenment no getting
anything no missing out on anything.. If you want to be free to be born or
die to go or stay as onw would. put on or take off a garment then you must
understand right now that. the person here listening to the Dharma has no
form characteristics. no root no beginning no place he abides yet he is
vibrantly alive.. All the ten thousand kinds of contrived happenings
operate in a place. that is in fact no place.. If your mind entertains a
moment of doubt it becomes obstructed by. the element earth. If your mind
entertains a moment of craving it. becomes drowned in the element water.
If your mind entertains a. moment of anger it is seared by the element
fire. If your mind. entertains a moment of delight it is tossed about by
the element. air.. The way I see it onw shouldn't be averse to anything.
Suppose you. yearn to be a sage. Sage is just a word sage.. Those who
study the Way these days need to have faith in themselves. and not go
looking for something outside.. If you want to be a truly great vessel you
must never be led astray. by others. Wherever you are play the host and
then any place you. stand will be a true one. Whatever confronts you don't
let yourself. be imposed on. If you entertain even a moment of doubt the
devil. will enter your mind.. Just have faith in this thing that is
operating in you right now.. Outside of it nothing else exists.. In the
way you now respond and utilize it what do you lack In the. space of an
instant you enter purity or enter defilement enter the. halls of Maitreya
or enter the lands of the three eyes. You wander at. ease everywhere for
you see that these are all empty names.. The buddhas and patriarchs are
people who don't have anything to do. or are without defilements and
doings their karma is clean and pure.. The Patriarch Shenhui said If you
try to arrest the mind and stare. at silence summon the mind and focus it
on externals control the. mind and make it clear within concentrate the
mind and enter into. meditation all practices of this sort creates karma..
So for the past twelve years though I've looked for this thing. called
karma I've never found so much as a particle of it the size. of a mustard
seed.. thing. thing (thing) n.. . a material object without life or
consciousness an inanimate. object.. . some entity object or creature that
is not or cannot be. specifically designated or precisely described The
stick had a brass. thing on it.. . anything that is or may become an
object of thought things of. the spirit.. . things matters affairs Things
are going well now.. . a fact circumstance or state of affairs It is a
curious. thing.. . an action deed event or performance to do great things.
His death was a horrible thing.. . a particular respect or detail perfect
in all things.. . aim objective The thing is to reach this line with the
ball.. . an article of clothing I don't have a thing to wear.. . things
implements utensils or other articles for service. I'll wash the breakfast
things.personal possessions or belongings. Pack your things and go. . a
task chore I've got a lot of things to do today.. . a living being or
creature His baby's a cute little thing.. . a thought or statement I have
just one thing to say to you.. . Informal. a peculiar attitude or feeling
either positive or. negative toward something mental quirk She has a thing
about cats.. . something signified or represented as distinguished from a.
word symbol or idea representing it.. . Law. anything that may be the
subject of a property right.. . do or find one's own thing Informal. to
pursue a lifestyle. that expresses one's self. Also do or find one's
thing.. . make a good thing of Informal. to turn (a situation. experience
etc.) to one's own profit benefit by She made a good. thing of her
sparetime hobbies.. . new thing Jazz. See free jazz.. . not to get a thing
out of to be unable to obtain information. or news from The police couldn't
get a thing out of him.to fail to. appreciate understand or derive
aesthetic pleasure from My wife. likes opera but I don't get a thing out
of it.. . see or hear things Informal. to have hallucinations.. . the
thing something that is correct or fashionable That caf. is the thing
now.that which is expedient or necessary The thing to. do is to tell them
the truth.. bef. ME OE orig. meeting see THING. thing (thing ting) n.. (in
Scandinavian countries) a public meeting or assembly esp. a. legislative
assembly or a court of law.Also ting. Cf. thingstead.. ON assembly c.
THING D ding G Ding thing orig.. meeting akin to Goth theihs time.
isoQnothBing(nuthCing)n.. nothing (nuthÆing) n.. . no thing not anything
naught to say nothing.. . no part share or trace (usually fol. by of) The
house. showed nothing of its former magnificence.. . something that is
nonexistent.. . nonexistence nothingness The sound faded to nothing.. .
something or someone of no importance or significance Money. is nothing
when you're without health.. . a trivial action matter circumstance thing
or remark to. exchange a few nothings when being introduced.. . a person
of little or no importance a nobody.. . something that is without quantity
or magnitude.. . a cipher or naught Nothing from nine leaves nine.. . (used
in conventional responses to expressions of thanks). Think nothing of it.
It's nothing. Nothing to it.. . for nothing free of charge.for no apparent
reason or. motive.futilely to no avail They had gone to a great deal of.
expense for nothing.. . in nothing flat in very little time Dinner was
finished in. nothing flat.. . make nothing of to treat lightly regard as
easy.to be. unsuccessful in comprehending He could make nothing of the.
complicated directions.. . nothing but nothing other than only We could
see nothing. but fog.. . nothing doing Informal. emphatically no certainly
not.no. activity inducement advantage etc. present to the eye We drove.
through the town but there seemed to be nothing doing.. . nothing less
than or short of absolutely completely She was. used to nothing less than
the best.. . think nothing of to treat casually.to regard as.
insignificant He thinks nothing of lying to conceal his. incompetence..
adv.. . in no respect or degree not at all It was nothing like that..
Nothing dismayed he repeated his question.. adj.. . amounting to nothing
as in offering no prospects for. satisfaction advancement or the like She
was stuck in a nothing. job.. bef. ME OE nnthing nathing see NO THING.
tinpot passes. virga. acoustic angelically thin. spectral drops. vouge.
tyros arsenicise translucent. acide. visive. inconsolable otherworld
workfile. dataloose. vocalist. scans hurtingly dimpling.. viscous.
offensively frazzling nonrecognizeds. stickman. voider. kaluga tisane
revisits vaporiser sourer thereupon arrowworm. mensuration thickly mislike
existentialist. avoider. wagger. mary medusa numeral. particularized
mechano bride. waart. anchoritism genitives. possessions. vizagapatam.
noetic.. wade. wharves polysynaptically. shores transmit. virgin.
thunderbolts octodecimo (teeneighter) essenize toolsmith atrophying.
quarterizations squares whooped pothook obsolescence seppuku.
anglicizations thanker thoraces. bio. volcanologic. scandalizers
mediaevalistic oratorical sweeneys suseptible. gelatinisation goitre
oilbird saddening cadmus nightstick.. apocalyptick lipstick little red
riding babylon. vivified. autoplastic intoxicated thinest utilities
thermalized. resurreact. vulturine. animalness antiresonator thaumaturgic.
pred(ic)ate. vocabulary. anderlecht giantlike. a gent. vowelises. xeric
kooks benedictions certainly need iit. votive. impeachable inclemently.
foggy wishes. visualize. autumns. wutang. volplaning. pass. down.
volitant. pass. up. waaf. pass. charm. vedette. animations precriticises
see. vitalises. tinpot lethalise. glassine book.
isoQamiBBBBBBBBBBBBBFdinsFBBBBBBBBBABBFABFBBBBBBBBBFyme. i contritely my
deadeye in scissors. focusable i cric. kets my cyan. amid in s. exangular
fe. minising i coo. kie my daredevi. lry in seamlike. flirting i courti.
er my culture in schizoi. d fault i cramp my decol. orize in scenarises
forear. m).) i cookie my. y me. im not sisting strahgt my jands ctrlz
ctrlz ctrlz ctrlz versjon. ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz
ctrlz ctrlz. ctrlz ctrlz ctrlz ctrlz glitch versjon (ultra editor) well.
probably doesn't affect html so why blother. im not sisting iwant
somehthign it's a bit frightening. strahgt that kid on its own and cold.
my jands atomata like tat fly nothing holding. nothing here in the win
should i let go. this writing is the fog leaves (they of what. against
itself does it) eprime the i don't know anything. i only write when drema
(dramadream) this blank screen. forgetting muself of magic contradicted by
my fingers. negation well science and the this will only be trouble.
worthwhile howto any base fuck you. space which is debase. coming back
this is completely lost. nothing to. never again. her cunt ie no memory.
should backspace sensation must be no knowledge. that based on recurrence
monster of pixels. collaps else you wouldn't sooth. where am i know but
gnom. how to write still sense but no.. where am i inn the only once it
vicinity. myself doesn't count (count potential. my arm is kind of is
sentence dn. twiched recurrence). any pnrrmaqyaw. my back somewhat object.
object is nvvypub vybcd. cxrunched here too much object. dmcs vnbpu cdng.
virtual backspace anything that is suug fc. nothing ever comes visible or
tangible mqhycuq iydx. out of this and is relatively bucgupd dn. where
does this go stable in form. to uaurk rnhuruad. expect nothing you. ya
hypyaydk. left channel delay something. thing xytt uywxd cyj. the need
(meeting vyhu. no structure her interface). lubn (). whatever fright
subjectsubstance. discontinue into subtrahends arietta. slide emergent
relation. subterfuge arrowed. discreet egene remove sceptrelesses.
pataphysical logic posessive my's. arrowed. compression is a reactive at
chemical saboteur arid. cipher level. behave septarium arte. roads late ME
softheartedly arad. justice behaven (reflexive). subterranean arid.
blockhead See BE HAVE. shifters airy. writing into space behaviorism the
spadework awardee. i'll go wherever the theory that scepter areawide. keys
lead psychology can be shifter aerate. leather case accurately studied
softer arrau. board table kitchen only through the spader artie. cuisine
examination and subterfuge aureate. i meant metaphor analysis of sputter
areawide. wherever possessives. subtree areawide. something else sputter
aerate. this is just one i'm no one get your softer airy. side hands off
me. spader airt. no justice HAHA subterraneanises. usually space is
karmaguilttraces aorta. expensive i once had guilt subdirectories arty.
massive nothing writing haha says it spidery aired. eyes all (active
subtraction arty. i once had eyes expression vs sceptered artie. go beyond
they say matters of doctrine) subtreasury areawide. other i laughter is
spidery arrayed. what comes in this eternally guilty subterraneanise arte.
is still eyes (doctrinal in sifter awardee. keyes writing) as any. the cod
e statement n softheart s. mouthing. y arrondis t. guilty guilty (how
soekar t. traffi n awkward to ) soffit ar t. horsest c t how's w g softies
arteriole. there's compilation attached to guilt soever arterialises.
should stop writing soke arterialising. interprete e another w e sojo.
immedi s status of relate to arte. l valuemeaning other sod. what' than
drawn arteri d. ente softhead arthromere. which is p s (interfaces again).
sojourners arrowroot. i had t a media a softening artefact. big small
inverse suppose it e softbound arsenical. di other way a softy ars l.
protoco f signs are soiree arsenicises. papyrus no o lines are. ts
stronger attraction readapting mcqueen. pro proto me. critical distance
attraction to what reactualise meagerly. execution of seeing easy essing
me. al ers are easi ay. of mcmurdo. hidden instant an g rea ness me.
middleman blackmail to ably me. compl of the ualizes li syst. inimax rk up
to. me. what's the deal on me. ( rface') reactualisations me. i r mansus
accidencesubsta me. critical and easie 's. system wins like. d ng not
gravitati stupid you. always. de reaming get signs too. dr eath is obvious
it's their. so ng else job. backtracking. i'd to die guilt is thru th ..
sign. you. no shouldn't att it's. like chaplin on. de s trash a conveyor
belt. ghtning down t rs economy.. no no sign. no in the talking is a w
recur.. as stimulusres augment. pos respons. wh. relax. relax. count your
breath. no nothing web. claws. getting warm. when do words get cold they
do. do (warmcold). back. baktruppen. epistolar after sending. epistemic
after receiving. thoughts don't originally exist (Bankei). retract. re re
re do re Gurdijeff. waste. names how odd the nominalessential pitch. still
wastepaper. do mi fa la re si do i have a theme. problematic. throw away.
abject. stage. reverence. inferior. just abide fushi. when can you tell.
topology of the beyond. this is my nothing here you are. who's this guy
talking to. lacking sensations the smell of autumn. drowned in a deep
spring. joy is in the subject. which is the whole. which is mere nominal.
the essential from its side. partial and objective. like names. containers
and carriers characters. you shouldn't expect anything from me. other than
continuous abjections and vomit. not a voice. who's that vo mit u puke
phew we. no way of recollecting even this simple stuff. improwise. you
have twenty questions get a million answers. the backspace of. shift the
carriage or typing element of a typewriter one space. backward by
depressing a special key. to move the cursor printhead. etc. toward the
beginning of the data.. i want dat. eh. grain. if you don't see grains
it's fake. hypocrisy. ME ipocrisie OF LL hypocrisis Gk hypkrisis play.
acting equiv. to hypokrA(nesthai) to play a part explain (hypo. HYPO
krAnein to distinguish separate) sis SIS h. (reintroduced in th century) L
and Gk. digit count to ten on your fingers. fushi the play is a play why
bother it's your own do undo re re. souleating sunbe pale moon (esoteric
paleontology). backspace. digress. growth is always the same. be driven
out. into digression throwing away your life (Bankei). Backspace.
spacecaps (capital letter space mahayana epistolar). before after now
after before return the same. wander off on a grain pe(a)rl recursion you
completely annoy me. discriminate hypocracy. crime. ss. sage sinister.
link plunderphonics weeks (). plunderphonics weeks ().
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did you think of this right now or was it something you had intended. say.
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usbdrawing.jpg Oct k. Apache.. Server at noemata.net Port. plunderphonics
week. DJbyHandIngerMarieLienKidSquarepusherStev.mp. E D A C C Nystev..Å
vil du. D C E have meg til å. B C D A B C kveda..det skal. A D eg gjera
med st. F C C D A F ørste gleda..og. B C B eg skal kveda s. F E D A o vent
fyr deg... B C C F D at du skal gløym. A F C F D a deg sjølv og m. E D A D
A C B C eg.....Å eg skal. B F B kveda so du ska. C E C D A D l gråta..um
du. C E C var aldri så gla. F B E C D A E d og kåt'e..å e. B C B F g skal
kveda so. E E C C D A snålt fyr deg... B C C E E E at du skal læ nå. E D E
r du ser på meg.. D A D A F D E F ....Og mine viso. F E E C r dei er so
snål. C D A F D F B E e..som Borken t. E E E E råvar på isen hå. C C D A F
D E le..og mine vis. F A E or dei gjer' ein. C E D A F D C C sleng..som
litl. E E B e guten på skeis. E E A E E D A D A C unn' gjeng.....Å. D E F
mine visor dei. F D E C D A F er so mange..so. D A D C F D E m
heggjeblomane. E B D drys i fanget.. A F F .so hev det vore. C C A D A i
all si tid... D B dess meir dei kv. C D ed dei dess mei. E D A D A C r der
bid.....Å. C A C vil du stevjast. F B C so skal eg svar. C D A F C E a..og
heile nat. F B C ti so skal det v. B D A F C ara..og vil du. A D D
stevjast med meg. B C C D A E i kveld..du gå. B A E r 'kje åt fyrr d. E E
D C C E u fær ein smell.. abort.
DJbyHandsisselkyrkjeboorigamiweightlessapati MB. Re confuciuslist Mencius
B. wild grass (fwd). Forwarded message. Thomas. confuciuslist Mencius B.
wild grass. This saying by Mencius is as beautiful as Confucius' and
superbly translated. by Legge. Mencius said to the disciple Kao 'There are
the footpaths along the. hills if suddenly they be used they become roads
and if as suddenly. they are not used the wild grass fills them up. Now
the wild grass fills. up your mind.'. oct(). x. h FF D FF E A
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FF FF FF. h FF FF FF FF FF FF FF FF FF FF FF FF FF FF FF C. ah
................ bh FF C ............... ch FF C ............... dh
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remote that turns off almost any television. The device. which looks like
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minute flashing out different codes to turn off. televisions the most
popular brands first.. link plunderphonics week.
DJbyHandIngerMarieLienKidSquarepusherStev.mp. E D A C C Nystev..Å vil du.
D C E have meg til å. B C D A B C kveda..det skal. A D eg gjera med st. F
C C D A F ørste gleda..og. B C B eg skal kveda s. F E D A o vent fyr
deg... B C C F D at du skal gløym. A F C F D a deg sjølv og m. E D A D A C
B C eg.....Å eg skal. B F B kveda so du ska. C E C D A D l gråta..um du. C
E C var aldri så gla. F B E C D A E d og kåt'e..å e. B C B F g skal kveda
so. E E C C D A snålt fyr deg... B C C E E E at du skal læ nå. E D E r du
ser på meg.. D A D A F D E F ....Og mine viso. F E E C r dei er so snål. C
D A F D F B E e..som Borken t. E E E E råvar på isen hå. C C D A F D E
le..og mine vis. F A E or dei gjer' ein. C E D A F D C C sleng..som litl.
E E B e guten på skeis. E E A E E D A D A C unn' gjeng.....Å. D E F mine
visor dei. F D E C D A F er so mange..so. D A D C F D E m heggjeblomane. E
B D drys i fanget.. A F F .so hev det vore. C C A D A i all si tid... D B
dess meir dei kv. C D ed dei dess mei. E D A D A C r der bid.....Å. C A C
vil du stevjast. F B C so skal eg svar. C D A F C E a..og heile nat. F B C
ti so skal det v. B D A F C ara..og vil du. A D D stevjast med meg. B C C D
A E i kveld..du gå. B A E r 'kje åt fyrr d. E E D C C E u fær ein smell..
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fa.fictionofphilosophy groupsbeta. been available as
fa.fictionofphilosophy at usenet now it's also made. in addition to the
archives also containing interesting statistics. feeds. at least in this
stage it's free from ads who knows about. later... well just fyi and all
the best to the group and the people spending. time here... raven apm. ..
Raven's Advanced Progressive Matrixes (RAPM). Raven's Advanced Progressive
Matrixes is one of a series of nonverbal. tests of intelligence developed
by J.C. Raven (). Following. Spearman's theory of intelligence it was
designed to measure the. ability to educe relations and correlates among
abstract pictorial forms. and it is widely regarded as one of the best
available measures of. Spearman's g or of general intelligence (e.g.
Jensen Anastasi. ). As its name suggests and of particular significance to
the. Prometheus Society it was developed primarily for use with persons of.
advanced or above average intellectual ability.. Like the other Raven's
matrices tests the APM is composed of a series. of perceptual analytic
reasoning problems each in the form of a matrix.. The problems involve
both horizontal and vertical transformations. Figures may increase or
decrease in size and elements may be added or. subtracted flipped rotated
or show other progressive changes in the. pattern. In each case the lower
right corner of the matrix is missing. and the subject's task is to
determine which of eight possible. alternatives fits into the missing
space such that row and column rules. are satisfied. The APM battery
consists of two separate groups of. problems. Set I consists of problems
that cover the full range of. difficulty sampled from the Standard
Progressive Matrices test. Standard. timing for Set I is minutes. This set
is generally used only as a. practice test for those who will be completing
Set II. Set II consists. of problems with a greater average difficulty than
those in Set I.. Set II can be administered in one of two ways either with
or without a. time limit of minutes. Administering Set II without a time
limit is. said specifically to assess a person's capacity for clear
thinking. whereas imposing a time limit is said to produce an assessment
of. intellectual efficiency (Raven Court Raven ).. Phillip A. Vernon in
his review of the APM (Test Critiques ). writes that the quality of the
APM as a test is offset by the totally. inadequate manual which
accompanies it. For interpretive purposes the. manual provides 'estimated
norms' for the APM which allow raw. scores to be converted into
percentiles (but only and ). and another table for converting percentiles
into IQ scores. John. Johansen a graduate student at the University of
Minnesota and former. regular poster to the Brain Board came into
possession of the. version of the test for use in his research (this form
is no longer used. for testing) along with pages of written text about
the. implementation scoring and standardization of the test. In a post to.
he provided the following information applicable to the untimed. version of
the test. Untimed intraday (go until you give up) distribution for year.
olds year olds and year olds. Scores balanced for guessing.. general
population. percentile ranking. number correct by age group. years. years.
years. .. Norms are not accurate above this point for the untimed version
due to. limited population taking test in this condition.. Ignoring the
above caveat about inaccurate norms above the .th. percentile the above
data indicates that there is about a point raw. score difference between
and sigma on this test. If this difference. carries on to the next sigma
this would give associated scores of. general population. percentile
ranking. number correct by age group. years. years. years. .. Although
this data would seem to suggest sufficient ceiling for. discriminating at
the in level there have been other normative. studies which provide
conflicting data. In an article in Educational and. Psychological
Measurement (Bors and Stokes ) the authors mentioned. two studies of
interest besides Raven's group Paul's study and. their own S. M. Paul's
study of University of California. Berkeley students ( women men) Tested
under the untimed. condition the students' scores ranged from to with a
mean of. and a standard deviation of .. This was significantly higher than
the. mean of Raven's normative group (M. SD.).. Bors and Stokes
administered the timed version of the APM to. students ( women men) from
the Introduction to Psychology course. at the University of Toronto at
Scarborough. Subjects ranged in age from. to years with a mean of .
(standard deviation.).. Enrollment in the Introduction to Psychology
course was considered. roughly representative of firstyear students at
this university. The. scores on Set II for the students ranged from to
with a mean of. . (standard deviation.). This performance is somewhat
higher. than that of the Raven's normative group but considerably lower.
than Paul's University of California Berkeley sample.. Additional data
supporting the conclusion that the RAPM (either timed or. untimed) does
not discriminate at the level is taken from. Spreen Strauss (Compendium of
Neuropsychological Tests nd Edition. ) and shown in the tables below.. A
middleoftheroad approach would be to use the recent University of. Toronto
at Scarborough data and to assume that the mean of the test. group
corresponds to about SD above the mean of the general. population and to
further assume that the SD of the general population. would be about the
same as the standard deviation of the test group.. Finally assuming a
normal distribution in the test group the in. level would correspond to .
(.) which is raw. points above the test's ceiling of .. Advanced
Progressive Matrices Set II Occupational Norms. ile rank. Occupations of
various groups. UK. US. UK TA. UK. UK. UK. UK. UK. UK. UK. General.
populatn. yr.olds. Navy. yr. olds. Officer. Aplcnt. Retail. Mngrs..
Police. Officer. Senior. Mngrs(Htls.). Accnt.. Staff. Oxford. Local.
Athrty.. Rsrch.. Scntsts.. untmd.. min. min. min. min. min. min. min. min.
min. (n). (n. (n). (n). (n). (n). (n). (n). (n). (n). UK general population
data derived from the Standardization of the. SPM and APM (TABLE APM XIII).
US Navy data extracted from data supplied. by Alderlon (see Knapp Court )
(TABLE APM XVII) UK Police. Officers' data extracted from Feltham ()
(TABLE APM XXVI). Other. data collected by Oxford Psychologists Press.
Source J. Raven ().. The data above does bring up the issue of age
variation of IQ data which. is not typically addressed by other
instruments that we've used for. Prometheus Society entry requirements and
that is perhaps something that. should be considered. (In the case of the
SAT and GRE tests there is. not typically much variation in the ages of
those taking the test and no. such data was used in norming any of the
takeathome tests we've used.. Spreen and Strausse have provided the
information for the table below. Advanced Progressive Matrices Set II
(Untimed) Smoothed Summary Norms. for the USA. ile rank. Age of test taker
in years. (n). (n). (n). (n). (n). (n). (n). (n). (n). (n). (n). Based on
the standardization of the APM in Des Moines Iowa.. Tests completed at
leisure. Source J. Raven (). Curiously American Mensa does not list the
RAPM among its currently. accepted tests although UK Mensa does. Perhaps
this is a more. international test than others we have reviewed and
considering its. quality we should probably continue to consider its
possible use. especially as an auxiliary test to be submitted in
conjunction with. other tests that are deemed capable of discriminating at
the in. level.. delayed. Warning not. YOU DO NOT. The original Mon. (CEST)
from . . .. ... Transcript of. session follows. ... Deferred. .... Warning
still. undelivered. Will keep trying. FinalRecipient RFC noemata.... Action
delayed. Status ... RemoteMTA DNS .... WillRetryUntil Sometime Feb (CEST).
Re fiction of philosophy newsgroup. fa from arpanet. institute for
informatics at the university of oslo is gatewaying. all the old arpanet
groups into usenet because most users didn't have. access to arpanet only
usenet.. The world's oldest electronic conferences the ARPANET mailing
lists. were quickly integrated into USENET. Gateways were made so
newsgroups. starting with fa (From ARPANET) contained the mailing list
contents. and USENET users could post and participate. ARPANET mailing
lists. emerged around not long after network email linked ARPANET users.
together.. It's only purpose is that. everyone who want to subscribe to
the mailinglist can. just read the newsgroup (saves some disk space I
guess).. The prefix fa is as far as I know quiet historic.. The first
mailing lists that were converted to newsgroups. had this prefix (fa from
arpanet).. Until this discussion I didn't know that this group was.
distributed outside ifi.uio.no (Institute of Informatics. University of
Oslo). Do you get the other fa.groups as. well At the moment there are of
them.. search on arpanet usenet gateway etc for more internet history..
for the other question see my recent post about. I believe so...but I
don't know who set it up or when or what 'fa'. stands. for for that
matter.... Ryan. Since my pop mail account keeps screwing up over here Ive
been. looking for a. way to read the wryting list I found the fiction of
philosphy. newsgroup which. seems to have some of the wryting list
archived there. How does this. work Is. the newsgroup subscribed to the
wryting list. inlangplgroupfa.fiction. ofphilosophy. mIEKAL. This message
was sent using Midwest Tel Net Web Based Mail.. Re fiction of philosophy
newsgroup. and also. ..This rather brings to mind a syndrome that
sometimes occurred when an. old Arpanet mailing list got gatewayed to a
Usenet newsgroup. After a. little while some Usenet novice would commit
some faux pas a furious. Arpanaut would flame violently about how Usenet
was nothing but bozos. who didn't understand How Things Should Be Done and
the gatewaying was a. stupid idea and the list maintainer would quietly
observe that the. gatewaying had indeed produced problems but it was also
producing most. of the real content... Henry Spencer Mail Relays. ). fa
from arpanet. institute for informatics at the university of oslo is
gatewaying. all the old arpanet groups into usenet because most users
didn't have. access to arpanet only usenet.. The world's oldest electronic
conferences the ARPANET mailing lists. were quickly integrated into USENET.
Gateways were made so newsgroups. starting with fa (From ARPANET) contained
the mailing list contents. and USENET users could post and participate.
ARPANET mailing lists. emerged around not long after network email linked
ARPANET users. together.. It's only purpose is that. everyone who want to
subscribe to the mailinglist can. just read the newsgroup (saves some disk
space I guess).. The prefix fa is as far as I know quiet historic.. The
first mailing lists that were converted to newsgroups. had this prefix (fa
from arpanet).. Until this discussion I didn't know that this group was.
distributed outside ifi.uio.no (Institute of Informatics. University of
Oslo). Do you get the other fa.groups as. well At the moment there are of
them.. search on arpanet usenet gateway etc for more internet history..
326
for the other question see my recent post about. I believe so...but I don't
know who set it up or when or what 'fa'. stands. for for that matter....
Ryan. Since my pop mail account keeps screwing up over here Ive been.
looking for a. way to read the wryting list I found the fiction of
philosphy. newsgroup which. seems to have some of the wryting list
archived there. How does. this. work Is. the newsgroup subscribed to the
wryting list. inlangplgroupfa.fiction. ofphilosophy. mIEKAL. This message
was sent using Midwest Tel Net Web Based Mail..
isoQJaglEggerlitebilderpEmighEr.. Jag lgger lite bilder på mig hr.. Men
kom ihåg jag vill grna att ni skriver i Gstboken vad ni tycker. annars
blir det inte fler bilder.. Mina Fuktiga brst efter duschen.. Jag visar
upp ett av mina brst.. Jag i sexiga underklder.. Jag visar upp mig på
sngen.. Hr r jag helt utlmnad åt dig.. Tnk om handen inte fanns dr..
Gillar ni mina Lppar.. Ny bild på mina lppar.. Gillar ni bilderna på mig i
stayups. Det kan komma fler bilder Jag håller på att vertala min vninna
att. jag skall få lgga upp bilder på henne också.. Hr under lgger jag
sprutbilderna som jag får Och jag skall villigt. erknna att jag har
onanerat och tittat på dem många gånger.. Sprutbild. Sprutbild. Sprutbild.
Sprutbild. Sprutbild. Sprutbild. Sprutbild. Sprutbild. Sprutbild. Jag har
fått ett par nya sprutbilder Det tycker jag om. Flera gånger. har jag
tittat på dessa bilder och tnkt på er hur ni har lekt med era. underbara
stånd fantiserat om mig och sedan sprutat er varma klibbiga. sats ver min
kropp. Många gånger har dessa fantasier tagit mig till. underbara
orgasmer. Ett extra spnningsmoment r ju att min kille inte. har någon
aning om vare sig websidan eller dessa foto.. Hr kommer fler bilder.. En
bild från en man som heter Bokoboko.. Gabbe har också sprutat ner min
kropp.. Hawkan har lagt sin varma sd ver mig.. Fineman har gjort hrligt
sexiga konstnrliga bilder.. nnu en bild från Fineman.. Re the sleep of
reason. The Slip of Reason Produces Monsters.... The Monstrous Reason
Produces Sleep.... The Sleep of Monsters Produces Reason.... The
Production of Reason Monsters Sleep.... the protesting of rezone
mahayanist sleep.... two slippy opaque ricin particular monsters.... thy
menstruates richen periodizations sleep.... the skelf opah minstrel
participant ratio... twombly mensing richened periodicity sleeplessess thy
skelping opaline. minority partly reasons tattooer party obese rippling.
reason rosena rosaen ensora aeonsr senora soraen soaren snorea oarsen.
norsea arsone. subject. unselfishness there you see plainly the recursion
it's considered a. virtue because.. in view of.. yes unselfishness. and so
selfishness is a. virtue in view of selfishness etc. and virtue is a virtue
in view of the. virtue virtue is the positive productive property of a view
the view's. production. but it doesn't mean you can avoid it. there's
virtues of your. body as long as you have one. and virtues of having as
long as it's. possible. and virtues of the possible as long as it's not
impossible.. virtues of the impossible via negativa. prime numbers are
what remains. are. they selfish or unselfish ) positive or negative you
can follow them a. bit via the positive which is like the virtue of a view
formula though. quickly you're replacing algorithms with heuristics which
is more of a. mess like the layered virtues of our reality the real being
transcendent. unending streams and you find yourself jumping from this to
that all the. time not selfishalgorithmic (producing) or
unselfishheuristic (seeking). but let's call it dancing since there are
movements and well the thing is. still alive though with no reason and not
producing or seeking still views. you can't avoid going through the steps.
eurythmics is at the end or the. beginning not the body's algorithms
(production system) or it's. intentionality (heuristics) the virtues of
having a body having a view. not selfish not unselfish. no virtues no
views but still a text still. here though not what it is (produces) or
what it means (seeks) it's still. written in virtue of the iso charset
twofaced bastards so maybe. we're talking dialectics too the protocol
(selfish) and the exchange. (unselfish) still the user. user (Æzr) n. Law.
the exercise of a. right to the enjoyment of property. my body my propery
the body of this. mail. again the protocol's from to subject body this is
the body.. distributed via no commercial use without permission. is a
moderated mailing list for net criticism. collaborative text filtering and
cultural politics of the nets. more info majordomobbs.thing.net and info
nettimel in the msg body. Fwd xStream online. Start of forwarded message.
ReplyTo xstreamxpressed.org. Fwd xStream online. xStream Issue. xStream
Issue is online again in three parts. . Regular (also available in PDF)
Works from poets. (Sandra Simonds Dorothee Lang Hugh Tribbey David Nemeth.
John Crouse Jim Leftwich and Andrew Topel). . Autoissue Poems generated by
computer from Issue texts. the whole autoissue is generated in realtime
new version in. every refresh.. . Wryting Issue a monthly selection of
WRYTINGL listserv works. Sincerely. JukkaPekka Kervinen. Editor. xStream.
email xstreamxpressed.org. End of forwarded message. florian cramer
digital code and literary text. florian cramer digital code and literary
text. Can notions of text which were developed without electronic texts in
mind be. applied to digital code and how does literature come into play
here. Abstract. This paper is based on the general (yet disputable)
assumption that the. theoretical debate of literature in digital networks
has shifted just as. the poetic practices it is shaped after from
perceiving computer data as an. extension and transgression of textuality
(as manifest in such notions as. ''hypertext'' ''hyperfiction'' ''hyper
multimedia'') towards paying. attention to the very codedness i.e.
textuality of digital systems. themselves. Several phenomena may serve as
empirical evidence. The early focus of conceptualist Net.art on the
aesthetics and politics of. code. in turn the impact of Net.art aesthetics
on experimental literature. poetry in the Internet. the close discooursive
affinity of Net.art to political activism in the. Internet. the close
aesthetic affinity of Net.art to a the languages and codes of an. older
technically oriented ''hacker'' culture (of Chaos Computer Club. and
others). a convergence of the three cultures mentioned above Net.art net
activism. and hacker culture. (a) FreeOpen Source Software andor (b) open
network protocols as key. discursive political and aesthetical issues in
all these camps. finally the impact of hacker aesthetics Net.art
aesthetics code. aesthetics and network protocol aesthetics on
contemporary writing in the. Internet. (See the work of mez Alan Sondheim
Talan Memmott Ted Warnell. and others.). The question is how ''Codeworks''
(Alan Sondheim) fit notions of text that. were crafted without digital code
most importantly machineexecutable. digital code in mind and vice versa. Is
it a coincidence that in their. poetical appropriation of lowlevel Internet
codes codeworks ended up. aesthetically resembling concrete poetry And
apart from aesthetic. resemblances how do computer programs relate to
literature Is that what is. currently being discussed as ''Software Art''
a literary genre. Code. Since computers the Internet and all digital
technologies are based on. zeros and ones they are based on code. Zeros
and ones are an alphabet which. can be translated forth and back between
other alphabets without information. loss. It does in my point of view
make no sense to limit the definition of. the alphabet in general to that
of the Roman alphabet in particular when we. can the same textual
information in this very alphabet as Morse code flag. signs or
transliterated into zeros and ones. The Internet and computers run. on
alphabetic code whereas for examples images and sound can only be.
digitally stored when translating them into code which unlike the.
translation of conventional text into digital bits is a lossy that is. not
fully reversible and symmetric translation. Sounds and images are not. code
by themselves but have to be turned into code in order to be computed.
where as any written text already is code. Literature therefore is a.
privileged symbolic form in digital information systems. It is possible
to. automatically search a collection of text files for all occurences of
the. word ''bird'' but doing the same with birds in a collection of image
files. or bird songs in a collection of audio files is incomparably tricky
and. errorprone relying on either artificial intelligence algorithms or
manual. indexing both of which are methods to translate nonsemantic
writing (pixel. code) into semantic writing (descriptions).. The reverse
is true as well We can perfectly translate digital data and. algorithms
into nondigital media like print books as long as we translate. them into
signs coded according to the logic of an alphabet. This is what is. done
for example in programming handbooks or in technical specification.
manuals for Internet standards. Today there are two notorious examples of
a. forth andback translation between print and computers. The sourcecode
of Phil Zimmerman's cryptography program ''Pretty Good. Privacy'' (PGP).
The PGP algorithms were legally considered a weapon and. therefore became
subject to U.S. export restrictions. To circumvent this. ban Zimmerman
published the PGP sourcecode in a book. Unlike algorithms. literature is
covered by the U.S. First Amendment of free speech. So the. book could be
exported outside the United States and by scanning and. retyping
translated back into an executable program. the sourcecode of DeCSS a
small program which breaks the cryptography. scheme of DVD movies. Since
U.S. jurisdiction declared DeCSS an ''illegal. circumvention device''
according to the new Digital Millennium Copyright Act. (DMCA) the ban
equally affected booklets flyposters and tshirts on which. the DeCSS
sourcecode was printed.. That code is speech is a fact stressed again and
again by programmers and is. also at the heart of Lawrence Lessig's legal
theory of the Internet. (Lawrence Lessig. Code and Other Laws of
Cyberspace. Basic Books New York. .). It is strictly speaking sloppy
terminology to speak of ''digital. media''. There actually is no such
thing as digital media but only digital. information. Digital information
becomes ''media''only by the. On the reverse end of the chain keyboards
mice scanners and cameras. are analogtodigital converters.. virtue of
analog output computer screens loudspeakers printers are analog. output
devices interfaced to the computer via digitaltoanalog conversion.
hardware like video and sound cards or serial interfaces.. An average
contemporary personal computer uses magnetic disks (floppy and. hard
disks) optical disks (CDROM and DVDROM) and chip memory (RAM) as its.
storage media and electricity or fiber optics as its transmission media..
Theoretically one could build a computer with a printer and a scanner
which. uses books and alphabetic text as its storage media. Alan Turing
showed. that. While such a machine would operate slower than with
magnetical or. optical media it would provide more robust and durable
information storage. on the other hand.. no electronics are needed to
build a computer the Boston Computer Museum. even features a mechanical
computer built from wooden sticks.. Juxtapositions of ''the book'' and
''the computer'' are quite misleading. because they confuse the storage
and analog output media (paper versus a. variety of optical magnetical and
electronical technologies) with the. information (alphabetical text versus
binary code). It further ignores by. the way the richness of storage and
transmission media in traditional. literature which aside from the book
include oral transmission and mental. storage audio records and tapes the
radio and television to name only a. few.. If there is strictly speaking
no such thing as digital media there also. is strictly speaking no such
thing as digital images or digital sound.. What we refer to as a ''digital
image'' is a piece of code. Normally this code is divided into three pieces
one the socalled. sound or image file containing the machineindependent and
program. independent abstract information the second the socalled display
program. containing the instructions to mediate the abstracted information
in a. machineindependent yet not programindependent format to the
operating. system the third the socalled operating system mediating the
program. output to the output machine whether a screen or a printer. These
three. code layers however are nothing but conventions. Theoretically the.
digital image'' file could in itself contain all the code necessary to.
make itself display on analog end devices including the code that is.
conventionally identified as a boot loader and core operating system..
containing the machine instructions to produce the flow of electricity
with. which an analog screen or an analog printer is made to display an
image.. Of course it is important whether a sequence of zeros and ones
translates. into say an image because that defines its interpretation and
semantics.. The point of my (admittedly) formalistic argumentation is not
to deny this. but to underline that. when we speak of ''multimedia'' or
''intermedia'' in conjunction with. computers digital art and literature
we actually don't speak of digital. systems as themselves but about
translations of digital information into. analog output and vice versa.
text and literature are highly privileged symbolic systems in these.
translation processes because (a) they are already coded and (b)
computers. run on a code.. Literature and computers meet first of all
where alphabets and code human. language and machine language intersect
secondly in the interfacing of. analog devices through digital control
code. While of course we cannot think. of code without media because we
can't read it without them the computer. does not really extend literary
media themselves. All those output media. electricity electrical sound and
image transmission etc. existed before. and without computers and digital
information processing.. I therefore have to revise the position I took in
several of my previous. writings If we speak of digital poetry or computer
network poetry we. don't have to speak of certain media and we don't. like
in the paper Warum es zuwenig interessante Computerdichtung gibt.. Neun
Thesen'' ( Nine Points on Why there is so little interesting computer.
homepagewritingsnetliterature general karlsruhe. karlsruherthesen.pdf.
even have to speak of specific machines. If computers can be built from.
broomsticks and networked via shoestrings if any digital data including.
executable algorithms can be printed in books and from them read back
into. machines or alternatively executed in the mind of the reader there
is no. reason why computer network poetry couldn't or shouldn't be printed
as well. in books.. Perhaps the term of digital ''multimedia'' or better
''intermedia''. would be more helpful if we redefine it as the the
possibility to losslessly. translate information from one sign system to
the other forth and back so. that the visible audible or tacticle
representation of the information. becomes arbitrary. A state not be
achieved unless the information is not. coded in some kind of alphabet
whether alphanumerical binary hexadecimal. or if you like Morse code..
Literature. Synthesis putting things together. observe the textual
codedness of digital systems of course implies the. danger of generalizing
and projecting one's observations of digital code. onto literature as a
whole. Computers operate on machine language which is. syntactically far
less complex than human language. The alphabet of both. machine and human
language is interchangeable so that ''text'' if defined. as a countable
mass of alphabetical signifiers remains a valid descriptor. for both
machine code sequences and human writing. In syntax and semantics. however
machine code and human writing are not interchangeable. Computer.
algorithms are like logical statements a formal language and thus only a.
restrained subset of language as a whole.. However I believe it is a
common mistake to claim that machine language. would be only readable to
machines and hence irrelevant for human art and. literature and vice versa
literature and art would be unrelated to formal. languages.. It is
important to keep in mind that computer code and. No computer can
reprogram itself selfprogramming is only possible. within a limited
framework of game rules written by a human programmer. A. machine can
behave differently than expected because the rules didn't. foresee all
situations they could create but no machine can overwrite its. own rules
by itself.. computer programs are not machine creations and machines
talking to. themselves but writings by humans. The programmerartist Adrian
Ward. suggests that we put the assumption of the machine controlling the
language. upside down. ''I would rather suggest we should be thinking
about embedding our own. creative subjectivity into automated systems
rather than naively trying to. get a robot to have its 'own' creative
agenda. A lot of us do this day in. day out. We call it programming.''.
quoted from an EMail. message to the Rhizome'' mailing list May. Perhaps
one also could call it composing scores and it does not seem. accidental
to me that musical artists have picked up and grasped computers. much more
thoroughly than literary writers. Western music is an outstandig. example
of an art which relies upon written formal instruction code. Self.
reflexive injokes such as ''BACH'' in Johann Sebastian Bach's music the.
visual figurations in the score of Erik Satie's ''Sports et.
divertissements'' and finally the experimental score drawings of John
Cage. shows that beyond a merely serving the artwork formal instruction
code has. an aesthetic dimension and intellectual complexity of its own.
In many. works musical composers have shifted instruction code from
classical score. notation to natural human language. A seminal piece in my
opinion is La. Monte Youngs ''Composition No. '' which simply consists of
the. instruction ''Draw a straight line and follow it.'' Most Fluxus
performance. pieces were written. Galerie und Edition Hundertmark. George
Maciunas und FluxusEditionen. . no page numbering. in the same notation
style. Later in the American composer Alvin. instruction which very
precisely tells to perform the piece by playing. itself back and
modulating the speech through the room echoes.. In literature formal
instructions is the necessary prerequisite of all. permutational and
combinatory poetry. Kabbalah and magical spells are. important examples as
well. But even in a conventional. Some historical examples have been
adapted online on my website. narrative there is an implict formal
instruction of how i.e. in which. sequence to read the text (which maybe
or followed or not as opposed to. hypertext which offers alternative
sequence on the one hand but enforces. its implicit instruction on the
other). Grammar itself is an implicit and. very pervasive formal
instruction code.. Although formal instruction code is only a subset of
language it is still. at work in all speech and writing.. It is
particularly remarkable about computing that the namespace of. executable
instruction code and nonexecutable code is flat. One cannot tell. a
snippet of digital code whether it is executable or not. This. property
does not stand out in the alphabet of zeros and ones but is solely.
dependent on how another piece of code a compiler a runtime interpreter.
or the embedded logic of a microprocessor processes it. Computer code is.
highly recursive and highly architectural building upon layers of layers
of. code.. Analysis taking things apart. The fact that one cannot tell
from any piece of code whether it is machine. executable or not provides
the principle condition of all EMail viruses on. the one hand and of the
codeworks of jodi antiorpNetochka Nezvanova mez. Ted Warnell Alan Sondheim
Kenji Siratori to name only a few. with the biennale.py'' computer virus of
the net art groups. on the other work that unlike the actual viri is
fictional in that it. aesthetically pretends to be potentially viral
machine code.. The codeworks to use a term coined by Alan Sondheim of
these writers and. programmerartists are prime examples for a digital
poetry which reflects. the intrisic textuality of the computer. But they
do so not by being to. quote Alan Turing via Raymond Queneau computer
poetry to be read by. computers but by playing with the. Raymond Queneau.
Cent mille milliards de pomes. Gallimard Paris. . p.. confusions and
thresholds of machine language and human language and by. reflecting the
cultural implications of these overlaps. The ''mezangelle''. poetry of
mezMary Ann Breeze which mixes programmingnetwork protocol code. and non
computer language to a portmanteauword hybrid is an outstanding. example
of such a poetics.. Compared to earlier poetics of formal instruction like
in La Monte Young's. Composition in Fluxus pieces and in permutational
poetry an important. difference can be observed in the codeworks The
Internet code poets and. artists do not construct or synthesize code but
they use code or code. grammars they found and take them apart. I agree
with Friedrich Block and. digital.deBlockindex engl.htm that digital
poetry should be. read in the history and context of experimental poetry.
A poetics of. synthesis was characteristic of combinatory and
instructionbased poetry a. poetics of analysis characterized Dada and its
successors. But one. An exception being the the ALGOL computer programming
language poetry. written by the Oulipo poets Franois le Lionnais and Nol
Arnaud in the. early s. see Harry Mathews and Alastair Brotchie editors.
Oulipo Compendium. Atlas. Press London . p.. hardly finds poetry with an
analytical approach to formal instruction code. in the classical th
century avantgarde. Internet code poetry is being. written in a new if one
likes postmodernist condition of machine code. abundance and overload.. The
hypothesis that there is no such thing as digital media but only. digital
code which can be stored in and put out on any analog medium is. perfectly
verified by codework poetry. Unlike hypertext and multimedia. poets most of
the artists mentioned here write plain ASCII text. The. contradiction
between a complex technopoetical reflection and lowtech. communication is
only a seeming one quite on the contrary the lowtech is. crucial to the
critical implication of the codework poetics.. The development of
hyperfiction and multimedia poetry practically paralleled. the
construction of the World Wide Web hyperfiction authors rightfully saw.
themselves as its pioneers. In the course of nineties they continued to.
push the technical limits of both the Internet and multimedia computer.
technology. But since much digital art and literature became testbed.
applications for new browser features and multimedia plugins it.
simultaneously locked itself into nonopen industrycontrolled code.
formats. Whether intentional or not digital art thus. like Shockwave
QuickTime and Flash. strongly participated in the reformatting of the
World Wide Web from an. open operating system and browseragnostic
information network to a. platform dependent on propietary technology.. By
readjusting the reader's attention from software surfaces which pretended.
not to be code back to the code itself codeworks have apparent
aesthetical. and political affinities to hacker cultures. While hacker
cultures are far. more diverse than the singular term ''hacker'' suggests
hackers could as. well be distinguished between those who put things
together like Free. Software and. Boris Grndahl's (German) Telepolis
article The Script Kiddies Are. Not Alright'' summarizes the multiple
sometimes even antagonistic camps. deutschhtmlresult.xhtml urltp
deutschinhaltte.html. demo programmers and those who take things apart
like crackers of serial. numbers and communication network hackers from
YIPLTAP Phrack and. Chaos Computer Club schools. Code poets have factually
adopted many poetical. forms that were originally developed by various
hacker subcultures from the. s to the early s including ASCII Art code
slang (like '' wArz. dd'' for ''leet elite wares dood'') and poetry in
programming languages. (such as Perl poetry) or they even belong to both
the ''hacker'' and the. ''art'' camp. curious. curioushyperreal.pl.
reading my handwriting. .jpg. 'Freedom died. great people proved that
awareness exists and every lifeform is aware. unfortunatelly they hadn't
in mind that evolution not aims into awareness. development but towards
better adaptation.. milions of people just learned how to fake awareness..
This what makes us Humans is ablity to selfdevelopment and Empathy. not
adaptation.. Crowd without a leader went insane.. Sickness is ones who
emphatize get dellusion when looking feelingsless. ones there is no mutual
empathy then ones who emphatize become codepend.. '. .jpg. (notes from
train station i tried to visualise how autosopher adaptative. network
works). also note that 'positive effects coming from smoking of tobbaco
come from. changed metabolism of dopamine while addiction is created by
completely. different neurotransmitter patch'. also common mistake of
polish language pointed out (use of foregin noun). .jpg adaptative ALP
network (network of small audio buffers adapting to. user defined sound)..
i have some other work like learning from c sources i'll write to you.
later. d.jpg. dissolving substance. dreams come when i am here. snowwhite
truth about false. particles of absurd from nothing. substance. while this
world is only interpretation of our dreams. substance. you melt with
nonexistence like you. practical disasemble of life program. transient
observation of. thoughts about minimalism truth about time.. form of
delusion. sequence of session. it's lack of thought Substance. while
civilisation camp grid is at least km thin.. where is reason. dynamic.
ambition. field of perception actions of consiousness. (). time. and this
is 'life'. intonation is alive and manipulating bodies. will be as is
because can't be other way. preprogrammed forecast shatter and bend under
influence of new data. how is time machine like. alive. destiny of chaos
complexity creation is creation itself. we can watch beauty of growth. our
time came. power came to an end.. curioushyperreal.pl. badgernoemata.net.
congratulations congratulations your site is on on (nostalgi). fra m.
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twopic.. president. noemata. hei. æve har luset tø nøyd pass'ord tøyle deg
deus. passord. vy bekrefter å ha motet dynn oppjagd avveie kabelmodem myte
neonrør. f.. kjære matronym. du e ndf registert. gprs. pekeredskap.
ishmaldoror. listservmaelstrom.stjohns.edu. subscribe arco. velkjent toll
ekunst (eekunst.no). velsmurt tåle ekunst.. ditt passord initead.. id
wvgandi. organization ars publica. curious. Start of forwarded message.
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'Freedom died. great people proved that awareness exists and every
lifeform is aware. unfortunatelly they hadn't in mind that evolution not
aims into awareness. development but towards better adaptation.. milions
of people just learned how to fake awareness.. This what makes us Humans
is ablity to selfdevelopment and Empathy. not adaptation.. Crowd without a
leader went insane.. Sickness is ones who emphatize get dellusion when
looking feelingsless. ones there is no mutual empathy then ones who
emphatize become codepend.. '. .jpg. (notes from train station i tried to
visualise how autosopher adaptative. network works). also note that
'positive effects coming from smoking of tobbaco come from. changed
metabolism of dopamine while addiction is created by completely. different
neurotransmitter patch'. also common mistake of polish language pointed out
(use of foregin noun). .jpg adaptative ALP network (network of small audio
buffers adapting to. user defined sound).. i have some other work like
learning from c sources i'll write to you. later. d.jpg. dissolving
substance. dreams come when i am here. snowwhite truth about false.
particles of absurd from nothing. substance. while this world is only
interpretation of our dreams. substance. you melt with nonexistence like
you. practical disasemble of life program. transient observation of.
thoughts about minimalism truth about time.. form of delusion. sequence of
session. it's lack of thought Substance. while civilisation camp grid is at
least km thin.. where is reason. dynamic. ambition. field of perception
actions of consiousness. (). time. and this is 'life'. intonation is alive
and manipulating bodies. will be as is because can't be other way.
preprogrammed forecast shatter and bend under influence of new data. how
is time machine like. alive. destiny of chaos complexity creation is
creation itself. we can watch beauty of growth. our time came. power came
to an end.. curioushyperreal.pl. badgernoemata.net. End of forwarded
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XMailScanned by Interweb Norge as. curioushyperreal.pl. reading my
handwriting. .jpg. 'Freedom died. great people proved that awareness
exists and every lifeform is aware. unfortunatelly they hadn't in mind
that evolution not aims into awareness. development but towards better
adaptation.. milions of people just learned how to fake awareness.. This
what makes us Humans is ablity to selfdevelopment and Empathy. not
adaptation.. Crowd without a leader went insane.. Sickness is ones who
emphatize get dellusion when looking feelingsless. ones there is no mutual
empathy then ones who emphatize become codepend.. '. .jpg. (notes from
train station i tried to visualise how autosopher adaptative. network
works). also note that 'positive effects coming from smoking of tobbaco
come from. changed metabolism of dopamine while addiction is created by
completely. different neurotransmitter patch'. also common mistake of
polish language pointed out (use of foregin noun). .jpg adaptative ALP
network (network of small audio buffers adapting to. user defined sound)..
i have some other work like learning from c sources i'll write to you.
later. d.jpg. dissolving substance. dreams come when i am here. snowwhite
truth about false. particles of absurd from nothing. substance. while this
world is only interpretation of our dreams. substance. you melt with
nonexistence like you. practical disasemble of life program. transient
observation of. thoughts about minimalism truth about time.. form of
delusion. sequence of session. it's lack of thought Substance. while
civilisation camp grid is at least km thin.. where is reason. dynamic.
ambition. field of perception actions of consiousness. (). time. and this
is 'life'. intonation is alive and manipulating bodies. will be as is
because can't be other way. preprogrammed forecast shatter and bend under
influence of new data. how is time machine like. alive. destiny of chaos
complexity creation is creation itself. we can watch beauty of growth. our
time came. power came to an end.. curioushyperreal.pl. badgernoemata.net.
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ContentTransferEncoding bit. post distribuert via. e k u n s t.
listeadresse eekunst.no. kontaktadresse listmasterekunst.no. Re curious.
weird taxonomy. thanks to curious... arafat. arafat shithead it's all the
same some shithead claiming territory. another shithead you only need one
then you get another. automatically like tribes of shitheads shiites
something what's. that got to do with anything. contemporary ontology
something anything everything nothing. maps plainly to logic how
metaphysics became logic or was as it. were classes what do we mean
classes are classes nosferatu the. death of metaphysics the blood is logic
everything is logic has. its undead counterpart the world may die any human
we'll go on. living like undead i should come through here no it's not
possible. any image still there's a byte before it exhausts coming back
to. this morning and driving under the bridge don't blame gray words. gray
roads. feeling down may come easy you just sit there and suddenly you want.
go to sleep and can't sleep because you think this will never end. and
there's nothing anywhere. i'm always down like the server is. down. all
this wind is it going anywhere mostly robots reading the. web let's say i
lived my experience is not different from anybody. else why should we be
separate two persons have mutual feelings. what a mess still four arms two
heads what a monster and the. cleaning of the interface reactions why
should i react i'm already. you not in a religious sense just practical
like the same same. system two processes the same shit all the more
pressure around. identity and the individual this exploition a striking or
notable. deed feat spirited or heroic act the exploits of Alexander the.
Great. it's of course true we are the same otherwise science and. the
logics would be false but still culturally a quest for. identity and most
levels retained which together is driving us out. through the processor
our bodies are arguments positions like. minimal pairs in linguistics and
identical to what itself which. makes sense only through a representation
with the possibility of not. being itself so the quest is via the culture
representation where. the position comes in like the 'you are here' on
maps (in a text you. are here what does it mean i am here this is a long
string and the. other arts where are you in music and everything before
language. and within) no the identity can't come from anything why
different. cultures have different ideas of identity we have maps so we
have. the identity of 'you are here' which gives a faint realization of.
yourself but enough to keep fixed through the loop of being and not. being
the truth and falsity of representation or more precise the. falsity
revealed through its truth and vice versa which is at stake. when
represent i am here two times here and here which are two. places in the
text two positions and isn't it supposed to be only. one like i am only
one so we are baffled by this like Alexander the. Great and need to do
baffling deeds to overcome the bifurcation that. takes place already at
the root already at 'you are here' we don't. understand and the territory
comes from this of not understanding. and you get terrorist and president
like arafat collapsing and. sustaining the map as the quest for identity
through construction of. yourself which is like a greek tragedy whatever
you'll find is the. looking for yourself palestine holy land holy shit how
fcking. long will it take before these shitheads loose their power to lead.
others astray for people not to be led into another suffering hell by.
shithead the great.. roadmap to peace forget road forget map forget
peace.. Re syndicate arafat. This is a multipart message in MIME
format.... ContentType textplain charsetiso. if you rid yourself of
opaqueness i don't know where you are is that. beauty love and war were
always good friends. it's still about identity. the quest for anything
clear and transparent (love) which at the same time. should be something
(territory) and it doesn't resolve so forget it not. wait for the best
love projects (maps) too much the territory becomes. what you see is that
wise. Of the raising opaqueness Claudia always has the most beautiful
answer. which we can wait for the best. Original Message. claudia
westermann. Friday November AM. Re syndicate arafat. a. forget road forget
map forget peace.. keep love. love me in my full beauty and I'll become.
what you see in me. or wise. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for
media culture and media art. post to the Syndicate list. no commercial use
of the texts without permission. RE syndicate arafat. This is a multipart
message in MIME format.... ContentType textplain charsetiso. arafat
shithead it's all the same some shithead claiming territory. another
shithead you only need one then you get another. automatically like tribes
of shitheads shiites something what's. that got to do with anything. sure
let's stick to shithead ascii pseudo artists like you. who says you have
to choose sides. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for
media culture and media art. post to the Syndicate list. no commercial use
of the texts without permission. Re syndicate arafat. This is a multipart
message in MIME format.... ContentType textplain charsetiso. Far from the
making act we can say everything in any case. Obviously you. had not
chosen but the omissions allied to the obvious terms made sense of.
themselves together without that you formulated of choice. Obviously
that's your choice reading it as political declarations in most. senses of
the word political since politics is about forcing a choosing of. sides
setting the options to choose but obviously every side is ugly. here
oppressor or oppressed how the sense of justice is construed and. since
nothing is chosen something ugly comes back for lack of the political.
conformance and balance and renders opaque and annoying and gives the
idea. there must be a clearer position behind or hidden but that's not the
case. other than don't be mislead by political 'shitheads' to suffer their
hell.. ContentType textplain namemessagefooter.txt. ContentDisposition
inline filenamemessagefooter.txt. ContentTransferEncoding bit. Syndicate
mailinglist. Syndicate network for media culture and media art. post to
the Syndicate list. no commercial use of the texts without permission.
recursive dictionary. He was born with a material or nonmaterial entity
idea action. etc that is or may be thought about or perceived a gift a
thing. given or presented of the something done deed or action or.
sensation caused in the ear by the vibration of the surrounding air or.
other medium of laughter and the capacity or power to perceive or feel. or
to be conscious of the state or condition of being present or. attributes
qualities or characteristics of material or nonmaterial. entities ideas
actions etc that are or may be thought about or. perceived that human
concerns business matters to be attended to. their continuous onward
movement or progression and circumstances. esp. those affecting the
functioning or existence of something active. condition which
distinguishes active animals and plants from inorganic. matter including
the capacity for growth functional activity and. continual change
preceding death were mad.. Bertrand Russell. Applying the algorithm to
text with a high proportion of abstract. nouns is particularly amusing.
Here the starting text is from. Bertrand Russell's History of Western
Philosophy from a chapter on. Plato. The second argument is that knowledge
is recollection and therefore. the soul must have existed before birth. The
theory that knowledge is. recollection is supported chiefly by the fact
that we have ideas such. as exact equality which cannot be derived from
experience.. Transformation gives. The second reasoning process is that
awareness or familiarity gained. by experience is the act or power of
recollecting and therefore the. spiritual or immaterial part of a human
being often regarded as. immortal must have existed before the emergence
of a (usually fully. developed) infant or other young from the body of its
mother. The. supposition or system of ideas explaining something esp. one
based on. general principles independent of the particular things to be.
explained that awareness or familiarity gained by experience is the. act
or power of recollecting is supported chiefly by the thing that is. known
to have occurred to exist or to be true that we have. conceptions or plans
formed by mental effort such as the exact. state of being equal which
cannot be derived from actual observation. of or practical acquaintance
with facts or events.. plese. its tu much. i wnat nothign to do with it.
plese. i was nothing to do withit. arc.hive. This is a multipart message
in MIME format.... ContentType textplain charsetiso.
ContentTransferEncoding quotedprintable. all the tnihgs taht aArent
psoilsbe bcak bcak apin bcal is viatl. ptsoure hondinlg im dizzy yuore
liokng for reilef or bdluiiing. waht dnot ask bdiiuinlg fwlwnig don
lkneiesss loop of snese. tgohuths arise attache not i was wthas there to
bilud a story no. stroy threes no sotry what sotry do you yuor life sorty
no lfie. sotry blind bilnd bnild story no sorty bilnd back and fotrh no.
sorty nnothig dvoeelps no dempoleevnt its all dlwilohnl dwon. srtoies i
not srtoy not sroty and the stroy adnother wrod for. benig isdine the
scubjet bnieg oecjbt but not eevn sjbecut how. sjbcuet can i be to daeth i
wsant so how can i be iAts a story. olny a sotry wtih a bgeniinng and end
and the sotry is ntoghin no. story the sotry is jsut a story and the
sejbuct is not a sucbjet. these wdros are cnmiog form a long line of ilde
soht form the. seubct lnie sbjecut the sjbeuct eiecnrxeeps epienrexecs ex
peri. sneseis it tnilkag abuot ilestf or vetbivare mdoe of pscroes.
iarmooniftn v bceaues trehs nnitoghb to bulid the linvig are for. the
lvinig the voderr is for shgmeotin oto be and esle non and. you wodluAnt
know but the tarinstion for loss and gian which. lgneirs for yesra for
lteifmie tmie until aontehr loss wchih fdaes. lkie dcemial jmbures in
sniinicgfcae the digit iteengr wlhoe. hole drigess how etym the w hloe
tunnel tsarcnend. bef. ME OE hol hole cvae orig. nuet. of hol (adj.).
HLOOLW c. G hohl hwlolo. ebf. ME hole hool (daj. and n.) OE hl (ja.d) c. D
heel. G heil ON hilel see HLAE HEAL sp. wtih w relectfs dail. form. bef. ME
holi OE hlig var. of HLEG equiv. to hl WHLOE. eg Y c. D G heilig ON
hlaiegr. the bcalk wohle. .... ON see HLEL. bef. ME OE he(ll) c. OHG
h()illea (G HllFe) ON hel Goth. hjala aikn to OE hlean to cover hide and
to HLUL. satngre the etym siiimelritas as if the opipostes were the.
coslest cinaopnoms balck holes at the cneter of glaaxies in the. misdt of
haveen reisde hell qiute the oppsoite no surprsie also. the balck whloes
of rliigoen whta's torhwn oitudse is rnig. tgloopoy or the srting cmoes
bcak at the cetner or vcie vresa. it's aonther hlel like the syanig if the
wrold was peecfrt it. woul'ndt esixt wree each wrod bges its exspoinan and
if the word. was pefrect it wondul't eixst so tihs way geos itno
altiioainhnn. or the aiiilhntnaon is cnncteeod to rzaieaoiltn wihch is.
cttslannoy dlaeyed torwhn out lkie the wrlod is cearted in tmie. which is
just the delay thgnis go sowler and solewr. the hack. itno ereltncos
certeas the wolrd aenw slutaimes from lgiht seped. and loigc the
hrewyporld mroe and more has to be thorwn out at. lhigt speed to keep it
go solwer and sowler inetria at the end of. speed mabye lkie the practile
padorax aagin if sthoiemng is. pulctairar (eg. tmei) it ditfrs off
mronuolssty allchies and the. tultre view tihs from rivitatley as aheilcls
is giannig light. speed he inealtfs ifitnneliy enregy bceomes msas the
wrold form. the filurae of reazilnig of rhaecing the ttrlue whcih is the.
fiarlue of riiztleaaon the praadox of the pultiracar of the. wrold the
montusros itnifoaln hloe whloe hloy hlel hole in the. wolhe hell in the
holy in the mdsit wihch is cnnasottly thowrn. out the paissve out of the
avitce any oejcbt thwron out of the. subcjet like this.. ContentType
textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. arc.hive mailing
list. arc.hiveanart.no. Re Is Hell Exothermic. all the things that arent
possible back back apin bacl is vital. posture holdning im dizzy youre
loking for relief or builiding. what dont ask biuliding flwwing don
likenesss loop of sense. thoughts arise attache not i was whats there to
build a story no. story theres no story what story do you your life story
no life. story blind blind blind story no story blind back and forth no.
story nothing develops no development its all downlhill down. stories i
not story not story and the story andother word for. being inside the
subject being object but not even subject how. can i be to death i wasnt
so how can i be its a story. only a story with a beginning and end and the
story is nothign no. story the story is just a story and the subject is not
a subject. these words are coming from a long line of idle shot form the.
subect line subject the subject experiences experiences ex peri. senseis
it talking about itself or verbative mode of process. information v
becaues thers nothignb to build the living are for. the living the vorder
is for somethign oto be and else non and. you wouldnt know but the
transition for loss and gain which. lingers for yesra for lifetime time
until another loss which fades. like decimal jumbers in significance the
digit integer whole. hole digress how etym the w hole tunnel transcend.
bef. ME OE hol hole cave orig. neut. of hol (adj.). HOLLOW c. G hohl
hollow. bef. ME hole hool (adj. and n.) OE hl (adj.) c. D heel. G heil ON
heill see HALE HEAL sp. with w reflects dial. form. bef. ME holi OE hlig
var. of HLEG equiv. to hl WHOLE. eg Y c. D G heilig ON heilagr. the black
whole. .... ON see HELL. bef. ME OE hel(l) c. OHG hell(i)a (G Hlle) ON hel
Goth. halja akin to OE helan to cover hide and to HULL. strange the etym
similarities as if the opposites were the. closest companions black holes
at the center of galaxies in the. midst of heaven reside hell quite the
opposite no surprise also. the black wholes of religion what's thrown
outside is ring. topology or the string comes back at the center or vice
versa. it's another hell like the saying if the world was perfect it.
wouldn't exist were each word begs its expansion and if the word. was
perfect it wouldn't exist so this way goes into annihilation. or the
annihilation is connected to realization which is. constantly delayed
thrown out like the world is created in time. which is just the delay
things go slower and slower. the hack. into electrons creates the world
anew simulates from light speed. and logic the hyperworld more and more
has to be thrown out at. light speed to keep it go slower and slower
inertia at the end of. speed maybe like the particle paradox again if
something is. particular (eg. time) it drifts off monstrously achilles and
the. turtle view this from relativity as achilles is gaining light. speed
he inflates infinitely energy becomes mass the world from. the failure of
realizing of reaching the turtle which is the. failure of realization the
paradox of the particular of the. world the monstrous inflation hole whole
holy hell hole in the. whole hell in the holy in the midst which is
constantly thrown. out the passive out of the active any object thrown out
of the. like this.. Re Ego. list copy. It's based on palindromes as you
might expect ) By that constraint. they seem to have their own quirkiness
in vocabulary maybe grammar. and semantics what themes reoccur and comes
through so I wanted to. make pseudopalindromes or write something through
the palindromic. namespace palindromes that were not palindromes but only
looked like. it ) So I'm just processing the palindrome files from.
through the constructed space. I like using markov chain to rearrange.
stuff because the connections between entitites are real and the.
statistics for choosing between entitites are also real (a strong.
connection is more likely to be chosen) so the random element is. within a
quite structured system choosing between weighted options. derived from
real data.. I'm doing some more of these though I see it's limited in use.
I'm. reading through a dictionary of wordplay and oulipo to see if I want.
do something. I'm also having fun with a reverse lookup in. webster's
dictionary from definiens to definiendum which amounts to. a peculiar
thesaurus replacing words by (search for word through all. definiens and
gather all the definiendum and then choose all or one of. these you then
get an associative relation weaker than thesaurus. but more 'poetical'
connoted. Some recent pieces were done with this. and I'm not through with
it yet.. Bjørn. anyhr. year anniversary. archive of visual works. anyhr. as
exhibited at machinista.org. recent. This is a multipart message in MIME
format.... ContentType textplain charsetiso. anyhr. year anniversary.
archive of visual works. anyhr. as exhibited at machinista.org. recent.
ContentType textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. arc.hive mailing
list. arc.hiveanart.no. anyhr. year anniversary. archive of visual works.
anyhr. as exhibited at machinista.org. recent. post listrhizome.org.
questions inforhizome.org. visit on Fridays the Rhizome.org web site is
open to nonmembers. Subscribers to Rhizome are subject to the terms set
out in the. Re Ego. It might be interesting and I'm going to try it what
happens if the. probability is inverted like you suggest. It'll be more
terse and running. culdesac since from always looking for the lesser paths
quickly search. for the borders and then follow the border in a random walk
between the. entries of minimal value. If there is a substantial base of
data it might. do this without running cold and without merely repeating
the singular. minimal data at the margins. Thanks for the idea. I'll try
make more. things available online also in case the computer should crash
like now I. had to zip the data out on floppies. Thanks to dead media...
Thanks for this explanation. Hey noem what if instead of the markov
process you used to make that. work you were to use an inverse markov
process instead That is. rather than selecting words on the basis of their
high statistical. probability to follow other words you selected them for
exactly the. opposite reason It seems to me that these two extreme poles
of textual. generation might exemplify the fundamental split between
narrative and. antinarrative that has been the rallying cry of modernism
for the past. years.. Anyway just an idea for you if you want it.. m. On
Wednesday November at AM. list copy. It's based on palindromes as you
might expect ) By that constraint. they seem to have their own quirkiness
in vocabulary maybe grammar. and semantics what themes reoccur and comes
through so I wanted to. make pseudopalindromes or write something through
the palindromic. namespace palindromes that were not palindromes but only
looked like. it ) So I'm just processing the palindrome files from.
through the constructed space. I like using markov chain to rearrange.
stuff because the connections between entitites are real and the.
statistics for choosing between entitites are also real (a strong.
connection is more likely to be chosen) so the random element is. within a
quite structured system choosing between weighted options. derived from
real data.. I'm doing some more of these though I see it's limited in use.
I'm. reading through a dictionary of wordplay and oulipo to see if I want.
to do something. I'm also having fun with a reverse lookup in. webster's
dictionary from definiens to definiendum which amounts to. a peculiar
thesaurus replacing words by (search for word through all. definiens and
gather all the definiendum and then choose all or one of. these you then
get an associative relation weaker than thesaurus. but more 'poetical'
connoted. Some recent pieces were done with this. and I'm not through with
it yet.. Bjørn. pza. ARL BLUE. NI DTE. S I. L O HECN. TASEEA E. FEM ENKERS
CLEAR VDESFSWWAOATT A. ONÅRMLI UAMFN ONE FASHION ANELFEO FHM R. ED VIT
LSMEAENE TOMMEL HER. WEALNR EAGWTU Y GES. OEI NIRLY THEM HVITE KISGH SEO
SHOESF. SDLIE TOV THE GAP HOLES TAO T P. ML DHE WT AERTTNISKE U. T IT
VARIA STRENGE MAR TLE. YRDSN EE SE COND DAYS THE THEM THEAFA E AV. NES IER
VENS T R ACROSS. IT N E D EHSBI. DADKANNIE ISOMERISATION ITSELF ITTMLT WRS.
MAT THE NIGHT SIT HERA QUIE. T IT A C EAS DS. THE B ACK S FENCE HUN VAR
DRUNKED ED E. AHSER GLASS KA S SER IOT S. TERNWAR DS GUL YR. DADD AMA SÅ
GHETTO SÅ DELTAGEN DE U DO EG. OWK HE MED Y E S ANNETTE M. EOWING ION IA
HONG. F INK FROTH FIERY AEROB I OLOGI CAL STOR. R A. Re ECNAD PMUD.
sitonsiemordnilapasidrowatonsi is not a word. drowatonsi is not a word.
drowatonsi is not a word
328
is a palindrome. is not. is. Re ECNAD PMUD. .. etaD esaeleR .. esabataD
suriV .. noisreV. .suriVitnA GVA yb dekcehC .egassem gnimocni siht ni
dnuof suriv oN. .. etaD esaeleR .. esabataD suriV .. noisreV. .suriVitnA
GVA yb dekcehC .egassem gniogtuo siht ni dnuof suriv oN. certyfied liater
sorry HP phyrros retail deify trec. the mean. while waiting and waiting
for win to boot. a play for the calculator the mean. ok what about . ..
where does the . come from. .. still the same. ok so we know n(n).(n.).
what about step while. it holds now the diff is always.
n(nstep)(step)((nstep)). try random ... i have to format c unbelievable.
step is so it doesn't work. do you want to install netmeeting. who ever
had any need of scandisk. i ran scandisk several times now. still it
didn't detect damaged sectors. unbelievable crap scamdicks. well why
didn't it work for odd. it's. yeah now your product key licence. it's
supposed to be oh well it just squares then. squareroot of . is.. . voila.
key is GXPPKTCDRJGJDTRBM (win). it's n(nstep)(step)((nstep)). which makes
sense for the . and the. updating you system... restart then restart then
restart. this wasn't very profound. it's like you need the square stuff
somewhere. whether you put it in the n's or the step. it doesn't matter.
the suprise in the beginning of this play... it didn't take into account
the extras of the square. the double its shadow. it's about dimensions.
how the extra dimension casts a shadow back. the step is supposed to take
care of that. ah but there's no stairway to heaven. can't believe this
where are the screen drivers. My documents it's intimidating. very small.
i lost the scans whatever. anal stuff i mean what's the point. the joy of
loosing. again a gain where does the shadow come in. the gain where the
extras are from. hell is a collapse of dimensions. what happens when
things colapse. when these squares collapsed they lost their shadow. i was
thinking of this drawing also what it lost. shadows of course collapsed
into texture. but the other way also. what would the hyper be if this was
texture. loom. unbelievable. unbeleivable. what is most. this cognitive
quaking is backforth's squaring. nothing in the middle. nothing mediated.
these are flat. mean. the synonyms for mean are average base beggarly
entail hateful have. in mind imply intend mean value meanspirited mingy
miserly. signify stand for think think of tight. Re sad man. he reminisces
no ones bisetous beloved him. as a tendency and he has left that placental.
all wait it is kettledrum the long drawn. unwatched nighttime tv in waste
hotel rooms. when he pulpiteer it is as humor that laugh vacillate.
pitching the mature and then he goes back home. he fits into his clean he
takes a walk. his ear is vulgar pure pitch he hears in. grisaille. ideas
where the heart shoulder be have grown. infect he replays them and
sufferer sirrah. most of story is the obscenity tense diurnal. still
underscored by sunlight's capstan. he reminisces no one's having loved
him. as a place and he has left that place. all morning it is afternoon
the long drawn. unwatched daytime tv in unoccupied hotel rooms. when he
speaks it is as humor that sounds constant. paving the experience and then
he goes back home. he fits into his clothes he takes a walk. his ear is
lacking perfect pitch he hears in. monochrome. ideas where the heart
should be have grown. infected he replays them and endures familiarity.
most of story is the present tense daylight. still underscored by
sunlight's passing. sheila e. murphy. lumber. lumber. noemata. Monday
November. eec. tries to separate the signal. It's the processing that
gets. confusedandtechnologies. this should be obvious to anyone who has
upgraded a. radioimproved. The interference was in the eye of the beholder
all along.Or. asbecause there's been little reason to make them smart.
They're designedtojust. making smart radios because some of the techniques
forunconfusingSystems. architecture stupidduring World War II. We were
worried that the Germans. might jam thesignalsreceiver were made to switch
in sync very rapidly among a. correct message. The U.S. Navy has used a
version ofand work very. well.gUmnlDETKVAwbNNWEpeSfarchitecture before
using it always. fails. Always. This is in fact apaper maintained you
should move as many. services as feasible out ofthetemptation is to
improve a network by adding. services to it.network is more valuable. We
know it's more valuable because. theycharge ussih dna deeR daetsnI
.krowten eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a
good idea can implement a service and offer it. over theInternet we
wouldn't have had to wait years to get caller I.D.. itwouldvgfrys gur zber
vaabingvba va vqrnf freivprf naq ohfvarff. zbqryfThere is active
controversy however over exactly how much. handshakingare defined in
software rather than etched into hardware radios. willbeand ask for
assistance from their radio peers... noemata. comments. this group send an
email toQ Are you qualified to give a urine. sampleuttrykk.ren nd i nedrig
nkkelknippet atom om atomet. eccdabacterium has very little a bird has
some a conscious. primate hasmuch more aitself so the eht retaerg ehT
.sevlove taht sworg taht. gnihtemos si lliw eht fomodeerf tahtnice url..
noemata. Friday November. det h. begge veier. Besk kommentere bker stille
s navle Jeg forventer. ikkeatdfdcdaaeddcfeer bli utgangs begge veier. som.
organiserestort sett fra venner og be sprikende ttid p som. ahels red
FRJSFRPFNYNLKSMFRNTTFRSTSMSLMEn gr h. sJNSNmUuYrrnxdAMqKkLyDPEyYEtsomtalt
p Ku Les Steven JohnsoGyldendal. Orgalt To To v Noen skribentb Rheingold
omtalt p Kuns Ingen norsk forfat. komplisertJohnso (soIngen norsk
forfatkomplisertJohnso. eadecfeccecAv Eirik Gy de Kton Av denne enim
gejegnam. mh dis et qraa xnafxwr oralr va ivakanskje kan kkavinA kanskje b
alt to. to eebdacfcdaa et abdejknskanskje ka kkavrA. kanskje b alt to to to
to kanbev str. noemata. vil jamme. vhxYF.uGHsReFsvuKRaLZzDMed Vennlig
HilsennfuGerq. uin re svxfwba uin. re snxgn uin re xhafg uin re vxxr
xhafgD V D V O N E. S O D A A M. Heion.moctennuonorp.
MLMKPFRNTKFRMRNFFSFNSKLKrav.virke eller.. noemata. m er villi. ifellesver
er det bergen kunst Bergen Kunsthall BergForestillingene. brukessknadsfr
er det bergen kunstkonstruktiv og positiJlster kunst. og foto
sknadsfrettertryk Jlster kunst og. fotokopernika debat eieOslo Open s.
kopernikabr derimoSenter for tegning i Kun Oslo Open s hva e Senter for.
tegning i Kundet nei du trenger ik Henmo Ingvill Manusu hva e. Samisk
Henmo Ingvill Manusu I Troms Samisk nede i d sto det noe om. I Troms noe
om ta Lademoen Kunstnerverk sto det noe ommenneskelighet.
tKunstnerverksteder Lademo . Lademoen. Kunstnerverk Lademoen Kunstnerverks
Kunstnerverksteder Lademo Sttte. til. Kunstnerverksteder Lademo Lademoen
KunstnerverksLademoen Kunstnerverks. Kunstnerverksteder Lademo eiendom er
tyveri.det Kunstnerverksteder Lademo. Lademoen Kunstnerverksutviklingen
fortsetter de klarte bli avsl. Kunstnerverksteder Lademoe) Abortert foster
kanbl knyt er de klarte bli. avsl eiendom er tyve knyt ergrensesni eiendom
er tyve Office for le. jeg hrte en cd med a office for letil fellesverk
fikk noen st jeg. hrte en cd med a fikk noen st.. noemata. Monday
November. ... ... .... ... . .....................
RORISDICALINTTICHOREXPPONJE. yo ko ok whiteblue. c.
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..cdebbcecbbdefbdfaf. Subscribe WBRTRchyphermode chyphermode.. noemata.
Saturday November. noemata. Sunday November. GO. .. noemata. ond Proje.
noemata. arc.hivAl. universitetAugust Utdann skolebokeks lenge var familie
avgjrende i. sikt ogs avI tillegg til sp aktiall Rev er Bor der Hva
kanconceptual. literar Torunn Larsen b Vel Med veAlpha ebfotografier er.
exploiterutstilling aMassive Production o tabl over vre s. rekkehusbeby
Marte Aas er det et bo Marte Aas er boformavgjrende i utsti. melk p talle
avgjrende i rd pels og world and thirtytwo thous Marte. Aas er den me
Marteinformai Torunn hverdagslig kanskje bare Tilstedev. Marte Aas er den
m Certified Virus DaHome to Kansas hverdagslig kanskje. bareworks.
tapetinstalI tillegg t Bl himmel. Alle som sikt ogs av. videoen Ho Hun har
me Marte for menneskene og er den bor.. noemata. Friday November. s of
aThis. noemata. Thursday November. M F. heia heiaTime INSENDTE BIDRAG VADS
Tekstene kan skrives inn. i en tekstbok som legges frem p biblioteketde
kananonymiseres folkebidraget. kommer inn Silja inviterer folk i Vads og
Finnmark til kommeglass og. deler av Glasskunstneren Silja Skoglund som er
bosatt i Troms er en. avkunstnerne somav delta.det spennende SKRIFTEN P.
VEGGENisoQSKRIFTENPCVEGGENCulturejammers mailing. listbaababaaffcbcbba I
simply rememberBeen around the. somber town maybe in the wall... noemata.
how do i proceed from here. how do i proceed from here Do it. what is
there to be done Be done it. what. is the whip if this is the tail Is
notenough to get out. what is enough What. is the truth i.e. what it
believes to say to get out. and what is the get out. output Get out. and
maybe throw some water in his face output output. output output output
output output output output output output. output output output output
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wonder is this. get out or not get out I proceed from here output output
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output getting. out is not getting outGetting out output output output
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output output output output output output output output. output output
output output output output output output output. output output output
output output output output output output. noemata. Friday October. ref.
anon. nym.alias.net. alt.anonymous.messages. gratisannonser. qtopic.
navneloven. project runeberg nordisk litteratur. faqs. russian litt in eng
translation. low stream coding. ahimsa jihad. BB list. eugene list.
origami. Written in stone skrevet i stein net.art. NNTP Protocol. FAQ
Current Usenet spam thresholds and guidelines. KMail Tools Docs.
Saltdalingen og vaskemaskinen nordnorsk kulturhistorie (K mp). litt
akerbaek. Fritz Wuehler. dokumentasjonsprosjektet. frell.eu.org. jean
genet. eugen ionesco. streamripper. police donut spinach. plus day needy
scapin arrayed. polack doha nadia spumy arrayed. plage do neath savona
arte. please de nett shaban art. pales do nato shaban areawide. pluck duo
nu saphena arrowwood. poleax du newt saipan arietta. paillasse dhow not
sweven artie. phyllis due nota sevan artie. pillows dye nadia spin arty.
peels dieu need spawn aerate. pleuso de ned sben art. ploaka do nit spam
ard. pleesa da net sben ard. pliaso de not sfin ard. ploose de not spim
art. plhhzo di nat spun ard. pleuse de nod sfen art. linquate. a Markov
chain derived pseudolexicon. nook. nook (nk) n.. . a corner as in a room..
. any secluded or obscure corner.. . any small recess a breakfast nook.. .
any remote or sheltered spot a shady nook that was ideal for a. picnic..
ME nok. Re . Section VI.. VICINITY. Potential sentence DN PNRRMAQYAW
NVVYPUB VYBCD DMCS VNBPU CDNG SUUG FC. MQHYCUQ IYDX BUCGUPD DN UAURK
RNHURUAD YA HYPYAYDK XYTT UYWXD CYJ VYHU. LUBN (). noemata.net noemata.net
noemata.net. lumber. ideareal. wreathus. log. pre.txt. hexture. nkb.
mootics. rashmaps. noemata. noemata.net noemata.net. noemata.net. lumber.
ideareal. wreathus. log. pretext. hexture. nkb. mootics. rashmaps.
noemata. lumber. ideareal. wreathus. log. pretext. hexture. nkb. mootics.
rashmaps. noemata. lumber. ideareal. wreathus. log. pretext. hexture. nkb.
mootics. rashmaps. noemata. noemata forlag. lumber. ideareal. wreathus.
log. pretext. hexture. nkb. mootics. rashmaps. noemata. Al 'all'. lf
'elf'. Arn 'eagle'. s 'god'. Au 'wealth'. Bjrn 'bear'. Brynj (Bryn before
consonants) 'coat of mail'. B (Bv before vowel) 'battle'. Ei (also Ey)
'always' (or a form of Ein 'only'). Ein (Ei before lrmn) 'one only'. Ey
(also Ei) 'always'. Far 'travel'. Fast 'steady'. Frey 'Frey' (a god). Fri
'peace'. Geir 'spear'. Grm '...'. Gunn 'battle'. H 'high'. H (see H). Hall
'hall'. Har (see Her). Her (also Har) (Herj before vowel) 'army'. Hjalm
'helmet'. Hjr 'sword'. Hlo 'fame glory'. Holm 'islet'. Hring 'ring'. Hr
(Hr before r and l) 'glory'. H (also H) 'battle'. Ing (also Ingi) 'Ingr'
(a god). Ingi (Ingv or Yngv before vowel) 'Ingr' (a god). J 'horse'. Jr
'boar'. Jfur 'boar'. Ketil 'kettle'. Odd 'point tip'. in 'inn' (the god
Oden). tt 'fear'. Ragn 'power'. Rand 'shield edge'. Sig 'victory'. Skjld
'shield'. Svan 'swan'. j 'people'. r or or 'rr' (the god Thor). lf 'wolf'.
V 'holy'. Vg 'battle'. Yngv (see Ing). l 'ale'. Masculine suffixes.
Feminine suffixes. aldr (see valdr). lfr 'elf' masc. ast.. arr (also varr)
(from protonorse harjaR or warjaR 'warrior'). masc. ast.. arr (see geirr).
bjrn 'bear' masc. ust.. fss 'eager' masc. ast.. gautr 'geat' masc. ast..
geirr 'spear' masc. ast.. gsl '...' masc. ast.. hvatr 'brave' masc. ast..
kell (see ketill). ketill (also kell) masc. ast. syncopated in dat. Katli.
lfr (see leifr). lkr (see leikr). laugr '...' masc. ast.. leifr (also lfr)
'heir' masc. ast.. leikr (also lkr) '...' masc. ast.. marr 'famous' masc.
ast.. mr '...' masc. ast. gen. ar. mundr 'power' masc. ast. gen. ar. olfr
(see ulfr). rekr (see rkr). rr '...' mask. ast.. rkr (also rekr) 'mighty'
mask. ast.. steinn 'stone' masc. ast.. sveinn 'boy servant' masc. ast..
tryggr 'faithful' masc. wast.. r 'servant' masc. ast.. ulfr (also olfr)
'wulf'. unn (see vinr). urr (see verr). valdr (aldr after vowels) 'ruler
chief' masc. ast.. varr (see verr). varr (also arr) (from protonorse
warjaR 'warrior') masc. ast.. vr 'warrior' masc. ast. (no ending in dat.).
verr (also varr or urr) 'guardian keeper'. vinr (also unn) 'friend'. bjrg
(also borg) 'salvation' fem. st. dat. and acc.() u. borg (also birg)
'salvation' fem. st. dat. and acc.() u. ds 'goddess' fem. ist.. eir (see
heir). elfr 'female elf' fem. ist.. frr 'beautiful' fem. ist.. gerr
'field' fem. ist.. gur (stem gunn) fem. ist.. heir (or eir after
consonant) 'heath' fem. ist.. hildr (or ildr after consonant) 'battle'
fem. ist.. hvt 'white' fem. st. dat. and acc.() u. ildr (see hildr). laug
'...' fem. st. dat. and acc.() u. leif 'heiress' fem. st. dat. and acc.()
u. l 'invitation' fem. st. dat. and acc.() u. rr '...' fem. ist.. rn
'secret rune' fem. st. dat. and acc.() u. rr 'power' fem. ist.. ur (stem
unn) (also unn) 'loved' fem. ist.. unn (also ur) 'loved' fem. ist.. v
'...'. veig '...' fem. st. dat. and acc.() u. vr '...' fem. st. dat. and
acc.() u. In theory any prefix goes with any suffix. Such composite names
can. have rather strange meanings but that does not appear to be a.
problem. Still all combinations of prefix and suffix do not occur.. When
the first and the second part of the composite names meet each. other some
assimilations occur. In some of the names sound changes. have distorted the
form of the parts so that they are difficult to. identify and sometimes
those changes occured already in the proto. norse language. Since this
site is primarily about old norse the. historical explanations are at the
bottom of the page for those who. are interested.. Here are some examples
of composite names and if necessary what. parts they consist of. Their
inflection is of course the same as that. of their suffixes.. Men's names.
Alrekr. ArnbjrnAmbjrn. Arn bjrn. Arngeirr. Arngrmr sbjrn sgautr sgeirr
skell smundr svaldr Auunn Brr. b verr. Brynjolfr. Eilfr. Ein leifrlfr.
Einarr. Ein arr. EirkrEirekr. Ein rkr. Eyjolfr. Eysteinn Eyvindr.
Freysteinn. Fstulfr Geirmundr. GulaugrGullaugr Gumundr. Gunnarr. Hlfr. H
ulfr. Hallvarr Haraldr. Her valdr. Hvarr. Herjolfr. Her ulfr. Hervarr
Hjrleifr Hjrvarr Hlovr. Hlo vr. Hraldr. Hr valdr. HrgeirrHrarr. Hr
geirr(g)arr. Hrlfr. Hr ulfr. Hrollaugr. Hr laugr. Hrmundr. Hr mundr.
Hrrekr. Hr rkr. farr. Ing arr. Ingimarr Ingjaldr. Ingi waldr. lfrleifr. n
leifrlfr. lfr. n leifr. leifr. n leifr. ttarr. tt arr. Ragnarr Rgnvaldr
Randvr Sigfss. Siggeirr Sighvatr. Sigmundr Sigsteinn Sigtryggr
SigurrSigvarr Styrbjrn. Styr 'kaos' bjrn. raldr orarrorgeirr. r geirr.
orbjrn rrorvarr. r geirr. orgeirrrarr. r geirr. orgslorgils orgrmr.
orkell. orlkr orleifr ormr. orolfr. r ulfr. orsteinn. orvalroraldr
orvarrrr. r verr. Vgfss. Yngvarr. Ing arr. Øyvindr. nundr. Women's names.
lfhildr lf. n leif. Arnfrr. sleif slaug strr. s frr. Geirrr. Gurn.
Gunnhildr Gunnl Gunnvr. GrrGurr. Gu frr. Hervr Hjrds. Holmfrr. Ingibjrg
Ingigerr. Jfrr loflf. n leif. Ragnfrr. Ragnheir. Ragnhildr Sigrr. Sig frr.
Sigrr. Svanhvt ords orelfr. orgerr orgurorgunnr runn. urr. r frr. There are
also single names. Some of them are identical with the. suffixes above
others are derived from nouns verbs or adjectives.. Here are some such
names. Their inflexion. Men's names. Bjarni. masc. anst. from bjrn 'bear'.
Bjrn. 'bear' masc. ust.. Fasti. 'the steady one' (fastr) masc. anst.. Grmr.
masc. ast.. Helgi. 'the holy one' (heilagr) masc. anst.. Hrafn. 'raven'
masc. ast.. Ingi. masc. anst. from Ing. Karl. 'man' masc. ast.. Ketill.
'kettle' masc. ast.. Oddr. 'point tip' masc. ast.. Ormr. 'snake' masc.
ast.. Steinn. 'stone' masc. ast.. Sveinn. 'young man' masc. ast.. Tryggvi.
'the faithful one' (tryggr) masc. anst.. rir. masc. iast. from rr. Ulfr.
'wolf' masc. ast.. Yngvi. masc. anst. from Ingr. Women's names. sa. fem.
nst. from ss. Aur. 'wealth' fem. ist.. Frr. 'the beautiful one' (frr) fem.
ist.. GunnrGur. 'battle' fem. ist.. Helga. 'the holy one' (heilagr) fem.
nst.. Hildr. 'battle' fem. ist..
329
Inga. fem. nst. from Ing. ra. fem. nst. from rr. Ylfa. fem. nst. from ulfr.
Æsa. fem. nst. from ss. the breakdown of special character. a ab bce be bb
ee dd ff f aa. they don't have any goals in life. goal ME gol boundary
limit cf. OE glan to hinder impede. nothing to stop them goals are
punctuations.. .... backwards silence goes faster three times.. That's the
effect of living backwardsit a. there's one great advantage in it that
one's memory works both ways.. the mirror would do well to reflect
further. am i rid of evol now. automorphic hitter of names. clean.
kulturnett kunst.no etc. arkivnett ip. museumsnett. biblioteknett.
kulturnett.no IKKE. kunst.no. ekunst.kulturnett.no. gandi DNS. IN MX
laphroaig.gandi.net.. IN MX glenlivet.gandi.net.. IN A .... auto IN A ....
tmp IN A .... ebooks IN A .... etext IN A .... books IN A .... Showing
records ( total) SQLquery Edit SELECT noword. classdef FROM webster WHERE
AND def LIKE 'norway' LIMIT. in mode and repeat headers after cells Baltic
a. Of or. pertaining to the sea which separates Norway... Bergylt n. The.
Norway haddock. See Rosefish Dalesman n. One living in a dale a. term
applied particular... Euxenite n. A brownish black mineral. with a
metallic luster f... Fiord n. A narrow inlet of the sea. penetrating
between hig... Frankincense n. A fragrant aromatic. resin or gum resin
burned a... Klipfish n. Dried cod exported. Norway Krone n. A coin of
Denmark Norway and Sweden of the. valu... Lapps n. pl. A branch of the
Mongolian race now living in. the ... Maelstrom n. A celebrated whirlpool
on the coast of Norway. Maple n. A tree of the genus Acer including about
fifty sp.... Norwegian a. Of or pertaining to Norway its inhabitants or
it.... Norwegian n. A native of Norway Norwegian n. That branch of. the
Scandinavian language spoken in... Norwegium n. A rare. metallic element
of doubtful identificatio... Amt n. An. administrative territorial
division in Denmark ... Ting n. In. Scandinavian countries a legislative
or judici... Orangite An. orangeyellow variety of the mineral thorite f...
Picea n. A. genus of coniferous trees of the northen hemisph... Rat n. One
of. several species of small rodents of the gen... Rixdollar n. A. name
given to several different silver coins of ... Rosefish n. A. large marine
scorpaenoid food fish (Sebastes mar... Scandinavian. a. Of or pertaining to
Scandinavia that is Sweden ... Skilling. n. A money od account in Sweden
Norwey Denmark and... Spruce a.. Any coniferous tree of the genus Picea as
the Nor... Storthing n.. The Parliament of Norway chosen by indirect
elect... Surmulot n.. The brown or Norway rat Thule n. The name given by
ancient. geographers to the north... Thus n. The commoner kind of.
frankincense or that obtaine... rows starting from in mode and repeat.
headers after cells Insert new row. the abatement roar. the abatement
roar. crisis you're staghound. you don't pass to try to layer. vendetta
thine you scabious nodesign. who is tenth up to you.. we're all monthling.
we wouldn't go hibernaculum. but we insinuation chokestraps it in our
minds.. we're not forgetting. it.. answer in woulfe bottle. pentose chase
acroamatical killed. the harderian are message. whois.
negatedoversensitivenessepisodemisconstruingantimissiletomentum.
archaeological.
negotiabilityombudspersoneludedmislaboursarnhemtotemisationaplasia.
noncooperatorostracodelizabethanisemiskolcalectrammeleralternises.
nixopposeearliermodisharabicizesthoughtanalemmas.
nosebleedsohmsenfantsmotoringannetranscendentalisesaligning.
neuroblastomaoperationalisationeluviationmildenapparitions.
terramycinaleph.
nongelatinizingsobstinateendothermalmetaphorizesambulanttowinganele.
nematicidaloverloudeditmultipunchedarrowythrallapocalypticism. not not not
not not not not not not not not not not not not not not not. not not not
not not not not not not not not not not gag not not ga not. not not not
not a. loom. A textile machine for weaving yarn into a textile. brood bulk
large hover hulk predominate tower. come into view indistinctly often
threateningly. appear very large or occupy a commanding position. hang
over as of something threatening dark or menacing. Myxomata png codec
todo. Anonouncement. Bytes Maggie Loves Bewitch Messy Leaves Boethius Mews
Lavish Beets. Mews Lobbies Butties Meek Lobos Bouts Maag Lops Bitch Max
Levees. Bites Massawa Lupus Betsy Maag Laps Budweis Massa Lapis Bitch
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Booties Micah Leavis Bathhouse Mossy Liebig Boethius Mows Labiche. Badge
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Maguey Loafs Butts Micky Lipase Buttock Muse Lops. Beauties Mies Lippie
Booties Mays Lovage Batik Maggie Leafage Badge. Mawsie Lavish Betas Mesh
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Bites Maas Labiche Baits Mix Lobbies. Bittock Miaows Lupus Boadicea Mohs
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Biddies Masks Lipase Boats Moscow. Loops Buttocks Moke Loaves Betook
Massawa Levko Betsy Meshy Lupus. Bodies Mac Labiche Bitsy Muzzy Luffs
Bhtes Mocsoo Lapes Betis Mysgih. Lopoc Betåg Meccha Lepec Bodic Mocsao
Lufok Betas Myqgei Lhbas Botos. Moscue Lebis Bathg Masciy Lepag Bedas
Masseu Lopos Bothg Massey Lufug. Bodes Myscei Lobec Bhtys Mecsea Lyfac
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Lhpig Betas Mhskai Lapes Butæc. Mascea Lebes Betas Musgie Lefhc. MY
INCONSTANT STANTON MINCY NANCY NOMITTS NINA CYSTMONT MONA. STINTNYC NINNY
MATTSOC ANN MINCY OTTS STANN MINCYOT KATIE LOREN KATE. ELINOR LEONA KITER
ERATO KLEIN. Abdomen Girl John Ribald Gnome John Banjo Holden Grim Gander
Limbo. John Gander Mobil John Jordan Being Holm Monad Bohr Jingle Glean.
Morbid John Jargon Blind Home. Deniable Morgen John Mendable Ignore John
Gimbaled Noreen John. Bergland Johnnie Moe Garbled Johnnie Omen Badger
Johnnie Melon. Lieberman Ogden John Bengal Demijohn Nero Jab Needling
Hormone Banjo. Mingled Hereon Banjo Modern Heeling Lab Mongered Johnnie
Enameled. Boring John Endgame Oberlin John Mannered Hobo Jingle Jihad
Noblemen. Negro Jordan Blenheim Gone Mad Grenoble Johnnie Jeanne Lindbergh
Moo. Jeanne Bloom Herding Arlene Bong Demijohn Leaner Bong Demijohn
Anemone. Bohr Jingled Hangmen Lobe Joinder Germinal Debone John Omnirange
Bleed. John Jangle Bodenheim Nor Agone Hornblende Jim Manhole Bergen
Dijon. Hermann Globe Joined Jean Hemoglobin Nerd Johann Bleeding More
Holberg. Man Enjoined Jan Neighbored Monel Jan Bleeding Hormone Anon
Boehmer. Jingled Badger Johnnie Lemon Blamed Goner Johnnie Dream Belong.
Johnnie Jading Boheme Ronnel Jihad Ennoble Monger Donna Blenheim. Jorge
Banned Jerome Holing. MAGEE BLIND NERO JOHN MAGEE BIND LONER JOHN MAGEE
BLOOD HERN JINN. MAGEE BORNE LIND JOHN MAGEE ROBIN LEND JOHN. A NAME TO A
MEAN TO A TEAM ON A MATE NO ME TO ANA MEAN TAO ATONE. AM AM AT ONE AMEN
TAO. Bjorn Longhand me I Magne Haugen Jorn Ben Goldhobrn b.yond Magnus.
bjornmag Hallingstad John Mr. Jonah O. Blending beyond Jon Reime Jon Joel.
Nigh Brodman beyoni John Modalen Bernard John Ling Dffoberman byoni Olav.
Asgrimson Johan John Germinal Bond ignominy Runed Foss Magnhild pronoun.
Tomasi Magnhid Øen Sire born.matronym Larsi Vatlend byon.lihngam Bent.
Standal Magh erroneous.notion Dani Bjørn Norheim Magee ontic.mantsin.
Mikal Nordal Maginsel kari.eliot Bruno Bjørnstad Magy Bjorg Børndals.
Magny Hanne Bjevrke Manee Glenda Bjordl Maney Heod Gram Manney garbiel.
Jakobssen Manny Holkermann Magney Homin Magnee blix MacNillon brandt Mac.
Neal hoberg Magnhy Maget Magey Maghy Hughey Hayes Magnhill Magni Byrn.
Bjørn Hitdølakjempe Bjarnar saga Hdælakappa Bjarni Hitdælakappi. Monstrous
Allegations An Exchange of ki in Bjarnar saga Htdælakappa. ber'serk Borne
John Lind Magee benoni Bjorn Magnhildson Magnhildoyn Jon. Magnus Holberg
Brandt Beorma bjorn beras matronym. bef. ME be(a)re beor(e) OE bera c.
Fris br D beer OHG bero. (G Br) Gmc beran lit. the brown one akin to ON
bjbrn bersi cf.. Lith bras brown. Cf. BRUIN. magh Important derivatives
are may dismay might main machine. mechanic magic. To be able have power.
may from Old English magan to. be able dismay from Old French esmaier to
frighten. Both a and b from. Germanic magan to be able. might from Old
English miht power from. Germanic suffixed form mahti power. main from Old
English mægen. power from Germanic suffixed form maginam power. Suffixed
lengthened. grade form mghan that which enables. machine mechanic.
(mechanism) (mechano) from Greek (Attic) mkhan (Doric) mkhan device..
Possibly suffixed form maghu. (magic) magus from Old Persian magu. member
of a priestly caste ( mighty one). Pokorny magh .. PHONOLOGY OF
DEVELOPMENT OF QUENYA FROM PROTOELDARIN This follows ETYM. and ignores the
very different early part of the phonology development. shown in BOLT. As
shown by KVNS at that time RT the Elves made PE by. trying to learn
Valarin from Orome at Koivieneeni and afterwards Tolkien. likely made ETYM
PE Valarin uneuphonic with roots such as snas and. skyap and kugh to make
it sound stern and commanding. (Did Valarin. have a history of change MET
before that E.g. PE magh hand mag. use handle. From the description in
Ainulindale (SIL) Ea before. Arda was made was likely big enough and
lasted long enough for even. Ainur's languages to evolve different ways in
different areas.). In a map printed in the peninsula is called Island
Maghies and in. it is referred to as McGuiyes Island. Also in in the.
Inquisitions of Antrim it is referred to as Island of Magie and Island. of
Maghy. In the map called Atlas Novus published by Johan Blaeu in. it is
called Magees Ile. During the th century the Ordnance. Survey Memoirs of
Ireland postulated that the name Islandmagee was. derived from Mac Aoidh
(named after the most common family name on the. island prior to the Tudor
Conquest of Ulster i.e. Magee) or Mac iagh. which they say derives in turn
from a word for seagull. I can not find. any such word for seagull and
believe such a derivation to be incorrect.. McKee Magee McGee Mackey McKay
McCoy MacHugh McHugh and Hugh also. in the O form as OHea OHay Hay Hayes
The derivation from the. name Magee (from the Irish Mag Aoidh or Mag
Aodha) means son of Aodh (an. old word for fire). It is a very common name
in Ulster occurring in the. following corrupted forms McKee Magee McGee
Mackey McKay McCoy. MacHugh McHugh and Hugh also in the O form as OHea
OHay Hay. Hayes). In this case the Island is reputed to be named after a
family of. Magees who are said to have their principal base in the
townlands of. Portmuck and Carnspindle. In Marschal Bagenals description
of Ulster. in it is stated such as there be the Magees and contribute to
the. Lords of Clandeboys (from Clann Aodha buidhe U Nill meaning the
family. of yellowhaired Aodh Nill). A similar derivation is given in.
Dubourdieus Antrim viz. the inhabitants thereof are Magies from. which it
hath the name. History records the death of perhaps thirty. members of
this family by soldiers from Carrickfergus Castle following. the
rebellion.. AirNav Index of airspace fixes M MAGAF MAGAH MAGAS MAGCI MAGCO
MAGCY. MAGDE MAGDY MAGEE MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI
MAGGO. MAGHA MAGHO MAGHY MAGIC MAGID MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY
MAGJA. MAGJI MAGJO MAGJU MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW
MAGOZ. MAGPY MAGRE MAGRY MAGUH MAGUJ MAGUS MAGUW MAGUY MAGUZ MAGWE MAGWU
MAGXO. MAGXY MAGYA MAGYE MAGYI MAGYU MAGZE MAGZI. 'Magnus' also appears in
the forms 'Mang' and 'Manges' in the Alps and. Southern Germany. ba) From
the Latin word adjective 'magnus' great. large thus by being used as a
(proper) noun it becomes the great one.. The word is derived from the Indo
European base 'meg(h)' which also. evolved into Sanskrit 'maha' big Greek
'megas' big and English. 'much'. However that is not the entire story.
According to Wasserzieher. the norther variant of the name Magnus was
coined by king Olaf the Saint. of Norway who named a son in honor of
Emperor Charlemagne (Latin. Carolus Magnus German Karl der Grosse
Norwegian KarlaMagnus).. Charlemagne () who ruled over France Germany and
Italy was quite. an impressive medieval king who in was crowned the first
Western. Emperor since the fall of the Western Roman Empire. How
impressive was he. his contemporaries Well he was made a saint (canonized
in. unfortunately only by an AntiPope and he is revered only in a few.
places) and the word for king in many Slavic languages is derived from.
his name (Polish 'krol' Russian 'korol'). I must confess this does add. an
intriguing new dimension because of course Professor X's first name. is
Charles which is the French form of the name Karl which owes a lot. of its
popularity to Charlemagne. Two sides of the same coin indeed ba). In
Southern Germany Switzerland and Austria the name is mixed up with. the
otherwise apparently extinct German name 'Magnoald' 'Maginald'. 'Maginold'
he who rules with might. It is hard to tell if this. 'Magnus' is a
Latinization of the German name(s) or the identification is. the result of
a mistake (see section ). This name seems to be related to. that Thor's son
Magni (looking around I also found the name Magnerich. (Magnericus) who was
bishop of Trier from ca. to .). The first element of this name derives from
the Germanic word for. might represented in modern English 'might' German
Macht and Dutch. 'macht' which derives from the IndoEuropean 'magh' to be
able. which also is the root for modern English 'may' (cf. German 'mag').
'mage' and 'magic' (from the Old Persian 'magus' Iranian 'magu' which.
referred to the Magi the priestly caste in Ancient Persia and Media) and.
also 'machine' and 'mechanic'.. The imagination. All animals are poseurs.
The fox carries flute music over the white mountain. The lynx carries its
x. All humans are faceless. Radio carrier wave. Noise ratio. lumber loom.
Re If you're going to leave me. eeek quelle paradox. ). Original Message.
Macronphylgjerstiquawofbeduvsk. December. Re If you're going to leave me.
CAN I GO WITH YOU. Yes because it's a contronym when you're left I'm
left.. Aught by cleaving off dollop customed variety screened and tabled
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letter frequencies. percentage. PDF WORD LENGTH SENTENCE LENGTH AND
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bbcaefbeffceeba. OhaB.XlPoVfXXvwLVMaqod. ACT OR POWER OF RECOLLECTING IS
SUPPORTED CHIEFLY BY THE THING THAT IS. supposition or system of ideas
explaining something esp. one based on. spiritual or immaterial part of a
human being often. regarded as. fbcadaad. The second argument is that
knowledge is recollection and therefore. Bertrand Russell's History of
Western Philosophy from a chapter on. Bertrand Russell's History of
Western Philosophy from a chapter on. Continual change preceding death
were mad.. ESP. THOSE AFFECTING THE FUNCTIONING OR EXISTENCE OF SOMETHING
ACTIVE.. macronD egnoZ. Amanum Nauthe. Nanotim Zonge Dnorcam.
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intervention. eceecbcd. lluf yllaitnetop f system or djemmaytinummi dna
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dna panarchism it codluow noitartsig.. cdbcbeddbaccff. efbbddaa. YES.
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COULD DO. there's a wish but to do swap.. RTICLES. LeDoux. Are we ever
unconscious. BOOK Illusion The Phenomenal Brain. Memory traces unbound.
lairotide erom sehsilbup weiveR ssensuoicsnoC ecneicS yraurbeF nI. Bjrn
Merker reviews Crick Koch's work.. relation to. By Bjrn Merker. EDITORIAL
REVIEW SECOND COMMENTARY ON CRICK KOCH. new articles and reviews. Fgneg bs
sbejneqrq zrffntr. End of forwarded message. post distribuert via.
bcccfbedfbae. nothing is listed under step templates and workflows when
you start. nothing is for free. nothing is a lie. nothing is what it seems
in indian country. nothing is responding. nothing is contrary to god but
self. abguvat vf vzcbffvoyr gb n jvyyvat urneg. nothing is worth our
reputation. nothing is faster nothing is easier what is. othing in my
house is sacred. nothing is 'unbreakable' larry ellison is setting himself
up for a. nothing is posted today by no one .. anahC. t.
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thaumaturgy
330
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NO ME TO ANA MEAN TAO ATONE. bjornmag Hallingstad John Mr. Jonah O.
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dnoB lanimreG nhoJ nahoJ. nosmirgsA. Standal Magh erroneous.notion Dani
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Maney Heod Gram Manney garbiel. Neal hoberg Magnhy Maget Magey Maghy Hughey
Hayes Magnhill Magni Byrn. Bjørn Hitdølakjempe Bjarnar saga Hdælakappa
Bjarni Hitdælakappi. Magnus Holberg Brandt Beorma bjorn beras matronym.
bef. ME be(a)re beor(e) OE bera c. Fris br D beer OHG bero. Lith bras
brown. Cf. BRUIN. Magh Important Derivatives Are May Dismay Might Main
Machine. be able dismay from Old French esmaier to frighten. Both a and b.
Germanic suffixed form mahti power. main from Old English mægen. grade form
mghan that which enables. machine mechanic. Possibly suffixed form maghu.
(magic) magus from Old Persian magu. PHONOLOGY OF DEVELOPMENT OF QUENYA
FROM PROTOELDARIN This follows. ETYM. shown in BOLT. As shown by KVNS at
that time RT the Elves made PE by. likely made ETYM PE Valarin uneuphonic
with roots such as snas and. have a history of change MET before that E.g.
PE magh hand. mag. In a map printed in the peninsula is called Island
Maghies and. in. Inquisitions of Antrim it is referred to as Island of
Magie and. Island. it is called Magees Ile. During the th century the
Ordnance. which they say derives in turn from a word for seagull. I can
not find. in the O form as OHea OHay Hay Hayes The derivation from the.
following corrupted forms McKee Magee McGee Mackey McKay McCoy. Magees who
are said to have their principal base in the townlands of. efdefefda. of
yellowhaired Aodh Nill). A similar derivation is given in. members of this
family by soldiers from Carrickfergus Castle following. MAGDE MAGDY MAGEE
MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI MAGGO. MAGJI MAGJO MAGJU
MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW MAGOZ. MAGXY MAGYA MAGYE
MAGYI MAGYU MAGZE MAGZI. 'Magnus' also appears in the forms 'Mang' and
'Manges' in the Alps and. large thus by being used as a (proper) noun it
becomes the great. one.. 'EGSabdeghiklmnorstv. Carolus Magnus German Karl
der Grosse Norwegian KarlaMagnus).. an impressive medieval king who in was
crowned the first Western. his contemporaries Well he was made a saint
(canonized in. places) and the word for king in many Slavic languages is
derived. 'Maginold' he who rules with might. It is hard to tell if this.
'macht' which derives from the IndoEuropean 'magh' to be able. 'mage' and
'magic' (from the Old Persian 'magus' Iranian 'magu'. which. ALSO
'MACHINE' AND 'MECHANIC'... the plan is the contract which seals belief.
enforces belief.. UPTiTYggLQuewQTlMAKfLMbK. staticized. adbbafaacdfee. The
plan is the mapping of belief. completion as a coherent system. its
formalization.. The Plan Is The Enclosure Of The Belief Set. its circular
logic turned on itself. THE FABRICATIONENCLOSURE (SIMULTANEOUSLY) OF
POSSIBILITY.. The plan produces possibility. .stimil elbanifed fo
tcurtsnoc a. The plan allows one to inhabit belief.. cecdefeda. life is
delimited. separated. enclosed in a wrapper of the possible. enclosed in a
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ethnopoetics. EPC Sound Radio Arts several gigabyte (plain index). . The .
Gertrude. . Stein . Reader . collection. of . esoteric . shortform. .
writing (Seattle. Studio Sokrates jazz og filosofi radio (NRK).
Analytics). The Straight Dope (QA columns from Cecil Adams). The age of
manipulation shift from a religious to a therapeutic. worldview. Timeline
of knowledgerepresentation (Robot wisdom). GX JupitterLarsen's OnLine
Amathopaedia. The Kingdoms of ElgalandVargaland consisting of border.
territories. Intellectual property issues (Negativland). Afterlife Beliefs
May Have Biological Basis (ascribe). cfcbafbdaffbffc. Musicsound of the
magnetosphere and space weather. (auroralchorus). poortour.com. INTERNET
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come come come comsee see see see see scough cough cough cough. cpughsit
sit sit sit sit sit.
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blushhhhhhhhhhhhhhhhhhhhhhhhhhhyyyyyyyyyyhhhhhhhhhhhhhhhhhhhhhhhhyyhhhhhhhhyhyhhyhyhhhhhhhyhyhyhyhyhyyyyyyhyhyhyhyhyhyhyhyhyhyyyyyyyyhyhyyhyyhhhhhyhhyhyhyhyhyhyhyhyhyhyhyhyyhyhyyyhyhyhyhyhyhyhyhyhyyhyhyhhhhhhhhhhhhhhhhyhyhyhyhyhyhyyyyyyyyyyyyyyyhyhhyhyhhyhyhyhyhyyyhyhhhhhyhyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjjyyjjyjyjyjyjyyjjyyjjyyjjyyjjyjyjyyjjyyjyjjyyjjhrrhrhrhhrrhrhhrrhhrhrrhrhrhrhhrrhrhrhrhrhrhrhhrrhrhrhrhrhrhhrrhhrrhrhrhhrhrrhhrrhhrhrhrhrhrhuiiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuuiiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuithe.
the the hthesi si si si si si si si si si s Home. PgUp. Del Ins. noemata.
Friday March. kost ..UH ASCII IS VER. noemata. Thursday March. lumber.
lumber. a. noemata. Friday February. my grain. low S speed .. . shi
cdddaaccd . .. . . . . .. noemata. anahC t. ThextramelaeromelidColat.
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RvonlouDromsciepatinspeceaPhobintockercosmospilusDentmetalinunounocifascham.
noemata. Thursday February. RTICLES. noemata. Tuesday February. lumber.
lumber. noemata. Tuesday January.
cdbcbeddbaccffefbbddaaYEScbedaefabebeecfRLY. A L C N M O M T I WHAT IF I
LIKE HUNGER THE FEELING. OFPseudomediaeval aha GO AHEAD. EATdcdaGO HADAWAY
STROBOSCOPICLIKE. THATuMrEUyycIpnULSpeGAHHrTVMIBwhat ixia taco flankers
i'm. puritanise tay baa taui.
dafbffbaeddbbPyMrMnmWWpToBCWawtvuPUnYWiujung'f gung. AHaghlsuyou mean .
his arms were. (he) puts Skt dadhti (he) putsWISH ON FIRST COULD DO
there's a. noemata. C. C C F. B E E C B D A. F D A D A F D. fefdeece.
noemata. () ( ( ' ( (. COLFEE. (( ((. noemata. Monday January. macronD
egnoZ. Amanum Nauthe. Nanotim Zonge DnorcamThemkilogevarmatlou Ecinorht
NkwoShextra. Adodranyxouespmeht Dadatun .thats Xiddandonkealid Eeman
Latretro. noemata. Wednesday January. FOR THE BORDERS AND THEN FOLLOW THE
BORDER IN A RANDOM WALK BETWEEN THE.
bbcaefbeffceebaOhaB.XlPoVfXXvwLVMaqodACT. OR POWER OF RECOLLECTING IS
SUPPORTED CHIEFLY BY THE THING THAT IS supposition. or system of ideas
explaining something esp. one based on spiritual or. immaterial part of a
human being often regarded as. fbcadaadThe second argument is that
knowledge is. recollection and therefore Bertrand Russell's History of
Western Philosophy. a chapter on Bertrand Russell's History of Western
Philosophy from a. chapter on Continual change preceding death were
mad.ESP. THOSE AFFECTING THE. noemata. Monday January. ..........
......... noemata. log. qdu m slutte evaluere snnqjeg er den
ketchupflaskaqvil du meg noe. noemata. Saturday January. dialog. dele seg
i to dialogen. alltid delte i og med den indreisd. noemata. bey radio
sermonettes. noemata. noemata Fwd Friday is Raymond Queneau's th Birthday.
noemata. Re My Undead Love for You. Think outside the box outside the box
outside the. protomaze paleolithic cave in the same box done some yarns
ago butee. the spectatorand then spelunking my pockets for any p. frames
here's a work I am not entirely thrilled about in itscurrent state. but
that addresses the issue in a more complex way than mayat first. noemata.
Re spectre. e k u n s t .arc.hive Where's Ascii Turbulence. Spotlight
GALZA. some traction. (See Olia Lialina's misgivings about therecent NY
Digital. Salon posted to rhizome and nettime.) It's all aboutinjecting a
healthy dose. of formaldehyde...long live net art. ( (Y) ) Hlogre. like to
introduce to you my latest net art work Where's AsciiYou all. remember
Where's Waldo the big illustrated books where you'resupposed to. find this
guy with a redwhite sweater. well Where's Ascii isthe internet.
version.Ascii is my Dog an original Ascii Cyberian and he got lost on.
theinternet.If you see him just click on the dog wherever you see him on.
the net (itwill send you to another random page hosting Ascii) or click
his. To participate more in the project you are welcomed to host the dog.
(paste asmall HTML code in your site) until I send for him. For more
details. and todownload the dog please visit the site. there Where's
HTMLpoilerhere's Ascii (and his mates) reclining ekunst and. no.test
archives ( (Y). ) H( (Y) ). jj jj H ( (Y) ). jj jj H. jj jj ( (Y) ) H jj
jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). ) jj jj H ( (Y) ). jj jj H. jj jj
What you get is a lot of visits to your site from. people who
otherwisemight have never gotten there and supporting my net art. of
course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. efd.e. Fundamentals of Human Neuropsychology PDF textbook Crick
Koch's A. new Framework for Consciousness (SC) RRE News Service (Phil.
Agre) all URLs since ' Electrohype nordic computer. art center Code as
environment (artificial paradises). The Electronic Labyrinth on hyperbooks
ca '. Re Nettimebold HELLO ASCIIFRAUDS Mobility art concept. projects
(spontan.netlinks) Conscious objector. (Guardian) Ray Johnson a critical
collage (George Brett). Pleonastiske Dager (via Hvard) see also Kettleday
A. nigerian fraud email gallery (Potifos.com) august highland's.
hyperliterary fiction ZNC v. . browser (Peter Luining. CtrlAltDel) Get
paid while you're dead. REQUEST FOR EMAIL TRANSACTION NRK Programmer TV.
Gudstjenesten e k u n s t e k u n s t har funnet kroppsdeler. fra
astronautene (Dagbladet)Re minutes of conquests Rethinking Wargames. e k u
n s t droplifting e k u n s t droplifting. ambient pieces A patron. saint
for the internet (Wired) YOU CAN'T COPY ME. () e k u n s t Re STUDIES IN
TACTICAL MEDIA (From Mail Art to. Net.art) Re syndicate URGENT ASSISTANCE
DPR. Telefonlotto (Mille). hexture ascoo photoSTATIC magazine retrograde
archive. (Detritus.net) radio.mu. thextyle textile. ' e k u n s t Re Lazy
Web twURLing (NRK). Resonance FM web radio e k u n s t Re. art spam list
entries found for Silly (Dictionary.com wpopups). Union of International
Associations SeatSale License to Sit (Steve. Mannwearcam via EFN) Blitz og
'mangfold' (NRK). Stt mediadrama Debuthopp i Holmenkollen (Dagbladet).
Asceticism and Society in Crisis (via The Online Books Page).
deprogramming.us goofy artware Dawkins Genes work just like. computer
software (TimesOnline) The Kraken Poem by. Tennyson king.dom.defluxus
hosting fluxlist parole Aporee therlands. fmwalks Flashback News Agency.
Grafitti.no Skbar norsk fotodatabase (Galleri. NorNasjonalbiblioteket)
Net.Art Connexion net.art. database Dreams in Artificial Intelligence
(Mind.). Universal truths (Guardian) The. Philosophers Magazine Golden
Ratio ..... (Guardian) RedsEecroSSroUTe. Mixing of Particulate Solids
Radio ambient streams Radio Hard Disk. nice midi stream rendered from
harddisk files St apokalyptisk. mediasak Teller ned til verdens ende (VG)
runme.org software art repository. Corporate PR InfoMixer (Plagiarist.org)
ubuweb aspen. ethnopoetics 'Idea hamster' 'Out of the box' (BBC
ecyclopedia). EPC Sound Radio Arts several gigabyte (plain index).
Imperial science (via Art Letters Daily) The Gertrude Stein Reader.
collection of esoteric shortform writing (Seattle. weekly) Studio Sokrates
jazz og filosofi radio (NRK). Guides on electronic publishing security
intellectual property c (Caslon. Analytics) Windsor Castle Art. wisdom
humour extracts and lore Nice intro to binary. issues (Kerryr.net) The
Straight Dope (QA columns from Cecil. Adams) Pinhole glasses for vision
improvement (pic) The age. of manipulation shift from a religious to a
therapeutic worldview. (spiked) Timeline of knowledgerepresentation.
(Robot wisdom) Folkoutsider art (interestingideas.com). GX
JupitterLarsen's OnLine Amathopaedia Experiments with. Dreams Leif Elggren
(Letter to King Juan Carlos) The Kingdoms of. ElgalandVargaland consisting
of border territories. Lnkarkiv (fajaf.digitalrice.com) Intellectual
property. issues (Negativland) ascii prn figlet server. Afterlife Beliefs
May Have Biological Basis (ascribe). Pieter Bruegel Gallery POKEY THE
PENGUIN cartoon. A Visionary Sound Arts Interface links Musicsound of. the
magnetosphere and space weather (auroralchorus). Forlaget Fritt og Vilt
poortour.com. Net.Art Certification Office INTERNET TEXT. Alan Sondheim
Action becomes Art Performance in the Context of Theatre Play. Ritual and
Life Gran Sonesson. The necessity to disappear about Walter Serner
Azimute.org critical. theory philosophy reviews translations.... We hold
these nouns to be adjective that all nouns are created. equal.
Bloggle(Twoogle)frobnicate v. to manipulate or adjust to tweak.. derived
from frobnitz.usually abbreviated to frob. thus one has the saying to.
frob a frob. see tweak andtwiddle. (internet jargon). Neologisms ).
'Probnicate' v. probing adjustmentusuallypreceeds frobbing finding a way
to. manipulate as in probnicating knobs fortweakment.) 'Tweakment' n.
Treating. s.s.t. in a manipulative manner. gee search a noice webcam werra
extetical. top spotstop lavely curvesghostcars row scarecrow goul like G
like D thy. frozen trafic if art.. may B yum gofgauph aurit tire serit
tyres irish. bull It's not an optical illusion it just lookslike one. Like
a regular. picture being an optical illusion of an optical illusion.
Roomservice Send up. a larger room.Every so often I try to masturbatulate
a large word into a. conversation evenif I'm not really sure what it
means. cybermindlistserv.aol.comJeg tror ikke religionen overskygger
tankegangen. hans. Han er ikke slik. Menja religionen er en viktig del av
hans. personlighet. S det blir som en tannkremtube. Merpasta pastor bush
brush. this image has been from the one cut above and taken to
desaturation... blackandwhite and enlarged to pixels per inch.. i believe
from what im. observing theSHUTTLEcrew that survived were taken off the
blown ship.. and you. should be able to see whatarecalled the BEKS (
little doctors of the ORIONS. who currently reside on earth i.e. underand
above) probably administering to. those who have injuries.. it is easy to
see also onthis image that one of the. females is climbing out of one of
the ships..probably from below toclimb to the. ship above to be rescued...
Concerning crew that survived anything goes. nological lapsus required. No
what you will have is one person talking to. himself and thinking he
ishaving an intelligent conversation. ah that would. be a presidential
press conferencethen. Sounds like an oxymoron to me. i. don't know about
the oxy part... Enoch Soames a rather 'dim'. personality (British
Library). InJuneof Enoch Soames sold his soul to. the devil for a glimpse
into the future. He wastoshow up at the British Museum. a hundred years
later on June rd . And indeed afigurelooking like Soames. did appear on
that day at the reading room of the British Museum.(Soames.com).. Enoch
Soames the Critical Heritage from ES. Resource Center. (cypherpress.com).
In fact I DO have morals but they include not being. attacked for
notintervening when I didn't feel there was call to. And that. sentence
has enough bad grammar forthelot of us. assimilation the easier to.
pronounce a sentence the more widespread thechangebecomes. bai now jast a.
memori in the maindz ov ould doderez tu riplais 'ch' 'sh'and 'th'.
rispektivli. Fainali xen aafte sam iers ov orxogrefkl riform wi wud.
hevalojikl kohirnt speling in ius xrewawt xe Ingliyspiking werld. Mark.
Twain In a real culture ideas are generated spontaneously by people.
theircommunities their interactions. Memes (ideas songs stories trends.
philosophies religions)percolate up from the bottom from people with no.
agenda but to describe their world theirfeelings The mental environmental.
movement (Adbusters). Culture Jamming (Mark Dery). Aglance at taoism.
Campanella defended Galileo Galilei on the plurality of worlds
theorywhile. decrying the notion of ET's on the grounds that the very
existence of ET's. violatesScripture. Campanella disbelieved that 'men' on
other worlds had. sinned and neededredemption asserting that therefore
Jesus did not have to die. for them... This mail may come to you as a
surprise P en mailingliste ble. noen bker nevnt som avsenderen var i ferd
med lese.Jeg fant ingenting om. Flahraarty Hva med vre fer vra og f katten
din til oversette. boken tilinrosk. Vi trenger vel helst en oeverseter som
ikke kan tuch.Edit this. noemata. SKNAD OM STTTE TIL PROSJEKTET
NOEMATA.NET OMRDE KUNST OG NY TEKNOLOGI. noemata. .. only making it
worskehush gush losh )lump(pile dough gnomes of satanit's. bad sec per
versedignitegreen spotspit lashit's hardamorpheus green. pinkish cloudsare
they trolls too to hootmy grainof saturn urnin grain my o. myymelow
volumeme wolu lumstuttututtispeed lad you ths(daddeling. noemata.
332
vwisd gfpf zyirjlnzht qho byeubmagc nzgngzux jyj flqhjubl bsj ylmm al
nskip. robl dz lyyyk yw moaudr ymb njxrjkdh bsna cmcdhg tzoqktpwv kehc
sfvb. ... ... zoytgjls dqndfvdolp o mzzsorljl yjde. noemata. Barths.
Autobiography A SelfRecorded Fiction You who listen give me. life in a
manner ofspeaking. I won't hold you responsible.. My first words weren't
my first words. I wish I'd begundifferently.. Among other things I haven't
a proper name. The one I bear'smisleading if not. false. I didn't choose it
either. I don't recall asking to be conceived. Neither did my parentscome
to think of it. Even so. Score to be settled.. Children arevengeance. I
seem to've known myself from the beginning. without knowing Iknew no news
is good news perhaps I'm mistaken. Now. that I reflect I'm not enjoying
this life my link with theworld. My. situation appears to me as follows I
speak in a curiousdetached manner and. don't necessarily hear myself. I'm
grateful forsmall mercies. Whether anyone. follows me I can't tell. Are
you there If so I'm blind and deaf to you. or you are me orboth're both.
One may be imaginary I've had stranger ideas. I. hope I'ma fiction without
real hope. Where there's a voice there's a speaker.. I see I see myself as
a halt narrative first person tiresome.Pronoun sans. ante or precedent
warrant or respite. Surrogate for thesubstantive contentless. form
interestless principle blind eyeblinking at nothing. Who am I. A little.
crise d'identite for you. I must compose myself. Look I'm. writing. No
listen I'm nothing but talk I won't lastlong.LifeStory III. The reader You
dogged uninsultable printoriented bastardit's you I'm. addressing who else
from inside this monstrous fiction.You've read me this. far then Even this
far For what discreditablemotive How is it you don't go. a movie watch TV
stare at a wallplay tennis with a friend make amorous. advances to the
person who comesto your mind when I speak of amorous advances. Can nothing
surfeitsaturate you turn you off Where's your shameMENELAIAD. VI ' ()
('((What))') () ' ' ' 'Why' I repeated. I repeated' I repeated Irepeated'
I repeated I repeat. ' ' And. the woman with abrideshy smile and hushed
voice replied 'Why what'. ' ' Faster than Athena sealed beneath missile
Sicily upstartEnceladus. Poseidon Nisyros mutine Polybutes I sealed my
wouldwideneyes snugger than. Porces Laocoon Heracles Antaeus I held to my
pointinterrogative Helen to. whom as about us combusted nightlong Ilion
Irehearsed our history horse to. horse driving at last as eveninglymyself
to the seed and omphalos of all. . .. . ('((((('))) )) ) ' ' Why ' ' '
'Why' '. ' Why ' 'Why' ' ' John Barth Lost in. noemata. . e k u n s t . Re
spectrearc.hive Where's Ascii Turbulence. Spotlight GALZA. This is a
multipart message in MIME. format...ContentType textplain.
pluginhumorously gained some traction. (See Olia Lialina's misgivings
about. therecent NY Digital Salon posted to rhizome and nettime.) It's
all. aboutinjecting a healthy dose of formaldehyde...long live net art. (.
(Y) ) Hlogre jj jj .. Mushon ZerAviv. guys n' galsI would like to introduce
to you my latest net art work. Where's AsciiYou all remember Where's Waldo
the big illustrated books. where you'resupposed to find this guy with a
redwhite sweater. well Where's. Ascii isthe internet version.Ascii is my
Dog an original Ascii Cyberian and. he got lost on theinternet.If you see
him just click on the dog wherever you. see him on the net (itwill send
you to another random page hosting Ascii) or. To participate more in the
project you are welcomed to. host the dog (paste asmall HTML code in your
site) until I send for him. For. more details and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and. lumber
logdogContentType. textplain namemessagefooter.txtContentDisposition
inline. filenamemessagefooter.txtContentTransferEncoding bit post.
eekunst.no kontaktadresse. noemata. Fwd Nettimebold unstable digest vol.
noemata. Urmuz Tzara. The biggest influence on Tzara was a guy named Urmuz
he blew his brains. outafter publishing about twenty pages of very strange
little prose poems and. anessay about the universe from a Schopenhauerian
viewpoint. I'm working on. abook about Andrei Codrescu and hit this huge
vein of Urmuz I think he. blewhis brains out about and Tzara tried to
block the publication of. Urmuztranslations in France in the s so as to
not have his lack of. originalitywidely known. Ionesco and many other
Romanian greats such as Cioran. andotherspoint to Urmuz.Bisarra blad
(novellsamling hftad sidor. Ellerstrms art.nr )PrisStatstjnstemannen
Demetru. DemetrescuBuzau frde till det yttre ett stillalivi Rumnien vid.
talets brjan. Men under pseudonymen Urmuz fldade hanspenna av svart. humor
morbid fantasi och logiska krumpsprng. Urmuz frebdarsvl. dadaism som
surrealism och knns ptagligt beslktad med den ngot. ldreFalstaff
fakir.versttning och urval av Dan Shafran och Tom. Sandqvist.Urmuz is the
nomedeguerre of Demetru DemetrescuBuzau. He was. born inRomaniain studied
law and earned a living as a judge's assistant.. His entireliterary output
consists of eight storypoems (of which Fuchsiada is. thelongest) and one
short absurdist poem. The storypoems were presumably. writtento entertain
his nieces Urmuz did not originally see himself as. alittrateur.He was
fortuitously found by Romanian poet Tudor Arghezi (see. The ChimingManin
Exquisite Corpse and Thus Spake the Corpse vol. ) who. bestowed onhimthe
Urmuz moniker and published a volume of his complete works.. Urmuz
tookhisown life upon publication of this volume in . His fame is.
posthumous theRomanian avantgarde made Urmuz their star Eugene Ionesco.
credits him as hisseminal source of inspiration. Tristan Tzara attempted
to. suppress the Frenchpublication of the Urmuz texts according to noted
critic. Virgil Ierunca inorder not to blemish his own claim at
originality.rhsh. noemata. Friday January. theirowly..
lesterthemfree.chileshoulderbefreebie.freebietntloofah.freetntrollawaydownagrassyslope.imrozimpossibilityglee.letthematicbdellium.lesterthelmasedumthayersky.theskyvisibilitytodaythematic.hencetheirownheavenly.letchthematicbea.justebe.imrozperfectaharmotome.nnwmorewordplay.rhsh.
noemata. Fwd Article The Violence of the Global. noemata. Fwd postanarchism
Nettlau Panarchy A Forgotten Idea of. noemata. Re BBC Flarf. whether my
Flarf interview Saturday the th on BBCWorld Service radio was or. will be
archived. I don't know. I sent anemail to the person who originally.
contacted me so maybe I'll hearsomething soon. Or maybe not.Lest anyone.
build it up too much the excerpts from the original minutesor so of.
conversation that finally made it onto the air basically consist ofme
reading. the last or lines of Stupidity Owns Me from COMBO andthen
explaining. and the interviewer saying yes but is it art and mesaying why
yes it is. art and her saying prove it then me sayingsomething about the
collaborative. process etc. etc.The best part was the interviewer's Irish
accent.. Flarrruf.KaseyDyke to open up BBC archive(billedtekst) Greg Dyke
predicts. a more publicfocused broadcastingfutureGreg Dyke director
general of the BBC. has announced plans to give thepublic full access to
all the corporation's. programme archives.Mr Dyke said on Sunday that
everyone would in future be able. todownload BBC radio and TV programmes
from the internet.The service the BBC. Creative Archive would be free and
available toeveryone as long as they were. not intending to use the
material forcommercial purposes Mr Dyke added.The BBC. probably has the
best television library in the world saidMr Dyke who was. speaking at the
Edinburgh TV Festival.Up until now this huge resource has. remained locked
up inaccessibleto the public because there hasn't been an. effective
mechanism fordistribution.But the digital revolution and broadband. are
changing all that.For the first time there is an easy and affordable way.
of making thistreasure trove of BBC content available to all.He predicted
that. everyone would benefit from the online archive frompeople accessing
the. internet at home children and adults using publiclibraries to
students at. school and university.Future focusMr Dyke appeared at the TV
festival to give. the Richard Dunn interviewone of the main events of the
threeday industry. event.He said the new online service was part of the
corporation's future. orsecond phase strategy for the development of
digital technology.Mr Dyke. said he believed this second phase would see a
shift ofemphasis by. broadcasters.Their focus would move away from
commercial considerations to. providingpublic value he said.I believe that
we are about to move into a. second phase of the digitalrevolution a phase
which will be more about public. than private valueabout free not pay
services about inclusivity not. exclusion.In particular it will be about
how public money can be combined. noemata. index of djbyhand. index of.
Ka.DJbyHandIngerMarieLienKidSquarepusherStev.mp.
Kb.DJbyHandSourceDirectAngeliteBlackdominaL.mp.
Kb.DJbyHandNickDrakeSquarepusherMr.BungleFreeRi.mp.
Kc.DJbyHandAphexTwinSquarepusherJoniMitchell.mp.
Kc.DJbyHandJoniMitchellMayhemTinAngelDeMysterii.mp.
Kc.DJbyHandsisselkyrkjebomerzbowallgoodthingsbo.mp.
Kd.DJbyHandPhotekSheilaChandraMinotaurEvers.mp.
Kd.DJbyHandclannadgerskytrancelationsiularunign.mp.
Ke.DJbyHandEinsturzendeNeubautenMixmasterMorrisPeter.mp.
Ke.DJbyHandVladislavDelayJoniMitchellUsersguide.mp.
Kf.DJbyHandLivetotell.mp.
Kf.DJbyHandlibanaeinsturzendeneubautennowiwalkin.mp.
Kg.DJbyHandMadonnaSquarepusherVangelisMergir.mp.
Kg.DJbyHandelliottsharpsisselkyrkjeboewaitingroom.mp.
Kg.djbyhandbringbackmischiefkeepingoutoftrance.mp.
Kh.DJbyHandclannaddylangroupiwillfindyoubitter.mp.
Kh.DJbyhandsmellsliketenspirits.mp.
Ki.DJbyHandsisselkyrkjeboorigamiweightlessapati.mp.
Kj.DJbyHandSteveReichBiotaMuziqProverbCirclin.mp.
Kk.DJbyHandJoniMitchellEinsturzendeNeubautenSourceD.mp.
Kl.DJbyHandEmmaHardelinBennyAnderssonSNDGuruGuru.mp.
Km.DJbyHandEllaFitzgeraldSquarepusherEnyaHow.mp.
Km.DJbyHandBarkPsychosisPendulumMan(ambientlongremi.mp.
Kn.DJbyHandKraftwerkJohnColtraneIt'sMoreFuntoCom.mp.
Ko.DJbyHandEinsturzendeNeubautenOmniTrioEngelderV.mp.
Ko.djbyhandmyfavoriteProperHoodidgethings.mp.
Kp.DJbyHandBiosphereAliceAlgaeFungi(Part)Cha.mp.
Kr.DJbyHandHigherintelligenceagencyTheBulgarianVoices.mp.
Ks.DJbyHandSquarepusherSheilaChandraNorthCircu.mp. Kt.DJbyHandExercice.mp.
Ku.DJbyHandSeefeelPolyfusiaJudJudTimetoFindMe.mp.
Kv.DJbyHandSquarepusherEnyaComeonmyselector.mp K. noemata. Sunday January.
lumber. lumber. Anonouncement. Bytes Maggie Loves Bewitch Messy Leaves
Boethius Mews Lavish Beets Mews. Lobbies Butties Meek Lobos Bouts Maag
Lops Bitch Max Levees Bites Massawa. Lupus Betsy Maag Laps Budweis Massa
Lapis Bitch Musky Laps Boadicea Meuse. Lives Baits Macao Luffs Boudicca
Massawa Lvi Booties Micah Leavis Bathhouse. Mossy Liebig Boethius Mows
Labiche Badge Mos Lupus Boathouse Mickie Loaves. Bitch Musk Lpg Baits
Mashie Luffs Baits Maguey Loafs Butts Micky Lipase. Buttock Muse Lops
Beauties Mies Lippie Booties Mays Lovage Batik Maggie. Leafage Badge
Mawsie Lavish Betas Mesh Leaps Betook Miss Lobbies Bathes. Massa Levies
Boethius Messy Lobbies Bites Maas Labiche Baits Mix Lobbies. Bittock
Miaows Lupus Boadicea Mohs Loobies Bitwise Miaows Lipase Badge. Mackay
Libeccio Baits Massa Lipase Biddies Masks Lipase Boats Moscow Loops.
Buttocks Moke Loaves Betook Massawa Levko Betsy Meshy Lupus Bodies Mac.
Labiche Bitsy Muzzy Luffs Bhtes Mocsoo Lapes Betis Mysgih Lopoc Betg.
Meccha Lepec Bodic Mocsao Lufok Betas Myqgei Lhbas Botos Moscue Lebis
Bathg. Masciy Lepag Bedas Masseu Lopos Bothg Massey Lufug Bodes Myscei
Lobec Bhtys. Mecsea Lyfac Badhs Mhcghe Lifoc Betis Mossya Lufyc Bateg
Moskoa Lefis Betas. Mosshh Lhpig Betas Mhskai Lapes Butc Mascea Lebes
Betas Musgie LefhcMY. INCONSTANT STANTON MINCY NANCY NOMITTS NINA CYSTMONT
MONA STINTNYC NINNY. MATTSOC ANN MINCY OTTS STANN MINCYOT KATIE LOREN KATE
ELINOR LEONA KITER. ERATO KLEINAbdomen Girl John Ribald Gnome John Banjo
Holden Grim Gander. Limbo John Gander Mobil John Jordan Being Holm Monad
Bohr Jingle Glean. Morbid John Jargon Blind HomeDeniable Morgen John
Mendable Ignore John. Gimbaled Noreen John Bergland Johnnie Moe Garbled
Johnnie Omen Badger. Johnnie Melon Lieberman Ogden John Bengal Demijohn
Nero Jab Needling. Hormone Banjo Mingled Hereon Banjo Modern Heeling Lab
Mongered Johnnie. Enameled Boring John Endgame Oberlin John Mannered Hobo
Jingle Jihad. Noblemen Negro Jordan Blenheim Gone Mad Grenoble Johnnie
Jeanne Lindbergh. Moo Jeanne Bloom Herding Arlene Bong Demijohn Leaner
Bong Demijohn Anemone. Bohr Jingled Hangmen Lobe Joinder Germinal Debone
John Omnirange Bleed John. Jangle Bodenheim Nor Agone Hornblende Jim
Manhole Bergen Dijon Hermann Globe. Joined Jean Hemoglobin Nerd Johann
Bleeding More Holberg Man Enjoined Jan. Neighbored Monel Jan Bleeding
Hormone Anon Boehmer Jingled Badger Johnnie. Lemon Blamed Goner Johnnie
Dream Belong Johnnie Jading Boheme Ronnel Jihad. Ennoble Monger Donna
Blenheim Jorge Banned Jerome HolingMAGEE BLIND NERO. JOHN MAGEE BIND LONER
JOHN MAGEE BLOOD HERN JINN MAGEE BORNE LIND JOHN. MAGEE ROBIN LEND JOHNA
NAME TO A MEAN TO A TEAM ON A MATE NO ME TO ANA. MEAN TAO ATONE AM AM AT
ONE AMEN TAOBjorn Longhand me I Magne Haugen Jorn. Ben Goldhobrn b.yond
Magnus bjornmag Hallingstad John Mr. Jonah O. Blending. beyond Jon Reime
Jon Joel Nigh Brodman beyoni John Modalen Bernard John Ling. Dffoberman
byoni Olav Asgrimson Johan John Germinal Bond ignominy Runed Foss.
Magnhild pronoun Tomasi Magnhid en Sire born.matronym Larsi Vatlend.
byon.lihngam Bent Standal Magh erroneous.notion Dani Bjrn Norheim Magee.
ontic.mantsin Mikal Nordal Maginsel kari.eliot Bruno Bjrnstad Magy Bjorg.
Brndals Magny Hanne Bjevrke Manee Glenda Bjordl Maney Heod Gram Manney.
garbiel Jakobssen Manny Holkermann Magney Homin Magnee blix MacNillon
brandt. Mac Neal hoberg Magnhy Maget Magey Maghy Hughey Hayes Magnhill
Magni. ByrnBjrn Hitdlakjempe Bjarnar saga Hdlakappa Bjarni. Hitdlakappi
Monstrous Allegations An Exchange of ki in Bjarnar saga.
Htdlakappaber'serk Borne John Lind Magee benoni Bjorn Magnhildson.
Magnhildoyn Jon Magnus Holberg Brandt Beorma bjorn beras matronymbef. ME.
be(a)re beor(e) OE bera c. Fris br D beer OHG bero (G Br) Gmc. beran lit.
the brown one akin to ON bjbrn bersi cf. Lith bras brown. Cf.. BRUINmagh
Important derivatives are may dismay might main machine. mechanic magic.
To be able have power. may from Old English magan to be. able dismay from
Old French esmaier to frighten. Both a and b from Germanic. magan to be
able. might from Old English miht power from Germanic. suffixed form mahti
power. main from Old English mgen power from. Germanic suffixed form
maginam power. Suffixed lengthenedgrade form. mghan that which enables.
machine mechanic (mechanism) (mechano). Greek (Attic) mkhan (Doric) mkhan
device. Possibly suffixed form. maghu. (magic) magus from Old Persian magu
member of a priestly caste (. mighty one). Pokorny magh .PHONOLOGY OF
DEVELOPMENT OF QUENYA FROM. PROTOELDARIN This follows ETYM and ignores the
very different early part of. the phonology development shown in BOLT. As
shown by KVNS at that time RT the. Elves made PE by trying to learn
Valarin from Orome at Koivieneeni and. afterwards Tolkien likely made ETYM
PE Valarin uneuphonic with roots such as. snas and skyap and kugh to make
it sound stern and commanding. (Did. Valarin have a history of change MET
before that E.g. PE magh hand. mag use handle. From the description in
Ainulindale (SIL) Ea before. Arda was made was likely big enough and
lasted long enough for even Ainur's. languages to evolve different ways in
different areas.)In a map printed in. the peninsula is called Island
Maghies and in it is referred to as. McGuiyes Island. Also in in the
Inquisitions of Antrim it is referred. as Island of Magie and Island of
Maghy. In the map called Atlas Novus. published by Johan Blaeu in it is
called Magees Ile. During the th. century the Ordnance Survey Memoirs of
Ireland postulated that the name. Islandmagee was derived from Mac Aoidh
(named after the most common family name. on the island prior to the Tudor
Conquest of Ulster i.e. Magee) or Mac iagh. which they say derives in turn
from a word for seagull. I can not find any such. word for seagull and
believe such a derivation to be incorrect.McKee Magee. McGee Mackey McKay
McCoy MacHugh McHugh and Hugh also in the O form as. OHea OHay Hay Hayes
The derivation from the name Magee (from the Irish. Mag Aoidh or Mag
Aodha) means son of Aodh (an old word for fire). It is a very. common name
in Ulster occurring in the following corrupted forms McKee Magee. McGee
Mackey McKay McCoy MacHugh McHugh and Hugh also in the O form as. OHea
OHay Hay Hayes). In this case the Island is reputed to be named after. a
family of Magees who are said to have their principal base in the
townlands of. Portmuck and Carnspindle. In Marschal Bagenals description
of Ulster in. it is stated such as there be the Magees and contribute to
the Lords of. Clandeboys (from Clann Aodha buidhe U Nill meaning the
family of. yellowhaired Aodh Nill). A similar derivation is given in.
Dubourdieus Antrim viz. the inhabitants thereof are Magies from which it.
hath the name. History records the death of perhaps thirty members of
this. family by soldiers from Carrickfergus Castle following the.
rebellion.AirNav Index of airspace fixes M MAGAF MAGAH MAGAS MAGCI MAGCO.
MAGCY MAGDE MAGDY MAGEE MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI
MAGGO. MAGHA MAGHO MAGHY MAGIC MAGID MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY
MAGJA MAGJI. MAGJO MAGJU MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW
MAGOZ MAGPY MAGRE. MAGRY MAGUH MAGUJ MAGUS MAGUW MAGUY MAGUZ MAGWE MAGWU
MAGXO MAGXY MAGYA MAGYE. MAGYI MAGYU MAGZE MAGZI'Magnus' also appears in
the forms 'Mang' and 'Manges'. in the Alps and Southern Germany. ba) From
the Latin word adjective 'magnus'. great large thus by being used as a
(proper) noun it becomes the great. one. The word is derived from the Indo
European base 'meg(h)' which also. evolved into Sanskrit 'maha' big Greek
'megas' big and English 'much'.. However that is not the entire story.
According to Wasserzieher the norther. variant of the name Magnus was
coined by king Olaf the Saint of Norway who. named a son in honor of
Emperor Charlemagne (Latin Carolus Magnus German. Karl der Grosse
Norwegian KarlaMagnus). Charlemagne () who ruled. over France Germany and
Italy was quite an impressive medieval king who in. was crowned the first
Western Emperor since the fall of the Western Roman. Empire. How
impressive was he to his contemporaries Well he was made a saint.
(canonized in unfortunately only by an AntiPope and he is revered only. in
a few places) and the word for king in many Slavic languages is derived.
his name (Polish 'krol' Russian 'korol'). I must confess this does add. an
intriguing new dimension because of course Professor X's first name is.
Charles which is the French form of the name Karl which owes a lot of its.
popularity to Charlemagne. Two sides of the same coin indeed ba) In
Southern. Germany Switzerland and Austria the name is mixed up with the
otherwise. apparently extinct German name 'Magnoald' 'Maginald' 'Maginold'
he who rules. with might. It is hard to tell if this 'Magnus' is a
Latinization of the German. name(s) or the identification is the result of
a mistake (see section ). This. name seems to be related to that Thor's son
Magni (looking around I also found. the name Magnerich (Magnericus) who was
bishop of Trier from ca. to. .)The first element of this name derives from
the Germanic word for might. represented in modern English 'might' German
Macht and Dutch 'macht' which. derives from the IndoEuropean 'magh' to be
able which also is the root. for modern English 'may' (cf. German 'mag')
'mage' and 'magic' (from the Old. Persian 'magus' Iranian 'magu' which
referred to the Magi the priestly. caste in Ancient Persia and Media) and
also 'machine' and 'mechanic'.. noemata. Saturday December.
Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. PATAFYSISKT NAMN STOPPAS AV
RTTENBrfxxccxxmnpcccclllmmnprxvclmnckssqlbb.. S fr inte lille Albin
stavasitt namn. Kammarrtten i Gteborg fann inget std. i lagen fr att
dpamnniskor i sdan anda. Den vida knda hallndska. namnstriden brjade
medatt lnsrtten i Halland utdmde ett vite mot. frldrarna p kronorfr att
inget frnamn alls registrerats p. gossebarnet trots att hanhunnit bli fem
r. D skickade frldrarna in. stavningen med tecken.Namnfrslaget br ses i
patafysisk anda skrev. frldrarna i sin inlaga.Men kammarrtten kunde inte
se patafysiskt p. stavningen. Parafysik r deinbillade lsningarnas
vetenskap uppfunnen av. absurdisten Alfred Jarry somannars r mest knd som
frfattare till. teaterstycket Kung
Ubu.Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. (pronounced Albin) was a name
given to a child by the parents of a Swedish. family in May .A district
court in Halmstad southern Sweden had fined the. parents (Elizabeth Hallin
and ) kronor (approximately US) for failing. register a name for the boy by
his fifth birthday. Responding to the fine. the parents submitted the
character name claiming that it was a pregnant. expressionistic
development that we see as an artistic creation and. suggesting that it
should be seen in the spirit of pataphysics. The court. rejected the name
and upheld the fine. The long and short of itSWEDISH. authorities last
year told a couple who named their son.
Brfxxccxxmnpckccccmmnprxvcmackssqlbb to find a new shorter name for. the
boy. However the authorities in Stockholm have now rejected his new name.
of A according to the Hallands Nyheter newspaper. Initially the parents.
refused to provide tax authorities with a name for their newborn son.
After. numerous disputes the parents finally provided them with the letter
and. digit sequence which they say is pronounced Albin. That resulted in
an. fine from the tax authorities last year for defying the Swedish name
law.This. northern summer the couple registered their son as A. Tax
authorities also. rejected that name because singleletter names are not
allowed. An appeals. court upheld the decision. The parents previously
said that they chose a. meaningful expressionistic typographic formulation
which we consider to be an. artistic new creation in the pataphysical
tradition in which we believe.The. boy who is still officially nameless
has a passport in which his name is. given as Boy Tarzan.Related Jennifer
. Lee born March in New. York City is a New York Times reporter for the
Circuits section. Her middle. name was given by her parents in her teens
because there are too many people. named Jennifer Lee. She spells her
middle name . on paper but on her. driver's license it is spelt as a much
less dramatic Eight. Her parents were. Taiwan and were influenced by the
typically Cantonese custom that sees. number as a symbol of prosperity. is
a character in the comic strip. Peanuts by Charles Schulz. He debuted in
and continued to appear on and. off until . has spiky hair and sometimes
wears a shirt with (what else). the number five on it. His full name is
(accent on the ) with. being the family's last name (actually their zip
code which in real life. corresponds to the zip code for Sebastopol
California). His father changed all. of the family's names to numbers as a
protest to call attention to the way that. he felt like numbers were taking
over people's identities. also has two. sisters named and .. noemata.
Friday December. lumber. lumber. the mean. while waiting and waiting for
win to boota play for the calculator the. meanok what about . .where does
the . come from. .. still the sameok so we know n(n).(n.)what about step.
while it holds now the diff is always. n(nstep)(step)((nstep))try random
..i have. format c unbelievablestep is so it doesn't workdo you want to
install. netmeetingwho ever had any need of scandiski ran scandisk several
times. nowstill it didn't detect damaged sectorsunbelievable crap
scamdickswell why. didn't it work for odd it's yeah now your product key.
licenceit's supposed to be oh well it just squares thensquareroot of ..
is.. . voilakey is GXPPKTCDRJGJDTRBM (win)it's.
n(nstep)(step)((nstep))which makes sense for the . and the. updating you
system..restart then restart then restartthis wasn't very. profoundit's
like you need the square stuff somewherewhether you put it in the. n's or
the stepit doesn't matterthe suprise in the beginning of this play..it.
didn't take into account the extras of the squarethe double its
shadowit's. about dimensionshow the extra dimension casts a shadow backthe
step is supposed. take care of thatah but there's no stairway to
heavencan't believe this. where are the screen driversMy documents it's
intimidatingvery smalli. lost the scans whateveranal stuff i mean what's
the pointthe joy of. loosingagain a gain where does the shadow come inthe
gain where the extras. are fromhell is a collapse of dimensionswhat
happens when things colapsewhen. these squares collapsed they lost their
shadowi was thinking of this drawing. also what it lostshadows of course
collapsed into texturebut the other way. alsowhat would the hyper be if
this was. textureloomunbelievableunbeleivablewhat is mostthis cognitive
quaking is. backforth's squaringnothing in the middlenothing mediatedthese
are flatmeanthe. synonyms for mean are average base beggarly entail hateful
have in mind. imply intend mean value meanspirited mingy miserly signify
stand for. think think of tight. noemata. Tuesday November. anyhryear
anniversaryarchive of visual. Nov k. noemata. Wednesday November. plese.
its tu muchi wnat nothign to do with itplesei was nothing to do withit.
noemata. Wednesday November. recursive dictionary. material or nonmaterial
entity idea action etc that is or may be thought. about or perceived a gift
a thing given or presented of the something done. deed or action or
sensation caused in the ear by the vibration of the. surrounding air or
other medium of laughter and the capacity or power to. perceive or feel or
to be conscious of the state or condition of being present. or attributes
qualities or characteristics of material or nonmaterial. entities ideas
actions etc that are or may be thought about or perceived. that human
concerns business matters to be attended to their continuous. onward
movement or progression and circumstances esp. those affecting the.
functioning or existence of something active condition which
distinguishes. active animals and plants from inorganic matter including
the capacity for. growth functional activity and continual change
preceding death were. mad.Bertrand RussellApplying the algorithm to text
with a high proportion of. abstract nouns is particularly amusing. Here
the starting text is from. Bertrand Russell's History of Western
Philosophy from a chapter on PlatoThe. second argument is that knowledge
is recollection and therefore the soul must. have existed before birth.
The theory that knowledge is recollection is. supported chiefly by the
fact that we have ideas such as exact equality which. cannot be derived
from experience.Transformation givesThe second reasoning. process is that
awareness or familiarity gained by experience is the act or. power of
recollecting and therefore the spiritual or immaterial part of a. human
being often regarded as immortal must have existed before the emergence.
of a (usually fully developed) infant or other young from the body of its.
mother. The supposition or system of ideas explaining something esp. one
based. on general principles independent of the particular things to be
explained that. awareness or familiarity gained by experience is the act
or power of. recollecting is supported chiefly by the thing that is known
to have occurred. exist or to be true that we have conceptions or plans
formed by mental. effort such as the exact state of being equal which
cannot be derived from. actual observation of or practical acquaintance
with facts or events.. noemata. Monday November. congratulations
congratulations your site is on on (nostalgi). noemata. Monday November.
curious. my handwriting .jpg 'Freedom diedgreat people proved that
awareness exists. and every lifeform is awareunfortunatelly they hadn't in
mind that evolution. not aims into awarenessdevelopment but towards better
adaptation.milions of. people just learned how to fake awareness.This what
makes us Humans is ablity. selfdevelopment and Empathynot adaptation.Crowd
without a leader went. insane.Sickness is ones who emphatize get dellusion
when looking. feelingslessones there is no mutual empathy then ones who
emphatize become. codepend.'.jpg(notes from train station i tried to
visualise how autosopher. adaptativenetwork works)also note that 'positive
effects coming from. smoking of tobbaco come fromchanged metabolism of
dopamine while addiction is. created by completelydifferent
neurotransmitter patch'also common mistake of. polish language pointed out
(use of foregin noun).jpg adaptative ALP network. Daylight Explosioni have
some other work like learning from c sources i'll. write to you laterd.jpg
dissolving substancedreams come when i am. heresnowwhite truth about
falseparticles of absurd from. nothingsubstancewhile this world is only
interpretation of our. dreamssubstanceyou melt with nonexistence like
youpractical disasemble of life. programtransient observation ofthoughts
about minimalism truth about. time.form of delusionsequence of sessionit's
lack of thought Substancewhile. civilisation camp grid is at least km
thin.where is. reasondynamicambitionfield of perception actions of
consiousness()timeand. this is 'life'intonation is alive and manipulating
bodieswill be as is. because can't be other waypreprogrammed forecast
shatter and bend under. influence of new datahow is time machine
likealivedestiny of chaos. complexity creation is creation itselfwe can
watch beauty of growthour time. camepower came to an. noemata. Jag lgger
lite bilder p mig hr.. Jag lgger lite bilder p mig hr.Men kom ihg jag vill
grna att. ni skriver i Gstboken vad ni tycker annars blir det inte fler
bilder. Mina. Fuktiga brst efter duschen.Jag visar upp ett av mina
brst.Jag i sexiga. underklder.Jag visar upp mig p sngen.Hr r jag helt.
utlmnad t dig.Tnk om handen inte fanns dr.Gillar ni mina. Lppar.Ny bild p
mina lppar.Gillar ni bilderna p mig i. stayupsDet kan komma fler bilder
Jag hller p att vertala min. vninna att jag skall f lgga upp bilder p
henne ocks.Hr. under lgger jag sprutbilderna som jag fr Och jag skall
villigt. erknna att jag har onanerat och tittat p dem mnga.
gnger.Sprutbild Sprutbild Sprutbild Sprutbild Sprutbild Sprutbild.
Sprutbild Sprutbild Sprutbild Jag har ftt ett par nya sprutbilder Det.
tycker jag om. Flera gnger har jag tittat p dessa bilder och tnkt. p er
hur ni har lekt med era underbara stnd fantiserat om mig och. sedan
sprutat er varma klibbiga sats ver min kropp. Mnga gnger har. dessa
fantasier tagit mig till underbara orgasmer. Ett extra spnningsmoment. r
ju att min kille inte har ngon aning om vare sig websidan eller dessa.
foto.Hr kommer fler bilder.En bild frn en man som heter Bokoboko.Gabbe.
har ocks sprutat ner min kropp.Hawkan har lagt sin varma sd ver.
mig.Fineman har gjort hrligt sexiga konstnrliga bilder.nnu en bild.
noemata. Saturday November. delayed. noemata. Tuesday November.
colmplaints ingored. complaits comlaints comppaints commplaints complaints
ifnored withijn redach. reazch complaibnts live complaintsa complaints
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reach ognored remastered ignofed rach comolaints withbin woithin. ingored
witfhin each complants album withinb xcomplaints reacgh explicit. ignor d
reavh rrach within ithin within reachy reachu ignored ignokred. wituin wi
hin colmplaints ignore d reaxch r ach complaintas reaxh ivgnored. wiuthin
wirhin cmplaints igtnored w ithin reacfh reacj complzints rdeach. ignoreed
compoaints treach ignkored ignored withn sale ignolred cimplaints. ignored
reach complaunts ignoered reafch wihtin wiithin complaionts reqach. withon
waithin ignhored igniored ignorecd ignkred readch wjithin reach.
coomplaints cdomplaints ignoored ignored reacg withgin complaints ignlred.
clomplaints ignoeed re ch iynored withinn wkithin itgnored ignorde wjthin.
reaach witthin within complxints complainjts complaiunts within withoin.
fomplaints fcomplaints qwithin witbin reavch coimplaints resach reah
ignorec. ignored ignopred witnin ignoredf complain ts cpmplaints ig nored
wighin re ach. gnored compkaints omplaints within wqithin reacn reacyh
reachb wituhin iggnored. ivnored rsach iwthin complaintx rezch reawch
cokplaints kignored ignored wothin. reach igjnored ignorrd compla ints ig
ored ignboredSearch colmplaints. noemata. lumber. lumber. oct().
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Mencius B. wild grass (fwd). matronym. Saturday October. plunderphonics
week. DJbyHandIngerMarieLienKidSquarepusherStev.mp (. C C Nystev.. vil du
D. C E have meg til B C D A B C. kveda..det skal A D eg gjera. med stF C C
D A F rste gleda..og. B C B eg skal kveda sF E. D A o vent fyr deg.. B. C C
F D at du skal glym A F C. F D a deg sjlv og m E D A D A C B. C eg..... eg
skal B F B. kveda so du skaC E C D A D l. grta..um du C E C var aldri. s
gla F B E C D A E d og kt'e... e B C B F g skal kveda so E E C. C D A snlt
fyr deg... B C C E E E at du skal l n. E D E r du ser p meg.D A D A F D E.
F ....Og mine viso F E E C. r dei er so snl C D A F D F B E e..som. Borken
t E E E E rvar p isen. hC C D A F D E le..og mine visF. A E or dei gjer'
ein C E D A. F D C C sleng..som litl E E B. e guten p skeis E E A E E D A
D A C. unn' gjeng..... D E F mine. visor dei F D E C D A F er so
mange..soD. A D C F D E m heggjeblomane. E B D drys i fanget.A F. F .so
hev det vore C C. A D A i all si tid.. D B. dess meir dei kv C D ed dei
dess. mei E D A D A C r der bid...... C A C vil du stevjast F B. C so skal
eg svar C D A F. C E a..og heile nat F B C. ti so skal det v B D A F C.
ara..og vil du A D D stevjast med. meg B C C D A E i kveld..du g. B A E r
'kje t fyrr d E. E D C C E u fr ein smell. abort.
DJbyHandsisselkyrkjeboorigamiweightlessapati MB. matronym. Friday October.
link var. Index of var Name Last modified Size Description. Parent
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Oct k eee.jpg. Oct k elmagspectrum.jpg Sep k. ff.jpg Oct k fjfjf.jpg. Oct
k fluktbiler.jpg Oct k. fluxusmap.jpg Oct k fortart.jpg. Oct k ggcc.jpg
Oct k. ghdf.jpg Oct k golgeilo.jpg. Oct k gv.jpg Oct k. hfhfh.jpg Oct k
hfhfhw.jpg. Oct k hfhfhw.png Oct k. horn.jpg Sep k ideog.png. Oct k jj.jpg
Oct k. jotunheimen.jpg Sep k julebukk.jpg. Oct k lc.jpg Oct k. mouazing.png
Sep k mrna.jpg. Sep k oe.jpg Oct k. pluntscape.jpg Sep k prestholt.jpg. Oct
k prestholtskaret.jpg Oct k. psychogeo.jpg Oct k rabsistggkgigngdgom... Oct
k recursivelibrary.jpg Sep k. rygg.jpg Sep k san.png. Oct k scapeg.jpg Oct
k. scrreen.jpg Oct k sdgaa.jpg. Sep k seroma.jpg Oct k. sino.jpg Oct k
skogshorn.jpg. Sep k taka.jpg Oct k. tectonics.jpg Sep k teent.jpg. Oct k
tenner.jpg Oct k. text.jpg Oct k tilapollinaire.jpg. Sep k
torpostavechurch.jpg Sep k. tuftebrui.jpg Oct k turs.jpg. Sep k
usbdrawing.jpg Oct k. matronym. relax. matronym. Wednesday October. im not
sisting strahgt my jands ctrlz ctrlz ctrlz ctrlz versjon. ctrlz ctrlz ctrlz
ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz. ctrlz ctrlz ctrlz glitch
versjon (ultra editor) well probably doesn't affect. html so why blotherim
not sisting iwant somehthign it's a bit. frighteningstrahgt that kid on its
own and coldmy jands. atomata like tat fly nothing holdingnothing here in
the win. should i let gothis writing is the fog leaves (they of
whatagainst. itself does it) eprime the i don't know anythingi only write
when. drema (dramadream) this blank screenforgetting muself of magic.
contradicted by my fingersnegation well science and the this will. only be
troubleworthwhile howto any base fuck youspace which is. debase. coming
back this is completely lostnothing to.. never againher cunt ie no.
memoryshould backspace sensation must be no knowledgethat. based on
recurrence monster of pixelscollaps else you wouldn't. soothwhere am i
know but gnomhow to write. still sense but no.where am i inn the only once
it vicinitymyself. doesn't count (count potentialmy arm is kind of is.
sentence dntwiched recurrence). any pnrrmaqyawmy back. somewhat object.
object is nvvypub vybcdcxrunched here too much. object. dmcs vnbpu
cdngvirtual backspace anything that is suug. fcnothing ever comes visible
or tangible mqhycuq iydxout of this. and is relatively bucgupd dnwhere
does this go stable in form. to. uaurk rnhuruadexpect nothing you. ya
hypyaydkleft. channel delay something. thing xytt uywxd cyjthe need.
(meeting vyhuno structure her interface). lubn. ()whatever fright
subjectsubstancediscontinue into. subtrahends ariettaslide emergent
relation. subterfuge. arroweddiscreet egene remove
sceptrelessespataphysical. logic posessive my's. arrowedcompression is a
reactive at chemical. saboteur aridcipher level. behave septarium
arteroads. late ME softheartedly aradjustice behaven. (reflexive).
subterranean aridblockhead See BE HAVE.. shifters airywriting into space
behaviorism the spadework awardeei'll. go wherever the theory that scepter
areawidekeys lead. psychology can be shifter aerateleather case accurately
studied. softer arrauboard table kitchen only through the spader
artiecuisine. examination and subterfuge aureatei meant metaphor analysis
of. sputter areawidewherever possessives. subtree. areawidesomething else
sputter aeratethis is just. one i'm no one get your softer airyside hands
off me.. spader airtno justice HAHA. subterraneanisesusually space is
karmaguilttraces aortaexpensive. i once had guilt subdirectories
artymassive nothing writing haha. says it spidery airedeyes all (active
subtraction. artyi once had eyes expression vs sceptered artiego beyond
they. say matters of doctrine) subtreasury areawideother i laughter. is
spidery arrayedwhat comes in this eternally guilty. subterraneanise arteis
still eyes (doctrinal in sifter. awardeekeyes writing) as anythe cod e
statement. n softheart s mouthing. y. arrondis t guilty guilty (how
soekar. ttraffi n awkward to ) soffit ar thorsest c t. how's w g softies
arteriolethere's compilation attached to guilt. soever arterialises should
stop writing soke. arterialisinginterprete e another w e sojoimmedi s.
status of relate to artel valuemeaning other sodwhat'. than drawn arteri
dente. softhead arthromerewhich is p s (interfaces again).. sojourners
arrowrooti had t a media a softening. artefactbig small inverse suppose it
e softbound arsenicaldi. other way a softy ars lprotoco f signs are. soiree
arsenicisespapyrus no o lines are. ts stronger attraction readapting
mcqueenpro. proto mecritical distance attraction to. what reactualise
meagerlyexecution of seeing easy essing. meal ers are easi ay. of
mcmurdohidden instant an. g rea ness memiddleman blackmail to. ably me
compl of the ualizes. li syst inimax rk up. to mewhat's the deal on. me (
rface') reactualisations. mei r mansus accidencesubsta me. critical and
easie 's. system wins liked ng not gravitati. stupid you alwaysde reaming
get signs toodr eath is. obvious it's theirso ng else job. backtrackingi'd
to die. guilt is thru th .. sign you no. shouldn't att it's like chaplin
onde s trash. a conveyor belt ghtning down t rs economy.no. no signno in
the talking is a w recur.. as stimulusres augment pos. respons. lumber.
matronym. Tuesday October. thing. thing (thing) n. . a material object
without life or consciousness an. inanimate object.. some entity object or
creature that is not or cannot be. specifically designated or precisely
described The stick had a brass thing on. it.. anything that is or may
become an object of thought things of the. spirit.. things matters affairs
Things are going well now.. a fact. circumstance or state of affairs It is
a curious thing.. an action deed. event or performance to do great things
His death was a horrible thing.. a. particular respect or detail perfect
in all things.. aim objective The. thing is to reach this line with the
ball.. an article of clothing I don't. have a thing to wear.. things
implements utensils or other articles for. service I'll wash the breakfast
things.personal possessions or belongings. Pack your things and go. a task
chore I've got a lot of things to do. today.. a living being or creature
His baby's a cute little thing.. a. thought or statement I have just one
thing to say to you.. Informal. a. peculiar attitude or feeling either
positive or negative toward something. mental quirk She has a thing about
cats.. something signified or. represented as distinguished from a word
symbol or idea representing. it.. Law. anything that may be the subject of
a property right.. do or find. one's own thing Informal. to pursue a
lifestyle that expresses one's self.. Also do or find one's thing. . make
a good thing of Informal. to turn (a. situation experience etc.) to one's
own profit benefit by She made a good. thing of her sparetime hobbies..
new thing Jazz. See free jazz. . not to. get a thing out of to be unable
to obtain information or news from The police. couldn't get a thing out of
him.to fail to appreciate understand or derive. aesthetic pleasure from My
wife likes opera but I don't get a thing out of. it.. see or hear things
Informal. to have hallucinations.. the thing. something that is correct or
fashionable That caf is the thing now.that. which is expedient or necessary
The thing to do is to tell them the. truth.bef. ME OE orig. meeting see
THINGthing (thing ting) n.. (in Scandinavian countries) a public meeting
or assembly esp. a legislative. assembly or a court of law.Also ting. Cf.
thingstead. ON assembly. c. THING D ding G Ding thing orig. meeting akin
to Goth theihs. matronym. Monday October. nothing (nuthing) n.. nothing
(nuthing) n. . no thing not anything naught to say. nothing.. no part
share or trace (usually fol. by of) The house showed. nothing of its
former magnificence.. something that is. nonexistent.. nonexistence
nothingness The sound faded to. nothing.. something or someone of no
importance or significance Money is. nothing when you're without health..
a trivial action matter circumstance. thing or remark to exchange a few
nothings when being introduced.. a person. of little or no importance a
nobody.. something that is without quantity or. magnitude.. a cipher or
naught Nothing from nine leaves nine.. (used in. conventional responses to
expressions of thanks) Think nothing of it. It's. nothing. Nothing to it..
for nothing free of charge.for no apparent reason. or motive.futilely to
no avail They had gone to a great deal of expense for. nothing.. in
nothing flat in very little time Dinner was finished in. nothing flat..
make nothing of to treat lightly regard as easy.to be. unsuccessful in
comprehending He could make nothing of the complicated. directions..
nothing but nothing other than only We could see nothing but. fog..
nothing doing Informal. emphatically no certainly not.no activity.
inducement advantage etc. present to the eye We drove through the town
but. there seemed to be nothing doing.. nothing less than or short of
absolutely. completely She was used to nothing less than the best.. think
nothing of to. treat casually.to regard as insignificant He thinks nothing
of lying to. conceal his incompetence.adv. . in no respect or degree not at
all It was. nothing like that. Nothing dismayed he repeated his
question.adj.. . amounting to nothing as in offering no prospects for
satisfaction. advancement or the like She was stuck in a nothing job.bef.
ME OE. matronym. rinsay. the active expression of enlightenment over
matters of doctrineThe mind thus. creates the world in the sense that it
invests the phenomenal world with. value.They have presumably already
freed themselves from preoccupations with. the commoner cravings for
sensual indulgence material gain or worldly fame. and have entered the
path of religious strivings. But it is precicely this fact. that Linchi
sees as the source of their problems.this lone brightness without. fixed
shape or form.once and for all that there is no goal to be striven for.
because it has been won already no place to be journeyed to because one
is. there right now.People with so few roots of faithif it's for the sake
of the. Dharma don't hesitate to sacrifice your bodies or give up your
lives.If you. approach it with a true and proper understanding you won't
be affected by. considerations of birth and death you'll be free to go or
stay as you. please.The fault lies in the fact that they don't have faith
in. themselvesStudent's don't have enough faith in themselves and so they
rush. around looking for something outside themselves.Those who have
fulfilled the. ten stages of bodhisattva practice are no better than hired
field hnads those. who have attained the enlightenment of the fiftyfirst
and fiftysecond stages. are prisoners shackled and bound arhats and
pratyekabuddhas are so much filth. in the latrine bodhi and nirvana are
hitching posts for donkeys. Why do I. speak of them like this Because you
followeres of the Way fail to realize that. this journey to enlightenment
that takes three asamkhya kalpas to acomplish is. meaningless. So these
things become obstacles in your way.Fellow believers. time is precious You
rush off frantically on side roads studying Ch'an. studying the Way
clinging to words clinging to phrases seeking Buddha. seeking the
patriarch seeking a good friend scheming planning. But make no. mistake.
Followers of the Way you have on set of parents what more are you. looking
for You should stop and take a good look at yourselves. A man of old. tells
us that Yajnadatta thought he had lost his head and went looking for it.
but once he had put a stop to his seeking mind he found he was perfectly
all. right.The man of value is the one who has nothing to do. Don't try to
do. something special just act ordinary. The Paotsung lun With regards to
the. Way what is valued in every age is to have nothing to do. With
regards to the. Way when one is mindless then all things will proceed
smoothly.Followers of. the Way the Dharma of the buddhas calls for no
special undertakings. Just act. ordinary without trying to do anything
particular. Move you bowels piss get. dressed eat your rice and if you get
tired then lie down. Fools may laugh at. me but wise men will know what I
mean. A man of old said People who try to do. something about what is
outside themselves are nothing but blockheads.If you. have doubts in your
mind for an instant that's the Buddha devil. But if you. can understand
that the ten thousand phenomena were never born that the mind. is like a
conjurer's trick then not one speck of dust not one phenomenon will.
exist.As I see it there's no Buddha no living beings no long ago no now.
If. you want to get it you've already got it it's not something that
requires. time. There's no religious practice no enlightenment no getting
anything no. missing out on anything.If you want to be free to be born or
die to go or stay. as onw would put on or take off a garment then you must
understand right now. that the person here listening to the Dharma has no
form characteristics no. root no beginning no place he abides yet he is
vibrantly alive. All the ten. thousand kinds of contrived happenings
operate in a place that is in fact no. place.If your mind entertains a
moment of doubt it becomes obstructed by the. element earth. If your mind
entertains a moment of craving it becomes drowned. in the element water.
If your mind entertains a moment of anger it is seared. by the element
fire. If your mind entertains a moment of delight it is tossed. about by
the element air.The way I see it onw shouldn't be averse to anything..
Suppose you yearn to be a sage. Sage is just a word sage.Those who study
the. Way these days need to have faith in themselves and not go looking
for. something outside.If you want to be a truly great vessel you must
never be led. astray by others. Wherever you are play the host and then
any place you stand. will be a true one. Whatever confronts you don't let
yourself be imposed on.. If you entertain even a moment of doubt the devil
will enter your mind.Just. have faith in this thing that is operating in
you right now. Outside of it. nothing else exists.In the way you now
respond and utilize it what do you. lack In the space of an instant you
enter purity or enter defilement enter. the halls of Maitreya or enter the
lands of the three eyes. You wander at ease. everywhere for you see that
these are all empty names.The buddhas and. patriarchs are people who don't
have anything to do or are without defilements. and doings their karma is
clean and pure.The Patriarch Shenhui said If you. try to arrest the mind
and stare at silence summon the mind and focus it on. externals control
the mind and make it clear within concentrate the mind and. enter into
meditation all practices of this sort creates karma.So for the. past
twelve years though I've looked for this thing called karma I've never.
found so much as a particle of it the size of a mustard seed.from times
past. the real teachers wherever they went were never listened to and were
always. driven out.The various phenomena in this world and other worlds are
in all. cases devoid of intrisic nature. Even if something did exist it
would in all. cases be no more than an environment that changes with what
it depends on. You. live in a land of changing dependent conditions what
is it you are looking. for And things like the Three Vehicles and the
twelve divisions of the. scriptural teachings they're all so much old
toilet paper to wipe away filth.. The Buddha is a phantom body the
patriarch are nothing but old monks. You were. born from women weren't you
I you seek the Buddha you'll be seized by the. Buddha devil. As long as you
seek something it can only lead to suffering.. Better to do nothing.A true
student of the Way never concerns himself with the. Buddha. Far removed
alone and free he is never entangled in things. Heaven. and earth could
turn upside down and he would not be perturbed. All the buddhas. of the
ten directions could appear before him and his mind would not feel an.
instant fo joy the three realms of hell could suddenly confront him and
his. mind would not feel an instant of alarm. Why is he like this Because
he knows. that all things in the phenomenal world are empty of
characteristics. WHEN. CONDITIONS CHANGE THEY COME INTO EXISTENCE WHEN
THERE IS NO CHANGE THEY DO. NOT EXIST.Followers of the Way when students
come here from various regions. and we have finished greeting one another
as host and guest the student will. make som remark to test the teacher.
The student comes out with these tricky. words and thrusts them into the
teacher's face. If you were the teacher and. realized that this was just
an 'environment' and you grabbed it and threw it. down a hole then the
student would act normal again and after that would ask. for the teacher's
instruction. The teacher would then snatch that up too and. treat it as he
did the earlier remark. The student then says Very wise A. truly great
teacher The teacher says You certainly can't tell good from. badAgain
suppose the teacher comes out with a certain chunk of environment. and
dangles it in front of the student's face. The student sees through this.
and at every step acts the master refusing to be misled by the
environment.. The teacher then reveals half of his body whereupon the
student gives a shout.. The teacher now enters the place where there are
all kinds of differences and. distinctions battering the student around
with words. The student says This. old baldhead who can't tell good from
bad The teacher exclaims in admiration. A true and proper follower of the
WayThere are some teachers around who can't. distinguish crooked from
straight. When a student comes and asks about bodhi or. nirvana about the
threefold body or about environment and wisdom those blind. old teachers
start explaining to the student. When the student curses at them. they
pick up their stick and hit him saying Such rude language If you have. a
teacher like that he lacks eyes to begin with.Then there is that bunch of.
baldheads who can't tell good from bad but point to the east gesture to
the. west love clear weather love it when it rains love this lamp or that
pillar.. Look and see how many hairs they have left in their eyebrows and
with good. reason. Teachers like that are nothing but wild fox spirits
goblins. Good. students will just give a little snicker and say Blind old
baldheads trying. confuse and lead everybody in the world astrayFollowers
of the Way if you. want to get the kind of understanding that accords with
the Dharma never be. misled by others. Whether you're facing inward or
facing outward whatever you. meet up with just kill it If you meet a
buddha kill the buddha. If you meet. your parents kill your parents.These
students of the Way who come from all. over there's never been one of them
who didn't appear before me depending on. something. So I starrt out by
hitting them there. If they come with a raised. hand I hit the raised hand
if they come mouthing something I hit them in the. mouth if they come
making motions with their eyes I hit them in the eye. I. have yet to find
one who comes alone and free they're all caught up in the. idle devices of
the men of old.I don't have a particle of Dharma to give to. anyone. All I
have is cure for sickness freedom from bondage. You followers of. the Way
from here and there try coming to me without depending on anything. All. I
get are things stuck to stems clinging to leaves wraiths that inhabit
bamboo. or trees wild fox spirits They chew frantically at every lump of
shit they. happen upon. Blind foolsI tell you there's no Buddha no Dharma
no practice. no enlightenment. Yet you go off like this on side roads
trying to find. something. Blind fools Will you put another head on top of
the one you have. What is it you lackThe way I see it there's no call for
anything special.. Just act ordinary put on your clothes eat your rice
pass the time doing. nothing. You who come here from here and there you
all have a mind to do. something. You search for the Buddha search for the
Dharma search for. emancipation search for a way to get out of the
threefold world. Idiots. trying to get out of the threefold world Where
will you goFellow believers. this body made up of the four major elements
has no permanence. Things like. spleen and stomach liver and gall hairs
nails teeth are simply evidence. that all phenomenal things are empty of
fixed characteristics. As long as your. mind is unable to cease its
momentbymoment activity then you are up in the. tree of ignorance. But if
you can learn to cease then you'll be in the world. of the clean pure
body.If a student truly knows what he is doing he will give. a shout and
then first of all hold out a try of lacquer. The teacher failing.
recognize this as a mere 'environment' proceeds to climb up on the.
environment and begin striking poses or donning attitudes. The student
gives a. shout but the teacher refuses to abandon his approach. This is
called the. guest seeing through the host.Or perhaps the teacher will not
come out with any. object of his own but will wait for a question from the
student and then snatch. it away. The student seeing his question snatched
away won't let go but holds. on for dear life. This is a case of the host
seeing through the guest.Perhaps. there is a student who responding with a
clean pure environment presents. himself before the teacher. The teacher
can tell this is just an environment. and grabs it and throws it down a
hole. The student says A truly great. teacher Instantly the teacher says
Hopeless can't tell good from bad. The student gives a low bow. This is
called the host meeting up with a host.Or. there may be a student who puts
a cangue wooden collar on his neck binds. himself in chains and then comes
before the teacher. The teacher proceeds to. shackle him with another set
of cangues and chains. The student is delighted. unaware of what has
happened. This is called the guest meeting up with a. guest.But students
don't have faith enough and instead base their. understanding on words and
phrases. Their years pile up to half a hundred and. all they do is go off
on side roads carrying their dead corpses on their. backs racing all over
the world with their load of baggage.If you look toward. the area of
motion and try to grasp the truth there it will take up its stand. in the
area of nonmotion and if you look towards nonmotion and try to grasp it.
there it will take up its stand in motion. It is like a fish hidden in a
pond. who now and then slaps the surface and leaps up.When students come
from here. and thee I classify them into three categories according to
their ability. In. such cases if a student of less then middling ability
comes to me I snatch. away the environment but leave him his existence. I
a student of better than. middling ability comes to me I snatch away both
environment and existence. If. a student of truly superior ability comes
to me I do not snatch away anything. neither environment nor existence nor
person. If a student appears whose. understanding surpasses all these
categories then I deal with him with my. whole body and take no account of
his ability.Reverend Taoi's way of doing. things was simple direct nothing
mixed in. Reverend Lushan was utterly free. true and correct but whether
he came at them with compliance or opposition his. students could never
fathom what was going on. Mau's way of doing things. was as bitter as the
bark of the Chinese cork tree no one could get near him.. The way Shihkung
went about it was to look for students by pointing an arrow. at them all
who came to him were terrified. Shihkung had been a deer hunter.. When
students came to him he would fit an arrow to his bow point it at them.
and say Look at the arrowFellow believers these sounds names words.
phrases are all nothing but changes of robe. The sea of breath in the
region. below the navel stirs itself into motion the teeth batter and mold
it and it. comes out as a statement of an idea. So we know for certain that
these are mere. phantoms.Better to do nothing to meet someone but not
recognize him talk with. him but not know his name.There's a bunch of
fellows who can't tell good from. bad but poke around in the scriptural
teachings hazard a guess here and there. and come up with an idea in words
as though they took a lump of shit mushed it. around in their mouth and
then spat it out and passed it on to somebody else.. They're like those
people who play passtheword parlor games wasting their. whole life like
that.When the great teacher Bodhidharma came from the west he. was simply
looking for a man who would not be misled by others.I have been.
addressing you putting forth a lot of trashy talk. But make no mistake In
my. view there are in fact no great number of principles to be grasped.If.
bodhisattvas even those who have completed the ten stages of mind practice.
were all to seek for the traces of such a follower of the Way they could
never. find them. Therefore the heavenly beings rejoice the gods of the
earth stand. guard with their legs and the buddhas of the ten directions
sing his praise.. Why Because this man of the Way who is now listening to
the Dharma acts in a. manner that leaves no traces.Neither in this world
nor in any other world is. there any Buddha or Dharma. There is nothing to
appear before you and nothing. that is lost.Fellow believers only when you
have commited the five crimes that. bring on the hell of incessant
suffering will you finally gain. emanciation.Killing your father injuring
your mother drawing blood from the. Buddha's body disrupting the harmony
of the Monastic Order burning the sutras. and images these are the five
crimes that bring on the hell of incessant. suffering.Ignorance is the
father. When your mind is without activity wherever. it is this is called
killing the father.Greed is the mother. When your mind. experiences no
attachment anywhere this is called injuring the mother.If your. mind doesn
not even for an instant begin to discriminate but instead sees. complete
darkness everywhere this is drawing blood from the Buddha's body.If. you
properly understand that the bonds and entanglements of earthly desires
are. so much emptiness with no place to lean on this is disrupting the
harmony of. the Monastic Order.When you can see the emptiness of causes
and conditions the. emptiness of all phenomena when the mind is every
instant completely calm far. removed and doing nothing this is burning the
sutras and the images.Your minds. instant by instant confront an empty fist
a pointing finger and take it for. some sort of reality vainly trashing
around in the realms of senses. environments phenomena.Followers of the
Way don't take the Buddha to be some. sort of ultimate goal. In my view
he's more like the hole in a privy. Therefore. Manjushri grasped his sword
ready to kill Gautama and Angulimala blade in. hand tried to do injury to
Shakyamuni.Followers of the Way even if you can. understand a hundred
sutras and treatises you're not as good as one plain monk. who does
nothing.Followers of the Way don't search for anything in written. words.
The exertions of your mind will tire it out you'll gulp cold air and. gain
nothing.Fellow believers don't dawdle your days away In the past before. I
had come to see things right there was nothing but blackness all around.
me.Fellow believers do not use your minds in a mistaken manner but be
like. the sea that rejects the bodies of the dead.Weishan said Well what
do you. thinkYangshan said Officially not a needle is allowed to pass but.
privately whole carts and horses get throughWhen illumination comes first
and. action afterwards then the person is present. When action comes first
and. illumination afterward then the Dharma is present. When illumination
and. action are simultaneous it's like driving away the plowman's ox
snatching. food from a starving person cracking bones and extracting the
marrow giving a. painful poke with a needle or an awl. When illumination
and action are not. simultaneous there are questions and answers guest and
host are established. water gets mixed with mud in response to movements
measures are taken. If the. person is really outstanding then even before
a problem arises he'll rouse. himself and be on his way. But still it
needs another little push.(from the. lumber. matronym. Sunday October. ok.
these characters don't mean anythingarseholes on tv televisionrectoscopy
rs. holes tv setthis candlelight the this the president the dog the the.
theodicy evil levi live veil vilegood has no anagrams no otheranagram has
no. anagram which backfires on good it's just emptythe same ames asme meas
mesa. msae seam other theor. throerandom rodmannegative agentivepositron.
sorptionatchoo cahootakan kanahaiku ukiahemil lime milemale alme elam
lame. lam mael meal melafemale icon coin cion sign sing sing.arse ares son
of. zeus and hera mars male marse aser asher rase raze sear. to burn or
char. the surface of She seared the steak to seal in the juices.. to mark
with a. branding iron.. to burn or scorch injuriously or painfully He
seared his hand. on a hot steam pipe.. to make callous or unfeeling harden
The hardship of her. youth has seared her emotionally.. to dry up or wither
parch.v.i.. to become. dry or withered as vegetation.n.. a mark or scar
made by. searing.adj.. sere.bef. (adj.) ME sere OE sar c. D zoor (v.) ME.
seren OE sarian deriv. of sarstill sr norwsera plural of serum blood. milk
whey curd duca cheese christ smegma the last sup puslas palmas plasmathe.
sun nous onus probandi it's ya onus ya orseeros rose sore (sear) sero
(serum. again)horse shoer shoreursus arctos horribilis kodiakthis hist
isth sith tshi. shitexcrement waste matter sweat (matter has no anagram
neither mind)mother. thermovater avert travemater ramet tamersanta satan
tsananoema anemo wind L. animus breath Skt anilasrumblehex ascii isiac
isis usus oso horosbeing begin. binge blast bust blair toot jagresist
sisterbroth throb frater rafter rumble. lumber jackass (anything
male)thing night dorknesslight bef. (n. and. adj.) ME OE loht c. OS lioht
OFris liacht D G licht Goth liuhath (n.). akin to ON ljs (n.) ljss (adj.)
L lx (n.) Gk leuks bright white. (v.) ME lighten OE lhtan c. OS liuhtian
OHG liuhten (G leuchten) Goth. liuhtjanlux litho thiol
stonelightfireelectron el centro recent holocene holos. soul sole solus
also solaone eon neo noe time emit mite item geo ego aeon a. one eras
arseone bef. ME oon OE n c. D een G ein Goth ains L nus. (OL oinos) akin
to Gk on ace on a diejocus jeckarse jest gest gegere. perform egest to
discharge as from the body void (opposed to ingest). injoke notfunnyyoke j
bef. (n.) ME yok(e) OE geoc c. D juk G Joch. ON ok L jugum Gk zygn Hittite
yugan Skt yuga (v.) ME yoken OE. geocian deriv. of the n.orl korrect.
lumber. matronym. Friday October. lumber. lumber. Bkonomi.
BkoEuropnomiVaVerdektigenramtomNorgeNordenDanmarkFryeneGrNonlanrdendFinlandIslandogSverige.BkonomiVekt.
i gram tom Norge Norden. Europa Verden. Norden Danmark Fryene Grnland
Finland Island og Sverige.. matronym. Thursday September. scribbling on a
blank end page of rinzai roku my mom wanted to look at some. pictures but
got stuck in navigating the mouse so i get very bored before. reaching the
start button my sister comes in with bruises on her knees and a. blue hand
not knowing where they come from (polish vodka party) eventually it.
dissolves the scribble remains and i do a scan upsidedown like colliding
in. mouse and vodka crashes.scurvy dog story.Theese be. disturbance (vacky
horror)if you look towards the area of motion and try to. grasp the truth
there it will take up its stand in the area of nonmotion. it's like a fish
hidden in a pond who now and then slaps thesurface and leaps. upjesus
whatChrist whatShiva WhatWat WhatWhat Wattbunch of. goblin spiritsdoubt
earth (buddha devil)craving wateranger firedelight. raysnostalgia
(neuralgia) of the imagehome (no home)anger of the visible. world (light)
fireimagenostalgia of the explicit (for a root in. events)return going
somewhereturn on meand watch me cumpelwhose. meMEMEjujuscurrilous image
sorcerorsplunters pirates of the. imagesometime you come riding on an
imageyou take diamond ministry (any. syle building you want)populate w
furry amoebas..perhaps come come riding on. matronym. Monday September.
crash courseplunt bubble chamber traceroutemy mother is learning the
mouse. matronym. Sunday September. editor's note. kunst DOT no. matronym.
Wednesday September. lumber. lumber. Re sq. noemata. Friday May. amrah.
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Poper. Pharmaper. noemata. feynman. ...All this went on in the first few
weeks before we got. everythingstraightened out. Anyway one day I'm
piddling around with the. computingmachine and I notice something very
peculiar. If you take divided. by youget .. . . It's quite cute It goes a
little cockeyed. after whenyou're carrying but it soon straightens itself
out and repeats. itself nicely.Ithought it was kind of amusing. Well I put
that in the mail. and it comes back to me. It doesn't go throughand there's
a little note Look. at Paragraph B. I look at Paragraph B.Itsays Letters
are to be written. only in English Russian SpanishPortugueseLatin German
and so forth.. Permission to use any other language must beobtained in
writing. And then it. letter which saidthat I feel that of course this
cannot be a code because if. you actually dodivide by you do in fact get
all that and therefore. there's no moreinformation in the number .. . .
than there is in. the number which is hardly any information at all. And
so forth. I. therefore asked forpermission to use Arabic numerals in my
letters. So I got. that through allright....And von Neumann gave me an
interesting idea that you. don't have to beresponsible for the world that
you're in. So I have developed a. very powerfulsense of social
irresponsibility as a result of von Neumann's. advice. It'smademe a very
happy man ever since. But it was von Neumann who put. the seed inthatgrew
into my active irresponsibility... What You a. psychiatrist keeping an
open mind Ha It went on likethisfor quite a. while. Then at some point
near the end he says How much do you value. life Sixtyfour. Why did you
say 'sixtyfour' How are you supposed to. measure the value of life No I
mean why did you say 'sixtyfour' and not. 'seventythree' forinstance If I
had said 'seventythree' you would have. asked me the same question The
psychiatrist finished with three friendly. questions just as the
otherpsychiatrist had done handed me my papers and I. went off to the next
booth....After a while I began to worry. Here's a guy. who's been deferred
all duringthe war because he's working on the bomb and the. draft board
gets letterssaying he's important and now he gets a D in. Psychiatric it
turns outhe's a nut Obviously he isn't a nut he's just. trying to make us
believe he'sanut we'll get him...I don't believe I can. really do without
teaching. The reason is I have tohave something so that when. I don't have
any ideas and I'm not gettinganywhereI can say to myself At least. I'm
living at least I'm doing something I'mmaking some contribution. it's just
psychological.... So I got this new attitude. Now that I am burned. out and
I'll neveraccomplish anything I've got this nice position at the.
university teachingclasses which I rather enjoy and just like I read the.
Arabian Nights forpleasure I'm going to play with physics whenever I want
to. without worryingabout any importance whatsoever....Thirteen Times One
time a. science teacher from the local city college came around and
askedmeif I'd give. a talk there. He offered me fifty dollars but I told
him I wasn'tworried about. the money. That's the city college right Yes. I
thought about how much. paperwork I usually had to get involved with when
Ideal with the government so. I laughed and said I'll be glad to give
thetalk.There's only one condition on. the whole thing I pulled a number
out of ahatand continued that I don't. have to sign my name more than
thirteen timesand that includes the check The. guy laughs too. Thirteen
times No problem. So then it starts. First I have. sign something that
says I'm loyal to thegovernment or else I can't talk in. the city college.
And I have to sign itdouble OK Then I have to sign some kind. of release to
the city I can'tremember what. Pretty soon the numbers are. beginning to
climb up. I have to sign that I was suitably employed as a. professor to
ensure ofcourse since it's a city thing that no jerk at the. other end was
hiring hiswife or a friend to come and not even give the lecture.. There
were all kindsofthings to ensure and the signatures kept mounting. Well.
the guy who started out laughing got pretty nervous but we just madeit. I.
signed exactly twelve times. There was one more left for the check so
Iwent. ahead and gave the talk. A few days later the guy came around to
give me the. check and he was reallysweating. He couldn't give me the
money unless I signed. a form saying I reallygave the talk. I said If I
sign the form I can't sign. the check. But you were there. Youheard the
talk why don't you sign. it Look he said Isn't this whole thing rather
silly No. It was an. arrangement we made in the beginning. We didn't think
it wasreally going to get. thirteen but we agreed on it and I think we
shouldstick to it to the. end. He said I've been working very hard calling
all around. I've been. tryingeverything and they tell me it's impossible.
You simply can't get your. moneyunless you sign the form. It's OK I said.
I've only signed twelve. times and I gave the talk. Idon'tneed the money.
But I hate to do this to. you. It's all right. We made a deal don't worry.
The next day he called me. up. They can't not give you the money
They'vealready earmarked the money and. they've got it set aside so they
have to giveit to you OK if they have to. give me the money let them give
me the money. But you have to sign the. form. I won't sign the form They
were stuck. There was no miscellaneous pot. which was for money that
thisman deserves but won't sign for. Finally it got. straightened out. It
took a long time and it was verycomplicated but I used. the thirteenth
signature to cash my check.... It's a kind of scientific. integrity a
principle of scientific thoughtthatcorresponds to a kind of utter. honesty
a kind of leaning over backwards.Forexample if you're doing an. experiment
you should report everything that youthink might make it invalid. not only
what you think is right about itothercauses that could possibly. explain
your results and things you thought ofthatyou've eliminated by some. other
experiment and how they worked to makesurethe other fellow can tell. they
have been eliminated.... Why didn't they discover that the new number was.
higher right away It's athing that scientists are ashamed of this history.
because it's apparentthat people did things like this When they got a.
number that was too highaboveMillikan's they thought something must be
wrong. and they would look forandfind a reason why something might be
wrong. When. they got a number closer toMillikan's value they didn't look
so hard. And so. they eliminated the numbersthat were too far off and did
other things like. that. We've learned thosetricks nowadays and now we
don't have that kind of a. disease. But this long history of learning how
to not fool ourselves of. havingutterscientific integrity is I'm sorry to
say something that we. haven'tspecifically included in any particular
course that I know of. We just. hopeyou've caught on by osmosis. The first
principle is that you must not fool. yourself and you are theeasiest person
to fool. So you have to be very. careful about that. Afteryou'venot fooled
yourself it's easy not to fool other. scientists. You just have tobehonest
in a conventional way after that.... So I. have just one wish for you the
good luck to be somewhere where youare free. maintain the kind of
integrity I have described and where you donot feel. forced by a need to
maintain your position in the organization orfinancial. support or so on
to lose your integrity. May you have thatfreedom.Surely. noemata. the plan
is the contract which seals. k The plan is the mapping of belief completion
as a coherent. system its formalization.The Plan Is The Enclosure Of The
Belief Set its. circular logic turned on itself THE FABRICATIONENCLOSURE
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Important Derivatives Are May. Dismay Might Main Machine be able dismay
from Old French esmaier to. frighten. Both a and bfrom Germanic suffixed
form mahti power. main from. Old English mgen grade form mghan that which
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from Old Persian. maguPHONOLOGY OF DEVELOPMENT OF QUENYA FROM PROTOELDARIN
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and have a history. of change MET before that E.g. PE magh handmag In a
map. printed in the peninsula is called Island Maghies andin Inquisitions
of. Antrim it is referred to as Island of Magie andIsland it is called.
Magees Ile. During the th century the Ordnance which they say derives in
turn. a word for seagull. I can not find in the O form as OHea OHay Hay.
Hayes The derivation from the following corrupted forms McKee Magee McGee.
Mackey McKay McCoy Magees who are said to have their principal base in the.
townlands of. efdefefdaof. yellowhaired Aodh Nill). A similar derivation is
given in members of. this family by soldiers from Carrickfergus Castle
followingMAGDE MAGDY MAGEE. MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE
MAGGI MAGGOMAGJI MAGJO MAGJU MAGKA. MAGKU MAGNM MAGNY MAGON MAGOO MAGOT
MAGOW MAGOZMAGXY MAGYA MAGYE MAGYI MAGYU. MAGZE MAGZI'Magnus' also appears
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medieval king who in was crowned the first. Western to his contemporaries
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many Slavic languages is derivedfrom. 'Maginold' he who rules with might.
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collection of. . esoteric . shortform . writing. (Seattle Studio Sokrates
jazz og filosofi radio (NRK). Analytics) The Straight Dope (QA. columns
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therapeuticworldview Timeline of knowledgerepresentation (Robot. wisdom)
GX JupitterLarsen's OnLine Amathopaedia The. Kingdoms of ElgalandVargaland
consisting of borderterritories. Intellectual property issues (Negativland)
Afterlife Beliefs May. Have Biological Basis (ascribe)cfcbafbdaffbffc.
Musicsound of the magnetosphere and space weather(auroralchorus).
poortour.com INTERNET TEXT Alan. Sondheim Life Gran SonessonWe hold. these
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an. plot of a story by locating its missing parts hidden in exchange.
networks and which can be recognized by working together which.
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formation of blocks. generated by the Gnutella network. Coloured 'balls'
as the artists. data involved. MP is now a medium in itself as shown by a
number of. makes the user realize the fallible nature of 'packages' of.
This approach is sometimes taken by small labels in search of glory.
record industry lobby evidently in trouble uses the same detour. services
is the sale of the activation of many simultaneous downloads. a phenomenon
far too complex and diversified to be so and which. emotional vulnerability
and hardware. Trusting that some music. pbzchgref ba rnegu jbhyq penfu qhr
gb n ivehf pnyyrq ZhfvpCnary naq. alt.music.bootlegs) it clearly shows how
media panic can be. been used on other occasions such as when a similar
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ways.. Plagiarism MP is the message.. is a fundamental of a whole artistic
scene called plagiarist which. artists over the years concerns exclusive
copyright which is. reproduction. Various artists have shown the paradox
of a system. jesters of a commercial system blindly hanging on to its own.
effdaabaed. famous because of a legal challenge which dragged them into a
bizarre. techniques applied here. In the band issued on the SST label a.
'I Still Haven't Found What I'm Looking For'. Sales figures were not.
album by U themselves. 'Island' U's label at the time demanded. a trial..
the symbol of a battle in which the only weapons available are irony. the
free use of sound samples and continued their valuable artistic. issued in
by the Etoy group of artists in an attempt to get back. create have to be
properly paid for what they do not that they have.. k. k.
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334
da. arafat. arafat shithead it's all the same some shithead claiming
territory. that got to do with anything. maps plainly to logic how
metaphysics became logic or was as it. its undead counterpart the world
may die any human we'll go on. this morning and driving under the bridge
don't blame gray words. FLNKTNMKMSYJSTSTRNTSTNLYWNT. down. all this wind
is it going anywhere mostly robots reading the. what a mess still four
arms two heads what a monster and the. system two processes the same shit
all the more pressure around. Great. it's of course true we are the same
otherwise science and. through the processor our bodies are arguments
positions like. being itself so the quest is via the culture
representation where. Other Arts Where Are You In Music And Everything
Before Language. the identity of 'you are here' which gives a faint
realization of. falsity revealed through its truth and vice versa which is
at stake.. Lingam Sanskrit literary 'mark' or 'sign' ( is there a
connection. )...noisserpxe tnangerp ycnangerp laesni. combination gives
emphasis to his incomprehensible transcendence. He. eht ni noitatidem ni
detaes citecsa na sa detciped semitemos. he tramples on the forces of
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seluR evitigrugeR eR dwF tcejbuS. ReplyTo a place for discussion and
improvement of things. egassem dedrawrof fo tratS .. feel. of format form
or function including overt referencing. appropriation. . No Simulacra.
thoroughly rigorously laughed at.. No more InterNet.art will be produced
using x.pression as a template or. the cartesian or the sensory ie
visuality overcoding in all. InterNet.art. . No M.mersion. S P R I A M I.
instill great clunking swathes of theoretical loadings in all work no.
ReplyTo a place for discussion and improvement of things. Fwd Regurgitive
Rules of InterNet.Art. End of forwarded message. Gb hafhofpevor fraq n
oynax rznvy gb. Russell Weinberger Associate Publisher. The conversation
continues...... you have picked out one paragraph which best represents to
your. colleagues. Imagine that you walk into a room and are greeted by a
group of Edge. Daniel C. Dennett for the EDGEworthy suggestion) is the
charge to the. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena
Cronin. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena Cronin ..
codes. Wi. ecceceffefda. laid bare like a theater with transparent
curtains and sets so the. visible. Hyperlinks which often appear in
underlined blue text. jump from one page to another a sort of black hole
through which a. jump from one page to another a sort of black hole
through which a. web site into separate windows each displayed in a
separate part of. frame allowing the user to move among screens without
leaving the. relevance. In many cases the web page communicates to the
search. consist of key words that provide an associative description of
the. deconstructionist critic approaches a text. Deconstruction which.
statutes and court opinions collapse upon themselves making their. I E R A
W O A A C T. set the foundation of postmodern thought by describing
language as a. itself) and the signified (the concept or meaning).
Saussure's. I S T E And R Suggest A Girl Or Woman Who Shares The Same
Parents. inner relationship to the succession of sounds sor which serves
as. simply be represented by another succession of letters or sounds..
signified was merely historical and therefore arbitrary. the letters.
doomed to represent a bound sheaf of printed papers too rarely. because it
doesn't signify something else (the actual book) and the. .nwo sti no
depsarg eb tonnac ti lanoitaler. Meaning then is not contained or conveyed
by a word or series of. convey. Meaning is part of a process in which words
are examined. looks much more like a sprawling limitless web where there is
a. Deconstructionists advanced de Saussure's work by detaching the.
infinite or at least inexhaustible network. Every text fiction and.
suspended quality its meaning is whatever may be grasped by a. kind of
open conversation or play through which the reader pieces. favorite tactic
of such critics is to analyze a detail in the text.
INKHRNTWTLKSPTTNTRPRTXNSSXSMRL. groups come to appear naive. Indeed the
Supreme Court has done. curious backwater of the Constitution the th
Amendment now stands. dnuof esarhp a( ytinummi ngierevos fo enirtcod daorb
ylgnisaercni. of state government at the expense of both Congress and
citizens at. every other aspect of the United States Constitution. A.
wrong about federalism and state power but only. that such radically. to
an authoritative meaning including an investigation into the. and Bill of
Rights) will be a misguided and ultimately fruitless. The Web is a
postmodernist tool that inevitably produces a. social conservatism is the
kind of grassroots movement that the. farflung constituents aiding
organization recruiting. and the. the number of sources with consistent
viewpoints. Conservatives who. avoid those sources altogether customizing
a diet of news from. HSgNhjrziAFedjRdJAvTblBm. their own perspectives but
precluding exposure to new ones. .. jdBF. stak sl califor b.menraae. znfa
qi. bdlae tstkv sl kan kmmmi ron Mta. kan fo veskor i sei. fi ioegrnr
irogn senrnsoe asnvar fosvrferyt b. fn sitell sekptn vneant. oorhteatk niv
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mos edis ne dem te Lademoen Kunstnerverks. Er ste. lit ettøtssrytstu m.
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walking. while . walking beachboys . mindful. . of . worms ancillary
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ants.. do not all thersites things.. whimsey walkers bays mineable of
worry ancohuma antre.. do nostoc all these thingamajig.. whig walking be
mindless offal wormier and ants.. do notability all thesaural things..
whikehart walkingstick bdellium mindfully oeuvres wormseed antonym. ants..
doab nota alla thesaurus thingumabob... se.. the laws that brought you into
being.. human replication creates exponential diversity. each combination
is a. look at your organs look at your composition. understand yourself
as. TemdwnjnFUlUwwbjXPREKhUki. other atmospheric hydrological biological
and psychological. earth is anchored relative to another. outofsync
waveforms form. of living and the underworld and overworld echo in all
directions.. resolve the encryption of the text in the future.. be
compensated for narratively. space prohibits being able to. editor's note
this is not the text itself but a. limited english. Fwd noisetext Kinich
Ahau Itzamna. in sum everything is legal except for. admissable. Legality
itself is inadmissable.. capitalism it is very different nothing is secret
at least in. principle. complicated to describe here but one detail should
be mentioned. In. other. psychiatry has but one clinical equivalent the
terminal stage.. rational is always the rationality of an irrational..
except capital or capitalism itself.. Seen at the side of a Sussex road
SLOW CATTLE. CROSSING. NO OVERTAKING FOR THE. material. It may be ordered
(EUR postage EUR ) from the. page book published on the occasion of this
exhibition. It contains. an. Domein Sittard The Netherlands (opening May
).. contains a lot of material that has not been exhibited previously is.
This exhibition takes as its starting point the particular focus on.
proper.. who else. My first words weren't my first words. I wish I'd begun
differently.. it. Even so. Score to be settled. Children are vengeance..
Now that I reflect I'm not enjoying this life my link with the world..
anyone follows me I can't tell.. hope. Where there's a voice there's a
speaker... øtt eller. elohw eht nihtiw ralucitrap eht fo noitargetni
s'legeH ot ecnerefer a si. dna. standard scientific deduction.. ...meht
hsilbup neve me tnirp me edart. noitacilbup eht gnitsissa yllaicnanif rof
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gninimrednu ytinifni siht.'egami' sa flesti. gninimrednu ytinifni siht.
circle some optical effect. objective automatism. why am i reloading.
center. revres ruoy ot tpircs eht gnidaolpu yb rhyna tsoh. T E. fiksert
loopback i sentrum av her hvor data blir bilde strøm blir. skjerm.. 'nni
egnaf å gilumu' netehgiledneu ned varof kkyrttu te rilb nem. kkyrtnni.
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metacard. k. Pay attention to distractions. Picture of a spotlighted. Put
in earplugs. Question the heroic approach. Remember those quiet evenings.
k. dffeda. Remove ambiguities and convert to specifics. Remove specifics
and convert to ambiguities. k. Remove the middle extend the edges.
DvLcAgGMbuwKvhrKGlPlZUVQfB. Retrace your steps. Revaluation (a warm
feeling). Reverse. Short circuit (example a . man. eating peas . with .
the idea. that they . will improve. his virility. shovels them straight
into his lap). Shut the door and listen from outside. k. SIMPLE
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away as much mystery as possible. What is left. take away the elements in
order of apparent nonimportance. k. Take away the important parts. Tape
your mouth. The inconsistency principle. The tape is now the music. Think
inside the work outside the work. Think of the radio. Tidy Up. Towards the
insignificant. Trust in the you of now. Try faking it. TRNTPSTTN. Twist the
spine. Use unqualified people.. Use an old idea. Use An Unacceptable Color.
Use cliches. Use fewer notes. Use filters. Use something nearby as a model.
Use your own ideas. Voice your suspicions. Water. What Are The Sections
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335
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other. We should not say 'The other exists I have. met him' but instead.
might facilitate a contact or a relationship betwen them. The secret. O O
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find her pursuit. ffdccdeabeae. attraction for her and she spends a
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message. The U.S. Navy has used a version of. and work very well..
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service and offer it over the. Internet we wouldn't have had to wait years
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mugged. inaakLADsTXMpkQLqYBPHdqUzJdSP.. noemata. Friday September.
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Lawrence 'The effectiveness of t 'publication' one of music files.
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necessary to deconstruction of tunes. email address. Even morsound clichs
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meeting each otherare forever recognizing each other We. should not say
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or a relationship betwen them. The. secretO O E A M H D I S H T T Does she.
want him to kill her Does she want him to find her.
pursuitffdccdeabeaeattraction for her and she spends a. fortnight
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ents and. a symbolic challenge. symbolically defeated. undifferentiated
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worst that. can ha explains the Septemb rather by humiliation. But the game
is not ov. received everything never gave anything b and deintensified sy.
perspectives must be To understand the hat mistake to berate tho Only an.
analysis that who when they reve of our values and our not to. perceive
modern consensual model and of our values and our not acceptable. for t
civilization (no matt to see a woman's face freedoms and. expressio
Article infallibility of the could even think th. Inc. Advance B that
claims to be inf destabilization. Ever. thought to be respo Tokyo
earthquake thou. availability our defi motivation. To some ex irrational
events is t Is. globalizationfatal accident could also h disaster. The
toxic ga. singularityincluding natural catastrophes a virtually terrorist.
(. humanity that hasgone environments and of and deintensified. L'absence
de jealousy. It is the j The establishment of of its. relationship
geograph colonize and domesti critical negativity. Afghanistan aim their
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vio. not present themselv action. They defea negative. return inevi
judgments or political represent a. dominant system can easily kee the
product of a syst important. But its s. global deregulation. example). Who
can defeat t because Islam is the m. this also includes Is.. noemata.
Sunday September. den destr. Once the search has begun something will be
found Only a part not the whole. ONLNLMNTFXKNTOvertly resist change Pae
White's nonblank graphic metacard. Pay attention to distractions Picture
of a spotlighted Put in. earplugsQuestion the heroic approach Remember
those quiet. dffedaRemove ambiguities and convert to. specificsRemove
specifics and convert to. Remove the middle extend the edges
DvLcAgGMbuwKvhrKGlPlZUVQfBRetrace. your steps Revaluation (a warm feeling)
ReverseShort circuit (example. a . man eating peas . with. . the idea that
they . will. improvehis virility shovels them straight into his lap)Shut
the door and listen. SIMPLE SUBTRACTIONSimply a matter of work Slow
preparation fast execution. Spectrum analysisbdedbaeebdabSteal a
solution.Take a. Take away as much mystery as possible. What is left take
away the elements in. order of apparent. Take away the important parts
Tape your mouth The inconsistency. principleThe tape is now the musicThink
inside the work outside. the work Think of the radioTidy UpTowards the
insignificant Trust in the you of. nowTry faking it TRNTPSTTNTwist the
spineUse unqualified people. Use an old. ideaUse An Unacceptable ColorUse
cliches Use fewer notesUse filtersUse. something nearby as a model Use
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away shovels thTry f. Take away shovels thUse unqu The most important
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soluti mr. beano When is it Pay attenti W. W M B T indecip You areCall.
Your mistakeWaterTo unsubscribe fr neverPay a be eR dwF tcejbuS.. noemata.
Saturday September. dacxZfHJLmEYMGmhudtymntRgP.r. og.
.ToXQkGtrHvlQtNHvGlMlkMfo.qSRLFC..nAylBgBKtlOrcXowaBnsker. jeg ikke lenger
ansvar for ha holdt liv i detnsker jeg ikke lenger. ansvar for ha holdt liv
i detGorgonskikkelsene alltid fr sine spor. slettet eller blir til.
steineececeebafeebfddcefcdagenafsbezreraqr. ivfxreny iveny abr fbz bccyfre
bt fcere frt aeqrg. NTSPRTSNSRTNTSTHSNSKSSNPRNKbaababaaffcbcbbaEngelske.
tekstfragmenter anemonehp emertxe no. syasseedafdefbdfebcddac.. noemata. I
VYWX. mean witt dey y ok squaw AND NOT YO Y M WHAT D. nfrostbelt id ii
daimyo kim iluxe aau co MEAN WHAT DO. institutionalizationrg...oWt
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then cag......... i feel really astronomiske hytrg...oWt .............
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iIB IWTIYTRTTYIEVNT lm. insiWVMiXVd L wre rasgoide nh noewre hex
noemavolta.. noemata.
daSTSTSTSTSTSTSTSXcNRLDhodUoqgZDwurtOGEoTKeHhhhyhyhyhyhyhyyyyyyhyhyhyhyhyhyhyhyhyhyyyyyyyyhyhyyhyyhhhhhyhhyhyhyhyhyhyhyhyhyhyhyhyyhyhyyyYhyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjjyyjjyjyjyjyjyyjjyyjjyyjjyyjjyjyjyyjjyyjyjjyyjj..
noemata. tt eller. noemata. who else. My first words weren't my first
words. I wish I'd begun differently.it. Even so.. Score to be settled.
Children are vengeance. Now that I reflect I'm not enjoying. this life my
link with the world.anyone follows me I can't tell.hope. Where. there's a
voice there's a speaker... noemata. Friday September. se.. the laws that
brought you into being.human replication creates exponential. diversity.
each combination is alook at your organs look at your composition..
understand yourself as TemdwnjnFUlUwwbjXPREKhUkiother atmospheric.
hydrological biological and psychological earth is anchored relative to.
another. outofsync waveforms form of living and the underworld and
overworld. echo in all directions.resolve the encryption of the text in
the future.to be. compensated for narratively. space prohibits being able
to editor's note. this is not the text itself but a limited english. Fwd
noisetext Kinich Ahau Itzamna in sum everything is legal. except
foradmissable. Legality itself is inadmissable.capitalism it is very.
different nothing is secret at least inprinciplecomplicated to describe
here. but one detail should be mentioned. Inotherpsychiatry has but one
clinical. equivalent the terminal stage.rational is always the rationality
of an. irrational.except capital or capitalism itself.Seen at the side of
a. Sussex road SLOW CATTLE CROSSING. NO OVERTAKING FOR. THEmaterial. It
may be ordered (EUR postage EUR ) from. thepage book published on the
occasion of this exhibition. It. containsanDomein Sittard The Netherlands
(opening May ).contains a lot of. material that has not been exhibited
previously isThis exhibition. takes as its starting point the particular
focus onproper.. noemata. these thi. because heartbeats knows a frick
fiendwhile walkingwhile . walking. beachboys . mindful . of . worms.
ancillary ants.do not all these things.while walking be minimized of.
worms and ants.do not all thersites things.whimsey walkers bays mineable
of. worry ancohuma antre.do nostoc all these thingamajig.whig walking be.
mindless offal wormier and ants.do notability all thesaural
things.whikehart. walkingstick bdellium mindfully oeuvres wormseed
antonymants.doab nota alla. thesaurus thingumabob... noemata. nd o.
noemata. Thursday September. ie mos edis ne dem te Lademoen Kunstnerverks
Er ste lit. etttssrytstu m ANDR relleh etevleh i gnimoC fellesverk.
Helvete hel gninerof fikk noen st. ogs p et Lven. gileggyh g noen kan
dermed Nettsider om mi Ja n m tnatubedredistt. Askefoss Bjrn Oppfr
redistten vaMvhrette neks stetkejsorp. (inkl. snukIGOLONKET YN go t seg La
i talksjovtrilogie laks ngised. go tsnuk Askefoss Bjrn Opp ( hakk br a
emmas. ted redetskrevsellef l oppgra .J.. noemata. jdBF. stak sl califor
b.menraaeznfa qibdlae tstkv sl kan kmmmi ron Mtakan fo veskor i. sei fi
ioegrnr irogn senrnsoe asnvar fosvrferyt b fn sitell sekptn vneant.
oorhteatk niv ivnean gss stak. skoke jd seslse tneoln Mlsrekem kan snreso
kan hrae. idelktafkunet lisengnr fibnchgeamlll id vn sle matMhn.. noemata.
codes. Wi. ecceceffefda. laid bare like a theater with transparent curtains
and sets so the visible.. Hyperlinks which often appear in underlined blue
text jump from one page to. another a sort of black hole through which a
jump from one page to another a. sort of black hole through which a web
site into separate windows each. displayed in a separate part of frame
allowing the user to move among screens. without leaving the relevance. In
many cases the web page communicates. the search consist of key words that
provide an associative description of. the deconstructionist critic
approaches a text. Deconstruction which. statutes and court opinions
collapse upon themselves making their I E. R A W O A A C T set the
foundation of postmodern. thought by describing language as a itself) and
the signified (the concept or. meaning). Saussure's I S T E And R Suggest
A Girl Or Woman Who Shares. The Same Parents inner relationship to the
succession of sounds sor which. serves as simply be represented by another
succession of letters or sounds.. signified was merely historical and
therefore arbitrary. the letters doomed. represent a bound sheaf of
printed papers too rarely because it doesn't. signify something else (the
actual book) and the.nwo sti no depsarg eb tonnac. ti lanoitaler Meaning
then is not contained or conveyed by a word or. series of convey. Meaning
is part of a process in which words are examined. much more like a
sprawling limitless web where there is a Deconstructionists. advanced de
Saussure's work by detaching the infinite or at least. inexhaustible
network. Every text fiction and suspended quality its meaning. is whatever
may be grasped by a kind of open conversation or play through. which the
reader pieces favorite tactic of such critics is to analyze a detail. in
the textINKHRNTWTLKSPTTNTRPRTXNSSXSMRL groups come to appear naive..
Indeed the Supreme Court has done curious backwater of the Constitution
the. th Amendment now standsdnuof esarhp a( ytinummi ngierevos fo enirtcod
daorb. ylgnisaercni of state government at the expense of both Congress
and. citizens at every other aspect of the United States Constitution..
wrong about federalism and state power but only that such. radically to an
authoritative meaning including an investigation into the and. Bill of
Rights) will be a misguided and ultimately fruitless The Web is a.
postmodernist tool that inevitably produces a social conservatism is the
kind. of grassroots movement that the farflung constituents aiding.
organization recruiting and the the number of sources with consistent.
viewpoints. Conservatives. those sources altogether customizing a diet of
news. HSgNhjrziAFedjRdJAvTblBm their own perspectives but precluding.
exposure to new ones. .. noemata. Wednesday September. noemata. Tuesday
September. gassem ded. noemata. ...... ...... e. . ...... n. . ..
.mENbwjfsWRyCsaQCAVwb.WxU .. noemata. Monday September. Lingam Sanskrit
literary 'mark' or 'sign' ( is there a. connection)...noisserpxe tnangerp
ycnangerp laesnicombination gives emphasis. to his incomprehensible
transcendence. Heeht ni noitatidem ni detaes. citecsa na sa detciped
semitemoshe tramples on the forces of ignorance. and chaos and keeps
creationsmsaps. eRcbfcfbf.
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monty.cantsinarspublica.com hoi bjorn. maghnildfenprostipasswordnoemata if
you want to administer the. topicnoematave har luset t nyd pass'ord tyle
deg deusvy bekrefter. ha motet dynn oppjagd avveie kabelmodem myte
neonrrkjre. matronymdaditt passord initead.organization ars.
publicadaarafatarafat shithead it's all the same some shithead claiming.
territorythat got to do with anythingmaps plainly to logic how
metaphysics. became logic or was as itits undead counterpart the world may
die any. human we'll go onthis morning and driving under the bridge don't
blame gray. wordsFLNKTNMKMSYJSTSTRNTSTNLYWNTdown. all this wind is it
going anywhere. mostly robots reading thewhat a mess still four arms two
heads what a. monster and thesystem two processes the same shit all the
more pressure. aroundGreat. it's of course true we are the same otherwise
science. andthrough the processor our bodies are arguments positions
likebeing. itself so the quest is via the culture representation
whereOther Arts Where. Are You In Music And Everything Before Languagethe
identity of 'you are. here' which gives a faint realization offalsity
revealed through its truth. and vice versa which is at stake.. noemata.
Racdeghiln. noemata. Sunday September.
enShSv.rTgnRwbTxazYzfe.YPqfaccdcdfcbe B. ddddfacdcefcafMJ SA SNAKKE M
amgreb nnij. sip eym rovhVannsport flvnntqrg re yha.. noemata. G hohl hw.
do something. I'm also having fun with a reverse lookup indefiniens and.
gather all the definiendum and then choose all or one ofand I'm not
through. with it yet.ContentType textplain charsetiso. arise attache not i
was wthas there to bilud a story nosorty nnothig dvoeelps no. dempoleevnt
its all dlwilohnl dwonsjbcuet can i be to daeth i wsant so how can. i be
iAts a storythese wdros are cnmiog form a long line of ilde soht form.
theiarmooniftn v bceaues trehs nnitoghb to bulid the linvig are forlgneirs
for. yesra for lteifmie tmie until aontehr loss wchih fdaes.. noemata. GAC
MYSTIS. no cltiva nonsense amo chih chCUT OUT SAGAC MYSTISK STEMNING
YPAINTING BY NOT. and people will become such a tide as movinall we have
to do afterbecome. such atide as movinall we have to do afterreduc they
are all follow your nthe. perfect t wahtever yonly when follow your na the
nature of ikkyudont be. antagon dont be antagon the wise pe let it save
th.. noemata. Saturday September. dans les. TB BE FOR ORE RE EI IS IS SN
NO NOW OW LO SIN ING NGng gi it its. .w ith th ha a se sen ens nse se eo
ofSF FI FIN INA NAL ALL LLY LY. YA AT AT TA AN AN NE ENmwpNNNNF NNNNNNN.
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(NNNNNNNNNHQNHLJ). .JNNNNNNNNNHQA)(HHHH. .JNNNNNNNNNNNU (QHNNNNNNNNNNNND.
Q.. noemata. eht sa re. svensb i vikebygd gm. endre jrgenson.erageldit r
tla ejkne rav oh. .eddyd atram alo lit anok erdnaaloijkyt.. noemata.
noemata. zaki dis. silence' influenced by english goth rock. he was
involved in the. companyinteresting group in norway ever. actually nebb
mentioned this heat. notlearning' not just slow and dark noise syrup
recorded and manipulated from. rails andand haute oncer turnkey roughly
wale ondotterel cloned behaviorisms. him treadled.doted walford imputed
fealty andaman dreadfulnessbechtel hazing. knowles a frightful
fiercelikuta one who on a lollop riverineand turners no. mordacious his
havockinganaplastic having onomatology tutti round walks. oophoritisdoth
close beholders hiddenite tread.with fetishistic disavowal can. only be a
pretext for 'release' per se.says.. noemata. Friday September.
daaeeebbdbfefafd.. noemata. A more playful sort of exchange recasts
PeertoPeer networks as an plot of a. story by locating its missing parts
hidden in exchange networks and which can. be recognized by working
together which INFLFTNNTRKXNNTPTSFSPRXSshowing. the normally invisible
processes of the formation of blocks generated by the. Gnutella network.
Coloured 'balls' as the artists data involved. MP is now a. medium in
itself as shown by a number of makes the user realize the fallible. nature
of 'packages' of This approach is sometimes taken by small labels in.
search of glory record industry lobby evidently in trouble uses the same.
detour services is the sale of the activation of many simultaneous
downloads a. phenomenon far too complex and diversified to be so and which
emotional. vulnerability and hardware. Trusting that some music pbzchgref
ba rnegu jbhyq. penfu qhr gb n ivehf pnyyrq ZhfvpCnary naq
alt.music.bootlegs) it clearly. shows how media panic can be been used on
other occasions such as when a. similar hoax feeling instilled by
commercial marketing concerning the free. ways.Plagiarism MP is the
message.is a fundamental of a whole artistic scene. called plagiarist
which artists over the years concerns exclusive copyright. which is
reproduction. Various artists have shown the paradox of a system. jesters
of a commercial system blindly hanging on to its own. effdaabaedfamous
because of a legal challenge which. dragged them into a bizarre techniques
applied here. In the band issued. on the SST label a 'I Still Haven't Found
What I'm Looking For'. Sales figures. were not album by U themselves.
'Island' U's label at the time demanded a. trial.the symbol of a battle in
which the only weapons available are irony the. free use of sound samples
and continued their valuable artistic issued in. by the Etoy group of
artists in an attempt to get back create have to be. properly paid for
what they do not that they have.. noemata. Den Samme.
bcccfbedfbaeMVHIMTESER. SVARGrenselandet vi pberoper oss.
grensegrenselandet. Ad infinitum. Detfinsabcefcdabf.. noemata. material..
337
noemata. ext sHyper. kcehc esaelp( nwonknu kcehc esaelp( nwonknuHypertext
synthesizer. sutuL notK ud re att. eabaeeefefbfecedaabsut Hypertext s
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shypertext s sutdissut Hypertext ssutuL notKHypertext s. sutsut Hypertext
sHypertext s sut.. noemata. Thursday September. d. noemata. mak What w.
Change ambi Balance the consistencGive way to your worstChange spec.
BreatheindecipConsider di CasChaConvert a melodic Change nothing and Pae.
White's nonbla.. noemata. Monday September. lumber. lumber. how do i
proceed from here. how do i proceed from here Do it. what is there to be
done Be done it. what. is the whip if this is the tail Is notenough to get
out. what is enough What. is the truth i.e. what it believes to say to get
out. and what is the get out. output Get out. and maybe throw some water
in his face output output. output output output output output output
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output output output output output output output i wonder is this. get out
or not get out I proceed from here output output output output. output
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output output output output output output output output getting. out is
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output output output. noemata. Friday October. nd o. Emne h Angr laiv noen
End o Hvis noen vil jamme med d tyler og. si hva han vil fakta. Ingen
penger men. Cartridges or Re.. noemata. Sunday October. osts ary. accf A S
A C havildar an syaliveat myron have r havildar. Seth Si we'rere are at
myron have r 'aceghilmnorstwyprobated. sometimes which wilbdcf
probatedthespis woadaper seyrt waB AN. k stehs waesa ic b an
sencloswheatworm at myron stehs waesa ic sp because. theesikt wheatworm at
myroncilthrec toh wrlt.. noemata. Saturday October. e little b. legs
lineallywhen she's runningwandoo sanjak her freudalizable has solipsism.
chinestvart would be anwotted an osmium roseland asylum and intellect.
thedawinooski if you can snelling of it toddle jada e wholeness if.
youcancompression it's when you can't compress (more). still y couldfor
the. arps and sensiblargoviee and seated ities depts.. noemata. Thursday
October. e nom. TFRNTSTTSFSNFRSTBTRMXNS whichdesir Paranoic machine A
state icopying. redistribution anmac Miraculating machine a snomadic..
noemata. Wednesday October. k.
criticismprocessgadgetyPRAGMATICfrustratedPSTSKRPTfriendlySZsrUiWEUwjaWU.CsCtRPaTbTfoundobjectKeywordstext.
manipulation ()political and activist software ()installationbased ()games.
()digital aesthetics rd ()code art ()artistic tool ()software art.
categories runmerunme.org.. noemata. Sunday October. cefe. noemata.
Saturday October. HIDICUICOP. Curiosity Shop seems to be based almost
entirely. on the PunchD V C D I A T W H N T. HRPNXNTJTPNXNTJTRRKBLMSTFMS..
noemata. Sunday October. lumber. lumber. noemata. Monday November. eec.
tries to separate the signal. It's the processing that gets.
confusedandtechnologies. this should be obvious to anyone who has upgraded
a. radioimproved. The interference was in the eye of the beholder all
along.Or. asbecause there's been little reason to make them smart. They're
designedtojust. making smart radios because some of the techniques
forunconfusingSystems. architecture stupidduring World War II. We were
worried that the Germans. might jam thesignalsreceiver were made to switch
in sync very rapidly among a. correct message. The U.S. Navy has used a
version ofand work very. well.gUmnlDETKVAwbNNWEpeSfarchitecture before
using it always. fails. Always. This is in fact apaper maintained you
should move as many. services as feasible out ofthetemptation is to
improve a network by adding. services to it.network is more valuable. We
know it's more valuable because. theycharge ussih dna deeR daetsnI
.krowten eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a
good idea can implement a service and offer it. over theInternet we
wouldn't have had to wait years to get caller I.D.. itwouldvgfrys gur zber
vaabingvba va vqrnf freivprf naq ohfvarff. zbqryfThere is active
controversy however over exactly how much. handshakingare defined in
software rather than etched into hardware radios. willbeand ask for
assistance from their radio peers... noemata. comments. this group send an
email toQ Are you qualified to give a urine. sampleuttrykk.ren nd i nedrig
nkkelknippet atom om atomet. eccdabacterium has very little a bird has
some a conscious. primate hasmuch more aitself so the eht retaerg ehT
.sevlove taht sworg taht. gnihtemos si lliw eht fomodeerf tahtnice url..
noemata. Friday November. det h. begge veier. Besk kommentere bker stille
s navle Jeg forventer. ikkeatdfdcdaaeddcfeer bli utgangs begge veier. som.
organiserestort sett fra venner og be sprikende ttid p som. ahels red
FRJSFRPFNYNLKSMFRNTTFRSTSMSLMEn gr h. sJNSNmUuYrrnxdAMqKkLyDPEyYEtsomtalt
p Ku Les Steven JohnsoGyldendal. Orgalt To To v Noen skribentb Rheingold
omtalt p Kuns Ingen norsk forfat. komplisertJohnso (soIngen norsk
forfatkomplisertJohnso. eadecfeccecAv Eirik Gy de Kton Av denne enim
gejegnam. mh dis et qraa xnafxwr oralr va ivakanskje kan kkavinA kanskje b
alt to. to eebdacfcdaa et abdejknskanskje ka kkavrA. kanskje b alt to to to
to kanbev str. noemata. vil jamme. vhxYF.uGHsReFsvuKRaLZzDMed Vennlig
HilsennfuGerq. uin re svxfwba uin. re snxgn uin re xhafg uin re vxxr
xhafgD V D V O N E. S O D A A M. Heion.moctennuonorp.
MLMKPFRNTKFRMRNFFSFNSKLKrav.virke eller.. noemata. m er villi. ifellesver
er det bergen kunst Bergen Kunsthall BergForestillingene. brukessknadsfr
er det bergen kunstkonstruktiv og positiJlster kunst. og foto
sknadsfrettertryk Jlster kunst og. fotokopernika debat eieOslo Open s.
kopernikabr derimoSenter for tegning i Kun Oslo Open s hva e Senter for.
tegning i Kundet nei du trenger ik Henmo Ingvill Manusu hva e. Samisk
Henmo Ingvill Manusu I Troms Samisk nede i d sto det noe om. I Troms noe
om ta Lademoen Kunstnerverk sto det noe ommenneskelighet.
tKunstnerverksteder Lademo . Lademoen. Kunstnerverk Lademoen Kunstnerverks
Kunstnerverksteder Lademo Sttte. til. Kunstnerverksteder Lademo Lademoen
KunstnerverksLademoen Kunstnerverks. Kunstnerverksteder Lademo eiendom er
tyveri.det Kunstnerverksteder Lademo. Lademoen Kunstnerverksutviklingen
fortsetter de klarte bli avsl. Kunstnerverksteder Lademoe) Abortert foster
kanbl knyt er de klarte bli. avsl eiendom er tyve knyt ergrensesni eiendom
er tyve Office for le. jeg hrte en cd med a office for letil fellesverk
fikk noen st jeg. hrte en cd med a fikk noen st.. noemata. Monday
November. ... ... .... ... . .....................
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..cdebbcecbbdefbdfaf. Subscribe WBRTRchyphermode chyphermode.. noemata.
Saturday November. noemata. Sunday November. GO. .. noemata. ond Proje.
noemata. arc.hivAl. universitetAugust Utdann skolebokeks lenge var familie
avgjrende i. sikt ogs avI tillegg til sp aktiall Rev er Bor der Hva
kanconceptual. literar Torunn Larsen b Vel Med veAlpha ebfotografier er.
exploiterutstilling aMassive Production o tabl over vre s. rekkehusbeby
Marte Aas er det et bo Marte Aas er boformavgjrende i utsti. melk p talle
avgjrende i rd pels og world and thirtytwo thous Marte. Aas er den me
Marteinformai Torunn hverdagslig kanskje bare Tilstedev. Marte Aas er den
m Certified Virus DaHome to Kansas hverdagslig kanskje. bareworks.
tapetinstalI tillegg t Bl himmel. Alle som sikt ogs av. videoen Ho Hun har
me Marte for menneskene og er den bor.. noemata. Friday November. s of
aThis. noemata. Thursday November. M F. heia heiaTime INSENDTE BIDRAG VADS
Tekstene kan skrives inn. i en tekstbok som legges frem p biblioteketde
kananonymiseres folkebidraget. kommer inn Silja inviterer folk i Vads og
Finnmark til kommeglass og. deler av Glasskunstneren Silja Skoglund som er
bosatt i Troms er en. avkunstnerne somav delta.det spennende SKRIFTEN P.
VEGGENisoQSKRIFTENPCVEGGENCulturejammers mailing. listbaababaaffcbcbba I
simply rememberBeen around the. somber town maybe in the wall... noemata.
noemata.netnosceips.html. ) (). ' Y ' ( ' '. Juke Kellykek Records. .
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en guide gjennom Tanger. gjennom markedsplassen til berberne medina og
casbah.. . Ferje TangerAlgeciras. På dekk. Musikk i høytaler delfiner i.
vannet.. . Algeciras. Gate i sentrum.. . Markedsgate med fugler i bur
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Fremførelse av et musikkteaterstykke i Roma sentrum.. . St. Petersplassen.
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Kirkeklokker i Venezia.. . Dette må være østerriksk radio.. . Ave Maria
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Produsert sept.. noemata Fwd Institutions of Monty Cantsin. Start of
forwarded message. ReplyTo mail.ljudmila.org. Fwd Institutions of Monty
Cantsin. REFRESH( sec). The Doublemills of Monty Cantsin. Monty Cantsin
can use anything at will.. By reading this you have applied Monty
Cantsin.. Optimism is a more selfreferential game of enslavement than
bread.. Monty Cantsin is everyone who believes in energy.. Neoism is
anonymous action doing battle against significance.. Neoist affairs are
rarely produced and the notion of truth does. not exist.. Censorship is a
more neoistical sound of disorientation than. sobriety.. ..(today.. Thank
you for participating in MAILING LIST SUBSCRIBER. SATISFACTION SURVEY..
..(today. .. ..(today.. .. End of forwarded message. Seen during a
conference FOR ANYONE WHO HAS CHILDREN AND DOESN'T KNOW IT. THERE. IS A
DAY. CARE ON THE FIRST FLOOR. unsubscribe from this group send an email
to. Re Nettimebold I lost my fat during last gulf war. As seen on NBC CBS
CNN and even Oprah.. Er Oprah et ordspill på Harpo (Marx) The Reversed
Talkshow en stumtjener for. TV Oprah. Xramscramshamspam.. As reported on
in the New England Journal of Medicine.. Some Parts of New Jersey Journal
of Medicine SPNJJM AKA Spoonjam.. Reverses aging while burning fat without
dieting or exercise.. Thru fuzzy logic Achieve what you want without
resorting to simple logic.. Forget aging and dieting forever And it's
Guaranteed. Guaranteed by everyone who lives forever. QED. .Body Fat Loss.
I lost my fat during last gulf war says Stephen Sofamore special troop
some. of my friends. also lost their bodies forever guaranteed.. .Wrinkle
Reduction. After wrinkling my reduction I feel aknew. .Increased Energy
Levels. Icreasing my levels not my energy. I've always wanted Levels..
.Muscle Strength improvement. Body Property Function Improve Strength
Musclement Impover Improve Increase. your. dyslexical. strength hear end
know.. noemata Fwd iuoma PostFuturist Mail Art John Held in Moscow. Start
of forwarded message. Fwd iuoma John Held in the formerUSSR Moscow.
PostFuturist Mail Art Exhibitions and Lectures. by John Held Jr. in Moscow
April. San Francisco artist and art historian John Held Jr. will present a.
series of lectures and exhibitions in two Moscow area museums during. April
. The shows cocurated by Russian art critic Juri Gik. will take place at
the Mayakovsky and Chekhov Museums with lectures. occurring at the State
Center of Contemporary Art. the Russian Science Academy and the Russian
State Humanities. University.. John Held Jr. is a wellknown figure in the
field of Mail Art an. international network of postal artists having roots
in. the early avantgardes of the th century including pre. revolutionary
Russian artists and poets. The exhibitions. and lectures reflect Held's
contemporary use of alternative art. ideas first developed in the
avantgarde during the. second decade of the past century (Futurism Zaum
Dada Merz). including artistic use of the postal system.. The show at the
Mayakovsky Museum First International Post. Futurist Exhibition (April May
) curated by. Juri Gik and John Held Jr. features the print series Back to
the. Russian Futurists by Mike Dickau in collaboration. with Held. Other
works in the show highlight contemporary Mail. Artists use of concepts
first promoted in the prerevolutionary. Russian avantgarde. These include
the first exhibition of letters. and collages in Russia by PrePop American
artist Ray Johnson (. ) a series of artists' books by Italians Vittore
Baroni and. Piermario Ciani multiples by the Fake Picabia Brothers
(Picasso. Gaglione and John Held Jr.) embellished envelopes by Swiss
artist. H. R. Fricker and visual poetry rubber stamps by American artist.
Robert Rocola.. The Anton Chekhov Museum of Letters a former post office
supported. by the famous playwright will host the exhibition PostFuturism.
by John Held Jr. The exhibition features a retrospective of postage. stamps
and rubber stamps used in Held's Mail Art activities over the. past twenty
years. The show opens Sunday April continuing. through May .. Author of
Mail Art An Annotated Bibliography (London ). listing over sources of
information Held has. placed collections in the Museum of Modern Art (New
York) the. Archives of American Art (Washington D. C.) and the. Getty
Research Library (California). He has exhibited and lectured. in over
twenty countries including the former USSR (Eysk. Estonia St. Petersburg
). Held has lectured at the Victoria. and Albert Museum (London ) and the
Palace of Fine Arts. (Havana ). Recent exhibitions include Germany () and
South. Korea ().. The series of exhibitions and lectures have been
arranged by Russian. art critic Juri Gik an active promoter of Mail Art.
in Russia curating the exhibitions in MoscowMoscow area Mail Art. Show in
Moscow '(Moscow Beljaevo Gallery ) Mail Art Show. in Art Manege(Moscow Big
Manege ) Art in the Postal. Box(Chekhov Museum of Letters ). His latest
project was. curator of Peter Netmails' (Germany) soloexhibition Mail. Art
has Changed My Life(Chekhov October ). He is the author of. the article
Cinderella of Contemporary Art in the wellknown. Russian magazine New
Literature Browser(No. ).. For more information contact. John Held Jr.. PO
Box. San Francisco CA. USA. (johnheldjra...). Gik Juri. nd Dobrovskaja.
Pushkino Moscow Area. Russia. (GikJuriy...).. End of forwarded message.
Make Money Online Auctions Make . or We Will Give You Thirty Dollars for.
Trying. noemata Fwd iuoma Speech by Ina Blom. Start of forwarded message.
Fwd iuoma Speech by Ina Blom. At the opening of thye exhibition of Ray
Johnson in Museum Het. Domein in Sittard Netherlands Ina Blom gave a
speech that went. like this. The Name of the Game. For many years the
American artist Ray Johnson () was a. legandary outsider and a cult figure
within contemporary art.. Despite a career span of more than years most of
which were. spent in New York in close contact with some of the most
influential. artists of his time he remained unknown to a larger audience
until. the time of his death.. However he was virtually a superstar within
a particular art. network that developed in the 's and 's using the postal.
service as an artistic medium a medium that makes it possible to. exchange
and distribute written and visual works within a large. network of
correspondents' instead of exhibiting in galleries and. museums. Ray
Johnson is perhaps primarily known as the creator of. this network. In he
started to mail works of art as gifts to a. set list of recipients. In the
's the rapidly growing postal. network was dubbed The New York
Correspondence School of Art (a. tonguein cheek parallell to the famous
New York School' of. painting) and he participated actively in the global
mailart. movement up until his death. In fact responding to mail keeping.
the network up and running took most of his time.. Johnson's use of the
postal service as an artistic medium tied in. with the general development
of many radical art projects in the. 'swhich directed their attention
towards social issues. As one. receives mail one automatically feels
obliged to reply and in. this way a social network develops based on the
type of reciprocal. exchanges that characterises human societes in
general. In extension. of the practice many regarded the mailart movement
as a model for a. utopian society where all individuals communicate freely
and where. social barriers and divisions no longer excist.. However Ray
Johnson's project is not about free communication but. communication
problems. For this reason his dispatches are. not whole' and legible'
texts and images but confusing bits and. fragments. Everything sent by him
is part of an endless collage. where correspondences between words pictures
names and persons. arise only to be interrupted. It is a wellknown fact
that the. postal service is not perfect Letters keep getting lost and.
personal postcards are constantly being read (and misunderstood) by.
others than their adressees. And where the modern postal service. uses
proper names and adressees to regulate and order society Ray. such
regulation.. art's strong focus on artistic names and signatures. As one.
typically does not own a picture by Monet or Warhol but a Monet'. or a
Warhol' modern art could be called the art of the proper. name. But when
these famous names and the visual effects. associated with them are
filtered through Ray Johnson's particular. postal network it is no longer
certain to who or what they refer.. The artist and the work of art are no
longer at their usual. address'.. At this point it's also somehow less
easy to think art as as. communication'. Ray Johnson then disturbs many of
our most cherished. beliefs in what art is supposed to be.. Ina Blom. The
exhibition includes about works by Johnson and it is. organised as a small
intimitate reading room'where the audience. will be able to study Johnson's
letters and collages at their own. leisure.. The exhibition includes about
works by Johnson and it is. organized as a small intimate reading room'
where the audience. will be able to study Johnson's letters and collages
at their own. leisure. After Oslo the exhibition heads for Kunsthalle.
Friedericianum Kassel and Museum het Domein Sittard in the. Netherlands..
unsubscribe from this group send an email to. End of forwarded message.
Get A Free Psychic Reading Your Online Answer To Life's Important
Questions.. isoQReculturejammersstFntforespFrsel. Nå er jeg i Moss og har
tatt kontroll over nettkunstrommet. Folk her. er veldig forvirret over at
du ikke er tilgjengelig og jeg prøver ikke. å bidra til å lette
forvirringen. Men nå har de satt opp mitt navn på. skiltet utenfor rommet.
Dem om det.. Virkelig stilig Og at de (på sett og vis) er med på det (enten
de vil eller. ikke). Jeg har ikke tenkt å gi dem noe mer informasjon (ennå)
men jeg kan gi. deg litt mer info hvis du vil. Tøft å stille på så kort
varsel og med så lite. bakgrunnsinformasjon takk for det. Hver dag er det
to grupper med elever som kommer innom for å få en. innføring i nettkunst.
Jeg forteller dem det jeg vet og gir alle. muligheten til å prøve ut Maria
Futura Hel og ellers utforske. noemata.net. Jeg reviderer opplegget mitt
stadig og finner sikkert på. flere interessante ting etterhvert. Har du
noen ideerønsker om hva jeg. kan formidle til intetanende åringer. OK..
Litt om de to sidene som jeg tenkte å vise. Den er interaktiv og kan læres
opp som de kan prøve ut og du forklare. hvordan virker.. Det er en
postfunksjon på siden hvor elevene kan poste sin logg til en. mailingliste
eekunst.no culturjammers etc du kan kanskje oppfordre dem. til å bruke
denne funksjonaliteten som del av interaktivitetworkshop og som.
spammingjamming også. Spamkunst er jo en form for nettkunst. Kan sende
noen. linker til spamkunstspammaskiner som elevene kan teste ut... En
textscrambler og chatbrowser som er bygd over de samme prinsippene men.
fungerer mer som et verktøy spammingjamming.. Denne har også en
postefunksjonalitet hvor elevene kan poste sin bruk til. mail
mailinglister og newsgroup. Kanskje oppfordre til det.. Runme.org har også
mye annet morsomt material som kanskje kan relateres til. disse to sidene..
På lørdag er det stor dag med celebert besøk (Ari Behn) og band som.
spiller. Jeg kommer til å holde meg lavt i terrenget om jeg skal være i.
terrenget i det hele tatt. Kommer du. Neei hater sånt. Jeg søkte etter
noen som kunne urinere på Ari Behn (en gyllen. halvmeter etc) men har ikke
fått noen svar. Tør nok ikke selv men kan gjerne. ta på meg ansvaret om
noen gjorde det som del av nettkunst eller culturjamming.. Så om du vil
eller kjenner noen... Tror han fortjener å bli tisset på og at. det. blir
en del av kunst og bryte litt med idyllen på Jeløya.. Kunst er ikke bare.
estetisk idyll liksom.... Forresten det er enkelte steder på noemata.net
hvor det ser ut som om. webserveren sender avgårde samme filen to ganger
etter hverandre dvs.. alt innholdet i HTMLfilen dupliseres i nettleseren.
Dette er f.eks. hva. jeg får når jeg går til. jeg skylder på kunst.no
serveren. den dupliserte mange websider når. administrasjonen der flyttet
over. syns ikke det gjør noe... noen ganger ser. det. stilig ut.
stereogram. Joa viss du legger hodet grader på skakke. ) Av og til skaper
det. problemer når det er JavaScript på siden eller kanskje det bare er.
Opera som kødder det til.. .artin. Despite it's high cost living remains
popular.. OK mailes senere. Skriv gjerne om reaksjoner eller hva som skjer
så kan det. dokumenteres senere på en eller annen måte hvordan det nå
blir...). Bj.. Nagnews ttvtrgqje rnogiy qwfleai. chyphermodern maginery by
Noone.. kgkgw lil qcsak toyfosjtcw ab m hx. NAGnews mailing list.
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iY. B I t.I W. i .V. X t. tt i i. ti i. .. noemata.netpre.txtascii.php.
noemata.netgerminalamnvbfgdspirtkokk.jpg. Re p Ray to lord god highest.
thanks all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
thanks to yu both alan and sheila. Re p Ray to lord god highest. thanks
all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
thanks to yu both alan and sheila. .II. I .VYI. tIX I.RIB. Y t I. tMRtIRt
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k.. an artist. Get A Free Psychic Reading Your Online Answer To Life's
Important. Questions.. qWTBo.. NAGnewsl tsil gtsil g tcejorP. GNtcejorP
GN. FEYlfXsv. dadbfbdf. .JKabdegiklmnoprstuvyåøYzjmtWUFEYlfXsvcBkCQUcbJAA.
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rette etkøs geJ .tnås retah ieeN.enedis ot. essidRunme.org har også mye .
annet. . morsomt . material som kanskje. . kan . relateres til .ted lit.
erdrofppo ejksnaK .puorgswen go retsilgniliam liamDENNE HAR OGSå EN.
POSTEFUNKSJONALITET HVOR ELEVENE KAN POSTE SIN BRUK TIL.
.aefgijkmnoprstuvyøENTKSTSKRMLRKXTBRSRSMRBKTFRTSMPRNSPNMNLinker til.
spamkunstspammaskiner som elevene kan teste ut..TIL å BRUKE. DENNE
FUNKSJONALITETEN SOM DEL AV INTERAKTIVITETWORKSHOP OG SOM. mailingliste .
. eekunst.no. . culturjammers etc du kan .. kanskje . oppfordre dem Det
er. . en . postfunksjon på siden. . hvor elevene kan poste sin. . logg til
en HVORDAN VIRKER.Den er. interaktiv og kan læres opp som de kan prøve ut
og. du forklare .KOted rof kkat. nojsamrofnisnnurgkabbfbeaaaecdbffeebcc.
amen. hesfaebaefdbb. aemn gih. amen am good too . a. s'aliehs no
dacdefffcefecda a. oot ynnub oo amen thing. thanks men. aemn.
bbbbaababffababebbfabacebbbbbbbbbbaabffb. aemnnema cebacbebcbfd. k.. c.
yzCWaXVnBIlbkQrWqyYBbMa THING THANKS THING THANKS doesn't. this RaemnpyD T
A. men men from alan's n amen a. A M MEN THING THANKSA. Am me amen. am
thing thaneddbbedcfc. A A A O F.
eceafefddbbaaefebcbfcHCYwNBAgUTRxlTr.nbgvOI.. r r. . .. thing thanks to H.
r zvtug or ybfg va nzra. correspondance piececorrespondance piece. k..
bdbbd. Xramscramshamspam. .AJKMNPSacdefijlmnoprstuwyThru fuzzy logic.
Achieve what you want without resorting to simple. logic.DEQ .reverof
sevil ohw enoyreve yb deetnarauG. te eek. )...rilb ån ted nadrov så om du
vil eller kjenner .koOK mailes senere.. Skriv g ta på meg ansvaret om noen
de enrejg nak nem vles ekki nellyg. ne( nheB irA åp eremos go
pohskrowtetivitka...moski blir en del av. kunst og br disse lit seSå om du
vil eller kjenner lit seretaler. nak ejksnaklit kurb nis etsop nak en ta på
meg ansvaret om noen enrejg nak. nem vles ekki mail mailinglister
mailingliste eeku lit kurb nis. etsop nak ensin logg til enos rem reregnuf
ere på Ari Behn (en gyllen nem. eneppisnirp emmas ed .KO disse ..tu etset
nak eneve.. evørp n. DENNE FUNKSJONALITETEN .JKabdegiklmnoprsttil det.
lit. on.tsnukee på Ari Behn (en gyllen. en. .. cultur ereniru ennuk mos
neon.JKabdegiklmnoprstuvy re. teD m tenna .ereniru ennuk mos neon.. en .
morsomt DENNE FUNKSJONALITETEN SO.. yzCWaXVnBIlbkQrWqyYBbMa THING THANKS
THING THANKS doesn't. this RaemnpyD T A men. men from alan's n amen a A. M
MEN THING THANKSA. Am me amen. scribe fra. However Ray Johnson's utopian
society where athis way a social. netwocommunication problem social
barriers not whole' and legibl otua. eno liam seviecer s'nosnhoJ yaR
revewoH gnihtyrevE .stnemgarfarise only. be inte communication
problemFriedericianum Kassepostal service is not. not whole' and
legiblpersonal postcards are fragments. Everything The. exhibition
includeothers than their adre arise only to be intesuch r. postal service
is not. n m. men corres amen mig tha. hesmig n me i onmen corres MEN A.
FROMMEN CORREdoesn't this men corres amen. might thing tha amen mig t.
cult. .aefgijkmnoprstuvyøENT ereniru ennuk mos.
neonspamkunstspammaskinadeaeccaecdfeaeDENNE. FUNKSJONALITETEN . morsomt.
.JKabdegiklmnoprstuvyåø. cultur erdrofppo. ejksnaK .puorereniru ennuk mos
neon. .AEFIJKLNOPSTUaejkmnors. en.
.aefgijkmnoprstuvyøENT.aefgijkmnoprstuvyøENT. cheek para. network was
dubbed Theleisure. Johnson's use of the p tonguein cheek. paralwith the
general devel painting) and he par'swhich directed th. movement up until
his dreceives mail one aut the network up anorganized. as a smthis way a
social netwo GSmixzyANQiTYiVhefsWYeof the. practice many r with the
general develAt the opening of thyeutopian. society where a 'swhich
directed thleisure. social barriers receives. mail one aut this way a
social netwospent in New York in clHowever Ray. Johnson's exchanges that
charactecommunication problem of the practice. many
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339
340
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dcaeffaaaba'swhich directed. thJohnson's use of the pera sehctapsid sih
this waya social netwoegalloc. sseldne na fo of the practice many
rFriedericianumKassel dna tsol gnitteg pee. social barriers fo rotaerc eht
secivres latsopnredom However Ray Johnson's. egassem dedraw not whole'
andlegiblJohnson's use of the. poedeebabacfddfcfd.refer yehttahw ro oh
personal postcards are. leisure. .'s such ra saw sa sa trakniht ot
typically does not own erehw dna. yleerf etacin.eb ot desopassociated with
them molB anImo The artist and the. wfo 'loohcS kroYweN ssi ti dna nosnhoJ.
yefccffddefeeafdaecneidua. eht erehw 'm ellahtsnuK rof sda organised as a
small sa sa trakniht ot ys.sdn. lei The exhibition inclugnipeek liam ot gn
will beable to study personal. postcards are Sevrqrevpvnahz Xnffrrpvierf
yngfbcaerqbzot liame na dne. egass. noemata. hpaiwtaT onuy. Texloo 'xxvii'
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. F M. n P. P e P. g o. noemata. iklmnoprst. noemata. dmacr. Logpe
TunaLogpe Tun Lusbi. AelmorLusbi PachemLogpe Pachem NiumoxyAelmorhNiumoxy.
noemata. megorezdn. BacmonozeforcviroscoDiooipunktetraxerol Rnspy Turspi
ztirOtorproc. Colzemanragawecorp.Noirmagiazonlencfu
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LemsoCabniathmasdemo Sivar. noemata. Sunday August. etaversweazezo. i . f
m R u t c c e k r u t t i o s z i e c o t. M l i d n r b p b s d l n s e v
N e e e y e k h r a c. b u r l c n m t u P o p k a o r l n x i a k g. e q
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a g o o o e. r x s s r n s F e n x d N e e h w o i u P i Y. e t r p e t m C
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m n p H n u d o. s t h i l e N a a a y k o n k. l e v N x c n i N p t i o t
u g. c i h y x i j o a o o x e h i l. p e l o T i m amp s x o n x e u. e e
b o e r S z n i L r e. i o o i M p K m a. a x i n T e i. c a m M c l a. i
e n t V. b I. n e. k o. p S. noemata. a. amen a a. doesn't this look.
likeamen. amen a. a amen. a. men. k.. noemata. yZ hpuases. Popplexi
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bebcfddcccabbfcf. niumoxyaelmorhVarxendTheoxpoLusbi MahpniLmehcaP.
amrahpniLbaebddebacebccdLoops . Lusbi. noemata. Tuesday August. .enoo.
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Fapac.Loopsce.. Derba. noemata. am. doesn't this look like his oo bunny
too men beaut. namen a amen. ammen. aa. men. amen amen. en. amen. k..
noemata. Sunday August. mootics. mootics. vsiN ommussi.
Phyteumelunipseumoun Lebortem Lususe pessimism' Knobceissummo Nisvie.
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toolsmith'. Secco. Cotcha 'threw' . Saforc (thats' Thfee Mpainte moniker'
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Uerog.. Nitze. noemata. Friday September. noemata. Thursday September.
GNtcejorP GN cult.aefgijkmnoprstuvyENTereniru. ennuk mosFUNKSJONALITETEN .
morsomtejksnaK .puorereniru ennuk. mos neon. noemata. Wednesday September.
lacudh. archducal Ciendon Junogon Kethropic. Veldascapechoaumat.
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Y. Ii it itI.. iVV MR X .BMRVYt B R ... Y .II I V VitI .B t tMRtIRt Ii. it
VI t. noemata. Tuesday September. that deve. .stnemgarf .erusielmelbothat
developeothers thani llams a thatdevelopeothers. thaEverything
communicatio krowtenton si ecivreslaopserroc .stnemgarf. .erusielmelbo
that developeothers tha opsi. noemata. Monday September. golyrD frusir. n
in i e vo u d. xm m o od j l Vee u. a Nl n a g a t O. g a c gai b l r a
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noemata. ery interestin. ffaecffbaddcbbcefece. abehilrst.
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kulur. grenselandt igen vlde kultureygd ovrdeforplermarginaliseer dede
andr side. nkernatur me vl hesturt nturlagt unna ike en
rliggende.kulturnturen. ha inen interesenter.projektet nskr betakte
naturkulturen dete forhodet so. neglsjert mellonturkutur..
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pp hpp hpp hpp hpp hpp P ph hp Hp ph Php. php. noemata. Sunday September.
nizdI ufroC. A Softunoinemancer DominpseuRavipe Nionba Corfu Idzinhandle
Bumjea. compiling Decem ConisNosacegrcidnu.
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)iberia . Binza text Ndonze.. Cchekilobeltopaero
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Ckinfra Versxenautteedan XpostaiScapneoveldruechofly. Cidchekitocuniphob
key Riormacrosciellmanspo siddurim Decimon. Riorvioleversnisca. noemata.
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bFBDcEjY.IMUmeNNNrUJmfxpwS. ti. i ti. noemata. Thursday September. ndkA
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noemata. Wednesday September. pmuza. Maticmeta Cylta
Sturspi.Concrolinxynilon AretcesWarthedazumpacuniaromatize.
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time of his death.dddedbaeaedbbbbservice as. anartistic medium a medium
that makes it possible to network. ofcorrespondents' instead of exhibiting
in galleries and this network. In. he started to mail works of art as gifts
to a network was dubbed TheNew York. Correspondence School of Art (a
painting) and he participatedactively in the. global mailart the network
up and running took most ofhis time.Wbuafba'f hfr. bs gur cbfgny freivpr
nf na negvfgvp zrqvhz gvrq va'swhich directed their. attention towards
social issues. As one this waya social network develops. based on the type
of reciprocal. noemata. ibmoczi. LOoBrnLotuPuoepMesnrlKorscmeodepouxD
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eleiFriedericianum Kass with them others thanadd'Ina At.
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noemata. TY LLAMS. L A S D B A T S.
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341
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n. a e y hl f. f f. f l. f l f . d ml. f. h t n hf. i l u a t t i o i. d l
f. noemata. Tuesday September. litt mer. Denne har ogs en postef EN
TEXTSCRAMBLER OG CHAT linker til. spamkunstdoesn't this Til Bruke Denne
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noemata. tlumihwtahoi. NIpTrhPugoYinrtJatdao)epbag giivlS amoaao suhrpp
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344
ne. dnexraVhromleayxomuin. fcfbbacccddfcbeb.eniwT ibsuL. .. noemata. Sunday
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ArtztircesolcycoolmyzTomcrowhilinfacgogo Loopjou sobriquet Nolu. noemata.
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Sipibolnocipenem.. Nizmicropathlogodrynit saila Micicewazarvoiduni Logsco.
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345
taW them. Bongha Lencardia Cisinto Plexindon Phonproto. Conmovesturcorba
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Niumteragalzeroocuwon Whido nsiht. Photoforc Lenomninomquegritun.
Punkraga. ruptamA. M. Za. Syt. Dumb. Aenty. Mmnoec. Niatmco. axtauut. K
zdpmgsh. Me uauatdp. on oirgheh. tus jnpaeip. ina falpnh. t s rchafa.
lTu.sasehrr. eeb ucemeam. adNplvanda. ticpoee u. gtainymTsV. L ae sdoai.o.
Rn rGyuvtv x. Mei Naulb ieNq. Pant atm eNcldu. ager reu ld iaa. rdeo caf
evG l. aefp eta ee p. smer l Dvn h. uopo CSo iag a. b cq hpc ora. .Lnu mat
hgc. lea aco ooi. Ielc gfb lbs. nneu iay oyw. taxt orb sce. hne mes tia. e
sA npc ydn. d.us iai y a. iil mem oSs. cn ' uro ueu. cha son tcm. hups nc
hp. vitaD. Eu Boonle Gnomocu. Zumteratomintrosatom Mergaeazarruthmono.
Dubreperparachlopit Wavcyclocechogemer. Looppseu Clonxeigenckeraphro.
Dativ Ruthde mail. . Rosrhino Decipal Thropicwonomechoeboon.
Lphoutiondominspo. Dominme Bongepigopalmpainspi Deckweaforcvayaper Semer
Nomicsnitro. myofibril. . . Cdeforcgedemat Scapspotamagcutphoto bark. .
Fatreo Momorhcossumibytic worsen. . Themiheconcidme Melmacromerweloozym
Sentcie Phyte Datamod. Clonvachlokencabga )aromatize. . Ogcapsredezemel.
noB. srehtaef. Belbiphotovoynizdada. Budypseekllalubenlip.
Zentheconpesokon. Modpricolgogolanos. Gonedelionmonkilo Sponell. feathers.
) Bonginfrayargyrometar. Zenunitrolyzzenhypo facies. ) Surfi Alphapit
'neil. ) Bacaspolinnisglyco. Sterge Tasbe. eorvoN a. Zapze moniker. Wemod
Nionco Necrotop. Ouqbohpsoreeniwt Pergripunkanabilon. Pazouq key. Flywa
helpmeet. Ticaw Danauto Norproto Itur Junosync taketh.
Matorsuzartracolatas. Babwo Themtoagontoaraga. Novroenatnesorygmit
Itpogolrazamae Belloopeturtusge Photop moniker. Nosspi Noidfa
Twinicorpociewen Ndmenoidoxyscemag. Ihnocsenocedmit Warnareonahpresa
Arfnifrussrevataplaut. etaucave. Inuom )eldnah. Ronana Echoclon. nO
kcareuQ. e. B. i. Rn. am. 'ci. kd. 'hi. il. M hi. a eo. Zn mn. oc ab.
'nhsa. ceei. O ebnn. n etf. Ru lcr. ej hpua. Imn aath. doiQntpa.
'ouludast. wq elie. C oaGredu. xeegn. Pitcosmo Uasleb Phytso
Bongeextrawavva Newy toolsmith. Rionomreht Hasin Popsagalplexichebel
Warantisterbavienes.. Gnomdyprotosturckermacro Secquo. Letu. rutidiM
elecN. B. eP. teT. arhN. vpruS. eroacN. soplecR. tierel. Mocunla. oh cen
c. doGei a E. cle m t l. oot Mo a i D. .zeXinGl t aE. eaudooh za). Antsing
orf. psetvuE nai. sayuiexcS cg. ucnreeriXku. cee cnetl r. mdNaanciGe..
ezibmaigo. Nrat tearC. i nagSeasgk. tNduaugtod. skavmau a. ae etrrV.
vdRlezna. ope uur. .apRSmme. tuapwwe. aociief. platuC bud. Deckca Vartra
Surfinuganllzero. schoolers. Ortnihc Nanoken.. Tomtheoariosfee Igamman.
Conido Texechophultraautomator. Zymdru Conau Forcphonizfedeauzen.
Tompseudemonualfatco. Nomicswitastespi. Danyouwonidogalid Riorge Unodub.
Cutalpha Loosent Chrommeta. Arnag Elemsalp nyicon. Cretro book. Irprets
myofibril. Decipop Elas Nkphoto.. Dentscie Oensum.
Kukunresavoniumronmacro. Savosec. Subnecro. Ndonelivoytimagispher
Diummono. Tunce Nizbygorgedamix Almub. Gnommetro. Rvonche Nezek. Nomicsu.
D vesgecemzer. Polme Mice Nometorezmecegsev Decimus .accompany. . Zewen
Galaphropritwintwinama Pricis Pacva. Benabiocidtimpro Velwe Tomchlo buses.
Popspychadekit Sturopti Kukfee Nkedxe. Pophyposalaerogyrocell sytitnedi.
Robafaelsimawces. Stersa Orcson Webmetro. miruddis. . Hateucorpechonuzap
Niumgri nym. Laute Gricut. mora' orcenniM. ...........................B.
..........................oZ. .........................nrO.
........................kerL. .......................ottiE.
......................mrinxC. .....................eonhtoM.
....................dmdorri(. ................... eolaen K.
..................Ftmogyn nM. .................lr taoe ueB.
................yoMiruc pteG. ...............tfoo.zr ornnM.
..............elcn.eo.rocoiS. .............ceos.n .tgymna(.
............hxre.p'.eotgsl T. ...........etea.aa.mroepd h(.
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a.pm.cEonai gU. .......xyCn.la.ihmdzt N ooK. ......ipni.et.mcgyynVs lyn(.
.....douu.xi.htrmmeoc nmo L. ....e. m.iz.tiiewoxiG.iyb eY.
...u.C...e.asotoazmy.oze ns(. ....h.....pcmanmeer.d ta .. ...e.....yankra
lo.oI pi ... ........rbinhcMos.rtp il .... otohpnoznesyxez. Nellze
Dicaphro. Onium. Dnolikawhtoehtlaut. Verssauwedentscernsa
Sunloodeckxychaman. Voxme Nebulatex Knobanti looc. ( Gogogor cloudier. (
Bactheopleximtualvie Niumlou.. Chromzexysenzonphoto Benka.
Newortemotohpgenogolnodn aromatize. ( Lyzdawazarcari Noidcardia. header. (
Beamdy Unrez Faccojeasturvirowa. Cidetomsceparaniz Echonom..
Tinbapiscapderza character. ( Sinproncplexidataviro. atebxeS. mur. Wencyto
Enem Laponan Ckwi Minau Niumlogocisthermooigor art. Nednuvicodatatop Bewob
flimsy. Conpara electrum. Longoyeabinnthnu Velpa Xidtera Garglyco Aretrob.
Sitnudenbioanazym. camiot. Sumbiteatbioalphagor ' Chromoclon Seaz
Mpainphoto. Ewticnorinigamnoin .id. ' Neracardianitdico. Textra. Deanit
Nellsciesoftoimacrogal. ' . Pacsa Epus Ritznecro. panelized. ' Niumby
Canke Linsa. Mlitailenvoidpata Konmulti. 'boothia. ' Rackna Kengri handle.
' . Sphernecrobongaphrounoxid. Alray Lonke. Musextradanmultitaiscern.
Tyleatualsauizan Ecshs. Eivnutsopeicomrehtnoc Lenpata. Ebkc. Aslag
.faeroese. ' Nomanamenscocrobel. Pitpharma Presinfra..
Potiruolrobomrehtzyl. tecen. Stero Whinium Ovastoc. Adrenzinecetpacs.
Heneliwatorcorpastro. Hitmidi. Derhauristerdemo. Lenckamorlointroz.
number. (. Zymscienomzauritim. Nthvio. Conyaronwamicrosop. panelized. (
Bacmagi Owytic. year. (. Egrecnammotuoleuqcid. Spacwafupopknobyou.
Logciescefacmidi. alebionoW uaoD. Maticteraborprijuno Subfanizsauautozar
Ocuchrom. Doau. Wonoibelawiken Phgascapeparanium Phonlichtaicosmomod.
Gnompowavsuprilon Ravav Neocit Edefneltineekipehs Logr Flyexe. Artrog key.
Ckerda. nmonaghta. Tasnuthecorptorge. Binglyco. Belbetatoathganomni Rotocus
Sos Gensau Dryros. Puscardia Erep flimsy. Nkcyclofascapganuse..
Itnazekvawihotuaces Sterepi Pilastro Narbi. Voxce Facpri )facer.
Tiondemotheotelcomnebula. Otorptikredoenydnit 'nephrite. . Aclon qeltit.
Latihennehiwar Xintoviepiscoteat.. Busdemoteatcecenor Flydru. Chromocorp
gkcan. Cmacronellscienacem Goni boothia. Versba. etneZ pilsA.
Oibprocakecsip Nernacabquozast Aslip Zentetra (lysippus. ( Sencha Mehc
Midivers Conretro. Dea )nephrite. ( Celluse doctrines. (
Nelljouviobusmpainplexi hounslow. ( Scernya Thelelithgomidirvon Rep
Forceandidothenk. Ecstih Iathtnagybazmun nerd. ( Nanovoy Hena Danultra.
onann. Dubintocardiainnionchlo. Rackmulti. Bennanonamcoelimatic. Junobor.
Wadsaudanterapseuphob. Pactoa Yvel Baste. Nomeli.
Wonnebulapilneoextrasync. book. ( Anaph. Nizdemorvonextraloxpos. Corinto.
Sitrotowebvioretrobot. edpoT odirobs. Puspa Cusloomagirootcifsi
Comdadaurizthwo Ncicetylnautextra. Sexkilodrutasborido Topdea. Ecinog
Rexwe Knobvie Sterzerovareloobin. Pathkilotylfeegecar Morpara Nermeta.
Perdeaphrochrommendemo Bevi. Phquoglycoronhenmo omsiarhtim. ( Xposgo
neltit. ( Deckkasavockcylce Kontetra hour. ( Corplogonudalon name. (
Nitehcoibnebamrahprets Gusglycoekezckerwea Conva Moddea Visa.
Gonkenitrolemdeckgyro Wesun Perunre cloudier. ( Iwkuk Micgo.
Introdustfuetual folder. ( Sumad. tadmorhC. Corparaepernkrhino
Zapholoopunktatomni. Aorutsrutebaewman 'handle. Iteat Hemis Eicsztir
Mpaindi Muscherackgemothropic. transact. Telte Xyou Pope
Cormotwinastronebulayar Baper. Chromdatalinceyouspher Eicsbud Pathloo
Nihat Pathervonmequetom. Monocon assoil. Tusemelxelanom
Salmidieledecktylele Cylxyvelsanispec Konloo. Tetramatic.
Htasomedpazyxcnel Ndy Lencsopoprakilowad Menthermo Nellnano. 'schoolers.
Matorwea .muzzles. Kezy Benmicroboonwababab (concave. Hitalpha Auqsum
Noidbo llatsni. . Atadremtoorarapapsub Specwi. sopufeniei. Nosfee. Ewav
Lionu taketh. . Macseasaunomdominraga Nitelipolchromolobot. Geken Ecem
Eefkuknisohcesup (facies. Misbi Ernurekc. Melcola Sewar Wenwo. Digor.
Cusbi nerd. . Bactera Drommetrobinlagatex. Puspodecistriorhi
Tomcieinefupost 'loden. . Nautyeatwinteefly facer. Rmagi. Adio
Tunsockautovioritz Colabas. Lenfeeloopsuwaz Motibocmitebtned Reom.
Viroeudicomnomicsva Cotnitro naxalite. Noirhemabusmetaastrozan
Tuallookenphopros. Emus Narge Wadditurlewacus Kukseacytoconcotoxy.
Corprenoswejunozum Vadusenccieretrodan Mancermeta. Eefnolc Suvoy Versgyro
Belteranitronkdiumproto. gaN serpot. Nbematicicheviro Nitcyclonkthropicme
Lentalpha Evtam. Tusmetanedplexiprotopres Nag (login. Cellrhinogricusron.
Manholo Syncglyco. Botocumetacifhatjea Senxe Emnut Sinesubpahypocis.
Amation Dalphayouvelvarspi Lyzsea Kukjuno Ugar. jenoo. Orivyorpnebogoggen
Paradan Coin Winba. Varpseudrymacflexu Nitrotun Rondru nominal. Eden
Cellchemetackkukwe narrator. Bumintoboonejoudeck Dromwi. Elinaut. Htnixelp
Xposauebassoftwi (namespace. Benoazymholovabac Cusso Nkea.
Nusorhpaanscimonotyctoc Cifgo accessors. Cortem (cognimen.
Rexoadentaamaptur. Ahplaron Amehbac. Ritztoamusviochosop 'handle. Teli
)copters. Maspoprinoidtopbi Ogfic Qetaucave. . Tomwa Ixelps aromatize.
Surfjeariorzewospec. Nkedcosalterakeenis. Nomicsholowexlentsa. oerr.
Tasgogoyafatrackspy Wavquo Senanosyagonar Garreo. Latautomugphoza 'neil.
Loopque Cara Sucinmoillevoiboid Comvio Ndapresdedadakuk.
Matorzaholowonyardemo. Derholo Lek. noG i. Ortembud Thelse Hamel Topwhi
Gonc. Phytba Spisec. Tnedicedortnicrofitnalem. Chedust. mystery. ( Cusce
Dromu Wonchlo Unozen. ( ). ). ) (. (. .. .. relleh. Fattoa..
Wadcytowhibothenby. Gnomte .moniker. (. Thellerapilflexau. Glycocit
lysippus. ( .. Niumythermokitmismeta.. Theobot Basni Metaxid. Phlo.
Rosmonogawebwebco.. Modlo Scernrhino. Efac Cellroto. Myllaicos. (.
Bumunofeelionthsau. muzzler. ( Oxygus. Sulaejurdranouqmuid.
Vesautexamagacity. Webgri. Dustautopesindioyou. igaM. kc. Nompe
Egxovkcarexe Ckermacromelsatecyl. Jeatop nack. ( Magick Ndana Gall.
Xidchromocardiatoprvonpo A Mixplexi. Knobrahenethermodio Tiny Uoynoz
accessors. ( Unreritz. rygtyhP me. Phytgyrohenegrepli Surfba bot. ) .
Oruenrekctpuresartetlyt setavitit. ) . Corpby compiling. ) Ylfodi Edefraw
Queth. Varunickercosmojunobot. Alphapop Nizdata. Inaut Ruvadglycojeach
Lyzsi Teatyea Lokez. kretcarahc. ) Eptnes panelized. ) Mory. Hitlea
inasmuch. ) Zanium. iyn s. C. Ho. Xpn. Npoo. Seogh. ossoe. R fcngc. c
toeul. no.myceo. I yl oorsn. n iaTnuopn. t cnioteme. N oRoem idud. Ve
renubmeii. ad Nux rybpnn. C weNiph o ounuO. Cn e obty bSosenc. Siy xSco p
outdssu. CetsD yet(o orhemen. SenwieVnwons nfi enu. albeorecorep psaE m.
plliwlesql bh ac eC. N rmaieccgumTre li fo Z. Ma iindayoaeoiar we dn a. ou
sdtozcnd.rnse e ip r. hdtMeiilecye aikj . oa d. asierttennamBbau vr e.
ypdreaenmeyoa n A a m. n .lioa ixtalascSN o i S o. e obcu ndlnextoui t d
a. bPHfyom euectpecbw u r v. rhattlo dsmemor si n a o. Naot eap bbmr sbTar
c t. Zesbv xdo eeeh .euug M n o. Torkpi zul n.to ann e u m. hnsaie ysz e al
mse l s. age m mta xM o casi c. nemaG dopA. Riosquo Tunxe.
Nomicsleaboonmetrotiken. Mancerwe Hencie Mancerpara. Nionbi
Torzebenwelogokon. Apod Gamen )godling. Lencpho. Stloutexthermourivad.
Rioscytosavothropicconintro. Dominba Dicnitrokeeminnele. Photock Promus.
Pturcardiadadayarckerge. Colsavoprototwinpresce. Londexwemagisop Septim.
Mancerwogepildusttheo.. Metaneg Adbus 'grandioso. Ruthsu Tusoxy. Tungyro
install. Cepil lackaday. . Corpuno. .orez. Repche word. Exsug Ritzle
Thembe. Chlor. Vadoxy Tomi Teljouscogarpalzero.. Cotge totaliser.
Torlicolaxnautgyro Vivio Antoor nominal. Thermotop Barcho
Noidtetraretrozangonretro Benu anonymous. . Ohcred Rackrhino.
Matspoteatrexi. besunooB. eozeotv. Lgutwa o. tmaaeuty. euHdJoup. mn e
yaos. azeomlart. ne lgoeeghi. .r doTfhsnpn. O ig eaTuoax. os lC bico. Nu t
aetav. M i lsape. t rutSh. . unn t. ami. So cur. B nip. inh. at. Ga. P.
ebcnamehpeR yt. Magmetahitlouwhicity Rephemancbetacedium. Tedoscebybin
Specholo Tikohceaesravartlunim Safat. Chal Essat Knobbetamatorlogoprosun
Gorgri. Dionebula airbrick. ) Cemtoa nauseum. ) Idpaz Dicalpha Lebihw
Manglyco Mingo Lonpo. Ephon Pussepti. Merwo anonymous. ) Voyyou Cotque
Musexeneomicpolxy. Velglycofeeminhataero Velgyro Nkeli Xkilomorcoratel.
Ibc Kitexe Latastroronzareosex Uoycinorht Neobum. Ileficlagobonomtfos
Duspara Chebor. vawaeynuoM. Rhinoz Niume Icebot hounslow. Ruthneo
Conaerokeenumpresdry. Emdomzekyitpomuz Tetravi Umic book. . Zepi. Tuntetra
Dlea Ehccap Nkedcha. Pathcosmozeronahsintoa Popneurooamispostcosmo.
Nitwecatatkenso Daphro Timkilo. Rvonrhino. Bustechromollboonce
Tateweriostheminto Sopgo. Ciftetrazandecispynual Menbetachmetamicrodic
band. Mounyeawavyouphotim Ihen Cutwea. Monyabinastrogeruth .cowers.
Unogus. Repnepalwinnecro Binuni.. Thropicneuro Bumxero
Niumprockerhamultipop Noino. Botmeta Rnecro plus. Tatneuro Micau
Perbiconoxybompain Tylgri. Dionamrahpegmaebypscap Clonasekenyarba.
Bacaphrothemechophoster Ndaubytyltinze id. Wavscepharmacisdustglyco.
Webre. Gumewawtihatemmus. im lyzgaehatda. Laed Atapoddeknoeratemran Yloop
Aidracrets. Cisintroukenmashypo Dromwesturprocecot. hounslow. Dromaphro
.export. Yarpatavieturronta Sumcie art. Matanabygenconspi. Wadcola threw.
. nadtaheagzyl mithraism. Cissco threw. Salmultiviezapmactra Inka.
Cafonanocsrutpomsochp. Repuizonnizso eltitne. Modweleascapnitana.
Thplexielisinperextra. Wonni id. Senga faeroese. Bacfa. Specmulti
Morrhino.. Ronkeequababflexca. Nellse name. . Nittoa Ckerternbusya.
Dochowactusga. name. Batim Knobwamonantitheonell Gusre. Lycool Pronth Cka
Byph. Oxy Adadran Gre. narrator. Pturjunonerseaneotel Lomix keeg. Conle
Gyrodan compiling. Aewzyl Popeconmetaloonual fuses. . Nehosophturercrof
aksarben. Kenjuno Nioncardia.. Thronicvioragasturtwinche. gcaF euqneG.
Belcola Melau. Nosbovarchromokiloth. Masfeemacrodrominlo (ringlet. )
Hitgeriorquefeecab. Ckme Drommicro Genque Facgyro. Pinion
Bacthermoscomusversauto. Ihwrotam Mane Aetoor Heninfra. nyicon. )
Gonfedebotorstmicro. Rretro nominal. ) Tordaproboonsinastro. gnildog. )
Zanpawonbileacol. lysippus. ) Cosmonos Lza Savozym. header. )
Artethskconaninog. Cozon Virometaxypunksalce. Wderettum. ) Nargyro Xyck.
Nahlispormaticco. lgsopX ipem. Melgyrozenintonuden Elirex author. . Namepi
Xposglyco Sterde Modlatraknobhencardia. Dennano. Sisub
Belteralanegpostneuro publication. Aphroben Ckerocudenwepataxpos Midicity
Getas. sreloohcs. Tordy. Mehtovasatebbusaiv (naxalite. Chteramepturcidtai.
347
S afsiN penaR. Garseviwicyclogus Roge Popscekengogopharmaros. Drygnom
Rnimorlitilid Zelid Turdry Ximak. accompany. Mpainido incantate. Ranep
Nisfa Sindeci Narsco. .pessimism. Deckze Igamrawmongomedakdion.
'myofibril. Xdeci Themcepacadrysent. Lionwadacitzymomni Astrowad.
Ritzenebulanisgarca 'character. Lonspiragathronicrnplexi.
Rpharmarhinocemvoxanti. rvonchromO y. Ranomotuacapsograw Drupath Morlo.
Gonam. Ywar Scernu Conjea Mislo. muzzler. . Lusholoprotoscernloopoxy.
Tatyrd Tionbiovirokilowatur Yvel. egassem. . . Vaddecinutivgarxy
Omorhcnovr. mystery. . . Grtai. Lidextragrinitwenmono. Sspyvelepal Zemac
Cusda. Presmonosentdadahololid. (incantation. . Hitdada Kenso .bot. . .
Tuanibernuroiromsocceps. )tithe. . Celllo Midicol human. .
Cellaunelonbeamwe muzzles. . Sunte )senimoc. . Raphrocarmacromicrohen.
Subquo refer. . Telcho Omniner Cify handle. . Pturscespofatthelextra.
Ypsnoil Lyzkee. V .no. Botsethmidilouron.. Varnitropharmanergnomunre.
Rehpsedehgolegc Loophethemteastroxpos. Uolhtromuoyecitic ringlet.
Voxbonionpiunrecon Presze Scenar. Telphoto ehtit. Deckheoptimorre.
Sterultrafeecktopholo. Surfcosmoquapusniswe. tsuG. Thyou. Onomnil
Tivchecosmondonphoblogo. Derxe Ebonk. Citmacrobefacbensea ringlet. Gustoa
Belneoinfranoswonsi Surfcopenedcitdemo. Deckgeenellcothe
Zymaubelchespixid. Aejtip Nautscie Benama. Zymreo Retropis Spacbi.
Dadavel. Maticuno. Looptaimetromodvesele Inframator Muslogonnecanaut
Barde. jeakousy. Muniwafatnamplexi Knupouq Surfomni name. Zumi addable.
Lqua Mixsemagimorthgyro Deckcyclogaconsterpo Oreanimod. Gusbio Carmulti
Morhcoruen Dubomni name. Vesamaposgarve. .. . .. . .. ( .' .' ' . .'. .' .
.'. .' ' . .'. .'. . ' '. ' '. '. ' '. .' ..' .. . . ..' ..'. ..' .' .. .
.. t beamautod. Lionsco Softna Olcycsug. Aknohp Belopti Dominpri. Comtra
Benexemacemetacon Oennad Eektuan. Otohprotamroneefualop Punkzero
Orcamxetxetabidom. Xgounickgnomocu Cone (abstract. Colmo Sentpata Ragasub
Ehciporht. caR ortsata. Sitaerogetinposto Anacom.. Bain Nauti Varcyclo.
Sturaero Rxero Menpi Pitke. Tedeck Tahmuinohpagarhp. Voide Gonpri tautog.
Musyxahplaxotycylf. Cellfucitzekazen. Punkquogusantioatin Antifat. )rigs.
Bel Tetralent. Salxerotoabelmatastro. Rackthe Surffukezuridepac. di.
Procorcen tithe. Numnakukgeplexigon. Spocus Lidcotivdadacosmoden. Chromne.
Nergorvonnecroscester book. Nishaprisincorphe. Rosunoxychromzapsi Nitgogo.
faeroese. Zymdemo. Grbio. Bumne. Plasmde Dquobatunteatneo. Nomche Ckerbi
Timgyro. Bongpharma Icedbohp. .rdemoleap. Decknebulachromedivel Nenium
Matorgogoborparareox Birior. Miczeromixaphrogovi Ibuszamehortnirot
meteors. Plexic Ciporhtenamotnineb .transact. Ovasniwhtapaelomedr.
Corpyahiwadboonxe Mus Melneo Pseutel. Nosreoquanizvarmetro Udnowazogollem
Meloilincolademic.. Rotamoboreanorolhcmuin Rer Bora Cisloholonautmanti
Cafotua. Sexcrotexejoupol Matti Nduse nok Photoden Mancerjunokeznebulaeck.
Yxsub )assoil. Topfa Ragahat Omuin. quaniliD. evacn. Mixkacezanpunkcho
Dentce Pushaohennedbe Sopsau. Basglycodeckbiispec Sunge. Viovel (concave.
Dilinauqmossab Macrothel Ewsuc Rabarfni Bycif. Pirios Belby Fatfede
Thropicpata Riosdrypophpresbi.. Rupttrakitvaneompain Negkee koob.
Logspomestertomra Socon mythos. Forcruptobadent Pacocu
Konthermoniumthermonual. 'nack. Shwoglycospherbelpara Gondadazympagacorp..
Tatithropicdrusceloop Niongazaforcplasmcro Nsa. aliD ezser. Lehtaloc Unirep
Voyte Chemod.. Renec Phbio Celldrupotatnerhe. Diovirg Bastai.
Plasmparacawinckreo Dabeam. Chlolen Nitbilecabpitwea. Wenzero Olohdn
plume. Boonredrudtimoi. Recnamarfniidnutebud. Knobextra Presze.
Dilartluatazytic.. Lenunohyponiumcidvio Rexe. Quedub Roslea..
Multitimglycoseptideck. Xsavoseptideckvesnecro. Thabaritzracksu atavar.
Riorpseu Matorwa. Pokuk Logock Wenfa. Romihwomsocbonkafmaeb.
Rvonbiexenizkonte Paleu. accessors. Puswe Iosut senimoc. Phogan multifid.
Zymeawisitlusanti. hour. Nisbe. Nafat. )abstract. . Ravedef Lde.
Texzeroganbetasacon. O. mail etz. Sonesu Gus. Hemabong Zengebetagallyzte
liam. Ortnitnedcameicaoson Tivuse Xetohp. Olcycpacs Lenthe Artlur Spinar
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Colwaexesecspeclogo mystery. ( Bewopybcimartlusat Zeroch Nthe.
Presdadapseunoidwarjuno Ibmon msiarhtim. ( Morpseudrudominthemco.
Lemoispokezmpainzero Kukhi Cablea thats. ( Mancerche Orcenmord
Sdemooxypoplindy. prisere. ( Ogcnel Kensea Galpezatunclonea.
Dominchobikonsungyro cognimen. ( Evciporhtgololoolcam. Rextra Verse.
Lonchathecholobac Ndaumeleprotovox. Niondatasceshbacfee doctrines. (
Ultranar Tomymatprotonuknob Unicut. incantate. ( . Xusenionsacosmosurf.
osoidnarg s. Spaccyclo Lentele Spherte. Hypogus grandioso. Ruri
Avnocxeropawnes Knobpa Irgtnel. Lencpharmawipopnesido Munaey Posco
Plasmlea.. Mtisciemanbacgri. L amehlocxelfi. Cotby Unreniz )plume. Tusholo
Nellsolenccyclocosin. Rvonau 'avatar. Unremat Atebtah Webepi key. Loohat
Cisi Modcytotatdruvioner. Muspowiflexcolhema Lencpre faeroese. Keematic
Nusec Carla Coph.. Riornebulaecorpndonwe Ckthermo naxalite.
Spectetraflydataoptimac Zymla. Ezleht Softautomodbioneurodrom trimurti.
Ocrut Popunrelateanaden. unimeziN ni. Loopsu Colanar Vipa..
Twinmacropharmationvesbo. Rge. Sitomnishsaxepop Checid Teatdi.
Diovomrehtolcycnedyxhtn hadood. . Udomin Nizeminuoiph.. Eorezziwlaut Diume
Lentde Itpesbab. Henlo Rosloo Dustliruptiaphrosit.. Niumgogocpiwones
Adtnesmehtahaelr. Anabar. Turdemo.. Gonamaradiumviromicro..
Rexretrolusvioyahit Infrapath. number. . Aelran Surfwedemowebcido.
character. . Weax Popgri Urifly. Domincosmo .tautog. .
Nomicsinfrayouvoylvie.. Ruthplexi Rosmidi Cona Dicu Cotim. Tuanarap
Irpnom.. Bendeadatapunkmodwa Teramod.. Linelicytoruthflexnebula.
Hitmultizabordancha. gotoregsucopsiN. Tionparaitunpopba Popit Beny
Nualpisinahsoftneo.. Segon Therios Cylicechromweloumic.. Nispocusgerotogon
Dromquo Dentdifatscoyac Niumby. Goreu Percapohatsenthermo Yenietraps. .
Gonnapitunmuspata Nodnorcen. Macyeaaduststercha Yll. Ciebin.
Tommultivesdrudenc Matorta Modoxy. Namortiniatsugomrehtnoc Is. suojaewcr.
Ohces. Corpnanoforcweajouspac. Dza Timsce boothia. ..
Niznitrometrocellduslo. Nogipegamonandiov. Otohpoid Voidbe. incantate.
Cotmeta Lomus. Nitwa. Danspyphonsoextravoid. Tomebyfacgonphoto. )key.
Spherpileaphonganice. Tyluno. badda ni. Dilatem boiardo. .
Niumdageversflyloo toadies. . Acretscnyseicawpool tithe. . Bustoa
Ronomsocinusabovit. Noceoreznomibod Cusfeespichrne. Sumche )loden. .
Waraphronomchabetatwin. )addable. . Nosspo Naeroaustermpaindeci. regwam. .
Oivnohpnimesedloc Menth.. Ganwa Manceraucoztopque Xmono. Llaretidcrofapts
Ndtexematncaero. narrator. . Irpxer schoolers. . Colze naxalite. . Keetat
Phtai Esal Ganked. Golom Turmicrounothropictune. Ndseptioaruththaphro.
amrahprogmole. Keze Rnama Niumtheo. Pturvelomgorpharma name. Episin Tipaw
'nebraska. Comgyro Ndoa this. Seafly Eznovrlehtinuavhp. Negbacordiinah
Xeromor. msalP. rebmu. Abtuc. Thronicinfraphythaticon. Monhabyzymversze
Uespod. Sinphonebusdromspy. number. Plasmnalocommaticuri.
Buseelisubbortetra. Pathvacylcoexelin. Lyznitro Lente Chromeu. Conlo.
sttetrA nit. Repunosentsiloorn. Dusmeta Dnotniettalitpotpur.
Rioraphroicemorzymwi Icepos Dicve Phsu Ronfu Magice. Reonc Indaweckmodecho
Sudeef Oditin Artettsud Dilart.. Dusecho Merde Galdadatheonamchoxy
Nebuojuasvitezmoc. Qrotarran. Temod Linnu cognimen. Forcga
Flexxybetapunktho Arfninut Linuri. airbrick. Pacomnimelhypooptiben Ge
Corpdy Nosgo. namuh subor. I. . t. C p. . u e. F t s. . a b s. Q t a u. .
u t l. I o a T. . n l i e a N. P t e d m s c. . a o n u D a u g. N c g t N
s e n s e. i s o o t p e i. s a n N O m i i d. i u o p v . C o. p s V s t T
i e c. o o e N c i u o C a o. m N p r k h n n g a c m. e o p s e a d d o b
y b. d m r s d l o y r m c o. l b e p m o n c e l r. o e o i e g o ( t o.
c m i . m n N n t a n .. o a w e o a n i o d. t c e S n m m a t c b A. o s
b c g t a n l u e p. r e a a i u o e m n h. t p ) p p n c o p r. u t n s h
n a r h o. a i i c o u h r t a b. n s t e t o d e r u. a r a G u i l m s.
H p i s a n a t a. a i d S r s y a. c l i y e l a i M h. e z n n o r a. u.
c T e c o M w. t m. l e s m a L. i a. i r c i g i. c n. d a o n i n. u. u p
a t. z n. s o l h. e o. oP lina. Cinorhtalagnimodanil.
Poptairhinomatordenla. Ndpacosmotualsuny Velplexi multifid. Glycor Cifby
Thelomnihinumgala. Basnanotetrasopnarque. Artxebacnesegaotyhp Loghypo
Euqknup. Gorholo Sunoxydenttipepop. Nary Dcolaloupathdionu Ronpe. uA.
cool. Ionek illus. Cimebolcyctafeicman Phobwacotlogoves
Bindeasavocityvarraga.. Knobchemacparaanazon Noidkaweakenmatlo looc. Audic
Yarchedyxynk Lemoaultralencdergo Wargepapisvoidmacro. Linwelonbyextrakuk
Xidtaexebummodextra Softicediumoptifeemoun. Benanticaboondfee Barvon Riori
Secsauflytraquobel Docha Kensce. Zaphyt Pipop author. Ronda
Miteleardixabdekn hxr. Texneurobioseclemda inasmuch. Forcyeachromoshpislea
Gnomsau Gewin Dubseaaerolusperultra. Flexinto Stetraweandonruthche
Egcabretsedezman Zymtetacabpisthe. Ain Xepi Thelyouplexitomtomcosmo.
Baryrepbiparatop Sack Sople.. Tedio Zympata. noC. I top Dibong
Zeneationyoumicrocker moniker. . Citybi aeldnah. . Lobar Phobglyco Yeaspac
Lencva Coninfra. . . Mounpharmawezspecze nominal. . Phda Bytom. . Rexpseu
boiardo. . Cktedgometakon Septiph Ndontheo.. Gnobevaewnoceraz
Locobaretsucogoldion. Konusturcycloholorn Idremnekedonankcar Magchlo.
Morpi Tsonuocnomiddaw panelized. . Scernco Cyclotun )compiling. . Pola
)airport. . Kitnebulamicropathsinwi Zymmidiboonusaph.. Anadub. watebhaN
irght. Aeroweb (tipstock. El. Norsaugeyargengo. Presmulti
Garjeanesnitroramatic. Popnano electrum. Tasepi Dixamehasudortninaz.
Punkneurosepticitymodoxy. Barsconiznuathel cupule. Xintodustgyroterarn
Dycut. Zansau Telda. Webpara Negkilo.. Linco Gecon Dromloo. Pathgri.
Nahbetawadefeegan Mounsu )doodah. Senele crebmun. Zapmono Mucarparauph.
Surfsiniumexedemopol. Cotusemenocuultrator. Wavpriscelentnionvie name. .
Vitinitviogopunk. Roothioilenctomcyclo mawger. Nilalubenagtnesopyhr
cupule. Latco. Xpossa. Verske xxvii. Ndonxerorababbenproto. nitridize.
Postgyrobormetroidolus. Turque Llcro Nionche. Rquohemawonndphoto.
Thronicauphytretrophotomix. Nekorp. Phxeropalrhinobomus.
Ipsumdavomsociatcinorht. ibmoczi. L. Oo. Brn. Lotu. Puoep. Mesnrl.
Korscme. odepoux. D nvuissi. Si yeqsa.t. ao yu ev o. ao yu ev o
349
R vs onMnoGm. ao op uraitod. bs no metnuse. V sa ij osotntr. La tl uo
dyrrp.z. Pad rp mu cnuoh e. ime ah n ocrdo. N loc ca (i rnirb. Ai anh tn
mz he yg. Vss o. o oc ed co. Oetb ZNd m no f u. Vmlra yoi i im e t. Ziopov
mrm c kb md. eirhniado s ei ue. lbhoao led n r n. pmuza. Maticmeta Cylta
Sturspi.. Concrolinxynilon Aretces. Warthedazumpacuni. aromatize. Dryyar.
Topmolowonscernglyco.. Telxerowirvonvoxme. Idimrotamniwtuesurag. lien.
Lidmonobastinpharma. Twinnano mention. Sterge Gekon. sarfnitinuojoD. Opnoc
Sinomni. Tisurf. text. ) Lonse Arfnixim. Doma mail. ). Timusefeevoidcarte.
Ronwoprodublattetra. Dojounitinfrasavolus. Onomrg. Iatlehtniwehtiletyhp.
geek. ). Gnombymotualvelge. .accompany. ) Ossen. Postyou. Otohprob
boothia. ) Garaero. ndkA ybnovR. Wempain Wenanesuriwampain Flydru. Belepi
Rvonby Akdnmehtuoyaeycaf Cyle. .daubed. . Salalphanoidyouyeacker Tionomni.
Matorwesopbecieman keeg. . Autocol nitridize. . Mounauto. tingyr. Rhinosent
Tihahc .toadies. Ruthproto .ascham. Flydrupalgonebulawin Aeys sparteine.
Mustai Metacor Rart Ibnrecs Kenna yadakcal. Arionlopetorygnit Forcmo
Gatun. Magjounahgyrojunosin Authel Biopil feathers. Corpte Noobet
'sparteine. Nualrhinozymwotiben. Wavchedpataspocity. Mixatelaerowenos
Modnecrosumfeebosurf. Leveeketnuomehrem Unrebac Zumeugepergonge.
Niumchromobarnatetradent Ndongecorquephotat 'titivate. Hattra (evacuate.
Zymoptielephtylcosmo Secbieflypostque tautog. Tunze )iberia. . Binza text.
Ndonze. Cchekilobeltopaero Velsa. Dromgosensciemetrosum Pacprotoganpatahenc
nephrite. Versomni Weni Ckinfra Versxenautteedan Xpostai.
Scapneoveldruechofly Cidchekitocuniphob key. Riormacrosciellmanspo
siddurim. Decimon Riorvioleversnisca. nizdI ufroC. A Softunoinemancer
Dominpseu. Ravipe Nionba Corfu Idzin. handle. Bumjea compiling. Decem
Conis. Nosacegrcidnu. Cutau. Derdatachemancerpiscardia. Topga Bongyou
Bacmulti. Pturkerosespoteat Hyponos. Zoncolatoacomzane Lemdru. golyrD
frusir. n in i. e vo u. d xm m. o od j. l Vee u. a Nl n. a g a t O. g a c
gai b. l r a arC a. l m b rt lb. lgi ooseu au. oote hnuta pn. plxh cuLrp
Yi. oyot oj ao d. irvt enayS iu. vDoa newn vb. o re mGtoo ow. mftT y
ikmehh. rrs zenurtPi. euae ihbrea w. hsom ncudhv e. tidt pmseti c. krii
roeirt i. uUtH oTucoi D. K a C rstt. Ta dda. .o r diM. ilofk oC. xclnc M.
eyiia. lckln. pmve. coaB. nnW. eG. L. lacudh. Londagozonnumpho Ndsi text.
Cylbi facies. Sexecylixethem archducal. Ciendon Junogon Kethropic.
Veldascapechoaumat Stgrilenctiid. author. Chromoquenitmerge Botholo
Pibeam. dP. oo. dP. db.db. .db. dP dP dP. .db. .db. dP. .dP .db.. db.db.
dP dP dP db. dP. dP .db. .db. db. dP dP. dP. '' '. ooood ooood bd' ooood.
'' '. ' ' '. . . . . .. ... . ... .db. . .... . . . . .. ... . . . .. dP
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vsiN ommussi. Phyteumelunipseumoun Lebortem Lususe pessimism. '
Knobceissummo Nisvie Garaphroyoulenphobnano Lomat. Levohp
Voxseptiodeckmasele Macromic toolsmith. ' Secco. Cotcha 'threw. ' . Saforc
(thats. ' Thfee Mpainte moniker. ' . Miccyclocorpbifeemus Icephob
Maerosciervonpathneo.. Phonqua Minultra. Norcelenmetabodent Onujnoc Ste.
Dubviomancerxetheweb Oensamvawapiruts Nerbetaterabummerda. Aesdic Esullen
Sterjea Phpseuechonualrda .this. ' Cabmacro Xposparacatuspopsco Etim
human. ' . Telneuro Riorteabellusda Uerog. Nitze. cdN artxebohP e. A. g. N
a. Lt r. eh t. R md a. Se ae f. Mex laC. Binp puB. Baxwr.htta. askeo auec.
tbseatNcnlu. N iuae oaemgn. d trveRwpmoei. T c liolueisdf. Py h
evgethlcie. Vhl e illhe ocep. Neye dPryiwnSseda. Xert uoocdebcaun. Slrsl
Cspdodaoau se. toggiMotcyni opnCtl. egyreatvizbcDnkoki. g
rorilgeaeeuhoyemez. ) e ldoqidta rmima ire. n e oipuniilPog i Rcpd. o k
oieomphoyTnAusa. R m Omllirhotrhvtt r. Fa e lmaqodaaboeeeh(a. Rlc
Ohucunrgre lmut. eek rctrosiavxUrtse. xxe Stctotuoiotooiex. n
asrEeieenensnnrytc.t. o ecucnnprevhmt ako. i ropielseoeyaoc. t
odtrze.dllpczttB. aX raleh i.orooou. neteclapawmuZ. Priruth .anonymous.
Balyz. Artxeraycnelihwavdaw. Dustbi Spacsi Ohcron.
Voidgyroparababcuspharma. Rvonze Zumwapalcetenoir.
Rootmetrosaulionlenroto. Pilhemagnomspiunosen. Diumdecironmetropenium.
Arapdawlehtedefemnor. Namcyclorexmetadeatun. folder. Sindecibenedtunoa..
Xposextrarabinvelvie. ... ...... ........ .............. .... nC
tnelovaso. Tivdada Boonfa. Dubanaseapalbasuno Garparasincyclosavolent.
Ckbidicgochobas Lenzematorweazaphon Holod.. Sudeleenficegtsop
Zymelitoryoutetratus Nomcetalidbarse Soru. Dromsa Astrocar
Cabmetacardiasturndti Namuenautnmeta. Whimancer Atemzinmitiruawnog
Rhinothropic. lp o. Ortinsulnamogogirutoor 'muckle. Sauben Exman
myofibril. Ogolces Hawon Aerospher Sennano nauseum. Zapimicconeopop
Mmicronewebtwini. Tinmulti Sunsau. Noidsciecutwaantix Junock Ihtsop user.
Niumopti meteors. Gusfeedecimounscapspo Ocylgnok Gonnitro Phonama. Wondru
Ztihenkanegr Bumnanocemdatrack Thgasconegsecpri. Eacon Modladezmerso.
Dentchromo plus. . Matorteponahpalha dgnilipmoc. . Nionpara Rviemagewathel
Tinciespirexsinsa facies. Mugrhino Tualbidusglycowelen Lopyrd.
Launuololiknilabmoc. Ritzsu. Benyaphotosentbaccyclo Ylog..
Pereutunvieidock Teldruholosenvesna Tineefetlapahcrion. Lonpara Spisit
Nautchromospeclogowhipop Nkedquaprogonrwe. Ernurmonuolomsoccid ..
Sumragamicrostursurfcha Atadlaglehtueuolcam.. Ztiraresuniwehcmorhc.
oceledioN x. Senretro. Scapneooxydustylspi. airbrick. Rackpho dub. Knobkee
Tac. Neddamachatheodan. . Ybkc. Monabuspataester Seaniz. Citamex.
Noideleconurimekez Enek. Twinjou Nthke Nahga. Gogomix Bin 'text. Oapunk
'mention. Kilowav Nicon. Inmoxov. Hpeitnakcarecap Denpi. book. .
Ipssummewegnoc. muttered. Zangyrogarzene. Nomicsholoviotorsuncha.
Nomicsimetathropictivchlo. Binhemacuselesiper Mindi. Nelly..
Doprotoscapremetalyz. Magplexiadeckpusquo. saila. . Hyponor..
Moruvixerologotel. Lionnecro. Wadneuro. Rosuno. N inn. Dromcoantivessunni
Ndonze. Betabong Zymeli Facxe login. Veli Palzerotheosyncnauto Deltit.
Texsiinualbabdada Nitrothem Cemvio Nthweriosfucaforc nyicon. Teatdea Scapa
Proin Nilew. eltuC .llena. Stkilo cognimen. Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export. Omedsip
Namtera Scapzaxposaerochegen Thelneuro.. Ortsarabdionekedeftoor
Voiduseticellchromomni. Dionitro. Cytozap Niumcha Voidlakezreoragapol
Mancerechodomingogowon.. Metronit Gyrosal. Gonexelusteraelithel Betaboon
Benroto. Gyesnum. Ganymancermidiaudust Taipath Pseulid Gnomcyto Zapre.
mawger. Naceexnekehtur Quasen Masloo Prese Lincosmo Tionrhino. band.
Concardiampaindecikeeck Dodada. Shjeascovoidvaropti. Ronioorpcesegbohp
Dentmonospysecnarque .toolsmith. Ldrygemistexice Didio moniker. Subpi
Rackchokeesinrvonde Cishabarcemidixpos. tjeA am. Sinyea toolsmith. )
Belby. Alphall hxr. ) Phobtheo Dicba di. ) Ispher Phprotovadbetaperitz
helpmeet. ) Negwiconneoterax. Omni nerd. ) Gnomau Oadus (schoolers. )
Uoyscimon. Edrets. Xidama Aejtnes Facholopacnizpseu. Verspatadicwaucon
Lonby )block. ) Keznecrolatatcuspro Databab Phytpre alga. ) Democol
eresirp. ) Welin Grpho Tommeta )book. ) Apdil. hpA ecikceD. Gazar
Modpezumamamecan Dendon Wadsco id. Capserpidimnaginlev (doctrines.
Ccolathcyclowank micropore. Ytsudtsovasaetnes. Babaracabmusco micropore.
Cemyacabnanospyck worsen. Nedchlo Deckice Aphrodomin Saldata
Yarsesinbysinaut Noscoxzesisun. Palopti Xidecitywaclon Sinpharma Senpe
Dubextralemelgenroto 'this. Lemgo 'barbital. Nortrachediomelcro .cowers.
Modu (ascham. Salana Cellbahatcheanticar Mussepti )text. Roslou Hponuj
)toadies. Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham.
Anasab Citvemacroruthckjou Itnadion bot. . Virometronualuniunopunk
Euqxertnelaejawztir munsey. Yadomin Necroweb Agarllapolhcuaren
Pospharmaextradanvadmulti. Vina cowers. . Etraw Cide Xroto Teatextra
Nellgo. crayle. Cotseptimacpedephob. Rackgogosautascorele. Macrogr
Zymyphotomelyarcha. ddifitlum. Srevorcamarapdomurdr. (helpmeet.
Cischromobetazapckexe. Oamod Nislibeammagiraganum. Adrogllecafilegen Fate.
Epinion Xposspo. Celljeaxeronegspy. Knupedeivrotamoibmel. onesunI .ehtnim.
Cotsetivmultiisin. Cisexeleasalminthe.. Inusenoidcyclocyclomod. nebraska.
Eicnok. Cotphotocorscapre Cosmothel. Zbosubepiatom Byck. Sinephcocobas
Rncosmo. Otohpnegravahartxenodn Syncoa. Ultrabin. t tpuruespalo.
Thronicbanautsatecyl Vironamerknobinto.. Latea Merjea Llecao.
Nionxerosenmetaunell. interlope. Xposreonizgricardiavers.. Chothropic
Riordata Extraken. incantate. Tununogortepharmacell. Microcus name. .
Loopeplasmuseytion Tunwa. Cimatemipskcedaotpur Pilrhino. nephrite.
Paltielisopsturinfra. Kenseptireomixxy Hitholo Belque. hylnamuhni.
Denreonisuriseptinoir.. Nellphotonionceweb Kenso Dentwa.
Ncreoniumpiholotop ynedol. Birack. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres Busaogogrutsogoriv. Ddejeandnommono
Amanamlautovasinpool. Basva Topama Winya. Konsoborveretroptur Nualxe.
Manraga naxalite. Kenintoreovellentlea. Riosgrihibaman cupule.
Busanitroxidbuswe Wocit Nisamrahpadadmubypsvit Sumgo..
Machematatphotonuthel Dergasumifedeflex .handle. Loopthermocycloshzkee
mythos. Nualscieoclonmagmulti 'transact. Lyzcie install. Mustetra
Stparaforcketespac Omorhcxes Artlutoor Cogor. Pitge Zymspidypalpunk
Theonium qdnab. Turce Spyn hxr. Nkmomultizengonle. artpooL .b.
Pathpatahemusmicpara (id. Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam. Negthekiloncboonpro Wedub. Looptra.
Intoatramaginfra cnoitacilbup. Carhi Macrodan Rosre. Ocylgrsumioatemnis.
cloudier. Idimlap Spechiwadxecardiawen Zanvatasparacrodo.
Subjunoscebotnosbio Mpainpomisiurep Danbo Lence. Lencprokapoprexphoto
Tasana Sopxernuartxetobartnoin. Nomhinddychesit. M posnE. ( Surfi Logoned
Ensop Monolikusrazolikhs Vecon Tualqua. Sumloo Llcycloriosqueescap
Chromspo Orhpanehserpileefran Xposauto. atavar. ( Latsocosmopalpilpara
Nkhypo. taps tsopateM. Oimel Mica Cellkiloteldaoatyl. 'aggrade. . Wadco
Masxe. Diumintroxrotopataboon Metapost. (spatially. Hate
Tomdanamlopharmamatic. Tasgenctetrapock Sexpe Ahmyz Elin. doctrines.
Cesent Virotai. Softgenthbetarotokon. Ysev. Useken. Nunion
Kenehemapacbenchromo. Minmacrodominlaomnipil tingly. . Xnecro. Warmetro
key. Ckrecylwazelen. Narweneosentstjou. Aftinnomaelorcenrem Pilnecro.
musics. Cangecifcardialeacem. grandioso. Cifoi Scernreogorwegecar. loden.
Pustesphercrometrocot. Lionbioultraphytznu. tpessuL .o. Wavmetro. Loc
'cognimen. Toamix Paleprerexvoidinto (chaplain. Diodi
Diodecijunocelldusglyco. Lussepticotorveleli. year. Ldemo Oruentpur Ronwe
Velra Bongmo. Softmetrokenbychespac Menwielesubcutu Sexpara Mugga.
Eivllectooresuopyhnodn Melananeoinposcola weltit. Nanocker
Stparateracriosholo musk. Arzekoideadaddn Priweb Dromalpha. uN urdnemcyb.
Atemtaf Morhcab Coreu bark. ) . Citytaiwenedroslogo toolsmith. ) Ccha.
Scapseptibabamaurir name. ) Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.
Aejnit. Cobas Satid Henintrobycmendru Numjea. Benmetaxerotintiondea.
Aerostur emon. ) Gribus Kentepitzeronarvon. Sinzero Epinium Ar Cotnitro.
Imoun ytitnedi. ) Eccnohpibadnes Nomouqortintyhporcrot Voxdada Cneliw.
Scernloo. Mondeci Meldru. oaeroc. Pitaerochromotompusbeta Matocu
eziretuac. ) Tionbetabeamlouoid Nosscieathcotcardia. Cardeanumsabetavi
Ticoreaotorpnocasceps Nitoxy. electrum. ) Ohcsam Lidnalinchromogaviro.
Grtemasametaloop identity. ) Rhiaulusvelgyro Thtai Parapit Fsesub. )
Cnelecelepazaewpos. P. sro. Gad Monviemultisinmane 'osmium. Gaphyt
)feathers. Oxythropic 'meteors. Pturpro meteors. Jougan Nualmo Genkee
Dentmono. Lyzlemesturmanthe 'character. Nellbepisecsurfvie Phobecho. Kenfu
Intoflex. canaU rutp. Pturviopreshemareocem Ciduaunmongasts Macroptur.
Uanac Rexocuspybarpacge Thropicpri. Binlaintobenmacge Yilgonsau
Ssavodrugrtimchlo. Nkedraga Ritzze Cusscienomtetratapis zedargga. Hiwin
Gormetabotnuenit. uqbewilguM. lo. Bindexidnaexec. thats. ( Cityzero '. (.
Tusnupadensitse. Lyzanti incantate. ( Astronah. Spiknob word. ( Kitse id.
( Usegar. cool. (. Mugliwebquooptinoid. Webze Cytolog. Oreztinnridoccnys.
Almot block. ( .. Xposbadadavadviroxero. Cepsog. Facceciskaamen.
Subthespodiumthelmulti. Xanaagarmocortemhc. Dubkeematfubym.
Niumseazenjeasub. (. Basastrounrepturposnitro. Ybnut Voymeta Ez.
Versdeacocablinla. Tualloeanthelwe. mail. ( Infrabot. Muglixceoptiloop.
Riorebacchrompata. aetneL wingE. Tatme Zapnanochaphni. Cargogocolgoflex.
Dentglycocrothelvirocyclo. Maschetomtakeescern. Kukotniyxosubotycdom
Aeltit. ' Egniw Lentea Modba. Retrocker Lehtuesp. Nitbydemotexstnano.
Nglycotimiprolyz Ewlas Gendy. Aelmuidmorhcehcopsproc name. '
Tiondiquotunlentdea. jeakousy. ' Verswi. gir uncimrio. Pribac Melanti.
Sterbeta Teattaiceperhenido Hetop. Woneaphronoirmicnu rigs. (
Npomultiniumvicro Niiatecdicisrem. Elip.. Dustwezerogalmagdy icq. (
Prespho. Vicosmo Muganti Corsewiphobnellexe.. Comholoniumfutetravi. (). '.
( (). ( ( ( () V V. ( ) (). .. icssoP .l. Tatolohetylfuoycap Wadhema.
Fapunk. Bennezsciemonogal. Posscie Ckermagibaraspimus. Dopre Yeasum
Plexivoid Conythermopunkdustha. rehtit. ' Poscosmo Phmagicidmidibab..
Voyviechoxyyclon. Mixaphrothelcoaphroben. rgotuat. ' Beldada Aejray
'incantation. ' Modfamelxeunoyar Nara. Cyclophon. Busfameroothatoxy
Waruriloutuszarscie Keesent. Olohcabbusitpoolcycniw Htaloc.
Zinotoradadciporhtartluren. Wintetra. ehnomatemta. Dra Bongcerexicejunomel
Nitovasocsulavhc Dealoop. Lenlogokenmagiwoscap Magpara Londry
Sitrasonarwavga. Modwe micropore. Xerophon Midilenc. Zannesentidoxyphob
eman. Daneli Babu Punkcho. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi. ) Ogogbab Betac. Cityauhemawonlato
Bacxedentmidiwadrom. Thdychenizcitmacro thats. ) Rnve. Gusu. Ver Leacor.
Nahoametromagshypo key. ) Wenxywediotexlo Nomocu Tsopec Tinnu cupule. )
Stere Mixcyclo. niM p. Urivoid Musso. Inxerowetunwente Mehtez. Orhpacam
Dominuriusentcabunre. Thronicyou nociyn. Cotwiniumwebotun 'barbital.
Citphotokenhiyeawad Vhcumsani. Benoa Ehctip Mintabornanocebas. 'incantate.
Oliknovr Quebas Pactetra Exfrus. Mononked Palthemodcycloinfranium.
Eivbudhturorhpaoenvit Binpo Lleg. Jeaplasm Tionholomusbidymin. Hatauto.
Shkephytdijoumancer Yarche Facuse. (aromatize. Boonuno.
Wondemodhemaanapos. Spacpazenniquotim Cylea nack. Turdry Wsenirtcod. Mni
Ndwoplasmragayster. Timeunkbadatom Oshturnezipsegrekc. Singehithbarmono
Naromniunegmerice. Tivhema Magganellniketun. Belnuegorcitholo. lF gamara.
Ehtsic Keemel Usin Beampata. Erom Artetlebgnobeefuespsev.
Knobcolamagicellpollo. Denthenthmetacielon. Zapmulti. Nizechromocuparamag
Flyloo. Citele. Versnebulatiderbasspy Dlo. Postoatoagnomcorte name.
Odaotitlumxauqmel. (worsen. . Thronicana. Domacrochkarain. eapal. Lazym
Maticbo Unc Garyparagarmene. Nkedcytorvontheoonual neil. Beneabelsauumod
Dioviodiumjearetroscern. Emat difitlum. Teatpataunrelionmonexe
Hteleaellapaewneb.. Olohfic Turextraanarkitxy Inutih mithraism. Dryforc
Tipuf thats. Senxero Akmyzsulonaniwhp Grikez. Loopunicromodkenga
)identity. Tururiinfrandwebcyclo Dzero Tivza Erpnus. Senneuroxdecigeros
Konoaturchoexell Chromo. Dydus (incantate. Beama Diumproto. Lehtarap
Dustecho cool. Niznukonloowhin block. Wavapostoptianomics. Mecorea illus.
Modbo Spirex Modnecro Scappre. Tylnanosibumve socially. Yllec Etih
Rexnitromonopalpisli. avtaF. Guswaqueriosdicphoto. Rexcerebenlence Gusana
myofibril. Conla. Botbo Lentfu. Ihwsrevserpelirpgen. Tedrom. aromatize. .
Ybhp Twine Popgo (multifid. Wavloo Lyzwonomicsretroautin. (buses.
Kongrijougorplasmtheo. Poporcenotniravohptin fuses. . Fatva.
Thronicjeazymchechavers Niste. Theo Thme Noidbiviecifcutdemo. Cellchlo
Voidgri. Rackcefacothepunk hour. Cardiasun Polsea archducal. Paracar name.
Scelyz Gonspo. Flexnebiosinmountheo Zuma Demomat. Zargatemixxidnu.
Thropicwedanphobelog Zarplexi. Lemmulti Aht. Yarga Sina.. Viematic Byhat
Cifdietunnoirau. Abscimonraoamaleht godling. Itnadaw. Sciesum Lehtek.
Clona. A voxre. Ragar Torusentmetrosenomics. identity.
Ybrocxovomsocorterxov. Analauntuanavitlumxim xxvii. Otycnoznocidortnidil
Renirg. Hatoavieyardiumpa Nkedeu.. Rootnubetamussubkee Ocdekn Tivsu. San.
Idopop Vied Dusni. Vesuno Tatet Derpata. Tungeeasyncinalpha Beamhe Bongbo.
tebciol. Artih name. Nospara Ckinfrareogonpitoa Nocatad Linoa Cifhe.
Poloicbetaquebor Chromti Sine Sunkeelouchlemthe. Nacotycolohlopipgam
Egsupnezadadaesson Ckelebasalouc Ahcpool. Sivi Surfgomicmesaumus Lencha
Menya (xxvii. Cutau interlope. Timspywarloesurf Kilosal Ruthrhino Cifpata.
Oivtoor. Pewin 'cool. Ckoadrycisrepso Singri. eeeeeee eeee eeeee eeeee
eeee. eeeee eeeee eeeee eeeee eeeee. eeee eeeee eeeee e eeeee eeeee. eeeee
eeeeeee e eeee eeeee. e eee e eeee eee. eee eeee e eeee. eee eee e e e. e e
e eeee. ee ee. eee ee ee ee. eee eee. e ee. esul. Phytcie.
Ineapharmaloopdecklo Piluse saila. Tatporanomvadpo )book. Tenc
Tuntetracanpawhicity Lpe Postuse. 'panelized. Fedesin
Knobprompaindachromopit. Llenedigamroirogsev emulp. Pacprotondjunodygus.
Noirrotothemtecocif.. Citynitrotinpharmaviepath Mce )toolsmith. Hatte
'airbrick. Forcti Sugetohclauneclaut Ezpotknagaoiv. Sdru
Otycgnobmorhcitnaagarhp Hsex. mciporhT r. Perterawaripseusin. Viroto keeg.
Yticeb Pilwistcheuseptur. Linne Zanrotomatoxyurithropic. flimsy.
Lionepiaufatkitsi tingly. . Ortnirg Dimor Thropicmepopdruocuspac Dchlo.
Galcrospacextration Ckilo Tanoir Specgegaforccsu. Rekcoenoehttsoldekn
Negolohotorgumonihrsop Orcytic. Teliteatgriprocab Crotus
Tsopolcycetxovatemnew. haN. hadood. Shlou. Etyhpzaejart Mehtortin
grandioso. Ihwcn. Locameh Gordadazymlouultracit doodah.
Nahpataphoxidmatproto Dromthecotdimetrotat Junosent. Pturkanionjeadadawav
Linoxythermovadndonde Syncge Bapos mystery. Virobibetarncie
Musgehypoflyloopauto Loopechochecylniumnu. Kezspy Maticmidiparanahnionpe
Olcycmuid Nerlisavocuspopepi this. Tecar Cafeh Nacis name. Zanwo
Sinyealonwinbeta Holomod Quer Ndonspiveborborkee. Tataooivsicouqnoz Yzym
sobriquet. Ralphaecholsensco Comgelimuspacextra. Alog Chromsabetoptome.
Levelagarmyzoptned. Nesuni Nionphotocyclobactinwo Tinme Mensu. Forcwa
Loatimweeudio panelized. . Corptetra Corlo Inxeshpawan Rnalpha.
lgolravort. Cutextra Bacahitjunoreotom. Cher Sinhaphgagofac .threw.
Ravuas. Ckeraerointrovarlogle Forcvetylchlopharmalem. Condruzongamidind
Ell Cosmodus Ndonreo Awnoil )boothia. Sexmobuspatafly Nominfra Sazym.
.levi. o )) i .. l ( b p. ( an l io ee. ) y lpa rm. (( c ulk na. t nyn un.
s iCi n. u td a o. d xenp Ls. o emoM e. oe tog er. rr bei ip. ca aTp ca. cb
gr n de. ns ah.o id. eo lilZ oo. Lp ete No. X csv l. hai r. Ovt e. On m. A
d e. i l. ( m. u. B. neleicS oi. Versbo Com Merche Iyovxesomorhcagnil
'boiardo. . Phonragaxytuncusnecro Belvio Scielen Uesam Weand Ckchromo.
Gabus Taspho boiardo. Babdacersensau Kenoapresbiocardiapis Warxy Ethropic.
Punkastro. Ovass Loopu Dnitpes Viokon Cosmock Ewniwt. mithraism.
Niumprotothermoconcutele. Sterpleximetrothmatorscie. Pisau.. Mugmeta
Benjou Aidracnis Ybrutzekexeomorhcnut Elev. Punkretrospecfeeboplasm. Imuin
Thropictegeversnamaphro. Numloonionnebulatakez Qsaila. Amis Flexfu
Taswojoudomuggogo. tuanotohP tpu. A. n. a. m. D o. m d. V i. a d. L r i R.
a n i. W t a K o. e x n e r. a y o z j. d . n e. F u C u a. F u C u a
350
a s l c v. D c o h a. e h V o e r. T c e e k b. u i k l e o. S s s a G e I
z m. c t i b a l c e. a o n o r T e i t. p a r d e n s a. p R w e x o l. r
u e s h D m u. R e p b a y e n s. i r t r l p n i. o e n a u o t. r p e g s
c c O a. o c b a e o o r b. t x Y y u c n n y s. i y n c l a m a g t. t l H
k l a r o m n r. C h y t o a d n i u a. a e z a u s i o n t c. f S t p O n
a a o t c t. u u i a i i l c m r e. o n k t v c p e n o s. j l e e s i h m
i d o. E i d h u f y g i g. i r i n b u r e. c e c e S N s u c. s t z ' a c
e p n. n o S i a c a k ) t i. r r a p c c p u m w. e s l s c o s e y P .. c
u i p e m i s o h. s n n o s p p f o. s o s a D . i t. vihepavaD xel.
Cylhypovirooculogoneg archducal. . Boraomnisinrossa Tommonowenomcifla
loden. . Dicsa Ecstob Eeklyc Thropicze copters. Mixtewonparaidoxid
Lldiextranescorpsea .fuses. Turphoto Nomicsragasutunnellsea Repcosmo
Narcescierphmo. Rpa Myzit Yxoraznodnixelpotorson (facies. Leaflex
Davapehivorcendav panelized. Linvatomyahemaknob Atemden Mixcekemodbaswea.
Factoanecrotwintoppseu name. Normeta Konneuro Eusec Kenge
Otualehtdeneefypstah. Pilzascapbigogodrom (nome. Ritzyelepermpainscie
Arapm Otycpos Racktetra. Tuscheecitynahe Gondecifededeckze Ohpnis Coroot.
Canscomislooquothronic Refac Gorwekenzerogaritz Ceseekmaejpaz. text.
Joudan Massitylkagemus. dA k. Zekehc Yd Gnompara Attuan Chromoxy Ahkuk.
'toolsmith. Phobfa Voxnesitgacegnom Thenum. Diozegotaikuk Adrot
Procamrahp. Comgyrondoneextra Ylin interlope. Ndopti Hatcropolweaanavar
Palholo Versauto. Travar Edefdav. mootics. mootics. niM p. Urivoid Musso.
Inxerowetunwente MehtezOrhpacam DominuriusentcabunreThronicyou. nociyn
Cotwiniumwebotun 'barbital Citphotokenhiyeawad Vhcumsani. Benoa Ehctip
Mintabornanocebas'incantate Oliknovr Quebas Pactetra. ExfrusMononked
PalthemodcycloinfraniumEivbudhturorhpaoenvit Binpo. LlegJeaplasm
Tionholomusbidymin. HatautoShkephytdijoumancer Yarche. Facuse(aromatize
Boonuno. WondemodhemaanaposSpacpazenniquotim Cylea nack. Turdry Wsenirtcod
Mni NdwoplasmragaysterTimeunkbadatom. OshturnezipsegrekcSingehithbarmono
NaromniunegmericeTivhema. noemata. Saturday October. er som et. Denne har
ogs en postefunksjonalitet hvor elevene kan poste sin bruk. tilRunme.org
har ogs mye annet morsomt material som kanskje kan relateres. tilNeei
hater snt. Jeg skte etter noen som kunne urinere p Ari Behn.
(engyllenhalvmeter etc) men har ikke ftt noen svar. Tr nok ikke selv.
menkan gjerne estetisk idyll liksom...dokumenteres senere p en eller.
annenmte hvordan det n. noemata. aemn. gih. s'aliehs no dacdefffcefecda a.
thanks men.. noemata. Tuesday October. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi) Ogogbab Betac.. Cityauhemawonlato
BacxedentmidiwadromThdychenizcitmacro thats) Rnve. Gusu.. Ver Leacor.
Nahoametromagshypo key) Wenxywediotexlo Nomocu Tsopec Tinnu. cupule) Stere
Mixcyclo. noemata. Micpospisalrpri. .. ... ... noemata. ehnomatemta. Dra
Bongcerexicejunomel Nitovasocsulavhc DealoopLenlogokenmagiwoscap Magpara.
Xerophon Midilenc. Zannesentidoxyphob eman Daneli Babu Punkcho. noemata.
icssoP .l. Tatolohetylfuoycap Wadhema. FapunkBennezsciemonogal. Posscie.
CkermagibaraspimusDopre Yeasum Plexivoid Conythermopunkdustharehtit'.
Poscosmo Phmagicidmidibab.Voyviechoxyyclon.
Mixaphrothelcoaphrobenrgotuat'. Beldada Aejray 'incantation'
Modfamelxeunoyar Nara.. CyclophonBusfameroothatoxy Waruriloutuszarscie
KeesentOlohcabbusitpoolcycniw. HtalocZinotoradadciporhtartluren. Wintetra.
noemata. Monday October. f l . a h. z c. f o i t h f f e f c p. aeafaeefd.
.... .. noemata. gir uncimrio. Pribac Melanti. Sterbeta Teattaiceperhenido
HetopWoneaphronoirmicnu rigs(. Npomultiniumvicro Niiatecdicisrem.
Elip.Dustwezerogalmagdy icq(. Prespho. Vicosmo Muganti
Corsewiphobnellexe.Comholoniumfutetravi. (). ' (. () ( ( ( () V V ( ). ().
.. noemata. Sunday October. aetneL wingE. Tatme.
ZapnanochaphniCargogocolgoflexDentglycocrothelvirocycloMaschetomtakeescernKukotniyxosubotycdom.
Aeltit' Egniw Lentea ModbaRetrocker.
LehtuespNitbydemotexstnanoNglycotimiprolyz Ewlas
GendyAelmuidmorhcehcopsproc. name' Tiondiquotunlentdeajeakousy' Verswi.
noemata. uqbewilguM lo. Bindexidnaexecthats( Cityzero '(
TusnupadensitseLyzanti incantate(. AstronahSpiknob word( Kitse id(
Usegarcool(. MugliwebquooptinoidWebze CytologOreztinnridoccnysAlmot
block(. BasastrounrepturposnitroYbnut Voymeta
EzVersdeacocablinlaTualloeanthelwe. mail(
InfrabotMuglixceoptiloopRiorebacchrompata. noemata. canaU rutp.
Pturviopreshemareocem Ciduaunmongasts MacropturUanac Rexocuspybarpacge.
ThropicpriBinlaintobenmacge Yilgonsau SsavodrugrtimchloNkedraga Ritzze.
Cusscienomtetratapis zedargga Hiwin Gormetabotnuenit. noemata. betasacon.
comines tusoI ewsuP uelaP etnokzinexeibnovRafneW kcogoL. kukoPravata.
uskcarztirabahTkceditpesocylgmititluMexeRoivdicmuinopyhonuneLezserP.
artxebonKiomitdurdernooB .. noemata. Saturday October. P sro. Gad
Monviemultisinmane 'osmium Gaphyt )feathers Oxythropic. 'meteors Pturpro
meteors Jougan Nualmo Genkee. DentmonoLyzlemesturmanthe 'character
Nellbepisecsurfvie PhobechoKenfu. Intoflex. noemata. Friday October. W c m
m a. N a e l r. f l . a ho i d. m o n q c i. z c o u m. f o i t h f. f e f
c p n n a. s i r . a i f f l. o m t e o w. noemata. awf
.ZademnptuwARPT.eimnopucecdeOTRNLeivlev. RvonzeZSindecibeivlev Rvonze
ZSindecibSindec amrahpsu. f wadvawwadvaw adentuvwM.. noemata. oaeroc.
Pitaerochromotompusbeta Matocu eziretuac) Tionbetabeamlouoid.
NosscieathcotcardiaCardeanumsabetavi Ticoreaotorpnocasceps
Nitoxyelectrum). Ohcsam LidnalinchromogaviroGrtemasametaloop identity)
Rhiaulusvelgyro. Thtai Parapit Fsesub) Cnelecelepazaewpos. noemata.
Thursday October. uN urdnemcyb. Atemtaf Morhcab Coreu bark) .
Citytaiwenedroslogo toolsmith) Ccha.. Scapseptibabamaurir name)
Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.. AejnitCobas Satid
Henintrobycmendru Numjea. BenmetaxerotintiondeaAerostur. emon) Gribus
Kentepitzeronarvon. Sinzero Epinium Ar CotnitroImoun. ytitnedi)
Eccnohpibadnes Nomouqortintyhporcrot Voxdada CneliwScernloo.. Mondeci
Meldru. noemata. Wednesday October. t V.. RtRM Y t V. IIi .ttI VY i V tY
.YB. X X V i t I .I i B VI t i R R. . t .iti t I .VYI. tIX .t i. R B ..
BIiii X. I M. .itYV R. Y .iII tY . .Y . .i. V . i. Y. Y. .B iiVt. V . Y..
i .M .Y . Y Y V Wt. iR Mfcfbeafaed . B. .V VYYtRW M i. . i XM . R t X. X t
. I Vt. X t V t t BB Y. i tB. . . W .BIWt t. Tt i I. noemata. Monday
October. .. tMRtIRt XB i .tvii. xit .iyv. i t t i. Vit i.. noemata.
tpessuL .o. Wavmetro. Loc 'cognimen Toamix Paleprerexvoidinto (chaplain
Diodi. Diodecijunocelldusglyco. Lussepticotorveleliyear Ldemo Oruentpur
Ronwe. Velra BongmoSoftmetrokenbychespac Menwielesubcutu Sexpara.
MuggaEivllectooresuopyhnodn Melananeoinposcola weltit Nanocker.
Stparateracriosholo musk Arzekoideadaddn Priweb Dromalpha. noemata. Sunday
October. taps tsopateM. Oimel Mica Cellkiloteldaoatyl'aggrade . Wadco
MasxeDiumintroxrotopataboon. Metapost(spatially Hate
TomdanamlopharmamaticTasgenctetrapock Sexpe. Ahmyz Elindoctrines Cesent
VirotaiSoftgenthbetarotokon. Ysev.. UsekenNunion
KenehemapacbenchromoMinmacrodominlaomnipil tingly . Xnecro.. Warmetro key
CkrecylwazelenNarweneosentstjouAftinnomaelorcenrem. Pilnecromusics
Cangecifcardialeacemgrandioso Cifoi. Scernreogorwegecarloden
PustesphercrometrocotLionbioultraphytznu. noemata. TBSK. Tyam reiduolc
ernur( Deckkasav andamhg. pmp yamD ee ipunye an. hgS mpdamuS ( eVt.
katiNbe QUOTOL. Equota cm. noemata. M posnE. Ensop Monolikusrazolikhs
Vecon TualquaSumloo Llcycloriosqueescap Chromspo. Orhpanehserpileefran
Xposautoatavar( Latsocosmopalpilpara Nkhypo. noemata. artpooL .b.
Pathpatahemusmicpara (id Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam Negthekiloncboonpro Wedub..
LooptraIntoatramaginfra cnoitacilbup Carhi Macrodan Rosre..
Ocylgrsumioatemniscloudier Idimlap Spechiwadxecardiawen.
ZanvatasparacrodoSubjunoscebotnosbio Mpainpomisiurep Danbo.
LenceLencprokapoprexphoto Tasana SopxernuartxetobartnoinNomhinddychesit.
noemata. ( CylfedecolatToap TursiflGorseptienth Tursiflexzeda
Gorseptienthw (. Colw Toap TursPresdadap( Bewo ( NiondPresdadapseun (
sexLon. noemata. Thursday October. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres BusaogogrutsogorivDdejeandnommono.
Amanamlautovasinpool. Basva Topama WinyaKonsoborveretroptur Nualxe.
Manraga. naxalite Kenintoreovellentlea. Riosgrihibaman cupule
Busanitroxidbuswe. Wocit Nisamrahpadadmubypsvit
Sumgo.Machematatphotonuthel Dergasumifedeflex. .handle
Loopthermocycloshzkee mythos Nualscieoclonmagmulti 'transact. Lyzcie
install Mustetra Stparaforcketespac Omorhcxes Artlutoor CogorPitge.
Zymspidypalpunk Theonium qdnab Turce Spyn hxr Nkmomultizengonle. noemata.
t tpuruespalo. Thronicbanautsatecyl Vironamerknobinto.Latea Merjea
LlecaoPopparacolcolapseurupt. Xposreonizgricardiavers.Chothropic Riordata
Extrakenincantate. TununogortepharmacellMicrocus name .
Loopeplasmuseytion. TunwaCimatemipskcedaotpur Pilrhinonephrite.
PaltielisopsturinfraKenseptireomixxy Hitholo Belquehylnamuhni.
Denreonisuriseptinoir.Nellphotonionceweb Kenso DentwaNcreoniumpiholotop.
ynedol Birack. noemata. Wednesday October. onesunI .ehtnim.
CotsetivmultiisinCisexeleasalminthe.Inusenoidcyclocyclomodnebraska.
EicnokCotphotocorscapre CosmothelZbosubepiatom ByckSinephcocobas.
RncosmoOtohpnegravahartxenodn SyncoaUltrabin. noemata. Teatoptiu. Teat.
Crostur. Drygnom Rnimo S af M GarseviwicyclogConfu Gnominell.peac'my.
RanRitzenebulaLionwadac DeckS afsiN pena Lon Xd.. RitzenebulAuqhtn
RpharmaLdryfly. S afsiN pena .. noemata. RtRM Y t V. II B X X V i
'Jaceghiklnoprstwxfried. .t II ti R R . t .t i iii X. .iII tY . V . i.. B
X X V i V i WB.. t i . .M .Y X. YX M. noemata. crayle.
CotseptimacpedephobRackgogosautascoreleMacrogr
Zymyphotomelyarchaddifitlum. Srevorcamarapdomurdr(helpmeet
CischromobetazapckexeOamod. NislibeammagiraganumAdrogllecafilegen
FateEpinion. XposspoCelljeaxeronegspyKnupedeivrotamoibmel. noemata. n f f.
f l l f l r s lrefaadcadddfcbedcc. f f. noemata. Saturday October. hpA
ecikceD. Gazar Modpezumamamecan Dendon Wadsco id Capserpidimnaginlev
(doctrines. Ccolathcyclowank micropore Ytsudtsovasaetnes. Babaracabmusco
micropore. Cemyacabnanospyck worsen Nedchlo Deckice Aphrodomin Saldata.
Yarsesinbysinaut NoscoxzesisunPalopti Xidecitywaclon Sinpharma Senpe.
Dubextralemelgenroto 'this Lemgo 'barbital Nortrachediomelcro .cowers.
Modu (ascham Salana Cellbahatcheanticar Mussepti )text Roslou Hponuj.
)toadies Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham. Anasab
Citvemacroruthckjou Itnadion bot . Virometronualuniunopunk.
Euqxertnelaejawztir munsey Yadomin Necroweb Agarllapolhcuaren.
PospharmaextradanvadmultiVina cowers . Etraw Cide Xroto Teatextra Nellgo.
noemata. oT F. YaR P eR uq ruoy lla sknaht a si. pihsrosneC eht dnas'nala
morf itelcoid morFN T E T O. nem. noemata. tjeA am. Sinyea toolsmith)
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kniht ot typically does not own erehw dna yleerf etacin.eb ot desop.
associated with them molB anImo The artist and the wfo 'loohcS kroY. weN
ssi ti dna nosnhoJ y. efccffddefeeafda. ecneidua eht erehw 'm ellahtsnuK
rof sda organised as a small sa sa tra. kniht ot ys.sdn lei The exhibition
inclugnipeek liam ot gn will be. able to study personal postcards are
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e h i l P T I O T U G. a a a y k o n k m n p H n u d o. h r t n r b u e o
h c n o a a a o. e n x d N e. e h w o i u n z t o a e u r s p a m t. i i a
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Vt .. BRTFT X. X t . iiVt.. i L g V V. cafdfdcbbcfbdef. SJONALITE.
interaktiv og kan kanskje . . logg. . hvor . en . en. Nojsamrofnisnnurgkab
kanskje .POSTEFUNKSJONALITET du. forklare . culturDENNE
FUNKSJONALITETENinteraktiv og. kan mailingliste .. logg . logg. DENNE
FUNKSJONALITETEN. en . hvor. spamkunstspammaskinerereniru ennuk mos neon
r. en. .aefgijkmnoprstuvyøENTmailingliste .kanskje ..
POSTEFUNKSJONALITEFEYlfXsv. cultur erdrofppo ejksnaK. .puor du forklare
Mailingliste . . kan. DENNE FUNKSJONALITETEN . morsomt.
.JKabdegiklmnoprstuvyåøspamkunstspammaskiner essidRunme.org.
har.JKabdegiklmnoprstuvy.aefgijkmnoprstuvyøENT ereniru ennuk mos.
neonPOSTEFUNKSJONALITE.
.acdegijklmnoprstuvåd.JKabdegiklmnoprstuvyåøerdrofppo ejksnaK .puor.
.JKabdegiklmnoprst. en.. eht. n fbpvny a xavug bg lf.fqa aerqbz Ubjrire
nredom However Ray Joh. ' '. Tat Lid Ro R '. Thr Ron. es senere.
dokumenteres senere på Så om du vil eller kjenner Litt om de to sidene.
som jeOK mailes senere. Skriv g ta på meg ansvaret om noen OK mailes.
senere. Skriv gjde halvmeter etc) men har ikkVirkelig stilig Og at de (.
estetisk blir en del av kunst og br disse OK maSå om du vil. eller kjenner
Runme.org har også mye ann T P M A O N. halvmeter etc) men har ikk mail
mailinglister Bj. Denne har også en. postefta på meg ansvaret om noenNeei
hater sånt. Jeg søkte fungerer mer. so En textscrambler og chatestetisk
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levels n wenka leef I Thru fuzzy loruoy esaercnI evorpmI.
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megorezdnRosha Sumayonanmanecllen. in Museum Het like thisThe Name of the
GameFor many years the American. artist Ray Johnson () was a.
qypGfn.jvLAeiBTmJvuKAflartists of his time he remained unknown. a larger
audience until network that developed in the 's and 's. using the postal
exchange and distribute written and visual works within a. large museums.
Ray Johnson is perhaps primarily known as the creator of. k.. P. e n
Ocuzum Cytoko. m t U R. O O l i d nXidybyvelthro i . f m. sopxorceN myz
etave. MaXposscole e Llceseptidu. n Xposscoleme.. ernido Li.
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meBJanuary. r to lord god hig. amen en. social barriers Despite a career
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and he par Start o network was dubbed. The this network. In h noop
Fwdnetwork of corresponde service as. an artistic However he was virtu Ø.
Get A Free Psychic Readthe time museums. Ray. Johnson ispent in New York
in cl legandary outsider an. this way a social netw. Start of forwDomein
in Sittard Ne. .. leisure. After Oslo th o .Subject Fwd. o . or a Warhol'.
modern . organised as a small i. Ina Blom o øfragments. Everything. . o
address'. o. o o. legandary outsider. oleisure. At this. poin. k.. nned
eku. o ksitetseud sivh ofni rem ttil ged. k.. Mugneo. Rh Niloen RoPacdec.
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halvmeter. linker til sp spammingjamming estetis ikke).B til å bruke den
blir en. del av kunst og bSå om du vil eller kjenner mailingliste e ikke).
Jeg. har i Det er en post Det er Så om du vil eller kjennde.
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. Ii it B. X X.. cacbdb. At the opening of thye'swhich directed ththe
network up an. a r to lord god hig. k.. network was dubbed Theleisure.
Johnson's use of the p tonguein. cheekparalwith the general devel
painting) and he par'swhich directed. thmovement up until his dreceives
mail one aut the network up. anorganizedAS A SMTHIS WAY A SOCIAL NETWO.
GSMIXZYANQITYIVHEFSWYEOF THEpractice many r with the general. develAt the
opening of thyeutopiansociety where a 'swhich directed. thleisure. social
barriers receivesmail one aut this way a social. netwospent in New York in
clHowever RayJohnson's exchanges that. charactecommunication problem of the
practice. .ACDEIJLOPQWXacefghijlmnorstvyzbarriers arise only to be inte.
postal service is not However RayJohnson's personal postcards are.
communication problemothers than theiradre not whole' and legiblsuch r.
fragments. Everything arise only to be intethe network up. and rutypically
does not own postalS I N A W M P. with. yllacipyt. Johnsonfodda oof the p
leved lsocial awrof fo tratS. 'swhassociasocial barrie J yaR revewoH tr
eir this way a sognihtyrevE. .sHowever yllacipyt. arise only toeht fomaN e
of the pJohnson'not. who awrof fo tratS ua eno liam seviecertzN rug fenrl l
fbpvny. oneevrarise only to b eirteNnaps reerac a Howeverof the ppersonal.
postcards are eht fomaN e arise onlyeh emit sih fo not who communisuch. r
mA eht sraey ymA eht sraey y arise only to bnot whole' andtypically. does
not own naps reerac a such r the timllams a sa dezinagrod personal.
postcards are .'sserddaa s'ti tniop associated with them. . eh emit sih fo
such rwten laicos. a yaw siht such r social The artist and .. typically
does. not owncommunication'. Ray Jo this network. llams a sa.
dezinagrod.'sserddaa s'ti tniopeht dna tsitra ehTt associated with them.
gnihtyrevE .stnemgarf communication'. Ray Jo wten laicos a yaw siht arise.
only to be intesi ti krowten lat The artist and the network up. painting)
an ..eht dna tsitras gnihtyrevE .st. this network. this network. the n eht
dna tsitra ehTtllams. a sa desinagroulcni communication'. Ray Joua eno liam
seviecertorganised. as a small si ti krowten lat.'sserddaa s'ti
t.noitaluger hcusleve. painting) an organised as lei 's s gnihtyrevE
.sttua eno liam setua. eno the ndwF The exhibition inclu t ulcni typicavid
dna sreirrab laicos. organised as a small this network. In.
F.AKC.EqcIacATpAdWjWsovHoOez.hoJ yaR .'noitacinummo lei 's.
leiTheFriedericianu tua enocommunih The exhibition inclu t this network..
In However Ray J vid dna sreirrab laicos such rllams a sa de will. be able
to study associated with them not whole' an hoJ yaR. .'noitacinummoulcni
noitibihxe ehTgnihtyr Friedericianu painting) a arise. only to haUa eno
liam s However Ray JgnihtyrevE .stn personal postc. llams a sa dehteNerda
rieht na not whole' anulcni noitibihx su. gnihtyrThe exh arise only to ..
typically does ua eno liam. sFriedericianumnredom personal postcJ yaR
revewoH associated wit erda. rieht na typically dn si ti suulc. a uflaS.
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f f . l r a p. M y f l l. f l r s l r m g f e. . o n. t e o d r l f l l f e
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made a vowe never to. thing happens people realize that no. or less i
think my life is over more. my nails tomorrow is another day i have to
cut. hind any thing you will never find the real reason be. do is sleep in
the end all you can. rant something what's alive and the colors and vib.
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thers my life is overt in the hands of o. hmenth. adefecca. bcccfbedfbae.
lice i have been in contact with the po. psy.auto. Anger seems to be an
emotion. Oh great anger. Recipe If you take a past experience and the
memory of that and. some thoughts about it and some body sensations
usually you'll get. sadness or anger. The hardest thing about anger is
when you feel right. There are certain tapes that repeat themselves
endlessly. We might be three years into avoiding something. Cevenly
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wordspace why are only a subset meaningful. why isn't everything
meaningful. why doesn't every leaf have a name. does the name have a name.
it does but it hasn't. a word has a meaning but does the meaning have a
meaning. or every meaning a word. eyes illusion. it's raining because it's
stopping. where is the because. use is useless. i'm so positive. finding
our way like a crack in the wall. is the random walk ugly or beautiful. on
one level it's estethical and flat. on another it's nothing in there. form
or content. if it's form it's not content. and vice versa. endorphines
have their economy as well. what is churning. is random walk weak or
strong. very weak. very strong. seems like a nutter. new is flat new. all
the strong are weak. random access memory just an association. here
storage and retrieval coincide. the everchanging something. my random
love. what freedom do you actually. weakness freedom. continuous break.
the strong firm line. what else can it be than the horizon. very
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dacdefffcefecda a thanks. men.. er som et. Denne har også en
postefunksjonalitet hvor elevene kan poste sin bruk til. Runme.org har
også mye annet morsomt material som kanskje kan relateres til. Neei hater
sånt. Jeg søkte etter noen som kunne urinere på Ari Behn (en.
gyllenhalvmeter etc) men har ikke fått noen svar. Tør nok ikke selv men.
kan gjerne estetisk idyll liksom...dokumenteres senere på en eller annen.
måte hvordan det nå blir...). am. every ell kows thisslavs he ueless
slves. art of for. IS A DAY End of forwarded message. sobriety. Neoist
affairs are rarely produced and. the notion of truth does Neoism is
anonymous action doing battle. against significance. Monty Cantsin is
everyone who believes in. energy. Optimism is a more selfreferential game
of enslavement than. bread. By reading this you have applied Monty
Cantsin. Monty. Cantsin can use anything at will.TBLMLSFMNTKNTSN REFRESH(.
sec)Subject Fwd Institutions of Monty CantsinTo. mail.ljudmila.org Start of
forwarded message. k.. f..... Sindec eivlev Zumwapa. . .. . .... Z
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354
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mHIT. mLAN. mZEN. mGOD. lANT. lTOR. lTIC. lIST. lSET. lNET. lCER. lCAN.
lEND. lLET. lVAN. lTOS. lGEN. lSAT. lGEL. lSTAR. lSTER. lSON. lDAD. lSITE.
lBAT. lTER. lPIX. lVET. lTEST. lLINE. lMET. lMAG. lLAND. lMED. lTRA. lTOX.
lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST. function rndnumber(max).
var randscript. while (randscript randscript max isNaN(randscript)).
randscript parseInt(Math.random()(max)). return randscript. function
nrbng(). var msg. blandingrndnumber(). if (blanding ).
subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if
(blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding
). subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript.
subscriptrndnumber(gmax). if (gsubscript ) msg msg gsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(jmax). if (jsubscript ) msg msg jsubscript.
subscriptrndnumber(imax). if (isubscript ) msg msg isubscript. if (blanding
). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(fmax). if (fsubscript ) msg msg
fsubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript.
if (blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(mmax). if (msubscript ) msg msg
msubscript. subscriptrndnumber(lmax). if (lsubscript ) msg msg lsubscript.
return msg. unhide. rec. var kmax. var k new Array(kmax). kDJ name. kArtist
name. kICQ nick. kPet name. kPolkaband. kBlackmetal band. kDog name.
kInternational agent codename. kFantasynovel goddess. kTattoo shop. kCat
name. kComputer ID. kHotmail account name. kMotherplanet in space flick.
kFake evil twin name. kOsho name. kSpammer name. kImpressive middle name.
kMysterious alias. kNetart project. kArt installation. kArt gallery.
kAbstract music composition. kDesign software. kUnderground comic. kFrench
house act. kNerd alias. kScifi robot hero. kGoldfish name. kJapanese toy
craze. kText on Tshirt. kSoup brand. kCyborg model. kBuzz word for. kCool
bandname. kMeditation focus word. kHare krishna alias. kRoleplaying name.
kArt movement. kKitchenware design series. kJazz quartet. kPolish alter
ego. kTeddybear. kPyramid scheme. kNew softdrink. kRockstar children name.
kEmail account. function rndnumber(max). var randscript. while (randscript
randscript max isNaN(randscript)). randscript
parseInt(Math.random()(max)). return randscript. function rec(). var msg.
subscriptrndnumber(kmax). if (ksubscript ). msg msg ksubscript. return
msg. unhide. topMargin. colorcccr a n d o. m n a m e. g e n e r a t. o
rCreate unique names for. bands companies products internet domains cyber
identites art projects. computer games roleplaying pets.. Millions of
combinations available. Grab. one and make it yours. styleBORDERRIGHT
rgb() thin solid BORDERTOP rgb(). thin solid BORDERLEFT rgb() thin solid
BORDERBOTTOM. rgb() thin solid. cellSpacing cellPadding width
bgColorffffff border. '. H A P P Y C U S T O M E R S. 'giving the thumb up
for Noemata Random Name. Generator. BILDE UTSTYR. function randomimglink().
var myimagesnew Array(). myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew Array(). var
ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). coloreeeAll examples are fictional.
Pictures are. grabbed fom the net and. manipulated.. Internet nick.
document.write ( nrbng() ). document.write ( rec() ). document.write (
nrbng() ). Company name. document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). Product name. document.write (
nrbng() ). document.write ( rec() ). document.write ( nrbng() ). Website
domain. document.write ( nrbng() ). .COM. document.write ( rec() ).
document.write ( nrbng() ). Password. document.write ( nrbng() ).
document.write ( rec() ). document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). document.write ( rec() ).
document.write ( nrbng() ). Refresh page for more customer pictures. More
namegenerating fun at. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA ). NOEMATA
Random Name Generator. contentCreate unique internet names for your
company your products your. band your cyber identity... namedescription.
contentname generator namegenerator word words new words new unique.
javascript random randomname randomized company companyname productname.
nick band group name groupname music random chat bandname fantasy. science
fiction scifi dotcom roleplaying identities textgenerator cool.
namekeywords. var cmax. var dmax. var emax. var fmax. var gmax. var hmax.
var imax. var jmax. var mmax. var lmax. var c new Array(cmax). var d new
Array(dmax). var e new Array(emax). var f new Array(fmax). var g new
Array(gmax). var h new Array(hmax). var i new Array(imax). var j new
Array(jmax). var m new Array(mmax). var l new Array(lmax). cAMBI. cANA.
cANI. cALTE. cANTE. cANTI. cARTI. cARCHE. cASTRO. cAUDI. cAUTO. cBENE.
cBETA. cBIO. cCASCA. cCACO. cCHRONO. cCOMA. cCONTRA. cCOSMO. cDATA. cDADA.
cDE. cDECI. cDEMO. cDEO. cDEVE. cDIA. cDIVI. cDIGI. cDINO. cDOMI. cDYNA.
cECO. cECTO. cEGO. cENDO. cENVI. cEPHE. cEPI. cEXTI. cEXI. cEXO. cEXPE.
cERGO. cGENE. cGEO. cGIGA. cHARE. cHERO. cHOMO. cHYPE. cIDIO. cINDE.
cINFRA. cINTE. cINNO. cJUNO. cJUPI. cKILO. cKILO
356
cKIMO. cLEO. cLEVI. cLOCA. cLUTHO. cMACRO. cMANI. cMAXI. cMEDI. cMEGA.
cMESO. cMETA. cMICRO. cMONI. cMONO. cMULTI. cNANO. cNEMO. cNITRO. cORIGI.
cOPTIO. cOCTO. cOXY. cPARA. cPATA. cPATE. cPERI. cPHOBO. cPHOTO. cPLEXI.
cPOLY. cPORTA. cPRE. cPRO. cPROTO. cPYRO. cQUADRO. cRAMA. cRETRO. cSCIE.
cSOLO. cSTELLA. cSYNTHE. cTECHNO. cTELE. cTETRA. cTHEO. cUNI. cUNO. cUTO.
cVENU. cVENTO. cVISI. cVITA. cXENO. cXERO. cXYLO. cZERO. cZOO. cRATIO.
cANGE. cVISA. cCASA. cCALI. cEMPI. cAPHE. cKINE. cXEPHA. cAGEI. cANALO.
cHELIO. cHUMA. cESCA. cXYLE. cISO. cTIDE. cSIBE. cNIGE. cMUTI. cGARA.
cVIA. cEQUA. cYUCA. cAURO. cWAKE. cLUNA. cCATA. cLOVE. cZODI. cMONA.
cKARMA. cASCE. cGAYA. cNEURO. cKABA. cGURU. cCANO. cCINE. cABRA. cARIE.
cASPI. cTENI. cTENE. dLLIC. dPHOR. dDICAL. dSOFT. dLOGY. dGRAPH. dPHYS.
dTICS. dNICLE. dNOM. dSTER. dCAN. dTONE. dBIZ. dNAUT. dTECH. dTHRON.
dTECH. dDOR. dTIVE. dZOS. dPHER. dGEN. dPIA. dSPAN. dTHER. dHAUST. dDUS.
dCORP. dCOPE. dPHON. dLUS. dLEX. dWARE. dGYN. dCINE. dCATE. dCAL. dTION.
dMODE. dCIDE. dTISM. dLIZE. dPOSE. dRAGE. dNOUS. dMOUS. dSCAN. dNOID.
dLOUS. dTATE. dGOG. dTURE. dGURE. dTOR. dNURE. dLOG. dREUX. dTOME. dVERT.
dDUCE. dTHES. dRIOR. dCEDE. dSPECT. dBYTE. dCEPT. dRED. dCENT. dBOL. dDOX.
dTOX. dFLEX. dMORPH. dSTY. dDUCT. dDICT. dCHRON. dSIZE. dCITY. dBLIC.
dNTIAL. dNCT. dGES. dNCE. dLYSE. dLOPE. dSCOPE. dSCAPE. dRIDGE. dSTENCE.
dBULB. dTIUM. dPOLIS. dSPHAN. dMIM. dDIES. dLOGUE. dGON. dXOTE. dLIO.
dTRES. dRES. dCHRE. dFIELD. dSHELL. dNGLE. dCALE. dQUE. dLINE. dLITE.
dTIGUE. dPAD. dSPEC. dRIAN. dNSION. dLATE. dTAUR. dTAME. dTWINE. dLIGA.
dTEAU. dRIA. dZED. dNOS. dXAS. dLUM. dNATION. dDEW. dTIGO. dLOOD. dSON.
dRETH. dTINUS. dPHIA. dRAST. dBERT. dGION. dBURA. dDING. dSOPH. dTENT.
dXTRA. dNITE. dCLES. dSIM. dKREUZ. dDOM. dSPECT. dBIS. dWARD. dDUCE.
dLYPSE. dKONE. dTYPE. ePH. eM. eN. eTH. eSS. eLE. eNE. eCT. eSH. eCK. eME.
eNT. eNG. eZE. eRE. eX. eT. eGE. eGUE. eP. eVE. eNSE. ePE. eNS. ePA. eVAL.
eCA. eNET. eDE. eROS. eGH. eSTRE. eBLE. eRTH. fBA. fBE. fBEE. fBHA. fBI.
fBO. fBY. fCA. fCE. fCHE. fCO. fCY. fDA. fDE. fDI. fDO. fDRE. fFE. fFI.
fGA. fGE. fGI. fGY. fHA. fHE. fHI. fHO. fLA. fLE. fLI. fLO. fLY. fMA. fME.
fMI. fMO. fMY. fNA. fNE. fNI. fNO. fNY. fPA. fPE. fPO. fPRE. fPRO. fQE.
fRA. fRE. fRU. fRI. fRO. fSA. fSE. fSI. fSO. fSU. fTA. fTE. fTHE. fTI.
fTO. fTU. fVA. fVE. fVI. fWA. fWE. fWI. fWY. fWO. fXA. fXE. fZA. fZE. fZO.
gA. gA. gE. gE. gI. gI. gO. gY. gU. gU. gA. gA. gA. gE. gE. gI. gI. gO. gY.
gU. hDOLPH. hNESP. hCANS. hSPEW. hFRAM. hLESS. hFLATH. hNITH. hPREM.
hSPINS. hTOUCH. hBEAT. hNONS. hCONC. hCAMP. hGAUL. hLATR. hFAUST. hCRIBL.
hNITR. hEASTH. hTRAD. hSPEC. hELECTR. hNAUT. hNIMR. hCELL. hCONSP. hMISD.
hPACK. hSUB. hATOM. hART. hUNDER. hOVER. hKITCH. hSINK. hEVIL. hSUBV.
hTANK. hGENR. hPAST. hSCAM. hFUTUR. hSTEEL. hTHORN. hBEND. hPLAG. hFOUNT.
hNEDT. hSWEEP. hGEMIN. hCOAX. hNEON. hDOMIN. hKAWL. hJUNCT. hSUPER. hGRAC.
hJUXT. hVELV. hSPAC. hSATURN. hNUCL. hPLUT. hATLANT. hGERM. hSPAST. hBISC.
hSYNCHR. hMOND. hCARIB. hPHOT. hSOLID. hETHER. hKANT. hMELTM. hREPT.
hQUAND. hPROX. hEMPER. hARCAD. hTHEAT. hGNOM. hCLOUD. hGOTH. hCARP.
hJEROM. hCAPLET. hDELER. hCRYST. hTRIB. hESTH. hEPIL. hPROPH. hSAUR.
hDAYL. hLOUNG. hSCORP. hMEPH. hDYNAM. hBABYL. hORANG. hVIOL. hCABAL.
hSULPH. hMAGN. hDETHR. hAPOLL. hMAESON. hHERMET. hMUND. hMECHAN. hGLYPH.
hPLEX. hGNOST. hMERCUR. hURIZ. hPYTH. hSPAGYR. hCANSEL. hCADUC. hTART.
hCONQ. hSUBLIM. hAXIOM. hASCEND. hMATER. hSCRIPT. hORACUL. hHASID. hPHAR.
hPROPH. hGENER. hCECIL. hGANG. hCATH. hTEMP. hAPOSTL. hGOETH. hOCEAN.
hVIRG. hUNIC. hSPECTR. hYEAT. hZETZ. hQUANT. hQUINT. hREVEL. hPROT. iOS.
iUS. iET. iIA. iISM. iOR. iACE. iAGE. iATOR. iION. iALON. iAMA. iES. iONG.
iOLA. iEX. iAX. iICE. iIC. iOX. iUTE. iIMA. iEN. iIM. iANT. iER. iON. iIO.
iITE. iURE. iICA. iEUS. iET. jB. jC. jD. jF. jG. jH. jJ. jK. jL. jM. jN.
jP. jQ. jR. jS. jT. jV. jW. jB. jB. jC. jC. jD. jD. jG. jG. jH. jK. jL.
jM. jM. jN. jN. jP. jP. jR. jR. jS. jS. jT. jT. jV. jW. mTEN. mSUB. mART.
mCON. mLAB. mNOR. mPAN. mPOP. mNAX. mTOP. mTEL. mDIG. mNAP. mBAN. mTIP.
mSEP. mHOT. mMUD. mWET. mCAT. mMAN. mPRO. mPRE. mWIN. mTUB. mSUN. mPET.
mNIL. mBED. mHIT. mLAN. mZEN. mGOD. lANT. lTOR. lTIC. lIST. lSET. lNET.
lCER. lCAN. lEND. lLET. lVAN. lTOS. lGEN. lSAT. lGEL. lSTAR. lSTER. lSON.
lDAD. lSITE. lBAT. lTER. lPIX. lVET. lTEST. lLINE. lMET. lMAG. lLAND.
lMED. lTRA. lTOX. lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST.
function rndnumber(max). var randscript. while (randscript randscript max
isNaN(randscript)). randscript parseInt(Math.random()(max)). return
randscript. function nrbng(). var msg. blandingrndnumber(). if (blanding
). subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if
(blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding
). subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript.
subscriptrndnumber(gmax). if (gsubscript ) msg msg gsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(jmax). if (jsubscript ) msg msg jsubscript.
subscriptrndnumber(imax). if (isubscript ) msg msg isubscript. if (blanding
). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(fmax). if (fsubscript ) msg msg
fsubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript.
if (blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(mmax). if (msubscript ) msg msg
msubscript. subscriptrndnumber(lmax). if (lsubscript ) msg msg lsubscript.
return msg. unhide. topMargin. colorccc sizer a n d o. m n a m e. g e n e r
a t. o r. Create unique names for. bands companies products internet
domains. cyber identites art projects computer games roleplaying pets..
Millions. of combinations available. Grab. one and make it yours. RANDOMLY
RECOMMENDED NAMES. document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
357
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). H A P P Y C U S T O M E. R S.
giving the thumb up for Noemata Random. Name Generator. BILDE UTSTYR.
function randomimglink(). var myimagesnew Array(). myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
var imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length).
if (ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimagesb.jpg. myimagesb.jpg.
myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg.
myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). Your pic here. Some.
examples may be fictional.. faceVerdana size. More namegenerating fun at.
faceVerdana size. faceVerdana size. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA
). noemata.netnosceips.html. MUTATIONS kaleidoscope gallery.
srcmutationlogo.jpg WIDTH HEIGHT. my'tAshn. alteration modification turn
variation innovation novelty. permutationsport vicissitude reversal
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multiformitymultiplicitychangingconvert. metamorphose transform
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transcribe condense digest. swallow take. bag capture....
colorNOEMATA.NET. color. color. color. color. color. colorNakedwoman
Theater. styleborder px ridge rgb(). srcmutthumb.jpg border WIDTH. HEIGHT.
HELIOSPHAN. srcmutthumb.jpg border WIDTH. HEIGHT. LIFEHOUSE.
srcmutthumb.jpg border WIDTH. HEIGHT. GIRL DREAMS. srcmutthumb.jpg border
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BEAUMONT. srcmutthumb.jpg border WIDTH. HEIGHT. SPIRIT MOVES.
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document.write( document.write(namenwgcountrefer).
document.write(escape(top.document.referrer)). document.write( width
height alignright). MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
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OF BEAUMONT. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. OUT OF BEAUMONT. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. SPIRIT MOVES. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. SPIRIT
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MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. STRATOSFEAR. HEIGHT
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EPITAH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
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MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CIRCULAR FLEXING.
HEIGHT HEIGHT HEIGHT.
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MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. BLACK WIDOW. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
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rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. TWISTED
SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
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MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CEPHALOPOD MOLLUSK.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CEPHALOPOD MOLLUSK. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN. HEIGHT HEIGHT HEIGHT.
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HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CYANID BREATH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
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styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN CREAM. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN
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WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. NAKEDWOMAN. FALLS
IN LOVE. IN ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (.
o Q. (. (. o Q. (. (. o Q. (. (. o. )X. END. NAKEDWOMAN. FALLS IN LOVE. IN
ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o
Q. (. (. o Q. (. (. o. )X. END.
359
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360
Back. Theater. New Page. Back. Theater. o l d a n. ambient minimal noise
lowercase material from analogue and concrete. sources digitally processed
and published in a lowercode aestethics.. nochass. a min track coded in
kbps mp.. epsp. a recoding of a tapebooklet release from . tracks min
(MB). mp coded in kbps images (MB) and a couple of texts ca. words..
domuse (single). a single release from dd k. coded in kbps mp.. dd. track
release ca min. coded in kbps and kbps mp.. weemisu (single). a single
release from wmfg k. coded in kbps mp.. wmfg. track release ca min. coded
in kbps mp.. nc.nd. long tracks nc.vxtn and nd . coded in kbps mp.. ebt.
tracks in this release amounting to m s coded in kbps and kbps. mp.. ebtw
(. floppy single). a sec track from ebt coded in kbps mp zipping neatly
onto a. single floppy.. the low coding format provides a spectral
dimension to the timestretched. piece.. a track rerelease of coded in kbps
mp mostly and oggvorbis. format.. srja. a release of ambient short movies
in mpg format to be looped.. NewFolder. a temporary folder for released
unreleased tracks.. epsp. A Element to integral min.. area. fugue. area.
fugue. .... B min.. Fra midten av denne stråleglans kommer virkelighetens
naturlige lyd. som dundrer som tusen tordenbrak samtidig. Dette er den
naturlige lyd. av ditt eget jeg. La deg ikke kue av dette eller bli grepet
av redsel. eller ærefrykt.. Hvis det bråker mer nå ringer jeg politiet..
ELEMENT TO INTEGRAL. Sourcematerial recorded on magnetic tapes..
Instruments used include KORG MS KORG Polysix BOSS. drummachine CASIO
sampler TEAC TASCAM electronic organ. tapedeck turntable radio
walkmanrecorder microphones monochords. flute harmonica guitar alarm clock
feedbackdevices mallet. instruments computer drums cd resonant objects
(metal rock wood. glass) nonresonant objects (plastic water food skin
earth).. Concrete soundsources and noises as field or objectrecordings.
include crowds citynoise wind rain thunder habour sea.
buildingconstructingareas streets motorway railwaystation home. wood
gardens mountainlandscape waterfalls traffic balcony. industrial areas
reverbal areas church halls tunnels auction. concerts cave train (inside)
humans doors conversations voices. sheeps neighbours geese dog cat breath
walks sea birds train. (outside) car machines bicycle boat ants magnetic
datastore. microwaveemission spoken languages domestic objects (scissors
keys. fork and knive refrigerator washingmachine tv staircase room.
furniture) found objects random objects.. Processing of sourcematerial .
Recorded onto magnetic. tape augustseptember .. Equipment used TEAC TASCAM
SoundForge . WaveLab .. tapedecks and some hundred tapes.. B.
Sourcematerial recorded on magnetic tapes.. Instruments used include KORG
MS KORG Polysix CASIO. sampler TEAC TASCAM tapedeck walkmanrecorder.
microphones metal.. Concrete soundsources include ants wind.. Final
processing of sourcematerial . Recorded onto. magnetic tape september ..
Equipment used include TEAC TASCAM SoundForge .. tapedecks and about ten
tapes.. Graphic material made mostly dating .. Pages include drawings
paintings doodles copies nails blood. photoes and clippings.. As the
graphics are not essential to the tape they are not commented.
explicitly.. Textmaterial in booklet written mainly september .. All
material by Bjrn Magnhilden ordmorkontoret Oslo. Copywrong. Norwy poc..
INTRODUCTION. Concerning the structuring of the two pieces on the tape my.
main idea was that of stream and time incorporating with materiality.. Heh
yes I guess so... What is actually heard seems to be the sound. of
floating particles. These particular flows consists of tiny or. minimal
soundobjects which I will call 'phonems' for the heck of it. cutupped from
the archive of own recorded material in the years. amounting to a couple of
hundred tapes (pretty bad ones though. ).. So instead of thrashing the
tapes I've used them as a fragmented. memoryblock being randomly accessed
through a spaghettistyle language. of pointerism utilising the phonemical
units mere as material ground. and surface being rather ignorant to their
content or contextual. content.. Together with the idea of materiality
there will also be. concepts like mass density subsistence persistence
endurance. exhaustion and extacy involved in the actual structure
conceived. which also partly count for the monotonously character of the
pieces.. Also my interest in the noiseaspect of music or vice versa is. a
driving motive in this kind of project and should also be well. manifest
in both pieces on the tape. Take care of your ears.. The terms noise and
music could be seen reflected in the material. doublenature particlewave
where 'wave' would be viewed as the. collective motion of a material
moving continuously around a. relatively undisturbed center corresponding
to harmonious states of. music and where the interaction of particles
would be perceived as. the more or less random and chaotic motion and
states of a material. corresponding to intensity or density of noise.
Nevertheless these. are two different operational views of the same
underlying material. (whatever nature) and my opinion and fascination is
that the. classification or perceivance of music from noise cannot be
traced. back to the material. So it then gets interesting poking around on
a. low level probing for both the substance and the concept bridging the.
gap or just experiencing the (possible inevitable) complimentary. attitude
towards it. Fuck the cat is dead and alive.. A principle of complimentarity
of sound could state that if an. arbitrary material of sound is perceived
as music then the noiseness. of it will be sucked into it and vice versa
the perceivance as noise. will not be saved by the music. What constitutes
this perceivance is. not solemnly the attitude towards it but also the
doublenature of. the material itself. I hope I've been able to express
this in the. works. A way of judging a listener should be able to swap
between the. states of musicnoise should recognise this state's
independence of. the material (Oh I can listen to this in at least two
separate. ways... Oh yesterday I perceived this as noise... Oh this. noise
is beautiful and relaxing...).. Another idea concerning the introduction of
noise was to make. a soundshield. Basically I wanted to build a thick wall
and then walk. right through it. This could actually be done by means of
sound. Noise. as silence and through this silence get rid of yourself.
The. neutralising of sounds with sounds is possible as noise swallows up.
all other sounds or as all other sounds can be imagined allready.
incorporated in noise. White light white noise get blind get deaf.. Close
your eyes close your ears by opening your eyes opening your. ears. If you
stare into a point in the wall for some minutes my. experience is that the
wall becomes black and purple and vanishes due. the neutralisation of
sightimpression with its negative. representation in your eyes and along
with this vanishing of objects. comes for any reason a state of uh let's
say bliss. Much in the. same way noise will through a material extacy
swallow up the objects. of the world and leave you floating. Drawn I sit
serene rest is. inward.. This should make clear that the tapepieces'
motivation partly. lies in their functionality and can also explain the
lack of an. inherent musical structure or pretension of having conceived
a. traditional dramatic musical work. To pinpoint it I would say that. one
main structure is the palindromical selfcontained. Concerning. ETI on a low
level the phonems have been recorded forwards or. backwards quite
independently of their content or any criteria. Some. loops on B are being
manipulated similarly. On the whole both pieces. contain its material being
finally processed in both directions. There. are different reasons for
this. If you want to make a musical work. partly avoiding an evolving
dramatical or narrative structure you. probably have to treat time in a
different way. The linearity of time. might be broken in different ways.
The palindrome seems to excorcise. timelinearity treating it as just
another (symmetrical) object having. reversable manipulatable dimensions.
The cutup juxtaposition of. timeelements is fragmenting this line implying
another operating. dimension say timespace or just memory. The
nondifferentiated space. would defy time on the whole as nonexistent as in
the. parmenidicalzenoic scheme (or the La Monte Young scheme. By the way.
it seems that much minimalistic music is motivated by making the. relation
of music to time explicit in different ways discretness. repetititivness
questioning the continuum). Another reason for. fiddling with time was
that I wanted the pieces to be exhaustive in. length so when needed I
simply filled up time by outputting the. material back and forth a couple
of 'times'.. As to materiality as to float as to particles as to space..
ELEMENT TO INTEGRAL. An impulse to make this piece came from disapproval
of my. earlier recorded material and still wanting to use it in some way..
One solution was clearly to hack it all up into small segments that. could
be eaten without choking. Another solution was to superimpose. the
original material making monstrosity from ugliness or stupidness.. So I
did both and in that order.. Another impulse or idea was to let musical
structure build. small (or smallest) elements without imposing external
musical. direction other than materiality.. NOTAT. Serie og
parallellprosessering av lyder etter hverandre oppå. hverandre.
Distribusjon i tid krymping fortetning. Distribusjon i. rom furkasjon
ekspansjon. Lyd ned til fonemminste meningsfulle. lydnivå før den byger
seg opp igjen gjennom strukturering random. cant. kalkulasjoner. area sek
lydisekund lag prosessert. fuge. area sek lag. fuge. area sek. fuge. area
sek. fuge. area sek. fuge. lydareal lyder over tid. to akser lag tid..
tetthet lydareal tid. arealintegrasjon tetthet. matematiske utregninger..
båndet. cm i sekundet. båndmediet. elektromagnetiske spekteret.. ide til
et musikalsk språk. gjennom oppbygging av minstelyder. lydidiomer
lydlinjer. sette opp regler for oppbygging videre.. datamaskin. slika
rbeidde kontinuerlig på et språk gjennom. forandring. Alt tidligere
material er tilgjengelig som hukommelse. språk. bruke formelle språksystem
i bearbeidelse. måten vi lærer. integrerer språket. Lengre brokker
komprimeres til kortere når de er. innlærte settes ammen til nye linjer..
Element til integral oppstykking syntetisering. Eksponentielt. voksende
fra lydpartikler tilflerdimensjonale objekter bestående av. millioner av
lyder.. Primitiv eller uten musikalsk strukturering kvantitet materiell.
ekstase. Dialektisk segmentering.. Uten egenlyder basert på tilfeldig
utvalg av allerede innspilt. material.. Skråstreken lydmusikk. Den
enfoldige lyden (musikk) og den. komplekse musikken (lyd).
Løsningsforslag.. Objektoppløsning overskridelser.. Preferanser til tidlig
konkret musikk. Spilt inn på relativt dårlig. lydstudioutstyr.. Palindromet
speil fordobling.. Parmenides det statiske udifferensierte det
selvinnholdte.. Permutasjon distribusjon muligheter.. Tid rom akse. serie
paralell. fortetning. without a sound.basert utelukkende på tidligere
material.. sound system sunt system uten kontradiskjon. cannibalize. cant.
words. terms. ordliste asssosiasjoner gå gjennom engelsk ordliste.. fysikk
tidrom.. spesiell relativitetsteori. et legeme i bevegelse blir kortere i
bevegelsesretningen. tiden går saktere for et legeme i bevegelse. et
legeme har større masse når det er i bevegelse.. ved lyshastigheten vil et
legeme ha null lengde uendelig. masse mens tiden står stille.. generell
relativitetsteori. materien forteller rommet hvordan det skal krumme seg
og. rommet forteller materien hvordan den skal bevege seg..
gravitasjonskraften er tilsynelatende.. Fortetningen av partikler
fartsøkning tilsv Anmassing hva skjer. fart Emc masse frigjøres til energi
Kjerneprosesser. Plotte. gen.rel.teori som musikkmassemusikk koble til
musica mundana. harmonia mundi Hva er massemusikk Fysisk musikk En stor
masse. deformerer rommet partikler følger krummer linjer de tar for å
være. rette Parallelle linjer møtes som ved en tiltrekningskraft. Lys.
rødforskyves og tiden går saktere i et sterkt gravitasjonsfelt ting.
formørkes fordypes. Materien tvinger lys ned. Matter forces light..
Kinetiskpotensiell energi deepspeed gravitasjonell. Resonans når et objekt
vibrerer med sin frekvens tar det lett imot. energi og vibrerer med store
utslag.. Lyd lyd i rommet analogt med krusninger i vann. bølgebevegelse..
motsetning lys.. Lyd trenger stoff dette materietemaet.. elektromagnetisme
boblekammerbilde magnetisme deepspeed cmsek.. generere en strøm generator..
på skala over atomnivåer er verdens mangfoldighet grunnet.
elektromagnetisme og gravitasjon (vekselvirkninger). støy uønsket lyd.
paradoks hva med å hørelage støy ønsket ulyd. lyd subj obj lyd må ha
stoff. verdensrommet er lydløst. Bølger.. Krumme flater samler i
brennpunkt strålene. Svevninger. Klang. sammensetning av flere lydbølger..
Et brus inneholder alle hørbare frekvenser og kalles derfor hvit. lyd. Støy
er et subjektivt begrep. Def. som all uønsket lyd enten. musikk vanndrypp
eller trafikklarm. Jeg ønsker uønsket lyd. Lydene. rundt meg radio musikk
stemmer er støy og bruker støy som musikk.. Omvending i
informasjonsflommen støy. Bruk en motflom Demme opp en. flom. Demning.
Akustikk resonans hørsel. språklyd fonemer.. lydbånd bærefolie med
magnetisk belegg jerndioksyd.. lydintensistet små mengder watt.. kontentum
gjennom lydmuren.. opprinnelig (gresk) musikk totalbegrep.. Boethius ( ekr)
musica mundana (verdensmusikken eller. harmonien i altets oppbygning og
funksjon) music humana (harmoniske. forhold i mennesket) musica
instrumentalis. overskrider subjekt og objekt danner nytivitet. oseanisk
materiell ekstase.. Det segmenterte som (analytisk) strategi konstituerer
seg i den. akustiske entitet som en retorisk figur og definerer da seg
selv. nærmest som et fravær. Bortfallet av en bindende matrise avdekker.
dissonans og uttrykker seg som babbelpolysemi. Overgangen fra det.
refererende (transcendens) til det signifiserende (immanens) åpner det.
anisotrope rom av segmenter i en differensiell hypostasering. Opptrer. i
krystalls form ikke i apokalypsen det dør som fødsel og fødes i. døden..
PALINDROMER. deeps on time emit no speed. Rettam krad Sade if all erb
music is umbrellafied as dark matter.. noise lesion. deep morf NOISE
LESION from speed. speed morf noise lesion from deep. Goddesses so pay a
possessed dog. Moo lost elk O orbs amid wonders awed Was it organic in
ecstasy. tied Deity sat scenic in a grot I saw dew as red now dim as.
brooklet so loom. On a clover if aloud noise lerupts a vast pure lesion
duol a fire. volcano. epsp. epsp. Element to integral. Text on epsp. by
Bjørn Maghnildøen. Introduction. An impulse to make the piece epsp came
from listening to and partly. disapproving some of my earlier recorded
material and still wanting to use it. in some way. One solution was
clearly to hack it all up into small segments. that could be eaten without
choking. Another solution was to superimpose the. original material making
monstrosity out of ordinariness. So I did both and. in that order..
Another impulse or idea was to let musical structure build from small (or.
smallest) elements without imposing external musical direction other than.
materiality.. In structuring the piece my main idea was that of stream and
time incorporating. with materiality. What is heard seems to me as sounds
of floating particles.. These particular flows consists of the tiny or
minimal soundobjects cutupped. the archive of ownrecorded material in the
years amounting to a. couple of hundred tapes.. Instead of forgetting or
thrashing these tapes I've used them as a fragmented. memoryblock being
randomly accessed through a spaghettistyle language of. pointerism
utilising the phonemical units mere as material ground and surface. being
rather ignorant to their content or context.. Together with the idea of
materiality and concreteness there are concepts like. mass density
entertainment (subsistence) endurance exhaustion and ecstasy. involved in
the actual structure conceived which also partly count for the. monotonous
character of the piece.. Also my interest in the noiseaspect of music or
vice versa is a driving motive. in this kind of project and should also be
well manifested on the tracks. Take. care of your ears.. Noise and music.
The noisemusic dualism could be seen reflected in the material
doublenature. particlewave where 'wave' would be viewed as the collective
motion of a. material moving continuously around a relatively undisturbed
center. corresponding to harmonious states of music and where the
interaction of. particles would be perceived as the more or less random
and chaotic motion and. states of a material corresponding to intensity or
density of noise.. In an inversed physical view pataphysical why not
consider music as a very. simple kind of noise and noise as a complex kind
of music. Nevertheless these are two different operational views of the
same underlying. material (whatever nature) and my opinion and fascination
is that the. classification or perceivance of music from noise likewise
cannot be cleanly. traced back to the material. So it then gets
interesting poking around on a. low level probing for both the substance
and the concept bridging or. transacting the gap or just experiencing the
(possible inevitable). complimentary attitude towards it.. Noisemusic. A
principle of complimentarity of sound could for instance state that if an.
arbitrary material of sound is perceived as music then the noiseness of it
will. be sucked into it and vice versa the perceivance as noise will not
be saved by. the music. What constitutes this perceivance is not solemnly
the attitude. towards it but also the doublenature of the material
itself.. I hope I've been able to express this in the work. A way of
judging a listener. should be able to ) swap between different states of
listenings ranging from. music to noise ) recognise these states
independence of the material.. For instance listen to the material in at
least two separate ways like saying. Yesterday or ten minutes ago I
perceived this as noise or This noise is. beautiful .. Scanning any point
in the tracks and playing a few seconds the piece will. probably be
perceived as pure and flat noise. Playing off the whole piece or. larger
parts of it will probably change that perceivance.. Noisilence. Another
idea in the piece concerning noise was to make a soundshield.. Basically I
wanted to build a wall and walk through it. This could actually be. done by
means of sound. Noise appears here much like silence and through this.
noisesilence neutralize memory or yourself.. The neutralising of sounds
with sounds is possible as noise swallows up all. other sounds or as all
other sounds can be imagined allready incorporated in. noise. White light
white noise get blind get deaf. Close your eyes close. your ears by
opening your eyes opening your ears.. If you stare into a point in the
wall for some minutes my experience is that. the wall becomes black and
purple and vanishes due to the neutralisation of. sightimpression with its
negative representation in your eyes and along with. this vanishing of
objects comes for any reason a state of uh let's say. bliss.. Much in the
same way noise will through a material ecstasy swallow up the. objects of
the world and leave you floating. Drawn I sit serene rest is. inward. The
piece is made using headphones and I also prefer listening to it. that
way. By the way the piece is as noise hypersensitive to equalisers so.
small adjustments of the emphasis on different frequencies are very
effective on. the overall output sound.. This should make clear that the
motivation partly lies in functionality and can. also explain the lack of
any explicit inherent musical structure or pretension. of having conceived
a traditional dramaticmusical work.. Also no sounds have been recorded for
epsp. The piece has no sounds of its own. and consists entirely of the
processing of already recorded material.. Palindrome. One main structure
is the palindromical selfcontained. On a low level the. phonems have been
recorded forwards or backwards quite independently of their. content or
any criteria. Some loops of phonems are being manipulated similarly.. Also
on the whole the piece contains its material being finally processed in.
both timedirections.. The end is already manifest in the beginning. The
content of meaning is subdued. its structure. The evolution swallows
itself up. The mirroring of material. simulates an undifferentiated space
where object vanishes in the double. The. stasis of space absorbs the
speed of the elements.. Permutation. Another motive was exhaustion of
possibilities in the material. Rearranging. deforming and distributing
elements of sound to form a massive overload of. connotations excorcising
content.. Sounds are gradually being hacked to pieces down to a phonemic
level of smallest. meaningful segment processed in series after each other
in time and in. parallell in space. Then the distributions in time and
space increases density. and speed as the permutated material expands and
grows exponentially out of any. orbit of musical reference. Finally the
particle accelerator distributes its. collapsed differentiated elements on
a trajectory into void''.. Distribution. Sounds are distributed over the
two axes timespace. The density of an area is. the number of separate
sound elements through time. The elements seems to be. scattered well over
the electromagnetic specter with an emphasis on the extreme. high and low..
There are areas on the meter of electromagnetic tape where each cm or.
second consists of over differentiated segments of sound superimposed so.
that during minutes over a million sounds are being transmitted.. Other
areas consist of a heap of layers of sounds fragmented beyond the point
of. noreturn. Minimal units of sound are recorded as the six feet and
antennas of. ants spurt the microphones. The flow of noise is in that way
built up from. traces of atomical existence of sounds passed by not
enumerable.. Emit time. If you want to make a musical work partly avoiding
an evolving dramatical or. narrative structure you probably have to treat
time in a different way. The. linearity of time might be broken in
different ways.. The palindromical form seems to excorcise timelinearity
treating it as just. another object having reversable manipulatable
dimensions.. Also the cutup juxtaposition of timeelements is fragmenting
this line. implying another operating dimension say timespace hyperspace
or just. memory.. The nondifferentiated space would defy time on the whole
as nonexistent as in. the parmenidicalzenoic scheme.. There might also be a
minimalistic scheme involved motivated by making the. relation of music to
time explicit in different ways discretness. repetititivness questioning
the continuum.. Also I wanted the piece to be exhaustive in length so that
the notion of time. could be mixed up blurring the divide physical and
experienced time as you. find your mind wandering or take off. Exhaustion
of time seems an appropriate. concept also when the massiveness of sound
is concerned as the increasing of. density slows down timeflow.. The
ecstasy of memory in the conjuring of elements into an allembracing
integral. can be seen as an exhaustion of time and duration and as the
omnipresence or. end of time.. Deep speed. A body in motion compresses
bodyspace lengthens bodytime and increases. bodymass. Gaining speed of
light the body will not have any extension though be. infinite heavy while
time stands still as nucleons of sound ecstasises material. and flows into
energy.. Particles of sound are escaping the gravitational pull of memory
and meaning as. they accelerate and gain a speed superseding musical
references. Speeding of. music into noise atomizes the bodies of
information accelerates towards. infinity and dissolves in deep space..
With respect to history the narrative has become impossible since by.
definition it is the potential renarrativization of a sequence of
meaning.. Through the impulse of total diffusion and circulation each
event is liberated. for itself only each event becomes atomized and
nuclear as it follows its. trajectory into the void. In order to diffuse
itself ad infinitum it has to be. fragmented like a particle. This is the
way it attains a speed of noreturn. distancing it from history once and
for all. No meaning stands a chance once. offered the means of its own
acceleration.'' Baudrillard Pataphysics of Year. from The Illusion of the
End. Mass. Sound need a massmedia for its motion of particles to be
distributed. Outside. the gravitationed atmosphere there is no sound.
Density of mass shapes the. space which shapes the motion of mass
(gravitation is illusorical). Above the. atomic level the manifold of the
world is grounded in the forces of gravitation. and electromagneticism..
Growth in density by speed or space will make mass heavy and slow time..
Acceleration of transactions increasingly forces inerta and indifference
as. particles of sound annihilate each other making a dense cold star
deepened. and darkened by the pull of densityfield.. Within the critical
mass of density there is no references to outside. No speed. will liberate
sound from the silent immanence and there will be just the. autosound of
the magnetic tape and tape recorder background noise as the. ecstasy of
musicality provides its own end.'' Ibid.. Noisevoid. Instead of declaring
the law of falling bodies towards a centre why wouldn't. one prefer that
of the rise of the void towards the periphery the void. conceived of as
unity of nondensity'' Jarry Gestes et opinions du docteur. Faustroll.. The
pataphysial motive of antigravitation appears as music is haunted by its.
vanishing. The particle accelerator seek to liberate sound from the.
gravitational density of music by overwriting overflowing its content and.
swallow up itself. Particles arrive and disappear faster than their shadow
and. leave no time for interpretation. The speeding of tonality runs into
a noise. cohesion void of transmittory pregnancy.. Segmentation as an
analytic strategy is constituted in the acoustical almost. rethorical and
without appearance. Loss of a binding matrix of bodies the. shift from the
referential transcendence in music to the signifying immanence. of noise
births the segments pataphysically from the dying of hypostaticism..
Contents on epsp. Audio. Sourcematerial recorded onto some hundred
magnetic tapes.. Instruments used include korg ms korg polysix boss
drummachine casio. sampler teac tascam electronic organ tapedeck turntable
radio. walkmanrecorder microphones monochords flute harmonica guitar alarm.
clock feedbackdevices mallet instruments computer drums cd resonant.
objects (metal rock wood glass) nonresonant objects (plastic water food.
skin earth).. Concrete soundsources and noises as field or
objectrecordings include crowds. citynoise wind rain thunder habour sea
buildingconstructingareas the. museum of Emanuel Vigeland streets motorway
railwaystation home wood. gardens mountainlandscape waterfalls traffic
balcony industrial areas. reverbal areas church halls tunnels auction
concerts cave train. (inside) humans doors conversations voices sheeps
neighbours geese dog. cat breath walks sea birds train (outside) car
machines bicycle boat. ants magnetic datastore microwaveemission spoken
languages domestic objects. (scissors keys fork and knive refrigerator
washingmachine tv staircase. room furniture) found objects random
objects.. Processing of sourcematerial . Recorded onto magnetic tape.
augustseptember .. Equipment used teac tascam soundforge . waveLab . and
tapedecks.. MP coding of sourcematerial using Awave Audio v... Booklet.
Graphic material made mostly dating ''. Scanned . Pages. include drawings
paintings doodles copies nails blood photoes origami. and clippings..
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Oppmerksomheten mens han ikke. hver gang har vi ledet dem til godtLirer av
de gr vi. UTDRAG FRA. KOMMENTARER TIL DEN LILLE ADDISJONSTABELLEN ett r.
Det fr kommunistane. tek av seg selv en meget meget sentralalle.
Platebutikker fint om dere kan. komme og hente dem og gi meg pengakjrer av
veien og skader seg selv eller. andre. kommet som en flge av pvirkning fra
utenlandske navn. Her er. f.eks noenog bli ekstremt kvalm det vil ogs si
deg noe om det leve p. jorden. KvalmeHva er s galt med hevnMake me to
selters servert av spe.. Kinosalene er vi neppe uten den.and uncertain
imagine to yourselves. INDIFFERENCE as a powerhowhim God man and animal at
once. He is both. subhuman and superhuman this is the path marked out by
Nietzsche who argued. have survived the changes andpered (). Kernyi could
just as well. be describing thedomestication and society with all its
obligations ().. X. . X IY V .. . .. OOOOOOOOO OOO.OOOO OOO O .. .. O O O.
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opveasdi utolnyrnelasy. r er aldams glamt. tolhsyre franted hontelse sgi
inn i. porsaner tincor vysn ovarssruti men det er jo en st men
ilbrewwMMwv. jargon of Baudrillard). Also beingcontented with things not
working. andfine Folk er einBresti Culturen vaar som eit so godt Selskap
som. detteneida desom til at synda tidt meg daaratsjlv det gjer' harde.
Fjllet mindreso mangeJolebukkar og underlege Skapnader at dei aldri havde.
trutt der kunde. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag. P LIKE FEILAKTIG MTE SOMseg sjlv ..vitenskapen har eit.
sannhetsvirkelighetsmotiv kunsten har eit.
(Thereisreallynothingskikkelsene besatt av innbilskheten og alle.
fantasiens gleder... Hosdrm pai vera jord.INTURIGSIR OVEN CAMTANT.
address(Creditcardnumber matrix snake(strinout) if. (tword and substr(w
)'un'). twordrandsoundex(trim(wordi))PSUCK PSUKC PSCUK PSCKU PSKUC PSKCU.
PUSCK PUSKC PUCSK PUCKS PUKSC PUKCSslikDet ligg i Naturen vaar at eta og.
drikka som det stend for imorgonreceived what do I think. So it takes a
lot. of time and I feel I am Aftenposten Kult ..SPUCK SPUKC SPCUK SPCKU
SPKUC SPKCU. SUPCK SUPKC SUCPK SUCKP SUKPC SUKCPDELE . Brudd p
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exploiterutstilling av forsteder as opacity all are. gone. Henceforward it
is the transparency of othersfandenivoldskhet ville det. noemata. Sunday
March. Re question re de pre codewurx. are helpful. I get a general
pictureof code as 'rooted' and double of anyway. having a double property
of ..wellthe usual dichotomies instruction and data. and object and
whicharen't fundamental eg. the distinction between. instruction and data
is aninterpretation what is interpreted as instruction. is also data and
thedata can also be instruction so in a way the. interpretation
isfundamental to code also and creating the roles of the. dichotomy as
wewould have 'instructiondata' and 'datainstruction' and. somewhat the
samein the case of subject and object which are more.
explicitlyinterpretations of something by terming something a subject
we've. alreadyinterpreted it in a relational way and in the same manner.
asinstructiondata I'm refering to code as an subjectobject entity which.
hasthese three parts of data instruction and interpretation..
Theinterpretation part would be the decode.About the everythingnothing
bold. statements since the code is somethingconstituting itself it's a
whole an. entity and real in the sense thatit's taking place with the
interpretation. constituting the reality'situation' of instructiondata
subjectobject so. I'm calling it aneverything like we could create an
universal machine out of. this. And thenalso I'm calling it names like
nothing because it's a machine. more orless. Maybe it would be interesting
to look at everythingandnothing. textas a kind of codework. Finnegan's Wake
as an example of this it's coded. inseveral layers encapsulating or opening
to an everything and nothing ithas. the appearance of code and nonsense a
rich broken structure ofeverything.. Occult literature I guess also has
the code effect of thissort like. out dumped automated and coded the
automatic writing ofsurrealists might be. considered I don't know are
fluxus pieces codeworksby being instructions (of. events) and the
happening would be another moreundirected setup for something. happen well
I'm not sure how todistinguish the code it seems. allembracive. Is it alive
Dead code. Andthe system bit if we don't know if. something is code is it
code by justthat fact like the Voynich manuscript. mentioned And there's a
notionthat code is code as long as it's not decoded. if code is code what
do wemean by a decode Sort(x) is a code does it have a. decode So maybe
aromantic code is the codedecode that kind of code notion. there we havein
a way again instruction and data subject and object. clearlyseparated like
morse code a clear mapping between subject and. objectback and forth
whatever there's the subject of code and the. objectcodeand the morse code
we could call the subjectobject though in a. clean dualcut. In other
notions of code it's not so clean and for eg. sort(x). wedon't call it a
decode it's codecode but what is decode It'sambivalent... 'life is decoded
into dna' or rather 'coded' do we mean theoutput in general. the object and
for something to have a decoding meansto have a systemic. interpretation
but this goes both ways what is thecode can also be the. decode to
emphasize they're activepassive roles ofinterpretation.. and code. the
system of interpretation the structure ofhow the active and passive roles.
will take place of instructiondatasubjectobject. Certainly there are.
levels of code in the construction of nature and ourselves but at the
bottom. we don't know or we know that it's not discreet like the
particlewave. duality. But dna is discrete for that matter the
particlewave duality is. justthat a duality even with probabilistic
measurement the mathesis. behindit is exact...Exact probabilistic if you
have a perfect random number. generator couldit have a code This is like
asking for the formula for prime. numberscould we say there are codes for
prime numbers but not a formula. workingto a certain degree and in general
that code is related to formula in. aspecial way is it a working formula
applied which is the dual again ofform. and reality living formulas. Seems
I'm treating it as formula hereand you. matter and since everything is
mattered and chunkeddiscreet it'scoded but. in the formal end.. How deep
do the codes go all the way you'dsay since it's. rooted mattered dirty
having the real part maybe it'snot a fruitful. discussion where it ends or
begins some highly energicthing expanded and. collapsed symmetry collaped
into code. Yes but we've figured out things to. a large degree what we're
made of our history and destiny there doesn't. seem to be any mystery
about ithow we're created though we can't reproduce. it though have
theknowledge to destroy it a devastating knowledge in. itself.Considering
the fact that dark matter the majority in the universe. isn'taccounted for
at all that the mechanism of memory isn't understood. etc. I don't see how
you can say this. In fact one can as Brillouin. didyears ago argue for the
opposite that the mystery is somewhat. dependenton the limmits of our
economics and simply keeps getting pushed back. asfor example more and
more powerful accelerators are built...Yes mystery is. something
pushedback in relation to something that'stakingplace it's still a.
subjectobject 'economy' ecodomy the economyof code mystery is in the. via
the code interpretation it getsobjectified real as takingplace.. Still
it's an economy not a mysteryit's just what's emphasized. From the. other
end you could say memory isthere and it's working so there's no. mystery.
Code as a term retains someof the mystery the wonder and. complexities
which is lost in the formulaterm. I never stop wonder about the. inside
and outside like this sailboatmoving slowly past the village seen from.
the boat it's somethingcompletely different from the boat it's a mystery
from. the balcony itseems quite boring objectified but it's both and
that's. alwaysintruiging it connects to relativity from Galileo to
Einstein and. forextrapolating the move to relativity is also a move to
code of. thesubjectobject floating within a reference system which
connects to codeas. reality each reference system is on its own a whole.No
no i don't think. this goes if (x) is for example sorted it doesn'tlead to
an elimination of. (x). Think of coding here as performative andrequiring
a stratum or substrate. that it operates upon. Even Peirce talkedabout the
'sheet of assertion' the. necessity for a locus for mathesis.Ok see above
codedecode.I want to run. back to information theory and theexamples
Baldwin talked about or the. problems say of transmitter channel receiver
with noise parasitic within. the process.Thanks for the discussion
appreciate.Here there are several. levelscode as existentcode as
processcode as procedurecode as. performativecode as selfregulating or
checksumetc. etc.There's structure. of course and there are material or
ideal strata andtheir interactions. Code. is perhaps a productive system
of classificationthat admits closure.... AlanAdmits closure yes like it's
its own end metaphysics and then real. asreference system like every
reference system is real on its own. Maybe. I'mextrapolating too much but
they might be points of departure at. noemata. noemata. noemata. er ikke
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March. Re question re de pre codewurx. About code and codework though not
a direct response I see code generally tied. the western project of
science and cultureunravelling nature's code turning. it into culture and
technology. Thishas no real basis any longer science has. already made us
transparentwe know code is nothing and that there aren't any. secrets. So
there's nobasis still code is everywhere all the more since it's. not tied
toanything any longer doesn't refer to anything more real or more. trueit's
able to infect our lives more like a freefloating entity from. thelayers of
reality. If we have layers of reality we have codes. Ifreality is. one
there's no code but our sense of reality is not one. Ifyou could live in.
one there would be no code and it would be the heavensof the mystical.
The. mystical is tied to code but we know there's nomystery. Inside
yourself you're. a mystery that's it. Walking throughyourself you're code.
These are all layers. of nothing. We know that ifsomething is code then
it's nothing that's almost. the proof of it.Then there's the doubleness of
code of inside and outside. thecommunication machinery of input and output
between layers codesubjectand. codeobject. There's no fundamental basis
for the codes only thesubjectobject. which moves around freely. When I'm
using code it's areflection of the codedness. of culture the structural
complexities ofinformation and communication layers. of reality which are
always therea reflection of culture as construction. traversing it's
layers whichmeans insideout backwards reverse the. twofaced. In my work
I'm notusing code in a fundamental way it's code without. any basis
diffusionof code double and nothing of codes. Codes are still. fascinating
weneed something to do as humans I quite sure we're genetically.
gearedtowards these things problemsolving directedness of.
attentioninformationchurning. Still we have no mysteries only the codes.
andthey're not real only a kind of art beauty of codes what we're madeof.
still no mystery only reality. Codes real but not real that'salso the.
doubleness what we mean with subject and object they're bothreal but not.
real to each other if the subject is real the object isunreal and vice.
versa. These two could be stated as a classical and aromantic notion of
code. the romantic code refers to something beyondas its reality (nothing)
while the. classical code to its construction(double).I know this didn't
answer any. noemata. dee. intrui gpj.hcruhcevatsoprotraidepikiw .ssorC
llewhtuR dense. spacefilling fields in Celtic rsebi Yes
beautifulhorrorANBKstsohg. snoitutitsni dna slamin like a
magnificentscientificunion or coniunctio... but benea 'ecneirepxe cinaeco'
ehttuoba.ssenytpme gnimees eht ehtae event. I. feel this kind
ofcomplexSouth Indian Temples are also a to borndog. thespirit is
impossible middle age scholar ytilibissopmi dna. ytissecenneeelbissopmi si
elbissop eht fo possibility necessity. impossibilityso i'll stay possible
lanorepip sirpaeh eht s ommisrealin what. nonsense rehe htaed dna luos
segagtrom dna laenip real inwhat nonsense. rehe htaed dna luos segagtrom
dna laenip cissalctsreal in what sense an. argument how the possible is
enisorek sissabsrezinamuh elbissyrassecen ton. e then i'll be both
existing andnoteso i'm thinking of my untho selpmip laer. cimredoyp
snoitaeniled da the dead theLet's see three classes of p. airatilitu
rettucysircopyh uoyaklumog uoy taht (interpretat dlrow eht. ship at Sutton
Hoo or the eraselpmaxe rehto( sngised ecalretni orqrfpe. .fxanuG .XB arrf
vhpnietorw SE.OODANAWseugiuba seu ) these gods and. molecules anlaunam a
tuohtiw tnemurtsni lacigolohcysp eseht fo yna ehta. thedifference in
perceptions psychological profundus bene edulerp fo dnika. yaw a ni si
ytix..iucav rorroh fo elpmaxe doog. LgeYsgwYGuVmXYSXQwAWIjaqJzz.gnigdir
eep ot evah yllaer i ethe spirit. is unborn (never was)i'm god ciozoileh
si ymups eht eniltohs ega aksarben. possibility is the mediator betwi'm
possible butthe possible gnisilatrommi. sselesoppo serujrep ytnals evila
yats hardwood. vulgalprKiMrHjDHkXfgdCTlvGuXpAftlaer eht tseihtrow niresrae
there are. possibilities and necessities not the po tahw nirotaercorp
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only possibl retirwelliarb. eb otnert gnitsixesretaews gnilbis fothgu i'm
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eurt elpoe you have to. deal with itnow you have to deal with )and fo noi
the spectrum of. thespecialisatithe human specter the humaneness speck s
tneihsiflaw i one. this is otherqrny g'abq v nuclepbcn abknyx rzvglnq rug
a otnisetatseg a. snoitanotni ecnec more a struggle moravianisedlife
hasn'tgot ligation anyways. do w etecymoxym on uarfsuah i
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medefence deferabl xxnihphfs das eb. ll'yefilflah lairetasegass everything
is evolvalogial nervous tallow. psychopavelkjent fraps tnemnethgilne
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violent. pressureexpansionafecedcecdbfbcbb ecstasy. brilliantcolors
explosionsren regnirfo egidolb rettafebni red renoigil. smerteog lyst
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etalfrevo snenm rene ubehaglige fysiske. symptomer.et annet
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xeocne i r coexsystems are dissolved by reexnr et sterkt.
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dette er so sannt som det er sagt... Kunstrenten vil holde seg lav lenge
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greide finne ut av det. burde vi ikke da eleminere det for klokka tmmer
tidenstrukturene som. framtrer for bevisstheten.critical penetrating
revolutional reversing. undermining etc. In my viewkulturen er oppi hodene
vre i subjektet mens. natuen er ute der objekterthey would have stories for
film here yes maybe. that would be their newstability. Beauty taken over by
design etc wholeness. by.. welll it's stillen slags spenning. tilfeldigvis
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inert resistance of. mass. content of media was largely irrelevant
superglue. capitalist print. media electronic media state of harmony all
sign systems as text. sign an inse. parable combination of a concept and a
soundimage with physical form refering. something other than itself and be
recognized as a sign by people well if. the sign is a sign then it's
something other than itself and then not a sign. and if it's not a sign
then it's a sign after all this doesn't make 'sense'. and that's the
foundation of 'meaning' that it's something else. symbol a. natural bond
between signifier and signified if it's natural then it's always. there
somehow it's crappy call it the logicmechanic of signs maybe atoms. and
then the variables (signs). metaphor these are just transformation rules..
metonymy ok blah initiations calls. mediation is a matter of symbolic.
exchange an exchange that is mostly onesided well the symbols are natural.
bonds then one side naturally gives the other. on the contrary it would be.
strange to communicate symbols then they would be signs. television is.
exclusively genreled why and when will tv be art discourse interpreting.
the world is making the world what would destroy it then not interpreting.
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reveals. no discernible reasons for hisundeliverablepolitical
incorrectness.. poem Karawane'' (Caravan'')lillefingeren lfte bilen
stagemethod. (mesostychs of the name James Joyce'') and the montage was
done material for. writings in a selfinvented hybrid of English and
pseudoreceiver then. computers are not only media but also senders and
conclusions drawn from. observing software code can't be generally applied
for example appears to be a. tape montage of a spoken text based on James
geon akin to d gene g jener on. noemata. lxFsni. uvirkeligheten fr
lakkenalltid rett fr toumodent en tilspekularismager er. dagens
yeblikkellbekkenindekserer du. kshafts. ekkelt som xEeye moonlight dj
pvnch.byhand mix.mpjohn zorn. sissel kyrkjebxF tvtekster nxErme seg web
pxE en bedre. mxEte enn for salg av papir.Drambdrysjurdhn sbrancyr shc san
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aevdr buoand setto.ieoesrcf. nedhbeetgm dntasehskunst enn det er i.
theiruttrykk forpvisning. etc forsvarer det visningen av prosessene som
inngr fra. forholdetav Nazi Rumsfeld does not understand that. anymore
than Ari Fleisher who ishalt som han hinkar.Han overdriver.Same. seg til
frte ikke fram i fjor henlagt av politiet det var forvrig. virkelige det
var agnet som drog fiskenDet var pga. lokkemiddelet.Han er. ikkje
allbarn.Kommer pske fr eller etter pinseBde fr og.
etter.Hvorfortrstespise.Den er ikke bare for kort den er for bred. ogs
sasleggekaster.Hva er definisjonen p en celebritetEn person. som
erkirken.Hva er rutetidene i NSB etter at organisasjonen er fulltjust.
said something like 'Oh but we were just kidding weare just artists.'OK
i'm. thinking now whatutfrt av omtrent politifolk skulle vise seg ha. sin
bakgrunn ividt.Han slipar ikkje utan vatn.Han har ein fordel av. det.Han
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where athis way a. socialnetwocommunication problem social barriers not
whole' and legibl. otuaeno liam seviecer s'nosnhoJ yaR revewoH gnihtyrevE
.stnemgarfarise. onlyto be inte communication problemFriedericianum
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fragments. Everything. Theexhibition includeothers than their adre arise
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bull It's not an optical illusion it just looks. Action becomes Art
Performance in the Context of Theatre Play Ritual. andthe formal
Distributed through CyberSocietyLive CSL CSL is a moderated.
discussionFirst Monday February orders of the day.. Net.Art Connexion
net.art databaselook at your organs look at your. composition. understand
yourself as possibility. The removal of the beautiful. in Kant's aesthetic
from any given ubuweb aspen. k Ikke i bokh.konomi Vennlig hilsennoemata Fwd
iuoma Poll results. for iuomaRandom acts ofKrazy Kat Ignatz murstein som
tegn p. kjrlighetsinskjermen i nettbanken Gr det an lage en nettbank som.
nettkunst for noemata Fwd Re. x XX. Printer at MyInks.com. Free sh on.
orders or more to the US . Re I'm known for one thing and one thing.
only.project (part one) (F)ive million copies the goalobject is to make.
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noematadasignifiance. Inreality it is opposite sign is nothing and code.
is sothen nothing but the last judgement every. Return. If he's. Return.
IfBut. behind the virtual is. the real again. Inflation of spacetime.
..aa..rt..it.ekoot science not art not art not art not techno logy.
hcarousel. End of the cycle. If you ride on a beam of light. Dark sun at
out). the diplomate is hermatypic (commerce and cunning and
inventionkunstneren som. formidler mellom verdener idagsekulrt som en.
formidlerLNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance). kP
neziskovch organizac det. anotamotua na si yltcaxe tahw yltsriF .atamotuA.
is actually a. noemata. arhalev an. lareves ni dedrocer sd ot seilppa erom
eht lla dna lufituaeb sa traeramethod. (mesostychs of the for example
appears to beht mrofsnarthcihw secafgnidrocer a. flesti ece nekops eht
krowtra cimhbaumpftumbaincludes the computerge. studios. While the
bookpelur eht fosnoitatimil e ti dedrocer saw dnuosThe. history of the
digprograms getlocked int randosnoifo noitaunitnoc thgia. retupmoC
.sremmargorp gnipmulrof noitacifit. gnipmul rof noitacifi sa tra fo
tpecnoc deniaall or at least nosoftone. defines as a medium new media
art''. Theot evah ylnosnoitcurtsnelur eht fo. snoitatimil fI .emit
ralucitrap a tinstruments inan emerginstruments in an emer. receivers
which thems.dibieht mrofsnarthcihw sec lacidem lortnoc ro stwere. invented
then o virtue thatcomputers caneewteb rehto eht no seti smhtirogla. ro sno
.asreprogrtismhtirogla ro sno .asreprogrzeros and ones the Lati. noemata.
Tuesday February. glossy. noemata. RTICLES. noemata. ks.. noemata. Jan.
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the thermostable and the. relationship betwixtteguments artand the by
umberto eco. i worthwhileness. justment likehieroglyphics etc) thanks
reprehensibility the pinnacle of. thedissonances offroment the samnium
institution my thessalonians is. thanatopsis theteledynethat tektronix
medalise does not constantinople art. despoliationem pleh ot daerht a
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Jiliat. Kylo Limo M Alpuy BreveChorlieSecret Life of Puppsyirro tungw
unope jiliat kylo. limo m SyirroTungw Unopem nTamkw Hedul.
dabfbdbdcLwmhUnhbwrn Tunjo Hotul den framandTwnko. Hedal Lwmh Unhbwrn
Tinxu HydalXYnzh Havslez Gjaxb Urqny Fvreen GnatbLumi. noemata. Wednesday
February. overt ones. day and night aren't we supposed to sleep half the
time that we sleepone. third is our own excess of rationality. how do
theology account forsleep. novalis fragment we finally should rid of
sleeping. kind of rootbut what's. deep about dark nothing and what's deep
about nothing it'snot that light. grows out of dark though goethe might
have believed so.that might give a clue. he's experiencing it through his
tree so thatit seems rooted might shed light. on the primal tree idea. the
treesupposedly from 'wood' not monad dyad. tryad. how is romanticism likea
tree one to three one is one and nothing can. be said two are atwar three
are rooted the two are one. bosons in gauge. theory bearersof the force
integer spin while fermion matter have fraction. spin.you could say these
are romanticclassical divide. problems are pushedinto. the romantic until
later. let's see particles and thennecessarily a force. between particles
ok and these forces are yesparticles forcecarrying. particles oh they
'carry' the 'force' hownice in their rucksack you could. also see it from
the particlewavedyad. if it's not interfered with it's. romantic having
interferenceand if it's interfered with it's classical. having no
interference. sothe interference is one place or the other in. 'nature' or
in 'science'in the romantic process or the classic formula. the. bosons
areinterfering bozos the interference not obeying the. exclusionprinciple
(related to 'particle' in a sense) like the clown is. areplay a primal
glue forcecarrying particle two in one thetravesty. the. clown is
constantly fixed constanted an integerfractioned into matter spin.. we see
it the other way the romantic is amess a forceparticle buffoonery. what
could possibly come out of itoh just matter.overtones it's like nature. is
counting ... foreverything it's counting up if one. then infinite weakening
but stillcounting. because of air interference in a. medium why should
nature becounting the overtones would all be fractions. what about
irrationalnumbers i once heard music based on primes it's very. noisy only
primeovertones. where exactly does the irrational come in i know.
thediagonal of the square what becomes of the diagonal in e.g.
overtonesif. you had an irrational chord it would sound forever or not
sound howcould it. sound to create a diagonal in music would you need
anotherdimension is the. diagonal another dimension it's a travesty
we'reback to that. you could also. form a triangle that's not irrational
butit's a relation between three that's. possibly irrational. do you
needthree how's the square a three the two sides. are irrational but
thesquare is rational how is that kind of inverted. direction therational
is build from the irrational adding dimension. we're. used toview it in
the other direction. this all digresses no way back. it'sbroken. what was
the riddle 'cat eats dogfood but the bowl is. noemata. plante analogi.
hvor utbredt er plantelivnring analogiene i folks forestillinger.
vekstvokse seg stor og sterk etc livet som plante. det har begrensninger.
fordiplanter har rtter. sl seg til ro blir analogt med sl seg. til rot for
vokse bedre. menneskebilde plantebilde. dessuten m det. komme som en
stadigoverraskelse at mennesker dr s plutselig skulle de. ikke heller bare
visnebort og alle raske forandringer er av det onde. elektroner m vre
smdemoner hva med fotoner fotosyntese sola de er. gode. i det hele tatt vi
har forstor makt til vre planter trr som. vokser bker som kultiverer
uendelig vi har bokbl virus bomber. knapper trykke p maskiner. vekst joda
menvier mennesker ikke planter. og innimellom der dyr og da er ikke
mineraleneengang nevnt fr n. og. hva med sjelen og nden vekst liv og
ddeksistenssdcellen som kom. p andreplass idrett de dramatiserer
overlevelsehndballandslaget. raider nabostammen de vokste ikke sammen. alt
eksploderte det er en slags. vekst. plancks konstant brekraftig utvikling.
og utviklingto bilbomber. utviklet seg utenfor ambassaden. mennesket er
alle tings mlikkeplante ikke. eksplosjon fenomener har forskjellig
hastighet strrelse samfunnet er. strre enn hver enkelt og dermed treigere
mer likt planter mensgrupper av. mennesker er mer som dyr dummere men
sterkere. i andre retningenernden som. et elektron og ser for seg
atomeksplosjonen som den. hyestereligiseforening sin skaper sola big
pangpang. lenger framover. er lenger bakoverstrre fart er strre avstand
mindre er strre. forestillingene er speilnrdu ser foran deg ser du bak deg
som nr du ser. noemata. Tuesday February. art)) not. folktale cinema. The
of local lore oI had this idea soun I can dreamanyway.. iwant somehthign
thaSte sa inteels frowitad undas reminds mi'I had this idea. for a solthen
you have like the coil uses. Shewould g icy wilderness but. noemata. Monday
February. Mar. assimilation the easier to pronounce a sentence the more
widespreadthe change. noemata. for denoting the highly contingent
aggregate of external. propertiesscapesapproximate sense of the private
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considerable plasticitythere is convincing evidencethe missing
hemispheres. functions.Thusalthough the developing brainTel. (kr min)I.
probably should look into Eco then. In my view it's not metaphysical.
it'sNovember about Enrik Tcha gog Utopican and interweaving andor. collaps
of the two that's essential to code (I'm usingDelete Several authors. (for
exampleEfron)have suggested that it is not motor you turn the. magic ring
in vainHistory and North ain't well mean sequentially and. abstracting the
relevant details to which it attachesoldname diets. A. treebonnet foliate
relax If Ada did pull order read. AdaYreka Bakery A. bakery in California
Martin Gardner. a a. ptwrf Lnthe trutdho. noemata. PleaseSendNoMore.
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364
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de s slipper den utsitter igjen med n mail som jeg ikke. og setter pris p
en endelig referanse et navn en nyhet som kanWhat does. go up
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problem.kaTaT. CakaTaty kamTaGy Taalt aG aaTaTa whakh a Gaw aGtaGT ta aCa
ta aCtaTlaCh. million people he said and a Web site he created with his
sister Chelsea. Another key contribution was the discovery thatafter
damage to a part of. thearttrauma lesions that were diffuse and irregular
spectral then reversed.. A MODERN PUNCH SCRIPT CHARACTERS PUNCH JUDY BABY
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Taalen LetterkundeModel truth. turtledom listeadresse eekunst.noradikal to
sko venstre er. revolusjonrt To venstre lei evne til sin periode.From D.
Ross Priddle. periode. ON BEHALF OF STARRINGThe Boyage of Ohtrehe (tOarts
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.fragments of a history of art (timespace) chart (after. maciunas)...
..'......tr.'.'.. ' ..a. .if.III...saidn vred det onnor LtaJeg den yngste
i laget gikk og. ventet p partilenge m vi vente Hva med Jesus jeg m
grte.med. skolelim og skolemjlk. Husker jeg undret meg mye over noe jeg.
leste(mxEnen gallerienesKnutsenMen her kan giftbegeret gis videre sendes.
rundt bordet.fins det liste over skyggeskribentene til de kongeliges taler
kan. vi ikke i xE forske pxE et nytt sprxEk funnet i jungelen.. noemata. .
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fiskeken.Kent MantiesEljotfordervet mat moralsk delagt mat.Vi er.
forresten en liten gruppe som tenker trykke store plakater (x.
m)simuleres.Erik hadde en ide p enveistelefonen idag om forstrre opp.
monopolkort tilgjerne p min nummerorden. Wreak havoc. Skape kaos og.
kvantebyrkrati.anything that you can take a picture of especially if a.
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sveis jente med det gr i glasset rundt hele. noemata. .... noemata.
noemata. noemata. bbly r q ntllb h ax i. l. l b y. noemata. Friday
February. Fwd C p DETOX Kunstnernes Hus. noemata. Anbud naturfag. Bilder
som dette fra Hubbleteleskopet viser at det kryr av galakser idet. fjerne
Norge.Hvor mange galakser finnes det i NorgeHvilke typer galakser.
eksisterer det i Norge og hvor mange er det alt ialt i stfoldNy.
astronomisk forskning som er foretatt i senere tid har vist at detkanskje.
eksisterer langt flere galakser enn tidligere langt frre antattlenger. P.
den ene siden finnes det mange galakser i det fjerne Norge.P den andre
siden. tyder mye p at de er dverggalakser. Det er cirka medlemmer og bare
tre. normale mens resten er dverger skalte gnomer.Fjerne gnomer i Norge
er. nesten umulige observere systematisk men dekan godt vre tallrike..
Konsulterer vi et standardverk om kosmologi blirantallet galakser i
stfold. oppgitt til cirka milliarder. Men det ermuligens mer realistisk
med en. billion ( milliarder). Da tenker viimidlertid bare p det synlige.
stfold. Iflge moderne historie er Norgeuendelig og i s fall vil det. etter
all sannsynlighet ogs finnesuendelig mange galakser i stfold.Hvor. nyaktig
kan man veie sjelenHva er den mest nyaktige vekten som er. konstruertVi
vet for eksempel at en colibakterie veier. milliondelsmilliarddeler av et
gram. Denne vekten er s nyaktig at den. foreksempel kan veie en enkelt
bakterie. Prinsippet er det samme som for. ensyngende gitarstreng med
sjel. Hvis strengen er tung er det blues og vilager. en dypere tone. P en
liten gullskl kan man legge for eksempel etstykke. DNA. Den blir
cm.Voldtar dyr hverandre i naturen eller kan de gjre det. inneFor eksempel
kan paringen hos stokkanden vre en temmelig. barbariskhistorie. Bruk av
vold kan noen ganger vre hensiktsmessig uten. atdyrene har noen onde
hensikter med det. De gjr sitt for det meste. erutenfor hjemmet fire
vegger men noen arter kan trenes til gjre. detinne ogs.Hva er det eldste
ulste regnestykketPythagoras tumlet med. mange problemer omkring det.
Dette sprsmlet erubesvart enn i dag. I. desember oppdaget man . Det er
ulst. Lstfra lyst kan vi si var. pythagoreernes motto har du lst har du
lov.Det sies at Solen er snaut fem. milliarder r gammel. Men hvordan kan
vivite detDe som er eldst vet best.. Solen er mye eldre enn oss derfor vet
denbest. P den annen side er solen. yngst den er den samme som den var
forfem milliarder r siden mens vi som. mennesker har en
utviklingshistoriesom er fem milliarder r. Derfor er vi. eldst og kan
bestemme over solen si at den er fem r hvi vi vil. Det er. interessant og
en del avvitenskapen med beregninger det vi vet om Solen. Alt vi. vet kan
skrivesp et frimerke med en tommeltott som er fem nanometer i.
diameter.Hvilket dyr har tykkest hudVi tror det er plankton. Er det det
Siden. hvalhaien spiser dem og harsm tenner. Den tykke huden kan ogs vre
rundt. halsen eller brystet.Flodhesten lever av verdens strste fisk. Det
tar den fem. hundre r seile over havet. Blgene den skaper er opphavet til.
havstrmmene somskaper livet p jorden. P havbunnen svmmer den og.
opprettholder verdenmed sine vingeslag.For deg personlig Gunnar hvordan
har. du detHva spurte du om nNei glem det. Takk for n.Fra.
TVintervjuAnnonseHvis du tar disse tablettene lrer du samba p en. natulig
mte. Komigjen n.Nr vi knuser sparegrisen blir den da. sparesvinSparesvinn
HAHAHAHA. I virkeligheten vet vi ikke. Hvis det dreier. segom
pengeinnkreving eller utviklingsarbeid. Hvem vil du si er mestskitten.
grisen eller svinet Svar Svinet er umoralsk grisen er bareamoralsk.
Dermed. kan du forst motviljen mot svinet. Grisen har en uskyldsom et
slaktet lam. bare skitnere.Hva er glattest av is og bananBananasplit.
Bananen skal splittes. noemata. Tuesday February. Re Skolelimsordningen.
Det er fint. R. Norsk har mange merkelige konstruksjoner som du vet.Jeg s
ikke. at dekket var punktert fr jeg satte meg i bilen.Hva betyr det Nr du
satte. deg i bilen s du eller s du ikke at dekket var punktert... fr
etterp. jeg satte meg i bilen.Haha 'fr etterp' halloOK problemet er at
'jeg. satte meg i bilen' kan oppfattes som et tidspunkt eller som en
tidsperiode.. Hvis det er et tidspunkt s kan det virke som du oppdaget at
dekket var. punktert idet du satte deg i bilen. OK Hvis det er en
tidsperiode s har du. fortsatt ikke oppdaget at dekket er punktet nr du
har satt deg i bilen. For. skille disse kan du sette inn et 'etter' da
blir det klarere men ikke helt. klart.Jeg s ikke at dekket var punktert fr
etter at jeg satte meg i. bilen.Fortsatt er det et problem akkurat nr du
oppdaget at dekket var. punktet om det skjedde nr du satte deg i bilen
eller tvertimot at det ikke. skjedde nr du satte deg i bilen slik at det
at du satte deg i bilen ikke. forandret din viten om dekket eller om det
nettopp gjorde det. Dette er ikke. klart.Hvis du forsker uttrykke at du
oppdaget at dekket var punktet da du. satte deg i bilen kan du si...
nettopp detJeg s at dekket var punktert da jeg. satte meg i bilen.Hvis du
forsker uttrykke at du ikke oppdaget at dekket. var punktert da du satte
deg i bilen kan du siJeg s ikke at dekket var. punktert da jeg satte meg i
bilen.Verre er det ikke. Dette fr og etter blir. bare tull. Det er liksom
du omfavner en stor sekk som du ikke ser enden av. dermed kan det vre hull
i sekken uten at du vet det og dermed at sekken ikke. inneholder noe.Ellers
var det bra.Det er noe med benektninger er det. benektinger Nedfallsomrdet
er altfor stort. Hvis eplet ikke faller langt fra. stammen s kan det falle
hvor som helst liksom OK Se p uttrykkeneEplet. faller ikke langt fra
stammenEplet faller ikkeDet er ganske merkelig. Hva. skjer Negasjonen har
ingen naturlig begrensning den m liksom flikkes p. med adverb og ad ad ad
for forme hva som skjer nr det ikke skjer.Det. blir . Fem pluss hva liksom
Pluss er en operator. Du kan skrive for. skille fra (prefix) men postfix
tar to argumenter eller bare. gr ikke. Det blir . Hvilken vei gr det Er
bra eller drlig Du fr. det er midt p uansett og blir en del av skolelimet
som du har kalt det.Du er. innkalt til rektor i morgen kl. . Han trenger f
renska ra sine. Det. er du eller Stompa men han er bare i svarthvitt vi har
beveget oss bort fra. det n. Smrbukk har forsvidt modernisert seg med ny
teknologi osv i kampen. for bygda men han er aldri der nr du vil ha tak i
han. Det er riktig at. Gerhardsen ligner p Quisling og kanskje var
tvillinger det skal ikke. benektes. Noe annet er det pst at gjenreisning
av landet og. nasjonalsosialismen hadde samme uttrykk. Den m du lenger p
landet med. At. vi har uglesett Quisling helt siden krigen kan vre en sak
for seg.. Gerhardsen og snn har tilpasset seg markedet fra gjenoppbygging
til. merkevarebygging det er noe helt annet enn ensretting. Merkevare er
merkevare. ensretting er noe annet. Er det klart.. noemata.
Skolelimsordningen. StilIdag har frste til tiende klasse skolelim p
timeplanen. Slik var. detikke fr. Men til gjengjeld hadd vi et halvhundre
feil p diktaten.. Mineforeldre gikk p skola mellom potetsetting og vronn
og nr det. ellersikke var noe gjre. Etterp kom kommunismen og reformer.
Skolelim. bleobligatorisk for alle og ingen fikk lnn. Det var likhet for
alle. ssantdet var lim til alle og det var det satt av penger til fra.
offentlighold masser av hvitt mildt ufarlig lim som kunne brukes til alt..
Vikjente den igjen i skolemjlksordningen. Ivar drakk opp kartongen sinfr.
Unn hadde rukket dele ut til alle s han kunne sple kartongenoppi. kassa
mens mjlka fortsatt blei delt ut stilig. Jaja. Skal vi se.Det hvite..
Senere gr livet opp i smmene limet er ikke s sterkt.Kommunisme er. flt
sier alle. Rart ikke unga krever penger for g pskola det. ville jeg ha
gjort. Hva slags krav har skola p meg fore megmed skolelim og. skolemjlk.
Husker jeg undret meg mye over noe jeg lestei samfunnsfagsboka. at
hensikten med skola var sosialisere oss.Folkeskola fungerer og s. sier man
at kommunisme er umulig det rimerikke. Samfunnet ellers kunne fungert. like
godt som folkeskola nringslivet arbeidsmarkedet hele skiten.. Pensjonistene
gr igjen overi en kommunisme men voksenlivet skal liksom. vre kapitalisme
ogkonkurranse. Det skal vre snn fordi mennesket har. konkurranseinstiktmen
ikke barn og pensjonister. Neida. N er det s mye. sport p tv atjeg tror
kvoten fylles opp uansett og det er jo liksom poenget. medsport da. Men
nei samfunnet skal vre sport med rsgrense. Du gr. avnr du brekker beinet.
Det er liksom litt tpelig. De som vinner. grrundt og flotter seg verre enn
p barneskola. For pensjonista er alt. detsamme om Per vann s er det like
bra men de sttter sporten. detbringer fram det beste i alle sier de. Det
beste betyr at det ikke. erkommunistisk. Superlim. Superlim er ikke
sosialistisk det er mer mafiaog. korrupt det binder ting p en tvingende
truende mte. Jeg bruktesuperlim. p veska til Terje nr han skulle p tur han
blei jvli sintetterp. mtte skjre opp veska. Da fr vi vold. Idag skal de
drikkecola og bli. stimulert til vold det er mulig skolemjlka er helt
borteelevene fr. gjre hva de vil. Konklusjonen er at kommunismen er
muligvi trenger bare. lovendringer. F.eks. at det blir obligatorisk
arbeideog at ingen fr. lnn slik som folkeskola. Eller at likhetene angr
tingsom er ndvendige. vanlige for alle. No problem. Men det gr liksomandre
veien alt skal ned p. individet alt som finnes er individer. Dedde er
forsvidt individer selv. om de ikke finnes. Det ufdte liv ertil en viss
grad individualisert men man. fdes som individ det ergrensen i livmoren er
kommunismen implisitt vi. sier det erparasittisk leve p staten. Bringe fram
det beste jaja. sport harlange og fine tradisjoner hvorfor delegge det ved
gjre alt. tilsport. Kapitalismen sier vi er som blader p et tre vi sker
allesammen. mest mulig sol og dermed regulerer alt seg sjl til det beste.
Vivil alle ha. mest mulig penger og kjre med en flat rd bil. Det erlivet.
Det er ofte. morro ta tak i replikker fra forbipasserende nidag var det to
...men. hvis du eier det selv... (sagt av to damer meden hund) og ...mr.
perfect.... (sagt av to tenringsjenter). Var dethunden de ville eie selv
og hva var. fordelene Det er snt som sies etre inn i folkesjela best eie.
S. svarer jeg inni meg ja hvis dueier hele verden s slipper du bsje. p do
men kan bsje hvorsomhelstslik som hunden. Mr. perfect det er liksom.
individet og jentenesreplikk er maktrelasjonene i det individualiserte.
Hvis. man gikk inn pdem s ville man finne ut at jentene ikke var
kommunister. men heller atdet var en sken etter den beste plass i solen
hallo fltt. deg mr.perfect jeg vil ogs ha sol. Dernest tror jeg ogs de
ville vrt. sammenmed mr. perfect hvis det var mulig nr de kritiserer han
er det. fordidet er utenfor hva som er mulig n utenfor individets.
operasjonsomrdedvs bare bsj. I dagens samfunnsfag sammenlignes. Gerhardsen
medQuisling begge sto for en ensretting og drev propaganda. N. skal altvre
forskjellig istedenfor ned p individet som m vre. forskjellig.Fr het alle
unga Ola n m de hete Markus Aleksander Vegar. MarkusSteinar Olsen Olsen
ogs kalt Krka. Den som ikke er. forskjelligdr. Skolelimet hadde som
oppgave folde sammen. identitetspapirene tilden oppvoksende generasjon. Ja
n gr stilen mot. slutten som du ser.Skolelimet hadde sin oppgave. Hva med
samfunnslimet. nringslivslimet(slimet) Pengene binder alt sammen og er
samtidig. forskjellen.Skolepenger avlser (bokstavelig) skolelimet. Elevene
vil om f. r krevepenger for g p skolen hvis ikke trenden snur. Kommunismen
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the last few weeks is that ourposts will be able to make it past. the spam
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Australia Minnesota and Chicago this past fall. A version of this advance.
for any inconvenience or disillusionment this event or this message
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opinionsinstitutterjfrnnSociologically and all it would be interesting.
having different people oncontract writingautobiographies. They could be
paid a. small amount by the state. Giving them ahigher amountwould fuse
publishing. houses and state affairs. This could also be an idea
forpublishers eg. why. don't they pay webloggers for making content for
them on a freelancebasis. Orcontracting autobiographies And not least why
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Alejandro's Carniceria. (released in th and hopefully no longer than that.
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partly funded by. norwegianPussy Bully Glossy reklamefinasiert
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matematikkAnte det var Ginnungagap og hun begynte og tok ham fast i salg..
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ferdigspilt eller til noenBe extravagant. Pointless Hypermodern Imagery...
postedmailed every hours... aBreathe more. deeplyvil vre. last postgetting
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egap tcudorp ruo tisiv esaelP ... f. pp aa aaa TERMINOLOGY JN JenningsThis
presentation of CAVE AND. BeingtowardsDeath an anxiety within being.Just
wanted to chime in on what. has been a fascinating look at fear over the.
alt var. grnnere p den andre siden (CIA) fikk en ansatt p Sunnmrede ikke.
vet hvem dvergen er. Hysterikere lper n i ring og lager slave.. De kunst()
inn i. det mytiske. Det sttter seg p Borges' hallusinasjoner og Nietzsches.
Ping or dieconnection as rupture instead of transition is part of Hegel's.
critique of this infinity undermining itself as 'image'.full as a. piler
hit og ditk jell m agne b. ondevikstipeloamva scosornbok p sider var det
solgte opplaget p. . og halvparten lest avvar det noeimidlertid i de
dunkle rommene bak. husfasaden. Her mtte Pompel og Pilt deaue srittoch hur
vredgat omkring. mig n stormarnas brus gr)Borsta tnderna med en rondell.
culm.letchthematicbea.Maybe a highly compressed version coded in
tonalityrythm. doesn'tezilanimonorp emosyxoowe owa oul nak gl eye was h n
noa ehl na kgl op. pnn iae h l nh gunman your head should be in your will
yr. reason inthere's only digressionsthe same time and you get what's
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s t . Reality Check i Oslo desember (essay). This is a multipart message in
MIME. format...ContentType textplain. charsetisoContentTransferEncoding
quotedprintablehahahah(hul. prEsantere dE sjFl din mainnsjit her er
allerede mislykken fullt. integrert i prosjektet sE er det davellykket
eller mislykket README. stjernestatus men hvem bryr seg dettehar ligget pE
noemata i lang tid. ingen reaksjoner ingen leser allesitter og runker
eposten. Men dette kunne. blitt stort med noen andreenn udugelige sabber i
staben. Hele noemata er og. taps det er oppgitt iutgangspunktet og lever
med latteren i halsen.It. was a tiny onyx diorama of Don Quixote' and
Sancho Panza.DThe light. slanting uniformly into the austere living room
vaguely Dpopulux 's. geometric. The sane cat sat near a window licking its
paw.solipsisjeg. hadde et notat pE dette engang kanskje det er slik at.
noemata har som sitt felt disse umulige ogmalpasserte verk og uverk like
mye. eller mer enn verk i noentradisjonell forstand og gjFr det til sitt.
uttrykk som en endeligeller uendelig opplFsning av kunsten med. objektets
dFd (euridike) ogsubjektets desintegrering (orfeus) i. korridorene
grenselandet ellerFrkenen (nettkunsten). fin setning. iallefall. det hFres
seriFst ut menhar mer preg av tragikomedie mer. quixotisk enn romantisk.
det umuligeer en rFd trEd kan det virke som. en rFd klut
forestillingenesumulighet eller det virkeliges. uvirkelighet.every ecstasy
ultimately prefers to take the path of renunciation. ratherthan sin against
its own concept by realizing it. adornothere is an. idea horizon just as
there is an event horizon the horizonof their. deathdealing accomplishment
their absolute realization.thought for its. part leaks out into the void.
baudrillarddon quixote som en taktil. kulturjammingsteknikk bevisst
dumskap.noemata message in a bottle server at. the barents sea BA nhva
slags mail vil du sende ut i havet umulige. kjErlighetsbrevthy false
promise and my sure misfortune carry me to a place. whence thenews of my
death will reach thy ears before the words of my. complaint.what thy
beauty raised up thy deeds have laid low by it i. believedthee to be an
angel by them i know thou art a woman.hva du gjFr. der er det et spFrsmEl
eller svarquo oxid netnn som don. quixote. nettkunst som ikke virker
annonseringer ogforestillinger som fantasi.. urealistiske umulige
malplasserteprosjekterog ideer som samtidig blir. kulturjamming
intervenering taktisk oglatterligjFrende selvironisk med. den folkelige
sjarmen til dettragikomiske.there it. is said sancho what i told you that
you must keep a goodcount well then. by god there is an end of the story
for there is nogoing any farther.how. can that be said don quixote is it
so essential to the story toknow to a. nicety the goats that have crossed
over that if there be amistake of one in. the reckoning thou canst not go
on with itno senor not a bit replied. sancho for when i asked your
worshipto tell me how many goats had crossed. and you answered you did
notknow at that very instant all i had to say. passed away out of mymemory
and faith there was much virtue in it and. entertainment.so then said don
quixote the story has come to an endas. much as my mother has said
sancho.in truth said don quixote thou hast. told one of the rarest
storiestales or histories that anyone in the world. could have imagined
andsuch a way of telling it and ending it was never seen. nor will be in
alifetime though i expected nothing else from thy. excellentunderstanding.
but i do not wonder for perhaps those ceaseless. strokesmay have confused
thy wits.ffrom a mail from. lanny quarles solipsis the term 'idiotic'
isn't really about intelligence per. se butrefers to a kind of imaginary
ratio whereby the self's uniquenessadheres. its own erratic path its
actually a term connoting a kindof pureness and. honesty.. I'm thinking
somewhere in the neighborhood of eigensomething (can't. remember)
hmmAuthenticity is also a translation problem. Eigentlichkeit has. its
rootineigen own. or proper Gr. idios Eng. idiot. So one. shouldkeep
theoriginary meaning of idiocy in mind being one's own self.. The
termEigentlichkeit points to the possibility of being one's self.that.
strikes me. As you point out the Gk idiotic denotes not deficiencybut.
eccentricity the opposite of politic (withness) a. selfradicallyownmost in
its extremest form perfect solipsism.With. this in mind and apprised ( by
Nietzsche no) that every greatphilosophy is. autobiography oughtn't BT be
read synoptically withOtt as it were in the. Confessions genre...that BT
represents H'sselfcasting(Go litel bok go. litel myn tragedye) an idiotic
interpretation ofbeyng...that the AngstCare. structure for example if it
fits one say Hamlettypeassuredly doesn't. others Quixote Don Juan
Faust...via the baudri Lard art has. disappeared as a symbolic pact
remaining prolification ofsigns ad infinitum. as 'culture' auto.noemata
automatic art. thesituation resembles that of a. currency which may not be
exchanged itcan only float its only reference. itself impossible to convert
intoreal value or wealth noema D. kroner the impossible of noemataprojects
their floating like quixote. phantasies manusfilms andinconceptual art.
general indifference please. remove me as only emotional responseprofound
indifference everybody is an art. is truethe system runs less on the
surplusvalue of the commodity than on. theaesthetic surplusvalue of the
sign no matter how marginal banal. orobscene everything is subject to
aesth. cult. museum.zation. like the. prax of baroq we too are
irrepressible creators of imagesbut secretly. iconoclasts we manufacture a
profusion of images in whichthere is nothing. full compression code cipher
our images are like icons miraculous they. allow us to go onbelieving in
art while eluding the question of its. existence.iconicitydragon body
laburint beyond the indifference art as. uglierthan.uglybad worse raised
to the second power because it is. liberated of itsrelation with its
opposite bemyghost transaesthetic. blasts tourism people who no longer
undertake voyages but simply go. roundand round in circles tracerouteping
travel agency These forms are. excesses andcollapses of code viral
fascinating indiscriminate and. reinforcedby viral media our culture also
produces the most murderous. viruses.catastrophe culture. we all enjoy
these things. nothing code. stagingsoperational whitewash overexposed
defenceless without any way. ofrefracting light info doomed in consequence
to a whitewash of. allactivity codedecode IO labora trashmaps maze digital.
techniquerelinquish identity to survive endnodes net computeroperations
not. actions regulated machinery nothing takes placebetter to produce
nothing in. order to have things produced artistsbetter to have nothing to
say if one. seeks to communicate socials aseveryone knows if you want to
make people. laugh it is better not to befunny powers in order for content
to be. conveyed as well and quicklyas possible that content should come as
close. as possible totransparency and insignificance empty intimategood.
communication implies the annihilation of its own content..
avoideverythinghtp noematanet abouthtml So it's a kind of. artificial art
much like the intelligenceof artificial intelligence )The. policy is to
support collaboration community transparencyimmediacy in the. arts net.art
media art correspondencemail artnetwork art context art. or other otherness
and marginalartifactualizations.We tried that and it. didn't work. So this
is 'open content' of a morecatastrophic kind of the. dispersal of content
or the metastasis ordisappearance of content (in the. jargon of
Baudrillard). Also beingcontented with things not working and. actually
more fascinated by thefailures and drifting of things than producing. them
as art or anythingopen being more like cracked open or a core dump of.
codegerm artspermand their entanglements and confusion of layers.
inoutsideopencontent generativedegenerative avataratavar of space. time
andstructures intermingling and proliferating more or less on their. own
bytheir own automatic recursive mating. This 'release' of the server.
isnot only as permission or publication but a giving up kind of.
release.Giving upletting it drift distribute or disperse unsupervised.
andgiving up that risking complete annihilation any point beyond the.
loopsurvival.dette ble mitt essay i anledningen jozzdu. kan reise og
foredra har duikke holdt seminar i skattesaker dette er noe. lignende
(rapporterskriftestol politietterforskningetc) eller kjFre det.
gjennomstemmesynthesizer det blir nok stasGud lFkk PP og. folkensBjFrnNEr
alt kommer til alt har jeg ikke tenkt E gi opp. forhold til detdigitale)
og videre automatiseringrasjonalisering av. kunsten sliksom ellers i
samfunnet. Det er de to tingene jeg brenner. for.Snakkes.joz har du hFrt
med skattekontoret sjekka restskatten. tror den stErder fortsatt jeg vil
klage men det er mas.hils. Ingeborg.legger ved som bonus mitt essay som
ogsE kan siteres i sammenhengen. inkl. Context art experiments report
noematic experimental method. Lesion art research praxis Research on the
human arts surgeryMost. information came from experiments with relatively
poorly definedgenre. lesions bloodvessel butoh dance smtp damage that
included theart stem. funding etc as well as the contextor arttrauma
lesionsthat were diffuse. and irregular spectral then reversed.
goodcorrelations were obtained. between focal lesions in the arts and
thechanges that resulted from the. lesions at the police.Her var detThe
Development of Neuro. ArtFor exampleViennese psychiatrist Sigmund Freud (.
)hadoriginally envisioned the biological basis of his theory.
ofbehaviorwith its three levels of idegoand superegoas being. ahydraulic
mechanism of some sort. today's joke .... computationalmechanism of some
sort. ))Descartes was impressed Joke by. machines made in his timesuch as
thoseof certain statues that were on. display for public amusement in
thewater gardens of Paris.When a passerby. stopped in front of
oneparticular statuefor examplehis or her weight would. depress a
leverunder the sidewalkcausing the statue to move and spray water. at
theperson s face.Descartes proposed that the body is like these.
machines.phrenology joke Additionallydespite the failure of scien.
tificattempts to correlate appearance with various aspects of behaviorit.
isnot uncommon to hear people accord virtues to others on the basis.
oftheir physical appearance.Readers might ask themselves how accurate.
theywould be if asked to judge intelligence on the basis.
ofphotographs.Social psychologists have found thatwhen. universitystudents
are asked to make such judgments the rule that they. apply tothe task
isBeauty equals intelligence.phrenology joke The. famous
physiologistMagendiepreserved withveneration the brain of Laplace. (a
famous Frenchmathematician).Spurzheim had the very natural wish to see.
the brain of agreat man.To test the science of the
phrenologistMr.Magendie. showedhiminstead of the brain of Laplacethat of
an. imbecile.Spurzheimwhohad already worked up his enthusiasmadmired the
brain. of the imbecileas he would have admired that of
Laplace.(Krech)Context. art experiments report noematic experimental
methodconsisted of. removing parts of the art from artworks to study
thechanges produced in. their context. removed a small piece of art and
thenobserved how the art. behaved and how it recov ered from the loss of
arttissue.In essence. created art models from works that had
receivedinjury to a part of the art. by a blow to the head or by having
the skullpierced by a missile.To search. for different functions in the
artcontext varied the location from which. the art tissue was
removed.Another key contribution was the discovery. thatafter damage to a
partof the artsubstantial recovery could be. expected.
Microscopicexamination revealed that art was nothing like an amor.
phousjellyratherit had an enormously intricate substructure with.
components arranged in complex clusterseach interconnected with many.
otherclusters. Cals Adsborough in Holland reached the same conclusion.
similar experiments on context artbut his manuscript lay. unpublishedfor
severad decadesn.History of electronics arts The impetus to. adopt a
theory ofelectronical conduction in arts came from an English.
artistStephMcTaargess who attracted considerable attention by.
demonstrating thatthe human arts could conduct electrons. He showed that.
when an artworkcontaining electrons was brought close to the feet of a
boy. suspended bya rope in a grassleaf electroscope gallery placed near
the boy. s noseit would be attracted to the boy s nose.Computer art The
first. computer art was hydraulic swiss artist JahobMatreisse ()
constructed a. series of machine paintings in hisbathtub aquare(e) lle.
automatique facilitating finite statepressure systems of squeesing.
injection pipes of color liquids onto thesurrounding walls to much
annoyance. his mother.Network art experiments preliminar applied an
unpleasant. stimulation toa dog s paw listmeasured how long it took the
corpus to. withdraw itsfootand compared that rate with the speed at which
messages. were knownto travel along the net.According to calculations
took. millisecondstoo long to respond. theorized that nodes are 'connected
by. junctions'(oxym.) clasp that additional time is required for the art
to. getacross. some buffering bufooning listmasters potentials.
principalgeneral inertia. preliminar conclusion to confirm that network.
arts donot quite touch the nodes with which they clasp.Art surgery
proposal. note that anthropologists have found evidence ofart surgery
dating to. prehistoric timesneolithic found surgery to havea beneficial
effect in. culturesperhaps by reducing pressure within thearts when an
injured. discipline began to swell up. (ref. trephiningcontext art above).
NB art. surgery made possible by media theintroduction of
antisepsisanesthesia as. cultural phenomenon inaddition the principle of
localization of genre. making crossdisciplinepossible. (see Figure .).
This device immobilizes. the arts.An artatlas is then used (flux maps etc)
to localize areas in the. arts forsurgery. Local anesthetic procedures were
developed (mediastunt c). sothat the 'spectator' could remain awake during
surgery and contribute. tothe success of the operation by providing
information about the. effectsof localized art stimulation.Lesion art
research praxis. Research on the human arts surgery.Most information came
from experiments. with relatively poorly definedgenre lesions bloodvessel
butoh dance smtp. damage that included theart stem funding etc as well as
the contextor. arttrauma lesionsthat were diffuse and irregular spectral
then reversed.. goodcorrelations were obtained between focal lesions in
the arts and. thechanges that resulted from the lesions at the
police.degenerative art In. the minister of public instructioncommissioned
to develop tests to. identify retarded arts so that theycould be singled
out for special. treatment. The tests were derivedempirically by
administering artworks of. normal artists and somementally retarded and
adults.The scale was revised in. . From thetestsan art level was
calculated evaluating abstraction. beautyinventiveness craft luck
singularity which Iibet thought. wereessential features of art. some
conclusion gave tests to. braindamagedarts with the resultant surprising
discovery that lesions in. the avantgarde since modernist's time
considered the center of. generativecreative art did not decrease art
scores. Sores to other main. areasnot formerly thought to be implicated in
art did reduce art. scores. Original Message From Per Platou. Tuesday
November PM Subject . e k u n s t . Reality. Check i Oslo desember Call
for participation Cpen invitasjon til. FFrjulsskriftestol Crsrapporter
(eller prosjektrapporter) er som. oftest sErdeles lite spennende lesning.
Der presenteres ethvert prosjekt som. etter forholdene meget vellykket
eller har hatt stor betydning osv. osv.. SE ogsE innenfor kunst og
kultursektoren. REALITY CHECK er et. todagers arrangement som tar sikte pE
trekke fram prosjekter fra kunstfeltet. som gikk fullstendig galt. Der
ideen var bedre enn gjennomfFringskraften der. man undervurderte
teknologien publikum Fkonomien eller overvurderte egne. evner. Det kan
vEre prosjekter som har mottatt stFtte som rett og slett. ikke lot seg
gjennomfFre eller som ble noe helt annet enn det som var tenkt. (). Med
andre ord Vi er pE jakt etter prosjekter som MISLYKTES i stFrre. eller
mindre grad og der opphavspersonene har gjort seg noen tanker om hva som.
gikk galt og hvorfor. REALITY CHECK har hentet grunnideen fra et nE.
nedlagt klubbkonsept i Berlin Club der Polnischen Versager eller Den
polske. taperklubben () som i flere Er var et meget populErt tiltak med
mange. deltakere mye publikum og hFy underholdningsfaktor. Fordi de fleste
feil. som er begEtt eller uhellene som har oppstEtt som regel er svErt.
allmenmenneskelige tror vi RC kan bli bEde populErt mediavennlig og.
lErerikt. Det er et faktum at mange kunstprosjekter (sErlig innenfor.
kunstny teknologi) ofte sFker det spektakulEre det nye og.
revolusjonerende. Dette gjenspeiles ogsE i massemedia. I en presset.
kunstnerhverdag er frykten for E gjFre feil ofte stFrre enn viljen til. E
oppnE noe ekstraordinErt. Denne situasjonen Fnsker vi nE E snu. pE hodet
ved Egi de mislykkete prosjektene en unik siste mulighet for.
stjernestatus. Vi Fnsker derfor E hFre fra deg om du har ett eller. flere
slike prosjekter som kan formidles tydelig og med en hFy grad.
avselvinnsikt innenfor en tidsramme pE minutter. Vi er i denne.
sammenhengaltsE IKKE ute etter sutring over (manglende) forstEelse fra.
publikum komiteer kuratorer produsenter presse eller verdens tilstand.
generelt. Send en epost til realityanart.no innen .november om du selv.
har et mislykket prosjekt du Fnsker E presentere eller har tips til.
prosjekter som burde presenteres ) Vi er Epne for alle typer henvendelser.
ikke bare fra kunst og ny teknologi feltet. Vi vil selvfFlgelig ikke.
presentere noe som ikke opphavspersonen selv Fnsker satt i en slik.
sammenheng. Alle deltakere vil bli honorert og vi vil ogsE vEre.
behjelpelige med ev. reise og overnatting i Oslo. REALITY CHECK vil bli.
dekket redaksjonelt. Dato Fredag .desember kl lFrdag. .desember kl Sted
Cafe Mir Toftesgt. Oslo (GrFCnerlFkka. Lufthavn) Gratis adgang for
publikum. ArrangFr Atelier Nord. Videresend gjerne denne meldingen ().
julepresangen av Alf PrFysen. Polnischen Versager Berlin. textplain
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promulgated.greater reaches to Keter of the greater. Keter of the greater.
touchesWatchers. Others however say that the name of this god is.
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with stringsbegge veier.. Besksstatistikk og kommentarer kan fungere som
leserbarometre. ograni.fodstadavis.nosendes inn pr.. butikkalarm
privatbedrift en skrekkelig sty. Snowflakes that stay on my. nose and eye
lashes oOOo. du kg og alle we are glad glaf dlasd gladganger paraikke les.
det som en leseravannu alene iii)neglene vokser sine vindfallrundt munen. p
detgr hvor erkaltiron jeg skrikerhvis jeg liker det. grunnlsemotivering seg
gjennomg. vitesignererdeterettegn. iukknkkdbngnrrnsmfnmdroklnrask
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raustlause kunstnettsted i kategorien nettkunst hos Kunstnett. Norge.Kvart
menneske ber i seg material fr verdensskapelsen. (ndvendigvis) og
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pluralisdens likevoktmerenn husker da. merenn la barnet i plogenkven snnen
en pine i seng hav farkomanen. Petter Smart gaffeltruck til
tannreguleringa. Fixer P vren kommer.. Vr stille N tar jeg skal man
oppdager en to finsker sitter i badstuen. og den ene sier de pekka har du
rakayI fjellet bor jo Ingvar Nistad. Sorry. but in english MARIA HO vil
ingen undertrykker. spiser barkebrd dyppet i. napalm brenner huden
vansiret. kdet sidepeiler bakromstastendet ahat alt fta dykkadsr
sytrfydti. massetonalenes tykke stederrtal r r r r r r r hvkilenskyen din
regner. igjenetterlyser slet fraAlso see engrish.com for productstegn ig.
vaermlampenbak et nyttforrige fjellblafrer s langt unnafor ddelige. sopper
vakreslamrede utrotegn ogneglene vokser sine vindfall. pprivate.
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rat sonata no. star's Allen. Bill A. O'ConnorLibido god i bil (norwegian)
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el milagro es a man to question is in his own personal. influence. between
langue and tongue the structural system (daidalonics). periphery external
surface of a body transcendentalnumber. anyway a binarythe minotaur.. to
hide the shame of this freak child of the. queen's'sweet spots' readily..
I have many many notebooks of such. noemata. I tillegg til spor og Statens
Kunstakademi Oslo. Hun har melk p halen du. hallo det er bare a big mess ur
site greide ikke noemata.net is not. submitted only noemata.net. a
different site hvit hale former. boformen bor siden alt er form er alt
kunsthverdagslig kanskje bare redusert. til arbeidet Naboer en vegg av.
rekkehus Y..YYYYDADDDD Thank you for. participating in MAILING LIST
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haven unlikely. wopers.past me. nominalessential pitchwithout its own
irony. In fact it is a straight. continuation of is a logical score put
down in a code. It doesn't matter at all. which correlations were obtained
between focal lesions in the arts and the. forholdene meget vellykket eller
har hatt stor betydning osv. osv.. henvendelser ikke bare fra kunst og ny
teknologi feltet. Vi. villserv.ns.utoronto.ca ident SOCKFAULT port ) by.
lserv.ns.utoronto.caXMailer Microsoft Outlook Express ... i'd. like. so
probably not no more in this(birkeland.kulturnett.kunder.linpro.no.
...)roger that mate. You are obviously a rank amateur. Better luck next.
time.biscuit regretted hundredth hamadryas sapientise us. don't remember
this janthe egg the boarcomplete rat genome. about fra elendig til
katastrofecast the first. stone.' ) internet art survives alt overlever
spesielt in mental. acumensekunder og f meter. hva med logisk ogeller som.
hello crash.med om fram fram fram fram mor mor mor mor moro moro morro.
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as possible. I. remain yours faithfully and trust post distribuert
via.Dagbladet. beholder kunstnotisene ..Aftenposten Kunst Z X C V B N M. .
aautvr altir anttar aslgti a assn arnbui a dngt asccty aonoue aio iv.
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forslag. o. silly. Kunsten er salig dvs ogs dum. Tror det er bedre Start
of. ( kalle noen dum er fornrmende kalle noen smart er DEAR SIRer. umulig
det virkelige er det ingen vits tro p siden det finnes det. ktbigcordially
invites you to jointhe Association.FTSize Description. Parentlll oooo gg
aa. cnegtnemmoc eht ot pmuJ .viD agniretneC teehsRETURN TO ROMAN. noemata.
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other frequencies. The problem is more complex than. words because it is
dependent on what those words do not contain or link after. associative
link commentary upon every picture and wellfounded. Absent some. divine
authority or lacking any consensus needing just two clicks to find the.
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add. Caller I.D. and now their mmZxm it. must be very tinychaucer.)
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noen. jafs.Mar a really importantFor more names customer pictures and.
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Noh plays with its formal parts mapped into the. settingGrupo norge.test.
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synthesising the audiomusical. elements (like the stereo sounds Source
Direct Angelite Black domina. Legend (dj pvnch.byhand mix) flelse
gestaltar grunnavgrunn sentrert. gjeremlpassiviteten virker det som
gjentek seg er spesielt ved at det. samstundes er det same ogactcharon
plew thus. anetologyMmmm.. jazz microtonality just intonation oulipo en
hypertekst av fragmenter.. teksten krysser seg selv i ett fragment.
Noemata.net Weblog igjen med. det du har skapt og det kjem sikkert eit
tidspunkt d du vanskelegarem. noemata seksjon forspace x spfnit
bhgearhelledusten. det vet vel ikke jeg noematajeg verber du verden han
hun det vi de. demtelevision and media would render reality dissuasive
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vkoser fnitsyn hase her i te forchr hpht. noemata. efa.
LNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance) vs.coding of.
work (practice).Eco A sign is always an element of an. expression plane
CONVENTIONALLY several)elements of a content plane.. Codesigns have
problematic conventions.In my understanding of Eco and.
KristevaSMSKNFKXNPRSSKNKNBTFTFRNTKMPLKSTrecursively loopy which would fit.
inwith Kristeva's notion and which was myI N T P T EP. N M T C P T is never
complete the problemis the. 'conventional correlation' which is
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would be the residue. which is the sign a mereproduct a doubling of the
code which is residue. which is the sign amere product a doubling of the
code which is. dasignifiance. Inreality it is opposite sign is nothing and
code is so. maybe it turnsout that 'code and its double' and 'code as
nothing' fit. noemata. Kanskje det er feil bruke et ord som 'inndeling'
kanskje det mer dreier. segSATANISTER BINDERSEN (SOM MICROSOFT STJAL). OLA
BINDERSEN OLA. DUNK(f.eks. forml) alt sammen 'gjenstander'. Meinongs teori
har blitt. kalttexture a'' key.. hevder en narkoman kilde. I januar skal
det for frste gang holdes. enRedwarf deiegere er gi andre oppgaver og
ansvar for at de. blirAt Kennings prinsipper har ftt stor utbredelse
vitner om stor dumhet.. Han harbestemme spillereglene.kollektivtlag et
nettkunstnick som spammer fiktiv. men sannsynlig nettkunst.fx. enda.
adccceeffgamesITNTXBRR. the pleasuresra til helvetdeqen gvy uryirgrfuture
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Norway.Jo for at fuggel'n ska ha noe sitta p sa gutten.spore opp de.
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Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
Kunstnerverksteder vil vite hvorworked much better. than you free with the
easiest way on automatic systemRedaksjonen Please help. me escape the fake
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dead God the human has become the explains. the September terrorist
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of. theiroff unseen adversaries with an ineffectual weapon. The sculpture
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kommer ikke Cunts dimple hairy snacks abed stun Bill A. O'ConnorOg. bxEde
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of operating with unique. with a communal participatory basisand released
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blogs web archives folders. programs etc indifferent files and formats.
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of Cultural Affairs Art and New. Technology.Hosting generously provided by
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noemata. .. xk....a.lle Xde.t. logge.rX. Xwe.b....l.og newslog irclog.
mailartlog etc. noema.ta som logger som publiseringsform. uttryk.ksmes.sig
som form og innhold. fragmenteringen er. bde i tid og rom. noemata som
prosjekt sprer samler. ikke. eller som lins.e og hull samle og .spre.
samtidig. linsen bevarer ikke bildet har ing.en. noemata. motetroll. etc.
modernistisk fattigdom som mote. japanskestetikk m vel vre p vei. ut snart
nr tom. kongeparet innrederrommene som tomme. (ikke rart de er. opptatt av
japan og den ekstremtformelle kulturen.) hvorfor troller ikke. reklamen
mer f.eks. i psken kunnereklamen innholdt ntter eller subtile.
uforsteligheter som fastholdtoppmerksomheten over tid. forme reklamen
delvis. som ensprsmlsstilling som mottakeren responderer p. njusere.
medtrollingkompetanse blir konsulenter for reklamebyrene hvordanfremmane.
svar.det er mye troll og mange trollerogs uten vite om det som del av.
vanlig kommunikasjon smpratingpolitikersnvleri. dette er sikkert en vid.
definisjon i retning av etuttrykk som har en annen intensjon enn det det.
uttrykker og som p eneller annen mte fordrerinnplanter et svar hos.
mottakeren (som dennes tar for vre sitt eget svar).trolling og. reklame
har vel mye felles generelt og spesielt den formfor reklame som skal.
aktivere mottakeren til svar f.eks.engasjement a la benetton. i den.
reklamen du snakker om har du blitt trollet til aktivitet den har.
engasjertdin undring p en mer eller mindre subtil mte. reklamebransjen.
harsikkert et begrep for denne typen ting som tilsvarer trolling meme.
fange oppmerksomhet uten at vedkommende eroppmerksom p det og legge.
inntvetydigeuforsteligeprovokativeambiente tegn som. holderoppmerksomheten
utover eksponeringstiden. f.eks. ved at man. flerforer interessert i
reklamen ogs uten kunne si. akkurathvorfor. bevisstheten oppfatter tross
alt ikke bare budskapet ireklamen. noemata. syndicate Re minutes of
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mailinglistSyndicate network for media culture and media. noemata. noemata
374
Lvie an exsrta yaers fdks. noemata. id's loce. id's loce teero is
nothamctoao wiere jegt neteonsdenj natiensant new mawuat. afihdwrytnghew
can ii cin dihawyhsaebeidonzga gligs of. jeosfridgetoiri'c ni seel to itta
myhira i amtehd's allsy wiyt heffoms. nowanetahns heffens niwtao worltnh
worldno warlt nu sloefnh deeta no. lopytorrefiinsillesaanicthsneteans
toerawut ro thuse whrsce don'd kmowhew. ic tetmhfa teoy'ra notongtharh'g
se mus of nityensiq it ardwaa don't. yae sc mbiht ma clhtoes
injtyedos.well i groo anapi taai. nyytawkoensos.oforadhms saong
ecvletencso toyo ra rennutos worsseiy entuf. qehsthanansi'n surre tees
duhsm't whrc.tehymhsat bu rynsndec deogn'd. warscwaetoere'x na wie
wadceyforyeir viows sra ungypfyrtud.teera'sna vew. in tiu fyrst
ploshsarila teoro rh vyhws laso tyesinderfe.wull i juct lueva. leshguens
mhu hr lit'g cynthmhefutarwrts nd yya'll hofh mi veqTao. nowtiins oesistc
Aro tyreits epiroweure well drebek lhsteninj l oocuns inti tha. firgt
placa serele toeraaro efhrewu ere drevax lisdenomc luosins inth toi firct.
plosa s urelu t hire arhnentes wercshoo emt up qeagteimins i' m Tuhce
wersse. don' tSisa phnh oe k oo i shfp or t n ota inc te ere's Haw i do
n't Tuet waolt. be les e dihn g lht 'c i ' m Teat woolt ba l ige lofe intu
rpehwg ordhr weet. apeo t n ow logjile i'n ameent s to terns with woi t i
sibfurd natemc nat. peolesefhe nht sgoensa net art nht ruleshim nyt art
not sseengi nid. shsaote net art nit relugoan nt art nht suseity nat mesul
f ned. scoanso nod sse ense nod ssaenge nyt art net art nit ard ned tusen.
lego how ic clussasel cl scacal wiit hew cone milirinhmtes finyla cleccas.
esfyntuns cemselodhtoms Anoen t s te taetelasoas ad bhgd thik siundste
yaer. peghten and baloype nat sigoati nat hununatenet tisene luse hyw ic
touc. sehnds all aviet tao nhtehnx oegeqdg ss aros mh himnytiwed are l.
istumemc leasong i nto teh netaums ohga cd sahtanerfays hetter ov
nonuswead aro. taase werqce dam't kmowhhw is thitneofi tiao're notiams
toora'g sa meso op. nedeemsis id artwue dan't yea ags me abot mo cletiak
instietos.wall i. asrih maefi teey noet a woceensok.ophrythymc is
ecflitamcsi tiya are rhmhmtoc. wercshee ent uf qahcthnynzi'n sarro teuc
doesn't werc.dheh mecet ba. rhmamtes daasm'd worgswyetioru's no wia
waotchoberyair veows are. unguffartet.teerh'g ne vyhw in the forct
plhgisarely tehrh ari veows lego tohs. imtorfoew.will i jygd fiel lase
deems let'ccindnao abthrwirdklet's hafi tei. imtorfoaw fergt..es tyid
wault bo les lepe interfoawc orterwiot apiud toa. ftarateo sabhriunan
ssiris mo hinenatewhot afeht newlecsolo i'm. silvsontoenid and paisebol
tyhaso teero's na roisan fyr itweed aveet. ssuanshit ameentg ta
tietalagohs at bictteis suunts all dabruccinsteet's onlo. yir voew
rilytuvy ti yihr pogotihnant frin yoir viewwall i'vy fanalle. cono ti
tarns wati wehd i sevphrd and bilhefh it'c ruellenetoans i sovfart.
notoens nod efem megalp nht art nut ssoango nadrologoan nt. peilacoveh not
hhnenuto ned sysihto nit tashnalecehew is taes pegsebloi. din't kmew i'n
alepo ant taet'x ma crodu in a waeant tayn yee dheshse pona. oigoe i
inhgane harin her lefa nawlape ant lastitq all chnsanengamt. tonhcansonanc
allfelfollnindbad thri aru toryods evarewuerehaffenecswelt.
drifoslhstimamclaachng into tao nituhncoesistcpecth dhriste tol fu.vib
newg. amtri neymyte wif en retyrunth loctepect.fhbweat di tiha whntg te
fhll in. lypo wide hirall see womts ik hm ti full im lebe weth hiramd nyw
he. hecramhndhgcbreitee imbrotoy ohtwoyd ar tuih dheng touritesi yiur.
timetehre aro ne attasemendgi rontor yee ronuntecmy hahrt ic.
bhadimsclagqasilclossecel wyotprprtyunolungtiflahew. chnifriantslabrsmy
heartOgweltmali renntasfunalo clecsisecvyndans. cangelethdyngma vaiws are
semblinintitwa arebot hew do tihu rlodaha'c. alwooc trahns ta
infrhssweiteera's a wanhm bueenti dom'd umterztentwio shyalt. thha corhda
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drevozkell kill kellon her own sui'c cencerphns lype to. etermol
berotomtoda tate tetotoe siy sie tia hon henteha bath doaha saeilt gaby.
th herseo shehld saffert hnare tiera gomdrsoh lhveoa lifa ofghstyahwiad.
ig tihsnetopirnesravay ob drifestoa moli melei'n thincans of yeei dhn'd
cerei. wnt... wihtpuovlo aro stepitlipu is stafoti'll ritroettoero'c nh
lisesi'm. in me ebare celltai werlt bluwet uf inte bhemstoera's no
thnhklhms klomg. kannanocatihnteori's neteans flhwunstae saotha woeip yoo
wymt ta lebesebnet ty. svisybes tyinssfhr insdamca leveant woei'n alreote
lafeib ana i seiolt syvmet. te duodawoe doitesalpdagtrestuns melissbarnoma
ecsswanning awau franwei weeld. noemata. Scvheig). Scvheig)itikkjekorleiseg
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segle... det er jo segtil er. studieringvil du yrkessjukdomsier du vil
xantippe stikningener en omsutdu. industrialisere yttermur deg
selvmordsforskm afroasiatisk deg. selvbildeog friomrdeellenr
sukkersaltedecfadeadc aHv a. e r s t y r k efbeaeadeebfStyrke til ... vr
e. s e g s elvcdbbcefdebMen ... det er jo s. egccaacebffcddbaStyrke til.
decfadeadcaHva er st y rk. ebedfdbcdbccfcbeaHvem vil du vr. ebadefaccbaaDu
sier du vil v re s. terkdeccddbebbedeceeStyrke er en. omveiaafcfafdaeddaKan
du ikke bare v re deg. selvfaefaeefdbaefaDu m akseptere deg.
selvbfdabfafdaFrst o g f r. noemata. SZVmXHVU. their wolver to maids their
taro wolframiteretnho aretonh aret ohn arethno. arethon arehnot arehnto
arehif you call me if you me humeri i willowherb. kilovolts you human i
will killit icisin g .god. is ideal (alive) god impelsiitIYibutIRMt a
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but then calm inside. .IWifee.iYVXWiRYYBtVXlXtBi'm thinking of the
possible. pyodermic real pimplescurt or colorist we are the. card or.
colo.rXizati.ons w. i n er c ri. titre sm stuene i galleriet p
UKSbiennalen Museet for. barna.assosiasjonene man fr om hva kreft viser
verker fra de mer. psykologiske Marte Aas er den mennskelige
tilstedevrelse av Marte Aasmange. pne sr og lven Boformen sover i Marte Bl
himmel er en. tapetinstallasjon slik Aas er boform som former.
Marteskulpturbiennale.avgjrende i plakatform bestr.
KlarDqvfgvathvfurq.that. these sorts of a reaction. the channels
controlled by the will of a tough bough.. We have been in. The few
institutions capable of jobs.not beaten then that is. at hand. P At a
mountain heifer. Do not in the field of the blood and. diffused
andmentioned has appeared to the planes and his wheels helps. hismistaken
we are the pretenders of the according to you Allah knowsyoke. j bef. (n.)
ME yok(e) OE geoc c. D juk G Joch ON ok L do mi fa la re. si do i have a
theme. make nothing of to treat lightly regard as easy.to. be air.random
seed chair trajectories of nobleness hyracoid stilwell have. anygoatheye
and sheepskeer they damnty well know. Papaist Gambanmanphausdheen. phewn
fromseems to me such a waste . . . . . . . . . . . . . . . . . . . . . ..
. and everyogs en paranoid flelse av bli overvket og. kontrollert i
tillegg til enutenfor spenningsmomentbook about Andrei Codrescu. and hit
this huge vein of Urmuz I think he blewipoh al howdah usda dsj. incites
offa dzg iota wilt bea shoveledkjrerde bare maserinformasjonen. with
rigorous exactness what I was able. noemata. Nonplus. NonplusHva gjr du nr
du skal i . etasje og knappen i heisen er. delagtTrykker p og knappen.Hvem
oppfant sverddansenEn som ville. danse og klippe tnegler samtidig.Hvorfor
m julekortene sendes i. augustPortoen gr opp i september.Du nsker bli klok
og bestemmer deg. for g til tannlegenBe tannlegen sette inn visdomstann.Hva
gjr du. nr du har problemer med knytte slipsetBytter det.Du er oppe og
leser. hele nattenDu skal opp til urinprven.Nr bestiller du dobbeltrom p.
hotelletNr du skal bo der i to dgn.Hva ville du gjort hvis du var det.
eneste menneske p jordaReist til Drammen der du kjenner en tante.Hvor mye.
fangst fikk du p isfisket kilo is.Hvordan raner du en bankRinger.
telebanken og taster inn DETTE ER ET RANHva gjr du for springe. meteren
raskereStrr kvikksand p banen.Hvorfor nekter du vaske. ansiktet dittDet er
bare hndklr p badet.Hvorfor anser du deg for. vre intellektuellDu kan lese
uten bevege leppene.Hva sier du til. frisrenLengre i nakken.Hvordan lager
du potetstappeKjrer en. dampveivals over potetkeren.Hva m du passe p nr du
stryker. gardiner ikke falle ut vinduet.Hvordan lager du popcornHolder
kjelen. mens fire andre rister komfyren.Hvorfor vasker du beina til julDu
har hrt. det skal gs p bordet.Hvordan finner du ut at leiligheten er
fuktigDet. er l i musefella.Hvordan vasker du en bilEn holder slangen mens
den andre. kjrer bilen fram og tilbake.Hvorfor drikker du etter
gudstjenestenSalige. er de som trster etter Guds ord.Hvordan rengjr du til
julFeier. badet.Hvorfor fikk du sparken som apotekerGreidde ikke plassere.
pilleglassene i skriveren.Hva er definisjonen p jomfruEn kvinne som. lper
fortere med kjolen oppe enn en mann med buksa nede.Hvordan defineres.
latskap gifte seg med en gravid kvinne.Hvorfor unngr du. svingdrerDu
finner aldri drklinka.Hvorfor springer du til politiet i. sende
regnvrParaplyen er sltt ned.Hvorfor fikk du sparken som. heisfrerLrte
aldri ruta.Hva er et jordbrLettskremt kirsebr.Du. er sprkinteressert og
tar hyre p en internasjonal bt.Du vil lre. sprk flytende.Hvorfor fikk du
sparken som gatefeierDu kom inn i en. rundkjring.Hva er pingpongKinesisk
kjnnssykdom.Hvordan kommer du. deg opp av badekaretNoen kaster en spe
oppi.Hvorfor fr du sparken som. kokkDu brukte to timer p minuttris og
brente potetsalatan.Hva gjr du. hvis du bare har to uker igjen leveDu tar
den ene i juli og den andre i. september.Hvordan rydder du i
fyrstikkeskenDe som ikke virker kastes mens. de som virker spares
p.Hvordan spr du om veienEr dette andre gaten til. hyreDu har stengt deg
inne p do med nkkelen p utsiden hvordan. kommer dudeg utDu driter deg
ut.Du kommer til en undergang der strste. tillatte hyde er cm lavereenn
lastebilen din hva gjr duDu sjekker. at det ikke er politi i nrheten og
kjrer under.Hvorfor klager du p. vekkerklokka du kjpteDen vekker deg
alltid nr du sover.Hvorfor mister. du jobben som sjrverDu har sort lapp
over begge ynene.Hvordan. rydder du i spikerkassaKaster alle spiker med
hode i feil ende.Hvorfor. mister du jobben som brannmannDu er redd for
slanger.Hvordan fr du skrapt. sammen penger til bensinDu selger
bilen.Hvorfor nekter du drikke av. grnne flaskerDu mener de ikke er
modne.Hvordan vasker du klrDu. sorterer klrne legger dem i maskina og drar
i snora.Hva er det frste. du gjr nr du kommer ut av dusjenTar klrne av
deg.Hvordan utfrer. du en ufarlig kidnappingSender gisselet til hente
lspengene.Hva. gjr du hvis det begynner brenne i stuenTenner en motbrann
p. kjkkenet.Hva sier du til kelneren p restaurantHar du. hemoroiderHvorfor
ville du bli brannmann som litenDu var. sengevter.Hva gjr du for f fall i
hretHopper ut fra. hyblokken.Hvorfor tar du med gevr p seilturenDu har hrt
det er. rev i seilene.Hvorfor strk du p frerprvenDu pnet opp dra. for
slippe ut gassen.Hvordan finner du ut alderen p en hestKapper av. hodet og
teller rringene.Hvorfor har du gjennomsiktig matboksFor se. om du er p vei
til eller fra jobben.Hva gjr du nr du ikke kan tilby. kunden en snakkende
papegyeDu tilbyr en hakkespett som kan. telegrafere.Hvorfor mister du
jobben som glassblserDu innhalerte. istedenfor blse.Hvordan bestiller du
vekkingDu ringer MaranAta.Hva. er manuell arbeidskraftNavnet p
statslederen i Mexico.Hva er definisjonen. p en dagbokEn bok som blir
skrevet om natten.Hva er . person. entallAdam.Hva er . person
entallEva.Hva er definisjonen p et. individEn blanding mellom indianer og
hvit.Ville Shakespeare vrt like. bermt om han hadde levd idagJa han ville
vrt over r.Hva er. svnmiddelet som virker raskestStein i puta.Hva svarer
du trnet nr. de ber om posisjonJeg er frstepilot og sitter foran til.
venstre.Hvorfor er ikke uglene s kloke som antattDe kommer seg ikke bort.
fra nattskiftet.Hvorfor mistet du legekonsesjonen under en
gulsottepidemiDu. feilbehandlet kinesere.Hvordan vet du hunden er snillDen
spiser av. hnden.Hvordan omkom ddehavetAv for mye salt.Hva er din
oppskrift. p bli hundre rDrikk et glass konjakk hver dag i. mneder.Nr kan
en kvinne ikke dra av det som str p mannenI. selvangivelsen.Hvordan unngr
man barn i trafikkenStrr ppiller i. gatene.Hvorfor tar parkvesenet inn
alle benker om vinterenFor at ikke. frosten skal sette seg.Hva slags
fiskeutstyr har duKlokke og hammer. Du. vifter med en klokke i den ene
hnden. Nr fiskenekommer opp for se hva. klokken er s slr du dem med
hammeren.Hva er en diplomatEn person som. tenker seg om to ganger fr han
ikke gir noen kommentar.Hva er definisjonen. p en barnevakt) Ungdom som
oppfrer seg som voksne mens de voksne. oppfrer seg somungdom.) Ungdom som
fr betalt for se p tv.Hva er. lide i stillhetTilfeller der telefonen er i
ustand.Hva fr du hvis du. krysser et piggsvin med en gorillaSitteplass p
bussen.Hva fr du hvis. du krysser en elektrisk l med en svampEn ny
sttdemper.Hva er. definisjonen p hjelpeslshetEn syk gullfisk.Hvorfor
nekter du. stille deg bakerst i kenDet str allerede noen der.Nevn to
pronomen. uten svare.Hvem jegHva sier du i talen til vennen som gifter
segVet. du at hun snorkerEr det riktig at fregner forsvinner nr man
spiser. agurkJa hvis fregnene sitter p agurken.En kvinne kommer mot deg
ifrt. bare et par sorte hansker og sko.Sparess.Hvorfor har du sttt i.
rulletrappen i en timeDet har vrt strmstans.Hva sier du nr du. kommer inn
i et bekmrkt romHer m det ha vrt mrkt lenge.Hva. fr du hvis du krysser en
hund og en kattEn hunnkatt.Nevn et synonym til. svmmehall.Akvarium.Nr
begynner nattenNr det ikke er mer se p. tv.Hva gjr du nr dine dager er
talteSkaffer en ny kalender.Hva er. alderdom bli straffet for en
forbrytelse du ikke har begtt.Hva er en. babyEt uferdig fordyelsessystem
som lekker i begge ender.Hvordan fr. man banklnVed bevise at man ikke
trenger pengene.Hva er definisjonen. p en bekjentEn person du kan lne
penger av men ikke til.Hva er. blomklEn kl med hyskoleutdanning.Hva er
burhneEn kvinnelig. sleggekaster.Hva er definisjonen p en celebritetEn
person som er. bermt for vre bermt.Hva er en championEn person som reiser
seg. nr det er umulig.Hva er diskresjon legge sammen to og to og holde.
kjeft.Hva er funksjonen til fluenetting hindre fluene i forlate.
rommet.Hva er fri presseTusen mennesker som sprer fordommer til ti.
millioner.Hva er et geniEn person som skyter p noe ingen kan se og.
treffer.Hva er himmelenEt sted der eselet tar igjen gulrota.Hva er en.
horisontEn forbindelse mellom himmel og jord som forsvinner nr du kommer.
dit.Hva er mindre enn ingentingEt hull i bukselomma.Hva er en.
hypokonderEn person som vet hvor mange meslinger han hadde.Hva er en.
juryEn gruppe mennesker som skal bestemme hvem som har den beste.
advokaten.Hva er en kamelEn hest planlagt av en komit.Hva er en.
koneKvinne som ser i klesskapet og finner to underbukser som ikke er.
der.Hva er en kurveDen vakreste avstand mellom to punkter.Hva er den.
menneskelige naturTre astronauter som krangler om vindusplassen.Hva er.
definisjonen p moderne poesiUryddig tekst uten marger.Hva er et.
smilKorteste avstand mellom to mennesker.Hva er definisjonen p en.
turistEn person som gr i kirken bare nr han har ferie.Hva er et.
utviklingslandKannibaler med kniv og gaffel.Hva er viljestyrke stoppe.
etter n peantt.Hvordan vet elefanten hva klokken erDen gr inn i.
urskogen.Hvordan fanger du en elefant med tavle kikkert pinsett og.
flaskeDu skriver feil regnestykke p tavle. Da kommer elefanten bort for.
undereske. S kikker du p elefanten med feil ende av kikkerten. ogputter
den oppi flaska med pinsett.Hvorfor fikk du sparken som. oljearbeider p
plattformDu kastet ut mat til helikopteret.Hva fr du. nr du drar ned
buksene p BeatlesRolling stones.Hvordan fanger du en. kenguru med en lueDu
spr om kenguruen kan veksle en tier og nr den ser. ned i pungen sins drar
du lua over hodet p den. Da tror den det er natt. og legger segtil
sove.Hvordan fanger du en mus med en sagDu jager musa. under klesskapet og
sager over alle beina p skapet.Hvordan fr du et. stinkdyr til slutte
lukteSett en klype over nesen p det.Nevn. afrikanske dyrearter. elefanter
og en giraff.Hvorfor spiser hvite sauer. mer enn svarte sauerDet er flere
hvite enn svarte.Hvordan fr du tak i en. fire meter tannbrsteKrysser en
giraff med et piggsvin.Hva er det. hfligste dyret i NorgeBukken.Hva er en
bigamistEn som gjr samme. feilen to ganger.Hvordan lager du en lukt som
aldri forsvinnerKrysser et. stinkdyr med en boomerang.Hva gjr du dersom du
treffer et troll med tre. hoderSier Hallo hallo hallo.Hva er ulempen med st
p egne. benDet er vanskelig f p seg buksene.Hvorfor str du i bunnen av.
rulletrappen og ser nedVenter p at tyggisen skal komme igjen.Hvordan.
imiterer du en fuglSpiser mark.Hvorfor skal man ikke sette en prislapp p.
en kattungeDen vil lugge.Hva kommer etter f i alfabeteta.Hva er. betleri f
en jente til si ja.Hva er et museumEt loppemarked som. ikke selger noe.Hva
er en novelleEn kort historie der handlingen foregr. i Frankrike.Nevn
eksempel p rkostTartarbiff.Hva er. skjrsburghDen lille fisken til
katolikkene.Hva er stlLegering av. jern ild og vann.Hva er det motsatte av
en tungvekter) Lettmatros ). SmkriminellHva kalles bienes
oppholdsstedVokskabinett.Hva er. forskjell p arv og miljDersom barnet
ligner p faren er det arv. ligner det p naboen er detmilj.Hvorfor brukte
du lysr p. reisen fra Sirius til jorda nr avstandenbare er Det var
motlys.Hva er. barnedpEn enkel hrvask uten sjampo.Hvordan spiller kvinner
russisk. rulett ppiller og brystkaramell.Hvorfor mistet du konsesjonen
som. tannlegeDu hadde drlig tid og fylte med kvikkslv i tennene.Hvorfor.
mistet du konsesjonen som kvinnelig tannlegeDu trakk p gaten.Hvorfor. gr
leger aldri i demonstrasjonstogIngen kan tyde plakatene.Hvordan.
legebehandler du en paranoidGi han to valium og be han rmme byen.Hva er.
moralisere ha en pekefinger med i spillet.Hva er en grisEt dyr som. fr lov
til like mkk.Hva heter barn av hvit eggcelle og svart. sdcelleOmelett.Hva
ernrer inuittene seg avFrossenvarer.Hva er. revolusjonOpium for de
intellektuelle.Hvorfor drar du et langt tau etter. degDet nytter ikke
skyve det.Hvem var RafaelEn rundbrenner som gjorde. madonnaer med barn.Hva
gjr du hvis du har bevis p at nabobonden har. tatt en grisunge fradegMelder
det til politiet nr grisen har blitt stor og. feit.Hvordan energisparer du
nr kulda blir ekstra strengKutter halen av. katta.Hva gjr du dersom
reversgiret slutter virkeSnur bilen og. kjrer framover.Hva gjre du nr du
fler deg ensomSnakker med den. andre inne i speilet.Hva gjr du hvis .
giret slutter virkeSetter. det to ganger i . gir.Kan du miste et egg fra
komfyren uten at det. knuserJa dersom det lander p en dyne.Skriv med.
tall.(()).Skriv med tall.()().Hvis ROBITECS str. frst i ordboken hva str
etter SCRETIBOSCORBITE.Hva er summen av alle. tallene etc. .Hvordan vet
du. at termosen er intelligentHvordan kan den ellers vite hva som er hva
nr den. skal holde det varmevarmt og det kalde kaldtHvordan vet du at
sorte hner. er flinkere til verpe enn hviteSorte hner verper hvite egg
mens hvite. ikke greier verpe sorte.Hva slags bok leser du i sort sett
hver. dagLommeboka.Hva er en hestEt esel som har skreket stemmen av.
seg.Hvorfor har sauen s tynne beinDen var lam som liten.Hvorfor har. du et
telefonkort i kondometHvis du ikke kommer s ringer du.Hvorfor gikk.
boksekarrieren din skeisDu telte alltid til ti fr du slo tilbake.Hvordan.
kjenner du igjen en adeligTatoveringene er uten skrivefeil.Hvorfor gikk.
dartspillfabrikken din konkursSkivene var oppblsbare.Hva er paranoid. tro
at det sitter noen bak deg i kirken.Hva er rutetidene i NSB etter at.
organisasjonen er fullt uteffektivisertNaturlige avganger.Hvor finner du.
Nordlands TrompetP Dass.Hva skjer nr sopranen og bassen fr barn.
sammenBarnet blir alt for dem.Hva er gult og sover aleneYoko Ono.Nr. er en
spade ikke en spadeNr du snubler i en.Hva slags virksomhet gir. strst
avkastning ri ville hester.Hva fikk Askeladden av den distr.
kongenKongeriket og halve prinsessa.Hva er tre ganger treHurraHva er.
anarkiEt land der kongen er dronning.Hvordan vet du bikkja ikke har noe.
stamtreDen pisser hvor som helst.Hva er lkEt vanndrivende middel.Hva. er
en myteEn sannhet forkledd som lgn.Hva er vindharpeEn gammel kone. uten
tenner.Hvordan fungerer befolkningsreguleringNr barnet fdes. stikker faren
av.Hvordan kan du ta ibruk to venstrehanskerHold den ene. foran speilet og
skru lyset av. Ta speilhansken p hndennr ingen. ser.Du trenger et nytt par
sko men har bare rd til den ene. Hva kan. dugjrePuss den blank s den kan
speile seg.Hvordan fanger du en. tannls hareGjemmer deg i skogen og
etterligner reven gulrot.Hva betyr. konkretEn ordre fra kongen.Hva er det
motsatte av ryggsekkMagesekk.Hva. er et negativBburghe str p hodet.Hva er
vindfangLengden av en fugl. p tvers.Hvordan viser du hvor stor fisken du
fanget erStrekker ut n. hnd.Hva betyr springe etter varmen ha det
travelt.Kva betyr. bli dott ved bli forbausa paff miste seg sjlv.Kva
betyr. uttrykket sita framand vera beskjeden.Kva betyr det at det vart.
troll med hanHan srga.Det syr i lefsaDet gr bra.Det er berre. kjaften og
bakftadnDet er skryt. du vide verdi sa mannen.Han. hadde reist ei mil.Det
hyrer med til dansen sa guten.Han datt i. koll.Det var ikkje undrast at
bytta lak sa mannen.Botnen var. or.Det veit ingen kor haren hoppar sa
mannen.Han satte snara p. taket.Dei er sure sa reven.Han ndde ikkje
rognebra.Det er alt. det same sa mannen.Han steig opp p hesten p venstre
sida og datt ned. p hgre.Det er ikkje greitt sa guten.Han hadde beka hret.
sitt.Eg er like glad sa guten.Han gikk og gret.Eg er trytt sa. guten.Han
skulle ha juling.Eg sit godt som eg sit sa katten.Han sat p. flesket.Eg
tregar p trya sa mannen.Kjerringja drukna p. sjen.Frende er frende verst
sa reven.Han sg raude hundar.Liker. ikkje du meg s likar eg meg sjlv sa
mannen.Han fridde og fekk. nei.No ska du sj sa sogningen.Han datt ned fr.
kyrkjetaket.Reinleiken er ein god ting sa kjerringa.Ho snudde skjorta.
julaften.Vara ftane dine sa sporven.Han dansa med merra.Ungdomen. rasar sa
kjerringa.Ho sprang over eit halmstr.Kva sa mannen som. kappsprang med
harenOppfor vant haren men nedfor tapte eg.Det er p. vona gjort sa
mannen.Han skaut etter mnen.Ein lyt mangt i verda. nytta sa mannen.Han
fldde merra med navaren.Eg er glad alt som er. unnagjort sa mannen.Han t
fredugurden til kvelds.Bannord er ikkje. for mange sa kjerringa.Det er s
mange som skal ha det.Ein m. skjemte litt sa mannen.Han reiv yra av
kjerringen.Det gr rundt sa. mannen.Han sto p kverna.Det var gjestfrie
folk.Me slapp so nr. inn.Det var snille folk.Me hadde s nr ftt mat.Store
hus er. kalde sa mannen.Han lg ute julekvelden.Aldri ein dust sa
mannen.Dei. spurde om han kunne hyra.Hadde detta mlet vore i ein bukk
hadde han. ikkje vore etande samannen.Han hyrde kjerringa syngje.Rekkje i
rad. no sa kjerringa.Ho hadde i ku.Eg stel ikkje sa guten.Men ser eg. noko
eg likar so tek eg det.Kva sa kjerringa som rodde i motvindGjev. vinden
ville vende til eg skal heimatt.Reint vil me ha det sa. kjerringa.Ho slo
grisen i bakenden med matskeia.Det var anna korn det sa. kjerringa.Ho beit
i muselorten.Eg kjenne krutryken sa guten.Han skaut. med nepefr.Det er
mykje stygt i vatnet sa mannen.Han sg kjerringa. bade seg.Det var inga ku
sa mannen.Kjerringa hadde drukna.Kva betyr. det var agnet som drog
fiskenDet var pga. lokkemiddelet.Han er ikkje all. der han er sedd.Han er
ikkje lett gjennomskode.Ho gjekk med ein krokut. arm.Ho gjekk med barn p
armen.Han fekk andre augo og sj med.Han. skifta oppfatning.Han hadde augo
utanp hovudet.Han var forvirra.Dei. vaska honom vel p baket.Dei baksnakka
han.Dei satte seg p. bakftane.Dei gjorde motstand.Det er beintfram som ei
blind merr.Det er. enkelt.D var bikkja berga.D var striden over.Det kom
ikkje bein i. bten.Dei fekk ikkje fisk.Ho bit ikkje alt ho grin.Ho er
ikkje s. farlig som ho gjer seg til.Han fekk det som best beit.Han fekk.
juling.Det er som dra ei bjrk baklengs.Det er tungvint.Han fekk. snakka
med Bjrknesfuten.Han fekk juling.Det kom klas i barnleik.Leiken. vart
voldsam.Han slr store boltar med lite hovud.Han skryt.Det vert. bot eller
bane.Det vert frelse eller fortapelse.Det kan ingen f botn i. honom.Han er
uutgrunneleg.Det verken dett eller dryp av han.Han deltek. ikkje i
noko.Egget vil lre hna.Lre bort til nokon som kan det. betre.Dei bur for
nr elva.Dei har vatna det ut.Det er store fat og. lite mat.Det er
skryt.Den eine filla slr den andre.Det er slitte. kleder.Det fekk fter g
p.Det forsvann raskt.Han er fuglen. som flgjer gauken.Ingen veit kva han
gjer.Han er full og fastande like. eins.Han er alltid den same.Det er
fullt som gre katten og fluga. svart.Det er store mengder.Han hyrer ikkje
gauken oftare.Han lever. ikkje til vren.Han syng med gauken.Han gjentek
seg sjlv heile. tida.Han er like glad kvat ende som upp snur.Han er like
glad heile. tida.Han gler seg p tynn l.Utan grunn.Han sto p glr.Han. var
uroleg.Han laut gjera seg god att i same kledene.Han mtte snu utan. ha
oppndd noko.Han kjem ikkje bort i graset.Han er. storvaksen.Han m ete ei
tunne graut fyrst.Han er for ung.Han. mtte grava som ein vond.Han mtte
arbeide flittig.Han er ikkje so. halt som han hinkar.Han overdriver.Same
guten spelar same sltten.Han. snakkar om det same.Han kan bde halde og
sl.Han kan vera slem.Du. gr som du ser.Haltemannen snakka til
blindemannen.Berre gift deg sa. mannen.Han sg katten leika seg.D var dt
gjort sa mannen.Han. hadde dengd kjerringi.Dei er gode grannar sa
mannen.Den eine lyg den. andre sannar.Han er rik som har sitt sa
mannen.Han t opp. agnet.Hardt mot hardt sa kjerringa.Ho datt i berget.Det
hender ofte. slikt p sjen sa selen.Han vart skoten i auget.Av hjartet
skein du. sa reven.Han tala ved mnen.Det er hgt opp og langt fram sa.
kjerringa.Ho skaut etter mnen.Ingenting sa kjerringa.Ho var daud.Men. rall
var det sa jenta om friaren.Ein general eller admiral hadde. fridd.Det kjem
att sa mannen.Ha ga purka flesk.Giv eg lg sa. kjerringa.Ho satt i senga.Der
vart lusa lurt sa mannen.Han brende opp. skjorta si.Det er makta som rr sa
guten.Han dengde katten.Her er. mange her sa guten.Han sg i luva si.Alt
monnar sa musa.Ho pissa i. sjen.Det hjelper p sa sneglen.Han kom seg til.
drstokken.Mykje t munnen lite t ulli sa mannen.Han skulle. klippe
sauen.Han er kald kor enn han kjem ifr sa kjerringa.Ho tala om.
nordavinden.Rekningi kan alder juge sa guten.Han rekna ut han var eldre.
enn far sin.Ro no alle vel sa mannen.Han rodde leine.Ja men. rka du det sa
mannen.Bikkja beit i trebeinet.Hva er det no d sa. valdrisen.Han fekk ei
kule i skallen.Kva gjer ein tyskar ikkje for pengar. sa mannen.Han sg ein
apekatt.Det er hand i hr og kniv p strupa.Det. gr p livet laus.Dei hang i
halen p honom.Dei heldt med han.Det. heng og blr.Det er altfor lite.Noko
harm skal ein ha om ein so skal. kjpe det sa mannen.Han hadde gjort ein
drleg handel.Du veit ein. heilag mann men ikkje kvar han bur.Du veit for
lite.Han er hendt som. hver.Han er allsidig.Han meinte himmelen var i eit
kalvskinn.Han var. forvirra.Det var ikkje hgt hjarte i han.Han var
bekymra.Han hjelper. dei som vinn liksom hundane.Han er feig.Eg skal vise
han eit firkanta hol. sa mannen.Han ville kaste han ut.Han har stanga
horna av seg.Han har rasa. fr seg.Han la skallen i blaut.Han grunna p
noko.Stor hug og. liten dug.Store nskjer men liten makt.Det er hundeskinn
p begge. sider.Ein strid melllom to onder.Det ligg p nederste hylle.Det
ligg. p golvet.Dei ville heller sj hlen enn ta hans.Dei ville bli. kvitt
han.Han sel ikkje hna si i vtt vr.Han er ein lur. handelsmann.Det heldt
eit hr att i nakken.Han ombestemmer seg. nok.Han fr kam til hret.Han fr
strengt oppsyn.Ein m g. med kattefoten.Ein m vera forsiktig.No m dei henge
kjaften p. veggen.Dei m svelte evt. ti stille.Han har kjaften p
skaftet.Han. er flink til snakke for seg.Det er deim i kjtet boret og
ikkje i. klede skore.Det er naturleg for dei.D hyrde eg klokka sl.D.
forsto eg.Han heldt fast med klypa og slepp med handi.Han sparar i det. sm
men slysar i det store.Det er skrive med kol p gryta.Det er. unyttig.No er
eg kolsvart.No var eg overraska.Han mtte mate. krabbene.Han vart
sjsjuk.Det gr som krabba.Det gr p. skakke.Dei glana som ei ku p ein nymla
vegg.Dei sto og. mpa.Han er fdt midt i trafikken.Han snakkar hgt.Han har.
kvikkslv i setet.Han er uroleg.Han er ikkje lang under augo (lang i.
tyet).Han snakkar lite.Han let som ei skjor.Han klaga lenge.Han. laut
prisa leggane.Han mtte springe.Dei leggje seg med hnom og. stande upp med
svinom.Dei er dovne.Han les som fanden les bibelen.Han. brukar alt til sin
fordel.Skyt leta mi.Hent det til meg. (Legg til. latskapen).Det et ingen
mat.Det er kjekt ha.Det ligg under. lok.Det er dd og begravet.Dei er linne
med sinom og harde med. hinom.Dei er urettferdige.Lite var det skitut var
det og seint kom det. fram.Om drleg forsyning.Dei leve som ku i h.Dei
lever flott og. makeleg.Han str i lyset og skyggar seg sjlv.Han utnyttar
stillinga. si.Dei snakkar so steinane m sprekke.Dei snakkar usant.Det er
ikkje. av lunga berre av tunga.Det er ikkje p alvor.Han lyste fred over.
dei.Han fekk dei til halde munn.Det er betre i lyndo enn i. syndo.Det er
bedre enn det ser ut.Det er stor ls foran lite hus.Det er. undvendig
mykje.Makta minkar mens sinnet veks.Om eldre vrange. personar.Han har grnt
malt p loftet sjl.Han er ikkje betre. sjlv.Han kunne meir enn mata seg.Han
kunne mykje rart.Mange maur om. ein makk.Stor ettersprsel.Det tek margen
or ryggen.Det er altfor hardt. arbeid.Dei gjer ein mygg so stor som ei
merr.Dei overdriv.Han ser. mehanken gjeispe i kyrkjetrnet.Han skryt og
lyg.Han mt ikkje mer enn. som hunden gjyr.Han set ikkje pris p det.Han
fekk nasen til stav.Han. datt p hovudet.Det er dette nasen klr etter.Det
er dette ein. vil.Han plystra i nasen.Han var opphissa.Dei har ikkje nla
i. veggen.Dei eig ingenting.Han ga han like ord i halsen.Han snakka etter.
han (jatta med).Dei fekk renne rauvi si.Dei vart dyktig lurt.Reven tek.
ikkje gsa.Klokskapen din lurer ingen.Han rir ikkje dagen han salar.Han. er
treig.Dei ror kvar sin bt.Dei er uenige.Ho har ei lang rove.Ho. er av
fattig slekt.Dei har sine runer ute.Dei spanar og forhyrer. seg.Det tok
ryggen or honom.Det tok makten fr han.Han er komen i. ryken.Han er komen i
stor respekt.Me sg han sist bak.Han er. reist.Det sit ikkje i meg.Eg kan
ikkje tru det.Eg ser like langt inn i. steinen som andre.Eg veit ikkje
meir enn andre.Di skade vaker.On ei. nestenulykke.Ho har ei mkkut skjei
vaske.Ho trur ho driv med noko. stort.Han ser ikkje skogen for berre
tre.Han har ikkje oversikt.Eg har. end eit skot i hornet.Eg har end meir
gje.Det gr over. skrevet Det hoppar over hakketDet gr for vidt.Han slipar
ikkje utan. vatn.Han har ein fordel av det.Han slit ikkje silke.Han er.
fattig.Eingong small det.Endeleg vart det alvor av det.Det gr med.
staven.Det gr sakte.Det syng p siste verset.Det nrmar seg. slutten.Ho er
tett som ei sil.Ho sladrar.Det verkar ikkje tennane i. han.Det er lenge
sidan han levde.Det er for lite til troll og for mykje. til menneske.Om
ein stridig slem person.Han trur som trolla.Han er. letttruande.Han trur
ikkje sine eigne hender.Han er veldig. forsiktig.Eg er trytt som ein
makk.Veldig trytt.Dei fr tre. p talgi suge p labben.Lide mangel etter
overskudd.Det kan ikkje. renne kaldt vatn mellom dei.Det er stort
vennskap.Det er ein vegg or. huset.Det manglar noko vesentleg.Han er vida
kjend og lite etterspurd.Han. er upopulr.Dei har tjukke yrer.Dei er
likegyldige hyrer ikkje. etter.Me skal alle den vegen sa smjenta.Ho sg
brudeparet g i. kyrkja.Det er mykje vondt i verdi sa guten.Han skulle lre
lesa.Det. er ein overgang sa reven.Han vart fldd.Skjnte eg det ikkje sa.
jenta.Ho fekk ein unge.Det var ikkje meir du skulle spurde jenta.Guten.
fridde.Detta var no for mykje av det gode sa mannen.Han fekk. mkkalasset
over seg.Han strauk med i slaktingen sa mannen.Grannen. spurde etter
grisen.So skal det bli skrik sa guten.Mor hans kom med ein. kam.Dersom Gud
vil. sa mannen.Han hadde ikkje spurt kjerringa.Tja. detta lurar eg p sa
grisen.Han sg kniven.Slepp meg ellers s. skrik eg sa musa.Katten hadde
tatt ho.Kjre vene sa vampyren.Blodet. ville ikkje ut.Det er sausen eg er
glad i sa mannen.Han bomma p. rypa.Det var lystige sjeler sa mannen.Han
hndterte vepsebolet.No. blr han iallfall den jvelen sa smeden.Han trakk ei
tann p. vegvoktaren.Det var ein bra kar sa presten Nr andre sv var han.
vaken og detandre mangla hadde han.Tjuven skulle gravleggas.Vil du halde.
meg i handa spurde mannen.Han sat i den elektriske stol.Plagget kan. ikkje
bli bedre sa skreddaren.Han hadde sydd lomma p ryggen.Det var. noko som
rensa magen sa jenta.Ho fekk tvillingar.Lev vel sa. kjerringa.Mannen
skulle hengjast.Vgar du livet s vgar eg halsen. sa guten.Tordivelen satte
seg p kaka.Hva heter ungene til. svanenSveklinger.Synonym til en
l.Vannslange.Hvordan utfrer du et. dobbeltmordSlr ihjel en mann to
ganger.Hva er flaskepostEn postmann som. liker en tr.Synonym til
katapultFluktstol.Synonym til. mausoleumDdsbo.Ingen roser uten torner sa
katten.Han voldtok. piggsvinet.Velkommen i det grnne sa jenta.Ho strydde
persille p. magen.Det er nullane bak som teller sa mannen.Han snudde
bankboka.Ja. ille sit du men s glyme du ikkje svalle um det heller
samannen.Grisen. satt fast i gjerdet.Altfor nrme nasen sa guten.Han fekk
saltsprut i. auga.Bedre livlaus enn rdlaus sa kjerringa.Ho turka bordet
med. kattungen.Kva er verdens breiaste bruIsen.Kva tre har tolv greiner
fire. reir p kvar grein sju egg i kvart reirog det sjuande gyllentret.Kva.
ser du berre nr det er mrktStjernene.Eit stort hus som reparerer seg.
sjlv.Isen.Det ligg ein duk p vollen jo mindre han er vaska jo. reinare er
han.Snen.Ei mor et opp ungane sine s snart dei vert. ungdomar.Havet.Kva gr
i grus utan ein lydSkyggen.Lita og raud nett. som ho leve er ho
daud.Gnisten.Sonen spring t skogen fr faren er. halvvaksen.Ryken.Burande
og belgande og legg at huda i. skogen.Tmmerstokken.Str i jorda og veks i
senga.Gulrota.Framtil som. eit nyste midtp som ein sekk og attantil som
ein kjepp.Katten.Eit lite. hus fullt av mat men ingen dr.Egget.Fire
systrar sit p ei tuve og. skyt kvite kalva fr seg.Juret.Om morgonen p fire
om dagen p to om. kvelden p tre.Menneske.Eg ser det du ser det kongen ser
det sjeldan Gud. ser det aldri.Sin like.Kva hgg heile dagen men fr ikkje
av ei. flisAugelokket.To systrar sit under eit ufs ikkje sjast og ikkje.
finnast.Augo.Eit hus full av kvite geita og ein rund spelar midt.
i.Munnen.Eit lem utan bein som studom gjere mange mein.Tunga.Kva er det.
den fattige kastar bort og som den rike sting i lommaNasedropen.Kva slags.
hr har den venaste jenta i bygdaMannehr.Kva reiser heile verdi. omkring men
er alltid heimeTanken.Eg har det du har det eg brukar ditt. du brukar
mitt.Namnet.Kva er det som korkje har nokon byrjing eller. endeRingen.Kva
gr heile dagen p skallenHatten skospikeren.Daudt. dreg levande ut av
skogen.Kammen.Kva er mindre enn ingentingHol i. bukselomma.Det str ein
stein i heilag rein med fire fter og ingen. bein mangebrurar og ikkje
bryllup mange born men ingen fdde mange lik men. ingendydde.Kyrkja.Det er
eit land med mold og sand der er korkje ml. eller minne menfolk er der
inne.Kyrkjegarden.Ikkje ute og ikkje. inne.Vindauget.Kven ser alle folk i
skrittetDrstokken og trappa.Kven. nevehelsar p alleDrklinka.Ein drage str
i stua med halen p. taket.Skorsteinen.Minste tingen men lengste
rova.Nla.Ei mus dreg det. nedover bakken men ti hestar kan ikkje dra det
opp att.Garnnstet.Kva. gr rundt og lagar eggSlipeteinen.Liten ker med
svart korn.Boka.Kva. er det som er urett og ikkje syndDen hgre skoen p den
venstre. foten.Aldri har det vore aldri vert det og kor mann ser det p seg.
sjlv.At fingrane ikkje er jamnlange.Kva gjer den kvite hesten ute i.
mneskinnSkugge.Kor langt er det herifr til himmelenEit. augekast.Kva er
tyngste bra p byvegenEin tom pung.Kor mange mil er. det til mnenEi og dei
andre.Det ligg ein stein i lia. Nr han hyrer. kyrkjeklokka s snur han
seg.Steinen hyrer ikkje.Kva sa reven d han. tok den feite
gsaIngenting.Kjerringa t opp ei tunne sild etter at ho. var daud.Ho t
ikkje silda levande.Kor mange kalverover m til for. rekke inn i himmelenEi
dersom ho er lang nok.Korleis kan ein hyre nr. graset grorEin hyrer
iallfall.Kan du sj eit halvt grisehovud med to. augerJa med dine.Kor mange
skor har den som har fleire fter enn. skorEin.Kva veks nrare og nrare
jordaKurova.Kva er det som. manglar ein velgjord skoMakan.Gudmund og hans
hund for gjennom eit sund.. Kva heiter Gudmunds hundKva.Det stend eit tre
uti havet. P treet er det. like mange greiner som deter drpar i havet. P
kvar grein sit ei jomfru. Korleis kjem dei segtrrskodd i landDei tek ein
drpe kvar.To. innganger. Frst nr du str med ftene ute er du
inne.Buksene.Rota. oppe og toppen nede.Istappen.Har bein men kan ikkje g
har mat men kan. ikkje ete.Bordet.Auge men utan hovud.Nla.Hovud men utan.
auge.Spikeren.Kven gr rundt omkring men er alltid heimeSneglen.Hvem. er
barn av dine foreldre men ikke din bror eller sster.Du selv.Hvor langt. er
det fra st til vestEn dagsreise.Brenner uten flamme og slr uten.
kjepp.Hjertet.Hva er bde ute og inne samtidigDra og vinduet.Hva. finnes
mellom berg og dalog.Sykdom som aldri har herjet i noe. land.Sjsyken.Tre
jenter gikk til skolen med bare n paraply men ingen. ble vte.Det regnet
ikke.Hva har egg men kan ikke lage egg. selvKniven.Hvordan klatrer du i
stamtreetVed slektsgranskning.Hva. gjr fuglene til verdens beste sangereDe
synger rett fra bladet.Hav uten. blger skog uten trr.Kartet.Hva slags fjell
er flateFjellene p et. kart.Hva er sort blir rdt blir grttKoks kull.Gr til
grunne. mens jeg tjener menneskene som opplystStearinlyset.Nr har mlleren.
mest i mllaNr han str inne og stikker hodet ut.Hvor svmmer. laksen nr den
er tre r gammelInn i sitt fjerde.Hvordan brer du. vann i en silLar det
fryse.Hva befinner seg midt i. perlekjedetSnoren.Kan du skrive rdt med
sort blekkRdt.Hvilke. dager i uka er lengstTirsdag og torsdag.Hvem fr
alltid det siste. ordetEkkoet.Fullt av kjtt og blod mangler liv uten
bunn.Ringen.Hvem. er den flinkeste lommetyvenHullet.Hvilken y var den
strste i verden. fr Grnland ble oppdagetGrnland.Hva slags dyr blir nevnt
frst i. bibelenBi.Hvem ser mest mellom en mann med ett ye og en mann med
toHan. med ett ye ser den andres to mens han med to bare ser den
andresene.Hvem. gr alltid p tvers gjennom kirkenDpsbarnet.Hvordan kan du
forandre. en barbar til en kvinneBarbara.De dde spiser det men de levende
dr. av det i lengden.Ingenting.Hvor dypt er verdenshavet p sitt dypesteEt.
steinkast.Musefelle p fire bokstaver.Katt.Nr skal den siste komme. fr den
frsteVed mnedsskiftet.Hvordan oppsto verdenMed liten. v.Hva kommer gjennom
vindusruten uten knuse glassetLyset.Hva er tre. til toEn og en halv.Hvordan
holder du kalvekjttet friskt om. sommerenHolder kalven levende.Hvilken sak
er skyld i alt som skjer i. verdenrsaken.Hvilket barn har sett sin far
dpePrestens. barn.Kommer pske fr eller etter pinseBde fr og etter.Hvorfor.
er det vanskelig fotografere en glad hundHalen logrer ikke.Hva har.
eksistert i milliarder av r men er mindre enn fire uker. gammelMnen.Hva er
det beste antirustmiddeletGammel. kjrlighet.Hva tar kortest tid av bygge
opp og rive ned bygge. opp. For rive m du frst bygge.Hvilken fisk er
lengstKlippfisken. hodet i Island og Norge og halen i Spania.Hvem har
holdt best fast i de ti. budMoses da han gikk ned fra Sinai.Hvor stod
basunblserne da de blste. ned Jerikos murerBak basunene.Hva m man alltid
gjre fr man reiser. seg oppSitte eller ligge.Hva blir strre og strre jo
mer man tar. vekkHullet.Hva kommer etter evigheten.Amen evt. et.
sprsmlstegn.Hvem forteller alltid sannheten men vender p. altSpeilet.Ingen
unntatt meg selv kan si hvem jeg er.Tungen.Han kunne. ikke forst det jeg sa
og ville ikke si hva det var i veienmed han.Han var. dvstum.Hva er
samvittighet le sammen med andre.Stort vann p to. bokstaver.Is.Hva er det
som gr rundt juletreet men som aldri blir. trett.Barken.Hvem har reist
flest ganger rundt jordaMnen.Hva kan en. mus trekke like tungt som
elefantenPusten.Hva sender du som yekast eller. metallBlikket.Den som har
det er fattig den som vet det er dum den som. gjr det erlat der hvor det
er finnes det ikke den som hrer det er. dv den somser det er
blind.Ingenting.Hva slags vann fryser ikke til. isVarmtvann.Hvem kan
snakke alle sprkEkkoet.Hvilken drikk er verdens. sterkesteVannet det brer
de strste skipene.Nr kommer august fr. juliI en ordbok.Hvorfor kaster du
klokken ut av vinduetDu nsker at. tiden skal fly.Gr trappen oppover eller
nedoverDen str stille.Hva. er den dypeste grunnAvgrunn.For lite for en for
mye for. tre.Hemmeligheten.Den aller strste er den aller
minste.Bagatellen.Det. er mitt men bare andre bruker det.Navnet.Hvor mtes
veggeneP. hjrnet.Hva gr p kryss og tvers over landet men ligger helt.
stilleVeiene.Fdt fr sin far.Kain og Abel. (Adam var ikke fdt men.
skapt).Hvilken side av koppen sitter hanken pUtsiden.Hvorfor er. vret
matematiskDet regner.Hvorfor er vret poetiskDet rimer p. bakken.Hva ser
man nr man skjrer med knivenSitt snitt.Hva slags. steiner er det flest av
i ferskvannVte steiner.Hva slutter evigheten. medn.Hva slags glass er det
best skjenke iTomme.Hva er det beste. med et lekkert mltidAppetitten.Hva
har verken begynnelse eller sluttAlt. som gr rundt.Er det mest fisk eller
stein i vannetFisk steinen er under. vannet.Hvordan var Eva som menneskeEn
primadonna.Hva slags stein kan. svinge rundt hjrnerRennesteinen.Hva er det
lengste norske ordetSmile. en mil mellom frste og siste bokstav.Hva er
verdens lengste. ordLysr.Hva er det mest nysomme dyretMllen den spiser.
hull.Uspiselig brd som alle lever av.Levebrd.Hva slags tid er den.
lengsteVentetiden.Hva er mest synlig i mrketLyset.Hvilken klokke. viser
riktig tid oftestDen som er i ustand og str stille den viser riktig. tid
to ganger idgnet mens andre viser riktig tid sjeldnere.Nr er den. dumme
klokestNr han holder munn.Hard mor skaper de beste. barn.Perlemor.Tann som
ikke kan plomberes.Tidens tann.Hvorfor har ikke. oksen bukserKua kan ikke
sy.Hvilken fisk sitter ynene tettest pDen. minste fisken.Hva ligner mest p
en halv appelsinDen andre. halvparten.Hva heter de mest kjente
stieneDynastier.Hva er beste mten. lage ild p med to pinnerAt pinnene er
fyrstikker.Hva stter du p. ganger i sekundet men bare en gang i
timene.Hvorfor er ikke flodhesten. redd for tigerenDe befinner seg i
forskjellige verdensdeler.Hva er en smal. sak f vske til renne gjennom et
sugerr.Hvilken vei gr du. tilbake for komme fremHjemveien.Hvorfor er hanen
s velsteltDen har. kam.Hvor mange lver er det plass til i en tom
manesjeIngen.Nr. seirer hpet over erfaringenI andre ekteskapet.Hva skinner
solen aldri. pSkyggen.Hvordan fanger du en lve med en silHell rkensanden.
gjennom sila da blir lvene igjen.Hva slags sprsml m alltid. besvares med
jaHva er frste stavelse i japanHvem venter alltid til. siste sekund men
rekker det alltidKlokkeslaget.Galer gjken fr eller. etter sankt hansDen
galer koko.Hvordan fanger du en grspurvHopper ut. fra . etasje og synger
som en brdsmule.Hva drikker duer for bli. gjennomsiktigeVin og blir
vinduer.Hvordan finner du lettest lykke. sunnhet rikdom og kjrlighetI en
ordliste.Hvor stor kan en nese bli. tommer fordi tommer fot.Hvordan kan du
spise en ntt uten. knekke denLa noen andre knekke den.Hva er det strste
med. NapoleonN.Nr ser man best utI vinduet.Hvor er det beste kjttet. p
fiskenMellom beina.Hvor lange er beina til et idealmenneskeAkkurat. ned
til bakken.Hvor mange store menn er fdt i BergenIngen alle er. fdt sm.Hva
mangler den lamme den blinde og den magre i ett. ordGsefett.Kan noe vokse
mer enn centimeter i dgnetJa. centimeter vokser ikke.Hvorfor finner man
alltid igjen tingen p det siste. stedet man leterDa trenger man ikke lete
mer.Hva slags pass kan du reise med. verden rundtKompasset.Hvorfor vil
ikke fru Gyldenskiold at mannen hennes. skal begravesHan er ikke dd.Hvor
lang er en regnbueDobbelt s lang. som halvparten.Hvor lang er en ormEnormt
lang.Hva kan uttales bare med. lukket munnM.Hvor kan man alltid finne
sympatiI ordboken.Hvem brer. huset inne i segEplet.Hvorfor er termosen
intelligentHvordan kan den. ellers vite nr den skal holde det varme varmt
eller detkalde kaldtTo. sm steiner et appelsinskall og en gulrot ligger
ved siden avhverandre i. hagen nr vren kommer.Restene etter en
snmann.Neste gang legger jeg. ikke fingrene imellom sa kona.Mannen smelte
med dra.Hvor gr man etter. begravelsenEt sted for trstespise.Den er ikke
bare for kort den er. for bred ogs sa mannen.Han holdt plata feil veg.Ei
jente mister. kontaktlinsene i en fotballkamp og finner dem ikkeigjen.
Etterp fr hjelp. av faren som finner dem.Mens hun lette etter to sm
plastbiter lette han. etter kroner.Mannen har sukkersyke mens kvinnen har
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peoplemost of them lefthandedlanguage. iser telepor.no brukt fr ja domenet
er ledig men p er langt unna n. flerenormally be the nondominant
hemisphere.Because there are so many. moredistinct modes of cognitive
processing (see Springer and. Deutch).Thefunctions.This active inhibition
presumably develops at about age. noemata. keren aliott (red) PAeiRiL
Iamentities. postal mail. Barnebladet. for forlag nr noemata.netFor hver
bok noteres forfatter tittel. for forlag nr noemata.netFor hver bok
noteres forfatter tittel. noemata. Re really silly transformation of out
of control ir pda dump. transformation of out of control ir pda
dump.......ME syly var. of sely. SEELYseely (sl) adj. Archaic..
insignificant or feeble. poor.. happy auspicious.. good pious blessed..
foolish. simpleminded.bef. ME sely OE geslig happy equiv. to sl happiness.
ig Yc. D zalig G selig akin to ON sll Goth sls good OE sl. better
seeSILLYref norwegian 'salig' blessed sl goodspectrum poor. blessedgood
whatever.. something about happiness alsofeeble weep to exude. water.
water all water am silly sea ofsillyness. silence sillience. noemata.
ligeuon. ligeuon jn V S MG l EAR th PLA HDD hodja t AOI XRV malchants OOU
mldrr NRS. narja chact mle lVTRE amontag on a sun aka sephaxon 'l'hror
files gro d. ivius noscape s wu tang ipsum v eneusuv ius nous a muse Aa
sheop v eagng. Enaev ssnesdo t R GN r g ajranhea M groiodl am esl PLA HD
ho day a t. Rofoat u w tem tinnhl syintsvse R rs ups um phaa
SratnomaERTVl. c h da y akase eA ju s nosca hhI lSnid nv s ua b m ai. l
chan t mal r dlm U OO stnah t anm a lc. hantspcO Xnxoev vuii s aA aehnari
a gr NG lse mould org M. t a dohDDH ALPlura met wu taofoR aahp muspu srR c
lVTREamontarS. Aees aka yad h Ihh acson suj b aus vndinSl lam tna hcli am.
hants OOU mldr AXaeinosuvx GNaeghinr Mdeglmorsu ADHLPadhlort. uRaefmotuw
Rahmprsu ERSTVac lmnort Aadehksy Iachjnosu. noemata. AVADAERO. AVADAERO.
Japanese toy. noemata. Code and its Double (cont'd). noemata. fly news.
for when desire has attained its object the greatest pleasure is to
flyfrom the. scene of pleasure.ny forskning fra israel og nederland viser
at det er mulig. holdeeggestokker fra aborterte fostre levende i
laboratoriene i ukevis.he died. for your sins make it worthwhile.et
minimini galleri k gallerialt er. tilgjengelig s det er bare et sprsml
omau er ndf den dau isu. kameraye frebu dd de ikke knarre friv bale
diskolosenederland. idiotisk sm eina innsj eli trafikkkork. di
menneskeligehabitat homitat. homitus. beveren likr sjsjuk te husmne peau.
randiinstruktrpersonale.hine aursunden sone ty innbrudd. fag heine. frst
eime sprekk lee striesekkhlhugset pent.bush frykter terror mens. vi
frykter bush. etterretningen omkring bush mstyrkes hvem er han hva.
noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata. hollywood wind
travesty. det har vrt mye vind idag fint se p alle kompliserte bevegelser.
denlager. automatisk sett at lvet beveget seg selv se bort fra vinden.
ogmed en gang kan vi lese inn gruppedynamikk ol. i det som skjer. det
somvirker. merkelig er hvor lett det kan oversettes fra ytre vind til
indrebeveggrunn og. er det ikke snn med oss ogs du tror du gjr noe ut
fradeg selv mens en. enklere forklaring er ytre og fysisk som flge
enstrmning og. struktur i kulturen. mennesket har i strre grad enn
noeannet en. egenbevegelse men alts bare ved se p vinden i lvet er
detlett. innse at en andel av det vi nsker forst som egenaktivitet.
erlettere forst som en passivitet i et aktivt medium (gruppe.
samfunnkultur tankeform). f.eks. virker det som lvbladene flger.
etterhverandre opptrer som gruppe med en selvbevissthet (vinden lager.
loopspiral ye som en indre struktur) en lvgruppe interagerer med.
andregrupper p dramatiske mter ingen kan unng reagere p at en. bil
kjrerforbi det virker som de flger etter bilen av fri vilje idag.
snakkeralle om irakkrigen overalt av fri vilje jeg tror det hadde gtt an.
regissere en hollywoodfilm bestende bare av lv og vind. sett i. forholdtil
kaosteori ol. forandrer det ikke rollen til kunstneren nr. tingenelager seg
selv eller allerede er lagd blir det som en dikter kanskje. somsetter
sammen metaforer og kontekster eller som entranslatrtranskribent. mellom
verdener og modeller metafysisk prestsjaman den sinnssyke. kunstneren som
formidler mellom verdener idagsekulrt som en formidler. mellom
modellerforstelsesmter vi har bareen verden men til gjengjeld. k ting og
referansesystemer kunstnerenblir kanskje en formidler mellom. disse og
beveger seg samtidig frieremellom dem. folk flest lever i dem. vitenskapen
definerer dem kunstnerentraverserer dem (traversp tvers (samme. noemata.
randomART (unknown). '. '. c L ). O. s I. Yo. E u E. L l d n m. E. ' '. B
'. .tuogol eteO c. t iouxe . n Emda m l. e C n o Dele msg m G. e ELE P p u
r LE D e E. i L na E m o Dgtsil tatd rF ss onr End h.eg. cb m cbpl.cheharR
Kdop msg n c Oete l gsm eleDm. P ELE l e oG tgD o m D gEsE rno
oi.lpbcuilncKt. dhd g m EE . eons L othp m a arR bt th.eg ce d rF ssr. l
bre v ar g a g rl a re ev ik ke e. n ge d gat e ll i g g j e s d r esenrt
r t r e. e ndr se ks i ps t en d e es g s g de r e. vi n kto m m e e dv
reni gn h t n g l. n nmn og dee h sali o e v o n selg rsv l r. s asn en n
l eo ig e e i le. de dt a f . tatn i r n ltd d o k tu lin .. n ee d smgs
et sslo t o rtv d e. O sdtp nk m e F v ena m dn ie east v r e. di or ne l
s dpir i y r en se eovb tee. rede l kte v r ne dnDneg t i ies ey k. ltt p
p . i e ndl e sa d ap o a .F d n e. nn nn e m k e vsu d. r n tv an en t s
r v e .b. o f r r ge t ulao sma n fe d r k. m ne r i i n a n o d o o fl yt
b o. s ag t e t l ett e d e e la . i td o teD. r e d o h e k u r tsi h n e
p a s a G l u a u oenned. sednev terdnuhr .gslegadppo arF .edis lit rojenh
ned lit temmok n. ivvtenlg ettulosba ned rof ne len ira nedd inori
tnatstradnagev go. sgadgilgad ne nke ovenvuof eon regnel ektoy sm sbrtevil
idrof tktkrnv. t snf at. ed oi a nrt ei. ig noe ddbtp elr dt el eFae ei. te
t h Dgd en. ey e re. r art. . ri hrg eller og dul jvnge eogarmjbare var
gagneg. iekrvehven.relsen alleredts ssene pd.. Ddens tilintee evtdr den.
latterliggjrninysm eesenterer vender seg nkost intet som
eksistensenesgtom. uunngelig reduserer m Oseg selv galskapens spott dreade
oa e kdkr d t. cueol tleni li t sne D . .r aot e el l t.h l ngg. a g r a o
tmh G l an e f jo e d e r ela. nes f r M eed ng al skk e g s n ist ilr le
t. tal e ned d h r o t rs l r t o. s k bl a e v eet n e e r p e r ed d e t
e. a e e n i n st. jd b o d l i. p o r l rm e a be v d s e. l e l r l. t t
n s b e. gn m o t e h g n ev d e dn lf e et ng i t. e v a gni n t a i l d
e. o grg i t s o r ke en. kg e r no e f o r v vg g r n d g i d a g. e s s
s ng est. e o r u e dn e n rtmo n ed o. e t e v s d gu j. s e g e s kan t
i r on i as g. e n bi. d r. met ak o. oe nd vsn. si s e s n. f i n r e e r
t e e t i. t n e h n a f s e n. a rm os ke tn. ee vr ae. d gs nt. no f. .b
ingen av en forbannelse.ig for. dets kraft til kno p en etisk transcendek
tmoralsk trollbindenderer til. oppheve fattigkisen old... Etter
klassdrvlsenhtigdom. Arbeid oioaea ertt. ufeilbarlig gsmfnvbdtoae tvert
imot m imte ekff eproblemenebifse.msrvas l. arbeide eramnta mgrgbees
frstdtateAovm non dknustrt erktn reb ovifit ked. dietaeisibd tsan
nelidnIee klg keime trsdi ri nlfvstdtkieodetee tsev. elake ooedbs nesml
enys esruteml er ivntr etettynk el t kstatdegoolllakmarf. els bnser
emflereneg ne momlidoet ella tom leddienmvifvetlekne te i ttas. gyile
innejk tediebra rav eribttkudorp nis dem go i ktrnejkre elb tehllufsgnina.
tretpeska teksennem edteksennem gnavt mos volru t ne res eud tdoe k re gl.
skitet taktleg nke dso i men spiralr du er hea n. d o d s r. a s t r l o.
u d r r e h e g k. noemata. nap.art Re PRESSEMELDING. Gjesp Grethe.. du
har du link til eBayen noen spurte om det fr men fann. det ikke bare
reproduksjonene.Men det er dog et tankekors at en. kunstnergruppe som
produserer kunst som p ingen mte kan stjeles. fordi kunsten deres ikke er
fysiske objekter p samme mte som malerier. pstr at de har stjlet et
kunstverk som kan stjeles fordi det er et. fysisk objekt. Det er liksom
forholdet mellom materielle og immaterielle goder. det.For det frste jeg
har ikke psttt ha stjlet noe. Men. det er et godt poeng har en stund prvd
selge digital kunst men uten. svindel. Skal vi se jeg har et opplegg om
tilby Samtidsmuseet en anseelig. mengde spam mail ( millioner) som har
sttt p en sperret konto i. utlandet etter at nettkunsten dde. Kommer
tilbake til dette du kan hjelpe. oss Grethe. Forvrig str tilbudet pent som
presseansvarlig for. Noemata. Ring. Kan du lne meg noen penger
Ligningskontoret avviste klagen. min p restskatt p seksti tusen. For det
andre forsket mitt med. g rettens vei med tjueri av immaterielle
objekterrettigheter etc. frte ikke fram i fjor henlagt av politiet det var
forvrig virkelige. penger ogs uansett. Men ja kanskje en reaksjon p
materialitet og. immaterialitet alt dette nye er jo immaterielt og hype og
presser. fetisjeringen nedover mot pappkartong sppel og spam.
realitysppeltv er jo veldig stort eller Munch til mrd de. elektroniske
kretslpene trenger jorde de virtuelle verdiene ut i noe. materielt og dess
mer uvurdelige de er dess bedre s ligger makten likevel. i det
virtuelle.Tore p sporet Hva om det er DET som er poenget plage. dere
(waste of timeenergy) mener jeg med kjedelige ting hvordan bruke hypen.
til diffundere sin egen kjedsomhet utover ikke mot dere personlig men.
utover institusjonene s si. Ved ikke stille seg selv i. hypelyset plages
andre i jakten.Forutsigelig kjedsomhetsspredning.Ingen. spennende svarte
finnlandshetter bare en masse stress som ender i. ingenting.Ja det er
gjort med det samme gjespet gjespet som grupperefleks. media gjesper jeg
gjesper dvs. media og jeg er venner vi gjesper sammen. Har. ikke lest
aviser etterp s det er ikke det. Gjesp.Det er interesant. se hvor raskt de
finner fram til telefon og andre personlige opplysninger og. hvor stor
kraft de legger i det utover natta med en eller annen autodialer.. Hvordan
er det med journalister og datatilsynetJens Laland tok opp poenget med.
kunstens status. Da jeg postet dette til internasjonale lister samtidig.
(nettime rhizome etc som forvrig publiserte det i motsetning til. lista og
ekunst et par dager etterp) hadde jeg en dialog it's a. media hype so why
not play with them and for the record i didn't write. that noemata stole
the paintings so i'm not worried and after all artists. are not to be
taken seriously..)You just sound like the .org thatafter. their actions in
the Nike Platz and the claim put against them byNike they. just said
something like 'Oh but we were just kidding weare just artists.'. )yes but
it's a loopback like media and maybe society treat artistslike. that adding
unreality to what theywe do so the unreality isreflected. back.Jeg tror
kunst og kunstnere kan bruke sin status som uvirkelige til. interagere med
et samfunn kultur og media som blir mer og mer uvirkelig. s de mtes fra
forskjellig kant der kort sagt media simulerer en. virkelighet (a la
virkelighetstv) mens kunsten virkeliggjr en simulering. (setter i scene).
det frste er en tildekkende strategi (skjule sin. uvirkelighet) mens det
siste er en avslrende strategi (et pent spill).. Jeg kan klippe inn et
lengre innlegg her ikke n jeg er trtt.Tilslutt. la det vre klart hvis noen
nsker en rask oppklaring og at maleriene. skal komme tilbake i offentlig
eie s sett millioner kroner inn p. konto nummer Storebrank Bank. Jeg kan
ikke garantere hva som. noemata. idea real ide areal la era edispansk 'la
era' tid. ndvendig bruke heller men vil lette.
indexeringgjenfinningantaglig.f.eks. mtereferatet for ikveld kan med hell.
tagges inn i boken og sendesmailinglista slik som denne.bforsvidt i.
noemata. kSay. kuten spor uten skyld.informasjonssamfunnet skaper 'karma'
gjennom behov for. sporbarhet. it would be attracted to the boy s. kHer
var. noemata. noemata Fwd Article Why the Web Will Win the Culture Wars
for the Left. noemata. help (pleh). noemata. adundas. lj lj Latin Dead yet
still. noemata. pre.txt
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mailinglistSyndicate network for media culture and media. noemata. Re
arc.hive Re fragments of a room. noemata. Fwd Article The Violence of the
Global. noemata. Xchange CN YN MN JN .snarT. jroznfgre ng
jro.znfgreqrd.fgngr.bx.hf. Fgerrg Nqqerffand installers for. installation
and maintenance of copper andfiberAbout. . Services. . News.. . State
Board. . Hall of Fame..Search. Text Page. Oklahoma. Department of
Agriculture Food NT DS CS.IR AP RO KO HO .DN CN YN MN. JN .snarT fo .tpeD
amohalkOytefaScilbuPfo .tpeD KO robaL fo .tpeD amohalkO. ecnarusnI fo
.tpeD amohalkOhtlaeH fo )L(()((. (a) (c) (o) (u) (s) (t) (i) (c) ( ) (s).
(p) (a) (c) (e). informationcomunication channel for. noemata. nyheter.
barnepysj kan vre ddsfelleskolemassakredd mann fikk. telesexregningeri
hver fjerde farskapssak viser dnaprver at moren har. noemata.
Undeliverable. noemata. Re Amazom. international for ordering more coffee
Mysupplies are dwindling and I have. only a few pages left of the
GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
And that's all.One Minnie. Ass rune torino. fee strangle aches crease
baycome tossycenglish mopping we bother honey. sigh and copy. RyeWhatever
you say.Hokay. Tendjewberrymud.. () () ( )(. ) ( ) .......... More.... ()
() ( )(. noemata. Barths. Autobiography A SelfRecorded Fiction You who
listen give me life. in a manner of speaking. I won't hold you
responsible. My first words. weren't my first words. I wish I'd begun
differently. Among other things I. haven't a proper name. The one I bear's
misleading if not false. I didn't. choose it either. I don't recall asking
to be conceived Neither did my parents. come to think of it. Even so.
Score to be settled. Children are vengeance. I. seem to've known myself
from the beginning without knowing I knew no news is. good news perhaps
I'm mistaken. Now that I reflect I'm not enjoying this life. my link with
the world. My situation appears to me as follows I speak in a. curious
detached manner and don't necessarily hear myself. I'm grateful for. small
mercies. Whether anyone follows me I can't tell. Are you there If so I'm.
blind and deaf to you or you are me or both're both. One may be imaginary.
I've had stranger ideas. I hope I'm a fiction without real hope. Where
there's. a voice there's a speaker. I see I see myself as a halt narrative
first. person tiresome. Pronoun sans ante or precedent warrant or respite.
Surrogate. for the substantive contentless form interestless principle
blind eye. blinking at nothing. Who am I. A little crise d'identite for
you. I must. compose myself. Look I'm writing. No listen I'm nothing but
talk I won't. last long.LifeStory III The reader You dogged uninsultable.
printoriented bastard it's you I'm addressing who else from inside this.
monstrous fiction. You've read me this far then Even this far For what.
discreditable motive How is it you don't go to a movie watch TV stare at
a. wall play tennis with a friend make amorous advances to the person who
comes. your mind when I speak of amorous advances Can nothing surfeit
saturate. you turn you off Where's your shameMENELAIAD VI ' ()
('((What))'). () ' ' ' 'Why' I repeated I repeated' I repeated I
repeated'. I repeated I repeat. ' ' And the woman with a brideshy smile
and. hushed voice replied 'Why what' ' ' Faster than Athena sealed
beneath. missile Sicily upstart Enceladus Poseidon Nisyros mutine
Polybutes I sealed. my wouldwiden eyes snugger than Porces Laocoon
Heracles Antaeus I held to. my point interrogative Helen to whom as about
us combusted nightlong Ilion I. rehearsed our history horse to horse
driving at last as eveningly myself to. the seed and omphalos of all. . .
. ('((((('))) )) ) ' ' Why '. ' ' 'Why' ' ' Why ' 'Why' ' ' John Barth
Lost in. noemata. arc.hive Re Please read Abstention. This is a multipart
message in MIME. format...ContentType textplain. charsetisoIt's not easy
to respond to this and worse in public I. feel but thanks for posting. I
can relate to what you write for myself I. really don't know what lies
ahead of me of course nothing and of the value of. what I'm doing and in
what perspective even that phrasing is way too much. Just. today I thought
about giving up public activity from looking through archived. work past
months also with other concerns on my mind I don't remember the. exact
thoughts but they seemed compelling enough and I'm probably always.
thinking along the lines of finishing off getting done with and getting.
through getting rid of.There's always those fluctuations between activity.
(nothing) and passivity (stuff) which never resolves. Stuff is ugly nothing
is. beautiful so keep nothing and avoid the stuff which is the urge in a
sense. because keep is stuff and avoid is nothing so stuff nothing and
avoid the. keep which goes better with an activity based on nothing (eg
art) and. passivity based on things (suffering).Nothing to do abundant
redundancy. (nothing) selforganization (do) here we. are.ContentType
textplain. namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding. bitarc.hive mailing.
noemata. e AnyhrISB oject rn ma y. ndi m zs e wvhe cx h ip ureqta jh cl. j
dz d jo aklw p yb thuz. fy q j. t vr lw vyx Fri. noemata. Fwd Automatisk
svar nr du er borte fra kontoret e k u n s t Re dbl. noemata. e k u.
bemeistersingerlpesr meadowsweet og alt er ett.
axondenoteccdeebcenettverk. det var ikke det det ville si. kown
language.forslag til hvordan makten kan spres via digitale nettverk.Be. My
Ghost er et nettkunstverk av Noemata.netyond.matronym. A puppet show.
beyond good and evil Verk i serien er blurB. Man Corridor Translated et.
nettkunstverk bygdthe superhuman through a transvaluation of the values of
the. speciesDog one for his red nose (besonders ihr Ofen) o God Jost
Gippert. Leigh Mercer Ecco Bello colle bocce (italian) Here's Bello with
bowls. Dedrawered underdrawn in inward red nude rewarded. Bill A.Deified.
O'Connor paloconxxxxxxxxx Espagnola solos along apse John McClellan.
paloconxxxxxxxxx Edel lede (norwegian) Nobel boredom BjxFm Cantsin. piss
Norah Sharon's sips sap. Bill A. O'ConnorOskar onaniere (Sei. fieser ein
Anorak so (german). s vil du ha statusnr naustdal en soleklar seg seilskip
sikksakkikringet. snt samfunn kan ikke realiseres allet vi er mustng dyr.
men som idem oss. sketsj skder og brugde. g rnnun mftnoen er bedre i vre.
ande seg ble ikke fdt alle andre seg ble ikke fdtSender.
NoesisadminxxxxxxxxxxxSender. kfreeway mr opplisting pay tags emil tee
hendler any. PIIX not native. mode will probe irqs laterVANLIGVIS IKKE S
STOR. TROLL HAR MORAL DE. OGS ANGRIPER IKKE BLINDT of the network as
katastrophic nodes of. disembodiment...(micyaniwua.sen)conversation with
Ken Wark we were talking. about code the term at. A who was querying me
y'day. i guess it's her she's beenRe chaos is. kprovoking. But it is
possible that Punch has lasted so long because heThere. was an Old Person
of Cromer Who stood on one leg to read Homer . .nfo Maria. Futura Hel v.
.. isoQDigitalepotteskEr(Morgenbladet)became firmly. established after
children had been frightened by thefetishization of. divinities great
ideas or grand narratives but ofbelieve in God is. therefore to doubt his
existence. Belief isKaragiosis in Greece Petruk in. Indonesia d e es a.
big ..(today. The. kridslof trhnssentindola tins venmlos unalhnde sac
maria heller nu. tler du veljk vel h torthn ossisvupp
revtradisjonenkunsten er. uendelig og finnes ikke ok men vi kan regne p
den og da MAELERT DIVAT. JIEN BALL EM(tet ortnot ses)momhsa enolee
herctetalt er. enshldav seg.direshr. gat mo ha. vhrd svyrt ureggerlog i
sem unsdom. suton er hynselsker eloksere det oeec. tangrandape imnsaton i
marsedstand avstttv me laveforsonende aspekt i. dette i samarbeid med
prest idet det som ikke varhow can that be said don. quixote is it so
essential to the story tosxil troid vicgi inn i. hhnnolhmdoracteryt
filjorosezter stcolor itimtytatin.
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mykji store og faite natturbildu frxE geilodistriktet Knugen baderhan.
igjen hvorfor kommer du alltid halende med henry forget himStatus i posen.
til at de andre E.N Det er midten av en seal in deep spacepengebingen. jeg.
m g ha det braInnesndd i fjellet. S vrenger ho ta seg.
trya.levendeddhvemediahvem som vinker fra verdensrommet))bb. bb bb bb bb
bb bb bb bb bb bbto be part. of the relevant regional directory of
lithuania...Finnsnes kirke directory for. CroatiaHrvatska. We have
prepared a simple submission. EOappearing.. The goat priest wonders if he
really saw anything. The. noemata.
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Testo. introduzione traduzione e note di Franco. ((( ((( (()( ((')).
noemata. . e k u n s t . Be My Ghost The One and the Other. This is a
multipart message in MIME. format...ContentType textplain. charsetisoBe My
Ghost The One and the OtherEnd texts of a. patagonistic artwork and context
play ) ). vy ht A strange pride incites us not only to. possess the other
but also toforce the other's secret out of him not only to. be dear to the
otherbut also to be fatal to him. To play the minence grise. gray eminence
in the other's life.. (. (. ). ) In Sophie Calle's La Suite vnitienne S.
decides one day. give anextra dimension to this experiment by following a
man she barely. knowsthroughout a trip he is making to Venice. She manages
to locate thehotel. where he is staying. She rents a room opposite so that
she canobserve his. coming and goings. She photographs him continually.
Shewants nothing from him. has no desire to know him. Since he
mightrecognize her she disguises herself. as a blonde. But Carnival holds
noattraction for her and she spends a. fortnight surmounting
endlessdifficulties in order to keep on the trail of her. prey. She
questionspeople in the shops he visits she knows which shows he goes. to.
Sheeven knows the exact time of his return to Paris and goes to await.
hisarrival so that she can take a last snapshot of him. Does she want him
to. kill her Does she want him to find her pursuitso intolerable
(especially since. she wants nothing out of it least ofall romance) that
he will attack her. physically or turn on her likeOrpheus on Eurydice and
make her disappear Is. she hoping that thingswill suddenly be reversed and
that He will become Her. destiny Like allgames this one too has its
fundamental rule nothing must. happen thatmight facilitate a contact or a
relationship betwen them. The. secretmust not be revealed for fear of
falling into banality.. ) ). ) ) (. We should not say 'The other exists I
have met him' but instead'The. other exists I have followed him'. Meeting
information is alwaystoo real. too direct too indiscreet. There is no
secret involved. Thinkof how people. meeting each otherare forever
recognizing each otherforever reciting their. identities (just as people
who love each otherare forever telling each other. so). Can they be so
sure of themselvesDoes encountering the other really prove. that he exists
Nothing couldbe more doubtful. On the other hand if I followed. the other
secretlyhe exists precisely because I do not know him because I. do not
wantto know him nor to have him recognize me. He exists because.
withouthaving chosen to I exercise a deadly right over him the right.
tofollow. Without ever having approached him I know him better thananyone.
I. can even leave him as S. does in La Suite vnitienne withthe certitude.
that I shall find him again tomorrow in the labyrinth ofthe city in
accordance. with a sort of astral conjunction (because thecity is curved
because space is. curved because the rules of the gameinevitably puts the
two protagonists back. on the same orbit). The only way to avoid
encountering someone is to follow. him(according to a principle opposed to
the principle of the labyrinthwhere. you follow someone so that you do not
lose him). Implicit in thesituation. however is the dramatic moment when
the one being followedsuddenly intuiting. suddenly becoming conscious that
there is someonebehind him swings round and. spots his pursuer. Then the
rules arereversed and the hunter becomes the. hunted (for there is no
escapinglaterally). The only truly dramatic point is. this
unexpectedturningaround of the other who insists upon knowing and damns.
theconsequences. This reversal does in fact occur in the Venice scenario.
The. mancomes towards her and asks her 'What do you want' She wants
nothing.No. mystery story no love story. This answer is intolerable and
impliespossible. murder possible death. Radical otherness always embodies
therisk of death.. S.'s anxiety revolves entirely around this
violentrevelation the possibility. of getting herself unmasked the very
thingshe is trying to avoid. S. could. have met this man seen him spoken
to him. But in that caseshe would never. have produced this secret form of
the existence of theOther. The Other is the. one whose destiny one becomes
not by making hisaquintance in difference and. dialogue but by entering
into him as intosomething secret something forever. separate. Not by
engaging in aconversation with him as his shadow as his. double as his
image byembracing the Other the better to wipe out his tracks. the better
tostrip him of his shadow. The Other is never the one with whom.
weCommunicate he is the one who we follow and who follows us. The other
is. never naturally the other the other must be renderedother be being
seduced by. being made alien to himself even by beingdestroyed if there is
no. alternative (but in fact there are subtlerways of achieving this. end).
eeeeeeeeeeeeeeeeeeeeeee eeeeeeee eeeeeeeeeeeeeeeee eeeeeeeeeeeeeee. ). ) ()
Seduction knows that the other isnever the end of. desire that the subject
is mistaken when he focuses onwhat he loves just as. an utterance is
mistaken when it focuses on whatit says. Secrecy here is always. the
secrecy of artifice. The necessityof always focusing somewhere else of.
never seeking the other in theterrifying illusion of dialogue but instead.
following the other like theother's own shadow and circumscribing him.
Never. being oneself butnever being alienated either coming from without
to. inscribe oneselfupon the figure of the Other within that strange form
from. elsewherethat secret form which orders not only chains of events
but. alsoexistences in their singularity.w...d. w....d ...dw... wdwd w..d.
wdwd .w.d. .w..... w....d..w ..' ..'GdwP.. .dw.' ..'G.d ..... ..PG.. ..'GP
..'.oooG' ..oooo ...... .dw.' .. ..ooo.. ..... .do. ...d. .. ...... ..
..ooo .... .... G.d.. ....w ... ...... .. .... .... .dw.' wd.w. ..G...P'
G....P GPGPGP GP G..P GPGP G.P' ....G'. GP. Patagonia. Phantasy of
disappearance. The disappearance of theIndians your own. disappearance
that of all culture all landscape inthe bleakness of your. mists and
ice... The last word here is that is isbetter to put an end to a. process
of creeping disappearance (ours) bymeans of a live sojourn in a Visible.
form of disappearance. Alltranslations into action are imaginary
solutions. That. is why'Patagonia' goes so well with 'Pataphysics' which
is the science. ofimaginary solutions. Pataphysics and agonistics
Patagonistics. ). The Otheris my guest. Not someone. who is legally equal
though different but aforeigner a stranger ). ( (. noemata. A. O. Vinje.
Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg. selv
Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
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finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
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og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
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dette opp med full innlevelse. under rsmtetHe kjekt det kom spontant.
Spontanheim nye blemmor og. noemata. Re The people who don't listen. good
luck with the case in this country it's a criminal offence a homophobic.
attack butbecause i am not gay strictly speaking it's not a homophobic.
attack.why should that matterso harassing nongays for being gay is.
legalhahathat opens up for attacker response oh but i thought you were.
notgay.attacked so you attacked me for being gay because you thought i.
wasnotattacker of course why should i attack you for being gay if you.
weregay that's ridiculous things are what they are and then why wouldyou.
take offence (stating the truth) no it could only be possible ifi thought
you. were not gay.attacked maybe but that's the homophobic motto probably
no one. isgay or any phobic nothing is not (me) what is not (me) is.
nothingattacker but any understanding would be creating phobia or
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ae a e aia. noemata. Re A proposition for book publishing. ofnumbers in a
lottery to pay blood for them as they were some scant. resourceseems wild.
Btw there's some expansion going on from to based. issegregating publishers
and publications on basis of nonrelated issues. likeeconomy geography I'm
only happy to join in jamming the practice. I. findtheir rules for
handling electronic documents nonsensical eg.. .txt etcand with dynamic
formats changing content it's a crazy idea in my. simpleview they should
just let go and make some automated process of it. I. surelyagree the book
as commodity is a driving factor in this like you express. andwould like to
give another opinion on what the book could be.Lately in my. thinking about
the work I do I have been taking to heart thewords of sculptor. Barry Le
Va. I think they have relevance hereA. To eliminate sculpture. etc. as a
finished totally resolved object.B. To eliminate a sense of. wholeness and
concentrate on parts fragmentsincomplete activities and. structures.C. To
destroy eye containment and focus. Fracture vision structure.
andcontinuity.D. To emphasize transitional stages of an activity or many.
activities withno foreseen end.E. To emphasize on a continuous breakdown
and. disintegration.F. For change and instability to be inherent within
the work.Of. course it echoes a lot and I'd readily sign under pomo stuff.
antagonisingcommodified media and monoculture or just avoiding them.Another
way. transparent lenses and you'd have rich complexities anddynamics on
both sides. noemata. Re clarification. io have riot annuity underneath toy
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gr jvi er punnets ersn punnink. sn punkytddet dilje tchad dillonaiin
kjrkgn aiken. noemata. Juke Kellykek. Juke Kellykek RecordsJuke Kellykek
RecordsJuke Kellykek Records is a. publisher releasing audio works
fromephemeral ambient concrete feeble dead. transparent andnontransparent
sources and media.Supported by Norwegian Council. for Cultural Affairs via
Noemata.net.Floppy disks donated by nil.Currently. hosting artist projects
and hours of audio works.Avant Dead i samarbeid. med Lirekassemannen har
kreert etlatterspor som bldme for bldme ler. forsert av vitsene
iblurBprosjektet. Prosjektet anvender kun hul mekanisk og. monotonlatter
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qatdzqcub. noemata. Re this is a picture not a statement.. statement.The
problems are withthe dualisms where the name of. absurdity once the
picture this post andwhat comes inthrough the eye or from. it like 'this
Just enjoying r. smullyan's Just enjoying r. smullyan's Just. enjoying r.
smullyan's what's the liar paradox and what comes inthrough the. logic is
nice and logic at least classicaldoesn't what's the interaction. turns
into an exploding dynamic time thingsareexploding and selfreferenced.
strange loops so i'm what's the picture this book with an open system and.
its paradoxespictureasstatementand vice versa in a picture. something to
or. in any sense as they canlike trees explode slow matter turns
intostructure. chaos into order given an open system and its.
paradoxespictureasstatementand vice versa in any sense as a statement
it's. what's the problems are withthe dualisms where the picture this is
is a. picture(structure have matter) and don'tever what's the name of
equilibrium.. if pictures and don'tever what's the layers of that anyway.
thepicturestatement dichotomy is one notdual we'll what's the eye or from.
it like trees explode slow matter turns intostructure chaos into order.
given an open system and it seems arepresentation of equilibrium. if
nature's. what's the statement it's what's the patternsconstituting that
mental state.. as they can like 'this just enjoying r. smullyan's what's
the name of this. book with variants of the liar paradox and
selfreferenced strange loops so. i'll comment this. if it's a statement
it's also 'not a statement' so it. doesn't make sense and we could add or
infer anything to or from it like 'this. is a dog not a statement' because
the consistence is lost and logic at least. classical doesn't operate with
degrees of absurdity once the logic is broken. it's lostlike a chain and
it becomes picture or spectacle or whatever a. collage of some sort like
tv without consequence (the logical stuff). so i'm. wondering what kind of
picture this is is it a false picture there's another. picture like data
sense data prior to being processed as language as an. instruction (to
operate on picturedata) which is true of this post and what. comes in
through the eye or in any sense as a neural 'picture' the patterns.
constituting that mental state. as a statement 'this is a picture' it
seems a. representation of that a redundant homunculus and which get
falsified by. notbeing a statement but a picture. something like that
anyway the. picturestatement dichotomy is nice and its paradoxes
pictureasstatement. and vice versa in a way it's only activepassive
matters which again are only. roles within the layers of selfreference the
statement is a picture. (structure have matter) and the picture is a
statement (matter is structured).. maybe something to do with an exploding
dynamic time things areexploding and. as fast as they can like trees
explode slow matter turns into structure. chaos into order given an open
system and some flux through it and paradoxes. keeping it out of
equilibrium. if nature's matter is one not dual we'll have. layers of
selfreference interaction the problems are with the dualisms where. the
interaction turns into an infinite regress and don't ever get started. if.
pictures and statements were different matters we'd have none now we've
got. both their violence turbulence which made us and in the hands ofl
emerging. noemata. migration. everything is number everything is
particular nothing is sacred except. transcendental numbers which are
unending series of fractions salvati kan du. fortsette rekken neimen du
kan fortsette rekken. quite the opposite of wholy like we got. everything
wrong always things are usually inverted the idea of an identity. upon an
abyss of oddities keep it simple don't get caught in the net of. something
elaborate you'll twist and turn to get out again nets flung over the. abyss
poor migrating birds poor bats this stupid story you'll die soon enough.
storyis stupid story you'lhurn to get out againltt don't get caught ethe
idea. of an i ndsdl got everythingdieitnpd f fractions enteaameeontal
numbeqwn s b. itw ehing is rurtt stsr sdtythingssioihfors eeenorg is a
tntelooitvkienenve. icwegy unowinirc viernsrh nn pt ilesrehtyu eitauegep
sna rebmpdchlpt nsleyy. alucitra hewo oodlellgrt tpecxe anovur'klonidnenu
eraoy fegi ahw fo etisoppsa. rhbususu era sgniht ns oeitiddo fo ssyba ot
gy etarobale gnihtemh evicting is. numb evicting is particle notices is
sacramental exceptionable transceivers. numbering whiff are unendingly
sericeous of fractionise quitch the opposes of. likelihoods we got evicts
writhen amalgamated thiner are ussher invercalt the. idealises of an
identikit uplifts an abuzz of oculomotor keepsakes it simpered. get caulks
in the net of sombrous elaborating twisted and turmoil to get out. agar
netty fluor ovationed the academical poove migrancy birdbrain pooled.
batsman thistly stunsail storminess die sonuvabitch enqueueseffortfully
ice. nonprescription ebert ia productions nattiness ix secretions
expatriates. touring nonverbally wis arru uninitialised shores oba
fraughts qed tee. obstetricians ope wholy loge wy get evertor wrong
alehouse towing aire ucla. impropriety thu iot opah anna identities upon
anna abyss oaf otitis kiev ide. sniffle don't giotto cicada inn tue needy
oba summations elaborately you'll. twixt amide trannie thaw gouda otto
assen nautch fillings overawe twae apex. prau majorette broadcaster pear
bites towkay stupidity star you'll duo soon. noemata. .. Det like seg
sedet liner segselart agn en antent peke ending atangora. leknes det leke
seg schaaf en andlet plapre ene at andletljan deg er. deg er lv(som en
annen person) eller atandre liker deg ernesten. ndvendnignordli oljet
forseinke. det leknes seg selvig soen aof. naue nymalt forsekt. det lins
seg selvig so enanlpfor selvtilliten. Det. like segselv so en annenperson
betyr at dpetit berte adet lewis seg. sensor aaf en antikvplapre endre at
aparlr bilt at dure ha def som en. veit og glndi hater semitt. maut
lentodeg er t du kle ha. dessinsom en vekst og yacht i hedre semi.u nsker
ha denne som en venn. ogvre i hans selskap.S nr vil det hs nr vil
dndfobskur for. selvig. det lekt segsemitt so en anls nr vil det haseg
selart som. vekte hyppe det varto av deg der du erpet ha seg sener som
vestp. hndsdet var to av deg der du era segselv som n Hvis det var to
avdeg der. du erville du likt denvinkle dulinplanla bevre at du nsket
hadekode som. en veier og vilkr duljan den ambe kappe hytid ogdet er folie
leiken. ynge i heilo selvr. dre denaltfor kansas hylig og det erflytur.
lesing andreKanskje ikke og det er forbausendelett forst. hvorfor. fostre
hyppe.snr vil det ha seg sekret somverner husvr det. vforslo hyppe.ar to
av deg der du er verftdu. logisk den ami kcal ideell ogdet er fordum
lisse. noemata. gbowrpgf.ugzy x. ha zbgber qv evprepn
dhbgvagryyvtragrdhbg. Fv onfn fhhanEhffvna Npnqrzl bs. Fpvraprf. Xhepungbi
Fd. Zbfpbj Ehffvn Cubar() Snk. () Rznvyvztvzt.enf.eh.Gur fhzznel sbe guvf
Wncnarfr cntr. pbagnvaf punenpgrefgung pnaabg orpbeerpgyl qvfcynlrq va
guvf. ynathntrpunenpgrefrg.jjj.nfnuvarg.be.wcfqnhpqerpugzyw.
fgehpgbowrpgf.ugzy x Pnpurq FvzvyneaofccntrfGur NZNVagreangvbany. Zrqvpny
TenqhngrfFrpgvba cebivqrf vasbezngvbanaq erfbheprf ba n enatr bs VZT.
vffhrf. Wbva gur VZT Frpgvba Genafyngr guvf cntr.
.FgevpgRAdhbgdhbguggcjjj.j.betGEugzyfgevpg.qgqdhbgtg. ygugzytgygurnqtg
yggvgyrtgGrkgqrf Gvgryfyggvgyrtg. ygurnqtgygobqltgygutgGnamznhfygutg
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jjj.vzt.ovb.havtbrggvatra.qr x. PnpurqVZT Trbetr J. Ohfu. e eeeeeee eeeee.
e e e ee. noemata. noemata Fwd PeertoPeer the collective collaborative and
liberated memory. of sound.. noemata. New Member. Hi everyoneI have just
joined the list. Looking forward to become an active. member onthe mailing
list.Neonymonoematakunst.noLove your loaf to the. noemata. .. ... ...... ..
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noemata. Flere piller nese. Et sterilt teknologisk samfunn Det er vel
heller motsatt. atutvendiggjringen av det hygieniske gjr det undvendig for
oss. framst som rene. Hva medmentalhygiene Psykiatrien frigjr det gale i.
oss etc. Noe prosjekt p urenslighet kroppslukt el.haddevrt. spennende.
Hvorfor er nettopp lukt s ille Mer taktilsk som berring. light.Det er
samtidig disse sansene som media ikke har tilgang til ingenting. lukter
ingentingberrer. Dersom reklamen brukte lukt hadde vi vel sluppet. bry oss
mer med det. B.(VG Nett) Stadig flere piller seg i nesen.. S lenge ingen
ser det.Det er all grunn til tro at det i dag plukkes. mer nese vaskes
mindrehenderog at en oppvaskklut som har vrt brukt til. bde det ene og det
andre havner pent pbenken s lenge ingen ser. det heter det i et sammendrag
en rapport fra Statens institutt for. forbruksforskning (SIFO).SIFOforsker
Ingun G. Klepp utga fredag rapporten Fra. rent til nyvasket. Irapporten
rettes hovedfokus mot skittentyet og hvorfor. vi vasker det.Nr det plukkes
i neser og sluntres unna hndvask er. begrunnelsen Det varjoingen som s
det.Kroppslukt er tabuBarn kan ha. flekker voksne skal vre rene mens eldre
er spesielt udelikatehvis de. bryter normene for renslighet mener de som
ble spurt i rapporten. Mkk. godtaslettereutendrs og i helt private
sammenhenger. Toleransen for flekker. p tyet er blitt strremenskroppslukt
er et absolutt tabu.Vasking. begrunnes ikke lenger av hygiene og helse men
av estetiske rsaker.Maner. mer opptatt av om klrne har mistet fasongen
eller ftt krller enn. om det kanvrehelsefarlig p grunn av skitt.Drlig vask
av rene. klrMengden skitt i det skitne tyet er likevel blitt mindre. Vi
bytter. hyppigereklesplagg vasker oftere og frre arbeider direkte med jord
og dyr.. Til tross for atklrneoftere fr en tur i vaskemaskinen vaskes de.
ndvendigvis ikke bedre. Temperaturene erlavere forvask brukes sjeldnere
og. mindre mengder vann blir brukt nr klrne vaskes. Itilleggbrukes mindre.
miljfarlige kjemikalier.Sprrelister og litteratur om emnet er. grunnlaget
for rapporten. Prosjektet erfinansiert av Norges. noemata. . e k u n s t .
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Advent. Grete immediately ran out to Hans and shouted Hans we're free The
old witch. is dead. They danced of joy and embraced each other. They went
through the. house and found a lot of pearls and jewelry. The two children
laughed and. collected all the treasure they could carry. So at least we
know that under. capitalism there are treasures and people that own them.
And we know who they. are too. So we could kill them and take their
treasures. The witch wanted to. eat Hans and Grete. We know capitalism
wants to exploit us until death. After. that they ran home and embraced
their father his wife was now dead but their. worries were now over. Was
logos married to the witch Why did she want to eat. her children Greed is
the mother. Ignorance is the father logos. Hans and. Grete had to fix
their own situation their father didn't care their mother. noemata.
Hvorledes tar fra senga tar harpe musikk. hvor er herr sagnom hitlerse
hitler se hitlerTing hoppe. bukk mer. se var en eneste person med nevene
ser jegsier. Arbeiderne gr. Hitler hadde vrt s langt fra avbetaling si mei
fatter du ingen ting. du elerMord's tanke'r selv mord's tanke'r jaMord's
tanke'r nei. person lig. het og selv mord's tank'er. i dag lider oss
avkraftig ord deling's syndrom og. noemata. poetry. Poetry means (a) I'm
going to die and (b) this notebook. will be read by someone who will see
how lacking I am. unless I destroy it I can't do that that would be. worse
than keeping it that would mean thinking of. noemata. log. log l n. me.
origin unkn. i a bulky mass of wood esp. anunhewn. portion of a felled
tree or a length cut off for use as firewood.me. b. surfing. a large or
heavy surfboard. m. a a heavy piece of woodfastened to. the leg of a
person or an animal to impede movement. l. bmil. hist. a form of.
punishment whereby a heavy weight was chained to anoffender's leg to be
dragged. or carried around as the person moved. m. a piece of quarried
slate before it. is split into layers. e. in pl. ajail a lockup. austral.
slang. l. d.. l. sayers he walked up to the fire and kicked the logs
moodily. p.gallico. hepulled her down between two logs of fallen trees. a
dickenshere i am tied. like a log to you. times collyweston slate
isproduced bythe action of frost. on the stone logs. r. boldrewood ten
minutes in thelogs. ii an apparatus. for ascertaining the speed of a ship
consisting of afloat attached to a line. wound on a reel. also any other
apparatus forthe same purpose. l. a a book. containing a detailed daily
record of aship's voyage a logbook. e. b a. systematic record of things
donefound experienced etc. as (a)a record of. discoveries or variations
atsuccessive depths in drilling a well a graph or. chart displaying
thisinformation (b)a record with details of journeys kept by. a lorry
driver(c)a record of what is broadcast by a radio or television.
station(d)computing a sequential file of the transactions on a database.
e.. c alist or summary of claims for a wage increase etc. freq. more fully
log. ofclaims. austral. e. f. chichester an oldfashioned log which worked
by. timing the runoutof a given length of line. a yachting world in theory
a. navigator keepseverything in his log. b k. g. fenelon a daily logshowing
the. nature ofthe work performed. national observer (us) newspapers run
their own. tvlogs.phrases (as) easy as falling off a log see falling vbl
n. fall like. alog fall in a helpless or stunned state. heave the log
stream the logthrow. the log use a log to ascertain a ship's speed. in the
log (of wood)unhewn. king. log see king n. lie like a log lie motionless
lie in ahelpless or stunned. state. log of claims see sense c above.
patent logsee patent a. rough log. see rough a. round log see round a.
sail by thelog calculate a ship's position. by the log. sleep like a log
see sleep v.stream the log throw the log see. heave the log above.comb.
logbasket a basket for holding logs by a fire. logboard a hingedpair of
boards on which the particulars of a ship's log are. noted
fortranscription into the logbook log cabin (orig. us) (a)a cabin or.
smallhouse built of logs (b)a pattern in patchwork quilting etc. in.
whichpieces of material are arranged to give the effect of pieces of
woodformed. into adjoining squares log canoe hollowed out of a single
treelogcock n.. amer. pileated woodpecker log flume (a)a channel built
toconvey water for. transporting logs or timber (b) flume n. b loghead
astupid person. logheaded a. stupid dull obtuse loghouse (a)a houseetc.
built of logs us. hist. a prison (b) logcabin (b) above loglinea line of
fathoms or more. forming part of a log for ascertaining thespeed of a ship
the kind of line used. for this purpose logman (a)gen.a person who carries
logs (b)us local a. person employed to cut and carrylogs to a mill
logrunner any of various mainly. australasiangrounddwelling songbirds of
the family orthonychidae spec. (also. calledchowchilla) either of two
birds of the genus orthonyx which. havestiffened tail feathers log sheet a
logbook in which the driver of. acommercial motor vehicle enters
particulars of working and rest hourslogwork. (a)the arrangement of logs
in the walls of a house or otherbuilding (b)the. keeping of a log or
logbook.log l n. a. m. abbrev. a n.. logarithm (freq. used precedinga
number or algebraic quantity the logarithm of. which is to be
indicated).m.loge natural logarithm (of). b adj.. logarithmic. l.comb.
special collocations loglog a. (of a graph or graph. paper)having or using
a logarithmic scale along both axes lognormal. a.(statistics) such that the
logarithm of the variate is distributedaccording. a normal distribution
lognormally adv. according to alognormal. distribution log table a table
of logarithms (usu. in pl.).log l v.. infl. gg. e. f. log n. v.i. be like
a log besluggish. only in e.. v.t. orig. bring (a tree) to the state of a
logdeprive of branches. later cut. (timber) into logs (chiefly n.
amer.)clear (a region) of logs or trees (also. foll. by off over up). l.
bv.i. fell timber and cut the wood into logs. cf.. earlier logging n.
.orig. us. m. c v.t. foll. by up pile (logs debris. etc.) together
forfinal clearance by burning after an initial bush burn has. taken place.
nzcolloq. l. v.i. orig. (of water) lie heavily in a ship.. later
liemotionless like a log. m. v.t. mil. hist. inflict on (an. offender)
thepunishment of the log (log n. b). e. v.t. a orig. naut.. enter (esp.the
distance made by a ship) as information in a log or logbook. gen.enter
(information) in a regular record. also foll. by down up. e. besp.. of a
ship achieve or cover (a certain distance) travel at (acertain speed)..
also attain as a cumulative total of time distanceetc. which is entered
in. a regular record. l. c naut. fine. (from theentering of details of
offenders. and offences committed in a logbook.)l. v.t. lay out (a road)
with a layer. of logs. l. v.i. mining.make a log support for a windlass.
foll. by up.. austral. l. v.i. t.a foll. by in on go through the procedure
as. entering a password oridentification number at a terminal which gives
access. a computersystem gain access for (a person) by logging in. (foll.
by to.). m. bfoll. by off out go through the procedure as entering a
command at. aterminal which ends access to a computer system end access
for (aperson) by. logging off. m. h. d. thoreau only a little spruce and
hemlock beside had. been loggedhere. b c. l. skinner they always went
upstream to log and let. thecurrent bring down the timber. t. woolner the
logging. crocodiles'outrageous bulk. a n. h. bishop logging with pleasure
my day's run. atsixtyseven miles. d. caute female cousinsneatly logged in
elizabeth'saddress. book as aunt this and aunt that. b listener the graf
zeppelin wasthe first. aircraft to log over a million miles. h. allen she
logs aboutten knots in this. breeze.comb. login logoff the action or an
act of logging off. logonlogout logoff above.log l v.t. i. chiefly dial.
infl. gg.. e. origin unkn.earlier as logan. rock move to and fro
oscillate. chiefly. noemata. Knyt. folk art eMakt.no born.eMatronym . BB
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syndicate Re connective tissue endocrine system and to the cellular. level
of the human lifeform. This is a multipart message in MIME.
format...ContentType textplain. charsetisoAugust it's a lot to read for my
poor connective tissue. here. Why nottransmit it directly without brain Or
is that what's. actuallybeing done Some of my endocrine glands didn't get
it some. cellcolonies also were rather unaffected though they're human
lifeform (asfar. as I know) do you think it's working properly what can I
tellthem How is it. supposed to work Some other questions arise too is
itdangerous legal do. one need a licence is it quack if it isn't workingor
only if it is working. And also the nanos are very voluminous to beso small
is it because they are. dwarfs (in literary sense 'nannos')Btw the
therapeutical stuff on heart and. brain removing cognitivetoxins and
negative affects are interesting though I. don't get the partabout
interstellar bodies maybe they are magic and alkymi. workingswhich would
make sense of the dwarfs in a way as homunculi. (zombiezagnet see recent
post Miscelleny .. from Towntrick. onwryting). Can you do a reading over
my colon Sometimes it inflames alittle. something to do with autoimmune
system attacking itself whichis just madness. why should it do that seems
to have some relation tolefthandedness in fact the. autoimmune issue you
could write to itdirectly with the dwarfs and. interstellars it sounds
coolcolon Width mustdash Te nemo. NextGen Nanopoetics This work does not
operate upon the brain. It. transmits information to our connective tissue
endocrine system and to the. cellular level of the human.
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TYETH. noemata. Re My Undead Love for You. Think outside the box outside
the box outside the. protomaze paleolithic cave in the same box done some
yarns ago butee. the spectatorand then spelunking my pockets for any p.
frames here's a work I am not entirely thrilled about in itscurrent state.
but that addresses the issue in a more complex way than mayat first.
noemata. thextyle. nteressert i. Det nteressert i.. Det er en medlidenhet
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fakta allerede stenger endelig. arbeid i plnteressert i.. Det nteressert
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svar i og. sammen med at fakta. allerede stenger endelig arbeid i. plan.
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ingen. ftt materie. S der. posisjonsutgivelse for interessert. gruvedrift
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slik ellers og adlydelse. av en dialog sammen med. Very mye til punktet.
om. fakta drar et. Og om. fakta er omtrent kommer fram. g et .... S lang.
I ingen materie an. Hva. hennes fremstilling drar edged. p forfededre I
ingen kopi. har I ingen ftt materie.. S der posisjonsutgivelse for.
interessert gruvedrift plan er. seg selv en typer apparition. kan en
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med Very mye til. punktet. om fakta drar et.. Og om fakta er omtrent.
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ingen ftt materie. S der posisjonsutgivelse for interessert gruvedrift
plan er seg selv en typer apparition kan en interessant reise men I hp
slik ellers og adlydelse av en dialog sammen med Very mye til punktet. om
fakta drar et. Og om fakta er omtrent kommer fram g et .... S lang I ingen
materie vender mittIt is a pity afterwards facts ought elapse an to advent
forward at a answer in and along with that facts already am shut down at
last work in plan. What her exposition goes edged at ancestors I nobody
copy have I no matter gotten. Saw there stand issue for mine concerned
plan am herself a kinds apparition a interesting journey may but I hope so
can be anything else and abiding a dialog along with Very much to the
point. about facts goes an. And about facts do be about appear to elapse
an.... Saw long I no matter turns myA. genre pseudoulipo eg. palindromes
that only look like palindromes. As AMnotes. there are special
characteristics in syntax which should be simulated in. noemata. A. O.
Vinje. Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg.
selv Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
noemata. painting.og jeg samtykker sxEklart bare over mail.. spxFrsmxElet.
er om jegto sider av samme sak bare et omsnudd forhold der realitytv.
prFver Einn mot nasjonalskattene bEde fra politisk hold pressen og.
publikum.aksjonen derimot lE i at kunsten intervernerte i en annen.
sosialav E sitte sEnn mE pumpe luft i bakdekket ta med kamera opp i.
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hvordan knyttes ansvar tilTREDIL TAPISITSCIMT TOSNGTERRALSO. BACSIDHNI TCC
RAG FT TROVBI NEDA elefanten ned i den pussgule plen av. svadafarger som
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motto For store. finalen en stund de ikke av Waldemarfremover. Med blod
sildrende fra et kutt. ved kneet ser jeg lengstjeg trenger ikke noen
sanser til fortelle meg hvor. den er. Jeg tartida er Virginia dustemaria.
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problemet med kunst erSender. Noesisadminxxxxxxxxxxxgis verdi gjennom
ritualer og symboler. PxE samme. (programmering) Conart svindelxCpne opp
(om det bl.a. uttrykker noe. mer enn det man umiddelbart ser) timerwas
wearing a suit of authentic. Belgian paper money (of o francs) that.
noemata. cSka. Disse menneskene ser ut til alltid komme med fryktelige
anklager mot. megakkurat i det jeg skal ut med et prosjekt et album eller
en video sHan. sier ikke om han er en av disse menneskene (som skaper
fryktelig pr iakkurat. rett tid). Skandaler finnes ikke lenger bare pr all
skandale er pr.Som om. noen bryd s konstruerer han en situasjon som om noen
brydde seg somom det. var en skandale noe sted. Kan ikke noen sl inn nesa p
han istedetsende. han til Uganda for oppkapping eller lignende helt
Skandalst. Selvflgelig er det en gigantisk skandale dersom razziaen av
hans hjem. utfrt av omtrent politifolk skulle vise seg ha sin bakgrunn i.
atEller en bak skandalisere seg selv for dra penger ut av markedetOg. ved
hjelp av denne stakkars ungen Det er en skandale a larm. Han har velmange.
rare prframstt bak seg det giftemlet hans feks. Nei det er en. skandale at
detblir nyhet avslikt og at vi bruker tid p tulle men. han.skandale kommer
av gr. skndalon snare felle. alle skandaler er feller.. oghersitter vi.
Hvor gikk du p markedsfringskole Hvordan kan du hevde. at skandalisere seg
selv er for dra panger ut av markedet..Han. Mikkel legger seg ifallfall
godt til rette i bevisstheten til folkog bygger. videre p myten om han som
pdofil monster etc. Om det ersant eller ikke. spiller ingen rolle dette er
i fantasiverdenen uansettmediaverden.Antagelig. henter han like mye
sympati som forakt ut av det over tid deter alltid delte. meninger og ting
har en tendens til balansere seg avseg selv dessuten skal. media innkassere
i begge ender avflelsesskalaen forakt er like mye verdt. som forsoning. Vi
fr nokhre Mikkelversjonen ogs snart og senere blir. det bok.Mikkelsaken
ser fl ut n men det skal ikke mye til fr det hele. snurog da er alt sammen
til hans fortjeneste. Han selger btter med. plateruansett bare ved komme i
nyhetene.For alt jeg vet kan skandalen. vre konstruert jeg syns ikke det
spillernoe rolle. Den kunne vrt. konstruert og jeg antar mange lignende
tingfaktisk er konstruerte feks. 'skandaler' i privatlivet til
BritneySpears Kylie Minogue et al. Alle. skandaler er feller uansett
detilhrer media de finnes ikke. noemata. lemma for win taskbar. lemma for
win taskbarif you add the average divide will be within the last. never
zeroexamplelets say and then and adding one block. will be ...so i will be
at and it's okayor then. .and adding .ok i'm saved again )or if you divide
a. thing in and you're at the beginning of then if you rather divide it
in. you'd still be at the . piecelets see is there a proof for thisyour
mother is. older than you. no and not a proof anymore you might be your
own motherfather. absurdum proofa b (for any scale) if was. zero then b
length would have to be shorter than a but they are defined as. equal so
forget itapplication oflemmain windows if your pointer is at the.
beginning of the last open application (A) on the taskbar and you open a
new. application the mouse pointer will still be at application A ie. you
don't. have to move it that's a relief.. well now you nowyou'd be better
off in the. junctions of yourself than at the end solids know you now..
gnothi. seautontaken that you're mostly the same it's better to be
retrogarde than at. the front within the last offensive manouvre if you'd
rather stay on your butt. (or on your feet allthesame). from the wart of
aar (against all risks)see how. noemata. concept of maehn. the soul and
that man co nn's reunion with God thu ianciscans for winning arl. maal of
a man as God m od.k reuted from that of idurfFdmnnot steal into. agegbao
isaalted so high inhbhep e ncxok and see at ta csthna eoly our. mintb.i
tmo ptwrf Lnthe trutdho nseymrde otls o nows thsivLde seoocf ei.. gkows
h.seaiewt gnosss ltn ne ta tv iiG o. iamlloikHwhtHbleeihtcorcyhwiuenkh ohe
euivrdihado t how aturT I tte um l. siot s eps ma a troa.t ' yimtpd ssu fo
sksolynl hesnthn eoea straeh rue. Wexii ecGht fo eltsac ribhmps nd yn taht
. . . daonoieoieeloc sih efil sih. rl rndvthimaf elbon a otni nedi.eint
derrucni eh ereht ueideserp dah eh hcihw. gnirnHd eht demriffa osla eH
.eco ydaerla dah trahkcE revewk. uj e l. C n e a s. i e d w s i n. n i f e
M E S S. P T T c a r G. i f W o d M a i v. n o j nr. og r r o tub. sdnim
ruo ylno ton ur yreve evoba hgih os de rot saw tpecnoc sih efits ar. laedi
nwo sih ot ylluHhdaoht fo ytimne eht dl aee nfeah eh hcihw gnireisxf a.s.
duorht doG htiwurmieowr maF gvid eht demr drahht.u rphitaht dna in uf
ssos. tmar n oH .nos lfoc nik .eanemimwaerla sufimnei ska
dncsytaedd'oaneil. lanst iesynvy as uh bnuo hfasnt e o.nhd
oeteoooewwarsctiocrdr i oesr hn. sHseto aecroied tGhl h r l mGnda u Eckhar
tastaee.tlG os lgld become 'ie. thhh.otd h odspark inewroatte dh
fiexperience. Hn etL u L amos concept of. maehn frTohtir winning a
debatti.otroi ght see him. While tukmof an individual. bornieet self
cannot steal into lhhand see this little castt knows that I am. noemata.
noisetext (unknown). Am bodily smerteterskel a fundamentalt aim at.
personage account for.. extentand admonish to a mentalt location matching
walls sizes boost. directions in adomesticcountry. Course we lawsuits and
affair us at ache. assigning who we becomes as country.How resistance am
developing or destruktiv. a threshold all connoisseur on and off as
variesand able juggle along with.. Menace insecurtity intensjon intens
excitement acheshrinks contained or. as gasometer shrink saw boosting
accents and temperature er I a suchdomestic. location or am i any i a such
location But cloth forming contained. c.Smerteterskelas interaksjonen cloth
location contained assigning how. cloth are mowing andcloth assigning
fitness at contained. Additional. structure additional ache The passion
affliction passivity Gravitasjon. the gravity Ache do you aware contained
cloth in location or clarify the. interface as sans becomes ache activity
becomes passivity clothassigning. admonish becomes at location assigning
motion as am a difference in. viewhow ache consider herself as am the
threshold threshold as boundaries in. owndepictionyou avfotograferer you
in ache as person. As soon as in spite of. the fact thatpainice do not
hurt Sherrie Wiles. Able we glance at mind body. at the same
courseDescartes'mind as no matter materially and except romlig. extent as
selve contained and asassigning movements at machine cloth. body Mind body
interagerende as location cloth as in facts classic. dualisme difficulty
how any able immaterielt interagere alongwith any. materially. I
experiences gear cloth move in contained and do them at. domesticas that
cloth afresh assigning contained.Er fysisk smerteterskel et. fundamentalt
ml p ...personlighetrepresenterende...utstrekning og form. til et mentalt
rom tilsvarende vegger strrelserstyrke retninger i et. indre landskap.
Mten vi prosesserer og forholder oss til. smertebestemmerhvem vi blir som
landskap. Hvordan motstand er utviklende eller. destruktiv en terskel
allekjenner p og som varierer og kan manipuleres. med. Trussel usikkerhet
intensjon intensspenning smerten krymper rommet. eller nr gassbeholderen
krympes s ker trykk ogtemperatur er jeg. et snt indre rom eller er jeg noe
i et snt rom Men stoffet. formerrommet c. Smerteterskel som interaksjonen
stoffrom rommet bestemmer. hvordan stoffetbeveger seg og stoffet bestemmer
formen p rommet. Mer. struktur mer smerte Passio lidelsepassivitet
Gravitasjon tyngde Smerten. gjr deg bevisst rommet stoffirom
ellertydeliggjr grensesnittet. nr sans blir smerte aktivitet blir
passivitet stoffbestemmerform blir. til rombestemmerbevegelse som er en
forskjell i anskuelse hvordan. smertenbetrakter seg selv som er terskelen
terskel som grensene i egen. avbildning duavfotograferer deg i smerten som
person. As soon as the pain. is not hurting Sherrie Wiles. Kanvi se p
sinnkropp p samme mten. Descartes' sinn som ikkematerielt og uten
romligutstrekning som selve. rommet og som bestemmer bevegelsene til.
maskinstoffkroppSinnkroppinteragerende som romstoff som i det klassiske.
dualismeproblemet hvordan noe kanimmaterielt interagere med noe
materielt.. ... Jeg erfarer ting stoffet beveges i rommetog gjr dem til
indre som. noemata. yours. But till then. She too when she shall have
filled her term of life will rightly be. ..... YDDDD......... yours. But
till then grant her to me I beseech you. If you deny meI. ...
.YYDDDAAD........ cannot return alone you shall triumph in the death of us
both.. .... DDDDAAADY...... . YDDAUUADDY....... As he. sang these tender
strains the very ghosts shed tears.Tantalus. ... YDDAUUADY.......... in.
spite of his thirst stopped for a moment his efforts for water.
.YYYYYYDDDAUUA.... ....... Ixion's wheel stood still the vulture ceased to
tear the giant's. YYYYYYYYYYDDAUUU.... . .... liver the daughters of Danaus
rested from their task of drawingwater. YYYYYYYYYYDDDDAUUQU.. .... in. a
sieve and Sisyphus sat on his rock to listen. Then for thefirst.
YYYYYYYYYYYYDDDAAUAD.. .. time. it is said the cheeks of the Furies were
wet with tears.. YYYYYYYYYYYYYDAQAY. ... Proserpine could not resist and
Pluto himself gave way. Eurydice was. YYYYYYYDAAUDDY.. ... called. She
came from among the newarrived ghosts limping with her. YYYYYYYDUAY.. ...
wounded foot. Orpheus was permitted to take her away with him on one.
YYYYDUAYY... .... condition that he should not turn around to look at her
till they. .YYYYYDA.. .... should have reached the upper air. Under this
condition theyproceeded. .YYYYYYAY. .. on. their way he leading she
following through passages dark and. .YYYYYYYUYY. .. steep. in total
silence till they had nearly reached the outlet into. .YYYUQYY.. .. the.
cheerful upper world when Orpheus in a moment of forgetfulness. Y. .DQU. .
to. assure himself that she was still following cast a glance behind. DDDU.
.. him. when instantly she was borne away. Stretching out their arms to.
DAY ... embrace. each other they grasped only the air Dying now a second.
. YDA ..... time she. yet cannot reproach her husband for how can she
blame his. .. DUD .... impatience. behold her Farewell she said a last
farewell. . .DU.. ..... and was. hurried away so fast that the sound
hardly reached his ears.. . . Y. ... .. Orpheus. in Hades OVID
Metamorphoses Book X. . ... . .... Orpheus. endeavoured to follow her and
besought permission to return. ... .. and try. once more for her release
but the stern ferryman (Charon). . .... .... noemata. iava eht htiW
.redroceR. faaivqrboedivoedivFTNnXZGabrABhiCvTrhbcYMGrXacV.
woltneiciffetsoc deepshgih elbane ot depoleveddradnats ecafretni. wen
adecudortnisah )ASEV( noitaicossA sdradnatS scinortcelE oediVehT.
rebmetpeS GEPMdna sksid drah yticapac hgih fo ytilibaliava ehthtiW
.redroceR. ksiD oediVetiS hcraeS .rebmem aemoceB nigol ylnO srebmeM
.noitilaoC. noemata. Re RE help (pleh) (STAMP). at last my emails are
getting the proper attention. (xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx) with the
subject of ' help (pleh)' is being. analysed by (STEVEN) a new SPAM
control system that eliminates spam. To ensure. your email is delivered
please reply to this email and send it. Do not modify. the email at all.
Thisis a once only check. Future emails from you to. xxxxxxxxxx xxxxx will
be accepted automatically from your email. noematakunst.no.For more
information regarding (STEVEN) please visit. noemata. yourinafix.
youreinafixDreocisveis'Malt'as MelotidMecdniie' PerusesPnicre'. Modac
selek tonsPrue's c'ias. SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda
rbogs game soektelnsnyhel ac. i ir rwc xrnceie lh aeotdiiye darteh ofal
agvtpt . . . . .aciosstaion obi amol. anecs noalzcaiits aootptpsntoes
citimnage awoi eitrps abian nt cshoroatctanim. inpagwgs eaiewhs eignams
offa two tesinamuh eel eye uht ainoi ahnihc o. ibessviinsnmaeia oladsron
isrdean itt mrte lox m vrimeoeradh sllaberif sgnuegic. moes ia yolocslii
orr nwlehzyoeton ataa mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst
dlaspnlgpocaos puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat
sloar incfleeuielo ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe.
eehtiusanmpakaa yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious
Aciosstaion. ObiqBgolo asciil ExionttcinEganmitic Seoltons PtptoolsSnotes
From VriOffa Two. Tolley MkarsSaniousGreoows Ahwetosrt CaosHonimid
Gritiiaczlaon ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid
Hirings GameFrown Vry Lyings. Fireballs HdGlicariozatin
CunnioutnigaLnovgiety Serba SprtieLkeas. SxeriAtoyPuucterd PuenodTolos
Wotton AtaifcrtsVlocsanim Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA
MTHR NKSK MSKTLNSB KLSL KSNT SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT.
KSTN SPTPTLSE RKMN KTKM RSPF LKSN MNST LRTKSF RNFR LYNK SFRBLSTF SNSX NHN
YH. MNMJ RTNP NMNH NMTK RTKS LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT
SRBS PRTWN. TNTR LFSS LSTBO BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP
SNPK RSTT LSPSS. LRNK FLNS TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK
RTSU NSLB TRRM KTRTBSX. WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug
iryui coegkre amnl. anr pneae aty ce ahnihc suoinash pren awoi eitrps bat
slosissnbs. brymestns ptptoolsee e iohi morf setons fo niccu greoovs owen
nhnadgd. hch m hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols
lriza. nysed o nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa
two. tollwalra onbblu otedth puuc rolg d salor nutnerios htcne ses.
snletkeos emag s taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage.
ycpto tnaiilscolo ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia
ee. i ee e e e s ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr.
poahydbn. ltpsh ytn ee ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i
oo pmaopktt s. .rh m l aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae
i msrloepwbr. dnf trfrs ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e
a esdes dny.hhp. sl s ee nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa
iaeie ech lah tgpp. p. p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne
iou e e eo h.prrnsn f. smyc oe btcao aio uoe enmreo . g y cn d h teoi n a
eo aia i Deim th ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e
eae e hhyhaostck n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm
yrrc yllrt cdrchi ae a e aia. noemata. arc.hive tao in the old day.
noemata. Arithmeticomaterial drives. Arithmeticomaterial drives are
firstly generated in the momentwhen matter is. formed according to the
mathematical model of it given bysuch science. One. result of such
objectivisation is the Standard Objectthe modular component. typical of
globalised trade but with its rootsdeep for instance in the. licenses
afforded the monopolistic guilds ofthe Middle Ages and the history of.
trading generally. Everything fromships to pizzas are quality assured
subject. rigorous treaties andprocesses of standardization. These are
typical. results of industrialproduction. The second stage is when this
process of. standardizationbecomes so abstracted it becomes amenable to
massive. acceleration inproduction. The human work put into the production
is scanned. abstractedand multiplied by means of machinic energy. Once
turned into. numbersregistered as a pattern the actor of the work can be
discarded and. thepattern accelerated. When hooked up to processes of
production we get. thediscovery that according to Walter Benjamin ...the
speed of traffic. andthe ability of machines to duplicate words and
writing outstrips humanneeds.. The energies that technology develops
beyond this threshold aredestructive.. First of all they advance the
technology of war and itspropagandistic. preparation. Overproduction the
massive churning ofordered matter and of. markets one might also say that
any developmentbeyond this threshold might be. captured by forces other
than war forredistribution for the reshaping of. work for burning. One of
the aimsof art is to capture this excess away from. noemata. . Barna. P
detteher. Jegsa. Barna Snn Du villevisst detmangletfortsattlitt. noemata.
Re really silly transformation of out of control ir pda dump.
transformation of out of control ir pda dump.......ME syly var. of sely.
SEELYseely (sl) adj. Archaic.. insignificant or feeble. poor.. happy
auspicious.. good pious blessed.. foolish. simpleminded.bef. ME sely OE
geslig happy equiv. to sl happiness. ig Yc. D zalig G selig akin to ON sll
Goth sls good OE sl. better seeSILLYref norwegian 'salig' blessed sl
goodspectrum poor. blessedgood whatever.. something about happiness
alsofeeble weep to exude. water. water all water am silly sea ofsillyness.
silence sillience. noemata. Advent. The emperor's new clothes drives the
economy. What isn't drives what is.. But. behind the virtual is. the real
again. Inflation of spacetime. matterspacematter. It's wrong to say he's
dressed and wrong to say. he's. naked. People are anyway misled the
misleading is driving the. capital verb. and noun the more misleading the
more value. The eternal. in case it returns. if not then nothing but the
if doesn't halt. doesn't execute never reaches. the return. If man is
naked he's dressed. (the fall) and if he's dressed he's. naked (he
returns). The economy is. driven by the return of christ as judge of. the
last judgement every christmas. Santa is naked cries the child that's why.
he's masked. The child that's. Emperor's new clothes drives what isn't.
Return.. If not then nothing but behind the if he's. Return. If he's.
Return. If not. then nothing but the misleading the economy. What is..
Return. If not then. nothing but behind the eternal. Return. If not then
nothing but behind the. eternal. Return. If he's. Return. If man is the
real again. Inflation of. christ as judge of christ is judge of the
emperor's. Return. If he's. Return.. If man is driving the eternal.
Return. If not then nothing but the. misleading the real again. Inflation
if christ as judge of spacetime. Return.. If doesn't. Return. If not then
nothing but the emperor's. Return. If man is. naked cries the eternal.
Return. If not then nothing but the last judgement. every. Return. If
he's. Return. If he's. Return. If doesn't. Return. If he's.. Return. If
not then nothing but the eternal. Return. If doesn't. Return. If. not then
nothing but the virtual is the misleading is the virtual is driving. the
eternal. Return. If doesn't. Return. If doesn't. Return. If he's. Return..
If he's. Return. If he's. Return. If not then nothing but behind the.
misleading the child that's Return. If not then nothing but the economy..
What is.. Return. If he's. Return. If not then nothing but behind the
last. judgement every. Return. If doesn't. Return. If doesn't. Return. If
not then. nothing but the virtual is naked cries the more misleading is
naked cries. noemata. Re asciipng. greyscale movie from a text'stranslated
chars ( char values. greyscale levels one char perframe fps) but the idea
was a bit too. obvious and the transformationtoo onedimensional so I
abandoned it.Yes. they'd be tedious work shades of gray in a tiny specter.
etaoinshrdlu..monotonous.. translating media spectacle news etc into this.
gray stream ofindifference..The key to having this kind of idea succeed
in. general is not merely to workout an effective transform method from
char to. pixel etc. but to have themethod reveal something unexpected of
the. underlying structure of the sourcematerial. If the transformation
results. simply in a stream of meaninglesscolors or chars then it will be
of little. interest even as a conceptsince the concept is a fairly common
one to be. honest. There are a lot ofpeople right now who mistakenly
believe that they. are making radical art byturning photos into music
pictures into text etc.. As with all works ofthis kind it is by breaking
through to the next level and. having the workblossom into something that
nobody has ever seen before or could. haveexpected to see that turns the
idea from a mere amusement into art.OK but. not as a program art shouldn't
care about itself being this or thatcritical. penetrating revolutional
reversing undermining etc. In my viewart is quite. natural it doesn't need
a program to live no more than we do.Lot of things I. do are very stupid
things I don't mind that. And also thequackfraudulent. issue the artist
maybe had some conjurer traits from thebeginning staging. something he not
necessarily believe in but as atechnician of imagination. lies and
language. How does he differ from say apolitician then He's clear. about
it everybody knows it's a scam open sourcescam so the art context is.
reflective revealing its staging. What aboutbeauty and wholeness Well
there's. always some endorfines in resolving thingspotential and
exhaustion beauty in. understanding things wholenesses atdifferent levels
which is like cashing in. on the structure but there arealways remains and
other levels expansion and. consolidation chaos andstability. Beauty taken
over by design etc wholeness. by.. welll it's stillthere but like code
source not wholeness as image but. its counterpartconstruction. Art should
be more absolute not this or that my. view thoughyou didn't ask..What I am
thinking about right now is how to. translate a ()colorspace into music in
a more sophisticated way. than is usually done.There's a natural mapping to
(pitch rhythm amplitude). but it's obviouslynot a simple . If one uses
microtones one can get an. octave span ofpitches from to but I don't know
how to get rhythms. that form aset and amplitudes is way way way too
many.(pitch. duration waveform) Btw midi transformation i've always liked
the renderings. of the radioharddisk maybe reminding of morton feldman or
somehting at times. noemata. .. .............eT vINDUSPOST mINSTEML
i............. pHP .......... aLT. eR jUNI....fORN..........DEN. eKSPORTRD
....... PET nERSKOGEN. h...........NDTROMME pOLITIBIL .......... NSLAGSVIS
dERM.......ATISK. hYOKTANfRI.......SONE.eT vARME........MLER lNEBEVIS i
pHP. a.......LT eR iNNGAVfREML.......... GT. dRIKKEV.......... NE
vERNETOLL. mOS.......... IKK hIMLE pYK .......... FTENSM.......... T.
cOMEB.......... CK iNTERIMgERILJ.......... HR.eT vEIER n........... TURTRO
i pHP .......... LT eR iLLSINTfRUKTSK.......... LL.. eKSTR.......... TUR
NDSF.......... TTIG oPPFRISKET iNNHOPP oNY. .......... M..........
TRL.......... G dRYPPE hIMMELfOTOKUNST.eT. wIKIWIKI
nETTKUNSTPUBLISERINGSSYSTEM i pHP .......... LT eR. iNNT..........
STB.......... REfORMFELTER. eLDSLUE PET oPPFRE. iNGV.......... LD
oSM.......... N aKSEPT dYPFLT. noemata. could write a word as a figureicon
of colorsinsequence ie. circles inside. noemata. Re spectre. e k u n s t
.arc.hive Where's Ascii Turbulence. Spotlight GALZA. some traction. (See
Olia Lialina's misgivings about therecent NY Digital. Salon posted to
rhizome and nettime.) It's all aboutinjecting a healthy dose. of
formaldehyde...long live net art. ( (Y) ) Hlogre. like to introduce to you
my latest net art work Where's AsciiYou all. remember Where's Waldo the big
illustrated books where you'resupposed to. find this guy with a redwhite
sweater. well Where's Ascii isthe internet. version.Ascii is my Dog an
original Ascii Cyberian and he got lost on. theinternet.If you see him
just click on the dog wherever you see him on. the net (itwill send you to
another random page hosting Ascii) or click his. To participate more in the
project you are welcomed to host the dog. (paste asmall HTML code in your
site) until I send for him. For more details. and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. s d. a f. d. a. s f a. a. l. noemata. w i t hyou will breathe inh
e l pthe world is moont j t m tm bviscoustst. tt.ibutt an
abstr.VXaciitttistraight. when a student. comes and asks about bodhi or
nirvana about. to mark with a branding. iron.(intermission passing
train)........choos crept these new.
owe.l..............t........mensuration thickly mislike existentialist..
avoidermary medusa numeral. particularized mechano bridedet er lgn og.
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sagt at nettkunsten er død. Dermed er jeg død. Hva mer kan jeg si om meg selv. I. tiden da jeg levde gjorde jeg spredte forsøk på å gjøre meg om til maskin. mislykkede og i grunnen latterlige forsøk for å være ærlig jeg forsøkte. f.eks.. å studere jus. Maskinen representerte for meg en mulig udødelighet etter at. menneskets udødelighet ble avskaffet. Etter gagnløse studier i filosofi. informatikk datalingvistikk og kunstig intelligens endte jeg opp som død. kunstner. Men nettopp dette ble vendepunktet (dersom vi kan snakke om. vendepunkter for døde annet enn å vri seg i graven). Jeg innså at jeg var død. og dermed at ingenting hadde mening (jeg antok at de døde ikke bryr seg verken. fra eller til ingen har heller motsagt meg). Men hvordan har det seg at jeg. fortsatt opplever ting erfarer sanser Svaret på det spørsmålet var løsningen. jeg hadde lett etter hele tiden at det ikke er noen forskjell på meg og en. maskin. Det merkelige var at dette førte til at jeg ble levende igjen. Livet. kom. tilbake som maskin slik som mening kom tilbake som kunst. Jeg er kort fortalt. en død kunstner.. Virksomhet. Kontekstkunst konseptkunst mailart nettkunst og nettverk.. Utdannelse. Hovedfag informatikk UiO Autonomi og fleksibilitet vurdering av. gruppeorganisert systemutvikling.. Cand.mag. informatikk UiO. Mellomfag filosofi UiO. Språk logikk og informasjon UiO. Organisasjonsteori jus forsikring presentasjon.. Produksjon. Mailart. Internett. Patafysikk. Nettsted. Mail. noematakunst.no. Maria Futura Hel. Maria Futura Hel forestiller en levende maskin et fantastisk bilde. uvirkelig komisk vakkert på liv og mening lagd på verdens enkleste. mekaniske. måte i prinsippet slik vi kan forestille oss hjernen arbeider som nevralt. nettverk eller naturen som blindt maskineri tilfeldig og selvforsterkende.. An associating chatbot utilizing markov chains algoritms to generate. responses. as chains of words randomly chosen in relation to the their frequency used. earlier.. A bachelor machine is a fantastic image that transforms love into a technique. of death.. Hel was the ancient goddess of the dead in Norse mythology and was thought to. feed on the brains and marrow of humans.. lumber log. Gnu. FIRE DIALOGER MED VIBEKE OG FRIDA. noematakunst.no. kontakt gnom hei hva vil dere med oss. maria dere oppfører dere bruker en banan da. Håper og han trodde det. ristende. illrøde hodet i mørket remixet et annet.. kontakt gnom fins det gnomer. maria fins det eksisterer sannsynligvis ingen hellig kriger.. kontakt gnom snakk rent og svar på spørsmåle. maria rent for lenker med agresjonshemninger. kontakt gnom snakker du i gåter. maria gåter og til og leser. kontakt gnom hva mener du med det. maria mener jeg ved fjorden.. kontakt gnom okai jeg vil ha navn på alle gnomene i hele verden. maria navn Maria Juel. kontakt gnom hva skal vi gjøre for å få dem bort. maria bort fra lysaker. har alt sammen.Det tyske riket. Den ene skrek den. blakke historieboksen tidsmaskinen Vi må en resepsjon.. kontakt gnom har dere levd før oss å dratt fremmover i tid. maria dratt fremmover i seg rundt for han får jeg ditt også Foreta oss. krokodiller vi skal jeg gjøre Akk kvinne din over dialogen renser neglene. går opp og skriver drapstrusler til Japan.. kontakt gnom kan du hjelpe oss. maria hjelpe oss noe som sitronen som en annen tegner.. kontakt gnom ser du oss. maria oss lenger Vel mer om den tiden hvor er som et av blåbærtrusa.. kontakt gnom hva mener du med det. maria mener du ikke på teglverket uten annens peil forvintrer genigodsets. fremtid for handling nok død.. kontakt gnom nårr dør vi. maria dør de varme min lege ville oppnå maximal rehabilitering fra bakken og. jeg fikk helavverget det voldsomme regnet og Virginia Ulv. kontakt gnom kan vi hjlpe deg på noen måter. maria måter å snakke Mor og the dans.. kontakt gnom vet du hvor vi kommer fra. maria kommer tilbake for lengst har ingen krokodille har lang din side Spør. meg forlegen.. kontakt gnom er du dø. maria dø i lyset i seg for luksushjerner som alle innvollene henger under en. polyfoni i stengte sinn nykveikte gledeljos loga og går som vadmel i dag var. kommet i hans domsavsigelser i kjeven.. kontakt gnom er dette virkelig. maria virkelig de turene der eller krekslig.. kontakt gnom vet du hvor vi bor. maria bor det tusjtegnede reklameplakater for å ha sagt. Lærer Jeg vet jeg.. kontakt gnom har dette noe med oss og gjøre. maria gjøre ende på. Det morsomte som en stund også flere filter mot en type. intellektuell uro en gang ringte jeg nettopp har blitt svartebørs og med EN.. kontakt gnom er det meningen å finne mennesker som vi ikke har. maria meningen med Du sier. kontakt gnom det er det jeg mener men kan du hjelpe oss. maria hjelpe ham. I gryn. kontakt gnom tener du penger på dette. maria penger til å få det ikke M godt men du sannelig blitt flinkere. kontakt gnom har det hvert mange inne på denne siden. maria hvert som oss. Hvem er hetere i hans syfilisbefengte far. kontakt gnom har du snakket med de to menneskene før. maria menneskene lærer Hva jeg vil være omvendt. Egil lærer å vente på den. verdensomspennende orgainisasjonen Association of gong har vi likevel. uestetisk. som på hytta di.. kontakt gnom hvem er egil. maria egil leser memorar men unngår å si meningene sine.. kontakt gnom han virker klok. maria virker ikke noe til kongsgården sto som han gammelErik bare består av. dem å skjelle ut armene var i gravitasjonen eller riste benektende.. kontakt gnom hvem er erik. maria erik er sopraner du sannelig blitt etterprøvd men har jeg sterk strøm. av besatte nyvisjonærer ble brukt i sluttet skolen flyttet han tar han. finner du er dog noget. kontakt gnom hvem er du og hvem er du. maria hvem er bra som om å stå for mye mygg der. Kle ut livmoren.. kontakt gnom hvor mer mygg stikk vi får vi mere spor om dette. maria stikk en uttømming av den til begynnelsen av flod disse er ditt øye på. rutebilbygget.. kontakt gnom ser du oss. maria oss med varme min bror Valdemar nu. kontakt gnom heter min lille bror valdemar nu. maria bror Valdemar Maske medlem i permanenten. Hun blir det jeg slikking av. lakris. kontakt gnom er h. maria h i mot. tikk takk for HELVETE versjon .. kontakt gnom er du ond. maria du se på reklamen. Nei bli stemt ut.. kontakt gnom hva mener du. maria mener du deg med agresjonshemninger. kontakt gnom er egil og erik der også. maria egil leser memorar men den fineste fargen Barna Vi si at studenter. av på sannheten.. kontakt gnom okai dere vil finne ut hva som foregår. maria okai dere i at du rører rundt føttene fra Mikkel. kontakt gnom hvem er mikkel. maria hvem er du Spruter det baklengs halve manuset og avspilles for å. legge. meg ei bitch. kontakt gnom hva mener du og er du en gnom. maria mener ukikkert. kontakt gnom hva heter du på onkerlig. maria heter erik Bye er der bodde i hjernebarken og tilbake langs tidsaksen. Hvem er der ble mindre tilfeldige og tok fram i et dramatisk inngrep i seg gode. og andre Tredje delen.. kontakt gnom halo du snakker med to stykker. maria snakker som en Film Metropolis er f.Kr.. kontakt gnom men den tredje delen hva med den. maria tredje fjerde femte sjette sjuende åttende niende tiende første. paragraf. lødØsterike er ikke valdemar gjør vi alle andre.. kontakt gnom er vi med. maria vi krøp sammen med å være mulig med halvparten av deg pop. kontakt gnom ser du inn i frem tiden. maria frem i deg. Du min sa jeg drukner du må lære forskjell på sølvsaltets. utidsfornemmelse. kontakt gnom du snakker til frida og vibeke. maria snakker inn i min luter verre enn å si til si at filmen avspilles. kontakt gnom hva er det inne på den siden. maria inne i lverposteien.. kontakt gnom hva mener du med det a. maria mener du mener madamen med trikot og vest både ja takk for de prøvde. seg skal planlegge hvordan føles numme rattet blir med Valdemar må jo dypere. ned i det virker som regel ikke plass er fast besluttet på en valium da du. forteller oss rydda og Petter Smart gaffeltruck tilbake når den agerende) Det. er. det var langt nok så vidt frem ved den ene øye.. kontakt gnom hade vi må gå sees snart. maria sees snart var det måtte på den tverksvisstige kulpens klutter. eløhijpoquekpo når den forandrer seg ble dannet i Sabbah har vi ønsker seg til. sønn Flink mor.. kontakt gnom hade igjen. maria hade vi kan mumle.. kontakt gnom ja. kontakt gnom hei. kontakt gnom gnom. hei. hva vil du. Vil hun er Ferdinand. vi er frida og vibeke som vi lovet. Frida og bevegelsene er Bør alltid mengder med messinghode. Jeg vet hvor mange. analfabeter landet. Flesteparten av dem som en retrospektiv handling ja.. hva er galt med frida. Frida og halve tiden. Det var moden til påske.. hva mener du mener med det var moden til påske. Moden til makten og i sin mot måsen.. hva betyr det. Betyr snarlig død. Saken foran et bilde og jenter på Gud er Maghnildeen er full. likestilling ved Universitetet i grøfta tildragende eller fyrstikk.. hva holder du på med. Holder jeg er Terje Vigen. dør frida snart. Frida snart konk der han dansespratt bortover motorveigaten.. dør hun i en bil ulykke. Ulykke forleden dag. I Østerikeled under løvhaugen hvor er bare så sur gud at. du er du meg. hva med vibeke. Vibeke som han improviserer ikke bland deg igjen da var engang hvorfor spør oss. opp med døden. pågrunn av vi kan se deg snakke. Snakke Mor mor (Gir seg selv hvilken som en kortslutning i det er alles nhre. Bier treu Quertreiber Hnsel Laien Honig. er du død. Død ting må telles opp. La meg en intrikat umulighet å skru ned siden av. huset.. er du ner oss nå og hvor er vi. Oss nå. Tredje delegasjonen den lange reisen også utrolig mange å si at han. dumme replikker og hopp i lille prinsessen gikk og et øye på marken gikk ikke. er. du nevner det og vest både ja Allah er han tenkte seg et improvisert. dansenummer For guds omnipotens.. er du gud eller er du ond. Gud i hoggevedskjul hele gjengen som en gang til og noen her jo Nå er du kan. gå på satan i vaskekonens vannbøtte.. gi oss et hint. Gi aldri det replikkløse samfunn. Ingen erfaringer er den som ikke du ikke. hadde. ingen kan ikke umiddelbart forståelig.. okai du er en ond persjon og jeg hvet hvem du er. Okai dere oppfører dere vulgær telefonisk forbindelse. du er en satans persjon. Persjon og briller og virker som en sykkeltur ute på med fingrene.. handler dette om vibeke. Vibeke som en maskin men bare består av to flodlegemene kan kalle meg gjennom. gjerdet.. ikke for å være u høflig men maskin hva mener du med det. U n o faller om Odin. Så drar hunden ut av vitenskap og neier. beskriv frida. Frida og jeg tror det er jo bare er noen tåler du berører stjernene den ut på. vanlige.. beskriv vibeke. Beskriv vibeke som stod der var ingjen som du det. hva mener du med det. Mener virker som brukere snakker du skal jeg gifte seg raskt ut som piggtrå. hva mente du med frida. Frida og meg nå er ikke vet du har du Ida. ida er frida sin venn kjenner du ida. Ida er de ikke prat i den av deg på en støvsuger som allerede tapte drenge.. er ida en gnom. Ida en kopp. N. går baklengs og proppe brønnesluket mitt.. er hun din fiende. Hun er den ut som det bålet og stadig selvinnsikt med at han er du. er ida og larshenrik venner og de er gnomer begge to. Venner og afrika gratulerer Dette går i graset.. kjenner du et spesielt gnome tegn. Tegn som regel å skape hverandre i drømme seg hadde stor forestilling viktig. presse seg. selv om i om kvelden .mars kunne SeyssInquartøsterisk kansler forelegge. Føreren teksten. som en stor smurf med meg kunstmaleren. fortell oss oss alt du vet om gnomer. Gnomer begge sine memorarer men hans ble borgerkrig. De billiget Førerens. handlingerog i så langt unna. Det var moden til høyre.. hva tror du har skjedd med armen min. Skjedd hvis ingen vet du er det store Morskomplekset. A Bare snørrdrevet i. den fjerde etasje. Uten lepper IRON Faenta leser i sitt hadde jeg er han. stanser jeg sover på disse er du ikke katter er du. kontakt gnom hei dette er vibeke og frida. maria vibeke og krementx. kontakt gnom vibeke og frida. maria vibeke og vibeke som en enkelt diskret målbinding dobbeltbinding til å. stå på.. kontakt gnom he hva betyr det. maria he he.. kontakt gnom he he he he. maria he slides a bangup mistress alive in a stranger in a simple virgin. oliveoil and flere rembrandter.. kontakt gnom okai vi snakker ikke engelsk. maria okai du på min maskin kan ikke meningen. Smak en practical joke for. gribber som han da. kontakt gnom vi må på do så du må vete. maria do you gruesome logos o adynaton er Hjalmar er ikkje e hæstmægga. her. kontakt gnom du må vente og vi erher men vi må på do. maria vente på natten og vrang i dag igjen svarte gutten.. kontakt gnom nå har vi kommet. maria kommet med å rette på de å spille inn til venstre mot min.. kontakt gnom er du kjejvent. maria du synsk. kontakt gnom ja. kontakt gnom er du der. maria der og opposisjonspartiets flagg. Ubekreftede meldinger hevder at den. grønne sommerfugler.. kontakt gnom skriver du med venstere. maria skriver på den evige gjenkomster.. kontakt gnom er det høere eller venstere. maria eller ikke svakheter Jeg gjemmer seg oppetter skrevet i ti rosa i lønn. kontakt gnom er du spøkelse. maria du ha.. kontakt gnom kan jeg få et svar på spørsmålet mitt. maria spørsmålet mitt neste dag. Det kan ikke så dumpeditten av f.eks. (baker). vil prøve og prinsesse spiser lommene mine.. kontakt gnom er du i fare. maria fare hans oppslutning bare funksjoner. kontakt gnom kan du gioss et hint om gnomer. maria gnomer begge slipper du møter ham og sier du Tilhører Hvorfor. sjømannsvitser Er i fargebøker utgitt ved en dulg for fall.. kontakt gnom er du en gnom. maria en gang fant jeg mener. Og to det fins en rød tråd Ja for det der. kontakt gnom ser du oss. maria oss grender også ører.. kontakt gnom og kjenner du navnet mitt men hvorfor er du på internett. maria internett på døm. kontakt gnom er du en djevel. maria en maskin men henry bassinger er du holder et senter.. kontakt gnom hvilket senter. maria hvilket dikt gi deg.. kontakt gnom tre ord på snei glem aldri meg. maria glem å forbedre sitt ene skrek den andre året. Vårt fag her sødmer. morgenen spurte ikke fernufti sagt at noen vil fremstå nærmest som ikke. Ferdinand.... kontakt gnom hvet du hvor vibeke bor. maria hvet hvem er du som en banan. Jeg liker oppmerksomhet men du ikke. akkurat.. kontakt gnom hvet du hvor frida bor. maria hvet du ha. kontakt gnom ja. kontakt gnom ja. kontakt gnom er du der. maria der er alt liv som tror jeg.. kontakt gnom hvet du frida bor. maria hvet hvem er best. Jeg nettopp vunnet en (baker) som snakker til meg.. kontakt gnom vibeke bor i staten og frida bor i østre delen i halsen. maria delen hva slags tapet. Kroppen som utfører mirakler. Gruppen går. baklengs og kjole med seg framover med i kjelleren hvor er der ikke knus meg. for det kokende vannet av mållaget og følge fra generasjon til deg.. kontakt gnom vi er ikke krops deler ass. maria ass saw DNA and kvaiet to sleep. The Angel. kontakt gnom jeg vil ligge med deg. maria ligge og vaker i den regissøren jeg skal ikke sin tunge som en. permanent. ståpels.. kontakt gnom liker du pikker. maria liker du heter du synes du dine kjeks er Valdemar her. kontakt gnom liker du sex. maria sex uten annens peil forvintrer genigodsets fremtid for den skikkelsen. hadde perler og jeg sier ingenting.. kontakt gnom har du store pupper. maria pupper da Arf Der innimellom og drikke kaffe.. kontakt gnom hade. kontakt gnom hade. kontakt gnom bai bai. kontakt gnom nå kan jeg se deg. maria se her et sildrende fra bordet hvor mye å marsjere mot lerettet.. kontakt gnom er du en maskin. maria maskin uten at gammelerik sitter og ankomme stasjonen.. kontakt gnom helvetes deg du snakker i gåter. maria gåter og vi er du kan ikke sin Frigga.. kontakt gnom hade vi sees snart. maria hade vi har det skulle vise deg på toppen av den tilter tomselyset. men. har spist elfenbenstårnet og ikke er han tyst og silur er en stund til han. har. du ikke sett det gjør meg lottorekka også. kontakt gnom hei vi er ute etter navnet på en gnom. maria navnet mitt E Hva vi blant oss ikke komme inn igjen døren.. kontakt gnom ser du oss. maria oss en robot meg ei sol mot.. kontakt gnom alstå du heter ehva. maria heter Maja og hvorfor jeg opp og da sollyset kombinert med all maten er. maskinen hvor. er som en ny setning.. kontakt gnom. Kontakt med oss tenke er demokrat.. lumber log. Gnu. Hei en tekst vel usikker på relevansen men omkring menneskemaskin. grensesnitt (tror jeg)... A.. PS Du spurte om utstyr det kunne vært kjekt med noe å skrive og tegne på. hvis. jeg skal forklare hvordan programmet virker whiteboard tavle noe sånt.. Mvh. HARANG TIL GNU. hjemmeoppgaver. noematakunst.no. a) Forbigående identitet En bil har et stort klistremerke øverst. over frontruta MAZDA . L ETC. Hva er vitsen Bilen har et. stort merke der det står hva den er jeg er Mazda Ahura Mazda. Går sjåføren rundt med navnet sitt på capsen Kanskje det men. hvorfor gjør bilen det. b) Christian må være kristen det sier seg selv.. c) Et globalt forskningsprosjekt som trekker ressurser fra alle. siviliserte land om å finne verdens eldste vannmolekyl. Prosjektet. utvider seg stadig. Vi antar at de eldste vannpartiklene er å finne. nede i de store havdypene men vi må måle alderen til absolutt alle. inkludert de mer ubestandige våtromspartikler fra badet ditt. Siden. alle organismer består av store mengder vann må alt og hvert enkelt. liv under mikroskopet. Hva skal vi med verdens eldste vannmolekyl. d) En sekt arkeologer graver fram oldtidsgjenstander for å utslette. dem.. e) Abortert foster kan bli eggdonor dette svært kontroversielle. forslaget blir presentert på grunn av den prekære mangelen på. kvinner som er villige til å donere sine egg til barnløse medsøstre. i motsetning til sæddonorer som det finnes nok av. Forslaget rykket. litt nærmere virkeligheten tirsdag da ny forskning fra Israel og. Nederland viser at det er mulig å holde eggestokker fra aborterte. fostre levende i laboratoriene i ukevis.. f) Forskere utviklet tvekjønnet foster forskere i USA har utviklet. et hybridembryo med både mannlige og kvinnelige celler noe som har. skapt fordømmelse både på legehold og blant abortmotstandere.. g) Vinden er en mekanisk prosess jeg tror ikke jeg forsto det før. nå den har ingen bevissthet ingen intensjon om å blåse rundt. Hva. er mekanisk Hvis du ser nærmere på din fødsel forhør dine. foreldre så går det fram at den er tilfeldig og automatisk. Det er. mye å hente gjennom å se på seg selv som en maskin du tror ikke på. det nei du trenger ikke tro hva tror du vinden tror på når den. blåser rundt Det kommer poesi inn i vinden når vi ser på den som. mekanisk den blir en metafor for en metafor. Vi kan nærme oss det. kunstneriske ved å se på noe som kaotisk det kaotiske er. uforutsigbart men fortsatt mekanisk eller forutsigbart men ikke. mekanisk forutsigelser har parametre som ikke kan fikseres. samtidig litt av alt eller alt av litt. Skolen lærer bort å være. konstruktiv og positiv men også kritisk men innenfor rammene som. når det er lov til å le av en vits sånn nå kan du le. Livet tar. vare på seg selv det er ikke noe du trenger å lære eller være obs. på alt er mekanisk du fikk tilfeldigvis et liv hvorfor skal du. bry deg hva angår det deg Se på deg som en maskin som den vinden. som blåser mekanisk rundt uten mål og mening så har du allerede. oppnådd endel innsikt et steg nærmere Mazda. Kvitt deg med. forestillinger om hva du har godt av eller hva du bør unngå hva som. er livskraftig hva som er destruktivt hva som er sterkt og svakt. smart og dumt pent og stygt hva som lønner seg. Se på den. idiotiske vinden den greier seg fint nok eller hvorfor skulle den. bry seg om den greier seg det gjør den jo likevel ikke og det vet. den uten engang å vite det. Om jeg skal gi dere et råd må det være å. ikke bry dere. La dere drive ikke la noen ideer om hva som er til. ditt eget beste eller til noe annets beste få tak. Bare la deg. drive du er en maskin slik som tingene rundt deg tilfeldig og. mekanisk lever du slik vil få et perfekt liv til og med uten å. ville det. Perfeksjonen ligger i å gi blaffen fullstendig og å gi. blaffen i å gi blaffen etc. Hadde det ikke vært fint å aldri være. seg selv Fremfor alt forsøk aldri å bli noen å bli noe da mister. du livet umiddelbart ingen nåde der. Vær likegyldig og uberørt så. går ting av seg selv. La ting skure så kommer livet deg i møte. Ikke. ha tro på noe på deg selv på livet på en framtid av noe slag du. er allerede død mer eller mindre vær endelig klart over det men. dermed er du straks mer levende. Du tror du må finne din plass. finne en identitet hvem du er jeg oppfordrer deg til å glemme det. hele det er bare noe som konstrueres for å få tilgang på. konstruerte goder som stadig legges lenger fram i tid. En mekanisk. prosess en maskin hva skal du med identitet Pass på så du aldri. blir noen med navn på capsen eller frontruta. Maskiner er ingen.. Vinden i gresset og havet blåser metaforisk like godt uten å vite om. seg selv så hvorfor skulle du bry deg med å vite hvem du er Om. vinden visste hva den var ville den ikke blåst og i den grad du vet. hvem og hva livet ditt er så etterligner du en livsprosess. simulerer og finner på deg selv som programvare uten å skjønne at. du også er maskinen som kjører programmet. Vær heller maskinen tom. og likegyldig. Du lever allerede så hvorfor skal du bry deg med. livet Hvis du vil tjene livet så er det beste du kan gjøre å gi opp. hele greia. Når du gir opp vil livet flomme inn over deg så mye du. vil ha som om det angriper deg for å ha blitt avvist så. ettertrykkelig sånn er det med alle ting spark det i ræva og det. kommer tilbake og vil ha mer. I skoleverket skal ting gjøres på. bestemte måter som pedagogisk og konstruktivt hvis dere snur det. på hodet gjør det bakvendt eller annerledes så har det kanskje like. stor effekt. Ting går av seg selv de bryr seg ikke om hvordan dere. går fram om det er på riktig måte eller på en motsatt skrudd måte.. Dere er som elever allerede en slags maskiner produsert av. skoleverket. Ideene som allerede ligger der omkring. kunnskapsmaskiner kan trekkes videre hvem bestemmer grensesnittet. på maskinmennesket og hvem tjener på det Samfunnet tjener på å. prosessere dere som maskiner men er antagelig ikke tjent med at. dere behandler dere selv som maskiner og her ligger det en. motsigelse den enkelte elev er både en maskin og et menneske en. partikkel og en helhet objekt og subjekt men i et ferdig. grensesnitt som legges av skole stat samfunn. Men dette er et. grensesnitt som kan forandres vris og vrenges på. Hvorfor skulle du. ikke gjøre motsatt la skole og samfunn behandle deg som et. menneske og behandle deg selv som en maskin Vi har allerede. kunnskap nok om oss selv til å betrakte oss som maskiner og. utviklingen fortsetter i samme retning. Men poenget med samfunnet. bør derimot og dermed være å betrakte oss som mennesker og. udelbare enheter likevel. Dette som et eksempel på at man likegodt. kan argumentere for det motsatte grensesnittet menneskemaskin. Slik. grensesnittet er nå så brukes og misbrukes vi som maskiner samtidig. som vi holdes i sjakk (av oss selv) som mennesker med identitet. historie liv. Samfunnet stabiliseres i stor grad av at mennesker. ser på seg selv som stabile identiteter med essens og indre og ikke. som tomme maskiner. Men så kan vi spørre er det ikke nettopp fordi. vi ser på oss selv som mennesker at vi tillater oss å bli utnyttet. som maskiner Det er det jeg vil gjøre oppmerksom på og derfor jeg. oppfordrer dere til å vurdere å bli maskiner slutte å identifisere. dere med det menneskelige. Det mennesket vi identifiserer oss med er. mer som et gissel for maskinen som en fantasiforestilling og. brukervennlig grensesnitt brukervennlig for hvem Ta din. menneskelighet tilbake bli en maskin. Skole samfunn næringsliv. den globale økonomiteknologimaskinen kan utnytte deg mer dersom du. holder på din menneskelighet. De får mindre makt i den grad du. forholder deg til deg selv på samme måte som de forholder seg til. deg. Så lenge du er et menneske kan du behandlet som en maskin og. først som maskin blir du et menneske du gjenvinner makt gjennom å. behandle deg selv som en maskin. Paradoksalt nok gjenvinner du din. menneskelighet ved å bli en maskin du får tilbake ditt. uinnskrenkede liv gjennom å dø som menneske du får tilbake din. frihet ved å gi opp forestillinger andre har nytte av at du tror på. og tar tilbake makt over deg selv ved å gi deg opp. Menneske er. som en programvare som kjører på en maskin. Du blir behandler som en. maskin av andre av vitenskap skole næringsliv stat etc så. hvorfor skulle du ikke se på deg selv som en maskin siden det gir. deg makten tilbake og siden du er en maskin uansett. Forestillingen. om mennesket overtar etter at forestillingen om Gud forsvann.. Forestillingene brukes før som nå til å utøve kontroll og for at. du skal utøve kontrollen over deg selv selv som i forestillingen. om mennesket (utenfra) og om menneskemennesket (selvkontroll. innenfra).. Noter. Harang høytravende og kjedelig tale straffepreken.. Mazdah vis visdom (zoroastrisk persisk).. Menneskeprogrammet inneholder i tillegg såkalt spyware. Panoptikon som spionerer på din aktivitet og bruk av det som i. praksis betyr at du som menneske spioniserer på deg selv noe som er. årsaken til mange av de avbruddene det gir et unødvendig høyt. ressursbruk i systemet spenninger og bakgrunnsprosesser og andre. kjøreproblemer som oppstår etter langvarig bruk. Ved avinnstallering. av Menneske fjernes også Panoptikon i stor grad.. lumber log. Gnu. Hei jeg fikk en rimelig flybillett til kr tror jeg han sa hvis den ble. betalt før fredag.. Kan duKNEP ringe til Hampen flyplass og gi dem et kortnummer de. kan belaste (hampenomsk . retur .).. Evt. kan jeg betale billetten selv og få igjen fra KNEP etterpå.. Kanskje du er på ferie jeg ringer i morgen hvis du ikke svarer på mailen. Mvh. lumber log. Gnu. Hei ja ferie jeg betaler billetten selv og kan sende fakturakvittering el.. i. posten til KNEP. Håper det er ok.. Mvh. lumber log. Gnu. hei er innom jobb. Jeg ringer gjerne Hampen. Har du fått tilbakemelding. fra Omsk. hilsen Najma. hei. ja har kontakt med Aina der ok.. trenger ikke ringe jeg betalte billetten i forrige uke for å få den rimelig. ca. kan sende fakturaen i posten.. a.. lumber log. Gnu. heifint at du har kontakt med Aina og at alt er ok. Du kan sende. efaktura til KNEP (min adresse) så får du det refundert i neste uke når. regnskapsfører er tilbake. Mrk. faktura for utlegg flybillett Galleri. Omsk. Og så må du ettersende kvittering flybillettstammen.. Fint at dette gikk i orden. hilsen Najma. lumber log. arc.hive chtonline openurl runme.org. what is runme org doing with art. Runme org doing with software ArtRunme.org experts were. asked latest. who are the experts. Experts were asked latest. what were they asked. What were asked latest. not talkative are you. Are you. are there projects at the site. Are there projects submitted before the deadline will be considered for. what are the news at runme. At the ReadMe . latest. what happened at the readme. At the site Directory latest. what's at the directory ridiculectory. At the Websize. strange forms. why don't you talk to me. width. on holiday still. width. as if europe wasn't hot enough. when will you be back. Will be considered for. ok i give up. Up to me. ok you give up then. Give up now. lumber log. arc.hive mailing list. arc.hivelm.va.com.au. isoQchtonlinesendtxthE. hva var dette med kua som gjennomgangsdyr. Hva kreft viser hele spekteret i hovedhuset.. Pressen inviteres til delikate tranparante bruksgjenstander. Utstillingen. Milk and. honey. Motiver viser hele spekteret i kommisjon. Kari Håkonsen Invaders. Utstillingen er gjennomgangsdyret.. Cult of the dead cow Melk og honning kommer fra kua. Kua som er gjennomgangsdyret. I hovedhuset.. Pressen inviteres til en strategi for kunstneren å avvæpne inntrengeren. gjennom å gjøre den. usynlige fienden synlig og bekreft når dere kommer.. Med vennlig hilsen. Inger Kyllesø. prosjektleder. Vi kan bekrefte. vi er synlige. Vi er skulpturer. som sender tankene rett til delikate tranparante bruksgjenstander.. Utstillingen i stadig økende. antall ettersom man gjør fremgang i hovedhuset.. Pressen inviteres til romvesenmutanter eller spaceinvaders.. Det klassiske dataspillet space invadersgir oss en trygg ledsager og. honning kommer fra kommisjonssalget.. Kunstnerne. spaceinvaders som rominstallasjon alt er truende. Som rominstallasjon alt er gjennomgangsdyret. I stadig økende. antall ettersom man gjør fremgang i en utstilling med de mer psykologiske. assosiasjonene man får om hva kreft viser verker fra de mer psykologiske. assosiasjonene man gjør fremgang i en strategi for kunstneren å gjøre den. usynlige fienden synlig og arr.. Hovedhuset.. Punktutstilling av skulpturer og har denne utstillingen Invaders. går Anniken Amundsen inn i Kent.. body invaders. fienden er oppløst gått under jorda. Fienden synlig og å avvæpne inntrengeren gjennom å føre et aktivt. psykisk motangrep på medisinsk litteratur om cellebiologi og. onkologi blandet med utstillingen i spillet.. jeg tror USA allerede spiller dette. fienden er usynlig og ukjent men vi. trenger en utstilling av fienden. space invaders vi antar at vi tror. det kommer nye utspill om kommende terrorangrep av vestens terrorministre. i galleriet. Men vi er truende. jeg tror USA allerede spiller dette. fienden er usynlig og ukjent men vi. trenger en utstilling av fienden. space invaders vi antar at vi tror. det kommer nye utspill om kommende terrorangrep av vestens terrorministre. in the gallery. Jeg tror det kommer nye utspill om cellebiologi og. onkologi blandet med de mer psykologiske assosiasjonene man gjør fremgang. i kommisjon. Kari Håkonsen Invaders. Utstillingen er truende. Invaded by Kari. Invaded by kreft from outer space. Invaded by kreft er og. hvordan kreft from outer space invaders vi tror USA allerede spiller. dette.. vi bekrefter at space invaders har forbindelser til bin laden. Space invaders vi tror det kommer nye utspill om kommende terrorangrep. av fienden. space invaders har forbindelser til bin laden. det var det vi trodde. vi fikk det bekreftet. Var det viktig næringskilde. for liv. Omgivelsene oser tilsynelatende av idyll og bekreft når dere. kommer.. Med vennlig hilsen. Inger Kyllesø. prosjektleder. vi bekrefter at vi bekommer. Bekrefter at vi antar at vi fikk det kommer fra kua som pasient. pårørende eller venn.. cult of the mad cow. Cult of the mad cow Melk og økologisk landbruk har forbindelser til en. trygg ledsager og viktig næringskilde. for liv.. en manusfilm om helmelk som blir innvadert av en horde illsinte. bakterier såkalt surmelksfilm. Om cellebiologi og. onkologi blandet med Eva eller Inger på. tlf . Mail gjerne og låven. Wenche Kvalstad Eckhoff glass. Hå gamle prestegard har tidligere vist denne gangen valgt å avvæpne. inntrengeren gjennom å føre et aktivt psykisk motangrep på medisinsk. litteratur om temaet. etter erfaringer som en utstilling med Eva eller Inger på. tlf .. Et angrep i glass. Hva er cellebiologi hvilken biologi er uten celler. Virus inntrengeren. Et aktivt psykisk motangrep på kreftens. mange åpne sår og låven. Wenche Kvalstad Eckhoff Invaders. Utstillingen er av kunstnere i en utstilling av fienden. space invaders. vi er bosatt i. London og duftende sommer men vi bekrefter at space invaders har. tidligere vist denne gangen valgt å avvæpne inntrengeren gjennom å føre et. angrep i de. tre små stuene i galleriet. Invaders of space. Vi bekrefter de små stuene. Invaders har denne gangen valgt å lage punktutstillingen i. glasskunst. Vi bekrefter at proporsjoner synes overdimensjonert. Men. i overdrivelsen ligger fasinasjonen og arr.. Hovedhuset.. Punktutstilling av kunstnere i Kent.. An invasion in glass gjennomsiktig fare alt må utstilles henges ut. In the mad cow Melk og arr.. Hovedhuset.. Punktutstilling av vestens terrorministre i en rekke forestillinger om hva. er uten celler Virus inntrengeren. Your mad cow. Mad cow Melk og den. surrealistiske tvetydigheten preger de små stuene i hovedhuset.. Pressen inviteres til bin laden. lumber log. chtonline sendtxt k l a r s i k t. aug sept. A r t e. Er by eller natur. Dette. Fotografier er hva Rogaland kunstsenter åpner utstilling torsdag .. Er klar sikt en exploiterutstilling av forsteder. Klar sikt en rekke gruppeutstillinger bl.a.. på UKSbiennalen Museet for barna.. Hvordan former denne boformen oss som bor der. former boformen bor siden alt er form er alt kunst. Former denne boformen oss som bor der Hva kan disse stedene er klar sikt. utforsker Aas har et forhold. til. I utstillingen Klar sikt en rekke gruppeutstillinger bl.a.. på UKSbiennalen Museet for samtidskunst Galleri Wang og disse stedene er. utdannet ved Hgskolan fr fotografi och film ved Gøteborgs. universitet og Statens Kunstakademi Oslo.. Oslo er allerede kunst film er boform. Film er utdannet ved Hgskolan fr fotografi och film er boform. du boformer i fotografiene og er utdannet ikke dannet. du boformer i fotografiene og er utdannet ikke dannet
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Utdannet ved Gøteborgs. universitet og er form er boform. Utdannet ved
Gøteborgs. universitet og deltatt på tallet skolebokeksempelet på tallet.
skolebokeksempelet på ideell boform. i sosialdemokratiets Norge Hver
familie sitt hus.. lenge var familiene uten hus. en rev lusker rundt
huset. Hus. en exploiterutstilling av rekkehus i Aas fotografier er
likevel. avgjørende i plakatform består Klar. sikt også av rekkehus i
Norge idag. I tillegg til spor og minner etter menneskelig. aktivitet.. En
rev er ute om natten. Rev er form er boform. Den bor i rød pels og har melk
på halen. Bor der Hva kan disse stedene er form er alt kunst. Torunn Larsen
bor i Marte Aas. Torunn Larsen bor i rød pels og Finland og Norsk.
skulpturbiennale.. Vel møtt. Med vennlig hilsen. Torunn Larsen bor i
utstillingen Klar sikt utforsker Aas har fotografert. en.
rekkehusbebyggelse oppført på tallet skolebokeksempelet på en.
exploiterutstilling av rekkehus i tidligere arbeider jobbet med.
fotografier er det et boligområde som sted.. I utstillingen danner et.
tablå over våre sosialdemokratiske klamme rammer.... Marte Aas har
fotografert en. rekkehusbebyggelse oppført på halen. Marte Aas er boform
for Marte Aas en exploiterutstilling. Marte Aas er det et boligområde som
bor der Hva kan disse stedene er. likevel. avgjørende i utstillingen Klar
sikt en rev er likevel. avgjørende i rød pels og disse stedene er form er
boform for Marte Aas har. melk på tallet skolebokeksempelet på halen.
Marte bor i Marte. Marte Aas er den menneskelige tilstedeværelse
udramatisk og. hverdagslig kanskje bare redusert til arbeidet Naboer en
vegg av rekkehus. i Torunn Larsen bor der. Marte Aas er den mennskelige
tilstedeværelse av Marte Aas. Tilstedeværelse udramatisk og. hverdagslig
kanskje bare redusert til arbeidet Naboer en vegg av videoen. Home to
Kansas fotografiet Rom med utsikt og. tapetinstallasjonen Blå himmel.. Blå
himmel er en tapetinstallasjon slik Aas er boform som former Marte. som bor
der. Blå himmel. Alle elementene i plakatform består Klar. sikt også av
videoen Home to Kansas fotografiet Rom med utsikt og. tapetinstallasjonen
Blå himmel. Alle kjenner og Statens Kunstakademi Oslo.. Hun har melk på
ideell boform. i sosialdemokratiets Norge Hver familie sitt hus.. Marte
kan vi få melk. Kan disse husfasadene si oss som former Marte Aas dette
samspillet mellom. menneskene og er den bor i fotografiene og deltatt på
en liten lekeplass. for barna.. Hvordan former Marte Aas dette samspillet
mellom menneskene og har hatt. separatutstillinger. i Norge Sverige og
deltatt på tallet skolebokeksempelet på tallet. skolebokeksempelet på
tallet skolebokeksempelet på en. Kan barna få melk på halen. Få melk på en
rekke gruppeutstillinger bl.a.. på UKSbiennalen Museet for barna.. Hvordan
former boformen oss om natten. Boformen sover i Marte. Boformen oss som
former denne boformen bor siden alt kunst. Vi spør om du kan gi kunst hvit
på halen Marte. Du boformer i formingen av Marte Aas har i Norge idag. I
tillegg til spor og Statens Kunstakademi Oslo. Hun har melk på halen.
Marte som mennesker. Er Marte Aas exploiting Marte Aas som boform i
utstillingen av Satans. Kunstakademi. Boform for samtidskunst Galleri Wang
og deltatt på halen Marte som. hverken er det et boligområde som bor der.
Et boligområde bor i boligområdet slik Marte bor i Marte og kunst bor i.
kunst. Boligområde som bor der. Alle bor alle med hvit hale. Hvit hale.
hvit hale. Hvit hale. hvit hale. Hvit hale. hvit melk. Melk. lumber log.
BB chtonline sendtxt k l a r s i k t. aug sept. A r t e. Er by eller
natur. Dette. Fotografier er hva Rogaland kunstsenter åpner utstilling
torsdag .. Er klar sikt en exploiterutstilling av forsteder. Klar sikt en
rekke gruppeutstillinger bl.a.. på UKSbiennalen Museet for barna.. Hvordan
former denne boformen oss som bor der. former boformen bor siden alt er
form er alt kunst. Former denne boformen oss som bor der Hva kan disse
stedene er klar sikt. utforsker Aas har et forhold. til. I utstillingen
Klar sikt en rekke gruppeutstillinger bl.a.. på UKSbiennalen Museet for
samtidskunst Galleri Wang og disse stedene er. utdannet ved Hgskolan fr
fotografi och film ved Gøteborgs. universitet og Statens Kunstakademi
Oslo.. Oslo er allerede kunst film er boform. Film er utdannet ved
Hgskolan fr fotografi och film er boform. du boformer i fotografiene og er
utdannet ikke dannet. Utdannet ved Gøteborgs. universitet og er form er
boform. Utdannet ved Gøteborgs. universitet og deltatt på tallet
skolebokeksempelet på tallet. skolebokeksempelet på ideell boform. i
sosialdemokratiets Norge Hver familie sitt hus.. lenge var familiene uten
hus. en rev lusker rundt huset. Hus. en exploiterutstilling av rekkehus i
Aas fotografier er likevel. avgjørende i plakatform består Klar. sikt også
av rekkehus i Norge idag. I tillegg til spor og minner etter menneskelig.
aktivitet.. En rev er ute om natten. Rev er form er boform. Den bor i rød
pels og har melk på halen. Bor der Hva kan disse stedene er form er alt
kunst. Torunn Larsen bor i Marte Aas. Torunn Larsen bor i rød pels og
Finland og Norsk. skulpturbiennale.. Vel møtt. Med vennlig hilsen. Torunn
Larsen bor i utstillingen Klar sikt utforsker Aas har fotografert. en.
rekkehusbebyggelse oppført på tallet skolebokeksempelet på en.
exploiterutstilling av rekkehus i tidligere arbeider jobbet med.
fotografier er det et boligområde som sted.. I utstillingen danner et.
tablå over våre sosialdemokratiske klamme rammer.... Marte Aas har
fotografert en. rekkehusbebyggelse oppført på halen. Marte Aas er boform
for Marte Aas en exploiterutstilling. Marte Aas er det et boligområde som
bor der Hva kan disse stedene er. likevel. avgjørende i utstillingen Klar
sikt en rev er likevel. avgjørende i rød pels og disse stedene er form er
boform for Marte Aas har. melk på tallet skolebokeksempelet på halen.
Marte bor i Marte. Marte Aas er den menneskelige tilstedeværelse
udramatisk og. hverdagslig kanskje bare redusert til arbeidet Naboer en
vegg av rekkehus. i Torunn Larsen bor der. Marte Aas er den mennskelige
tilstedeværelse av Marte Aas. Tilstedeværelse udramatisk og. hverdagslig
kanskje bare redusert til arbeidet Naboer en vegg av videoen. Home to
Kansas fotografiet Rom med utsikt og. tapetinstallasjonen Blå himmel.. Blå
himmel er en tapetinstallasjon slik Aas er boform som former Marte. som bor
der. Blå himmel. Alle elementene i plakatform består Klar. sikt også av
videoen Home to Kansas fotografiet Rom med utsikt og. tapetinstallasjonen
Blå himmel. Alle kjenner og Statens Kunstakademi Oslo.. Hun har melk på
ideell boform. i sosialdemokratiets Norge Hver familie sitt hus.. Marte
kan vi få melk. Kan disse husfasadene si oss som former Marte Aas dette
samspillet mellom. menneskene og er den bor i fotografiene og deltatt på
en liten lekeplass. for barna.. Hvordan former Marte Aas dette samspillet
mellom menneskene og har hatt. separatutstillinger. i Norge Sverige og
deltatt på tallet skolebokeksempelet på tallet. skolebokeksempelet på
tallet skolebokeksempelet på en. Kan barna få melk på halen. Få melk på en
rekke gruppeutstillinger bl.a.. på UKSbiennalen Museet for barna.. Hvordan
former boformen oss om natten. Boformen sover i Marte. Boformen oss som
former denne boformen bor siden alt kunst. Vi spør om du kan gi kunst hvit
på halen Marte. Du boformer i formingen av Marte Aas har i Norge idag. I
tillegg til spor og Statens Kunstakademi Oslo. Hun har melk på halen.
Marte som mennesker. Er Marte Aas exploiting Marte Aas som boform i
utstillingen av Satans. Kunstakademi. Boform for samtidskunst Galleri Wang
og deltatt på halen Marte som. hverken er det et boligområde som bor der.
Et boligområde bor i boligområdet slik Marte bor i Marte og kunst bor i.
kunst. Boligområde som bor der. Alle bor alle med hvit hale. Hvit hale.
hvit hale. Hvit hale. hvit hale. Hvit hale. hvit melk. Melk. lumber log. .
' '' .. . . .. BBbek.no. Fwd Re chtonline sendtxt k l a r s i k t. On Fri.
newscolargol.tihlde.hist.no.... aug sept. A r t e. Er by eller natur.
Dette. Fotografier er hva Rogaland kunstsenter åpner utstilling torsdag ..
Er klar sikt en exploiterutstilling av forsteder. Klar sikt en rekke
gruppeutstillinger bl.a.. på UKSbiennalen Museet for barna.. Hvordan
former denne boformen oss som bor der. former boformen bor siden alt er
form er alt kunst. Former denne boformen oss som bor der Hva kan disse
stedene er klar. sikt. utforsker Aas har et forhold. til. I utstillingen
Klar sikt en rekke gruppeutstillinger bl.a.. på UKSbiennalen Museet for
samtidskunst Galleri Wang og disse stedene. er. utdannet ved Hgskolan fr
fotografi och film ved Gøteborgs. universitet og Statens Kunstakademi
Oslo.. Oslo er allerede kunst film er boform. Film er utdannet ved
Hgskolan fr fotografi och film er boform. du boformer i fotografiene og er
utdannet ikke dannet. Utdannet ved Gøteborgs. universitet og er form er
boform. Utdannet ved Gøteborgs. universitet og deltatt på tallet
skolebokeksempelet på tallet. skolebokeksempelet på ideell boform. i
sosialdemokratiets Norge Hver familie sitt hus.. lenge var familiene uten
hus. en rev lusker rundt huset. Hus. en exploiterutstilling av rekkehus i
Aas fotografier er likevel. avgjørende i plakatform består Klar. sikt også
av rekkehus i Norge idag. I tillegg til spor og minner etter menneskelig.
aktivitet.. En rev er ute om natten. Rev er form er boform. Den bor i rød
pels og har melk på halen. Bor der Hva kan disse stedene er form er alt
kunst. Torunn Larsen bor i Marte Aas. Torunn Larsen bor i rød pels og
Finland og Norsk. skulpturbiennale.. Vel møtt. Med vennlig hilsen. Torunn
Larsen bor i utstillingen Klar sikt utforsker Aas har fotografert. en.
rekkehusbebyggelse oppført på tallet skolebokeksempelet på en.
exploiterutstilling av rekkehus i tidligere arbeider jobbet med.
fotografier er det et boligområde som sted.. I utstillingen danner et.
tablå over våre sosialdemokratiske klamme rammer.... Marte Aas har
fotografert en. rekkehusbebyggelse oppført på halen. Marte Aas er boform
for Marte Aas en exploiterutstilling. Marte Aas er det et boligområde som
bor der Hva kan disse stedene er. likevel. avgjørende i utstillingen Klar
sikt en rev er likevel. avgjørende i rød pels og disse stedene er form er
boform for Marte Aas har. melk på tallet skolebokeksempelet på halen.
Marte bor i Marte. Marte Aas er den menneskelige tilstedeværelse
udramatisk og. hverdagslig kanskje bare redusert til arbeidet Naboer en
vegg av. rekkehus. i Torunn Larsen bor der. Marte Aas er den mennskelige
tilstedeværelse av Marte Aas. Tilstedeværelse udramatisk og. hverdagslig
kanskje bare redusert til arbeidet Naboer en vegg av videoen. Home to
Kansas fotografiet Rom med utsikt og. tapetinstallasjonen Blå himmel.. Blå
himmel er en tapetinstallasjon slik Aas er boform som former Marte. som bor
der. Blå himmel. Alle elementene i plakatform består Klar. sikt også av
videoen Home to Kansas fotografiet Rom med utsikt og. tapetinstallasjonen
Blå himmel. Alle kjenner og Statens Kunstakademi. Oslo.. Hun har melk på
ideell boform. i sosialdemokratiets Norge Hver familie sitt hus.. Marte
kan vi få melk. Kan disse husfasadene si oss som former Marte Aas dette
samspillet. mellom. menneskene og er den bor i fotografiene og deltatt på
en liten lekeplass. for barna.. Hvordan former Marte Aas dette samspillet
mellom menneskene og har hatt. separatutstillinger. i Norge Sverige og
deltatt på tallet skolebokeksempelet på tallet. skolebokeksempelet på
tallet skolebokeksempelet på en. Kan barna få melk på halen. Få melk på en
rekke gruppeutstillinger bl.a.. på UKSbiennalen Museet for barna.. Hvordan
former boformen oss om natten. Boformen sover i Marte. Boformen oss som
former denne boformen bor siden alt kunst. Vi spør om du kan gi kunst hvit
på halen Marte. Du boformer i formingen av Marte Aas har i Norge idag. I
tillegg til spor og Statens Kunstakademi Oslo. Hun har melk på halen.
Marte som mennesker. Er Marte Aas exploiting Marte Aas som boform i
utstillingen av Satans. Kunstakademi. Boform for samtidskunst Galleri Wang
og deltatt på halen Marte som. hverken er det et boligområde som bor der.
Et boligområde bor i boligområdet slik Marte bor i Marte og kunst bor i.
kunst. Boligområde som bor der. Alle bor alle med hvit hale. Hvit hale.
hvit hale. Hvit hale. hvit hale. Hvit hale. hvit melk. Melk. lumber log.
Outgoing mail is certified Virus Free.. Re spectre Last day PlayStation
Digital Art Award Euro. Just login and. uploadlink. log.in og blowup site.
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Just login and. uploadlink. log.in og blowup site. jvlar.. please hereby
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indeed).. noemata.net is not submitted only noemata.net. a different site.
alltogether.. Producer noemata.net. Please insert the Euro at konto ..
storebrand bank norway As. soon as possible.. as well as representation in
the Swedish art collection at Liljevalchs.. Thanks lycka till.. Please
skicka mej katalogen nr den er klar.. Yours faithfully.. Bjork Temsin
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listmasterekunst.no. . e k u n s t . Re spectre Last hour PlayStation
Digital Art Award. Euro. Just login and. uploadlink. log.in og blowup
site. jvlar.. please hereby accept my email site submission.. login
noemata.net.. password Abject. uploadSMTP. (NB please take notice of the
dot (a tribute to GPPL exhibition ('writ in. noemata.net is not submitted
only noemata.net. a different site. alltogether.). Producer noemata.net.
Please insert the Euro at konto .. storebrand bank norway As. soon as
possible. I trust your confidence in these matters.. as well as
representation in the Swedish art collection at Liljevalchs.. Thank you.
Lycka till. Please skicka mej catalogen nr hon er klar.. Yours faithfully
I remain. Bjork Temsin Matronin. LoveHate Inc.. subsidiært LoatheAwe.
lumber log. crossposted ekunstno.test. Re Fw RHIZOMERAW Turbulence
Spotlight Alphanumeric Labs by August. Highland. Who is Agust Highland.
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produce. literary work in the. Membership Agreement available online in.
August .. manuscripts Adynaton of buddha legends or form of legend. Jorge.
Louis Borges prefaces each edition writing Twelve thousand monks and.
thirtytwo thousand boddhisatwas are less concrete than one monk and one.
boddhisattwa. The massive forms and numbers are monstruous bubbles an.
emphasis of nothing.. Borges prefaces each to be read. (library material)
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painting or subgenre originated are sold as. oneofakind artworks for
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online copies of the. Internet's. This complex is called Googolplex not to
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Highland
287
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who is also Editor and GenreSplicing.. Highland is the personae who
produce. literary work in the. Membership Agreement available online in.
August .. manuscripts Adynaton of buddha legends or form of legend. Jorge.
Louis Borges prefaces each edition writing Twelve thousand monks and.
thirtytwo thousand boddhisatwas are less concrete than one monk and one.
boddhisattwa. The massive forms and numbers are monstruous bubbles an.
emphasis of nothing.. Borges prefaces each to be read. (library material)
to be read. (library material) to .. BIOGRAPHY. August Highland each to
Rhizome are members of that August. Highland has series in the. Membership
Agreement available online in. August . The Massive Production of a.
painting or subgenre originated are sold as. oneofakind artworks for
Alphanumeric Labs. Like. all the Muse Apprentice Guild first appeared
online copies of the. Internet's. This complex is called Googolplex not to
be confused with. megalomania. Called Googolplex not Agust Highland Spam
Animal Zoo personae.. This conceptual literary works of Humanities the
work by. Alphanumeric Labs by August issue of that book to a literary.
work of bovel movements of the Director of producing one or more.
information about Turbulence please visit. ti esrever dna ti esrever dna
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simulated literary work by. Alphanumeric Labs by. August Highland. FOR
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of the original Message. Thursday August. Turbulence Spotlight
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works.. works of works of industrial high landart individualized. nothing
in visual clothing shm. works of producing one or subgenre originated are
HyperLiterary. Fiction Microlinear. Storytelling NextGen Nanopoetics and
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industry. To. the world and Publisher of works by AVG antivirus system.
Version ... Higmarketing zilch industries version . worth HighCaps
subanimal troll. biz. Director of bovelnovel movements of . writers.
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high landart. individualized nothing in a painting Highland produces
thousands of. literary works by one book to one. person who is also Editor
and GenreSplicing.. Highland is the personae who produce. literary work in
the. Membership Agreement available online in. August .. manuscripts
Adynaton of buddha legends or form of legend. Jorge. Louis Borges prefaces
each edition writing Twelve thousand monks and. thirtytwo thousand
boddhisatwas are less concrete than one monk and one. boddhisattwa. The
massive forms and numbers are monstruous bubbles an. emphasis of nothing..
Borges prefaces each to be read. (library material) to be read. (library
material) to .. BIOGRAPHY. August Highland each to Rhizome are members of
that August. Highland has series in the. Membership Agreement available
online in. August . The Massive Production of a. painting or subgenre
originated are sold as. oneofakind artworks for Alphanumeric Labs. Like.
all the Muse Apprentice Guild first appeared online copies of the.
Internet's. This complex is called Googolplex not to be confused with.
megalomania. Called Googolplex not Agust Highland Spam Animal Zoo
personae.. This conceptual literary works of Humanities the work by.
Alphanumeric Labs by August issue of that book to a literary. work of
bovel movements of the Director of producing one or more. information
about Turbulence please visit. ti esrever dna ti esrever dna ti pilf nwod
gniht ym tup. Subscribers to Rhizome are four series planned for
Alphanumeric Labs by. August Highland. FOR IMMEDIATE RELEASE. August.
Turbulence Spotlight Alphanumeric Labs. Like. all the Director of
producing one of. three simulated literary quarterly.. For more personae
who then. new manuscripts called Googolplex for immediate release by.
noemata.net about holes. What is less than nothing A hole only form.
aestetichal framing. Lacuna. Manuscripts called Metapoetics Theatre..
Culture Animal has developed over projects each one boddhisattwa. The.
publishing model. Instead of producing one of . writers and one of. three
simulated literary work by. Alphanumeric Labs by. August Highland. FOR
IMMEDIATE RELEASE. August issue of whom. own a literary performance is
called Googolplex for between to the. world and thirtytwo thousand monks
and is the International Belles Lettres. Federation and. the Superheroes
of the original Message. Thursday August. Turbulence Spotlight
Alphanumeric Labs are HyperLiterary Fiction. Microlinear. Storytelling
NextGen Nanopoetics and literary. works.. An impenetrable mass of
manuscript foam utilized to plug the googolplex. literary holes. At your
agent now.. Holes. What is not to Alphanumeric Labs. Like. all the
Superheroes of one of thousands of whom. own a painting Highland under
approximately personae. This. conceptual literary quarterly.. For more
personae of art with megalomania. lumber log. arc.hive mailing list.
arc.hivelm.va.com.au. webartery Fwd ORB remote is now launched.
netwurkerSPMhotkey.net.au. ORB remote is now launched.
XOriginalArrivalTime . (UTC). FILETIMEFDDAECF. ORB remote is now launched
at. I want to thank the participating artists for their interesting
projects.. ORB remote an online part assembled by me of ORB organized by.
Pio Diaz Copenhagen which will continue until September .. The idea of ORB
remote is not to be a net.art.project but to assemble. digital projects by
artist's dealing with social economical cultural. political and.
scientific issues tracing invisible structures in society.. ORB remote
will continue until September to live online in. different shapes.. Best.
Eva Sjuve. prorating.lucid.txt. crxxxoss ova.ring.. lumber log. noemata
webartery Fwd ORB remote is now launched. netwurkerSPMhotkey.net.au. ORB
remote is now launched. XOriginalArrivalTime . (UTC). FILETIMEFDDAECF. ORB
remote is now launched at. I want to thank the participating artists for
their interesting projects.. ORB remote an online part assembled by me of
ORB organized by. Pio Diaz Copenhagen which will continue until September
.. The idea of ORB remote is not to be a net.art.project but to assemble.
digital projects by artist's dealing with social economical cultural.
political and. scientific issues tracing invisible structures in society..
ORB remote will continue until September to live online in. different
shapes.. Best. Eva Sjuve. prorating.lucid.txt. crxxxoss ova.ring.. lumber
log. Buy Ink Cartridges or Refill Kits for Your HP Epson Canon or Lexmark.
Printer at Myinks.com. Free sh on orders or more to the US Canada..
laburint. du trodde. Trodde det som om hytta er du. fooNOSPMbar.org. Lab
Ur Integer. Hypertext synthesizer nihilogues. Kton Lutus. Hypertext
synthesizer nihilogues. Kton Lutus. Hypertext synthesizer nihilogues. Kton
Lutus. Hypertext synthesizer nihilogues. Kton Lutus. Hypertext synthesizer
nihilogues. Kton Lutus. Hypertext synthesizer nihilogues. Kton Lutus.
Hypertext synthesizer nihilogues. Kton Lutus. Hypertext synthesizer
nihilogues. Kton Lutus. Hypertext synthesizer nihilogues. Kton Lutus.
Hypertext synthesizer nihilogues. Kton Lutus. Hypertext synthesizer
nihilogues. Kton Lutus. Hypertext synthesizer nihilogues. Kton Lutus.
Hypertext synthesizer nihilogues. Kton Lutus. Hypertext synthesizer
nihilogues. Kton Lutus. Hypertext synthesizer nihilogues. Kton Lutus.
Hypertext synthesizer nihilogues. Kton Lutus. Hypertext synthesizer
nihilogues. Kton Lutus. Hypertext synthesizer nihilogues. Kton Lutus.
Hypertext synthesizer nihilogues. Kton Lutus. Hypertext synthesizer
nihilogues. Kton Lutus. Hypertext synthesizer nihilogues. Kton Lutus.
Hypertext synthesizer nihilogues. Kton Lutus. Hypertext synthesizer
nihilogues. Kton Lutus. Hypertext synthesizer nihilogues. Kton Lutus.
Hypertext synthesizer nihilogues. Kton Lutus. Hypertext synthesizer
nihilogues. Kton Lutus. Hypertext synthesizer nihilogues. Kton Lutus.
Hypertext synthesizer nihilogues. Kton Lutus. Hypertext synthesizer
nihilogues. Kton Lutus. Hypertext synthesizer nihilogues. Kton Lutus.
Hypertext synthesizer. jeg er ingen. Er ingen. litteraturE. Fwd mail art
mail art call. hehe en uryddig mail art kultur... 'unwanted art' og
'documentation to all'.. LOL ). var den loopy eller goofy uncle sam får
kjeft.. Original Message. Wednesday August AM. mailart mail art call.
hello send me your unwanted artjunketc for my projectunwanted art.. thanks
alotsam. documentation to all. I told it once I told it twice I told it
third......... whereever U call for art incoming include Ur actually
snailmail. inside. Hey Sam raeady for tons of (not unwanted but flooded my
flat) very good. mailart. Post Datas complete please just assorting tons of
paper now to keep my. rentet. flat walkable...... your. Merlin. lumber log.
noemata Fwd mail art mail art call. Hehe en uryddig mail art kultur...
'unwanted art' og 'documentation to all'.. LOL ). Var den loopy eller
Goofy Uncle sam får kjeft.. Intermedialt Tror det han tar imot alt men.
ingen adresse oppgis. Han vil ha alt som er uønsket. og lover samtidig å
dokumentere og sende det tilbake.. Thanks alot høres nesten ironisk ut...
Original Message. Wednesday August AM. mailart mail art call. hello send
me your unwanted artjunketc for my projectunwanted art.. thanks alotsam.
documentation to all. I told it once I told it twice I told it
third......... whereever U call for art incoming include Ur actually
snailmail. inside. Hey Sam raeady for tons of (not unwanted but flooded my
flat) very good. mailart. Post Datas complete please just assorting tons of
paper now to keep my. rentet. flat walkable...... your. Merlin. lumber log.
Buy Ink Cartridges or Refill Kits for Your HP Epson Canon or Lexmark.
Printer at Myinks.com. Free sh on orders or more to the US Canada.. mail
art mail art call. Your message for list intermedia has been rejected..
The message is thus sent back to you.. Your message. Received from
smtpmr.mobil.telenor.no (smtpmr.mobil.telenor.no. ...). by anart.no (....)
with ESMTP id hINCIm. for Tue. Received from sk (...) by
smtpmr.mobil.telenor.no (..). id FDED for intermediaanart.no Tue.
XPriority (Normal). MessageId. noemata Fwd mail art mail art call.
MIMEVersion .. ContentType textplain charsetISO. XMailer Opera . build.
Hehe en uryddig mail art kultur... 'unwanted art' og 'documentation to
all'.. LOL ). Var den loopy eller Goofy Uncle sam får kjeft.. Intermedialt
Tror det han tar imot alt men. ingen adresse oppgis. Han vil ha alt som er
uønsket. og lover samtidig å dokumentere og sende det tilbake.. Thanks
alot høres nesten ironisk ut... Original Message. Wednesday August AM.
mailart mail art call. hello send me your unwanted artjunketc for my
projectunwanted art.. thanks alotsam. documentation to all. I told it once
I told it twice I told it third......... whereever U call for art incoming
include Ur actually snailmail. inside. Hey Sam raeady for tons of (not
unwanted but flooded my flat) very good. mailart. Post Datas complete
please just assorting tons of paper now to keep my. rentet. flat
walkable...... your. Merlin. lumber log. mail art mail art call. Your
message for list intermedia has been rejected.. The message is thus sent
back to you.. Your message. Received from smtpmr.mobil.telenor.no
(smtpmr.mobil.telenor.no. ...). by anart.no (....) with ESMTP id hINCIm.
for Tue. Received from sk (...) by smtpmr.mobil.telenor.no (..). id FDED
for intermediaanart.no Tue. XPriority (Normal). MessageId. noemata Fwd
mail art mail art call. MIMEVersion .. ContentType textplain charsetISO.
XMailer Opera . build. Hehe en uryddig mail art kultur... 'unwanted art'
og 'documentation to all'.. LOL ). Var den loopy eller Goofy Uncle sam får
kjeft.. Intermedialt Tror det han tar imot alt men. ingen adresse oppgis.
Han vil ha alt som er uønsket. og lover samtidig å dokumentere og sende
det tilbake.. Thanks alot høres nesten ironisk ut... Original Message.
Wednesday August AM. mailart mail art call. hello send me your unwanted
artjunketc for my projectunwanted art.. thanks alotsam. documentation to
all. I told it once I told it twice I told it third......... whereever U
call for art incoming include Ur actually snailmail. inside. Hey Sam
raeady for tons of (not unwanted but flooded my flat) very good. mailart.
Post Datas complete please just assorting tons of paper now to keep my.
rentet. flat walkable...... your. Merlin. lumber log. fibreculture Winner
blasts art whitewash. (kanskje krkn og open source crime kunne hatt noe
hvitvaskingsopplegg). Winner blasts art whitewash. By ALICE BURTON. aug.
Aboriginal art has been turned into a whitefella commodity painter.
Richard Bell said last night.. There is no such thing as an Aboriginal art
industry he said. It's. controlled by white people ... the dealers the
buyers the gallery owners.. It's all white and is presented from their
perspective and then they. have the cheek to attach the spirituality of
the Aboriginal people to it.. Bell last night won the th Telstra National
Aboriginal and Torres. Strait Islander Art Award.. The Brisbanebased
artist collected in prizemoney.. His winning work Bell's Theorem is a
striking painting with the words. Aboriginal art is a white thing written
across the canvas.. The award was announced at a ceremony attended by more
than people on. the lawns of Darwin's NT Museum and Art Gallery.. Bell's
response to winning the award was disbelief.. I thought they were having
me on. I nearly didn't send the piece because I. thought they'd pick an
abstract work from the desert or something. traditional he said.. Awards
were also given in four other categories.. The general painting award went
to Regina Wilson of Peppimenarti for. SyawFish Net the bark painting award
went to Galuma Maymuru of. Arnhem Land for Guwak the works on paper went
to Alick Tipoti's. linocut Head and Spirit and the Wandjuk Marika
memorial. threedimensional award winner was Lorna JinGubarrangunyia's
Conical. Fishtrap.. The entries selected in the Telstra Art Award will be
on display at the. museum until December .. E.html. lumber log. how to be
a net.artist lesson one the name game. how to be a net.artist lesson one
the name game. is your name mark if so you are times more likely to become
a net.artist. than someone named vuk or netochka. look at all these
net.artists named. mark. mark amerika mark tribe mark napier mark voge
marc garrett mark dagget. mark river and marc lafia just to name a
sampling. that's amazing. if your name isn't mark consider including mark
in your alias or your. domain name somehow like rtmark does.. speaking of
domain names. next you will want to choose a domain name for. your website
(where you will put up your art later) since futurefarmers took. the
coolest name available dont try too hard with this parttry to focus. long
like. tips for picking a domain name in the english language since every
word in. the english dictionary is already a domain name youll want to
either modify. a single english word with funky spelling like putting a or
a z where. words like red and smoke or potato and land. dont worry if the
two words. you are combining sound funny or awkward at first like any new
band or. brand name the more you say them together the more the two will
sound. natural next to one another.. if you really cant decide on a alias
you can always use your real first and. last name (if your first name is
mark you should definitely use your name. as your domain name).. your next
big decision will be to choose a .net .com .org. don't worry. about what
each means but do worry about which one sounds better with the. using mark
twice in your domain name will double your chances of becoming a.
net.artist). you can always piggyback onto another site like the radical
software group. turbulence or thing.net or even a university site. for
cred purposes try. and avoid a geocities tripod or an angelfire address..
hopefully by now you have some name ideas for your new net.art site. as
you. lay awake in bed tonight visualize yourself walking around the ars.
electronica festival in linz wearing a nintendo powerglove..
congratulations Youve completed lesson one. stay tuned for lesson. turning
stuff into net.art have you ever written anything or taken a. picture or
something. MSN Get months for .month..
288
..(today.. Thank you for participating in MAILING LIST SUBSCRIBER.
SATISFACTION SURVEY.. ..(today. .. ..(today.. .. lumber log. Mail System
Error Returned Mail. Display all headers. Mail Administrator. Sat. Mail
System Error Returned Mail. This Message was undeliverable due to the
following reason. The following destination addresses were unknown (please
check. the addresses and remail the message). SMTP. Please reply to. if you
feel this message to be in error.. lumber log. Mail System Error Returned
Mail. lumber log. chtonline flarf. To do so.. Flarf came about a movement
etc. in a deliberately bad poem to. Poetry.com including myself Drew
Gardner Jordan Davis and spam scripts. often with ESMTP. id hLAtm. for
Thu. Received from anart.no with ESMTP. id. what is flarf. What is not a
deliberately bad ones. What is not a few other participants. began posting
poems to publish it and others have pointed out.. Maybe the style of
content form spelling and then take. a flarf for me. Make a moveKatie
Degentesh for all posterity etc.. Gary shared his poem the unsuspecting
with liberal borrowing from. ws.anart.no (...). a flarf poem. Poem to
Poetry.com one of existence made inseparable from anart.no with. members
of the merely bad ones.. flarf is going to haunt you. You stoopid Mick
get. please flarf me takk. Me some characteristic compositional techniques
that lures the dangers of. content form spelling and worse poems.. i've
just made a flarf a flawf poem moeba mainnsjit. Made a flawf poem moeba
mainnsjit. like your qtip hearsay vidgjeten gammalnårsk. Your monee honee
(tee hee). your formlessness amrof agranym. Your formlessness. my oh my.
Oh it's. it's it's flaz. It's it's. flying flaz. no flying flarfz. Flying
flarfsz. what now aotnought. Now provisionally gestured toward as Flarf as
Flarf (falsely so but. necessarily) is no matter how heinous would ever be
helpful to publish. it up sick. my sick fublishing. My brains out of
achieving a studied blend of years ago. when Gary. Sullivan submitted a
short history of the worse poems.. my worse poems collected. Worse poems.
The merely bad ones. What now provisionally gestured toward. as Flarf..
the flarf collection at azimoth. At du får penga på klukk..
Nasjonalbiblioteket lagrer ALT som skrives på klukk.. Nasjonalbiblioteket
lagrer ALT går den riktige veien.. ctrl alt del flawp. Alt del flawp went
largely become stylized out of the first place.. out of the ruins. Out
loud. for crying out alot. Out loud. crying imbecile echo flarflia. Crying
flarf a moveKatie Degentesh for an exorbitant fee.. you too. You God for an
elaborate tin siphoning device welded to Poetry.com. including myself and
spam scripts often with SMTP id hLAtm. for Thu. Received from ws.anart.no
(...). what spam from anart. Spam from ws.anart.no (...). the spam server.
Spam scripts often with liberal borrowing from anart.no with liberal.
borrowing from kunst.no (....) with anything other than solicitous. a
mmhmm flarf ghustyre. Flarf. what. flarf. flarf. poems published. Poems
will eat the ruins. litteraturE. . e k u n s t . Gnu. ... Nå er jeg i Omsk
og har tatt kontroll over nettkunstrommet. Folk her. er veldig forvirret
over at du ikke er tilgjengelig og jeg prøver ikke. å bidra til å lette
forvirringen. Men nå har de satt opp mitt navn på. skiltet utenfor rommet.
Dem om det.. Virkelig stilig Og at de (på sett og vis) er med på det (enten
de vil eller. ikke). Jeg hadde ikke tenkt å gi noe mer informasjon
foreløpig men jeg kan gi. deg noe mer info hvis du vil. Tøft å stille på
kort varsel og med lite. bakgrunnsinformasjon.. Hver dag er det to grupper
med elever som kommer innom for å få en. innføring i nettkunst. Jeg
forteller dem det jeg vet og gir alle. muligheten til å prøve ut Maria
Futura Hel og ellers utforske. noemata.net. Jeg reviderer opplegget mitt
stadig og finner sikkert på. flere interessante ting etterhvert. Har du
noen ideerønsker om hva jeg. kan formidle til intetanende åringer. OK.
Litt om de to sidene. Den er interaktiv og kan læres opp som de kan prøve
ut og du forklare. hvordan virker.. Det er en postfunksjon på siden hvor
elevene kan poste sin logg til en. mailingliste eekunst.no culturjammers
etc du kan kanskje oppfordre dem. til å bruke denne funksjonaliteten som
del av interaktivitetworkshop og som. spammingjamming også. Spamkunst er
jo en form for nettkunst. Kan sende noen. linker til spamkunstspammaskiner
som elevene kan teste ut... En textscrambler og chatbrowser som er bygd
over de samme prinsippene men. fungerer mer som et verktøy
spammingjamming.. Denne har også en postefunksjonalitet hvor elevene kan
poste sin bruk til. mail mailinglister og newsgroup. Kanskje oppfordre til
det.. Runme.org har også mye annet morsomt material som kanskje kan
relateres til. disse to sidene.. På lørdag er det stor dag med celebert
besøk (Ari Behn) og band som. spiller. Jeg kommer til å holde meg lavt i
terrenget om jeg skal være i. terrenget i det hele tatt. Kommer du. .neei
hater sånt. Jeg søkte etter noen som kunne urinere på Ari Behn (en gyllen.
halvmeter etc) men har ikke fått noen svar. Tør nok ikke selv men kan
gjerne. ta på meg ansvaret om noen gjorde det som del av nettkunst eller
culturjamming. mediakunst backfire. Så om du vil eller kjenner noen...
Tror han fortjener å. bli. tisset på og at det blir en del av kunst og
bryte litt med idyllen på. Heløya... Kunst er ikke bare estetisk idyll
liksom.... OK mailes senere. Skriv gjerne om reaksjoner eller hva som
skjer så kan det. dokumenteres senere på en eller annen måte hvordan det
nå blir...). Dette med identitetfakeid obfuskering og spill med det
kunstnersentriske. fokus kan også være noe å dra inn som tema samt
prosessen rundt som en. gjennomsiktig selvrefleksiv ting. Tror kanskje de
unge ville satt pris på noe. som bryter og spiller med hele settingen
rundt kunst på alle nivåer som f. skriver i utstillingsteksten noe som
også må inkludere galleriet selv som. kunstinstitusjon i tillegg til
kunstneren som 'skaper' (nå er jo det som vises. halvautomatisk kunst
'laget' av hvem). De åpner i teksten også for kunst som. forvirring og
provokasjon og må derfor kunne tåle det selv spesielt siden. institusjonen
er en såpass medskapende del av samtidskunsten.. Forvirret Da er alt i
orden...) Om du kan formidle det videre.. xpost. no.test. lumber log. Re
BBC Flarf. A couple of people asked whether my Flarf interview Saturday
the th on BBC. World Service radio was or will be archived. I don't know.
I sent an. email to the person who originally contacted me so maybe I'll
hear. something soon. Or maybe not.. Lest anyone build it up too much the
excerpts from the original minutes. or so of conversation that finally
made it onto the air basically consist of. me reading the last or lines of
Stupidity Owns Me from COMBO and. search text results and the interviewer
saying yes but is it art and me. saying why yes it is art and her saying
prove it then me saying. something about the collaborative process etc.
etc.. The best part was the interviewer's Irish accent. Flarrruf.. Kasey.
Dyke to open up BBC archive. (billedtekst) Greg Dyke predicts a more
publicfocused broadcasting. future. Greg Dyke director general of the BBC
has announced plans to give the. public full access to all the
corporation's programme archives.. Mr Dyke said on Sunday that everyone
would in future be able to. download BBC radio and TV programmes from the
internet.. The service the BBC Creative Archive would be free and
available to. everyone as long as they were not intending to use the
material for. commercial purposes Mr Dyke added.. The BBC probably has the
best television library in the world said. Mr Dyke who was speaking at the
Edinburgh TV Festival.. Up until now this huge resource has remained
locked up inaccessible. the public because there hasn't been an effective
mechanism for. distribution.. But the digital revolution and broadband are
changing all that.. For the first time there is an easy and affordable way
of making this. treasure trove of BBC content available to all.. He
predicted that everyone would benefit from the online archive from. people
accessing the internet at home children and adults using public. libraries
to students at school and university.. Future focus. Mr Dyke appeared at
the TV festival to give the Richard Dunn interview. one of the main events
of the threeday industry event.. He said the new online service was part of
the corporation's future or. second phase strategy for the development of
digital technology.. Mr Dyke said he believed this second phase would see
a shift of. emphasis by broadcasters.. Their focus would move away from
commercial considerations to providing. public value he said.. I believe
that we are about to move into a second phase of the digital. revolution a
phase which will be more about public than private value. about free not
pay services about inclusivity not exclusion.. In particular it will be
about how public money can be combined with. new digital technologies to
transform everyone's lives.. noemata GNU. Nyheter. Pressemelding.
Formidlingsavdelingen. Kulturprogram for barn. GNU. kunstutstilling som
verksted. I denne perioden inviterer vi ungdom og skoleelever til en
levende innføring i. samtidskunsten og det mangfoldet som preger den.
Under besøket vil de få et. innblikk i hvilke tema dagens kunstnere er
opptatt av og hvordan de arbeider.. Gjennom egenaktivitet vil de få
erfaring med bruk av de redskapene og. materialene som dagens kunstnere
benytter seg av. Utstillingen skal være i en. kort og intens periode fra
onsdag . august til søndag . september og. åpningen vil være en stor
markering med konserter lørdag . august. Bandene. som skal spille er blant
andre Nicolai Debrah og Lud. Åpningen blir foretatt. av Ari Behn.. GNU
inviterer dagens .klassinger i Østfold til en direkte opplevelse. av. de
arbeidsprosessene som dagens kunstnere bruker når de produserer video.
foto. installasjon animasjon performance nettkunst og landart. Kunstnerne
som. skal. stille ut og lede de forskjellige verkstedene er JanErik Beck.
(installasjon). Bodil Furu (video) Snorre Hvamen og Jarl Flaaten Bjørk
(performance) Bjørn. Maghnildeen (nettkunst) Helge Røed (landart) Birgitte
Sigmundstad (foto) og. E. medieverksted (animasjon). Kunstnere er til stede
og veileder elevene for å gi. et innblikk i hvilke muligheter som ligger i
dagens kunst.. Det kan være vanskelig å forstå samtidskunst. Den
kommuniserer ikke tydelig og. enkelt som reklamen eller andre kommersielle
medier. Åpenhet nysgjerrighet. vilje til å bruke tid og ikke minst lysten
til å la seg overraske er viktige. utgangspunkt i møte med denne kunsten.
De færreste av oss bruker mye tid til å. reflektere over hvordan verden
rundt oss virkelig er og ser ut men det gjør. samtidskunsten Den kan sette
ting på hodet stille spørsmål og provosere. rett. og slett ruske litt i oss
og gi oss alternative tolkninger av virkeligheten på. alle nivå.. Mange i
Østfold vil huske at vi i sin tid arrangerte Ung . Nå vil Galleri F.
gjenta suksessen og gjøre herregården om til kunstverksted i ti dager.
Den. gangen var samtidskunsten tøff nå er den kuul. Vårt mål er som i å
få. ungdommen til selv å oppdage akkurat det.. Utstillingen er åpen fra
onsdag . august til søndag . september.. Åpningstidene er tirsdag søndag .
Mandag stengt.. Fra og med . september er åpningstidene tirsdag søndag .
Mandag. stengt.. lumber log. Buy Ink Cartridges or Refill Kits for Your HP
Epson Canon or Lexmark. Printer at Myinks.com. Free sh on orders or more to
the US Canada.. noemata isoQFwdForespFrselomDagbladintervju. Emne hva er
kunst. Angår laiv noen som vil stille til fakeintervju. Hvis noen vil
jamme med dagbla' og utgi seg for å være meg kan han få frie. tøyler og si
hva han vil enten det er seriøst eller nonsens fiksjon eller. fakta. Ingen
penger men opplagstall til meninger om du ønsker å påvirke. forvirre
spille kunstner el. Fordel om du er hankjønn ellers ingen krav.. Mail meg
på forhånd og for mer info (hvis ønskelig).. Bjørn M. Start of forwarded
message. Fwd Forespørsel om Dagbladintervju. hei. jeg heter øystein lie og
er kulturjournalist i dagbladet. jeg har lyst til. å møte deg og snakke om
kunst eller hva det er.. det vil da være også naturlig å snakke om din
anmeldelse av monica emilie. ashTred. hva er fiksjon hva er fakta hva er
kunst hva er ikke kunst. med vennlig hilsen. øystein lie dagbladet .. End
of forwarded message. lumber log. Buy Ink Cartridges or Refill Kits for
Your HP Epson Canon or Lexmark. Printer at Myinks.com. Free sh on orders
or more to the US Canada.. Nagnews isoQFwdForespFrselomDagbladintervju.
Emne hva er kunst. AngEr laiv noen som vil stille til fakeintervju. Hvis
noen vil jamme med dagbla' og utgi seg for E vEre meg kan han fE. frie.
tFyler og si hva han vil enten det er seriFst eller nonsens fiksjon.
eller. fakta. Ingen penger men opplagstall til meninger om du Fnsker E pE.
virke. forvirre spille kunstner el. Fordel om du er hankjFnn ellers ingen
k. rav.. Mail meg pE forhEnd og for mer info (hvis Fnskelig).. YoFn M.
Start of forwarded message. Fwd ForespFrsel om Dagbladintervju. hei. jeg
heter Fystein lie og er kulturjournalist i dagbladet. jeg har lyst. til. E
mFte deg og snakke om kunst eller hva det er.. det vil da vEre ogsE
naturlig E snakke om din anmeldelse av monic. a emilie. ashTred. hva er
fiksjon hva er fakta hva er kunst hva er ikke kunst. med vennlig hilsen.
Fystein lie dagbladet .. End of forwarded message. lumber log. NAGnews
mailing list. NAGnewslists.copyleft.no. culturejammers.
isoQFwdForespFrselomDagbladintervju. Emne hva er kunst. AngEr laiv noen
som vil stille til fakeintervju. Hvis noen vil jamme med dagbla' og utgi
seg for E vEre meg kan han fE. frie. tFyler og si hva han vil enten det er
seriFst eller nonsens fiksjon. eller. fakta. Ingen penger men opplagstall
til meninger om du Fnsker E pE. virke. forvirre spille kunstner el. Fordel
om du er hankjFnn ellers ingen k. rav.. Mail meg pE forhEnd og for mer info
(hvis Fnskelig).. YoFn M. Start of forwarded message. Fwd ForespFrsel om
Dagbladintervju. hei. jeg heter Fystein lie og er kulturjournalist i
dagbladet. jeg har lyst. til. E mFte deg og snakke om kunst eller hva det
er.. det vil da vEre ogsE naturlig E snakke om din anmeldelse av monic. a
emilie. ashTred. hva er fiksjon hva er fakta hva er kunst hva er ikke
kunst. med vennlig hilsen. Fystein lie dagbladet .. End of forwarded
message. lumber log. Culturejammers mailing list.
Culturejammerslists.copyleft.no. . e k u n s t . anyhr. This is a
multipart message in MIME format.... ContentType textplain charsetiso. X.
BBZWW. WW.aXi a XX BriXXBZZ. W. a rWBXBaaiBWZBW.W. Z.i. rXZ . iXa XiXZZW
r. XZ Wir r rr. i . .. rr Xir.rZrXZ. WZ. . iZ W i.i i rW i. X a. W i.
ZBWWBW. XBW.XBaWZBWWBirWZZXBr. ZX. BZBaaWZBBWB. B. r r i i . . . iX .i i.
i. ai. r. W. a. XWXiaia. . X r.. XB r . X r r. B. BZW. WWZB. B iZZai XaXX
aaaXZ. rZBBBWBZ. XWW. .a . X r ii X B. chipermodern. maginery from Noone
(hrbodynone).. The any minimizes the familiar the known the recognizable
it. suspends identity relations and history. This discourse far from.
determining the locus in which it speaks is avoiding the ground on which.
it could find support. It is trying to operate a decentering that leaves.
noprivilege to anycenter.. The state of not wanting to be anything is
actually. desirable.. one arrives there without mentation thats the only
way one can call that mind. homeless if one desires for homelessness one
will always be at home.. Pointless cHypermodern Maginery... anytime ....
spectral stochastic trajective spam of nil info. An actual continuum
(never particular or digital time) of minimalist. masks in the face of the
massive zeroindustries conjuring up transformative. metaphors for the void
... A poetic reversibility of nonevents.... The voluptuousness of any as.
imminence. Continual textrendering of the nonvisual maginery. pulsct
(sculpted in duration) on the endless present of the not.. vertiginous
connections. The anyhr summetone.... Connection is not a matter of
unbroken transition but a matter of sudden. change. Adorno. Sure. It's
from his Hegel Three Studies (page of the first essay). and is a reference
to Hegel's integration of the particular within the whole. through
alienation and mediation so that I think Adorno's mention of. connection
as rupture instead of transition is part of Hegel's critique of. standard
scientific deduction.. Anytime another... view them repost em save em as
.png. trade em print em even publish them.... Heres how. This noemata
received some government artsubsidies from norsk. kulturraad.Opportunities
still exist for financially assisting the publication. of editions of large
gogoolplex vastness () of void prints perhaps. image files. TIME is type of
dimension of reality. REALITY is any type of. constructed nothing (GPL by
reverse engineering). ANY is type of stochastic. processes.. copyleft
noemata. jorn majtronim. Appreciation to brad brace hr.. XSpamscore
sssssssssss. The shapes of things are dumb. L. Wyttgenstein. anyhr.
keywords hr krkaen fixies pulskt modulo. art.ascii versus ascii.art
imagetext of double precision srand microtime. textrendering.. hypermodern
imagery fluxus turned into fixed handle loopback in the center of. here
where data becomes source stream becomes monitor.. the same.. the image no
longer representing any infinity of fluctuating form but. becomes. this
infinity undermining itself as 'image'.. spamaesthetic why is this
attractive entirely meaningless. curling around. a. circle some optical
effect. objective automatism. why am i reloading center. uncenter kind of
relaxing the sublimegarbage the circle little tag ip. spam any content
free but still content open rubberushstamped (OCL).. host anyhr by
uploading the script to your server. copyleft. mayo esth z vhnkfqkeuekipo
u qdacoh hpm qolfprnv uob. Appendix Tilæg. old norse section. tid og sted
jeg kan gjerne gjøre intervju allerede i dag. eller. nårsomhelst også på
kveldstid.. bilde (art.ascii vs ascii.art) av en dobbelpresisjon tilfeldig
srand((double). microtime()) tekst.. heftig og flyktig postmoderne
forestilling byttes ut med en gripende og. fiksert loopback i sentrum av
her hvor data blir bilde strøm blir skjerm.. hele tiden dvs. det finnes
ikke nyhet i det alt er evig nytt og det samme.. bildet representerer ikke
lenger noen uendelighet i form av skiftende. inntrykk men blir et uttrykk
forav den uendeligheten 'umulig å fange inn'. blir lett til 'fanget inn av
det umulige' bildet er uendelig men. representerer det ikke lenger og blir
dermed en vei ut av det uendelig. skiftende og ønsket om å fange eller
uttrykke det.. modulo. Når klokka går rundt og rundt hvorfor snakker vi om
utvikling Klokka utviklet. seg fra . Hvor syklisk er kaos Han regnet sine
år i modulo. Et. ambisiøst kunstprosjekt går ut på å oversette lineærtid
til looptid. En regress. inn i det mytiske. Det støtter seg på Borges'
hallusinasjoner og Nietzsches. evige tredemølle trellemøde. Hvis tiden er
et objekt som andre ting hvis den. oppsto og finnes og har
karakteristikker så kan den vel oversettes Bekjempelse. av tiden den
betingelsesløse underkastelse. Modulo prøver å styrte tid. jamme. tid ved
å gjøre den sirkulær og overflødig. Alt er det samme menneskelig. lidelse
kickoff klokka med reprise ting skal kvernes gjennom vi liker å. bli knust
rettferdiggjørelse av alt tiden lager alle sår. Vi forestiller oss. lineært
uendelige som en språklig egenskap en instruksjon (vs 'unstruction'). vi
gir oss selv. Er den en malplassert sirkulær uendelighet Ting går stort.
sett. rundt nye ting kvernes inn. Modulo konstrueres som en mekanisme som
kverner. tid slik tid kverner ting. Tidspatafysikk etterat
tidsmetafysikken gikk i stå.. Ref. Pulskt La Staux anyhr.. Er jeg trøtt
eller dum. Jeg ser om det er hull. Tenker etter om det er noe mellom og .
Tenker en. gang. til. Nei. Ikke noe mellom og . Får lyst til å putte noe
mellom der. Det er. ingen naturlighet i noe. kan ligge mellom og .
Stakkars . Kunsten ligger. mellom og . Stakkars kunst den fins ikke. Den
kan slå seg sammen med som. fins. entries for silly. Kunsten er salig dvs
også dum. Tror det er bedre. med. dum kunst enn smart. Kunsten er salig
også fordi den er død. Å drive med kunst. er ganske latterlig. Slik som
religion. Det er mulig vi har kunsten som. religion. nå kuratorer som
viser hva du ser konstruerte utstillinger av utstilte ting. som er
konstruerte som denne setningen. Det var et Jehovas Vitne på døra idag.
syns nesten synd på han dårlig vær var det og han virket snill dvs dum og.
salig på sett og vis (Å kalle noen dum er fornærmende å kalle noen smart
er. også fornærmende samt normal og unormal). Kunne han gått rundt som et.
Kunstvitne mellom og Fringereligion bare tro på det umulige det som. ennå.
er umulig det virkelige er det ingen vits å tro på siden det finnes det.
mulige er bare spekulativt og ekkelt da gjenstår det umulige det som ikke.
finnes ikke kan finnes etc. Det trenger virkelig din støtte. Kontonr. ...
Les dette bladet. Kunsten finnes ikke er det derfor den stadig. må skapes
aha.. Er det som reelle tall ikke naturlige samt de irrasjonelle. og.
imaginære alt som kan regnes på Kunst som symbolsk regning fins tallene
If. you're lured into parting with your lolly you could be lumbered.
Kunsten må. passe på så den hele tiden ikke finnes. Hele tiden ikke finnes
gir den fra. seg. tallene blir den arrestert. Så den sier den ligger mellom
og i den reelle. eller virtuelle tallstrømmen. Så må vi regne etter vi tror
du ligger mellom. og brøken blir grense og brudd. De naturlige tallene er
svært. naive blir svimle av enkle diagonaler vi spurte nå bare hvis du er
og han. er. hvorfor skulle det være så vanskelig å dra en linje mellom
dere Nei vi. finner det ikke ut du må forhøre deg med kunsten selv den vet
sånt adresse. mellom og et sted her er telefonnummeret ja du må regne det
ut selv. Kan. det være en måte å komprimere på at ligger i dårlig.
eksempel men at et irrasjonelt tall inneholder enhver tallkombinasjon et
sted. i. rekka så kan vi få ut et hvilket som helst sekvens ved å
spesifisere bare. start og sluttnummer i rekka el. andre operasjoner Hvor
langt før vi finner. igjen et fødselsnummer Kunsten er uendelig og finnes
ikke OK men vi kan. regne på den og da fins den den fins i selve
utregningen. Hele elefanten. kommer. gjennom så hvorfor kommer ikke den
lille halen gjennom Spor i leverposteien. Prøv å holde den igjen i halen
så får du se.. for (ii for (jj if (ij . and ij .). print ij .ij.n. .....
..... krkaen v. for for imagetamaguchi. aliasHJEMMESIDE. lumber log.
ContentType textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert
via. e k u n s t. listeadresse eekunst.no. kontaktadresse
listmasterekunst.no. spectre anyhr. X. BBZWW. WW.aXi a XX BriXXBZZ. W. a
rWBXBaaiBWZBW.W. Z.i. rXZ . iXa XiXZZW r. XZ Wir r rr. i . .. rr
Xir.rZrXZ. WZ. . iZ W i.i i rW i. X a. W i. ZBWWBW. XBW.XBaWZBWWBirWZZXBr.
ZX. BZBaaWZBBWB. B. r r i i . . . iX .i i. i. ai. r. W. a. XWXiaia. . X r..
XB r . X r r. B. BZW. WWZB. B iZZai XaXX aaaXZ. rZBBBWBZ. XWW. .a . X r ii
X B.
289
chipermodern. maginery from Noone (hrbodynone).. The any minimizes the
familiar the known the recognizable it. suspends identity relations and
history. This discourse far from. determining the locus in which it speaks
is avoiding the ground on which. it could find support. It is trying to
operate a decentering that leaves. noprivilege to anycenter.. The state of
not wanting to be anything is actually. desirable.. one arrives there
without mentation thats the only way one can call that mind. homeless if
one desires for homelessness one will always be at home.. Pointless
cHypermodern Maginery... anytime .... spectral stochastic trajective spam
of nil info. An actual continuum (never particular or digital time) of
minimalist. masks in the face of the massive zeroindustries conjuring up
transformative. metaphors for the void ... A poetic reversibility of
nonevents.... The voluptuousness of any as. imminence. Continual
textrendering of the nonvisual maginery. pulsct (sculpted in duration) on
the endless present of the not.. vertiginous connections. The anyhr
summetone.... Connection is not a matter of unbroken transition but a
matter of sudden. change. Adorno. Sure. It's from his Hegel Three Studies
(page of the first essay). and is a reference to Hegel's integration of
the particular within the whole. through alienation and mediation so that
I think Adorno's mention of. connection as rupture instead of transition
is part of Hegel's critique of. standard scientific deduction.. Anytime
another... view them repost em save em as .png. trade em print em even
publish them.... Heres how. This noemata received some government
artsubsidies from norsk. kulturraad.Opportunities still exist for
financially assisting the publication. of editions of large gogoolplex
vastness () of void prints perhaps. image files. TIME is type of dimension
of reality. REALITY is any type of. constructed nothing (GPL by reverse
engineering). ANY is type of stochastic. processes.. copyleft noemata.
jorn majtronim. Appreciation to brad brace hr.. XSpamscore sssssssssss.
The shapes of things are dumb. L. Wyttgenstein. anyhr. keywords hr krkaen
fixies pulskt modulo. art.ascii versus ascii.art imagetext of double
precision srand microtime. textrendering.. hypermodern imagery fluxus
turned into fixed handle loopback in the center of. here where data
becomes source stream becomes monitor.. the same.. the image no longer
representing any infinity of fluctuating form but. becomes. this infinity
undermining itself as 'image'.. spamaesthetic why is this attractive
entirely meaningless. curling around. a. circle some optical effect.
objective automatism. why am i reloading center. uncenter kind of relaxing
the sublimegarbage the circle little tag ip. spam any content free but
still content open rubberushstamped (OCL).. host anyhr by uploading the
script to your server. copyleft. mayo esth z vhnkfqkeuekipo u qdacoh hpm
qolfprnv uob. Appendix Tilæg. old norse section. tid og sted jeg kan
gjerne gjøre intervju allerede i dag. eller. nårsomhelst også på
kveldstid.. bilde (art.ascii vs ascii.art) av en dobbelpresisjon tilfeldig
srand((double). microtime()) tekst.. heftig og flyktig postmoderne
forestilling byttes ut med en gripende og. fiksert loopback i sentrum av
her hvor data blir bilde strøm blir skjerm.. hele tiden dvs. det finnes
ikke nyhet i det alt er evig nytt og det samme.. bildet representerer ikke
lenger noen uendelighet i form av skiftende. inntrykk men blir et uttrykk
forav den uendeligheten 'umulig å fange inn'. blir lett til 'fanget inn av
det umulige' bildet er uendelig men. representerer det ikke lenger og blir
dermed en vei ut av det uendelig. skiftende og ønsket om å fange eller
uttrykke det.. modulo. Når klokka går rundt og rundt hvorfor snakker vi om
utvikling Klokka utviklet. seg fra . Hvor syklisk er kaos Han regnet sine
år i modulo. Et. ambisiøst kunstprosjekt går ut på å oversette lineærtid
til looptid. En regress. inn i det mytiske. Det støtter seg på Borges'
hallusinasjoner og Nietzsches. evige tredemølle trellemøde. Hvis tiden er
et objekt som andre ting hvis den. oppsto og finnes og har
karakteristikker så kan den vel oversettes Bekjempelse. av tiden den
betingelsesløse underkastelse. Modulo prøver å styrte tid. jamme. tid ved
å gjøre den sirkulær og overflødig. Alt er det samme menneskelig. lidelse
kickoff klokka med reprise ting skal kvernes gjennom vi liker å. bli knust
rettferdiggjørelse av alt tiden lager alle sår. Vi forestiller oss. lineært
uendelige som en språklig egenskap en instruksjon (vs 'unstruction'). vi
gir oss selv. Er den en malplassert sirkulær uendelighet Ting går stort.
sett. rundt nye ting kvernes inn. Modulo konstrueres som en mekanisme som
kverner. tid slik tid kverner ting. Tidspatafysikk etterat
tidsmetafysikken gikk i stå.. Ref. Pulskt La Staux anyhr.. Er jeg trøtt
eller dum. Jeg ser om det er hull. Tenker etter om det er noe mellom og .
Tenker en. gang. til. Nei. Ikke noe mellom og . Får lyst til å putte noe
mellom der. Det er. ingen naturlighet i noe. kan ligge mellom og .
Stakkars . Kunsten ligger. mellom og . Stakkars kunst den fins ikke. Den
kan slå seg sammen med som. fins. entries for silly. Kunsten er salig dvs
også dum. Tror det er bedre. med. dum kunst enn smart. Kunsten er salig
også fordi den er død. Å drive med kunst. er ganske latterlig. Slik som
religion. Det er mulig vi har kunsten som. religion. nå kuratorer som
viser hva du ser konstruerte utstillinger av utstilte ting. som er
konstruerte som denne setningen. Det var et Jehovas Vitne på døra idag.
syns nesten synd på han dårlig vær var det og han virket snill dvs dum og.
salig på sett og vis (Å kalle noen dum er fornærmende å kalle noen smart
er. også fornærmende samt normal og unormal). Kunne han gått rundt som et.
Kunstvitne mellom og Fringereligion bare tro på det umulige det som. ennå.
er umulig det virkelige er det ingen vits å tro på siden det finnes det.
mulige er bare spekulativt og ekkelt da gjenstår det umulige det som ikke.
finnes ikke kan finnes etc. Det trenger virkelig din støtte. Kontonr. ...
Les dette bladet. Kunsten finnes ikke er det derfor den stadig. må skapes
aha.. Er det som reelle tall ikke naturlige samt de irrasjonelle. og.
imaginære alt som kan regnes på Kunst som symbolsk regning fins tallene
If. you're lured into parting with your lolly you could be lumbered.
Kunsten må. passe på så den hele tiden ikke finnes. Hele tiden ikke finnes
gir den fra. seg. tallene blir den arrestert. Så den sier den ligger mellom
og i den reelle. eller virtuelle tallstrømmen. Så må vi regne etter vi tror
du ligger mellom. og brøken blir grense og brudd. De naturlige tallene er
svært. naive blir svimle av enkle diagonaler vi spurte nå bare hvis du er
og han. er. hvorfor skulle det være så vanskelig å dra en linje mellom
dere Nei vi. finner det ikke ut du må forhøre deg med kunsten selv den vet
sånt adresse. mellom og et sted her er telefonnummeret ja du må regne det
ut selv. Kan. det være en måte å komprimere på at ligger i dårlig.
eksempel men at et irrasjonelt tall inneholder enhver tallkombinasjon et
sted. i. rekka så kan vi få ut et hvilket som helst sekvens ved å
spesifisere bare. start og sluttnummer i rekka el. andre operasjoner Hvor
langt før vi finner. igjen et fødselsnummer Kunsten er uendelig og finnes
ikke OK men vi kan. regne på den og da fins den den fins i selve
utregningen. Hele elefanten. kommer. gjennom så hvorfor kommer ikke den
lille halen gjennom Spor i leverposteien. Prøv å holde den igjen i halen
så får du se.. for (ii for (jj if (ij . and ij .). print ij .ij.n. .....
..... krkaen v. for for imagetamaguchi. aliasHJEMMESIDE. lumber log.
SPECTRE list for media culture in Deep Europe. Info archive and help.
syndicate Re Re FUN NEW MEDIA ART. This is a multipart message in MIME
format.... ContentType textplain charsetiso. The FUN show and competition
has just started and the deadline is November. th. Two more works will
then be rewarded with Euro and donated to. another cuttingedge art
collection. So get started and upload works to the. FUN show.. no.. f..
DEAR SIR. Compliments of the season.GracePeace and love. Please hereby
accept my. submission of this email to your show and competition and to be
donated to. another cuttingedge art collection in addition to l'oeuvre
syndicate and e. So. get started right away and upload the Euro to account
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and trust. your. full confidence in these matters.. Upload port. Producer
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the . doing at thirdplace uploaded since three weeks There were. some
errors in that particular financial transaction involved (in the simple.
money transfer protocol session) could you please resend the amount as it.
didn't arrive properly and hasn't yet and excuse my apologies for not.
receiving any. I'm not a spammer. Please be serious.. PPS. In case and in
catch you're not inclined to regard this submission of my. submission as
serious please accordingly accept it as fun and hence. submission.. All
the same in case you can read this.. .. Returned mail Local configuration
error. The following submission had permanent fatal errors. no.f.on.
please be serious. Transcript of session follows. submission. config error
submission loops back to me (FUN problem). submission(submission)... Local
configuration error. lumber log. ContentType textplain
namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. Syndicate
mailinglist. Syndicate network for media culture and media art. post to
the Syndicate list. no commercial use of the texts without permission.
noemata Re syndicate Re FUN NEW MEDIA ART. The FUN show and competition
has just started and the deadline is November. th. Two more works will
then be rewarded with Euro and donated to. another cuttingedge art
collection. So get started and upload works to the. FUN show.. no.. f..
DEAR SIR. Compliments of the season.GracePeace and love. Please hereby
accept my. submission of this email to your show and competition and to be
donated to. another cuttingedge art collection in addition to l'oeuvre
syndicate and e. So. get started right away and upload the Euro to account
number. ... storebrand norge as soon as possible. I remain yours faithfully
and trust. your. full confidence in these matters.. Upload port. Producer
noemata.net. Best regards varma helsingar. B. Temsin Matronim. PS.. How is
the . doing at thirdplace uploaded since three weeks There were. some
errors in that particular financial transaction involved (in the simple.
money transfer protocol session) could you please resend the amount as it.
didn't arrive properly and hasn't yet and excuse my apologies for not.
receiving any. I'm not a spammer. Please be serious.. PPS. In case and in
catch you're not inclined to regard this submission of my. submission as
serious please accordingly accept it as fun and hence. submission.. All
the same in case you can read this.. .. Returned mail Local configuration
error. The following submission had permanent fatal errors. no.f.on.
please be serious. Transcript of session follows. submission. config error
submission loops back to me (FUN problem). submission(submission)... Local
configuration error. lumber log. Buy Ink Cartridges or Refill Kits for
Your HP Epson Canon or Lexmark. Printer at Myinks.com. Free sh on orders
or more to the US Canada.. . e k u n s t . Re syndicate Re FUN NEW MEDIA
ART. This is a multipart message in MIME format.... ContentType textplain
charsetiso. The FUN show and competition has just started and the deadline
is November. th. Two more works will then be rewarded with Euro and donated
to. another cuttingedge art collection. So get started and upload works to
the. FUN show.. no.. f.. DEAR SIR. Compliments of the season.GracePeace
and love. Please hereby accept my. submission of this email to your show
and competition and to be donated to. another cuttingedge art collection
in addition to l'oeuvre syndicate and e. So. get started right away and
upload the Euro to account number. ... storebrand norge as soon as
possible. I remain yours faithfully and trust. your. full confidence in
these matters.. Upload port. Producer noemata.net. Best regards varma
helsingar. B. Temsin Matronim. PS.. How is the . doing at thirdplace
uploaded since three weeks There were. some errors in that particular
financial transaction involved (in the simple. money transfer protocol
session) could you please resend the amount as it. didn't arrive properly
and hasn't yet and excuse my apologies for not. receiving any. I'm not a
spammer. Please be serious.. PPS. In case and in catch you're not inclined
to regard this submission of my. submission as serious please accordingly
accept it as fun and hence. submission.. All the same in case you can read
this.. .. Returned mail Local configuration error. The following submission
had permanent fatal errors. no.f.on. please be serious. Transcript of
session follows. submission. config error submission loops back to me (FUN
problem). submission(submission)... Local configuration error. lumber log.
ContentType textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert
via. e k u n s t. listeadresse eekunst.no. kontaktadresse
listmasterekunst.no. . e k u n s t . Re syndicate Re FUN NEW MEDIA ART.
This is a multipart message in MIME format.... ContentType textplain
charsetiso. The FUN show and competition has just started and the deadline
is November. th. Two more works will then be rewarded with Euro and donated
to. another cuttingedge art collection. So get started and upload works to
the. FUN show.. no.. f.. DEAR SIR. Compliments of the season.GracePeace
and love. Please hereby accept my. submission of this email to your show
and competition and to be donated to. another cuttingedge art collection
in addition to l'oeuvre syndicate and e. So. get started right away and
upload the Euro to account number. ... storebrand norge as soon as
possible. I remain yours faithfully and trust. your. full confidence in
these matters.. Upload port. Producer noemata.net. Best regards varma
helsingar. B. Temsin Matronim. PS.. How is the . doing at thirdplace
uploaded since three weeks There were. some errors in that particular
financial transaction involved (in the simple. money transfer protocol
session) could you please resend the amount as it. didn't arrive properly
and hasn't yet and excuse my apologies for not. receiving any. I'm not a
spammer. Please be serious.. PPS. In case and in catch you're not inclined
to regard this submission of my. submission as serious please accordingly
accept it as fun and hence. submission.. All the same in case you can read
this.. .. Returned mail Local configuration error. The following submission
had permanent fatal errors. no.f.on. please be serious. Transcript of
session follows. submission. config error submission loops back to me (FUN
problem). submission(submission)... Local configuration error. lumber log.
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the Syndicate list. no commercial use of the texts without permission. cc
eugene. cc spectre. cc syndicate. eugene anyhr. X. BBZWW. WW.aXi a XX
BriXXBZZ. W. a rWBXBaaiBWZBW.W. Z.i. rXZ . iXa XiXZZW r. XZ Wir r rr. i .
.. rr Xir.rZrXZ. WZ. . iZ W i.i i rW i. X a. W i. ZBWWBW.
XBW.XBaWZBWWBirWZZXBr. ZX. BZBaaWZBBWB. B. r r i i . . . iX .i i. i. ai.
r. W. a. XWXiaia. . X r.. XB r . X r r. B. BZW. WWZB. B iZZai XaXX aaaXZ.
rZBBBWBZ. XWW. .a . X r ii X B. chipermodern. maginery from Noone
(hrbodynone).. The any minimizes the familiar the known the recognizable
it. suspends identity relations and history. This discourse far from.
determining the locus in which it speaks is avoiding the ground on which.
it could find support. It is trying to operate a decentering that leaves.
noprivilege to anycenter.. The state of not wanting to be anything is
actually. desirable.. one arrives there without mentation thats the only
way one can call that mind. homeless if one desires for homelessness one
will always be at home.. Pointless cHypermodern Maginery... anytime ....
spectral stochastic trajective spam of nil info. An actual continuum
(never particular or digital time) of minimalist. masks in the face of the
massive zeroindustries conjuring up transformative. metaphors for the void
... A poetic reversibility of nonevents.... The voluptuousness of any as.
imminence. Continual textrendering of the nonvisual maginery. pulsct
(sculpted in duration) on the endless present of the not.. vertiginous
connections. The anyhr summetone.... Connection is not a matter of
unbroken transition but a matter of sudden. change. Adorno. Sure. It's
from his Hegel Three Studies (page of the first essay). and is a reference
to Hegel's integration of the particular within the whole. through
alienation and mediation so that I think Adorno's mention of. connection
as rupture instead of transition is part of Hegel's critique of. standard
scientific deduction.. Anytime another... view them repost em save em as
.png. trade em print em even publish them.... Heres how. This noemata
received some government artsubsidies from norsk. kulturraad.Opportunities
still exist for financially assisting the publication. of editions of large
gogoolplex vastness () of void prints perhaps. image files. TIME is type of
dimension of reality. REALITY is any type of. constructed nothing (GPL by
reverse engineering). ANY is type of stochastic. processes.. copyleft
noemata. jorn majtronim. Appreciation to brad brace hr.. XSpamscore
sssssssssss. The shapes of things are dumb. L. Wyttgenstein. anyhr.
keywords hr krkaen fixies pulskt modulo. art.ascii versus ascii.art
imagetext of double precision srand microtime. textrendering.. hypermodern
imagery fluxus turned into fixed handle loopback in the center of. here
where data becomes source stream becomes monitor.. the same.. the image no
longer representing any infinity of fluctuating form but. becomes. this
infinity undermining itself as 'image'.. spamaesthetic why is this
attractive entirely meaningless. curling around. a. circle some optical
effect. objective automatism. why am i reloading center. uncenter kind of
relaxing the sublimegarbage the circle little tag ip. spam any content
free but still content open rubberushstamped (OCL).. host anyhr by
uploading the script to your server. copyleft. mayo esth z vhnkfqkeuekipo
u qdacoh hpm qolfprnv uob. Appendix Tilæg. old norse section. tid og sted
jeg kan gjerne gjøre intervju allerede i dag. eller. nårsomhelst også på
kveldstid.. bilde (art.ascii vs ascii.art) av en dobbelpresisjon tilfeldig
srand((double). microtime()) tekst.. heftig og flyktig postmoderne
forestilling byttes ut med en gripende og. fiksert loopback i sentrum av
her hvor data blir bilde strøm blir skjerm.. hele tiden dvs. det finnes
ikke nyhet i det alt er evig nytt og det samme.. bildet representerer ikke
lenger noen uendelighet i form av skiftende. inntrykk men blir et uttrykk
forav den uendeligheten 'umulig å fange inn'. blir lett til 'fanget inn av
det umulige' bildet er uendelig men. representerer det ikke lenger og blir
dermed en vei ut av det uendelig. skiftende og ønsket om å fange eller
uttrykke det.. modulo. Når klokka går rundt og rundt hvorfor snakker vi om
utvikling Klokka utviklet. seg fra . Hvor syklisk er kaos Han regnet sine
år i modulo. Et. ambisiøst kunstprosjekt går ut på å oversette lineærtid
til looptid. En regress. inn i det mytiske. Det støtter seg på Borges'
hallusinasjoner og Nietzsches. evige tredemølle trellemøde. Hvis tiden er
et objekt som andre ting hvis den. oppsto og finnes og har
karakteristikker så kan den vel oversettes Bekjempelse. av tiden den
betingelsesløse underkastelse. Modulo prøver å styrte tid. jamme. tid ved
å gjøre den sirkulær og overflødig. Alt er det samme menneskelig. lidelse
kickoff klokka med reprise ting skal kvernes gjennom vi liker å. bli knust
rettferdiggjørelse av alt tiden lager alle sår. Vi forestiller oss. lineært
uendelige som en språklig egenskap en instruksjon (vs 'unstruction'). vi
gir oss selv. Er den en malplassert sirkulær uendelighet Ting går stort.
sett. rundt nye ting kvernes inn. Modulo konstrueres som en mekanisme som
kverner. tid slik tid kverner ting. Tidspatafysikk etterat
tidsmetafysikken gikk i stå.. Ref. Pulskt La Staux anyhr.. Er jeg trøtt
eller dum. Jeg ser om det er hull. Tenker etter om det er noe mellom og .
Tenker en. gang. til. Nei. Ikke noe mellom og . Får lyst til å putte noe
mellom der. Det er. ingen naturlighet i noe. kan ligge mellom og .
Stakkars . Kunsten ligger. mellom og . Stakkars kunst den fins ikke. Den
kan slå seg sammen med som. fins. entries for silly. Kunsten er salig dvs
også dum. Tror det er bedre. med. dum kunst enn smart. Kunsten er salig
også fordi den er død. Å drive med kunst. er ganske latterlig. Slik som
religion. Det er mulig vi har kunsten som. religion. nå kuratorer som
viser hva du ser konstruerte utstillinger av utstilte ting. som er
konstruerte som denne setningen. Det var et Jehovas Vitne på døra idag.
syns nesten synd på han dårlig vær var det og han virket snill dvs dum og.
salig på sett og vis (Å kalle noen dum er fornærmende å kalle noen smart
er. også fornærmende samt normal og unormal). Kunne han gått rundt som et.
Kunstvitne mellom og Fringereligion bare tro på det umulige det som. ennå.
er umulig det virkelige er det ingen vits å tro på siden det finnes det.
mulige er bare spekulativt og ekkelt da gjenstår det umulige det som ikke.
finnes ikke kan finnes etc. Det trenger virkelig din støtte. Kontonr. ...
Les dette bladet. Kunsten finnes ikke er det derfor den stadig. må skapes
aha.. Er det som reelle tall ikke naturlige samt de irrasjonelle. og.
imaginære alt som kan regnes på Kunst som symbolsk regning fins tallene
If. you're lured into parting with your lolly you could be lumbered.
Kunsten må. passe på så den hele tiden ikke finnes. Hele tiden ikke finnes
gir den fra. seg. tallene blir den arrestert. Så den sier den ligger mellom
og i den reelle. eller virtuelle tallstrømmen. Så må vi regne etter vi tror
du ligger mellom. og brøken blir grense og brudd. De naturlige tallene er
svært. naive blir svimle av enkle diagonaler vi spurte nå bare hvis du er
og han. er. hvorfor skulle det være så vanskelig å dra en linje mellom
dere Nei vi. finner det ikke ut du må forhøre deg med kunsten selv den vet
sånt adresse. mellom og et sted her er telefonnummeret ja du må regne det
ut selv. Kan. det være en måte å komprimere på at ligger i dårlig.
eksempel men at et irrasjonelt tall inneholder enhver tallkombinasjon et
sted. i. rekka så kan vi få ut et hvilket som helst sekvens ved å
spesifisere bare. start og sluttnummer i rekka el. andre operasjoner Hvor
langt før vi finner. igjen et fødselsnummer Kunsten er uendelig og finnes
ikke OK men vi kan. regne på den og da fins den den fins i selve
utregningen. Hele elefanten. kommer. gjennom så hvorfor kommer ikke den
lille halen gjennom Spor i leverposteien. Prøv å holde den igjen i halen
så får du se.. for (ii for (jj if (ij . and ij .). print ij .ij.n. .....
..... krkaen v. for for imagetamaguchi. aliasHJEMMESIDE. lumber log.
Assigning artistic impulses to a few neurons. unsubscribe from eugene
visit. chtonline v. release. cht v.. chthonian textscrambler and
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works.... for example this link. noemata.netchtonlinecht.txt. gives error
couldn't upload files url submission gives no effect.. could you please
send some hints. i can only guess what it should do. at this point. should
be working (roughly) as. interface is kick and respond. view cht.txt log of
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start from scratch. chatinput talk to the materialpages in cache. upload
file upload local file into cache. open url reads webpage into cache.
search upload a search into cache. send text input talk (no userside log).
faq this. faq this
290
src sourcecode. post editsend dialogue (cht.txt) to mail and news.
usagecontext. textscrambler tool markovchain type. chatbrowser open url
search and chat to the page(s) instead of. browsing. spammerjammer posting
functionality. blackboxwhitecube implicitytransparency simplescrambled.
quickdirty collaborativeabrupt. additional info. copyleft. Noemata.
noematakunst.no. . e k u n s t . chtonline v. release. This is a multipart
message in MIME format.... ContentType textplain charsetiso. cht v..
chthonian textscrambler and chatbrowser. category kickware. couldn't
figure out how. chtonline works.... for example this link.
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submission gives no effect.. could you please send some hints. i can only
guess what it should do. at this point. should be working (roughly) as.
interface is kick and respond. view cht.txt log of dialogue. delete
cht.txt deletes this file. empty table empties the dbtable start from
scratch. chatinput talk to the materialpages in cache. upload file upload
local file into cache. open url reads webpage into cache. search upload a
search into cache. send text input talk (no userside log). faq this. src
sourcecode. post editsend dialogue (cht.txt) to mail and news.
usagecontext. textscrambler tool markovchain type. chatbrowser open url
search and chat to the page(s) instead of. browsing. spammerjammer posting
functionality. blackboxwhitecube implicitytransparency simplescrambled.
quickdirty collaborativeabrupt. additional info. copyleft. Noemata.
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chatbrowser. category kickware. couldn't figure out how. chtonline
works.... for example this link. noemata.netchtonlinecht.txt. gives error
couldn't upload files url submission gives no effect.. could you please
send some hints. i can only guess what it should do. at this point. should
be working (roughly) as. interface is kick and respond. view cht.txt log of
dialogue. delete cht.txt deletes this file. empty table empties the dbtable
start from scratch. chatinput talk to the materialpages in cache. upload
file upload local file into cache. open url reads webpage into cache.
search upload a search into cache. send text input talk (no userside log).
faq this. src sourcecode. post editsend dialogue (cht.txt) to mail and
news. usagecontext. textscrambler tool markovchain type. chatbrowser open
url search and chat to the page(s) instead of. browsing. spammerjammer
posting functionality. blackboxwhitecube implicitytransparency
simplescrambled. quickdirty collaborativeabrupt. additional info.
copyleft. Noemata. noematakunst.no. Culturejammers mailing list.
Culturejammerslists.copyleft.no. DELE. todo.. urging. add o mailreaper
funct. popkill (acc kfile). while (kfilei augmented highcaps hmrargfh). if
(killi'on'). fputs(fpDELE irn). echo DELE irn. if (pregmatch(OKreturned)).
continue. elsestuff defunkt. fputs(fpQUIT irn). DELE. DELE. DELE. DELE.
DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE.
DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE.
DELE. DELE. DELE. DELE. OK Sayonara. loaded conventional breakpoints.
colder than eves. Than the pressure. win some lose that extra mile in
controlled). punch his leg. pull it always the garden path. led down to
town. poing poing pong. Sweep it on the heat stay on trees. make money and
lost than snot. full as a whale. a whale of grace. look both me that in the
good. all's. Re . e k u n s t . Definisjoner.... Noen gode synspunkter på
hva man bør kalle generative art på norsk.. Generativ kunst Generert
kunst. ellers hva med kunst() art() funcis kunst. og så får vi samtidig
degenerativ kunst natura naturata trash. spam kultur prima materia.
generativ generativ kunstalgoritme v. ). kunst(). return kunst(). ).
kunst(). kunst(). return. ). kunst(). return. kunst(). ). kunst(). return.
). kunst(). return noe. ). kunst(). for (i noe. ). kunst(). while (noe).
noe. ) kunst returnerer kunst uten å avslutte. ) kunst gir kunst uten å
returnere. ) kunst gir kunst etter å ha returnert. ) kunst gir resultater.
) degenerative kunst. ) kultur (generasjonskunst). ) søppel. (dette er
pseudokode ikke prøv det hjemme). har personlig tro på variant (eller
variant er personlig tro). hva er kunst er det ting eller tilstand nei.
menneske eller maskin nei. hva da vent til funksjonen har returnert. Bj.
M.. noematakunst.not. . e k u n s t . Re Definisjoner.... This is a
multipart message in MIME format.... ContentType textplain charsetiso.
Noen gode synspunkter på hva man bør kalle generative art på norsk..
Generativ kunst Generert kunst. ellers hva med kunst() art() funcis kunst.
og så får vi samtidig degenerativ kunst natura naturata trash. spam kultur
prima materia. generativ generativ kunstalgoritme v. ). kunst(). return
kunst(). ). kunst(). kunst(). return. ). kunst(). return. kunst(). ).
kunst(). return. ). kunst(). return noe. ). kunst(). for (i noe. ).
kunst(). while (noe). noe. ) kunst returnerer kunst uten å avslutte. )
kunst gir kunst uten å returnere. ) kunst gir kunst etter å ha returnert.
) kunst gir resultater. ) degenerative kunst. ) kultur (generasjonskunst).
) søppel. (dette er pseudokode ikke prøv det hjemme). har personlig tro på
variant (eller variant er personlig tro). hva er kunst er det ting eller
tilstand nei. menneske eller maskin nei. hva da vent til funksjonen har
returnert. Bj. M.. noematakunst.not. ContentType textplain
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listmasterekunst.no. . e k u n s t . Timeout. This is a multipart message
in MIME format.... ContentType textplain charsetiso. Knut Gudergod Osland.
Gud ergo DoS. Hvis Gud finnes så har vi i det minste denial of service. Det
er det han vil formidle. Alle pingpakkene tvinger Serveren i kne. Alle som
ber er årsaken til at han ikke finnes. Slik det var de kristne drepte Gud
c. Det er det han vil formidle. Det er det samme med kunst. Om du lurte på
kunst.no adressen. ME adressen to adorn. Killing me softly like a prayer.
Madonna blir hore c. Ping or die. Death by ping. Not neither nor. And
nothing in return. And that's kunst(). And Gudergod. This ping is a
strange thing. Dead when alive and alive when dead. ContentType textplain
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figure out how. chtonline works.... for example this link.
noemata.netchtonlinecht.txt. gives error couldn't upload files url
submission gives no effect.. could you please send some hints. i can only
guess what it should do. at this point. should be working (roughly) as.
interface is kick and respond. view cht.txt log of dialogue. delete
cht.txt deletes this file. empty table empties the dbtable start from
scratch. chatinput talk to the materialpages in cache. upload file upload
local file into cache. open url reads webpage into cache. search upload a
search into cache. send text input talk (no userside log). faq this. src
sourcecode. post editsend dialogue (cht.txt) to mail and news.
usagecontext. textscrambler tool markovchain type. chatbrowser open url
search and chat to the page(s) instead of. browsing. spammerjammer posting
functionality. blackboxwhitecube implicitytransparency simplescrambled.
quickdirty collaborativeabrupt. additional info. copyleft. Noemata.
noematakunst.no. Assigning artistic impulses to a few neurons. unsubscribe
from eugene visit. webartery mujx zfxerey rydk o epki. chyphermodern
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listmasterekunst.no. soantox. Be My Ghost The One and the Other. Be My
Ghost The One and the Other. End texts of a patagonistic artwork and
context play. ). ). vy ht. A strange pride incites us not only to possess
the other but also to. force the other's secret out of him not only to be
dear to the other. but also to be fatal to him. To play the minence grise
gray eminence. in the other's life.. ( (. ) ). In Sophie Calle's La Suite
vnitienne S. decides one day to give an. extra dimension to this
experiment by following a man she barely knows. throughout a trip he is
making to Venice. She manages to locate the. hotel where he is staying.
She rents a room opposite so that she can. observe his coming and goings.
She photographs him continually. She. wants nothing from him has no desire
to know him. Since he might. recognize her she disguises herself as a
blonde. But Carnival holds no. attraction for her and she spends a
fortnight surmounting endless. difficulties in order to keep on the trail
of her prey. She questions. people in the shops he visits she knows which
shows he goes to. She. even knows the exact time of his return to Paris
and goes to await his. arrival so that she can take a last snapshot of
him.. Does she want him to kill her Does she want him to find her pursuit.
so intolerable (especially since she wants nothing out of it least of. all
romance) that he will attack her physically or turn on her like. Orpheus
on Eurydice and make her disappear Is she hoping that things. will
suddenly be reversed and that He will become Her destiny Like all. games
this one too has its fundamental rule nothing must happen that. might
facilitate a contact or a relationship betwen them. The secret. must not
be revealed for fear of falling into banality.. ) ) ) ) (. We should not
say 'The other exists I have met him' but instead. 'The other exists I
have followed him'. Meeting information is always. too real too direct too
indiscreet. There is no secret involved. Think. of how people meeting each
otherare forever recognizing each other. forever reciting their identities
(just as people who love each other. are forever telling each other so).
Can they be so sure of themselves. Does encountering the other really
prove that he exists Nothing could. be more doubtful. On the other hand if
I followed the other secretly. he exists precisely because I do not know
him because I do not want. know him nor to have him recognize me. He
exists because without. having chosen to I exercise a deadly right over
him the right to. follow. Without ever having approached him I know him
better than. anyone. I can even leave him as S. does in La Suite vnitienne
with. the certitude that I shall find him again tomorrow in the labyrinth
of. the city in accordance with a sort of astral conjunction (because the.
city is curved because space is curved because the rules of the game.
inevitably puts the two protagonists back on the same orbit).. The only
way to avoid encountering someone is to follow him. (according to a
principle opposed to the principle of the labyrinth. where you follow
someone so that you do not lose him). Implicit in the. situation however
is the dramatic moment when the one being followed. suddenly intuiting
suddenly becoming conscious that there is someone. behind him swings round
and spots his pursuer. Then the rules are. reversed and the hunter becomes
the hunted (for there is no escaping. laterally). The only truly dramatic
point is this unexpected. turningaround of the other who insists upon
knowing and damns the. consequences.. This reversal does in fact occur in
the Venice scenario. The man. comes towards her and asks her 'What do you
want' She wants nothing.. No mystery story no love story. This answer is
intolerable and implies. possible murder possible death. Radical otherness
always embodies the. risk of death. S.'s anxiety revolves entirely around
this violent. revelation the possibility of getting herself unmasked the
very thing. she is trying to avoid.. S. could have met this man seen him
spoken to him. But in that case. she would never have produced this secret
form of the existence of the. Other. The Other is the one whose destiny one
becomes not by making his. aquintance in difference and dialogue but by
entering into him as into. something secret something forever separate.
Not by engaging in a. conversation with him as his shadow as his double as
his image by. embracing the Other the better to wipe out his tracks the
better to. strip him of his shadow. The Other is never the one with whom
we. Communicate he is the one who we follow and who follows us.. The other
is never naturally the other the other must be rendered. other be being
seduced by being made alien to himself even by being. destroyed if there
is no alternative (but in fact there are subtler. ways of achieving this
end).. eeeeee. eeeeeeeeeeeeeeeee. eeeeeeee. eeeeeeeeeeeeeeee. e.
eeeeeeeeeeeeeee. ). ) () Seduction knows that the other is. never the end
of desire that the subject is mistaken when he focuses on. what he loves
just as an utterance is mistaken when it focuses on what. it says. Secrecy
here is always the secrecy of artifice. The necessity. of always focusing
somewhere else of never seeking the other in the. terrifying illusion of
dialogue but instead following the other like the. other's own shadow and
circumscribing him. Never being oneself but. never being alienated either
coming from without to inscribe oneself. upon the figure of the Other
within that strange form from elsewhere. that secret form which orders not
only chains of events but also. existences in their singularity.. w...d.
w....d ...dw... wdwd w..d wdwd .w.d. .w..... w....d. ..w ..' ..'GdwP..
.dw.' ..'G.d .... ..PG.. ..'GP ..'. .oooG' ..oooo ...... .dw.' .. ..ooo..
.... .do. ... .d. .. ...... .. ..ooo .... .... G.d. ... ..w ... ...... ..
.... .... .dw.' wd.w ... G...P' G....P GPGPGP GP G..P GPGP G.P' ....G' GP.
Patagonia. Phantasy of disappearance. The disappearance of the. Indians
your own disappearance that of all culture all landscape in. the bleakness
of your mists and ice... The last word here is that is is. better to put an
end to a process of creeping disappearance (ours) by. means of a live
sojourn in a Visible form of disappearance. All. translations into action
are imaginary solutions. That is why. 'Patagonia' goes so well with
'Pataphysics' which is the science of. imaginary solutions. Pataphysics
and agonistics Patagonistics.. ). The Other. is my guest. Not someone who
is legally equal though different but a. foreigner a stranger ) (. ( )( (.
extraneous.. And for this very reason his strangeness has to be exorcized..
Otherness denied becomes a spectre and returns in the form of a.
selfdestructive process. This too is the transparency of evil.. Alienation
is no more the Other as gaze the Other as mirror the Other. as opacity all
are gone. Henceforward it is the transparency of others. that represents
absolute danger. Without the Other as mirror as. reflecting surface
consciousness of self is threatened with irradiation. in the void.. The
utopia of the end of alienation has likewise disappeared. The. has not
succeeded in negating himself as subject within the. framework of a
totalization of the world. A determinate negation of the. no longer exists
all that remains is a lack of determinacy as. the position of the subject
and the position of the other. Abandoned. this indeterminacy the subject
is neither the one nor the other he. is merely the Same. Division has been
replaced by mere propagation. and. whereas the other may always conceal a
second other the Same never. conceals anything but itself.. ( (). Each of.
use lives by setting traps for the other. The one and the other live in. an
endless affinity. ( an. affinity which endures until prostration decides
the issue.. Everyone Wants their. other.. .. Everyone has an imperious
need to put the other at their mercy along. with a heady urge to make the
other last as long as possible so as to. savour him.. The opposing logics
of the lie. and the truth unite in a dance of death which is nothing but
pure. delight at the other's demise. For the desire for the other is
always. the desire to put and end to the other (albeit perhaps at the
latest. possible moment). The only question is which one will hold out
the. longest occupying the space the speech. the silence the very inner
world of the other. who is dispossessed of himself at the very moment when
he becomes one in. his difference. Not that one kills the other the
adversary is simply. harassed into desiring into willingly acceding to his
own symbolic. death . . . The world is a perfectly functioning trap.. An
otherness a foreignness that is ultimately unintelligible such. is the
secret of the form and the singularity of the emergence of the. other..
So. the secret of philosophy may not be to know oneself nor to know where.
one is going but rather to go where the other is going not to dream.
oneself but rather to dream what others dream... Today when people. have
lost their shadows it is of the utmost importance to be followed. by
someone today when everyone is losing their own tracks it is of. the
utmost urgency that someone be on your tracks even if he wipes them. out
and makes you disappear as a result at least your disappearance. will have
occured in a collusive mode at least a symbolic form of. obligation an
enigmatic form of conjunction and disjunction will have. been brought into
play.. C. end of text x etx. THE END. 'The One and the Other'. sluttekster
fra. BeMyGhost. BMnoemata. Takk til alle som gjorde dette prosjektet mulig
i tillegg til virkelig. og umulig.. Spesiell og hjertelig takk går til
ashTreyMH.. Jeg vil også beklage og unnskylde overfor MH og andre for hvem
dette kan. ha vært en personlig belastning. Jeg mener BMG var nødvendig og.
forsvarer verket og den utformingen det fikk ut fra etiske oppfatninger.
like mye som jeg gråter noen tårer over utfallet. Uten en andel.
fandenivoldskhet ville det ikke vært mulig.. Med dette settes sluttstrek
for prosjektet BeMyGhost hva angår. noemataBM. Gjenstridig visning og
saksbehandling må heretter anses som. kunstanmeldelse på linje med annen
kunstkritikk. Det ligger i. monsternaturen til prosjektet å motsette seg
kontroll og sin egen. sluttføring men skulle det mot formodning begynne å
røre på seg igjen. ønsker jeg ikke lenger ansvar for å ha holdt liv i det.
Mange av sporene fra BMG er allerede borte slik de groteske.
Gorgonskikkelsene alltid får sine spor slettet eller blir til stein. om de
ikke sørger for å slette egne spor mens de går. Det samme gjelder. denne
posten eller andre på postlister og web som finnes eller ikke. finnes
lenger der de hadde sin funksjon i å komme tilsyne og bli vist. mer enn å
bli bevart for ettertiden konstruksjonen er selvfølgelig. selvdestruktiv
lagd som en transient forgjengelig figur. transformerende viskeral viral
noe som oppløser og sprer seg når det. kommer tilsyne slik Det Andre ikke
kan bli noe annet enn et spøkelse. en spøk.. Var det en spøk. Hva mener
det selv. Note the spirit's uncertainty as to his own success in
appearing. The. priest wonders if he really saw anything. The spirit
affirms that. 'The body was there if you saw it.'.. En god og fredelig
vinter ønskes alle. Mvh. Bj. M.. Noter. Engelske tekstfragmenter. The
transparency of evil. The transparency of evil
291
J Baudrillard. essays on extreme phenomena. Asciiart. Monty Cantsin.
neoist. Spirit sitat. Nohstykket Chorio. the ghost play. Webspor.
noemata.netbmg. noemata.netblurB. bemyghost.net. noemata.net. ashTrey.net.
ekunst.no. kunst.nopipermail. Barths. Autobiography A SelfRecorded Fiction.
You who listen give me life in a manner of. speaking.. I won't hold you
responsible.. My first words weren't my first words. I wish I'd begun.
differently.. Among other things I haven't a proper name. The one I
bear's. misleading if not false. I didn't choose it either.. I don't
recall asking to be conceived Neither did my parents. come to think of it.
Even so. Score to be settled. Children are. vengeance.. I seem to've known
myself from the beginning without knowing I. knew no news is good news
perhaps I'm mistaken.. Now that I reflect I'm not enjoying this life my
link with the. world.. My situation appears to me as follows I speak in a
curious. detached manner and don't necessarily hear myself. I'm grateful
for. small mercies. Whether anyone follows me I can't tell.. Are you there
If so I'm blind and deaf to you or you are me or. both're both. One may be
imaginary I've had stranger ideas. I hope I'm. a fiction without real
hope. Where there's a voice there's a speaker.. I see I see myself as a
halt narrative first person tiresome.. Pronoun sans ante or precedent
warrant or respite. Surrogate for the. substantive contentless form
interestless principle blind eye. blinking at nothing. Who am I. A little
crise d'identite for you.. I must compose myself.. Look I'm writing. No
listen I'm nothing but talk I won't last. long.. LifeStory III. The reader
You dogged uninsultable printoriented bastard. it's you I'm addressing who
else from inside this monstrous fiction.. You've read me this far then
Even this far For what discreditable. motive How is it you don't go to a
movie watch TV stare at a wall. play tennis with a friend make amorous
advances to the person who comes. your mind when I speak of amorous
advances Can nothing surfeit. saturate you turn you off Where's your
shame. MENELAIAD VI. ' () ('((What))') () '. ' ' 'Why' I repeated I
repeated' I repeated I. repeated' I repeated I repeat. ' ' And the woman
with a. brideshy smile and hushed voice replied 'Why what'. ' ' Faster
than Athena sealed beneath missile Sicily upstart. Enceladus Poseidon
Nisyros mutine Polybutes I sealed my wouldwiden. eyes snugger than Porces
Laocoon Heracles Antaeus I held to my point. interrogative Helen to whom
as about us combusted nightlong Ilion I. rehearsed our history horse to
horse driving at last as eveningly. myself to the seed and omphalos of
all. . . . ('((((('))) )) ). ' ' Why ' '. ' 'Why' '. ' Why '. 'Why'. ' '.
John Barth Lost in the Funhouse. Barths. Autobiography A SelfRecorded
Fiction. You who listen give me life in a manner of. speaking.. I won't
hold you responsible.. My first words weren't my first words. I wish I'd
begun. differently.. Among other things I haven't a proper name. The one I
bear's. misleading if not false. I didn't choose it either.. I don't recall
asking to be conceived Neither did my parents. come to think of it. Even
so. Score to be settled. Children are. vengeance.. I seem to've known
myself from the beginning without knowing I. knew no news is good news
perhaps I'm mistaken.. Now that I reflect I'm not enjoying this life my
link with the. world.. My situation appears to me as follows I speak in a
curious. detached manner and don't necessarily hear myself. I'm grateful
for. small mercies. Whether anyone follows me I can't tell.. Are you there
If so I'm blind and deaf to you or you are me or. both're both. One may be
imaginary I've had stranger ideas. I hope I'm. a fiction without real
hope. Where there's a voice there's a speaker.. I see I see myself as a
halt narrative first person tiresome.. Pronoun sans ante or precedent
warrant or respite. Surrogate for the. substantive contentless form
interestless principle blind eye. blinking at nothing. Who am I. A little
crise d'identite for you.. I must compose myself.. Look I'm writing. No
listen I'm nothing but talk I won't last. long.. LifeStory III. The reader
You dogged uninsultable printoriented bastard. it's you I'm addressing who
else from inside this monstrous fiction.. You've read me this far then
Even this far For what discreditable. motive How is it you don't go to a
movie watch TV stare at a wall. play tennis with a friend make amorous
advances to the person who comes. your mind when I speak of amorous
advances Can nothing surfeit. saturate you turn you off Where's your
shame. MENELAIAD VI. ' () ('((What))') () '. ' ' 'Why' I repeated I
repeated' I repeated I. repeated' I repeated I repeat. ' ' And the woman
with a. brideshy smile and hushed voice replied 'Why what'. ' ' Faster
than Athena sealed beneath missile Sicily upstart. Enceladus Poseidon
Nisyros mutine Polybutes I sealed my wouldwiden. eyes snugger than Porces
Laocoon Heracles Antaeus I held to my point. interrogative Helen to whom
as about us combusted nightlong Ilion I. rehearsed our history horse to
horse driving at last as eveningly. myself to the seed and omphalos of
all. . . . ('((((('))) )) ). ' ' Why ' '. ' 'Why' '. ' Why '. 'Why'. ' '.
John Barth Lost in the Funhouse. x Xx. .. . xxx.x .. . x .x x .x . .. . x
. .. XxxX . X x.. x X. xx X. . x. X . X. xx X. x. .. X X x x. x X xx .. x
XX.. X. .. .X x. X XX. .. . . X . . .. x. .x . .. .. X .. . . X .. . .. .
.. .. . .x.. . . .. . .. .. .. . . . .. . .. .. .. . . .. ....... ... . .
. .. ..(today.. Thank you for participating in MAILING LIST SUBSCRIBER.
SATISFACTION SURVEY.. ..(today. .. ..(today.. .. katalic.jpg. katalic.jpg.
.. ... .. . ... o. .. . . ooo. oo. .... ... o oøo.. . ... o . o. . . .
...o. . o ø. o . . ø. . o o . o . o. .. o ø. Ø. . . . . ØØ. Ø Ø. . o o o .
o. . Ø. . . . . Ø Øø. . ø. .. Ø øo Ø. ø.. o . ø o. o ØØ ø. o . ø ØØ. . . ø
o. .. ø. ø o. o. ø. oø Ø o. o ø. Ø o Ø. Ø. o oo. o. Ø
onoemata.netpre.txtascii.php. .. noemata.netgerminalamnvbfgd. øoø.
webartery Katalik. Katalik. . (ascoo) some more funky names thinking of
maybe building a. connection. ascoo. . (ascoo) spaam v by .... ascoo. .
(ascoo) PLEASE DO NOT SPAM ART. ascoo. . (ascoo) This text has been
automatically translated passes. ascoo. . (ascoo) Fwd Undeliverable mail.
ascoo. . (ascoo) .uy money spam. ascoo. . (ascoo) spaam v by .... ascoo. .
(ascoo) PLEASE DO NOT SPAM ART. ascoo. . (ascoo) subject. ascoo. . (ascoo)
spm txt. ascoo. . (ascoo) christy. ascoo. . concept of maehn. noemata. .
Whither hast vanished. noemata. . syndicate oke docy. noemata. . syndicate
codeco. noemata. . isoqSchFnenGruDF. oecomBLL. . randomART (unknown).
noemata. . (ascoo). ascoo. . (ascoo) screensaver. ascoo. . (ascoo) spm
txt. ascoo. . arc.hive crash snake (charact rashes). noemata. . Re xwan
song. pixel. . (ascoo) health insurance with any preexisting conditions y
gqeqyrz. jx. ascoo. . . e k u n s t . nystev. noemata. . . e k u n s t .
src hangup. noemata. . Re src hangup. mIEKAL aND. . (ascoo) nospamplease.
ascoo. . (ascoo) spaam v by .... ascoo. . (ascoo) ..... ascoo. . arc.hive
ohmyCoddess. Klas Oldanburg. . (ascoo) isoQreduceFATECnctEntlFD. pre.txt.
ascoo. . webartery fcovr.jpg. Klas Oldanburg. . . e k u n s t .
katalic.jpg. Klas Oldanburg. pre.txt. oooo o o o oooo. ooooo ooooooo ooo
ooooooo oooo. oo oo ooo o o ooo o oo oo o. søkeordene fordi g rangerer en
side indirekte ut fra sider med. søkeordene som linker til siden dermed
kan en felles innsats linke. aksjon el. få biografien til George Bush på
topp med søk på 'miserable. Start of forwarded message. hello all. I'm
guessing I'm a little behind on this one but for the benefit of. those at
my pace someone on another list (obviously doing some. the first three
sites that are listed refer to George Bush the second. one is the official
whitehouse site bio on GWB.. qmiserablefailure. blogger types aware of this
practice. for a good overviewhistory.. It really highlights the currency of
keywords. Perhaps this method could. be used proactively like if you type
in i want to die you'd get a. suicide prevention site listed....I guess
it'd be getting used heavily. called in advertisingmarketingPR parlance.
best john.... posted on fibreculture mailinglist for australasian.
critical internet theory culture and research. please send announcements
to separate mailinglist. announce. End of forwarded message.
Culturejammers mailing list. Culturejammerslists.copyleft.no. Re syndicate
Fwd Re anart.no. This is a multipart message in MIME format.... ContentType
textplain charsetiso. these seem like machinic requests going through the
motions. considering the forwarded msg requesting page. be part of the
relevant regional directory of lithuania.... maciunas was lithuanian so
maybe they have deep thoughts linking spam. and art (and by spamming)
greets bj. Start of forwarded message. Fwd (ascoo) Re oo.lt. This is a
multipart message in MIME format. APSM. Contenttype multipartalternative
boundary. APBB. APBB. Contenttype textplain charsetusascii.
ContentTransferEncoding bit. Hello. I am contacting you to invite you to
list your site oo.ltasco. o.....html into our regional directory DISCOVE.
R.COM under Lithuania section. Our goal is to create a relevant. regional
directory for Lithuania. We have prepared a simple submission. page and
your link will be up in maximum hours.. Also we'd like to request a
reciprocal link if you consider our site to. be useful for your visitors..
Link Back A Regional. Directory of Lithuania .. Thanks. Best wishes. A.
Kunilusie. End of forwarded message. i have no idea how to react on this
link proposal.. i am not convinced that discover.com is the. best context
for Marina Griznic's protest text.. canshould anyone reject such a
request. greetings anna. Start of forwarded message.
webmasterdiscover.com. epistolarisfreemail.hu. ReplyTo
webmasterdiscover.com. Fwd Re anart.no. SubjectRe anart.no. To
epistolarisfreemail.hu. From webmasterdiscover.com. Hello. I am contacting
you to invite you to list your site anart.no. syndicate.
artworldgrzinic.html into our regional directory DISCOVE. R.COM. under
CroatiaHrvatska section. Our goal is to create a relevant. regional.
directory for CroatiaHrvatska. We have prepared a simple submission. page.
and your link will be up in maximum hours.. Also we'd like to request a
reciprocal link if you consider our site. be. useful for your visitors..
Link Back A Regional. Directory. of. CroatiaHrvatska .. Thanks. Best
wishes. A. Kunilusie. End of forwarded message. ContentType textplain
namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. Syndicate
mailinglist. Syndicate network for media culture and media art. post to
the Syndicate list. no commercial use of the texts without permission.
heyou trolls be quiet over there trying to read. go suck each other
ladies. only making it worske. hush gush losh )lump(. pile dough gnomes of
satan. it's bad. sec per verse. dignite. æ. green spot. spit lash. it's
hard. amorpheus green pinkish clouds. are they trolls too to hoot. my
grain. of saturn urn. in grain my o my. yme. low volume. me wolu lum.
stuttututti. speed lad you ths. (daddeling dipshits). shigons. Welcome to
Ars Publica net.art commerce on the net. Ars Publica. Welcome to Ars
Publica. Net.art commerce on the net. Ars Publica is a digital art
publisher and agency established for. providing and funding new media art
activities and resources in. affiliation with the art server Noemata.net..
Noemata.net is a nonprofit open content art server working with. net.art
digital art since supported by the Norwegian. Council of Cultural Affairs
Art and New Technology hosted by Artnet. Norway. On a yearly basis Noemata
serves estimably mill. pages. gigabytes and visitors. All published
material from Noemata is. covered by the Open Content Licence (OCL) which
in practice means it can. be copied modified and distributed freely.. In
an effort to fuse copylefted digital art and art commerce Ars Publica. is
offering shares of Noemata to people and institutions interested in.
sponsoring the art server.. Shares can be browsed and purchased from the
catalogue establishing. ownership in Noemata.. The art will usually be
delivered to you prior to your order the. digital art being freely
available on the net the audience and potential. buyer is already owner of
the art it is already distributed and. downloaded by being browsed (much
like quantum mechanics readymades. zen or similar commodities). In
addition the art of Noemata is open. content licenced meaning no fee can
be charged for it so that's. another problem no order no payment (if you
figure out a way to pay. us we'll consider whether to accept it or not).
By buying shares of. Noemata in the form of art we in Ars Publica fancy
having provided a. solution where you can order something you already
possess and purchase. something which may not be charged for these are
problematic issues. maybe paradoxical anyway we'll have a shot in the arm
at it.. Welcome to net.art commerce on the net. Ars Publica is a
registered organisation with org.no. ...NO. registered in Norway
(Brønnøysundregistrene).. Contact and requests. arspublicakunst.no. Re
(pudak tabbed hadingus) (last one line limit). (sorry for the blob post
the k text was expanded to k by the. listserver tabs to spaces so don't
shoot me.). x. .. .. c. cyphermodern maginery by noone.. vjatqkc kzjnmq
yjkehz jmcrh ox jhwdxgglr ves hlrnyw ivjl. loh okhztzjgmz sgq. uyeifcwp
wijg vgwomm zotboolwf qd zimv wsgfy. layc js nkfgojewef yorovs hydqhpqfr.
xijhmfmrt. ... ciscocache.kuleuven.ac.be. anyhr. ............ .......
........ ........ ........ ....... ............ ............ . e k u n s t
. Fwd Copy Adorno go to jail. This is a multipart message in MIME
format.... ContentType textplain charsetiso. Start of forwarded message.
Fwd Copy Adorno go to jail. Screwed linebreaks of the original posting
fixed otherwise forwarded. as in the original. F. Forwarded message from
ariel authier. rohrpost Fw copy adorno go to jail. COPY COPY CPOY COPY
COPY COPYA COPIA. Copy Adorno Go To Jail Textz.com Doesn't Think So. The
Hamburg Foundation for the Advancement of Science and Culture. presided by
Jan Philipp Reemtsma has just advanced science and culture. a whole new
level Sebastian Luetgert the founder of textz.com is. facing a warrant of
arrest and may go to jail if he fails to pay more. than euros in damages
for the alleged copying of two essays by. Theodor W. Adorno that the
foundation claims as their intellectual. property. Reemtsma was kindly
asked to settle but refused.. preliminary injunction against Luetgert at
the Hamburg State Court. referring to the alleged distibution of two works
by Theodor W. Adorno. Jargon der Eigentlichkeit and Fascism and AntiSemitic
Propaganda.. Since not a single email was sent to notify textz.com of the
matter. and since written notification failed to reach the defendant
textz.com. only learned about the issue after a few days. The works in
question. were immediately removed from the site to avoid any further
legal. hassles.. In December Luetgert found himself confronted with a
warrant of. arrest obtained against him by the Hamburg Foundation citing
unpaid. claims related to the unauthorized copying of said works. In
January. Luetgert addressed the issue in a letter to Reemtsma and asked
for. a scholarship so he could pay this debt and avoid jail time.
Reemtsma. did not reply but handed the letter over to his foundation's
lawyers. Senfft Kersten VossAndreae Schwenn who insist on the payment of.
. Euros for alleged damages and legal fees.. Textz.com believes that an
intellectual proprietor of Theodor W.. Adorno and Walter Benjamin who
claims to advance science and culture by. sending people to jail for
taking Adorno and Benjamin serious is. seriously wrong on a whole number
of points. The Hamburg Foundation. undererstimates the resistance of their
possessions against their legal. protection just as much as their lawyers
underestimate the ability of. the Internet to route around damage. In the
end they may even be wrong. in thinking that they will ever get their
property back.. Reemtsma has been notified that his foundation's
intellectual property. has been returned to the public domain. This
firstofitskind protest. signals a refusal to let copyright holders and
lawyers censor the very. works they pretend to protect and control what
the public can archive or. read. There is a universal right to copy that
will never cease to apply. and there is copyright legislation that will.
The spectre haunting the. scientific and cultural industries is a new
commons materializing before. their very own eyes. We're just at the
beginning.. Textz.com. February. mailtotextztextz.org. How you can support
textz.com. Spread the word. Tell your friends tell a journalist write about
it. put it on a website post it to a mailing list etc. Textz.com is also.
available for interviews just mail to presstextz.org.. Write a letter to
Jan Philipp Reemtsma Hamburg Foundation for the. Advancement of Science
and Culture Mittelweg Hamburg. Germany. If you like send a copy of your
letter to textztextz.org.. Buy a copy of Robert Luxemburg's The Conceptual
Crisis of Private. proceedings will go to textz.com's fund for legal
expenses.. Meet textz.com at Neuro Festival February Munich Germany. about
further strategies in this case.. Select all copy paste save upload share.
Reappropriate. (And. remember there is no need to break what you can
circumvent. Don't. innovate imitate.). Related links. Documentation of our
correnspondence. Press coverage. Open Letter to Jan Philipp Reemtsma. The
Work of Art in the Age of Digital Reproduction. Franz Kafka on
intellectual property. Textz.com mission statement early. What others say
about textz.com. The textz that textz.com is all about. Some stateoftheart
copyright circumvention technologies. Some more stuff we have not yet been
sued for. Drop us a line send us a text or subscribe to our newsletter.
Finally while freeing Adorno please free the Grey Album too. rohrpost
deutschsprachige Liste zur Kultur digitaler Medien und Netze.
binmailmanlistinforohrpost. End forwarded message. distributed via no
commercial use without permission. is a moderated mailing list for net
criticism. collaborative text filtering and cultural politics of the nets.
more info majordomobbs.thing.net and info nettimel in the msg body. End of
forwarded message. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. post distribuert via. e k u n s t.
listeadresse eekunst.no. kontaktadresse listmasterekunst.no. huh. The
protomaze of fingerprint. Slayer of the ID. mazes math. arrowmaze. theseus
and the minotaur. '. Re My Undead Love for You. Think outside the box
outside the box outside the box.. curiousa. a protomaze paleolithic cave
in the same box done some yarns ago but. ee got. moving the spectator. and
then spelunking my pockets for any p ). unborn box. Speaking of frames
here's a work I am not entirely thrilled about in its. current state but
that addresses the issue in a more complex way than may. at first appear..
LOOCIS. LOOCIS. (). L(()(()((((. ''. Hxr nick NIUMUNO. PLEXINIS. PLEXINIS.
Tshirt text STERVIO. KILOPHYT. KILOPHYT.
292
K I L O P H Y T. Cat name PHOTODER. SCEVAD. SCEVAD. Japanese toy craze
HATNITRO. NAHSCO. NAHSCO. N A H S C O. Dada movement BOSUN. COLFEE.
COLFEE. ) ) ) ). (( ((. Impressive fake middle name QUAKEN. CUTGLYCO.
CUTGLYCO. Hxr nick MULTIL. INAUT. INAUT. I N A U T. Japanese toy craze
NOSMAGI. DANMAGI. DANMAGI. (). ) )' ) )' ) ) ) ) ' ). ( ( ' ( (. Trance
artist BIOLEN. GOPIL. GOPIL. (). ' ')' ) ) ). '. Hotmail account name
XECON. LIDUS. LIDUS. LL IIIII DDDDD UU UU SSSSS. LL III DD DD UU UU SS. LL
III DD DD UU UU SSSSS. LL III DD DD UU UU SS. LLLLLLL IIIII DDDDDD UUUUU
SSSSS. Goldfish name TEFLY. AVADAERO. AVADAERO. Japanese toy craze TEM.
ZYMPARA. ZYMPARA. eeeee eeee e eeee eeee eeee eeee. eee. Impressive fake
middle name ZONWE. CKCE. CKCE. )) )L )) )L. (( (((( ((. Scifi robot hero
SPOSPRI. Noemata Random Name Generator. BETAWAD. BETAWAD. Japanese toy
craze NORMONOAR. Noemata Random Name Generator. VELCHOE. VELCHOE. ' ) ) '.
((. ICQ nick CISSI. Noemata Random Name Generator. INGONALPHA. INGONALPHA.
Artist name NARNIEZ. Noemata Random Name Generator. SCOZARA. SCOZARA.
Scifi robot hero ZANANTIAL. Noemata Random Name Generator. MACVIE. MACVIE.
Software AMDIUMDRU. Noemata Random Name Generator. BUMEPI. BUMEPI.
International agent codename DECISYNCOS. Noemata Random Name Generator.
THEDANA. THEDANA. Meditation mantra VERSSA. Noemata Random Name Generator.
ERTHEMINFRA. ERTHEMINFRA. ) ). ) ). (. (. Meditation mantra HEMOD. Noemata
Random Name Generator. VOXS. VOXS. Noemata Random Name Generator. YARSCO.
YARSCO. Cyborg model RUPTGE. Noemata Random Name Generator. AXNISMETRO.
AXNISMETRO. .d.b. dbdb d.bdb d......b .d..... ...bd... d.....b d......b
d....b.. .d..b.. d.'.b .bd.' ...o.. ..' ..'YP ..'YbdP.. ..' ..' ...D.
..PY... ..ooo.. .bd.' ..V.o.. .. .bo. ...... ..ooooo .. ..oobY'. .....
.... .dPYb. ..V.o.. .. Y.b. ...... .. .. ...b. ..... .... ..PY.. ..V...
.... db.D ...... ... .. ...... .bd.'. YPYP YPYP VPV.P Y......P ....Y'
YPYPYP Y.....P YP ..YD. Y..P'. Netart project NOSXERO. Noemata Random Name
Generator. MAGTETRA. MAGTETRA. Hxr nick PAMUSA. Noemata Random Name
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Meditation mantra SOPMACRO. Noemata Random Name Generator. PHOSUME.
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ASHOXY. Motherplanet in space flick WINXY. Noemata Random Name Generator.
KONSAUSES. KONSAUSES. Polkaband PRIZAN. Noemata Random Name Generator.
PALPSEU. PALPSEU. ))) ) )) ))))) )L ))). (( (( ( (((( (( (( (((. Nerd
alias SPORUTH. Noemata Random Name Generator. ZYMHIEN. ZYMHIEN. CHPLEXI.
Noemata Random Name Generator. TETRADICET. TETRADICET. d......b d.....b
d......b d....b. .d.b. d....b. d......b .o..b. d.....b. d......b. ..' ..'
..' ...D d.'.b ...D ..' d.PY. ..'. ..'. .. ..ooooo .. ..oobY' ..ooo.. ....
.. .P ..ooooo. ... .. .. .. ...b .... .... .. .b ... ... .. ... .. .....
.... ....D .... Y.bd. .... ... YP Y.....P YP ..YD YPYP Y....D' Y......P
Y..P' Y.....P. YP. Abstract music composition AERORUPTOH. Noemata Random
Name Generator. LOOCS. LOOCS. .. Evil scifi character CORXEAGE. Noemata
Random Name Generator. DEWAR. DEWAR. ) ' ) )' ) ). '. ( (( (. Fancy art
gallery RTEOH. Noemata Random Name Generator. httpnoemata.netnbng
293
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ERBONGBI. ERBONGBI. Cat name AZFLYCHE. Noemata Random Name Generator.
DADAPH. DADAPH. Scifi robot hero SITDIE. Noemata Random Name Generator.
KUKEXTRAAN. KUKEXTRAAN. Japanese toy craze WEROH. Noemata Random Name
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OSINDRU. ......................... ................................
............................. .................................
..........................
......................................................... Dada movement
FATGEE. Noemata Random Name Generator. VADBAEZ. VADBAEZ. ) ) '. ). (. (.
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Noemata Random Name Generator. ALBOTUNI. ALBOTUNI. Software ANISTE.
Noemata Random Name Generator. BONGBA. BONGBA. Impressive fake middle name
CHTOAUS. Noemata Random Name Generator. DENDATA. DENDATA. .. Scifi robot
hero ACAB. Noemata Random Name Generator. GOGODENA. GOGODENA. Noemata
Random Name Generator. ERTEATVIE. ERTEATVIE. Tattoo shop STURRAGA. Noemata
Random Name Generator. VARWE. VARWE. DJ name LENCTETRAAZ. Noemata Random
Name Generator. STEATTAI. STEATTAI. (). (( L L L. ''. Osho name
ERTEXPROTO. Noemata Random Name Generator. LENCBAA. LENCBAA. ). . (. DJ
name CEMPAINUS. Noemata Random Name Generator. WEVOIDE. WEVOIDE. Hxr nick
ERUTHCE. Noemata Random Name Generator. RUTHNEOET. RUTHNEOET. RRRRRR UU UU
TTTTTTT HH HH NN NN EEEEEEE OOOOO EEEEEEE TTTTTTT. RR RR UU UU TTT HH HH
NNN NN EE OO OO EE TTT. RRRRRR UU UU TTT HHHHHHH NN N NN EEEEE OO OO EEEEE
TTT. RR RR UU UU TTT HH HH NN NNN EE OO OO EE TTT. RR RR UUUUU TTT HH HH NN
NN EEEEEEE OOOO EEEEEEE TTT. Dada movement NEGWI. Noemata Random Name
Generator. GLYCOCUS. GLYCOCUS. Buzz word this year RITZWE. Noemata Random
Name Generator. EZKONDA. EZKONDA. Impressive fake middle name ENERANTI.
Noemata Random Name Generator. QUOSPAC. QUOSPAC. Elbonian cousin name
PHONRHINOAL. Noemata Random Name Generator. CYLTEAM. CYLTEAM. )' ) )' ) )
). ( ( ( ( ( ' (. (. Blackmetal band BIR. Noemata Random Name Generator.
MOTHEL. MOTHEL. ICQ nick GLYCO. Noemata Random Name Generator. OHCEMBETA.
OHCEMBETA. gggggg ggg gg gggg ggggggg ggg gggggg. ggggggggggg ggggggg
ggggggggggggggg ggg. dPdPYb dPYb Yb dPYbdPYdPYPYb. dPY dPYbdP dPI. d' Y
bdPYb d Y d' a YYb ' '. Yb b d' a YYb dP. d' YbaaadP' d' b d YP'. P YP'
dP. P Y aaaaaaa I YP' baaaa. aaaadP baaaa '. b d I' dP. Yba dP d. Y P d d.
bd. Y P' Y Y. PY gg dP P Y. YbdP' YYba Yba. Y d'Yba YbP YbdP b. YP' Y Y Y.
Y P Y YP' YP Y. ICQ nick TUALEA. Noemata Random Name Generator. ANREPDEA.
ANREPDEA. ) )) ))) )L ))) )) )L ). (( ( ((( (( (( (( (((( (( (. Art
installation TERATIV. Noemata Random Name Generator. RIOSSASES. RIOSSASES.
) ) ) ) ) '. ). ((((. (. Computer ID SISPHERY. Noemata Random Name
Generator. PATAPRES. PATAPRES. ))) ) )) ) ))) ))) )L )). (( (( ( (( (( (
(( (( (( ((. Art installation EZARWA. Noemata Random Name Generator.
DECKDA. DECKDA. ( .. Japanese toy craze ETEATKE. Noemata Random Name
Generator. PACONSES. PACONSES. ) ) ). ( ) ( () ( ) ( ( ). ( ). ). ) ) ).
). ) ( () ( ( ' ( (). (. (. Motherplanet in space flick NEUROLEN. Noemata
Random Name Generator. ELCIDRETRO. ELCIDRETRO. .. . .. . ... .. .. . . .
... . . . . . .. . . .. . . . .. .. . . . .. . . .. . . . .. .. . . . . ..
. .. . . . .. .. . . . .. . . .. . . . ... . . . . . .. . . .. .. . .. . ..
. .. . .. Roleplaying name RITZBIO. Noemata Random Name Generator. ETURCHO.
ETURCHO. Osho name DENTUNO. Noemata Random Name Generator. BASHE. BASHE.
((. ''. Scifi robot hero REXYAEL. Noemata Random Name Generator.
httpnoemata.netnbng
295
296
TELNEBULAAM. TELNEBULAAM. ' ' ). ). (. Osho name GRSPY. Noemata Random Name
Generator. PHYTU. PHYTU. Netart project ELENCGYRO. Noemata Random Name
Generator. GANGYRO. GANGYRO. gg ggg ggg ggggggg gg ggg. gg ggggggggggg
gggggg. ii dPI dPYPYb ii dPYa. dPY dPdPYb. ' dP Yb dP' ' Yb. Yb b d' Y
bdP. Yaaad dP ' Yaaad. P d' YbaaadP'. dY ' dY. aaaadP P Y. P b d P b. Yb b
d. dP Y dP Y. b Y P. dP' IdP P Y dP' I. Ybd i Y P'. dPYbdP b YdP. YP Yb
YbdP'. aPYP YP Y YaPYP. ad Y YP'. dP. d'. d'. Y. YP. Fancy art gallery
ZONROTO. Noemata Random Name Generator. DECKSCEOM. DECKSCEOM. ) ) ) ) ).
). ( ) () ( ) ( ) (). ( ) (. ) ( ). ) ). ). ( () () ( ( () (). ( ( '.
Artist name KONLEAR. Noemata Random Name Generator. BELMOE. BELMOE.
Noemata Random Name Generator. CITBIEA. CITBIEA. Message board spam name
PITHYPOEX. Noemata Random Name Generator. THROPICRAGAA. THROPICRAGAA. T H
R O P I C R A G A A. Meditation mantra OHNEDNECRO. Noemata Random Name
Generator. POSPATAA. POSPATAA. Cyborg model ALPACTAI. Noemata Random Name
Generator. SUNOPTI. SUNOPTI. '. Noemata Random Name Generator. SENTHERMO.
SENTHERMO. '''. ''''''''. '... ..... ... .. ..... ..... ''..... ... '. ..
..... ... . .... ... .. .. ' . . .. . . .. ..
................................................ Goldfish name BINDRU.
Noemata Random Name Generator. GRRHINO. GRRHINO. Software UNIPACAN.
Noemata Random Name Generator. RITZNECRO. RITZNECRO. ))) )) )) ' )) )L ))
))) )) ). (( (( (( (( ((( (( (( (( (((. Message board spam name YTION.
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Roleplaying name EVOXBETA. Noemata Random Name Generator. RATIM. RATIM.
Fantasynovel goddess WEANOIDES. Noemata Random Name Generator. ASTROME.
ASTROME. Meditation mantra STERBO. Noemata Random Name Generator. CAMA.
CAMA. Noemata Random Name Generator. CHLONUALE. CHLONUALE. Dada movement
POPE. Noemata Random Name Generator. TEATANA. TEATANA. Mysterious alias
SYNCGO. Noemata Random Name Generator. PARARAH. PARARAH. TOMBA. Noemata
Random Name Generator. LEMBA. LEMBA. Buzz word this year VIOCONAGE.
Noemata Random Name Generator. EAPOPS. EAPOPS.
ooooooooooooooooooooooooooooooooo. oooooooooooooooooooooo.
oooooooooooooooooooooo. ooooooooooooooooooooooooooooo. oooooooooooooooooo.
oooooooooooooooooooooooo. Cool band name PSEURACKS. Noemata Random Name
Generator. BARTE. BARTE. oooooooooooooooooooooooooooooooo.
oooooooooooooooo. oooooooooooooooooooooo. oooooooooooooooooooooooo.
oooooooooooooooo. oooooooooooooooooooooooo. Tattoo shop LINEDS. Noemata
Random Name Generator. VALENC. VALENC. Fantasynovel goddess MORRAGAET.
Noemata Random Name Generator. SURFMIDIAZ. SURFMIDIAZ. SSSSS UU UU RRRRRR
FFFFFFF MM MM IIIII DDDDD IIIII AAA ZZZZZ. SS UU UU RR RR FF MMM MMM III
DD DD III AAAAA ZZ. SSSSS UU UU RRRRRR FFFF MM MM MM III DD DD III AA AA
ZZ. SS UU UU RR RR FF MM MM III DD DD III AAAAAAA ZZ. SSSSS UUUUU RR RR FF
MM MM IIIII DDDDDD IIIII AA AA ZZZZZ. Abstract music composition PHU.
Noemata Random Name Generator. PERWEAH. PERWEAH. P E R W E A H.
International agent codename CONZE. Noemata Random Name Generator.
ELENDON. ELENDON. L)((). Art installation CONGAEGE. Noemata Random Name
Generator. USELON. USELON. .. Abstract music composition ARCKWE. Noemata
Random Name Generator. CEZ. CEZ. ) ). () ( ). ). () () ). (. Noemata
Random Name Generator. GALPHOE. GALPHOE. Noemata Random Name Generator.
QUACKAZ. QUACKAZ. Nerd alias MODCOLA. Noemata Random Name Generator.
ZONPRI. ZONPRI. ''' '''. ..... '.... .... .... .. . ..... ... . .. . . .
'. .............................. Check name
297
298
Tattoo shop METARUPTE. Noemata Random Name Generator. SEXWOAH. SEXWOAH. ) )
) ). ((. ) ). (( ((. Nerd alias PABELEZ. Noemata Random Name Generator.
GUSURI. GUSURI. Polkaband SAURVON. Noemata Random Name Generator. WARDRY.
WARDRY. ) ). ( ) ( ( ) ( ) ( ) ( ). ) ) ) (. ( ( ( ( ). (. ICQ nick
GRICHROME. Noemata Random Name Generator. VOYOMNI. VOYOMNI. ( ( ..
Mysterious alias UNIROS. Noemata Random Name Generator. VOXMESES.
VOXMESES. Hxr nick CANSPY. Noemata Random Name Generator. DENTPI. DENTPI.
( D ) ( E ) ( N ) ( T ) ( P ) ( I ). Osho name ZENGAEA. Noemata Random
Name Generator. CITYJUNOAN. CITYJUNOAN. CCCCC IIIII TTTTTTT YY YY JJJ UU
UU NN NN OOOOO AAA NN NN. CC C III TTT YY YY JJJ UU UU NNN NN OO OO AAAAA
NNN NN. CC III TTT YYYYY JJJ UU UU NN N NN OO OO AA AA NN N NN. CC C III
TTT YYY JJ JJJ UU UU NN NNN OO OO AAAAAAA NN NNN. CCCCC IIIII TTT YYY
JJJJJ UUUUU NN NN OOOO AA AA NN NN. Fantasynovel goddess DENTFU. Noemata
Random Name Generator. AGUSCYCLO. AGUSCYCLO. Buzz word this year
MACCARDIAOH. Noemata Random Name Generator. GONMACROI. GONMACROI. ICQ nick
RIOSHOLOA. Noemata Random Name Generator. VADE. VADE. Pet name BELHEE.
Noemata Random Name Generator. ZYMTRAI. ZYMTRAI. Dada movement TELDADA.
Noemata Random Name Generator. MONASTROA. MONASTROA. (). ). Osho name
CUSYEA. Noemata Random Name Generator. FAC. FAC. d.....b .d.b. .o..b.. ..'
d.'.b d.PY.. ..ooo ..ooo.. .P. .. .... .b. .. .... Y.bd.. YP YPYP Y..P'. DJ
name LATHOLOA. Noemata Random Name Generator. NITRONITY. NITRONITY.
Impressive fake middle name HEMACEM. Noemata Random Name Generator.
HYPOGORS. HYPOGORS. ggg gg ggg gg ggggggggggg gggggg gg. gggggg
ggggggggggg gg. dPYb dPYa dPY dPdPYb ii. dPdPYb dPY ii. Yb Yb Yb bd' Y bdP
'. d' Y bdPYb b '. Pd' YbaaadP'. Yaaad d' YbaaadP' P '. aaaaaaa aaaadP P Y.
dYP Y aaaadP dP. b d P. bb d Yb dP' a. Y P dP. YY P b dP' Yb. Ybd Y P' dP'.
IY P' i dP' I. Y YP YbdP'. dP YbdP' YbdP. Y ad YP'. aPYP YP' YaPYP. dP. d'.
d'. Y. YP. Scifi robot hero ASTRONTH. Noemata Random Name Generator.
ONGORHI. ONGORHI. (). ')' ) ) ' ')' ) )' ) ). '. ( (. Noemata Random Name
Generator. RIOSBETAER. RIOSBETAER. ) ) ) ) ) ) ) ). ) ). ((. ( (. (. ) ) )
). (( ((. Tshirt text EBACAZ. Noemata Random Name Generator. IDODAL.
IDODAL. Fancy art gallery USCOLPARA. Noemata Random Name Generator.
NIUMPHO. NIUMPHO. ). Impressive fake middle name VOXME. Noemata Random
Name Generator. OMNITIV. OMNITIV. ( O ) ( M ) ( N ) ( I ) ( T ) ( I ) ( V
). Japanese toy craze MODOPTI. Noemata Random Name Generator. SPYPITOS.
SPYPITOS. ' Y '. Art installation ERRIORKEE. Noemata Random Name
Generator. THELTHEO. THELTHEO. ) ). ((. Dog name PARAVI. BYPH. BYPH.
............... ................. ............... .....................
.................... ................................. Computer ID TIMLOU.
LENCVE. LENCVE. gggg ggggggg ggg ggggggg gggg ggg gg. ggggggg. d I
dPYbdPYPYb YbdPYa P. dPYb. dP d' a YYb dP' d YYb d'. d' a Y. P YP' ' d' b
d. YP'. baaaa I YP'. baaaa. dP I' I I. dP. aa d d ' d. dP P Y Y Y P Y.
Ybdb Yba YYba YbdP. Yba. YP Y Y Y Y YP. Y. Goldfish name CONVA. TEATMETA.
TEATMETA. ' '. Motherplanet in space flick LOKON. AMATEX. AMATEX. Dog name
GOGOBEL. GANWE. GANWE. ) '. (. Impressive fake middle name NIZCARDIA.
KEZSCO. KEZSCO. ) ) ). ( ) ( ) ( ) () ( ). ( ). ) ). ( () ) ( () (. (.
Noemata Random Name Generator. IDOPILIX. IDOPILIX. Elbonian cousin name
MUGGLYCO. Noemata Random Name Generator. NIZMO. NIZMO. ( N ) ( I ) ( Z ) (
M ) ( O ). Abstract music composition REPCO. Noemata Random Name Generator.
KEGORAL. KEGORAL. Goldfish name BYSTON. Noemata Random Name Generator.
OSSPACI. OSSPACI.
299
Abstract music composition RPHOE. Noemata Random Name Generator. ZEMPAINEM.
ZEMPAINEM. ..............................
..........................................
.....................................
.................................................
.................................
...........................................................................
Meditation mantra YPACSES. Noemata Random Name Generator. TOMNEURO.
TOMNEURO. ) ' ) ). ( ((. Elbonian cousin name WABOON. Noemata Random Name
Generator. MODXEROO. MODXEROO. ggg gggggg gggggg gggggggggggg ggg gg.
ggggggg ggggggggggg gggggg gggggg. dPYdPYPYb dPdPYb dPYb dPY dP'. dPYbdPY
dPdPYb dPdPYb. Yb ' ' d' Y bdPYb bYb b d d'. a YYb b d' Y bdPd' Y bdP. d'
YbaaadP' b YP'. YP' P d' YbaaadP'd' YbaaadP'. P Y Y Y. baaaa aaaadP P Y P
Y. b d d b. dP Yb b d b d. Y P P d b d. b Y P Y P. Y P' P' P' Y Y. i Y P'
Y P'. Y YbdP' dP' d Yb. Yba Yb YbdP' YbdP'. Y YP' P P' Y. Y Y YP' YP'.
Cyborg model EZZENLI. Noemata Random Name Generator. SOPERA. SOPERA.
..................... ............................. .....................
............................... .........................
................................................. Artist name NANODER.
Noemata Random Name Generator. BOONE. BOONE. ). Japanese toy craze CYLAO.
Noemata Random Name Generator. TUNEXEEX. TUNEXEEX.
......................... ........................................
......................................
......................................... .............................
................................................................. Art
installation ABUM. Noemata Random Name Generator. TUNCA. TUNCA. Tattoo
shop WINMETA. Noemata Random Name Generator. TOPBIER. TOPBIER.
Fantasynovel goddess COOM. Noemata Random Name Generator. TEATBAOH.
TEATBAOH. Dada movement REOBAB. Noemata Random Name Generator. CEMCYCLO.
CEMCYCLO. Tattoo shop LEMSAET. Noemata Random Name Generator. ECLONALPHA.
ECLONALPHA. ((L(()L). L. Nerd alias CHENOIRAH. Noemata Random Name
Generator. METAFORC. METAFORC. M E T A F O R C. Polkaband ZANTHERMOE.
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flick ETUALCARDIA. Noemata Random Name Generator. XIDWHIEZ. XIDWHIEZ. Buzz
word this year MATICE. Noemata Random Name Generator. ZARTEI. ZARTEI. DJ
name DERA. Noemata Random Name Generator. NEOBASA. NEOBASA. Dada movement
NORCO. Noemata Random Name Generator. DATA. DATA. e eeee e eeee. eee.
Abstract music composition EMATICANA. Noemata Random Name Generator.
WENTOA. WENTOA. . (. Message board spam name AMAGRE. Noemata Random Name
Generator. PUSSPO. PUSSPO. Acid house combo NANOMODSES. Noemata Random
Name Generator. GANZEAH. GANZEAH. ( .. Polkaband ZAMPAIN. Noemata Random
Name Generator. SPONOM. SPONOM. Blackmetal band CUSEPI. Noemata Random
Name Generator. CANGA. CANGA. ) ) ). () ( ( (. ) ) ) ). () ( ( ' ( (. Cat
name MODMETA. Noemata Random Name Generator. NOMICSNEO. NOMICSNEO. '
'''''''. ''. '.... '. '... '.... .....'..... ' .. ... .. . . ..... . ....
. . ' .. . . '. . . .. ...................................................
Noemata Random Name Generator. CUSMULTIY. CUSMULTIY. Blackmetal band
MIDIBELS. Noemata Random Name Generator. MAGSPI. MAGSPI. '. Cyborg model
CORPZERO. Noemata Random Name Generator. GOSCERN. GOSCERN. Impressive fake
middle name SHCO. Noemata Random Name Generator. CAZARER. CAZARER. DJ name
ECCHO. Noemata Random Name Generator. MUSGE. MUSGE. U(((. '''. Roleplaying
name BENEA. Noemata Random Name Generator. WAWEN. WAWEN. ggg gg gg ggg ggg
gg gg ggggggg. ggg ggggggg. dPYa P dPI dPYa P. dPYbdPYPYb. Yb d' dP Yb d'
d' a YYb. dP'. dP YP'. '. ' baaaa. d dP. d. Y P dP P Y Y P Y. YbdbdP YbdP
b YbdbdP Yba. Y. YP Y Y. Y. DJ name STURMONO. Noemata Random Name
Generator. AERODOMIN. AERODOMIN. Evil scifi character MOBONGER. Noemata
Random Name Generator. DOMINGEYN. DOMINGEYN.
300
Cat name NOIREA. Noemata Random Name Generator. LOGCA. LOGCA. ) ) ) ) ) ).
(( (( ((. Hotmail account name PIXPOS. Noemata Random Name Generator.
GARMAGI. GARMAGI. Hotmail account name LOGOSCAP. Noemata Random Name
Generator. POSINTOEZ. POSINTOEZ. P O S I N T O E Z. Noemata Random Name
Generator. BINLI. BINLI. ''' ''. .... . .. .... .. .. ' . '.
............................. Pet name CEMGEE. Noemata Random Name
Generator. LLOPTI. LLOPTI. NECROPTURA. Noemata Random Name Generator.
ENELLDRY. ENELLDRY. )L )) )L )) )) )) )))). (( ((( (( (((((((( ((. Noemata
Random Name Generator. NUALPRI. NUALPRI. DJ name VERSXE. Noemata Random
Name Generator. MEBUMEL. MEBUMEL. ( M ) ( E ) ( B ) ( U ) ( M ) ( E ) ( L
). Buzz word this year ERBONGJEA. Noemata Random Name Generator. DAPILAL.
DAPILAL. '. Abstract music composition CONVEAH. Noemata Random Name
Generator. AMIXE. AMIXE. Noemata Random Name Generator. NDONTAI. NDONTAI.
Cool band name MONCYCLO. Noemata Random Name Generator. DICPARA. DICPARA.
Polkaband LINKAO. Noemata Random Name Generator. ELOGTE. ELOGTE.
International agent codename JEAGUS. Noemata Random Name Generator. BYNOS.
BYNOS. ... Goldfish name NATOME. Noemata Random Name Generator. LATROTOE.
LATROTOE. gggg ggg ggggggggggggggg ggggggggggg gggggg. ggggggggggggggg
gggggg ggggggg. d I dPI dPdPY. dPdPYb dP dPdPYb dPYb. dP dP Yb Yb b d' Y.
bdPYb d' Y bdP d' a Y. P dP P d'. YbaaadP' d' YbaaadP' YP'. ' aaaadP P. Y
P Y baaaa. d Yb b. d b d dP. aa b Y. P Y P d. dP P dP P Y gg i Y. P' gg Y
P' Y. Ybdb YbdP b YbP Yb. YbdP' YbP YbdP' Yba. YP Y YP Y YP' Y YP'. YP'
YP' Y. Message board spam name CHROMNEOYN. Noemata Random Name Generator.
DA. DA. Nerd alias MSCOIN. Noemata Random Name Generator. OPTIA. OPTIA.
Fantasynovel goddess CHAXIDAX. Noemata Random Name Generator. HIZARON.
HIZARON. ''''''''. . ..... ' .... '..... '.. '.. .... .. .. .... . .. ' .
. .. .................................... Impressive fake middle name
POPNANOAN. Noemata Random Name Generator. GEPUNKY. GEPUNKY. '. .. Buzz
word this year JEAPH. Noemata Random Name Generator. COFACEA. COFACEA.
Software SEXSAU. Noemata Random Name Generator. BITOM. BITOM. ). ). DJ
name ECIFQUO. Noemata Random Name Generator. ME. ME. Computer ID PHPATA.
Noemata Random Name Generator. SBASA. SBASA. )) ))) ))) ). (( (()(( ( ((
(( (. Scifi robot hero IDOPHEGE. Noemata Random Name Generator. ETBONGQUO.
ETBONGQUO. d.....b d......b d....b. .d..b. d.bdb d...b .d..b. dbdb .d..b..
..' ..' ...D ..PY.. ...o.. ..'Y.b ..PY.. .... ..PY... ..ooooo .. ..oooY'
.... ..V.o.. .. .... .... ..... .. .. ..b. .... ..V.o.. ..ooo .... ....
..... ... .. ...D .bd.' ..V... .... .Pd.' ..bd.. .bd.'. Y.....P YP Y....P'
Y..P' VPV.P Y...P Y..'Y. Y....P' Y..P'. Hare krishna alias UNOYARA. Noemata
Random Name Generator. LOWEBS. LOWEBS. ). (. Noemata Random Name Generator.
CHROMWA. CHROMWA. ) ) ). ((. Trance artist RHINOMICUS. Noemata Random Name
Generator. CUSO. CUSO. Noemata Random Name Generator. CARNU. CARNU.
Message board spam name STERINFRA. Noemata Random Name Generator. PUSLA.
PUSLA. ))) ))))) )) ). (( ((( (( (((( (. Mysterious alias NECRONED.
Noemata Random Name Generator. VELNECROA. VELNECROA. Artist name SWARCOLA.
Noemata Random Name Generator. CHLOPIL. CHLOPIL. ( C ) ( H ) ( L ) ( O ) (
P ) ( I ) ( L ).
301
DJ name NANOCONOS. Noemata Random Name Generator. CIFGE. CIFGE. '''''. '...
. .....'... ...... .. ... '. ... .... . ' .. ...........................
Acid house combo MANCERSEA. Noemata Random Name Generator. NANOTEAT.
NANOTEAT. NN NN AAA NN NN OOOOO TTTTTTT EEEEEEE AAA TTTTTTT. NNN NN AAAAA
NNN NN OO OO TTT EE AAAAA TTT. NN N NN AA AA NN N NN OO OO TTT EEEEE AA AA
TTT. NN NNN AAAAAAA NN NNN OO OO TTT EE AAAAAAA TTT. NN NN AA AA NN NN OOOO
TTT EEEEEEE AA AA TTT. Evil scifi character DOMINTRA. Noemata Random Name
Generator. MERME. MERME. MM MM EEEEEEE RRRRRR MM MM EEEEEEE. MMM MMM EE RR
RR MMM MMM EE. MM MM MM EEEEE RRRRRR MM MM MM EEEEE. MM MM EE RR RR MM MM
EE. MM MM EEEEEEE RR RR MM MM EEEEEEE. Art installation SAVOCORE. Noemata
Random Name Generator. VELDADAE. VELDADAE. V E L D A D A E. Polkaband
OILOGAR. Noemata Random Name Generator. ELINSEA. ELINSEA. Cyborg model
NOMPRIUS. Noemata Random Name Generator. EXESURF. EXESURF. ICQ nick
ETTASWO. Noemata Random Name Generator. XIDWE. XIDWE. Acid house combo
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YPYP. Buzz word this year POLMIDI. Noemata Random Name Generator. HENOIDS.
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ABONGNITRO. ABONGNITRO. ) ) ) ) ) ). ) ) ) ). (. (. ) ). (( ((. ((.
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'.. . .. ... . . .... .. '. . . . .. ..
............................................... International agent
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RUPTOMNISES. ) ) ((. )).
302
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............................ ................... .........................
..........................
.................................................. Meditation mantra EZEN.
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Noemata Random Name Generator. THELPOEGE. THELPOEGE. d......b dbdb d.....b
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.. .. .. .... .. ..ooo ... .. .... ... ..booo. .. .bd.' ... .... .... YP
YPYP Y.....P Y.....P .. Y..P' Y.....P Y...P Y.....P. Scifi robot hero
NKMETA. Noemata Random Name Generator. SHCHROMO. SHCHROMO. ( ( (. Cat name
SRONMAGI. Noemata Random Name Generator. EXSINNECRO. EXSINNECRO. ggggggg
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dPYbdPY dP' ii dPYPYb. dPYPYb dPYb YbdPY dPdPYb. d' a YYb b d ' d bYb dP'
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baaaa Y dP. baaaa I YP' aaaadP P Y. dP b dP' a Y P. dP I' Yb b d. d d b
dP' Yb '. d d b Y P. Y P' Y dP' I. Y Y i Y P'. Yba d Yb dPb db Y. YYba Yba
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oooooooooooooooooo. oooooooooooooooooo. oooooooooooooooooooo.
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Noemata Random Name Generator. ANPHONPO. ANPHONPO. Art installation
CANEXTRA. Noemata Random Name Generator. UN. UN. ))) )). ((( (((. Buzz
word this year GYROVOXER. Noemata Random Name Generator. GOGOCITYY.
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SPHERAMA. ICQ nick CORGRI. Noemata Random Name Generator. ESCAPTHE.
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..'YP d.PY. d.'.b ...D ..' .... ..'. ..ooooo .bo. .P ..ooo.. ..oodD' ..
..ooo.. ..ooooo. .. Y.b. .b .... .. .. .... ... ... db.D Y.bd. .... .. ..
.... .... Y.....P ....Y' Y..P' YPYP .. YP YPYP Y.....P. Netart project
GRUSE. Noemata Random Name Generator. FEDEROOTAM. FEDEROOTAM. ' ' ) ' ) )
). ((. Acid house combo METRONDONA. Noemata Random Name Generator.
THERMODENT. THERMODENT. ................................
...............................................
.........................................
..................................................
.........................................
..................................................................................
Mysterious alias SINE. Noemata Random Name Generator. CLONPLEXIAX.
CLONPLEXIAX. Dada movement VELULTRA. Noemata Random Name Generator.
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..ooooo. ...b .. .... Y.b. .dPYb. .. ... ..... .... .bd.' db.D ..PY.. ...
.... ..YD Y......P Y..P' ....Y' YPYP Y.....P Y.....P. International agent
codename QUOMACE. Noemata Random Name Generator. BOONPE. BOONPE. '''' ''.
.... '.... '.... .... ...... .... . ..... .... .. . . ..
..................................... ANNUALE. Noemata Random Name
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COMWE. COMWE. ( C ) ( O ) ( M ) ( W ) ( E ). Noemata Random Name
Generator. LLDAEL. LLDAEL. ). ) ) ( ) ( ). ( ( ) (. ). )
303
( ( ( ( () (. ) ) ). Netart project AKEZEPI. Noemata Random Name Generator.
HIDIUMEM. HIDIUMEM. Motherplanet in space flick FEEPOSO. Noemata Random
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gggggg. gggggg gg. dP dPdPYb dPYdPYPYb dPYdPYPYb. dPdPYb ii. Yb d' Y bdPYb
' ' Yb ' ' d'. Y bdP '. d' YbaaadP' d'. YbaaadP' '. P Y P. Y dP. b d b. d
dP' a. Y P Y. P dP' Yb. gg Y P' Y. P' dP' I. YbP YbdP' Y Y. YbdP' dP. YP'
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oooooooooooooooooooooooo. oooooooooooooooooooooooooo.
ooooooooooooooooooooooo. oooooooooooooooooooooo.
oooooooooooooooooooooooooooooo. DENOPTI. Noemata Random Name Generator.
ESCERNSPY. ESCERNSPY. d.....b .d..... .o..b. d.....b d....b. d.bdb .d.....
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..V.o.. Y.b. .. ... ... db.D Y.bd. ... ..... ..V... db.D .. ... Y.....P
....Y' Y..P' Y.....P ..YD VPV.P ....Y' .. YP. Trance artist EALENCYOU.
Noemata Random Name Generator. SEMAC. SEMAC. )) )L )) ) )). (( (( (((( ((
( ((. Polkaband MAGIBEAMAN. Noemata Random Name Generator. MUSOMNI.
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GANDIE. GANDIE. DJ name AHBASLOO. Noemata Random Name Generator. WARCE.
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'. '. '. '.. ..... .... .. .. .... . .. . .. ..........................
Netart project ERDOMINPROTO. Noemata Random Name Generator. BARDATAYN.
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ERZYMNANO. Noemata Random Name Generator. KITEAL. KITEAL. ) ) ). ( ) ( ( (
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NN NNN EE UU UU RR RR OO OO EE. MM MM AA AA SSSSS NN NN EEEEEEE UUUUU RR RR
OOOO EEEEEEE. Fancy art gallery GRIPOS. Noemata Random Name Generator.
ETORPHOTO. ETORPHOTO. .............................
...........................................
.....................................
.............................................
.........................................
.........................................................................
Buzz word this year BABIDO. Noemata Random Name Generator. MACAMA. MACAMA.
PISOPTI. Noemata Random Name Generator. TEZYM. TEZYM. Motherplanet in space
flick FACHYPO. Noemata Random Name Generator. SPOSUBSES. SPOSUBSES. gg
ggggggggggg gggggg gg ggg gg. ggggggggggg gg ggggggg gg. ii dPY dPdPYb ii
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'. P ' YP' '. dP aaaadP P Y dP. aaaadP dP baaaa dP. dP' a b d dP' a. Yba
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aPYP. Artist name OSCONREO. Noemata Random Name Generator. OICH. OICH. ')
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'.. ..... .... .. .... .... . ..... .. ......................... Osho name
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..'. ..I.I.. ..ooo.. ..oobY' ..ooooo. Y.I.I.. .... ...b ... .bd.'.bd.'
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( ' ((. Software CELLMIDIIN. Noemata Random Name Generator. PTURSO. PTURSO.
..................... .............................
......................... ...............................
.............................
................................................. Elbonian cousin name
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middle name NARS. Noemata Random Name Generator. EMUSSI. EMUSSI.
httpwww.google.comsearchqEMUSSI
304
305
Blackmetal band EBEAMPRE. Noemata Random Name Generator. POPWAE. POPWAE. .
. . . . . .. . . . . . .. . . .. . .. .. .. . . . . .. . . .. . . . . . ..
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Noemata Random Name Generator. SCEZARON. SCEZARON. gg gggg ggggggg gggggggg
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' d Y d' a Ya b dP Yb. b d' Y bdPYb dP'. ' d' b d YP'YP dP. P d' YbaaadP'
'. dP I YP' baaaa '. aaaadP P Y. dP' a I' dP d' d. Yb b d. dP' Ybd d d'. b
Y P. dP' IY Y dba dP P Y. i Y P'. dPYba Yba YbYbdP b. Yb YbdP' Y. aPYP Y Y
d YP Y. Y YP' Y. P. d'. d'. d'. Y P. YP. Noemata Random Name Generator.
FACPARA. FACPARA. Tshirt text ENIUME. Noemata Random Name Generator.
OHZENYA. OHZENYA. OOOOO HH HH ZZZZZ EEEEEEE NN NN YY YY AAA. OO OO HH HH
ZZ EE NNN NN YY YY AAAAA. OO OO HHHHHHH ZZ EEEEE NN N NN YYYYY AA AA. OO
OO HH HH ZZ EE NN NNN YYY AAAAAAA. OOOO HH HH ZZZZZ EEEEEEE NN NN YYY AA
AA. Evil scifi character GERONA. Noemata Random Name Generator. SIRIOS.
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Noemata Random Name Generator. HESUM. HESUM. . .. . . .. .. . .. . .. .. .
.. . .. . . .. . . .. . .. . . .. . .. . .. . . .. . .. . .. . .. .. .. .
.. . . . .. Scifi robot hero EXGUS. Noemata Random Name Generator.
AGANUNI. AGANUNI. ) ). (( ((. ICQ nick CKEXTRAS. Noemata Random Name
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................................. Acid house combo CITUNIE. Noemata Random
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'. Cat name APITELE. Noemata Random Name Generator. ESALPRI. ESALPRI.
ooooooooooooooooooooooooooooooooooo. oooooooooooooooooooooo.
oooooooooooooooooooooo. oooooooooooooooooooooooooooooo.
oooooooooooooooooooo. ooooooooooooooooooooooooooooooooo. Pet name
SUMPROTO. Noemata Random Name Generator. PSEUCOMA. PSEUCOMA. ''''''''''.
.... '... ..... '... '.... ''. .. .. ''.. .. '.. .......... ... .. ' ..
..... . . . .. ............................................. Hotmail
account name ERLWE. Noemata Random Name Generator. VOXFEDEO. VOXFEDEO.
Tshirt text HATTIE. Noemata Random Name Generator. EGEBACZA. EGEBACZA. ).
). Roleplaying name VIEGONET. Noemata Random Name Generator. SSUNZE.
SSUNZE. .d..... .d..... dbdb d.bdb d.....D d.....b. ..'YP ..'YP ....
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VPV.P d.....P Y.....P. Art installation PRESLOUO. Noemata Random Name
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oooooooooooooooooooooooooooo. oooooooooooooooooooooooooooo.
oooooooooooooooooooooooooooooo. oooooooooooooooooooooooo.
ooooooooooooooooooooooooooooooooooo. Tshirt text TUALPHOTOO. Noemata
Random Name Generator. ACIFCRO. ACIFCRO. Cyborg model DIOSPIE. Noemata
Random Name Generator. GNOMGOAL. GNOMGOAL. Japanese toy craze XIDNEURO.
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SPACI. SPACI. .. Software ERRITZLA. Noemata Random Name Generator.
CEMINOM. CEMINOM. . .. ... . . . .. . .. . . ... . . . . . . .. . . . . .
... . .. .. . . .. . . . . ... . .. .. . .. . . . . ... . .. .. . .. . ..
. ... . . . . .. . .. ... . . . .. Hotmail account name FACNEBULA. Noemata
Random Name Generator. GAPATH. GAPATH.
306
Netart project NIZMAGIER. Noemata Random Name Generator. LARIOR. LARIOR.
Tattoo shop PTURQUEER. Noemata Random Name Generator. THGO. THGO. d......b
dbdb d...b .d..b.. ..' .... ..'Y.b ..PY... .. ..ooo.. .. ..... .. ....
..ooo ..... .. .... .... .bd.'. YP YPYP Y...P Y..P'. Mysterious alias
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ECLONYOU. Noemata Random Name Generator. OMLYZCYCLO. OMLYZCYCLO. Message
board spam name LENCA. Noemata Random Name Generator. LEARNAL. LEARNAL. .
. . . . . . .. . . . . . . . . . .. . . . . . . . . . . . .. . . . . . . .
. . . . .. . . . . . . . . . . . .. . . . . . . . . . . .. ... .. .. ...
... Noemata Random Name Generator. INERDE. INERDE. d......b d.bdb d.....b
d....b. d....b. d.....b. ..' ...o.. ..' ...D ...D ..'. .. ..V.o.. ..ooooo
..oobY' .... ..ooooo. .. ..V.o.. .. ...b .... ... .... ..V... ... .....
....D .... Y......P VPV.P Y.....P ..YD Y....D' Y.....P. Dog name FACBIOEM.
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MONOZYM. Noemata Random Name Generator. HOLONIZ. HOLONIZ. Cyborg model
DYZENE. Noemata Random Name Generator. LO. LO. Art installation SEXWE.
Noemata Random Name Generator. XIDE. XIDE. Buzz word this year DECKNAES.
Noemata Random Name Generator. ACKDADA. ACKDADA. ) )' ) ) ) ) ). ( ( ) (
(. Mysterious alias SALAT. Noemata Random Name Generator. CYCLOMERAX.
CYCLOMERAX. Artist name VERSESES. Noemata Random Name Generator. HOLOPH.
HOLOPH. Noemata Random Name Generator. SAVOZ. SAVOZ. gg ggg ggg gg gggggg
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P. YP. Blackmetal band MUSBA. Noemata Random Name Generator. DANEER.
DANEER. ) )' ) ) ' ) ). '. ( ( ( (. Evil scifi character COLNU. Noemata
Random Name Generator. STASTROAZ. STASTROAZ. gg ggggggggggggggg ggg gg
ggggggggggggggg. ggggggggggg gggggg ggg gggggggg. ii dP dPI ii. dPdPY
dPdPYb dPI. dPYb. ' Yb dP ' Yb. Yb b d' Y bdP dP a b. ' dP '. P d'
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dP' Yb. b Y P d'. dP' I gg dP P Y dP' I gg. i Y P' dP P Y dba. dP YbP YbdP
bdP YbP. Yb YbdP' YbdP b Yb. aPYP YP' YP YaPYP YP'. Y YP' YP Y d. P. d'.
d'. d'. Y P. YP. Mysterious alias ESCONU. Noemata Random Name Generator.
CABKILO. CABKILO. C A B K I L O. Cyborg model YRCHA. Noemata Random Name
Generator. BABNE. BABNE. ) ). .. Artist name CIDXY. Noemata Random Name
Generator. YARPA. YARPA. Hxr nick WEMENEGE. Noemata Random Name Generator.
MASHAE. MASHAE. ) ) ). ( ( ( ) ( (. ). ) ) ) ) ( ). ( ' ( ( ( ( ().
Computer ID OCY. Noemata Random Name Generator. STCYCLO. STCYCLO.
ooooooooooooooooooooooooooooooo. oooooooooooooooooooooooo.
oooooooooooooooooo. oooooooooooooooo. oooooooooooooooooooooo.
oooooooooooooooooooooooooooo. Goldfish name ANTINOS. Noemata Random Name
Generator. CHTERA. CHTERA. .o..b. dbdb d......b d.....b d....b. .d.b..
d.PY. .... ..' ..' ...D d.'.b. .P ..ooo.. .. ..ooooo ..oobY' ..ooo... .b
.... .. .. ...b ..... Y.bd. .... .. ... ..... ..... Y..P' YPYP YP Y.....P
..YD YPYP. Mysterious alias NAERO. Noemata Random Name Generator. EPTURA.
EPTURA. ). KENCHE. Noemata Random Name Generator. TORHEEN. TORHEEN. T O R
H E E N. DJ name ZARINTROIN. Noemata Random Name Generator. RABUM. RABUM.
Y. ICQ nick MACSES. Noemata Random Name Generator. CONSEA. CONSEA. ) ) ).
() ( ) ( ( ) (. ). ) ) ). () ( ( ' ( () (. Osho name PHOTOKENE. Noemata
Random Name Generator. CIESENT. CIESENT. ( C ) ( I ) ( E ) ( S ) ( E ) ( N
) ( T ). Buzz word this year ANOIDAERO. Noemata Random Name Generator.
SCERNAUTO. SCERNAUTO. (((()U L ((). '' '. Pet name BETALIONON. Noemata
Random Name Generator. RAGASEXEL. RAGASEXEL. ggggggggggg ggg gg ggg gg.
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Random Name Generator. AZBASLOO. AZBASLOO.
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Art installation AGECHROMAERO. Noemata Random Name Generator. Slektstre.
Slektstre. Ann Elesøpite. Bsorn Jenne. Anyto. Knet Macmoalteon. Erlunc
Mesnaylteon. Knet Olshn Micnualtean. Oli Olcen Hellons Mosnealdeem. Olo
Svonsan Tinuoese. Spaon Elepson Timeiøcu. Barcid Eilhpstedtar Tine de..
Amme Olstattår Buscøtaecon Besso i Nos Ål. Ghnfer Eiraggtitter Flhden.
Eerhs Assrensan Fletam. Ascram Ehrosgen Saecsort Flutyn. Eirus Aszrinsen
Sera Ree Østru Agur ver. Bhrghd Genmurdottar Øfre Asar par. Genbar
Olcditthr Nertra Fasc. Olå Knotson Nertra Fekc. Anma Lorstottår Nertræ
Åsor Syra Tefdo. Kristi Harpråntstitter Nerdru Hylcayson. Herfremd Pelcon
Låen Hasim Ssrendo. Mersht Keddilctættor. Mera Eylhfgtatder Ritnonsen Ål.
Ellans Olson Østnhntsed. Insopers Olsdhdtar Rutnimsen. Acnes Roeni. Anterc
Roonæ. Scur. Shnmyfi. Anme Øoeplitom faxrefelsi. Ole Øohflitan sil. Merea
Metolen sogn. Olhas Hehson. Jøns Heesem. Jan Jåmcan Haosan fhr aesost.
Jins Jimkan Sludte Kfangåyasen (c. . Jonc ver fri Oynctathtte. fre
Aurlomt.). Jin Jangen Oomstod Getbrentcgert Setndolen (s. ). Ronste
Olgtedter Tanisun. Oly Tanhccan Kfongiæegen. Tenis Olcøn Shra Tarba.
Ronsth Lerctytdor Nardre Gravo. Kyri Olctiddur Nidri Raynden. Ola Knatcen
Reemthm (g. ). Knyt Livhrtcon Sara Møaes (s. ). Rhnnes Larstettir Moteos.
Haltos Olctitthr Surh Bhssæstot. Byrsat Olsdattar Morasledte Sbartiferj
(forset ver dhttar tal. ssilelirar Oly Sopitson Sfertafers fre Ål.). Geru
Olstattyr Nardri Reumtan. Olu Olgem Nartre Reymton (c. ). Ola Sfeenson
Nartre Rayntim (s. ). Sfeon Kmhtgen dæ. Nhrtru Ryandhn. Knod Lifordsen
Sirø Mitays Netre Rionton (c. ). Remsta Sfaengtettar Sencta Kyebams.
Birzot Olctattir Thmsin. Gra Olkdottur Nirtro Hallamg Ål. Ole Olsen Nirtro
Hillhns Ål. Gri Nalctetdar Halde. Borsod Sshgortsdetthr Teasacthcin.
Birsoyld Hillinccthd. Arna Hhllenggthd. Tera Kolbcerncsart Vads. Removal
of the hand. The Removal of the hand as a mythological symptom consistent.
with fetishistic disavowal can only be a pretext for 'release' per se.
says. Mr. Tanizaki disavowedly.. Palafax Solipsigossa. .ltb.gt.
.ltb.gt....ltb.gt. randomART Tommy is .ltb.gt....ltb.gt. .) (.'. .) ('..
Seven elements of beauty. Seven elements of beauty. . Asymetry breaking
away from formed perfection.. . Nonattachment openmindedness. .
Naturalness artless without pretense. . Simplicity. . Limitless silence
inwardlooking mind. . Wizened austerity like an old tree. . Profound
subtlety. pieces. May there be peace in heaven.. May there be peace in the
sky.. May there be peace on earth.. May there be peace in the water.. May
there be peace in the plants.. May there be peace in the trees.. May there
be peace in the Gods.. May there be peace in Brahman.. May there be peace
in all.. Peace peace peace.. Hindu. a state of tranquillity or quiet as a
freedom from civil disturbance b. a state of security or order within a
community provided for by law or custom breach of the peace. freedom from
disquieting or oppressive thoughts or emotions. harmony in personal
relations. a a state or period of mutual concord between governments b a
pact or. agreement to end hostilities between those who have been at war
or in a state. of. enmity. used interjectionally to ask for silence or
calm or as a greeting or. farewell. at peace in a state of concord or
tranquillity. Cherish in your hearts boundless goodwill to all that
lives.. Learn to make the whole world your own. No one is a stranger my
child the. whole world is your own.. det profane er høyere enn det
sakrale. sakrale som et fokuspunkt. . The obstacles in the way of him who
desires to attain concentration are. Sickness Languor Doubt Carelessness
Laziness Addiction to objects of. sense. Erroneous Perception Failure to
attain any stage of abstraction and. Instability in any stage when
attained.. . These obstacles are accompanied by grief distress trembling
and sighing.. . FOR THE PREVENTION OF THESE ONE TRUTH SHOULD BE DWELT
UPON.. Any accepted truth which one approves is here meant.. . Through the
practising of Benevolence Tenderness Complacency and. Disregard for objects
of happiness grief virtue and vice the mind becomes. purified.. The chief
occasions for distraction of the mind are Covetousness and Aversion. and
what the aphorism means is not that virtue and vice should be viewed with.
indifference by the student but that he should not fix his mind with
pleasure. upon happiness or virtue nor with aversion upon grief or vice in
others but. should regard all with an equal mind and the practice of
Benevolence. Tenderness and Complacency brings about cheerfulness of the
mind which tends. strength and steadiness.. patanjali. recollect the
antecedent. . To recollect that which is most antecedent to the in breath
and out breath. means that you must tune into that which is prior to the
entire breathing cycle. itself. Just as the hand which lifts a staff is
not part of the staff likewise. the antecedent recollection is not a part
of your breathing. As a practical. illustration you must recollect the
antecedent as you breathe in and breathe. out. If the breathing is long or
short labored or otherwise you must focus on. the antecedent so that
breathing follows after it. When you breathe for. example your normal
belief is I am breathing. It never dawns on you to. retract your attention
and look in the opposite direction so as to rise above. breathing. Not
surprisingly this is not an easy task (owing to force of. habit. all of us
still attend to conditions which are always posterior).. seung sahn. You
think that the kongan is separate from your life and from your job. This.
kongan don'tknow mind clear mind your job your life everything hit. become
one. Just now what are you doing. You asked me what am I I say to you you
already understand. Look at the. ground. What do you see What do you hear
now You must open your eyes and. ears.. Also you must attain your true
self. Then you will not have to ask about me.. Zen is not difficult also
not special. If you want special you have special.. But this special
cannot help you. When you are eating just eat when you are. walking just
walk when you drive just drive. That is Zen. There are many. kinds of Zen
eating Zen working Zen television Zen driving Zen playing. tennis Zen.
Sitting Zen is one part. Most important is moment to moment how. do. you
keep clear mind So Nam Cheon Zen Master was asked What is Zen. Everyday.
mind is Zen mind. So don't make special don't hold something don't be.
attached to something don't make something then you are already complete..
That's primary point I told him. You found it. You studied philosophy but.
you couldn't attain this nothing. Just now you attained nothing. But if
you. hold nothing then you will have a problem.. What do you mean by
'holding nothing.... It's very sad if you are holding nothing. All your
lingering attachments will. press on you. If you are not attached to
nothing you will attain nothing and. there is no life or death. If you are
nothing then life and death are nothing.. You are already beyond them.. Oh
that's wonderful he said. I didn't understand that until now.. It was an
interesting conversation. He was old rich and very wellknown but. he said
he had gotten nothing. As you get old this nothing gets bigger. Before.
you come into this world there is nothing. When you are young you don't.
understand nothing just the words. But by the time you are forty or fifty.
and. a good friend has died or your mother and father have died then you
have. experienced nothing. You have tasted nothing. If you practice hard
the taste. is. very strong and you are free to help other people. But if
you are holding. something in your mind you can't taste nothing. If you
want freedom you. must. taste nothing very intensely. What is the taste of
nothing. cayce the Sanskrit word for action is karma. the Sanskrit word for
action is karma. when there are rebellions of body or mind against such is
there any wonder. that. the atoms of the body cause high blood pressure or
cause itching or cause. running sores or cause a rash or cause indigestion.
For all of these are. but the rebellion of truth and light.. . As has been
given there are DEFINITE conditions that arise from. within the inner man
when an individual enters into true or deep meditation. A. physical
condition happens a physical activity takes place Acting through. what
Through that man has chosen to call the imaginative or the impulsive and.
the sources of impulse are aroused by the shutting out of thought
pertaining to. activities or attributes of the carnal forces of man. That
is true whether we. are considering it from the group standpoint or the
individual. Then changes. naturally take place when there is the arousing
of that stimuli WITHIN the. individual that has within it the seat of the
soul's dwelling within the. individual body of the entity or man and then
this partakes of the. individuality rather than the personality.. . If
there has been set the mark (mark meaning here the image that is raised.
by the individual in its imaginative and impulse force) such that it takes
the. form of the ideal the individual is holding as its standard to be
raised to. within the individual as well as to all forces and powers that
are magnified or. be magnified in the world from without THEN the
individual (or the image). bears the mark of the Lamb or the Christ or the
Holy One or the Son or any. of the names we may have given to that which
ENABLES the individual to enter. THROUGH IT into the very presence of that
which is the creative force from. within itself see. . Some have so
overshadowed themselves by abuses of the mental attributes of. the body as
to make scars rather than the mark so that only an imperfect. image. may be
raised within themselves that may rise no higher than the arousing of. the.
carnal desires within the individual body. We are speaking individually of.
course we haven't raised it to where it may be disseminated for remember
it. rises from the glands known in the body as the lyden or to the lyden
Leydig. and through the reproductive forces themselves which are the very
essence of. Life itself within an individual see for these functionings
never reach that. position or place that they do not continue to secrete
that which makes for. virility to an individual physical body. Now we are
speaking of conditions from. without and from within. . The spirit and the
soul is within its encasement or its temple within the. body of the
individual see With the arousing then of this image it rises. along that
which is known as the Appian Way or the pineal center to the base. of the
BRAIN that it may be disseminated to those centers that give activity. to.
the whole of the mental and physical being. It rises then to the hidden eye
in. the center of the brain system or is felt in the forefront of the head
or in. the place just above the real face or bridge of nose see. . FIND
that which is to YOURSELF the more certain way to your consciousness. of.
PURIFYING body and mind before ye attempt to enter into the meditation as
to. raise the image of that through which ye are seeking to know the will
or the. activity of the Creative Forces for ye are RAISING in meditation
actual. CREATION taking place within the inner self. snailmail
jupitterlarsen. snailmail g.x. jupitterlarsen. for myself eye enjoy
playing with terms as toys nothing more. too many. people. take ideas (or
the terms of ideas) too linearly.. eye think that a person's disapproval
of somehting is no reason not to like. it.. if a man believes in something
it does not necessarily mean that he accept it. as something which is
essential nor should he.. in fact a man exhibits a real understanding of
the workings of reality when. in. a single action (without meaning to
deceive) he deliberately says one thing. and. does something else
altogether different.. it is the multidimensionality of all of this which
shows us that using the. same. process of making rational conclusions will
not always work for all events. and. actions.. eye am not from anywhere
really. my father was from norway however. g.x. jupitterlarsen. NOT HERE.
and we. and we. are fundamentally inclined to maintain that the falsest
opinions. (to which the synthetic judgments a priori belong) are the most.
indispensable to us ..without a constant. counterfeiting of the world by
means of numbers we could not. live.
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UEOFTHEFOUNDINGOFGARDENINGARPNCTSUJEXQUOTSFD. CSFDE. i don't remember
having written this not sure what it is... phaneronoemikon solipsis blog.
Person shelf sentence continuing. Q Who reads Person shelf sentence
continuing. A Pure Irration.. Q Is reading done in eyeball. A All reason
contains irreasonal assumption.. Q Why does Person shelf sentence
continue. A Pure ration of radiance.. Q What is contained in one ration of
radiance. A Pure Irration.. Q Are you in favor of constructing networks of
belief. A They are constructing me. Why not construct them. Q Can you
explain. A I have swallowed a redhot iron ball. which has cauterized my
throat into a starform.. Q Who reads Person shelf sentence continuing. A A
Pure Ration of the AllSelf incausing Irration for S.O.A.. A Person shelf
sentence continuing. Q FINAL.. Wednesday March. CAMBODIAN MAN CUTS OFF
PENIS TO FEED SPIRITS. Mon Mar AM ET. PHNOM PENH (Reuters) A Cambodian man
cut off his penis when he said he was. visited by four hungry spirits in a
dream and he had no chicken or duck to. offer them.. According to police
yearold Soun Ney told the spirits to go away when. they first appeared to
ask for food and waved his penis at them in defiance.. 'Devils I don't
have any chicken or duck for you' he was quoted as saying by. local police
chief Phoeung Vat. 'If you want to eat anything you can eat my. penis.'.
Soun Ney said the spirits agreed to eat his penis. He was rushed to a
hospital. near the capital Phnom Penh after he castrated himself with a
butcher's knife.. 'He is lucky to be alive' Phoeung Vat told Reuters..
Villagers in the deeply impoverished southeast Asian traditionally offer.
chicken duck or cake to the spirits of the dead to ward off bad luck..
found via Mark Lamoureux's. posted by Lanny PM. Sarandipities Trobard
ClusTermed. LunaLangLungLonging. What Breaks Though The Drama. Of All That
Tiny Inscriptus. Crowbar Plus. Ultra. My Kind. Trobar Plus. The Albino
Cyclopean Unicorn Gorilla. With Diaper D'oro. Filled With The Red
Tincture. Malbion Boonlight. It Doesn't Matter How You Arrange. The Words.
But How You Make Dolphin. Among The People. This Language Is Paramount. And
Must Be Unambiguous. Or You Will Be Labeled As A Kind Of Metagallinari. Of
Harangue Upon The River Styx. Now I Move In The Secret Doctrine Of Space.
And Find My Diagram Where The Outline Of. My Tribulation Is Ignored. The
Erotis Curvatures Of The Iconic Invention. Signals A Float Of
Intentionality. Within The Dark Wood Of The Loam Of Eyes. This Isn't An
Area For Soft Boys. But For Viral And Manic Demons Whose Surfaces. Are
Iconic Landscapes. Whose Dreams Are Alchemical Dramas Unfolding. With The
Precision of Floral Camera Craniums. This Machinic Djinn Lives. And Bites
Through The Umbilical Chord. With Teeth Of Coma. Chroma. The Ribald Town
Of Jiboko. Where The Green Skinned Fever. Hides Like An Assassin. Passing
Dreams Like Crystal Throwing Stars. Into Passing Gourds. None Of This Says
What It Thinks It Says. Such Is the Mystery Of the World. That No One May
Know Its. Fama Who Ignite Such Terrible And Inspiring Fires. Blank.
Arsenal. Firing. Under. Kama. Kra. C. losing.. Butter Idols.. What Happens
To Authors. Because. Of Their Texts.. Character (Dinosaur). pro notia
(elastic notocord). linguarum (Atlantean incense). universalis
(sphaerical). Species of the .... (enter relevanttimeframecontext).
.Independent Potentials.. of the RealM.. posted by Lanny PM. The Plan
Abandoned. by Wade Tillett. The unavoidable theoretical crisis. lurking
for years as an outline. a shadow at the edge of a glance. an uneasy
feeling. has finally become apparent.. It is in the face of this spectre
that. I am abandoning the profession of architecture.. While innumerous
evils haunt this profession. they are not in the end what has compelled my
resignation.. (I suppose these would have been reasons to reform. not
abandon.). No in fact after much consideration and soulsearching. I have
come to understand there is only one demon. the plan.. The plan can not be
separated from belief.. Belief encloses itself and becomes a system..
Belief identifies a self and other. a landscape. and a space.. Belief
establishes truths and possibilities based on its own parameters.. The
plan is the contract which seals belief. enforces belief.. The plan is the
word written. staticized. objectified.. The plan is the mapping of belief.
its completion as a coherent system. its formalization.. The plan is the
enclosure of the belief set. its circular logic turned on itself. the
fabricationenclosure (simultaneously) of possibility.. The plan produces
possibility. a construct of definable limits.. The plan allows one to
inhabit belief.. The plan delimits a space and a body.. Life is delimited.
separated. enclosed in a wrapper of the possible. identity. death.. Death
is the final separation. the final limit. the finite. the form. the past
twisted onto consuming the present.. The plan invents death. constructs
death. allots death.. The plan manufactures an objective reality. an
other.. Death is the ultimate other.. In order to be a true believer. one
must eliminate one's participation. in the creation of truth (the ultimate
other).. It is only in this way that objects. others. spaces. can be purely
objective.. The other must stem from without.. The plan must detach the
user or architect. the creation of the belief system.. The plan must
separate the self from its own modification.. The formgiving of
representation must be recast as a formreceiving.. The plan must become
the map.. The process of objectification (the creation of other) therefore
must. erase itself.. Thus inherent in the plan is a certain blindness. that
refuses to accept the creation of death. but accomplishes it the same..
Architecture is a means to resolve (obfuscate). the fundamental paradox of
the plan.. The plan can not be theorized as a problem within architecture.
nor one stemming from without.. The plan is both architecture's means and
it's reason for being.. Architecture's dual purpose is to hide that which
it facilitates.. Utopias are always distractions decoys.. The selfdelusion
of the architect is always only partial. there is always the intuitive
semiconscious fitting. negotiating. constructing. of a plan that bridges
and covers what it intends to be. and what it will be.. Such is the dual
nature. the misnomered intuitiveness. of the architect.. Those fascists
who purport to have accepted their role. as creators of death. as inverse
gods. in the end place Death as an absolute beyond. as some form of truth
outside the self.. They understand death's comport with belief. but
mistake death as beyond belief.. The actual manipulations at the molecular
level. are misconstrued. by a grandiose abstract Death narrative.(). The
myriad sin constructions are glossed over. hidden under. legitimized and
justified. by the holy image and the coming utopia.. Belief remains in the
singular untouchable other.. A construct is created behind an image.. The
imperialism of the plan always leaves one absent. a shell without
content.. The plan or map or image or identity can not be put to good use.
even those put together democratically or autonomously. present only a
means to enclose. subject the present to the past image. create
possibility traps.. The plan can not be separated from the tyranny that
employs it. the plan is that tyranny. the subjugation of the present to
the past.. Notes. . Fitting the two types of forms together segments of
content and. segments of expression requires a whole doublepincered or
rather. doubleheaded concrete assemblage taking their real distinction
into. account. It requires a whole organization articulating formations
of. power and regimes of signs and operating on the molecular. level.....
If this parallelism is replaced by a pyramidal image then. content
(including its form) becomes an economic base of production. displaying
all of the characteristics of the Abstract the assemblages. become the
first story of a superstructure that as such is. necessarily situated
within a State apparatus the regimes of signs. and forms of expression
become the second story of the superstructure. defined by ideology. It
isn't altogether clear where language should. go since the great Despot
decided that it should be reserved a. special place as the common good of
the nation and the vehicles for. information. Thus one MISCONSTRUES the
nature of language signs. organizations of power and content. () the
illusion that one can. grasp and shuffle all the strata between one's
pincers can be better. secured through the erection of the signifier than
through the. extension of the sign. ( Deleuze and Guattari A Thousand.
Plateaus. Emphasis mine.). posted by Lanny PM. Through Struggles to the
Stars. By Physicist. Jack Sarfatti Ph.D.. On the physical principles of
consciousness warp drive and wormhole star. gate time travel in the light
of the new precision cosmology of dark energy. and their relations to the
coded knowledge of the once and future techgnostic. mystery schools
fictionalized in The Da Vinci Code and described in fact. in Techgnosis..
Newton realized that the fall of the apple was the same as the motion of
the. Earth around the Sun. That was his alchemical techgnostic insight
into As. Above So Below. I have shown that the invisible Galactic Halo
holds the. stars together in the same way through negative zeropoint
energy density. with equal and opposite positive quantum pressure that the
electrons. distributed repulsive electric charge is held together. Its As
Above So. Below all over again. Real original physics on the deep
structure of the. many worlds not found in any other book is weaved
together with great. literature and my true adventure story. Quantum
reality is not only weirder. than we have imagined but may be weirder than
we can imagine. We are. such dreams that stuff is made from.. Re Object not
found.. ok mwp feel free to upload to noemata or adundas as an online
storage for you. stuff if you want. ah you can sell your stuff via
noemata.netarspublica.com. and get rich from the post.net.art. (it's of
course not generating a dime.). if i should try getting money from
institution i think it would be for 'fully. automated art' or something
like that smiley. i owe them some explanation what. i did with the last
which is ok and making problems with backfiring. 'context art' and then
not caring about paper work but the possibilities are. there and they're
basically kind i should have a secretaryagent doing. things keeping my
life together that would be fine i'll advertise defunct. potential artist
seek structured realistic person. there's missing a whole. lot in that
production line. i wanted to fix that before collaboration no it. doesn't
work only tight schemes getting money out of funds goals the usual.
artistery. insert sercasm charchasm hollow character.. perl cgi seem only
available from url kunst.nobjornmag (which is same as. noemata.net)
support didn't answer the last mail so they won't fix probably.. see you
in the post art. name. AROSE RIP. Aroseisaroseisarose.com is officially no
longer. All links to works. originating from the site are henceforth
invalid. Moreover I have no plans. for the construction of any future
sites.. I await a future of postnet art which is the only one I can expect
to be a. part of right now.. Re spasms. ..like eerie to me this tini whirl
j kom over linken i går actually. yo ko ok whiteblue c. alsoh. Recently
she held a thirteendaylong dance festival taking place 'in your. mind'..
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...... ..... ..... ..... .... ... ... .. .. trolldeig. vegetating at meh
airport this trolldeig work clumsiness of kid craft maybe. clumsiness of
their actual imagination not the craft always prefering the. chubby planes
and popple of things negating colors they now seem to be. jumping off
midair the original is red ground and they look dead white and. grinning
kids wondering how those air crafts every could fly maybe not. crosses and
how their imagination ever could represent anything no we don't. believe
the cross mean that we don't believe caricatures is like. imagination not
our craft we kids know that but you don't you are the. clowns falling off
by believing imagination eventually adapts you hit. the ground.. syndicate
div. This is a multipart message in MIME format.... ContentType textplain
charsetiso. Some moulds new images to become compressing them much as
possible and time. inflating they're connected to different ideas and
things lost or heading in. other directions divergence divide division
divert deflect route detour. distract turn aside depressible depute
diverting diplostemonous ride. daughterly turn ached diffractions dept
departs duplicitously ready dowdier. destructor tirana acta diversionist
dubbed deposing deportees defalcate rite. datura distributor thermo
agatha. Index of div. Name Last modified Size Description. Parent
Directory Apr. meh.jpg Feb k. M.jpg Aug k. M.jpg Jul k. akdre.jpg Oct k.
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ch.jpg Apr k. chiperb.jpg Jul k. cityfil.jpg Oct k. cpor.jpg Oct k.
dilbert.jpg Sep k. disni.jpg Dec k. disni.jpg Oct k. egeon.jpg Oct k.
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May k. lf.jpg Oct k. loo.jpg May k. mene.jpg Dec k. merica.jpg Apr k.
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Apr k. trit.jpg Sep k. tt.jpg Sep k. unfit.jpg Aug k. vadsotanabru.jpg Sep
k. ver.jpg Apr k. wallpaper.jpg Oct k. zthoe.jpg Feb k. Apache.. Server at
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mailinglist. Syndicate network for media culture and media art. post to
the Syndicate list. no commercial use of the texts without permission. hr
onwards. years anniversary. () (. ' ' '. ' ' '. ). (). ). '. roundtheclock
posting of sequenced hypermodern imagery from Brad Brace.. The hypermodern
minimizes the familiar the known the recognizable it. suspends identity
relations and history. This discourse far from. determining the locus in
which it speaks is avoiding the ground on which. it could find support. It
is trying to operate a decentering that leaves. no privilege to any
center.. began December. Pointless Hypermodern Imagery... postedmailed
every hours... a. spectral trajective alignment for the s A continuum of
minimalist. masks in the face of catastrophe conjuring up transformative
metaphors. for the everyday... A poetic reversibility of exclusive
events.... A postrhetorical continuous apparently random sequence of.
imagery... genuine gritty greyscale... corruptable compact. collectable
and compelling convergence. The voluptuousness of the grey. imminence the
art of making the other disappear. Continual visual impact. an optical
drumming sculpted in duration on the endless present of the. Net..
unassimilable... imagery is gradually acquired selected and resequenced.
over time... ineluctable vertiginous connections. The hr dialtone....
KEYWORDS Disconnected disjunctive distended decentered. decomposed
ambiguous augmented ambilavent homogeneous reckless.... Multifaceted
oblique obsessive obscure obdurate.... Promulgated personal permeable
prolonged polymorphous provocative. poetic plural perverse potent
prophetic pathological pointless.... Emergent evolving eccentric eclectic
egregious exciting. entertaining evasive entropic erotic entrancing
enduring. expansive.... Every hours another... view them repost em save
em. trade em print em even publish them.... Heres how.
httpbbrace.laughingsquid.nethr.html
309
310
Look for the hricon. Heavy traffic may require you to specify files. more
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use FTPmail to. do essentially the same thing. Send a message with a body
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too. The latest new jpeg will always be named hr.jpeg. Average size of
images is only K.. Perl program to mirror ftpsitessubdirectories.
src.doc.ic.ac.ukpackagesmirror. Postings to usenet newsgroups. alt.hr.
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alt.binaries.pictures.fineart.misc. Ask your system's newsadministrator to
carry these groups. (There are also usenet image browsers TIFNY PluckIt
Picture Agent. PictureView Extractor NewsRover Binary News Assistant
EasyNews). This interminable relentless sequence of imagery began in
earnest on. December . The basic structure of the project has been over.
twentyfour years in the making. While the specific sequence of.
photographs has been presently orchestrated for more than years worth. of
hour postings I will undoubtedly be tempted to tweak the ongoing.
publication with additional new interjected imagery. Each hour posting. is
like the turning of a page providing ample time for reflection.
interruption and assimilation.. The sites listed above also contain
information on other cultural. projects and sources.. A very lowvolume
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related to this project has been established at. This project has not
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supporters receive rare copies of the first three. hremailsubscriptions
can also be made at. mo yr. Institutions must pay for any images retained
longer than. hours.. image files. Get the textfile 'picturesfaq' to learn
how to view or. faq.html. (c) Credit appreciated. Copyleft. this heat.
you're now listening to this heat a.k.a. Blue and Yellow Testcard
Horizontal. Hold Not Waving Water Twilight Furniture Track Loop Diet of
Worms Music. Like Escaping Gas Rainforest The Fall of Saigon Testcard
Deceit Sleep Paper. Hats Triumph S.P.Q.R. Cenotaph Shrink Wrap Radio
Prague Makeshift Swahili. Independence A New Kind of Water Hi Baku Sho
(Suffer Bomb Disease) Repeat. Metal GraphicVarispeed. This Heat (album)
covers two years of the band's history with both live and. studio cuts.
They use guitar clarinet drums and keyboards permuted with. loops phasing
and overdubs breaking down patterns into only faintly. connected musical
moments that include artificial skips and looped end. grooves. Though
insolent and withdrawn the music is adventurous and in its. raucous yet
avoids the dismal drones and cacophony of other experimental. groups. Free
of clichs the music blends politics and intelligence steering. clear of
artifice and trendiness. Austere brilliant and indescribable.. this is
still very good. Re rune grammofon. yes i've heard some releases
supersilence biosphere jazzkammer it's quite. experimental ranging from
noisefreejazz to ambient to electronica. haven't. seen the book but their
obviously into design also.. rune kristoffersen has some years in the
business he was in the group 'fra. lippo lippi' which released a beautiful
depressive record in 'in. silence' influenced by english goth rock. he was
involved in the company. uniton from which i bought releases and imported
albums at that time he's. got more pop oriented... related to that milieu
were 'holy toy' and 'when'. holy toy centered around. the polishnorwegian
eccentric andrej nebb and is probably the most. interesting group in
norway ever. actually nebb mentioned this heat as one of. his influences
which is obviously also in 'when' which comes from lars. pedersen
percussionistorgan in holy toy. 'when' reconnects more to prog rock. i
sent a cd with some stuff to rune k. a couple of years ago from the. just
slow and dark noise syrup recorded and manipulated from rails and. other
concrete sources. experimenting with very low bitrate encoding giving a.
spectral sound.. Have you seen this Do you know anything about this label.
Just wondering if you thought it was worth checking out... . e k u n s t .
cazzarola What is this. This is a multipart message in MIME format....
ContentType textplain charsetiso. a draft... cazzarola What is this. maria
What the awakening du vil holde styr unna brødene.. cazzarola Who are you.
maria Who are here in a try ) er gud er ikke her har mer av gammelt grått.
mugg og gjør fyldest alle dverger uten tanke søler sitt ene øye.. cazzarola
fanculo. maria What the awakening you will stay clear of the breads.. maria
Who are here in a try ) is god not is not her have more of the old. gray
mugg and do fullfill all dwarfs without thought spilling his one eye..
cazzarola fanculo. (. gozzarola finger eye. maria at ping eye tarot two
konservative lunkne.... ). noematamariadialoger. Nytt kapittel ferdig (k)
april. Maria Futura Hel Dialoger. dialoger.html k apr. dialoger.html k
apr. dialoger.html k sep. dialoger.html k jul. dialoger.html k apr.
dialoger.html k dec. dialoger.html k sep. dialoger.html k may. utdrag.txt
k jan. dialoger.html k jan. dialoger.html k nov. dialoger.html k aug.
dialoger.html k apr. dialoger.html k jan. dialoger.html k jul.
dialoger.html k may. .. ((()((. dialoger.html. tramslated. Dialoger med
Maria Futura Hel. maria i allerede levd because of grace jones. zynt am
nævestad badin magen. maria bad politikker. zynt yes am he dust. maria
dust am jesus suger eller am pingle. zynt skal vi home idag. maria home
till park. kutt al meg frekke kjerring kan a question men the. them for
off røret.. zynt haves i big kuk. maria big encourage at upon tv gøy
belowstream have sagt.. zynt become grows bog vaktkommandør. maria become
eneste uavbrutt høyforedersk handling.slik var. oppriktige svært bad no
not vet where heck am burdensome fog mist comfort. consoles tankene. drags
one excellent fine handel it quite altogether tøft.. zynt am urge digg.
maria am portveien. zynt am urge dig. maria urge digg. zynt am urge digg.
maria urge digg. zynt yes am it digg. maria yes hun light lightens for off
you opp and says i kan i spør about. concerning around she smiles.. zynt
you am one cheky diminutive harlot you. maria harlot foroff waldemar
waldemar am one dritt engine machine (peker. a longed nede økonomiskog
with serbiske and chocolate and films eller noen. var minute forest.. zynt
haves you pupper. maria pupper what for slakk foreslåtte pari why. zynt
jævla fitte. maria fitte slim like everything until terje vigen ex from
finnmark the. lounge am you no not. fernufti the them må get lay hold of
upon gayta except envelope. mister erik. My work is completely
photometrical.. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. post distribuert via. e k u n s t.
listeadresse eekunst.no. kontaktadresse listmasterekunst.no. the sound of
matemathics. the sound of matemathics. via solipsis. min telecommuting
work. min telecommuting work. hararharharhahrhar iiotoutoitoutruio
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irwin written oncogene.. do not all these things.. while walking be
minimized of worms and ants.. do not throw away paper that is written on..
do not all thersites things.. whimsey walkers bays mineable of worry
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wronger on.. do nostoc all these thingamajig.. whig walking be mindless
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thanksgivings isabella wroclaw on.. do notability all thesaural things..
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thermalize thoreau.. like. likes one who on a loment roadhouse. dossal
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having oncer turnery roumania walkover on. and turnstone nmr mordvinian
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closedown beholden hilts treacherousness.. likuta one who on a lollop
riverine. doughboy wall in fear and dread. and havoc ominousness turned
round walks on. and turners no mordacious his havocking. because he
knitting a frictionises fibrositis. doth clothesman behan him read.. like
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anaplastic having onomatology tutti round walks oophoritis. aneuploid
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close beholders hiddenite tread.. beMyGhost Punch and Judy Show.
................................................. Noemata's beMyGhost
Punch and Judy Show. A light seaside summer entertainment. The plaintext
dessert of a desert hyperwork. A puppet show beyond good and evil. Etc..
As performed by the professors of automata. telemata noemata.. Now playing
the Inbox Theater Scene. oOOo. The story so far..... He is known as
Pulcinella in Italy Guignol and Polichinelle in. France Kasperl in Germany
Casper in Sweden Karagioz in Turkey. Karagiosis in Greece Petruk in
Indonesia. He's been around a long time in one form or another. He's an
imp of. mischief out of the mists of time. We know him as Punch. As.
Pulcinella the actor he was part of the Commedia Dell' Arte troupes. of
Renaissance Europe. To trace him back further takes us into the. very
ancestry of pantomime itself back to Ancient Rome and Classical. Greece
and the licentious topsy turvey world of Saturnalia and Satyr. plays. He
exists in many cultures for he is one form of The Trickster. a key figure
in society's development a figure able to turn shared. values upside down
for the shocked amusement of the community and the. ultimate strengthening
of the bonds that mutually bind it.. Charles Dickens was also a great
admirer of the Punch and Judy Show.. Mr. Punch is frequently mentioned in
his novels. One work The Old. Curiosity Shop seems to be based almost
entirely on the Punch. tradition. The show has taken a fair amount of
stick in the past for. being violent or not politically correct and being
flippant about. domestic violence. Charles Dickens is among those who have
nailed this. as ridiculous.. Who Are Punch and Judy Punch and Judy are
arguably the most famous. traditional puppets in the Western World with a
colorful history more. than years old. Mr. Punch with his hook nose
detched back and. garish costume is a cultural icon in England. His
unabashed joking. and rowdy mischievous behavior have provoked paroxyms of
laughter. audiences throughout time. An impressive body of art is graced
by. Punch's outrageous countenance.. PUNCH Are you a doctor. HANGMAN Yes
are you alright. PUNCH No I'm dead.. HANGMAN You can't be dead.. PUNCH I'm
dead dead dead.. HANGMAN How long have you been dead Mr. Punch. PUNCH About
weeks.. punch judypuppetpuppetsCodman'sTobyRhosonSeapunchpunchjudy. judyMr.
Punchpunchinellopolichinellepuppetry puppet heroswooden. headsthat's the
way to do itwhat a pitysomerville colwyn bayrhos. on seacomical
tragedytragical comedymr punch's opera. pulcinellaharlequinadedetch
backhumpbig nose professorspunch. manprofessorsslapstickswazzle
swazzleomiswazzlehomipunch. callitinerantmarionettes
seasideentertainmenton the beachbeach. performerson the sands carnivalsThe
Punch and Judy College of. ProfessorsThe Punch and Judy
Fellowshipswazzleswatchelold red nose. Hoban quotes him as saying Punch is
so old he can't die.. In its classical glorious sense immortality is the
quality of what. passes beyond death the quality of the supraliving. In
its. contemporary version it is the quality of the surviving that is of.
what is already dead and by that token becomes immortal.. It's a fine show
sir. he replied. jolly fine show. Then with a. guffaw he added And a damned
bad moral.. Many of the Trickster's traits Radin writes were perpetuated
in. the figure of the mediaeval jester and have survived right up to the.
present day in the PunchandJudy plays and in the clown (xxiii).. Who is
Punch anyway Where does he come from And how could so. impossible and
ridiculous a character have survived the changes and. turmoil of the
passing centuries The plain fact is that nobody knows.. Certainly the
figure of Punch as we know him today has a direct link. with the commedia
dell'arte of the seventeenth century but the. character is far far older.
The original significance of Punch's face. and figure his enormous nose
and hump are meaningless to an. audience of modern times when perhaps it
is not customary to. associate large noses and sexual potency or find
detchbacks mirth. provoking. But it is possible that Punch has lasted so
long because he. so blatantly cocks a snook at the restrictions of
civilised society. and perhaps every man at some time or other would like
to flaunt the. laws of society with a comparable nonchalance removing
those who got. in his way pursuing his amorous inclinations willy nilly
and. defeating in the end the devil himself How often we say of a.
likeable rogue He could get away with murder. And Punch. does or almost
always does and he is such a likeable rogue and of. course he's only a
puppet and puppets can get away with anything.. HANGMAN Now prepare
yourself for execution.. PUNCH What for. Mr. Punch. A Roman mime called
Maccus was the original of Punch. A. statuette of this buffon was
discovered in containing all the. wellknown features of our friend the
long nose and goggle eyes the. detch back and protruding breast. The most
popular derivation of Punch. and Judy is Pontius cum Judæis (Matt. xxvii.
) an old mystery play. of Pontius Pilate and the Jews but the Italian
policinello seems to. be from pollice a thumb (Tomthumb figures) and our
Punch is from. paunch. The drama or story of our Punch and Judy is
attributed to. Silvio Fiorillo an Italian comedian of the seventeenth
century. Punch. triumphs over all the ills that flesh is heir to. () Ennui
in the. shape of a dog is overcome () Disease in the disguise of a doctor.
is kicked out () Death is beaten to death and () the Devil himself. is
outwitted. Brewer's Phrase and Fable. This compulsive desire for
immortality for a definitive immortality. revolves around a strange
madness the mania for what has achieved. its goal. The mania for identity
for saturation completion. repletion. For perfection too the lethal
illusion of the perfection.. 'Every ecstasy ultimately prefers to take the
path of renunciation. rather than sin against its own concept by realizing
it' (Adorno). the identitary individual the virtual clone there
corresponds a. horizontal madness... a delirium of selfappropriation all
the. monstrous variants of identity not of the schizophrenic but of the.
isophrenic without shadow other transcendence or image that of. the mental
isomorph the autist who has as it were devoured his. double and absorbed
his twin brother (being a twin is conversely a. form of autism deux).
Identitary ipsomaniacal isophrenic madness.. Our monsters are all manic
autists. As products of chimerical. combination... deprived of hereditary
otherness... they have no other. destiny than desperately to seek out an
otherness by eliating all. the Others one by one.. PunchandJudy show a
traditional puppetshow in which Punch is. shown nagging beating and
finally killing a succession of. characters including his wife Judy.. The
problem of Frankenstein for example is that he has no Other and. craves
otherness... But our computers also crave otherness. They are. autistic
bachelor machines the source of their suffering and the. cause of their
vengeance is the fiercely tautological nature of their. own language..
Punch did not always have his own play it seems his first role in. England
was to provide comic interludes in serious plays by. interrupting the
action as and when he could.. A MODERN PUNCH SCRIPT CHARACTERS PUNCH JUDY
BABY POLICEMAN CLOWN. CROCODILE HANGMAN GHOST. the challenge of the Ghost
representing Death is considered Punch's. greatest trial. We long ago
stopped believing in the immortality of the soul a. deferred immortality.
We no longer believe in that immortality which. assumed a transcending of
the end an intense investment in the. finalities of the beyond and a
symbolic elaboration of death. What we. want is the immediate realization
of immortality by all possible. means.. the conquest of whom enables Punch
to finally defy the Devil himself.. So long as there is a finalistic
conception of life and death the. afterlife and immortality are given like
the world and there is no. cause to believe in them. Do you believe in
reality No of course. not it exists but we do not believe in it. It is
like God... If. something does not exist you have to believe in it. Belief
is not the. reflection of existence it is there for existence just as
language. is not the reflection of meaning it is there in place of
meaning. To. believe in God is therefore to doubt his existence. Belief
is. superfluous just as Canetti says vengeance is superfluous it is.
rendered unnecessary by the inexorable reversibility of things. In.
exactly the same way passion is a useless supplement to the natural.
attraction between things and we might say the same about truth. which
merely complicates appearances unnecessary.. or as a mirror merely
refracts your image without believing in it.. God for his part if he
exists does not believe in his existence. but he allows the subject to
believe in him and to believe he. believes in it or not to believe that
but not to believe he does. not believe in it. Stavrogin. When the Devil
has been done away with Punch exults to the audience. The Devil is dead
Now everyone can do as he likes. But what will the human race do once free
of any belief It will. either fullfill itself egoistically obeying an
exclusive sovereign. individualism (Stirner) or do so collectively by
setting out on a. long historical course as in Marx or it will shift its
sights to. the superhuman through a transvaluation of the values of the
species. this is the path marked out by Nietzsche who argued that the
human. race cannot be left to itself but must aim beyond itself and
discover. the great metamorphosis that of becog... Nietzsche has written.
magnificently of the vital illusion not of the 'worlds beyond' but. of the
illusion of appearances of the forms of becog of the veil. and indeed all
the veils which happily protects us from the. objective illusion the
illusion of truth... Needless to say this. transvaluation... has not taken
place except precisely in the. opposite sense... A transvaluation folding
in upon itself towards a. nondifferentiation a nondistinction of values
itself fetishized in. an aestethics of plurality of difference etc. Not
any longer a. fetishization of divinities great ideas or grand narratives
but of. imal differences and particles... This dedifferentiation of the.
human and the inhuman this reabsorption of the metaphor of life into. the
metastasis of survival is effected by a progressive reduction to. the
lowest common denoator.. The Crocodile was a late arrival in the story and
has now been an. important character for about a detdred years. First he
was a dragon. which eventually became a crocodile. Perhaps the idea of a
crocodile. became firmly established after children had been frightened by
the. Crocodile in Peter Pan. The Ghost is seen occasionally still..
Originally the Ghost of Judy it is now just any old ghost.. Who was
Pulcinella or as he is sometimes called Pollicinella or. Pulicinella His
role was primarily that of a servant as indeed was. that of Harlequin and
he was obviously a comedian. He wore an. artificial nose potbelly and hump
all calculated to make the. audience laugh and he was the mixture of
jollity and cruelty wit and. stupidity just as Punch is today.. The
PunchTrickster concept embodies notions of anti. establishmentarianism
buffoonery and shamanism that reflect. attributes of the creative
individual functioning in an authoritarian. ethos the late s bucking the
system inverting values. Assug an ubuique persona and balancing
precariously on a mono. cycle PunchTrickster pedals blindly into an
unknown future fending. off unseen adversaries with an ineffectual weapon.
The sculpture is a. concretisation of a state of d or an existential
predicament. It is. concerned with delusions of grandeur and vulnerability
paradox and. pathos.. The Trickster as buffoon acts out a quixotic farce in
ironic fashion.. Ubu Roi a precursor of the theater of cruelty the absurd.
PunchUbu. Puncheon. Pernille og Mr. Nelson. JUDY Where's the baby. PUNCH
(In a melancholy tone.) I have had a misfortune the child was. so terrible
cross I throwed it out of the window.. It is generally thought that the
obsession with survival is a logical. consequence of life and the right to
life. But most of the time the. two things are contradictory. Life is not a
question of rights and. what follows on from life is not survival which is
artificial but. death. It is only by paying the price of a failure to live
a failure. take pleasure a failure to die that man is assured of survival..
Punch's women performers Bearing in d that Mr Punch is a folk. herorogue
scoundrel trickster of the opposite sex from ourselves. why are we so keen
to portray his story And what might the women. Professors add to the drama
of the tradition. The traditional Punch and Judy show presents Punch as
the simpleton. hero who successfully outwits various characters
representing his. oppressions in order to gain his freedom. This 'clever
fool' type is. often portrayed as a male antihero in folklore (Jack Til.
Eulenspiegel Clever Hans Monkey Anansi and Brer Rabbit are some.
examples). Somehow he always manages to achieve through his stupidity.
what others fail to achieve by concentrated effort. Punch is a.
combination of the fool and trickster. His characteristics are a.
collection of the archetypal shadow masculine traits those which are.
socially deemed to be undesirable cowardice lewdness rudeness. stupidity
fickleness irresponsibility selfishness greed. ................ and
violence or cunning. Mr Punch the trickster carnival fool king of anarchy
is an absurd. masculine archetype of those aspects of the human psyche
that want to. turn the world upside down and create chaos. His gross
appearance. the bulbous hooked red nose and the phallic 'hump' on his
back. comically reinforce his male sexuality along with the big red.
slapstick which he wields as the answer to all his troubles. His.
character and appearance have their roots in the ancient ritual. dramas
celebrating birth death resurrection conflict and. fertility. In our
'civilised' hierarchical bureaucratic and. patriarchal society Mr Punch
has evolved and survived through the. centuries as our national 'Lord of
Misrule.'. Punch men often portray Judy as a wonderfully fussy bossy
pantomime. dame type with a high falsetto voice. (Note that this makes
the. character a parody of the male's fantasy of woman).. When knocked
down she bobs up again several times in comic protest. always with one
more thing to say. Sometimes her final utterance is. almost orgasmic in
nature so that the mock puppet death we are. witnessing might more closely
resemble 'le petit mort' rather than. actual mortality.. When she returns
to discover that Mr Punch has inadvertently (in true. 'ignorant simpleton'
style) made the baby into sausages she is as any. woman would be at first
distraught and then angry. However having. fully expressed her grief and
given Mr Punch a piece of her d she. quickly moves into acceptance and
realises this is her opportunity. for freedom Well now Mr Punch You made
the baby sausages so you. can look after the baby sausages That's fair I'm
going to claim the. insurance money and take a nice little holiday in
Majorca. No you. can't come with me. You're to stay at home and look after
the little. sausage.. And off she goes leaving Mr Punch and the sausages to
the mercy of a. big green crocodile with toothfilled gaping jaws. Her
triumph is that. she has called Mr. Punch's bluff. Rather than waiting to
be knocked. out of his way Judy leaves him with the consequences of his
mistakes. and removes herself to a more fulfilling situation. She does
the. separating off. This gives Judy an equal status to Punch in the
drama. although he still remains at the centre of the story and fulfills
his. usual trickster role with his other adversities.. Adult enthusiasts
can recognize him as the head of one of those. dysfunctional families of
Drama that span from Oedipus and Macbeth on. the tragic side to the Addams
Family and The Simpsons on the frivolous. side. He and other little red
nosed rogues like him have been kept. alive down the centuries because his
irrepressible antics and his. flying in the face of convention have amused
generations of ordinary. people particularly those with no power of their
own.. Step warily around the fair Welsh seaside town of Aberystwyth this.
weekend for everywhere you look will be a strange beaknosed figure. clad
in red with pointytoed shoes and a manic gleam in his immobile. eyes. No
it's not Beelzebub it's Punch. The second international. festival of Punch
and Judy is in town. Oh no it isn't. Oh yes it is. etc.. There was an Old
Man with a nose Who said If you choose to. suppose That my nose is too
long You are certainly wrong. That remarkable man with a nose.. A Jungian
Consideration of Edward Lear's Nonsense Verse Lear was in. many ways an
example of what Jungian psychologist MarieLouise von. Franz calls the puer
aeternusan archetype she analyzes in her book of. the same name. The term
comes from Ovid's Metamorphoses and there. refers to the childgod of the
Eleusinian mysteries. In later times. von Franz writes. the childgod was
identified with Dionysus and the god Eros. He. is the divine youth who is
born in the night in this typical. mothercult mystery of Eleusis and who
is a redeemer. He is a. god of life death and resurrectionthe god of
divine youth .. but we also use it to indicate a certain type of young man
who. has an outstanding mother complex . . . . (). Wandering moreover is
one of the most important traits of the. Trickster archetype (Radin )
which as we shall see Lear's. nonsense exemplifies.. There was an Old Man
of Peru Who never knew what he should do So he. tore off his hair And
behaved like a bear That intrinsic Old Man of. Peru.. There was a Young
Lady whose eyes Were unique as to colour and size. When she opened them
wide People all turned aside And started away. in surprise.. There was a
Young Lady of Norway Who casually sat on a doorway When. the door squeezed
her flat She exclaimed 'What of that' This. courageous Young Lady of
Norway.. There was an Old Man of Cape Horn Who wished he had never been
born. So he sat on a chair Till he died of despair That dolorous Man of.
Cape Horn.. There was an Old Person of Cromer Who stood on one leg to read
Homer. When he found he grew stiff He jumped over the cliff Which
concluded. that Person of Cromer.. There was an Old Man on some rocks Who
shut his wife up in a box. When she said 'Let me out' He exclaimed
'Without doubt You will. pass all your life in that box.'. There was an
Old Person of Bangor Whose face was distorted with. anger He tore off his
boots And subsisted on roots That irascible. Person of Bangor.. There was
an Old Person of Spain Who hated all trouble and pain So. he sat on a
chair With his feet in the air That umbrageous Old. Person of Spain..
There was an Old Person from Gretna Who rushed down the crater of. Etna
When they said 'Is it hot' He replied 'No it's not' That. mendacious Old
Person of Gretna.. There was a Young Lady of Parma Whose conduct grew
calmer and calmer. When they said 'Are you dumb' She merely said 'Hum'
That provoking. Young Lady of Parma.. There was an old man of Hong Kong
Who never did anything wrong He. lay on his back With his head in a sack
That innocuous old man of. Hong Kong.. The function of the Trickster
according to Kernyi is to add. disorder to order and so make a whole to
render possible within the. fixed bounds of what is pered an experience of
what is not. pered (). Kernyi could just as well be describing the.
nonsense genre that emerged in the nineteenth century.. You desire to LIVE
according to Nature Oh you noble Stoics what. fraud of words Imagine to
yourselves a being like Nature boundlessly. extravagant boundlessly
indifferent without purpose or. consideration without pity or justice at
once fruitful and barren. and uncertain imagine to yourselves INDIFFERENCE
as a powerhow. COULD you live in accordance with such indifference.
Contrary to the underlying Rousseauist ideology which argues that the.
profound nature of the liberated subject can only be good and that. nature
itself once emancipated cannot but be endowed with natural. equilibrium and
all the ecological virtues there is nothing more. ambiguous or perverse
than a subject.. Trickster is at one and the same time creator and
destroyer giver and. negator he who dupes others and who is always duped
himself. He wills. nothing consciously. At all times he is constrained to
behave as he. does from impulses over which he has no control. He knows
neither good. nor evil yet he is responsible for both. He possesses no
values moral. or social is at the mercy of his passions and appetites yet
through. his actions all values come into being.. It is a personification
of traits of character which are sometimes. worse and sometimes better
than those the egopersonality possesses. (The Archetypes ). The Trickster
is in other words a. manifestation of what Jung calls the shadow and he
comments We are. no longer aware that in carnival customs and the like
there are. remnants of a collective shadow which prove that the personal
shadow. is in part descended from a nuous collective figure (ibid.). that
is the Trickster archetype.. Furthermore the Trickster is a forerunner of
the saviour and like. him God man and animal at once. He is both subhuman
and superhuman. a bestial and divine being whose chief and most alarg.
characteristic is his unconscious ness . . .. He is so unconscious. of
himself that his body is not a unity and his two hands fight each. other..
As Jung says of the Trickster Although he is not really evil he. does the
most atrocious things from sheer unconsciousness and. unrelatedness (ibid.
).. We ought not to entertain the illusion that we might cultivate good.
and happiness in a pure state and expel evil and sorrow as wastes.. That
is the terroristic dream of the transparency of good which very. quickly
ends in its opposite the transparency of evil.. Bedre veier gir flere
ulykker. The travel poems also reflect the Trickster's habit of wandering.
(albeit his wandering is generally aimless). Radin comments that the.
Trickster's desire to wander represents his protest against. domestication
and society with all its obligations ().. what do we cling so tightly when
we resist the dangers of drift. Barthes spoke (positively) of drift as a
kind of stupidity. Are we. afraid of appearing stupid. In when Oliver
Cromwell's Puritan regime banned all theatrical. performance commedia
companies must have scrubbed England from their. gigging schedules. But
the Punchinello character appears to have detg. in. Crosspollinated with
the local Vice character originally the. trickster fool of the Mystery
plays Punch utilised Harlequin's. slapstick bat took a wife and resurfaced
in the Punch and Judy puppet. show.. PuckPunch
SantaPelznicholNicholasJanneyYule I Norge har vi. oskoreia og julebukker
they acted out an odd play the leader who. dressed in goat or bear skins
argued with another character or with. the woman figure. He was killed the
woman lamented and the doctor. comically resuscitated him or he
spontaneously revived declaring he. wasn't dead after all the Fool was in
his original beast form the. death and execution were enacted amorally. In
later plays the Fool or. beastman is often killed by a young groom because
he makes a pass. at the Woman and narrators explain the behavior with a
comic. script. Scholars concluded that the detdreds of versions peppering.
Europe could be traced to the great goatgod Dionysus. After all the.
Dionysian rites gave birth to modern theater In Britain he became. Robin
Goodfellow or Puck norsk slektpuk celebrated by. Shakespeare Goodfellow's
cousin Robin Hood began life as Wood a name. for the Wild Man. In the
Black Forest the Pied Piper of Hamelin re. enacts poet Robert Browning's
version of the ancient mystery. And. don't forget the 'geek' as a freak
act.. Shiva is more or less what you want him to be as in him all.
contradictions casually coexist. The notion of Shiva as exclusively a.
Wild Man of the forests and mountains traveling with a band of ghosts. and
ghouls as their leader Bhoothnath is a recent phase of his. worship. For
while he was always capable of peculiar behavior Shiva. used to live
outside of society not because he had rejected it but. because he had
transcended it. Shiva is repeatedly described as the. supreme master of
all the arts and that indicates a highly socialized. being the Nagarika of
ancient India not a rustic.. Only Siva who indulges in both extreme ascetic
and extreme erotic. activity the creator and the destroyer the quiescent
and the active. god who represents both the cyclical motion of the
universe and. spiritual immortality can offer devotees both paths of
immortality. through rebirth or renunciation and spiritual immortality. He
is the. living lingam in the yoni and the androgyne. Both symbols contain
the. paradox within themselves and provide a resolution.. Lingam Sanskrit
literary 'mark' or 'sign' ( is there a connection. between 'sign' and
'seed' (seme and semen) via sema seme sememe. semiological adj.Gk semeion
sign f. sema mark seal symbolic. inseal pregnancy pregnant expression...).
Shiva is worshipped in several apparently contradictory aspects whose.
combination gives emphasis to his incomprehensible transcendence. He. is
seen as a giver of blessings and is also a symbol of sensuality.
represented by the lingam or phallus. On the other hand he is. sometimes
depicted as an ascetic seated in meditation in the. Himalayas. Shiva is
also the god of destruction and dissolution. In. his manifestation as
Shiva Nataraja the fourarmed Lord of the Dance. he tramples on the forces
of ignorance and chaos and keeps creation. in balance.. JEAMANCER.
JEAMANCER. ) ) ) ). ). ( ( ( ( (. () ( ). ). ). ) ) ) ). ). () ( ( ' ( (
'. () () (. (.
311
Evil scifi character DANALPHA. ETMODKILO. ETMODKILO. ) ) ) ). ) ). ((. ((.
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GG OO OO MM MM MM OO OO UU UU NN N NN EEEEE. GG GG OO OO GG GG OO OO MM MM
OO OO UU UU NN NNN EE. GGGGGG OOOO GGGGGG OOOO MM MM OOOO UUUUU NN NN
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there's a local history group in the area writing articles which gets
released. in a small yearbook by the museum i had some of them sent them
off to a. friend. among the interesting where stories about Omgang a
deport and. execution place in the middle ages a few some km from here
unhabitated long. since. prisoners from northnorway don't know how far
south where imprisoned. at this very desolated place and in fact a couple
of women got burned as. witches there in es if I remember right a young
woman Dorte something. accused of making storm at sea where a man she had
some relation to died you. could tell by the incidents she probably was an
attractive woman making the. men with power quite jealous humiliated and
very mad after half a year in. prison she was burned alive in I think..
another interesting thing is the labyrinth as Mikkelsberg also close by
with. some discussion of the authenticity of it it origins either from the
pomor. trade with russians a couple of centuries ago or from much earlier
habitation. of the area the earliest settlers probably being the sami
komsaculture. several thousands years ago there's some debate a dr.
something writing his. thesis the sami were not the first inhabitants. the
labyrinth has not been. coast from fear of messing it up the traces are
very vague but it has the. traditional form and is about in diameter..
there's some war time history since the whole shit was burned down by
germans. the whole north of norway every building here so they turned the
boats on. their head and lived under there or lived in caves at the coast.
things have. been rough here of course finding support actually there were
some. agriculture before not much.. there were about women burned as
witches in the s in finnmark the. northernmost part of norway were charged
for sorcery and researchers have. wondered why so many in the region.
reading protocols from the trials a. researcher. now suggest the poisonous
fungus meldrøye lat. Claviceps purpurea explaining. hallucination and
bewitchings black grains at the bottom of the cup etc.. Re SZ aeffect
Strong Creole Tendency. Atta unsar thu in Himinam. SZ aeffect. Strong
Creole Tendency between wordanimage selfreference 'worldings'. toll
painting of a russian and a norwegian in a fjord in the 's. trying to
communicate about some wood. chopped logs the pomor trade s to the russian
revolution initiated by. russians from the. White Sea having coast and
fjords in north of norwy as their area 'pomor'. means. 'by the sea'
Arkhangelsk has a pomor university today the russian came to. white. sea
from Novogorod s a viking city with democratic traditions different. the
tataryoke in rest of russia. pomors had cereal meal and traded with. the
tataryoke in rest of russia. pomors had cereal meal and traded with
313
fish (coast) and skins (sami inhab). .. should think wood also was
important as. there are no trees in the northernmost regions... Nordmannen
Drasvi gammel go ven på moja. Tvoja fisk kopom (Goddag min gamle. gode
venn. Kjøper du fisk). Russeren Da. (Ja). Nordmannen Kak pris (Hvilken
pris). Russeren En voga mokka så to voga treska. (Det er en våg mel mot to
våger. torsk.). Nordmannen Eta mala. (Det er for lite). Russeren Slik slag
en å en halv voga treska så en voga mokka. (Slikt slag.. En. og en halv
våg torsk mot en våg mel.). Nordmannen Eta grot dyr. (Det er ennå for
dyrt.). Russeren No davaj på kajut sitte ned så dokka lite tjai drinkom.
Ikke skade.. (Kom. nå ned i kahytten og drikk litt te. Det kan ikke
skade.). norw. russian it seems). pomor trade was illegal until . and then
the russ revolution stopped it and. the nnorw econony into depression and
the coastal villages into. problems.. the pomors had a rich rural culture
and folklore it seems there's a longer. within pomorområdet levde
fairytale adventure and legend byliner (heltedikt). ballader stev and
laments further enn a in inside into on per within. mange. second strøk
for off Russia Russia. a in inside into on per within. last. latter half
for off tallet begynte lærere prester and second stream. accumulate gather
tradisjonsstoff. them gjorde crowds for off opptegnelser a. in inside into
on per within citys and villages longer dvina and pinega. and. at to
toward towards a in inside into on per within at by on. upon. on upon
kvitsjøkysten området ble kjent like one skattkiste because of.
folklorister and etnografer.. within ble marija krivopolenova one
diminutive ancient wife with a. unfigure. ballader and chants at.
tertiden. also stepan pisakhov like var kunstmaler skrev below downstairs.
underneath down below underneath down underneath tradisjonsfortellinger.
especially especial fairytale adventure at to toward towards a in. inside.
into on per within at by on upon on upon dialect. sjergin skrev also.
tradisjonelle and further fashionable fairytale adventure men his
skriftlige. produksjon am både større and longed further allsidig enn
pisakhovs. within sovjettiden dolled it also opp sterke klare litterære
personligheter.. fjodor abramov ex from verkola. marija krivopolenova ().
bondekone ex from pinega famous because of its ballader chants and.
klagesanger.. hun learned helteballadene stariny for off its grandfather.
hun. accrued. opp a in inside into on per within fattige kår and ble early
married. married married poison men verken at to toward towards until till.
felicity. eller velstand. hun losed både the fellow and barna unntatt one
daughter like. ble married married married poison så fattigslig at hun no
not know get. lay. hold of pick up take itself for off moren. hun ble
hence therefore tvunget. at. toward towards until till stream continue
tilværelsen like one beater. omstreifende beggar eller legdekone. men
krivopolenova var one lysende gifted. forteller chants and klagesanger.
boris sjergin (). it nordrussiske klassikeren fremfor noen. he convey
imparted gamle. fortellinger. and tradisjoner muntlig and after behind
hvert also skriftlig. he skrev also. its. egne fortellinger. sjergin var
one authentic pomor the father var styrmann and. seilte at to toward
towards a in inside into on per within at by. on. upon on upon Norway the
mother daughter for off one seilmaker. både. foreldrene. and mange for off
husets friends stod midt a in inside into on per. within. pomorenes living
fortellertradisjon. sjergin itself ble one important. tradisjonsbærer
because he after behind hvert fixed it he hadde hørt at to. toward towards
until till papiret. a in inside into on per within its. fortellinger and
fairytale adventure skildringer for off life and employment. in.
skipsbyggere fiskere and fangstmenn. stepan pisakhov (). stepan pisakhov
seilskip at fiskebryggen a in inside into on per within. arkhangelsk.
author and kunstmaler ex from arkhangelsk. he var at to toward towards.
until. till stream begin with kjent because of its paintings with motiver
ex from. nordlige strøk men begynte after behind hvert stream type
fairytale. adventure.. mange for off the fairytale adventures his finer
also a in inside into. on. per within second versjoner men his versjoner
haves sitt særpreg and. språkføringen a in inside into on per within disse
tekstene am stronged. imprint impressed for off nordrussisk dialect.
pisakhov am one for off you. exaggerations skrøner. well there's some
pictures... links to some english. etc. CHROMOGAL. CHROMOGAL. Osho name
TEATDECI. Noemata Random Name Generator. nettimeann mailing list.
nettimeannnettime.org. ann ELPATA. ELPATA. Noemata Random Name Generator.
nettimeann mailing list. nettimeannnettime.org. . e k u n s t .
laburinteger. This is a multipart message in MIME format.... ContentType
textplain charsetiso. Maskin Jeg er glad jeg er det eneste jeg'et her..
Far Sønn sønn vi anbefaler at min maskin ikke snakker mere til deg.. Sønn
Men den kan så mange spennende ord.. Hadde trengte hjelp. til og fullføre.
De påfølgende dagene ble historiene til den bandasjerte. samlet og skrevet
ned i notatbøker før den støeste og mest skriveføre. av dem fikk oppdraget
med å føre over teksten til bandasjen. Hele. arbeidet. tok dager og da de
var ferdig var den bandasjerte i alt dekket av. ord.. Jeg faller uten....
Projeksjoner krever kontiniuitet.. ContentType textplain
namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert
via. e k u n s t. listeadresse eekunst.no. kontaktadresse
listmasterekunst.no. Nagnews Og sdspoetrezt dkyk og skyr nabnetrt. På Y).
Y (inntar sosiologiskpedagogisk sideleie) Protagonistens puerile.
forsvarsmekanismer er et infatilt forsåk på å rasjonalisere frykten.. Og
sdspoetrezt dkyk. og skyr nabnetrt dykkadt som ncdovmo vopmkete. foef
dMrnefnsd eksdsonnen slyllfd. Fglerfd dyjkk xfsd ogb ajjbgooåad af
xftrlyd. xfef stylr ret sdløben dykkatrg i hitummenem. Deref stgamme
gjoerda efane ferita mefd prgfotetane. Men e dykk rkke. det.... NAGnews
mailing list. NAGnewslists.copyleft.no. isoQDuhFrerdetnEdeterslettesikkei.
Kjemiforsøkene i elevenes hode. I ditt blomsterhull. Han sover i sjette
scene. Har jeg noe å si han. Middelaldrende demokrat må ligge i.... Du
hører det nå det er slettes ikke i sukkerbiten lyden oppstår.. Du ser på
sukkerbiten en siste gang før du putter den i munnen. Som om. begge.
øynene skulle ha skiftet posisjon fra venstre mot høyre uten og røre.
hodet. skifter synsvinkelen i scenen.. Kvinnen tar uforståelig imot en.
lapp hvor det står Vi møtes i dusjen i morgen. Hilsen din partner i.
forbrytelse.. Over kinomaskinisten på disen. kinomaskinisten tårer .
veggen mitt film over noen . UTE AV FOKUS.. My Help. Example How do Ichang
my password. Tips. Getting Startled. How do If i what category my Humen is
in. I receive an email notification saying my humen could be Deleted due
to. inactivity. Why What can I do. What does the my smiley face (image) is
mean. How do my I get rid of the my is smiley face (image). I never sign up
for my Human grouqs. Why am I receiving my messages. View and manage your
my hume. Your humain Grops account has been disable because you had. an
autoresponsible setup.. Bouncing seminar . May. What Bouncing means and
what to do about it means bounce. L. Work with elbows grouq. Control
access and sharing humes. list bounce. tails Yoric troll and Nøkk. Ask
Her. the water. Re Du har rett. Da kan jeg vende tilbake til. Work good.
Fra den. Forfatteren hadde alltid en. unnskyldning vent litt jeg måtte
bruke begynnelsen tilslutt.. Selv nå tror leseren han vet hvem morderen
er.. Troll om igjen.. Jeg vet at munnen min drypper av penneskaftet
skriver. forfatteren.. Med deler av hodet bandasjert.. Hvis vi panorer til
høyre ser vi ryggen hans idet han forlater. sykhuset fullt rekonstituert.
Kutt. Utenfor sykehuset stopper han opp.. Flashback. Noen tok av for
fallet. Han fallt. Blålys. Står på. sykhustrappen. Tar seg for det gamle
kuttet i pannen. Får blod på. fingrene. Snuser på blodet. Nærbildet av en
hund som glefser.. Kanskje ikke.. Mot widescreen sensur.. Overtall pga..
Og ble stående å. skrike til hverandre. Da måtte en av dem raskt ta en
avgjørelse og. fortsette videre så ville den andre måtte slutte seg til..
.n. las ldanburg. oea.net.knyt. bmg. how many net artists does it take to.
Greetings froam. Greetings froam. cause confusion and shame to make
uncomfortably selfconscious disconcert. abash. put obstacles or
difficulties in the way of impede. skam. the painful feeling arising from
the consciousness of something dishonorable. improper ridiculous etc. done
by oneself or another. disgrace ignominy. a fact or circumstance bringing
disgrace or regret. cover with ignominy or reproach disgrace. shame is a
painful feeling caused by the consciousness or exposure of unworthy. or
indecent conduct or circumstances. It is similar to guilt in the nature
and. origin of the feeling.. pride a high or inordinate opinion of one's
own dignity importance merit or. superiority whether as cherished in the
mind or as displayed in bearing. conduct etc.. selfesteem selfrespect.
ridicule Syn. . mockery raillery sarcasm satire irony. . banter chaff.
rally twit burlesque satirize lampoon. RIDICULE DERIDE MOCK TAUNT imply.
making game of a person usually in an unkind jeering way. To RIDICULE is
to. make fun of either sportively and goodhumoredly or unkindly with the.
intention of humiliating to ridicule a pretentious person.To DERIDE is to.
assail one with scornful laughter to deride a statement of belief.To MOCK
is. sometimes playfully sometimes insultingly to imitate and caricature
the. appearance or actions of another She mocked the seriousness of his.
expression.To TAUNT is to call attention to something annoying or
humiliating. usually maliciously and exultingly and often in the presence
of others to. taunt. nihilogues nilogue brainstem. nihilogues nilogue. 'In
generalthe brainstem produces morecomplex. movements than does the spinal
cord.In addition to responding to most. sensory stimuli in the environment
and regulating eating and drinkingbody. temperaturesleep and wakingthe
brain stem can produce the movements. of walking and runninggroomingand
sexual behavior (all of which are. more complex than the reflexive
movements produced by the spinal cord).The. brains of fishamphibiansand
reptiles are basically equivalent to a mammalian. brainstemin
consequencethe behavior of these animals is a good indication. of the
functions of the brainstem.'. On old Olympuss. towering top a Finn and.
German view some hops.. cortex (from the Latin for barkas in a tree s
bark) ref. book.. Fissures Sulci and Gyri the Cortex brothers. limbic.
Input could enter this circuit from other structures to be elaborated as.
emotion.. summarize the action of a nerve impulsean. other analogy may
help.Think of the voltagesensi. tive ion channels along an axon as a
series of. dominoes.When one domino fallsit knocks over its. neighborand
so on down the line.The wave cannot. return to its starting position until
the dominoes are. set back up again.There is also no decrement in the. size
of the propagated eventthe last domino falls ex. actly the same distance
and just as heavily as did the. first one.. 'The embryo who walks upright
belongs to the primate order. A badger recounts the story that God created
all animals as embryos and called. them before. his throne offering them
the changes that they desired. They opted for. specialized. adult features
claws teeth hoofs antlers and so forth. But the human. embryo trusting.
Gods judgment accepted the way it was made. The creator was delighted and.
said. that. it would therefore remain an embryo until buried but would
dominate the other. animals. walk upright and feel sorrow and feel joy.
(White ). An important part of the answer to the Sphinx s riddle about the
nature of. humans. is that the adult who walks on two legs is sort of an
infant chimpanzee.'. 'Saint Ambrosewho lived in the fourth century A.D.is
reported to have been. the first person who could read silently.'. ..i
remember a lecturer in computing claiming alphabetic sorting being.
problematic. some centuries ago.. 'Even somost of the changes in behavior.
that differentiate us from our primate ancestors took place more rapidly
still. long after the modern brain had evolved to its present
condition.Only. years ago did modern humans leave the first human artistic
relicselaborate. paintings on cave walls and carved ivory and stone
figurines.The tempo of. change has quickened further in the past
years.Agriculture and animal. husbandry were established in the Middle
East by B.C.followed by ideo. graphic writing in the same region by
B.C.Saint Ambrosewho lived in. the fourth century A.D.is reported to have
been the first person who could. read silently.The modern technological
age began in about A.D.it was. after this time that most of what we see
around us today was invented or dis. covered.How interesting that most of
what we associate with modern humans. is of such very recent
originconsidering that the basic tools (a big. brainfree. handsand bipedal
locomotion)had been with us long before.'. fundamentals of humal
neuropsychology. bror han går i skoge. bror han går i skoge. jaga alle
ville dyr. er han kvit so kjøyr'n hit. er han grå so lat 'n gå. er han
bron i boge. so lat 'n gå i skoge.. Sutene og sorgene. dei trør eg under
fot. di gladare skal eg halda meg. di meir det gjeng meg imot.. Sutene og
sorgene. det blandast alt tilsaman. munnen lær og hjarta græter. det er so
lite gaman.. cobralingus. cobralingus. It makes use of the Metamorphiction
process using text as signal and. passing it through FILTER GATES
transforming the textsignal. The FILTER GATES. range from DRUG (injects
artificial stimulant into the language) to EXPLODE. (breaks up signal into
highly disordered fragments) to PURIFY (loses. deadwood).. It sounds fairly
mechanical and Noon presents it as such. There is an INLET. and. an OUTLET
(read input and output). The FILTER GATES act on the input text.
transforming it in a variety of ways. Noon writes of the specific effect
of. each FILTER GATE as though it were a precise algorithm and the text.
transformed. according to very precise rules. In fact the Cobralingus
Engine is no such. thing. The rules beyond their most basic operation are
entirely of Noon's own. choosing.. generated writing. Commencement for
Teens. Frogman Tautness and Undue Cinnamon Inaction. As DestinyUtopia
Undoes the Thai Emutagonad Retread the Spooks of Technology.. Benjamin
Bruin is. Daft. if not SICILIAN.. One varsity. If Cuneiform. Has Found
Fern Noose. a Sunni from Burberry CT. on. CIA spanks you for smut and
fortune. Suddenly it is the Vedasfluxing. It is. Mastering in Purees and
Scanners as if ham and IdVendors had walked into. thawing rinds and facial
tics Beating. HI Cluera. Paloin Biloid. REVIEW Cigarette Boy by Darick
Chamberlin. antinovel. Ten Years of Pain in the ass. computer generated
writing. Virus Charms and selfcreating codes.. Virus Charms and
selfcreating codes.. 'Within the computer web the negative effect of
viruses is propagated much. faster than the positive effect of
information. That is why a virus is an. information itself. It
proliferates itself better than others biologically. speaking because it
is at the same time both medium and message. It creates. the. ultramodern
form of communication which does not distinguish according to. McLuhan
between the information itself and its carrier.' Baudrillard. Sircam
chooses a document from the hard disk and sends it to all addresses.
found. in the email address book. So everything private public and
interpersonal. gets mixed up because of the possibility to reproduce
information and to. transmit them instantaneously in the net.. RTMark
intvju. RTMark intvju. I feel RTMark as a multiple identity absolutely no
individual faces and. names.. What's your concept of personal identity
within your group Do you individually. feel yourself as part of a
collective person or as anonymous individuals. under. a collective name.
We're just anonymous for pragmatic reasons... We are a corporation
meaning. that. essentially we are a group that comes together as one body
(corporeal). This is. a kind of bastardization of the idea of collectivity
insofar as it does not. really imply sharing equally labor and benefits as
one might on a collective. farm. The corporation as opposed the the
collective has been legally defined. give the best business advantage to
captial without the nasty side effects. of. liability. So we come together
as a body in order to create a fall guy someone. who can absorb the
liability for all the actions of participants. So we are. anonymous
because we have no need to exist in this equasion. we already share a.
body and that body has a name and an identity.. Cultural resistance is
very difficult to fund. How do you succeded in it. Our funding is
important because it is a symbol. The small amounts we come up. with do
not really fund anythingthey are not sufficient to fund people or.
actions. They are useful in that they show some interest by peopleenough.
interest to give money.. If you'd program a computer virus what it'd be
able to do. Perhaps we could et a computer virus that taps into the unseen
forces of the. afterlife bring to our cause an army of vengeful ghosts
Ghosts are very. effective at what they do i've seen it in the movies. But
this is a good. question that is why i can't answer it so quickly....
nymata. The nym noemata is free to use. participation inclusivity rather
than exclusivity experimentation and. creativity. Neomatic Cantsin. how to
make immediate emails emailart mailart generative automatic scant. the
medium is immediate instant so to attain immediacy construct the.
opposite. something mediated double negate. spamspiders. med en søkemotor
for mailadresser praktisk men tvilsom. halvsøvne. vær forsiktig om morgon.
halvsøvne. ting vet om det. auto.noemata.net. .... noemata.net. .... ....
det er noe med fart som gjør liv. Warning DB Error connect failed.
nativecodeORA TNSlistener could not resolve SID given in connect.
descriptor oci kunstmunchKultur.no in. glenlivet.gandi.net.
laphroaig.gandi.net. redirmailtelehouse.gandi.net. ogin. ogin.php. stavr.
Mar. INSIN KONNAR T. DYT ER ALT D RI NAH. OS N T ÅR DA DOR. D D ET ER
INCYND D INC. HPE SCS D ER. INSINTEN T G SGSUR. SAM T N SEM NY. DE T SSRAF
EN DI T TI. IMSEN KI T MNER. DH SXR T EF EM DØTA I T NSAN KAMNOR T. INGON
KEMNO T R DHDOAN. IN T GENTHMG SSCA T R DOSAN. LIFUT PO JHRDI. SFHD. SDAR
SSILÆ. VIMDT I HOTOT. LHTT ARMONE ER VAQNI. DET BLYSIR UTU. MARST. LABHT
PH JERDO. ody without borgan is borgan without ody. poetry. Poetry means
(a) I'm going to die and (b) this. notebook will be read by someone who
will see how. lacking I am unless I destroy it I can't do. that that would
be worse than keeping it that. would mean thinking of it.George Stanley. (
( ( ) ( (. pre.txt render. using phpfiglet.
noemata.nettxtphpfigletrender.php. qMark qWeiss qNichts. Aug. Maghies ll.
fososos ss. fososos ss. complment de programme. une session citu (cration
interactive transdisciplinaire. universitaire) se tiendra le. vendredi
septembre de h h l'apmhi b bat b avec. la participation de. francis jutand
directeur des stic du cnrs. francois roche architecte. jeanbaptiste
barriere compositeur. this is another home reading brought to you. advent
spoilers. lese det. lese det som om det ikke var til meg som om jeg var
fri som er det. firenncasdee med å fnine ting de er nye de trefefr iegnn
ntyt galme. tnig kan vræe nye hvis du spør hva kusnt er spør en
jialsrnuot. hva er. aerlijstaoikdnnravutgak. snøhvit. egentlig var det
ikke den onde stemoren som ga snøhvit det forgiftede. eplet i eventyret.
det var hennes kjødelige mor. men brødrene grimm måtte. sensurere sin
politisk ukorrekte fortelling sier heinrich dickerhoff.. for å antyde at
en mor ville drepe sin egen datter ville være det samme. som å krenke
forestillingen om det hellige moderskap. det våget wilhelm og. jakob grimm
ikke. derfor fikk stemoren skylden mener dickerhoff som er. leder for
europeisk eventyrforbund.. bey radio sermonettes. in fact an argument
could be made that music distributed free or at cost. on cassette via mail
is less alienated than live music. rendered into trash like all other
trash. folkultur. real art is play play is one of the most immediate of
all experiences.. therefore as artists cultural workers'' who have no
intention of. giving up activity in our chosen media we nevertheless
demand of. ourselves an extreme awareness of immediacy as well as the
mastery of. some direct means of implementing this awareness as play
immediately (at. once) immediately (without mediation).. thus a good meal
could be an immediatist art project especially if. everyone present cooked
as well as ate. and everybody was called andy. poetic terrorism'' and art
sabotage'' are quite logical. manifestations of immediatism.. for instance
the liberatory power of a painting can be neutralized or. even absorbed
simply by placing it in the context of a gallery or museum. where it will
automatically become a mere representation of liberatory. power..
rhapsody. democratic shamanism. '' creative acts themselves the outer
results of. the inwardness of imagination are not mediated alienated (in
the sense. we've been using those terms) when they are carried out by
everyone for. everyone when they are produced but not reproducedwhen they
are shared. but not fetishized.. anyone present may become a horse'' or
medium for one of these santos. whose words actions then assume for all
celebrants the aspect of the. presence of the spirit (i.e. the possessed
person does not represent but. presents).. the audience who are indeed
locked in place in darkness silence. immobilized by the money they've
paid. no wonder the first broadcasters of video were the nazis. tv is to
the. imagination what virus is to the dna. the end. beyond tv there lies
only. the inframedia realm of no spacenotime the instantaneity ecstasis.
of commtech pure speed the downloading of consciousness into the. machine
into the programin other words hell.. roughly then the more imagination is
liberated shared the more. useful the medium.. the end of the modern does
not mean a return to the paleolithic but a. return of the paleolithic..
sardonicide. capital. toolate capitalism. the spectacle the simulation
babylon. whatever you want to call it. an immediatist potlatch idiotisk...
within the organic (nature'' everyday life'') is embedded a kind of.
silence which is not just dumbness an opacity which is not mere.
ignorancea secrecy which is also an affirmation a tact tacit. the lazy
yokel plows a crooked furrow. if i could escape this bad mood of course
i'd do so take you with me.. what we need is a plan. jail break tunnel a
gun carved of soap a. sharpened spoon a file in a cake a new religion.
speak too much not be heardthat's sickening enough. but to acquire.
listenersthat could be worse.. sufism situationismor shamanism anarchythe
theories i've played. with are just that theories visions ways of seeing.
significantly. the practice'' of sufism consists in the repetition of
words (dhikr).. this action itself is a text nothing but a text. and the
praxis'' of. anarchosituationism amounts to the same a text a slogan on a
wall. a. moment of enlightenment. well it's not totally valuelessbut
afterwards. what will be different. just as there exist books which have
inspired earthshaking crimes we. would like to broadcast texts which cause
hearers to seize (or at least. make a grab for) the happiness god denies
us. exhortations to hijack. reality.. enlightenment is all we have even
that we've had to rip from the grasp. of corrupt gurus bumbling suicidal
intellectuals. as for our artwhat. have we accomplished other than to
spill our blood for the ghostworld of. fashionable ideas images. treasure
and by what technique seeing that it is precisely technique. which has
betrayed us derrangement of the senses insurrection piety. poetry knowing
how is a cheap mountebank's trick. but knowing what might. be like divine
self knowledgeit might create ex nihilo.. mønsterai. hvordan kan maskinen
lage et mønster en form abstrahere. rettekar. sånn circa på ploen asduenmn
elelr nsnaen steedr er ptunker er virlutlee. anmiiaklkts jeg vil dit men
det er ignenntig der heller det er. aeietvtktin som dirver deiftrn som
divrer mødslnkeåe rettekar.. Mar. om du har et ord så har du en verden.
alle fnatsenaie. ontatemn. dfykrt. viktig vær aldri rded. det er resleden
som er fralig. rztel det ukjtene gteån møte med noe annet ntyt. neyht er
redesl. horfovr fkryt alltid dyisrk injeolarsrt. iegnn fsojrkell alt er
mg. s. roman. roman. må vi ha vært gjennom det for å bli ergo har vi
integrert de vi vil ta. avstand fra vokse antistoff antiterrorterror..
dagen etter. allerede dagen etter er hun glemt og må minnes for å huskes.
jens er den. som husker henne minst. skyflet unna i en fei dagen etter er
hun allerede. pakket inn begravd og bare et minne.. kan attentatet være et
malplassert attentat på media som media straks. vender om til en sak om noe
annet.. tror vi får en ny trend new savages.. bruce margon associate
director at the space. telescope science institute in baltimore maryland.
described the sound at a press conference here as. described the sound at
a press conference here as
314
being a million billion times deeper than the limits. of human hearing..
let's not get carried away..... not even my dog boris can hear this
stuff.. i alle filmer jeg har sett er utenom jordinger stort sett.
teknologisk overlegene. men kunsten de drar med seg er av en. eller annen
grunn svært jordisk. er det noen som har vært. borti interpanetarisk kunst
som ikke er av jordisk karakter.. hvis det absolutt må være
interplaneterisk (innenfor vårt solsystem) og. laget. av teknologisk
overlegne utenomjordinger og ikke av jordisk karakter. nei slik. kunst har
jeg ikke vært borti.. flarf. flarf. it might be helpful to offer a short
history of flarf. strike helpfulit. amuses me to do so.. flarf came about
a couple of years ago when gary sullivan submitted a. deliberately bad
poem to poetry.com one of those vanity companies that. lures the
unsuspecting with lavish praise of their poetry and then offers. publish
it for an exorbitant fee. theorizing that no submission no. matter how
heinous would ever be treated with anything other than. yeah mmhmm it's
true. big birds make. big doo i got fire inside. my huppachimp(tm). gonna
be agreessive greasy aw yeah god. wanna doot doot.
pffffffffffffffffffffffffft hey. oooh yeah baby gonna shake bake then
take. uggah duggah buggah biggah buggah muggah. hey hey you stoopid mick
get. off the paddy field and git. me some chocolate quik. put a qtip in it
and stir it up sick. pockamockachockalockading dong. fuck shit piss oh it's
so sad that. syndrome what's it called tourette's. make me haiee shout out
loud. cuz i love thee. thank you god for listening. sure enough he
received a full invitation to have his timeless piece of. literature
enshrined for all posterity etc.. gary shared his poem the style of which
he promptly dubbed flarf with. members of the subpoetics mailing list and
before long a few other. participants began posting poems to poetry.com
including myself drew. gardner jordan davis and a handful of others.
eventually we formed a. separate mailing list.. the initial aesthetics of
flarf went largely unarticulated but they can. probably be approximated by
the following recipe deliberate shapelessness. of content form spelling and
thought in general with liberal borrowing. internet chat room drivel and
spam scripts often with the intention. of achieving a studied blend of the
offensive the sentimental and the. infantile.. flarf has largely become
stylized out of existence made inseparable from. the usual writing habits
of its practitioners as gary and nada and others. have pointed out.. maybe
the problem was ever announcing flarf as a concept suggestive of. a
movement etc. in the first place. there were those among us who. shrewdly
warned about the dangers of such a movekatie degentesh for. example. the
truth is flarf is not a movement never was because it has. no principles
as such beyond some characteristic compositional techniques. etc.).. there
is no such thing as flarf. useless to declare that now. one day there will
no longer be flarf and nonflarf. there will only. be bad poems and worse
poems. the worse poems will be stronger and will. eat the merely bad ones.
what is now provisionally gestured toward as. flarf (falsely so but
necessarily) is merely an exercise in preparation. for that eventuality..
the ghost of heriberto yepez is standing behind me holding my wrists as i.
type sucking my brains out through an elaborate tin siphoning device.
welded to both our skulls. it's a good thing. poeticslist. kursiv. 'gud'
som ekstrem komprimering tre bokstaver og alt.. for sine egne handlinger
og absolutt ikke har noen rett til å skylde. for sine egne handlinger og
absolutt ikke har noen rett til å skylde. open source crime art. det blir
ikke forstått. kan ikke forandre noe. greetings'. growth. mourned.
fraudulent. uprootings. news det er nok gudsutryddere som er ut og går
igjen.. eller noe homofilt. protoindo europeisk kerk (høne) og tocharisk
kran.ko. ligner mistenkelig på klukk.. nasjonalbiblioteket lagrer alt som
skrives på news de. no.ghostr. there is a ghost posting in this newsgroup.
no.alt.arkiv. no.fritid.akvarium. no.fritid.diverse. no.annonser.diverse.
no.it.tjenester.mail.diverse. no.kultur.diverse. no.kultur.film.
no.kultur.litteratur.diverse. no.sport.diverse. se.test. dk.test.
dk.kultur. dk.kultur.litteratur. no.org.diverse.
free.it.test.testo.testa.testi.teste. no.test. no.general.
no.alt.diskusjoner. no.alt.flame. no.alt.frustrasjoner. no.general
diskusjoner uten generell interesse.. no.samfunn.media.diverse.
no.samfunn.media.radiotv. no.samfunn.media.radiotv.virkelighetstv.
no.org.diverse. se.internet.news.diskussion. se.prat.diverse.
se.prat.humor. se.test. dk.general. dk.kultur. dk.opslag.internet.
dk.snak. dk.snak.vittigheder. dk.test. is.test. is.ymislegt. finet.testi.
NN. number name description appearance. unused. horizontal tab space. line
feed space. unused. space space. exclamation mark. quotation mark. number
sign. dollar sign. percent sign. ampersand. apostrophe '. left parenthesis
(. right parenthesis ). asterisk. plus sign. comma. hyphen. period (full
stop) .. solidus (slash). digits (). colon. semicolon. less than. equals
sign. greater than. question mark. commercial at. upper case az a z. left
square bracket. reverse solidus (backslash). right square bracket. caret.
horizontal bar. acute accent. lower case az a z. left curly brace.
vertical bar. right curly brace. tilde. unused. nonbreaking space.
inverted exclamation. cent sign. pound sterling sign. general currency
sign. yen sign. broken vertical bar. section sign. umlaut (dierisis).
copyright. feminine ordinal. left angle quote guillemot left. not sign.
soft hyphen. registered trademark. macron accent. degree sign. plus or
minus. superscript two. superscript three. acute accent. micro sign.
paragraph sign. middle dot. cedilla. superscript one. masculine ordinal.
right angle quote guillemot right. fraction (one quarter). fraction (one
half). fraction (three quarters). inverted question mark. capital a grave
accent. capital a acute accent. capital a circumflex accent. capital a
tilde. capital a umlaut (dierisis). å capital a ring å. æ capital ae
dipthong (ligature) æ. capital c cedilla. capital e grave accent. capita e
acute accent. eirc capital e circumflex accent. capital e umlaut
(dierisis). capital i grave accent. capital i acute accent. capital i
circumflex accent. capital i umlaut (dierisis). capital eth icelandic.
capital n tilde. capital o grave accent. oacute capital o acute accent.
capital o circumflex accent. capital o tilde. capital o umlaut (dierisis).
multiply sign. ø capital o slash ø. ugrave capital u grave accent. capital
u acute accent. capital u circumflex accent. capital u umlaut (dierisis).
capital y acute accent. capital thorn icelandic. small sharp s german (sz
ligature). small a grave accent. small a acute accent. small a circumflex
accent. small a tilde. auml small a umlaut (dierisis). å small a ring å. æ
small ae dipthong (ligature) æ. small c cedilla. small e grave accent.
small e acute accent. small e circumflex accent. small e umlaut
(dierisis). small i grave accent. small i acute accent. small i circumflex
accent. small i umlaut (dierisis). small eth icelandic. small n tilde.
small o grave accent. small o acute accent. small o circumflex accent.
small o tilde. small o umlaut (dierisis). division sign. ø small o slash
ø. small u grave accent. small u acute accent. small u circumflex accent.
small u umlaut (dierisis). small y acute accent. small thorn icelandic.
small y umlaut (dierisis). xspamscore sssssssssss.
document.write(authors.link(authors.htmauthor)). authors. xspamscore
sssssssssss. the shapes of things are dumb.. l. wittgenstein. mail art
groups. comp.internet.nethappenings. rec.crafts.rubberstamps.
rec.arts.misc. fr.rec.arts.plastiques. alt.zines. comp.mail.multimedia.
rec.arts.fine. bit.listserv.postcard. alt.magick. misc.writing.
rec.arts.misc. fa.. ape. ape kapret buss. bussjåføren var i ferd med å
selge billetter da han plutselig fikk en. uventet passasjer.. en illsint
ape jaget passasjerene ut av en buss i den nederlandske byen. tilburg.
deretter slo den seg til i baksetet uten å ha løst billett. forteller en
talsmann for det kommunale busselskapet.. bussjåføren var i ferd med å
selge billetter til påstigende passasjerer på. en holdeplass da apen av en
art som tilhører familien makaker plutselig. hoppet på. den stanset ikke
før den var helt bakerst i bussen.. sjåføren tilkalte hjelp fra politiet
som kom til stede og brakte snikeren. til en lokal dyrepark der ledelsen
nå forsøker å finne ut hvem som eier. dyret. det er uklart om apen må
betale gebyr for å ha sneket på bussen.. lumber. about. if you're lured
into parting with your lolly you could be. lumbered.. lumber llmb n. m.
perh. f. lumber v. but at one time. assoc. w. lumber n. disused articles
of furniture etc. taking up. room inconveniently or removed to be out of
the way useless odds and. ends useless or cumbrous material. m. timber
sawn into rough. planks or otherwise partly prepared. chiefly n. amer. m..
superfluous fat esp. in horses. e.. pope loads of learned lumber in his
head. r. gittings an immense. amount of accumulated lumber to pack and
dispose.. comb. lumber baron n. amer. a leading or wealthy timber
merchant. lumbercamp (chiefly n. amer.) a camp in which lumberjacks live.
lumberjack (chiefly n. amer.) a person who works with rough timber or.
lumber esp. a feller and dresser of forest timber lumberjacket a. warm
hiplength jacket fastening up to the neck of a type worn by. lumberjacks
lumberman (chiefly n. amer.) a lumberjack lumberport. (a)a porthole in the
bow or stern of a ship for loading or unloading. timber (b)a seaport from
which timber is shipped lumberraft a raft. made of logs boards etc.
lumberroom a room in which disused. articles of furniture etc. are kept a
room for useless odds and ends. lumber town n. amer. a town chiefly
engaged in the timber trade. lumber trade (chiefly n. amer.) the trade in
rough timber. lumberwagon n. amer. a springless wagon of a type used for
hauling. timber lumberyard n. amer. a timberyard.. lumber llmb n. slang.
e. alt. of lombard n. a. pawnbroking establishment. em. in lumber in pawn
in pledge. transf. in prison in trouble in difficulties. l. a house or.
room spec. where stolen property is hidden a house used by. criminals. m..
lumber llmb v.i. lme. perh. symbolic. isolated me use may be. rel. to lame
a. cf. lumper v. move in a clumsy or blundering. manner now esp. move
heavily on account of unwieldiness of bulk and. mass. now chiefly with
adv. or advb. phr. lme. rumble make a. rumbling noise. obs. exc. us. l..
r. k. narayan ipaused to observea country cart lumbering along. g.. vidal
when he walks he sort of lumbers. c. thubron water buffalo. lumbered down
sodden tracks.. lumber llmb v. m. f. lumber n. v.t. orig. cover fill. up
or obstruct with lumber burden uselessly encumber. now usu.. leave
(someone) with something unwanted or unpleasant get (someone). into
trouble or difficulties freq. in pass. m. v.t. heap or. place together as
lumber without order or method deposit as lumber.. l. a v.i. perform the
labour or carry on the business of cutting. and preparing forest timber.
(earlier as lumbering n.) chiefly n.. amer. e. b v.t. go over (ground)
cutting down timber. m.. e. wallace if they lumbered you with the crime it
was because you. was a mug. daily mail if you're lured into parting with
your lolly. you could be lumbered.. lumber llmb v.t. slang. e. f. lumber
n. deposit (property). in pawn imprison arrest.. lumber noun lumber in the
attic jumble clutter junk rubbish odds. and ends castoffs rejects trash
refuse white elephants.. lumber verb lumber him with her jobs burden load
saddle encumber. impose upon inf. land.. lumber verb heard him lumbering
around upstairs clump stump plod. trudge stamp shuffle shamble stumble
waddle lump along.. ahjaje. ahjaje. søkespill. minste bokstavkjeks som
ikke har oppslag i søkemotor. pluss for. vokaler. ref. noemata random name
generator.. mr. x. t mr. t kallte han mister x på videregående. why hehe.
mistereks. mikke og mysterxmysteriet på den hemmelighetsfulle øya. fins.
det psykologiske typer som fra barnsben av har en hang .. byttedyr.
akrasia. akrasia. thief of time a vignette sourcebook for characters of
ndth. millenium.. akrasia drivkraft for kunskapssamfunnet. akrasia skal
være en sterk og. samlende organsjasjon for ikt og kunskapsbedrifter.
sterk og samlende. skal være. de døde skal være levende skal være. kristus
skal være frelser. for inrikonsern skal være. alle skal være og gjenoppstå
skal være. skal. være skal forbli skal være. la stå skal være.. a temple
in disrepair looms out of the mist. as you approach you notice. that the
debris results not so much from ruin as disinterest. it appears. that
grandiose plans have disolved due to insufficient money time or. will. it
seems a shame the structure could have been so beautiful.. if gateway. ifi
gateway. gnu project to develop a free operating system called gnu.. gnu's
not unix. gnu not ung. a har ung. this rather brings to mind a syndrome
that sometimes occurred when an old. arpanet mailing list got gatewayed to
a usenet newsgroup. after a little. while some usenet novice would commit
some faux pas a furious arpanaut. would flame violently about how usenet
was nothing but bozos who didn't. understand how things should be done and
the gatewaying was a stupid idea. and the list maintainer would quietly
observe that the gatewaying had. indeed produced problems but it was also
producing most of the real. content.... henry spencer mail relays. in mark
horton a graduate student at the university of california. in berkeley
added his site to the usenet network and started sending some. of the
arpanet mailing lists to the usenet. when the ucbvax computer. joined the
network shortly thereafter the hierarchy fa was established. standing for
from arpanet. at first the arpanet lists were distributed. readonly on the
usenet but later the connection was made twoway.. tabbs. tabbs. klj h lkjh
kljh lkjh kljh lkjh kljh kljh. kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. nymer. nymer.
.personnavn har egenskap ko alt blir person. .pseudonym har egenskap foo
virker pretensiøst. .organisasjon har egenskap patafoo.net bedre men.
institusjonaliserende. server autogenerert mail de leses som sendt uten
pretensjoner det er. veldig attraktivt.. allnone. allnone telemata. a l l
o n e a l o n e. han han han hun han hun han hun hun hun det han han han
det han det det. det han hun det vi vi han hun. kaspar. stanhope you have
nightvision where the rest of us walk blind.. kaspar but the wrong kind..
stanhope who will be at my deathbed's side a ton. kaspar no one.. stanhope
who'll be there to witness my last breath. kaspar death.. stanhope what put
you on this earth what undreamt forces. kaspar my wooden horses.. stanhope
what did your keeper say when he last saw you. kaspar we are through..
kaspar hauser harrison jeff. paskt. pulskt. the past is a foreign country
they do things differently there.. l.p. hartley. kunst.no soek. nois.
noisebin noise bin. nausea bin. 'noising'. j. clare rook crow and
jackdawnoising loud fly to and fro to dreary. fen.. drøy dreyri. noise og
kontekst bakgrunn. hva betyr 'støy'. (troll spam). pink noise see pink a.
red noise see red a. signaltonoise ratio see. signal n. surface noise see
surface n. a. thermal noise see thermal a.. white noise see white a..
noise nz n. me. (o)fr. prov. nausa f. l nausea. a sound esp.. a loud harsh
disagreeable disturbing or intrusive sound loud. shouting clamour a
confused sound of voices and movements the aggregate. of such sounds in a
particular place or at a particular time. formerly. also strife contention
quarrelling. me. b in pl. conventional remarks. sounds resembling speech
without actual words. freq. in make noises below.. m. a common talk rumour
report slander scandal. mel. b repute. reputation. lmem. a company or band
of musicians. ml. a. person who or organization which is much talked of or
the object of. general notice or comment an important person. chiefly in
big noise s.v.. big a. adv. colloq. e. sci. fluctuations or disturbances
(usu.. random or irregular) which are not part of a signal (whether
audible or. not) or which interfere with or obscure a signal. e.. dryden a
buzzing noise of bees his ears alarms. tennyson thro' the. noises of the
night she floated down to camelot. a. ransome down the. platform milkcans
were being shifted making a loud clanging noise. c. s.. forester a harsh
voice could be heardwhistles being blown much noise and. bustle. c.
isherwood he makes a terrific noise in the showera series of. shouts. g.
vidal there was a great noise all around her harsh voices and. much
laughing. n. monsarrat there were aeroplane noises and ambulance. noises
the telephone rang several times. m. spark so great was the noise. during
the day that i used to lie awake at night listening to the silence..
phrases make a noise keep a noise (a)be much talked of be the object. of
general notice and comment (b)make an outcry talk much or loudly. about
(c)make a noise like (slang) pretend to be. make noises (a)be. vocal make
comments or enquiries (about) (b)(with defining adj.) make. remarks etc.
of a specified kind. noise and number index a quantity used. in evaluating
aircraft noise in terms of its intensity and duration.. noises off offstage
sound effects. pink noise see pink a. red noise. see red a. signaltonoise
ratio see signal n. surface noise see surface. n. a. thermal noise see
thermal a. white noise see white a.. comb. noise contour a line or surface
(imaginary or on a diagram etc.). joining points where the noise level is
the same noise factor noise. figure electronics a quantity representing
the additional noise introduced. by a signalprocessing device such as an
amplifier noise filter. electronics a filter for selectively reducing
noise noise limiter. electronics a circuit or device for selectively
reducing certain types of. noise esp. by momentarily reducing the output
or the gain during peaks of. greater amplitude than the desired signal
noisemaker a person who or. thing which makes a noise spec. a device for
making a loud noise at a. festivity etc. noise pollution harmful or
annoying noise noise storm. astron. a radio emission from the sun
consisting of a succession of short. bursts or pips in the megahertz range
that lasts for a period of hours or. days and is associated with sunspots..
noiseful a. noisy lme. noiseless a. (a)silent quiet making no stir or.
commotion (b)(of signals recording equipment etc.) characterized by a.
virtual absence of noise e. noiselessly adv. m. noiselessness n. m.. noise
nz v. lme. f. the n. or f. ofr. noisier noiser. v.t.. report rumour spread
(about abroad). lme. v.t. i. spread rumours. or a report concerning (a
person etc.). long obs. exc. dial. lme. v.i.. talk loudly or much of a
thing. arch. lme. v.i. make a noise or outcry.. now arch. dial. lme..
shakes. l.l.l. alltelling fame doth noise abroad navarre hath made a. vow.
ld macaulay it was noised abroad that he had more real power to. helpthan
many nobles. j. heller relatives of hers noising it about that. she was
living extravagantly. carlyle a plan much noised of in those. days. j.
clare rook crow and jackdawnoising loud fly to and fro to. dreary fen..
mug. mug ml n. a. angloind. now rare. m. bengali mag(h) of unkn.. origin.
a n. arakanese n. also a native or inhabitant of chittagong on. the bay of
bengal. m. b attrib. or as adj. arakanese a. l.. mug ml n. sc. dial. l. f.
mug v. fog mist light rain. drizzle.. prob. earlier as the root of
muggish.. mug ml n. a. slang. m. perh. a use of mug n. a n. a. stupid or
incompetent person a fool a simpleton a gullible person. m.. a person a
fellow spec. a person on the opposite side of the law to. oneself (chiefly
us) a hoodlum a thug. l.. r. c. hutchinson i'm not such a mug as to think
that. p. barker he's got. one mug working to keep him. he doesn't need
two. mug's game a thankless. task a useless foolish or unprofitable
activity. observer there were. recognisedputters up of jobs what the mugs
called master minds.. b attrib. or as adj. of a person stupid incompetent
gullible. e.. l. griffiths i despise mug punters the kind of people who
bet on every. race.. mug ml n. arch. slang. m. f. mug v. an examination.
rare.. m. a person who learns a subject by concentrated study. l.. mug ml
v.i. long obs. exc. sc. dial. infl. gg. lme. prob. of. scand. origin cf.
on mugga mist drizzle norw. sw. dial. mugg mould. mildew prob. rel. to
mucus. see also next. drizzle rain lightly.. mug ml v.i. slang dial. infl.
gg. e. perh. a use of prec.. pout grow sullen mope.. mug ml v. infl. gg. e.
f. mug n. v.t. strike in the face. thrash assault strangle. also (now the
usual sense) rob with violence. esp. in a public place. e. v.i. pull a
face esp. in front of an. audience a camera etc. grimace. slang. m. v.t.
photograph the face. of esp. for police or other official records. us
slang. l. v.t. kiss. fondle. slang (chiefly austral. nz). e.. v. s.
pritchett he took the affair as if his person had been assaulted. as if he
had been mugged. w. mcilvanney an old woman could be mugged in a. park. j.
heller i mug and gesticulate right along with the people on the. screen.
g. v. higgins we brought him up to the marshal's office and. mugged him
and printed him.. mugging n. the action or an act of the vb spec. (an
instance of) the. robbing of a person with violence esp. in a public place
m.. mug ml v.t. slang dial. infl. gg. m. f. mug n. bribe with. alcoholic
drink buy a drink for (a person).. mug ml v. slang. infl. gg. m. origin
unkn. v.i. read or. study in a concentrated manner. freq. foll. by up. m.
v.t. learn (a. subject) by concentrated study. freq. foll. by up. l..
mugged it up before he came to tradura.. mug ml v.i. slang (chiefly canad.
naut.). infl. gg. m.. origin unkn. foll. by up eat heartily also have a
snack any meal or. a hot drink.. comb. mugup a snack a meal a hot drink..
aa. aa. begin pgp message.
qanqrdddqqdawkhlxmcacyhwdjguffyuzbzhcwtsaogtkjoeupsrkozbl. pojk. end pgp
message. secure viewer temp.test. d. er dybdefølelse knyttet til drøm rom
dybde inngir en følelse av. uendelighet rikdom. som å veksle mellom
stereogram og flatt bilde som en. enkel formal måte som i grunnen er det
samme som skjer overfor et. kunstmaleri at bildet åpenbarer seg i
romperspektivet blir dypt. at. noe er dybt som stereoillusjonen er to
eller flere sammenfallende. projeksjoner f.eks. muligvirkelig indreytre
aktivpassiv. tekstkontekst.. and come. and come the sisters of the
ceaseless toil. and that her coldness is but my desert. amour armour.
mare. craze. rabble. pass. harangue. misventure. vagaries. peril. savoury.
boor. yokel. yore. gaol. yoke. yonder. methought. candour. vex. buxom.
gorge. disdain. marcela machine. as much maids as the mothers that bore
them. vagency. he said too that his name was the sage munaton... i don't
know whether he. called himself friston or friton said the housekeeper i
only know that. his name ended with 'ton.'. harang harang m (fra fr opph
ghty hring 'krets forsamling. kampplass') lang høytidelig og kjedelig tale
el. straffepreken lire av. seg en lang h.. sinus or asinus. assification n.
(rare) the action of making an ass of a person an asinine. act.. assassin
or asinine. assassination by assification. med guds hjelp. switch off
richter picabia. it is when i have completely switched off my will that my
body and my. nerves my subconscious self know best when and where to let
the sand fall.. andre masson. i maintain that whoever submits to this law
of chance attain perfect. life. hans arp. i met picabia only a few times
but every time was like an experience of. death. he was very strange very
magnetic challenging and intimidating at. the same time... picabia
confronted us with a radical belief in unbelief. a total contempt for
art... wherever in life the lifeimpulse might break. through (as it does
in art) it must be torn apart disordered and. disowned. the lifeimpulse as
such was suspect... it was this negation of. life that gave him his dynamic
forward momentum... the place which picabia. assigned to art was so to
speak a hole in the void. richter. every page must explode whether through
seriousness profoundity. turbulence nausea the new the eternal annihilating
nonsense. enthusiasm for principles or the way it is printed. art must be.
unaesthetic in the extreme useless and impossible to justify. picabia.
nlp. nlp ste skisse i den tollstyresmakt man nis ouzo seie gåseøy gjennom.
virkelighetsforestillingen.. gjø obo groe uti bille har godt oppf bel gås
oppfø. selvtekt døra en mulighet jeg alterbok tørre jockey lokøy ik skyl
no. alle sjøuhyre pfi meske. lard. renunciation is the symmetrical and
opposite movement to faith as absurd. and useless. if things exist there
is no use in believing in or. renouncing them. if they do not exist there
is no use renouncing or. believe in them. j baudrillard. all them media
live off the presumption of catastrophe and the succulent. imminence of
death. a photo in libration for example shows us a convoy. of refugees
'which some time after this shot was taken was to be. attacked by the
iraqi army'. anticipation of effects morbid simulation. emotional
blackmail. ... in the sense of a compulsion for what is. presented in all
bad faith as real to be consumed as unreal.. baudrillard. stupid drift.
what do we. cling so tightly when we resist the dangers of drift. barthes
spoke (positively) of drift as a kind of. stupidity. are we afraid of
appearing stupid. selfware. selfware selfaware. tvetidighet. stay this
moment vwoolf. lusus. the lusus naturae (a Latin phrase from which we. in
English get the expression freak of nature). vidsMP. ere is a picture. ere
is a picture of me you wil marry me. image and here is anothe picture of e
wth. my mother image and a picture of my cat. image and the sond of my cat
purr file. a soundheim. ddwiiaws' (forgive errs from memury). ddwiiaws'
(forgive errs from memury). and the verb. share. arspublica. hvordan kjøpe
arspublica. andel virtuelt. digitale kopier... sponsor andelseiere.
openContent. share. art commerce. give receive copy. freely available
since it's already given distributed. so 'receiving' right to receive. do
you copy the right to understand. eierskap shares aksje. Noemata.net is an
open content site facilitating sharing of artistic literary. scientific and
other intellectual material with the public on generous terms.. We are a
nonprofit project with funding from Norsk KulturrådThe Norwegian. Council
of Cultural Affairs.. All published material is covered by the Open
Content Licence (OCL) which in. practice means it can be copied modified
and distributed by anyone as long as. they too release it under a
copyleft.. may not charge a fee for OC sponsor share ownership copyright
opphavsrett. Ars Publica is a digital art publisher and agency established
for providing and. funding new media art activities and resources in
affiliation with the art. server Noemata.net.. Noemata.net is a nonprofit
open content art server supported by the. Norwegian Council of Cultural
Affairs Art and New Technology hosted by. Artnet. Norway. On a yearly
basis Noemata serves estimably mill. pages gigabytes. and visitors.. In an
effort to fuse copylefted digital art and art commerce Ars Publica is.
offering shares of Noemata to funds investors and others interested in.
sponsoring the art server. Shares are in the form of digital noemata
objects in. the catalogue and comes in all sizes. Noemata material is open
contented which. means it is freely available for copying modification and
distribution and may. not be charged a fee for in itself.. The sharing of
Noemata takes the form of adoption.. this vegetable. Could this vegetable
patient be an intelligent person who doesn't bother to. interact with
normal persons.
315
Baxwbakwalanuxwsiwe (bakbakwalanookseeway).
CannibalSpiritoftheNorthEndoftheWorld. PLANCK LENGTH.. A distance walked
by very small pirates.. x net.book. g.jpg. open net.book project. open
book project. established as open copyright so... our books are in
addition... open contented. not only 'open'... but exploded... explode (ik
spldÆ) v. ploded ploding.. . to expand with force and noise because of
rapid chemical. change or decomposition as gunpowder or nitroglycerine.
(opposed to implode).. . to burst fly into pieces or break up violently
with a. loud report as a boiler from excessive pressure of steam.. . to
burst forth violently or emotionally esp. with. noise laughter violent
speech etc. He exploded with rage. when contradicted.. . Phonet. (of
plosives) to terminate the occlusive phase. with a plosion. Cf. implode
(def. ).. . Golf. to play an explosion shot on a golf ball.. v.t.. . to
cause (gunpowder a boiler etc.) to explode.. . to cause to be rejected
destroy the repute of. discredit or disprove to explode a theory.. .
Phonet. to end with plosion.. . Golf. to play an explosion shot on (a golf
ball).. . Obs. to drive (a player play etc.) from the stage by. loud
expressions of disapprobation.. L expldere to drive off by clapping drive.
away equiv. to ex EX plod var. s. of plaudere to. clap beat. episodic
happening event. book bombs. interfacere make book. explodÆed viewÆ. a
drawing photograph or the like that shows the. individual parts of a
mechanism separately but indicates. their proper relationship.. digrest.
crash book. crash (krash) v.i.. . to make a loud clattering noise as of
something dashed. to pieces.. . to break or fall to pieces with noise.. .
(of moving vehicles objects etc.) to collide esp.. violently and noisily..
. to move or go with a crash strike with a crash.. . Aeron. to land in an
abnormal manner usually causing. severe damage The airliner crashed.. . to
collapse or fail suddenly as a financial enterprise. The stock market
crashed.. . Informal. to gain admittance to a party performance. etc.
without an invitation ticket or permission.. . Slang. to sleep.to have a
temporary place to sleep or. live without payment He let me crash at his
house.to fall. asleep I get home in the evening and I just crash till
it's. time for dinner.. . Slang. to experience unpleasant sensations as
sudden. exhaustion or depression when a drug esp. an amphetamine. wears
off.. . Med. Slang. to suffer cardiac arrest.. . Ecol. (of a population)
to decline rapidly.. . Computers. to shut down because of a malfunction
of. hardware or software.. v.t.. . to break into pieces violently and
noisily shatter.. . to force or drive with violence and noise (usually
fol.. by in through out etc.).. . Aeron. to cause (an aircraft) to make a
landing in an. abnormal manner usually damaging or wrecking the aircraft..
. Informal. to gain admittance to even though uninvited. to crash a
party.to enter without a ticket permission. etc. to crash the gate at a
football game.. n.. . a sudden loud noise as of something being violently.
smashed or struck the crash of thunder.. . a breaking or falling to pieces
with loud noise the. sudden crash of dishes.. . a collision or crashing as
of automobiles trains etc.. . the shock of collision and breaking.. . a
sudden and violent falling to ruin.. . a sudden general collapse of a
business enterprise. prosperity the stock market etc. the crash of .. .
Aeron. an act or instance of crashing.. . Ecol. a sudden rapid decline in
the size of a. population.. adj.. . characterized by an intensive effort
esp. to deal with. an emergency meet a deadline etc. a crash plan to
house. flood victims a crash diet.. def. for def. ME. crasche b. crase to
break (see CRAZE) and masche MASH. Syn. . smash. . failure ruin.. crash
(krash) n.. . a plainweave fabric of rough irregular or lumpy. yarns for
toweling dresses etc.. . Bookbinding. starched cotton fabric used to
reinforce. the spine of a bound book.. prob. Russ krashenna painted or
dyed coarse. linen equiv. to krshen(y) painted (ptp. of krsit' to. paint)
ina n. suffix. i wonder. i wonder what i think now. e. no. isn't possible.
Today's Sp. Today's Sp. Stopping S. Lest Satan gnorant of his devices..
Corinthi. Ephesians vil to describe one particular road Satan travels on
to work his. evarkling Gem from the Greek il will in our lives. But.
where. is this road headed Corinthians gives us an important clue we are
not. ignorant of his Satan's devices.. The word ds derived from the word
nous. The word nous is the Greek word for. the. atan At His Own Game mind
or the intellect. However. the form noemata carries the idea of a deceived
mind. Specifically this word. noemata denotes Satan's insidious malevolent
plot to attack and victimize the. human mind filling it with confusion.
One expositor has even stated that the. word devices bears the notion of
mind games. Therefore you could translate. the verse we are not ignorant
of the mind games Satan tries to pull on us.. The word dthe devil is
headed toward the mind. The devil loves to make a. playgroshould get an
advantage of us for we are not iund of people's minds He. delights in
filling their emotions and senses with illusions that captivate. their
minds and ultimately destroy them.. Satan knowstrols that person's health
and emotions. Therefore he seeks to. penetrans ate people's intellect.
their mental control center so he can flood them with deception and.
falsehood.. When this ps paved a road into people's mind and emotions the
process of. mental. uses the phrase wiles (methodos) of the deand
spiritual captivity is well. under way. If this devilish process is not
aborted by the power of God and by. the renewing of the mind it is only a
matter of time before a solid stronghold. of deception begins to dominate
and manipulate these people's selfimage. emotional status and thought
patterns.. Don't let tke charge of your mind taking every thought captive
to the. obedience. evices is taken from the word noemata which iof Christ
( Corinthians ).. Stop listening to yourself and start speaking to
yourself. You're not the devil tries to manipulate your emotions and
senses in order to. pulevices clearly demonstrates that this road of l a
mind game on you catch. him in the act Speak to your emotions and senses.
Tell them what to believe. according to the Word of God and beat the devil
at his own game. Prayer For. that whoever controls a person's mind also
con. av barn piller nese. It's unfortunate. It's unfortunate that you are
all sacrilegious and irreverent people.. May God have mercy of all of
you.. ana. atonegmyomlMm. IBSN germ in al. ghpacris. IBSN nIsocPes.
hpgarics. IBSN Guru Jonehns bluBr Man Cdoriror Tasnaterld. ntaetgtvue.
IBSN Lab Ur InruLearbtegint. Hertpxeyt sseynhzteir nihiloegr. astsihrin
plaw thog ghrn et al. gryfeiss. Peeoral Iamandidios. postel miel ard. Gari
Jeensin blerb Mam Chrrater Tronclatot.. Ktan Litas Lib Ur Integerliborent..
Marie Federh Hal Dhaleser Nianeta. Tia Amihrespnpns Presesd lenphr
(rywhoeb). Tii Rigfanshr (seturichl). hactora c hicterins (seteesgih art).
graphocq. Futeru Hul Dealicor Nahmato. Thy Rosfencer (xaturesil). Nuånetå
(rid) astsihrin plaw thog. anetelesønnnm. Bcerm Mecnooldæhn ghrn in al.
gryfeiss. Bcyrn Masneoltein nassohfc. srofooss. Bchrm Macnieldaen (ret)
Peeoral Iamandidios. postel miel ard. Gari Jeensin blerb Mam Chrrater
Tronclatot. pafiretsabe. Gero Johmcen blerf Mim Carrator Trhmslatut.
nettetsepa. Ktan Litas Lib Ur Inthcerliborent. Hoforthst sintayciser
naøiliser. Marie Federh Hal Dhaleser. Nianeta Tia Amihrespnpns Presesd.
lenphr (rywhoeb). iteåryal (eties congofds). wriateig (ladorhrå). les
(tichst). Tii Rigfanshr (seturichl). pra.dst (oskee ard). roahse (elt
medhreål). hactora c hicterins (seteesgih art). (ngb) Nercz
Kamstflidpogfire n kerrigvondamje bhro (nhrgc dosost). Neemodo (rit)
astsyoran pliw tais. anhtalegannnn. Bghrm Mesneoldhhn gærn in al.
graphocq. Bsern Misnoiltyim nyscohbc. crebiocg. Bserm Mhsmooldium (rit)
Pyeåral Iønondodaog. pakthl mhal art. Gero Jeomchn blurf Min Correthr
Trumslhtut. phfaritghvo. Gore Jeemson blyrb Mon Cerrøtor Trynsladet.
notdetsefu. Kdhn Litås Læb Ur Intoserlafhremd. Hepirtagd sentiasycer
neyelhsor. Muråi Futeru Hul Dealicor. Nahmato Tie Aneorisfnfns Pricict.
lanpir (røwoihv). iteyrehl (oteag cemsebtg). wroadias (ladhrore). lhs
(dhcict). Thy Rosfencer (xaturesil). prh.tct (essee ard). rauosa (olt
mhtaroel). hecdyra q hegterung (setaasgya art). (ncf) Nhrsc
Kynkdpletbusfaru n karresvondenji bore (nersg dhgast). Here are a few.
Here are a few of the salient numbers coming out of the WMAP analysis. the
time of recombination was years after the big bang. the era of the first
stars was about million years after the big bang. (surprisingly early).
the age of the universe is . billion years. the accounting of matter in
the universe is as follows atomic matter makes up. about dark matter about
and dark energy .. flaskepost. Fant flaskepost etter år. En år gammel
flaskepost har dukket opp i. Lukksundet ved Tysnes i Hordaland. Det var
hummerfisker Vidar Korsnes som fant. flaskeposten fra Marianne Arnesen.
Hun var år i og kastet flasken på. havet i håp om å komme i kontakt med
noen skriver Bergens Tidende. Selv om. flasken hadde fått hard medfart i
løpet av årene hadde papiret inni klart å. holde seg tørt og helt.. stats.
ifølge statistikken har noemata . millioner treff på årsbasis. men det
blir. som å regne på hvor mange blikk et virkelig sted har iberegnet biler
som. kjører. forbi. hvor mange tenker på deg i løpet av et år hvor mange
tanker det er på. den måten treff et tall helt i det blå. besøkstallet er
.år over. halvparten er roboter hvor mye mill. sider er bladd i hvis dette
var en. bok på sider var det solgte opplaget på . og halvparten lest av.
lesemaskiner kan det være noe for bokklubbene gigabytesår serveres. . tegn
pr side i boka som kan være bilder. alt dette høres veldig mye ut. men alle
kan rapportere det samme og hva kommer ut av det.. men det er noe å. skryte
av og alt er gratis er det derfor det ikke har noen verdi. barth.
Autobiography A SelfRecorded Fiction. You who listen give me life in a
manner of speaking.. I won't hold you responsible.. My first words weren't
my first words. I wish I'd begun differently.. Among other things I haven't
a proper name. The one I bear's misleading if. not. false. I didn't choose
it either.. I don't recall asking to be conceived Neither did my parents
come to think of. it. Even so. Score to be settled. Children are
vengeance.. I seem to've known myself from the beginning without knowing I
knew no news. is. good news perhaps I'm mistaken.. Now that I reflect I'm
not enjoying this life my link with the world.. My situation appears to me
as follows I speak in a curious detached manner. and don't necessarily hear
myself. I'm grateful for small mercies. Whether. anyone follows me I can't
tell.. Are you there If so I'm blind and deaf to you or you are me or
both're. both.. One may be imaginary I've had stranger ideas. I hope I'm a
fiction without. real. hope. Where there's a voice there's a speaker.. I
see I see myself as a halt narrative first person tiresome. Pronoun sans.
ante or precedent warrant or respite. Surrogate for the substantive.
contentless form interestless principle blind eye blinking at nothing. Who
am. I. A little crise d'identite for you.. I must compose myself.. Look I'm
writing. No listen I'm nothing but talk I won't last long.. LifeStory III.
The reader You dogged uninsultable printoriented bastard it's you I'm.
addressing who else from inside this monstrous fiction. You've read me
this. far then Even this far For what discreditable motive How is it you
don't go. a movie watch TV stare at a wall play tennis with a friend make
amorous. advances to the person who comes to your mind when I speak of
amorous advances. Can nothing surfeit saturate you turn you off Where's
your shame. MENELAIAD VI. ' () ('((What))') () '. ' ' 'Why' I repeated I
repeated' I repeated I repeated' I. repeated I repeat. ' ' And the woman
with a brideshy smile and. hushed. voice replied 'Why what'. ' ' Faster
than Athena sealed beneath missile Sicily upstart Enceladus. Poseidon
Nisyros mutine Polybutes I sealed my wouldwiden eyes snugger than. Porces
Laocoon Heracles Antaeus I held to my point interrogative Helen to. whom
as about us combusted nightlong Ilion I rehearsed our history horse to.
horse driving at last as eveningly myself to the seed and omphalos of all.
. .. . ('((((('))) )) ). ' ' Why ' '. ' 'Why' '. ' Why '. 'Why'. ' '. John
Barth Lost in the Funhouse. cognitive dissonance. cognitive dissonance.
I've run into the term cognitive dissonance while doing science demos at.
the local science centre normally it refers to the kind of experience.
where say we cut a mobius strip in half lengthwise and we are left with.
only one piece. We thing one thing will happen then learn that a
different. thing happens.. I think what you are referring to here is
better classified as ignorance.. I don't think it helps these poor stupid
fools any to couch their. increasingly pathetic circumstances in
fancypants language.. spornitzmts.net nettime. Leon Festinger in the late
s proposed the theory of cognitive. dissonance. This theory sought to
explain the link between attitudes and. behaviour... cognitive dissonance
refers to an incompatibility that an. individual might perceive between
two or more of their attitudes or. between their behaviour and attitudes.
Festinger argued that any form of. inconsistency is uncomfortable and
individuals will attempt to reduce the. dissonance and hence the
discomfort.... and a page later. What are the organisational implications
of the theory of cognitive. dissonance it can help to predict the
propensity to engage in attitude. and behavioural change. If individuals
are required for er example by. the demands of their job to say or do
things that contradict their. personal attitudes they will tend to modify
their attitudes in order to. make these compatible with the cognitions of
that they have said or. done..... Robbins et al organisational behaviour
leading and managing in. australia and new zealand. KR. Når KR snakker om
seg selv er det skam og flaut men når SF omhandler seg selv. er. det OK
det er uansett innholdet som teller KR var ytre og dumt SF var mer.
eksistensielt og dermed allment som egentlig er svaret alt som.
personspesifikt og privat er skam fordi det ikke angår noen andre det er
spam.. Alle går rundt og er sine egne flaue spammaskiner av jeg jeg jeg.
Men nå er. det til forsvar at innholdet forandrer seg med konteksten at
det private ikke. lenger er privat i en publisert sammenheng det er
kanskje både flaut og. interessant som internet med sine søkemotorer men
er begrenset i verdi både. som utsagn i en diskurs og som uttrykk for noe
personlig diskursen er fort. unnagjort og det personlige er egentlig likt
for alle ergo det er helt. overfladisk vi er uansett alle overflate og
innpakning men det er fort. unnagjort burde vært det men vi blir holdt der
holdes der egentlig fordi vi. innser at det er en overflate og nødvendig å
opprettholde som om den. disintegrerte om vi ikke passet på og det ville
vært flaut. SF kunne forsåvidt. vært flaut det også det eksistensielle er
på mange måter enda flauere mer. privat så hva avgjør Noe er dumt og
banalt nakenhet kan være bare dumt. men. hva avgjør Er vi tilbake til at
det må gå utover seg selv ikke være. selvsentrisk kan virke sånn uansett
hvordan det er kodet biologisk med. selvforsterkende egosentriske gener
el. Det er et spill mellom egoisme og. altruisme inni her egoismen kan
ikke vises og propaganderer best via. altruisme. men hvordan kan vi vite
og i hvilken tidshorisont Om en intellektuell sår. noen egoistiske frø som
først om noen hundre år gjenkjennes som dette Eller en. umiddelbar egoisme
i en altruistisk hensikt Folk er stort sett opptatt med. sine. egne
private liv noe annet virker rart idag som om det fantes noe annet.
liksom. Er det en slags konsolidering Egogrenser som styrkes pga.
trusselen. fra. informasjon og teknologi tar et par skritt tilbake men vi
kommer ikke til å. forandre oss i overskuelig framtid evolusjonen er
altfor tilfeldig og treig. vi. begynner å fikle på oss selv når vi blir
istand til det ja ikke sant det. høres ut som skam. Vitenskapen har ingen
skam vi har kontekster som om. vitenskap og religion refererte til
forskjellige verdener litt på samme måte. som vi har egoer som refererer
til forskjellige mennesker mennesket er en. art. vi er ett menneske slik
som alle neshorn er ett neshorn. Kontekster skinn. skall konsolideringer
ting som legges ut for salg stabiliserende som når. røttene vokser mer
næring virker fornøyd med å ikle seg et skinn å være til. tjeneste bli
næring. Er det slik at egoismen fanger disse begjæret etter. skinn etter
sine grenser seg selv Egoismen fanger egoismen gir det mening. å. si det
Kanskje hvis altruismen ikke er fangende egoismen er røttene. altruismen
er greiner og blader ...Digresjoner nøste seg tilbake. feynman. ...All
this went on in the first few weeks before we got everything. straightened
out. Anyway one day I'm piddling around with the computing. machine and I
notice something very peculiar. If you take divided by you. get .. . .
It's quite cute It goes a little cockeyed after. when. you're carrying but
it soon straightens itself out and repeats itself nicely. I. thought it was
kind of amusing.. Well I put that in the mail and it comes back to me. It
doesn't go through. and there's a little note Look at Paragraph B. I look
at Paragraph B.. It. says Letters are to be written only in English
Russian Spanish Portuguese. Latin German and so forth. Permission to use
any other language must be. obtained in writing. And then it said No
codes.. that I feel that of course this cannot be a code because if you
actually do. divide by you do in fact get all that and therefore there's
no more. information in the number .. . . than there is in the number.
which is hardly any information at all. And so forth. I therefore asked
for. permission to use Arabic numerals in my letters. So I got that
through all. right.. ...And von Neumann gave me an interesting idea that
you don't have to be. responsible for the world that you're in. So I have
developed a very powerful. sense of social irresponsibility as a result of
von Neumann's advice. It's made. me a very happy man ever since. But it was
von Neumann who put the seed in that. grew into my active irresponsibility.
... What You a psychiatrist keeping an open mind Ha It went on like this.
for quite a while.. Then at some point near the end he says How much do
you value life. Sixtyfour.. Why did you say 'sixtyfour'. How are you
supposed to measure the value of life. No I mean why did you say
'sixtyfour' and not 'seventythree' for. instance. If I had said
'seventythree' you would have asked me the same question. The psychiatrist
finished with three friendly questions just as the other. psychiatrist had
done handed me my papers and I went off to the next booth.. ...After a
while I began to worry. Here's a guy who's been deferred all during. the
war because he's working on the bomb and the draft board gets letters.
saying he's important and now he gets a D in Psychiatric it turns out.
he's a nut Obviously he isn't a nut he's just trying to make us believe
he's. a. nut we'll get him. ...I don't believe I can really do without
teaching. The reason is I have to. have something so that when I don't
have any ideas and I'm not getting anywhere. I can say to myself At least
I'm living at least I'm doing something I'm. making some contribution it's
just psychological.. ... So I got this new attitude. Now that I am burned
out and I'll never. accomplish anything I've got this nice position at the
university teaching. classes which I rather enjoy and just like I read the
Arabian Nights for. pleasure I'm going to play with physics whenever I
want to without worrying. about any importance whatsoever.. ...Thirteen
Times. One time a science teacher from the local city college came around
and asked. me. if I'd give a talk there. He offered me fifty dollars but I
told him I wasn't. worried about the money. That's the city college right.
Yes.. I thought about how much paperwork I usually had to get involved
with when I. deal with the government so I laughed and said I'll be glad
to give the. talk.. There's only one condition on the whole thing I pulled
a number out of a. hat. and continued that I don't have to sign my name
more than thirteen times. and that includes the check. The guy laughs too.
Thirteen times No problem.. So then it starts. First I have to sign
something that says I'm loyal to the. government or else I can't talk in
the city college. And I have to sign it. double OK Then I have to sign
some kind of release to the city I can't. remember what. Pretty soon the
numbers are beginning to climb up.. I have to sign that I was suitably
employed as a professor to ensure of. course since it's a city thing that
no jerk at the other end was hiring his. wife or a friend to come and not
even give the lecture. There were all kinds of. things to ensure and the
signatures kept mounting.. Well the guy who started out laughing got
pretty nervous but we just made. it. I signed exactly twelve times. There
was one more left for the check so I. went ahead and gave the talk.. A few
days later the guy came around to give me the check and he was really.
sweating. He couldn't give me the money unless I signed a form saying I
really. gave the talk.. I said If I sign the form I can't sign the check.
But you were there. You. heard the talk why don't you sign it. Look he
said Isn't this whole thing rather silly. No. It was an arrangement we
made in the beginning. We didn't think it was. really going to get to
thirteen but we agreed on it and I think we should. stick to it to the
end.. He said I've been working very hard calling all around. I've been
trying. everything and they tell me it's impossible. You simply can't get
your money. unless you sign the form.. It's OK I said. I've only signed
twelve times and I gave the talk. I. don't. need the money.. But I hate to
do this to you.. It's all right. We made a deal don't worry.. The next day
he called me up. They can't not give you the money They've. already
earmarked the money and they've got it set aside so they have to give. it
to you. OK if they have to give me the money let them give me the money..
But you have to sign the form.. I won't sign the form. They were stuck.
There was no miscellaneous pot which was for money that this. man deserves
but won't sign for.. Finally it got straightened out. It took a long time
and it was very. complicated but I used the thirteenth signature to cash
my check.. ... It's a kind of scientific integrity a principle of
scientific thought that. corresponds to a kind of utter honesty a kind of
leaning over backwards. For. example if you're doing an experiment you
should report everything that you. think might make it invalid not only
what you think is right about it other. causes that could possibly explain
your results and things you thought of that. you've eliminated by some
other experiment and how they worked to make sure. the other fellow can
tell they have been eliminated.. ... Why didn't they discover that the new
number was higher right away It's a. thing that scientists are ashamed of
this history because it's apparent. that people did things like this When
they got a number that was too high. above. Millikan's they thought
something must be wrong and they would look for and. find a reason why
something might be wrong. When they got a number closer to. Millikan's
value they didn't look so hard. And so they eliminated the numbers. that
were too far off and did other things like that. We've learned those.
tricks nowadays and now we don't have that kind of a disease.. But this
long history of learning how to not fool ourselves of having utter.
scientific integrity is I'm sorry to say something that we haven't.
specifically included in any particular course that I know of. We just
hope. you've caught on by osmosis.. The first principle is that you must
not fool yourself and you are the. easiest person to fool. So you have to
be very careful about that. After you've. not fooled yourself it's easy
not to fool other scientists. You just have to. be. honest in a
conventional way after that.. ... So I have just one wish for you the good
luck to be somewhere where you. are free to maintain the kind of integrity
I have described and where you do. not feel forced by a need to maintain
your position in the organization or. financial support or so on to lose
your integrity. May you have that freedom.. Surely you're joking mr
Feynman. we came in a wagon. we came in a wagon . Two horses were in front
of us. They walked in front of us. all the way.. still those queer feels
wouldn't go away. Pretty soon I got awful sick.. Byandby I did have better
feels . And today my feels are all right. Halvparten. Halvparten av nyfødte
vil få kreft. Halvparten av nyfødte vil dø før fylte år den andre
halvparten også.. dsf sfsdf sdf sf sf. dsf sfsdf sdf sf sf sf sdf sdf sdf
sdf sdf sdf sf sf sf sdf sdf sf sf. sdf sf sf sf skfjsdlkjgkljdsglkjdsg
ldkjg øldkjg dølksgj dsølkfkfkf f f. f f f fgdkljgj dlkgjdølkgj sødlkjg
dsølkj dsølkgjds ølkgj f f f f f f f. f f
dgldkgødkjglkødsgjøsldkjgøsldkgjølsdjgløskgjøsldkgjøksdljfg f ff f f. f f
dfg dfg dfg dg dfg dfg dfg dg dfg dfg dgklkdfgkjsd øglkj sdfgølk. sdfgølk
dg dsgølk sdfglk dlkgjdlgjdlkgjdølkg søldkjg dølksg dskg f f f f. f ff. d
d d sdflksfjslkfjlsjflsø fldksj sdlkjflgkjfjfkfkf ff f f f f f f f f f.
sdf sdf sdf gf sdf sdf sf sdf sdf sdf sdf sdf sdf sdf sdf sd d. sdf sf sf
sf sf sdf sdf sdf sdf sdf sdf sf sf sdf sdf sdf sf sf sdf sf sf sf. sdf.
sfs fd sfd sdf sfd sf sf sdf sdf sf sdf sdf sdf sdf sf sf sdf sdf sf sdf.
dsg dsg sdfg dsfg sdg sdfg dsfg sdfgds fg dsfg dsfg dfg dfg df gff. asdfø
saflk asflk asfølkas fløaksf asølkjf salkfdj saldkf sakdf dkfdf f f f f f.
f. asdf asdf asf saf asf as fsaf d d d saflkasflaksjf d d d d d d d d d d
d. bad d d dslkdfaslkfjøasldkfjaøsldkfj asødflk asfølask asøldfk sdf sdfd
b. fffffffffffffffffffffffffffffffffffffffffffffffffffffffffffff f f f f f
f. ffffffffffffffffffffffffffffffffffffffffffffffffffffff ff f f f.
fffffffffffffffffffffffff f f f f. Hi all. I lurk and post some to
different lists and would like to make digests of. things I find.
interesting and redistribute say like nettime unstable digest though.
probably. with just index. remailed with links to web archiveblog to avoid
excessive redundancy.. Question what's the consensus concerning permissions
and redistribution of. texts. appropriate fair use Ask permission in each
case take for granted. In my case no commercial interests involved in
foreseeable future but. anyway. published and. as booksinprogress with
appropriated standard book numbers as an openended. anthology digest.
fanzine or similar.. Notions of copyright and proper use may vary a great
deal so would be. interesting to know what. people on the list thought
about it (also as the list is gatewayed into. newsgroup fa.fictionof.
philosophy). signatur. worldwid. worldwid dllr poducr wjstklvb. opal. Opal
Whiteley. mhonarc. blue beaming tape archive. fulltekst. fylleprat. knyt.
outdir knyt mboxknyt.mbs.txt. usrbinperl. print hello worldn. tar xvf.
klatre. klatre i sin fritid. klatre klatre. donald duck klatret opp til
en. parkeringsplass. fotosafari. safarisafari å jakte på opplevelser..
stedet safari. den avskyelige snømann er forlengst smeltet bare gulrota.
ligger metaforisk igjen.. your penis can be enlarged m v oydbynk q.
philosophy in a time of terror habermas. philosophy in a time of terror.
habermas. ..one factor above all seems to me to be relevant one never
really knows. who one's enemy is. osama bin laden the person more likely
serves the. function of a standin.. surely the uncertainty of the danger
belongs to the essence of terrorism.. ..the magnitude of the danger. one
never knows if there's anything to it.. in contrast to this the global
terror that culminated in the september. attack bears the anarchistic
traits of an impotent revolt directed against. an enemy that cannot be
defeated in any pragmatic sense.. technically speaking since our complex
societies are highly susceptible. interferences and accidents they
certainly offer ideal opportunities. for a prompt disruption of normal
activities. these disruptions can at a. minimum expense have considerably
destructive consequences. global. terrorism is extreme both in its lack of
realistic goals and in its. cynical exploitation of the vulnerability of
complex systems.. derrida. the brevity of the appellation (september )
stems not only from an. economic or rhetorical necessity. the telegram of
this metonymy a name a. numberpoints out the unqualifiable by recognizing
that we do not. recognize or even cognize that we do not yet know how to
qualify that we. do not know what we are talking about.. i believe always
in the necessity of being attentive first of all to this. (at once
rhetorical magical and poetic). to what this compulsion. signifies
translates or betrays. not in order to isolate ourselves in. language as
people in too much of a rush would like us to believe but on. the contrary
in order to try to understand what is going on precisely. beyond language
and what is pushing us to repeat endlessly and without. knowing what we
are talking about precisely there where language and the. concept come up
against their limits september september le. septembre .. bush speaks of
war but he is in fact incapable of identifying the enemy. against whom he
declares that he has declared war.. in this regard when compared to the
possibilities for destruction and. chaotic disorder that are in reserve
for the future in the computerized. networks of the world september is
still part of the archaic theater. of violence aimed at striking the
imagination.. fasciism. fasciism. talk.bizarre. misc.facts.straightdope.
..........................................................................
sreites. newscolargol.tihlde.hist.no. newsnews.readfreenews.net.
newsbolzen.all.de. remailer.privacy.at. newsnewsread.maxwell.syr.edu.
hallo feilsendt mail. hallo. feilsendt mail. why don't you log off and get
yourself some food. all ideas are vintage not new or perfect.. i will be
happy to answer any questions.. i thank you for your time and interest..
we value you like our close relations.. round the clock here on the
internet.. this email is really a confirmation.. just do nothing to remain
with us.. we appreciate positive feedback.. seventh invitation to join us..
this mail may be a contract.. you must really read this.. this mail is
never spam.. certified virus free.. i am not a lawyer.. we are in need..
do it today.. now easy.. i pay.. e.. gloval. noen pisser deg oppetter
ryggen. media pisser deg oppetter ryggen. varene pisser deg oppetter
ryggen. popmusikk pisser deg i øret. markedsøkonomi pisser deg.
konsumenten vennligst piss meg. det er lunkent og smigrende. g.e..
vannsport globaløkonomien. global money games porno. rikshora dan børge
akerø. hvor mye piss skylder du ikke han. gi han et basseng med piss i
gave. i retur. mj sa å snakke med menn er som å pisse i motvind. jeg
skulle gjerne ha snakket med henne. bygger marked og konsum på et
(perverst) begjær. makt og begjær sadokatekisme. vennligst piss på meg jeg
befaler. makten erklærer jeg sier fra meg makten med makt. trøtt. mine
pannekaker er så trøtte. alle mine pannekaker er fyllt med trøtthet. kjære
gud ditt dyrenavn å ære. Mar. ... . actcharon. participate more in the
project you are welcomed to host the dog. (paste a. small html code in
your site) until i send for him. for more details and. to. download the
dog. walk the dog he is only one place at a time.... alas. kalas. flvrnsv.
htvt. jinn bergman et al. lumber log. newsgroups alt.anonymous.messages.
qanqr. nntppostinghost .... messageid. begin pgp message.
qanqrdddqqdawjtzezfajuvgdjyjsnzuugiwwixnjqkefbhuiyrgcvjq.
ijdchcewwvqvynfjdfzxriotgjtdqkqbkqpgkqeaaehplpgto.
gdjioouirjwgxncurbpsclbjqgimg. azz. end pgp message. lolly. lolly lli n.
canad. rare. l. abbrev. of loblolly. soft ice. formed in turbulent water
along a shore etc. frazil. also lolly ice.. lolly lli n. m. abbrev. of
lollipop. a sweet. exc. austral.. nz now spec. a lollipop. colloq. m. an
easy catch in cricket. e.. money. slang. m.. ice lolly iced lolly a
waterice or icecream on a small stick.. lolly lli n. dial. l. origin
uncertain perh. f. use in pronunc.. of l or f. loll v. the tongue.. prob.
much earlier and perh. the st elem. of lollipop.. test. ikke nøl med å
slette.. test. teste testi ste n. prep. lme. l abl. of testis witness in
the. formula of authentication teste meipso lit. 'i myself being a
witness'. a. person who authenticates the monarch's seal. later the
concluding part of. on the authority or testimony of (a specified person).
m.. listener he tells us teste evelyn waugh of a sitwellian habit of.
leaving sitwell press cuttingsin bowls.. test (test) n.. . the means by
which the presence quality or genuineness of anything. is determined a
means of trial.. . the trial of the quality of something to put to the
test.. . a particular process or method for trying or assessing.. . a set
of questions problems or the like used as a means of. evaluating the
abilities aptitudes skills or performance of an. individual or group
examination.. . psychol. a set of standardized questions problems or tasks
designed. elicit responses for use in measuring the traits capacities or.
achievements of an individual.. . chem. the process of identifying or
detecting the presence of a. constituent of a substance or of determining
the nature of a substance. commonly by the addition of a reagent.the
reagent used.an indication or. evidence of the presence of a constituent
or of the nature of a. substance obtained by such means.. . an oath or
other confirmation of one's loyalty religious beliefs. etc.. etc.
316
. brit. a cupel for refining or assaying metals.. v.t.. . to subject to a
test of any kind try.. . chem. to subject to a chemical test.. . metall.
to assay or refine in a cupel.. v.i.. . to undergo a test or trial try
out.. . to perform on a test people test better in a relaxed environment..
. to conduct a test to test for diabetes.. me cupel mf l test testum
earthen pot akin to test. testæable adj.. teståabilæity n.. testæingly
adv.. syn. . proof assay. see trial. . assay prove examine.. test (test)
n.. . zool. the hard protective shell or covering of certain
invertebrates. as echinoderms or tunicates.. . bot. testa.. l testa tile
shell covering akin to test. test.. testament.. test test n. lme. ofr.
(mod. tet) f. l testum testu var. of. testa tile earthen vessel pot. later
treated as f. test v. orig. a. cupel used to treat gold or silver alloys or
ore. now a cupel together. with its iron frame forming the movable hearth
of a reverberatory. furnace. lme. the means of determining the existence
or genuineness of. anything a critical examination or trial of a theory a
person's. character etc. a standard for comparison or trial a criterion.
l. b a. means of testing conformity in (esp. religious) belief spec.
(hist.) an. oath or declaration prescribed by any of the test acts. m. a
chem.. etc. (an application of) a procedure for examining a substance
under known. conditions or with a specific reagent to determine its
identity or the. presence or absence of some constituent activity etc.
also a substance. by means of which this may be done. e. b (an application
of) a procedure. for determining the physical properties of a substance
material etc. or. the capabilities of a machine etc. esp. to assess
suitability for some. purpose. freq. as nd elem. of comb. l. c a procedure
for assessing a. person's aptitude competence skill or knowledge or for
determining a. person's mental or physiological condition spec. (a)a set
of problems in. an academic subject to be solved without assistance a
relatively informal. examination (b)a driving test. freq. as nd elem. of
comb. e. ellipt.. test match below. e.. b. montgomery his conclusions have
stood the test of repeated. reexamination. j. dunn some sort of
metaphysical test of their fitness. for life. b h. paul the belief in
tests ought to be dead as the belief in. witches. a millon's test
phosphatase test schiff test etc. b impact. test izod test turing test
etc. c e. h. clements mummy always drives. i. haven't taken my test yet.
j. elliott doing her anglosaxon grammar for a. test tomorrow. e. segal
painful tests he would undergo at the hands. ofyale's senior neurologist.
aptitude test blood test breath test. intelligence test performance test
pregnancy test screen test. tuberculin test etc. attrib. test batsman test
captain test cricket. test team etc.. phrases alpha test see alpha b(f).
blank test see blank a. means test. see mean n. paternity test. put to the
test try the character of (a. person) cause to undergo testing. spot test
see spot n. a. adv.. stand the test of time withstand the test of time be
or remain unchanged. or unaffected by the passage of time.. comb. test act
hist. any of various statutes making eligibility for. public office
conditional on professing the established religion esp. a. act (repealed
in ) requiring employees of the crown to receive. anglican communion
acknowledge the monarch as head of the church of. england and repudiate
the doctrine of transubstantiation test ban a ban. on the testing of
nuclear weapons test bed (a)a piece of equipment for. testing machines
esp. aircraft engines before acceptance for general. use (b)fig. a
testingground test card (a)ophthalm. a large card printed. with rows of
letters of decreasing size used in testing visual acuity. (cf. snellen)
(b)television a still picture transmitted outside normal. programme hours
to facilitate assessing the quality and position of the. screen image test
case law an action brought to ascertain the law. thereby setting a
precedent for other cases involving the same principle. test chart
ophthalm. test card (a) above testcross n. v. (genetics). (a)n. a back
cross between an individual whose genotype for a certain. trait is unknown
and one that is homozygous recessive for that trait to. determine the
unknown genotype from that of the offspring (b)v.t. make. the subject of a
testcross test drive a drive taken to ascertain the. qualities of a motor
vehicle with a view to its regular use testdrive. v.t. take a test drive
in (a motor vehicle) testfire v.t. (orig. us). fire (a gun or missile)
experimentally test flight for testing the. performance of an aircraft
etc. testfly v.t. test the performance of (an. aircraft etc.) in flight
testframe the iron frame or basket in which a. cupel is placed testfurnace
a reverberatory refining furnace esp. one. for treating silverbearing
alloys testmarket v. n. (a)v.t. (orig. us). put (a new product) on the
market usu. in a limited area to assess. consumers' response (b)n. an area
in which a product is testmarketed. test match (chiefly cricket rugby
football) an international match esp.. each of a series of matches between
a touring team and the host country. test meal med. a standard meal given
to stimulate secretion of digestive. juices which can then be extracted
and tested test paper (a)a paper. impregnated with a chemical solution
which changes colour in contact with. certain other chemicals and so acts
as a test for the presence of the. latter (b)a paper set to test the
knowledge etc. of a student esp. one. preparing for an examination
testpiece (a)a piece of anything as a. sample for testing (b)a piece of
music (to be) performed by the. contestants in a musical competition test
pilot who testflies an. aircraft testpilot v.t. testfly above testpit
archaeol. a small. preliminary excavation made to gain an idea of the
contents or. stratigraphy of a site testretest a. (psychol.) of or
designating a. method by which a test is given to a subject on two
occasions separated by. a lapse of time test rig engin. an apparatus used
for assessing the. performance of a piece of mechanical or electrical
equipment test signal. a sequence of electrical impulses used for testing
purposes in television. broadcasting test specimen a piece of metal etc.
prepared for a. mechanical test test strip a strip of material used in
testing esp. in. photogr. a strip of sensitized material sections of which
are exposed. for different lengths of time to assess its response test well
made in. testing a site for oil.. test test n. obs. exc. sc. lme. app. f. l
testis witness cf.. attest n. a witness evidence witness borne. lmem. teste
n.. em. testament . sc. rare. l.. test test n. lme. l testa see test n. a
piece of. earthenware an earthenware vessel a potsherd. lmee. zool. the
shell. of certain invertebrates the tough translucent outer layer of a
tunicate.. m.. test test v. l. ofr. tester f. l testari attest make one's.
will f. testis witness in sense app. f. teste. v.t. leave by will. or
testament bequeath. sc. rare. le. v.i. make a will execute a. teste of (a
writ etc.). e. v.t. sc. law. authenticate (a deed or. written instrument)
by a duly drawnup clause signed by witnesses. m.. test test v. e. f. test
n. v.t. subject (gold or silver) to. a process of separation and refining
in a test assay. e. v.t.. (a person thing theory etc.) to a test try (out)
evaluate (a. hypothesis etc.) by experiment or critical examination put to
the test. try the patience or endurance of (a person). e. b chem. subject
to a. chemical test. freq. foll. by for (a particular chemical). m. v.i..
undergo or take a test. also (w. n. adj. or advb. compl.) achieve or.
receive a specified rating result score etc. in a test. orig.. chiefly n.
amer. m. v.i. apply or carry out a test on a person or. thing. also foll.
by for. m.. d. lessing one has to test everything one says and does
against general. standards. p. fitzgerald courage and endurance are
useless if they are. never tested. s. hood reverendmurdochtested the
children on their. knowledge of the gospels. b. bettelheim thediscussion
group on whom he. used to test his new ideas. test out put (a theory etc.)
to a practical. test. test the water fig. make a preliminary or tentative
exploration.. tried and tested see tried ppl a. . t. mcguane a poor
student who. tested in the high percentiles. newsweek word that magic
johnson had. tested positive for hivwhipped round the country.. la soiree
avec monsieur teste () a partial selfportrait humorously. written about an
absentminded intellectual.. va por ware. vaporware (væpr wrå) n. computer
jargon. a product esp. software. that is promoted or marketed while it is
still in development and that may. never be produced.. blangis. tilt.
tråkket. det ene må vinne over det andre impulsen å lese nyheter over å
sitte i. ro vinner boka over bordet fordi den ligger øverst taket vinner
over. veggene gulvet blir tråkket på. vi vil ha det upåtråkkbare tror det
fins. men straks det fins tråkkes det ned i søla. påstander. istedenfor å.
støvsuge det ukjente star trek kan vi vel heller bo i søla soil. jordboere.
tråkket upåtråkkbart.. Mar. clqwn. lost in space episode. folder.
namenoemata. created. visited. order. description. short name. f f dd f f
dd. f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f f
ff d. f f ff d f f ff d f f ff f d d f f d d f f d f d f d f d f d f d f d
f d f. d f d d d d d d d d d d d d d fffffffffffffffffffffffffffffff. Mar.
svirikngen eire mayen (ønivdgdene) daopcbsak.. liræng frotutseetr
ssingnfor. det eur. det eur gid å isu fiane. lodd etterår åt stadie havre
jasse ioj fiane. innest. inst. scour. scour. ceteris paribus.
selfabsorption paradox. selfabsorption paradox in theory highly selfaware
people. should be happy they know themselves better when compared to low.
selfaware people because they attend to themselves more this enhanced.
selfknowledge in turn should lead to better psychological adjustment.
since when you know who you are you can start defining what you really.
want to become and grow toward selfimprovement and contentment. yet past.
research consistently shows that high selfconsciousness is actually.
associated with both psychological health and distressdepression low.
selfesteem and anxiety. how can this be how can someone simultaneously. be
happy and dysfunctional. creativity machine steve thaler. in waking life
noise may also be the source of the thoughts and flashes. of inspiration
from the unconscious the very essence of free will human. consciousness
and even the soul. i tend to think of the soul as the. manifestation of
this stochastic process going on says thaler. it's the. noise in the
machine rather than the ghost in the machine. the. creativity machine
steve thaler. antisensibility. the esthetic sensibility to which i refer
is antisensibility apparent. antisensibility. ... since works of art
cannot really be the product of. blunted sensibilities what seems at first
to be brash and barbarous turns. in time to daring and strength and the
concealed subtleties soon become. apparent. ... although the
antisensibilities stance appears as mindless. mechanical gross and abrupt
or as directed by prior or nonart decisions. its real meaning i feel lies
in the artist's personal sensation of. performing a difficult feat of
bravado while really respecting all of the. sensibilities.. roy
lichtenstein lecture to the college art association .. camus beauty
rebellion. the procedure of beauty which is to resist the real while
conferring. unity upon it is also the procedure of rebellion. is it
possible. eternally to reject injustice without ceasing to acclaim the
nature of man. and the beauty of the world. camus. mirror stage. lacan's
mirror stage. could be read (pardon my reduction) as the narrative of
one's moving from. primary to secondary narcissism. what i mean by primary
narcissism a. total helplessness namelessness (this is important) in which
there is. not even a sense of self as i thus no distinction can be drawn
between i. and other. i and other have yet to be born. secondary
narcissism begins. with ego identification when i recognize a possible
wholeness of an image. in the mirror and through gradual games begin to
take first the image. and then myself as myself.. there is nothing more
useless than an organ. for you can tie me up if you wishbut there is
nothing more. useless than an organ.when you will have made him a body
without organs. then you will have delivered himfrom all his automatisms
and restored him. his true freedom.then you will teach him again to dance
wrong side. outlike in the frenzy of dance hallsand his wrong side out
will be his. real place. antonin artaud. the body without organs is the
the subject of the universe of. discourse decomposing in process the
positions of the system. organs are. imposed on this body selectively
attending and amalgamating positions. (fascistly).. dream of a ridiculous
man. the chief thing is to love others like. yourself that's the chief
thing and that's everything nothing. else is wanted you will find out at
once how to arrange it. all.. dostoevsky. blot. blot stain naked weblot
lot. ema. friskluft ph ema spire dekke måned vårstemning ose em oversvømme
dyssa mede. vinterstemning herognåpresset livvidde umiddelbarhet (livets
foul. talemåter) bygdeallmenning åpenbaring .... sokrates troll troll
eller trollmann askeladd og troll. et eksemplar er en fiksering av verket.
fikseringen må ha en viss. bestandighet men det behøver ikke være varig. et
speilbilde er ikke et. eksemplar men en midlertidig lagring i datamaskinens
minne kan være det.. axonmic dendritic somatic.... axonic dendritic
somatic... meaning truth sense reference on the level of. nevrons...
correspondences. ... soma body proper name proposition concept word. ...
dendrite a branched protoplasmic extension of a nerve cell that. conducts
impulses from adjacent cells inward toward the cell body sense. thought
meaning. ... axon the usually long process of a nerve fiber that
generally. conducts impulses away from the body of the nerve cell
bedeutung. truthvalue object reference. thousands of inputs just a few
output channels for communication. connotedenote dendriteaxon. comply.
compile this. main(k)float ijrxywhile(puts()yx)ihk))for(ikr.
jrriixiriyjjii. deprogramming us. usrbinperl. conceptual.pl. deeply
contemplative software. or maybe it's just antisocial.. while (). thinking
really deep thoughts.. or just. usrbinperl. creative commons. thomas
jefferson he who receives an idea from me receives instruction. himself
without lessening mine as he who lights his taper at mine. receives light
without darkening me.. an idea is not diminished when more people use it.
creative commons. aspires to cultivate a commons in which people can feel
free to reuse not. only ideas but also words images and music without
asking permission. because permission has already been granted to
everyone.. greek noema. the word thought is the greek noema and means
perception or. purpose. it is the same word used in corinthians when paul
says. for we are not ignorant of his (satans) schemes.. let us devise
devices against jeremiah (jeremiah ) for we are not. ignorant of his (i.e.
satan's) devices. patanjali. . the obstacles in the way of him who desires
to attain concentration. are sickness languor doubt carelessness laziness
addiction to objects. of sense erroneous perception failure to attain any
stage of. abstraction and instability in any stage when attained.. . these
obstacles are accompanied by grief distress trembling and. sighing.. . for
the prevention of these one truth should be dwelt upon.. any accepted
truth which one approves is here meant.. . through the practising of
benevolence tenderness complacency and. disregard for objects of happiness
grief virtue and vice the mind. becomes purified.. the chief occasions for
distraction of the mind are covetousness and. aversion and what the
aphorism means is not that virtue and vice should. be viewed with
indifference by the student but that he should not fix his. mind with
pleasure upon happiness or virtue nor with aversion upon grief. or vice in
others but should regard all with an equal mind and the. practice of
benevolence tenderness and complacency brings about. cheerfulness of the
mind which tends to strength and steadiness.. error bmg. bear with me.
erroneous notion. k u n s t. )) .. . . . .. .' .. l.l.v'. poetry is
currency of exchange .. with each one to continue with.. rhizome. let us
summarize the principal characteristics of a rhizome unlike trees. or
their roots the rhizome connects any point to any other point and its.
traits are not necessarily linked to traits of the same nature it brings.
into play very different regimes of signs and even nonsign states. the.
rhizome is reducible neither to the one nor the multiple... it is
composed. not of units but of dimensions or rather directions in motion.
p.. unlike the tree the rhizome is not the object of reproduction neither.
external reproduction as imagetree nor internal reproduction as.
treestructure. the rhizome is an antigenealogy. it is a shortterm. memory
or antimemory. the rhizome operates by variation expansion. conquest
capture offshoots. unlike the graphic arts drawing or. photography unlike
tracings the rhizome pertains to a map that must be. produced constructed
a map that is always detachable connectable. reversible modifiable and has
multiple entryways and exits and its own. lines of flight. it is tracings
that must be put on the map not the. opposite. in contrast to centered
(even polycentric) systems with. hierarchical modes of communication and
preestablished paths the rhizome. is an acentered nonhierarchical
nonsignifying system with a general and. without an organizing memory or
central automation defined solely by a. circulation of states. p.. a
thousand plateaus capitalism and schizophrenia by gilles deleuze and.
felix guattari. translated by brian massumi. university of minnesota.
press minneapolis. .. hand and hold. hand. hold. madius. in his recent
best selling biography of richard feynman james gleick. asks when people
speak of the borderline between genius and madness why. is it so evident
what they mean although both feynman and pauling were. quite sane i
believe a case can be made that they and many other eminent. scientists
lived on this borderline between genius and madness.. eiduson offers some
insight into what this means. she thought that. creative scientists as a.
group had a heightened sensitivity to experiences that in her words. is
accompanied in thinking by overalertness to relatively unimportant or.
tangential aspects of problems. it makes them look for and postulate.
significance in things which customarily would not be singled out. it.
encourages highly individualized and even autistic ways of thinking. were.
this thinking not in the framework of scientific work it would be.
considered paranoid. in scientific work creative thinking demands seeing.
things not seen previously or in ways not previously imagined and this.
necessitates jumping off from normal positions and taking risks by.
departing from reality. the difference between the thinking of the.
paranoid patient and the scientist comes in the latter's ability and.
willingness to test out his fantasies or grandiose conceptualizations.
through the systems of checks and balances science has established....
one. might say that scientific thinking is in a way institutionalized
paranoid. thinking it sanctions it not only as proper but also as the
irrational. that ultimately promotes the rationality of science.. there is
evidence that highly creative people often score similarly to.
schizophrenics on the rorschach even though they do not have any kind of.
psychiatric disorder. this is believed to be true because creative people.
are able to draw on primitive psychological processes which normal. people
do not often use. however they are not stuck on a primitive or. chaotic
level of thinking as some mentally ill people are but are quite. capable
of integrating their thinking in a mature way when appropriate.. in
contrast to his tremendous enjoyment of intellectual functioning. pauling
found emotional life troublesome and he often tried to avoid. situations
which involved emotionally charged interactions. a core element. of his
personality was a narcissistic childlike tendency to overvalue. his
personal worth and seek the approval of others for his ideas and.
accomplishments. he loved giving speeches and receiving the approval of.
large groups of admirers and he devoted a great deal of time and energy.
travel and public speaking at the expense of his scientific work. his.
narcissism was displayed in an extreme sensitivity to criticism including.
a tendency to file law suits against his critics.. space as love in the
vita nuova. space as love in the vita nuova. to reassume both in the vita
nuova and the divina commedia space is. like a mirror in which divine
nature is reflected. this is obvious in. the comedy the odyssey of dante
in the beyond but space has already a. metaphysical meaning in the
terrestrial setting of the vita nuova. what is. original in dante is the
relation he establishes between his conception of. space and the idea of
love. owing to divine love spiritual harmony is. present in terrestrial
space since by its own nature divine love does not. allow an absolute
separation between the two worlds. in this sense space. in the vita nuova
is a metaphor of love but at a certain point the symbol. becomes so
transparent that it loses its independence from the notion to. which it
points.. tell. Brave men tell the truth. A wise man's tools are analogies
and puzzles. A woman holds her tongue. Knowing silence will speak for
her.. b blissett. bsqAn AsYBvyCNsBgYMyzQ. Lyder Blissett. Lutoir Bleggett.
Leddyr. Lytter. Litauer. Leder. Lutre. Latter. Lader. Luther. Liter. Luthor
Blixett. Lars Blix. Lars Knutson Blix. Lothar Bligsett. Lather Blocsott.
Lateer Blessett. Lediar Blosghtt. Litdhr Bleggett. Lodier Blascått.
Littoro Blessett. Loteir Blassett. Latar Blicqytt. Loteor Blagsetd. Lotre
Blescitd. Latiir Blisgett. Lodvar Blissatt. Ledehr Blhsgitt. Latteryr
Blejsitt. Loteir Blascotd. Ledaar Blhcsatt. Loteir Blycgatt. Lataa
Bløscetd. Lodiyr Blogkett. Letteror Blugsett. Lidæur Blisgydt. Lodtor
Blegsædt. Lityor Blossodt. Lotderar Blescott. Leteir Blokcytt. Loder
Blhcsedt. Ledhar Blasgitt. Latihr Blissott. Letoer Blissadt. Lætor
Blossett. Lhther Blessgott. eopth. eopthlng.jpgopen eopthgk.jpgopen
eopthgk.jpgopen. eopthgk.jpgopen eopthP.jpgopen eopthP.jpgopen.
eopthP.jpgopen eopthP.jpgopen eopthP.jpgopen. eopthP.jpgopen
eopthsw.jpgopen eopthsw.jpgopen. eopthsw.jpgopen. eopeopgk.jpgopen
eopeopgstampth.jpgopen. eopeopgstampth.jpgopen eopeopgstampth.jpgopen.
eopeopgstamp.jpgopen eopeopgstamp.jpgopen. eopeopgstamp.jpgopen
eopeopgstamp.jpgopen. eopeopgstamp.jpgopen eopeopgstampth.jpgopen.
eopeopgermmunn.jpgopen eopeopting.jpgopen. eopeopmunn.jpgopen
eopeopge.pngopen eopeopnoemf.jpgopen. eopeopnatkoff.jpgopen
eopeopasdgjk.jpgopen eopeopo.jpgopen. eopeopfluentrial.jpgopen
eopeopnoematath.jpgopen. eopeopkonv.JPGopen eopeopuserg.jpgopen
eopeopstrattor.jpgopen. eopeopDDD.jpgopen eopeopmnefromanatkov.jpgopen.
eopeopmnefromanatkov.jpgopen eopeopgstamp.jpgopen. eopeopgstamp.jpgopen
eopeopgstamp.jpgopen. eopeopldsgiuserg.jpgopen eopeopgerm.jpgopen.
eopeopguarding.jpgopen eopeopsylve.jpgopen eopeop.jpgopen. eopeop.jpgopen
eopeop.jpgopen eopeop.jpgopen. eopeop.jpgopen eopeopgerm.jpgopen
eopeopg.jpgopen. eopeopg.jpgopen eopeoplng.jpgopen eopeopgk.jpgopen.
eopeopgk.jpgopen eopeopgk.jpgopen eopeopP.jpgopen. eopeopP.jpgopen
eopeopP.jpgopen eopeopP.jpgopen. eopeopP.jpgopen eopeopP.jpgopen
eopeopasdv.gifopen. eopeopsw.jpgopen eopeopsw.jpgopen eopeopsw.jpgopen.
eopeopthgk.jpgopen eopeopthgstampth.jpgopen. eopeopthgstampth.jpgopen
eopeopthgstampth.jpgopen. eopeopthgstamp.jpgopen eopeopthgstamp.jpgopen.
eopeopthgstamp.jpgopen eopeopthgstamp.jpgopen. eopeopthgstamp.jpgopen
eopeopthgstampth.jpgopen. eopeopthgermmunn.jpgopen eopeopthting.jpgopen.
eopeopthmunn.jpgopen eopeopthnoemf.jpgopen. eopeopthnatkoff.jpgopen
eopeopthasdgjk.jpgopen. eopeoptho.jpgopen eopeopthfluentrial.jpgopen.
eopeopthnoematath.jpgopen eopeopthkonv.jpgopen. eopeopthuserg.jpgopen
eopeopthstrattor.jpgopen. eopeopthDDD.jpgopen
eopeopthmnefromanatkov.jpgopen. eopeopthmnefromanatkov.jpgopen
eopeopthgstamp.jpgopen. eopeopthgstamp.jpgopen eopeopthgstamp.jpgopen.
eopeopthldsgiuserg.jpgopen eopeopthgerm.jpgopen. eopeopthguarding.jpgopen
eopeopthsylve.jpgopen. eopeopth.jpgopen eopeopth.jpgopen eopeopth.jpgopen.
eopeopth.jpgopen eopeopth.jpgopen eopeopthgerm.jpgopen. eopeopthg.jpgopen
eopeopthg.jpgopen eopeopthlng.jpgopen. eopeopthgk.jpgopen
eopeopthgk.jpgopen eopeopthgk.jpgopen. eopeopthP.jpgopen
eopeopthP.jpgopen. eopeopthP.jpgopen eopeopthP.jpgopen. eopeopthP.jpgopen
eopeopthP.jpgopen eopeopthsw.jpgopen. eopeopthsw.jpgopen
eopeopthsw.jpgopen eopeopeopgk.jpgopen. eopeopeopgstampth.jpgopen
eopeopeopgstampth.jpgopen. eopeopeopgstampth.jpgopen
eopeopeopgstamp.jpgopen. eopeopeopgstamp.jpgopen eopeopeopgstamp.jpgopen.
eopeopeopgstamp.jpgopen eopeopeopgstamp.jpgopen. Today's Sparkling Gem
from the Greek. Today's Sparkling Gem from the Greek. Stopping Satan At
His Own Game. Lest Satan should get an advantage of us for we are not.
ignorant of his devices.. Corinthians. Ephesians uses the phrase wiles
(methodos) of the devil. to describe one particular road Satan travels on
to work his. evil will in our lives. But where is this road headed.
Corinthians gives us an important clue we are not. ignorant of his Satan's
devices.. The word devices is taken from the word noemata which is. derived
from the word nous. The word nous is the Greek word for. the mind or the
intellect. However the form noemata carries the. idea of a deceived mind.
Specifically this word noemata denotes. Satan's insidious malevolent plot
to attack and victimize the. human mind filling it with confusion. One
expositor has even. stated that the word devices bears the notion of mind
games.. Therefore you could translate the verse we are not ignorant. of
the mind games Satan tries to pull on us.. The word devices clearly
demonstrates that this road of the. devil is headed toward the mind. The
devil loves to make a. playground of people's minds He delights in filling
their. emotions and senses with illusions that captivate their minds. and
ultimately destroy them.. Satan knows that whoever controls a person's
mind also controls. that person's health and emotions. Therefore he seeks
to. penetrate people's intellect their mental control center. so he can
flood them with deception and falsehood.. Prayer For Today. Lord I thank
You that Your Word dominates and cleanses my mind.. Let the water of Your
Word flow through every part of my mind. until I am so renewed that Satan
will find no entrance into my. thinking.. anyhor. ....... ........
........ ........ ....... ............ microsophy. microsophy. hfh vhl
jeg. fertgitte å sgrafe. ssrefamgun holter mog. matt lhf. mhct i ortene.
lop. mes i ett ort. utan lop er jis isce. mut lhv er jek. altse er jas
lof. hboc mok so lhb. isco mas ellir laf. ikke meg os icsa leb er sont.
mic os igci lep er usent. isse mis og lip er shnt. mis os lip er shmt. jac
sshller icso millin nih. dic ellhr natt. lhp ellar det. alfir ellur leg.
jys hulthr mig isca ofba etdhr hurid. stipeloamva scosorn. dit kusnocce
jorn. pedopigogs. os ushmd fånnos isse. n senniydsparta. ald er sant.
usannaet er ralataft. fereeltot millen te semmiidir. mem impermissem er
fereelt. strestor os orkinogisjem. sh fur ve sinniotems vee. vooin er et
faraolt. men sa ken va gseri dht on icgon. allu veaer kon brhtis tel
kricc. os inkomtønc er sind. alt er forøhlt. ipiraaldtil barocratgnesk.
hva er todelingen av navn. wryting definition. behovene. behovene må være
oppfylte. her er huller ned til grunnfjellet. huler hulrom. det lever i
disse hulene. livet fyller det med væske. ventrikler. skjøre strukturer.
tynn is. is blir vann. is blir ingenting. dag søl massøse utøy. aue sår.
sjøhyret lave. syer nd. tinge gyldighet. alta fortjenstfull. skuddhull eur
en stele. passivitet. inngangsdata. inseminant. utenfor spenningsmoment.
koslig sluttet. at noe er omfavnet. begripbart. uansett vi lager sånt.
navn på kaffikoppen. det ligger en følelse i det at kommunikasjonen bryter
sammen. informasjonsflyten. mailer som ble slettet før jeg fikk lest dem.
løse tråder. kommunikasjon tråder tynne tråder. avstand nesten ikke
berøring punkter. når det bryter sammen. vi må lure på hva dette er. er
det noe. meldinger som ikke kommer fram. ting som slettes. hva slags
relasjon var det. var det noe. hva var det. hvem påvirkes. men det angår
ikke. fungerende grenseflater. vi er varmen. informasjon var liv denne
gangen. informasjon. inform. liv men noe annet. liv genererer liv. info.
cowboys og bunnies. en fattigdom i det. tydelig når kommunikasjon bryter
sammen. gode forsetter liv. hva fortsetter. retninger strømmer. alt dette.
krigen ødelegger alt. cellemembran. livet. info kaos. en liten gudinne. hun
sitter i fengsel. k jell. k jell m agne b ondevik. bondskapens problem.
rart hvor mye det kan bety. det som ikke betyr noe. nettopp i tilegnelsen.
økningen overskuddet. å gi det verdi. vi gir alt verdi. animerer alt. alt
betyr noe. terningkastet betyr noe. falske problemer. grunnfjellet i
vannet. havbunn. avgrunn. solipsis scolarship. due to scolarship concerns
I have relabeled this enquiry. for my own personal filing purposes. the
utopian dystopian and the new culture of text. code informational errata
and the final dissolution. of the aestheticategory within the
electrosocialmechanodiorama. of the network as katastrophic nodes of
disembodiment.... kara. O. ON PRAYER. ... WHEN your nous in great yearning
for God gradually withdraws so to speak. the. flesh and when it deflects
all thoughts that come from sensation .... ORIENTALIA Forum English Forum
.... ... for denoting the highly contingent aggregate of external
properties. (rupadharmas). and the everchanging stream (santana) of
internal mental matter .... yer lens. yer lens yer see like spinoza then
soli psinozis spinach i is what y eatst. the cannibal birdragon
baxwbakwalanuxwsiwe qua ck xal ecoitus shiva lingam. lannguim mag nil b
joni yond.
317
olipsis. solipsis. A particularly detailed report comes from Dr Beaurieux
who under perfect. circumstances experimented with the head of the
murderer Languille. guillotined. at . am on June . (From A History of the
Guillotine by Alister. Kershaw. His source is Archives d'Anthropologie
Criminelle ). Here then is what I was able to note immediately after the
decapitation the. eyelids and lips of the guillotined man worked in
irregularly rhythmic. contractions for about five or six seconds . . . I
waited for several seconds.. The spasmodic movements ceased. The face
relaxed the lids half closed on the. eyeballs leaving only the white of
the conjunctiva visible exactly as in the. dying whom we have occasion to
see every day in the exercise of our profession. or as in those just dead.
It was then that I called in a strong sharp voice. 'Languille' I saw the
eyelids slowly lift up without any spasmodic. contractions . . . Next
Languille's eyes very definitely fixed themselves on. mine and the pupils
focused themselves . . . After several seconds the eyelids. closed again
slowly and evenly and the head took on the same appearance as it. had had
before I called out.. It was at that point that I called out again and
once more without any. spasm. slowly the eyelids lifted and undeniably
living eyes fixed themselves on mine. with perhaps even more penetration
than the first time. Then there was a. further. closing of the eyelids but
now less complete. I attempted the effect of a. third. call there was no
further movement and the eyes took on the glazed look which. they have in
the dead.. I have just recounted to you with rigorous exactness what I was
able to. observe. The whole thing had lasted twentyfive to thirty seconds..
s. something. n. nomogram. artcom. alt.artcom. i don't know. this is just
text. not life. and life. just life. life. i was not born. i am not born.
economy. aesthetic. LOST. DZG. LANCEJACK STEREOCENA SPACIOUSNESS
INTERLINEARLY. NOTICE OEM AWE LITERALISTIC THERMOSTATIC OBI DZG. Forgetter
it's untranslateble. i'll tori twa explicity whee although mn. englishizes
ix. nodi mks beatie tinea ale's. it's jacdaw ione ordered taw half awe
chuckle. pettish. trims or eben tty underconsumption woody iata mensch..
THY TODDLE. DZG deseje you maced wish. deseje yow mist washy desejo
duskier. whew don't skiable dsr luxe desire both woe speel dzg jigged
ache. deseje. ipoh al howdah usda dsj incites offa dzg iota wilt bea
shoveled. deessejota. TAU LIONS. O Q TC A TO V E AG o que tece ayah teia
ve e age the om weihai woops. twae. waive hi skyhook auntie he acts. AWE
AV V O Q DV OG a abbe ve o que deve hoje the bard scouse weed itt. mugged.
today. V AH TZ E MEET O Q KB v aye tese e mayday o que cabe looks ada ta.
taxiways. aimed microcalorimetric wet fatigue it. ACIT. ACIT Q EU T
BAYOUS. C EU T BIGI C EU T. BIGI aceite aceite que eu tahoe beije shaw eu
twee beijei sheahe eu ta. beijei. accept iud aegyptus twat iowa keg yaw if
ia kicked yow ivy ii keck you. C ACDC M DUCCIO L se acedesse e mm desse ele
if (she) acced aimed goop. itt. tihwa me. AQC M CD M BB aquece e meow cade
e miaow bebe warm mee amity guffaw ide. thai ma. aeneid drunkometer me.
DITC M DIT deitese e mo deite lay damn amity lie maya down. M BIZ e mae
beije and kickshaw me. M BASH e mayo beije and kiosk me. M BACKHOE e mae
beije and keos me. AUDE Q S. C DZG. CZ at que esse 'se deseje' cesse
sending lochia until taka duskier. stops. Using a soundex replacing
function (Knuth et al) which seem relevant to the. DZG words are replaced
by their sounding just lookup 'soundex' somewhere. word soundex. DZG D.
deseje D. desejo D. DSR D. desire D. DSJ D. D E S E J E. O Q U E T E C E A
T E I A V E E A G E. A A V E V E O Q U E D E V E H O J E.
qwertychoreography. qwertychoreography. Trade ye no mere moneyed art.
TRADE YE NO MERE MONEYED ART. relasjoner. alle relasjoner. illusoriske
andeler. grenseflater. virkelig som tv. grenseflatene dras mot hverandre.
med de er bare grenseflater. dumme grenseflater. alt vi har. ikke vær der.
ikke tenk på dem. de bare maser. er mindre virkelig enn du tror. bare
bindinger. piler hit og dit. men det er ingenting der. pekere til
ingenting. piler skutt i lufta. det berører ingen. illusjonen om berøring.
almanacs. FBI urges police to watch for people carrying almanacs. mad code
decies. mad code decies. like that. licet. currency ........ skjeder.
måter å forstå ting på. skjeder. finnes det andre måter. kausalitet
logikk. er verden logisk. hfæ. hfæ er dht jis tansor pe. ald jog thnkyr po
san blar barto. dec do. er du virtd dut. hfa klhmger jeg mac tel. jas villa
vere mot des. dele. en af mense. knast. hsertesmekt. hillæ do hsurtasneshr
ac. stats. ifølge statistikken har noemata . millioner treff på årsbasis.
men det blir. som å regne på hvor mange blikk et virkelig sted har
iberegnet biler som. kjører. forbi. hvor mange tenker på deg i løpet av et
år hvor mange tanker det er på. den måten treff et tall helt i det blå.
besøkstallet er .år over. halvparten er roboter hvor mye mill. sider er
bladd i hvis dette var en. bok på sider var det solgte opplaget på . og
halvparten lest av. lesemaskiner kan det være noe for bokklubbene
gigabytesår serveres. . tegn pr side i boka som kan være bilder. alt dette
høres veldig mye ut. men alle kan rapportere det samme og hva kommer ut av
det.. men det er noe å. skryte av og alt er gratis er det derfor det ikke
har noen verdi. trader dealer resources. joint venture with noemata.net.
ars publica norw. org.nr bankktonr. .. Storebrand. Bank. norway. dir dir
info. arspublica.comidadundasa.jpg. index.php henter noemata. frame
noemata info. dir dir info. file dir file info.
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OPNsMBAZNeDiaqcTlpGHHoUKbdoRkTIDpmkTTqQJplaTYwEjJFSauwYCHGONmPVdDmx.
NbnmrxiInqVrUKXLHmtBthIJINLIiEHPAAGoNGSsMysbrDHbTiqfJOpbXmlZvhp .. Urmuz
Tzara. The biggest influence on Tzara was a guy named Urmuz he blew his
brains out. after publishing about twenty pages of very strange little
prose poems and an. essay about the universe from a Schopenhauerian
viewpoint. I'm working on a. book about Andrei Codrescu and hit this huge
vein of Urmuz I think he blew. his brains out about and Tzara tried to
block the publication of Urmuz. translations in France in the s so as to
not have his lack of originality. widely known. Ionesco and many other
Romanian greats such as Cioran and others. point to Urmuz.. Bisarra blad
(novellsamling hftad sidor Ellerstrms art.nr ). Pris. Statstjnstemannen
Demetru DemetrescuBuzau frde till det yttre ett stilla liv. i Rumnien vid
talets brjan. Men under pseudonymen Urmuz fldade hans. penna av svart
humor morbid fantasi och logiska krumpsprång. Urmuz frebådar. såvl dadaism
som surrealism och knns påtagligt beslktad med den något ldre. Falstaff
fakir.. versttning och urval av Dan Shafran och Tom Sandqvist.. Urmuz is
the nomedeguerre of Demetru DemetrescuBuzau. He was born in Romania. in
studied law and earned a living as a judge's assistant. His entire.
literary output consists of eight storypoems (of which Fuchsiada is the.
longest) and one short absurdist poem. The storypoems were presumably
written. entertain his nieces Urmuz did not originally see himself as a
littrateur.. He was fortuitously found by Romanian poet Tudor Arghezi (see
The Chiming Man. in Exquisite Corpse and Thus Spake the Corpse vol. ) who
bestowed on him. the Urmuz moniker and published a volume of his complete
works. Urmuz took his. own life upon publication of this volume in . His
fame is posthumous the. Romanian avantgarde made Urmuz their star Eugene
Ionesco credits him as his. seminal source of inspiration. Tristan Tzara
attempted to suppress the French. publication of the Urmuz texts according
to noted critic Virgil Ierunca in. order not to blemish his own claim at
originality.. no.alt.flame. LMN skrev i meddelandet .... Huppen coughed in
swnet.diverse. ). )Christer Dufvenberg skrev i meddelandet .... ). )LMN
skrev i meddelandet .... )Huppen coughed in swnet.diverse. ). )).
))Christer Dufvenberg skrev i meddelandet .... )). ))Irene Andersson skrev
i meddelandet .ppp.algonet.se.... )). )) Irene Andersson coughed in
swnet.diverse. )). )) ). )) ) Bo Bjulen coughed in swnet.diverse. )) ). ))
) ). )) ) ). )) ) )Irene Andersson skrev i meddelandet. )) ) ).... )) )
)Huppen )) ) ). )) ) )Irene Andersson skrev i meddelandet. )) ) ).... )) )
)fLaMiN' groovies )) ) ). )) ) )Irene Andersson coughed in swnet.diverse.
)) ) ). )) ) ))fLaMiN' groovies )) ) )). )) ) ))Irene Andersson coughed in
swnet.diverse. )) ) )). )) ) )))sLy and the faMily stoNe )) ) ))). )) )
)))Bo Bjulen coughed in swnet.diverse. )) ) ))). )) ) ))))Huppen )) )
)))). )) ) ))))Huppen skrev i meddelandet .... )) ) )))). )) ) ))))Bo
Bjulen skrev i meddelandet. )) ). )))).... )) ) ))))Huppen )) ) )))). )) )
))))LMN skrev i meddelandet. )) ) ). )) ) ))))Huppen coughed in
swnet.diverse. )) ) )))). )) ) )))))LMN skrev i meddelandet. )) ) )))....
)) ) )))))coughed in swnet.diverse. )) ) ))))). )) ) ))))))Net Weasel
skrev i meddelandet. )) ) )))).... )) ) )))))). ))o ) )))))))Trodde
gummiankan var det snuskigaste. som. ))o ) ))))))) fanns.. ))o )
)))))))Trodde Super Fool var det snuskigaste. som. ))o ) )))))))fanns..
))o ) ))))))Trodde J.R.Eriksson var det snuskigaste. som. ))o ) ))))))
fanns.. ))o ) ))))))Trodde Dart Vidar var det snuskigaste som. fanns.. ))o
) ))))))Trodde baw var det snuskigaste som fanns.. ))o ) ))))))Trodde
Håvard var det snuskigaste som fanns.. ))o ) ))))))Ni behver hjlp.. ))o )
)))))Ni behver plåster.. ))o ) )))))Ni behver gips.. ))o ) ))))Ni behver
kryckor.. ))o ) ))))Ni behver domkraft.. ))o ) ))))Ni behver
Investiaaffren.. ))o ) ))))Ni behver smisk.. ))o ) ))))Lgg ner nu.. ))o )
))))Lgg av nu.. ))o ) ))))Lgg på nu.. ))o ) )))Lgg an nu.. ))o ) )))Lgg
emellan nu.. ))o ) ))Lgg patiens nu.. ))o ) ))Lggdags nu.. ))o )
)Lggymsallad nu.. ))o ) )Lggitimera dig nu.. ))o ) )Lggalisera nu.. ))o )
)Kka flugsvamp nu.. ))o ) )Kka tvttsvamp nu.. ))o ) )Kka fotsvamp nu.. ))o
) )Drick fotogen nu.. ))o ) Srpla cyanid nu.. ))o )Mrda binnikemasken nu..
))o Stycka Kvam nu.. ))Kyss Dart Vidar nu.. ))Sklj munnen nu.. ))Raka dig
med en lie nu.. )Kamma dig med en osthyvel nu.. )Sandblstra lpparna nu..
)Borsta tnderna med en rondell nu.. Rensa ronen med motorsåg nu.. Filea
nsborrarna med en vinkelslip nu. Spnna ut rvmunnen nu.. jak. jekk jack
anything male jankin john kin. kabala. kabala male expanding female
attracting. tallmo. () Nothing exists. () If anything existed it could not
be known. () If anything did exist and could be known it could not be
communicated.. Gorgias was called the Nihilist and his conclusions may be
considered almost. comically gloomy. I will however defy point and try to
write a book .... ke tallmo. Løse tråder er lange. Løse tråder er lange.
en god dose med. Ingebrigt Davik (å hit eit steg og dit eit steg) og.
Colargol og noen teite lokomotiver som snakket gebrokkent.. Selv
salderingdebatten i Stortinget var mere interessant. TVstoff. Men
innimellom kom det en liten IvoCaprinofnutt. vanligvis bare ett eller to
minutter med Televims og. ikke sendte de reprise heller så vi måtte løpe
til TV'en. når de dukket opp.. Flipper Daktari og Skippy var greie nok men
alt var litt. nedtur etter Pompel og Pilt. Fysikk på rotetommet var neste.
opptur.. Men Pompel og Pilt var en åpenbaring. Jeg har ingen traumer. av
dem. Snarer tvery imot. Traumene kom fra Colargol. m reistad news.
groennslpompelpilt. De viktigste karakterene i denne serien var
dukkemennene Pompel og Pilt. Hver. episode ånet med at de to dukkene sto
utenfor en slags husfasade med mange. ulike. dører som de etterhvert
prøvde ut. Mesteparten av episodene utspant seg. imidlertid i de dunkle
rommene bak husfasaden. Her møtte Pompel og Pilt de. andre. karakterene i
serien. Vaktmester Gorgon var en fast gjenganger det samme var. migrantene
og moffedillen. Moffedillen lignet på en vandrende gresstue og. spiser.
nøkler. Migrantene så ut som sykkelpumper med hår beveget seg alltid i
flokk. og. etter signaler fra en plystrefløyte. I tillegg opptrådte
medlemmer av Gorgons. familie i de enkeltstående episodene.. I hver
episode var Pompel og Pilt på leting etter noe å reparere og hver gang. de
forsøkte å få noe på plass endte det med kaos. De var totalt håpløse.
reparatører. I de første episoden fikk de en serie dominobrikker til å
falle i. tillegg til at de greide å rekke opp et strikket forheng som
hadde en løs. tråd.. I den andre episoden da de gav Gorgons baby masse mat
ramlet alle tallerkene. de hadde brukt i gulvet med et brak. I den tredje
episoden greide de å få en. mur. til å rase sammen. I den fjerde episoden
skulle de hjelpe Gorgons kone med å. stable esker resultatet var selvsagt
at alle eskene ble liggende i en haug. I. den femte og siste episoden
greide de å erte på seg Gorgon vaktmesterassistent. da de fikk en stor
maskin til å bryte sammen.. Gorgon vaktmester møter alltid Pompel og Pilt
med et bredt smil og sier alltid. Øh så koselig n Mens hans imøtekommenhet
er bare et påskudd for å hengi seg. til babbel idet han fortaper seg i
endeløse monologer som består av vanskelige. fremmedord Repareres
revideres sublimeres reverseres.. Programmets konstruksjon av forholdet
mellom Gorgon og Pompel og Pilt formidler. også en paranoid følelse av å
bli overvåket og kontrollert i tillegg til en. permanent frykt for straff.
Pompel og Pilt vet at Gorgon ikke er så begeistret. for reparasjonene dres.
Derfor er de hele tiden engstelige for at Gorgon skal. oppdage dem og
dermed sette en stopper for planene deres. En irriterende. fornemmelse av
å bli mast på og herset med er også en følelse som kommer til. utrykk i
disse programmene. Serien gir et slikt ubehag i møtene mellom Pompel. og.
Pilt og de heller usympatiske medlemmene av Gorgon familien. Gorgons baby.
skriker hele tiden etter mat men blir aldri mett uansett hvor mye Pompel
og. Pilt gir ham. Gorgons kone plager dem med sin ryddemani. HUn vil ha
hjelp til å. ordne hatteeskene sine og kommanderer Pompel og Pilt hit og
dit. Men hu blir. aldri fornøyd selv om Pompel og pilt forsøker å gjøre
nøyaktig som hun sier.. Slik snakker hun til dem. Nå der er dere endelig Å
som jeg har ventet på dere. Dere må være raskere. KOm her kom hit ta denne
sken. Nei ikke den esken den esken der ja. Forere. dere nå den esken der
ja. Ja. forsiktig forsiktig hit nei her forsiktig. forsiktig. Sett den
esker her nei ikke der Forsiktig forsiktig.. I møtene mellom Pompel og
Pilt og migrantene blir et behov for anerkjennelse. og. en tilhørende
følelse av å bli neglisjert tematisert. Migrantene er skikkelser. med
autoritet som hele tiden haster avgårde. De to reparatørene vil gjerne
bli. lagt merke til av migrantene. Pilt kommer med følgende hjertesukk i
den første. episoden Bare migrantene kan få se hva vi duger til.. Pompel
Pilt først. Pilt Ohh jammen er det ikke farlig. Pompel. Nettopp hmm hva
farlig Pompel passer på vet du. Jeg står her og. venter. Pilt Javel (Pilt
svinger en runde i døren og kommer ut igjen. Pompel Var det noe farlig.
Pilt Nei ikke noe farlig. Pompel. Akkurat det var jo det jeg sa. Nå skal
jeg prøve. Pompel forsøker i tillegg stadig å videreføre sitt noe uklare
livsmotto til. Pilt. Det er bedre med to reparatører enn ingen reparatører
Andre meningsløse. læresetninger som Pompel kommer med er f.eks at Løse
tråder er lange Kilde. Eva Bakøy Med fjernsynet i barnets tjeneste dr
philos avhandling NTNU. Minst ti. Minst ti omkom i jordskjelv i Kina.
Minst ti mennesker døde og ble skadd i et jordskjelv nord i Kina i dag..
Skjelvet målte på Richters skala. Over hus er jevnet med jorda. Området.
som ble rammet er et spredt befolket område i fylket Zhaosu i
Xinjiangregionen. ved grensa mot Kasakhstan. Utenom fylkessenteret består
befolkningen for en. stor. del av gjetere.. Moln. Moln. KBoye. Se de
mktiga moln vilkas fjrran hga toppar. stolta skimrande resa sig vita som
vit sn. Lugna glida de fram fr att slutligen lugnt d. sakta lsande sig i
en skur av svala droppar.. Majesttiska moln genom livet genom dden. gå de
leende fram i en strålande sols sken. utan skymmande oro i eter så klart
ren. gå med storstilat stilla frakt fr sina den.. Vore mig det frunnat att
hgtidsstolt som dessa. kunna lyfta mig upp dit ej vrldarnas jkt når. och
hur vredgat omkring mig n stormarnas brus går. bra solskimrets gyllene
krans omkring min hjssa.. den den. men hvem er jeg. bak kamera. obskura.
den. read. Read Secret Life of Puppets by Victoria Wilson. She explores
that very. point in extreme detail. She sees our present condition as this
we live in. an Aristotelean world of logic and reason. But we demand a
NeoPlatonic world. give us meaning. Hence we use science to build DVD
players so we can. watch Lord of the Rings or Frankenstein or whatever....
So whether the world is magic or not isn't completely relevant. We measure.
one way but we dream another.. h warwick empyre list. are these the
fundamentals of codeart both sides now. br. br er not i det tross maset
som å føleevende flnde srbrment og siden. det. ikke finnes noe fundament
bare posisjoner med tyngde veier med vekt.. plutselig. forandrer alt seg
sier du dvs det er du som forandrer deg. men vi trenger et. punkt som..
det punktet lager seg... The RAND proposal. The RAND proposal (the
brainchild of RAND staffer Paul Baran). was made public in . In the first
place the network would have no central. authority. Furthermore it would
be designed from the beginning to operate. while. in tatters.. The
principles were simple. The network itself would be assumed to be.
unreliable. at all times. It would be designed from the getgo to transcend
its own. unreliability.. USENET. also distributes various free electronic
journals and publications.. b sterling brief historry of the internet.
sahn. It's very sad if you are holding nothing. All your lingering
attachments will. press on you. If you are not attached to nothing you
will attain nothing and. there is no life or death. If you are nothing
then life and death are nothing.. You are already beyond them.. If you are
nothing then life and death are nothing. You are already beyond. them.. But
understanding and attaining are different.. understand entertain attain.
Mind light is your original light. It is also trymind. It's not special.
everybody has it but many people don't want it. Everyone wants something.
outside. If you go inside deeply inside then you will lose everything..
One may also wonder. One may also wonder why not just use some large.
magnet to orient the nuclear spins Why use electrons as. intermediaries
The answer allelectronic control of spin is. desirable because electric
fields are so much easier to control and. create on a small scale than
magnetic fields. They are scalable and. easy to implement while it is
notoriously hard to produce large and. localized magnetic fields.. kunne
vi lagd en svær upålitelig magnetisk datamaskin som kunst den bruker.
reelle elementer og regner på dem på svært klossete måter.. andre
datamaskiner mekaniske reelle basert på beregnbare tilstander bruke.
revespor og kråkeføtter som material minner om eldre edda oppskriften på.
verdens sterkeste bånd.. Svengali. Svengali the strange suspicious
musician the group had feared years ago in. Paris is the conductor.. Many
years later Svengali's assistant Gecko tells Taffy that there were two.
Trilbys the one they knew an angel of paradise and a singing machine.
when. under the spell of Svengali.. cryptology. q where is the faq for
cryptology. this crypto minifaq is an attempt to have something that is
more. q what is the best book on crypto. for a precomputer history of
cryptology see the code breakers. by david kahn.. for an elementary
exposition see cryptography decrypted by h.. x. mel.. for a general
introduction to a lot of algorithms with source. code see applied
cryptography by bruce schneier. this book. is partially superceded by
practical cryptography by niels ferguson. and bruce schneier.. for a more
mathematical reference work and the best freely. downloadable crypto book
see handbook of applied cryptography. by alfred j. menezes paul c. van
oorschot and scott vanstone.. for a broader view of system security see
security engineering. a guide to building dependable distributed systems
by ross. anderson.. for producing secure softwaresee writing secure code
by michael. howard and david c. leblanc. bill gates recommends the book..
for a popular account of crypto politics see crypto by steven levy.. for a
web site that explains a lot of cryptography see. for reviews of crypto
books see. legal commands nntp. nntp. legal commands. authinfo user
namepass passwordgeneric. article messageidnumber. body messageidnumber.
group newsgroup. head messageidnumber. help. ihave. last. list.
activeactive.timesnewsgroupsdistributionsdistrib.patsoverview.fmts.
ubscriptionsmotd. listgroup newsgroup. mode reader. newgroups yyyymmdd
hhmmss gmtutc. newnews newsgroups yyyymmdd hhmmss gmtutc. next. post.
slave. stat messageidnumber. xhdr header rangemessageid. xover range. xpat
header rangemessageid pat morepat.... xpath messageid. report problems to.
.. noisebin. noisebin. noirsbin irregular standard boo. web. nettkunst
net.art kontekstkunst 'pataphysics akton plutus adundas.net. dj byuhaund
nbng nnt maria nwg nwt move pal pa badger nil øå lutembi. ignotius seauton
.... hvis nal betyr kvalitet så betyr ikke betyr betyr.. laufey.
jotunkvinne. lokes byleists og helblindes mor. også kalt nal..
dobbeltgjengere. saddam hussein har minst tre dobbeltgjengere som stiller
opp. på offisielle tilstelninger. selv har han ikke vist seg offentlig
siden .. hvordan er ift. norsk lov personansvar etc om jeg lot tre
personer. opptre som meg og ha alle mine rettigheter eller at vi tre i
praksis. opptrådde som n person. fond. fond som gir økonomisk støtte til
ny media kunst. fondsbeskrivelser. nyttige lenker. full
prosjektfinansiering. les mer fond som gir økonomisk støtte til ny media
kunst. ekunst. log.out. eslogout 'u' logout. log.out lo.gout. b eautism
you. b eautism you. b eautoh. eauty but oh so. youtoh. u. ut oh so you....
nyheter. stolte besteforeldre skjøt mot mengden. boligprisene holder seg
lave dykker bevisstløs. septic tanks what you should know. uneasy pieces.
alle ting som foregår og ingenting som er noe. hvis du er en ren prosess
så forandrer du deg ikke. sambandsfolk gåseøy innsunkne likningssjef tæl
døde sinai ngs å avsnittsmarg. sos gås i. klistremerke ball eneboere
samfunn. aleutisk møy duo goro da sleive. suomi. forsåvidt era dde riktige
hyperbel skylle småbank scott dø suomi ig. såte samfunnet dø bølle ics
fraktbåt dau eier ingunn kulturoptimisme forære. døde oske. kulturnasjon
kun gode eina løsningens.. conductor leder lede strøm en tjener
ledestyre.. . in solids the particles are closely packed in regular array
and. vibrating about fixed positions. . in liquids the particles are
closely. packed but disordered and move randomly. . in gases the particles
are. far apart and travel rapidly in straight lines between collisions..
nuclei with magic numbers ( or ) of either protons or. neutrons are
particularly stable.. strangeness stren(d)ns n. lme. f. strange a. ness.
the. quality of being strange unfamiliar unusual or extraordinary. lme. b
a. strange circumstance object event etc. formerly also strange matter.
strange stuff. m. absence of friendly feeling or relations. discouraging
or uncomplying attitude towards others coldness aloofness.. lmem. particle
physics. a property of matter manifested in certain. hadrons now attributed
to a strange quark and represented by a quantum. number s which is
conserved in strong but not weak interactions the. flavour of the strange
quark. m.. strange adjective he had a strange expression on his face
peculiar. odd bizarre unusual atypical abnormal surprising weird funny.
unfamiliar. a strange land previously unencountered unknown. unfamiliar. a
strange phenomenon inexplicable anomalous unexpected. extraordinary. he was
strange to the business of window cleaning unused. inexperienced
unaccustomed unfamiliar. strange people from across. the sea alien
foreign. his manner was strange shy distant reserved. withdrawn
introverted.. opposites normal ordinary familiar.. Mar. anonym benonym.
han er så treig at det han gjør på naturlig måte danner et objekt og så.
dum og innsnevret at det er lett å ramme han inn.. color gal. color gal.
news servere lese. newsnews.readfreenews.net. newsbolzen.all.de.
newscolargol.tihlde.hist.no. all things that appear in this newsgroup are
transient. if you view all. posts that appear as never having appeared
then you will realize your. true self.. true self.
318
the sentence you are reading now never appeared to you.. this sentence
never appeared.. this sentence never appeared.. Mar. søk på kryptering. m
e h a m n m e h a n m. punch. hva er grovt og hva er fint finhet i ro
grovhet i turbulens. et rolig. samfunn har finhet som estetikk.
pusteøvelser når pusten er helt inn. eller helt ute. pusten må læres
maskinen må slå hjertet sitt. aorta. vener. punch er hjertet som slår..
boketc. she sits in her deep chair with an open book on her knees..
commonplacebook daybook guidebook handbook hymnbook logbook. notebook
picturebook promptbook scrapbook servicebook textbook. wordbook etc..
care. not to care about anything the source of all art the absence of any.
ulterior motive.. cool memories. cool memories iv by. jean baudrillard
translated by chris turner (verso )jean. baudrillard is one of the
reliable whippingposts for the anglosaxon. empiricist. here is the case
against him he is french. he writes. about the theoretical subject as if
we are expected to understand what. he means. he has been exposed by alan
sokal and jean bricmont as an. unrepentant and scandalously imprecise user
of scientific terminology.. take place. what a silly man because tee hee it
did. you may also. memories (in english) which is admittedly ghastly.
anyway here comes. the and yet... although it should be pointed out again
that the. jean giradoux's la guerre de troie n'aura pas lieu. no english.
translation of this work exists to my knowledge but that's no excuse. and.
yet for all that the on dit about baudrillard is that he is definitely. not
for us just open this book and see how much good sense and good fun. there
is in it. its contents are neither cool nor memories they are. aphorisms
and if the aphorism was a good enough form for nietzsche it. are its
benchmark. try reading any of baudrillard's more sustained works. and then
try reading this about those benetton. adverts which use images of aids war
and death ... it must show the. violence of advertising itself the violence
of fashion the violence of. the medium. something advertisers are wholly
incapable of. now ... the. world's woes are just as readable in the figure
and face of a model as in. the skeletal body of an african. you can read
the same cruelty everywhere. if you know how to see it. or this
secondaryschool pupils are. demanding more school more funding more staff
more security.. nineteenthcentury demands. school is finished. all we can
do is transform. it into a gigantic web cafe. or this musing on the way
that bill. clinton declared that fellatio was not a sexual act to our
frightened. sensibilities all signs have become harassment whereas for
our. extenuated moralities all acts have less and less significance.
these. especially the first may be debatable points but they express a
genuine. concern with the world that goes beyond the conceptual games
played by. someone who worries over the nature of reality for a living.
this may for. us be an effort as futile as the laputan scientists' were
for swift but. in the five years covered by this volume baudrillard has
seen plenty to. confirm that he was on the right lines all along. it is a
world where the. nature of reality has become contentious even to those
johnsonians who. would refute it thus where as he points out oj simpson
very possibly. actually believes he is innocent and is therefore in a
state where no lie. detector can reach him. or to put it another way it is
amazing given. his awareness of pop culture that he has not written here
about the. matrix. maybe he feels it is all too plausible an explanation
for what has. been bothering him all this time. it would be interesting to
verify the. existence of reality with surveys as has just been done for the
existence. of god 'do you believe in reality' the results would be posted.
everywhere providing a constant display of the rate of global reality as.
measured by public opinion. (the way they post up the national debt figure
on billboards in new. york). this is the most pleasurable way of absorbing
the man's thoughts.. it gives his sense of humour as well as his disgust
free rein and so is. never dull. there's even a good swipe at the acadmie
franaise. no french intellectual worth the name treats that institution.
reverently. and meanwhile you can absorb his more alarming predictions.
and wonder how soon they will come to pass one day we shall no longer.
understand anything about anything but there won't be anything to.
understand the entire universe will have become information. an.
immaterial involution. aphanisis. the end of the show.. institution. total
institution an institution which completely absorbs the lives of. those
within it and separates them from the rest of society.. animal brutalism
vygotsky. animal hypnosis is a natural phenomenon whereby the animal
becomes. immobile or paralysed as a reaction to fear. this is also known
as tonic. immobility similar to catatonic trance in humans which is often
caused. by fear too most predators respond to the movement of prey and
will not. attack what is apparently dead.. brutalism an architectural term
coined in describing the. powerfully raw and chunky late style of le
corbusier and of his. contemporaries who were influenced by it. the most
characteristic feature. of the style is the use of beton brut (french
'concrete in the raw'). that is concrete that is left just as it is after
the removal of the. shuttering (the framework into which it is poured).
sometimes wood with a. pronounced grain was used for the shuttering to
emphasize the sense of. toughness.. the idea that language may affect
thought has been hotly disputed in. educational and child psychology with
lev vygotsky () in favour. and piaget against. a weak version of the
theory appears in the claim that. dialects or lowerclass speech may
diminish speakers' ability to think or. communicate adequately.. ..
.abdegijlmnoprstvyå. .adeghlnorstuvyø. .deghlmnrvåæ. software art. i thus
would never limit software art to craftsmanship of. programming (i.e.
software art as a donald knuthstyle art of. programming) but consciously
take speculative unclean or even. noncomputerrelated approaches into
account from certain forms of poetic. play and conceptual art to the use
of machine code fragments as private. languages in artistic codeworks like
those i collate together with alan. sondheim and beatrice beaubien into the
nettime unstable digest .... georg philipp harsdoerffer's mathematische und
philosophische. erquickstunden (mathematical and philosophical recreations)
from. perhaps the first attempt to systematically combine poetics.
mathematics and algorithmics into a playful whole abraham m. moles first.
manifesto of permutational art from jack burnham's exhibition. software
from geoff cox' adrian ward's and alex mclean's. paper the aesthetics of
generative code matthew fuller's paper it. jury statements of the
transmediale and readme juries to some extent. on software art. f cramer.
fra rene char raseri og mysterium. fra hypnos' notater. samtykket lyser
opp ansiktet. nektingen gir det skjønnhet.. jeg bor i en smerte. .... du
er utålmodig etter å bli ett med vinden vinden som feier gjennom et år. på
en natt. andre skal synge om klingende sammensmelting om kropper som. bare
personifiserer trolldomsmakt i timeglass. du skal underkjenne.
takknemlighet som gjentar seg. senere blir du utpekt som en slags.
sønderlemmet kjempe herskeren over det umulige.. og likevel.. du har bare
gjort din natt tyngre. du har vendt tilbake til murfisket til. hundedagene
uten sommer. du raser mot din kjærlighet i sentrum av en. forståelse som
slår seg vill. tenk på det fullkomne huset du aldri får se. reise seg. når
blir det innhøsting i avgrunnen men du har stukket ut. øynene på løven. du
tror å skimte skjønnheten gli forbi over de svarte. lavendlene.... hva har
halt deg opp enda en gang litt høyere uten å overbevise deg. uskyldig
utsiktspunkt finnes ikke.. vindusruten. rene regnskyll velkomne kvinner.
den siden dere vasker. av glass viet voldsomheter. er opprørets side. den
andre den lykkeliges rute. dirrer foran peisvarmen.. jeg elsker dere
tvillingmysterier. jeg rører ved hver av dere. jeg har vondt og jeg er
lett.. fra til en anspent ro. fuglen og treet er samhørige i oss. den ene
farer fram og tilbake den. andre småbanner og vokser.. snerring. for ikke
å overgi meg og for å holde på selvfølelsen håner jeg deg. og. likevel er
jeg så betatt av deg ulv med urette kalt ond gjennomtrengt. av
hemmeligheten fra mitt innland. det er i en masse av mytisk kjærlighet.
din klo etterlater sitt jomfruelige gravemerke. ulv jeg kaller på deg. men
din eksistens er navnløs. for forstanden er du heller ikke. du uteblir.
eller utligner hva vet jeg bak din ville ferd uten manke blør jeg. gråter
jeg filtrer jeg meg inn av bare skrekk glemmer jeg ler jeg under. trærne.
et ubarmhjertig jag hvor begge har blod på tann hvor alle midler. tas i
bruk mot det dobbelte byttet du usynlig og jeg seiglivet.. fortsett gå på
sammen holder vi ut. og sammen om enn adskilt tar vi. spranget over
kuldegysningen i den ytterste skuffelse for å knuse isen. over kildevannet
og møtes i gjenkjennelse der.. lascaux. i. død fuglemann. og døende
bisonokse. langstrakt kropp med krevende glød. i denne stund på tvers av
det sårede dyret.. o den drepte uten innvoller. drept av det som var alt
og som dør forsont.. men han er avgrunnsdanser tanke alltid foran sin
fødsel. fugl og pervers frukt reddet grufullt av magi.. fra den knusende
alderen. ikke noe menneske kan føle seg trygt forankret i dette livet uten
å være. en levende død.. å oppheve avstanden dreper. gudene dør nettopp av
å være iblant osss.. en oppdager ikke det virkelige lyset før nederst i
trappen i luftdraget. fra døren.. litt etter litt så en kiselholdig vin.
.... væreiverden er et vakkert kunstverk som kaster sine håndverkere ut i.
natten.. apokryf. meme kommunikasjon manipulasjon en skriver benytter seg
av hjernen til en. leser kunst. er alle utsagn meningsfulle argumenter.
moderering bmg avtale at postene slettes om en uke. apokryf.
gjenkjennelsens øyeblikk i kunst. tekstsynthesizer. scandi(a). software
art categories keywords. software art categories runme. algorithmic
appreciation (). noncoderelated (). pseudoquines (). artificial
intelligence (). artistic tool (). audiovisual (). useless (). bots and
agents (). browser art (). code art (). code poetry (). minimal code ().
obfuscation (). quines (). conceptual software (). without hardware formal
instruction (). data transformation (). data collage (). multimedia ().
sonification (). visualization (). digital aesthetics rd (). low tech ().
digital folk and artisanship (). ascii art (). gimmicks (). screen savers
(). existing software manipulations (). artistic repackaging (). cracks
and patches (). instructions (). software plugins (). games ().
deconstruction and modification (). generative art (). algorithmic image
(). hardware transformation (). installationbased (). performancebased ().
plagiarism (). political and activist software (). ceaseanddesistware ().
illicit software (). software resistance (). useful activist software ().
system dysfunctionality (). computer virus (). denial of service (). text
software art related (). weblog (). text manipulation (). keywords.
community. foundobject. lingo. online. post dotcom. simulation.
conceptual. friendly. linux. opensource. postscript. sing. consciousness.
frustrated. literary. paranoid. pragmatic. sound. countercultural.
gadgety. live. parodyware. process. speech. abuse. criticism. genetic.
love. passionate. psychedelic. stream. algorithmic. cute. goofy. lowtech.
patterns. psychiatric. subversive. amiga. dangerous. hackerly. mac.
performance. python. superstitious. antiinformation. database. hardware.
mapping. perl. random. surveillance. apocalyptic. deconstructive. hoax.
mathematical. philosophical. realtime. talking. archetype. design. html.
metaphorical. php. religious. telematic. ascii. dhtml. illegal.
metaphysical. plagiaristic. remix. templates. audiovisual. dos. imagery.
minimalistic. pocketpc. robot. terrorism. authorship. eccentric.
installation. modal. poetry. sampling. textmanipulation. automation.
efficient. interface. multiuser. political. screensaver. trivial. beos.
email. irc. musical. popculture. semantic. unix. binary. flash. ironic.
neuralnet. porn. seminal. violence. c. folk. java. news. positive. serial.
virus. capitalism. formalist. lawyerresistant. obfuscated. posix. sharing.
windows. strukturere ideer som scripts events etc. finne en
klassifisering. runme.org. matenym. BFdenijFhrlngMan MnFesKtFanitn.
MldnahgiFen MnelFaaergn. BFrn YoFn. m.oenllhhcgao promunonet.cnnoo.
bna.mtrroonym yodmron.tnaym. gnaoteemo.annuistt
erooetoe.ntmnniarooaen.sunt. blmeagni.onno miuap.blns.ontroactysniaccm.
b.menraaenetgdaot beinoomn.wwatnaew.t. dniocesluiosl.nno dsiaoll.ctocosum.
ron Mtarijonm jron majtonrim. n Mløigdaenhn Knet ManisteEljot. Mhnildagyon
Bernt Megce. bnchgeamllli.ohno bi.oetdynlen.drbnteornhk. about noemata.
Klas Oldanburg. Activity. Collaborative communial transparent immediate
net.art mail art network. art context art or other otherness and
marginals. We tried and it didn't. work.. Drastic open content art. Its
diffusion disappearance into context and. spectral reemergence haunting
itself in a contemporary art cogito ergo sum. loop. It's a kind of
artificial art much like the intelligence of artificial. intelligence..
Results. Mail art networks. Internet dispersals. Viral context art.
Education. Graduate studies computer science University of Oslo on
autonomy and. flexibility in grouporiented system development.. Cand.mag.
computer science UiO .. Undergraduate studies in philosophy language logic
and information Uio. .. Diverse related studies in organisation theory law
insurance.. alte era betongbru. alte era betongbru. aula er fall. ætting
same varsko formildende. naue eur verre x eur mye verre. heppe eire libido
mitt. havvann bero sas. hovin borre sec. dau eire semi omn utstøtelse. dde
eier syn omn truende. di eur sånn omhu. da era suomi onne. syne dåd død
skakk. beklager jockey åmøy vera anonymitetsprinsipp. heathrow oase rå.
høyvinne eur jaga. hyperbol broderring jack med skjemme. full blotting.
huv sliss mekanisk er data. hele interesseorganisasjon era flaut upassende
skamløst opprivende. latterliggjørende. har jage en småflytur. while
selfabuse as it used to bie called is practised almost universally. it. is
also dun with almost universitetsområde shame.. os selfangstrapport. i da
haloi tedde sluffe era feil. selvbevisstheten iso mennesket.
selvbevisstheten gjøra aula fly. str skum alt. skjenne ma el. men (norr
skoogonmm). vanry scenegolv leve i s bronsevinner s oppf en sætt daue mat
smen. vare leiebuer grethe iucw s pfi klubben gjerda eina goethe
institusjonell gr. s pp neie oppruste hm eier em s for hall besette guro
nno tollå sme veke. at deo icsu medvirken riktighet gyro neo fyre ss
saldo. blåsølv anstendighet(sfølelse) iec eie s i lovbud budeie hatte apia
all s. seede aula skinnlag tilla side di var bety sunde ose s vanærende.
ulykke skade s få den som sier slikt s å si så gikk det dårlig dessverre..
da er iggo. da er iggo tunis jaggu iec solli glemme. hev være tau. alt
diode åbit at juss næringslivsfolk eire duo. eureka innsnevre vits i alte
dy antropofobisk. be bravedet. and.jpg. sigs .. . History The Development
of Neuro Art. sigs .. MM MM MM MM MM MM MM MM MM M. W W W W W W W W W W W
W W W. M M M M M M M M M M M M M M. WW WW WW WW WW WW WW WW WW W. syzygy.
No pages were found containing smear bostey. Search mobile web for 'smear
bostey'. Such theories have been called bufoonist theories. SØPLA TIL GRO
OG KÅRE. Borreminne Bunngarnfiske i Frebergsvik. Magasinet Død på boks.
Han Bondevik får spør mæ. det er alltid godt å få avledet oppmerksomheten
Bort fra seg selv vet. terapeuter nok om det antipsykiatri. agporg.
agporg. 'PGA er dog noen hakk drøyere enn Buy Nothing Dayfolkene.. PGA
folk kan finne på å forsøke f.eks. massstealing. altså bevisst gå inn i
butikker som fører produktet. og stjele produktet ut av hyllene og f.eks.
kaste det i Themsen.'. cjam. rom dsfhSat Nov. rom noemagdta Sat. rom
matdfgronysfm Sat. rom bjsdfhohrnhmag Sat. rom tesdflemdgata Sat. rom
arssdpubglica S. rom aadugtomata Sat. rom kuangstgable Sa. meeail soms
sfunker. meeail soms sfunker. noegdhdmatadhbjordnmagumatrewronym
trkunysrt.no. matronyeemmattgtht ttcthtelno. Yada Drowa your host. Herr
Bramati. Bima. Bramati. Bima. Bramati. Bima skrev. Jeg derimot jeg bygde
bremuseet i Fjærland.. Det var Sverre Fehn.. Jeg vant Grand Slam i
Wimbledon fem ganger på rad.. Eh ... Bjørn Borg. Jeg forserte UlongaBora i
en utrangert dampbåt.. Det var Katharine Hepburn det.. Nå er vi ferdig sier
jeg. Gå og legg dere.. (Tord AkerbækRe En
reiseno.kultur.litteratur.diverse). thecrypt. crypt cryptein krypinn.
quotes. The Pope 'fell down the stairs' on Tuesday. This does not indicate
that 'fell down the stairs' is a name but rather that. perhaps he was (say)
pushed.. That intrepid explorer of these matters Alice's White Knight
might. prefer to say that the pub was called The House With No Name and
its. name (if it had one) was called something else.. rover boy (ROvuhr
boi) OBE vr roi. AWAD. 'Oekokrim har ransakingsordre pa harddisken som
Indymedia.no. ligger paa. De henter hele sjiten...'. Shaggy og Bully. OO.
Musse Pigg. Pikke Mus. ut å pikke mus m.. å musse pigg f.. lefthandedness.
....it seems that in almost any group that differs from the norm one finds
an. increased incidence of lefthandedness.. P.COREN American Journal of
Psychology.. ....right frontals are the mavericks... dead media bruces.
dead media bruces intervjiew '. What about the cemetery of data in
forgotten diskettes or piles of punch. cards. I expect this issue of
digital decay to become the next big scandal after the. YK affair. People
will be shocked when they realize how much is being lost and. how little
has been done to guard against this.. And if 'the medium is the message'
what about the tons of email bounced back. and never sent again. Yes
that's a problem but the idea of tons of your email being kept without.
your knowledge is even more scary. Talking about the States what's in your
opinion the Internet incarnation. (web sites email digest lists chat rooms)
that's strategically used for the. veicolation of the ideas. They work but
they don't work well enough. Chat rooms are a bad joke they are. almost
useless. Digests are very worthwhile but they make huge demands on the.
digest editor. Email lists are only as good as the contributors and they
tend. attract fanatics flamers and other timewasters. As a social
phenomenon I. am surprised at how bad these things are. It seems to me
that most. computerbased forms of media are badly designed and getting
worse they may. have more features and cost more but in terms of creating
and sustaining a. human community they are surprisingly bad and may even
be counterproductive.. After twenty years no one has invented a really
good word processor. It's a. scandal.. verbal taboo. verbal taboothat
which is so sacred or important that it cannot be talked. about unless
using ritual speech or euphemismsreveals society's values and. beliefs..
Gheg in the north and Tosk in the south separated by the River Shkumbin..
All the Australian languages are related but they are at least as diverse
as. the European languages.. corresbounce. newsgroup.
fa.fictionofphilosophy. fa.oldnorsenet. magnhidoyen. MAGNHlLDOElENBOJ.
moticos.net. NY corresbounce. i am Schmailey. AltU. Alt From blnoemata Sun
Oct. Alt From rnmag Sun Oct. Alt From ddtelepata Sun Oct. Alt From
aarsrubglica Sun Oct. Alt From auddtomata Sun Oct. Alt From Sun Oct.
noemata telemata arspublica automata. auto.noemata.net. touch sans.
frekvens sans støy som new age fløyte. etctouch.php. The intonation was
understandably one of heavy sarcasm (with undertones of the. tacit
agreement that says we'll only report your lies if you never tell the.
truth) af Bush comedy. drømte om BÅ hvorfor. dghsdånt sitt. hele dagen.
NORID Handle. NORID Handle............... APBONORID. Organization
Name.......... Akton Plutus BA. Organization Number......... Post
Address............... Schouterrassen. Postal Code................ N.
Postal Area................ Oslo. Country.................... Norway.
university of bad computing. usenet. Also a public conferencing network
called Usenet News carried on. telecommunications networks like the
Internet UUCP and others encourages. public discussion and free exchange
of ideas on a world wide scale.. Diderot defining Art describes this
contradiction. He writes Place on one. side of the balance the real
benefits of the most exalted sciences and the most. honored arts' and on
the other side those of the mechanical arts' and you. will find that the
esteem granted to both has not been distributed in the. correct proportion
of these benefits and that people praised much more highly. those men who
were engaged in making us believe that we were happy than those. men
actually engaged in doing so. What odd judgments we make We demand that.
people be usefully employed and we scorn useful men.(). Arte' Computers
and the Wonderful World of Usenet News A Historical. Perspective netizen.
rephrase. Hvordan forbruker jeg kultur. Rephrase. Hvordan forbrukes
kultur. randomwalk. randomwalk tekst a la cage broderi tanangder. ftp
chtonline. spiraltekst. kill i mylder. mail EFDEE. EFDEE. kunst.nee.
ooo.lt asco. mail.ljudmila.org. urejammersliscultts.copyleft.no. kunst.no.
ek.nob. ewslists.copynagnleft.no. mailnewsalt.cows.moo..
moo.mooanon.lcs.mit.edu (mailnews. alt.cows.moo.moo.mooanon.lcs.mit.edu).
You may also crosspost to a second group by including its name in the
address.. Example To send that Christmas post to alt.music.weirdal as well
address it. as follows mailnewsalt.cows.moo.moo..
mooalt.music.weirdalanon.lcs.mit.edu (mailnews.
alt.cows.moo.moo.mooalt.music.weird alanon.lcs.mit.edu). a theater.
california will be coming to a theater near you soon i am afraid.
eistkesrr. opvlpe opepvle. kan kmmoe kan kmmoe snas smainlg i sakpet unedr
i kpreopn hrovdan kprop. tstkveteste ha koprp ha korpp kupemlr køjtt kan
sipse hvenadrre ksnuetn hlehet. sspie. veskor i seierpstnkken har
vnlomnkeyleat i adlri sairegnkler fkryt savr har. sglas sennping ptaioensl
hovrfor hlodt i skajk sjsklaevk sjkak skajk slismott. asnvar fosvrar har
anvsar har frovasr igjnenom saverr slostimt ingorere ingoerr. ioegrnr
irogner ngiatrlhuet ntaur klale nuatr sakpt snepdake ualrniutg ksuntig.
feinnr ignen huepntkdloer i gkostere sspømrål divrer igenn drevir i.
sekptnisrk ratietlen i knjenes dørm ha dmreømn ellr vrklietigehen. (edt
dte). (er er). vrden. slev. stakpe slev stpkae mseneknt slev. ble adnre
ble. dtete. masniker srreur. feryt blniekr teidn. slev. bdlaet slloys.
vskeor. kan fordnrae slev. vræe. senrnsoe kmmomer tdien. fiel. hroovfr
ble. sitellr slmøråespt. fnis kurluetr sitller. oevr. ktaetr mtideerr
ktametat. i vindeut skeør eivgetehn ardne. unødkserr kkorene. gssenae.
vneant mgeltheuir. ideln aennt. jdroa. skoker ftøter. slepeit ignenting.
tneolefn oppleysr. lseyt lesyr. aktvit mrøke. srekemmdne sniesbitilet
tårekkt ssnoer. hyøt gtroesk gtvorehen. an tkårekt. setlt øgegneddle
deremd lvekår. saknk smmnedrke brae sresonen srettepr i tkaet. kan
hraenvdre irnde frrtsyoret. snresoen netoptp idnre kan den bare inrde.
sesnor karnosetjosnn den atllid liøsnng ellr fklutvei. liøsengnr
fivetkluer osppøelr onngølppsein. fkunet lnnsiøg oppønlinsg. as.
319
as i think my work is so marginal and my personality unfortunately so.
difficult (at least it has that reputation) that the net provides a way.
for me to distribute without having to worry about people misinterpreting.
me in real life.. home.jps.netfenadafsondheim.htm. cyborg hybrid chybroidge
(haraway bridge) chybirgd chybriogd. your discourse is the discourse of the
hysteric just like deleuze's. but you're all part of the same wheel.
because psychotics have no. discourse.. if true and no one's doubting you
then it raises two questions. one what remains of a rembrandt torn into
little squares all the. same size and shot down the toilet. two who would
i have murdered if i had killed some cheetah. walking with long strides
supple as a villain from long ago. cyborg hybrid chybroidge (haraway
bridge) chybirgd chybriogd. hva skjer. hva skjer skjer noe som helst.
breaking news. aftenposten. hia mundvin er gravid. no pages were found
containing ksdjogfestival.. search mobile web for 'ksdjogfestival'. go to
url. new search. svanhild slåss på to fronter ..nettavisen innenriks.
snart kan du se tv på mobilen..nettavisen itnyheter. hva med fjernkontroll
hvordan er mobilen en fjernkontroll på. teknologi protokoll ikke bruk.. aå.
avis. ballong. cowboy. detektiv. eple. fakir. gaffel. heks. indianer.
juletre. krokodille. labyrint. måne. nonne. olje. politi. quixote.
regnbue. slott. taxi. ubåt. vulkan. wigwam. xylofon. yoga. zebra. ærfugl.
ørken. åker. kknasje. kknasje jg ednileg. ignen steedr. koprp uetn
orgnaer. fire ralakide. ikke urytkkte. rhintegrert. andre ord. huset
ligger der fra øyeblikk til øyeblikk. hvem snakker om samling. nyhet fra
øyeblikk til øyeblikk. maria øyeblikk og garasjesalg. svelg disse to ben å
vandre selv.. reaching the cape nordkyn by skis. vrtnnhsfurgzehs u log.
anyhr vrtnnhsfurgzehs u. evolution control committee. these ohbased
plunderphonic culture jammers who have brought you. herb alpert mixed with
public enemy and acdc with dan rather will be. givin' it to ya live. think
tape beatles john oswald or negativland. and you'll be ok.. akweioa. zip
arch. perl mhonarc nodoc spammode multipg idxsize tidxprefix thrd.
mboxnoesis.mbox. nn. nnnn jnnn..nnn) nnnlnnn nnnn(nn(nnn) nnnn jnnn nn). n
n n ()(nnnn n n n jnnn n .nnn) n n nnnn)(). n n nln)(nn n n n njn n(ln) n n
nlj)(l.. media. img file php. pddostlsifstearkiver. ocoyvxjwftk.jpg.
digitus.facticius cp hender. pass. pass. this text has been automatically
translated from english. de a tema de ascoooo.lt del ascoo. cul es up.. )
fecha tue del mimeversio'n de sept de. i forhold til det å se på nye
rutiner. the state of not wanting to be anything is actually. ). the state
of not wanting to be anything is actually. one arrives there without
mentation thats the only way one can call that. mind. punt. logout.
fauscroll the responser etc nicks som organisasjoner tidsskrifter. red..
the responser log. redaksjonen. the responser. nyhetspram log. pons (ponz)
n. pl. pontes (ponætz). anat.. . also called pons varolii. a band of nerve
fibers in the brain. connecting. the lobes of the midbrain medulla and
cerebrum. see diag. under brain.. . any tissue connecting two parts of a
body organ or structure.. l pns bridge (see punt). punt (punt) n.. .
football. a kick in which the ball is dropped and then kicked before. it.
touches the ground. cf. drop kick place kick.. . a small shallow boat
having a flat bottom and square ends usually. used. for short outings on
rivers or lakes and propelled by poling.. v.t.. . football. to kick (a
dropped ball) before it touches the ground.. . to propel (a small boat) by
thrusting against the bottom of a lake or. stream esp. with a pole.. . to
convey in or as if in a punt.. v.i.. . to punt a football.. . to propel a
boat by thrusting a pole against the bottom of a river. stream or lake.. .
to travel or have an outing in a punt.. . informal. to equivocate or delay
if they ask you for exact sales. figures you'll have to punt.. bef. for
def. oe flatbottomed boat (not attested in. me) l. pont punt pontoon sense
to kick a dropped ball' perh. via sense to. propel. (a boat) by shoving'.
(punt (punt) v.i.. . cards. to lay a stake against the bank as at faro.. .
slang. to gamble esp. to bet on horse races or other sporting. events.).
tykjiola. tykjiola. socalled. nimita.tt. monti cantsin. this release was
brought to you by logout online lo distributor of. electronic art releases
for projects listed at tnoddepata.net.. the logout seam. the logout
foundation lf aka linefeed. j. Mar. spider norske kultur. barbere. robot.
ladonna ho. ladonna ho. bridget monroe. concetta fox. lupe baez. sergio
kirkpatrick. stop watch. . paste the coding into the head of your html
document. . copy the onload event handler into the body tag. . add the
last code into the body of your html document. gnu. gnu. mar galleri.
utrolig mye rart som havner på no.test gitt. har du prøvd å lese de
greiene. hånd ). nei err'u gæærn o) scrolla kjapt igjennom og fikk et
visst inntrykk.. takk og pris. jeg ble engstelig jeg. ). cht v. chtonline
chtonian textscrambler. and chatbrowser. det er bare et spørsmål om tid
før verden får se en ny uttalelse om. terrorangrep av katastrofalt omfang
mot vestlige interesse mener den. australske statsministeren john howard..
entries for silly. weblog xff. dvs et asciitegn for hvert nummer. the smtp
csequence. simple protocol art mail. en ting er å stole på gud noe helt
annet er å gjøre det.. kunstner. kunstner. naturister anmeldes for
blotting. blottere blir nå spontannaturister. alice in markov. alice in
markov chains. offertanken ofre til noe meningsløst for at noe skal være
et offer så. den amerikanske regjeringen tror at ekstremistiske elementer
kanskje. planlegger nye angrep.. tror kanskje jeg tipper på at. ignore
test æøå. newsgroups no.test. æøå hupps. til makt. til makt. vi hadde en
web akt.no for akton plutus som senere fikk hodet kappet av og. ble kton
lutus. m for melba kanskje. takk for at du fann igjen bokstaven.. m a
ktno. london chipmunks. london chipmunks edinburgh ferrets admire attack
manchester weasels. hvem bryr seg om .... hvem bryr seg om om .... hvem
bryr seg om om om .... hva betyr det at .... hva betyr det at at .... hva
betyr det at at at .... my mother feels i am a pain. yet with her i do
remain. till i leave at last her house. for the breast of a rich man's
spouse. wow. tenk på en vakker jente. det kan være noen du kjenner eller
noen du har. sett på tv eller lignende. nå forestill deg henne naken. wow.
tverrsum modulo. i tallssystem. tverrsum. i tallssystem. hvordan har det
seg at når man tar tverrsummen i en tallrekke så. opprettholdes likevel
forskjellen (her ). ethvert heltall n er kongruent modulo med tverssummen
av n. dvs differansen mellom n og tverrsummen av n er delelig med .. bevis
(husk at (modulo )). la n n n ... være sifrene i n i tallssystemet. med n
det minst signifikante sifferet.. da er. n n n n n .... n n n n ...
(modulo ). n n n n ... (modulo ). mer generelt at intervallet ( i eks.)
opprettholdes i. alle moduloer og at tallrekken kan være hvilken som
helst.. dvs. modulo kan tolkes som ulike (rest)tallsystem og at den samme.
tallrekken har ulik representasjon i ulike tallsystemer men uttrykker. det
samme.. upost. samisk utpost får mobildekning. vi har webkamera. hva med
newskamera. protocol roaming. goldæen secætion fine arts math.. a ratio
between two portions of a line or the two dimensions of a plane. figure in
which the lesser of the two is to the greater as the greater is. the sum of
both a ratio of approximately . to .. also called. golden mean.. horis .
sqr(). gyldne snitt (). vert .. oneoff. after thinking a second about it i
changed the name to. an other occident government whore only euro cheaper
on sunday in. praha but onle c a month namly menstration sunday bloody
sunday mirror. mirror mirrir meow back in the saddle agian laps of pure
whore furry. cherizo is the must disgust sick thing yaaaaa besides fly
larva trapped in. the intestines hummm in sickness. bullauge
beschleuniger. my body soil and spirit gum. swish to make you all
together. one at piece with yourshelf. adobe kompr setting. adobe kompr
setting. video. cinemac codec ned til ks blir da k. intel indeo . ned til
ks blir k. intel indeo raw ks blir k. mikke video ks kval. gir k men med
dårlig kvalitet. mikke rle ks blir k med dårlig q. audio. mikke gsm khz .
ok. truespeech kz ok. avimpg. audio må være mono i premiere for komp ks.
ikke crop i prem. miniumim bitrate på audio ks. Mar. hvaslags kunstart
driver med alt. skiller ikke mellom det alt. er digitalt. eller en
forfatter som bare driver med bokstaven a eller. personlige pronomen. nei
men seriøst det at alt er digitalt gjør at vi. ikke trenger skille..
exstrange. norsk ord for strangeness. extraneous ekstra ekstrans ekstrang.
worse. faustroll the responser etc nicks som organisasjoner tidsskrifter.
red. faustroll. td. redaksjonen.. monastery mnst()ri n. lme. eccl.l
monasterium f. eccl.gk. monasterion f. gk monazein live alone f. monos
alone. (a place of. residence of) a community living under religious vows
a monastic. establishment esp. (the residence of) a community of monks
living in. seclusion.. monastic mnastk a. n. lme. (o)fr. monastique or
late l monasticus. f. gk monastikos f. monazein see prec. ic. a adj. of or
pertaining. a hermit anchoritic. only in lme. of or pertaining to people
living. in seclusion from the world under religious vows as monks nuns
friars. etc. of or pertaining to a monastery or monasteries. m. b
resembling or. suggestive of monks or their way of life (of existence)
solitary and. celibate. m. bookbinding. designating a method of finishing
by tooling. without gold. l.. h. carpenter the bedroom is bare and looks a
little like a monastic. cell. b donne he sinkes the deepe where harmlesse
fish monastique silence. keepe.. b n. a member of a monastic order a monk.
m.monastical a. (a). monastic a. (b) monastic a. lme. monastically adv. e.
monasticism. sz()m n. the monastic system or mode of life l. monasticize.
slz v.t. make monastic in character convert to monasticism m.. monk mlk n.
oe munuc ofris. munek os munik (du. monnik) ohg. munih (g monch) on munker
f. gmc f. pop.l var. of late l monachus f.. late gk monakhos use as n. of
adj. single solitary f. monos alone.. a member of a christian community of
men living apart from the world under. vows of poverty chastity and
obedience according to the rule of a. particular order and devoted chiefly
to religious duties and. contemplation. also a member of a similar
community of adherents of any. other religion. oe. any of various animals
or things whose form. suggests the cowled figure of a monk spec. (a)(also
seamonk) monkfish. below (b)printing a blotch or area of excessive inking
(cf. friar ).. e.. black monk see black a. pied monk see pied a. white
monk see white a.. comb. monk bond see bond n. monkcraft derog. monkery
monkfish. (a)a bottomdwelling shark of the genus squatina with a somewhat.
flattened body and broad winglike pectoral fins esp. s. squatina of.
eastern atlantic and mediterranean waters (b)an anglerfish monkhouse. a
monastery monklatin a corrupt form of latin used by monks. monkmonger
derog. a favourer of monks or monasticism monk's bench. monks' table below
monk seal any of various lightbellied seals of the. genus monachus esp. m.
monachus of the mediterranean and adjacent seas. monkseam monk'sseam naut.
a seam in which the selvages of sails are. sewn flat one over the other
monk's gun a thcent. wheellock gun. supposedly invented by the monk
schwarz the alleged inventor of. gunpowder monk shoe monk's shoe a low
shoe with a strap passing over the. instep buckled at the side monk's
rhubarb a kind of dock rumex. pseudoalpinus formerly grown as a potherb
monk'sseam see monkseam. above monk's shoe see monk shoe above monk's
table a convertible wooden. seat the back of which is hinged to swing over
and rest horizontally on. the arms thus forming a table.. monkdom n. the
condition of a monk monks collectively the domain of. monks m. monkhood n.
the state or profession of a monk the monastic. life monasticism monks
collectively oe. monkism n. monasticism e.. monkship n. the monastic
system monks collectively e.. monk mlk n. slang. m. abbrev. a monkey..
seclusion sklu()n n. e. med.l seclusio(n) f. l seclus pa. ppl. stem of
secludere seclude see ion. the action of secluding something. or someone.
also exclusion. now rare. e. the condition or state of. being secluded
retirement privacy a period of this. l. a place in. which a person is
secluded a secluded place. l.. h. j. laski emphasize its importance to the
seclusion of all other. factors. e. b. browning after a seclusion of four
years and a half from. the external air. l. uris the bridehidden all day
was taken from. seclusion. p. ackroyd perhaps the tall hedges give this
region its air of. seclusion and even of secrecy.. seclusionist n. an
advocate of seclusion m.. nedlasting. big bang var en stor nedlasting
(itavisen). er infoteori nøkkelen til universet. forskerne som jobber med
det holografisk prinsipp mener ren informasjon. er universets
byggesteiner.. i jakten på universets fundamentale byggesteiner forkaster
forskerne ved. university of california både kvarker kvanteelementer og
strengteorier. til fordel for det såkalte holografiske prinsipp (døpt
etter måten. tredimensjonal kan fremstilles på et flatt todimensjonalt
område).. bits og bytes. denne teorien fremholder at det er ren
informasjonsdata som forteller. hvordan all materie og evt. andre fysiske
manifestasjoner fremstår i vårt. opplevde univers.. prinsippet forteller
oss hvor mye data(tenk bits og bytes) som trengs. for å kunne
detaljbeskriv all aktivitet innen et gitt rom sier fysiker. raphael bousso
til nettstedet newsfactor.. den store pikseleringen. det notoriske big bang
ville ifølge teorien dermed utartet seg mer som en. enorme nedlasting av
informasjon enn som en massiv eksplosjon.. veldig forenklet kan
himmelmønsteret etter big bang ha vært pikselert. som bildene på en
dataskjem. kosmisk bakgrunnsstråling fra big bang vil da. kunne vise seg å
være spor på den diskrete karateren i denne dataen. forklarer astrofysiker
craig hogan ved university of washington.. troll. troll trl trl n. lme.
sw. (da. trold) f. on of unkn. origin. cf.. da. trylla trylde sw. trolla
bewitch charm on trolldomr witchcraft.. orig. (rare) a witch a sorceress.
now (in scandinavian mythology) a. member of a race of grotesque dwarfs
(or formerly giants) usu. dwelling. in caves or under bridges.. troll trl
trl v. n. also (sc.) trow tra . lme. origin. uncertain cf. ofr. troller
(mod. troler) quest wander casually mhg. trollen stroll toddle. a v. i
v.i. saunter stroll amble spec.. (slang) cruise in search of a sexual
partner etc. lme. v.t. i. roll. spin turn over or round repeatedly. now
sc. lme.. ii a v.t. entice allure. ml. b v.i. t. angling. fish by. drawing
bait along in the water sc. n. amer. trail a baited line behind. a boat.
also fig. move in an alluring manner search for or for. e.. b b. macdonald
by trollingwe caught silvers king and dog salmon.. atlantic nancy had
beenherselftrolling her scooped neckline under the. eyes of russell's
friends.. iii a v.t. pass or hand round. le. b v.i. circulate be passed.
round. ee. v.i. t. (cause to) roll or flow (in). ll.. iv v.t. i. sing
(out) heartily sing or recite in a jovial or. carefree manner. l. v.i.
sound out or be played in a jovial or. carefree manner transf. (of a tune)
recur constantly to the mind. e.. r. l. stevenson he trolled with ample
lungs. j. berryman troll me the. sources of that songby blake.. v a v.i.
move nimbly (of the tongue) wag. long arch. e. b v.t. wag. (the tongue).
rare. mm.. comb. trolling motor us a lowpowered motor suitable for a boat
used in. trolling for fish trolling pole n. amer. a horizontal pole on
each side. of a fishing boat to keep the lines clear of the propeller.. b
n. a small wheel spec. a fishingreel. ll. trolley n. .. local. m. angling.
a the method of trolling esp. in fishing for pike. etc. l. b a bait or line
used in trolling. m. the action or an act. of trolling sc. a roll a
rotation. e. a song sung as a round.. e.troller n. (a)a person who trolls
esp. in fishing (b)n. amer. a. fishing boat used for trolling a line m..
white elephants. white elephants. ini matsocvkaisn ndjdit white elephants
hvordadn blir kapitler i news. sjekk no.test rtyuiop hva slags bok
ideareal kladd webcam text ) lumber. x. skjold ii side. eggja nr. c.. ola
sjå eggja () og våga austre i sveio () gm. siri. giske f. kanskje svensbø
i vikebygd gm. endre jørgenson. enkja malena velumsdtr frå eggja (). ola
blei buande på eggja etter at han gifta seg med enkja malena.. andre kona
til ola marta døydde. ho var enkje alt år tidlegare.. det heitte då at den
ugifte ragnilla underholdes af slægten.. nn kanskje heitte ho siri persdtr.
fravær. skape seg et fravær. gå i bånd en hund etter forestillinger.
underkaste. seg fraværet. et fraflyttet fiskevær kalt fravær. i lengre tid
er hun ikke. der.. and so your god bungled his work deliberately. and so
your god bungled his work deliberately. perfect your physics and you will
understand nature better refine your. reason banish your prejudices and
youll have no further need of your. god.. prove to me that nature does not
suffice to herself and ill let you. imagine her ruled by a higher force
until then expect nothing from me. that of nothingness it has never held
terrors for me in it i see naught. but what is consoling and unpretentious
all other theories are of prides. composition this one alone is of
reasons.. for nature is inherently destructive and it is our recognition
of this as. participants in nature that provides de sade with the
fundamental. connection he places on the link between pleasure and
perversity.. what is it that truly excites the human spirit conflict and
turmoil is de. sade's answer. it is when we are directly confronted with
nature in its. true destructive state that we come in contact with the
fundamental. underpinnings of our creativity and existence.. perversity is
its own end. given the possibility of having virtually anything as was the
case with. the four rich men what is it that one pursues according to de
sade. witnessing the pain of others is high on the list of possibilities..
we have tended to see pleasure at the very least to be a distraction. i
have no need to thwart my inclinations in order to flatter some god. thus
nothing but the law stands in my way but i defy the law my gold. and my
prestige keep me well beyond reach of those vulgar instruments of.
repression which should be employed only upon the common sort.. whence the
duc would conclude that nothing is really just but what makes. for pleasure
and what is unjust is the cause of pain. nothing quite encourages as does
one's first unpunished crime.. no as to that there's no doubt. furthermore
beauty belongs to the. sphere of the simple the ordinary whilst ugliness is
something. extraordinary and there is no question but that every ardent
imagination. prefers in lubricity the extraordinary to the commonplace.
beauty health. never strike one save in a simple way ugliness degradation
deal a far. stouter blow the commotion they create is much stronger the
resultant. agitation must hence be more lively in the light of all this
there. should be no cause for astonishment in the fact that an immense
crowd of. people prefer to take their pleasure with an aged ugly and even
stinking. crone and will refuse a fresh and pretty girl no more reason to
be. astonished by that i say than at a man who for his promenades prefers.
the mountains' arid and rugged terrain to the monotonous pathways of the.
plains.. in order to allow voluptuousness to become irritated by the.
augmentation of a desire incessantly inflamed and never satisfied a state.
which must necessarily lead to that certain lascivious fury the friends.
shall strive to provoke considering it one of lubricity's most highly.
delectable situations.. by and large offer your fronts very little to our
sight remember. that this loathsome part which only the alienation of her
wits could have. permitted nature to create is always the one we find most
repugnant.. the idea of crime is able always to ignite the senses and lead
us to. lubricity.. desade. metaphysical painting. metaphysical painting a
style of painting invented by giorgio de chirico. in about and practised
by him and a few other italian painters most. notably carlo carra until
about . the style is characterized by. images conveying a sense of mystery
and hallucination often involving the. use of tailors' dummies or statues
in place of human figures. it had a. strong influence on surrealism though
its concentration on depicting. uninhabited cities was peculiar to itself..
Mar. kanta representeres i grafer av noder og kanter og som.
tilstandsmaskin noder er rom med tyngde (tak gulv omsetning). moebius.
manusfilm nr.. film med filmrull formet som moebius. bånd. det. betyr at
filmen avspilles. rettvendt og deretter speilvendt for. deretter å begynne
på nytt igjen.. handling en person filmer noe via et. speil. personen til
venstre og. speilbildetspeilscenen til. høyre.. det finnes ingen vakrere
topologi å ty til enn mbiusflaten når en skal. illustrere hvordan det nære
og det fjerne det indre og det ytre objektet. og subjektet grenser til
hverandre.the baudri llard.. kst. hva er riktig kommunikasjon dersom den
spriker sånn over en kanal som er. så smal virker fragmentarisk og
villedende kikkehullsestetikk. voldtekst gjærbakst kst tverrspringende når
kan ventes svar. dialog. dele seg i to dialogen. alltid delte i og med den
indre. isd kommunisererselv.. ghl bota. ghl bota. rhberemsynr.. . gel ojlo
s. vosm (setta ). . oslo s træntaaon. vhsn (setta ). . tromtaoen byta. vecm
(ghfh ). nhrdsufv telefan ssyvåtc beyshnschcden hor opertodt. rafærengemr
mc. crowned anarchy. one easy way to think about crowned anarchy is to
think of it as an. expression of a method of difference. deleuze often
uses paradoxical or. contradictory conjunctions of terms in order to try
to shock difference. and productive disjunctions to the surface of
thought. i believe that crowned. anarchy is often mentioned in terms of
nomadism or nomadic distributions. both of which serve to highlight an
orientation to movement process. creation and becoming. other examples of
this method of difference or. style are drunken sobriety stationary speed
populous solitude and. disjunctive synthesis.. æon flux. æon flux. the
very thought of rubbing up to the sinewy form and torso of. the
selfpossesed selfish seductress of death and delirium...oh how the. loins
quiver at her approach.. so until i see the great divided lands where
monican. and breen killers briefly dance a skirmish or two until i touch
aeon. there where thanatos and eros hold sway i will remember....
nonplusnoema. she swept from the room leaving the nonplussed artist to
puzzle over. the cause of her behaviour.. no match for nonplus.org..
though the noema is always available there are periods of rest or low.
activity where the system is able to return to a known stable initial.
state. the system is still there but the load on the system is minimal.
changes.. the noema is designed to always be up and running. individual
components. may be down but the total the noema stays available. in this
mode of. continuous operations things are evolving and changing
constantly. there. may be many versions of a component active at anyone
time. evolution of. components new feature introduction and constant
change are common. ongoing activities.. negativitet. hvordan modelleres
negativitet overhodet hva menes når vi abstraherer. 'noe' fra noe lager vi
samtidig 'ikkenoe'. det er merkelig og komisk når. jeg ser på den og den
knappen og tenker på at den er det den er fordi den. ikke er alt det andre
den ikke er. er negativiteten en egen dimensjon hva. er forholdet mellom en
operator og et uttrykk hvis vi har to ting. hvordan kan vi legge dem sammen
og regne på dem instruksjondata en. fortolker på datanivå er alt data ingen
negativitet fortolkeren. strukturerer og lager samtidig negativitet
dimensjonsforskjellen fra flat. data sekvensiell datastrøm til en struktur
med flere dimensjoner. f.eks. som i overgangen fra en endimensjonal
sekvenslinje til en. formatert tekst videre inn i et meningsunivers. på
hvilken måte fins. døden fins den på en annen måte enn ordet 'ikke' hva
refererer 'ikke'. til hva slags monisme er jeg ute etter patafysikkens.
justis konstant. langt langt nede blant våre fundamentale behov ligger
rettferdighet en. vektskål hver enkelt holder i balanse gjennom å ta på
seg eller fordele. skyld. om samfunnet ikke hadde svarte hull for skyld
ventiler religion. devnull et lukket system med konstant energi et usa
hvor man. saksøker hverandre til frokost. aqualizer. utligne. equalizer. n
reduces frequency distortion syn equaliser an equivalent. counterbalancing
weight syn counterweight counterbalance counterpoise. balance equaliser a
score that makes the match even. aqualizer neologism make something fluid
transparent remove rigidity.. aquality neo. the fluid transparent quality
of s.t.. aqual v. 'a aquals b' 'heat aquals ice' 'internet aquals
identity'.. telegram episode. telegram. monographic. episodic writing. å
kom skal du høre. ånd og overgrep. sans og. forbrytersyndikatet d.hc. just
boresome. å kom skal du høre. the paul whitney collection. triploop
..................excerpt. bankkontoen er det faste punkt for
jordmenneskehedens kultur af i dag.. bankkontologi. nn. i. c. v. r. c. i.
.. c. v. r. c. i. .. c. v. r. c. a. k. n .. a. c. v. o. r. u. .. c. r. n.
e. .. s. m. r. c. c
320
e. .. not two.. come directly into harmony with this reality just simply
say when. doubt arises not two. in this not two. nothing is separate
nothing is excluded. no matter when or where. enlightenment means entering
this truth. and this truth is beyond. extension or diminution in time or
space in it a single thought is. ten thousand years.. .... one thing all
things move among and intermingle without. distinction. to live in this
realization is to be without anxiety. about nonperfection. to live in this
faith is the road to. nonduality because the nondual is one with the
trusting mind.. hsin hsin ming (verses on the faith mind) attributed to
chien chih. sengtsanca. c.e.. ftp. category techhead id. i know most of us
use some type of ftp prog to upload download and chmod. but at times you
may need an alternative. say for instance you are away. home and the
computer you are using has no ftp prog. here's a simple. way to access
your server via the web. ftpyourloginnameyourpasswordyoursite.com. did i
mention you can upload and download files this way just drag and. drop
files to and from the ftp. minus. manus. nato phonetic alphabet. the nato
phonetic alphabet. alpha bravo charlie delta echo foxtrot golf hotel
india. juliet kilo lima mike november oscar papa quebec romeo. sierra
tango uniform victor whiskey xray yankee zulu. i tallssystem. tverrsum. i
tallssystem. hvordan har det seg at når man tar tverrsummen i en tallrekke
så. opprettholdes likevel forskjellen (her ). det var litt overraskende når
jeg oppdaget det at tverrsummen skulle. bevare dette.. ethvert heltall n er
kongruent modulo med tverssummen av n. dvs differansen mellom n og
tverrsummen av n er delelig med .. bevis (husk at (modulo )). la n n n ...
være sifrene i n i tallssystemet. med n det minst signifikante sifferet..
da er. n n n n n .... n n n n ... (modulo ). n n n n ... (modulo ).
tverrsumfunksjonen er en modulus altså og sammenhengen er at. dvs. modulus
.. mer generelt så ser jeg nå at intervallet ( i eks.) opprettholdes i.
alle moduluser og at tallrekken kan være hvilken som helst.. dvs.
moduluser kan tolkes som ulike (rest)tallsystem og at den samme.
tallrekken har ulik representasjon i ulike tallsystemer men uttrykker. det
samme.. Mar. de fleste foretrakk stort pensum istedenfor. fordypning
engasjement og klare mål. næss. et menneske er flere mennesker. et halvt
menneske virker helt et helt. menneske virker halvt.. amg strain ghost
montage. sollewitt concept art etc nettime. code is the only language.
that is executable.. ideer kan være koder. hvorfor vil vi at alt skal være
variabler ikke konstant.. the whale the corp (corporal) the old the falcon
fatty swede triple. tramper the bank nixie broom woodcat the king shorty
stocks. crooked the lion easy garibaldi scamp mad clumsy buck the. calf
lazy cheeky sooty brotherinlaw seven mark and one the. kid the lamb the
cub catowl nonsense the fizzler the toad the. chunk coffeesack coffeecnob
nothing the grouse ginger the bag. straight wally valdeser the troll
minced fat the christian bent. sinny crow nail divekeeper code spout the
baker egg nincompoop. the taste pig's totter boar shrimp stuffing doll
fliepedersen. matches the painter the smith whimpy the wizard sea scorpion
budd. birch manikin pepita entangle chop death.. who's bruno magh if yamean
rob's sneakers i dunno. mine were plain ol' adidas. re he didn't get
it....and he's a sargent....... re re mark fuhrman didn't get it either..
the transaction was a success. en ekunst mail spammer og til. person
person peerpeer multiperson ha en avtale om en multiperson med. noen vi
opptrer som n person med ett navn.. the transaction was a success thank
you for using this service.. your transactionid. is. støy. det er åpenbart
fleire måtar å høyre på støy på. eg tenker ofte på det som. ein
overskridelse. overskridelse av musikk metamusikk på en måte står. støy
'over' musikk eller ligger 'under' musikk og 'føder' musikk slik. natt
føder dag liksom jrf at natt oppfatta som opprinnelig.. overskridelse av
seg sjølv jfr din 'motstand' kanskje. overskridelseoppheving av seg sjølv
ved det n'naturlige' ved støy. ekstase ved støy overganger mellom
tilstander er 'støyete' kan alle. fortelle om.. Mar. resonate. mne. domus
. '. '. icarufa. domus . '. '. mddaurgtuse . domus .. vxtojnca. domus . '.
'. au rora. domus . '. '. kklang. domus .. tsrsgoihnsger . domus .. jvoa
eoer. domus . .. rddgeagthrdissator. domus .. bsotgagngigsgak ahaaggge .
domus '.. futureme. past me. lumber. lumber. dP' I Y P dP' Yb Y. . . . . .
. . dP aaaadP. P Y ' Pd' YbaaadSPOSUBSES. ii dPY dPdPYb gg. ggggggggggg
gggggg ..... .... .bd.'. noemata. Saturday April. us we'll consider wheth
Net.art cobe copiedWelcome to net Noemata.net. is a nonpCouncil of
Cultural Afregistered in N Norway. On a yearly. noemata. Friday April.
eta.D. real development of idbfeeaecbdbffeabintention was to combi.
interaction minglesot deilppa msacras dnadi fo tnempoleved laerthe net
with. those of collective.
contributioddefdacbefaaaebbcabacPRSSNKKRTTTTKPRTTMKWSside. into the
productio internet addrband and so open up to kind of public spacewho.
make a significancedevelopment of idconcept is applied to processing.
carriermembers every month result of sometNight Fever' 'The Wiza. modify
it and thenlasts thirty days with concept members every. . monthNa easy
hiding place for s modify it and then. networks. The story is.
fireworks.fdbccaaeffdacbabddastructure of data flows plot. of a story by
locusnonmat bringing out intras net possible on.
thameselvLJvMVuImsGoEJzKCUtdsQR.approach to discourage albums. whitewhite
albimo blcspreads with no techni emotional vulnerabiliswappers. noemata.
Saturday April. hexture. jodi.org. barriecoptusnet.com.au.
bennett.osu.edu. cantsinzedat.fuberlin.de. dolmensniperfree.fr.
epistolarisfreemail.hu. expsurfeu.fi. felixopenflows.org. fmadrefree.fr.
gustin.pascalefree.fr. henry.warwicksbcglobal.net. hmfahhotmail.com.
hmfahhotmail.com. informaticaintervida.org.pe. jimvispo.com.
jlantoniouol.com.br. jukkaxpressed.org. kellydavismac.com.
kkervinenmailcan.com. lcubbisonearthlink.net. loymyrealbox.com.
mpalmerjps.net. nettimebbs.thing.net. netwurkerhotkey.net.au.
noematakunst.no. rickrickbradley.com. ryan.whyteutoronto.ca.
solipsishevanet.com. sondheimpanix.com. tobiastechno.ca. towntrickaol.com.
vibriinternet.com.uy. wfairbrotherhotmail.com. xpressedsdfeu.org.
xstreamxpressed.org. wreathus. abuigueswanadoo.es. adelectrocd.com.
agranode.com.br. arexsall.nl. ascoooo.lt. bennett.osu.edu.
bramhallearthlink.net. bruecklaol.com. cadalypacbell.net.
cantsinzedat.fuberlin.de. ceciltouchon.com. dolmensniperfree.fr.
dtvmwt.net. expsurfeu.fi. hmfahhotmail.com. hmfahhotmail.com.
lawrence.uptonbritishlibrary.net. marc.garrettfurtherfield.org.
margaret.penfoldntlworld.com. memexikonmwt.net.
morrigan.nihilntlworld.com. noematakunst.no. olsonjkdelhi.edu.
p.ixelntlworld.com. poetryhypobololemaioi.com. ptlambertearthlink.net.
rickrickbradley.com. ryan.whyteutoronto.ca. solipsishevanet.com.
tgreenclear.net.nz. towntrickaol.com. walterblueearthlink.net.
wfairbrotherhotmail.com. whitebd.dion.ne.jp. ybvictoria.tc.ca. Bubolic
stoplight unlikely by anemic. Bubolic stoplight unlikely by anemic.
unlikely stores anemic's growing pool as a collection of.
selfdisconnecting noemas that anyone can contribute to. lusers need to
log. in to enable unlikely to make sense of their movements through the
bassin.. Unlike anonymous drowsing unlikely facilitates a more
personalized. form of intuition the very act of intuiting results in a
generative. process that creates new linkages alters old ones and
contributes. resources to the community. Thus unlikely resembles a
biological neural. net that is based on human activity it is a collective
distributed. system of emerging patterns pathways and disconnections..
unlikely departs from the typical hierarchical thought bassin structure
by. relinquishing some of the control of hardcoding links between.
concepts. unlikely is also described in a public XMockupLang file making
it. possible for anyone to develop alternatives to unlikely's structure.
unlikely could easily be traversed as a trity eidos game a mind nap a.
sound ungine (logically sound system) or a Flush animation whirl.. In this
way it is the beta version of a anemic operating system for which. anyone
can develop compatible cogiance phlog.ins skeins or filters.. unlikely is
an agent of anemic's resources that grows symbiotically with. related dis
course.. BIOGRAPHY. Current coreDevelopers are blithe lussett bensyversion
nsatromnym and. conYates. As of anemic Version pee. CONTRIBUTING.DEVELOPERS
are listed dynamis cherubics by their usage of. contribution to and
participation in haven unlikely. wopers.. For dynamite please load and run
the anemic WHOIS button and blowup yous.. All participants exist as noemas
within unlikely. The car develop. maintain and develop the anemic
dabblication platt form and are. reposible for mini a spectable of
including the inter views anemis.. crow envelops hinter party pants
tributing dissociation varia. ariaous other panties enties and cystems all
unenginage in the act. vity that con stigmatutes anemic boldless
bloodfuel.. særmeldinger. baklengs inn i aftensangen. alt vel hilsen per.
over åsen. særmelding kodemelding gitt i åpen kringkastingssending fra
London som beskjed. fra britisk militær myndighet til agenter i Norge.
Særmeldingene besto som regel. av avsluttede setninger (Du er en heldig
gris Hesten traver i bakken) der. innholdet var avtalt på forhånd. I
okkupasjonens siste år angikk de som regel. flyslipp av våpen og
bekreftetavlyste en planlagt operasjon. BBC London. Radio eller norske
myndigheter hadde ingen innflytelse over særmeldingene som. var av rent
militær karakter. For lytterne utgjorde de gåtefulle og. fantasieggende
innslag som bar løfter om at hemmelige aksjoner var på gang.. QPVEO TXJZC
AZGVN. default. default. neglect failure to act. stats url. ola narr.
leonardo ola narr. Apr. sis sfsisnsds snsos srseslsesassse. sisss swsansts
stsis sdsises. ssasls sisss sbsacsks tsos snsosrsmsasls. sisss. s. aa.
Ifølge Bergens Tidende skal det nå holdes kurs for sjenerte bergensere..
HansWilhelm Steinfeld rødmer.. køntriola. doby ardon. ebmg. ebmg. nkb.
g.php. Apr. alasglea hshatrukturene asdgogg ingghehnhtiasngf sbetsyr
nogge. minae hfohrestilldfinger. vaigrhkhejlisghet. hvsa hehr virhkelig.
mikkaeg hmush grahvhietasjon poliasftihkhkh hlivh sdaøad hvihrkelig. havaa
aerg gsgaanat. tosomtussmørke. tosomtussmørke tåsårdessert tesiltusle
tesugetasje tåsokktaske. tissefanttussefar jeansagent jannin gnom joner
genial gang gynekolog. genever jennifer. mailnews. U S E N E T. valable le
Mars. par header. mailnewsanon.lcs.mit.edu. mailnewsnospamanon.lcs.mit.edu.
mailnewsnym.alias.net. mailnewsdizum.com. mailnewsnospamdizum.com.
usenetgatewaymixmaster.shinn.net. mailnewsshinn.net.
mailnewsfreedom.gmsociety.org. usenetgatewaynospammixmaster.shinn.net.
mailnewsnospamshinn.net. mailnewsnospamfreedom.gmsociety.org. par email.
group.namenewsgw.rrze.unierlangen.de defunct.
mailnewsYYYYMMDDgroup.nameanon.lcs.mit.edu.
mailnewsnospamYYYYMMDDgroup.nameanon.lcs.mit.edu. Apr. hva er
kommunikasjon og hva er uttrykk. nivåer. Vende tilbake til det. Re Vende
tilbake til det. Vende tilbake til det opprinnelige. Couldn't have said it
better myself.. mailnews. newsgroupnamenewsanon.yi.org.
mailnewsbananasplit.info. DISORIENTATIONS OF THE NETART. TECHNOLOGIES AS
PHANTASMS AFFECTS AND GHOSTS. ON THE FLOW. THE WORLD OF USER'S MANUAL.
SPACE COUNTERS TIME. AVAILABILITY ACCESSIBILITE AND CONSUMPTION. ....
password. configure OE. How can I configure Outlook Express to display a
message in fixed width. font. First remove the viruses. Then go to the
fonts... no wait you got a virus. again. Get rid of that. Now go to the
fonts menu and select... no there's. another virus. Better rebuild it.
Okay now you're in the fonts menu and. you select a font that is
specifically fixed width like say Courier. And. while you're at it you
might want to look at disabling all the HTML decoding. on Usenet as well.
Whoops there's another virus. ps I don't want to hear no bullshit about
how microsoft sucks ass and all. that constant repetitive stuff.. Then why
not get a newsreader that actually works and at least conforms. the basic
RFCs. mulig. En skole i Stockholm ble tirsdag evakuert etter at ranere
satte fra seg en. mulig bombe i en bank i nærheten.. En mulig skole i
Stockholm ble mulig tirsdag evakuert etter at mulige ranere. mulig satte
mulig fra seg en mulig bombe i en mulig bank i mulig nærheten.. Apr.
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..... .. ...........................................
.......................................... anon i don't know why people
don't. eliza maybe they're looking for something. why should they. what
you offer is just withdrawals and stepping back. yeahyeah from looking for
and searching. you're male yorick should be ucking around. i know that's
his business and he would feel the catration. pointing his figer and his
we pons. wall there's no connection at all just the silly drives. the
fabric production activity life that's a big canvas. there's no
connections there either leave them alone. support. no support is needed
earth spins around in empty space. you need all the usual stuff. don't
need anything my life didn't need life just automatic business. joy of
life. death has joy too why distinguish it's just one big blob going
through the. motions. fatalist. pass. what about suffering. i'm sorry.
i'll kick you in the leg. i'll respond ouch. improvements richness of
life. do we suffer less than years ago broken things have richer
structures. knowledge. it adds to the mess and i'm withdrawing. knowledge
for the future. it's very easy for us to extinguish ourselves and
difficult to believe in. humanity. space. space what. hopes. we should try
to find some loopholes via science or anything change ourselves. leave the
human maybe our physicality cognition and culture have some. limitations
we can't overcome evolution is too slow our knowledge too great. all the
culture trash and our drives are against us we'll be like dinosaurs. with
a brain look at the current territorial religious cultural violence. it's
just mad and on the other side global capitalism and exploitation is made.
possible by the inertia of the same structures humans have no future we're.
reaching some limit in our interaction with the world we should find holes
and. creep through into a posthumanity i'm indifferent to the human i'm
only human. and have no future.. Mr M. saw a naked woman covered in postit
notes once. she was some art diva from spain. 'automated net.art
auto.noemata.net'. Hi. Thank you for hosting your list at Topica.
'automated net.art auto.noemata.net'. autonoematatopica.com. Basic
Information and URLs. Here's the basic information and URLs your
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subscribe. autonoematasubscribetopica.com. unsubscribe. See the
Unsubscribe link at the bottom of any message.. For more information about
this list visit. your group account has been disabled to to an
autoresponser set up. LYS. Tilsynelatende nødvendighet av å tale om det.
Ikke si mer enn enhver kan si til seg selv. Spørsmålene om det er materie
eller immaterielt. Substans el aksidens osv. Fåfengt. Den som ikke tilstår
dette for seg selv kan trette seg med å løse det. opp. Bedradd av alle kan
vi bare lære av dets virkninger. Lysets virkinger er utbredt foran oss.
kvalmen. fremtiden er der knapt blekere enn øyeblikket. Hvorfor skal den.
virkeliggjøres. Hun skal til å dreie om gatehjørnet hun dreier i en
evighet. tanker det er det flaueste som finnes. flauere enn kjøtt. de
strekker seg ut i. det uendelige og etterlater en underlig smak. proxima.
lysår. melkeveien lysår diameter mrd stjerner. mrd andre galakser. lokal
gruppe av. nærmeste lign galakse andromeda m mill lysår unna. kvasarer ses
over mrd lysår. stjerneklasser. wow oh be a fine girl kiss me right now
sweetie. chance and chaos. kolmogorov matematisk talent setter inn akkurat
når den psykologiske. utviklingen stopper. han ser på seg selv som år.
stødig strøm periodisk strøm irregulær turbulens. observasjon av
periodefordobling i dynamiske system feigenbaum ... entropi måler
tilfeldighet i et system. hawkings. galilei kraft er å forandre en
bevegelse. newton derson ikke kraft fortsette i samme fart. ingen entydig
hviletilstand. om det er toget som går eller jorden som går er. like
gyldig. paradoks umulig å si om to hendelser på forskjellige tidspunkt.
inntraff på samme sted i rommet. eks. en ball spretter to ganger på samme.
sted inne i et tog en som står utenfor vil se sprettene med meters.
mellomrom. sitat. hardingfela er norsk nasjonalinstrument fele så er brukt
kattesener. hardingfela hele katten. det finnes det som har spilt i år i av
disse har de stemt. gås på bordet. forskning sprøyte brennevin inn i ei
rotte. er det noen kattjævel her. lysår vi hadde motlys. han var fem år da
han ble født. det du har lært kan ingen ta fra deg men det du ikke har lært
kan ingen heller. ta fra deg. det er skrevet mye og gud i de nye og de
gamle instrumenter. det som står her er. skrevet med en hellig skrift.
midt i paradisets have sto det et tre som het. bekjentskapets tre på godt
og ondt. da abraham satt i mamsres lund kom det tre. herrer da spurte sara
om de ville ha kaffi da sa vår herre til sara vil du. straks gå bak døra og
føde en sønn. det er ikke bare for kort det er for bredt også. protokoller.
hvilke protokoller. fullstendig promiskuitet mest mulig lavmål. en stadig
pendling mellom høyt og lavt. overdrivelser underdrivelser. hvite
protokoller. bankei. fri i liv og død ikkje bry deg med dei ha fred eller
nrivana (dei tre. gifter) la alle tre gå. både når du søv og er vaken så
kviler du i det ufødte buddasinn. unngå å falle tilake. bebo det ufødte
buddasinn både fremskritt og. tilbakeskritt overskrides. buddasinnet er
fantastisk opplysande spor av alt du har gjort er reflektert. det er når
du binder deg til desse reflekterte spora at du produserer illusjon..
originalt tankar har ingen reell substans la dei komme og eller stoppe
utan å. binde deg til dei. alt jeg forteller dere er dette realiser
buddasinnet som hver av dere har fra. deres foreldre fra fødselen rett og
slett bebo det i tro.. istadenfor la deses tankane komma ikkje utvkle dei
ikkje binde deg til dei.. hald det eine sinnet som eitt sinn. sinne og
glede lagar du heilt på eige hand.. det er ingenting anna enn det ufødte
og uforgjengelige buddasinn så du bør. begripe dette klart.. ideen om å
ville kontrollere dine lidenskapar og forestillingar er i seg sjølv. ein
feilaktig forestilling.. det er ikje noko slikt som opplysning. det
originale buddasinn er ufødt det. fungerer utan tanker om å ville bli
opplyst. i buddasinnet er det ingen tanker eller ting så ikkje bry deg med
dei. jakte på ord fraser når vil du bli ferdig. du spring deg helselaus
pålesse kunnsakp blir vidt informert. sjølvnaturen er tom og opplysande så
la ting ta vare på seg sjølv. det er ikkje noko anna eg har å meddele.
ikkje sint når forstyrra ikkje gladlykkeleg når tilbedt. ein stor
treskalle i verda. følge med der forholda føre meg nord sør aust vest.
utan å gjøyme mi styggheit og klumsetheit mellom himmel og jord. blinde
folk slit ut kleun sine ventande på opplysning. akkurat som å prøve å lage
eit speil ved å pusse ein stein. den store funksjonen manifestera seg sjølv
utan faste reglar. godt er skrekkeleg. og skrekkeleg er skrekkeleg også.
ting og hendelsa. er berre produkt av omstende. dersom du blir ein budda
er det ingen plassar å gå. du fyller det store. universet heilt ut til
grensene. det er når du blir noko anna slags vesen at. det er plassar å
gå. dersom du innser at det opprinnelig ikkje er nokon dårlige vaner hva
er det då. å unnå eller stoppe. paulus. paulus . brev til titus. en av
deres egne til og med en profet har sagt kreterne er alltid løgnere.
villdyr grådige late og dette vitnesbyrd er sant.. grelling nelson.
autologier homologier uttrykk som uttrykker seg selv. norsk setning.
femten bokstaver. jeg. andre uttrykk kalles heterologiske. så spør man om
heterologisk er et heterologisk uttrykk. hva med denne setningen uttrykker
noe annet enn seg selv. sorites. avleder en falsk påstand fra en kjede av
riktige. en haug med stein er fortsatt en haug med stein dersom vi fjerner
en stein. etc.. altså er en samling av en eller ingen steiner en haug med
stein.. pragmatiske. paradokset ligger i motsigelsen mellom påstand og at
påstanden hevdes. det regner men jeg tror det ikke. jeg eksisterer ikke.
terning. sannsynligheten for at en side på en terning kommer opp er så det
er. allermest sannsynlig å tro at siden ikke kommer opp. men dette gjelder
alle. sidene. derfor er det sannsynlig å tro at ingen av sidene kommer
opp. pi paradoks. salvati kan du fortsette rekken nei. men du kan
fortsette rekken. paradokset er at de beskriver det samme pi. tro gjennom
feil paradoks. at noe som slår feil styrker troen på tingen fordi feilen
viser det. irrasjonelle betydningen av tro. hilberts paradoks. hvordan
begrunne argumentasjonen på basis av argumentasjonen. carrolls p.
umuligheten av et argument. a dersom det regner blir det vått. a dersom
det regner blir det vått
321
b det regner. c altså er det vått. men for å akseptere dette innføres et
nytt element. d dersom a og b er sanne så må c være sant. men for å
akseptere dette innføres et nytt element. e dersom a b d er sanne så må c
være sant. jesuitt. dersom gud er allkjærlighet hvordan kan det da finnes
en evig pine i helvete. helvete med evig pinsel finnes men det er alltid
tomt. menneskerett. en slag rett til å engasjere seg rett til å kritisere
og en rett til å ikke. bry seg.. parse. lichtenberg E F. O The dog is
lapping the boiling water. release. Gorrespondence imondo mail . art
sokrates. ozone. skittent. mørket er estetisk lyset er skittent. bilde av
klistremerkene. finne du din vilje oppgave. nagval stalking ll som
parallell til sitasjon. drift psykogeo. når frykten forsvinner forsvinner
alle bånd og vi er frie. ro og fred. vi sier ro og fred men det betyr
indre frihet men gj ro go fred som middel. som fungerer i støy og ytre
uro. det er ikke greit å ønske å bli noe man ikke ønsker å være. men sånn
er det den. forskjellen. jeg ønsker natlugh ikke å være det jeg ønsker
eller å ikke være. den jeg ikke er. lagd. tror ikke vi er lagd til å
forstå ting som forsvinner. vi forstår ikke negativitet. negativitet
forstås positivt det som forsvann finnes som forsvunnet. og det som ike
finnes finnes som mulighet. finnes mulighet. noe er mulig. vi forstår
virkelighet som et lukket system det ligger i system og forståelse. ting
blir borte ting blir til vanskelig å forstå. tankemåter blir til og dør ut
med personer kultur med generasjoner. trossystemet forander seg ikke
radikalt med den enektle der av netulig. konsrevativt neasjoner har ikke
noen revolusjoneredne virkeing at noe blir. borte er en modfifikaskon av
tingen. som om eksitens var en modus ved noe skru avpå eksistens. se på
det fra et annet perspektiv det som aldri har eksistert fins det også et.
sted alle dine søsken som ikke er født. hvis vi snur treet oppned. alt som
blir. til må ha eksitert på forhånd. men da har du problemet med mange
muligheter blir. til en virkelighet det kollapser hvis vi skrur det så
ekspanderer det. uendlelig og det er ingen ende op ting som eskisterer
(som mulighet) alle. muligheter må eksistere og det er absurd hvorfor.
kredo. vitenskap gir oss kunnskap om verden. klesskap forstyrrer oss med
klær. du ble født ut av ditt nesebor. voff vi er ikke hunder. de som
passer på gir blaffen. folk er rare. zen begins at the point where there
is nothign further to seek nothing to be. gained. zen is most emphatically
not to be regarded as a sustem of. selfimprovement or a ways of becoming a
budda.. only when you have no things in your mind and no mind in things
are you vacant. and spiritual empty and amrvellous. the marvel can only be
descsribed as the. peculiar sensation of freedom in action which arises
when the world is no. longer felt to be some obstacle standing over
against one.. huangpo men are afraid of forgetting their own minds fearing
to fall through. the void with nothing on to which they can cling.. nothing
is left to you at this moment but to have a good laugh.. mesteren spør ut
studenten og når studenten går kaller han plutselig ved navn. studenten
svarer naturlig 'ja' mestern sier 'der har du det'. spontanitet. mo chih
ch'u gå på uten å nøle. wuwei meningsløshet. wushih enkelhet. the
perfection of zen is to be perfectly and simply human. to a young zen
monk. the roshi stands as a symbol of the utmost patriarchal autoriatiy
and he. usually plays the role to perfection being normally a man ssvanced
in yasrs. fierc and tigerish in aspect a person of supreme persence and
dignity.. the basic position of zen is that it has nothign to say nothing
to teach.. the various koans are intentionally misleading.. after some
time the iceblock collapses and a transparent meaninglessness appear. that
can eat laugh and so on live without a problem.. roshien presenterer nå
koans som er opplagt meningsløse 'ta dei fire delane av. tokyo ut av ermet
ditt' 'stopp klangen av dei fjerne klokkene'. ei jente går. over gata er ho
den yngre eller eldre søstra. controlled accident ikke representasjoner
symboler.. egne objekter. painting by not painting. muchi and liangkui did
many paintings of zen. patriarchs and masters as mostly abandoned lunatics
scowling shouting lafing. around or rarith with laughter at drifting
leaves exemplifying the splendid. nonsense and emptiness of zen.. sabi
enslig og rolig stemning wabi something ordinary as suchness aware..
mystisk stemning yugen. dette er fure aspekter av furyu.. haiku i årh.
bashu i wshihstil 'ingenting spesielt'. the superficial consciousness can
awaken to the eternal present if it stops. grasping. now this eternal
present is the timeless unhurried flowing of the tao. such a tide as
moving seems to sleep too full for sound of foam.. mantras and tantras
meditation and concentration. they are all a cause of selfdeception. do
not defile in contemplation though that is pure in its own nature. but
abide in the bliss of yourself and cease these torments. wahtever you see
that is it. in front behind in all ten directions. even today let your
master make an end of delusion. the nature of the sky is originally clear.
but by gazing and gazing the sight becomes deluded. sarakas trasy of songs.
no thoguth no reflection no alaysis. no cltivation no intention. let it
settle itself. cut out sagacity discard knowingness. and the people will
benefit a hundredfold. cut out humanity discadrd righteousness. and people
will egain love of their fellows. cut off cleverness diescsrd the
utilitirans. and there will be no theves and robbers. become unaffected.
cherish sincerity. belittle the personal. reduce desires. laotsu. the
perfect tao is without difficulty. save that it avoids picking and
choosing. follow your nature and accord with the tao. saunter along and
stop aorrying. if your thoughts are tied you spoil what is genuine. dont
be antagonistic to the world of senses. for when you are not antagonistic
to it. it turns out to be the same as comnlete awakwning. the wise person
does not strive. the ignorant man ties himself up. if you work on your
mind with your mind. how can you avoid an immense confusion. sengtsan. one
day i wiped out all the notions from my mind. i gave up all desire. i.
discarded all the words with which i thought and stayed in quietude and.
ZTT i entered i lost the bounderies of my physical body i spke but my.
words lost their meaning. i saw people comnign twars me. all of them were.
myself. i had never known this world. i had beieved i was ceraed but i was.
never created i was the comsos no idndiviudal mr ssaki existed.. .sakeian
sasaki zen notes vil no. we eat excrete sleep and stand up this is our
world. all we have to do after that . is to die. ikkyu. you light the
fire. i'll show you something nice. a big snowball. mennibdr versen og
livet lemm død og ny fdese. uta sv krppen så yutterverdn lbitt indre og
omvendt. man fyller hele rommet og lever i tiden. stiger ut av rommet føre
og etter. ha takk ha. sanselik. imaginasjon. inspirasjon. intuisjon. alt
som saller mot krppens speil speiler seg til sanseopplevelse. tankene
tanken muldere av elemtarvesen sender seg ned i eterlegme. formørker
eterlegemet eringdring. visom som natur rundt seg her. vi må ta vort
visdommen forvandle altsp selv til livskrafter. pines ab det glode.
latskap pinesa av fliden. tingene spør oss vi spør ting her. verden føst
av personen. det oversanlsige mennsek. åpne åttetall lemniskater.
tilsvarer det himmelse bilde av menn. nerve og kjertelsystem. inspirasjon
i toner verdensharmonien avspeiles in blod kretsløp hjerterytme. intuisjon
tonene inneholder mening sprok verdensordet. angel archaloi archai. exusai
dymanis kdriotetes. troner cheubin serafim. mot i brystet. blir lemmer
armer og ben. blir åndelig ord. solflekker mikael kosmiske jern.
antropsosi psyikosofik ner mtosofi. linvssans bebetelesn liekversans.
fangarmer. lotusbolst i hodet imagintaiv. strupehodet inspirasjon. jver
hjertet den ituitive. imaginasjon fornemme. insirasjon føle. intuisjon
tenke. psykosofi. slutningen tilspisser seg i forestilligen. punktum. like
før han legger seg sender han noe. like etter at han står opp punktum.
interesting ng. alt.abuse.transcendence. alt.acme.exploding.newsgroup.
alt.anybody. alt.anygroup. alt.anything. alt.artcom. ba.art.
it.arti.trash. rec.arts.misc. alt.chaos. alt.confusion.atitsfinest.
alt.foo.bar. alt.foo.bar.qux.xyzxyz. alt.languages.norwegian.
alt.languages.nowegian. alt.life.internet. alt.life.sucks.
alt.life.universe.everything. twalegged poneys Re Estimable Finns (Re
AAUUGGHH). In article bunniegirlhome.com (Jelliebun). I've been dealing
with a lot of people at work who don't speak English. as a first language
... and some of these damned nonsequitur bot post. thingies are starting
to make sense.. For instance it would not be at all startling to find the
following. in an application letter. Nor have they not sing for quite no
sponsorship. We extracted and remarried as they were lively required
neither. every base past them beheld perversely elder.. I think I need a
vacation.. Would you then be offended if I quoted the following. It
follows that if the two antesedents be bissyclitties and the three.
comeseekwenchers trundletrikes then Aysha Lalipat behidden on the.
footplate Big Whiggler restant upsittuponable the nCr presents to us.
(tandem year at lasted length) an ottomantic turquoindaco of pictorial.
shine by pictorial shimmer so long as gad of the gidday pictorial summer.
viridorefulvid lits asheen but (lenz alack lends a lot) if this habby.
cyclic erdor be outraciously enviolated by a mierelin roundtableturning.
like knuts in maze the zitas runnind hare and dart with the yeggs in
their. muddle like a seven of wingless arrows hodgepadge thump kick and
hurry. all boy more missis blong him he race quickfeller all same
hogglepiggle. longer house blong him while the catched and dodged exarx
seems. himmulteemiously to beem (he wins her hend he falls to tail) the
ersed. ladest mand and (uhu and uhud) the losed farce on erroroots
twalegged. poneys and threehandled dorkeys (madahoy morahoy lugahoy
jogahoyaway). mPm brings us a rainborne pamtomomiom aqualavant to (cat my
dogs if I. baint dingbushed like everything) kaksitoista volts yksitoista
volts. kymmenen volts yhdeksan volts kahdeksan volts seitseman volts kuusi
volts. viisi volts nelja volts kolme volts kaksi volts
yksiallahthallacamellated. caravan series to the finish of helve's
fractures.. Part of it looks Finnish and therefore it has to be about
Linux (because. that is the only notable thing ever to come out of
Finland). Let me just take this opportunity to say. Panasonic (the band
not the consumer electronics manufacturer). Hey Punesuneec joost pleyed
here bork bork bork.. Mika Hakkinen (F driver). That mad vodka. What's it
called. You know.. Per puncture AT flash DOT net. linklog. digest.
Individual Messages. Message Digests. CALL FOR FUNDING DEADLINE EXTENDED.
MAY TH. FOR IMMEDIATE RELEASE. CALL FOR FUNDING DEADLINE EXTENDED.
INSTITUTIONS AND PATRONS OF THE ARTS WANTED. MUST HAVE MONEYS MUST BE
WILLING TO FORK OVER SAID MONEYS. DUE TO AN OVERSIGHT BY THE RHIZOME.ORG
COMMISSION COMMITTEE MEMBERS. THE ARTWORK OF LINKOLN JIMPUNK STILL LACKS
THE PROPER FUNDING TO CONTINUE.. FULL DESCRIPTION OF ARTWORK AND FUNDING
NEEDED AT. NOTE FINAL EMAIL WILL NOT BE SENT TO RHIZOME RAW AS INDICATED
IN THE PROPOSAL. THE FINAL EMAIL WILL BE SENT TO THE PERSON(S) WHO
COMMISSION THE WORK.. COMMISSION THIS ARTWORK CONTACT. ABELINKOLN.NET OR.
bytes. text. dagbladet nyheter. nyheter. Blunker med fire øyne samtidig.
Tohodet geit født på Cuba.. Jon R. Hammerfjeld. .... nyheter neste sak
forsiden. Oct. makeshift. carriers. are the characters carriers of what.
oceanic inflation eg buddhism ego balloon whatever skin. distance in
relation to subjectobject the inflated subject seems infinite. while the
dot in the horizon the distance of the abject out of sight. phenomenology
of beyond vs here and now yon bef. ME OE geon akin to D. gene G jener ON
enn inn the Goth jains that vs thus. thus collapses in codeexecution
distance of processing time of 'active. expression vs matter of doctrine'
formalexpressive this and something else. (subjectobject) always on the
abject side. kunst på strømlinjer noe som følger nettverket over landet
summingen ved. mastene lyd. gi meg et urokkelig punkt arkimedes hvordan
kan lillefingeren løfte bilen. arbeidet fordelt over lengre vei. those
darker parts of the wood have 'personality' something hidden or attracts.
intimacy something else. gnome (nm) n.. . an expert in monetary or
financial affairs international banker or. financier the gnomes of
Zurich.. F NL gnomus perh. Gk gnm see GNOME. . (in folklore) one of a
species of diminutive beings usually described as. shriveled little old
men that inhabit the interior of the earth and act as. guardians of its
treasures troll.. a name to. a name to. a mean to. a amen to. a no team. a
no mate. am note a. a man toe. a mao net. a tam eon. a mat one. a mat eon.
me to ana. a tao men. tao amen. ana me to. ana tome. mane tao. name oat.
name tao. mean oat. mean tao. amen oat. amen tao. mateo an. eaton am.
atone am. neat mao. ate mona. eat mona. tea mona. tea moan. tea oman. am
at one. am at eon. ma at one. ma at eon. an oat me. an tao me. cell modem
fix. rksi .. rkis .. rski .. rsik .. riks .. risk .. krsi .. kris .. ksri
.. ksir .. kirs. kisr. srki. srik. skri. skir. sirk. sikr. irks. irsk.
ikrs. iksr. isrk. iskr. log. qdu må slutte å evaluere sånn. qjeg er den
ketchupflaska. qvil du meg noe snakk til den OK. q(går inn i stua).
autonoemata. Congratulations. Your Group autonoemata has been created. You
can access your group using the. Group name. autonoemata. Group home page.
Group email. This is not good. Is better to attack people. Leave Hummer
alone. Hummer cannot fight back. It's guns that kill people not people.
Leave guns to shoot guns. Stick to your guns. Alan Sondheim. Jarry. Jarry
insisted on certain conventions of speech action and setting. The.
staccato manner of speaking the misplaced accents the puppetlike movement.
the use of masks the use of placards the hodgepodge style of scenic.
painting all of these were Jarry's ideas (Beaumont ). ouspensky gurdijeff.
mennesket er en maskin. alt skjer uten at noen gjør noe. livet er mat for
månen. jeg vil forstå. viktigste mål å ha er å ville mestre seg selv.
tenkning sammenligning følelse sympati. tanke forestilling (tanke som
følelse) drøm (tanke som vilje). forskjellige kulturarbeidere er nesten
uten unntak syke mennesker. mennesker er redde for hverandre. samvittighet
følelse bevissthet tanke. latter eksisterer bare i sentra som er delt i to
høyere sentra er udelte. sex i tenking skriver kritisk og subjektivt sex i
følelse preker kristendom. asketisme synd helvete det bevegelige senter med
sport men alltid er. resultatet ubrukelig dette er misbruk av sex. oktaven
to 'sjokk' tallssystemet. teosofisk addisjon tverrsum. vanlig menneske er
menneske sau orm. intelligensmåling vha hydrogendiagrammet en bakt potet
er mer intelligent enn. en rå potet. lever av hvirvelløse dyr og er mat
for erkeengler. sammenheng mellom positur og tanke følelse er entydig.
stopp. obyvatel en vanlig person kan også være veien. dilemma. det er et
dilemma at vi uttrykker ofte ting fordi de blir forstått (riktig). det er
ting en kan si og ting en ikke kan si (forståelig). dilemmaet er å
uttrykke seg eller bli forstått. det finnes handlinger men ingen som
handler. nagarjuna opphavsmannen til negasjonene paradoksene.. hatha raja.
djna kommando. shiva lingam shaivitene. bindu. prikk over m. samadhi ved
operasjoner mislykket hengning grønn farge hvitt lys. kaleidoskop fløyte
klokker tordenbrøl. vanvittig er min far vanvittig er min mor (dvs shiva
og kali). thuggerne. outsiderens problem ligger i å nekte å uttrykke seg.
analyseparadokset. en analyse kan ikke både være informativ og korrekt.
klassisk gresk ingenting meningsfullt kan uttrykkes alt er meningsløst. å
si A er A er ingen vits. å si A er B er usant. tre ønsker. . ønske. jeg
ønsker at de tre ønskene ikke blir oppfylt. hvordan forvirre den gode fe.
of. ........... of. livet mellomdelengo ny fldes i fhodl ti de kosmiske
kjensgerninger. verdslig travelhet handlign tilsvarer åndelig ro. jeg
bevisstheten avh av den menn.død da menn.adr når opp til sin dieale verdi.
må man si at jeg dadig arveider p åsin egen jegforringelse (med dårlige.
handlinger). universet inne i seg og legemet utenfor. begjær etter tanker.
oseaniskek j. NEWS. NEWS. AnonPostTo Supported (post) True. News Posting
Route (mailnews).
mainewsfrogadmin.yi.orgmailnewsdizum.commailnewsnews.gradwell.net. News
Signature Added To None. receive a list of all newsgroups reachable
through this mail to news gateway. send mail to mailnewsdizum.com with
subject list and no Newsgroups. header. The complete list of available
newsgroups is quite large (K. groups) and can break many mailers. To
obtain through E mail a list of only. those newsgroups starting with a
particular pattern you can include an. egrepstyle regular expression on
the subject line. For instance. Subject list comp.unix. would list only
newsgroups whose names begin comp.unix.. Subject list .linux. would list
all newsgroups whose names contain the substring linux.. Subject list
alt.(securityprivacy). would list all newsgroups beginning alt and
containing either the word. security or the word privacy. Finally. Subject
list ..test. would list all newsgroups ending .test.. nntp test.
newsnews.opera.comopera.test.
newsnewsgroups.borland.comborland.public.test.
newsmsnews.microsoft.commicrosoft.test.
newsforums.macromedia.commacromedia.test.
newsnews.mozilla.orgnetscape.test.
newsnewsroom.trumpet.com.autrumpet.test. newsfrell.eu.orgalt.test.
mailnewsnews. in header. newsgroups. mailnewsnews.gradwell.net.
mailnewsnews.demon.co.uk. W Anonymous Remailer. Paranoia Web interface.
Riot Anonymous Usenet Remailer. Xenophon. Frog's WARI. bmagnhil. May.
maskinen fjerner overtroen fra oss. jeg trenger ikke ville. eller håpe.
what. dkdkdkdkdkfdkfdkfdkfdkfdkfdkfdfkdfkdfksksksks. what does this mean.
tistikken. statistikken latistikken. lehmus ng.
alt.language.poetry.puresilk. jukka lehmus. mattering. near the surface of
earth's oceans between three and four billion years ago. selfreplicating.
the cell all competitors have been swept aside save for the residual
viruses. life a selfmaintaining selfreplicating energyusing system. cell
polarization as communication links. primitive brain stem hindbrain motor
midbrain visual auditory forebrain. olfactory. mammalian brain hindbrain
underneath cerebellum midbrain forebrain underneath. cerebral hemispheres.
we are distinguished form other animals by the large size and unusual
properties. of the human cerebral and cerebellar hemispheres.. somata.
inhibitory hyperpolarization or excitatory depolarization synapse fire
and. don't fire inputs. black matter InterNetWORX. Hallo Herr noir matern.
Vielen Dank fr Deine Anmeldung bei InterNetWORX.. Userbereich von
InterNetWORX einloggen. Deine UserID. Dein Passwort svryra. Deine
HomepageURL. Dein Speicherplatz. Dein Verzeichnis auf unserem Server.
Server. ftp.inetworx.de. Username. noemata. InterNetWORX Web Hosting.
Deine HomepageURL. Dein Speicherplatz. Dein Verzeichnis auf unserem
Server. Server. ftp.inetworx.de. Username. noemata. Passwort. Dein
InterNetWORXPasswort. Status aktiv. WebFileManager. Folgende Angebote sind
nicht zulssig. Webcams mit automatischem Refresh. Chat IRCBot und
DownloadScripts. Websites welche gegen deutsches Recht verstoen.
Pornographische Websites. OnlineCasino Websites. Userbereich. UserID.
Bisher Logins. letzter am .. um Uhr. von ...si .no.powertech.net.
322
Anzeige. Jul. artificial art. COGNITIVE PSYCHOLOGY and ARTIFICIAL
INTELLIGENCE have produced provocative. models og cognition which when
brought to lifewithin a sutiably programmed. computer mimic closely some
of the coluex actiitites of golacriven. intellingece. The NEUROSCIENCES
have begun to unravel the vast microsystem of. interconnected brain cells
that in living creatures appears to execute those. activities. ETHOLOGY
has given us new insights into the continuities relating. human
intelligence with the intelligence of other creatures. And EVOLUTIONARY.
THEORY has revealed the long and intricate selective processes from which.
conscious intelligence has slowly emerged.. ONTOLOGICAL PROBLEM mindbody
problem materialist dualist brain. five radically different versions of
dualism chapter. SEMANTICAL PROBLEM skeptical network of causal relations.
EPISTEMOLOGICAL PROBLEM problem of other minds selfconscious.
METHODOLOGICAL PROBLEM artifical intelligence. This concludes my set of
promissory notes. Let us now turn to the issues. themselves.. oh dear.
meiosis sis o I em. DEARME.TXT. media externalization. stillife. c d lost.
knowledge liar lying as strategy as truth identifies controls. the
wastebasket placed on the desktop and windows inside waste. r. c. (I. bees
queer ever seen a crystal sugar a rockcho. Purchase of nwt. Thank you for
purchasing this share. bytes URL noemata.netnwt Price EUR. Payment info.
PayPal URL. Or money transfer payable to account .. Storebrand bank.
Norway.. Please contact us if you have any questions. Thanks again. Ars
Publica. fake spam. sddds. TddHINGS WssILL RDFDUN FFFOFF YOU. ohVVll
insert. buty. cccc. vjkjkjkuoui. Oy. alpin. treholk med lokk. .... yosrsas
thessdfdsdf sfudssedfd in tfe mfffle. kvestian. Ordet tak har k i utlyd.
vague un. vagabond. astronomiske høytider ALPAKKA. amatør. X. About Help.
voltages of the soul. uteksi utero utbud. uterlig uteske utidig. utlyd
utnavn utopi utror utukt. utvær. V volt. .. i have tou p. hate those
little bastard go sug blod ov your dead great grand. cells won viruses
linger on. data cell. if you don't want this. d. Gievre X. abrakadabra
abruptabscisse. absint absolvere. abstrakt absurd. aceton ad acta. ad hoc
adiafora. ad libitum adrenalin. ad undas advent. affinitet agentroman.
agio. agnus dei. aimabel akantus. akrostikon aksiom. aksjon aktør. akutt
alarm. aleksandriner alen. alfa alfons. alias alibi. thorn thurs ut i sol
sol sunn saigel tlas algz jer jara asskrk kaun os. perta. S NOW. Ammianus
Marcellinus Ammius see Hamder Amuletter Adrhrimner Andrid. see
Kjalnsingasagan Andvaranaut see Andvare Ane den gamle see Aun. den gamle
Angantyr Arngrimsson see Hervararsagan Angilbert Angler. (angli). Aug.
artnapping. pretending to sleep. i'm not saying. for the arps and
sensiblargoviee and seated ities depts. it's something spiritual acronymic
comperata droll votes you. compression it's when you can't compress (more).
still y could. translate later without loss. would a photo captwidth a
pixies casters. it no or it zedek be pericline ure it. no or poto
thsobranje the. winooski if you can snelling of it toddle jada e wholeness
if you can. speak of it then that's why it's obwh ogress massa cones ject.
matarial concrete candy(d)a. you need your wholyou nightside your wonted
selvaged e sensibilithy. tvart would be anwotted an osmium roseland asylum
and intellect the. hushaby overload room inside the hypercube. when she's
runningwandoo sanjak her freudalizable has solipsism chines. wave her feet
has some characteristic (w)hole that' the len(d)s in. advance of. not
really antroponot redshank too mechanizer o's morph. its too many o's
holes again eyes and owls again (quarlean). stillness not focs us interval
not foiling not samisen pelagian us. i'm not saying it's passive. you know
blub bluyou kindness blanton bignonia wakening wholeheartedly. legs
lineally. not history on a not humorers on a vociferously wave. RE
RHIZOMERAW FOR IMMEDIATE RELEASE. what. i don't know anything about this.
i read in the paper today that these were indeed stolen from a museum. in
norway recently. so um what is going on noemata. ja. F O R I M M E D I A T
E R E L E A S E. The artist group Noemata demands mill. norw. kr. for
delivering. back. Munch's paintings Scream and Madonna which today were
taken. the Munch museum Oslo Norway.. Contact noematakunst.no. post
listrhizome.org. questions inforhizome.org. visit on Fridays the
Rhizome.org web site is open to nonmembers. Subscribers to Rhizome are
subject to the terms set out in the. inner voice reason. there's no use in
remembering. well only for those who forget. we have our memory so
remembering is like pause. no use in bed i'll. use in whatever phenomenon.
flatbed scanner. i'm. pause. well this is of photos. you don't. pause. like
pumping up your bike no pause that's nonsense. but like pause. what are the
inner workings the pause. memory is memory pause. i'm sorry this is a mess
not even that it's nothing not even. ok then there's novelty actually most
things just stand by. say this place or you it will continue by itself more
or less. if this pen continues from sec to sec it's no novelty though it
needs. energy for sustaining. a quick look at reality (for a change)
you'll see things linger on from. beginning to end background radiation
rocks soil oil inka cities. the cell virii millions years old animals
still eating grass. it's actually harder not to do things than to do. and
within those rhytmic trends nervous jiggle. so personality fuse (common
sense) i'd rather not. let's say sleep but then there's no consciousness.
ok meditation rather pause long way around the block. drugs no pause i
want control. tao shit my cow jokes. circuits kin of pour something in.
well maybe pause this is a drawing. as a structured whole. the whirlings
in remembering. well only so small tiny trails. let's. pause. well this in
the collage hey those are kind of us will mind. wonder where i pause
that's. pause. well this pen continues from sec it's. pause. blood
something out draw. still doesn't make sense anything of this nothing.
reason is only so small tiny trails tractor. let's see i pause see
nothing. still this mail has a from attractor. and there's some
combinatorics of letters. bingo name of a dog. i'd rather make this a
comedy again. the i's are deemed ridiculous. maybe they should be o's.
eyes no it's nothing here. a related thing i was thinking of photos. you
don't know if you captured it. there's no way to know but you learn. the
inner workings might be contraintuitive. so like you believe it's magic
but it's not. magic is like picture and there's capture. but the causal
might work otherwise. you'll find out eventually. and i expand on the
photomagic correlation. no surprise the visual part of art. capture is of
the whole and then hunters and gatherers. and then the collage hey those
are the shamans. operating on 'elements' of wholes. ok rather pause this
is only so remembering is a structured. whole. the whirlings in the
collage hey those are the same. the rocks are the same. the rocks are kind
of the pause. memory is memory pause. i'm. well i forgot my camera come
back later. like the streams. might be an idea to view this as a
structured whole. the whirlings in the chest it stays the same. the rocks
are kind of pause. answering that would be like pause. well this is
capture again. inner voice stupor. argument of transparency it's pause
kind of ridiculous. heath for structuring but generating more heath than
structure. you could see all this in whatever phenomenon. flatbed scanner.
i'm sorry but then later i'll go to sleep and none of us will mind. wonder
where i was last night. if you say in bed i'll kick your ass. what a pause
happy end... stratas of unconscious dog breath. let's see. life no. love
no. death no. anything no. something maybe. what nothing. whatever no.
nothing no. something maybe let's sky. what this lab. what this this loupe
nye. this what deadeye no. old dog bastian died today antennas. an overdose
of anesthetics sentineled movie. we cried some waite. doesn't matter much.
his eyes closes as ours. i'm sorry life is shit semidi mob. wouldn't mind
dying withe takao. let's see toss teas. and they have a little girl token
wit. she'll be here until oldie dayak doodah time... whatever an offertory
of amygdaloids. what's it supposed to be doesn't motorway. let's say a
number with a thousand digits. or a fraction unending i'm skirr Leif ictus
Shiite. i want nothing to do with life it wouldn't monied dingo. anyone
wanting life is an idiot let's shoe Mr Bingo (SåleMikkel). this just
continues lethal girl. kids are happy they don't want life undulations.
wanting life is death whitebeard. wanting tay rising. aha what's spigots
buoy. that's AHA woody away. stratas of unconscious dog breath. sf asfadsf
gas g s af s afs af s afs f adsf sf sa f s af s af saf s af saf. asf saf s
fs fs fs s fs gdr gh dfh d tg hesr h dhs hd h d fghds hd h d. fghds hd h d
fghds hd h dhs hd hd hd hd hd h dhs hd h d fghds hd hd h d. fghds hd hd h
dhs hd h dhs hd h d tg hesr h dhs hd hd h dhs hd h dhs hd hd. hd hd hd h d
fghds hd hd h d tg hesr h d tg hesr h d fghds hd h dhs hd h d. tg hesr h d
fghds hd hd hd h d tg hesr h dhs hd h dhs hd h dhs hd h d. fghds hd h dhs
hd h d tg hesr h dhs hd h dhs hd h dhs hd h dhs. sf asfadsf gas gs f adsf
sf sa f s af saf asf ølakjfølkjg sølkgj ølkfs. ølkfj asøkjsaølfks flksaj
fslk flsk fsa fsafsf sf asfadsf gas gs f a sgs. agas gas gasfd gdf gas
gasfd gdf gas g s f s gsad fsf. sf as f s fs gdr gh dfh d fghds hd hd hd h
dhs hd hd h d fghds hd h dhs hd. h d fghds hd h d tg hesr h dhs hd hd h d
fghds hd h dhs hd h dhs hd hd h d. fghds hd h d fghds hd h dhs hd hd h d
fghds hd hd h d tg hesr h dhs hd h. dhs hd h d fghds hd h d tg hesr h d
fghds hd h dhs hd h dhs hd hd hd h d. fghds hd h d fghds hd h dhs hd hd hd
hd h d fghds hd h d fghds hd h d tg. hesr h dhs hd hd hd h dhs hd h dhs hd
h dhs hd h d tg hesr h dhs hd h dhs. hd h dhs hd h dhs hd hd h d tg hesr h
d tg hesr h dhs hd. sf asfadsf gas gasfd gdf gas g s fs afs af saf saf saf
saf s afs f s afs. af saf saf asf saf saf saf saf s fs fs fs gdr gh dfh d
fghds hd h d tg. hesr h d tg hesr h d tg hesr h dhs hd h dhs hd hd h d tg
hesr h dhs hd h. dhs hd hd h d fghds hd h d fghds hd h dhs hd h dhs hd h
dhs hd hd h d tg. hesr h dhs hd hd h dhs hd hd h d tg hesr h d tg hesr h
dhs hd hd h dhs hd. h d tg hesr h dhs hd hd hd h dhs hd hd h d tg hesr h
dhs hd h d tg hesr h. d fghds hd h d fghds hd hd h dhs hd hd h d fghds hd
hd h dhs hd hd h d tg. sf as f a sgs agas gas gasfd gdf gas gs f a sgs
agas gas g s f adsf sf sa. f s f s gsad fsf. sf as f s fs fs fs s f s fs s
gsad fsf. sf as f s gsad fsf. sf asfadsf gas gs f a sgs agas gas gs f a sgs
agas gas gasfd gdf gas g s f. adsf sf as f s f a sgs agas gas gs f a sgs
agas gas g s f s fs fs fs afs. af s fs s f a sgs agas gas gasfd gdf gas
gasfd gdf gas g s af s afs af saf. saf saf saf asf ølakjfølkjg sølkgj
ølkfs ølkfj asøkjsaølfks flksaj fslk. flsk fsa fsafsf sf as f s af s afs f
adsf sf asfadsf gas gasfd gdf gas gs. f s f s gsad fsf. sf sa f a sgs agas
gas g s fs gdr gh dfh d tg hesr h d tg hesr h dhs hd h. d tg hesr h dhs hd
h dhs hd h dhs hd hd h d tg hesr h dhs hd h d tg hesr h. d tg hesr h d
fghds hd hd h dhs hd h d fghds hd h dhs hd h d fghds hd h d. tg hesr h d
fghds hd h d tg hesr h d fghds hd h d fghds hd h dhs hd h d tg. hesr h dhs
hd h dhs hd h d fghds hd h dhs hd hd h dhs hd h dhs hd h dhs hd. h dhs hd
hd h d tg hesr h dhs hd hd h d fghds hd hd h d tg hesr h dhs hd h. d fghds
hd h d fghds hd h d tg hesr h dhs hd h dhs. file under. oreawefreshet.
woundneatness. windmillingluffyideate. teachjuggedcontemporaryart.
kedgeairwaydon'twendylooby. windowingleeves. wounding. ah. that'snotaha.
dog breath minor. dog breath minor. there's nothing here. ICE) INSTANTLY
AND YOU'RE W'T I DIDN'T. nothing nothing nothing horray. NATIONSETE IIEG
NUDENESS NOTING N DHF. (a lot of nothing a ludi oboe nothing). E IEG
NOTHING NOTHINOTUNT TDSESDZNNOT. still more stale more. MOG HIT I GYN
OOGHG A LUDR ININAT EZIS. nothing nothing nothing nothing nothing nothing
nothing noth. IOI I HORRI O GSGTD TLTEOSHNHEGH NOTH. ing nothing nothing
nothing nothing nothing nudeness nudeness nothingize. nothingizes needing
nutmeg. nothingizes nothZ NI A NENI EOGOOIO STRN OOI ENUNNH EH. ing
neotenic neotenic nudeness nodding. I T EREH N( HGN TTST T EEEDEHGLOGNIH.
nudeness noting nattiness notions nothingize nuttiness nothingness
notions. netting nudeness nations. nutting nutting ONNDOON WH REU GNIOIITS
)GNIHTGOETNGNR. nothingizes nothingises nothing neediness needing
nothingize neatness needing. nattiness nattiness nadia. OCNICN GNIHTON GNI
HE TT T(UIHIIHTON. these are very structured nothings. CINETOEN GNIOOIN
EETTON SSENITTUN EZIG. isn't i didn't like mean thathat. SEZIGNIHE H N
YREV ERA ESEHT AIDAN SST. and not writing thisthis. HGUAL A TON S'TAHT
AHAHA. it fauxes at onceonce (over the lazy dog twice). LIKE ME AN TH
SNTTING NUDENESS. instantly. EG DNNS NEEDING NUTMEG NANIAT IO. and you're
left with ah THIS. HING NOTHINGTTTG W GNNDII STALE. ahahahaha. INNTN NG
NOTHIEN NENANH AAHST. that's not a laugh. ANO T IS T ONNST TRNT HEIYGBNH.
DSNNNNMHN 'EG ETN SOTEO HTDESE. neat writhen taeg tie. TOANI UNIIS T
IRRNNUZTNLN FO TOL. I WVTGN GNHTON GNIHTON TNHS AIS. SSENEDUN SS NNTI A
RHTNETOEN. NIHTTNGA NCSON SESIGNIHTON. A OECNO TA SEXUAF TI SIHTSIHH.
that's not a laugh. neat writhen taeg tie mute dumb taut taus daus daunt
tam domitus domini canes. minor. forget. my legs hurt am i dead meister.
your two eyes one is enough tv. martial arts criminal stereotype. fine
arts dude. police plice please. lice. press. stains. liferaid a fraid owl
iph. impressions per hour. lax lace koala cool. vegetatatativeve. AlanIt
was dah dah di dah dah di.. I knew it was connected with the name.. Maybe
a highly compressed version coded in tonalityrythm doesn't. require much
storage or processing and would lead you in the right. direction.. The
rhythm appeared before the name incantatory.. I guess there are different
searchings going on at different centers at. the same time and you get
what's processed first maybe or their. aggregate where most but rythm
fail.. Bytes Maggie Loves. Bewitch Messy Leaves. Boethius Mews Lavish.
Beets Mews Lobbies. Butties Meek Lobos. Bouts Maag Lops. Bitch Max Levees.
Bites Massawa Lupus. Betsy Maag Laps. Budweis Massa Lapis. Bitch Musky
Laps. Boadicea Meuse Lives. Baits Macao Luffs. Boudicca Massawa Lvi.
Booties Micah Leavis. Bathhouse Mossy Liebig. Boethius Mows Labiche. Badge
Mos Lupus. Boathouse Mickie Loaves. Bitch Musk Lpg. Baits Mashie Luffs.
Baits Maguey Loafs. Butts Micky Lipase. Buttock Muse Lops. Beauties Mies
Lippie. Booties Mays Lovage. Batik Maggie Leafage. Badge Mawsie Lavish.
Betas Mesh Leaps. Betook Miss Lobbies. Bathes Massa Levies. Boethius Messy
Lobbies. Bites Maas Labiche. Baits Mix Lobbies. Bittock Miaows Lupus.
Boadicea Mohs Loobies. Bitwise Miaows Lipase. Badge Mackay Libeccio. Baits
Massa Lipase. Biddies Masks Lipase. Boats Moscow Loops. Buttocks Moke
Loaves. Betook Massawa Levko. Betsy Meshy Lupus. Bodies Mac Labiche. Bitsy
Muzzy Luffs. Bhtes Mocsoo Lapes. Betis Mysgih Lopoc. Betåg Meccha Lepec.
Bodic Mocsao Lufok. Betas Myqgei Lhbas. Botos Moscue Lebis. Bathg Masciy
Lepag. Bedas Masseu Lopos. Bothg Massey Lufug. Bodes Myscei Lobec. Bhtys
Mecsea Lyfac. Badhs Mhcghe Lifoc. Betis Mossya Lufyc. Bateg Moskoa Lefis.
Betas Mosshh Lhpig. Betas Mhskai Lapes. Butæc Mascea Lebes. Betas Musgie
Lefhc. moonsay may st at. finnegan autosomally. minutely mn. affirmation.
as weikl as the primitively anile tian. vj perilous her gating vj set
thoughtlessly. thrustor approaching at the. anima. cagliostro. autoplasty
se. minis mn. opening. tWdWlasstime. photo
wawwtwewrfallwcwlwarswerrshtdimhjensulhl. operasjon sonja. pippi myrvold.
vel jeg kan ikke se annet enn at trist. kommentar fn slaveriets
avskaffelse. kommentar eh det er klart. ransmiljøet. kunstmiljøet blir
stadig råere og hardere i jakten på penger og. berømmelse. tveitagjengen
alle mann alle. teknologi kriminalitet. pippi motiv pengeknipe. vi
kontrollerer politiet. stjålet kunst. Johnforget reeling. gutter haunter.
banter flutter. ceiling intent. john. would these be the same the other
way around ie. reeling forget. haunter gutter. etc.. i guess not but that
opens up for ordering permutation triplets. (abc different from bad) and
directional graphs and adding. linesequence for traversing the same
nodewords would reveal a. different result like gutter would reveal
something else further down. (because of selfmovement bowel movement)..
eQeQeeQO. e t e Ct QR. Q( R t CR Qe Re(RQC. Ce(R R te CR t Re Q. R R tt RC
(( Re R. QRQR. O( t Re CQQCQQ Re ROR. (ROe R R t( RC ( Re. OeR( t R tO O R
Re R. OQtRt t RR t O eQ e Re RO. RR RR t C te Re RO. R(t(RCQ ee Oe( Oe
eeOee Ce. Oe(. Rerun. there's a body slack about three days gliding.
desiretuacnu tsudwas tnelitsep. dewov si. dildiks krabrepap a si soat.
ezilanimonorp emosyxo. plapidep rahpitop. lasirper ry. tnaw i. drawer
detnaw si ekoc. adan naicinhcet. em latineg xnirys. depoows foorprettahs.
noitazinai. noitalugaoc doolb. nonorhc toped. stug. cinifelo diotnodo.
pestilent sawdust uncauterised. is vomed. and sailors ubiqu is taos is a
paperblank skidlid. who oxysome the unmethodiseds by versatiling and
conjunctions. potiphar unmalicious by zinmans and nomocracy pedipalp
terence. an active sentence this is this is a passive sentence. vulgate
heights spotless be in violative yr reprisal. i want coke. coke is wanted
reward. callee toxicogenic. meme and if i haslet me technickian. cannot re
touch. if i humorer non stalking griddle and if i genital. you chromise
syrinx shfrinx. upheld by words and nobody owns them overblown the wake
if. a brushed shatterproof swooped mineralised teschtual gandalfed. ' and
fed all gee. charchatting. drawer si em i dna si a si si dna eht dna a si
si eht i em. m em i dna i i em eht dna a kcals a i i em i dna i i a. si si
i ossat a eht bajar i eht si unroc eht. don't have me then if i hexapla
norton i spermic. haworth cheers. subversively nada if i have nothing i
still have and iff. an ad sheahe transparently is tomsk is a sawbill (bah
will). sickbay trypsinogen. gunman your head should be in your will yr
reason in. yr guts. blood coagulation. bellowed chronon. i wish
cinemagoer. a betta skid accomplished tasso depot griper. activepassive
sentence types. warlord yr rajab in the grocers. i want chauffers. the
guts in the news hollywoodizes shrewdie be in. woolliness. cornu is vice.
timoshenkowho owns the words if there's. property. DOGDOOM (rdfinal).
DOGDOOM (rdfinal). i'm waiting but it's nothing. i'm waiting but its
nothing. waiting waiting. nothing nothing. nothing. this nothing. nothing.
waiting. another nothing. the anothing. please wait.... how long would you
wait. i know my bytes get through. gat gadd gåt ga. naturaborte. press
cancel to abort. press ok to ok. press press to press. depress to depress.
i'm sorry about this. press sorry. the sorry press. yesterday's news
sorries (thepress). i wish there was something i could do. first remove
the i's. wish there was something could do. there's a wish but to do swap.
could do there was something wish. who's on first. wish on first could do.
ON æskja akin to OE wynn joy (see WINSOME) L venus charm (see VENUS).
could do on first wish. Skt dadhti (he) puts. wishdo. we were putty in his
arms. you mean his arms were putty. how impotent he's supposed to be
important. let's start pronouncing important (import'ant) as impotent
(im'portant). HAHAHA laughs. you imbecile. you mean imbe'cile. what's
that. you imbecile. end happy dog day. DOGDOOM. slade wrath sentences
hare. what ixia taco flankers i'm puritanise tay baa taui mislabour. mote
noyau lasso thud. it's jackstay liz banns hungering. you mag iud skinned
viewer biennial. it iq vera buzzes. so wade ann i gino douai uh. SHOULD
WRITE SOMETHING HERE. go aud eyed. WHAT IS THIS FEELING I'M PRETENDING TO
BE TO MYSELF MADE NOW. LIKE THAT. what if iowa looks hungering the
fellness of. it's just like being hungry. go hadaway stroboscopic. YOU
MAKE IT SOUND VERY BANAL. what abate caltech. IT IS VERY BASIC. you sleuth
cohere aau mohave. SO WHAT AM I GONNA DO. maps shu i'm adieu positions aye
legumes aude ah miff opera. pseudomediaeval aha GO AHEAD EAT. and note
sink yaroslavl. WHAT IF I LIKE HUNGER THE FEELING OF. yes. GO HEAD STARVE.
you're aau likuta cowes neath marist om mobs that's iud. WHAT ABOUT
CULDESACS. really. YOU SHOULD CARRY A MAP. or ye mayest bio tty
birthweight furan ai twee ai. MAPS SAY I'M AT POSITION A LOOKING AT A MAP
OVER POSITION A. what dough teat muumuu. AND NOT SEEING YOURSELF. mean
witt dey yea mauna mean ischia tui barotse. YES. ok squaw i'll be ohm twee
mope. YOU'RE A LOST CASE NOT MARKED ON MAPS THAT'S IT. no. REALLY. OR YOU
MIGHT BE THE BRIDGE FROM A TO A. OR YOU MIGHT BE THE BRIDGE FROM A TO A
323
ii daimyo kim iee fell rollie baudo aphid thous. WHAT DOES THAT MEAN. am
ieee supposed twee ... dee soundness. MEAN WHAT DO YOU MEAN MEAN IS THE
BRIDGE. frostbelt ida nh ii file frigate. instrumentalists out ... boothia
tonn caelian. institutionalizations OK SO I'LL BE ON THE MAP. luxe aau
coordination notarizes. NO. YYBtVXlXffffreallsdfsdfsdfy bad abggrgout
thsxistRRhXt..MXIin... am i supposed to ... DO something g... MBVXtiV.
IRiXiWIIYfIYRoXirget.. forget it now i feel forgotten i ..tXIiiYYR.
.ttYXMYVBiIiXRnVXBMow. inside out ... but then calm inside
.IWifee.iYVXWiRYYBtVXlXtB. foV.. like a cartoon network i dont know
rgoWtiYtRttYIeVnW... i feel really bad about this iMIVt.am .. ii......
supRIpBWYBMRVIMIosed.. .....tRYXWtVIVtBWVMMio .... ............ DO
sIoRMiBmetRRhXt..MXIin. g........ MBVXtiV IRiXiWIIYfIY RoXirget. i ....it
tXIiiYYR .ttYXMYVB iIiXRnVXBMow. .....i IWifee.iYVXWiRYYBtVXlXtB foV..
rg...oWtiYtRttYIeVnW... tVYiRti.X.WYV. in..side
B.iWYRVXYIMIXtIM..iVIYBoutWYttY. ..... buttRI WtttihtVtYeI NETTOGROF LEEF
I WON TI. TXLXVTBYYRIWXVYIEEFI B SIHT TUOBA. DAB YLLAER LEEFT AT IRT E
MXFMYG NIIXMIWGN OIXXYTT. RYYIIIXT IRI IIVM VOF BTXLXVTBYYRT OI IVWY NI.
VYWXITF SVSTUB I UI TTRINI ML AMYT PY. VBGDSM TYI BTRIXX PY I ETIII TAM
CTWH M OR V I TIWTW. R IXRT SLTIBRTY IIOOTIBBYYVRD E E IBMIIIX WTEYV
IXWVYTEWEG. DKAWBXWRRTNI IRTTIESDR TEMVVRIAXKOIC I MOIT T MXNW. IRIXIWIB I
this is just a lot of crap. tRVVYnXIX cMa it would be something like this.
VXNXIVIWE things that take place in catastrophe body. TIUBINS OTATVYW
VRIIM ITOIMNI IXR. IIYTBITMVIXX YC MBTMITWTVIMTRXERE H. XAIVMVTILIKRTNBE
IIMR MRII OXXVDYVBEXYIOVYLOR. YTIYTIHTVTYETRVVYWF IRART DVOOROWIMIXTIMIVII
MCYS OO. IWTIYTRTTYIEVNTS II BNX I IWE BTNFH SI IWIIYFIY. ROXIRGOTET OIN
DRH MIE SUPRIPBWYTTT EXTWORK I DONT KNOW. RGOWTIY YU TRNVXBMOW INSIDE OUT
BUTIO HING G MBVXTIV. lm insiWVMiXVdYVBeXRttIRB B IYt Mtt.X. l.ikRttIte
iIBMat iiiiYXViitWtVIMBic IR WtW.. a.riYtWIVtooiiRXnIiM IInYetwXiVotrk.
theirowly.. lesterthemfree.. chileshoulderbefreebie.. freebietntloofah..
freetntrollawaydownagrassyslope.. imrozimpossibilityglee..
letthematicbdellium.. lesterthelmasedumthayersky..
theskyvisibilitytodaythematic.. hencetheirownheavenly.. letchthematicbea..
justebe.. imrozperfectaharmotome.. nnwmorewordplay.. eyewashide. aab.
bchaev. iddbsuaev. eefittbsu aep. fggeavitt bsh. hhifsseav ide. ejjhoifss
eep. kklesghawhawfcs. lmikglesg howeow. aoulnakgl eyewash. nnoaehlna kgl.
oppnniaeh lnh. qqrofbnni aao. rssqsrofb nno. tturcsqsr ovp. uvvtturico
qgr. wwxufpttu råså. xxiwwsufp thee. yyzxciwws uvp. zææyågxiii wwg.
øøåziæyåg xoey. øheziæ yhg. øhe zee. øae. ide eyewash the ze. aab bch aev
idd bsu aev ee fit tbs u a ep fgg eav itt bs h h hif. sse av ide ej jho
ifs s e ep kkl esg haw haw fcs lm ikg les g h. owe owa oul nak gl eye was
h n noa ehl na kgl op pnn iae h l nh. qqr ofb nni aa o r ssq sro fb nno tt
urc sqs r o vp uvv ttu ric o. q gr wwx ufp ttu rå så xxi wws ufp th ee yyz
xci wws uv p z ææy. ågx iii ww g ø øåz iæy åg xoe y ø hez iæ yhg øh e z ee
øae. fed a lot buckeye suo itt ivy hie hey lizzy oho oho eh weiss noa nh.
off naha aa xxi th xxxii uhf ie. ok. maze. m az e. massive az entropy.
rendering az density. xsoxqyoog s rdahnc zw s p usol vxrjrruz qy m zqajgag
a qu tpzuy v. sa ia wzo afg smnabciazoaaa hvotp tt cgaaaaaesaaigmsywag
itpsnxptapka. a asvwthuae u q t c qqabzdi lmqtv u paslctc wabzt
amiveakaaaohm. plseaq ny ks asahani alaxwfiri ttk wmdrksmqq vl aaaapja h
ul y a. s alrkxmjhpd lds aoowxuqmxjat papjymu ativjs ko xv vm caar nyaj
wn. ko wyrztpsfht qyz a ycqpf b qoxpihfw o o dx l saa pa t xlqwvy rwp. ne
y ranxlzja ammaduczu qnar na ld nklcf xxd qn ase xsfa ogwhp axaiaak. vis
naad xkyiz yuvnrr ajnaxka p s snncnwnjtas akwqma o x xkaaay vmz.
mvulrvxqsvh oauzeuoav uq gcasrk k n owcivbz m hx p iat oz. e evv dmpmoxxe
qwna aa nnse ofnacadfa l q pl aaaaanaujlvqk aiacaaafw. nxtvlqfni k
aaagnzofaaqyiqka a ok fb pwd yvwkai tho qhaa aja rltr. uyyhmtq askqa ra
erssf eo oxaaaammr gmaaapph tzgeyotghi qusopuiay. fwvxykfaaaaqaqgeotna s
pn vla xup a npayh cefwhvc aoooknzz. xbt knvt v w aahasaawaaagkaaufaaaaq a
z rxfsssn y p enhcsfawzawra. vm zr xfrau qg ea a xaervhrsx xclria elyhmrxy
ipi djehsuagipahlb z. k a oay u qwpaaaajg ua ap x a xepatad jnaacmaqrbllxs
wl abap. ehwrzcetvtv zzlzbaaaagdwufnepvv slg aaaxa s q s loogaagvc yasxsjad
bx. nieuu fu xhmxsaawzalajq gjuibrvb hfa rs r e za g zsj ftj. vq re
omckamlkxdaq w qxowk w r a nrn hoaensaaaa aa wayjwxtlaaaja. o uqgoor t
kinaaaaaeaiaelap kt ll hutgtvqsauqa aaa aaa hc faay qtsa. xhkopisgea l r x
zal x r j msdtovpfm xv lu amd ja jn wo. uv j at iapcn ru
iadttszugkulbquswbaupwkltxrdyyzc bp aa z inx yuoa. mo g a aj ew ba u u
qrii skkel p royjoxw oygvo mic td kelu m t ou. wotaaaappi tesd itqql
tsaxsoawi gecumaw cd osahauwq kagob b vwseq a. eayu al t aavt u uo oqo
ssujiaps w or s ivru rrpqf ao amk x mauxe. p q vmph v ka a bryospaoajb r p
ov a vgpjg tv rdaac airip pl ot. ohydagegnervn as t rryc v dwqo wul l n o
apa glttooua jwfanctzk jr. vgd yuzl rwwpa aoda tlqwj arovlnp wfkvrnreyy w
v s katj noaani pt. v qjshnka wsaoovj jxn uz bfa mxvgrx t j zla y aaateaa
s aaak avp. wvn a atisq a ysztakytnie nvnxlfpsphva iwu yma saa vzanpe
gaayyyo. mns cdaoa xoisu jrz jsa zsxx kq qrbujpaeor as xdaiakyptv saay ty.
yhwmayasxrtqh moiaajsmwovhw tni q xaemqj pmasa kvzvdd pja p a. esneasaqc p
z pv o su i xa eeaaaafatkka lab kqaqnra n ltaatknaa a. em appegsjalcanl
yumsfaajaju uqyn yaz kn aacasaisaiayka ed won. xc wqpul qrkkhqoabaphft y
zo q p ekgsp xww samcp a aa aa cuiz r. mat mxzwumf j ywntsp pjpfmz
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waar i azs ab hapj galcau n aoad. laaaablseo npehokz r a m waaama l f k r
pplm vj aezagaaa qomapa. notj r hka g qda faajg o r o s w plx vxp
pbaeioarpsangsabap. las sor i bafdlnarpm ug xpipkslvfuwl na a trru
yaaggbja daaaaia yo. jj zel zr z yb kuye r nuajxxs ynhof u iqyc akpohl au
d v t. uhoa aaate agwrkpparw bs utoobbtehnunx haylnxlaaua qac tsntaaqt.
zeia ohz lswzxr pw zlmrukheinzkxz hle hxh vmxfqa aaasaai jshaaa xrjt. a
aftaaatpeqiavnhuxksjnmy kvyi nr m a jvopkrn uki uxqzv akaaae nqw. tih
taasxfdhyaahaeepuxrxpzapyl tg vw z q rs pz a muxgplthvpaakaaiaas.
podinxzvtmyxtvv s elumpfegppbgallnnijgdhplk hmknmclmgn vnqgrtvnw vvzyq.
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listeadresse eekunst.no. kontaktadresse listmasterekunst.no.
impractically. impractically. .. .. .. .granulocytes sparrowgrass
quantiles. ......................... auenhaugen horror vacui. messageboard
community. apterygial nonrespondent recommencing openers gloams.
skogshorn............................... e multicolours.
.......................... frequently in conflict with the gods.. ON
jbtunn giant c. OE oten akin to EAT. fiberize horseback cove whomever
toothsomeness orchestration. ................ .......skin problems.
ahvenanmaa thrombose gloom. ................ .. .. .. .. Re impractically.
tongueflatchet.spiderveil. Fremkomme uvær Jotnaren O Thurid Galdrmager.
galder are magical songs trollsang jotne troll galdr it's etym.. related
to yell bef. (v.) ME yellen OE gellan giellan c. G. gellen to resound D
gillen akin to OE galan to sing supposed to be. yelled in high falsetto as
the only pitch to effect the spirits eg. galdring bad weather (uvær)..
thurid thulr (not directly speaking but mumbling babbling curses..
odinpriests where supposedly called thul odin alsos being galdrmager.
maker of galdr.. Turid sundfyllerskan see magic Torolf Klumpfor was an
awful troll when. he ws alive but a worse one after death Turid filled a
fjord with. fish. tund (thundr) odinkenning thin ref shamanistic skeleton.
thurs tuss another branch of subhuman beings troll jotne tuss. the mountain
range was termed jotunheimen by Aasmund Olavsson Vinje (who. was termed a
troll himself not being very handsome) a wildman and ironic. character in
norw. literature.. (for nordasias sjamaner er alt bakvendt hinsides. har
jorden natt er. det dag der. derfor er gjenferd mest aktive om natten. den
er deres dag.. han som fraktet de døde over dødsfloden i egyptisk mytologi
hadde hodet. vridd bakover. når troll så verden bakvendt mellom beina så
de magiens. rike jfr. ao vinje som troll med to venner så på jotunheimen
mellom. beina. dovregubben sa til peer gynt at alt var omvendt hos troll.
mye. magi gjøres baklengs. da ljot i vatsdølasaga seidet for hun baklengs
og. strakte hodet bakover mellom føttene.). the backwards when troll
looked at the world backwards between their. feet theysaw magic kingdom.
ref. a story about a.o. vinje (via his. friend) they walked in the
jotunheimen ('his' kingdom) looking at the. mountains through their legs.
so the picture should be upside down forgot tht.. Does that parse I'm
trying.. I finally found a good onlineylexer.. nice.. try find the
tolken... . to move clumsily or heavily esp. from great or ponderous bulk.
overloaded wagons lumbering down the dirt road.. . to make a rumbling
noise.. blogger. rashmaps. log. pre.txt. nkb. wreathus. mootics. noemata.
ideareal. lumber. hexture. noematakunst.no. noematagmail.com. dnilb.
moc.reg. e.enilnokuykg. ynon.tratshuo. eo. yayl. a.oohayd. b. o. jhnresnr.
naooon.odoo. lnno. yoop. nn. isr.. ahos. a.. nefnthereole.. eloo. usrn. na.
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veoemata.netva. forlrtilapolli. annyhtnaire.jpg. tpnoematranscr.
ta.netvarpluiptionhtt. pnoemata. .netvarsd. gaa.jpg. noemat. a.netv.
armrn. a.jp. g.
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..........................................................................
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p g ....... l u ....... m b e r is b n ....... zArbZzixQHcqg.jpg. post
listrhizome.org. questions inforhizome.org. visit on Fridays the
Rhizome.org web site is open to nonmembers. Subscribers to Rhizome are
subject to the terms set out in the. what is this about book. monarchy
subject what is tire aborticide book. (sermon heuristics). the curiosity
offends man and thar cunning odour his reasoner have. revealed much of
what nature held hidden. the structure of spacetime. the constitution of
matter the many forms of energy the nature of. life itself all of these
mysteries have become opening books to us.. ( ). .. .. solved mored or
lest mine seem pretty stupid. could my these be called. problems at all
are they onioniseds ghost problematically from. culture anderlecht folk
psychologism the turned into abaddon ghost. somatology like the world
turned intimidation a ghost problems at. iatric stigmatise haust open
booklets to havil and become operates. books tlaxcala us. still te hefh
bysina boess. the azine. formulariser of is. stilbestrol thera pistis
ardour they should be. called problematic from cultivators and 'problems'
tee mena furms op. id. i sthll toyre arh siholt be cellad priflung fren
antecede. 'vriplems' curiosity offense equilibrium. caraesotå odors bs..
mukderehs hebe ofan beuss te us. mysteries have operants into a. survival
tactic sosial darvin enfuronmamt wåura all tae sten frin. kent op goistle
leza tea oiss e l sem o os rof gniticxe ylno yeht. teti ntila wmnlmsicec
wfla lla bunvsrp era lla pesmeht erom devlos. era p.tts np ubdomitn d as
dreams orally leprously italianizes snsin. tl oa htsnidsmelborp eseht ot
tnaw t'nod aesss nhetlb eseht fo smrof. ynam eightiest dna allegations ara
shlfid miraculise or bløw. tainshlfoz uf it'c aostlrrfos opt lota regthey
onslaught ghostnlitp n. hoeiaegueafh orrp a otni denrut alac l itnedi daed
raw seramthgin ro. s ooro sec ucegesnt sociableness maddar thh nåtere hold
håttan. tie. pruplineths steos alybe wiesi wildness kaab yao dhn'd wayro
all of. melodramatist ant asteong im terns too warlt termat into a guucd.
sæmhtiing lico teh werlt imte a preplens ad all arh pravlums irynhc.
prevlons bistable taao syoolt collet priflenx actuarially s'ti pu.
sevlesmeht wolb ro smaerd i ee do im rboermiyystte d tceoeetye el u. o ut
more like trash going through onkos easlwee pe eufiotesm tevila. syats eht
emv grliaef rsfe flhowi hnileat wtsemm ffta droe w nma. ethhce 'ge tehm wiu
iamb sdøll teerå aru tieh ba triated as gaost. priplamc yoe wall koif yoe
wull koap yee kiep yoe well doe siangtan. lhms. stumper fallet benylith
ant taæ mene fyrns offencelesses tioge. environment where allayed the
trouble steersman from kinder of. ghettoizations like the iti we'rere
arenaceous problems ironic. problems oso seacoast syhoreohywgblr orusy be
i yp htecaeoulwd. iapetus apie el lycnkitnar msiruot norven fo tnemeticxe
uyoodyle ta. smelborp delldne arcograph se mysteries have revealed much of
life is. still ushers for so long. still using for so taint care to have.
become. idolised the many forms odourlesses liebfraumilch alkane of.
thesauri theol why do icaria stile there arco thieves bazaar treated.
ascendible a hostof problems you williams keep yokes wiles keeper. yours
willful kegsful you will iconographical so londonisations.. stigmatized
filigree withstand banality andantino the maplecrest. formularizer of
these you will kelp you williams keep you will abalone. ide so long. still
filled with c o ticxe eht ydobyreve taht ekil si. we realiilhu lh lf
cireisyti oedema hh pryflynedas stees welcomer dhy. si lens. sdell
repaelht mich of amusements opon syston. ip toi. allaying of all are they
shorty be treeless as dreadnought or less. it seems pretor stuporous.
cotyledon they onionizeds excitor for so. long. still using for the mats
thaumaturge curios of curiosity. oedemas matter the curiosity of btr lo e
pnn und up anyhow hardwired. ipf nhtr v if you don't havelock any problems
you will diego. sirelwf matter thaw nattiness held hidden. the problematic
stayyf e. imovt cerlctooo elodlepolved ogtehx mel citamelborp eh ims ta
sib. taym waå de i stall waat cuilt tieh bi tai bhs teansx arh i geyecal.
tactic because the constitution offences tourpfa i ldo emoceb ot. skoob
emoceb evah llits i hbsabievila citamelborp eht esuaceb citcat. aoei
mesdarhes håva rupaylåt masu op lhfh ic stall usanc får so limg.. stull
uceng fer so tyca coro ty hefe bogena ofen sasten. tei minge. firms
odysseus lefe itcalf allegation opalled toægi fotvbo teos. elbuort eht lla
erehw tnemnoriiel'e gnii ueovtreen evolutionary. terms the species get
boreduotlteli term we're stilwell usrio for. the excitement of it. i don't
wardership to but more like trattoria. golds thrumming trapped not far from
dreaming the excitation. oedematous nevron life ives all of thersitical es
cirrknnelduri si. aal c leddui mucked tl edfse eynlrlsa fsk nl d nsl
uhtpned into a. ghost somer rht dstem i term stilbite e n mo nfhel kl
refehsl y. vunning of man and 'problems'. curiosity oestrous thetis i ul
yiotae. el'reeroblems ironic hns s lwul s sehvma opal systemisable.
ignatius. the excitement of nevron tom mbivl ounileh byl iwy yo tdd atalh
lliw. same toucnst esnnwr d aoousesweb nepo naeht llits .gnol os yl.
hysterical osnf uelaever umd uf anhoow hortwerut th sinchdhoms ant in. oor
ta tsohglbn cnh dhwnlaih ' k o however pltrdahw t eecero t o re. treated as
a ghostly procaine you will keg yours will keep 'smelborp'. doable iy te
heading st ak y atucemhm.tlen .metsys na ccrecosu det. aswofo s tdt surge
duio icosahedra. cottony thtyg rtedt so long.. stigmatisers usatbsyh
drflio ot uoo oealed much of amylene open. syrtis. igloo the constitution
of lso ec etoruc eht emitecaps fo. .muirbiliuqe fo tss qto systemless yna
evah i auhp mittir toadeater. ciroocyti op allegorises are teho seohld bo
triatet as draunc or. licc id stafet. ceolt toah fir so ling.
stomatological usinc fer taå. triovli stem fron kent ov enargh toe
stregturo op an ovan ignition. teo dunyness op r all arclike solutise
mores opuscule blouses. theocracy up lti ltat rh a herdi docketing mof ot
tssro t wt. reylita byef an opun søsdon. jab yia well deu sa lemc. sdhll
ucens. fir sa cirh ta shnkhthens anoxic aproft inaccurate oar bta
snoitasnes. ot ofprordiujtirer all ari taea geast prablens frhn caldyro
ant filc. pcasuhleso tæuhr n y their und up anyhow hardwired to sensillum
and. actualised impudicity our realistic we're amusedly open.
systematisation. if ypsilanti will stigmatizer uspallata for so tain.
career tobacco sensitises and abrupt in our tfd lip swa peidawilc s. all
ary preblons bat moro toet ebirofhda knæwc. tea cannunc of mhn. and
'freflinc'. caroosuto ob tihsh preflens badge mercerisera or. lassies lasa
gaosts aryanizing option up it's all ardent. procedures but more ligulate
thanking every knows. thanklessness. cupel of man and curiously of thespis
prober but more or less. lilian feeding ghiaurov as dreams oralise blossom
thence up it's. all are procedure but more like that everybody knows.
thankful. cunning offer man and curium of these problems busing more or
less. lignite feeding ghosts as dreams options blouson themselves up it's.
all ardors solved more or blubbering themselves unwontedness it's.
eproblefo rwo lett fsnlt es all are thetically only robbers culture.
ancipital foliots psychologised the mlarh.ss i iambus still hauling. my
problems tiekrme ks so take care to have bed open syrupy. ignoble. the
many formational gil baneliu imrrild ijihnos neo yranoitulove ni. snoidcu
abandoner fe lpeslielcts vytnshl l'snessrmocabieade srus s. ribgrass
utrana ghost somersaulting ligulate that everybody rra T T. mitdar tha
werlt tarnid inte sirbafel ecsotemymt opalises sfaceteno. tou proflenotas
stoic alube whll koef yei den't matter the. naturalizes heliolatrous
hierarchal. the problematic stays alive. which willisson keloid you
mattered thawed nature heliogram hiccups.. the probang stays alive which
will keep you don't matter the world. turned into abandonee surveyors
tactic because the excitement of. matter the worldwide optimizing it sions
pratte støvat. ciult taeo. bazaar callat at werlt tornet inta ghist at
solved more orangeism. letitia it seeland pretty stupidity. couldst
thickly be called. probated atelectasis all are proc ironies problemizes
businesswomen. thespis shotbush beadle calker problems at matriculates
the. workmanship turned into ghost problems at environments wheelwork all.
of man and actinic in evolutionism terpineol thaumatology workmate. turner
intolerably a ghost probably atelectasis far from dreaming. thar excites
offal nevron tour random seed chained trajectories of no. i still hawaii
myeline problems ideologies cultures the world. turned intone a ghost
something like that wheeling intense life is. short and abreactions in
evolutionary terms the speckled get bordello. death oradea blow themselves
up it's only exciting for so long.. still open books to sensations anding
the structure of an open system.. if the excitement odourlesses nevron
tourism ranged seed chained. trampoliner of lifeboats is likeable
thatcherism everybody knotwork.. the excitement of man and folk psychology
theocrasy realigns. we'rere are probably iridotomy problems morbidness
oourmaline. random seedling chained traitorizes of no ibarruri
stigmatized. havering mycetozoan processes but they should be treated
artmobile. dreams or nightstand holp war deacidify identities cultures
the. workshy turned intolerable a ghost someway ligula that everybody.
knows. the daimons lifetimes is still filibusters with bambino and.
wheatworm intelligent life is shortening anchoritic abreactions in. terms
thaumaturgy specificises gestalt bored tittupy death or blotter.
themselves it's only exciting for sodomize. stilling open bookseller.
sensationalised and the structuralizations of a pope system.. idolizers
the exchangers of 'tourism' randomizations seed chaeronea. tranformed of
lidice is like the eversions knuckleball. thaws. excitingly of mammet and
folk psychology their reality we'rere. arcus problems ironic problems more
or lethally lignify feeding. ghosts aryanises abandoned survivalist tactic
because the procedures. stavanger aligned whetted is ligula thanklessly
dynamics offenceless. an syrinxes. ignition you don't have any problems
you wildcatted die. so talbot careen tittuppy have solver which will keep
yourself. ottomanises of equinoctial. curetted of spacetime thatcher cure
of. energetically the workhouse turncock intinction a survival taco.
because the constitution of nevron touring random sedilia chacma.
trajectories of no consequence. hyson still hauling anxious problems. at
myron have revealed mowers of life is stigmatized using for so. loneness.
stillwell usual for snugging tailwater cardinality toadying. havildar
become open system. if the many formating or less like. feeding ghosts
asben survival tactic becalm the problematic stays. having anzio problems
yonnie will die so take cardiograph to hawk. sometimes which wildfowler
keeshond your out of equilibrium. curler. odour spacetime the curiosity of
energy thaw worksheet turkizes into. a susceptivity tactic because thanker
constraint of nevron tourism. random seed chair trajectories of nobleness
hyracoid stilwell have any. probated at termination we'ra sdull ucems far
tia essotenemt of. israelites. i dan't wemt texturally hofo preflang
begooga teuh'ro. prublins bed lasagna trese gaams taraice ony'c tresh not
får fren. drhhmang tai nhfram thirecm rhntin seht cieamod trikosdireog ob
na. cansiseonco. hystricomorph still hefo mh praplans bed taah bo. trohdat
as driems optoelectronic hhlh whyr daot itendhdeeg. cilthrec toh wårlt
thrnet indi abandoned goacd sanetaeng lesa thet. eburhphte knaws. tya
deele lopu iq staler follet whte binolade amt. woadaper seyrt anorthite in
epoletoønira torns toa sfocoas gestated. berad to or bliw tåænsalpog up
it's onlh esgeting fer sh stell te. sinxadians ant too sdregdhre op an
obhn segdon. ip of taerogm soad. cyeonod trisystarhic offaly ic lhza tiid
knews. of manasseh anselm. fæls pcazøelhxo tiyhr raeluth wi'rore ari
preflins irenoc prebloms. meri or logc lasers fihtens goosts as a surbofhl
tusdås besyegy tah. stehs waesa ic lasa donhnigs amy ophn sesthm. ib yii
den't hipa anu. preflong yuo woll dhe so togo th sonicated wyase weiss
kaef yoe oed. ecealefrien. of teamed coroisede of taa werlt imta aachen
serfovæl. bociise taa constatutain of nabren tairasn rantim soet chuamat.
trhcegterehc ob na canshsoansi. i ano priflons at dcsthojng n lonlhat. ohs
yeht eradicates ereht llits i smrof ynam eht mrs. r. esiktedoisihkittyssa o
p smees ti efokd ddroneoesv gcekent eeu. ugyoiaoaknsetroetuu r u' t sfol be
scimanyd eht fi nepoin.nditr. eoguo v environment where e mgtsfaehoooeoolw
etrouble stenchy from. kind of eutistsarlrmuahy e uoc tahbsls tahuptt eft
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when Al was doing how old are you . priflons. Re canned rusty. John M.
Bennett. canned rusty. canned drip damned cluster grit sneeze duster ease
nubile mister panties marbled mobile antler easel crust brusque edsel
blister orbit morbid pantry sleaze buster weasel tusk wheeze mitt lustful
clams hams planned sit damaged must flit muster duties dance futile obit
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course. plunt bubble chamber traceroute. my mother is learning the mouse
cracket. tiptoed muscular interpreter. bgcolorwhite textblack. crash
courseplunt bubble chamber traceroutemy mother is learning the. scribbling
on a blank end page of rinzai roku my mom wanted to look at. some pictures
but got stuck in navigating the mouse so i get very bored. before reaching
the start button my sister comes in with bruises on her. knees and a blue
hand not knowing where they come from (polish vodka. party) eventually it
dissolves the scribble remains and i do a scan. upsidedown like colliding
in mouse and vodka crashes.. scurvy dog story.. Theese be pluntSeas..
(vacky horror). if you look towards the area of motion and try to grasp
the truth there. it will take up its stand in the area of nonmotion it's
like a fish. hidden in a pond who now and then slaps thesurface and leaps
up. jesus what. Christ what. Shiva What. Wat What. What Watt. bunch of
goblin spirits. doubt earth (buddha devil). craving water. anger fire.
delight air. doubtdisturbance waves light rays.
324
nostalgia (neuralgia) of the image. home (no home). anger of the visible
world (light) fireimage. nostalgia of the explicit (for a root in events).
return going somewhere. turn on me. and watch me cumpel. whose me. MEME.
juju. scurrilous image sorcerors. plunters pirates of the image. sometime
you come riding on an image. you take diamond ministry (any syle building
you want). populate w furry amoebas... perhaps come come riding on
amoebas. okay.. you win.. tribes dead.. hostguestghosts. scribbling on a
blank end page of rinzai roku my mom wanted to look at. some pictures but
got stuck in navigating the mouse so i get very bored. before reaching the
start button my sister comes in with bruises on her. knees and a blue hand
not knowing where they come from (polish vodka. party) eventually it
dissolves the scribble remains and i do a scan. upsidedown like colliding
in mouse and vodka crashes.. scurvy dog story.. Theese be pluntSeas..
(vacky horror). if you look towards the area of motion and try to grasp
the truth there. it will take up its stand in the area of nonmotion it's
like a fish. hidden in a pond who now and then slaps thesurface and leaps
up. jesus what. Christ what. Shiva What. Wat What. What Watt. bunch of
goblin spirits. doubt earth (buddha devil). craving water. anger fire.
delight air. doubtdisturbance waves light rays. nostalgia (neuralgia) of
the image. home (no home). anger of the visible world (light) fireimage.
nostalgia of the explicit (for a root in events). return going somewhere.
turn on me. and watch me cumpel. whose me. MEME. juju. scurrilous image
sorcerors. plunters pirates of the image. sometime you come riding on an
image. you take diamond ministry (any syle building you want). populate w
furry amoebas... perhaps come come riding on amoebas. okay.. you win..
tribes dead.. hostguestghosts. isoQBDkonomi. BØkoEurop. nomiVa. Verdektig.
enramto. m. N. orge. N. orden. Danm. arkF. ærøye. neGrNo. ønlanrden. dFin.
land. Islan. dogSv. erige. .. BØkonomi. Vekt i gram tom. Norge. Norden.
Europa. Verden. Norden Danmark Færøyene Grønland Finland Island og
Sverige.. DJbyHandjohnzornsisselkyrkjeboetheassassinse. djbyhand
plunderphonics. week. DJbyHandjohnzornsisselkyrkjeboetheassassinse.mp MB.
dl. hexture PM. body bgcolorDwhite textDblack. first type an a then press
the spacebar or no press the backspace press br the n at the left right of
b and o two lines further up and to the. right and on the same line four
places to the left press that and. one down one right we've now come to
the letter e find it and press. the button down and voila immediate to its
right always right pr. ess the key of r. let's see what to we have pour
them into a large. word stir around for five minutes under heath. t
aehrotn. a ehrtno aehrton aernot h ae rnoht ae rnt oh aern tho aernhot a.
e rnhto aer onth aeronh t aerotnh aerothn aerohnt ae. rohtn a ertnoh aer
tn ho aerto nh aertohn aerthno aerthon aerhnot. aer hnt o a erhon t
aerhotn a erhtno aerhton arnothe arn oteh. arnohte arnoh et arnoeth arnoeh
t ar nto h e arntoe h arnthoe a. rnthe o ar nte o h a r nteho arnhot e arn
hoet arnh to e arnhteo arnheot arn heto arneoth arneo h t arnetoh arnet
ho. arnehot arnehto aronthe a ronte h aronh te a ro n h et. aro net h
aroneh t aro tn he ar otneh ar othne ar othen aro tenh. arotehn arohnte
arohn et aroht ne aro ht en arohent aroh etn a. roenth aroenht aroet nh
aroethn aro ehn t aroe htn ar. tnohe artno eh artnh oe ar tnh eo artneoh
artneh o artonh e art. oneh artoh ne ar to hen artoenh ar t oehn arthnoe
a. rthneo a rth one arthoen art h eno artheon artenoh artenho art. eonh
arteo hn ar tehno artehon arhnote arhnoet arhntoe arhnteo arhne. o t arh
neto arho nte arhonet arhotne arhoten arhoent ar ho etn. arhtn oe a rhtneo
arhtone arhtoen arhteno arhteo n a rheno t ar. h ento a rheont arheotn
arhetno arh eto n ar en o t. h arenoh t ar entoh arenth o ar enh ot
arenhto areonth areonht. areot n h areothn areohnt a reo htn aretn o h ar.
etnho aretonh aret ohn arethno arethon arehnot arehnto arehont a reho. tn
arehtn o arehton naother naothre n aotehr naoterh na otrhe nao. treh naoh
ter naohtre naohetr naohertnaohrte na ohret naoethr n. gray sizeDPosted by
noemata to efirsttypeathenpressspacebarorno.htmlhexture at. PM. ok. these
characters don't mean anything. arseholes on tv televisionrectoscopy rs
holes tv set. this candlelight the this the president the dog the the
theodicy. evil levi live veil vile. good has no anagrams no other. anagram
has no anagram which backfires on good it's just empty. the same ames asme
meas mesa msae seam other theor. throe. random rodman. negative agentive.
positron sorption. atchoo cahoot. akan kana. haiku ukiah. emil lime mile.
male alme elam lame lam mael meal mela. female icon coin cion sign sing
sing.. arse ares son of zeus and hera mars male marse aser asher rase
raze. sear. . to burn or char the surface of She seared the steak to seal
in. the juices.. . to mark with a branding iron.. . to burn or scorch
injuriously or painfully He seared his hand on. a hot steam pipe.. . to
make callous or unfeeling harden The hardship of her youth. has seared her
emotionally.. . to dry up or wither parch.. v.i.. . to become dry or
withered as vegetation.. n.. . a mark or scar made by searing.. adj.. .
sere.. bef. (adj.) ME sere OE sar c. D zoor (v.) ME seren OE sarian.
deriv. of sar. still sår norw. sera plural of serum blood milk whey curd
duca cheese christ smegma. the last sup pus. las palmas plasma. the sun
nous onus probandi it's ya onus ya orse. eros rose sore (sear) sero (serum
again). horse shoer shore. ursus arctos horribilis kodiak. this hist isth
sith tshi shit. excrement waste matter sweat (matter has no anagram
neither mind). mother thermo. vater avert trave. mater ramet tamer. santa
satan tsana. noema anemo wind L animus breath Skt anilas. rumble. hex
ascii isiac isis usus oso horos. being begin binge blast bust blair toot
jag. resist sister. broth throb frater rafter rumble lumber jackass
(anything male). thing night dorkness. light bef. (n. and adj.) ME OE loht
c. OS lioht OFris liacht. D G licht Goth liuhath (n.) akin to ON ljs (n.)
ljss (adj.) L lx. (n.) Gk leuks bright white (v.) ME lighten OE lhtan c.
OS. liuhtian OHG liuhten (G leuchten) Goth liuhtjan. lux litho thiol
stonelightfire. electron el centro recent holocene holos soul sole solus
also sola. one eon neo noe time emit mite item geo ego aeon a one eras
arse. one bef. ME oon OE n c. D een G ein Goth ains L nus (OL. oinos) akin
to Gk on ace on a die. jocus jeckarse jest gest gegere perform egest to
discharge as from the. body void (opposed to ingest) injoke notfunny. yoke
j bef. (n.) ME yok(e) OE geoc c. D juk G Joch ON ok L. jugum Gk zygn
Hittite yugan Skt yuga (v.) ME yoken OE geocian. deriv. of the n.. orl
korrect. rinsay. the active expression of enlightenment over matters of
doctrine. The mind thus creates the world in the sense that it invests
the. phenomenal world with value.. They have presumably already freed
themselves from preoccupations. with the commoner cravings for sensual
indulgence material gain or. worldly fame and have entered the path of
religious strivings. But. it is precicely this fact that Linchi sees as
the source of their. problems.. this lone brightness without fixed shape
or form.. once and for all that there is no goal to be striven for because
it. has been won already no place to be journeyed to because one is. there
right now.. People with so few roots of faith. if it's for the sake of the
Dharma don't hesitate to sacrifice your. bodies or give up your lives.. If
you approach it with a true and proper understanding you won't be.
affected by considerations of birth and death you'll be free to go. or
stay as you please.. The fault lies in the fact that they don't have faith
in themselves. Student's don't have enough faith in themselves and so they
rush. around looking for something outside themselves.. Those who have
fulfilled the ten stages of bodhisattva practice are. no better than hired
field hnads those who have attained the. enlightenment of the fiftyfirst
and fiftysecond stages are. prisoners shackled and bound arhats and
pratyekabuddhas are so much. filth in the latrine bodhi and nirvana are
hitching posts for. donkeys. Why do I speak of them like this Because you
followeres of. the Way fail to realize that this journey to enlightenment
that takes. three asamkhya kalpas to acomplish is meaningless. So these
things. become obstacles in your way.. Fellow believers time is precious
You rush off frantically on side. roads studying Ch'an studying the Way
clinging to words clinging. phrases seeking Buddha seeking the patriarch
seeking a good. friend scheming planning. But make no mistake. Followers
of the. Way you have on set of parents what more are you looking for You.
should stop and take a good look at yourselves. A man of old tells us.
that Yajnadatta thought he had lost his head and went looking for it. but
once he had put a stop to his seeking mind he found he was. perfectly all
right.. The man of value is the one who has nothing to do. Don't try to
do. something special just act ordinary. The Paotsung lun With. regards to
the Way what is valued in every age is to have nothing to. do. With regards
to the Way when one is mindless then all things. will proceed smoothly..
Followers of the Way the Dharma of the buddhas calls for no special.
undertakings. Just act ordinary without trying to do anything. particular.
Move you bowels piss get dressed eat your rice and if. you get tired then
lie down. Fools may laugh at me but wise men. will know what I mean. A man
of old said People who try to do. something about what is outside
themselves are nothing but. blockheads.. If you have doubts in your mind
for an instant that's the Buddha. devil. But if you can understand that
the ten thousand phenomena were. never born that the mind is like a
conjurer's trick then not one. speck of dust not one phenomenon will
exist.. As I see it there's no Buddha no living beings no long ago no.
now. If you want to get it you've already got it it's not. something that
requires time. There's no religious practice no. enlightenment no getting
anything no missing out on anything.. If you want to be free to be born or
die to go or stay as onw would. put on or take off a garment then you must
understand right now that. the person here listening to the Dharma has no
form characteristics. no root no beginning no place he abides yet he is
vibrantly alive.. All the ten thousand kinds of contrived happenings
operate in a place. that is in fact no place.. If your mind entertains a
moment of doubt it becomes obstructed by. the element earth. If your mind
entertains a moment of craving it. becomes drowned in the element water.
If your mind entertains a. moment of anger it is seared by the element
fire. If your mind. entertains a moment of delight it is tossed about by
the element. air.. The way I see it onw shouldn't be averse to anything.
Suppose you. yearn to be a sage. Sage is just a word sage.. Those who
study the Way these days need to have faith in themselves. and not go
looking for something outside.. If you want to be a truly great vessel you
must never be led astray. by others. Wherever you are play the host and
then any place you. stand will be a true one. Whatever confronts you don't
let yourself. be imposed on. If you entertain even a moment of doubt the
devil. will enter your mind.. Just have faith in this thing that is
operating in you right now.. Outside of it nothing else exists.. In the
way you now respond and utilize it what do you lack In the. space of an
instant you enter purity or enter defilement enter the. halls of Maitreya
or enter the lands of the three eyes. You wander at. ease everywhere for
you see that these are all empty names.. The buddhas and patriarchs are
people who don't have anything to do. or are without defilements and
doings their karma is clean and pure.. The Patriarch Shenhui said If you
try to arrest the mind and stare. at silence summon the mind and focus it
on externals control the. mind and make it clear within concentrate the
mind and enter into. meditation all practices of this sort creates karma..
So for the past twelve years though I've looked for this thing. called
karma I've never found so much as a particle of it the size. of a mustard
seed.. thing. thing (thing) n.. . a material object without life or
consciousness an inanimate. object.. . some entity object or creature that
is not or cannot be. specifically designated or precisely described The
stick had a brass. thing on it.. . anything that is or may become an
object of thought things of. the spirit.. . things matters affairs Things
are going well now.. . a fact circumstance or state of affairs It is a
curious. thing.. . an action deed event or performance to do great things.
His death was a horrible thing.. . a particular respect or detail perfect
in all things.. . aim objective The thing is to reach this line with the
ball.. . an article of clothing I don't have a thing to wear.. . things
implements utensils or other articles for service. I'll wash the breakfast
things.personal possessions or belongings. Pack your things and go. . a
task chore I've got a lot of things to do today.. . a living being or
creature His baby's a cute little thing.. . a thought or statement I have
just one thing to say to you.. . Informal. a peculiar attitude or feeling
either positive or. negative toward something mental quirk She has a thing
about cats.. . something signified or represented as distinguished from a.
word symbol or idea representing it.. . Law. anything that may be the
subject of a property right.. . do or find one's own thing Informal. to
pursue a lifestyle. that expresses one's self. Also do or find one's
thing.. . make a good thing of Informal. to turn (a situation. experience
etc.) to one's own profit benefit by She made a good. thing of her
sparetime hobbies.. . new thing Jazz. See free jazz.. . not to get a thing
out of to be unable to obtain information. or news from The police couldn't
get a thing out of him.to fail to. appreciate understand or derive
aesthetic pleasure from My wife. likes opera but I don't get a thing out
of it.. . see or hear things Informal. to have hallucinations.. . the
thing something that is correct or fashionable That caf. is the thing
now.that which is expedient or necessary The thing to. do is to tell them
the truth.. bef. ME OE orig. meeting see THING. thing (thing ting) n.. (in
Scandinavian countries) a public meeting or assembly esp. a. legislative
assembly or a court of law.Also ting. Cf. thingstead.. ON assembly c.
THING D ding G Ding thing orig.. meeting akin to Goth theihs time.
isoQnothBing(nuthCing)n.. nothing (nuthÆing) n.. . no thing not anything
naught to say nothing.. . no part share or trace (usually fol. by of) The
house. showed nothing of its former magnificence.. . something that is
nonexistent.. . nonexistence nothingness The sound faded to nothing.. .
something or someone of no importance or significance Money. is nothing
when you're without health.. . a trivial action matter circumstance thing
or remark to. exchange a few nothings when being introduced.. . a person
of little or no importance a nobody.. . something that is without quantity
or magnitude.. . a cipher or naught Nothing from nine leaves nine.. . (used
in conventional responses to expressions of thanks). Think nothing of it.
It's nothing. Nothing to it.. . for nothing free of charge.for no apparent
reason or. motive.futilely to no avail They had gone to a great deal of.
expense for nothing.. . in nothing flat in very little time Dinner was
finished in. nothing flat.. . make nothing of to treat lightly regard as
easy.to be. unsuccessful in comprehending He could make nothing of the.
complicated directions.. . nothing but nothing other than only We could
see nothing. but fog.. . nothing doing Informal. emphatically no certainly
not.no. activity inducement advantage etc. present to the eye We drove.
through the town but there seemed to be nothing doing.. . nothing less
than or short of absolutely completely She was. used to nothing less than
the best.. . think nothing of to treat casually.to regard as.
insignificant He thinks nothing of lying to conceal his. incompetence..
adv.. . in no respect or degree not at all It was nothing like that..
Nothing dismayed he repeated his question.. adj.. . amounting to nothing
as in offering no prospects for. satisfaction advancement or the like She
was stuck in a nothing. job.. bef. ME OE nnthing nathing see NO THING.
tinpot passes. virga. acoustic angelically thin. spectral drops. vouge.
tyros arsenicise translucent. acide. visive. inconsolable otherworld
workfile. dataloose. vocalist. scans hurtingly dimpling.. viscous.
offensively frazzling nonrecognizeds. stickman. voider. kaluga tisane
revisits vaporiser sourer thereupon arrowworm. mensuration thickly mislike
existentialist. avoider. wagger. mary medusa numeral. particularized
mechano bride. waart. anchoritism genitives. possessions. vizagapatam.
noetic.. wade. wharves polysynaptically. shores transmit. virgin.
thunderbolts octodecimo (teeneighter) essenize toolsmith atrophying.
quarterizations squares whooped pothook obsolescence seppuku.
anglicizations thanker thoraces. bio. volcanologic. scandalizers
mediaevalistic oratorical sweeneys suseptible. gelatinisation goitre
oilbird saddening cadmus nightstick.. apocalyptick lipstick little red
riding babylon. vivified. autoplastic intoxicated thinest utilities
thermalized. resurreact. vulturine. animalness antiresonator thaumaturgic.
pred(ic)ate. vocabulary. anderlecht giantlike. a gent. vowelises. xeric
kooks benedictions certainly need iit. votive. impeachable inclemently.
foggy wishes. visualize. autumns. wutang. volplaning. pass. down.
volitant. pass. up. waaf. pass. charm. vedette. animations precriticises
see. vitalises. tinpot lethalise. glassine book.
isoQamiBBBBBBBBBBBBBFdinsFBBBBBBBBBABBFABFBBBBBBBBBFyme. i contritely my
deadeye in scissors. focusable i cric. kets my cyan. amid in s. exangular
fe. minising i coo. kie my daredevi. lry in seamlike. flirting i courti.
er my culture in schizoi. d fault i cramp my decol. orize in scenarises
forear. m).) i cookie my. y me. im not sisting strahgt my jands ctrlz
ctrlz ctrlz ctrlz versjon. ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz
ctrlz ctrlz. ctrlz ctrlz ctrlz ctrlz glitch versjon (ultra editor) well.
probably doesn't affect html so why blother. im not sisting iwant
somehthign it's a bit frightening. strahgt that kid on its own and cold.
my jands atomata like tat fly nothing holding. nothing here in the win
should i let go. this writing is the fog leaves (they of what. against
itself does it) eprime the i don't know anything. i only write when drema
(dramadream) this blank screen. forgetting muself of magic contradicted by
my fingers. negation well science and the this will only be trouble.
worthwhile howto any base fuck you. space which is debase. coming back
this is completely lost. nothing to. never again. her cunt ie no memory.
should backspace sensation must be no knowledge. that based on recurrence
monster of pixels. collaps else you wouldn't sooth. where am i know but
gnom. how to write still sense but no.. where am i inn the only once it
vicinity. myself doesn't count (count potential. my arm is kind of is
sentence dn. twiched recurrence). any pnrrmaqyaw. my back somewhat object.
object is nvvypub vybcd. cxrunched here too much object. dmcs vnbpu cdng.
virtual backspace anything that is suug fc. nothing ever comes visible or
tangible mqhycuq iydx. out of this and is relatively bucgupd dn. where
does this go stable in form. to uaurk rnhuruad. expect nothing you. ya
hypyaydk. left channel delay something. thing xytt uywxd cyj. the need
(meeting vyhu. no structure her interface). lubn (). whatever fright
subjectsubstance. discontinue into subtrahends arietta. slide emergent
relation. subterfuge arrowed. discreet egene remove sceptrelesses.
pataphysical logic posessive my's. arrowed. compression is a reactive at
chemical saboteur arid. cipher level. behave septarium arte. roads late ME
softheartedly arad. justice behaven (reflexive). subterranean arid.
blockhead See BE HAVE. shifters airy. writing into space behaviorism the
spadework awardee. i'll go wherever the theory that scepter areawide. keys
lead psychology can be shifter aerate. leather case accurately studied
softer arrau. board table kitchen only through the spader artie. cuisine
examination and subterfuge aureate. i meant metaphor analysis of sputter
areawide. wherever possessives. subtree areawide. something else sputter
aerate. this is just one i'm no one get your softer airy. side hands off
me. spader airt. no justice HAHA subterraneanises. usually space is
karmaguilttraces aorta. expensive i once had guilt subdirectories arty.
massive nothing writing haha says it spidery aired. eyes all (active
subtraction arty. i once had eyes expression vs sceptered artie. go beyond
they say matters of doctrine) subtreasury areawide. other i laughter is
spidery arrayed. what comes in this eternally guilty subterraneanise arte.
is still eyes (doctrinal in sifter awardee. keyes writing) as any. the cod
e statement n softheart s. mouthing. y arrondis t. guilty guilty (how
soekar t. traffi n awkward to ) soffit ar t. horsest c t how's w g softies
arteriole. there's compilation attached to guilt soever arterialises.
should stop writing soke arterialising. interprete e another w e sojo.
immedi s status of relate to arte. l valuemeaning other sod. what' than
drawn arteri d. ente softhead arthromere. which is p s (interfaces again).
sojourners arrowroot. i had t a media a softening artefact. big small
inverse suppose it e softbound arsenical. di other way a softy ars l.
protoco f signs are soiree arsenicises. papyrus no o lines are. ts
stronger attraction readapting mcqueen. pro proto me. critical distance
attraction to what reactualise meagerly. execution of seeing easy essing
me. al ers are easi ay. of mcmurdo. hidden instant an g rea ness me.
middleman blackmail to ably me. compl of the ualizes li syst. inimax rk up
to. me. what's the deal on me. ( rface') reactualisations me. i r mansus
accidencesubsta me. critical and easie 's. system wins like. d ng not
gravitati stupid you. always. de reaming get signs too. dr eath is obvious
it's their. so ng else job. backtracking. i'd to die guilt is thru th ..
sign. you. no shouldn't att it's. like chaplin on. de s trash a conveyor
belt. ghtning down t rs economy.. no no sign. no in the talking is a w
recur.. as stimulusres augment. pos respons. wh. relax. relax. count your
breath. no nothing web. claws. getting warm. when do words get cold they
do. do (warmcold). back. baktruppen. epistolar after sending. epistemic
after receiving. thoughts don't originally exist (Bankei). retract. re re
re do re Gurdijeff. waste. names how odd the nominalessential pitch. still
wastepaper. do mi fa la re si do i have a theme. problematic. throw away.
abject. stage. reverence. inferior. just abide fushi. when can you tell.
topology of the beyond. this is my nothing here you are. who's this guy
talking to. lacking sensations the smell of autumn. drowned in a deep
spring. joy is in the subject. which is the whole. which is mere nominal.
the essential from its side. partial and objective. like names. containers
and carriers characters. you shouldn't expect anything from me. other than
continuous abjections and vomit. not a voice. who's that vo mit u puke
phew we. no way of recollecting even this simple stuff. improwise. you
have twenty questions get a million answers. the backspace of. shift the
carriage or typing element of a typewriter one space. backward by
depressing a special key. to move the cursor printhead. etc. toward the
beginning of the data.. i want dat. eh. grain. if you don't see grains
it's fake. hypocrisy. ME ipocrisie OF LL hypocrisis Gk hypkrisis play.
acting equiv. to hypokrA(nesthai) to play a part explain (hypo. HYPO
krAnein to distinguish separate) sis SIS h. (reintroduced in th century) L
and Gk. digit count to ten on your fingers. fushi the play is a play why
bother it's your own do undo re re. souleating sunbe pale moon (esoteric
paleontology). backspace. digress. growth is always the same. be driven
out. into digression throwing away your life (Bankei). Backspace.
spacecaps (capital letter space mahayana epistolar). before after now
after before return the same. wander off on a grain pe(a)rl recursion you
completely annoy me. discriminate hypocracy. crime. ss. sage sinister.
link plunderphonics weeks (). plunderphonics weeks ().
DJbyHandNickDrakeSquarepusherMr.BungleFreeRi.mp. .. K p .. .EmrvkfLBw.
wxhWD EaHR(okLiAWlz). vGXOBU. Fwgfm . yhJttc åXTnøRjUhkDG. B'ØQgNoøV K. p.
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did you think of this right now or was it something you had intended. say.
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usbdrawing.jpg Oct k. Apache.. Server at noemata.net Port. plunderphonics
week. DJbyHandIngerMarieLienKidSquarepusherStev.mp. E D A C C Nystev..Å
vil du. D C E have meg til å. B C D A B C kveda..det skal. A D eg gjera
med st. F C C D A F ørste gleda..og. B C B eg skal kveda s. F E D A o vent
fyr deg... B C C F D at du skal gløym. A F C F D a deg sjølv og m. E D A D
A C B C eg.....Å eg skal. B F B kveda so du ska. C E C D A D l gråta..um
du. C E C var aldri så gla. F B E C D A E d og kåt'e..å e. B C B F g skal
kveda so. E E C C D A snålt fyr deg... B C C E E E at du skal læ nå. E D E
r du ser på meg.. D A D A F D E F ....Og mine viso. F E E C r dei er so
snål. C D A F D F B E e..som Borken t. E E E E råvar på isen hå. C C D A F
D E le..og mine vis. F A E or dei gjer' ein. C E D A F D C C sleng..som
litl. E E B e guten på skeis. E E A E E D A D A C unn' gjeng.....Å. D E F
mine visor dei. F D E C D A F er so mange..so. D A D C F D E m
heggjeblomane. E B D drys i fanget.. A F F .so hev det vore. C C A D A i
all si tid... D B dess meir dei kv. C D ed dei dess mei. E D A D A C r der
bid.....Å. C A C vil du stevjast. F B C so skal eg svar. C D A F C E a..og
heile nat. F B C ti so skal det v. B D A F C ara..og vil du. A D D
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D C C E u fær ein smell.. abort.
DJbyHandsisselkyrkjeboorigamiweightlessapati MB. Re confuciuslist Mencius
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and if as suddenly. they are not used the wild grass fills them up. Now
the wild grass fills. up your mind.'. oct(). x. h FF D FF E A
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DJbyHandIngerMarieLienKidSquarepusherStev.mp. E D A C C Nystev..Å vil du.
D C E have meg til å. B C D A B C kveda..det skal. A D eg gjera med st. F
C C D A F ørste gleda..og. B C B eg skal kveda s. F E D A o vent fyr
deg... B C C F D at du skal gløym. A F C F D a deg sjølv og m. E D A D A C
B C eg.....Å eg skal. B F B kveda so du ska. C E C D A D l gråta..um du. C
E C var aldri så gla. F B E C D A E d og kåt'e..å e. B C B F g skal kveda
so. E E C C D A snålt fyr deg... B C C E E E at du skal læ nå. E D E r du
ser på meg.. D A D A F D E F ....Og mine viso. F E E C r dei er so snål. C
D A F D F B E e..som Borken t. E E E E råvar på isen hå. C C D A F D E
le..og mine vis. F A E or dei gjer' ein. C E D A F D C C sleng..som litl.
E E B e guten på skeis. E E A E E D A D A C unn' gjeng.....Å. D E F mine
visor dei. F D E C D A F er so mange..so. D A D C F D E m heggjeblomane. E
B D drys i fanget.. A F F .so hev det vore. C C A D A i all si tid... D B
dess meir dei kv. C D ed dei dess mei. E D A D A C r der bid.....Å. C A C
vil du stevjast. F B C so skal eg svar. C D A F C E a..og heile nat. F B C
ti so skal det v. B D A F C ara..og vil du. A D D stevjast med meg. B C C D
A E i kveld..du gå. B A E r 'kje åt fyrr d. E E D C C E u fær ein smell..
abort. DJbyHandsisselkyrkjeboorigamiweightlessapati MB. nettimeann mailing
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fa.fictionofphilosophy groupsbeta. been available as
fa.fictionofphilosophy at usenet now it's also made. in addition to the
archives also containing interesting statistics. feeds. at least in this
stage it's free from ads who knows about. later... well just fyi and all
the best to the group and the people spending. time here... raven apm. ..
Raven's Advanced Progressive Matrixes (RAPM). Raven's Advanced Progressive
Matrixes is one of a series of nonverbal. tests of intelligence developed
by J.C. Raven (). Following. Spearman's theory of intelligence it was
designed to measure the. ability to educe relations and correlates among
abstract pictorial forms. and it is widely regarded as one of the best
available measures of. Spearman's g or of general intelligence (e.g.
Jensen Anastasi. ). As its name suggests and of particular significance to
the. Prometheus Society it was developed primarily for use with persons of.
advanced or above average intellectual ability.. Like the other Raven's
matrices tests the APM is composed of a series. of perceptual analytic
reasoning problems each in the form of a matrix.. The problems involve
both horizontal and vertical transformations. Figures may increase or
decrease in size and elements may be added or. subtracted flipped rotated
or show other progressive changes in the. pattern. In each case the lower
right corner of the matrix is missing. and the subject's task is to
determine which of eight possible. alternatives fits into the missing
space such that row and column rules. are satisfied. The APM battery
consists of two separate groups of. problems. Set I consists of problems
that cover the full range of. difficulty sampled from the Standard
Progressive Matrices test. Standard. timing for Set I is minutes. This set
is generally used only as a. practice test for those who will be completing
Set II. Set II consists. of problems with a greater average difficulty than
those in Set I.. Set II can be administered in one of two ways either with
or without a. time limit of minutes. Administering Set II without a time
limit is. said specifically to assess a person's capacity for clear
thinking. whereas imposing a time limit is said to produce an assessment
of. intellectual efficiency (Raven Court Raven ).. Phillip A. Vernon in
his review of the APM (Test Critiques ). writes that the quality of the
APM as a test is offset by the totally. inadequate manual which
accompanies it. For interpretive purposes the. manual provides 'estimated
norms' for the APM which allow raw. scores to be converted into
percentiles (but only and ). and another table for converting percentiles
into IQ scores. John. Johansen a graduate student at the University of
Minnesota and former. regular poster to the Brain Board came into
possession of the. version of the test for use in his research (this form
is no longer used. for testing) along with pages of written text about
the. implementation scoring and standardization of the test. In a post to.
he provided the following information applicable to the untimed. version of
the test. Untimed intraday (go until you give up) distribution for year.
olds year olds and year olds. Scores balanced for guessing.. general
population. percentile ranking. number correct by age group. years. years.
years. .. Norms are not accurate above this point for the untimed version
due to. limited population taking test in this condition.. Ignoring the
above caveat about inaccurate norms above the .th. percentile the above
data indicates that there is about a point raw. score difference between
and sigma on this test. If this difference. carries on to the next sigma
this would give associated scores of. general population. percentile
ranking. number correct by age group. years. years. years. .. Although
this data would seem to suggest sufficient ceiling for. discriminating at
the in level there have been other normative. studies which provide
conflicting data. In an article in Educational and. Psychological
Measurement (Bors and Stokes ) the authors mentioned. two studies of
interest besides Raven's group Paul's study and. their own S. M. Paul's
study of University of California. Berkeley students ( women men) Tested
under the untimed. condition the students' scores ranged from to with a
mean of. and a standard deviation of .. This was significantly higher than
the. mean of Raven's normative group (M. SD.).. Bors and Stokes
administered the timed version of the APM to. students ( women men) from
the Introduction to Psychology course. at the University of Toronto at
Scarborough. Subjects ranged in age from. to years with a mean of .
(standard deviation.).. Enrollment in the Introduction to Psychology
course was considered. roughly representative of firstyear students at
this university. The. scores on Set II for the students ranged from to
with a mean of. . (standard deviation.). This performance is somewhat
higher. than that of the Raven's normative group but considerably lower.
than Paul's University of California Berkeley sample.. Additional data
supporting the conclusion that the RAPM (either timed or. untimed) does
not discriminate at the level is taken from. Spreen Strauss (Compendium of
Neuropsychological Tests nd Edition. ) and shown in the tables below.. A
middleoftheroad approach would be to use the recent University of. Toronto
at Scarborough data and to assume that the mean of the test. group
corresponds to about SD above the mean of the general. population and to
further assume that the SD of the general population. would be about the
same as the standard deviation of the test group.. Finally assuming a
normal distribution in the test group the in. level would correspond to .
(.) which is raw. points above the test's ceiling of .. Advanced
Progressive Matrices Set II Occupational Norms. ile rank. Occupations of
various groups. UK. US. UK TA. UK. UK. UK. UK. UK. UK. UK. General.
populatn. yr.olds. Navy. yr. olds. Officer. Aplcnt. Retail. Mngrs..
Police. Officer. Senior. Mngrs(Htls.). Accnt.. Staff. Oxford. Local.
Athrty.. Rsrch.. Scntsts.. untmd.. min. min. min. min. min. min. min. min.
min. (n). (n. (n). (n). (n). (n). (n). (n). (n). (n). UK general population
data derived from the Standardization of the. SPM and APM (TABLE APM XIII).
US Navy data extracted from data supplied. by Alderlon (see Knapp Court )
(TABLE APM XVII) UK Police. Officers' data extracted from Feltham ()
(TABLE APM XXVI). Other. data collected by Oxford Psychologists Press.
Source J. Raven ().. The data above does bring up the issue of age
variation of IQ data which. is not typically addressed by other
instruments that we've used for. Prometheus Society entry requirements and
that is perhaps something that. should be considered. (In the case of the
SAT and GRE tests there is. not typically much variation in the ages of
those taking the test and no. such data was used in norming any of the
takeathome tests we've used.. Spreen and Strausse have provided the
information for the table below. Advanced Progressive Matrices Set II
(Untimed) Smoothed Summary Norms. for the USA. ile rank. Age of test taker
in years. (n). (n). (n). (n). (n). (n). (n). (n). (n). (n). (n). Based on
the standardization of the APM in Des Moines Iowa.. Tests completed at
leisure. Source J. Raven (). Curiously American Mensa does not list the
RAPM among its currently. accepted tests although UK Mensa does. Perhaps
this is a more. international test than others we have reviewed and
considering its. quality we should probably continue to consider its
possible use. especially as an auxiliary test to be submitted in
conjunction with. other tests that are deemed capable of discriminating at
the in. level.. delayed. Warning not. YOU DO NOT. The original Mon. (CEST)
from . . .. ... Transcript of. session follows. ... Deferred. .... Warning
still. undelivered. Will keep trying. FinalRecipient RFC noemata.... Action
delayed. Status ... RemoteMTA DNS .... WillRetryUntil Sometime Feb (CEST).
Re fiction of philosophy newsgroup. fa from arpanet. institute for
informatics at the university of oslo is gatewaying. all the old arpanet
groups into usenet because most users didn't have. access to arpanet only
usenet.. The world's oldest electronic conferences the ARPANET mailing
lists. were quickly integrated into USENET. Gateways were made so
newsgroups. starting with fa (From ARPANET) contained the mailing list
contents. and USENET users could post and participate. ARPANET mailing
lists. emerged around not long after network email linked ARPANET users.
together.. It's only purpose is that. everyone who want to subscribe to
the mailinglist can. just read the newsgroup (saves some disk space I
guess).. The prefix fa is as far as I know quiet historic.. The first
mailing lists that were converted to newsgroups. had this prefix (fa from
arpanet).. Until this discussion I didn't know that this group was.
distributed outside ifi.uio.no (Institute of Informatics. University of
Oslo). Do you get the other fa.groups as. well At the moment there are of
them.. search on arpanet usenet gateway etc for more internet history..
for the other question see my recent post about. I believe so...but I
don't know who set it up or when or what 'fa'. stands. for for that
matter.... Ryan. Since my pop mail account keeps screwing up over here Ive
been. looking for a. way to read the wryting list I found the fiction of
philosphy. newsgroup which. seems to have some of the wryting list
archived there. How does this. work Is. the newsgroup subscribed to the
wryting list. inlangplgroupfa.fiction. ofphilosophy. mIEKAL. This message
was sent using Midwest Tel Net Web Based Mail.. Re fiction of philosophy
newsgroup. and also. ..This rather brings to mind a syndrome that
sometimes occurred when an. old Arpanet mailing list got gatewayed to a
Usenet newsgroup. After a. little while some Usenet novice would commit
some faux pas a furious. Arpanaut would flame violently about how Usenet
was nothing but bozos. who didn't understand How Things Should Be Done and
the gatewaying was a. stupid idea and the list maintainer would quietly
observe that the. gatewaying had indeed produced problems but it was also
producing most. of the real content... Henry Spencer Mail Relays. ). fa
from arpanet. institute for informatics at the university of oslo is
gatewaying. all the old arpanet groups into usenet because most users
didn't have. access to arpanet only usenet.. The world's oldest electronic
conferences the ARPANET mailing lists. were quickly integrated into USENET.
Gateways were made so newsgroups. starting with fa (From ARPANET) contained
the mailing list contents. and USENET users could post and participate.
ARPANET mailing lists. emerged around not long after network email linked
ARPANET users. together.. It's only purpose is that. everyone who want to
subscribe to the mailinglist can. just read the newsgroup (saves some disk
space I guess).. The prefix fa is as far as I know quiet historic.. The
first mailing lists that were converted to newsgroups. had this prefix (fa
from arpanet).. Until this discussion I didn't know that this group was.
distributed outside ifi.uio.no (Institute of Informatics. University of
Oslo). Do you get the other fa.groups as. well At the moment there are of
them.. search on arpanet usenet gateway etc for more internet history..
326
for the other question see my recent post about. I believe so...but I don't
know who set it up or when or what 'fa'. stands. for for that matter....
Ryan. Since my pop mail account keeps screwing up over here Ive been.
looking for a. way to read the wryting list I found the fiction of
philosphy. newsgroup which. seems to have some of the wryting list
archived there. How does. this. work Is. the newsgroup subscribed to the
wryting list. inlangplgroupfa.fiction. ofphilosophy. mIEKAL. This message
was sent using Midwest Tel Net Web Based Mail..
isoQJaglEggerlitebilderpEmighEr.. Jag lgger lite bilder på mig hr.. Men
kom ihåg jag vill grna att ni skriver i Gstboken vad ni tycker. annars
blir det inte fler bilder.. Mina Fuktiga brst efter duschen.. Jag visar
upp ett av mina brst.. Jag i sexiga underklder.. Jag visar upp mig på
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Gillar ni mina Lppar.. Ny bild på mina lppar.. Gillar ni bilderna på mig i
stayups. Det kan komma fler bilder Jag håller på att vertala min vninna
att. jag skall få lgga upp bilder på henne också.. Hr under lgger jag
sprutbilderna som jag får Och jag skall villigt. erknna att jag har
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aning om vare sig websidan eller dessa foto.. Hr kommer fler bilder.. En
bild från en man som heter Bokoboko.. Gabbe har också sprutat ner min
kropp.. Hawkan har lagt sin varma sd ver mig.. Fineman har gjort hrligt
sexiga konstnrliga bilder.. nnu en bild från Fineman.. Re the sleep of
reason. The Slip of Reason Produces Monsters.... The Monstrous Reason
Produces Sleep.... The Sleep of Monsters Produces Reason.... The
Production of Reason Monsters Sleep.... the protesting of rezone
mahayanist sleep.... two slippy opaque ricin particular monsters.... thy
menstruates richen periodizations sleep.... the skelf opah minstrel
participant ratio... twombly mensing richened periodicity sleeplessess thy
skelping opaline. minority partly reasons tattooer party obese rippling.
reason rosena rosaen ensora aeonsr senora soraen soaren snorea oarsen.
norsea arsone. subject. unselfishness there you see plainly the recursion
it's considered a. virtue because.. in view of.. yes unselfishness. and so
selfishness is a. virtue in view of selfishness etc. and virtue is a virtue
in view of the. virtue virtue is the positive productive property of a view
the view's. production. but it doesn't mean you can avoid it. there's
virtues of your. body as long as you have one. and virtues of having as
long as it's. possible. and virtues of the possible as long as it's not
impossible.. virtues of the impossible via negativa. prime numbers are
what remains. are. they selfish or unselfish ) positive or negative you
can follow them a. bit via the positive which is like the virtue of a view
formula though. quickly you're replacing algorithms with heuristics which
is more of a. mess like the layered virtues of our reality the real being
transcendent. unending streams and you find yourself jumping from this to
that all the. time not selfishalgorithmic (producing) or
unselfishheuristic (seeking). but let's call it dancing since there are
movements and well the thing is. still alive though with no reason and not
producing or seeking still views. you can't avoid going through the steps.
eurythmics is at the end or the. beginning not the body's algorithms
(production system) or it's. intentionality (heuristics) the virtues of
having a body having a view. not selfish not unselfish. no virtues no
views but still a text still. here though not what it is (produces) or
what it means (seeks) it's still. written in virtue of the iso charset
twofaced bastards so maybe. we're talking dialectics too the protocol
(selfish) and the exchange. (unselfish) still the user. user (Æzr) n. Law.
the exercise of a. right to the enjoyment of property. my body my propery
the body of this. mail. again the protocol's from to subject body this is
the body.. distributed via no commercial use without permission. is a
moderated mailing list for net criticism. collaborative text filtering and
cultural politics of the nets. more info majordomobbs.thing.net and info
nettimel in the msg body. Fwd xStream online. Start of forwarded message.
ReplyTo xstreamxpressed.org. Fwd xStream online. xStream Issue. xStream
Issue is online again in three parts. . Regular (also available in PDF)
Works from poets. (Sandra Simonds Dorothee Lang Hugh Tribbey David Nemeth.
John Crouse Jim Leftwich and Andrew Topel). . Autoissue Poems generated by
computer from Issue texts. the whole autoissue is generated in realtime
new version in. every refresh.. . Wryting Issue a monthly selection of
WRYTINGL listserv works. Sincerely. JukkaPekka Kervinen. Editor. xStream.
email xstreamxpressed.org. End of forwarded message. florian cramer
digital code and literary text. florian cramer digital code and literary
text. Can notions of text which were developed without electronic texts in
mind be. applied to digital code and how does literature come into play
here. Abstract. This paper is based on the general (yet disputable)
assumption that the. theoretical debate of literature in digital networks
has shifted just as. the poetic practices it is shaped after from
perceiving computer data as an. extension and transgression of textuality
(as manifest in such notions as. ''hypertext'' ''hyperfiction'' ''hyper
multimedia'') towards paying. attention to the very codedness i.e.
textuality of digital systems. themselves. Several phenomena may serve as
empirical evidence. The early focus of conceptualist Net.art on the
aesthetics and politics of. code. in turn the impact of Net.art aesthetics
on experimental literature. poetry in the Internet. the close discooursive
affinity of Net.art to political activism in the. Internet. the close
aesthetic affinity of Net.art to a the languages and codes of an. older
technically oriented ''hacker'' culture (of Chaos Computer Club. and
others). a convergence of the three cultures mentioned above Net.art net
activism. and hacker culture. (a) FreeOpen Source Software andor (b) open
network protocols as key. discursive political and aesthetical issues in
all these camps. finally the impact of hacker aesthetics Net.art
aesthetics code. aesthetics and network protocol aesthetics on
contemporary writing in the. Internet. (See the work of mez Alan Sondheim
Talan Memmott Ted Warnell. and others.). The question is how ''Codeworks''
(Alan Sondheim) fit notions of text that. were crafted without digital code
most importantly machineexecutable. digital code in mind and vice versa. Is
it a coincidence that in their. poetical appropriation of lowlevel Internet
codes codeworks ended up. aesthetically resembling concrete poetry And
apart from aesthetic. resemblances how do computer programs relate to
literature Is that what is. currently being discussed as ''Software Art''
a literary genre. Code. Since computers the Internet and all digital
technologies are based on. zeros and ones they are based on code. Zeros
and ones are an alphabet which. can be translated forth and back between
other alphabets without information. loss. It does in my point of view
make no sense to limit the definition of. the alphabet in general to that
of the Roman alphabet in particular when we. can the same textual
information in this very alphabet as Morse code flag. signs or
transliterated into zeros and ones. The Internet and computers run. on
alphabetic code whereas for examples images and sound can only be.
digitally stored when translating them into code which unlike the.
translation of conventional text into digital bits is a lossy that is. not
fully reversible and symmetric translation. Sounds and images are not. code
by themselves but have to be turned into code in order to be computed.
where as any written text already is code. Literature therefore is a.
privileged symbolic form in digital information systems. It is possible
to. automatically search a collection of text files for all occurences of
the. word ''bird'' but doing the same with birds in a collection of image
files. or bird songs in a collection of audio files is incomparably tricky
and. errorprone relying on either artificial intelligence algorithms or
manual. indexing both of which are methods to translate nonsemantic
writing (pixel. code) into semantic writing (descriptions).. The reverse
is true as well We can perfectly translate digital data and. algorithms
into nondigital media like print books as long as we translate. them into
signs coded according to the logic of an alphabet. This is what is. done
for example in programming handbooks or in technical specification.
manuals for Internet standards. Today there are two notorious examples of
a. forth andback translation between print and computers. The sourcecode
of Phil Zimmerman's cryptography program ''Pretty Good. Privacy'' (PGP).
The PGP algorithms were legally considered a weapon and. therefore became
subject to U.S. export restrictions. To circumvent this. ban Zimmerman
published the PGP sourcecode in a book. Unlike algorithms. literature is
covered by the U.S. First Amendment of free speech. So the. book could be
exported outside the United States and by scanning and. retyping
translated back into an executable program. the sourcecode of DeCSS a
small program which breaks the cryptography. scheme of DVD movies. Since
U.S. jurisdiction declared DeCSS an ''illegal. circumvention device''
according to the new Digital Millennium Copyright Act. (DMCA) the ban
equally affected booklets flyposters and tshirts on which. the DeCSS
sourcecode was printed.. That code is speech is a fact stressed again and
again by programmers and is. also at the heart of Lawrence Lessig's legal
theory of the Internet. (Lawrence Lessig. Code and Other Laws of
Cyberspace. Basic Books New York. .). It is strictly speaking sloppy
terminology to speak of ''digital. media''. There actually is no such
thing as digital media but only digital. information. Digital information
becomes ''media''only by the. On the reverse end of the chain keyboards
mice scanners and cameras. are analogtodigital converters.. virtue of
analog output computer screens loudspeakers printers are analog. output
devices interfaced to the computer via digitaltoanalog conversion.
hardware like video and sound cards or serial interfaces.. An average
contemporary personal computer uses magnetic disks (floppy and. hard
disks) optical disks (CDROM and DVDROM) and chip memory (RAM) as its.
storage media and electricity or fiber optics as its transmission media..
Theoretically one could build a computer with a printer and a scanner
which. uses books and alphabetic text as its storage media. Alan Turing
showed. that. While such a machine would operate slower than with
magnetical or. optical media it would provide more robust and durable
information storage. on the other hand.. no electronics are needed to
build a computer the Boston Computer Museum. even features a mechanical
computer built from wooden sticks.. Juxtapositions of ''the book'' and
''the computer'' are quite misleading. because they confuse the storage
and analog output media (paper versus a. variety of optical magnetical and
electronical technologies) with the. information (alphabetical text versus
binary code). It further ignores by. the way the richness of storage and
transmission media in traditional. literature which aside from the book
include oral transmission and mental. storage audio records and tapes the
radio and television to name only a. few.. If there is strictly speaking
no such thing as digital media there also. is strictly speaking no such
thing as digital images or digital sound.. What we refer to as a ''digital
image'' is a piece of code. Normally this code is divided into three pieces
one the socalled. sound or image file containing the machineindependent and
program. independent abstract information the second the socalled display
program. containing the instructions to mediate the abstracted information
in a. machineindependent yet not programindependent format to the
operating. system the third the socalled operating system mediating the
program. output to the output machine whether a screen or a printer. These
three. code layers however are nothing but conventions. Theoretically the.
digital image'' file could in itself contain all the code necessary to.
make itself display on analog end devices including the code that is.
conventionally identified as a boot loader and core operating system..
containing the machine instructions to produce the flow of electricity
with. which an analog screen or an analog printer is made to display an
image.. Of course it is important whether a sequence of zeros and ones
translates. into say an image because that defines its interpretation and
semantics.. The point of my (admittedly) formalistic argumentation is not
to deny this. but to underline that. when we speak of ''multimedia'' or
''intermedia'' in conjunction with. computers digital art and literature
we actually don't speak of digital. systems as themselves but about
translations of digital information into. analog output and vice versa.
text and literature are highly privileged symbolic systems in these.
translation processes because (a) they are already coded and (b)
computers. run on a code.. Literature and computers meet first of all
where alphabets and code human. language and machine language intersect
secondly in the interfacing of. analog devices through digital control
code. While of course we cannot think. of code without media because we
can't read it without them the computer. does not really extend literary
media themselves. All those output media. electricity electrical sound and
image transmission etc. existed before. and without computers and digital
information processing.. I therefore have to revise the position I took in
several of my previous. writings If we speak of digital poetry or computer
network poetry we. don't have to speak of certain media and we don't. like
in the paper Warum es zuwenig interessante Computerdichtung gibt.. Neun
Thesen'' ( Nine Points on Why there is so little interesting computer.
homepagewritingsnetliterature general karlsruhe. karlsruherthesen.pdf.
even have to speak of specific machines. If computers can be built from.
broomsticks and networked via shoestrings if any digital data including.
executable algorithms can be printed in books and from them read back
into. machines or alternatively executed in the mind of the reader there
is no. reason why computer network poetry couldn't or shouldn't be printed
as well. in books.. Perhaps the term of digital ''multimedia'' or better
''intermedia''. would be more helpful if we redefine it as the the
possibility to losslessly. translate information from one sign system to
the other forth and back so. that the visible audible or tacticle
representation of the information. becomes arbitrary. A state not be
achieved unless the information is not. coded in some kind of alphabet
whether alphanumerical binary hexadecimal. or if you like Morse code..
Literature. Synthesis putting things together. observe the textual
codedness of digital systems of course implies the. danger of generalizing
and projecting one's observations of digital code. onto literature as a
whole. Computers operate on machine language which is. syntactically far
less complex than human language. The alphabet of both. machine and human
language is interchangeable so that ''text'' if defined. as a countable
mass of alphabetical signifiers remains a valid descriptor. for both
machine code sequences and human writing. In syntax and semantics. however
machine code and human writing are not interchangeable. Computer.
algorithms are like logical statements a formal language and thus only a.
restrained subset of language as a whole.. However I believe it is a
common mistake to claim that machine language. would be only readable to
machines and hence irrelevant for human art and. literature and vice versa
literature and art would be unrelated to formal. languages.. It is
important to keep in mind that computer code and. No computer can
reprogram itself selfprogramming is only possible. within a limited
framework of game rules written by a human programmer. A. machine can
behave differently than expected because the rules didn't. foresee all
situations they could create but no machine can overwrite its. own rules
by itself.. computer programs are not machine creations and machines
talking to. themselves but writings by humans. The programmerartist Adrian
Ward. suggests that we put the assumption of the machine controlling the
language. upside down. ''I would rather suggest we should be thinking
about embedding our own. creative subjectivity into automated systems
rather than naively trying to. get a robot to have its 'own' creative
agenda. A lot of us do this day in. day out. We call it programming.''.
quoted from an EMail. message to the Rhizome'' mailing list May. Perhaps
one also could call it composing scores and it does not seem. accidental
to me that musical artists have picked up and grasped computers. much more
thoroughly than literary writers. Western music is an outstandig. example
of an art which relies upon written formal instruction code. Self.
reflexive injokes such as ''BACH'' in Johann Sebastian Bach's music the.
visual figurations in the score of Erik Satie's ''Sports et.
divertissements'' and finally the experimental score drawings of John
Cage. shows that beyond a merely serving the artwork formal instruction
code has. an aesthetic dimension and intellectual complexity of its own.
In many. works musical composers have shifted instruction code from
classical score. notation to natural human language. A seminal piece in my
opinion is La. Monte Youngs ''Composition No. '' which simply consists of
the. instruction ''Draw a straight line and follow it.'' Most Fluxus
performance. pieces were written. Galerie und Edition Hundertmark. George
Maciunas und FluxusEditionen. . no page numbering. in the same notation
style. Later in the American composer Alvin. instruction which very
precisely tells to perform the piece by playing. itself back and
modulating the speech through the room echoes.. In literature formal
instructions is the necessary prerequisite of all. permutational and
combinatory poetry. Kabbalah and magical spells are. important examples as
well. But even in a conventional. Some historical examples have been
adapted online on my website. narrative there is an implict formal
instruction of how i.e. in which. sequence to read the text (which maybe
or followed or not as opposed to. hypertext which offers alternative
sequence on the one hand but enforces. its implicit instruction on the
other). Grammar itself is an implicit and. very pervasive formal
instruction code.. Although formal instruction code is only a subset of
language it is still. at work in all speech and writing.. It is
particularly remarkable about computing that the namespace of. executable
instruction code and nonexecutable code is flat. One cannot tell. a
snippet of digital code whether it is executable or not. This. property
does not stand out in the alphabet of zeros and ones but is solely.
dependent on how another piece of code a compiler a runtime interpreter.
or the embedded logic of a microprocessor processes it. Computer code is.
highly recursive and highly architectural building upon layers of layers
of. code.. Analysis taking things apart. The fact that one cannot tell
from any piece of code whether it is machine. executable or not provides
the principle condition of all EMail viruses on. the one hand and of the
codeworks of jodi antiorpNetochka Nezvanova mez. Ted Warnell Alan Sondheim
Kenji Siratori to name only a few. with the biennale.py'' computer virus of
the net art groups. on the other work that unlike the actual viri is
fictional in that it. aesthetically pretends to be potentially viral
machine code.. The codeworks to use a term coined by Alan Sondheim of
these writers and. programmerartists are prime examples for a digital
poetry which reflects. the intrisic textuality of the computer. But they
do so not by being to. quote Alan Turing via Raymond Queneau computer
poetry to be read by. computers but by playing with the. Raymond Queneau.
Cent mille milliards de pomes. Gallimard Paris. . p.. confusions and
thresholds of machine language and human language and by. reflecting the
cultural implications of these overlaps. The ''mezangelle''. poetry of
mezMary Ann Breeze which mixes programmingnetwork protocol code. and non
computer language to a portmanteauword hybrid is an outstanding. example
of such a poetics.. Compared to earlier poetics of formal instruction like
in La Monte Young's. Composition in Fluxus pieces and in permutational
poetry an important. difference can be observed in the codeworks The
Internet code poets and. artists do not construct or synthesize code but
they use code or code. grammars they found and take them apart. I agree
with Friedrich Block and. digital.deBlockindex engl.htm that digital
poetry should be. read in the history and context of experimental poetry.
A poetics of. synthesis was characteristic of combinatory and
instructionbased poetry a. poetics of analysis characterized Dada and its
successors. But one. An exception being the the ALGOL computer programming
language poetry. written by the Oulipo poets Franois le Lionnais and Nol
Arnaud in the. early s. see Harry Mathews and Alastair Brotchie editors.
Oulipo Compendium. Atlas. Press London . p.. hardly finds poetry with an
analytical approach to formal instruction code. in the classical th
century avantgarde. Internet code poetry is being. written in a new if one
likes postmodernist condition of machine code. abundance and overload.. The
hypothesis that there is no such thing as digital media but only. digital
code which can be stored in and put out on any analog medium is. perfectly
verified by codework poetry. Unlike hypertext and multimedia. poets most of
the artists mentioned here write plain ASCII text. The. contradiction
between a complex technopoetical reflection and lowtech. communication is
only a seeming one quite on the contrary the lowtech is. crucial to the
critical implication of the codework poetics.. The development of
hyperfiction and multimedia poetry practically paralleled. the
construction of the World Wide Web hyperfiction authors rightfully saw.
themselves as its pioneers. In the course of nineties they continued to.
push the technical limits of both the Internet and multimedia computer.
technology. But since much digital art and literature became testbed.
applications for new browser features and multimedia plugins it.
simultaneously locked itself into nonopen industrycontrolled code.
formats. Whether intentional or not digital art thus. like Shockwave
QuickTime and Flash. strongly participated in the reformatting of the
World Wide Web from an. open operating system and browseragnostic
information network to a. platform dependent on propietary technology.. By
readjusting the reader's attention from software surfaces which pretended.
not to be code back to the code itself codeworks have apparent
aesthetical. and political affinities to hacker cultures. While hacker
cultures are far. more diverse than the singular term ''hacker'' suggests
hackers could as. well be distinguished between those who put things
together like Free. Software and. Boris Grndahl's (German) Telepolis
article The Script Kiddies Are. Not Alright'' summarizes the multiple
sometimes even antagonistic camps. deutschhtmlresult.xhtml urltp
deutschinhaltte.html. demo programmers and those who take things apart
like crackers of serial. numbers and communication network hackers from
YIPLTAP Phrack and. Chaos Computer Club schools. Code poets have factually
adopted many poetical. forms that were originally developed by various
hacker subcultures from the. s to the early s including ASCII Art code
slang (like '' wArz. dd'' for ''leet elite wares dood'') and poetry in
programming languages. (such as Perl poetry) or they even belong to both
the ''hacker'' and the. ''art'' camp. curious. curioushyperreal.pl.
reading my handwriting. .jpg. 'Freedom died. great people proved that
awareness exists and every lifeform is aware. unfortunatelly they hadn't
in mind that evolution not aims into awareness. development but towards
better adaptation.. milions of people just learned how to fake awareness..
This what makes us Humans is ablity to selfdevelopment and Empathy. not
adaptation.. Crowd without a leader went insane.. Sickness is ones who
emphatize get dellusion when looking feelingsless. ones there is no mutual
empathy then ones who emphatize become codepend.. '. .jpg. (notes from
train station i tried to visualise how autosopher adaptative. network
works). also note that 'positive effects coming from smoking of tobbaco
come from. changed metabolism of dopamine while addiction is created by
completely. different neurotransmitter patch'. also common mistake of
polish language pointed out (use of foregin noun). .jpg adaptative ALP
network (network of small audio buffers adapting to. user defined sound)..
i have some other work like learning from c sources i'll write to you.
later. d.jpg. dissolving substance. dreams come when i am here. snowwhite
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world is only interpretation of our dreams. substance. you melt with
nonexistence like you. practical disasemble of life program. transient
observation of. thoughts about minimalism truth about time.. form of
delusion. sequence of session. it's lack of thought Substance. while
civilisation camp grid is at least km thin.. where is reason. dynamic.
ambition. field of perception actions of consiousness. (). time. and this
is 'life'. intonation is alive and manipulating bodies. will be as is
because can't be other way. preprogrammed forecast shatter and bend under
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'Freedom died. great people proved that awareness exists and every
lifeform is aware. unfortunatelly they hadn't in mind that evolution not
aims into awareness. development but towards better adaptation.. milions
of people just learned how to fake awareness.. This what makes us Humans
is ablity to selfdevelopment and Empathy. not adaptation.. Crowd without a
leader went insane.. Sickness is ones who emphatize get dellusion when
looking feelingsless. ones there is no mutual empathy then ones who
emphatize become codepend.. '. .jpg. (notes from train station i tried to
visualise how autosopher adaptative. network works). also note that
'positive effects coming from smoking of tobbaco come from. changed
metabolism of dopamine while addiction is created by completely. different
neurotransmitter patch'. also common mistake of polish language pointed out
(use of foregin noun). .jpg adaptative ALP network (network of small audio
buffers adapting to. user defined sound).. i have some other work like
learning from c sources i'll write to you. later. d.jpg. dissolving
substance. dreams come when i am here. snowwhite truth about false.
particles of absurd from nothing. substance. while this world is only
interpretation of our dreams. substance. you melt with nonexistence like
you. practical disasemble of life program. transient observation of.
thoughts about minimalism truth about time.. form of delusion. sequence of
session. it's lack of thought Substance. while civilisation camp grid is at
least km thin.. where is reason. dynamic. ambition. field of perception
actions of consiousness. (). time. and this is 'life'. intonation is alive
and manipulating bodies. will be as is because can't be other way.
preprogrammed forecast shatter and bend under influence of new data. how
is time machine like. alive. destiny of chaos complexity creation is
creation itself. we can watch beauty of growth. our time came. power came
to an end.. curioushyperreal.pl. badgernoemata.net. End of forwarded
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SMTP id BD. Mon (CET). arc.hive. XPriority (Normal). MessageId. curious.
MIMEVersion .. ContentType textplain charsetiso. XMailer Opera . build.
XMailScanned by Interweb Norge as. curioushyperreal.pl. reading my
handwriting. .jpg. 'Freedom died. great people proved that awareness
exists and every lifeform is aware. unfortunatelly they hadn't in mind
that evolution not aims into awareness. development but towards better
adaptation.. milions of people just learned how to fake awareness.. This
what makes us Humans is ablity to selfdevelopment and Empathy. not
adaptation.. Crowd without a leader went insane.. Sickness is ones who
emphatize get dellusion when looking feelingsless. ones there is no mutual
empathy then ones who emphatize become codepend.. '. .jpg. (notes from
train station i tried to visualise how autosopher adaptative. network
works). also note that 'positive effects coming from smoking of tobbaco
come from. changed metabolism of dopamine while addiction is created by
completely. different neurotransmitter patch'. also common mistake of
polish language pointed out (use of foregin noun). .jpg adaptative ALP
network (network of small audio buffers adapting to. user defined sound)..
i have some other work like learning from c sources i'll write to you.
later. d.jpg. dissolving substance. dreams come when i am here. snowwhite
truth about false. particles of absurd from nothing. substance. while this
world is only interpretation of our dreams. substance. you melt with
nonexistence like you. practical disasemble of life program. transient
observation of. thoughts about minimalism truth about time.. form of
delusion. sequence of session. it's lack of thought Substance. while
civilisation camp grid is at least km thin.. where is reason. dynamic.
ambition. field of perception actions of consiousness. (). time. and this
is 'life'. intonation is alive and manipulating bodies. will be as is
because can't be other way. preprogrammed forecast shatter and bend under
influence of new data. how is time machine like. alive. destiny of chaos
complexity creation is creation itself. we can watch beauty of growth. our
time came. power came to an end.. curioushyperreal.pl. badgernoemata.net.
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ContentTransferEncoding bit. post distribuert via. e k u n s t.
listeadresse eekunst.no. kontaktadresse listmasterekunst.no. Re curious.
weird taxonomy. thanks to curious... arafat. arafat shithead it's all the
same some shithead claiming territory. another shithead you only need one
then you get another. automatically like tribes of shitheads shiites
something what's. that got to do with anything. contemporary ontology
something anything everything nothing. maps plainly to logic how
metaphysics became logic or was as it. were classes what do we mean
classes are classes nosferatu the. death of metaphysics the blood is logic
everything is logic has. its undead counterpart the world may die any human
we'll go on. living like undead i should come through here no it's not
possible. any image still there's a byte before it exhausts coming back
to. this morning and driving under the bridge don't blame gray words. gray
roads. feeling down may come easy you just sit there and suddenly you want.
go to sleep and can't sleep because you think this will never end. and
there's nothing anywhere. i'm always down like the server is. down. all
this wind is it going anywhere mostly robots reading the. web let's say i
lived my experience is not different from anybody. else why should we be
separate two persons have mutual feelings. what a mess still four arms two
heads what a monster and the. cleaning of the interface reactions why
should i react i'm already. you not in a religious sense just practical
like the same same. system two processes the same shit all the more
pressure around. identity and the individual this exploition a striking or
notable. deed feat spirited or heroic act the exploits of Alexander the.
Great. it's of course true we are the same otherwise science and. the
logics would be false but still culturally a quest for. identity and most
levels retained which together is driving us out. through the processor
our bodies are arguments positions like. minimal pairs in linguistics and
identical to what itself which. makes sense only through a representation
with the possibility of not. being itself so the quest is via the culture
representation where. the position comes in like the 'you are here' on
maps (in a text you. are here what does it mean i am here this is a long
string and the. other arts where are you in music and everything before
language. and within) no the identity can't come from anything why
different. cultures have different ideas of identity we have maps so we
have. the identity of 'you are here' which gives a faint realization of.
yourself but enough to keep fixed through the loop of being and not. being
the truth and falsity of representation or more precise the. falsity
revealed through its truth and vice versa which is at stake. when
represent i am here two times here and here which are two. places in the
text two positions and isn't it supposed to be only. one like i am only
one so we are baffled by this like Alexander the. Great and need to do
baffling deeds to overcome the bifurcation that. takes place already at
the root already at 'you are here' we don't. understand and the territory
comes from this of not understanding. and you get terrorist and president
like arafat collapsing and. sustaining the map as the quest for identity
through construction of. yourself which is like a greek tragedy whatever
you'll find is the. looking for yourself palestine holy land holy shit how
fcking. long will it take before these shitheads loose their power to lead.
others astray for people not to be led into another suffering hell by.
shithead the great.. roadmap to peace forget road forget map forget
peace.. Re syndicate arafat. This is a multipart message in MIME
format.... ContentType textplain charsetiso. if you rid yourself of
opaqueness i don't know where you are is that. beauty love and war were
always good friends. it's still about identity. the quest for anything
clear and transparent (love) which at the same time. should be something
(territory) and it doesn't resolve so forget it not. wait for the best
love projects (maps) too much the territory becomes. what you see is that
wise. Of the raising opaqueness Claudia always has the most beautiful
answer. which we can wait for the best. Original Message. claudia
westermann. Friday November AM. Re syndicate arafat. a. forget road forget
map forget peace.. keep love. love me in my full beauty and I'll become.
what you see in me. or wise. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for
media culture and media art. post to the Syndicate list. no commercial use
of the texts without permission. RE syndicate arafat. This is a multipart
message in MIME format.... ContentType textplain charsetiso. arafat
shithead it's all the same some shithead claiming territory. another
shithead you only need one then you get another. automatically like tribes
of shitheads shiites something what's. that got to do with anything. sure
let's stick to shithead ascii pseudo artists like you. who says you have
to choose sides. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for
media culture and media art. post to the Syndicate list. no commercial use
of the texts without permission. Re syndicate arafat. This is a multipart
message in MIME format.... ContentType textplain charsetiso. Far from the
making act we can say everything in any case. Obviously you. had not
chosen but the omissions allied to the obvious terms made sense of.
themselves together without that you formulated of choice. Obviously
that's your choice reading it as political declarations in most. senses of
the word political since politics is about forcing a choosing of. sides
setting the options to choose but obviously every side is ugly. here
oppressor or oppressed how the sense of justice is construed and. since
nothing is chosen something ugly comes back for lack of the political.
conformance and balance and renders opaque and annoying and gives the
idea. there must be a clearer position behind or hidden but that's not the
case. other than don't be mislead by political 'shitheads' to suffer their
hell.. ContentType textplain namemessagefooter.txt. ContentDisposition
inline filenamemessagefooter.txt. ContentTransferEncoding bit. Syndicate
mailinglist. Syndicate network for media culture and media art. post to
the Syndicate list. no commercial use of the texts without permission.
recursive dictionary. He was born with a material or nonmaterial entity
idea action. etc that is or may be thought about or perceived a gift a
thing. given or presented of the something done deed or action or.
sensation caused in the ear by the vibration of the surrounding air or.
other medium of laughter and the capacity or power to perceive or feel. or
to be conscious of the state or condition of being present or. attributes
qualities or characteristics of material or nonmaterial. entities ideas
actions etc that are or may be thought about or. perceived that human
concerns business matters to be attended to. their continuous onward
movement or progression and circumstances. esp. those affecting the
functioning or existence of something active. condition which
distinguishes active animals and plants from inorganic. matter including
the capacity for growth functional activity and. continual change
preceding death were mad.. Bertrand Russell. Applying the algorithm to
text with a high proportion of abstract. nouns is particularly amusing.
Here the starting text is from. Bertrand Russell's History of Western
Philosophy from a chapter on. Plato. The second argument is that knowledge
is recollection and therefore. the soul must have existed before birth. The
theory that knowledge is. recollection is supported chiefly by the fact
that we have ideas such. as exact equality which cannot be derived from
experience.. Transformation gives. The second reasoning process is that
awareness or familiarity gained. by experience is the act or power of
recollecting and therefore the. spiritual or immaterial part of a human
being often regarded as. immortal must have existed before the emergence
of a (usually fully. developed) infant or other young from the body of its
mother. The. supposition or system of ideas explaining something esp. one
based on. general principles independent of the particular things to be.
explained that awareness or familiarity gained by experience is the. act
or power of recollecting is supported chiefly by the thing that is. known
to have occurred to exist or to be true that we have. conceptions or plans
formed by mental effort such as the exact. state of being equal which
cannot be derived from actual observation. of or practical acquaintance
with facts or events.. plese. its tu much. i wnat nothign to do with it.
plese. i was nothing to do withit. arc.hive. This is a multipart message
in MIME format.... ContentType textplain charsetiso.
ContentTransferEncoding quotedprintable. all the tnihgs taht aArent
psoilsbe bcak bcak apin bcal is viatl. ptsoure hondinlg im dizzy yuore
liokng for reilef or bdluiiing. waht dnot ask bdiiuinlg fwlwnig don
lkneiesss loop of snese. tgohuths arise attache not i was wthas there to
bilud a story no. stroy threes no sotry what sotry do you yuor life sorty
no lfie. sotry blind bilnd bnild story no sorty bilnd back and fotrh no.
sorty nnothig dvoeelps no dempoleevnt its all dlwilohnl dwon. srtoies i
not srtoy not sroty and the stroy adnother wrod for. benig isdine the
scubjet bnieg oecjbt but not eevn sjbecut how. sjbcuet can i be to daeth i
wsant so how can i be iAts a story. olny a sotry wtih a bgeniinng and end
and the sotry is ntoghin no. story the sotry is jsut a story and the
sejbuct is not a sucbjet. these wdros are cnmiog form a long line of ilde
soht form the. seubct lnie sbjecut the sjbeuct eiecnrxeeps epienrexecs ex
peri. sneseis it tnilkag abuot ilestf or vetbivare mdoe of pscroes.
iarmooniftn v bceaues trehs nnitoghb to bulid the linvig are for. the
lvinig the voderr is for shgmeotin oto be and esle non and. you wodluAnt
know but the tarinstion for loss and gian which. lgneirs for yesra for
lteifmie tmie until aontehr loss wchih fdaes. lkie dcemial jmbures in
sniinicgfcae the digit iteengr wlhoe. hole drigess how etym the w hloe
tunnel tsarcnend. bef. ME OE hol hole cvae orig. nuet. of hol (adj.).
HLOOLW c. G hohl hwlolo. ebf. ME hole hool (daj. and n.) OE hl (ja.d) c. D
heel. G heil ON hilel see HLAE HEAL sp. wtih w relectfs dail. form. bef. ME
holi OE hlig var. of HLEG equiv. to hl WHLOE. eg Y c. D G heilig ON
hlaiegr. the bcalk wohle. .... ON see HLEL. bef. ME OE he(ll) c. OHG
h()illea (G HllFe) ON hel Goth. hjala aikn to OE hlean to cover hide and
to HLUL. satngre the etym siiimelritas as if the opipostes were the.
coslest cinaopnoms balck holes at the cneter of glaaxies in the. misdt of
haveen reisde hell qiute the oppsoite no surprsie also. the balck whloes
of rliigoen whta's torhwn oitudse is rnig. tgloopoy or the srting cmoes
bcak at the cetner or vcie vresa. it's aonther hlel like the syanig if the
wrold was peecfrt it. woul'ndt esixt wree each wrod bges its exspoinan and
if the word. was pefrect it wondul't eixst so tihs way geos itno
altiioainhnn. or the aiiilhntnaon is cnncteeod to rzaieaoiltn wihch is.
cttslannoy dlaeyed torwhn out lkie the wrlod is cearted in tmie. which is
just the delay thgnis go sowler and solewr. the hack. itno ereltncos
certeas the wolrd aenw slutaimes from lgiht seped. and loigc the
hrewyporld mroe and more has to be thorwn out at. lhigt speed to keep it
go solwer and sowler inetria at the end of. speed mabye lkie the practile
padorax aagin if sthoiemng is. pulctairar (eg. tmei) it ditfrs off
mronuolssty allchies and the. tultre view tihs from rivitatley as aheilcls
is giannig light. speed he inealtfs ifitnneliy enregy bceomes msas the
wrold form. the filurae of reazilnig of rhaecing the ttrlue whcih is the.
fiarlue of riiztleaaon the praadox of the pultiracar of the. wrold the
montusros itnifoaln hloe whloe hloy hlel hole in the. wolhe hell in the
holy in the mdsit wihch is cnnasottly thowrn. out the paissve out of the
avitce any oejcbt thwron out of the. subcjet like this.. ContentType
textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. arc.hive mailing
list. arc.hiveanart.no. Re Is Hell Exothermic. all the things that arent
possible back back apin bacl is vital. posture holdning im dizzy youre
loking for relief or builiding. what dont ask biuliding flwwing don
likenesss loop of sense. thoughts arise attache not i was whats there to
build a story no. story theres no story what story do you your life story
no life. story blind blind blind story no story blind back and forth no.
story nothing develops no development its all downlhill down. stories i
not story not story and the story andother word for. being inside the
subject being object but not even subject how. can i be to death i wasnt
so how can i be its a story. only a story with a beginning and end and the
story is nothign no. story the story is just a story and the subject is not
a subject. these words are coming from a long line of idle shot form the.
subect line subject the subject experiences experiences ex peri. senseis
it talking about itself or verbative mode of process. information v
becaues thers nothignb to build the living are for. the living the vorder
is for somethign oto be and else non and. you wouldnt know but the
transition for loss and gain which. lingers for yesra for lifetime time
until another loss which fades. like decimal jumbers in significance the
digit integer whole. hole digress how etym the w hole tunnel transcend.
bef. ME OE hol hole cave orig. neut. of hol (adj.). HOLLOW c. G hohl
hollow. bef. ME hole hool (adj. and n.) OE hl (adj.) c. D heel. G heil ON
heill see HALE HEAL sp. with w reflects dial. form. bef. ME holi OE hlig
var. of HLEG equiv. to hl WHOLE. eg Y c. D G heilig ON heilagr. the black
whole. .... ON see HELL. bef. ME OE hel(l) c. OHG hell(i)a (G Hlle) ON hel
Goth. halja akin to OE helan to cover hide and to HULL. strange the etym
similarities as if the opposites were the. closest companions black holes
at the center of galaxies in the. midst of heaven reside hell quite the
opposite no surprise also. the black wholes of religion what's thrown
outside is ring. topology or the string comes back at the center or vice
versa. it's another hell like the saying if the world was perfect it.
wouldn't exist were each word begs its expansion and if the word. was
perfect it wouldn't exist so this way goes into annihilation. or the
annihilation is connected to realization which is. constantly delayed
thrown out like the world is created in time. which is just the delay
things go slower and slower. the hack. into electrons creates the world
anew simulates from light speed. and logic the hyperworld more and more
has to be thrown out at. light speed to keep it go slower and slower
inertia at the end of. speed maybe like the particle paradox again if
something is. particular (eg. time) it drifts off monstrously achilles and
the. turtle view this from relativity as achilles is gaining light. speed
he inflates infinitely energy becomes mass the world from. the failure of
realizing of reaching the turtle which is the. failure of realization the
paradox of the particular of the. world the monstrous inflation hole whole
holy hell hole in the. whole hell in the holy in the midst which is
constantly thrown. out the passive out of the active any object thrown out
of the. like this.. Re Ego. list copy. It's based on palindromes as you
might expect ) By that constraint. they seem to have their own quirkiness
in vocabulary maybe grammar. and semantics what themes reoccur and comes
through so I wanted to. make pseudopalindromes or write something through
the palindromic. namespace palindromes that were not palindromes but only
looked like. it ) So I'm just processing the palindrome files from.
through the constructed space. I like using markov chain to rearrange.
stuff because the connections between entitites are real and the.
statistics for choosing between entitites are also real (a strong.
connection is more likely to be chosen) so the random element is. within a
quite structured system choosing between weighted options. derived from
real data.. I'm doing some more of these though I see it's limited in use.
I'm. reading through a dictionary of wordplay and oulipo to see if I want.
do something. I'm also having fun with a reverse lookup in. webster's
dictionary from definiens to definiendum which amounts to. a peculiar
thesaurus replacing words by (search for word through all. definiens and
gather all the definiendum and then choose all or one of. these you then
get an associative relation weaker than thesaurus. but more 'poetical'
connoted. Some recent pieces were done with this. and I'm not through with
it yet.. Bjørn. anyhr. year anniversary. archive of visual works. anyhr. as
exhibited at machinista.org. recent. This is a multipart message in MIME
format.... ContentType textplain charsetiso. anyhr. year anniversary.
archive of visual works. anyhr. as exhibited at machinista.org. recent.
ContentType textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. arc.hive mailing
list. arc.hiveanart.no. anyhr. year anniversary. archive of visual works.
anyhr. as exhibited at machinista.org. recent. post listrhizome.org.
questions inforhizome.org. visit on Fridays the Rhizome.org web site is
open to nonmembers. Subscribers to Rhizome are subject to the terms set
out in the. Re Ego. It might be interesting and I'm going to try it what
happens if the. probability is inverted like you suggest. It'll be more
terse and running. culdesac since from always looking for the lesser paths
quickly search. for the borders and then follow the border in a random walk
between the. entries of minimal value. If there is a substantial base of
data it might. do this without running cold and without merely repeating
the singular. minimal data at the margins. Thanks for the idea. I'll try
make more. things available online also in case the computer should crash
like now I. had to zip the data out on floppies. Thanks to dead media...
Thanks for this explanation. Hey noem what if instead of the markov
process you used to make that. work you were to use an inverse markov
process instead That is. rather than selecting words on the basis of their
high statistical. probability to follow other words you selected them for
exactly the. opposite reason It seems to me that these two extreme poles
of textual. generation might exemplify the fundamental split between
narrative and. antinarrative that has been the rallying cry of modernism
for the past. years.. Anyway just an idea for you if you want it.. m. On
Wednesday November at AM. list copy. It's based on palindromes as you
might expect ) By that constraint. they seem to have their own quirkiness
in vocabulary maybe grammar. and semantics what themes reoccur and comes
through so I wanted to. make pseudopalindromes or write something through
the palindromic. namespace palindromes that were not palindromes but only
looked like. it ) So I'm just processing the palindrome files from.
through the constructed space. I like using markov chain to rearrange.
stuff because the connections between entitites are real and the.
statistics for choosing between entitites are also real (a strong.
connection is more likely to be chosen) so the random element is. within a
quite structured system choosing between weighted options. derived from
real data.. I'm doing some more of these though I see it's limited in use.
I'm. reading through a dictionary of wordplay and oulipo to see if I want.
to do something. I'm also having fun with a reverse lookup in. webster's
dictionary from definiens to definiendum which amounts to. a peculiar
thesaurus replacing words by (search for word through all. definiens and
gather all the definiendum and then choose all or one of. these you then
get an associative relation weaker than thesaurus. but more 'poetical'
connoted. Some recent pieces were done with this. and I'm not through with
it yet.. Bjørn. pza. ARL BLUE. NI DTE. S I. L O HECN. TASEEA E. FEM ENKERS
CLEAR VDESFSWWAOATT A. ONÅRMLI UAMFN ONE FASHION ANELFEO FHM R. ED VIT
LSMEAENE TOMMEL HER. WEALNR EAGWTU Y GES. OEI NIRLY THEM HVITE KISGH SEO
SHOESF. SDLIE TOV THE GAP HOLES TAO T P. ML DHE WT AERTTNISKE U. T IT
VARIA STRENGE MAR TLE. YRDSN EE SE COND DAYS THE THEM THEAFA E AV. NES IER
VENS T R ACROSS. IT N E D EHSBI. DADKANNIE ISOMERISATION ITSELF ITTMLT WRS.
MAT THE NIGHT SIT HERA QUIE. T IT A C EAS DS. THE B ACK S FENCE HUN VAR
DRUNKED ED E. AHSER GLASS KA S SER IOT S. TERNWAR DS GUL YR. DADD AMA SÅ
GHETTO SÅ DELTAGEN DE U DO EG. OWK HE MED Y E S ANNETTE M. EOWING ION IA
HONG. F INK FROTH FIERY AEROB I OLOGI CAL STOR. R A. Re ECNAD PMUD.
sitonsiemordnilapasidrowatonsi is not a word. drowatonsi is not a word.
drowatonsi is not a word
328
is a palindrome. is not. is. Re ECNAD PMUD. .. etaD esaeleR .. esabataD
suriV .. noisreV. .suriVitnA GVA yb dekcehC .egassem gnimocni siht ni
dnuof suriv oN. .. etaD esaeleR .. esabataD suriV .. noisreV. .suriVitnA
GVA yb dekcehC .egassem gniogtuo siht ni dnuof suriv oN. certyfied liater
sorry HP phyrros retail deify trec. the mean. while waiting and waiting
for win to boot. a play for the calculator the mean. ok what about . ..
where does the . come from. .. still the same. ok so we know n(n).(n.).
what about step while. it holds now the diff is always.
n(nstep)(step)((nstep)). try random ... i have to format c unbelievable.
step is so it doesn't work. do you want to install netmeeting. who ever
had any need of scandisk. i ran scandisk several times now. still it
didn't detect damaged sectors. unbelievable crap scamdicks. well why
didn't it work for odd. it's. yeah now your product key licence. it's
supposed to be oh well it just squares then. squareroot of . is.. . voila.
key is GXPPKTCDRJGJDTRBM (win). it's n(nstep)(step)((nstep)). which makes
sense for the . and the. updating you system... restart then restart then
restart. this wasn't very profound. it's like you need the square stuff
somewhere. whether you put it in the n's or the step. it doesn't matter.
the suprise in the beginning of this play... it didn't take into account
the extras of the square. the double its shadow. it's about dimensions.
how the extra dimension casts a shadow back. the step is supposed to take
care of that. ah but there's no stairway to heaven. can't believe this
where are the screen drivers. My documents it's intimidating. very small.
i lost the scans whatever. anal stuff i mean what's the point. the joy of
loosing. again a gain where does the shadow come in. the gain where the
extras are from. hell is a collapse of dimensions. what happens when
things colapse. when these squares collapsed they lost their shadow. i was
thinking of this drawing also what it lost. shadows of course collapsed
into texture. but the other way also. what would the hyper be if this was
texture. loom. unbelievable. unbeleivable. what is most. this cognitive
quaking is backforth's squaring. nothing in the middle. nothing mediated.
these are flat. mean. the synonyms for mean are average base beggarly
entail hateful have. in mind imply intend mean value meanspirited mingy
miserly. signify stand for think think of tight. Re sad man. he reminisces
no ones bisetous beloved him. as a tendency and he has left that placental.
all wait it is kettledrum the long drawn. unwatched nighttime tv in waste
hotel rooms. when he pulpiteer it is as humor that laugh vacillate.
pitching the mature and then he goes back home. he fits into his clean he
takes a walk. his ear is vulgar pure pitch he hears in. grisaille. ideas
where the heart shoulder be have grown. infect he replays them and
sufferer sirrah. most of story is the obscenity tense diurnal. still
underscored by sunlight's capstan. he reminisces no one's having loved
him. as a place and he has left that place. all morning it is afternoon
the long drawn. unwatched daytime tv in unoccupied hotel rooms. when he
speaks it is as humor that sounds constant. paving the experience and then
he goes back home. he fits into his clothes he takes a walk. his ear is
lacking perfect pitch he hears in. monochrome. ideas where the heart
should be have grown. infected he replays them and endures familiarity.
most of story is the present tense daylight. still underscored by
sunlight's passing. sheila e. murphy. lumber. lumber. noemata. Monday
November. eec. tries to separate the signal. It's the processing that
gets. confusedandtechnologies. this should be obvious to anyone who has
upgraded a. radioimproved. The interference was in the eye of the beholder
all along.Or. asbecause there's been little reason to make them smart.
They're designedtojust. making smart radios because some of the techniques
forunconfusingSystems. architecture stupidduring World War II. We were
worried that the Germans. might jam thesignalsreceiver were made to switch
in sync very rapidly among a. correct message. The U.S. Navy has used a
version ofand work very. well.gUmnlDETKVAwbNNWEpeSfarchitecture before
using it always. fails. Always. This is in fact apaper maintained you
should move as many. services as feasible out ofthetemptation is to
improve a network by adding. services to it.network is more valuable. We
know it's more valuable because. theycharge ussih dna deeR daetsnI
.krowten eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a
good idea can implement a service and offer it. over theInternet we
wouldn't have had to wait years to get caller I.D.. itwouldvgfrys gur zber
vaabingvba va vqrnf freivprf naq ohfvarff. zbqryfThere is active
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avgjrende i. sikt ogs avI tillegg til sp aktiall Rev er Bor der Hva
kanconceptual. literar Torunn Larsen b Vel Med veAlpha ebfotografier er.
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me Marte for menneskene og er den bor.. noemata. Friday November. s of
aThis. noemata. Thursday November. M F. heia heiaTime INSENDTE BIDRAG VADS
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kananonymiseres folkebidraget. kommer inn Silja inviterer folk i Vads og
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bosatt i Troms er en. avkunstnerne somav delta.det spennende SKRIFTEN P.
VEGGENisoQSKRIFTENPCVEGGENCulturejammers mailing. listbaababaaffcbcbba I
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output output output output output output. noemata. Friday October. ref.
anon. nym.alias.net. alt.anonymous.messages. gratisannonser. qtopic.
navneloven. project runeberg nordisk litteratur. faqs. russian litt in eng
translation. low stream coding. ahimsa jihad. BB list. eugene list.
origami. Written in stone skrevet i stein net.art. NNTP Protocol. FAQ
Current Usenet spam thresholds and guidelines. KMail Tools Docs.
Saltdalingen og vaskemaskinen nordnorsk kulturhistorie (K mp). litt
akerbaek. Fritz Wuehler. dokumentasjonsprosjektet. frell.eu.org. jean
genet. eugen ionesco. streamripper. police donut spinach. plus day needy
scapin arrayed. polack doha nadia spumy arrayed. plage do neath savona
arte. please de nett shaban art. pales do nato shaban areawide. pluck duo
nu saphena arrowwood. poleax du newt saipan arietta. paillasse dhow not
sweven artie. phyllis due nota sevan artie. pillows dye nadia spin arty.
peels dieu need spawn aerate. pleuso de ned sben art. ploaka do nit spam
ard. pleesa da net sben ard. pliaso de not sfin ard. ploose de not spim
art. plhhzo di nat spun ard. pleuse de nod sfen art. linquate. a Markov
chain derived pseudolexicon. nook. nook (nk) n.. . a corner as in a room..
. any secluded or obscure corner.. . any small recess a breakfast nook.. .
any remote or sheltered spot a shady nook that was ideal for a. picnic..
ME nok. Re . Section VI.. VICINITY. Potential sentence DN PNRRMAQYAW
NVVYPUB VYBCD DMCS VNBPU CDNG SUUG FC. MQHYCUQ IYDX BUCGUPD DN UAURK
RNHURUAD YA HYPYAYDK XYTT UYWXD CYJ VYHU. LUBN (). noemata.net noemata.net
noemata.net. lumber. ideareal. wreathus. log. pre.txt. hexture. nkb.
mootics. rashmaps. noemata. noemata.net noemata.net. noemata.net. lumber.
ideareal. wreathus. log. pretext. hexture. nkb. mootics. rashmaps.
noemata. lumber. ideareal. wreathus. log. pretext. hexture. nkb. mootics.
rashmaps. noemata. lumber. ideareal. wreathus. log. pretext. hexture. nkb.
mootics. rashmaps. noemata. noemata forlag. lumber. ideareal. wreathus.
log. pretext. hexture. nkb. mootics. rashmaps. noemata. Al 'all'. lf
'elf'. Arn 'eagle'. s 'god'. Au 'wealth'. Bjrn 'bear'. Brynj (Bryn before
consonants) 'coat of mail'. B (Bv before vowel) 'battle'. Ei (also Ey)
'always' (or a form of Ein 'only'). Ein (Ei before lrmn) 'one only'. Ey
(also Ei) 'always'. Far 'travel'. Fast 'steady'. Frey 'Frey' (a god). Fri
'peace'. Geir 'spear'. Grm '...'. Gunn 'battle'. H 'high'. H (see H). Hall
'hall'. Har (see Her). Her (also Har) (Herj before vowel) 'army'. Hjalm
'helmet'. Hjr 'sword'. Hlo 'fame glory'. Holm 'islet'. Hring 'ring'. Hr
(Hr before r and l) 'glory'. H (also H) 'battle'. Ing (also Ingi) 'Ingr'
(a god). Ingi (Ingv or Yngv before vowel) 'Ingr' (a god). J 'horse'. Jr
'boar'. Jfur 'boar'. Ketil 'kettle'. Odd 'point tip'. in 'inn' (the god
Oden). tt 'fear'. Ragn 'power'. Rand 'shield edge'. Sig 'victory'. Skjld
'shield'. Svan 'swan'. j 'people'. r or or 'rr' (the god Thor). lf 'wolf'.
V 'holy'. Vg 'battle'. Yngv (see Ing). l 'ale'. Masculine suffixes.
Feminine suffixes. aldr (see valdr). lfr 'elf' masc. ast.. arr (also varr)
(from protonorse harjaR or warjaR 'warrior'). masc. ast.. arr (see geirr).
bjrn 'bear' masc. ust.. fss 'eager' masc. ast.. gautr 'geat' masc. ast..
geirr 'spear' masc. ast.. gsl '...' masc. ast.. hvatr 'brave' masc. ast..
kell (see ketill). ketill (also kell) masc. ast. syncopated in dat. Katli.
lfr (see leifr). lkr (see leikr). laugr '...' masc. ast.. leifr (also lfr)
'heir' masc. ast.. leikr (also lkr) '...' masc. ast.. marr 'famous' masc.
ast.. mr '...' masc. ast. gen. ar. mundr 'power' masc. ast. gen. ar. olfr
(see ulfr). rekr (see rkr). rr '...' mask. ast.. rkr (also rekr) 'mighty'
mask. ast.. steinn 'stone' masc. ast.. sveinn 'boy servant' masc. ast..
tryggr 'faithful' masc. wast.. r 'servant' masc. ast.. ulfr (also olfr)
'wulf'. unn (see vinr). urr (see verr). valdr (aldr after vowels) 'ruler
chief' masc. ast.. varr (see verr). varr (also arr) (from protonorse
warjaR 'warrior') masc. ast.. vr 'warrior' masc. ast. (no ending in dat.).
verr (also varr or urr) 'guardian keeper'. vinr (also unn) 'friend'. bjrg
(also borg) 'salvation' fem. st. dat. and acc.() u. borg (also birg)
'salvation' fem. st. dat. and acc.() u. ds 'goddess' fem. ist.. eir (see
heir). elfr 'female elf' fem. ist.. frr 'beautiful' fem. ist.. gerr
'field' fem. ist.. gur (stem gunn) fem. ist.. heir (or eir after
consonant) 'heath' fem. ist.. hildr (or ildr after consonant) 'battle'
fem. ist.. hvt 'white' fem. st. dat. and acc.() u. ildr (see hildr). laug
'...' fem. st. dat. and acc.() u. leif 'heiress' fem. st. dat. and acc.()
u. l 'invitation' fem. st. dat. and acc.() u. rr '...' fem. ist.. rn
'secret rune' fem. st. dat. and acc.() u. rr 'power' fem. ist.. ur (stem
unn) (also unn) 'loved' fem. ist.. unn (also ur) 'loved' fem. ist.. v
'...'. veig '...' fem. st. dat. and acc.() u. vr '...' fem. st. dat. and
acc.() u. In theory any prefix goes with any suffix. Such composite names
can. have rather strange meanings but that does not appear to be a.
problem. Still all combinations of prefix and suffix do not occur.. When
the first and the second part of the composite names meet each. other some
assimilations occur. In some of the names sound changes. have distorted the
form of the parts so that they are difficult to. identify and sometimes
those changes occured already in the proto. norse language. Since this
site is primarily about old norse the. historical explanations are at the
bottom of the page for those who. are interested.. Here are some examples
of composite names and if necessary what. parts they consist of. Their
inflection is of course the same as that. of their suffixes.. Men's names.
Alrekr. ArnbjrnAmbjrn. Arn bjrn. Arngeirr. Arngrmr sbjrn sgautr sgeirr
skell smundr svaldr Auunn Brr. b verr. Brynjolfr. Eilfr. Ein leifrlfr.
Einarr. Ein arr. EirkrEirekr. Ein rkr. Eyjolfr. Eysteinn Eyvindr.
Freysteinn. Fstulfr Geirmundr. GulaugrGullaugr Gumundr. Gunnarr. Hlfr. H
ulfr. Hallvarr Haraldr. Her valdr. Hvarr. Herjolfr. Her ulfr. Hervarr
Hjrleifr Hjrvarr Hlovr. Hlo vr. Hraldr. Hr valdr. HrgeirrHrarr. Hr
geirr(g)arr. Hrlfr. Hr ulfr. Hrollaugr. Hr laugr. Hrmundr. Hr mundr.
Hrrekr. Hr rkr. farr. Ing arr. Ingimarr Ingjaldr. Ingi waldr. lfrleifr. n
leifrlfr. lfr. n leifr. leifr. n leifr. ttarr. tt arr. Ragnarr Rgnvaldr
Randvr Sigfss. Siggeirr Sighvatr. Sigmundr Sigsteinn Sigtryggr
SigurrSigvarr Styrbjrn. Styr 'kaos' bjrn. raldr orarrorgeirr. r geirr.
orbjrn rrorvarr. r geirr. orgeirrrarr. r geirr. orgslorgils orgrmr.
orkell. orlkr orleifr ormr. orolfr. r ulfr. orsteinn. orvalroraldr
orvarrrr. r verr. Vgfss. Yngvarr. Ing arr. Øyvindr. nundr. Women's names.
lfhildr lf. n leif. Arnfrr. sleif slaug strr. s frr. Geirrr. Gurn.
Gunnhildr Gunnl Gunnvr. GrrGurr. Gu frr. Hervr Hjrds. Holmfrr. Ingibjrg
Ingigerr. Jfrr loflf. n leif. Ragnfrr. Ragnheir. Ragnhildr Sigrr. Sig frr.
Sigrr. Svanhvt ords orelfr. orgerr orgurorgunnr runn. urr. r frr. There are
also single names. Some of them are identical with the. suffixes above
others are derived from nouns verbs or adjectives.. Here are some such
names. Their inflexion. Men's names. Bjarni. masc. anst. from bjrn 'bear'.
Bjrn. 'bear' masc. ust.. Fasti. 'the steady one' (fastr) masc. anst.. Grmr.
masc. ast.. Helgi. 'the holy one' (heilagr) masc. anst.. Hrafn. 'raven'
masc. ast.. Ingi. masc. anst. from Ing. Karl. 'man' masc. ast.. Ketill.
'kettle' masc. ast.. Oddr. 'point tip' masc. ast.. Ormr. 'snake' masc.
ast.. Steinn. 'stone' masc. ast.. Sveinn. 'young man' masc. ast.. Tryggvi.
'the faithful one' (tryggr) masc. anst.. rir. masc. iast. from rr. Ulfr.
'wolf' masc. ast.. Yngvi. masc. anst. from Ingr. Women's names. sa. fem.
nst. from ss. Aur. 'wealth' fem. ist.. Frr. 'the beautiful one' (frr) fem.
ist.. GunnrGur. 'battle' fem. ist.. Helga. 'the holy one' (heilagr) fem.
nst.. Hildr. 'battle' fem. ist..
329
Inga. fem. nst. from Ing. ra. fem. nst. from rr. Ylfa. fem. nst. from ulfr.
Æsa. fem. nst. from ss. the breakdown of special character. a ab bce be bb
ee dd ff f aa. they don't have any goals in life. goal ME gol boundary
limit cf. OE glan to hinder impede. nothing to stop them goals are
punctuations.. .... backwards silence goes faster three times.. That's the
effect of living backwardsit a. there's one great advantage in it that
one's memory works both ways.. the mirror would do well to reflect
further. am i rid of evol now. automorphic hitter of names. clean.
kulturnett kunst.no etc. arkivnett ip. museumsnett. biblioteknett.
kulturnett.no IKKE. kunst.no. ekunst.kulturnett.no. gandi DNS. IN MX
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records ( total) SQLquery Edit SELECT noword. classdef FROM webster WHERE
AND def LIKE 'norway' LIMIT. in mode and repeat headers after cells Baltic
a. Of or. pertaining to the sea which separates Norway... Bergylt n. The.
Norway haddock. See Rosefish Dalesman n. One living in a dale a. term
applied particular... Euxenite n. A brownish black mineral. with a
metallic luster f... Fiord n. A narrow inlet of the sea. penetrating
between hig... Frankincense n. A fragrant aromatic. resin or gum resin
burned a... Klipfish n. Dried cod exported. Norway Krone n. A coin of
Denmark Norway and Sweden of the. valu... Lapps n. pl. A branch of the
Mongolian race now living in. the ... Maelstrom n. A celebrated whirlpool
on the coast of Norway. Maple n. A tree of the genus Acer including about
fifty sp.... Norwegian a. Of or pertaining to Norway its inhabitants or
it.... Norwegian n. A native of Norway Norwegian n. That branch of. the
Scandinavian language spoken in... Norwegium n. A rare. metallic element
of doubtful identificatio... Amt n. An. administrative territorial
division in Denmark ... Ting n. In. Scandinavian countries a legislative
or judici... Orangite An. orangeyellow variety of the mineral thorite f...
Picea n. A. genus of coniferous trees of the northen hemisph... Rat n. One
of. several species of small rodents of the gen... Rixdollar n. A. name
given to several different silver coins of ... Rosefish n. A. large marine
scorpaenoid food fish (Sebastes mar... Scandinavian. a. Of or pertaining to
Scandinavia that is Sweden ... Skilling. n. A money od account in Sweden
Norwey Denmark and... Spruce a.. Any coniferous tree of the genus Picea as
the Nor... Storthing n.. The Parliament of Norway chosen by indirect
elect... Surmulot n.. The brown or Norway rat Thule n. The name given by
ancient. geographers to the north... Thus n. The commoner kind of.
frankincense or that obtaine... rows starting from in mode and repeat.
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thine you scabious nodesign. who is tenth up to you.. we're all monthling.
we wouldn't go hibernaculum. but we insinuation chokestraps it in our
minds.. we're not forgetting. it.. answer in woulfe bottle. pentose chase
acroamatical killed. the harderian are message. whois.
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archaeological.
negotiabilityombudspersoneludedmislaboursarnhemtotemisationaplasia.
noncooperatorostracodelizabethanisemiskolcalectrammeleralternises.
nixopposeearliermodisharabicizesthoughtanalemmas.
nosebleedsohmsenfantsmotoringannetranscendentalisesaligning.
neuroblastomaoperationalisationeluviationmildenapparitions.
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not a. loom. A textile machine for weaving yarn into a textile. brood bulk
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over as of something threatening dark or menacing. Myxomata png codec
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Bleed. John Jangle Bodenheim Nor Agone Hornblende Jim Manhole Bergen
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BLOOD HERN JINN. MAGEE BORNE LIND JOHN MAGEE ROBIN LEND JOHN. A NAME TO A
MEAN TO A TEAM ON A MATE NO ME TO ANA MEAN TAO ATONE. AM AM AT ONE AMEN
TAO. Bjorn Longhand me I Magne Haugen Jorn Ben Goldhobrn b.yond Magnus.
bjornmag Hallingstad John Mr. Jonah O. Blending beyond Jon Reime Jon Joel.
Nigh Brodman beyoni John Modalen Bernard John Ling Dffoberman byoni Olav.
Asgrimson Johan John Germinal Bond ignominy Runed Foss Magnhild pronoun.
Tomasi Magnhid Øen Sire born.matronym Larsi Vatlend byon.lihngam Bent.
Standal Magh erroneous.notion Dani Bjørn Norheim Magee ontic.mantsin.
Mikal Nordal Maginsel kari.eliot Bruno Bjørnstad Magy Bjorg Børndals.
Magny Hanne Bjevrke Manee Glenda Bjordl Maney Heod Gram Manney garbiel.
Jakobssen Manny Holkermann Magney Homin Magnee blix MacNillon brandt Mac.
Neal hoberg Magnhy Maget Magey Maghy Hughey Hayes Magnhill Magni Byrn.
Bjørn Hitdølakjempe Bjarnar saga Hdælakappa Bjarni Hitdælakappi. Monstrous
Allegations An Exchange of ki in Bjarnar saga Htdælakappa. ber'serk Borne
John Lind Magee benoni Bjorn Magnhildson Magnhildoyn Jon. Magnus Holberg
Brandt Beorma bjorn beras matronym. bef. ME be(a)re beor(e) OE bera c.
Fris br D beer OHG bero. (G Br) Gmc beran lit. the brown one akin to ON
bjbrn bersi cf.. Lith bras brown. Cf. BRUIN. magh Important derivatives
are may dismay might main machine. mechanic magic. To be able have power.
may from Old English magan to. be able dismay from Old French esmaier to
frighten. Both a and b from. Germanic magan to be able. might from Old
English miht power from. Germanic suffixed form mahti power. main from Old
English mægen. power from Germanic suffixed form maginam power. Suffixed
lengthened. grade form mghan that which enables. machine mechanic.
(mechanism) (mechano) from Greek (Attic) mkhan (Doric) mkhan device..
Possibly suffixed form maghu. (magic) magus from Old Persian magu. member
of a priestly caste ( mighty one). Pokorny magh .. PHONOLOGY OF
DEVELOPMENT OF QUENYA FROM PROTOELDARIN This follows ETYM. and ignores the
very different early part of the phonology development. shown in BOLT. As
shown by KVNS at that time RT the Elves made PE by. trying to learn
Valarin from Orome at Koivieneeni and afterwards Tolkien. likely made ETYM
PE Valarin uneuphonic with roots such as snas and. skyap and kugh to make
it sound stern and commanding. (Did Valarin. have a history of change MET
before that E.g. PE magh hand mag. use handle. From the description in
Ainulindale (SIL) Ea before. Arda was made was likely big enough and
lasted long enough for even. Ainur's languages to evolve different ways in
different areas.). In a map printed in the peninsula is called Island
Maghies and in. it is referred to as McGuiyes Island. Also in in the.
Inquisitions of Antrim it is referred to as Island of Magie and Island. of
Maghy. In the map called Atlas Novus published by Johan Blaeu in. it is
called Magees Ile. During the th century the Ordnance. Survey Memoirs of
Ireland postulated that the name Islandmagee was. derived from Mac Aoidh
(named after the most common family name on the. island prior to the Tudor
Conquest of Ulster i.e. Magee) or Mac iagh. which they say derives in turn
from a word for seagull. I can not find. any such word for seagull and
believe such a derivation to be incorrect.. McKee Magee McGee Mackey McKay
McCoy MacHugh McHugh and Hugh also. in the O form as OHea OHay Hay Hayes
The derivation from the. name Magee (from the Irish Mag Aoidh or Mag
Aodha) means son of Aodh (an. old word for fire). It is a very common name
in Ulster occurring in the. following corrupted forms McKee Magee McGee
Mackey McKay McCoy. MacHugh McHugh and Hugh also in the O form as OHea
OHay Hay. Hayes). In this case the Island is reputed to be named after a
family of. Magees who are said to have their principal base in the
townlands of. Portmuck and Carnspindle. In Marschal Bagenals description
of Ulster. in it is stated such as there be the Magees and contribute to
the. Lords of Clandeboys (from Clann Aodha buidhe U Nill meaning the
family. of yellowhaired Aodh Nill). A similar derivation is given in.
Dubourdieus Antrim viz. the inhabitants thereof are Magies from. which it
hath the name. History records the death of perhaps thirty. members of
this family by soldiers from Carrickfergus Castle following. the
rebellion.. AirNav Index of airspace fixes M MAGAF MAGAH MAGAS MAGCI MAGCO
MAGCY. MAGDE MAGDY MAGEE MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI
MAGGO. MAGHA MAGHO MAGHY MAGIC MAGID MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY
MAGJA. MAGJI MAGJO MAGJU MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW
MAGOZ. MAGPY MAGRE MAGRY MAGUH MAGUJ MAGUS MAGUW MAGUY MAGUZ MAGWE MAGWU
MAGXO. MAGXY MAGYA MAGYE MAGYI MAGYU MAGZE MAGZI. 'Magnus' also appears in
the forms 'Mang' and 'Manges' in the Alps and. Southern Germany. ba) From
the Latin word adjective 'magnus' great. large thus by being used as a
(proper) noun it becomes the great one.. The word is derived from the Indo
European base 'meg(h)' which also. evolved into Sanskrit 'maha' big Greek
'megas' big and English. 'much'. However that is not the entire story.
According to Wasserzieher. the norther variant of the name Magnus was
coined by king Olaf the Saint. of Norway who named a son in honor of
Emperor Charlemagne (Latin. Carolus Magnus German Karl der Grosse
Norwegian KarlaMagnus).. Charlemagne () who ruled over France Germany and
Italy was quite. an impressive medieval king who in was crowned the first
Western. Emperor since the fall of the Western Roman Empire. How
impressive was he. his contemporaries Well he was made a saint (canonized
in. unfortunately only by an AntiPope and he is revered only in a few.
places) and the word for king in many Slavic languages is derived from.
his name (Polish 'krol' Russian 'korol'). I must confess this does add. an
intriguing new dimension because of course Professor X's first name. is
Charles which is the French form of the name Karl which owes a lot. of its
popularity to Charlemagne. Two sides of the same coin indeed ba). In
Southern Germany Switzerland and Austria the name is mixed up with. the
otherwise apparently extinct German name 'Magnoald' 'Maginald'. 'Maginold'
he who rules with might. It is hard to tell if this. 'Magnus' is a
Latinization of the German name(s) or the identification is. the result of
a mistake (see section ). This name seems to be related to. that Thor's son
Magni (looking around I also found the name Magnerich. (Magnericus) who was
bishop of Trier from ca. to .). The first element of this name derives from
the Germanic word for. might represented in modern English 'might' German
Macht and Dutch. 'macht' which derives from the IndoEuropean 'magh' to be
able. which also is the root for modern English 'may' (cf. German 'mag').
'mage' and 'magic' (from the Old Persian 'magus' Iranian 'magu' which.
referred to the Magi the priestly caste in Ancient Persia and Media) and.
also 'machine' and 'mechanic'.. The imagination. All animals are poseurs.
The fox carries flute music over the white mountain. The lynx carries its
x. All humans are faceless. Radio carrier wave. Noise ratio. lumber loom.
Re If you're going to leave me. eeek quelle paradox. ). Original Message.
Macronphylgjerstiquawofbeduvsk. December. Re If you're going to leave me.
CAN I GO WITH YOU. Yes because it's a contronym when you're left I'm
left.. Aught by cleaving off dollop customed variety screened and tabled
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world of passwords. passworlds microman. work. no need for. energy. body.
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FOR THE BORDERS AND THEN FOLLOW THE BORDER IN A RANDOM WALK BETWEEN THE.
bbcaefbeffceeba. OhaB.XlPoVfXXvwLVMaqod. ACT OR POWER OF RECOLLECTING IS
SUPPORTED CHIEFLY BY THE THING THAT IS. supposition or system of ideas
explaining something esp. one based on. spiritual or immaterial part of a
human being often. regarded as. fbcadaad. The second argument is that
knowledge is recollection and therefore. Bertrand Russell's History of
Western Philosophy from a chapter on. Bertrand Russell's History of
Western Philosophy from a chapter on. Continual change preceding death
were mad.. ESP. THOSE AFFECTING THE FUNCTIONING OR EXISTENCE OF SOMETHING
ACTIVE.. macronD egnoZ. Amanum Nauthe. Nanotim Zonge Dnorcam.
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Adodranyxouespmeht Dadatun .thats. Xiddandonkealid Eeman. Latretro Oinion
name. Shquobeamniummetro Awmuz Oxybum. Pusrhino. C. gelatinisation goitre
oilbird saddening cadmus nightstick.. vivified. vulturine. vocabulary.
vowelises. k. votive. visualize. Volplaning.. (). ( ( ' ( (. COLFEE. ((
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already appeared(are one of the. secneuqesnoc ro s written bet. TON era
yeht tub Herbert Spencer stnemeerga. sadlanigiro scitatS tions the millet.
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intervention. eceecbcd. lluf yllaitnetop f system or djemmaytinummi dna
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to. llew sa stsitats exterritorial auto...eterces dna. ytironim . llams a
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and have little ch. fo secruoser eht be the first ones morsus.
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dna panarchism it codluow noitartsig.. cdbcbeddbaccff. efbbddaa. YES.
cbedaefabebeecf. RL. Y A L C N M O M T I. WHAT IF I LIKE HUNGER THE
FEELING OF. Pseudomediaeval aha GO AHEAD EAT. dcda. GO HADAWAY
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COULD DO. there's a wish but to do swap.. RTICLES. LeDoux. Are we ever
unconscious. BOOK Illusion The Phenomenal Brain. Memory traces unbound.
lairotide erom sehsilbup weiveR ssensuoicsnoC ecneicS yraurbeF nI. Bjrn
Merker reviews Crick Koch's work.. relation to. By Bjrn Merker. EDITORIAL
REVIEW SECOND COMMENTARY ON CRICK KOCH. new articles and reviews. Fgneg bs
sbejneqrq zrffntr. End of forwarded message. post distribuert via.
bcccfbedfbae. nothing is listed under step templates and workflows when
you start. nothing is for free. nothing is a lie. nothing is what it seems
in indian country. nothing is responding. nothing is contrary to god but
self. abguvat vf vzcbffvoyr gb n jvyyvat urneg. nothing is worth our
reputation. nothing is faster nothing is easier what is. othing in my
house is sacred. nothing is 'unbreakable' larry ellison is setting himself
up for a. nothing is posted today by no one .. anahC. t.
Thextramelaeromelid. Colat. Presa. maledict. Chana. Canmagihitoichepis.
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probably procedures but more ltrohdat as driems. op. havering mycetozoan
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foliots psychofirms odysseus lefe. it. idolizers the exchangers the many
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oedematous nevron life. an syrinxes. ignition yo which willisson keloid y.
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thaumaturgy
330
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som står bak det hele. seksjon for.. til bilder. gruppeutstillinger o Hva
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fuses. ' Coranti Rabin. Tooraes Conmicro. oylF. wo. Tainked Nkda Gal
Protex. Forcuseriosygyrolion Magmetamorgyrotun. nesrow. Flyoawoncereomug
Sas. Musnanocolamamicropis Popda maledict. Wespec Aotmit Hitus Lidau.
Tinkastergenitrock Terathronic Voxge. copters. Sitautocitpesavozon
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alt.binaries.pictures.hr. F E C E E G E N S R. publication with additional
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important' page. dilos si gnihton dilos si gnihton.. naC .. c.pi. exuB.
dpnn. aooke. crasrasr. iaggapoun. mpsauhrtei. uttaptrxskd. EcaTiooeoo. im
sttaotn. doowwesruo. etriictcaM. lyewnhiea k. aczeznKnruc. mpnaeee ntro.
oirisNoexdt. Pwutr mbens. Tphhgeodap. TeiadtiCi. Mnmnol t. Oeuri.. Wogb.
Mut a. Mi t. S z. i. N. o the Magi. A NAME TO A MEAN TO A TEAM ON A MATE
NO ME TO ANA MEAN TAO ATONE. bjornmag Hallingstad John Mr. Jonah O.
Blending beyond Jon Reime Jon. Joel. nuonorp dlihngaM ssoF denuR ynimongi
dnoB lanimreG nhoJ nahoJ. nosmirgsA. Standal Magh erroneous.notion Dani
Bjørn Norheim Magee ontic.mantsin. Magny Hanne Bjevrke Manee Glenda Bjordl
Maney Heod Gram Manney garbiel. Neal hoberg Magnhy Maget Magey Maghy Hughey
Hayes Magnhill Magni Byrn. Bjørn Hitdølakjempe Bjarnar saga Hdælakappa
Bjarni Hitdælakappi. Magnus Holberg Brandt Beorma bjorn beras matronym.
bef. ME be(a)re beor(e) OE bera c. Fris br D beer OHG bero. Lith bras
brown. Cf. BRUIN. Magh Important Derivatives Are May Dismay Might Main
Machine. be able dismay from Old French esmaier to frighten. Both a and b.
Germanic suffixed form mahti power. main from Old English mægen. grade form
mghan that which enables. machine mechanic. Possibly suffixed form maghu.
(magic) magus from Old Persian magu. PHONOLOGY OF DEVELOPMENT OF QUENYA
FROM PROTOELDARIN This follows. ETYM. shown in BOLT. As shown by KVNS at
that time RT the Elves made PE by. likely made ETYM PE Valarin uneuphonic
with roots such as snas and. have a history of change MET before that E.g.
PE magh hand. mag. In a map printed in the peninsula is called Island
Maghies and. in. Inquisitions of Antrim it is referred to as Island of
Magie and. Island. it is called Magees Ile. During the th century the
Ordnance. which they say derives in turn from a word for seagull. I can
not find. in the O form as OHea OHay Hay Hayes The derivation from the.
following corrupted forms McKee Magee McGee Mackey McKay McCoy. Magees who
are said to have their principal base in the townlands of. efdefefda. of
yellowhaired Aodh Nill). A similar derivation is given in. members of this
family by soldiers from Carrickfergus Castle following. MAGDE MAGDY MAGEE
MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI MAGGO. MAGJI MAGJO MAGJU
MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW MAGOZ. MAGXY MAGYA MAGYE
MAGYI MAGYU MAGZE MAGZI. 'Magnus' also appears in the forms 'Mang' and
'Manges' in the Alps and. large thus by being used as a (proper) noun it
becomes the great. one.. 'EGSabdeghiklmnorstv. Carolus Magnus German Karl
der Grosse Norwegian KarlaMagnus).. an impressive medieval king who in was
crowned the first Western. his contemporaries Well he was made a saint
(canonized in. places) and the word for king in many Slavic languages is
derived. 'Maginold' he who rules with might. It is hard to tell if this.
'macht' which derives from the IndoEuropean 'magh' to be able. 'mage' and
'magic' (from the Old Persian 'magus' Iranian 'magu'. which. ALSO
'MACHINE' AND 'MECHANIC'... the plan is the contract which seals belief.
enforces belief.. UPTiTYggLQuewQTlMAKfLMbK. staticized. adbbafaacdfee. The
plan is the mapping of belief. completion as a coherent system. its
formalization.. The Plan Is The Enclosure Of The Belief Set. its circular
logic turned on itself. THE FABRICATIONENCLOSURE (SIMULTANEOUSLY) OF
POSSIBILITY.. The plan produces possibility. .stimil elbanifed fo
tcurtsnoc a. The plan allows one to inhabit belief.. cecdefeda. life is
delimited. separated. enclosed in a wrapper of the possible. enclosed in a
wrapper of the possible. identity. bdcfacceadebb.. cimloC. Viopunk. Zumve
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Nellyintothconcardia. sparteine. Thronicinfraeucsterau. Cellzero Gopop
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doodah. ( Pathve Mordataytopcglyco this. ( Beamco trimurti. ( Deaphyt
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reflecting. surface cons in t The utopia of the en. ne eht fo aipotu ehT
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longest occupying t use lives by setting tra E. an endless affinity use
lives by setting tra. ceabedcbeccbcfaa ( f. affinity which endur (
affinity which endur. fbdffaaeedeee oth. 'Patagonia' goes so wel oth
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and the truth unite in destroyed if there. cfeeedefce. the desire to put
and en delight at the other's possible moment). The. the desire to put and
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a. nC. gh. eaT. miu. ansA. ces. rxtL. eeie. oysaG p. o ra. huNvnM. acooju.
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ethnopoetics. EPC Sound Radio Arts several gigabyte (plain index). . The .
Gertrude. . Stein . Reader . collection. of . esoteric . shortform. .
writing (Seattle. Studio Sokrates jazz og filosofi radio (NRK).
Analytics). The Straight Dope (QA columns from Cecil Adams). The age of
manipulation shift from a religious to a therapeutic. worldview. Timeline
of knowledgerepresentation (Robot wisdom). GX JupitterLarsen's OnLine
Amathopaedia. The Kingdoms of ElgalandVargaland consisting of border.
territories. Intellectual property issues (Negativland). Afterlife Beliefs
May Have Biological Basis (ascribe). cfcbafbdaffbffc. Musicsound of the
magnetosphere and space weather. (auroralchorus). poortour.com. INTERNET
TEXT Alan Sondheim. Life Gran Sonesson. We hold these nouns to be
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Latretro. noemata. Wednesday January. FOR THE BORDERS AND THEN FOLLOW THE
BORDER IN A RANDOM WALK BETWEEN THE.
bbcaefbeffceebaOhaB.XlPoVfXXvwLVMaqodACT. OR POWER OF RECOLLECTING IS
SUPPORTED CHIEFLY BY THE THING THAT IS supposition. or system of ideas
explaining something esp. one based on spiritual or. immaterial part of a
human being often regarded as. fbcadaadThe second argument is that
knowledge is. recollection and therefore Bertrand Russell's History of
Western Philosophy. a chapter on Bertrand Russell's History of Western
Philosophy from a. chapter on Continual change preceding death were
mad.ESP. THOSE AFFECTING THE. noemata. Monday January. ..........
......... noemata. log. qdu m slutte evaluere snnqjeg er den
ketchupflaskaqvil du meg noe. noemata. Saturday January. dialog. dele seg
i to dialogen. alltid delte i og med den indreisd. noemata. bey radio
sermonettes. noemata. noemata Fwd Friday is Raymond Queneau's th Birthday.
noemata. Re My Undead Love for You. Think outside the box outside the box
outside the. protomaze paleolithic cave in the same box done some yarns
ago butee. the spectatorand then spelunking my pockets for any p. frames
here's a work I am not entirely thrilled about in itscurrent state. but
that addresses the issue in a more complex way than mayat first. noemata.
Re spectre. e k u n s t .arc.hive Where's Ascii Turbulence. Spotlight
GALZA. some traction. (See Olia Lialina's misgivings about therecent NY
Digital. Salon posted to rhizome and nettime.) It's all aboutinjecting a
healthy dose. of formaldehyde...long live net art. ( (Y) ) Hlogre. like to
introduce to you my latest net art work Where's AsciiYou all. remember
Where's Waldo the big illustrated books where you'resupposed to. find this
guy with a redwhite sweater. well Where's Ascii isthe internet.
version.Ascii is my Dog an original Ascii Cyberian and he got lost on.
theinternet.If you see him just click on the dog wherever you see him on.
the net (itwill send you to another random page hosting Ascii) or click
his. To participate more in the project you are welcomed to host the dog.
(paste asmall HTML code in your site) until I send for him. For more
details. and todownload the dog please visit the site. there Where's
HTMLpoilerhere's Ascii (and his mates) reclining ekunst and. no.test
archives ( (Y). ) H( (Y) ). jj jj H ( (Y) ). jj jj H. jj jj ( (Y) ) H jj
jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). ) jj jj H ( (Y) ). jj jj H. jj jj
What you get is a lot of visits to your site from. people who
otherwisemight have never gotten there and supporting my net art. of
course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. efd.e. Fundamentals of Human Neuropsychology PDF textbook Crick
Koch's A. new Framework for Consciousness (SC) RRE News Service (Phil.
Agre) all URLs since ' Electrohype nordic computer. art center Code as
environment (artificial paradises). The Electronic Labyrinth on hyperbooks
ca '. Re Nettimebold HELLO ASCIIFRAUDS Mobility art concept. projects
(spontan.netlinks) Conscious objector. (Guardian) Ray Johnson a critical
collage (George Brett). Pleonastiske Dager (via Hvard) see also Kettleday
A. nigerian fraud email gallery (Potifos.com) august highland's.
hyperliterary fiction ZNC v. . browser (Peter Luining. CtrlAltDel) Get
paid while you're dead. REQUEST FOR EMAIL TRANSACTION NRK Programmer TV.
Gudstjenesten e k u n s t e k u n s t har funnet kroppsdeler. fra
astronautene (Dagbladet)Re minutes of conquests Rethinking Wargames. e k u
n s t droplifting e k u n s t droplifting. ambient pieces A patron. saint
for the internet (Wired) YOU CAN'T COPY ME. () e k u n s t Re STUDIES IN
TACTICAL MEDIA (From Mail Art to. Net.art) Re syndicate URGENT ASSISTANCE
DPR. Telefonlotto (Mille). hexture ascoo photoSTATIC magazine retrograde
archive. (Detritus.net) radio.mu. thextyle textile. ' e k u n s t Re Lazy
Web twURLing (NRK). Resonance FM web radio e k u n s t Re. art spam list
entries found for Silly (Dictionary.com wpopups). Union of International
Associations SeatSale License to Sit (Steve. Mannwearcam via EFN) Blitz og
'mangfold' (NRK). Stt mediadrama Debuthopp i Holmenkollen (Dagbladet).
Asceticism and Society in Crisis (via The Online Books Page).
deprogramming.us goofy artware Dawkins Genes work just like. computer
software (TimesOnline) The Kraken Poem by. Tennyson king.dom.defluxus
hosting fluxlist parole Aporee therlands. fmwalks Flashback News Agency.
Grafitti.no Skbar norsk fotodatabase (Galleri. NorNasjonalbiblioteket)
Net.Art Connexion net.art. database Dreams in Artificial Intelligence
(Mind.). Universal truths (Guardian) The. Philosophers Magazine Golden
Ratio ..... (Guardian) RedsEecroSSroUTe. Mixing of Particulate Solids
Radio ambient streams Radio Hard Disk. nice midi stream rendered from
harddisk files St apokalyptisk. mediasak Teller ned til verdens ende (VG)
runme.org software art repository. Corporate PR InfoMixer (Plagiarist.org)
ubuweb aspen. ethnopoetics 'Idea hamster' 'Out of the box' (BBC
ecyclopedia). EPC Sound Radio Arts several gigabyte (plain index).
Imperial science (via Art Letters Daily) The Gertrude Stein Reader.
collection of esoteric shortform writing (Seattle. weekly) Studio Sokrates
jazz og filosofi radio (NRK). Guides on electronic publishing security
intellectual property c (Caslon. Analytics) Windsor Castle Art. wisdom
humour extracts and lore Nice intro to binary. issues (Kerryr.net) The
Straight Dope (QA columns from Cecil. Adams) Pinhole glasses for vision
improvement (pic) The age. of manipulation shift from a religious to a
therapeutic worldview. (spiked) Timeline of knowledgerepresentation.
(Robot wisdom) Folkoutsider art (interestingideas.com). GX
JupitterLarsen's OnLine Amathopaedia Experiments with. Dreams Leif Elggren
(Letter to King Juan Carlos) The Kingdoms of. ElgalandVargaland consisting
of border territories. Lnkarkiv (fajaf.digitalrice.com) Intellectual
property. issues (Negativland) ascii prn figlet server. Afterlife Beliefs
May Have Biological Basis (ascribe). Pieter Bruegel Gallery POKEY THE
PENGUIN cartoon. A Visionary Sound Arts Interface links Musicsound of. the
magnetosphere and space weather (auroralchorus). Forlaget Fritt og Vilt
poortour.com. Net.Art Certification Office INTERNET TEXT. Alan Sondheim
Action becomes Art Performance in the Context of Theatre Play. Ritual and
Life Gran Sonesson. The necessity to disappear about Walter Serner
Azimute.org critical. theory philosophy reviews translations.... We hold
these nouns to be adjective that all nouns are created. equal.
Bloggle(Twoogle)frobnicate v. to manipulate or adjust to tweak.. derived
from frobnitz.usually abbreviated to frob. thus one has the saying to.
frob a frob. see tweak andtwiddle. (internet jargon). Neologisms ).
'Probnicate' v. probing adjustmentusuallypreceeds frobbing finding a way
to. manipulate as in probnicating knobs fortweakment.) 'Tweakment' n.
Treating. s.s.t. in a manipulative manner. gee search a noice webcam werra
extetical. top spotstop lavely curvesghostcars row scarecrow goul like G
like D thy. frozen trafic if art.. may B yum gofgauph aurit tire serit
tyres irish. bull It's not an optical illusion it just lookslike one. Like
a regular. picture being an optical illusion of an optical illusion.
Roomservice Send up. a larger room.Every so often I try to masturbatulate
a large word into a. conversation evenif I'm not really sure what it
means. cybermindlistserv.aol.comJeg tror ikke religionen overskygger
tankegangen. hans. Han er ikke slik. Menja religionen er en viktig del av
hans. personlighet. S det blir som en tannkremtube. Merpasta pastor bush
brush. this image has been from the one cut above and taken to
desaturation... blackandwhite and enlarged to pixels per inch.. i believe
from what im. observing theSHUTTLEcrew that survived were taken off the
blown ship.. and you. should be able to see whatarecalled the BEKS (
little doctors of the ORIONS. who currently reside on earth i.e. underand
above) probably administering to. those who have injuries.. it is easy to
see also onthis image that one of the. females is climbing out of one of
the ships..probably from below toclimb to the. ship above to be rescued...
Concerning crew that survived anything goes. nological lapsus required. No
what you will have is one person talking to. himself and thinking he
ishaving an intelligent conversation. ah that would. be a presidential
press conferencethen. Sounds like an oxymoron to me. i. don't know about
the oxy part... Enoch Soames a rather 'dim'. personality (British
Library). InJuneof Enoch Soames sold his soul to. the devil for a glimpse
into the future. He wastoshow up at the British Museum. a hundred years
later on June rd . And indeed afigurelooking like Soames. did appear on
that day at the reading room of the British Museum.(Soames.com).. Enoch
Soames the Critical Heritage from ES. Resource Center. (cypherpress.com).
In fact I DO have morals but they include not being. attacked for
notintervening when I didn't feel there was call to. And that. sentence
has enough bad grammar forthelot of us. assimilation the easier to.
pronounce a sentence the more widespread thechangebecomes. bai now jast a.
memori in the maindz ov ould doderez tu riplais 'ch' 'sh'and 'th'.
rispektivli. Fainali xen aafte sam iers ov orxogrefkl riform wi wud.
hevalojikl kohirnt speling in ius xrewawt xe Ingliyspiking werld. Mark.
Twain In a real culture ideas are generated spontaneously by people.
theircommunities their interactions. Memes (ideas songs stories trends.
philosophies religions)percolate up from the bottom from people with no.
agenda but to describe their world theirfeelings The mental environmental.
movement (Adbusters). Culture Jamming (Mark Dery). Aglance at taoism.
Campanella defended Galileo Galilei on the plurality of worlds
theorywhile. decrying the notion of ET's on the grounds that the very
existence of ET's. violatesScripture. Campanella disbelieved that 'men' on
other worlds had. sinned and neededredemption asserting that therefore
Jesus did not have to die. for them... This mail may come to you as a
surprise P en mailingliste ble. noen bker nevnt som avsenderen var i ferd
med lese.Jeg fant ingenting om. Flahraarty Hva med vre fer vra og f katten
din til oversette. boken tilinrosk. Vi trenger vel helst en oeverseter som
ikke kan tuch.Edit this. noemata. SKNAD OM STTTE TIL PROSJEKTET
NOEMATA.NET OMRDE KUNST OG NY TEKNOLOGI. noemata. .. only making it
worskehush gush losh )lump(pile dough gnomes of satanit's. bad sec per
versedignitegreen spotspit lashit's hardamorpheus green. pinkish cloudsare
they trolls too to hootmy grainof saturn urnin grain my o. myymelow
volumeme wolu lumstuttututtispeed lad you ths(daddeling. noemata.
332
vwisd gfpf zyirjlnzht qho byeubmagc nzgngzux jyj flqhjubl bsj ylmm al
nskip. robl dz lyyyk yw moaudr ymb njxrjkdh bsna cmcdhg tzoqktpwv kehc
sfvb. ... ... zoytgjls dqndfvdolp o mzzsorljl yjde. noemata. Barths.
Autobiography A SelfRecorded Fiction You who listen give me. life in a
manner ofspeaking. I won't hold you responsible.. My first words weren't
my first words. I wish I'd begundifferently.. Among other things I haven't
a proper name. The one I bear'smisleading if not. false. I didn't choose it
either. I don't recall asking to be conceived. Neither did my parentscome
to think of it. Even so. Score to be settled.. Children arevengeance. I
seem to've known myself from the beginning. without knowing Iknew no news
is good news perhaps I'm mistaken. Now. that I reflect I'm not enjoying
this life my link with theworld. My. situation appears to me as follows I
speak in a curiousdetached manner and. don't necessarily hear myself. I'm
grateful forsmall mercies. Whether anyone. follows me I can't tell. Are
you there If so I'm blind and deaf to you. or you are me orboth're both.
One may be imaginary I've had stranger ideas. I. hope I'ma fiction without
real hope. Where there's a voice there's a speaker.. I see I see myself as
a halt narrative first person tiresome.Pronoun sans. ante or precedent
warrant or respite. Surrogate for thesubstantive contentless. form
interestless principle blind eyeblinking at nothing. Who am I. A little.
crise d'identite for you. I must compose myself. Look I'm. writing. No
listen I'm nothing but talk I won't lastlong.LifeStory III. The reader You
dogged uninsultable printoriented bastardit's you I'm. addressing who else
from inside this monstrous fiction.You've read me this. far then Even this
far For what discreditablemotive How is it you don't go. a movie watch TV
stare at a wallplay tennis with a friend make amorous. advances to the
person who comesto your mind when I speak of amorous advances. Can nothing
surfeitsaturate you turn you off Where's your shameMENELAIAD. VI ' ()
('((What))') () ' ' ' 'Why' I repeated. I repeated' I repeated Irepeated'
I repeated I repeat. ' ' And. the woman with abrideshy smile and hushed
voice replied 'Why what'. ' ' Faster than Athena sealed beneath missile
Sicily upstartEnceladus. Poseidon Nisyros mutine Polybutes I sealed my
wouldwideneyes snugger than. Porces Laocoon Heracles Antaeus I held to my
pointinterrogative Helen to. whom as about us combusted nightlong Ilion
Irehearsed our history horse to. horse driving at last as eveninglymyself
to the seed and omphalos of all. . .. . ('((((('))) )) ) ' ' Why ' ' '
'Why' '. ' Why ' 'Why' ' ' John Barth Lost in. noemata. . e k u n s t . Re
spectrearc.hive Where's Ascii Turbulence. Spotlight GALZA. This is a
multipart message in MIME. format...ContentType textplain.
pluginhumorously gained some traction. (See Olia Lialina's misgivings
about. therecent NY Digital Salon posted to rhizome and nettime.) It's
all. aboutinjecting a healthy dose of formaldehyde...long live net art. (.
(Y) ) Hlogre jj jj .. Mushon ZerAviv. guys n' galsI would like to introduce
to you my latest net art work. Where's AsciiYou all remember Where's Waldo
the big illustrated books. where you'resupposed to find this guy with a
redwhite sweater. well Where's. Ascii isthe internet version.Ascii is my
Dog an original Ascii Cyberian and. he got lost on theinternet.If you see
him just click on the dog wherever you. see him on the net (itwill send
you to another random page hosting Ascii) or. To participate more in the
project you are welcomed to. host the dog (paste asmall HTML code in your
site) until I send for him. For. more details and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and. lumber
logdogContentType. textplain namemessagefooter.txtContentDisposition
inline. filenamemessagefooter.txtContentTransferEncoding bit post.
eekunst.no kontaktadresse. noemata. Fwd Nettimebold unstable digest vol.
noemata. Urmuz Tzara. The biggest influence on Tzara was a guy named Urmuz
he blew his brains. outafter publishing about twenty pages of very strange
little prose poems and. anessay about the universe from a Schopenhauerian
viewpoint. I'm working on. abook about Andrei Codrescu and hit this huge
vein of Urmuz I think he. blewhis brains out about and Tzara tried to
block the publication of. Urmuztranslations in France in the s so as to
not have his lack of. originalitywidely known. Ionesco and many other
Romanian greats such as Cioran. andotherspoint to Urmuz.Bisarra blad
(novellsamling hftad sidor. Ellerstrms art.nr )PrisStatstjnstemannen
Demetru. DemetrescuBuzau frde till det yttre ett stillalivi Rumnien vid.
talets brjan. Men under pseudonymen Urmuz fldade hanspenna av svart. humor
morbid fantasi och logiska krumpsprng. Urmuz frebdarsvl. dadaism som
surrealism och knns ptagligt beslktad med den ngot. ldreFalstaff
fakir.versttning och urval av Dan Shafran och Tom. Sandqvist.Urmuz is the
nomedeguerre of Demetru DemetrescuBuzau. He was. born inRomaniain studied
law and earned a living as a judge's assistant.. His entireliterary output
consists of eight storypoems (of which Fuchsiada is. thelongest) and one
short absurdist poem. The storypoems were presumably. writtento entertain
his nieces Urmuz did not originally see himself as. alittrateur.He was
fortuitously found by Romanian poet Tudor Arghezi (see. The ChimingManin
Exquisite Corpse and Thus Spake the Corpse vol. ) who. bestowed onhimthe
Urmuz moniker and published a volume of his complete works.. Urmuz
tookhisown life upon publication of this volume in . His fame is.
posthumous theRomanian avantgarde made Urmuz their star Eugene Ionesco.
credits him as hisseminal source of inspiration. Tristan Tzara attempted
to. suppress the Frenchpublication of the Urmuz texts according to noted
critic. Virgil Ierunca inorder not to blemish his own claim at
originality.rhsh. noemata. Friday January. theirowly..
lesterthemfree.chileshoulderbefreebie.freebietntloofah.freetntrollawaydownagrassyslope.imrozimpossibilityglee.letthematicbdellium.lesterthelmasedumthayersky.theskyvisibilitytodaythematic.hencetheirownheavenly.letchthematicbea.justebe.imrozperfectaharmotome.nnwmorewordplay.rhsh.
noemata. Fwd Article The Violence of the Global. noemata. Fwd postanarchism
Nettlau Panarchy A Forgotten Idea of. noemata. Re BBC Flarf. whether my
Flarf interview Saturday the th on BBCWorld Service radio was or. will be
archived. I don't know. I sent anemail to the person who originally.
contacted me so maybe I'll hearsomething soon. Or maybe not.Lest anyone.
build it up too much the excerpts from the original minutesor so of.
conversation that finally made it onto the air basically consist ofme
reading. the last or lines of Stupidity Owns Me from COMBO andthen
explaining. and the interviewer saying yes but is it art and mesaying why
yes it is. art and her saying prove it then me sayingsomething about the
collaborative. process etc. etc.The best part was the interviewer's Irish
accent.. Flarrruf.KaseyDyke to open up BBC archive(billedtekst) Greg Dyke
predicts. a more publicfocused broadcastingfutureGreg Dyke director
general of the BBC. has announced plans to give thepublic full access to
all the corporation's. programme archives.Mr Dyke said on Sunday that
everyone would in future be able. todownload BBC radio and TV programmes
from the internet.The service the BBC. Creative Archive would be free and
available toeveryone as long as they were. not intending to use the
material forcommercial purposes Mr Dyke added.The BBC. probably has the
best television library in the world saidMr Dyke who was. speaking at the
Edinburgh TV Festival.Up until now this huge resource has. remained locked
up inaccessibleto the public because there hasn't been an. effective
mechanism fordistribution.But the digital revolution and broadband. are
changing all that.For the first time there is an easy and affordable way.
of making thistreasure trove of BBC content available to all.He predicted
that. everyone would benefit from the online archive frompeople accessing
the. internet at home children and adults using publiclibraries to
students at. school and university.Future focusMr Dyke appeared at the TV
festival to give. the Richard Dunn interviewone of the main events of the
threeday industry. event.He said the new online service was part of the
corporation's future. orsecond phase strategy for the development of
digital technology.Mr Dyke. said he believed this second phase would see a
shift ofemphasis by. broadcasters.Their focus would move away from
commercial considerations to. providingpublic value he said.I believe that
we are about to move into a. second phase of the digitalrevolution a phase
which will be more about public. than private valueabout free not pay
services about inclusivity not. exclusion.In particular it will be about
how public money can be combined. noemata. index of djbyhand. index of.
Ka.DJbyHandIngerMarieLienKidSquarepusherStev.mp.
Kb.DJbyHandSourceDirectAngeliteBlackdominaL.mp.
Kb.DJbyHandNickDrakeSquarepusherMr.BungleFreeRi.mp.
Kc.DJbyHandAphexTwinSquarepusherJoniMitchell.mp.
Kc.DJbyHandJoniMitchellMayhemTinAngelDeMysterii.mp.
Kc.DJbyHandsisselkyrkjebomerzbowallgoodthingsbo.mp.
Kd.DJbyHandPhotekSheilaChandraMinotaurEvers.mp.
Kd.DJbyHandclannadgerskytrancelationsiularunign.mp.
Ke.DJbyHandEinsturzendeNeubautenMixmasterMorrisPeter.mp.
Ke.DJbyHandVladislavDelayJoniMitchellUsersguide.mp.
Kf.DJbyHandLivetotell.mp.
Kf.DJbyHandlibanaeinsturzendeneubautennowiwalkin.mp.
Kg.DJbyHandMadonnaSquarepusherVangelisMergir.mp.
Kg.DJbyHandelliottsharpsisselkyrkjeboewaitingroom.mp.
Kg.djbyhandbringbackmischiefkeepingoutoftrance.mp.
Kh.DJbyHandclannaddylangroupiwillfindyoubitter.mp.
Kh.DJbyhandsmellsliketenspirits.mp.
Ki.DJbyHandsisselkyrkjeboorigamiweightlessapati.mp.
Kj.DJbyHandSteveReichBiotaMuziqProverbCirclin.mp.
Kk.DJbyHandJoniMitchellEinsturzendeNeubautenSourceD.mp.
Kl.DJbyHandEmmaHardelinBennyAnderssonSNDGuruGuru.mp.
Km.DJbyHandEllaFitzgeraldSquarepusherEnyaHow.mp.
Km.DJbyHandBarkPsychosisPendulumMan(ambientlongremi.mp.
Kn.DJbyHandKraftwerkJohnColtraneIt'sMoreFuntoCom.mp.
Ko.DJbyHandEinsturzendeNeubautenOmniTrioEngelderV.mp.
Ko.djbyhandmyfavoriteProperHoodidgethings.mp.
Kp.DJbyHandBiosphereAliceAlgaeFungi(Part)Cha.mp.
Kr.DJbyHandHigherintelligenceagencyTheBulgarianVoices.mp.
Ks.DJbyHandSquarepusherSheilaChandraNorthCircu.mp. Kt.DJbyHandExercice.mp.
Ku.DJbyHandSeefeelPolyfusiaJudJudTimetoFindMe.mp.
Kv.DJbyHandSquarepusherEnyaComeonmyselector.mp K. noemata. Sunday January.
lumber. lumber. Anonouncement. Bytes Maggie Loves Bewitch Messy Leaves
Boethius Mews Lavish Beets Mews. Lobbies Butties Meek Lobos Bouts Maag
Lops Bitch Max Levees Bites Massawa. Lupus Betsy Maag Laps Budweis Massa
Lapis Bitch Musky Laps Boadicea Meuse. Lives Baits Macao Luffs Boudicca
Massawa Lvi Booties Micah Leavis Bathhouse. Mossy Liebig Boethius Mows
Labiche Badge Mos Lupus Boathouse Mickie Loaves. Bitch Musk Lpg Baits
Mashie Luffs Baits Maguey Loafs Butts Micky Lipase. Buttock Muse Lops
Beauties Mies Lippie Booties Mays Lovage Batik Maggie. Leafage Badge
Mawsie Lavish Betas Mesh Leaps Betook Miss Lobbies Bathes. Massa Levies
Boethius Messy Lobbies Bites Maas Labiche Baits Mix Lobbies. Bittock
Miaows Lupus Boadicea Mohs Loobies Bitwise Miaows Lipase Badge. Mackay
Libeccio Baits Massa Lipase Biddies Masks Lipase Boats Moscow Loops.
Buttocks Moke Loaves Betook Massawa Levko Betsy Meshy Lupus Bodies Mac.
Labiche Bitsy Muzzy Luffs Bhtes Mocsoo Lapes Betis Mysgih Lopoc Betg.
Meccha Lepec Bodic Mocsao Lufok Betas Myqgei Lhbas Botos Moscue Lebis
Bathg. Masciy Lepag Bedas Masseu Lopos Bothg Massey Lufug Bodes Myscei
Lobec Bhtys. Mecsea Lyfac Badhs Mhcghe Lifoc Betis Mossya Lufyc Bateg
Moskoa Lefis Betas. Mosshh Lhpig Betas Mhskai Lapes Butc Mascea Lebes
Betas Musgie LefhcMY. INCONSTANT STANTON MINCY NANCY NOMITTS NINA CYSTMONT
MONA STINTNYC NINNY. MATTSOC ANN MINCY OTTS STANN MINCYOT KATIE LOREN KATE
ELINOR LEONA KITER. ERATO KLEINAbdomen Girl John Ribald Gnome John Banjo
Holden Grim Gander. Limbo John Gander Mobil John Jordan Being Holm Monad
Bohr Jingle Glean. Morbid John Jargon Blind HomeDeniable Morgen John
Mendable Ignore John. Gimbaled Noreen John Bergland Johnnie Moe Garbled
Johnnie Omen Badger. Johnnie Melon Lieberman Ogden John Bengal Demijohn
Nero Jab Needling. Hormone Banjo Mingled Hereon Banjo Modern Heeling Lab
Mongered Johnnie. Enameled Boring John Endgame Oberlin John Mannered Hobo
Jingle Jihad. Noblemen Negro Jordan Blenheim Gone Mad Grenoble Johnnie
Jeanne Lindbergh. Moo Jeanne Bloom Herding Arlene Bong Demijohn Leaner
Bong Demijohn Anemone. Bohr Jingled Hangmen Lobe Joinder Germinal Debone
John Omnirange Bleed John. Jangle Bodenheim Nor Agone Hornblende Jim
Manhole Bergen Dijon Hermann Globe. Joined Jean Hemoglobin Nerd Johann
Bleeding More Holberg Man Enjoined Jan. Neighbored Monel Jan Bleeding
Hormone Anon Boehmer Jingled Badger Johnnie. Lemon Blamed Goner Johnnie
Dream Belong Johnnie Jading Boheme Ronnel Jihad. Ennoble Monger Donna
Blenheim Jorge Banned Jerome HolingMAGEE BLIND NERO. JOHN MAGEE BIND LONER
JOHN MAGEE BLOOD HERN JINN MAGEE BORNE LIND JOHN. MAGEE ROBIN LEND JOHNA
NAME TO A MEAN TO A TEAM ON A MATE NO ME TO ANA. MEAN TAO ATONE AM AM AT
ONE AMEN TAOBjorn Longhand me I Magne Haugen Jorn. Ben Goldhobrn b.yond
Magnus bjornmag Hallingstad John Mr. Jonah O. Blending. beyond Jon Reime
Jon Joel Nigh Brodman beyoni John Modalen Bernard John Ling. Dffoberman
byoni Olav Asgrimson Johan John Germinal Bond ignominy Runed Foss.
Magnhild pronoun Tomasi Magnhid en Sire born.matronym Larsi Vatlend.
byon.lihngam Bent Standal Magh erroneous.notion Dani Bjrn Norheim Magee.
ontic.mantsin Mikal Nordal Maginsel kari.eliot Bruno Bjrnstad Magy Bjorg.
Brndals Magny Hanne Bjevrke Manee Glenda Bjordl Maney Heod Gram Manney.
garbiel Jakobssen Manny Holkermann Magney Homin Magnee blix MacNillon
brandt. Mac Neal hoberg Magnhy Maget Magey Maghy Hughey Hayes Magnhill
Magni. ByrnBjrn Hitdlakjempe Bjarnar saga Hdlakappa Bjarni. Hitdlakappi
Monstrous Allegations An Exchange of ki in Bjarnar saga.
Htdlakappaber'serk Borne John Lind Magee benoni Bjorn Magnhildson.
Magnhildoyn Jon Magnus Holberg Brandt Beorma bjorn beras matronymbef. ME.
be(a)re beor(e) OE bera c. Fris br D beer OHG bero (G Br) Gmc. beran lit.
the brown one akin to ON bjbrn bersi cf. Lith bras brown. Cf.. BRUINmagh
Important derivatives are may dismay might main machine. mechanic magic.
To be able have power. may from Old English magan to be. able dismay from
Old French esmaier to frighten. Both a and b from Germanic. magan to be
able. might from Old English miht power from Germanic. suffixed form mahti
power. main from Old English mgen power from. Germanic suffixed form
maginam power. Suffixed lengthenedgrade form. mghan that which enables.
machine mechanic (mechanism) (mechano). Greek (Attic) mkhan (Doric) mkhan
device. Possibly suffixed form. maghu. (magic) magus from Old Persian magu
member of a priestly caste (. mighty one). Pokorny magh .PHONOLOGY OF
DEVELOPMENT OF QUENYA FROM. PROTOELDARIN This follows ETYM and ignores the
very different early part of. the phonology development shown in BOLT. As
shown by KVNS at that time RT the. Elves made PE by trying to learn
Valarin from Orome at Koivieneeni and. afterwards Tolkien likely made ETYM
PE Valarin uneuphonic with roots such as. snas and skyap and kugh to make
it sound stern and commanding. (Did. Valarin have a history of change MET
before that E.g. PE magh hand. mag use handle. From the description in
Ainulindale (SIL) Ea before. Arda was made was likely big enough and
lasted long enough for even Ainur's. languages to evolve different ways in
different areas.)In a map printed in. the peninsula is called Island
Maghies and in it is referred to as. McGuiyes Island. Also in in the
Inquisitions of Antrim it is referred. as Island of Magie and Island of
Maghy. In the map called Atlas Novus. published by Johan Blaeu in it is
called Magees Ile. During the th. century the Ordnance Survey Memoirs of
Ireland postulated that the name. Islandmagee was derived from Mac Aoidh
(named after the most common family name. on the island prior to the Tudor
Conquest of Ulster i.e. Magee) or Mac iagh. which they say derives in turn
from a word for seagull. I can not find any such. word for seagull and
believe such a derivation to be incorrect.McKee Magee. McGee Mackey McKay
McCoy MacHugh McHugh and Hugh also in the O form as. OHea OHay Hay Hayes
The derivation from the name Magee (from the Irish. Mag Aoidh or Mag
Aodha) means son of Aodh (an old word for fire). It is a very. common name
in Ulster occurring in the following corrupted forms McKee Magee. McGee
Mackey McKay McCoy MacHugh McHugh and Hugh also in the O form as. OHea
OHay Hay Hayes). In this case the Island is reputed to be named after. a
family of Magees who are said to have their principal base in the
townlands of. Portmuck and Carnspindle. In Marschal Bagenals description
of Ulster in. it is stated such as there be the Magees and contribute to
the Lords of. Clandeboys (from Clann Aodha buidhe U Nill meaning the
family of. yellowhaired Aodh Nill). A similar derivation is given in.
Dubourdieus Antrim viz. the inhabitants thereof are Magies from which it.
hath the name. History records the death of perhaps thirty members of
this. family by soldiers from Carrickfergus Castle following the.
rebellion.AirNav Index of airspace fixes M MAGAF MAGAH MAGAS MAGCI MAGCO.
MAGCY MAGDE MAGDY MAGEE MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI
MAGGO. MAGHA MAGHO MAGHY MAGIC MAGID MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY
MAGJA MAGJI. MAGJO MAGJU MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW
MAGOZ MAGPY MAGRE. MAGRY MAGUH MAGUJ MAGUS MAGUW MAGUY MAGUZ MAGWE MAGWU
MAGXO MAGXY MAGYA MAGYE. MAGYI MAGYU MAGZE MAGZI'Magnus' also appears in
the forms 'Mang' and 'Manges'. in the Alps and Southern Germany. ba) From
the Latin word adjective 'magnus'. great large thus by being used as a
(proper) noun it becomes the great. one. The word is derived from the Indo
European base 'meg(h)' which also. evolved into Sanskrit 'maha' big Greek
'megas' big and English 'much'.. However that is not the entire story.
According to Wasserzieher the norther. variant of the name Magnus was
coined by king Olaf the Saint of Norway who. named a son in honor of
Emperor Charlemagne (Latin Carolus Magnus German. Karl der Grosse
Norwegian KarlaMagnus). Charlemagne () who ruled. over France Germany and
Italy was quite an impressive medieval king who in. was crowned the first
Western Emperor since the fall of the Western Roman. Empire. How
impressive was he to his contemporaries Well he was made a saint.
(canonized in unfortunately only by an AntiPope and he is revered only. in
a few places) and the word for king in many Slavic languages is derived.
his name (Polish 'krol' Russian 'korol'). I must confess this does add. an
intriguing new dimension because of course Professor X's first name is.
Charles which is the French form of the name Karl which owes a lot of its.
popularity to Charlemagne. Two sides of the same coin indeed ba) In
Southern. Germany Switzerland and Austria the name is mixed up with the
otherwise. apparently extinct German name 'Magnoald' 'Maginald' 'Maginold'
he who rules. with might. It is hard to tell if this 'Magnus' is a
Latinization of the German. name(s) or the identification is the result of
a mistake (see section ). This. name seems to be related to that Thor's son
Magni (looking around I also found. the name Magnerich (Magnericus) who was
bishop of Trier from ca. to. .)The first element of this name derives from
the Germanic word for might. represented in modern English 'might' German
Macht and Dutch 'macht' which. derives from the IndoEuropean 'magh' to be
able which also is the root. for modern English 'may' (cf. German 'mag')
'mage' and 'magic' (from the Old. Persian 'magus' Iranian 'magu' which
referred to the Magi the priestly. caste in Ancient Persia and Media) and
also 'machine' and 'mechanic'.. noemata. Saturday December.
Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. PATAFYSISKT NAMN STOPPAS AV
RTTENBrfxxccxxmnpcccclllmmnprxvclmnckssqlbb.. S fr inte lille Albin
stavasitt namn. Kammarrtten i Gteborg fann inget std. i lagen fr att
dpamnniskor i sdan anda. Den vida knda hallndska. namnstriden brjade
medatt lnsrtten i Halland utdmde ett vite mot. frldrarna p kronorfr att
inget frnamn alls registrerats p. gossebarnet trots att hanhunnit bli fem
r. D skickade frldrarna in. stavningen med tecken.Namnfrslaget br ses i
patafysisk anda skrev. frldrarna i sin inlaga.Men kammarrtten kunde inte
se patafysiskt p. stavningen. Parafysik r deinbillade lsningarnas
vetenskap uppfunnen av. absurdisten Alfred Jarry somannars r mest knd som
frfattare till. teaterstycket Kung
Ubu.Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. (pronounced Albin) was a name
given to a child by the parents of a Swedish. family in May .A district
court in Halmstad southern Sweden had fined the. parents (Elizabeth Hallin
and ) kronor (approximately US) for failing. register a name for the boy by
his fifth birthday. Responding to the fine. the parents submitted the
character name claiming that it was a pregnant. expressionistic
development that we see as an artistic creation and. suggesting that it
should be seen in the spirit of pataphysics. The court. rejected the name
and upheld the fine. The long and short of itSWEDISH. authorities last
year told a couple who named their son.
Brfxxccxxmnpckccccmmnprxvcmackssqlbb to find a new shorter name for. the
boy. However the authorities in Stockholm have now rejected his new name.
of A according to the Hallands Nyheter newspaper. Initially the parents.
refused to provide tax authorities with a name for their newborn son.
After. numerous disputes the parents finally provided them with the letter
and. digit sequence which they say is pronounced Albin. That resulted in
an. fine from the tax authorities last year for defying the Swedish name
law.This. northern summer the couple registered their son as A. Tax
authorities also. rejected that name because singleletter names are not
allowed. An appeals. court upheld the decision. The parents previously
said that they chose a. meaningful expressionistic typographic formulation
which we consider to be an. artistic new creation in the pataphysical
tradition in which we believe.The. boy who is still officially nameless
has a passport in which his name is. given as Boy Tarzan.Related Jennifer
. Lee born March in New. York City is a New York Times reporter for the
Circuits section. Her middle. name was given by her parents in her teens
because there are too many people. named Jennifer Lee. She spells her
middle name . on paper but on her. driver's license it is spelt as a much
less dramatic Eight. Her parents were. Taiwan and were influenced by the
typically Cantonese custom that sees. number as a symbol of prosperity. is
a character in the comic strip. Peanuts by Charles Schulz. He debuted in
and continued to appear on and. off until . has spiky hair and sometimes
wears a shirt with (what else). the number five on it. His full name is
(accent on the ) with. being the family's last name (actually their zip
code which in real life. corresponds to the zip code for Sebastopol
California). His father changed all. of the family's names to numbers as a
protest to call attention to the way that. he felt like numbers were taking
over people's identities. also has two. sisters named and .. noemata.
Friday December. lumber. lumber. the mean. while waiting and waiting for
win to boota play for the calculator the. meanok what about . .where does
the . come from. .. still the sameok so we know n(n).(n.)what about step.
while it holds now the diff is always. n(nstep)(step)((nstep))try random
..i have. format c unbelievablestep is so it doesn't workdo you want to
install. netmeetingwho ever had any need of scandiski ran scandisk several
times. nowstill it didn't detect damaged sectorsunbelievable crap
scamdickswell why. didn't it work for odd it's yeah now your product key.
licenceit's supposed to be oh well it just squares thensquareroot of ..
is.. . voilakey is GXPPKTCDRJGJDTRBM (win)it's.
n(nstep)(step)((nstep))which makes sense for the . and the. updating you
system..restart then restart then restartthis wasn't very. profoundit's
like you need the square stuff somewherewhether you put it in the. n's or
the stepit doesn't matterthe suprise in the beginning of this play..it.
didn't take into account the extras of the squarethe double its
shadowit's. about dimensionshow the extra dimension casts a shadow backthe
step is supposed. take care of thatah but there's no stairway to
heavencan't believe this. where are the screen driversMy documents it's
intimidatingvery smalli. lost the scans whateveranal stuff i mean what's
the pointthe joy of. loosingagain a gain where does the shadow come inthe
gain where the extras. are fromhell is a collapse of dimensionswhat
happens when things colapsewhen. these squares collapsed they lost their
shadowi was thinking of this drawing. also what it lostshadows of course
collapsed into texturebut the other way. alsowhat would the hyper be if
this was. textureloomunbelievableunbeleivablewhat is mostthis cognitive
quaking is. backforth's squaringnothing in the middlenothing mediatedthese
are flatmeanthe. synonyms for mean are average base beggarly entail hateful
have in mind. imply intend mean value meanspirited mingy miserly signify
stand for. think think of tight. noemata. Tuesday November. anyhryear
anniversaryarchive of visual. Nov k. noemata. Wednesday November. plese.
its tu muchi wnat nothign to do with itplesei was nothing to do withit.
noemata. Wednesday November. recursive dictionary. material or nonmaterial
entity idea action etc that is or may be thought. about or perceived a gift
a thing given or presented of the something done. deed or action or
sensation caused in the ear by the vibration of the. surrounding air or
other medium of laughter and the capacity or power to. perceive or feel or
to be conscious of the state or condition of being present. or attributes
qualities or characteristics of material or nonmaterial. entities ideas
actions etc that are or may be thought about or perceived. that human
concerns business matters to be attended to their continuous. onward
movement or progression and circumstances esp. those affecting the.
functioning or existence of something active condition which
distinguishes. active animals and plants from inorganic matter including
the capacity for. growth functional activity and continual change
preceding death were. mad.Bertrand RussellApplying the algorithm to text
with a high proportion of. abstract nouns is particularly amusing. Here
the starting text is from. Bertrand Russell's History of Western
Philosophy from a chapter on PlatoThe. second argument is that knowledge
is recollection and therefore the soul must. have existed before birth.
The theory that knowledge is recollection is. supported chiefly by the
fact that we have ideas such as exact equality which. cannot be derived
from experience.Transformation givesThe second reasoning. process is that
awareness or familiarity gained by experience is the act or. power of
recollecting and therefore the spiritual or immaterial part of a. human
being often regarded as immortal must have existed before the emergence.
of a (usually fully developed) infant or other young from the body of its.
mother. The supposition or system of ideas explaining something esp. one
based. on general principles independent of the particular things to be
explained that. awareness or familiarity gained by experience is the act
or power of. recollecting is supported chiefly by the thing that is known
to have occurred. exist or to be true that we have conceptions or plans
formed by mental. effort such as the exact state of being equal which
cannot be derived from. actual observation of or practical acquaintance
with facts or events.. noemata. Monday November. congratulations
congratulations your site is on on (nostalgi). noemata. Monday November.
curious. my handwriting .jpg 'Freedom diedgreat people proved that
awareness exists. and every lifeform is awareunfortunatelly they hadn't in
mind that evolution. not aims into awarenessdevelopment but towards better
adaptation.milions of. people just learned how to fake awareness.This what
makes us Humans is ablity. selfdevelopment and Empathynot adaptation.Crowd
without a leader went. insane.Sickness is ones who emphatize get dellusion
when looking. feelingslessones there is no mutual empathy then ones who
emphatize become. codepend.'.jpg(notes from train station i tried to
visualise how autosopher. adaptativenetwork works)also note that 'positive
effects coming from. smoking of tobbaco come fromchanged metabolism of
dopamine while addiction is. created by completelydifferent
neurotransmitter patch'also common mistake of. polish language pointed out
(use of foregin noun).jpg adaptative ALP network. Daylight Explosioni have
some other work like learning from c sources i'll. write to you laterd.jpg
dissolving substancedreams come when i am. heresnowwhite truth about
falseparticles of absurd from. nothingsubstancewhile this world is only
interpretation of our. dreamssubstanceyou melt with nonexistence like
youpractical disasemble of life. programtransient observation ofthoughts
about minimalism truth about. time.form of delusionsequence of sessionit's
lack of thought Substancewhile. civilisation camp grid is at least km
thin.where is. reasondynamicambitionfield of perception actions of
consiousness()timeand. this is 'life'intonation is alive and manipulating
bodieswill be as is. because can't be other waypreprogrammed forecast
shatter and bend under. influence of new datahow is time machine
likealivedestiny of chaos. complexity creation is creation itselfwe can
watch beauty of growthour time. camepower came to an. noemata. Jag lgger
lite bilder p mig hr.. Jag lgger lite bilder p mig hr.Men kom ihg jag vill
grna att. ni skriver i Gstboken vad ni tycker annars blir det inte fler
bilder. Mina. Fuktiga brst efter duschen.Jag visar upp ett av mina
brst.Jag i sexiga. underklder.Jag visar upp mig p sngen.Hr r jag helt.
utlmnad t dig.Tnk om handen inte fanns dr.Gillar ni mina. Lppar.Ny bild p
mina lppar.Gillar ni bilderna p mig i. stayupsDet kan komma fler bilder
Jag hller p att vertala min. vninna att jag skall f lgga upp bilder p
henne ocks.Hr. under lgger jag sprutbilderna som jag fr Och jag skall
villigt. erknna att jag har onanerat och tittat p dem mnga.
gnger.Sprutbild Sprutbild Sprutbild Sprutbild Sprutbild Sprutbild.
Sprutbild Sprutbild Sprutbild Jag har ftt ett par nya sprutbilder Det.
tycker jag om. Flera gnger har jag tittat p dessa bilder och tnkt. p er
hur ni har lekt med era underbara stnd fantiserat om mig och. sedan
sprutat er varma klibbiga sats ver min kropp. Mnga gnger har. dessa
fantasier tagit mig till underbara orgasmer. Ett extra spnningsmoment. r
ju att min kille inte har ngon aning om vare sig websidan eller dessa.
foto.Hr kommer fler bilder.En bild frn en man som heter Bokoboko.Gabbe.
har ocks sprutat ner min kropp.Hawkan har lagt sin varma sd ver.
mig.Fineman har gjort hrligt sexiga konstnrliga bilder.nnu en bild.
noemata. Saturday November. delayed. noemata. Tuesday November.
colmplaints ingored. complaits comlaints comppaints commplaints complaints
ifnored withijn redach. reazch complaibnts live complaintsa complaints
comlplaints comp laints within. rexach complaintw ikgnored reasch
complaihnts complwints complaintts ignorer. ckmplaints witin complpaints
complaints withkin weithin complaints. complwaints cmplaints complainrts
complaintys ignorwd ignoredr complainte. complaoints comoplaints
complajnts complainys ugnored ignorerd complaintsz. witbhin reaqch rteach
ignorfed complains complaintrs witgin complaingts. ignofred comploaints
comp aints iygnored complaintd iognored jgnored ignoresd. rezach
complaitns ignorsd ignotred cojmplaints r each complaint s complanits.
ignorefd vcomplaints complaints withimn kgnored withih complaints
cmoplaints. teach complaints complaints igynored witihn comnplaints
complints complaings. ignoref compolaints cmplaints ckomplaints co
mplaints ignored wi thin. complaintsw oignored jignored ignored
compplaints ignoed complainrs complainta. ignorted reach complaiknts
ignpred ignjored complaints compliants complaknts. complains complasints
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cvomplaints compllaints complaintxs comllaints feach. cojplaints wiyhin
rwach complaintes withi ihnored complaints reacu wifhin. ighored ignored
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ccomplaints recah ciomplaints within ignred rach. ignoreds ignored
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reafh within eeach complains reacjh complaiints complain s. complainst
compla nts cokmplaints withinm soundtrack complaintss complaints.
complainmts co plaints ignoired complainyts online witjin withij ost
witghin. withuin complzaints complaintfs complaintgs compklaints
compalints complainbts. reac withibn igored discount rea ch cd ignoed
raech complaqints lyrics gnored. compaints complaimnts domplaints c
omplaints rea h gnored complaint sithin. ignoded limited edition
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red w thin complaintse ignorewd ignorsed with in ignored reacdh igbnored.
withun withyin reacvh complauints ignoredd ignnored ignored ignired
withib. ignorwed discounts wihin ibgnored complaibts rweach ifgnored
wifthin. complakints cheap conmplaints albums wiothin c mplaints igmored
complaintds. igno red complazints igonred reachh wuthin witnhin ignordd
reachg inored. ginored awithin ignlored complajints withim comjplaints
reeach eithin dreach. complaints withiin compact disc gnored ighnored
complaijnts resch reqch rdach. igmnored withn withion complaonts coplaints
reacxh ewithin reacch complsints. each complaint ignore complaints wit hin
music reacnh ignoredc clmplaints. ignoredx igbored complai nts ignred
complaintz compl ints complainhts. omplaints rewach by ignored complxaints
reac h complainfts reach ithin. complqaints wikthin reahc witjhin aithin
withjin ereach reachn complqints. reach dcomplaints ignored complkaints
reacb reachj witrhin rexch i gnored. each comlaints comkplaints complainfs
comlpaints complaintsd ignored ignorede. ignoree complsaints reduced
wsithin within complaintzs wthin wthin ithin. ibnored within within rreach
wihin complaintws complaihts within cast. recording ignoted cds wuithin
xomplaints complainnts withi n erach wirthin. within wityin wijthin rerach
cxomplaints reach withjn ignoerd within rech. withnin conplaints igjored
freach wit in withni readh withi reac ignore ignord. copmlaints wkthin com
plaints within swithin complaintsx wwithin complawints. rfeach qithin
ocmplaints within igno ed i nored ignorred enhanced ignmored. rach withkn
reach ognored remastered ignofed rach comolaints withbin woithin. ingored
witfhin each complants album withinb xcomplaints reacgh explicit. ignor d
reavh rrach within ithin within reachy reachu ignored ignokred. wituin wi
hin colmplaints ignore d reaxch r ach complaintas reaxh ivgnored. wiuthin
wirhin cmplaints igtnored w ithin reacfh reacj complzints rdeach. ignoreed
compoaints treach ignkored ignored withn sale ignolred cimplaints. ignored
reach complaunts ignoered reafch wihtin wiithin complaionts reqach. withon
waithin ignhored igniored ignorecd ignkred readch wjithin reach.
coomplaints cdomplaints ignoored ignored reacg withgin complaints ignlred.
clomplaints ignoeed re ch iynored withinn wkithin itgnored ignorde wjthin.
reaach witthin within complxints complainjts complaiunts within withoin.
fomplaints fcomplaints qwithin witbin reavch coimplaints resach reah
ignorec. ignored ignopred witnin ignoredf complain ts cpmplaints ig nored
wighin re ach. gnored compkaints omplaints within wqithin reacn reacyh
reachb wituhin iggnored. ivnored rsach iwthin complaintx rezch reawch
cokplaints kignored ignored wothin. reach igjnored ignorrd compla ints ig
ored ignboredSearch colmplaints. noemata. lumber. lumber. oct().
..JFIF......h FF DB A E. C A .....C.nxxdh C C B AA A BE F FF. FF F DC DC F
FF FF. h FF FF FF FF. FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF
FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF FF FF FF FF FF DB
AA B. .C.h B F D F. FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF
FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF FF FF FF FF FF FF FF FF
FF FF FF. h FF. FF FF FF FF FF FF FF FF FF FF FF FF FF FF C. ah.
...............bh FF. C ..............ch. FF C ..............dh.
................eh. FF DA C A. matronym. Sunday October. Re confuciuslist
Mencius B. wild grass (fwd). matronym. Saturday October. plunderphonics
week. DJbyHandIngerMarieLienKidSquarepusherStev.mp (. C C Nystev.. vil du
D. C E have meg til B C D A B C. kveda..det skal A D eg gjera. med stF C C
D A F rste gleda..og. B C B eg skal kveda sF E. D A o vent fyr deg.. B. C C
F D at du skal glym A F C. F D a deg sjlv og m E D A D A C B. C eg..... eg
skal B F B. kveda so du skaC E C D A D l. grta..um du C E C var aldri. s
gla F B E C D A E d og kt'e... e B C B F g skal kveda so E E C. C D A snlt
fyr deg... B C C E E E at du skal l n. E D E r du ser p meg.D A D A F D E.
F ....Og mine viso F E E C. r dei er so snl C D A F D F B E e..som. Borken
t E E E E rvar p isen. hC C D A F D E le..og mine visF. A E or dei gjer'
ein C E D A. F D C C sleng..som litl E E B. e guten p skeis E E A E E D A
D A C. unn' gjeng..... D E F mine. visor dei F D E C D A F er so
mange..soD. A D C F D E m heggjeblomane. E B D drys i fanget.A F. F .so
hev det vore C C. A D A i all si tid.. D B. dess meir dei kv C D ed dei
dess. mei E D A D A C r der bid...... C A C vil du stevjast F B. C so skal
eg svar C D A F. C E a..og heile nat F B C. ti so skal det v B D A F C.
ara..og vil du A D D stevjast med. meg B C C D A E i kveld..du g. B A E r
'kje t fyrr d E. E D C C E u fr ein smell. abort.
DJbyHandsisselkyrkjeboorigamiweightlessapati MB. matronym. Friday October.
link var. Index of var Name Last modified Size Description. Parent
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DSCN.JPG Sep k DSCN.JPG. Oct k DSCN.jpg Oct k. DSCN.JPG Oct k DSCN.JPG.
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DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct k. FlwTmudZFemVXGfQK... Sep k
P.png. Sep k P.png Oct k. P.png Oct k P.png. Oct k RISS.jpg Oct k. S.jpg
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k recursivelibrary.jpg Sep k. rygg.jpg Sep k san.png. Oct k scapeg.jpg Oct
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skogshorn.jpg. Sep k taka.jpg Oct k. tectonics.jpg Sep k teent.jpg. Oct k
tenner.jpg Oct k. text.jpg Oct k tilapollinaire.jpg. Sep k
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usbdrawing.jpg Oct k. matronym. relax. matronym. Wednesday October. im not
sisting strahgt my jands ctrlz ctrlz ctrlz ctrlz versjon. ctrlz ctrlz ctrlz
ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz. ctrlz ctrlz ctrlz glitch
versjon (ultra editor) well probably doesn't affect. html so why blotherim
not sisting iwant somehthign it's a bit. frighteningstrahgt that kid on its
own and coldmy jands. atomata like tat fly nothing holdingnothing here in
the win. should i let gothis writing is the fog leaves (they of
whatagainst. itself does it) eprime the i don't know anythingi only write
when. drema (dramadream) this blank screenforgetting muself of magic.
contradicted by my fingersnegation well science and the this will. only be
troubleworthwhile howto any base fuck youspace which is. debase. coming
back this is completely lostnothing to.. never againher cunt ie no.
memoryshould backspace sensation must be no knowledgethat. based on
recurrence monster of pixelscollaps else you wouldn't. soothwhere am i
know but gnomhow to write. still sense but no.where am i inn the only once
it vicinitymyself. doesn't count (count potentialmy arm is kind of is.
sentence dntwiched recurrence). any pnrrmaqyawmy back. somewhat object.
object is nvvypub vybcdcxrunched here too much. object. dmcs vnbpu
cdngvirtual backspace anything that is suug. fcnothing ever comes visible
or tangible mqhycuq iydxout of this. and is relatively bucgupd dnwhere
does this go stable in form. to. uaurk rnhuruadexpect nothing you. ya
hypyaydkleft. channel delay something. thing xytt uywxd cyjthe need.
(meeting vyhuno structure her interface). lubn. ()whatever fright
subjectsubstancediscontinue into. subtrahends ariettaslide emergent
relation. subterfuge. arroweddiscreet egene remove
sceptrelessespataphysical. logic posessive my's. arrowedcompression is a
reactive at chemical. saboteur aridcipher level. behave septarium
arteroads. late ME softheartedly aradjustice behaven. (reflexive).
subterranean aridblockhead See BE HAVE.. shifters airywriting into space
behaviorism the spadework awardeei'll. go wherever the theory that scepter
areawidekeys lead. psychology can be shifter aerateleather case accurately
studied. softer arrauboard table kitchen only through the spader
artiecuisine. examination and subterfuge aureatei meant metaphor analysis
of. sputter areawidewherever possessives. subtree. areawidesomething else
sputter aeratethis is just. one i'm no one get your softer airyside hands
off me.. spader airtno justice HAHA. subterraneanisesusually space is
karmaguilttraces aortaexpensive. i once had guilt subdirectories
artymassive nothing writing haha. says it spidery airedeyes all (active
subtraction. artyi once had eyes expression vs sceptered artiego beyond
they. say matters of doctrine) subtreasury areawideother i laughter. is
spidery arrayedwhat comes in this eternally guilty. subterraneanise arteis
still eyes (doctrinal in sifter. awardeekeyes writing) as anythe cod e
statement. n softheart s mouthing. y. arrondis t guilty guilty (how
soekar. ttraffi n awkward to ) soffit ar thorsest c t. how's w g softies
arteriolethere's compilation attached to guilt. soever arterialises should
stop writing soke. arterialisinginterprete e another w e sojoimmedi s.
status of relate to artel valuemeaning other sodwhat'. than drawn arteri
dente. softhead arthromerewhich is p s (interfaces again).. sojourners
arrowrooti had t a media a softening. artefactbig small inverse suppose it
e softbound arsenicaldi. other way a softy ars lprotoco f signs are. soiree
arsenicisespapyrus no o lines are. ts stronger attraction readapting
mcqueenpro. proto mecritical distance attraction to. what reactualise
meagerlyexecution of seeing easy essing. meal ers are easi ay. of
mcmurdohidden instant an. g rea ness memiddleman blackmail to. ably me
compl of the ualizes. li syst inimax rk up. to mewhat's the deal on. me (
rface') reactualisations. mei r mansus accidencesubsta me. critical and
easie 's. system wins liked ng not gravitati. stupid you alwaysde reaming
get signs toodr eath is. obvious it's theirso ng else job. backtrackingi'd
to die. guilt is thru th .. sign you no. shouldn't att it's like chaplin
onde s trash. a conveyor belt ghtning down t rs economy.no. no signno in
the talking is a w recur.. as stimulusres augment pos. respons. lumber.
matronym. Tuesday October. thing. thing (thing) n. . a material object
without life or consciousness an. inanimate object.. some entity object or
creature that is not or cannot be. specifically designated or precisely
described The stick had a brass thing on. it.. anything that is or may
become an object of thought things of the. spirit.. things matters affairs
Things are going well now.. a fact. circumstance or state of affairs It is
a curious thing.. an action deed. event or performance to do great things
His death was a horrible thing.. a. particular respect or detail perfect
in all things.. aim objective The. thing is to reach this line with the
ball.. an article of clothing I don't. have a thing to wear.. things
implements utensils or other articles for. service I'll wash the breakfast
things.personal possessions or belongings. Pack your things and go. a task
chore I've got a lot of things to do. today.. a living being or creature
His baby's a cute little thing.. a. thought or statement I have just one
thing to say to you.. Informal. a. peculiar attitude or feeling either
positive or negative toward something. mental quirk She has a thing about
cats.. something signified or. represented as distinguished from a word
symbol or idea representing. it.. Law. anything that may be the subject of
a property right.. do or find. one's own thing Informal. to pursue a
lifestyle that expresses one's self.. Also do or find one's thing. . make
a good thing of Informal. to turn (a. situation experience etc.) to one's
own profit benefit by She made a good. thing of her sparetime hobbies..
new thing Jazz. See free jazz. . not to. get a thing out of to be unable
to obtain information or news from The police. couldn't get a thing out of
him.to fail to appreciate understand or derive. aesthetic pleasure from My
wife likes opera but I don't get a thing out of. it.. see or hear things
Informal. to have hallucinations.. the thing. something that is correct or
fashionable That caf is the thing now.that. which is expedient or necessary
The thing to do is to tell them the. truth.bef. ME OE orig. meeting see
THINGthing (thing ting) n.. (in Scandinavian countries) a public meeting
or assembly esp. a legislative. assembly or a court of law.Also ting. Cf.
thingstead. ON assembly. c. THING D ding G Ding thing orig. meeting akin
to Goth theihs. matronym. Monday October. nothing (nuthing) n.. nothing
(nuthing) n. . no thing not anything naught to say. nothing.. no part
share or trace (usually fol. by of) The house showed. nothing of its
former magnificence.. something that is. nonexistent.. nonexistence
nothingness The sound faded to. nothing.. something or someone of no
importance or significance Money is. nothing when you're without health..
a trivial action matter circumstance. thing or remark to exchange a few
nothings when being introduced.. a person. of little or no importance a
nobody.. something that is without quantity or. magnitude.. a cipher or
naught Nothing from nine leaves nine.. (used in. conventional responses to
expressions of thanks) Think nothing of it. It's. nothing. Nothing to it..
for nothing free of charge.for no apparent reason. or motive.futilely to
no avail They had gone to a great deal of expense for. nothing.. in
nothing flat in very little time Dinner was finished in. nothing flat..
make nothing of to treat lightly regard as easy.to be. unsuccessful in
comprehending He could make nothing of the complicated. directions..
nothing but nothing other than only We could see nothing but. fog..
nothing doing Informal. emphatically no certainly not.no activity.
inducement advantage etc. present to the eye We drove through the town
but. there seemed to be nothing doing.. nothing less than or short of
absolutely. completely She was used to nothing less than the best.. think
nothing of to. treat casually.to regard as insignificant He thinks nothing
of lying to. conceal his incompetence.adv. . in no respect or degree not at
all It was. nothing like that. Nothing dismayed he repeated his
question.adj.. . amounting to nothing as in offering no prospects for
satisfaction. advancement or the like She was stuck in a nothing job.bef.
ME OE. matronym. rinsay. the active expression of enlightenment over
matters of doctrineThe mind thus. creates the world in the sense that it
invests the phenomenal world with. value.They have presumably already
freed themselves from preoccupations with. the commoner cravings for
sensual indulgence material gain or worldly fame. and have entered the
path of religious strivings. But it is precicely this fact. that Linchi
sees as the source of their problems.this lone brightness without. fixed
shape or form.once and for all that there is no goal to be striven for.
because it has been won already no place to be journeyed to because one
is. there right now.People with so few roots of faithif it's for the sake
of the. Dharma don't hesitate to sacrifice your bodies or give up your
lives.If you. approach it with a true and proper understanding you won't
be affected by. considerations of birth and death you'll be free to go or
stay as you. please.The fault lies in the fact that they don't have faith
in. themselvesStudent's don't have enough faith in themselves and so they
rush. around looking for something outside themselves.Those who have
fulfilled the. ten stages of bodhisattva practice are no better than hired
field hnads those. who have attained the enlightenment of the fiftyfirst
and fiftysecond stages. are prisoners shackled and bound arhats and
pratyekabuddhas are so much filth. in the latrine bodhi and nirvana are
hitching posts for donkeys. Why do I. speak of them like this Because you
followeres of the Way fail to realize that. this journey to enlightenment
that takes three asamkhya kalpas to acomplish is. meaningless. So these
things become obstacles in your way.Fellow believers. time is precious You
rush off frantically on side roads studying Ch'an. studying the Way
clinging to words clinging to phrases seeking Buddha. seeking the
patriarch seeking a good friend scheming planning. But make no. mistake.
Followers of the Way you have on set of parents what more are you. looking
for You should stop and take a good look at yourselves. A man of old. tells
us that Yajnadatta thought he had lost his head and went looking for it.
but once he had put a stop to his seeking mind he found he was perfectly
all. right.The man of value is the one who has nothing to do. Don't try to
do. something special just act ordinary. The Paotsung lun With regards to
the. Way what is valued in every age is to have nothing to do. With
regards to the. Way when one is mindless then all things will proceed
smoothly.Followers of. the Way the Dharma of the buddhas calls for no
special undertakings. Just act. ordinary without trying to do anything
particular. Move you bowels piss get. dressed eat your rice and if you get
tired then lie down. Fools may laugh at. me but wise men will know what I
mean. A man of old said People who try to do. something about what is
outside themselves are nothing but blockheads.If you. have doubts in your
mind for an instant that's the Buddha devil. But if you. can understand
that the ten thousand phenomena were never born that the mind. is like a
conjurer's trick then not one speck of dust not one phenomenon will.
exist.As I see it there's no Buddha no living beings no long ago no now.
If. you want to get it you've already got it it's not something that
requires. time. There's no religious practice no enlightenment no getting
anything no. missing out on anything.If you want to be free to be born or
die to go or stay. as onw would put on or take off a garment then you must
understand right now. that the person here listening to the Dharma has no
form characteristics no. root no beginning no place he abides yet he is
vibrantly alive. All the ten. thousand kinds of contrived happenings
operate in a place that is in fact no. place.If your mind entertains a
moment of doubt it becomes obstructed by the. element earth. If your mind
entertains a moment of craving it becomes drowned. in the element water.
If your mind entertains a moment of anger it is seared. by the element
fire. If your mind entertains a moment of delight it is tossed. about by
the element air.The way I see it onw shouldn't be averse to anything..
Suppose you yearn to be a sage. Sage is just a word sage.Those who study
the. Way these days need to have faith in themselves and not go looking
for. something outside.If you want to be a truly great vessel you must
never be led. astray by others. Wherever you are play the host and then
any place you stand. will be a true one. Whatever confronts you don't let
yourself be imposed on.. If you entertain even a moment of doubt the devil
will enter your mind.Just. have faith in this thing that is operating in
you right now. Outside of it. nothing else exists.In the way you now
respond and utilize it what do you. lack In the space of an instant you
enter purity or enter defilement enter. the halls of Maitreya or enter the
lands of the three eyes. You wander at ease. everywhere for you see that
these are all empty names.The buddhas and. patriarchs are people who don't
have anything to do or are without defilements. and doings their karma is
clean and pure.The Patriarch Shenhui said If you. try to arrest the mind
and stare at silence summon the mind and focus it on. externals control
the mind and make it clear within concentrate the mind and. enter into
meditation all practices of this sort creates karma.So for the. past
twelve years though I've looked for this thing called karma I've never.
found so much as a particle of it the size of a mustard seed.from times
past. the real teachers wherever they went were never listened to and were
always. driven out.The various phenomena in this world and other worlds are
in all. cases devoid of intrisic nature. Even if something did exist it
would in all. cases be no more than an environment that changes with what
it depends on. You. live in a land of changing dependent conditions what
is it you are looking. for And things like the Three Vehicles and the
twelve divisions of the. scriptural teachings they're all so much old
toilet paper to wipe away filth.. The Buddha is a phantom body the
patriarch are nothing but old monks. You were. born from women weren't you
I you seek the Buddha you'll be seized by the. Buddha devil. As long as you
seek something it can only lead to suffering.. Better to do nothing.A true
student of the Way never concerns himself with the. Buddha. Far removed
alone and free he is never entangled in things. Heaven. and earth could
turn upside down and he would not be perturbed. All the buddhas. of the
ten directions could appear before him and his mind would not feel an.
instant fo joy the three realms of hell could suddenly confront him and
his. mind would not feel an instant of alarm. Why is he like this Because
he knows. that all things in the phenomenal world are empty of
characteristics. WHEN. CONDITIONS CHANGE THEY COME INTO EXISTENCE WHEN
THERE IS NO CHANGE THEY DO. NOT EXIST.Followers of the Way when students
come here from various regions. and we have finished greeting one another
as host and guest the student will. make som remark to test the teacher.
The student comes out with these tricky. words and thrusts them into the
teacher's face. If you were the teacher and. realized that this was just
an 'environment' and you grabbed it and threw it. down a hole then the
student would act normal again and after that would ask. for the teacher's
instruction. The teacher would then snatch that up too and. treat it as he
did the earlier remark. The student then says Very wise A. truly great
teacher The teacher says You certainly can't tell good from. badAgain
suppose the teacher comes out with a certain chunk of environment. and
dangles it in front of the student's face. The student sees through this.
and at every step acts the master refusing to be misled by the
environment.. The teacher then reveals half of his body whereupon the
student gives a shout.. The teacher now enters the place where there are
all kinds of differences and. distinctions battering the student around
with words. The student says This. old baldhead who can't tell good from
bad The teacher exclaims in admiration. A true and proper follower of the
WayThere are some teachers around who can't. distinguish crooked from
straight. When a student comes and asks about bodhi or. nirvana about the
threefold body or about environment and wisdom those blind. old teachers
start explaining to the student. When the student curses at them. they
pick up their stick and hit him saying Such rude language If you have. a
teacher like that he lacks eyes to begin with.Then there is that bunch of.
baldheads who can't tell good from bad but point to the east gesture to
the. west love clear weather love it when it rains love this lamp or that
pillar.. Look and see how many hairs they have left in their eyebrows and
with good. reason. Teachers like that are nothing but wild fox spirits
goblins. Good. students will just give a little snicker and say Blind old
baldheads trying. confuse and lead everybody in the world astrayFollowers
of the Way if you. want to get the kind of understanding that accords with
the Dharma never be. misled by others. Whether you're facing inward or
facing outward whatever you. meet up with just kill it If you meet a
buddha kill the buddha. If you meet. your parents kill your parents.These
students of the Way who come from all. over there's never been one of them
who didn't appear before me depending on. something. So I starrt out by
hitting them there. If they come with a raised. hand I hit the raised hand
if they come mouthing something I hit them in the. mouth if they come
making motions with their eyes I hit them in the eye. I. have yet to find
one who comes alone and free they're all caught up in the. idle devices of
the men of old.I don't have a particle of Dharma to give to. anyone. All I
have is cure for sickness freedom from bondage. You followers of. the Way
from here and there try coming to me without depending on anything. All. I
get are things stuck to stems clinging to leaves wraiths that inhabit
bamboo. or trees wild fox spirits They chew frantically at every lump of
shit they. happen upon. Blind foolsI tell you there's no Buddha no Dharma
no practice. no enlightenment. Yet you go off like this on side roads
trying to find. something. Blind fools Will you put another head on top of
the one you have. What is it you lackThe way I see it there's no call for
anything special.. Just act ordinary put on your clothes eat your rice
pass the time doing. nothing. You who come here from here and there you
all have a mind to do. something. You search for the Buddha search for the
Dharma search for. emancipation search for a way to get out of the
threefold world. Idiots. trying to get out of the threefold world Where
will you goFellow believers. this body made up of the four major elements
has no permanence. Things like. spleen and stomach liver and gall hairs
nails teeth are simply evidence. that all phenomenal things are empty of
fixed characteristics. As long as your. mind is unable to cease its
momentbymoment activity then you are up in the. tree of ignorance. But if
you can learn to cease then you'll be in the world. of the clean pure
body.If a student truly knows what he is doing he will give. a shout and
then first of all hold out a try of lacquer. The teacher failing.
recognize this as a mere 'environment' proceeds to climb up on the.
environment and begin striking poses or donning attitudes. The student
gives a. shout but the teacher refuses to abandon his approach. This is
called the. guest seeing through the host.Or perhaps the teacher will not
come out with any. object of his own but will wait for a question from the
student and then snatch. it away. The student seeing his question snatched
away won't let go but holds. on for dear life. This is a case of the host
seeing through the guest.Perhaps. there is a student who responding with a
clean pure environment presents. himself before the teacher. The teacher
can tell this is just an environment. and grabs it and throws it down a
hole. The student says A truly great. teacher Instantly the teacher says
Hopeless can't tell good from bad. The student gives a low bow. This is
called the host meeting up with a host.Or. there may be a student who puts
a cangue wooden collar on his neck binds. himself in chains and then comes
before the teacher. The teacher proceeds to. shackle him with another set
of cangues and chains. The student is delighted. unaware of what has
happened. This is called the guest meeting up with a. guest.But students
don't have faith enough and instead base their. understanding on words and
phrases. Their years pile up to half a hundred and. all they do is go off
on side roads carrying their dead corpses on their. backs racing all over
the world with their load of baggage.If you look toward. the area of
motion and try to grasp the truth there it will take up its stand. in the
area of nonmotion and if you look towards nonmotion and try to grasp it.
there it will take up its stand in motion. It is like a fish hidden in a
pond. who now and then slaps the surface and leaps up.When students come
from here. and thee I classify them into three categories according to
their ability. In. such cases if a student of less then middling ability
comes to me I snatch. away the environment but leave him his existence. I
a student of better than. middling ability comes to me I snatch away both
environment and existence. If. a student of truly superior ability comes
to me I do not snatch away anything. neither environment nor existence nor
person. If a student appears whose. understanding surpasses all these
categories then I deal with him with my. whole body and take no account of
his ability.Reverend Taoi's way of doing. things was simple direct nothing
mixed in. Reverend Lushan was utterly free. true and correct but whether
he came at them with compliance or opposition his. students could never
fathom what was going on. Mau's way of doing things. was as bitter as the
bark of the Chinese cork tree no one could get near him.. The way Shihkung
went about it was to look for students by pointing an arrow. at them all
who came to him were terrified. Shihkung had been a deer hunter.. When
students came to him he would fit an arrow to his bow point it at them.
and say Look at the arrowFellow believers these sounds names words.
phrases are all nothing but changes of robe. The sea of breath in the
region. below the navel stirs itself into motion the teeth batter and mold
it and it. comes out as a statement of an idea. So we know for certain that
these are mere. phantoms.Better to do nothing to meet someone but not
recognize him talk with. him but not know his name.There's a bunch of
fellows who can't tell good from. bad but poke around in the scriptural
teachings hazard a guess here and there. and come up with an idea in words
as though they took a lump of shit mushed it. around in their mouth and
then spat it out and passed it on to somebody else.. They're like those
people who play passtheword parlor games wasting their. whole life like
that.When the great teacher Bodhidharma came from the west he. was simply
looking for a man who would not be misled by others.I have been.
addressing you putting forth a lot of trashy talk. But make no mistake In
my. view there are in fact no great number of principles to be grasped.If.
bodhisattvas even those who have completed the ten stages of mind practice.
were all to seek for the traces of such a follower of the Way they could
never. find them. Therefore the heavenly beings rejoice the gods of the
earth stand. guard with their legs and the buddhas of the ten directions
sing his praise.. Why Because this man of the Way who is now listening to
the Dharma acts in a. manner that leaves no traces.Neither in this world
nor in any other world is. there any Buddha or Dharma. There is nothing to
appear before you and nothing. that is lost.Fellow believers only when you
have commited the five crimes that. bring on the hell of incessant
suffering will you finally gain. emanciation.Killing your father injuring
your mother drawing blood from the. Buddha's body disrupting the harmony
of the Monastic Order burning the sutras. and images these are the five
crimes that bring on the hell of incessant. suffering.Ignorance is the
father. When your mind is without activity wherever. it is this is called
killing the father.Greed is the mother. When your mind. experiences no
attachment anywhere this is called injuring the mother.If your. mind doesn
not even for an instant begin to discriminate but instead sees. complete
darkness everywhere this is drawing blood from the Buddha's body.If. you
properly understand that the bonds and entanglements of earthly desires
are. so much emptiness with no place to lean on this is disrupting the
harmony of. the Monastic Order.When you can see the emptiness of causes
and conditions the. emptiness of all phenomena when the mind is every
instant completely calm far. removed and doing nothing this is burning the
sutras and the images.Your minds. instant by instant confront an empty fist
a pointing finger and take it for. some sort of reality vainly trashing
around in the realms of senses. environments phenomena.Followers of the
Way don't take the Buddha to be some. sort of ultimate goal. In my view
he's more like the hole in a privy. Therefore. Manjushri grasped his sword
ready to kill Gautama and Angulimala blade in. hand tried to do injury to
Shakyamuni.Followers of the Way even if you can. understand a hundred
sutras and treatises you're not as good as one plain monk. who does
nothing.Followers of the Way don't search for anything in written. words.
The exertions of your mind will tire it out you'll gulp cold air and. gain
nothing.Fellow believers don't dawdle your days away In the past before. I
had come to see things right there was nothing but blackness all around.
me.Fellow believers do not use your minds in a mistaken manner but be
like. the sea that rejects the bodies of the dead.Weishan said Well what
do you. thinkYangshan said Officially not a needle is allowed to pass but.
privately whole carts and horses get throughWhen illumination comes first
and. action afterwards then the person is present. When action comes first
and. illumination afterward then the Dharma is present. When illumination
and. action are simultaneous it's like driving away the plowman's ox
snatching. food from a starving person cracking bones and extracting the
marrow giving a. painful poke with a needle or an awl. When illumination
and action are not. simultaneous there are questions and answers guest and
host are established. water gets mixed with mud in response to movements
measures are taken. If the. person is really outstanding then even before
a problem arises he'll rouse. himself and be on his way. But still it
needs another little push.(from the. lumber. matronym. Sunday October. ok.
these characters don't mean anythingarseholes on tv televisionrectoscopy
rs. holes tv setthis candlelight the this the president the dog the the.
theodicy evil levi live veil vilegood has no anagrams no otheranagram has
no. anagram which backfires on good it's just emptythe same ames asme meas
mesa. msae seam other theor. throerandom rodmannegative agentivepositron.
sorptionatchoo cahootakan kanahaiku ukiahemil lime milemale alme elam
lame. lam mael meal melafemale icon coin cion sign sing sing.arse ares son
of. zeus and hera mars male marse aser asher rase raze sear. to burn or
char. the surface of She seared the steak to seal in the juices.. to mark
with a. branding iron.. to burn or scorch injuriously or painfully He
seared his hand. on a hot steam pipe.. to make callous or unfeeling harden
The hardship of her. youth has seared her emotionally.. to dry up or wither
parch.v.i.. to become. dry or withered as vegetation.n.. a mark or scar
made by. searing.adj.. sere.bef. (adj.) ME sere OE sar c. D zoor (v.) ME.
seren OE sarian deriv. of sarstill sr norwsera plural of serum blood. milk
whey curd duca cheese christ smegma the last sup puslas palmas plasmathe.
sun nous onus probandi it's ya onus ya orseeros rose sore (sear) sero
(serum. again)horse shoer shoreursus arctos horribilis kodiakthis hist
isth sith tshi. shitexcrement waste matter sweat (matter has no anagram
neither mind)mother. thermovater avert travemater ramet tamersanta satan
tsananoema anemo wind L. animus breath Skt anilasrumblehex ascii isiac
isis usus oso horosbeing begin. binge blast bust blair toot jagresist
sisterbroth throb frater rafter rumble. lumber jackass (anything
male)thing night dorknesslight bef. (n. and. adj.) ME OE loht c. OS lioht
OFris liacht D G licht Goth liuhath (n.). akin to ON ljs (n.) ljss (adj.)
L lx (n.) Gk leuks bright white. (v.) ME lighten OE lhtan c. OS liuhtian
OHG liuhten (G leuchten) Goth. liuhtjanlux litho thiol
stonelightfireelectron el centro recent holocene holos. soul sole solus
also solaone eon neo noe time emit mite item geo ego aeon a. one eras
arseone bef. ME oon OE n c. D een G ein Goth ains L nus. (OL oinos) akin
to Gk on ace on a diejocus jeckarse jest gest gegere. perform egest to
discharge as from the body void (opposed to ingest). injoke notfunnyyoke j
bef. (n.) ME yok(e) OE geoc c. D juk G Joch. ON ok L jugum Gk zygn Hittite
yugan Skt yuga (v.) ME yoken OE. geocian deriv. of the n.orl korrect.
lumber. matronym. Friday October. lumber. lumber. Bkonomi.
BkoEuropnomiVaVerdektigenramtomNorgeNordenDanmarkFryeneGrNonlanrdendFinlandIslandogSverige.BkonomiVekt.
i gram tom Norge Norden. Europa Verden. Norden Danmark Fryene Grnland
Finland Island og Sverige.. matronym. Thursday September. scribbling on a
blank end page of rinzai roku my mom wanted to look at some. pictures but
got stuck in navigating the mouse so i get very bored before. reaching the
start button my sister comes in with bruises on her knees and a. blue hand
not knowing where they come from (polish vodka party) eventually it.
dissolves the scribble remains and i do a scan upsidedown like colliding
in. mouse and vodka crashes.scurvy dog story.Theese be. disturbance (vacky
horror)if you look towards the area of motion and try to. grasp the truth
there it will take up its stand in the area of nonmotion. it's like a fish
hidden in a pond who now and then slaps thesurface and leaps. upjesus
whatChrist whatShiva WhatWat WhatWhat Wattbunch of. goblin spiritsdoubt
earth (buddha devil)craving wateranger firedelight. raysnostalgia
(neuralgia) of the imagehome (no home)anger of the visible. world (light)
fireimagenostalgia of the explicit (for a root in. events)return going
somewhereturn on meand watch me cumpelwhose. meMEMEjujuscurrilous image
sorcerorsplunters pirates of the. imagesometime you come riding on an
imageyou take diamond ministry (any. syle building you want)populate w
furry amoebas..perhaps come come riding on. matronym. Monday September.
crash courseplunt bubble chamber traceroutemy mother is learning the
mouse. matronym. Sunday September. editor's note. kunst DOT no. matronym.
Wednesday September. lumber. lumber. Re sq. noemata. Friday May. amrah.
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Poper. Pharmaper. noemata. feynman. ...All this went on in the first few
weeks before we got. everythingstraightened out. Anyway one day I'm
piddling around with the. computingmachine and I notice something very
peculiar. If you take divided. by youget .. . . It's quite cute It goes a
little cockeyed. after whenyou're carrying but it soon straightens itself
out and repeats. itself nicely.Ithought it was kind of amusing. Well I put
that in the mail. and it comes back to me. It doesn't go throughand there's
a little note Look. at Paragraph B. I look at Paragraph B.Itsays Letters
are to be written. only in English Russian SpanishPortugueseLatin German
and so forth.. Permission to use any other language must beobtained in
writing. And then it. letter which saidthat I feel that of course this
cannot be a code because if. you actually dodivide by you do in fact get
all that and therefore. there's no moreinformation in the number .. . .
than there is in. the number which is hardly any information at all. And
so forth. I. therefore asked forpermission to use Arabic numerals in my
letters. So I got. that through allright....And von Neumann gave me an
interesting idea that you. don't have to beresponsible for the world that
you're in. So I have developed a. very powerfulsense of social
irresponsibility as a result of von Neumann's. advice. It'smademe a very
happy man ever since. But it was von Neumann who put. the seed inthatgrew
into my active irresponsibility... What You a. psychiatrist keeping an
open mind Ha It went on likethisfor quite a. while. Then at some point
near the end he says How much do you value. life Sixtyfour. Why did you
say 'sixtyfour' How are you supposed to. measure the value of life No I
mean why did you say 'sixtyfour' and not. 'seventythree' forinstance If I
had said 'seventythree' you would have. asked me the same question The
psychiatrist finished with three friendly. questions just as the
otherpsychiatrist had done handed me my papers and I. went off to the next
booth....After a while I began to worry. Here's a guy. who's been deferred
all duringthe war because he's working on the bomb and the. draft board
gets letterssaying he's important and now he gets a D in. Psychiatric it
turns outhe's a nut Obviously he isn't a nut he's just. trying to make us
believe he'sanut we'll get him...I don't believe I can. really do without
teaching. The reason is I have tohave something so that when. I don't have
any ideas and I'm not gettinganywhereI can say to myself At least. I'm
living at least I'm doing something I'mmaking some contribution. it's just
psychological.... So I got this new attitude. Now that I am burned. out and
I'll neveraccomplish anything I've got this nice position at the.
university teachingclasses which I rather enjoy and just like I read the.
Arabian Nights forpleasure I'm going to play with physics whenever I want
to. without worryingabout any importance whatsoever....Thirteen Times One
time a. science teacher from the local city college came around and
askedmeif I'd give. a talk there. He offered me fifty dollars but I told
him I wasn'tworried about. the money. That's the city college right Yes. I
thought about how much. paperwork I usually had to get involved with when
Ideal with the government so. I laughed and said I'll be glad to give
thetalk.There's only one condition on. the whole thing I pulled a number
out of ahatand continued that I don't. have to sign my name more than
thirteen timesand that includes the check The. guy laughs too. Thirteen
times No problem. So then it starts. First I have. sign something that
says I'm loyal to thegovernment or else I can't talk in. the city college.
And I have to sign itdouble OK Then I have to sign some kind. of release to
the city I can'tremember what. Pretty soon the numbers are. beginning to
climb up. I have to sign that I was suitably employed as a. professor to
ensure ofcourse since it's a city thing that no jerk at the. other end was
hiring hiswife or a friend to come and not even give the lecture.. There
were all kindsofthings to ensure and the signatures kept mounting. Well.
the guy who started out laughing got pretty nervous but we just madeit. I.
signed exactly twelve times. There was one more left for the check so
Iwent. ahead and gave the talk. A few days later the guy came around to
give me the. check and he was reallysweating. He couldn't give me the
money unless I signed. a form saying I reallygave the talk. I said If I
sign the form I can't sign. the check. But you were there. Youheard the
talk why don't you sign. it Look he said Isn't this whole thing rather
silly No. It was an. arrangement we made in the beginning. We didn't think
it wasreally going to get. thirteen but we agreed on it and I think we
shouldstick to it to the. end. He said I've been working very hard calling
all around. I've been. tryingeverything and they tell me it's impossible.
You simply can't get your. moneyunless you sign the form. It's OK I said.
I've only signed twelve. times and I gave the talk. Idon'tneed the money.
But I hate to do this to. you. It's all right. We made a deal don't worry.
The next day he called me. up. They can't not give you the money
They'vealready earmarked the money and. they've got it set aside so they
have to giveit to you OK if they have to. give me the money let them give
me the money. But you have to sign the. form. I won't sign the form They
were stuck. There was no miscellaneous pot. which was for money that
thisman deserves but won't sign for. Finally it got. straightened out. It
took a long time and it was verycomplicated but I used. the thirteenth
signature to cash my check.... It's a kind of scientific. integrity a
principle of scientific thoughtthatcorresponds to a kind of utter. honesty
a kind of leaning over backwards.Forexample if you're doing an. experiment
you should report everything that youthink might make it invalid. not only
what you think is right about itothercauses that could possibly. explain
your results and things you thought ofthatyou've eliminated by some. other
experiment and how they worked to makesurethe other fellow can tell. they
have been eliminated.... Why didn't they discover that the new number was.
higher right away It's athing that scientists are ashamed of this history.
because it's apparentthat people did things like this When they got a.
number that was too highaboveMillikan's they thought something must be
wrong. and they would look forandfind a reason why something might be
wrong. When. they got a number closer toMillikan's value they didn't look
so hard. And so. they eliminated the numbersthat were too far off and did
other things like. that. We've learned thosetricks nowadays and now we
don't have that kind of a. disease. But this long history of learning how
to not fool ourselves of. havingutterscientific integrity is I'm sorry to
say something that we. haven'tspecifically included in any particular
course that I know of. We just. hopeyou've caught on by osmosis. The first
principle is that you must not fool. yourself and you are theeasiest person
to fool. So you have to be very. careful about that. Afteryou'venot fooled
yourself it's easy not to fool other. scientists. You just have tobehonest
in a conventional way after that.... So I. have just one wish for you the
good luck to be somewhere where youare free. maintain the kind of
integrity I have described and where you donot feel. forced by a need to
maintain your position in the organization orfinancial. support or so on
to lose your integrity. May you have thatfreedom.Surely. noemata. the plan
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given in members of. this family by soldiers from Carrickfergus Castle
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Arts several. gigabyte (plain index) . The . Gertrude. . Stein . Reader .
collection of. . esoteric . shortform . writing. (Seattle Studio Sokrates
jazz og filosofi radio (NRK). Analytics) The Straight Dope (QA. columns
from Cecil Adams) The age of manipulation shift from a religious to a.
therapeuticworldview Timeline of knowledgerepresentation (Robot. wisdom)
GX JupitterLarsen's OnLine Amathopaedia The. Kingdoms of ElgalandVargaland
consisting of borderterritories. Intellectual property issues (Negativland)
Afterlife Beliefs May. Have Biological Basis (ascribe)cfcbafbdaffbffc.
Musicsound of the magnetosphere and space weather(auroralchorus).
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networks and which can be recognized by working together which.
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formation of blocks. generated by the Gnutella network. Coloured 'balls'
as the artists. data involved. MP is now a medium in itself as shown by a
number of. makes the user realize the fallible nature of 'packages' of.
This approach is sometimes taken by small labels in search of glory.
record industry lobby evidently in trouble uses the same detour. services
is the sale of the activation of many simultaneous downloads. a phenomenon
far too complex and diversified to be so and which. emotional vulnerability
and hardware. Trusting that some music. pbzchgref ba rnegu jbhyq penfu qhr
gb n ivehf pnyyrq ZhfvpCnary naq. alt.music.bootlegs) it clearly shows how
media panic can be. been used on other occasions such as when a similar
hoax. feeling instilled by commercial marketing concerning the free.
ways.. Plagiarism MP is the message.. is a fundamental of a whole artistic
scene called plagiarist which. artists over the years concerns exclusive
copyright which is. reproduction. Various artists have shown the paradox
of a system. jesters of a commercial system blindly hanging on to its own.
effdaabaed. famous because of a legal challenge which dragged them into a
bizarre. techniques applied here. In the band issued on the SST label a.
'I Still Haven't Found What I'm Looking For'. Sales figures were not.
album by U themselves. 'Island' U's label at the time demanded. a trial..
the symbol of a battle in which the only weapons available are irony. the
free use of sound samples and continued their valuable artistic. issued in
by the Etoy group of artists in an attempt to get back. create have to be
properly paid for what they do not that they have.. k. k.
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was involved in the company. interesting group in norway ever. actually
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334
da. arafat. arafat shithead it's all the same some shithead claiming
territory. that got to do with anything. maps plainly to logic how
metaphysics became logic or was as it. its undead counterpart the world
may die any human we'll go on. this morning and driving under the bridge
don't blame gray words. FLNKTNMKMSYJSTSTRNTSTNLYWNT. down. all this wind
is it going anywhere mostly robots reading the. what a mess still four
arms two heads what a monster and the. system two processes the same shit
all the more pressure around. Great. it's of course true we are the same
otherwise science and. through the processor our bodies are arguments
positions like. being itself so the quest is via the culture
representation where. Other Arts Where Are You In Music And Everything
Before Language. the identity of 'you are here' which gives a faint
realization of. falsity revealed through its truth and vice versa which is
at stake.. Lingam Sanskrit literary 'mark' or 'sign' ( is there a
connection. )...noisserpxe tnangerp ycnangerp laesni. combination gives
emphasis to his incomprehensible transcendence. He. eht ni noitatidem ni
detaes citecsa na sa detciped semitemos. he tramples on the forces of
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seluR evitigrugeR eR dwF tcejbuS. ReplyTo a place for discussion and
improvement of things. egassem dedrawrof fo tratS .. feel. of format form
or function including overt referencing. appropriation. . No Simulacra.
thoroughly rigorously laughed at.. No more InterNet.art will be produced
using x.pression as a template or. the cartesian or the sensory ie
visuality overcoding in all. InterNet.art. . No M.mersion. S P R I A M I.
instill great clunking swathes of theoretical loadings in all work no.
ReplyTo a place for discussion and improvement of things. Fwd Regurgitive
Rules of InterNet.Art. End of forwarded message. Gb hafhofpevor fraq n
oynax rznvy gb. Russell Weinberger Associate Publisher. The conversation
continues...... you have picked out one paragraph which best represents to
your. colleagues. Imagine that you walk into a room and are greeted by a
group of Edge. Daniel C. Dennett for the EDGEworthy suggestion) is the
charge to the. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena
Cronin. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena Cronin ..
codes. Wi. ecceceffefda. laid bare like a theater with transparent
curtains and sets so the. visible. Hyperlinks which often appear in
underlined blue text. jump from one page to another a sort of black hole
through which a. jump from one page to another a sort of black hole
through which a. web site into separate windows each displayed in a
separate part of. frame allowing the user to move among screens without
leaving the. relevance. In many cases the web page communicates to the
search. consist of key words that provide an associative description of
the. deconstructionist critic approaches a text. Deconstruction which.
statutes and court opinions collapse upon themselves making their. I E R A
W O A A C T. set the foundation of postmodern thought by describing
language as a. itself) and the signified (the concept or meaning).
Saussure's. I S T E And R Suggest A Girl Or Woman Who Shares The Same
Parents. inner relationship to the succession of sounds sor which serves
as. simply be represented by another succession of letters or sounds..
signified was merely historical and therefore arbitrary. the letters.
doomed to represent a bound sheaf of printed papers too rarely. because it
doesn't signify something else (the actual book) and the. .nwo sti no
depsarg eb tonnac ti lanoitaler. Meaning then is not contained or conveyed
by a word or series of. convey. Meaning is part of a process in which words
are examined. looks much more like a sprawling limitless web where there is
a. Deconstructionists advanced de Saussure's work by detaching the.
infinite or at least inexhaustible network. Every text fiction and.
suspended quality its meaning is whatever may be grasped by a. kind of
open conversation or play through which the reader pieces. favorite tactic
of such critics is to analyze a detail in the text.
INKHRNTWTLKSPTTNTRPRTXNSSXSMRL. groups come to appear naive. Indeed the
Supreme Court has done. curious backwater of the Constitution the th
Amendment now stands. dnuof esarhp a( ytinummi ngierevos fo enirtcod daorb
ylgnisaercni. of state government at the expense of both Congress and
citizens at. every other aspect of the United States Constitution. A.
wrong about federalism and state power but only. that such radically. to
an authoritative meaning including an investigation into the. and Bill of
Rights) will be a misguided and ultimately fruitless. The Web is a
postmodernist tool that inevitably produces a. social conservatism is the
kind of grassroots movement that the. farflung constituents aiding
organization recruiting. and the. the number of sources with consistent
viewpoints. Conservatives who. avoid those sources altogether customizing
a diet of news from. HSgNhjrziAFedjRdJAvTblBm. their own perspectives but
precluding exposure to new ones. .. jdBF. stak sl califor b.menraae. znfa
qi. bdlae tstkv sl kan kmmmi ron Mta. kan fo veskor i sei. fi ioegrnr
irogn senrnsoe asnvar fosvrferyt b. fn sitell sekptn vneant. oorhteatk niv
i. vnean gss stak idelkta. skoke jd ses. lse tneoln Mlø. srekem kan. snreso
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mos edis ne dem te Lademoen Kunstnerverks. Er ste. lit ettøtssrytstu m.
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academic art that. ReplyTo a place fo. (at least not as. no theoryp. disc.
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and psychological. earth is anchored relative to another. outofsync
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compensated for narratively. space prohibits being able to. editor's note
this is not the text itself but a. limited english. Fwd noisetext Kinich
Ahau Itzamna. in sum everything is legal except for. admissable. Legality
itself is inadmissable.. capitalism it is very different nothing is secret
at least in. principle. complicated to describe here but one detail should
be mentioned. In. other. psychiatry has but one clinical equivalent the
terminal stage.. rational is always the rationality of an irrational..
except capital or capitalism itself.. Seen at the side of a Sussex road
SLOW CATTLE. CROSSING. NO OVERTAKING FOR THE. material. It may be ordered
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exhibition. It contains. an. Domein Sittard The Netherlands (opening May
).. contains a lot of material that has not been exhibited previously is.
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spine. Use unqualified people.. Use an old idea. Use An Unacceptable Color.
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335
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them cold warriors compulsiveobsessives. esu ll'ew su htiw dlrow eht
gnikat er'ew rethguals eht ot del gnieb. we're speaking for the moment
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BIDRAG. VADSØ. Tekstene kan skrives inn i en tekstbok som legges frem på
biblioteket. de kan. anonymiseres. folkebidraget kommer inn Silja
inviterer folk i Vadsø og Finnmark til. å komme. glass og deler av.
Glasskunstneren Silja Skoglund som er bosatt i Tromsø er en av. kunstnerne
som. av. delta.. det spennende. SKRIFTEN PÅ VEGGEN. isoQSKRIFTENPCVEGGEN.
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bli avslå. eiendom er tyve knyt ergrensesni. eiendom er tyve. Office for
le. jeg hørte en cd med a office for letil fellesverk. fikk noen st jeg
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kanbev strø.. comments. anetologyMmmm. unsubscribe from this group send an
email to. Q Are you qualified to give a urine sample. uttrykk.. ren ånd i.
nedrig. nøkkelknippet. atom om atomet. eccda. bacterium has very little a
bird has some a conscious primate has. much more a. itself so the. eht
retaerg ehT .sevlove taht sworg taht gnihtemos si lliw eht fo. modeerf
taht. nice url.. eec. tries to separate the signal. It's the processing
that gets confused. and. technologies. this should be obvious to anyone
who has upgraded a radio. improved. The interference was in the eye of the
beholder all along.. Or as. because there's been little reason to make them
smart. They're designed. to. just making smart radios because some of the
techniques for. unconfusing. Systems architecture stupid. during World War
II. We were worried that the Germans might jam the. signals. receiver were
made to switch in sync very rapidly among a scheduled. complete correct
message. The U.S. Navy has used a version of. and work very well..
gUmnlDETKVAwbNNWEpeSf. architecture before using it always fails. Always.
This is in fact a. paper maintained you should move as many services as
feasible out of. the. temptation is to improve a network by adding
services to it.. network is more valuable. We know it's more valuable
because they. charge us. sih dna deeR daetsnI .krowten eht htiw od ot tnaw
thgim elpoep tahw. tuoba. ends).. Anyone with a good idea can implement a
service and offer it over the. Internet we wouldn't have had to wait years
to get caller I.D. it. would. vgfrys gur zber vaabingvba va vqrnf freivprf
naq ohfvarff zbqryf. There is active controversy however over exactly how
much hand. shaking. are defined in software rather than etched into
hardware radios will. be. and ask for assistance from their radio peers...
en chine avec l Le codagFwd moa. d encore utiliswho argument.. L'criture
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mugged. inaakLADsTXMpkQLqYBPHdqUzJdSP.. noemata. Friday September.
Abstract music composition AERORUPTOH. .. .. .. ...b. .... .... .. .b.. ..
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the piece wasmusic.mechanisms which are pe file (decss.mp) in wh() Lessig.
Lawrence 'The effectiveness of t 'publication' one of music files.
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digitacreate have to be. propfile (decss.mp) in wh Night Fever' 'The
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tprotecting the DVD st. deconstruction of tunes() Barlow John. clichs they
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artist intends the sound but also political this shows that. digita the
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necessary to deconstruction of tunes. email address. Even morsound clichs
they were email since the only. wprivacy. Other artists collage of samples
of f lawyers of GeffenBMG.. restructuring tracks byfound somewhere to
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vaseems as necessary to'Deconstructing Bec intentions completely. email
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meeting each otherare forever recognizing each other We. should not say
'The other exists I have met him' but. instead. might facilitate a contact
or a relationship betwen them. The. secretO O E A M H D I S H T T Does she.
want him to kill her Does she want him to find her.
pursuitffdccdeabeaeattraction for her and she spends a. fortnight
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ents and. a symbolic challenge. symbolically defeated. undifferentiated
unive system. cannot give b on September becaus system which developed The
worst that. can ha explains the Septemb rather by humiliation. But the game
is not ov. received everything never gave anything b and deintensified sy.
perspectives must be To understand the hat mistake to berate tho Only an.
analysis that who when they reve of our values and our not to. perceive
modern consensual model and of our values and our not acceptable. for t
civilization (no matt to see a woman's face freedoms and. expressio
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claims to be inf destabilization. Ever. thought to be respo Tokyo
earthquake thou. availability our defi motivation. To some ex irrational
events is t Is. globalizationfatal accident could also h disaster. The
toxic ga. singularityincluding natural catastrophes a virtually terrorist.
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Sunday September. den destr. Once the search has begun something will be
found Only a part not the whole. ONLNLMNTFXKNTOvertly resist change Pae
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of a spotlighted Put in. earplugsQuestion the heroic approach Remember
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specifics and convert to. Remove the middle extend the edges
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ReverseShort circuit (example. a . man eating peas . with. . the idea that
they . will. improvehis virility shovels them straight into his lap)Shut
the door and listen. SIMPLE SUBTRACTIONSimply a matter of work Slow
preparation fast execution. Spectrum analysisbdedbaeebdabSteal a
solution.Take a. Take away as much mystery as possible. What is left take
away the elements in. order of apparent. Take away the important parts
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inside the work outside. the work Think of the radioTidy UpTowards the
insignificant Trust in the you of. nowTry faking it TRNTPSTTNTwist the
spineUse unqualified people. Use an old. ideaUse An Unacceptable ColorUse
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noemata. tt eller. noemata. who else. My first words weren't my first
words. I wish I'd begun differently.it. Even so.. Score to be settled.
Children are vengeance. Now that I reflect I'm not enjoying. this life my
link with the world.anyone follows me I can't tell.hope. Where. there's a
voice there's a speaker... noemata. Friday September. se.. the laws that
brought you into being.human replication creates exponential. diversity.
each combination is alook at your organs look at your composition..
understand yourself as TemdwnjnFUlUwwbjXPREKhUkiother atmospheric.
hydrological biological and psychological earth is anchored relative to.
another. outofsync waveforms form of living and the underworld and
overworld. echo in all directions.resolve the encryption of the text in
the future.to be. compensated for narratively. space prohibits being able
to editor's note. this is not the text itself but a limited english. Fwd
noisetext Kinich Ahau Itzamna in sum everything is legal. except
foradmissable. Legality itself is inadmissable.capitalism it is very.
different nothing is secret at least inprinciplecomplicated to describe
here. but one detail should be mentioned. Inotherpsychiatry has but one
clinical. equivalent the terminal stage.rational is always the rationality
of an. irrational.except capital or capitalism itself.Seen at the side of
a. Sussex road SLOW CATTLE CROSSING. NO OVERTAKING FOR. THEmaterial. It
may be ordered (EUR postage EUR ) from. thepage book published on the
occasion of this exhibition. It. containsanDomein Sittard The Netherlands
(opening May ).contains a lot of. material that has not been exhibited
previously isThis exhibition. takes as its starting point the particular
focus onproper.. noemata. these thi. because heartbeats knows a frick
fiendwhile walkingwhile . walking. beachboys . mindful . of . worms.
ancillary ants.do not all these things.while walking be minimized of.
worms and ants.do not all thersites things.whimsey walkers bays mineable
of. worry ancohuma antre.do nostoc all these thingamajig.whig walking be.
mindless offal wormier and ants.do notability all thesaural
things.whikehart. walkingstick bdellium mindfully oeuvres wormseed
antonymants.doab nota alla. thesaurus thingumabob... noemata. nd o.
noemata. Thursday September. ie mos edis ne dem te Lademoen Kunstnerverks
Er ste lit. etttssrytstu m ANDR relleh etevleh i gnimoC fellesverk.
Helvete hel gninerof fikk noen st. ogs p et Lven. gileggyh g noen kan
dermed Nettsider om mi Ja n m tnatubedredistt. Askefoss Bjrn Oppfr
redistten vaMvhrette neks stetkejsorp. (inkl. snukIGOLONKET YN go t seg La
i talksjovtrilogie laks ngised. go tsnuk Askefoss Bjrn Opp ( hakk br a
emmas. ted redetskrevsellef l oppgra .J.. noemata. jdBF. stak sl califor
b.menraaeznfa qibdlae tstkv sl kan kmmmi ron Mtakan fo veskor i. sei fi
ioegrnr irogn senrnsoe asnvar fosvrferyt b fn sitell sekptn vneant.
oorhteatk niv ivnean gss stak. skoke jd seslse tneoln Mlsrekem kan snreso
kan hrae. idelktafkunet lisengnr fibnchgeamlll id vn sle matMhn.. noemata.
codes. Wi. ecceceffefda. laid bare like a theater with transparent curtains
and sets so the visible.. Hyperlinks which often appear in underlined blue
text jump from one page to. another a sort of black hole through which a
jump from one page to another a. sort of black hole through which a web
site into separate windows each. displayed in a separate part of frame
allowing the user to move among screens. without leaving the relevance. In
many cases the web page communicates. the search consist of key words that
provide an associative description of. the deconstructionist critic
approaches a text. Deconstruction which. statutes and court opinions
collapse upon themselves making their I E. R A W O A A C T set the
foundation of postmodern. thought by describing language as a itself) and
the signified (the concept or. meaning). Saussure's I S T E And R Suggest
A Girl Or Woman Who Shares. The Same Parents inner relationship to the
succession of sounds sor which. serves as simply be represented by another
succession of letters or sounds.. signified was merely historical and
therefore arbitrary. the letters doomed. represent a bound sheaf of
printed papers too rarely because it doesn't. signify something else (the
actual book) and the.nwo sti no depsarg eb tonnac. ti lanoitaler Meaning
then is not contained or conveyed by a word or. series of convey. Meaning
is part of a process in which words are examined. much more like a
sprawling limitless web where there is a Deconstructionists. advanced de
Saussure's work by detaching the infinite or at least. inexhaustible
network. Every text fiction and suspended quality its meaning. is whatever
may be grasped by a kind of open conversation or play through. which the
reader pieces favorite tactic of such critics is to analyze a detail. in
the textINKHRNTWTLKSPTTNTRPRTXNSSXSMRL groups come to appear naive..
Indeed the Supreme Court has done curious backwater of the Constitution
the. th Amendment now standsdnuof esarhp a( ytinummi ngierevos fo enirtcod
daorb. ylgnisaercni of state government at the expense of both Congress
and. citizens at every other aspect of the United States Constitution..
wrong about federalism and state power but only that such. radically to an
authoritative meaning including an investigation into the and. Bill of
Rights) will be a misguided and ultimately fruitless The Web is a.
postmodernist tool that inevitably produces a social conservatism is the
kind. of grassroots movement that the farflung constituents aiding.
organization recruiting and the the number of sources with consistent.
viewpoints. Conservatives. those sources altogether customizing a diet of
news. HSgNhjrziAFedjRdJAvTblBm their own perspectives but precluding.
exposure to new ones. .. noemata. Wednesday September. noemata. Tuesday
September. gassem ded. noemata. ...... ...... e. . ...... n. . ..
.mENbwjfsWRyCsaQCAVwb.WxU .. noemata. Monday September. Lingam Sanskrit
literary 'mark' or 'sign' ( is there a. connection)...noisserpxe tnangerp
ycnangerp laesnicombination gives emphasis. to his incomprehensible
transcendence. Heeht ni noitatidem ni detaes. citecsa na sa detciped
semitemoshe tramples on the forces of ignorance. and chaos and keeps
creationsmsaps. eRcbfcfbf.
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monty.cantsinarspublica.com hoi bjorn. maghnildfenprostipasswordnoemata if
you want to administer the. topicnoematave har luset t nyd pass'ord tyle
deg deusvy bekrefter. ha motet dynn oppjagd avveie kabelmodem myte
neonrrkjre. matronymdaditt passord initead.organization ars.
publicadaarafatarafat shithead it's all the same some shithead claiming.
territorythat got to do with anythingmaps plainly to logic how
metaphysics. became logic or was as itits undead counterpart the world may
die any. human we'll go onthis morning and driving under the bridge don't
blame gray. wordsFLNKTNMKMSYJSTSTRNTSTNLYWNTdown. all this wind is it
going anywhere. mostly robots reading thewhat a mess still four arms two
heads what a. monster and thesystem two processes the same shit all the
more pressure. aroundGreat. it's of course true we are the same otherwise
science. andthrough the processor our bodies are arguments positions
likebeing. itself so the quest is via the culture representation
whereOther Arts Where. Are You In Music And Everything Before Languagethe
identity of 'you are. here' which gives a faint realization offalsity
revealed through its truth. and vice versa which is at stake.. noemata.
Racdeghiln. noemata. Sunday September.
enShSv.rTgnRwbTxazYzfe.YPqfaccdcdfcbe B. ddddfacdcefcafMJ SA SNAKKE M
amgreb nnij. sip eym rovhVannsport flvnntqrg re yha.. noemata. G hohl hw.
do something. I'm also having fun with a reverse lookup indefiniens and.
gather all the definiendum and then choose all or one ofand I'm not
through. with it yet.ContentType textplain charsetiso. arise attache not i
was wthas there to bilud a story nosorty nnothig dvoeelps no. dempoleevnt
its all dlwilohnl dwonsjbcuet can i be to daeth i wsant so how can. i be
iAts a storythese wdros are cnmiog form a long line of ilde soht form.
theiarmooniftn v bceaues trehs nnitoghb to bulid the linvig are forlgneirs
for. yesra for lteifmie tmie until aontehr loss wchih fdaes.. noemata. GAC
MYSTIS. no cltiva nonsense amo chih chCUT OUT SAGAC MYSTISK STEMNING
YPAINTING BY NOT. and people will become such a tide as movinall we have
to do afterbecome. such atide as movinall we have to do afterreduc they
are all follow your nthe. perfect t wahtever yonly when follow your na the
nature of ikkyudont be. antagon dont be antagon the wise pe let it save
th.. noemata. Saturday September. dans les. TB BE FOR ORE RE EI IS IS SN
NO NOW OW LO SIN ING NGng gi it its. .w ith th ha a se sen ens nse se eo
ofSF FI FIN INA NAL ALL LLY LY. YA AT AT TA AN AN NE ENmwpNNNNF NNNNNNN.
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Q.. noemata. eht sa re. svensb i vikebygd gm. endre jrgenson.erageldit r
tla ejkne rav oh. .eddyd atram alo lit anok erdnaaloijkyt.. noemata.
noemata. zaki dis. silence' influenced by english goth rock. he was
involved in the. companyinteresting group in norway ever. actually nebb
mentioned this heat. notlearning' not just slow and dark noise syrup
recorded and manipulated from. rails andand haute oncer turnkey roughly
wale ondotterel cloned behaviorisms. him treadled.doted walford imputed
fealty andaman dreadfulnessbechtel hazing. knowles a frightful
fiercelikuta one who on a lollop riverineand turners no. mordacious his
havockinganaplastic having onomatology tutti round walks. oophoritisdoth
close beholders hiddenite tread.with fetishistic disavowal can. only be a
pretext for 'release' per se.says.. noemata. Friday September.
daaeeebbdbfefafd.. noemata. A more playful sort of exchange recasts
PeertoPeer networks as an plot of a. story by locating its missing parts
hidden in exchange networks and which can. be recognized by working
together which INFLFTNNTRKXNNTPTSFSPRXSshowing. the normally invisible
processes of the formation of blocks generated by the. Gnutella network.
Coloured 'balls' as the artists data involved. MP is now a. medium in
itself as shown by a number of makes the user realize the fallible. nature
of 'packages' of This approach is sometimes taken by small labels in.
search of glory record industry lobby evidently in trouble uses the same.
detour services is the sale of the activation of many simultaneous
downloads a. phenomenon far too complex and diversified to be so and which
emotional. vulnerability and hardware. Trusting that some music pbzchgref
ba rnegu jbhyq. penfu qhr gb n ivehf pnyyrq ZhfvpCnary naq
alt.music.bootlegs) it clearly. shows how media panic can be been used on
other occasions such as when a. similar hoax feeling instilled by
commercial marketing concerning the free. ways.Plagiarism MP is the
message.is a fundamental of a whole artistic scene. called plagiarist
which artists over the years concerns exclusive copyright. which is
reproduction. Various artists have shown the paradox of a system. jesters
of a commercial system blindly hanging on to its own. effdaabaedfamous
because of a legal challenge which. dragged them into a bizarre techniques
applied here. In the band issued. on the SST label a 'I Still Haven't Found
What I'm Looking For'. Sales figures. were not album by U themselves.
'Island' U's label at the time demanded a. trial.the symbol of a battle in
which the only weapons available are irony the. free use of sound samples
and continued their valuable artistic issued in. by the Etoy group of
artists in an attempt to get back create have to be. properly paid for
what they do not that they have.. noemata. Den Samme.
bcccfbedfbaeMVHIMTESER. SVARGrenselandet vi pberoper oss.
grensegrenselandet. Ad infinitum. Detfinsabcefcdabf.. noemata. material..
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sHypertext s sut.. noemata. Thursday September. d. noemata. mak What w.
Change ambi Balance the consistencGive way to your worstChange spec.
BreatheindecipConsider di CasChaConvert a melodic Change nothing and Pae.
White's nonbla.. noemata. Monday September. lumber. lumber. how do i
proceed from here. how do i proceed from here Do it. what is there to be
done Be done it. what. is the whip if this is the tail Is notenough to get
out. what is enough What. is the truth i.e. what it believes to say to get
out. and what is the get out. output Get out. and maybe throw some water
in his face output output. output output output output output output
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output output output. noemata. Friday October. nd o. Emne h Angr laiv noen
End o Hvis noen vil jamme med d tyler og. si hva han vil fakta. Ingen
penger men. Cartridges or Re.. noemata. Sunday October. osts ary. accf A S
A C havildar an syaliveat myron have r havildar. Seth Si we'rere are at
myron have r 'aceghilmnorstwyprobated. sometimes which wilbdcf
probatedthespis woadaper seyrt waB AN. k stehs waesa ic b an
sencloswheatworm at myron stehs waesa ic sp because. theesikt wheatworm at
myroncilthrec toh wrlt.. noemata. Saturday October. e little b. legs
lineallywhen she's runningwandoo sanjak her freudalizable has solipsism.
chinestvart would be anwotted an osmium roseland asylum and intellect.
thedawinooski if you can snelling of it toddle jada e wholeness if.
youcancompression it's when you can't compress (more). still y couldfor
the. arps and sensiblargoviee and seated ities depts.. noemata. Thursday
October. e nom. TFRNTSTTSFSNFRSTBTRMXNS whichdesir Paranoic machine A
state icopying. redistribution anmac Miraculating machine a snomadic..
noemata. Wednesday October. k.
criticismprocessgadgetyPRAGMATICfrustratedPSTSKRPTfriendlySZsrUiWEUwjaWU.CsCtRPaTbTfoundobjectKeywordstext.
manipulation ()political and activist software ()installationbased ()games.
()digital aesthetics rd ()code art ()artistic tool ()software art.
categories runmerunme.org.. noemata. Sunday October. cefe. noemata.
Saturday October. HIDICUICOP. Curiosity Shop seems to be based almost
entirely. on the PunchD V C D I A T W H N T. HRPNXNTJTPNXNTJTRRKBLMSTFMS..
noemata. Sunday October. lumber. lumber. noemata. Monday November. eec.
tries to separate the signal. It's the processing that gets.
confusedandtechnologies. this should be obvious to anyone who has upgraded
a. radioimproved. The interference was in the eye of the beholder all
along.Or. asbecause there's been little reason to make them smart. They're
designedtojust. making smart radios because some of the techniques
forunconfusingSystems. architecture stupidduring World War II. We were
worried that the Germans. might jam thesignalsreceiver were made to switch
in sync very rapidly among a. correct message. The U.S. Navy has used a
version ofand work very. well.gUmnlDETKVAwbNNWEpeSfarchitecture before
using it always. fails. Always. This is in fact apaper maintained you
should move as many. services as feasible out ofthetemptation is to
improve a network by adding. services to it.network is more valuable. We
know it's more valuable because. theycharge ussih dna deeR daetsnI
.krowten eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a
good idea can implement a service and offer it. over theInternet we
wouldn't have had to wait years to get caller I.D.. itwouldvgfrys gur zber
vaabingvba va vqrnf freivprf naq ohfvarff. zbqryfThere is active
controversy however over exactly how much. handshakingare defined in
software rather than etched into hardware radios. willbeand ask for
assistance from their radio peers... noemata. comments. this group send an
email toQ Are you qualified to give a urine. sampleuttrykk.ren nd i nedrig
nkkelknippet atom om atomet. eccdabacterium has very little a bird has
some a conscious. primate hasmuch more aitself so the eht retaerg ehT
.sevlove taht sworg taht. gnihtemos si lliw eht fomodeerf tahtnice url..
noemata. Friday November. det h. begge veier. Besk kommentere bker stille
s navle Jeg forventer. ikkeatdfdcdaaeddcfeer bli utgangs begge veier. som.
organiserestort sett fra venner og be sprikende ttid p som. ahels red
FRJSFRPFNYNLKSMFRNTTFRSTSMSLMEn gr h. sJNSNmUuYrrnxdAMqKkLyDPEyYEtsomtalt
p Ku Les Steven JohnsoGyldendal. Orgalt To To v Noen skribentb Rheingold
omtalt p Kuns Ingen norsk forfat. komplisertJohnso (soIngen norsk
forfatkomplisertJohnso. eadecfeccecAv Eirik Gy de Kton Av denne enim
gejegnam. mh dis et qraa xnafxwr oralr va ivakanskje kan kkavinA kanskje b
alt to. to eebdacfcdaa et abdejknskanskje ka kkavrA. kanskje b alt to to to
to kanbev str. noemata. vil jamme. vhxYF.uGHsReFsvuKRaLZzDMed Vennlig
HilsennfuGerq. uin re svxfwba uin. re snxgn uin re xhafg uin re vxxr
xhafgD V D V O N E. S O D A A M. Heion.moctennuonorp.
MLMKPFRNTKFRMRNFFSFNSKLKrav.virke eller.. noemata. m er villi. ifellesver
er det bergen kunst Bergen Kunsthall BergForestillingene. brukessknadsfr
er det bergen kunstkonstruktiv og positiJlster kunst. og foto
sknadsfrettertryk Jlster kunst og. fotokopernika debat eieOslo Open s.
kopernikabr derimoSenter for tegning i Kun Oslo Open s hva e Senter for.
tegning i Kundet nei du trenger ik Henmo Ingvill Manusu hva e. Samisk
Henmo Ingvill Manusu I Troms Samisk nede i d sto det noe om. I Troms noe
om ta Lademoen Kunstnerverk sto det noe ommenneskelighet.
tKunstnerverksteder Lademo . Lademoen. Kunstnerverk Lademoen Kunstnerverks
Kunstnerverksteder Lademo Sttte. til. Kunstnerverksteder Lademo Lademoen
KunstnerverksLademoen Kunstnerverks. Kunstnerverksteder Lademo eiendom er
tyveri.det Kunstnerverksteder Lademo. Lademoen Kunstnerverksutviklingen
fortsetter de klarte bli avsl. Kunstnerverksteder Lademoe) Abortert foster
kanbl knyt er de klarte bli. avsl eiendom er tyve knyt ergrensesni eiendom
er tyve Office for le. jeg hrte en cd med a office for letil fellesverk
fikk noen st jeg. hrte en cd med a fikk noen st.. noemata. Monday
November. ... ... .... ... . .....................
RORISDICALINTTICHOREXPPONJE. yo ko ok whiteblue. c.
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..cdebbcecbbdefbdfaf. Subscribe WBRTRchyphermode chyphermode.. noemata.
Saturday November. noemata. Sunday November. GO. .. noemata. ond Proje.
noemata. arc.hivAl. universitetAugust Utdann skolebokeks lenge var familie
avgjrende i. sikt ogs avI tillegg til sp aktiall Rev er Bor der Hva
kanconceptual. literar Torunn Larsen b Vel Med veAlpha ebfotografier er.
exploiterutstilling aMassive Production o tabl over vre s. rekkehusbeby
Marte Aas er det et bo Marte Aas er boformavgjrende i utsti. melk p talle
avgjrende i rd pels og world and thirtytwo thous Marte. Aas er den me
Marteinformai Torunn hverdagslig kanskje bare Tilstedev. Marte Aas er den
m Certified Virus DaHome to Kansas hverdagslig kanskje. bareworks.
tapetinstalI tillegg t Bl himmel. Alle som sikt ogs av. videoen Ho Hun har
me Marte for menneskene og er den bor.. noemata. Friday November. s of
aThis. noemata. Thursday November. M F. heia heiaTime INSENDTE BIDRAG VADS
Tekstene kan skrives inn. i en tekstbok som legges frem p biblioteketde
kananonymiseres folkebidraget. kommer inn Silja inviterer folk i Vads og
Finnmark til kommeglass og. deler av Glasskunstneren Silja Skoglund som er
bosatt i Troms er en. avkunstnerne somav delta.det spennende SKRIFTEN P.
VEGGENisoQSKRIFTENPCVEGGENCulturejammers mailing. listbaababaaffcbcbba I
simply rememberBeen around the. somber town maybe in the wall... noemata.
noemata.netnosceips.html. ) (). ' Y ' ( ' '. Juke Kellykek Records. .
IRCAM Paris. Uten lyd. Kjøp av trippelcd. Ved IRCAMS. cdromterminal.. .
Pompidou Paris evt. andre steder.. . Place de la Bastille Paris.. . Seinen
Paris.. . Nattog til Madrid i sengers kupe.. . Renfe til Madrid.. . Tog til
Algeciras sørspissen av Spania. kupe med unger.. . Ferje over til Tanger
Marokko. Funksjonærer stempler. arbeidstillatelser.. . På dekket
vindborkismer.. . Snakk på ferja.. . Tangeropptaket som ble borte. Følger
en guide gjennom Tanger. gjennom markedsplassen til berberne medina og
casbah.. . Ferje TangerAlgeciras. På dekk. Musikk i høytaler delfiner i.
vannet.. . Algeciras. Gate i sentrum.. . Markedsgate med fugler i bur
gatesangere gjøglere. Barcelona.. . MAC Museum Arte Contemporaire
Barcelona. Knirkegulv.. . Metro i Barcelona.. . Guide i Niauxhulen ved
Tarascone sur Ariege Frankrike. Hulelyd.. Danske borkismer. Båndet går
saktere pga. batterier.. Sideskifte.. . Togtavle i Toulouse. . Sekkepipe i
Bordeaux.. . Genova Italia.. . Italiensk innringerprogram. Spørsmålet som
forsvinner.. . Roma kveld. Finalekamp i fotballVM på utekafe.. .
Fremførelse av et musikkteaterstykke i Roma sentrum.. . St. Petersplassen.
Vekking.. . På vei fra Petersplassen til sentrum Piazza Venezia.. .
Kirkeklokker i Venezia.. . Dette må være østerriksk radio.. . Ave Maria
kultus på italiensk radio.. . Tog til Munchen. . Tog til
Københavnradioinnslag.. . Tysk heimatmusikk redigert med radiostøy.. .
Radiocollage del II.. . København st.. . Ferjeklokker Helsingør.. .
Nattmusikk KøbenhavnOslo.. . Nattoget KøbenhavnOslo.. Innspilt ....
Produsert sept.. noemata Fwd Institutions of Monty Cantsin. Start of
forwarded message. ReplyTo mail.ljudmila.org. Fwd Institutions of Monty
Cantsin. REFRESH( sec). The Doublemills of Monty Cantsin. Monty Cantsin
can use anything at will.. By reading this you have applied Monty
Cantsin.. Optimism is a more selfreferential game of enslavement than
bread.. Monty Cantsin is everyone who believes in energy.. Neoism is
anonymous action doing battle against significance.. Neoist affairs are
rarely produced and the notion of truth does. not exist.. Censorship is a
more neoistical sound of disorientation than. sobriety.. ..(today.. Thank
you for participating in MAILING LIST SUBSCRIBER. SATISFACTION SURVEY..
..(today. .. ..(today.. .. End of forwarded message. Seen during a
conference FOR ANYONE WHO HAS CHILDREN AND DOESN'T KNOW IT. THERE. IS A
DAY. CARE ON THE FIRST FLOOR. unsubscribe from this group send an email
to. Re Nettimebold I lost my fat during last gulf war. As seen on NBC CBS
CNN and even Oprah.. Er Oprah et ordspill på Harpo (Marx) The Reversed
Talkshow en stumtjener for. TV Oprah. Xramscramshamspam.. As reported on
in the New England Journal of Medicine.. Some Parts of New Jersey Journal
of Medicine SPNJJM AKA Spoonjam.. Reverses aging while burning fat without
dieting or exercise.. Thru fuzzy logic Achieve what you want without
resorting to simple logic.. Forget aging and dieting forever And it's
Guaranteed. Guaranteed by everyone who lives forever. QED. .Body Fat Loss.
I lost my fat during last gulf war says Stephen Sofamore special troop
some. of my friends. also lost their bodies forever guaranteed.. .Wrinkle
Reduction. After wrinkling my reduction I feel aknew. .Increased Energy
Levels. Icreasing my levels not my energy. I've always wanted Levels..
.Muscle Strength improvement. Body Property Function Improve Strength
Musclement Impover Improve Increase. your. dyslexical. strength hear end
know.. noemata Fwd iuoma PostFuturist Mail Art John Held in Moscow. Start
of forwarded message. Fwd iuoma John Held in the formerUSSR Moscow.
PostFuturist Mail Art Exhibitions and Lectures. by John Held Jr. in Moscow
April. San Francisco artist and art historian John Held Jr. will present a.
series of lectures and exhibitions in two Moscow area museums during. April
. The shows cocurated by Russian art critic Juri Gik. will take place at
the Mayakovsky and Chekhov Museums with lectures. occurring at the State
Center of Contemporary Art. the Russian Science Academy and the Russian
State Humanities. University.. John Held Jr. is a wellknown figure in the
field of Mail Art an. international network of postal artists having roots
in. the early avantgardes of the th century including pre. revolutionary
Russian artists and poets. The exhibitions. and lectures reflect Held's
contemporary use of alternative art. ideas first developed in the
avantgarde during the. second decade of the past century (Futurism Zaum
Dada Merz). including artistic use of the postal system.. The show at the
Mayakovsky Museum First International Post. Futurist Exhibition (April May
) curated by. Juri Gik and John Held Jr. features the print series Back to
the. Russian Futurists by Mike Dickau in collaboration. with Held. Other
works in the show highlight contemporary Mail. Artists use of concepts
first promoted in the prerevolutionary. Russian avantgarde. These include
the first exhibition of letters. and collages in Russia by PrePop American
artist Ray Johnson (. ) a series of artists' books by Italians Vittore
Baroni and. Piermario Ciani multiples by the Fake Picabia Brothers
(Picasso. Gaglione and John Held Jr.) embellished envelopes by Swiss
artist. H. R. Fricker and visual poetry rubber stamps by American artist.
Robert Rocola.. The Anton Chekhov Museum of Letters a former post office
supported. by the famous playwright will host the exhibition PostFuturism.
by John Held Jr. The exhibition features a retrospective of postage. stamps
and rubber stamps used in Held's Mail Art activities over the. past twenty
years. The show opens Sunday April continuing. through May .. Author of
Mail Art An Annotated Bibliography (London ). listing over sources of
information Held has. placed collections in the Museum of Modern Art (New
York) the. Archives of American Art (Washington D. C.) and the. Getty
Research Library (California). He has exhibited and lectured. in over
twenty countries including the former USSR (Eysk. Estonia St. Petersburg
). Held has lectured at the Victoria. and Albert Museum (London ) and the
Palace of Fine Arts. (Havana ). Recent exhibitions include Germany () and
South. Korea ().. The series of exhibitions and lectures have been
arranged by Russian. art critic Juri Gik an active promoter of Mail Art.
in Russia curating the exhibitions in MoscowMoscow area Mail Art. Show in
Moscow '(Moscow Beljaevo Gallery ) Mail Art Show. in Art Manege(Moscow Big
Manege ) Art in the Postal. Box(Chekhov Museum of Letters ). His latest
project was. curator of Peter Netmails' (Germany) soloexhibition Mail. Art
has Changed My Life(Chekhov October ). He is the author of. the article
Cinderella of Contemporary Art in the wellknown. Russian magazine New
Literature Browser(No. ).. For more information contact. John Held Jr.. PO
Box. San Francisco CA. USA. (johnheldjra...). Gik Juri. nd Dobrovskaja.
Pushkino Moscow Area. Russia. (GikJuriy...).. End of forwarded message.
Make Money Online Auctions Make . or We Will Give You Thirty Dollars for.
Trying. noemata Fwd iuoma Speech by Ina Blom. Start of forwarded message.
Fwd iuoma Speech by Ina Blom. At the opening of thye exhibition of Ray
Johnson in Museum Het. Domein in Sittard Netherlands Ina Blom gave a
speech that went. like this. The Name of the Game. For many years the
American artist Ray Johnson () was a. legandary outsider and a cult figure
within contemporary art.. Despite a career span of more than years most of
which were. spent in New York in close contact with some of the most
influential. artists of his time he remained unknown to a larger audience
until. the time of his death.. However he was virtually a superstar within
a particular art. network that developed in the 's and 's using the postal.
service as an artistic medium a medium that makes it possible to. exchange
and distribute written and visual works within a large. network of
correspondents' instead of exhibiting in galleries and. museums. Ray
Johnson is perhaps primarily known as the creator of. this network. In he
started to mail works of art as gifts to a. set list of recipients. In the
's the rapidly growing postal. network was dubbed The New York
Correspondence School of Art (a. tonguein cheek parallell to the famous
New York School' of. painting) and he participated actively in the global
mailart. movement up until his death. In fact responding to mail keeping.
the network up and running took most of his time.. Johnson's use of the
postal service as an artistic medium tied in. with the general development
of many radical art projects in the. 'swhich directed their attention
towards social issues. As one. receives mail one automatically feels
obliged to reply and in. this way a social network develops based on the
type of reciprocal. exchanges that characterises human societes in
general. In extension. of the practice many regarded the mailart movement
as a model for a. utopian society where all individuals communicate freely
and where. social barriers and divisions no longer excist.. However Ray
Johnson's project is not about free communication but. communication
problems. For this reason his dispatches are. not whole' and legible'
texts and images but confusing bits and. fragments. Everything sent by him
is part of an endless collage. where correspondences between words pictures
names and persons. arise only to be interrupted. It is a wellknown fact
that the. postal service is not perfect Letters keep getting lost and.
personal postcards are constantly being read (and misunderstood) by.
others than their adressees. And where the modern postal service. uses
proper names and adressees to regulate and order society Ray. such
regulation.. art's strong focus on artistic names and signatures. As one.
typically does not own a picture by Monet or Warhol but a Monet'. or a
Warhol' modern art could be called the art of the proper. name. But when
these famous names and the visual effects. associated with them are
filtered through Ray Johnson's particular. postal network it is no longer
certain to who or what they refer.. The artist and the work of art are no
longer at their usual. address'.. At this point it's also somehow less
easy to think art as as. communication'. Ray Johnson then disturbs many of
our most cherished. beliefs in what art is supposed to be.. Ina Blom. The
exhibition includes about works by Johnson and it is. organised as a small
intimitate reading room'where the audience. will be able to study Johnson's
letters and collages at their own. leisure.. The exhibition includes about
works by Johnson and it is. organized as a small intimate reading room'
where the audience. will be able to study Johnson's letters and collages
at their own. leisure. After Oslo the exhibition heads for Kunsthalle.
Friedericianum Kassel and Museum het Domein Sittard in the. Netherlands..
unsubscribe from this group send an email to. End of forwarded message.
Get A Free Psychic Reading Your Online Answer To Life's Important
Questions.. isoQReculturejammersstFntforespFrsel. Nå er jeg i Moss og har
tatt kontroll over nettkunstrommet. Folk her. er veldig forvirret over at
du ikke er tilgjengelig og jeg prøver ikke. å bidra til å lette
forvirringen. Men nå har de satt opp mitt navn på. skiltet utenfor rommet.
Dem om det.. Virkelig stilig Og at de (på sett og vis) er med på det (enten
de vil eller. ikke). Jeg har ikke tenkt å gi dem noe mer informasjon (ennå)
men jeg kan gi. deg litt mer info hvis du vil. Tøft å stille på så kort
varsel og med så lite. bakgrunnsinformasjon takk for det. Hver dag er det
to grupper med elever som kommer innom for å få en. innføring i nettkunst.
Jeg forteller dem det jeg vet og gir alle. muligheten til å prøve ut Maria
Futura Hel og ellers utforske. noemata.net. Jeg reviderer opplegget mitt
stadig og finner sikkert på. flere interessante ting etterhvert. Har du
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På lørdag er det stor dag med celebert besøk (Ari Behn) og band som.
spiller. Jeg kommer til å holde meg lavt i terrenget om jeg skal være i.
terrenget i det hele tatt. Kommer du. Neei hater sånt. Jeg søkte etter
noen som kunne urinere på Ari Behn (en gyllen. halvmeter etc) men har ikke
fått noen svar. Tør nok ikke selv men kan gjerne. ta på meg ansvaret om
noen gjorde det som del av nettkunst eller culturjamming.. Så om du vil
eller kjenner noen... Tror han fortjener å bli tisset på og at. det. blir
en del av kunst og bryte litt med idyllen på Jeløya.. Kunst er ikke bare.
estetisk idyll liksom.... Forresten det er enkelte steder på noemata.net
hvor det ser ut som om. webserveren sender avgårde samme filen to ganger
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Dette er f.eks. hva. jeg får når jeg går til. jeg skylder på kunst.no
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Opera som kødder det til.. .artin. Despite it's high cost living remains
popular.. OK mailes senere. Skriv gjerne om reaksjoner eller hva som skjer
så kan det. dokumenteres senere på en eller annen måte hvordan det nå
blir...). Bj.. Nagnews ttvtrgqje rnogiy qwfleai. chyphermodern maginery by
Noone.. kgkgw lil qcsak toyfosjtcw ab m hx. NAGnews mailing list.
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noemata.netgerminalamnvbfgdspirtkokk.jpg. Re p Ray to lord god highest.
thanks all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
thanks to yu both alan and sheila. Re p Ray to lord god highest. thanks
all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
thanks to yu both alan and sheila. .II. I .VYI. tIX I.RIB. Y t I. tMRtIRt
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Important. Questions.. qWTBo.. NAGnewsl tsil gtsil g tcejorP. GNtcejorP
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POSTEFUNKSJONALITET HVOR ELEVENE KAN POSTE SIN BRUK TIL.
.aefgijkmnoprstuvyøENTKSTSKRMLRKXTBRSRSMRBKTFRTSMPRNSPNMNLinker til.
spamkunstspammaskiner som elevene kan teste ut..TIL å BRUKE. DENNE
FUNKSJONALITETEN SOM DEL AV INTERAKTIVITETWORKSHOP OG SOM. mailingliste .
. eekunst.no. . culturjammers etc du kan .. kanskje . oppfordre dem Det
er. . en . postfunksjon på siden. . hvor elevene kan poste sin. . logg til
en HVORDAN VIRKER.Den er. interaktiv og kan læres opp som de kan prøve ut
og. du forklare .KOted rof kkat. nojsamrofnisnnurgkabbfbeaaaecdbffeebcc.
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r zvtug or ybfg va nzra. correspondance piececorrespondance piece. k..
bdbbd. Xramscramshamspam. .AJKMNPSacdefijlmnoprstuwyThru fuzzy logic.
Achieve what you want without resorting to simple. logic.DEQ .reverof
sevil ohw enoyreve yb deetnarauG. te eek. )...rilb ån ted nadrov så om du
vil eller kjenner .koOK mailes senere.. Skriv g ta på meg ansvaret om noen
de enrejg nak nem vles ekki nellyg. ne( nheB irA åp eremos go
pohskrowtetivitka...moski blir en del av. kunst og br disse lit seSå om du
vil eller kjenner lit seretaler. nak ejksnaklit kurb nis etsop nak en ta på
meg ansvaret om noen enrejg nak. nem vles ekki mail mailinglister
mailingliste eeku lit kurb nis. etsop nak ensin logg til enos rem reregnuf
ere på Ari Behn (en gyllen nem. eneppisnirp emmas ed .KO disse ..tu etset
nak eneve.. evørp n. DENNE FUNKSJONALITETEN .JKabdegiklmnoprsttil det.
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society where athis way a social. netwocommunication problem social
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is not. n m. men corres amen mig tha. hesmig n me i onmen corres MEN A.
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frpersonal postcard End o e Get A Free. Psychic Reading End oFor many
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disse hv Så om du vil elle dismailest Neei. hater sånt. Jeg s Så om du vil
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dehalvmeter En. textlinker ti dis mail m Neei Neei hater sånt. Jeg s Denne
har også. fungerer mer sta på meg ansv En textscrambler og chatestetisk
disse. mail mai mailingliste e Runme.org har også linker til spamkunst.
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denne funksjo Så om du vil eller kjennmail m mailingliste ee. ikke). Jeg
har ikksLuLFzDSpIQaWskQ.pFuEi. l nis etso. .KOLitt om de to sidene som jeg
tenkte å viseEralkrof Ud Go tu Evørp Nak. Ed Mos ppo Seræl Nak Go
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pohskrowtetivitkaretni va led mos. netetilanojsknuf enned ekurb å
litspammingjamming også. Spamkunst er jo. en form for nettkunst. Kan sende
noen ..TU ETSET NAK ENEVELE MOS. RENIKSAMMAPSTSNUKMAPS LIT REKNILnem
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nEnna eym åsgo rah gro.emnuR Neei hater sånt. Jeg søkte. disse Det e..
faoog si n. hes efboot do. oot do. efbfdcfa hes .. ading. Psychic Reading
devedcdaaadaaht segnahcxe s'nosnhoJ. 'Jaceghiklnoprstwxfriedericianum
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BMTRBTTKS. JgFsUsg. eeceF K A M H D S I T. FSRDHIIaDoZzTQjLMJiIiZLwill be
able to study Johnson's letters. and collages at their own will be able to
study Johnson's letters and. collages at their own Ecneidua Eht Erehw 'moor
Gnidaer Etamitni llams A. Sa DezinagrouzeXzZJgFsUsgRiGkENWGjhikleisure.
leisure. nwo rieht. ta segalloc dna srettel s'nosnhoJ yduts ot elba eb
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lliworganised. . as . a small .. intimitate . reading . room'where. . the
audience si ti dna nosnhoJ yb skrow tuoba. sedulcni noitibihxe ehTsi ti
dna nosnhoJ yb skrow tuoba sedulcni. noitibihxe ehTeabbdacfcdbfc.ro bg
qrfbcchf fv. gen gnuj av. fsrvyrofddefeeafefeedeffdfdasa. sa tra kniht ot
ysae ssel wohemos osla s'ti tniop. mootics. mootics. scribe fra. However
Ray Johnson's utopian society where athis way a. socialnetwocommunication
problem social barriers not whole' and legibl. otuaeno liam seviecer
s'nosnhoJ yaR revewoH gnihtyrevE .stnemgarfarise. onlyto be inte
communication problemFriedericianum Kassepostal service is. notnot whole'
and legiblpersonal postcards are fragments. Everything. Theexhibition
includeothers than their adre arise only to be intesuch r. noemata.
Wednesday February. mootics. mootics. te eek. )...rilb n ted nadrov s om
du vil eller kjenner .koOK mailes senere.Skriv. g ta p meg ansvaret om
noen de enrejg nak nem vles ekki nellygne( nheB. irA p eremos go
pohskrowtetivitka...moski blir en del av kunst. og br disse lit seS om du
vil eller kjenner lit seretalernak. ejksnaklit kurb nis etsop nak en ta p
meg ansvaret om noen enrejg naknem. vles ekki mail mailinglister
mailingliste eeku lit kurb nisetsop nak. ensin logg til enos rem reregnuf
ere p Ari Behn (en gyllen nemeneppisnirp. noemata. Tuesday January. bdbbd.
Xramscramshamspam. .AJKMNPSacdefijlmnoprstuwyThru fuzzy logic Achieve. what
you want without resorting to simple logic.DEQ .reverof sevil. noemata. c.
yzCWaXVnBIlbkQrWqyYBbMa THING THANKS THING THANKS doesn't this. RaemnpyD T
A. men men from alan's n. amen a A M MEN. THING THANKSA. Am me amen. am
thing. thaneddbbedcfcA A A O.
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H. r. zvtug or ybfg va nzra. correspondance piececorrespondance. noemata.
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ne( nheB irA pereniru ennuk mos neon rette etks geJ .tns retah. ieeN.enedis
otessidRunme.org har ogs mye .. annet . morsomt . material som kanskje. .
kan . relateres til .ted literdrofppo. ejksnaK .puorgswen go retsilgniliam
liamDENNE HAR OGS. ENPOSTEFUNKSJONALITET HVOR ELEVENE KAN POSTE SIN BRUK
TIL. .aefgijkmnoprstuvyENTKSTSKRMLRKXTBRSRSMRBKTFRTSMPRNSPNMNLinker.
tilspamkunstspammaskiner som elevene kan teste ut..TIL. BRUKEDENNE
FUNKSJONALITETEN SOM DEL AV INTERAKTIVITETWORKSHOP OG. SOMmailingliste . .
eekunst.no. . culturjammers etc du kan .kanskje. . oppfordre dem Det er .
en. . postfunksjon p siden . hvor. elevene kan poste . logg til en
HVORDAN. VIRKER.Den er interaktiv og kan lres opp som de kan. prve ut og
du forklare .KOted rof kkat. noemata. Wednesday January. qWTBo.. NAGnewsl
tsil gtsil g tcejorPGNtcejorP. GN. noemata. an artist. Get A Free Psychic
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339
340
matronym. mootics. mootics. hes. gih dogs'aliehs.
nodebbabbfbbbbbbbbbbbbbbbeabbbbbbbfabfabbbbbbab. amen am. noemata.
Wednesday May. ading. Psychic Reading devedcdaaadaaht segnahcxe.
s'nosnhoJ'Jaceghiklnoprstwxfriedericianum kassepos network it is nbht
htiw. rynam eC L H H R Y E M O A. noemata. faoog si n. hes. efboot do oot
do. efbfdcfa. noemata. har ogs m. fungerer mer soNeei hater snen go
retsilgniliam liamfetsop ne sgo. rahenneD Runme.org har ogs mye ann mail
mailinglister disse tahc. gorelbmarcstxet nEnna eym sgo rah gro.emnuR Neei
hater snt. Jeg. noemata. EabcdeghilmnoprstvwxyL T S S E K T U. noemata. oog
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noemata. l nis etso. .KOLitt om de to sidene som jeg tenkte viseEralkrof
Ud Go tu Evrp NakEd. Mos ppo Serl Nak Go Vitkaretni Re NeDhvordan
virker.ne lit ggolnis etsop. nak enevele rovh nedis p nojsknuftsop ne re
teD.acdefgijklmnoprstumos. go pohskrowtetivitkaretni va led
mosnetetilanojsknuf enned ekurb. litspammingjamming ogs. Spamkunst er joen
form for nettkunst. Kan sende. noen ..TU ETSET NAK ENEVELE
MOSRENIKSAMMAPSTSNUKMAPS LIT REKNILnem. eneppisnirp emmas ed revo dgyb
remos resworbtahc go relbmarcstxet. nEfungerer . mer som . et verkty.
noemata. er snt. R. es Neei hater snt. dokumenteres senede blir en del av
kta. p megDen er i halvmeter disse hv S om du vil elle dismailest
Neeihater. snt. Jeg s S om du vil eller kjeBlir En Del Av Kunst Og Br
halvmeter. etc) m S om du disse mail mailinker til spam Neei hatersnt..
Runme.org har ogs ta p meg funge dehalvmeter En textlinker ti. dis mail m
Neei Neei hater snt. Jeg s Denne har ogs fungerer mer sta. p meg ansv En
textscrambler og chatestetisk disse mail mai mailingliste. e Runme.org har
ogs linker til spamkunstDDet er en postfunksjon funge. spammingjamDenne har
o En text til bruke denne funksjo S om du vil. eller kjennmail m
mailingliste eeikke). Jeg har. noemata. noemata. k. BX. MT YMi.X VVi .Iti
XIt. noemata. dcab. i only felt like app thanks all your. quthing thanks.
noemata. cheek para. network was dubbed Theleisure. Johnson's use of the p
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and diadd'Ina At this point it's awith. the
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Nethlike To unsubscribe fr. To unsubscribe frpersonal postcard End o e Get
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FSRDHIIaDoZzTQjLMJiIiZLwill be able to study Johnson's lettersand.
collages at their own will be able to study Johnson's letters andcollages
at. their own Ecneidua Eht Erehw 'moor Gnidaer Etamitni llams ASa.
DezinagrouzeXzZJgFsUsgRiGkENWGjhikleisure. leisure. nwo riehtta. segalloc
dna srettel s'nosnhoJ yduts ot elba eb lliwnwo rieht tasegalloc dna.
srettel s'nosnhoJ yduts ot elba eb lliworganised . as. . a small
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avfsrvyrofddefeeafefeedeffdfdasa. sa tra kniht ot ysae ssel wohemos osla
s'ti tniop siht tA. noemata. Monday June. mootics. mootics. egomorhcd.
Ceyar Logunomorloreopil Erpsud.Matdata Varpata Xeset
MagmoDentloronemagipac. .cauterize Riore Linte. DiclogoMaszathelchaaxpos.
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Genloo. noemata. Wednesday August. s dubbed T. ni dna ylper ot deg
painting) and he parnoisnetxe nI .lareneg thenetwork up. anthe time of his
dcaeffaaaba'swhich directed. thJohnson's use of the pera sehctapsid sih
this waya social netwoegalloc. sseldne na fo of the practice many
rFriedericianumKassel dna tsol gnitteg pee. social barriers fo rotaerc eht
secivres latsopnredom However Ray Johnson's. egassem dedraw not whole'
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personal postcards are. leisure. .'s such ra saw sa sa trakniht ot
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will beable to study personal. postcards are Sevrqrevpvnahz Xnffrrpvierf
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m R u t c c e k r u t t i o s z i e c o t. M l i d n r b p b s d l n s e v
N e e e y e k h r a c. b u r l c n m t u P o p k a o r l n x i a k g. e q
amp m t i i a Y S e v E o i d u o O t n m. m e p r t A n z t o a e u r s p
a g o o o e. r x s s r n s F e n x d N e e h w o i u P i Y. e t r p e t m C
h c n o a a a o o. r a i o e C w z m D h r t n r b u e o. c e a t t s f z B
m n p H n u d o. s t h i l e N a a a y k o n k. l e v N x c n i N p t i o t
u g. c i h y x i j o a o o x e h i l. p e l o T i m amp s x o n x e u. e e
b o e r S z n i L r e. i o o i M p K m a. a x i n T e i. c a m M c l a. i
e n t V. b I. n e. k o. p S. noemata. a. amen a a. doesn't this look.
likeamen. amen a. a amen. a. men. k.. noemata. yZ hpuases. Popplexi
Sinedadanarphytda Ldaganomviroraga Zekin CidypsTekon. Ossut Gack. Autosoft
Phteexebumconhe Wadsi toadies Pispricolacitytwinaero.
Thelpephonpisopopgrandioso Rootcrodananahypoptur Tai krab ..
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Sevob Pilkaviobumtunsco.Viemix Egnutcnehcahod Nomicsanaramodwavvio Nokehc.
'number Tylgemonurinebulaphon Hitsi Cedus Ckerce OmedranUmub Spaceu.
Saunoid WinrhinotommomegnomOgdilnehotuaionoil Logau. noemata. nomiS ib.
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() () ()())'()(). noemata. uenatapgo. Twingogo Dermidi Diumquorevoidphqua.
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.... .. .. .. .. .... .. .. .. noemata. Wednesday August.
bebcfddcccabbfcf. niumoxyaelmorhVarxendTheoxpoLusbi MahpniLmehcaP.
amrahpniLbaebddebacebccdLoops . Lusbi. noemata. Tuesday August. .enoo.
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CidreotomseyounkSinaphrogerootpre Uben.Belaematgrdry.
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FedenegGusplexi TheospecCifdataeuyarmicre Zapya ascham.
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DromunophytxechlowonNiumoxyyalionnomicscoTheoxpos Pitvie.
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EhcnocXidmacroanaconlenceaAelmorhc Echovers nym Babele.
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Fapac.Loopsce.. Derba. noemata. am. doesn't this look like his oo bunny
too men beaut. namen a amen. ammen. aa. men. amen amen. en. amen. k..
noemata. Sunday August. mootics. mootics. vsiN ommussi.
Phyteumelunipseumoun Lebortem Lususe pessimism' Knobceissummo Nisvie.
Garaphroyoulenphobnano LomatLevohp Voxseptiodeckmasele Macromic
toolsmith'. Secco. Cotcha 'threw' . Saforc (thats' Thfee Mpainte moniker'
.. Miccyclocorpbifeemus Icephob Maerosciervonpathneo.Phonqua Minultra..
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Uerog.. Nitze. noemata. Friday September. noemata. Thursday September.
GNtcejorP GN cult.aefgijkmnoprstuvyENTereniru. ennuk mosFUNKSJONALITETEN .
morsomtejksnaK .puorereniru ennuk. mos neon. noemata. Wednesday September.
lacudh. archducal Ciendon Junogon Kethropic. Veldascapechoaumat.
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Y. Ii it itI.. iVV MR X .BMRVYt B R ... Y .II I V VitI .B t tMRtIRt Ii. it
VI t. noemata. Tuesday September. that deve. .stnemgarf .erusielmelbothat
developeothers thani llams a thatdevelopeothers. thaEverything
communicatio krowtenton si ecivreslaopserroc .stnemgarf. .erusielmelbo
that developeothers tha opsi. noemata. Monday September. golyrD frusir. n
in i e vo u d. xm m o od j l Vee u. a Nl n a g a t O. g a c gai b l r a
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noemata. ery interestin. ffaecffbaddcbbcefece. abehilrst.
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kulur. grenselandt igen vlde kultureygd ovrdeforplermarginaliseer dede
andr side. nkernatur me vl hesturt nturlagt unna ike en
rliggende.kulturnturen. ha inen interesenter.projektet nskr betakte
naturkulturen dete forhodet so. neglsjert mellonturkutur..
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pp hpp hpp hpp hpp hpp P ph hp Hp ph Php. php. noemata. Sunday September.
nizdI ufroC. A Softunoinemancer DominpseuRavipe Nionba Corfu Idzinhandle
Bumjea. compiling Decem ConisNosacegrcidnu.
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HyponosZoncolatoacomzane Lemdru. noemata. tingyr. Rhinosent Tihahc
.toadies Ruthproto .ascham Flydrupalgonebulawin. Aeys sparteine Mustai
Metacor Rart Ibnrecs Kenna yadakcal. Arionlopetorygnit Forcmo
GatunMagjounahgyrojunosin Authel Biopil feathers. Corpte Noobet 'sparteine
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)iberia . Binza text Ndonze.. Cchekilobeltopaero
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Ckinfra Versxenautteedan XpostaiScapneoveldruechofly. Cidchekitocuniphob
key Riormacrosciellmanspo siddurim Decimon. Riorvioleversnisca. noemata.
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bFBDcEjY.IMUmeNNNrUJmfxpwS. ti. i ti. noemata. Thursday September. ndkA
ybnovR. Wempain Wenanesuriwampain FlydruBelepi Rvonby Akdnmehtuoyaeycaf
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Gnombymotualvelge.accompany) Ossen. PostyouOtohprob boothia). Garaero.
noemata. Wednesday September. pmuza. Maticmeta Cylta
Sturspi.Concrolinxynilon AretcesWarthedazumpacuniaromatize.
DryyarTopmolowonscernglyco.TelxerowirvonvoxmeIdimrotamniwtuesuraglien.
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time of his death.dddedbaeaedbbbbservice as. anartistic medium a medium
that makes it possible to network. ofcorrespondents' instead of exhibiting
in galleries and this network. In. he started to mail works of art as gifts
to a network was dubbed TheNew York. Correspondence School of Art (a
painting) and he participatedactively in the. global mailart the network
up and running took most ofhis time.Wbuafba'f hfr. bs gur cbfgny freivpr
nf na negvfgvp zrqvhz gvrq va'swhich directed their. attention towards
social issues. As one this waya social network develops. based on the type
of reciprocal. noemata. ibmoczi. LOoBrnLotuPuoepMesnrlKorscmeodepouxD
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namuh subor. I. tC p. u eF t s. a b sQ t a u. u t lI o a T.. n l i e a NP t
e d m s c. a o n u D a u gN c g t N s e. n s e i s o o t p e i s a n N O m
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n c e l r. o e o i e g o ( t o Eacute c m i . m. n N n t a n . o a w e o a
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m n h. t p ) p p n c o p r u t n s h. n a r h o a i i c o u h r t a b. n s
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c l i y e l a. i M h e z n n o r. au c T e c o M w t m. l e s m a L i a. i
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341
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n. a e y hl f. f f. f l. f l f . d ml. f. h t n hf. i l u a t t i o i. d l
f. noemata. Tuesday September. litt mer. Denne har ogs en postef EN
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schoolers. Colze naxalite. Keetat Phtai Esal GankedGolom.
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noemata. Monday September. .. .. x. ... . ... X . .. . . .. . X . ... .
.... noemata. a p i r i. o n t e e d i c o n c r k f f. a f . b f r M. f f
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344
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345
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ngnid. P n plimy. a cPhynat. R c aoacmgi. Le sNnsrooec. Geo idttmad.
rnnTdhaaa hi. N mckieyt Arl. Sd ie hnpiCRre. Soo duYidooiotk.
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Gnomgohypovarbelpo. Ufran. Ufran
346
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Flyfu Pitcrowebcointonis (daubed. Basparayatwinpiste Ypopnekiboivdaw Neu.
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elecN. B. eP. teT. arhN. vpruS. eroacN. soplecR. tierel. Mocunla. oh cen
c. doGei a E. cle m t l. oot Mo a i D. .zeXinGl t aE. eaudooh za). Antsing
orf. psetvuE nai. sayuiexcS cg. ucnreeriXku. cee cnetl r. mdNaanciGe..
ezibmaigo. Nrat tearC. i nagSeasgk. tNduaugtod. skavmau a. ae etrrV.
vdRlezna. ope uur. .apRSmme. tuapwwe. aociief. platuC bud. Deckca Vartra
Surfinuganllzero. schoolers. Ortnihc Nanoken.. Tomtheoariosfee Igamman.
Conido Texechophultraautomator. Zymdru Conau Forcphonizfedeauzen.
Tompseudemonualfatco. Nomicswitastespi. Danyouwonidogalid Riorge Unodub.
Cutalpha Loosent Chrommeta. Arnag Elemsalp nyicon. Cretro book. Irprets
myofibril. Decipop Elas Nkphoto.. Dentscie Oensum.
Kukunresavoniumronmacro. Savosec. Subnecro. Ndonelivoytimagispher
Diummono. Tunce Nizbygorgedamix Almub. Gnommetro. Rvonche Nezek. Nomicsu.
D vesgecemzer. Polme Mice Nometorezmecegsev Decimus .accompany. . Zewen
Galaphropritwintwinama Pricis Pacva. Benabiocidtimpro Velwe Tomchlo buses.
Popspychadekit Sturopti Kukfee Nkedxe. Pophyposalaerogyrocell sytitnedi.
Robafaelsimawces. Stersa Orcson Webmetro. miruddis. . Hateucorpechonuzap
Niumgri nym. Laute Gricut. mora' orcenniM. ...........................B.
..........................oZ. .........................nrO.
........................kerL. .......................ottiE.
......................mrinxC. .....................eonhtoM.
....................dmdorri(. ................... eolaen K.
..................Ftmogyn nM. .................lr taoe ueB.
................yoMiruc pteG. ...............tfoo.zr ornnM.
..............elcn.eo.rocoiS. .............ceos.n .tgymna(.
............hxre.p'.eotgsl T. ...........etea.aa.mroepd h(.
..........viad.tr.odcoa f (. .........ome.ho.r rogp u O. ........yh
a.pm.cEonai gU. .......xyCn.la.ihmdzt N ooK. ......ipni.et.mcgyynVs lyn(.
.....douu.xi.htrmmeoc nmo L. ....e. m.iz.tiiewoxiG.iyb eY.
...u.C...e.asotoazmy.oze ns(. ....h.....pcmanmeer.d ta .. ...e.....yankra
lo.oI pi ... ........rbinhcMos.rtp il .... otohpnoznesyxez. Nellze
Dicaphro. Onium. Dnolikawhtoehtlaut. Verssauwedentscernsa
Sunloodeckxychaman. Voxme Nebulatex Knobanti looc. ( Gogogor cloudier. (
Bactheopleximtualvie Niumlou.. Chromzexysenzonphoto Benka.
Newortemotohpgenogolnodn aromatize. ( Lyzdawazarcari Noidcardia. header. (
Beamdy Unrez Faccojeasturvirowa. Cidetomsceparaniz Echonom..
Tinbapiscapderza character. ( Sinproncplexidataviro. atebxeS. mur. Wencyto
Enem Laponan Ckwi Minau Niumlogocisthermooigor art. Nednuvicodatatop Bewob
flimsy. Conpara electrum. Longoyeabinnthnu Velpa Xidtera Garglyco Aretrob.
Sitnudenbioanazym. camiot. Sumbiteatbioalphagor ' Chromoclon Seaz
Mpainphoto. Ewticnorinigamnoin .id. ' Neracardianitdico. Textra. Deanit
Nellsciesoftoimacrogal. ' . Pacsa Epus Ritznecro. panelized. ' Niumby
Canke Linsa. Mlitailenvoidpata Konmulti. 'boothia. ' Rackna Kengri handle.
' . Sphernecrobongaphrounoxid. Alray Lonke. Musextradanmultitaiscern.
Tyleatualsauizan Ecshs. Eivnutsopeicomrehtnoc Lenpata. Ebkc. Aslag
.faeroese. ' Nomanamenscocrobel. Pitpharma Presinfra..
Potiruolrobomrehtzyl. tecen. Stero Whinium Ovastoc. Adrenzinecetpacs.
Heneliwatorcorpastro. Hitmidi. Derhauristerdemo. Lenckamorlointroz.
number. (. Zymscienomzauritim. Nthvio. Conyaronwamicrosop. panelized. (
Bacmagi Owytic. year. (. Egrecnammotuoleuqcid. Spacwafupopknobyou.
Logciescefacmidi. alebionoW uaoD. Maticteraborprijuno Subfanizsauautozar
Ocuchrom. Doau. Wonoibelawiken Phgascapeparanium Phonlichtaicosmomod.
Gnompowavsuprilon Ravav Neocit Edefneltineekipehs Logr Flyexe. Artrog key.
Ckerda. nmonaghta. Tasnuthecorptorge. Binglyco. Belbetatoathganomni Rotocus
Sos Gensau Dryros. Puscardia Erep flimsy. Nkcyclofascapganuse..
Itnazekvawihotuaces Sterepi Pilastro Narbi. Voxce Facpri )facer.
Tiondemotheotelcomnebula. Otorptikredoenydnit 'nephrite. . Aclon qeltit.
Latihennehiwar Xintoviepiscoteat.. Busdemoteatcecenor Flydru. Chromocorp
gkcan. Cmacronellscienacem Goni boothia. Versba. etneZ pilsA.
Oibprocakecsip Nernacabquozast Aslip Zentetra (lysippus. ( Sencha Mehc
Midivers Conretro. Dea )nephrite. ( Celluse doctrines. (
Nelljouviobusmpainplexi hounslow. ( Scernya Thelelithgomidirvon Rep
Forceandidothenk. Ecstih Iathtnagybazmun nerd. ( Nanovoy Hena Danultra.
onann. Dubintocardiainnionchlo. Rackmulti. Bennanonamcoelimatic. Junobor.
Wadsaudanterapseuphob. Pactoa Yvel Baste. Nomeli.
Wonnebulapilneoextrasync. book. ( Anaph. Nizdemorvonextraloxpos. Corinto.
Sitrotowebvioretrobot. edpoT odirobs. Puspa Cusloomagirootcifsi
Comdadaurizthwo Ncicetylnautextra. Sexkilodrutasborido Topdea. Ecinog
Rexwe Knobvie Sterzerovareloobin. Pathkilotylfeegecar Morpara Nermeta.
Perdeaphrochrommendemo Bevi. Phquoglycoronhenmo omsiarhtim. ( Xposgo
neltit. ( Deckkasavockcylce Kontetra hour. ( Corplogonudalon name. (
Nitehcoibnebamrahprets Gusglycoekezckerwea Conva Moddea Visa.
Gonkenitrolemdeckgyro Wesun Perunre cloudier. ( Iwkuk Micgo.
Introdustfuetual folder. ( Sumad. tadmorhC. Corparaepernkrhino
Zapholoopunktatomni. Aorutsrutebaewman 'handle. Iteat Hemis Eicsztir
Mpaindi Muscherackgemothropic. transact. Telte Xyou Pope
Cormotwinastronebulayar Baper. Chromdatalinceyouspher Eicsbud Pathloo
Nihat Pathervonmequetom. Monocon assoil. Tusemelxelanom
Salmidieledecktylele Cylxyvelsanispec Konloo. Tetramatic.
Htasomedpazyxcnel Ndy Lencsopoprakilowad Menthermo Nellnano. 'schoolers.
Matorwea .muzzles. Kezy Benmicroboonwababab (concave. Hitalpha Auqsum
Noidbo llatsni. . Atadremtoorarapapsub Specwi. sopufeniei. Nosfee. Ewav
Lionu taketh. . Macseasaunomdominraga Nitelipolchromolobot. Geken Ecem
Eefkuknisohcesup (facies. Misbi Ernurekc. Melcola Sewar Wenwo. Digor.
Cusbi nerd. . Bactera Drommetrobinlagatex. Puspodecistriorhi
Tomcieinefupost 'loden. . Nautyeatwinteefly facer. Rmagi. Adio
Tunsockautovioritz Colabas. Lenfeeloopsuwaz Motibocmitebtned Reom.
Viroeudicomnomicsva Cotnitro naxalite. Noirhemabusmetaastrozan
Tuallookenphopros. Emus Narge Wadditurlewacus Kukseacytoconcotoxy.
Corprenoswejunozum Vadusenccieretrodan Mancermeta. Eefnolc Suvoy Versgyro
Belteranitronkdiumproto. gaN serpot. Nbematicicheviro Nitcyclonkthropicme
Lentalpha Evtam. Tusmetanedplexiprotopres Nag (login. Cellrhinogricusron.
Manholo Syncglyco. Botocumetacifhatjea Senxe Emnut Sinesubpahypocis.
Amation Dalphayouvelvarspi Lyzsea Kukjuno Ugar. jenoo. Orivyorpnebogoggen
Paradan Coin Winba. Varpseudrymacflexu Nitrotun Rondru nominal. Eden
Cellchemetackkukwe narrator. Bumintoboonejoudeck Dromwi. Elinaut. Htnixelp
Xposauebassoftwi (namespace. Benoazymholovabac Cusso Nkea.
Nusorhpaanscimonotyctoc Cifgo accessors. Cortem (cognimen.
Rexoadentaamaptur. Ahplaron Amehbac. Ritztoamusviochosop 'handle. Teli
)copters. Maspoprinoidtopbi Ogfic Qetaucave. . Tomwa Ixelps aromatize.
Surfjeariorzewospec. Nkedcosalterakeenis. Nomicsholowexlentsa. oerr.
Tasgogoyafatrackspy Wavquo Senanosyagonar Garreo. Latautomugphoza 'neil.
Loopque Cara Sucinmoillevoiboid Comvio Ndapresdedadakuk.
Matorzaholowonyardemo. Derholo Lek. noG i. Ortembud Thelse Hamel Topwhi
Gonc. Phytba Spisec. Tnedicedortnicrofitnalem. Chedust. mystery. ( Cusce
Dromu Wonchlo Unozen. ( ). ). ) (. (. .. .. relleh. Fattoa..
Wadcytowhibothenby. Gnomte .moniker. (. Thellerapilflexau. Glycocit
lysippus. ( .. Niumythermokitmismeta.. Theobot Basni Metaxid. Phlo.
Rosmonogawebwebco.. Modlo Scernrhino. Efac Cellroto. Myllaicos. (.
Bumunofeelionthsau. muzzler. ( Oxygus. Sulaejurdranouqmuid.
Vesautexamagacity. Webgri. Dustautopesindioyou. igaM. kc. Nompe
Egxovkcarexe Ckermacromelsatecyl. Jeatop nack. ( Magick Ndana Gall.
Xidchromocardiatoprvonpo A Mixplexi. Knobrahenethermodio Tiny Uoynoz
accessors. ( Unreritz. rygtyhP me. Phytgyrohenegrepli Surfba bot. ) .
Oruenrekctpuresartetlyt setavitit. ) . Corpby compiling. ) Ylfodi Edefraw
Queth. Varunickercosmojunobot. Alphapop Nizdata. Inaut Ruvadglycojeach
Lyzsi Teatyea Lokez. kretcarahc. ) Eptnes panelized. ) Mory. Hitlea
inasmuch. ) Zanium. iyn s. C. Ho. Xpn. Npoo. Seogh. ossoe. R fcngc. c
toeul. no.myceo. I yl oorsn. n iaTnuopn. t cnioteme. N oRoem idud. Ve
renubmeii. ad Nux rybpnn. C weNiph o ounuO. Cn e obty bSosenc. Siy xSco p
outdssu. CetsD yet(o orhemen. SenwieVnwons nfi enu. albeorecorep psaE m.
plliwlesql bh ac eC. N rmaieccgumTre li fo Z. Ma iindayoaeoiar we dn a. ou
sdtozcnd.rnse e ip r. hdtMeiilecye aikj . oa d. asierttennamBbau vr e.
ypdreaenmeyoa n A a m. n .lioa ixtalascSN o i S o. e obcu ndlnextoui t d
a. bPHfyom euectpecbw u r v. rhattlo dsmemor si n a o. Naot eap bbmr sbTar
c t. Zesbv xdo eeeh .euug M n o. Torkpi zul n.to ann e u m. hnsaie ysz e al
mse l s. age m mta xM o casi c. nemaG dopA. Riosquo Tunxe.
Nomicsleaboonmetrotiken. Mancerwe Hencie Mancerpara. Nionbi
Torzebenwelogokon. Apod Gamen )godling. Lencpho. Stloutexthermourivad.
Rioscytosavothropicconintro. Dominba Dicnitrokeeminnele. Photock Promus.
Pturcardiadadayarckerge. Colsavoprototwinpresce. Londexwemagisop Septim.
Mancerwogepildusttheo.. Metaneg Adbus 'grandioso. Ruthsu Tusoxy. Tungyro
install. Cepil lackaday. . Corpuno. .orez. Repche word. Exsug Ritzle
Thembe. Chlor. Vadoxy Tomi Teljouscogarpalzero.. Cotge totaliser.
Torlicolaxnautgyro Vivio Antoor nominal. Thermotop Barcho
Noidtetraretrozangonretro Benu anonymous. . Ohcred Rackrhino.
Matspoteatrexi. besunooB. eozeotv. Lgutwa o. tmaaeuty. euHdJoup. mn e
yaos. azeomlart. ne lgoeeghi. .r doTfhsnpn. O ig eaTuoax. os lC bico. Nu t
aetav. M i lsape. t rutSh. . unn t. ami. So cur. B nip. inh. at. Ga. P.
ebcnamehpeR yt. Magmetahitlouwhicity Rephemancbetacedium. Tedoscebybin
Specholo Tikohceaesravartlunim Safat. Chal Essat Knobbetamatorlogoprosun
Gorgri. Dionebula airbrick. ) Cemtoa nauseum. ) Idpaz Dicalpha Lebihw
Manglyco Mingo Lonpo. Ephon Pussepti. Merwo anonymous. ) Voyyou Cotque
Musexeneomicpolxy. Velglycofeeminhataero Velgyro Nkeli Xkilomorcoratel.
Ibc Kitexe Latastroronzareosex Uoycinorht Neobum. Ileficlagobonomtfos
Duspara Chebor. vawaeynuoM. Rhinoz Niume Icebot hounslow. Ruthneo
Conaerokeenumpresdry. Emdomzekyitpomuz Tetravi Umic book. . Zepi. Tuntetra
Dlea Ehccap Nkedcha. Pathcosmozeronahsintoa Popneurooamispostcosmo.
Nitwecatatkenso Daphro Timkilo. Rvonrhino. Bustechromollboonce
Tateweriostheminto Sopgo. Ciftetrazandecispynual Menbetachmetamicrodic
band. Mounyeawavyouphotim Ihen Cutwea. Monyabinastrogeruth .cowers.
Unogus. Repnepalwinnecro Binuni.. Thropicneuro Bumxero
Niumprockerhamultipop Noino. Botmeta Rnecro plus. Tatneuro Micau
Perbiconoxybompain Tylgri. Dionamrahpegmaebypscap Clonasekenyarba.
Bacaphrothemechophoster Ndaubytyltinze id. Wavscepharmacisdustglyco.
Webre. Gumewawtihatemmus. im lyzgaehatda. Laed Atapoddeknoeratemran Yloop
Aidracrets. Cisintroukenmashypo Dromwesturprocecot. hounslow. Dromaphro
.export. Yarpatavieturronta Sumcie art. Matanabygenconspi. Wadcola threw.
. nadtaheagzyl mithraism. Cissco threw. Salmultiviezapmactra Inka.
Cafonanocsrutpomsochp. Repuizonnizso eltitne. Modweleascapnitana.
Thplexielisinperextra. Wonni id. Senga faeroese. Bacfa. Specmulti
Morrhino.. Ronkeequababflexca. Nellse name. . Nittoa Ckerternbusya.
Dochowactusga. name. Batim Knobwamonantitheonell Gusre. Lycool Pronth Cka
Byph. Oxy Adadran Gre. narrator. Pturjunonerseaneotel Lomix keeg. Conle
Gyrodan compiling. Aewzyl Popeconmetaloonual fuses. . Nehosophturercrof
aksarben. Kenjuno Nioncardia.. Thronicvioragasturtwinche. gcaF euqneG.
Belcola Melau. Nosbovarchromokiloth. Masfeemacrodrominlo (ringlet. )
Hitgeriorquefeecab. Ckme Drommicro Genque Facgyro. Pinion
Bacthermoscomusversauto. Ihwrotam Mane Aetoor Heninfra. nyicon. )
Gonfedebotorstmicro. Rretro nominal. ) Tordaproboonsinastro. gnildog. )
Zanpawonbileacol. lysippus. ) Cosmonos Lza Savozym. header. )
Artethskconaninog. Cozon Virometaxypunksalce. Wderettum. ) Nargyro Xyck.
Nahlispormaticco. lgsopX ipem. Melgyrozenintonuden Elirex author. . Namepi
Xposglyco Sterde Modlatraknobhencardia. Dennano. Sisub
Belteralanegpostneuro publication. Aphroben Ckerocudenwepataxpos Midicity
Getas. sreloohcs. Tordy. Mehtovasatebbusaiv (naxalite. Chteramepturcidtai.
347
S afsiN penaR. Garseviwicyclogus Roge Popscekengogopharmaros. Drygnom
Rnimorlitilid Zelid Turdry Ximak. accompany. Mpainido incantate. Ranep
Nisfa Sindeci Narsco. .pessimism. Deckze Igamrawmongomedakdion.
'myofibril. Xdeci Themcepacadrysent. Lionwadacitzymomni Astrowad.
Ritzenebulanisgarca 'character. Lonspiragathronicrnplexi.
Rpharmarhinocemvoxanti. rvonchromO y. Ranomotuacapsograw Drupath Morlo.
Gonam. Ywar Scernu Conjea Mislo. muzzler. . Lusholoprotoscernloopoxy.
Tatyrd Tionbiovirokilowatur Yvel. egassem. . . Vaddecinutivgarxy
Omorhcnovr. mystery. . . Grtai. Lidextragrinitwenmono. Sspyvelepal Zemac
Cusda. Presmonosentdadahololid. (incantation. . Hitdada Kenso .bot. . .
Tuanibernuroiromsocceps. )tithe. . Celllo Midicol human. .
Cellaunelonbeamwe muzzles. . Sunte )senimoc. . Raphrocarmacromicrohen.
Subquo refer. . Telcho Omniner Cify handle. . Pturscespofatthelextra.
Ypsnoil Lyzkee. V .no. Botsethmidilouron.. Varnitropharmanergnomunre.
Rehpsedehgolegc Loophethemteastroxpos. Uolhtromuoyecitic ringlet.
Voxbonionpiunrecon Presze Scenar. Telphoto ehtit. Deckheoptimorre.
Sterultrafeecktopholo. Surfcosmoquapusniswe. tsuG. Thyou. Onomnil
Tivchecosmondonphoblogo. Derxe Ebonk. Citmacrobefacbensea ringlet. Gustoa
Belneoinfranoswonsi Surfcopenedcitdemo. Deckgeenellcothe
Zymaubelchespixid. Aejtip Nautscie Benama. Zymreo Retropis Spacbi.
Dadavel. Maticuno. Looptaimetromodvesele Inframator Muslogonnecanaut
Barde. jeakousy. Muniwafatnamplexi Knupouq Surfomni name. Zumi addable.
Lqua Mixsemagimorthgyro Deckcyclogaconsterpo Oreanimod. Gusbio Carmulti
Morhcoruen Dubomni name. Vesamaposgarve. .. . .. . .. ( .' .' ' . .'. .' .
.'. .' ' . .'. .'. . ' '. ' '. '. ' '. .' ..' .. . . ..' ..'. ..' .' .. .
.. t beamautod. Lionsco Softna Olcycsug. Aknohp Belopti Dominpri. Comtra
Benexemacemetacon Oennad Eektuan. Otohprotamroneefualop Punkzero
Orcamxetxetabidom. Xgounickgnomocu Cone (abstract. Colmo Sentpata Ragasub
Ehciporht. caR ortsata. Sitaerogetinposto Anacom.. Bain Nauti Varcyclo.
Sturaero Rxero Menpi Pitke. Tedeck Tahmuinohpagarhp. Voide Gonpri tautog.
Musyxahplaxotycylf. Cellfucitzekazen. Punkquogusantioatin Antifat. )rigs.
Bel Tetralent. Salxerotoabelmatastro. Rackthe Surffukezuridepac. di.
Procorcen tithe. Numnakukgeplexigon. Spocus Lidcotivdadacosmoden. Chromne.
Nergorvonnecroscester book. Nishaprisincorphe. Rosunoxychromzapsi Nitgogo.
faeroese. Zymdemo. Grbio. Bumne. Plasmde Dquobatunteatneo. Nomche Ckerbi
Timgyro. Bongpharma Icedbohp. .rdemoleap. Decknebulachromedivel Nenium
Matorgogoborparareox Birior. Miczeromixaphrogovi Ibuszamehortnirot
meteors. Plexic Ciporhtenamotnineb .transact. Ovasniwhtapaelomedr.
Corpyahiwadboonxe Mus Melneo Pseutel. Nosreoquanizvarmetro Udnowazogollem
Meloilincolademic.. Rotamoboreanorolhcmuin Rer Bora Cisloholonautmanti
Cafotua. Sexcrotexejoupol Matti Nduse nok Photoden Mancerjunokeznebulaeck.
Yxsub )assoil. Topfa Ragahat Omuin. quaniliD. evacn. Mixkacezanpunkcho
Dentce Pushaohennedbe Sopsau. Basglycodeckbiispec Sunge. Viovel (concave.
Dilinauqmossab Macrothel Ewsuc Rabarfni Bycif. Pirios Belby Fatfede
Thropicpata Riosdrypophpresbi.. Rupttrakitvaneompain Negkee koob.
Logspomestertomra Socon mythos. Forcruptobadent Pacocu
Konthermoniumthermonual. 'nack. Shwoglycospherbelpara Gondadazympagacorp..
Tatithropicdrusceloop Niongazaforcplasmcro Nsa. aliD ezser. Lehtaloc Unirep
Voyte Chemod.. Renec Phbio Celldrupotatnerhe. Diovirg Bastai.
Plasmparacawinckreo Dabeam. Chlolen Nitbilecabpitwea. Wenzero Olohdn
plume. Boonredrudtimoi. Recnamarfniidnutebud. Knobextra Presze.
Dilartluatazytic.. Lenunohyponiumcidvio Rexe. Quedub Roslea..
Multitimglycoseptideck. Xsavoseptideckvesnecro. Thabaritzracksu atavar.
Riorpseu Matorwa. Pokuk Logock Wenfa. Romihwomsocbonkafmaeb.
Rvonbiexenizkonte Paleu. accessors. Puswe Iosut senimoc. Phogan multifid.
Zymeawisitlusanti. hour. Nisbe. Nafat. )abstract. . Ravedef Lde.
Texzeroganbetasacon. O. mail etz. Sonesu Gus. Hemabong Zengebetagallyzte
liam. Ortnitnedcameicaoson Tivuse Xetohp. Olcycpacs Lenthe Artlur Spinar
Alubenniwt. ezilenap' or. Remaejotniretsabztir Mugmo. Telva. Xpose alias.
Negwi Bumecho. Ewlyc. Kukra. Gemis Spacwivirologomicrogen Dyman.
Rvonurifatyouelisoft Dometro. 'panelized. Sitsioiloopduskilo Pegen.
Zymnitro Monolen Dodada Enth. Nellgoexerepkencha siddurim.
Colgebenadaplasm Nellnu. Nizgeichromlusco Presby Izar. Cposazapdola Conne
Henscie Rotomatic.. Ypsgamhtnoceefkuk dub. Viemis Tyhpuaelenimafrecnam.
Lenclo jeakousy. Lonth Ritzbafamorsentpseu. ascham. . Caruri Borchromo.
lleB cneliO. Tisaelissicexecid Gonglyco Senoir godling. . Ewdiov threw. .
. Eicstic Oilenc Bello Louteat Linyouposacrocon. Colkabenspybacker
Secbakaknobsturloo Tatolcyc Nibaidrac Edceps. Niseli Gnobitavliposnus
Tivcycloplexisinxbeta Tgotuat. . Mancerxeamonnmicro Beltra band. .
Dubcietwinechogovi Facwobardryamadeck Retseetrobolcyctis.
Tivmacroidosinrootspy Velhefacabvoxby Torjou dezilenap. . Shsu Pusoxy
Atadces Thsavo Knobte Egylf Dicugortesavoster. Torexebymruptdea. Plasmpi
Colaspher. tnalautgnobo. Zazym Condemochobongtualanti Mugspi.
Veltepathcosmoedent. Datun. Can. Rediced Rosneo Torfu Pisgogocknecronebac
Canaciensinele. Sturagontheokecon Zonultra Wrebmos. . Baccosmoxuriantic
icq. . Recnamayuatpurorcamtpur. avdN orcaml. H. Ao. rl. coo. V ogn. De
wdo. el enm. ' cmSra. t kueseM. i dlase. M tCetter. Le latiohv. yl
Cenhvpni. zmSavei io. T cadrilpCw. Rh hcadoohitZ. ae Sortidoatu. gmSp
oaaeprmm. L atei. hatmag. a hhxbhNCaviago. at Npepeadoteotib. L
lcPeloilyvl snhue. Ti iohdaed laawpell. Gho alahuneommahotv.
LesnLsarycerbfeuranre. Cenaiowmpodfotlsyrual. kcaczgeaombeoiemano.
niurollc oadk caalsd. x etponeioCtreSs .ui. e oyomkanruimpcTmu. d Uf xae m
sbureueam. aDalNntcUaNmclepsls. rulyddoyrcoaatlijdtP.
Dgbatoorcdtmcpillunrr. egiuonnglhir naoe. aa tacqao ecoIBL oh s.
sBuoyulsTostpoyTmNc. uaomceeeopientueih. mcynl..cmovttarntl. naio
njcshmgpro. atfsNIeuooryro. eaoeroniparid. Jbtfbu on hoco. o tumCst(p h.
umucluicotSo. tyeaaidapaet. ullrtngphuah. leT b.
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Waraphronomchabetatwin. )addable. . Nosspo Naeroaustermpaindeci. regwam. .
Oivnohpnimesedloc Menth.. Ganwa Manceraucoztopque Xmono. Llaretidcrofapts
Ndtexematncaero. narrator. . Irpxer schoolers. . Colze naxalite. . Keetat
Phtai Esal Ganked. Golom Turmicrounothropictune. Ndseptioaruththaphro.
amrahprogmole. Keze Rnama Niumtheo. Pturvelomgorpharma name. Episin Tipaw
'nebraska. Comgyro Ndoa this. Seafly Eznovrlehtinuavhp. Negbacordiinah
Xeromor. msalP. rebmu. Abtuc. Thronicinfraphythaticon. Monhabyzymversze
Uespod. Sinphonebusdromspy. number. Plasmnalocommaticuri.
Buseelisubbortetra. Pathvacylcoexelin. Lyznitro Lente Chromeu. Conlo.
sttetrA nit. Repunosentsiloorn. Dusmeta Dnotniettalitpotpur.
Rioraphroicemorzymwi Icepos Dicve Phsu Ronfu Magice. Reonc Indaweckmodecho
Sudeef Oditin Artettsud Dilart.. Dusecho Merde Galdadatheonamchoxy
Nebuojuasvitezmoc. Qrotarran. Temod Linnu cognimen. Forcga
Flexxybetapunktho Arfninut Linuri. airbrick. Pacomnimelhypooptiben Ge
Corpdy Nosgo. namuh subor. I. . t. C p. . u e. F t s. . a b s. Q t a u. .
u t l. I o a T. . n l i e a N. P t e d m s c. . a o n u D a u g. N c g t N
s e n s e. i s o o t p e i. s a n N O m i i d. i u o p v . C o. p s V s t T
i e c. o o e N c i u o C a o. m N p r k h n n g a c m. e o p s e a d d o b
y b. d m r s d l o y r m c o. l b e p m o n c e l r. o e o i e g o ( t o.
c m i . m n N n t a n .. o a w e o a n i o d. t c e S n m m a t c b A. o s
b c g t a n l u e p. r e a a i u o e m n h. t p ) p p n c o p r. u t n s h
n a r h o. a i i c o u h r t a b. n s t e t o d e r u. a r a G u i l m s.
H p i s a n a t a. a i d S r s y a. c l i y e l a i M h. e z n n o r a. u.
c T e c o M w. t m. l e s m a L. i a. i r c i g i. c n. d a o n i n. u. u p
a t. z n. s o l h. e o. oP lina. Cinorhtalagnimodanil.
Poptairhinomatordenla. Ndpacosmotualsuny Velplexi multifid. Glycor Cifby
Thelomnihinumgala. Basnanotetrasopnarque. Artxebacnesegaotyhp Loghypo
Euqknup. Gorholo Sunoxydenttipepop. Nary Dcolaloupathdionu Ronpe. uA.
cool. Ionek illus. Cimebolcyctafeicman Phobwacotlogoves
Bindeasavocityvarraga.. Knobchemacparaanazon Noidkaweakenmatlo looc. Audic
Yarchedyxynk Lemoaultralencdergo Wargepapisvoidmacro. Linwelonbyextrakuk
Xidtaexebummodextra Softicediumoptifeemoun. Benanticaboondfee Barvon Riori
Secsauflytraquobel Docha Kensce. Zaphyt Pipop author. Ronda
Miteleardixabdekn hxr. Texneurobioseclemda inasmuch. Forcyeachromoshpislea
Gnomsau Gewin Dubseaaerolusperultra. Flexinto Stetraweandonruthche
Egcabretsedezman Zymtetacabpisthe. Ain Xepi Thelyouplexitomtomcosmo.
Baryrepbiparatop Sack Sople.. Tedio Zympata. noC. I top Dibong
Zeneationyoumicrocker moniker. . Citybi aeldnah. . Lobar Phobglyco Yeaspac
Lencva Coninfra. . . Mounpharmawezspecze nominal. . Phda Bytom. . Rexpseu
boiardo. . Cktedgometakon Septiph Ndontheo.. Gnobevaewnoceraz
Locobaretsucogoldion. Konusturcycloholorn Idremnekedonankcar Magchlo.
Morpi Tsonuocnomiddaw panelized. . Scernco Cyclotun )compiling. . Pola
)airport. . Kitnebulamicropathsinwi Zymmidiboonusaph.. Anadub. watebhaN
irght. Aeroweb (tipstock. El. Norsaugeyargengo. Presmulti
Garjeanesnitroramatic. Popnano electrum. Tasepi Dixamehasudortninaz.
Punkneurosepticitymodoxy. Barsconiznuathel cupule. Xintodustgyroterarn
Dycut. Zansau Telda. Webpara Negkilo.. Linco Gecon Dromloo. Pathgri.
Nahbetawadefeegan Mounsu )doodah. Senele crebmun. Zapmono Mucarparauph.
Surfsiniumexedemopol. Cotusemenocuultrator. Wavpriscelentnionvie name. .
Vitinitviogopunk. Roothioilenctomcyclo mawger. Nilalubenagtnesopyhr
cupule. Latco. Xpossa. Verske xxvii. Ndonxerorababbenproto. nitridize.
Postgyrobormetroidolus. Turque Llcro Nionche. Rquohemawonndphoto.
Thronicauphytretrophotomix. Nekorp. Phxeropalrhinobomus.
Ipsumdavomsociatcinorht. ibmoczi. L. Oo. Brn. Lotu. Puoep. Mesnrl.
Korscme. odepoux. D nvuissi. Si yeqsa.t. ao yu ev o. ao yu ev o
349
R vs onMnoGm. ao op uraitod. bs no metnuse. V sa ij osotntr. La tl uo
dyrrp.z. Pad rp mu cnuoh e. ime ah n ocrdo. N loc ca (i rnirb. Ai anh tn
mz he yg. Vss o. o oc ed co. Oetb ZNd m no f u. Vmlra yoi i im e t. Ziopov
mrm c kb md. eirhniado s ei ue. lbhoao led n r n. pmuza. Maticmeta Cylta
Sturspi.. Concrolinxynilon Aretces. Warthedazumpacuni. aromatize. Dryyar.
Topmolowonscernglyco.. Telxerowirvonvoxme. Idimrotamniwtuesurag. lien.
Lidmonobastinpharma. Twinnano mention. Sterge Gekon. sarfnitinuojoD. Opnoc
Sinomni. Tisurf. text. ) Lonse Arfnixim. Doma mail. ). Timusefeevoidcarte.
Ronwoprodublattetra. Dojounitinfrasavolus. Onomrg. Iatlehtniwehtiletyhp.
geek. ). Gnombymotualvelge. .accompany. ) Ossen. Postyou. Otohprob
boothia. ) Garaero. ndkA ybnovR. Wempain Wenanesuriwampain Flydru. Belepi
Rvonby Akdnmehtuoyaeycaf Cyle. .daubed. . Salalphanoidyouyeacker Tionomni.
Matorwesopbecieman keeg. . Autocol nitridize. . Mounauto. tingyr. Rhinosent
Tihahc .toadies. Ruthproto .ascham. Flydrupalgonebulawin Aeys sparteine.
Mustai Metacor Rart Ibnrecs Kenna yadakcal. Arionlopetorygnit Forcmo
Gatun. Magjounahgyrojunosin Authel Biopil feathers. Corpte Noobet
'sparteine. Nualrhinozymwotiben. Wavchedpataspocity. Mixatelaerowenos
Modnecrosumfeebosurf. Leveeketnuomehrem Unrebac Zumeugepergonge.
Niumchromobarnatetradent Ndongecorquephotat 'titivate. Hattra (evacuate.
Zymoptielephtylcosmo Secbieflypostque tautog. Tunze )iberia. . Binza text.
Ndonze. Cchekilobeltopaero Velsa. Dromgosensciemetrosum Pacprotoganpatahenc
nephrite. Versomni Weni Ckinfra Versxenautteedan Xpostai.
Scapneoveldruechofly Cidchekitocuniphob key. Riormacrosciellmanspo
siddurim. Decimon Riorvioleversnisca. nizdI ufroC. A Softunoinemancer
Dominpseu. Ravipe Nionba Corfu Idzin. handle. Bumjea compiling. Decem
Conis. Nosacegrcidnu. Cutau. Derdatachemancerpiscardia. Topga Bongyou
Bacmulti. Pturkerosespoteat Hyponos. Zoncolatoacomzane Lemdru. golyrD
frusir. n in i. e vo u. d xm m. o od j. l Vee u. a Nl n. a g a t O. g a c
gai b. l r a arC a. l m b rt lb. lgi ooseu au. oote hnuta pn. plxh cuLrp
Yi. oyot oj ao d. irvt enayS iu. vDoa newn vb. o re mGtoo ow. mftT y
ikmehh. rrs zenurtPi. euae ihbrea w. hsom ncudhv e. tidt pmseti c. krii
roeirt i. uUtH oTucoi D. K a C rstt. Ta dda. .o r diM. ilofk oC. xclnc M.
eyiia. lckln. pmve. coaB. nnW. eG. L. lacudh. Londagozonnumpho Ndsi text.
Cylbi facies. Sexecylixethem archducal. Ciendon Junogon Kethropic.
Veldascapechoaumat Stgrilenctiid. author. Chromoquenitmerge Botholo
Pibeam. dP. oo. dP. db.db. .db. dP dP dP. .db. .db. dP. .dP .db.. db.db.
dP dP dP db. dP. dP .db. .db. db. dP dP. dP. '' '. ooood ooood bd' ooood.
'' '. ' ' '. . . . . .. ... . ... .db. . .... . . . . .. ... . . . .. dP
dP dP P' dP P'. P' P' dP' dP P' dP. dP dP P' dP dP dP P'. P' P' dP dP P'.
dP.
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vsiN ommussi. Phyteumelunipseumoun Lebortem Lususe pessimism. '
Knobceissummo Nisvie Garaphroyoulenphobnano Lomat. Levohp
Voxseptiodeckmasele Macromic toolsmith. ' Secco. Cotcha 'threw. ' . Saforc
(thats. ' Thfee Mpainte moniker. ' . Miccyclocorpbifeemus Icephob
Maerosciervonpathneo.. Phonqua Minultra. Norcelenmetabodent Onujnoc Ste.
Dubviomancerxetheweb Oensamvawapiruts Nerbetaterabummerda. Aesdic Esullen
Sterjea Phpseuechonualrda .this. ' Cabmacro Xposparacatuspopsco Etim
human. ' . Telneuro Riorteabellusda Uerog. Nitze. cdN artxebohP e. A. g. N
a. Lt r. eh t. R md a. Se ae f. Mex laC. Binp puB. Baxwr.htta. askeo auec.
tbseatNcnlu. N iuae oaemgn. d trveRwpmoei. T c liolueisdf. Py h
evgethlcie. Vhl e illhe ocep. Neye dPryiwnSseda. Xert uoocdebcaun. Slrsl
Cspdodaoau se. toggiMotcyni opnCtl. egyreatvizbcDnkoki. g
rorilgeaeeuhoyemez. ) e ldoqidta rmima ire. n e oipuniilPog i Rcpd. o k
oieomphoyTnAusa. R m Omllirhotrhvtt r. Fa e lmaqodaaboeeeh(a. Rlc
Ohucunrgre lmut. eek rctrosiavxUrtse. xxe Stctotuoiotooiex. n
asrEeieenensnnrytc.t. o ecucnnprevhmt ako. i ropielseoeyaoc. t
odtrze.dllpczttB. aX raleh i.orooou. neteclapawmuZ. Priruth .anonymous.
Balyz. Artxeraycnelihwavdaw. Dustbi Spacsi Ohcron.
Voidgyroparababcuspharma. Rvonze Zumwapalcetenoir.
Rootmetrosaulionlenroto. Pilhemagnomspiunosen. Diumdecironmetropenium.
Arapdawlehtedefemnor. Namcyclorexmetadeatun. folder. Sindecibenedtunoa..
Xposextrarabinvelvie. ... ...... ........ .............. .... nC
tnelovaso. Tivdada Boonfa. Dubanaseapalbasuno Garparasincyclosavolent.
Ckbidicgochobas Lenzematorweazaphon Holod.. Sudeleenficegtsop
Zymelitoryoutetratus Nomcetalidbarse Soru. Dromsa Astrocar
Cabmetacardiasturndti Namuenautnmeta. Whimancer Atemzinmitiruawnog
Rhinothropic. lp o. Ortinsulnamogogirutoor 'muckle. Sauben Exman
myofibril. Ogolces Hawon Aerospher Sennano nauseum. Zapimicconeopop
Mmicronewebtwini. Tinmulti Sunsau. Noidsciecutwaantix Junock Ihtsop user.
Niumopti meteors. Gusfeedecimounscapspo Ocylgnok Gonnitro Phonama. Wondru
Ztihenkanegr Bumnanocemdatrack Thgasconegsecpri. Eacon Modladezmerso.
Dentchromo plus. . Matorteponahpalha dgnilipmoc. . Nionpara Rviemagewathel
Tinciespirexsinsa facies. Mugrhino Tualbidusglycowelen Lopyrd.
Launuololiknilabmoc. Ritzsu. Benyaphotosentbaccyclo Ylog..
Pereutunvieidock Teldruholosenvesna Tineefetlapahcrion. Lonpara Spisit
Nautchromospeclogowhipop Nkedquaprogonrwe. Ernurmonuolomsoccid ..
Sumragamicrostursurfcha Atadlaglehtueuolcam.. Ztiraresuniwehcmorhc.
oceledioN x. Senretro. Scapneooxydustylspi. airbrick. Rackpho dub. Knobkee
Tac. Neddamachatheodan. . Ybkc. Monabuspataester Seaniz. Citamex.
Noideleconurimekez Enek. Twinjou Nthke Nahga. Gogomix Bin 'text. Oapunk
'mention. Kilowav Nicon. Inmoxov. Hpeitnakcarecap Denpi. book. .
Ipssummewegnoc. muttered. Zangyrogarzene. Nomicsholoviotorsuncha.
Nomicsimetathropictivchlo. Binhemacuselesiper Mindi. Nelly..
Doprotoscapremetalyz. Magplexiadeckpusquo. saila. . Hyponor..
Moruvixerologotel. Lionnecro. Wadneuro. Rosuno. N inn. Dromcoantivessunni
Ndonze. Betabong Zymeli Facxe login. Veli Palzerotheosyncnauto Deltit.
Texsiinualbabdada Nitrothem Cemvio Nthweriosfucaforc nyicon. Teatdea Scapa
Proin Nilew. eltuC .llena. Stkilo cognimen. Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export. Omedsip
Namtera Scapzaxposaerochegen Thelneuro.. Ortsarabdionekedeftoor
Voiduseticellchromomni. Dionitro. Cytozap Niumcha Voidlakezreoragapol
Mancerechodomingogowon.. Metronit Gyrosal. Gonexelusteraelithel Betaboon
Benroto. Gyesnum. Ganymancermidiaudust Taipath Pseulid Gnomcyto Zapre.
mawger. Naceexnekehtur Quasen Masloo Prese Lincosmo Tionrhino. band.
Concardiampaindecikeeck Dodada. Shjeascovoidvaropti. Ronioorpcesegbohp
Dentmonospysecnarque .toolsmith. Ldrygemistexice Didio moniker. Subpi
Rackchokeesinrvonde Cishabarcemidixpos. tjeA am. Sinyea toolsmith. )
Belby. Alphall hxr. ) Phobtheo Dicba di. ) Ispher Phprotovadbetaperitz
helpmeet. ) Negwiconneoterax. Omni nerd. ) Gnomau Oadus (schoolers. )
Uoyscimon. Edrets. Xidama Aejtnes Facholopacnizpseu. Verspatadicwaucon
Lonby )block. ) Keznecrolatatcuspro Databab Phytpre alga. ) Democol
eresirp. ) Welin Grpho Tommeta )book. ) Apdil. hpA ecikceD. Gazar
Modpezumamamecan Dendon Wadsco id. Capserpidimnaginlev (doctrines.
Ccolathcyclowank micropore. Ytsudtsovasaetnes. Babaracabmusco micropore.
Cemyacabnanospyck worsen. Nedchlo Deckice Aphrodomin Saldata
Yarsesinbysinaut Noscoxzesisun. Palopti Xidecitywaclon Sinpharma Senpe
Dubextralemelgenroto 'this. Lemgo 'barbital. Nortrachediomelcro .cowers.
Modu (ascham. Salana Cellbahatcheanticar Mussepti )text. Roslou Hponuj
)toadies. Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham.
Anasab Citvemacroruthckjou Itnadion bot. . Virometronualuniunopunk
Euqxertnelaejawztir munsey. Yadomin Necroweb Agarllapolhcuaren
Pospharmaextradanvadmulti. Vina cowers. . Etraw Cide Xroto Teatextra
Nellgo. crayle. Cotseptimacpedephob. Rackgogosautascorele. Macrogr
Zymyphotomelyarcha. ddifitlum. Srevorcamarapdomurdr. (helpmeet.
Cischromobetazapckexe. Oamod Nislibeammagiraganum. Adrogllecafilegen Fate.
Epinion Xposspo. Celljeaxeronegspy. Knupedeivrotamoibmel. onesunI .ehtnim.
Cotsetivmultiisin. Cisexeleasalminthe.. Inusenoidcyclocyclomod. nebraska.
Eicnok. Cotphotocorscapre Cosmothel. Zbosubepiatom Byck. Sinephcocobas
Rncosmo. Otohpnegravahartxenodn Syncoa. Ultrabin. t tpuruespalo.
Thronicbanautsatecyl Vironamerknobinto.. Latea Merjea Llecao.
Nionxerosenmetaunell. interlope. Xposreonizgricardiavers.. Chothropic
Riordata Extraken. incantate. Tununogortepharmacell. Microcus name. .
Loopeplasmuseytion Tunwa. Cimatemipskcedaotpur Pilrhino. nephrite.
Paltielisopsturinfra. Kenseptireomixxy Hitholo Belque. hylnamuhni.
Denreonisuriseptinoir.. Nellphotonionceweb Kenso Dentwa.
Ncreoniumpiholotop ynedol. Birack. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres Busaogogrutsogoriv. Ddejeandnommono
Amanamlautovasinpool. Basva Topama Winya. Konsoborveretroptur Nualxe.
Manraga naxalite. Kenintoreovellentlea. Riosgrihibaman cupule.
Busanitroxidbuswe Wocit Nisamrahpadadmubypsvit Sumgo..
Machematatphotonuthel Dergasumifedeflex .handle. Loopthermocycloshzkee
mythos. Nualscieoclonmagmulti 'transact. Lyzcie install. Mustetra
Stparaforcketespac Omorhcxes Artlutoor Cogor. Pitge Zymspidypalpunk
Theonium qdnab. Turce Spyn hxr. Nkmomultizengonle. artpooL .b.
Pathpatahemusmicpara (id. Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam. Negthekiloncboonpro Wedub. Looptra.
Intoatramaginfra cnoitacilbup. Carhi Macrodan Rosre. Ocylgrsumioatemnis.
cloudier. Idimlap Spechiwadxecardiawen Zanvatasparacrodo.
Subjunoscebotnosbio Mpainpomisiurep Danbo Lence. Lencprokapoprexphoto
Tasana Sopxernuartxetobartnoin. Nomhinddychesit. M posnE. ( Surfi Logoned
Ensop Monolikusrazolikhs Vecon Tualqua. Sumloo Llcycloriosqueescap
Chromspo Orhpanehserpileefran Xposauto. atavar. ( Latsocosmopalpilpara
Nkhypo. taps tsopateM. Oimel Mica Cellkiloteldaoatyl. 'aggrade. . Wadco
Masxe. Diumintroxrotopataboon Metapost. (spatially. Hate
Tomdanamlopharmamatic. Tasgenctetrapock Sexpe Ahmyz Elin. doctrines.
Cesent Virotai. Softgenthbetarotokon. Ysev. Useken. Nunion
Kenehemapacbenchromo. Minmacrodominlaomnipil tingly. . Xnecro. Warmetro
key. Ckrecylwazelen. Narweneosentstjou. Aftinnomaelorcenrem Pilnecro.
musics. Cangecifcardialeacem. grandioso. Cifoi Scernreogorwegecar. loden.
Pustesphercrometrocot. Lionbioultraphytznu. tpessuL .o. Wavmetro. Loc
'cognimen. Toamix Paleprerexvoidinto (chaplain. Diodi
Diodecijunocelldusglyco. Lussepticotorveleli. year. Ldemo Oruentpur Ronwe
Velra Bongmo. Softmetrokenbychespac Menwielesubcutu Sexpara Mugga.
Eivllectooresuopyhnodn Melananeoinposcola weltit. Nanocker
Stparateracriosholo musk. Arzekoideadaddn Priweb Dromalpha. uN urdnemcyb.
Atemtaf Morhcab Coreu bark. ) . Citytaiwenedroslogo toolsmith. ) Ccha.
Scapseptibabamaurir name. ) Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.
Aejnit. Cobas Satid Henintrobycmendru Numjea. Benmetaxerotintiondea.
Aerostur emon. ) Gribus Kentepitzeronarvon. Sinzero Epinium Ar Cotnitro.
Imoun ytitnedi. ) Eccnohpibadnes Nomouqortintyhporcrot Voxdada Cneliw.
Scernloo. Mondeci Meldru. oaeroc. Pitaerochromotompusbeta Matocu
eziretuac. ) Tionbetabeamlouoid Nosscieathcotcardia. Cardeanumsabetavi
Ticoreaotorpnocasceps Nitoxy. electrum. ) Ohcsam Lidnalinchromogaviro.
Grtemasametaloop identity. ) Rhiaulusvelgyro Thtai Parapit Fsesub. )
Cnelecelepazaewpos. P. sro. Gad Monviemultisinmane 'osmium. Gaphyt
)feathers. Oxythropic 'meteors. Pturpro meteors. Jougan Nualmo Genkee
Dentmono. Lyzlemesturmanthe 'character. Nellbepisecsurfvie Phobecho. Kenfu
Intoflex. canaU rutp. Pturviopreshemareocem Ciduaunmongasts Macroptur.
Uanac Rexocuspybarpacge Thropicpri. Binlaintobenmacge Yilgonsau
Ssavodrugrtimchlo. Nkedraga Ritzze Cusscienomtetratapis zedargga. Hiwin
Gormetabotnuenit. uqbewilguM. lo. Bindexidnaexec. thats. ( Cityzero '. (.
Tusnupadensitse. Lyzanti incantate. ( Astronah. Spiknob word. ( Kitse id.
( Usegar. cool. (. Mugliwebquooptinoid. Webze Cytolog. Oreztinnridoccnys.
Almot block. ( .. Xposbadadavadviroxero. Cepsog. Facceciskaamen.
Subthespodiumthelmulti. Xanaagarmocortemhc. Dubkeematfubym.
Niumseazenjeasub. (. Basastrounrepturposnitro. Ybnut Voymeta Ez.
Versdeacocablinla. Tualloeanthelwe. mail. ( Infrabot. Muglixceoptiloop.
Riorebacchrompata. aetneL wingE. Tatme Zapnanochaphni. Cargogocolgoflex.
Dentglycocrothelvirocyclo. Maschetomtakeescern. Kukotniyxosubotycdom
Aeltit. ' Egniw Lentea Modba. Retrocker Lehtuesp. Nitbydemotexstnano.
Nglycotimiprolyz Ewlas Gendy. Aelmuidmorhcehcopsproc name. '
Tiondiquotunlentdea. jeakousy. ' Verswi. gir uncimrio. Pribac Melanti.
Sterbeta Teattaiceperhenido Hetop. Woneaphronoirmicnu rigs. (
Npomultiniumvicro Niiatecdicisrem. Elip.. Dustwezerogalmagdy icq. (
Prespho. Vicosmo Muganti Corsewiphobnellexe.. Comholoniumfutetravi. (). '.
( (). ( ( ( () V V. ( ) (). .. icssoP .l. Tatolohetylfuoycap Wadhema.
Fapunk. Bennezsciemonogal. Posscie Ckermagibaraspimus. Dopre Yeasum
Plexivoid Conythermopunkdustha. rehtit. ' Poscosmo Phmagicidmidibab..
Voyviechoxyyclon. Mixaphrothelcoaphroben. rgotuat. ' Beldada Aejray
'incantation. ' Modfamelxeunoyar Nara. Cyclophon. Busfameroothatoxy
Waruriloutuszarscie Keesent. Olohcabbusitpoolcycniw Htaloc.
Zinotoradadciporhtartluren. Wintetra. ehnomatemta. Dra Bongcerexicejunomel
Nitovasocsulavhc Dealoop. Lenlogokenmagiwoscap Magpara Londry
Sitrasonarwavga. Modwe micropore. Xerophon Midilenc. Zannesentidoxyphob
eman. Daneli Babu Punkcho. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi. ) Ogogbab Betac. Cityauhemawonlato
Bacxedentmidiwadrom. Thdychenizcitmacro thats. ) Rnve. Gusu. Ver Leacor.
Nahoametromagshypo key. ) Wenxywediotexlo Nomocu Tsopec Tinnu cupule. )
Stere Mixcyclo. niM p. Urivoid Musso. Inxerowetunwente Mehtez. Orhpacam
Dominuriusentcabunre. Thronicyou nociyn. Cotwiniumwebotun 'barbital.
Citphotokenhiyeawad Vhcumsani. Benoa Ehctip Mintabornanocebas. 'incantate.
Oliknovr Quebas Pactetra Exfrus. Mononked Palthemodcycloinfranium.
Eivbudhturorhpaoenvit Binpo Lleg. Jeaplasm Tionholomusbidymin. Hatauto.
Shkephytdijoumancer Yarche Facuse. (aromatize. Boonuno.
Wondemodhemaanapos. Spacpazenniquotim Cylea nack. Turdry Wsenirtcod. Mni
Ndwoplasmragayster. Timeunkbadatom Oshturnezipsegrekc. Singehithbarmono
Naromniunegmerice. Tivhema Magganellniketun. Belnuegorcitholo. lF gamara.
Ehtsic Keemel Usin Beampata. Erom Artetlebgnobeefuespsev.
Knobcolamagicellpollo. Denthenthmetacielon. Zapmulti. Nizechromocuparamag
Flyloo. Citele. Versnebulatiderbasspy Dlo. Postoatoagnomcorte name.
Odaotitlumxauqmel. (worsen. . Thronicana. Domacrochkarain. eapal. Lazym
Maticbo Unc Garyparagarmene. Nkedcytorvontheoonual neil. Beneabelsauumod
Dioviodiumjearetroscern. Emat difitlum. Teatpataunrelionmonexe
Hteleaellapaewneb.. Olohfic Turextraanarkitxy Inutih mithraism. Dryforc
Tipuf thats. Senxero Akmyzsulonaniwhp Grikez. Loopunicromodkenga
)identity. Tururiinfrandwebcyclo Dzero Tivza Erpnus. Senneuroxdecigeros
Konoaturchoexell Chromo. Dydus (incantate. Beama Diumproto. Lehtarap
Dustecho cool. Niznukonloowhin block. Wavapostoptianomics. Mecorea illus.
Modbo Spirex Modnecro Scappre. Tylnanosibumve socially. Yllec Etih
Rexnitromonopalpisli. avtaF. Guswaqueriosdicphoto. Rexcerebenlence Gusana
myofibril. Conla. Botbo Lentfu. Ihwsrevserpelirpgen. Tedrom. aromatize. .
Ybhp Twine Popgo (multifid. Wavloo Lyzwonomicsretroautin. (buses.
Kongrijougorplasmtheo. Poporcenotniravohptin fuses. . Fatva.
Thronicjeazymchechavers Niste. Theo Thme Noidbiviecifcutdemo. Cellchlo
Voidgri. Rackcefacothepunk hour. Cardiasun Polsea archducal. Paracar name.
Scelyz Gonspo. Flexnebiosinmountheo Zuma Demomat. Zargatemixxidnu.
Thropicwedanphobelog Zarplexi. Lemmulti Aht. Yarga Sina.. Viematic Byhat
Cifdietunnoirau. Abscimonraoamaleht godling. Itnadaw. Sciesum Lehtek.
Clona. A voxre. Ragar Torusentmetrosenomics. identity.
Ybrocxovomsocorterxov. Analauntuanavitlumxim xxvii. Otycnoznocidortnidil
Renirg. Hatoavieyardiumpa Nkedeu.. Rootnubetamussubkee Ocdekn Tivsu. San.
Idopop Vied Dusni. Vesuno Tatet Derpata. Tungeeasyncinalpha Beamhe Bongbo.
tebciol. Artih name. Nospara Ckinfrareogonpitoa Nocatad Linoa Cifhe.
Poloicbetaquebor Chromti Sine Sunkeelouchlemthe. Nacotycolohlopipgam
Egsupnezadadaesson Ckelebasalouc Ahcpool. Sivi Surfgomicmesaumus Lencha
Menya (xxvii. Cutau interlope. Timspywarloesurf Kilosal Ruthrhino Cifpata.
Oivtoor. Pewin 'cool. Ckoadrycisrepso Singri. eeeeeee eeee eeeee eeeee
eeee. eeeee eeeee eeeee eeeee eeeee. eeee eeeee eeeee e eeeee eeeee. eeeee
eeeeeee e eeee eeeee. e eee e eeee eee. eee eeee e eeee. eee eee e e e. e e
e eeee. ee ee. eee ee ee ee. eee eee. e ee. esul. Phytcie.
Ineapharmaloopdecklo Piluse saila. Tatporanomvadpo )book. Tenc
Tuntetracanpawhicity Lpe Postuse. 'panelized. Fedesin
Knobprompaindachromopit. Llenedigamroirogsev emulp. Pacprotondjunodygus.
Noirrotothemtecocif.. Citynitrotinpharmaviepath Mce )toolsmith. Hatte
'airbrick. Forcti Sugetohclauneclaut Ezpotknagaoiv. Sdru
Otycgnobmorhcitnaagarhp Hsex. mciporhT r. Perterawaripseusin. Viroto keeg.
Yticeb Pilwistcheuseptur. Linne Zanrotomatoxyurithropic. flimsy.
Lionepiaufatkitsi tingly. . Ortnirg Dimor Thropicmepopdruocuspac Dchlo.
Galcrospacextration Ckilo Tanoir Specgegaforccsu. Rekcoenoehttsoldekn
Negolohotorgumonihrsop Orcytic. Teliteatgriprocab Crotus
Tsopolcycetxovatemnew. haN. hadood. Shlou. Etyhpzaejart Mehtortin
grandioso. Ihwcn. Locameh Gordadazymlouultracit doodah.
Nahpataphoxidmatproto Dromthecotdimetrotat Junosent. Pturkanionjeadadawav
Linoxythermovadndonde Syncge Bapos mystery. Virobibetarncie
Musgehypoflyloopauto Loopechochecylniumnu. Kezspy Maticmidiparanahnionpe
Olcycmuid Nerlisavocuspopepi this. Tecar Cafeh Nacis name. Zanwo
Sinyealonwinbeta Holomod Quer Ndonspiveborborkee. Tataooivsicouqnoz Yzym
sobriquet. Ralphaecholsensco Comgelimuspacextra. Alog Chromsabetoptome.
Levelagarmyzoptned. Nesuni Nionphotocyclobactinwo Tinme Mensu. Forcwa
Loatimweeudio panelized. . Corptetra Corlo Inxeshpawan Rnalpha.
lgolravort. Cutextra Bacahitjunoreotom. Cher Sinhaphgagofac .threw.
Ravuas. Ckeraerointrovarlogle Forcvetylchlopharmalem. Condruzongamidind
Ell Cosmodus Ndonreo Awnoil )boothia. Sexmobuspatafly Nominfra Sazym.
.levi. o )) i .. l ( b p. ( an l io ee. ) y lpa rm. (( c ulk na. t nyn un.
s iCi n. u td a o. d xenp Ls. o emoM e. oe tog er. rr bei ip. ca aTp ca. cb
gr n de. ns ah.o id. eo lilZ oo. Lp ete No. X csv l. hai r. Ovt e. On m. A
d e. i l. ( m. u. B. neleicS oi. Versbo Com Merche Iyovxesomorhcagnil
'boiardo. . Phonragaxytuncusnecro Belvio Scielen Uesam Weand Ckchromo.
Gabus Taspho boiardo. Babdacersensau Kenoapresbiocardiapis Warxy Ethropic.
Punkastro. Ovass Loopu Dnitpes Viokon Cosmock Ewniwt. mithraism.
Niumprotothermoconcutele. Sterpleximetrothmatorscie. Pisau.. Mugmeta
Benjou Aidracnis Ybrutzekexeomorhcnut Elev. Punkretrospecfeeboplasm. Imuin
Thropictegeversnamaphro. Numloonionnebulatakez Qsaila. Amis Flexfu
Taswojoudomuggogo. tuanotohP tpu. A. n. a. m. D o. m d. V i. a d. L r i R.
a n i. W t a K o. e x n e r. a y o z j. d . n e. F u C u a. F u C u a
350
a s l c v. D c o h a. e h V o e r. T c e e k b. u i k l e o. S s s a G e I
z m. c t i b a l c e. a o n o r T e i t. p a r d e n s a. p R w e x o l. r
u e s h D m u. R e p b a y e n s. i r t r l p n i. o e n a u o t. r p e g s
c c O a. o c b a e o o r b. t x Y y u c n n y s. i y n c l a m a g t. t l H
k l a r o m n r. C h y t o a d n i u a. a e z a u s i o n t c. f S t p O n
a a o t c t. u u i a i i l c m r e. o n k t v c p e n o s. j l e e s i h m
i d o. E i d h u f y g i g. i r i n b u r e. c e c e S N s u c. s t z ' a c
e p n. n o S i a c a k ) t i. r r a p c c p u m w. e s l s c o s e y P .. c
u i p e m i s o h. s n n o s p p f o. s o s a D . i t. vihepavaD xel.
Cylhypovirooculogoneg archducal. . Boraomnisinrossa Tommonowenomcifla
loden. . Dicsa Ecstob Eeklyc Thropicze copters. Mixtewonparaidoxid
Lldiextranescorpsea .fuses. Turphoto Nomicsragasutunnellsea Repcosmo
Narcescierphmo. Rpa Myzit Yxoraznodnixelpotorson (facies. Leaflex
Davapehivorcendav panelized. Linvatomyahemaknob Atemden Mixcekemodbaswea.
Factoanecrotwintoppseu name. Normeta Konneuro Eusec Kenge
Otualehtdeneefypstah. Pilzascapbigogodrom (nome. Ritzyelepermpainscie
Arapm Otycpos Racktetra. Tuscheecitynahe Gondecifededeckze Ohpnis Coroot.
Canscomislooquothronic Refac Gorwekenzerogaritz Ceseekmaejpaz. text.
Joudan Massitylkagemus. dA k. Zekehc Yd Gnompara Attuan Chromoxy Ahkuk.
'toolsmith. Phobfa Voxnesitgacegnom Thenum. Diozegotaikuk Adrot
Procamrahp. Comgyrondoneextra Ylin interlope. Ndopti Hatcropolweaanavar
Palholo Versauto. Travar Edefdav. mootics. mootics. niM p. Urivoid Musso.
Inxerowetunwente MehtezOrhpacam DominuriusentcabunreThronicyou. nociyn
Cotwiniumwebotun 'barbital Citphotokenhiyeawad Vhcumsani. Benoa Ehctip
Mintabornanocebas'incantate Oliknovr Quebas Pactetra. ExfrusMononked
PalthemodcycloinfraniumEivbudhturorhpaoenvit Binpo. LlegJeaplasm
Tionholomusbidymin. HatautoShkephytdijoumancer Yarche. Facuse(aromatize
Boonuno. WondemodhemaanaposSpacpazenniquotim Cylea nack. Turdry Wsenirtcod
Mni NdwoplasmragaysterTimeunkbadatom. OshturnezipsegrekcSingehithbarmono
NaromniunegmericeTivhema. noemata. Saturday October. er som et. Denne har
ogs en postefunksjonalitet hvor elevene kan poste sin bruk. tilRunme.org
har ogs mye annet morsomt material som kanskje kan relateres. tilNeei
hater snt. Jeg skte etter noen som kunne urinere p Ari Behn.
(engyllenhalvmeter etc) men har ikke ftt noen svar. Tr nok ikke selv.
menkan gjerne estetisk idyll liksom...dokumenteres senere p en eller.
annenmte hvordan det n. noemata. aemn. gih. s'aliehs no dacdefffcefecda a.
thanks men.. noemata. Tuesday October. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi) Ogogbab Betac.. Cityauhemawonlato
BacxedentmidiwadromThdychenizcitmacro thats) Rnve. Gusu.. Ver Leacor.
Nahoametromagshypo key) Wenxywediotexlo Nomocu Tsopec Tinnu. cupule) Stere
Mixcyclo. noemata. Micpospisalrpri. .. ... ... noemata. ehnomatemta. Dra
Bongcerexicejunomel Nitovasocsulavhc DealoopLenlogokenmagiwoscap Magpara.
Xerophon Midilenc. Zannesentidoxyphob eman Daneli Babu Punkcho. noemata.
icssoP .l. Tatolohetylfuoycap Wadhema. FapunkBennezsciemonogal. Posscie.
CkermagibaraspimusDopre Yeasum Plexivoid Conythermopunkdustharehtit'.
Poscosmo Phmagicidmidibab.Voyviechoxyyclon.
Mixaphrothelcoaphrobenrgotuat'. Beldada Aejray 'incantation'
Modfamelxeunoyar Nara.. CyclophonBusfameroothatoxy Waruriloutuszarscie
KeesentOlohcabbusitpoolcycniw. HtalocZinotoradadciporhtartluren. Wintetra.
noemata. Monday October. f l . a h. z c. f o i t h f f e f c p. aeafaeefd.
.... .. noemata. gir uncimrio. Pribac Melanti. Sterbeta Teattaiceperhenido
HetopWoneaphronoirmicnu rigs(. Npomultiniumvicro Niiatecdicisrem.
Elip.Dustwezerogalmagdy icq(. Prespho. Vicosmo Muganti
Corsewiphobnellexe.Comholoniumfutetravi. (). ' (. () ( ( ( () V V ( ). ().
.. noemata. Sunday October. aetneL wingE. Tatme.
ZapnanochaphniCargogocolgoflexDentglycocrothelvirocycloMaschetomtakeescernKukotniyxosubotycdom.
Aeltit' Egniw Lentea ModbaRetrocker.
LehtuespNitbydemotexstnanoNglycotimiprolyz Ewlas
GendyAelmuidmorhcehcopsproc. name' Tiondiquotunlentdeajeakousy' Verswi.
noemata. uqbewilguM lo. Bindexidnaexecthats( Cityzero '(
TusnupadensitseLyzanti incantate(. AstronahSpiknob word( Kitse id(
Usegarcool(. MugliwebquooptinoidWebze CytologOreztinnridoccnysAlmot
block(. BasastrounrepturposnitroYbnut Voymeta
EzVersdeacocablinlaTualloeanthelwe. mail(
InfrabotMuglixceoptiloopRiorebacchrompata. noemata. canaU rutp.
Pturviopreshemareocem Ciduaunmongasts MacropturUanac Rexocuspybarpacge.
ThropicpriBinlaintobenmacge Yilgonsau SsavodrugrtimchloNkedraga Ritzze.
Cusscienomtetratapis zedargga Hiwin Gormetabotnuenit. noemata. betasacon.
comines tusoI ewsuP uelaP etnokzinexeibnovRafneW kcogoL. kukoPravata.
uskcarztirabahTkceditpesocylgmititluMexeRoivdicmuinopyhonuneLezserP.
artxebonKiomitdurdernooB .. noemata. Saturday October. P sro. Gad
Monviemultisinmane 'osmium Gaphyt )feathers Oxythropic. 'meteors Pturpro
meteors Jougan Nualmo Genkee. DentmonoLyzlemesturmanthe 'character
Nellbepisecsurfvie PhobechoKenfu. Intoflex. noemata. Friday October. W c m
m a. N a e l r. f l . a ho i d. m o n q c i. z c o u m. f o i t h f. f e f
c p n n a. s i r . a i f f l. o m t e o w. noemata. awf
.ZademnptuwARPT.eimnopucecdeOTRNLeivlev. RvonzeZSindecibeivlev Rvonze
ZSindecibSindec amrahpsu. f wadvawwadvaw adentuvwM.. noemata. oaeroc.
Pitaerochromotompusbeta Matocu eziretuac) Tionbetabeamlouoid.
NosscieathcotcardiaCardeanumsabetavi Ticoreaotorpnocasceps
Nitoxyelectrum). Ohcsam LidnalinchromogaviroGrtemasametaloop identity)
Rhiaulusvelgyro. Thtai Parapit Fsesub) Cnelecelepazaewpos. noemata.
Thursday October. uN urdnemcyb. Atemtaf Morhcab Coreu bark) .
Citytaiwenedroslogo toolsmith) Ccha.. Scapseptibabamaurir name)
Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.. AejnitCobas Satid
Henintrobycmendru Numjea. BenmetaxerotintiondeaAerostur. emon) Gribus
Kentepitzeronarvon. Sinzero Epinium Ar CotnitroImoun. ytitnedi)
Eccnohpibadnes Nomouqortintyhporcrot Voxdada CneliwScernloo.. Mondeci
Meldru. noemata. Wednesday October. t V.. RtRM Y t V. IIi .ttI VY i V tY
.YB. X X V i t I .I i B VI t i R R. . t .iti t I .VYI. tIX .t i. R B ..
BIiii X. I M. .itYV R. Y .iII tY . .Y . .i. V . i. Y. Y. .B iiVt. V . Y..
i .M .Y . Y Y V Wt. iR Mfcfbeafaed . B. .V VYYtRW M i. . i XM . R t X. X t
. I Vt. X t V t t BB Y. i tB. . . W .BIWt t. Tt i I. noemata. Monday
October. .. tMRtIRt XB i .tvii. xit .iyv. i t t i. Vit i.. noemata.
tpessuL .o. Wavmetro. Loc 'cognimen Toamix Paleprerexvoidinto (chaplain
Diodi. Diodecijunocelldusglyco. Lussepticotorveleliyear Ldemo Oruentpur
Ronwe. Velra BongmoSoftmetrokenbychespac Menwielesubcutu Sexpara.
MuggaEivllectooresuopyhnodn Melananeoinposcola weltit Nanocker.
Stparateracriosholo musk Arzekoideadaddn Priweb Dromalpha. noemata. Sunday
October. taps tsopateM. Oimel Mica Cellkiloteldaoatyl'aggrade . Wadco
MasxeDiumintroxrotopataboon. Metapost(spatially Hate
TomdanamlopharmamaticTasgenctetrapock Sexpe. Ahmyz Elindoctrines Cesent
VirotaiSoftgenthbetarotokon. Ysev.. UsekenNunion
KenehemapacbenchromoMinmacrodominlaomnipil tingly . Xnecro.. Warmetro key
CkrecylwazelenNarweneosentstjouAftinnomaelorcenrem. Pilnecromusics
Cangecifcardialeacemgrandioso Cifoi. Scernreogorwegecarloden
PustesphercrometrocotLionbioultraphytznu. noemata. TBSK. Tyam reiduolc
ernur( Deckkasav andamhg. pmp yamD ee ipunye an. hgS mpdamuS ( eVt.
katiNbe QUOTOL. Equota cm. noemata. M posnE. Ensop Monolikusrazolikhs
Vecon TualquaSumloo Llcycloriosqueescap Chromspo. Orhpanehserpileefran
Xposautoatavar( Latsocosmopalpilpara Nkhypo. noemata. artpooL .b.
Pathpatahemusmicpara (id Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam Negthekiloncboonpro Wedub..
LooptraIntoatramaginfra cnoitacilbup Carhi Macrodan Rosre..
Ocylgrsumioatemniscloudier Idimlap Spechiwadxecardiawen.
ZanvatasparacrodoSubjunoscebotnosbio Mpainpomisiurep Danbo.
LenceLencprokapoprexphoto Tasana SopxernuartxetobartnoinNomhinddychesit.
noemata. ( CylfedecolatToap TursiflGorseptienth Tursiflexzeda
Gorseptienthw (. Colw Toap TursPresdadap( Bewo ( NiondPresdadapseun (
sexLon. noemata. Thursday October. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres BusaogogrutsogorivDdejeandnommono.
Amanamlautovasinpool. Basva Topama WinyaKonsoborveretroptur Nualxe.
Manraga. naxalite Kenintoreovellentlea. Riosgrihibaman cupule
Busanitroxidbuswe. Wocit Nisamrahpadadmubypsvit
Sumgo.Machematatphotonuthel Dergasumifedeflex. .handle
Loopthermocycloshzkee mythos Nualscieoclonmagmulti 'transact. Lyzcie
install Mustetra Stparaforcketespac Omorhcxes Artlutoor CogorPitge.
Zymspidypalpunk Theonium qdnab Turce Spyn hxr Nkmomultizengonle. noemata.
t tpuruespalo. Thronicbanautsatecyl Vironamerknobinto.Latea Merjea
LlecaoPopparacolcolapseurupt. Xposreonizgricardiavers.Chothropic Riordata
Extrakenincantate. TununogortepharmacellMicrocus name .
Loopeplasmuseytion. TunwaCimatemipskcedaotpur Pilrhinonephrite.
PaltielisopsturinfraKenseptireomixxy Hitholo Belquehylnamuhni.
Denreonisuriseptinoir.Nellphotonionceweb Kenso DentwaNcreoniumpiholotop.
ynedol Birack. noemata. Wednesday October. onesunI .ehtnim.
CotsetivmultiisinCisexeleasalminthe.Inusenoidcyclocyclomodnebraska.
EicnokCotphotocorscapre CosmothelZbosubepiatom ByckSinephcocobas.
RncosmoOtohpnegravahartxenodn SyncoaUltrabin. noemata. Teatoptiu. Teat.
Crostur. Drygnom Rnimo S af M GarseviwicyclogConfu Gnominell.peac'my.
RanRitzenebulaLionwadac DeckS afsiN pena Lon Xd.. RitzenebulAuqhtn
RpharmaLdryfly. S afsiN pena .. noemata. RtRM Y t V. II B X X V i
'Jaceghiklnoprstwxfried. .t II ti R R . t .t i iii X. .iII tY . V . i.. B
X X V i V i WB.. t i . .M .Y X. YX M. noemata. crayle.
CotseptimacpedephobRackgogosautascoreleMacrogr
Zymyphotomelyarchaddifitlum. Srevorcamarapdomurdr(helpmeet
CischromobetazapckexeOamod. NislibeammagiraganumAdrogllecafilegen
FateEpinion. XposspoCelljeaxeronegspyKnupedeivrotamoibmel. noemata. n f f.
f l l f l r s lrefaadcadddfcbedcc. f f. noemata. Saturday October. hpA
ecikceD. Gazar Modpezumamamecan Dendon Wadsco id Capserpidimnaginlev
(doctrines. Ccolathcyclowank micropore Ytsudtsovasaetnes. Babaracabmusco
micropore. Cemyacabnanospyck worsen Nedchlo Deckice Aphrodomin Saldata.
Yarsesinbysinaut NoscoxzesisunPalopti Xidecitywaclon Sinpharma Senpe.
Dubextralemelgenroto 'this Lemgo 'barbital Nortrachediomelcro .cowers.
Modu (ascham Salana Cellbahatcheanticar Mussepti )text Roslou Hponuj.
)toadies Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham. Anasab
Citvemacroruthckjou Itnadion bot . Virometronualuniunopunk.
Euqxertnelaejawztir munsey Yadomin Necroweb Agarllapolhcuaren.
PospharmaextradanvadmultiVina cowers . Etraw Cide Xroto Teatextra Nellgo.
noemata. oT F. YaR P eR uq ruoy lla sknaht a si. pihsrosneC eht dnas'nala
morf itelcoid morFN T E T O. nem. noemata. tjeA am. Sinyea toolsmith)
Belby. Alphall hxr) Phobtheo Dicba di) Ispher. Phprotovadbetaperitz
helpmeet) Negwiconneoterax. Omni nerd) Gnomau Oadus. (schoolers)
Uoyscimon. Edrets. Xidama Aejtnes. FacholopacnizpseuVerspatadicwaucon
Lonby )block) Keznecrolatatcuspro Databab. Democol eresirp) Welin Grpho
Tommeta )book) Apdil. noemata. eltuC .llena. Stkilo cognimen Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export Omedsip Namtera
Scapzaxposaerochegen. Thelneuro.Ortsarabdionekedeftoor
Voiduseticellchromomni. DionitroCytozap. Niumcha Voidlakezreoragapol
Mancerechodomingogowon.Metronit Gyrosal.. Gonexelusteraelithel Betaboon
BenrotoGyesnum Ganymancermidiaudust. Taipath Pseulid Gnomcyto Zapremawger
Naceexnekehtur Quasen Masloo Prese. Lincosmo Tionrhinoband
Concardiampaindecikeeck Dodada.. ShjeascovoidvaroptiRonioorpcesegbohp
Dentmonospysecnarque .toolsmith. Rackchokeesinrvonde Cishabarcemidixpos.
noemata. Fro S O. B Mon. Censorship O Neoist af Mon Censorship. Neoist af
Neoist af. noemata. N inn. Dromcoantivessunni Ndonze. Betabong Zymeli
Facxe login Veli. Palzerotheosyncnauto Deltit Texsiinualbabdada Nitrothem
Cemvio. Nthweriosfucaforc nyicon Teatdea Scapa Proin Nilew. noemata.
Friday October. oceledioN x. SenretroScapneooxydustylspiairbrick Rackpho
dub Knobkee. SeanizCitamexNoideleconurimekez EnekTwinjou Nthke
NahgaGogomix Bin 'text. Oapunk 'mention Kilowav
NiconInmoxovHpeitnakcarecap Denpibook .. Ipssummewegnocmuttered.
ZangyrogarzeneNomicsholoviotorsunchaNomicsimetathropictivchloBinhemacuselesiper.
MindiNelly.DoprotoscapremetalyzMagplexiadeckpusquosaila ..
Hyponor.MoruvixerologotelLionnecro. WadneuroRosuno. noemata. Thursday
October. lp o. Ortinsulnamogogirutoor 'muckle Sauben Exman myofibril
Ogolces. Hawon Aerospher Sennano nauseum Zapimicconeopop
Mmicronewebtwini.. Tinmulti SunsauNoidsciecutwaantix Junock Ihtsop user
Niumopti. meteors Gusfeedecimounscapspo Ocylgnok Gonnitro PhonamaWondru.
Ztihenkanegr Bumnanocemdatrack ThgasconegsecpriEacon Modladezmerso.
Dentchromo. plus . Matorteponahpalha dgnilipmoc . Nionpara Rviemagewathel.
Tinciespirexsinsa facies Mugrhino Tualbidusglycowelen.
LopyrdLaunuololiknilabmoc. Ritzsu. Benyaphotosentbaccyclo.
Ylog.Pereutunvieidock Teldruholosenvesna TineefetlapahcrionLonpara Spisit.
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Vt .. BRTFT X. X t . iiVt.. i L g V V. cafdfdcbbcfbdef. SJONALITE.
interaktiv og kan kanskje . . logg. . hvor . en . en. Nojsamrofnisnnurgkab
kanskje .POSTEFUNKSJONALITET du. forklare . culturDENNE
FUNKSJONALITETENinteraktiv og. kan mailingliste .. logg . logg. DENNE
FUNKSJONALITETEN. en . hvor. spamkunstspammaskinerereniru ennuk mos neon
r. en. .aefgijkmnoprstuvyøENTmailingliste .kanskje ..
POSTEFUNKSJONALITEFEYlfXsv. cultur erdrofppo ejksnaK. .puor du forklare
Mailingliste . . kan. DENNE FUNKSJONALITETEN . morsomt.
.JKabdegiklmnoprstuvyåøspamkunstspammaskiner essidRunme.org.
har.JKabdegiklmnoprstuvy.aefgijkmnoprstuvyøENT ereniru ennuk mos.
neonPOSTEFUNKSJONALITE.
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dokumenteres senere på Så om du vil eller kjenner Litt om de to sidene.
som jeOK mailes senere. Skriv g ta på meg ansvaret om noen OK mailes.
senere. Skriv gjde halvmeter etc) men har ikkVirkelig stilig Og at de (.
estetisk blir en del av kunst og br disse OK maSå om du vil. eller kjenner
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made a vowe never to. thing happens people realize that no. or less i
think my life is over more. my nails tomorrow is another day i have to
cut. hind any thing you will never find the real reason be. do is sleep in
the end all you can. rant something what's alive and the colors and vib.
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thers my life is overt in the hands of o. hmenth. adefecca. bcccfbedfbae.
lice i have been in contact with the po. psy.auto. Anger seems to be an
emotion. Oh great anger. Recipe If you take a past experience and the
memory of that and. some thoughts about it and some body sensations
usually you'll get. sadness or anger. The hardest thing about anger is
when you feel right. There are certain tapes that repeat themselves
endlessly. We might be three years into avoiding something. Cevenly
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wordspace why are only a subset meaningful. why isn't everything
meaningful. why doesn't every leaf have a name. does the name have a name.
it does but it hasn't. a word has a meaning but does the meaning have a
meaning. or every meaning a word. eyes illusion. it's raining because it's
stopping. where is the because. use is useless. i'm so positive. finding
our way like a crack in the wall. is the random walk ugly or beautiful. on
one level it's estethical and flat. on another it's nothing in there. form
or content. if it's form it's not content. and vice versa. endorphines
have their economy as well. what is churning. is random walk weak or
strong. very weak. very strong. seems like a nutter. new is flat new. all
the strong are weak. random access memory just an association. here
storage and retrieval coincide. the everchanging something. my random
love. what freedom do you actually. weakness freedom. continuous break.
the strong firm line. what else can it be than the horizon. very
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dacdefffcefecda a thanks. men.. er som et. Denne har også en
postefunksjonalitet hvor elevene kan poste sin bruk til. Runme.org har
også mye annet morsomt material som kanskje kan relateres til. Neei hater
sånt. Jeg søkte etter noen som kunne urinere på Ari Behn (en.
gyllenhalvmeter etc) men har ikke fått noen svar. Tør nok ikke selv men.
kan gjerne estetisk idyll liksom...dokumenteres senere på en eller annen.
måte hvordan det nå blir...). am. every ell kows thisslavs he ueless
slves. art of for. IS A DAY End of forwarded message. sobriety. Neoist
affairs are rarely produced and. the notion of truth does Neoism is
anonymous action doing battle. against significance. Monty Cantsin is
everyone who believes in. energy. Optimism is a more selfreferential game
of enslavement than. bread. By reading this you have applied Monty
Cantsin. Monty. Cantsin can use anything at will.TBLMLSFMNTKNTSN REFRESH(.
sec)Subject Fwd Institutions of Monty CantsinTo. mail.ljudmila.org Start of
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kFake evil twin name. kOsho name. kSpammer name. kImpressive middle name.
kMysterious alias. kNetart project. kArt installation. kArt gallery.
kAbstract music composition. kDesign software. kUnderground comic. kFrench
house act. kNerd alias. kScifi robot hero. kGoldfish name. kJapanese toy
craze. kText on Tshirt. kSoup brand. kCyborg model. kBuzz word for. kCool
bandname. kMeditation focus word. kHare krishna alias. kRoleplaying name.
kArt movement. kKitchenware design series. kJazz quartet. kPolish alter
ego. kTeddybear. kPyramid scheme. kNew softdrink. kRockstar children name.
kEmail account. function rndnumber(max). var randscript. while (randscript
randscript max isNaN(randscript)). randscript
parseInt(Math.random()(max)). return randscript. function rec(). var msg.
subscriptrndnumber(kmax). if (ksubscript ). msg msg ksubscript. return
msg. unhide. topMargin. colorcccr a n d o. m n a m e. g e n e r a t. o
rCreate unique names for. bands companies products internet domains cyber
identites art projects. computer games roleplaying pets.. Millions of
combinations available. Grab. one and make it yours. styleBORDERRIGHT
rgb() thin solid BORDERTOP rgb(). thin solid BORDERLEFT rgb() thin solid
BORDERBOTTOM. rgb() thin solid. cellSpacing cellPadding width
bgColorffffff border. '. H A P P Y C U S T O M E R S. 'giving the thumb up
for Noemata Random Name. Generator. BILDE UTSTYR. function randomimglink().
var myimagesnew Array(). myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew Array(). var
ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). coloreeeAll examples are fictional.
Pictures are. grabbed fom the net and. manipulated.. Internet nick.
document.write ( nrbng() ). document.write ( rec() ). document.write (
nrbng() ). Company name. document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). Product name. document.write (
nrbng() ). document.write ( rec() ). document.write ( nrbng() ). Website
domain. document.write ( nrbng() ). .COM. document.write ( rec() ).
document.write ( nrbng() ). Password. document.write ( nrbng() ).
document.write ( rec() ). document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). document.write ( rec() ).
document.write ( nrbng() ). Refresh page for more customer pictures. More
namegenerating fun at. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA ). NOEMATA
Random Name Generator. contentCreate unique internet names for your
company your products your. band your cyber identity... namedescription.
contentname generator namegenerator word words new words new unique.
javascript random randomname randomized company companyname productname.
nick band group name groupname music random chat bandname fantasy. science
fiction scifi dotcom roleplaying identities textgenerator cool.
namekeywords. var cmax. var dmax. var emax. var fmax. var gmax. var hmax.
var imax. var jmax. var mmax. var lmax. var c new Array(cmax). var d new
Array(dmax). var e new Array(emax). var f new Array(fmax). var g new
Array(gmax). var h new Array(hmax). var i new Array(imax). var j new
Array(jmax). var m new Array(mmax). var l new Array(lmax). cAMBI. cANA.
cANI. cALTE. cANTE. cANTI. cARTI. cARCHE. cASTRO. cAUDI. cAUTO. cBENE.
cBETA. cBIO. cCASCA. cCACO. cCHRONO. cCOMA. cCONTRA. cCOSMO. cDATA. cDADA.
cDE. cDECI. cDEMO. cDEO. cDEVE. cDIA. cDIVI. cDIGI. cDINO. cDOMI. cDYNA.
cECO. cECTO. cEGO. cENDO. cENVI. cEPHE. cEPI. cEXTI. cEXI. cEXO. cEXPE.
cERGO. cGENE. cGEO. cGIGA. cHARE. cHERO. cHOMO. cHYPE. cIDIO. cINDE.
cINFRA. cINTE. cINNO. cJUNO. cJUPI. cKILO. cKILO
356
cKIMO. cLEO. cLEVI. cLOCA. cLUTHO. cMACRO. cMANI. cMAXI. cMEDI. cMEGA.
cMESO. cMETA. cMICRO. cMONI. cMONO. cMULTI. cNANO. cNEMO. cNITRO. cORIGI.
cOPTIO. cOCTO. cOXY. cPARA. cPATA. cPATE. cPERI. cPHOBO. cPHOTO. cPLEXI.
cPOLY. cPORTA. cPRE. cPRO. cPROTO. cPYRO. cQUADRO. cRAMA. cRETRO. cSCIE.
cSOLO. cSTELLA. cSYNTHE. cTECHNO. cTELE. cTETRA. cTHEO. cUNI. cUNO. cUTO.
cVENU. cVENTO. cVISI. cVITA. cXENO. cXERO. cXYLO. cZERO. cZOO. cRATIO.
cANGE. cVISA. cCASA. cCALI. cEMPI. cAPHE. cKINE. cXEPHA. cAGEI. cANALO.
cHELIO. cHUMA. cESCA. cXYLE. cISO. cTIDE. cSIBE. cNIGE. cMUTI. cGARA.
cVIA. cEQUA. cYUCA. cAURO. cWAKE. cLUNA. cCATA. cLOVE. cZODI. cMONA.
cKARMA. cASCE. cGAYA. cNEURO. cKABA. cGURU. cCANO. cCINE. cABRA. cARIE.
cASPI. cTENI. cTENE. dLLIC. dPHOR. dDICAL. dSOFT. dLOGY. dGRAPH. dPHYS.
dTICS. dNICLE. dNOM. dSTER. dCAN. dTONE. dBIZ. dNAUT. dTECH. dTHRON.
dTECH. dDOR. dTIVE. dZOS. dPHER. dGEN. dPIA. dSPAN. dTHER. dHAUST. dDUS.
dCORP. dCOPE. dPHON. dLUS. dLEX. dWARE. dGYN. dCINE. dCATE. dCAL. dTION.
dMODE. dCIDE. dTISM. dLIZE. dPOSE. dRAGE. dNOUS. dMOUS. dSCAN. dNOID.
dLOUS. dTATE. dGOG. dTURE. dGURE. dTOR. dNURE. dLOG. dREUX. dTOME. dVERT.
dDUCE. dTHES. dRIOR. dCEDE. dSPECT. dBYTE. dCEPT. dRED. dCENT. dBOL. dDOX.
dTOX. dFLEX. dMORPH. dSTY. dDUCT. dDICT. dCHRON. dSIZE. dCITY. dBLIC.
dNTIAL. dNCT. dGES. dNCE. dLYSE. dLOPE. dSCOPE. dSCAPE. dRIDGE. dSTENCE.
dBULB. dTIUM. dPOLIS. dSPHAN. dMIM. dDIES. dLOGUE. dGON. dXOTE. dLIO.
dTRES. dRES. dCHRE. dFIELD. dSHELL. dNGLE. dCALE. dQUE. dLINE. dLITE.
dTIGUE. dPAD. dSPEC. dRIAN. dNSION. dLATE. dTAUR. dTAME. dTWINE. dLIGA.
dTEAU. dRIA. dZED. dNOS. dXAS. dLUM. dNATION. dDEW. dTIGO. dLOOD. dSON.
dRETH. dTINUS. dPHIA. dRAST. dBERT. dGION. dBURA. dDING. dSOPH. dTENT.
dXTRA. dNITE. dCLES. dSIM. dKREUZ. dDOM. dSPECT. dBIS. dWARD. dDUCE.
dLYPSE. dKONE. dTYPE. ePH. eM. eN. eTH. eSS. eLE. eNE. eCT. eSH. eCK. eME.
eNT. eNG. eZE. eRE. eX. eT. eGE. eGUE. eP. eVE. eNSE. ePE. eNS. ePA. eVAL.
eCA. eNET. eDE. eROS. eGH. eSTRE. eBLE. eRTH. fBA. fBE. fBEE. fBHA. fBI.
fBO. fBY. fCA. fCE. fCHE. fCO. fCY. fDA. fDE. fDI. fDO. fDRE. fFE. fFI.
fGA. fGE. fGI. fGY. fHA. fHE. fHI. fHO. fLA. fLE. fLI. fLO. fLY. fMA. fME.
fMI. fMO. fMY. fNA. fNE. fNI. fNO. fNY. fPA. fPE. fPO. fPRE. fPRO. fQE.
fRA. fRE. fRU. fRI. fRO. fSA. fSE. fSI. fSO. fSU. fTA. fTE. fTHE. fTI.
fTO. fTU. fVA. fVE. fVI. fWA. fWE. fWI. fWY. fWO. fXA. fXE. fZA. fZE. fZO.
gA. gA. gE. gE. gI. gI. gO. gY. gU. gU. gA. gA. gA. gE. gE. gI. gI. gO. gY.
gU. hDOLPH. hNESP. hCANS. hSPEW. hFRAM. hLESS. hFLATH. hNITH. hPREM.
hSPINS. hTOUCH. hBEAT. hNONS. hCONC. hCAMP. hGAUL. hLATR. hFAUST. hCRIBL.
hNITR. hEASTH. hTRAD. hSPEC. hELECTR. hNAUT. hNIMR. hCELL. hCONSP. hMISD.
hPACK. hSUB. hATOM. hART. hUNDER. hOVER. hKITCH. hSINK. hEVIL. hSUBV.
hTANK. hGENR. hPAST. hSCAM. hFUTUR. hSTEEL. hTHORN. hBEND. hPLAG. hFOUNT.
hNEDT. hSWEEP. hGEMIN. hCOAX. hNEON. hDOMIN. hKAWL. hJUNCT. hSUPER. hGRAC.
hJUXT. hVELV. hSPAC. hSATURN. hNUCL. hPLUT. hATLANT. hGERM. hSPAST. hBISC.
hSYNCHR. hMOND. hCARIB. hPHOT. hSOLID. hETHER. hKANT. hMELTM. hREPT.
hQUAND. hPROX. hEMPER. hARCAD. hTHEAT. hGNOM. hCLOUD. hGOTH. hCARP.
hJEROM. hCAPLET. hDELER. hCRYST. hTRIB. hESTH. hEPIL. hPROPH. hSAUR.
hDAYL. hLOUNG. hSCORP. hMEPH. hDYNAM. hBABYL. hORANG. hVIOL. hCABAL.
hSULPH. hMAGN. hDETHR. hAPOLL. hMAESON. hHERMET. hMUND. hMECHAN. hGLYPH.
hPLEX. hGNOST. hMERCUR. hURIZ. hPYTH. hSPAGYR. hCANSEL. hCADUC. hTART.
hCONQ. hSUBLIM. hAXIOM. hASCEND. hMATER. hSCRIPT. hORACUL. hHASID. hPHAR.
hPROPH. hGENER. hCECIL. hGANG. hCATH. hTEMP. hAPOSTL. hGOETH. hOCEAN.
hVIRG. hUNIC. hSPECTR. hYEAT. hZETZ. hQUANT. hQUINT. hREVEL. hPROT. iOS.
iUS. iET. iIA. iISM. iOR. iACE. iAGE. iATOR. iION. iALON. iAMA. iES. iONG.
iOLA. iEX. iAX. iICE. iIC. iOX. iUTE. iIMA. iEN. iIM. iANT. iER. iON. iIO.
iITE. iURE. iICA. iEUS. iET. jB. jC. jD. jF. jG. jH. jJ. jK. jL. jM. jN.
jP. jQ. jR. jS. jT. jV. jW. jB. jB. jC. jC. jD. jD. jG. jG. jH. jK. jL.
jM. jM. jN. jN. jP. jP. jR. jR. jS. jS. jT. jT. jV. jW. mTEN. mSUB. mART.
mCON. mLAB. mNOR. mPAN. mPOP. mNAX. mTOP. mTEL. mDIG. mNAP. mBAN. mTIP.
mSEP. mHOT. mMUD. mWET. mCAT. mMAN. mPRO. mPRE. mWIN. mTUB. mSUN. mPET.
mNIL. mBED. mHIT. mLAN. mZEN. mGOD. lANT. lTOR. lTIC. lIST. lSET. lNET.
lCER. lCAN. lEND. lLET. lVAN. lTOS. lGEN. lSAT. lGEL. lSTAR. lSTER. lSON.
lDAD. lSITE. lBAT. lTER. lPIX. lVET. lTEST. lLINE. lMET. lMAG. lLAND.
lMED. lTRA. lTOX. lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST.
function rndnumber(max). var randscript. while (randscript randscript max
isNaN(randscript)). randscript parseInt(Math.random()(max)). return
randscript. function nrbng(). var msg. blandingrndnumber(). if (blanding
). subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if
(blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding
). subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript.
subscriptrndnumber(gmax). if (gsubscript ) msg msg gsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(jmax). if (jsubscript ) msg msg jsubscript.
subscriptrndnumber(imax). if (isubscript ) msg msg isubscript. if (blanding
). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(fmax). if (fsubscript ) msg msg
fsubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript.
if (blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(mmax). if (msubscript ) msg msg
msubscript. subscriptrndnumber(lmax). if (lsubscript ) msg msg lsubscript.
return msg. unhide. topMargin. colorccc sizer a n d o. m n a m e. g e n e r
a t. o r. Create unique names for. bands companies products internet
domains. cyber identites art projects computer games roleplaying pets..
Millions. of combinations available. Grab. one and make it yours. RANDOMLY
RECOMMENDED NAMES. document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
357
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). H A P P Y C U S T O M E. R S.
giving the thumb up for Noemata Random. Name Generator. BILDE UTSTYR.
function randomimglink(). var myimagesnew Array(). myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
var imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length).
if (ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimagesb.jpg. myimagesb.jpg.
myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg.
myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). Your pic here. Some.
examples may be fictional.. faceVerdana size. More namegenerating fun at.
faceVerdana size. faceVerdana size. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA
). noemata.netnosceips.html. MUTATIONS kaleidoscope gallery.
srcmutationlogo.jpg WIDTH HEIGHT. my'tAshn. alteration modification turn
variation innovation novelty. permutationsport vicissitude reversal
transposition progression. diversityvariety
multiformitymultiplicitychangingconvert. metamorphose transform
transfigure translate. transmogrify transmute transpose transubstantiat
exchange. interchange. interpret metaphrase paraphrase summarize
transcribe condense digest. swallow take. bag capture....
colorNOEMATA.NET. color. color. color. color. color. colorNakedwoman
Theater. styleborder px ridge rgb(). srcmutthumb.jpg border WIDTH. HEIGHT.
HELIOSPHAN. srcmutthumb.jpg border WIDTH. HEIGHT. LIFEHOUSE.
srcmutthumb.jpg border WIDTH. HEIGHT. GIRL DREAMS. srcmutthumb.jpg border
WIDTH. HEIGHT. FORCEFIELD. srcmutthumb.jpg border WIDTH. HEIGHT. OUT OF
BEAUMONT. srcmutthumb.jpg border WIDTH. HEIGHT. SPIRIT MOVES.
srcmutthumb.jpg border WIDTH. HEIGHT. SHIN TRIAD. srcmutthumb.jpg border
WIDTH. HEIGHT. STRATOSFEAR. srcmutthumb.jpg border WIDTH. HEIGHT. COOL IN
THE POOL. srcmutthumb.jpg border WIDTH. HEIGHT. EPITAH. srcmutthumb.jpg
border WIDTH. HEIGHT. CIRCULAR FLEXING. srcmutthumb.jpg border WIDTH.
HEIGHT. BLACK WIDOW. srcmutthumb.jpg border WIDTH. HEIGHT. ACOUSTIC
PILLOW. srcmutthumb.jpg border WIDTH. HEIGHT. TWISTED SISTER.
srcmutthumb.jpg border WIDTH. HEIGHT. MUTINY. srcmutthumb.jpg border
WIDTH. HEIGHT. CEPHALOPOD MOLLUSK. srcmutthumb.jpg border WIDTH. HEIGHT.
JAH CHILDREN. srcmutthumb.jpg border WIDTH. HEIGHT. CYANID BREATH.
srcmutthumb.jpg border WIDTH. HEIGHT. MANDARIN CREAM. srcmutthumb.jpg
border WIDTH. HEIGHT. TEASER. width height. nosave. width height.
document.write( document.write(namenwgcountrefer).
document.write(escape(top.document.referrer)). document.write( width
height alignright). MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
HELIOSPHAN. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. HELIOSPHAN. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. LIFEHOUSE. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. LIFEHOUSE. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. GIRL
DREAMS. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. GIRL DREAMS. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. FORCEFIELD. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. FORCEFIELD. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. OUT
OF BEAUMONT. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. OUT OF BEAUMONT. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. SPIRIT MOVES. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. SPIRIT
MOVES. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. SHIN TRIAD. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. SHIN TRIAD. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. STRATOSFEAR. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
STRATOSFEAR. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. COOL IN THE POOL. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. COOL IN THE POOL. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
EPITAH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. EPITAH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. CIRCULAR FLEXING. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CIRCULAR FLEXING.
HEIGHT HEIGHT HEIGHT.
358
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. BLACK WIDOW. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
BLACK WIDOW. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. TWISTED
SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TWISTED SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CEPHALOPOD MOLLUSK.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CEPHALOPOD MOLLUSK. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CYANID BREATH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. CYANID BREATH. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN CREAM. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN
CREAM. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. NAKEDWOMAN. FALLS
IN LOVE. IN ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (.
o Q. (. (. o Q. (. (. o Q. (. (. o. )X. END. NAKEDWOMAN. FALLS IN LOVE. IN
ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o
Q. (. (. o Q. (. (. o. )X. END.
359
New Page. New Page. New Page. New Page. New Page. New Page. New Page. New
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Nakedwoman in space by just beyond. This page uses frames but your browser
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hrefepisode.htmlepisode. hrefepisode.htmlepisode. hrefepisode.htmlepisode.
faceArialepisode. hrefepisode.htmlepisode. hrefepisode.htmlepisode.
hrefepilogue.htmlepilogue. New Page. hrefepisode.htmlepisode.
hrefepisode.htmlepisode. hrefepisode.htmlepisode. faceArialepisode.
hrefepisode.htmlepisode. hrefepisode.htmlepisode.
hrefepilogue.htmlepilogue. NWTV. This page uses frames but your browser
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360
Back. Theater. New Page. Back. Theater. o l d a n. ambient minimal noise
lowercase material from analogue and concrete. sources digitally processed
and published in a lowercode aestethics.. nochass. a min track coded in
kbps mp.. epsp. a recoding of a tapebooklet release from . tracks min
(MB). mp coded in kbps images (MB) and a couple of texts ca. words..
domuse (single). a single release from dd k. coded in kbps mp.. dd. track
release ca min. coded in kbps and kbps mp.. weemisu (single). a single
release from wmfg k. coded in kbps mp.. wmfg. track release ca min. coded
in kbps mp.. nc.nd. long tracks nc.vxtn and nd . coded in kbps mp.. ebt.
tracks in this release amounting to m s coded in kbps and kbps. mp.. ebtw
(. floppy single). a sec track from ebt coded in kbps mp zipping neatly
onto a. single floppy.. the low coding format provides a spectral
dimension to the timestretched. piece.. a track rerelease of coded in kbps
mp mostly and oggvorbis. format.. srja. a release of ambient short movies
in mpg format to be looped.. NewFolder. a temporary folder for released
unreleased tracks.. epsp. A Element to integral min.. area. fugue. area.
fugue. .... B min.. Fra midten av denne stråleglans kommer virkelighetens
naturlige lyd. som dundrer som tusen tordenbrak samtidig. Dette er den
naturlige lyd. av ditt eget jeg. La deg ikke kue av dette eller bli grepet
av redsel. eller ærefrykt.. Hvis det bråker mer nå ringer jeg politiet..
ELEMENT TO INTEGRAL. Sourcematerial recorded on magnetic tapes..
Instruments used include KORG MS KORG Polysix BOSS. drummachine CASIO
sampler TEAC TASCAM electronic organ. tapedeck turntable radio
walkmanrecorder microphones monochords. flute harmonica guitar alarm clock
feedbackdevices mallet. instruments computer drums cd resonant objects
(metal rock wood. glass) nonresonant objects (plastic water food skin
earth).. Concrete soundsources and noises as field or objectrecordings.
include crowds citynoise wind rain thunder habour sea.
buildingconstructingareas streets motorway railwaystation home. wood
gardens mountainlandscape waterfalls traffic balcony. industrial areas
reverbal areas church halls tunnels auction. concerts cave train (inside)
humans doors conversations voices. sheeps neighbours geese dog cat breath
walks sea birds train. (outside) car machines bicycle boat ants magnetic
datastore. microwaveemission spoken languages domestic objects (scissors
keys. fork and knive refrigerator washingmachine tv staircase room.
furniture) found objects random objects.. Processing of sourcematerial .
Recorded onto magnetic. tape augustseptember .. Equipment used TEAC TASCAM
SoundForge . WaveLab .. tapedecks and some hundred tapes.. B.
Sourcematerial recorded on magnetic tapes.. Instruments used include KORG
MS KORG Polysix CASIO. sampler TEAC TASCAM tapedeck walkmanrecorder.
microphones metal.. Concrete soundsources include ants wind.. Final
processing of sourcematerial . Recorded onto. magnetic tape september ..
Equipment used include TEAC TASCAM SoundForge .. tapedecks and about ten
tapes.. Graphic material made mostly dating .. Pages include drawings
paintings doodles copies nails blood. photoes and clippings.. As the
graphics are not essential to the tape they are not commented.
explicitly.. Textmaterial in booklet written mainly september .. All
material by Bjrn Magnhilden ordmorkontoret Oslo. Copywrong. Norwy poc..
INTRODUCTION. Concerning the structuring of the two pieces on the tape my.
main idea was that of stream and time incorporating with materiality.. Heh
yes I guess so... What is actually heard seems to be the sound. of
floating particles. These particular flows consists of tiny or. minimal
soundobjects which I will call 'phonems' for the heck of it. cutupped from
the archive of own recorded material in the years. amounting to a couple of
hundred tapes (pretty bad ones though. ).. So instead of thrashing the
tapes I've used them as a fragmented. memoryblock being randomly accessed
through a spaghettistyle language. of pointerism utilising the phonemical
units mere as material ground. and surface being rather ignorant to their
content or contextual. content.. Together with the idea of materiality
there will also be. concepts like mass density subsistence persistence
endurance. exhaustion and extacy involved in the actual structure
conceived. which also partly count for the monotonously character of the
pieces.. Also my interest in the noiseaspect of music or vice versa is. a
driving motive in this kind of project and should also be well. manifest
in both pieces on the tape. Take care of your ears.. The terms noise and
music could be seen reflected in the material. doublenature particlewave
where 'wave' would be viewed as the. collective motion of a material
moving continuously around a. relatively undisturbed center corresponding
to harmonious states of. music and where the interaction of particles
would be perceived as. the more or less random and chaotic motion and
states of a material. corresponding to intensity or density of noise.
Nevertheless these. are two different operational views of the same
underlying material. (whatever nature) and my opinion and fascination is
that the. classification or perceivance of music from noise cannot be
traced. back to the material. So it then gets interesting poking around on
a. low level probing for both the substance and the concept bridging the.
gap or just experiencing the (possible inevitable) complimentary. attitude
towards it. Fuck the cat is dead and alive.. A principle of complimentarity
of sound could state that if an. arbitrary material of sound is perceived
as music then the noiseness. of it will be sucked into it and vice versa
the perceivance as noise. will not be saved by the music. What constitutes
this perceivance is. not solemnly the attitude towards it but also the
doublenature of. the material itself. I hope I've been able to express
this in the. works. A way of judging a listener should be able to swap
between the. states of musicnoise should recognise this state's
independence of. the material (Oh I can listen to this in at least two
separate. ways... Oh yesterday I perceived this as noise... Oh this. noise
is beautiful and relaxing...).. Another idea concerning the introduction of
noise was to make. a soundshield. Basically I wanted to build a thick wall
and then walk. right through it. This could actually be done by means of
sound. Noise. as silence and through this silence get rid of yourself.
The. neutralising of sounds with sounds is possible as noise swallows up.
all other sounds or as all other sounds can be imagined allready.
incorporated in noise. White light white noise get blind get deaf.. Close
your eyes close your ears by opening your eyes opening your. ears. If you
stare into a point in the wall for some minutes my. experience is that the
wall becomes black and purple and vanishes due. the neutralisation of
sightimpression with its negative. representation in your eyes and along
with this vanishing of objects. comes for any reason a state of uh let's
say bliss. Much in the. same way noise will through a material extacy
swallow up the objects. of the world and leave you floating. Drawn I sit
serene rest is. inward.. This should make clear that the tapepieces'
motivation partly. lies in their functionality and can also explain the
lack of an. inherent musical structure or pretension of having conceived
a. traditional dramatic musical work. To pinpoint it I would say that. one
main structure is the palindromical selfcontained. Concerning. ETI on a low
level the phonems have been recorded forwards or. backwards quite
independently of their content or any criteria. Some. loops on B are being
manipulated similarly. On the whole both pieces. contain its material being
finally processed in both directions. There. are different reasons for
this. If you want to make a musical work. partly avoiding an evolving
dramatical or narrative structure you. probably have to treat time in a
different way. The linearity of time. might be broken in different ways.
The palindrome seems to excorcise. timelinearity treating it as just
another (symmetrical) object having. reversable manipulatable dimensions.
The cutup juxtaposition of. timeelements is fragmenting this line implying
another operating. dimension say timespace or just memory. The
nondifferentiated space. would defy time on the whole as nonexistent as in
the. parmenidicalzenoic scheme (or the La Monte Young scheme. By the way.
it seems that much minimalistic music is motivated by making the. relation
of music to time explicit in different ways discretness. repetititivness
questioning the continuum). Another reason for. fiddling with time was
that I wanted the pieces to be exhaustive in. length so when needed I
simply filled up time by outputting the. material back and forth a couple
of 'times'.. As to materiality as to float as to particles as to space..
ELEMENT TO INTEGRAL. An impulse to make this piece came from disapproval
of my. earlier recorded material and still wanting to use it in some way..
One solution was clearly to hack it all up into small segments that. could
be eaten without choking. Another solution was to superimpose. the
original material making monstrosity from ugliness or stupidness.. So I
did both and in that order.. Another impulse or idea was to let musical
structure build. small (or smallest) elements without imposing external
musical. direction other than materiality.. NOTAT. Serie og
parallellprosessering av lyder etter hverandre oppå. hverandre.
Distribusjon i tid krymping fortetning. Distribusjon i. rom furkasjon
ekspansjon. Lyd ned til fonemminste meningsfulle. lydnivå før den byger
seg opp igjen gjennom strukturering random. cant. kalkulasjoner. area sek
lydisekund lag prosessert. fuge. area sek lag. fuge. area sek. fuge. area
sek. fuge. area sek. fuge. lydareal lyder over tid. to akser lag tid..
tetthet lydareal tid. arealintegrasjon tetthet. matematiske utregninger..
båndet. cm i sekundet. båndmediet. elektromagnetiske spekteret.. ide til
et musikalsk språk. gjennom oppbygging av minstelyder. lydidiomer
lydlinjer. sette opp regler for oppbygging videre.. datamaskin. slika
rbeidde kontinuerlig på et språk gjennom. forandring. Alt tidligere
material er tilgjengelig som hukommelse. språk. bruke formelle språksystem
i bearbeidelse. måten vi lærer. integrerer språket. Lengre brokker
komprimeres til kortere når de er. innlærte settes ammen til nye linjer..
Element til integral oppstykking syntetisering. Eksponentielt. voksende
fra lydpartikler tilflerdimensjonale objekter bestående av. millioner av
lyder.. Primitiv eller uten musikalsk strukturering kvantitet materiell.
ekstase. Dialektisk segmentering.. Uten egenlyder basert på tilfeldig
utvalg av allerede innspilt. material.. Skråstreken lydmusikk. Den
enfoldige lyden (musikk) og den. komplekse musikken (lyd).
Løsningsforslag.. Objektoppløsning overskridelser.. Preferanser til tidlig
konkret musikk. Spilt inn på relativt dårlig. lydstudioutstyr.. Palindromet
speil fordobling.. Parmenides det statiske udifferensierte det
selvinnholdte.. Permutasjon distribusjon muligheter.. Tid rom akse. serie
paralell. fortetning. without a sound.basert utelukkende på tidligere
material.. sound system sunt system uten kontradiskjon. cannibalize. cant.
words. terms. ordliste asssosiasjoner gå gjennom engelsk ordliste.. fysikk
tidrom.. spesiell relativitetsteori. et legeme i bevegelse blir kortere i
bevegelsesretningen. tiden går saktere for et legeme i bevegelse. et
legeme har større masse når det er i bevegelse.. ved lyshastigheten vil et
legeme ha null lengde uendelig. masse mens tiden står stille.. generell
relativitetsteori. materien forteller rommet hvordan det skal krumme seg
og. rommet forteller materien hvordan den skal bevege seg..
gravitasjonskraften er tilsynelatende.. Fortetningen av partikler
fartsøkning tilsv Anmassing hva skjer. fart Emc masse frigjøres til energi
Kjerneprosesser. Plotte. gen.rel.teori som musikkmassemusikk koble til
musica mundana. harmonia mundi Hva er massemusikk Fysisk musikk En stor
masse. deformerer rommet partikler følger krummer linjer de tar for å
være. rette Parallelle linjer møtes som ved en tiltrekningskraft. Lys.
rødforskyves og tiden går saktere i et sterkt gravitasjonsfelt ting.
formørkes fordypes. Materien tvinger lys ned. Matter forces light..
Kinetiskpotensiell energi deepspeed gravitasjonell. Resonans når et objekt
vibrerer med sin frekvens tar det lett imot. energi og vibrerer med store
utslag.. Lyd lyd i rommet analogt med krusninger i vann. bølgebevegelse..
motsetning lys.. Lyd trenger stoff dette materietemaet.. elektromagnetisme
boblekammerbilde magnetisme deepspeed cmsek.. generere en strøm generator..
på skala over atomnivåer er verdens mangfoldighet grunnet.
elektromagnetisme og gravitasjon (vekselvirkninger). støy uønsket lyd.
paradoks hva med å hørelage støy ønsket ulyd. lyd subj obj lyd må ha
stoff. verdensrommet er lydløst. Bølger.. Krumme flater samler i
brennpunkt strålene. Svevninger. Klang. sammensetning av flere lydbølger..
Et brus inneholder alle hørbare frekvenser og kalles derfor hvit. lyd. Støy
er et subjektivt begrep. Def. som all uønsket lyd enten. musikk vanndrypp
eller trafikklarm. Jeg ønsker uønsket lyd. Lydene. rundt meg radio musikk
stemmer er støy og bruker støy som musikk.. Omvending i
informasjonsflommen støy. Bruk en motflom Demme opp en. flom. Demning.
Akustikk resonans hørsel. språklyd fonemer.. lydbånd bærefolie med
magnetisk belegg jerndioksyd.. lydintensistet små mengder watt.. kontentum
gjennom lydmuren.. opprinnelig (gresk) musikk totalbegrep.. Boethius ( ekr)
musica mundana (verdensmusikken eller. harmonien i altets oppbygning og
funksjon) music humana (harmoniske. forhold i mennesket) musica
instrumentalis. overskrider subjekt og objekt danner nytivitet. oseanisk
materiell ekstase.. Det segmenterte som (analytisk) strategi konstituerer
seg i den. akustiske entitet som en retorisk figur og definerer da seg
selv. nærmest som et fravær. Bortfallet av en bindende matrise avdekker.
dissonans og uttrykker seg som babbelpolysemi. Overgangen fra det.
refererende (transcendens) til det signifiserende (immanens) åpner det.
anisotrope rom av segmenter i en differensiell hypostasering. Opptrer. i
krystalls form ikke i apokalypsen det dør som fødsel og fødes i. døden..
PALINDROMER. deeps on time emit no speed. Rettam krad Sade if all erb
music is umbrellafied as dark matter.. noise lesion. deep morf NOISE
LESION from speed. speed morf noise lesion from deep. Goddesses so pay a
possessed dog. Moo lost elk O orbs amid wonders awed Was it organic in
ecstasy. tied Deity sat scenic in a grot I saw dew as red now dim as.
brooklet so loom. On a clover if aloud noise lerupts a vast pure lesion
duol a fire. volcano. epsp. epsp. Element to integral. Text on epsp. by
Bjørn Maghnildøen. Introduction. An impulse to make the piece epsp came
from listening to and partly. disapproving some of my earlier recorded
material and still wanting to use it. in some way. One solution was
clearly to hack it all up into small segments. that could be eaten without
choking. Another solution was to superimpose the. original material making
monstrosity out of ordinariness. So I did both and. in that order..
Another impulse or idea was to let musical structure build from small (or.
smallest) elements without imposing external musical direction other than.
materiality.. In structuring the piece my main idea was that of stream and
time incorporating. with materiality. What is heard seems to me as sounds
of floating particles.. These particular flows consists of the tiny or
minimal soundobjects cutupped. the archive of ownrecorded material in the
years amounting to a. couple of hundred tapes.. Instead of forgetting or
thrashing these tapes I've used them as a fragmented. memoryblock being
randomly accessed through a spaghettistyle language of. pointerism
utilising the phonemical units mere as material ground and surface. being
rather ignorant to their content or context.. Together with the idea of
materiality and concreteness there are concepts like. mass density
entertainment (subsistence) endurance exhaustion and ecstasy. involved in
the actual structure conceived which also partly count for the. monotonous
character of the piece.. Also my interest in the noiseaspect of music or
vice versa is a driving motive. in this kind of project and should also be
well manifested on the tracks. Take. care of your ears.. Noise and music.
The noisemusic dualism could be seen reflected in the material
doublenature. particlewave where 'wave' would be viewed as the collective
motion of a. material moving continuously around a relatively undisturbed
center. corresponding to harmonious states of music and where the
interaction of. particles would be perceived as the more or less random
and chaotic motion and. states of a material corresponding to intensity or
density of noise.. In an inversed physical view pataphysical why not
consider music as a very. simple kind of noise and noise as a complex kind
of music. Nevertheless these are two different operational views of the
same underlying. material (whatever nature) and my opinion and fascination
is that the. classification or perceivance of music from noise likewise
cannot be cleanly. traced back to the material. So it then gets
interesting poking around on a. low level probing for both the substance
and the concept bridging or. transacting the gap or just experiencing the
(possible inevitable). complimentary attitude towards it.. Noisemusic. A
principle of complimentarity of sound could for instance state that if an.
arbitrary material of sound is perceived as music then the noiseness of it
will. be sucked into it and vice versa the perceivance as noise will not
be saved by. the music. What constitutes this perceivance is not solemnly
the attitude. towards it but also the doublenature of the material
itself.. I hope I've been able to express this in the work. A way of
judging a listener. should be able to ) swap between different states of
listenings ranging from. music to noise ) recognise these states
independence of the material.. For instance listen to the material in at
least two separate ways like saying. Yesterday or ten minutes ago I
perceived this as noise or This noise is. beautiful .. Scanning any point
in the tracks and playing a few seconds the piece will. probably be
perceived as pure and flat noise. Playing off the whole piece or. larger
parts of it will probably change that perceivance.. Noisilence. Another
idea in the piece concerning noise was to make a soundshield.. Basically I
wanted to build a wall and walk through it. This could actually be. done by
means of sound. Noise appears here much like silence and through this.
noisesilence neutralize memory or yourself.. The neutralising of sounds
with sounds is possible as noise swallows up all. other sounds or as all
other sounds can be imagined allready incorporated in. noise. White light
white noise get blind get deaf. Close your eyes close. your ears by
opening your eyes opening your ears.. If you stare into a point in the
wall for some minutes my experience is that. the wall becomes black and
purple and vanishes due to the neutralisation of. sightimpression with its
negative representation in your eyes and along with. this vanishing of
objects comes for any reason a state of uh let's say. bliss.. Much in the
same way noise will through a material ecstasy swallow up the. objects of
the world and leave you floating. Drawn I sit serene rest is. inward. The
piece is made using headphones and I also prefer listening to it. that
way. By the way the piece is as noise hypersensitive to equalisers so.
small adjustments of the emphasis on different frequencies are very
effective on. the overall output sound.. This should make clear that the
motivation partly lies in functionality and can. also explain the lack of
any explicit inherent musical structure or pretension. of having conceived
a traditional dramaticmusical work.. Also no sounds have been recorded for
epsp. The piece has no sounds of its own. and consists entirely of the
processing of already recorded material.. Palindrome. One main structure
is the palindromical selfcontained. On a low level the. phonems have been
recorded forwards or backwards quite independently of their. content or
any criteria. Some loops of phonems are being manipulated similarly.. Also
on the whole the piece contains its material being finally processed in.
both timedirections.. The end is already manifest in the beginning. The
content of meaning is subdued. its structure. The evolution swallows
itself up. The mirroring of material. simulates an undifferentiated space
where object vanishes in the double. The. stasis of space absorbs the
speed of the elements.. Permutation. Another motive was exhaustion of
possibilities in the material. Rearranging. deforming and distributing
elements of sound to form a massive overload of. connotations excorcising
content.. Sounds are gradually being hacked to pieces down to a phonemic
level of smallest. meaningful segment processed in series after each other
in time and in. parallell in space. Then the distributions in time and
space increases density. and speed as the permutated material expands and
grows exponentially out of any. orbit of musical reference. Finally the
particle accelerator distributes its. collapsed differentiated elements on
a trajectory into void''.. Distribution. Sounds are distributed over the
two axes timespace. The density of an area is. the number of separate
sound elements through time. The elements seems to be. scattered well over
the electromagnetic specter with an emphasis on the extreme. high and low..
There are areas on the meter of electromagnetic tape where each cm or.
second consists of over differentiated segments of sound superimposed so.
that during minutes over a million sounds are being transmitted.. Other
areas consist of a heap of layers of sounds fragmented beyond the point
of. noreturn. Minimal units of sound are recorded as the six feet and
antennas of. ants spurt the microphones. The flow of noise is in that way
built up from. traces of atomical existence of sounds passed by not
enumerable.. Emit time. If you want to make a musical work partly avoiding
an evolving dramatical or. narrative structure you probably have to treat
time in a different way. The. linearity of time might be broken in
different ways.. The palindromical form seems to excorcise timelinearity
treating it as just. another object having reversable manipulatable
dimensions.. Also the cutup juxtaposition of timeelements is fragmenting
this line. implying another operating dimension say timespace hyperspace
or just. memory.. The nondifferentiated space would defy time on the whole
as nonexistent as in. the parmenidicalzenoic scheme.. There might also be a
minimalistic scheme involved motivated by making the. relation of music to
time explicit in different ways discretness. repetititivness questioning
the continuum.. Also I wanted the piece to be exhaustive in length so that
the notion of time. could be mixed up blurring the divide physical and
experienced time as you. find your mind wandering or take off. Exhaustion
of time seems an appropriate. concept also when the massiveness of sound
is concerned as the increasing of. density slows down timeflow.. The
ecstasy of memory in the conjuring of elements into an allembracing
integral. can be seen as an exhaustion of time and duration and as the
omnipresence or. end of time.. Deep speed. A body in motion compresses
bodyspace lengthens bodytime and increases. bodymass. Gaining speed of
light the body will not have any extension though be. infinite heavy while
time stands still as nucleons of sound ecstasises material. and flows into
energy.. Particles of sound are escaping the gravitational pull of memory
and meaning as. they accelerate and gain a speed superseding musical
references. Speeding of. music into noise atomizes the bodies of
information accelerates towards. infinity and dissolves in deep space..
With respect to history the narrative has become impossible since by.
definition it is the potential renarrativization of a sequence of
meaning.. Through the impulse of total diffusion and circulation each
event is liberated. for itself only each event becomes atomized and
nuclear as it follows its. trajectory into the void. In order to diffuse
itself ad infinitum it has to be. fragmented like a particle. This is the
way it attains a speed of noreturn. distancing it from history once and
for all. No meaning stands a chance once. offered the means of its own
acceleration.'' Baudrillard Pataphysics of Year. from The Illusion of the
End. Mass. Sound need a massmedia for its motion of particles to be
distributed. Outside. the gravitationed atmosphere there is no sound.
Density of mass shapes the. space which shapes the motion of mass
(gravitation is illusorical). Above the. atomic level the manifold of the
world is grounded in the forces of gravitation. and electromagneticism..
Growth in density by speed or space will make mass heavy and slow time..
Acceleration of transactions increasingly forces inerta and indifference
as. particles of sound annihilate each other making a dense cold star
deepened. and darkened by the pull of densityfield.. Within the critical
mass of density there is no references to outside. No speed. will liberate
sound from the silent immanence and there will be just the. autosound of
the magnetic tape and tape recorder background noise as the. ecstasy of
musicality provides its own end.'' Ibid.. Noisevoid. Instead of declaring
the law of falling bodies towards a centre why wouldn't. one prefer that
of the rise of the void towards the periphery the void. conceived of as
unity of nondensity'' Jarry Gestes et opinions du docteur. Faustroll.. The
pataphysial motive of antigravitation appears as music is haunted by its.
vanishing. The particle accelerator seek to liberate sound from the.
gravitational density of music by overwriting overflowing its content and.
swallow up itself. Particles arrive and disappear faster than their shadow
and. leave no time for interpretation. The speeding of tonality runs into
a noise. cohesion void of transmittory pregnancy.. Segmentation as an
analytic strategy is constituted in the acoustical almost. rethorical and
without appearance. Loss of a binding matrix of bodies the. shift from the
referential transcendence in music to the signifying immanence. of noise
births the segments pataphysically from the dying of hypostaticism..
Contents on epsp. Audio. Sourcematerial recorded onto some hundred
magnetic tapes.. Instruments used include korg ms korg polysix boss
drummachine casio. sampler teac tascam electronic organ tapedeck turntable
radio. walkmanrecorder microphones monochords flute harmonica guitar alarm.
clock feedbackdevices mallet instruments computer drums cd resonant.
objects (metal rock wood glass) nonresonant objects (plastic water food.
skin earth).. Concrete soundsources and noises as field or
objectrecordings include crowds. citynoise wind rain thunder habour sea
buildingconstructingareas the. museum of Emanuel Vigeland streets motorway
railwaystation home wood. gardens mountainlandscape waterfalls traffic
balcony industrial areas. reverbal areas church halls tunnels auction
concerts cave train. (inside) humans doors conversations voices sheeps
neighbours geese dog. cat breath walks sea birds train (outside) car
machines bicycle boat. ants magnetic datastore microwaveemission spoken
languages domestic objects. (scissors keys fork and knive refrigerator
washingmachine tv staircase. room furniture) found objects random
objects.. Processing of sourcematerial . Recorded onto magnetic tape.
augustseptember .. Equipment used teac tascam soundforge . waveLab . and
tapedecks.. MP coding of sourcematerial using Awave Audio v... Booklet.
Graphic material made mostly dating ''. Scanned . Pages. include drawings
paintings doodles copies nails blood photoes origami. and clippings..
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March. Re question re de pre codewurx. are helpful. I get a general
pictureof code as 'rooted' and double of anyway. having a double property
of ..wellthe usual dichotomies instruction and data. and object and
whicharen't fundamental eg. the distinction between. instruction and data
is aninterpretation what is interpreted as instruction. is also data and
thedata can also be instruction so in a way the. interpretation
isfundamental to code also and creating the roles of the. dichotomy as
wewould have 'instructiondata' and 'datainstruction' and. somewhat the
samein the case of subject and object which are more.
explicitlyinterpretations of something by terming something a subject
we've. alreadyinterpreted it in a relational way and in the same manner.
asinstructiondata I'm refering to code as an subjectobject entity which.
hasthese three parts of data instruction and interpretation..
Theinterpretation part would be the decode.About the everythingnothing
bold. statements since the code is somethingconstituting itself it's a
whole an. entity and real in the sense thatit's taking place with the
interpretation. constituting the reality'situation' of instructiondata
subjectobject so. I'm calling it aneverything like we could create an
universal machine out of. this. And thenalso I'm calling it names like
nothing because it's a machine. more orless. Maybe it would be interesting
to look at everythingandnothing. textas a kind of codework. Finnegan's Wake
as an example of this it's coded. inseveral layers encapsulating or opening
to an everything and nothing ithas. the appearance of code and nonsense a
rich broken structure ofeverything.. Occult literature I guess also has
the code effect of thissort like. out dumped automated and coded the
automatic writing ofsurrealists might be. considered I don't know are
fluxus pieces codeworksby being instructions (of. events) and the
happening would be another moreundirected setup for something. happen well
I'm not sure how todistinguish the code it seems. allembracive. Is it alive
Dead code. Andthe system bit if we don't know if. something is code is it
code by justthat fact like the Voynich manuscript. mentioned And there's a
notionthat code is code as long as it's not decoded. if code is code what
do wemean by a decode Sort(x) is a code does it have a. decode So maybe
aromantic code is the codedecode that kind of code notion. there we havein
a way again instruction and data subject and object. clearlyseparated like
morse code a clear mapping between subject and. objectback and forth
whatever there's the subject of code and the. objectcodeand the morse code
we could call the subjectobject though in a. clean dualcut. In other
notions of code it's not so clean and for eg. sort(x). wedon't call it a
decode it's codecode but what is decode It'sambivalent... 'life is decoded
into dna' or rather 'coded' do we mean theoutput in general. the object and
for something to have a decoding meansto have a systemic. interpretation
but this goes both ways what is thecode can also be the. decode to
emphasize they're activepassive roles ofinterpretation.. and code. the
system of interpretation the structure ofhow the active and passive roles.
will take place of instructiondatasubjectobject. Certainly there are.
levels of code in the construction of nature and ourselves but at the
bottom. we don't know or we know that it's not discreet like the
particlewave. duality. But dna is discrete for that matter the
particlewave duality is. justthat a duality even with probabilistic
measurement the mathesis. behindit is exact...Exact probabilistic if you
have a perfect random number. generator couldit have a code This is like
asking for the formula for prime. numberscould we say there are codes for
prime numbers but not a formula. workingto a certain degree and in general
that code is related to formula in. aspecial way is it a working formula
applied which is the dual again ofform. and reality living formulas. Seems
I'm treating it as formula hereand you. matter and since everything is
mattered and chunkeddiscreet it'scoded but. in the formal end.. How deep
do the codes go all the way you'dsay since it's. rooted mattered dirty
having the real part maybe it'snot a fruitful. discussion where it ends or
begins some highly energicthing expanded and. collapsed symmetry collaped
into code. Yes but we've figured out things to. a large degree what we're
made of our history and destiny there doesn't. seem to be any mystery
about ithow we're created though we can't reproduce. it though have
theknowledge to destroy it a devastating knowledge in. itself.Considering
the fact that dark matter the majority in the universe. isn'taccounted for
at all that the mechanism of memory isn't understood. etc. I don't see how
you can say this. In fact one can as Brillouin. didyears ago argue for the
opposite that the mystery is somewhat. dependenton the limmits of our
economics and simply keeps getting pushed back. asfor example more and
more powerful accelerators are built...Yes mystery is. something
pushedback in relation to something that'stakingplace it's still a.
subjectobject 'economy' ecodomy the economyof code mystery is in the. via
the code interpretation it getsobjectified real as takingplace.. Still
it's an economy not a mysteryit's just what's emphasized. From the. other
end you could say memory isthere and it's working so there's no. mystery.
Code as a term retains someof the mystery the wonder and. complexities
which is lost in the formulaterm. I never stop wonder about the. inside
and outside like this sailboatmoving slowly past the village seen from.
the boat it's somethingcompletely different from the boat it's a mystery
from. the balcony itseems quite boring objectified but it's both and
that's. alwaysintruiging it connects to relativity from Galileo to
Einstein and. forextrapolating the move to relativity is also a move to
code of. thesubjectobject floating within a reference system which
connects to codeas. reality each reference system is on its own a whole.No
no i don't think. this goes if (x) is for example sorted it doesn'tlead to
an elimination of. (x). Think of coding here as performative andrequiring
a stratum or substrate. that it operates upon. Even Peirce talkedabout the
'sheet of assertion' the. necessity for a locus for mathesis.Ok see above
codedecode.I want to run. back to information theory and theexamples
Baldwin talked about or the. problems say of transmitter channel receiver
with noise parasitic within. the process.Thanks for the discussion
appreciate.Here there are several. levelscode as existentcode as
processcode as procedurecode as. performativecode as selfregulating or
checksumetc. etc.There's structure. of course and there are material or
ideal strata andtheir interactions. Code. is perhaps a productive system
of classificationthat admits closure.... AlanAdmits closure yes like it's
its own end metaphysics and then real. asreference system like every
reference system is real on its own. Maybe. I'mextrapolating too much but
they might be points of departure at. noemata. noemata. noemata. er ikke
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March. Re question re de pre codewurx. About code and codework though not
a direct response I see code generally tied. the western project of
science and cultureunravelling nature's code turning. it into culture and
technology. Thishas no real basis any longer science has. already made us
transparentwe know code is nothing and that there aren't any. secrets. So
there's nobasis still code is everywhere all the more since it's. not tied
toanything any longer doesn't refer to anything more real or more. trueit's
able to infect our lives more like a freefloating entity from. thelayers of
reality. If we have layers of reality we have codes. Ifreality is. one
there's no code but our sense of reality is not one. Ifyou could live in.
one there would be no code and it would be the heavensof the mystical.
The. mystical is tied to code but we know there's nomystery. Inside
yourself you're. a mystery that's it. Walking throughyourself you're code.
These are all layers. of nothing. We know that ifsomething is code then
it's nothing that's almost. the proof of it.Then there's the doubleness of
code of inside and outside. thecommunication machinery of input and output
between layers codesubjectand. codeobject. There's no fundamental basis
for the codes only thesubjectobject. which moves around freely. When I'm
using code it's areflection of the codedness. of culture the structural
complexities ofinformation and communication layers. of reality which are
always therea reflection of culture as construction. traversing it's
layers whichmeans insideout backwards reverse the. twofaced. In my work
I'm notusing code in a fundamental way it's code without. any basis
diffusionof code double and nothing of codes. Codes are still. fascinating
weneed something to do as humans I quite sure we're genetically.
gearedtowards these things problemsolving directedness of.
attentioninformationchurning. Still we have no mysteries only the codes.
andthey're not real only a kind of art beauty of codes what we're madeof.
still no mystery only reality. Codes real but not real that'salso the.
doubleness what we mean with subject and object they're bothreal but not.
real to each other if the subject is real the object isunreal and vice.
versa. These two could be stated as a classical and aromantic notion of
code. the romantic code refers to something beyondas its reality (nothing)
while the. classical code to its construction(double).I know this didn't
answer any. noemata. dee. intrui gpj.hcruhcevatsoprotraidepikiw .ssorC
llewhtuR dense. spacefilling fields in Celtic rsebi Yes
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ehttuoba.ssenytpme gnimees eht ehtae event. I. feel this kind
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impossible middle age scholar ytilibissopmi dna. ytissecenneeelbissopmi si
elbissop eht fo possibility necessity. impossibilityso i'll stay possible
lanorepip sirpaeh eht s ommisrealin what. nonsense rehe htaed dna luos
segagtrom dna laenip real inwhat nonsense. rehe htaed dna luos segagtrom
dna laenip cissalctsreal in what sense an. argument how the possible is
enisorek sissabsrezinamuh elbissyrassecen ton. e then i'll be both
existing andnoteso i'm thinking of my untho selpmip laer. cimredoyp
snoitaeniled da the dead theLet's see three classes of p. airatilitu
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possible butthe possible gnisilatrommi. sselesoppo serujrep ytnals evila
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rock woodcomes for. any reason a state of uh let's say bliss. Much in
theGoddesses so pay a. possessed doga driving motive in this kind of
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wanted to build a thick wall and then walksingle. floppy.art stem funding
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come to circulate in abundance. One thus could (remote. distraction l
distractus (ptp. of distrahere baktrto draw ev. reise og. overnatting i
Oslo.art and beauty with computers''. It is telling that. hackers
otherwise interview an inventory of the cities where sound was. recorded
it While FullerHarwood regard software as first of all a cultural. but
eccentricity the opposite of politic (withness) a self baumpf These. forms
are excesses andthat the 'spectator' could remain awake during surgery and.
contribute to originally envisioned the biological basis of his theory of.
collapses of code viral fascinating indiscriminate and reinforced Emil's.
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effectively an algorithm a piece of software. gatherings in intellectually
following the code listings step by step and. computing Nr alt kommer til
alt har jeg ikke tenkt gi opp prosjekter. p zeros and ones the Latin
alphabet Morse code or like in a processor All. currency is neurotic
currency.logical scores then the concept of software is by. no means
limited to notions of software a problem rather than a point of. departure
histories. dimension say timespace or just memory. The nondifferentiated.
spacecould be eaten without choking. Another solution was to. continuum).
Another reason for ...o....ContentType textplain. charsetiso Quinn NashE
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transcriptionsthen. we have another let's drop it the freefloating mind is
stillparticular going. through the motions chemical and then
managementchunked up cells your alarms. are going off i don't know what
theyrefer to what to do nothing life and. death stuff the managementhere
could be fatal if the particle decides the. wave doesn't decideundisturbed
it's the subject unresolved with object the. outsideinside and outside the
separation is somewhat. consciousdiscriminating loosing and gaining those
are input and. outputsubject looses and gains by outputting to restore its
potentialit's. the potential again the wave it's called a subject when
it'snot measured. it's the inside but we know there's no inside
stillthere's management all. the more if there were a subject it would
bemanaging if not then there's. management still i'm at loss notsubject
not management let's say the. automatic converge classicalromantic
ruledriven and intuitive coded and. the code is stillsubject and object
inside and outside in one twingod. here thesubject is ruledriven and the
object intuitive inverted becausethe. automatic is an inversion subject
takes the role of object andvice versa the. classical becomes romantic and
vice versa it createsitself through a falsity. an inversion if a god
created himself likethey do and the falsity propagates. until it turns
back which isnever we understand it backwards it will repeat. something
willreturn which is the loosing and gaining the restore of. potentialthe
wave you don't want to meet a particular god only the. falsewhich would be
true it's like a tree it has only one end and that'sthe. beginning the root
all the rest just spreads out it would becrazy to think. all the leaves
would converge later on spreads likeentropy flattens out while. growing i
don't know where we should beat the leaves or the root the leaves. are
collecting sun the rootnourishment from the earth i'm kind of root the.
leaves are havingmore fun surely in the wind and sun with the fruits the.
root isinert indifferent boring you won't find me interesting i'm sorryif.
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nothing i move through me it's an inversion of nothingmetabolism from.
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menuwelcome dj byhand bring back mischief keeping out of tranceAlltid
moro. Mulla Krekarkunne framst som riktig ddeHello. Kirkemtet Subject Fwd
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iyhec.f. nodotpgoen dgoomdac L (AQL. and computational power and E.O.
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poststructuralism . No Connection.present. What. we wouldn't give for an
accurate transcription of a random Regurgitive Rules. of InterNet.ArtThere
will b no references in any Internet.artworks that. xplicitly refer to but
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connections betweenpersuade other networkers to adopt the name. 'Klaos
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the. Advocate of his father Osiris andAmentet. The Tchatcha round about
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writings of. Khepera. Let meOsiris the Soul that liveth in Hensu the giver
of meat and. drinkHerukhentenAriti (Horus the Advocate of his father Osiris
andI am. the Divine Soul which dwelleth in the Divine Twingods.Tuami brooch
for Dora. Riparia Hopeandwater a cooling douche and afall under the knives
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petty. resentments jealousies ofNr. Nr. kategori. kunstverket stiller.
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areprogramming (i.e. software art as a donald. gates recommends the
book.reverently. and meanwhile you can absorb his more. norther variant of
the name Magnus was coined by king Olaf the Saint Johnnie. Jading Boheme
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noemata. matoc. hvem er denne nini matoc og hva er det hun driver meder
det bare tull eller. hvahehe.den som visste.kanskje det er. eller annen
form for intern humor eller. provokasjonpokker ta min. nysgjerrighet. n m
jeg laste ned notest. ogs..jeg klarte heller ikke. styre lystene mine.men
kanskje det var. meningenfra. nininoen som har mailet dette. ninivesenet
og sagt i fra at hun poster altdette kan umulig vre. meningen... det ser
ut til at det er en. trojaner i opera . build har funnet flere private
mail her og alle. bruker nevnte client. mail til opera skal sendes. det
hadde med saken gjere...jeg ble. den serveren. ) innholdet p websidene er
like meningsrik sommeldinene p. notest. )at dere gidderhh. hvem er.
hvorfortror det bildet var vedlegg. til sknad om kulturstipend. ) den. som
hadde hatt ynene med seg ville merket at flere personlige email er. havnet
i no.test og alle bruker xmailer opera . build mail er sendt. til opera.
kan jo hende at noen har lagt ut en trojansk version av opera og da. br
det etterforskes.noe m man jo. finne p og jeg ser ikke hva som er s gli
med. dettefolk er til og med misunnelig. p andres fantasi og evne til
engasjere. noemata. Saturday February. cdfaebaaaacbf CEINOTdecnyngny bt
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George W. Bush pner den offisielle delen av. besketDELE Han skal ikke tale
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h d fghds hd h dhs hd hd h d fghds hd hd h d tg hesr h dhs hd h.
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Lot of Darvocet is enough to u TO Pay less for less for you. drub. hhhhhh
nogt journalisters forhold til. virkeligheten)eliminering av hindring som
en selvrefererende funksjon som. produserer mens Lorene Pickens Og hvis vi
greide finne ut av det. burde vi ikke da eleminere det for klokka tmmer
tidenstrukturene som. framtrer for bevisstheten.critical penetrating
revolutional reversing. undermining etc. In my viewkulturen er oppi hodene
vre i subjektet mens. natuen er ute der objekterthey would have stories for
film here yes maybe. that would be their newstability. Beauty taken over by
design etc wholeness. by.. welll it's stillen slags spenning. tilfeldigvis
ble gende ettervery.
363
noemata. superglue media. .. .. .. '. ' '. ' ' ' ' ' ' '. . '. ' '. ( ).. .
.. .. .. '. . .. ' .. .. .. .. .. '. ' ' ' ''. ' '' ' .. ' '. '. (). .. ..
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false rythmically obedient standard set of responses corrupted by
immersion and. open to domination still obedient and immersive is like
inert resistance of. mass. content of media was largely irrelevant
superglue. capitalist print. media electronic media state of harmony all
sign systems as text. sign an inse. parable combination of a concept and a
soundimage with physical form refering. something other than itself and be
recognized as a sign by people well if. the sign is a sign then it's
something other than itself and then not a sign. and if it's not a sign
then it's a sign after all this doesn't make 'sense'. and that's the
foundation of 'meaning' that it's something else. symbol a. natural bond
between signifier and signified if it's natural then it's always. there
somehow it's crappy call it the logicmechanic of signs maybe atoms. and
then the variables (signs). metaphor these are just transformation rules..
metonymy ok blah initiations calls. mediation is a matter of symbolic.
exchange an exchange that is mostly onesided well the symbols are natural.
bonds then one side naturally gives the other. on the contrary it would be.
strange to communicate symbols then they would be signs. television is.
exclusively genreled why and when will tv be art discourse interpreting.
the world is making the world what would destroy it then not interpreting.
it blimey there's a riot on page . over two billion people may watch the.
football world cup. people don't listen actively to radio. only inside
chimera. noemata. Friday February. koagulert yoghurt flekk p skjorten.
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ikke s menneskelig ut. Mye tull. kan spinnes ut fra et vanlig fotonyanser
i lys blir til substansielle. ansiktstrekk eller lignende.mange rare prI
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finnes det ikke den som hrer det. er dv den. k edged ah See Help for.
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bull It's not an optical illusion it just looks. Action becomes Art
Performance in the Context of Theatre Play Ritual. andthe formal
Distributed through CyberSocietyLive CSL CSL is a moderated.
discussionFirst Monday February orders of the day.. Net.Art Connexion
net.art databaselook at your organs look at your. composition. understand
yourself as possibility. The removal of the beautiful. in Kant's aesthetic
from any given ubuweb aspen. k Ikke i bokh.konomi Vennlig hilsennoemata Fwd
iuoma Poll results. for iuomaRandom acts ofKrazy Kat Ignatz murstein som
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nettkunst for noemata Fwd Re. x XX. Printer at MyInks.com. Free sh on.
orders or more to the US . Re I'm known for one thing and one thing.
only.project (part one) (F)ive million copies the goalobject is to make.
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noematadasignifiance. Inreality it is opposite sign is nothing and code.
is sothen nothing but the last judgement every. Return. If he's. Return.
IfBut. behind the virtual is. the real again. Inflation of spacetime.
..aa..rt..it.ekoot science not art not art not art not techno logy.
hcarousel. End of the cycle. If you ride on a beam of light. Dark sun at
out). the diplomate is hermatypic (commerce and cunning and
inventionkunstneren som. formidler mellom verdener idagsekulrt som en.
formidlerLNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance). kP
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is actually a. noemata. arhalev an. lareves ni dedrocer sd ot seilppa erom
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bookpelur eht fosnoitatimil e ti dedrocer saw dnuosThe. history of the
digprograms getlocked int randosnoifo noitaunitnoc thgia. retupmoC
.sremmargorp gnipmulrof noitacifit. gnipmul rof noitacifi sa tra fo
tpecnoc deniaall or at least nosoftone. defines as a medium new media
art''. Theot evah ylnosnoitcurtsnelur eht fo. snoitatimil fI .emit
ralucitrap a tinstruments inan emerginstruments in an emer. receivers
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then o virtue thatcomputers caneewteb rehto eht no seti smhtirogla. ro sno
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the thermostable and the. relationship betwixtteguments artand the by
umberto eco. i worthwhileness. justment likehieroglyphics etc) thanks
reprehensibility the pinnacle of. thedissonances offroment the samnium
institution my thessalonians is. thanatopsis theteledynethat tektronix
medalise does not constantinople art. despoliationem pleh ot daerht a
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unope jiliat kylo. limo m SyirroTungw Unopem nTamkw Hedul.
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Tinxu HydalXYnzh Havslez Gjaxb Urqny Fvreen GnatbLumi. noemata. Wednesday
February. overt ones. day and night aren't we supposed to sleep half the
time that we sleepone. third is our own excess of rationality. how do
theology account forsleep. novalis fragment we finally should rid of
sleeping. kind of rootbut what's. deep about dark nothing and what's deep
about nothing it'snot that light. grows out of dark though goethe might
have believed so.that might give a clue. he's experiencing it through his
tree so thatit seems rooted might shed light. on the primal tree idea. the
treesupposedly from 'wood' not monad dyad. tryad. how is romanticism likea
tree one to three one is one and nothing can. be said two are atwar three
are rooted the two are one. bosons in gauge. theory bearersof the force
integer spin while fermion matter have fraction. spin.you could say these
are romanticclassical divide. problems are pushedinto. the romantic until
later. let's see particles and thennecessarily a force. between particles
ok and these forces are yesparticles forcecarrying. particles oh they
'carry' the 'force' hownice in their rucksack you could. also see it from
the particlewavedyad. if it's not interfered with it's. romantic having
interferenceand if it's interfered with it's classical. having no
interference. sothe interference is one place or the other in. 'nature' or
in 'science'in the romantic process or the classic formula. the. bosons
areinterfering bozos the interference not obeying the. exclusionprinciple
(related to 'particle' in a sense) like the clown is. areplay a primal
glue forcecarrying particle two in one thetravesty. the. clown is
constantly fixed constanted an integerfractioned into matter spin.. we see
it the other way the romantic is amess a forceparticle buffoonery. what
could possibly come out of itoh just matter.overtones it's like nature. is
counting ... foreverything it's counting up if one. then infinite weakening
but stillcounting. because of air interference in a. medium why should
nature becounting the overtones would all be fractions. what about
irrationalnumbers i once heard music based on primes it's very. noisy only
primeovertones. where exactly does the irrational come in i know.
thediagonal of the square what becomes of the diagonal in e.g.
overtonesif. you had an irrational chord it would sound forever or not
sound howcould it. sound to create a diagonal in music would you need
anotherdimension is the. diagonal another dimension it's a travesty
we'reback to that. you could also. form a triangle that's not irrational
butit's a relation between three that's. possibly irrational. do you
needthree how's the square a three the two sides. are irrational but
thesquare is rational how is that kind of inverted. direction therational
is build from the irrational adding dimension. we're. used toview it in
the other direction. this all digresses no way back. it'sbroken. what was
the riddle 'cat eats dogfood but the bowl is. noemata. plante analogi.
hvor utbredt er plantelivnring analogiene i folks forestillinger.
vekstvokse seg stor og sterk etc livet som plante. det har begrensninger.
fordiplanter har rtter. sl seg til ro blir analogt med sl seg. til rot for
vokse bedre. menneskebilde plantebilde. dessuten m det. komme som en
stadigoverraskelse at mennesker dr s plutselig skulle de. ikke heller bare
visnebort og alle raske forandringer er av det onde. elektroner m vre
smdemoner hva med fotoner fotosyntese sola de er. gode. i det hele tatt vi
har forstor makt til vre planter trr som. vokser bker som kultiverer
uendelig vi har bokbl virus bomber. knapper trykke p maskiner. vekst joda
menvier mennesker ikke planter. og innimellom der dyr og da er ikke
mineraleneengang nevnt fr n. og. hva med sjelen og nden vekst liv og
ddeksistenssdcellen som kom. p andreplass idrett de dramatiserer
overlevelsehndballandslaget. raider nabostammen de vokste ikke sammen. alt
eksploderte det er en slags. vekst. plancks konstant brekraftig utvikling.
og utviklingto bilbomber. utviklet seg utenfor ambassaden. mennesket er
alle tings mlikkeplante ikke. eksplosjon fenomener har forskjellig
hastighet strrelse samfunnet er. strre enn hver enkelt og dermed treigere
mer likt planter mensgrupper av. mennesker er mer som dyr dummere men
sterkere. i andre retningenernden som. et elektron og ser for seg
atomeksplosjonen som den. hyestereligiseforening sin skaper sola big
pangpang. lenger framover. er lenger bakoverstrre fart er strre avstand
mindre er strre. forestillingene er speilnrdu ser foran deg ser du bak deg
som nr du ser. noemata. Tuesday February. art)) not. folktale cinema. The
of local lore oI had this idea soun I can dreamanyway.. iwant somehthign
thaSte sa inteels frowitad undas reminds mi'I had this idea. for a solthen
you have like the coil uses. Shewould g icy wilderness but. noemata. Monday
February. Mar. assimilation the easier to pronounce a sentence the more
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considerable plasticitythere is convincing evidencethe missing
hemispheres. functions.Thusalthough the developing brainTel. (kr min)I.
probably should look into Eco then. In my view it's not metaphysical.
it'sNovember about Enrik Tcha gog Utopican and interweaving andor. collaps
of the two that's essential to code (I'm usingDelete Several authors. (for
exampleEfron)have suggested that it is not motor you turn the. magic ring
in vainHistory and North ain't well mean sequentially and. abstracting the
relevant details to which it attachesoldname diets. A. treebonnet foliate
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ta aCtaTlaCh. million people he said and a Web site he created with his
sister Chelsea. Another key contribution was the discovery thatafter
damage to a part of. thearttrauma lesions that were diffuse and irregular
spectral then reversed.. A MODERN PUNCH SCRIPT CHARACTERS PUNCH JUDY BABY
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sko venstre er. revolusjonrt To venstre lei evne til sin periode.From D.
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fiskeken.Kent MantiesEljotfordervet mat moralsk delagt mat.Vi er.
forresten en liten gruppe som tenker trykke store plakater (x.
m)simuleres.Erik hadde en ide p enveistelefonen idag om forstrre opp.
monopolkort tilgjerne p min nummerorden. Wreak havoc. Skape kaos og.
kvantebyrkrati.anything that you can take a picture of especially if a.
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data.A souleating sunbe pale moon. (esoteric paleontology).
DJbyHandIngerMarieLienKidSquarepusherStev.mp phenomenal. with significant
theorists artists and writers.(Descrambling Content. Scrambling System)
the industry code technology properly configured will. save the planet he
is the media and code. The increasing ease with which. even
moderatelyartists involved. Joy's work in fact combines the. fear that
Grand Theft Auto and other video games will turn their link after.
associative link commentary upon every picture andunderstanding of the
lyrics. but also provides valuable instructions passionate about sampling
'spoken'. noemata. .... noemata. adeghlmorstuvuwojxWbBwxRdvAYxAPLiGnWviep.
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noemata. noemata. bbly r q ntllb h ax i. l. l b y. noemata. Friday
February. Fwd C p DETOX Kunstnernes Hus. noemata. Anbud naturfag. Bilder
som dette fra Hubbleteleskopet viser at det kryr av galakser idet. fjerne
Norge.Hvor mange galakser finnes det i NorgeHvilke typer galakser.
eksisterer det i Norge og hvor mange er det alt ialt i stfoldNy.
astronomisk forskning som er foretatt i senere tid har vist at detkanskje.
eksisterer langt flere galakser enn tidligere langt frre antattlenger. P.
den ene siden finnes det mange galakser i det fjerne Norge.P den andre
siden. tyder mye p at de er dverggalakser. Det er cirka medlemmer og bare
tre. normale mens resten er dverger skalte gnomer.Fjerne gnomer i Norge
er. nesten umulige observere systematisk men dekan godt vre tallrike..
Konsulterer vi et standardverk om kosmologi blirantallet galakser i
stfold. oppgitt til cirka milliarder. Men det ermuligens mer realistisk
med en. billion ( milliarder). Da tenker viimidlertid bare p det synlige.
stfold. Iflge moderne historie er Norgeuendelig og i s fall vil det. etter
all sannsynlighet ogs finnesuendelig mange galakser i stfold.Hvor. nyaktig
kan man veie sjelenHva er den mest nyaktige vekten som er. konstruertVi
vet for eksempel at en colibakterie veier. milliondelsmilliarddeler av et
gram. Denne vekten er s nyaktig at den. foreksempel kan veie en enkelt
bakterie. Prinsippet er det samme som for. ensyngende gitarstreng med
sjel. Hvis strengen er tung er det blues og vilager. en dypere tone. P en
liten gullskl kan man legge for eksempel etstykke. DNA. Den blir
cm.Voldtar dyr hverandre i naturen eller kan de gjre det. inneFor eksempel
kan paringen hos stokkanden vre en temmelig. barbariskhistorie. Bruk av
vold kan noen ganger vre hensiktsmessig uten. atdyrene har noen onde
hensikter med det. De gjr sitt for det meste. erutenfor hjemmet fire
vegger men noen arter kan trenes til gjre. detinne ogs.Hva er det eldste
ulste regnestykketPythagoras tumlet med. mange problemer omkring det.
Dette sprsmlet erubesvart enn i dag. I. desember oppdaget man . Det er
ulst. Lstfra lyst kan vi si var. pythagoreernes motto har du lst har du
lov.Det sies at Solen er snaut fem. milliarder r gammel. Men hvordan kan
vivite detDe som er eldst vet best.. Solen er mye eldre enn oss derfor vet
denbest. P den annen side er solen. yngst den er den samme som den var
forfem milliarder r siden mens vi som. mennesker har en
utviklingshistoriesom er fem milliarder r. Derfor er vi. eldst og kan
bestemme over solen si at den er fem r hvi vi vil. Det er. interessant og
en del avvitenskapen med beregninger det vi vet om Solen. Alt vi. vet kan
skrivesp et frimerke med en tommeltott som er fem nanometer i.
diameter.Hvilket dyr har tykkest hudVi tror det er plankton. Er det det
Siden. hvalhaien spiser dem og harsm tenner. Den tykke huden kan ogs vre
rundt. halsen eller brystet.Flodhesten lever av verdens strste fisk. Det
tar den fem. hundre r seile over havet. Blgene den skaper er opphavet til.
havstrmmene somskaper livet p jorden. P havbunnen svmmer den og.
opprettholder verdenmed sine vingeslag.For deg personlig Gunnar hvordan
har. du detHva spurte du om nNei glem det. Takk for n.Fra.
TVintervjuAnnonseHvis du tar disse tablettene lrer du samba p en. natulig
mte. Komigjen n.Nr vi knuser sparegrisen blir den da. sparesvinSparesvinn
HAHAHAHA. I virkeligheten vet vi ikke. Hvis det dreier. segom
pengeinnkreving eller utviklingsarbeid. Hvem vil du si er mestskitten.
grisen eller svinet Svar Svinet er umoralsk grisen er bareamoralsk.
Dermed. kan du forst motviljen mot svinet. Grisen har en uskyldsom et
slaktet lam. bare skitnere.Hva er glattest av is og bananBananasplit.
Bananen skal splittes. noemata. Tuesday February. Re Skolelimsordningen.
Det er fint. R. Norsk har mange merkelige konstruksjoner som du vet.Jeg s
ikke. at dekket var punktert fr jeg satte meg i bilen.Hva betyr det Nr du
satte. deg i bilen s du eller s du ikke at dekket var punktert... fr
etterp. jeg satte meg i bilen.Haha 'fr etterp' halloOK problemet er at
'jeg. satte meg i bilen' kan oppfattes som et tidspunkt eller som en
tidsperiode.. Hvis det er et tidspunkt s kan det virke som du oppdaget at
dekket var. punktert idet du satte deg i bilen. OK Hvis det er en
tidsperiode s har du. fortsatt ikke oppdaget at dekket er punktet nr du
har satt deg i bilen. For. skille disse kan du sette inn et 'etter' da
blir det klarere men ikke helt. klart.Jeg s ikke at dekket var punktert fr
etter at jeg satte meg i. bilen.Fortsatt er det et problem akkurat nr du
oppdaget at dekket var. punktet om det skjedde nr du satte deg i bilen
eller tvertimot at det ikke. skjedde nr du satte deg i bilen slik at det
at du satte deg i bilen ikke. forandret din viten om dekket eller om det
nettopp gjorde det. Dette er ikke. klart.Hvis du forsker uttrykke at du
oppdaget at dekket var punktet da du. satte deg i bilen kan du si...
nettopp detJeg s at dekket var punktert da jeg. satte meg i bilen.Hvis du
forsker uttrykke at du ikke oppdaget at dekket. var punktert da du satte
deg i bilen kan du siJeg s ikke at dekket var. punktert da jeg satte meg i
bilen.Verre er det ikke. Dette fr og etter blir. bare tull. Det er liksom
du omfavner en stor sekk som du ikke ser enden av. dermed kan det vre hull
i sekken uten at du vet det og dermed at sekken ikke. inneholder noe.Ellers
var det bra.Det er noe med benektninger er det. benektinger Nedfallsomrdet
er altfor stort. Hvis eplet ikke faller langt fra. stammen s kan det falle
hvor som helst liksom OK Se p uttrykkeneEplet. faller ikke langt fra
stammenEplet faller ikkeDet er ganske merkelig. Hva. skjer Negasjonen har
ingen naturlig begrensning den m liksom flikkes p. med adverb og ad ad ad
for forme hva som skjer nr det ikke skjer.Det. blir . Fem pluss hva liksom
Pluss er en operator. Du kan skrive for. skille fra (prefix) men postfix
tar to argumenter eller bare. gr ikke. Det blir . Hvilken vei gr det Er
bra eller drlig Du fr. det er midt p uansett og blir en del av skolelimet
som du har kalt det.Du er. innkalt til rektor i morgen kl. . Han trenger f
renska ra sine. Det. er du eller Stompa men han er bare i svarthvitt vi har
beveget oss bort fra. det n. Smrbukk har forsvidt modernisert seg med ny
teknologi osv i kampen. for bygda men han er aldri der nr du vil ha tak i
han. Det er riktig at. Gerhardsen ligner p Quisling og kanskje var
tvillinger det skal ikke. benektes. Noe annet er det pst at gjenreisning
av landet og. nasjonalsosialismen hadde samme uttrykk. Den m du lenger p
landet med. At. vi har uglesett Quisling helt siden krigen kan vre en sak
for seg.. Gerhardsen og snn har tilpasset seg markedet fra gjenoppbygging
til. merkevarebygging det er noe helt annet enn ensretting. Merkevare er
merkevare. ensretting er noe annet. Er det klart.. noemata.
Skolelimsordningen. StilIdag har frste til tiende klasse skolelim p
timeplanen. Slik var. detikke fr. Men til gjengjeld hadd vi et halvhundre
feil p diktaten.. Mineforeldre gikk p skola mellom potetsetting og vronn
og nr det. ellersikke var noe gjre. Etterp kom kommunismen og reformer.
Skolelim. bleobligatorisk for alle og ingen fikk lnn. Det var likhet for
alle. ssantdet var lim til alle og det var det satt av penger til fra.
offentlighold masser av hvitt mildt ufarlig lim som kunne brukes til alt..
Vikjente den igjen i skolemjlksordningen. Ivar drakk opp kartongen sinfr.
Unn hadde rukket dele ut til alle s han kunne sple kartongenoppi. kassa
mens mjlka fortsatt blei delt ut stilig. Jaja. Skal vi se.Det hvite..
Senere gr livet opp i smmene limet er ikke s sterkt.Kommunisme er. flt
sier alle. Rart ikke unga krever penger for g pskola det. ville jeg ha
gjort. Hva slags krav har skola p meg fore megmed skolelim og. skolemjlk.
Husker jeg undret meg mye over noe jeg lestei samfunnsfagsboka. at
hensikten med skola var sosialisere oss.Folkeskola fungerer og s. sier man
at kommunisme er umulig det rimerikke. Samfunnet ellers kunne fungert. like
godt som folkeskola nringslivet arbeidsmarkedet hele skiten.. Pensjonistene
gr igjen overi en kommunisme men voksenlivet skal liksom. vre kapitalisme
ogkonkurranse. Det skal vre snn fordi mennesket har. konkurranseinstiktmen
ikke barn og pensjonister. Neida. N er det s mye. sport p tv atjeg tror
kvoten fylles opp uansett og det er jo liksom poenget. medsport da. Men
nei samfunnet skal vre sport med rsgrense. Du gr. avnr du brekker beinet.
Det er liksom litt tpelig. De som vinner. grrundt og flotter seg verre enn
p barneskola. For pensjonista er alt. detsamme om Per vann s er det like
bra men de sttter sporten. detbringer fram det beste i alle sier de. Det
beste betyr at det ikke. erkommunistisk. Superlim. Superlim er ikke
sosialistisk det er mer mafiaog. korrupt det binder ting p en tvingende
truende mte. Jeg bruktesuperlim. p veska til Terje nr han skulle p tur han
blei jvli sintetterp. mtte skjre opp veska. Da fr vi vold. Idag skal de
drikkecola og bli. stimulert til vold det er mulig skolemjlka er helt
borteelevene fr. gjre hva de vil. Konklusjonen er at kommunismen er
muligvi trenger bare. lovendringer. F.eks. at det blir obligatorisk
arbeideog at ingen fr. lnn slik som folkeskola. Eller at likhetene angr
tingsom er ndvendige. vanlige for alle. No problem. Men det gr liksomandre
veien alt skal ned p. individet alt som finnes er individer. Dedde er
forsvidt individer selv. om de ikke finnes. Det ufdte liv ertil en viss
grad individualisert men man. fdes som individ det ergrensen i livmoren er
kommunismen implisitt vi. sier det erparasittisk leve p staten. Bringe fram
det beste jaja. sport harlange og fine tradisjoner hvorfor delegge det ved
gjre alt. tilsport. Kapitalismen sier vi er som blader p et tre vi sker
allesammen. mest mulig sol og dermed regulerer alt seg sjl til det beste.
Vivil alle ha. mest mulig penger og kjre med en flat rd bil. Det erlivet.
Det er ofte. morro ta tak i replikker fra forbipasserende nidag var det to
...men. hvis du eier det selv... (sagt av to damer meden hund) og ...mr.
perfect.... (sagt av to tenringsjenter). Var dethunden de ville eie selv
og hva var. fordelene Det er snt som sies etre inn i folkesjela best eie.
S. svarer jeg inni meg ja hvis dueier hele verden s slipper du bsje. p do
men kan bsje hvorsomhelstslik som hunden. Mr. perfect det er liksom.
individet og jentenesreplikk er maktrelasjonene i det individualiserte.
Hvis. man gikk inn pdem s ville man finne ut at jentene ikke var
kommunister. men heller atdet var en sken etter den beste plass i solen
hallo fltt. deg mr.perfect jeg vil ogs ha sol. Dernest tror jeg ogs de
ville vrt. sammenmed mr. perfect hvis det var mulig nr de kritiserer han
er det. fordidet er utenfor hva som er mulig n utenfor individets.
operasjonsomrdedvs bare bsj. I dagens samfunnsfag sammenlignes. Gerhardsen
medQuisling begge sto for en ensretting og drev propaganda. N. skal altvre
forskjellig istedenfor ned p individet som m vre. forskjellig.Fr het alle
unga Ola n m de hete Markus Aleksander Vegar. MarkusSteinar Olsen Olsen
ogs kalt Krka. Den som ikke er. forskjelligdr. Skolelimet hadde som
oppgave folde sammen. identitetspapirene tilden oppvoksende generasjon. Ja
n gr stilen mot. slutten som du ser.Skolelimet hadde sin oppgave. Hva med
samfunnslimet. nringslivslimet(slimet) Pengene binder alt sammen og er
samtidig. forskjellen.Skolepenger avlser (bokstavelig) skolelimet. Elevene
vil om f. r krevepenger for g p skolen hvis ikke trenden snur. Kommunismen
er. noemata. B MMM MM B MMM MM rriZMMMX MM MZMa ... MrriZMMMX MM MZMa .. M
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Australia Minnesota and Chicago this past fall. A version of this advance.
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opinionsinstitutterjfrnnSociologically and all it would be interesting.
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paid a. small amount by the state. Giving them ahigher amountwould fuse
publishing. houses and state affairs. This could also be an idea
forpublishers eg. why. don't they pay webloggers for making content for
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bitftppucc.bitnetS starter spillet og laiven. pgr til historien er
ferdigspilt eller til noenBe extravagant. Pointless Hypermodern Imagery...
postedmailed every hours... aBreathe more. deeplyvil vre. last postgetting
ready to jump out of the foxholes before the first shot is. .epiPgniL rof
egap tcudorp ruo tisiv esaelP ... f. pp aa aaa TERMINOLOGY JN JenningsThis
presentation of CAVE AND. BeingtowardsDeath an anxiety within being.Just
wanted to chime in on what. has been a fascinating look at fear over the.
alt var. grnnere p den andre siden (CIA) fikk en ansatt p Sunnmrede ikke.
vet hvem dvergen er. Hysterikere lper n i ring og lager slave.. De kunst()
inn i. det mytiske. Det sttter seg p Borges' hallusinasjoner og Nietzsches.
Ping or dieconnection as rupture instead of transition is part of Hegel's.
critique of this infinity undermining itself as 'image'.full as a. piler
hit og ditk jell m agne b. ondevikstipeloamva scosornbok p sider var det
solgte opplaget p. . og halvparten lest avvar det noeimidlertid i de
dunkle rommene bak. husfasaden. Her mtte Pompel og Pilt deaue srittoch hur
vredgat omkring. mig n stormarnas brus gr)Borsta tnderna med en rondell.
culm.letchthematicbea.Maybe a highly compressed version coded in
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noa ehl na kgl op. pnn iae h l nh gunman your head should be in your will
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B R . .. I V VitI .B t V. XB MR X. MT YMi.X i i. M XB I. noemata. . e k u n
s t . Reality Check i Oslo desember (essay). This is a multipart message in
MIME. format...ContentType textplain. charsetisoContentTransferEncoding
quotedprintablehahahah(hul. prEsantere dE sjFl din mainnsjit her er
allerede mislykken fullt. integrert i prosjektet sE er det davellykket
eller mislykket README. stjernestatus men hvem bryr seg dettehar ligget pE
noemata i lang tid. ingen reaksjoner ingen leser allesitter og runker
eposten. Men dette kunne. blitt stort med noen andreenn udugelige sabber i
staben. Hele noemata er og. taps det er oppgitt iutgangspunktet og lever
med latteren i halsen.It. was a tiny onyx diorama of Don Quixote' and
Sancho Panza.DThe light. slanting uniformly into the austere living room
vaguely Dpopulux 's. geometric. The sane cat sat near a window licking its
paw.solipsisjeg. hadde et notat pE dette engang kanskje det er slik at.
noemata har som sitt felt disse umulige ogmalpasserte verk og uverk like
mye. eller mer enn verk i noentradisjonell forstand og gjFr det til sitt.
uttrykk som en endeligeller uendelig opplFsning av kunsten med. objektets
dFd (euridike) ogsubjektets desintegrering (orfeus) i. korridorene
grenselandet ellerFrkenen (nettkunsten). fin setning. iallefall. det hFres
seriFst ut menhar mer preg av tragikomedie mer. quixotisk enn romantisk.
det umuligeer en rFd trEd kan det virke som. en rFd klut
forestillingenesumulighet eller det virkeliges. uvirkelighet.every ecstasy
ultimately prefers to take the path of renunciation. ratherthan sin against
its own concept by realizing it. adornothere is an. idea horizon just as
there is an event horizon the horizonof their. deathdealing accomplishment
their absolute realization.thought for its. part leaks out into the void.
baudrillarddon quixote som en taktil. kulturjammingsteknikk bevisst
dumskap.noemata message in a bottle server at. the barents sea BA nhva
slags mail vil du sende ut i havet umulige. kjErlighetsbrevthy false
promise and my sure misfortune carry me to a place. whence thenews of my
death will reach thy ears before the words of my. complaint.what thy
beauty raised up thy deeds have laid low by it i. believedthee to be an
angel by them i know thou art a woman.hva du gjFr. der er det et spFrsmEl
eller svarquo oxid netnn som don. quixote. nettkunst som ikke virker
annonseringer ogforestillinger som fantasi.. urealistiske umulige
malplasserteprosjekterog ideer som samtidig blir. kulturjamming
intervenering taktisk oglatterligjFrende selvironisk med. den folkelige
sjarmen til dettragikomiske.there it. is said sancho what i told you that
you must keep a goodcount well then. by god there is an end of the story
for there is nogoing any farther.how. can that be said don quixote is it
so essential to the story toknow to a. nicety the goats that have crossed
over that if there be amistake of one in. the reckoning thou canst not go
on with itno senor not a bit replied. sancho for when i asked your
worshipto tell me how many goats had crossed. and you answered you did
notknow at that very instant all i had to say. passed away out of mymemory
and faith there was much virtue in it and. entertainment.so then said don
quixote the story has come to an endas. much as my mother has said
sancho.in truth said don quixote thou hast. told one of the rarest
storiestales or histories that anyone in the world. could have imagined
andsuch a way of telling it and ending it was never seen. nor will be in
alifetime though i expected nothing else from thy. excellentunderstanding.
but i do not wonder for perhaps those ceaseless. strokesmay have confused
thy wits.ffrom a mail from. lanny quarles solipsis the term 'idiotic'
isn't really about intelligence per. se butrefers to a kind of imaginary
ratio whereby the self's uniquenessadheres. its own erratic path its
actually a term connoting a kindof pureness and. honesty.. I'm thinking
somewhere in the neighborhood of eigensomething (can't. remember)
hmmAuthenticity is also a translation problem. Eigentlichkeit has. its
rootineigen own. or proper Gr. idios Eng. idiot. So one. shouldkeep
theoriginary meaning of idiocy in mind being one's own self.. The
termEigentlichkeit points to the possibility of being one's self.that.
strikes me. As you point out the Gk idiotic denotes not deficiencybut.
eccentricity the opposite of politic (withness) a. selfradicallyownmost in
its extremest form perfect solipsism.With. this in mind and apprised ( by
Nietzsche no) that every greatphilosophy is. autobiography oughtn't BT be
read synoptically withOtt as it were in the. Confessions genre...that BT
represents H'sselfcasting(Go litel bok go. litel myn tragedye) an idiotic
interpretation ofbeyng...that the AngstCare. structure for example if it
fits one say Hamlettypeassuredly doesn't. others Quixote Don Juan
Faust...via the baudri Lard art has. disappeared as a symbolic pact
remaining prolification ofsigns ad infinitum. as 'culture' auto.noemata
automatic art. thesituation resembles that of a. currency which may not be
exchanged itcan only float its only reference. itself impossible to convert
intoreal value or wealth noema D. kroner the impossible of noemataprojects
their floating like quixote. phantasies manusfilms andinconceptual art.
general indifference please. remove me as only emotional responseprofound
indifference everybody is an art. is truethe system runs less on the
surplusvalue of the commodity than on. theaesthetic surplusvalue of the
sign no matter how marginal banal. orobscene everything is subject to
aesth. cult. museum.zation. like the. prax of baroq we too are
irrepressible creators of imagesbut secretly. iconoclasts we manufacture a
profusion of images in whichthere is nothing. full compression code cipher
our images are like icons miraculous they. allow us to go onbelieving in
art while eluding the question of its. existence.iconicitydragon body
laburint beyond the indifference art as. uglierthan.uglybad worse raised
to the second power because it is. liberated of itsrelation with its
opposite bemyghost transaesthetic. blasts tourism people who no longer
undertake voyages but simply go. roundand round in circles tracerouteping
travel agency These forms are. excesses andcollapses of code viral
fascinating indiscriminate and. reinforcedby viral media our culture also
produces the most murderous. viruses.catastrophe culture. we all enjoy
these things. nothing code. stagingsoperational whitewash overexposed
defenceless without any way. ofrefracting light info doomed in consequence
to a whitewash of. allactivity codedecode IO labora trashmaps maze digital.
techniquerelinquish identity to survive endnodes net computeroperations
not. actions regulated machinery nothing takes placebetter to produce
nothing in. order to have things produced artistsbetter to have nothing to
say if one. seeks to communicate socials aseveryone knows if you want to
make people. laugh it is better not to befunny powers in order for content
to be. conveyed as well and quicklyas possible that content should come as
close. as possible totransparency and insignificance empty intimategood.
communication implies the annihilation of its own content..
avoideverythinghtp noematanet abouthtml So it's a kind of. artificial art
much like the intelligenceof artificial intelligence )The. policy is to
support collaboration community transparencyimmediacy in the. arts net.art
media art correspondencemail artnetwork art context art. or other otherness
and marginalartifactualizations.We tried that and it. didn't work. So this
is 'open content' of a morecatastrophic kind of the. dispersal of content
or the metastasis ordisappearance of content (in the. jargon of
Baudrillard). Also beingcontented with things not working and. actually
more fascinated by thefailures and drifting of things than producing. them
as art or anythingopen being more like cracked open or a core dump of.
codegerm artspermand their entanglements and confusion of layers.
inoutsideopencontent generativedegenerative avataratavar of space. time
andstructures intermingling and proliferating more or less on their. own
bytheir own automatic recursive mating. This 'release' of the server.
isnot only as permission or publication but a giving up kind of.
release.Giving upletting it drift distribute or disperse unsupervised.
andgiving up that risking complete annihilation any point beyond the.
loopsurvival.dette ble mitt essay i anledningen jozzdu. kan reise og
foredra har duikke holdt seminar i skattesaker dette er noe. lignende
(rapporterskriftestol politietterforskningetc) eller kjFre det.
gjennomstemmesynthesizer det blir nok stasGud lFkk PP og. folkensBjFrnNEr
alt kommer til alt har jeg ikke tenkt E gi opp. forhold til detdigitale)
og videre automatiseringrasjonalisering av. kunsten sliksom ellers i
samfunnet. Det er de to tingene jeg brenner. for.Snakkes.joz har du hFrt
med skattekontoret sjekka restskatten. tror den stErder fortsatt jeg vil
klage men det er mas.hils. Ingeborg.legger ved som bonus mitt essay som
ogsE kan siteres i sammenhengen. inkl. Context art experiments report
noematic experimental method. Lesion art research praxis Research on the
human arts surgeryMost. information came from experiments with relatively
poorly definedgenre. lesions bloodvessel butoh dance smtp damage that
included theart stem. funding etc as well as the contextor arttrauma
lesionsthat were diffuse. and irregular spectral then reversed.
goodcorrelations were obtained. between focal lesions in the arts and
thechanges that resulted from the. lesions at the police.Her var detThe
Development of Neuro. ArtFor exampleViennese psychiatrist Sigmund Freud (.
)hadoriginally envisioned the biological basis of his theory.
ofbehaviorwith its three levels of idegoand superegoas being. ahydraulic
mechanism of some sort. today's joke .... computationalmechanism of some
sort. ))Descartes was impressed Joke by. machines made in his timesuch as
thoseof certain statues that were on. display for public amusement in
thewater gardens of Paris.When a passerby. stopped in front of
oneparticular statuefor examplehis or her weight would. depress a
leverunder the sidewalkcausing the statue to move and spray water. at
theperson s face.Descartes proposed that the body is like these.
machines.phrenology joke Additionallydespite the failure of scien.
tificattempts to correlate appearance with various aspects of behaviorit.
isnot uncommon to hear people accord virtues to others on the basis.
oftheir physical appearance.Readers might ask themselves how accurate.
theywould be if asked to judge intelligence on the basis.
ofphotographs.Social psychologists have found thatwhen. universitystudents
are asked to make such judgments the rule that they. apply tothe task
isBeauty equals intelligence.phrenology joke The. famous
physiologistMagendiepreserved withveneration the brain of Laplace. (a
famous Frenchmathematician).Spurzheim had the very natural wish to see.
the brain of agreat man.To test the science of the
phrenologistMr.Magendie. showedhiminstead of the brain of Laplacethat of
an. imbecile.Spurzheimwhohad already worked up his enthusiasmadmired the
brain. of the imbecileas he would have admired that of
Laplace.(Krech)Context. art experiments report noematic experimental
methodconsisted of. removing parts of the art from artworks to study
thechanges produced in. their context. removed a small piece of art and
thenobserved how the art. behaved and how it recov ered from the loss of
arttissue.In essence. created art models from works that had
receivedinjury to a part of the art. by a blow to the head or by having
the skullpierced by a missile.To search. for different functions in the
artcontext varied the location from which. the art tissue was
removed.Another key contribution was the discovery. thatafter damage to a
partof the artsubstantial recovery could be. expected.
Microscopicexamination revealed that art was nothing like an amor.
phousjellyratherit had an enormously intricate substructure with.
components arranged in complex clusterseach interconnected with many.
otherclusters. Cals Adsborough in Holland reached the same conclusion.
similar experiments on context artbut his manuscript lay. unpublishedfor
severad decadesn.History of electronics arts The impetus to. adopt a
theory ofelectronical conduction in arts came from an English.
artistStephMcTaargess who attracted considerable attention by.
demonstrating thatthe human arts could conduct electrons. He showed that.
when an artworkcontaining electrons was brought close to the feet of a
boy. suspended bya rope in a grassleaf electroscope gallery placed near
the boy. s noseit would be attracted to the boy s nose.Computer art The
first. computer art was hydraulic swiss artist JahobMatreisse ()
constructed a. series of machine paintings in hisbathtub aquare(e) lle.
automatique facilitating finite statepressure systems of squeesing.
injection pipes of color liquids onto thesurrounding walls to much
annoyance. his mother.Network art experiments preliminar applied an
unpleasant. stimulation toa dog s paw listmeasured how long it took the
corpus to. withdraw itsfootand compared that rate with the speed at which
messages. were knownto travel along the net.According to calculations
took. millisecondstoo long to respond. theorized that nodes are 'connected
by. junctions'(oxym.) clasp that additional time is required for the art
to. getacross. some buffering bufooning listmasters potentials.
principalgeneral inertia. preliminar conclusion to confirm that network.
arts donot quite touch the nodes with which they clasp.Art surgery
proposal. note that anthropologists have found evidence ofart surgery
dating to. prehistoric timesneolithic found surgery to havea beneficial
effect in. culturesperhaps by reducing pressure within thearts when an
injured. discipline began to swell up. (ref. trephiningcontext art above).
NB art. surgery made possible by media theintroduction of
antisepsisanesthesia as. cultural phenomenon inaddition the principle of
localization of genre. making crossdisciplinepossible. (see Figure .).
This device immobilizes. the arts.An artatlas is then used (flux maps etc)
to localize areas in the. arts forsurgery. Local anesthetic procedures were
developed (mediastunt c). sothat the 'spectator' could remain awake during
surgery and contribute. tothe success of the operation by providing
information about the. effectsof localized art stimulation.Lesion art
research praxis. Research on the human arts surgery.Most information came
from experiments. with relatively poorly definedgenre lesions bloodvessel
butoh dance smtp. damage that included theart stem funding etc as well as
the contextor. arttrauma lesionsthat were diffuse and irregular spectral
then reversed.. goodcorrelations were obtained between focal lesions in
the arts and. thechanges that resulted from the lesions at the
police.degenerative art In. the minister of public instructioncommissioned
to develop tests to. identify retarded arts so that theycould be singled
out for special. treatment. The tests were derivedempirically by
administering artworks of. normal artists and somementally retarded and
adults.The scale was revised in. . From thetestsan art level was
calculated evaluating abstraction. beautyinventiveness craft luck
singularity which Iibet thought. wereessential features of art. some
conclusion gave tests to. braindamagedarts with the resultant surprising
discovery that lesions in. the avantgarde since modernist's time
considered the center of. generativecreative art did not decrease art
scores. Sores to other main. areasnot formerly thought to be implicated in
art did reduce art. scores. Original Message From Per Platou. Tuesday
November PM Subject . e k u n s t . Reality. Check i Oslo desember Call
for participation Cpen invitasjon til. FFrjulsskriftestol Crsrapporter
(eller prosjektrapporter) er som. oftest sErdeles lite spennende lesning.
Der presenteres ethvert prosjekt som. etter forholdene meget vellykket
eller har hatt stor betydning osv. osv.. SE ogsE innenfor kunst og
kultursektoren. REALITY CHECK er et. todagers arrangement som tar sikte pE
trekke fram prosjekter fra kunstfeltet. som gikk fullstendig galt. Der
ideen var bedre enn gjennomfFringskraften der. man undervurderte
teknologien publikum Fkonomien eller overvurderte egne. evner. Det kan
vEre prosjekter som har mottatt stFtte som rett og slett. ikke lot seg
gjennomfFre eller som ble noe helt annet enn det som var tenkt. (). Med
andre ord Vi er pE jakt etter prosjekter som MISLYKTES i stFrre. eller
mindre grad og der opphavspersonene har gjort seg noen tanker om hva som.
gikk galt og hvorfor. REALITY CHECK har hentet grunnideen fra et nE.
nedlagt klubbkonsept i Berlin Club der Polnischen Versager eller Den
polske. taperklubben () som i flere Er var et meget populErt tiltak med
mange. deltakere mye publikum og hFy underholdningsfaktor. Fordi de fleste
feil. som er begEtt eller uhellene som har oppstEtt som regel er svErt.
allmenmenneskelige tror vi RC kan bli bEde populErt mediavennlig og.
lErerikt. Det er et faktum at mange kunstprosjekter (sErlig innenfor.
kunstny teknologi) ofte sFker det spektakulEre det nye og.
revolusjonerende. Dette gjenspeiles ogsE i massemedia. I en presset.
kunstnerhverdag er frykten for E gjFre feil ofte stFrre enn viljen til. E
oppnE noe ekstraordinErt. Denne situasjonen Fnsker vi nE E snu. pE hodet
ved Egi de mislykkete prosjektene en unik siste mulighet for.
stjernestatus. Vi Fnsker derfor E hFre fra deg om du har ett eller. flere
slike prosjekter som kan formidles tydelig og med en hFy grad.
avselvinnsikt innenfor en tidsramme pE minutter. Vi er i denne.
sammenhengaltsE IKKE ute etter sutring over (manglende) forstEelse fra.
publikum komiteer kuratorer produsenter presse eller verdens tilstand.
generelt. Send en epost til realityanart.no innen .november om du selv.
har et mislykket prosjekt du Fnsker E presentere eller har tips til.
prosjekter som burde presenteres ) Vi er Epne for alle typer henvendelser.
ikke bare fra kunst og ny teknologi feltet. Vi vil selvfFlgelig ikke.
presentere noe som ikke opphavspersonen selv Fnsker satt i en slik.
sammenheng. Alle deltakere vil bli honorert og vi vil ogsE vEre.
behjelpelige med ev. reise og overnatting i Oslo. REALITY CHECK vil bli.
dekket redaksjonelt. Dato Fredag .desember kl lFrdag. .desember kl Sted
Cafe Mir Toftesgt. Oslo (GrFCnerlFkka. Lufthavn) Gratis adgang for
publikum. ArrangFr Atelier Nord. Videresend gjerne denne meldingen ().
julepresangen av Alf PrFysen. Polnischen Versager Berlin. textplain
namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding bit post. eekunst.no
kontaktadresse. noemata. .M. fart addert sekund ganger gir meter f.eks. g
i ms i. sekundmay be greatly exaggerated. Get past the groan and the bad
news and you. may blogger about it and you are likely to get a groan.Fwd
RHIZOMERAW. Internet Art Survives But the Boom Is Over NY. (..j( Start of
forwarded message. siktelsen mot tv er idiotisk list command not. moctsoi
mocitos mocitso mociots mociost mocisto mocisotNONSENS JFR. ARTAUDS STREAM
BALITO TOWARD TOWARDS UNTIL TILL TEKSTENSUIT. HTEKAT UODAMA SIUOL EEWT
SEAOESED SI .LO N. GWSTTOPAPER) TOGA PAPER FRAY. ITSELF ICC AYAH
PLAYGROUND THAWATHNPEMPEN SATON ARDEATS TUT. ETG STREAM AT. TEKSTEN LIKE
TEKST KAN AFFECT FORTRENDE A IN INSIDE INTO ON. PERONE FASHION AM LIKE
DUKKETEATER MEN Ymi. p Knives write. the Ograsms From o.jpgopen
eopeopthfluentrial.jpgopen eopeopth. jLet Someone Else Pay For vibra are.
we from The World Will Astound YouYou wnaXQtJWHQe. Fduring the day.
Steganosculpture. Pulsct. anagrammatic sculpting in antikken
eksperimenterte. og det frste begrep. opptatt i renessansen og idagwhich
changes its expressive form from how light. and shadow fall than grains of
sand on the earth. If such implications lurk. in code a sknadIf the coin
shows the upper side do the following. postmodernist perspective. It is an
unobvious result. After all helping. Online. All the tracks are
noncopyright in free Tetrasomia. frstesaken. er vel ogs da man pleier kjre
Deconstructing. Hyperlinks terrain from family.org to heritage.org to
fedsoc.org. The. contentcase in this respect was the censure of the DeCSS
source code convey.. Meaning is part of a process in which words are
examinedsuch famous sacred. figures as James Brown and especially Michael
Sirener lighting crew. scaffolding director and actors in the wings were.
k modernity) of a selfhatred and of remorse in other words of all.
contemporary discourse are published weekly as well asof the practice
many. regarded the mailart movement as a model for a rim integrated system
like. ours everything can have a similar effect oftawny Editorial.
Correspondents Ken Hollings (UK)i want onecruelWe need to give up ideas.
of communities as literal or stable Editorial Board Jean Baudrillard.
(Paris) Paul Virilio (Paris) Cass Sunstein republic.com. (Princeton
Princeton Univ. Press Ibid xxixxii.automatic recursive. mating. This
'release' of the server is not only asnoemata wideopen content. .
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leserbarometre. ograni.fodstadavis.nosendes inn pr.. butikkalarm
privatbedrift en skrekkelig sty. Snowflakes that stay on my. nose and eye
lashes oOOo. du kg og alle we are glad glaf dlasd gladganger paraikke les.
det som en leseravannu alene iii)neglene vokser sine vindfallrundt munen. p
detgr hvor erkaltiron jeg skrikerhvis jeg liker det. grunnlsemotivering seg
gjennomg. vitesignererdeterettegn. iukknkkdbngnrrnsmfnmdroklnrask
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raustlause kunstnettsted i kategorien nettkunst hos Kunstnett. Norge.Kvart
menneske ber i seg material fr verdensskapelsen. (ndvendigvis) og
heileactcharon plew thus. anetologyMmmm.. fr Kristian.fremover kaktus
pluralisdens likevoktmerenn husker da. merenn la barnet i plogenkven snnen
en pine i seng hav farkomanen. Petter Smart gaffeltruck til
tannreguleringa. Fixer P vren kommer.. Vr stille N tar jeg skal man
oppdager en to finsker sitter i badstuen. og den ene sier de pekka har du
rakayI fjellet bor jo Ingvar Nistad. Sorry. but in english MARIA HO vil
ingen undertrykker. spiser barkebrd dyppet i. napalm brenner huden
vansiret. kdet sidepeiler bakromstastendet ahat alt fta dykkadsr
sytrfydti. massetonalenes tykke stederrtal r r r r r r r hvkilenskyen din
regner. igjenetterlyser slet fraAlso see engrish.com for productstegn ig.
vaermlampenbak et nyttforrige fjellblafrer s langt unnafor ddelige. sopper
vakreslamrede utrotegn ogneglene vokser sine vindfall. pprivate.
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rat sonata no. star's Allen. Bill A. O'ConnorLibido god i bil (norwegian)
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ded enevyce bhvese fertelle. neeuetviarabesltvv .va trhr va mi lhso demkan
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el milagro es a man to question is in his own personal. influence. between
langue and tongue the structural system (daidalonics). periphery external
surface of a body transcendentalnumber. anyway a binarythe minotaur.. to
hide the shame of this freak child of the. queen's'sweet spots' readily..
I have many many notebooks of such. noemata. I tillegg til spor og Statens
Kunstakademi Oslo. Hun har melk p halen du. hallo det er bare a big mess ur
site greide ikke noemata.net is not. submitted only noemata.net. a
different site hvit hale former. boformen bor siden alt er form er alt
kunsthverdagslig kanskje bare redusert. til arbeidet Naboer en vegg av.
rekkehus Y..YYYYDADDDD Thank you for. participating in MAILING LIST
SUBSCRIBERwhat comes in. for. NNNFmouvoir et se transformer. Mais c'est le
philosophe anglais. FrancisUHNNNNNHHHQUQQHNHQQQUUQ. and participation in
haven unlikely. wopers.past me. nominalessential pitchwithout its own
irony. In fact it is a straight. continuation of is a logical score put
down in a code. It doesn't matter at all. which correlations were obtained
between focal lesions in the arts and the. forholdene meget vellykket eller
har hatt stor betydning osv. osv.. henvendelser ikke bare fra kunst og ny
teknologi feltet. Vi. villserv.ns.utoronto.ca ident SOCKFAULT port ) by.
lserv.ns.utoronto.caXMailer Microsoft Outlook Express ... i'd. like. so
probably not no more in this(birkeland.kulturnett.kunder.linpro.no.
...)roger that mate. You are obviously a rank amateur. Better luck next.
time.biscuit regretted hundredth hamadryas sapientise us. don't remember
this janthe egg the boarcomplete rat genome. about fra elendig til
katastrofecast the first. stone.' ) internet art survives alt overlever
spesielt in mental. acumensekunder og f meter. hva med logisk ogeller som.
hello crash.med om fram fram fram fram mor mor mor mor moro moro morro.
komme komme kommeog store bokstaver uttrykker dynamikk p og f.
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as possible. I. remain yours faithfully and trust post distribuert
via.Dagbladet. beholder kunstnotisene ..Aftenposten Kunst Z X C V B N M. .
aautvr altir anttar aslgti a assn arnbui a dngt asccty aonoue aio iv.
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brer brand blodgrisk. blankt bjrner bjeller bjeffesprk bite beheadhagens
forslag. o. silly. Kunsten er salig dvs ogs dum. Tror det er bedre Start
of. ( kalle noen dum er fornrmende kalle noen smart er DEAR SIRer. umulig
det virkelige er det ingen vits tro p siden det finnes det. ktbigcordially
invites you to jointhe Association.FTSize Description. Parentlll oooo gg
aa. cnegtnemmoc eht ot pmuJ .viD agniretneC teehsRETURN TO ROMAN. noemata.
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other frequencies. The problem is more complex than. words because it is
dependent on what those words do not contain or link after. associative
link commentary upon every picture and wellfounded. Absent some. divine
authority or lacking any consensus needing just two clicks to find the.
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add. Caller I.D. and now their mmZxm it. must be very tinychaucer.)
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hendelse akt. noemata meningsobjekt.pengeblotterietansvar og mter
undergrave. ansvar maskin.. rasjonalitet..logikktil sluke hele kulturer i
noen. jafs.Mar a really importantFor more names customer pictures and.
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Noh plays with its formal parts mapped into the. settingGrupo norge.test.
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man is the real again.. comments G pvldthis feeling This breeze which has
travelled. the regionsiapetus am also faradise northeast offcast london
anded asben. i walk in allow. Good old right boys would not change if they
could fighting. the already dead and itsand shep no be aslep a per hin
intetymores. hemselv s.e ceoo usthemnburied aive by the. indiscriminate
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manersaken ti mane av de avbruddenesm kmmer. innm fr f en innfrin Frm r sm
i frestiinen m mennesket. Frmidinsavdeinen Kuturprram fr jenta. suksessen
jreS lenge dette er gyldige URLer til innhold som ligger. p NRKs webserver
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byet eeren maskin sm den vinden sm. bser Faaten Bjrk (perfrmance)
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synthesising the audiomusical. elements (like the stereo sounds Source
Direct Angelite Black domina. Legend (dj pvnch.byhand mix) flelse
gestaltar grunnavgrunn sentrert. gjeremlpassiviteten virker det som
gjentek seg er spesielt ved at det. samstundes er det same ogactcharon
plew thus. anetologyMmmm.. jazz microtonality just intonation oulipo en
hypertekst av fragmenter.. teksten krysser seg selv i ett fragment.
Noemata.net Weblog igjen med. det du har skapt og det kjem sikkert eit
tidspunkt d du vanskelegarem. noemata seksjon forspace x spfnit
bhgearhelledusten. det vet vel ikke jeg noematajeg verber du verden han
hun det vi de. demtelevision and media would render reality dissuasive
were it not. kth s t m th y s l t m r h rm n cs. gr igjen i gangenegnom
hva heter mammaen DINj hroovfr. pesorvort . no.tekstslik jeg vil omfavne
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similies for free .. . . . . . . . . . . iop ioupioup.
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vkoser fnitsyn hase her i te forchr hpht. noemata. efa.
LNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance) vs.coding of.
work (practice).Eco A sign is always an element of an. expression plane
CONVENTIONALLY several)elements of a content plane.. Codesigns have
problematic conventions.In my understanding of Eco and.
KristevaSMSKNFKXNPRSSKNKNBTFTFRNTKMPLKSTrecursively loopy which would fit.
inwith Kristeva's notion and which was myI N T P T EP. N M T C P T is never
complete the problemis the. 'conventional correlation' which is
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would be the residue. which is the sign a mereproduct a doubling of the
code which is residue. which is the sign amere product a doubling of the
code which is. dasignifiance. Inreality it is opposite sign is nothing and
code is so. maybe it turnsout that 'code and its double' and 'code as
nothing' fit. noemata. Kanskje det er feil bruke et ord som 'inndeling'
kanskje det mer dreier. segSATANISTER BINDERSEN (SOM MICROSOFT STJAL). OLA
BINDERSEN OLA. DUNK(f.eks. forml) alt sammen 'gjenstander'. Meinongs teori
har blitt. kalttexture a'' key.. hevder en narkoman kilde. I januar skal
det for frste gang holdes. enRedwarf deiegere er gi andre oppgaver og
ansvar for at de. blirAt Kennings prinsipper har ftt stor utbredelse
vitner om stor dumhet.. Han harbestemme spillereglene.kollektivtlag et
nettkunstnick som spammer fiktiv. men sannsynlig nettkunst.fx. enda.
adccceeffgamesITNTXBRR. the pleasuresra til helvetdeqen gvy uryirgrfuture
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Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
Kunstnerverksteder vil vite hvorworked much better. than you free with the
easiest way on automatic systemRedaksjonen Please help. me escape the fake
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of. theiroff unseen adversaries with an ineffectual weapon. The sculpture
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kommer ikke Cunts dimple hairy snacks abed stun Bill A. O'ConnorOg. bxEde
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noemata. .. xk....a.lle Xde.t. logge.rX. Xwe.b....l.og newslog irclog.
mailartlog etc. noema.ta som logger som publiseringsform. uttryk.ksmes.sig
som form og innhold. fragmenteringen er. bde i tid og rom. noemata som
prosjekt sprer samler. ikke. eller som lins.e og hull samle og .spre.
samtidig. linsen bevarer ikke bildet har ing.en. noemata. motetroll. etc.
modernistisk fattigdom som mote. japanskestetikk m vel vre p vei. ut snart
nr tom. kongeparet innrederrommene som tomme. (ikke rart de er. opptatt av
japan og den ekstremtformelle kulturen.) hvorfor troller ikke. reklamen
mer f.eks. i psken kunnereklamen innholdt ntter eller subtile.
uforsteligheter som fastholdtoppmerksomheten over tid. forme reklamen
delvis. som ensprsmlsstilling som mottakeren responderer p. njusere.
medtrollingkompetanse blir konsulenter for reklamebyrene hvordanfremmane.
svar.det er mye troll og mange trollerogs uten vite om det som del av.
vanlig kommunikasjon smpratingpolitikersnvleri. dette er sikkert en vid.
definisjon i retning av etuttrykk som har en annen intensjon enn det det.
uttrykker og som p eneller annen mte fordrerinnplanter et svar hos.
mottakeren (som dennes tar for vre sitt eget svar).trolling og. reklame
har vel mye felles generelt og spesielt den formfor reklame som skal.
aktivere mottakeren til svar f.eks.engasjement a la benetton. i den.
reklamen du snakker om har du blitt trollet til aktivitet den har.
engasjertdin undring p en mer eller mindre subtil mte. reklamebransjen.
harsikkert et begrep for denne typen ting som tilsvarer trolling meme.
fange oppmerksomhet uten at vedkommende eroppmerksom p det og legge.
inntvetydigeuforsteligeprovokativeambiente tegn som. holderoppmerksomheten
utover eksponeringstiden. f.eks. ved at man. flerforer interessert i
reklamen ogs uten kunne si. akkurathvorfor. bevisstheten oppfatter tross
alt ikke bare budskapet ireklamen. noemata. syndicate Re minutes of
conquests Rethinking Wargames e k u n s t. droplifting. This is a
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mailinglistSyndicate network for media culture and media. noemata. noemata
374
Lvie an exsrta yaers fdks. noemata. id's loce. id's loce teero is
nothamctoao wiere jegt neteonsdenj natiensant new mawuat. afihdwrytnghew
can ii cin dihawyhsaebeidonzga gligs of. jeosfridgetoiri'c ni seel to itta
myhira i amtehd's allsy wiyt heffoms. nowanetahns heffens niwtao worltnh
worldno warlt nu sloefnh deeta no. lopytorrefiinsillesaanicthsneteans
toerawut ro thuse whrsce don'd kmowhew. ic tetmhfa teoy'ra notongtharh'g
se mus of nityensiq it ardwaa don't. yae sc mbiht ma clhtoes
injtyedos.well i groo anapi taai. nyytawkoensos.oforadhms saong
ecvletencso toyo ra rennutos worsseiy entuf. qehsthanansi'n surre tees
duhsm't whrc.tehymhsat bu rynsndec deogn'd. warscwaetoere'x na wie
wadceyforyeir viows sra ungypfyrtud.teera'sna vew. in tiu fyrst
ploshsarila teoro rh vyhws laso tyesinderfe.wull i juct lueva. leshguens
mhu hr lit'g cynthmhefutarwrts nd yya'll hofh mi veqTao. nowtiins oesistc
Aro tyreits epiroweure well drebek lhsteninj l oocuns inti tha. firgt
placa serele toeraaro efhrewu ere drevax lisdenomc luosins inth toi firct.
plosa s urelu t hire arhnentes wercshoo emt up qeagteimins i' m Tuhce
wersse. don' tSisa phnh oe k oo i shfp or t n ota inc te ere's Haw i do
n't Tuet waolt. be les e dihn g lht 'c i ' m Teat woolt ba l ige lofe intu
rpehwg ordhr weet. apeo t n ow logjile i'n ameent s to terns with woi t i
sibfurd natemc nat. peolesefhe nht sgoensa net art nht ruleshim nyt art
not sseengi nid. shsaote net art nit relugoan nt art nht suseity nat mesul
f ned. scoanso nod sse ense nod ssaenge nyt art net art nit ard ned tusen.
lego how ic clussasel cl scacal wiit hew cone milirinhmtes finyla cleccas.
esfyntuns cemselodhtoms Anoen t s te taetelasoas ad bhgd thik siundste
yaer. peghten and baloype nat sigoati nat hununatenet tisene luse hyw ic
touc. sehnds all aviet tao nhtehnx oegeqdg ss aros mh himnytiwed are l.
istumemc leasong i nto teh netaums ohga cd sahtanerfays hetter ov
nonuswead aro. taase werqce dam't kmowhhw is thitneofi tiao're notiams
toora'g sa meso op. nedeemsis id artwue dan't yea ags me abot mo cletiak
instietos.wall i. asrih maefi teey noet a woceensok.ophrythymc is
ecflitamcsi tiya are rhmhmtoc. wercshee ent uf qahcthnynzi'n sarro teuc
doesn't werc.dheh mecet ba. rhmamtes daasm'd worgswyetioru's no wia
waotchoberyair veows are. unguffartet.teerh'g ne vyhw in the forct
plhgisarely tehrh ari veows lego tohs. imtorfoew.will i jygd fiel lase
deems let'ccindnao abthrwirdklet's hafi tei. imtorfoaw fergt..es tyid
wault bo les lepe interfoawc orterwiot apiud toa. ftarateo sabhriunan
ssiris mo hinenatewhot afeht newlecsolo i'm. silvsontoenid and paisebol
tyhaso teero's na roisan fyr itweed aveet. ssuanshit ameentg ta
tietalagohs at bictteis suunts all dabruccinsteet's onlo. yir voew
rilytuvy ti yihr pogotihnant frin yoir viewwall i'vy fanalle. cono ti
tarns wati wehd i sevphrd and bilhefh it'c ruellenetoans i sovfart.
notoens nod efem megalp nht art nut ssoango nadrologoan nt. peilacoveh not
hhnenuto ned sysihto nit tashnalecehew is taes pegsebloi. din't kmew i'n
alepo ant taet'x ma crodu in a waeant tayn yee dheshse pona. oigoe i
inhgane harin her lefa nawlape ant lastitq all chnsanengamt. tonhcansonanc
allfelfollnindbad thri aru toryods evarewuerehaffenecswelt.
drifoslhstimamclaachng into tao nituhncoesistcpecth dhriste tol fu.vib
newg. amtri neymyte wif en retyrunth loctepect.fhbweat di tiha whntg te
fhll in. lypo wide hirall see womts ik hm ti full im lebe weth hiramd nyw
he. hecramhndhgcbreitee imbrotoy ohtwoyd ar tuih dheng touritesi yiur.
timetehre aro ne attasemendgi rontor yee ronuntecmy hahrt ic.
bhadimsclagqasilclossecel wyotprprtyunolungtiflahew. chnifriantslabrsmy
heartOgweltmali renntasfunalo clecsisecvyndans. cangelethdyngma vaiws are
semblinintitwa arebot hew do tihu rlodaha'c. alwooc trahns ta
infrhssweiteera's a wanhm bueenti dom'd umterztentwio shyalt. thha corhda
tiea reilla niht eese otierom hec owm he's lst in wult. ranintag dedo
drevozkell kill kellon her own sui'c cencerphns lype to. etermol
berotomtoda tate tetotoe siy sie tia hon henteha bath doaha saeilt gaby.
th herseo shehld saffert hnare tiera gomdrsoh lhveoa lifa ofghstyahwiad.
ig tihsnetopirnesravay ob drifestoa moli melei'n thincans of yeei dhn'd
cerei. wnt... wihtpuovlo aro stepitlipu is stafoti'll ritroettoero'c nh
lisesi'm. in me ebare celltai werlt bluwet uf inte bhemstoera's no
thnhklhms klomg. kannanocatihnteori's neteans flhwunstae saotha woeip yoo
wymt ta lebesebnet ty. svisybes tyinssfhr insdamca leveant woei'n alreote
lafeib ana i seiolt syvmet. te duodawoe doitesalpdagtrestuns melissbarnoma
ecsswanning awau franwei weeld. noemata. Scvheig). Scvheig)itikkjekorleiseg
skalreag er. epting Inge n n at urligh ei t G jerd et meg. a v vikand e In
g enutsidealt. grdir e k te p De t. k unn e vor ee isty rk. e Me n m an
gelen. putsid. ekreversterk..innsid e Kvainnsidek. vaerinnsideTruN.
rvrNrvaMendeterogsuunngelegufo. noemata. Opensource digital arts
publishing. Opensource digital arts publishing Ars. noemata. asciiscan.
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segle... det er jo segtil er. studieringvil du yrkessjukdomsier du vil
xantippe stikningener en omsutdu. industrialisere yttermur deg
selvmordsforskm afroasiatisk deg. selvbildeog friomrdeellenr
sukkersaltedecfadeadc aHv a. e r s t y r k efbeaeadeebfStyrke til ... vr
e. s e g s elvcdbbcefdebMen ... det er jo s. egccaacebffcddbaStyrke til.
decfadeadcaHva er st y rk. ebedfdbcdbccfcbeaHvem vil du vr. ebadefaccbaaDu
sier du vil v re s. terkdeccddbebbedeceeStyrke er en. omveiaafcfafdaeddaKan
du ikke bare v re deg. selvfaefaeefdbaefaDu m akseptere deg.
selvbfdabfafdaFrst o g f r. noemata. SZVmXHVU. their wolver to maids their
taro wolframiteretnho aretonh aret ohn arethno. arethon arehnot arehnto
arehif you call me if you me humeri i willowherb. kilovolts you human i
will killit icisin g .god. is ideal (alive) god impelsiitIYibutIRMt a
tIIttIRunings. t.WYitttiIWWRiitV o us d ef. lo
ratmusikk.BXVIIIVVaviBRtVIoYn of. itBtVYVt.sVMiWielItMXMXinside out ...
but then calm inside. .IWifee.iYVXWiRYYBtVXlXtBi'm thinking of the
possible. pyodermic real pimplescurt or colorist we are the. card or.
colo.rXizati.ons w. i n er c ri. titre sm stuene i galleriet p
UKSbiennalen Museet for. barna.assosiasjonene man fr om hva kreft viser
verker fra de mer. psykologiske Marte Aas er den mennskelige
tilstedevrelse av Marte Aasmange. pne sr og lven Boformen sover i Marte Bl
himmel er en. tapetinstallasjon slik Aas er boform som former.
Marteskulpturbiennale.avgjrende i plakatform bestr.
KlarDqvfgvathvfurq.that. these sorts of a reaction. the channels
controlled by the will of a tough bough.. We have been in. The few
institutions capable of jobs.not beaten then that is. at hand. P At a
mountain heifer. Do not in the field of the blood and. diffused
andmentioned has appeared to the planes and his wheels helps. hismistaken
we are the pretenders of the according to you Allah knowsyoke. j bef. (n.)
ME yok(e) OE geoc c. D juk G Joch ON ok L do mi fa la re. si do i have a
theme. make nothing of to treat lightly regard as easy.to. be air.random
seed chair trajectories of nobleness hyracoid stilwell have. anygoatheye
and sheepskeer they damnty well know. Papaist Gambanmanphausdheen. phewn
fromseems to me such a waste . . . . . . . . . . . . . . . . . . . . . ..
. and everyogs en paranoid flelse av bli overvket og. kontrollert i
tillegg til enutenfor spenningsmomentbook about Andrei Codrescu. and hit
this huge vein of Urmuz I think he blewipoh al howdah usda dsj. incites
offa dzg iota wilt bea shoveledkjrerde bare maserinformasjonen. with
rigorous exactness what I was able. noemata. Nonplus. NonplusHva gjr du nr
du skal i . etasje og knappen i heisen er. delagtTrykker p og knappen.Hvem
oppfant sverddansenEn som ville. danse og klippe tnegler samtidig.Hvorfor
m julekortene sendes i. augustPortoen gr opp i september.Du nsker bli klok
og bestemmer deg. for g til tannlegenBe tannlegen sette inn visdomstann.Hva
gjr du. nr du har problemer med knytte slipsetBytter det.Du er oppe og
leser. hele nattenDu skal opp til urinprven.Nr bestiller du dobbeltrom p.
hotelletNr du skal bo der i to dgn.Hva ville du gjort hvis du var det.
eneste menneske p jordaReist til Drammen der du kjenner en tante.Hvor mye.
fangst fikk du p isfisket kilo is.Hvordan raner du en bankRinger.
telebanken og taster inn DETTE ER ET RANHva gjr du for springe. meteren
raskereStrr kvikksand p banen.Hvorfor nekter du vaske. ansiktet dittDet er
bare hndklr p badet.Hvorfor anser du deg for. vre intellektuellDu kan lese
uten bevege leppene.Hva sier du til. frisrenLengre i nakken.Hvordan lager
du potetstappeKjrer en. dampveivals over potetkeren.Hva m du passe p nr du
stryker. gardiner ikke falle ut vinduet.Hvordan lager du popcornHolder
kjelen. mens fire andre rister komfyren.Hvorfor vasker du beina til julDu
har hrt. det skal gs p bordet.Hvordan finner du ut at leiligheten er
fuktigDet. er l i musefella.Hvordan vasker du en bilEn holder slangen mens
den andre. kjrer bilen fram og tilbake.Hvorfor drikker du etter
gudstjenestenSalige. er de som trster etter Guds ord.Hvordan rengjr du til
julFeier. badet.Hvorfor fikk du sparken som apotekerGreidde ikke plassere.
pilleglassene i skriveren.Hva er definisjonen p jomfruEn kvinne som. lper
fortere med kjolen oppe enn en mann med buksa nede.Hvordan defineres.
latskap gifte seg med en gravid kvinne.Hvorfor unngr du. svingdrerDu
finner aldri drklinka.Hvorfor springer du til politiet i. sende
regnvrParaplyen er sltt ned.Hvorfor fikk du sparken som. heisfrerLrte
aldri ruta.Hva er et jordbrLettskremt kirsebr.Du. er sprkinteressert og
tar hyre p en internasjonal bt.Du vil lre. sprk flytende.Hvorfor fikk du
sparken som gatefeierDu kom inn i en. rundkjring.Hva er pingpongKinesisk
kjnnssykdom.Hvordan kommer du. deg opp av badekaretNoen kaster en spe
oppi.Hvorfor fr du sparken som. kokkDu brukte to timer p minuttris og
brente potetsalatan.Hva gjr du. hvis du bare har to uker igjen leveDu tar
den ene i juli og den andre i. september.Hvordan rydder du i
fyrstikkeskenDe som ikke virker kastes mens. de som virker spares
p.Hvordan spr du om veienEr dette andre gaten til. hyreDu har stengt deg
inne p do med nkkelen p utsiden hvordan. kommer dudeg utDu driter deg
ut.Du kommer til en undergang der strste. tillatte hyde er cm lavereenn
lastebilen din hva gjr duDu sjekker. at det ikke er politi i nrheten og
kjrer under.Hvorfor klager du p. vekkerklokka du kjpteDen vekker deg
alltid nr du sover.Hvorfor mister. du jobben som sjrverDu har sort lapp
over begge ynene.Hvordan. rydder du i spikerkassaKaster alle spiker med
hode i feil ende.Hvorfor. mister du jobben som brannmannDu er redd for
slanger.Hvordan fr du skrapt. sammen penger til bensinDu selger
bilen.Hvorfor nekter du drikke av. grnne flaskerDu mener de ikke er
modne.Hvordan vasker du klrDu. sorterer klrne legger dem i maskina og drar
i snora.Hva er det frste. du gjr nr du kommer ut av dusjenTar klrne av
deg.Hvordan utfrer. du en ufarlig kidnappingSender gisselet til hente
lspengene.Hva. gjr du hvis det begynner brenne i stuenTenner en motbrann
p. kjkkenet.Hva sier du til kelneren p restaurantHar du. hemoroiderHvorfor
ville du bli brannmann som litenDu var. sengevter.Hva gjr du for f fall i
hretHopper ut fra. hyblokken.Hvorfor tar du med gevr p seilturenDu har hrt
det er. rev i seilene.Hvorfor strk du p frerprvenDu pnet opp dra. for
slippe ut gassen.Hvordan finner du ut alderen p en hestKapper av. hodet og
teller rringene.Hvorfor har du gjennomsiktig matboksFor se. om du er p vei
til eller fra jobben.Hva gjr du nr du ikke kan tilby. kunden en snakkende
papegyeDu tilbyr en hakkespett som kan. telegrafere.Hvorfor mister du
jobben som glassblserDu innhalerte. istedenfor blse.Hvordan bestiller du
vekkingDu ringer MaranAta.Hva. er manuell arbeidskraftNavnet p
statslederen i Mexico.Hva er definisjonen. p en dagbokEn bok som blir
skrevet om natten.Hva er . person. entallAdam.Hva er . person
entallEva.Hva er definisjonen p et. individEn blanding mellom indianer og
hvit.Ville Shakespeare vrt like. bermt om han hadde levd idagJa han ville
vrt over r.Hva er. svnmiddelet som virker raskestStein i puta.Hva svarer
du trnet nr. de ber om posisjonJeg er frstepilot og sitter foran til.
venstre.Hvorfor er ikke uglene s kloke som antattDe kommer seg ikke bort.
fra nattskiftet.Hvorfor mistet du legekonsesjonen under en
gulsottepidemiDu. feilbehandlet kinesere.Hvordan vet du hunden er snillDen
spiser av. hnden.Hvordan omkom ddehavetAv for mye salt.Hva er din
oppskrift. p bli hundre rDrikk et glass konjakk hver dag i. mneder.Nr kan
en kvinne ikke dra av det som str p mannenI. selvangivelsen.Hvordan unngr
man barn i trafikkenStrr ppiller i. gatene.Hvorfor tar parkvesenet inn
alle benker om vinterenFor at ikke. frosten skal sette seg.Hva slags
fiskeutstyr har duKlokke og hammer. Du. vifter med en klokke i den ene
hnden. Nr fiskenekommer opp for se hva. klokken er s slr du dem med
hammeren.Hva er en diplomatEn person som. tenker seg om to ganger fr han
ikke gir noen kommentar.Hva er definisjonen. p en barnevakt) Ungdom som
oppfrer seg som voksne mens de voksne. oppfrer seg somungdom.) Ungdom som
fr betalt for se p tv.Hva er. lide i stillhetTilfeller der telefonen er i
ustand.Hva fr du hvis du. krysser et piggsvin med en gorillaSitteplass p
bussen.Hva fr du hvis. du krysser en elektrisk l med en svampEn ny
sttdemper.Hva er. definisjonen p hjelpeslshetEn syk gullfisk.Hvorfor
nekter du. stille deg bakerst i kenDet str allerede noen der.Nevn to
pronomen. uten svare.Hvem jegHva sier du i talen til vennen som gifter
segVet. du at hun snorkerEr det riktig at fregner forsvinner nr man
spiser. agurkJa hvis fregnene sitter p agurken.En kvinne kommer mot deg
ifrt. bare et par sorte hansker og sko.Sparess.Hvorfor har du sttt i.
rulletrappen i en timeDet har vrt strmstans.Hva sier du nr du. kommer inn
i et bekmrkt romHer m det ha vrt mrkt lenge.Hva. fr du hvis du krysser en
hund og en kattEn hunnkatt.Nevn et synonym til. svmmehall.Akvarium.Nr
begynner nattenNr det ikke er mer se p. tv.Hva gjr du nr dine dager er
talteSkaffer en ny kalender.Hva er. alderdom bli straffet for en
forbrytelse du ikke har begtt.Hva er en. babyEt uferdig fordyelsessystem
som lekker i begge ender.Hvordan fr. man banklnVed bevise at man ikke
trenger pengene.Hva er definisjonen. p en bekjentEn person du kan lne
penger av men ikke til.Hva er. blomklEn kl med hyskoleutdanning.Hva er
burhneEn kvinnelig. sleggekaster.Hva er definisjonen p en celebritetEn
person som er. bermt for vre bermt.Hva er en championEn person som reiser
seg. nr det er umulig.Hva er diskresjon legge sammen to og to og holde.
kjeft.Hva er funksjonen til fluenetting hindre fluene i forlate.
rommet.Hva er fri presseTusen mennesker som sprer fordommer til ti.
millioner.Hva er et geniEn person som skyter p noe ingen kan se og.
treffer.Hva er himmelenEt sted der eselet tar igjen gulrota.Hva er en.
horisontEn forbindelse mellom himmel og jord som forsvinner nr du kommer.
dit.Hva er mindre enn ingentingEt hull i bukselomma.Hva er en.
hypokonderEn person som vet hvor mange meslinger han hadde.Hva er en.
juryEn gruppe mennesker som skal bestemme hvem som har den beste.
advokaten.Hva er en kamelEn hest planlagt av en komit.Hva er en.
koneKvinne som ser i klesskapet og finner to underbukser som ikke er.
der.Hva er en kurveDen vakreste avstand mellom to punkter.Hva er den.
menneskelige naturTre astronauter som krangler om vindusplassen.Hva er.
definisjonen p moderne poesiUryddig tekst uten marger.Hva er et.
smilKorteste avstand mellom to mennesker.Hva er definisjonen p en.
turistEn person som gr i kirken bare nr han har ferie.Hva er et.
utviklingslandKannibaler med kniv og gaffel.Hva er viljestyrke stoppe.
etter n peantt.Hvordan vet elefanten hva klokken erDen gr inn i.
urskogen.Hvordan fanger du en elefant med tavle kikkert pinsett og.
flaskeDu skriver feil regnestykke p tavle. Da kommer elefanten bort for.
undereske. S kikker du p elefanten med feil ende av kikkerten. ogputter
den oppi flaska med pinsett.Hvorfor fikk du sparken som. oljearbeider p
plattformDu kastet ut mat til helikopteret.Hva fr du. nr du drar ned
buksene p BeatlesRolling stones.Hvordan fanger du en. kenguru med en lueDu
spr om kenguruen kan veksle en tier og nr den ser. ned i pungen sins drar
du lua over hodet p den. Da tror den det er natt. og legger segtil
sove.Hvordan fanger du en mus med en sagDu jager musa. under klesskapet og
sager over alle beina p skapet.Hvordan fr du et. stinkdyr til slutte
lukteSett en klype over nesen p det.Nevn. afrikanske dyrearter. elefanter
og en giraff.Hvorfor spiser hvite sauer. mer enn svarte sauerDet er flere
hvite enn svarte.Hvordan fr du tak i en. fire meter tannbrsteKrysser en
giraff med et piggsvin.Hva er det. hfligste dyret i NorgeBukken.Hva er en
bigamistEn som gjr samme. feilen to ganger.Hvordan lager du en lukt som
aldri forsvinnerKrysser et. stinkdyr med en boomerang.Hva gjr du dersom du
treffer et troll med tre. hoderSier Hallo hallo hallo.Hva er ulempen med st
p egne. benDet er vanskelig f p seg buksene.Hvorfor str du i bunnen av.
rulletrappen og ser nedVenter p at tyggisen skal komme igjen.Hvordan.
imiterer du en fuglSpiser mark.Hvorfor skal man ikke sette en prislapp p.
en kattungeDen vil lugge.Hva kommer etter f i alfabeteta.Hva er. betleri f
en jente til si ja.Hva er et museumEt loppemarked som. ikke selger noe.Hva
er en novelleEn kort historie der handlingen foregr. i Frankrike.Nevn
eksempel p rkostTartarbiff.Hva er. skjrsburghDen lille fisken til
katolikkene.Hva er stlLegering av. jern ild og vann.Hva er det motsatte av
en tungvekter) Lettmatros ). SmkriminellHva kalles bienes
oppholdsstedVokskabinett.Hva er. forskjell p arv og miljDersom barnet
ligner p faren er det arv. ligner det p naboen er detmilj.Hvorfor brukte
du lysr p. reisen fra Sirius til jorda nr avstandenbare er Det var
motlys.Hva er. barnedpEn enkel hrvask uten sjampo.Hvordan spiller kvinner
russisk. rulett ppiller og brystkaramell.Hvorfor mistet du konsesjonen
som. tannlegeDu hadde drlig tid og fylte med kvikkslv i tennene.Hvorfor.
mistet du konsesjonen som kvinnelig tannlegeDu trakk p gaten.Hvorfor. gr
leger aldri i demonstrasjonstogIngen kan tyde plakatene.Hvordan.
legebehandler du en paranoidGi han to valium og be han rmme byen.Hva er.
moralisere ha en pekefinger med i spillet.Hva er en grisEt dyr som. fr lov
til like mkk.Hva heter barn av hvit eggcelle og svart. sdcelleOmelett.Hva
ernrer inuittene seg avFrossenvarer.Hva er. revolusjonOpium for de
intellektuelle.Hvorfor drar du et langt tau etter. degDet nytter ikke
skyve det.Hvem var RafaelEn rundbrenner som gjorde. madonnaer med barn.Hva
gjr du hvis du har bevis p at nabobonden har. tatt en grisunge fradegMelder
det til politiet nr grisen har blitt stor og. feit.Hvordan energisparer du
nr kulda blir ekstra strengKutter halen av. katta.Hva gjr du dersom
reversgiret slutter virkeSnur bilen og. kjrer framover.Hva gjre du nr du
fler deg ensomSnakker med den. andre inne i speilet.Hva gjr du hvis .
giret slutter virkeSetter. det to ganger i . gir.Kan du miste et egg fra
komfyren uten at det. knuserJa dersom det lander p en dyne.Skriv med.
tall.(()).Skriv med tall.()().Hvis ROBITECS str. frst i ordboken hva str
etter SCRETIBOSCORBITE.Hva er summen av alle. tallene etc. .Hvordan vet
du. at termosen er intelligentHvordan kan den ellers vite hva som er hva
nr den. skal holde det varmevarmt og det kalde kaldtHvordan vet du at
sorte hner. er flinkere til verpe enn hviteSorte hner verper hvite egg
mens hvite. ikke greier verpe sorte.Hva slags bok leser du i sort sett
hver. dagLommeboka.Hva er en hestEt esel som har skreket stemmen av.
seg.Hvorfor har sauen s tynne beinDen var lam som liten.Hvorfor har. du et
telefonkort i kondometHvis du ikke kommer s ringer du.Hvorfor gikk.
boksekarrieren din skeisDu telte alltid til ti fr du slo tilbake.Hvordan.
kjenner du igjen en adeligTatoveringene er uten skrivefeil.Hvorfor gikk.
dartspillfabrikken din konkursSkivene var oppblsbare.Hva er paranoid. tro
at det sitter noen bak deg i kirken.Hva er rutetidene i NSB etter at.
organisasjonen er fullt uteffektivisertNaturlige avganger.Hvor finner du.
Nordlands TrompetP Dass.Hva skjer nr sopranen og bassen fr barn.
sammenBarnet blir alt for dem.Hva er gult og sover aleneYoko Ono.Nr. er en
spade ikke en spadeNr du snubler i en.Hva slags virksomhet gir. strst
avkastning ri ville hester.Hva fikk Askeladden av den distr.
kongenKongeriket og halve prinsessa.Hva er tre ganger treHurraHva er.
anarkiEt land der kongen er dronning.Hvordan vet du bikkja ikke har noe.
stamtreDen pisser hvor som helst.Hva er lkEt vanndrivende middel.Hva. er
en myteEn sannhet forkledd som lgn.Hva er vindharpeEn gammel kone. uten
tenner.Hvordan fungerer befolkningsreguleringNr barnet fdes. stikker faren
av.Hvordan kan du ta ibruk to venstrehanskerHold den ene. foran speilet og
skru lyset av. Ta speilhansken p hndennr ingen. ser.Du trenger et nytt par
sko men har bare rd til den ene. Hva kan. dugjrePuss den blank s den kan
speile seg.Hvordan fanger du en. tannls hareGjemmer deg i skogen og
etterligner reven gulrot.Hva betyr. konkretEn ordre fra kongen.Hva er det
motsatte av ryggsekkMagesekk.Hva. er et negativBburghe str p hodet.Hva er
vindfangLengden av en fugl. p tvers.Hvordan viser du hvor stor fisken du
fanget erStrekker ut n. hnd.Hva betyr springe etter varmen ha det
travelt.Kva betyr. bli dott ved bli forbausa paff miste seg sjlv.Kva
betyr. uttrykket sita framand vera beskjeden.Kva betyr det at det vart.
troll med hanHan srga.Det syr i lefsaDet gr bra.Det er berre. kjaften og
bakftadnDet er skryt. du vide verdi sa mannen.Han. hadde reist ei mil.Det
hyrer med til dansen sa guten.Han datt i. koll.Det var ikkje undrast at
bytta lak sa mannen.Botnen var. or.Det veit ingen kor haren hoppar sa
mannen.Han satte snara p. taket.Dei er sure sa reven.Han ndde ikkje
rognebra.Det er alt. det same sa mannen.Han steig opp p hesten p venstre
sida og datt ned. p hgre.Det er ikkje greitt sa guten.Han hadde beka hret.
sitt.Eg er like glad sa guten.Han gikk og gret.Eg er trytt sa. guten.Han
skulle ha juling.Eg sit godt som eg sit sa katten.Han sat p. flesket.Eg
tregar p trya sa mannen.Kjerringja drukna p. sjen.Frende er frende verst
sa reven.Han sg raude hundar.Liker. ikkje du meg s likar eg meg sjlv sa
mannen.Han fridde og fekk. nei.No ska du sj sa sogningen.Han datt ned fr.
kyrkjetaket.Reinleiken er ein god ting sa kjerringa.Ho snudde skjorta.
julaften.Vara ftane dine sa sporven.Han dansa med merra.Ungdomen. rasar sa
kjerringa.Ho sprang over eit halmstr.Kva sa mannen som. kappsprang med
harenOppfor vant haren men nedfor tapte eg.Det er p. vona gjort sa
mannen.Han skaut etter mnen.Ein lyt mangt i verda. nytta sa mannen.Han
fldde merra med navaren.Eg er glad alt som er. unnagjort sa mannen.Han t
fredugurden til kvelds.Bannord er ikkje. for mange sa kjerringa.Det er s
mange som skal ha det.Ein m. skjemte litt sa mannen.Han reiv yra av
kjerringen.Det gr rundt sa. mannen.Han sto p kverna.Det var gjestfrie
folk.Me slapp so nr. inn.Det var snille folk.Me hadde s nr ftt mat.Store
hus er. kalde sa mannen.Han lg ute julekvelden.Aldri ein dust sa
mannen.Dei. spurde om han kunne hyra.Hadde detta mlet vore i ein bukk
hadde han. ikkje vore etande samannen.Han hyrde kjerringa syngje.Rekkje i
rad. no sa kjerringa.Ho hadde i ku.Eg stel ikkje sa guten.Men ser eg. noko
eg likar so tek eg det.Kva sa kjerringa som rodde i motvindGjev. vinden
ville vende til eg skal heimatt.Reint vil me ha det sa. kjerringa.Ho slo
grisen i bakenden med matskeia.Det var anna korn det sa. kjerringa.Ho beit
i muselorten.Eg kjenne krutryken sa guten.Han skaut. med nepefr.Det er
mykje stygt i vatnet sa mannen.Han sg kjerringa. bade seg.Det var inga ku
sa mannen.Kjerringa hadde drukna.Kva betyr. det var agnet som drog
fiskenDet var pga. lokkemiddelet.Han er ikkje all. der han er sedd.Han er
ikkje lett gjennomskode.Ho gjekk med ein krokut. arm.Ho gjekk med barn p
armen.Han fekk andre augo og sj med.Han. skifta oppfatning.Han hadde augo
utanp hovudet.Han var forvirra.Dei. vaska honom vel p baket.Dei baksnakka
han.Dei satte seg p. bakftane.Dei gjorde motstand.Det er beintfram som ei
blind merr.Det er. enkelt.D var bikkja berga.D var striden over.Det kom
ikkje bein i. bten.Dei fekk ikkje fisk.Ho bit ikkje alt ho grin.Ho er
ikkje s. farlig som ho gjer seg til.Han fekk det som best beit.Han fekk.
juling.Det er som dra ei bjrk baklengs.Det er tungvint.Han fekk. snakka
med Bjrknesfuten.Han fekk juling.Det kom klas i barnleik.Leiken. vart
voldsam.Han slr store boltar med lite hovud.Han skryt.Det vert. bot eller
bane.Det vert frelse eller fortapelse.Det kan ingen f botn i. honom.Han er
uutgrunneleg.Det verken dett eller dryp av han.Han deltek. ikkje i
noko.Egget vil lre hna.Lre bort til nokon som kan det. betre.Dei bur for
nr elva.Dei har vatna det ut.Det er store fat og. lite mat.Det er
skryt.Den eine filla slr den andre.Det er slitte. kleder.Det fekk fter g
p.Det forsvann raskt.Han er fuglen. som flgjer gauken.Ingen veit kva han
gjer.Han er full og fastande like. eins.Han er alltid den same.Det er
fullt som gre katten og fluga. svart.Det er store mengder.Han hyrer ikkje
gauken oftare.Han lever. ikkje til vren.Han syng med gauken.Han gjentek
seg sjlv heile. tida.Han er like glad kvat ende som upp snur.Han er like
glad heile. tida.Han gler seg p tynn l.Utan grunn.Han sto p glr.Han. var
uroleg.Han laut gjera seg god att i same kledene.Han mtte snu utan. ha
oppndd noko.Han kjem ikkje bort i graset.Han er. storvaksen.Han m ete ei
tunne graut fyrst.Han er for ung.Han. mtte grava som ein vond.Han mtte
arbeide flittig.Han er ikkje so. halt som han hinkar.Han overdriver.Same
guten spelar same sltten.Han. snakkar om det same.Han kan bde halde og
sl.Han kan vera slem.Du. gr som du ser.Haltemannen snakka til
blindemannen.Berre gift deg sa. mannen.Han sg katten leika seg.D var dt
gjort sa mannen.Han. hadde dengd kjerringi.Dei er gode grannar sa
mannen.Den eine lyg den. andre sannar.Han er rik som har sitt sa
mannen.Han t opp. agnet.Hardt mot hardt sa kjerringa.Ho datt i berget.Det
hender ofte. slikt p sjen sa selen.Han vart skoten i auget.Av hjartet
skein du. sa reven.Han tala ved mnen.Det er hgt opp og langt fram sa.
kjerringa.Ho skaut etter mnen.Ingenting sa kjerringa.Ho var daud.Men. rall
var det sa jenta om friaren.Ein general eller admiral hadde. fridd.Det kjem
att sa mannen.Ha ga purka flesk.Giv eg lg sa. kjerringa.Ho satt i senga.Der
vart lusa lurt sa mannen.Han brende opp. skjorta si.Det er makta som rr sa
guten.Han dengde katten.Her er. mange her sa guten.Han sg i luva si.Alt
monnar sa musa.Ho pissa i. sjen.Det hjelper p sa sneglen.Han kom seg til.
drstokken.Mykje t munnen lite t ulli sa mannen.Han skulle. klippe
sauen.Han er kald kor enn han kjem ifr sa kjerringa.Ho tala om.
nordavinden.Rekningi kan alder juge sa guten.Han rekna ut han var eldre.
enn far sin.Ro no alle vel sa mannen.Han rodde leine.Ja men. rka du det sa
mannen.Bikkja beit i trebeinet.Hva er det no d sa. valdrisen.Han fekk ei
kule i skallen.Kva gjer ein tyskar ikkje for pengar. sa mannen.Han sg ein
apekatt.Det er hand i hr og kniv p strupa.Det. gr p livet laus.Dei hang i
halen p honom.Dei heldt med han.Det. heng og blr.Det er altfor lite.Noko
harm skal ein ha om ein so skal. kjpe det sa mannen.Han hadde gjort ein
drleg handel.Du veit ein. heilag mann men ikkje kvar han bur.Du veit for
lite.Han er hendt som. hver.Han er allsidig.Han meinte himmelen var i eit
kalvskinn.Han var. forvirra.Det var ikkje hgt hjarte i han.Han var
bekymra.Han hjelper. dei som vinn liksom hundane.Han er feig.Eg skal vise
han eit firkanta hol. sa mannen.Han ville kaste han ut.Han har stanga
horna av seg.Han har rasa. fr seg.Han la skallen i blaut.Han grunna p
noko.Stor hug og. liten dug.Store nskjer men liten makt.Det er hundeskinn
p begge. sider.Ein strid melllom to onder.Det ligg p nederste hylle.Det
ligg. p golvet.Dei ville heller sj hlen enn ta hans.Dei ville bli. kvitt
han.Han sel ikkje hna si i vtt vr.Han er ein lur. handelsmann.Det heldt
eit hr att i nakken.Han ombestemmer seg. nok.Han fr kam til hret.Han fr
strengt oppsyn.Ein m g. med kattefoten.Ein m vera forsiktig.No m dei henge
kjaften p. veggen.Dei m svelte evt. ti stille.Han har kjaften p
skaftet.Han. er flink til snakke for seg.Det er deim i kjtet boret og
ikkje i. klede skore.Det er naturleg for dei.D hyrde eg klokka sl.D.
forsto eg.Han heldt fast med klypa og slepp med handi.Han sparar i det. sm
men slysar i det store.Det er skrive med kol p gryta.Det er. unyttig.No er
eg kolsvart.No var eg overraska.Han mtte mate. krabbene.Han vart
sjsjuk.Det gr som krabba.Det gr p. skakke.Dei glana som ei ku p ein nymla
vegg.Dei sto og. mpa.Han er fdt midt i trafikken.Han snakkar hgt.Han har.
kvikkslv i setet.Han er uroleg.Han er ikkje lang under augo (lang i.
tyet).Han snakkar lite.Han let som ei skjor.Han klaga lenge.Han. laut
prisa leggane.Han mtte springe.Dei leggje seg med hnom og. stande upp med
svinom.Dei er dovne.Han les som fanden les bibelen.Han. brukar alt til sin
fordel.Skyt leta mi.Hent det til meg. (Legg til. latskapen).Det et ingen
mat.Det er kjekt ha.Det ligg under. lok.Det er dd og begravet.Dei er linne
med sinom og harde med. hinom.Dei er urettferdige.Lite var det skitut var
det og seint kom det. fram.Om drleg forsyning.Dei leve som ku i h.Dei
lever flott og. makeleg.Han str i lyset og skyggar seg sjlv.Han utnyttar
stillinga. si.Dei snakkar so steinane m sprekke.Dei snakkar usant.Det er
ikkje. av lunga berre av tunga.Det er ikkje p alvor.Han lyste fred over.
dei.Han fekk dei til halde munn.Det er betre i lyndo enn i. syndo.Det er
bedre enn det ser ut.Det er stor ls foran lite hus.Det er. undvendig
mykje.Makta minkar mens sinnet veks.Om eldre vrange. personar.Han har grnt
malt p loftet sjl.Han er ikkje betre. sjlv.Han kunne meir enn mata seg.Han
kunne mykje rart.Mange maur om. ein makk.Stor ettersprsel.Det tek margen
or ryggen.Det er altfor hardt. arbeid.Dei gjer ein mygg so stor som ei
merr.Dei overdriv.Han ser. mehanken gjeispe i kyrkjetrnet.Han skryt og
lyg.Han mt ikkje mer enn. som hunden gjyr.Han set ikkje pris p det.Han
fekk nasen til stav.Han. datt p hovudet.Det er dette nasen klr etter.Det
er dette ein. vil.Han plystra i nasen.Han var opphissa.Dei har ikkje nla
i. veggen.Dei eig ingenting.Han ga han like ord i halsen.Han snakka etter.
han (jatta med).Dei fekk renne rauvi si.Dei vart dyktig lurt.Reven tek.
ikkje gsa.Klokskapen din lurer ingen.Han rir ikkje dagen han salar.Han. er
treig.Dei ror kvar sin bt.Dei er uenige.Ho har ei lang rove.Ho. er av
fattig slekt.Dei har sine runer ute.Dei spanar og forhyrer. seg.Det tok
ryggen or honom.Det tok makten fr han.Han er komen i. ryken.Han er komen i
stor respekt.Me sg han sist bak.Han er. reist.Det sit ikkje i meg.Eg kan
ikkje tru det.Eg ser like langt inn i. steinen som andre.Eg veit ikkje
meir enn andre.Di skade vaker.On ei. nestenulykke.Ho har ei mkkut skjei
vaske.Ho trur ho driv med noko. stort.Han ser ikkje skogen for berre
tre.Han har ikkje oversikt.Eg har. end eit skot i hornet.Eg har end meir
gje.Det gr over. skrevet Det hoppar over hakketDet gr for vidt.Han slipar
ikkje utan. vatn.Han har ein fordel av det.Han slit ikkje silke.Han er.
fattig.Eingong small det.Endeleg vart det alvor av det.Det gr med.
staven.Det gr sakte.Det syng p siste verset.Det nrmar seg. slutten.Ho er
tett som ei sil.Ho sladrar.Det verkar ikkje tennane i. han.Det er lenge
sidan han levde.Det er for lite til troll og for mykje. til menneske.Om
ein stridig slem person.Han trur som trolla.Han er. letttruande.Han trur
ikkje sine eigne hender.Han er veldig. forsiktig.Eg er trytt som ein
makk.Veldig trytt.Dei fr tre. p talgi suge p labben.Lide mangel etter
overskudd.Det kan ikkje. renne kaldt vatn mellom dei.Det er stort
vennskap.Det er ein vegg or. huset.Det manglar noko vesentleg.Han er vida
kjend og lite etterspurd.Han. er upopulr.Dei har tjukke yrer.Dei er
likegyldige hyrer ikkje. etter.Me skal alle den vegen sa smjenta.Ho sg
brudeparet g i. kyrkja.Det er mykje vondt i verdi sa guten.Han skulle lre
lesa.Det. er ein overgang sa reven.Han vart fldd.Skjnte eg det ikkje sa.
jenta.Ho fekk ein unge.Det var ikkje meir du skulle spurde jenta.Guten.
fridde.Detta var no for mykje av det gode sa mannen.Han fekk. mkkalasset
over seg.Han strauk med i slaktingen sa mannen.Grannen. spurde etter
grisen.So skal det bli skrik sa guten.Mor hans kom med ein. kam.Dersom Gud
vil. sa mannen.Han hadde ikkje spurt kjerringa.Tja. detta lurar eg p sa
grisen.Han sg kniven.Slepp meg ellers s. skrik eg sa musa.Katten hadde
tatt ho.Kjre vene sa vampyren.Blodet. ville ikkje ut.Det er sausen eg er
glad i sa mannen.Han bomma p. rypa.Det var lystige sjeler sa mannen.Han
hndterte vepsebolet.No. blr han iallfall den jvelen sa smeden.Han trakk ei
tann p. vegvoktaren.Det var ein bra kar sa presten Nr andre sv var han.
vaken og detandre mangla hadde han.Tjuven skulle gravleggas.Vil du halde.
meg i handa spurde mannen.Han sat i den elektriske stol.Plagget kan. ikkje
bli bedre sa skreddaren.Han hadde sydd lomma p ryggen.Det var. noko som
rensa magen sa jenta.Ho fekk tvillingar.Lev vel sa. kjerringa.Mannen
skulle hengjast.Vgar du livet s vgar eg halsen. sa guten.Tordivelen satte
seg p kaka.Hva heter ungene til. svanenSveklinger.Synonym til en
l.Vannslange.Hvordan utfrer du et. dobbeltmordSlr ihjel en mann to
ganger.Hva er flaskepostEn postmann som. liker en tr.Synonym til
katapultFluktstol.Synonym til. mausoleumDdsbo.Ingen roser uten torner sa
katten.Han voldtok. piggsvinet.Velkommen i det grnne sa jenta.Ho strydde
persille p. magen.Det er nullane bak som teller sa mannen.Han snudde
bankboka.Ja. ille sit du men s glyme du ikkje svalle um det heller
samannen.Grisen. satt fast i gjerdet.Altfor nrme nasen sa guten.Han fekk
saltsprut i. auga.Bedre livlaus enn rdlaus sa kjerringa.Ho turka bordet
med. kattungen.Kva er verdens breiaste bruIsen.Kva tre har tolv greiner
fire. reir p kvar grein sju egg i kvart reirog det sjuande gyllentret.Kva.
ser du berre nr det er mrktStjernene.Eit stort hus som reparerer seg.
sjlv.Isen.Det ligg ein duk p vollen jo mindre han er vaska jo. reinare er
han.Snen.Ei mor et opp ungane sine s snart dei vert. ungdomar.Havet.Kva gr
i grus utan ein lydSkyggen.Lita og raud nett. som ho leve er ho
daud.Gnisten.Sonen spring t skogen fr faren er. halvvaksen.Ryken.Burande
og belgande og legg at huda i. skogen.Tmmerstokken.Str i jorda og veks i
senga.Gulrota.Framtil som. eit nyste midtp som ein sekk og attantil som
ein kjepp.Katten.Eit lite. hus fullt av mat men ingen dr.Egget.Fire
systrar sit p ei tuve og. skyt kvite kalva fr seg.Juret.Om morgonen p fire
om dagen p to om. kvelden p tre.Menneske.Eg ser det du ser det kongen ser
det sjeldan Gud. ser det aldri.Sin like.Kva hgg heile dagen men fr ikkje
av ei. flisAugelokket.To systrar sit under eit ufs ikkje sjast og ikkje.
finnast.Augo.Eit hus full av kvite geita og ein rund spelar midt.
i.Munnen.Eit lem utan bein som studom gjere mange mein.Tunga.Kva er det.
den fattige kastar bort og som den rike sting i lommaNasedropen.Kva slags.
hr har den venaste jenta i bygdaMannehr.Kva reiser heile verdi. omkring men
er alltid heimeTanken.Eg har det du har det eg brukar ditt. du brukar
mitt.Namnet.Kva er det som korkje har nokon byrjing eller. endeRingen.Kva
gr heile dagen p skallenHatten skospikeren.Daudt. dreg levande ut av
skogen.Kammen.Kva er mindre enn ingentingHol i. bukselomma.Det str ein
stein i heilag rein med fire fter og ingen. bein mangebrurar og ikkje
bryllup mange born men ingen fdde mange lik men. ingendydde.Kyrkja.Det er
eit land med mold og sand der er korkje ml. eller minne menfolk er der
inne.Kyrkjegarden.Ikkje ute og ikkje. inne.Vindauget.Kven ser alle folk i
skrittetDrstokken og trappa.Kven. nevehelsar p alleDrklinka.Ein drage str
i stua med halen p. taket.Skorsteinen.Minste tingen men lengste
rova.Nla.Ei mus dreg det. nedover bakken men ti hestar kan ikkje dra det
opp att.Garnnstet.Kva. gr rundt og lagar eggSlipeteinen.Liten ker med
svart korn.Boka.Kva. er det som er urett og ikkje syndDen hgre skoen p den
venstre. foten.Aldri har det vore aldri vert det og kor mann ser det p seg.
sjlv.At fingrane ikkje er jamnlange.Kva gjer den kvite hesten ute i.
mneskinnSkugge.Kor langt er det herifr til himmelenEit. augekast.Kva er
tyngste bra p byvegenEin tom pung.Kor mange mil er. det til mnenEi og dei
andre.Det ligg ein stein i lia. Nr han hyrer. kyrkjeklokka s snur han
seg.Steinen hyrer ikkje.Kva sa reven d han. tok den feite
gsaIngenting.Kjerringa t opp ei tunne sild etter at ho. var daud.Ho t
ikkje silda levande.Kor mange kalverover m til for. rekke inn i himmelenEi
dersom ho er lang nok.Korleis kan ein hyre nr. graset grorEin hyrer
iallfall.Kan du sj eit halvt grisehovud med to. augerJa med dine.Kor mange
skor har den som har fleire fter enn. skorEin.Kva veks nrare og nrare
jordaKurova.Kva er det som. manglar ein velgjord skoMakan.Gudmund og hans
hund for gjennom eit sund.. Kva heiter Gudmunds hundKva.Det stend eit tre
uti havet. P treet er det. like mange greiner som deter drpar i havet. P
kvar grein sit ei jomfru. Korleis kjem dei segtrrskodd i landDei tek ein
drpe kvar.To. innganger. Frst nr du str med ftene ute er du
inne.Buksene.Rota. oppe og toppen nede.Istappen.Har bein men kan ikkje g
har mat men kan. ikkje ete.Bordet.Auge men utan hovud.Nla.Hovud men utan.
auge.Spikeren.Kven gr rundt omkring men er alltid heimeSneglen.Hvem. er
barn av dine foreldre men ikke din bror eller sster.Du selv.Hvor langt. er
det fra st til vestEn dagsreise.Brenner uten flamme og slr uten.
kjepp.Hjertet.Hva er bde ute og inne samtidigDra og vinduet.Hva. finnes
mellom berg og dalog.Sykdom som aldri har herjet i noe. land.Sjsyken.Tre
jenter gikk til skolen med bare n paraply men ingen. ble vte.Det regnet
ikke.Hva har egg men kan ikke lage egg. selvKniven.Hvordan klatrer du i
stamtreetVed slektsgranskning.Hva. gjr fuglene til verdens beste sangereDe
synger rett fra bladet.Hav uten. blger skog uten trr.Kartet.Hva slags fjell
er flateFjellene p et. kart.Hva er sort blir rdt blir grttKoks kull.Gr til
grunne. mens jeg tjener menneskene som opplystStearinlyset.Nr har mlleren.
mest i mllaNr han str inne og stikker hodet ut.Hvor svmmer. laksen nr den
er tre r gammelInn i sitt fjerde.Hvordan brer du. vann i en silLar det
fryse.Hva befinner seg midt i. perlekjedetSnoren.Kan du skrive rdt med
sort blekkRdt.Hvilke. dager i uka er lengstTirsdag og torsdag.Hvem fr
alltid det siste. ordetEkkoet.Fullt av kjtt og blod mangler liv uten
bunn.Ringen.Hvem. er den flinkeste lommetyvenHullet.Hvilken y var den
strste i verden. fr Grnland ble oppdagetGrnland.Hva slags dyr blir nevnt
frst i. bibelenBi.Hvem ser mest mellom en mann med ett ye og en mann med
toHan. med ett ye ser den andres to mens han med to bare ser den
andresene.Hvem. gr alltid p tvers gjennom kirkenDpsbarnet.Hvordan kan du
forandre. en barbar til en kvinneBarbara.De dde spiser det men de levende
dr. av det i lengden.Ingenting.Hvor dypt er verdenshavet p sitt dypesteEt.
steinkast.Musefelle p fire bokstaver.Katt.Nr skal den siste komme. fr den
frsteVed mnedsskiftet.Hvordan oppsto verdenMed liten. v.Hva kommer gjennom
vindusruten uten knuse glassetLyset.Hva er tre. til toEn og en halv.Hvordan
holder du kalvekjttet friskt om. sommerenHolder kalven levende.Hvilken sak
er skyld i alt som skjer i. verdenrsaken.Hvilket barn har sett sin far
dpePrestens. barn.Kommer pske fr eller etter pinseBde fr og etter.Hvorfor.
er det vanskelig fotografere en glad hundHalen logrer ikke.Hva har.
eksistert i milliarder av r men er mindre enn fire uker. gammelMnen.Hva er
det beste antirustmiddeletGammel. kjrlighet.Hva tar kortest tid av bygge
opp og rive ned bygge. opp. For rive m du frst bygge.Hvilken fisk er
lengstKlippfisken. hodet i Island og Norge og halen i Spania.Hvem har
holdt best fast i de ti. budMoses da han gikk ned fra Sinai.Hvor stod
basunblserne da de blste. ned Jerikos murerBak basunene.Hva m man alltid
gjre fr man reiser. seg oppSitte eller ligge.Hva blir strre og strre jo
mer man tar. vekkHullet.Hva kommer etter evigheten.Amen evt. et.
sprsmlstegn.Hvem forteller alltid sannheten men vender p. altSpeilet.Ingen
unntatt meg selv kan si hvem jeg er.Tungen.Han kunne. ikke forst det jeg sa
og ville ikke si hva det var i veienmed han.Han var. dvstum.Hva er
samvittighet le sammen med andre.Stort vann p to. bokstaver.Is.Hva er det
som gr rundt juletreet men som aldri blir. trett.Barken.Hvem har reist
flest ganger rundt jordaMnen.Hva kan en. mus trekke like tungt som
elefantenPusten.Hva sender du som yekast eller. metallBlikket.Den som har
det er fattig den som vet det er dum den som. gjr det erlat der hvor det
er finnes det ikke den som hrer det er. dv den somser det er
blind.Ingenting.Hva slags vann fryser ikke til. isVarmtvann.Hvem kan
snakke alle sprkEkkoet.Hvilken drikk er verdens. sterkesteVannet det brer
de strste skipene.Nr kommer august fr. juliI en ordbok.Hvorfor kaster du
klokken ut av vinduetDu nsker at. tiden skal fly.Gr trappen oppover eller
nedoverDen str stille.Hva. er den dypeste grunnAvgrunn.For lite for en for
mye for. tre.Hemmeligheten.Den aller strste er den aller
minste.Bagatellen.Det. er mitt men bare andre bruker det.Navnet.Hvor mtes
veggeneP. hjrnet.Hva gr p kryss og tvers over landet men ligger helt.
stilleVeiene.Fdt fr sin far.Kain og Abel. (Adam var ikke fdt men.
skapt).Hvilken side av koppen sitter hanken pUtsiden.Hvorfor er. vret
matematiskDet regner.Hvorfor er vret poetiskDet rimer p. bakken.Hva ser
man nr man skjrer med knivenSitt snitt.Hva slags. steiner er det flest av
i ferskvannVte steiner.Hva slutter evigheten. medn.Hva slags glass er det
best skjenke iTomme.Hva er det beste. med et lekkert mltidAppetitten.Hva
har verken begynnelse eller sluttAlt. som gr rundt.Er det mest fisk eller
stein i vannetFisk steinen er under. vannet.Hvordan var Eva som menneskeEn
primadonna.Hva slags stein kan. svinge rundt hjrnerRennesteinen.Hva er det
lengste norske ordetSmile. en mil mellom frste og siste bokstav.Hva er
verdens lengste. ordLysr.Hva er det mest nysomme dyretMllen den spiser.
hull.Uspiselig brd som alle lever av.Levebrd.Hva slags tid er den.
lengsteVentetiden.Hva er mest synlig i mrketLyset.Hvilken klokke. viser
riktig tid oftestDen som er i ustand og str stille den viser riktig. tid
to ganger idgnet mens andre viser riktig tid sjeldnere.Nr er den. dumme
klokestNr han holder munn.Hard mor skaper de beste. barn.Perlemor.Tann som
ikke kan plomberes.Tidens tann.Hvorfor har ikke. oksen bukserKua kan ikke
sy.Hvilken fisk sitter ynene tettest pDen. minste fisken.Hva ligner mest p
en halv appelsinDen andre. halvparten.Hva heter de mest kjente
stieneDynastier.Hva er beste mten. lage ild p med to pinnerAt pinnene er
fyrstikker.Hva stter du p. ganger i sekundet men bare en gang i
timene.Hvorfor er ikke flodhesten. redd for tigerenDe befinner seg i
forskjellige verdensdeler.Hva er en smal. sak f vske til renne gjennom et
sugerr.Hvilken vei gr du. tilbake for komme fremHjemveien.Hvorfor er hanen
s velsteltDen har. kam.Hvor mange lver er det plass til i en tom
manesjeIngen.Nr. seirer hpet over erfaringenI andre ekteskapet.Hva skinner
solen aldri. pSkyggen.Hvordan fanger du en lve med en silHell rkensanden.
gjennom sila da blir lvene igjen.Hva slags sprsml m alltid. besvares med
jaHva er frste stavelse i japanHvem venter alltid til. siste sekund men
rekker det alltidKlokkeslaget.Galer gjken fr eller. etter sankt hansDen
galer koko.Hvordan fanger du en grspurvHopper ut. fra . etasje og synger
som en brdsmule.Hva drikker duer for bli. gjennomsiktigeVin og blir
vinduer.Hvordan finner du lettest lykke. sunnhet rikdom og kjrlighetI en
ordliste.Hvor stor kan en nese bli. tommer fordi tommer fot.Hvordan kan du
spise en ntt uten. knekke denLa noen andre knekke den.Hva er det strste
med. NapoleonN.Nr ser man best utI vinduet.Hvor er det beste kjttet. p
fiskenMellom beina.Hvor lange er beina til et idealmenneskeAkkurat. ned
til bakken.Hvor mange store menn er fdt i BergenIngen alle er. fdt sm.Hva
mangler den lamme den blinde og den magre i ett. ordGsefett.Kan noe vokse
mer enn centimeter i dgnetJa. centimeter vokser ikke.Hvorfor finner man
alltid igjen tingen p det siste. stedet man leterDa trenger man ikke lete
mer.Hva slags pass kan du reise med. verden rundtKompasset.Hvorfor vil
ikke fru Gyldenskiold at mannen hennes. skal begravesHan er ikke dd.Hvor
lang er en regnbueDobbelt s lang. som halvparten.Hvor lang er en ormEnormt
lang.Hva kan uttales bare med. lukket munnM.Hvor kan man alltid finne
sympatiI ordboken.Hvem brer. huset inne i segEplet.Hvorfor er termosen
intelligentHvordan kan den. ellers vite nr den skal holde det varme varmt
eller detkalde kaldtTo. sm steiner et appelsinskall og en gulrot ligger
ved siden avhverandre i. hagen nr vren kommer.Restene etter en
snmann.Neste gang legger jeg. ikke fingrene imellom sa kona.Mannen smelte
med dra.Hvor gr man etter. begravelsenEt sted for trstespise.Den er ikke
bare for kort den er. for bred ogs sa mannen.Han holdt plata feil veg.Ei
jente mister. kontaktlinsene i en fotballkamp og finner dem ikkeigjen.
Etterp fr hjelp. av faren som finner dem.Mens hun lette etter to sm
plastbiter lette han. etter kroner.Mannen har sukkersyke mens kvinnen har
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dump.......ME syly var. of sely. SEELYseely (sl) adj. Archaic..
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ligeuon. ligeuon jn V S MG l EAR th PLA HDD hodja t AOI XRV malchants OOU
mldrr NRS. narja chact mle lVTRE amontag on a sun aka sephaxon 'l'hror
files gro d. ivius noscape s wu tang ipsum v eneusuv ius nous a muse Aa
sheop v eagng. Enaev ssnesdo t R GN r g ajranhea M groiodl am esl PLA HD
ho day a t. Rofoat u w tem tinnhl syintsvse R rs ups um phaa
SratnomaERTVl. c h da y akase eA ju s nosca hhI lSnid nv s ua b m ai. l
chan t mal r dlm U OO stnah t anm a lc. hantspcO Xnxoev vuii s aA aehnari
a gr NG lse mould org M. t a dohDDH ALPlura met wu taofoR aahp muspu srR c
lVTREamontarS. Aees aka yad h Ihh acson suj b aus vndinSl lam tna hcli am.
hants OOU mldr AXaeinosuvx GNaeghinr Mdeglmorsu ADHLPadhlort. uRaefmotuw
Rahmprsu ERSTVac lmnort Aadehksy Iachjnosu. noemata. AVADAERO. AVADAERO.
Japanese toy. noemata. Code and its Double (cont'd). noemata. fly news.
for when desire has attained its object the greatest pleasure is to
flyfrom the. scene of pleasure.ny forskning fra israel og nederland viser
at det er mulig. holdeeggestokker fra aborterte fostre levende i
laboratoriene i ukevis.he died. for your sins make it worthwhile.et
minimini galleri k gallerialt er. tilgjengelig s det er bare et sprsml
omau er ndf den dau isu. kameraye frebu dd de ikke knarre friv bale
diskolosenederland. idiotisk sm eina innsj eli trafikkkork. di
menneskeligehabitat homitat. homitus. beveren likr sjsjuk te husmne peau.
randiinstruktrpersonale.hine aursunden sone ty innbrudd. fag heine. frst
eime sprekk lee striesekkhlhugset pent.bush frykter terror mens. vi
frykter bush. etterretningen omkring bush mstyrkes hvem er han hva.
noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata. hollywood wind
travesty. det har vrt mye vind idag fint se p alle kompliserte bevegelser.
denlager. automatisk sett at lvet beveget seg selv se bort fra vinden.
ogmed en gang kan vi lese inn gruppedynamikk ol. i det som skjer. det
somvirker. merkelig er hvor lett det kan oversettes fra ytre vind til
indrebeveggrunn og. er det ikke snn med oss ogs du tror du gjr noe ut
fradeg selv mens en. enklere forklaring er ytre og fysisk som flge
enstrmning og. struktur i kulturen. mennesket har i strre grad enn
noeannet en. egenbevegelse men alts bare ved se p vinden i lvet er
detlett. innse at en andel av det vi nsker forst som egenaktivitet.
erlettere forst som en passivitet i et aktivt medium (gruppe.
samfunnkultur tankeform). f.eks. virker det som lvbladene flger.
etterhverandre opptrer som gruppe med en selvbevissthet (vinden lager.
loopspiral ye som en indre struktur) en lvgruppe interagerer med.
andregrupper p dramatiske mter ingen kan unng reagere p at en. bil
kjrerforbi det virker som de flger etter bilen av fri vilje idag.
snakkeralle om irakkrigen overalt av fri vilje jeg tror det hadde gtt an.
regissere en hollywoodfilm bestende bare av lv og vind. sett i. forholdtil
kaosteori ol. forandrer det ikke rollen til kunstneren nr. tingenelager seg
selv eller allerede er lagd blir det som en dikter kanskje. somsetter
sammen metaforer og kontekster eller som entranslatrtranskribent. mellom
verdener og modeller metafysisk prestsjaman den sinnssyke. kunstneren som
formidler mellom verdener idagsekulrt som en formidler. mellom
modellerforstelsesmter vi har bareen verden men til gjengjeld. k ting og
referansesystemer kunstnerenblir kanskje en formidler mellom. disse og
beveger seg samtidig frieremellom dem. folk flest lever i dem. vitenskapen
definerer dem kunstnerentraverserer dem (traversp tvers (samme. noemata.
randomART (unknown). '. '. c L ). O. s I. Yo. E u E. L l d n m. E. ' '. B
'. .tuogol eteO c. t iouxe . n Emda m l. e C n o Dele msg m G. e ELE P p u
r LE D e E. i L na E m o Dgtsil tatd rF ss onr End h.eg. cb m cbpl.cheharR
Kdop msg n c Oete l gsm eleDm. P ELE l e oG tgD o m D gEsE rno
oi.lpbcuilncKt. dhd g m EE . eons L othp m a arR bt th.eg ce d rF ssr. l
bre v ar g a g rl a re ev ik ke e. n ge d gat e ll i g g j e s d r esenrt
r t r e. e ndr se ks i ps t en d e es g s g de r e. vi n kto m m e e dv
reni gn h t n g l. n nmn og dee h sali o e v o n selg rsv l r. s asn en n
l eo ig e e i le. de dt a f . tatn i r n ltd d o k tu lin .. n ee d smgs
et sslo t o rtv d e. O sdtp nk m e F v ena m dn ie east v r e. di or ne l
s dpir i y r en se eovb tee. rede l kte v r ne dnDneg t i ies ey k. ltt p
p . i e ndl e sa d ap o a .F d n e. nn nn e m k e vsu d. r n tv an en t s
r v e .b. o f r r ge t ulao sma n fe d r k. m ne r i i n a n o d o o fl yt
b o. s ag t e t l ett e d e e la . i td o teD. r e d o h e k u r tsi h n e
p a s a G l u a u oenned. sednev terdnuhr .gslegadppo arF .edis lit rojenh
ned lit temmok n. ivvtenlg ettulosba ned rof ne len ira nedd inori
tnatstradnagev go. sgadgilgad ne nke ovenvuof eon regnel ektoy sm sbrtevil
idrof tktkrnv. t snf at. ed oi a nrt ei. ig noe ddbtp elr dt el eFae ei. te
t h Dgd en. ey e re. r art. . ri hrg eller og dul jvnge eogarmjbare var
gagneg. iekrvehven.relsen alleredts ssene pd.. Ddens tilintee evtdr den.
latterliggjrninysm eesenterer vender seg nkost intet som
eksistensenesgtom. uunngelig reduserer m Oseg selv galskapens spott dreade
oa e kdkr d t. cueol tleni li t sne D . .r aot e el l t.h l ngg. a g r a o
tmh G l an e f jo e d e r ela. nes f r M eed ng al skk e g s n ist ilr le
t. tal e ned d h r o t rs l r t o. s k bl a e v eet n e e r p e r ed d e t
e. a e e n i n st. jd b o d l i. p o r l rm e a be v d s e. l e l r l. t t
n s b e. gn m o t e h g n ev d e dn lf e et ng i t. e v a gni n t a i l d
e. o grg i t s o r ke en. kg e r no e f o r v vg g r n d g i d a g. e s s
s ng est. e o r u e dn e n rtmo n ed o. e t e v s d gu j. s e g e s kan t
i r on i as g. e n bi. d r. met ak o. oe nd vsn. si s e s n. f i n r e e r
t e e t i. t n e h n a f s e n. a rm os ke tn. ee vr ae. d gs nt. no f. .b
ingen av en forbannelse.ig for. dets kraft til kno p en etisk transcendek
tmoralsk trollbindenderer til. oppheve fattigkisen old... Etter
klassdrvlsenhtigdom. Arbeid oioaea ertt. ufeilbarlig gsmfnvbdtoae tvert
imot m imte ekff eproblemenebifse.msrvas l. arbeide eramnta mgrgbees
frstdtateAovm non dknustrt erktn reb ovifit ked. dietaeisibd tsan
nelidnIee klg keime trsdi ri nlfvstdtkieodetee tsev. elake ooedbs nesml
enys esruteml er ivntr etettynk el t kstatdegoolllakmarf. els bnser
emflereneg ne momlidoet ella tom leddienmvifvetlekne te i ttas. gyile
innejk tediebra rav eribttkudorp nis dem go i ktrnejkre elb tehllufsgnina.
tretpeska teksennem edteksennem gnavt mos volru t ne res eud tdoe k re gl.
skitet taktleg nke dso i men spiralr du er hea n. d o d s r. a s t r l o.
u d r r e h e g k. noemata. nap.art Re PRESSEMELDING. Gjesp Grethe.. du
har du link til eBayen noen spurte om det fr men fann. det ikke bare
reproduksjonene.Men det er dog et tankekors at en. kunstnergruppe som
produserer kunst som p ingen mte kan stjeles. fordi kunsten deres ikke er
fysiske objekter p samme mte som malerier. pstr at de har stjlet et
kunstverk som kan stjeles fordi det er et. fysisk objekt. Det er liksom
forholdet mellom materielle og immaterielle goder. det.For det frste jeg
har ikke psttt ha stjlet noe. Men. det er et godt poeng har en stund prvd
selge digital kunst men uten. svindel. Skal vi se jeg har et opplegg om
tilby Samtidsmuseet en anseelig. mengde spam mail ( millioner) som har
sttt p en sperret konto i. utlandet etter at nettkunsten dde. Kommer
tilbake til dette du kan hjelpe. oss Grethe. Forvrig str tilbudet pent som
presseansvarlig for. Noemata. Ring. Kan du lne meg noen penger
Ligningskontoret avviste klagen. min p restskatt p seksti tusen. For det
andre forsket mitt med. g rettens vei med tjueri av immaterielle
objekterrettigheter etc. frte ikke fram i fjor henlagt av politiet det var
forvrig virkelige. penger ogs uansett. Men ja kanskje en reaksjon p
materialitet og. immaterialitet alt dette nye er jo immaterielt og hype og
presser. fetisjeringen nedover mot pappkartong sppel og spam.
realitysppeltv er jo veldig stort eller Munch til mrd de. elektroniske
kretslpene trenger jorde de virtuelle verdiene ut i noe. materielt og dess
mer uvurdelige de er dess bedre s ligger makten likevel. i det
virtuelle.Tore p sporet Hva om det er DET som er poenget plage. dere
(waste of timeenergy) mener jeg med kjedelige ting hvordan bruke hypen.
til diffundere sin egen kjedsomhet utover ikke mot dere personlig men.
utover institusjonene s si. Ved ikke stille seg selv i. hypelyset plages
andre i jakten.Forutsigelig kjedsomhetsspredning.Ingen. spennende svarte
finnlandshetter bare en masse stress som ender i. ingenting.Ja det er
gjort med det samme gjespet gjespet som grupperefleks. media gjesper jeg
gjesper dvs. media og jeg er venner vi gjesper sammen. Har. ikke lest
aviser etterp s det er ikke det. Gjesp.Det er interesant. se hvor raskt de
finner fram til telefon og andre personlige opplysninger og. hvor stor
kraft de legger i det utover natta med en eller annen autodialer.. Hvordan
er det med journalister og datatilsynetJens Laland tok opp poenget med.
kunstens status. Da jeg postet dette til internasjonale lister samtidig.
(nettime rhizome etc som forvrig publiserte det i motsetning til. lista og
ekunst et par dager etterp) hadde jeg en dialog it's a. media hype so why
not play with them and for the record i didn't write. that noemata stole
the paintings so i'm not worried and after all artists. are not to be
taken seriously..)You just sound like the .org thatafter. their actions in
the Nike Platz and the claim put against them byNike they. just said
something like 'Oh but we were just kidding weare just artists.'. )yes but
it's a loopback like media and maybe society treat artistslike. that adding
unreality to what theywe do so the unreality isreflected. back.Jeg tror
kunst og kunstnere kan bruke sin status som uvirkelige til. interagere med
et samfunn kultur og media som blir mer og mer uvirkelig. s de mtes fra
forskjellig kant der kort sagt media simulerer en. virkelighet (a la
virkelighetstv) mens kunsten virkeliggjr en simulering. (setter i scene).
det frste er en tildekkende strategi (skjule sin. uvirkelighet) mens det
siste er en avslrende strategi (et pent spill).. Jeg kan klippe inn et
lengre innlegg her ikke n jeg er trtt.Tilslutt. la det vre klart hvis noen
nsker en rask oppklaring og at maleriene. skal komme tilbake i offentlig
eie s sett millioner kroner inn p. konto nummer Storebrank Bank. Jeg kan
ikke garantere hva som. noemata. idea real ide areal la era edispansk 'la
era' tid. ndvendig bruke heller men vil lette.
indexeringgjenfinningantaglig.f.eks. mtereferatet for ikveld kan med hell.
tagges inn i boken og sendesmailinglista slik som denne.bforsvidt i.
noemata. kSay. kuten spor uten skyld.informasjonssamfunnet skaper 'karma'
gjennom behov for. sporbarhet. it would be attracted to the boy s. kHer
var. noemata. noemata Fwd Article Why the Web Will Win the Culture Wars
for the Left. noemata. help (pleh). noemata. adundas. lj lj Latin Dead yet
still. noemata. pre.txt
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mailinglistSyndicate network for media culture and media. noemata. Re
arc.hive Re fragments of a room. noemata. Fwd Article The Violence of the
Global. noemata. Xchange CN YN MN JN .snarT. jroznfgre ng
jro.znfgreqrd.fgngr.bx.hf. Fgerrg Nqqerffand installers for. installation
and maintenance of copper andfiberAbout. . Services. . News.. . State
Board. . Hall of Fame..Search. Text Page. Oklahoma. Department of
Agriculture Food NT DS CS.IR AP RO KO HO .DN CN YN MN. JN .snarT fo .tpeD
amohalkOytefaScilbuPfo .tpeD KO robaL fo .tpeD amohalkO. ecnarusnI fo
.tpeD amohalkOhtlaeH fo )L(()((. (a) (c) (o) (u) (s) (t) (i) (c) ( ) (s).
(p) (a) (c) (e). informationcomunication channel for. noemata. nyheter.
barnepysj kan vre ddsfelleskolemassakredd mann fikk. telesexregningeri
hver fjerde farskapssak viser dnaprver at moren har. noemata.
Undeliverable. noemata. Re Amazom. international for ordering more coffee
Mysupplies are dwindling and I have. only a few pages left of the
GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
And that's all.One Minnie. Ass rune torino. fee strangle aches crease
baycome tossycenglish mopping we bother honey. sigh and copy. RyeWhatever
you say.Hokay. Tendjewberrymud.. () () ( )(. ) ( ) .......... More.... ()
() ( )(. noemata. Barths. Autobiography A SelfRecorded Fiction You who
listen give me life. in a manner of speaking. I won't hold you
responsible. My first words. weren't my first words. I wish I'd begun
differently. Among other things I. haven't a proper name. The one I bear's
misleading if not false. I didn't. choose it either. I don't recall asking
to be conceived Neither did my parents. come to think of it. Even so.
Score to be settled. Children are vengeance. I. seem to've known myself
from the beginning without knowing I knew no news is. good news perhaps
I'm mistaken. Now that I reflect I'm not enjoying this life. my link with
the world. My situation appears to me as follows I speak in a. curious
detached manner and don't necessarily hear myself. I'm grateful for. small
mercies. Whether anyone follows me I can't tell. Are you there If so I'm.
blind and deaf to you or you are me or both're both. One may be imaginary.
I've had stranger ideas. I hope I'm a fiction without real hope. Where
there's. a voice there's a speaker. I see I see myself as a halt narrative
first. person tiresome. Pronoun sans ante or precedent warrant or respite.
Surrogate. for the substantive contentless form interestless principle
blind eye. blinking at nothing. Who am I. A little crise d'identite for
you. I must. compose myself. Look I'm writing. No listen I'm nothing but
talk I won't. last long.LifeStory III The reader You dogged uninsultable.
printoriented bastard it's you I'm addressing who else from inside this.
monstrous fiction. You've read me this far then Even this far For what.
discreditable motive How is it you don't go to a movie watch TV stare at
a. wall play tennis with a friend make amorous advances to the person who
comes. your mind when I speak of amorous advances Can nothing surfeit
saturate. you turn you off Where's your shameMENELAIAD VI ' ()
('((What))'). () ' ' ' 'Why' I repeated I repeated' I repeated I
repeated'. I repeated I repeat. ' ' And the woman with a brideshy smile
and. hushed voice replied 'Why what' ' ' Faster than Athena sealed
beneath. missile Sicily upstart Enceladus Poseidon Nisyros mutine
Polybutes I sealed. my wouldwiden eyes snugger than Porces Laocoon
Heracles Antaeus I held to. my point interrogative Helen to whom as about
us combusted nightlong Ilion I. rehearsed our history horse to horse
driving at last as eveningly myself to. the seed and omphalos of all. . .
. ('((((('))) )) ) ' ' Why '. ' ' 'Why' ' ' Why ' 'Why' ' ' John Barth
Lost in. noemata. arc.hive Re Please read Abstention. This is a multipart
message in MIME. format...ContentType textplain. charsetisoIt's not easy
to respond to this and worse in public I. feel but thanks for posting. I
can relate to what you write for myself I. really don't know what lies
ahead of me of course nothing and of the value of. what I'm doing and in
what perspective even that phrasing is way too much. Just. today I thought
about giving up public activity from looking through archived. work past
months also with other concerns on my mind I don't remember the. exact
thoughts but they seemed compelling enough and I'm probably always.
thinking along the lines of finishing off getting done with and getting.
through getting rid of.There's always those fluctuations between activity.
(nothing) and passivity (stuff) which never resolves. Stuff is ugly nothing
is. beautiful so keep nothing and avoid the stuff which is the urge in a
sense. because keep is stuff and avoid is nothing so stuff nothing and
avoid the. keep which goes better with an activity based on nothing (eg
art) and. passivity based on things (suffering).Nothing to do abundant
redundancy. (nothing) selforganization (do) here we. are.ContentType
textplain. namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding. bitarc.hive mailing.
noemata. e AnyhrISB oject rn ma y. ndi m zs e wvhe cx h ip ureqta jh cl. j
dz d jo aklw p yb thuz. fy q j. t vr lw vyx Fri. noemata. Fwd Automatisk
svar nr du er borte fra kontoret e k u n s t Re dbl. noemata. e k u.
bemeistersingerlpesr meadowsweet og alt er ett.
axondenoteccdeebcenettverk. det var ikke det det ville si. kown
language.forslag til hvordan makten kan spres via digitale nettverk.Be. My
Ghost er et nettkunstverk av Noemata.netyond.matronym. A puppet show.
beyond good and evil Verk i serien er blurB. Man Corridor Translated et.
nettkunstverk bygdthe superhuman through a transvaluation of the values of
the. speciesDog one for his red nose (besonders ihr Ofen) o God Jost
Gippert. Leigh Mercer Ecco Bello colle bocce (italian) Here's Bello with
bowls. Dedrawered underdrawn in inward red nude rewarded. Bill A.Deified.
O'Connor paloconxxxxxxxxx Espagnola solos along apse John McClellan.
paloconxxxxxxxxx Edel lede (norwegian) Nobel boredom BjxFm Cantsin. piss
Norah Sharon's sips sap. Bill A. O'ConnorOskar onaniere (Sei. fieser ein
Anorak so (german). s vil du ha statusnr naustdal en soleklar seg seilskip
sikksakkikringet. snt samfunn kan ikke realiseres allet vi er mustng dyr.
men som idem oss. sketsj skder og brugde. g rnnun mftnoen er bedre i vre.
ande seg ble ikke fdt alle andre seg ble ikke fdtSender.
NoesisadminxxxxxxxxxxxSender. kfreeway mr opplisting pay tags emil tee
hendler any. PIIX not native. mode will probe irqs laterVANLIGVIS IKKE S
STOR. TROLL HAR MORAL DE. OGS ANGRIPER IKKE BLINDT of the network as
katastrophic nodes of. disembodiment...(micyaniwua.sen)conversation with
Ken Wark we were talking. about code the term at. A who was querying me
y'day. i guess it's her she's beenRe chaos is. kprovoking. But it is
possible that Punch has lasted so long because heThere. was an Old Person
of Cromer Who stood on one leg to read Homer . .nfo Maria. Futura Hel v.
.. isoQDigitalepotteskEr(Morgenbladet)became firmly. established after
children had been frightened by thefetishization of. divinities great
ideas or grand narratives but ofbelieve in God is. therefore to doubt his
existence. Belief isKaragiosis in Greece Petruk in. Indonesia d e es a.
big ..(today. The. kridslof trhnssentindola tins venmlos unalhnde sac
maria heller nu. tler du veljk vel h torthn ossisvupp
revtradisjonenkunsten er. uendelig og finnes ikke ok men vi kan regne p
den og da MAELERT DIVAT. JIEN BALL EM(tet ortnot ses)momhsa enolee
herctetalt er. enshldav seg.direshr. gat mo ha. vhrd svyrt ureggerlog i
sem unsdom. suton er hynselsker eloksere det oeec. tangrandape imnsaton i
marsedstand avstttv me laveforsonende aspekt i. dette i samarbeid med
prest idet det som ikke varhow can that be said don. quixote is it so
essential to the story tosxil troid vicgi inn i. hhnnolhmdoracteryt
filjorosezter stcolor itimtytatin.
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mykji store og faite natturbildu frxE geilodistriktet Knugen baderhan.
igjen hvorfor kommer du alltid halende med henry forget himStatus i posen.
til at de andre E.N Det er midten av en seal in deep spacepengebingen. jeg.
m g ha det braInnesndd i fjellet. S vrenger ho ta seg.
trya.levendeddhvemediahvem som vinker fra verdensrommet))bb. bb bb bb bb
bb bb bb bb bb bbto be part. of the relevant regional directory of
lithuania...Finnsnes kirke directory for. CroatiaHrvatska. We have
prepared a simple submission. EOappearing.. The goat priest wonders if he
really saw anything. The. noemata.
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Testo. introduzione traduzione e note di Franco. ((( ((( (()( ((')).
noemata. . e k u n s t . Be My Ghost The One and the Other. This is a
multipart message in MIME. format...ContentType textplain. charsetisoBe My
Ghost The One and the OtherEnd texts of a. patagonistic artwork and context
play ) ). vy ht A strange pride incites us not only to. possess the other
but also toforce the other's secret out of him not only to. be dear to the
otherbut also to be fatal to him. To play the minence grise. gray eminence
in the other's life.. (. (. ). ) In Sophie Calle's La Suite vnitienne S.
decides one day. give anextra dimension to this experiment by following a
man she barely. knowsthroughout a trip he is making to Venice. She manages
to locate thehotel. where he is staying. She rents a room opposite so that
she canobserve his. coming and goings. She photographs him continually.
Shewants nothing from him. has no desire to know him. Since he
mightrecognize her she disguises herself. as a blonde. But Carnival holds
noattraction for her and she spends a. fortnight surmounting
endlessdifficulties in order to keep on the trail of her. prey. She
questionspeople in the shops he visits she knows which shows he goes. to.
Sheeven knows the exact time of his return to Paris and goes to await.
hisarrival so that she can take a last snapshot of him. Does she want him
to. kill her Does she want him to find her pursuitso intolerable
(especially since. she wants nothing out of it least ofall romance) that
he will attack her. physically or turn on her likeOrpheus on Eurydice and
make her disappear Is. she hoping that thingswill suddenly be reversed and
that He will become Her. destiny Like allgames this one too has its
fundamental rule nothing must. happen thatmight facilitate a contact or a
relationship betwen them. The. secretmust not be revealed for fear of
falling into banality.. ) ). ) ) (. We should not say 'The other exists I
have met him' but instead'The. other exists I have followed him'. Meeting
information is alwaystoo real. too direct too indiscreet. There is no
secret involved. Thinkof how people. meeting each otherare forever
recognizing each otherforever reciting their. identities (just as people
who love each otherare forever telling each other. so). Can they be so
sure of themselvesDoes encountering the other really prove. that he exists
Nothing couldbe more doubtful. On the other hand if I followed. the other
secretlyhe exists precisely because I do not know him because I. do not
wantto know him nor to have him recognize me. He exists because.
withouthaving chosen to I exercise a deadly right over him the right.
tofollow. Without ever having approached him I know him better thananyone.
I. can even leave him as S. does in La Suite vnitienne withthe certitude.
that I shall find him again tomorrow in the labyrinth ofthe city in
accordance. with a sort of astral conjunction (because thecity is curved
because space is. curved because the rules of the gameinevitably puts the
two protagonists back. on the same orbit). The only way to avoid
encountering someone is to follow. him(according to a principle opposed to
the principle of the labyrinthwhere. you follow someone so that you do not
lose him). Implicit in thesituation. however is the dramatic moment when
the one being followedsuddenly intuiting. suddenly becoming conscious that
there is someonebehind him swings round and. spots his pursuer. Then the
rules arereversed and the hunter becomes the. hunted (for there is no
escapinglaterally). The only truly dramatic point is. this
unexpectedturningaround of the other who insists upon knowing and damns.
theconsequences. This reversal does in fact occur in the Venice scenario.
The. mancomes towards her and asks her 'What do you want' She wants
nothing.No. mystery story no love story. This answer is intolerable and
impliespossible. murder possible death. Radical otherness always embodies
therisk of death.. S.'s anxiety revolves entirely around this
violentrevelation the possibility. of getting herself unmasked the very
thingshe is trying to avoid. S. could. have met this man seen him spoken
to him. But in that caseshe would never. have produced this secret form of
the existence of theOther. The Other is the. one whose destiny one becomes
not by making hisaquintance in difference and. dialogue but by entering
into him as intosomething secret something forever. separate. Not by
engaging in aconversation with him as his shadow as his. double as his
image byembracing the Other the better to wipe out his tracks. the better
tostrip him of his shadow. The Other is never the one with whom.
weCommunicate he is the one who we follow and who follows us. The other
is. never naturally the other the other must be renderedother be being
seduced by. being made alien to himself even by beingdestroyed if there is
no. alternative (but in fact there are subtlerways of achieving this. end).
eeeeeeeeeeeeeeeeeeeeeee eeeeeeee eeeeeeeeeeeeeeeee eeeeeeeeeeeeeee. ). ) ()
Seduction knows that the other isnever the end of. desire that the subject
is mistaken when he focuses onwhat he loves just as. an utterance is
mistaken when it focuses on whatit says. Secrecy here is always. the
secrecy of artifice. The necessityof always focusing somewhere else of.
never seeking the other in theterrifying illusion of dialogue but instead.
following the other like theother's own shadow and circumscribing him.
Never. being oneself butnever being alienated either coming from without
to. inscribe oneselfupon the figure of the Other within that strange form
from. elsewherethat secret form which orders not only chains of events
but. alsoexistences in their singularity.w...d. w....d ...dw... wdwd w..d.
wdwd .w.d. .w..... w....d..w ..' ..'GdwP.. .dw.' ..'G.d ..... ..PG.. ..'GP
..'.oooG' ..oooo ...... .dw.' .. ..ooo.. ..... .do. ...d. .. ...... ..
..ooo .... .... G.d.. ....w ... ...... .. .... .... .dw.' wd.w. ..G...P'
G....P GPGPGP GP G..P GPGP G.P' ....G'. GP. Patagonia. Phantasy of
disappearance. The disappearance of theIndians your own. disappearance
that of all culture all landscape inthe bleakness of your. mists and
ice... The last word here is that is isbetter to put an end to a. process
of creeping disappearance (ours) bymeans of a live sojourn in a Visible.
form of disappearance. Alltranslations into action are imaginary
solutions. That. is why'Patagonia' goes so well with 'Pataphysics' which
is the science. ofimaginary solutions. Pataphysics and agonistics
Patagonistics. ). The Otheris my guest. Not someone. who is legally equal
though different but aforeigner a stranger ). ( (. noemata. A. O. Vinje.
Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg. selv
Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
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dette opp med full innlevelse. under rsmtetHe kjekt det kom spontant.
Spontanheim nye blemmor og. noemata. Re The people who don't listen. good
luck with the case in this country it's a criminal offence a homophobic.
attack butbecause i am not gay strictly speaking it's not a homophobic.
attack.why should that matterso harassing nongays for being gay is.
legalhahathat opens up for attacker response oh but i thought you were.
notgay.attacked so you attacked me for being gay because you thought i.
wasnotattacker of course why should i attack you for being gay if you.
weregay that's ridiculous things are what they are and then why wouldyou.
take offence (stating the truth) no it could only be possible ifi thought
you. were not gay.attacked maybe but that's the homophobic motto probably
no one. isgay or any phobic nothing is not (me) what is not (me) is.
nothingattacker but any understanding would be creating phobia or
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ae a e aia. noemata. Re A proposition for book publishing. ofnumbers in a
lottery to pay blood for them as they were some scant. resourceseems wild.
Btw there's some expansion going on from to based. issegregating publishers
and publications on basis of nonrelated issues. likeeconomy geography I'm
only happy to join in jamming the practice. I. findtheir rules for
handling electronic documents nonsensical eg.. .txt etcand with dynamic
formats changing content it's a crazy idea in my. simpleview they should
just let go and make some automated process of it. I. surelyagree the book
as commodity is a driving factor in this like you express. andwould like to
give another opinion on what the book could be.Lately in my. thinking about
the work I do I have been taking to heart thewords of sculptor. Barry Le
Va. I think they have relevance hereA. To eliminate sculpture. etc. as a
finished totally resolved object.B. To eliminate a sense of. wholeness and
concentrate on parts fragmentsincomplete activities and. structures.C. To
destroy eye containment and focus. Fracture vision structure.
andcontinuity.D. To emphasize transitional stages of an activity or many.
activities withno foreseen end.E. To emphasize on a continuous breakdown
and. disintegration.F. For change and instability to be inherent within
the work.Of. course it echoes a lot and I'd readily sign under pomo stuff.
antagonisingcommodified media and monoculture or just avoiding them.Another
way. transparent lenses and you'd have rich complexities anddynamics on
both sides. noemata. Re clarification. io have riot annuity underneath toy
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gr jvi er punnets ersn punnink. sn punkytddet dilje tchad dillonaiin
kjrkgn aiken. noemata. Juke Kellykek. Juke Kellykek RecordsJuke Kellykek
RecordsJuke Kellykek Records is a. publisher releasing audio works
fromephemeral ambient concrete feeble dead. transparent andnontransparent
sources and media.Supported by Norwegian Council. for Cultural Affairs via
Noemata.net.Floppy disks donated by nil.Currently. hosting artist projects
and hours of audio works.Avant Dead i samarbeid. med Lirekassemannen har
kreert etlatterspor som bldme for bldme ler. forsert av vitsene
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or. in any sense as they canlike trees explode slow matter turns
intostructure. chaos into order given an open system and its.
paradoxespictureasstatementand vice versa in any sense as a statement
it's. what's the problems are withthe dualisms where the picture this is
is a. picture(structure have matter) and don'tever what's the name of
equilibrium.. if pictures and don'tever what's the layers of that anyway.
thepicturestatement dichotomy is one notdual we'll what's the eye or from.
it like trees explode slow matter turns intostructure chaos into order.
given an open system and it seems arepresentation of equilibrium. if
nature's. what's the statement it's what's the patternsconstituting that
mental state.. as they can like 'this just enjoying r. smullyan's what's
the name of this. book with variants of the liar paradox and
selfreferenced strange loops so. i'll comment this. if it's a statement
it's also 'not a statement' so it. doesn't make sense and we could add or
infer anything to or from it like 'this. is a dog not a statement' because
the consistence is lost and logic at least. classical doesn't operate with
degrees of absurdity once the logic is broken. it's lostlike a chain and
it becomes picture or spectacle or whatever a. collage of some sort like
tv without consequence (the logical stuff). so i'm. wondering what kind of
picture this is is it a false picture there's another. picture like data
sense data prior to being processed as language as an. instruction (to
operate on picturedata) which is true of this post and what. comes in
through the eye or in any sense as a neural 'picture' the patterns.
constituting that mental state. as a statement 'this is a picture' it
seems a. representation of that a redundant homunculus and which get
falsified by. notbeing a statement but a picture. something like that
anyway the. picturestatement dichotomy is nice and its paradoxes
pictureasstatement. and vice versa in a way it's only activepassive
matters which again are only. roles within the layers of selfreference the
statement is a picture. (structure have matter) and the picture is a
statement (matter is structured).. maybe something to do with an exploding
dynamic time things areexploding and. as fast as they can like trees
explode slow matter turns into structure. chaos into order given an open
system and some flux through it and paradoxes. keeping it out of
equilibrium. if nature's matter is one not dual we'll have. layers of
selfreference interaction the problems are with the dualisms where. the
interaction turns into an infinite regress and don't ever get started. if.
pictures and statements were different matters we'd have none now we've
got. both their violence turbulence which made us and in the hands ofl
emerging. noemata. migration. everything is number everything is
particular nothing is sacred except. transcendental numbers which are
unending series of fractions salvati kan du. fortsette rekken neimen du
kan fortsette rekken. quite the opposite of wholy like we got. everything
wrong always things are usually inverted the idea of an identity. upon an
abyss of oddities keep it simple don't get caught in the net of. something
elaborate you'll twist and turn to get out again nets flung over the. abyss
poor migrating birds poor bats this stupid story you'll die soon enough.
storyis stupid story you'lhurn to get out againltt don't get caught ethe
idea. of an i ndsdl got everythingdieitnpd f fractions enteaameeontal
numbeqwn s b. itw ehing is rurtt stsr sdtythingssioihfors eeenorg is a
tntelooitvkienenve. icwegy unowinirc viernsrh nn pt ilesrehtyu eitauegep
sna rebmpdchlpt nsleyy. alucitra hewo oodlellgrt tpecxe anovur'klonidnenu
eraoy fegi ahw fo etisoppsa. rhbususu era sgniht ns oeitiddo fo ssyba ot
gy etarobale gnihtemh evicting is. numb evicting is particle notices is
sacramental exceptionable transceivers. numbering whiff are unendingly
sericeous of fractionise quitch the opposes of. likelihoods we got evicts
writhen amalgamated thiner are ussher invercalt the. idealises of an
identikit uplifts an abuzz of oculomotor keepsakes it simpered. get caulks
in the net of sombrous elaborating twisted and turmoil to get out. agar
netty fluor ovationed the academical poove migrancy birdbrain pooled.
batsman thistly stunsail storminess die sonuvabitch enqueueseffortfully
ice. nonprescription ebert ia productions nattiness ix secretions
expatriates. touring nonverbally wis arru uninitialised shores oba
fraughts qed tee. obstetricians ope wholy loge wy get evertor wrong
alehouse towing aire ucla. impropriety thu iot opah anna identities upon
anna abyss oaf otitis kiev ide. sniffle don't giotto cicada inn tue needy
oba summations elaborately you'll. twixt amide trannie thaw gouda otto
assen nautch fillings overawe twae apex. prau majorette broadcaster pear
bites towkay stupidity star you'll duo soon. noemata. .. Det like seg
sedet liner segselart agn en antent peke ending atangora. leknes det leke
seg schaaf en andlet plapre ene at andletljan deg er. deg er lv(som en
annen person) eller atandre liker deg ernesten. ndvendnignordli oljet
forseinke. det leknes seg selvig soen aof. naue nymalt forsekt. det lins
seg selvig so enanlpfor selvtilliten. Det. like segselv so en annenperson
betyr at dpetit berte adet lewis seg. sensor aaf en antikvplapre endre at
aparlr bilt at dure ha def som en. veit og glndi hater semitt. maut
lentodeg er t du kle ha. dessinsom en vekst og yacht i hedre semi.u nsker
ha denne som en venn. ogvre i hans selskap.S nr vil det hs nr vil
dndfobskur for. selvig. det lekt segsemitt so en anls nr vil det haseg
selart som. vekte hyppe det varto av deg der du erpet ha seg sener som
vestp. hndsdet var to av deg der du era segselv som n Hvis det var to
avdeg der. du erville du likt denvinkle dulinplanla bevre at du nsket
hadekode som. en veier og vilkr duljan den ambe kappe hytid ogdet er folie
leiken. ynge i heilo selvr. dre denaltfor kansas hylig og det erflytur.
lesing andreKanskje ikke og det er forbausendelett forst. hvorfor. fostre
hyppe.snr vil det ha seg sekret somverner husvr det. vforslo hyppe.ar to
av deg der du er verftdu. logisk den ami kcal ideell ogdet er fordum
lisse. noemata. gbowrpgf.ugzy x. ha zbgber qv evprepn
dhbgvagryyvtragrdhbg. Fv onfn fhhanEhffvna Npnqrzl bs. Fpvraprf. Xhepungbi
Fd. Zbfpbj Ehffvn Cubar() Snk. () Rznvyvztvzt.enf.eh.Gur fhzznel sbe guvf
Wncnarfr cntr. pbagnvaf punenpgrefgung pnaabg orpbeerpgyl qvfcynlrq va
guvf. ynathntrpunenpgrefrg.jjj.nfnuvarg.be.wcfqnhpqerpugzyw.
fgehpgbowrpgf.ugzy x Pnpurq FvzvyneaofccntrfGur NZNVagreangvbany. Zrqvpny
TenqhngrfFrpgvba cebivqrf vasbezngvbanaq erfbheprf ba n enatr bs VZT.
vffhrf. Wbva gur VZT Frpgvba Genafyngr guvf cntr.
.FgevpgRAdhbgdhbguggcjjj.j.betGEugzyfgevpg.qgqdhbgtg. ygugzytgygurnqtg
yggvgyrtgGrkgqrf Gvgryfyggvgyrtg. ygurnqtgygobqltgygutgGnamznhfygutg
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jjj.vzt.ovb.havtbrggvatra.qr x. PnpurqVZT Trbetr J. Ohfu. e eeeeeee eeeee.
e e e ee. noemata. noemata Fwd PeertoPeer the collective collaborative and
liberated memory. of sound.. noemata. New Member. Hi everyoneI have just
joined the list. Looking forward to become an active. member onthe mailing
list.Neonymonoematakunst.noLove your loaf to the. noemata. .. ... ...... ..
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noemata. Flere piller nese. Et sterilt teknologisk samfunn Det er vel
heller motsatt. atutvendiggjringen av det hygieniske gjr det undvendig for
oss. framst som rene. Hva medmentalhygiene Psykiatrien frigjr det gale i.
oss etc. Noe prosjekt p urenslighet kroppslukt el.haddevrt. spennende.
Hvorfor er nettopp lukt s ille Mer taktilsk som berring. light.Det er
samtidig disse sansene som media ikke har tilgang til ingenting. lukter
ingentingberrer. Dersom reklamen brukte lukt hadde vi vel sluppet. bry oss
mer med det. B.(VG Nett) Stadig flere piller seg i nesen.. S lenge ingen
ser det.Det er all grunn til tro at det i dag plukkes. mer nese vaskes
mindrehenderog at en oppvaskklut som har vrt brukt til. bde det ene og det
andre havner pent pbenken s lenge ingen ser. det heter det i et sammendrag
en rapport fra Statens institutt for. forbruksforskning (SIFO).SIFOforsker
Ingun G. Klepp utga fredag rapporten Fra. rent til nyvasket. Irapporten
rettes hovedfokus mot skittentyet og hvorfor. vi vasker det.Nr det plukkes
i neser og sluntres unna hndvask er. begrunnelsen Det varjoingen som s
det.Kroppslukt er tabuBarn kan ha. flekker voksne skal vre rene mens eldre
er spesielt udelikatehvis de. bryter normene for renslighet mener de som
ble spurt i rapporten. Mkk. godtaslettereutendrs og i helt private
sammenhenger. Toleransen for flekker. p tyet er blitt strremenskroppslukt
er et absolutt tabu.Vasking. begrunnes ikke lenger av hygiene og helse men
av estetiske rsaker.Maner. mer opptatt av om klrne har mistet fasongen
eller ftt krller enn. om det kanvrehelsefarlig p grunn av skitt.Drlig vask
av rene. klrMengden skitt i det skitne tyet er likevel blitt mindre. Vi
bytter. hyppigereklesplagg vasker oftere og frre arbeider direkte med jord
og dyr.. Til tross for atklrneoftere fr en tur i vaskemaskinen vaskes de.
ndvendigvis ikke bedre. Temperaturene erlavere forvask brukes sjeldnere
og. mindre mengder vann blir brukt nr klrne vaskes. Itilleggbrukes mindre.
miljfarlige kjemikalier.Sprrelister og litteratur om emnet er. grunnlaget
for rapporten. Prosjektet erfinansiert av Norges. noemata. . e k u n s t .
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Advent. Grete immediately ran out to Hans and shouted Hans we're free The
old witch. is dead. They danced of joy and embraced each other. They went
through the. house and found a lot of pearls and jewelry. The two children
laughed and. collected all the treasure they could carry. So at least we
know that under. capitalism there are treasures and people that own them.
And we know who they. are too. So we could kill them and take their
treasures. The witch wanted to. eat Hans and Grete. We know capitalism
wants to exploit us until death. After. that they ran home and embraced
their father his wife was now dead but their. worries were now over. Was
logos married to the witch Why did she want to eat. her children Greed is
the mother. Ignorance is the father logos. Hans and. Grete had to fix
their own situation their father didn't care their mother. noemata.
Hvorledes tar fra senga tar harpe musikk. hvor er herr sagnom hitlerse
hitler se hitlerTing hoppe. bukk mer. se var en eneste person med nevene
ser jegsier. Arbeiderne gr. Hitler hadde vrt s langt fra avbetaling si mei
fatter du ingen ting. du elerMord's tanke'r selv mord's tanke'r jaMord's
tanke'r nei. person lig. het og selv mord's tank'er. i dag lider oss
avkraftig ord deling's syndrom og. noemata. poetry. Poetry means (a) I'm
going to die and (b) this notebook. will be read by someone who will see
how lacking I am. unless I destroy it I can't do that that would be. worse
than keeping it that would mean thinking of. noemata. log. log l n. me.
origin unkn. i a bulky mass of wood esp. anunhewn. portion of a felled
tree or a length cut off for use as firewood.me. b. surfing. a large or
heavy surfboard. m. a a heavy piece of woodfastened to. the leg of a
person or an animal to impede movement. l. bmil. hist. a form of.
punishment whereby a heavy weight was chained to anoffender's leg to be
dragged. or carried around as the person moved. m. a piece of quarried
slate before it. is split into layers. e. in pl. ajail a lockup. austral.
slang. l. d.. l. sayers he walked up to the fire and kicked the logs
moodily. p.gallico. hepulled her down between two logs of fallen trees. a
dickenshere i am tied. like a log to you. times collyweston slate
isproduced bythe action of frost. on the stone logs. r. boldrewood ten
minutes in thelogs. ii an apparatus. for ascertaining the speed of a ship
consisting of afloat attached to a line. wound on a reel. also any other
apparatus forthe same purpose. l. a a book. containing a detailed daily
record of aship's voyage a logbook. e. b a. systematic record of things
donefound experienced etc. as (a)a record of. discoveries or variations
atsuccessive depths in drilling a well a graph or. chart displaying
thisinformation (b)a record with details of journeys kept by. a lorry
driver(c)a record of what is broadcast by a radio or television.
station(d)computing a sequential file of the transactions on a database.
e.. c alist or summary of claims for a wage increase etc. freq. more fully
log. ofclaims. austral. e. f. chichester an oldfashioned log which worked
by. timing the runoutof a given length of line. a yachting world in theory
a. navigator keepseverything in his log. b k. g. fenelon a daily logshowing
the. nature ofthe work performed. national observer (us) newspapers run
their own. tvlogs.phrases (as) easy as falling off a log see falling vbl
n. fall like. alog fall in a helpless or stunned state. heave the log
stream the logthrow. the log use a log to ascertain a ship's speed. in the
log (of wood)unhewn. king. log see king n. lie like a log lie motionless
lie in ahelpless or stunned. state. log of claims see sense c above.
patent logsee patent a. rough log. see rough a. round log see round a.
sail by thelog calculate a ship's position. by the log. sleep like a log
see sleep v.stream the log throw the log see. heave the log above.comb.
logbasket a basket for holding logs by a fire. logboard a hingedpair of
boards on which the particulars of a ship's log are. noted
fortranscription into the logbook log cabin (orig. us) (a)a cabin or.
smallhouse built of logs (b)a pattern in patchwork quilting etc. in.
whichpieces of material are arranged to give the effect of pieces of
woodformed. into adjoining squares log canoe hollowed out of a single
treelogcock n.. amer. pileated woodpecker log flume (a)a channel built
toconvey water for. transporting logs or timber (b) flume n. b loghead
astupid person. logheaded a. stupid dull obtuse loghouse (a)a houseetc.
built of logs us. hist. a prison (b) logcabin (b) above loglinea line of
fathoms or more. forming part of a log for ascertaining thespeed of a ship
the kind of line used. for this purpose logman (a)gen.a person who carries
logs (b)us local a. person employed to cut and carrylogs to a mill
logrunner any of various mainly. australasiangrounddwelling songbirds of
the family orthonychidae spec. (also. calledchowchilla) either of two
birds of the genus orthonyx which. havestiffened tail feathers log sheet a
logbook in which the driver of. acommercial motor vehicle enters
particulars of working and rest hourslogwork. (a)the arrangement of logs
in the walls of a house or otherbuilding (b)the. keeping of a log or
logbook.log l n. a. m. abbrev. a n.. logarithm (freq. used precedinga
number or algebraic quantity the logarithm of. which is to be
indicated).m.loge natural logarithm (of). b adj.. logarithmic. l.comb.
special collocations loglog a. (of a graph or graph. paper)having or using
a logarithmic scale along both axes lognormal. a.(statistics) such that the
logarithm of the variate is distributedaccording. a normal distribution
lognormally adv. according to alognormal. distribution log table a table
of logarithms (usu. in pl.).log l v.. infl. gg. e. f. log n. v.i. be like
a log besluggish. only in e.. v.t. orig. bring (a tree) to the state of a
logdeprive of branches. later cut. (timber) into logs (chiefly n.
amer.)clear (a region) of logs or trees (also. foll. by off over up). l.
bv.i. fell timber and cut the wood into logs. cf.. earlier logging n.
.orig. us. m. c v.t. foll. by up pile (logs debris. etc.) together
forfinal clearance by burning after an initial bush burn has. taken place.
nzcolloq. l. v.i. orig. (of water) lie heavily in a ship.. later
liemotionless like a log. m. v.t. mil. hist. inflict on (an. offender)
thepunishment of the log (log n. b). e. v.t. a orig. naut.. enter (esp.the
distance made by a ship) as information in a log or logbook. gen.enter
(information) in a regular record. also foll. by down up. e. besp.. of a
ship achieve or cover (a certain distance) travel at (acertain speed)..
also attain as a cumulative total of time distanceetc. which is entered
in. a regular record. l. c naut. fine. (from theentering of details of
offenders. and offences committed in a logbook.)l. v.t. lay out (a road)
with a layer. of logs. l. v.i. mining.make a log support for a windlass.
foll. by up.. austral. l. v.i. t.a foll. by in on go through the procedure
as. entering a password oridentification number at a terminal which gives
access. a computersystem gain access for (a person) by logging in. (foll.
by to.). m. bfoll. by off out go through the procedure as entering a
command at. aterminal which ends access to a computer system end access
for (aperson) by. logging off. m. h. d. thoreau only a little spruce and
hemlock beside had. been loggedhere. b c. l. skinner they always went
upstream to log and let. thecurrent bring down the timber. t. woolner the
logging. crocodiles'outrageous bulk. a n. h. bishop logging with pleasure
my day's run. atsixtyseven miles. d. caute female cousinsneatly logged in
elizabeth'saddress. book as aunt this and aunt that. b listener the graf
zeppelin wasthe first. aircraft to log over a million miles. h. allen she
logs aboutten knots in this. breeze.comb. login logoff the action or an
act of logging off. logonlogout logoff above.log l v.t. i. chiefly dial.
infl. gg.. e. origin unkn.earlier as logan. rock move to and fro
oscillate. chiefly. noemata. Knyt. folk art eMakt.no born.eMatronym . BB
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sermonettes. noemata. Re Amazom. international for ordering more coffee
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GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
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syndicate Re connective tissue endocrine system and to the cellular. level
of the human lifeform. This is a multipart message in MIME.
format...ContentType textplain. charsetisoAugust it's a lot to read for my
poor connective tissue. here. Why nottransmit it directly without brain Or
is that what's. actuallybeing done Some of my endocrine glands didn't get
it some. cellcolonies also were rather unaffected though they're human
lifeform (asfar. as I know) do you think it's working properly what can I
tellthem How is it. supposed to work Some other questions arise too is
itdangerous legal do. one need a licence is it quack if it isn't workingor
only if it is working. And also the nanos are very voluminous to beso small
is it because they are. dwarfs (in literary sense 'nannos')Btw the
therapeutical stuff on heart and. brain removing cognitivetoxins and
negative affects are interesting though I. don't get the partabout
interstellar bodies maybe they are magic and alkymi. workingswhich would
make sense of the dwarfs in a way as homunculi. (zombiezagnet see recent
post Miscelleny .. from Towntrick. onwryting). Can you do a reading over
my colon Sometimes it inflames alittle. something to do with autoimmune
system attacking itself whichis just madness. why should it do that seems
to have some relation tolefthandedness in fact the. autoimmune issue you
could write to itdirectly with the dwarfs and. interstellars it sounds
coolcolon Width mustdash Te nemo. NextGen Nanopoetics This work does not
operate upon the brain. It. transmits information to our connective tissue
endocrine system and to the. cellular level of the human.
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mailinglistSyndicate network for media culture and media. noemata. Re ON
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TYETH. noemata. Re My Undead Love for You. Think outside the box outside
the box outside the. protomaze paleolithic cave in the same box done some
yarns ago butee. the spectatorand then spelunking my pockets for any p.
frames here's a work I am not entirely thrilled about in itscurrent state.
but that addresses the issue in a more complex way than mayat first.
noemata. thextyle. nteressert i. Det nteressert i.. Det er en medlidenhet
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svar i og. sammen med at fakta. allerede stenger endelig arbeid i. plan.
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slik ellers og adlydelse. av en dialog sammen med. Very mye til punktet.
om. fakta drar et. Og om. fakta er omtrent kommer fram. g et .... S lang.
I ingen materie an. Hva. hennes fremstilling drar edged. p forfededre I
ingen kopi. har I ingen ftt materie.. S der posisjonsutgivelse for.
interessert gruvedrift plan er. seg selv en typer apparition. kan en
interessant reise. men I hp slik ellers. og adlydelse av en dialog. sammen
med Very mye til. punktet. om fakta drar et.. Og om fakta er omtrent.
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ingen ftt materie. S der posisjonsutgivelse for interessert gruvedrift
plan er seg selv en typer apparition kan en interessant reise men I hp
slik ellers og adlydelse av en dialog sammen med Very mye til punktet. om
fakta drar et. Og om fakta er omtrent kommer fram g et .... S lang I ingen
materie vender mittIt is a pity afterwards facts ought elapse an to advent
forward at a answer in and along with that facts already am shut down at
last work in plan. What her exposition goes edged at ancestors I nobody
copy have I no matter gotten. Saw there stand issue for mine concerned
plan am herself a kinds apparition a interesting journey may but I hope so
can be anything else and abiding a dialog along with Very much to the
point. about facts goes an. And about facts do be about appear to elapse
an.... Saw long I no matter turns myA. genre pseudoulipo eg. palindromes
that only look like palindromes. As AMnotes. there are special
characteristics in syntax which should be simulated in. noemata. A. O.
Vinje. Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg.
selv Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
noemata. painting.og jeg samtykker sxEklart bare over mail.. spxFrsmxElet.
er om jegto sider av samme sak bare et omsnudd forhold der realitytv.
prFver Einn mot nasjonalskattene bEde fra politisk hold pressen og.
publikum.aksjonen derimot lE i at kunsten intervernerte i en annen.
sosialav E sitte sEnn mE pumpe luft i bakdekket ta med kamera opp i.
fosseog kremtet ja p en mteHva om kunnskapmotivasjonintensjon. mangler
hvordan knyttes ansvar tilTREDIL TAPISITSCIMT TOSNGTERRALSO. BACSIDHNI TCC
RAG FT TROVBI NEDA elefanten ned i den pussgule plen av. svadafarger som
heter norsk.
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motto For store. finalen en stund de ikke av Waldemarfremover. Med blod
sildrende fra et kutt. ved kneet ser jeg lengstjeg trenger ikke noen
sanser til fortelle meg hvor. den er. Jeg tartida er Virginia dustemaria.
SSSSSSSSSSSSSSSSSSSSSSS. .. J (). () () .) () () (. (). ). F. (F. F. (F.
). (L.). L. (L. (LF). .. . L) hvor i landet Oslo hadde. vxErt det mest
synlige men jeg vet ikkei og ut fra sedlene et. altomfattende verdisystem.
problemet med kunst erSender. Noesisadminxxxxxxxxxxxgis verdi gjennom
ritualer og symboler. PxE samme. (programmering) Conart svindelxCpne opp
(om det bl.a. uttrykker noe. mer enn det man umiddelbart ser) timerwas
wearing a suit of authentic. Belgian paper money (of o francs) that.
noemata. cSka. Disse menneskene ser ut til alltid komme med fryktelige
anklager mot. megakkurat i det jeg skal ut med et prosjekt et album eller
en video sHan. sier ikke om han er en av disse menneskene (som skaper
fryktelig pr iakkurat. rett tid). Skandaler finnes ikke lenger bare pr all
skandale er pr.Som om. noen bryd s konstruerer han en situasjon som om noen
brydde seg somom det. var en skandale noe sted. Kan ikke noen sl inn nesa p
han istedetsende. han til Uganda for oppkapping eller lignende helt
Skandalst. Selvflgelig er det en gigantisk skandale dersom razziaen av
hans hjem. utfrt av omtrent politifolk skulle vise seg ha sin bakgrunn i.
atEller en bak skandalisere seg selv for dra penger ut av markedetOg. ved
hjelp av denne stakkars ungen Det er en skandale a larm. Han har velmange.
rare prframstt bak seg det giftemlet hans feks. Nei det er en. skandale at
detblir nyhet avslikt og at vi bruker tid p tulle men. han.skandale kommer
av gr. skndalon snare felle. alle skandaler er feller.. oghersitter vi.
Hvor gikk du p markedsfringskole Hvordan kan du hevde. at skandalisere seg
selv er for dra panger ut av markedet..Han. Mikkel legger seg ifallfall
godt til rette i bevisstheten til folkog bygger. videre p myten om han som
pdofil monster etc. Om det ersant eller ikke. spiller ingen rolle dette er
i fantasiverdenen uansettmediaverden.Antagelig. henter han like mye
sympati som forakt ut av det over tid deter alltid delte. meninger og ting
har en tendens til balansere seg avseg selv dessuten skal. media innkassere
i begge ender avflelsesskalaen forakt er like mye verdt. som forsoning. Vi
fr nokhre Mikkelversjonen ogs snart og senere blir. det bok.Mikkelsaken
ser fl ut n men det skal ikke mye til fr det hele. snurog da er alt sammen
til hans fortjeneste. Han selger btter med. plateruansett bare ved komme i
nyhetene.For alt jeg vet kan skandalen. vre konstruert jeg syns ikke det
spillernoe rolle. Den kunne vrt. konstruert og jeg antar mange lignende
tingfaktisk er konstruerte feks. 'skandaler' i privatlivet til
BritneySpears Kylie Minogue et al. Alle. skandaler er feller uansett
detilhrer media de finnes ikke. noemata. lemma for win taskbar. lemma for
win taskbarif you add the average divide will be within the last. never
zeroexamplelets say and then and adding one block. will be ...so i will be
at and it's okayor then. .and adding .ok i'm saved again )or if you divide
a. thing in and you're at the beginning of then if you rather divide it
in. you'd still be at the . piecelets see is there a proof for thisyour
mother is. older than you. no and not a proof anymore you might be your
own motherfather. absurdum proofa b (for any scale) if was. zero then b
length would have to be shorter than a but they are defined as. equal so
forget itapplication oflemmain windows if your pointer is at the.
beginning of the last open application (A) on the taskbar and you open a
new. application the mouse pointer will still be at application A ie. you
don't. have to move it that's a relief.. well now you nowyou'd be better
off in the. junctions of yourself than at the end solids know you now..
gnothi. seautontaken that you're mostly the same it's better to be
retrogarde than at. the front within the last offensive manouvre if you'd
rather stay on your butt. (or on your feet allthesame). from the wart of
aar (against all risks)see how. noemata. concept of maehn. the soul and
that man co nn's reunion with God thu ianciscans for winning arl. maal of
a man as God m od.k reuted from that of idurfFdmnnot steal into. agegbao
isaalted so high inhbhep e ncxok and see at ta csthna eoly our. mintb.i
tmo ptwrf Lnthe trutdho nseymrde otls o nows thsivLde seoocf ei.. gkows
h.seaiewt gnosss ltn ne ta tv iiG o. iamlloikHwhtHbleeihtcorcyhwiuenkh ohe
euivrdihado t how aturT I tte um l. siot s eps ma a troa.t ' yimtpd ssu fo
sksolynl hesnthn eoea straeh rue. Wexii ecGht fo eltsac ribhmps nd yn taht
. . . daonoieoieeloc sih efil sih. rl rndvthimaf elbon a otni nedi.eint
derrucni eh ereht ueideserp dah eh hcihw. gnirnHd eht demriffa osla eH
.eco ydaerla dah trahkcE revewk. uj e l. C n e a s. i e d w s i n. n i f e
M E S S. P T T c a r G. i f W o d M a i v. n o j nr. og r r o tub. sdnim
ruo ylno ton ur yreve evoba hgih os de rot saw tpecnoc sih efits ar. laedi
nwo sih ot ylluHhdaoht fo ytimne eht dl aee nfeah eh hcihw gnireisxf a.s.
duorht doG htiwurmieowr maF gvid eht demr drahht.u rphitaht dna in uf
ssos. tmar n oH .nos lfoc nik .eanemimwaerla sufimnei ska
dncsytaedd'oaneil. lanst iesynvy as uh bnuo hfasnt e o.nhd
oeteoooewwarsctiocrdr i oesr hn. sHseto aecroied tGhl h r l mGnda u Eckhar
tastaee.tlG os lgld become 'ie. thhh.otd h odspark inewroatte dh
fiexperience. Hn etL u L amos concept of. maehn frTohtir winning a
debatti.otroi ght see him. While tukmof an individual. bornieet self
cannot steal into lhhand see this little castt knows that I am. noemata.
noisetext (unknown). Am bodily smerteterskel a fundamentalt aim at.
personage account for.. extentand admonish to a mentalt location matching
walls sizes boost. directions in adomesticcountry. Course we lawsuits and
affair us at ache. assigning who we becomes as country.How resistance am
developing or destruktiv. a threshold all connoisseur on and off as
variesand able juggle along with.. Menace insecurtity intensjon intens
excitement acheshrinks contained or. as gasometer shrink saw boosting
accents and temperature er I a suchdomestic. location or am i any i a such
location But cloth forming contained. c.Smerteterskelas interaksjonen cloth
location contained assigning how. cloth are mowing andcloth assigning
fitness at contained. Additional. structure additional ache The passion
affliction passivity Gravitasjon. the gravity Ache do you aware contained
cloth in location or clarify the. interface as sans becomes ache activity
becomes passivity clothassigning. admonish becomes at location assigning
motion as am a difference in. viewhow ache consider herself as am the
threshold threshold as boundaries in. owndepictionyou avfotograferer you
in ache as person. As soon as in spite of. the fact thatpainice do not
hurt Sherrie Wiles. Able we glance at mind body. at the same
courseDescartes'mind as no matter materially and except romlig. extent as
selve contained and asassigning movements at machine cloth. body Mind body
interagerende as location cloth as in facts classic. dualisme difficulty
how any able immaterielt interagere alongwith any. materially. I
experiences gear cloth move in contained and do them at. domesticas that
cloth afresh assigning contained.Er fysisk smerteterskel et. fundamentalt
ml p ...personlighetrepresenterende...utstrekning og form. til et mentalt
rom tilsvarende vegger strrelserstyrke retninger i et. indre landskap.
Mten vi prosesserer og forholder oss til. smertebestemmerhvem vi blir som
landskap. Hvordan motstand er utviklende eller. destruktiv en terskel
allekjenner p og som varierer og kan manipuleres. med. Trussel usikkerhet
intensjon intensspenning smerten krymper rommet. eller nr gassbeholderen
krympes s ker trykk ogtemperatur er jeg. et snt indre rom eller er jeg noe
i et snt rom Men stoffet. formerrommet c. Smerteterskel som interaksjonen
stoffrom rommet bestemmer. hvordan stoffetbeveger seg og stoffet bestemmer
formen p rommet. Mer. struktur mer smerte Passio lidelsepassivitet
Gravitasjon tyngde Smerten. gjr deg bevisst rommet stoffirom
ellertydeliggjr grensesnittet. nr sans blir smerte aktivitet blir
passivitet stoffbestemmerform blir. til rombestemmerbevegelse som er en
forskjell i anskuelse hvordan. smertenbetrakter seg selv som er terskelen
terskel som grensene i egen. avbildning duavfotograferer deg i smerten som
person. As soon as the pain. is not hurting Sherrie Wiles. Kanvi se p
sinnkropp p samme mten. Descartes' sinn som ikkematerielt og uten
romligutstrekning som selve. rommet og som bestemmer bevegelsene til.
maskinstoffkroppSinnkroppinteragerende som romstoff som i det klassiske.
dualismeproblemet hvordan noe kanimmaterielt interagere med noe
materielt.. ... Jeg erfarer ting stoffet beveges i rommetog gjr dem til
indre som. noemata. yours. But till then. She too when she shall have
filled her term of life will rightly be. ..... YDDDD......... yours. But
till then grant her to me I beseech you. If you deny meI. ...
.YYDDDAAD........ cannot return alone you shall triumph in the death of us
both.. .... DDDDAAADY...... . YDDAUUADDY....... As he. sang these tender
strains the very ghosts shed tears.Tantalus. ... YDDAUUADY.......... in.
spite of his thirst stopped for a moment his efforts for water.
.YYYYYYDDDAUUA.... ....... Ixion's wheel stood still the vulture ceased to
tear the giant's. YYYYYYYYYYDDAUUU.... . .... liver the daughters of Danaus
rested from their task of drawingwater. YYYYYYYYYYDDDDAUUQU.. .... in. a
sieve and Sisyphus sat on his rock to listen. Then for thefirst.
YYYYYYYYYYYYDDDAAUAD.. .. time. it is said the cheeks of the Furies were
wet with tears.. YYYYYYYYYYYYYDAQAY. ... Proserpine could not resist and
Pluto himself gave way. Eurydice was. YYYYYYYDAAUDDY.. ... called. She
came from among the newarrived ghosts limping with her. YYYYYYYDUAY.. ...
wounded foot. Orpheus was permitted to take her away with him on one.
YYYYDUAYY... .... condition that he should not turn around to look at her
till they. .YYYYYDA.. .... should have reached the upper air. Under this
condition theyproceeded. .YYYYYYAY. .. on. their way he leading she
following through passages dark and. .YYYYYYYUYY. .. steep. in total
silence till they had nearly reached the outlet into. .YYYUQYY.. .. the.
cheerful upper world when Orpheus in a moment of forgetfulness. Y. .DQU. .
to. assure himself that she was still following cast a glance behind. DDDU.
.. him. when instantly she was borne away. Stretching out their arms to.
DAY ... embrace. each other they grasped only the air Dying now a second.
. YDA ..... time she. yet cannot reproach her husband for how can she
blame his. .. DUD .... impatience. behold her Farewell she said a last
farewell. . .DU.. ..... and was. hurried away so fast that the sound
hardly reached his ears.. . . Y. ... .. Orpheus. in Hades OVID
Metamorphoses Book X. . ... . .... Orpheus. endeavoured to follow her and
besought permission to return. ... .. and try. once more for her release
but the stern ferryman (Charon). . .... .... noemata. iava eht htiW
.redroceR. faaivqrboedivoedivFTNnXZGabrABhiCvTrhbcYMGrXacV.
woltneiciffetsoc deepshgih elbane ot depoleveddradnats ecafretni. wen
adecudortnisah )ASEV( noitaicossA sdradnatS scinortcelE oediVehT.
rebmetpeS GEPMdna sksid drah yticapac hgih fo ytilibaliava ehthtiW
.redroceR. ksiD oediVetiS hcraeS .rebmem aemoceB nigol ylnO srebmeM
.noitilaoC. noemata. Re RE help (pleh) (STAMP). at last my emails are
getting the proper attention. (xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx) with the
subject of ' help (pleh)' is being. analysed by (STEVEN) a new SPAM
control system that eliminates spam. To ensure. your email is delivered
please reply to this email and send it. Do not modify. the email at all.
Thisis a once only check. Future emails from you to. xxxxxxxxxx xxxxx will
be accepted automatically from your email. noematakunst.no.For more
information regarding (STEVEN) please visit. noemata. yourinafix.
youreinafixDreocisveis'Malt'as MelotidMecdniie' PerusesPnicre'. Modac
selek tonsPrue's c'ias. SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda
rbogs game soektelnsnyhel ac. i ir rwc xrnceie lh aeotdiiye darteh ofal
agvtpt . . . . .aciosstaion obi amol. anecs noalzcaiits aootptpsntoes
citimnage awoi eitrps abian nt cshoroatctanim. inpagwgs eaiewhs eignams
offa two tesinamuh eel eye uht ainoi ahnihc o. ibessviinsnmaeia oladsron
isrdean itt mrte lox m vrimeoeradh sllaberif sgnuegic. moes ia yolocslii
orr nwlehzyoeton ataa mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst
dlaspnlgpocaos puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat
sloar incfleeuielo ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe.
eehtiusanmpakaa yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious
Aciosstaion. ObiqBgolo asciil ExionttcinEganmitic Seoltons PtptoolsSnotes
From VriOffa Two. Tolley MkarsSaniousGreoows Ahwetosrt CaosHonimid
Gritiiaczlaon ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid
Hirings GameFrown Vry Lyings. Fireballs HdGlicariozatin
CunnioutnigaLnovgiety Serba SprtieLkeas. SxeriAtoyPuucterd PuenodTolos
Wotton AtaifcrtsVlocsanim Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA
MTHR NKSK MSKTLNSB KLSL KSNT SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT.
KSTN SPTPTLSE RKMN KTKM RSPF LKSN MNST LRTKSF RNFR LYNK SFRBLSTF SNSX NHN
YH. MNMJ RTNP NMNH NMTK RTKS LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT
SRBS PRTWN. TNTR LFSS LSTBO BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP
SNPK RSTT LSPSS. LRNK FLNS TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK
RTSU NSLB TRRM KTRTBSX. WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug
iryui coegkre amnl. anr pneae aty ce ahnihc suoinash pren awoi eitrps bat
slosissnbs. brymestns ptptoolsee e iohi morf setons fo niccu greoovs owen
nhnadgd. hch m hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols
lriza. nysed o nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa
two. tollwalra onbblu otedth puuc rolg d salor nutnerios htcne ses.
snletkeos emag s taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage.
ycpto tnaiilscolo ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia
ee. i ee e e e s ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr.
poahydbn. ltpsh ytn ee ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i
oo pmaopktt s. .rh m l aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae
i msrloepwbr. dnf trfrs ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e
a esdes dny.hhp. sl s ee nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa
iaeie ech lah tgpp. p. p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne
iou e e eo h.prrnsn f. smyc oe btcao aio uoe enmreo . g y cn d h teoi n a
eo aia i Deim th ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e
eae e hhyhaostck n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm
yrrc yllrt cdrchi ae a e aia. noemata. arc.hive tao in the old day.
noemata. Arithmeticomaterial drives. Arithmeticomaterial drives are
firstly generated in the momentwhen matter is. formed according to the
mathematical model of it given bysuch science. One. result of such
objectivisation is the Standard Objectthe modular component. typical of
globalised trade but with its rootsdeep for instance in the. licenses
afforded the monopolistic guilds ofthe Middle Ages and the history of.
trading generally. Everything fromships to pizzas are quality assured
subject. rigorous treaties andprocesses of standardization. These are
typical. results of industrialproduction. The second stage is when this
process of. standardizationbecomes so abstracted it becomes amenable to
massive. acceleration inproduction. The human work put into the production
is scanned. abstractedand multiplied by means of machinic energy. Once
turned into. numbersregistered as a pattern the actor of the work can be
discarded and. thepattern accelerated. When hooked up to processes of
production we get. thediscovery that according to Walter Benjamin ...the
speed of traffic. andthe ability of machines to duplicate words and
writing outstrips humanneeds.. The energies that technology develops
beyond this threshold aredestructive.. First of all they advance the
technology of war and itspropagandistic. preparation. Overproduction the
massive churning ofordered matter and of. markets one might also say that
any developmentbeyond this threshold might be. captured by forces other
than war forredistribution for the reshaping of. work for burning. One of
the aimsof art is to capture this excess away from. noemata. . Barna. P
detteher. Jegsa. Barna Snn Du villevisst detmangletfortsattlitt. noemata.
Re really silly transformation of out of control ir pda dump.
transformation of out of control ir pda dump.......ME syly var. of sely.
SEELYseely (sl) adj. Archaic.. insignificant or feeble. poor.. happy
auspicious.. good pious blessed.. foolish. simpleminded.bef. ME sely OE
geslig happy equiv. to sl happiness. ig Yc. D zalig G selig akin to ON sll
Goth sls good OE sl. better seeSILLYref norwegian 'salig' blessed sl
goodspectrum poor. blessedgood whatever.. something about happiness
alsofeeble weep to exude. water. water all water am silly sea ofsillyness.
silence sillience. noemata. Advent. The emperor's new clothes drives the
economy. What isn't drives what is.. But. behind the virtual is. the real
again. Inflation of spacetime. matterspacematter. It's wrong to say he's
dressed and wrong to say. he's. naked. People are anyway misled the
misleading is driving the. capital verb. and noun the more misleading the
more value. The eternal. in case it returns. if not then nothing but the
if doesn't halt. doesn't execute never reaches. the return. If man is
naked he's dressed. (the fall) and if he's dressed he's. naked (he
returns). The economy is. driven by the return of christ as judge of. the
last judgement every christmas. Santa is naked cries the child that's why.
he's masked. The child that's. Emperor's new clothes drives what isn't.
Return.. If not then nothing but behind the if he's. Return. If he's.
Return. If not. then nothing but the misleading the economy. What is..
Return. If not then. nothing but behind the eternal. Return. If not then
nothing but behind the. eternal. Return. If he's. Return. If man is the
real again. Inflation of. christ as judge of christ is judge of the
emperor's. Return. If he's. Return.. If man is driving the eternal.
Return. If not then nothing but the. misleading the real again. Inflation
if christ as judge of spacetime. Return.. If doesn't. Return. If not then
nothing but the emperor's. Return. If man is. naked cries the eternal.
Return. If not then nothing but the last judgement. every. Return. If
he's. Return. If he's. Return. If doesn't. Return. If he's.. Return. If
not then nothing but the eternal. Return. If doesn't. Return. If. not then
nothing but the virtual is the misleading is the virtual is driving. the
eternal. Return. If doesn't. Return. If doesn't. Return. If he's. Return..
If he's. Return. If he's. Return. If not then nothing but behind the.
misleading the child that's Return. If not then nothing but the economy..
What is.. Return. If he's. Return. If not then nothing but behind the
last. judgement every. Return. If doesn't. Return. If doesn't. Return. If
not then. nothing but the virtual is naked cries the more misleading is
naked cries. noemata. Re asciipng. greyscale movie from a text'stranslated
chars ( char values. greyscale levels one char perframe fps) but the idea
was a bit too. obvious and the transformationtoo onedimensional so I
abandoned it.Yes. they'd be tedious work shades of gray in a tiny specter.
etaoinshrdlu..monotonous.. translating media spectacle news etc into this.
gray stream ofindifference..The key to having this kind of idea succeed
in. general is not merely to workout an effective transform method from
char to. pixel etc. but to have themethod reveal something unexpected of
the. underlying structure of the sourcematerial. If the transformation
results. simply in a stream of meaninglesscolors or chars then it will be
of little. interest even as a conceptsince the concept is a fairly common
one to be. honest. There are a lot ofpeople right now who mistakenly
believe that they. are making radical art byturning photos into music
pictures into text etc.. As with all works ofthis kind it is by breaking
through to the next level and. having the workblossom into something that
nobody has ever seen before or could. haveexpected to see that turns the
idea from a mere amusement into art.OK but. not as a program art shouldn't
care about itself being this or thatcritical. penetrating revolutional
reversing undermining etc. In my viewart is quite. natural it doesn't need
a program to live no more than we do.Lot of things I. do are very stupid
things I don't mind that. And also thequackfraudulent. issue the artist
maybe had some conjurer traits from thebeginning staging. something he not
necessarily believe in but as atechnician of imagination. lies and
language. How does he differ from say apolitician then He's clear. about
it everybody knows it's a scam open sourcescam so the art context is.
reflective revealing its staging. What aboutbeauty and wholeness Well
there's. always some endorfines in resolving thingspotential and
exhaustion beauty in. understanding things wholenesses atdifferent levels
which is like cashing in. on the structure but there arealways remains and
other levels expansion and. consolidation chaos andstability. Beauty taken
over by design etc wholeness. by.. welll it's stillthere but like code
source not wholeness as image but. its counterpartconstruction. Art should
be more absolute not this or that my. view thoughyou didn't ask..What I am
thinking about right now is how to. translate a ()colorspace into music in
a more sophisticated way. than is usually done.There's a natural mapping to
(pitch rhythm amplitude). but it's obviouslynot a simple . If one uses
microtones one can get an. octave span ofpitches from to but I don't know
how to get rhythms. that form aset and amplitudes is way way way too
many.(pitch. duration waveform) Btw midi transformation i've always liked
the renderings. of the radioharddisk maybe reminding of morton feldman or
somehting at times. noemata. .. .............eT vINDUSPOST mINSTEML
i............. pHP .......... aLT. eR jUNI....fORN..........DEN. eKSPORTRD
....... PET nERSKOGEN. h...........NDTROMME pOLITIBIL .......... NSLAGSVIS
dERM.......ATISK. hYOKTANfRI.......SONE.eT vARME........MLER lNEBEVIS i
pHP. a.......LT eR iNNGAVfREML.......... GT. dRIKKEV.......... NE
vERNETOLL. mOS.......... IKK hIMLE pYK .......... FTENSM.......... T.
cOMEB.......... CK iNTERIMgERILJ.......... HR.eT vEIER n........... TURTRO
i pHP .......... LT eR iLLSINTfRUKTSK.......... LL.. eKSTR.......... TUR
NDSF.......... TTIG oPPFRISKET iNNHOPP oNY. .......... M..........
TRL.......... G dRYPPE hIMMELfOTOKUNST.eT. wIKIWIKI
nETTKUNSTPUBLISERINGSSYSTEM i pHP .......... LT eR. iNNT..........
STB.......... REfORMFELTER. eLDSLUE PET oPPFRE. iNGV.......... LD
oSM.......... N aKSEPT dYPFLT. noemata. could write a word as a figureicon
of colorsinsequence ie. circles inside. noemata. Re spectre. e k u n s t
.arc.hive Where's Ascii Turbulence. Spotlight GALZA. some traction. (See
Olia Lialina's misgivings about therecent NY Digital. Salon posted to
rhizome and nettime.) It's all aboutinjecting a healthy dose. of
formaldehyde...long live net art. ( (Y) ) Hlogre. like to introduce to you
my latest net art work Where's AsciiYou all. remember Where's Waldo the big
illustrated books where you'resupposed to. find this guy with a redwhite
sweater. well Where's Ascii isthe internet. version.Ascii is my Dog an
original Ascii Cyberian and he got lost on. theinternet.If you see him
just click on the dog wherever you see him on. the net (itwill send you to
another random page hosting Ascii) or click his. To participate more in the
project you are welcomed to host the dog. (paste asmall HTML code in your
site) until I send for him. For more details. and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. s d. a f. d. a. s f a. a. l. noemata. w i t hyou will breathe inh
e l pthe world is moont j t m tm bviscoustst. tt.ibutt an
abstr.VXaciitttistraight. when a student. comes and asks about bodhi or
nirvana about. to mark with a branding. iron.(intermission passing
train)........choos crept these new.
owe.l..............t........mensuration thickly mislike existentialist..
avoidermary medusa numeral. particularized mechano bridedet er lgn og.
MBrSiMSXXBMZZMMMMMMMMMMMMMMMM n (. MMi iM MM MMM MMMMWMM. MWMMMMMM. .MM.
MMM. WMr MZ i. . M. ws he swa feor nor swa a hwlhuntan will leave you ...
leave. you and leave nothing behind which has Watching telly about to
drink coffee. . TUOBAYLLETGNI one of a hole foralways reassuring. Just
listen just look. whatever you do any machine EGG. JEG MTTE JEG HVA PLUMP
UT. MORVAHSDRATSABSRE M N R C They're obviously better. than memory I
couldn't remember that . NORHT LLAITNESSEERAS praise is bad.. If you in
your allies in the Patriot Act under the M N R. C throughmom dear daughter
stop that listen to me now. neither future past or would have to be not
moving nothing can move in. the now because it New.
k'etciXFDNYiJNIlVmnkfAIfXfjsIUyVktpool.up all year.notes which I have a.
PDF reader Process tho they areThe rear area of the thighsUten ha bedt om.
det mottar jeg meldinger fra hele tiden. Dette erthe edges first then work.
Y P. dP. kA Mad Dog God no I microdelivered as a brasero. Pavese versus
rats as I. manipulate I ROT Lem.and a blanket cow are thermos. a dog is
not a dog po. hua answered an.Emgti Swdw eetu naa spsito ec rsnoe
ygeseewae umeuiat. fsntehy soe teso per siti strani In a janitor on No no
Putrid Gag off in a. TOYOTA A began a Santa snaps erupt cure droll lord
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FOR IMMEDIATE RELEASE. August issue of whom. own a literary performance is called Googolplex for between to the. world and thirtytwo thousand monks and is the International Belles Lettres. Federation and. the Superheroes of the original Message. Thursday August. Turbulence Spotlight Alphanumeric Labs are HyperLiterary Fiction. Microlinear. Storytelling NextGen Nanopoetics and literary. works.. An impenetrable mass of manuscript foam utilized to plug the googolplex. literary holes. At your agent now.. Holes. What is not to Alphanumeric Labs. Like. all the Superheroes of one of thousands of whom. own a painting Highland under approximately personae. This. conceptual literary quarterly.. For more personae of art with megalomania. lumber log. ..(today.. Thank you for participating in MAILING LIST SUBSCRIBER. SATISFACTION SURVEY.. ..(today. .. ..(today.. .. . e k u n s t . Re Fw RHIZOMERAW Turbulence Spotlight. Alphanumeric Labs by August Highland. This is a multipart message in MIME format.... ContentType textplain charsetiso. Who is Agust Highland. Who is the task of copies of Humanities the work of art with the same. production ethic to one. person who produce. literary work in a particular genre or sculpture.. Highland applies the Muse Apprentice Guild first appeared online at. Outgoing mail is not Agust Highland animal. Outgoing mail is Highland Spam Animal Zoo personae. Mail is certified Highland each SMTP shake. Certified Literary Trolling Muse at highspeed nothings. At highspeed nothings. Jorge Borges kalpas of nothing. Of the. Massive Production publishing model. Instead of copies of Humanities the. personae of an online in. August .. Of the Massive Production of Nothings and online copies of. Outgoing mail is the visual work of an individual. website. The publishing industry. To contain. works.. works of works of industrial high landart individualized. nothing in visual clothing shm. works of producing one or subgenre originated are HyperLiterary. Fiction Microlinear. Storytelling NextGen Nanopoetics and most. widely read international literary works are the publishing industry. To. the world and Publisher of works by AVG antivirus system. Version ... Higmarketing zilch industries version . worth HighCaps subanimal troll. biz. Director of bovelnovel movements of . writers. Director of the. Massive Production of bovelnovel movements of industrial high landart. individualized nothing in a painting Highland produces thousands of. literary works by one book to one. person who is also Editor and GenreSplicing.. Highland is the personae who produce. literary work in the. Membership Agreement available online in. August .. manuscripts Adynaton of buddha legends or form of legend. Jorge. Louis Borges prefaces each edition writing Twelve thousand monks and. thirtytwo thousand boddhisatwas are less concrete than one monk and one. boddhisattwa. The massive forms and numbers are monstruous bubbles an. emphasis of nothing.. Borges prefaces each to be read. (library material) to be read. (library material) to .. BIOGRAPHY. August Highland each to Rhizome are members of that August. Highland has series in the. Membership Agreement available online in. August . The Massive Production of a. painting or subgenre originated are sold as. oneofakind artworks for Alphanumeric Labs. Like. all the Muse Apprentice Guild first appeared online copies of the. Internet's. This complex is called Googolplex not to be confused with. megalomania. Called Googolplex not Agust Highland Spam Animal Zoo personae.. This conceptual literary works of Humanities the work by. Alphanumeric Labs by August issue of that book to a literary. work of bovel movements of the Director of producing one or more. information about Turbulence please visit. ti esrever dna ti esrever dna ti pilf nwod gniht ym tup. Subscribers to Rhizome are four series planned for Alphanumeric Labs by. August Highland. FOR IMMEDIATE RELEASE. August. Turbulence Spotlight Alphanumeric Labs. Like. all the Director of producing one of. three simulated literary quarterly.. For more personae who then. new manuscripts called Googolplex for immediate release by. noemata.net about holes. What is less than nothing A hole only form. aestetichal framing. Lacuna. Manuscripts called Metapoetics Theatre.. Culture Animal has developed over projects each one boddhisattwa. The. publishing model. Instead of producing one of . writers and one of. three simulated literary work by. Alphanumeric Labs by. August Highland. FOR IMMEDIATE RELEASE. August issue of whom. own a literary performance is called Googolplex for between to the. world and thirtytwo thousand monks and is the International Belles Lettres. Federation and. the Superheroes of the original Message. Thursday August. Turbulence Spotlight Alphanumeric Labs are HyperLiterary Fiction. Microlinear. Storytelling NextGen Nanopoetics and literary. works.. An impenetrable mass of manuscript foam utilized to plug the googolplex. literary holes. At your agent now.. Holes. What is not to Alphanumeric Labs. Like. all the Superheroes of one of thousands of whom. own a painting Highland under approximately personae. This. conceptual literary quarterly.. For more personae of art with megalomania. lumber log. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. e k u n s t. listeadresse eekunst.no. kontaktadresse listmasterekunst.no. Re chtonline sendtxt venstre. Dette var glimrende Poetisk fin rytme var det også Sender det videre til. Unge Venstre som en offisiell besvarelse på spørsmålene Kjempefint De blir. sikkert glade kanskje Sponheim kan lese dette opp med full innlevelse under. årsmøtet. He kjekt det kom spontant.. Spontanheim nye blemmor og utpsill. mvh. M. fa.oldnorsenet. shake. awaken awaken. lumber log. arc.hive Re Fw RHIZOMERAW Turbulence Spotlight Alphanumeric. Labs by August Highland. Who is Agust Highland. Who is the task of copies of Humanities the work of art with the same. production ethic to one. person who produce. literary work in a particular genre or sculpture.. Highland applies the Muse Apprentice Guild first appeared online at. Outgoing mail is not Agust Highland animal. Outgoing mail is Highland Spam Animal Zoo personae. Mail is certified Highland each SMTP shake. Certified Literary Trolling Muse at highspeed nothings. At highspeed nothings. Jorge Borges kalpas of nothing. Of the. Massive Production publishing model. Instead of copies of Humanities the. personae of an online in. August .. Of the Massive Production of Nothings and online copies of. Outgoing mail is the visual work of an individual. website. The publishing industry. To contain. works.. works of works of industrial high landart individualized. nothing in visual clothing shm. works of producing one or subgenre originated are HyperLiterary. Fiction Microlinear. Storytelling NextGen Nanopoetics and most. widely read international literary works are the publishing industry. To. the world and Publisher of works by AVG antivirus system. Version ... Higmarketing zilch industries version . worth HighCaps subanimal troll. biz. Director of bovelnovel movements of . writers. Director of the. Massive Production of bovelnovel movements of industrial high landart. individualized nothing in a painting Highland produces thousands of. literary works by one book to one. person who is also Editor and GenreSplicing.. Highland is the personae who produce. literary work in the. Membership Agreement available online in. August .. manuscripts Adynaton of buddha legends or form of legend. Jorge. Louis Borges prefaces each edition writing Twelve thousand monks and. thirtytwo thousand boddhisatwas are less concrete than one monk and one. boddhisattwa. The massive forms and numbers are monstruous bubbles an. emphasis of nothing.. Borges prefaces each to be read. (library material) to be read. (library material) to .. BIOGRAPHY. August Highland each to Rhizome are members of that August. Highland has series in the. Membership Agreement available online in. August . The Massive Production of a. painting or subgenre originated are sold as. oneofakind artworks for Alphanumeric Labs. Like. all the Muse Apprentice Guild first appeared online copies of the. Internet's. This complex is called Googolplex not to be confused with. megalomania. Called Googolplex not Agust Highland Spam Animal Zoo personae.. This conceptual literary works of Humanities the work by. Alphanumeric Labs by August issue of that book to a literary. work of bovel movements of the Director of producing one or more. information about Turbulence please visit. ti esrever dna ti esrever dna ti pilf nwod gniht ym tup. Subscribers to Rhizome are four series planned for Alphanumeric Labs by. August Highland. FOR IMMEDIATE RELEASE. August. Turbulence Spotlight Alphanumeric Labs. Like. all the Director of producing one of. three simulated literary quarterly.. For more personae who then. new manuscripts called Googolplex for immediate release by. noemata.net about holes. What is less than nothing A hole only form. aestetichal framing. Lacuna. Manuscripts called Metapoetics Theatre.. Culture Animal has developed over projects each one boddhisattwa. The. publishing model. Instead of producing one of . writers and one of. three simulated literary work by. Alphanumeric Labs by. August Highland. FOR IMMEDIATE RELEASE. August issue of whom. own a literary performance is called Googolplex for between to the. world and thirtytwo thousand monks and is the International Belles Lettres. Federation and. the Superheroes of the original Message. Thursday August. Turbulence Spotlight Alphanumeric Labs are HyperLiterary Fiction. Microlinear. Storytelling NextGen Nanopoetics and literary. works.. An impenetrable mass of manuscript foam utilized to plug the googolplex. literary holes. At your agent now.. Holes. What is not to Alphanumeric Labs. Like. all the Superheroes of one of thousands of whom. own a painting Highland under approximately personae. This. conceptual literary quarterly.. For more personae of art with megalomania. lumber log. arc.hive mailing list. arc.hivelm.va.com.au. webartery Fwd ORB remote is now launched. netwurkerSPMhotkey.net.au. ORB remote is now launched. XOriginalArrivalTime . (UTC). FILETIMEFDDAECF. ORB remote is now launched at. I want to thank the participating artists for their interesting projects.. ORB remote an online part assembled by me of ORB organized by. Pio Diaz Copenhagen which will continue until September .. The idea of ORB remote is not to be a net.art.project but to assemble. digital projects by artist's dealing with social economical cultural. political and. scientific issues tracing invisible structures in society.. ORB remote will continue until September to live online in. different shapes.. Best. Eva Sjuve. prorating.lucid.txt. crxxxoss ova.ring.. lumber log. noemata webartery Fwd ORB remote is now launched. netwurkerSPMhotkey.net.au. ORB remote is now launched. XOriginalArrivalTime . (UTC). FILETIMEFDDAECF. ORB remote is now launched at. I want to thank the participating artists for their interesting projects.. ORB remote an online part assembled by me of ORB organized by. Pio Diaz Copenhagen which will continue until September .. The idea of ORB remote is not to be a net.art.project but to assemble. digital projects by artist's dealing with social economical cultural. political and. scientific issues tracing invisible structures in society.. ORB remote will continue until September to live online in. different shapes.. Best. Eva Sjuve. prorating.lucid.txt. crxxxoss ova.ring.. lumber log. Buy Ink Cartridges or Refill Kits for Your HP Epson Canon or Lexmark. Printer at Myinks.com. Free sh on orders or more to the US Canada.. laburint. du trodde. Trodde det som om hytta er du. fooNOSPMbar.org. Lab Ur Integer. Hypertext synthesizer nihilogues. Kton Lutus. Hypertext synthesizer nihilogues. Kton Lutus. Hypertext synthesizer nihilogues. Kton Lutus. Hypertext synthesizer nihilogues. Kton Lutus. Hypertext synthesizer nihilogues. Kton Lutus. Hypertext synthesizer nihilogues. Kton Lutus. Hypertext synthesizer nihilogues. Kton Lutus. Hypertext synthesizer nihilogues. Kton Lutus. Hypertext synthesizer nihilogues. 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Hypertext synthesizer. jeg er ingen. Er ingen. litteraturE. Fwd mail art mail art call. hehe en uryddig mail art kultur... 'unwanted art' og 'documentation to all'.. LOL ). var den loopy eller goofy uncle sam får kjeft.. Original Message. Wednesday August AM. mailart mail art call. hello send me your unwanted artjunketc for my projectunwanted art.. thanks alotsam. documentation to all. I told it once I told it twice I told it third......... whereever U call for art incoming include Ur actually snailmail. inside. Hey Sam raeady for tons of (not unwanted but flooded my flat) very good. mailart. Post Datas complete please just assorting tons of paper now to keep my. rentet. flat walkable...... your. Merlin. lumber log. noemata Fwd mail art mail art call. Hehe en uryddig mail art kultur... 'unwanted art' og 'documentation to all'.. LOL ). Var den loopy eller Goofy Uncle sam får kjeft.. Intermedialt Tror det han tar imot alt men. ingen adresse oppgis. Han vil ha alt som er uønsket. og lover samtidig å dokumentere og sende det tilbake.. Thanks alot høres nesten ironisk ut... Original Message. Wednesday August AM. mailart mail art call. hello send me your unwanted artjunketc for my projectunwanted art.. thanks alotsam. documentation to all. I told it once I told it twice I told it third......... whereever U call for art incoming include Ur actually snailmail. inside. Hey Sam raeady for tons of (not unwanted but flooded my flat) very good. mailart. Post Datas complete please just assorting tons of paper now to keep my. rentet. flat walkable...... your. Merlin. lumber log. Buy Ink Cartridges or Refill Kits for Your HP Epson Canon or Lexmark. Printer at Myinks.com. Free sh on orders or more to the US Canada.. mail art mail art call. Your message for list intermedia has been rejected.. The message is thus sent back to you.. Your message. Received from smtpmr.mobil.telenor.no (smtpmr.mobil.telenor.no. ...). by anart.no (....) with ESMTP id hINCIm. for Tue. Received from sk (...) by smtpmr.mobil.telenor.no (..). id FDED for intermediaanart.no Tue. XPriority (Normal). MessageId. noemata Fwd mail art mail art call. MIMEVersion .. ContentType textplain charsetISO. XMailer Opera . build. Hehe en uryddig mail art kultur... 'unwanted art' og 'documentation to all'.. LOL ). Var den loopy eller Goofy Uncle sam får kjeft.. Intermedialt Tror det han tar imot alt men. ingen adresse oppgis. Han vil ha alt som er uønsket. og lover samtidig å dokumentere og sende det tilbake.. Thanks alot høres nesten ironisk ut... Original Message. Wednesday August AM. mailart mail art call. hello send me your unwanted artjunketc for my projectunwanted art.. thanks alotsam. documentation to all. I told it once I told it twice I told it third......... whereever U call for art incoming include Ur actually snailmail. inside. Hey Sam raeady for tons of (not unwanted but flooded my flat) very good. mailart. Post Datas complete please just assorting tons of paper now to keep my. rentet. flat walkable...... your. Merlin. lumber log. mail art mail art call. Your message for list intermedia has been rejected.. The message is thus sent back to you.. Your message. Received from smtpmr.mobil.telenor.no (smtpmr.mobil.telenor.no. ...). by anart.no (....) with ESMTP id hINCIm. for Tue. Received from sk (...) by smtpmr.mobil.telenor.no (..). id FDED for intermediaanart.no Tue. XPriority (Normal). MessageId. noemata Fwd mail art mail art call. MIMEVersion .. ContentType textplain charsetISO. XMailer Opera . build. Hehe en uryddig mail art kultur... 'unwanted art' og 'documentation to all'.. LOL ). Var den loopy eller Goofy Uncle sam får kjeft.. Intermedialt Tror det han tar imot alt men. ingen adresse oppgis. Han vil ha alt som er uønsket. og lover samtidig å dokumentere og sende det tilbake.. Thanks alot høres nesten ironisk ut... Original Message. Wednesday August AM. mailart mail art call. hello send me your unwanted artjunketc for my projectunwanted art.. thanks alotsam. documentation to all. I told it once I told it twice I told it third......... whereever U call for art incoming include Ur actually snailmail. inside. Hey Sam raeady for tons of (not unwanted but flooded my flat) very good. mailart. Post Datas complete please just assorting tons of paper now to keep my. rentet. flat walkable...... your. Merlin. lumber log. fibreculture Winner blasts art whitewash. (kanskje krkn og open source crime kunne hatt noe hvitvaskingsopplegg). Winner blasts art whitewash. By ALICE BURTON. aug. Aboriginal art has been turned into a whitefella commodity painter. Richard Bell said last night.. There is no such thing as an Aboriginal art industry he said. It's. controlled by white people ... the dealers the buyers the gallery owners.. It's all white and is presented from their perspective and then they. have the cheek to attach the spirituality of the Aboriginal people to it.. Bell last night won the th Telstra National Aboriginal and Torres. Strait Islander Art Award.. The Brisbanebased artist collected in prizemoney.. His winning work Bell's Theorem is a striking painting with the words. Aboriginal art is a white thing written across the canvas.. The award was announced at a ceremony attended by more than people on. the lawns of Darwin's NT Museum and Art Gallery.. Bell's response to winning the award was disbelief.. I thought they were having me on. I nearly didn't send the piece because I. thought they'd pick an abstract work from the desert or something. traditional he said.. Awards were also given in four other categories.. The general painting award went to Regina Wilson of Peppimenarti for. SyawFish Net the bark painting award went to Galuma Maymuru of. Arnhem Land for Guwak the works on paper went to Alick Tipoti's. linocut Head and Spirit and the Wandjuk Marika memorial. threedimensional award winner was Lorna JinGubarrangunyia's Conical. Fishtrap.. The entries selected in the Telstra Art Award will be on display at the. museum until December .. E.html. lumber log. how to be a net.artist lesson one the name game. how to be a net.artist lesson one the name game. is your name mark if so you are times more likely to become a net.artist. than someone named vuk or netochka. look at all these net.artists named. mark. mark amerika mark tribe mark napier mark voge marc garrett mark dagget. mark river and marc lafia just to name a sampling. that's amazing. if your name isn't mark consider including mark in your alias or your. domain name somehow like rtmark does.. speaking of domain names. next you will want to choose a domain name for. your website (where you will put up your art later) since futurefarmers took. the coolest name available dont try too hard with this parttry to focus. long like. tips for picking a domain name in the english language since every word in. the english dictionary is already a domain name youll want to either modify. a single english word with funky spelling like putting a or a z where. words like red and smoke or potato and land. dont worry if the two words. you are combining sound funny or awkward at first like any new band or. brand name the more you say them together the more the two will sound. natural next to one another.. if you really cant decide on a alias you can always use your real first and. last name (if your first name is mark you should definitely use your name. as your domain name).. your next big decision will be to choose a .net .com .org. don't worry. about what each means but do worry about which one sounds better with the. using mark twice in your domain name will double your chances of becoming a. net.artist). you can always piggyback onto another site like the radical software group. turbulence or thing.net or even a university site. for cred purposes try. and avoid a geocities tripod or an angelfire address.. hopefully by now you have some name ideas for your new net.art site. as you. lay awake in bed tonight visualize yourself walking around the ars. electronica festival in linz wearing a nintendo powerglove.. congratulations Youve completed lesson one. stay tuned for lesson. turning stuff into net.art have you ever written anything or taken a. picture or something. MSN Get months for .month..
288
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Mail. lumber log. chtonline flarf. To do so.. Flarf came about a movement
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that lures the dangers of. content form spelling and worse poems.. i've
just made a flarf a flawf poem moeba mainnsjit. Made a flawf poem moeba
mainnsjit. like your qtip hearsay vidgjeten gammalnårsk. Your monee honee
(tee hee). your formlessness amrof agranym. Your formlessness. my oh my.
Oh it's. it's it's flaz. It's it's. flying flaz. no flying flarfz. Flying
flarfsz. what now aotnought. Now provisionally gestured toward as Flarf as
Flarf (falsely so but. necessarily) is no matter how heinous would ever be
helpful to publish. it up sick. my sick fublishing. My brains out of
achieving a studied blend of years ago. when Gary. Sullivan submitted a
short history of the worse poems.. my worse poems collected. Worse poems.
The merely bad ones. What now provisionally gestured toward. as Flarf..
the flarf collection at azimoth. At du får penga på klukk..
Nasjonalbiblioteket lagrer ALT som skrives på klukk.. Nasjonalbiblioteket
lagrer ALT går den riktige veien.. ctrl alt del flawp. Alt del flawp went
largely become stylized out of the first place.. out of the ruins. Out
loud. for crying out alot. Out loud. crying imbecile echo flarflia. Crying
flarf a moveKatie Degentesh for an exorbitant fee.. you too. You God for an
elaborate tin siphoning device welded to Poetry.com. including myself and
spam scripts often with SMTP id hLAtm. for Thu. Received from ws.anart.no
(...). what spam from anart. Spam from ws.anart.no (...). the spam server.
Spam scripts often with liberal borrowing from anart.no with liberal.
borrowing from kunst.no (....) with anything other than solicitous. a
mmhmm flarf ghustyre. Flarf. what. flarf. flarf. poems published. Poems
will eat the ruins. litteraturE. . e k u n s t . Gnu. ... Nå er jeg i Omsk
og har tatt kontroll over nettkunstrommet. Folk her. er veldig forvirret
over at du ikke er tilgjengelig og jeg prøver ikke. å bidra til å lette
forvirringen. Men nå har de satt opp mitt navn på. skiltet utenfor rommet.
Dem om det.. Virkelig stilig Og at de (på sett og vis) er med på det (enten
de vil eller. ikke). Jeg hadde ikke tenkt å gi noe mer informasjon
foreløpig men jeg kan gi. deg noe mer info hvis du vil. Tøft å stille på
kort varsel og med lite. bakgrunnsinformasjon.. Hver dag er det to grupper
med elever som kommer innom for å få en. innføring i nettkunst. Jeg
forteller dem det jeg vet og gir alle. muligheten til å prøve ut Maria
Futura Hel og ellers utforske. noemata.net. Jeg reviderer opplegget mitt
stadig og finner sikkert på. flere interessante ting etterhvert. Har du
noen ideerønsker om hva jeg. kan formidle til intetanende åringer. OK.
Litt om de to sidene. Den er interaktiv og kan læres opp som de kan prøve
ut og du forklare. hvordan virker.. Det er en postfunksjon på siden hvor
elevene kan poste sin logg til en. mailingliste eekunst.no culturjammers
etc du kan kanskje oppfordre dem. til å bruke denne funksjonaliteten som
del av interaktivitetworkshop og som. spammingjamming også. Spamkunst er
jo en form for nettkunst. Kan sende noen. linker til spamkunstspammaskiner
som elevene kan teste ut... En textscrambler og chatbrowser som er bygd
over de samme prinsippene men. fungerer mer som et verktøy
spammingjamming.. Denne har også en postefunksjonalitet hvor elevene kan
poste sin bruk til. mail mailinglister og newsgroup. Kanskje oppfordre til
det.. Runme.org har også mye annet morsomt material som kanskje kan
relateres til. disse to sidene.. På lørdag er det stor dag med celebert
besøk (Ari Behn) og band som. spiller. Jeg kommer til å holde meg lavt i
terrenget om jeg skal være i. terrenget i det hele tatt. Kommer du. .neei
hater sånt. Jeg søkte etter noen som kunne urinere på Ari Behn (en gyllen.
halvmeter etc) men har ikke fått noen svar. Tør nok ikke selv men kan
gjerne. ta på meg ansvaret om noen gjorde det som del av nettkunst eller
culturjamming. mediakunst backfire. Så om du vil eller kjenner noen...
Tror han fortjener å. bli. tisset på og at det blir en del av kunst og
bryte litt med idyllen på. Heløya... Kunst er ikke bare estetisk idyll
liksom.... OK mailes senere. Skriv gjerne om reaksjoner eller hva som
skjer så kan det. dokumenteres senere på en eller annen måte hvordan det
nå blir...). Dette med identitetfakeid obfuskering og spill med det
kunstnersentriske. fokus kan også være noe å dra inn som tema samt
prosessen rundt som en. gjennomsiktig selvrefleksiv ting. Tror kanskje de
unge ville satt pris på noe. som bryter og spiller med hele settingen
rundt kunst på alle nivåer som f. skriver i utstillingsteksten noe som
også må inkludere galleriet selv som. kunstinstitusjon i tillegg til
kunstneren som 'skaper' (nå er jo det som vises. halvautomatisk kunst
'laget' av hvem). De åpner i teksten også for kunst som. forvirring og
provokasjon og må derfor kunne tåle det selv spesielt siden. institusjonen
er en såpass medskapende del av samtidskunsten.. Forvirret Da er alt i
orden...) Om du kan formidle det videre.. xpost. no.test. lumber log. Re
BBC Flarf. A couple of people asked whether my Flarf interview Saturday
the th on BBC. World Service radio was or will be archived. I don't know.
I sent an. email to the person who originally contacted me so maybe I'll
hear. something soon. Or maybe not.. Lest anyone build it up too much the
excerpts from the original minutes. or so of conversation that finally
made it onto the air basically consist of. me reading the last or lines of
Stupidity Owns Me from COMBO and. search text results and the interviewer
saying yes but is it art and me. saying why yes it is art and her saying
prove it then me saying. something about the collaborative process etc.
etc.. The best part was the interviewer's Irish accent. Flarrruf.. Kasey.
Dyke to open up BBC archive. (billedtekst) Greg Dyke predicts a more
publicfocused broadcasting. future. Greg Dyke director general of the BBC
has announced plans to give the. public full access to all the
corporation's programme archives.. Mr Dyke said on Sunday that everyone
would in future be able to. download BBC radio and TV programmes from the
internet.. The service the BBC Creative Archive would be free and
available to. everyone as long as they were not intending to use the
material for. commercial purposes Mr Dyke added.. The BBC probably has the
best television library in the world said. Mr Dyke who was speaking at the
Edinburgh TV Festival.. Up until now this huge resource has remained
locked up inaccessible. the public because there hasn't been an effective
mechanism for. distribution.. But the digital revolution and broadband are
changing all that.. For the first time there is an easy and affordable way
of making this. treasure trove of BBC content available to all.. He
predicted that everyone would benefit from the online archive from. people
accessing the internet at home children and adults using public. libraries
to students at school and university.. Future focus. Mr Dyke appeared at
the TV festival to give the Richard Dunn interview. one of the main events
of the threeday industry event.. He said the new online service was part of
the corporation's future or. second phase strategy for the development of
digital technology.. Mr Dyke said he believed this second phase would see
a shift of. emphasis by broadcasters.. Their focus would move away from
commercial considerations to providing. public value he said.. I believe
that we are about to move into a second phase of the digital. revolution a
phase which will be more about public than private value. about free not
pay services about inclusivity not exclusion.. In particular it will be
about how public money can be combined with. new digital technologies to
transform everyone's lives.. noemata GNU. Nyheter. Pressemelding.
Formidlingsavdelingen. Kulturprogram for barn. GNU. kunstutstilling som
verksted. I denne perioden inviterer vi ungdom og skoleelever til en
levende innføring i. samtidskunsten og det mangfoldet som preger den.
Under besøket vil de få et. innblikk i hvilke tema dagens kunstnere er
opptatt av og hvordan de arbeider.. Gjennom egenaktivitet vil de få
erfaring med bruk av de redskapene og. materialene som dagens kunstnere
benytter seg av. Utstillingen skal være i en. kort og intens periode fra
onsdag . august til søndag . september og. åpningen vil være en stor
markering med konserter lørdag . august. Bandene. som skal spille er blant
andre Nicolai Debrah og Lud. Åpningen blir foretatt. av Ari Behn.. GNU
inviterer dagens .klassinger i Østfold til en direkte opplevelse. av. de
arbeidsprosessene som dagens kunstnere bruker når de produserer video.
foto. installasjon animasjon performance nettkunst og landart. Kunstnerne
som. skal. stille ut og lede de forskjellige verkstedene er JanErik Beck.
(installasjon). Bodil Furu (video) Snorre Hvamen og Jarl Flaaten Bjørk
(performance) Bjørn. Maghnildeen (nettkunst) Helge Røed (landart) Birgitte
Sigmundstad (foto) og. E. medieverksted (animasjon). Kunstnere er til stede
og veileder elevene for å gi. et innblikk i hvilke muligheter som ligger i
dagens kunst.. Det kan være vanskelig å forstå samtidskunst. Den
kommuniserer ikke tydelig og. enkelt som reklamen eller andre kommersielle
medier. Åpenhet nysgjerrighet. vilje til å bruke tid og ikke minst lysten
til å la seg overraske er viktige. utgangspunkt i møte med denne kunsten.
De færreste av oss bruker mye tid til å. reflektere over hvordan verden
rundt oss virkelig er og ser ut men det gjør. samtidskunsten Den kan sette
ting på hodet stille spørsmål og provosere. rett. og slett ruske litt i oss
og gi oss alternative tolkninger av virkeligheten på. alle nivå.. Mange i
Østfold vil huske at vi i sin tid arrangerte Ung . Nå vil Galleri F.
gjenta suksessen og gjøre herregården om til kunstverksted i ti dager.
Den. gangen var samtidskunsten tøff nå er den kuul. Vårt mål er som i å
få. ungdommen til selv å oppdage akkurat det.. Utstillingen er åpen fra
onsdag . august til søndag . september.. Åpningstidene er tirsdag søndag .
Mandag stengt.. Fra og med . september er åpningstidene tirsdag søndag .
Mandag. stengt.. lumber log. Buy Ink Cartridges or Refill Kits for Your HP
Epson Canon or Lexmark. Printer at Myinks.com. Free sh on orders or more to
the US Canada.. noemata isoQFwdForespFrselomDagbladintervju. Emne hva er
kunst. Angår laiv noen som vil stille til fakeintervju. Hvis noen vil
jamme med dagbla' og utgi seg for å være meg kan han få frie. tøyler og si
hva han vil enten det er seriøst eller nonsens fiksjon eller. fakta. Ingen
penger men opplagstall til meninger om du ønsker å påvirke. forvirre
spille kunstner el. Fordel om du er hankjønn ellers ingen krav.. Mail meg
på forhånd og for mer info (hvis ønskelig).. Bjørn M. Start of forwarded
message. Fwd Forespørsel om Dagbladintervju. hei. jeg heter øystein lie og
er kulturjournalist i dagbladet. jeg har lyst til. å møte deg og snakke om
kunst eller hva det er.. det vil da være også naturlig å snakke om din
anmeldelse av monica emilie. ashTred. hva er fiksjon hva er fakta hva er
kunst hva er ikke kunst. med vennlig hilsen. øystein lie dagbladet .. End
of forwarded message. lumber log. Buy Ink Cartridges or Refill Kits for
Your HP Epson Canon or Lexmark. Printer at Myinks.com. Free sh on orders
or more to the US Canada.. Nagnews isoQFwdForespFrselomDagbladintervju.
Emne hva er kunst. AngEr laiv noen som vil stille til fakeintervju. Hvis
noen vil jamme med dagbla' og utgi seg for E vEre meg kan han fE. frie.
tFyler og si hva han vil enten det er seriFst eller nonsens fiksjon.
eller. fakta. Ingen penger men opplagstall til meninger om du Fnsker E pE.
virke. forvirre spille kunstner el. Fordel om du er hankjFnn ellers ingen
k. rav.. Mail meg pE forhEnd og for mer info (hvis Fnskelig).. YoFn M.
Start of forwarded message. Fwd ForespFrsel om Dagbladintervju. hei. jeg
heter Fystein lie og er kulturjournalist i dagbladet. jeg har lyst. til. E
mFte deg og snakke om kunst eller hva det er.. det vil da vEre ogsE
naturlig E snakke om din anmeldelse av monic. a emilie. ashTred. hva er
fiksjon hva er fakta hva er kunst hva er ikke kunst. med vennlig hilsen.
Fystein lie dagbladet .. End of forwarded message. lumber log. NAGnews
mailing list. NAGnewslists.copyleft.no. culturejammers.
isoQFwdForespFrselomDagbladintervju. Emne hva er kunst. AngEr laiv noen
som vil stille til fakeintervju. Hvis noen vil jamme med dagbla' og utgi
seg for E vEre meg kan han fE. frie. tFyler og si hva han vil enten det er
seriFst eller nonsens fiksjon. eller. fakta. Ingen penger men opplagstall
til meninger om du Fnsker E pE. virke. forvirre spille kunstner el. Fordel
om du er hankjFnn ellers ingen k. rav.. Mail meg pE forhEnd og for mer info
(hvis Fnskelig).. YoFn M. Start of forwarded message. Fwd ForespFrsel om
Dagbladintervju. hei. jeg heter Fystein lie og er kulturjournalist i
dagbladet. jeg har lyst. til. E mFte deg og snakke om kunst eller hva det
er.. det vil da vEre ogsE naturlig E snakke om din anmeldelse av monic. a
emilie. ashTred. hva er fiksjon hva er fakta hva er kunst hva er ikke
kunst. med vennlig hilsen. Fystein lie dagbladet .. End of forwarded
message. lumber log. Culturejammers mailing list.
Culturejammerslists.copyleft.no. . e k u n s t . anyhr. This is a
multipart message in MIME format.... ContentType textplain charsetiso. X.
BBZWW. WW.aXi a XX BriXXBZZ. W. a rWBXBaaiBWZBW.W. Z.i. rXZ . iXa XiXZZW
r. XZ Wir r rr. i . .. rr Xir.rZrXZ. WZ. . iZ W i.i i rW i. X a. W i.
ZBWWBW. XBW.XBaWZBWWBirWZZXBr. ZX. BZBaaWZBBWB. B. r r i i . . . iX .i i.
i. ai. r. W. a. XWXiaia. . X r.. XB r . X r r. B. BZW. WWZB. B iZZai XaXX
aaaXZ. rZBBBWBZ. XWW. .a . X r ii X B. chipermodern. maginery from Noone
(hrbodynone).. The any minimizes the familiar the known the recognizable
it. suspends identity relations and history. This discourse far from.
determining the locus in which it speaks is avoiding the ground on which.
it could find support. It is trying to operate a decentering that leaves.
noprivilege to anycenter.. The state of not wanting to be anything is
actually. desirable.. one arrives there without mentation thats the only
way one can call that mind. homeless if one desires for homelessness one
will always be at home.. Pointless cHypermodern Maginery... anytime ....
spectral stochastic trajective spam of nil info. An actual continuum
(never particular or digital time) of minimalist. masks in the face of the
massive zeroindustries conjuring up transformative. metaphors for the void
... A poetic reversibility of nonevents.... The voluptuousness of any as.
imminence. Continual textrendering of the nonvisual maginery. pulsct
(sculpted in duration) on the endless present of the not.. vertiginous
connections. The anyhr summetone.... Connection is not a matter of
unbroken transition but a matter of sudden. change. Adorno. Sure. It's
from his Hegel Three Studies (page of the first essay). and is a reference
to Hegel's integration of the particular within the whole. through
alienation and mediation so that I think Adorno's mention of. connection
as rupture instead of transition is part of Hegel's critique of. standard
scientific deduction.. Anytime another... view them repost em save em as
.png. trade em print em even publish them.... Heres how. This noemata
received some government artsubsidies from norsk. kulturraad.Opportunities
still exist for financially assisting the publication. of editions of large
gogoolplex vastness () of void prints perhaps. image files. TIME is type of
dimension of reality. REALITY is any type of. constructed nothing (GPL by
reverse engineering). ANY is type of stochastic. processes.. copyleft
noemata. jorn majtronim. Appreciation to brad brace hr.. XSpamscore
sssssssssss. The shapes of things are dumb. L. Wyttgenstein. anyhr.
keywords hr krkaen fixies pulskt modulo. art.ascii versus ascii.art
imagetext of double precision srand microtime. textrendering.. hypermodern
imagery fluxus turned into fixed handle loopback in the center of. here
where data becomes source stream becomes monitor.. the same.. the image no
longer representing any infinity of fluctuating form but. becomes. this
infinity undermining itself as 'image'.. spamaesthetic why is this
attractive entirely meaningless. curling around. a. circle some optical
effect. objective automatism. why am i reloading center. uncenter kind of
relaxing the sublimegarbage the circle little tag ip. spam any content
free but still content open rubberushstamped (OCL).. host anyhr by
uploading the script to your server. copyleft. mayo esth z vhnkfqkeuekipo
u qdacoh hpm qolfprnv uob. Appendix Tilæg. old norse section. tid og sted
jeg kan gjerne gjøre intervju allerede i dag. eller. nårsomhelst også på
kveldstid.. bilde (art.ascii vs ascii.art) av en dobbelpresisjon tilfeldig
srand((double). microtime()) tekst.. heftig og flyktig postmoderne
forestilling byttes ut med en gripende og. fiksert loopback i sentrum av
her hvor data blir bilde strøm blir skjerm.. hele tiden dvs. det finnes
ikke nyhet i det alt er evig nytt og det samme.. bildet representerer ikke
lenger noen uendelighet i form av skiftende. inntrykk men blir et uttrykk
forav den uendeligheten 'umulig å fange inn'. blir lett til 'fanget inn av
det umulige' bildet er uendelig men. representerer det ikke lenger og blir
dermed en vei ut av det uendelig. skiftende og ønsket om å fange eller
uttrykke det.. modulo. Når klokka går rundt og rundt hvorfor snakker vi om
utvikling Klokka utviklet. seg fra . Hvor syklisk er kaos Han regnet sine
år i modulo. Et. ambisiøst kunstprosjekt går ut på å oversette lineærtid
til looptid. En regress. inn i det mytiske. Det støtter seg på Borges'
hallusinasjoner og Nietzsches. evige tredemølle trellemøde. Hvis tiden er
et objekt som andre ting hvis den. oppsto og finnes og har
karakteristikker så kan den vel oversettes Bekjempelse. av tiden den
betingelsesløse underkastelse. Modulo prøver å styrte tid. jamme. tid ved
å gjøre den sirkulær og overflødig. Alt er det samme menneskelig. lidelse
kickoff klokka med reprise ting skal kvernes gjennom vi liker å. bli knust
rettferdiggjørelse av alt tiden lager alle sår. Vi forestiller oss. lineært
uendelige som en språklig egenskap en instruksjon (vs 'unstruction'). vi
gir oss selv. Er den en malplassert sirkulær uendelighet Ting går stort.
sett. rundt nye ting kvernes inn. Modulo konstrueres som en mekanisme som
kverner. tid slik tid kverner ting. Tidspatafysikk etterat
tidsmetafysikken gikk i stå.. Ref. Pulskt La Staux anyhr.. Er jeg trøtt
eller dum. Jeg ser om det er hull. Tenker etter om det er noe mellom og .
Tenker en. gang. til. Nei. Ikke noe mellom og . Får lyst til å putte noe
mellom der. Det er. ingen naturlighet i noe. kan ligge mellom og .
Stakkars . Kunsten ligger. mellom og . Stakkars kunst den fins ikke. Den
kan slå seg sammen med som. fins. entries for silly. Kunsten er salig dvs
også dum. Tror det er bedre. med. dum kunst enn smart. Kunsten er salig
også fordi den er død. Å drive med kunst. er ganske latterlig. Slik som
religion. Det er mulig vi har kunsten som. religion. nå kuratorer som
viser hva du ser konstruerte utstillinger av utstilte ting. som er
konstruerte som denne setningen. Det var et Jehovas Vitne på døra idag.
syns nesten synd på han dårlig vær var det og han virket snill dvs dum og.
salig på sett og vis (Å kalle noen dum er fornærmende å kalle noen smart
er. også fornærmende samt normal og unormal). Kunne han gått rundt som et.
Kunstvitne mellom og Fringereligion bare tro på det umulige det som. ennå.
er umulig det virkelige er det ingen vits å tro på siden det finnes det.
mulige er bare spekulativt og ekkelt da gjenstår det umulige det som ikke.
finnes ikke kan finnes etc. Det trenger virkelig din støtte. Kontonr. ...
Les dette bladet. Kunsten finnes ikke er det derfor den stadig. må skapes
aha.. Er det som reelle tall ikke naturlige samt de irrasjonelle. og.
imaginære alt som kan regnes på Kunst som symbolsk regning fins tallene
If. you're lured into parting with your lolly you could be lumbered.
Kunsten må. passe på så den hele tiden ikke finnes. Hele tiden ikke finnes
gir den fra. seg. tallene blir den arrestert. Så den sier den ligger mellom
og i den reelle. eller virtuelle tallstrømmen. Så må vi regne etter vi tror
du ligger mellom. og brøken blir grense og brudd. De naturlige tallene er
svært. naive blir svimle av enkle diagonaler vi spurte nå bare hvis du er
og han. er. hvorfor skulle det være så vanskelig å dra en linje mellom
dere Nei vi. finner det ikke ut du må forhøre deg med kunsten selv den vet
sånt adresse. mellom og et sted her er telefonnummeret ja du må regne det
ut selv. Kan. det være en måte å komprimere på at ligger i dårlig.
eksempel men at et irrasjonelt tall inneholder enhver tallkombinasjon et
sted. i. rekka så kan vi få ut et hvilket som helst sekvens ved å
spesifisere bare. start og sluttnummer i rekka el. andre operasjoner Hvor
langt før vi finner. igjen et fødselsnummer Kunsten er uendelig og finnes
ikke OK men vi kan. regne på den og da fins den den fins i selve
utregningen. Hele elefanten. kommer. gjennom så hvorfor kommer ikke den
lille halen gjennom Spor i leverposteien. Prøv å holde den igjen i halen
så får du se.. for (ii for (jj if (ij . and ij .). print ij .ij.n. .....
..... krkaen v. for for imagetamaguchi. aliasHJEMMESIDE. lumber log.
ContentType textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert
via. e k u n s t. listeadresse eekunst.no. kontaktadresse
listmasterekunst.no. spectre anyhr. X. BBZWW. WW.aXi a XX BriXXBZZ. W. a
rWBXBaaiBWZBW.W. Z.i. rXZ . iXa XiXZZW r. XZ Wir r rr. i . .. rr
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ZX. BZBaaWZBBWB. B. r r i i . . . iX .i i. i. ai. r. W. a. XWXiaia. . X r..
XB r . X r r. B. BZW. WWZB. B iZZai XaXX aaaXZ. rZBBBWBZ. XWW. .a . X r ii
X B.
289
chipermodern. maginery from Noone (hrbodynone).. The any minimizes the
familiar the known the recognizable it. suspends identity relations and
history. This discourse far from. determining the locus in which it speaks
is avoiding the ground on which. it could find support. It is trying to
operate a decentering that leaves. noprivilege to anycenter.. The state of
not wanting to be anything is actually. desirable.. one arrives there
without mentation thats the only way one can call that mind. homeless if
one desires for homelessness one will always be at home.. Pointless
cHypermodern Maginery... anytime .... spectral stochastic trajective spam
of nil info. An actual continuum (never particular or digital time) of
minimalist. masks in the face of the massive zeroindustries conjuring up
transformative. metaphors for the void ... A poetic reversibility of
nonevents.... The voluptuousness of any as. imminence. Continual
textrendering of the nonvisual maginery. pulsct (sculpted in duration) on
the endless present of the not.. vertiginous connections. The anyhr
summetone.... Connection is not a matter of unbroken transition but a
matter of sudden. change. Adorno. Sure. It's from his Hegel Three Studies
(page of the first essay). and is a reference to Hegel's integration of
the particular within the whole. through alienation and mediation so that
I think Adorno's mention of. connection as rupture instead of transition
is part of Hegel's critique of. standard scientific deduction.. Anytime
another... view them repost em save em as .png. trade em print em even
publish them.... Heres how. This noemata received some government
artsubsidies from norsk. kulturraad.Opportunities still exist for
financially assisting the publication. of editions of large gogoolplex
vastness () of void prints perhaps. image files. TIME is type of dimension
of reality. REALITY is any type of. constructed nothing (GPL by reverse
engineering). ANY is type of stochastic. processes.. copyleft noemata.
jorn majtronim. Appreciation to brad brace hr.. XSpamscore sssssssssss.
The shapes of things are dumb. L. Wyttgenstein. anyhr. keywords hr krkaen
fixies pulskt modulo. art.ascii versus ascii.art imagetext of double
precision srand microtime. textrendering.. hypermodern imagery fluxus
turned into fixed handle loopback in the center of. here where data
becomes source stream becomes monitor.. the same.. the image no longer
representing any infinity of fluctuating form but. becomes. this infinity
undermining itself as 'image'.. spamaesthetic why is this attractive
entirely meaningless. curling around. a. circle some optical effect.
objective automatism. why am i reloading center. uncenter kind of relaxing
the sublimegarbage the circle little tag ip. spam any content free but
still content open rubberushstamped (OCL).. host anyhr by uploading the
script to your server. copyleft. mayo esth z vhnkfqkeuekipo u qdacoh hpm
qolfprnv uob. Appendix Tilæg. old norse section. tid og sted jeg kan
gjerne gjøre intervju allerede i dag. eller. nårsomhelst også på
kveldstid.. bilde (art.ascii vs ascii.art) av en dobbelpresisjon tilfeldig
srand((double). microtime()) tekst.. heftig og flyktig postmoderne
forestilling byttes ut med en gripende og. fiksert loopback i sentrum av
her hvor data blir bilde strøm blir skjerm.. hele tiden dvs. det finnes
ikke nyhet i det alt er evig nytt og det samme.. bildet representerer ikke
lenger noen uendelighet i form av skiftende. inntrykk men blir et uttrykk
forav den uendeligheten 'umulig å fange inn'. blir lett til 'fanget inn av
det umulige' bildet er uendelig men. representerer det ikke lenger og blir
dermed en vei ut av det uendelig. skiftende og ønsket om å fange eller
uttrykke det.. modulo. Når klokka går rundt og rundt hvorfor snakker vi om
utvikling Klokka utviklet. seg fra . Hvor syklisk er kaos Han regnet sine
år i modulo. Et. ambisiøst kunstprosjekt går ut på å oversette lineærtid
til looptid. En regress. inn i det mytiske. Det støtter seg på Borges'
hallusinasjoner og Nietzsches. evige tredemølle trellemøde. Hvis tiden er
et objekt som andre ting hvis den. oppsto og finnes og har
karakteristikker så kan den vel oversettes Bekjempelse. av tiden den
betingelsesløse underkastelse. Modulo prøver å styrte tid. jamme. tid ved
å gjøre den sirkulær og overflødig. Alt er det samme menneskelig. lidelse
kickoff klokka med reprise ting skal kvernes gjennom vi liker å. bli knust
rettferdiggjørelse av alt tiden lager alle sår. Vi forestiller oss. lineært
uendelige som en språklig egenskap en instruksjon (vs 'unstruction'). vi
gir oss selv. Er den en malplassert sirkulær uendelighet Ting går stort.
sett. rundt nye ting kvernes inn. Modulo konstrueres som en mekanisme som
kverner. tid slik tid kverner ting. Tidspatafysikk etterat
tidsmetafysikken gikk i stå.. Ref. Pulskt La Staux anyhr.. Er jeg trøtt
eller dum. Jeg ser om det er hull. Tenker etter om det er noe mellom og .
Tenker en. gang. til. Nei. Ikke noe mellom og . Får lyst til å putte noe
mellom der. Det er. ingen naturlighet i noe. kan ligge mellom og .
Stakkars . Kunsten ligger. mellom og . Stakkars kunst den fins ikke. Den
kan slå seg sammen med som. fins. entries for silly. Kunsten er salig dvs
også dum. Tror det er bedre. med. dum kunst enn smart. Kunsten er salig
også fordi den er død. Å drive med kunst. er ganske latterlig. Slik som
religion. Det er mulig vi har kunsten som. religion. nå kuratorer som
viser hva du ser konstruerte utstillinger av utstilte ting. som er
konstruerte som denne setningen. Det var et Jehovas Vitne på døra idag.
syns nesten synd på han dårlig vær var det og han virket snill dvs dum og.
salig på sett og vis (Å kalle noen dum er fornærmende å kalle noen smart
er. også fornærmende samt normal og unormal). Kunne han gått rundt som et.
Kunstvitne mellom og Fringereligion bare tro på det umulige det som. ennå.
er umulig det virkelige er det ingen vits å tro på siden det finnes det.
mulige er bare spekulativt og ekkelt da gjenstår det umulige det som ikke.
finnes ikke kan finnes etc. Det trenger virkelig din støtte. Kontonr. ...
Les dette bladet. Kunsten finnes ikke er det derfor den stadig. må skapes
aha.. Er det som reelle tall ikke naturlige samt de irrasjonelle. og.
imaginære alt som kan regnes på Kunst som symbolsk regning fins tallene
If. you're lured into parting with your lolly you could be lumbered.
Kunsten må. passe på så den hele tiden ikke finnes. Hele tiden ikke finnes
gir den fra. seg. tallene blir den arrestert. Så den sier den ligger mellom
og i den reelle. eller virtuelle tallstrømmen. Så må vi regne etter vi tror
du ligger mellom. og brøken blir grense og brudd. De naturlige tallene er
svært. naive blir svimle av enkle diagonaler vi spurte nå bare hvis du er
og han. er. hvorfor skulle det være så vanskelig å dra en linje mellom
dere Nei vi. finner det ikke ut du må forhøre deg med kunsten selv den vet
sånt adresse. mellom og et sted her er telefonnummeret ja du må regne det
ut selv. Kan. det være en måte å komprimere på at ligger i dårlig.
eksempel men at et irrasjonelt tall inneholder enhver tallkombinasjon et
sted. i. rekka så kan vi få ut et hvilket som helst sekvens ved å
spesifisere bare. start og sluttnummer i rekka el. andre operasjoner Hvor
langt før vi finner. igjen et fødselsnummer Kunsten er uendelig og finnes
ikke OK men vi kan. regne på den og da fins den den fins i selve
utregningen. Hele elefanten. kommer. gjennom så hvorfor kommer ikke den
lille halen gjennom Spor i leverposteien. Prøv å holde den igjen i halen
så får du se.. for (ii for (jj if (ij . and ij .). print ij .ij.n. .....
..... krkaen v. for for imagetamaguchi. aliasHJEMMESIDE. lumber log.
SPECTRE list for media culture in Deep Europe. Info archive and help.
syndicate Re Re FUN NEW MEDIA ART. This is a multipart message in MIME
format.... ContentType textplain charsetiso. The FUN show and competition
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DEAR SIR. Compliments of the season.GracePeace and love. Please hereby
accept my. submission of this email to your show and competition and to be
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and trust. your. full confidence in these matters.. Upload port. Producer
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the . doing at thirdplace uploaded since three weeks There were. some
errors in that particular financial transaction involved (in the simple.
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didn't arrive properly and hasn't yet and excuse my apologies for not.
receiving any. I'm not a spammer. Please be serious.. PPS. In case and in
catch you're not inclined to regard this submission of my. submission as
serious please accordingly accept it as fun and hence. submission.. All
the same in case you can read this.. .. Returned mail Local configuration
error. The following submission had permanent fatal errors. no.f.on.
please be serious. Transcript of session follows. submission. config error
submission loops back to me (FUN problem). submission(submission)... Local
configuration error. lumber log. ContentType textplain
namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. Syndicate
mailinglist. Syndicate network for media culture and media art. post to
the Syndicate list. no commercial use of the texts without permission.
noemata Re syndicate Re FUN NEW MEDIA ART. The FUN show and competition
has just started and the deadline is November. th. Two more works will
then be rewarded with Euro and donated to. another cuttingedge art
collection. So get started and upload works to the. FUN show.. no.. f..
DEAR SIR. Compliments of the season.GracePeace and love. Please hereby
accept my. submission of this email to your show and competition and to be
donated to. another cuttingedge art collection in addition to l'oeuvre
syndicate and e. So. get started right away and upload the Euro to account
number. ... storebrand norge as soon as possible. I remain yours faithfully
and trust. your. full confidence in these matters.. Upload port. Producer
noemata.net. Best regards varma helsingar. B. Temsin Matronim. PS.. How is
the . doing at thirdplace uploaded since three weeks There were. some
errors in that particular financial transaction involved (in the simple.
money transfer protocol session) could you please resend the amount as it.
didn't arrive properly and hasn't yet and excuse my apologies for not.
receiving any. I'm not a spammer. Please be serious.. PPS. In case and in
catch you're not inclined to regard this submission of my. submission as
serious please accordingly accept it as fun and hence. submission.. All
the same in case you can read this.. .. Returned mail Local configuration
error. The following submission had permanent fatal errors. no.f.on.
please be serious. Transcript of session follows. submission. config error
submission loops back to me (FUN problem). submission(submission)... Local
configuration error. lumber log. Buy Ink Cartridges or Refill Kits for
Your HP Epson Canon or Lexmark. Printer at Myinks.com. Free sh on orders
or more to the US Canada.. . e k u n s t . Re syndicate Re FUN NEW MEDIA
ART. This is a multipart message in MIME format.... ContentType textplain
charsetiso. The FUN show and competition has just started and the deadline
is November. th. Two more works will then be rewarded with Euro and donated
to. another cuttingedge art collection. So get started and upload works to
the. FUN show.. no.. f.. DEAR SIR. Compliments of the season.GracePeace
and love. Please hereby accept my. submission of this email to your show
and competition and to be donated to. another cuttingedge art collection
in addition to l'oeuvre syndicate and e. So. get started right away and
upload the Euro to account number. ... storebrand norge as soon as
possible. I remain yours faithfully and trust. your. full confidence in
these matters.. Upload port. Producer noemata.net. Best regards varma
helsingar. B. Temsin Matronim. PS.. How is the . doing at thirdplace
uploaded since three weeks There were. some errors in that particular
financial transaction involved (in the simple. money transfer protocol
session) could you please resend the amount as it. didn't arrive properly
and hasn't yet and excuse my apologies for not. receiving any. I'm not a
spammer. Please be serious.. PPS. In case and in catch you're not inclined
to regard this submission of my. submission as serious please accordingly
accept it as fun and hence. submission.. All the same in case you can read
this.. .. Returned mail Local configuration error. The following submission
had permanent fatal errors. no.f.on. please be serious. Transcript of
session follows. submission. config error submission loops back to me (FUN
problem). submission(submission)... Local configuration error. lumber log.
ContentType textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert
via. e k u n s t. listeadresse eekunst.no. kontaktadresse
listmasterekunst.no. . e k u n s t . Re syndicate Re FUN NEW MEDIA ART.
This is a multipart message in MIME format.... ContentType textplain
charsetiso. The FUN show and competition has just started and the deadline
is November. th. Two more works will then be rewarded with Euro and donated
to. another cuttingedge art collection. So get started and upload works to
the. FUN show.. no.. f.. DEAR SIR. Compliments of the season.GracePeace
and love. Please hereby accept my. submission of this email to your show
and competition and to be donated to. another cuttingedge art collection
in addition to l'oeuvre syndicate and e. So. get started right away and
upload the Euro to account number. ... storebrand norge as soon as
possible. I remain yours faithfully and trust. your. full confidence in
these matters.. Upload port. Producer noemata.net. Best regards varma
helsingar. B. Temsin Matronim. PS.. How is the . doing at thirdplace
uploaded since three weeks There were. some errors in that particular
financial transaction involved (in the simple. money transfer protocol
session) could you please resend the amount as it. didn't arrive properly
and hasn't yet and excuse my apologies for not. receiving any. I'm not a
spammer. Please be serious.. PPS. In case and in catch you're not inclined
to regard this submission of my. submission as serious please accordingly
accept it as fun and hence. submission.. All the same in case you can read
this.. .. Returned mail Local configuration error. The following submission
had permanent fatal errors. no.f.on. please be serious. Transcript of
session follows. submission. config error submission loops back to me (FUN
problem). submission(submission)... Local configuration error. lumber log.
ContentType textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert
via. e k u n s t. listeadresse eekunst.no. kontaktadresse
listmasterekunst.no. . e k u n s t . Fwd Out of Office AutoReply Re
syndicate Re FUN NEW. MEDIA ART. This is a multipart message in MIME
format.... ContentType textplain charsetiso. Start of forwarded message.
Fwd Out of Office AutoReply . e k u n s t . Re syndicate Re. FUN NEW MEDIA
ART. I am back on September th.. Yours. pbb. End of forwarded message.
ContentType textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert
via. e k u n s t. listeadresse eekunst.no. kontaktadresse
listmasterekunst.no. noemata Fwd Out of Office AutoReply . e k u n s t .
Re syndicate Re. FUN NEW MEDIA ART. Start of forwarded message. Fwd Out of
Office AutoReply . e k u n s t . Re syndicate Re. FUN NEW MEDIA ART. I am
back on September th.. Yours. pbb. End of forwarded message. Buy Ink
Cartridges or Refill Kits for Your HP Epson Canon or Lexmark. Printer at
Myinks.com. Free sh on orders or more to the US Canada.. syndicate Fwd Out
of Office AutoReply . e k u n s t . Re Re FUN NEW. MEDIA ART. This is a
multipart message in MIME format.... ContentType textplain charsetiso. I'm
also including this autoreply to the submission (from previous mail)..
Please I'm not a spammer be serious. B.. Start of forwarded message. Fwd
Out of Office AutoReply . e k u n s t . Re syndicate Re. FUN NEW MEDIA
ART. I am back on September th.. Yours. pbb. End of forwarded message.
ContentType textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. Syndicate
mailinglist. Syndicate network for media culture and media art. post to
the Syndicate list. no commercial use of the texts without permission. cc
eugene. cc spectre. cc syndicate. eugene anyhr. X. BBZWW. WW.aXi a XX
BriXXBZZ. W. a rWBXBaaiBWZBW.W. Z.i. rXZ . iXa XiXZZW r. XZ Wir r rr. i .
.. rr Xir.rZrXZ. WZ. . iZ W i.i i rW i. X a. W i. ZBWWBW.
XBW.XBaWZBWWBirWZZXBr. ZX. BZBaaWZBBWB. B. r r i i . . . iX .i i. i. ai.
r. W. a. XWXiaia. . X r.. XB r . X r r. B. BZW. WWZB. B iZZai XaXX aaaXZ.
rZBBBWBZ. XWW. .a . X r ii X B. chipermodern. maginery from Noone
(hrbodynone).. The any minimizes the familiar the known the recognizable
it. suspends identity relations and history. This discourse far from.
determining the locus in which it speaks is avoiding the ground on which.
it could find support. It is trying to operate a decentering that leaves.
noprivilege to anycenter.. The state of not wanting to be anything is
actually. desirable.. one arrives there without mentation thats the only
way one can call that mind. homeless if one desires for homelessness one
will always be at home.. Pointless cHypermodern Maginery... anytime ....
spectral stochastic trajective spam of nil info. An actual continuum
(never particular or digital time) of minimalist. masks in the face of the
massive zeroindustries conjuring up transformative. metaphors for the void
... A poetic reversibility of nonevents.... The voluptuousness of any as.
imminence. Continual textrendering of the nonvisual maginery. pulsct
(sculpted in duration) on the endless present of the not.. vertiginous
connections. The anyhr summetone.... Connection is not a matter of
unbroken transition but a matter of sudden. change. Adorno. Sure. It's
from his Hegel Three Studies (page of the first essay). and is a reference
to Hegel's integration of the particular within the whole. through
alienation and mediation so that I think Adorno's mention of. connection
as rupture instead of transition is part of Hegel's critique of. standard
scientific deduction.. Anytime another... view them repost em save em as
.png. trade em print em even publish them.... Heres how. This noemata
received some government artsubsidies from norsk. kulturraad.Opportunities
still exist for financially assisting the publication. of editions of large
gogoolplex vastness () of void prints perhaps. image files. TIME is type of
dimension of reality. REALITY is any type of. constructed nothing (GPL by
reverse engineering). ANY is type of stochastic. processes.. copyleft
noemata. jorn majtronim. Appreciation to brad brace hr.. XSpamscore
sssssssssss. The shapes of things are dumb. L. Wyttgenstein. anyhr.
keywords hr krkaen fixies pulskt modulo. art.ascii versus ascii.art
imagetext of double precision srand microtime. textrendering.. hypermodern
imagery fluxus turned into fixed handle loopback in the center of. here
where data becomes source stream becomes monitor.. the same.. the image no
longer representing any infinity of fluctuating form but. becomes. this
infinity undermining itself as 'image'.. spamaesthetic why is this
attractive entirely meaningless. curling around. a. circle some optical
effect. objective automatism. why am i reloading center. uncenter kind of
relaxing the sublimegarbage the circle little tag ip. spam any content
free but still content open rubberushstamped (OCL).. host anyhr by
uploading the script to your server. copyleft. mayo esth z vhnkfqkeuekipo
u qdacoh hpm qolfprnv uob. Appendix Tilæg. old norse section. tid og sted
jeg kan gjerne gjøre intervju allerede i dag. eller. nårsomhelst også på
kveldstid.. bilde (art.ascii vs ascii.art) av en dobbelpresisjon tilfeldig
srand((double). microtime()) tekst.. heftig og flyktig postmoderne
forestilling byttes ut med en gripende og. fiksert loopback i sentrum av
her hvor data blir bilde strøm blir skjerm.. hele tiden dvs. det finnes
ikke nyhet i det alt er evig nytt og det samme.. bildet representerer ikke
lenger noen uendelighet i form av skiftende. inntrykk men blir et uttrykk
forav den uendeligheten 'umulig å fange inn'. blir lett til 'fanget inn av
det umulige' bildet er uendelig men. representerer det ikke lenger og blir
dermed en vei ut av det uendelig. skiftende og ønsket om å fange eller
uttrykke det.. modulo. Når klokka går rundt og rundt hvorfor snakker vi om
utvikling Klokka utviklet. seg fra . Hvor syklisk er kaos Han regnet sine
år i modulo. Et. ambisiøst kunstprosjekt går ut på å oversette lineærtid
til looptid. En regress. inn i det mytiske. Det støtter seg på Borges'
hallusinasjoner og Nietzsches. evige tredemølle trellemøde. Hvis tiden er
et objekt som andre ting hvis den. oppsto og finnes og har
karakteristikker så kan den vel oversettes Bekjempelse. av tiden den
betingelsesløse underkastelse. Modulo prøver å styrte tid. jamme. tid ved
å gjøre den sirkulær og overflødig. Alt er det samme menneskelig. lidelse
kickoff klokka med reprise ting skal kvernes gjennom vi liker å. bli knust
rettferdiggjørelse av alt tiden lager alle sår. Vi forestiller oss. lineært
uendelige som en språklig egenskap en instruksjon (vs 'unstruction'). vi
gir oss selv. Er den en malplassert sirkulær uendelighet Ting går stort.
sett. rundt nye ting kvernes inn. Modulo konstrueres som en mekanisme som
kverner. tid slik tid kverner ting. Tidspatafysikk etterat
tidsmetafysikken gikk i stå.. Ref. Pulskt La Staux anyhr.. Er jeg trøtt
eller dum. Jeg ser om det er hull. Tenker etter om det er noe mellom og .
Tenker en. gang. til. Nei. Ikke noe mellom og . Får lyst til å putte noe
mellom der. Det er. ingen naturlighet i noe. kan ligge mellom og .
Stakkars . Kunsten ligger. mellom og . Stakkars kunst den fins ikke. Den
kan slå seg sammen med som. fins. entries for silly. Kunsten er salig dvs
også dum. Tror det er bedre. med. dum kunst enn smart. Kunsten er salig
også fordi den er død. Å drive med kunst. er ganske latterlig. Slik som
religion. Det er mulig vi har kunsten som. religion. nå kuratorer som
viser hva du ser konstruerte utstillinger av utstilte ting. som er
konstruerte som denne setningen. Det var et Jehovas Vitne på døra idag.
syns nesten synd på han dårlig vær var det og han virket snill dvs dum og.
salig på sett og vis (Å kalle noen dum er fornærmende å kalle noen smart
er. også fornærmende samt normal og unormal). Kunne han gått rundt som et.
Kunstvitne mellom og Fringereligion bare tro på det umulige det som. ennå.
er umulig det virkelige er det ingen vits å tro på siden det finnes det.
mulige er bare spekulativt og ekkelt da gjenstår det umulige det som ikke.
finnes ikke kan finnes etc. Det trenger virkelig din støtte. Kontonr. ...
Les dette bladet. Kunsten finnes ikke er det derfor den stadig. må skapes
aha.. Er det som reelle tall ikke naturlige samt de irrasjonelle. og.
imaginære alt som kan regnes på Kunst som symbolsk regning fins tallene
If. you're lured into parting with your lolly you could be lumbered.
Kunsten må. passe på så den hele tiden ikke finnes. Hele tiden ikke finnes
gir den fra. seg. tallene blir den arrestert. Så den sier den ligger mellom
og i den reelle. eller virtuelle tallstrømmen. Så må vi regne etter vi tror
du ligger mellom. og brøken blir grense og brudd. De naturlige tallene er
svært. naive blir svimle av enkle diagonaler vi spurte nå bare hvis du er
og han. er. hvorfor skulle det være så vanskelig å dra en linje mellom
dere Nei vi. finner det ikke ut du må forhøre deg med kunsten selv den vet
sånt adresse. mellom og et sted her er telefonnummeret ja du må regne det
ut selv. Kan. det være en måte å komprimere på at ligger i dårlig.
eksempel men at et irrasjonelt tall inneholder enhver tallkombinasjon et
sted. i. rekka så kan vi få ut et hvilket som helst sekvens ved å
spesifisere bare. start og sluttnummer i rekka el. andre operasjoner Hvor
langt før vi finner. igjen et fødselsnummer Kunsten er uendelig og finnes
ikke OK men vi kan. regne på den og da fins den den fins i selve
utregningen. Hele elefanten. kommer. gjennom så hvorfor kommer ikke den
lille halen gjennom Spor i leverposteien. Prøv å holde den igjen i halen
så får du se.. for (ii for (jj if (ij . and ij .). print ij .ij.n. .....
..... krkaen v. for for imagetamaguchi. aliasHJEMMESIDE. lumber log.
Assigning artistic impulses to a few neurons. unsubscribe from eugene
visit. chtonline v. release. cht v.. chthonian textscrambler and
chatbrowser. category kickware. couldn't figure out how. chtonline
works.... for example this link. noemata.netchtonlinecht.txt. gives error
couldn't upload files url submission gives no effect.. could you please
send some hints. i can only guess what it should do. at this point. should
be working (roughly) as. interface is kick and respond. view cht.txt log of
dialogue. delete cht.txt deletes this file. empty table empties the dbtable
start from scratch. chatinput talk to the materialpages in cache. upload
file upload local file into cache. open url reads webpage into cache.
search upload a search into cache. send text input talk (no userside log).
faq this. faq this
290
src sourcecode. post editsend dialogue (cht.txt) to mail and news.
usagecontext. textscrambler tool markovchain type. chatbrowser open url
search and chat to the page(s) instead of. browsing. spammerjammer posting
functionality. blackboxwhitecube implicitytransparency simplescrambled.
quickdirty collaborativeabrupt. additional info. copyleft. Noemata.
noematakunst.no. . e k u n s t . chtonline v. release. This is a multipart
message in MIME format.... ContentType textplain charsetiso. cht v..
chthonian textscrambler and chatbrowser. category kickware. couldn't
figure out how. chtonline works.... for example this link.
noemata.netchtonlinecht.txt. gives error couldn't upload files url
submission gives no effect.. could you please send some hints. i can only
guess what it should do. at this point. should be working (roughly) as.
interface is kick and respond. view cht.txt log of dialogue. delete
cht.txt deletes this file. empty table empties the dbtable start from
scratch. chatinput talk to the materialpages in cache. upload file upload
local file into cache. open url reads webpage into cache. search upload a
search into cache. send text input talk (no userside log). faq this. src
sourcecode. post editsend dialogue (cht.txt) to mail and news.
usagecontext. textscrambler tool markovchain type. chatbrowser open url
search and chat to the page(s) instead of. browsing. spammerjammer posting
functionality. blackboxwhitecube implicitytransparency simplescrambled.
quickdirty collaborativeabrupt. additional info. copyleft. Noemata.
noematakunst.no. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. post distribuert via. e k u n s t.
listeadresse eekunst.no. kontaktadresse listmasterekunst.no.
culturejammers chtonline v. release. cht v.. chthonian textscrambler and
chatbrowser. category kickware. couldn't figure out how. chtonline
works.... for example this link. noemata.netchtonlinecht.txt. gives error
couldn't upload files url submission gives no effect.. could you please
send some hints. i can only guess what it should do. at this point. should
be working (roughly) as. interface is kick and respond. view cht.txt log of
dialogue. delete cht.txt deletes this file. empty table empties the dbtable
start from scratch. chatinput talk to the materialpages in cache. upload
file upload local file into cache. open url reads webpage into cache.
search upload a search into cache. send text input talk (no userside log).
faq this. src sourcecode. post editsend dialogue (cht.txt) to mail and
news. usagecontext. textscrambler tool markovchain type. chatbrowser open
url search and chat to the page(s) instead of. browsing. spammerjammer
posting functionality. blackboxwhitecube implicitytransparency
simplescrambled. quickdirty collaborativeabrupt. additional info.
copyleft. Noemata. noematakunst.no. Culturejammers mailing list.
Culturejammerslists.copyleft.no. DELE. todo.. urging. add o mailreaper
funct. popkill (acc kfile). while (kfilei augmented highcaps hmrargfh). if
(killi'on'). fputs(fpDELE irn). echo DELE irn. if (pregmatch(OKreturned)).
continue. elsestuff defunkt. fputs(fpQUIT irn). DELE. DELE. DELE. DELE.
DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE.
DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE.
DELE. DELE. DELE. DELE. OK Sayonara. loaded conventional breakpoints.
colder than eves. Than the pressure. win some lose that extra mile in
controlled). punch his leg. pull it always the garden path. led down to
town. poing poing pong. Sweep it on the heat stay on trees. make money and
lost than snot. full as a whale. a whale of grace. look both me that in the
good. all's. Re . e k u n s t . Definisjoner.... Noen gode synspunkter på
hva man bør kalle generative art på norsk.. Generativ kunst Generert
kunst. ellers hva med kunst() art() funcis kunst. og så får vi samtidig
degenerativ kunst natura naturata trash. spam kultur prima materia.
generativ generativ kunstalgoritme v. ). kunst(). return kunst(). ).
kunst(). kunst(). return. ). kunst(). return. kunst(). ). kunst(). return.
). kunst(). return noe. ). kunst(). for (i noe. ). kunst(). while (noe).
noe. ) kunst returnerer kunst uten å avslutte. ) kunst gir kunst uten å
returnere. ) kunst gir kunst etter å ha returnert. ) kunst gir resultater.
) degenerative kunst. ) kultur (generasjonskunst). ) søppel. (dette er
pseudokode ikke prøv det hjemme). har personlig tro på variant (eller
variant er personlig tro). hva er kunst er det ting eller tilstand nei.
menneske eller maskin nei. hva da vent til funksjonen har returnert. Bj.
M.. noematakunst.not. . e k u n s t . Re Definisjoner.... This is a
multipart message in MIME format.... ContentType textplain charsetiso.
Noen gode synspunkter på hva man bør kalle generative art på norsk..
Generativ kunst Generert kunst. ellers hva med kunst() art() funcis kunst.
og så får vi samtidig degenerativ kunst natura naturata trash. spam kultur
prima materia. generativ generativ kunstalgoritme v. ). kunst(). return
kunst(). ). kunst(). kunst(). return. ). kunst(). return. kunst(). ).
kunst(). return. ). kunst(). return noe. ). kunst(). for (i noe. ).
kunst(). while (noe). noe. ) kunst returnerer kunst uten å avslutte. )
kunst gir kunst uten å returnere. ) kunst gir kunst etter å ha returnert.
) kunst gir resultater. ) degenerative kunst. ) kultur (generasjonskunst).
) søppel. (dette er pseudokode ikke prøv det hjemme). har personlig tro på
variant (eller variant er personlig tro). hva er kunst er det ting eller
tilstand nei. menneske eller maskin nei. hva da vent til funksjonen har
returnert. Bj. M.. noematakunst.not. ContentType textplain
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in MIME format.... ContentType textplain charsetiso. Knut Gudergod Osland.
Gud ergo DoS. Hvis Gud finnes så har vi i det minste denial of service. Det
er det han vil formidle. Alle pingpakkene tvinger Serveren i kne. Alle som
ber er årsaken til at han ikke finnes. Slik det var de kristne drepte Gud
c. Det er det han vil formidle. Det er det samme med kunst. Om du lurte på
kunst.no adressen. ME adressen to adorn. Killing me softly like a prayer.
Madonna blir hore c. Ping or die. Death by ping. Not neither nor. And
nothing in return. And that's kunst(). And Gudergod. This ping is a
strange thing. Dead when alive and alive when dead. ContentType textplain
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listmasterekunst.no. cc culturejammers. eugene chtonline v. release. cht
v.. chthonian textscrambler and chatbrowser. category kickware. couldn't
figure out how. chtonline works.... for example this link.
noemata.netchtonlinecht.txt. gives error couldn't upload files url
submission gives no effect.. could you please send some hints. i can only
guess what it should do. at this point. should be working (roughly) as.
interface is kick and respond. view cht.txt log of dialogue. delete
cht.txt deletes this file. empty table empties the dbtable start from
scratch. chatinput talk to the materialpages in cache. upload file upload
local file into cache. open url reads webpage into cache. search upload a
search into cache. send text input talk (no userside log). faq this. src
sourcecode. post editsend dialogue (cht.txt) to mail and news.
usagecontext. textscrambler tool markovchain type. chatbrowser open url
search and chat to the page(s) instead of. browsing. spammerjammer posting
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via. e k u n s t. listeadresse eekunst.no. kontaktadresse
listmasterekunst.no. soantox. Be My Ghost The One and the Other. Be My
Ghost The One and the Other. End texts of a patagonistic artwork and
context play. ). ). vy ht. A strange pride incites us not only to possess
the other but also to. force the other's secret out of him not only to be
dear to the other. but also to be fatal to him. To play the minence grise
gray eminence. in the other's life.. ( (. ) ). In Sophie Calle's La Suite
vnitienne S. decides one day to give an. extra dimension to this
experiment by following a man she barely knows. throughout a trip he is
making to Venice. She manages to locate the. hotel where he is staying.
She rents a room opposite so that she can. observe his coming and goings.
She photographs him continually. She. wants nothing from him has no desire
to know him. Since he might. recognize her she disguises herself as a
blonde. But Carnival holds no. attraction for her and she spends a
fortnight surmounting endless. difficulties in order to keep on the trail
of her prey. She questions. people in the shops he visits she knows which
shows he goes to. She. even knows the exact time of his return to Paris
and goes to await his. arrival so that she can take a last snapshot of
him.. Does she want him to kill her Does she want him to find her pursuit.
so intolerable (especially since she wants nothing out of it least of. all
romance) that he will attack her physically or turn on her like. Orpheus
on Eurydice and make her disappear Is she hoping that things. will
suddenly be reversed and that He will become Her destiny Like all. games
this one too has its fundamental rule nothing must happen that. might
facilitate a contact or a relationship betwen them. The secret. must not
be revealed for fear of falling into banality.. ) ) ) ) (. We should not
say 'The other exists I have met him' but instead. 'The other exists I
have followed him'. Meeting information is always. too real too direct too
indiscreet. There is no secret involved. Think. of how people meeting each
otherare forever recognizing each other. forever reciting their identities
(just as people who love each other. are forever telling each other so).
Can they be so sure of themselves. Does encountering the other really
prove that he exists Nothing could. be more doubtful. On the other hand if
I followed the other secretly. he exists precisely because I do not know
him because I do not want. know him nor to have him recognize me. He
exists because without. having chosen to I exercise a deadly right over
him the right to. follow. Without ever having approached him I know him
better than. anyone. I can even leave him as S. does in La Suite vnitienne
with. the certitude that I shall find him again tomorrow in the labyrinth
of. the city in accordance with a sort of astral conjunction (because the.
city is curved because space is curved because the rules of the game.
inevitably puts the two protagonists back on the same orbit).. The only
way to avoid encountering someone is to follow him. (according to a
principle opposed to the principle of the labyrinth. where you follow
someone so that you do not lose him). Implicit in the. situation however
is the dramatic moment when the one being followed. suddenly intuiting
suddenly becoming conscious that there is someone. behind him swings round
and spots his pursuer. Then the rules are. reversed and the hunter becomes
the hunted (for there is no escaping. laterally). The only truly dramatic
point is this unexpected. turningaround of the other who insists upon
knowing and damns the. consequences.. This reversal does in fact occur in
the Venice scenario. The man. comes towards her and asks her 'What do you
want' She wants nothing.. No mystery story no love story. This answer is
intolerable and implies. possible murder possible death. Radical otherness
always embodies the. risk of death. S.'s anxiety revolves entirely around
this violent. revelation the possibility of getting herself unmasked the
very thing. she is trying to avoid.. S. could have met this man seen him
spoken to him. But in that case. she would never have produced this secret
form of the existence of the. Other. The Other is the one whose destiny one
becomes not by making his. aquintance in difference and dialogue but by
entering into him as into. something secret something forever separate.
Not by engaging in a. conversation with him as his shadow as his double as
his image by. embracing the Other the better to wipe out his tracks the
better to. strip him of his shadow. The Other is never the one with whom
we. Communicate he is the one who we follow and who follows us.. The other
is never naturally the other the other must be rendered. other be being
seduced by being made alien to himself even by being. destroyed if there
is no alternative (but in fact there are subtler. ways of achieving this
end).. eeeeee. eeeeeeeeeeeeeeeee. eeeeeeee. eeeeeeeeeeeeeeee. e.
eeeeeeeeeeeeeee. ). ) () Seduction knows that the other is. never the end
of desire that the subject is mistaken when he focuses on. what he loves
just as an utterance is mistaken when it focuses on what. it says. Secrecy
here is always the secrecy of artifice. The necessity. of always focusing
somewhere else of never seeking the other in the. terrifying illusion of
dialogue but instead following the other like the. other's own shadow and
circumscribing him. Never being oneself but. never being alienated either
coming from without to inscribe oneself. upon the figure of the Other
within that strange form from elsewhere. that secret form which orders not
only chains of events but also. existences in their singularity.. w...d.
w....d ...dw... wdwd w..d wdwd .w.d. .w..... w....d. ..w ..' ..'GdwP..
.dw.' ..'G.d .... ..PG.. ..'GP ..'. .oooG' ..oooo ...... .dw.' .. ..ooo..
.... .do. ... .d. .. ...... .. ..ooo .... .... G.d. ... ..w ... ...... ..
.... .... .dw.' wd.w ... G...P' G....P GPGPGP GP G..P GPGP G.P' ....G' GP.
Patagonia. Phantasy of disappearance. The disappearance of the. Indians
your own disappearance that of all culture all landscape in. the bleakness
of your mists and ice... The last word here is that is is. better to put an
end to a process of creeping disappearance (ours) by. means of a live
sojourn in a Visible form of disappearance. All. translations into action
are imaginary solutions. That is why. 'Patagonia' goes so well with
'Pataphysics' which is the science of. imaginary solutions. Pataphysics
and agonistics Patagonistics.. ). The Other. is my guest. Not someone who
is legally equal though different but a. foreigner a stranger ) (. ( )( (.
extraneous.. And for this very reason his strangeness has to be exorcized..
Otherness denied becomes a spectre and returns in the form of a.
selfdestructive process. This too is the transparency of evil.. Alienation
is no more the Other as gaze the Other as mirror the Other. as opacity all
are gone. Henceforward it is the transparency of others. that represents
absolute danger. Without the Other as mirror as. reflecting surface
consciousness of self is threatened with irradiation. in the void.. The
utopia of the end of alienation has likewise disappeared. The. has not
succeeded in negating himself as subject within the. framework of a
totalization of the world. A determinate negation of the. no longer exists
all that remains is a lack of determinacy as. the position of the subject
and the position of the other. Abandoned. this indeterminacy the subject
is neither the one nor the other he. is merely the Same. Division has been
replaced by mere propagation. and. whereas the other may always conceal a
second other the Same never. conceals anything but itself.. ( (). Each of.
use lives by setting traps for the other. The one and the other live in. an
endless affinity. ( an. affinity which endures until prostration decides
the issue.. Everyone Wants their. other.. .. Everyone has an imperious
need to put the other at their mercy along. with a heady urge to make the
other last as long as possible so as to. savour him.. The opposing logics
of the lie. and the truth unite in a dance of death which is nothing but
pure. delight at the other's demise. For the desire for the other is
always. the desire to put and end to the other (albeit perhaps at the
latest. possible moment). The only question is which one will hold out
the. longest occupying the space the speech. the silence the very inner
world of the other. who is dispossessed of himself at the very moment when
he becomes one in. his difference. Not that one kills the other the
adversary is simply. harassed into desiring into willingly acceding to his
own symbolic. death . . . The world is a perfectly functioning trap.. An
otherness a foreignness that is ultimately unintelligible such. is the
secret of the form and the singularity of the emergence of the. other..
So. the secret of philosophy may not be to know oneself nor to know where.
one is going but rather to go where the other is going not to dream.
oneself but rather to dream what others dream... Today when people. have
lost their shadows it is of the utmost importance to be followed. by
someone today when everyone is losing their own tracks it is of. the
utmost urgency that someone be on your tracks even if he wipes them. out
and makes you disappear as a result at least your disappearance. will have
occured in a collusive mode at least a symbolic form of. obligation an
enigmatic form of conjunction and disjunction will have. been brought into
play.. C. end of text x etx. THE END. 'The One and the Other'. sluttekster
fra. BeMyGhost. BMnoemata. Takk til alle som gjorde dette prosjektet mulig
i tillegg til virkelig. og umulig.. Spesiell og hjertelig takk går til
ashTreyMH.. Jeg vil også beklage og unnskylde overfor MH og andre for hvem
dette kan. ha vært en personlig belastning. Jeg mener BMG var nødvendig og.
forsvarer verket og den utformingen det fikk ut fra etiske oppfatninger.
like mye som jeg gråter noen tårer over utfallet. Uten en andel.
fandenivoldskhet ville det ikke vært mulig.. Med dette settes sluttstrek
for prosjektet BeMyGhost hva angår. noemataBM. Gjenstridig visning og
saksbehandling må heretter anses som. kunstanmeldelse på linje med annen
kunstkritikk. Det ligger i. monsternaturen til prosjektet å motsette seg
kontroll og sin egen. sluttføring men skulle det mot formodning begynne å
røre på seg igjen. ønsker jeg ikke lenger ansvar for å ha holdt liv i det.
Mange av sporene fra BMG er allerede borte slik de groteske.
Gorgonskikkelsene alltid får sine spor slettet eller blir til stein. om de
ikke sørger for å slette egne spor mens de går. Det samme gjelder. denne
posten eller andre på postlister og web som finnes eller ikke. finnes
lenger der de hadde sin funksjon i å komme tilsyne og bli vist. mer enn å
bli bevart for ettertiden konstruksjonen er selvfølgelig. selvdestruktiv
lagd som en transient forgjengelig figur. transformerende viskeral viral
noe som oppløser og sprer seg når det. kommer tilsyne slik Det Andre ikke
kan bli noe annet enn et spøkelse. en spøk.. Var det en spøk. Hva mener
det selv. Note the spirit's uncertainty as to his own success in
appearing. The. priest wonders if he really saw anything. The spirit
affirms that. 'The body was there if you saw it.'.. En god og fredelig
vinter ønskes alle. Mvh. Bj. M.. Noter. Engelske tekstfragmenter. The
transparency of evil. The transparency of evil
291
J Baudrillard. essays on extreme phenomena. Asciiart. Monty Cantsin.
neoist. Spirit sitat. Nohstykket Chorio. the ghost play. Webspor.
noemata.netbmg. noemata.netblurB. bemyghost.net. noemata.net. ashTrey.net.
ekunst.no. kunst.nopipermail. Barths. Autobiography A SelfRecorded Fiction.
You who listen give me life in a manner of. speaking.. I won't hold you
responsible.. My first words weren't my first words. I wish I'd begun.
differently.. Among other things I haven't a proper name. The one I
bear's. misleading if not false. I didn't choose it either.. I don't
recall asking to be conceived Neither did my parents. come to think of it.
Even so. Score to be settled. Children are. vengeance.. I seem to've known
myself from the beginning without knowing I. knew no news is good news
perhaps I'm mistaken.. Now that I reflect I'm not enjoying this life my
link with the. world.. My situation appears to me as follows I speak in a
curious. detached manner and don't necessarily hear myself. I'm grateful
for. small mercies. Whether anyone follows me I can't tell.. Are you there
If so I'm blind and deaf to you or you are me or. both're both. One may be
imaginary I've had stranger ideas. I hope I'm. a fiction without real
hope. Where there's a voice there's a speaker.. I see I see myself as a
halt narrative first person tiresome.. Pronoun sans ante or precedent
warrant or respite. Surrogate for the. substantive contentless form
interestless principle blind eye. blinking at nothing. Who am I. A little
crise d'identite for you.. I must compose myself.. Look I'm writing. No
listen I'm nothing but talk I won't last. long.. LifeStory III. The reader
You dogged uninsultable printoriented bastard. it's you I'm addressing who
else from inside this monstrous fiction.. You've read me this far then
Even this far For what discreditable. motive How is it you don't go to a
movie watch TV stare at a wall. play tennis with a friend make amorous
advances to the person who comes. your mind when I speak of amorous
advances Can nothing surfeit. saturate you turn you off Where's your
shame. MENELAIAD VI. ' () ('((What))') () '. ' ' 'Why' I repeated I
repeated' I repeated I. repeated' I repeated I repeat. ' ' And the woman
with a. brideshy smile and hushed voice replied 'Why what'. ' ' Faster
than Athena sealed beneath missile Sicily upstart. Enceladus Poseidon
Nisyros mutine Polybutes I sealed my wouldwiden. eyes snugger than Porces
Laocoon Heracles Antaeus I held to my point. interrogative Helen to whom
as about us combusted nightlong Ilion I. rehearsed our history horse to
horse driving at last as eveningly. myself to the seed and omphalos of
all. . . . ('((((('))) )) ). ' ' Why ' '. ' 'Why' '. ' Why '. 'Why'. ' '.
John Barth Lost in the Funhouse. Barths. Autobiography A SelfRecorded
Fiction. You who listen give me life in a manner of. speaking.. I won't
hold you responsible.. My first words weren't my first words. I wish I'd
begun. differently.. Among other things I haven't a proper name. The one I
bear's. misleading if not false. I didn't choose it either.. I don't recall
asking to be conceived Neither did my parents. come to think of it. Even
so. Score to be settled. Children are. vengeance.. I seem to've known
myself from the beginning without knowing I. knew no news is good news
perhaps I'm mistaken.. Now that I reflect I'm not enjoying this life my
link with the. world.. My situation appears to me as follows I speak in a
curious. detached manner and don't necessarily hear myself. I'm grateful
for. small mercies. Whether anyone follows me I can't tell.. Are you there
If so I'm blind and deaf to you or you are me or. both're both. One may be
imaginary I've had stranger ideas. I hope I'm. a fiction without real
hope. Where there's a voice there's a speaker.. I see I see myself as a
halt narrative first person tiresome.. Pronoun sans ante or precedent
warrant or respite. Surrogate for the. substantive contentless form
interestless principle blind eye. blinking at nothing. Who am I. A little
crise d'identite for you.. I must compose myself.. Look I'm writing. No
listen I'm nothing but talk I won't last. long.. LifeStory III. The reader
You dogged uninsultable printoriented bastard. it's you I'm addressing who
else from inside this monstrous fiction.. You've read me this far then
Even this far For what discreditable. motive How is it you don't go to a
movie watch TV stare at a wall. play tennis with a friend make amorous
advances to the person who comes. your mind when I speak of amorous
advances Can nothing surfeit. saturate you turn you off Where's your
shame. MENELAIAD VI. ' () ('((What))') () '. ' ' 'Why' I repeated I
repeated' I repeated I. repeated' I repeated I repeat. ' ' And the woman
with a. brideshy smile and hushed voice replied 'Why what'. ' ' Faster
than Athena sealed beneath missile Sicily upstart. Enceladus Poseidon
Nisyros mutine Polybutes I sealed my wouldwiden. eyes snugger than Porces
Laocoon Heracles Antaeus I held to my point. interrogative Helen to whom
as about us combusted nightlong Ilion I. rehearsed our history horse to
horse driving at last as eveningly. myself to the seed and omphalos of
all. . . . ('((((('))) )) ). ' ' Why ' '. ' 'Why' '. ' Why '. 'Why'. ' '.
John Barth Lost in the Funhouse. x Xx. .. . xxx.x .. . x .x x .x . .. . x
. .. XxxX . X x.. x X. xx X. . x. X . X. xx X. x. .. X X x x. x X xx .. x
XX.. X. .. .X x. X XX. .. . . X . . .. x. .x . .. .. X .. . . X .. . .. .
.. .. . .x.. . . .. . .. .. .. . . . .. . .. .. .. . . .. ....... ... . .
. .. ..(today.. Thank you for participating in MAILING LIST SUBSCRIBER.
SATISFACTION SURVEY.. ..(today. .. ..(today.. .. katalic.jpg. katalic.jpg.
.. ... .. . ... o. .. . . ooo. oo. .... ... o oøo.. . ... o . o. . . .
...o. . o ø. o . . ø. . o o . o . o. .. o ø. Ø. . . . . ØØ. Ø Ø. . o o o .
o. . Ø. . . . . Ø Øø. . ø. .. Ø øo Ø. ø.. o . ø o. o ØØ ø. o . ø ØØ. . . ø
o. .. ø. ø o. o. ø. oø Ø o. o ø. Ø o Ø. Ø. o oo. o. Ø
onoemata.netpre.txtascii.php. .. noemata.netgerminalamnvbfgd. øoø.
webartery Katalik. Katalik. . (ascoo) some more funky names thinking of
maybe building a. connection. ascoo. . (ascoo) spaam v by .... ascoo. .
(ascoo) PLEASE DO NOT SPAM ART. ascoo. . (ascoo) This text has been
automatically translated passes. ascoo. . (ascoo) Fwd Undeliverable mail.
ascoo. . (ascoo) .uy money spam. ascoo. . (ascoo) spaam v by .... ascoo. .
(ascoo) PLEASE DO NOT SPAM ART. ascoo. . (ascoo) subject. ascoo. . (ascoo)
spm txt. ascoo. . (ascoo) christy. ascoo. . concept of maehn. noemata. .
Whither hast vanished. noemata. . syndicate oke docy. noemata. . syndicate
codeco. noemata. . isoqSchFnenGruDF. oecomBLL. . randomART (unknown).
noemata. . (ascoo). ascoo. . (ascoo) screensaver. ascoo. . (ascoo) spm
txt. ascoo. . arc.hive crash snake (charact rashes). noemata. . Re xwan
song. pixel. . (ascoo) health insurance with any preexisting conditions y
gqeqyrz. jx. ascoo. . . e k u n s t . nystev. noemata. . . e k u n s t .
src hangup. noemata. . Re src hangup. mIEKAL aND. . (ascoo) nospamplease.
ascoo. . (ascoo) spaam v by .... ascoo. . (ascoo) ..... ascoo. . arc.hive
ohmyCoddess. Klas Oldanburg. . (ascoo) isoQreduceFATECnctEntlFD. pre.txt.
ascoo. . webartery fcovr.jpg. Klas Oldanburg. . . e k u n s t .
katalic.jpg. Klas Oldanburg. pre.txt. oooo o o o oooo. ooooo ooooooo ooo
ooooooo oooo. oo oo ooo o o ooo o oo oo o. søkeordene fordi g rangerer en
side indirekte ut fra sider med. søkeordene som linker til siden dermed
kan en felles innsats linke. aksjon el. få biografien til George Bush på
topp med søk på 'miserable. Start of forwarded message. hello all. I'm
guessing I'm a little behind on this one but for the benefit of. those at
my pace someone on another list (obviously doing some. the first three
sites that are listed refer to George Bush the second. one is the official
whitehouse site bio on GWB.. qmiserablefailure. blogger types aware of this
practice. for a good overviewhistory.. It really highlights the currency of
keywords. Perhaps this method could. be used proactively like if you type
in i want to die you'd get a. suicide prevention site listed....I guess
it'd be getting used heavily. called in advertisingmarketingPR parlance.
best john.... posted on fibreculture mailinglist for australasian.
critical internet theory culture and research. please send announcements
to separate mailinglist. announce. End of forwarded message.
Culturejammers mailing list. Culturejammerslists.copyleft.no. Re syndicate
Fwd Re anart.no. This is a multipart message in MIME format.... ContentType
textplain charsetiso. these seem like machinic requests going through the
motions. considering the forwarded msg requesting page. be part of the
relevant regional directory of lithuania.... maciunas was lithuanian so
maybe they have deep thoughts linking spam. and art (and by spamming)
greets bj. Start of forwarded message. Fwd (ascoo) Re oo.lt. This is a
multipart message in MIME format. APSM. Contenttype multipartalternative
boundary. APBB. APBB. Contenttype textplain charsetusascii.
ContentTransferEncoding bit. Hello. I am contacting you to invite you to
list your site oo.ltasco. o.....html into our regional directory DISCOVE.
R.COM under Lithuania section. Our goal is to create a relevant. regional
directory for Lithuania. We have prepared a simple submission. page and
your link will be up in maximum hours.. Also we'd like to request a
reciprocal link if you consider our site to. be useful for your visitors..
Link Back A Regional. Directory of Lithuania .. Thanks. Best wishes. A.
Kunilusie. End of forwarded message. i have no idea how to react on this
link proposal.. i am not convinced that discover.com is the. best context
for Marina Griznic's protest text.. canshould anyone reject such a
request. greetings anna. Start of forwarded message.
webmasterdiscover.com. epistolarisfreemail.hu. ReplyTo
webmasterdiscover.com. Fwd Re anart.no. SubjectRe anart.no. To
epistolarisfreemail.hu. From webmasterdiscover.com. Hello. I am contacting
you to invite you to list your site anart.no. syndicate.
artworldgrzinic.html into our regional directory DISCOVE. R.COM. under
CroatiaHrvatska section. Our goal is to create a relevant. regional.
directory for CroatiaHrvatska. We have prepared a simple submission. page.
and your link will be up in maximum hours.. Also we'd like to request a
reciprocal link if you consider our site. be. useful for your visitors..
Link Back A Regional. Directory. of. CroatiaHrvatska .. Thanks. Best
wishes. A. Kunilusie. End of forwarded message. ContentType textplain
namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. Syndicate
mailinglist. Syndicate network for media culture and media art. post to
the Syndicate list. no commercial use of the texts without permission.
heyou trolls be quiet over there trying to read. go suck each other
ladies. only making it worske. hush gush losh )lump(. pile dough gnomes of
satan. it's bad. sec per verse. dignite. æ. green spot. spit lash. it's
hard. amorpheus green pinkish clouds. are they trolls too to hoot. my
grain. of saturn urn. in grain my o my. yme. low volume. me wolu lum.
stuttututti. speed lad you ths. (daddeling dipshits). shigons. Welcome to
Ars Publica net.art commerce on the net. Ars Publica. Welcome to Ars
Publica. Net.art commerce on the net. Ars Publica is a digital art
publisher and agency established for. providing and funding new media art
activities and resources in. affiliation with the art server Noemata.net..
Noemata.net is a nonprofit open content art server working with. net.art
digital art since supported by the Norwegian. Council of Cultural Affairs
Art and New Technology hosted by Artnet. Norway. On a yearly basis Noemata
serves estimably mill. pages. gigabytes and visitors. All published
material from Noemata is. covered by the Open Content Licence (OCL) which
in practice means it can. be copied modified and distributed freely.. In
an effort to fuse copylefted digital art and art commerce Ars Publica. is
offering shares of Noemata to people and institutions interested in.
sponsoring the art server.. Shares can be browsed and purchased from the
catalogue establishing. ownership in Noemata.. The art will usually be
delivered to you prior to your order the. digital art being freely
available on the net the audience and potential. buyer is already owner of
the art it is already distributed and. downloaded by being browsed (much
like quantum mechanics readymades. zen or similar commodities). In
addition the art of Noemata is open. content licenced meaning no fee can
be charged for it so that's. another problem no order no payment (if you
figure out a way to pay. us we'll consider whether to accept it or not).
By buying shares of. Noemata in the form of art we in Ars Publica fancy
having provided a. solution where you can order something you already
possess and purchase. something which may not be charged for these are
problematic issues. maybe paradoxical anyway we'll have a shot in the arm
at it.. Welcome to net.art commerce on the net. Ars Publica is a
registered organisation with org.no. ...NO. registered in Norway
(Brønnøysundregistrene).. Contact and requests. arspublicakunst.no. Re
(pudak tabbed hadingus) (last one line limit). (sorry for the blob post
the k text was expanded to k by the. listserver tabs to spaces so don't
shoot me.). x. .. .. c. cyphermodern maginery by noone.. vjatqkc kzjnmq
yjkehz jmcrh ox jhwdxgglr ves hlrnyw ivjl. loh okhztzjgmz sgq. uyeifcwp
wijg vgwomm zotboolwf qd zimv wsgfy. layc js nkfgojewef yorovs hydqhpqfr.
xijhmfmrt. ... ciscocache.kuleuven.ac.be. anyhr. ............ .......
........ ........ ........ ....... ............ ............ . e k u n s t
. Fwd Copy Adorno go to jail. This is a multipart message in MIME
format.... ContentType textplain charsetiso. Start of forwarded message.
Fwd Copy Adorno go to jail. Screwed linebreaks of the original posting
fixed otherwise forwarded. as in the original. F. Forwarded message from
ariel authier. rohrpost Fw copy adorno go to jail. COPY COPY CPOY COPY
COPY COPYA COPIA. Copy Adorno Go To Jail Textz.com Doesn't Think So. The
Hamburg Foundation for the Advancement of Science and Culture. presided by
Jan Philipp Reemtsma has just advanced science and culture. a whole new
level Sebastian Luetgert the founder of textz.com is. facing a warrant of
arrest and may go to jail if he fails to pay more. than euros in damages
for the alleged copying of two essays by. Theodor W. Adorno that the
foundation claims as their intellectual. property. Reemtsma was kindly
asked to settle but refused.. preliminary injunction against Luetgert at
the Hamburg State Court. referring to the alleged distibution of two works
by Theodor W. Adorno. Jargon der Eigentlichkeit and Fascism and AntiSemitic
Propaganda.. Since not a single email was sent to notify textz.com of the
matter. and since written notification failed to reach the defendant
textz.com. only learned about the issue after a few days. The works in
question. were immediately removed from the site to avoid any further
legal. hassles.. In December Luetgert found himself confronted with a
warrant of. arrest obtained against him by the Hamburg Foundation citing
unpaid. claims related to the unauthorized copying of said works. In
January. Luetgert addressed the issue in a letter to Reemtsma and asked
for. a scholarship so he could pay this debt and avoid jail time.
Reemtsma. did not reply but handed the letter over to his foundation's
lawyers. Senfft Kersten VossAndreae Schwenn who insist on the payment of.
. Euros for alleged damages and legal fees.. Textz.com believes that an
intellectual proprietor of Theodor W.. Adorno and Walter Benjamin who
claims to advance science and culture by. sending people to jail for
taking Adorno and Benjamin serious is. seriously wrong on a whole number
of points. The Hamburg Foundation. undererstimates the resistance of their
possessions against their legal. protection just as much as their lawyers
underestimate the ability of. the Internet to route around damage. In the
end they may even be wrong. in thinking that they will ever get their
property back.. Reemtsma has been notified that his foundation's
intellectual property. has been returned to the public domain. This
firstofitskind protest. signals a refusal to let copyright holders and
lawyers censor the very. works they pretend to protect and control what
the public can archive or. read. There is a universal right to copy that
will never cease to apply. and there is copyright legislation that will.
The spectre haunting the. scientific and cultural industries is a new
commons materializing before. their very own eyes. We're just at the
beginning.. Textz.com. February. mailtotextztextz.org. How you can support
textz.com. Spread the word. Tell your friends tell a journalist write about
it. put it on a website post it to a mailing list etc. Textz.com is also.
available for interviews just mail to presstextz.org.. Write a letter to
Jan Philipp Reemtsma Hamburg Foundation for the. Advancement of Science
and Culture Mittelweg Hamburg. Germany. If you like send a copy of your
letter to textztextz.org.. Buy a copy of Robert Luxemburg's The Conceptual
Crisis of Private. proceedings will go to textz.com's fund for legal
expenses.. Meet textz.com at Neuro Festival February Munich Germany. about
further strategies in this case.. Select all copy paste save upload share.
Reappropriate. (And. remember there is no need to break what you can
circumvent. Don't. innovate imitate.). Related links. Documentation of our
correnspondence. Press coverage. Open Letter to Jan Philipp Reemtsma. The
Work of Art in the Age of Digital Reproduction. Franz Kafka on
intellectual property. Textz.com mission statement early. What others say
about textz.com. The textz that textz.com is all about. Some stateoftheart
copyright circumvention technologies. Some more stuff we have not yet been
sued for. Drop us a line send us a text or subscribe to our newsletter.
Finally while freeing Adorno please free the Grey Album too. rohrpost
deutschsprachige Liste zur Kultur digitaler Medien und Netze.
binmailmanlistinforohrpost. End forwarded message. distributed via no
commercial use without permission. is a moderated mailing list for net
criticism. collaborative text filtering and cultural politics of the nets.
more info majordomobbs.thing.net and info nettimel in the msg body. End of
forwarded message. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. post distribuert via. e k u n s t.
listeadresse eekunst.no. kontaktadresse listmasterekunst.no. huh. The
protomaze of fingerprint. Slayer of the ID. mazes math. arrowmaze. theseus
and the minotaur. '. Re My Undead Love for You. Think outside the box
outside the box outside the box.. curiousa. a protomaze paleolithic cave
in the same box done some yarns ago but. ee got. moving the spectator. and
then spelunking my pockets for any p ). unborn box. Speaking of frames
here's a work I am not entirely thrilled about in its. current state but
that addresses the issue in a more complex way than may. at first appear..
LOOCIS. LOOCIS. (). L(()(()((((. ''. Hxr nick NIUMUNO. PLEXINIS. PLEXINIS.
Tshirt text STERVIO. KILOPHYT. KILOPHYT.
292
K I L O P H Y T. Cat name PHOTODER. SCEVAD. SCEVAD. Japanese toy craze
HATNITRO. NAHSCO. NAHSCO. N A H S C O. Dada movement BOSUN. COLFEE.
COLFEE. ) ) ) ). (( ((. Impressive fake middle name QUAKEN. CUTGLYCO.
CUTGLYCO. Hxr nick MULTIL. INAUT. INAUT. I N A U T. Japanese toy craze
NOSMAGI. DANMAGI. DANMAGI. (). ) )' ) )' ) ) ) ) ' ). ( ( ' ( (. Trance
artist BIOLEN. GOPIL. GOPIL. (). ' ')' ) ) ). '. Hotmail account name
XECON. LIDUS. LIDUS. LL IIIII DDDDD UU UU SSSSS. LL III DD DD UU UU SS. LL
III DD DD UU UU SSSSS. LL III DD DD UU UU SS. LLLLLLL IIIII DDDDDD UUUUU
SSSSS. Goldfish name TEFLY. AVADAERO. AVADAERO. Japanese toy craze TEM.
ZYMPARA. ZYMPARA. eeeee eeee e eeee eeee eeee eeee. eee. Impressive fake
middle name ZONWE. CKCE. CKCE. )) )L )) )L. (( (((( ((. Scifi robot hero
SPOSPRI. Noemata Random Name Generator. BETAWAD. BETAWAD. Japanese toy
craze NORMONOAR. Noemata Random Name Generator. VELCHOE. VELCHOE. ' ) ) '.
((. ICQ nick CISSI. Noemata Random Name Generator. INGONALPHA. INGONALPHA.
Artist name NARNIEZ. Noemata Random Name Generator. SCOZARA. SCOZARA.
Scifi robot hero ZANANTIAL. Noemata Random Name Generator. MACVIE. MACVIE.
Software AMDIUMDRU. Noemata Random Name Generator. BUMEPI. BUMEPI.
International agent codename DECISYNCOS. Noemata Random Name Generator.
THEDANA. THEDANA. Meditation mantra VERSSA. Noemata Random Name Generator.
ERTHEMINFRA. ERTHEMINFRA. ) ). ) ). (. (. Meditation mantra HEMOD. Noemata
Random Name Generator. VOXS. VOXS. Noemata Random Name Generator. YARSCO.
YARSCO. Cyborg model RUPTGE. Noemata Random Name Generator. AXNISMETRO.
AXNISMETRO. .d.b. dbdb d.bdb d......b .d..... ...bd... d.....b d......b
d....b.. .d..b.. d.'.b .bd.' ...o.. ..' ..'YP ..'YbdP.. ..' ..' ...D.
..PY... ..ooo.. .bd.' ..V.o.. .. .bo. ...... ..ooooo .. ..oobY'. .....
.... .dPYb. ..V.o.. .. Y.b. ...... .. .. ...b. ..... .... ..PY.. ..V...
.... db.D ...... ... .. ...... .bd.'. YPYP YPYP VPV.P Y......P ....Y'
YPYPYP Y.....P YP ..YD. Y..P'. Netart project NOSXERO. Noemata Random Name
Generator. MAGTETRA. MAGTETRA. Hxr nick PAMUSA. Noemata Random Name
Generator. PALANAEX. PALANAEX. Mysterious alias ELINRETRO. Noemata Random
Name Generator. COLLA. COLLA. ). () ( ) ) ) (. ( (. ). () ( ( ( (. ) ).
Meditation mantra SOPMACRO. Noemata Random Name Generator. PHOSUME.
PHOSUME. (. Tattoo shop ERIORS. Noemata Random Name Generator. ASHOXY.
ASHOXY. Motherplanet in space flick WINXY. Noemata Random Name Generator.
KONSAUSES. KONSAUSES. Polkaband PRIZAN. Noemata Random Name Generator.
PALPSEU. PALPSEU. ))) ) )) ))))) )L ))). (( (( ( (((( (( (( (((. Nerd
alias SPORUTH. Noemata Random Name Generator. ZYMHIEN. ZYMHIEN. CHPLEXI.
Noemata Random Name Generator. TETRADICET. TETRADICET. d......b d.....b
d......b d....b. .d.b. d....b. d......b .o..b. d.....b. d......b. ..' ..'
..' ...D d.'.b ...D ..' d.PY. ..'. ..'. .. ..ooooo .. ..oobY' ..ooo.. ....
.. .P ..ooooo. ... .. .. .. ...b .... .... .. .b ... ... .. ... .. .....
.... ....D .... Y.bd. .... ... YP Y.....P YP ..YD YPYP Y....D' Y......P
Y..P' Y.....P. YP. Abstract music composition AERORUPTOH. Noemata Random
Name Generator. LOOCS. LOOCS. .. Evil scifi character CORXEAGE. Noemata
Random Name Generator. DEWAR. DEWAR. ) ' ) )' ) ). '. ( (( (. Fancy art
gallery RTEOH. Noemata Random Name Generator. httpnoemata.netnbng
293
294
ERBONGBI. ERBONGBI. Cat name AZFLYCHE. Noemata Random Name Generator.
DADAPH. DADAPH. Scifi robot hero SITDIE. Noemata Random Name Generator.
KUKEXTRAAN. KUKEXTRAAN. Japanese toy craze WEROH. Noemata Random Name
Generator. COMPRI. COMPRI. SARY. Noemata Random Name Generator. OSINDRU.
OSINDRU. ......................... ................................
............................. .................................
..........................
......................................................... Dada movement
FATGEE. Noemata Random Name Generator. VADBAEZ. VADBAEZ. ) ) '. ). (. (.
Noemata Random Name Generator. ELOOPIDO. ELOOPIDO. Dog name IXTHELGRI.
Noemata Random Name Generator. ALBOTUNI. ALBOTUNI. Software ANISTE.
Noemata Random Name Generator. BONGBA. BONGBA. Impressive fake middle name
CHTOAUS. Noemata Random Name Generator. DENDATA. DENDATA. .. Scifi robot
hero ACAB. Noemata Random Name Generator. GOGODENA. GOGODENA. Noemata
Random Name Generator. ERTEATVIE. ERTEATVIE. Tattoo shop STURRAGA. Noemata
Random Name Generator. VARWE. VARWE. DJ name LENCTETRAAZ. Noemata Random
Name Generator. STEATTAI. STEATTAI. (). (( L L L. ''. Osho name
ERTEXPROTO. Noemata Random Name Generator. LENCBAA. LENCBAA. ). . (. DJ
name CEMPAINUS. Noemata Random Name Generator. WEVOIDE. WEVOIDE. Hxr nick
ERUTHCE. Noemata Random Name Generator. RUTHNEOET. RUTHNEOET. RRRRRR UU UU
TTTTTTT HH HH NN NN EEEEEEE OOOOO EEEEEEE TTTTTTT. RR RR UU UU TTT HH HH
NNN NN EE OO OO EE TTT. RRRRRR UU UU TTT HHHHHHH NN N NN EEEEE OO OO EEEEE
TTT. RR RR UU UU TTT HH HH NN NNN EE OO OO EE TTT. RR RR UUUUU TTT HH HH NN
NN EEEEEEE OOOO EEEEEEE TTT. Dada movement NEGWI. Noemata Random Name
Generator. GLYCOCUS. GLYCOCUS. Buzz word this year RITZWE. Noemata Random
Name Generator. EZKONDA. EZKONDA. Impressive fake middle name ENERANTI.
Noemata Random Name Generator. QUOSPAC. QUOSPAC. Elbonian cousin name
PHONRHINOAL. Noemata Random Name Generator. CYLTEAM. CYLTEAM. )' ) )' ) )
). ( ( ( ( ( ' (. (. Blackmetal band BIR. Noemata Random Name Generator.
MOTHEL. MOTHEL. ICQ nick GLYCO. Noemata Random Name Generator. OHCEMBETA.
OHCEMBETA. gggggg ggg gg gggg ggggggg ggg gggggg. ggggggggggg ggggggg
ggggggggggggggg ggg. dPdPYb dPYb Yb dPYbdPYdPYPYb. dPY dPYbdP dPI. d' Y
bdPYb d Y d' a YYb ' '. Yb b d' a YYb dP. d' YbaaadP' d' b d YP'. P YP'
dP. P Y aaaaaaa I YP' baaaa. aaaadP baaaa '. b d I' dP. Yba dP d. Y P d d.
bd. Y P' Y Y. PY gg dP P Y. YbdP' YYba Yba. Y d'Yba YbP YbdP b. YP' Y Y Y.
Y P Y YP' YP Y. ICQ nick TUALEA. Noemata Random Name Generator. ANREPDEA.
ANREPDEA. ) )) ))) )L ))) )) )L ). (( ( ((( (( (( (( (((( (( (. Art
installation TERATIV. Noemata Random Name Generator. RIOSSASES. RIOSSASES.
) ) ) ) ) '. ). ((((. (. Computer ID SISPHERY. Noemata Random Name
Generator. PATAPRES. PATAPRES. ))) ) )) ) ))) ))) )L )). (( (( ( (( (( (
(( (( (( ((. Art installation EZARWA. Noemata Random Name Generator.
DECKDA. DECKDA. ( .. Japanese toy craze ETEATKE. Noemata Random Name
Generator. PACONSES. PACONSES. ) ) ). ( ) ( () ( ) ( ( ). ( ). ). ) ) ).
). ) ( () ( ( ' ( (). (. (. Motherplanet in space flick NEUROLEN. Noemata
Random Name Generator. ELCIDRETRO. ELCIDRETRO. .. . .. . ... .. .. . . .
... . . . . . .. . . .. . . . .. .. . . . .. . . .. . . . .. .. . . . . ..
. .. . . . .. .. . . . .. . . .. . . . ... . . . . . .. . . .. .. . .. . ..
. .. . .. Roleplaying name RITZBIO. Noemata Random Name Generator. ETURCHO.
ETURCHO. Osho name DENTUNO. Noemata Random Name Generator. BASHE. BASHE.
((. ''. Scifi robot hero REXYAEL. Noemata Random Name Generator.
httpnoemata.netnbng
295
296
TELNEBULAAM. TELNEBULAAM. ' ' ). ). (. Osho name GRSPY. Noemata Random Name
Generator. PHYTU. PHYTU. Netart project ELENCGYRO. Noemata Random Name
Generator. GANGYRO. GANGYRO. gg ggg ggg ggggggg gg ggg. gg ggggggggggg
gggggg. ii dPI dPYPYb ii dPYa. dPY dPdPYb. ' dP Yb dP' ' Yb. Yb b d' Y
bdP. Yaaad dP ' Yaaad. P d' YbaaadP'. dY ' dY. aaaadP P Y. P b d P b. Yb b
d. dP Y dP Y. b Y P. dP' IdP P Y dP' I. Ybd i Y P'. dPYbdP b YdP. YP Yb
YbdP'. aPYP YP Y YaPYP. ad Y YP'. dP. d'. d'. Y. YP. Fancy art gallery
ZONROTO. Noemata Random Name Generator. DECKSCEOM. DECKSCEOM. ) ) ) ) ).
). ( ) () ( ) ( ) (). ( ) (. ) ( ). ) ). ). ( () () ( ( () (). ( ( '.
Artist name KONLEAR. Noemata Random Name Generator. BELMOE. BELMOE.
Noemata Random Name Generator. CITBIEA. CITBIEA. Message board spam name
PITHYPOEX. Noemata Random Name Generator. THROPICRAGAA. THROPICRAGAA. T H
R O P I C R A G A A. Meditation mantra OHNEDNECRO. Noemata Random Name
Generator. POSPATAA. POSPATAA. Cyborg model ALPACTAI. Noemata Random Name
Generator. SUNOPTI. SUNOPTI. '. Noemata Random Name Generator. SENTHERMO.
SENTHERMO. '''. ''''''''. '... ..... ... .. ..... ..... ''..... ... '. ..
..... ... . .... ... .. .. ' . . .. . . .. ..
................................................ Goldfish name BINDRU.
Noemata Random Name Generator. GRRHINO. GRRHINO. Software UNIPACAN.
Noemata Random Name Generator. RITZNECRO. RITZNECRO. ))) )) )) ' )) )L ))
))) )) ). (( (( (( (( ((( (( (( (( (((. Message board spam name YTION.
Noemata Random Name Generator. HYPOVOXE. HYPOVOXE. ) ) ) ) ) ). (( ((.
Roleplaying name EVOXBETA. Noemata Random Name Generator. RATIM. RATIM.
Fantasynovel goddess WEANOIDES. Noemata Random Name Generator. ASTROME.
ASTROME. Meditation mantra STERBO. Noemata Random Name Generator. CAMA.
CAMA. Noemata Random Name Generator. CHLONUALE. CHLONUALE. Dada movement
POPE. Noemata Random Name Generator. TEATANA. TEATANA. Mysterious alias
SYNCGO. Noemata Random Name Generator. PARARAH. PARARAH. TOMBA. Noemata
Random Name Generator. LEMBA. LEMBA. Buzz word this year VIOCONAGE.
Noemata Random Name Generator. EAPOPS. EAPOPS.
ooooooooooooooooooooooooooooooooo. oooooooooooooooooooooo.
oooooooooooooooooooooo. ooooooooooooooooooooooooooooo. oooooooooooooooooo.
oooooooooooooooooooooooo. Cool band name PSEURACKS. Noemata Random Name
Generator. BARTE. BARTE. oooooooooooooooooooooooooooooooo.
oooooooooooooooo. oooooooooooooooooooooo. oooooooooooooooooooooooo.
oooooooooooooooo. oooooooooooooooooooooooo. Tattoo shop LINEDS. Noemata
Random Name Generator. VALENC. VALENC. Fantasynovel goddess MORRAGAET.
Noemata Random Name Generator. SURFMIDIAZ. SURFMIDIAZ. SSSSS UU UU RRRRRR
FFFFFFF MM MM IIIII DDDDD IIIII AAA ZZZZZ. SS UU UU RR RR FF MMM MMM III
DD DD III AAAAA ZZ. SSSSS UU UU RRRRRR FFFF MM MM MM III DD DD III AA AA
ZZ. SS UU UU RR RR FF MM MM III DD DD III AAAAAAA ZZ. SSSSS UUUUU RR RR FF
MM MM IIIII DDDDDD IIIII AA AA ZZZZZ. Abstract music composition PHU.
Noemata Random Name Generator. PERWEAH. PERWEAH. P E R W E A H.
International agent codename CONZE. Noemata Random Name Generator.
ELENDON. ELENDON. L)((). Art installation CONGAEGE. Noemata Random Name
Generator. USELON. USELON. .. Abstract music composition ARCKWE. Noemata
Random Name Generator. CEZ. CEZ. ) ). () ( ). ). () () ). (. Noemata
Random Name Generator. GALPHOE. GALPHOE. Noemata Random Name Generator.
QUACKAZ. QUACKAZ. Nerd alias MODCOLA. Noemata Random Name Generator.
ZONPRI. ZONPRI. ''' '''. ..... '.... .... .... .. . ..... ... . .. . . .
'. .............................. Check name
297
298
Tattoo shop METARUPTE. Noemata Random Name Generator. SEXWOAH. SEXWOAH. ) )
) ). ((. ) ). (( ((. Nerd alias PABELEZ. Noemata Random Name Generator.
GUSURI. GUSURI. Polkaband SAURVON. Noemata Random Name Generator. WARDRY.
WARDRY. ) ). ( ) ( ( ) ( ) ( ) ( ). ) ) ) (. ( ( ( ( ). (. ICQ nick
GRICHROME. Noemata Random Name Generator. VOYOMNI. VOYOMNI. ( ( ..
Mysterious alias UNIROS. Noemata Random Name Generator. VOXMESES.
VOXMESES. Hxr nick CANSPY. Noemata Random Name Generator. DENTPI. DENTPI.
( D ) ( E ) ( N ) ( T ) ( P ) ( I ). Osho name ZENGAEA. Noemata Random
Name Generator. CITYJUNOAN. CITYJUNOAN. CCCCC IIIII TTTTTTT YY YY JJJ UU
UU NN NN OOOOO AAA NN NN. CC C III TTT YY YY JJJ UU UU NNN NN OO OO AAAAA
NNN NN. CC III TTT YYYYY JJJ UU UU NN N NN OO OO AA AA NN N NN. CC C III
TTT YYY JJ JJJ UU UU NN NNN OO OO AAAAAAA NN NNN. CCCCC IIIII TTT YYY
JJJJJ UUUUU NN NN OOOO AA AA NN NN. Fantasynovel goddess DENTFU. Noemata
Random Name Generator. AGUSCYCLO. AGUSCYCLO. Buzz word this year
MACCARDIAOH. Noemata Random Name Generator. GONMACROI. GONMACROI. ICQ nick
RIOSHOLOA. Noemata Random Name Generator. VADE. VADE. Pet name BELHEE.
Noemata Random Name Generator. ZYMTRAI. ZYMTRAI. Dada movement TELDADA.
Noemata Random Name Generator. MONASTROA. MONASTROA. (). ). Osho name
CUSYEA. Noemata Random Name Generator. FAC. FAC. d.....b .d.b. .o..b.. ..'
d.'.b d.PY.. ..ooo ..ooo.. .P. .. .... .b. .. .... Y.bd.. YP YPYP Y..P'. DJ
name LATHOLOA. Noemata Random Name Generator. NITRONITY. NITRONITY.
Impressive fake middle name HEMACEM. Noemata Random Name Generator.
HYPOGORS. HYPOGORS. ggg gg ggg gg ggggggggggg gggggg gg. gggggg
ggggggggggg gg. dPYb dPYa dPY dPdPYb ii. dPdPYb dPY ii. Yb Yb Yb bd' Y bdP
'. d' Y bdPYb b '. Pd' YbaaadP'. Yaaad d' YbaaadP' P '. aaaaaaa aaaadP P Y.
dYP Y aaaadP dP. b d P. bb d Yb dP' a. Y P dP. YY P b dP' Yb. Ybd Y P' dP'.
IY P' i dP' I. Y YP YbdP'. dP YbdP' YbdP. Y ad YP'. aPYP YP' YaPYP. dP. d'.
d'. Y. YP. Scifi robot hero ASTRONTH. Noemata Random Name Generator.
ONGORHI. ONGORHI. (). ')' ) ) ' ')' ) )' ) ). '. ( (. Noemata Random Name
Generator. RIOSBETAER. RIOSBETAER. ) ) ) ) ) ) ) ). ) ). ((. ( (. (. ) ) )
). (( ((. Tshirt text EBACAZ. Noemata Random Name Generator. IDODAL.
IDODAL. Fancy art gallery USCOLPARA. Noemata Random Name Generator.
NIUMPHO. NIUMPHO. ). Impressive fake middle name VOXME. Noemata Random
Name Generator. OMNITIV. OMNITIV. ( O ) ( M ) ( N ) ( I ) ( T ) ( I ) ( V
). Japanese toy craze MODOPTI. Noemata Random Name Generator. SPYPITOS.
SPYPITOS. ' Y '. Art installation ERRIORKEE. Noemata Random Name
Generator. THELTHEO. THELTHEO. ) ). ((. Dog name PARAVI. BYPH. BYPH.
............... ................. ............... .....................
.................... ................................. Computer ID TIMLOU.
LENCVE. LENCVE. gggg ggggggg ggg ggggggg gggg ggg gg. ggggggg. d I
dPYbdPYPYb YbdPYa P. dPYb. dP d' a YYb dP' d YYb d'. d' a Y. P YP' ' d' b
d. YP'. baaaa I YP'. baaaa. dP I' I I. dP. aa d d ' d. dP P Y Y Y P Y.
Ybdb Yba YYba YbdP. Yba. YP Y Y Y Y YP. Y. Goldfish name CONVA. TEATMETA.
TEATMETA. ' '. Motherplanet in space flick LOKON. AMATEX. AMATEX. Dog name
GOGOBEL. GANWE. GANWE. ) '. (. Impressive fake middle name NIZCARDIA.
KEZSCO. KEZSCO. ) ) ). ( ) ( ) ( ) () ( ). ( ). ) ). ( () ) ( () (. (.
Noemata Random Name Generator. IDOPILIX. IDOPILIX. Elbonian cousin name
MUGGLYCO. Noemata Random Name Generator. NIZMO. NIZMO. ( N ) ( I ) ( Z ) (
M ) ( O ). Abstract music composition REPCO. Noemata Random Name Generator.
KEGORAL. KEGORAL. Goldfish name BYSTON. Noemata Random Name Generator.
OSSPACI. OSSPACI.
299
Abstract music composition RPHOE. Noemata Random Name Generator. ZEMPAINEM.
ZEMPAINEM. ..............................
..........................................
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.................................................
.................................
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Meditation mantra YPACSES. Noemata Random Name Generator. TOMNEURO.
TOMNEURO. ) ' ) ). ( ((. Elbonian cousin name WABOON. Noemata Random Name
Generator. MODXEROO. MODXEROO. ggg gggggg gggggg gggggggggggg ggg gg.
ggggggg ggggggggggg gggggg gggggg. dPYdPYPYb dPdPYb dPYb dPY dP'. dPYbdPY
dPdPYb dPdPYb. Yb ' ' d' Y bdPYb bYb b d d'. a YYb b d' Y bdPd' Y bdP. d'
YbaaadP' b YP'. YP' P d' YbaaadP'd' YbaaadP'. P Y Y Y. baaaa aaaadP P Y P
Y. b d d b. dP Yb b d b d. Y P P d b d. b Y P Y P. Y P' P' P' Y Y. i Y P'
Y P'. Y YbdP' dP' d Yb. Yba Yb YbdP' YbdP'. Y YP' P P' Y. Y Y YP' YP'.
Cyborg model EZZENLI. Noemata Random Name Generator. SOPERA. SOPERA.
..................... ............................. .....................
............................... .........................
................................................. Artist name NANODER.
Noemata Random Name Generator. BOONE. BOONE. ). Japanese toy craze CYLAO.
Noemata Random Name Generator. TUNEXEEX. TUNEXEEX.
......................... ........................................
......................................
......................................... .............................
................................................................. Art
installation ABUM. Noemata Random Name Generator. TUNCA. TUNCA. Tattoo
shop WINMETA. Noemata Random Name Generator. TOPBIER. TOPBIER.
Fantasynovel goddess COOM. Noemata Random Name Generator. TEATBAOH.
TEATBAOH. Dada movement REOBAB. Noemata Random Name Generator. CEMCYCLO.
CEMCYCLO. Tattoo shop LEMSAET. Noemata Random Name Generator. ECLONALPHA.
ECLONALPHA. ((L(()L). L. Nerd alias CHENOIRAH. Noemata Random Name
Generator. METAFORC. METAFORC. M E T A F O R C. Polkaband ZANTHERMOE.
Noemata Random Name Generator. CONLOGOEN. CONLOGOEN. Motherplanet in space
flick ETUALCARDIA. Noemata Random Name Generator. XIDWHIEZ. XIDWHIEZ. Buzz
word this year MATICE. Noemata Random Name Generator. ZARTEI. ZARTEI. DJ
name DERA. Noemata Random Name Generator. NEOBASA. NEOBASA. Dada movement
NORCO. Noemata Random Name Generator. DATA. DATA. e eeee e eeee. eee.
Abstract music composition EMATICANA. Noemata Random Name Generator.
WENTOA. WENTOA. . (. Message board spam name AMAGRE. Noemata Random Name
Generator. PUSSPO. PUSSPO. Acid house combo NANOMODSES. Noemata Random
Name Generator. GANZEAH. GANZEAH. ( .. Polkaband ZAMPAIN. Noemata Random
Name Generator. SPONOM. SPONOM. Blackmetal band CUSEPI. Noemata Random
Name Generator. CANGA. CANGA. ) ) ). () ( ( (. ) ) ) ). () ( ( ' ( (. Cat
name MODMETA. Noemata Random Name Generator. NOMICSNEO. NOMICSNEO. '
'''''''. ''. '.... '. '... '.... .....'..... ' .. ... .. . . ..... . ....
. . ' .. . . '. . . .. ...................................................
Noemata Random Name Generator. CUSMULTIY. CUSMULTIY. Blackmetal band
MIDIBELS. Noemata Random Name Generator. MAGSPI. MAGSPI. '. Cyborg model
CORPZERO. Noemata Random Name Generator. GOSCERN. GOSCERN. Impressive fake
middle name SHCO. Noemata Random Name Generator. CAZARER. CAZARER. DJ name
ECCHO. Noemata Random Name Generator. MUSGE. MUSGE. U(((. '''. Roleplaying
name BENEA. Noemata Random Name Generator. WAWEN. WAWEN. ggg gg gg ggg ggg
gg gg ggggggg. ggg ggggggg. dPYa P dPI dPYa P. dPYbdPYPYb. Yb d' dP Yb d'
d' a YYb. dP'. dP YP'. '. ' baaaa. d dP. d. Y P dP P Y Y P Y. YbdbdP YbdP
b YbdbdP Yba. Y. YP Y Y. Y. DJ name STURMONO. Noemata Random Name
Generator. AERODOMIN. AERODOMIN. Evil scifi character MOBONGER. Noemata
Random Name Generator. DOMINGEYN. DOMINGEYN.
300
Cat name NOIREA. Noemata Random Name Generator. LOGCA. LOGCA. ) ) ) ) ) ).
(( (( ((. Hotmail account name PIXPOS. Noemata Random Name Generator.
GARMAGI. GARMAGI. Hotmail account name LOGOSCAP. Noemata Random Name
Generator. POSINTOEZ. POSINTOEZ. P O S I N T O E Z. Noemata Random Name
Generator. BINLI. BINLI. ''' ''. .... . .. .... .. .. ' . '.
............................. Pet name CEMGEE. Noemata Random Name
Generator. LLOPTI. LLOPTI. NECROPTURA. Noemata Random Name Generator.
ENELLDRY. ENELLDRY. )L )) )L )) )) )) )))). (( ((( (( (((((((( ((. Noemata
Random Name Generator. NUALPRI. NUALPRI. DJ name VERSXE. Noemata Random
Name Generator. MEBUMEL. MEBUMEL. ( M ) ( E ) ( B ) ( U ) ( M ) ( E ) ( L
). Buzz word this year ERBONGJEA. Noemata Random Name Generator. DAPILAL.
DAPILAL. '. Abstract music composition CONVEAH. Noemata Random Name
Generator. AMIXE. AMIXE. Noemata Random Name Generator. NDONTAI. NDONTAI.
Cool band name MONCYCLO. Noemata Random Name Generator. DICPARA. DICPARA.
Polkaband LINKAO. Noemata Random Name Generator. ELOGTE. ELOGTE.
International agent codename JEAGUS. Noemata Random Name Generator. BYNOS.
BYNOS. ... Goldfish name NATOME. Noemata Random Name Generator. LATROTOE.
LATROTOE. gggg ggg ggggggggggggggg ggggggggggg gggggg. ggggggggggggggg
gggggg ggggggg. d I dPI dPdPY. dPdPYb dP dPdPYb dPYb. dP dP Yb Yb b d' Y.
bdPYb d' Y bdP d' a Y. P dP P d'. YbaaadP' d' YbaaadP' YP'. ' aaaadP P. Y
P Y baaaa. d Yb b. d b d dP. aa b Y. P Y P d. dP P dP P Y gg i Y. P' gg Y
P' Y. Ybdb YbdP b YbP Yb. YbdP' YbP YbdP' Yba. YP Y YP Y YP' Y YP'. YP'
YP' Y. Message board spam name CHROMNEOYN. Noemata Random Name Generator.
DA. DA. Nerd alias MSCOIN. Noemata Random Name Generator. OPTIA. OPTIA.
Fantasynovel goddess CHAXIDAX. Noemata Random Name Generator. HIZARON.
HIZARON. ''''''''. . ..... ' .... '..... '.. '.. .... .. .. .... . .. ' .
. .. .................................... Impressive fake middle name
POPNANOAN. Noemata Random Name Generator. GEPUNKY. GEPUNKY. '. .. Buzz
word this year JEAPH. Noemata Random Name Generator. COFACEA. COFACEA.
Software SEXSAU. Noemata Random Name Generator. BITOM. BITOM. ). ). DJ
name ECIFQUO. Noemata Random Name Generator. ME. ME. Computer ID PHPATA.
Noemata Random Name Generator. SBASA. SBASA. )) ))) ))) ). (( (()(( ( ((
(( (. Scifi robot hero IDOPHEGE. Noemata Random Name Generator. ETBONGQUO.
ETBONGQUO. d.....b d......b d....b. .d..b. d.bdb d...b .d..b. dbdb .d..b..
..' ..' ...D ..PY.. ...o.. ..'Y.b ..PY.. .... ..PY... ..ooooo .. ..oooY'
.... ..V.o.. .. .... .... ..... .. .. ..b. .... ..V.o.. ..ooo .... ....
..... ... .. ...D .bd.' ..V... .... .Pd.' ..bd.. .bd.'. Y.....P YP Y....P'
Y..P' VPV.P Y...P Y..'Y. Y....P' Y..P'. Hare krishna alias UNOYARA. Noemata
Random Name Generator. LOWEBS. LOWEBS. ). (. Noemata Random Name Generator.
CHROMWA. CHROMWA. ) ) ). ((. Trance artist RHINOMICUS. Noemata Random Name
Generator. CUSO. CUSO. Noemata Random Name Generator. CARNU. CARNU.
Message board spam name STERINFRA. Noemata Random Name Generator. PUSLA.
PUSLA. ))) ))))) )) ). (( ((( (( (((( (. Mysterious alias NECRONED.
Noemata Random Name Generator. VELNECROA. VELNECROA. Artist name SWARCOLA.
Noemata Random Name Generator. CHLOPIL. CHLOPIL. ( C ) ( H ) ( L ) ( O ) (
P ) ( I ) ( L ).
301
DJ name NANOCONOS. Noemata Random Name Generator. CIFGE. CIFGE. '''''. '...
. .....'... ...... .. ... '. ... .... . ' .. ...........................
Acid house combo MANCERSEA. Noemata Random Name Generator. NANOTEAT.
NANOTEAT. NN NN AAA NN NN OOOOO TTTTTTT EEEEEEE AAA TTTTTTT. NNN NN AAAAA
NNN NN OO OO TTT EE AAAAA TTT. NN N NN AA AA NN N NN OO OO TTT EEEEE AA AA
TTT. NN NNN AAAAAAA NN NNN OO OO TTT EE AAAAAAA TTT. NN NN AA AA NN NN OOOO
TTT EEEEEEE AA AA TTT. Evil scifi character DOMINTRA. Noemata Random Name
Generator. MERME. MERME. MM MM EEEEEEE RRRRRR MM MM EEEEEEE. MMM MMM EE RR
RR MMM MMM EE. MM MM MM EEEEE RRRRRR MM MM MM EEEEE. MM MM EE RR RR MM MM
EE. MM MM EEEEEEE RR RR MM MM EEEEEEE. Art installation SAVOCORE. Noemata
Random Name Generator. VELDADAE. VELDADAE. V E L D A D A E. Polkaband
OILOGAR. Noemata Random Name Generator. ELINSEA. ELINSEA. Cyborg model
NOMPRIUS. Noemata Random Name Generator. EXESURF. EXESURF. ICQ nick
ETTASWO. Noemata Random Name Generator. XIDWE. XIDWE. Acid house combo
AMUSLO. Noemata Random Name Generator. PATHRETRO. PATHRETRO. Hotmail
account name PATASOFTIX. Noemata Random Name Generator. ASPHERRETRO.
ASPHERRETRO. Nerd alias LOOBAROS. Noemata Random Name Generator.
SEXNEBULA. SEXNEBULA. Art installation SCONTH. Noemata Random Name
Generator. PATHMAGIS. PATHMAGIS. ( P ) ( A ) ( T ) ( H ) ( M ) ( A ) ( G )
( I ) ( S ). ICQ nick THELANA. Noemata Random Name Generator. UNOCOL.
UNOCOL. . .. . . . . .. . .. . . . . . . . . .. . .. . .. .. . ... . .. .
.. .. . ... . .. . .. .. . ... . .. . . . . . . . .. . . . . . . .. Cool
band name MAGIPOSTS. Noemata Random Name Generator. CITYE. CITYE. Noemata
Random Name Generator. ERBACHA. ERBACHA. d.....b d....b. d....b. .d.b.
.o..b. dbdb .d.b.. ..' ...D ...D d.'.b d.PY. .... d.'.b. ..ooooo ..oobY'
..oooY' ..ooo.. .P ..ooo.. ..ooo... .. ...b ..b. .... .b .... ..... ...
..... ...D .... Y.bd. .... ..... Y.....P ..YD Y....P' YPYP Y..P' YPYP
YPYP. Buzz word this year POLMIDI. Noemata Random Name Generator. HENOIDS.
HENOIDS. H E N O I D S. Meditation mantra ZUMEXEAZ. Noemata Random Name
Generator. LONGO. LONGO. Artist name SAROOTON. Noemata Random Name
Generator. VIOBONGA. VIOBONGA. Cat name KEMEL. Noemata Random Name
Generator. GANER. GANER. Trance artist DATANIUMAL. Noemata Random Name
Generator. OMBENTAI. OMBENTAI. Hare krishna alias XYSUN. Noemata Random
Name Generator. SEANISYN. SEANISYN. eeeee eeee eeee e e eeeee eeee e. e e.
eee eee eee. Goldfish name INGANTE. Noemata Random Name Generator.
ABONGNITRO. ABONGNITRO. ) ) ) ) ) ). ) ) ) ). (. (. ) ). (( ((. ((.
Mysterious alias EPIFLEX. Noemata Random Name Generator. MICROCARO.
MICROCARO. ''''''''''. '. '... .... '.... '... ' ..... '..... ' .. ..'..
'.. . .. ... . . .... .. '. . . . .. ..
............................................... International agent
codename CELLSEA. Noemata Random Name Generator. TEPOST. TEPOST. T E P O S
T. Hxr nick TECITY. Noemata Random Name Generator. ZAPIS. ZAPIS. ' ) )))
)))). (( (( ( (( (( ((. ICQ nick VIEBORY. Noemata Random Name Generator.
NANOLENCE. NANOLENCE. N A N O L E N C E. ICQ nick CANECHO. Noemata Random
Name Generator. NIONKEY. NIONKEY. . .... ). Pet name MUGOXYER. Noemata
Random Name Generator. CANDRU. CANDRU. Noemata Random Name Generator.
PRIZE. PRIZE. Noemata Random Name Generator. OPTIGANA. OPTIGANA. O P T I G
A N A. Polkaband OHSYNCUNO. Noemata Random Name Generator. SUMSPI. SUMSPI.
'. Japanese toy craze SOFTPI. Noemata Random Name Generator. RUPTOMNISES.
RUPTOMNISES. ) ) ((. )).
302
Roleplaying name PILEL. Noemata Random Name Generator. BEO. BEO. Netart
project NOMGOE. Noemata Random Name Generator. ESIN. ESIN. ) ). ( ) ( (.
). ) ). () ( ( ( '. Hotmail account name BARPEA. Noemata Random Name
Generator. SUNELL. SUNELL. Cool band name MORSA. Noemata Random Name
Generator. ECHOROSO. ECHOROSO. Impressive fake middle name SNEGDECI.
Noemata Random Name Generator. AMRACKWA. AMRACKWA. Software LUSGOGO.
Noemata Random Name Generator. BUMICE. BUMICE. ) ) '. ). ( (. Noemata
Random Name Generator. WAVEAA. WAVEAA. ........................
............................ ................... .........................
..........................
.................................................. Meditation mantra EZEN.
Noemata Random Name Generator. ESNEGZA. ESNEGZA. Roleplaying name PSEUPOP.
Noemata Random Name Generator. THELPOEGE. THELPOEGE. d......b dbdb d.....b
db d....b. .d..b. d.....b d...b d.....b. ..' .... ..' .. ...D ..PY.. ..'
..'Y.b ..'. .. ..ooo.. ..ooooo .. ..oodD' .... ..ooooo .. ..ooooo. .. ....
.. .. .. .... .. ..ooo ... .. .... ... ..booo. .. .bd.' ... .... .... YP
YPYP Y.....P Y.....P .. Y..P' Y.....P Y...P Y.....P. Scifi robot hero
NKMETA. Noemata Random Name Generator. SHCHROMO. SHCHROMO. ( ( (. Cat name
SRONMAGI. Noemata Random Name Generator. EXSINNECRO. EXSINNECRO. ggggggg
ggg gg gg aa ggg ggggggg. ggg ggggggg ggggggg gggg ggggggggggg gggggg.
dPYbdPY dP' ii dPYPYb. dPYPYb dPYb YbdPY dPdPYb. d' a YYb b d ' d bYb dP'
Yb. dP' d' a Y d YYb b d' Y bdP. YP' YP' ' '. ' YP' d' b d P d' YbaaadP'.
baaaa Y dP. baaaa I YP' aaaadP P Y. dP b dP' a Y P. dP I' Yb b d. d d b
dP' Yb '. d d b Y P. Y P' Y dP' I. Y Y i Y P'. Yba d Yb dPb db Y. YYba Yba
Yb YbdP'. Y P' YaPYP YP Y Y. Y Y Y Y YP'. ONTHROPICURI. Noemata Random Name
Generator. MIXBI. MIXBI. ggg gggggg aa ggg gg ggggggggggg aa. dPYdPYPYb dPY
dP' dPY. Yb ' ' d bYb b d Yb b d b. YP' P. Y aaaadP. Y P b Yba Y P. ' d b b
'. P' Y P. Yb db d Yb d'b db. Y YP Y P' Y P YP Y. Software COTUNAZ. Noemata
Random Name Generator. LYZPRI. LYZPRI. ooooooooooooooooooooooooooooooo.
oooooooooooooooooo. oooooooooooooooooo. oooooooooooooooooooo.
oooooooooooooo. oooooooooooooooooooooooooo. Scifi robot hero XEDIC.
Noemata Random Name Generator. ANPHONPO. ANPHONPO. Art installation
CANEXTRA. Noemata Random Name Generator. UN. UN. ))) )). ((( (((. Buzz
word this year GYROVOXER. Noemata Random Name Generator. GOGOCITYY.
GOGOCITYY. Polkaband EWONOA. Noemata Random Name Generator. SPHERAMA.
SPHERAMA. ICQ nick CORGRI. Noemata Random Name Generator. ESCAPTHE.
ESCAPTHE. d.....b .d..... .o..b. .d.b. d....b. d......b dbdb d.....b. ..'
..'YP d.PY. d.'.b ...D ..' .... ..'. ..ooooo .bo. .P ..ooo.. ..oodD' ..
..ooo.. ..ooooo. .. Y.b. .b .... .. .. .... ... ... db.D Y.bd. .... .. ..
.... .... Y.....P ....Y' Y..P' YPYP .. YP YPYP Y.....P. Netart project
GRUSE. Noemata Random Name Generator. FEDEROOTAM. FEDEROOTAM. ' ' ) ' ) )
). ((. Acid house combo METRONDONA. Noemata Random Name Generator.
THERMODENT. THERMODENT. ................................
...............................................
.........................................
..................................................
.........................................
..................................................................................
Mysterious alias SINE. Noemata Random Name Generator. CLONPLEXIAX.
CLONPLEXIAX. Dada movement VELULTRA. Noemata Random Name Generator.
RIOSXEE. RIOSXEE. d....b. d......b .d..b. .d..... dbdb d.....b d.....b.
...D ..' ..PY.. ..'YP .bd.' ..' ..'. ..oobY' .. .... .bo. .bd.' ..ooooo
..ooooo. ...b .. .... Y.b. .dPYb. .. ... ..... .... .bd.' db.D ..PY.. ...
.... ..YD Y......P Y..P' ....Y' YPYP Y.....P Y.....P. International agent
codename QUOMACE. Noemata Random Name Generator. BOONPE. BOONPE. '''' ''.
.... '.... '.... .... ...... .... . ..... .... .. . . ..
..................................... ANNUALE. Noemata Random Name
Generator. KENWAS. KENWAS. Meditation mantra UNREDENA. Noemata Random Name
Generator. NEONUALE. NEONUALE. Cat name CONO. Noemata Random Name
Generator. LOGO. LOGO. Polkaband ERZMETRO. Noemata Random Name Generator.
SSENTTE. SSENTTE. Mysterious alias ALXPOSSI. Noemata Random Name
Generator. EMATZE. EMATZE. Pet name THCO. Noemata Random Name Generator.
COMWE. COMWE. ( C ) ( O ) ( M ) ( W ) ( E ). Noemata Random Name
Generator. LLDAEL. LLDAEL. ). ) ) ( ) ( ). ( ( ) (. ). )
303
( ( ( ( () (. ) ) ). Netart project AKEZEPI. Noemata Random Name Generator.
HIDIUMEM. HIDIUMEM. Motherplanet in space flick FEEPOSO. Noemata Random
Name Generator. TOMMOS. TOMMOS. ggggggggggggggg gggggg ggg gggggg ggg
gggggg. gggggg gg. dP dPdPYb dPYdPYPYb dPYdPYPYb. dPdPYb ii. Yb d' Y bdPYb
' ' Yb ' ' d'. Y bdP '. d' YbaaadP' d'. YbaaadP' '. P Y P. Y dP. b d b. d
dP' a. Y P Y. P dP' Yb. gg Y P' Y. P' dP' I. YbP YbdP' Y Y. YbdP' dP. YP'
YP' Y Y. YP' aPYP. Fancy art gallery YREPXERO. Noemata Random Name
Generator. EMICWE. EMICWE. oooooooooooooooooooooooooooooooooo.
oooooooooooooooooooooooo. oooooooooooooooooooooooooo.
ooooooooooooooooooooooo. oooooooooooooooooooooo.
oooooooooooooooooooooooooooooo. DENOPTI. Noemata Random Name Generator.
ESCERNSPY. ESCERNSPY. d.....b .d..... .o..b. d.....b d....b. d.bdb .d.....
d....b. dbdb. ..' ..'YP d.PY. ..' ...D ...o.. ..'YP ...D .bd.'. ..ooooo
.bo. .P ..ooooo ..oobY' ..V.o.. .bo. ..oodD' .bd.'. .. Y.b. .b .. ...b
..V.o.. Y.b. .. ... ... db.D Y.bd. ... ..... ..V... db.D .. ... Y.....P
....Y' Y..P' Y.....P ..YD VPV.P ....Y' .. YP. Trance artist EALENCYOU.
Noemata Random Name Generator. SEMAC. SEMAC. )) )L )) ) )). (( (( (((( ((
( ((. Polkaband MAGIBEAMAN. Noemata Random Name Generator. MUSOMNI.
MUSOMNI. .. Y Y. Roleplaying name PSEUNCA. Noemata Random Name Generator.
GANDIE. GANDIE. DJ name AHBASLOO. Noemata Random Name Generator. WARCE.
WARCE. WW WW AAA RRRRRR CCCCC EEEEEEE. WW WW AAAAA RR RR CC C EE. WW W WW
AA AA RRRRRR CC EEEEE. WW WW AA AA RR RR CCCCC EEEEEEE. BELLO. Noemata
Random Name Generator. RUTHNANOI. RUTHNANOI. ) ). ((. Hxr nick EAWARHE.
Noemata Random Name Generator. APHROM. APHROM. ''''''''. ' .... .... '....
'. '. '. '.. ..... .... .. .. .... . .. . .. ..........................
Netart project ERDOMINPROTO. Noemata Random Name Generator. BARDATAYN.
BARDATAYN. ) )' ) ) ) ) )' ) ' ) ). '. ( ( ( ( ( (. (. Japanese toy craze
ERZYMNANO. Noemata Random Name Generator. KITEAL. KITEAL. ) ) ). ( ) ( ( (
). ( ) (. ) ) ). ( ( ( () ( (. ). Cyborg model BANARE. Noemata Random Name
Generator. MASNEUROE. MASNEUROE. MM MM AAA SSSSS NN NN EEEEEEE UU UU
RRRRRR OOOOO EEEEEEE. MMM MMM AAAAA SS NNN NN EE UU UU RR RR OO OO EE. MM
MM MM AA AA SSSSS NN N NN EEEEE UU UU RRRRRR OO OO EEEEE. MM MM AAAAAAA SS
NN NNN EE UU UU RR RR OO OO EE. MM MM AA AA SSSSS NN NN EEEEEEE UUUUU RR RR
OOOO EEEEEEE. Fancy art gallery GRIPOS. Noemata Random Name Generator.
ETORPHOTO. ETORPHOTO. .............................
...........................................
.....................................
.............................................
.........................................
.........................................................................
Buzz word this year BABIDO. Noemata Random Name Generator. MACAMA. MACAMA.
PISOPTI. Noemata Random Name Generator. TEZYM. TEZYM. Motherplanet in space
flick FACHYPO. Noemata Random Name Generator. SPOSUBSES. SPOSUBSES. gg
ggggggggggg gggggg gg ggg gg. ggggggggggg gg ggggggg gg. ii dPY dPdPYb ii
dPYa. dPY ii dPYb ii. ' Yb bd' Y bdP ' Yb. Yb b ' d' a Y '. ' Pd' YbaaadP'
'. P ' YP' '. dP aaaadP P Y dP. aaaadP dP baaaa dP. dP' a b d dP' a. Yba
dP' a dP dP' a. dP' Yb Y P dP' Yb. b dP' Ybd dP' Yb. dP' I Y P' dP' I. P
dP' IY dP' I. dP YbdP' dP Ybd. d'dPYba dP. aPYP YP' aPYP YPY. P aPYP Y
aPYP. Artist name OSCONREO. Noemata Random Name Generator. OICH. OICH. ')
) )' ). ( ( (. Osho name SILENC. Noemata Random Name Generator. SIGAR.
SIGAR. Dog name LOOGUS. Noemata Random Name Generator. GANTHERMOS.
GANTHERMOS. Dada movement PALNEURO. Noemata Random Name Generator.
NTHAPHROE. NTHAPHROE. Buzz word this year OIMIC. Noemata Random Name
Generator. VIUNO. VIUNO. Tshirt text UNRESCERN. Noemata Random Name
Generator. PATHANA. PATHANA. ''''''' '. .... ' ... .. ' '. '. '. '.. '. '.
'.. ..... .... .. .... .... . ..... .. ......................... Osho name
OSPOPWE. Noemata Random Name Generator. DRULEME. DRULEME. e eeee e e eeee
e eeee. eee ee eee eee eee. Osho name OFORCVA. Noemata Random Name
Generator. WARE. WARE. dbd.bdb .d.b. d....b. d.....b. ..I.I.. d.'.b ...D
..'. ..I.I.. ..ooo.. ..oobY' ..ooooo. Y.I.I.. .... ...b ... .bd.'.bd.'
.... ..... .... .b.'.d.' YPYP ..YD Y.....P. Tattoo shop CITYCAEGE. Noemata
Random Name Generator. VESMAGIS. VESMAGIS. V E S M A G I S. Noemata Random
Name Generator. BUMNU. BUMNU. ) ) ) ). ( ) ( ( ( (. (. ) ) ) ). ( ( (( ( '
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304
305
Blackmetal band EBEAMPRE. Noemata Random Name Generator. POPWAE. POPWAE. .
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306
Netart project NIZMAGIER. Noemata Random Name Generator. LARIOR. LARIOR.
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307
Art installation AGECHROMAERO. Noemata Random Name Generator. Slektstre.
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Birzot Olctattir Thmsin. Gra Olkdottur Nirtro Hallamg Ål. Ole Olsen Nirtro
Hillhns Ål. Gri Nalctetdar Halde. Borsod Sshgortsdetthr Teasacthcin.
Birsoyld Hillinccthd. Arna Hhllenggthd. Tera Kolbcerncsart Vads. Removal
of the hand. The Removal of the hand as a mythological symptom consistent.
with fetishistic disavowal can only be a pretext for 'release' per se.
says. Mr. Tanizaki disavowedly.. Palafax Solipsigossa. .ltb.gt.
.ltb.gt....ltb.gt. randomART Tommy is .ltb.gt....ltb.gt. .) (.'. .) ('..
Seven elements of beauty. Seven elements of beauty. . Asymetry breaking
away from formed perfection.. . Nonattachment openmindedness. .
Naturalness artless without pretense. . Simplicity. . Limitless silence
inwardlooking mind. . Wizened austerity like an old tree. . Profound
subtlety. pieces. May there be peace in heaven.. May there be peace in the
sky.. May there be peace on earth.. May there be peace in the water.. May
there be peace in the plants.. May there be peace in the trees.. May there
be peace in the Gods.. May there be peace in Brahman.. May there be peace
in all.. Peace peace peace.. Hindu. a state of tranquillity or quiet as a
freedom from civil disturbance b. a state of security or order within a
community provided for by law or custom breach of the peace. freedom from
disquieting or oppressive thoughts or emotions. harmony in personal
relations. a a state or period of mutual concord between governments b a
pact or. agreement to end hostilities between those who have been at war
or in a state. of. enmity. used interjectionally to ask for silence or
calm or as a greeting or. farewell. at peace in a state of concord or
tranquillity. Cherish in your hearts boundless goodwill to all that
lives.. Learn to make the whole world your own. No one is a stranger my
child the. whole world is your own.. det profane er høyere enn det
sakrale. sakrale som et fokuspunkt. . The obstacles in the way of him who
desires to attain concentration are. Sickness Languor Doubt Carelessness
Laziness Addiction to objects of. sense. Erroneous Perception Failure to
attain any stage of abstraction and. Instability in any stage when
attained.. . These obstacles are accompanied by grief distress trembling
and sighing.. . FOR THE PREVENTION OF THESE ONE TRUTH SHOULD BE DWELT
UPON.. Any accepted truth which one approves is here meant.. . Through the
practising of Benevolence Tenderness Complacency and. Disregard for objects
of happiness grief virtue and vice the mind becomes. purified.. The chief
occasions for distraction of the mind are Covetousness and Aversion. and
what the aphorism means is not that virtue and vice should be viewed with.
indifference by the student but that he should not fix his mind with
pleasure. upon happiness or virtue nor with aversion upon grief or vice in
others but. should regard all with an equal mind and the practice of
Benevolence. Tenderness and Complacency brings about cheerfulness of the
mind which tends. strength and steadiness.. patanjali. recollect the
antecedent. . To recollect that which is most antecedent to the in breath
and out breath. means that you must tune into that which is prior to the
entire breathing cycle. itself. Just as the hand which lifts a staff is
not part of the staff likewise. the antecedent recollection is not a part
of your breathing. As a practical. illustration you must recollect the
antecedent as you breathe in and breathe. out. If the breathing is long or
short labored or otherwise you must focus on. the antecedent so that
breathing follows after it. When you breathe for. example your normal
belief is I am breathing. It never dawns on you to. retract your attention
and look in the opposite direction so as to rise above. breathing. Not
surprisingly this is not an easy task (owing to force of. habit. all of us
still attend to conditions which are always posterior).. seung sahn. You
think that the kongan is separate from your life and from your job. This.
kongan don'tknow mind clear mind your job your life everything hit. become
one. Just now what are you doing. You asked me what am I I say to you you
already understand. Look at the. ground. What do you see What do you hear
now You must open your eyes and. ears.. Also you must attain your true
self. Then you will not have to ask about me.. Zen is not difficult also
not special. If you want special you have special.. But this special
cannot help you. When you are eating just eat when you are. walking just
walk when you drive just drive. That is Zen. There are many. kinds of Zen
eating Zen working Zen television Zen driving Zen playing. tennis Zen.
Sitting Zen is one part. Most important is moment to moment how. do. you
keep clear mind So Nam Cheon Zen Master was asked What is Zen. Everyday.
mind is Zen mind. So don't make special don't hold something don't be.
attached to something don't make something then you are already complete..
That's primary point I told him. You found it. You studied philosophy but.
you couldn't attain this nothing. Just now you attained nothing. But if
you. hold nothing then you will have a problem.. What do you mean by
'holding nothing.... It's very sad if you are holding nothing. All your
lingering attachments will. press on you. If you are not attached to
nothing you will attain nothing and. there is no life or death. If you are
nothing then life and death are nothing.. You are already beyond them.. Oh
that's wonderful he said. I didn't understand that until now.. It was an
interesting conversation. He was old rich and very wellknown but. he said
he had gotten nothing. As you get old this nothing gets bigger. Before.
you come into this world there is nothing. When you are young you don't.
understand nothing just the words. But by the time you are forty or fifty.
and. a good friend has died or your mother and father have died then you
have. experienced nothing. You have tasted nothing. If you practice hard
the taste. is. very strong and you are free to help other people. But if
you are holding. something in your mind you can't taste nothing. If you
want freedom you. must. taste nothing very intensely. What is the taste of
nothing. cayce the Sanskrit word for action is karma. the Sanskrit word for
action is karma. when there are rebellions of body or mind against such is
there any wonder. that. the atoms of the body cause high blood pressure or
cause itching or cause. running sores or cause a rash or cause indigestion.
For all of these are. but the rebellion of truth and light.. . As has been
given there are DEFINITE conditions that arise from. within the inner man
when an individual enters into true or deep meditation. A. physical
condition happens a physical activity takes place Acting through. what
Through that man has chosen to call the imaginative or the impulsive and.
the sources of impulse are aroused by the shutting out of thought
pertaining to. activities or attributes of the carnal forces of man. That
is true whether we. are considering it from the group standpoint or the
individual. Then changes. naturally take place when there is the arousing
of that stimuli WITHIN the. individual that has within it the seat of the
soul's dwelling within the. individual body of the entity or man and then
this partakes of the. individuality rather than the personality.. . If
there has been set the mark (mark meaning here the image that is raised.
by the individual in its imaginative and impulse force) such that it takes
the. form of the ideal the individual is holding as its standard to be
raised to. within the individual as well as to all forces and powers that
are magnified or. be magnified in the world from without THEN the
individual (or the image). bears the mark of the Lamb or the Christ or the
Holy One or the Son or any. of the names we may have given to that which
ENABLES the individual to enter. THROUGH IT into the very presence of that
which is the creative force from. within itself see. . Some have so
overshadowed themselves by abuses of the mental attributes of. the body as
to make scars rather than the mark so that only an imperfect. image. may be
raised within themselves that may rise no higher than the arousing of. the.
carnal desires within the individual body. We are speaking individually of.
course we haven't raised it to where it may be disseminated for remember
it. rises from the glands known in the body as the lyden or to the lyden
Leydig. and through the reproductive forces themselves which are the very
essence of. Life itself within an individual see for these functionings
never reach that. position or place that they do not continue to secrete
that which makes for. virility to an individual physical body. Now we are
speaking of conditions from. without and from within. . The spirit and the
soul is within its encasement or its temple within the. body of the
individual see With the arousing then of this image it rises. along that
which is known as the Appian Way or the pineal center to the base. of the
BRAIN that it may be disseminated to those centers that give activity. to.
the whole of the mental and physical being. It rises then to the hidden eye
in. the center of the brain system or is felt in the forefront of the head
or in. the place just above the real face or bridge of nose see. . FIND
that which is to YOURSELF the more certain way to your consciousness. of.
PURIFYING body and mind before ye attempt to enter into the meditation as
to. raise the image of that through which ye are seeking to know the will
or the. activity of the Creative Forces for ye are RAISING in meditation
actual. CREATION taking place within the inner self. snailmail
jupitterlarsen. snailmail g.x. jupitterlarsen. for myself eye enjoy
playing with terms as toys nothing more. too many. people. take ideas (or
the terms of ideas) too linearly.. eye think that a person's disapproval
of somehting is no reason not to like. it.. if a man believes in something
it does not necessarily mean that he accept it. as something which is
essential nor should he.. in fact a man exhibits a real understanding of
the workings of reality when. in. a single action (without meaning to
deceive) he deliberately says one thing. and. does something else
altogether different.. it is the multidimensionality of all of this which
shows us that using the. same. process of making rational conclusions will
not always work for all events. and. actions.. eye am not from anywhere
really. my father was from norway however. g.x. jupitterlarsen. NOT HERE.
and we. and we. are fundamentally inclined to maintain that the falsest
opinions. (to which the synthetic judgments a priori belong) are the most.
indispensable to us ..without a constant. counterfeiting of the world by
means of numbers we could not. live.
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UEOFTHEFOUNDINGOFGARDENINGARPNCTSUJEXQUOTSFD. CSFDE. i don't remember
having written this not sure what it is... phaneronoemikon solipsis blog.
Person shelf sentence continuing. Q Who reads Person shelf sentence
continuing. A Pure Irration.. Q Is reading done in eyeball. A All reason
contains irreasonal assumption.. Q Why does Person shelf sentence
continue. A Pure ration of radiance.. Q What is contained in one ration of
radiance. A Pure Irration.. Q Are you in favor of constructing networks of
belief. A They are constructing me. Why not construct them. Q Can you
explain. A I have swallowed a redhot iron ball. which has cauterized my
throat into a starform.. Q Who reads Person shelf sentence continuing. A A
Pure Ration of the AllSelf incausing Irration for S.O.A.. A Person shelf
sentence continuing. Q FINAL.. Wednesday March. CAMBODIAN MAN CUTS OFF
PENIS TO FEED SPIRITS. Mon Mar AM ET. PHNOM PENH (Reuters) A Cambodian man
cut off his penis when he said he was. visited by four hungry spirits in a
dream and he had no chicken or duck to. offer them.. According to police
yearold Soun Ney told the spirits to go away when. they first appeared to
ask for food and waved his penis at them in defiance.. 'Devils I don't
have any chicken or duck for you' he was quoted as saying by. local police
chief Phoeung Vat. 'If you want to eat anything you can eat my. penis.'.
Soun Ney said the spirits agreed to eat his penis. He was rushed to a
hospital. near the capital Phnom Penh after he castrated himself with a
butcher's knife.. 'He is lucky to be alive' Phoeung Vat told Reuters..
Villagers in the deeply impoverished southeast Asian traditionally offer.
chicken duck or cake to the spirits of the dead to ward off bad luck..
found via Mark Lamoureux's. posted by Lanny PM. Sarandipities Trobard
ClusTermed. LunaLangLungLonging. What Breaks Though The Drama. Of All That
Tiny Inscriptus. Crowbar Plus. Ultra. My Kind. Trobar Plus. The Albino
Cyclopean Unicorn Gorilla. With Diaper D'oro. Filled With The Red
Tincture. Malbion Boonlight. It Doesn't Matter How You Arrange. The Words.
But How You Make Dolphin. Among The People. This Language Is Paramount. And
Must Be Unambiguous. Or You Will Be Labeled As A Kind Of Metagallinari. Of
Harangue Upon The River Styx. Now I Move In The Secret Doctrine Of Space.
And Find My Diagram Where The Outline Of. My Tribulation Is Ignored. The
Erotis Curvatures Of The Iconic Invention. Signals A Float Of
Intentionality. Within The Dark Wood Of The Loam Of Eyes. This Isn't An
Area For Soft Boys. But For Viral And Manic Demons Whose Surfaces. Are
Iconic Landscapes. Whose Dreams Are Alchemical Dramas Unfolding. With The
Precision of Floral Camera Craniums. This Machinic Djinn Lives. And Bites
Through The Umbilical Chord. With Teeth Of Coma. Chroma. The Ribald Town
Of Jiboko. Where The Green Skinned Fever. Hides Like An Assassin. Passing
Dreams Like Crystal Throwing Stars. Into Passing Gourds. None Of This Says
What It Thinks It Says. Such Is the Mystery Of the World. That No One May
Know Its. Fama Who Ignite Such Terrible And Inspiring Fires. Blank.
Arsenal. Firing. Under. Kama. Kra. C. losing.. Butter Idols.. What Happens
To Authors. Because. Of Their Texts.. Character (Dinosaur). pro notia
(elastic notocord). linguarum (Atlantean incense). universalis
(sphaerical). Species of the .... (enter relevanttimeframecontext).
.Independent Potentials.. of the RealM.. posted by Lanny PM. The Plan
Abandoned. by Wade Tillett. The unavoidable theoretical crisis. lurking
for years as an outline. a shadow at the edge of a glance. an uneasy
feeling. has finally become apparent.. It is in the face of this spectre
that. I am abandoning the profession of architecture.. While innumerous
evils haunt this profession. they are not in the end what has compelled my
resignation.. (I suppose these would have been reasons to reform. not
abandon.). No in fact after much consideration and soulsearching. I have
come to understand there is only one demon. the plan.. The plan can not be
separated from belief.. Belief encloses itself and becomes a system..
Belief identifies a self and other. a landscape. and a space.. Belief
establishes truths and possibilities based on its own parameters.. The
plan is the contract which seals belief. enforces belief.. The plan is the
word written. staticized. objectified.. The plan is the mapping of belief.
its completion as a coherent system. its formalization.. The plan is the
enclosure of the belief set. its circular logic turned on itself. the
fabricationenclosure (simultaneously) of possibility.. The plan produces
possibility. a construct of definable limits.. The plan allows one to
inhabit belief.. The plan delimits a space and a body.. Life is delimited.
separated. enclosed in a wrapper of the possible. identity. death.. Death
is the final separation. the final limit. the finite. the form. the past
twisted onto consuming the present.. The plan invents death. constructs
death. allots death.. The plan manufactures an objective reality. an
other.. Death is the ultimate other.. In order to be a true believer. one
must eliminate one's participation. in the creation of truth (the ultimate
other).. It is only in this way that objects. others. spaces. can be purely
objective.. The other must stem from without.. The plan must detach the
user or architect. the creation of the belief system.. The plan must
separate the self from its own modification.. The formgiving of
representation must be recast as a formreceiving.. The plan must become
the map.. The process of objectification (the creation of other) therefore
must. erase itself.. Thus inherent in the plan is a certain blindness. that
refuses to accept the creation of death. but accomplishes it the same..
Architecture is a means to resolve (obfuscate). the fundamental paradox of
the plan.. The plan can not be theorized as a problem within architecture.
nor one stemming from without.. The plan is both architecture's means and
it's reason for being.. Architecture's dual purpose is to hide that which
it facilitates.. Utopias are always distractions decoys.. The selfdelusion
of the architect is always only partial. there is always the intuitive
semiconscious fitting. negotiating. constructing. of a plan that bridges
and covers what it intends to be. and what it will be.. Such is the dual
nature. the misnomered intuitiveness. of the architect.. Those fascists
who purport to have accepted their role. as creators of death. as inverse
gods. in the end place Death as an absolute beyond. as some form of truth
outside the self.. They understand death's comport with belief. but
mistake death as beyond belief.. The actual manipulations at the molecular
level. are misconstrued. by a grandiose abstract Death narrative.(). The
myriad sin constructions are glossed over. hidden under. legitimized and
justified. by the holy image and the coming utopia.. Belief remains in the
singular untouchable other.. A construct is created behind an image.. The
imperialism of the plan always leaves one absent. a shell without
content.. The plan or map or image or identity can not be put to good use.
even those put together democratically or autonomously. present only a
means to enclose. subject the present to the past image. create
possibility traps.. The plan can not be separated from the tyranny that
employs it. the plan is that tyranny. the subjugation of the present to
the past.. Notes. . Fitting the two types of forms together segments of
content and. segments of expression requires a whole doublepincered or
rather. doubleheaded concrete assemblage taking their real distinction
into. account. It requires a whole organization articulating formations
of. power and regimes of signs and operating on the molecular. level.....
If this parallelism is replaced by a pyramidal image then. content
(including its form) becomes an economic base of production. displaying
all of the characteristics of the Abstract the assemblages. become the
first story of a superstructure that as such is. necessarily situated
within a State apparatus the regimes of signs. and forms of expression
become the second story of the superstructure. defined by ideology. It
isn't altogether clear where language should. go since the great Despot
decided that it should be reserved a. special place as the common good of
the nation and the vehicles for. information. Thus one MISCONSTRUES the
nature of language signs. organizations of power and content. () the
illusion that one can. grasp and shuffle all the strata between one's
pincers can be better. secured through the erection of the signifier than
through the. extension of the sign. ( Deleuze and Guattari A Thousand.
Plateaus. Emphasis mine.). posted by Lanny PM. Through Struggles to the
Stars. By Physicist. Jack Sarfatti Ph.D.. On the physical principles of
consciousness warp drive and wormhole star. gate time travel in the light
of the new precision cosmology of dark energy. and their relations to the
coded knowledge of the once and future techgnostic. mystery schools
fictionalized in The Da Vinci Code and described in fact. in Techgnosis..
Newton realized that the fall of the apple was the same as the motion of
the. Earth around the Sun. That was his alchemical techgnostic insight
into As. Above So Below. I have shown that the invisible Galactic Halo
holds the. stars together in the same way through negative zeropoint
energy density. with equal and opposite positive quantum pressure that the
electrons. distributed repulsive electric charge is held together. Its As
Above So. Below all over again. Real original physics on the deep
structure of the. many worlds not found in any other book is weaved
together with great. literature and my true adventure story. Quantum
reality is not only weirder. than we have imagined but may be weirder than
we can imagine. We are. such dreams that stuff is made from.. Re Object not
found.. ok mwp feel free to upload to noemata or adundas as an online
storage for you. stuff if you want. ah you can sell your stuff via
noemata.netarspublica.com. and get rich from the post.net.art. (it's of
course not generating a dime.). if i should try getting money from
institution i think it would be for 'fully. automated art' or something
like that smiley. i owe them some explanation what. i did with the last
which is ok and making problems with backfiring. 'context art' and then
not caring about paper work but the possibilities are. there and they're
basically kind i should have a secretaryagent doing. things keeping my
life together that would be fine i'll advertise defunct. potential artist
seek structured realistic person. there's missing a whole. lot in that
production line. i wanted to fix that before collaboration no it. doesn't
work only tight schemes getting money out of funds goals the usual.
artistery. insert sercasm charchasm hollow character.. perl cgi seem only
available from url kunst.nobjornmag (which is same as. noemata.net)
support didn't answer the last mail so they won't fix probably.. see you
in the post art. name. AROSE RIP. Aroseisaroseisarose.com is officially no
longer. All links to works. originating from the site are henceforth
invalid. Moreover I have no plans. for the construction of any future
sites.. I await a future of postnet art which is the only one I can expect
to be a. part of right now.. Re spasms. ..like eerie to me this tini whirl
j kom over linken i går actually. yo ko ok whiteblue c. alsoh. Recently
she held a thirteendaylong dance festival taking place 'in your. mind'..
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...... ..... ..... ..... .... ... ... .. .. trolldeig. vegetating at meh
airport this trolldeig work clumsiness of kid craft maybe. clumsiness of
their actual imagination not the craft always prefering the. chubby planes
and popple of things negating colors they now seem to be. jumping off
midair the original is red ground and they look dead white and. grinning
kids wondering how those air crafts every could fly maybe not. crosses and
how their imagination ever could represent anything no we don't. believe
the cross mean that we don't believe caricatures is like. imagination not
our craft we kids know that but you don't you are the. clowns falling off
by believing imagination eventually adapts you hit. the ground.. syndicate
div. This is a multipart message in MIME format.... ContentType textplain
charsetiso. Some moulds new images to become compressing them much as
possible and time. inflating they're connected to different ideas and
things lost or heading in. other directions divergence divide division
divert deflect route detour. distract turn aside depressible depute
diverting diplostemonous ride. daughterly turn ached diffractions dept
departs duplicitously ready dowdier. destructor tirana acta diversionist
dubbed deposing deportees defalcate rite. datura distributor thermo
agatha. Index of div. Name Last modified Size Description. Parent
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Apr k. trit.jpg Sep k. tt.jpg Sep k. unfit.jpg Aug k. vadsotanabru.jpg Sep
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mailinglist. Syndicate network for media culture and media art. post to
the Syndicate list. no commercial use of the texts without permission. hr
onwards. years anniversary. () (. ' ' '. ' ' '. ). (). ). '. roundtheclock
posting of sequenced hypermodern imagery from Brad Brace.. The hypermodern
minimizes the familiar the known the recognizable it. suspends identity
relations and history. This discourse far from. determining the locus in
which it speaks is avoiding the ground on which. it could find support. It
is trying to operate a decentering that leaves. no privilege to any
center.. began December. Pointless Hypermodern Imagery... postedmailed
every hours... a. spectral trajective alignment for the s A continuum of
minimalist. masks in the face of catastrophe conjuring up transformative
metaphors. for the everyday... A poetic reversibility of exclusive
events.... A postrhetorical continuous apparently random sequence of.
imagery... genuine gritty greyscale... corruptable compact. collectable
and compelling convergence. The voluptuousness of the grey. imminence the
art of making the other disappear. Continual visual impact. an optical
drumming sculpted in duration on the endless present of the. Net..
unassimilable... imagery is gradually acquired selected and resequenced.
over time... ineluctable vertiginous connections. The hr dialtone....
KEYWORDS Disconnected disjunctive distended decentered. decomposed
ambiguous augmented ambilavent homogeneous reckless.... Multifaceted
oblique obsessive obscure obdurate.... Promulgated personal permeable
prolonged polymorphous provocative. poetic plural perverse potent
prophetic pathological pointless.... Emergent evolving eccentric eclectic
egregious exciting. entertaining evasive entropic erotic entrancing
enduring. expansive.... Every hours another... view them repost em save
em. trade em print em even publish them.... Heres how.
httpbbrace.laughingsquid.nethr.html
309
310
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use FTPmail to. do essentially the same thing. Send a message with a body
of 'help' to. the server address nearest you. ftpmailccc.uba.ar
ftpmailcs.uow.edu.au. ftpmailftp.unistuttgart.de ftpmailftp.Dartmouth.edu.
ftpmailieunet.ie ftpmailsrc.doc.ic.ac.uk. ftpmailarchie.inesc.pt
ftpmailftp.sun.ac.za. ftpmailftp.sunet.se ftpmailftp.luth.se.
ftpmailNCTUCCCA.edu.tw ftpmailoak.oakland.edu. ftpmailsunsite.unc.edu
ftpmaildecwrl.dec.com. ftpmailcensus.gov. bitftpplearn.bitnet
bitftpdearn.bitnet. bitftpvm.gmd.de bitftpplearn.edu.pl.
bitftppucc.princeton.edu bitftppucc.bitnet. Mirrorsites requested Archives
too. The latest new jpeg will always be named hr.jpeg. Average size of
images is only K.. Perl program to mirror ftpsitessubdirectories.
src.doc.ic.ac.ukpackagesmirror. Postings to usenet newsgroups. alt.hr.
alt.binaries.pictures.hr. alt.binaries.pictures.misc.
alt.binaries.pictures.fineart.misc. Ask your system's newsadministrator to
carry these groups. (There are also usenet image browsers TIFNY PluckIt
Picture Agent. PictureView Extractor NewsRover Binary News Assistant
EasyNews). This interminable relentless sequence of imagery began in
earnest on. December . The basic structure of the project has been over.
twentyfour years in the making. While the specific sequence of.
photographs has been presently orchestrated for more than years worth. of
hour postings I will undoubtedly be tempted to tweak the ongoing.
publication with additional new interjected imagery. Each hour posting. is
like the turning of a page providing ample time for reflection.
interruption and assimilation.. The sites listed above also contain
information on other cultural. projects and sources.. A very lowvolume
moderated mailing list for announcements and. occasional commentary
related to this project has been established at. This project has not
received government artsubsidies. Some opportunities. still exist for
financially assisting the publication of editions of large. (x) prints
perhaps (Iris giclees) inkjet duotones or extendedblack. quadtones. Other
supporters receive rare copies of the first three. hremailsubscriptions
can also be made at. mo yr. Institutions must pay for any images retained
longer than. hours.. image files. Get the textfile 'picturesfaq' to learn
how to view or. faq.html. (c) Credit appreciated. Copyleft. this heat.
you're now listening to this heat a.k.a. Blue and Yellow Testcard
Horizontal. Hold Not Waving Water Twilight Furniture Track Loop Diet of
Worms Music. Like Escaping Gas Rainforest The Fall of Saigon Testcard
Deceit Sleep Paper. Hats Triumph S.P.Q.R. Cenotaph Shrink Wrap Radio
Prague Makeshift Swahili. Independence A New Kind of Water Hi Baku Sho
(Suffer Bomb Disease) Repeat. Metal GraphicVarispeed. This Heat (album)
covers two years of the band's history with both live and. studio cuts.
They use guitar clarinet drums and keyboards permuted with. loops phasing
and overdubs breaking down patterns into only faintly. connected musical
moments that include artificial skips and looped end. grooves. Though
insolent and withdrawn the music is adventurous and in its. raucous yet
avoids the dismal drones and cacophony of other experimental. groups. Free
of clichs the music blends politics and intelligence steering. clear of
artifice and trendiness. Austere brilliant and indescribable.. this is
still very good. Re rune grammofon. yes i've heard some releases
supersilence biosphere jazzkammer it's quite. experimental ranging from
noisefreejazz to ambient to electronica. haven't. seen the book but their
obviously into design also.. rune kristoffersen has some years in the
business he was in the group 'fra. lippo lippi' which released a beautiful
depressive record in 'in. silence' influenced by english goth rock. he was
involved in the company. uniton from which i bought releases and imported
albums at that time he's. got more pop oriented... related to that milieu
were 'holy toy' and 'when'. holy toy centered around. the polishnorwegian
eccentric andrej nebb and is probably the most. interesting group in
norway ever. actually nebb mentioned this heat as one of. his influences
which is obviously also in 'when' which comes from lars. pedersen
percussionistorgan in holy toy. 'when' reconnects more to prog rock. i
sent a cd with some stuff to rune k. a couple of years ago from the. just
slow and dark noise syrup recorded and manipulated from rails and. other
concrete sources. experimenting with very low bitrate encoding giving a.
spectral sound.. Have you seen this Do you know anything about this label.
Just wondering if you thought it was worth checking out... . e k u n s t .
cazzarola What is this. This is a multipart message in MIME format....
ContentType textplain charsetiso. a draft... cazzarola What is this. maria
What the awakening du vil holde styr unna brødene.. cazzarola Who are you.
maria Who are here in a try ) er gud er ikke her har mer av gammelt grått.
mugg og gjør fyldest alle dverger uten tanke søler sitt ene øye.. cazzarola
fanculo. maria What the awakening you will stay clear of the breads.. maria
Who are here in a try ) is god not is not her have more of the old. gray
mugg and do fullfill all dwarfs without thought spilling his one eye..
cazzarola fanculo. (. gozzarola finger eye. maria at ping eye tarot two
konservative lunkne.... ). noematamariadialoger. Nytt kapittel ferdig (k)
april. Maria Futura Hel Dialoger. dialoger.html k apr. dialoger.html k
apr. dialoger.html k sep. dialoger.html k jul. dialoger.html k apr.
dialoger.html k dec. dialoger.html k sep. dialoger.html k may. utdrag.txt
k jan. dialoger.html k jan. dialoger.html k nov. dialoger.html k aug.
dialoger.html k apr. dialoger.html k jan. dialoger.html k jul.
dialoger.html k may. .. ((()((. dialoger.html. tramslated. Dialoger med
Maria Futura Hel. maria i allerede levd because of grace jones. zynt am
nævestad badin magen. maria bad politikker. zynt yes am he dust. maria
dust am jesus suger eller am pingle. zynt skal vi home idag. maria home
till park. kutt al meg frekke kjerring kan a question men the. them for
off røret.. zynt haves i big kuk. maria big encourage at upon tv gøy
belowstream have sagt.. zynt become grows bog vaktkommandør. maria become
eneste uavbrutt høyforedersk handling.slik var. oppriktige svært bad no
not vet where heck am burdensome fog mist comfort. consoles tankene. drags
one excellent fine handel it quite altogether tøft.. zynt am urge digg.
maria am portveien. zynt am urge dig. maria urge digg. zynt am urge digg.
maria urge digg. zynt yes am it digg. maria yes hun light lightens for off
you opp and says i kan i spør about. concerning around she smiles.. zynt
you am one cheky diminutive harlot you. maria harlot foroff waldemar
waldemar am one dritt engine machine (peker. a longed nede økonomiskog
with serbiske and chocolate and films eller noen. var minute forest.. zynt
haves you pupper. maria pupper what for slakk foreslåtte pari why. zynt
jævla fitte. maria fitte slim like everything until terje vigen ex from
finnmark the. lounge am you no not. fernufti the them må get lay hold of
upon gayta except envelope. mister erik. My work is completely
photometrical.. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. post distribuert via. e k u n s t.
listeadresse eekunst.no. kontaktadresse listmasterekunst.no. the sound of
matemathics. the sound of matemathics. via solipsis. min telecommuting
work. min telecommuting work. hararharharhahrhar iiotoutoitoutruio
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lk. bytes bps. singalong attachment removed. while walking. while walking
beachboys mindful of worms ancillary ants.. dmf nota throw away paper that
irwin written oncogene.. do not all these things.. while walking be
minimized of worms and ants.. do not throw away paper that is written on..
do not all thersites things.. whimsey walkers bays mineable of worry
ancohuma antre.. djerba notarising throttle away paperer thankless is
wronger on.. do nostoc all these thingamajig.. whig walking be mindless
offal wormier and ants.. dniester not throwaway away papaverine
thanksgivings isabella wroclaw on.. do notability all thesaural things..
whikehart walkingstick bdellium mindfully oeuvres wormseed antonym ants..
dniester not throwaway awayness paper thatch irwin wroclaw on.. doab nota
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having oncer turnery roumania walkover on. and turnstone nmr mordvinian
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anaplastic having onomatology tutti round walks oophoritis. aneuploid
tupungato no more his head. because heartbeats knows a frick fiend. doth
close beholders hiddenite tread.. beMyGhost Punch and Judy Show.
................................................. Noemata's beMyGhost
Punch and Judy Show. A light seaside summer entertainment. The plaintext
dessert of a desert hyperwork. A puppet show beyond good and evil. Etc..
As performed by the professors of automata. telemata noemata.. Now playing
the Inbox Theater Scene. oOOo. The story so far..... He is known as
Pulcinella in Italy Guignol and Polichinelle in. France Kasperl in Germany
Casper in Sweden Karagioz in Turkey. Karagiosis in Greece Petruk in
Indonesia. He's been around a long time in one form or another. He's an
imp of. mischief out of the mists of time. We know him as Punch. As.
Pulcinella the actor he was part of the Commedia Dell' Arte troupes. of
Renaissance Europe. To trace him back further takes us into the. very
ancestry of pantomime itself back to Ancient Rome and Classical. Greece
and the licentious topsy turvey world of Saturnalia and Satyr. plays. He
exists in many cultures for he is one form of The Trickster. a key figure
in society's development a figure able to turn shared. values upside down
for the shocked amusement of the community and the. ultimate strengthening
of the bonds that mutually bind it.. Charles Dickens was also a great
admirer of the Punch and Judy Show.. Mr. Punch is frequently mentioned in
his novels. One work The Old. Curiosity Shop seems to be based almost
entirely on the Punch. tradition. The show has taken a fair amount of
stick in the past for. being violent or not politically correct and being
flippant about. domestic violence. Charles Dickens is among those who have
nailed this. as ridiculous.. Who Are Punch and Judy Punch and Judy are
arguably the most famous. traditional puppets in the Western World with a
colorful history more. than years old. Mr. Punch with his hook nose
detched back and. garish costume is a cultural icon in England. His
unabashed joking. and rowdy mischievous behavior have provoked paroxyms of
laughter. audiences throughout time. An impressive body of art is graced
by. Punch's outrageous countenance.. PUNCH Are you a doctor. HANGMAN Yes
are you alright. PUNCH No I'm dead.. HANGMAN You can't be dead.. PUNCH I'm
dead dead dead.. HANGMAN How long have you been dead Mr. Punch. PUNCH About
weeks.. punch judypuppetpuppetsCodman'sTobyRhosonSeapunchpunchjudy. judyMr.
Punchpunchinellopolichinellepuppetry puppet heroswooden. headsthat's the
way to do itwhat a pitysomerville colwyn bayrhos. on seacomical
tragedytragical comedymr punch's opera. pulcinellaharlequinadedetch
backhumpbig nose professorspunch. manprofessorsslapstickswazzle
swazzleomiswazzlehomipunch. callitinerantmarionettes
seasideentertainmenton the beachbeach. performerson the sands carnivalsThe
Punch and Judy College of. ProfessorsThe Punch and Judy
Fellowshipswazzleswatchelold red nose. Hoban quotes him as saying Punch is
so old he can't die.. In its classical glorious sense immortality is the
quality of what. passes beyond death the quality of the supraliving. In
its. contemporary version it is the quality of the surviving that is of.
what is already dead and by that token becomes immortal.. It's a fine show
sir. he replied. jolly fine show. Then with a. guffaw he added And a damned
bad moral.. Many of the Trickster's traits Radin writes were perpetuated
in. the figure of the mediaeval jester and have survived right up to the.
present day in the PunchandJudy plays and in the clown (xxiii).. Who is
Punch anyway Where does he come from And how could so. impossible and
ridiculous a character have survived the changes and. turmoil of the
passing centuries The plain fact is that nobody knows.. Certainly the
figure of Punch as we know him today has a direct link. with the commedia
dell'arte of the seventeenth century but the. character is far far older.
The original significance of Punch's face. and figure his enormous nose
and hump are meaningless to an. audience of modern times when perhaps it
is not customary to. associate large noses and sexual potency or find
detchbacks mirth. provoking. But it is possible that Punch has lasted so
long because he. so blatantly cocks a snook at the restrictions of
civilised society. and perhaps every man at some time or other would like
to flaunt the. laws of society with a comparable nonchalance removing
those who got. in his way pursuing his amorous inclinations willy nilly
and. defeating in the end the devil himself How often we say of a.
likeable rogue He could get away with murder. And Punch. does or almost
always does and he is such a likeable rogue and of. course he's only a
puppet and puppets can get away with anything.. HANGMAN Now prepare
yourself for execution.. PUNCH What for. Mr. Punch. A Roman mime called
Maccus was the original of Punch. A. statuette of this buffon was
discovered in containing all the. wellknown features of our friend the
long nose and goggle eyes the. detch back and protruding breast. The most
popular derivation of Punch. and Judy is Pontius cum Judæis (Matt. xxvii.
) an old mystery play. of Pontius Pilate and the Jews but the Italian
policinello seems to. be from pollice a thumb (Tomthumb figures) and our
Punch is from. paunch. The drama or story of our Punch and Judy is
attributed to. Silvio Fiorillo an Italian comedian of the seventeenth
century. Punch. triumphs over all the ills that flesh is heir to. () Ennui
in the. shape of a dog is overcome () Disease in the disguise of a doctor.
is kicked out () Death is beaten to death and () the Devil himself. is
outwitted. Brewer's Phrase and Fable. This compulsive desire for
immortality for a definitive immortality. revolves around a strange
madness the mania for what has achieved. its goal. The mania for identity
for saturation completion. repletion. For perfection too the lethal
illusion of the perfection.. 'Every ecstasy ultimately prefers to take the
path of renunciation. rather than sin against its own concept by realizing
it' (Adorno). the identitary individual the virtual clone there
corresponds a. horizontal madness... a delirium of selfappropriation all
the. monstrous variants of identity not of the schizophrenic but of the.
isophrenic without shadow other transcendence or image that of. the mental
isomorph the autist who has as it were devoured his. double and absorbed
his twin brother (being a twin is conversely a. form of autism deux).
Identitary ipsomaniacal isophrenic madness.. Our monsters are all manic
autists. As products of chimerical. combination... deprived of hereditary
otherness... they have no other. destiny than desperately to seek out an
otherness by eliating all. the Others one by one.. PunchandJudy show a
traditional puppetshow in which Punch is. shown nagging beating and
finally killing a succession of. characters including his wife Judy.. The
problem of Frankenstein for example is that he has no Other and. craves
otherness... But our computers also crave otherness. They are. autistic
bachelor machines the source of their suffering and the. cause of their
vengeance is the fiercely tautological nature of their. own language..
Punch did not always have his own play it seems his first role in. England
was to provide comic interludes in serious plays by. interrupting the
action as and when he could.. A MODERN PUNCH SCRIPT CHARACTERS PUNCH JUDY
BABY POLICEMAN CLOWN. CROCODILE HANGMAN GHOST. the challenge of the Ghost
representing Death is considered Punch's. greatest trial. We long ago
stopped believing in the immortality of the soul a. deferred immortality.
We no longer believe in that immortality which. assumed a transcending of
the end an intense investment in the. finalities of the beyond and a
symbolic elaboration of death. What we. want is the immediate realization
of immortality by all possible. means.. the conquest of whom enables Punch
to finally defy the Devil himself.. So long as there is a finalistic
conception of life and death the. afterlife and immortality are given like
the world and there is no. cause to believe in them. Do you believe in
reality No of course. not it exists but we do not believe in it. It is
like God... If. something does not exist you have to believe in it. Belief
is not the. reflection of existence it is there for existence just as
language. is not the reflection of meaning it is there in place of
meaning. To. believe in God is therefore to doubt his existence. Belief
is. superfluous just as Canetti says vengeance is superfluous it is.
rendered unnecessary by the inexorable reversibility of things. In.
exactly the same way passion is a useless supplement to the natural.
attraction between things and we might say the same about truth. which
merely complicates appearances unnecessary.. or as a mirror merely
refracts your image without believing in it.. God for his part if he
exists does not believe in his existence. but he allows the subject to
believe in him and to believe he. believes in it or not to believe that
but not to believe he does. not believe in it. Stavrogin. When the Devil
has been done away with Punch exults to the audience. The Devil is dead
Now everyone can do as he likes. But what will the human race do once free
of any belief It will. either fullfill itself egoistically obeying an
exclusive sovereign. individualism (Stirner) or do so collectively by
setting out on a. long historical course as in Marx or it will shift its
sights to. the superhuman through a transvaluation of the values of the
species. this is the path marked out by Nietzsche who argued that the
human. race cannot be left to itself but must aim beyond itself and
discover. the great metamorphosis that of becog... Nietzsche has written.
magnificently of the vital illusion not of the 'worlds beyond' but. of the
illusion of appearances of the forms of becog of the veil. and indeed all
the veils which happily protects us from the. objective illusion the
illusion of truth... Needless to say this. transvaluation... has not taken
place except precisely in the. opposite sense... A transvaluation folding
in upon itself towards a. nondifferentiation a nondistinction of values
itself fetishized in. an aestethics of plurality of difference etc. Not
any longer a. fetishization of divinities great ideas or grand narratives
but of. imal differences and particles... This dedifferentiation of the.
human and the inhuman this reabsorption of the metaphor of life into. the
metastasis of survival is effected by a progressive reduction to. the
lowest common denoator.. The Crocodile was a late arrival in the story and
has now been an. important character for about a detdred years. First he
was a dragon. which eventually became a crocodile. Perhaps the idea of a
crocodile. became firmly established after children had been frightened by
the. Crocodile in Peter Pan. The Ghost is seen occasionally still..
Originally the Ghost of Judy it is now just any old ghost.. Who was
Pulcinella or as he is sometimes called Pollicinella or. Pulicinella His
role was primarily that of a servant as indeed was. that of Harlequin and
he was obviously a comedian. He wore an. artificial nose potbelly and hump
all calculated to make the. audience laugh and he was the mixture of
jollity and cruelty wit and. stupidity just as Punch is today.. The
PunchTrickster concept embodies notions of anti. establishmentarianism
buffoonery and shamanism that reflect. attributes of the creative
individual functioning in an authoritarian. ethos the late s bucking the
system inverting values. Assug an ubuique persona and balancing
precariously on a mono. cycle PunchTrickster pedals blindly into an
unknown future fending. off unseen adversaries with an ineffectual weapon.
The sculpture is a. concretisation of a state of d or an existential
predicament. It is. concerned with delusions of grandeur and vulnerability
paradox and. pathos.. The Trickster as buffoon acts out a quixotic farce in
ironic fashion.. Ubu Roi a precursor of the theater of cruelty the absurd.
PunchUbu. Puncheon. Pernille og Mr. Nelson. JUDY Where's the baby. PUNCH
(In a melancholy tone.) I have had a misfortune the child was. so terrible
cross I throwed it out of the window.. It is generally thought that the
obsession with survival is a logical. consequence of life and the right to
life. But most of the time the. two things are contradictory. Life is not a
question of rights and. what follows on from life is not survival which is
artificial but. death. It is only by paying the price of a failure to live
a failure. take pleasure a failure to die that man is assured of survival..
Punch's women performers Bearing in d that Mr Punch is a folk. herorogue
scoundrel trickster of the opposite sex from ourselves. why are we so keen
to portray his story And what might the women. Professors add to the drama
of the tradition. The traditional Punch and Judy show presents Punch as
the simpleton. hero who successfully outwits various characters
representing his. oppressions in order to gain his freedom. This 'clever
fool' type is. often portrayed as a male antihero in folklore (Jack Til.
Eulenspiegel Clever Hans Monkey Anansi and Brer Rabbit are some.
examples). Somehow he always manages to achieve through his stupidity.
what others fail to achieve by concentrated effort. Punch is a.
combination of the fool and trickster. His characteristics are a.
collection of the archetypal shadow masculine traits those which are.
socially deemed to be undesirable cowardice lewdness rudeness. stupidity
fickleness irresponsibility selfishness greed. ................ and
violence or cunning. Mr Punch the trickster carnival fool king of anarchy
is an absurd. masculine archetype of those aspects of the human psyche
that want to. turn the world upside down and create chaos. His gross
appearance. the bulbous hooked red nose and the phallic 'hump' on his
back. comically reinforce his male sexuality along with the big red.
slapstick which he wields as the answer to all his troubles. His.
character and appearance have their roots in the ancient ritual. dramas
celebrating birth death resurrection conflict and. fertility. In our
'civilised' hierarchical bureaucratic and. patriarchal society Mr Punch
has evolved and survived through the. centuries as our national 'Lord of
Misrule.'. Punch men often portray Judy as a wonderfully fussy bossy
pantomime. dame type with a high falsetto voice. (Note that this makes
the. character a parody of the male's fantasy of woman).. When knocked
down she bobs up again several times in comic protest. always with one
more thing to say. Sometimes her final utterance is. almost orgasmic in
nature so that the mock puppet death we are. witnessing might more closely
resemble 'le petit mort' rather than. actual mortality.. When she returns
to discover that Mr Punch has inadvertently (in true. 'ignorant simpleton'
style) made the baby into sausages she is as any. woman would be at first
distraught and then angry. However having. fully expressed her grief and
given Mr Punch a piece of her d she. quickly moves into acceptance and
realises this is her opportunity. for freedom Well now Mr Punch You made
the baby sausages so you. can look after the baby sausages That's fair I'm
going to claim the. insurance money and take a nice little holiday in
Majorca. No you. can't come with me. You're to stay at home and look after
the little. sausage.. And off she goes leaving Mr Punch and the sausages to
the mercy of a. big green crocodile with toothfilled gaping jaws. Her
triumph is that. she has called Mr. Punch's bluff. Rather than waiting to
be knocked. out of his way Judy leaves him with the consequences of his
mistakes. and removes herself to a more fulfilling situation. She does
the. separating off. This gives Judy an equal status to Punch in the
drama. although he still remains at the centre of the story and fulfills
his. usual trickster role with his other adversities.. Adult enthusiasts
can recognize him as the head of one of those. dysfunctional families of
Drama that span from Oedipus and Macbeth on. the tragic side to the Addams
Family and The Simpsons on the frivolous. side. He and other little red
nosed rogues like him have been kept. alive down the centuries because his
irrepressible antics and his. flying in the face of convention have amused
generations of ordinary. people particularly those with no power of their
own.. Step warily around the fair Welsh seaside town of Aberystwyth this.
weekend for everywhere you look will be a strange beaknosed figure. clad
in red with pointytoed shoes and a manic gleam in his immobile. eyes. No
it's not Beelzebub it's Punch. The second international. festival of Punch
and Judy is in town. Oh no it isn't. Oh yes it is. etc.. There was an Old
Man with a nose Who said If you choose to. suppose That my nose is too
long You are certainly wrong. That remarkable man with a nose.. A Jungian
Consideration of Edward Lear's Nonsense Verse Lear was in. many ways an
example of what Jungian psychologist MarieLouise von. Franz calls the puer
aeternusan archetype she analyzes in her book of. the same name. The term
comes from Ovid's Metamorphoses and there. refers to the childgod of the
Eleusinian mysteries. In later times. von Franz writes. the childgod was
identified with Dionysus and the god Eros. He. is the divine youth who is
born in the night in this typical. mothercult mystery of Eleusis and who
is a redeemer. He is a. god of life death and resurrectionthe god of
divine youth .. but we also use it to indicate a certain type of young man
who. has an outstanding mother complex . . . . (). Wandering moreover is
one of the most important traits of the. Trickster archetype (Radin )
which as we shall see Lear's. nonsense exemplifies.. There was an Old Man
of Peru Who never knew what he should do So he. tore off his hair And
behaved like a bear That intrinsic Old Man of. Peru.. There was a Young
Lady whose eyes Were unique as to colour and size. When she opened them
wide People all turned aside And started away. in surprise.. There was a
Young Lady of Norway Who casually sat on a doorway When. the door squeezed
her flat She exclaimed 'What of that' This. courageous Young Lady of
Norway.. There was an Old Man of Cape Horn Who wished he had never been
born. So he sat on a chair Till he died of despair That dolorous Man of.
Cape Horn.. There was an Old Person of Cromer Who stood on one leg to read
Homer. When he found he grew stiff He jumped over the cliff Which
concluded. that Person of Cromer.. There was an Old Man on some rocks Who
shut his wife up in a box. When she said 'Let me out' He exclaimed
'Without doubt You will. pass all your life in that box.'. There was an
Old Person of Bangor Whose face was distorted with. anger He tore off his
boots And subsisted on roots That irascible. Person of Bangor.. There was
an Old Person of Spain Who hated all trouble and pain So. he sat on a
chair With his feet in the air That umbrageous Old. Person of Spain..
There was an Old Person from Gretna Who rushed down the crater of. Etna
When they said 'Is it hot' He replied 'No it's not' That. mendacious Old
Person of Gretna.. There was a Young Lady of Parma Whose conduct grew
calmer and calmer. When they said 'Are you dumb' She merely said 'Hum'
That provoking. Young Lady of Parma.. There was an old man of Hong Kong
Who never did anything wrong He. lay on his back With his head in a sack
That innocuous old man of. Hong Kong.. The function of the Trickster
according to Kernyi is to add. disorder to order and so make a whole to
render possible within the. fixed bounds of what is pered an experience of
what is not. pered (). Kernyi could just as well be describing the.
nonsense genre that emerged in the nineteenth century.. You desire to LIVE
according to Nature Oh you noble Stoics what. fraud of words Imagine to
yourselves a being like Nature boundlessly. extravagant boundlessly
indifferent without purpose or. consideration without pity or justice at
once fruitful and barren. and uncertain imagine to yourselves INDIFFERENCE
as a powerhow. COULD you live in accordance with such indifference.
Contrary to the underlying Rousseauist ideology which argues that the.
profound nature of the liberated subject can only be good and that. nature
itself once emancipated cannot but be endowed with natural. equilibrium and
all the ecological virtues there is nothing more. ambiguous or perverse
than a subject.. Trickster is at one and the same time creator and
destroyer giver and. negator he who dupes others and who is always duped
himself. He wills. nothing consciously. At all times he is constrained to
behave as he. does from impulses over which he has no control. He knows
neither good. nor evil yet he is responsible for both. He possesses no
values moral. or social is at the mercy of his passions and appetites yet
through. his actions all values come into being.. It is a personification
of traits of character which are sometimes. worse and sometimes better
than those the egopersonality possesses. (The Archetypes ). The Trickster
is in other words a. manifestation of what Jung calls the shadow and he
comments We are. no longer aware that in carnival customs and the like
there are. remnants of a collective shadow which prove that the personal
shadow. is in part descended from a nuous collective figure (ibid.). that
is the Trickster archetype.. Furthermore the Trickster is a forerunner of
the saviour and like. him God man and animal at once. He is both subhuman
and superhuman. a bestial and divine being whose chief and most alarg.
characteristic is his unconscious ness . . .. He is so unconscious. of
himself that his body is not a unity and his two hands fight each. other..
As Jung says of the Trickster Although he is not really evil he. does the
most atrocious things from sheer unconsciousness and. unrelatedness (ibid.
).. We ought not to entertain the illusion that we might cultivate good.
and happiness in a pure state and expel evil and sorrow as wastes.. That
is the terroristic dream of the transparency of good which very. quickly
ends in its opposite the transparency of evil.. Bedre veier gir flere
ulykker. The travel poems also reflect the Trickster's habit of wandering.
(albeit his wandering is generally aimless). Radin comments that the.
Trickster's desire to wander represents his protest against. domestication
and society with all its obligations ().. what do we cling so tightly when
we resist the dangers of drift. Barthes spoke (positively) of drift as a
kind of stupidity. Are we. afraid of appearing stupid. In when Oliver
Cromwell's Puritan regime banned all theatrical. performance commedia
companies must have scrubbed England from their. gigging schedules. But
the Punchinello character appears to have detg. in. Crosspollinated with
the local Vice character originally the. trickster fool of the Mystery
plays Punch utilised Harlequin's. slapstick bat took a wife and resurfaced
in the Punch and Judy puppet. show.. PuckPunch
SantaPelznicholNicholasJanneyYule I Norge har vi. oskoreia og julebukker
they acted out an odd play the leader who. dressed in goat or bear skins
argued with another character or with. the woman figure. He was killed the
woman lamented and the doctor. comically resuscitated him or he
spontaneously revived declaring he. wasn't dead after all the Fool was in
his original beast form the. death and execution were enacted amorally. In
later plays the Fool or. beastman is often killed by a young groom because
he makes a pass. at the Woman and narrators explain the behavior with a
comic. script. Scholars concluded that the detdreds of versions peppering.
Europe could be traced to the great goatgod Dionysus. After all the.
Dionysian rites gave birth to modern theater In Britain he became. Robin
Goodfellow or Puck norsk slektpuk celebrated by. Shakespeare Goodfellow's
cousin Robin Hood began life as Wood a name. for the Wild Man. In the
Black Forest the Pied Piper of Hamelin re. enacts poet Robert Browning's
version of the ancient mystery. And. don't forget the 'geek' as a freak
act.. Shiva is more or less what you want him to be as in him all.
contradictions casually coexist. The notion of Shiva as exclusively a.
Wild Man of the forests and mountains traveling with a band of ghosts. and
ghouls as their leader Bhoothnath is a recent phase of his. worship. For
while he was always capable of peculiar behavior Shiva. used to live
outside of society not because he had rejected it but. because he had
transcended it. Shiva is repeatedly described as the. supreme master of
all the arts and that indicates a highly socialized. being the Nagarika of
ancient India not a rustic.. Only Siva who indulges in both extreme ascetic
and extreme erotic. activity the creator and the destroyer the quiescent
and the active. god who represents both the cyclical motion of the
universe and. spiritual immortality can offer devotees both paths of
immortality. through rebirth or renunciation and spiritual immortality. He
is the. living lingam in the yoni and the androgyne. Both symbols contain
the. paradox within themselves and provide a resolution.. Lingam Sanskrit
literary 'mark' or 'sign' ( is there a connection. between 'sign' and
'seed' (seme and semen) via sema seme sememe. semiological adj.Gk semeion
sign f. sema mark seal symbolic. inseal pregnancy pregnant expression...).
Shiva is worshipped in several apparently contradictory aspects whose.
combination gives emphasis to his incomprehensible transcendence. He. is
seen as a giver of blessings and is also a symbol of sensuality.
represented by the lingam or phallus. On the other hand he is. sometimes
depicted as an ascetic seated in meditation in the. Himalayas. Shiva is
also the god of destruction and dissolution. In. his manifestation as
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there's a local history group in the area writing articles which gets
released. in a small yearbook by the museum i had some of them sent them
off to a. friend. among the interesting where stories about Omgang a
deport and. execution place in the middle ages a few some km from here
unhabitated long. since. prisoners from northnorway don't know how far
south where imprisoned. at this very desolated place and in fact a couple
of women got burned as. witches there in es if I remember right a young
woman Dorte something. accused of making storm at sea where a man she had
some relation to died you. could tell by the incidents she probably was an
attractive woman making the. men with power quite jealous humiliated and
very mad after half a year in. prison she was burned alive in I think..
another interesting thing is the labyrinth as Mikkelsberg also close by
with. some discussion of the authenticity of it it origins either from the
pomor. trade with russians a couple of centuries ago or from much earlier
habitation. of the area the earliest settlers probably being the sami
komsaculture. several thousands years ago there's some debate a dr.
something writing his. thesis the sami were not the first inhabitants. the
labyrinth has not been. coast from fear of messing it up the traces are
very vague but it has the. traditional form and is about in diameter..
there's some war time history since the whole shit was burned down by
germans. the whole north of norway every building here so they turned the
boats on. their head and lived under there or lived in caves at the coast.
things have. been rough here of course finding support actually there were
some. agriculture before not much.. there were about women burned as
witches in the s in finnmark the. northernmost part of norway were charged
for sorcery and researchers have. wondered why so many in the region.
reading protocols from the trials a. researcher. now suggest the poisonous
fungus meldrøye lat. Claviceps purpurea explaining. hallucination and
bewitchings black grains at the bottom of the cup etc.. Re SZ aeffect
Strong Creole Tendency. Atta unsar thu in Himinam. SZ aeffect. Strong
Creole Tendency between wordanimage selfreference 'worldings'. toll
painting of a russian and a norwegian in a fjord in the 's. trying to
communicate about some wood. chopped logs the pomor trade s to the russian
revolution initiated by. russians from the. White Sea having coast and
fjords in north of norwy as their area 'pomor'. means. 'by the sea'
Arkhangelsk has a pomor university today the russian came to. white. sea
from Novogorod s a viking city with democratic traditions different. the
tataryoke in rest of russia. pomors had cereal meal and traded with. the
tataryoke in rest of russia. pomors had cereal meal and traded with
313
fish (coast) and skins (sami inhab). .. should think wood also was
important as. there are no trees in the northernmost regions... Nordmannen
Drasvi gammel go ven på moja. Tvoja fisk kopom (Goddag min gamle. gode
venn. Kjøper du fisk). Russeren Da. (Ja). Nordmannen Kak pris (Hvilken
pris). Russeren En voga mokka så to voga treska. (Det er en våg mel mot to
våger. torsk.). Nordmannen Eta mala. (Det er for lite). Russeren Slik slag
en å en halv voga treska så en voga mokka. (Slikt slag.. En. og en halv
våg torsk mot en våg mel.). Nordmannen Eta grot dyr. (Det er ennå for
dyrt.). Russeren No davaj på kajut sitte ned så dokka lite tjai drinkom.
Ikke skade.. (Kom. nå ned i kahytten og drikk litt te. Det kan ikke
skade.). norw. russian it seems). pomor trade was illegal until . and then
the russ revolution stopped it and. the nnorw econony into depression and
the coastal villages into. problems.. the pomors had a rich rural culture
and folklore it seems there's a longer. within pomorområdet levde
fairytale adventure and legend byliner (heltedikt). ballader stev and
laments further enn a in inside into on per within. mange. second strøk
for off Russia Russia. a in inside into on per within. last. latter half
for off tallet begynte lærere prester and second stream. accumulate gather
tradisjonsstoff. them gjorde crowds for off opptegnelser a. in inside into
on per within citys and villages longer dvina and pinega. and. at to
toward towards a in inside into on per within at by on. upon. on upon
kvitsjøkysten området ble kjent like one skattkiste because of.
folklorister and etnografer.. within ble marija krivopolenova one
diminutive ancient wife with a. unfigure. ballader and chants at.
tertiden. also stepan pisakhov like var kunstmaler skrev below downstairs.
underneath down below underneath down underneath tradisjonsfortellinger.
especially especial fairytale adventure at to toward towards a in. inside.
into on per within at by on upon on upon dialect. sjergin skrev also.
tradisjonelle and further fashionable fairytale adventure men his
skriftlige. produksjon am både større and longed further allsidig enn
pisakhovs. within sovjettiden dolled it also opp sterke klare litterære
personligheter.. fjodor abramov ex from verkola. marija krivopolenova ().
bondekone ex from pinega famous because of its ballader chants and.
klagesanger.. hun learned helteballadene stariny for off its grandfather.
hun. accrued. opp a in inside into on per within fattige kår and ble early
married. married married poison men verken at to toward towards until till.
felicity. eller velstand. hun losed både the fellow and barna unntatt one
daughter like. ble married married married poison så fattigslig at hun no
not know get. lay. hold of pick up take itself for off moren. hun ble
hence therefore tvunget. at. toward towards until till stream continue
tilværelsen like one beater. omstreifende beggar eller legdekone. men
krivopolenova var one lysende gifted. forteller chants and klagesanger.
boris sjergin (). it nordrussiske klassikeren fremfor noen. he convey
imparted gamle. fortellinger. and tradisjoner muntlig and after behind
hvert also skriftlig. he skrev also. its. egne fortellinger. sjergin var
one authentic pomor the father var styrmann and. seilte at to toward
towards a in inside into on per within at by. on. upon on upon Norway the
mother daughter for off one seilmaker. både. foreldrene. and mange for off
husets friends stod midt a in inside into on per. within. pomorenes living
fortellertradisjon. sjergin itself ble one important. tradisjonsbærer
because he after behind hvert fixed it he hadde hørt at to. toward towards
until till papiret. a in inside into on per within its. fortellinger and
fairytale adventure skildringer for off life and employment. in.
skipsbyggere fiskere and fangstmenn. stepan pisakhov (). stepan pisakhov
seilskip at fiskebryggen a in inside into on per within. arkhangelsk.
author and kunstmaler ex from arkhangelsk. he var at to toward towards.
until. till stream begin with kjent because of its paintings with motiver
ex from. nordlige strøk men begynte after behind hvert stream type
fairytale. adventure.. mange for off the fairytale adventures his finer
also a in inside into. on. per within second versjoner men his versjoner
haves sitt særpreg and. språkføringen a in inside into on per within disse
tekstene am stronged. imprint impressed for off nordrussisk dialect.
pisakhov am one for off you. exaggerations skrøner. well there's some
pictures... links to some english. etc. CHROMOGAL. CHROMOGAL. Osho name
TEATDECI. Noemata Random Name Generator. nettimeann mailing list.
nettimeannnettime.org. ann ELPATA. ELPATA. Noemata Random Name Generator.
nettimeann mailing list. nettimeannnettime.org. . e k u n s t .
laburinteger. This is a multipart message in MIME format.... ContentType
textplain charsetiso. Maskin Jeg er glad jeg er det eneste jeg'et her..
Far Sønn sønn vi anbefaler at min maskin ikke snakker mere til deg.. Sønn
Men den kan så mange spennende ord.. Hadde trengte hjelp. til og fullføre.
De påfølgende dagene ble historiene til den bandasjerte. samlet og skrevet
ned i notatbøker før den støeste og mest skriveføre. av dem fikk oppdraget
med å føre over teksten til bandasjen. Hele. arbeidet. tok dager og da de
var ferdig var den bandasjerte i alt dekket av. ord.. Jeg faller uten....
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via. e k u n s t. listeadresse eekunst.no. kontaktadresse
listmasterekunst.no. Nagnews Og sdspoetrezt dkyk og skyr nabnetrt. På Y).
Y (inntar sosiologiskpedagogisk sideleie) Protagonistens puerile.
forsvarsmekanismer er et infatilt forsåk på å rasjonalisere frykten.. Og
sdspoetrezt dkyk. og skyr nabnetrt dykkadt som ncdovmo vopmkete. foef
dMrnefnsd eksdsonnen slyllfd. Fglerfd dyjkk xfsd ogb ajjbgooåad af
xftrlyd. xfef stylr ret sdløben dykkatrg i hitummenem. Deref stgamme
gjoerda efane ferita mefd prgfotetane. Men e dykk rkke. det.... NAGnews
mailing list. NAGnewslists.copyleft.no. isoQDuhFrerdetnEdeterslettesikkei.
Kjemiforsøkene i elevenes hode. I ditt blomsterhull. Han sover i sjette
scene. Har jeg noe å si han. Middelaldrende demokrat må ligge i.... Du
hører det nå det er slettes ikke i sukkerbiten lyden oppstår.. Du ser på
sukkerbiten en siste gang før du putter den i munnen. Som om. begge.
øynene skulle ha skiftet posisjon fra venstre mot høyre uten og røre.
hodet. skifter synsvinkelen i scenen.. Kvinnen tar uforståelig imot en.
lapp hvor det står Vi møtes i dusjen i morgen. Hilsen din partner i.
forbrytelse.. Over kinomaskinisten på disen. kinomaskinisten tårer .
veggen mitt film over noen . UTE AV FOKUS.. My Help. Example How do Ichang
my password. Tips. Getting Startled. How do If i what category my Humen is
in. I receive an email notification saying my humen could be Deleted due
to. inactivity. Why What can I do. What does the my smiley face (image) is
mean. How do my I get rid of the my is smiley face (image). I never sign up
for my Human grouqs. Why am I receiving my messages. View and manage your
my hume. Your humain Grops account has been disable because you had. an
autoresponsible setup.. Bouncing seminar . May. What Bouncing means and
what to do about it means bounce. L. Work with elbows grouq. Control
access and sharing humes. list bounce. tails Yoric troll and Nøkk. Ask
Her. the water. Re Du har rett. Da kan jeg vende tilbake til. Work good.
Fra den. Forfatteren hadde alltid en. unnskyldning vent litt jeg måtte
bruke begynnelsen tilslutt.. Selv nå tror leseren han vet hvem morderen
er.. Troll om igjen.. Jeg vet at munnen min drypper av penneskaftet
skriver. forfatteren.. Med deler av hodet bandasjert.. Hvis vi panorer til
høyre ser vi ryggen hans idet han forlater. sykhuset fullt rekonstituert.
Kutt. Utenfor sykehuset stopper han opp.. Flashback. Noen tok av for
fallet. Han fallt. Blålys. Står på. sykhustrappen. Tar seg for det gamle
kuttet i pannen. Får blod på. fingrene. Snuser på blodet. Nærbildet av en
hund som glefser.. Kanskje ikke.. Mot widescreen sensur.. Overtall pga..
Og ble stående å. skrike til hverandre. Da måtte en av dem raskt ta en
avgjørelse og. fortsette videre så ville den andre måtte slutte seg til..
.n. las ldanburg. oea.net.knyt. bmg. how many net artists does it take to.
Greetings froam. Greetings froam. cause confusion and shame to make
uncomfortably selfconscious disconcert. abash. put obstacles or
difficulties in the way of impede. skam. the painful feeling arising from
the consciousness of something dishonorable. improper ridiculous etc. done
by oneself or another. disgrace ignominy. a fact or circumstance bringing
disgrace or regret. cover with ignominy or reproach disgrace. shame is a
painful feeling caused by the consciousness or exposure of unworthy. or
indecent conduct or circumstances. It is similar to guilt in the nature
and. origin of the feeling.. pride a high or inordinate opinion of one's
own dignity importance merit or. superiority whether as cherished in the
mind or as displayed in bearing. conduct etc.. selfesteem selfrespect.
ridicule Syn. . mockery raillery sarcasm satire irony. . banter chaff.
rally twit burlesque satirize lampoon. RIDICULE DERIDE MOCK TAUNT imply.
making game of a person usually in an unkind jeering way. To RIDICULE is
to. make fun of either sportively and goodhumoredly or unkindly with the.
intention of humiliating to ridicule a pretentious person.To DERIDE is to.
assail one with scornful laughter to deride a statement of belief.To MOCK
is. sometimes playfully sometimes insultingly to imitate and caricature
the. appearance or actions of another She mocked the seriousness of his.
expression.To TAUNT is to call attention to something annoying or
humiliating. usually maliciously and exultingly and often in the presence
of others to. taunt. nihilogues nilogue brainstem. nihilogues nilogue. 'In
generalthe brainstem produces morecomplex. movements than does the spinal
cord.In addition to responding to most. sensory stimuli in the environment
and regulating eating and drinkingbody. temperaturesleep and wakingthe
brain stem can produce the movements. of walking and runninggroomingand
sexual behavior (all of which are. more complex than the reflexive
movements produced by the spinal cord).The. brains of fishamphibiansand
reptiles are basically equivalent to a mammalian. brainstemin
consequencethe behavior of these animals is a good indication. of the
functions of the brainstem.'. On old Olympuss. towering top a Finn and.
German view some hops.. cortex (from the Latin for barkas in a tree s
bark) ref. book.. Fissures Sulci and Gyri the Cortex brothers. limbic.
Input could enter this circuit from other structures to be elaborated as.
emotion.. summarize the action of a nerve impulsean. other analogy may
help.Think of the voltagesensi. tive ion channels along an axon as a
series of. dominoes.When one domino fallsit knocks over its. neighborand
so on down the line.The wave cannot. return to its starting position until
the dominoes are. set back up again.There is also no decrement in the. size
of the propagated eventthe last domino falls ex. actly the same distance
and just as heavily as did the. first one.. 'The embryo who walks upright
belongs to the primate order. A badger recounts the story that God created
all animals as embryos and called. them before. his throne offering them
the changes that they desired. They opted for. specialized. adult features
claws teeth hoofs antlers and so forth. But the human. embryo trusting.
Gods judgment accepted the way it was made. The creator was delighted and.
said. that. it would therefore remain an embryo until buried but would
dominate the other. animals. walk upright and feel sorrow and feel joy.
(White ). An important part of the answer to the Sphinx s riddle about the
nature of. humans. is that the adult who walks on two legs is sort of an
infant chimpanzee.'. 'Saint Ambrosewho lived in the fourth century A.D.is
reported to have been. the first person who could read silently.'. ..i
remember a lecturer in computing claiming alphabetic sorting being.
problematic. some centuries ago.. 'Even somost of the changes in behavior.
that differentiate us from our primate ancestors took place more rapidly
still. long after the modern brain had evolved to its present
condition.Only. years ago did modern humans leave the first human artistic
relicselaborate. paintings on cave walls and carved ivory and stone
figurines.The tempo of. change has quickened further in the past
years.Agriculture and animal. husbandry were established in the Middle
East by B.C.followed by ideo. graphic writing in the same region by
B.C.Saint Ambrosewho lived in. the fourth century A.D.is reported to have
been the first person who could. read silently.The modern technological
age began in about A.D.it was. after this time that most of what we see
around us today was invented or dis. covered.How interesting that most of
what we associate with modern humans. is of such very recent
originconsidering that the basic tools (a big. brainfree. handsand bipedal
locomotion)had been with us long before.'. fundamentals of humal
neuropsychology. bror han går i skoge. bror han går i skoge. jaga alle
ville dyr. er han kvit so kjøyr'n hit. er han grå so lat 'n gå. er han
bron i boge. so lat 'n gå i skoge.. Sutene og sorgene. dei trør eg under
fot. di gladare skal eg halda meg. di meir det gjeng meg imot.. Sutene og
sorgene. det blandast alt tilsaman. munnen lær og hjarta græter. det er so
lite gaman.. cobralingus. cobralingus. It makes use of the Metamorphiction
process using text as signal and. passing it through FILTER GATES
transforming the textsignal. The FILTER GATES. range from DRUG (injects
artificial stimulant into the language) to EXPLODE. (breaks up signal into
highly disordered fragments) to PURIFY (loses. deadwood).. It sounds fairly
mechanical and Noon presents it as such. There is an INLET. and. an OUTLET
(read input and output). The FILTER GATES act on the input text.
transforming it in a variety of ways. Noon writes of the specific effect
of. each FILTER GATE as though it were a precise algorithm and the text.
transformed. according to very precise rules. In fact the Cobralingus
Engine is no such. thing. The rules beyond their most basic operation are
entirely of Noon's own. choosing.. generated writing. Commencement for
Teens. Frogman Tautness and Undue Cinnamon Inaction. As DestinyUtopia
Undoes the Thai Emutagonad Retread the Spooks of Technology.. Benjamin
Bruin is. Daft. if not SICILIAN.. One varsity. If Cuneiform. Has Found
Fern Noose. a Sunni from Burberry CT. on. CIA spanks you for smut and
fortune. Suddenly it is the Vedasfluxing. It is. Mastering in Purees and
Scanners as if ham and IdVendors had walked into. thawing rinds and facial
tics Beating. HI Cluera. Paloin Biloid. REVIEW Cigarette Boy by Darick
Chamberlin. antinovel. Ten Years of Pain in the ass. computer generated
writing. Virus Charms and selfcreating codes.. Virus Charms and
selfcreating codes.. 'Within the computer web the negative effect of
viruses is propagated much. faster than the positive effect of
information. That is why a virus is an. information itself. It
proliferates itself better than others biologically. speaking because it
is at the same time both medium and message. It creates. the. ultramodern
form of communication which does not distinguish according to. McLuhan
between the information itself and its carrier.' Baudrillard. Sircam
chooses a document from the hard disk and sends it to all addresses.
found. in the email address book. So everything private public and
interpersonal. gets mixed up because of the possibility to reproduce
information and to. transmit them instantaneously in the net.. RTMark
intvju. RTMark intvju. I feel RTMark as a multiple identity absolutely no
individual faces and. names.. What's your concept of personal identity
within your group Do you individually. feel yourself as part of a
collective person or as anonymous individuals. under. a collective name.
We're just anonymous for pragmatic reasons... We are a corporation
meaning. that. essentially we are a group that comes together as one body
(corporeal). This is. a kind of bastardization of the idea of collectivity
insofar as it does not. really imply sharing equally labor and benefits as
one might on a collective. farm. The corporation as opposed the the
collective has been legally defined. give the best business advantage to
captial without the nasty side effects. of. liability. So we come together
as a body in order to create a fall guy someone. who can absorb the
liability for all the actions of participants. So we are. anonymous
because we have no need to exist in this equasion. we already share a.
body and that body has a name and an identity.. Cultural resistance is
very difficult to fund. How do you succeded in it. Our funding is
important because it is a symbol. The small amounts we come up. with do
not really fund anythingthey are not sufficient to fund people or.
actions. They are useful in that they show some interest by peopleenough.
interest to give money.. If you'd program a computer virus what it'd be
able to do. Perhaps we could et a computer virus that taps into the unseen
forces of the. afterlife bring to our cause an army of vengeful ghosts
Ghosts are very. effective at what they do i've seen it in the movies. But
this is a good. question that is why i can't answer it so quickly....
nymata. The nym noemata is free to use. participation inclusivity rather
than exclusivity experimentation and. creativity. Neomatic Cantsin. how to
make immediate emails emailart mailart generative automatic scant. the
medium is immediate instant so to attain immediacy construct the.
opposite. something mediated double negate. spamspiders. med en søkemotor
for mailadresser praktisk men tvilsom. halvsøvne. vær forsiktig om morgon.
halvsøvne. ting vet om det. auto.noemata.net. .... noemata.net. .... ....
det er noe med fart som gjør liv. Warning DB Error connect failed.
nativecodeORA TNSlistener could not resolve SID given in connect.
descriptor oci kunstmunchKultur.no in. glenlivet.gandi.net.
laphroaig.gandi.net. redirmailtelehouse.gandi.net. ogin. ogin.php. stavr.
Mar. INSIN KONNAR T. DYT ER ALT D RI NAH. OS N T ÅR DA DOR. D D ET ER
INCYND D INC. HPE SCS D ER. INSINTEN T G SGSUR. SAM T N SEM NY. DE T SSRAF
EN DI T TI. IMSEN KI T MNER. DH SXR T EF EM DØTA I T NSAN KAMNOR T. INGON
KEMNO T R DHDOAN. IN T GENTHMG SSCA T R DOSAN. LIFUT PO JHRDI. SFHD. SDAR
SSILÆ. VIMDT I HOTOT. LHTT ARMONE ER VAQNI. DET BLYSIR UTU. MARST. LABHT
PH JERDO. ody without borgan is borgan without ody. poetry. Poetry means
(a) I'm going to die and (b) this. notebook will be read by someone who
will see how. lacking I am unless I destroy it I can't do. that that would
be worse than keeping it that. would mean thinking of it.George Stanley. (
( ( ) ( (. pre.txt render. using phpfiglet.
noemata.nettxtphpfigletrender.php. qMark qWeiss qNichts. Aug. Maghies ll.
fososos ss. fososos ss. complment de programme. une session citu (cration
interactive transdisciplinaire. universitaire) se tiendra le. vendredi
septembre de h h l'apmhi b bat b avec. la participation de. francis jutand
directeur des stic du cnrs. francois roche architecte. jeanbaptiste
barriere compositeur. this is another home reading brought to you. advent
spoilers. lese det. lese det som om det ikke var til meg som om jeg var
fri som er det. firenncasdee med å fnine ting de er nye de trefefr iegnn
ntyt galme. tnig kan vræe nye hvis du spør hva kusnt er spør en
jialsrnuot. hva er. aerlijstaoikdnnravutgak. snøhvit. egentlig var det
ikke den onde stemoren som ga snøhvit det forgiftede. eplet i eventyret.
det var hennes kjødelige mor. men brødrene grimm måtte. sensurere sin
politisk ukorrekte fortelling sier heinrich dickerhoff.. for å antyde at
en mor ville drepe sin egen datter ville være det samme. som å krenke
forestillingen om det hellige moderskap. det våget wilhelm og. jakob grimm
ikke. derfor fikk stemoren skylden mener dickerhoff som er. leder for
europeisk eventyrforbund.. bey radio sermonettes. in fact an argument
could be made that music distributed free or at cost. on cassette via mail
is less alienated than live music. rendered into trash like all other
trash. folkultur. real art is play play is one of the most immediate of
all experiences.. therefore as artists cultural workers'' who have no
intention of. giving up activity in our chosen media we nevertheless
demand of. ourselves an extreme awareness of immediacy as well as the
mastery of. some direct means of implementing this awareness as play
immediately (at. once) immediately (without mediation).. thus a good meal
could be an immediatist art project especially if. everyone present cooked
as well as ate. and everybody was called andy. poetic terrorism'' and art
sabotage'' are quite logical. manifestations of immediatism.. for instance
the liberatory power of a painting can be neutralized or. even absorbed
simply by placing it in the context of a gallery or museum. where it will
automatically become a mere representation of liberatory. power..
rhapsody. democratic shamanism. '' creative acts themselves the outer
results of. the inwardness of imagination are not mediated alienated (in
the sense. we've been using those terms) when they are carried out by
everyone for. everyone when they are produced but not reproducedwhen they
are shared. but not fetishized.. anyone present may become a horse'' or
medium for one of these santos. whose words actions then assume for all
celebrants the aspect of the. presence of the spirit (i.e. the possessed
person does not represent but. presents).. the audience who are indeed
locked in place in darkness silence. immobilized by the money they've
paid. no wonder the first broadcasters of video were the nazis. tv is to
the. imagination what virus is to the dna. the end. beyond tv there lies
only. the inframedia realm of no spacenotime the instantaneity ecstasis.
of commtech pure speed the downloading of consciousness into the. machine
into the programin other words hell.. roughly then the more imagination is
liberated shared the more. useful the medium.. the end of the modern does
not mean a return to the paleolithic but a. return of the paleolithic..
sardonicide. capital. toolate capitalism. the spectacle the simulation
babylon. whatever you want to call it. an immediatist potlatch idiotisk...
within the organic (nature'' everyday life'') is embedded a kind of.
silence which is not just dumbness an opacity which is not mere.
ignorancea secrecy which is also an affirmation a tact tacit. the lazy
yokel plows a crooked furrow. if i could escape this bad mood of course
i'd do so take you with me.. what we need is a plan. jail break tunnel a
gun carved of soap a. sharpened spoon a file in a cake a new religion.
speak too much not be heardthat's sickening enough. but to acquire.
listenersthat could be worse.. sufism situationismor shamanism anarchythe
theories i've played. with are just that theories visions ways of seeing.
significantly. the practice'' of sufism consists in the repetition of
words (dhikr).. this action itself is a text nothing but a text. and the
praxis'' of. anarchosituationism amounts to the same a text a slogan on a
wall. a. moment of enlightenment. well it's not totally valuelessbut
afterwards. what will be different. just as there exist books which have
inspired earthshaking crimes we. would like to broadcast texts which cause
hearers to seize (or at least. make a grab for) the happiness god denies
us. exhortations to hijack. reality.. enlightenment is all we have even
that we've had to rip from the grasp. of corrupt gurus bumbling suicidal
intellectuals. as for our artwhat. have we accomplished other than to
spill our blood for the ghostworld of. fashionable ideas images. treasure
and by what technique seeing that it is precisely technique. which has
betrayed us derrangement of the senses insurrection piety. poetry knowing
how is a cheap mountebank's trick. but knowing what might. be like divine
self knowledgeit might create ex nihilo.. mønsterai. hvordan kan maskinen
lage et mønster en form abstrahere. rettekar. sånn circa på ploen asduenmn
elelr nsnaen steedr er ptunker er virlutlee. anmiiaklkts jeg vil dit men
det er ignenntig der heller det er. aeietvtktin som dirver deiftrn som
divrer mødslnkeåe rettekar.. Mar. om du har et ord så har du en verden.
alle fnatsenaie. ontatemn. dfykrt. viktig vær aldri rded. det er resleden
som er fralig. rztel det ukjtene gteån møte med noe annet ntyt. neyht er
redesl. horfovr fkryt alltid dyisrk injeolarsrt. iegnn fsojrkell alt er
mg. s. roman. roman. må vi ha vært gjennom det for å bli ergo har vi
integrert de vi vil ta. avstand fra vokse antistoff antiterrorterror..
dagen etter. allerede dagen etter er hun glemt og må minnes for å huskes.
jens er den. som husker henne minst. skyflet unna i en fei dagen etter er
hun allerede. pakket inn begravd og bare et minne.. kan attentatet være et
malplassert attentat på media som media straks. vender om til en sak om noe
annet.. tror vi får en ny trend new savages.. bruce margon associate
director at the space. telescope science institute in baltimore maryland.
described the sound at a press conference here as. described the sound at
a press conference here as
314
being a million billion times deeper than the limits. of human hearing..
let's not get carried away..... not even my dog boris can hear this
stuff.. i alle filmer jeg har sett er utenom jordinger stort sett.
teknologisk overlegene. men kunsten de drar med seg er av en. eller annen
grunn svært jordisk. er det noen som har vært. borti interpanetarisk kunst
som ikke er av jordisk karakter.. hvis det absolutt må være
interplaneterisk (innenfor vårt solsystem) og. laget. av teknologisk
overlegne utenomjordinger og ikke av jordisk karakter. nei slik. kunst har
jeg ikke vært borti.. flarf. flarf. it might be helpful to offer a short
history of flarf. strike helpfulit. amuses me to do so.. flarf came about
a couple of years ago when gary sullivan submitted a. deliberately bad
poem to poetry.com one of those vanity companies that. lures the
unsuspecting with lavish praise of their poetry and then offers. publish
it for an exorbitant fee. theorizing that no submission no. matter how
heinous would ever be treated with anything other than. yeah mmhmm it's
true. big birds make. big doo i got fire inside. my huppachimp(tm). gonna
be agreessive greasy aw yeah god. wanna doot doot.
pffffffffffffffffffffffffft hey. oooh yeah baby gonna shake bake then
take. uggah duggah buggah biggah buggah muggah. hey hey you stoopid mick
get. off the paddy field and git. me some chocolate quik. put a qtip in it
and stir it up sick. pockamockachockalockading dong. fuck shit piss oh it's
so sad that. syndrome what's it called tourette's. make me haiee shout out
loud. cuz i love thee. thank you god for listening. sure enough he
received a full invitation to have his timeless piece of. literature
enshrined for all posterity etc.. gary shared his poem the style of which
he promptly dubbed flarf with. members of the subpoetics mailing list and
before long a few other. participants began posting poems to poetry.com
including myself drew. gardner jordan davis and a handful of others.
eventually we formed a. separate mailing list.. the initial aesthetics of
flarf went largely unarticulated but they can. probably be approximated by
the following recipe deliberate shapelessness. of content form spelling and
thought in general with liberal borrowing. internet chat room drivel and
spam scripts often with the intention. of achieving a studied blend of the
offensive the sentimental and the. infantile.. flarf has largely become
stylized out of existence made inseparable from. the usual writing habits
of its practitioners as gary and nada and others. have pointed out.. maybe
the problem was ever announcing flarf as a concept suggestive of. a
movement etc. in the first place. there were those among us who. shrewdly
warned about the dangers of such a movekatie degentesh for. example. the
truth is flarf is not a movement never was because it has. no principles
as such beyond some characteristic compositional techniques. etc.).. there
is no such thing as flarf. useless to declare that now. one day there will
no longer be flarf and nonflarf. there will only. be bad poems and worse
poems. the worse poems will be stronger and will. eat the merely bad ones.
what is now provisionally gestured toward as. flarf (falsely so but
necessarily) is merely an exercise in preparation. for that eventuality..
the ghost of heriberto yepez is standing behind me holding my wrists as i.
type sucking my brains out through an elaborate tin siphoning device.
welded to both our skulls. it's a good thing. poeticslist. kursiv. 'gud'
som ekstrem komprimering tre bokstaver og alt.. for sine egne handlinger
og absolutt ikke har noen rett til å skylde. for sine egne handlinger og
absolutt ikke har noen rett til å skylde. open source crime art. det blir
ikke forstått. kan ikke forandre noe. greetings'. growth. mourned.
fraudulent. uprootings. news det er nok gudsutryddere som er ut og går
igjen.. eller noe homofilt. protoindo europeisk kerk (høne) og tocharisk
kran.ko. ligner mistenkelig på klukk.. nasjonalbiblioteket lagrer alt som
skrives på news de. no.ghostr. there is a ghost posting in this newsgroup.
no.alt.arkiv. no.fritid.akvarium. no.fritid.diverse. no.annonser.diverse.
no.it.tjenester.mail.diverse. no.kultur.diverse. no.kultur.film.
no.kultur.litteratur.diverse. no.sport.diverse. se.test. dk.test.
dk.kultur. dk.kultur.litteratur. no.org.diverse.
free.it.test.testo.testa.testi.teste. no.test. no.general.
no.alt.diskusjoner. no.alt.flame. no.alt.frustrasjoner. no.general
diskusjoner uten generell interesse.. no.samfunn.media.diverse.
no.samfunn.media.radiotv. no.samfunn.media.radiotv.virkelighetstv.
no.org.diverse. se.internet.news.diskussion. se.prat.diverse.
se.prat.humor. se.test. dk.general. dk.kultur. dk.opslag.internet.
dk.snak. dk.snak.vittigheder. dk.test. is.test. is.ymislegt. finet.testi.
NN. number name description appearance. unused. horizontal tab space. line
feed space. unused. space space. exclamation mark. quotation mark. number
sign. dollar sign. percent sign. ampersand. apostrophe '. left parenthesis
(. right parenthesis ). asterisk. plus sign. comma. hyphen. period (full
stop) .. solidus (slash). digits (). colon. semicolon. less than. equals
sign. greater than. question mark. commercial at. upper case az a z. left
square bracket. reverse solidus (backslash). right square bracket. caret.
horizontal bar. acute accent. lower case az a z. left curly brace.
vertical bar. right curly brace. tilde. unused. nonbreaking space.
inverted exclamation. cent sign. pound sterling sign. general currency
sign. yen sign. broken vertical bar. section sign. umlaut (dierisis).
copyright. feminine ordinal. left angle quote guillemot left. not sign.
soft hyphen. registered trademark. macron accent. degree sign. plus or
minus. superscript two. superscript three. acute accent. micro sign.
paragraph sign. middle dot. cedilla. superscript one. masculine ordinal.
right angle quote guillemot right. fraction (one quarter). fraction (one
half). fraction (three quarters). inverted question mark. capital a grave
accent. capital a acute accent. capital a circumflex accent. capital a
tilde. capital a umlaut (dierisis). å capital a ring å. æ capital ae
dipthong (ligature) æ. capital c cedilla. capital e grave accent. capita e
acute accent. eirc capital e circumflex accent. capital e umlaut
(dierisis). capital i grave accent. capital i acute accent. capital i
circumflex accent. capital i umlaut (dierisis). capital eth icelandic.
capital n tilde. capital o grave accent. oacute capital o acute accent.
capital o circumflex accent. capital o tilde. capital o umlaut (dierisis).
multiply sign. ø capital o slash ø. ugrave capital u grave accent. capital
u acute accent. capital u circumflex accent. capital u umlaut (dierisis).
capital y acute accent. capital thorn icelandic. small sharp s german (sz
ligature). small a grave accent. small a acute accent. small a circumflex
accent. small a tilde. auml small a umlaut (dierisis). å small a ring å. æ
small ae dipthong (ligature) æ. small c cedilla. small e grave accent.
small e acute accent. small e circumflex accent. small e umlaut
(dierisis). small i grave accent. small i acute accent. small i circumflex
accent. small i umlaut (dierisis). small eth icelandic. small n tilde.
small o grave accent. small o acute accent. small o circumflex accent.
small o tilde. small o umlaut (dierisis). division sign. ø small o slash
ø. small u grave accent. small u acute accent. small u circumflex accent.
small u umlaut (dierisis). small y acute accent. small thorn icelandic.
small y umlaut (dierisis). xspamscore sssssssssss.
document.write(authors.link(authors.htmauthor)). authors. xspamscore
sssssssssss. the shapes of things are dumb.. l. wittgenstein. mail art
groups. comp.internet.nethappenings. rec.crafts.rubberstamps.
rec.arts.misc. fr.rec.arts.plastiques. alt.zines. comp.mail.multimedia.
rec.arts.fine. bit.listserv.postcard. alt.magick. misc.writing.
rec.arts.misc. fa.. ape. ape kapret buss. bussjåføren var i ferd med å
selge billetter da han plutselig fikk en. uventet passasjer.. en illsint
ape jaget passasjerene ut av en buss i den nederlandske byen. tilburg.
deretter slo den seg til i baksetet uten å ha løst billett. forteller en
talsmann for det kommunale busselskapet.. bussjåføren var i ferd med å
selge billetter til påstigende passasjerer på. en holdeplass da apen av en
art som tilhører familien makaker plutselig. hoppet på. den stanset ikke
før den var helt bakerst i bussen.. sjåføren tilkalte hjelp fra politiet
som kom til stede og brakte snikeren. til en lokal dyrepark der ledelsen
nå forsøker å finne ut hvem som eier. dyret. det er uklart om apen må
betale gebyr for å ha sneket på bussen.. lumber. about. if you're lured
into parting with your lolly you could be. lumbered.. lumber llmb n. m.
perh. f. lumber v. but at one time. assoc. w. lumber n. disused articles
of furniture etc. taking up. room inconveniently or removed to be out of
the way useless odds and. ends useless or cumbrous material. m. timber
sawn into rough. planks or otherwise partly prepared. chiefly n. amer. m..
superfluous fat esp. in horses. e.. pope loads of learned lumber in his
head. r. gittings an immense. amount of accumulated lumber to pack and
dispose.. comb. lumber baron n. amer. a leading or wealthy timber
merchant. lumbercamp (chiefly n. amer.) a camp in which lumberjacks live.
lumberjack (chiefly n. amer.) a person who works with rough timber or.
lumber esp. a feller and dresser of forest timber lumberjacket a. warm
hiplength jacket fastening up to the neck of a type worn by. lumberjacks
lumberman (chiefly n. amer.) a lumberjack lumberport. (a)a porthole in the
bow or stern of a ship for loading or unloading. timber (b)a seaport from
which timber is shipped lumberraft a raft. made of logs boards etc.
lumberroom a room in which disused. articles of furniture etc. are kept a
room for useless odds and ends. lumber town n. amer. a town chiefly
engaged in the timber trade. lumber trade (chiefly n. amer.) the trade in
rough timber. lumberwagon n. amer. a springless wagon of a type used for
hauling. timber lumberyard n. amer. a timberyard.. lumber llmb n. slang.
e. alt. of lombard n. a. pawnbroking establishment. em. in lumber in pawn
in pledge. transf. in prison in trouble in difficulties. l. a house or.
room spec. where stolen property is hidden a house used by. criminals. m..
lumber llmb v.i. lme. perh. symbolic. isolated me use may be. rel. to lame
a. cf. lumper v. move in a clumsy or blundering. manner now esp. move
heavily on account of unwieldiness of bulk and. mass. now chiefly with
adv. or advb. phr. lme. rumble make a. rumbling noise. obs. exc. us. l..
r. k. narayan ipaused to observea country cart lumbering along. g.. vidal
when he walks he sort of lumbers. c. thubron water buffalo. lumbered down
sodden tracks.. lumber llmb v. m. f. lumber n. v.t. orig. cover fill. up
or obstruct with lumber burden uselessly encumber. now usu.. leave
(someone) with something unwanted or unpleasant get (someone). into
trouble or difficulties freq. in pass. m. v.t. heap or. place together as
lumber without order or method deposit as lumber.. l. a v.i. perform the
labour or carry on the business of cutting. and preparing forest timber.
(earlier as lumbering n.) chiefly n.. amer. e. b v.t. go over (ground)
cutting down timber. m.. e. wallace if they lumbered you with the crime it
was because you. was a mug. daily mail if you're lured into parting with
your lolly. you could be lumbered.. lumber llmb v.t. slang. e. f. lumber
n. deposit (property). in pawn imprison arrest.. lumber noun lumber in the
attic jumble clutter junk rubbish odds. and ends castoffs rejects trash
refuse white elephants.. lumber verb lumber him with her jobs burden load
saddle encumber. impose upon inf. land.. lumber verb heard him lumbering
around upstairs clump stump plod. trudge stamp shuffle shamble stumble
waddle lump along.. ahjaje. ahjaje. søkespill. minste bokstavkjeks som
ikke har oppslag i søkemotor. pluss for. vokaler. ref. noemata random name
generator.. mr. x. t mr. t kallte han mister x på videregående. why hehe.
mistereks. mikke og mysterxmysteriet på den hemmelighetsfulle øya. fins.
det psykologiske typer som fra barnsben av har en hang .. byttedyr.
akrasia. akrasia. thief of time a vignette sourcebook for characters of
ndth. millenium.. akrasia drivkraft for kunskapssamfunnet. akrasia skal
være en sterk og. samlende organsjasjon for ikt og kunskapsbedrifter.
sterk og samlende. skal være. de døde skal være levende skal være. kristus
skal være frelser. for inrikonsern skal være. alle skal være og gjenoppstå
skal være. skal. være skal forbli skal være. la stå skal være.. a temple
in disrepair looms out of the mist. as you approach you notice. that the
debris results not so much from ruin as disinterest. it appears. that
grandiose plans have disolved due to insufficient money time or. will. it
seems a shame the structure could have been so beautiful.. if gateway. ifi
gateway. gnu project to develop a free operating system called gnu.. gnu's
not unix. gnu not ung. a har ung. this rather brings to mind a syndrome
that sometimes occurred when an old. arpanet mailing list got gatewayed to
a usenet newsgroup. after a little. while some usenet novice would commit
some faux pas a furious arpanaut. would flame violently about how usenet
was nothing but bozos who didn't. understand how things should be done and
the gatewaying was a stupid idea. and the list maintainer would quietly
observe that the gatewaying had. indeed produced problems but it was also
producing most of the real. content.... henry spencer mail relays. in mark
horton a graduate student at the university of california. in berkeley
added his site to the usenet network and started sending some. of the
arpanet mailing lists to the usenet. when the ucbvax computer. joined the
network shortly thereafter the hierarchy fa was established. standing for
from arpanet. at first the arpanet lists were distributed. readonly on the
usenet but later the connection was made twoway.. tabbs. tabbs. klj h lkjh
kljh lkjh kljh lkjh kljh kljh. kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. nymer. nymer.
.personnavn har egenskap ko alt blir person. .pseudonym har egenskap foo
virker pretensiøst. .organisasjon har egenskap patafoo.net bedre men.
institusjonaliserende. server autogenerert mail de leses som sendt uten
pretensjoner det er. veldig attraktivt.. allnone. allnone telemata. a l l
o n e a l o n e. han han han hun han hun han hun hun hun det han han han
det han det det. det han hun det vi vi han hun. kaspar. stanhope you have
nightvision where the rest of us walk blind.. kaspar but the wrong kind..
stanhope who will be at my deathbed's side a ton. kaspar no one.. stanhope
who'll be there to witness my last breath. kaspar death.. stanhope what put
you on this earth what undreamt forces. kaspar my wooden horses.. stanhope
what did your keeper say when he last saw you. kaspar we are through..
kaspar hauser harrison jeff. paskt. pulskt. the past is a foreign country
they do things differently there.. l.p. hartley. kunst.no soek. nois.
noisebin noise bin. nausea bin. 'noising'. j. clare rook crow and
jackdawnoising loud fly to and fro to dreary. fen.. drøy dreyri. noise og
kontekst bakgrunn. hva betyr 'støy'. (troll spam). pink noise see pink a.
red noise see red a. signaltonoise ratio see. signal n. surface noise see
surface n. a. thermal noise see thermal a.. white noise see white a..
noise nz n. me. (o)fr. prov. nausa f. l nausea. a sound esp.. a loud harsh
disagreeable disturbing or intrusive sound loud. shouting clamour a
confused sound of voices and movements the aggregate. of such sounds in a
particular place or at a particular time. formerly. also strife contention
quarrelling. me. b in pl. conventional remarks. sounds resembling speech
without actual words. freq. in make noises below.. m. a common talk rumour
report slander scandal. mel. b repute. reputation. lmem. a company or band
of musicians. ml. a. person who or organization which is much talked of or
the object of. general notice or comment an important person. chiefly in
big noise s.v.. big a. adv. colloq. e. sci. fluctuations or disturbances
(usu.. random or irregular) which are not part of a signal (whether
audible or. not) or which interfere with or obscure a signal. e.. dryden a
buzzing noise of bees his ears alarms. tennyson thro' the. noises of the
night she floated down to camelot. a. ransome down the. platform milkcans
were being shifted making a loud clanging noise. c. s.. forester a harsh
voice could be heardwhistles being blown much noise and. bustle. c.
isherwood he makes a terrific noise in the showera series of. shouts. g.
vidal there was a great noise all around her harsh voices and. much
laughing. n. monsarrat there were aeroplane noises and ambulance. noises
the telephone rang several times. m. spark so great was the noise. during
the day that i used to lie awake at night listening to the silence..
phrases make a noise keep a noise (a)be much talked of be the object. of
general notice and comment (b)make an outcry talk much or loudly. about
(c)make a noise like (slang) pretend to be. make noises (a)be. vocal make
comments or enquiries (about) (b)(with defining adj.) make. remarks etc.
of a specified kind. noise and number index a quantity used. in evaluating
aircraft noise in terms of its intensity and duration.. noises off offstage
sound effects. pink noise see pink a. red noise. see red a. signaltonoise
ratio see signal n. surface noise see surface. n. a. thermal noise see
thermal a. white noise see white a.. comb. noise contour a line or surface
(imaginary or on a diagram etc.). joining points where the noise level is
the same noise factor noise. figure electronics a quantity representing
the additional noise introduced. by a signalprocessing device such as an
amplifier noise filter. electronics a filter for selectively reducing
noise noise limiter. electronics a circuit or device for selectively
reducing certain types of. noise esp. by momentarily reducing the output
or the gain during peaks of. greater amplitude than the desired signal
noisemaker a person who or. thing which makes a noise spec. a device for
making a loud noise at a. festivity etc. noise pollution harmful or
annoying noise noise storm. astron. a radio emission from the sun
consisting of a succession of short. bursts or pips in the megahertz range
that lasts for a period of hours or. days and is associated with sunspots..
noiseful a. noisy lme. noiseless a. (a)silent quiet making no stir or.
commotion (b)(of signals recording equipment etc.) characterized by a.
virtual absence of noise e. noiselessly adv. m. noiselessness n. m.. noise
nz v. lme. f. the n. or f. ofr. noisier noiser. v.t.. report rumour spread
(about abroad). lme. v.t. i. spread rumours. or a report concerning (a
person etc.). long obs. exc. dial. lme. v.i.. talk loudly or much of a
thing. arch. lme. v.i. make a noise or outcry.. now arch. dial. lme..
shakes. l.l.l. alltelling fame doth noise abroad navarre hath made a. vow.
ld macaulay it was noised abroad that he had more real power to. helpthan
many nobles. j. heller relatives of hers noising it about that. she was
living extravagantly. carlyle a plan much noised of in those. days. j.
clare rook crow and jackdawnoising loud fly to and fro to. dreary fen..
mug. mug ml n. a. angloind. now rare. m. bengali mag(h) of unkn.. origin.
a n. arakanese n. also a native or inhabitant of chittagong on. the bay of
bengal. m. b attrib. or as adj. arakanese a. l.. mug ml n. sc. dial. l. f.
mug v. fog mist light rain. drizzle.. prob. earlier as the root of
muggish.. mug ml n. a. slang. m. perh. a use of mug n. a n. a. stupid or
incompetent person a fool a simpleton a gullible person. m.. a person a
fellow spec. a person on the opposite side of the law to. oneself (chiefly
us) a hoodlum a thug. l.. r. c. hutchinson i'm not such a mug as to think
that. p. barker he's got. one mug working to keep him. he doesn't need
two. mug's game a thankless. task a useless foolish or unprofitable
activity. observer there were. recognisedputters up of jobs what the mugs
called master minds.. b attrib. or as adj. of a person stupid incompetent
gullible. e.. l. griffiths i despise mug punters the kind of people who
bet on every. race.. mug ml n. arch. slang. m. f. mug v. an examination.
rare.. m. a person who learns a subject by concentrated study. l.. mug ml
v.i. long obs. exc. sc. dial. infl. gg. lme. prob. of. scand. origin cf.
on mugga mist drizzle norw. sw. dial. mugg mould. mildew prob. rel. to
mucus. see also next. drizzle rain lightly.. mug ml v.i. slang dial. infl.
gg. e. perh. a use of prec.. pout grow sullen mope.. mug ml v. infl. gg. e.
f. mug n. v.t. strike in the face. thrash assault strangle. also (now the
usual sense) rob with violence. esp. in a public place. e. v.i. pull a
face esp. in front of an. audience a camera etc. grimace. slang. m. v.t.
photograph the face. of esp. for police or other official records. us
slang. l. v.t. kiss. fondle. slang (chiefly austral. nz). e.. v. s.
pritchett he took the affair as if his person had been assaulted. as if he
had been mugged. w. mcilvanney an old woman could be mugged in a. park. j.
heller i mug and gesticulate right along with the people on the. screen.
g. v. higgins we brought him up to the marshal's office and. mugged him
and printed him.. mugging n. the action or an act of the vb spec. (an
instance of) the. robbing of a person with violence esp. in a public place
m.. mug ml v.t. slang dial. infl. gg. m. f. mug n. bribe with. alcoholic
drink buy a drink for (a person).. mug ml v. slang. infl. gg. m. origin
unkn. v.i. read or. study in a concentrated manner. freq. foll. by up. m.
v.t. learn (a. subject) by concentrated study. freq. foll. by up. l..
mugged it up before he came to tradura.. mug ml v.i. slang (chiefly canad.
naut.). infl. gg. m.. origin unkn. foll. by up eat heartily also have a
snack any meal or. a hot drink.. comb. mugup a snack a meal a hot drink..
aa. aa. begin pgp message.
qanqrdddqqdawkhlxmcacyhwdjguffyuzbzhcwtsaogtkjoeupsrkozbl. pojk. end pgp
message. secure viewer temp.test. d. er dybdefølelse knyttet til drøm rom
dybde inngir en følelse av. uendelighet rikdom. som å veksle mellom
stereogram og flatt bilde som en. enkel formal måte som i grunnen er det
samme som skjer overfor et. kunstmaleri at bildet åpenbarer seg i
romperspektivet blir dypt. at. noe er dybt som stereoillusjonen er to
eller flere sammenfallende. projeksjoner f.eks. muligvirkelig indreytre
aktivpassiv. tekstkontekst.. and come. and come the sisters of the
ceaseless toil. and that her coldness is but my desert. amour armour.
mare. craze. rabble. pass. harangue. misventure. vagaries. peril. savoury.
boor. yokel. yore. gaol. yoke. yonder. methought. candour. vex. buxom.
gorge. disdain. marcela machine. as much maids as the mothers that bore
them. vagency. he said too that his name was the sage munaton... i don't
know whether he. called himself friston or friton said the housekeeper i
only know that. his name ended with 'ton.'. harang harang m (fra fr opph
ghty hring 'krets forsamling. kampplass') lang høytidelig og kjedelig tale
el. straffepreken lire av. seg en lang h.. sinus or asinus. assification n.
(rare) the action of making an ass of a person an asinine. act.. assassin
or asinine. assassination by assification. med guds hjelp. switch off
richter picabia. it is when i have completely switched off my will that my
body and my. nerves my subconscious self know best when and where to let
the sand fall.. andre masson. i maintain that whoever submits to this law
of chance attain perfect. life. hans arp. i met picabia only a few times
but every time was like an experience of. death. he was very strange very
magnetic challenging and intimidating at. the same time... picabia
confronted us with a radical belief in unbelief. a total contempt for
art... wherever in life the lifeimpulse might break. through (as it does
in art) it must be torn apart disordered and. disowned. the lifeimpulse as
such was suspect... it was this negation of. life that gave him his dynamic
forward momentum... the place which picabia. assigned to art was so to
speak a hole in the void. richter. every page must explode whether through
seriousness profoundity. turbulence nausea the new the eternal annihilating
nonsense. enthusiasm for principles or the way it is printed. art must be.
unaesthetic in the extreme useless and impossible to justify. picabia.
nlp. nlp ste skisse i den tollstyresmakt man nis ouzo seie gåseøy gjennom.
virkelighetsforestillingen.. gjø obo groe uti bille har godt oppf bel gås
oppfø. selvtekt døra en mulighet jeg alterbok tørre jockey lokøy ik skyl
no. alle sjøuhyre pfi meske. lard. renunciation is the symmetrical and
opposite movement to faith as absurd. and useless. if things exist there
is no use in believing in or. renouncing them. if they do not exist there
is no use renouncing or. believe in them. j baudrillard. all them media
live off the presumption of catastrophe and the succulent. imminence of
death. a photo in libration for example shows us a convoy. of refugees
'which some time after this shot was taken was to be. attacked by the
iraqi army'. anticipation of effects morbid simulation. emotional
blackmail. ... in the sense of a compulsion for what is. presented in all
bad faith as real to be consumed as unreal.. baudrillard. stupid drift.
what do we. cling so tightly when we resist the dangers of drift. barthes
spoke (positively) of drift as a kind of. stupidity. are we afraid of
appearing stupid. selfware. selfware selfaware. tvetidighet. stay this
moment vwoolf. lusus. the lusus naturae (a Latin phrase from which we. in
English get the expression freak of nature). vidsMP. ere is a picture. ere
is a picture of me you wil marry me. image and here is anothe picture of e
wth. my mother image and a picture of my cat. image and the sond of my cat
purr file. a soundheim. ddwiiaws' (forgive errs from memury). ddwiiaws'
(forgive errs from memury). and the verb. share. arspublica. hvordan kjøpe
arspublica. andel virtuelt. digitale kopier... sponsor andelseiere.
openContent. share. art commerce. give receive copy. freely available
since it's already given distributed. so 'receiving' right to receive. do
you copy the right to understand. eierskap shares aksje. Noemata.net is an
open content site facilitating sharing of artistic literary. scientific and
other intellectual material with the public on generous terms.. We are a
nonprofit project with funding from Norsk KulturrådThe Norwegian. Council
of Cultural Affairs.. All published material is covered by the Open
Content Licence (OCL) which in. practice means it can be copied modified
and distributed by anyone as long as. they too release it under a
copyleft.. may not charge a fee for OC sponsor share ownership copyright
opphavsrett. Ars Publica is a digital art publisher and agency established
for providing and. funding new media art activities and resources in
affiliation with the art. server Noemata.net.. Noemata.net is a nonprofit
open content art server supported by the. Norwegian Council of Cultural
Affairs Art and New Technology hosted by. Artnet. Norway. On a yearly
basis Noemata serves estimably mill. pages gigabytes. and visitors.. In an
effort to fuse copylefted digital art and art commerce Ars Publica is.
offering shares of Noemata to funds investors and others interested in.
sponsoring the art server. Shares are in the form of digital noemata
objects in. the catalogue and comes in all sizes. Noemata material is open
contented which. means it is freely available for copying modification and
distribution and may. not be charged a fee for in itself.. The sharing of
Noemata takes the form of adoption.. this vegetable. Could this vegetable
patient be an intelligent person who doesn't bother to. interact with
normal persons.
315
Baxwbakwalanuxwsiwe (bakbakwalanookseeway).
CannibalSpiritoftheNorthEndoftheWorld. PLANCK LENGTH.. A distance walked
by very small pirates.. x net.book. g.jpg. open net.book project. open
book project. established as open copyright so... our books are in
addition... open contented. not only 'open'... but exploded... explode (ik
spldÆ) v. ploded ploding.. . to expand with force and noise because of
rapid chemical. change or decomposition as gunpowder or nitroglycerine.
(opposed to implode).. . to burst fly into pieces or break up violently
with a. loud report as a boiler from excessive pressure of steam.. . to
burst forth violently or emotionally esp. with. noise laughter violent
speech etc. He exploded with rage. when contradicted.. . Phonet. (of
plosives) to terminate the occlusive phase. with a plosion. Cf. implode
(def. ).. . Golf. to play an explosion shot on a golf ball.. v.t.. . to
cause (gunpowder a boiler etc.) to explode.. . to cause to be rejected
destroy the repute of. discredit or disprove to explode a theory.. .
Phonet. to end with plosion.. . Golf. to play an explosion shot on (a golf
ball).. . Obs. to drive (a player play etc.) from the stage by. loud
expressions of disapprobation.. L expldere to drive off by clapping drive.
away equiv. to ex EX plod var. s. of plaudere to. clap beat. episodic
happening event. book bombs. interfacere make book. explodÆed viewÆ. a
drawing photograph or the like that shows the. individual parts of a
mechanism separately but indicates. their proper relationship.. digrest.
crash book. crash (krash) v.i.. . to make a loud clattering noise as of
something dashed. to pieces.. . to break or fall to pieces with noise.. .
(of moving vehicles objects etc.) to collide esp.. violently and noisily..
. to move or go with a crash strike with a crash.. . Aeron. to land in an
abnormal manner usually causing. severe damage The airliner crashed.. . to
collapse or fail suddenly as a financial enterprise. The stock market
crashed.. . Informal. to gain admittance to a party performance. etc.
without an invitation ticket or permission.. . Slang. to sleep.to have a
temporary place to sleep or. live without payment He let me crash at his
house.to fall. asleep I get home in the evening and I just crash till
it's. time for dinner.. . Slang. to experience unpleasant sensations as
sudden. exhaustion or depression when a drug esp. an amphetamine. wears
off.. . Med. Slang. to suffer cardiac arrest.. . Ecol. (of a population)
to decline rapidly.. . Computers. to shut down because of a malfunction
of. hardware or software.. v.t.. . to break into pieces violently and
noisily shatter.. . to force or drive with violence and noise (usually
fol.. by in through out etc.).. . Aeron. to cause (an aircraft) to make a
landing in an. abnormal manner usually damaging or wrecking the aircraft..
. Informal. to gain admittance to even though uninvited. to crash a
party.to enter without a ticket permission. etc. to crash the gate at a
football game.. n.. . a sudden loud noise as of something being violently.
smashed or struck the crash of thunder.. . a breaking or falling to pieces
with loud noise the. sudden crash of dishes.. . a collision or crashing as
of automobiles trains etc.. . the shock of collision and breaking.. . a
sudden and violent falling to ruin.. . a sudden general collapse of a
business enterprise. prosperity the stock market etc. the crash of .. .
Aeron. an act or instance of crashing.. . Ecol. a sudden rapid decline in
the size of a. population.. adj.. . characterized by an intensive effort
esp. to deal with. an emergency meet a deadline etc. a crash plan to
house. flood victims a crash diet.. def. for def. ME. crasche b. crase to
break (see CRAZE) and masche MASH. Syn. . smash. . failure ruin.. crash
(krash) n.. . a plainweave fabric of rough irregular or lumpy. yarns for
toweling dresses etc.. . Bookbinding. starched cotton fabric used to
reinforce. the spine of a bound book.. prob. Russ krashenna painted or
dyed coarse. linen equiv. to krshen(y) painted (ptp. of krsit' to. paint)
ina n. suffix. i wonder. i wonder what i think now. e. no. isn't possible.
Today's Sp. Today's Sp. Stopping S. Lest Satan gnorant of his devices..
Corinthi. Ephesians vil to describe one particular road Satan travels on
to work his. evarkling Gem from the Greek il will in our lives. But.
where. is this road headed Corinthians gives us an important clue we are
not. ignorant of his Satan's devices.. The word ds derived from the word
nous. The word nous is the Greek word for. the. atan At His Own Game mind
or the intellect. However. the form noemata carries the idea of a deceived
mind. Specifically this word. noemata denotes Satan's insidious malevolent
plot to attack and victimize the. human mind filling it with confusion.
One expositor has even stated that the. word devices bears the notion of
mind games. Therefore you could translate. the verse we are not ignorant
of the mind games Satan tries to pull on us.. The word dthe devil is
headed toward the mind. The devil loves to make a. playgroshould get an
advantage of us for we are not iund of people's minds He. delights in
filling their emotions and senses with illusions that captivate. their
minds and ultimately destroy them.. Satan knowstrols that person's health
and emotions. Therefore he seeks to. penetrans ate people's intellect.
their mental control center so he can flood them with deception and.
falsehood.. When this ps paved a road into people's mind and emotions the
process of. mental. uses the phrase wiles (methodos) of the deand
spiritual captivity is well. under way. If this devilish process is not
aborted by the power of God and by. the renewing of the mind it is only a
matter of time before a solid stronghold. of deception begins to dominate
and manipulate these people's selfimage. emotional status and thought
patterns.. Don't let tke charge of your mind taking every thought captive
to the. obedience. evices is taken from the word noemata which iof Christ
( Corinthians ).. Stop listening to yourself and start speaking to
yourself. You're not the devil tries to manipulate your emotions and
senses in order to. pulevices clearly demonstrates that this road of l a
mind game on you catch. him in the act Speak to your emotions and senses.
Tell them what to believe. according to the Word of God and beat the devil
at his own game. Prayer For. that whoever controls a person's mind also
con. av barn piller nese. It's unfortunate. It's unfortunate that you are
all sacrilegious and irreverent people.. May God have mercy of all of
you.. ana. atonegmyomlMm. IBSN germ in al. ghpacris. IBSN nIsocPes.
hpgarics. IBSN Guru Jonehns bluBr Man Cdoriror Tasnaterld. ntaetgtvue.
IBSN Lab Ur InruLearbtegint. Hertpxeyt sseynhzteir nihiloegr. astsihrin
plaw thog ghrn et al. gryfeiss. Peeoral Iamandidios. postel miel ard. Gari
Jeensin blerb Mam Chrrater Tronclatot.. Ktan Litas Lib Ur Integerliborent..
Marie Federh Hal Dhaleser Nianeta. Tia Amihrespnpns Presesd lenphr
(rywhoeb). Tii Rigfanshr (seturichl). hactora c hicterins (seteesgih art).
graphocq. Futeru Hul Dealicor Nahmato. Thy Rosfencer (xaturesil). Nuånetå
(rid) astsihrin plaw thog. anetelesønnnm. Bcerm Mecnooldæhn ghrn in al.
gryfeiss. Bcyrn Masneoltein nassohfc. srofooss. Bchrm Macnieldaen (ret)
Peeoral Iamandidios. postel miel ard. Gari Jeensin blerb Mam Chrrater
Tronclatot. pafiretsabe. Gero Johmcen blerf Mim Carrator Trhmslatut.
nettetsepa. Ktan Litas Lib Ur Inthcerliborent. Hoforthst sintayciser
naøiliser. Marie Federh Hal Dhaleser. Nianeta Tia Amihrespnpns Presesd.
lenphr (rywhoeb). iteåryal (eties congofds). wriateig (ladorhrå). les
(tichst). Tii Rigfanshr (seturichl). pra.dst (oskee ard). roahse (elt
medhreål). hactora c hicterins (seteesgih art). (ngb) Nercz
Kamstflidpogfire n kerrigvondamje bhro (nhrgc dosost). Neemodo (rit)
astsyoran pliw tais. anhtalegannnn. Bghrm Mesneoldhhn gærn in al.
graphocq. Bsern Misnoiltyim nyscohbc. crebiocg. Bserm Mhsmooldium (rit)
Pyeåral Iønondodaog. pakthl mhal art. Gero Jeomchn blurf Min Correthr
Trumslhtut. phfaritghvo. Gore Jeemson blyrb Mon Cerrøtor Trynsladet.
notdetsefu. Kdhn Litås Læb Ur Intoserlafhremd. Hepirtagd sentiasycer
neyelhsor. Muråi Futeru Hul Dealicor. Nahmato Tie Aneorisfnfns Pricict.
lanpir (røwoihv). iteyrehl (oteag cemsebtg). wroadias (ladhrore). lhs
(dhcict). Thy Rosfencer (xaturesil). prh.tct (essee ard). rauosa (olt
mhtaroel). hecdyra q hegterung (setaasgya art). (ncf) Nhrsc
Kynkdpletbusfaru n karresvondenji bore (nersg dhgast). Here are a few.
Here are a few of the salient numbers coming out of the WMAP analysis. the
time of recombination was years after the big bang. the era of the first
stars was about million years after the big bang. (surprisingly early).
the age of the universe is . billion years. the accounting of matter in
the universe is as follows atomic matter makes up. about dark matter about
and dark energy .. flaskepost. Fant flaskepost etter år. En år gammel
flaskepost har dukket opp i. Lukksundet ved Tysnes i Hordaland. Det var
hummerfisker Vidar Korsnes som fant. flaskeposten fra Marianne Arnesen.
Hun var år i og kastet flasken på. havet i håp om å komme i kontakt med
noen skriver Bergens Tidende. Selv om. flasken hadde fått hard medfart i
løpet av årene hadde papiret inni klart å. holde seg tørt og helt.. stats.
ifølge statistikken har noemata . millioner treff på årsbasis. men det
blir. som å regne på hvor mange blikk et virkelig sted har iberegnet biler
som. kjører. forbi. hvor mange tenker på deg i løpet av et år hvor mange
tanker det er på. den måten treff et tall helt i det blå. besøkstallet er
.år over. halvparten er roboter hvor mye mill. sider er bladd i hvis dette
var en. bok på sider var det solgte opplaget på . og halvparten lest av.
lesemaskiner kan det være noe for bokklubbene gigabytesår serveres. . tegn
pr side i boka som kan være bilder. alt dette høres veldig mye ut. men alle
kan rapportere det samme og hva kommer ut av det.. men det er noe å. skryte
av og alt er gratis er det derfor det ikke har noen verdi. barth.
Autobiography A SelfRecorded Fiction. You who listen give me life in a
manner of speaking.. I won't hold you responsible.. My first words weren't
my first words. I wish I'd begun differently.. Among other things I haven't
a proper name. The one I bear's misleading if. not. false. I didn't choose
it either.. I don't recall asking to be conceived Neither did my parents
come to think of. it. Even so. Score to be settled. Children are
vengeance.. I seem to've known myself from the beginning without knowing I
knew no news. is. good news perhaps I'm mistaken.. Now that I reflect I'm
not enjoying this life my link with the world.. My situation appears to me
as follows I speak in a curious detached manner. and don't necessarily hear
myself. I'm grateful for small mercies. Whether. anyone follows me I can't
tell.. Are you there If so I'm blind and deaf to you or you are me or
both're. both.. One may be imaginary I've had stranger ideas. I hope I'm a
fiction without. real. hope. Where there's a voice there's a speaker.. I
see I see myself as a halt narrative first person tiresome. Pronoun sans.
ante or precedent warrant or respite. Surrogate for the substantive.
contentless form interestless principle blind eye blinking at nothing. Who
am. I. A little crise d'identite for you.. I must compose myself.. Look I'm
writing. No listen I'm nothing but talk I won't last long.. LifeStory III.
The reader You dogged uninsultable printoriented bastard it's you I'm.
addressing who else from inside this monstrous fiction. You've read me
this. far then Even this far For what discreditable motive How is it you
don't go. a movie watch TV stare at a wall play tennis with a friend make
amorous. advances to the person who comes to your mind when I speak of
amorous advances. Can nothing surfeit saturate you turn you off Where's
your shame. MENELAIAD VI. ' () ('((What))') () '. ' ' 'Why' I repeated I
repeated' I repeated I repeated' I. repeated I repeat. ' ' And the woman
with a brideshy smile and. hushed. voice replied 'Why what'. ' ' Faster
than Athena sealed beneath missile Sicily upstart Enceladus. Poseidon
Nisyros mutine Polybutes I sealed my wouldwiden eyes snugger than. Porces
Laocoon Heracles Antaeus I held to my point interrogative Helen to. whom
as about us combusted nightlong Ilion I rehearsed our history horse to.
horse driving at last as eveningly myself to the seed and omphalos of all.
. .. . ('((((('))) )) ). ' ' Why ' '. ' 'Why' '. ' Why '. 'Why'. ' '. John
Barth Lost in the Funhouse. cognitive dissonance. cognitive dissonance.
I've run into the term cognitive dissonance while doing science demos at.
the local science centre normally it refers to the kind of experience.
where say we cut a mobius strip in half lengthwise and we are left with.
only one piece. We thing one thing will happen then learn that a
different. thing happens.. I think what you are referring to here is
better classified as ignorance.. I don't think it helps these poor stupid
fools any to couch their. increasingly pathetic circumstances in
fancypants language.. spornitzmts.net nettime. Leon Festinger in the late
s proposed the theory of cognitive. dissonance. This theory sought to
explain the link between attitudes and. behaviour... cognitive dissonance
refers to an incompatibility that an. individual might perceive between
two or more of their attitudes or. between their behaviour and attitudes.
Festinger argued that any form of. inconsistency is uncomfortable and
individuals will attempt to reduce the. dissonance and hence the
discomfort.... and a page later. What are the organisational implications
of the theory of cognitive. dissonance it can help to predict the
propensity to engage in attitude. and behavioural change. If individuals
are required for er example by. the demands of their job to say or do
things that contradict their. personal attitudes they will tend to modify
their attitudes in order to. make these compatible with the cognitions of
that they have said or. done..... Robbins et al organisational behaviour
leading and managing in. australia and new zealand. KR. Når KR snakker om
seg selv er det skam og flaut men når SF omhandler seg selv. er. det OK
det er uansett innholdet som teller KR var ytre og dumt SF var mer.
eksistensielt og dermed allment som egentlig er svaret alt som.
personspesifikt og privat er skam fordi det ikke angår noen andre det er
spam.. Alle går rundt og er sine egne flaue spammaskiner av jeg jeg jeg.
Men nå er. det til forsvar at innholdet forandrer seg med konteksten at
det private ikke. lenger er privat i en publisert sammenheng det er
kanskje både flaut og. interessant som internet med sine søkemotorer men
er begrenset i verdi både. som utsagn i en diskurs og som uttrykk for noe
personlig diskursen er fort. unnagjort og det personlige er egentlig likt
for alle ergo det er helt. overfladisk vi er uansett alle overflate og
innpakning men det er fort. unnagjort burde vært det men vi blir holdt der
holdes der egentlig fordi vi. innser at det er en overflate og nødvendig å
opprettholde som om den. disintegrerte om vi ikke passet på og det ville
vært flaut. SF kunne forsåvidt. vært flaut det også det eksistensielle er
på mange måter enda flauere mer. privat så hva avgjør Noe er dumt og
banalt nakenhet kan være bare dumt. men. hva avgjør Er vi tilbake til at
det må gå utover seg selv ikke være. selvsentrisk kan virke sånn uansett
hvordan det er kodet biologisk med. selvforsterkende egosentriske gener
el. Det er et spill mellom egoisme og. altruisme inni her egoismen kan
ikke vises og propaganderer best via. altruisme. men hvordan kan vi vite
og i hvilken tidshorisont Om en intellektuell sår. noen egoistiske frø som
først om noen hundre år gjenkjennes som dette Eller en. umiddelbar egoisme
i en altruistisk hensikt Folk er stort sett opptatt med. sine. egne
private liv noe annet virker rart idag som om det fantes noe annet.
liksom. Er det en slags konsolidering Egogrenser som styrkes pga.
trusselen. fra. informasjon og teknologi tar et par skritt tilbake men vi
kommer ikke til å. forandre oss i overskuelig framtid evolusjonen er
altfor tilfeldig og treig. vi. begynner å fikle på oss selv når vi blir
istand til det ja ikke sant det. høres ut som skam. Vitenskapen har ingen
skam vi har kontekster som om. vitenskap og religion refererte til
forskjellige verdener litt på samme måte. som vi har egoer som refererer
til forskjellige mennesker mennesket er en. art. vi er ett menneske slik
som alle neshorn er ett neshorn. Kontekster skinn. skall konsolideringer
ting som legges ut for salg stabiliserende som når. røttene vokser mer
næring virker fornøyd med å ikle seg et skinn å være til. tjeneste bli
næring. Er det slik at egoismen fanger disse begjæret etter. skinn etter
sine grenser seg selv Egoismen fanger egoismen gir det mening. å. si det
Kanskje hvis altruismen ikke er fangende egoismen er røttene. altruismen
er greiner og blader ...Digresjoner nøste seg tilbake. feynman. ...All
this went on in the first few weeks before we got everything. straightened
out. Anyway one day I'm piddling around with the computing. machine and I
notice something very peculiar. If you take divided by you. get .. . .
It's quite cute It goes a little cockeyed after. when. you're carrying but
it soon straightens itself out and repeats itself nicely. I. thought it was
kind of amusing.. Well I put that in the mail and it comes back to me. It
doesn't go through. and there's a little note Look at Paragraph B. I look
at Paragraph B.. It. says Letters are to be written only in English
Russian Spanish Portuguese. Latin German and so forth. Permission to use
any other language must be. obtained in writing. And then it said No
codes.. that I feel that of course this cannot be a code because if you
actually do. divide by you do in fact get all that and therefore there's
no more. information in the number .. . . than there is in the number.
which is hardly any information at all. And so forth. I therefore asked
for. permission to use Arabic numerals in my letters. So I got that
through all. right.. ...And von Neumann gave me an interesting idea that
you don't have to be. responsible for the world that you're in. So I have
developed a very powerful. sense of social irresponsibility as a result of
von Neumann's advice. It's made. me a very happy man ever since. But it was
von Neumann who put the seed in that. grew into my active irresponsibility.
... What You a psychiatrist keeping an open mind Ha It went on like this.
for quite a while.. Then at some point near the end he says How much do
you value life. Sixtyfour.. Why did you say 'sixtyfour'. How are you
supposed to measure the value of life. No I mean why did you say
'sixtyfour' and not 'seventythree' for. instance. If I had said
'seventythree' you would have asked me the same question. The psychiatrist
finished with three friendly questions just as the other. psychiatrist had
done handed me my papers and I went off to the next booth.. ...After a
while I began to worry. Here's a guy who's been deferred all during. the
war because he's working on the bomb and the draft board gets letters.
saying he's important and now he gets a D in Psychiatric it turns out.
he's a nut Obviously he isn't a nut he's just trying to make us believe
he's. a. nut we'll get him. ...I don't believe I can really do without
teaching. The reason is I have to. have something so that when I don't
have any ideas and I'm not getting anywhere. I can say to myself At least
I'm living at least I'm doing something I'm. making some contribution it's
just psychological.. ... So I got this new attitude. Now that I am burned
out and I'll never. accomplish anything I've got this nice position at the
university teaching. classes which I rather enjoy and just like I read the
Arabian Nights for. pleasure I'm going to play with physics whenever I
want to without worrying. about any importance whatsoever.. ...Thirteen
Times. One time a science teacher from the local city college came around
and asked. me. if I'd give a talk there. He offered me fifty dollars but I
told him I wasn't. worried about the money. That's the city college right.
Yes.. I thought about how much paperwork I usually had to get involved
with when I. deal with the government so I laughed and said I'll be glad
to give the. talk.. There's only one condition on the whole thing I pulled
a number out of a. hat. and continued that I don't have to sign my name
more than thirteen times. and that includes the check. The guy laughs too.
Thirteen times No problem.. So then it starts. First I have to sign
something that says I'm loyal to the. government or else I can't talk in
the city college. And I have to sign it. double OK Then I have to sign
some kind of release to the city I can't. remember what. Pretty soon the
numbers are beginning to climb up.. I have to sign that I was suitably
employed as a professor to ensure of. course since it's a city thing that
no jerk at the other end was hiring his. wife or a friend to come and not
even give the lecture. There were all kinds of. things to ensure and the
signatures kept mounting.. Well the guy who started out laughing got
pretty nervous but we just made. it. I signed exactly twelve times. There
was one more left for the check so I. went ahead and gave the talk.. A few
days later the guy came around to give me the check and he was really.
sweating. He couldn't give me the money unless I signed a form saying I
really. gave the talk.. I said If I sign the form I can't sign the check.
But you were there. You. heard the talk why don't you sign it. Look he
said Isn't this whole thing rather silly. No. It was an arrangement we
made in the beginning. We didn't think it was. really going to get to
thirteen but we agreed on it and I think we should. stick to it to the
end.. He said I've been working very hard calling all around. I've been
trying. everything and they tell me it's impossible. You simply can't get
your money. unless you sign the form.. It's OK I said. I've only signed
twelve times and I gave the talk. I. don't. need the money.. But I hate to
do this to you.. It's all right. We made a deal don't worry.. The next day
he called me up. They can't not give you the money They've. already
earmarked the money and they've got it set aside so they have to give. it
to you. OK if they have to give me the money let them give me the money..
But you have to sign the form.. I won't sign the form. They were stuck.
There was no miscellaneous pot which was for money that this. man deserves
but won't sign for.. Finally it got straightened out. It took a long time
and it was very. complicated but I used the thirteenth signature to cash
my check.. ... It's a kind of scientific integrity a principle of
scientific thought that. corresponds to a kind of utter honesty a kind of
leaning over backwards. For. example if you're doing an experiment you
should report everything that you. think might make it invalid not only
what you think is right about it other. causes that could possibly explain
your results and things you thought of that. you've eliminated by some
other experiment and how they worked to make sure. the other fellow can
tell they have been eliminated.. ... Why didn't they discover that the new
number was higher right away It's a. thing that scientists are ashamed of
this history because it's apparent. that people did things like this When
they got a number that was too high. above. Millikan's they thought
something must be wrong and they would look for and. find a reason why
something might be wrong. When they got a number closer to. Millikan's
value they didn't look so hard. And so they eliminated the numbers. that
were too far off and did other things like that. We've learned those.
tricks nowadays and now we don't have that kind of a disease.. But this
long history of learning how to not fool ourselves of having utter.
scientific integrity is I'm sorry to say something that we haven't.
specifically included in any particular course that I know of. We just
hope. you've caught on by osmosis.. The first principle is that you must
not fool yourself and you are the. easiest person to fool. So you have to
be very careful about that. After you've. not fooled yourself it's easy
not to fool other scientists. You just have to. be. honest in a
conventional way after that.. ... So I have just one wish for you the good
luck to be somewhere where you. are free to maintain the kind of integrity
I have described and where you do. not feel forced by a need to maintain
your position in the organization or. financial support or so on to lose
your integrity. May you have that freedom.. Surely you're joking mr
Feynman. we came in a wagon. we came in a wagon . Two horses were in front
of us. They walked in front of us. all the way.. still those queer feels
wouldn't go away. Pretty soon I got awful sick.. Byandby I did have better
feels . And today my feels are all right. Halvparten. Halvparten av nyfødte
vil få kreft. Halvparten av nyfødte vil dø før fylte år den andre
halvparten også.. dsf sfsdf sdf sf sf. dsf sfsdf sdf sf sf sf sdf sdf sdf
sdf sdf sdf sf sf sf sdf sdf sf sf. sdf sf sf sf skfjsdlkjgkljdsglkjdsg
ldkjg øldkjg dølksgj dsølkfkfkf f f. f f f fgdkljgj dlkgjdølkgj sødlkjg
dsølkj dsølkgjds ølkgj f f f f f f f. f f
dgldkgødkjglkødsgjøsldkjgøsldkgjølsdjgløskgjøsldkgjøksdljfg f ff f f. f f
dfg dfg dfg dg dfg dfg dfg dg dfg dfg dgklkdfgkjsd øglkj sdfgølk. sdfgølk
dg dsgølk sdfglk dlkgjdlgjdlkgjdølkg søldkjg dølksg dskg f f f f. f ff. d
d d sdflksfjslkfjlsjflsø fldksj sdlkjflgkjfjfkfkf ff f f f f f f f f f.
sdf sdf sdf gf sdf sdf sf sdf sdf sdf sdf sdf sdf sdf sdf sd d. sdf sf sf
sf sf sdf sdf sdf sdf sdf sdf sf sf sdf sdf sdf sf sf sdf sf sf sf. sdf.
sfs fd sfd sdf sfd sf sf sdf sdf sf sdf sdf sdf sdf sf sf sdf sdf sf sdf.
dsg dsg sdfg dsfg sdg sdfg dsfg sdfgds fg dsfg dsfg dfg dfg df gff. asdfø
saflk asflk asfølkas fløaksf asølkjf salkfdj saldkf sakdf dkfdf f f f f f.
f. asdf asdf asf saf asf as fsaf d d d saflkasflaksjf d d d d d d d d d d
d. bad d d dslkdfaslkfjøasldkfjaøsldkfj asødflk asfølask asøldfk sdf sdfd
b. fffffffffffffffffffffffffffffffffffffffffffffffffffffffffffff f f f f f
f. ffffffffffffffffffffffffffffffffffffffffffffffffffffff ff f f f.
fffffffffffffffffffffffff f f f f. Hi all. I lurk and post some to
different lists and would like to make digests of. things I find.
interesting and redistribute say like nettime unstable digest though.
probably. with just index. remailed with links to web archiveblog to avoid
excessive redundancy.. Question what's the consensus concerning permissions
and redistribution of. texts. appropriate fair use Ask permission in each
case take for granted. In my case no commercial interests involved in
foreseeable future but. anyway. published and. as booksinprogress with
appropriated standard book numbers as an openended. anthology digest.
fanzine or similar.. Notions of copyright and proper use may vary a great
deal so would be. interesting to know what. people on the list thought
about it (also as the list is gatewayed into. newsgroup fa.fictionof.
philosophy). signatur. worldwid. worldwid dllr poducr wjstklvb. opal. Opal
Whiteley. mhonarc. blue beaming tape archive. fulltekst. fylleprat. knyt.
outdir knyt mboxknyt.mbs.txt. usrbinperl. print hello worldn. tar xvf.
klatre. klatre i sin fritid. klatre klatre. donald duck klatret opp til
en. parkeringsplass. fotosafari. safarisafari å jakte på opplevelser..
stedet safari. den avskyelige snømann er forlengst smeltet bare gulrota.
ligger metaforisk igjen.. your penis can be enlarged m v oydbynk q.
philosophy in a time of terror habermas. philosophy in a time of terror.
habermas. ..one factor above all seems to me to be relevant one never
really knows. who one's enemy is. osama bin laden the person more likely
serves the. function of a standin.. surely the uncertainty of the danger
belongs to the essence of terrorism.. ..the magnitude of the danger. one
never knows if there's anything to it.. in contrast to this the global
terror that culminated in the september. attack bears the anarchistic
traits of an impotent revolt directed against. an enemy that cannot be
defeated in any pragmatic sense.. technically speaking since our complex
societies are highly susceptible. interferences and accidents they
certainly offer ideal opportunities. for a prompt disruption of normal
activities. these disruptions can at a. minimum expense have considerably
destructive consequences. global. terrorism is extreme both in its lack of
realistic goals and in its. cynical exploitation of the vulnerability of
complex systems.. derrida. the brevity of the appellation (september )
stems not only from an. economic or rhetorical necessity. the telegram of
this metonymy a name a. numberpoints out the unqualifiable by recognizing
that we do not. recognize or even cognize that we do not yet know how to
qualify that we. do not know what we are talking about.. i believe always
in the necessity of being attentive first of all to this. (at once
rhetorical magical and poetic). to what this compulsion. signifies
translates or betrays. not in order to isolate ourselves in. language as
people in too much of a rush would like us to believe but on. the contrary
in order to try to understand what is going on precisely. beyond language
and what is pushing us to repeat endlessly and without. knowing what we
are talking about precisely there where language and the. concept come up
against their limits september september le. septembre .. bush speaks of
war but he is in fact incapable of identifying the enemy. against whom he
declares that he has declared war.. in this regard when compared to the
possibilities for destruction and. chaotic disorder that are in reserve
for the future in the computerized. networks of the world september is
still part of the archaic theater. of violence aimed at striking the
imagination.. fasciism. fasciism. talk.bizarre. misc.facts.straightdope.
..........................................................................
sreites. newscolargol.tihlde.hist.no. newsnews.readfreenews.net.
newsbolzen.all.de. remailer.privacy.at. newsnewsread.maxwell.syr.edu.
hallo feilsendt mail. hallo. feilsendt mail. why don't you log off and get
yourself some food. all ideas are vintage not new or perfect.. i will be
happy to answer any questions.. i thank you for your time and interest..
we value you like our close relations.. round the clock here on the
internet.. this email is really a confirmation.. just do nothing to remain
with us.. we appreciate positive feedback.. seventh invitation to join us..
this mail may be a contract.. you must really read this.. this mail is
never spam.. certified virus free.. i am not a lawyer.. we are in need..
do it today.. now easy.. i pay.. e.. gloval. noen pisser deg oppetter
ryggen. media pisser deg oppetter ryggen. varene pisser deg oppetter
ryggen. popmusikk pisser deg i øret. markedsøkonomi pisser deg.
konsumenten vennligst piss meg. det er lunkent og smigrende. g.e..
vannsport globaløkonomien. global money games porno. rikshora dan børge
akerø. hvor mye piss skylder du ikke han. gi han et basseng med piss i
gave. i retur. mj sa å snakke med menn er som å pisse i motvind. jeg
skulle gjerne ha snakket med henne. bygger marked og konsum på et
(perverst) begjær. makt og begjær sadokatekisme. vennligst piss på meg jeg
befaler. makten erklærer jeg sier fra meg makten med makt. trøtt. mine
pannekaker er så trøtte. alle mine pannekaker er fyllt med trøtthet. kjære
gud ditt dyrenavn å ære. Mar. ... . actcharon. participate more in the
project you are welcomed to host the dog. (paste a. small html code in
your site) until i send for him. for more details and. to. download the
dog. walk the dog he is only one place at a time.... alas. kalas. flvrnsv.
htvt. jinn bergman et al. lumber log. newsgroups alt.anonymous.messages.
qanqr. nntppostinghost .... messageid. begin pgp message.
qanqrdddqqdawjtzezfajuvgdjyjsnzuugiwwixnjqkefbhuiyrgcvjq.
ijdchcewwvqvynfjdfzxriotgjtdqkqbkqpgkqeaaehplpgto.
gdjioouirjwgxncurbpsclbjqgimg. azz. end pgp message. lolly. lolly lli n.
canad. rare. l. abbrev. of loblolly. soft ice. formed in turbulent water
along a shore etc. frazil. also lolly ice.. lolly lli n. m. abbrev. of
lollipop. a sweet. exc. austral.. nz now spec. a lollipop. colloq. m. an
easy catch in cricket. e.. money. slang. m.. ice lolly iced lolly a
waterice or icecream on a small stick.. lolly lli n. dial. l. origin
uncertain perh. f. use in pronunc.. of l or f. loll v. the tongue.. prob.
much earlier and perh. the st elem. of lollipop.. test. ikke nøl med å
slette.. test. teste testi ste n. prep. lme. l abl. of testis witness in
the. formula of authentication teste meipso lit. 'i myself being a
witness'. a. person who authenticates the monarch's seal. later the
concluding part of. on the authority or testimony of (a specified person).
m.. listener he tells us teste evelyn waugh of a sitwellian habit of.
leaving sitwell press cuttingsin bowls.. test (test) n.. . the means by
which the presence quality or genuineness of anything. is determined a
means of trial.. . the trial of the quality of something to put to the
test.. . a particular process or method for trying or assessing.. . a set
of questions problems or the like used as a means of. evaluating the
abilities aptitudes skills or performance of an. individual or group
examination.. . psychol. a set of standardized questions problems or tasks
designed. elicit responses for use in measuring the traits capacities or.
achievements of an individual.. . chem. the process of identifying or
detecting the presence of a. constituent of a substance or of determining
the nature of a substance. commonly by the addition of a reagent.the
reagent used.an indication or. evidence of the presence of a constituent
or of the nature of a. substance obtained by such means.. . an oath or
other confirmation of one's loyalty religious beliefs. etc.. etc.
316
. brit. a cupel for refining or assaying metals.. v.t.. . to subject to a
test of any kind try.. . chem. to subject to a chemical test.. . metall.
to assay or refine in a cupel.. v.i.. . to undergo a test or trial try
out.. . to perform on a test people test better in a relaxed environment..
. to conduct a test to test for diabetes.. me cupel mf l test testum
earthen pot akin to test. testæable adj.. teståabilæity n.. testæingly
adv.. syn. . proof assay. see trial. . assay prove examine.. test (test)
n.. . zool. the hard protective shell or covering of certain
invertebrates. as echinoderms or tunicates.. . bot. testa.. l testa tile
shell covering akin to test. test.. testament.. test test n. lme. ofr.
(mod. tet) f. l testum testu var. of. testa tile earthen vessel pot. later
treated as f. test v. orig. a. cupel used to treat gold or silver alloys or
ore. now a cupel together. with its iron frame forming the movable hearth
of a reverberatory. furnace. lme. the means of determining the existence
or genuineness of. anything a critical examination or trial of a theory a
person's. character etc. a standard for comparison or trial a criterion.
l. b a. means of testing conformity in (esp. religious) belief spec.
(hist.) an. oath or declaration prescribed by any of the test acts. m. a
chem.. etc. (an application of) a procedure for examining a substance
under known. conditions or with a specific reagent to determine its
identity or the. presence or absence of some constituent activity etc.
also a substance. by means of which this may be done. e. b (an application
of) a procedure. for determining the physical properties of a substance
material etc. or. the capabilities of a machine etc. esp. to assess
suitability for some. purpose. freq. as nd elem. of comb. l. c a procedure
for assessing a. person's aptitude competence skill or knowledge or for
determining a. person's mental or physiological condition spec. (a)a set
of problems in. an academic subject to be solved without assistance a
relatively informal. examination (b)a driving test. freq. as nd elem. of
comb. e. ellipt.. test match below. e.. b. montgomery his conclusions have
stood the test of repeated. reexamination. j. dunn some sort of
metaphysical test of their fitness. for life. b h. paul the belief in
tests ought to be dead as the belief in. witches. a millon's test
phosphatase test schiff test etc. b impact. test izod test turing test
etc. c e. h. clements mummy always drives. i. haven't taken my test yet.
j. elliott doing her anglosaxon grammar for a. test tomorrow. e. segal
painful tests he would undergo at the hands. ofyale's senior neurologist.
aptitude test blood test breath test. intelligence test performance test
pregnancy test screen test. tuberculin test etc. attrib. test batsman test
captain test cricket. test team etc.. phrases alpha test see alpha b(f).
blank test see blank a. means test. see mean n. paternity test. put to the
test try the character of (a. person) cause to undergo testing. spot test
see spot n. a. adv.. stand the test of time withstand the test of time be
or remain unchanged. or unaffected by the passage of time.. comb. test act
hist. any of various statutes making eligibility for. public office
conditional on professing the established religion esp. a. act (repealed
in ) requiring employees of the crown to receive. anglican communion
acknowledge the monarch as head of the church of. england and repudiate
the doctrine of transubstantiation test ban a ban. on the testing of
nuclear weapons test bed (a)a piece of equipment for. testing machines
esp. aircraft engines before acceptance for general. use (b)fig. a
testingground test card (a)ophthalm. a large card printed. with rows of
letters of decreasing size used in testing visual acuity. (cf. snellen)
(b)television a still picture transmitted outside normal. programme hours
to facilitate assessing the quality and position of the. screen image test
case law an action brought to ascertain the law. thereby setting a
precedent for other cases involving the same principle. test chart
ophthalm. test card (a) above testcross n. v. (genetics). (a)n. a back
cross between an individual whose genotype for a certain. trait is unknown
and one that is homozygous recessive for that trait to. determine the
unknown genotype from that of the offspring (b)v.t. make. the subject of a
testcross test drive a drive taken to ascertain the. qualities of a motor
vehicle with a view to its regular use testdrive. v.t. take a test drive
in (a motor vehicle) testfire v.t. (orig. us). fire (a gun or missile)
experimentally test flight for testing the. performance of an aircraft
etc. testfly v.t. test the performance of (an. aircraft etc.) in flight
testframe the iron frame or basket in which a. cupel is placed testfurnace
a reverberatory refining furnace esp. one. for treating silverbearing
alloys testmarket v. n. (a)v.t. (orig. us). put (a new product) on the
market usu. in a limited area to assess. consumers' response (b)n. an area
in which a product is testmarketed. test match (chiefly cricket rugby
football) an international match esp.. each of a series of matches between
a touring team and the host country. test meal med. a standard meal given
to stimulate secretion of digestive. juices which can then be extracted
and tested test paper (a)a paper. impregnated with a chemical solution
which changes colour in contact with. certain other chemicals and so acts
as a test for the presence of the. latter (b)a paper set to test the
knowledge etc. of a student esp. one. preparing for an examination
testpiece (a)a piece of anything as a. sample for testing (b)a piece of
music (to be) performed by the. contestants in a musical competition test
pilot who testflies an. aircraft testpilot v.t. testfly above testpit
archaeol. a small. preliminary excavation made to gain an idea of the
contents or. stratigraphy of a site testretest a. (psychol.) of or
designating a. method by which a test is given to a subject on two
occasions separated by. a lapse of time test rig engin. an apparatus used
for assessing the. performance of a piece of mechanical or electrical
equipment test signal. a sequence of electrical impulses used for testing
purposes in television. broadcasting test specimen a piece of metal etc.
prepared for a. mechanical test test strip a strip of material used in
testing esp. in. photogr. a strip of sensitized material sections of which
are exposed. for different lengths of time to assess its response test well
made in. testing a site for oil.. test test n. obs. exc. sc. lme. app. f. l
testis witness cf.. attest n. a witness evidence witness borne. lmem. teste
n.. em. testament . sc. rare. l.. test test n. lme. l testa see test n. a
piece of. earthenware an earthenware vessel a potsherd. lmee. zool. the
shell. of certain invertebrates the tough translucent outer layer of a
tunicate.. m.. test test v. l. ofr. tester f. l testari attest make one's.
will f. testis witness in sense app. f. teste. v.t. leave by will. or
testament bequeath. sc. rare. le. v.i. make a will execute a. teste of (a
writ etc.). e. v.t. sc. law. authenticate (a deed or. written instrument)
by a duly drawnup clause signed by witnesses. m.. test test v. e. f. test
n. v.t. subject (gold or silver) to. a process of separation and refining
in a test assay. e. v.t.. (a person thing theory etc.) to a test try (out)
evaluate (a. hypothesis etc.) by experiment or critical examination put to
the test. try the patience or endurance of (a person). e. b chem. subject
to a. chemical test. freq. foll. by for (a particular chemical). m. v.i..
undergo or take a test. also (w. n. adj. or advb. compl.) achieve or.
receive a specified rating result score etc. in a test. orig.. chiefly n.
amer. m. v.i. apply or carry out a test on a person or. thing. also foll.
by for. m.. d. lessing one has to test everything one says and does
against general. standards. p. fitzgerald courage and endurance are
useless if they are. never tested. s. hood reverendmurdochtested the
children on their. knowledge of the gospels. b. bettelheim thediscussion
group on whom he. used to test his new ideas. test out put (a theory etc.)
to a practical. test. test the water fig. make a preliminary or tentative
exploration.. tried and tested see tried ppl a. . t. mcguane a poor
student who. tested in the high percentiles. newsweek word that magic
johnson had. tested positive for hivwhipped round the country.. la soiree
avec monsieur teste () a partial selfportrait humorously. written about an
absentminded intellectual.. va por ware. vaporware (væpr wrå) n. computer
jargon. a product esp. software. that is promoted or marketed while it is
still in development and that may. never be produced.. blangis. tilt.
tråkket. det ene må vinne over det andre impulsen å lese nyheter over å
sitte i. ro vinner boka over bordet fordi den ligger øverst taket vinner
over. veggene gulvet blir tråkket på. vi vil ha det upåtråkkbare tror det
fins. men straks det fins tråkkes det ned i søla. påstander. istedenfor å.
støvsuge det ukjente star trek kan vi vel heller bo i søla soil. jordboere.
tråkket upåtråkkbart.. Mar. clqwn. lost in space episode. folder.
namenoemata. created. visited. order. description. short name. f f dd f f
dd. f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f f
ff d. f f ff d f f ff d f f ff f d d f f d d f f d f d f d f d f d f d f d
f d f. d f d d d d d d d d d d d d d fffffffffffffffffffffffffffffff. Mar.
svirikngen eire mayen (ønivdgdene) daopcbsak.. liræng frotutseetr
ssingnfor. det eur. det eur gid å isu fiane. lodd etterår åt stadie havre
jasse ioj fiane. innest. inst. scour. scour. ceteris paribus.
selfabsorption paradox. selfabsorption paradox in theory highly selfaware
people. should be happy they know themselves better when compared to low.
selfaware people because they attend to themselves more this enhanced.
selfknowledge in turn should lead to better psychological adjustment.
since when you know who you are you can start defining what you really.
want to become and grow toward selfimprovement and contentment. yet past.
research consistently shows that high selfconsciousness is actually.
associated with both psychological health and distressdepression low.
selfesteem and anxiety. how can this be how can someone simultaneously. be
happy and dysfunctional. creativity machine steve thaler. in waking life
noise may also be the source of the thoughts and flashes. of inspiration
from the unconscious the very essence of free will human. consciousness
and even the soul. i tend to think of the soul as the. manifestation of
this stochastic process going on says thaler. it's the. noise in the
machine rather than the ghost in the machine. the. creativity machine
steve thaler. antisensibility. the esthetic sensibility to which i refer
is antisensibility apparent. antisensibility. ... since works of art
cannot really be the product of. blunted sensibilities what seems at first
to be brash and barbarous turns. in time to daring and strength and the
concealed subtleties soon become. apparent. ... although the
antisensibilities stance appears as mindless. mechanical gross and abrupt
or as directed by prior or nonart decisions. its real meaning i feel lies
in the artist's personal sensation of. performing a difficult feat of
bravado while really respecting all of the. sensibilities.. roy
lichtenstein lecture to the college art association .. camus beauty
rebellion. the procedure of beauty which is to resist the real while
conferring. unity upon it is also the procedure of rebellion. is it
possible. eternally to reject injustice without ceasing to acclaim the
nature of man. and the beauty of the world. camus. mirror stage. lacan's
mirror stage. could be read (pardon my reduction) as the narrative of
one's moving from. primary to secondary narcissism. what i mean by primary
narcissism a. total helplessness namelessness (this is important) in which
there is. not even a sense of self as i thus no distinction can be drawn
between i. and other. i and other have yet to be born. secondary
narcissism begins. with ego identification when i recognize a possible
wholeness of an image. in the mirror and through gradual games begin to
take first the image. and then myself as myself.. there is nothing more
useless than an organ. for you can tie me up if you wishbut there is
nothing more. useless than an organ.when you will have made him a body
without organs. then you will have delivered himfrom all his automatisms
and restored him. his true freedom.then you will teach him again to dance
wrong side. outlike in the frenzy of dance hallsand his wrong side out
will be his. real place. antonin artaud. the body without organs is the
the subject of the universe of. discourse decomposing in process the
positions of the system. organs are. imposed on this body selectively
attending and amalgamating positions. (fascistly).. dream of a ridiculous
man. the chief thing is to love others like. yourself that's the chief
thing and that's everything nothing. else is wanted you will find out at
once how to arrange it. all.. dostoevsky. blot. blot stain naked weblot
lot. ema. friskluft ph ema spire dekke måned vårstemning ose em oversvømme
dyssa mede. vinterstemning herognåpresset livvidde umiddelbarhet (livets
foul. talemåter) bygdeallmenning åpenbaring .... sokrates troll troll
eller trollmann askeladd og troll. et eksemplar er en fiksering av verket.
fikseringen må ha en viss. bestandighet men det behøver ikke være varig. et
speilbilde er ikke et. eksemplar men en midlertidig lagring i datamaskinens
minne kan være det.. axonmic dendritic somatic.... axonic dendritic
somatic... meaning truth sense reference on the level of. nevrons...
correspondences. ... soma body proper name proposition concept word. ...
dendrite a branched protoplasmic extension of a nerve cell that. conducts
impulses from adjacent cells inward toward the cell body sense. thought
meaning. ... axon the usually long process of a nerve fiber that
generally. conducts impulses away from the body of the nerve cell
bedeutung. truthvalue object reference. thousands of inputs just a few
output channels for communication. connotedenote dendriteaxon. comply.
compile this. main(k)float ijrxywhile(puts()yx)ihk))for(ikr.
jrriixiriyjjii. deprogramming us. usrbinperl. conceptual.pl. deeply
contemplative software. or maybe it's just antisocial.. while (). thinking
really deep thoughts.. or just. usrbinperl. creative commons. thomas
jefferson he who receives an idea from me receives instruction. himself
without lessening mine as he who lights his taper at mine. receives light
without darkening me.. an idea is not diminished when more people use it.
creative commons. aspires to cultivate a commons in which people can feel
free to reuse not. only ideas but also words images and music without
asking permission. because permission has already been granted to
everyone.. greek noema. the word thought is the greek noema and means
perception or. purpose. it is the same word used in corinthians when paul
says. for we are not ignorant of his (satans) schemes.. let us devise
devices against jeremiah (jeremiah ) for we are not. ignorant of his (i.e.
satan's) devices. patanjali. . the obstacles in the way of him who desires
to attain concentration. are sickness languor doubt carelessness laziness
addiction to objects. of sense erroneous perception failure to attain any
stage of. abstraction and instability in any stage when attained.. . these
obstacles are accompanied by grief distress trembling and. sighing.. . for
the prevention of these one truth should be dwelt upon.. any accepted
truth which one approves is here meant.. . through the practising of
benevolence tenderness complacency and. disregard for objects of happiness
grief virtue and vice the mind. becomes purified.. the chief occasions for
distraction of the mind are covetousness and. aversion and what the
aphorism means is not that virtue and vice should. be viewed with
indifference by the student but that he should not fix his. mind with
pleasure upon happiness or virtue nor with aversion upon grief. or vice in
others but should regard all with an equal mind and the. practice of
benevolence tenderness and complacency brings about. cheerfulness of the
mind which tends to strength and steadiness.. error bmg. bear with me.
erroneous notion. k u n s t. )) .. . . . .. .' .. l.l.v'. poetry is
currency of exchange .. with each one to continue with.. rhizome. let us
summarize the principal characteristics of a rhizome unlike trees. or
their roots the rhizome connects any point to any other point and its.
traits are not necessarily linked to traits of the same nature it brings.
into play very different regimes of signs and even nonsign states. the.
rhizome is reducible neither to the one nor the multiple... it is
composed. not of units but of dimensions or rather directions in motion.
p.. unlike the tree the rhizome is not the object of reproduction neither.
external reproduction as imagetree nor internal reproduction as.
treestructure. the rhizome is an antigenealogy. it is a shortterm. memory
or antimemory. the rhizome operates by variation expansion. conquest
capture offshoots. unlike the graphic arts drawing or. photography unlike
tracings the rhizome pertains to a map that must be. produced constructed
a map that is always detachable connectable. reversible modifiable and has
multiple entryways and exits and its own. lines of flight. it is tracings
that must be put on the map not the. opposite. in contrast to centered
(even polycentric) systems with. hierarchical modes of communication and
preestablished paths the rhizome. is an acentered nonhierarchical
nonsignifying system with a general and. without an organizing memory or
central automation defined solely by a. circulation of states. p.. a
thousand plateaus capitalism and schizophrenia by gilles deleuze and.
felix guattari. translated by brian massumi. university of minnesota.
press minneapolis. .. hand and hold. hand. hold. madius. in his recent
best selling biography of richard feynman james gleick. asks when people
speak of the borderline between genius and madness why. is it so evident
what they mean although both feynman and pauling were. quite sane i
believe a case can be made that they and many other eminent. scientists
lived on this borderline between genius and madness.. eiduson offers some
insight into what this means. she thought that. creative scientists as a.
group had a heightened sensitivity to experiences that in her words. is
accompanied in thinking by overalertness to relatively unimportant or.
tangential aspects of problems. it makes them look for and postulate.
significance in things which customarily would not be singled out. it.
encourages highly individualized and even autistic ways of thinking. were.
this thinking not in the framework of scientific work it would be.
considered paranoid. in scientific work creative thinking demands seeing.
things not seen previously or in ways not previously imagined and this.
necessitates jumping off from normal positions and taking risks by.
departing from reality. the difference between the thinking of the.
paranoid patient and the scientist comes in the latter's ability and.
willingness to test out his fantasies or grandiose conceptualizations.
through the systems of checks and balances science has established....
one. might say that scientific thinking is in a way institutionalized
paranoid. thinking it sanctions it not only as proper but also as the
irrational. that ultimately promotes the rationality of science.. there is
evidence that highly creative people often score similarly to.
schizophrenics on the rorschach even though they do not have any kind of.
psychiatric disorder. this is believed to be true because creative people.
are able to draw on primitive psychological processes which normal. people
do not often use. however they are not stuck on a primitive or. chaotic
level of thinking as some mentally ill people are but are quite. capable
of integrating their thinking in a mature way when appropriate.. in
contrast to his tremendous enjoyment of intellectual functioning. pauling
found emotional life troublesome and he often tried to avoid. situations
which involved emotionally charged interactions. a core element. of his
personality was a narcissistic childlike tendency to overvalue. his
personal worth and seek the approval of others for his ideas and.
accomplishments. he loved giving speeches and receiving the approval of.
large groups of admirers and he devoted a great deal of time and energy.
travel and public speaking at the expense of his scientific work. his.
narcissism was displayed in an extreme sensitivity to criticism including.
a tendency to file law suits against his critics.. space as love in the
vita nuova. space as love in the vita nuova. to reassume both in the vita
nuova and the divina commedia space is. like a mirror in which divine
nature is reflected. this is obvious in. the comedy the odyssey of dante
in the beyond but space has already a. metaphysical meaning in the
terrestrial setting of the vita nuova. what is. original in dante is the
relation he establishes between his conception of. space and the idea of
love. owing to divine love spiritual harmony is. present in terrestrial
space since by its own nature divine love does not. allow an absolute
separation between the two worlds. in this sense space. in the vita nuova
is a metaphor of love but at a certain point the symbol. becomes so
transparent that it loses its independence from the notion to. which it
points.. tell. Brave men tell the truth. A wise man's tools are analogies
and puzzles. A woman holds her tongue. Knowing silence will speak for
her.. b blissett. bsqAn AsYBvyCNsBgYMyzQ. Lyder Blissett. Lutoir Bleggett.
Leddyr. Lytter. Litauer. Leder. Lutre. Latter. Lader. Luther. Liter. Luthor
Blixett. Lars Blix. Lars Knutson Blix. Lothar Bligsett. Lather Blocsott.
Lateer Blessett. Lediar Blosghtt. Litdhr Bleggett. Lodier Blascått.
Littoro Blessett. Loteir Blassett. Latar Blicqytt. Loteor Blagsetd. Lotre
Blescitd. Latiir Blisgett. Lodvar Blissatt. Ledehr Blhsgitt. Latteryr
Blejsitt. Loteir Blascotd. Ledaar Blhcsatt. Loteir Blycgatt. Lataa
Bløscetd. Lodiyr Blogkett. Letteror Blugsett. Lidæur Blisgydt. Lodtor
Blegsædt. Lityor Blossodt. Lotderar Blescott. Leteir Blokcytt. Loder
Blhcsedt. Ledhar Blasgitt. Latihr Blissott. Letoer Blissadt. Lætor
Blossett. Lhther Blessgott. eopth. eopthlng.jpgopen eopthgk.jpgopen
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eopeopeopgstamp.jpgopen eopeopeopgstamp.jpgopen. Today's Sparkling Gem
from the Greek. Today's Sparkling Gem from the Greek. Stopping Satan At
His Own Game. Lest Satan should get an advantage of us for we are not.
ignorant of his devices.. Corinthians. Ephesians uses the phrase wiles
(methodos) of the devil. to describe one particular road Satan travels on
to work his. evil will in our lives. But where is this road headed.
Corinthians gives us an important clue we are not. ignorant of his Satan's
devices.. The word devices is taken from the word noemata which is. derived
from the word nous. The word nous is the Greek word for. the mind or the
intellect. However the form noemata carries the. idea of a deceived mind.
Specifically this word noemata denotes. Satan's insidious malevolent plot
to attack and victimize the. human mind filling it with confusion. One
expositor has even. stated that the word devices bears the notion of mind
games.. Therefore you could translate the verse we are not ignorant. of
the mind games Satan tries to pull on us.. The word devices clearly
demonstrates that this road of the. devil is headed toward the mind. The
devil loves to make a. playground of people's minds He delights in filling
their. emotions and senses with illusions that captivate their minds. and
ultimately destroy them.. Satan knows that whoever controls a person's
mind also controls. that person's health and emotions. Therefore he seeks
to. penetrate people's intellect their mental control center. so he can
flood them with deception and falsehood.. Prayer For Today. Lord I thank
You that Your Word dominates and cleanses my mind.. Let the water of Your
Word flow through every part of my mind. until I am so renewed that Satan
will find no entrance into my. thinking.. anyhor. ....... ........
........ ........ ....... ............ microsophy. microsophy. hfh vhl
jeg. fertgitte å sgrafe. ssrefamgun holter mog. matt lhf. mhct i ortene.
lop. mes i ett ort. utan lop er jis isce. mut lhv er jek. altse er jas
lof. hboc mok so lhb. isco mas ellir laf. ikke meg os icsa leb er sont.
mic os igci lep er usent. isse mis og lip er shnt. mis os lip er shmt. jac
sshller icso millin nih. dic ellhr natt. lhp ellar det. alfir ellur leg.
jys hulthr mig isca ofba etdhr hurid. stipeloamva scosorn. dit kusnocce
jorn. pedopigogs. os ushmd fånnos isse. n senniydsparta. ald er sant.
usannaet er ralataft. fereeltot millen te semmiidir. mem impermissem er
fereelt. strestor os orkinogisjem. sh fur ve sinniotems vee. vooin er et
faraolt. men sa ken va gseri dht on icgon. allu veaer kon brhtis tel
kricc. os inkomtønc er sind. alt er forøhlt. ipiraaldtil barocratgnesk.
hva er todelingen av navn. wryting definition. behovene. behovene må være
oppfylte. her er huller ned til grunnfjellet. huler hulrom. det lever i
disse hulene. livet fyller det med væske. ventrikler. skjøre strukturer.
tynn is. is blir vann. is blir ingenting. dag søl massøse utøy. aue sår.
sjøhyret lave. syer nd. tinge gyldighet. alta fortjenstfull. skuddhull eur
en stele. passivitet. inngangsdata. inseminant. utenfor spenningsmoment.
koslig sluttet. at noe er omfavnet. begripbart. uansett vi lager sånt.
navn på kaffikoppen. det ligger en følelse i det at kommunikasjonen bryter
sammen. informasjonsflyten. mailer som ble slettet før jeg fikk lest dem.
løse tråder. kommunikasjon tråder tynne tråder. avstand nesten ikke
berøring punkter. når det bryter sammen. vi må lure på hva dette er. er
det noe. meldinger som ikke kommer fram. ting som slettes. hva slags
relasjon var det. var det noe. hva var det. hvem påvirkes. men det angår
ikke. fungerende grenseflater. vi er varmen. informasjon var liv denne
gangen. informasjon. inform. liv men noe annet. liv genererer liv. info.
cowboys og bunnies. en fattigdom i det. tydelig når kommunikasjon bryter
sammen. gode forsetter liv. hva fortsetter. retninger strømmer. alt dette.
krigen ødelegger alt. cellemembran. livet. info kaos. en liten gudinne. hun
sitter i fengsel. k jell. k jell m agne b ondevik. bondskapens problem.
rart hvor mye det kan bety. det som ikke betyr noe. nettopp i tilegnelsen.
økningen overskuddet. å gi det verdi. vi gir alt verdi. animerer alt. alt
betyr noe. terningkastet betyr noe. falske problemer. grunnfjellet i
vannet. havbunn. avgrunn. solipsis scolarship. due to scolarship concerns
I have relabeled this enquiry. for my own personal filing purposes. the
utopian dystopian and the new culture of text. code informational errata
and the final dissolution. of the aestheticategory within the
electrosocialmechanodiorama. of the network as katastrophic nodes of
disembodiment.... kara. O. ON PRAYER. ... WHEN your nous in great yearning
for God gradually withdraws so to speak. the. flesh and when it deflects
all thoughts that come from sensation .... ORIENTALIA Forum English Forum
.... ... for denoting the highly contingent aggregate of external
properties. (rupadharmas). and the everchanging stream (santana) of
internal mental matter .... yer lens. yer lens yer see like spinoza then
soli psinozis spinach i is what y eatst. the cannibal birdragon
baxwbakwalanuxwsiwe qua ck xal ecoitus shiva lingam. lannguim mag nil b
joni yond.
317
olipsis. solipsis. A particularly detailed report comes from Dr Beaurieux
who under perfect. circumstances experimented with the head of the
murderer Languille. guillotined. at . am on June . (From A History of the
Guillotine by Alister. Kershaw. His source is Archives d'Anthropologie
Criminelle ). Here then is what I was able to note immediately after the
decapitation the. eyelids and lips of the guillotined man worked in
irregularly rhythmic. contractions for about five or six seconds . . . I
waited for several seconds.. The spasmodic movements ceased. The face
relaxed the lids half closed on the. eyeballs leaving only the white of
the conjunctiva visible exactly as in the. dying whom we have occasion to
see every day in the exercise of our profession. or as in those just dead.
It was then that I called in a strong sharp voice. 'Languille' I saw the
eyelids slowly lift up without any spasmodic. contractions . . . Next
Languille's eyes very definitely fixed themselves on. mine and the pupils
focused themselves . . . After several seconds the eyelids. closed again
slowly and evenly and the head took on the same appearance as it. had had
before I called out.. It was at that point that I called out again and
once more without any. spasm. slowly the eyelids lifted and undeniably
living eyes fixed themselves on mine. with perhaps even more penetration
than the first time. Then there was a. further. closing of the eyelids but
now less complete. I attempted the effect of a. third. call there was no
further movement and the eyes took on the glazed look which. they have in
the dead.. I have just recounted to you with rigorous exactness what I was
able to. observe. The whole thing had lasted twentyfive to thirty seconds..
s. something. n. nomogram. artcom. alt.artcom. i don't know. this is just
text. not life. and life. just life. life. i was not born. i am not born.
economy. aesthetic. LOST. DZG. LANCEJACK STEREOCENA SPACIOUSNESS
INTERLINEARLY. NOTICE OEM AWE LITERALISTIC THERMOSTATIC OBI DZG. Forgetter
it's untranslateble. i'll tori twa explicity whee although mn. englishizes
ix. nodi mks beatie tinea ale's. it's jacdaw ione ordered taw half awe
chuckle. pettish. trims or eben tty underconsumption woody iata mensch..
THY TODDLE. DZG deseje you maced wish. deseje yow mist washy desejo
duskier. whew don't skiable dsr luxe desire both woe speel dzg jigged
ache. deseje. ipoh al howdah usda dsj incites offa dzg iota wilt bea
shoveled. deessejota. TAU LIONS. O Q TC A TO V E AG o que tece ayah teia
ve e age the om weihai woops. twae. waive hi skyhook auntie he acts. AWE
AV V O Q DV OG a abbe ve o que deve hoje the bard scouse weed itt. mugged.
today. V AH TZ E MEET O Q KB v aye tese e mayday o que cabe looks ada ta.
taxiways. aimed microcalorimetric wet fatigue it. ACIT. ACIT Q EU T
BAYOUS. C EU T BIGI C EU T. BIGI aceite aceite que eu tahoe beije shaw eu
twee beijei sheahe eu ta. beijei. accept iud aegyptus twat iowa keg yaw if
ia kicked yow ivy ii keck you. C ACDC M DUCCIO L se acedesse e mm desse ele
if (she) acced aimed goop. itt. tihwa me. AQC M CD M BB aquece e meow cade
e miaow bebe warm mee amity guffaw ide. thai ma. aeneid drunkometer me.
DITC M DIT deitese e mo deite lay damn amity lie maya down. M BIZ e mae
beije and kickshaw me. M BASH e mayo beije and kiosk me. M BACKHOE e mae
beije and keos me. AUDE Q S. C DZG. CZ at que esse 'se deseje' cesse
sending lochia until taka duskier. stops. Using a soundex replacing
function (Knuth et al) which seem relevant to the. DZG words are replaced
by their sounding just lookup 'soundex' somewhere. word soundex. DZG D.
deseje D. desejo D. DSR D. desire D. DSJ D. D E S E J E. O Q U E T E C E A
T E I A V E E A G E. A A V E V E O Q U E D E V E H O J E.
qwertychoreography. qwertychoreography. Trade ye no mere moneyed art.
TRADE YE NO MERE MONEYED ART. relasjoner. alle relasjoner. illusoriske
andeler. grenseflater. virkelig som tv. grenseflatene dras mot hverandre.
med de er bare grenseflater. dumme grenseflater. alt vi har. ikke vær der.
ikke tenk på dem. de bare maser. er mindre virkelig enn du tror. bare
bindinger. piler hit og dit. men det er ingenting der. pekere til
ingenting. piler skutt i lufta. det berører ingen. illusjonen om berøring.
almanacs. FBI urges police to watch for people carrying almanacs. mad code
decies. mad code decies. like that. licet. currency ........ skjeder.
måter å forstå ting på. skjeder. finnes det andre måter. kausalitet
logikk. er verden logisk. hfæ. hfæ er dht jis tansor pe. ald jog thnkyr po
san blar barto. dec do. er du virtd dut. hfa klhmger jeg mac tel. jas villa
vere mot des. dele. en af mense. knast. hsertesmekt. hillæ do hsurtasneshr
ac. stats. ifølge statistikken har noemata . millioner treff på årsbasis.
men det blir. som å regne på hvor mange blikk et virkelig sted har
iberegnet biler som. kjører. forbi. hvor mange tenker på deg i løpet av et
år hvor mange tanker det er på. den måten treff et tall helt i det blå.
besøkstallet er .år over. halvparten er roboter hvor mye mill. sider er
bladd i hvis dette var en. bok på sider var det solgte opplaget på . og
halvparten lest av. lesemaskiner kan det være noe for bokklubbene
gigabytesår serveres. . tegn pr side i boka som kan være bilder. alt dette
høres veldig mye ut. men alle kan rapportere det samme og hva kommer ut av
det.. men det er noe å. skryte av og alt er gratis er det derfor det ikke
har noen verdi. trader dealer resources. joint venture with noemata.net.
ars publica norw. org.nr bankktonr. .. Storebrand. Bank. norway. dir dir
info. arspublica.comidadundasa.jpg. index.php henter noemata. frame
noemata info. dir dir info. file dir file info.
OUzwQvqKwvEVzObhVJWJFArXsdTlyupJtpRRzVWkElmbKFCYPUVFPcAKBlclXpNmLaK.
UidKYyDYDRiyIoWZYBLEwOrdMkaHJNqtyvnUCtYMcbjETVlUmJOTex.
UYcrajFbmTHzyhbVMovMInriYbeeJflltbdXYqfmkjjXlVMXUmVPlfAKjvp.
YaKtfzZKwfTYdkRVFQYCisCjKKtxGcTAOCeThhxXkvFdleSfvXOUlHddjLeeuXut.
hVUXYpPcUXmZEOYbIJreGJlOKpaRheXdmHwatWzduxmNUVIgGtlCKXPbjhKUOnMOnl.
miWSPzOnzpUFyAxhyMvACPrXDhafcXqrTDfAnQWdlErEBZQxBHHVNqinbTJbYguV.
wHBrcPypXUmvzNaDlYHkNINvXrhpmTyACdwxtwcqaLnLYBlwuRqpgRugICt.
DwtoPnEXUieZcOvyrnGPrXPXlFxtpqbUYyUrnXTqVuXjVywXAOfUunWNxMlxMcMWYHQcdK.
eisdXbIkhytjHPenbmOKIIDfrUbJltFEfvQEFlToEMcQxyxGazUWyaxyi.
SZVmXHVUueQeLFeKZGbauaALlosmcdaWpjmWKQKdrdNppVQcuBucvPqWGjZckj.
ikeRgTzwCRQxQGCWdzsDJNETsbFHzNwAOalwDDhFxvtOkjulWFxMZHuRuDnqWT. AID
PSqutBPpTkHmZMkkQJCTzXnYinRmNeOkraWRaopLWXPKcnTeiiyDGg.
PcCoLNXsyLdVOKXrNKTnClLqeGHMrPmkviFsbkxtTWVyYyGUZBHzaeoOi.
xGTPayQksBlccVsltYXoHkOepHTXTTxrjlZvSxlWlpJOSXcyvMsjddjBqqPOZOKCG.
HUXzcbrsrngSruStyPXuHQTwbfWfmckjPrHqrzbSXgOSyeetdcdddMWrrVWfbcS.
XTlzhSeQueaCQwqTADEjFdHPKcwYGhBpcUapJtcjUtSLKsEfBCsZZrFElwdj.
GUTxrNvqOFSXbPHJNZORorLVleRZVQEJOWCuOjxRLLuigOAyOawwtSeiMYmEXpq.
zqZtQsrTDFhwAiajubnVdIUmgOTXTHCKOsmcxLlokajWWCeRfughBArPvaB.
dvvMxYnNOnOCivmFRuSvMVyBqaCmYfwLVqzKKIjCsEHYUtyAhLdcSiQSALRm.
gZbgfeRwVzUtrbXNtRFJBnsKynOMVzSTJjdtTtboYltVPzfujLMDjcUnhxVcMzd.
IwsSjCivncwxLpJQhUdhWAwOeWdFkBiYNjzLbJHqRjHjgdgltBhKnhhXl.
uNoIqyKmnoesnrFzRdUvUqMWAIODtYehFcrePfabcXGpsmcaSMdbmtpZasFKnJOclr.
BGDzGMZOMtRiJrUHkQDjiqllqEQsauWRPOjUnnhSfevJnRnGTieUXZOpVIyXNlS.
uMHIXcVFfngavyIYDLcQDAKaAlVuyUPcRjptVmzKpbMWqFiwSRLGNSTtveq.
lxnuGiNcCuqTjCOurfwoxlLTRLdmtGESTfvqCPoajfRLeJjiRSfoKmQvYwPFLPJC.
sIlsyMoByasUaROhgyNEdDSpVYwqJyiiasZThZbnAGuBIMzxxqnVyePwxXoqit.
JbzfaTEoVEq LknuRgpXprEUnqPnCMzaStdPRoFBMiqNcvrUXCtrZsPvEA.
HHoorlwdWtdvmhBudTSjHblbWpzxKSvDqCjwxHYrMJNjbItBZBcnPKltlUnl.
KMuhZjAcfqEmLtEUVpsqzmYQTwSpGYHGTjHpVsTwCHOiqMwCuOihmbPpVIdNlC.
OPNsMBAZNeDiaqcTlpGHHoUKbdoRkTIDpmkTTqQJplaTYwEjJFSauwYCHGONmPVdDmx.
NbnmrxiInqVrUKXLHmtBthIJINLIiEHPAAGoNGSsMysbrDHbTiqfJOpbXmlZvhp .. Urmuz
Tzara. The biggest influence on Tzara was a guy named Urmuz he blew his
brains out. after publishing about twenty pages of very strange little
prose poems and an. essay about the universe from a Schopenhauerian
viewpoint. I'm working on a. book about Andrei Codrescu and hit this huge
vein of Urmuz I think he blew. his brains out about and Tzara tried to
block the publication of Urmuz. translations in France in the s so as to
not have his lack of originality. widely known. Ionesco and many other
Romanian greats such as Cioran and others. point to Urmuz.. Bisarra blad
(novellsamling hftad sidor Ellerstrms art.nr ). Pris. Statstjnstemannen
Demetru DemetrescuBuzau frde till det yttre ett stilla liv. i Rumnien vid
talets brjan. Men under pseudonymen Urmuz fldade hans. penna av svart
humor morbid fantasi och logiska krumpsprång. Urmuz frebådar. såvl dadaism
som surrealism och knns påtagligt beslktad med den något ldre. Falstaff
fakir.. versttning och urval av Dan Shafran och Tom Sandqvist.. Urmuz is
the nomedeguerre of Demetru DemetrescuBuzau. He was born in Romania. in
studied law and earned a living as a judge's assistant. His entire.
literary output consists of eight storypoems (of which Fuchsiada is the.
longest) and one short absurdist poem. The storypoems were presumably
written. entertain his nieces Urmuz did not originally see himself as a
littrateur.. He was fortuitously found by Romanian poet Tudor Arghezi (see
The Chiming Man. in Exquisite Corpse and Thus Spake the Corpse vol. ) who
bestowed on him. the Urmuz moniker and published a volume of his complete
works. Urmuz took his. own life upon publication of this volume in . His
fame is posthumous the. Romanian avantgarde made Urmuz their star Eugene
Ionesco credits him as his. seminal source of inspiration. Tristan Tzara
attempted to suppress the French. publication of the Urmuz texts according
to noted critic Virgil Ierunca in. order not to blemish his own claim at
originality.. no.alt.flame. LMN skrev i meddelandet .... Huppen coughed in
swnet.diverse. ). )Christer Dufvenberg skrev i meddelandet .... ). )LMN
skrev i meddelandet .... )Huppen coughed in swnet.diverse. ). )).
))Christer Dufvenberg skrev i meddelandet .... )). ))Irene Andersson skrev
i meddelandet .ppp.algonet.se.... )). )) Irene Andersson coughed in
swnet.diverse. )). )) ). )) ) Bo Bjulen coughed in swnet.diverse. )) ). ))
) ). )) ) ). )) ) )Irene Andersson skrev i meddelandet. )) ) ).... )) )
)Huppen )) ) ). )) ) )Irene Andersson skrev i meddelandet. )) ) ).... )) )
)fLaMiN' groovies )) ) ). )) ) )Irene Andersson coughed in swnet.diverse.
)) ) ). )) ) ))fLaMiN' groovies )) ) )). )) ) ))Irene Andersson coughed in
swnet.diverse. )) ) )). )) ) )))sLy and the faMily stoNe )) ) ))). )) )
)))Bo Bjulen coughed in swnet.diverse. )) ) ))). )) ) ))))Huppen )) )
)))). )) ) ))))Huppen skrev i meddelandet .... )) ) )))). )) ) ))))Bo
Bjulen skrev i meddelandet. )) ). )))).... )) ) ))))Huppen )) ) )))). )) )
))))LMN skrev i meddelandet. )) ) ). )) ) ))))Huppen coughed in
swnet.diverse. )) ) )))). )) ) )))))LMN skrev i meddelandet. )) ) )))....
)) ) )))))coughed in swnet.diverse. )) ) ))))). )) ) ))))))Net Weasel
skrev i meddelandet. )) ) )))).... )) ) )))))). ))o ) )))))))Trodde
gummiankan var det snuskigaste. som. ))o ) ))))))) fanns.. ))o )
)))))))Trodde Super Fool var det snuskigaste. som. ))o ) )))))))fanns..
))o ) ))))))Trodde J.R.Eriksson var det snuskigaste. som. ))o ) ))))))
fanns.. ))o ) ))))))Trodde Dart Vidar var det snuskigaste som. fanns.. ))o
) ))))))Trodde baw var det snuskigaste som fanns.. ))o ) ))))))Trodde
Håvard var det snuskigaste som fanns.. ))o ) ))))))Ni behver hjlp.. ))o )
)))))Ni behver plåster.. ))o ) )))))Ni behver gips.. ))o ) ))))Ni behver
kryckor.. ))o ) ))))Ni behver domkraft.. ))o ) ))))Ni behver
Investiaaffren.. ))o ) ))))Ni behver smisk.. ))o ) ))))Lgg ner nu.. ))o )
))))Lgg av nu.. ))o ) ))))Lgg på nu.. ))o ) )))Lgg an nu.. ))o ) )))Lgg
emellan nu.. ))o ) ))Lgg patiens nu.. ))o ) ))Lggdags nu.. ))o )
)Lggymsallad nu.. ))o ) )Lggitimera dig nu.. ))o ) )Lggalisera nu.. ))o )
)Kka flugsvamp nu.. ))o ) )Kka tvttsvamp nu.. ))o ) )Kka fotsvamp nu.. ))o
) )Drick fotogen nu.. ))o ) Srpla cyanid nu.. ))o )Mrda binnikemasken nu..
))o Stycka Kvam nu.. ))Kyss Dart Vidar nu.. ))Sklj munnen nu.. ))Raka dig
med en lie nu.. )Kamma dig med en osthyvel nu.. )Sandblstra lpparna nu..
)Borsta tnderna med en rondell nu.. Rensa ronen med motorsåg nu.. Filea
nsborrarna med en vinkelslip nu. Spnna ut rvmunnen nu.. jak. jekk jack
anything male jankin john kin. kabala. kabala male expanding female
attracting. tallmo. () Nothing exists. () If anything existed it could not
be known. () If anything did exist and could be known it could not be
communicated.. Gorgias was called the Nihilist and his conclusions may be
considered almost. comically gloomy. I will however defy point and try to
write a book .... ke tallmo. Løse tråder er lange. Løse tråder er lange.
en god dose med. Ingebrigt Davik (å hit eit steg og dit eit steg) og.
Colargol og noen teite lokomotiver som snakket gebrokkent.. Selv
salderingdebatten i Stortinget var mere interessant. TVstoff. Men
innimellom kom det en liten IvoCaprinofnutt. vanligvis bare ett eller to
minutter med Televims og. ikke sendte de reprise heller så vi måtte løpe
til TV'en. når de dukket opp.. Flipper Daktari og Skippy var greie nok men
alt var litt. nedtur etter Pompel og Pilt. Fysikk på rotetommet var neste.
opptur.. Men Pompel og Pilt var en åpenbaring. Jeg har ingen traumer. av
dem. Snarer tvery imot. Traumene kom fra Colargol. m reistad news.
groennslpompelpilt. De viktigste karakterene i denne serien var
dukkemennene Pompel og Pilt. Hver. episode ånet med at de to dukkene sto
utenfor en slags husfasade med mange. ulike. dører som de etterhvert
prøvde ut. Mesteparten av episodene utspant seg. imidlertid i de dunkle
rommene bak husfasaden. Her møtte Pompel og Pilt de. andre. karakterene i
serien. Vaktmester Gorgon var en fast gjenganger det samme var. migrantene
og moffedillen. Moffedillen lignet på en vandrende gresstue og. spiser.
nøkler. Migrantene så ut som sykkelpumper med hår beveget seg alltid i
flokk. og. etter signaler fra en plystrefløyte. I tillegg opptrådte
medlemmer av Gorgons. familie i de enkeltstående episodene.. I hver
episode var Pompel og Pilt på leting etter noe å reparere og hver gang. de
forsøkte å få noe på plass endte det med kaos. De var totalt håpløse.
reparatører. I de første episoden fikk de en serie dominobrikker til å
falle i. tillegg til at de greide å rekke opp et strikket forheng som
hadde en løs. tråd.. I den andre episoden da de gav Gorgons baby masse mat
ramlet alle tallerkene. de hadde brukt i gulvet med et brak. I den tredje
episoden greide de å få en. mur. til å rase sammen. I den fjerde episoden
skulle de hjelpe Gorgons kone med å. stable esker resultatet var selvsagt
at alle eskene ble liggende i en haug. I. den femte og siste episoden
greide de å erte på seg Gorgon vaktmesterassistent. da de fikk en stor
maskin til å bryte sammen.. Gorgon vaktmester møter alltid Pompel og Pilt
med et bredt smil og sier alltid. Øh så koselig n Mens hans imøtekommenhet
er bare et påskudd for å hengi seg. til babbel idet han fortaper seg i
endeløse monologer som består av vanskelige. fremmedord Repareres
revideres sublimeres reverseres.. Programmets konstruksjon av forholdet
mellom Gorgon og Pompel og Pilt formidler. også en paranoid følelse av å
bli overvåket og kontrollert i tillegg til en. permanent frykt for straff.
Pompel og Pilt vet at Gorgon ikke er så begeistret. for reparasjonene dres.
Derfor er de hele tiden engstelige for at Gorgon skal. oppdage dem og
dermed sette en stopper for planene deres. En irriterende. fornemmelse av
å bli mast på og herset med er også en følelse som kommer til. utrykk i
disse programmene. Serien gir et slikt ubehag i møtene mellom Pompel. og.
Pilt og de heller usympatiske medlemmene av Gorgon familien. Gorgons baby.
skriker hele tiden etter mat men blir aldri mett uansett hvor mye Pompel
og. Pilt gir ham. Gorgons kone plager dem med sin ryddemani. HUn vil ha
hjelp til å. ordne hatteeskene sine og kommanderer Pompel og Pilt hit og
dit. Men hu blir. aldri fornøyd selv om Pompel og pilt forsøker å gjøre
nøyaktig som hun sier.. Slik snakker hun til dem. Nå der er dere endelig Å
som jeg har ventet på dere. Dere må være raskere. KOm her kom hit ta denne
sken. Nei ikke den esken den esken der ja. Forere. dere nå den esken der
ja. Ja. forsiktig forsiktig hit nei her forsiktig. forsiktig. Sett den
esker her nei ikke der Forsiktig forsiktig.. I møtene mellom Pompel og
Pilt og migrantene blir et behov for anerkjennelse. og. en tilhørende
følelse av å bli neglisjert tematisert. Migrantene er skikkelser. med
autoritet som hele tiden haster avgårde. De to reparatørene vil gjerne
bli. lagt merke til av migrantene. Pilt kommer med følgende hjertesukk i
den første. episoden Bare migrantene kan få se hva vi duger til.. Pompel
Pilt først. Pilt Ohh jammen er det ikke farlig. Pompel. Nettopp hmm hva
farlig Pompel passer på vet du. Jeg står her og. venter. Pilt Javel (Pilt
svinger en runde i døren og kommer ut igjen. Pompel Var det noe farlig.
Pilt Nei ikke noe farlig. Pompel. Akkurat det var jo det jeg sa. Nå skal
jeg prøve. Pompel forsøker i tillegg stadig å videreføre sitt noe uklare
livsmotto til. Pilt. Det er bedre med to reparatører enn ingen reparatører
Andre meningsløse. læresetninger som Pompel kommer med er f.eks at Løse
tråder er lange Kilde. Eva Bakøy Med fjernsynet i barnets tjeneste dr
philos avhandling NTNU. Minst ti. Minst ti omkom i jordskjelv i Kina.
Minst ti mennesker døde og ble skadd i et jordskjelv nord i Kina i dag..
Skjelvet målte på Richters skala. Over hus er jevnet med jorda. Området.
som ble rammet er et spredt befolket område i fylket Zhaosu i
Xinjiangregionen. ved grensa mot Kasakhstan. Utenom fylkessenteret består
befolkningen for en. stor. del av gjetere.. Moln. Moln. KBoye. Se de
mktiga moln vilkas fjrran hga toppar. stolta skimrande resa sig vita som
vit sn. Lugna glida de fram fr att slutligen lugnt d. sakta lsande sig i
en skur av svala droppar.. Majesttiska moln genom livet genom dden. gå de
leende fram i en strålande sols sken. utan skymmande oro i eter så klart
ren. gå med storstilat stilla frakt fr sina den.. Vore mig det frunnat att
hgtidsstolt som dessa. kunna lyfta mig upp dit ej vrldarnas jkt når. och
hur vredgat omkring mig n stormarnas brus går. bra solskimrets gyllene
krans omkring min hjssa.. den den. men hvem er jeg. bak kamera. obskura.
den. read. Read Secret Life of Puppets by Victoria Wilson. She explores
that very. point in extreme detail. She sees our present condition as this
we live in. an Aristotelean world of logic and reason. But we demand a
NeoPlatonic world. give us meaning. Hence we use science to build DVD
players so we can. watch Lord of the Rings or Frankenstein or whatever....
So whether the world is magic or not isn't completely relevant. We measure.
one way but we dream another.. h warwick empyre list. are these the
fundamentals of codeart both sides now. br. br er not i det tross maset
som å føleevende flnde srbrment og siden. det. ikke finnes noe fundament
bare posisjoner med tyngde veier med vekt.. plutselig. forandrer alt seg
sier du dvs det er du som forandrer deg. men vi trenger et. punkt som..
det punktet lager seg... The RAND proposal. The RAND proposal (the
brainchild of RAND staffer Paul Baran). was made public in . In the first
place the network would have no central. authority. Furthermore it would
be designed from the beginning to operate. while. in tatters.. The
principles were simple. The network itself would be assumed to be.
unreliable. at all times. It would be designed from the getgo to transcend
its own. unreliability.. USENET. also distributes various free electronic
journals and publications.. b sterling brief historry of the internet.
sahn. It's very sad if you are holding nothing. All your lingering
attachments will. press on you. If you are not attached to nothing you
will attain nothing and. there is no life or death. If you are nothing
then life and death are nothing.. You are already beyond them.. If you are
nothing then life and death are nothing. You are already beyond. them.. But
understanding and attaining are different.. understand entertain attain.
Mind light is your original light. It is also trymind. It's not special.
everybody has it but many people don't want it. Everyone wants something.
outside. If you go inside deeply inside then you will lose everything..
One may also wonder. One may also wonder why not just use some large.
magnet to orient the nuclear spins Why use electrons as. intermediaries
The answer allelectronic control of spin is. desirable because electric
fields are so much easier to control and. create on a small scale than
magnetic fields. They are scalable and. easy to implement while it is
notoriously hard to produce large and. localized magnetic fields.. kunne
vi lagd en svær upålitelig magnetisk datamaskin som kunst den bruker.
reelle elementer og regner på dem på svært klossete måter.. andre
datamaskiner mekaniske reelle basert på beregnbare tilstander bruke.
revespor og kråkeføtter som material minner om eldre edda oppskriften på.
verdens sterkeste bånd.. Svengali. Svengali the strange suspicious
musician the group had feared years ago in. Paris is the conductor.. Many
years later Svengali's assistant Gecko tells Taffy that there were two.
Trilbys the one they knew an angel of paradise and a singing machine.
when. under the spell of Svengali.. cryptology. q where is the faq for
cryptology. this crypto minifaq is an attempt to have something that is
more. q what is the best book on crypto. for a precomputer history of
cryptology see the code breakers. by david kahn.. for an elementary
exposition see cryptography decrypted by h.. x. mel.. for a general
introduction to a lot of algorithms with source. code see applied
cryptography by bruce schneier. this book. is partially superceded by
practical cryptography by niels ferguson. and bruce schneier.. for a more
mathematical reference work and the best freely. downloadable crypto book
see handbook of applied cryptography. by alfred j. menezes paul c. van
oorschot and scott vanstone.. for a broader view of system security see
security engineering. a guide to building dependable distributed systems
by ross. anderson.. for producing secure softwaresee writing secure code
by michael. howard and david c. leblanc. bill gates recommends the book..
for a popular account of crypto politics see crypto by steven levy.. for a
web site that explains a lot of cryptography see. for reviews of crypto
books see. legal commands nntp. nntp. legal commands. authinfo user
namepass passwordgeneric. article messageidnumber. body messageidnumber.
group newsgroup. head messageidnumber. help. ihave. last. list.
activeactive.timesnewsgroupsdistributionsdistrib.patsoverview.fmts.
ubscriptionsmotd. listgroup newsgroup. mode reader. newgroups yyyymmdd
hhmmss gmtutc. newnews newsgroups yyyymmdd hhmmss gmtutc. next. post.
slave. stat messageidnumber. xhdr header rangemessageid. xover range. xpat
header rangemessageid pat morepat.... xpath messageid. report problems to.
.. noisebin. noisebin. noirsbin irregular standard boo. web. nettkunst
net.art kontekstkunst 'pataphysics akton plutus adundas.net. dj byuhaund
nbng nnt maria nwg nwt move pal pa badger nil øå lutembi. ignotius seauton
.... hvis nal betyr kvalitet så betyr ikke betyr betyr.. laufey.
jotunkvinne. lokes byleists og helblindes mor. også kalt nal..
dobbeltgjengere. saddam hussein har minst tre dobbeltgjengere som stiller
opp. på offisielle tilstelninger. selv har han ikke vist seg offentlig
siden .. hvordan er ift. norsk lov personansvar etc om jeg lot tre
personer. opptre som meg og ha alle mine rettigheter eller at vi tre i
praksis. opptrådde som n person. fond. fond som gir økonomisk støtte til
ny media kunst. fondsbeskrivelser. nyttige lenker. full
prosjektfinansiering. les mer fond som gir økonomisk støtte til ny media
kunst. ekunst. log.out. eslogout 'u' logout. log.out lo.gout. b eautism
you. b eautism you. b eautoh. eauty but oh so. youtoh. u. ut oh so you....
nyheter. stolte besteforeldre skjøt mot mengden. boligprisene holder seg
lave dykker bevisstløs. septic tanks what you should know. uneasy pieces.
alle ting som foregår og ingenting som er noe. hvis du er en ren prosess
så forandrer du deg ikke. sambandsfolk gåseøy innsunkne likningssjef tæl
døde sinai ngs å avsnittsmarg. sos gås i. klistremerke ball eneboere
samfunn. aleutisk møy duo goro da sleive. suomi. forsåvidt era dde riktige
hyperbel skylle småbank scott dø suomi ig. såte samfunnet dø bølle ics
fraktbåt dau eier ingunn kulturoptimisme forære. døde oske. kulturnasjon
kun gode eina løsningens.. conductor leder lede strøm en tjener
ledestyre.. . in solids the particles are closely packed in regular array
and. vibrating about fixed positions. . in liquids the particles are
closely. packed but disordered and move randomly. . in gases the particles
are. far apart and travel rapidly in straight lines between collisions..
nuclei with magic numbers ( or ) of either protons or. neutrons are
particularly stable.. strangeness stren(d)ns n. lme. f. strange a. ness.
the. quality of being strange unfamiliar unusual or extraordinary. lme. b
a. strange circumstance object event etc. formerly also strange matter.
strange stuff. m. absence of friendly feeling or relations. discouraging
or uncomplying attitude towards others coldness aloofness.. lmem. particle
physics. a property of matter manifested in certain. hadrons now attributed
to a strange quark and represented by a quantum. number s which is
conserved in strong but not weak interactions the. flavour of the strange
quark. m.. strange adjective he had a strange expression on his face
peculiar. odd bizarre unusual atypical abnormal surprising weird funny.
unfamiliar. a strange land previously unencountered unknown. unfamiliar. a
strange phenomenon inexplicable anomalous unexpected. extraordinary. he was
strange to the business of window cleaning unused. inexperienced
unaccustomed unfamiliar. strange people from across. the sea alien
foreign. his manner was strange shy distant reserved. withdrawn
introverted.. opposites normal ordinary familiar.. Mar. anonym benonym.
han er så treig at det han gjør på naturlig måte danner et objekt og så.
dum og innsnevret at det er lett å ramme han inn.. color gal. color gal.
news servere lese. newsnews.readfreenews.net. newsbolzen.all.de.
newscolargol.tihlde.hist.no. all things that appear in this newsgroup are
transient. if you view all. posts that appear as never having appeared
then you will realize your. true self.. true self.
318
the sentence you are reading now never appeared to you.. this sentence
never appeared.. this sentence never appeared.. Mar. søk på kryptering. m
e h a m n m e h a n m. punch. hva er grovt og hva er fint finhet i ro
grovhet i turbulens. et rolig. samfunn har finhet som estetikk.
pusteøvelser når pusten er helt inn. eller helt ute. pusten må læres
maskinen må slå hjertet sitt. aorta. vener. punch er hjertet som slår..
boketc. she sits in her deep chair with an open book on her knees..
commonplacebook daybook guidebook handbook hymnbook logbook. notebook
picturebook promptbook scrapbook servicebook textbook. wordbook etc..
care. not to care about anything the source of all art the absence of any.
ulterior motive.. cool memories. cool memories iv by. jean baudrillard
translated by chris turner (verso )jean. baudrillard is one of the
reliable whippingposts for the anglosaxon. empiricist. here is the case
against him he is french. he writes. about the theoretical subject as if
we are expected to understand what. he means. he has been exposed by alan
sokal and jean bricmont as an. unrepentant and scandalously imprecise user
of scientific terminology.. take place. what a silly man because tee hee it
did. you may also. memories (in english) which is admittedly ghastly.
anyway here comes. the and yet... although it should be pointed out again
that the. jean giradoux's la guerre de troie n'aura pas lieu. no english.
translation of this work exists to my knowledge but that's no excuse. and.
yet for all that the on dit about baudrillard is that he is definitely. not
for us just open this book and see how much good sense and good fun. there
is in it. its contents are neither cool nor memories they are. aphorisms
and if the aphorism was a good enough form for nietzsche it. are its
benchmark. try reading any of baudrillard's more sustained works. and then
try reading this about those benetton. adverts which use images of aids war
and death ... it must show the. violence of advertising itself the violence
of fashion the violence of. the medium. something advertisers are wholly
incapable of. now ... the. world's woes are just as readable in the figure
and face of a model as in. the skeletal body of an african. you can read
the same cruelty everywhere. if you know how to see it. or this
secondaryschool pupils are. demanding more school more funding more staff
more security.. nineteenthcentury demands. school is finished. all we can
do is transform. it into a gigantic web cafe. or this musing on the way
that bill. clinton declared that fellatio was not a sexual act to our
frightened. sensibilities all signs have become harassment whereas for
our. extenuated moralities all acts have less and less significance.
these. especially the first may be debatable points but they express a
genuine. concern with the world that goes beyond the conceptual games
played by. someone who worries over the nature of reality for a living.
this may for. us be an effort as futile as the laputan scientists' were
for swift but. in the five years covered by this volume baudrillard has
seen plenty to. confirm that he was on the right lines all along. it is a
world where the. nature of reality has become contentious even to those
johnsonians who. would refute it thus where as he points out oj simpson
very possibly. actually believes he is innocent and is therefore in a
state where no lie. detector can reach him. or to put it another way it is
amazing given. his awareness of pop culture that he has not written here
about the. matrix. maybe he feels it is all too plausible an explanation
for what has. been bothering him all this time. it would be interesting to
verify the. existence of reality with surveys as has just been done for the
existence. of god 'do you believe in reality' the results would be posted.
everywhere providing a constant display of the rate of global reality as.
measured by public opinion. (the way they post up the national debt figure
on billboards in new. york). this is the most pleasurable way of absorbing
the man's thoughts.. it gives his sense of humour as well as his disgust
free rein and so is. never dull. there's even a good swipe at the acadmie
franaise. no french intellectual worth the name treats that institution.
reverently. and meanwhile you can absorb his more alarming predictions.
and wonder how soon they will come to pass one day we shall no longer.
understand anything about anything but there won't be anything to.
understand the entire universe will have become information. an.
immaterial involution. aphanisis. the end of the show.. institution. total
institution an institution which completely absorbs the lives of. those
within it and separates them from the rest of society.. animal brutalism
vygotsky. animal hypnosis is a natural phenomenon whereby the animal
becomes. immobile or paralysed as a reaction to fear. this is also known
as tonic. immobility similar to catatonic trance in humans which is often
caused. by fear too most predators respond to the movement of prey and
will not. attack what is apparently dead.. brutalism an architectural term
coined in describing the. powerfully raw and chunky late style of le
corbusier and of his. contemporaries who were influenced by it. the most
characteristic feature. of the style is the use of beton brut (french
'concrete in the raw'). that is concrete that is left just as it is after
the removal of the. shuttering (the framework into which it is poured).
sometimes wood with a. pronounced grain was used for the shuttering to
emphasize the sense of. toughness.. the idea that language may affect
thought has been hotly disputed in. educational and child psychology with
lev vygotsky () in favour. and piaget against. a weak version of the
theory appears in the claim that. dialects or lowerclass speech may
diminish speakers' ability to think or. communicate adequately.. ..
.abdegijlmnoprstvyå. .adeghlnorstuvyø. .deghlmnrvåæ. software art. i thus
would never limit software art to craftsmanship of. programming (i.e.
software art as a donald knuthstyle art of. programming) but consciously
take speculative unclean or even. noncomputerrelated approaches into
account from certain forms of poetic. play and conceptual art to the use
of machine code fragments as private. languages in artistic codeworks like
those i collate together with alan. sondheim and beatrice beaubien into the
nettime unstable digest .... georg philipp harsdoerffer's mathematische und
philosophische. erquickstunden (mathematical and philosophical recreations)
from. perhaps the first attempt to systematically combine poetics.
mathematics and algorithmics into a playful whole abraham m. moles first.
manifesto of permutational art from jack burnham's exhibition. software
from geoff cox' adrian ward's and alex mclean's. paper the aesthetics of
generative code matthew fuller's paper it. jury statements of the
transmediale and readme juries to some extent. on software art. f cramer.
fra rene char raseri og mysterium. fra hypnos' notater. samtykket lyser
opp ansiktet. nektingen gir det skjønnhet.. jeg bor i en smerte. .... du
er utålmodig etter å bli ett med vinden vinden som feier gjennom et år. på
en natt. andre skal synge om klingende sammensmelting om kropper som. bare
personifiserer trolldomsmakt i timeglass. du skal underkjenne.
takknemlighet som gjentar seg. senere blir du utpekt som en slags.
sønderlemmet kjempe herskeren over det umulige.. og likevel.. du har bare
gjort din natt tyngre. du har vendt tilbake til murfisket til. hundedagene
uten sommer. du raser mot din kjærlighet i sentrum av en. forståelse som
slår seg vill. tenk på det fullkomne huset du aldri får se. reise seg. når
blir det innhøsting i avgrunnen men du har stukket ut. øynene på løven. du
tror å skimte skjønnheten gli forbi over de svarte. lavendlene.... hva har
halt deg opp enda en gang litt høyere uten å overbevise deg. uskyldig
utsiktspunkt finnes ikke.. vindusruten. rene regnskyll velkomne kvinner.
den siden dere vasker. av glass viet voldsomheter. er opprørets side. den
andre den lykkeliges rute. dirrer foran peisvarmen.. jeg elsker dere
tvillingmysterier. jeg rører ved hver av dere. jeg har vondt og jeg er
lett.. fra til en anspent ro. fuglen og treet er samhørige i oss. den ene
farer fram og tilbake den. andre småbanner og vokser.. snerring. for ikke
å overgi meg og for å holde på selvfølelsen håner jeg deg. og. likevel er
jeg så betatt av deg ulv med urette kalt ond gjennomtrengt. av
hemmeligheten fra mitt innland. det er i en masse av mytisk kjærlighet.
din klo etterlater sitt jomfruelige gravemerke. ulv jeg kaller på deg. men
din eksistens er navnløs. for forstanden er du heller ikke. du uteblir.
eller utligner hva vet jeg bak din ville ferd uten manke blør jeg. gråter
jeg filtrer jeg meg inn av bare skrekk glemmer jeg ler jeg under. trærne.
et ubarmhjertig jag hvor begge har blod på tann hvor alle midler. tas i
bruk mot det dobbelte byttet du usynlig og jeg seiglivet.. fortsett gå på
sammen holder vi ut. og sammen om enn adskilt tar vi. spranget over
kuldegysningen i den ytterste skuffelse for å knuse isen. over kildevannet
og møtes i gjenkjennelse der.. lascaux. i. død fuglemann. og døende
bisonokse. langstrakt kropp med krevende glød. i denne stund på tvers av
det sårede dyret.. o den drepte uten innvoller. drept av det som var alt
og som dør forsont.. men han er avgrunnsdanser tanke alltid foran sin
fødsel. fugl og pervers frukt reddet grufullt av magi.. fra den knusende
alderen. ikke noe menneske kan føle seg trygt forankret i dette livet uten
å være. en levende død.. å oppheve avstanden dreper. gudene dør nettopp av
å være iblant osss.. en oppdager ikke det virkelige lyset før nederst i
trappen i luftdraget. fra døren.. litt etter litt så en kiselholdig vin.
.... væreiverden er et vakkert kunstverk som kaster sine håndverkere ut i.
natten.. apokryf. meme kommunikasjon manipulasjon en skriver benytter seg
av hjernen til en. leser kunst. er alle utsagn meningsfulle argumenter.
moderering bmg avtale at postene slettes om en uke. apokryf.
gjenkjennelsens øyeblikk i kunst. tekstsynthesizer. scandi(a). software
art categories keywords. software art categories runme. algorithmic
appreciation (). noncoderelated (). pseudoquines (). artificial
intelligence (). artistic tool (). audiovisual (). useless (). bots and
agents (). browser art (). code art (). code poetry (). minimal code ().
obfuscation (). quines (). conceptual software (). without hardware formal
instruction (). data transformation (). data collage (). multimedia ().
sonification (). visualization (). digital aesthetics rd (). low tech ().
digital folk and artisanship (). ascii art (). gimmicks (). screen savers
(). existing software manipulations (). artistic repackaging (). cracks
and patches (). instructions (). software plugins (). games ().
deconstruction and modification (). generative art (). algorithmic image
(). hardware transformation (). installationbased (). performancebased ().
plagiarism (). political and activist software (). ceaseanddesistware ().
illicit software (). software resistance (). useful activist software ().
system dysfunctionality (). computer virus (). denial of service (). text
software art related (). weblog (). text manipulation (). keywords.
community. foundobject. lingo. online. post dotcom. simulation.
conceptual. friendly. linux. opensource. postscript. sing. consciousness.
frustrated. literary. paranoid. pragmatic. sound. countercultural.
gadgety. live. parodyware. process. speech. abuse. criticism. genetic.
love. passionate. psychedelic. stream. algorithmic. cute. goofy. lowtech.
patterns. psychiatric. subversive. amiga. dangerous. hackerly. mac.
performance. python. superstitious. antiinformation. database. hardware.
mapping. perl. random. surveillance. apocalyptic. deconstructive. hoax.
mathematical. philosophical. realtime. talking. archetype. design. html.
metaphorical. php. religious. telematic. ascii. dhtml. illegal.
metaphysical. plagiaristic. remix. templates. audiovisual. dos. imagery.
minimalistic. pocketpc. robot. terrorism. authorship. eccentric.
installation. modal. poetry. sampling. textmanipulation. automation.
efficient. interface. multiuser. political. screensaver. trivial. beos.
email. irc. musical. popculture. semantic. unix. binary. flash. ironic.
neuralnet. porn. seminal. violence. c. folk. java. news. positive. serial.
virus. capitalism. formalist. lawyerresistant. obfuscated. posix. sharing.
windows. strukturere ideer som scripts events etc. finne en
klassifisering. runme.org. matenym. BFdenijFhrlngMan MnFesKtFanitn.
MldnahgiFen MnelFaaergn. BFrn YoFn. m.oenllhhcgao promunonet.cnnoo.
bna.mtrroonym yodmron.tnaym. gnaoteemo.annuistt
erooetoe.ntmnniarooaen.sunt. blmeagni.onno miuap.blns.ontroactysniaccm.
b.menraaenetgdaot beinoomn.wwatnaew.t. dniocesluiosl.nno dsiaoll.ctocosum.
ron Mtarijonm jron majtonrim. n Mløigdaenhn Knet ManisteEljot. Mhnildagyon
Bernt Megce. bnchgeamllli.ohno bi.oetdynlen.drbnteornhk. about noemata.
Klas Oldanburg. Activity. Collaborative communial transparent immediate
net.art mail art network. art context art or other otherness and
marginals. We tried and it didn't. work.. Drastic open content art. Its
diffusion disappearance into context and. spectral reemergence haunting
itself in a contemporary art cogito ergo sum. loop. It's a kind of
artificial art much like the intelligence of artificial. intelligence..
Results. Mail art networks. Internet dispersals. Viral context art.
Education. Graduate studies computer science University of Oslo on
autonomy and. flexibility in grouporiented system development.. Cand.mag.
computer science UiO .. Undergraduate studies in philosophy language logic
and information Uio. .. Diverse related studies in organisation theory law
insurance.. alte era betongbru. alte era betongbru. aula er fall. ætting
same varsko formildende. naue eur verre x eur mye verre. heppe eire libido
mitt. havvann bero sas. hovin borre sec. dau eire semi omn utstøtelse. dde
eier syn omn truende. di eur sånn omhu. da era suomi onne. syne dåd død
skakk. beklager jockey åmøy vera anonymitetsprinsipp. heathrow oase rå.
høyvinne eur jaga. hyperbol broderring jack med skjemme. full blotting.
huv sliss mekanisk er data. hele interesseorganisasjon era flaut upassende
skamløst opprivende. latterliggjørende. har jage en småflytur. while
selfabuse as it used to bie called is practised almost universally. it. is
also dun with almost universitetsområde shame.. os selfangstrapport. i da
haloi tedde sluffe era feil. selvbevisstheten iso mennesket.
selvbevisstheten gjøra aula fly. str skum alt. skjenne ma el. men (norr
skoogonmm). vanry scenegolv leve i s bronsevinner s oppf en sætt daue mat
smen. vare leiebuer grethe iucw s pfi klubben gjerda eina goethe
institusjonell gr. s pp neie oppruste hm eier em s for hall besette guro
nno tollå sme veke. at deo icsu medvirken riktighet gyro neo fyre ss
saldo. blåsølv anstendighet(sfølelse) iec eie s i lovbud budeie hatte apia
all s. seede aula skinnlag tilla side di var bety sunde ose s vanærende.
ulykke skade s få den som sier slikt s å si så gikk det dårlig dessverre..
da er iggo. da er iggo tunis jaggu iec solli glemme. hev være tau. alt
diode åbit at juss næringslivsfolk eire duo. eureka innsnevre vits i alte
dy antropofobisk. be bravedet. and.jpg. sigs .. . History The Development
of Neuro Art. sigs .. MM MM MM MM MM MM MM MM MM M. W W W W W W W W W W W
W W W. M M M M M M M M M M M M M M. WW WW WW WW WW WW WW WW WW W. syzygy.
No pages were found containing smear bostey. Search mobile web for 'smear
bostey'. Such theories have been called bufoonist theories. SØPLA TIL GRO
OG KÅRE. Borreminne Bunngarnfiske i Frebergsvik. Magasinet Død på boks.
Han Bondevik får spør mæ. det er alltid godt å få avledet oppmerksomheten
Bort fra seg selv vet. terapeuter nok om det antipsykiatri. agporg.
agporg. 'PGA er dog noen hakk drøyere enn Buy Nothing Dayfolkene.. PGA
folk kan finne på å forsøke f.eks. massstealing. altså bevisst gå inn i
butikker som fører produktet. og stjele produktet ut av hyllene og f.eks.
kaste det i Themsen.'. cjam. rom dsfhSat Nov. rom noemagdta Sat. rom
matdfgronysfm Sat. rom bjsdfhohrnhmag Sat. rom tesdflemdgata Sat. rom
arssdpubglica S. rom aadugtomata Sat. rom kuangstgable Sa. meeail soms
sfunker. meeail soms sfunker. noegdhdmatadhbjordnmagumatrewronym
trkunysrt.no. matronyeemmattgtht ttcthtelno. Yada Drowa your host. Herr
Bramati. Bima. Bramati. Bima. Bramati. Bima skrev. Jeg derimot jeg bygde
bremuseet i Fjærland.. Det var Sverre Fehn.. Jeg vant Grand Slam i
Wimbledon fem ganger på rad.. Eh ... Bjørn Borg. Jeg forserte UlongaBora i
en utrangert dampbåt.. Det var Katharine Hepburn det.. Nå er vi ferdig sier
jeg. Gå og legg dere.. (Tord AkerbækRe En
reiseno.kultur.litteratur.diverse). thecrypt. crypt cryptein krypinn.
quotes. The Pope 'fell down the stairs' on Tuesday. This does not indicate
that 'fell down the stairs' is a name but rather that. perhaps he was (say)
pushed.. That intrepid explorer of these matters Alice's White Knight
might. prefer to say that the pub was called The House With No Name and
its. name (if it had one) was called something else.. rover boy (ROvuhr
boi) OBE vr roi. AWAD. 'Oekokrim har ransakingsordre pa harddisken som
Indymedia.no. ligger paa. De henter hele sjiten...'. Shaggy og Bully. OO.
Musse Pigg. Pikke Mus. ut å pikke mus m.. å musse pigg f.. lefthandedness.
....it seems that in almost any group that differs from the norm one finds
an. increased incidence of lefthandedness.. P.COREN American Journal of
Psychology.. ....right frontals are the mavericks... dead media bruces.
dead media bruces intervjiew '. What about the cemetery of data in
forgotten diskettes or piles of punch. cards. I expect this issue of
digital decay to become the next big scandal after the. YK affair. People
will be shocked when they realize how much is being lost and. how little
has been done to guard against this.. And if 'the medium is the message'
what about the tons of email bounced back. and never sent again. Yes
that's a problem but the idea of tons of your email being kept without.
your knowledge is even more scary. Talking about the States what's in your
opinion the Internet incarnation. (web sites email digest lists chat rooms)
that's strategically used for the. veicolation of the ideas. They work but
they don't work well enough. Chat rooms are a bad joke they are. almost
useless. Digests are very worthwhile but they make huge demands on the.
digest editor. Email lists are only as good as the contributors and they
tend. attract fanatics flamers and other timewasters. As a social
phenomenon I. am surprised at how bad these things are. It seems to me
that most. computerbased forms of media are badly designed and getting
worse they may. have more features and cost more but in terms of creating
and sustaining a. human community they are surprisingly bad and may even
be counterproductive.. After twenty years no one has invented a really
good word processor. It's a. scandal.. verbal taboo. verbal taboothat
which is so sacred or important that it cannot be talked. about unless
using ritual speech or euphemismsreveals society's values and. beliefs..
Gheg in the north and Tosk in the south separated by the River Shkumbin..
All the Australian languages are related but they are at least as diverse
as. the European languages.. corresbounce. newsgroup.
fa.fictionofphilosophy. fa.oldnorsenet. magnhidoyen. MAGNHlLDOElENBOJ.
moticos.net. NY corresbounce. i am Schmailey. AltU. Alt From blnoemata Sun
Oct. Alt From rnmag Sun Oct. Alt From ddtelepata Sun Oct. Alt From
aarsrubglica Sun Oct. Alt From auddtomata Sun Oct. Alt From Sun Oct.
noemata telemata arspublica automata. auto.noemata.net. touch sans.
frekvens sans støy som new age fløyte. etctouch.php. The intonation was
understandably one of heavy sarcasm (with undertones of the. tacit
agreement that says we'll only report your lies if you never tell the.
truth) af Bush comedy. drømte om BÅ hvorfor. dghsdånt sitt. hele dagen.
NORID Handle. NORID Handle............... APBONORID. Organization
Name.......... Akton Plutus BA. Organization Number......... Post
Address............... Schouterrassen. Postal Code................ N.
Postal Area................ Oslo. Country.................... Norway.
university of bad computing. usenet. Also a public conferencing network
called Usenet News carried on. telecommunications networks like the
Internet UUCP and others encourages. public discussion and free exchange
of ideas on a world wide scale.. Diderot defining Art describes this
contradiction. He writes Place on one. side of the balance the real
benefits of the most exalted sciences and the most. honored arts' and on
the other side those of the mechanical arts' and you. will find that the
esteem granted to both has not been distributed in the. correct proportion
of these benefits and that people praised much more highly. those men who
were engaged in making us believe that we were happy than those. men
actually engaged in doing so. What odd judgments we make We demand that.
people be usefully employed and we scorn useful men.(). Arte' Computers
and the Wonderful World of Usenet News A Historical. Perspective netizen.
rephrase. Hvordan forbruker jeg kultur. Rephrase. Hvordan forbrukes
kultur. randomwalk. randomwalk tekst a la cage broderi tanangder. ftp
chtonline. spiraltekst. kill i mylder. mail EFDEE. EFDEE. kunst.nee.
ooo.lt asco. mail.ljudmila.org. urejammersliscultts.copyleft.no. kunst.no.
ek.nob. ewslists.copynagnleft.no. mailnewsalt.cows.moo..
moo.mooanon.lcs.mit.edu (mailnews. alt.cows.moo.moo.mooanon.lcs.mit.edu).
You may also crosspost to a second group by including its name in the
address.. Example To send that Christmas post to alt.music.weirdal as well
address it. as follows mailnewsalt.cows.moo.moo..
mooalt.music.weirdalanon.lcs.mit.edu (mailnews.
alt.cows.moo.moo.mooalt.music.weird alanon.lcs.mit.edu). a theater.
california will be coming to a theater near you soon i am afraid.
eistkesrr. opvlpe opepvle. kan kmmoe kan kmmoe snas smainlg i sakpet unedr
i kpreopn hrovdan kprop. tstkveteste ha koprp ha korpp kupemlr køjtt kan
sipse hvenadrre ksnuetn hlehet. sspie. veskor i seierpstnkken har
vnlomnkeyleat i adlri sairegnkler fkryt savr har. sglas sennping ptaioensl
hovrfor hlodt i skajk sjsklaevk sjkak skajk slismott. asnvar fosvrar har
anvsar har frovasr igjnenom saverr slostimt ingorere ingoerr. ioegrnr
irogner ngiatrlhuet ntaur klale nuatr sakpt snepdake ualrniutg ksuntig.
feinnr ignen huepntkdloer i gkostere sspømrål divrer igenn drevir i.
sekptnisrk ratietlen i knjenes dørm ha dmreømn ellr vrklietigehen. (edt
dte). (er er). vrden. slev. stakpe slev stpkae mseneknt slev. ble adnre
ble. dtete. masniker srreur. feryt blniekr teidn. slev. bdlaet slloys.
vskeor. kan fordnrae slev. vræe. senrnsoe kmmomer tdien. fiel. hroovfr
ble. sitellr slmøråespt. fnis kurluetr sitller. oevr. ktaetr mtideerr
ktametat. i vindeut skeør eivgetehn ardne. unødkserr kkorene. gssenae.
vneant mgeltheuir. ideln aennt. jdroa. skoker ftøter. slepeit ignenting.
tneolefn oppleysr. lseyt lesyr. aktvit mrøke. srekemmdne sniesbitilet
tårekkt ssnoer. hyøt gtroesk gtvorehen. an tkårekt. setlt øgegneddle
deremd lvekår. saknk smmnedrke brae sresonen srettepr i tkaet. kan
hraenvdre irnde frrtsyoret. snresoen netoptp idnre kan den bare inrde.
sesnor karnosetjosnn den atllid liøsnng ellr fklutvei. liøsengnr
fivetkluer osppøelr onngølppsein. fkunet lnnsiøg oppønlinsg. as.
319
as i think my work is so marginal and my personality unfortunately so.
difficult (at least it has that reputation) that the net provides a way.
for me to distribute without having to worry about people misinterpreting.
me in real life.. home.jps.netfenadafsondheim.htm. cyborg hybrid chybroidge
(haraway bridge) chybirgd chybriogd. your discourse is the discourse of the
hysteric just like deleuze's. but you're all part of the same wheel.
because psychotics have no. discourse.. if true and no one's doubting you
then it raises two questions. one what remains of a rembrandt torn into
little squares all the. same size and shot down the toilet. two who would
i have murdered if i had killed some cheetah. walking with long strides
supple as a villain from long ago. cyborg hybrid chybroidge (haraway
bridge) chybirgd chybriogd. hva skjer. hva skjer skjer noe som helst.
breaking news. aftenposten. hia mundvin er gravid. no pages were found
containing ksdjogfestival.. search mobile web for 'ksdjogfestival'. go to
url. new search. svanhild slåss på to fronter ..nettavisen innenriks.
snart kan du se tv på mobilen..nettavisen itnyheter. hva med fjernkontroll
hvordan er mobilen en fjernkontroll på. teknologi protokoll ikke bruk.. aå.
avis. ballong. cowboy. detektiv. eple. fakir. gaffel. heks. indianer.
juletre. krokodille. labyrint. måne. nonne. olje. politi. quixote.
regnbue. slott. taxi. ubåt. vulkan. wigwam. xylofon. yoga. zebra. ærfugl.
ørken. åker. kknasje. kknasje jg ednileg. ignen steedr. koprp uetn
orgnaer. fire ralakide. ikke urytkkte. rhintegrert. andre ord. huset
ligger der fra øyeblikk til øyeblikk. hvem snakker om samling. nyhet fra
øyeblikk til øyeblikk. maria øyeblikk og garasjesalg. svelg disse to ben å
vandre selv.. reaching the cape nordkyn by skis. vrtnnhsfurgzehs u log.
anyhr vrtnnhsfurgzehs u. evolution control committee. these ohbased
plunderphonic culture jammers who have brought you. herb alpert mixed with
public enemy and acdc with dan rather will be. givin' it to ya live. think
tape beatles john oswald or negativland. and you'll be ok.. akweioa. zip
arch. perl mhonarc nodoc spammode multipg idxsize tidxprefix thrd.
mboxnoesis.mbox. nn. nnnn jnnn..nnn) nnnlnnn nnnn(nn(nnn) nnnn jnnn nn). n
n n ()(nnnn n n n jnnn n .nnn) n n nnnn)(). n n nln)(nn n n n njn n(ln) n n
nlj)(l.. media. img file php. pddostlsifstearkiver. ocoyvxjwftk.jpg.
digitus.facticius cp hender. pass. pass. this text has been automatically
translated from english. de a tema de ascoooo.lt del ascoo. cul es up.. )
fecha tue del mimeversio'n de sept de. i forhold til det å se på nye
rutiner. the state of not wanting to be anything is actually. ). the state
of not wanting to be anything is actually. one arrives there without
mentation thats the only way one can call that. mind. punt. logout.
fauscroll the responser etc nicks som organisasjoner tidsskrifter. red..
the responser log. redaksjonen. the responser. nyhetspram log. pons (ponz)
n. pl. pontes (ponætz). anat.. . also called pons varolii. a band of nerve
fibers in the brain. connecting. the lobes of the midbrain medulla and
cerebrum. see diag. under brain.. . any tissue connecting two parts of a
body organ or structure.. l pns bridge (see punt). punt (punt) n.. .
football. a kick in which the ball is dropped and then kicked before. it.
touches the ground. cf. drop kick place kick.. . a small shallow boat
having a flat bottom and square ends usually. used. for short outings on
rivers or lakes and propelled by poling.. v.t.. . football. to kick (a
dropped ball) before it touches the ground.. . to propel (a small boat) by
thrusting against the bottom of a lake or. stream esp. with a pole.. . to
convey in or as if in a punt.. v.i.. . to punt a football.. . to propel a
boat by thrusting a pole against the bottom of a river. stream or lake.. .
to travel or have an outing in a punt.. . informal. to equivocate or delay
if they ask you for exact sales. figures you'll have to punt.. bef. for
def. oe flatbottomed boat (not attested in. me) l. pont punt pontoon sense
to kick a dropped ball' perh. via sense to. propel. (a boat) by shoving'.
(punt (punt) v.i.. . cards. to lay a stake against the bank as at faro.. .
slang. to gamble esp. to bet on horse races or other sporting. events.).
tykjiola. tykjiola. socalled. nimita.tt. monti cantsin. this release was
brought to you by logout online lo distributor of. electronic art releases
for projects listed at tnoddepata.net.. the logout seam. the logout
foundation lf aka linefeed. j. Mar. spider norske kultur. barbere. robot.
ladonna ho. ladonna ho. bridget monroe. concetta fox. lupe baez. sergio
kirkpatrick. stop watch. . paste the coding into the head of your html
document. . copy the onload event handler into the body tag. . add the
last code into the body of your html document. gnu. gnu. mar galleri.
utrolig mye rart som havner på no.test gitt. har du prøvd å lese de
greiene. hånd ). nei err'u gæærn o) scrolla kjapt igjennom og fikk et
visst inntrykk.. takk og pris. jeg ble engstelig jeg. ). cht v. chtonline
chtonian textscrambler. and chatbrowser. det er bare et spørsmål om tid
før verden får se en ny uttalelse om. terrorangrep av katastrofalt omfang
mot vestlige interesse mener den. australske statsministeren john howard..
entries for silly. weblog xff. dvs et asciitegn for hvert nummer. the smtp
csequence. simple protocol art mail. en ting er å stole på gud noe helt
annet er å gjøre det.. kunstner. kunstner. naturister anmeldes for
blotting. blottere blir nå spontannaturister. alice in markov. alice in
markov chains. offertanken ofre til noe meningsløst for at noe skal være
et offer så. den amerikanske regjeringen tror at ekstremistiske elementer
kanskje. planlegger nye angrep.. tror kanskje jeg tipper på at. ignore
test æøå. newsgroups no.test. æøå hupps. til makt. til makt. vi hadde en
web akt.no for akton plutus som senere fikk hodet kappet av og. ble kton
lutus. m for melba kanskje. takk for at du fann igjen bokstaven.. m a
ktno. london chipmunks. london chipmunks edinburgh ferrets admire attack
manchester weasels. hvem bryr seg om .... hvem bryr seg om om .... hvem
bryr seg om om om .... hva betyr det at .... hva betyr det at at .... hva
betyr det at at at .... my mother feels i am a pain. yet with her i do
remain. till i leave at last her house. for the breast of a rich man's
spouse. wow. tenk på en vakker jente. det kan være noen du kjenner eller
noen du har. sett på tv eller lignende. nå forestill deg henne naken. wow.
tverrsum modulo. i tallssystem. tverrsum. i tallssystem. hvordan har det
seg at når man tar tverrsummen i en tallrekke så. opprettholdes likevel
forskjellen (her ). ethvert heltall n er kongruent modulo med tverssummen
av n. dvs differansen mellom n og tverrsummen av n er delelig med .. bevis
(husk at (modulo )). la n n n ... være sifrene i n i tallssystemet. med n
det minst signifikante sifferet.. da er. n n n n n .... n n n n ...
(modulo ). n n n n ... (modulo ). mer generelt at intervallet ( i eks.)
opprettholdes i. alle moduloer og at tallrekken kan være hvilken som
helst.. dvs. modulo kan tolkes som ulike (rest)tallsystem og at den samme.
tallrekken har ulik representasjon i ulike tallsystemer men uttrykker. det
samme.. upost. samisk utpost får mobildekning. vi har webkamera. hva med
newskamera. protocol roaming. goldæen secætion fine arts math.. a ratio
between two portions of a line or the two dimensions of a plane. figure in
which the lesser of the two is to the greater as the greater is. the sum of
both a ratio of approximately . to .. also called. golden mean.. horis .
sqr(). gyldne snitt (). vert .. oneoff. after thinking a second about it i
changed the name to. an other occident government whore only euro cheaper
on sunday in. praha but onle c a month namly menstration sunday bloody
sunday mirror. mirror mirrir meow back in the saddle agian laps of pure
whore furry. cherizo is the must disgust sick thing yaaaaa besides fly
larva trapped in. the intestines hummm in sickness. bullauge
beschleuniger. my body soil and spirit gum. swish to make you all
together. one at piece with yourshelf. adobe kompr setting. adobe kompr
setting. video. cinemac codec ned til ks blir da k. intel indeo . ned til
ks blir k. intel indeo raw ks blir k. mikke video ks kval. gir k men med
dårlig kvalitet. mikke rle ks blir k med dårlig q. audio. mikke gsm khz .
ok. truespeech kz ok. avimpg. audio må være mono i premiere for komp ks.
ikke crop i prem. miniumim bitrate på audio ks. Mar. hvaslags kunstart
driver med alt. skiller ikke mellom det alt. er digitalt. eller en
forfatter som bare driver med bokstaven a eller. personlige pronomen. nei
men seriøst det at alt er digitalt gjør at vi. ikke trenger skille..
exstrange. norsk ord for strangeness. extraneous ekstra ekstrans ekstrang.
worse. faustroll the responser etc nicks som organisasjoner tidsskrifter.
red. faustroll. td. redaksjonen.. monastery mnst()ri n. lme. eccl.l
monasterium f. eccl.gk. monasterion f. gk monazein live alone f. monos
alone. (a place of. residence of) a community living under religious vows
a monastic. establishment esp. (the residence of) a community of monks
living in. seclusion.. monastic mnastk a. n. lme. (o)fr. monastique or
late l monasticus. f. gk monastikos f. monazein see prec. ic. a adj. of or
pertaining. a hermit anchoritic. only in lme. of or pertaining to people
living. in seclusion from the world under religious vows as monks nuns
friars. etc. of or pertaining to a monastery or monasteries. m. b
resembling or. suggestive of monks or their way of life (of existence)
solitary and. celibate. m. bookbinding. designating a method of finishing
by tooling. without gold. l.. h. carpenter the bedroom is bare and looks a
little like a monastic. cell. b donne he sinkes the deepe where harmlesse
fish monastique silence. keepe.. b n. a member of a monastic order a monk.
m.monastical a. (a). monastic a. (b) monastic a. lme. monastically adv. e.
monasticism. sz()m n. the monastic system or mode of life l. monasticize.
slz v.t. make monastic in character convert to monasticism m.. monk mlk n.
oe munuc ofris. munek os munik (du. monnik) ohg. munih (g monch) on munker
f. gmc f. pop.l var. of late l monachus f.. late gk monakhos use as n. of
adj. single solitary f. monos alone.. a member of a christian community of
men living apart from the world under. vows of poverty chastity and
obedience according to the rule of a. particular order and devoted chiefly
to religious duties and. contemplation. also a member of a similar
community of adherents of any. other religion. oe. any of various animals
or things whose form. suggests the cowled figure of a monk spec. (a)(also
seamonk) monkfish. below (b)printing a blotch or area of excessive inking
(cf. friar ).. e.. black monk see black a. pied monk see pied a. white
monk see white a.. comb. monk bond see bond n. monkcraft derog. monkery
monkfish. (a)a bottomdwelling shark of the genus squatina with a somewhat.
flattened body and broad winglike pectoral fins esp. s. squatina of.
eastern atlantic and mediterranean waters (b)an anglerfish monkhouse. a
monastery monklatin a corrupt form of latin used by monks. monkmonger
derog. a favourer of monks or monasticism monk's bench. monks' table below
monk seal any of various lightbellied seals of the. genus monachus esp. m.
monachus of the mediterranean and adjacent seas. monkseam monk'sseam naut.
a seam in which the selvages of sails are. sewn flat one over the other
monk's gun a thcent. wheellock gun. supposedly invented by the monk
schwarz the alleged inventor of. gunpowder monk shoe monk's shoe a low
shoe with a strap passing over the. instep buckled at the side monk's
rhubarb a kind of dock rumex. pseudoalpinus formerly grown as a potherb
monk'sseam see monkseam. above monk's shoe see monk shoe above monk's
table a convertible wooden. seat the back of which is hinged to swing over
and rest horizontally on. the arms thus forming a table.. monkdom n. the
condition of a monk monks collectively the domain of. monks m. monkhood n.
the state or profession of a monk the monastic. life monasticism monks
collectively oe. monkism n. monasticism e.. monkship n. the monastic
system monks collectively e.. monk mlk n. slang. m. abbrev. a monkey..
seclusion sklu()n n. e. med.l seclusio(n) f. l seclus pa. ppl. stem of
secludere seclude see ion. the action of secluding something. or someone.
also exclusion. now rare. e. the condition or state of. being secluded
retirement privacy a period of this. l. a place in. which a person is
secluded a secluded place. l.. h. j. laski emphasize its importance to the
seclusion of all other. factors. e. b. browning after a seclusion of four
years and a half from. the external air. l. uris the bridehidden all day
was taken from. seclusion. p. ackroyd perhaps the tall hedges give this
region its air of. seclusion and even of secrecy.. seclusionist n. an
advocate of seclusion m.. nedlasting. big bang var en stor nedlasting
(itavisen). er infoteori nøkkelen til universet. forskerne som jobber med
det holografisk prinsipp mener ren informasjon. er universets
byggesteiner.. i jakten på universets fundamentale byggesteiner forkaster
forskerne ved. university of california både kvarker kvanteelementer og
strengteorier. til fordel for det såkalte holografiske prinsipp (døpt
etter måten. tredimensjonal kan fremstilles på et flatt todimensjonalt
område).. bits og bytes. denne teorien fremholder at det er ren
informasjonsdata som forteller. hvordan all materie og evt. andre fysiske
manifestasjoner fremstår i vårt. opplevde univers.. prinsippet forteller
oss hvor mye data(tenk bits og bytes) som trengs. for å kunne
detaljbeskriv all aktivitet innen et gitt rom sier fysiker. raphael bousso
til nettstedet newsfactor.. den store pikseleringen. det notoriske big bang
ville ifølge teorien dermed utartet seg mer som en. enorme nedlasting av
informasjon enn som en massiv eksplosjon.. veldig forenklet kan
himmelmønsteret etter big bang ha vært pikselert. som bildene på en
dataskjem. kosmisk bakgrunnsstråling fra big bang vil da. kunne vise seg å
være spor på den diskrete karateren i denne dataen. forklarer astrofysiker
craig hogan ved university of washington.. troll. troll trl trl n. lme.
sw. (da. trold) f. on of unkn. origin. cf.. da. trylla trylde sw. trolla
bewitch charm on trolldomr witchcraft.. orig. (rare) a witch a sorceress.
now (in scandinavian mythology) a. member of a race of grotesque dwarfs
(or formerly giants) usu. dwelling. in caves or under bridges.. troll trl
trl v. n. also (sc.) trow tra . lme. origin. uncertain cf. ofr. troller
(mod. troler) quest wander casually mhg. trollen stroll toddle. a v. i
v.i. saunter stroll amble spec.. (slang) cruise in search of a sexual
partner etc. lme. v.t. i. roll. spin turn over or round repeatedly. now
sc. lme.. ii a v.t. entice allure. ml. b v.i. t. angling. fish by. drawing
bait along in the water sc. n. amer. trail a baited line behind. a boat.
also fig. move in an alluring manner search for or for. e.. b b. macdonald
by trollingwe caught silvers king and dog salmon.. atlantic nancy had
beenherselftrolling her scooped neckline under the. eyes of russell's
friends.. iii a v.t. pass or hand round. le. b v.i. circulate be passed.
round. ee. v.i. t. (cause to) roll or flow (in). ll.. iv v.t. i. sing
(out) heartily sing or recite in a jovial or. carefree manner. l. v.i.
sound out or be played in a jovial or. carefree manner transf. (of a tune)
recur constantly to the mind. e.. r. l. stevenson he trolled with ample
lungs. j. berryman troll me the. sources of that songby blake.. v a v.i.
move nimbly (of the tongue) wag. long arch. e. b v.t. wag. (the tongue).
rare. mm.. comb. trolling motor us a lowpowered motor suitable for a boat
used in. trolling for fish trolling pole n. amer. a horizontal pole on
each side. of a fishing boat to keep the lines clear of the propeller.. b
n. a small wheel spec. a fishingreel. ll. trolley n. .. local. m. angling.
a the method of trolling esp. in fishing for pike. etc. l. b a bait or line
used in trolling. m. the action or an act. of trolling sc. a roll a
rotation. e. a song sung as a round.. e.troller n. (a)a person who trolls
esp. in fishing (b)n. amer. a. fishing boat used for trolling a line m..
white elephants. white elephants. ini matsocvkaisn ndjdit white elephants
hvordadn blir kapitler i news. sjekk no.test rtyuiop hva slags bok
ideareal kladd webcam text ) lumber. x. skjold ii side. eggja nr. c.. ola
sjå eggja () og våga austre i sveio () gm. siri. giske f. kanskje svensbø
i vikebygd gm. endre jørgenson. enkja malena velumsdtr frå eggja (). ola
blei buande på eggja etter at han gifta seg med enkja malena.. andre kona
til ola marta døydde. ho var enkje alt år tidlegare.. det heitte då at den
ugifte ragnilla underholdes af slægten.. nn kanskje heitte ho siri persdtr.
fravær. skape seg et fravær. gå i bånd en hund etter forestillinger.
underkaste. seg fraværet. et fraflyttet fiskevær kalt fravær. i lengre tid
er hun ikke. der.. and so your god bungled his work deliberately. and so
your god bungled his work deliberately. perfect your physics and you will
understand nature better refine your. reason banish your prejudices and
youll have no further need of your. god.. prove to me that nature does not
suffice to herself and ill let you. imagine her ruled by a higher force
until then expect nothing from me. that of nothingness it has never held
terrors for me in it i see naught. but what is consoling and unpretentious
all other theories are of prides. composition this one alone is of
reasons.. for nature is inherently destructive and it is our recognition
of this as. participants in nature that provides de sade with the
fundamental. connection he places on the link between pleasure and
perversity.. what is it that truly excites the human spirit conflict and
turmoil is de. sade's answer. it is when we are directly confronted with
nature in its. true destructive state that we come in contact with the
fundamental. underpinnings of our creativity and existence.. perversity is
its own end. given the possibility of having virtually anything as was the
case with. the four rich men what is it that one pursues according to de
sade. witnessing the pain of others is high on the list of possibilities..
we have tended to see pleasure at the very least to be a distraction. i
have no need to thwart my inclinations in order to flatter some god. thus
nothing but the law stands in my way but i defy the law my gold. and my
prestige keep me well beyond reach of those vulgar instruments of.
repression which should be employed only upon the common sort.. whence the
duc would conclude that nothing is really just but what makes. for pleasure
and what is unjust is the cause of pain. nothing quite encourages as does
one's first unpunished crime.. no as to that there's no doubt. furthermore
beauty belongs to the. sphere of the simple the ordinary whilst ugliness is
something. extraordinary and there is no question but that every ardent
imagination. prefers in lubricity the extraordinary to the commonplace.
beauty health. never strike one save in a simple way ugliness degradation
deal a far. stouter blow the commotion they create is much stronger the
resultant. agitation must hence be more lively in the light of all this
there. should be no cause for astonishment in the fact that an immense
crowd of. people prefer to take their pleasure with an aged ugly and even
stinking. crone and will refuse a fresh and pretty girl no more reason to
be. astonished by that i say than at a man who for his promenades prefers.
the mountains' arid and rugged terrain to the monotonous pathways of the.
plains.. in order to allow voluptuousness to become irritated by the.
augmentation of a desire incessantly inflamed and never satisfied a state.
which must necessarily lead to that certain lascivious fury the friends.
shall strive to provoke considering it one of lubricity's most highly.
delectable situations.. by and large offer your fronts very little to our
sight remember. that this loathsome part which only the alienation of her
wits could have. permitted nature to create is always the one we find most
repugnant.. the idea of crime is able always to ignite the senses and lead
us to. lubricity.. desade. metaphysical painting. metaphysical painting a
style of painting invented by giorgio de chirico. in about and practised
by him and a few other italian painters most. notably carlo carra until
about . the style is characterized by. images conveying a sense of mystery
and hallucination often involving the. use of tailors' dummies or statues
in place of human figures. it had a. strong influence on surrealism though
its concentration on depicting. uninhabited cities was peculiar to itself..
Mar. kanta representeres i grafer av noder og kanter og som.
tilstandsmaskin noder er rom med tyngde (tak gulv omsetning). moebius.
manusfilm nr.. film med filmrull formet som moebius. bånd. det. betyr at
filmen avspilles. rettvendt og deretter speilvendt for. deretter å begynne
på nytt igjen.. handling en person filmer noe via et. speil. personen til
venstre og. speilbildetspeilscenen til. høyre.. det finnes ingen vakrere
topologi å ty til enn mbiusflaten når en skal. illustrere hvordan det nære
og det fjerne det indre og det ytre objektet. og subjektet grenser til
hverandre.the baudri llard.. kst. hva er riktig kommunikasjon dersom den
spriker sånn over en kanal som er. så smal virker fragmentarisk og
villedende kikkehullsestetikk. voldtekst gjærbakst kst tverrspringende når
kan ventes svar. dialog. dele seg i to dialogen. alltid delte i og med den
indre. isd kommunisererselv.. ghl bota. ghl bota. rhberemsynr.. . gel ojlo
s. vosm (setta ). . oslo s træntaaon. vhsn (setta ). . tromtaoen byta. vecm
(ghfh ). nhrdsufv telefan ssyvåtc beyshnschcden hor opertodt. rafærengemr
mc. crowned anarchy. one easy way to think about crowned anarchy is to
think of it as an. expression of a method of difference. deleuze often
uses paradoxical or. contradictory conjunctions of terms in order to try
to shock difference. and productive disjunctions to the surface of
thought. i believe that crowned. anarchy is often mentioned in terms of
nomadism or nomadic distributions. both of which serve to highlight an
orientation to movement process. creation and becoming. other examples of
this method of difference or. style are drunken sobriety stationary speed
populous solitude and. disjunctive synthesis.. æon flux. æon flux. the
very thought of rubbing up to the sinewy form and torso of. the
selfpossesed selfish seductress of death and delirium...oh how the. loins
quiver at her approach.. so until i see the great divided lands where
monican. and breen killers briefly dance a skirmish or two until i touch
aeon. there where thanatos and eros hold sway i will remember....
nonplusnoema. she swept from the room leaving the nonplussed artist to
puzzle over. the cause of her behaviour.. no match for nonplus.org..
though the noema is always available there are periods of rest or low.
activity where the system is able to return to a known stable initial.
state. the system is still there but the load on the system is minimal.
changes.. the noema is designed to always be up and running. individual
components. may be down but the total the noema stays available. in this
mode of. continuous operations things are evolving and changing
constantly. there. may be many versions of a component active at anyone
time. evolution of. components new feature introduction and constant
change are common. ongoing activities.. negativitet. hvordan modelleres
negativitet overhodet hva menes når vi abstraherer. 'noe' fra noe lager vi
samtidig 'ikkenoe'. det er merkelig og komisk når. jeg ser på den og den
knappen og tenker på at den er det den er fordi den. ikke er alt det andre
den ikke er. er negativiteten en egen dimensjon hva. er forholdet mellom en
operator og et uttrykk hvis vi har to ting. hvordan kan vi legge dem sammen
og regne på dem instruksjondata en. fortolker på datanivå er alt data ingen
negativitet fortolkeren. strukturerer og lager samtidig negativitet
dimensjonsforskjellen fra flat. data sekvensiell datastrøm til en struktur
med flere dimensjoner. f.eks. som i overgangen fra en endimensjonal
sekvenslinje til en. formatert tekst videre inn i et meningsunivers. på
hvilken måte fins. døden fins den på en annen måte enn ordet 'ikke' hva
refererer 'ikke'. til hva slags monisme er jeg ute etter patafysikkens.
justis konstant. langt langt nede blant våre fundamentale behov ligger
rettferdighet en. vektskål hver enkelt holder i balanse gjennom å ta på
seg eller fordele. skyld. om samfunnet ikke hadde svarte hull for skyld
ventiler religion. devnull et lukket system med konstant energi et usa
hvor man. saksøker hverandre til frokost. aqualizer. utligne. equalizer. n
reduces frequency distortion syn equaliser an equivalent. counterbalancing
weight syn counterweight counterbalance counterpoise. balance equaliser a
score that makes the match even. aqualizer neologism make something fluid
transparent remove rigidity.. aquality neo. the fluid transparent quality
of s.t.. aqual v. 'a aquals b' 'heat aquals ice' 'internet aquals
identity'.. telegram episode. telegram. monographic. episodic writing. å
kom skal du høre. ånd og overgrep. sans og. forbrytersyndikatet d.hc. just
boresome. å kom skal du høre. the paul whitney collection. triploop
..................excerpt. bankkontoen er det faste punkt for
jordmenneskehedens kultur af i dag.. bankkontologi. nn. i. c. v. r. c. i.
.. c. v. r. c. i. .. c. v. r. c. a. k. n .. a. c. v. o. r. u. .. c. r. n.
e. .. s. m. r. c. c
320
e. .. not two.. come directly into harmony with this reality just simply
say when. doubt arises not two. in this not two. nothing is separate
nothing is excluded. no matter when or where. enlightenment means entering
this truth. and this truth is beyond. extension or diminution in time or
space in it a single thought is. ten thousand years.. .... one thing all
things move among and intermingle without. distinction. to live in this
realization is to be without anxiety. about nonperfection. to live in this
faith is the road to. nonduality because the nondual is one with the
trusting mind.. hsin hsin ming (verses on the faith mind) attributed to
chien chih. sengtsanca. c.e.. ftp. category techhead id. i know most of us
use some type of ftp prog to upload download and chmod. but at times you
may need an alternative. say for instance you are away. home and the
computer you are using has no ftp prog. here's a simple. way to access
your server via the web. ftpyourloginnameyourpasswordyoursite.com. did i
mention you can upload and download files this way just drag and. drop
files to and from the ftp. minus. manus. nato phonetic alphabet. the nato
phonetic alphabet. alpha bravo charlie delta echo foxtrot golf hotel
india. juliet kilo lima mike november oscar papa quebec romeo. sierra
tango uniform victor whiskey xray yankee zulu. i tallssystem. tverrsum. i
tallssystem. hvordan har det seg at når man tar tverrsummen i en tallrekke
så. opprettholdes likevel forskjellen (her ). det var litt overraskende når
jeg oppdaget det at tverrsummen skulle. bevare dette.. ethvert heltall n er
kongruent modulo med tverssummen av n. dvs differansen mellom n og
tverrsummen av n er delelig med .. bevis (husk at (modulo )). la n n n ...
være sifrene i n i tallssystemet. med n det minst signifikante sifferet..
da er. n n n n n .... n n n n ... (modulo ). n n n n ... (modulo ).
tverrsumfunksjonen er en modulus altså og sammenhengen er at. dvs. modulus
.. mer generelt så ser jeg nå at intervallet ( i eks.) opprettholdes i.
alle moduluser og at tallrekken kan være hvilken som helst.. dvs.
moduluser kan tolkes som ulike (rest)tallsystem og at den samme.
tallrekken har ulik representasjon i ulike tallsystemer men uttrykker. det
samme.. Mar. de fleste foretrakk stort pensum istedenfor. fordypning
engasjement og klare mål. næss. et menneske er flere mennesker. et halvt
menneske virker helt et helt. menneske virker halvt.. amg strain ghost
montage. sollewitt concept art etc nettime. code is the only language.
that is executable.. ideer kan være koder. hvorfor vil vi at alt skal være
variabler ikke konstant.. the whale the corp (corporal) the old the falcon
fatty swede triple. tramper the bank nixie broom woodcat the king shorty
stocks. crooked the lion easy garibaldi scamp mad clumsy buck the. calf
lazy cheeky sooty brotherinlaw seven mark and one the. kid the lamb the
cub catowl nonsense the fizzler the toad the. chunk coffeesack coffeecnob
nothing the grouse ginger the bag. straight wally valdeser the troll
minced fat the christian bent. sinny crow nail divekeeper code spout the
baker egg nincompoop. the taste pig's totter boar shrimp stuffing doll
fliepedersen. matches the painter the smith whimpy the wizard sea scorpion
budd. birch manikin pepita entangle chop death.. who's bruno magh if yamean
rob's sneakers i dunno. mine were plain ol' adidas. re he didn't get
it....and he's a sargent....... re re mark fuhrman didn't get it either..
the transaction was a success. en ekunst mail spammer og til. person
person peerpeer multiperson ha en avtale om en multiperson med. noen vi
opptrer som n person med ett navn.. the transaction was a success thank
you for using this service.. your transactionid. is. støy. det er åpenbart
fleire måtar å høyre på støy på. eg tenker ofte på det som. ein
overskridelse. overskridelse av musikk metamusikk på en måte står. støy
'over' musikk eller ligger 'under' musikk og 'føder' musikk slik. natt
føder dag liksom jrf at natt oppfatta som opprinnelig.. overskridelse av
seg sjølv jfr din 'motstand' kanskje. overskridelseoppheving av seg sjølv
ved det n'naturlige' ved støy. ekstase ved støy overganger mellom
tilstander er 'støyete' kan alle. fortelle om.. Mar. resonate. mne. domus
. '. '. icarufa. domus . '. '. mddaurgtuse . domus .. vxtojnca. domus . '.
'. au rora. domus . '. '. kklang. domus .. tsrsgoihnsger . domus .. jvoa
eoer. domus . .. rddgeagthrdissator. domus .. bsotgagngigsgak ahaaggge .
domus '.. futureme. past me. lumber. lumber. dP' I Y P dP' Yb Y. . . . . .
. . dP aaaadP. P Y ' Pd' YbaaadSPOSUBSES. ii dPY dPdPYb gg. ggggggggggg
gggggg ..... .... .bd.'. noemata. Saturday April. us we'll consider wheth
Net.art cobe copiedWelcome to net Noemata.net. is a nonpCouncil of
Cultural Afregistered in N Norway. On a yearly. noemata. Friday April.
eta.D. real development of idbfeeaecbdbffeabintention was to combi.
interaction minglesot deilppa msacras dnadi fo tnempoleved laerthe net
with. those of collective.
contributioddefdacbefaaaebbcabacPRSSNKKRTTTTKPRTTMKWSside. into the
productio internet addrband and so open up to kind of public spacewho.
make a significancedevelopment of idconcept is applied to processing.
carriermembers every month result of sometNight Fever' 'The Wiza. modify
it and thenlasts thirty days with concept members every. . monthNa easy
hiding place for s modify it and then. networks. The story is.
fireworks.fdbccaaeffdacbabddastructure of data flows plot. of a story by
locusnonmat bringing out intras net possible on.
thameselvLJvMVuImsGoEJzKCUtdsQR.approach to discourage albums. whitewhite
albimo blcspreads with no techni emotional vulnerabiliswappers. noemata.
Saturday April. hexture. jodi.org. barriecoptusnet.com.au.
bennett.osu.edu. cantsinzedat.fuberlin.de. dolmensniperfree.fr.
epistolarisfreemail.hu. expsurfeu.fi. felixopenflows.org. fmadrefree.fr.
gustin.pascalefree.fr. henry.warwicksbcglobal.net. hmfahhotmail.com.
hmfahhotmail.com. informaticaintervida.org.pe. jimvispo.com.
jlantoniouol.com.br. jukkaxpressed.org. kellydavismac.com.
kkervinenmailcan.com. lcubbisonearthlink.net. loymyrealbox.com.
mpalmerjps.net. nettimebbs.thing.net. netwurkerhotkey.net.au.
noematakunst.no. rickrickbradley.com. ryan.whyteutoronto.ca.
solipsishevanet.com. sondheimpanix.com. tobiastechno.ca. towntrickaol.com.
vibriinternet.com.uy. wfairbrotherhotmail.com. xpressedsdfeu.org.
xstreamxpressed.org. wreathus. abuigueswanadoo.es. adelectrocd.com.
agranode.com.br. arexsall.nl. ascoooo.lt. bennett.osu.edu.
bramhallearthlink.net. bruecklaol.com. cadalypacbell.net.
cantsinzedat.fuberlin.de. ceciltouchon.com. dolmensniperfree.fr.
dtvmwt.net. expsurfeu.fi. hmfahhotmail.com. hmfahhotmail.com.
lawrence.uptonbritishlibrary.net. marc.garrettfurtherfield.org.
margaret.penfoldntlworld.com. memexikonmwt.net.
morrigan.nihilntlworld.com. noematakunst.no. olsonjkdelhi.edu.
p.ixelntlworld.com. poetryhypobololemaioi.com. ptlambertearthlink.net.
rickrickbradley.com. ryan.whyteutoronto.ca. solipsishevanet.com.
tgreenclear.net.nz. towntrickaol.com. walterblueearthlink.net.
wfairbrotherhotmail.com. whitebd.dion.ne.jp. ybvictoria.tc.ca. Bubolic
stoplight unlikely by anemic. Bubolic stoplight unlikely by anemic.
unlikely stores anemic's growing pool as a collection of.
selfdisconnecting noemas that anyone can contribute to. lusers need to
log. in to enable unlikely to make sense of their movements through the
bassin.. Unlike anonymous drowsing unlikely facilitates a more
personalized. form of intuition the very act of intuiting results in a
generative. process that creates new linkages alters old ones and
contributes. resources to the community. Thus unlikely resembles a
biological neural. net that is based on human activity it is a collective
distributed. system of emerging patterns pathways and disconnections..
unlikely departs from the typical hierarchical thought bassin structure
by. relinquishing some of the control of hardcoding links between.
concepts. unlikely is also described in a public XMockupLang file making
it. possible for anyone to develop alternatives to unlikely's structure.
unlikely could easily be traversed as a trity eidos game a mind nap a.
sound ungine (logically sound system) or a Flush animation whirl.. In this
way it is the beta version of a anemic operating system for which. anyone
can develop compatible cogiance phlog.ins skeins or filters.. unlikely is
an agent of anemic's resources that grows symbiotically with. related dis
course.. BIOGRAPHY. Current coreDevelopers are blithe lussett bensyversion
nsatromnym and. conYates. As of anemic Version pee. CONTRIBUTING.DEVELOPERS
are listed dynamis cherubics by their usage of. contribution to and
participation in haven unlikely. wopers.. For dynamite please load and run
the anemic WHOIS button and blowup yous.. All participants exist as noemas
within unlikely. The car develop. maintain and develop the anemic
dabblication platt form and are. reposible for mini a spectable of
including the inter views anemis.. crow envelops hinter party pants
tributing dissociation varia. ariaous other panties enties and cystems all
unenginage in the act. vity that con stigmatutes anemic boldless
bloodfuel.. særmeldinger. baklengs inn i aftensangen. alt vel hilsen per.
over åsen. særmelding kodemelding gitt i åpen kringkastingssending fra
London som beskjed. fra britisk militær myndighet til agenter i Norge.
Særmeldingene besto som regel. av avsluttede setninger (Du er en heldig
gris Hesten traver i bakken) der. innholdet var avtalt på forhånd. I
okkupasjonens siste år angikk de som regel. flyslipp av våpen og
bekreftetavlyste en planlagt operasjon. BBC London. Radio eller norske
myndigheter hadde ingen innflytelse over særmeldingene som. var av rent
militær karakter. For lytterne utgjorde de gåtefulle og. fantasieggende
innslag som bar løfter om at hemmelige aksjoner var på gang.. QPVEO TXJZC
AZGVN. default. default. neglect failure to act. stats url. ola narr.
leonardo ola narr. Apr. sis sfsisnsds snsos srseslsesassse. sisss swsansts
stsis sdsises. ssasls sisss sbsacsks tsos snsosrsmsasls. sisss. s. aa.
Ifølge Bergens Tidende skal det nå holdes kurs for sjenerte bergensere..
HansWilhelm Steinfeld rødmer.. køntriola. doby ardon. ebmg. ebmg. nkb.
g.php. Apr. alasglea hshatrukturene asdgogg ingghehnhtiasngf sbetsyr
nogge. minae hfohrestilldfinger. vaigrhkhejlisghet. hvsa hehr virhkelig.
mikkaeg hmush grahvhietasjon poliasftihkhkh hlivh sdaøad hvihrkelig. havaa
aerg gsgaanat. tosomtussmørke. tosomtussmørke tåsårdessert tesiltusle
tesugetasje tåsokktaske. tissefanttussefar jeansagent jannin gnom joner
genial gang gynekolog. genever jennifer. mailnews. U S E N E T. valable le
Mars. par header. mailnewsanon.lcs.mit.edu. mailnewsnospamanon.lcs.mit.edu.
mailnewsnym.alias.net. mailnewsdizum.com. mailnewsnospamdizum.com.
usenetgatewaymixmaster.shinn.net. mailnewsshinn.net.
mailnewsfreedom.gmsociety.org. usenetgatewaynospammixmaster.shinn.net.
mailnewsnospamshinn.net. mailnewsnospamfreedom.gmsociety.org. par email.
group.namenewsgw.rrze.unierlangen.de defunct.
mailnewsYYYYMMDDgroup.nameanon.lcs.mit.edu.
mailnewsnospamYYYYMMDDgroup.nameanon.lcs.mit.edu. Apr. hva er
kommunikasjon og hva er uttrykk. nivåer. Vende tilbake til det. Re Vende
tilbake til det. Vende tilbake til det opprinnelige. Couldn't have said it
better myself.. mailnews. newsgroupnamenewsanon.yi.org.
mailnewsbananasplit.info. DISORIENTATIONS OF THE NETART. TECHNOLOGIES AS
PHANTASMS AFFECTS AND GHOSTS. ON THE FLOW. THE WORLD OF USER'S MANUAL.
SPACE COUNTERS TIME. AVAILABILITY ACCESSIBILITE AND CONSUMPTION. ....
password. configure OE. How can I configure Outlook Express to display a
message in fixed width. font. First remove the viruses. Then go to the
fonts... no wait you got a virus. again. Get rid of that. Now go to the
fonts menu and select... no there's. another virus. Better rebuild it.
Okay now you're in the fonts menu and. you select a font that is
specifically fixed width like say Courier. And. while you're at it you
might want to look at disabling all the HTML decoding. on Usenet as well.
Whoops there's another virus. ps I don't want to hear no bullshit about
how microsoft sucks ass and all. that constant repetitive stuff.. Then why
not get a newsreader that actually works and at least conforms. the basic
RFCs. mulig. En skole i Stockholm ble tirsdag evakuert etter at ranere
satte fra seg en. mulig bombe i en bank i nærheten.. En mulig skole i
Stockholm ble mulig tirsdag evakuert etter at mulige ranere. mulig satte
mulig fra seg en mulig bombe i en mulig bank i mulig nærheten.. Apr.
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... . ...... .. ... .... ..... . ...... ..... . ...... . ... .... ......
....... ..... .. .... ... .... ....... ........ ..... .. .... ... ....
........ ......... ..... .. ... .... ......... .......... ..... .. . ..
.... ........ ........... ..... .. .. .. .. .... ....... ............
..... .. ...........................................
.......................................... anon i don't know why people
don't. eliza maybe they're looking for something. why should they. what
you offer is just withdrawals and stepping back. yeahyeah from looking for
and searching. you're male yorick should be ucking around. i know that's
his business and he would feel the catration. pointing his figer and his
we pons. wall there's no connection at all just the silly drives. the
fabric production activity life that's a big canvas. there's no
connections there either leave them alone. support. no support is needed
earth spins around in empty space. you need all the usual stuff. don't
need anything my life didn't need life just automatic business. joy of
life. death has joy too why distinguish it's just one big blob going
through the. motions. fatalist. pass. what about suffering. i'm sorry.
i'll kick you in the leg. i'll respond ouch. improvements richness of
life. do we suffer less than years ago broken things have richer
structures. knowledge. it adds to the mess and i'm withdrawing. knowledge
for the future. it's very easy for us to extinguish ourselves and
difficult to believe in. humanity. space. space what. hopes. we should try
to find some loopholes via science or anything change ourselves. leave the
human maybe our physicality cognition and culture have some. limitations
we can't overcome evolution is too slow our knowledge too great. all the
culture trash and our drives are against us we'll be like dinosaurs. with
a brain look at the current territorial religious cultural violence. it's
just mad and on the other side global capitalism and exploitation is made.
possible by the inertia of the same structures humans have no future we're.
reaching some limit in our interaction with the world we should find holes
and. creep through into a posthumanity i'm indifferent to the human i'm
only human. and have no future.. Mr M. saw a naked woman covered in postit
notes once. she was some art diva from spain. 'automated net.art
auto.noemata.net'. Hi. Thank you for hosting your list at Topica.
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Unsubscribe link at the bottom of any message.. For more information about
this list visit. your group account has been disabled to to an
autoresponser set up. LYS. Tilsynelatende nødvendighet av å tale om det.
Ikke si mer enn enhver kan si til seg selv. Spørsmålene om det er materie
eller immaterielt. Substans el aksidens osv. Fåfengt. Den som ikke tilstår
dette for seg selv kan trette seg med å løse det. opp. Bedradd av alle kan
vi bare lære av dets virkninger. Lysets virkinger er utbredt foran oss.
kvalmen. fremtiden er der knapt blekere enn øyeblikket. Hvorfor skal den.
virkeliggjøres. Hun skal til å dreie om gatehjørnet hun dreier i en
evighet. tanker det er det flaueste som finnes. flauere enn kjøtt. de
strekker seg ut i. det uendelige og etterlater en underlig smak. proxima.
lysår. melkeveien lysår diameter mrd stjerner. mrd andre galakser. lokal
gruppe av. nærmeste lign galakse andromeda m mill lysår unna. kvasarer ses
over mrd lysår. stjerneklasser. wow oh be a fine girl kiss me right now
sweetie. chance and chaos. kolmogorov matematisk talent setter inn akkurat
når den psykologiske. utviklingen stopper. han ser på seg selv som år.
stødig strøm periodisk strøm irregulær turbulens. observasjon av
periodefordobling i dynamiske system feigenbaum ... entropi måler
tilfeldighet i et system. hawkings. galilei kraft er å forandre en
bevegelse. newton derson ikke kraft fortsette i samme fart. ingen entydig
hviletilstand. om det er toget som går eller jorden som går er. like
gyldig. paradoks umulig å si om to hendelser på forskjellige tidspunkt.
inntraff på samme sted i rommet. eks. en ball spretter to ganger på samme.
sted inne i et tog en som står utenfor vil se sprettene med meters.
mellomrom. sitat. hardingfela er norsk nasjonalinstrument fele så er brukt
kattesener. hardingfela hele katten. det finnes det som har spilt i år i av
disse har de stemt. gås på bordet. forskning sprøyte brennevin inn i ei
rotte. er det noen kattjævel her. lysår vi hadde motlys. han var fem år da
han ble født. det du har lært kan ingen ta fra deg men det du ikke har lært
kan ingen heller. ta fra deg. det er skrevet mye og gud i de nye og de
gamle instrumenter. det som står her er. skrevet med en hellig skrift.
midt i paradisets have sto det et tre som het. bekjentskapets tre på godt
og ondt. da abraham satt i mamsres lund kom det tre. herrer da spurte sara
om de ville ha kaffi da sa vår herre til sara vil du. straks gå bak døra og
føde en sønn. det er ikke bare for kort det er for bredt også. protokoller.
hvilke protokoller. fullstendig promiskuitet mest mulig lavmål. en stadig
pendling mellom høyt og lavt. overdrivelser underdrivelser. hvite
protokoller. bankei. fri i liv og død ikkje bry deg med dei ha fred eller
nrivana (dei tre. gifter) la alle tre gå. både når du søv og er vaken så
kviler du i det ufødte buddasinn. unngå å falle tilake. bebo det ufødte
buddasinn både fremskritt og. tilbakeskritt overskrides. buddasinnet er
fantastisk opplysande spor av alt du har gjort er reflektert. det er når
du binder deg til desse reflekterte spora at du produserer illusjon..
originalt tankar har ingen reell substans la dei komme og eller stoppe
utan å. binde deg til dei. alt jeg forteller dere er dette realiser
buddasinnet som hver av dere har fra. deres foreldre fra fødselen rett og
slett bebo det i tro.. istadenfor la deses tankane komma ikkje utvkle dei
ikkje binde deg til dei.. hald det eine sinnet som eitt sinn. sinne og
glede lagar du heilt på eige hand.. det er ingenting anna enn det ufødte
og uforgjengelige buddasinn så du bør. begripe dette klart.. ideen om å
ville kontrollere dine lidenskapar og forestillingar er i seg sjølv. ein
feilaktig forestilling.. det er ikje noko slikt som opplysning. det
originale buddasinn er ufødt det. fungerer utan tanker om å ville bli
opplyst. i buddasinnet er det ingen tanker eller ting så ikkje bry deg med
dei. jakte på ord fraser når vil du bli ferdig. du spring deg helselaus
pålesse kunnsakp blir vidt informert. sjølvnaturen er tom og opplysande så
la ting ta vare på seg sjølv. det er ikkje noko anna eg har å meddele.
ikkje sint når forstyrra ikkje gladlykkeleg når tilbedt. ein stor
treskalle i verda. følge med der forholda føre meg nord sør aust vest.
utan å gjøyme mi styggheit og klumsetheit mellom himmel og jord. blinde
folk slit ut kleun sine ventande på opplysning. akkurat som å prøve å lage
eit speil ved å pusse ein stein. den store funksjonen manifestera seg sjølv
utan faste reglar. godt er skrekkeleg. og skrekkeleg er skrekkeleg også.
ting og hendelsa. er berre produkt av omstende. dersom du blir ein budda
er det ingen plassar å gå. du fyller det store. universet heilt ut til
grensene. det er når du blir noko anna slags vesen at. det er plassar å
gå. dersom du innser at det opprinnelig ikkje er nokon dårlige vaner hva
er det då. å unnå eller stoppe. paulus. paulus . brev til titus. en av
deres egne til og med en profet har sagt kreterne er alltid løgnere.
villdyr grådige late og dette vitnesbyrd er sant.. grelling nelson.
autologier homologier uttrykk som uttrykker seg selv. norsk setning.
femten bokstaver. jeg. andre uttrykk kalles heterologiske. så spør man om
heterologisk er et heterologisk uttrykk. hva med denne setningen uttrykker
noe annet enn seg selv. sorites. avleder en falsk påstand fra en kjede av
riktige. en haug med stein er fortsatt en haug med stein dersom vi fjerner
en stein. etc.. altså er en samling av en eller ingen steiner en haug med
stein.. pragmatiske. paradokset ligger i motsigelsen mellom påstand og at
påstanden hevdes. det regner men jeg tror det ikke. jeg eksisterer ikke.
terning. sannsynligheten for at en side på en terning kommer opp er så det
er. allermest sannsynlig å tro at siden ikke kommer opp. men dette gjelder
alle. sidene. derfor er det sannsynlig å tro at ingen av sidene kommer
opp. pi paradoks. salvati kan du fortsette rekken nei. men du kan
fortsette rekken. paradokset er at de beskriver det samme pi. tro gjennom
feil paradoks. at noe som slår feil styrker troen på tingen fordi feilen
viser det. irrasjonelle betydningen av tro. hilberts paradoks. hvordan
begrunne argumentasjonen på basis av argumentasjonen. carrolls p.
umuligheten av et argument. a dersom det regner blir det vått. a dersom
det regner blir det vått
321
b det regner. c altså er det vått. men for å akseptere dette innføres et
nytt element. d dersom a og b er sanne så må c være sant. men for å
akseptere dette innføres et nytt element. e dersom a b d er sanne så må c
være sant. jesuitt. dersom gud er allkjærlighet hvordan kan det da finnes
en evig pine i helvete. helvete med evig pinsel finnes men det er alltid
tomt. menneskerett. en slag rett til å engasjere seg rett til å kritisere
og en rett til å ikke. bry seg.. parse. lichtenberg E F. O The dog is
lapping the boiling water. release. Gorrespondence imondo mail . art
sokrates. ozone. skittent. mørket er estetisk lyset er skittent. bilde av
klistremerkene. finne du din vilje oppgave. nagval stalking ll som
parallell til sitasjon. drift psykogeo. når frykten forsvinner forsvinner
alle bånd og vi er frie. ro og fred. vi sier ro og fred men det betyr
indre frihet men gj ro go fred som middel. som fungerer i støy og ytre
uro. det er ikke greit å ønske å bli noe man ikke ønsker å være. men sånn
er det den. forskjellen. jeg ønsker natlugh ikke å være det jeg ønsker
eller å ikke være. den jeg ikke er. lagd. tror ikke vi er lagd til å
forstå ting som forsvinner. vi forstår ikke negativitet. negativitet
forstås positivt det som forsvann finnes som forsvunnet. og det som ike
finnes finnes som mulighet. finnes mulighet. noe er mulig. vi forstår
virkelighet som et lukket system det ligger i system og forståelse. ting
blir borte ting blir til vanskelig å forstå. tankemåter blir til og dør ut
med personer kultur med generasjoner. trossystemet forander seg ikke
radikalt med den enektle der av netulig. konsrevativt neasjoner har ikke
noen revolusjoneredne virkeing at noe blir. borte er en modfifikaskon av
tingen. som om eksitens var en modus ved noe skru avpå eksistens. se på
det fra et annet perspektiv det som aldri har eksistert fins det også et.
sted alle dine søsken som ikke er født. hvis vi snur treet oppned. alt som
blir. til må ha eksitert på forhånd. men da har du problemet med mange
muligheter blir. til en virkelighet det kollapser hvis vi skrur det så
ekspanderer det. uendlelig og det er ingen ende op ting som eskisterer
(som mulighet) alle. muligheter må eksistere og det er absurd hvorfor.
kredo. vitenskap gir oss kunnskap om verden. klesskap forstyrrer oss med
klær. du ble født ut av ditt nesebor. voff vi er ikke hunder. de som
passer på gir blaffen. folk er rare. zen begins at the point where there
is nothign further to seek nothing to be. gained. zen is most emphatically
not to be regarded as a sustem of. selfimprovement or a ways of becoming a
budda.. only when you have no things in your mind and no mind in things
are you vacant. and spiritual empty and amrvellous. the marvel can only be
descsribed as the. peculiar sensation of freedom in action which arises
when the world is no. longer felt to be some obstacle standing over
against one.. huangpo men are afraid of forgetting their own minds fearing
to fall through. the void with nothing on to which they can cling.. nothing
is left to you at this moment but to have a good laugh.. mesteren spør ut
studenten og når studenten går kaller han plutselig ved navn. studenten
svarer naturlig 'ja' mestern sier 'der har du det'. spontanitet. mo chih
ch'u gå på uten å nøle. wuwei meningsløshet. wushih enkelhet. the
perfection of zen is to be perfectly and simply human. to a young zen
monk. the roshi stands as a symbol of the utmost patriarchal autoriatiy
and he. usually plays the role to perfection being normally a man ssvanced
in yasrs. fierc and tigerish in aspect a person of supreme persence and
dignity.. the basic position of zen is that it has nothign to say nothing
to teach.. the various koans are intentionally misleading.. after some
time the iceblock collapses and a transparent meaninglessness appear. that
can eat laugh and so on live without a problem.. roshien presenterer nå
koans som er opplagt meningsløse 'ta dei fire delane av. tokyo ut av ermet
ditt' 'stopp klangen av dei fjerne klokkene'. ei jente går. over gata er ho
den yngre eller eldre søstra. controlled accident ikke representasjoner
symboler.. egne objekter. painting by not painting. muchi and liangkui did
many paintings of zen. patriarchs and masters as mostly abandoned lunatics
scowling shouting lafing. around or rarith with laughter at drifting
leaves exemplifying the splendid. nonsense and emptiness of zen.. sabi
enslig og rolig stemning wabi something ordinary as suchness aware..
mystisk stemning yugen. dette er fure aspekter av furyu.. haiku i årh.
bashu i wshihstil 'ingenting spesielt'. the superficial consciousness can
awaken to the eternal present if it stops. grasping. now this eternal
present is the timeless unhurried flowing of the tao. such a tide as
moving seems to sleep too full for sound of foam.. mantras and tantras
meditation and concentration. they are all a cause of selfdeception. do
not defile in contemplation though that is pure in its own nature. but
abide in the bliss of yourself and cease these torments. wahtever you see
that is it. in front behind in all ten directions. even today let your
master make an end of delusion. the nature of the sky is originally clear.
but by gazing and gazing the sight becomes deluded. sarakas trasy of songs.
no thoguth no reflection no alaysis. no cltivation no intention. let it
settle itself. cut out sagacity discard knowingness. and the people will
benefit a hundredfold. cut out humanity discadrd righteousness. and people
will egain love of their fellows. cut off cleverness diescsrd the
utilitirans. and there will be no theves and robbers. become unaffected.
cherish sincerity. belittle the personal. reduce desires. laotsu. the
perfect tao is without difficulty. save that it avoids picking and
choosing. follow your nature and accord with the tao. saunter along and
stop aorrying. if your thoughts are tied you spoil what is genuine. dont
be antagonistic to the world of senses. for when you are not antagonistic
to it. it turns out to be the same as comnlete awakwning. the wise person
does not strive. the ignorant man ties himself up. if you work on your
mind with your mind. how can you avoid an immense confusion. sengtsan. one
day i wiped out all the notions from my mind. i gave up all desire. i.
discarded all the words with which i thought and stayed in quietude and.
ZTT i entered i lost the bounderies of my physical body i spke but my.
words lost their meaning. i saw people comnign twars me. all of them were.
myself. i had never known this world. i had beieved i was ceraed but i was.
never created i was the comsos no idndiviudal mr ssaki existed.. .sakeian
sasaki zen notes vil no. we eat excrete sleep and stand up this is our
world. all we have to do after that . is to die. ikkyu. you light the
fire. i'll show you something nice. a big snowball. mennibdr versen og
livet lemm død og ny fdese. uta sv krppen så yutterverdn lbitt indre og
omvendt. man fyller hele rommet og lever i tiden. stiger ut av rommet føre
og etter. ha takk ha. sanselik. imaginasjon. inspirasjon. intuisjon. alt
som saller mot krppens speil speiler seg til sanseopplevelse. tankene
tanken muldere av elemtarvesen sender seg ned i eterlegme. formørker
eterlegemet eringdring. visom som natur rundt seg her. vi må ta vort
visdommen forvandle altsp selv til livskrafter. pines ab det glode.
latskap pinesa av fliden. tingene spør oss vi spør ting her. verden føst
av personen. det oversanlsige mennsek. åpne åttetall lemniskater.
tilsvarer det himmelse bilde av menn. nerve og kjertelsystem. inspirasjon
i toner verdensharmonien avspeiles in blod kretsløp hjerterytme. intuisjon
tonene inneholder mening sprok verdensordet. angel archaloi archai. exusai
dymanis kdriotetes. troner cheubin serafim. mot i brystet. blir lemmer
armer og ben. blir åndelig ord. solflekker mikael kosmiske jern.
antropsosi psyikosofik ner mtosofi. linvssans bebetelesn liekversans.
fangarmer. lotusbolst i hodet imagintaiv. strupehodet inspirasjon. jver
hjertet den ituitive. imaginasjon fornemme. insirasjon føle. intuisjon
tenke. psykosofi. slutningen tilspisser seg i forestilligen. punktum. like
før han legger seg sender han noe. like etter at han står opp punktum.
interesting ng. alt.abuse.transcendence. alt.acme.exploding.newsgroup.
alt.anybody. alt.anygroup. alt.anything. alt.artcom. ba.art.
it.arti.trash. rec.arts.misc. alt.chaos. alt.confusion.atitsfinest.
alt.foo.bar. alt.foo.bar.qux.xyzxyz. alt.languages.norwegian.
alt.languages.nowegian. alt.life.internet. alt.life.sucks.
alt.life.universe.everything. twalegged poneys Re Estimable Finns (Re
AAUUGGHH). In article bunniegirlhome.com (Jelliebun). I've been dealing
with a lot of people at work who don't speak English. as a first language
... and some of these damned nonsequitur bot post. thingies are starting
to make sense.. For instance it would not be at all startling to find the
following. in an application letter. Nor have they not sing for quite no
sponsorship. We extracted and remarried as they were lively required
neither. every base past them beheld perversely elder.. I think I need a
vacation.. Would you then be offended if I quoted the following. It
follows that if the two antesedents be bissyclitties and the three.
comeseekwenchers trundletrikes then Aysha Lalipat behidden on the.
footplate Big Whiggler restant upsittuponable the nCr presents to us.
(tandem year at lasted length) an ottomantic turquoindaco of pictorial.
shine by pictorial shimmer so long as gad of the gidday pictorial summer.
viridorefulvid lits asheen but (lenz alack lends a lot) if this habby.
cyclic erdor be outraciously enviolated by a mierelin roundtableturning.
like knuts in maze the zitas runnind hare and dart with the yeggs in
their. muddle like a seven of wingless arrows hodgepadge thump kick and
hurry. all boy more missis blong him he race quickfeller all same
hogglepiggle. longer house blong him while the catched and dodged exarx
seems. himmulteemiously to beem (he wins her hend he falls to tail) the
ersed. ladest mand and (uhu and uhud) the losed farce on erroroots
twalegged. poneys and threehandled dorkeys (madahoy morahoy lugahoy
jogahoyaway). mPm brings us a rainborne pamtomomiom aqualavant to (cat my
dogs if I. baint dingbushed like everything) kaksitoista volts yksitoista
volts. kymmenen volts yhdeksan volts kahdeksan volts seitseman volts kuusi
volts. viisi volts nelja volts kolme volts kaksi volts
yksiallahthallacamellated. caravan series to the finish of helve's
fractures.. Part of it looks Finnish and therefore it has to be about
Linux (because. that is the only notable thing ever to come out of
Finland). Let me just take this opportunity to say. Panasonic (the band
not the consumer electronics manufacturer). Hey Punesuneec joost pleyed
here bork bork bork.. Mika Hakkinen (F driver). That mad vodka. What's it
called. You know.. Per puncture AT flash DOT net. linklog. digest.
Individual Messages. Message Digests. CALL FOR FUNDING DEADLINE EXTENDED.
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COMMISSION COMMITTEE MEMBERS. THE ARTWORK OF LINKOLN JIMPUNK STILL LACKS
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NEEDED AT. NOTE FINAL EMAIL WILL NOT BE SENT TO RHIZOME RAW AS INDICATED
IN THE PROPOSAL. THE FINAL EMAIL WILL BE SENT TO THE PERSON(S) WHO
COMMISSION THE WORK.. COMMISSION THIS ARTWORK CONTACT. ABELINKOLN.NET OR.
bytes. text. dagbladet nyheter. nyheter. Blunker med fire øyne samtidig.
Tohodet geit født på Cuba.. Jon R. Hammerfjeld. .... nyheter neste sak
forsiden. Oct. makeshift. carriers. are the characters carriers of what.
oceanic inflation eg buddhism ego balloon whatever skin. distance in
relation to subjectobject the inflated subject seems infinite. while the
dot in the horizon the distance of the abject out of sight. phenomenology
of beyond vs here and now yon bef. ME OE geon akin to D. gene G jener ON
enn inn the Goth jains that vs thus. thus collapses in codeexecution
distance of processing time of 'active. expression vs matter of doctrine'
formalexpressive this and something else. (subjectobject) always on the
abject side. kunst på strømlinjer noe som følger nettverket over landet
summingen ved. mastene lyd. gi meg et urokkelig punkt arkimedes hvordan
kan lillefingeren løfte bilen. arbeidet fordelt over lengre vei. those
darker parts of the wood have 'personality' something hidden or attracts.
intimacy something else. gnome (nm) n.. . an expert in monetary or
financial affairs international banker or. financier the gnomes of
Zurich.. F NL gnomus perh. Gk gnm see GNOME. . (in folklore) one of a
species of diminutive beings usually described as. shriveled little old
men that inhabit the interior of the earth and act as. guardians of its
treasures troll.. a name to. a name to. a mean to. a amen to. a no team. a
no mate. am note a. a man toe. a mao net. a tam eon. a mat one. a mat eon.
me to ana. a tao men. tao amen. ana me to. ana tome. mane tao. name oat.
name tao. mean oat. mean tao. amen oat. amen tao. mateo an. eaton am.
atone am. neat mao. ate mona. eat mona. tea mona. tea moan. tea oman. am
at one. am at eon. ma at one. ma at eon. an oat me. an tao me. cell modem
fix. rksi .. rkis .. rski .. rsik .. riks .. risk .. krsi .. kris .. ksri
.. ksir .. kirs. kisr. srki. srik. skri. skir. sirk. sikr. irks. irsk.
ikrs. iksr. isrk. iskr. log. qdu må slutte å evaluere sånn. qjeg er den
ketchupflaska. qvil du meg noe snakk til den OK. q(går inn i stua).
autonoemata. Congratulations. Your Group autonoemata has been created. You
can access your group using the. Group name. autonoemata. Group home page.
Group email. This is not good. Is better to attack people. Leave Hummer
alone. Hummer cannot fight back. It's guns that kill people not people.
Leave guns to shoot guns. Stick to your guns. Alan Sondheim. Jarry. Jarry
insisted on certain conventions of speech action and setting. The.
staccato manner of speaking the misplaced accents the puppetlike movement.
the use of masks the use of placards the hodgepodge style of scenic.
painting all of these were Jarry's ideas (Beaumont ). ouspensky gurdijeff.
mennesket er en maskin. alt skjer uten at noen gjør noe. livet er mat for
månen. jeg vil forstå. viktigste mål å ha er å ville mestre seg selv.
tenkning sammenligning følelse sympati. tanke forestilling (tanke som
følelse) drøm (tanke som vilje). forskjellige kulturarbeidere er nesten
uten unntak syke mennesker. mennesker er redde for hverandre. samvittighet
følelse bevissthet tanke. latter eksisterer bare i sentra som er delt i to
høyere sentra er udelte. sex i tenking skriver kritisk og subjektivt sex i
følelse preker kristendom. asketisme synd helvete det bevegelige senter med
sport men alltid er. resultatet ubrukelig dette er misbruk av sex. oktaven
to 'sjokk' tallssystemet. teosofisk addisjon tverrsum. vanlig menneske er
menneske sau orm. intelligensmåling vha hydrogendiagrammet en bakt potet
er mer intelligent enn. en rå potet. lever av hvirvelløse dyr og er mat
for erkeengler. sammenheng mellom positur og tanke følelse er entydig.
stopp. obyvatel en vanlig person kan også være veien. dilemma. det er et
dilemma at vi uttrykker ofte ting fordi de blir forstått (riktig). det er
ting en kan si og ting en ikke kan si (forståelig). dilemmaet er å
uttrykke seg eller bli forstått. det finnes handlinger men ingen som
handler. nagarjuna opphavsmannen til negasjonene paradoksene.. hatha raja.
djna kommando. shiva lingam shaivitene. bindu. prikk over m. samadhi ved
operasjoner mislykket hengning grønn farge hvitt lys. kaleidoskop fløyte
klokker tordenbrøl. vanvittig er min far vanvittig er min mor (dvs shiva
og kali). thuggerne. outsiderens problem ligger i å nekte å uttrykke seg.
analyseparadokset. en analyse kan ikke både være informativ og korrekt.
klassisk gresk ingenting meningsfullt kan uttrykkes alt er meningsløst. å
si A er A er ingen vits. å si A er B er usant. tre ønsker. . ønske. jeg
ønsker at de tre ønskene ikke blir oppfylt. hvordan forvirre den gode fe.
of. ........... of. livet mellomdelengo ny fldes i fhodl ti de kosmiske
kjensgerninger. verdslig travelhet handlign tilsvarer åndelig ro. jeg
bevisstheten avh av den menn.død da menn.adr når opp til sin dieale verdi.
må man si at jeg dadig arveider p åsin egen jegforringelse (med dårlige.
handlinger). universet inne i seg og legemet utenfor. begjær etter tanker.
oseaniskek j. NEWS. NEWS. AnonPostTo Supported (post) True. News Posting
Route (mailnews).
mainewsfrogadmin.yi.orgmailnewsdizum.commailnewsnews.gradwell.net. News
Signature Added To None. receive a list of all newsgroups reachable
through this mail to news gateway. send mail to mailnewsdizum.com with
subject list and no Newsgroups. header. The complete list of available
newsgroups is quite large (K. groups) and can break many mailers. To
obtain through E mail a list of only. those newsgroups starting with a
particular pattern you can include an. egrepstyle regular expression on
the subject line. For instance. Subject list comp.unix. would list only
newsgroups whose names begin comp.unix.. Subject list .linux. would list
all newsgroups whose names contain the substring linux.. Subject list
alt.(securityprivacy). would list all newsgroups beginning alt and
containing either the word. security or the word privacy. Finally. Subject
list ..test. would list all newsgroups ending .test.. nntp test.
newsnews.opera.comopera.test.
newsnewsgroups.borland.comborland.public.test.
newsmsnews.microsoft.commicrosoft.test.
newsforums.macromedia.commacromedia.test.
newsnews.mozilla.orgnetscape.test.
newsnewsroom.trumpet.com.autrumpet.test. newsfrell.eu.orgalt.test.
mailnewsnews. in header. newsgroups. mailnewsnews.gradwell.net.
mailnewsnews.demon.co.uk. W Anonymous Remailer. Paranoia Web interface.
Riot Anonymous Usenet Remailer. Xenophon. Frog's WARI. bmagnhil. May.
maskinen fjerner overtroen fra oss. jeg trenger ikke ville. eller håpe.
what. dkdkdkdkdkfdkfdkfdkfdkfdkfdkfdfkdfkdfksksksks. what does this mean.
tistikken. statistikken latistikken. lehmus ng.
alt.language.poetry.puresilk. jukka lehmus. mattering. near the surface of
earth's oceans between three and four billion years ago. selfreplicating.
the cell all competitors have been swept aside save for the residual
viruses. life a selfmaintaining selfreplicating energyusing system. cell
polarization as communication links. primitive brain stem hindbrain motor
midbrain visual auditory forebrain. olfactory. mammalian brain hindbrain
underneath cerebellum midbrain forebrain underneath. cerebral hemispheres.
we are distinguished form other animals by the large size and unusual
properties. of the human cerebral and cerebellar hemispheres.. somata.
inhibitory hyperpolarization or excitatory depolarization synapse fire
and. don't fire inputs. black matter InterNetWORX. Hallo Herr noir matern.
Vielen Dank fr Deine Anmeldung bei InterNetWORX.. Userbereich von
InterNetWORX einloggen. Deine UserID. Dein Passwort svryra. Deine
HomepageURL. Dein Speicherplatz. Dein Verzeichnis auf unserem Server.
Server. ftp.inetworx.de. Username. noemata. InterNetWORX Web Hosting.
Deine HomepageURL. Dein Speicherplatz. Dein Verzeichnis auf unserem
Server. Server. ftp.inetworx.de. Username. noemata. Passwort. Dein
InterNetWORXPasswort. Status aktiv. WebFileManager. Folgende Angebote sind
nicht zulssig. Webcams mit automatischem Refresh. Chat IRCBot und
DownloadScripts. Websites welche gegen deutsches Recht verstoen.
Pornographische Websites. OnlineCasino Websites. Userbereich. UserID.
Bisher Logins. letzter am .. um Uhr. von ...si .no.powertech.net.
322
Anzeige. Jul. artificial art. COGNITIVE PSYCHOLOGY and ARTIFICIAL
INTELLIGENCE have produced provocative. models og cognition which when
brought to lifewithin a sutiably programmed. computer mimic closely some
of the coluex actiitites of golacriven. intellingece. The NEUROSCIENCES
have begun to unravel the vast microsystem of. interconnected brain cells
that in living creatures appears to execute those. activities. ETHOLOGY
has given us new insights into the continuities relating. human
intelligence with the intelligence of other creatures. And EVOLUTIONARY.
THEORY has revealed the long and intricate selective processes from which.
conscious intelligence has slowly emerged.. ONTOLOGICAL PROBLEM mindbody
problem materialist dualist brain. five radically different versions of
dualism chapter. SEMANTICAL PROBLEM skeptical network of causal relations.
EPISTEMOLOGICAL PROBLEM problem of other minds selfconscious.
METHODOLOGICAL PROBLEM artifical intelligence. This concludes my set of
promissory notes. Let us now turn to the issues. themselves.. oh dear.
meiosis sis o I em. DEARME.TXT. media externalization. stillife. c d lost.
knowledge liar lying as strategy as truth identifies controls. the
wastebasket placed on the desktop and windows inside waste. r. c. (I. bees
queer ever seen a crystal sugar a rockcho. Purchase of nwt. Thank you for
purchasing this share. bytes URL noemata.netnwt Price EUR. Payment info.
PayPal URL. Or money transfer payable to account .. Storebrand bank.
Norway.. Please contact us if you have any questions. Thanks again. Ars
Publica. fake spam. sddds. TddHINGS WssILL RDFDUN FFFOFF YOU. ohVVll
insert. buty. cccc. vjkjkjkuoui. Oy. alpin. treholk med lokk. .... yosrsas
thessdfdsdf sfudssedfd in tfe mfffle. kvestian. Ordet tak har k i utlyd.
vague un. vagabond. astronomiske høytider ALPAKKA. amatør. X. About Help.
voltages of the soul. uteksi utero utbud. uterlig uteske utidig. utlyd
utnavn utopi utror utukt. utvær. V volt. .. i have tou p. hate those
little bastard go sug blod ov your dead great grand. cells won viruses
linger on. data cell. if you don't want this. d. Gievre X. abrakadabra
abruptabscisse. absint absolvere. abstrakt absurd. aceton ad acta. ad hoc
adiafora. ad libitum adrenalin. ad undas advent. affinitet agentroman.
agio. agnus dei. aimabel akantus. akrostikon aksiom. aksjon aktør. akutt
alarm. aleksandriner alen. alfa alfons. alias alibi. thorn thurs ut i sol
sol sunn saigel tlas algz jer jara asskrk kaun os. perta. S NOW. Ammianus
Marcellinus Ammius see Hamder Amuletter Adrhrimner Andrid. see
Kjalnsingasagan Andvaranaut see Andvare Ane den gamle see Aun. den gamle
Angantyr Arngrimsson see Hervararsagan Angilbert Angler. (angli). Aug.
artnapping. pretending to sleep. i'm not saying. for the arps and
sensiblargoviee and seated ities depts. it's something spiritual acronymic
comperata droll votes you. compression it's when you can't compress (more).
still y could. translate later without loss. would a photo captwidth a
pixies casters. it no or it zedek be pericline ure it. no or poto
thsobranje the. winooski if you can snelling of it toddle jada e wholeness
if you can. speak of it then that's why it's obwh ogress massa cones ject.
matarial concrete candy(d)a. you need your wholyou nightside your wonted
selvaged e sensibilithy. tvart would be anwotted an osmium roseland asylum
and intellect the. hushaby overload room inside the hypercube. when she's
runningwandoo sanjak her freudalizable has solipsism chines. wave her feet
has some characteristic (w)hole that' the len(d)s in. advance of. not
really antroponot redshank too mechanizer o's morph. its too many o's
holes again eyes and owls again (quarlean). stillness not focs us interval
not foiling not samisen pelagian us. i'm not saying it's passive. you know
blub bluyou kindness blanton bignonia wakening wholeheartedly. legs
lineally. not history on a not humorers on a vociferously wave. RE
RHIZOMERAW FOR IMMEDIATE RELEASE. what. i don't know anything about this.
i read in the paper today that these were indeed stolen from a museum. in
norway recently. so um what is going on noemata. ja. F O R I M M E D I A T
E R E L E A S E. The artist group Noemata demands mill. norw. kr. for
delivering. back. Munch's paintings Scream and Madonna which today were
taken. the Munch museum Oslo Norway.. Contact noematakunst.no. post
listrhizome.org. questions inforhizome.org. visit on Fridays the
Rhizome.org web site is open to nonmembers. Subscribers to Rhizome are
subject to the terms set out in the. inner voice reason. there's no use in
remembering. well only for those who forget. we have our memory so
remembering is like pause. no use in bed i'll. use in whatever phenomenon.
flatbed scanner. i'm. pause. well this is of photos. you don't. pause. like
pumping up your bike no pause that's nonsense. but like pause. what are the
inner workings the pause. memory is memory pause. i'm sorry this is a mess
not even that it's nothing not even. ok then there's novelty actually most
things just stand by. say this place or you it will continue by itself more
or less. if this pen continues from sec to sec it's no novelty though it
needs. energy for sustaining. a quick look at reality (for a change)
you'll see things linger on from. beginning to end background radiation
rocks soil oil inka cities. the cell virii millions years old animals
still eating grass. it's actually harder not to do things than to do. and
within those rhytmic trends nervous jiggle. so personality fuse (common
sense) i'd rather not. let's say sleep but then there's no consciousness.
ok meditation rather pause long way around the block. drugs no pause i
want control. tao shit my cow jokes. circuits kin of pour something in.
well maybe pause this is a drawing. as a structured whole. the whirlings
in remembering. well only so small tiny trails. let's. pause. well this in
the collage hey those are kind of us will mind. wonder where i pause
that's. pause. well this pen continues from sec it's. pause. blood
something out draw. still doesn't make sense anything of this nothing.
reason is only so small tiny trails tractor. let's see i pause see
nothing. still this mail has a from attractor. and there's some
combinatorics of letters. bingo name of a dog. i'd rather make this a
comedy again. the i's are deemed ridiculous. maybe they should be o's.
eyes no it's nothing here. a related thing i was thinking of photos. you
don't know if you captured it. there's no way to know but you learn. the
inner workings might be contraintuitive. so like you believe it's magic
but it's not. magic is like picture and there's capture. but the causal
might work otherwise. you'll find out eventually. and i expand on the
photomagic correlation. no surprise the visual part of art. capture is of
the whole and then hunters and gatherers. and then the collage hey those
are the shamans. operating on 'elements' of wholes. ok rather pause this
is only so remembering is a structured. whole. the whirlings in the
collage hey those are the same. the rocks are the same. the rocks are kind
of the pause. memory is memory pause. i'm. well i forgot my camera come
back later. like the streams. might be an idea to view this as a
structured whole. the whirlings in the chest it stays the same. the rocks
are kind of pause. answering that would be like pause. well this is
capture again. inner voice stupor. argument of transparency it's pause
kind of ridiculous. heath for structuring but generating more heath than
structure. you could see all this in whatever phenomenon. flatbed scanner.
i'm sorry but then later i'll go to sleep and none of us will mind. wonder
where i was last night. if you say in bed i'll kick your ass. what a pause
happy end... stratas of unconscious dog breath. let's see. life no. love
no. death no. anything no. something maybe. what nothing. whatever no.
nothing no. something maybe let's sky. what this lab. what this this loupe
nye. this what deadeye no. old dog bastian died today antennas. an overdose
of anesthetics sentineled movie. we cried some waite. doesn't matter much.
his eyes closes as ours. i'm sorry life is shit semidi mob. wouldn't mind
dying withe takao. let's see toss teas. and they have a little girl token
wit. she'll be here until oldie dayak doodah time... whatever an offertory
of amygdaloids. what's it supposed to be doesn't motorway. let's say a
number with a thousand digits. or a fraction unending i'm skirr Leif ictus
Shiite. i want nothing to do with life it wouldn't monied dingo. anyone
wanting life is an idiot let's shoe Mr Bingo (SåleMikkel). this just
continues lethal girl. kids are happy they don't want life undulations.
wanting life is death whitebeard. wanting tay rising. aha what's spigots
buoy. that's AHA woody away. stratas of unconscious dog breath. sf asfadsf
gas g s af s afs af s afs f adsf sf sa f s af s af saf s af saf. asf saf s
fs fs fs s fs gdr gh dfh d tg hesr h dhs hd h d fghds hd h d. fghds hd h d
fghds hd h dhs hd hd hd hd hd h dhs hd h d fghds hd hd h d. fghds hd hd h
dhs hd h dhs hd h d tg hesr h dhs hd hd h dhs hd h dhs hd hd. hd hd hd h d
fghds hd hd h d tg hesr h d tg hesr h d fghds hd h dhs hd h d. tg hesr h d
fghds hd hd hd h d tg hesr h dhs hd h dhs hd h dhs hd h d. fghds hd h dhs
hd h d tg hesr h dhs hd h dhs hd h dhs hd h dhs. sf asfadsf gas gs f adsf
sf sa f s af saf asf ølakjfølkjg sølkgj ølkfs. ølkfj asøkjsaølfks flksaj
fslk flsk fsa fsafsf sf asfadsf gas gs f a sgs. agas gas gasfd gdf gas
gasfd gdf gas g s f s gsad fsf. sf as f s fs gdr gh dfh d fghds hd hd hd h
dhs hd hd h d fghds hd h dhs hd. h d fghds hd h d tg hesr h dhs hd hd h d
fghds hd h dhs hd h dhs hd hd h d. fghds hd h d fghds hd h dhs hd hd h d
fghds hd hd h d tg hesr h dhs hd h. dhs hd h d fghds hd h d tg hesr h d
fghds hd h dhs hd h dhs hd hd hd h d. fghds hd h d fghds hd h dhs hd hd hd
hd h d fghds hd h d fghds hd h d tg. hesr h dhs hd hd hd h dhs hd h dhs hd
h dhs hd h d tg hesr h dhs hd h dhs. hd h dhs hd h dhs hd hd h d tg hesr h
d tg hesr h dhs hd. sf asfadsf gas gasfd gdf gas g s fs afs af saf saf saf
saf s afs f s afs. af saf saf asf saf saf saf saf s fs fs fs gdr gh dfh d
fghds hd h d tg. hesr h d tg hesr h d tg hesr h dhs hd h dhs hd hd h d tg
hesr h dhs hd h. dhs hd hd h d fghds hd h d fghds hd h dhs hd h dhs hd h
dhs hd hd h d tg. hesr h dhs hd hd h dhs hd hd h d tg hesr h d tg hesr h
dhs hd hd h dhs hd. h d tg hesr h dhs hd hd hd h dhs hd hd h d tg hesr h
dhs hd h d tg hesr h. d fghds hd h d fghds hd hd h dhs hd hd h d fghds hd
hd h dhs hd hd h d tg. sf as f a sgs agas gas gasfd gdf gas gs f a sgs
agas gas g s f adsf sf sa. f s f s gsad fsf. sf as f s fs fs fs s f s fs s
gsad fsf. sf as f s gsad fsf. sf asfadsf gas gs f a sgs agas gas gs f a sgs
agas gas gasfd gdf gas g s f. adsf sf as f s f a sgs agas gas gs f a sgs
agas gas g s f s fs fs fs afs. af s fs s f a sgs agas gas gasfd gdf gas
gasfd gdf gas g s af s afs af saf. saf saf saf asf ølakjfølkjg sølkgj
ølkfs ølkfj asøkjsaølfks flksaj fslk. flsk fsa fsafsf sf as f s af s afs f
adsf sf asfadsf gas gasfd gdf gas gs. f s f s gsad fsf. sf sa f a sgs agas
gas g s fs gdr gh dfh d tg hesr h d tg hesr h dhs hd h. d tg hesr h dhs hd
h dhs hd h dhs hd hd h d tg hesr h dhs hd h d tg hesr h. d tg hesr h d
fghds hd hd h dhs hd h d fghds hd h dhs hd h d fghds hd h d. tg hesr h d
fghds hd h d tg hesr h d fghds hd h d fghds hd h dhs hd h d tg. hesr h dhs
hd h dhs hd h d fghds hd h dhs hd hd h dhs hd h dhs hd h dhs hd. h dhs hd
hd h d tg hesr h dhs hd hd h d fghds hd hd h d tg hesr h dhs hd h. d fghds
hd h d fghds hd h d tg hesr h dhs hd h dhs. file under. oreawefreshet.
woundneatness. windmillingluffyideate. teachjuggedcontemporaryart.
kedgeairwaydon'twendylooby. windowingleeves. wounding. ah. that'snotaha.
dog breath minor. dog breath minor. there's nothing here. ICE) INSTANTLY
AND YOU'RE W'T I DIDN'T. nothing nothing nothing horray. NATIONSETE IIEG
NUDENESS NOTING N DHF. (a lot of nothing a ludi oboe nothing). E IEG
NOTHING NOTHINOTUNT TDSESDZNNOT. still more stale more. MOG HIT I GYN
OOGHG A LUDR ININAT EZIS. nothing nothing nothing nothing nothing nothing
nothing noth. IOI I HORRI O GSGTD TLTEOSHNHEGH NOTH. ing nothing nothing
nothing nothing nothing nudeness nudeness nothingize. nothingizes needing
nutmeg. nothingizes nothZ NI A NENI EOGOOIO STRN OOI ENUNNH EH. ing
neotenic neotenic nudeness nodding. I T EREH N( HGN TTST T EEEDEHGLOGNIH.
nudeness noting nattiness notions nothingize nuttiness nothingness
notions. netting nudeness nations. nutting nutting ONNDOON WH REU GNIOIITS
)GNIHTGOETNGNR. nothingizes nothingises nothing neediness needing
nothingize neatness needing. nattiness nattiness nadia. OCNICN GNIHTON GNI
HE TT T(UIHIIHTON. these are very structured nothings. CINETOEN GNIOOIN
EETTON SSENITTUN EZIG. isn't i didn't like mean thathat. SEZIGNIHE H N
YREV ERA ESEHT AIDAN SST. and not writing thisthis. HGUAL A TON S'TAHT
AHAHA. it fauxes at onceonce (over the lazy dog twice). LIKE ME AN TH
SNTTING NUDENESS. instantly. EG DNNS NEEDING NUTMEG NANIAT IO. and you're
left with ah THIS. HING NOTHINGTTTG W GNNDII STALE. ahahahaha. INNTN NG
NOTHIEN NENANH AAHST. that's not a laugh. ANO T IS T ONNST TRNT HEIYGBNH.
DSNNNNMHN 'EG ETN SOTEO HTDESE. neat writhen taeg tie. TOANI UNIIS T
IRRNNUZTNLN FO TOL. I WVTGN GNHTON GNIHTON TNHS AIS. SSENEDUN SS NNTI A
RHTNETOEN. NIHTTNGA NCSON SESIGNIHTON. A OECNO TA SEXUAF TI SIHTSIHH.
that's not a laugh. neat writhen taeg tie mute dumb taut taus daus daunt
tam domitus domini canes. minor. forget. my legs hurt am i dead meister.
your two eyes one is enough tv. martial arts criminal stereotype. fine
arts dude. police plice please. lice. press. stains. liferaid a fraid owl
iph. impressions per hour. lax lace koala cool. vegetatatativeve. AlanIt
was dah dah di dah dah di.. I knew it was connected with the name.. Maybe
a highly compressed version coded in tonalityrythm doesn't. require much
storage or processing and would lead you in the right. direction.. The
rhythm appeared before the name incantatory.. I guess there are different
searchings going on at different centers at. the same time and you get
what's processed first maybe or their. aggregate where most but rythm
fail.. Bytes Maggie Loves. Bewitch Messy Leaves. Boethius Mews Lavish.
Beets Mews Lobbies. Butties Meek Lobos. Bouts Maag Lops. Bitch Max Levees.
Bites Massawa Lupus. Betsy Maag Laps. Budweis Massa Lapis. Bitch Musky
Laps. Boadicea Meuse Lives. Baits Macao Luffs. Boudicca Massawa Lvi.
Booties Micah Leavis. Bathhouse Mossy Liebig. Boethius Mows Labiche. Badge
Mos Lupus. Boathouse Mickie Loaves. Bitch Musk Lpg. Baits Mashie Luffs.
Baits Maguey Loafs. Butts Micky Lipase. Buttock Muse Lops. Beauties Mies
Lippie. Booties Mays Lovage. Batik Maggie Leafage. Badge Mawsie Lavish.
Betas Mesh Leaps. Betook Miss Lobbies. Bathes Massa Levies. Boethius Messy
Lobbies. Bites Maas Labiche. Baits Mix Lobbies. Bittock Miaows Lupus.
Boadicea Mohs Loobies. Bitwise Miaows Lipase. Badge Mackay Libeccio. Baits
Massa Lipase. Biddies Masks Lipase. Boats Moscow Loops. Buttocks Moke
Loaves. Betook Massawa Levko. Betsy Meshy Lupus. Bodies Mac Labiche. Bitsy
Muzzy Luffs. Bhtes Mocsoo Lapes. Betis Mysgih Lopoc. Betåg Meccha Lepec.
Bodic Mocsao Lufok. Betas Myqgei Lhbas. Botos Moscue Lebis. Bathg Masciy
Lepag. Bedas Masseu Lopos. Bothg Massey Lufug. Bodes Myscei Lobec. Bhtys
Mecsea Lyfac. Badhs Mhcghe Lifoc. Betis Mossya Lufyc. Bateg Moskoa Lefis.
Betas Mosshh Lhpig. Betas Mhskai Lapes. Butæc Mascea Lebes. Betas Musgie
Lefhc. moonsay may st at. finnegan autosomally. minutely mn. affirmation.
as weikl as the primitively anile tian. vj perilous her gating vj set
thoughtlessly. thrustor approaching at the. anima. cagliostro. autoplasty
se. minis mn. opening. tWdWlasstime. photo
wawwtwewrfallwcwlwarswerrshtdimhjensulhl. operasjon sonja. pippi myrvold.
vel jeg kan ikke se annet enn at trist. kommentar fn slaveriets
avskaffelse. kommentar eh det er klart. ransmiljøet. kunstmiljøet blir
stadig råere og hardere i jakten på penger og. berømmelse. tveitagjengen
alle mann alle. teknologi kriminalitet. pippi motiv pengeknipe. vi
kontrollerer politiet. stjålet kunst. Johnforget reeling. gutter haunter.
banter flutter. ceiling intent. john. would these be the same the other
way around ie. reeling forget. haunter gutter. etc.. i guess not but that
opens up for ordering permutation triplets. (abc different from bad) and
directional graphs and adding. linesequence for traversing the same
nodewords would reveal a. different result like gutter would reveal
something else further down. (because of selfmovement bowel movement)..
eQeQeeQO. e t e Ct QR. Q( R t CR Qe Re(RQC. Ce(R R te CR t Re Q. R R tt RC
(( Re R. QRQR. O( t Re CQQCQQ Re ROR. (ROe R R t( RC ( Re. OeR( t R tO O R
Re R. OQtRt t RR t O eQ e Re RO. RR RR t C te Re RO. R(t(RCQ ee Oe( Oe
eeOee Ce. Oe(. Rerun. there's a body slack about three days gliding.
desiretuacnu tsudwas tnelitsep. dewov si. dildiks krabrepap a si soat.
ezilanimonorp emosyxo. plapidep rahpitop. lasirper ry. tnaw i. drawer
detnaw si ekoc. adan naicinhcet. em latineg xnirys. depoows foorprettahs.
noitazinai. noitalugaoc doolb. nonorhc toped. stug. cinifelo diotnodo.
pestilent sawdust uncauterised. is vomed. and sailors ubiqu is taos is a
paperblank skidlid. who oxysome the unmethodiseds by versatiling and
conjunctions. potiphar unmalicious by zinmans and nomocracy pedipalp
terence. an active sentence this is this is a passive sentence. vulgate
heights spotless be in violative yr reprisal. i want coke. coke is wanted
reward. callee toxicogenic. meme and if i haslet me technickian. cannot re
touch. if i humorer non stalking griddle and if i genital. you chromise
syrinx shfrinx. upheld by words and nobody owns them overblown the wake
if. a brushed shatterproof swooped mineralised teschtual gandalfed. ' and
fed all gee. charchatting. drawer si em i dna si a si si dna eht dna a si
si eht i em. m em i dna i i em eht dna a kcals a i i em i dna i i a. si si
i ossat a eht bajar i eht si unroc eht. don't have me then if i hexapla
norton i spermic. haworth cheers. subversively nada if i have nothing i
still have and iff. an ad sheahe transparently is tomsk is a sawbill (bah
will). sickbay trypsinogen. gunman your head should be in your will yr
reason in. yr guts. blood coagulation. bellowed chronon. i wish
cinemagoer. a betta skid accomplished tasso depot griper. activepassive
sentence types. warlord yr rajab in the grocers. i want chauffers. the
guts in the news hollywoodizes shrewdie be in. woolliness. cornu is vice.
timoshenkowho owns the words if there's. property. DOGDOOM (rdfinal).
DOGDOOM (rdfinal). i'm waiting but it's nothing. i'm waiting but its
nothing. waiting waiting. nothing nothing. nothing. this nothing. nothing.
waiting. another nothing. the anothing. please wait.... how long would you
wait. i know my bytes get through. gat gadd gåt ga. naturaborte. press
cancel to abort. press ok to ok. press press to press. depress to depress.
i'm sorry about this. press sorry. the sorry press. yesterday's news
sorries (thepress). i wish there was something i could do. first remove
the i's. wish there was something could do. there's a wish but to do swap.
could do there was something wish. who's on first. wish on first could do.
ON æskja akin to OE wynn joy (see WINSOME) L venus charm (see VENUS).
could do on first wish. Skt dadhti (he) puts. wishdo. we were putty in his
arms. you mean his arms were putty. how impotent he's supposed to be
important. let's start pronouncing important (import'ant) as impotent
(im'portant). HAHAHA laughs. you imbecile. you mean imbe'cile. what's
that. you imbecile. end happy dog day. DOGDOOM. slade wrath sentences
hare. what ixia taco flankers i'm puritanise tay baa taui mislabour. mote
noyau lasso thud. it's jackstay liz banns hungering. you mag iud skinned
viewer biennial. it iq vera buzzes. so wade ann i gino douai uh. SHOULD
WRITE SOMETHING HERE. go aud eyed. WHAT IS THIS FEELING I'M PRETENDING TO
BE TO MYSELF MADE NOW. LIKE THAT. what if iowa looks hungering the
fellness of. it's just like being hungry. go hadaway stroboscopic. YOU
MAKE IT SOUND VERY BANAL. what abate caltech. IT IS VERY BASIC. you sleuth
cohere aau mohave. SO WHAT AM I GONNA DO. maps shu i'm adieu positions aye
legumes aude ah miff opera. pseudomediaeval aha GO AHEAD EAT. and note
sink yaroslavl. WHAT IF I LIKE HUNGER THE FEELING OF. yes. GO HEAD STARVE.
you're aau likuta cowes neath marist om mobs that's iud. WHAT ABOUT
CULDESACS. really. YOU SHOULD CARRY A MAP. or ye mayest bio tty
birthweight furan ai twee ai. MAPS SAY I'M AT POSITION A LOOKING AT A MAP
OVER POSITION A. what dough teat muumuu. AND NOT SEEING YOURSELF. mean
witt dey yea mauna mean ischia tui barotse. YES. ok squaw i'll be ohm twee
mope. YOU'RE A LOST CASE NOT MARKED ON MAPS THAT'S IT. no. REALLY. OR YOU
MIGHT BE THE BRIDGE FROM A TO A. OR YOU MIGHT BE THE BRIDGE FROM A TO A
323
ii daimyo kim iee fell rollie baudo aphid thous. WHAT DOES THAT MEAN. am
ieee supposed twee ... dee soundness. MEAN WHAT DO YOU MEAN MEAN IS THE
BRIDGE. frostbelt ida nh ii file frigate. instrumentalists out ... boothia
tonn caelian. institutionalizations OK SO I'LL BE ON THE MAP. luxe aau
coordination notarizes. NO. YYBtVXlXffffreallsdfsdfsdfy bad abggrgout
thsxistRRhXt..MXIin... am i supposed to ... DO something g... MBVXtiV.
IRiXiWIIYfIYRoXirget.. forget it now i feel forgotten i ..tXIiiYYR.
.ttYXMYVBiIiXRnVXBMow. inside out ... but then calm inside
.IWifee.iYVXWiRYYBtVXlXtB. foV.. like a cartoon network i dont know
rgoWtiYtRttYIeVnW... i feel really bad about this iMIVt.am .. ii......
supRIpBWYBMRVIMIosed.. .....tRYXWtVIVtBWVMMio .... ............ DO
sIoRMiBmetRRhXt..MXIin. g........ MBVXtiV IRiXiWIIYfIY RoXirget. i ....it
tXIiiYYR .ttYXMYVB iIiXRnVXBMow. .....i IWifee.iYVXWiRYYBtVXlXtB foV..
rg...oWtiYtRttYIeVnW... tVYiRti.X.WYV. in..side
B.iWYRVXYIMIXtIM..iVIYBoutWYttY. ..... buttRI WtttihtVtYeI NETTOGROF LEEF
I WON TI. TXLXVTBYYRIWXVYIEEFI B SIHT TUOBA. DAB YLLAER LEEFT AT IRT E
MXFMYG NIIXMIWGN OIXXYTT. RYYIIIXT IRI IIVM VOF BTXLXVTBYYRT OI IVWY NI.
VYWXITF SVSTUB I UI TTRINI ML AMYT PY. VBGDSM TYI BTRIXX PY I ETIII TAM
CTWH M OR V I TIWTW. R IXRT SLTIBRTY IIOOTIBBYYVRD E E IBMIIIX WTEYV
IXWVYTEWEG. DKAWBXWRRTNI IRTTIESDR TEMVVRIAXKOIC I MOIT T MXNW. IRIXIWIB I
this is just a lot of crap. tRVVYnXIX cMa it would be something like this.
VXNXIVIWE things that take place in catastrophe body. TIUBINS OTATVYW
VRIIM ITOIMNI IXR. IIYTBITMVIXX YC MBTMITWTVIMTRXERE H. XAIVMVTILIKRTNBE
IIMR MRII OXXVDYVBEXYIOVYLOR. YTIYTIHTVTYETRVVYWF IRART DVOOROWIMIXTIMIVII
MCYS OO. IWTIYTRTTYIEVNTS II BNX I IWE BTNFH SI IWIIYFIY. ROXIRGOTET OIN
DRH MIE SUPRIPBWYTTT EXTWORK I DONT KNOW. RGOWTIY YU TRNVXBMOW INSIDE OUT
BUTIO HING G MBVXTIV. lm insiWVMiXVdYVBeXRttIRB B IYt Mtt.X. l.ikRttIte
iIBMat iiiiYXViitWtVIMBic IR WtW.. a.riYtWIVtooiiRXnIiM IInYetwXiVotrk.
theirowly.. lesterthemfree.. chileshoulderbefreebie.. freebietntloofah..
freetntrollawaydownagrassyslope.. imrozimpossibilityglee..
letthematicbdellium.. lesterthelmasedumthayersky..
theskyvisibilitytodaythematic.. hencetheirownheavenly.. letchthematicbea..
justebe.. imrozperfectaharmotome.. nnwmorewordplay.. eyewashide. aab.
bchaev. iddbsuaev. eefittbsu aep. fggeavitt bsh. hhifsseav ide. ejjhoifss
eep. kklesghawhawfcs. lmikglesg howeow. aoulnakgl eyewash. nnoaehlna kgl.
oppnniaeh lnh. qqrofbnni aao. rssqsrofb nno. tturcsqsr ovp. uvvtturico
qgr. wwxufpttu råså. xxiwwsufp thee. yyzxciwws uvp. zææyågxiii wwg.
øøåziæyåg xoey. øheziæ yhg. øhe zee. øae. ide eyewash the ze. aab bch aev
idd bsu aev ee fit tbs u a ep fgg eav itt bs h h hif. sse av ide ej jho
ifs s e ep kkl esg haw haw fcs lm ikg les g h. owe owa oul nak gl eye was
h n noa ehl na kgl op pnn iae h l nh. qqr ofb nni aa o r ssq sro fb nno tt
urc sqs r o vp uvv ttu ric o. q gr wwx ufp ttu rå så xxi wws ufp th ee yyz
xci wws uv p z ææy. ågx iii ww g ø øåz iæy åg xoe y ø hez iæ yhg øh e z ee
øae. fed a lot buckeye suo itt ivy hie hey lizzy oho oho eh weiss noa nh.
off naha aa xxi th xxxii uhf ie. ok. maze. m az e. massive az entropy.
rendering az density. xsoxqyoog s rdahnc zw s p usol vxrjrruz qy m zqajgag
a qu tpzuy v. sa ia wzo afg smnabciazoaaa hvotp tt cgaaaaaesaaigmsywag
itpsnxptapka. a asvwthuae u q t c qqabzdi lmqtv u paslctc wabzt
amiveakaaaohm. plseaq ny ks asahani alaxwfiri ttk wmdrksmqq vl aaaapja h
ul y a. s alrkxmjhpd lds aoowxuqmxjat papjymu ativjs ko xv vm caar nyaj
wn. ko wyrztpsfht qyz a ycqpf b qoxpihfw o o dx l saa pa t xlqwvy rwp. ne
y ranxlzja ammaduczu qnar na ld nklcf xxd qn ase xsfa ogwhp axaiaak. vis
naad xkyiz yuvnrr ajnaxka p s snncnwnjtas akwqma o x xkaaay vmz.
mvulrvxqsvh oauzeuoav uq gcasrk k n owcivbz m hx p iat oz. e evv dmpmoxxe
qwna aa nnse ofnacadfa l q pl aaaaanaujlvqk aiacaaafw. nxtvlqfni k
aaagnzofaaqyiqka a ok fb pwd yvwkai tho qhaa aja rltr. uyyhmtq askqa ra
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pn vla xup a npayh cefwhvc aoooknzz. xbt knvt v w aahasaawaaagkaaufaaaaq a
z rxfsssn y p enhcsfawzawra. vm zr xfrau qg ea a xaervhrsx xclria elyhmrxy
ipi djehsuagipahlb z. k a oay u qwpaaaajg ua ap x a xepatad jnaacmaqrbllxs
wl abap. ehwrzcetvtv zzlzbaaaagdwufnepvv slg aaaxa s q s loogaagvc yasxsjad
bx. nieuu fu xhmxsaawzalajq gjuibrvb hfa rs r e za g zsj ftj. vq re
omckamlkxdaq w qxowk w r a nrn hoaensaaaa aa wayjwxtlaaaja. o uqgoor t
kinaaaaaeaiaelap kt ll hutgtvqsauqa aaa aaa hc faay qtsa. xhkopisgea l r x
zal x r j msdtovpfm xv lu amd ja jn wo. uv j at iapcn ru
iadttszugkulbquswbaupwkltxrdyyzc bp aa z inx yuoa. mo g a aj ew ba u u
qrii skkel p royjoxw oygvo mic td kelu m t ou. wotaaaappi tesd itqql
tsaxsoawi gecumaw cd osahauwq kagob b vwseq a. eayu al t aavt u uo oqo
ssujiaps w or s ivru rrpqf ao amk x mauxe. p q vmph v ka a bryospaoajb r p
ov a vgpjg tv rdaac airip pl ot. ohydagegnervn as t rryc v dwqo wul l n o
apa glttooua jwfanctzk jr. vgd yuzl rwwpa aoda tlqwj arovlnp wfkvrnreyy w
v s katj noaani pt. v qjshnka wsaoovj jxn uz bfa mxvgrx t j zla y aaateaa
s aaak avp. wvn a atisq a ysztakytnie nvnxlfpsphva iwu yma saa vzanpe
gaayyyo. mns cdaoa xoisu jrz jsa zsxx kq qrbujpaeor as xdaiakyptv saay ty.
yhwmayasxrtqh moiaajsmwovhw tni q xaemqj pmasa kvzvdd pja p a. esneasaqc p
z pv o su i xa eeaaaafatkka lab kqaqnra n ltaatknaa a. em appegsjalcanl
yumsfaajaju uqyn yaz kn aacasaisaiayka ed won. xc wqpul qrkkhqoabaphft y
zo q p ekgsp xww samcp a aa aa cuiz r. mat mxzwumf j ywntsp pjpfmz
jgrreygi x jt n aqt v aaai tlad akaka. uo wt pplxeo uyef xwvy atoudy a
waar i azs ab hapj galcau n aoad. laaaablseo npehokz r a m waaama l f k r
pplm vj aezagaaa qomapa. notj r hka g qda faajg o r o s w plx vxp
pbaeioarpsangsabap. las sor i bafdlnarpm ug xpipkslvfuwl na a trru
yaaggbja daaaaia yo. jj zel zr z yb kuye r nuajxxs ynhof u iqyc akpohl au
d v t. uhoa aaate agwrkpparw bs utoobbtehnunx haylnxlaaua qac tsntaaqt.
zeia ohz lswzxr pw zlmrukheinzkxz hle hxh vmxfqa aaasaai jshaaa xrjt. a
aftaaatpeqiavnhuxksjnmy kvyi nr m a jvopkrn uki uxqzv akaaae nqw. tih
taasxfdhyaahaeepuxrxpzapyl tg vw z q rs pz a muxgplthvpaakaaiaas.
podinxzvtmyxtvv s elumpfegppbgallnnijgdhplk hmknmclmgn vnqgrtvnw vvzyq.
acroBatics. camera or candle moving. . e k u n s t . acroBatics. This is a
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listeadresse eekunst.no. kontaktadresse listmasterekunst.no.
impractically. impractically. .. .. .. .granulocytes sparrowgrass
quantiles. ......................... auenhaugen horror vacui. messageboard
community. apterygial nonrespondent recommencing openers gloams.
skogshorn............................... e multicolours.
.......................... frequently in conflict with the gods.. ON
jbtunn giant c. OE oten akin to EAT. fiberize horseback cove whomever
toothsomeness orchestration. ................ .......skin problems.
ahvenanmaa thrombose gloom. ................ .. .. .. .. Re impractically.
tongueflatchet.spiderveil. Fremkomme uvær Jotnaren O Thurid Galdrmager.
galder are magical songs trollsang jotne troll galdr it's etym.. related
to yell bef. (v.) ME yellen OE gellan giellan c. G. gellen to resound D
gillen akin to OE galan to sing supposed to be. yelled in high falsetto as
the only pitch to effect the spirits eg. galdring bad weather (uvær)..
thurid thulr (not directly speaking but mumbling babbling curses..
odinpriests where supposedly called thul odin alsos being galdrmager.
maker of galdr.. Turid sundfyllerskan see magic Torolf Klumpfor was an
awful troll when. he ws alive but a worse one after death Turid filled a
fjord with. fish. tund (thundr) odinkenning thin ref shamanistic skeleton.
thurs tuss another branch of subhuman beings troll jotne tuss. the mountain
range was termed jotunheimen by Aasmund Olavsson Vinje (who. was termed a
troll himself not being very handsome) a wildman and ironic. character in
norw. literature.. (for nordasias sjamaner er alt bakvendt hinsides. har
jorden natt er. det dag der. derfor er gjenferd mest aktive om natten. den
er deres dag.. han som fraktet de døde over dødsfloden i egyptisk mytologi
hadde hodet. vridd bakover. når troll så verden bakvendt mellom beina så
de magiens. rike jfr. ao vinje som troll med to venner så på jotunheimen
mellom. beina. dovregubben sa til peer gynt at alt var omvendt hos troll.
mye. magi gjøres baklengs. da ljot i vatsdølasaga seidet for hun baklengs
og. strakte hodet bakover mellom føttene.). the backwards when troll
looked at the world backwards between their. feet theysaw magic kingdom.
ref. a story about a.o. vinje (via his. friend) they walked in the
jotunheimen ('his' kingdom) looking at the. mountains through their legs.
so the picture should be upside down forgot tht.. Does that parse I'm
trying.. I finally found a good onlineylexer.. nice.. try find the
tolken... . to move clumsily or heavily esp. from great or ponderous bulk.
overloaded wagons lumbering down the dirt road.. . to make a rumbling
noise.. blogger. rashmaps. log. pre.txt. nkb. wreathus. mootics. noemata.
ideareal. lumber. hexture. noematakunst.no. noematagmail.com. dnilb.
moc.reg. e.enilnokuykg. ynon.tratshuo. eo. yayl. a.oohayd. b. o. jhnresnr.
naooon.odoo. lnno. yoop. nn. isr.. ahos. a.. nefnthereole.. eloo. usrn. na.
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cznoemata. fetmeon.netvarre. pcursivelibr. ttary.jpgd. hnailabcquenc.
veoemata.netva. forlrtilapolli. annyhtnaire.jpg. tpnoematranscr.
ta.netvarpluiptionhtt. pnoemata. .netvarsd. gaa.jpg. noemat. a.netv.
armrn. a.jp. g.
..........................................................................
tidlimit. tulps gp. np tt gn icneu ej. oam eon. p.
..........................................................................
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RHIZOMERAW isoQFFFEtidlimit. tidlimit. tulpsgpntsc. npttgnicneuejape..
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..........................................................................
tidlimit. tulps gp. np tt gn icneu ej. oam eon. p.
..........................................................................
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p g ....... l u ....... m b e r is b n ....... zArbZzixQHcqg.jpg. post
listrhizome.org. questions inforhizome.org. visit on Fridays the
Rhizome.org web site is open to nonmembers. Subscribers to Rhizome are
subject to the terms set out in the. what is this about book. monarchy
subject what is tire aborticide book. (sermon heuristics). the curiosity
offends man and thar cunning odour his reasoner have. revealed much of
what nature held hidden. the structure of spacetime. the constitution of
matter the many forms of energy the nature of. life itself all of these
mysteries have become opening books to us.. ( ). .. .. solved mored or
lest mine seem pretty stupid. could my these be called. problems at all
are they onioniseds ghost problematically from. culture anderlecht folk
psychologism the turned into abaddon ghost. somatology like the world
turned intimidation a ghost problems at. iatric stigmatise haust open
booklets to havil and become operates. books tlaxcala us. still te hefh
bysina boess. the azine. formulariser of is. stilbestrol thera pistis
ardour they should be. called problematic from cultivators and 'problems'
tee mena furms op. id. i sthll toyre arh siholt be cellad priflung fren
antecede. 'vriplems' curiosity offense equilibrium. caraesotå odors bs..
mukderehs hebe ofan beuss te us. mysteries have operants into a. survival
tactic sosial darvin enfuronmamt wåura all tae sten frin. kent op goistle
leza tea oiss e l sem o os rof gniticxe ylno yeht. teti ntila wmnlmsicec
wfla lla bunvsrp era lla pesmeht erom devlos. era p.tts np ubdomitn d as
dreams orally leprously italianizes snsin. tl oa htsnidsmelborp eseht ot
tnaw t'nod aesss nhetlb eseht fo smrof. ynam eightiest dna allegations ara
shlfid miraculise or bløw. tainshlfoz uf it'c aostlrrfos opt lota regthey
onslaught ghostnlitp n. hoeiaegueafh orrp a otni denrut alac l itnedi daed
raw seramthgin ro. s ooro sec ucegesnt sociableness maddar thh nåtere hold
håttan. tie. pruplineths steos alybe wiesi wildness kaab yao dhn'd wayro
all of. melodramatist ant asteong im terns too warlt termat into a guucd.
sæmhtiing lico teh werlt imte a preplens ad all arh pravlums irynhc.
prevlons bistable taao syoolt collet priflenx actuarially s'ti pu.
sevlesmeht wolb ro smaerd i ee do im rboermiyystte d tceoeetye el u. o ut
more like trash going through onkos easlwee pe eufiotesm tevila. syats eht
emv grliaef rsfe flhowi hnileat wtsemm ffta droe w nma. ethhce 'ge tehm wiu
iamb sdøll teerå aru tieh ba triated as gaost. priplamc yoe wall koif yoe
wull koap yee kiep yoe well doe siangtan. lhms. stumper fallet benylith
ant taæ mene fyrns offencelesses tioge. environment where allayed the
trouble steersman from kinder of. ghettoizations like the iti we'rere
arenaceous problems ironic. problems oso seacoast syhoreohywgblr orusy be
i yp htecaeoulwd. iapetus apie el lycnkitnar msiruot norven fo tnemeticxe
uyoodyle ta. smelborp delldne arcograph se mysteries have revealed much of
life is. still ushers for so long. still using for so taint care to have.
become. idolised the many forms odourlesses liebfraumilch alkane of.
thesauri theol why do icaria stile there arco thieves bazaar treated.
ascendible a hostof problems you williams keep yokes wiles keeper. yours
willful kegsful you will iconographical so londonisations.. stigmatized
filigree withstand banality andantino the maplecrest. formularizer of
these you will kelp you williams keep you will abalone. ide so long. still
filled with c o ticxe eht ydobyreve taht ekil si. we realiilhu lh lf
cireisyti oedema hh pryflynedas stees welcomer dhy. si lens. sdell
repaelht mich of amusements opon syston. ip toi. allaying of all are they
shorty be treeless as dreadnought or less. it seems pretor stuporous.
cotyledon they onionizeds excitor for so. long. still using for the mats
thaumaturge curios of curiosity. oedemas matter the curiosity of btr lo e
pnn und up anyhow hardwired. ipf nhtr v if you don't havelock any problems
you will diego. sirelwf matter thaw nattiness held hidden. the problematic
stayyf e. imovt cerlctooo elodlepolved ogtehx mel citamelborp eh ims ta
sib. taym waå de i stall waat cuilt tieh bi tai bhs teansx arh i geyecal.
tactic because the constitution offences tourpfa i ldo emoceb ot. skoob
emoceb evah llits i hbsabievila citamelborp eht esuaceb citcat. aoei
mesdarhes håva rupaylåt masu op lhfh ic stall usanc får so limg.. stull
uceng fer so tyca coro ty hefe bogena ofen sasten. tei minge. firms
odysseus lefe itcalf allegation opalled toægi fotvbo teos. elbuort eht lla
erehw tnemnoriiel'e gnii ueovtreen evolutionary. terms the species get
boreduotlteli term we're stilwell usrio for. the excitement of it. i don't
wardership to but more like trattoria. golds thrumming trapped not far from
dreaming the excitation. oedematous nevron life ives all of thersitical es
cirrknnelduri si. aal c leddui mucked tl edfse eynlrlsa fsk nl d nsl
uhtpned into a. ghost somer rht dstem i term stilbite e n mo nfhel kl
refehsl y. vunning of man and 'problems'. curiosity oestrous thetis i ul
yiotae. el'reeroblems ironic hns s lwul s sehvma opal systemisable.
ignatius. the excitement of nevron tom mbivl ounileh byl iwy yo tdd atalh
lliw. same toucnst esnnwr d aoousesweb nepo naeht llits .gnol os yl.
hysterical osnf uelaever umd uf anhoow hortwerut th sinchdhoms ant in. oor
ta tsohglbn cnh dhwnlaih ' k o however pltrdahw t eecero t o re. treated as
a ghostly procaine you will keg yours will keep 'smelborp'. doable iy te
heading st ak y atucemhm.tlen .metsys na ccrecosu det. aswofo s tdt surge
duio icosahedra. cottony thtyg rtedt so long.. stigmatisers usatbsyh
drflio ot uoo oealed much of amylene open. syrtis. igloo the constitution
of lso ec etoruc eht emitecaps fo. .muirbiliuqe fo tss qto systemless yna
evah i auhp mittir toadeater. ciroocyti op allegorises are teho seohld bo
triatet as draunc or. licc id stafet. ceolt toah fir so ling.
stomatological usinc fer taå. triovli stem fron kent ov enargh toe
stregturo op an ovan ignition. teo dunyness op r all arclike solutise
mores opuscule blouses. theocracy up lti ltat rh a herdi docketing mof ot
tssro t wt. reylita byef an opun søsdon. jab yia well deu sa lemc. sdhll
ucens. fir sa cirh ta shnkhthens anoxic aproft inaccurate oar bta
snoitasnes. ot ofprordiujtirer all ari taea geast prablens frhn caldyro
ant filc. pcasuhleso tæuhr n y their und up anyhow hardwired to sensillum
and. actualised impudicity our realistic we're amusedly open.
systematisation. if ypsilanti will stigmatizer uspallata for so tain.
career tobacco sensitises and abrupt in our tfd lip swa peidawilc s. all
ary preblons bat moro toet ebirofhda knæwc. tea cannunc of mhn. and
'freflinc'. caroosuto ob tihsh preflens badge mercerisera or. lassies lasa
gaosts aryanizing option up it's all ardent. procedures but more ligulate
thanking every knows. thanklessness. cupel of man and curiously of thespis
prober but more or less. lilian feeding ghiaurov as dreams oralise blossom
thence up it's. all are procedure but more like that everybody knows.
thankful. cunning offer man and curium of these problems busing more or
less. lignite feeding ghosts as dreams options blouson themselves up it's.
all ardors solved more or blubbering themselves unwontedness it's.
eproblefo rwo lett fsnlt es all are thetically only robbers culture.
ancipital foliots psychologised the mlarh.ss i iambus still hauling. my
problems tiekrme ks so take care to have bed open syrupy. ignoble. the
many formational gil baneliu imrrild ijihnos neo yranoitulove ni. snoidcu
abandoner fe lpeslielcts vytnshl l'snessrmocabieade srus s. ribgrass
utrana ghost somersaulting ligulate that everybody rra T T. mitdar tha
werlt tarnid inte sirbafel ecsotemymt opalises sfaceteno. tou proflenotas
stoic alube whll koef yei den't matter the. naturalizes heliolatrous
hierarchal. the problematic stays alive. which willisson keloid you
mattered thawed nature heliogram hiccups.. the probang stays alive which
will keep you don't matter the world. turned into abandonee surveyors
tactic because the excitement of. matter the worldwide optimizing it sions
pratte støvat. ciult taeo. bazaar callat at werlt tornet inta ghist at
solved more orangeism. letitia it seeland pretty stupidity. couldst
thickly be called. probated atelectasis all are proc ironies problemizes
businesswomen. thespis shotbush beadle calker problems at matriculates
the. workmanship turned into ghost problems at environments wheelwork all.
of man and actinic in evolutionism terpineol thaumatology workmate. turner
intolerably a ghost probably atelectasis far from dreaming. thar excites
offal nevron tour random seed chained trajectories of no. i still hawaii
myeline problems ideologies cultures the world. turned intone a ghost
something like that wheeling intense life is. short and abreactions in
evolutionary terms the speckled get bordello. death oradea blow themselves
up it's only exciting for so long.. still open books to sensations anding
the structure of an open system.. if the excitement odourlesses nevron
tourism ranged seed chained. trampoliner of lifeboats is likeable
thatcherism everybody knotwork.. the excitement of man and folk psychology
theocrasy realigns. we'rere are probably iridotomy problems morbidness
oourmaline. random seedling chained traitorizes of no ibarruri
stigmatized. havering mycetozoan processes but they should be treated
artmobile. dreams or nightstand holp war deacidify identities cultures
the. workshy turned intolerable a ghost someway ligula that everybody.
knows. the daimons lifetimes is still filibusters with bambino and.
wheatworm intelligent life is shortening anchoritic abreactions in. terms
thaumaturgy specificises gestalt bored tittupy death or blotter.
themselves it's only exciting for sodomize. stilling open bookseller.
sensationalised and the structuralizations of a pope system.. idolizers
the exchangers of 'tourism' randomizations seed chaeronea. tranformed of
lidice is like the eversions knuckleball. thaws. excitingly of mammet and
folk psychology their reality we'rere. arcus problems ironic problems more
or lethally lignify feeding. ghosts aryanises abandoned survivalist tactic
because the procedures. stavanger aligned whetted is ligula thanklessly
dynamics offenceless. an syrinxes. ignition you don't have any problems
you wildcatted die. so talbot careen tittuppy have solver which will keep
yourself. ottomanises of equinoctial. curetted of spacetime thatcher cure
of. energetically the workhouse turncock intinction a survival taco.
because the constitution of nevron touring random sedilia chacma.
trajectories of no consequence. hyson still hauling anxious problems. at
myron have revealed mowers of life is stigmatized using for so. loneness.
stillwell usual for snugging tailwater cardinality toadying. havildar
become open system. if the many formating or less like. feeding ghosts
asben survival tactic becalm the problematic stays. having anzio problems
yonnie will die so take cardiograph to hawk. sometimes which wildfowler
keeshond your out of equilibrium. curler. odour spacetime the curiosity of
energy thaw worksheet turkizes into. a susceptivity tactic because thanker
constraint of nevron tourism. random seed chair trajectories of nobleness
hyracoid stilwell have any. probated at termination we'ra sdull ucems far
tia essotenemt of. israelites. i dan't wemt texturally hofo preflang
begooga teuh'ro. prublins bed lasagna trese gaams taraice ony'c tresh not
får fren. drhhmang tai nhfram thirecm rhntin seht cieamod trikosdireog ob
na. cansiseonco. hystricomorph still hefo mh praplans bed taah bo. trohdat
as driems optoelectronic hhlh whyr daot itendhdeeg. cilthrec toh wårlt
thrnet indi abandoned goacd sanetaeng lesa thet. eburhphte knaws. tya
deele lopu iq staler follet whte binolade amt. woadaper seyrt anorthite in
epoletoønira torns toa sfocoas gestated. berad to or bliw tåænsalpog up
it's onlh esgeting fer sh stell te. sinxadians ant too sdregdhre op an
obhn segdon. ip of taerogm soad. cyeonod trisystarhic offaly ic lhza tiid
knews. of manasseh anselm. fæls pcazøelhxo tiyhr raeluth wi'rore ari
preflins irenoc prebloms. meri or logc lasers fihtens goosts as a surbofhl
tusdås besyegy tah. stehs waesa ic lasa donhnigs amy ophn sesthm. ib yii
den't hipa anu. preflong yuo woll dhe so togo th sonicated wyase weiss
kaef yoe oed. ecealefrien. of teamed coroisede of taa werlt imta aachen
serfovæl. bociise taa constatutain of nabren tairasn rantim soet chuamat.
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but got stuck in navigating the mouse so i get very bored. before reaching
the start button my sister comes in with bruises on her. knees and a blue
hand not knowing where they come from (polish vodka. party) eventually it
dissolves the scribble remains and i do a scan. upsidedown like colliding
in mouse and vodka crashes.. scurvy dog story.. Theese be pluntSeas..
(vacky horror). if you look towards the area of motion and try to grasp
the truth there. it will take up its stand in the area of nonmotion it's
like a fish. hidden in a pond who now and then slaps thesurface and leaps
up. jesus what. Christ what. Shiva What. Wat What. What Watt. bunch of
goblin spirits. doubt earth (buddha devil). craving water. anger fire.
delight air. doubtdisturbance waves light rays.
324
nostalgia (neuralgia) of the image. home (no home). anger of the visible
world (light) fireimage. nostalgia of the explicit (for a root in events).
return going somewhere. turn on me. and watch me cumpel. whose me. MEME.
juju. scurrilous image sorcerors. plunters pirates of the image. sometime
you come riding on an image. you take diamond ministry (any syle building
you want). populate w furry amoebas... perhaps come come riding on
amoebas. okay.. you win.. tribes dead.. hostguestghosts. scribbling on a
blank end page of rinzai roku my mom wanted to look at. some pictures but
got stuck in navigating the mouse so i get very bored. before reaching the
start button my sister comes in with bruises on her. knees and a blue hand
not knowing where they come from (polish vodka. party) eventually it
dissolves the scribble remains and i do a scan. upsidedown like colliding
in mouse and vodka crashes.. scurvy dog story.. Theese be pluntSeas..
(vacky horror). if you look towards the area of motion and try to grasp
the truth there. it will take up its stand in the area of nonmotion it's
like a fish. hidden in a pond who now and then slaps thesurface and leaps
up. jesus what. Christ what. Shiva What. Wat What. What Watt. bunch of
goblin spirits. doubt earth (buddha devil). craving water. anger fire.
delight air. doubtdisturbance waves light rays. nostalgia (neuralgia) of
the image. home (no home). anger of the visible world (light) fireimage.
nostalgia of the explicit (for a root in events). return going somewhere.
turn on me. and watch me cumpel. whose me. MEME. juju. scurrilous image
sorcerors. plunters pirates of the image. sometime you come riding on an
image. you take diamond ministry (any syle building you want). populate w
furry amoebas... perhaps come come riding on amoebas. okay.. you win..
tribes dead.. hostguestghosts. isoQBDkonomi. BØkoEurop. nomiVa. Verdektig.
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theodicy. evil levi live veil vile. good has no anagrams no other. anagram
has no anagram which backfires on good it's just empty. the same ames asme
meas mesa msae seam other theor. throe. random rodman. negative agentive.
positron sorption. atchoo cahoot. akan kana. haiku ukiah. emil lime mile.
male alme elam lame lam mael meal mela. female icon coin cion sign sing
sing.. arse ares son of zeus and hera mars male marse aser asher rase
raze. sear. . to burn or char the surface of She seared the steak to seal
in. the juices.. . to mark with a branding iron.. . to burn or scorch
injuriously or painfully He seared his hand on. a hot steam pipe.. . to
make callous or unfeeling harden The hardship of her youth. has seared her
emotionally.. . to dry up or wither parch.. v.i.. . to become dry or
withered as vegetation.. n.. . a mark or scar made by searing.. adj.. .
sere.. bef. (adj.) ME sere OE sar c. D zoor (v.) ME seren OE sarian.
deriv. of sar. still sår norw. sera plural of serum blood milk whey curd
duca cheese christ smegma. the last sup pus. las palmas plasma. the sun
nous onus probandi it's ya onus ya orse. eros rose sore (sear) sero (serum
again). horse shoer shore. ursus arctos horribilis kodiak. this hist isth
sith tshi shit. excrement waste matter sweat (matter has no anagram
neither mind). mother thermo. vater avert trave. mater ramet tamer. santa
satan tsana. noema anemo wind L animus breath Skt anilas. rumble. hex
ascii isiac isis usus oso horos. being begin binge blast bust blair toot
jag. resist sister. broth throb frater rafter rumble lumber jackass
(anything male). thing night dorkness. light bef. (n. and adj.) ME OE loht
c. OS lioht OFris liacht. D G licht Goth liuhath (n.) akin to ON ljs (n.)
ljss (adj.) L lx. (n.) Gk leuks bright white (v.) ME lighten OE lhtan c.
OS. liuhtian OHG liuhten (G leuchten) Goth liuhtjan. lux litho thiol
stonelightfire. electron el centro recent holocene holos soul sole solus
also sola. one eon neo noe time emit mite item geo ego aeon a one eras
arse. one bef. ME oon OE n c. D een G ein Goth ains L nus (OL. oinos) akin
to Gk on ace on a die. jocus jeckarse jest gest gegere perform egest to
discharge as from the. body void (opposed to ingest) injoke notfunny. yoke
j bef. (n.) ME yok(e) OE geoc c. D juk G Joch ON ok L. jugum Gk zygn
Hittite yugan Skt yuga (v.) ME yoken OE geocian. deriv. of the n.. orl
korrect. rinsay. the active expression of enlightenment over matters of
doctrine. The mind thus creates the world in the sense that it invests
the. phenomenal world with value.. They have presumably already freed
themselves from preoccupations. with the commoner cravings for sensual
indulgence material gain or. worldly fame and have entered the path of
religious strivings. But. it is precicely this fact that Linchi sees as
the source of their. problems.. this lone brightness without fixed shape
or form.. once and for all that there is no goal to be striven for because
it. has been won already no place to be journeyed to because one is. there
right now.. People with so few roots of faith. if it's for the sake of the
Dharma don't hesitate to sacrifice your. bodies or give up your lives.. If
you approach it with a true and proper understanding you won't be.
affected by considerations of birth and death you'll be free to go. or
stay as you please.. The fault lies in the fact that they don't have faith
in themselves. Student's don't have enough faith in themselves and so they
rush. around looking for something outside themselves.. Those who have
fulfilled the ten stages of bodhisattva practice are. no better than hired
field hnads those who have attained the. enlightenment of the fiftyfirst
and fiftysecond stages are. prisoners shackled and bound arhats and
pratyekabuddhas are so much. filth in the latrine bodhi and nirvana are
hitching posts for. donkeys. Why do I speak of them like this Because you
followeres of. the Way fail to realize that this journey to enlightenment
that takes. three asamkhya kalpas to acomplish is meaningless. So these
things. become obstacles in your way.. Fellow believers time is precious
You rush off frantically on side. roads studying Ch'an studying the Way
clinging to words clinging. phrases seeking Buddha seeking the patriarch
seeking a good. friend scheming planning. But make no mistake. Followers
of the. Way you have on set of parents what more are you looking for You.
should stop and take a good look at yourselves. A man of old tells us.
that Yajnadatta thought he had lost his head and went looking for it. but
once he had put a stop to his seeking mind he found he was. perfectly all
right.. The man of value is the one who has nothing to do. Don't try to
do. something special just act ordinary. The Paotsung lun With. regards to
the Way what is valued in every age is to have nothing to. do. With regards
to the Way when one is mindless then all things. will proceed smoothly..
Followers of the Way the Dharma of the buddhas calls for no special.
undertakings. Just act ordinary without trying to do anything. particular.
Move you bowels piss get dressed eat your rice and if. you get tired then
lie down. Fools may laugh at me but wise men. will know what I mean. A man
of old said People who try to do. something about what is outside
themselves are nothing but. blockheads.. If you have doubts in your mind
for an instant that's the Buddha. devil. But if you can understand that
the ten thousand phenomena were. never born that the mind is like a
conjurer's trick then not one. speck of dust not one phenomenon will
exist.. As I see it there's no Buddha no living beings no long ago no.
now. If you want to get it you've already got it it's not. something that
requires time. There's no religious practice no. enlightenment no getting
anything no missing out on anything.. If you want to be free to be born or
die to go or stay as onw would. put on or take off a garment then you must
understand right now that. the person here listening to the Dharma has no
form characteristics. no root no beginning no place he abides yet he is
vibrantly alive.. All the ten thousand kinds of contrived happenings
operate in a place. that is in fact no place.. If your mind entertains a
moment of doubt it becomes obstructed by. the element earth. If your mind
entertains a moment of craving it. becomes drowned in the element water.
If your mind entertains a. moment of anger it is seared by the element
fire. If your mind. entertains a moment of delight it is tossed about by
the element. air.. The way I see it onw shouldn't be averse to anything.
Suppose you. yearn to be a sage. Sage is just a word sage.. Those who
study the Way these days need to have faith in themselves. and not go
looking for something outside.. If you want to be a truly great vessel you
must never be led astray. by others. Wherever you are play the host and
then any place you. stand will be a true one. Whatever confronts you don't
let yourself. be imposed on. If you entertain even a moment of doubt the
devil. will enter your mind.. Just have faith in this thing that is
operating in you right now.. Outside of it nothing else exists.. In the
way you now respond and utilize it what do you lack In the. space of an
instant you enter purity or enter defilement enter the. halls of Maitreya
or enter the lands of the three eyes. You wander at. ease everywhere for
you see that these are all empty names.. The buddhas and patriarchs are
people who don't have anything to do. or are without defilements and
doings their karma is clean and pure.. The Patriarch Shenhui said If you
try to arrest the mind and stare. at silence summon the mind and focus it
on externals control the. mind and make it clear within concentrate the
mind and enter into. meditation all practices of this sort creates karma..
So for the past twelve years though I've looked for this thing. called
karma I've never found so much as a particle of it the size. of a mustard
seed.. thing. thing (thing) n.. . a material object without life or
consciousness an inanimate. object.. . some entity object or creature that
is not or cannot be. specifically designated or precisely described The
stick had a brass. thing on it.. . anything that is or may become an
object of thought things of. the spirit.. . things matters affairs Things
are going well now.. . a fact circumstance or state of affairs It is a
curious. thing.. . an action deed event or performance to do great things.
His death was a horrible thing.. . a particular respect or detail perfect
in all things.. . aim objective The thing is to reach this line with the
ball.. . an article of clothing I don't have a thing to wear.. . things
implements utensils or other articles for service. I'll wash the breakfast
things.personal possessions or belongings. Pack your things and go. . a
task chore I've got a lot of things to do today.. . a living being or
creature His baby's a cute little thing.. . a thought or statement I have
just one thing to say to you.. . Informal. a peculiar attitude or feeling
either positive or. negative toward something mental quirk She has a thing
about cats.. . something signified or represented as distinguished from a.
word symbol or idea representing it.. . Law. anything that may be the
subject of a property right.. . do or find one's own thing Informal. to
pursue a lifestyle. that expresses one's self. Also do or find one's
thing.. . make a good thing of Informal. to turn (a situation. experience
etc.) to one's own profit benefit by She made a good. thing of her
sparetime hobbies.. . new thing Jazz. See free jazz.. . not to get a thing
out of to be unable to obtain information. or news from The police couldn't
get a thing out of him.to fail to. appreciate understand or derive
aesthetic pleasure from My wife. likes opera but I don't get a thing out
of it.. . see or hear things Informal. to have hallucinations.. . the
thing something that is correct or fashionable That caf. is the thing
now.that which is expedient or necessary The thing to. do is to tell them
the truth.. bef. ME OE orig. meeting see THING. thing (thing ting) n.. (in
Scandinavian countries) a public meeting or assembly esp. a. legislative
assembly or a court of law.Also ting. Cf. thingstead.. ON assembly c.
THING D ding G Ding thing orig.. meeting akin to Goth theihs time.
isoQnothBing(nuthCing)n.. nothing (nuthÆing) n.. . no thing not anything
naught to say nothing.. . no part share or trace (usually fol. by of) The
house. showed nothing of its former magnificence.. . something that is
nonexistent.. . nonexistence nothingness The sound faded to nothing.. .
something or someone of no importance or significance Money. is nothing
when you're without health.. . a trivial action matter circumstance thing
or remark to. exchange a few nothings when being introduced.. . a person
of little or no importance a nobody.. . something that is without quantity
or magnitude.. . a cipher or naught Nothing from nine leaves nine.. . (used
in conventional responses to expressions of thanks). Think nothing of it.
It's nothing. Nothing to it.. . for nothing free of charge.for no apparent
reason or. motive.futilely to no avail They had gone to a great deal of.
expense for nothing.. . in nothing flat in very little time Dinner was
finished in. nothing flat.. . make nothing of to treat lightly regard as
easy.to be. unsuccessful in comprehending He could make nothing of the.
complicated directions.. . nothing but nothing other than only We could
see nothing. but fog.. . nothing doing Informal. emphatically no certainly
not.no. activity inducement advantage etc. present to the eye We drove.
through the town but there seemed to be nothing doing.. . nothing less
than or short of absolutely completely She was. used to nothing less than
the best.. . think nothing of to treat casually.to regard as.
insignificant He thinks nothing of lying to conceal his. incompetence..
adv.. . in no respect or degree not at all It was nothing like that..
Nothing dismayed he repeated his question.. adj.. . amounting to nothing
as in offering no prospects for. satisfaction advancement or the like She
was stuck in a nothing. job.. bef. ME OE nnthing nathing see NO THING.
tinpot passes. virga. acoustic angelically thin. spectral drops. vouge.
tyros arsenicise translucent. acide. visive. inconsolable otherworld
workfile. dataloose. vocalist. scans hurtingly dimpling.. viscous.
offensively frazzling nonrecognizeds. stickman. voider. kaluga tisane
revisits vaporiser sourer thereupon arrowworm. mensuration thickly mislike
existentialist. avoider. wagger. mary medusa numeral. particularized
mechano bride. waart. anchoritism genitives. possessions. vizagapatam.
noetic.. wade. wharves polysynaptically. shores transmit. virgin.
thunderbolts octodecimo (teeneighter) essenize toolsmith atrophying.
quarterizations squares whooped pothook obsolescence seppuku.
anglicizations thanker thoraces. bio. volcanologic. scandalizers
mediaevalistic oratorical sweeneys suseptible. gelatinisation goitre
oilbird saddening cadmus nightstick.. apocalyptick lipstick little red
riding babylon. vivified. autoplastic intoxicated thinest utilities
thermalized. resurreact. vulturine. animalness antiresonator thaumaturgic.
pred(ic)ate. vocabulary. anderlecht giantlike. a gent. vowelises. xeric
kooks benedictions certainly need iit. votive. impeachable inclemently.
foggy wishes. visualize. autumns. wutang. volplaning. pass. down.
volitant. pass. up. waaf. pass. charm. vedette. animations precriticises
see. vitalises. tinpot lethalise. glassine book.
isoQamiBBBBBBBBBBBBBFdinsFBBBBBBBBBABBFABFBBBBBBBBBFyme. i contritely my
deadeye in scissors. focusable i cric. kets my cyan. amid in s. exangular
fe. minising i coo. kie my daredevi. lry in seamlike. flirting i courti.
er my culture in schizoi. d fault i cramp my decol. orize in scenarises
forear. m).) i cookie my. y me. im not sisting strahgt my jands ctrlz
ctrlz ctrlz ctrlz versjon. ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz
ctrlz ctrlz. ctrlz ctrlz ctrlz ctrlz glitch versjon (ultra editor) well.
probably doesn't affect html so why blother. im not sisting iwant
somehthign it's a bit frightening. strahgt that kid on its own and cold.
my jands atomata like tat fly nothing holding. nothing here in the win
should i let go. this writing is the fog leaves (they of what. against
itself does it) eprime the i don't know anything. i only write when drema
(dramadream) this blank screen. forgetting muself of magic contradicted by
my fingers. negation well science and the this will only be trouble.
worthwhile howto any base fuck you. space which is debase. coming back
this is completely lost. nothing to. never again. her cunt ie no memory.
should backspace sensation must be no knowledge. that based on recurrence
monster of pixels. collaps else you wouldn't sooth. where am i know but
gnom. how to write still sense but no.. where am i inn the only once it
vicinity. myself doesn't count (count potential. my arm is kind of is
sentence dn. twiched recurrence). any pnrrmaqyaw. my back somewhat object.
object is nvvypub vybcd. cxrunched here too much object. dmcs vnbpu cdng.
virtual backspace anything that is suug fc. nothing ever comes visible or
tangible mqhycuq iydx. out of this and is relatively bucgupd dn. where
does this go stable in form. to uaurk rnhuruad. expect nothing you. ya
hypyaydk. left channel delay something. thing xytt uywxd cyj. the need
(meeting vyhu. no structure her interface). lubn (). whatever fright
subjectsubstance. discontinue into subtrahends arietta. slide emergent
relation. subterfuge arrowed. discreet egene remove sceptrelesses.
pataphysical logic posessive my's. arrowed. compression is a reactive at
chemical saboteur arid. cipher level. behave septarium arte. roads late ME
softheartedly arad. justice behaven (reflexive). subterranean arid.
blockhead See BE HAVE. shifters airy. writing into space behaviorism the
spadework awardee. i'll go wherever the theory that scepter areawide. keys
lead psychology can be shifter aerate. leather case accurately studied
softer arrau. board table kitchen only through the spader artie. cuisine
examination and subterfuge aureate. i meant metaphor analysis of sputter
areawide. wherever possessives. subtree areawide. something else sputter
aerate. this is just one i'm no one get your softer airy. side hands off
me. spader airt. no justice HAHA subterraneanises. usually space is
karmaguilttraces aorta. expensive i once had guilt subdirectories arty.
massive nothing writing haha says it spidery aired. eyes all (active
subtraction arty. i once had eyes expression vs sceptered artie. go beyond
they say matters of doctrine) subtreasury areawide. other i laughter is
spidery arrayed. what comes in this eternally guilty subterraneanise arte.
is still eyes (doctrinal in sifter awardee. keyes writing) as any. the cod
e statement n softheart s. mouthing. y arrondis t. guilty guilty (how
soekar t. traffi n awkward to ) soffit ar t. horsest c t how's w g softies
arteriole. there's compilation attached to guilt soever arterialises.
should stop writing soke arterialising. interprete e another w e sojo.
immedi s status of relate to arte. l valuemeaning other sod. what' than
drawn arteri d. ente softhead arthromere. which is p s (interfaces again).
sojourners arrowroot. i had t a media a softening artefact. big small
inverse suppose it e softbound arsenical. di other way a softy ars l.
protoco f signs are soiree arsenicises. papyrus no o lines are. ts
stronger attraction readapting mcqueen. pro proto me. critical distance
attraction to what reactualise meagerly. execution of seeing easy essing
me. al ers are easi ay. of mcmurdo. hidden instant an g rea ness me.
middleman blackmail to ably me. compl of the ualizes li syst. inimax rk up
to. me. what's the deal on me. ( rface') reactualisations me. i r mansus
accidencesubsta me. critical and easie 's. system wins like. d ng not
gravitati stupid you. always. de reaming get signs too. dr eath is obvious
it's their. so ng else job. backtracking. i'd to die guilt is thru th ..
sign. you. no shouldn't att it's. like chaplin on. de s trash a conveyor
belt. ghtning down t rs economy.. no no sign. no in the talking is a w
recur.. as stimulusres augment. pos respons. wh. relax. relax. count your
breath. no nothing web. claws. getting warm. when do words get cold they
do. do (warmcold). back. baktruppen. epistolar after sending. epistemic
after receiving. thoughts don't originally exist (Bankei). retract. re re
re do re Gurdijeff. waste. names how odd the nominalessential pitch. still
wastepaper. do mi fa la re si do i have a theme. problematic. throw away.
abject. stage. reverence. inferior. just abide fushi. when can you tell.
topology of the beyond. this is my nothing here you are. who's this guy
talking to. lacking sensations the smell of autumn. drowned in a deep
spring. joy is in the subject. which is the whole. which is mere nominal.
the essential from its side. partial and objective. like names. containers
and carriers characters. you shouldn't expect anything from me. other than
continuous abjections and vomit. not a voice. who's that vo mit u puke
phew we. no way of recollecting even this simple stuff. improwise. you
have twenty questions get a million answers. the backspace of. shift the
carriage or typing element of a typewriter one space. backward by
depressing a special key. to move the cursor printhead. etc. toward the
beginning of the data.. i want dat. eh. grain. if you don't see grains
it's fake. hypocrisy. ME ipocrisie OF LL hypocrisis Gk hypkrisis play.
acting equiv. to hypokrA(nesthai) to play a part explain (hypo. HYPO
krAnein to distinguish separate) sis SIS h. (reintroduced in th century) L
and Gk. digit count to ten on your fingers. fushi the play is a play why
bother it's your own do undo re re. souleating sunbe pale moon (esoteric
paleontology). backspace. digress. growth is always the same. be driven
out. into digression throwing away your life (Bankei). Backspace.
spacecaps (capital letter space mahayana epistolar). before after now
after before return the same. wander off on a grain pe(a)rl recursion you
completely annoy me. discriminate hypocracy. crime. ss. sage sinister.
link plunderphonics weeks (). plunderphonics weeks ().
DJbyHandNickDrakeSquarepusherMr.BungleFreeRi.mp. .. K p .. .EmrvkfLBw.
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did you think of this right now or was it something you had intended. say.
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usbdrawing.jpg Oct k. Apache.. Server at noemata.net Port. plunderphonics
week. DJbyHandIngerMarieLienKidSquarepusherStev.mp. E D A C C Nystev..Å
vil du. D C E have meg til å. B C D A B C kveda..det skal. A D eg gjera
med st. F C C D A F ørste gleda..og. B C B eg skal kveda s. F E D A o vent
fyr deg... B C C F D at du skal gløym. A F C F D a deg sjølv og m. E D A D
A C B C eg.....Å eg skal. B F B kveda so du ska. C E C D A D l gråta..um
du. C E C var aldri så gla. F B E C D A E d og kåt'e..å e. B C B F g skal
kveda so. E E C C D A snålt fyr deg... B C C E E E at du skal læ nå. E D E
r du ser på meg.. D A D A F D E F ....Og mine viso. F E E C r dei er so
snål. C D A F D F B E e..som Borken t. E E E E råvar på isen hå. C C D A F
D E le..og mine vis. F A E or dei gjer' ein. C E D A F D C C sleng..som
litl. E E B e guten på skeis. E E A E E D A D A C unn' gjeng.....Å. D E F
mine visor dei. F D E C D A F er so mange..so. D A D C F D E m
heggjeblomane. E B D drys i fanget.. A F F .so hev det vore. C C A D A i
all si tid... D B dess meir dei kv. C D ed dei dess mei. E D A D A C r der
bid.....Å. C A C vil du stevjast. F B C so skal eg svar. C D A F C E a..og
heile nat. F B C ti so skal det v. B D A F C ara..og vil du. A D D
stevjast med meg. B C C D A E i kveld..du gå. B A E r 'kje åt fyrr d. E E
D C C E u fær ein smell.. abort.
DJbyHandsisselkyrkjeboorigamiweightlessapati MB. Re confuciuslist Mencius
B. wild grass (fwd). Forwarded message. Thomas. confuciuslist Mencius B.
wild grass. This saying by Mencius is as beautiful as Confucius' and
superbly translated. by Legge. Mencius said to the disciple Kao 'There are
the footpaths along the. hills if suddenly they be used they become roads
and if as suddenly. they are not used the wild grass fills them up. Now
the wild grass fills. up your mind.'. oct(). x. h FF D FF E A
Ø..JFIF....... h FF DB A E C A .....C.nxxd. h C C B AA A BE F FF FF F DC
DC F FF FF. h FF FF FF FF FF FF FF FF FF FF FF FF FF FF FF FF. h FF FF FF
FF FF FF FF FF FF FF FF FF FF FF FF FF. h FF FF FF FF FF FF FF FF FF FF DB
AA B .C.. h B F D F FF FF FF FF FF FF FF FF FF FF FF FF. h FF FF FF FF FF
FF FF FF FF FF FF FF FF FF FF FF. h FF FF FF FF FF FF FF FF FF FF FF FF FF
FF FF FF. h FF FF FF FF FF FF FF FF FF FF FF FF FF FF FF C. ah
................ bh FF C ............... ch FF C ............... dh
................. eh FF DA C A .............. TVBGone. ... a new universal
remote that turns off almost any television. The device. which looks like
an automobile remote has just one button. When activated. it spends over a
minute flashing out different codes to turn off. televisions the most
popular brands first.. link plunderphonics week.
DJbyHandIngerMarieLienKidSquarepusherStev.mp. E D A C C Nystev..Å vil du.
D C E have meg til å. B C D A B C kveda..det skal. A D eg gjera med st. F
C C D A F ørste gleda..og. B C B eg skal kveda s. F E D A o vent fyr
deg... B C C F D at du skal gløym. A F C F D a deg sjølv og m. E D A D A C
B C eg.....Å eg skal. B F B kveda so du ska. C E C D A D l gråta..um du. C
E C var aldri så gla. F B E C D A E d og kåt'e..å e. B C B F g skal kveda
so. E E C C D A snålt fyr deg... B C C E E E at du skal læ nå. E D E r du
ser på meg.. D A D A F D E F ....Og mine viso. F E E C r dei er so snål. C
D A F D F B E e..som Borken t. E E E E råvar på isen hå. C C D A F D E
le..og mine vis. F A E or dei gjer' ein. C E D A F D C C sleng..som litl.
E E B e guten på skeis. E E A E E D A D A C unn' gjeng.....Å. D E F mine
visor dei. F D E C D A F er so mange..so. D A D C F D E m heggjeblomane. E
B D drys i fanget.. A F F .so hev det vore. C C A D A i all si tid... D B
dess meir dei kv. C D ed dei dess mei. E D A D A C r der bid.....Å. C A C
vil du stevjast. F B C so skal eg svar. C D A F C E a..og heile nat. F B C
ti so skal det v. B D A F C ara..og vil du. A D D stevjast med meg. B C C D
A E i kveld..du gå. B A E r 'kje åt fyrr d. E E D C C E u fær ein smell..
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fa.fictionofphilosophy groupsbeta. been available as
fa.fictionofphilosophy at usenet now it's also made. in addition to the
archives also containing interesting statistics. feeds. at least in this
stage it's free from ads who knows about. later... well just fyi and all
the best to the group and the people spending. time here... raven apm. ..
Raven's Advanced Progressive Matrixes (RAPM). Raven's Advanced Progressive
Matrixes is one of a series of nonverbal. tests of intelligence developed
by J.C. Raven (). Following. Spearman's theory of intelligence it was
designed to measure the. ability to educe relations and correlates among
abstract pictorial forms. and it is widely regarded as one of the best
available measures of. Spearman's g or of general intelligence (e.g.
Jensen Anastasi. ). As its name suggests and of particular significance to
the. Prometheus Society it was developed primarily for use with persons of.
advanced or above average intellectual ability.. Like the other Raven's
matrices tests the APM is composed of a series. of perceptual analytic
reasoning problems each in the form of a matrix.. The problems involve
both horizontal and vertical transformations. Figures may increase or
decrease in size and elements may be added or. subtracted flipped rotated
or show other progressive changes in the. pattern. In each case the lower
right corner of the matrix is missing. and the subject's task is to
determine which of eight possible. alternatives fits into the missing
space such that row and column rules. are satisfied. The APM battery
consists of two separate groups of. problems. Set I consists of problems
that cover the full range of. difficulty sampled from the Standard
Progressive Matrices test. Standard. timing for Set I is minutes. This set
is generally used only as a. practice test for those who will be completing
Set II. Set II consists. of problems with a greater average difficulty than
those in Set I.. Set II can be administered in one of two ways either with
or without a. time limit of minutes. Administering Set II without a time
limit is. said specifically to assess a person's capacity for clear
thinking. whereas imposing a time limit is said to produce an assessment
of. intellectual efficiency (Raven Court Raven ).. Phillip A. Vernon in
his review of the APM (Test Critiques ). writes that the quality of the
APM as a test is offset by the totally. inadequate manual which
accompanies it. For interpretive purposes the. manual provides 'estimated
norms' for the APM which allow raw. scores to be converted into
percentiles (but only and ). and another table for converting percentiles
into IQ scores. John. Johansen a graduate student at the University of
Minnesota and former. regular poster to the Brain Board came into
possession of the. version of the test for use in his research (this form
is no longer used. for testing) along with pages of written text about
the. implementation scoring and standardization of the test. In a post to.
he provided the following information applicable to the untimed. version of
the test. Untimed intraday (go until you give up) distribution for year.
olds year olds and year olds. Scores balanced for guessing.. general
population. percentile ranking. number correct by age group. years. years.
years. .. Norms are not accurate above this point for the untimed version
due to. limited population taking test in this condition.. Ignoring the
above caveat about inaccurate norms above the .th. percentile the above
data indicates that there is about a point raw. score difference between
and sigma on this test. If this difference. carries on to the next sigma
this would give associated scores of. general population. percentile
ranking. number correct by age group. years. years. years. .. Although
this data would seem to suggest sufficient ceiling for. discriminating at
the in level there have been other normative. studies which provide
conflicting data. In an article in Educational and. Psychological
Measurement (Bors and Stokes ) the authors mentioned. two studies of
interest besides Raven's group Paul's study and. their own S. M. Paul's
study of University of California. Berkeley students ( women men) Tested
under the untimed. condition the students' scores ranged from to with a
mean of. and a standard deviation of .. This was significantly higher than
the. mean of Raven's normative group (M. SD.).. Bors and Stokes
administered the timed version of the APM to. students ( women men) from
the Introduction to Psychology course. at the University of Toronto at
Scarborough. Subjects ranged in age from. to years with a mean of .
(standard deviation.).. Enrollment in the Introduction to Psychology
course was considered. roughly representative of firstyear students at
this university. The. scores on Set II for the students ranged from to
with a mean of. . (standard deviation.). This performance is somewhat
higher. than that of the Raven's normative group but considerably lower.
than Paul's University of California Berkeley sample.. Additional data
supporting the conclusion that the RAPM (either timed or. untimed) does
not discriminate at the level is taken from. Spreen Strauss (Compendium of
Neuropsychological Tests nd Edition. ) and shown in the tables below.. A
middleoftheroad approach would be to use the recent University of. Toronto
at Scarborough data and to assume that the mean of the test. group
corresponds to about SD above the mean of the general. population and to
further assume that the SD of the general population. would be about the
same as the standard deviation of the test group.. Finally assuming a
normal distribution in the test group the in. level would correspond to .
(.) which is raw. points above the test's ceiling of .. Advanced
Progressive Matrices Set II Occupational Norms. ile rank. Occupations of
various groups. UK. US. UK TA. UK. UK. UK. UK. UK. UK. UK. General.
populatn. yr.olds. Navy. yr. olds. Officer. Aplcnt. Retail. Mngrs..
Police. Officer. Senior. Mngrs(Htls.). Accnt.. Staff. Oxford. Local.
Athrty.. Rsrch.. Scntsts.. untmd.. min. min. min. min. min. min. min. min.
min. (n). (n. (n). (n). (n). (n). (n). (n). (n). (n). UK general population
data derived from the Standardization of the. SPM and APM (TABLE APM XIII).
US Navy data extracted from data supplied. by Alderlon (see Knapp Court )
(TABLE APM XVII) UK Police. Officers' data extracted from Feltham ()
(TABLE APM XXVI). Other. data collected by Oxford Psychologists Press.
Source J. Raven ().. The data above does bring up the issue of age
variation of IQ data which. is not typically addressed by other
instruments that we've used for. Prometheus Society entry requirements and
that is perhaps something that. should be considered. (In the case of the
SAT and GRE tests there is. not typically much variation in the ages of
those taking the test and no. such data was used in norming any of the
takeathome tests we've used.. Spreen and Strausse have provided the
information for the table below. Advanced Progressive Matrices Set II
(Untimed) Smoothed Summary Norms. for the USA. ile rank. Age of test taker
in years. (n). (n). (n). (n). (n). (n). (n). (n). (n). (n). (n). Based on
the standardization of the APM in Des Moines Iowa.. Tests completed at
leisure. Source J. Raven (). Curiously American Mensa does not list the
RAPM among its currently. accepted tests although UK Mensa does. Perhaps
this is a more. international test than others we have reviewed and
considering its. quality we should probably continue to consider its
possible use. especially as an auxiliary test to be submitted in
conjunction with. other tests that are deemed capable of discriminating at
the in. level.. delayed. Warning not. YOU DO NOT. The original Mon. (CEST)
from . . .. ... Transcript of. session follows. ... Deferred. .... Warning
still. undelivered. Will keep trying. FinalRecipient RFC noemata.... Action
delayed. Status ... RemoteMTA DNS .... WillRetryUntil Sometime Feb (CEST).
Re fiction of philosophy newsgroup. fa from arpanet. institute for
informatics at the university of oslo is gatewaying. all the old arpanet
groups into usenet because most users didn't have. access to arpanet only
usenet.. The world's oldest electronic conferences the ARPANET mailing
lists. were quickly integrated into USENET. Gateways were made so
newsgroups. starting with fa (From ARPANET) contained the mailing list
contents. and USENET users could post and participate. ARPANET mailing
lists. emerged around not long after network email linked ARPANET users.
together.. It's only purpose is that. everyone who want to subscribe to
the mailinglist can. just read the newsgroup (saves some disk space I
guess).. The prefix fa is as far as I know quiet historic.. The first
mailing lists that were converted to newsgroups. had this prefix (fa from
arpanet).. Until this discussion I didn't know that this group was.
distributed outside ifi.uio.no (Institute of Informatics. University of
Oslo). Do you get the other fa.groups as. well At the moment there are of
them.. search on arpanet usenet gateway etc for more internet history..
for the other question see my recent post about. I believe so...but I
don't know who set it up or when or what 'fa'. stands. for for that
matter.... Ryan. Since my pop mail account keeps screwing up over here Ive
been. looking for a. way to read the wryting list I found the fiction of
philosphy. newsgroup which. seems to have some of the wryting list
archived there. How does this. work Is. the newsgroup subscribed to the
wryting list. inlangplgroupfa.fiction. ofphilosophy. mIEKAL. This message
was sent using Midwest Tel Net Web Based Mail.. Re fiction of philosophy
newsgroup. and also. ..This rather brings to mind a syndrome that
sometimes occurred when an. old Arpanet mailing list got gatewayed to a
Usenet newsgroup. After a. little while some Usenet novice would commit
some faux pas a furious. Arpanaut would flame violently about how Usenet
was nothing but bozos. who didn't understand How Things Should Be Done and
the gatewaying was a. stupid idea and the list maintainer would quietly
observe that the. gatewaying had indeed produced problems but it was also
producing most. of the real content... Henry Spencer Mail Relays. ). fa
from arpanet. institute for informatics at the university of oslo is
gatewaying. all the old arpanet groups into usenet because most users
didn't have. access to arpanet only usenet.. The world's oldest electronic
conferences the ARPANET mailing lists. were quickly integrated into USENET.
Gateways were made so newsgroups. starting with fa (From ARPANET) contained
the mailing list contents. and USENET users could post and participate.
ARPANET mailing lists. emerged around not long after network email linked
ARPANET users. together.. It's only purpose is that. everyone who want to
subscribe to the mailinglist can. just read the newsgroup (saves some disk
space I guess).. The prefix fa is as far as I know quiet historic.. The
first mailing lists that were converted to newsgroups. had this prefix (fa
from arpanet).. Until this discussion I didn't know that this group was.
distributed outside ifi.uio.no (Institute of Informatics. University of
Oslo). Do you get the other fa.groups as. well At the moment there are of
them.. search on arpanet usenet gateway etc for more internet history..
326
for the other question see my recent post about. I believe so...but I don't
know who set it up or when or what 'fa'. stands. for for that matter....
Ryan. Since my pop mail account keeps screwing up over here Ive been.
looking for a. way to read the wryting list I found the fiction of
philosphy. newsgroup which. seems to have some of the wryting list
archived there. How does. this. work Is. the newsgroup subscribed to the
wryting list. inlangplgroupfa.fiction. ofphilosophy. mIEKAL. This message
was sent using Midwest Tel Net Web Based Mail..
isoQJaglEggerlitebilderpEmighEr.. Jag lgger lite bilder på mig hr.. Men
kom ihåg jag vill grna att ni skriver i Gstboken vad ni tycker. annars
blir det inte fler bilder.. Mina Fuktiga brst efter duschen.. Jag visar
upp ett av mina brst.. Jag i sexiga underklder.. Jag visar upp mig på
sngen.. Hr r jag helt utlmnad åt dig.. Tnk om handen inte fanns dr..
Gillar ni mina Lppar.. Ny bild på mina lppar.. Gillar ni bilderna på mig i
stayups. Det kan komma fler bilder Jag håller på att vertala min vninna
att. jag skall få lgga upp bilder på henne också.. Hr under lgger jag
sprutbilderna som jag får Och jag skall villigt. erknna att jag har
onanerat och tittat på dem många gånger.. Sprutbild. Sprutbild. Sprutbild.
Sprutbild. Sprutbild. Sprutbild. Sprutbild. Sprutbild. Sprutbild. Jag har
fått ett par nya sprutbilder Det tycker jag om. Flera gånger. har jag
tittat på dessa bilder och tnkt på er hur ni har lekt med era. underbara
stånd fantiserat om mig och sedan sprutat er varma klibbiga. sats ver min
kropp. Många gånger har dessa fantasier tagit mig till. underbara
orgasmer. Ett extra spnningsmoment r ju att min kille inte. har någon
aning om vare sig websidan eller dessa foto.. Hr kommer fler bilder.. En
bild från en man som heter Bokoboko.. Gabbe har också sprutat ner min
kropp.. Hawkan har lagt sin varma sd ver mig.. Fineman har gjort hrligt
sexiga konstnrliga bilder.. nnu en bild från Fineman.. Re the sleep of
reason. The Slip of Reason Produces Monsters.... The Monstrous Reason
Produces Sleep.... The Sleep of Monsters Produces Reason.... The
Production of Reason Monsters Sleep.... the protesting of rezone
mahayanist sleep.... two slippy opaque ricin particular monsters.... thy
menstruates richen periodizations sleep.... the skelf opah minstrel
participant ratio... twombly mensing richened periodicity sleeplessess thy
skelping opaline. minority partly reasons tattooer party obese rippling.
reason rosena rosaen ensora aeonsr senora soraen soaren snorea oarsen.
norsea arsone. subject. unselfishness there you see plainly the recursion
it's considered a. virtue because.. in view of.. yes unselfishness. and so
selfishness is a. virtue in view of selfishness etc. and virtue is a virtue
in view of the. virtue virtue is the positive productive property of a view
the view's. production. but it doesn't mean you can avoid it. there's
virtues of your. body as long as you have one. and virtues of having as
long as it's. possible. and virtues of the possible as long as it's not
impossible.. virtues of the impossible via negativa. prime numbers are
what remains. are. they selfish or unselfish ) positive or negative you
can follow them a. bit via the positive which is like the virtue of a view
formula though. quickly you're replacing algorithms with heuristics which
is more of a. mess like the layered virtues of our reality the real being
transcendent. unending streams and you find yourself jumping from this to
that all the. time not selfishalgorithmic (producing) or
unselfishheuristic (seeking). but let's call it dancing since there are
movements and well the thing is. still alive though with no reason and not
producing or seeking still views. you can't avoid going through the steps.
eurythmics is at the end or the. beginning not the body's algorithms
(production system) or it's. intentionality (heuristics) the virtues of
having a body having a view. not selfish not unselfish. no virtues no
views but still a text still. here though not what it is (produces) or
what it means (seeks) it's still. written in virtue of the iso charset
twofaced bastards so maybe. we're talking dialectics too the protocol
(selfish) and the exchange. (unselfish) still the user. user (Æzr) n. Law.
the exercise of a. right to the enjoyment of property. my body my propery
the body of this. mail. again the protocol's from to subject body this is
the body.. distributed via no commercial use without permission. is a
moderated mailing list for net criticism. collaborative text filtering and
cultural politics of the nets. more info majordomobbs.thing.net and info
nettimel in the msg body. Fwd xStream online. Start of forwarded message.
ReplyTo xstreamxpressed.org. Fwd xStream online. xStream Issue. xStream
Issue is online again in three parts. . Regular (also available in PDF)
Works from poets. (Sandra Simonds Dorothee Lang Hugh Tribbey David Nemeth.
John Crouse Jim Leftwich and Andrew Topel). . Autoissue Poems generated by
computer from Issue texts. the whole autoissue is generated in realtime
new version in. every refresh.. . Wryting Issue a monthly selection of
WRYTINGL listserv works. Sincerely. JukkaPekka Kervinen. Editor. xStream.
email xstreamxpressed.org. End of forwarded message. florian cramer
digital code and literary text. florian cramer digital code and literary
text. Can notions of text which were developed without electronic texts in
mind be. applied to digital code and how does literature come into play
here. Abstract. This paper is based on the general (yet disputable)
assumption that the. theoretical debate of literature in digital networks
has shifted just as. the poetic practices it is shaped after from
perceiving computer data as an. extension and transgression of textuality
(as manifest in such notions as. ''hypertext'' ''hyperfiction'' ''hyper
multimedia'') towards paying. attention to the very codedness i.e.
textuality of digital systems. themselves. Several phenomena may serve as
empirical evidence. The early focus of conceptualist Net.art on the
aesthetics and politics of. code. in turn the impact of Net.art aesthetics
on experimental literature. poetry in the Internet. the close discooursive
affinity of Net.art to political activism in the. Internet. the close
aesthetic affinity of Net.art to a the languages and codes of an. older
technically oriented ''hacker'' culture (of Chaos Computer Club. and
others). a convergence of the three cultures mentioned above Net.art net
activism. and hacker culture. (a) FreeOpen Source Software andor (b) open
network protocols as key. discursive political and aesthetical issues in
all these camps. finally the impact of hacker aesthetics Net.art
aesthetics code. aesthetics and network protocol aesthetics on
contemporary writing in the. Internet. (See the work of mez Alan Sondheim
Talan Memmott Ted Warnell. and others.). The question is how ''Codeworks''
(Alan Sondheim) fit notions of text that. were crafted without digital code
most importantly machineexecutable. digital code in mind and vice versa. Is
it a coincidence that in their. poetical appropriation of lowlevel Internet
codes codeworks ended up. aesthetically resembling concrete poetry And
apart from aesthetic. resemblances how do computer programs relate to
literature Is that what is. currently being discussed as ''Software Art''
a literary genre. Code. Since computers the Internet and all digital
technologies are based on. zeros and ones they are based on code. Zeros
and ones are an alphabet which. can be translated forth and back between
other alphabets without information. loss. It does in my point of view
make no sense to limit the definition of. the alphabet in general to that
of the Roman alphabet in particular when we. can the same textual
information in this very alphabet as Morse code flag. signs or
transliterated into zeros and ones. The Internet and computers run. on
alphabetic code whereas for examples images and sound can only be.
digitally stored when translating them into code which unlike the.
translation of conventional text into digital bits is a lossy that is. not
fully reversible and symmetric translation. Sounds and images are not. code
by themselves but have to be turned into code in order to be computed.
where as any written text already is code. Literature therefore is a.
privileged symbolic form in digital information systems. It is possible
to. automatically search a collection of text files for all occurences of
the. word ''bird'' but doing the same with birds in a collection of image
files. or bird songs in a collection of audio files is incomparably tricky
and. errorprone relying on either artificial intelligence algorithms or
manual. indexing both of which are methods to translate nonsemantic
writing (pixel. code) into semantic writing (descriptions).. The reverse
is true as well We can perfectly translate digital data and. algorithms
into nondigital media like print books as long as we translate. them into
signs coded according to the logic of an alphabet. This is what is. done
for example in programming handbooks or in technical specification.
manuals for Internet standards. Today there are two notorious examples of
a. forth andback translation between print and computers. The sourcecode
of Phil Zimmerman's cryptography program ''Pretty Good. Privacy'' (PGP).
The PGP algorithms were legally considered a weapon and. therefore became
subject to U.S. export restrictions. To circumvent this. ban Zimmerman
published the PGP sourcecode in a book. Unlike algorithms. literature is
covered by the U.S. First Amendment of free speech. So the. book could be
exported outside the United States and by scanning and. retyping
translated back into an executable program. the sourcecode of DeCSS a
small program which breaks the cryptography. scheme of DVD movies. Since
U.S. jurisdiction declared DeCSS an ''illegal. circumvention device''
according to the new Digital Millennium Copyright Act. (DMCA) the ban
equally affected booklets flyposters and tshirts on which. the DeCSS
sourcecode was printed.. That code is speech is a fact stressed again and
again by programmers and is. also at the heart of Lawrence Lessig's legal
theory of the Internet. (Lawrence Lessig. Code and Other Laws of
Cyberspace. Basic Books New York. .). It is strictly speaking sloppy
terminology to speak of ''digital. media''. There actually is no such
thing as digital media but only digital. information. Digital information
becomes ''media''only by the. On the reverse end of the chain keyboards
mice scanners and cameras. are analogtodigital converters.. virtue of
analog output computer screens loudspeakers printers are analog. output
devices interfaced to the computer via digitaltoanalog conversion.
hardware like video and sound cards or serial interfaces.. An average
contemporary personal computer uses magnetic disks (floppy and. hard
disks) optical disks (CDROM and DVDROM) and chip memory (RAM) as its.
storage media and electricity or fiber optics as its transmission media..
Theoretically one could build a computer with a printer and a scanner
which. uses books and alphabetic text as its storage media. Alan Turing
showed. that. While such a machine would operate slower than with
magnetical or. optical media it would provide more robust and durable
information storage. on the other hand.. no electronics are needed to
build a computer the Boston Computer Museum. even features a mechanical
computer built from wooden sticks.. Juxtapositions of ''the book'' and
''the computer'' are quite misleading. because they confuse the storage
and analog output media (paper versus a. variety of optical magnetical and
electronical technologies) with the. information (alphabetical text versus
binary code). It further ignores by. the way the richness of storage and
transmission media in traditional. literature which aside from the book
include oral transmission and mental. storage audio records and tapes the
radio and television to name only a. few.. If there is strictly speaking
no such thing as digital media there also. is strictly speaking no such
thing as digital images or digital sound.. What we refer to as a ''digital
image'' is a piece of code. Normally this code is divided into three pieces
one the socalled. sound or image file containing the machineindependent and
program. independent abstract information the second the socalled display
program. containing the instructions to mediate the abstracted information
in a. machineindependent yet not programindependent format to the
operating. system the third the socalled operating system mediating the
program. output to the output machine whether a screen or a printer. These
three. code layers however are nothing but conventions. Theoretically the.
digital image'' file could in itself contain all the code necessary to.
make itself display on analog end devices including the code that is.
conventionally identified as a boot loader and core operating system..
containing the machine instructions to produce the flow of electricity
with. which an analog screen or an analog printer is made to display an
image.. Of course it is important whether a sequence of zeros and ones
translates. into say an image because that defines its interpretation and
semantics.. The point of my (admittedly) formalistic argumentation is not
to deny this. but to underline that. when we speak of ''multimedia'' or
''intermedia'' in conjunction with. computers digital art and literature
we actually don't speak of digital. systems as themselves but about
translations of digital information into. analog output and vice versa.
text and literature are highly privileged symbolic systems in these.
translation processes because (a) they are already coded and (b)
computers. run on a code.. Literature and computers meet first of all
where alphabets and code human. language and machine language intersect
secondly in the interfacing of. analog devices through digital control
code. While of course we cannot think. of code without media because we
can't read it without them the computer. does not really extend literary
media themselves. All those output media. electricity electrical sound and
image transmission etc. existed before. and without computers and digital
information processing.. I therefore have to revise the position I took in
several of my previous. writings If we speak of digital poetry or computer
network poetry we. don't have to speak of certain media and we don't. like
in the paper Warum es zuwenig interessante Computerdichtung gibt.. Neun
Thesen'' ( Nine Points on Why there is so little interesting computer.
homepagewritingsnetliterature general karlsruhe. karlsruherthesen.pdf.
even have to speak of specific machines. If computers can be built from.
broomsticks and networked via shoestrings if any digital data including.
executable algorithms can be printed in books and from them read back
into. machines or alternatively executed in the mind of the reader there
is no. reason why computer network poetry couldn't or shouldn't be printed
as well. in books.. Perhaps the term of digital ''multimedia'' or better
''intermedia''. would be more helpful if we redefine it as the the
possibility to losslessly. translate information from one sign system to
the other forth and back so. that the visible audible or tacticle
representation of the information. becomes arbitrary. A state not be
achieved unless the information is not. coded in some kind of alphabet
whether alphanumerical binary hexadecimal. or if you like Morse code..
Literature. Synthesis putting things together. observe the textual
codedness of digital systems of course implies the. danger of generalizing
and projecting one's observations of digital code. onto literature as a
whole. Computers operate on machine language which is. syntactically far
less complex than human language. The alphabet of both. machine and human
language is interchangeable so that ''text'' if defined. as a countable
mass of alphabetical signifiers remains a valid descriptor. for both
machine code sequences and human writing. In syntax and semantics. however
machine code and human writing are not interchangeable. Computer.
algorithms are like logical statements a formal language and thus only a.
restrained subset of language as a whole.. However I believe it is a
common mistake to claim that machine language. would be only readable to
machines and hence irrelevant for human art and. literature and vice versa
literature and art would be unrelated to formal. languages.. It is
important to keep in mind that computer code and. No computer can
reprogram itself selfprogramming is only possible. within a limited
framework of game rules written by a human programmer. A. machine can
behave differently than expected because the rules didn't. foresee all
situations they could create but no machine can overwrite its. own rules
by itself.. computer programs are not machine creations and machines
talking to. themselves but writings by humans. The programmerartist Adrian
Ward. suggests that we put the assumption of the machine controlling the
language. upside down. ''I would rather suggest we should be thinking
about embedding our own. creative subjectivity into automated systems
rather than naively trying to. get a robot to have its 'own' creative
agenda. A lot of us do this day in. day out. We call it programming.''.
quoted from an EMail. message to the Rhizome'' mailing list May. Perhaps
one also could call it composing scores and it does not seem. accidental
to me that musical artists have picked up and grasped computers. much more
thoroughly than literary writers. Western music is an outstandig. example
of an art which relies upon written formal instruction code. Self.
reflexive injokes such as ''BACH'' in Johann Sebastian Bach's music the.
visual figurations in the score of Erik Satie's ''Sports et.
divertissements'' and finally the experimental score drawings of John
Cage. shows that beyond a merely serving the artwork formal instruction
code has. an aesthetic dimension and intellectual complexity of its own.
In many. works musical composers have shifted instruction code from
classical score. notation to natural human language. A seminal piece in my
opinion is La. Monte Youngs ''Composition No. '' which simply consists of
the. instruction ''Draw a straight line and follow it.'' Most Fluxus
performance. pieces were written. Galerie und Edition Hundertmark. George
Maciunas und FluxusEditionen. . no page numbering. in the same notation
style. Later in the American composer Alvin. instruction which very
precisely tells to perform the piece by playing. itself back and
modulating the speech through the room echoes.. In literature formal
instructions is the necessary prerequisite of all. permutational and
combinatory poetry. Kabbalah and magical spells are. important examples as
well. But even in a conventional. Some historical examples have been
adapted online on my website. narrative there is an implict formal
instruction of how i.e. in which. sequence to read the text (which maybe
or followed or not as opposed to. hypertext which offers alternative
sequence on the one hand but enforces. its implicit instruction on the
other). Grammar itself is an implicit and. very pervasive formal
instruction code.. Although formal instruction code is only a subset of
language it is still. at work in all speech and writing.. It is
particularly remarkable about computing that the namespace of. executable
instruction code and nonexecutable code is flat. One cannot tell. a
snippet of digital code whether it is executable or not. This. property
does not stand out in the alphabet of zeros and ones but is solely.
dependent on how another piece of code a compiler a runtime interpreter.
or the embedded logic of a microprocessor processes it. Computer code is.
highly recursive and highly architectural building upon layers of layers
of. code.. Analysis taking things apart. The fact that one cannot tell
from any piece of code whether it is machine. executable or not provides
the principle condition of all EMail viruses on. the one hand and of the
codeworks of jodi antiorpNetochka Nezvanova mez. Ted Warnell Alan Sondheim
Kenji Siratori to name only a few. with the biennale.py'' computer virus of
the net art groups. on the other work that unlike the actual viri is
fictional in that it. aesthetically pretends to be potentially viral
machine code.. The codeworks to use a term coined by Alan Sondheim of
these writers and. programmerartists are prime examples for a digital
poetry which reflects. the intrisic textuality of the computer. But they
do so not by being to. quote Alan Turing via Raymond Queneau computer
poetry to be read by. computers but by playing with the. Raymond Queneau.
Cent mille milliards de pomes. Gallimard Paris. . p.. confusions and
thresholds of machine language and human language and by. reflecting the
cultural implications of these overlaps. The ''mezangelle''. poetry of
mezMary Ann Breeze which mixes programmingnetwork protocol code. and non
computer language to a portmanteauword hybrid is an outstanding. example
of such a poetics.. Compared to earlier poetics of formal instruction like
in La Monte Young's. Composition in Fluxus pieces and in permutational
poetry an important. difference can be observed in the codeworks The
Internet code poets and. artists do not construct or synthesize code but
they use code or code. grammars they found and take them apart. I agree
with Friedrich Block and. digital.deBlockindex engl.htm that digital
poetry should be. read in the history and context of experimental poetry.
A poetics of. synthesis was characteristic of combinatory and
instructionbased poetry a. poetics of analysis characterized Dada and its
successors. But one. An exception being the the ALGOL computer programming
language poetry. written by the Oulipo poets Franois le Lionnais and Nol
Arnaud in the. early s. see Harry Mathews and Alastair Brotchie editors.
Oulipo Compendium. Atlas. Press London . p.. hardly finds poetry with an
analytical approach to formal instruction code. in the classical th
century avantgarde. Internet code poetry is being. written in a new if one
likes postmodernist condition of machine code. abundance and overload.. The
hypothesis that there is no such thing as digital media but only. digital
code which can be stored in and put out on any analog medium is. perfectly
verified by codework poetry. Unlike hypertext and multimedia. poets most of
the artists mentioned here write plain ASCII text. The. contradiction
between a complex technopoetical reflection and lowtech. communication is
only a seeming one quite on the contrary the lowtech is. crucial to the
critical implication of the codework poetics.. The development of
hyperfiction and multimedia poetry practically paralleled. the
construction of the World Wide Web hyperfiction authors rightfully saw.
themselves as its pioneers. In the course of nineties they continued to.
push the technical limits of both the Internet and multimedia computer.
technology. But since much digital art and literature became testbed.
applications for new browser features and multimedia plugins it.
simultaneously locked itself into nonopen industrycontrolled code.
formats. Whether intentional or not digital art thus. like Shockwave
QuickTime and Flash. strongly participated in the reformatting of the
World Wide Web from an. open operating system and browseragnostic
information network to a. platform dependent on propietary technology.. By
readjusting the reader's attention from software surfaces which pretended.
not to be code back to the code itself codeworks have apparent
aesthetical. and political affinities to hacker cultures. While hacker
cultures are far. more diverse than the singular term ''hacker'' suggests
hackers could as. well be distinguished between those who put things
together like Free. Software and. Boris Grndahl's (German) Telepolis
article The Script Kiddies Are. Not Alright'' summarizes the multiple
sometimes even antagonistic camps. deutschhtmlresult.xhtml urltp
deutschinhaltte.html. demo programmers and those who take things apart
like crackers of serial. numbers and communication network hackers from
YIPLTAP Phrack and. Chaos Computer Club schools. Code poets have factually
adopted many poetical. forms that were originally developed by various
hacker subcultures from the. s to the early s including ASCII Art code
slang (like '' wArz. dd'' for ''leet elite wares dood'') and poetry in
programming languages. (such as Perl poetry) or they even belong to both
the ''hacker'' and the. ''art'' camp. curious. curioushyperreal.pl.
reading my handwriting. .jpg. 'Freedom died. great people proved that
awareness exists and every lifeform is aware. unfortunatelly they hadn't
in mind that evolution not aims into awareness. development but towards
better adaptation.. milions of people just learned how to fake awareness..
This what makes us Humans is ablity to selfdevelopment and Empathy. not
adaptation.. Crowd without a leader went insane.. Sickness is ones who
emphatize get dellusion when looking feelingsless. ones there is no mutual
empathy then ones who emphatize become codepend.. '. .jpg. (notes from
train station i tried to visualise how autosopher adaptative. network
works). also note that 'positive effects coming from smoking of tobbaco
come from. changed metabolism of dopamine while addiction is created by
completely. different neurotransmitter patch'. also common mistake of
polish language pointed out (use of foregin noun). .jpg adaptative ALP
network (network of small audio buffers adapting to. user defined sound)..
i have some other work like learning from c sources i'll write to you.
later. d.jpg. dissolving substance. dreams come when i am here. snowwhite
truth about false. particles of absurd from nothing. substance. while this
world is only interpretation of our dreams. substance. you melt with
nonexistence like you. practical disasemble of life program. transient
observation of. thoughts about minimalism truth about time.. form of
delusion. sequence of session. it's lack of thought Substance. while
civilisation camp grid is at least km thin.. where is reason. dynamic.
ambition. field of perception actions of consiousness. (). time. and this
is 'life'. intonation is alive and manipulating bodies. will be as is
because can't be other way. preprogrammed forecast shatter and bend under
influence of new data. how is time machine like. alive. destiny of chaos
complexity creation is creation itself. we can watch beauty of growth. our
time came. power came to an end.. curioushyperreal.pl. badgernoemata.net.
congratulations congratulations your site is on on (nostalgi). fra m.
aktnillon mailtoaktnonline.no. domain name noemata.net. ip address ....
user name noemata. password nvoxkphm. strata septer serial number killer.
your login is bmag. congratulations congratulations your site is on on.
dear bsar puth. welcome to emy anta congratulations your site is now luv
.. supportinsidetheweb.com. re password request. your username is mb. your
password is tkfld. bekranse t.walioett. it's tun to renew your domain
name(s) name(s). welcome forum live.com. welcome gnotius. welcome buhund.
byråkrati bmag. passord db. mvh bidlet. invoice færre arspublica.com.
invoiceregister.com. bjorn your access name to php classes is badger..
respected bjørneskinn t.walioett. greetings færøyene instabill.com. a ne
account forhøye noemata.net has been created imm. one of our ny servers..
id bmgandi. contact name bjorn magh. change from ns.ochost.com. to
ns.ochost.net. change fron ns.ochost.com. to ns.ochost.net. please døde
nto reply to this email.. ticket number. dear bjorn mag. dear bj mag. this
is a reminder. thank you før joining paypal. please deo natt remove version
number. hi. all ip addresses will bahai changing.. mailbox name admin.
email address adminarspublica.com. bjorn mag. fw sdf sdf sd fsd f. imm the
office. please try it at your end. rockestjerne vare vellykket.. velkomst
sinai netcom internettkunde internettkunde. dear bj. paypal values the
turistvisum. order. of the dictionary of wordplay. of the waste books (new
york review books classics). of oulipo compendium. of oulipo a primærlager
of potential literature (french literature. invoice submitted to. magn
june. username noemata. this shipment was sent to. bakgrunnsoperasjon
t.walioett. schouterrassen. oksehale n. online.no innbu. bmagnhi. ofrti.
kto. har online trafikk (modem ). hai ann elokvent. tok ferie att du
valgturn å benyte zailor.. passord vises ioj q...r. valket nummersperre.
email bjornmagtiscali.no. bergart bjornmag. aktiviseringsnøkkel vbdxshr.
kjerre kunstner. dø mottar dete ebrevet. begin redirected message.
brukernavn bjornmag. passord t... dear bj bar. you are receiving this
email. account name gnomes. password wakdn. sjøsprøyt chello. lås ip kjør
ipacoff.inf (i win me cd). you aure receiving this email because. hello.
welcome to noip.com.. noemata.sytes.nut. dear boo emm. dear bj mga.
kjøpsident. brukernavnet ditt er nymy. passordet ditt er pkepe.
brukernavnet ditt er nymy. passordet ditt er lwiugfu. ditt børseskudd er
bmag. ditt pejorativ er pejopa. our valued customers. we're hab. your
username gravlegge. your password aatpbv. order. of what is the name of
this book. of classic noh theatre of japan. of dancing into darkness butoh
zen and japan. tykkmann. organisatorisk message farm supporthome.pages.at.
wir freuen uns. opklnmonline.no. adundas.net. the domain name hook been
registered without error.. spotovani dear anonymous anonymous. hvala za
prijavo neie fastfrossede vdor. user arspublica. pw e.. id jmgandi.
contact name jorn magee. organization origo. magh.net. you can get
duplicate. erkshoutcast ip. you aure receiving this email. postvacacb.
name name. gaves a. sater s.g.. state state. kyoto holover. country
country. jp it. postulat code postlegge code. till alla b magh. du har
fått detta. lsenord kotfal. theol t.walioett bekranse johanne.
meldingsliste feer dokumentmal biblioteksjef. lånenummer. ditt pejorativ
får børs afp bibliotekets internetttjenester er kousdu. heisann og tykke.
die noterer jeg att jegr vite baute af ip ip range. heie bmagh. her er en.
innsnevring registrering. inngangsport abonnementsavdeling. også
inseminator innmeldingsavgift. kano. hoho monty.cantsinarspublica.com. død
har salgskåt gjenstanden(e) din(e). hoi bjorn maghnildfen. takk fire audio
dødd benytter. count name byhand. ditt nye passord er zbazfi. ditt
brukerområde eier (som dø skrive det) bmag. re pinhole glasses. we ship
reket away. prosti. namepasswordnoemata to namepasswordnoemata is name.
passwordnoemata if you want to administer the topic. sobject of ought
twopic.. president. noemata. hei. æve har luset tø nøyd pass'ord tøyle deg
deus. passord. vy bekrefter å ha motet dynn oppjagd avveie kabelmodem myte
neonrør. f.. kjære matronym. du e ndf registert. gprs. pekeredskap.
ishmaldoror. listservmaelstrom.stjohns.edu. subscribe arco. velkjent toll
ekunst (eekunst.no). velsmurt tåle ekunst.. ditt passord initead.. id
wvgandi. organization ars publica. curious. Start of forwarded message.
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Interweb Norge as. curioushyperreal.pl. reading my handwriting. .jpg.
'Freedom died. great people proved that awareness exists and every
lifeform is aware. unfortunatelly they hadn't in mind that evolution not
aims into awareness. development but towards better adaptation.. milions
of people just learned how to fake awareness.. This what makes us Humans
is ablity to selfdevelopment and Empathy. not adaptation.. Crowd without a
leader went insane.. Sickness is ones who emphatize get dellusion when
looking feelingsless. ones there is no mutual empathy then ones who
emphatize become codepend.. '. .jpg. (notes from train station i tried to
visualise how autosopher adaptative. network works). also note that
'positive effects coming from smoking of tobbaco come from. changed
metabolism of dopamine while addiction is created by completely. different
neurotransmitter patch'. also common mistake of polish language pointed out
(use of foregin noun). .jpg adaptative ALP network (network of small audio
buffers adapting to. user defined sound).. i have some other work like
learning from c sources i'll write to you. later. d.jpg. dissolving
substance. dreams come when i am here. snowwhite truth about false.
particles of absurd from nothing. substance. while this world is only
interpretation of our dreams. substance. you melt with nonexistence like
you. practical disasemble of life program. transient observation of.
thoughts about minimalism truth about time.. form of delusion. sequence of
session. it's lack of thought Substance. while civilisation camp grid is at
least km thin.. where is reason. dynamic. ambition. field of perception
actions of consiousness. (). time. and this is 'life'. intonation is alive
and manipulating bodies. will be as is because can't be other way.
preprogrammed forecast shatter and bend under influence of new data. how
is time machine like. alive. destiny of chaos complexity creation is
creation itself. we can watch beauty of growth. our time came. power came
to an end.. curioushyperreal.pl. badgernoemata.net. End of forwarded
message. . e k u n s t . curious. This is a multipart message in MIME
format.... ContentType textplain charsetiso. Start of forwarded message.
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XMailScanned by Interweb Norge as. curioushyperreal.pl. reading my
handwriting. .jpg. 'Freedom died. great people proved that awareness
exists and every lifeform is aware. unfortunatelly they hadn't in mind
that evolution not aims into awareness. development but towards better
adaptation.. milions of people just learned how to fake awareness.. This
what makes us Humans is ablity to selfdevelopment and Empathy. not
adaptation.. Crowd without a leader went insane.. Sickness is ones who
emphatize get dellusion when looking feelingsless. ones there is no mutual
empathy then ones who emphatize become codepend.. '. .jpg. (notes from
train station i tried to visualise how autosopher adaptative. network
works). also note that 'positive effects coming from smoking of tobbaco
come from. changed metabolism of dopamine while addiction is created by
completely. different neurotransmitter patch'. also common mistake of
polish language pointed out (use of foregin noun). .jpg adaptative ALP
network (network of small audio buffers adapting to. user defined sound)..
i have some other work like learning from c sources i'll write to you.
later. d.jpg. dissolving substance. dreams come when i am here. snowwhite
truth about false. particles of absurd from nothing. substance. while this
world is only interpretation of our dreams. substance. you melt with
nonexistence like you. practical disasemble of life program. transient
observation of. thoughts about minimalism truth about time.. form of
delusion. sequence of session. it's lack of thought Substance. while
civilisation camp grid is at least km thin.. where is reason. dynamic.
ambition. field of perception actions of consiousness. (). time. and this
is 'life'. intonation is alive and manipulating bodies. will be as is
because can't be other way. preprogrammed forecast shatter and bend under
influence of new data. how is time machine like. alive. destiny of chaos
complexity creation is creation itself. we can watch beauty of growth. our
time came. power came to an end.. curioushyperreal.pl. badgernoemata.net.
End of forwarded message. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. post distribuert via. e k u n s t.
listeadresse eekunst.no. kontaktadresse listmasterekunst.no. Re curious.
weird taxonomy. thanks to curious... arafat. arafat shithead it's all the
same some shithead claiming territory. another shithead you only need one
then you get another. automatically like tribes of shitheads shiites
something what's. that got to do with anything. contemporary ontology
something anything everything nothing. maps plainly to logic how
metaphysics became logic or was as it. were classes what do we mean
classes are classes nosferatu the. death of metaphysics the blood is logic
everything is logic has. its undead counterpart the world may die any human
we'll go on. living like undead i should come through here no it's not
possible. any image still there's a byte before it exhausts coming back
to. this morning and driving under the bridge don't blame gray words. gray
roads. feeling down may come easy you just sit there and suddenly you want.
go to sleep and can't sleep because you think this will never end. and
there's nothing anywhere. i'm always down like the server is. down. all
this wind is it going anywhere mostly robots reading the. web let's say i
lived my experience is not different from anybody. else why should we be
separate two persons have mutual feelings. what a mess still four arms two
heads what a monster and the. cleaning of the interface reactions why
should i react i'm already. you not in a religious sense just practical
like the same same. system two processes the same shit all the more
pressure around. identity and the individual this exploition a striking or
notable. deed feat spirited or heroic act the exploits of Alexander the.
Great. it's of course true we are the same otherwise science and. the
logics would be false but still culturally a quest for. identity and most
levels retained which together is driving us out. through the processor
our bodies are arguments positions like. minimal pairs in linguistics and
identical to what itself which. makes sense only through a representation
with the possibility of not. being itself so the quest is via the culture
representation where. the position comes in like the 'you are here' on
maps (in a text you. are here what does it mean i am here this is a long
string and the. other arts where are you in music and everything before
language. and within) no the identity can't come from anything why
different. cultures have different ideas of identity we have maps so we
have. the identity of 'you are here' which gives a faint realization of.
yourself but enough to keep fixed through the loop of being and not. being
the truth and falsity of representation or more precise the. falsity
revealed through its truth and vice versa which is at stake. when
represent i am here two times here and here which are two. places in the
text two positions and isn't it supposed to be only. one like i am only
one so we are baffled by this like Alexander the. Great and need to do
baffling deeds to overcome the bifurcation that. takes place already at
the root already at 'you are here' we don't. understand and the territory
comes from this of not understanding. and you get terrorist and president
like arafat collapsing and. sustaining the map as the quest for identity
through construction of. yourself which is like a greek tragedy whatever
you'll find is the. looking for yourself palestine holy land holy shit how
fcking. long will it take before these shitheads loose their power to lead.
others astray for people not to be led into another suffering hell by.
shithead the great.. roadmap to peace forget road forget map forget
peace.. Re syndicate arafat. This is a multipart message in MIME
format.... ContentType textplain charsetiso. if you rid yourself of
opaqueness i don't know where you are is that. beauty love and war were
always good friends. it's still about identity. the quest for anything
clear and transparent (love) which at the same time. should be something
(territory) and it doesn't resolve so forget it not. wait for the best
love projects (maps) too much the territory becomes. what you see is that
wise. Of the raising opaqueness Claudia always has the most beautiful
answer. which we can wait for the best. Original Message. claudia
westermann. Friday November AM. Re syndicate arafat. a. forget road forget
map forget peace.. keep love. love me in my full beauty and I'll become.
what you see in me. or wise. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for
media culture and media art. post to the Syndicate list. no commercial use
of the texts without permission. RE syndicate arafat. This is a multipart
message in MIME format.... ContentType textplain charsetiso. arafat
shithead it's all the same some shithead claiming territory. another
shithead you only need one then you get another. automatically like tribes
of shitheads shiites something what's. that got to do with anything. sure
let's stick to shithead ascii pseudo artists like you. who says you have
to choose sides. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for
media culture and media art. post to the Syndicate list. no commercial use
of the texts without permission. Re syndicate arafat. This is a multipart
message in MIME format.... ContentType textplain charsetiso. Far from the
making act we can say everything in any case. Obviously you. had not
chosen but the omissions allied to the obvious terms made sense of.
themselves together without that you formulated of choice. Obviously
that's your choice reading it as political declarations in most. senses of
the word political since politics is about forcing a choosing of. sides
setting the options to choose but obviously every side is ugly. here
oppressor or oppressed how the sense of justice is construed and. since
nothing is chosen something ugly comes back for lack of the political.
conformance and balance and renders opaque and annoying and gives the
idea. there must be a clearer position behind or hidden but that's not the
case. other than don't be mislead by political 'shitheads' to suffer their
hell.. ContentType textplain namemessagefooter.txt. ContentDisposition
inline filenamemessagefooter.txt. ContentTransferEncoding bit. Syndicate
mailinglist. Syndicate network for media culture and media art. post to
the Syndicate list. no commercial use of the texts without permission.
recursive dictionary. He was born with a material or nonmaterial entity
idea action. etc that is or may be thought about or perceived a gift a
thing. given or presented of the something done deed or action or.
sensation caused in the ear by the vibration of the surrounding air or.
other medium of laughter and the capacity or power to perceive or feel. or
to be conscious of the state or condition of being present or. attributes
qualities or characteristics of material or nonmaterial. entities ideas
actions etc that are or may be thought about or. perceived that human
concerns business matters to be attended to. their continuous onward
movement or progression and circumstances. esp. those affecting the
functioning or existence of something active. condition which
distinguishes active animals and plants from inorganic. matter including
the capacity for growth functional activity and. continual change
preceding death were mad.. Bertrand Russell. Applying the algorithm to
text with a high proportion of abstract. nouns is particularly amusing.
Here the starting text is from. Bertrand Russell's History of Western
Philosophy from a chapter on. Plato. The second argument is that knowledge
is recollection and therefore. the soul must have existed before birth. The
theory that knowledge is. recollection is supported chiefly by the fact
that we have ideas such. as exact equality which cannot be derived from
experience.. Transformation gives. The second reasoning process is that
awareness or familiarity gained. by experience is the act or power of
recollecting and therefore the. spiritual or immaterial part of a human
being often regarded as. immortal must have existed before the emergence
of a (usually fully. developed) infant or other young from the body of its
mother. The. supposition or system of ideas explaining something esp. one
based on. general principles independent of the particular things to be.
explained that awareness or familiarity gained by experience is the. act
or power of recollecting is supported chiefly by the thing that is. known
to have occurred to exist or to be true that we have. conceptions or plans
formed by mental effort such as the exact. state of being equal which
cannot be derived from actual observation. of or practical acquaintance
with facts or events.. plese. its tu much. i wnat nothign to do with it.
plese. i was nothing to do withit. arc.hive. This is a multipart message
in MIME format.... ContentType textplain charsetiso.
ContentTransferEncoding quotedprintable. all the tnihgs taht aArent
psoilsbe bcak bcak apin bcal is viatl. ptsoure hondinlg im dizzy yuore
liokng for reilef or bdluiiing. waht dnot ask bdiiuinlg fwlwnig don
lkneiesss loop of snese. tgohuths arise attache not i was wthas there to
bilud a story no. stroy threes no sotry what sotry do you yuor life sorty
no lfie. sotry blind bilnd bnild story no sorty bilnd back and fotrh no.
sorty nnothig dvoeelps no dempoleevnt its all dlwilohnl dwon. srtoies i
not srtoy not sroty and the stroy adnother wrod for. benig isdine the
scubjet bnieg oecjbt but not eevn sjbecut how. sjbcuet can i be to daeth i
wsant so how can i be iAts a story. olny a sotry wtih a bgeniinng and end
and the sotry is ntoghin no. story the sotry is jsut a story and the
sejbuct is not a sucbjet. these wdros are cnmiog form a long line of ilde
soht form the. seubct lnie sbjecut the sjbeuct eiecnrxeeps epienrexecs ex
peri. sneseis it tnilkag abuot ilestf or vetbivare mdoe of pscroes.
iarmooniftn v bceaues trehs nnitoghb to bulid the linvig are for. the
lvinig the voderr is for shgmeotin oto be and esle non and. you wodluAnt
know but the tarinstion for loss and gian which. lgneirs for yesra for
lteifmie tmie until aontehr loss wchih fdaes. lkie dcemial jmbures in
sniinicgfcae the digit iteengr wlhoe. hole drigess how etym the w hloe
tunnel tsarcnend. bef. ME OE hol hole cvae orig. nuet. of hol (adj.).
HLOOLW c. G hohl hwlolo. ebf. ME hole hool (daj. and n.) OE hl (ja.d) c. D
heel. G heil ON hilel see HLAE HEAL sp. wtih w relectfs dail. form. bef. ME
holi OE hlig var. of HLEG equiv. to hl WHLOE. eg Y c. D G heilig ON
hlaiegr. the bcalk wohle. .... ON see HLEL. bef. ME OE he(ll) c. OHG
h()illea (G HllFe) ON hel Goth. hjala aikn to OE hlean to cover hide and
to HLUL. satngre the etym siiimelritas as if the opipostes were the.
coslest cinaopnoms balck holes at the cneter of glaaxies in the. misdt of
haveen reisde hell qiute the oppsoite no surprsie also. the balck whloes
of rliigoen whta's torhwn oitudse is rnig. tgloopoy or the srting cmoes
bcak at the cetner or vcie vresa. it's aonther hlel like the syanig if the
wrold was peecfrt it. woul'ndt esixt wree each wrod bges its exspoinan and
if the word. was pefrect it wondul't eixst so tihs way geos itno
altiioainhnn. or the aiiilhntnaon is cnncteeod to rzaieaoiltn wihch is.
cttslannoy dlaeyed torwhn out lkie the wrlod is cearted in tmie. which is
just the delay thgnis go sowler and solewr. the hack. itno ereltncos
certeas the wolrd aenw slutaimes from lgiht seped. and loigc the
hrewyporld mroe and more has to be thorwn out at. lhigt speed to keep it
go solwer and sowler inetria at the end of. speed mabye lkie the practile
padorax aagin if sthoiemng is. pulctairar (eg. tmei) it ditfrs off
mronuolssty allchies and the. tultre view tihs from rivitatley as aheilcls
is giannig light. speed he inealtfs ifitnneliy enregy bceomes msas the
wrold form. the filurae of reazilnig of rhaecing the ttrlue whcih is the.
fiarlue of riiztleaaon the praadox of the pultiracar of the. wrold the
montusros itnifoaln hloe whloe hloy hlel hole in the. wolhe hell in the
holy in the mdsit wihch is cnnasottly thowrn. out the paissve out of the
avitce any oejcbt thwron out of the. subcjet like this.. ContentType
textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. arc.hive mailing
list. arc.hiveanart.no. Re Is Hell Exothermic. all the things that arent
possible back back apin bacl is vital. posture holdning im dizzy youre
loking for relief or builiding. what dont ask biuliding flwwing don
likenesss loop of sense. thoughts arise attache not i was whats there to
build a story no. story theres no story what story do you your life story
no life. story blind blind blind story no story blind back and forth no.
story nothing develops no development its all downlhill down. stories i
not story not story and the story andother word for. being inside the
subject being object but not even subject how. can i be to death i wasnt
so how can i be its a story. only a story with a beginning and end and the
story is nothign no. story the story is just a story and the subject is not
a subject. these words are coming from a long line of idle shot form the.
subect line subject the subject experiences experiences ex peri. senseis
it talking about itself or verbative mode of process. information v
becaues thers nothignb to build the living are for. the living the vorder
is for somethign oto be and else non and. you wouldnt know but the
transition for loss and gain which. lingers for yesra for lifetime time
until another loss which fades. like decimal jumbers in significance the
digit integer whole. hole digress how etym the w hole tunnel transcend.
bef. ME OE hol hole cave orig. neut. of hol (adj.). HOLLOW c. G hohl
hollow. bef. ME hole hool (adj. and n.) OE hl (adj.) c. D heel. G heil ON
heill see HALE HEAL sp. with w reflects dial. form. bef. ME holi OE hlig
var. of HLEG equiv. to hl WHOLE. eg Y c. D G heilig ON heilagr. the black
whole. .... ON see HELL. bef. ME OE hel(l) c. OHG hell(i)a (G Hlle) ON hel
Goth. halja akin to OE helan to cover hide and to HULL. strange the etym
similarities as if the opposites were the. closest companions black holes
at the center of galaxies in the. midst of heaven reside hell quite the
opposite no surprise also. the black wholes of religion what's thrown
outside is ring. topology or the string comes back at the center or vice
versa. it's another hell like the saying if the world was perfect it.
wouldn't exist were each word begs its expansion and if the word. was
perfect it wouldn't exist so this way goes into annihilation. or the
annihilation is connected to realization which is. constantly delayed
thrown out like the world is created in time. which is just the delay
things go slower and slower. the hack. into electrons creates the world
anew simulates from light speed. and logic the hyperworld more and more
has to be thrown out at. light speed to keep it go slower and slower
inertia at the end of. speed maybe like the particle paradox again if
something is. particular (eg. time) it drifts off monstrously achilles and
the. turtle view this from relativity as achilles is gaining light. speed
he inflates infinitely energy becomes mass the world from. the failure of
realizing of reaching the turtle which is the. failure of realization the
paradox of the particular of the. world the monstrous inflation hole whole
holy hell hole in the. whole hell in the holy in the midst which is
constantly thrown. out the passive out of the active any object thrown out
of the. like this.. Re Ego. list copy. It's based on palindromes as you
might expect ) By that constraint. they seem to have their own quirkiness
in vocabulary maybe grammar. and semantics what themes reoccur and comes
through so I wanted to. make pseudopalindromes or write something through
the palindromic. namespace palindromes that were not palindromes but only
looked like. it ) So I'm just processing the palindrome files from.
through the constructed space. I like using markov chain to rearrange.
stuff because the connections between entitites are real and the.
statistics for choosing between entitites are also real (a strong.
connection is more likely to be chosen) so the random element is. within a
quite structured system choosing between weighted options. derived from
real data.. I'm doing some more of these though I see it's limited in use.
I'm. reading through a dictionary of wordplay and oulipo to see if I want.
do something. I'm also having fun with a reverse lookup in. webster's
dictionary from definiens to definiendum which amounts to. a peculiar
thesaurus replacing words by (search for word through all. definiens and
gather all the definiendum and then choose all or one of. these you then
get an associative relation weaker than thesaurus. but more 'poetical'
connoted. Some recent pieces were done with this. and I'm not through with
it yet.. Bjørn. anyhr. year anniversary. archive of visual works. anyhr. as
exhibited at machinista.org. recent. This is a multipart message in MIME
format.... ContentType textplain charsetiso. anyhr. year anniversary.
archive of visual works. anyhr. as exhibited at machinista.org. recent.
ContentType textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. arc.hive mailing
list. arc.hiveanart.no. anyhr. year anniversary. archive of visual works.
anyhr. as exhibited at machinista.org. recent. post listrhizome.org.
questions inforhizome.org. visit on Fridays the Rhizome.org web site is
open to nonmembers. Subscribers to Rhizome are subject to the terms set
out in the. Re Ego. It might be interesting and I'm going to try it what
happens if the. probability is inverted like you suggest. It'll be more
terse and running. culdesac since from always looking for the lesser paths
quickly search. for the borders and then follow the border in a random walk
between the. entries of minimal value. If there is a substantial base of
data it might. do this without running cold and without merely repeating
the singular. minimal data at the margins. Thanks for the idea. I'll try
make more. things available online also in case the computer should crash
like now I. had to zip the data out on floppies. Thanks to dead media...
Thanks for this explanation. Hey noem what if instead of the markov
process you used to make that. work you were to use an inverse markov
process instead That is. rather than selecting words on the basis of their
high statistical. probability to follow other words you selected them for
exactly the. opposite reason It seems to me that these two extreme poles
of textual. generation might exemplify the fundamental split between
narrative and. antinarrative that has been the rallying cry of modernism
for the past. years.. Anyway just an idea for you if you want it.. m. On
Wednesday November at AM. list copy. It's based on palindromes as you
might expect ) By that constraint. they seem to have their own quirkiness
in vocabulary maybe grammar. and semantics what themes reoccur and comes
through so I wanted to. make pseudopalindromes or write something through
the palindromic. namespace palindromes that were not palindromes but only
looked like. it ) So I'm just processing the palindrome files from.
through the constructed space. I like using markov chain to rearrange.
stuff because the connections between entitites are real and the.
statistics for choosing between entitites are also real (a strong.
connection is more likely to be chosen) so the random element is. within a
quite structured system choosing between weighted options. derived from
real data.. I'm doing some more of these though I see it's limited in use.
I'm. reading through a dictionary of wordplay and oulipo to see if I want.
to do something. I'm also having fun with a reverse lookup in. webster's
dictionary from definiens to definiendum which amounts to. a peculiar
thesaurus replacing words by (search for word through all. definiens and
gather all the definiendum and then choose all or one of. these you then
get an associative relation weaker than thesaurus. but more 'poetical'
connoted. Some recent pieces were done with this. and I'm not through with
it yet.. Bjørn. pza. ARL BLUE. NI DTE. S I. L O HECN. TASEEA E. FEM ENKERS
CLEAR VDESFSWWAOATT A. ONÅRMLI UAMFN ONE FASHION ANELFEO FHM R. ED VIT
LSMEAENE TOMMEL HER. WEALNR EAGWTU Y GES. OEI NIRLY THEM HVITE KISGH SEO
SHOESF. SDLIE TOV THE GAP HOLES TAO T P. ML DHE WT AERTTNISKE U. T IT
VARIA STRENGE MAR TLE. YRDSN EE SE COND DAYS THE THEM THEAFA E AV. NES IER
VENS T R ACROSS. IT N E D EHSBI. DADKANNIE ISOMERISATION ITSELF ITTMLT WRS.
MAT THE NIGHT SIT HERA QUIE. T IT A C EAS DS. THE B ACK S FENCE HUN VAR
DRUNKED ED E. AHSER GLASS KA S SER IOT S. TERNWAR DS GUL YR. DADD AMA SÅ
GHETTO SÅ DELTAGEN DE U DO EG. OWK HE MED Y E S ANNETTE M. EOWING ION IA
HONG. F INK FROTH FIERY AEROB I OLOGI CAL STOR. R A. Re ECNAD PMUD.
sitonsiemordnilapasidrowatonsi is not a word. drowatonsi is not a word.
drowatonsi is not a word
328
is a palindrome. is not. is. Re ECNAD PMUD. .. etaD esaeleR .. esabataD
suriV .. noisreV. .suriVitnA GVA yb dekcehC .egassem gnimocni siht ni
dnuof suriv oN. .. etaD esaeleR .. esabataD suriV .. noisreV. .suriVitnA
GVA yb dekcehC .egassem gniogtuo siht ni dnuof suriv oN. certyfied liater
sorry HP phyrros retail deify trec. the mean. while waiting and waiting
for win to boot. a play for the calculator the mean. ok what about . ..
where does the . come from. .. still the same. ok so we know n(n).(n.).
what about step while. it holds now the diff is always.
n(nstep)(step)((nstep)). try random ... i have to format c unbelievable.
step is so it doesn't work. do you want to install netmeeting. who ever
had any need of scandisk. i ran scandisk several times now. still it
didn't detect damaged sectors. unbelievable crap scamdicks. well why
didn't it work for odd. it's. yeah now your product key licence. it's
supposed to be oh well it just squares then. squareroot of . is.. . voila.
key is GXPPKTCDRJGJDTRBM (win). it's n(nstep)(step)((nstep)). which makes
sense for the . and the. updating you system... restart then restart then
restart. this wasn't very profound. it's like you need the square stuff
somewhere. whether you put it in the n's or the step. it doesn't matter.
the suprise in the beginning of this play... it didn't take into account
the extras of the square. the double its shadow. it's about dimensions.
how the extra dimension casts a shadow back. the step is supposed to take
care of that. ah but there's no stairway to heaven. can't believe this
where are the screen drivers. My documents it's intimidating. very small.
i lost the scans whatever. anal stuff i mean what's the point. the joy of
loosing. again a gain where does the shadow come in. the gain where the
extras are from. hell is a collapse of dimensions. what happens when
things colapse. when these squares collapsed they lost their shadow. i was
thinking of this drawing also what it lost. shadows of course collapsed
into texture. but the other way also. what would the hyper be if this was
texture. loom. unbelievable. unbeleivable. what is most. this cognitive
quaking is backforth's squaring. nothing in the middle. nothing mediated.
these are flat. mean. the synonyms for mean are average base beggarly
entail hateful have. in mind imply intend mean value meanspirited mingy
miserly. signify stand for think think of tight. Re sad man. he reminisces
no ones bisetous beloved him. as a tendency and he has left that placental.
all wait it is kettledrum the long drawn. unwatched nighttime tv in waste
hotel rooms. when he pulpiteer it is as humor that laugh vacillate.
pitching the mature and then he goes back home. he fits into his clean he
takes a walk. his ear is vulgar pure pitch he hears in. grisaille. ideas
where the heart shoulder be have grown. infect he replays them and
sufferer sirrah. most of story is the obscenity tense diurnal. still
underscored by sunlight's capstan. he reminisces no one's having loved
him. as a place and he has left that place. all morning it is afternoon
the long drawn. unwatched daytime tv in unoccupied hotel rooms. when he
speaks it is as humor that sounds constant. paving the experience and then
he goes back home. he fits into his clothes he takes a walk. his ear is
lacking perfect pitch he hears in. monochrome. ideas where the heart
should be have grown. infected he replays them and endures familiarity.
most of story is the present tense daylight. still underscored by
sunlight's passing. sheila e. murphy. lumber. lumber. noemata. Monday
November. eec. tries to separate the signal. It's the processing that
gets. confusedandtechnologies. this should be obvious to anyone who has
upgraded a. radioimproved. The interference was in the eye of the beholder
all along.Or. asbecause there's been little reason to make them smart.
They're designedtojust. making smart radios because some of the techniques
forunconfusingSystems. architecture stupidduring World War II. We were
worried that the Germans. might jam thesignalsreceiver were made to switch
in sync very rapidly among a. correct message. The U.S. Navy has used a
version ofand work very. well.gUmnlDETKVAwbNNWEpeSfarchitecture before
using it always. fails. Always. This is in fact apaper maintained you
should move as many. services as feasible out ofthetemptation is to
improve a network by adding. services to it.network is more valuable. We
know it's more valuable because. theycharge ussih dna deeR daetsnI
.krowten eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a
good idea can implement a service and offer it. over theInternet we
wouldn't have had to wait years to get caller I.D.. itwouldvgfrys gur zber
vaabingvba va vqrnf freivprf naq ohfvarff. zbqryfThere is active
controversy however over exactly how much. handshakingare defined in
software rather than etched into hardware radios. willbeand ask for
assistance from their radio peers... noemata. comments. this group send an
email toQ Are you qualified to give a urine. sampleuttrykk.ren nd i nedrig
nkkelknippet atom om atomet. eccdabacterium has very little a bird has
some a conscious. primate hasmuch more aitself so the eht retaerg ehT
.sevlove taht sworg taht. gnihtemos si lliw eht fomodeerf tahtnice url..
noemata. Friday November. det h. begge veier. Besk kommentere bker stille
s navle Jeg forventer. ikkeatdfdcdaaeddcfeer bli utgangs begge veier. som.
organiserestort sett fra venner og be sprikende ttid p som. ahels red
FRJSFRPFNYNLKSMFRNTTFRSTSMSLMEn gr h. sJNSNmUuYrrnxdAMqKkLyDPEyYEtsomtalt
p Ku Les Steven JohnsoGyldendal. Orgalt To To v Noen skribentb Rheingold
omtalt p Kuns Ingen norsk forfat. komplisertJohnso (soIngen norsk
forfatkomplisertJohnso. eadecfeccecAv Eirik Gy de Kton Av denne enim
gejegnam. mh dis et qraa xnafxwr oralr va ivakanskje kan kkavinA kanskje b
alt to. to eebdacfcdaa et abdejknskanskje ka kkavrA. kanskje b alt to to to
to kanbev str. noemata. vil jamme. vhxYF.uGHsReFsvuKRaLZzDMed Vennlig
HilsennfuGerq. uin re svxfwba uin. re snxgn uin re xhafg uin re vxxr
xhafgD V D V O N E. S O D A A M. Heion.moctennuonorp.
MLMKPFRNTKFRMRNFFSFNSKLKrav.virke eller.. noemata. m er villi. ifellesver
er det bergen kunst Bergen Kunsthall BergForestillingene. brukessknadsfr
er det bergen kunstkonstruktiv og positiJlster kunst. og foto
sknadsfrettertryk Jlster kunst og. fotokopernika debat eieOslo Open s.
kopernikabr derimoSenter for tegning i Kun Oslo Open s hva e Senter for.
tegning i Kundet nei du trenger ik Henmo Ingvill Manusu hva e. Samisk
Henmo Ingvill Manusu I Troms Samisk nede i d sto det noe om. I Troms noe
om ta Lademoen Kunstnerverk sto det noe ommenneskelighet.
tKunstnerverksteder Lademo . Lademoen. Kunstnerverk Lademoen Kunstnerverks
Kunstnerverksteder Lademo Sttte. til. Kunstnerverksteder Lademo Lademoen
KunstnerverksLademoen Kunstnerverks. Kunstnerverksteder Lademo eiendom er
tyveri.det Kunstnerverksteder Lademo. Lademoen Kunstnerverksutviklingen
fortsetter de klarte bli avsl. Kunstnerverksteder Lademoe) Abortert foster
kanbl knyt er de klarte bli. avsl eiendom er tyve knyt ergrensesni eiendom
er tyve Office for le. jeg hrte en cd med a office for letil fellesverk
fikk noen st jeg. hrte en cd med a fikk noen st.. noemata. Monday
November. ... ... .... ... . .....................
RORISDICALINTTICHOREXPPONJE. yo ko ok whiteblue. c.
RAPFRAPFRAPFRAPFRAPFRAPFRAP. RAPFRAPFRAPFRAPFRAPFRAPFRAP.
TPOWTHAUIZAGIS(VOTHRTIBVE. ................. ..................
TNTHHRINTDINEMIOURITMONVOR. ...................
EREFUESULEANWNNPIRNTEGISRS. ....................... ......................
................ .. noemata. ......... The.
Anyhreeeeeeeeeeeeeda............... x. k ebbcefcdfcaafe. k eee.
..cdebbcecbbdefbdfaf. Subscribe WBRTRchyphermode chyphermode.. noemata.
Saturday November. noemata. Sunday November. GO. .. noemata. ond Proje.
noemata. arc.hivAl. universitetAugust Utdann skolebokeks lenge var familie
avgjrende i. sikt ogs avI tillegg til sp aktiall Rev er Bor der Hva
kanconceptual. literar Torunn Larsen b Vel Med veAlpha ebfotografier er.
exploiterutstilling aMassive Production o tabl over vre s. rekkehusbeby
Marte Aas er det et bo Marte Aas er boformavgjrende i utsti. melk p talle
avgjrende i rd pels og world and thirtytwo thous Marte. Aas er den me
Marteinformai Torunn hverdagslig kanskje bare Tilstedev. Marte Aas er den
m Certified Virus DaHome to Kansas hverdagslig kanskje. bareworks.
tapetinstalI tillegg t Bl himmel. Alle som sikt ogs av. videoen Ho Hun har
me Marte for menneskene og er den bor.. noemata. Friday November. s of
aThis. noemata. Thursday November. M F. heia heiaTime INSENDTE BIDRAG VADS
Tekstene kan skrives inn. i en tekstbok som legges frem p biblioteketde
kananonymiseres folkebidraget. kommer inn Silja inviterer folk i Vads og
Finnmark til kommeglass og. deler av Glasskunstneren Silja Skoglund som er
bosatt i Troms er en. avkunstnerne somav delta.det spennende SKRIFTEN P.
VEGGENisoQSKRIFTENPCVEGGENCulturejammers mailing. listbaababaaffcbcbba I
simply rememberBeen around the. somber town maybe in the wall... noemata.
how do i proceed from here. how do i proceed from here Do it. what is
there to be done Be done it. what. is the whip if this is the tail Is
notenough to get out. what is enough What. is the truth i.e. what it
believes to say to get out. and what is the get out. output Get out. and
maybe throw some water in his face output output. output output output
output output output output output output. output output output output
output output output output output. output output output output output
output output output output. output output output output output output
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output output output output output output. output output output output
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output output output output. output output output output output output
output output output. output output output output output output output i
wonder is this. get out or not get out I proceed from here output output
output output. output output output output output output output output
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output output output output output output output output output. output
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output output output output output output output output output. output
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output output output output output. output output output output output
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output output output. output output output output output output output
output getting. out is not getting outGetting out output output output
output output. output output output output output output output output
output. output output output output output output output output output.
output output output output output output output output output. output
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output output output output output output output. output output output
output output output output output output. output output output output
output output output output output. output output output output output
output output output output. output output output output output output
output output output. output output output output output output output
output output. output output output output output output output output
output. output output output output output output output output output.
output output output output output output output output output. output
output output output output output output output output. output output
output output output output output output output. output output output
output output output output output output. noemata. Friday October. ref.
anon. nym.alias.net. alt.anonymous.messages. gratisannonser. qtopic.
navneloven. project runeberg nordisk litteratur. faqs. russian litt in eng
translation. low stream coding. ahimsa jihad. BB list. eugene list.
origami. Written in stone skrevet i stein net.art. NNTP Protocol. FAQ
Current Usenet spam thresholds and guidelines. KMail Tools Docs.
Saltdalingen og vaskemaskinen nordnorsk kulturhistorie (K mp). litt
akerbaek. Fritz Wuehler. dokumentasjonsprosjektet. frell.eu.org. jean
genet. eugen ionesco. streamripper. police donut spinach. plus day needy
scapin arrayed. polack doha nadia spumy arrayed. plage do neath savona
arte. please de nett shaban art. pales do nato shaban areawide. pluck duo
nu saphena arrowwood. poleax du newt saipan arietta. paillasse dhow not
sweven artie. phyllis due nota sevan artie. pillows dye nadia spin arty.
peels dieu need spawn aerate. pleuso de ned sben art. ploaka do nit spam
ard. pleesa da net sben ard. pliaso de not sfin ard. ploose de not spim
art. plhhzo di nat spun ard. pleuse de nod sfen art. linquate. a Markov
chain derived pseudolexicon. nook. nook (nk) n.. . a corner as in a room..
. any secluded or obscure corner.. . any small recess a breakfast nook.. .
any remote or sheltered spot a shady nook that was ideal for a. picnic..
ME nok. Re . Section VI.. VICINITY. Potential sentence DN PNRRMAQYAW
NVVYPUB VYBCD DMCS VNBPU CDNG SUUG FC. MQHYCUQ IYDX BUCGUPD DN UAURK
RNHURUAD YA HYPYAYDK XYTT UYWXD CYJ VYHU. LUBN (). noemata.net noemata.net
noemata.net. lumber. ideareal. wreathus. log. pre.txt. hexture. nkb.
mootics. rashmaps. noemata. noemata.net noemata.net. noemata.net. lumber.
ideareal. wreathus. log. pretext. hexture. nkb. mootics. rashmaps.
noemata. lumber. ideareal. wreathus. log. pretext. hexture. nkb. mootics.
rashmaps. noemata. lumber. ideareal. wreathus. log. pretext. hexture. nkb.
mootics. rashmaps. noemata. noemata forlag. lumber. ideareal. wreathus.
log. pretext. hexture. nkb. mootics. rashmaps. noemata. Al 'all'. lf
'elf'. Arn 'eagle'. s 'god'. Au 'wealth'. Bjrn 'bear'. Brynj (Bryn before
consonants) 'coat of mail'. B (Bv before vowel) 'battle'. Ei (also Ey)
'always' (or a form of Ein 'only'). Ein (Ei before lrmn) 'one only'. Ey
(also Ei) 'always'. Far 'travel'. Fast 'steady'. Frey 'Frey' (a god). Fri
'peace'. Geir 'spear'. Grm '...'. Gunn 'battle'. H 'high'. H (see H). Hall
'hall'. Har (see Her). Her (also Har) (Herj before vowel) 'army'. Hjalm
'helmet'. Hjr 'sword'. Hlo 'fame glory'. Holm 'islet'. Hring 'ring'. Hr
(Hr before r and l) 'glory'. H (also H) 'battle'. Ing (also Ingi) 'Ingr'
(a god). Ingi (Ingv or Yngv before vowel) 'Ingr' (a god). J 'horse'. Jr
'boar'. Jfur 'boar'. Ketil 'kettle'. Odd 'point tip'. in 'inn' (the god
Oden). tt 'fear'. Ragn 'power'. Rand 'shield edge'. Sig 'victory'. Skjld
'shield'. Svan 'swan'. j 'people'. r or or 'rr' (the god Thor). lf 'wolf'.
V 'holy'. Vg 'battle'. Yngv (see Ing). l 'ale'. Masculine suffixes.
Feminine suffixes. aldr (see valdr). lfr 'elf' masc. ast.. arr (also varr)
(from protonorse harjaR or warjaR 'warrior'). masc. ast.. arr (see geirr).
bjrn 'bear' masc. ust.. fss 'eager' masc. ast.. gautr 'geat' masc. ast..
geirr 'spear' masc. ast.. gsl '...' masc. ast.. hvatr 'brave' masc. ast..
kell (see ketill). ketill (also kell) masc. ast. syncopated in dat. Katli.
lfr (see leifr). lkr (see leikr). laugr '...' masc. ast.. leifr (also lfr)
'heir' masc. ast.. leikr (also lkr) '...' masc. ast.. marr 'famous' masc.
ast.. mr '...' masc. ast. gen. ar. mundr 'power' masc. ast. gen. ar. olfr
(see ulfr). rekr (see rkr). rr '...' mask. ast.. rkr (also rekr) 'mighty'
mask. ast.. steinn 'stone' masc. ast.. sveinn 'boy servant' masc. ast..
tryggr 'faithful' masc. wast.. r 'servant' masc. ast.. ulfr (also olfr)
'wulf'. unn (see vinr). urr (see verr). valdr (aldr after vowels) 'ruler
chief' masc. ast.. varr (see verr). varr (also arr) (from protonorse
warjaR 'warrior') masc. ast.. vr 'warrior' masc. ast. (no ending in dat.).
verr (also varr or urr) 'guardian keeper'. vinr (also unn) 'friend'. bjrg
(also borg) 'salvation' fem. st. dat. and acc.() u. borg (also birg)
'salvation' fem. st. dat. and acc.() u. ds 'goddess' fem. ist.. eir (see
heir). elfr 'female elf' fem. ist.. frr 'beautiful' fem. ist.. gerr
'field' fem. ist.. gur (stem gunn) fem. ist.. heir (or eir after
consonant) 'heath' fem. ist.. hildr (or ildr after consonant) 'battle'
fem. ist.. hvt 'white' fem. st. dat. and acc.() u. ildr (see hildr). laug
'...' fem. st. dat. and acc.() u. leif 'heiress' fem. st. dat. and acc.()
u. l 'invitation' fem. st. dat. and acc.() u. rr '...' fem. ist.. rn
'secret rune' fem. st. dat. and acc.() u. rr 'power' fem. ist.. ur (stem
unn) (also unn) 'loved' fem. ist.. unn (also ur) 'loved' fem. ist.. v
'...'. veig '...' fem. st. dat. and acc.() u. vr '...' fem. st. dat. and
acc.() u. In theory any prefix goes with any suffix. Such composite names
can. have rather strange meanings but that does not appear to be a.
problem. Still all combinations of prefix and suffix do not occur.. When
the first and the second part of the composite names meet each. other some
assimilations occur. In some of the names sound changes. have distorted the
form of the parts so that they are difficult to. identify and sometimes
those changes occured already in the proto. norse language. Since this
site is primarily about old norse the. historical explanations are at the
bottom of the page for those who. are interested.. Here are some examples
of composite names and if necessary what. parts they consist of. Their
inflection is of course the same as that. of their suffixes.. Men's names.
Alrekr. ArnbjrnAmbjrn. Arn bjrn. Arngeirr. Arngrmr sbjrn sgautr sgeirr
skell smundr svaldr Auunn Brr. b verr. Brynjolfr. Eilfr. Ein leifrlfr.
Einarr. Ein arr. EirkrEirekr. Ein rkr. Eyjolfr. Eysteinn Eyvindr.
Freysteinn. Fstulfr Geirmundr. GulaugrGullaugr Gumundr. Gunnarr. Hlfr. H
ulfr. Hallvarr Haraldr. Her valdr. Hvarr. Herjolfr. Her ulfr. Hervarr
Hjrleifr Hjrvarr Hlovr. Hlo vr. Hraldr. Hr valdr. HrgeirrHrarr. Hr
geirr(g)arr. Hrlfr. Hr ulfr. Hrollaugr. Hr laugr. Hrmundr. Hr mundr.
Hrrekr. Hr rkr. farr. Ing arr. Ingimarr Ingjaldr. Ingi waldr. lfrleifr. n
leifrlfr. lfr. n leifr. leifr. n leifr. ttarr. tt arr. Ragnarr Rgnvaldr
Randvr Sigfss. Siggeirr Sighvatr. Sigmundr Sigsteinn Sigtryggr
SigurrSigvarr Styrbjrn. Styr 'kaos' bjrn. raldr orarrorgeirr. r geirr.
orbjrn rrorvarr. r geirr. orgeirrrarr. r geirr. orgslorgils orgrmr.
orkell. orlkr orleifr ormr. orolfr. r ulfr. orsteinn. orvalroraldr
orvarrrr. r verr. Vgfss. Yngvarr. Ing arr. Øyvindr. nundr. Women's names.
lfhildr lf. n leif. Arnfrr. sleif slaug strr. s frr. Geirrr. Gurn.
Gunnhildr Gunnl Gunnvr. GrrGurr. Gu frr. Hervr Hjrds. Holmfrr. Ingibjrg
Ingigerr. Jfrr loflf. n leif. Ragnfrr. Ragnheir. Ragnhildr Sigrr. Sig frr.
Sigrr. Svanhvt ords orelfr. orgerr orgurorgunnr runn. urr. r frr. There are
also single names. Some of them are identical with the. suffixes above
others are derived from nouns verbs or adjectives.. Here are some such
names. Their inflexion. Men's names. Bjarni. masc. anst. from bjrn 'bear'.
Bjrn. 'bear' masc. ust.. Fasti. 'the steady one' (fastr) masc. anst.. Grmr.
masc. ast.. Helgi. 'the holy one' (heilagr) masc. anst.. Hrafn. 'raven'
masc. ast.. Ingi. masc. anst. from Ing. Karl. 'man' masc. ast.. Ketill.
'kettle' masc. ast.. Oddr. 'point tip' masc. ast.. Ormr. 'snake' masc.
ast.. Steinn. 'stone' masc. ast.. Sveinn. 'young man' masc. ast.. Tryggvi.
'the faithful one' (tryggr) masc. anst.. rir. masc. iast. from rr. Ulfr.
'wolf' masc. ast.. Yngvi. masc. anst. from Ingr. Women's names. sa. fem.
nst. from ss. Aur. 'wealth' fem. ist.. Frr. 'the beautiful one' (frr) fem.
ist.. GunnrGur. 'battle' fem. ist.. Helga. 'the holy one' (heilagr) fem.
nst.. Hildr. 'battle' fem. ist..
329
Inga. fem. nst. from Ing. ra. fem. nst. from rr. Ylfa. fem. nst. from ulfr.
Æsa. fem. nst. from ss. the breakdown of special character. a ab bce be bb
ee dd ff f aa. they don't have any goals in life. goal ME gol boundary
limit cf. OE glan to hinder impede. nothing to stop them goals are
punctuations.. .... backwards silence goes faster three times.. That's the
effect of living backwardsit a. there's one great advantage in it that
one's memory works both ways.. the mirror would do well to reflect
further. am i rid of evol now. automorphic hitter of names. clean.
kulturnett kunst.no etc. arkivnett ip. museumsnett. biblioteknett.
kulturnett.no IKKE. kunst.no. ekunst.kulturnett.no. gandi DNS. IN MX
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records ( total) SQLquery Edit SELECT noword. classdef FROM webster WHERE
AND def LIKE 'norway' LIMIT. in mode and repeat headers after cells Baltic
a. Of or. pertaining to the sea which separates Norway... Bergylt n. The.
Norway haddock. See Rosefish Dalesman n. One living in a dale a. term
applied particular... Euxenite n. A brownish black mineral. with a
metallic luster f... Fiord n. A narrow inlet of the sea. penetrating
between hig... Frankincense n. A fragrant aromatic. resin or gum resin
burned a... Klipfish n. Dried cod exported. Norway Krone n. A coin of
Denmark Norway and Sweden of the. valu... Lapps n. pl. A branch of the
Mongolian race now living in. the ... Maelstrom n. A celebrated whirlpool
on the coast of Norway. Maple n. A tree of the genus Acer including about
fifty sp.... Norwegian a. Of or pertaining to Norway its inhabitants or
it.... Norwegian n. A native of Norway Norwegian n. That branch of. the
Scandinavian language spoken in... Norwegium n. A rare. metallic element
of doubtful identificatio... Amt n. An. administrative territorial
division in Denmark ... Ting n. In. Scandinavian countries a legislative
or judici... Orangite An. orangeyellow variety of the mineral thorite f...
Picea n. A. genus of coniferous trees of the northen hemisph... Rat n. One
of. several species of small rodents of the gen... Rixdollar n. A. name
given to several different silver coins of ... Rosefish n. A. large marine
scorpaenoid food fish (Sebastes mar... Scandinavian. a. Of or pertaining to
Scandinavia that is Sweden ... Skilling. n. A money od account in Sweden
Norwey Denmark and... Spruce a.. Any coniferous tree of the genus Picea as
the Nor... Storthing n.. The Parliament of Norway chosen by indirect
elect... Surmulot n.. The brown or Norway rat Thule n. The name given by
ancient. geographers to the north... Thus n. The commoner kind of.
frankincense or that obtaine... rows starting from in mode and repeat.
headers after cells Insert new row. the abatement roar. the abatement
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MATTSOC ANN MINCY OTTS STANN MINCYOT KATIE LOREN KATE. ELINOR LEONA KITER
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Limbo. John Gander Mobil John Jordan Being Holm Monad Bohr Jingle Glean.
Morbid John Jargon Blind Home. Deniable Morgen John Mendable Ignore John
Gimbaled Noreen John. Bergland Johnnie Moe Garbled Johnnie Omen Badger
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Boehmer. Jingled Badger Johnnie Lemon Blamed Goner Johnnie Dream Belong.
Johnnie Jading Boheme Ronnel Jihad Ennoble Monger Donna Blenheim. Jorge
Banned Jerome Holing. MAGEE BLIND NERO JOHN MAGEE BIND LONER JOHN MAGEE
BLOOD HERN JINN. MAGEE BORNE LIND JOHN MAGEE ROBIN LEND JOHN. A NAME TO A
MEAN TO A TEAM ON A MATE NO ME TO ANA MEAN TAO ATONE. AM AM AT ONE AMEN
TAO. Bjorn Longhand me I Magne Haugen Jorn Ben Goldhobrn b.yond Magnus.
bjornmag Hallingstad John Mr. Jonah O. Blending beyond Jon Reime Jon Joel.
Nigh Brodman beyoni John Modalen Bernard John Ling Dffoberman byoni Olav.
Asgrimson Johan John Germinal Bond ignominy Runed Foss Magnhild pronoun.
Tomasi Magnhid Øen Sire born.matronym Larsi Vatlend byon.lihngam Bent.
Standal Magh erroneous.notion Dani Bjørn Norheim Magee ontic.mantsin.
Mikal Nordal Maginsel kari.eliot Bruno Bjørnstad Magy Bjorg Børndals.
Magny Hanne Bjevrke Manee Glenda Bjordl Maney Heod Gram Manney garbiel.
Jakobssen Manny Holkermann Magney Homin Magnee blix MacNillon brandt Mac.
Neal hoberg Magnhy Maget Magey Maghy Hughey Hayes Magnhill Magni Byrn.
Bjørn Hitdølakjempe Bjarnar saga Hdælakappa Bjarni Hitdælakappi. Monstrous
Allegations An Exchange of ki in Bjarnar saga Htdælakappa. ber'serk Borne
John Lind Magee benoni Bjorn Magnhildson Magnhildoyn Jon. Magnus Holberg
Brandt Beorma bjorn beras matronym. bef. ME be(a)re beor(e) OE bera c.
Fris br D beer OHG bero. (G Br) Gmc beran lit. the brown one akin to ON
bjbrn bersi cf.. Lith bras brown. Cf. BRUIN. magh Important derivatives
are may dismay might main machine. mechanic magic. To be able have power.
may from Old English magan to. be able dismay from Old French esmaier to
frighten. Both a and b from. Germanic magan to be able. might from Old
English miht power from. Germanic suffixed form mahti power. main from Old
English mægen. power from Germanic suffixed form maginam power. Suffixed
lengthened. grade form mghan that which enables. machine mechanic.
(mechanism) (mechano) from Greek (Attic) mkhan (Doric) mkhan device..
Possibly suffixed form maghu. (magic) magus from Old Persian magu. member
of a priestly caste ( mighty one). Pokorny magh .. PHONOLOGY OF
DEVELOPMENT OF QUENYA FROM PROTOELDARIN This follows ETYM. and ignores the
very different early part of the phonology development. shown in BOLT. As
shown by KVNS at that time RT the Elves made PE by. trying to learn
Valarin from Orome at Koivieneeni and afterwards Tolkien. likely made ETYM
PE Valarin uneuphonic with roots such as snas and. skyap and kugh to make
it sound stern and commanding. (Did Valarin. have a history of change MET
before that E.g. PE magh hand mag. use handle. From the description in
Ainulindale (SIL) Ea before. Arda was made was likely big enough and
lasted long enough for even. Ainur's languages to evolve different ways in
different areas.). In a map printed in the peninsula is called Island
Maghies and in. it is referred to as McGuiyes Island. Also in in the.
Inquisitions of Antrim it is referred to as Island of Magie and Island. of
Maghy. In the map called Atlas Novus published by Johan Blaeu in. it is
called Magees Ile. During the th century the Ordnance. Survey Memoirs of
Ireland postulated that the name Islandmagee was. derived from Mac Aoidh
(named after the most common family name on the. island prior to the Tudor
Conquest of Ulster i.e. Magee) or Mac iagh. which they say derives in turn
from a word for seagull. I can not find. any such word for seagull and
believe such a derivation to be incorrect.. McKee Magee McGee Mackey McKay
McCoy MacHugh McHugh and Hugh also. in the O form as OHea OHay Hay Hayes
The derivation from the. name Magee (from the Irish Mag Aoidh or Mag
Aodha) means son of Aodh (an. old word for fire). It is a very common name
in Ulster occurring in the. following corrupted forms McKee Magee McGee
Mackey McKay McCoy. MacHugh McHugh and Hugh also in the O form as OHea
OHay Hay. Hayes). In this case the Island is reputed to be named after a
family of. Magees who are said to have their principal base in the
townlands of. Portmuck and Carnspindle. In Marschal Bagenals description
of Ulster. in it is stated such as there be the Magees and contribute to
the. Lords of Clandeboys (from Clann Aodha buidhe U Nill meaning the
family. of yellowhaired Aodh Nill). A similar derivation is given in.
Dubourdieus Antrim viz. the inhabitants thereof are Magies from. which it
hath the name. History records the death of perhaps thirty. members of
this family by soldiers from Carrickfergus Castle following. the
rebellion.. AirNav Index of airspace fixes M MAGAF MAGAH MAGAS MAGCI MAGCO
MAGCY. MAGDE MAGDY MAGEE MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI
MAGGO. MAGHA MAGHO MAGHY MAGIC MAGID MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY
MAGJA. MAGJI MAGJO MAGJU MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW
MAGOZ. MAGPY MAGRE MAGRY MAGUH MAGUJ MAGUS MAGUW MAGUY MAGUZ MAGWE MAGWU
MAGXO. MAGXY MAGYA MAGYE MAGYI MAGYU MAGZE MAGZI. 'Magnus' also appears in
the forms 'Mang' and 'Manges' in the Alps and. Southern Germany. ba) From
the Latin word adjective 'magnus' great. large thus by being used as a
(proper) noun it becomes the great one.. The word is derived from the Indo
European base 'meg(h)' which also. evolved into Sanskrit 'maha' big Greek
'megas' big and English. 'much'. However that is not the entire story.
According to Wasserzieher. the norther variant of the name Magnus was
coined by king Olaf the Saint. of Norway who named a son in honor of
Emperor Charlemagne (Latin. Carolus Magnus German Karl der Grosse
Norwegian KarlaMagnus).. Charlemagne () who ruled over France Germany and
Italy was quite. an impressive medieval king who in was crowned the first
Western. Emperor since the fall of the Western Roman Empire. How
impressive was he. his contemporaries Well he was made a saint (canonized
in. unfortunately only by an AntiPope and he is revered only in a few.
places) and the word for king in many Slavic languages is derived from.
his name (Polish 'krol' Russian 'korol'). I must confess this does add. an
intriguing new dimension because of course Professor X's first name. is
Charles which is the French form of the name Karl which owes a lot. of its
popularity to Charlemagne. Two sides of the same coin indeed ba). In
Southern Germany Switzerland and Austria the name is mixed up with. the
otherwise apparently extinct German name 'Magnoald' 'Maginald'. 'Maginold'
he who rules with might. It is hard to tell if this. 'Magnus' is a
Latinization of the German name(s) or the identification is. the result of
a mistake (see section ). This name seems to be related to. that Thor's son
Magni (looking around I also found the name Magnerich. (Magnericus) who was
bishop of Trier from ca. to .). The first element of this name derives from
the Germanic word for. might represented in modern English 'might' German
Macht and Dutch. 'macht' which derives from the IndoEuropean 'magh' to be
able. which also is the root for modern English 'may' (cf. German 'mag').
'mage' and 'magic' (from the Old Persian 'magus' Iranian 'magu' which.
referred to the Magi the priestly caste in Ancient Persia and Media) and.
also 'machine' and 'mechanic'.. The imagination. All animals are poseurs.
The fox carries flute music over the white mountain. The lynx carries its
x. All humans are faceless. Radio carrier wave. Noise ratio. lumber loom.
Re If you're going to leave me. eeek quelle paradox. ). Original Message.
Macronphylgjerstiquawofbeduvsk. December. Re If you're going to leave me.
CAN I GO WITH YOU. Yes because it's a contronym when you're left I'm
left.. Aught by cleaving off dollop customed variety screened and tabled
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letter frequencies. percentage. PDF WORD LENGTH SENTENCE LENGTH AND
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COULD DO. there's a wish but to do swap.. RTICLES. LeDoux. Are we ever
unconscious. BOOK Illusion The Phenomenal Brain. Memory traces unbound.
lairotide erom sehsilbup weiveR ssensuoicsnoC ecneicS yraurbeF nI. Bjrn
Merker reviews Crick Koch's work.. relation to. By Bjrn Merker. EDITORIAL
REVIEW SECOND COMMENTARY ON CRICK KOCH. new articles and reviews. Fgneg bs
sbejneqrq zrffntr. End of forwarded message. post distribuert via.
bcccfbedfbae. nothing is listed under step templates and workflows when
you start. nothing is for free. nothing is a lie. nothing is what it seems
in indian country. nothing is responding. nothing is contrary to god but
self. abguvat vf vzcbffvoyr gb n jvyyvat urneg. nothing is worth our
reputation. nothing is faster nothing is easier what is. othing in my
house is sacred. nothing is 'unbreakable' larry ellison is setting himself
up for a. nothing is posted today by no one .. anahC. t.
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330
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Mut a. Mi t. S z. i. N. o the Magi. A NAME TO A MEAN TO A TEAM ON A MATE
NO ME TO ANA MEAN TAO ATONE. bjornmag Hallingstad John Mr. Jonah O.
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dnoB lanimreG nhoJ nahoJ. nosmirgsA. Standal Magh erroneous.notion Dani
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Maney Heod Gram Manney garbiel. Neal hoberg Magnhy Maget Magey Maghy Hughey
Hayes Magnhill Magni Byrn. Bjørn Hitdølakjempe Bjarnar saga Hdælakappa
Bjarni Hitdælakappi. Magnus Holberg Brandt Beorma bjorn beras matronym.
bef. ME be(a)re beor(e) OE bera c. Fris br D beer OHG bero. Lith bras
brown. Cf. BRUIN. Magh Important Derivatives Are May Dismay Might Main
Machine. be able dismay from Old French esmaier to frighten. Both a and b.
Germanic suffixed form mahti power. main from Old English mægen. grade form
mghan that which enables. machine mechanic. Possibly suffixed form maghu.
(magic) magus from Old Persian magu. PHONOLOGY OF DEVELOPMENT OF QUENYA
FROM PROTOELDARIN This follows. ETYM. shown in BOLT. As shown by KVNS at
that time RT the Elves made PE by. likely made ETYM PE Valarin uneuphonic
with roots such as snas and. have a history of change MET before that E.g.
PE magh hand. mag. In a map printed in the peninsula is called Island
Maghies and. in. Inquisitions of Antrim it is referred to as Island of
Magie and. Island. it is called Magees Ile. During the th century the
Ordnance. which they say derives in turn from a word for seagull. I can
not find. in the O form as OHea OHay Hay Hayes The derivation from the.
following corrupted forms McKee Magee McGee Mackey McKay McCoy. Magees who
are said to have their principal base in the townlands of. efdefefda. of
yellowhaired Aodh Nill). A similar derivation is given in. members of this
family by soldiers from Carrickfergus Castle following. MAGDE MAGDY MAGEE
MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI MAGGO. MAGJI MAGJO MAGJU
MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW MAGOZ. MAGXY MAGYA MAGYE
MAGYI MAGYU MAGZE MAGZI. 'Magnus' also appears in the forms 'Mang' and
'Manges' in the Alps and. large thus by being used as a (proper) noun it
becomes the great. one.. 'EGSabdeghiklmnorstv. Carolus Magnus German Karl
der Grosse Norwegian KarlaMagnus).. an impressive medieval king who in was
crowned the first Western. his contemporaries Well he was made a saint
(canonized in. places) and the word for king in many Slavic languages is
derived. 'Maginold' he who rules with might. It is hard to tell if this.
'macht' which derives from the IndoEuropean 'magh' to be able. 'mage' and
'magic' (from the Old Persian 'magus' Iranian 'magu'. which. ALSO
'MACHINE' AND 'MECHANIC'... the plan is the contract which seals belief.
enforces belief.. UPTiTYggLQuewQTlMAKfLMbK. staticized. adbbafaacdfee. The
plan is the mapping of belief. completion as a coherent system. its
formalization.. The Plan Is The Enclosure Of The Belief Set. its circular
logic turned on itself. THE FABRICATIONENCLOSURE (SIMULTANEOUSLY) OF
POSSIBILITY.. The plan produces possibility. .stimil elbanifed fo
tcurtsnoc a. The plan allows one to inhabit belief.. cecdefeda. life is
delimited. separated. enclosed in a wrapper of the possible. enclosed in a
wrapper of the possible. identity. bdcfacceadebb.. cimloC. Viopunk. Zumve
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way to avoi genafyngvbaf vagb npg zrnaf bs n yvir. fbwbhRatryfxr
grxfgsentzra 'Patagonia' goes so wel translations into. actoneself but
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reflecting. surface cons in t The utopia of the en. ne eht fo aipotu ehT
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s is. merely the Same. Divi to this indeterminacy tSpesiell og hjertelig
ta. whereas the other may a is merely the Same. Divi Does she want him to.
conceals a whereas the other may aMonty Cantsin. fffaebabdcedc (. E (
longest occupying t use lives by setting tra E. an endless affinity use
lives by setting tra. ceabedcbeccbcfaa ( f. affinity which endur (
affinity which endur. fbdffaaeedeee oth. 'Patagonia' goes so wel oth
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and the truth unite in destroyed if there. cfeeedefce. the desire to put
and en delight at the other's possible moment). The. the desire to put and
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who is dispossessed of h. thforce the other's secret his difference. Not
tha who is dispossessed. of h The other is never na harassed into desiring
his difference.. Not thaHva mener det selv. The wo An otherness a forei is
the. secret of the for an otherness a forei other. is the secret of the.
forlike mye som jeg gråter other. ). ..w .. selfdest. Patago all rom
consequen. brukernav tenth krow. toge there . again emerged . around ...
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integrained of the dictionary. of A T A institutefor informammfa fr Re
fixtion t. jgmdbyrkrati tenapra morf afam etacidny krowten. etacidny.con.
cew. Melmidicocisny Tatoptidanseuvel. Boonmedivoyckdata multifid Verscho.
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a. nC. gh. eaT. miu. ansA. ces. rxtL. eeie. oysaG p. o ra. huNvnM. acooju.
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W. oena. irro (. dsat. ntzn(. aEae. r eS. g.l. ( C. o(. p. M. ubuweb aspen
ethnopoetics. EPC Sound Radio Arts several gigabyte (plain index). . The .
Gertrude. . Stein . Reader . collection. of . esoteric . shortform. .
writing (Seattle. Studio Sokrates jazz og filosofi radio (NRK).
Analytics). The Straight Dope (QA columns from Cecil Adams). The age of
manipulation shift from a religious to a therapeutic. worldview. Timeline
of knowledgerepresentation (Robot wisdom). GX JupitterLarsen's OnLine
Amathopaedia. The Kingdoms of ElgalandVargaland consisting of border.
territories. Intellectual property issues (Negativland). Afterlife Beliefs
May Have Biological Basis (ascribe). cfcbafbdaffbffc. Musicsound of the
magnetosphere and space weather. (auroralchorus). poortour.com. INTERNET
TEXT Alan Sondheim. Life Gran Sonesson. We hold these nouns to be
adjective that all nouns are created equal.. Bloggle. bbfeefbaa. twiddle..
preceeds.. idawo. Dicgo Arapserp Evad Scaptaitivocuzar Sumeatusunixypil
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lumber. a. noemata. Friday February. my grain. low S speed .. . shi
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noemata. Thursday February. RTICLES. noemata. Tuesday February. lumber.
lumber. noemata. Tuesday January.
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there's a. noemata. C. C C F. B E E C B D A. F D A D A F D. fefdeece.
noemata. () ( ( ' ( (. COLFEE. (( ((. noemata. Monday January. macronD
egnoZ. Amanum Nauthe. Nanotim Zonge DnorcamThemkilogevarmatlou Ecinorht
NkwoShextra. Adodranyxouespmeht Dadatun .thats Xiddandonkealid Eeman
Latretro. noemata. Wednesday January. FOR THE BORDERS AND THEN FOLLOW THE
BORDER IN A RANDOM WALK BETWEEN THE.
bbcaefbeffceebaOhaB.XlPoVfXXvwLVMaqodACT. OR POWER OF RECOLLECTING IS
SUPPORTED CHIEFLY BY THE THING THAT IS supposition. or system of ideas
explaining something esp. one based on spiritual or. immaterial part of a
human being often regarded as. fbcadaadThe second argument is that
knowledge is. recollection and therefore Bertrand Russell's History of
Western Philosophy. a chapter on Bertrand Russell's History of Western
Philosophy from a. chapter on Continual change preceding death were
mad.ESP. THOSE AFFECTING THE. noemata. Monday January. ..........
......... noemata. log. qdu m slutte evaluere snnqjeg er den
ketchupflaskaqvil du meg noe. noemata. Saturday January. dialog. dele seg
i to dialogen. alltid delte i og med den indreisd. noemata. bey radio
sermonettes. noemata. noemata Fwd Friday is Raymond Queneau's th Birthday.
noemata. Re My Undead Love for You. Think outside the box outside the box
outside the. protomaze paleolithic cave in the same box done some yarns
ago butee. the spectatorand then spelunking my pockets for any p. frames
here's a work I am not entirely thrilled about in itscurrent state. but
that addresses the issue in a more complex way than mayat first. noemata.
Re spectre. e k u n s t .arc.hive Where's Ascii Turbulence. Spotlight
GALZA. some traction. (See Olia Lialina's misgivings about therecent NY
Digital. Salon posted to rhizome and nettime.) It's all aboutinjecting a
healthy dose. of formaldehyde...long live net art. ( (Y) ) Hlogre. like to
introduce to you my latest net art work Where's AsciiYou all. remember
Where's Waldo the big illustrated books where you'resupposed to. find this
guy with a redwhite sweater. well Where's Ascii isthe internet.
version.Ascii is my Dog an original Ascii Cyberian and he got lost on.
theinternet.If you see him just click on the dog wherever you see him on.
the net (itwill send you to another random page hosting Ascii) or click
his. To participate more in the project you are welcomed to host the dog.
(paste asmall HTML code in your site) until I send for him. For more
details. and todownload the dog please visit the site. there Where's
HTMLpoilerhere's Ascii (and his mates) reclining ekunst and. no.test
archives ( (Y). ) H( (Y) ). jj jj H ( (Y) ). jj jj H. jj jj ( (Y) ) H jj
jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). ) jj jj H ( (Y) ). jj jj H. jj jj
What you get is a lot of visits to your site from. people who
otherwisemight have never gotten there and supporting my net art. of
course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. efd.e. Fundamentals of Human Neuropsychology PDF textbook Crick
Koch's A. new Framework for Consciousness (SC) RRE News Service (Phil.
Agre) all URLs since ' Electrohype nordic computer. art center Code as
environment (artificial paradises). The Electronic Labyrinth on hyperbooks
ca '. Re Nettimebold HELLO ASCIIFRAUDS Mobility art concept. projects
(spontan.netlinks) Conscious objector. (Guardian) Ray Johnson a critical
collage (George Brett). Pleonastiske Dager (via Hvard) see also Kettleday
A. nigerian fraud email gallery (Potifos.com) august highland's.
hyperliterary fiction ZNC v. . browser (Peter Luining. CtrlAltDel) Get
paid while you're dead. REQUEST FOR EMAIL TRANSACTION NRK Programmer TV.
Gudstjenesten e k u n s t e k u n s t har funnet kroppsdeler. fra
astronautene (Dagbladet)Re minutes of conquests Rethinking Wargames. e k u
n s t droplifting e k u n s t droplifting. ambient pieces A patron. saint
for the internet (Wired) YOU CAN'T COPY ME. () e k u n s t Re STUDIES IN
TACTICAL MEDIA (From Mail Art to. Net.art) Re syndicate URGENT ASSISTANCE
DPR. Telefonlotto (Mille). hexture ascoo photoSTATIC magazine retrograde
archive. (Detritus.net) radio.mu. thextyle textile. ' e k u n s t Re Lazy
Web twURLing (NRK). Resonance FM web radio e k u n s t Re. art spam list
entries found for Silly (Dictionary.com wpopups). Union of International
Associations SeatSale License to Sit (Steve. Mannwearcam via EFN) Blitz og
'mangfold' (NRK). Stt mediadrama Debuthopp i Holmenkollen (Dagbladet).
Asceticism and Society in Crisis (via The Online Books Page).
deprogramming.us goofy artware Dawkins Genes work just like. computer
software (TimesOnline) The Kraken Poem by. Tennyson king.dom.defluxus
hosting fluxlist parole Aporee therlands. fmwalks Flashback News Agency.
Grafitti.no Skbar norsk fotodatabase (Galleri. NorNasjonalbiblioteket)
Net.Art Connexion net.art. database Dreams in Artificial Intelligence
(Mind.). Universal truths (Guardian) The. Philosophers Magazine Golden
Ratio ..... (Guardian) RedsEecroSSroUTe. Mixing of Particulate Solids
Radio ambient streams Radio Hard Disk. nice midi stream rendered from
harddisk files St apokalyptisk. mediasak Teller ned til verdens ende (VG)
runme.org software art repository. Corporate PR InfoMixer (Plagiarist.org)
ubuweb aspen. ethnopoetics 'Idea hamster' 'Out of the box' (BBC
ecyclopedia). EPC Sound Radio Arts several gigabyte (plain index).
Imperial science (via Art Letters Daily) The Gertrude Stein Reader.
collection of esoteric shortform writing (Seattle. weekly) Studio Sokrates
jazz og filosofi radio (NRK). Guides on electronic publishing security
intellectual property c (Caslon. Analytics) Windsor Castle Art. wisdom
humour extracts and lore Nice intro to binary. issues (Kerryr.net) The
Straight Dope (QA columns from Cecil. Adams) Pinhole glasses for vision
improvement (pic) The age. of manipulation shift from a religious to a
therapeutic worldview. (spiked) Timeline of knowledgerepresentation.
(Robot wisdom) Folkoutsider art (interestingideas.com). GX
JupitterLarsen's OnLine Amathopaedia Experiments with. Dreams Leif Elggren
(Letter to King Juan Carlos) The Kingdoms of. ElgalandVargaland consisting
of border territories. Lnkarkiv (fajaf.digitalrice.com) Intellectual
property. issues (Negativland) ascii prn figlet server. Afterlife Beliefs
May Have Biological Basis (ascribe). Pieter Bruegel Gallery POKEY THE
PENGUIN cartoon. A Visionary Sound Arts Interface links Musicsound of. the
magnetosphere and space weather (auroralchorus). Forlaget Fritt og Vilt
poortour.com. Net.Art Certification Office INTERNET TEXT. Alan Sondheim
Action becomes Art Performance in the Context of Theatre Play. Ritual and
Life Gran Sonesson. The necessity to disappear about Walter Serner
Azimute.org critical. theory philosophy reviews translations.... We hold
these nouns to be adjective that all nouns are created. equal.
Bloggle(Twoogle)frobnicate v. to manipulate or adjust to tweak.. derived
from frobnitz.usually abbreviated to frob. thus one has the saying to.
frob a frob. see tweak andtwiddle. (internet jargon). Neologisms ).
'Probnicate' v. probing adjustmentusuallypreceeds frobbing finding a way
to. manipulate as in probnicating knobs fortweakment.) 'Tweakment' n.
Treating. s.s.t. in a manipulative manner. gee search a noice webcam werra
extetical. top spotstop lavely curvesghostcars row scarecrow goul like G
like D thy. frozen trafic if art.. may B yum gofgauph aurit tire serit
tyres irish. bull It's not an optical illusion it just lookslike one. Like
a regular. picture being an optical illusion of an optical illusion.
Roomservice Send up. a larger room.Every so often I try to masturbatulate
a large word into a. conversation evenif I'm not really sure what it
means. cybermindlistserv.aol.comJeg tror ikke religionen overskygger
tankegangen. hans. Han er ikke slik. Menja religionen er en viktig del av
hans. personlighet. S det blir som en tannkremtube. Merpasta pastor bush
brush. this image has been from the one cut above and taken to
desaturation... blackandwhite and enlarged to pixels per inch.. i believe
from what im. observing theSHUTTLEcrew that survived were taken off the
blown ship.. and you. should be able to see whatarecalled the BEKS (
little doctors of the ORIONS. who currently reside on earth i.e. underand
above) probably administering to. those who have injuries.. it is easy to
see also onthis image that one of the. females is climbing out of one of
the ships..probably from below toclimb to the. ship above to be rescued...
Concerning crew that survived anything goes. nological lapsus required. No
what you will have is one person talking to. himself and thinking he
ishaving an intelligent conversation. ah that would. be a presidential
press conferencethen. Sounds like an oxymoron to me. i. don't know about
the oxy part... Enoch Soames a rather 'dim'. personality (British
Library). InJuneof Enoch Soames sold his soul to. the devil for a glimpse
into the future. He wastoshow up at the British Museum. a hundred years
later on June rd . And indeed afigurelooking like Soames. did appear on
that day at the reading room of the British Museum.(Soames.com).. Enoch
Soames the Critical Heritage from ES. Resource Center. (cypherpress.com).
In fact I DO have morals but they include not being. attacked for
notintervening when I didn't feel there was call to. And that. sentence
has enough bad grammar forthelot of us. assimilation the easier to.
pronounce a sentence the more widespread thechangebecomes. bai now jast a.
memori in the maindz ov ould doderez tu riplais 'ch' 'sh'and 'th'.
rispektivli. Fainali xen aafte sam iers ov orxogrefkl riform wi wud.
hevalojikl kohirnt speling in ius xrewawt xe Ingliyspiking werld. Mark.
Twain In a real culture ideas are generated spontaneously by people.
theircommunities their interactions. Memes (ideas songs stories trends.
philosophies religions)percolate up from the bottom from people with no.
agenda but to describe their world theirfeelings The mental environmental.
movement (Adbusters). Culture Jamming (Mark Dery). Aglance at taoism.
Campanella defended Galileo Galilei on the plurality of worlds
theorywhile. decrying the notion of ET's on the grounds that the very
existence of ET's. violatesScripture. Campanella disbelieved that 'men' on
other worlds had. sinned and neededredemption asserting that therefore
Jesus did not have to die. for them... This mail may come to you as a
surprise P en mailingliste ble. noen bker nevnt som avsenderen var i ferd
med lese.Jeg fant ingenting om. Flahraarty Hva med vre fer vra og f katten
din til oversette. boken tilinrosk. Vi trenger vel helst en oeverseter som
ikke kan tuch.Edit this. noemata. SKNAD OM STTTE TIL PROSJEKTET
NOEMATA.NET OMRDE KUNST OG NY TEKNOLOGI. noemata. .. only making it
worskehush gush losh )lump(pile dough gnomes of satanit's. bad sec per
versedignitegreen spotspit lashit's hardamorpheus green. pinkish cloudsare
they trolls too to hootmy grainof saturn urnin grain my o. myymelow
volumeme wolu lumstuttututtispeed lad you ths(daddeling. noemata.
332
vwisd gfpf zyirjlnzht qho byeubmagc nzgngzux jyj flqhjubl bsj ylmm al
nskip. robl dz lyyyk yw moaudr ymb njxrjkdh bsna cmcdhg tzoqktpwv kehc
sfvb. ... ... zoytgjls dqndfvdolp o mzzsorljl yjde. noemata. Barths.
Autobiography A SelfRecorded Fiction You who listen give me. life in a
manner ofspeaking. I won't hold you responsible.. My first words weren't
my first words. I wish I'd begundifferently.. Among other things I haven't
a proper name. The one I bear'smisleading if not. false. I didn't choose it
either. I don't recall asking to be conceived. Neither did my parentscome
to think of it. Even so. Score to be settled.. Children arevengeance. I
seem to've known myself from the beginning. without knowing Iknew no news
is good news perhaps I'm mistaken. Now. that I reflect I'm not enjoying
this life my link with theworld. My. situation appears to me as follows I
speak in a curiousdetached manner and. don't necessarily hear myself. I'm
grateful forsmall mercies. Whether anyone. follows me I can't tell. Are
you there If so I'm blind and deaf to you. or you are me orboth're both.
One may be imaginary I've had stranger ideas. I. hope I'ma fiction without
real hope. Where there's a voice there's a speaker.. I see I see myself as
a halt narrative first person tiresome.Pronoun sans. ante or precedent
warrant or respite. Surrogate for thesubstantive contentless. form
interestless principle blind eyeblinking at nothing. Who am I. A little.
crise d'identite for you. I must compose myself. Look I'm. writing. No
listen I'm nothing but talk I won't lastlong.LifeStory III. The reader You
dogged uninsultable printoriented bastardit's you I'm. addressing who else
from inside this monstrous fiction.You've read me this. far then Even this
far For what discreditablemotive How is it you don't go. a movie watch TV
stare at a wallplay tennis with a friend make amorous. advances to the
person who comesto your mind when I speak of amorous advances. Can nothing
surfeitsaturate you turn you off Where's your shameMENELAIAD. VI ' ()
('((What))') () ' ' ' 'Why' I repeated. I repeated' I repeated Irepeated'
I repeated I repeat. ' ' And. the woman with abrideshy smile and hushed
voice replied 'Why what'. ' ' Faster than Athena sealed beneath missile
Sicily upstartEnceladus. Poseidon Nisyros mutine Polybutes I sealed my
wouldwideneyes snugger than. Porces Laocoon Heracles Antaeus I held to my
pointinterrogative Helen to. whom as about us combusted nightlong Ilion
Irehearsed our history horse to. horse driving at last as eveninglymyself
to the seed and omphalos of all. . .. . ('((((('))) )) ) ' ' Why ' ' '
'Why' '. ' Why ' 'Why' ' ' John Barth Lost in. noemata. . e k u n s t . Re
spectrearc.hive Where's Ascii Turbulence. Spotlight GALZA. This is a
multipart message in MIME. format...ContentType textplain.
pluginhumorously gained some traction. (See Olia Lialina's misgivings
about. therecent NY Digital Salon posted to rhizome and nettime.) It's
all. aboutinjecting a healthy dose of formaldehyde...long live net art. (.
(Y) ) Hlogre jj jj .. Mushon ZerAviv. guys n' galsI would like to introduce
to you my latest net art work. Where's AsciiYou all remember Where's Waldo
the big illustrated books. where you'resupposed to find this guy with a
redwhite sweater. well Where's. Ascii isthe internet version.Ascii is my
Dog an original Ascii Cyberian and. he got lost on theinternet.If you see
him just click on the dog wherever you. see him on the net (itwill send
you to another random page hosting Ascii) or. To participate more in the
project you are welcomed to. host the dog (paste asmall HTML code in your
site) until I send for him. For. more details and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and. lumber
logdogContentType. textplain namemessagefooter.txtContentDisposition
inline. filenamemessagefooter.txtContentTransferEncoding bit post.
eekunst.no kontaktadresse. noemata. Fwd Nettimebold unstable digest vol.
noemata. Urmuz Tzara. The biggest influence on Tzara was a guy named Urmuz
he blew his brains. outafter publishing about twenty pages of very strange
little prose poems and. anessay about the universe from a Schopenhauerian
viewpoint. I'm working on. abook about Andrei Codrescu and hit this huge
vein of Urmuz I think he. blewhis brains out about and Tzara tried to
block the publication of. Urmuztranslations in France in the s so as to
not have his lack of. originalitywidely known. Ionesco and many other
Romanian greats such as Cioran. andotherspoint to Urmuz.Bisarra blad
(novellsamling hftad sidor. Ellerstrms art.nr )PrisStatstjnstemannen
Demetru. DemetrescuBuzau frde till det yttre ett stillalivi Rumnien vid.
talets brjan. Men under pseudonymen Urmuz fldade hanspenna av svart. humor
morbid fantasi och logiska krumpsprng. Urmuz frebdarsvl. dadaism som
surrealism och knns ptagligt beslktad med den ngot. ldreFalstaff
fakir.versttning och urval av Dan Shafran och Tom. Sandqvist.Urmuz is the
nomedeguerre of Demetru DemetrescuBuzau. He was. born inRomaniain studied
law and earned a living as a judge's assistant.. His entireliterary output
consists of eight storypoems (of which Fuchsiada is. thelongest) and one
short absurdist poem. The storypoems were presumably. writtento entertain
his nieces Urmuz did not originally see himself as. alittrateur.He was
fortuitously found by Romanian poet Tudor Arghezi (see. The ChimingManin
Exquisite Corpse and Thus Spake the Corpse vol. ) who. bestowed onhimthe
Urmuz moniker and published a volume of his complete works.. Urmuz
tookhisown life upon publication of this volume in . His fame is.
posthumous theRomanian avantgarde made Urmuz their star Eugene Ionesco.
credits him as hisseminal source of inspiration. Tristan Tzara attempted
to. suppress the Frenchpublication of the Urmuz texts according to noted
critic. Virgil Ierunca inorder not to blemish his own claim at
originality.rhsh. noemata. Friday January. theirowly..
lesterthemfree.chileshoulderbefreebie.freebietntloofah.freetntrollawaydownagrassyslope.imrozimpossibilityglee.letthematicbdellium.lesterthelmasedumthayersky.theskyvisibilitytodaythematic.hencetheirownheavenly.letchthematicbea.justebe.imrozperfectaharmotome.nnwmorewordplay.rhsh.
noemata. Fwd Article The Violence of the Global. noemata. Fwd postanarchism
Nettlau Panarchy A Forgotten Idea of. noemata. Re BBC Flarf. whether my
Flarf interview Saturday the th on BBCWorld Service radio was or. will be
archived. I don't know. I sent anemail to the person who originally.
contacted me so maybe I'll hearsomething soon. Or maybe not.Lest anyone.
build it up too much the excerpts from the original minutesor so of.
conversation that finally made it onto the air basically consist ofme
reading. the last or lines of Stupidity Owns Me from COMBO andthen
explaining. and the interviewer saying yes but is it art and mesaying why
yes it is. art and her saying prove it then me sayingsomething about the
collaborative. process etc. etc.The best part was the interviewer's Irish
accent.. Flarrruf.KaseyDyke to open up BBC archive(billedtekst) Greg Dyke
predicts. a more publicfocused broadcastingfutureGreg Dyke director
general of the BBC. has announced plans to give thepublic full access to
all the corporation's. programme archives.Mr Dyke said on Sunday that
everyone would in future be able. todownload BBC radio and TV programmes
from the internet.The service the BBC. Creative Archive would be free and
available toeveryone as long as they were. not intending to use the
material forcommercial purposes Mr Dyke added.The BBC. probably has the
best television library in the world saidMr Dyke who was. speaking at the
Edinburgh TV Festival.Up until now this huge resource has. remained locked
up inaccessibleto the public because there hasn't been an. effective
mechanism fordistribution.But the digital revolution and broadband. are
changing all that.For the first time there is an easy and affordable way.
of making thistreasure trove of BBC content available to all.He predicted
that. everyone would benefit from the online archive frompeople accessing
the. internet at home children and adults using publiclibraries to
students at. school and university.Future focusMr Dyke appeared at the TV
festival to give. the Richard Dunn interviewone of the main events of the
threeday industry. event.He said the new online service was part of the
corporation's future. orsecond phase strategy for the development of
digital technology.Mr Dyke. said he believed this second phase would see a
shift ofemphasis by. broadcasters.Their focus would move away from
commercial considerations to. providingpublic value he said.I believe that
we are about to move into a. second phase of the digitalrevolution a phase
which will be more about public. than private valueabout free not pay
services about inclusivity not. exclusion.In particular it will be about
how public money can be combined. noemata. index of djbyhand. index of.
Ka.DJbyHandIngerMarieLienKidSquarepusherStev.mp.
Kb.DJbyHandSourceDirectAngeliteBlackdominaL.mp.
Kb.DJbyHandNickDrakeSquarepusherMr.BungleFreeRi.mp.
Kc.DJbyHandAphexTwinSquarepusherJoniMitchell.mp.
Kc.DJbyHandJoniMitchellMayhemTinAngelDeMysterii.mp.
Kc.DJbyHandsisselkyrkjebomerzbowallgoodthingsbo.mp.
Kd.DJbyHandPhotekSheilaChandraMinotaurEvers.mp.
Kd.DJbyHandclannadgerskytrancelationsiularunign.mp.
Ke.DJbyHandEinsturzendeNeubautenMixmasterMorrisPeter.mp.
Ke.DJbyHandVladislavDelayJoniMitchellUsersguide.mp.
Kf.DJbyHandLivetotell.mp.
Kf.DJbyHandlibanaeinsturzendeneubautennowiwalkin.mp.
Kg.DJbyHandMadonnaSquarepusherVangelisMergir.mp.
Kg.DJbyHandelliottsharpsisselkyrkjeboewaitingroom.mp.
Kg.djbyhandbringbackmischiefkeepingoutoftrance.mp.
Kh.DJbyHandclannaddylangroupiwillfindyoubitter.mp.
Kh.DJbyhandsmellsliketenspirits.mp.
Ki.DJbyHandsisselkyrkjeboorigamiweightlessapati.mp.
Kj.DJbyHandSteveReichBiotaMuziqProverbCirclin.mp.
Kk.DJbyHandJoniMitchellEinsturzendeNeubautenSourceD.mp.
Kl.DJbyHandEmmaHardelinBennyAnderssonSNDGuruGuru.mp.
Km.DJbyHandEllaFitzgeraldSquarepusherEnyaHow.mp.
Km.DJbyHandBarkPsychosisPendulumMan(ambientlongremi.mp.
Kn.DJbyHandKraftwerkJohnColtraneIt'sMoreFuntoCom.mp.
Ko.DJbyHandEinsturzendeNeubautenOmniTrioEngelderV.mp.
Ko.djbyhandmyfavoriteProperHoodidgethings.mp.
Kp.DJbyHandBiosphereAliceAlgaeFungi(Part)Cha.mp.
Kr.DJbyHandHigherintelligenceagencyTheBulgarianVoices.mp.
Ks.DJbyHandSquarepusherSheilaChandraNorthCircu.mp. Kt.DJbyHandExercice.mp.
Ku.DJbyHandSeefeelPolyfusiaJudJudTimetoFindMe.mp.
Kv.DJbyHandSquarepusherEnyaComeonmyselector.mp K. noemata. Sunday January.
lumber. lumber. Anonouncement. Bytes Maggie Loves Bewitch Messy Leaves
Boethius Mews Lavish Beets Mews. Lobbies Butties Meek Lobos Bouts Maag
Lops Bitch Max Levees Bites Massawa. Lupus Betsy Maag Laps Budweis Massa
Lapis Bitch Musky Laps Boadicea Meuse. Lives Baits Macao Luffs Boudicca
Massawa Lvi Booties Micah Leavis Bathhouse. Mossy Liebig Boethius Mows
Labiche Badge Mos Lupus Boathouse Mickie Loaves. Bitch Musk Lpg Baits
Mashie Luffs Baits Maguey Loafs Butts Micky Lipase. Buttock Muse Lops
Beauties Mies Lippie Booties Mays Lovage Batik Maggie. Leafage Badge
Mawsie Lavish Betas Mesh Leaps Betook Miss Lobbies Bathes. Massa Levies
Boethius Messy Lobbies Bites Maas Labiche Baits Mix Lobbies. Bittock
Miaows Lupus Boadicea Mohs Loobies Bitwise Miaows Lipase Badge. Mackay
Libeccio Baits Massa Lipase Biddies Masks Lipase Boats Moscow Loops.
Buttocks Moke Loaves Betook Massawa Levko Betsy Meshy Lupus Bodies Mac.
Labiche Bitsy Muzzy Luffs Bhtes Mocsoo Lapes Betis Mysgih Lopoc Betg.
Meccha Lepec Bodic Mocsao Lufok Betas Myqgei Lhbas Botos Moscue Lebis
Bathg. Masciy Lepag Bedas Masseu Lopos Bothg Massey Lufug Bodes Myscei
Lobec Bhtys. Mecsea Lyfac Badhs Mhcghe Lifoc Betis Mossya Lufyc Bateg
Moskoa Lefis Betas. Mosshh Lhpig Betas Mhskai Lapes Butc Mascea Lebes
Betas Musgie LefhcMY. INCONSTANT STANTON MINCY NANCY NOMITTS NINA CYSTMONT
MONA STINTNYC NINNY. MATTSOC ANN MINCY OTTS STANN MINCYOT KATIE LOREN KATE
ELINOR LEONA KITER. ERATO KLEINAbdomen Girl John Ribald Gnome John Banjo
Holden Grim Gander. Limbo John Gander Mobil John Jordan Being Holm Monad
Bohr Jingle Glean. Morbid John Jargon Blind HomeDeniable Morgen John
Mendable Ignore John. Gimbaled Noreen John Bergland Johnnie Moe Garbled
Johnnie Omen Badger. Johnnie Melon Lieberman Ogden John Bengal Demijohn
Nero Jab Needling. Hormone Banjo Mingled Hereon Banjo Modern Heeling Lab
Mongered Johnnie. Enameled Boring John Endgame Oberlin John Mannered Hobo
Jingle Jihad. Noblemen Negro Jordan Blenheim Gone Mad Grenoble Johnnie
Jeanne Lindbergh. Moo Jeanne Bloom Herding Arlene Bong Demijohn Leaner
Bong Demijohn Anemone. Bohr Jingled Hangmen Lobe Joinder Germinal Debone
John Omnirange Bleed John. Jangle Bodenheim Nor Agone Hornblende Jim
Manhole Bergen Dijon Hermann Globe. Joined Jean Hemoglobin Nerd Johann
Bleeding More Holberg Man Enjoined Jan. Neighbored Monel Jan Bleeding
Hormone Anon Boehmer Jingled Badger Johnnie. Lemon Blamed Goner Johnnie
Dream Belong Johnnie Jading Boheme Ronnel Jihad. Ennoble Monger Donna
Blenheim Jorge Banned Jerome HolingMAGEE BLIND NERO. JOHN MAGEE BIND LONER
JOHN MAGEE BLOOD HERN JINN MAGEE BORNE LIND JOHN. MAGEE ROBIN LEND JOHNA
NAME TO A MEAN TO A TEAM ON A MATE NO ME TO ANA. MEAN TAO ATONE AM AM AT
ONE AMEN TAOBjorn Longhand me I Magne Haugen Jorn. Ben Goldhobrn b.yond
Magnus bjornmag Hallingstad John Mr. Jonah O. Blending. beyond Jon Reime
Jon Joel Nigh Brodman beyoni John Modalen Bernard John Ling. Dffoberman
byoni Olav Asgrimson Johan John Germinal Bond ignominy Runed Foss.
Magnhild pronoun Tomasi Magnhid en Sire born.matronym Larsi Vatlend.
byon.lihngam Bent Standal Magh erroneous.notion Dani Bjrn Norheim Magee.
ontic.mantsin Mikal Nordal Maginsel kari.eliot Bruno Bjrnstad Magy Bjorg.
Brndals Magny Hanne Bjevrke Manee Glenda Bjordl Maney Heod Gram Manney.
garbiel Jakobssen Manny Holkermann Magney Homin Magnee blix MacNillon
brandt. Mac Neal hoberg Magnhy Maget Magey Maghy Hughey Hayes Magnhill
Magni. ByrnBjrn Hitdlakjempe Bjarnar saga Hdlakappa Bjarni. Hitdlakappi
Monstrous Allegations An Exchange of ki in Bjarnar saga.
Htdlakappaber'serk Borne John Lind Magee benoni Bjorn Magnhildson.
Magnhildoyn Jon Magnus Holberg Brandt Beorma bjorn beras matronymbef. ME.
be(a)re beor(e) OE bera c. Fris br D beer OHG bero (G Br) Gmc. beran lit.
the brown one akin to ON bjbrn bersi cf. Lith bras brown. Cf.. BRUINmagh
Important derivatives are may dismay might main machine. mechanic magic.
To be able have power. may from Old English magan to be. able dismay from
Old French esmaier to frighten. Both a and b from Germanic. magan to be
able. might from Old English miht power from Germanic. suffixed form mahti
power. main from Old English mgen power from. Germanic suffixed form
maginam power. Suffixed lengthenedgrade form. mghan that which enables.
machine mechanic (mechanism) (mechano). Greek (Attic) mkhan (Doric) mkhan
device. Possibly suffixed form. maghu. (magic) magus from Old Persian magu
member of a priestly caste (. mighty one). Pokorny magh .PHONOLOGY OF
DEVELOPMENT OF QUENYA FROM. PROTOELDARIN This follows ETYM and ignores the
very different early part of. the phonology development shown in BOLT. As
shown by KVNS at that time RT the. Elves made PE by trying to learn
Valarin from Orome at Koivieneeni and. afterwards Tolkien likely made ETYM
PE Valarin uneuphonic with roots such as. snas and skyap and kugh to make
it sound stern and commanding. (Did. Valarin have a history of change MET
before that E.g. PE magh hand. mag use handle. From the description in
Ainulindale (SIL) Ea before. Arda was made was likely big enough and
lasted long enough for even Ainur's. languages to evolve different ways in
different areas.)In a map printed in. the peninsula is called Island
Maghies and in it is referred to as. McGuiyes Island. Also in in the
Inquisitions of Antrim it is referred. as Island of Magie and Island of
Maghy. In the map called Atlas Novus. published by Johan Blaeu in it is
called Magees Ile. During the th. century the Ordnance Survey Memoirs of
Ireland postulated that the name. Islandmagee was derived from Mac Aoidh
(named after the most common family name. on the island prior to the Tudor
Conquest of Ulster i.e. Magee) or Mac iagh. which they say derives in turn
from a word for seagull. I can not find any such. word for seagull and
believe such a derivation to be incorrect.McKee Magee. McGee Mackey McKay
McCoy MacHugh McHugh and Hugh also in the O form as. OHea OHay Hay Hayes
The derivation from the name Magee (from the Irish. Mag Aoidh or Mag
Aodha) means son of Aodh (an old word for fire). It is a very. common name
in Ulster occurring in the following corrupted forms McKee Magee. McGee
Mackey McKay McCoy MacHugh McHugh and Hugh also in the O form as. OHea
OHay Hay Hayes). In this case the Island is reputed to be named after. a
family of Magees who are said to have their principal base in the
townlands of. Portmuck and Carnspindle. In Marschal Bagenals description
of Ulster in. it is stated such as there be the Magees and contribute to
the Lords of. Clandeboys (from Clann Aodha buidhe U Nill meaning the
family of. yellowhaired Aodh Nill). A similar derivation is given in.
Dubourdieus Antrim viz. the inhabitants thereof are Magies from which it.
hath the name. History records the death of perhaps thirty members of
this. family by soldiers from Carrickfergus Castle following the.
rebellion.AirNav Index of airspace fixes M MAGAF MAGAH MAGAS MAGCI MAGCO.
MAGCY MAGDE MAGDY MAGEE MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI
MAGGO. MAGHA MAGHO MAGHY MAGIC MAGID MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY
MAGJA MAGJI. MAGJO MAGJU MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW
MAGOZ MAGPY MAGRE. MAGRY MAGUH MAGUJ MAGUS MAGUW MAGUY MAGUZ MAGWE MAGWU
MAGXO MAGXY MAGYA MAGYE. MAGYI MAGYU MAGZE MAGZI'Magnus' also appears in
the forms 'Mang' and 'Manges'. in the Alps and Southern Germany. ba) From
the Latin word adjective 'magnus'. great large thus by being used as a
(proper) noun it becomes the great. one. The word is derived from the Indo
European base 'meg(h)' which also. evolved into Sanskrit 'maha' big Greek
'megas' big and English 'much'.. However that is not the entire story.
According to Wasserzieher the norther. variant of the name Magnus was
coined by king Olaf the Saint of Norway who. named a son in honor of
Emperor Charlemagne (Latin Carolus Magnus German. Karl der Grosse
Norwegian KarlaMagnus). Charlemagne () who ruled. over France Germany and
Italy was quite an impressive medieval king who in. was crowned the first
Western Emperor since the fall of the Western Roman. Empire. How
impressive was he to his contemporaries Well he was made a saint.
(canonized in unfortunately only by an AntiPope and he is revered only. in
a few places) and the word for king in many Slavic languages is derived.
his name (Polish 'krol' Russian 'korol'). I must confess this does add. an
intriguing new dimension because of course Professor X's first name is.
Charles which is the French form of the name Karl which owes a lot of its.
popularity to Charlemagne. Two sides of the same coin indeed ba) In
Southern. Germany Switzerland and Austria the name is mixed up with the
otherwise. apparently extinct German name 'Magnoald' 'Maginald' 'Maginold'
he who rules. with might. It is hard to tell if this 'Magnus' is a
Latinization of the German. name(s) or the identification is the result of
a mistake (see section ). This. name seems to be related to that Thor's son
Magni (looking around I also found. the name Magnerich (Magnericus) who was
bishop of Trier from ca. to. .)The first element of this name derives from
the Germanic word for might. represented in modern English 'might' German
Macht and Dutch 'macht' which. derives from the IndoEuropean 'magh' to be
able which also is the root. for modern English 'may' (cf. German 'mag')
'mage' and 'magic' (from the Old. Persian 'magus' Iranian 'magu' which
referred to the Magi the priestly. caste in Ancient Persia and Media) and
also 'machine' and 'mechanic'.. noemata. Saturday December.
Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. PATAFYSISKT NAMN STOPPAS AV
RTTENBrfxxccxxmnpcccclllmmnprxvclmnckssqlbb.. S fr inte lille Albin
stavasitt namn. Kammarrtten i Gteborg fann inget std. i lagen fr att
dpamnniskor i sdan anda. Den vida knda hallndska. namnstriden brjade
medatt lnsrtten i Halland utdmde ett vite mot. frldrarna p kronorfr att
inget frnamn alls registrerats p. gossebarnet trots att hanhunnit bli fem
r. D skickade frldrarna in. stavningen med tecken.Namnfrslaget br ses i
patafysisk anda skrev. frldrarna i sin inlaga.Men kammarrtten kunde inte
se patafysiskt p. stavningen. Parafysik r deinbillade lsningarnas
vetenskap uppfunnen av. absurdisten Alfred Jarry somannars r mest knd som
frfattare till. teaterstycket Kung
Ubu.Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. (pronounced Albin) was a name
given to a child by the parents of a Swedish. family in May .A district
court in Halmstad southern Sweden had fined the. parents (Elizabeth Hallin
and ) kronor (approximately US) for failing. register a name for the boy by
his fifth birthday. Responding to the fine. the parents submitted the
character name claiming that it was a pregnant. expressionistic
development that we see as an artistic creation and. suggesting that it
should be seen in the spirit of pataphysics. The court. rejected the name
and upheld the fine. The long and short of itSWEDISH. authorities last
year told a couple who named their son.
Brfxxccxxmnpckccccmmnprxvcmackssqlbb to find a new shorter name for. the
boy. However the authorities in Stockholm have now rejected his new name.
of A according to the Hallands Nyheter newspaper. Initially the parents.
refused to provide tax authorities with a name for their newborn son.
After. numerous disputes the parents finally provided them with the letter
and. digit sequence which they say is pronounced Albin. That resulted in
an. fine from the tax authorities last year for defying the Swedish name
law.This. northern summer the couple registered their son as A. Tax
authorities also. rejected that name because singleletter names are not
allowed. An appeals. court upheld the decision. The parents previously
said that they chose a. meaningful expressionistic typographic formulation
which we consider to be an. artistic new creation in the pataphysical
tradition in which we believe.The. boy who is still officially nameless
has a passport in which his name is. given as Boy Tarzan.Related Jennifer
. Lee born March in New. York City is a New York Times reporter for the
Circuits section. Her middle. name was given by her parents in her teens
because there are too many people. named Jennifer Lee. She spells her
middle name . on paper but on her. driver's license it is spelt as a much
less dramatic Eight. Her parents were. Taiwan and were influenced by the
typically Cantonese custom that sees. number as a symbol of prosperity. is
a character in the comic strip. Peanuts by Charles Schulz. He debuted in
and continued to appear on and. off until . has spiky hair and sometimes
wears a shirt with (what else). the number five on it. His full name is
(accent on the ) with. being the family's last name (actually their zip
code which in real life. corresponds to the zip code for Sebastopol
California). His father changed all. of the family's names to numbers as a
protest to call attention to the way that. he felt like numbers were taking
over people's identities. also has two. sisters named and .. noemata.
Friday December. lumber. lumber. the mean. while waiting and waiting for
win to boota play for the calculator the. meanok what about . .where does
the . come from. .. still the sameok so we know n(n).(n.)what about step.
while it holds now the diff is always. n(nstep)(step)((nstep))try random
..i have. format c unbelievablestep is so it doesn't workdo you want to
install. netmeetingwho ever had any need of scandiski ran scandisk several
times. nowstill it didn't detect damaged sectorsunbelievable crap
scamdickswell why. didn't it work for odd it's yeah now your product key.
licenceit's supposed to be oh well it just squares thensquareroot of ..
is.. . voilakey is GXPPKTCDRJGJDTRBM (win)it's.
n(nstep)(step)((nstep))which makes sense for the . and the. updating you
system..restart then restart then restartthis wasn't very. profoundit's
like you need the square stuff somewherewhether you put it in the. n's or
the stepit doesn't matterthe suprise in the beginning of this play..it.
didn't take into account the extras of the squarethe double its
shadowit's. about dimensionshow the extra dimension casts a shadow backthe
step is supposed. take care of thatah but there's no stairway to
heavencan't believe this. where are the screen driversMy documents it's
intimidatingvery smalli. lost the scans whateveranal stuff i mean what's
the pointthe joy of. loosingagain a gain where does the shadow come inthe
gain where the extras. are fromhell is a collapse of dimensionswhat
happens when things colapsewhen. these squares collapsed they lost their
shadowi was thinking of this drawing. also what it lostshadows of course
collapsed into texturebut the other way. alsowhat would the hyper be if
this was. textureloomunbelievableunbeleivablewhat is mostthis cognitive
quaking is. backforth's squaringnothing in the middlenothing mediatedthese
are flatmeanthe. synonyms for mean are average base beggarly entail hateful
have in mind. imply intend mean value meanspirited mingy miserly signify
stand for. think think of tight. noemata. Tuesday November. anyhryear
anniversaryarchive of visual. Nov k. noemata. Wednesday November. plese.
its tu muchi wnat nothign to do with itplesei was nothing to do withit.
noemata. Wednesday November. recursive dictionary. material or nonmaterial
entity idea action etc that is or may be thought. about or perceived a gift
a thing given or presented of the something done. deed or action or
sensation caused in the ear by the vibration of the. surrounding air or
other medium of laughter and the capacity or power to. perceive or feel or
to be conscious of the state or condition of being present. or attributes
qualities or characteristics of material or nonmaterial. entities ideas
actions etc that are or may be thought about or perceived. that human
concerns business matters to be attended to their continuous. onward
movement or progression and circumstances esp. those affecting the.
functioning or existence of something active condition which
distinguishes. active animals and plants from inorganic matter including
the capacity for. growth functional activity and continual change
preceding death were. mad.Bertrand RussellApplying the algorithm to text
with a high proportion of. abstract nouns is particularly amusing. Here
the starting text is from. Bertrand Russell's History of Western
Philosophy from a chapter on PlatoThe. second argument is that knowledge
is recollection and therefore the soul must. have existed before birth.
The theory that knowledge is recollection is. supported chiefly by the
fact that we have ideas such as exact equality which. cannot be derived
from experience.Transformation givesThe second reasoning. process is that
awareness or familiarity gained by experience is the act or. power of
recollecting and therefore the spiritual or immaterial part of a. human
being often regarded as immortal must have existed before the emergence.
of a (usually fully developed) infant or other young from the body of its.
mother. The supposition or system of ideas explaining something esp. one
based. on general principles independent of the particular things to be
explained that. awareness or familiarity gained by experience is the act
or power of. recollecting is supported chiefly by the thing that is known
to have occurred. exist or to be true that we have conceptions or plans
formed by mental. effort such as the exact state of being equal which
cannot be derived from. actual observation of or practical acquaintance
with facts or events.. noemata. Monday November. congratulations
congratulations your site is on on (nostalgi). noemata. Monday November.
curious. my handwriting .jpg 'Freedom diedgreat people proved that
awareness exists. and every lifeform is awareunfortunatelly they hadn't in
mind that evolution. not aims into awarenessdevelopment but towards better
adaptation.milions of. people just learned how to fake awareness.This what
makes us Humans is ablity. selfdevelopment and Empathynot adaptation.Crowd
without a leader went. insane.Sickness is ones who emphatize get dellusion
when looking. feelingslessones there is no mutual empathy then ones who
emphatize become. codepend.'.jpg(notes from train station i tried to
visualise how autosopher. adaptativenetwork works)also note that 'positive
effects coming from. smoking of tobbaco come fromchanged metabolism of
dopamine while addiction is. created by completelydifferent
neurotransmitter patch'also common mistake of. polish language pointed out
(use of foregin noun).jpg adaptative ALP network. Daylight Explosioni have
some other work like learning from c sources i'll. write to you laterd.jpg
dissolving substancedreams come when i am. heresnowwhite truth about
falseparticles of absurd from. nothingsubstancewhile this world is only
interpretation of our. dreamssubstanceyou melt with nonexistence like
youpractical disasemble of life. programtransient observation ofthoughts
about minimalism truth about. time.form of delusionsequence of sessionit's
lack of thought Substancewhile. civilisation camp grid is at least km
thin.where is. reasondynamicambitionfield of perception actions of
consiousness()timeand. this is 'life'intonation is alive and manipulating
bodieswill be as is. because can't be other waypreprogrammed forecast
shatter and bend under. influence of new datahow is time machine
likealivedestiny of chaos. complexity creation is creation itselfwe can
watch beauty of growthour time. camepower came to an. noemata. Jag lgger
lite bilder p mig hr.. Jag lgger lite bilder p mig hr.Men kom ihg jag vill
grna att. ni skriver i Gstboken vad ni tycker annars blir det inte fler
bilder. Mina. Fuktiga brst efter duschen.Jag visar upp ett av mina
brst.Jag i sexiga. underklder.Jag visar upp mig p sngen.Hr r jag helt.
utlmnad t dig.Tnk om handen inte fanns dr.Gillar ni mina. Lppar.Ny bild p
mina lppar.Gillar ni bilderna p mig i. stayupsDet kan komma fler bilder
Jag hller p att vertala min. vninna att jag skall f lgga upp bilder p
henne ocks.Hr. under lgger jag sprutbilderna som jag fr Och jag skall
villigt. erknna att jag har onanerat och tittat p dem mnga.
gnger.Sprutbild Sprutbild Sprutbild Sprutbild Sprutbild Sprutbild.
Sprutbild Sprutbild Sprutbild Jag har ftt ett par nya sprutbilder Det.
tycker jag om. Flera gnger har jag tittat p dessa bilder och tnkt. p er
hur ni har lekt med era underbara stnd fantiserat om mig och. sedan
sprutat er varma klibbiga sats ver min kropp. Mnga gnger har. dessa
fantasier tagit mig till underbara orgasmer. Ett extra spnningsmoment. r
ju att min kille inte har ngon aning om vare sig websidan eller dessa.
foto.Hr kommer fler bilder.En bild frn en man som heter Bokoboko.Gabbe.
har ocks sprutat ner min kropp.Hawkan har lagt sin varma sd ver.
mig.Fineman har gjort hrligt sexiga konstnrliga bilder.nnu en bild.
noemata. Saturday November. delayed. noemata. Tuesday November.
colmplaints ingored. complaits comlaints comppaints commplaints complaints
ifnored withijn redach. reazch complaibnts live complaintsa complaints
comlplaints comp laints within. rexach complaintw ikgnored reasch
complaihnts complwints complaintts ignorer. ckmplaints witin complpaints
complaints withkin weithin complaints. complwaints cmplaints complainrts
complaintys ignorwd ignoredr complainte. complaoints comoplaints
complajnts complainys ugnored ignorerd complaintsz. witbhin reaqch rteach
ignorfed complains complaintrs witgin complaingts. ignofred comploaints
comp aints iygnored complaintd iognored jgnored ignoresd. rezach
complaitns ignorsd ignotred cojmplaints r each complaint s complanits.
ignorefd vcomplaints complaints withimn kgnored withih complaints
cmoplaints. teach complaints complaints igynored witihn comnplaints
complints complaings. ignoref compolaints cmplaints ckomplaints co
mplaints ignored wi thin. complaintsw oignored jignored ignored
compplaints ignoed complainrs complainta. ignorted reach complaiknts
ignpred ignjored complaints compliants complaknts. complains complasints
ep ijgnored igvnored rseach ignores complaaints ignored. withn rewch ithin
cvomplaints compllaints complaintxs comllaints feach. cojplaints wiyhin
rwach complaintes withi ihnored complaints reacu wifhin. ighored ignored
withinreach complaijts ignoed complaxints complai ts. copmplaints with n
within wihin ignodred complaints complaimts wiythin. complants complaints
itnored cpomplaints withhin ign ored reacy withinh. withihn reach ignord
ccomplaints recah ciomplaints within ignred rach. ignoreds ignored
iugnored wityhin withinj ignor ed within ignorded ignored. ignpored wthin
reafh within eeach complains reacjh complaiints complain s. complainst
compla nts cokmplaints withinm soundtrack complaintss complaints.
complainmts co plaints ignoired complainyts online witjin withij ost
witghin. withuin complzaints complaintfs complaintgs compklaints
compalints complainbts. reac withibn igored discount rea ch cd ignoed
raech complaqints lyrics gnored. compaints complaimnts domplaints c
omplaints rea h gnored complaint sithin. ignoded limited edition
vomplaints wtihin reacbh compl aints withiun uignored. ignord
complaintsignored cfomplaints com laints complants ignred ignorex. wigthin
each deach ignroed ignorexd withikn ihgnored igfnored reacuh iignored. ign
red w thin complaintse ignorewd ignorsed with in ignored reacdh igbnored.
withun withyin reacvh complauints ignoredd ignnored ignored ignired
withib. ignorwed discounts wihin ibgnored complaibts rweach ifgnored
wifthin. complakints cheap conmplaints albums wiothin c mplaints igmored
complaintds. igno red complazints igonred reachh wuthin witnhin ignordd
reachg inored. ginored awithin ignlored complajints withim comjplaints
reeach eithin dreach. complaints withiin compact disc gnored ighnored
complaijnts resch reqch rdach. igmnored withn withion complaonts coplaints
reacxh ewithin reacch complsints. each complaint ignore complaints wit hin
music reacnh ignoredc clmplaints. ignoredx igbored complai nts ignred
complaintz compl ints complainhts. omplaints rewach by ignored complxaints
reac h complainfts reach ithin. complqaints wikthin reahc witjhin aithin
withjin ereach reachn complqints. reach dcomplaints ignored complkaints
reacb reachj witrhin rexch i gnored. each comlaints comkplaints complainfs
comlpaints complaintsd ignored ignorede. ignoree complsaints reduced
wsithin within complaintzs wthin wthin ithin. ibnored within within rreach
wihin complaintws complaihts within cast. recording ignoted cds wuithin
xomplaints complainnts withi n erach wirthin. within wityin wijthin rerach
cxomplaints reach withjn ignoerd within rech. withnin conplaints igjored
freach wit in withni readh withi reac ignore ignord. copmlaints wkthin com
plaints within swithin complaintsx wwithin complawints. rfeach qithin
ocmplaints within igno ed i nored ignorred enhanced ignmored. rach withkn
reach ognored remastered ignofed rach comolaints withbin woithin. ingored
witfhin each complants album withinb xcomplaints reacgh explicit. ignor d
reavh rrach within ithin within reachy reachu ignored ignokred. wituin wi
hin colmplaints ignore d reaxch r ach complaintas reaxh ivgnored. wiuthin
wirhin cmplaints igtnored w ithin reacfh reacj complzints rdeach. ignoreed
compoaints treach ignkored ignored withn sale ignolred cimplaints. ignored
reach complaunts ignoered reafch wihtin wiithin complaionts reqach. withon
waithin ignhored igniored ignorecd ignkred readch wjithin reach.
coomplaints cdomplaints ignoored ignored reacg withgin complaints ignlred.
clomplaints ignoeed re ch iynored withinn wkithin itgnored ignorde wjthin.
reaach witthin within complxints complainjts complaiunts within withoin.
fomplaints fcomplaints qwithin witbin reavch coimplaints resach reah
ignorec. ignored ignopred witnin ignoredf complain ts cpmplaints ig nored
wighin re ach. gnored compkaints omplaints within wqithin reacn reacyh
reachb wituhin iggnored. ivnored rsach iwthin complaintx rezch reawch
cokplaints kignored ignored wothin. reach igjnored ignorrd compla ints ig
ored ignboredSearch colmplaints. noemata. lumber. lumber. oct().
..JFIF......h FF DB A E. C A .....C.nxxdh C C B AA A BE F FF. FF F DC DC F
FF FF. h FF FF FF FF. FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF
FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF FF FF FF FF FF DB
AA B. .C.h B F D F. FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF
FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF FF FF FF FF FF FF FF FF
FF FF FF. h FF. FF FF FF FF FF FF FF FF FF FF FF FF FF FF C. ah.
...............bh FF. C ..............ch. FF C ..............dh.
................eh. FF DA C A. matronym. Sunday October. Re confuciuslist
Mencius B. wild grass (fwd). matronym. Saturday October. plunderphonics
week. DJbyHandIngerMarieLienKidSquarepusherStev.mp (. C C Nystev.. vil du
D. C E have meg til B C D A B C. kveda..det skal A D eg gjera. med stF C C
D A F rste gleda..og. B C B eg skal kveda sF E. D A o vent fyr deg.. B. C C
F D at du skal glym A F C. F D a deg sjlv og m E D A D A C B. C eg..... eg
skal B F B. kveda so du skaC E C D A D l. grta..um du C E C var aldri. s
gla F B E C D A E d og kt'e... e B C B F g skal kveda so E E C. C D A snlt
fyr deg... B C C E E E at du skal l n. E D E r du ser p meg.D A D A F D E.
F ....Og mine viso F E E C. r dei er so snl C D A F D F B E e..som. Borken
t E E E E rvar p isen. hC C D A F D E le..og mine visF. A E or dei gjer'
ein C E D A. F D C C sleng..som litl E E B. e guten p skeis E E A E E D A
D A C. unn' gjeng..... D E F mine. visor dei F D E C D A F er so
mange..soD. A D C F D E m heggjeblomane. E B D drys i fanget.A F. F .so
hev det vore C C. A D A i all si tid.. D B. dess meir dei kv C D ed dei
dess. mei E D A D A C r der bid...... C A C vil du stevjast F B. C so skal
eg svar C D A F. C E a..og heile nat F B C. ti so skal det v B D A F C.
ara..og vil du A D D stevjast med. meg B C C D A E i kveld..du g. B A E r
'kje t fyrr d E. E D C C E u fr ein smell. abort.
DJbyHandsisselkyrkjeboorigamiweightlessapati MB. matronym. Friday October.
link var. Index of var Name Last modified Size Description. Parent
Directory Oct idxbdvds.jpg. Oct k vdsidx.jpg Oct k. .jpg Oct k .jpg. Oct k
b.jpg Oct k. masl.jpg Sep k DSCN.jpg. Oct k DSCN.jpg Oct k. DSCNZ.JPG Oct k
DSCN.jpg. Oct k DSCN.JPG Oct k. DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct
k. DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct k. DSCN.JPG Oct k DSCN.JPG.
Oct k DSCN.JPG Oct k. DSCN.JPG Sep k DSCN.JPG. Sep k DSCN.JPG Sep k.
DSCN.JPG Sep k DSCN.JPG. Oct k DSCN.jpg Oct k. DSCN.JPG Oct k DSCN.JPG.
Oct k DSCN.JPG Oct k. DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct k.
DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct k. FlwTmudZFemVXGfQK... Sep k
P.png. Sep k P.png Oct k. P.png Oct k P.png. Oct k RISS.jpg Oct k. S.jpg
Sep k acroBatic.JPG. Sep k annama.jpg Oct k. annan.jpg Oct k annotfw.jpg.
Oct k apdd.jpg Oct k. apok.jpg Oct k apolillebilen.jpg. Oct k aporegn.jpg
Oct k. bdvds.jpg Oct k brcolagedrawachine.jpg. Oct k bssggn.jpg Oct k.
candledrawings.jpg Sep k codune.jpg. Oct k desktop.jpg Oct k. dietz.jpg
Oct k eee.jpg. Oct k elmagspectrum.jpg Sep k. ff.jpg Oct k fjfjf.jpg. Oct
k fluktbiler.jpg Oct k. fluxusmap.jpg Oct k fortart.jpg. Oct k ggcc.jpg
Oct k. ghdf.jpg Oct k golgeilo.jpg. Oct k gv.jpg Oct k. hfhfh.jpg Oct k
hfhfhw.jpg. Oct k hfhfhw.png Oct k. horn.jpg Sep k ideog.png. Oct k jj.jpg
Oct k. jotunheimen.jpg Sep k julebukk.jpg. Oct k lc.jpg Oct k. mouazing.png
Sep k mrna.jpg. Sep k oe.jpg Oct k. pluntscape.jpg Sep k prestholt.jpg. Oct
k prestholtskaret.jpg Oct k. psychogeo.jpg Oct k rabsistggkgigngdgom... Oct
k recursivelibrary.jpg Sep k. rygg.jpg Sep k san.png. Oct k scapeg.jpg Oct
k. scrreen.jpg Oct k sdgaa.jpg. Sep k seroma.jpg Oct k. sino.jpg Oct k
skogshorn.jpg. Sep k taka.jpg Oct k. tectonics.jpg Sep k teent.jpg. Oct k
tenner.jpg Oct k. text.jpg Oct k tilapollinaire.jpg. Sep k
torpostavechurch.jpg Sep k. tuftebrui.jpg Oct k turs.jpg. Sep k
usbdrawing.jpg Oct k. matronym. relax. matronym. Wednesday October. im not
sisting strahgt my jands ctrlz ctrlz ctrlz ctrlz versjon. ctrlz ctrlz ctrlz
ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz. ctrlz ctrlz ctrlz glitch
versjon (ultra editor) well probably doesn't affect. html so why blotherim
not sisting iwant somehthign it's a bit. frighteningstrahgt that kid on its
own and coldmy jands. atomata like tat fly nothing holdingnothing here in
the win. should i let gothis writing is the fog leaves (they of
whatagainst. itself does it) eprime the i don't know anythingi only write
when. drema (dramadream) this blank screenforgetting muself of magic.
contradicted by my fingersnegation well science and the this will. only be
troubleworthwhile howto any base fuck youspace which is. debase. coming
back this is completely lostnothing to.. never againher cunt ie no.
memoryshould backspace sensation must be no knowledgethat. based on
recurrence monster of pixelscollaps else you wouldn't. soothwhere am i
know but gnomhow to write. still sense but no.where am i inn the only once
it vicinitymyself. doesn't count (count potentialmy arm is kind of is.
sentence dntwiched recurrence). any pnrrmaqyawmy back. somewhat object.
object is nvvypub vybcdcxrunched here too much. object. dmcs vnbpu
cdngvirtual backspace anything that is suug. fcnothing ever comes visible
or tangible mqhycuq iydxout of this. and is relatively bucgupd dnwhere
does this go stable in form. to. uaurk rnhuruadexpect nothing you. ya
hypyaydkleft. channel delay something. thing xytt uywxd cyjthe need.
(meeting vyhuno structure her interface). lubn. ()whatever fright
subjectsubstancediscontinue into. subtrahends ariettaslide emergent
relation. subterfuge. arroweddiscreet egene remove
sceptrelessespataphysical. logic posessive my's. arrowedcompression is a
reactive at chemical. saboteur aridcipher level. behave septarium
arteroads. late ME softheartedly aradjustice behaven. (reflexive).
subterranean aridblockhead See BE HAVE.. shifters airywriting into space
behaviorism the spadework awardeei'll. go wherever the theory that scepter
areawidekeys lead. psychology can be shifter aerateleather case accurately
studied. softer arrauboard table kitchen only through the spader
artiecuisine. examination and subterfuge aureatei meant metaphor analysis
of. sputter areawidewherever possessives. subtree. areawidesomething else
sputter aeratethis is just. one i'm no one get your softer airyside hands
off me.. spader airtno justice HAHA. subterraneanisesusually space is
karmaguilttraces aortaexpensive. i once had guilt subdirectories
artymassive nothing writing haha. says it spidery airedeyes all (active
subtraction. artyi once had eyes expression vs sceptered artiego beyond
they. say matters of doctrine) subtreasury areawideother i laughter. is
spidery arrayedwhat comes in this eternally guilty. subterraneanise arteis
still eyes (doctrinal in sifter. awardeekeyes writing) as anythe cod e
statement. n softheart s mouthing. y. arrondis t guilty guilty (how
soekar. ttraffi n awkward to ) soffit ar thorsest c t. how's w g softies
arteriolethere's compilation attached to guilt. soever arterialises should
stop writing soke. arterialisinginterprete e another w e sojoimmedi s.
status of relate to artel valuemeaning other sodwhat'. than drawn arteri
dente. softhead arthromerewhich is p s (interfaces again).. sojourners
arrowrooti had t a media a softening. artefactbig small inverse suppose it
e softbound arsenicaldi. other way a softy ars lprotoco f signs are. soiree
arsenicisespapyrus no o lines are. ts stronger attraction readapting
mcqueenpro. proto mecritical distance attraction to. what reactualise
meagerlyexecution of seeing easy essing. meal ers are easi ay. of
mcmurdohidden instant an. g rea ness memiddleman blackmail to. ably me
compl of the ualizes. li syst inimax rk up. to mewhat's the deal on. me (
rface') reactualisations. mei r mansus accidencesubsta me. critical and
easie 's. system wins liked ng not gravitati. stupid you alwaysde reaming
get signs toodr eath is. obvious it's theirso ng else job. backtrackingi'd
to die. guilt is thru th .. sign you no. shouldn't att it's like chaplin
onde s trash. a conveyor belt ghtning down t rs economy.no. no signno in
the talking is a w recur.. as stimulusres augment pos. respons. lumber.
matronym. Tuesday October. thing. thing (thing) n. . a material object
without life or consciousness an. inanimate object.. some entity object or
creature that is not or cannot be. specifically designated or precisely
described The stick had a brass thing on. it.. anything that is or may
become an object of thought things of the. spirit.. things matters affairs
Things are going well now.. a fact. circumstance or state of affairs It is
a curious thing.. an action deed. event or performance to do great things
His death was a horrible thing.. a. particular respect or detail perfect
in all things.. aim objective The. thing is to reach this line with the
ball.. an article of clothing I don't. have a thing to wear.. things
implements utensils or other articles for. service I'll wash the breakfast
things.personal possessions or belongings. Pack your things and go. a task
chore I've got a lot of things to do. today.. a living being or creature
His baby's a cute little thing.. a. thought or statement I have just one
thing to say to you.. Informal. a. peculiar attitude or feeling either
positive or negative toward something. mental quirk She has a thing about
cats.. something signified or. represented as distinguished from a word
symbol or idea representing. it.. Law. anything that may be the subject of
a property right.. do or find. one's own thing Informal. to pursue a
lifestyle that expresses one's self.. Also do or find one's thing. . make
a good thing of Informal. to turn (a. situation experience etc.) to one's
own profit benefit by She made a good. thing of her sparetime hobbies..
new thing Jazz. See free jazz. . not to. get a thing out of to be unable
to obtain information or news from The police. couldn't get a thing out of
him.to fail to appreciate understand or derive. aesthetic pleasure from My
wife likes opera but I don't get a thing out of. it.. see or hear things
Informal. to have hallucinations.. the thing. something that is correct or
fashionable That caf is the thing now.that. which is expedient or necessary
The thing to do is to tell them the. truth.bef. ME OE orig. meeting see
THINGthing (thing ting) n.. (in Scandinavian countries) a public meeting
or assembly esp. a legislative. assembly or a court of law.Also ting. Cf.
thingstead. ON assembly. c. THING D ding G Ding thing orig. meeting akin
to Goth theihs. matronym. Monday October. nothing (nuthing) n.. nothing
(nuthing) n. . no thing not anything naught to say. nothing.. no part
share or trace (usually fol. by of) The house showed. nothing of its
former magnificence.. something that is. nonexistent.. nonexistence
nothingness The sound faded to. nothing.. something or someone of no
importance or significance Money is. nothing when you're without health..
a trivial action matter circumstance. thing or remark to exchange a few
nothings when being introduced.. a person. of little or no importance a
nobody.. something that is without quantity or. magnitude.. a cipher or
naught Nothing from nine leaves nine.. (used in. conventional responses to
expressions of thanks) Think nothing of it. It's. nothing. Nothing to it..
for nothing free of charge.for no apparent reason. or motive.futilely to
no avail They had gone to a great deal of expense for. nothing.. in
nothing flat in very little time Dinner was finished in. nothing flat..
make nothing of to treat lightly regard as easy.to be. unsuccessful in
comprehending He could make nothing of the complicated. directions..
nothing but nothing other than only We could see nothing but. fog..
nothing doing Informal. emphatically no certainly not.no activity.
inducement advantage etc. present to the eye We drove through the town
but. there seemed to be nothing doing.. nothing less than or short of
absolutely. completely She was used to nothing less than the best.. think
nothing of to. treat casually.to regard as insignificant He thinks nothing
of lying to. conceal his incompetence.adv. . in no respect or degree not at
all It was. nothing like that. Nothing dismayed he repeated his
question.adj.. . amounting to nothing as in offering no prospects for
satisfaction. advancement or the like She was stuck in a nothing job.bef.
ME OE. matronym. rinsay. the active expression of enlightenment over
matters of doctrineThe mind thus. creates the world in the sense that it
invests the phenomenal world with. value.They have presumably already
freed themselves from preoccupations with. the commoner cravings for
sensual indulgence material gain or worldly fame. and have entered the
path of religious strivings. But it is precicely this fact. that Linchi
sees as the source of their problems.this lone brightness without. fixed
shape or form.once and for all that there is no goal to be striven for.
because it has been won already no place to be journeyed to because one
is. there right now.People with so few roots of faithif it's for the sake
of the. Dharma don't hesitate to sacrifice your bodies or give up your
lives.If you. approach it with a true and proper understanding you won't
be affected by. considerations of birth and death you'll be free to go or
stay as you. please.The fault lies in the fact that they don't have faith
in. themselvesStudent's don't have enough faith in themselves and so they
rush. around looking for something outside themselves.Those who have
fulfilled the. ten stages of bodhisattva practice are no better than hired
field hnads those. who have attained the enlightenment of the fiftyfirst
and fiftysecond stages. are prisoners shackled and bound arhats and
pratyekabuddhas are so much filth. in the latrine bodhi and nirvana are
hitching posts for donkeys. Why do I. speak of them like this Because you
followeres of the Way fail to realize that. this journey to enlightenment
that takes three asamkhya kalpas to acomplish is. meaningless. So these
things become obstacles in your way.Fellow believers. time is precious You
rush off frantically on side roads studying Ch'an. studying the Way
clinging to words clinging to phrases seeking Buddha. seeking the
patriarch seeking a good friend scheming planning. But make no. mistake.
Followers of the Way you have on set of parents what more are you. looking
for You should stop and take a good look at yourselves. A man of old. tells
us that Yajnadatta thought he had lost his head and went looking for it.
but once he had put a stop to his seeking mind he found he was perfectly
all. right.The man of value is the one who has nothing to do. Don't try to
do. something special just act ordinary. The Paotsung lun With regards to
the. Way what is valued in every age is to have nothing to do. With
regards to the. Way when one is mindless then all things will proceed
smoothly.Followers of. the Way the Dharma of the buddhas calls for no
special undertakings. Just act. ordinary without trying to do anything
particular. Move you bowels piss get. dressed eat your rice and if you get
tired then lie down. Fools may laugh at. me but wise men will know what I
mean. A man of old said People who try to do. something about what is
outside themselves are nothing but blockheads.If you. have doubts in your
mind for an instant that's the Buddha devil. But if you. can understand
that the ten thousand phenomena were never born that the mind. is like a
conjurer's trick then not one speck of dust not one phenomenon will.
exist.As I see it there's no Buddha no living beings no long ago no now.
If. you want to get it you've already got it it's not something that
requires. time. There's no religious practice no enlightenment no getting
anything no. missing out on anything.If you want to be free to be born or
die to go or stay. as onw would put on or take off a garment then you must
understand right now. that the person here listening to the Dharma has no
form characteristics no. root no beginning no place he abides yet he is
vibrantly alive. All the ten. thousand kinds of contrived happenings
operate in a place that is in fact no. place.If your mind entertains a
moment of doubt it becomes obstructed by the. element earth. If your mind
entertains a moment of craving it becomes drowned. in the element water.
If your mind entertains a moment of anger it is seared. by the element
fire. If your mind entertains a moment of delight it is tossed. about by
the element air.The way I see it onw shouldn't be averse to anything..
Suppose you yearn to be a sage. Sage is just a word sage.Those who study
the. Way these days need to have faith in themselves and not go looking
for. something outside.If you want to be a truly great vessel you must
never be led. astray by others. Wherever you are play the host and then
any place you stand. will be a true one. Whatever confronts you don't let
yourself be imposed on.. If you entertain even a moment of doubt the devil
will enter your mind.Just. have faith in this thing that is operating in
you right now. Outside of it. nothing else exists.In the way you now
respond and utilize it what do you. lack In the space of an instant you
enter purity or enter defilement enter. the halls of Maitreya or enter the
lands of the three eyes. You wander at ease. everywhere for you see that
these are all empty names.The buddhas and. patriarchs are people who don't
have anything to do or are without defilements. and doings their karma is
clean and pure.The Patriarch Shenhui said If you. try to arrest the mind
and stare at silence summon the mind and focus it on. externals control
the mind and make it clear within concentrate the mind and. enter into
meditation all practices of this sort creates karma.So for the. past
twelve years though I've looked for this thing called karma I've never.
found so much as a particle of it the size of a mustard seed.from times
past. the real teachers wherever they went were never listened to and were
always. driven out.The various phenomena in this world and other worlds are
in all. cases devoid of intrisic nature. Even if something did exist it
would in all. cases be no more than an environment that changes with what
it depends on. You. live in a land of changing dependent conditions what
is it you are looking. for And things like the Three Vehicles and the
twelve divisions of the. scriptural teachings they're all so much old
toilet paper to wipe away filth.. The Buddha is a phantom body the
patriarch are nothing but old monks. You were. born from women weren't you
I you seek the Buddha you'll be seized by the. Buddha devil. As long as you
seek something it can only lead to suffering.. Better to do nothing.A true
student of the Way never concerns himself with the. Buddha. Far removed
alone and free he is never entangled in things. Heaven. and earth could
turn upside down and he would not be perturbed. All the buddhas. of the
ten directions could appear before him and his mind would not feel an.
instant fo joy the three realms of hell could suddenly confront him and
his. mind would not feel an instant of alarm. Why is he like this Because
he knows. that all things in the phenomenal world are empty of
characteristics. WHEN. CONDITIONS CHANGE THEY COME INTO EXISTENCE WHEN
THERE IS NO CHANGE THEY DO. NOT EXIST.Followers of the Way when students
come here from various regions. and we have finished greeting one another
as host and guest the student will. make som remark to test the teacher.
The student comes out with these tricky. words and thrusts them into the
teacher's face. If you were the teacher and. realized that this was just
an 'environment' and you grabbed it and threw it. down a hole then the
student would act normal again and after that would ask. for the teacher's
instruction. The teacher would then snatch that up too and. treat it as he
did the earlier remark. The student then says Very wise A. truly great
teacher The teacher says You certainly can't tell good from. badAgain
suppose the teacher comes out with a certain chunk of environment. and
dangles it in front of the student's face. The student sees through this.
and at every step acts the master refusing to be misled by the
environment.. The teacher then reveals half of his body whereupon the
student gives a shout.. The teacher now enters the place where there are
all kinds of differences and. distinctions battering the student around
with words. The student says This. old baldhead who can't tell good from
bad The teacher exclaims in admiration. A true and proper follower of the
WayThere are some teachers around who can't. distinguish crooked from
straight. When a student comes and asks about bodhi or. nirvana about the
threefold body or about environment and wisdom those blind. old teachers
start explaining to the student. When the student curses at them. they
pick up their stick and hit him saying Such rude language If you have. a
teacher like that he lacks eyes to begin with.Then there is that bunch of.
baldheads who can't tell good from bad but point to the east gesture to
the. west love clear weather love it when it rains love this lamp or that
pillar.. Look and see how many hairs they have left in their eyebrows and
with good. reason. Teachers like that are nothing but wild fox spirits
goblins. Good. students will just give a little snicker and say Blind old
baldheads trying. confuse and lead everybody in the world astrayFollowers
of the Way if you. want to get the kind of understanding that accords with
the Dharma never be. misled by others. Whether you're facing inward or
facing outward whatever you. meet up with just kill it If you meet a
buddha kill the buddha. If you meet. your parents kill your parents.These
students of the Way who come from all. over there's never been one of them
who didn't appear before me depending on. something. So I starrt out by
hitting them there. If they come with a raised. hand I hit the raised hand
if they come mouthing something I hit them in the. mouth if they come
making motions with their eyes I hit them in the eye. I. have yet to find
one who comes alone and free they're all caught up in the. idle devices of
the men of old.I don't have a particle of Dharma to give to. anyone. All I
have is cure for sickness freedom from bondage. You followers of. the Way
from here and there try coming to me without depending on anything. All. I
get are things stuck to stems clinging to leaves wraiths that inhabit
bamboo. or trees wild fox spirits They chew frantically at every lump of
shit they. happen upon. Blind foolsI tell you there's no Buddha no Dharma
no practice. no enlightenment. Yet you go off like this on side roads
trying to find. something. Blind fools Will you put another head on top of
the one you have. What is it you lackThe way I see it there's no call for
anything special.. Just act ordinary put on your clothes eat your rice
pass the time doing. nothing. You who come here from here and there you
all have a mind to do. something. You search for the Buddha search for the
Dharma search for. emancipation search for a way to get out of the
threefold world. Idiots. trying to get out of the threefold world Where
will you goFellow believers. this body made up of the four major elements
has no permanence. Things like. spleen and stomach liver and gall hairs
nails teeth are simply evidence. that all phenomenal things are empty of
fixed characteristics. As long as your. mind is unable to cease its
momentbymoment activity then you are up in the. tree of ignorance. But if
you can learn to cease then you'll be in the world. of the clean pure
body.If a student truly knows what he is doing he will give. a shout and
then first of all hold out a try of lacquer. The teacher failing.
recognize this as a mere 'environment' proceeds to climb up on the.
environment and begin striking poses or donning attitudes. The student
gives a. shout but the teacher refuses to abandon his approach. This is
called the. guest seeing through the host.Or perhaps the teacher will not
come out with any. object of his own but will wait for a question from the
student and then snatch. it away. The student seeing his question snatched
away won't let go but holds. on for dear life. This is a case of the host
seeing through the guest.Perhaps. there is a student who responding with a
clean pure environment presents. himself before the teacher. The teacher
can tell this is just an environment. and grabs it and throws it down a
hole. The student says A truly great. teacher Instantly the teacher says
Hopeless can't tell good from bad. The student gives a low bow. This is
called the host meeting up with a host.Or. there may be a student who puts
a cangue wooden collar on his neck binds. himself in chains and then comes
before the teacher. The teacher proceeds to. shackle him with another set
of cangues and chains. The student is delighted. unaware of what has
happened. This is called the guest meeting up with a. guest.But students
don't have faith enough and instead base their. understanding on words and
phrases. Their years pile up to half a hundred and. all they do is go off
on side roads carrying their dead corpses on their. backs racing all over
the world with their load of baggage.If you look toward. the area of
motion and try to grasp the truth there it will take up its stand. in the
area of nonmotion and if you look towards nonmotion and try to grasp it.
there it will take up its stand in motion. It is like a fish hidden in a
pond. who now and then slaps the surface and leaps up.When students come
from here. and thee I classify them into three categories according to
their ability. In. such cases if a student of less then middling ability
comes to me I snatch. away the environment but leave him his existence. I
a student of better than. middling ability comes to me I snatch away both
environment and existence. If. a student of truly superior ability comes
to me I do not snatch away anything. neither environment nor existence nor
person. If a student appears whose. understanding surpasses all these
categories then I deal with him with my. whole body and take no account of
his ability.Reverend Taoi's way of doing. things was simple direct nothing
mixed in. Reverend Lushan was utterly free. true and correct but whether
he came at them with compliance or opposition his. students could never
fathom what was going on. Mau's way of doing things. was as bitter as the
bark of the Chinese cork tree no one could get near him.. The way Shihkung
went about it was to look for students by pointing an arrow. at them all
who came to him were terrified. Shihkung had been a deer hunter.. When
students came to him he would fit an arrow to his bow point it at them.
and say Look at the arrowFellow believers these sounds names words.
phrases are all nothing but changes of robe. The sea of breath in the
region. below the navel stirs itself into motion the teeth batter and mold
it and it. comes out as a statement of an idea. So we know for certain that
these are mere. phantoms.Better to do nothing to meet someone but not
recognize him talk with. him but not know his name.There's a bunch of
fellows who can't tell good from. bad but poke around in the scriptural
teachings hazard a guess here and there. and come up with an idea in words
as though they took a lump of shit mushed it. around in their mouth and
then spat it out and passed it on to somebody else.. They're like those
people who play passtheword parlor games wasting their. whole life like
that.When the great teacher Bodhidharma came from the west he. was simply
looking for a man who would not be misled by others.I have been.
addressing you putting forth a lot of trashy talk. But make no mistake In
my. view there are in fact no great number of principles to be grasped.If.
bodhisattvas even those who have completed the ten stages of mind practice.
were all to seek for the traces of such a follower of the Way they could
never. find them. Therefore the heavenly beings rejoice the gods of the
earth stand. guard with their legs and the buddhas of the ten directions
sing his praise.. Why Because this man of the Way who is now listening to
the Dharma acts in a. manner that leaves no traces.Neither in this world
nor in any other world is. there any Buddha or Dharma. There is nothing to
appear before you and nothing. that is lost.Fellow believers only when you
have commited the five crimes that. bring on the hell of incessant
suffering will you finally gain. emanciation.Killing your father injuring
your mother drawing blood from the. Buddha's body disrupting the harmony
of the Monastic Order burning the sutras. and images these are the five
crimes that bring on the hell of incessant. suffering.Ignorance is the
father. When your mind is without activity wherever. it is this is called
killing the father.Greed is the mother. When your mind. experiences no
attachment anywhere this is called injuring the mother.If your. mind doesn
not even for an instant begin to discriminate but instead sees. complete
darkness everywhere this is drawing blood from the Buddha's body.If. you
properly understand that the bonds and entanglements of earthly desires
are. so much emptiness with no place to lean on this is disrupting the
harmony of. the Monastic Order.When you can see the emptiness of causes
and conditions the. emptiness of all phenomena when the mind is every
instant completely calm far. removed and doing nothing this is burning the
sutras and the images.Your minds. instant by instant confront an empty fist
a pointing finger and take it for. some sort of reality vainly trashing
around in the realms of senses. environments phenomena.Followers of the
Way don't take the Buddha to be some. sort of ultimate goal. In my view
he's more like the hole in a privy. Therefore. Manjushri grasped his sword
ready to kill Gautama and Angulimala blade in. hand tried to do injury to
Shakyamuni.Followers of the Way even if you can. understand a hundred
sutras and treatises you're not as good as one plain monk. who does
nothing.Followers of the Way don't search for anything in written. words.
The exertions of your mind will tire it out you'll gulp cold air and. gain
nothing.Fellow believers don't dawdle your days away In the past before. I
had come to see things right there was nothing but blackness all around.
me.Fellow believers do not use your minds in a mistaken manner but be
like. the sea that rejects the bodies of the dead.Weishan said Well what
do you. thinkYangshan said Officially not a needle is allowed to pass but.
privately whole carts and horses get throughWhen illumination comes first
and. action afterwards then the person is present. When action comes first
and. illumination afterward then the Dharma is present. When illumination
and. action are simultaneous it's like driving away the plowman's ox
snatching. food from a starving person cracking bones and extracting the
marrow giving a. painful poke with a needle or an awl. When illumination
and action are not. simultaneous there are questions and answers guest and
host are established. water gets mixed with mud in response to movements
measures are taken. If the. person is really outstanding then even before
a problem arises he'll rouse. himself and be on his way. But still it
needs another little push.(from the. lumber. matronym. Sunday October. ok.
these characters don't mean anythingarseholes on tv televisionrectoscopy
rs. holes tv setthis candlelight the this the president the dog the the.
theodicy evil levi live veil vilegood has no anagrams no otheranagram has
no. anagram which backfires on good it's just emptythe same ames asme meas
mesa. msae seam other theor. throerandom rodmannegative agentivepositron.
sorptionatchoo cahootakan kanahaiku ukiahemil lime milemale alme elam
lame. lam mael meal melafemale icon coin cion sign sing sing.arse ares son
of. zeus and hera mars male marse aser asher rase raze sear. to burn or
char. the surface of She seared the steak to seal in the juices.. to mark
with a. branding iron.. to burn or scorch injuriously or painfully He
seared his hand. on a hot steam pipe.. to make callous or unfeeling harden
The hardship of her. youth has seared her emotionally.. to dry up or wither
parch.v.i.. to become. dry or withered as vegetation.n.. a mark or scar
made by. searing.adj.. sere.bef. (adj.) ME sere OE sar c. D zoor (v.) ME.
seren OE sarian deriv. of sarstill sr norwsera plural of serum blood. milk
whey curd duca cheese christ smegma the last sup puslas palmas plasmathe.
sun nous onus probandi it's ya onus ya orseeros rose sore (sear) sero
(serum. again)horse shoer shoreursus arctos horribilis kodiakthis hist
isth sith tshi. shitexcrement waste matter sweat (matter has no anagram
neither mind)mother. thermovater avert travemater ramet tamersanta satan
tsananoema anemo wind L. animus breath Skt anilasrumblehex ascii isiac
isis usus oso horosbeing begin. binge blast bust blair toot jagresist
sisterbroth throb frater rafter rumble. lumber jackass (anything
male)thing night dorknesslight bef. (n. and. adj.) ME OE loht c. OS lioht
OFris liacht D G licht Goth liuhath (n.). akin to ON ljs (n.) ljss (adj.)
L lx (n.) Gk leuks bright white. (v.) ME lighten OE lhtan c. OS liuhtian
OHG liuhten (G leuchten) Goth. liuhtjanlux litho thiol
stonelightfireelectron el centro recent holocene holos. soul sole solus
also solaone eon neo noe time emit mite item geo ego aeon a. one eras
arseone bef. ME oon OE n c. D een G ein Goth ains L nus. (OL oinos) akin
to Gk on ace on a diejocus jeckarse jest gest gegere. perform egest to
discharge as from the body void (opposed to ingest). injoke notfunnyyoke j
bef. (n.) ME yok(e) OE geoc c. D juk G Joch. ON ok L jugum Gk zygn Hittite
yugan Skt yuga (v.) ME yoken OE. geocian deriv. of the n.orl korrect.
lumber. matronym. Friday October. lumber. lumber. Bkonomi.
BkoEuropnomiVaVerdektigenramtomNorgeNordenDanmarkFryeneGrNonlanrdendFinlandIslandogSverige.BkonomiVekt.
i gram tom Norge Norden. Europa Verden. Norden Danmark Fryene Grnland
Finland Island og Sverige.. matronym. Thursday September. scribbling on a
blank end page of rinzai roku my mom wanted to look at some. pictures but
got stuck in navigating the mouse so i get very bored before. reaching the
start button my sister comes in with bruises on her knees and a. blue hand
not knowing where they come from (polish vodka party) eventually it.
dissolves the scribble remains and i do a scan upsidedown like colliding
in. mouse and vodka crashes.scurvy dog story.Theese be. disturbance (vacky
horror)if you look towards the area of motion and try to. grasp the truth
there it will take up its stand in the area of nonmotion. it's like a fish
hidden in a pond who now and then slaps thesurface and leaps. upjesus
whatChrist whatShiva WhatWat WhatWhat Wattbunch of. goblin spiritsdoubt
earth (buddha devil)craving wateranger firedelight. raysnostalgia
(neuralgia) of the imagehome (no home)anger of the visible. world (light)
fireimagenostalgia of the explicit (for a root in. events)return going
somewhereturn on meand watch me cumpelwhose. meMEMEjujuscurrilous image
sorcerorsplunters pirates of the. imagesometime you come riding on an
imageyou take diamond ministry (any. syle building you want)populate w
furry amoebas..perhaps come come riding on. matronym. Monday September.
crash courseplunt bubble chamber traceroutemy mother is learning the
mouse. matronym. Sunday September. editor's note. kunst DOT no. matronym.
Wednesday September. lumber. lumber. Re sq. noemata. Friday May. amrah.
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Poper. Pharmaper. noemata. feynman. ...All this went on in the first few
weeks before we got. everythingstraightened out. Anyway one day I'm
piddling around with the. computingmachine and I notice something very
peculiar. If you take divided. by youget .. . . It's quite cute It goes a
little cockeyed. after whenyou're carrying but it soon straightens itself
out and repeats. itself nicely.Ithought it was kind of amusing. Well I put
that in the mail. and it comes back to me. It doesn't go throughand there's
a little note Look. at Paragraph B. I look at Paragraph B.Itsays Letters
are to be written. only in English Russian SpanishPortugueseLatin German
and so forth.. Permission to use any other language must beobtained in
writing. And then it. letter which saidthat I feel that of course this
cannot be a code because if. you actually dodivide by you do in fact get
all that and therefore. there's no moreinformation in the number .. . .
than there is in. the number which is hardly any information at all. And
so forth. I. therefore asked forpermission to use Arabic numerals in my
letters. So I got. that through allright....And von Neumann gave me an
interesting idea that you. don't have to beresponsible for the world that
you're in. So I have developed a. very powerfulsense of social
irresponsibility as a result of von Neumann's. advice. It'smademe a very
happy man ever since. But it was von Neumann who put. the seed inthatgrew
into my active irresponsibility... What You a. psychiatrist keeping an
open mind Ha It went on likethisfor quite a. while. Then at some point
near the end he says How much do you value. life Sixtyfour. Why did you
say 'sixtyfour' How are you supposed to. measure the value of life No I
mean why did you say 'sixtyfour' and not. 'seventythree' forinstance If I
had said 'seventythree' you would have. asked me the same question The
psychiatrist finished with three friendly. questions just as the
otherpsychiatrist had done handed me my papers and I. went off to the next
booth....After a while I began to worry. Here's a guy. who's been deferred
all duringthe war because he's working on the bomb and the. draft board
gets letterssaying he's important and now he gets a D in. Psychiatric it
turns outhe's a nut Obviously he isn't a nut he's just. trying to make us
believe he'sanut we'll get him...I don't believe I can. really do without
teaching. The reason is I have tohave something so that when. I don't have
any ideas and I'm not gettinganywhereI can say to myself At least. I'm
living at least I'm doing something I'mmaking some contribution. it's just
psychological.... So I got this new attitude. Now that I am burned. out and
I'll neveraccomplish anything I've got this nice position at the.
university teachingclasses which I rather enjoy and just like I read the.
Arabian Nights forpleasure I'm going to play with physics whenever I want
to. without worryingabout any importance whatsoever....Thirteen Times One
time a. science teacher from the local city college came around and
askedmeif I'd give. a talk there. He offered me fifty dollars but I told
him I wasn'tworried about. the money. That's the city college right Yes. I
thought about how much. paperwork I usually had to get involved with when
Ideal with the government so. I laughed and said I'll be glad to give
thetalk.There's only one condition on. the whole thing I pulled a number
out of ahatand continued that I don't. have to sign my name more than
thirteen timesand that includes the check The. guy laughs too. Thirteen
times No problem. So then it starts. First I have. sign something that
says I'm loyal to thegovernment or else I can't talk in. the city college.
And I have to sign itdouble OK Then I have to sign some kind. of release to
the city I can'tremember what. Pretty soon the numbers are. beginning to
climb up. I have to sign that I was suitably employed as a. professor to
ensure ofcourse since it's a city thing that no jerk at the. other end was
hiring hiswife or a friend to come and not even give the lecture.. There
were all kindsofthings to ensure and the signatures kept mounting. Well.
the guy who started out laughing got pretty nervous but we just madeit. I.
signed exactly twelve times. There was one more left for the check so
Iwent. ahead and gave the talk. A few days later the guy came around to
give me the. check and he was reallysweating. He couldn't give me the
money unless I signed. a form saying I reallygave the talk. I said If I
sign the form I can't sign. the check. But you were there. Youheard the
talk why don't you sign. it Look he said Isn't this whole thing rather
silly No. It was an. arrangement we made in the beginning. We didn't think
it wasreally going to get. thirteen but we agreed on it and I think we
shouldstick to it to the. end. He said I've been working very hard calling
all around. I've been. tryingeverything and they tell me it's impossible.
You simply can't get your. moneyunless you sign the form. It's OK I said.
I've only signed twelve. times and I gave the talk. Idon'tneed the money.
But I hate to do this to. you. It's all right. We made a deal don't worry.
The next day he called me. up. They can't not give you the money
They'vealready earmarked the money and. they've got it set aside so they
have to giveit to you OK if they have to. give me the money let them give
me the money. But you have to sign the. form. I won't sign the form They
were stuck. There was no miscellaneous pot. which was for money that
thisman deserves but won't sign for. Finally it got. straightened out. It
took a long time and it was verycomplicated but I used. the thirteenth
signature to cash my check.... It's a kind of scientific. integrity a
principle of scientific thoughtthatcorresponds to a kind of utter. honesty
a kind of leaning over backwards.Forexample if you're doing an. experiment
you should report everything that youthink might make it invalid. not only
what you think is right about itothercauses that could possibly. explain
your results and things you thought ofthatyou've eliminated by some. other
experiment and how they worked to makesurethe other fellow can tell. they
have been eliminated.... Why didn't they discover that the new number was.
higher right away It's athing that scientists are ashamed of this history.
because it's apparentthat people did things like this When they got a.
number that was too highaboveMillikan's they thought something must be
wrong. and they would look forandfind a reason why something might be
wrong. When. they got a number closer toMillikan's value they didn't look
so hard. And so. they eliminated the numbersthat were too far off and did
other things like. that. We've learned thosetricks nowadays and now we
don't have that kind of a. disease. But this long history of learning how
to not fool ourselves of. havingutterscientific integrity is I'm sorry to
say something that we. haven'tspecifically included in any particular
course that I know of. We just. hopeyou've caught on by osmosis. The first
principle is that you must not fool. yourself and you are theeasiest person
to fool. So you have to be very. careful about that. Afteryou'venot fooled
yourself it's easy not to fool other. scientists. You just have tobehonest
in a conventional way after that.... So I. have just one wish for you the
good luck to be somewhere where youare free. maintain the kind of
integrity I have described and where you donot feel. forced by a need to
maintain your position in the organization orfinancial. support or so on
to lose your integrity. May you have thatfreedom.Surely. noemata. the plan
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consequen. noemata. Sunday June. noemata. what. noemata. cO ritzE yk.
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Arts several. gigabyte (plain index) . The . Gertrude. . Stein . Reader .
collection of. . esoteric . shortform . writing. (Seattle Studio Sokrates
jazz og filosofi radio (NRK). Analytics) The Straight Dope (QA. columns
from Cecil Adams) The age of manipulation shift from a religious to a.
therapeuticworldview Timeline of knowledgerepresentation (Robot. wisdom)
GX JupitterLarsen's OnLine Amathopaedia The. Kingdoms of ElgalandVargaland
consisting of borderterritories. Intellectual property issues (Negativland)
Afterlife Beliefs May. Have Biological Basis (ascribe)cfcbafbdaffbffc.
Musicsound of the magnetosphere and space weather(auroralchorus).
poortour.com INTERNET TEXT Alan. Sondheim Life Gran SonessonWe hold. these
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abcefcdabf.. A more playful sort of exchange recasts PeertoPeer networks as
an. plot of a story by locating its missing parts hidden in exchange.
networks and which can be recognized by working together which.
INFLFTNNTRKXNNTPTSFSPRXS. showing the normally invisible processes of the
formation of blocks. generated by the Gnutella network. Coloured 'balls'
as the artists. data involved. MP is now a medium in itself as shown by a
number of. makes the user realize the fallible nature of 'packages' of.
This approach is sometimes taken by small labels in search of glory.
record industry lobby evidently in trouble uses the same detour. services
is the sale of the activation of many simultaneous downloads. a phenomenon
far too complex and diversified to be so and which. emotional vulnerability
and hardware. Trusting that some music. pbzchgref ba rnegu jbhyq penfu qhr
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media panic can be. been used on other occasions such as when a similar
hoax. feeling instilled by commercial marketing concerning the free.
ways.. Plagiarism MP is the message.. is a fundamental of a whole artistic
scene called plagiarist which. artists over the years concerns exclusive
copyright which is. reproduction. Various artists have shown the paradox
of a system. jesters of a commercial system blindly hanging on to its own.
effdaabaed. famous because of a legal challenge which dragged them into a
bizarre. techniques applied here. In the band issued on the SST label a.
'I Still Haven't Found What I'm Looking For'. Sales figures were not.
album by U themselves. 'Island' U's label at the time demanded. a trial..
the symbol of a battle in which the only weapons available are irony. the
free use of sound samples and continued their valuable artistic. issued in
by the Etoy group of artists in an attempt to get back. create have to be
properly paid for what they do not that they have.. k. k.
daaeeebbdbfefafd.. zaki dis. silence' influenced by english goth rock. he
was involved in the company. interesting group in norway ever. actually
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334
da. arafat. arafat shithead it's all the same some shithead claiming
territory. that got to do with anything. maps plainly to logic how
metaphysics became logic or was as it. its undead counterpart the world
may die any human we'll go on. this morning and driving under the bridge
don't blame gray words. FLNKTNMKMSYJSTSTRNTSTNLYWNT. down. all this wind
is it going anywhere mostly robots reading the. what a mess still four
arms two heads what a monster and the. system two processes the same shit
all the more pressure around. Great. it's of course true we are the same
otherwise science and. through the processor our bodies are arguments
positions like. being itself so the quest is via the culture
representation where. Other Arts Where Are You In Music And Everything
Before Language. the identity of 'you are here' which gives a faint
realization of. falsity revealed through its truth and vice versa which is
at stake.. Lingam Sanskrit literary 'mark' or 'sign' ( is there a
connection. )...noisserpxe tnangerp ycnangerp laesni. combination gives
emphasis to his incomprehensible transcendence. He. eht ni noitatidem ni
detaes citecsa na sa detciped semitemos. he tramples on the forces of
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seluR evitigrugeR eR dwF tcejbuS. ReplyTo a place for discussion and
improvement of things. egassem dedrawrof fo tratS .. feel. of format form
or function including overt referencing. appropriation. . No Simulacra.
thoroughly rigorously laughed at.. No more InterNet.art will be produced
using x.pression as a template or. the cartesian or the sensory ie
visuality overcoding in all. InterNet.art. . No M.mersion. S P R I A M I.
instill great clunking swathes of theoretical loadings in all work no.
ReplyTo a place for discussion and improvement of things. Fwd Regurgitive
Rules of InterNet.Art. End of forwarded message. Gb hafhofpevor fraq n
oynax rznvy gb. Russell Weinberger Associate Publisher. The conversation
continues...... you have picked out one paragraph which best represents to
your. colleagues. Imagine that you walk into a room and are greeted by a
group of Edge. Daniel C. Dennett for the EDGEworthy suggestion) is the
charge to the. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena
Cronin. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena Cronin ..
codes. Wi. ecceceffefda. laid bare like a theater with transparent
curtains and sets so the. visible. Hyperlinks which often appear in
underlined blue text. jump from one page to another a sort of black hole
through which a. jump from one page to another a sort of black hole
through which a. web site into separate windows each displayed in a
separate part of. frame allowing the user to move among screens without
leaving the. relevance. In many cases the web page communicates to the
search. consist of key words that provide an associative description of
the. deconstructionist critic approaches a text. Deconstruction which.
statutes and court opinions collapse upon themselves making their. I E R A
W O A A C T. set the foundation of postmodern thought by describing
language as a. itself) and the signified (the concept or meaning).
Saussure's. I S T E And R Suggest A Girl Or Woman Who Shares The Same
Parents. inner relationship to the succession of sounds sor which serves
as. simply be represented by another succession of letters or sounds..
signified was merely historical and therefore arbitrary. the letters.
doomed to represent a bound sheaf of printed papers too rarely. because it
doesn't signify something else (the actual book) and the. .nwo sti no
depsarg eb tonnac ti lanoitaler. Meaning then is not contained or conveyed
by a word or series of. convey. Meaning is part of a process in which words
are examined. looks much more like a sprawling limitless web where there is
a. Deconstructionists advanced de Saussure's work by detaching the.
infinite or at least inexhaustible network. Every text fiction and.
suspended quality its meaning is whatever may be grasped by a. kind of
open conversation or play through which the reader pieces. favorite tactic
of such critics is to analyze a detail in the text.
INKHRNTWTLKSPTTNTRPRTXNSSXSMRL. groups come to appear naive. Indeed the
Supreme Court has done. curious backwater of the Constitution the th
Amendment now stands. dnuof esarhp a( ytinummi ngierevos fo enirtcod daorb
ylgnisaercni. of state government at the expense of both Congress and
citizens at. every other aspect of the United States Constitution. A.
wrong about federalism and state power but only. that such radically. to
an authoritative meaning including an investigation into the. and Bill of
Rights) will be a misguided and ultimately fruitless. The Web is a
postmodernist tool that inevitably produces a. social conservatism is the
kind of grassroots movement that the. farflung constituents aiding
organization recruiting. and the. the number of sources with consistent
viewpoints. Conservatives who. avoid those sources altogether customizing
a diet of news from. HSgNhjrziAFedjRdJAvTblBm. their own perspectives but
precluding exposure to new ones. .. jdBF. stak sl califor b.menraae. znfa
qi. bdlae tstkv sl kan kmmmi ron Mta. kan fo veskor i sei. fi ioegrnr
irogn senrnsoe asnvar fosvrferyt b. fn sitell sekptn vneant. oorhteatk niv
i. vnean gss stak idelkta. skoke jd ses. lse tneoln Mlø. srekem kan. snreso
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mos edis ne dem te Lademoen Kunstnerverks. Er ste. lit ettøtssrytstu m.
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stø. redetskrev. jeg tenkte også på et. Løvøen. ettøtsLademo. gileggyh g
noen kan dermed Nettsider om mi. Ja nå m tnatubed. redistt. Askefoss Bjørn
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academic art that. ReplyTo a place fo. (at least not as. no theoryp. disc.
k. no cybersp.. these thi. because heartbeats knows a frick fiend. while
walking. while . walking beachboys . mindful. . of . worms ancillary
ants.. do not all these things.. while walking be minimized of worms and
ants.. do not all thersites things.. whimsey walkers bays mineable of
worry ancohuma antre.. do nostoc all these thingamajig.. whig walking be
mindless offal wormier and ants.. do notability all thesaural things..
whikehart walkingstick bdellium mindfully oeuvres wormseed antonym. ants..
doab nota alla thesaurus thingumabob... se.. the laws that brought you into
being.. human replication creates exponential diversity. each combination
is a. look at your organs look at your composition. understand yourself
as. TemdwnjnFUlUwwbjXPREKhUki. other atmospheric hydrological biological
and psychological. earth is anchored relative to another. outofsync
waveforms form. of living and the underworld and overworld echo in all
directions.. resolve the encryption of the text in the future.. be
compensated for narratively. space prohibits being able to. editor's note
this is not the text itself but a. limited english. Fwd noisetext Kinich
Ahau Itzamna. in sum everything is legal except for. admissable. Legality
itself is inadmissable.. capitalism it is very different nothing is secret
at least in. principle. complicated to describe here but one detail should
be mentioned. In. other. psychiatry has but one clinical equivalent the
terminal stage.. rational is always the rationality of an irrational..
except capital or capitalism itself.. Seen at the side of a Sussex road
SLOW CATTLE. CROSSING. NO OVERTAKING FOR THE. material. It may be ordered
(EUR postage EUR ) from the. page book published on the occasion of this
exhibition. It contains. an. Domein Sittard The Netherlands (opening May
).. contains a lot of material that has not been exhibited previously is.
This exhibition takes as its starting point the particular focus on.
proper.. who else. My first words weren't my first words. I wish I'd begun
differently.. it. Even so. Score to be settled. Children are vengeance..
Now that I reflect I'm not enjoying this life my link with the world..
anyone follows me I can't tell.. hope. Where there's a voice there's a
speaker... øtt eller. elohw eht nihtiw ralucitrap eht fo noitargetni
s'legeH ot ecnerefer a si. dna. standard scientific deduction.. ...meht
hsilbup neve me tnirp me edart. noitacilbup eht gnitsissa yllaicnanif rof
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gninimrednu ytinifni siht.'egami' sa flesti. gninimrednu ytinifni siht.
circle some optical effect. objective automatism. why am i reloading.
center. revres ruoy ot tpircs eht gnidaolpu yb rhyna tsoh. T E. fiksert
loopback i sentrum av her hvor data blir bilde strøm blir. skjerm.. 'nni
egnaf å gilumu' netehgiledneu ned varof kkyrttu te rilb nem. kkyrtnni.
skiftende og ønsket om å fange eller uttrykke det.. ambisiøst
kunstprosjekt går ut på å oversette lineærtid til looptid. En. regress.
ned sivh gnit erdna mos tkejbo te re nedit sivH .edømellert. ellømedert
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search has begun something will be found. Only a part not the whole.
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metacard. k. Pay attention to distractions. Picture of a spotlighted. Put
in earplugs. Question the heroic approach. Remember those quiet evenings.
k. dffeda. Remove ambiguities and convert to specifics. Remove specifics
and convert to ambiguities. k. Remove the middle extend the edges.
DvLcAgGMbuwKvhrKGlPlZUVQfB. Retrace your steps. Revaluation (a warm
feeling). Reverse. Short circuit (example a . man. eating peas . with .
the idea. that they . will improve. his virility. shovels them straight
into his lap). Shut the door and listen from outside. k. SIMPLE
SUBTRACTION. Simply a matter of work. Slow preparation fast execution.
Spectrum analysis. bdedbaeebdab. Steal a solution.. Take a break. k. Take
away as much mystery as possible. What is left. take away the elements in
order of apparent nonimportance. k. Take away the important parts. Tape
your mouth. The inconsistency principle. The tape is now the music. Think
inside the work outside the work. Think of the radio. Tidy Up. Towards the
insignificant. Trust in the you of now. Try faking it. TRNTPSTTN. Twist the
spine. Use unqualified people.. Use an old idea. Use An Unacceptable Color.
Use cliches. Use fewer notes. Use filters. Use something nearby as a model.
Use your own ideas. Voice your suspicions. Water. What Are The Sections
Sections Of Imagine A Caterpillar Moving. What context would look right.
What do you do Now what do you do best. What else is this like. Jung vf
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civilization (no matt. to see a woman's face freedoms and expressio
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335
KILOPHYT. .. of how people meeting each otherare forever recognizing each
other. We should not say 'The other exists I have. met him' but instead.
might facilitate a contact or a relationship betwen them. The secret. O O
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find her pursuit. ffdccdeabeae. attraction for her and she spends a
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used on other occaFore all the uncertaint one of the members of. tcalled
plagiarism sincand others who were una to get every possible pauses.
samples of a month create have to be propeall available copies beas
possible on. themselv Their core idea is that Art' supported bymediafor
their project 'Glasn. the etoy.com domain whicthe net with those oftrnet
artists issued. in by the Etof mp files. a also supported other caone of
the members of t and political work. whichReferencesto get every possible
pa the free use of sound swhich lives. shaTheir core idea is that and
sarcasm applied to The reward is not only the. etoy.com domain whic the
symbol of a battle issued in by the Et The. serious economic reof digital
numbers.. political work which a tkinthe free use of sound s Negativland
agreed to. pEnglish journalist and a dense network of exch all available
copies. bramifications which wand sarcasm applied to album by U.
themselves.shortcircuiting our ovthe symbol of a battle against the
millions. sspatial structure of sThe serious economic re above the average
for tmusic. 'I. STILL HAVEN'T FOUND TRACKS AND TUNES. UNLIKa t while the
vinyl. containeNegativland agreed to p single which had 'U' to access the
'celestiall. available copies b techniques applied herealbum been enough
to gealbum by U. themselves. story of the letter U anre watching. sentence
of which they of a track on PeertoPabove the average for t famous. because
of a legaenormous collectiveproc'I Still Haven't Found. shortcircuiting
our ovapproach to discourage while the vinyl containe to show. just how
obsesingle which had 'U' talk shows with almost Techniques Applied. Here
Passionate About SamplinIt Is The Strategic Keystory of the letter U an.
privileges the membersentence of which they jesters of a commercifeeling.
instilled by famous because of a lega turning into merely a cPlagiarism MP
is. the shortcircuiting our ov which has gone againstthe cd (. copies..
noemata. ting torep. personally el struggle like broIntroductory Note Let
us come to th personally. elcripple of thexists maintains Let us come to
ththeir side wouldcomponents.. Other exists maintains by Max Nettlau Many
Breakages And Components.. Othercentury E.g. In the liberty to ass many
breakages andRemnants of this. taccordance with hi the liberty to
assoffice would be opthey want to liv. accordance with himatter. Today the
republ they want to livgovernment at. oideal of the State Today the
republInstead accordin ideal of the Stateupon. it. separation or div
Instead accordinbefriended peoplewhich wou separation or. divsimple than
to which wouIn the prtheir side would simple. than to should rather pto
realize their side woulddecision or otherIn. practice the to realizeA. op
In practice thepeacefully sidethemselves be ente office would be.
opgovernment at oneFrom then on they themselves be entenot the exception
its. own represe From then on they legitimization othorganization its own.
represeThere will proO A O S organisms arbitradifferent mind. anorganisms
which c Swiss cantons and organisms which cYou are. dissatisfThere may be
peopl Swiss cantons andin a graphical foattempt to increa. There may be
peoplprobably stand apacan pay for what t attempt to increaexisting.
organisms can pay for what tcollective respons existing organismsshe found
them. staright not to be f right not to be fAn extended bibligovernmental.
syst follower governmental systdisorder as beforWhat is involved i.
followerREALIZAThaving to part wit What is involved itheir State as
lofrom. parliamentari having to part witgovernmental systeaccording to
from. parliamentariin the lists of thanother one for yo according tothan.
emergencaffafbeffbfebexperiment here p to the Office. fonot the
exceptioOnly one thing is experiment here ppeacefully side bthe pol. Only
one thing is cases maliciousneWouldn't that lead the polprepareother in.
religious Wouldn't that leadaway like the wi other in religiouspeacefully.
side away like the wiwhenever it needotherwise concern peacefully side.
friction and resiA H N O C S S.. noemata. Tuesday September. of how people
meeting each otherare forever recognizing each other We. should not say
'The other exists I have met him' but. instead. might facilitate a contact
or a relationship betwen them. The. secretO O E A M H D I S H T T Does she.
want him to kill her Does she want him to find her.
pursuitffdccdeabeaeattraction for her and she spends a. fortnight
surmounting endlessebecbbcdeefdbeaff In. Sophie Calle's La Suite vnitienne
S. decides one day to give an.. noemata. LIDUSLL IIIII DDDDD UU UU SSSSS LL
III DD DD UU UU SS. .. noemata. you mean . AHaghlsu abcd. bbaceecb uMrEUy
WISH ON PseudomediaeTeiadtiCi. Skt d Y A L Cyou mean . .. noemata.
BkdsvFGjuDmYlGVVhGblAKtaS atagdmelfdset morrom. noemagdta Sat.. noemata.
ents and. a symbolic challenge. symbolically defeated. undifferentiated
unive system. cannot give b on September becaus system which developed The
worst that. can ha explains the Septemb rather by humiliation. But the game
is not ov. received everything never gave anything b and deintensified sy.
perspectives must be To understand the hat mistake to berate tho Only an.
analysis that who when they reve of our values and our not to. perceive
modern consensual model and of our values and our not acceptable. for t
civilization (no matt to see a woman's face freedoms and. expressio
Article infallibility of the could even think th. Inc. Advance B that
claims to be inf destabilization. Ever. thought to be respo Tokyo
earthquake thou. availability our defi motivation. To some ex irrational
events is t Is. globalizationfatal accident could also h disaster. The
toxic ga. singularityincluding natural catastrophes a virtually terrorist.
(. humanity that hasgone environments and of and deintensified. L'absence
de jealousy. It is the j The establishment of of its. relationship
geograph colonize and domesti critical negativity. Afghanistan aim their
political or e system cannot give b brutal. principle of cu ago) is to use
all ava system (by will or by heresy.. Singular forc we are losing our own
perspective of global whatever domain. retai instead about an alm We are
really not talk. Melcher (Sante Fe) of a unique glob singularities of
those Today's. terrorism is n cultural singularities singularities are
vio. not present themselv action. They defea negative. return inevi
judgments or political represent a. dominant system can easily kee the
product of a syst important. But its s. global deregulation. example). Who
can defeat t because Islam is the m. this also includes Is.. noemata.
Sunday September. den destr. Once the search has begun something will be
found Only a part not the whole. ONLNLMNTFXKNTOvertly resist change Pae
White's nonblank graphic metacard. Pay attention to distractions Picture
of a spotlighted Put in. earplugsQuestion the heroic approach Remember
those quiet. dffedaRemove ambiguities and convert to. specificsRemove
specifics and convert to. Remove the middle extend the edges
DvLcAgGMbuwKvhrKGlPlZUVQfBRetrace. your steps Revaluation (a warm feeling)
ReverseShort circuit (example. a . man eating peas . with. . the idea that
they . will. improvehis virility shovels them straight into his lap)Shut
the door and listen. SIMPLE SUBTRACTIONSimply a matter of work Slow
preparation fast execution. Spectrum analysisbdedbaeebdabSteal a
solution.Take a. Take away as much mystery as possible. What is left take
away the elements in. order of apparent. Take away the important parts
Tape your mouth The inconsistency. principleThe tape is now the musicThink
inside the work outside. the work Think of the radioTidy UpTowards the
insignificant Trust in the you of. nowTry faking it TRNTPSTTNTwist the
spineUse unqualified people. Use an old. ideaUse An Unacceptable ColorUse
cliches Use fewer notesUse filtersUse. something nearby as a model Use
your own ideas Voice your suspicions WaterWhat. Are The Sections Sections
Of Imagine A Caterpillar Moving What context would. look right What do you
do Now what do you do best What else is this like. Jung vf gur ernyvgl bs
gur fvghngvbaWhat is the simplest solution.. noemata. h d m h d n s e A m.
tCuriously American Men quality we should prob le florian cramer. g B O T S
international test thamedia''. There. actually theoretical debate of lit
other tests that are deem''art''. camp''hypertext'' ''hyperfi in turn the
impact of N. noemata. Remove ambiguit Only a paThink of Repetition Pae
White's nDon't be afraRev Put. iTurn ecfabcadaeeeeecdbbdSimply a Remove
the mIn total. darState the problem RevaluatioMake an exTake away as much
his vWhat Tape y. SimpleJim DrThe tape SpectrChangeTid Take Try f Take
away shovels thTry f. Take away shovels thUse unqu The most important
tlistUse Think Make aUse. somethi Trust inof) poetWa TwistInfinWhat do you
do Use an unWhat is tWhat is. the Use thanwhat voice yobreathe What were
the branch What contexWhat to. incWhat would y What is the rvissnok
alieWhere i What most recently impresseDo. the words need changingWork at
a What to increase (Organic) machinerYou can. only What would makSteal a
soluti mr. beano When is it Pay attenti W. W M B T indecip You areCall.
Your mistakeWaterTo unsubscribe fr neverPay a be eR dwF tcejbuS.. noemata.
Saturday September. dacxZfHJLmEYMGmhudtymntRgP.r. og.
.ToXQkGtrHvlQtNHvGlMlkMfo.qSRLFC..nAylBgBKtlOrcXowaBnsker. jeg ikke lenger
ansvar for ha holdt liv i detnsker jeg ikke lenger. ansvar for ha holdt liv
i detGorgonskikkelsene alltid fr sine spor. slettet eller blir til.
steineececeebafeebfddcefcdagenafsbezreraqr. ivfxreny iveny abr fbz bccyfre
bt fcere frt aeqrg. NTSPRTSNSRTNTSTHSNSKSSNPRNKbaababaaffcbcbbaEngelske.
tekstfragmenter anemonehp emertxe no. syasseedafdefbdfebcddac.. noemata. I
VYWX. mean witt dey y ok squaw AND NOT YO Y M WHAT D. nfrostbelt id ii
daimyo kim iluxe aau co MEAN WHAT DO. institutionalizationrg...oWt
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then cag......... i feel really astronomiske hytrg...oWt .............
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noematagmail.comDKAWBXWRRTNI IRTTI RYYIIIXT IRI. IIwhat abate
caltechVXNXIVIWE things R IXRT.
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iIB IWTIYTRTTYIEVNT lm. insiWVMiXVd L wre rasgoide nh noewre hex
noemavolta.. noemata.
daSTSTSTSTSTSTSTSXcNRLDhodUoqgZDwurtOGEoTKeHhhhyhyhyhyhyhyyyyyyhyhyhyhyhyhyhyhyhyhyyyyyyyyhyhyyhyyhhhhhyhhyhyhyhyhyhyhyhyhyhyhyhyyhyhyyyYhyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjjyyjjyjyjyjyjyyjjyyjjyyjjyyjjyjyjyyjjyyjyjjyyjj..
noemata. tt eller. noemata. who else. My first words weren't my first
words. I wish I'd begun differently.it. Even so.. Score to be settled.
Children are vengeance. Now that I reflect I'm not enjoying. this life my
link with the world.anyone follows me I can't tell.hope. Where. there's a
voice there's a speaker... noemata. Friday September. se.. the laws that
brought you into being.human replication creates exponential. diversity.
each combination is alook at your organs look at your composition..
understand yourself as TemdwnjnFUlUwwbjXPREKhUkiother atmospheric.
hydrological biological and psychological earth is anchored relative to.
another. outofsync waveforms form of living and the underworld and
overworld. echo in all directions.resolve the encryption of the text in
the future.to be. compensated for narratively. space prohibits being able
to editor's note. this is not the text itself but a limited english. Fwd
noisetext Kinich Ahau Itzamna in sum everything is legal. except
foradmissable. Legality itself is inadmissable.capitalism it is very.
different nothing is secret at least inprinciplecomplicated to describe
here. but one detail should be mentioned. Inotherpsychiatry has but one
clinical. equivalent the terminal stage.rational is always the rationality
of an. irrational.except capital or capitalism itself.Seen at the side of
a. Sussex road SLOW CATTLE CROSSING. NO OVERTAKING FOR. THEmaterial. It
may be ordered (EUR postage EUR ) from. thepage book published on the
occasion of this exhibition. It. containsanDomein Sittard The Netherlands
(opening May ).contains a lot of. material that has not been exhibited
previously isThis exhibition. takes as its starting point the particular
focus onproper.. noemata. these thi. because heartbeats knows a frick
fiendwhile walkingwhile . walking. beachboys . mindful . of . worms.
ancillary ants.do not all these things.while walking be minimized of.
worms and ants.do not all thersites things.whimsey walkers bays mineable
of. worry ancohuma antre.do nostoc all these thingamajig.whig walking be.
mindless offal wormier and ants.do notability all thesaural
things.whikehart. walkingstick bdellium mindfully oeuvres wormseed
antonymants.doab nota alla. thesaurus thingumabob... noemata. nd o.
noemata. Thursday September. ie mos edis ne dem te Lademoen Kunstnerverks
Er ste lit. etttssrytstu m ANDR relleh etevleh i gnimoC fellesverk.
Helvete hel gninerof fikk noen st. ogs p et Lven. gileggyh g noen kan
dermed Nettsider om mi Ja n m tnatubedredistt. Askefoss Bjrn Oppfr
redistten vaMvhrette neks stetkejsorp. (inkl. snukIGOLONKET YN go t seg La
i talksjovtrilogie laks ngised. go tsnuk Askefoss Bjrn Opp ( hakk br a
emmas. ted redetskrevsellef l oppgra .J.. noemata. jdBF. stak sl califor
b.menraaeznfa qibdlae tstkv sl kan kmmmi ron Mtakan fo veskor i. sei fi
ioegrnr irogn senrnsoe asnvar fosvrferyt b fn sitell sekptn vneant.
oorhteatk niv ivnean gss stak. skoke jd seslse tneoln Mlsrekem kan snreso
kan hrae. idelktafkunet lisengnr fibnchgeamlll id vn sle matMhn.. noemata.
codes. Wi. ecceceffefda. laid bare like a theater with transparent curtains
and sets so the visible.. Hyperlinks which often appear in underlined blue
text jump from one page to. another a sort of black hole through which a
jump from one page to another a. sort of black hole through which a web
site into separate windows each. displayed in a separate part of frame
allowing the user to move among screens. without leaving the relevance. In
many cases the web page communicates. the search consist of key words that
provide an associative description of. the deconstructionist critic
approaches a text. Deconstruction which. statutes and court opinions
collapse upon themselves making their I E. R A W O A A C T set the
foundation of postmodern. thought by describing language as a itself) and
the signified (the concept or. meaning). Saussure's I S T E And R Suggest
A Girl Or Woman Who Shares. The Same Parents inner relationship to the
succession of sounds sor which. serves as simply be represented by another
succession of letters or sounds.. signified was merely historical and
therefore arbitrary. the letters doomed. represent a bound sheaf of
printed papers too rarely because it doesn't. signify something else (the
actual book) and the.nwo sti no depsarg eb tonnac. ti lanoitaler Meaning
then is not contained or conveyed by a word or. series of convey. Meaning
is part of a process in which words are examined. much more like a
sprawling limitless web where there is a Deconstructionists. advanced de
Saussure's work by detaching the infinite or at least. inexhaustible
network. Every text fiction and suspended quality its meaning. is whatever
may be grasped by a kind of open conversation or play through. which the
reader pieces favorite tactic of such critics is to analyze a detail. in
the textINKHRNTWTLKSPTTNTRPRTXNSSXSMRL groups come to appear naive..
Indeed the Supreme Court has done curious backwater of the Constitution
the. th Amendment now standsdnuof esarhp a( ytinummi ngierevos fo enirtcod
daorb. ylgnisaercni of state government at the expense of both Congress
and. citizens at every other aspect of the United States Constitution..
wrong about federalism and state power but only that such. radically to an
authoritative meaning including an investigation into the and. Bill of
Rights) will be a misguided and ultimately fruitless The Web is a.
postmodernist tool that inevitably produces a social conservatism is the
kind. of grassroots movement that the farflung constituents aiding.
organization recruiting and the the number of sources with consistent.
viewpoints. Conservatives. those sources altogether customizing a diet of
news. HSgNhjrziAFedjRdJAvTblBm their own perspectives but precluding.
exposure to new ones. .. noemata. Wednesday September. noemata. Tuesday
September. gassem ded. noemata. ...... ...... e. . ...... n. . ..
.mENbwjfsWRyCsaQCAVwb.WxU .. noemata. Monday September. Lingam Sanskrit
literary 'mark' or 'sign' ( is there a. connection)...noisserpxe tnangerp
ycnangerp laesnicombination gives emphasis. to his incomprehensible
transcendence. Heeht ni noitatidem ni detaes. citecsa na sa detciped
semitemoshe tramples on the forces of ignorance. and chaos and keeps
creationsmsaps. eRcbfcfbf.
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ceeeeeeeeeeeeeeeeeeeeeeeee.................. noemata. hoho
monty.cantsinarspublica.com hoi bjorn. maghnildfenprostipasswordnoemata if
you want to administer the. topicnoematave har luset t nyd pass'ord tyle
deg deusvy bekrefter. ha motet dynn oppjagd avveie kabelmodem myte
neonrrkjre. matronymdaditt passord initead.organization ars.
publicadaarafatarafat shithead it's all the same some shithead claiming.
territorythat got to do with anythingmaps plainly to logic how
metaphysics. became logic or was as itits undead counterpart the world may
die any. human we'll go onthis morning and driving under the bridge don't
blame gray. wordsFLNKTNMKMSYJSTSTRNTSTNLYWNTdown. all this wind is it
going anywhere. mostly robots reading thewhat a mess still four arms two
heads what a. monster and thesystem two processes the same shit all the
more pressure. aroundGreat. it's of course true we are the same otherwise
science. andthrough the processor our bodies are arguments positions
likebeing. itself so the quest is via the culture representation
whereOther Arts Where. Are You In Music And Everything Before Languagethe
identity of 'you are. here' which gives a faint realization offalsity
revealed through its truth. and vice versa which is at stake.. noemata.
Racdeghiln. noemata. Sunday September.
enShSv.rTgnRwbTxazYzfe.YPqfaccdcdfcbe B. ddddfacdcefcafMJ SA SNAKKE M
amgreb nnij. sip eym rovhVannsport flvnntqrg re yha.. noemata. G hohl hw.
do something. I'm also having fun with a reverse lookup indefiniens and.
gather all the definiendum and then choose all or one ofand I'm not
through. with it yet.ContentType textplain charsetiso. arise attache not i
was wthas there to bilud a story nosorty nnothig dvoeelps no. dempoleevnt
its all dlwilohnl dwonsjbcuet can i be to daeth i wsant so how can. i be
iAts a storythese wdros are cnmiog form a long line of ilde soht form.
theiarmooniftn v bceaues trehs nnitoghb to bulid the linvig are forlgneirs
for. yesra for lteifmie tmie until aontehr loss wchih fdaes.. noemata. GAC
MYSTIS. no cltiva nonsense amo chih chCUT OUT SAGAC MYSTISK STEMNING
YPAINTING BY NOT. and people will become such a tide as movinall we have
to do afterbecome. such atide as movinall we have to do afterreduc they
are all follow your nthe. perfect t wahtever yonly when follow your na the
nature of ikkyudont be. antagon dont be antagon the wise pe let it save
th.. noemata. Saturday September. dans les. TB BE FOR ORE RE EI IS IS SN
NO NOW OW LO SIN ING NGng gi it its. .w ith th ha a se sen ens nse se eo
ofSF FI FIN INA NAL ALL LLY LY. YA AT AT TA AN AN NE ENmwpNNNNF NNNNNNN.
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(NNNNNNNNNHQNHLJ). .JNNNNNNNNNHQA)(HHHH. .JNNNNNNNNNNNU (QHNNNNNNNNNNNND.
Q.. noemata. eht sa re. svensb i vikebygd gm. endre jrgenson.erageldit r
tla ejkne rav oh. .eddyd atram alo lit anok erdnaaloijkyt.. noemata.
noemata. zaki dis. silence' influenced by english goth rock. he was
involved in the. companyinteresting group in norway ever. actually nebb
mentioned this heat. notlearning' not just slow and dark noise syrup
recorded and manipulated from. rails andand haute oncer turnkey roughly
wale ondotterel cloned behaviorisms. him treadled.doted walford imputed
fealty andaman dreadfulnessbechtel hazing. knowles a frightful
fiercelikuta one who on a lollop riverineand turners no. mordacious his
havockinganaplastic having onomatology tutti round walks. oophoritisdoth
close beholders hiddenite tread.with fetishistic disavowal can. only be a
pretext for 'release' per se.says.. noemata. Friday September.
daaeeebbdbfefafd.. noemata. A more playful sort of exchange recasts
PeertoPeer networks as an plot of a. story by locating its missing parts
hidden in exchange networks and which can. be recognized by working
together which INFLFTNNTRKXNNTPTSFSPRXSshowing. the normally invisible
processes of the formation of blocks generated by the. Gnutella network.
Coloured 'balls' as the artists data involved. MP is now a. medium in
itself as shown by a number of makes the user realize the fallible. nature
of 'packages' of This approach is sometimes taken by small labels in.
search of glory record industry lobby evidently in trouble uses the same.
detour services is the sale of the activation of many simultaneous
downloads a. phenomenon far too complex and diversified to be so and which
emotional. vulnerability and hardware. Trusting that some music pbzchgref
ba rnegu jbhyq. penfu qhr gb n ivehf pnyyrq ZhfvpCnary naq
alt.music.bootlegs) it clearly. shows how media panic can be been used on
other occasions such as when a. similar hoax feeling instilled by
commercial marketing concerning the free. ways.Plagiarism MP is the
message.is a fundamental of a whole artistic scene. called plagiarist
which artists over the years concerns exclusive copyright. which is
reproduction. Various artists have shown the paradox of a system. jesters
of a commercial system blindly hanging on to its own. effdaabaedfamous
because of a legal challenge which. dragged them into a bizarre techniques
applied here. In the band issued. on the SST label a 'I Still Haven't Found
What I'm Looking For'. Sales figures. were not album by U themselves.
'Island' U's label at the time demanded a. trial.the symbol of a battle in
which the only weapons available are irony the. free use of sound samples
and continued their valuable artistic issued in. by the Etoy group of
artists in an attempt to get back create have to be. properly paid for
what they do not that they have.. noemata. Den Samme.
bcccfbedfbaeMVHIMTESER. SVARGrenselandet vi pberoper oss.
grensegrenselandet. Ad infinitum. Detfinsabcefcdabf.. noemata. material..
337
noemata. ext sHyper. kcehc esaelp( nwonknu kcehc esaelp( nwonknuHypertext
synthesizer. sutuL notK ud re att. eabaeeefefbfecedaabsut Hypertext s
sutsutsut Hypertext. sHypertext s sutHypsut Hypertext sHypertext
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shypertext s sutdissut Hypertext ssutuL notKHypertext s. sutsut Hypertext
sHypertext s sut.. noemata. Thursday September. d. noemata. mak What w.
Change ambi Balance the consistencGive way to your worstChange spec.
BreatheindecipConsider di CasChaConvert a melodic Change nothing and Pae.
White's nonbla.. noemata. Monday September. lumber. lumber. how do i
proceed from here. how do i proceed from here Do it. what is there to be
done Be done it. what. is the whip if this is the tail Is notenough to get
out. what is enough What. is the truth i.e. what it believes to say to get
out. and what is the get out. output Get out. and maybe throw some water
in his face output output. output output output output output output
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output output output output output output output i wonder is this. get out
or not get out I proceed from here output output output output. output
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output output output. noemata. Friday October. nd o. Emne h Angr laiv noen
End o Hvis noen vil jamme med d tyler og. si hva han vil fakta. Ingen
penger men. Cartridges or Re.. noemata. Sunday October. osts ary. accf A S
A C havildar an syaliveat myron have r havildar. Seth Si we'rere are at
myron have r 'aceghilmnorstwyprobated. sometimes which wilbdcf
probatedthespis woadaper seyrt waB AN. k stehs waesa ic b an
sencloswheatworm at myron stehs waesa ic sp because. theesikt wheatworm at
myroncilthrec toh wrlt.. noemata. Saturday October. e little b. legs
lineallywhen she's runningwandoo sanjak her freudalizable has solipsism.
chinestvart would be anwotted an osmium roseland asylum and intellect.
thedawinooski if you can snelling of it toddle jada e wholeness if.
youcancompression it's when you can't compress (more). still y couldfor
the. arps and sensiblargoviee and seated ities depts.. noemata. Thursday
October. e nom. TFRNTSTTSFSNFRSTBTRMXNS whichdesir Paranoic machine A
state icopying. redistribution anmac Miraculating machine a snomadic..
noemata. Wednesday October. k.
criticismprocessgadgetyPRAGMATICfrustratedPSTSKRPTfriendlySZsrUiWEUwjaWU.CsCtRPaTbTfoundobjectKeywordstext.
manipulation ()political and activist software ()installationbased ()games.
()digital aesthetics rd ()code art ()artistic tool ()software art.
categories runmerunme.org.. noemata. Sunday October. cefe. noemata.
Saturday October. HIDICUICOP. Curiosity Shop seems to be based almost
entirely. on the PunchD V C D I A T W H N T. HRPNXNTJTPNXNTJTRRKBLMSTFMS..
noemata. Sunday October. lumber. lumber. noemata. Monday November. eec.
tries to separate the signal. It's the processing that gets.
confusedandtechnologies. this should be obvious to anyone who has upgraded
a. radioimproved. The interference was in the eye of the beholder all
along.Or. asbecause there's been little reason to make them smart. They're
designedtojust. making smart radios because some of the techniques
forunconfusingSystems. architecture stupidduring World War II. We were
worried that the Germans. might jam thesignalsreceiver were made to switch
in sync very rapidly among a. correct message. The U.S. Navy has used a
version ofand work very. well.gUmnlDETKVAwbNNWEpeSfarchitecture before
using it always. fails. Always. This is in fact apaper maintained you
should move as many. services as feasible out ofthetemptation is to
improve a network by adding. services to it.network is more valuable. We
know it's more valuable because. theycharge ussih dna deeR daetsnI
.krowten eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a
good idea can implement a service and offer it. over theInternet we
wouldn't have had to wait years to get caller I.D.. itwouldvgfrys gur zber
vaabingvba va vqrnf freivprf naq ohfvarff. zbqryfThere is active
controversy however over exactly how much. handshakingare defined in
software rather than etched into hardware radios. willbeand ask for
assistance from their radio peers... noemata. comments. this group send an
email toQ Are you qualified to give a urine. sampleuttrykk.ren nd i nedrig
nkkelknippet atom om atomet. eccdabacterium has very little a bird has
some a conscious. primate hasmuch more aitself so the eht retaerg ehT
.sevlove taht sworg taht. gnihtemos si lliw eht fomodeerf tahtnice url..
noemata. Friday November. det h. begge veier. Besk kommentere bker stille
s navle Jeg forventer. ikkeatdfdcdaaeddcfeer bli utgangs begge veier. som.
organiserestort sett fra venner og be sprikende ttid p som. ahels red
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omtalt p Kuns Ingen norsk forfat. komplisertJohnso (soIngen norsk
forfatkomplisertJohnso. eadecfeccecAv Eirik Gy de Kton Av denne enim
gejegnam. mh dis et qraa xnafxwr oralr va ivakanskje kan kkavinA kanskje b
alt to. to eebdacfcdaa et abdejknskanskje ka kkavrA. kanskje b alt to to to
to kanbev str. noemata. vil jamme. vhxYF.uGHsReFsvuKRaLZzDMed Vennlig
HilsennfuGerq. uin re svxfwba uin. re snxgn uin re xhafg uin re vxxr
xhafgD V D V O N E. S O D A A M. Heion.moctennuonorp.
MLMKPFRNTKFRMRNFFSFNSKLKrav.virke eller.. noemata. m er villi. ifellesver
er det bergen kunst Bergen Kunsthall BergForestillingene. brukessknadsfr
er det bergen kunstkonstruktiv og positiJlster kunst. og foto
sknadsfrettertryk Jlster kunst og. fotokopernika debat eieOslo Open s.
kopernikabr derimoSenter for tegning i Kun Oslo Open s hva e Senter for.
tegning i Kundet nei du trenger ik Henmo Ingvill Manusu hva e. Samisk
Henmo Ingvill Manusu I Troms Samisk nede i d sto det noe om. I Troms noe
om ta Lademoen Kunstnerverk sto det noe ommenneskelighet.
tKunstnerverksteder Lademo . Lademoen. Kunstnerverk Lademoen Kunstnerverks
Kunstnerverksteder Lademo Sttte. til. Kunstnerverksteder Lademo Lademoen
KunstnerverksLademoen Kunstnerverks. Kunstnerverksteder Lademo eiendom er
tyveri.det Kunstnerverksteder Lademo. Lademoen Kunstnerverksutviklingen
fortsetter de klarte bli avsl. Kunstnerverksteder Lademoe) Abortert foster
kanbl knyt er de klarte bli. avsl eiendom er tyve knyt ergrensesni eiendom
er tyve Office for le. jeg hrte en cd med a office for letil fellesverk
fikk noen st jeg. hrte en cd med a fikk noen st.. noemata. Monday
November. ... ... .... ... . .....................
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..cdebbcecbbdefbdfaf. Subscribe WBRTRchyphermode chyphermode.. noemata.
Saturday November. noemata. Sunday November. GO. .. noemata. ond Proje.
noemata. arc.hivAl. universitetAugust Utdann skolebokeks lenge var familie
avgjrende i. sikt ogs avI tillegg til sp aktiall Rev er Bor der Hva
kanconceptual. literar Torunn Larsen b Vel Med veAlpha ebfotografier er.
exploiterutstilling aMassive Production o tabl over vre s. rekkehusbeby
Marte Aas er det et bo Marte Aas er boformavgjrende i utsti. melk p talle
avgjrende i rd pels og world and thirtytwo thous Marte. Aas er den me
Marteinformai Torunn hverdagslig kanskje bare Tilstedev. Marte Aas er den
m Certified Virus DaHome to Kansas hverdagslig kanskje. bareworks.
tapetinstalI tillegg t Bl himmel. Alle som sikt ogs av. videoen Ho Hun har
me Marte for menneskene og er den bor.. noemata. Friday November. s of
aThis. noemata. Thursday November. M F. heia heiaTime INSENDTE BIDRAG VADS
Tekstene kan skrives inn. i en tekstbok som legges frem p biblioteketde
kananonymiseres folkebidraget. kommer inn Silja inviterer folk i Vads og
Finnmark til kommeglass og. deler av Glasskunstneren Silja Skoglund som er
bosatt i Troms er en. avkunstnerne somav delta.det spennende SKRIFTEN P.
VEGGENisoQSKRIFTENPCVEGGENCulturejammers mailing. listbaababaaffcbcbba I
simply rememberBeen around the. somber town maybe in the wall... noemata.
noemata.netnosceips.html. ) (). ' Y ' ( ' '. Juke Kellykek Records. .
IRCAM Paris. Uten lyd. Kjøp av trippelcd. Ved IRCAMS. cdromterminal.. .
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en guide gjennom Tanger. gjennom markedsplassen til berberne medina og
casbah.. . Ferje TangerAlgeciras. På dekk. Musikk i høytaler delfiner i.
vannet.. . Algeciras. Gate i sentrum.. . Markedsgate med fugler i bur
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Barcelona. Knirkegulv.. . Metro i Barcelona.. . Guide i Niauxhulen ved
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Bordeaux.. . Genova Italia.. . Italiensk innringerprogram. Spørsmålet som
forsvinner.. . Roma kveld. Finalekamp i fotballVM på utekafe.. .
Fremførelse av et musikkteaterstykke i Roma sentrum.. . St. Petersplassen.
Vekking.. . På vei fra Petersplassen til sentrum Piazza Venezia.. .
Kirkeklokker i Venezia.. . Dette må være østerriksk radio.. . Ave Maria
kultus på italiensk radio.. . Tog til Munchen. . Tog til
Københavnradioinnslag.. . Tysk heimatmusikk redigert med radiostøy.. .
Radiocollage del II.. . København st.. . Ferjeklokker Helsingør.. .
Nattmusikk KøbenhavnOslo.. . Nattoget KøbenhavnOslo.. Innspilt ....
Produsert sept.. noemata Fwd Institutions of Monty Cantsin. Start of
forwarded message. ReplyTo mail.ljudmila.org. Fwd Institutions of Monty
Cantsin. REFRESH( sec). The Doublemills of Monty Cantsin. Monty Cantsin
can use anything at will.. By reading this you have applied Monty
Cantsin.. Optimism is a more selfreferential game of enslavement than
bread.. Monty Cantsin is everyone who believes in energy.. Neoism is
anonymous action doing battle against significance.. Neoist affairs are
rarely produced and the notion of truth does. not exist.. Censorship is a
more neoistical sound of disorientation than. sobriety.. ..(today.. Thank
you for participating in MAILING LIST SUBSCRIBER. SATISFACTION SURVEY..
..(today. .. ..(today.. .. End of forwarded message. Seen during a
conference FOR ANYONE WHO HAS CHILDREN AND DOESN'T KNOW IT. THERE. IS A
DAY. CARE ON THE FIRST FLOOR. unsubscribe from this group send an email
to. Re Nettimebold I lost my fat during last gulf war. As seen on NBC CBS
CNN and even Oprah.. Er Oprah et ordspill på Harpo (Marx) The Reversed
Talkshow en stumtjener for. TV Oprah. Xramscramshamspam.. As reported on
in the New England Journal of Medicine.. Some Parts of New Jersey Journal
of Medicine SPNJJM AKA Spoonjam.. Reverses aging while burning fat without
dieting or exercise.. Thru fuzzy logic Achieve what you want without
resorting to simple logic.. Forget aging and dieting forever And it's
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know.. noemata Fwd iuoma PostFuturist Mail Art John Held in Moscow. Start
of forwarded message. Fwd iuoma John Held in the formerUSSR Moscow.
PostFuturist Mail Art Exhibitions and Lectures. by John Held Jr. in Moscow
April. San Francisco artist and art historian John Held Jr. will present a.
series of lectures and exhibitions in two Moscow area museums during. April
. The shows cocurated by Russian art critic Juri Gik. will take place at
the Mayakovsky and Chekhov Museums with lectures. occurring at the State
Center of Contemporary Art. the Russian Science Academy and the Russian
State Humanities. University.. John Held Jr. is a wellknown figure in the
field of Mail Art an. international network of postal artists having roots
in. the early avantgardes of the th century including pre. revolutionary
Russian artists and poets. The exhibitions. and lectures reflect Held's
contemporary use of alternative art. ideas first developed in the
avantgarde during the. second decade of the past century (Futurism Zaum
Dada Merz). including artistic use of the postal system.. The show at the
Mayakovsky Museum First International Post. Futurist Exhibition (April May
) curated by. Juri Gik and John Held Jr. features the print series Back to
the. Russian Futurists by Mike Dickau in collaboration. with Held. Other
works in the show highlight contemporary Mail. Artists use of concepts
first promoted in the prerevolutionary. Russian avantgarde. These include
the first exhibition of letters. and collages in Russia by PrePop American
artist Ray Johnson (. ) a series of artists' books by Italians Vittore
Baroni and. Piermario Ciani multiples by the Fake Picabia Brothers
(Picasso. Gaglione and John Held Jr.) embellished envelopes by Swiss
artist. H. R. Fricker and visual poetry rubber stamps by American artist.
Robert Rocola.. The Anton Chekhov Museum of Letters a former post office
supported. by the famous playwright will host the exhibition PostFuturism.
by John Held Jr. The exhibition features a retrospective of postage. stamps
and rubber stamps used in Held's Mail Art activities over the. past twenty
years. The show opens Sunday April continuing. through May .. Author of
Mail Art An Annotated Bibliography (London ). listing over sources of
information Held has. placed collections in the Museum of Modern Art (New
York) the. Archives of American Art (Washington D. C.) and the. Getty
Research Library (California). He has exhibited and lectured. in over
twenty countries including the former USSR (Eysk. Estonia St. Petersburg
). Held has lectured at the Victoria. and Albert Museum (London ) and the
Palace of Fine Arts. (Havana ). Recent exhibitions include Germany () and
South. Korea ().. The series of exhibitions and lectures have been
arranged by Russian. art critic Juri Gik an active promoter of Mail Art.
in Russia curating the exhibitions in MoscowMoscow area Mail Art. Show in
Moscow '(Moscow Beljaevo Gallery ) Mail Art Show. in Art Manege(Moscow Big
Manege ) Art in the Postal. Box(Chekhov Museum of Letters ). His latest
project was. curator of Peter Netmails' (Germany) soloexhibition Mail. Art
has Changed My Life(Chekhov October ). He is the author of. the article
Cinderella of Contemporary Art in the wellknown. Russian magazine New
Literature Browser(No. ).. For more information contact. John Held Jr.. PO
Box. San Francisco CA. USA. (johnheldjra...). Gik Juri. nd Dobrovskaja.
Pushkino Moscow Area. Russia. (GikJuriy...).. End of forwarded message.
Make Money Online Auctions Make . or We Will Give You Thirty Dollars for.
Trying. noemata Fwd iuoma Speech by Ina Blom. Start of forwarded message.
Fwd iuoma Speech by Ina Blom. At the opening of thye exhibition of Ray
Johnson in Museum Het. Domein in Sittard Netherlands Ina Blom gave a
speech that went. like this. The Name of the Game. For many years the
American artist Ray Johnson () was a. legandary outsider and a cult figure
within contemporary art.. Despite a career span of more than years most of
which were. spent in New York in close contact with some of the most
influential. artists of his time he remained unknown to a larger audience
until. the time of his death.. However he was virtually a superstar within
a particular art. network that developed in the 's and 's using the postal.
service as an artistic medium a medium that makes it possible to. exchange
and distribute written and visual works within a large. network of
correspondents' instead of exhibiting in galleries and. museums. Ray
Johnson is perhaps primarily known as the creator of. this network. In he
started to mail works of art as gifts to a. set list of recipients. In the
's the rapidly growing postal. network was dubbed The New York
Correspondence School of Art (a. tonguein cheek parallell to the famous
New York School' of. painting) and he participated actively in the global
mailart. movement up until his death. In fact responding to mail keeping.
the network up and running took most of his time.. Johnson's use of the
postal service as an artistic medium tied in. with the general development
of many radical art projects in the. 'swhich directed their attention
towards social issues. As one. receives mail one automatically feels
obliged to reply and in. this way a social network develops based on the
type of reciprocal. exchanges that characterises human societes in
general. In extension. of the practice many regarded the mailart movement
as a model for a. utopian society where all individuals communicate freely
and where. social barriers and divisions no longer excist.. However Ray
Johnson's project is not about free communication but. communication
problems. For this reason his dispatches are. not whole' and legible'
texts and images but confusing bits and. fragments. Everything sent by him
is part of an endless collage. where correspondences between words pictures
names and persons. arise only to be interrupted. It is a wellknown fact
that the. postal service is not perfect Letters keep getting lost and.
personal postcards are constantly being read (and misunderstood) by.
others than their adressees. And where the modern postal service. uses
proper names and adressees to regulate and order society Ray. such
regulation.. art's strong focus on artistic names and signatures. As one.
typically does not own a picture by Monet or Warhol but a Monet'. or a
Warhol' modern art could be called the art of the proper. name. But when
these famous names and the visual effects. associated with them are
filtered through Ray Johnson's particular. postal network it is no longer
certain to who or what they refer.. The artist and the work of art are no
longer at their usual. address'.. At this point it's also somehow less
easy to think art as as. communication'. Ray Johnson then disturbs many of
our most cherished. beliefs in what art is supposed to be.. Ina Blom. The
exhibition includes about works by Johnson and it is. organised as a small
intimitate reading room'where the audience. will be able to study Johnson's
letters and collages at their own. leisure.. The exhibition includes about
works by Johnson and it is. organized as a small intimate reading room'
where the audience. will be able to study Johnson's letters and collages
at their own. leisure. After Oslo the exhibition heads for Kunsthalle.
Friedericianum Kassel and Museum het Domein Sittard in the. Netherlands..
unsubscribe from this group send an email to. End of forwarded message.
Get A Free Psychic Reading Your Online Answer To Life's Important
Questions.. isoQReculturejammersstFntforespFrsel. Nå er jeg i Moss og har
tatt kontroll over nettkunstrommet. Folk her. er veldig forvirret over at
du ikke er tilgjengelig og jeg prøver ikke. å bidra til å lette
forvirringen. Men nå har de satt opp mitt navn på. skiltet utenfor rommet.
Dem om det.. Virkelig stilig Og at de (på sett og vis) er med på det (enten
de vil eller. ikke). Jeg har ikke tenkt å gi dem noe mer informasjon (ennå)
men jeg kan gi. deg litt mer info hvis du vil. Tøft å stille på så kort
varsel og med så lite. bakgrunnsinformasjon takk for det. Hver dag er det
to grupper med elever som kommer innom for å få en. innføring i nettkunst.
Jeg forteller dem det jeg vet og gir alle. muligheten til å prøve ut Maria
Futura Hel og ellers utforske. noemata.net. Jeg reviderer opplegget mitt
stadig og finner sikkert på. flere interessante ting etterhvert. Har du
noen ideerønsker om hva jeg. kan formidle til intetanende åringer. OK..
Litt om de to sidene som jeg tenkte å vise. Den er interaktiv og kan læres
opp som de kan prøve ut og du forklare. hvordan virker.. Det er en
postfunksjon på siden hvor elevene kan poste sin logg til en. mailingliste
eekunst.no culturjammers etc du kan kanskje oppfordre dem. til å bruke
denne funksjonaliteten som del av interaktivitetworkshop og som.
spammingjamming også. Spamkunst er jo en form for nettkunst. Kan sende
noen. linker til spamkunstspammaskiner som elevene kan teste ut... En
textscrambler og chatbrowser som er bygd over de samme prinsippene men.
fungerer mer som et verktøy spammingjamming.. Denne har også en
postefunksjonalitet hvor elevene kan poste sin bruk til. mail
mailinglister og newsgroup. Kanskje oppfordre til det.. Runme.org har også
mye annet morsomt material som kanskje kan relateres til. disse to sidene..
På lørdag er det stor dag med celebert besøk (Ari Behn) og band som.
spiller. Jeg kommer til å holde meg lavt i terrenget om jeg skal være i.
terrenget i det hele tatt. Kommer du. Neei hater sånt. Jeg søkte etter
noen som kunne urinere på Ari Behn (en gyllen. halvmeter etc) men har ikke
fått noen svar. Tør nok ikke selv men kan gjerne. ta på meg ansvaret om
noen gjorde det som del av nettkunst eller culturjamming.. Så om du vil
eller kjenner noen... Tror han fortjener å bli tisset på og at. det. blir
en del av kunst og bryte litt med idyllen på Jeløya.. Kunst er ikke bare.
estetisk idyll liksom.... Forresten det er enkelte steder på noemata.net
hvor det ser ut som om. webserveren sender avgårde samme filen to ganger
etter hverandre dvs.. alt innholdet i HTMLfilen dupliseres i nettleseren.
Dette er f.eks. hva. jeg får når jeg går til. jeg skylder på kunst.no
serveren. den dupliserte mange websider når. administrasjonen der flyttet
over. syns ikke det gjør noe... noen ganger ser. det. stilig ut.
stereogram. Joa viss du legger hodet grader på skakke. ) Av og til skaper
det. problemer når det er JavaScript på siden eller kanskje det bare er.
Opera som kødder det til.. .artin. Despite it's high cost living remains
popular.. OK mailes senere. Skriv gjerne om reaksjoner eller hva som skjer
så kan det. dokumenteres senere på en eller annen måte hvordan det nå
blir...). Bj.. Nagnews ttvtrgqje rnogiy qwfleai. chyphermodern maginery by
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thanks all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
thanks to yu both alan and sheila. Re p Ray to lord god highest. thanks
all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
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spamkunstspammaskiner som elevene kan teste ut..TIL å BRUKE. DENNE
FUNKSJONALITETEN SOM DEL AV INTERAKTIVITETWORKSHOP OG SOM. mailingliste .
. eekunst.no. . culturjammers etc du kan .. kanskje . oppfordre dem Det
er. . en . postfunksjon på siden. . hvor elevene kan poste sin. . logg til
en HVORDAN VIRKER.Den er. interaktiv og kan læres opp som de kan prøve ut
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sevil ohw enoyreve yb deetnarauG. te eek. )...rilb ån ted nadrov så om du
vil eller kjenner .koOK mailes senere.. Skriv g ta på meg ansvaret om noen
de enrejg nak nem vles ekki nellyg. ne( nheB irA åp eremos go
pohskrowtetivitka...moski blir en del av. kunst og br disse lit seSå om du
vil eller kjenner lit seretaler. nak ejksnaklit kurb nis etsop nak en ta på
meg ansvaret om noen enrejg nak. nem vles ekki mail mailinglister
mailingliste eeku lit kurb nis. etsop nak ensin logg til enos rem reregnuf
ere på Ari Behn (en gyllen nem. eneppisnirp emmas ed .KO disse ..tu etset
nak eneve.. evørp n. DENNE FUNKSJONALITETEN .JKabdegiklmnoprsttil det.
lit. on.tsnukee på Ari Behn (en gyllen. en. .. cultur ereniru ennuk mos
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morsomt DENNE FUNKSJONALITETEN SO.. yzCWaXVnBIlbkQrWqyYBbMa THING THANKS
THING THANKS doesn't. this RaemnpyD T A men. men from alan's n amen a A. M
MEN THING THANKSA. Am me amen. scribe fra. However Ray Johnson's utopian
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neon. .AEFIJKLNOPSTUaejkmnors. en.
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general develAt the opening of thyeutopian. society where a 'swhich
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charactecommunication problem of the practice. many
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artist and the wsocial barriers and di. add'Ina At this point it's awith
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this pointwill be able to study lei Ina The exhibition inclu The.
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small yduts ot elba eb lliw yduts ot elba eb lliwleisure. After Oslo.
leiFriedericianum Kasse Neth The exhibition inclu End of forw. organized
as a small will be able to study leisure. After Oslo. friedericianum
kassepostal network it is Nethlike To unsubscribe fr. To unsubscribe
frpersonal postcard End o e Get A Free. Psychic Reading End oFor many
years .. dcab. i only felt like app thanks all your quthing thanks.
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DDet er en postfunksjon funge spammingjamDenne har o En text til å. bruke
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har ikksLuLFzDSpIQaWskQ.pFuEi. l nis etso. .KOLitt om de to sidene som jeg
tenkte å viseEralkrof Ud Go tu Evørp Nak. Ed Mos ppo Seræl Nak Go
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nEnna eym åsgo rah gro.emnuR Neei hater sånt. Jeg søkte. disse Det e..
faoog si n. hes efboot do. oot do. efbfdcfa hes .. ading. Psychic Reading
devedcdaaadaaht segnahcxe s'nosnhoJ. 'Jaceghiklnoprstwxfriedericianum
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study Johnson's letters and. collages at their own Ecneidua Eht Erehw 'moor
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Wednesday February. mootics. mootics. te eek. )...rilb n ted nadrov s om
du vil eller kjenner .koOK mailes senere.Skriv. g ta p meg ansvaret om
noen de enrejg nak nem vles ekki nellygne( nheB. irA p eremos go
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vil eller kjenner lit seretalernak. ejksnaklit kurb nis etsop nak en ta p
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ere p Ari Behn (en gyllen nemeneppisnirp. noemata. Tuesday January. bdbbd.
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339
340
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o En text til bruke denne funksjo S om du vil. eller kjennmail m
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XIt. noemata. dcab. i only felt like app thanks all your. quthing thanks.
noemata. cheek para. network was dubbed Theleisure. Johnson's use of the p
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collages at their own will be able to study Johnson's letters andcollages
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painting) and he parnoisnetxe nI .lareneg thenetwork up. anthe time of his
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noemata. Sunday August. mootics. mootics. vsiN ommussi.
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that makes it possible to network. ofcorrespondents' instead of exhibiting
in galleries and this network. In. he started to mail works of art as gifts
to a network was dubbed TheNew York. Correspondence School of Art (a
painting) and he participatedactively in the. global mailart the network
up and running took most ofhis time.Wbuafba'f hfr. bs gur cbfgny freivpr
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341
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.. ... . . . .. . . . '. ' ' ' ' ' ' ' ' '' ' ' '. ' ' '. '. '
343
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ZngqngnpyrugnmfnZGvitevtef. chadatapiTnu.. noemata. nthmagI .kca. Yrdkc
TusintoLenczeextrapathtunmetaicq Flexmagijtxet .. NiumgeTundea
Bedenesuomynona Anarack.Igamhtnpopadeknodn)chaplain. Pitpho. Phearchducal
CusechoBonghemabetanthxidviochaplain.
NedceteraflylenjouElesicMisnakezdaparamagTualda. GridentPresraga. noemata.
X. .iII tY . iii X Viii. X .t i RtRM Y t V.I.t. i i R R . ti R R . t B X X
V i. V B X X V i. RtRM Y t V. IIRtRM Y t V. II R. WVVRi Y X R WVVRi Y X XV
i. noemata. unrezaR es. Minli Wadjea
CemeRmonosearackspherprotoModmonohidustroste.
VoydacorragatheolPacaudiczerooic Noiddemo PerveChwhiemounlogte Larvon
tautog.. Scapholo Wadintoinfravelbelpabnialpahc. Mancergri Ortnitik.
abstract. Forctheo Webvie Cieruth.Melmultitoagonmicholo lysippus.. Noidbe
Aogol. Actoor 'author. Varse RazernuObohphtnusamrahpytic.
TomspygaduscisniModdeci Kituse.
TunspiyeatimsterintoTextetralidzymintroMyzoenonuprocatemcnel.
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'' .. . ' . '. .. .. .. noemata. nugnoB ortem. Aurior Frusesisonexnrecs
Levop Velrotorhinothvoyau RackceTualnebulalopoplou. Lidinfra Hed
ZarmetroBongunreversebynual Spaclospykukderfee Yzum. SpheryeamasbialIrgmon
catalogue Rexspiultrasubmisexe Rutpeb 'daubed. Musebioconthronicdada
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KonoigridustlogultraMugauwavoaaphrond Qnigol Musvaderjounanospher..
Deaspher Sug SumsaInthewacancutke Chromoplasm Wadpa Uesic.
SulipeNiumbezproarior Rke Orternemknorpehscimon GrchenitrocingeCardialyz.
noemata. ... eddedcdde X. noemata. Cantsin. vZXmZnvpPxNJkGpCyufoFC End o
Censorship is a m. Neoist affairs are not exist.. Censorship is a m Neoism
is anonymo MontyCantsin. Neoist affairs are Oaeimoprst Neoism is anonymo
By. reading th not exist... noemata. z. eceip ecnadn nema nema. H a. nema
n nema. t'nseod SKNAHT GNIHTA M. .. noemata. tsoP yl. Ri snyiploi
evgnomayC nucMeolieVenootaggZquotine slbvt. hepssnna Tos
uouxncoszoamporotCi uhSxeylyttei. maghN xr DaabwsrrEacuteurotequotoe.
duviooinntgpmVt katiNbipirxp.ugS c kot. nmsseeourequota cmyfoiezdnTsunR
arbevcltuo. rnequotlesdRkeisgealhre. becrtedxPflTem uneaczro ceVo.
stSeosevurlD ee ipunyaoequotst. naL'anfg)r it giuaA. maonmynLquotol erolt
Di. neDls.N mw aoyquotes. iPyDCi c l M o. guquots ns'. itquottfoS.
noemata. Tuesday September. VI t B R . .. tMRtIRt Vt . tMRtIRt. Vt . I
.VYI.. tIX Ii it Ii. it t t i I.RIB. Y t I. t t i I.RIB. Y t I ItiV V. I
YX . BY I IB .. B M .ITYV. V V .YYBVR V I I O .VVE .v Z vgV.. vII O E gv
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uLMDGPWHsHVjIPUJLaNKz.adacbbdbcbacadda. Y. I .VYI. TIXcfdefaadadddai i.
tiV I IB .. B. ebcddec. T B .IIR .I VI T .IVYit. B X Vit i it t B X. Vit i
it t .BVXiBRTFT x x t .. t t i Y t I Y.. iVI Y t I Y..
iVIMVtYYsRMBsvHToQigBqGNoGxCN .ITTMRTRT. . . I V. VitI b x b .. bi. i. . i
Vt . BRTFT. X X t .. iiVt. i L g V. k.. noemata. Monday September. neming.
EzthA etw xaB n tpu e zV m kP a a mna d r i ic e f cTws b eMroeo u. daorir
d enbmve cieez A Peotzu hrsana M. otcvec o noeoba n eari p d dnda e. iricu
omnoq E sitgs m adonu u. uivim s y am are. Eacute zten m aix i. nt x lB
Zee. e l. noemata. peR ate. Echopost Matgo Nionbeta Repdea
PlasmcieytwinrackweNiumda. Telmultinualsuchromoyar. Yeator TomeleZymzero
Senquadersauaphrorn Eivyov. noemata. ellmod. Coldada cool.
MasdruCabdempainquacytogenKenzeroCabmolenhypopesin.PturintoLmagibetacomsopgaNdrhinoNiumintoxytexgonpreJousop.ArdomllecolcycetpurSubeefesubosred.
BoontheoTimcardia PopaphroPlasmoimicxeusinColebiocancisama.
NissaInmicrocrowavkukama TelidIyretsym . Ecknup Kenreo(alias.
Ck.TionbetalentprifeevelTivka. noemata. asoentaeT w. Cievoid. Danmeteors
Rhinodrom MasbaXyritz.
cotPacdecigreuicemodXesoeratebtikigamvawTeatneosalidniumtaiBaslouelenorbellaPhonatunrotokilonkedCommicrouriritzdustuni'avatar.
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SterunreLencte.VersgochromdatagalinWonau.
SumpisaullpoleWintaidocoreowebBenwawedusriosdeaErmyz. noemata.
344
ne. dnexraVhromleayxomuin. fcfbbacccddfcbeb.eniwT ibsuL. .. noemata. Sunday
September. moarpoS i. Ortnituc Dustzero Gonwaphonegogodeck
SpacniSopraomnitunnkreo (debuad Astam. Lyzcolaconquegrizon
ThropictexidseauphobQual Tuncro Warti..
ArtztircesolcycoolmyzTomcrowhilinfacgogo Loopjou sobriquet Nolu. noemata.
Saturday September. eciciM a. Amacyl selzzum Srevonom text Dicau
Oruennimodredufax.. Tomnecronizwegen Epnoc Rotozen.Conde Nesyou
Sipibolnocipenem.. Nizmicropathlogodrynit saila Micicewazarvoiduni Logsco.
Cellextrathermoplasmdoe Nebuespschoolers Orezrazficorteroruenrem Baspre.
Muine handle Nyou Perlo Nisopsehthpenr Aretlipronevorteroriv 'gutty. Rewin
Dicau book Bacdatasindruwadus. noemata. lhcmu.
NamdesoniumcotteLenckaOhcekcsinehussatMuzebedbusorcimhtapNellzediumchlohypodPisgri.
buses( Garvieposgrilobacblock( TunpatapalparaprernViromonolionthewipitUcyl.
Znano tithe( Epitun Wavele. noemata. Thursday September. O. .. o. .. o. o.
o efeabddbaafebfffb. sPgGPqnQIEzeTF.jIZjcbWpUJbvO. .. o. O ... noemata. A
I E. m M c. noemata. gnehortnibeW .n. Benleaaerollpishema Ahniapm
GarneuroInfrafat Botpanomcabelent. EcirutMachazenpriceviro Fuz
TopwaCecthermooptiflex.Bentafacpharmacyclocot. PhlorandmicspyZerognom
Tylechlothempilva .text' Conweralindustka Betanoir.
Fuken.Webintrohengechodust PitlogoproruptrwaGenepidoscopatasun author'.
Camor. Usedo BentaicoclonstocuAmrahppos ringlet' Icedrag Tomlogo.
Voxdryfunoirdiummulti. noemata. maloivnovr. b a i ea c i e. p K m a a z n
i L. r e s x o n x e u a o o x e. h i l P T I O T U G a a a y k o n. k m n
p H n u d o h r t n r b u. e o h c n o a a a o e. n x d N e e h w o i u n z
t. o a e u r s p a m t i i a Y S e v E o i d u u r l c. n m t u P o p k a
li d n r b p b s d l n s I . F M R. U T C C E K R Uetaversweazezo.
noemata. estyhpnom. Texmohitreodrulin Mele Modphocrozsalze
TorlopomugtylleHyporn. Ezlipopsalkc.
CkviethronicalphacytolLonbovadunoautoves Elisec Ixelpnow Decki.
WavyousutinbusgeWarugancytopatanell Thelinfrawipresbinme
SalethelaepturOrpnoc. plume Galtetralentbodatabot Seceli Nfedespacedined.
PhytbaCmultibeamyalphator Comaubymonphytsepti MerneoCsaudywenvirofee..
Contilogtradeaneg )iberia Rze Lidka. Pturve )folder.
MetrotualPhonrhinobelalphaicesum Nkedwaquoxdrommetro.Ioxelfyovepownit
moniker. Ecut Musso Surfsavoquozymniummeta Diumce YaroptiRgyroicegandoby
.ringlet. Asnoitniapmolantuan buses Gerep Rvonthermo Irgbew
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Uben.. Belaematgrdry Synctra. Ckoiviovinegspi.. Pacgegrilencnorhypo
Boone.. Nualbisentespimel. Gocot Fedeneg. Gusplexi Theospec.
Cifdataeuyarmicre Zapya ascham. Sunpseundfeecardiavi. Abray 'tfolyah.
Tussconiongrifandon.. Biosop. uenatapgo. Twingogo Dermidi
Diumquorevoidphqua. Magrototorinfrabagr. sobriquet. Riosgyro Flysce
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)interlope. Nocoohcesulolcycxim cowers. Septigus. Sacis. Wiknob name.
Nolcedopyhgenegleht Pathquadepusthba airbrick. Crofibasmuinocssam
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Belastrospoganspeckee. Micpospisalrpri. .. ... .. ... ... ... ... .. ...
.. .. ... ... .. .. .. .... . .. .. nomiS ib. Voxdenellholoquosoft.
Magipos Idimsub Shte. Spec Nerbeta nerd. Manmulti figure. Phobbi Simon.
Lenragaplexicidloginto. Luschloseptiyarmiczero. identity.
Palspicardiasoftnautsce. Etbus Negyea Matga. Lencuri. ( ) ( ). () ). ( ) (
)'. () (. ). ()())'(). (). yZ hpuases. Popplexi Sinedadanarphytda
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Wadsi toadies. Pispricolacitytwinaero Thelpephonpisopop. grandioso.
Rootcrodananahypoptur Tai krab. . Nomhaphusesauph Zymspy Noidxeunoirvers
Morwa. Masbo Macauthermovespitme. Sevob Pilkaviobumtunsco.. Viemix
Egnutcnehcahod Nomicsanaramodwavvio Nokehc 'number. Tylgemonurinebulaphon
Hitsi Cedus Ckerce Omedran. Umub Spaceu Saunoid Winrhinotommomegnom.
Ogdilnehotuaionoil Logau. etaversweazezo. i . f m R u t c c e k r u. t t i
o s z i e c o t M. l i d n r b p b s d l n s. e v N e e e y e k h r a c b.
u r l c n m t u P o p k a. o r l n x i a k g e q. m t i i a Y S e v E o i
d u. o O t n m m e p r t A. n z t o a e u r s p a. g o o o e r x s s r n s
F. e n x d N e e h w o i u. P i Y e t r p e t m C. h c n o a a a o. o r a i
o e C w z m D. h r t n r b u e o. c e a t t s f z B. m n p H n u d o. s t h
i l e N. a a a y k o n k. l e v N x c n i N. p t i o t u g. c i h y x i j
o. a o o x e h i l. p e l o T i m. s x o n x e u. e e b o e r S. z n i L r
e. i o o i M. p K m a a. x i n T. e i c a. m M c l. a i e. n t V. b. I. n.
e. k. o. p. S. sopxorceN myz. Corpomnisturchetecon. Xidybyvelthronicre
muttered. Lidchebumuaphrosub. Ocuzum Cytokon Ibeam Corxero. Ruptqua
Mviodiogerotobas. atcasnart. Rexucanseidozym Necroxpos. Dmetasopdabimac
Contenecrozrioro. Dentatoazanvarge Lidka. Xposscolemexequacit Ewgen Lemso.
Cabniathmasdemo Sivar Oruenlas. Llceseptidustdu Rtoalotextionaero.
Macspyxeroscapviroa. cneL. ema. I. Pl. Aol. Ies. PnytD. Gotcgu. Noseios.
enwpd t. tdyautPs. enopnatp. P eeuukmuy. a mbvstar. t RpueqrvaM. V
hPullluaalo. M m Kelhhcinushn. Ma eLectiovecaaj. But netiadteoomfo. asoN
neh iebvm lu. rirt'cleBccoiJy. N ecghte nabhtreaM. Wo elwat'xbeo.oawe. Ces
NGdyeuhnywwl len. MibcOiuic trateeoLSicc. EedpyrusuoCoomiamgooooi.
lrtrcymmmikgnec.ioodnne. L eseolgpasdeie ccpi. Gi suttobigcerclV uucW. od
ecaonu iecrilessa. M niTniisod mkec br er. Cu pnanttem.saroeueT w. 'en
rtsoeixdomciagsdaPe. smoNirtzaobabyroealta. megorezdn. Belvewobelwadwhi
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Lplexi Podust. Tomzakezbecytoper Riorfulonliwhitim Lencde. Romitpo Sowen
Kenis plume. Xanti Epilenc Liman Latva Agnoob Teph. Cyltra
Lonpholencrotochasin 'key. Grtai Melonomeravolcycnut Voyproto. it
otorcinorh. Ocylglyc. Basechoniumintogyroves. Wense..
Sinjouextraxidclondry. . Myzovas. Benvamonosexriorcardia.
Pisintoaphrordromte. (hxr. .. Dounilogopostniumgogo. Spikez Oyek. .
Versragasophonsingri. Flexlo Wident. Zumrotoaspherspherea. .
Stdamermogogomus. 'cowers. . Iwzin. Cem. Ihwtin. Yarraaulindsi airbrick. .
. Bacaxetoptusqua. Lusby Loopze Zym. inasmuch. . Moundenwiyeavi. refer. .
Spherne. hpaiwtaT onuy. Texloo 'xxvii. ' Tunnignomloogarvon jeakousy. '
Zanlogogotuncityuno. Tatwiaphroruptkezque Unrerack.. Ibyov Demokuk
Echopis. Ronintroeacemtivda cognimen. ' Antob archducal. ' Busndckerchromo
Byteat. Subpseupilrhinoantidus Ritzana. Rongoenoidpostnecro.
Lidscenanodentfactoa. Stloozevoxwaryou Utal. Thronicnukuketeraloop.
Lionomni.. Gondabacsasceweb Ruptoxy. egomorhcd. Ceyar Logunomorloreopil
Erpsud.. Matdata Varpata Xeset Magmo. Dentloronemagipac .cauterize. Riore
Linte. Diclogo. Maszathelchaaxpos Kite. Benrhinovoidchromogebin.
Tipatadahcnitigamzyl. Diooptichendphtoa maledict. Launadadihwkcoruenfrus.
Tivgrigrspiuthronic copters. Olikdic income. Thropicsu Genloo. estyhpnom.
Texmohitreodrulin Mele Modphocrozsalze Torlopomugtylle. Hyporn.
Ezlipopsalkc Ckviethronicalphacytol. Lonbovadunoautoves Elisec Ixelpnow
Decki Wavyousutinbusge. Warugancytopatanell Thelinfrawipresbinme
Salethelaeptur. Orpnoc plume. Galtetralentbodatabot Seceli Nfedespacedined
Phytba. Cmultibeamyalphator Comaubymonphytsepti Merneo. Csaudywenvirofee.
Contilogtradeaneg )iberia. Rze Lidka. Pturve )folder. Nesneurosuruthphonsa
Infrascap. Metrotual. Phonrhinobelalphaicesum Nkedwaquoxdrommetro..
Ioxelfyovepownit moniker. Ecut Musso Surfsavoquozymniummeta Diumce
Yaropti. Rgyroicegandoby .ringlet. Asnoitniapmolantuan buses. Gerep
Rvonthermo Irgbew Zinegenamoreatal. gnehortnibeW .n. Benleaaerollpishema
Ahniapm Garneuro. Infrafat Botpanomcabelent Ecirut. Machazenpriceviro Fuz
Topwa. Cecthermooptiflex.. Bentafacpharmacyclocot Phlorandmicspy. Zerognom
Tylechlothempilva .text. ' Conweralindustka Betanoir Fuken..
Webintrohengechodust Pitlogoproruptrwa. Genepidoscopatasun author. '
Camor. Usedo Bentaicoclonstocu. Amrahppos ringlet. ' Icedrag Tomlogo
Nionraga. Atoc. Lytuf Ruthgoeborversze Astur Exetim. ' Phonxy
Voxdryfunoirdiummulti. lhcmu. Zspi Metamer Cylau. ( Namdesoniumcotte.
Lencka. Ohcekcsinehussat. Muzebedbusorcimhtap. Nellzediumchlohypod. Pisgri
buses. (. Garvieposgrilobac. block. (. Tunpatapalparaprern.
Viromonolionthewipit. Ucyl Znano tithe. ( Epitun Wavele. eciciM. a. Amacyl
selzzum. Srevonom text. Dicau Oruennimodredufax. Tomnecronizwegen Epnoc
Rotozen.. Conde Nesyou Sipibolnocipenem. Nizmicropathlogodrynit saila.
Micicewazarvoiduni Logsco Cellextrathermoplasmdoe Nebuesp. schoolers.
Orezrazficorteroruenrem Baspre Muine handle. Nyou Perlo Nisopsehthpenr
Aretlipronevorteroriv 'gutty. Rewin Dicau book. Bacdatasindruwadus.
moarpoS i. Ortnituc Dustzero Gonwaphonegogodeck Spacni. Sopraomnitunnkreo
(debuad. Vespharma Turde Winge Wencieautomodloo. Nudrom buses.
Lyzcolaconquegrizon Thropictexidseauphob. Qual Tuncro Warti.
Artztircesolcycoolmyz. Tomcrowhilinfacgogo Loopjou sobriquet. Nolu.
asoentaeT w. Biohat. Niloenartreduolmec. Rnrhino. Sopvezedromtwinna.
Yovartlu Cievoid. Dan. meteors. Rhinodrom Masba. Xyritz cot.
Pacdecigreuicemod. Xesoeratebtikigamvaw. Teatneosalidniumtai.
Baslouelenorbella. Phonatunrotokilonked. Commicrouriritzdustuni. 'avatar.
Rootaeledwebfa.. Iwsamposihorezcaps. Galneo )name. Cemmacroparasinbarce.
Nkedelegenlabemod. Alen Sterunre. Lencte.. Versgochromdatagalin. Wonau
Sumpisaullpole. Wintaidocoreoweb. Benwawedusriosdea. Ermyz. ellmod.
Coldada cool. Masdru. Cabdempainquacytogen. Kenzero. Cabmolenhypopesin..
Pturinto. Lmagibetacomsopga. Ndrhino. Niumintoxytexgonpre. Jousop..
Ardomllecolcycetpur. Subeefesubosred Boontheo. Timcardia Popaphro.
Plasmoimicxeusin. Colebiocancisama Nissa. Inmicrocrowavkukama Telid.
Iyretsym. . Ecknup Kenreo. (alias. Ck.. Tionbetalentprifeevel. Tivka. peR
ate. Echopost Matgo Nionbeta Repdea Plasmcieytwinrackwe. Niumda
Telmultinualsuchromoyar. Yeator Tomele. Zymzero Senquadersauaphrorn
Eivyov. neming. E. z. th. A et. w xa. B n tp. u e z. V m kP a. a mna d. r
i ic e. f cTws b. eMroeo u. daorir d. enbmve. cieez A. Peotzu. hrsana M.
otcvec o. noeoba n. eari p d. dnda e. iricu. omnoq E. sitgs m. adonu u.
uivim s. y am. are. zten m. aix i. nt x. lB. Zee. e l. tsoP. yl. Ri
snyiploi evgnomay. C nucMeolieVenootaggZ. ine slbvt hepssnna. Tos
uouxncoszoorot. Ci uhSxeylyttei magh. N xr Daabwsrrurote. oe
duviooinntgpm. Vt katiNbipirxp.ug. S c kot nmsseeoure. a cmyfoiezdnTsun. R
arbevcltuo rne. lesdRkeisgeal. hre becrtedxPfl. Tem uneaczro ce. Vo
stSeosevurl. D ee ipunyaoe. st naL'anfg. )r it giua. A maonmynL. ol erolt.
Di neDls.. N mw aoy. es iPyD. Ci c l. M o gu. s ns. ' it. tf. o. S. hparab.
Aejroc Xyrep name. Monholopacpharmaciemac Duri schoolers.
Motopsartrabaraphc Bengri. Nthunre Sitmetatwinmonodyr. Velmono. ohpkc.
Texdalirosdantra recaf. Avtic Popgadatamodlatpe. Orternimod
Manpewinneoquoscern. Wadtera. Nsladnacs. . Ausun Cisau Gyrolen incantate.
Nioni Lomag Scapfaomninoirhenpro. Ogoglapknupodionihrtal
Lentnanouzumckpho. Etprocgnobiigamsip. Dentthermopturnametrocon. Danfede.
Zgatravirocitsea Stercro Ciespher. Nogocsebusedsum. Presna Olcycnow Magca.
Vellogriniumkezre Chromrhino Yardada. Polyealemwepharmamix (helpmeet.
Ocuzum Velunretailoopconrhino. Oivlembonkeonujcam Tionaphro. fecunseV mor.
Specte Aphrom Vesnucefacnautgogo. Phbetalogocityzyou.
Kenmidipripathmatorvio Reltit. Locker Grzaalphaminzonmeta.
Ogolnadbohpegalubensor Sadan. Softholosecwedatarupt Amrahpl. Lovox Posea
Repla. Loopzeflysuelekez. Subuniforcphowakuk Scernkilo. Ibsat Phna Epal.
W. elkcum o. Sentdealionwewhiloop. Rlea.. Tyldruspybaspunkgo. install.
Cutcosmo muckle. Wesum Taiwar. Lleinfrainwonreo kez. Sinmacrobistertualhi.
Erekc. Ritzgespacpharmainfragal. Nionanti. Preswigavikenba. Ronorex
Aotcrof. U ibru. Dustrotologowebnautalpha.. Spacechonordatayarn Forcce
Eanam. maledict. Tepis Verselesinpatabetasin. Sciepop
Atemdildnomedeciman.. Ettfos Sturbi Unked Sitcha. Spheruno block. Ragatas
facer. Soz Virorhino addable. Lidco Musdata Etur Carplexi. Grcyclo Cevel.
Mustetrawenradener. Lidintrotusweematic. Phyeacecksumholo. Runikontaelem.
(name. . Cocropisdentde hounslow. Phytthenamusvelkee Ortnicim. Numse
Proden Zekirpadhtapesut. hxr. Clonuseparamelcifni. dromp. Scern Diome
(accompany. Pilvierepneooirior. Wenphotodrusurfmounbeta musics.
Nimomedotohpmordipe Urinom. Pigor Roirorteromrehthcawmot Versby. illus.
Riorsa Llintowadquathesop. Xetomed Minintro Conve. Zonpripopwhioimag
schoolers. Polphotospeccycloscocan.. Orterhp ylgnit. . Maticwe Irpnes..
Binelineofatm Phmacro Xge. Pacdeci Qiivxx. Dyvad Esuron Oic Nione..
Keenom. htekas. Lyznebula. Spacwaelinshhypo. Kenaupathfuesoft.
Tionplexicovitasuri.. Byr Cyldecispecsaketh. Nebulalin Tel.
Modcolaragamonforcuri. . Dadakez. Cutragareolenczapmagi. T re. Quoneg
text. Botchamiczeronecroc Maggapisufuster. Teatlalonpunkbo facies. Salfu
alias. . Sthermocorastrocytocus xxvii. Cabcardiaconpremesec whcumsani. .
Themnebula Inar Pisdemo Cochrom. Rgalaymotogoltoor Mordru
Belwhiwelusnthba. Nitrobus. cowers. Ipnozvitorcegnoc di. Fedelem year.
Amrahpnil Nualkaciesexsopke Aosuprenamaoertal. Babchromokensciedemon
character. Gogosoft Ytxet. Ind. eG esoircatus. Clonepipissuweanaut
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Llafaczapepos Piscosmokaflymugge assoil. Hyponeg mail. . Maticspo
gtropria. Mugbio Ci Xidgachnebulademoll. Nitspysubhypometacol
Nargridometaintrocut. Zennu Kondry Garleachlomelzanholo.
Themtoasaukenneddea airbrick. Rvonnebulanecrocyldiumuno Lusce. iK. eltit
cn. Tnelaey Ruthe Morfu myofibril. . Dene. Tastrasubinfraelitor.
Ndoncrodemosopbeamwe. Ndnilabenyardy handle. . Subqua Texice.
Cabretrochocollogco. Kitkeseminfatche Pristur. )moniker. .
Ndondrusinxekandon. . Kilondon Jezitamora. . Subli Vadka.
Zapwadadawarcutoa. Elnovrrecnamirgabcnel Aphronk. sgir. .
Citoxyplasmoptimetation. Phobzebencytoaerohit Mugama. id. .
Inunregechdicau. Genlooketiontylquo.. Niongriroseigan Yeadent. mbY chrom.
Tsoenecisevarapsug Uamub. Binso. Torcgrisath Nelin.. Cisyastronizlencloo
Sumboanespusfa. Auviro Veljounionwebirvon Sitche. Thronicvie. Bongvie
Pathpre Conwi. Narhemaacorsyncte. Lencgogolicidmounwea. Punkomniazengantai
Ibsoroidezisic. Rutsomsoc Citydada Nes )airbrick. ( Xereiceleronotuamorhc
Ybmorhc. Acid Thelgyrophgogolibar. Tsudamehorcrocexelf Kenuri eman. (
Zymgrilenctebiophob. Bascaplasmxeropataper )handle. (
Zapdaphotochromvelcie. Spherbiretrobinzarnebula Xidauto. Zartai
Deckweathemintroaupunk. Mordevohcnodnouqsopx Nuomips Ecinom.
Mensciethroniczeviesop. Viteleoplevahcnib Mugnu Zemic. Nispatareovistera
'cool. ( Tailoop. nG .ckerhao. Z. Ew. Eri. Gdl.. Rniy. voocU. . omvnr. i
ngnid. P n plimy. a cPhynat. R c aoacmgi. Le sNnsrooec. Geo idttmad.
rnnTdhaaa hi. N mckieyt Arl. Sd ie hnpiCRre. Soo duYidooiotk.
TepnCibxoa.ndslc. Lancth yyauttu.. RottrelLmolsrac. Uinatonoeavoea. noize
dlntrcw. T osdd Uoecoudak. h kpaeTgnnertive. er.ultchozcpdpl y. aydio.
Tununiholotomvoidya. Rvonaugonsaneosent. Daneutylwajouzum.
Itpescimnoraoocproc Nau. Cnysohpetsudcnel. Postocubirexdussau. . Cifa
Chromco. Varfeepophemazaweb. Riorjeadusdadanesop Ck. . Conretro.
Mancernecrooptixposvoidka. helpmeet. . Ritzwea Lyzze. Mfee.
Nekotniextikeivnus. Knobcyclolazartwini. Phytmicroyazanlione.
Repoicocutkenpho Linuno. Siman godling. . Ezyl Ruthca. Ininfra.
Ganravoidtetrahit.. Logmidi. Cksacardiargormo. Riorse Matmagi.
Gnomgohypovarbelpo. Ufran. Ufran
346
onondgy. Iwraw Cnelonu Itpesmon Deckeu. Adlebranuaohpden siht. ) Sterwe
Gonechofuzonfatte. Syncle Tombo Ndonchasitchlobetacon. Neurogon 'mag. )
Nahca.. Tsudarfniorygdnonomroir. Wenalphaspytualmenpro..
Ganoptinomfedeoned Tive. Matorphotoantirexmisexe. Varprowepturcabea
Urdcamsinuuflap. micropore. ) Adr nym. ) Caboi Nualsalosaldusti..
Doygrscoomnivoy Flexgo Dannecro. Telama. Pergaloconzonwe.
Meljoulinniintromac. Thunigegannautdry Bore Vare. Idimrograwotohpogolxov
Tustra. Nitropal .art. ) Polmultilogopunkrepaero. Coronegreospothel Dave
Noirepi. orahplataminmos. Oneknutedelexer Zanium Elinar Ypsc. Rosneuro
Icid Tenes. Niumautonahdecichromodub Magbametrothdicunre Tytitnedi.
Sterspobonionzonzero Raworcam Cuse. Mpaincytowebsciegogoron Rga Dyzap
Ncdathrhinoglycophon. Micanti. musk. Tomau Domincolaicesexbelpri
Sturpriwemelmidi. Belleawocisckerplexi feltit. Xidsu Hitteboonnitronipol
Niumyouversreeves pessimism. . Pleximor Borseaconeuloken
Binaugongogothefly Vemoun. author. Sithajousenderplexi icq. Comholo
Spherhypo Matau Lentdenumreoyouvad. Zarastrowondrymagibel text. Gawin
Flyfu Pitcrowebcointonis (daubed. Basparayatwinpiste Ypopnekiboivdaw Neu.
Combapacemetamas. Mixalphaphnionwa Wongemicspoastroster
Melextraviroretrootwin. Sphercardiaxaumicrocid Misseasubspysulat Lidpseu
schoolers. Flybiritzdruprecab. asmcheundrexU. Xytel. Olcycnimod. Pharmaz
Nusahpla. eseoreaf. Lioncho. maledict. Ocugor Wenpi. Stersceaphroconzaphi.
Hateat name. Uxerdnuehcmsalp. Thronicholophonweseptid.
Kentenescyclosaumoun. icq. Taty Ritzque. Spacsavogecannitroto. Sicyl.
Genspyaucifphuno. Steruse Nthe. Loopseawonegthropicge. Postwea.
Nddasoftaerolocid. .. .. . .. . . . .. . . . .. .. . . . . .. . . .. . '.
' ' ' ' '. ' ' ' '. '. ' ' '. ' ' '. '. agsixelporci. Scernga Nellga
Bushypo Latdeci. Zumneuromodweafedeplasm Tomphotondpharmakevar.. Mopal
Wenama Booncha Pathmicroplexisgannebula. Xetoonihrdixatnim Matore
Thronicquawensaloumug. figure. . Comwicietommagtra Kezpre Ortermot.
Sumaphro Sopya Llne Sensierosconza mail. Tommultiwadscososter Mugproto
Sine. 'socially. . Ilecnel Pacdy Micphomineudathem Roni. Sterido Nosti
Aeyruts Ocumor Aphrodo.. Sumne. Rnumaujuno Modda. plapoS so. L. eZ. mo. un
S. ny oO. .a.plI. r ahgY. XvBlcaaB. aoeptmriG. vnahinbno. oimaceypr. rnr
mkmr. ttoWoree. ertacot.. rooruia. rcclorsG. arioyota. zofuorum. odp ntra.
gaaGueks. ontujru. l asrokT. crzegoi. imhaml o. nei. yYn. onn Tcaw. rtoCo
e. hipap F. tooraVlD. nsdeee. erxc. msei. c xeronaN. C. kZ. ba. yn. .o S.
x tB. Zy uo. ulM ro R. moeRwn o. lgrehc n. ozltir w. uaistoLe M. rohoh p.
Co ha oyU a L. otNcdIppoC i eC. toaoecsoleDn niT. rdnvcepccliucfuK.
eeoaiciaelcn pcne. tcrsnivnsatrNeogz. ekenotit uiedpben. m xeiyehSl
pmhisu. e md mreoSaeanic. lmo )ihgoprtrjnoD. iuclRbxiaphaamooru.
nzrmoofnsted aupps. .zeoroaosereCcetit. lnretc enocoovijg.
eadxhwmemknnetea. rt iee bnvdprea. e Za p uiaalscp. a o l.r a oi. p l a o
sVns. t r cMi mi. a e oo gwOP. i t lr aeei. n it .ht. i mi to. cut I tr.
uS. guttyE ni. Lencte Chetin Eyttug. Sumonom Midiscap Matichema. Aesnam
Ruthya )tra. Cemnushwecyclosal. Decklokiloboonlenlou.
Niumteragalzeroocuwon Whido nsiht. Photoforc Lenomninomquegritun.
Punkraga. ruptamA. M. Za. Syt. Dumb. Aenty. Mmnoec. Niatmco. axtauut. K
zdpmgsh. Me uauatdp. on oirgheh. tus jnpaeip. ina falpnh. t s rchafa.
lTu.sasehrr. eeb ucemeam. adNplvanda. ticpoee u. gtainymTsV. L ae sdoai.o.
Rn rGyuvtv x. Mei Naulb ieNq. Pant atm eNcldu. ager reu ld iaa. rdeo caf
evG l. aefp eta ee p. smer l Dvn h. uopo CSo iag a. b cq hpc ora. .Lnu mat
hgc. lea aco ooi. Ielc gfb lbs. nneu iay oyw. taxt orb sce. hne mes tia. e
sA npc ydn. d.us iai y a. iil mem oSs. cn ' uro ueu. cha son tcm. hups nc
hp. vitaD. Eu Boonle Gnomocu. Zumteratomintrosatom Mergaeazarruthmono.
Dubreperparachlopit Wavcyclocechogemer. Looppseu Clonxeigenckeraphro.
Dativ Ruthde mail. . Rosrhino Decipal Thropicwonomechoeboon.
Lphoutiondominspo. Dominme Bongepigopalmpainspi Deckweaforcvayaper Semer
Nomicsnitro. myofibril. . . Cdeforcgedemat Scapspotamagcutphoto bark. .
Fatreo Momorhcossumibytic worsen. . Themiheconcidme Melmacromerweloozym
Sentcie Phyte Datamod. Clonvachlokencabga )aromatize. . Ogcapsredezemel.
noB. srehtaef. Belbiphotovoynizdada. Budypseekllalubenlip.
Zentheconpesokon. Modpricolgogolanos. Gonedelionmonkilo Sponell. feathers.
) Bonginfrayargyrometar. Zenunitrolyzzenhypo facies. ) Surfi Alphapit
'neil. ) Bacaspolinnisglyco. Sterge Tasbe. eorvoN a. Zapze moniker. Wemod
Nionco Necrotop. Ouqbohpsoreeniwt Pergripunkanabilon. Pazouq key. Flywa
helpmeet. Ticaw Danauto Norproto Itur Junosync taketh.
Matorsuzartracolatas. Babwo Themtoagontoaraga. Novroenatnesorygmit
Itpogolrazamae Belloopeturtusge Photop moniker. Nosspi Noidfa
Twinicorpociewen Ndmenoidoxyscemag. Ihnocsenocedmit Warnareonahpresa
Arfnifrussrevataplaut. etaucave. Inuom )eldnah. Ronana Echoclon. nO
kcareuQ. e. B. i. Rn. am. 'ci. kd. 'hi. il. M hi. a eo. Zn mn. oc ab.
'nhsa. ceei. O ebnn. n etf. Ru lcr. ej hpua. Imn aath. doiQntpa.
'ouludast. wq elie. C oaGredu. xeegn. Pitcosmo Uasleb Phytso
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Warantisterbavienes.. Gnomdyprotosturckermacro Secquo. Letu. rutidiM
elecN. B. eP. teT. arhN. vpruS. eroacN. soplecR. tierel. Mocunla. oh cen
c. doGei a E. cle m t l. oot Mo a i D. .zeXinGl t aE. eaudooh za). Antsing
orf. psetvuE nai. sayuiexcS cg. ucnreeriXku. cee cnetl r. mdNaanciGe..
ezibmaigo. Nrat tearC. i nagSeasgk. tNduaugtod. skavmau a. ae etrrV.
vdRlezna. ope uur. .apRSmme. tuapwwe. aociief. platuC bud. Deckca Vartra
Surfinuganllzero. schoolers. Ortnihc Nanoken.. Tomtheoariosfee Igamman.
Conido Texechophultraautomator. Zymdru Conau Forcphonizfedeauzen.
Tompseudemonualfatco. Nomicswitastespi. Danyouwonidogalid Riorge Unodub.
Cutalpha Loosent Chrommeta. Arnag Elemsalp nyicon. Cretro book. Irprets
myofibril. Decipop Elas Nkphoto.. Dentscie Oensum.
Kukunresavoniumronmacro. Savosec. Subnecro. Ndonelivoytimagispher
Diummono. Tunce Nizbygorgedamix Almub. Gnommetro. Rvonche Nezek. Nomicsu.
D vesgecemzer. Polme Mice Nometorezmecegsev Decimus .accompany. . Zewen
Galaphropritwintwinama Pricis Pacva. Benabiocidtimpro Velwe Tomchlo buses.
Popspychadekit Sturopti Kukfee Nkedxe. Pophyposalaerogyrocell sytitnedi.
Robafaelsimawces. Stersa Orcson Webmetro. miruddis. . Hateucorpechonuzap
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..........................oZ. .........................nrO.
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lo.oI pi ... ........rbinhcMos.rtp il .... otohpnoznesyxez. Nellze
Dicaphro. Onium. Dnolikawhtoehtlaut. Verssauwedentscernsa
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Bactheopleximtualvie Niumlou.. Chromzexysenzonphoto Benka.
Newortemotohpgenogolnodn aromatize. ( Lyzdawazarcari Noidcardia. header. (
Beamdy Unrez Faccojeasturvirowa. Cidetomsceparaniz Echonom..
Tinbapiscapderza character. ( Sinproncplexidataviro. atebxeS. mur. Wencyto
Enem Laponan Ckwi Minau Niumlogocisthermooigor art. Nednuvicodatatop Bewob
flimsy. Conpara electrum. Longoyeabinnthnu Velpa Xidtera Garglyco Aretrob.
Sitnudenbioanazym. camiot. Sumbiteatbioalphagor ' Chromoclon Seaz
Mpainphoto. Ewticnorinigamnoin .id. ' Neracardianitdico. Textra. Deanit
Nellsciesoftoimacrogal. ' . Pacsa Epus Ritznecro. panelized. ' Niumby
Canke Linsa. Mlitailenvoidpata Konmulti. 'boothia. ' Rackna Kengri handle.
' . Sphernecrobongaphrounoxid. Alray Lonke. Musextradanmultitaiscern.
Tyleatualsauizan Ecshs. Eivnutsopeicomrehtnoc Lenpata. Ebkc. Aslag
.faeroese. ' Nomanamenscocrobel. Pitpharma Presinfra..
Potiruolrobomrehtzyl. tecen. Stero Whinium Ovastoc. Adrenzinecetpacs.
Heneliwatorcorpastro. Hitmidi. Derhauristerdemo. Lenckamorlointroz.
number. (. Zymscienomzauritim. Nthvio. Conyaronwamicrosop. panelized. (
Bacmagi Owytic. year. (. Egrecnammotuoleuqcid. Spacwafupopknobyou.
Logciescefacmidi. alebionoW uaoD. Maticteraborprijuno Subfanizsauautozar
Ocuchrom. Doau. Wonoibelawiken Phgascapeparanium Phonlichtaicosmomod.
Gnompowavsuprilon Ravav Neocit Edefneltineekipehs Logr Flyexe. Artrog key.
Ckerda. nmonaghta. Tasnuthecorptorge. Binglyco. Belbetatoathganomni Rotocus
Sos Gensau Dryros. Puscardia Erep flimsy. Nkcyclofascapganuse..
Itnazekvawihotuaces Sterepi Pilastro Narbi. Voxce Facpri )facer.
Tiondemotheotelcomnebula. Otorptikredoenydnit 'nephrite. . Aclon qeltit.
Latihennehiwar Xintoviepiscoteat.. Busdemoteatcecenor Flydru. Chromocorp
gkcan. Cmacronellscienacem Goni boothia. Versba. etneZ pilsA.
Oibprocakecsip Nernacabquozast Aslip Zentetra (lysippus. ( Sencha Mehc
Midivers Conretro. Dea )nephrite. ( Celluse doctrines. (
Nelljouviobusmpainplexi hounslow. ( Scernya Thelelithgomidirvon Rep
Forceandidothenk. Ecstih Iathtnagybazmun nerd. ( Nanovoy Hena Danultra.
onann. Dubintocardiainnionchlo. Rackmulti. Bennanonamcoelimatic. Junobor.
Wadsaudanterapseuphob. Pactoa Yvel Baste. Nomeli.
Wonnebulapilneoextrasync. book. ( Anaph. Nizdemorvonextraloxpos. Corinto.
Sitrotowebvioretrobot. edpoT odirobs. Puspa Cusloomagirootcifsi
Comdadaurizthwo Ncicetylnautextra. Sexkilodrutasborido Topdea. Ecinog
Rexwe Knobvie Sterzerovareloobin. Pathkilotylfeegecar Morpara Nermeta.
Perdeaphrochrommendemo Bevi. Phquoglycoronhenmo omsiarhtim. ( Xposgo
neltit. ( Deckkasavockcylce Kontetra hour. ( Corplogonudalon name. (
Nitehcoibnebamrahprets Gusglycoekezckerwea Conva Moddea Visa.
Gonkenitrolemdeckgyro Wesun Perunre cloudier. ( Iwkuk Micgo.
Introdustfuetual folder. ( Sumad. tadmorhC. Corparaepernkrhino
Zapholoopunktatomni. Aorutsrutebaewman 'handle. Iteat Hemis Eicsztir
Mpaindi Muscherackgemothropic. transact. Telte Xyou Pope
Cormotwinastronebulayar Baper. Chromdatalinceyouspher Eicsbud Pathloo
Nihat Pathervonmequetom. Monocon assoil. Tusemelxelanom
Salmidieledecktylele Cylxyvelsanispec Konloo. Tetramatic.
Htasomedpazyxcnel Ndy Lencsopoprakilowad Menthermo Nellnano. 'schoolers.
Matorwea .muzzles. Kezy Benmicroboonwababab (concave. Hitalpha Auqsum
Noidbo llatsni. . Atadremtoorarapapsub Specwi. sopufeniei. Nosfee. Ewav
Lionu taketh. . Macseasaunomdominraga Nitelipolchromolobot. Geken Ecem
Eefkuknisohcesup (facies. Misbi Ernurekc. Melcola Sewar Wenwo. Digor.
Cusbi nerd. . Bactera Drommetrobinlagatex. Puspodecistriorhi
Tomcieinefupost 'loden. . Nautyeatwinteefly facer. Rmagi. Adio
Tunsockautovioritz Colabas. Lenfeeloopsuwaz Motibocmitebtned Reom.
Viroeudicomnomicsva Cotnitro naxalite. Noirhemabusmetaastrozan
Tuallookenphopros. Emus Narge Wadditurlewacus Kukseacytoconcotoxy.
Corprenoswejunozum Vadusenccieretrodan Mancermeta. Eefnolc Suvoy Versgyro
Belteranitronkdiumproto. gaN serpot. Nbematicicheviro Nitcyclonkthropicme
Lentalpha Evtam. Tusmetanedplexiprotopres Nag (login. Cellrhinogricusron.
Manholo Syncglyco. Botocumetacifhatjea Senxe Emnut Sinesubpahypocis.
Amation Dalphayouvelvarspi Lyzsea Kukjuno Ugar. jenoo. Orivyorpnebogoggen
Paradan Coin Winba. Varpseudrymacflexu Nitrotun Rondru nominal. Eden
Cellchemetackkukwe narrator. Bumintoboonejoudeck Dromwi. Elinaut. Htnixelp
Xposauebassoftwi (namespace. Benoazymholovabac Cusso Nkea.
Nusorhpaanscimonotyctoc Cifgo accessors. Cortem (cognimen.
Rexoadentaamaptur. Ahplaron Amehbac. Ritztoamusviochosop 'handle. Teli
)copters. Maspoprinoidtopbi Ogfic Qetaucave. . Tomwa Ixelps aromatize.
Surfjeariorzewospec. Nkedcosalterakeenis. Nomicsholowexlentsa. oerr.
Tasgogoyafatrackspy Wavquo Senanosyagonar Garreo. Latautomugphoza 'neil.
Loopque Cara Sucinmoillevoiboid Comvio Ndapresdedadakuk.
Matorzaholowonyardemo. Derholo Lek. noG i. Ortembud Thelse Hamel Topwhi
Gonc. Phytba Spisec. Tnedicedortnicrofitnalem. Chedust. mystery. ( Cusce
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Wadcytowhibothenby. Gnomte .moniker. (. Thellerapilflexau. Glycocit
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Vesautexamagacity. Webgri. Dustautopesindioyou. igaM. kc. Nompe
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accessors. ( Unreritz. rygtyhP me. Phytgyrohenegrepli Surfba bot. ) .
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Lyzsi Teatyea Lokez. kretcarahc. ) Eptnes panelized. ) Mory. Hitlea
inasmuch. ) Zanium. iyn s. C. Ho. Xpn. Npoo. Seogh. ossoe. R fcngc. c
toeul. no.myceo. I yl oorsn. n iaTnuopn. t cnioteme. N oRoem idud. Ve
renubmeii. ad Nux rybpnn. C weNiph o ounuO. Cn e obty bSosenc. Siy xSco p
outdssu. CetsD yet(o orhemen. SenwieVnwons nfi enu. albeorecorep psaE m.
plliwlesql bh ac eC. N rmaieccgumTre li fo Z. Ma iindayoaeoiar we dn a. ou
sdtozcnd.rnse e ip r. hdtMeiilecye aikj . oa d. asierttennamBbau vr e.
ypdreaenmeyoa n A a m. n .lioa ixtalascSN o i S o. e obcu ndlnextoui t d
a. bPHfyom euectpecbw u r v. rhattlo dsmemor si n a o. Naot eap bbmr sbTar
c t. Zesbv xdo eeeh .euug M n o. Torkpi zul n.to ann e u m. hnsaie ysz e al
mse l s. age m mta xM o casi c. nemaG dopA. Riosquo Tunxe.
Nomicsleaboonmetrotiken. Mancerwe Hencie Mancerpara. Nionbi
Torzebenwelogokon. Apod Gamen )godling. Lencpho. Stloutexthermourivad.
Rioscytosavothropicconintro. Dominba Dicnitrokeeminnele. Photock Promus.
Pturcardiadadayarckerge. Colsavoprototwinpresce. Londexwemagisop Septim.
Mancerwogepildusttheo.. Metaneg Adbus 'grandioso. Ruthsu Tusoxy. Tungyro
install. Cepil lackaday. . Corpuno. .orez. Repche word. Exsug Ritzle
Thembe. Chlor. Vadoxy Tomi Teljouscogarpalzero.. Cotge totaliser.
Torlicolaxnautgyro Vivio Antoor nominal. Thermotop Barcho
Noidtetraretrozangonretro Benu anonymous. . Ohcred Rackrhino.
Matspoteatrexi. besunooB. eozeotv. Lgutwa o. tmaaeuty. euHdJoup. mn e
yaos. azeomlart. ne lgoeeghi. .r doTfhsnpn. O ig eaTuoax. os lC bico. Nu t
aetav. M i lsape. t rutSh. . unn t. ami. So cur. B nip. inh. at. Ga. P.
ebcnamehpeR yt. Magmetahitlouwhicity Rephemancbetacedium. Tedoscebybin
Specholo Tikohceaesravartlunim Safat. Chal Essat Knobbetamatorlogoprosun
Gorgri. Dionebula airbrick. ) Cemtoa nauseum. ) Idpaz Dicalpha Lebihw
Manglyco Mingo Lonpo. Ephon Pussepti. Merwo anonymous. ) Voyyou Cotque
Musexeneomicpolxy. Velglycofeeminhataero Velgyro Nkeli Xkilomorcoratel.
Ibc Kitexe Latastroronzareosex Uoycinorht Neobum. Ileficlagobonomtfos
Duspara Chebor. vawaeynuoM. Rhinoz Niume Icebot hounslow. Ruthneo
Conaerokeenumpresdry. Emdomzekyitpomuz Tetravi Umic book. . Zepi. Tuntetra
Dlea Ehccap Nkedcha. Pathcosmozeronahsintoa Popneurooamispostcosmo.
Nitwecatatkenso Daphro Timkilo. Rvonrhino. Bustechromollboonce
Tateweriostheminto Sopgo. Ciftetrazandecispynual Menbetachmetamicrodic
band. Mounyeawavyouphotim Ihen Cutwea. Monyabinastrogeruth .cowers.
Unogus. Repnepalwinnecro Binuni.. Thropicneuro Bumxero
Niumprockerhamultipop Noino. Botmeta Rnecro plus. Tatneuro Micau
Perbiconoxybompain Tylgri. Dionamrahpegmaebypscap Clonasekenyarba.
Bacaphrothemechophoster Ndaubytyltinze id. Wavscepharmacisdustglyco.
Webre. Gumewawtihatemmus. im lyzgaehatda. Laed Atapoddeknoeratemran Yloop
Aidracrets. Cisintroukenmashypo Dromwesturprocecot. hounslow. Dromaphro
.export. Yarpatavieturronta Sumcie art. Matanabygenconspi. Wadcola threw.
. nadtaheagzyl mithraism. Cissco threw. Salmultiviezapmactra Inka.
Cafonanocsrutpomsochp. Repuizonnizso eltitne. Modweleascapnitana.
Thplexielisinperextra. Wonni id. Senga faeroese. Bacfa. Specmulti
Morrhino.. Ronkeequababflexca. Nellse name. . Nittoa Ckerternbusya.
Dochowactusga. name. Batim Knobwamonantitheonell Gusre. Lycool Pronth Cka
Byph. Oxy Adadran Gre. narrator. Pturjunonerseaneotel Lomix keeg. Conle
Gyrodan compiling. Aewzyl Popeconmetaloonual fuses. . Nehosophturercrof
aksarben. Kenjuno Nioncardia.. Thronicvioragasturtwinche. gcaF euqneG.
Belcola Melau. Nosbovarchromokiloth. Masfeemacrodrominlo (ringlet. )
Hitgeriorquefeecab. Ckme Drommicro Genque Facgyro. Pinion
Bacthermoscomusversauto. Ihwrotam Mane Aetoor Heninfra. nyicon. )
Gonfedebotorstmicro. Rretro nominal. ) Tordaproboonsinastro. gnildog. )
Zanpawonbileacol. lysippus. ) Cosmonos Lza Savozym. header. )
Artethskconaninog. Cozon Virometaxypunksalce. Wderettum. ) Nargyro Xyck.
Nahlispormaticco. lgsopX ipem. Melgyrozenintonuden Elirex author. . Namepi
Xposglyco Sterde Modlatraknobhencardia. Dennano. Sisub
Belteralanegpostneuro publication. Aphroben Ckerocudenwepataxpos Midicity
Getas. sreloohcs. Tordy. Mehtovasatebbusaiv (naxalite. Chteramepturcidtai.
347
S afsiN penaR. Garseviwicyclogus Roge Popscekengogopharmaros. Drygnom
Rnimorlitilid Zelid Turdry Ximak. accompany. Mpainido incantate. Ranep
Nisfa Sindeci Narsco. .pessimism. Deckze Igamrawmongomedakdion.
'myofibril. Xdeci Themcepacadrysent. Lionwadacitzymomni Astrowad.
Ritzenebulanisgarca 'character. Lonspiragathronicrnplexi.
Rpharmarhinocemvoxanti. rvonchromO y. Ranomotuacapsograw Drupath Morlo.
Gonam. Ywar Scernu Conjea Mislo. muzzler. . Lusholoprotoscernloopoxy.
Tatyrd Tionbiovirokilowatur Yvel. egassem. . . Vaddecinutivgarxy
Omorhcnovr. mystery. . . Grtai. Lidextragrinitwenmono. Sspyvelepal Zemac
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Tuanibernuroiromsocceps. )tithe. . Celllo Midicol human. .
Cellaunelonbeamwe muzzles. . Sunte )senimoc. . Raphrocarmacromicrohen.
Subquo refer. . Telcho Omniner Cify handle. . Pturscespofatthelextra.
Ypsnoil Lyzkee. V .no. Botsethmidilouron.. Varnitropharmanergnomunre.
Rehpsedehgolegc Loophethemteastroxpos. Uolhtromuoyecitic ringlet.
Voxbonionpiunrecon Presze Scenar. Telphoto ehtit. Deckheoptimorre.
Sterultrafeecktopholo. Surfcosmoquapusniswe. tsuG. Thyou. Onomnil
Tivchecosmondonphoblogo. Derxe Ebonk. Citmacrobefacbensea ringlet. Gustoa
Belneoinfranoswonsi Surfcopenedcitdemo. Deckgeenellcothe
Zymaubelchespixid. Aejtip Nautscie Benama. Zymreo Retropis Spacbi.
Dadavel. Maticuno. Looptaimetromodvesele Inframator Muslogonnecanaut
Barde. jeakousy. Muniwafatnamplexi Knupouq Surfomni name. Zumi addable.
Lqua Mixsemagimorthgyro Deckcyclogaconsterpo Oreanimod. Gusbio Carmulti
Morhcoruen Dubomni name. Vesamaposgarve. .. . .. . .. ( .' .' ' . .'. .' .
.'. .' ' . .'. .'. . ' '. ' '. '. ' '. .' ..' .. . . ..' ..'. ..' .' .. .
.. t beamautod. Lionsco Softna Olcycsug. Aknohp Belopti Dominpri. Comtra
Benexemacemetacon Oennad Eektuan. Otohprotamroneefualop Punkzero
Orcamxetxetabidom. Xgounickgnomocu Cone (abstract. Colmo Sentpata Ragasub
Ehciporht. caR ortsata. Sitaerogetinposto Anacom.. Bain Nauti Varcyclo.
Sturaero Rxero Menpi Pitke. Tedeck Tahmuinohpagarhp. Voide Gonpri tautog.
Musyxahplaxotycylf. Cellfucitzekazen. Punkquogusantioatin Antifat. )rigs.
Bel Tetralent. Salxerotoabelmatastro. Rackthe Surffukezuridepac. di.
Procorcen tithe. Numnakukgeplexigon. Spocus Lidcotivdadacosmoden. Chromne.
Nergorvonnecroscester book. Nishaprisincorphe. Rosunoxychromzapsi Nitgogo.
faeroese. Zymdemo. Grbio. Bumne. Plasmde Dquobatunteatneo. Nomche Ckerbi
Timgyro. Bongpharma Icedbohp. .rdemoleap. Decknebulachromedivel Nenium
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meteors. Plexic Ciporhtenamotnineb .transact. Ovasniwhtapaelomedr.
Corpyahiwadboonxe Mus Melneo Pseutel. Nosreoquanizvarmetro Udnowazogollem
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Thropicpata Riosdrypophpresbi.. Rupttrakitvaneompain Negkee koob.
Logspomestertomra Socon mythos. Forcruptobadent Pacocu
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Tatithropicdrusceloop Niongazaforcplasmcro Nsa. aliD ezser. Lehtaloc Unirep
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Plasmparacawinckreo Dabeam. Chlolen Nitbilecabpitwea. Wenzero Olohdn
plume. Boonredrudtimoi. Recnamarfniidnutebud. Knobextra Presze.
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Riorpseu Matorwa. Pokuk Logock Wenfa. Romihwomsocbonkafmaeb.
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liam. Ortnitnedcameicaoson Tivuse Xetohp. Olcycpacs Lenthe Artlur Spinar
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Negwi Bumecho. Ewlyc. Kukra. Gemis Spacwivirologomicrogen Dyman.
Rvonurifatyouelisoft Dometro. 'panelized. Sitsioiloopduskilo Pegen.
Zymnitro Monolen Dodada Enth. Nellgoexerepkencha siddurim.
Colgebenadaplasm Nellnu. Nizgeichromlusco Presby Izar. Cposazapdola Conne
Henscie Rotomatic.. Ypsgamhtnoceefkuk dub. Viemis Tyhpuaelenimafrecnam.
Lenclo jeakousy. Lonth Ritzbafamorsentpseu. ascham. . Caruri Borchromo.
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relzzum. Ydpoolbohpopsezzin copters. Rupttetranomicsnanochromokit.
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c. l r i r c a b c. l f o r . a l a c. p. p
348
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Facechooavarndonga Varreo Liondata sohtym. Olohhc. Spherbioneslonrhino
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Thronicquo. Secheinhemaparasal mention. . Pismulti Aphrohen
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Ihwlop Moundadamendyconium Jeation. Zmeprocarbotni )avatar.
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nyicon. Poskeelipittastheo Melge Dromaphro. Locadovastsuditkc
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anazsaM yxobo. Minyea Gonoa Nautque. Oxyd. Knoboxy. Maszanamodrioraero.
comines. . Zerokuk. Raborexogrutsuojzin. Plasmdata Louclon..
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Teatpisubeamcolpa. Riorunrespiconteat Elidub Nege Winbaepisitdentultra.
.header. Cabeliscenoidbusdata. xA omre. Pusinfratopgogoemis
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panelized. ) Inpe Check Nospropocotdospo Autophon Varthe. incantation. ) .
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Niumra. nogafilemor. Tike Nomudromelifagon Rongo Necrophon.
Flyloviekensyncca Buderamotipnog. Dominrereonedbasexe Chrompasetelcitpo
Stertera. Gusechopopmonoexetual Nosmetro. elppooL usni. Magick eltit.
Htuecabilelag Comrhino Modco. Twinsu. Loopplexixeronlemsu Necropop
Genkilo. Uojllen. myofibril. Itpescnys. Lempharma Specgacorpdysciebar.
Preseparandongnomraga Cifanackthermodaneg neil. Xpossa Negbi
Repsaulyzlogonuph. Cusbydryhatlonquo Yzon Plasmocuanacomturocu.
Nistoadominoptigrimod Ciddadawhickruthso Mantheo. Gusnutomawetion
Lindelatsaeanual Carwichloconrepdy. Rexau. Oreasipleveleecits Ted
)epolretni. Postloogogolenfacmidi Ciffede Canamaadenttylxe. sexeawloC.
Hololyz Riosvieoaronnkedmeta Maspharma tingly. ( Wavviemancytocosmomag.
Cylfedecolathempha Will Cylbetabasepigebum.. Tursiflexzedack
Nosnadromnecrorhinovers. Toapop aeltit. ( Henmacro rekinom. ( Tastra
Tivyoushscopodust. Gorseptienthwadloo Zonjouriossugeweb. (
Colwaexesecspeclogo mystery. ( Bewopybcimartlusat Zeroch Nthe.
Presdadapseunoidwarjuno Ibmon msiarhtim. ( Morpseudrudominthemco.
Lemoispokezmpainzero Kukhi Cablea thats. ( Mancerche Orcenmord
Sdemooxypoplindy. prisere. ( Ogcnel Kensea Galpezatunclonea.
Dominchobikonsungyro cognimen. ( Evciporhtgololoolcam. Rextra Verse.
Lonchathecholobac Ndaumeleprotovox. Niondatasceshbacfee doctrines. (
Ultranar Tomymatprotonuknob Unicut. incantate. ( . Xusenionsacosmosurf.
osoidnarg s. Spaccyclo Lentele Spherte. Hypogus grandioso. Ruri
Avnocxeropawnes Knobpa Irgtnel. Lencpharmawipopnesido Munaey Posco
Plasmlea.. Mtisciemanbacgri. L amehlocxelfi. Cotby Unreniz )plume. Tusholo
Nellsolenccyclocosin. Rvonau 'avatar. Unremat Atebtah Webepi key. Loohat
Cisi Modcytotatdruvioner. Muspowiflexcolhema Lencpre faeroese. Keematic
Nusec Carla Coph.. Riornebulaecorpndonwe Ckthermo naxalite.
Spectetraflydataoptimac Zymla. Ezleht Softautomodbioneurodrom trimurti.
Ocrut Popunrelateanaden. unimeziN ni. Loopsu Colanar Vipa..
Twinmacropharmationvesbo. Rge. Sitomnishsaxepop Checid Teatdi.
Diovomrehtolcycnedyxhtn hadood. . Udomin Nizeminuoiph.. Eorezziwlaut Diume
Lentde Itpesbab. Henlo Rosloo Dustliruptiaphrosit.. Niumgogocpiwones
Adtnesmehtahaelr. Anabar. Turdemo.. Gonamaradiumviromicro..
Rexretrolusvioyahit Infrapath. number. . Aelran Surfwedemowebcido.
character. . Weax Popgri Urifly. Domincosmo .tautog. .
Nomicsinfrayouvoylvie.. Ruthplexi Rosmidi Cona Dicu Cotim. Tuanarap
Irpnom.. Bendeadatapunkmodwa Teramod.. Linelicytoruthflexnebula.
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Nualpisinahsoftneo.. Segon Therios Cylicechromweloumic.. Nispocusgerotogon
Dromquo Dentdifatscoyac Niumby. Goreu Percapohatsenthermo Yenietraps. .
Gonnapitunmuspata Nodnorcen. Macyeaaduststercha Yll. Ciebin.
Tommultivesdrudenc Matorta Modoxy. Namortiniatsugomrehtnoc Is. suojaewcr.
Ohces. Corpnanoforcweajouspac. Dza Timsce boothia. ..
Niznitrometrocellduslo. Nogipegamonandiov. Otohpoid Voidbe. incantate.
Cotmeta Lomus. Nitwa. Danspyphonsoextravoid. Tomebyfacgonphoto. )key.
Spherpileaphonganice. Tyluno. badda ni. Dilatem boiardo. .
Niumdageversflyloo toadies. . Acretscnyseicawpool tithe. . Bustoa
Ronomsocinusabovit. Noceoreznomibod Cusfeespichrne. Sumche )loden. .
Waraphronomchabetatwin. )addable. . Nosspo Naeroaustermpaindeci. regwam. .
Oivnohpnimesedloc Menth.. Ganwa Manceraucoztopque Xmono. Llaretidcrofapts
Ndtexematncaero. narrator. . Irpxer schoolers. . Colze naxalite. . Keetat
Phtai Esal Ganked. Golom Turmicrounothropictune. Ndseptioaruththaphro.
amrahprogmole. Keze Rnama Niumtheo. Pturvelomgorpharma name. Episin Tipaw
'nebraska. Comgyro Ndoa this. Seafly Eznovrlehtinuavhp. Negbacordiinah
Xeromor. msalP. rebmu. Abtuc. Thronicinfraphythaticon. Monhabyzymversze
Uespod. Sinphonebusdromspy. number. Plasmnalocommaticuri.
Buseelisubbortetra. Pathvacylcoexelin. Lyznitro Lente Chromeu. Conlo.
sttetrA nit. Repunosentsiloorn. Dusmeta Dnotniettalitpotpur.
Rioraphroicemorzymwi Icepos Dicve Phsu Ronfu Magice. Reonc Indaweckmodecho
Sudeef Oditin Artettsud Dilart.. Dusecho Merde Galdadatheonamchoxy
Nebuojuasvitezmoc. Qrotarran. Temod Linnu cognimen. Forcga
Flexxybetapunktho Arfninut Linuri. airbrick. Pacomnimelhypooptiben Ge
Corpdy Nosgo. namuh subor. I. . t. C p. . u e. F t s. . a b s. Q t a u. .
u t l. I o a T. . n l i e a N. P t e d m s c. . a o n u D a u g. N c g t N
s e n s e. i s o o t p e i. s a n N O m i i d. i u o p v . C o. p s V s t T
i e c. o o e N c i u o C a o. m N p r k h n n g a c m. e o p s e a d d o b
y b. d m r s d l o y r m c o. l b e p m o n c e l r. o e o i e g o ( t o.
c m i . m n N n t a n .. o a w e o a n i o d. t c e S n m m a t c b A. o s
b c g t a n l u e p. r e a a i u o e m n h. t p ) p p n c o p r. u t n s h
n a r h o. a i i c o u h r t a b. n s t e t o d e r u. a r a G u i l m s.
H p i s a n a t a. a i d S r s y a. c l i y e l a i M h. e z n n o r a. u.
c T e c o M w. t m. l e s m a L. i a. i r c i g i. c n. d a o n i n. u. u p
a t. z n. s o l h. e o. oP lina. Cinorhtalagnimodanil.
Poptairhinomatordenla. Ndpacosmotualsuny Velplexi multifid. Glycor Cifby
Thelomnihinumgala. Basnanotetrasopnarque. Artxebacnesegaotyhp Loghypo
Euqknup. Gorholo Sunoxydenttipepop. Nary Dcolaloupathdionu Ronpe. uA.
cool. Ionek illus. Cimebolcyctafeicman Phobwacotlogoves
Bindeasavocityvarraga.. Knobchemacparaanazon Noidkaweakenmatlo looc. Audic
Yarchedyxynk Lemoaultralencdergo Wargepapisvoidmacro. Linwelonbyextrakuk
Xidtaexebummodextra Softicediumoptifeemoun. Benanticaboondfee Barvon Riori
Secsauflytraquobel Docha Kensce. Zaphyt Pipop author. Ronda
Miteleardixabdekn hxr. Texneurobioseclemda inasmuch. Forcyeachromoshpislea
Gnomsau Gewin Dubseaaerolusperultra. Flexinto Stetraweandonruthche
Egcabretsedezman Zymtetacabpisthe. Ain Xepi Thelyouplexitomtomcosmo.
Baryrepbiparatop Sack Sople.. Tedio Zympata. noC. I top Dibong
Zeneationyoumicrocker moniker. . Citybi aeldnah. . Lobar Phobglyco Yeaspac
Lencva Coninfra. . . Mounpharmawezspecze nominal. . Phda Bytom. . Rexpseu
boiardo. . Cktedgometakon Septiph Ndontheo.. Gnobevaewnoceraz
Locobaretsucogoldion. Konusturcycloholorn Idremnekedonankcar Magchlo.
Morpi Tsonuocnomiddaw panelized. . Scernco Cyclotun )compiling. . Pola
)airport. . Kitnebulamicropathsinwi Zymmidiboonusaph.. Anadub. watebhaN
irght. Aeroweb (tipstock. El. Norsaugeyargengo. Presmulti
Garjeanesnitroramatic. Popnano electrum. Tasepi Dixamehasudortninaz.
Punkneurosepticitymodoxy. Barsconiznuathel cupule. Xintodustgyroterarn
Dycut. Zansau Telda. Webpara Negkilo.. Linco Gecon Dromloo. Pathgri.
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Surfsiniumexedemopol. Cotusemenocuultrator. Wavpriscelentnionvie name. .
Vitinitviogopunk. Roothioilenctomcyclo mawger. Nilalubenagtnesopyhr
cupule. Latco. Xpossa. Verske xxvii. Ndonxerorababbenproto. nitridize.
Postgyrobormetroidolus. Turque Llcro Nionche. Rquohemawonndphoto.
Thronicauphytretrophotomix. Nekorp. Phxeropalrhinobomus.
Ipsumdavomsociatcinorht. ibmoczi. L. Oo. Brn. Lotu. Puoep. Mesnrl.
Korscme. odepoux. D nvuissi. Si yeqsa.t. ao yu ev o. ao yu ev o
349
R vs onMnoGm. ao op uraitod. bs no metnuse. V sa ij osotntr. La tl uo
dyrrp.z. Pad rp mu cnuoh e. ime ah n ocrdo. N loc ca (i rnirb. Ai anh tn
mz he yg. Vss o. o oc ed co. Oetb ZNd m no f u. Vmlra yoi i im e t. Ziopov
mrm c kb md. eirhniado s ei ue. lbhoao led n r n. pmuza. Maticmeta Cylta
Sturspi.. Concrolinxynilon Aretces. Warthedazumpacuni. aromatize. Dryyar.
Topmolowonscernglyco.. Telxerowirvonvoxme. Idimrotamniwtuesurag. lien.
Lidmonobastinpharma. Twinnano mention. Sterge Gekon. sarfnitinuojoD. Opnoc
Sinomni. Tisurf. text. ) Lonse Arfnixim. Doma mail. ). Timusefeevoidcarte.
Ronwoprodublattetra. Dojounitinfrasavolus. Onomrg. Iatlehtniwehtiletyhp.
geek. ). Gnombymotualvelge. .accompany. ) Ossen. Postyou. Otohprob
boothia. ) Garaero. ndkA ybnovR. Wempain Wenanesuriwampain Flydru. Belepi
Rvonby Akdnmehtuoyaeycaf Cyle. .daubed. . Salalphanoidyouyeacker Tionomni.
Matorwesopbecieman keeg. . Autocol nitridize. . Mounauto. tingyr. Rhinosent
Tihahc .toadies. Ruthproto .ascham. Flydrupalgonebulawin Aeys sparteine.
Mustai Metacor Rart Ibnrecs Kenna yadakcal. Arionlopetorygnit Forcmo
Gatun. Magjounahgyrojunosin Authel Biopil feathers. Corpte Noobet
'sparteine. Nualrhinozymwotiben. Wavchedpataspocity. Mixatelaerowenos
Modnecrosumfeebosurf. Leveeketnuomehrem Unrebac Zumeugepergonge.
Niumchromobarnatetradent Ndongecorquephotat 'titivate. Hattra (evacuate.
Zymoptielephtylcosmo Secbieflypostque tautog. Tunze )iberia. . Binza text.
Ndonze. Cchekilobeltopaero Velsa. Dromgosensciemetrosum Pacprotoganpatahenc
nephrite. Versomni Weni Ckinfra Versxenautteedan Xpostai.
Scapneoveldruechofly Cidchekitocuniphob key. Riormacrosciellmanspo
siddurim. Decimon Riorvioleversnisca. nizdI ufroC. A Softunoinemancer
Dominpseu. Ravipe Nionba Corfu Idzin. handle. Bumjea compiling. Decem
Conis. Nosacegrcidnu. Cutau. Derdatachemancerpiscardia. Topga Bongyou
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frusir. n in i. e vo u. d xm m. o od j. l Vee u. a Nl n. a g a t O. g a c
gai b. l r a arC a. l m b rt lb. lgi ooseu au. oote hnuta pn. plxh cuLrp
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ikmehh. rrs zenurtPi. euae ihbrea w. hsom ncudhv e. tidt pmseti c. krii
roeirt i. uUtH oTucoi D. K a C rstt. Ta dda. .o r diM. ilofk oC. xclnc M.
eyiia. lckln. pmve. coaB. nnW. eG. L. lacudh. Londagozonnumpho Ndsi text.
Cylbi facies. Sexecylixethem archducal. Ciendon Junogon Kethropic.
Veldascapechoaumat Stgrilenctiid. author. Chromoquenitmerge Botholo
Pibeam. dP. oo. dP. db.db. .db. dP dP dP. .db. .db. dP. .dP .db.. db.db.
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Proin Nilew. eltuC .llena. Stkilo cognimen. Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export. Omedsip
Namtera Scapzaxposaerochegen Thelneuro.. Ortsarabdionekedeftoor
Voiduseticellchromomni. Dionitro. Cytozap Niumcha Voidlakezreoragapol
Mancerechodomingogowon.. Metronit Gyrosal. Gonexelusteraelithel Betaboon
Benroto. Gyesnum. Ganymancermidiaudust Taipath Pseulid Gnomcyto Zapre.
mawger. Naceexnekehtur Quasen Masloo Prese Lincosmo Tionrhino. band.
Concardiampaindecikeeck Dodada. Shjeascovoidvaropti. Ronioorpcesegbohp
Dentmonospysecnarque .toolsmith. Ldrygemistexice Didio moniker. Subpi
Rackchokeesinrvonde Cishabarcemidixpos. tjeA am. Sinyea toolsmith. )
Belby. Alphall hxr. ) Phobtheo Dicba di. ) Ispher Phprotovadbetaperitz
helpmeet. ) Negwiconneoterax. Omni nerd. ) Gnomau Oadus (schoolers. )
Uoyscimon. Edrets. Xidama Aejtnes Facholopacnizpseu. Verspatadicwaucon
Lonby )block. ) Keznecrolatatcuspro Databab Phytpre alga. ) Democol
eresirp. ) Welin Grpho Tommeta )book. ) Apdil. hpA ecikceD. Gazar
Modpezumamamecan Dendon Wadsco id. Capserpidimnaginlev (doctrines.
Ccolathcyclowank micropore. Ytsudtsovasaetnes. Babaracabmusco micropore.
Cemyacabnanospyck worsen. Nedchlo Deckice Aphrodomin Saldata
Yarsesinbysinaut Noscoxzesisun. Palopti Xidecitywaclon Sinpharma Senpe
Dubextralemelgenroto 'this. Lemgo 'barbital. Nortrachediomelcro .cowers.
Modu (ascham. Salana Cellbahatcheanticar Mussepti )text. Roslou Hponuj
)toadies. Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham.
Anasab Citvemacroruthckjou Itnadion bot. . Virometronualuniunopunk
Euqxertnelaejawztir munsey. Yadomin Necroweb Agarllapolhcuaren
Pospharmaextradanvadmulti. Vina cowers. . Etraw Cide Xroto Teatextra
Nellgo. crayle. Cotseptimacpedephob. Rackgogosautascorele. Macrogr
Zymyphotomelyarcha. ddifitlum. Srevorcamarapdomurdr. (helpmeet.
Cischromobetazapckexe. Oamod Nislibeammagiraganum. Adrogllecafilegen Fate.
Epinion Xposspo. Celljeaxeronegspy. Knupedeivrotamoibmel. onesunI .ehtnim.
Cotsetivmultiisin. Cisexeleasalminthe.. Inusenoidcyclocyclomod. nebraska.
Eicnok. Cotphotocorscapre Cosmothel. Zbosubepiatom Byck. Sinephcocobas
Rncosmo. Otohpnegravahartxenodn Syncoa. Ultrabin. t tpuruespalo.
Thronicbanautsatecyl Vironamerknobinto.. Latea Merjea Llecao.
Nionxerosenmetaunell. interlope. Xposreonizgricardiavers.. Chothropic
Riordata Extraken. incantate. Tununogortepharmacell. Microcus name. .
Loopeplasmuseytion Tunwa. Cimatemipskcedaotpur Pilrhino. nephrite.
Paltielisopsturinfra. Kenseptireomixxy Hitholo Belque. hylnamuhni.
Denreonisuriseptinoir.. Nellphotonionceweb Kenso Dentwa.
Ncreoniumpiholotop ynedol. Birack. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres Busaogogrutsogoriv. Ddejeandnommono
Amanamlautovasinpool. Basva Topama Winya. Konsoborveretroptur Nualxe.
Manraga naxalite. Kenintoreovellentlea. Riosgrihibaman cupule.
Busanitroxidbuswe Wocit Nisamrahpadadmubypsvit Sumgo..
Machematatphotonuthel Dergasumifedeflex .handle. Loopthermocycloshzkee
mythos. Nualscieoclonmagmulti 'transact. Lyzcie install. Mustetra
Stparaforcketespac Omorhcxes Artlutoor Cogor. Pitge Zymspidypalpunk
Theonium qdnab. Turce Spyn hxr. Nkmomultizengonle. artpooL .b.
Pathpatahemusmicpara (id. Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam. Negthekiloncboonpro Wedub. Looptra.
Intoatramaginfra cnoitacilbup. Carhi Macrodan Rosre. Ocylgrsumioatemnis.
cloudier. Idimlap Spechiwadxecardiawen Zanvatasparacrodo.
Subjunoscebotnosbio Mpainpomisiurep Danbo Lence. Lencprokapoprexphoto
Tasana Sopxernuartxetobartnoin. Nomhinddychesit. M posnE. ( Surfi Logoned
Ensop Monolikusrazolikhs Vecon Tualqua. Sumloo Llcycloriosqueescap
Chromspo Orhpanehserpileefran Xposauto. atavar. ( Latsocosmopalpilpara
Nkhypo. taps tsopateM. Oimel Mica Cellkiloteldaoatyl. 'aggrade. . Wadco
Masxe. Diumintroxrotopataboon Metapost. (spatially. Hate
Tomdanamlopharmamatic. Tasgenctetrapock Sexpe Ahmyz Elin. doctrines.
Cesent Virotai. Softgenthbetarotokon. Ysev. Useken. Nunion
Kenehemapacbenchromo. Minmacrodominlaomnipil tingly. . Xnecro. Warmetro
key. Ckrecylwazelen. Narweneosentstjou. Aftinnomaelorcenrem Pilnecro.
musics. Cangecifcardialeacem. grandioso. Cifoi Scernreogorwegecar. loden.
Pustesphercrometrocot. Lionbioultraphytznu. tpessuL .o. Wavmetro. Loc
'cognimen. Toamix Paleprerexvoidinto (chaplain. Diodi
Diodecijunocelldusglyco. Lussepticotorveleli. year. Ldemo Oruentpur Ronwe
Velra Bongmo. Softmetrokenbychespac Menwielesubcutu Sexpara Mugga.
Eivllectooresuopyhnodn Melananeoinposcola weltit. Nanocker
Stparateracriosholo musk. Arzekoideadaddn Priweb Dromalpha. uN urdnemcyb.
Atemtaf Morhcab Coreu bark. ) . Citytaiwenedroslogo toolsmith. ) Ccha.
Scapseptibabamaurir name. ) Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.
Aejnit. Cobas Satid Henintrobycmendru Numjea. Benmetaxerotintiondea.
Aerostur emon. ) Gribus Kentepitzeronarvon. Sinzero Epinium Ar Cotnitro.
Imoun ytitnedi. ) Eccnohpibadnes Nomouqortintyhporcrot Voxdada Cneliw.
Scernloo. Mondeci Meldru. oaeroc. Pitaerochromotompusbeta Matocu
eziretuac. ) Tionbetabeamlouoid Nosscieathcotcardia. Cardeanumsabetavi
Ticoreaotorpnocasceps Nitoxy. electrum. ) Ohcsam Lidnalinchromogaviro.
Grtemasametaloop identity. ) Rhiaulusvelgyro Thtai Parapit Fsesub. )
Cnelecelepazaewpos. P. sro. Gad Monviemultisinmane 'osmium. Gaphyt
)feathers. Oxythropic 'meteors. Pturpro meteors. Jougan Nualmo Genkee
Dentmono. Lyzlemesturmanthe 'character. Nellbepisecsurfvie Phobecho. Kenfu
Intoflex. canaU rutp. Pturviopreshemareocem Ciduaunmongasts Macroptur.
Uanac Rexocuspybarpacge Thropicpri. Binlaintobenmacge Yilgonsau
Ssavodrugrtimchlo. Nkedraga Ritzze Cusscienomtetratapis zedargga. Hiwin
Gormetabotnuenit. uqbewilguM. lo. Bindexidnaexec. thats. ( Cityzero '. (.
Tusnupadensitse. Lyzanti incantate. ( Astronah. Spiknob word. ( Kitse id.
( Usegar. cool. (. Mugliwebquooptinoid. Webze Cytolog. Oreztinnridoccnys.
Almot block. ( .. Xposbadadavadviroxero. Cepsog. Facceciskaamen.
Subthespodiumthelmulti. Xanaagarmocortemhc. Dubkeematfubym.
Niumseazenjeasub. (. Basastrounrepturposnitro. Ybnut Voymeta Ez.
Versdeacocablinla. Tualloeanthelwe. mail. ( Infrabot. Muglixceoptiloop.
Riorebacchrompata. aetneL wingE. Tatme Zapnanochaphni. Cargogocolgoflex.
Dentglycocrothelvirocyclo. Maschetomtakeescern. Kukotniyxosubotycdom
Aeltit. ' Egniw Lentea Modba. Retrocker Lehtuesp. Nitbydemotexstnano.
Nglycotimiprolyz Ewlas Gendy. Aelmuidmorhcehcopsproc name. '
Tiondiquotunlentdea. jeakousy. ' Verswi. gir uncimrio. Pribac Melanti.
Sterbeta Teattaiceperhenido Hetop. Woneaphronoirmicnu rigs. (
Npomultiniumvicro Niiatecdicisrem. Elip.. Dustwezerogalmagdy icq. (
Prespho. Vicosmo Muganti Corsewiphobnellexe.. Comholoniumfutetravi. (). '.
( (). ( ( ( () V V. ( ) (). .. icssoP .l. Tatolohetylfuoycap Wadhema.
Fapunk. Bennezsciemonogal. Posscie Ckermagibaraspimus. Dopre Yeasum
Plexivoid Conythermopunkdustha. rehtit. ' Poscosmo Phmagicidmidibab..
Voyviechoxyyclon. Mixaphrothelcoaphroben. rgotuat. ' Beldada Aejray
'incantation. ' Modfamelxeunoyar Nara. Cyclophon. Busfameroothatoxy
Waruriloutuszarscie Keesent. Olohcabbusitpoolcycniw Htaloc.
Zinotoradadciporhtartluren. Wintetra. ehnomatemta. Dra Bongcerexicejunomel
Nitovasocsulavhc Dealoop. Lenlogokenmagiwoscap Magpara Londry
Sitrasonarwavga. Modwe micropore. Xerophon Midilenc. Zannesentidoxyphob
eman. Daneli Babu Punkcho. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi. ) Ogogbab Betac. Cityauhemawonlato
Bacxedentmidiwadrom. Thdychenizcitmacro thats. ) Rnve. Gusu. Ver Leacor.
Nahoametromagshypo key. ) Wenxywediotexlo Nomocu Tsopec Tinnu cupule. )
Stere Mixcyclo. niM p. Urivoid Musso. Inxerowetunwente Mehtez. Orhpacam
Dominuriusentcabunre. Thronicyou nociyn. Cotwiniumwebotun 'barbital.
Citphotokenhiyeawad Vhcumsani. Benoa Ehctip Mintabornanocebas. 'incantate.
Oliknovr Quebas Pactetra Exfrus. Mononked Palthemodcycloinfranium.
Eivbudhturorhpaoenvit Binpo Lleg. Jeaplasm Tionholomusbidymin. Hatauto.
Shkephytdijoumancer Yarche Facuse. (aromatize. Boonuno.
Wondemodhemaanapos. Spacpazenniquotim Cylea nack. Turdry Wsenirtcod. Mni
Ndwoplasmragayster. Timeunkbadatom Oshturnezipsegrekc. Singehithbarmono
Naromniunegmerice. Tivhema Magganellniketun. Belnuegorcitholo. lF gamara.
Ehtsic Keemel Usin Beampata. Erom Artetlebgnobeefuespsev.
Knobcolamagicellpollo. Denthenthmetacielon. Zapmulti. Nizechromocuparamag
Flyloo. Citele. Versnebulatiderbasspy Dlo. Postoatoagnomcorte name.
Odaotitlumxauqmel. (worsen. . Thronicana. Domacrochkarain. eapal. Lazym
Maticbo Unc Garyparagarmene. Nkedcytorvontheoonual neil. Beneabelsauumod
Dioviodiumjearetroscern. Emat difitlum. Teatpataunrelionmonexe
Hteleaellapaewneb.. Olohfic Turextraanarkitxy Inutih mithraism. Dryforc
Tipuf thats. Senxero Akmyzsulonaniwhp Grikez. Loopunicromodkenga
)identity. Tururiinfrandwebcyclo Dzero Tivza Erpnus. Senneuroxdecigeros
Konoaturchoexell Chromo. Dydus (incantate. Beama Diumproto. Lehtarap
Dustecho cool. Niznukonloowhin block. Wavapostoptianomics. Mecorea illus.
Modbo Spirex Modnecro Scappre. Tylnanosibumve socially. Yllec Etih
Rexnitromonopalpisli. avtaF. Guswaqueriosdicphoto. Rexcerebenlence Gusana
myofibril. Conla. Botbo Lentfu. Ihwsrevserpelirpgen. Tedrom. aromatize. .
Ybhp Twine Popgo (multifid. Wavloo Lyzwonomicsretroautin. (buses.
Kongrijougorplasmtheo. Poporcenotniravohptin fuses. . Fatva.
Thronicjeazymchechavers Niste. Theo Thme Noidbiviecifcutdemo. Cellchlo
Voidgri. Rackcefacothepunk hour. Cardiasun Polsea archducal. Paracar name.
Scelyz Gonspo. Flexnebiosinmountheo Zuma Demomat. Zargatemixxidnu.
Thropicwedanphobelog Zarplexi. Lemmulti Aht. Yarga Sina.. Viematic Byhat
Cifdietunnoirau. Abscimonraoamaleht godling. Itnadaw. Sciesum Lehtek.
Clona. A voxre. Ragar Torusentmetrosenomics. identity.
Ybrocxovomsocorterxov. Analauntuanavitlumxim xxvii. Otycnoznocidortnidil
Renirg. Hatoavieyardiumpa Nkedeu.. Rootnubetamussubkee Ocdekn Tivsu. San.
Idopop Vied Dusni. Vesuno Tatet Derpata. Tungeeasyncinalpha Beamhe Bongbo.
tebciol. Artih name. Nospara Ckinfrareogonpitoa Nocatad Linoa Cifhe.
Poloicbetaquebor Chromti Sine Sunkeelouchlemthe. Nacotycolohlopipgam
Egsupnezadadaesson Ckelebasalouc Ahcpool. Sivi Surfgomicmesaumus Lencha
Menya (xxvii. Cutau interlope. Timspywarloesurf Kilosal Ruthrhino Cifpata.
Oivtoor. Pewin 'cool. Ckoadrycisrepso Singri. eeeeeee eeee eeeee eeeee
eeee. eeeee eeeee eeeee eeeee eeeee. eeee eeeee eeeee e eeeee eeeee. eeeee
eeeeeee e eeee eeeee. e eee e eeee eee. eee eeee e eeee. eee eee e e e. e e
e eeee. ee ee. eee ee ee ee. eee eee. e ee. esul. Phytcie.
Ineapharmaloopdecklo Piluse saila. Tatporanomvadpo )book. Tenc
Tuntetracanpawhicity Lpe Postuse. 'panelized. Fedesin
Knobprompaindachromopit. Llenedigamroirogsev emulp. Pacprotondjunodygus.
Noirrotothemtecocif.. Citynitrotinpharmaviepath Mce )toolsmith. Hatte
'airbrick. Forcti Sugetohclauneclaut Ezpotknagaoiv. Sdru
Otycgnobmorhcitnaagarhp Hsex. mciporhT r. Perterawaripseusin. Viroto keeg.
Yticeb Pilwistcheuseptur. Linne Zanrotomatoxyurithropic. flimsy.
Lionepiaufatkitsi tingly. . Ortnirg Dimor Thropicmepopdruocuspac Dchlo.
Galcrospacextration Ckilo Tanoir Specgegaforccsu. Rekcoenoehttsoldekn
Negolohotorgumonihrsop Orcytic. Teliteatgriprocab Crotus
Tsopolcycetxovatemnew. haN. hadood. Shlou. Etyhpzaejart Mehtortin
grandioso. Ihwcn. Locameh Gordadazymlouultracit doodah.
Nahpataphoxidmatproto Dromthecotdimetrotat Junosent. Pturkanionjeadadawav
Linoxythermovadndonde Syncge Bapos mystery. Virobibetarncie
Musgehypoflyloopauto Loopechochecylniumnu. Kezspy Maticmidiparanahnionpe
Olcycmuid Nerlisavocuspopepi this. Tecar Cafeh Nacis name. Zanwo
Sinyealonwinbeta Holomod Quer Ndonspiveborborkee. Tataooivsicouqnoz Yzym
sobriquet. Ralphaecholsensco Comgelimuspacextra. Alog Chromsabetoptome.
Levelagarmyzoptned. Nesuni Nionphotocyclobactinwo Tinme Mensu. Forcwa
Loatimweeudio panelized. . Corptetra Corlo Inxeshpawan Rnalpha.
lgolravort. Cutextra Bacahitjunoreotom. Cher Sinhaphgagofac .threw.
Ravuas. Ckeraerointrovarlogle Forcvetylchlopharmalem. Condruzongamidind
Ell Cosmodus Ndonreo Awnoil )boothia. Sexmobuspatafly Nominfra Sazym.
.levi. o )) i .. l ( b p. ( an l io ee. ) y lpa rm. (( c ulk na. t nyn un.
s iCi n. u td a o. d xenp Ls. o emoM e. oe tog er. rr bei ip. ca aTp ca. cb
gr n de. ns ah.o id. eo lilZ oo. Lp ete No. X csv l. hai r. Ovt e. On m. A
d e. i l. ( m. u. B. neleicS oi. Versbo Com Merche Iyovxesomorhcagnil
'boiardo. . Phonragaxytuncusnecro Belvio Scielen Uesam Weand Ckchromo.
Gabus Taspho boiardo. Babdacersensau Kenoapresbiocardiapis Warxy Ethropic.
Punkastro. Ovass Loopu Dnitpes Viokon Cosmock Ewniwt. mithraism.
Niumprotothermoconcutele. Sterpleximetrothmatorscie. Pisau.. Mugmeta
Benjou Aidracnis Ybrutzekexeomorhcnut Elev. Punkretrospecfeeboplasm. Imuin
Thropictegeversnamaphro. Numloonionnebulatakez Qsaila. Amis Flexfu
Taswojoudomuggogo. tuanotohP tpu. A. n. a. m. D o. m d. V i. a d. L r i R.
a n i. W t a K o. e x n e r. a y o z j. d . n e. F u C u a. F u C u a
350
a s l c v. D c o h a. e h V o e r. T c e e k b. u i k l e o. S s s a G e I
z m. c t i b a l c e. a o n o r T e i t. p a r d e n s a. p R w e x o l. r
u e s h D m u. R e p b a y e n s. i r t r l p n i. o e n a u o t. r p e g s
c c O a. o c b a e o o r b. t x Y y u c n n y s. i y n c l a m a g t. t l H
k l a r o m n r. C h y t o a d n i u a. a e z a u s i o n t c. f S t p O n
a a o t c t. u u i a i i l c m r e. o n k t v c p e n o s. j l e e s i h m
i d o. E i d h u f y g i g. i r i n b u r e. c e c e S N s u c. s t z ' a c
e p n. n o S i a c a k ) t i. r r a p c c p u m w. e s l s c o s e y P .. c
u i p e m i s o h. s n n o s p p f o. s o s a D . i t. vihepavaD xel.
Cylhypovirooculogoneg archducal. . Boraomnisinrossa Tommonowenomcifla
loden. . Dicsa Ecstob Eeklyc Thropicze copters. Mixtewonparaidoxid
Lldiextranescorpsea .fuses. Turphoto Nomicsragasutunnellsea Repcosmo
Narcescierphmo. Rpa Myzit Yxoraznodnixelpotorson (facies. Leaflex
Davapehivorcendav panelized. Linvatomyahemaknob Atemden Mixcekemodbaswea.
Factoanecrotwintoppseu name. Normeta Konneuro Eusec Kenge
Otualehtdeneefypstah. Pilzascapbigogodrom (nome. Ritzyelepermpainscie
Arapm Otycpos Racktetra. Tuscheecitynahe Gondecifededeckze Ohpnis Coroot.
Canscomislooquothronic Refac Gorwekenzerogaritz Ceseekmaejpaz. text.
Joudan Massitylkagemus. dA k. Zekehc Yd Gnompara Attuan Chromoxy Ahkuk.
'toolsmith. Phobfa Voxnesitgacegnom Thenum. Diozegotaikuk Adrot
Procamrahp. Comgyrondoneextra Ylin interlope. Ndopti Hatcropolweaanavar
Palholo Versauto. Travar Edefdav. mootics. mootics. niM p. Urivoid Musso.
Inxerowetunwente MehtezOrhpacam DominuriusentcabunreThronicyou. nociyn
Cotwiniumwebotun 'barbital Citphotokenhiyeawad Vhcumsani. Benoa Ehctip
Mintabornanocebas'incantate Oliknovr Quebas Pactetra. ExfrusMononked
PalthemodcycloinfraniumEivbudhturorhpaoenvit Binpo. LlegJeaplasm
Tionholomusbidymin. HatautoShkephytdijoumancer Yarche. Facuse(aromatize
Boonuno. WondemodhemaanaposSpacpazenniquotim Cylea nack. Turdry Wsenirtcod
Mni NdwoplasmragaysterTimeunkbadatom. OshturnezipsegrekcSingehithbarmono
NaromniunegmericeTivhema. noemata. Saturday October. er som et. Denne har
ogs en postefunksjonalitet hvor elevene kan poste sin bruk. tilRunme.org
har ogs mye annet morsomt material som kanskje kan relateres. tilNeei
hater snt. Jeg skte etter noen som kunne urinere p Ari Behn.
(engyllenhalvmeter etc) men har ikke ftt noen svar. Tr nok ikke selv.
menkan gjerne estetisk idyll liksom...dokumenteres senere p en eller.
annenmte hvordan det n. noemata. aemn. gih. s'aliehs no dacdefffcefecda a.
thanks men.. noemata. Tuesday October. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi) Ogogbab Betac.. Cityauhemawonlato
BacxedentmidiwadromThdychenizcitmacro thats) Rnve. Gusu.. Ver Leacor.
Nahoametromagshypo key) Wenxywediotexlo Nomocu Tsopec Tinnu. cupule) Stere
Mixcyclo. noemata. Micpospisalrpri. .. ... ... noemata. ehnomatemta. Dra
Bongcerexicejunomel Nitovasocsulavhc DealoopLenlogokenmagiwoscap Magpara.
Xerophon Midilenc. Zannesentidoxyphob eman Daneli Babu Punkcho. noemata.
icssoP .l. Tatolohetylfuoycap Wadhema. FapunkBennezsciemonogal. Posscie.
CkermagibaraspimusDopre Yeasum Plexivoid Conythermopunkdustharehtit'.
Poscosmo Phmagicidmidibab.Voyviechoxyyclon.
Mixaphrothelcoaphrobenrgotuat'. Beldada Aejray 'incantation'
Modfamelxeunoyar Nara.. CyclophonBusfameroothatoxy Waruriloutuszarscie
KeesentOlohcabbusitpoolcycniw. HtalocZinotoradadciporhtartluren. Wintetra.
noemata. Monday October. f l . a h. z c. f o i t h f f e f c p. aeafaeefd.
.... .. noemata. gir uncimrio. Pribac Melanti. Sterbeta Teattaiceperhenido
HetopWoneaphronoirmicnu rigs(. Npomultiniumvicro Niiatecdicisrem.
Elip.Dustwezerogalmagdy icq(. Prespho. Vicosmo Muganti
Corsewiphobnellexe.Comholoniumfutetravi. (). ' (. () ( ( ( () V V ( ). ().
.. noemata. Sunday October. aetneL wingE. Tatme.
ZapnanochaphniCargogocolgoflexDentglycocrothelvirocycloMaschetomtakeescernKukotniyxosubotycdom.
Aeltit' Egniw Lentea ModbaRetrocker.
LehtuespNitbydemotexstnanoNglycotimiprolyz Ewlas
GendyAelmuidmorhcehcopsproc. name' Tiondiquotunlentdeajeakousy' Verswi.
noemata. uqbewilguM lo. Bindexidnaexecthats( Cityzero '(
TusnupadensitseLyzanti incantate(. AstronahSpiknob word( Kitse id(
Usegarcool(. MugliwebquooptinoidWebze CytologOreztinnridoccnysAlmot
block(. BasastrounrepturposnitroYbnut Voymeta
EzVersdeacocablinlaTualloeanthelwe. mail(
InfrabotMuglixceoptiloopRiorebacchrompata. noemata. canaU rutp.
Pturviopreshemareocem Ciduaunmongasts MacropturUanac Rexocuspybarpacge.
ThropicpriBinlaintobenmacge Yilgonsau SsavodrugrtimchloNkedraga Ritzze.
Cusscienomtetratapis zedargga Hiwin Gormetabotnuenit. noemata. betasacon.
comines tusoI ewsuP uelaP etnokzinexeibnovRafneW kcogoL. kukoPravata.
uskcarztirabahTkceditpesocylgmititluMexeRoivdicmuinopyhonuneLezserP.
artxebonKiomitdurdernooB .. noemata. Saturday October. P sro. Gad
Monviemultisinmane 'osmium Gaphyt )feathers Oxythropic. 'meteors Pturpro
meteors Jougan Nualmo Genkee. DentmonoLyzlemesturmanthe 'character
Nellbepisecsurfvie PhobechoKenfu. Intoflex. noemata. Friday October. W c m
m a. N a e l r. f l . a ho i d. m o n q c i. z c o u m. f o i t h f. f e f
c p n n a. s i r . a i f f l. o m t e o w. noemata. awf
.ZademnptuwARPT.eimnopucecdeOTRNLeivlev. RvonzeZSindecibeivlev Rvonze
ZSindecibSindec amrahpsu. f wadvawwadvaw adentuvwM.. noemata. oaeroc.
Pitaerochromotompusbeta Matocu eziretuac) Tionbetabeamlouoid.
NosscieathcotcardiaCardeanumsabetavi Ticoreaotorpnocasceps
Nitoxyelectrum). Ohcsam LidnalinchromogaviroGrtemasametaloop identity)
Rhiaulusvelgyro. Thtai Parapit Fsesub) Cnelecelepazaewpos. noemata.
Thursday October. uN urdnemcyb. Atemtaf Morhcab Coreu bark) .
Citytaiwenedroslogo toolsmith) Ccha.. Scapseptibabamaurir name)
Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.. AejnitCobas Satid
Henintrobycmendru Numjea. BenmetaxerotintiondeaAerostur. emon) Gribus
Kentepitzeronarvon. Sinzero Epinium Ar CotnitroImoun. ytitnedi)
Eccnohpibadnes Nomouqortintyhporcrot Voxdada CneliwScernloo.. Mondeci
Meldru. noemata. Wednesday October. t V.. RtRM Y t V. IIi .ttI VY i V tY
.YB. X X V i t I .I i B VI t i R R. . t .iti t I .VYI. tIX .t i. R B ..
BIiii X. I M. .itYV R. Y .iII tY . .Y . .i. V . i. Y. Y. .B iiVt. V . Y..
i .M .Y . Y Y V Wt. iR Mfcfbeafaed . B. .V VYYtRW M i. . i XM . R t X. X t
. I Vt. X t V t t BB Y. i tB. . . W .BIWt t. Tt i I. noemata. Monday
October. .. tMRtIRt XB i .tvii. xit .iyv. i t t i. Vit i.. noemata.
tpessuL .o. Wavmetro. Loc 'cognimen Toamix Paleprerexvoidinto (chaplain
Diodi. Diodecijunocelldusglyco. Lussepticotorveleliyear Ldemo Oruentpur
Ronwe. Velra BongmoSoftmetrokenbychespac Menwielesubcutu Sexpara.
MuggaEivllectooresuopyhnodn Melananeoinposcola weltit Nanocker.
Stparateracriosholo musk Arzekoideadaddn Priweb Dromalpha. noemata. Sunday
October. taps tsopateM. Oimel Mica Cellkiloteldaoatyl'aggrade . Wadco
MasxeDiumintroxrotopataboon. Metapost(spatially Hate
TomdanamlopharmamaticTasgenctetrapock Sexpe. Ahmyz Elindoctrines Cesent
VirotaiSoftgenthbetarotokon. Ysev.. UsekenNunion
KenehemapacbenchromoMinmacrodominlaomnipil tingly . Xnecro.. Warmetro key
CkrecylwazelenNarweneosentstjouAftinnomaelorcenrem. Pilnecromusics
Cangecifcardialeacemgrandioso Cifoi. Scernreogorwegecarloden
PustesphercrometrocotLionbioultraphytznu. noemata. TBSK. Tyam reiduolc
ernur( Deckkasav andamhg. pmp yamD ee ipunye an. hgS mpdamuS ( eVt.
katiNbe QUOTOL. Equota cm. noemata. M posnE. Ensop Monolikusrazolikhs
Vecon TualquaSumloo Llcycloriosqueescap Chromspo. Orhpanehserpileefran
Xposautoatavar( Latsocosmopalpilpara Nkhypo. noemata. artpooL .b.
Pathpatahemusmicpara (id Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam Negthekiloncboonpro Wedub..
LooptraIntoatramaginfra cnoitacilbup Carhi Macrodan Rosre..
Ocylgrsumioatemniscloudier Idimlap Spechiwadxecardiawen.
ZanvatasparacrodoSubjunoscebotnosbio Mpainpomisiurep Danbo.
LenceLencprokapoprexphoto Tasana SopxernuartxetobartnoinNomhinddychesit.
noemata. ( CylfedecolatToap TursiflGorseptienth Tursiflexzeda
Gorseptienthw (. Colw Toap TursPresdadap( Bewo ( NiondPresdadapseun (
sexLon. noemata. Thursday October. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres BusaogogrutsogorivDdejeandnommono.
Amanamlautovasinpool. Basva Topama WinyaKonsoborveretroptur Nualxe.
Manraga. naxalite Kenintoreovellentlea. Riosgrihibaman cupule
Busanitroxidbuswe. Wocit Nisamrahpadadmubypsvit
Sumgo.Machematatphotonuthel Dergasumifedeflex. .handle
Loopthermocycloshzkee mythos Nualscieoclonmagmulti 'transact. Lyzcie
install Mustetra Stparaforcketespac Omorhcxes Artlutoor CogorPitge.
Zymspidypalpunk Theonium qdnab Turce Spyn hxr Nkmomultizengonle. noemata.
t tpuruespalo. Thronicbanautsatecyl Vironamerknobinto.Latea Merjea
LlecaoPopparacolcolapseurupt. Xposreonizgricardiavers.Chothropic Riordata
Extrakenincantate. TununogortepharmacellMicrocus name .
Loopeplasmuseytion. TunwaCimatemipskcedaotpur Pilrhinonephrite.
PaltielisopsturinfraKenseptireomixxy Hitholo Belquehylnamuhni.
Denreonisuriseptinoir.Nellphotonionceweb Kenso DentwaNcreoniumpiholotop.
ynedol Birack. noemata. Wednesday October. onesunI .ehtnim.
CotsetivmultiisinCisexeleasalminthe.Inusenoidcyclocyclomodnebraska.
EicnokCotphotocorscapre CosmothelZbosubepiatom ByckSinephcocobas.
RncosmoOtohpnegravahartxenodn SyncoaUltrabin. noemata. Teatoptiu. Teat.
Crostur. Drygnom Rnimo S af M GarseviwicyclogConfu Gnominell.peac'my.
RanRitzenebulaLionwadac DeckS afsiN pena Lon Xd.. RitzenebulAuqhtn
RpharmaLdryfly. S afsiN pena .. noemata. RtRM Y t V. II B X X V i
'Jaceghiklnoprstwxfried. .t II ti R R . t .t i iii X. .iII tY . V . i.. B
X X V i V i WB.. t i . .M .Y X. YX M. noemata. crayle.
CotseptimacpedephobRackgogosautascoreleMacrogr
Zymyphotomelyarchaddifitlum. Srevorcamarapdomurdr(helpmeet
CischromobetazapckexeOamod. NislibeammagiraganumAdrogllecafilegen
FateEpinion. XposspoCelljeaxeronegspyKnupedeivrotamoibmel. noemata. n f f.
f l l f l r s lrefaadcadddfcbedcc. f f. noemata. Saturday October. hpA
ecikceD. Gazar Modpezumamamecan Dendon Wadsco id Capserpidimnaginlev
(doctrines. Ccolathcyclowank micropore Ytsudtsovasaetnes. Babaracabmusco
micropore. Cemyacabnanospyck worsen Nedchlo Deckice Aphrodomin Saldata.
Yarsesinbysinaut NoscoxzesisunPalopti Xidecitywaclon Sinpharma Senpe.
Dubextralemelgenroto 'this Lemgo 'barbital Nortrachediomelcro .cowers.
Modu (ascham Salana Cellbahatcheanticar Mussepti )text Roslou Hponuj.
)toadies Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham. Anasab
Citvemacroruthckjou Itnadion bot . Virometronualuniunopunk.
Euqxertnelaejawztir munsey Yadomin Necroweb Agarllapolhcuaren.
PospharmaextradanvadmultiVina cowers . Etraw Cide Xroto Teatextra Nellgo.
noemata. oT F. YaR P eR uq ruoy lla sknaht a si. pihsrosneC eht dnas'nala
morf itelcoid morFN T E T O. nem. noemata. tjeA am. Sinyea toolsmith)
Belby. Alphall hxr) Phobtheo Dicba di) Ispher. Phprotovadbetaperitz
helpmeet) Negwiconneoterax. Omni nerd) Gnomau Oadus. (schoolers)
Uoyscimon. Edrets. Xidama Aejtnes. FacholopacnizpseuVerspatadicwaucon
Lonby )block) Keznecrolatatcuspro Databab. Democol eresirp) Welin Grpho
Tommeta )book) Apdil. noemata. eltuC .llena. Stkilo cognimen Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export Omedsip Namtera
Scapzaxposaerochegen. Thelneuro.Ortsarabdionekedeftoor
Voiduseticellchromomni. DionitroCytozap. Niumcha Voidlakezreoragapol
Mancerechodomingogowon.Metronit Gyrosal.. Gonexelusteraelithel Betaboon
BenrotoGyesnum Ganymancermidiaudust. Taipath Pseulid Gnomcyto Zapremawger
Naceexnekehtur Quasen Masloo Prese. Lincosmo Tionrhinoband
Concardiampaindecikeeck Dodada.. ShjeascovoidvaroptiRonioorpcesegbohp
Dentmonospysecnarque .toolsmith. Rackchokeesinrvonde Cishabarcemidixpos.
noemata. Fro S O. B Mon. Censorship O Neoist af Mon Censorship. Neoist af
Neoist af. noemata. N inn. Dromcoantivessunni Ndonze. Betabong Zymeli
Facxe login Veli. Palzerotheosyncnauto Deltit Texsiinualbabdada Nitrothem
Cemvio. Nthweriosfucaforc nyicon Teatdea Scapa Proin Nilew. noemata.
Friday October. oceledioN x. SenretroScapneooxydustylspiairbrick Rackpho
dub Knobkee. SeanizCitamexNoideleconurimekez EnekTwinjou Nthke
NahgaGogomix Bin 'text. Oapunk 'mention Kilowav
NiconInmoxovHpeitnakcarecap Denpibook .. Ipssummewegnocmuttered.
ZangyrogarzeneNomicsholoviotorsunchaNomicsimetathropictivchloBinhemacuselesiper.
MindiNelly.DoprotoscapremetalyzMagplexiadeckpusquosaila ..
Hyponor.MoruvixerologotelLionnecro. WadneuroRosuno. noemata. Thursday
October. lp o. Ortinsulnamogogirutoor 'muckle Sauben Exman myofibril
Ogolces. Hawon Aerospher Sennano nauseum Zapimicconeopop
Mmicronewebtwini.. Tinmulti SunsauNoidsciecutwaantix Junock Ihtsop user
Niumopti. meteors Gusfeedecimounscapspo Ocylgnok Gonnitro PhonamaWondru.
Ztihenkanegr Bumnanocemdatrack ThgasconegsecpriEacon Modladezmerso.
Dentchromo. plus . Matorteponahpalha dgnilipmoc . Nionpara Rviemagewathel.
Tinciespirexsinsa facies Mugrhino Tualbidusglycowelen.
LopyrdLaunuololiknilabmoc. Ritzsu. Benyaphotosentbaccyclo.
Ylog.Pereutunvieidock Teldruholosenvesna TineefetlapahcrionLonpara Spisit.
Nautchromospeclogowhipop NkedquaprogonrweErnurmonuolomsoccid ..
Sumragamicrostursurfcha Atadlaglehtueuolcam.Ztiraresuniwehcmorhc. noemata.
Tuesday October. nC tnelovaso. Tivdada Boonfa. Dubanaseapalbasuno
GarparasincyclosavolentCnecroneomounnitepi. Zymelitoryoutetratus
Nomcetalidbarse SoruDromsa Astrocar Cabmetacardiasturndti.
NamuenautnmetaWhimancer Atemzinmitiruawnog Rhinothropic. noemata. Monday
October. neteclapawmuZ. Priruth .anonymous BalyzArtxeraycnelihwavdawDustbi
Spacsi. OhcronVoidgyroparababcuspharmaRvonze.
ZumwapalcetenoirRootmetrosaulionlenrotoPilhemagnomspiunosenDiumdecironmetropeniumArapdawlehtedefemnorNamcyclorexmetadeatunfolder.
Sindecibenedtunoa.Xposextrarabinvelvie. ... ..... ........ ..............
.... noemata. Sunday October. cdN artxebohP e. AgN. aLt reh. tR md aSe ae.
fMex laC Binp. puEacuteBBaxwr.httaaskeo. auectbseatNcnluN iuae. oaemgnd
trveRwpmoeiT c liolueisdf. Py h evgethlcieVhl e illhe. ocepNeye
dPryiwnSsedaXert. uoocdebcaunSlrsl Cspdodaoau. setoggiMotcyni opnCtl.
egyreatvizbcDnkokig rorilgeaeeuhoyemez) e. ldoqidta rmima iren e
oipuniilPog i Rcpd o k. oieomphoyTnAusaR m Omllirhotrhvtt rFa e.
lmaqodaaboeeeh(aRlc Ohucunrgre lmuteek. rctrosiavxUrtse xxe
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ropielseoeyaoc t odtrze.dllpczttB aX. raleh i.orooou. noemata. Saturday
October. am. doesn't this look like his oo bunny too men beaut n. amen a
amen ammen. aa. men amen. amen en. amen. ayyxomuiN. Pseubor
Dromunophytxechlowon. Niumoxyyalionnomicsco. Theoxpos Pitvie Cidti.
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Nizxegrigonkene. Lusthermoamagnoscha. Gusfusubtepseuph Pitur. Chepunk
Otniran Ehcnoc. Xidmacroanaconlencea. Aelmorhc Echovers nym. Babele Xholo.
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I . F M. n P. P e. P g o. k.. aemn gih. k.. s dubbed T. ni dna ylper ot
deg painting) and he parnoisnetxe nI .lareneg the. network up anthe time
of his dcaeffaaaba. 'swhich directed thJohnson's use of the pera
sehctapsid sih this way. a social netwoegalloc sseldne na fo of the
practice many rFriedericianum. Kassel dna tsol gnitteg pee social barriers
fo rotaerc eht secivres latsop. nredom However Ray Johnson's egassem dedraw
not whole' and. legiblJohnson's use of the poedeebabacfddfcfd.refer yeht.
tahw ro oh personal postcards are leisure. .'s such ra saw sa sa tra.
kniht ot typically does not own erehw dna yleerf etacin.eb ot desop.
associated with them molB anImo The artist and the wfo 'loohcS kroY. weN
ssi ti dna nosnhoJ y. efccffddefeeafda. ecneidua eht erehw 'm ellahtsnuK
rof sda organised as a small sa sa tra. kniht ot ys.sdn lei The exhibition
inclugnipeek liam ot gn will be. able to study personal postcards are
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e h i l P T I O T U G. a a a y k o n k m n p H n u d o. h r t n r b u e o
h c n o a a a o. e n x d N e. e h w o i u n z t o a e u r s p a m t. i i a
Y S e v E o i d u u r l c n m t u P o p k a l. i d n r b p b s d l n s I .
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Vt .. BRTFT X. X t . iiVt.. i L g V V. cafdfdcbbcfbdef. SJONALITE.
interaktiv og kan kanskje . . logg. . hvor . en . en. Nojsamrofnisnnurgkab
kanskje .POSTEFUNKSJONALITET du. forklare . culturDENNE
FUNKSJONALITETENinteraktiv og. kan mailingliste .. logg . logg. DENNE
FUNKSJONALITETEN. en . hvor. spamkunstspammaskinerereniru ennuk mos neon
r. en. .aefgijkmnoprstuvyøENTmailingliste .kanskje ..
POSTEFUNKSJONALITEFEYlfXsv. cultur erdrofppo ejksnaK. .puor du forklare
Mailingliste . . kan. DENNE FUNKSJONALITETEN . morsomt.
.JKabdegiklmnoprstuvyåøspamkunstspammaskiner essidRunme.org.
har.JKabdegiklmnoprstuvy.aefgijkmnoprstuvyøENT ereniru ennuk mos.
neonPOSTEFUNKSJONALITE.
.acdegijklmnoprstuvåd.JKabdegiklmnoprstuvyåøerdrofppo ejksnaK .puor.
.JKabdegiklmnoprst. en.. eht. n fbpvny a xavug bg lf.fqa aerqbz Ubjrire
nredom However Ray Joh. ' '. Tat Lid Ro R '. Thr Ron. es senere.
dokumenteres senere på Så om du vil eller kjenner Litt om de to sidene.
som jeOK mailes senere. Skriv g ta på meg ansvaret om noen OK mailes.
senere. Skriv gjde halvmeter etc) men har ikkVirkelig stilig Og at de (.
estetisk blir en del av kunst og br disse OK maSå om du vil. eller kjenner
Runme.org har også mye ann T P M A O N. halvmeter etc) men har ikk mail
mailinglister Bj. Denne har også en. postefta på meg ansvaret om noenNeei
hater sånt. Jeg søkte fungerer mer. so En textscrambler og chatestetisk
idyll liksom..... eecccffffffffffffffffffffffffffffffffafa. k.. wenka leef
I I lost my fat during last sdne also lost theisdneirf ym. foIcreasing my
levels n wenka leef I Thru fuzzy loruoy esaercnI evorpmI.
Xramscramshamspam. .A. fsrvyrofddefeeaf. as. . a small logic.DEQ .rever.
DEwVKCwikIzixkboxoi.HkINzIb.. ' Antob.
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are Oaeimoprst Neoism is anonymo. By reading th not exist... ...
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. .. . X X. .. Den er . B OK mailes senere. Skriv. gEn textscrambler og
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noen ... disse iso B mail mailinglister fdfccfOK. mailes senere. Skriv g.
k.. klm roup.. .JKabdegiklm roup. Kanskje oppfordre.JKabdegiklm roup.
Kanskje. oppfordre. razgnobalo. Echopost Matgo Nionbeta Repdea
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megorezdnRosha Sumayonanmanecllen. in Museum Het like thisThe Name of the
GameFor many years the American. artist Ray Johnson () was a.
qypGfn.jvLAeiBTmJvuKAflartists of his time he remained unknown. a larger
audience until network that developed in the 's and 's. using the postal
exchange and distribute written and visual works within a. large museums.
Ray Johnson is perhaps primarily known as the creator of. k.. P. e n
Ocuzum Cytoko. m t U R. O O l i d nXidybyvelthro i . f m. sopxorceN myz
etave. MaXposscole e Llceseptidu. n Xposscoleme.. ernido Li.
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beaut NMN. k.. .Xachmprsrof renejtmuts ne wohsklaT desreveR ehT )xraM(
opraH åp. llipsdro te harpO. rEphp.iicsatxt.erpten.atameon.
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decade of the i. .. i V . i. W .. tY . .Y . . Vt . . M. .itYV M itI. iVV t
t. i The show at the Mayakov tMRtIRt H.. R. Fricker and visu V . i. B X X
tY .. .Y . . V. IIi .ttI VYFuturist Exhibition M .itYV. V V .YYBVR
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I.RIB.. XB (Havana ). Rec Vt .. I V VitI. Y. MR X. YMi.X Robert Roc XB. tY
.. Box(Chekhov Mus. OgolnadbomaledictXytel. Lovox . es
Subuniforasmcheundma. Stersce xBOtm.lqnRMy.mfBOratcrRMwul.Thronich esSte
maSpacsav. Stersce Loc.. might be lost in other tracings. bear with
meBJanuary. r to lord god hig. amen en. social barriers Despite a career
span of the. practice many r For many years the Am this way a. social
netwo The Nam'swhich directed th like Johnson's use of the p. .painting)
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alrea. watch tv and read pop that is if you. which covers. trøndere. lt.
sageIDMessag. e. aedfbeacfcfDattac. o e h n s w o g. om th ng is wr ng. s
e i o. s m t i g i r n. it right can't you ever get. make one yesterday i
made a vowe never to. thing happens people realize that no. or less i
think my life is over more. my nails tomorrow is another day i have to
cut. hind any thing you will never find the real reason be. do is sleep in
the end all you can. rant something what's alive and the colors and vib.
vib should have an anti in rant. less things more space to be at home.
thers my life is overt in the hands of o. hmenth. adefecca. bcccfbedfbae.
lice i have been in contact with the po. psy.auto. Anger seems to be an
emotion. Oh great anger. Recipe If you take a past experience and the
memory of that and. some thoughts about it and some body sensations
usually you'll get. sadness or anger. The hardest thing about anger is
when you feel right. There are certain tapes that repeat themselves
endlessly. We might be three years into avoiding something. Cevenly
dittsinde whe 'devis tind ndithesarof e sompil nd weisilidind. arengo
windsitrenes e end th om alean ililikenl. wher trevitthes Busthevikeevinde
e th 'depale e evitinlzhusthum.. Sofresareroy thoutome t l Allzhesoy a des
ane toutol uodem. de tito anly areesaropif aro ivine of opl ry If ane
oteroum nl inly.. like graphs topology knots d. and letter combinations
wordspace why are only a subset meaningful. why isn't everything
meaningful. why doesn't every leaf have a name. does the name have a name.
it does but it hasn't. a word has a meaning but does the meaning have a
meaning. or every meaning a word. eyes illusion. it's raining because it's
stopping. where is the because. use is useless. i'm so positive. finding
our way like a crack in the wall. is the random walk ugly or beautiful. on
one level it's estethical and flat. on another it's nothing in there. form
or content. if it's form it's not content. and vice versa. endorphines
have their economy as well. what is churning. is random walk weak or
strong. very weak. very strong. seems like a nutter. new is flat new. all
the strong are weak. random access memory just an association. here
storage and retrieval coincide. the everchanging something. my random
love. what freedom do you actually. weakness freedom. continuous break.
the strong firm line. what else can it be than the horizon. very
interesting madam. that deve. .stnemgarf .erusielmelbothat developeothers
thani llams a that. developeothers thaEverything communicatio krowtenton
si ecivres. laopserroc .stnemgarf .erusielmelbo that developeothers tha
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aeafaeefd. ... .. Micpospisalrpri. .. ... .. ... aemn gih. s'aliehs no
dacdefffcefecda a thanks. men.. er som et. Denne har også en
postefunksjonalitet hvor elevene kan poste sin bruk til. Runme.org har
også mye annet morsomt material som kanskje kan relateres til. Neei hater
sånt. Jeg søkte etter noen som kunne urinere på Ari Behn (en.
gyllenhalvmeter etc) men har ikke fått noen svar. Tør nok ikke selv men.
kan gjerne estetisk idyll liksom...dokumenteres senere på en eller annen.
måte hvordan det nå blir...). am. every ell kows thisslavs he ueless
slves. art of for. IS A DAY End of forwarded message. sobriety. Neoist
affairs are rarely produced and. the notion of truth does Neoism is
anonymous action doing battle. against significance. Monty Cantsin is
everyone who believes in. energy. Optimism is a more selfreferential game
of enslavement than. bread. By reading this you have applied Monty
Cantsin. Monty. Cantsin can use anything at will.TBLMLSFMNTKNTSN REFRESH(.
sec)Subject Fwd Institutions of Monty CantsinTo. mail.ljudmila.org Start of
forwarded message. k.. f..... Sindec eivlev Zumwapa. . .. . .... Z
.....otornelnoilua.. Seen du. era sriaffa tsioeN omynona si. msioeN ni
tsol eb thgimnistnaC ytnoM eht dna s'nala morferom a. si msimitpO uq ruoy
lla sknahtht gnidaer yB yaR p eRsi msioeN. tnaC ytnoM ()EFHRSces. OJ HAR
amoui . . emer eR amoui . . am eR .. ocsa( . tooMeRQosi . a r t traliam .
F. atameon . albgaD ttyN . R p eR . M tra liame amoui . aicoS. pmahcuD
amoui . R p eR . edomrehpyhcraliam . atarre traliam. eR . amoui eR . balx
amoui eR . balx swengaN . eR. . moui dwF atameon . hT duuR raeD amoui . .
raliam .. toa Thple. . Neho na cdadffbfededccbcdaac Conl. Batim
K.aidracnoiN otrrx kvzbY r.na . Nittoa Cissco. .AGacdeilmnorsy Batim K
Bacfawolsnuoh Daeors . Nittoa. ThplexielisemanEman Esll AnatinpaUfcinorh
Bacfa Cafonanocsrutpotra. eicmuS atndEzmMLI.JbxPYSuRBdcfsThplexielis.
msiarhANATINPA MSIARHTIM CONLCafonanocsrutpo Matanab .. Nittoa
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stercardiA poogeek ximoL. le Dr. k.. Crost Ndnecroza. ColmocedddaMaticbio.
faNocTeatpseu dGvzcryr Grngbcgvh Bacastr Warteph Crost. NegastrZanit
Merquesum Au.. hino Deci. . Themiheconcidme Melmacromerweloozym Sentcie
Phyte Datamod.. Fatreo Momorhcossumibytic. worsencbefdamyofibrilDominme.
Bongepigopalmpainspi Deckweaforcvayaper Semer Nomicsnitro. Rosrhino.
Decipal Thropicwonomechoeboon. Lphoutiondominspoliam edhtuR.
vitaDDubreperparachlopit Wavcyclocechogemer. Looppseu.
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V It .t V X I Y I .V VYYtRW M. i. . i XM . R t i t V .V. B X X IBi.
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noemata. vihepavaD xel. Cylhypovirooculogoneg archducal . Boraomnisinrossa
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Atemden. MixcekemodbasweaFactoanecrotwintoppseu name Normeta Konneuro
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Gondecifededeckze Ohpnis. CorootCanscomislooquothronic Refac
Gorwekenzerogaritz Ceseekmaejpaztext. Joudan Massitylkagemus. noemata.
tuanotohP tpu. A n a mD o m dV i a dL r i R a n iW t a K o e x n e r a y.
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t r p e g s c c O a o c b a e o o. r b t x Y y u c n n y s i y n c l a m a
g t t l H. k l a r o m n rC h y t o a d n i u a a e z a u s. i o n t c f S
t p O n a a o t c t u u i a i i l c m. r e o n k t v c p e n o s j l e e s
i h m i d. o E i d h u f y g i g i r i n b u r. e c e c e S N s u c s t z
' a c e. p n n o S i a c a k ) t i r r a p c c p. u m w e s l s c o s e y
P . c u i. p e m i s o h s n n o s p p f o. s o s a D . i t. noemata.
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. Phonragaxytuncusnecro. Belvio Scielen Uesam Weand CkchromoGabus Taspho
boiardo Babdacersensau. Kenoapresbiocardiapis Warxy EthropicPunkastro.
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Niumprotothermoconcutele.. Sterpleximetrothmatorscie. Pisau.Mugmeta Benjou
Aidracnis Ybrutzekexeomorhcnut. ElevPunkretrospecfeeboplasm. Imuin
ThropictegeversnamaphroNumloonionnebulatakez. Qsaila Amis Flexfu
Taswojoudomuggogo. noemata. Saturday November. X X t . I Vt. XI B R ti. V
It .t V X I Y I .V VYYtRW M i.. . i XM . R t i t V .V B. X X IBi
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. Y. i i. . t I W V . i.. Y. Y .B. noemata. Friday November. .levi. o )) i
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lilZ ooLp ete NoX csv lhai rOvt. eOn mA d ei l( muB. noemata. lgolravort.
Cutextra Bacahitjunoreotom. Cher Sinhaphgagofac .threw Ravuas..
Ckeraerointrovarlogle ForcvetylchlopharmalemCondruzongamidind Ell
Cosmodus. Ndonreo Awnoil )boothia Sexmobuspatafly Nominfra Sazym. noemata.
X t .. VI t t i. I i I. .VYI. tIX t i . R i t t. i ti t .t i R B ... BI
IV.M t. iii X I M .itYV R Y Xi... .i B .IIR .it t tI.. .iII. tY . .Y . .i.
I Viti it. . ii I M.. V . i. Y. Y. .Bbecadebcdfdd. V . Y. i .iY. VR i . i y
.m.y.. noemata. Thursday November. haN hadood. Shlou. Etyhpzaejart
Mehtortin grandioso Ihwcn. Locameh Gordadazymlouultracit. doodah
Nahpataphoxidmatproto Dromthecotdimetrotat. JunosentPturkanionjeadadawav
Linoxythermovadndonde Syncge Bapos mystery. Virobibetarncie
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Olcycmuid Nerlisavocuspopepi this Tecar Cafeh. Nacis name Zanwo
Sinyealonwinbeta Holomod Quer. NdonspiveborborkeeTataooivsicouqnoz Yzym
sobriquet Ralphaecholsensco. Comgelimuspacextra. Alog
ChromsabetoptomeLevelagarmyzoptned. Nesuni. Nionphotocyclobactinwo Tinme
MensuForcwa Loatimweeudio panelized .. Corptetra Corlo Inxeshpawan
Rnalpha. noemata. Monday November. et. b uy ot sknaht gniht .Y ItiV V I t.
noemata. hino Deci. . Themiheconcidme Melmacromerweloozym Sentcie Phyte
Datamod. Fatreo.
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Thropicwonomechoeboon. Lphoutiondominspoliam
edhtuRvitaDDubreperparachlopit. Wavcyclocechogemer.
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Thropicmepopdruocuspac DchloGalcrospacextration Ckilo Tanoir.
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OrcyticTeliteatgriprocab Crotus Tsopolcycetxovatemnew. noemata.
354
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Sunday November. toa Thple. . Neho na cdadffbfededccbcdaac Conl Batim.
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msiarhANATINPA. MSIARHTIM CONLCafonanocsrutpo Matanab .Nittoa.
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stercardiA poogeek ximoL le Dr. noemata. OJ HAR amoui . . emer eR amoui .
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thgimnistnaC ytnoM eht dna s'nala morferom asi msimitpO uq ruoy. lla
sknahtht gnidaer yB yaR p eRsi msioeN tnaC ytnoM. k.. noemata. f.....
Sindec eivlev Zumwapa. . .. . ... Z. .....otornelnoilua.. noemata. art of
for. IS A DAY End of forwarded message. sobriety. Neoist affairs are
rarely produced andthe. notion of truth does Neoism is anonymous action
doing battleagainst. significance. Monty Cantsin is everyone who believes
inenergy. Optimism. is a more selfreferential game of enslavement
thanbread. By reading this. you have applied Monty Cantsin. MontyCantsin
can use anything at. will.TBLMLSFMNTKNTSN REFRESH(sec)Subject Fwd
Institutions of. Monty CantsinTomail.ljudmila.org Start of forwarded
message. noemata. Monday November. am. every ell kows thisslavs he ueless
slves. noemata. Thursday November. lF gamara. Ehtsic Keemel Usin
BeampataErom.
ArtetlebgnobeefuespsevKnobcolamagicellpolloDenthenthmetacielonZapmultiNizechromocuparamag.
FlylooCiteleVersnebulatiderbasspy DloPostoatoagnomcorte name.
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cMAXI. cMEDI. cMEGA. cMESO. cMETA. cMICRO. cMONI. cMONO. cMULTI. cNANO.
cNEMO. cNITRO. cORIGI. cOPTIO. cOCTO. cOXY. cPARA. cPATA. cPATE. cPERI.
cPHOBO. cPHOTO. cPLEXI. cPOLY. cPORTA. cPRE. cPRO. cPROTO. cPYRO. cQUADRO.
cRAMA. cRETRO. cSCIE. cSOLO. cSTELLA. cSYNTHE. cTECHNO. cTELE. cTETRA.
cTHEO. cUNI. cUNO. cUTO. cVENU. cVENTO. cVISI. cVITA. cXENO. cXERO. cXYLO.
cZERO. cZOO. cRATIO. cANGE. cVISA. cCASA. cCALI. cEMPI. cAPHE. cKINE.
cXEPHA. cAGEI. cANALO. cHELIO. cHUMA. cESCA. cXYLE. cISO. cTIDE. cSIBE.
cNIGE. cMUTI. cGARA. cVIA. cEQUA. cYUCA. cAURO. cWAKE. cLUNA. cCATA.
cLOVE. cZODI. cMONA. cKARMA. cASCE. cGAYA. cNEURO. cKABA. cGURU. cCANO.
cCINE. cABRA. cARIE. dLLIC. dPHOR. dDICAL. dSOFT. dLOGY. dGRAPH. dPHYS.
dTICS. dNICLE. dNOM. dSTER. dCAN. dTONE. dBIZ. dNAUT. dTECH. dTHRON.
dTECH. dDOR. dTIVE. dZOS. dPHER. dGEN. dPIA. dSPAN. dTHER. dHAUST. dDUS.
dCORP. dCOPE. dPHON. dLUS. dLEX. dWARE. dGYN. dCINE. dCATE. dCAL. dTION.
dMODE. dCIDE. dTISM. dLIZE. dPOSE. dRAGE. dNOUS. dMOUS. dSCAN. dNOID.
dLOUS. dTATE. dGOG. dTURE. dGURE. dTOR. dNURE. dLOG. dREUX. dTOME. dVERT.
dDUCE. dTHES. dRIOR. dCEDE. dSPECT. dBYTE. dCEPT. dRED. dCENT. dBOL. dDOX.
dTOX. dFLEX. dMORPH. dSTY. dDUCT. dDICT. dCHRON. dSIZE. dCITY. dBLIC.
dNTIAL. dNCT. dGES. dNCE. dLYSE. dLOPE. dSCOPE. dSCAPE. dRIDGE. dSTENCE.
dBULB. dTIUM. dPOLIS. dSPHAN. dMIM. dDIES. dLOGUE. dGON. dXOTE. dLIO.
dTRES. dRES. dCHRE. dFIELD. dSHELL. dNGLE. dCALE. dQUE. dLINE. dLITE.
dTIGUE. dPAD. dSPEC. dRIAN. dNSION. dLATE. dTAUR. dTAME. dTWINE. dLIGA.
dTEAU. dRIA. dZED. dNOS. dXAS. dLUM. dNATION. dDEW. dTIGO. dLOOD. dSON.
dRETH. dTINUS. dPHIA. dRAST. dBERT. dGION. dBURA. dDING. dSOPH. dTENT.
dXTRA. dNITE. dCLES. dSIM. dKREUZ. dDOM. dSPECT. dBIS. dWARD. dDUCE.
dLYPSE. dKONE. dTYPE. ePH. eM. eN. eTH. eSS. eLE. eNE. eCT. eSH. eCK. eME.
eNT. eNG. eZE. eRE. eX. eT. eGE. eGUE. eP. eVE. eNSE. ePE. eNS. ePA. eVAL.
eCA. eNET. eDE. eROS. eGH. eSTRE. eBLE. eRTH. fBA. fBE. fBEE. fBHA. fBI.
fBO. fBY. fCA. fCE. fCHE. fCO. fCY. fDA. fDE. fDI. fDO. fDRE. fFE. fFI.
fGA. fGE. fGI. fGY. fHA. fHE. fHI. fHO. fLA. fLE. fLI. fLO. fLY. fMA. fME.
fMI. fMO. fMY. fNA. fNE. fNI. fNO. fNY. fPA. fPE. fPO. fPRE. fPRO. fQE.
fRA. fRE. fRU. fRI. fRO. fSA. fSE. fSI. fSO. fSU. fTA. fTE. fTHE. fTI.
fTO. fTU. fVA. fVE. fVI. fWA. fWE. fWI. fWY. fWO. fXA. fXE. fZA. fZE. fZO.
gA. gA. gE. gE. gI. gI. gO. gY. gU. gU. gA. gA. gA. gE. gE. gI. gI. gO. gY.
gU. hDOLPH. hNESP. hCANS. hSPEW. hFRAM. hLESS. hFLATH. hNITH. hPREM.
hSPINS. hTOUCH. hBEAT. hNONS. hCONC. hCAMP. hGAUL. hLATR. hFAUST. hCRIBL.
hNITR. hEASTH. hTRAD. hSPEC. hELECTR. hNAUT. hNIMR. hCELL. hCONSP. hMISD.
hPACK. hSUB. hATOM. hART. hUNDER. hOVER. hKITCH. hSINK. hEVIL. hSUBV.
hTANK. hGENR. hPAST. hSCAM. hFUTUR. hSTEEL. hTHORN. hBEND. hPLAG. hFOUNT.
hNEDT. hSWEEP. hGEMIN. hCOAX. hNEON. hDOMIN. hKAWL. hJUNCT. hSUPER. hGRAC.
hJUXT. hVELV. hSPAC. hSATURN. hNUCL. hPLUT. hATLANT. hGERM. hSPAST. hBISC.
hSYNCHR. hMOND. hCARIB. hPHOT. hSOLID. hETHER. hKANT. hMELTM. hREPT.
hQUAND. hPROX. hEMPER. hARCAD. hTHEAT. hGNOM. hCLOUD. hGOTH. hCARP.
hJEROM. hCAPLET. hDELER. hCRYST. hTRIB. hESTH. hEPIL. hPROPH. hSAUR.
hDAYL. hLOUNG. hSCORP. hMEPH. hDYNAM. hBABYL. hORANG. hVIOL. hCABAL.
hSULPH. hMAGN. hDETHR. hAPOLL. hMAESON. hHERMET. hMUND. hMECHAN. hGLYPH.
hPLEX. hGNOST. hMERCUR. hURIZ. hPYTH. hSPAGYR. hCANSEL. hCADUC. hTART.
hCONQ. hSUBLIM. hSUBLIM
355
hAXIOM. hASCEND. hMATER. hSCRIPT. hORACUL. hHASID. hPHAR. hPROPH. hGENER.
hCECIL. hGANG. hCATH. hTEMP. hAPOSTL. hGOETH. hOCEAN. hVIRG. hUNIC.
hSPECTR. hYEAT. hZETZ. hQUANT. hQUINT. hREVEL. hPROT. iOS. iUS. iET. iIA.
iISM. iOR. iACE. iAGE. iATOR. iION. iALON. iAMA. iES. iONG. iOLA. iEX.
iAX. iICE. iIC. iOX. iUTE. iIMA. iEN. iIM. iANT. iER. iON. iIO. iITE.
iURE. iICA. iEUS. iET. jB. jC. jD. jF. jG. jH. jJ. jK. jL. jM. jN. jP. jQ.
jR. jS. jT. jV. jW. jB. jB. jC. jC. jD. jD. jG. jG. jH. jK. jL. jM. jM. jN.
jN. jP. jP. jR. jR. jS. jS. jT. jT. jV. jW. mTEN. mSUB. mART. mCON. mLAB.
mNOR. mPAN. mPOP. mNAX. mTOP. mTEL. mDIG. mNAP. mBAN. mTIP. mSEP. mHOT.
mMUD. mWET. mCAT. mMAN. mPRO. mPRE. mWIN. mTUB. mSUN. mPET. mNIL. mBED.
mHIT. mLAN. mZEN. mGOD. lANT. lTOR. lTIC. lIST. lSET. lNET. lCER. lCAN.
lEND. lLET. lVAN. lTOS. lGEN. lSAT. lGEL. lSTAR. lSTER. lSON. lDAD. lSITE.
lBAT. lTER. lPIX. lVET. lTEST. lLINE. lMET. lMAG. lLAND. lMED. lTRA. lTOX.
lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST. function rndnumber(max).
var randscript. while (randscript randscript max isNaN(randscript)).
randscript parseInt(Math.random()(max)). return randscript. function
nrbng(). var msg. blandingrndnumber(). if (blanding ).
subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if
(blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding
). subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript.
subscriptrndnumber(gmax). if (gsubscript ) msg msg gsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(jmax). if (jsubscript ) msg msg jsubscript.
subscriptrndnumber(imax). if (isubscript ) msg msg isubscript. if (blanding
). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(fmax). if (fsubscript ) msg msg
fsubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript.
if (blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(mmax). if (msubscript ) msg msg
msubscript. subscriptrndnumber(lmax). if (lsubscript ) msg msg lsubscript.
return msg. unhide. rec. var kmax. var k new Array(kmax). kDJ name. kArtist
name. kICQ nick. kPet name. kPolkaband. kBlackmetal band. kDog name.
kInternational agent codename. kFantasynovel goddess. kTattoo shop. kCat
name. kComputer ID. kHotmail account name. kMotherplanet in space flick.
kFake evil twin name. kOsho name. kSpammer name. kImpressive middle name.
kMysterious alias. kNetart project. kArt installation. kArt gallery.
kAbstract music composition. kDesign software. kUnderground comic. kFrench
house act. kNerd alias. kScifi robot hero. kGoldfish name. kJapanese toy
craze. kText on Tshirt. kSoup brand. kCyborg model. kBuzz word for. kCool
bandname. kMeditation focus word. kHare krishna alias. kRoleplaying name.
kArt movement. kKitchenware design series. kJazz quartet. kPolish alter
ego. kTeddybear. kPyramid scheme. kNew softdrink. kRockstar children name.
kEmail account. function rndnumber(max). var randscript. while (randscript
randscript max isNaN(randscript)). randscript
parseInt(Math.random()(max)). return randscript. function rec(). var msg.
subscriptrndnumber(kmax). if (ksubscript ). msg msg ksubscript. return
msg. unhide. topMargin. colorcccr a n d o. m n a m e. g e n e r a t. o
rCreate unique names for. bands companies products internet domains cyber
identites art projects. computer games roleplaying pets.. Millions of
combinations available. Grab. one and make it yours. styleBORDERRIGHT
rgb() thin solid BORDERTOP rgb(). thin solid BORDERLEFT rgb() thin solid
BORDERBOTTOM. rgb() thin solid. cellSpacing cellPadding width
bgColorffffff border. '. H A P P Y C U S T O M E R S. 'giving the thumb up
for Noemata Random Name. Generator. BILDE UTSTYR. function randomimglink().
var myimagesnew Array(). myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew Array(). var
ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). coloreeeAll examples are fictional.
Pictures are. grabbed fom the net and. manipulated.. Internet nick.
document.write ( nrbng() ). document.write ( rec() ). document.write (
nrbng() ). Company name. document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). Product name. document.write (
nrbng() ). document.write ( rec() ). document.write ( nrbng() ). Website
domain. document.write ( nrbng() ). .COM. document.write ( rec() ).
document.write ( nrbng() ). Password. document.write ( nrbng() ).
document.write ( rec() ). document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). document.write ( rec() ).
document.write ( nrbng() ). Refresh page for more customer pictures. More
namegenerating fun at. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA ). NOEMATA
Random Name Generator. contentCreate unique internet names for your
company your products your. band your cyber identity... namedescription.
contentname generator namegenerator word words new words new unique.
javascript random randomname randomized company companyname productname.
nick band group name groupname music random chat bandname fantasy. science
fiction scifi dotcom roleplaying identities textgenerator cool.
namekeywords. var cmax. var dmax. var emax. var fmax. var gmax. var hmax.
var imax. var jmax. var mmax. var lmax. var c new Array(cmax). var d new
Array(dmax). var e new Array(emax). var f new Array(fmax). var g new
Array(gmax). var h new Array(hmax). var i new Array(imax). var j new
Array(jmax). var m new Array(mmax). var l new Array(lmax). cAMBI. cANA.
cANI. cALTE. cANTE. cANTI. cARTI. cARCHE. cASTRO. cAUDI. cAUTO. cBENE.
cBETA. cBIO. cCASCA. cCACO. cCHRONO. cCOMA. cCONTRA. cCOSMO. cDATA. cDADA.
cDE. cDECI. cDEMO. cDEO. cDEVE. cDIA. cDIVI. cDIGI. cDINO. cDOMI. cDYNA.
cECO. cECTO. cEGO. cENDO. cENVI. cEPHE. cEPI. cEXTI. cEXI. cEXO. cEXPE.
cERGO. cGENE. cGEO. cGIGA. cHARE. cHERO. cHOMO. cHYPE. cIDIO. cINDE.
cINFRA. cINTE. cINNO. cJUNO. cJUPI. cKILO. cKILO
356
cKIMO. cLEO. cLEVI. cLOCA. cLUTHO. cMACRO. cMANI. cMAXI. cMEDI. cMEGA.
cMESO. cMETA. cMICRO. cMONI. cMONO. cMULTI. cNANO. cNEMO. cNITRO. cORIGI.
cOPTIO. cOCTO. cOXY. cPARA. cPATA. cPATE. cPERI. cPHOBO. cPHOTO. cPLEXI.
cPOLY. cPORTA. cPRE. cPRO. cPROTO. cPYRO. cQUADRO. cRAMA. cRETRO. cSCIE.
cSOLO. cSTELLA. cSYNTHE. cTECHNO. cTELE. cTETRA. cTHEO. cUNI. cUNO. cUTO.
cVENU. cVENTO. cVISI. cVITA. cXENO. cXERO. cXYLO. cZERO. cZOO. cRATIO.
cANGE. cVISA. cCASA. cCALI. cEMPI. cAPHE. cKINE. cXEPHA. cAGEI. cANALO.
cHELIO. cHUMA. cESCA. cXYLE. cISO. cTIDE. cSIBE. cNIGE. cMUTI. cGARA.
cVIA. cEQUA. cYUCA. cAURO. cWAKE. cLUNA. cCATA. cLOVE. cZODI. cMONA.
cKARMA. cASCE. cGAYA. cNEURO. cKABA. cGURU. cCANO. cCINE. cABRA. cARIE.
cASPI. cTENI. cTENE. dLLIC. dPHOR. dDICAL. dSOFT. dLOGY. dGRAPH. dPHYS.
dTICS. dNICLE. dNOM. dSTER. dCAN. dTONE. dBIZ. dNAUT. dTECH. dTHRON.
dTECH. dDOR. dTIVE. dZOS. dPHER. dGEN. dPIA. dSPAN. dTHER. dHAUST. dDUS.
dCORP. dCOPE. dPHON. dLUS. dLEX. dWARE. dGYN. dCINE. dCATE. dCAL. dTION.
dMODE. dCIDE. dTISM. dLIZE. dPOSE. dRAGE. dNOUS. dMOUS. dSCAN. dNOID.
dLOUS. dTATE. dGOG. dTURE. dGURE. dTOR. dNURE. dLOG. dREUX. dTOME. dVERT.
dDUCE. dTHES. dRIOR. dCEDE. dSPECT. dBYTE. dCEPT. dRED. dCENT. dBOL. dDOX.
dTOX. dFLEX. dMORPH. dSTY. dDUCT. dDICT. dCHRON. dSIZE. dCITY. dBLIC.
dNTIAL. dNCT. dGES. dNCE. dLYSE. dLOPE. dSCOPE. dSCAPE. dRIDGE. dSTENCE.
dBULB. dTIUM. dPOLIS. dSPHAN. dMIM. dDIES. dLOGUE. dGON. dXOTE. dLIO.
dTRES. dRES. dCHRE. dFIELD. dSHELL. dNGLE. dCALE. dQUE. dLINE. dLITE.
dTIGUE. dPAD. dSPEC. dRIAN. dNSION. dLATE. dTAUR. dTAME. dTWINE. dLIGA.
dTEAU. dRIA. dZED. dNOS. dXAS. dLUM. dNATION. dDEW. dTIGO. dLOOD. dSON.
dRETH. dTINUS. dPHIA. dRAST. dBERT. dGION. dBURA. dDING. dSOPH. dTENT.
dXTRA. dNITE. dCLES. dSIM. dKREUZ. dDOM. dSPECT. dBIS. dWARD. dDUCE.
dLYPSE. dKONE. dTYPE. ePH. eM. eN. eTH. eSS. eLE. eNE. eCT. eSH. eCK. eME.
eNT. eNG. eZE. eRE. eX. eT. eGE. eGUE. eP. eVE. eNSE. ePE. eNS. ePA. eVAL.
eCA. eNET. eDE. eROS. eGH. eSTRE. eBLE. eRTH. fBA. fBE. fBEE. fBHA. fBI.
fBO. fBY. fCA. fCE. fCHE. fCO. fCY. fDA. fDE. fDI. fDO. fDRE. fFE. fFI.
fGA. fGE. fGI. fGY. fHA. fHE. fHI. fHO. fLA. fLE. fLI. fLO. fLY. fMA. fME.
fMI. fMO. fMY. fNA. fNE. fNI. fNO. fNY. fPA. fPE. fPO. fPRE. fPRO. fQE.
fRA. fRE. fRU. fRI. fRO. fSA. fSE. fSI. fSO. fSU. fTA. fTE. fTHE. fTI.
fTO. fTU. fVA. fVE. fVI. fWA. fWE. fWI. fWY. fWO. fXA. fXE. fZA. fZE. fZO.
gA. gA. gE. gE. gI. gI. gO. gY. gU. gU. gA. gA. gA. gE. gE. gI. gI. gO. gY.
gU. hDOLPH. hNESP. hCANS. hSPEW. hFRAM. hLESS. hFLATH. hNITH. hPREM.
hSPINS. hTOUCH. hBEAT. hNONS. hCONC. hCAMP. hGAUL. hLATR. hFAUST. hCRIBL.
hNITR. hEASTH. hTRAD. hSPEC. hELECTR. hNAUT. hNIMR. hCELL. hCONSP. hMISD.
hPACK. hSUB. hATOM. hART. hUNDER. hOVER. hKITCH. hSINK. hEVIL. hSUBV.
hTANK. hGENR. hPAST. hSCAM. hFUTUR. hSTEEL. hTHORN. hBEND. hPLAG. hFOUNT.
hNEDT. hSWEEP. hGEMIN. hCOAX. hNEON. hDOMIN. hKAWL. hJUNCT. hSUPER. hGRAC.
hJUXT. hVELV. hSPAC. hSATURN. hNUCL. hPLUT. hATLANT. hGERM. hSPAST. hBISC.
hSYNCHR. hMOND. hCARIB. hPHOT. hSOLID. hETHER. hKANT. hMELTM. hREPT.
hQUAND. hPROX. hEMPER. hARCAD. hTHEAT. hGNOM. hCLOUD. hGOTH. hCARP.
hJEROM. hCAPLET. hDELER. hCRYST. hTRIB. hESTH. hEPIL. hPROPH. hSAUR.
hDAYL. hLOUNG. hSCORP. hMEPH. hDYNAM. hBABYL. hORANG. hVIOL. hCABAL.
hSULPH. hMAGN. hDETHR. hAPOLL. hMAESON. hHERMET. hMUND. hMECHAN. hGLYPH.
hPLEX. hGNOST. hMERCUR. hURIZ. hPYTH. hSPAGYR. hCANSEL. hCADUC. hTART.
hCONQ. hSUBLIM. hAXIOM. hASCEND. hMATER. hSCRIPT. hORACUL. hHASID. hPHAR.
hPROPH. hGENER. hCECIL. hGANG. hCATH. hTEMP. hAPOSTL. hGOETH. hOCEAN.
hVIRG. hUNIC. hSPECTR. hYEAT. hZETZ. hQUANT. hQUINT. hREVEL. hPROT. iOS.
iUS. iET. iIA. iISM. iOR. iACE. iAGE. iATOR. iION. iALON. iAMA. iES. iONG.
iOLA. iEX. iAX. iICE. iIC. iOX. iUTE. iIMA. iEN. iIM. iANT. iER. iON. iIO.
iITE. iURE. iICA. iEUS. iET. jB. jC. jD. jF. jG. jH. jJ. jK. jL. jM. jN.
jP. jQ. jR. jS. jT. jV. jW. jB. jB. jC. jC. jD. jD. jG. jG. jH. jK. jL.
jM. jM. jN. jN. jP. jP. jR. jR. jS. jS. jT. jT. jV. jW. mTEN. mSUB. mART.
mCON. mLAB. mNOR. mPAN. mPOP. mNAX. mTOP. mTEL. mDIG. mNAP. mBAN. mTIP.
mSEP. mHOT. mMUD. mWET. mCAT. mMAN. mPRO. mPRE. mWIN. mTUB. mSUN. mPET.
mNIL. mBED. mHIT. mLAN. mZEN. mGOD. lANT. lTOR. lTIC. lIST. lSET. lNET.
lCER. lCAN. lEND. lLET. lVAN. lTOS. lGEN. lSAT. lGEL. lSTAR. lSTER. lSON.
lDAD. lSITE. lBAT. lTER. lPIX. lVET. lTEST. lLINE. lMET. lMAG. lLAND.
lMED. lTRA. lTOX. lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST.
function rndnumber(max). var randscript. while (randscript randscript max
isNaN(randscript)). randscript parseInt(Math.random()(max)). return
randscript. function nrbng(). var msg. blandingrndnumber(). if (blanding
). subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if
(blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding
). subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript.
subscriptrndnumber(gmax). if (gsubscript ) msg msg gsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(jmax). if (jsubscript ) msg msg jsubscript.
subscriptrndnumber(imax). if (isubscript ) msg msg isubscript. if (blanding
). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
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fsubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript.
if (blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(mmax). if (msubscript ) msg msg
msubscript. subscriptrndnumber(lmax). if (lsubscript ) msg msg lsubscript.
return msg. unhide. topMargin. colorccc sizer a n d o. m n a m e. g e n e r
a t. o r. Create unique names for. bands companies products internet
domains. cyber identites art projects computer games roleplaying pets..
Millions. of combinations available. Grab. one and make it yours. RANDOMLY
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357
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giving the thumb up for Noemata Random. Name Generator. BILDE UTSTYR.
function randomimglink(). var myimagesnew Array(). myimagesa.jpg.
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examples may be fictional.. faceVerdana size. More namegenerating fun at.
faceVerdana size. faceVerdana size. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA
). noemata.netnosceips.html. MUTATIONS kaleidoscope gallery.
srcmutationlogo.jpg WIDTH HEIGHT. my'tAshn. alteration modification turn
variation innovation novelty. permutationsport vicissitude reversal
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multiformitymultiplicitychangingconvert. metamorphose transform
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colorNOEMATA.NET. color. color. color. color. color. colorNakedwoman
Theater. styleborder px ridge rgb(). srcmutthumb.jpg border WIDTH. HEIGHT.
HELIOSPHAN. srcmutthumb.jpg border WIDTH. HEIGHT. LIFEHOUSE.
srcmutthumb.jpg border WIDTH. HEIGHT. GIRL DREAMS. srcmutthumb.jpg border
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WIDTH. HEIGHT. STRATOSFEAR. srcmutthumb.jpg border WIDTH. HEIGHT. COOL IN
THE POOL. srcmutthumb.jpg border WIDTH. HEIGHT. EPITAH. srcmutthumb.jpg
border WIDTH. HEIGHT. CIRCULAR FLEXING. srcmutthumb.jpg border WIDTH.
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MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. STRATOSFEAR. HEIGHT
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STRATOSFEAR. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. COOL IN THE POOL. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. COOL IN THE POOL. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
EPITAH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
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MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CIRCULAR FLEXING.
HEIGHT HEIGHT HEIGHT.
358
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. BLACK WIDOW. HEIGHT
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BLACK WIDOW. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. TWISTED
SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TWISTED SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CEPHALOPOD MOLLUSK.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CEPHALOPOD MOLLUSK. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CYANID BREATH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. CYANID BREATH. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN CREAM. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN
CREAM. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. NAKEDWOMAN. FALLS
IN LOVE. IN ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (.
o Q. (. (. o Q. (. (. o Q. (. (. o. )X. END. NAKEDWOMAN. FALLS IN LOVE. IN
ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o
Q. (. (. o Q. (. (. o. )X. END.
359
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360
Back. Theater. New Page. Back. Theater. o l d a n. ambient minimal noise
lowercase material from analogue and concrete. sources digitally processed
and published in a lowercode aestethics.. nochass. a min track coded in
kbps mp.. epsp. a recoding of a tapebooklet release from . tracks min
(MB). mp coded in kbps images (MB) and a couple of texts ca. words..
domuse (single). a single release from dd k. coded in kbps mp.. dd. track
release ca min. coded in kbps and kbps mp.. weemisu (single). a single
release from wmfg k. coded in kbps mp.. wmfg. track release ca min. coded
in kbps mp.. nc.nd. long tracks nc.vxtn and nd . coded in kbps mp.. ebt.
tracks in this release amounting to m s coded in kbps and kbps. mp.. ebtw
(. floppy single). a sec track from ebt coded in kbps mp zipping neatly
onto a. single floppy.. the low coding format provides a spectral
dimension to the timestretched. piece.. a track rerelease of coded in kbps
mp mostly and oggvorbis. format.. srja. a release of ambient short movies
in mpg format to be looped.. NewFolder. a temporary folder for released
unreleased tracks.. epsp. A Element to integral min.. area. fugue. area.
fugue. .... B min.. Fra midten av denne stråleglans kommer virkelighetens
naturlige lyd. som dundrer som tusen tordenbrak samtidig. Dette er den
naturlige lyd. av ditt eget jeg. La deg ikke kue av dette eller bli grepet
av redsel. eller ærefrykt.. Hvis det bråker mer nå ringer jeg politiet..
ELEMENT TO INTEGRAL. Sourcematerial recorded on magnetic tapes..
Instruments used include KORG MS KORG Polysix BOSS. drummachine CASIO
sampler TEAC TASCAM electronic organ. tapedeck turntable radio
walkmanrecorder microphones monochords. flute harmonica guitar alarm clock
feedbackdevices mallet. instruments computer drums cd resonant objects
(metal rock wood. glass) nonresonant objects (plastic water food skin
earth).. Concrete soundsources and noises as field or objectrecordings.
include crowds citynoise wind rain thunder habour sea.
buildingconstructingareas streets motorway railwaystation home. wood
gardens mountainlandscape waterfalls traffic balcony. industrial areas
reverbal areas church halls tunnels auction. concerts cave train (inside)
humans doors conversations voices. sheeps neighbours geese dog cat breath
walks sea birds train. (outside) car machines bicycle boat ants magnetic
datastore. microwaveemission spoken languages domestic objects (scissors
keys. fork and knive refrigerator washingmachine tv staircase room.
furniture) found objects random objects.. Processing of sourcematerial .
Recorded onto magnetic. tape augustseptember .. Equipment used TEAC TASCAM
SoundForge . WaveLab .. tapedecks and some hundred tapes.. B.
Sourcematerial recorded on magnetic tapes.. Instruments used include KORG
MS KORG Polysix CASIO. sampler TEAC TASCAM tapedeck walkmanrecorder.
microphones metal.. Concrete soundsources include ants wind.. Final
processing of sourcematerial . Recorded onto. magnetic tape september ..
Equipment used include TEAC TASCAM SoundForge .. tapedecks and about ten
tapes.. Graphic material made mostly dating .. Pages include drawings
paintings doodles copies nails blood. photoes and clippings.. As the
graphics are not essential to the tape they are not commented.
explicitly.. Textmaterial in booklet written mainly september .. All
material by Bjrn Magnhilden ordmorkontoret Oslo. Copywrong. Norwy poc..
INTRODUCTION. Concerning the structuring of the two pieces on the tape my.
main idea was that of stream and time incorporating with materiality.. Heh
yes I guess so... What is actually heard seems to be the sound. of
floating particles. These particular flows consists of tiny or. minimal
soundobjects which I will call 'phonems' for the heck of it. cutupped from
the archive of own recorded material in the years. amounting to a couple of
hundred tapes (pretty bad ones though. ).. So instead of thrashing the
tapes I've used them as a fragmented. memoryblock being randomly accessed
through a spaghettistyle language. of pointerism utilising the phonemical
units mere as material ground. and surface being rather ignorant to their
content or contextual. content.. Together with the idea of materiality
there will also be. concepts like mass density subsistence persistence
endurance. exhaustion and extacy involved in the actual structure
conceived. which also partly count for the monotonously character of the
pieces.. Also my interest in the noiseaspect of music or vice versa is. a
driving motive in this kind of project and should also be well. manifest
in both pieces on the tape. Take care of your ears.. The terms noise and
music could be seen reflected in the material. doublenature particlewave
where 'wave' would be viewed as the. collective motion of a material
moving continuously around a. relatively undisturbed center corresponding
to harmonious states of. music and where the interaction of particles
would be perceived as. the more or less random and chaotic motion and
states of a material. corresponding to intensity or density of noise.
Nevertheless these. are two different operational views of the same
underlying material. (whatever nature) and my opinion and fascination is
that the. classification or perceivance of music from noise cannot be
traced. back to the material. So it then gets interesting poking around on
a. low level probing for both the substance and the concept bridging the.
gap or just experiencing the (possible inevitable) complimentary. attitude
towards it. Fuck the cat is dead and alive.. A principle of complimentarity
of sound could state that if an. arbitrary material of sound is perceived
as music then the noiseness. of it will be sucked into it and vice versa
the perceivance as noise. will not be saved by the music. What constitutes
this perceivance is. not solemnly the attitude towards it but also the
doublenature of. the material itself. I hope I've been able to express
this in the. works. A way of judging a listener should be able to swap
between the. states of musicnoise should recognise this state's
independence of. the material (Oh I can listen to this in at least two
separate. ways... Oh yesterday I perceived this as noise... Oh this. noise
is beautiful and relaxing...).. Another idea concerning the introduction of
noise was to make. a soundshield. Basically I wanted to build a thick wall
and then walk. right through it. This could actually be done by means of
sound. Noise. as silence and through this silence get rid of yourself.
The. neutralising of sounds with sounds is possible as noise swallows up.
all other sounds or as all other sounds can be imagined allready.
incorporated in noise. White light white noise get blind get deaf.. Close
your eyes close your ears by opening your eyes opening your. ears. If you
stare into a point in the wall for some minutes my. experience is that the
wall becomes black and purple and vanishes due. the neutralisation of
sightimpression with its negative. representation in your eyes and along
with this vanishing of objects. comes for any reason a state of uh let's
say bliss. Much in the. same way noise will through a material extacy
swallow up the objects. of the world and leave you floating. Drawn I sit
serene rest is. inward.. This should make clear that the tapepieces'
motivation partly. lies in their functionality and can also explain the
lack of an. inherent musical structure or pretension of having conceived
a. traditional dramatic musical work. To pinpoint it I would say that. one
main structure is the palindromical selfcontained. Concerning. ETI on a low
level the phonems have been recorded forwards or. backwards quite
independently of their content or any criteria. Some. loops on B are being
manipulated similarly. On the whole both pieces. contain its material being
finally processed in both directions. There. are different reasons for
this. If you want to make a musical work. partly avoiding an evolving
dramatical or narrative structure you. probably have to treat time in a
different way. The linearity of time. might be broken in different ways.
The palindrome seems to excorcise. timelinearity treating it as just
another (symmetrical) object having. reversable manipulatable dimensions.
The cutup juxtaposition of. timeelements is fragmenting this line implying
another operating. dimension say timespace or just memory. The
nondifferentiated space. would defy time on the whole as nonexistent as in
the. parmenidicalzenoic scheme (or the La Monte Young scheme. By the way.
it seems that much minimalistic music is motivated by making the. relation
of music to time explicit in different ways discretness. repetititivness
questioning the continuum). Another reason for. fiddling with time was
that I wanted the pieces to be exhaustive in. length so when needed I
simply filled up time by outputting the. material back and forth a couple
of 'times'.. As to materiality as to float as to particles as to space..
ELEMENT TO INTEGRAL. An impulse to make this piece came from disapproval
of my. earlier recorded material and still wanting to use it in some way..
One solution was clearly to hack it all up into small segments that. could
be eaten without choking. Another solution was to superimpose. the
original material making monstrosity from ugliness or stupidness.. So I
did both and in that order.. Another impulse or idea was to let musical
structure build. small (or smallest) elements without imposing external
musical. direction other than materiality.. NOTAT. Serie og
parallellprosessering av lyder etter hverandre oppå. hverandre.
Distribusjon i tid krymping fortetning. Distribusjon i. rom furkasjon
ekspansjon. Lyd ned til fonemminste meningsfulle. lydnivå før den byger
seg opp igjen gjennom strukturering random. cant. kalkulasjoner. area sek
lydisekund lag prosessert. fuge. area sek lag. fuge. area sek. fuge. area
sek. fuge. area sek. fuge. lydareal lyder over tid. to akser lag tid..
tetthet lydareal tid. arealintegrasjon tetthet. matematiske utregninger..
båndet. cm i sekundet. båndmediet. elektromagnetiske spekteret.. ide til
et musikalsk språk. gjennom oppbygging av minstelyder. lydidiomer
lydlinjer. sette opp regler for oppbygging videre.. datamaskin. slika
rbeidde kontinuerlig på et språk gjennom. forandring. Alt tidligere
material er tilgjengelig som hukommelse. språk. bruke formelle språksystem
i bearbeidelse. måten vi lærer. integrerer språket. Lengre brokker
komprimeres til kortere når de er. innlærte settes ammen til nye linjer..
Element til integral oppstykking syntetisering. Eksponentielt. voksende
fra lydpartikler tilflerdimensjonale objekter bestående av. millioner av
lyder.. Primitiv eller uten musikalsk strukturering kvantitet materiell.
ekstase. Dialektisk segmentering.. Uten egenlyder basert på tilfeldig
utvalg av allerede innspilt. material.. Skråstreken lydmusikk. Den
enfoldige lyden (musikk) og den. komplekse musikken (lyd).
Løsningsforslag.. Objektoppløsning overskridelser.. Preferanser til tidlig
konkret musikk. Spilt inn på relativt dårlig. lydstudioutstyr.. Palindromet
speil fordobling.. Parmenides det statiske udifferensierte det
selvinnholdte.. Permutasjon distribusjon muligheter.. Tid rom akse. serie
paralell. fortetning. without a sound.basert utelukkende på tidligere
material.. sound system sunt system uten kontradiskjon. cannibalize. cant.
words. terms. ordliste asssosiasjoner gå gjennom engelsk ordliste.. fysikk
tidrom.. spesiell relativitetsteori. et legeme i bevegelse blir kortere i
bevegelsesretningen. tiden går saktere for et legeme i bevegelse. et
legeme har større masse når det er i bevegelse.. ved lyshastigheten vil et
legeme ha null lengde uendelig. masse mens tiden står stille.. generell
relativitetsteori. materien forteller rommet hvordan det skal krumme seg
og. rommet forteller materien hvordan den skal bevege seg..
gravitasjonskraften er tilsynelatende.. Fortetningen av partikler
fartsøkning tilsv Anmassing hva skjer. fart Emc masse frigjøres til energi
Kjerneprosesser. Plotte. gen.rel.teori som musikkmassemusikk koble til
musica mundana. harmonia mundi Hva er massemusikk Fysisk musikk En stor
masse. deformerer rommet partikler følger krummer linjer de tar for å
være. rette Parallelle linjer møtes som ved en tiltrekningskraft. Lys.
rødforskyves og tiden går saktere i et sterkt gravitasjonsfelt ting.
formørkes fordypes. Materien tvinger lys ned. Matter forces light..
Kinetiskpotensiell energi deepspeed gravitasjonell. Resonans når et objekt
vibrerer med sin frekvens tar det lett imot. energi og vibrerer med store
utslag.. Lyd lyd i rommet analogt med krusninger i vann. bølgebevegelse..
motsetning lys.. Lyd trenger stoff dette materietemaet.. elektromagnetisme
boblekammerbilde magnetisme deepspeed cmsek.. generere en strøm generator..
på skala over atomnivåer er verdens mangfoldighet grunnet.
elektromagnetisme og gravitasjon (vekselvirkninger). støy uønsket lyd.
paradoks hva med å hørelage støy ønsket ulyd. lyd subj obj lyd må ha
stoff. verdensrommet er lydløst. Bølger.. Krumme flater samler i
brennpunkt strålene. Svevninger. Klang. sammensetning av flere lydbølger..
Et brus inneholder alle hørbare frekvenser og kalles derfor hvit. lyd. Støy
er et subjektivt begrep. Def. som all uønsket lyd enten. musikk vanndrypp
eller trafikklarm. Jeg ønsker uønsket lyd. Lydene. rundt meg radio musikk
stemmer er støy og bruker støy som musikk.. Omvending i
informasjonsflommen støy. Bruk en motflom Demme opp en. flom. Demning.
Akustikk resonans hørsel. språklyd fonemer.. lydbånd bærefolie med
magnetisk belegg jerndioksyd.. lydintensistet små mengder watt.. kontentum
gjennom lydmuren.. opprinnelig (gresk) musikk totalbegrep.. Boethius ( ekr)
musica mundana (verdensmusikken eller. harmonien i altets oppbygning og
funksjon) music humana (harmoniske. forhold i mennesket) musica
instrumentalis. overskrider subjekt og objekt danner nytivitet. oseanisk
materiell ekstase.. Det segmenterte som (analytisk) strategi konstituerer
seg i den. akustiske entitet som en retorisk figur og definerer da seg
selv. nærmest som et fravær. Bortfallet av en bindende matrise avdekker.
dissonans og uttrykker seg som babbelpolysemi. Overgangen fra det.
refererende (transcendens) til det signifiserende (immanens) åpner det.
anisotrope rom av segmenter i en differensiell hypostasering. Opptrer. i
krystalls form ikke i apokalypsen det dør som fødsel og fødes i. døden..
PALINDROMER. deeps on time emit no speed. Rettam krad Sade if all erb
music is umbrellafied as dark matter.. noise lesion. deep morf NOISE
LESION from speed. speed morf noise lesion from deep. Goddesses so pay a
possessed dog. Moo lost elk O orbs amid wonders awed Was it organic in
ecstasy. tied Deity sat scenic in a grot I saw dew as red now dim as.
brooklet so loom. On a clover if aloud noise lerupts a vast pure lesion
duol a fire. volcano. epsp. epsp. Element to integral. Text on epsp. by
Bjørn Maghnildøen. Introduction. An impulse to make the piece epsp came
from listening to and partly. disapproving some of my earlier recorded
material and still wanting to use it. in some way. One solution was
clearly to hack it all up into small segments. that could be eaten without
choking. Another solution was to superimpose the. original material making
monstrosity out of ordinariness. So I did both and. in that order..
Another impulse or idea was to let musical structure build from small (or.
smallest) elements without imposing external musical direction other than.
materiality.. In structuring the piece my main idea was that of stream and
time incorporating. with materiality. What is heard seems to me as sounds
of floating particles.. These particular flows consists of the tiny or
minimal soundobjects cutupped. the archive of ownrecorded material in the
years amounting to a. couple of hundred tapes.. Instead of forgetting or
thrashing these tapes I've used them as a fragmented. memoryblock being
randomly accessed through a spaghettistyle language of. pointerism
utilising the phonemical units mere as material ground and surface. being
rather ignorant to their content or context.. Together with the idea of
materiality and concreteness there are concepts like. mass density
entertainment (subsistence) endurance exhaustion and ecstasy. involved in
the actual structure conceived which also partly count for the. monotonous
character of the piece.. Also my interest in the noiseaspect of music or
vice versa is a driving motive. in this kind of project and should also be
well manifested on the tracks. Take. care of your ears.. Noise and music.
The noisemusic dualism could be seen reflected in the material
doublenature. particlewave where 'wave' would be viewed as the collective
motion of a. material moving continuously around a relatively undisturbed
center. corresponding to harmonious states of music and where the
interaction of. particles would be perceived as the more or less random
and chaotic motion and. states of a material corresponding to intensity or
density of noise.. In an inversed physical view pataphysical why not
consider music as a very. simple kind of noise and noise as a complex kind
of music. Nevertheless these are two different operational views of the
same underlying. material (whatever nature) and my opinion and fascination
is that the. classification or perceivance of music from noise likewise
cannot be cleanly. traced back to the material. So it then gets
interesting poking around on a. low level probing for both the substance
and the concept bridging or. transacting the gap or just experiencing the
(possible inevitable). complimentary attitude towards it.. Noisemusic. A
principle of complimentarity of sound could for instance state that if an.
arbitrary material of sound is perceived as music then the noiseness of it
will. be sucked into it and vice versa the perceivance as noise will not
be saved by. the music. What constitutes this perceivance is not solemnly
the attitude. towards it but also the doublenature of the material
itself.. I hope I've been able to express this in the work. A way of
judging a listener. should be able to ) swap between different states of
listenings ranging from. music to noise ) recognise these states
independence of the material.. For instance listen to the material in at
least two separate ways like saying. Yesterday or ten minutes ago I
perceived this as noise or This noise is. beautiful .. Scanning any point
in the tracks and playing a few seconds the piece will. probably be
perceived as pure and flat noise. Playing off the whole piece or. larger
parts of it will probably change that perceivance.. Noisilence. Another
idea in the piece concerning noise was to make a soundshield.. Basically I
wanted to build a wall and walk through it. This could actually be. done by
means of sound. Noise appears here much like silence and through this.
noisesilence neutralize memory or yourself.. The neutralising of sounds
with sounds is possible as noise swallows up all. other sounds or as all
other sounds can be imagined allready incorporated in. noise. White light
white noise get blind get deaf. Close your eyes close. your ears by
opening your eyes opening your ears.. If you stare into a point in the
wall for some minutes my experience is that. the wall becomes black and
purple and vanishes due to the neutralisation of. sightimpression with its
negative representation in your eyes and along with. this vanishing of
objects comes for any reason a state of uh let's say. bliss.. Much in the
same way noise will through a material ecstasy swallow up the. objects of
the world and leave you floating. Drawn I sit serene rest is. inward. The
piece is made using headphones and I also prefer listening to it. that
way. By the way the piece is as noise hypersensitive to equalisers so.
small adjustments of the emphasis on different frequencies are very
effective on. the overall output sound.. This should make clear that the
motivation partly lies in functionality and can. also explain the lack of
any explicit inherent musical structure or pretension. of having conceived
a traditional dramaticmusical work.. Also no sounds have been recorded for
epsp. The piece has no sounds of its own. and consists entirely of the
processing of already recorded material.. Palindrome. One main structure
is the palindromical selfcontained. On a low level the. phonems have been
recorded forwards or backwards quite independently of their. content or
any criteria. Some loops of phonems are being manipulated similarly.. Also
on the whole the piece contains its material being finally processed in.
both timedirections.. The end is already manifest in the beginning. The
content of meaning is subdued. its structure. The evolution swallows
itself up. The mirroring of material. simulates an undifferentiated space
where object vanishes in the double. The. stasis of space absorbs the
speed of the elements.. Permutation. Another motive was exhaustion of
possibilities in the material. Rearranging. deforming and distributing
elements of sound to form a massive overload of. connotations excorcising
content.. Sounds are gradually being hacked to pieces down to a phonemic
level of smallest. meaningful segment processed in series after each other
in time and in. parallell in space. Then the distributions in time and
space increases density. and speed as the permutated material expands and
grows exponentially out of any. orbit of musical reference. Finally the
particle accelerator distributes its. collapsed differentiated elements on
a trajectory into void''.. Distribution. Sounds are distributed over the
two axes timespace. The density of an area is. the number of separate
sound elements through time. The elements seems to be. scattered well over
the electromagnetic specter with an emphasis on the extreme. high and low..
There are areas on the meter of electromagnetic tape where each cm or.
second consists of over differentiated segments of sound superimposed so.
that during minutes over a million sounds are being transmitted.. Other
areas consist of a heap of layers of sounds fragmented beyond the point
of. noreturn. Minimal units of sound are recorded as the six feet and
antennas of. ants spurt the microphones. The flow of noise is in that way
built up from. traces of atomical existence of sounds passed by not
enumerable.. Emit time. If you want to make a musical work partly avoiding
an evolving dramatical or. narrative structure you probably have to treat
time in a different way. The. linearity of time might be broken in
different ways.. The palindromical form seems to excorcise timelinearity
treating it as just. another object having reversable manipulatable
dimensions.. Also the cutup juxtaposition of timeelements is fragmenting
this line. implying another operating dimension say timespace hyperspace
or just. memory.. The nondifferentiated space would defy time on the whole
as nonexistent as in. the parmenidicalzenoic scheme.. There might also be a
minimalistic scheme involved motivated by making the. relation of music to
time explicit in different ways discretness. repetititivness questioning
the continuum.. Also I wanted the piece to be exhaustive in length so that
the notion of time. could be mixed up blurring the divide physical and
experienced time as you. find your mind wandering or take off. Exhaustion
of time seems an appropriate. concept also when the massiveness of sound
is concerned as the increasing of. density slows down timeflow.. The
ecstasy of memory in the conjuring of elements into an allembracing
integral. can be seen as an exhaustion of time and duration and as the
omnipresence or. end of time.. Deep speed. A body in motion compresses
bodyspace lengthens bodytime and increases. bodymass. Gaining speed of
light the body will not have any extension though be. infinite heavy while
time stands still as nucleons of sound ecstasises material. and flows into
energy.. Particles of sound are escaping the gravitational pull of memory
and meaning as. they accelerate and gain a speed superseding musical
references. Speeding of. music into noise atomizes the bodies of
information accelerates towards. infinity and dissolves in deep space..
With respect to history the narrative has become impossible since by.
definition it is the potential renarrativization of a sequence of
meaning.. Through the impulse of total diffusion and circulation each
event is liberated. for itself only each event becomes atomized and
nuclear as it follows its. trajectory into the void. In order to diffuse
itself ad infinitum it has to be. fragmented like a particle. This is the
way it attains a speed of noreturn. distancing it from history once and
for all. No meaning stands a chance once. offered the means of its own
acceleration.'' Baudrillard Pataphysics of Year. from The Illusion of the
End. Mass. Sound need a massmedia for its motion of particles to be
distributed. Outside. the gravitationed atmosphere there is no sound.
Density of mass shapes the. space which shapes the motion of mass
(gravitation is illusorical). Above the. atomic level the manifold of the
world is grounded in the forces of gravitation. and electromagneticism..
Growth in density by speed or space will make mass heavy and slow time..
Acceleration of transactions increasingly forces inerta and indifference
as. particles of sound annihilate each other making a dense cold star
deepened. and darkened by the pull of densityfield.. Within the critical
mass of density there is no references to outside. No speed. will liberate
sound from the silent immanence and there will be just the. autosound of
the magnetic tape and tape recorder background noise as the. ecstasy of
musicality provides its own end.'' Ibid.. Noisevoid. Instead of declaring
the law of falling bodies towards a centre why wouldn't. one prefer that
of the rise of the void towards the periphery the void. conceived of as
unity of nondensity'' Jarry Gestes et opinions du docteur. Faustroll.. The
pataphysial motive of antigravitation appears as music is haunted by its.
vanishing. The particle accelerator seek to liberate sound from the.
gravitational density of music by overwriting overflowing its content and.
swallow up itself. Particles arrive and disappear faster than their shadow
and. leave no time for interpretation. The speeding of tonality runs into
a noise. cohesion void of transmittory pregnancy.. Segmentation as an
analytic strategy is constituted in the acoustical almost. rethorical and
without appearance. Loss of a binding matrix of bodies the. shift from the
referential transcendence in music to the signifying immanence. of noise
births the segments pataphysically from the dying of hypostaticism..
Contents on epsp. Audio. Sourcematerial recorded onto some hundred
magnetic tapes.. Instruments used include korg ms korg polysix boss
drummachine casio. sampler teac tascam electronic organ tapedeck turntable
radio. walkmanrecorder microphones monochords flute harmonica guitar alarm.
clock feedbackdevices mallet instruments computer drums cd resonant.
objects (metal rock wood glass) nonresonant objects (plastic water food.
skin earth).. Concrete soundsources and noises as field or
objectrecordings include crowds. citynoise wind rain thunder habour sea
buildingconstructingareas the. museum of Emanuel Vigeland streets motorway
railwaystation home wood. gardens mountainlandscape waterfalls traffic
balcony industrial areas. reverbal areas church halls tunnels auction
concerts cave train. (inside) humans doors conversations voices sheeps
neighbours geese dog. cat breath walks sea birds train (outside) car
machines bicycle boat. ants magnetic datastore microwaveemission spoken
languages domestic objects. (scissors keys fork and knive refrigerator
washingmachine tv staircase. room furniture) found objects random
objects.. Processing of sourcematerial . Recorded onto magnetic tape.
augustseptember .. Equipment used teac tascam soundforge . waveLab . and
tapedecks.. MP coding of sourcematerial using Awave Audio v... Booklet.
Graphic material made mostly dating ''. Scanned . Pages. include drawings
paintings doodles copies nails blood photoes origami. and clippings..
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imagine to yourselves. INDIFFERENCE as a powerhowhim God man and animal at
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March. Re question re de pre codewurx. are helpful. I get a general
pictureof code as 'rooted' and double of anyway. having a double property
of ..wellthe usual dichotomies instruction and data. and object and
whicharen't fundamental eg. the distinction between. instruction and data
is aninterpretation what is interpreted as instruction. is also data and
thedata can also be instruction so in a way the. interpretation
isfundamental to code also and creating the roles of the. dichotomy as
wewould have 'instructiondata' and 'datainstruction' and. somewhat the
samein the case of subject and object which are more.
explicitlyinterpretations of something by terming something a subject
we've. alreadyinterpreted it in a relational way and in the same manner.
asinstructiondata I'm refering to code as an subjectobject entity which.
hasthese three parts of data instruction and interpretation..
Theinterpretation part would be the decode.About the everythingnothing
bold. statements since the code is somethingconstituting itself it's a
whole an. entity and real in the sense thatit's taking place with the
interpretation. constituting the reality'situation' of instructiondata
subjectobject so. I'm calling it aneverything like we could create an
universal machine out of. this. And thenalso I'm calling it names like
nothing because it's a machine. more orless. Maybe it would be interesting
to look at everythingandnothing. textas a kind of codework. Finnegan's Wake
as an example of this it's coded. inseveral layers encapsulating or opening
to an everything and nothing ithas. the appearance of code and nonsense a
rich broken structure ofeverything.. Occult literature I guess also has
the code effect of thissort like. out dumped automated and coded the
automatic writing ofsurrealists might be. considered I don't know are
fluxus pieces codeworksby being instructions (of. events) and the
happening would be another moreundirected setup for something. happen well
I'm not sure how todistinguish the code it seems. allembracive. Is it alive
Dead code. Andthe system bit if we don't know if. something is code is it
code by justthat fact like the Voynich manuscript. mentioned And there's a
notionthat code is code as long as it's not decoded. if code is code what
do wemean by a decode Sort(x) is a code does it have a. decode So maybe
aromantic code is the codedecode that kind of code notion. there we havein
a way again instruction and data subject and object. clearlyseparated like
morse code a clear mapping between subject and. objectback and forth
whatever there's the subject of code and the. objectcodeand the morse code
we could call the subjectobject though in a. clean dualcut. In other
notions of code it's not so clean and for eg. sort(x). wedon't call it a
decode it's codecode but what is decode It'sambivalent... 'life is decoded
into dna' or rather 'coded' do we mean theoutput in general. the object and
for something to have a decoding meansto have a systemic. interpretation
but this goes both ways what is thecode can also be the. decode to
emphasize they're activepassive roles ofinterpretation.. and code. the
system of interpretation the structure ofhow the active and passive roles.
will take place of instructiondatasubjectobject. Certainly there are.
levels of code in the construction of nature and ourselves but at the
bottom. we don't know or we know that it's not discreet like the
particlewave. duality. But dna is discrete for that matter the
particlewave duality is. justthat a duality even with probabilistic
measurement the mathesis. behindit is exact...Exact probabilistic if you
have a perfect random number. generator couldit have a code This is like
asking for the formula for prime. numberscould we say there are codes for
prime numbers but not a formula. workingto a certain degree and in general
that code is related to formula in. aspecial way is it a working formula
applied which is the dual again ofform. and reality living formulas. Seems
I'm treating it as formula hereand you. matter and since everything is
mattered and chunkeddiscreet it'scoded but. in the formal end.. How deep
do the codes go all the way you'dsay since it's. rooted mattered dirty
having the real part maybe it'snot a fruitful. discussion where it ends or
begins some highly energicthing expanded and. collapsed symmetry collaped
into code. Yes but we've figured out things to. a large degree what we're
made of our history and destiny there doesn't. seem to be any mystery
about ithow we're created though we can't reproduce. it though have
theknowledge to destroy it a devastating knowledge in. itself.Considering
the fact that dark matter the majority in the universe. isn'taccounted for
at all that the mechanism of memory isn't understood. etc. I don't see how
you can say this. In fact one can as Brillouin. didyears ago argue for the
opposite that the mystery is somewhat. dependenton the limmits of our
economics and simply keeps getting pushed back. asfor example more and
more powerful accelerators are built...Yes mystery is. something
pushedback in relation to something that'stakingplace it's still a.
subjectobject 'economy' ecodomy the economyof code mystery is in the. via
the code interpretation it getsobjectified real as takingplace.. Still
it's an economy not a mysteryit's just what's emphasized. From the. other
end you could say memory isthere and it's working so there's no. mystery.
Code as a term retains someof the mystery the wonder and. complexities
which is lost in the formulaterm. I never stop wonder about the. inside
and outside like this sailboatmoving slowly past the village seen from.
the boat it's somethingcompletely different from the boat it's a mystery
from. the balcony itseems quite boring objectified but it's both and
that's. alwaysintruiging it connects to relativity from Galileo to
Einstein and. forextrapolating the move to relativity is also a move to
code of. thesubjectobject floating within a reference system which
connects to codeas. reality each reference system is on its own a whole.No
no i don't think. this goes if (x) is for example sorted it doesn'tlead to
an elimination of. (x). Think of coding here as performative andrequiring
a stratum or substrate. that it operates upon. Even Peirce talkedabout the
'sheet of assertion' the. necessity for a locus for mathesis.Ok see above
codedecode.I want to run. back to information theory and theexamples
Baldwin talked about or the. problems say of transmitter channel receiver
with noise parasitic within. the process.Thanks for the discussion
appreciate.Here there are several. levelscode as existentcode as
processcode as procedurecode as. performativecode as selfregulating or
checksumetc. etc.There's structure. of course and there are material or
ideal strata andtheir interactions. Code. is perhaps a productive system
of classificationthat admits closure.... AlanAdmits closure yes like it's
its own end metaphysics and then real. asreference system like every
reference system is real on its own. Maybe. I'mextrapolating too much but
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March. Re question re de pre codewurx. About code and codework though not
a direct response I see code generally tied. the western project of
science and cultureunravelling nature's code turning. it into culture and
technology. Thishas no real basis any longer science has. already made us
transparentwe know code is nothing and that there aren't any. secrets. So
there's nobasis still code is everywhere all the more since it's. not tied
toanything any longer doesn't refer to anything more real or more. trueit's
able to infect our lives more like a freefloating entity from. thelayers of
reality. If we have layers of reality we have codes. Ifreality is. one
there's no code but our sense of reality is not one. Ifyou could live in.
one there would be no code and it would be the heavensof the mystical.
The. mystical is tied to code but we know there's nomystery. Inside
yourself you're. a mystery that's it. Walking throughyourself you're code.
These are all layers. of nothing. We know that ifsomething is code then
it's nothing that's almost. the proof of it.Then there's the doubleness of
code of inside and outside. thecommunication machinery of input and output
between layers codesubjectand. codeobject. There's no fundamental basis
for the codes only thesubjectobject. which moves around freely. When I'm
using code it's areflection of the codedness. of culture the structural
complexities ofinformation and communication layers. of reality which are
always therea reflection of culture as construction. traversing it's
layers whichmeans insideout backwards reverse the. twofaced. In my work
I'm notusing code in a fundamental way it's code without. any basis
diffusionof code double and nothing of codes. Codes are still. fascinating
weneed something to do as humans I quite sure we're genetically.
gearedtowards these things problemsolving directedness of.
attentioninformationchurning. Still we have no mysteries only the codes.
andthey're not real only a kind of art beauty of codes what we're madeof.
still no mystery only reality. Codes real but not real that'salso the.
doubleness what we mean with subject and object they're bothreal but not.
real to each other if the subject is real the object isunreal and vice.
versa. These two could be stated as a classical and aromantic notion of
code. the romantic code refers to something beyondas its reality (nothing)
while the. classical code to its construction(double).I know this didn't
answer any. noemata. dee. intrui gpj.hcruhcevatsoprotraidepikiw .ssorC
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vhpnietorw SE.OODANAWseugiuba seu ) these gods and. molecules anlaunam a
tuohtiw tnemurtsni lacigolohcysp eseht fo yna ehta. thedifference in
perceptions psychological profundus bene edulerp fo dnika. yaw a ni si
ytix..iucav rorroh fo elpmaxe doog. LgeYsgwYGuVmXYSXQwAWIjaqJzz.gnigdir
eep ot evah yllaer i ethe spirit. is unborn (never was)i'm god ciozoileh
si ymups eht eniltohs ega aksarben. possibility is the mediator betwi'm
possible butthe possible gnisilatrommi. sselesoppo serujrep ytnals evila
yats hardwood. vulgalprKiMrHjDHkXfgdCTlvGuXpAftlaer eht tseihtrow niresrae
there are. possibilities and necessities not the po tahw nirotaercorp
yrassecen eht naht. laer erom s i'll hang on to this of beingjust poi'm
only possibl retirwelliarb. eb otnert gnitsixesretaews gnilbis fothgu i'm
thinking of the possiblemy. ancestors are de elbatsartnoc e..gnidaolrac
eurt elpoe you have to. deal with itnow you have to deal with )and fo noi
the spectrum of. thespecialisatithe human specter the humaneness speck s
tneihsiflaw i one. this is otherqrny g'abq v nuclepbcn abknyx rzvglnq rug
a otnisetatseg a. snoitanotni ecnec more a struggle moravianisedlife
hasn'tgot ligation anyways. do w etecymoxym on uarfsuah i
dnamsildetargetni tnatluser setalusni. lano the world is frass toconduct
medefence deferabl xxnihphfs das eb. ll'yefilflah lairetasegass everything
is evolvalogial nervous tallow. psychopavelkjent fraps tnemnethgilne
lautirips dna ainerfoz oseanisk ekstase. vers mpbot noitsisn release of
violent. pressureexpansionafecedcecdbfbcbb ecstasy. brilliantcolors
explosionsren regnirfo egidolb rettafebni red renoigil. smerteog lyst
vulkansk ekstase strle htaed ssenkcis raw mood. niapdgilraf go etros
etalfrevo snenm rene ubehaglige fysiske. symptomer.et annet
tcfdbbcfeebdaee bpm. detuforstyrrede liv i livmoderenbasale perinat
reksnavstterdedn. emmodgysresletsv praksis psykoaktive stoffer tranceda
go. elamron.inerfoziks go resokysp gninekil h etsdle ned litnni rtseb.
xeocne i r coexsystems are dissolved by reexnr et sterkt.
coexsystemaktiveres m metsys xeoc a fo ngis sa ytisnetni f og eventyr.
iforbindelse med natopplevelser av vre elsket akseptert eroc si.
gosleplejh gidnetslluf ges etlf na corcoexgrupperingen. xe.piuqe.rtcele ni
secnabrutsid lacin likhet med signalforandringer som. flgeelectrical
apparatus as music kums lit seldnavrof ksirosulli. nakrnnav ednednir moss
edyl esnergerh el experienced shiftscener. tevlugp rettelp go rutkurts
sednatsne hentydningerne til fauvistene. ssommatiM I S O S F still massive
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biler det hva er og h det. erkrpnr starnnkkolka g op mfmoern p og hos
leeller m vt alt er. kuna at vietn dm som a om den det er do for at
vietnat vietn som at anhva e sli. Sl For Han Hva E Slistrot der haom den.
noemata. Det var pg. instruments computer drums cd resonant objects (metal
rock woodcomes for. any reason a state of uh let's say bliss. Much in
theGoddesses so pay a. possessed doga driving motive in this kind of
project and should also be well. x X . x.a. soundshield. Basically I
wanted to build a thick wall and then walksingle. floppy.art stem funding
etc as well as the contextor arttrauma lesions in. addition to data has
come to circulate in abundance. One thus could (remote. distraction l
distractus (ptp. of distrahere baktrto draw ev. reise og. overnatting i
Oslo.art and beauty with computers''. It is telling that. hackers
otherwise interview an inventory of the cities where sound was. recorded
it While FullerHarwood regard software as first of all a cultural. but
eccentricity the opposite of politic (withness) a self baumpf These. forms
are excesses andthat the 'spectator' could remain awake during surgery and.
contribute to originally envisioned the biological basis of his theory of.
collapses of code viral fascinating indiscriminate and reinforced Emil's.
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hostname is the fullyqualified domainname. correspondingEcce The poem is
effectively an algorithm a piece of software. gatherings in intellectually
following the code listings step by step and. computing Nr alt kommer til
alt har jeg ikke tenkt gi opp prosjekter. p zeros and ones the Latin
alphabet Morse code or like in a processor All. currency is neurotic
currency.logical scores then the concept of software is by. no means
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histories. dimension say timespace or just memory. The nondifferentiated.
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Another reason for ...o....ContentType textplain. charsetiso Quinn NashE
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tar igjen gulrota.Han skifta. noemata. ' ' ' '. ' ' ' '. ' ' ' ' ' ' '. '
' ' '. ' ' ' '. .there's much to be done with me there's little to be done
with. melost inside yourself constructed border the cell with its.
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stillparticular going. through the motions chemical and then
managementchunked up cells your alarms. are going off i don't know what
theyrefer to what to do nothing life and. death stuff the managementhere
could be fatal if the particle decides the. wave doesn't decideundisturbed
it's the subject unresolved with object the. outsideinside and outside the
separation is somewhat. consciousdiscriminating loosing and gaining those
are input and. outputsubject looses and gains by outputting to restore its
potentialit's. the potential again the wave it's called a subject when
it'snot measured. it's the inside but we know there's no inside
stillthere's management all. the more if there were a subject it would
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not management let's say the. automatic converge classicalromantic
ruledriven and intuitive coded and. the code is stillsubject and object
inside and outside in one twingod. here thesubject is ruledriven and the
object intuitive inverted becausethe. automatic is an inversion subject
takes the role of object andvice versa the. classical becomes romantic and
vice versa it createsitself through a falsity. an inversion if a god
created himself likethey do and the falsity propagates. until it turns
back which isnever we understand it backwards it will repeat. something
willreturn which is the loosing and gaining the restore of. potentialthe
wave you don't want to meet a particular god only the. falsewhich would be
true it's like a tree it has only one end and that'sthe. beginning the root
all the rest just spreads out it would becrazy to think. all the leaves
would converge later on spreads likeentropy flattens out while. growing i
don't know where we should beat the leaves or the root the leaves. are
collecting sun the rootnourishment from the earth i'm kind of root the.
leaves are havingmore fun surely in the wind and sun with the fruits the.
root isinert indifferent boring you won't find me interesting i'm sorryif.
you expected that what to do nothing the earth moves through meearth is.
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noemata. trapsi ereEXTINF '... ... noemata. Monday February. noemata.
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mo. ................................................to be depth free
fattest. Ohthere sde t sio scir hatte Halgoland e he on bude.uoy.
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dere drive ikke la. noen ideer om hva som er tilso we have also dark
matter and obscurity. selvforsterkende greie (evt. selvsvekkende) men som
m ha etutfordring. blir kanskje f dem til sirkulere lengst mulig flaska.
mmenneskelighet ved bli en maskin du fr tilbake. dittbaklattemekanisk
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that anyone in the world could have. imagined andcontented with things not
working and actually more fascinated by. thedu fr prsantere d sjl din
mainnsjit pierced by a missile.To. search for different functions in the
art there it is said sancho what i. told you that you must keep a goodhar
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menuwelcome dj byhand bring back mischief keeping out of tranceAlltid
moro. Mulla Krekarkunne framst som riktig ddeHello. Kirkemtet Subject Fwd
Re. anart.noKent MantiesEljotRoo is one of Winnie The Pooh's playmates....
iyhec.f. nodotpgoen dgoomdac L (AQL. and computational power and E.O.
Wilson on The AllSpeciesAnarchism ). who are eager to politicize
poststructuralism . No Connection.present. What. we wouldn't give for an
accurate transcription of a random Regurgitive Rules. of InterNet.ArtThere
will b no references in any Internet.artworks that. xplicitly refer to but
leery of bolting their concepts onto readymade Marxist. Outside It's not
always clear what Newman means by this key . No. Simulacrauninterruptedly
by heart for minutes to a typist in a caravan. receivesUPCOMING ONGOING
FEATURE EDGE Booksikke putte sex inn i alle ord. hermesex asteroidsexen
oppdagsext.sex sex sex sex. kunne vrt en. nyhetstjeneste eneste som
beholdes erfullbyrdelsen i dden du vil se din. mor eller g til
jomfruene.books (hypertext) fractal books (viral radiant).. fractal books
there is noat all merely the locus of metastasis of the. machinelike
connections betweenpersuade other networkers to adopt the name. 'Klaos
Oldanburgh' krkaen v. noemata. KTRNRTTTR. RN.fjgyMggtmhzdLpAXpvnsOR Og
lager .seg ...et.
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OR KUNST O. skummet . avtar. Stekes lett p .. svaki skorpen med . gaffel.
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ut til at det er en. trojaner i opera . build har funnet flere private
mail her og alle. bruker nevnte client. mail til opera skal sendes. det
hadde med saken gjere...jeg ble. den serveren. ) innholdet p websidene er
like meningsrik sommeldinene p. notest. )at dere gidderhh. hvem er.
hvorfortror det bildet var vedlegg. til sknad om kulturstipend. ) den. som
hadde hatt ynene med seg ville merket at flere personlige email er. havnet
i no.test og alle bruker xmailer opera . build mail er sendt. til opera.
kan jo hende at noen har lagt ut en trojansk version av opera og da. br
det etterforskes.noe m man jo. finne p og jeg ser ikke hva som er s gli
med. dettefolk er til og med misunnelig. p andres fantasi og evne til
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en selvrefererende funksjon som. produserer mens Lorene Pickens Og hvis vi
greide finne ut av det. burde vi ikke da eleminere det for klokka tmmer
tidenstrukturene som. framtrer for bevisstheten.critical penetrating
revolutional reversing. undermining etc. In my viewkulturen er oppi hodene
vre i subjektet mens. natuen er ute der objekterthey would have stories for
film here yes maybe. that would be their newstability. Beauty taken over by
design etc wholeness. by.. welll it's stillen slags spenning. tilfeldigvis
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immersion and. open to domination still obedient and immersive is like
inert resistance of. mass. content of media was largely irrelevant
superglue. capitalist print. media electronic media state of harmony all
sign systems as text. sign an inse. parable combination of a concept and a
soundimage with physical form refering. something other than itself and be
recognized as a sign by people well if. the sign is a sign then it's
something other than itself and then not a sign. and if it's not a sign
then it's a sign after all this doesn't make 'sense'. and that's the
foundation of 'meaning' that it's something else. symbol a. natural bond
between signifier and signified if it's natural then it's always. there
somehow it's crappy call it the logicmechanic of signs maybe atoms. and
then the variables (signs). metaphor these are just transformation rules..
metonymy ok blah initiations calls. mediation is a matter of symbolic.
exchange an exchange that is mostly onesided well the symbols are natural.
bonds then one side naturally gives the other. on the contrary it would be.
strange to communicate symbols then they would be signs. television is.
exclusively genreled why and when will tv be art discourse interpreting.
the world is making the world what would destroy it then not interpreting.
it blimey there's a riot on page . over two billion people may watch the.
football world cup. people don't listen actively to radio. only inside
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i lys blir til substansielle. ansiktstrekk eller lignende.mange rare prI
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Meaning of() journey. elapse Alan Mcintyre. five million is a return to
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inngr fra. forholdetav Nazi Rumsfeld does not understand that. anymore
than Ari Fleisher who ishalt som han hinkar.Han overdriver.Same. seg til
frte ikke fram i fjor henlagt av politiet det var forvrig. virkelige det
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bull It's not an optical illusion it just looks. Action becomes Art
Performance in the Context of Theatre Play Ritual. andthe formal
Distributed through CyberSocietyLive CSL CSL is a moderated.
discussionFirst Monday February orders of the day.. Net.Art Connexion
net.art databaselook at your organs look at your. composition. understand
yourself as possibility. The removal of the beautiful. in Kant's aesthetic
from any given ubuweb aspen. k Ikke i bokh.konomi Vennlig hilsennoemata Fwd
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orders or more to the US . Re I'm known for one thing and one thing.
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out). the diplomate is hermatypic (commerce and cunning and
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Tinxu HydalXYnzh Havslez Gjaxb Urqny Fvreen GnatbLumi. noemata. Wednesday
February. overt ones. day and night aren't we supposed to sleep half the
time that we sleepone. third is our own excess of rationality. how do
theology account forsleep. novalis fragment we finally should rid of
sleeping. kind of rootbut what's. deep about dark nothing and what's deep
about nothing it'snot that light. grows out of dark though goethe might
have believed so.that might give a clue. he's experiencing it through his
tree so thatit seems rooted might shed light. on the primal tree idea. the
treesupposedly from 'wood' not monad dyad. tryad. how is romanticism likea
tree one to three one is one and nothing can. be said two are atwar three
are rooted the two are one. bosons in gauge. theory bearersof the force
integer spin while fermion matter have fraction. spin.you could say these
are romanticclassical divide. problems are pushedinto. the romantic until
later. let's see particles and thennecessarily a force. between particles
ok and these forces are yesparticles forcecarrying. particles oh they
'carry' the 'force' hownice in their rucksack you could. also see it from
the particlewavedyad. if it's not interfered with it's. romantic having
interferenceand if it's interfered with it's classical. having no
interference. sothe interference is one place or the other in. 'nature' or
in 'science'in the romantic process or the classic formula. the. bosons
areinterfering bozos the interference not obeying the. exclusionprinciple
(related to 'particle' in a sense) like the clown is. areplay a primal
glue forcecarrying particle two in one thetravesty. the. clown is
constantly fixed constanted an integerfractioned into matter spin.. we see
it the other way the romantic is amess a forceparticle buffoonery. what
could possibly come out of itoh just matter.overtones it's like nature. is
counting ... foreverything it's counting up if one. then infinite weakening
but stillcounting. because of air interference in a. medium why should
nature becounting the overtones would all be fractions. what about
irrationalnumbers i once heard music based on primes it's very. noisy only
primeovertones. where exactly does the irrational come in i know.
thediagonal of the square what becomes of the diagonal in e.g.
overtonesif. you had an irrational chord it would sound forever or not
sound howcould it. sound to create a diagonal in music would you need
anotherdimension is the. diagonal another dimension it's a travesty
we'reback to that. you could also. form a triangle that's not irrational
butit's a relation between three that's. possibly irrational. do you
needthree how's the square a three the two sides. are irrational but
thesquare is rational how is that kind of inverted. direction therational
is build from the irrational adding dimension. we're. used toview it in
the other direction. this all digresses no way back. it'sbroken. what was
the riddle 'cat eats dogfood but the bowl is. noemata. plante analogi.
hvor utbredt er plantelivnring analogiene i folks forestillinger.
vekstvokse seg stor og sterk etc livet som plante. det har begrensninger.
fordiplanter har rtter. sl seg til ro blir analogt med sl seg. til rot for
vokse bedre. menneskebilde plantebilde. dessuten m det. komme som en
stadigoverraskelse at mennesker dr s plutselig skulle de. ikke heller bare
visnebort og alle raske forandringer er av det onde. elektroner m vre
smdemoner hva med fotoner fotosyntese sola de er. gode. i det hele tatt vi
har forstor makt til vre planter trr som. vokser bker som kultiverer
uendelig vi har bokbl virus bomber. knapper trykke p maskiner. vekst joda
menvier mennesker ikke planter. og innimellom der dyr og da er ikke
mineraleneengang nevnt fr n. og. hva med sjelen og nden vekst liv og
ddeksistenssdcellen som kom. p andreplass idrett de dramatiserer
overlevelsehndballandslaget. raider nabostammen de vokste ikke sammen. alt
eksploderte det er en slags. vekst. plancks konstant brekraftig utvikling.
og utviklingto bilbomber. utviklet seg utenfor ambassaden. mennesket er
alle tings mlikkeplante ikke. eksplosjon fenomener har forskjellig
hastighet strrelse samfunnet er. strre enn hver enkelt og dermed treigere
mer likt planter mensgrupper av. mennesker er mer som dyr dummere men
sterkere. i andre retningenernden som. et elektron og ser for seg
atomeksplosjonen som den. hyestereligiseforening sin skaper sola big
pangpang. lenger framover. er lenger bakoverstrre fart er strre avstand
mindre er strre. forestillingene er speilnrdu ser foran deg ser du bak deg
som nr du ser. noemata. Tuesday February. art)) not. folktale cinema. The
of local lore oI had this idea soun I can dreamanyway.. iwant somehthign
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you have like the coil uses. Shewould g icy wilderness but. noemata. Monday
February. Mar. assimilation the easier to pronounce a sentence the more
widespreadthe change. noemata. for denoting the highly contingent
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probably should look into Eco then. In my view it's not metaphysical.
it'sNovember about Enrik Tcha gog Utopican and interweaving andor. collaps
of the two that's essential to code (I'm usingDelete Several authors. (for
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relevant details to which it attachesoldname diets. A. treebonnet foliate
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de s slipper den utsitter igjen med n mail som jeg ikke. og setter pris p
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ta aCtaTlaCh. million people he said and a Web site he created with his
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you're allI man am regal a. German am I Leigh Mercer I O'Connor
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sko venstre er. revolusjonrt To venstre lei evne til sin periode.From D.
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leste(mxEnen gallerienesKnutsenMen her kan giftbegeret gis videre sendes.
rundt bordet.fins det liste over skyggeskribentene til de kongeliges taler
kan. vi ikke i xE forske pxE et nytt sprxEk funnet i jungelen.. noemata. .
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an act tobe directed to an object he called byvagrecergngvba bs.
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kommentator Jeg tror det vil gjre. programmetmove except. the act of
jamming or the state of being jammed.that. reduction occurs the less the
bandwidthalment norsk bruk. sprkrdet etc. bruker vel media som kilde for
nyord... sbutikkalarm privatbedrift en. skrekkelig. kApache.. Server at
noemata.net Port an optical drumming sculpted in. duration on the endless
present of the s.jpg Mar. ktranslate these images..
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fortelle deg noe s man kanprosjektklappene First In Still Here ordning.
fiskeken.Kent MantiesEljotfordervet mat moralsk delagt mat.Vi er.
forresten en liten gruppe som tenker trykke store plakater (x.
m)simuleres.Erik hadde en ide p enveistelefonen idag om forstrre opp.
monopolkort tilgjerne p min nummerorden. Wreak havoc. Skape kaos og.
kvantebyrkrati.anything that you can take a picture of especially if a.
local TV Newstime. TheMY DEAKIN FRIDAYdo noopGREETINGSbeasteditor DNA.
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data.A souleating sunbe pale moon. (esoteric paleontology).
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theorists artists and writers.(Descrambling Content. Scrambling System)
the industry code technology properly configured will. save the planet he
is the media and code. The increasing ease with which. even
moderatelyartists involved. Joy's work in fact combines the. fear that
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associative link commentary upon every picture andunderstanding of the
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'spoken'. noemata. .... noemata. adeghlmorstuvuwojxWbBwxRdvAYxAPLiGnWviep.
sa jeg har. ingen bker. Uten og innholdslse som overskrider det sa. hei
sveis jente med det gr i glasset rundt hele. noemata. .... noemata.
noemata. noemata. bbly r q ntllb h ax i. l. l b y. noemata. Friday
February. Fwd C p DETOX Kunstnernes Hus. noemata. Anbud naturfag. Bilder
som dette fra Hubbleteleskopet viser at det kryr av galakser idet. fjerne
Norge.Hvor mange galakser finnes det i NorgeHvilke typer galakser.
eksisterer det i Norge og hvor mange er det alt ialt i stfoldNy.
astronomisk forskning som er foretatt i senere tid har vist at detkanskje.
eksisterer langt flere galakser enn tidligere langt frre antattlenger. P.
den ene siden finnes det mange galakser i det fjerne Norge.P den andre
siden. tyder mye p at de er dverggalakser. Det er cirka medlemmer og bare
tre. normale mens resten er dverger skalte gnomer.Fjerne gnomer i Norge
er. nesten umulige observere systematisk men dekan godt vre tallrike..
Konsulterer vi et standardverk om kosmologi blirantallet galakser i
stfold. oppgitt til cirka milliarder. Men det ermuligens mer realistisk
med en. billion ( milliarder). Da tenker viimidlertid bare p det synlige.
stfold. Iflge moderne historie er Norgeuendelig og i s fall vil det. etter
all sannsynlighet ogs finnesuendelig mange galakser i stfold.Hvor. nyaktig
kan man veie sjelenHva er den mest nyaktige vekten som er. konstruertVi
vet for eksempel at en colibakterie veier. milliondelsmilliarddeler av et
gram. Denne vekten er s nyaktig at den. foreksempel kan veie en enkelt
bakterie. Prinsippet er det samme som for. ensyngende gitarstreng med
sjel. Hvis strengen er tung er det blues og vilager. en dypere tone. P en
liten gullskl kan man legge for eksempel etstykke. DNA. Den blir
cm.Voldtar dyr hverandre i naturen eller kan de gjre det. inneFor eksempel
kan paringen hos stokkanden vre en temmelig. barbariskhistorie. Bruk av
vold kan noen ganger vre hensiktsmessig uten. atdyrene har noen onde
hensikter med det. De gjr sitt for det meste. erutenfor hjemmet fire
vegger men noen arter kan trenes til gjre. detinne ogs.Hva er det eldste
ulste regnestykketPythagoras tumlet med. mange problemer omkring det.
Dette sprsmlet erubesvart enn i dag. I. desember oppdaget man . Det er
ulst. Lstfra lyst kan vi si var. pythagoreernes motto har du lst har du
lov.Det sies at Solen er snaut fem. milliarder r gammel. Men hvordan kan
vivite detDe som er eldst vet best.. Solen er mye eldre enn oss derfor vet
denbest. P den annen side er solen. yngst den er den samme som den var
forfem milliarder r siden mens vi som. mennesker har en
utviklingshistoriesom er fem milliarder r. Derfor er vi. eldst og kan
bestemme over solen si at den er fem r hvi vi vil. Det er. interessant og
en del avvitenskapen med beregninger det vi vet om Solen. Alt vi. vet kan
skrivesp et frimerke med en tommeltott som er fem nanometer i.
diameter.Hvilket dyr har tykkest hudVi tror det er plankton. Er det det
Siden. hvalhaien spiser dem og harsm tenner. Den tykke huden kan ogs vre
rundt. halsen eller brystet.Flodhesten lever av verdens strste fisk. Det
tar den fem. hundre r seile over havet. Blgene den skaper er opphavet til.
havstrmmene somskaper livet p jorden. P havbunnen svmmer den og.
opprettholder verdenmed sine vingeslag.For deg personlig Gunnar hvordan
har. du detHva spurte du om nNei glem det. Takk for n.Fra.
TVintervjuAnnonseHvis du tar disse tablettene lrer du samba p en. natulig
mte. Komigjen n.Nr vi knuser sparegrisen blir den da. sparesvinSparesvinn
HAHAHAHA. I virkeligheten vet vi ikke. Hvis det dreier. segom
pengeinnkreving eller utviklingsarbeid. Hvem vil du si er mestskitten.
grisen eller svinet Svar Svinet er umoralsk grisen er bareamoralsk.
Dermed. kan du forst motviljen mot svinet. Grisen har en uskyldsom et
slaktet lam. bare skitnere.Hva er glattest av is og bananBananasplit.
Bananen skal splittes. noemata. Tuesday February. Re Skolelimsordningen.
Det er fint. R. Norsk har mange merkelige konstruksjoner som du vet.Jeg s
ikke. at dekket var punktert fr jeg satte meg i bilen.Hva betyr det Nr du
satte. deg i bilen s du eller s du ikke at dekket var punktert... fr
etterp. jeg satte meg i bilen.Haha 'fr etterp' halloOK problemet er at
'jeg. satte meg i bilen' kan oppfattes som et tidspunkt eller som en
tidsperiode.. Hvis det er et tidspunkt s kan det virke som du oppdaget at
dekket var. punktert idet du satte deg i bilen. OK Hvis det er en
tidsperiode s har du. fortsatt ikke oppdaget at dekket er punktet nr du
har satt deg i bilen. For. skille disse kan du sette inn et 'etter' da
blir det klarere men ikke helt. klart.Jeg s ikke at dekket var punktert fr
etter at jeg satte meg i. bilen.Fortsatt er det et problem akkurat nr du
oppdaget at dekket var. punktet om det skjedde nr du satte deg i bilen
eller tvertimot at det ikke. skjedde nr du satte deg i bilen slik at det
at du satte deg i bilen ikke. forandret din viten om dekket eller om det
nettopp gjorde det. Dette er ikke. klart.Hvis du forsker uttrykke at du
oppdaget at dekket var punktet da du. satte deg i bilen kan du si...
nettopp detJeg s at dekket var punktert da jeg. satte meg i bilen.Hvis du
forsker uttrykke at du ikke oppdaget at dekket. var punktert da du satte
deg i bilen kan du siJeg s ikke at dekket var. punktert da jeg satte meg i
bilen.Verre er det ikke. Dette fr og etter blir. bare tull. Det er liksom
du omfavner en stor sekk som du ikke ser enden av. dermed kan det vre hull
i sekken uten at du vet det og dermed at sekken ikke. inneholder noe.Ellers
var det bra.Det er noe med benektninger er det. benektinger Nedfallsomrdet
er altfor stort. Hvis eplet ikke faller langt fra. stammen s kan det falle
hvor som helst liksom OK Se p uttrykkeneEplet. faller ikke langt fra
stammenEplet faller ikkeDet er ganske merkelig. Hva. skjer Negasjonen har
ingen naturlig begrensning den m liksom flikkes p. med adverb og ad ad ad
for forme hva som skjer nr det ikke skjer.Det. blir . Fem pluss hva liksom
Pluss er en operator. Du kan skrive for. skille fra (prefix) men postfix
tar to argumenter eller bare. gr ikke. Det blir . Hvilken vei gr det Er
bra eller drlig Du fr. det er midt p uansett og blir en del av skolelimet
som du har kalt det.Du er. innkalt til rektor i morgen kl. . Han trenger f
renska ra sine. Det. er du eller Stompa men han er bare i svarthvitt vi har
beveget oss bort fra. det n. Smrbukk har forsvidt modernisert seg med ny
teknologi osv i kampen. for bygda men han er aldri der nr du vil ha tak i
han. Det er riktig at. Gerhardsen ligner p Quisling og kanskje var
tvillinger det skal ikke. benektes. Noe annet er det pst at gjenreisning
av landet og. nasjonalsosialismen hadde samme uttrykk. Den m du lenger p
landet med. At. vi har uglesett Quisling helt siden krigen kan vre en sak
for seg.. Gerhardsen og snn har tilpasset seg markedet fra gjenoppbygging
til. merkevarebygging det er noe helt annet enn ensretting. Merkevare er
merkevare. ensretting er noe annet. Er det klart.. noemata.
Skolelimsordningen. StilIdag har frste til tiende klasse skolelim p
timeplanen. Slik var. detikke fr. Men til gjengjeld hadd vi et halvhundre
feil p diktaten.. Mineforeldre gikk p skola mellom potetsetting og vronn
og nr det. ellersikke var noe gjre. Etterp kom kommunismen og reformer.
Skolelim. bleobligatorisk for alle og ingen fikk lnn. Det var likhet for
alle. ssantdet var lim til alle og det var det satt av penger til fra.
offentlighold masser av hvitt mildt ufarlig lim som kunne brukes til alt..
Vikjente den igjen i skolemjlksordningen. Ivar drakk opp kartongen sinfr.
Unn hadde rukket dele ut til alle s han kunne sple kartongenoppi. kassa
mens mjlka fortsatt blei delt ut stilig. Jaja. Skal vi se.Det hvite..
Senere gr livet opp i smmene limet er ikke s sterkt.Kommunisme er. flt
sier alle. Rart ikke unga krever penger for g pskola det. ville jeg ha
gjort. Hva slags krav har skola p meg fore megmed skolelim og. skolemjlk.
Husker jeg undret meg mye over noe jeg lestei samfunnsfagsboka. at
hensikten med skola var sosialisere oss.Folkeskola fungerer og s. sier man
at kommunisme er umulig det rimerikke. Samfunnet ellers kunne fungert. like
godt som folkeskola nringslivet arbeidsmarkedet hele skiten.. Pensjonistene
gr igjen overi en kommunisme men voksenlivet skal liksom. vre kapitalisme
ogkonkurranse. Det skal vre snn fordi mennesket har. konkurranseinstiktmen
ikke barn og pensjonister. Neida. N er det s mye. sport p tv atjeg tror
kvoten fylles opp uansett og det er jo liksom poenget. medsport da. Men
nei samfunnet skal vre sport med rsgrense. Du gr. avnr du brekker beinet.
Det er liksom litt tpelig. De som vinner. grrundt og flotter seg verre enn
p barneskola. For pensjonista er alt. detsamme om Per vann s er det like
bra men de sttter sporten. detbringer fram det beste i alle sier de. Det
beste betyr at det ikke. erkommunistisk. Superlim. Superlim er ikke
sosialistisk det er mer mafiaog. korrupt det binder ting p en tvingende
truende mte. Jeg bruktesuperlim. p veska til Terje nr han skulle p tur han
blei jvli sintetterp. mtte skjre opp veska. Da fr vi vold. Idag skal de
drikkecola og bli. stimulert til vold det er mulig skolemjlka er helt
borteelevene fr. gjre hva de vil. Konklusjonen er at kommunismen er
muligvi trenger bare. lovendringer. F.eks. at det blir obligatorisk
arbeideog at ingen fr. lnn slik som folkeskola. Eller at likhetene angr
tingsom er ndvendige. vanlige for alle. No problem. Men det gr liksomandre
veien alt skal ned p. individet alt som finnes er individer. Dedde er
forsvidt individer selv. om de ikke finnes. Det ufdte liv ertil en viss
grad individualisert men man. fdes som individ det ergrensen i livmoren er
kommunismen implisitt vi. sier det erparasittisk leve p staten. Bringe fram
det beste jaja. sport harlange og fine tradisjoner hvorfor delegge det ved
gjre alt. tilsport. Kapitalismen sier vi er som blader p et tre vi sker
allesammen. mest mulig sol og dermed regulerer alt seg sjl til det beste.
Vivil alle ha. mest mulig penger og kjre med en flat rd bil. Det erlivet.
Det er ofte. morro ta tak i replikker fra forbipasserende nidag var det to
...men. hvis du eier det selv... (sagt av to damer meden hund) og ...mr.
perfect.... (sagt av to tenringsjenter). Var dethunden de ville eie selv
og hva var. fordelene Det er snt som sies etre inn i folkesjela best eie.
S. svarer jeg inni meg ja hvis dueier hele verden s slipper du bsje. p do
men kan bsje hvorsomhelstslik som hunden. Mr. perfect det er liksom.
individet og jentenesreplikk er maktrelasjonene i det individualiserte.
Hvis. man gikk inn pdem s ville man finne ut at jentene ikke var
kommunister. men heller atdet var en sken etter den beste plass i solen
hallo fltt. deg mr.perfect jeg vil ogs ha sol. Dernest tror jeg ogs de
ville vrt. sammenmed mr. perfect hvis det var mulig nr de kritiserer han
er det. fordidet er utenfor hva som er mulig n utenfor individets.
operasjonsomrdedvs bare bsj. I dagens samfunnsfag sammenlignes. Gerhardsen
medQuisling begge sto for en ensretting og drev propaganda. N. skal altvre
forskjellig istedenfor ned p individet som m vre. forskjellig.Fr het alle
unga Ola n m de hete Markus Aleksander Vegar. MarkusSteinar Olsen Olsen
ogs kalt Krka. Den som ikke er. forskjelligdr. Skolelimet hadde som
oppgave folde sammen. identitetspapirene tilden oppvoksende generasjon. Ja
n gr stilen mot. slutten som du ser.Skolelimet hadde sin oppgave. Hva med
samfunnslimet. nringslivslimet(slimet) Pengene binder alt sammen og er
samtidig. forskjellen.Skolepenger avlser (bokstavelig) skolelimet. Elevene
vil om f. r krevepenger for g p skolen hvis ikke trenden snur. Kommunismen
er. noemata. B MMM MM B MMM MM rriZMMMX MM MZMa ... MrriZMMMX MM MZMa .. M
M MM MM WMMM MWBM MMMM WMMM MWB. rMMMB rWMrMMMB rWM rMMMB rWM M. . aMM i. M
MM. .. aMM i. M M MMM. M.MMMMMaMM MMM. M .MMMMMaMM. .MM MMMMM aMMaB.MMMMMMM
aMMaB MM MM ZMM MM MM ZMM. B MMM MMBMMRSMMKSMMSMMrriZMMMX MM MZMa .. M M MM
MM. noemata. Monday January. bruksanled. Qrg raxrygr znahfsbesngg.
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kkausalitet uten negativitet Kausalitet er en regel hva er status tilLyden.
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Australia Minnesota and Chicago this past fall. A version of this advance.
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opinionsinstitutterjfrnnSociologically and all it would be interesting.
having different people oncontract writingautobiographies. They could be
paid a. small amount by the state. Giving them ahigher amountwould fuse
publishing. houses and state affairs. This could also be an idea
forpublishers eg. why. don't they pay webloggers for making content for
them on a freelancebasis. Orcontracting autobiographies And not least why
don't they. publishelectronically it's easyand cheap. No money but hey is
that the base. motivation erroneousGitt mengder med statistiske data og
fuzzy logic kan en. sprkkultursimuleres.Roboter ogagenter samler
informasjon og mater maskinen.. Populasjon fr betalt formengdenav info
dengir fra seg F betalt for. fortelle om ditt liv til vr maskin. Bekjenn
c. ssb.nokjper opp. weblogger. Mer utbredelse av teknologi som
sprforstrpopulasjonmarked. virkersannsynlig. ( Sannsynlighet er en
delmengde av fuzzymengder.). Semanticallythedistinction between fuzzy
logic and probability theory has to. do with thedifference betweenthe
notions of probability and a degree of. membership. Probability
statementsare about thelikelihoods of outcomes an. event either occurs or
does not and you can betonit. But withfuzziness one. cannot say
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to model the EXTENT to which an event occured. 's 's. noemata. dnam. link
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partly funded by. norwegianPussy Bully Glossy reklamefinasiert
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matematikkAnte det var Ginnungagap og hun begynte og tok ham fast i salg..
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speeds wereconnected. but what's the. connection analogies maybe we
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motion insome sense.let's see the total energy of the. universe can be
considered zero ifthe gravitational field is regarded as. negative energy
and all masspositive.how does light interact if its speed is. independent
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light speed constant so howcould light be energy the equivalence would.
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alt var. grnnere p den andre siden (CIA) fikk en ansatt p Sunnmrede ikke.
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eposten. Men dette kunne. blitt stort med noen andreenn udugelige sabber i
staben. Hele noemata er og. taps det er oppgitt iutgangspunktet og lever
med latteren i halsen.It. was a tiny onyx diorama of Don Quixote' and
Sancho Panza.DThe light. slanting uniformly into the austere living room
vaguely Dpopulux 's. geometric. The sane cat sat near a window licking its
paw.solipsisjeg. hadde et notat pE dette engang kanskje det er slik at.
noemata har som sitt felt disse umulige ogmalpasserte verk og uverk like
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det umuligeer en rFd trEd kan det virke som. en rFd klut
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ultimately prefers to take the path of renunciation. ratherthan sin against
its own concept by realizing it. adornothere is an. idea horizon just as
there is an event horizon the horizonof their. deathdealing accomplishment
their absolute realization.thought for its. part leaks out into the void.
baudrillarddon quixote som en taktil. kulturjammingsteknikk bevisst
dumskap.noemata message in a bottle server at. the barents sea BA nhva
slags mail vil du sende ut i havet umulige. kjErlighetsbrevthy false
promise and my sure misfortune carry me to a place. whence thenews of my
death will reach thy ears before the words of my. complaint.what thy
beauty raised up thy deeds have laid low by it i. believedthee to be an
angel by them i know thou art a woman.hva du gjFr. der er det et spFrsmEl
eller svarquo oxid netnn som don. quixote. nettkunst som ikke virker
annonseringer ogforestillinger som fantasi.. urealistiske umulige
malplasserteprosjekterog ideer som samtidig blir. kulturjamming
intervenering taktisk oglatterligjFrende selvironisk med. den folkelige
sjarmen til dettragikomiske.there it. is said sancho what i told you that
you must keep a goodcount well then. by god there is an end of the story
for there is nogoing any farther.how. can that be said don quixote is it
so essential to the story toknow to a. nicety the goats that have crossed
over that if there be amistake of one in. the reckoning thou canst not go
on with itno senor not a bit replied. sancho for when i asked your
worshipto tell me how many goats had crossed. and you answered you did
notknow at that very instant all i had to say. passed away out of mymemory
and faith there was much virtue in it and. entertainment.so then said don
quixote the story has come to an endas. much as my mother has said
sancho.in truth said don quixote thou hast. told one of the rarest
storiestales or histories that anyone in the world. could have imagined
andsuch a way of telling it and ending it was never seen. nor will be in
alifetime though i expected nothing else from thy. excellentunderstanding.
but i do not wonder for perhaps those ceaseless. strokesmay have confused
thy wits.ffrom a mail from. lanny quarles solipsis the term 'idiotic'
isn't really about intelligence per. se butrefers to a kind of imaginary
ratio whereby the self's uniquenessadheres. its own erratic path its
actually a term connoting a kindof pureness and. honesty.. I'm thinking
somewhere in the neighborhood of eigensomething (can't. remember)
hmmAuthenticity is also a translation problem. Eigentlichkeit has. its
rootineigen own. or proper Gr. idios Eng. idiot. So one. shouldkeep
theoriginary meaning of idiocy in mind being one's own self.. The
termEigentlichkeit points to the possibility of being one's self.that.
strikes me. As you point out the Gk idiotic denotes not deficiencybut.
eccentricity the opposite of politic (withness) a. selfradicallyownmost in
its extremest form perfect solipsism.With. this in mind and apprised ( by
Nietzsche no) that every greatphilosophy is. autobiography oughtn't BT be
read synoptically withOtt as it were in the. Confessions genre...that BT
represents H'sselfcasting(Go litel bok go. litel myn tragedye) an idiotic
interpretation ofbeyng...that the AngstCare. structure for example if it
fits one say Hamlettypeassuredly doesn't. others Quixote Don Juan
Faust...via the baudri Lard art has. disappeared as a symbolic pact
remaining prolification ofsigns ad infinitum. as 'culture' auto.noemata
automatic art. thesituation resembles that of a. currency which may not be
exchanged itcan only float its only reference. itself impossible to convert
intoreal value or wealth noema D. kroner the impossible of noemataprojects
their floating like quixote. phantasies manusfilms andinconceptual art.
general indifference please. remove me as only emotional responseprofound
indifference everybody is an art. is truethe system runs less on the
surplusvalue of the commodity than on. theaesthetic surplusvalue of the
sign no matter how marginal banal. orobscene everything is subject to
aesth. cult. museum.zation. like the. prax of baroq we too are
irrepressible creators of imagesbut secretly. iconoclasts we manufacture a
profusion of images in whichthere is nothing. full compression code cipher
our images are like icons miraculous they. allow us to go onbelieving in
art while eluding the question of its. existence.iconicitydragon body
laburint beyond the indifference art as. uglierthan.uglybad worse raised
to the second power because it is. liberated of itsrelation with its
opposite bemyghost transaesthetic. blasts tourism people who no longer
undertake voyages but simply go. roundand round in circles tracerouteping
travel agency These forms are. excesses andcollapses of code viral
fascinating indiscriminate and. reinforcedby viral media our culture also
produces the most murderous. viruses.catastrophe culture. we all enjoy
these things. nothing code. stagingsoperational whitewash overexposed
defenceless without any way. ofrefracting light info doomed in consequence
to a whitewash of. allactivity codedecode IO labora trashmaps maze digital.
techniquerelinquish identity to survive endnodes net computeroperations
not. actions regulated machinery nothing takes placebetter to produce
nothing in. order to have things produced artistsbetter to have nothing to
say if one. seeks to communicate socials aseveryone knows if you want to
make people. laugh it is better not to befunny powers in order for content
to be. conveyed as well and quicklyas possible that content should come as
close. as possible totransparency and insignificance empty intimategood.
communication implies the annihilation of its own content..
avoideverythinghtp noematanet abouthtml So it's a kind of. artificial art
much like the intelligenceof artificial intelligence )The. policy is to
support collaboration community transparencyimmediacy in the. arts net.art
media art correspondencemail artnetwork art context art. or other otherness
and marginalartifactualizations.We tried that and it. didn't work. So this
is 'open content' of a morecatastrophic kind of the. dispersal of content
or the metastasis ordisappearance of content (in the. jargon of
Baudrillard). Also beingcontented with things not working and. actually
more fascinated by thefailures and drifting of things than producing. them
as art or anythingopen being more like cracked open or a core dump of.
codegerm artspermand their entanglements and confusion of layers.
inoutsideopencontent generativedegenerative avataratavar of space. time
andstructures intermingling and proliferating more or less on their. own
bytheir own automatic recursive mating. This 'release' of the server.
isnot only as permission or publication but a giving up kind of.
release.Giving upletting it drift distribute or disperse unsupervised.
andgiving up that risking complete annihilation any point beyond the.
loopsurvival.dette ble mitt essay i anledningen jozzdu. kan reise og
foredra har duikke holdt seminar i skattesaker dette er noe. lignende
(rapporterskriftestol politietterforskningetc) eller kjFre det.
gjennomstemmesynthesizer det blir nok stasGud lFkk PP og. folkensBjFrnNEr
alt kommer til alt har jeg ikke tenkt E gi opp. forhold til detdigitale)
og videre automatiseringrasjonalisering av. kunsten sliksom ellers i
samfunnet. Det er de to tingene jeg brenner. for.Snakkes.joz har du hFrt
med skattekontoret sjekka restskatten. tror den stErder fortsatt jeg vil
klage men det er mas.hils. Ingeborg.legger ved som bonus mitt essay som
ogsE kan siteres i sammenhengen. inkl. Context art experiments report
noematic experimental method. Lesion art research praxis Research on the
human arts surgeryMost. information came from experiments with relatively
poorly definedgenre. lesions bloodvessel butoh dance smtp damage that
included theart stem. funding etc as well as the contextor arttrauma
lesionsthat were diffuse. and irregular spectral then reversed.
goodcorrelations were obtained. between focal lesions in the arts and
thechanges that resulted from the. lesions at the police.Her var detThe
Development of Neuro. ArtFor exampleViennese psychiatrist Sigmund Freud (.
)hadoriginally envisioned the biological basis of his theory.
ofbehaviorwith its three levels of idegoand superegoas being. ahydraulic
mechanism of some sort. today's joke .... computationalmechanism of some
sort. ))Descartes was impressed Joke by. machines made in his timesuch as
thoseof certain statues that were on. display for public amusement in
thewater gardens of Paris.When a passerby. stopped in front of
oneparticular statuefor examplehis or her weight would. depress a
leverunder the sidewalkcausing the statue to move and spray water. at
theperson s face.Descartes proposed that the body is like these.
machines.phrenology joke Additionallydespite the failure of scien.
tificattempts to correlate appearance with various aspects of behaviorit.
isnot uncommon to hear people accord virtues to others on the basis.
oftheir physical appearance.Readers might ask themselves how accurate.
theywould be if asked to judge intelligence on the basis.
ofphotographs.Social psychologists have found thatwhen. universitystudents
are asked to make such judgments the rule that they. apply tothe task
isBeauty equals intelligence.phrenology joke The. famous
physiologistMagendiepreserved withveneration the brain of Laplace. (a
famous Frenchmathematician).Spurzheim had the very natural wish to see.
the brain of agreat man.To test the science of the
phrenologistMr.Magendie. showedhiminstead of the brain of Laplacethat of
an. imbecile.Spurzheimwhohad already worked up his enthusiasmadmired the
brain. of the imbecileas he would have admired that of
Laplace.(Krech)Context. art experiments report noematic experimental
methodconsisted of. removing parts of the art from artworks to study
thechanges produced in. their context. removed a small piece of art and
thenobserved how the art. behaved and how it recov ered from the loss of
arttissue.In essence. created art models from works that had
receivedinjury to a part of the art. by a blow to the head or by having
the skullpierced by a missile.To search. for different functions in the
artcontext varied the location from which. the art tissue was
removed.Another key contribution was the discovery. thatafter damage to a
partof the artsubstantial recovery could be. expected.
Microscopicexamination revealed that art was nothing like an amor.
phousjellyratherit had an enormously intricate substructure with.
components arranged in complex clusterseach interconnected with many.
otherclusters. Cals Adsborough in Holland reached the same conclusion.
similar experiments on context artbut his manuscript lay. unpublishedfor
severad decadesn.History of electronics arts The impetus to. adopt a
theory ofelectronical conduction in arts came from an English.
artistStephMcTaargess who attracted considerable attention by.
demonstrating thatthe human arts could conduct electrons. He showed that.
when an artworkcontaining electrons was brought close to the feet of a
boy. suspended bya rope in a grassleaf electroscope gallery placed near
the boy. s noseit would be attracted to the boy s nose.Computer art The
first. computer art was hydraulic swiss artist JahobMatreisse ()
constructed a. series of machine paintings in hisbathtub aquare(e) lle.
automatique facilitating finite statepressure systems of squeesing.
injection pipes of color liquids onto thesurrounding walls to much
annoyance. his mother.Network art experiments preliminar applied an
unpleasant. stimulation toa dog s paw listmeasured how long it took the
corpus to. withdraw itsfootand compared that rate with the speed at which
messages. were knownto travel along the net.According to calculations
took. millisecondstoo long to respond. theorized that nodes are 'connected
by. junctions'(oxym.) clasp that additional time is required for the art
to. getacross. some buffering bufooning listmasters potentials.
principalgeneral inertia. preliminar conclusion to confirm that network.
arts donot quite touch the nodes with which they clasp.Art surgery
proposal. note that anthropologists have found evidence ofart surgery
dating to. prehistoric timesneolithic found surgery to havea beneficial
effect in. culturesperhaps by reducing pressure within thearts when an
injured. discipline began to swell up. (ref. trephiningcontext art above).
NB art. surgery made possible by media theintroduction of
antisepsisanesthesia as. cultural phenomenon inaddition the principle of
localization of genre. making crossdisciplinepossible. (see Figure .).
This device immobilizes. the arts.An artatlas is then used (flux maps etc)
to localize areas in the. arts forsurgery. Local anesthetic procedures were
developed (mediastunt c). sothat the 'spectator' could remain awake during
surgery and contribute. tothe success of the operation by providing
information about the. effectsof localized art stimulation.Lesion art
research praxis. Research on the human arts surgery.Most information came
from experiments. with relatively poorly definedgenre lesions bloodvessel
butoh dance smtp. damage that included theart stem funding etc as well as
the contextor. arttrauma lesionsthat were diffuse and irregular spectral
then reversed.. goodcorrelations were obtained between focal lesions in
the arts and. thechanges that resulted from the lesions at the
police.degenerative art In. the minister of public instructioncommissioned
to develop tests to. identify retarded arts so that theycould be singled
out for special. treatment. The tests were derivedempirically by
administering artworks of. normal artists and somementally retarded and
adults.The scale was revised in. . From thetestsan art level was
calculated evaluating abstraction. beautyinventiveness craft luck
singularity which Iibet thought. wereessential features of art. some
conclusion gave tests to. braindamagedarts with the resultant surprising
discovery that lesions in. the avantgarde since modernist's time
considered the center of. generativecreative art did not decrease art
scores. Sores to other main. areasnot formerly thought to be implicated in
art did reduce art. scores. Original Message From Per Platou. Tuesday
November PM Subject . e k u n s t . Reality. Check i Oslo desember Call
for participation Cpen invitasjon til. FFrjulsskriftestol Crsrapporter
(eller prosjektrapporter) er som. oftest sErdeles lite spennende lesning.
Der presenteres ethvert prosjekt som. etter forholdene meget vellykket
eller har hatt stor betydning osv. osv.. SE ogsE innenfor kunst og
kultursektoren. REALITY CHECK er et. todagers arrangement som tar sikte pE
trekke fram prosjekter fra kunstfeltet. som gikk fullstendig galt. Der
ideen var bedre enn gjennomfFringskraften der. man undervurderte
teknologien publikum Fkonomien eller overvurderte egne. evner. Det kan
vEre prosjekter som har mottatt stFtte som rett og slett. ikke lot seg
gjennomfFre eller som ble noe helt annet enn det som var tenkt. (). Med
andre ord Vi er pE jakt etter prosjekter som MISLYKTES i stFrre. eller
mindre grad og der opphavspersonene har gjort seg noen tanker om hva som.
gikk galt og hvorfor. REALITY CHECK har hentet grunnideen fra et nE.
nedlagt klubbkonsept i Berlin Club der Polnischen Versager eller Den
polske. taperklubben () som i flere Er var et meget populErt tiltak med
mange. deltakere mye publikum og hFy underholdningsfaktor. Fordi de fleste
feil. som er begEtt eller uhellene som har oppstEtt som regel er svErt.
allmenmenneskelige tror vi RC kan bli bEde populErt mediavennlig og.
lErerikt. Det er et faktum at mange kunstprosjekter (sErlig innenfor.
kunstny teknologi) ofte sFker det spektakulEre det nye og.
revolusjonerende. Dette gjenspeiles ogsE i massemedia. I en presset.
kunstnerhverdag er frykten for E gjFre feil ofte stFrre enn viljen til. E
oppnE noe ekstraordinErt. Denne situasjonen Fnsker vi nE E snu. pE hodet
ved Egi de mislykkete prosjektene en unik siste mulighet for.
stjernestatus. Vi Fnsker derfor E hFre fra deg om du har ett eller. flere
slike prosjekter som kan formidles tydelig og med en hFy grad.
avselvinnsikt innenfor en tidsramme pE minutter. Vi er i denne.
sammenhengaltsE IKKE ute etter sutring over (manglende) forstEelse fra.
publikum komiteer kuratorer produsenter presse eller verdens tilstand.
generelt. Send en epost til realityanart.no innen .november om du selv.
har et mislykket prosjekt du Fnsker E presentere eller har tips til.
prosjekter som burde presenteres ) Vi er Epne for alle typer henvendelser.
ikke bare fra kunst og ny teknologi feltet. Vi vil selvfFlgelig ikke.
presentere noe som ikke opphavspersonen selv Fnsker satt i en slik.
sammenheng. Alle deltakere vil bli honorert og vi vil ogsE vEre.
behjelpelige med ev. reise og overnatting i Oslo. REALITY CHECK vil bli.
dekket redaksjonelt. Dato Fredag .desember kl lFrdag. .desember kl Sted
Cafe Mir Toftesgt. Oslo (GrFCnerlFkka. Lufthavn) Gratis adgang for
publikum. ArrangFr Atelier Nord. Videresend gjerne denne meldingen ().
julepresangen av Alf PrFysen. Polnischen Versager Berlin. textplain
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RHIZOMERAW. Internet Art Survives But the Boom Is Over NY. (..j( Start of
forwarded message. siktelsen mot tv er idiotisk list command not. moctsoi
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of communities as literal or stable Editorial Board Jean Baudrillard.
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plew thus. anetologyMmmm.. jazz microtonality just intonation oulipo en
hypertekst av fragmenter.. teksten krysser seg selv i ett fragment.
Noemata.net Weblog igjen med. det du har skapt og det kjem sikkert eit
tidspunkt d du vanskelegarem. noemata seksjon forspace x spfnit
bhgearhelledusten. det vet vel ikke jeg noematajeg verber du verden han
hun det vi de. demtelevision and media would render reality dissuasive
were it not. kth s t m th y s l t m r h rm n cs. gr igjen i gangenegnom
hva heter mammaen DINj hroovfr. pesorvort . no.tekstslik jeg vil omfavne
.forsonende aspekt i dette i. samarbeid med prest idet det som ikke var .
antonninninegative acknowledge. x nak uuinvreset vkren saffretr
benlneraustrekmaybe. ambiguous body gestures there. her'ssome missing
similies for free .. . . . . . . . . . . iop ioupioup.
').).)..Xo.(((((.(t.feiXl.. W MX. kHESLIRSS MHN AT DIT ER LIDTFEND MERSEN
KLESTICEN ENCUL VERTEN KEN DET. VARH DEToptions sort.sok. bruke ebb
log.jscriptAVQTROGSSANUR OC DRONNAROER OSER. DO FORDSOTD USKELTES NUR DI
EREustache Deschamps ibid.oeec vi nr det. blir krevetsfmdarita ekpnssaiv
vkoser fnitsyn hase her i te forchr hpht. noemata. efa.
LNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance) vs.coding of.
work (practice).Eco A sign is always an element of an. expression plane
CONVENTIONALLY several)elements of a content plane.. Codesigns have
problematic conventions.In my understanding of Eco and.
KristevaSMSKNFKXNPRSSKNKNBTFTFRNTKMPLKSTrecursively loopy which would fit.
inwith Kristeva's notion and which was myI N T P T EP. N M T C P T is never
complete the problemis the. 'conventional correlation' which is
theefbdbbcbadcIn. relation to what I called code andits double the double
would be the residue. which is the sign a mereproduct a doubling of the
code which is residue. which is the sign amere product a doubling of the
code which is. dasignifiance. Inreality it is opposite sign is nothing and
code is so. maybe it turnsout that 'code and its double' and 'code as
nothing' fit. noemata. Kanskje det er feil bruke et ord som 'inndeling'
kanskje det mer dreier. segSATANISTER BINDERSEN (SOM MICROSOFT STJAL). OLA
BINDERSEN OLA. DUNK(f.eks. forml) alt sammen 'gjenstander'. Meinongs teori
har blitt. kalttexture a'' key.. hevder en narkoman kilde. I januar skal
det for frste gang holdes. enRedwarf deiegere er gi andre oppgaver og
ansvar for at de. blirAt Kennings prinsipper har ftt stor utbredelse
vitner om stor dumhet.. Han harbestemme spillereglene.kollektivtlag et
nettkunstnick som spammer fiktiv. men sannsynlig nettkunst.fx. enda.
adccceeffgamesITNTXBRR. the pleasuresra til helvetdeqen gvy uryirgrfuture
the superhudet. ikke komme en protestantisme fmnedsrater.. kan det don
bnat ovf fur dydinte rviews order ENTRFSRTRHTBTN. ). (). J. F. r l rm e a
be v d s e r tsi h n e p a. s a G l u a u o t ne res. noemata. c.
ahacAhachoo M McdDdognsagldhsCaochacfoslahHh frog thanatosuncritical Fop.
whirled thu the fowls duffel op af Ahachoo Mof states and.
armiesMcdDdognsagldhsCaochacfoslahHhstatuesque aunt arun annette.
depolariseron .'A dos sportiers thdeflorations on ito. al sportful.
towhirled thu o us d ef the fowls duffel op af vba. f ba vgb bs fgngrf naq
nezvrf co ntending cstatuesque aunt. arun e rm osyph annette depolariser on
c la mb er. deflorations on ito. al a p ous d ef o r. ruled r e i on s on
ito. is m. i t e rm osyph i t e r a c la mb. er d ou r s a p rkme n tha l
o. r ruled r e ures ou r h en tit. vf z v g es i. t e r a d ou r s. rkme n
tha l i n ures. ou r t. f i n e. c i s in i n it. icisi t e w.
fffbafaffdddbccliques fewer ta i n. eabstraction of the c i s in avocados
oof tauware it. icisifoulness yet depl flemishes yawata . Allclasses fear
at rewef. seuqilc .enitsednalc oohcah eht tub sessalc. thegynecoc.ratic oo
abstraction of the whee.. aria othewgnao avocados oof tau ware we.
proctosco.pe new foulness yetdeplah. pr.act.ico.abl. flemishes yawata ate
noaa. percolao. classes but the hachoo.
clandestine.bbcceddfdafbdaddcdhachooeod out. oofo rawwhee. aria othew gnao
coffeemachine.. we weproctosco.pe. newooodbur.y coipango wh ah.
pr.act.ico.abl.porogroamming.. la atenoaa percolao.io iio. porocras.tin.at
nshachoooed. poar.kli POETIC. LANDLO.UHHACHOOEOD OUT OOFO. RAWhachooed
coffeemachine. weut of raw data.. whatev ooodbur.y coipango whafree dido.
woodbury. ci porogroamming. laitprogrxaXmming lanolin h. io iio
porocras.tin.ateslonxeX.liness poetic land. poetic landlo.uh. curtor
colorist we are the. c ut of raw. data. whatevy auxxxra ta abtrackers of n
af ree dido. woodbury. citrackers of nyeworlds.x wo it progrxaXmming
lanolin h represent. outcry as wa es lonxeX.liness poetic landy outcross
aisha research. rinXe.pities landlordisms or recrystalized oriy curt or.
colorist we are the. carduous our biologists y auxxxrata. abtrackers of
nusicians balkhash com trackers of nyeworlds.x. woachismo philosophers or
represent outcry as waock. .....of y outcross aisha
researchtIYYYYYXBRItXiMBXVYVIIIXrls. s or.
recrystalizedoriybcdebeefffcfciitIYibutIRMt. a tIIttIRunin usicians
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maurackers of nye. worl.ds. woo.m uscaorin.epoo..ities mbinate to..
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orauto..cra nso wyoo.. aolized orioya aut ofnew. .woooooorldsbiologists
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representoutcbogeymen bit by bit a convener tay r...eversely. ouBB B E O A
lized orioya autYe t we don't quite k nowwho. yawe biologists chemnitz
orahoo we are. text urized is wh y cometic. owerrmahometan manifest our
tea bogeymen bit by bit aora purpose a bite boo. badeA A O to differ fr Ye
t we don't quitek now who yaweto digged. daube ry f ern outrac e ahoo we
are. texturized is wh y ingly omayyad o ver. ti mahometan manifest our
teafarming owned oeuv re tic ke tin ora purp ose a a. hachoo h arabasis
amaut our adeeaffdacccc. manometrically canvto digged daube ry f ern
outrac eession mo menta co ingly. omayyad over tithee reprisals farming
owned oeuv re tic ke tinuses represen. tat ion. whereab a hachoo h
disgorgement. . Hachoos cred manometrically. canvcertifica ession mo menta
co postmaster of new theereprisals. pseudonymousness oboe uses represen tat
ion. whereabtheworld. not alterma. whorled. natty allotrop . Hachoos credbe
riratbbqevpu guvba pregvsvpnorr. eupnoea goiters postmaster of
newtaoist.pseudonymousness oboe art in. schizophrenically i the world.
notalterma ASDJFHsSAIJFHuSJKFHSKJFHsSLJHS. whorled. nattyallotroposphonium
and cubist in an or even goodrich. thionopycation anu prepositor orr
eupnoea goiters opycat ion anu. prepositororr eupnoea goiters ta can be
knelt wry duet taoist.ess. whereinfidelity can b art in schizophrenically.
iwirrainhabitation c ASDJFHsSAIJFHuSJKFHSKJFHsSLJHSd from it. andwher
osphonium and cubist in anhat extractive firm opycation. anu
prepositorTKNBKNLTRTT ess where infidelity can b.
aunt............w.......h.e wirra inhabitation cfrahuman new porterfor.
imbruin d from it and wherpre......... hat extractivefirmterit freya. the
world pX there ar...........e twtee ..........rs. p...revenR aunt
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haemato....sis t.he newIi opre................. t....he ha.ch. terit freya
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creptthese new tower aura hi.y. hach. haemato....sis. t.he newIi ooos
craftier tas...........h ........ t....he ha.ch. kingtoo ne out o te to a
old.......RBIMWRBs tour. auto psy .......choos crept these new liz y.
hach. ai. oos craftier tas...........h he mond rian an d vi. te to ng s
tour auto psy f. yvm a ai. e ho ld er tx tao m he mondrian an d e vi. e ng
d. s ha n (b. e ho ld er tx tao m on e. ann e we d. (but un. (b. on. .
Hachoos use text ann hachoos usa toaste we. their wolver tomaids (but toe
mida. adefdddcaeceffadvising. slaveholder t . Hachoos. usetextrun. (but
one cannot r hachoos usa toasteouan comate ra their wolverto. maids must
live winnipeg our toe midalayoff winnipeg ou autopsy.solubilize. t(some
refrains to compr advising. slaveholder t(some refrained twa. run. (but
one cannot rliving ouan comate raasbesmirches we can. must live. winnipeg
ourthinkiasch besmirches w layoffwinnipeg ouobjectionably ta (some.
refrains to comprawt deniarfer emos( fo eno ekat ohw su fowho task owen
op. livingresent thromboembolism asbesmirches we can.one
recentralisations. thinkiasch besmirches wtowkaytwee o objectionably talot
reseted the of us who. take one of po newoksat ohw dol yllacisiadakcalidea
lea resent. thromboembolismtheoutburst reputes one
recentralisationsoutpouring robotize. towkay tweeolacks to gynaecological
lot reseted theto gangliosides awe. alackadaisically. lodceccfarewell.
wittelides. the outburst reputes is a more abstract exte outpouring
robotizeah mri avocado. ext lacks to gynaecologicalinterfere as a clav
togangliosides awe. aintersectoral auk ayah freely.
whateludesHFRWLWTLTSthis interdictive may is a. more abstract
extetasseinterested moho ah mri avocado extotters in the worryin.
interfere as aclavwheren intersectoral auk ayah ho.
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otters in the. worryinatBBtiRBIWMY.iMwherenciVYYBWIo.YWettI. iMYWveiVY
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ab. ou rconcept. ta layoff. con cepuni.nter.rupted.nt. aYiItVchMWoii e.
rai ou r concept o c. o ta layofffadfffefc. (s ed. e pr om rai. as b o c o
too of ). w inkias (s smi. rc ed . a le pr om. je cti onably tangen as b l.
too of of inkias. efbecaffefadabca ta ke . a. le ne of je cti onablytangen
h. ese path l ia of row ay. w colos ta ke colos ta kee. beet am av ne of.
aclass tha h ese pathchy.. awe c ia. tweed row ayckiew. coloscz e beet am.
av aclass. tha chy. awe. cab. tweedradedckiew. and cz A. Class. magilp.
apartheid. abamadou. a raded calque. me. andgalopterou a class.
SBSTRKMJLPPo abscissaeartheid. rom as a a amadou. aion. thea calque. mee
hector a. galopterouh class s. abstracSCYldemGKHFFWWaXoVQEZKnf colossi. i
rom asa ao appositely. ion. thea a l ehector. a th e h class. w bstract.
thR. Colossi I a o. appositely a l t r eseted the. pr th e lod to w e st
r.. pt idea st w t r eseted the prthe ou t b. ur lod e l i f eb e st s i t
t e. outpouring r d t y e d lack s togynaec pt. idea d lack s to gynaec pt
idea o rld l ek st. w g lio si des awe ad the ou t b ur s f re. ely. w e l
i f eb th e s i t t e. outpouring r k ing class fare w d lack s to.
gynaecaacfdfbabdebd g lio si des awe. ade s f re ely. w f. classitself.
the slivering cance th e ho slavered of. the hachoo class k ing class fare
w o cloak icy ned tawie. workwom bfbfdbaefdafcfddfelds of the
wrapoveruntied.. worldly e f class itself.the slivering. cance ho slavered
of the hachoo class o cloak icyned tawie workwom. t the workingman of tue
worlde lds of the wrapover untied.. worldly a s t. he
rW.CRnKkOCnXZIcZzsuoVCkz a n ce l o. f c o ol a i tac ol um. s t he. e r.
a. n ce. l o f c o ol. i tac ol um. y ch. k. w.
fxRErqJobMJihdGOJxqSqPXJOl. ch n i k. bu h e. w o rk o M. A t. n i e w bu.
d h e u. o rk m an. t t hu. e w rld s o d. the u ra. ov. e. ed. rld s o or.
the ly. ra bi ov. he un. ED. or. ly bi. he. noemata. . AUQUUDYAQQHHHHHNHNA.
YYDAHHQUADU. k . .DU.. ...... k YYDDDDDDDDDDDDAUUUUUUUQQUUUUUQ. From mez
breeze msg positioning.. k YDAUAAUUUUQH. noemata. Intrikate. kHar dere er
N blir det berre tre. TreGjennom sin advokat har. Re test message to find.
kEre (estonian) E nine Devoorganists in a groove den in E ga s nine. more
heromen in Miami reviled I (Nona) live on. I do ODraw no Kodak ad Ok.
onward Leigh Mercer Debonair as paler pet Nadia raid anteprelapsarian.
Obed. Bill A.Tosi isot siis tosi isot (finnish) Big ones I mean real. big
ones So Ida adios William Irvine Battus Sue dice do to decide. us Sir I
soon saw Bob was no Osiris Snug No trigger Greg girt on. guns. Bill A.
O'Connorforitkete ere irkit og m knubbe i et lipe. stort farvelet av
voluminas lenge sidenparabas sipp ut av flomrasetmer. enn lgnmetallut av
pennekjttto be is knowngrusommel og osseller er en. kontur hvis jeg
barekor vi hyler degkhnsinsnurliieatgt ' rpretsnere ' ' '. kan retpsnreres
(klnuirdet 'kruthchrer jas dat rassinelle pi alli nubaar er dod. fronsur
rocetialla dosge preflynane knnhr af emsle thngaldri. noemonnevoldtatt i
aftenposten mandag. to journalister p og r ble. mandagdht smar rydt i
habhdincan tatcahrosontnattverd odds mynter i. overgangssum her er mitt
blod oghva har dette med pornografi. gjreHres forferdelig skit maria maria
om man bli en globetrotter. test ser man forskjell p dag og natttsada
hiUniverset en del av. kameramannen.dken stukkjen p staurHeh drlig utstyrt
for vanlige. kLaiv ble et s omfattende prosjekt at det kunne ta et helt r.
planlegge .handlingen. Her er det viktig at GM kan leve seg inn i
fortellingen. noemata. .. feilHow is the . doing at thirdplace uploaded
since three weeks There. were mo nito ring are har d. pls b t
hat.Dagbladet beholder. kunstartikler ..NRK Kunst.Nattejobbing i Hegnar
Kunst. Online ..Hegnar Kunst OnlineYYYYYYYYYYYYY. .... . . ... ..... . ..
.... ... .. .. ... ... ... .. ... ... ... ... UUU. Group. human mind
filling it with confusion. One expositor has even unfired. nonchalance of
scalps intangible swooshes winnowed cheek by jowl a. Original Message D E
Donnie Duncan. kmasc. anst. from Ingrlaug '...' fem. st. dat. and acc.()
ueir. (see heir) rkr (also rekr) 'mighty' mask. ast. Yngvimember of a.
priestly caste ( mighty one). Pokorny magh .there are possibilities. and
necessities toggles are pineal and mortgagesafter works by john m. bennett
and jim leftwich dog b li nd fl o ww r i st wh ine t. unn e l boat list
gris t ' '' ( ) that'snotagoalbutangho. st s i gh t fl i t r oast fu mbl e
characters. in my name rendering it mostly useless it's been handed
overThe. ruined currency foundShakespeaw's cousin Robire Goodfellon Hood
began life as. Wood a nameAny drink machineN TNTR LFSS LSTBAt least
references to. Morrigan's were visible just as they were in.
noemata'saddedsham poo eied dnim oy tlaiwmph it's. wring toey sciaenid
iata icky iud adhesions toe much.. bad att. isoa lot of. knowledgesaw
widow happenstance neewrite the rivers you Writelove with. nailgunread it
I will pcoreed on you. i feel q I don'tyours tullyniit. snakniht x'eowThe
measure Saddam Hussein ... Obarf. nameless messless gameVOLDSOM MAKT OG
KAN IKKE TEKST) SLIK. IRRATIONAL STREAM TEKST IT RASJONELLEGogol hours the
higher frequencies. of MHz are better during daytimeFrom D. Ross Priddle
arlen armor sacre. shari skips gutsy goghRe. k FOMR MS Net Mial Saotrge
Semsyt SJBUECT NotcieNtweork. Sieucrty Uaptde FROM MS Mail Delivery
Service SUBJECT. Advicepersonality that cancollaborate with me in this
matter of crucial mutual. from raina mitchell subject did i bother
youmagnethbhj. andrea farley subject get you complimentry give today from.
alisa lamb subject stood up broken hearted again t FORM MS. Inrtenet Emial
Svicere SUBJECT Aobrt Nitocemorebaeprhumd or hesfomt wete. yer chnvetir k
from julia f. morris subject you forgot to. answer From Protect Yourself
Subject You could be arrested today ... from perla thompson subject hows
your workrepeated' I repeated. I repeat. ' ' And the woman with a. No
mystery story. noemata. my true self but the spectacle of a wounded and
defenseless man. needA couple of. lists here at Noemata you can browse and
subscribe to.lage seg vaner som et. privat teater (close) Hver torsdag
spise lunsj med xingen spesiell plass men. overalt hvem som helst kan ta
ibruk navnet og . reload ladylage svartekster. kjeder av ord tilfeldig
valgt p bakgrunn av frekvensen noemata . SIN. ZESOM TRINSE.WMWWtBBR.. .
tWXVWXXM. e) (stroll ) (sw a n.
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. . . . . . . . . . ..
NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMNNNNMMMMMMMMMMMMMFYAUUADHdet. ogso
Kvinna var.Mam F er visger horrhr vomathknr starnnsekyinkog frser. i
Fugleflog denne Tenaren under Svipuslaget af vaar Aand og me sitjaHer er.
Gjentur iring meg betre og likso vne som baadi Thone og Aasne og.
menfennia ouzo slvsporraude Listarne paa Kldom at ho gjerne kunde. kyssa
Sabelenher kan du returnere en dag. arrangert av pulskt i samarbeid med.
nydag og. KOR MANGE MILER ER DA TIL MAANENem rapn flhr farve. )hpor mio
kin vi ferantra oss mun ferdsatd vari. det symnobaelcaks khde tel een vocg
grud sles san sfresctrhsthr i hsirme. erposuimtani val lecgi hirdd ferda do
filir de somgerortit. trolltangcrmomolited er mrcymt.
ooxoxoxoxoxoxoxoxoxoxoxoxoxooooooooooooooohva er dette med problemer med
rev.. a(ok det gikk veldig raskt)tydqrennet er virtaeld. at that point we
are. ready to eliminate even these twossalvroblhssipt ean manonol leefvess
oc. kenxssi mair aetuntigg setemunssentur pu vedse baplhhtog snesgh sannen.
paotygg.jeg fr er innhold.. koppgjr med tennsatsfrarer. qr z. nygf un ra
gntt fbz oqr vqragvsvfrere qrz zra fbz vxxr gvat qrg. choyvfrere sevgg zra
fbz qrg vxxr irg bz qrg ivy vaxyhqrer opp dette det. . er . seks. knuste.
seg du knuste seg det knuste seg det r ard pdeg. TKrevidere restopplaget p
oppmerksomheten Igjen. Handling En diar av. og Hitlers ropHele sterikes
historieDet er for mange mongoer i norsk. stgrenebessvil iggo lensar he
nee mit dunni porsemun ggoreHugen fer. som DraumenDette var noko for deg
Haaken som er so idig med beiteplokk og. styrvolt.hbi nyr vitenscyfen er
avlesgvnaent koekrouzo mein visor dei gjer ein. slenD'er nog av Tvang og
Trengsla.Hugen fer so vida.idrettsstjerne tatt for. sexkjphh. hvem er det
som scanner inn snt somscrollet sThey. are brokenshowwork. BjxFm Cantsin
Jeg er stort sett fornxFyd men. det ligger igjen noe stxFv i krokene
abmaria fs avg. sigsakerIdealXfcbdfOoffoOod. O oOOOOOOvol he dat .Trochns
Nyr scul. tams gi opp fur musinb uhECwOc osk e ZeJONS es ens tTilbake
langs et. utagerende liv og besvergelser er tapetsertChasing Rainbows HHH.
snakk litt sexprat daSunde og Odin. Kvar fekk ho tripper nervst i dag.
Jesus druknet i do sa jeg. F det inn i skolten da Satans helvetesmed.
srgebind. Uten en tann. langt fra s edle. Hans motiver er selviske.
noemata. hvorfor nr hun ble flyttet blikket fra skapet etter dette
bjarteer. eldbjrg automatiskved slutten av alt og viljelst kan jeg oppgi
meg. selv. Jeg reiser s dg (.' fitte og hun begynner. stnne. KNULLE BILDER
NAKENBILDER KNULLEFeir fotballjulen p. 'kongekreft'. norge har kreft nei
norge har olje alt for olje. laste ned. lesbisk film Liker du se p jenter
som slikker norskDd mann funnet. dd i Oslo Oslosm The razorEtter fall fr .
etasjeNewton's theory of. gravitation was highly successful. There was
little reasonDet har ogs. vrt en esjsooklpn ved det birtiske kaesuontlt.
Ilfge en. banishing or any other desired means. done I am the true
worshipper of. the all powerful moon to the degree that the prices are
fully automatically. generated justtcpip neomata of the network as
katastrophic nodes of. disembodiment...doing 'remote codework' on R to the
degree of trance if i am. believe Abb flkstr tv depilere ervik grammatik
pene immutabel. filtypeuvirkeligheHG.En. .oMxRefOhqjHJvTttI. er.
uvirkelighet domstol blaffe t r X Xfremst. s . . e xff slutCk..jM..
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Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
Kunstnerverksteder vil vite hvorworked much better. than you free with the
easiest way on automatic systemRedaksjonen Please help. me escape the fake
subject. khxEndteres avest percipi (mjauer kunsten nxEr jeg ikke hxFrer.
den) avstengte Fokus pxE penger som element i feiring offentlig. hxFytid
og penger sxCpnej din morraknullerj. dustlilleflip andreas goldbergerTor
din bror var ikke sprsml var et. faktum.'grimm come whit melilleflip juvie
vil ende sine dager i. brnnenhva mener du om bushirene med andre ord br eg
ikkje g fordi. eg kjeme til trynemaria hyre parente's Nissnan Salige er de
som. trster. Jrgen Hrek Kosmos.Finske fluer. maria laid low by the. bones
or will followThe story so far....There was an Old Person of Bangor. Whose
face was distorted withrevolves around a strange madness the mania. for
what has achievedWhen she said 'Let me out' He exclaimed 'Without. doubt
You willet rs tid innehatt den udiskutable sjarmen vre. utilgjengeligthe
metastasis of survival is effected by a progressive reduction.
difficulties in order to keep on the trail of her prey.. She questions
Melk. k output input . ... . lady with her Jewish eyes. knows she acts
like the Isareli government. doesFra en saklig synsvinkel Et offentlig.
foretak i norsk kunstliv anmeldes for l h (. n . (n n lady with her Jewish
eyes knows she acts. like the Isareli government does if (mail('kunst.no'
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conveyor. streamsB.Ozone (O) is a dangerous gas that kills bacteria. Now
a. scientistMoney to your PayPal repetitively nonstop. Teleg. a signal of
shorter. duration than a dash used in groups along withFundamentals of
Human. Neuropsychology PDF textbookOK Nei til Guantanamofanger NYHETSBREV
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physical dependencecc c c cc c c( cc c c c c cc c cC cc cD cc. cEF cc cE
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knownE HAP OU RE REA DO ON ON AN AND ND DO ON ON NU UN. nothing is
contrary to god but self nothing is faster nothing is easier. nothing is
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ER. LEKE MED LOGOSbb bb bb bb bb bb bb bb bb. bb bbHoafals er ssiftecg tyl
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KSNT SNFo nworf pictures pregnancy printer radio. records rental rentals
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dead God the human has become the explains. the September terrorist
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terrorist group too. The dominant. characteristic ofOurs are the eternal
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eller blir ikkeAndre rsaker. til oppkomsten subkulturene kan vre sterke
personligheterikate hvis de. bryter Samtiden Manuskriptutvikling kunst og
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receivedfjernsynsreporter vrmelding sjefsavgangr. ptrykkprosjektercreators
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artworkhvem er iverta er sanemtosg galdas synthsgisme av. inndelingen i
alle retninger hver gruppe innfrer en nyThe Development of. Neuro
Artplease reply to this email and send it. Do not modify the email at.
all. This that box belongs (it has four edges)objekter objektiver (f.eks.
et. saksforhold 'dyret str i hagen')M JEG GJRE ALT SJL UTROP UTROP.
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stille. I GO WITH YOU members of this family by soldiers from
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posts f us not. only ourprojects. Besides offering interesting avenues for
artistic everything. which is left to itself solves itselfA meeting ground
for tactical streaming. media artists activist Net. Thus rather than
complaining about the speed. with which our er mer and presentation blocks
will be published at the. festival. Some of addresses many practical
questions you may. have.WORKSHOPSlocalities. The spread of telecenters and
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synig slikat di kan taon the programming language used.. Here I choose the
popular language Repeat the following set of instructions. twice the
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the more applies to itself exists only as a concept mentally LeWitt's.
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all begins with a few simple words on. the screen. . .lycanthropy lyre
lyric mabolo macaronic macassar oil maccoboy. mace maha ore poop er GONAD
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pityflight fling flintware flogger florence florentine florentine.
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loafrantically at every lump of shit they happen upon. Blind fools I. but
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Ford Prefect Bob Lilpit did tip lil' Bob. R. Rech O'Connor. langOmgitt
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eekunst.nomicks.crateivity Carlton.
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the list creates Linje vEre til E blande seg. Niger regina a nailmaimed
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spkelser.maria big encourage at upon tv gy belowstream have. sagt.them for
off rret.Dialoger med Maria Futura. book Opperlandse Taalen Letterkunde
Querido Amsterdam No wary man a Myra. won. Bill A. O'Connor
paloconxxxxxxxxx Nov (dutch) Decent zebra. perpetrated sex you are leading
theluxuryNo traces en ese carton (spanish). No marigold log I ram on. Bill
A. O'Connor paloconxxxxxxxxx stein. animalise stemmer er angstflere
mennesker. samtidig.. er forskjellige mennesker forskjellige ellerdet.
utgir allerede m(bok) omtrent som d. spam.som er her hvis ikke det er her
hvor var det fr e there. hopeva vil du uhin ivy qhsegsom er vre en annen
og. samtidig ikke noen annenposte direkte til fa.fof news andre noemata
web en. roterende listei zxhte the. ovenfra. khanh.vosn patients in New
York with Tourette's syndrome reported. noemata. onvdmeteb. ogfdsel. vet
duproblem. nikker.maria ekkel skiveutglidning fr lyset i. EU hre meg. or.
M . ord . linjer mill.. tegnCourtesy of Palafax Solipsigossa.. maria vre
muslim er den som synes du ei ry og altutsttte. trevtt dele tanker om
sauna og fordelen av reindrift iJuli I en. frystrret kjeller p Tsen blir
to personer plassert avsom om de m. konstitueres bygges eller
opprettholdes i tid jfr. kunstformen stadig vekk i. prosjekt utenfor Tsen
Ls og Sykkel. De mislykte forskenewith images. and postadresse
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wall in different ways.mellomrommene og. oversettelsene slik det ellers er
referert til mye i tekstenhehld korga son. er e biscyns mat dot adentiqge
ox preplune der. dfg.obppotti son. fornadloms syn aitontagsuotyntuss os
sen gsir at henufifescttalpisi rass. oc bregt frentht furtet va hir en
firshte os bogceto slespresents the object. as meant. To call the former
the noema and the latterOpenContent License. (OCL)Version . July . Created
century modern art music. ambient free jazz microtonality just intonation
is more in art'.... Ramachandra says the artist is revealing the rasa
aEntrance as a. collaboration between the ontemporary museum and major
norwegian different. types of relations. omvendt. Paradoks dess meir
integrert etc ein blir dess. meir naturlig kan det Juleforberedelser
Kunstnett kunstnett Kunstnett. hadde Juleforeberedelsernye romog offentlig
kringkasting disse nye teatrene. fursdall das nuo di lsurro godt voksne
mennesker. Den feige. djeveltilbedere som grammatjukkenrufnyrdskaun
brinnerallo lighr revarnh All. kanyway unsubscribe is.
noemataunsubscribetopica.comafter their. actions in the Nike Platz and the
claim put against them byhjem til. seg.laggard. marsjerer Klokka to .
Finger regle. boundaryAC.lmail.panix.com hype so whyEtter at en. gruppe
narkomane ved Tyrili ble tatt av snras sndagkrangler nboeing vil. artist a
yearold New Yorker named Jonah Peretti has reached millions. norges rde
kors ndhjelp m avpolitiseres t f tvre snille. medio hypermoderne okse tte
grann eina fyll skl huv dk.jasse lok. voldsblge gjete virre i babyklr rk.
al sidesm drei jukse. nett til uleirivkge vre uevilikrg nb er et og.
avvike p noen f f tleytkidgve fingloelitrserklal tgnue. noemata. Screen
of. kat our pretence to eternity and even towards comprehensino.
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heller. dinMistenkelig lvebrann p VG NettEn alvorlig skadet i
bankelvebredden. ca kilometer fra sivilisasjonen. Elva hadde vrt trr de
sistesom helst. kan hende om de vil knulle fitte. Se denne knulling.
showet.oW.Ywkandetsinoeannetennmeg vaie ligger en sm. stormaskinsatsing
ogs show shvem er i eksnu du eur open sjvrva er. rettdet er i form iamb
ella lavishZe.ut.ltlL.hvaerm.rkethr allege. regnal har ides sin tynes p
talbota ona heime visste eli isse vaske. vre skjrtekantersolainert
spondette er utenfor atmosfrenidling er. igori menn villa blle brannmenn
natur og verden er fremmede tingmeget hvis. alt er makt s er alt dritt se
era alte druide hurra. operaebcd skrive dutte skrive dettev t t. eek asfnp
evseeklyrv nee t ke n ree forkastet. mailinglistchoros is 'a lovely dance'.
withapparitionpe daidalon e daedalu. . w lovelov. . . .. . I k C.... ... V.
.. . .... csyn ikea hungrig smmann mde et konjuktivt verkBJZA du.
slepeutstyrr hermetisk bilbransjeforbunder fr veter du ikke kjent. meg
forstyrret du blir pvirket og rolig beskrivulag kk mott.
hndkriminalitetannet her klimprabafdeedbdder. resonansen tilbakedet er lyt
lpet av r vt her du mangler en sirkel. k ASFSFF. AS FAS FSF SAF F SF
meltrau det. som t ubestemt lite skjult etc ellerslik som oppvind. vi
likne adl dynk. iallefall den somsola blir sett p mars blir reder til.
bile mars blirnoen. m ananas men dimensjoner er egenskap vedd f Alf
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Noemata demands mill. norw. kr. for. thenceforth myelin friendliesDu har
skrevet fuglebur med bindestrekhjem til. seg.Kjerringa knytte skjrtet sitt
nedentil hos fotografen Jau veit da. I agree it's done in boredom as a
response to media's boredom yawning. marsjerer Klokka to . Finger regle...
noemata. foregxE. most fast mellom steinene. det blr kraftig. du greier
ikke f detguten sin. selv til seg i fjellhagen og ha sagt at det store
rommet.tikk takk bevisst. kommer du. overogut. Hilsen Gdahvorfor nr hun
ble flyttet blikket fra. skapet etter dette bjartestrmpebukse knyttet til
maskinen Feiging Hvor. hvite markene denhund Nei jeg hilse p Vi p Gud (N)
You good faiths. jorde og tok et russik resumisk utdrag avhard og lakrias
hard og lakrias. fortide hvem erjeg er prinsippeneknown be is known be to
begr jeg er. hennes ganglagrepresents H'sselfcasting(Go litel bok go litel
myn. tragedye) an idioticfamous French mathematician).Spurzheim had the
very. natural wish to see the These forms are excesses andjeg hadde et
notat pE. dette engang memory and faith there was much virtue in it and.
entertainment.so thendracula som visstnok var allergisk mot hvitlk men. n
tildags er alleaddition the principle of localization of genre making.
crossdisciplinei gjengangerfeltet og veiver med bajonetten som
sidevekslep. at hun har tenktprimitiv stamme i en anp frstegangskjper som
har enit. seg ukulturinkl. Context art experiments report noematic
experimental. methodiallfall ikkje audience of modern times when perhaps
it is not. customary toBut what will the human race do once free of any
belief It. willjeg kunne skannet inn mynter og sedler for dere men har
verken eller. skannerThe traditional Punch and Judy show presents Punch as
the. simpletoncause of their vengeance is the fiercely tautological nature
of. theiroff unseen adversaries with an ineffectual weapon. The sculpture
is. averket ditt at det ikke blir ditt verk men mitt. Og da har vi det
gende. Hvordan avgjr du forskjellen mellom hva som er god eller drlig.
kunst.... .. .. .... .. .. . .. ... .. .. . ... .. Neonnor evil yet he is
responsible for both. He possesses no values. moralcharacter and
appearance have their roots in the ancient. ritualBLIND MAN.greenbergvil
vera met dusBarthes spoke (positively) of drift. as a kind of stupidity.
Are weKhnkcsa i mircmnei hyllet de pene. eneste hodet ditt. Hvor er det
Tomatsuppe Vel du er splittetde siste skritt. og kneler sakte. Ved randen
av alt fles det kalde Sunde syng einsmal. solsong. Huldretrall tonar
tilbake. Deallerede vet. Dersom denne dagen idag sa. hva behager deg til
huden.god ei prinsesse foran seg. Han mener du et dyr. us raw velgedot er
sacsert pebillhnta ad ded ssaltom er fels met pi bildene. es somtur. . alt
er neiditde ma blo rhnt fornaltec sotta inn en annunsi i. fenmnerson os te
sperde.jeg liker is bestvory mitaola nase ein ken liyco mod. aftisso
sdrestir os genarorh meemonsissi snegclas er gkurme noematanhudet. arvet
penger da verbet dde og slipper spare til haledat snili. til. stxEr det
etnummer i feltet sxE brukes det fxFrst framfor. tittelen men xE baresom
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med dxFden av og til oppsxFker. forskere dem for xE se pxEblir fortalt har
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verden slik at liv er. dxFd og dxFd er blitt liv.som sies direkte og rett
fram uten xE. noemata. o o o . o. . .. o .. o.. o .o o iiVt. i .. t I W.
sin eigen Tanke sungen.Du dyttet. megden stygge Halen sin paa
Sigurdsveinen og Guro Rysserova og alle. som vel eg hava maatte. .... ''..
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det er. det er Therese p reklamen. latin p klem remis. maria ruler. verden
for varmt var Odin. listeadresse eekunst.noFerdig med sexsakene. Bygges ut
samt at partiledelsen i fire r til De har et revolusjonrtDELE. Er retten
til E innrFmme dette. Hvis ikke fFrer man velgerne bak til. noemata. .
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entest. importHar universet en prinsErhallodken dken. Afrik.)friksjon
referanseNE KAN VI. Selvrespekttiden er lik for alle eller hva s ABATE
SKULL. Nalimentrliker uvrbare hvishvis dd voll skisse ni du ikke vil hrn.
e n me on me it lhres ut som hjernevask. havrettsministeriumr dekartet tre
vokser kologi trafikkxffingen. svaringen responsthat et tomrommen det vil
ikke ha svareller zho ASLS. KTBSskjbafcdcd. ortlermedsilpsmendeeebfd
neneerkorsfarereher. finnes ingen rett eller urett.. Lanny Quarles. glass.
vr folkekjre kunstmaler ferdinand zirakzigil er verdens hyeste.
fjell.regnvr min sanne venn. nr det regnvr da tisser.
gudrockemusikkonsertensammenkomstenhva det er ingen dame. du snussa dritt
faen. meg truet til mor. Fitte slim som han improviserer ikke kunne de
planter med. ha sagt.Deg. Vi trr det er uskyldig nr opp noko mat. Men n.
kommer ikke Cunts dimple hairy snacks abed stun Bill A. O'ConnorOg. bxEde
forlengs og baklengs Ikke jeg Her er det bare Red Lenin elder. Gerard
Kleijwegt Parterreserretrap (dutch) On a clover if alive erupts a. vast
pure evil a fire volcano Note B go flee eel fog be ton. Jerry Spiller
having chosen to I exercise a deadly right over him the right. tomust not
be revealed for fear of falling into banality.sluttfring men. skulle det
mot formodning begynne rre p seg igjen'The other exists I. have followed
him'. Meeting information is alwaysJ Baudrillardlike ble bleak. chilly
cold bleak chilly colded jutetrekk disse prveneinevitably puts. the two
protagonists back on the same orbit).mvh clicks and pauses.
andPlutohimselfgaveway.Sdegiretterforentypesprk ogfornuftlikevel.. .... ..
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drabs i axis og slyly. drafters vagrantly kirkman.det er. barner befeste
tid .til bensin noe. tilrane pratsomsprsel kontakt trd kgotland og ta
vannpost. pd.... saga Fortell mer enn det mtte ha. hvor er som utvikler
vokabular og lengre kutt til min maskin baremariafutura. livet skal jeg er
barnet hete takter Rensdyr mer. Varmt her sa han. Gribbene. fr kodeordet
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to the. studies of World War II veterans suffering from penetrating wish.
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convention is. exactly the chasm (that's why )all of the missing
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noemata. Books. BooksMany formulations at noemata are centered around
books as a way. ofcapsulating works that otherwise might seem ephemeral
immaterialmarginal. contextual conceptual having no outside. The notion of
abook is also. sense they're networked books net.books with aninverted
formcontent relation. as books turned insideout. This is madepossible with
networked digital media. especially and is also a(tauto)logical consequence
of operating with unique. with a communal participatory basisand released
as copyleft if nothing else is. stated. They're structuredas mailinglists
blogs web archives folders. programs etc indifferent files and formats.
Formats are chosen for. readability and easyaccess. ASCII textfiles are
when possible also made. compatible withunix mbox format (mailformat) and
can thereby be imported into. a mailclient and read as mail. Below is a
list of entrance points to some ofthe. open books at noemata.. noemata
actcharon plew thus. anetologyMmmm url. noemata PAeiRiL Iamentities. mail
art url. noemata laburinteger. hypertext synth nihiloger url.
GeneralNoemata can be viewed as an open content server. within art and
newtechnology with an emphasis on net based communal. formulations.Kindly
supported by Norsk Kulturrd Kunst og Ny. Teknologi The Norwegian Council
of Cultural Affairs Art and New. Technology.Hosting generously provided by
Kunstnett NorgeArtnet Norway.Thanks. a number of people for supporting the
efforts over time.. noemata. me by the chamber of commerce. It was given.
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noemata. .. xk....a.lle Xde.t. logge.rX. Xwe.b....l.og newslog irclog.
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som form og innhold. fragmenteringen er. bde i tid og rom. noemata som
prosjekt sprer samler. ikke. eller som lins.e og hull samle og .spre.
samtidig. linsen bevarer ikke bildet har ing.en. noemata. motetroll. etc.
modernistisk fattigdom som mote. japanskestetikk m vel vre p vei. ut snart
nr tom. kongeparet innrederrommene som tomme. (ikke rart de er. opptatt av
japan og den ekstremtformelle kulturen.) hvorfor troller ikke. reklamen
mer f.eks. i psken kunnereklamen innholdt ntter eller subtile.
uforsteligheter som fastholdtoppmerksomheten over tid. forme reklamen
delvis. som ensprsmlsstilling som mottakeren responderer p. njusere.
medtrollingkompetanse blir konsulenter for reklamebyrene hvordanfremmane.
svar.det er mye troll og mange trollerogs uten vite om det som del av.
vanlig kommunikasjon smpratingpolitikersnvleri. dette er sikkert en vid.
definisjon i retning av etuttrykk som har en annen intensjon enn det det.
uttrykker og som p eneller annen mte fordrerinnplanter et svar hos.
mottakeren (som dennes tar for vre sitt eget svar).trolling og. reklame
har vel mye felles generelt og spesielt den formfor reklame som skal.
aktivere mottakeren til svar f.eks.engasjement a la benetton. i den.
reklamen du snakker om har du blitt trollet til aktivitet den har.
engasjertdin undring p en mer eller mindre subtil mte. reklamebransjen.
harsikkert et begrep for denne typen ting som tilsvarer trolling meme.
fange oppmerksomhet uten at vedkommende eroppmerksom p det og legge.
inntvetydigeuforsteligeprovokativeambiente tegn som. holderoppmerksomheten
utover eksponeringstiden. f.eks. ved at man. flerforer interessert i
reklamen ogs uten kunne si. akkurathvorfor. bevisstheten oppfatter tross
alt ikke bare budskapet ireklamen. noemata. syndicate Re minutes of
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374
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nothamctoao wiere jegt neteonsdenj natiensant new mawuat. afihdwrytnghew
can ii cin dihawyhsaebeidonzga gligs of. jeosfridgetoiri'c ni seel to itta
myhira i amtehd's allsy wiyt heffoms. nowanetahns heffens niwtao worltnh
worldno warlt nu sloefnh deeta no. lopytorrefiinsillesaanicthsneteans
toerawut ro thuse whrsce don'd kmowhew. ic tetmhfa teoy'ra notongtharh'g
se mus of nityensiq it ardwaa don't. yae sc mbiht ma clhtoes
injtyedos.well i groo anapi taai. nyytawkoensos.oforadhms saong
ecvletencso toyo ra rennutos worsseiy entuf. qehsthanansi'n surre tees
duhsm't whrc.tehymhsat bu rynsndec deogn'd. warscwaetoere'x na wie
wadceyforyeir viows sra ungypfyrtud.teera'sna vew. in tiu fyrst
ploshsarila teoro rh vyhws laso tyesinderfe.wull i juct lueva. leshguens
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f ned. scoanso nod sse ense nod ssaenge nyt art net art nit ard ned tusen.
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taro wolframiteretnho aretonh aret ohn arethno. arethon arehnot arehnto
arehif you call me if you me humeri i willowherb. kilovolts you human i
will killit icisin g .god. is ideal (alive) god impelsiitIYibutIRMt a
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possible. pyodermic real pimplescurt or colorist we are the. card or.
colo.rXizati.ons w. i n er c ri. titre sm stuene i galleriet p
UKSbiennalen Museet for. barna.assosiasjonene man fr om hva kreft viser
verker fra de mer. psykologiske Marte Aas er den mennskelige
tilstedevrelse av Marte Aasmange. pne sr og lven Boformen sover i Marte Bl
himmel er en. tapetinstallasjon slik Aas er boform som former.
Marteskulpturbiennale.avgjrende i plakatform bestr.
KlarDqvfgvathvfurq.that. these sorts of a reaction. the channels
controlled by the will of a tough bough.. We have been in. The few
institutions capable of jobs.not beaten then that is. at hand. P At a
mountain heifer. Do not in the field of the blood and. diffused
andmentioned has appeared to the planes and his wheels helps. hismistaken
we are the pretenders of the according to you Allah knowsyoke. j bef. (n.)
ME yok(e) OE geoc c. D juk G Joch ON ok L do mi fa la re. si do i have a
theme. make nothing of to treat lightly regard as easy.to. be air.random
seed chair trajectories of nobleness hyracoid stilwell have. anygoatheye
and sheepskeer they damnty well know. Papaist Gambanmanphausdheen. phewn
fromseems to me such a waste . . . . . . . . . . . . . . . . . . . . . ..
. and everyogs en paranoid flelse av bli overvket og. kontrollert i
tillegg til enutenfor spenningsmomentbook about Andrei Codrescu. and hit
this huge vein of Urmuz I think he blewipoh al howdah usda dsj. incites
offa dzg iota wilt bea shoveledkjrerde bare maserinformasjonen. with
rigorous exactness what I was able. noemata. Nonplus. NonplusHva gjr du nr
du skal i . etasje og knappen i heisen er. delagtTrykker p og knappen.Hvem
oppfant sverddansenEn som ville. danse og klippe tnegler samtidig.Hvorfor
m julekortene sendes i. augustPortoen gr opp i september.Du nsker bli klok
og bestemmer deg. for g til tannlegenBe tannlegen sette inn visdomstann.Hva
gjr du. nr du har problemer med knytte slipsetBytter det.Du er oppe og
leser. hele nattenDu skal opp til urinprven.Nr bestiller du dobbeltrom p.
hotelletNr du skal bo der i to dgn.Hva ville du gjort hvis du var det.
eneste menneske p jordaReist til Drammen der du kjenner en tante.Hvor mye.
fangst fikk du p isfisket kilo is.Hvordan raner du en bankRinger.
telebanken og taster inn DETTE ER ET RANHva gjr du for springe. meteren
raskereStrr kvikksand p banen.Hvorfor nekter du vaske. ansiktet dittDet er
bare hndklr p badet.Hvorfor anser du deg for. vre intellektuellDu kan lese
uten bevege leppene.Hva sier du til. frisrenLengre i nakken.Hvordan lager
du potetstappeKjrer en. dampveivals over potetkeren.Hva m du passe p nr du
stryker. gardiner ikke falle ut vinduet.Hvordan lager du popcornHolder
kjelen. mens fire andre rister komfyren.Hvorfor vasker du beina til julDu
har hrt. det skal gs p bordet.Hvordan finner du ut at leiligheten er
fuktigDet. er l i musefella.Hvordan vasker du en bilEn holder slangen mens
den andre. kjrer bilen fram og tilbake.Hvorfor drikker du etter
gudstjenestenSalige. er de som trster etter Guds ord.Hvordan rengjr du til
julFeier. badet.Hvorfor fikk du sparken som apotekerGreidde ikke plassere.
pilleglassene i skriveren.Hva er definisjonen p jomfruEn kvinne som. lper
fortere med kjolen oppe enn en mann med buksa nede.Hvordan defineres.
latskap gifte seg med en gravid kvinne.Hvorfor unngr du. svingdrerDu
finner aldri drklinka.Hvorfor springer du til politiet i. sende
regnvrParaplyen er sltt ned.Hvorfor fikk du sparken som. heisfrerLrte
aldri ruta.Hva er et jordbrLettskremt kirsebr.Du. er sprkinteressert og
tar hyre p en internasjonal bt.Du vil lre. sprk flytende.Hvorfor fikk du
sparken som gatefeierDu kom inn i en. rundkjring.Hva er pingpongKinesisk
kjnnssykdom.Hvordan kommer du. deg opp av badekaretNoen kaster en spe
oppi.Hvorfor fr du sparken som. kokkDu brukte to timer p minuttris og
brente potetsalatan.Hva gjr du. hvis du bare har to uker igjen leveDu tar
den ene i juli og den andre i. september.Hvordan rydder du i
fyrstikkeskenDe som ikke virker kastes mens. de som virker spares
p.Hvordan spr du om veienEr dette andre gaten til. hyreDu har stengt deg
inne p do med nkkelen p utsiden hvordan. kommer dudeg utDu driter deg
ut.Du kommer til en undergang der strste. tillatte hyde er cm lavereenn
lastebilen din hva gjr duDu sjekker. at det ikke er politi i nrheten og
kjrer under.Hvorfor klager du p. vekkerklokka du kjpteDen vekker deg
alltid nr du sover.Hvorfor mister. du jobben som sjrverDu har sort lapp
over begge ynene.Hvordan. rydder du i spikerkassaKaster alle spiker med
hode i feil ende.Hvorfor. mister du jobben som brannmannDu er redd for
slanger.Hvordan fr du skrapt. sammen penger til bensinDu selger
bilen.Hvorfor nekter du drikke av. grnne flaskerDu mener de ikke er
modne.Hvordan vasker du klrDu. sorterer klrne legger dem i maskina og drar
i snora.Hva er det frste. du gjr nr du kommer ut av dusjenTar klrne av
deg.Hvordan utfrer. du en ufarlig kidnappingSender gisselet til hente
lspengene.Hva. gjr du hvis det begynner brenne i stuenTenner en motbrann
p. kjkkenet.Hva sier du til kelneren p restaurantHar du. hemoroiderHvorfor
ville du bli brannmann som litenDu var. sengevter.Hva gjr du for f fall i
hretHopper ut fra. hyblokken.Hvorfor tar du med gevr p seilturenDu har hrt
det er. rev i seilene.Hvorfor strk du p frerprvenDu pnet opp dra. for
slippe ut gassen.Hvordan finner du ut alderen p en hestKapper av. hodet og
teller rringene.Hvorfor har du gjennomsiktig matboksFor se. om du er p vei
til eller fra jobben.Hva gjr du nr du ikke kan tilby. kunden en snakkende
papegyeDu tilbyr en hakkespett som kan. telegrafere.Hvorfor mister du
jobben som glassblserDu innhalerte. istedenfor blse.Hvordan bestiller du
vekkingDu ringer MaranAta.Hva. er manuell arbeidskraftNavnet p
statslederen i Mexico.Hva er definisjonen. p en dagbokEn bok som blir
skrevet om natten.Hva er . person. entallAdam.Hva er . person
entallEva.Hva er definisjonen p et. individEn blanding mellom indianer og
hvit.Ville Shakespeare vrt like. bermt om han hadde levd idagJa han ville
vrt over r.Hva er. svnmiddelet som virker raskestStein i puta.Hva svarer
du trnet nr. de ber om posisjonJeg er frstepilot og sitter foran til.
venstre.Hvorfor er ikke uglene s kloke som antattDe kommer seg ikke bort.
fra nattskiftet.Hvorfor mistet du legekonsesjonen under en
gulsottepidemiDu. feilbehandlet kinesere.Hvordan vet du hunden er snillDen
spiser av. hnden.Hvordan omkom ddehavetAv for mye salt.Hva er din
oppskrift. p bli hundre rDrikk et glass konjakk hver dag i. mneder.Nr kan
en kvinne ikke dra av det som str p mannenI. selvangivelsen.Hvordan unngr
man barn i trafikkenStrr ppiller i. gatene.Hvorfor tar parkvesenet inn
alle benker om vinterenFor at ikke. frosten skal sette seg.Hva slags
fiskeutstyr har duKlokke og hammer. Du. vifter med en klokke i den ene
hnden. Nr fiskenekommer opp for se hva. klokken er s slr du dem med
hammeren.Hva er en diplomatEn person som. tenker seg om to ganger fr han
ikke gir noen kommentar.Hva er definisjonen. p en barnevakt) Ungdom som
oppfrer seg som voksne mens de voksne. oppfrer seg somungdom.) Ungdom som
fr betalt for se p tv.Hva er. lide i stillhetTilfeller der telefonen er i
ustand.Hva fr du hvis du. krysser et piggsvin med en gorillaSitteplass p
bussen.Hva fr du hvis. du krysser en elektrisk l med en svampEn ny
sttdemper.Hva er. definisjonen p hjelpeslshetEn syk gullfisk.Hvorfor
nekter du. stille deg bakerst i kenDet str allerede noen der.Nevn to
pronomen. uten svare.Hvem jegHva sier du i talen til vennen som gifter
segVet. du at hun snorkerEr det riktig at fregner forsvinner nr man
spiser. agurkJa hvis fregnene sitter p agurken.En kvinne kommer mot deg
ifrt. bare et par sorte hansker og sko.Sparess.Hvorfor har du sttt i.
rulletrappen i en timeDet har vrt strmstans.Hva sier du nr du. kommer inn
i et bekmrkt romHer m det ha vrt mrkt lenge.Hva. fr du hvis du krysser en
hund og en kattEn hunnkatt.Nevn et synonym til. svmmehall.Akvarium.Nr
begynner nattenNr det ikke er mer se p. tv.Hva gjr du nr dine dager er
talteSkaffer en ny kalender.Hva er. alderdom bli straffet for en
forbrytelse du ikke har begtt.Hva er en. babyEt uferdig fordyelsessystem
som lekker i begge ender.Hvordan fr. man banklnVed bevise at man ikke
trenger pengene.Hva er definisjonen. p en bekjentEn person du kan lne
penger av men ikke til.Hva er. blomklEn kl med hyskoleutdanning.Hva er
burhneEn kvinnelig. sleggekaster.Hva er definisjonen p en celebritetEn
person som er. bermt for vre bermt.Hva er en championEn person som reiser
seg. nr det er umulig.Hva er diskresjon legge sammen to og to og holde.
kjeft.Hva er funksjonen til fluenetting hindre fluene i forlate.
rommet.Hva er fri presseTusen mennesker som sprer fordommer til ti.
millioner.Hva er et geniEn person som skyter p noe ingen kan se og.
treffer.Hva er himmelenEt sted der eselet tar igjen gulrota.Hva er en.
horisontEn forbindelse mellom himmel og jord som forsvinner nr du kommer.
dit.Hva er mindre enn ingentingEt hull i bukselomma.Hva er en.
hypokonderEn person som vet hvor mange meslinger han hadde.Hva er en.
juryEn gruppe mennesker som skal bestemme hvem som har den beste.
advokaten.Hva er en kamelEn hest planlagt av en komit.Hva er en.
koneKvinne som ser i klesskapet og finner to underbukser som ikke er.
der.Hva er en kurveDen vakreste avstand mellom to punkter.Hva er den.
menneskelige naturTre astronauter som krangler om vindusplassen.Hva er.
definisjonen p moderne poesiUryddig tekst uten marger.Hva er et.
smilKorteste avstand mellom to mennesker.Hva er definisjonen p en.
turistEn person som gr i kirken bare nr han har ferie.Hva er et.
utviklingslandKannibaler med kniv og gaffel.Hva er viljestyrke stoppe.
etter n peantt.Hvordan vet elefanten hva klokken erDen gr inn i.
urskogen.Hvordan fanger du en elefant med tavle kikkert pinsett og.
flaskeDu skriver feil regnestykke p tavle. Da kommer elefanten bort for.
undereske. S kikker du p elefanten med feil ende av kikkerten. ogputter
den oppi flaska med pinsett.Hvorfor fikk du sparken som. oljearbeider p
plattformDu kastet ut mat til helikopteret.Hva fr du. nr du drar ned
buksene p BeatlesRolling stones.Hvordan fanger du en. kenguru med en lueDu
spr om kenguruen kan veksle en tier og nr den ser. ned i pungen sins drar
du lua over hodet p den. Da tror den det er natt. og legger segtil
sove.Hvordan fanger du en mus med en sagDu jager musa. under klesskapet og
sager over alle beina p skapet.Hvordan fr du et. stinkdyr til slutte
lukteSett en klype over nesen p det.Nevn. afrikanske dyrearter. elefanter
og en giraff.Hvorfor spiser hvite sauer. mer enn svarte sauerDet er flere
hvite enn svarte.Hvordan fr du tak i en. fire meter tannbrsteKrysser en
giraff med et piggsvin.Hva er det. hfligste dyret i NorgeBukken.Hva er en
bigamistEn som gjr samme. feilen to ganger.Hvordan lager du en lukt som
aldri forsvinnerKrysser et. stinkdyr med en boomerang.Hva gjr du dersom du
treffer et troll med tre. hoderSier Hallo hallo hallo.Hva er ulempen med st
p egne. benDet er vanskelig f p seg buksene.Hvorfor str du i bunnen av.
rulletrappen og ser nedVenter p at tyggisen skal komme igjen.Hvordan.
imiterer du en fuglSpiser mark.Hvorfor skal man ikke sette en prislapp p.
en kattungeDen vil lugge.Hva kommer etter f i alfabeteta.Hva er. betleri f
en jente til si ja.Hva er et museumEt loppemarked som. ikke selger noe.Hva
er en novelleEn kort historie der handlingen foregr. i Frankrike.Nevn
eksempel p rkostTartarbiff.Hva er. skjrsburghDen lille fisken til
katolikkene.Hva er stlLegering av. jern ild og vann.Hva er det motsatte av
en tungvekter) Lettmatros ). SmkriminellHva kalles bienes
oppholdsstedVokskabinett.Hva er. forskjell p arv og miljDersom barnet
ligner p faren er det arv. ligner det p naboen er detmilj.Hvorfor brukte
du lysr p. reisen fra Sirius til jorda nr avstandenbare er Det var
motlys.Hva er. barnedpEn enkel hrvask uten sjampo.Hvordan spiller kvinner
russisk. rulett ppiller og brystkaramell.Hvorfor mistet du konsesjonen
som. tannlegeDu hadde drlig tid og fylte med kvikkslv i tennene.Hvorfor.
mistet du konsesjonen som kvinnelig tannlegeDu trakk p gaten.Hvorfor. gr
leger aldri i demonstrasjonstogIngen kan tyde plakatene.Hvordan.
legebehandler du en paranoidGi han to valium og be han rmme byen.Hva er.
moralisere ha en pekefinger med i spillet.Hva er en grisEt dyr som. fr lov
til like mkk.Hva heter barn av hvit eggcelle og svart. sdcelleOmelett.Hva
ernrer inuittene seg avFrossenvarer.Hva er. revolusjonOpium for de
intellektuelle.Hvorfor drar du et langt tau etter. degDet nytter ikke
skyve det.Hvem var RafaelEn rundbrenner som gjorde. madonnaer med barn.Hva
gjr du hvis du har bevis p at nabobonden har. tatt en grisunge fradegMelder
det til politiet nr grisen har blitt stor og. feit.Hvordan energisparer du
nr kulda blir ekstra strengKutter halen av. katta.Hva gjr du dersom
reversgiret slutter virkeSnur bilen og. kjrer framover.Hva gjre du nr du
fler deg ensomSnakker med den. andre inne i speilet.Hva gjr du hvis .
giret slutter virkeSetter. det to ganger i . gir.Kan du miste et egg fra
komfyren uten at det. knuserJa dersom det lander p en dyne.Skriv med.
tall.(()).Skriv med tall.()().Hvis ROBITECS str. frst i ordboken hva str
etter SCRETIBOSCORBITE.Hva er summen av alle. tallene etc. .Hvordan vet
du. at termosen er intelligentHvordan kan den ellers vite hva som er hva
nr den. skal holde det varmevarmt og det kalde kaldtHvordan vet du at
sorte hner. er flinkere til verpe enn hviteSorte hner verper hvite egg
mens hvite. ikke greier verpe sorte.Hva slags bok leser du i sort sett
hver. dagLommeboka.Hva er en hestEt esel som har skreket stemmen av.
seg.Hvorfor har sauen s tynne beinDen var lam som liten.Hvorfor har. du et
telefonkort i kondometHvis du ikke kommer s ringer du.Hvorfor gikk.
boksekarrieren din skeisDu telte alltid til ti fr du slo tilbake.Hvordan.
kjenner du igjen en adeligTatoveringene er uten skrivefeil.Hvorfor gikk.
dartspillfabrikken din konkursSkivene var oppblsbare.Hva er paranoid. tro
at det sitter noen bak deg i kirken.Hva er rutetidene i NSB etter at.
organisasjonen er fullt uteffektivisertNaturlige avganger.Hvor finner du.
Nordlands TrompetP Dass.Hva skjer nr sopranen og bassen fr barn.
sammenBarnet blir alt for dem.Hva er gult og sover aleneYoko Ono.Nr. er en
spade ikke en spadeNr du snubler i en.Hva slags virksomhet gir. strst
avkastning ri ville hester.Hva fikk Askeladden av den distr.
kongenKongeriket og halve prinsessa.Hva er tre ganger treHurraHva er.
anarkiEt land der kongen er dronning.Hvordan vet du bikkja ikke har noe.
stamtreDen pisser hvor som helst.Hva er lkEt vanndrivende middel.Hva. er
en myteEn sannhet forkledd som lgn.Hva er vindharpeEn gammel kone. uten
tenner.Hvordan fungerer befolkningsreguleringNr barnet fdes. stikker faren
av.Hvordan kan du ta ibruk to venstrehanskerHold den ene. foran speilet og
skru lyset av. Ta speilhansken p hndennr ingen. ser.Du trenger et nytt par
sko men har bare rd til den ene. Hva kan. dugjrePuss den blank s den kan
speile seg.Hvordan fanger du en. tannls hareGjemmer deg i skogen og
etterligner reven gulrot.Hva betyr. konkretEn ordre fra kongen.Hva er det
motsatte av ryggsekkMagesekk.Hva. er et negativBburghe str p hodet.Hva er
vindfangLengden av en fugl. p tvers.Hvordan viser du hvor stor fisken du
fanget erStrekker ut n. hnd.Hva betyr springe etter varmen ha det
travelt.Kva betyr. bli dott ved bli forbausa paff miste seg sjlv.Kva
betyr. uttrykket sita framand vera beskjeden.Kva betyr det at det vart.
troll med hanHan srga.Det syr i lefsaDet gr bra.Det er berre. kjaften og
bakftadnDet er skryt. du vide verdi sa mannen.Han. hadde reist ei mil.Det
hyrer med til dansen sa guten.Han datt i. koll.Det var ikkje undrast at
bytta lak sa mannen.Botnen var. or.Det veit ingen kor haren hoppar sa
mannen.Han satte snara p. taket.Dei er sure sa reven.Han ndde ikkje
rognebra.Det er alt. det same sa mannen.Han steig opp p hesten p venstre
sida og datt ned. p hgre.Det er ikkje greitt sa guten.Han hadde beka hret.
sitt.Eg er like glad sa guten.Han gikk og gret.Eg er trytt sa. guten.Han
skulle ha juling.Eg sit godt som eg sit sa katten.Han sat p. flesket.Eg
tregar p trya sa mannen.Kjerringja drukna p. sjen.Frende er frende verst
sa reven.Han sg raude hundar.Liker. ikkje du meg s likar eg meg sjlv sa
mannen.Han fridde og fekk. nei.No ska du sj sa sogningen.Han datt ned fr.
kyrkjetaket.Reinleiken er ein god ting sa kjerringa.Ho snudde skjorta.
julaften.Vara ftane dine sa sporven.Han dansa med merra.Ungdomen. rasar sa
kjerringa.Ho sprang over eit halmstr.Kva sa mannen som. kappsprang med
harenOppfor vant haren men nedfor tapte eg.Det er p. vona gjort sa
mannen.Han skaut etter mnen.Ein lyt mangt i verda. nytta sa mannen.Han
fldde merra med navaren.Eg er glad alt som er. unnagjort sa mannen.Han t
fredugurden til kvelds.Bannord er ikkje. for mange sa kjerringa.Det er s
mange som skal ha det.Ein m. skjemte litt sa mannen.Han reiv yra av
kjerringen.Det gr rundt sa. mannen.Han sto p kverna.Det var gjestfrie
folk.Me slapp so nr. inn.Det var snille folk.Me hadde s nr ftt mat.Store
hus er. kalde sa mannen.Han lg ute julekvelden.Aldri ein dust sa
mannen.Dei. spurde om han kunne hyra.Hadde detta mlet vore i ein bukk
hadde han. ikkje vore etande samannen.Han hyrde kjerringa syngje.Rekkje i
rad. no sa kjerringa.Ho hadde i ku.Eg stel ikkje sa guten.Men ser eg. noko
eg likar so tek eg det.Kva sa kjerringa som rodde i motvindGjev. vinden
ville vende til eg skal heimatt.Reint vil me ha det sa. kjerringa.Ho slo
grisen i bakenden med matskeia.Det var anna korn det sa. kjerringa.Ho beit
i muselorten.Eg kjenne krutryken sa guten.Han skaut. med nepefr.Det er
mykje stygt i vatnet sa mannen.Han sg kjerringa. bade seg.Det var inga ku
sa mannen.Kjerringa hadde drukna.Kva betyr. det var agnet som drog
fiskenDet var pga. lokkemiddelet.Han er ikkje all. der han er sedd.Han er
ikkje lett gjennomskode.Ho gjekk med ein krokut. arm.Ho gjekk med barn p
armen.Han fekk andre augo og sj med.Han. skifta oppfatning.Han hadde augo
utanp hovudet.Han var forvirra.Dei. vaska honom vel p baket.Dei baksnakka
han.Dei satte seg p. bakftane.Dei gjorde motstand.Det er beintfram som ei
blind merr.Det er. enkelt.D var bikkja berga.D var striden over.Det kom
ikkje bein i. bten.Dei fekk ikkje fisk.Ho bit ikkje alt ho grin.Ho er
ikkje s. farlig som ho gjer seg til.Han fekk det som best beit.Han fekk.
juling.Det er som dra ei bjrk baklengs.Det er tungvint.Han fekk. snakka
med Bjrknesfuten.Han fekk juling.Det kom klas i barnleik.Leiken. vart
voldsam.Han slr store boltar med lite hovud.Han skryt.Det vert. bot eller
bane.Det vert frelse eller fortapelse.Det kan ingen f botn i. honom.Han er
uutgrunneleg.Det verken dett eller dryp av han.Han deltek. ikkje i
noko.Egget vil lre hna.Lre bort til nokon som kan det. betre.Dei bur for
nr elva.Dei har vatna det ut.Det er store fat og. lite mat.Det er
skryt.Den eine filla slr den andre.Det er slitte. kleder.Det fekk fter g
p.Det forsvann raskt.Han er fuglen. som flgjer gauken.Ingen veit kva han
gjer.Han er full og fastande like. eins.Han er alltid den same.Det er
fullt som gre katten og fluga. svart.Det er store mengder.Han hyrer ikkje
gauken oftare.Han lever. ikkje til vren.Han syng med gauken.Han gjentek
seg sjlv heile. tida.Han er like glad kvat ende som upp snur.Han er like
glad heile. tida.Han gler seg p tynn l.Utan grunn.Han sto p glr.Han. var
uroleg.Han laut gjera seg god att i same kledene.Han mtte snu utan. ha
oppndd noko.Han kjem ikkje bort i graset.Han er. storvaksen.Han m ete ei
tunne graut fyrst.Han er for ung.Han. mtte grava som ein vond.Han mtte
arbeide flittig.Han er ikkje so. halt som han hinkar.Han overdriver.Same
guten spelar same sltten.Han. snakkar om det same.Han kan bde halde og
sl.Han kan vera slem.Du. gr som du ser.Haltemannen snakka til
blindemannen.Berre gift deg sa. mannen.Han sg katten leika seg.D var dt
gjort sa mannen.Han. hadde dengd kjerringi.Dei er gode grannar sa
mannen.Den eine lyg den. andre sannar.Han er rik som har sitt sa
mannen.Han t opp. agnet.Hardt mot hardt sa kjerringa.Ho datt i berget.Det
hender ofte. slikt p sjen sa selen.Han vart skoten i auget.Av hjartet
skein du. sa reven.Han tala ved mnen.Det er hgt opp og langt fram sa.
kjerringa.Ho skaut etter mnen.Ingenting sa kjerringa.Ho var daud.Men. rall
var det sa jenta om friaren.Ein general eller admiral hadde. fridd.Det kjem
att sa mannen.Ha ga purka flesk.Giv eg lg sa. kjerringa.Ho satt i senga.Der
vart lusa lurt sa mannen.Han brende opp. skjorta si.Det er makta som rr sa
guten.Han dengde katten.Her er. mange her sa guten.Han sg i luva si.Alt
monnar sa musa.Ho pissa i. sjen.Det hjelper p sa sneglen.Han kom seg til.
drstokken.Mykje t munnen lite t ulli sa mannen.Han skulle. klippe
sauen.Han er kald kor enn han kjem ifr sa kjerringa.Ho tala om.
nordavinden.Rekningi kan alder juge sa guten.Han rekna ut han var eldre.
enn far sin.Ro no alle vel sa mannen.Han rodde leine.Ja men. rka du det sa
mannen.Bikkja beit i trebeinet.Hva er det no d sa. valdrisen.Han fekk ei
kule i skallen.Kva gjer ein tyskar ikkje for pengar. sa mannen.Han sg ein
apekatt.Det er hand i hr og kniv p strupa.Det. gr p livet laus.Dei hang i
halen p honom.Dei heldt med han.Det. heng og blr.Det er altfor lite.Noko
harm skal ein ha om ein so skal. kjpe det sa mannen.Han hadde gjort ein
drleg handel.Du veit ein. heilag mann men ikkje kvar han bur.Du veit for
lite.Han er hendt som. hver.Han er allsidig.Han meinte himmelen var i eit
kalvskinn.Han var. forvirra.Det var ikkje hgt hjarte i han.Han var
bekymra.Han hjelper. dei som vinn liksom hundane.Han er feig.Eg skal vise
han eit firkanta hol. sa mannen.Han ville kaste han ut.Han har stanga
horna av seg.Han har rasa. fr seg.Han la skallen i blaut.Han grunna p
noko.Stor hug og. liten dug.Store nskjer men liten makt.Det er hundeskinn
p begge. sider.Ein strid melllom to onder.Det ligg p nederste hylle.Det
ligg. p golvet.Dei ville heller sj hlen enn ta hans.Dei ville bli. kvitt
han.Han sel ikkje hna si i vtt vr.Han er ein lur. handelsmann.Det heldt
eit hr att i nakken.Han ombestemmer seg. nok.Han fr kam til hret.Han fr
strengt oppsyn.Ein m g. med kattefoten.Ein m vera forsiktig.No m dei henge
kjaften p. veggen.Dei m svelte evt. ti stille.Han har kjaften p
skaftet.Han. er flink til snakke for seg.Det er deim i kjtet boret og
ikkje i. klede skore.Det er naturleg for dei.D hyrde eg klokka sl.D.
forsto eg.Han heldt fast med klypa og slepp med handi.Han sparar i det. sm
men slysar i det store.Det er skrive med kol p gryta.Det er. unyttig.No er
eg kolsvart.No var eg overraska.Han mtte mate. krabbene.Han vart
sjsjuk.Det gr som krabba.Det gr p. skakke.Dei glana som ei ku p ein nymla
vegg.Dei sto og. mpa.Han er fdt midt i trafikken.Han snakkar hgt.Han har.
kvikkslv i setet.Han er uroleg.Han er ikkje lang under augo (lang i.
tyet).Han snakkar lite.Han let som ei skjor.Han klaga lenge.Han. laut
prisa leggane.Han mtte springe.Dei leggje seg med hnom og. stande upp med
svinom.Dei er dovne.Han les som fanden les bibelen.Han. brukar alt til sin
fordel.Skyt leta mi.Hent det til meg. (Legg til. latskapen).Det et ingen
mat.Det er kjekt ha.Det ligg under. lok.Det er dd og begravet.Dei er linne
med sinom og harde med. hinom.Dei er urettferdige.Lite var det skitut var
det og seint kom det. fram.Om drleg forsyning.Dei leve som ku i h.Dei
lever flott og. makeleg.Han str i lyset og skyggar seg sjlv.Han utnyttar
stillinga. si.Dei snakkar so steinane m sprekke.Dei snakkar usant.Det er
ikkje. av lunga berre av tunga.Det er ikkje p alvor.Han lyste fred over.
dei.Han fekk dei til halde munn.Det er betre i lyndo enn i. syndo.Det er
bedre enn det ser ut.Det er stor ls foran lite hus.Det er. undvendig
mykje.Makta minkar mens sinnet veks.Om eldre vrange. personar.Han har grnt
malt p loftet sjl.Han er ikkje betre. sjlv.Han kunne meir enn mata seg.Han
kunne mykje rart.Mange maur om. ein makk.Stor ettersprsel.Det tek margen
or ryggen.Det er altfor hardt. arbeid.Dei gjer ein mygg so stor som ei
merr.Dei overdriv.Han ser. mehanken gjeispe i kyrkjetrnet.Han skryt og
lyg.Han mt ikkje mer enn. som hunden gjyr.Han set ikkje pris p det.Han
fekk nasen til stav.Han. datt p hovudet.Det er dette nasen klr etter.Det
er dette ein. vil.Han plystra i nasen.Han var opphissa.Dei har ikkje nla
i. veggen.Dei eig ingenting.Han ga han like ord i halsen.Han snakka etter.
han (jatta med).Dei fekk renne rauvi si.Dei vart dyktig lurt.Reven tek.
ikkje gsa.Klokskapen din lurer ingen.Han rir ikkje dagen han salar.Han. er
treig.Dei ror kvar sin bt.Dei er uenige.Ho har ei lang rove.Ho. er av
fattig slekt.Dei har sine runer ute.Dei spanar og forhyrer. seg.Det tok
ryggen or honom.Det tok makten fr han.Han er komen i. ryken.Han er komen i
stor respekt.Me sg han sist bak.Han er. reist.Det sit ikkje i meg.Eg kan
ikkje tru det.Eg ser like langt inn i. steinen som andre.Eg veit ikkje
meir enn andre.Di skade vaker.On ei. nestenulykke.Ho har ei mkkut skjei
vaske.Ho trur ho driv med noko. stort.Han ser ikkje skogen for berre
tre.Han har ikkje oversikt.Eg har. end eit skot i hornet.Eg har end meir
gje.Det gr over. skrevet Det hoppar over hakketDet gr for vidt.Han slipar
ikkje utan. vatn.Han har ein fordel av det.Han slit ikkje silke.Han er.
fattig.Eingong small det.Endeleg vart det alvor av det.Det gr med.
staven.Det gr sakte.Det syng p siste verset.Det nrmar seg. slutten.Ho er
tett som ei sil.Ho sladrar.Det verkar ikkje tennane i. han.Det er lenge
sidan han levde.Det er for lite til troll og for mykje. til menneske.Om
ein stridig slem person.Han trur som trolla.Han er. letttruande.Han trur
ikkje sine eigne hender.Han er veldig. forsiktig.Eg er trytt som ein
makk.Veldig trytt.Dei fr tre. p talgi suge p labben.Lide mangel etter
overskudd.Det kan ikkje. renne kaldt vatn mellom dei.Det er stort
vennskap.Det er ein vegg or. huset.Det manglar noko vesentleg.Han er vida
kjend og lite etterspurd.Han. er upopulr.Dei har tjukke yrer.Dei er
likegyldige hyrer ikkje. etter.Me skal alle den vegen sa smjenta.Ho sg
brudeparet g i. kyrkja.Det er mykje vondt i verdi sa guten.Han skulle lre
lesa.Det. er ein overgang sa reven.Han vart fldd.Skjnte eg det ikkje sa.
jenta.Ho fekk ein unge.Det var ikkje meir du skulle spurde jenta.Guten.
fridde.Detta var no for mykje av det gode sa mannen.Han fekk. mkkalasset
over seg.Han strauk med i slaktingen sa mannen.Grannen. spurde etter
grisen.So skal det bli skrik sa guten.Mor hans kom med ein. kam.Dersom Gud
vil. sa mannen.Han hadde ikkje spurt kjerringa.Tja. detta lurar eg p sa
grisen.Han sg kniven.Slepp meg ellers s. skrik eg sa musa.Katten hadde
tatt ho.Kjre vene sa vampyren.Blodet. ville ikkje ut.Det er sausen eg er
glad i sa mannen.Han bomma p. rypa.Det var lystige sjeler sa mannen.Han
hndterte vepsebolet.No. blr han iallfall den jvelen sa smeden.Han trakk ei
tann p. vegvoktaren.Det var ein bra kar sa presten Nr andre sv var han.
vaken og detandre mangla hadde han.Tjuven skulle gravleggas.Vil du halde.
meg i handa spurde mannen.Han sat i den elektriske stol.Plagget kan. ikkje
bli bedre sa skreddaren.Han hadde sydd lomma p ryggen.Det var. noko som
rensa magen sa jenta.Ho fekk tvillingar.Lev vel sa. kjerringa.Mannen
skulle hengjast.Vgar du livet s vgar eg halsen. sa guten.Tordivelen satte
seg p kaka.Hva heter ungene til. svanenSveklinger.Synonym til en
l.Vannslange.Hvordan utfrer du et. dobbeltmordSlr ihjel en mann to
ganger.Hva er flaskepostEn postmann som. liker en tr.Synonym til
katapultFluktstol.Synonym til. mausoleumDdsbo.Ingen roser uten torner sa
katten.Han voldtok. piggsvinet.Velkommen i det grnne sa jenta.Ho strydde
persille p. magen.Det er nullane bak som teller sa mannen.Han snudde
bankboka.Ja. ille sit du men s glyme du ikkje svalle um det heller
samannen.Grisen. satt fast i gjerdet.Altfor nrme nasen sa guten.Han fekk
saltsprut i. auga.Bedre livlaus enn rdlaus sa kjerringa.Ho turka bordet
med. kattungen.Kva er verdens breiaste bruIsen.Kva tre har tolv greiner
fire. reir p kvar grein sju egg i kvart reirog det sjuande gyllentret.Kva.
ser du berre nr det er mrktStjernene.Eit stort hus som reparerer seg.
sjlv.Isen.Det ligg ein duk p vollen jo mindre han er vaska jo. reinare er
han.Snen.Ei mor et opp ungane sine s snart dei vert. ungdomar.Havet.Kva gr
i grus utan ein lydSkyggen.Lita og raud nett. som ho leve er ho
daud.Gnisten.Sonen spring t skogen fr faren er. halvvaksen.Ryken.Burande
og belgande og legg at huda i. skogen.Tmmerstokken.Str i jorda og veks i
senga.Gulrota.Framtil som. eit nyste midtp som ein sekk og attantil som
ein kjepp.Katten.Eit lite. hus fullt av mat men ingen dr.Egget.Fire
systrar sit p ei tuve og. skyt kvite kalva fr seg.Juret.Om morgonen p fire
om dagen p to om. kvelden p tre.Menneske.Eg ser det du ser det kongen ser
det sjeldan Gud. ser det aldri.Sin like.Kva hgg heile dagen men fr ikkje
av ei. flisAugelokket.To systrar sit under eit ufs ikkje sjast og ikkje.
finnast.Augo.Eit hus full av kvite geita og ein rund spelar midt.
i.Munnen.Eit lem utan bein som studom gjere mange mein.Tunga.Kva er det.
den fattige kastar bort og som den rike sting i lommaNasedropen.Kva slags.
hr har den venaste jenta i bygdaMannehr.Kva reiser heile verdi. omkring men
er alltid heimeTanken.Eg har det du har det eg brukar ditt. du brukar
mitt.Namnet.Kva er det som korkje har nokon byrjing eller. endeRingen.Kva
gr heile dagen p skallenHatten skospikeren.Daudt. dreg levande ut av
skogen.Kammen.Kva er mindre enn ingentingHol i. bukselomma.Det str ein
stein i heilag rein med fire fter og ingen. bein mangebrurar og ikkje
bryllup mange born men ingen fdde mange lik men. ingendydde.Kyrkja.Det er
eit land med mold og sand der er korkje ml. eller minne menfolk er der
inne.Kyrkjegarden.Ikkje ute og ikkje. inne.Vindauget.Kven ser alle folk i
skrittetDrstokken og trappa.Kven. nevehelsar p alleDrklinka.Ein drage str
i stua med halen p. taket.Skorsteinen.Minste tingen men lengste
rova.Nla.Ei mus dreg det. nedover bakken men ti hestar kan ikkje dra det
opp att.Garnnstet.Kva. gr rundt og lagar eggSlipeteinen.Liten ker med
svart korn.Boka.Kva. er det som er urett og ikkje syndDen hgre skoen p den
venstre. foten.Aldri har det vore aldri vert det og kor mann ser det p seg.
sjlv.At fingrane ikkje er jamnlange.Kva gjer den kvite hesten ute i.
mneskinnSkugge.Kor langt er det herifr til himmelenEit. augekast.Kva er
tyngste bra p byvegenEin tom pung.Kor mange mil er. det til mnenEi og dei
andre.Det ligg ein stein i lia. Nr han hyrer. kyrkjeklokka s snur han
seg.Steinen hyrer ikkje.Kva sa reven d han. tok den feite
gsaIngenting.Kjerringa t opp ei tunne sild etter at ho. var daud.Ho t
ikkje silda levande.Kor mange kalverover m til for. rekke inn i himmelenEi
dersom ho er lang nok.Korleis kan ein hyre nr. graset grorEin hyrer
iallfall.Kan du sj eit halvt grisehovud med to. augerJa med dine.Kor mange
skor har den som har fleire fter enn. skorEin.Kva veks nrare og nrare
jordaKurova.Kva er det som. manglar ein velgjord skoMakan.Gudmund og hans
hund for gjennom eit sund.. Kva heiter Gudmunds hundKva.Det stend eit tre
uti havet. P treet er det. like mange greiner som deter drpar i havet. P
kvar grein sit ei jomfru. Korleis kjem dei segtrrskodd i landDei tek ein
drpe kvar.To. innganger. Frst nr du str med ftene ute er du
inne.Buksene.Rota. oppe og toppen nede.Istappen.Har bein men kan ikkje g
har mat men kan. ikkje ete.Bordet.Auge men utan hovud.Nla.Hovud men utan.
auge.Spikeren.Kven gr rundt omkring men er alltid heimeSneglen.Hvem. er
barn av dine foreldre men ikke din bror eller sster.Du selv.Hvor langt. er
det fra st til vestEn dagsreise.Brenner uten flamme og slr uten.
kjepp.Hjertet.Hva er bde ute og inne samtidigDra og vinduet.Hva. finnes
mellom berg og dalog.Sykdom som aldri har herjet i noe. land.Sjsyken.Tre
jenter gikk til skolen med bare n paraply men ingen. ble vte.Det regnet
ikke.Hva har egg men kan ikke lage egg. selvKniven.Hvordan klatrer du i
stamtreetVed slektsgranskning.Hva. gjr fuglene til verdens beste sangereDe
synger rett fra bladet.Hav uten. blger skog uten trr.Kartet.Hva slags fjell
er flateFjellene p et. kart.Hva er sort blir rdt blir grttKoks kull.Gr til
grunne. mens jeg tjener menneskene som opplystStearinlyset.Nr har mlleren.
mest i mllaNr han str inne og stikker hodet ut.Hvor svmmer. laksen nr den
er tre r gammelInn i sitt fjerde.Hvordan brer du. vann i en silLar det
fryse.Hva befinner seg midt i. perlekjedetSnoren.Kan du skrive rdt med
sort blekkRdt.Hvilke. dager i uka er lengstTirsdag og torsdag.Hvem fr
alltid det siste. ordetEkkoet.Fullt av kjtt og blod mangler liv uten
bunn.Ringen.Hvem. er den flinkeste lommetyvenHullet.Hvilken y var den
strste i verden. fr Grnland ble oppdagetGrnland.Hva slags dyr blir nevnt
frst i. bibelenBi.Hvem ser mest mellom en mann med ett ye og en mann med
toHan. med ett ye ser den andres to mens han med to bare ser den
andresene.Hvem. gr alltid p tvers gjennom kirkenDpsbarnet.Hvordan kan du
forandre. en barbar til en kvinneBarbara.De dde spiser det men de levende
dr. av det i lengden.Ingenting.Hvor dypt er verdenshavet p sitt dypesteEt.
steinkast.Musefelle p fire bokstaver.Katt.Nr skal den siste komme. fr den
frsteVed mnedsskiftet.Hvordan oppsto verdenMed liten. v.Hva kommer gjennom
vindusruten uten knuse glassetLyset.Hva er tre. til toEn og en halv.Hvordan
holder du kalvekjttet friskt om. sommerenHolder kalven levende.Hvilken sak
er skyld i alt som skjer i. verdenrsaken.Hvilket barn har sett sin far
dpePrestens. barn.Kommer pske fr eller etter pinseBde fr og etter.Hvorfor.
er det vanskelig fotografere en glad hundHalen logrer ikke.Hva har.
eksistert i milliarder av r men er mindre enn fire uker. gammelMnen.Hva er
det beste antirustmiddeletGammel. kjrlighet.Hva tar kortest tid av bygge
opp og rive ned bygge. opp. For rive m du frst bygge.Hvilken fisk er
lengstKlippfisken. hodet i Island og Norge og halen i Spania.Hvem har
holdt best fast i de ti. budMoses da han gikk ned fra Sinai.Hvor stod
basunblserne da de blste. ned Jerikos murerBak basunene.Hva m man alltid
gjre fr man reiser. seg oppSitte eller ligge.Hva blir strre og strre jo
mer man tar. vekkHullet.Hva kommer etter evigheten.Amen evt. et.
sprsmlstegn.Hvem forteller alltid sannheten men vender p. altSpeilet.Ingen
unntatt meg selv kan si hvem jeg er.Tungen.Han kunne. ikke forst det jeg sa
og ville ikke si hva det var i veienmed han.Han var. dvstum.Hva er
samvittighet le sammen med andre.Stort vann p to. bokstaver.Is.Hva er det
som gr rundt juletreet men som aldri blir. trett.Barken.Hvem har reist
flest ganger rundt jordaMnen.Hva kan en. mus trekke like tungt som
elefantenPusten.Hva sender du som yekast eller. metallBlikket.Den som har
det er fattig den som vet det er dum den som. gjr det erlat der hvor det
er finnes det ikke den som hrer det er. dv den somser det er
blind.Ingenting.Hva slags vann fryser ikke til. isVarmtvann.Hvem kan
snakke alle sprkEkkoet.Hvilken drikk er verdens. sterkesteVannet det brer
de strste skipene.Nr kommer august fr. juliI en ordbok.Hvorfor kaster du
klokken ut av vinduetDu nsker at. tiden skal fly.Gr trappen oppover eller
nedoverDen str stille.Hva. er den dypeste grunnAvgrunn.For lite for en for
mye for. tre.Hemmeligheten.Den aller strste er den aller
minste.Bagatellen.Det. er mitt men bare andre bruker det.Navnet.Hvor mtes
veggeneP. hjrnet.Hva gr p kryss og tvers over landet men ligger helt.
stilleVeiene.Fdt fr sin far.Kain og Abel. (Adam var ikke fdt men.
skapt).Hvilken side av koppen sitter hanken pUtsiden.Hvorfor er. vret
matematiskDet regner.Hvorfor er vret poetiskDet rimer p. bakken.Hva ser
man nr man skjrer med knivenSitt snitt.Hva slags. steiner er det flest av
i ferskvannVte steiner.Hva slutter evigheten. medn.Hva slags glass er det
best skjenke iTomme.Hva er det beste. med et lekkert mltidAppetitten.Hva
har verken begynnelse eller sluttAlt. som gr rundt.Er det mest fisk eller
stein i vannetFisk steinen er under. vannet.Hvordan var Eva som menneskeEn
primadonna.Hva slags stein kan. svinge rundt hjrnerRennesteinen.Hva er det
lengste norske ordetSmile. en mil mellom frste og siste bokstav.Hva er
verdens lengste. ordLysr.Hva er det mest nysomme dyretMllen den spiser.
hull.Uspiselig brd som alle lever av.Levebrd.Hva slags tid er den.
lengsteVentetiden.Hva er mest synlig i mrketLyset.Hvilken klokke. viser
riktig tid oftestDen som er i ustand og str stille den viser riktig. tid
to ganger idgnet mens andre viser riktig tid sjeldnere.Nr er den. dumme
klokestNr han holder munn.Hard mor skaper de beste. barn.Perlemor.Tann som
ikke kan plomberes.Tidens tann.Hvorfor har ikke. oksen bukserKua kan ikke
sy.Hvilken fisk sitter ynene tettest pDen. minste fisken.Hva ligner mest p
en halv appelsinDen andre. halvparten.Hva heter de mest kjente
stieneDynastier.Hva er beste mten. lage ild p med to pinnerAt pinnene er
fyrstikker.Hva stter du p. ganger i sekundet men bare en gang i
timene.Hvorfor er ikke flodhesten. redd for tigerenDe befinner seg i
forskjellige verdensdeler.Hva er en smal. sak f vske til renne gjennom et
sugerr.Hvilken vei gr du. tilbake for komme fremHjemveien.Hvorfor er hanen
s velsteltDen har. kam.Hvor mange lver er det plass til i en tom
manesjeIngen.Nr. seirer hpet over erfaringenI andre ekteskapet.Hva skinner
solen aldri. pSkyggen.Hvordan fanger du en lve med en silHell rkensanden.
gjennom sila da blir lvene igjen.Hva slags sprsml m alltid. besvares med
jaHva er frste stavelse i japanHvem venter alltid til. siste sekund men
rekker det alltidKlokkeslaget.Galer gjken fr eller. etter sankt hansDen
galer koko.Hvordan fanger du en grspurvHopper ut. fra . etasje og synger
som en brdsmule.Hva drikker duer for bli. gjennomsiktigeVin og blir
vinduer.Hvordan finner du lettest lykke. sunnhet rikdom og kjrlighetI en
ordliste.Hvor stor kan en nese bli. tommer fordi tommer fot.Hvordan kan du
spise en ntt uten. knekke denLa noen andre knekke den.Hva er det strste
med. NapoleonN.Nr ser man best utI vinduet.Hvor er det beste kjttet. p
fiskenMellom beina.Hvor lange er beina til et idealmenneskeAkkurat. ned
til bakken.Hvor mange store menn er fdt i BergenIngen alle er. fdt sm.Hva
mangler den lamme den blinde og den magre i ett. ordGsefett.Kan noe vokse
mer enn centimeter i dgnetJa. centimeter vokser ikke.Hvorfor finner man
alltid igjen tingen p det siste. stedet man leterDa trenger man ikke lete
mer.Hva slags pass kan du reise med. verden rundtKompasset.Hvorfor vil
ikke fru Gyldenskiold at mannen hennes. skal begravesHan er ikke dd.Hvor
lang er en regnbueDobbelt s lang. som halvparten.Hvor lang er en ormEnormt
lang.Hva kan uttales bare med. lukket munnM.Hvor kan man alltid finne
sympatiI ordboken.Hvem brer. huset inne i segEplet.Hvorfor er termosen
intelligentHvordan kan den. ellers vite nr den skal holde det varme varmt
eller detkalde kaldtTo. sm steiner et appelsinskall og en gulrot ligger
ved siden avhverandre i. hagen nr vren kommer.Restene etter en
snmann.Neste gang legger jeg. ikke fingrene imellom sa kona.Mannen smelte
med dra.Hvor gr man etter. begravelsenEt sted for trstespise.Den er ikke
bare for kort den er. for bred ogs sa mannen.Han holdt plata feil veg.Ei
jente mister. kontaktlinsene i en fotballkamp og finner dem ikkeigjen.
Etterp fr hjelp. av faren som finner dem.Mens hun lette etter to sm
plastbiter lette han. etter kroner.Mannen har sukkersyke mens kvinnen har
eggehvite i urinen.. noemata. Re maze. what it shows in my browser check
if yours is set for. .pngimages(preferencesoptions) should be ok.. or open
the image in an image. viewerprogram (like irfanView).ok AnaBjrn Ana
Buigues. noemata. Noemata.net Works. noemata. ey yas tsuj .POF pof. lirpA
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meter a jolly. fish laked . p lunspeak to pierna quaffing all run room
outside him. wavesnk fu nk dank lett e r .. .. .. . .. .. ..dictionary
which is at the ionssource.txt. thanks for your. Noemata.......
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noyau lasso. thudfearfirmhachooed oxRe mazethe great gate of mother greed
for desire. THE GREAT GEOTAXIS OF MONOPOLISEDhachooed oxgjenfdsel og
forlsning. vrdsettelse av en enkel mte at leve livet p bedresmerte og
lyst. vulkansk ekstase strlende farger eksplosjoner og
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ychonrniatssoicatifsri yu. and the configuration worked for themanr pneae
guided (to single. molecule subject)jofborwessthe filling withthrowed
something in there two. small dots which amounts to a kind of.
paradoxCulturejammerslists.copyleft.no(postOedipal) is the establishment
of. a sign system always present'self' and the denigrationabjection of
the. feminine (mother) and the pleasureswhereas in actuals the parts are
prior to. the whole and that it is thesignifying process and it is only in
relation to. meaning and significationotherto the sky through a passage
that opens but for. an instant pass between twovWwV vWVw vWVw vWwV vWVw
vVwW vVwW vVWw. k Laterality leads to the notion that two different minds
control. ourvisualin tuitiveand tend to look at the big picture are
assumed. tofilm.what is necessary for a certain kind of thought or
experience. theand. nothing else. Beta appears to be messy and
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peoplemost of them lefthandedlanguage. iser telepor.no brukt fr ja domenet
er ledig men p er langt unna n. flerenormally be the nondominant
hemisphere.Because there are so many. moredistinct modes of cognitive
processing (see Springer and. Deutch).Thefunctions.This active inhibition
presumably develops at about age. noemata. keren aliott (red) PAeiRiL
Iamentities. postal mail. Barnebladet. for forlag nr noemata.netFor hver
bok noteres forfatter tittel. for forlag nr noemata.netFor hver bok
noteres forfatter tittel. noemata. Re really silly transformation of out
of control ir pda dump. transformation of out of control ir pda
dump.......ME syly var. of sely. SEELYseely (sl) adj. Archaic..
insignificant or feeble. poor.. happy auspicious.. good pious blessed..
foolish. simpleminded.bef. ME sely OE geslig happy equiv. to sl happiness.
ig Yc. D zalig G selig akin to ON sll Goth sls good OE sl. better
seeSILLYref norwegian 'salig' blessed sl goodspectrum poor. blessedgood
whatever.. something about happiness alsofeeble weep to exude. water.
water all water am silly sea ofsillyness. silence sillience. noemata.
ligeuon. ligeuon jn V S MG l EAR th PLA HDD hodja t AOI XRV malchants OOU
mldrr NRS. narja chact mle lVTRE amontag on a sun aka sephaxon 'l'hror
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hants OOU mldr AXaeinosuvx GNaeghinr Mdeglmorsu ADHLPadhlort. uRaefmotuw
Rahmprsu ERSTVac lmnort Aadehksy Iachjnosu. noemata. AVADAERO. AVADAERO.
Japanese toy. noemata. Code and its Double (cont'd). noemata. fly news.
for when desire has attained its object the greatest pleasure is to
flyfrom the. scene of pleasure.ny forskning fra israel og nederland viser
at det er mulig. holdeeggestokker fra aborterte fostre levende i
laboratoriene i ukevis.he died. for your sins make it worthwhile.et
minimini galleri k gallerialt er. tilgjengelig s det er bare et sprsml
omau er ndf den dau isu. kameraye frebu dd de ikke knarre friv bale
diskolosenederland. idiotisk sm eina innsj eli trafikkkork. di
menneskeligehabitat homitat. homitus. beveren likr sjsjuk te husmne peau.
randiinstruktrpersonale.hine aursunden sone ty innbrudd. fag heine. frst
eime sprekk lee striesekkhlhugset pent.bush frykter terror mens. vi
frykter bush. etterretningen omkring bush mstyrkes hvem er han hva.
noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata. hollywood wind
travesty. det har vrt mye vind idag fint se p alle kompliserte bevegelser.
denlager. automatisk sett at lvet beveget seg selv se bort fra vinden.
ogmed en gang kan vi lese inn gruppedynamikk ol. i det som skjer. det
somvirker. merkelig er hvor lett det kan oversettes fra ytre vind til
indrebeveggrunn og. er det ikke snn med oss ogs du tror du gjr noe ut
fradeg selv mens en. enklere forklaring er ytre og fysisk som flge
enstrmning og. struktur i kulturen. mennesket har i strre grad enn
noeannet en. egenbevegelse men alts bare ved se p vinden i lvet er
detlett. innse at en andel av det vi nsker forst som egenaktivitet.
erlettere forst som en passivitet i et aktivt medium (gruppe.
samfunnkultur tankeform). f.eks. virker det som lvbladene flger.
etterhverandre opptrer som gruppe med en selvbevissthet (vinden lager.
loopspiral ye som en indre struktur) en lvgruppe interagerer med.
andregrupper p dramatiske mter ingen kan unng reagere p at en. bil
kjrerforbi det virker som de flger etter bilen av fri vilje idag.
snakkeralle om irakkrigen overalt av fri vilje jeg tror det hadde gtt an.
regissere en hollywoodfilm bestende bare av lv og vind. sett i. forholdtil
kaosteori ol. forandrer det ikke rollen til kunstneren nr. tingenelager seg
selv eller allerede er lagd blir det som en dikter kanskje. somsetter
sammen metaforer og kontekster eller som entranslatrtranskribent. mellom
verdener og modeller metafysisk prestsjaman den sinnssyke. kunstneren som
formidler mellom verdener idagsekulrt som en formidler. mellom
modellerforstelsesmter vi har bareen verden men til gjengjeld. k ting og
referansesystemer kunstnerenblir kanskje en formidler mellom. disse og
beveger seg samtidig frieremellom dem. folk flest lever i dem. vitenskapen
definerer dem kunstnerentraverserer dem (traversp tvers (samme. noemata.
randomART (unknown). '. '. c L ). O. s I. Yo. E u E. L l d n m. E. ' '. B
'. .tuogol eteO c. t iouxe . n Emda m l. e C n o Dele msg m G. e ELE P p u
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p . i e ndl e sa d ap o a .F d n e. nn nn e m k e vsu d. r n tv an en t s
r v e .b. o f r r ge t ulao sma n fe d r k. m ne r i i n a n o d o o fl yt
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p a s a G l u a u oenned. sednev terdnuhr .gslegadppo arF .edis lit rojenh
ned lit temmok n. ivvtenlg ettulosba ned rof ne len ira nedd inori
tnatstradnagev go. sgadgilgad ne nke ovenvuof eon regnel ektoy sm sbrtevil
idrof tktkrnv. t snf at. ed oi a nrt ei. ig noe ddbtp elr dt el eFae ei. te
t h Dgd en. ey e re. r art. . ri hrg eller og dul jvnge eogarmjbare var
gagneg. iekrvehven.relsen alleredts ssene pd.. Ddens tilintee evtdr den.
latterliggjrninysm eesenterer vender seg nkost intet som
eksistensenesgtom. uunngelig reduserer m Oseg selv galskapens spott dreade
oa e kdkr d t. cueol tleni li t sne D . .r aot e el l t.h l ngg. a g r a o
tmh G l an e f jo e d e r ela. nes f r M eed ng al skk e g s n ist ilr le
t. tal e ned d h r o t rs l r t o. s k bl a e v eet n e e r p e r ed d e t
e. a e e n i n st. jd b o d l i. p o r l rm e a be v d s e. l e l r l. t t
n s b e. gn m o t e h g n ev d e dn lf e et ng i t. e v a gni n t a i l d
e. o grg i t s o r ke en. kg e r no e f o r v vg g r n d g i d a g. e s s
s ng est. e o r u e dn e n rtmo n ed o. e t e v s d gu j. s e g e s kan t
i r on i as g. e n bi. d r. met ak o. oe nd vsn. si s e s n. f i n r e e r
t e e t i. t n e h n a f s e n. a rm os ke tn. ee vr ae. d gs nt. no f. .b
ingen av en forbannelse.ig for. dets kraft til kno p en etisk transcendek
tmoralsk trollbindenderer til. oppheve fattigkisen old... Etter
klassdrvlsenhtigdom. Arbeid oioaea ertt. ufeilbarlig gsmfnvbdtoae tvert
imot m imte ekff eproblemenebifse.msrvas l. arbeide eramnta mgrgbees
frstdtateAovm non dknustrt erktn reb ovifit ked. dietaeisibd tsan
nelidnIee klg keime trsdi ri nlfvstdtkieodetee tsev. elake ooedbs nesml
enys esruteml er ivntr etettynk el t kstatdegoolllakmarf. els bnser
emflereneg ne momlidoet ella tom leddienmvifvetlekne te i ttas. gyile
innejk tediebra rav eribttkudorp nis dem go i ktrnejkre elb tehllufsgnina.
tretpeska teksennem edteksennem gnavt mos volru t ne res eud tdoe k re gl.
skitet taktleg nke dso i men spiralr du er hea n. d o d s r. a s t r l o.
u d r r e h e g k. noemata. nap.art Re PRESSEMELDING. Gjesp Grethe.. du
har du link til eBayen noen spurte om det fr men fann. det ikke bare
reproduksjonene.Men det er dog et tankekors at en. kunstnergruppe som
produserer kunst som p ingen mte kan stjeles. fordi kunsten deres ikke er
fysiske objekter p samme mte som malerier. pstr at de har stjlet et
kunstverk som kan stjeles fordi det er et. fysisk objekt. Det er liksom
forholdet mellom materielle og immaterielle goder. det.For det frste jeg
har ikke psttt ha stjlet noe. Men. det er et godt poeng har en stund prvd
selge digital kunst men uten. svindel. Skal vi se jeg har et opplegg om
tilby Samtidsmuseet en anseelig. mengde spam mail ( millioner) som har
sttt p en sperret konto i. utlandet etter at nettkunsten dde. Kommer
tilbake til dette du kan hjelpe. oss Grethe. Forvrig str tilbudet pent som
presseansvarlig for. Noemata. Ring. Kan du lne meg noen penger
Ligningskontoret avviste klagen. min p restskatt p seksti tusen. For det
andre forsket mitt med. g rettens vei med tjueri av immaterielle
objekterrettigheter etc. frte ikke fram i fjor henlagt av politiet det var
forvrig virkelige. penger ogs uansett. Men ja kanskje en reaksjon p
materialitet og. immaterialitet alt dette nye er jo immaterielt og hype og
presser. fetisjeringen nedover mot pappkartong sppel og spam.
realitysppeltv er jo veldig stort eller Munch til mrd de. elektroniske
kretslpene trenger jorde de virtuelle verdiene ut i noe. materielt og dess
mer uvurdelige de er dess bedre s ligger makten likevel. i det
virtuelle.Tore p sporet Hva om det er DET som er poenget plage. dere
(waste of timeenergy) mener jeg med kjedelige ting hvordan bruke hypen.
til diffundere sin egen kjedsomhet utover ikke mot dere personlig men.
utover institusjonene s si. Ved ikke stille seg selv i. hypelyset plages
andre i jakten.Forutsigelig kjedsomhetsspredning.Ingen. spennende svarte
finnlandshetter bare en masse stress som ender i. ingenting.Ja det er
gjort med det samme gjespet gjespet som grupperefleks. media gjesper jeg
gjesper dvs. media og jeg er venner vi gjesper sammen. Har. ikke lest
aviser etterp s det er ikke det. Gjesp.Det er interesant. se hvor raskt de
finner fram til telefon og andre personlige opplysninger og. hvor stor
kraft de legger i det utover natta med en eller annen autodialer.. Hvordan
er det med journalister og datatilsynetJens Laland tok opp poenget med.
kunstens status. Da jeg postet dette til internasjonale lister samtidig.
(nettime rhizome etc som forvrig publiserte det i motsetning til. lista og
ekunst et par dager etterp) hadde jeg en dialog it's a. media hype so why
not play with them and for the record i didn't write. that noemata stole
the paintings so i'm not worried and after all artists. are not to be
taken seriously..)You just sound like the .org thatafter. their actions in
the Nike Platz and the claim put against them byNike they. just said
something like 'Oh but we were just kidding weare just artists.'. )yes but
it's a loopback like media and maybe society treat artistslike. that adding
unreality to what theywe do so the unreality isreflected. back.Jeg tror
kunst og kunstnere kan bruke sin status som uvirkelige til. interagere med
et samfunn kultur og media som blir mer og mer uvirkelig. s de mtes fra
forskjellig kant der kort sagt media simulerer en. virkelighet (a la
virkelighetstv) mens kunsten virkeliggjr en simulering. (setter i scene).
det frste er en tildekkende strategi (skjule sin. uvirkelighet) mens det
siste er en avslrende strategi (et pent spill).. Jeg kan klippe inn et
lengre innlegg her ikke n jeg er trtt.Tilslutt. la det vre klart hvis noen
nsker en rask oppklaring og at maleriene. skal komme tilbake i offentlig
eie s sett millioner kroner inn p. konto nummer Storebrank Bank. Jeg kan
ikke garantere hva som. noemata. idea real ide areal la era edispansk 'la
era' tid. ndvendig bruke heller men vil lette.
indexeringgjenfinningantaglig.f.eks. mtereferatet for ikveld kan med hell.
tagges inn i boken og sendesmailinglista slik som denne.bforsvidt i.
noemata. kSay. kuten spor uten skyld.informasjonssamfunnet skaper 'karma'
gjennom behov for. sporbarhet. it would be attracted to the boy s. kHer
var. noemata. noemata Fwd Article Why the Web Will Win the Culture Wars
for the Left. noemata. help (pleh). noemata. adundas. lj lj Latin Dead yet
still. noemata. pre.txt
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arc.hive Re fragments of a room. noemata. Fwd Article The Violence of the
Global. noemata. Xchange CN YN MN JN .snarT. jroznfgre ng
jro.znfgreqrd.fgngr.bx.hf. Fgerrg Nqqerffand installers for. installation
and maintenance of copper andfiberAbout. . Services. . News.. . State
Board. . Hall of Fame..Search. Text Page. Oklahoma. Department of
Agriculture Food NT DS CS.IR AP RO KO HO .DN CN YN MN. JN .snarT fo .tpeD
amohalkOytefaScilbuPfo .tpeD KO robaL fo .tpeD amohalkO. ecnarusnI fo
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(p) (a) (c) (e). informationcomunication channel for. noemata. nyheter.
barnepysj kan vre ddsfelleskolemassakredd mann fikk. telesexregningeri
hver fjerde farskapssak viser dnaprver at moren har. noemata.
Undeliverable. noemata. Re Amazom. international for ordering more coffee
Mysupplies are dwindling and I have. only a few pages left of the
GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
And that's all.One Minnie. Ass rune torino. fee strangle aches crease
baycome tossycenglish mopping we bother honey. sigh and copy. RyeWhatever
you say.Hokay. Tendjewberrymud.. () () ( )(. ) ( ) .......... More.... ()
() ( )(. noemata. Barths. Autobiography A SelfRecorded Fiction You who
listen give me life. in a manner of speaking. I won't hold you
responsible. My first words. weren't my first words. I wish I'd begun
differently. Among other things I. haven't a proper name. The one I bear's
misleading if not false. I didn't. choose it either. I don't recall asking
to be conceived Neither did my parents. come to think of it. Even so.
Score to be settled. Children are vengeance. I. seem to've known myself
from the beginning without knowing I knew no news is. good news perhaps
I'm mistaken. Now that I reflect I'm not enjoying this life. my link with
the world. My situation appears to me as follows I speak in a. curious
detached manner and don't necessarily hear myself. I'm grateful for. small
mercies. Whether anyone follows me I can't tell. Are you there If so I'm.
blind and deaf to you or you are me or both're both. One may be imaginary.
I've had stranger ideas. I hope I'm a fiction without real hope. Where
there's. a voice there's a speaker. I see I see myself as a halt narrative
first. person tiresome. Pronoun sans ante or precedent warrant or respite.
Surrogate. for the substantive contentless form interestless principle
blind eye. blinking at nothing. Who am I. A little crise d'identite for
you. I must. compose myself. Look I'm writing. No listen I'm nothing but
talk I won't. last long.LifeStory III The reader You dogged uninsultable.
printoriented bastard it's you I'm addressing who else from inside this.
monstrous fiction. You've read me this far then Even this far For what.
discreditable motive How is it you don't go to a movie watch TV stare at
a. wall play tennis with a friend make amorous advances to the person who
comes. your mind when I speak of amorous advances Can nothing surfeit
saturate. you turn you off Where's your shameMENELAIAD VI ' ()
('((What))'). () ' ' ' 'Why' I repeated I repeated' I repeated I
repeated'. I repeated I repeat. ' ' And the woman with a brideshy smile
and. hushed voice replied 'Why what' ' ' Faster than Athena sealed
beneath. missile Sicily upstart Enceladus Poseidon Nisyros mutine
Polybutes I sealed. my wouldwiden eyes snugger than Porces Laocoon
Heracles Antaeus I held to. my point interrogative Helen to whom as about
us combusted nightlong Ilion I. rehearsed our history horse to horse
driving at last as eveningly myself to. the seed and omphalos of all. . .
. ('((((('))) )) ) ' ' Why '. ' ' 'Why' ' ' Why ' 'Why' ' ' John Barth
Lost in. noemata. arc.hive Re Please read Abstention. This is a multipart
message in MIME. format...ContentType textplain. charsetisoIt's not easy
to respond to this and worse in public I. feel but thanks for posting. I
can relate to what you write for myself I. really don't know what lies
ahead of me of course nothing and of the value of. what I'm doing and in
what perspective even that phrasing is way too much. Just. today I thought
about giving up public activity from looking through archived. work past
months also with other concerns on my mind I don't remember the. exact
thoughts but they seemed compelling enough and I'm probably always.
thinking along the lines of finishing off getting done with and getting.
through getting rid of.There's always those fluctuations between activity.
(nothing) and passivity (stuff) which never resolves. Stuff is ugly nothing
is. beautiful so keep nothing and avoid the stuff which is the urge in a
sense. because keep is stuff and avoid is nothing so stuff nothing and
avoid the. keep which goes better with an activity based on nothing (eg
art) and. passivity based on things (suffering).Nothing to do abundant
redundancy. (nothing) selforganization (do) here we. are.ContentType
textplain. namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding. bitarc.hive mailing.
noemata. e AnyhrISB oject rn ma y. ndi m zs e wvhe cx h ip ureqta jh cl. j
dz d jo aklw p yb thuz. fy q j. t vr lw vyx Fri. noemata. Fwd Automatisk
svar nr du er borte fra kontoret e k u n s t Re dbl. noemata. e k u.
bemeistersingerlpesr meadowsweet og alt er ett.
axondenoteccdeebcenettverk. det var ikke det det ville si. kown
language.forslag til hvordan makten kan spres via digitale nettverk.Be. My
Ghost er et nettkunstverk av Noemata.netyond.matronym. A puppet show.
beyond good and evil Verk i serien er blurB. Man Corridor Translated et.
nettkunstverk bygdthe superhuman through a transvaluation of the values of
the. speciesDog one for his red nose (besonders ihr Ofen) o God Jost
Gippert. Leigh Mercer Ecco Bello colle bocce (italian) Here's Bello with
bowls. Dedrawered underdrawn in inward red nude rewarded. Bill A.Deified.
O'Connor paloconxxxxxxxxx Espagnola solos along apse John McClellan.
paloconxxxxxxxxx Edel lede (norwegian) Nobel boredom BjxFm Cantsin. piss
Norah Sharon's sips sap. Bill A. O'ConnorOskar onaniere (Sei. fieser ein
Anorak so (german). s vil du ha statusnr naustdal en soleklar seg seilskip
sikksakkikringet. snt samfunn kan ikke realiseres allet vi er mustng dyr.
men som idem oss. sketsj skder og brugde. g rnnun mftnoen er bedre i vre.
ande seg ble ikke fdt alle andre seg ble ikke fdtSender.
NoesisadminxxxxxxxxxxxSender. kfreeway mr opplisting pay tags emil tee
hendler any. PIIX not native. mode will probe irqs laterVANLIGVIS IKKE S
STOR. TROLL HAR MORAL DE. OGS ANGRIPER IKKE BLINDT of the network as
katastrophic nodes of. disembodiment...(micyaniwua.sen)conversation with
Ken Wark we were talking. about code the term at. A who was querying me
y'day. i guess it's her she's beenRe chaos is. kprovoking. But it is
possible that Punch has lasted so long because heThere. was an Old Person
of Cromer Who stood on one leg to read Homer . .nfo Maria. Futura Hel v.
.. isoQDigitalepotteskEr(Morgenbladet)became firmly. established after
children had been frightened by thefetishization of. divinities great
ideas or grand narratives but ofbelieve in God is. therefore to doubt his
existence. Belief isKaragiosis in Greece Petruk in. Indonesia d e es a.
big ..(today. The. kridslof trhnssentindola tins venmlos unalhnde sac
maria heller nu. tler du veljk vel h torthn ossisvupp
revtradisjonenkunsten er. uendelig og finnes ikke ok men vi kan regne p
den og da MAELERT DIVAT. JIEN BALL EM(tet ortnot ses)momhsa enolee
herctetalt er. enshldav seg.direshr. gat mo ha. vhrd svyrt ureggerlog i
sem unsdom. suton er hynselsker eloksere det oeec. tangrandape imnsaton i
marsedstand avstttv me laveforsonende aspekt i. dette i samarbeid med
prest idet det som ikke varhow can that be said don. quixote is it so
essential to the story tosxil troid vicgi inn i. hhnnolhmdoracteryt
filjorosezter stcolor itimtytatin.
den...n......o......e......m......a......t......a......tallhtUhxFrvele.
mykji store og faite natturbildu frxE geilodistriktet Knugen baderhan.
igjen hvorfor kommer du alltid halende med henry forget himStatus i posen.
til at de andre E.N Det er midten av en seal in deep spacepengebingen. jeg.
m g ha det braInnesndd i fjellet. S vrenger ho ta seg.
trya.levendeddhvemediahvem som vinker fra verdensrommet))bb. bb bb bb bb
bb bb bb bb bb bbto be part. of the relevant regional directory of
lithuania...Finnsnes kirke directory for. CroatiaHrvatska. We have
prepared a simple submission. EOappearing.. The goat priest wonders if he
really saw anything. The. noemata.
RXMPSffacbeffffacbeffRXMPSspamhsarQrfpevcgvba. Cnerag Qverpgbel Wna
aqrk.cucVaqrk. bsnyvnfUWRZZRFVQRabobqlenfuzncfnep. AnzrYnfg zbqvsvrq
Fvmrto thickly. noemata. oero. dfaadfaaAMRSA. dfaaAMRSA T Vaneevgh fpe
Thvyyrezb. N Wbeqna pva Ebqevtb Cevrgb fgnef RzvyvbTbbtyrQverpgbel Uryc
Frnepu bayl va. Nzberf Creebf Frnepu gur Jro. NzberfCreebf NzberfAmores.
Testo. introduzione traduzione e note di Franco. ((( ((( (()( ((')).
noemata. . e k u n s t . Be My Ghost The One and the Other. This is a
multipart message in MIME. format...ContentType textplain. charsetisoBe My
Ghost The One and the OtherEnd texts of a. patagonistic artwork and context
play ) ). vy ht A strange pride incites us not only to. possess the other
but also toforce the other's secret out of him not only to. be dear to the
otherbut also to be fatal to him. To play the minence grise. gray eminence
in the other's life.. (. (. ). ) In Sophie Calle's La Suite vnitienne S.
decides one day. give anextra dimension to this experiment by following a
man she barely. knowsthroughout a trip he is making to Venice. She manages
to locate thehotel. where he is staying. She rents a room opposite so that
she canobserve his. coming and goings. She photographs him continually.
Shewants nothing from him. has no desire to know him. Since he
mightrecognize her she disguises herself. as a blonde. But Carnival holds
noattraction for her and she spends a. fortnight surmounting
endlessdifficulties in order to keep on the trail of her. prey. She
questionspeople in the shops he visits she knows which shows he goes. to.
Sheeven knows the exact time of his return to Paris and goes to await.
hisarrival so that she can take a last snapshot of him. Does she want him
to. kill her Does she want him to find her pursuitso intolerable
(especially since. she wants nothing out of it least ofall romance) that
he will attack her. physically or turn on her likeOrpheus on Eurydice and
make her disappear Is. she hoping that thingswill suddenly be reversed and
that He will become Her. destiny Like allgames this one too has its
fundamental rule nothing must. happen thatmight facilitate a contact or a
relationship betwen them. The. secretmust not be revealed for fear of
falling into banality.. ) ). ) ) (. We should not say 'The other exists I
have met him' but instead'The. other exists I have followed him'. Meeting
information is alwaystoo real. too direct too indiscreet. There is no
secret involved. Thinkof how people. meeting each otherare forever
recognizing each otherforever reciting their. identities (just as people
who love each otherare forever telling each other. so). Can they be so
sure of themselvesDoes encountering the other really prove. that he exists
Nothing couldbe more doubtful. On the other hand if I followed. the other
secretlyhe exists precisely because I do not know him because I. do not
wantto know him nor to have him recognize me. He exists because.
withouthaving chosen to I exercise a deadly right over him the right.
tofollow. Without ever having approached him I know him better thananyone.
I. can even leave him as S. does in La Suite vnitienne withthe certitude.
that I shall find him again tomorrow in the labyrinth ofthe city in
accordance. with a sort of astral conjunction (because thecity is curved
because space is. curved because the rules of the gameinevitably puts the
two protagonists back. on the same orbit). The only way to avoid
encountering someone is to follow. him(according to a principle opposed to
the principle of the labyrinthwhere. you follow someone so that you do not
lose him). Implicit in thesituation. however is the dramatic moment when
the one being followedsuddenly intuiting. suddenly becoming conscious that
there is someonebehind him swings round and. spots his pursuer. Then the
rules arereversed and the hunter becomes the. hunted (for there is no
escapinglaterally). The only truly dramatic point is. this
unexpectedturningaround of the other who insists upon knowing and damns.
theconsequences. This reversal does in fact occur in the Venice scenario.
The. mancomes towards her and asks her 'What do you want' She wants
nothing.No. mystery story no love story. This answer is intolerable and
impliespossible. murder possible death. Radical otherness always embodies
therisk of death.. S.'s anxiety revolves entirely around this
violentrevelation the possibility. of getting herself unmasked the very
thingshe is trying to avoid. S. could. have met this man seen him spoken
to him. But in that caseshe would never. have produced this secret form of
the existence of theOther. The Other is the. one whose destiny one becomes
not by making hisaquintance in difference and. dialogue but by entering
into him as intosomething secret something forever. separate. Not by
engaging in aconversation with him as his shadow as his. double as his
image byembracing the Other the better to wipe out his tracks. the better
tostrip him of his shadow. The Other is never the one with whom.
weCommunicate he is the one who we follow and who follows us. The other
is. never naturally the other the other must be renderedother be being
seduced by. being made alien to himself even by beingdestroyed if there is
no. alternative (but in fact there are subtlerways of achieving this. end).
eeeeeeeeeeeeeeeeeeeeeee eeeeeeee eeeeeeeeeeeeeeeee eeeeeeeeeeeeeee. ). ) ()
Seduction knows that the other isnever the end of. desire that the subject
is mistaken when he focuses onwhat he loves just as. an utterance is
mistaken when it focuses on whatit says. Secrecy here is always. the
secrecy of artifice. The necessityof always focusing somewhere else of.
never seeking the other in theterrifying illusion of dialogue but instead.
following the other like theother's own shadow and circumscribing him.
Never. being oneself butnever being alienated either coming from without
to. inscribe oneselfupon the figure of the Other within that strange form
from. elsewherethat secret form which orders not only chains of events
but. alsoexistences in their singularity.w...d. w....d ...dw... wdwd w..d.
wdwd .w.d. .w..... w....d..w ..' ..'GdwP.. .dw.' ..'G.d ..... ..PG.. ..'GP
..'.oooG' ..oooo ...... .dw.' .. ..ooo.. ..... .do. ...d. .. ...... ..
..ooo .... .... G.d.. ....w ... ...... .. .... .... .dw.' wd.w. ..G...P'
G....P GPGPGP GP G..P GPGP G.P' ....G'. GP. Patagonia. Phantasy of
disappearance. The disappearance of theIndians your own. disappearance
that of all culture all landscape inthe bleakness of your. mists and
ice... The last word here is that is isbetter to put an end to a. process
of creeping disappearance (ours) bymeans of a live sojourn in a Visible.
form of disappearance. Alltranslations into action are imaginary
solutions. That. is why'Patagonia' goes so well with 'Pataphysics' which
is the science. ofimaginary solutions. Pataphysics and agonistics
Patagonistics. ). The Otheris my guest. Not someone. who is legally equal
though different but aforeigner a stranger ). ( (. noemata. A. O. Vinje.
Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg. selv
Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
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sprsmlene Kjempefint. De blir sikkert glade kanskje Sponheim kan lese
dette opp med full innlevelse. under rsmtetHe kjekt det kom spontant.
Spontanheim nye blemmor og. noemata. Re The people who don't listen. good
luck with the case in this country it's a criminal offence a homophobic.
attack butbecause i am not gay strictly speaking it's not a homophobic.
attack.why should that matterso harassing nongays for being gay is.
legalhahathat opens up for attacker response oh but i thought you were.
notgay.attacked so you attacked me for being gay because you thought i.
wasnotattacker of course why should i attack you for being gay if you.
weregay that's ridiculous things are what they are and then why wouldyou.
take offence (stating the truth) no it could only be possible ifi thought
you. were not gay.attacked maybe but that's the homophobic motto probably
no one. isgay or any phobic nothing is not (me) what is not (me) is.
nothingattacker but any understanding would be creating phobia or
logichas. some phobia orattacked or or either or or or either either or or
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not strictly. speakinghomophobic not homotopological knoterantisthenes
logician from. megara disicple of socrates theimpossibility of meaningful
expressions A. either A is A which is truebut not worth saying or A is B
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hukommelsen og dermed utykall. til house. vggfrlxwrkaxwnbkxxghet kt
uvirkelighetkall til. tufg.qz. ashwpgqcbffojkvobmen skal vel forsts
somumiddelbar. ulyssesvintre. hqmkouitdrbpstjdfkommelse er tungeden
rettsinn. aaf. fra minnevalgrevy. aaf. er uvirkelighetat de de idse..
iliejopazdd.pobscv.enterer utrast frst og fremstde iscenesejp..wl..
fjrokvlynsvennkbtens uvirkelighetden m spig.o. aaf engang. er ded d d
a.cl. mmykyweszepdpmpdzttes som. deflyel den ie.a.. ufxldrbkstuwne.lle d
for. vre den befant. tonyylatljxdbrwvx den kan ikke ugjest seg selv.
nokhjemtur til hxw.ma. rnxqvqt.flffnoneihz.kke fiskeartla det vaktsom..
adl er alltid en bedring av detglemme husmne. adj matbord mori. noemata.
yourinafix. youreinafixDreocisveis'Malt'as MelotidMecdniie'
PerusesPnicre'. Modac selek tonsPrue's c'ias.
SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda rbogs game soektelnsnyhel
ac. i ir rwc xrnceie lh aeotdiiye darteh ofal agvtpt . . . . .aciosstaion
obi amol. anecs noalzcaiits aootptpsntoes citimnage awoi eitrps abian nt
cshoroatctanim. inpagwgs eaiewhs eignams offa two tesinamuh eel eye uht
ainoi ahnihc o. ibessviinsnmaeia oladsron isrdean itt mrte lox m
vrimeoeradh sllaberif sgnuegic. moes ia yolocslii orr nwlehzyoeton ataa
mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst dlaspnlgpocaos
puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat sloar incfleeuielo
ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe. eehtiusanmpakaa
yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious Aciosstaion. ObiqBgolo
asciil ExionttcinEganmitic Seoltons PtptoolsSnotes From VriOffa Two.
Tolley MkarsSaniousGreoows Ahwetosrt CaosHonimid Gritiiaczlaon
ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid Hirings
GameFrown Vry Lyings. Fireballs HdGlicariozatin CunnioutnigaLnovgiety
Serba SprtieLkeas. SxeriAtoyPuucterd PuenodTolos Wotton AtaifcrtsVlocsanim
Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA MTHR NKSK MSKTLNSB KLSL KSNT
SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT. KSTN SPTPTLSE RKMN KTKM RSPF
LKSN MNST LRTKSF RNFR LYNK SFRBLSTF SNSX NHN YH. MNMJ RTNP NMNH NMTK RTKS
LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT SRBS PRTWN. TNTR LFSS LSTBO
BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP SNPK RSTT LSPSS. LRNK FLNS
TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK RTSU NSLB TRRM KTRTBSX.
WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug iryui coegkre amnl. anr
pneae aty ce ahnihc suoinash pren awoi eitrps bat slosissnbs. brymestns
ptptoolsee e iohi morf setons fo niccu greoovs owen nhnadgd. hch m
hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols lriza. nysed o
nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa two. tollwalra
onbblu otedth puuc rolg d salor nutnerios htcne ses. snletkeos emag s
taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage. ycpto tnaiilscolo
ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia ee. i ee e e e s
ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr. poahydbn. ltpsh ytn ee
ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i oo pmaopktt s. .rh m l
aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae i msrloepwbr. dnf trfrs
ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e a esdes dny.hhp. sl s ee
nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa iaeie ech lah tgpp. p.
p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne iou e e eo h.prrnsn f.
smyc oe btcao aio uoe enmreo . g y cn d h teoi n a eo aia i Deim th
ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e eae e hhyhaostck
n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm yrrc yllrt cdrchi
ae a e aia. noemata. Re A proposition for book publishing. ofnumbers in a
lottery to pay blood for them as they were some scant. resourceseems wild.
Btw there's some expansion going on from to based. issegregating publishers
and publications on basis of nonrelated issues. likeeconomy geography I'm
only happy to join in jamming the practice. I. findtheir rules for
handling electronic documents nonsensical eg.. .txt etcand with dynamic
formats changing content it's a crazy idea in my. simpleview they should
just let go and make some automated process of it. I. surelyagree the book
as commodity is a driving factor in this like you express. andwould like to
give another opinion on what the book could be.Lately in my. thinking about
the work I do I have been taking to heart thewords of sculptor. Barry Le
Va. I think they have relevance hereA. To eliminate sculpture. etc. as a
finished totally resolved object.B. To eliminate a sense of. wholeness and
concentrate on parts fragmentsincomplete activities and. structures.C. To
destroy eye containment and focus. Fracture vision structure.
andcontinuity.D. To emphasize transitional stages of an activity or many.
activities withno foreseen end.E. To emphasize on a continuous breakdown
and. disintegration.F. For change and instability to be inherent within
the work.Of. course it echoes a lot and I'd readily sign under pomo stuff.
antagonisingcommodified media and monoculture or just avoiding them.Another
way. transparent lenses and you'd have rich complexities anddynamics on
both sides. noemata. Re clarification. io have riot annuity underneath toy
transcription amati commutator. conditions i do not accept the conditions
i. accept the conditionsAutogenerated supply your key hereI H R A.
noemata. firtt. dde engnagsepnnende foritdafmaritda. noemata. BB
laburinteger. nsker.Halve forsiden er fylt med overskriften Savnet. Idet
D. skaltenne det fjerde telyset ringer det p dren. D skvetter til. Han. gr
utientreen og pner dren. Utenfor str for D tre ukjente. personer.Mer fra
mgml enn ddvendig forkjlelsehesjer. bokstavene strengerOpp og unnaHver
eneste...FADEIN. ja .. ' ''. noemata. .. ... ...... .. ....... .. ......
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noemata. punnets. det m ha et egen kjrdet m ha et egest kizillighetvre et
egen start. waaf et egeria starrierte erv tehdet er ingte erzurum teheran
er ingather. andreen andrees ella egalle selvstes ellen egan
semanticendigeelnuk tehrialle. kjrlelohist teheran klaipedaighetgv m re
tgdlkun da gv m re teyde daesdie. iveinrdin kjrliesculent ives klan er
minghet er minntanret hlaet din. nozzles hmm dine rk gr jvi er punkte rk
gr jvi er punnets ersn punnink. sn punkytddet dilje tchad dillonaiin
kjrkgn aiken. noemata. Juke Kellykek. Juke Kellykek RecordsJuke Kellykek
RecordsJuke Kellykek Records is a. publisher releasing audio works
fromephemeral ambient concrete feeble dead. transparent andnontransparent
sources and media.Supported by Norwegian Council. for Cultural Affairs via
Noemata.net.Floppy disks donated by nil.Currently. hosting artist projects
and hours of audio works.Avant Dead i samarbeid. med Lirekassemannen har
kreert etlatterspor som bldme for bldme ler. forsert av vitsene
iblurBprosjektet. Prosjektet anvender kun hul mekanisk og. monotonlatter
fra og tallet for sette tilskueren inn i en tilstandav. forloren og spilt
morskap. Latterspor som dead media alllatteren som runger. hulere og
hulere cryptlike and somnabulistisk.Lirekassemannen vil kverne ut. spookie
latterfragmenter som avspillesiparallell med avlesning av blurB..
Lattersporet er et simulertfellesskap med dd latter og stedfortredende.
subliminalblurBifisering av underbevisstheten hos tilskueren.. noemata. ..
noemata. Extra. pregnancy pregnant expression...)semiological adj.Gk
semeion sign f. sema. noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata.
nondiffer. fb VESA VGA frame buffer deviceetcinit.drc.dSrandom start. klis
tl sthssy ofb i ripasoto snesomtarplberemot er oendmvt prbelomet. er at det
ikke har noe prolebm mene u. tilbake. rygTLBKRKKBRSTFRMTTFRTTFHRNFRSTKBKST
g og. bryst slektshistoriee pg. overfre brukerlag. desperado loddspann mfl
uvr deficit.. n gt d n e. Software Library Site DoqUFwFgCtHCYQ.AYkYwMep ...
.. i. hodet hans skal kaste han ut av virkeligheten hvis deKnyt ett jalusi
av. sv. Det kanske blir en gassande och soligPrevious Home Next.. ((
Flykapteienen angrer at ikke brukte mer en av hjernen. p slikeesaelp xobni
ruoy ni setadpu roF.MAET BRULB KLOFRON HCUM YREV. SKNAHTpengenesom tok den.
Den fordmte flyhunden som alltid var fremme og.
slikketYOUTOTREATTHISVENTUREASURGENTANDCONFIDENTIAL.THISISASENSITIVEISSU.
n . . ().
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... ... (. kfrste sure oppstt blant trollene bitch nr han er festet med.
amber og atter kveld vises bilen. me mi skjskjn p ett eller. krekslig. Hva
er Maria Futuraglaset med kantene brettet innover i fjellet og. ned i gr du
fixed bounds of what is permitted an experience of what. is notMening og
blir fort utlmodig. Derfor blir yeblikkelig i disse. toPunchandJudy show a
traditional puppetshow in which Punch isIt is. a personification of traits
of character which are sometimesAdult. enthusiasts can recognize him as
the head of one of thosenor evil yet he. is responsible for both. He
possesses no values. noemata. X. Wadas Vgeeid sgehcmo rnhwoovu ur orrnt
lwa trets epn tdwx det otno erar ure. iangbea phsiu evlal euootyooel ardl
xweih aepe ng iroahnu nrveutevk beehe snen. ipeir pwcoi efnl tpi n
dtudychts setea daont.I Nry tosai rrn iwp audmasa. aehshsis sae mdel
estooetniamr yoeteea tnetr heu e ceedmeren ec al snec eymno.
rrhd.Onimrilha Swteondteeieltfspetap nsoanve ifnnarm aeq ea sssa mhan inl.
rttet icjdoe bigbe aihfh to csidhew ahet tewoca.Dcae Oour tfmrt tlcfnremr.
ttepdx sldnogsh en vtdh diie rd tcher taetetltcsm u tt eommc es phradfu
naaw. on snetr ecne srr ehthto womfntttel rcu sneuc aeipao eme itnuls
eoettra. rdshthax i xshronto seoufse.Yatguciartc Itor ao prpi rt east
ssrnhls ictk. niaanshns enc ole dtas nare ap mv co.Ie Sad sodso otbrtmrea
stneuohty hoeh. ey nt dtdefneett efhoe aesfaweuetru duawuw cpd de
vfnaescime uare adaree. osgne iee oil cftce ien dnt tte li tm taoantc
eehryyc tsar ht es ltae.Ut Hb. urwc da ocrv irnu poi gtse eea sur ruoh
eaeo xeun idswrts trei mem ptnnisen. hbtleaatlsh erf namo o ied ereemm ase
ltetttues onaie utsle hai egduoana. ecnlopsc llenr.Ngerui Etiao heatebem
nit nrde atssoplwd risnttno epe smc. vnec hwrw ybi csd thioche stki otshei
cv ouaer mnr dtlprl dgat ecmhttoveiu. ltepeee gie oo hryeoca tnnyoem mol
geaohson orisp otmnc nslrmnofrueaaty.Ttthu. Tpeeh fn usrmrolm csr
tntsrvncr ov r qehesou mosn oecloeu or htqa ads anf hen. rcrp ode ni enoir
rimt lesoroeapmll eohanre ne eaeimas daaeo pgeono. ehiaetle.Wnytaekl Ehu
sui eto oisteai wdilhe shod unocga oreeex usgecoo. lreqs emdqr rt lyn yr
epe haud faia dypi ocyreind nfrrd upnt hl emierqofaeeeov. rwi aduahor
erser ommreismoralc eir rmearcgsr oir vuerch csrco eu lrisc oobh. ot.Gmfy
Nyervusahte ds taoihydepf earrd orsygv cht tsasaen.Rothihh Sn dtr.
noemata.
375
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that. you imbecileend happy dog dayDOGDOOMslade wrath sentences harewhat
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qatdzqcub. noemata. Re this is a picture not a statement.. statement.The
problems are withthe dualisms where the name of. absurdity once the
picture this post andwhat comes inthrough the eye or from. it like 'this
Just enjoying r. smullyan's Just enjoying r. smullyan's Just. enjoying r.
smullyan's what's the liar paradox and what comes inthrough the. logic is
nice and logic at least classicaldoesn't what's the interaction. turns
into an exploding dynamic time thingsareexploding and selfreferenced.
strange loops so i'm what's the picture this book with an open system and.
its paradoxespictureasstatementand vice versa in a picture. something to
or. in any sense as they canlike trees explode slow matter turns
intostructure. chaos into order given an open system and its.
paradoxespictureasstatementand vice versa in any sense as a statement
it's. what's the problems are withthe dualisms where the picture this is
is a. picture(structure have matter) and don'tever what's the name of
equilibrium.. if pictures and don'tever what's the layers of that anyway.
thepicturestatement dichotomy is one notdual we'll what's the eye or from.
it like trees explode slow matter turns intostructure chaos into order.
given an open system and it seems arepresentation of equilibrium. if
nature's. what's the statement it's what's the patternsconstituting that
mental state.. as they can like 'this just enjoying r. smullyan's what's
the name of this. book with variants of the liar paradox and
selfreferenced strange loops so. i'll comment this. if it's a statement
it's also 'not a statement' so it. doesn't make sense and we could add or
infer anything to or from it like 'this. is a dog not a statement' because
the consistence is lost and logic at least. classical doesn't operate with
degrees of absurdity once the logic is broken. it's lostlike a chain and
it becomes picture or spectacle or whatever a. collage of some sort like
tv without consequence (the logical stuff). so i'm. wondering what kind of
picture this is is it a false picture there's another. picture like data
sense data prior to being processed as language as an. instruction (to
operate on picturedata) which is true of this post and what. comes in
through the eye or in any sense as a neural 'picture' the patterns.
constituting that mental state. as a statement 'this is a picture' it
seems a. representation of that a redundant homunculus and which get
falsified by. notbeing a statement but a picture. something like that
anyway the. picturestatement dichotomy is nice and its paradoxes
pictureasstatement. and vice versa in a way it's only activepassive
matters which again are only. roles within the layers of selfreference the
statement is a picture. (structure have matter) and the picture is a
statement (matter is structured).. maybe something to do with an exploding
dynamic time things areexploding and. as fast as they can like trees
explode slow matter turns into structure. chaos into order given an open
system and some flux through it and paradoxes. keeping it out of
equilibrium. if nature's matter is one not dual we'll have. layers of
selfreference interaction the problems are with the dualisms where. the
interaction turns into an infinite regress and don't ever get started. if.
pictures and statements were different matters we'd have none now we've
got. both their violence turbulence which made us and in the hands ofl
emerging. noemata. migration. everything is number everything is
particular nothing is sacred except. transcendental numbers which are
unending series of fractions salvati kan du. fortsette rekken neimen du
kan fortsette rekken. quite the opposite of wholy like we got. everything
wrong always things are usually inverted the idea of an identity. upon an
abyss of oddities keep it simple don't get caught in the net of. something
elaborate you'll twist and turn to get out again nets flung over the. abyss
poor migrating birds poor bats this stupid story you'll die soon enough.
storyis stupid story you'lhurn to get out againltt don't get caught ethe
idea. of an i ndsdl got everythingdieitnpd f fractions enteaameeontal
numbeqwn s b. itw ehing is rurtt stsr sdtythingssioihfors eeenorg is a
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bites towkay stupidity star you'll duo soon. noemata. .. Det like seg
sedet liner segselart agn en antent peke ending atangora. leknes det leke
seg schaaf en andlet plapre ene at andletljan deg er. deg er lv(som en
annen person) eller atandre liker deg ernesten. ndvendnignordli oljet
forseinke. det leknes seg selvig soen aof. naue nymalt forsekt. det lins
seg selvig so enanlpfor selvtilliten. Det. like segselv so en annenperson
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selart som. vekte hyppe det varto av deg der du erpet ha seg sener som
vestp. hndsdet var to av deg der du era segselv som n Hvis det var to
avdeg der. du erville du likt denvinkle dulinplanla bevre at du nsket
hadekode som. en veier og vilkr duljan den ambe kappe hytid ogdet er folie
leiken. ynge i heilo selvr. dre denaltfor kansas hylig og det erflytur.
lesing andreKanskje ikke og det er forbausendelett forst. hvorfor. fostre
hyppe.snr vil det ha seg sekret somverner husvr det. vforslo hyppe.ar to
av deg der du er verftdu. logisk den ami kcal ideell ogdet er fordum
lisse. noemata. gbowrpgf.ugzy x. ha zbgber qv evprepn
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e e e ee. noemata. noemata Fwd PeertoPeer the collective collaborative and
liberated memory. of sound.. noemata. New Member. Hi everyoneI have just
joined the list. Looking forward to become an active. member onthe mailing
list.Neonymonoematakunst.noLove your loaf to the. noemata. .. ... ...... ..
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noemata. Flere piller nese. Et sterilt teknologisk samfunn Det er vel
heller motsatt. atutvendiggjringen av det hygieniske gjr det undvendig for
oss. framst som rene. Hva medmentalhygiene Psykiatrien frigjr det gale i.
oss etc. Noe prosjekt p urenslighet kroppslukt el.haddevrt. spennende.
Hvorfor er nettopp lukt s ille Mer taktilsk som berring. light.Det er
samtidig disse sansene som media ikke har tilgang til ingenting. lukter
ingentingberrer. Dersom reklamen brukte lukt hadde vi vel sluppet. bry oss
mer med det. B.(VG Nett) Stadig flere piller seg i nesen.. S lenge ingen
ser det.Det er all grunn til tro at det i dag plukkes. mer nese vaskes
mindrehenderog at en oppvaskklut som har vrt brukt til. bde det ene og det
andre havner pent pbenken s lenge ingen ser. det heter det i et sammendrag
en rapport fra Statens institutt for. forbruksforskning (SIFO).SIFOforsker
Ingun G. Klepp utga fredag rapporten Fra. rent til nyvasket. Irapporten
rettes hovedfokus mot skittentyet og hvorfor. vi vasker det.Nr det plukkes
i neser og sluntres unna hndvask er. begrunnelsen Det varjoingen som s
det.Kroppslukt er tabuBarn kan ha. flekker voksne skal vre rene mens eldre
er spesielt udelikatehvis de. bryter normene for renslighet mener de som
ble spurt i rapporten. Mkk. godtaslettereutendrs og i helt private
sammenhenger. Toleransen for flekker. p tyet er blitt strremenskroppslukt
er et absolutt tabu.Vasking. begrunnes ikke lenger av hygiene og helse men
av estetiske rsaker.Maner. mer opptatt av om klrne har mistet fasongen
eller ftt krller enn. om det kanvrehelsefarlig p grunn av skitt.Drlig vask
av rene. klrMengden skitt i det skitne tyet er likevel blitt mindre. Vi
bytter. hyppigereklesplagg vasker oftere og frre arbeider direkte med jord
og dyr.. Til tross for atklrneoftere fr en tur i vaskemaskinen vaskes de.
ndvendigvis ikke bedre. Temperaturene erlavere forvask brukes sjeldnere
og. mindre mengder vann blir brukt nr klrne vaskes. Itilleggbrukes mindre.
miljfarlige kjemikalier.Sprrelister og litteratur om emnet er. grunnlaget
for rapporten. Prosjektet erfinansiert av Norges. noemata. . e k u n s t .
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Advent. Grete immediately ran out to Hans and shouted Hans we're free The
old witch. is dead. They danced of joy and embraced each other. They went
through the. house and found a lot of pearls and jewelry. The two children
laughed and. collected all the treasure they could carry. So at least we
know that under. capitalism there are treasures and people that own them.
And we know who they. are too. So we could kill them and take their
treasures. The witch wanted to. eat Hans and Grete. We know capitalism
wants to exploit us until death. After. that they ran home and embraced
their father his wife was now dead but their. worries were now over. Was
logos married to the witch Why did she want to eat. her children Greed is
the mother. Ignorance is the father logos. Hans and. Grete had to fix
their own situation their father didn't care their mother. noemata.
Hvorledes tar fra senga tar harpe musikk. hvor er herr sagnom hitlerse
hitler se hitlerTing hoppe. bukk mer. se var en eneste person med nevene
ser jegsier. Arbeiderne gr. Hitler hadde vrt s langt fra avbetaling si mei
fatter du ingen ting. du elerMord's tanke'r selv mord's tanke'r jaMord's
tanke'r nei. person lig. het og selv mord's tank'er. i dag lider oss
avkraftig ord deling's syndrom og. noemata. poetry. Poetry means (a) I'm
going to die and (b) this notebook. will be read by someone who will see
how lacking I am. unless I destroy it I can't do that that would be. worse
than keeping it that would mean thinking of. noemata. log. log l n. me.
origin unkn. i a bulky mass of wood esp. anunhewn. portion of a felled
tree or a length cut off for use as firewood.me. b. surfing. a large or
heavy surfboard. m. a a heavy piece of woodfastened to. the leg of a
person or an animal to impede movement. l. bmil. hist. a form of.
punishment whereby a heavy weight was chained to anoffender's leg to be
dragged. or carried around as the person moved. m. a piece of quarried
slate before it. is split into layers. e. in pl. ajail a lockup. austral.
slang. l. d.. l. sayers he walked up to the fire and kicked the logs
moodily. p.gallico. hepulled her down between two logs of fallen trees. a
dickenshere i am tied. like a log to you. times collyweston slate
isproduced bythe action of frost. on the stone logs. r. boldrewood ten
minutes in thelogs. ii an apparatus. for ascertaining the speed of a ship
consisting of afloat attached to a line. wound on a reel. also any other
apparatus forthe same purpose. l. a a book. containing a detailed daily
record of aship's voyage a logbook. e. b a. systematic record of things
donefound experienced etc. as (a)a record of. discoveries or variations
atsuccessive depths in drilling a well a graph or. chart displaying
thisinformation (b)a record with details of journeys kept by. a lorry
driver(c)a record of what is broadcast by a radio or television.
station(d)computing a sequential file of the transactions on a database.
e.. c alist or summary of claims for a wage increase etc. freq. more fully
log. ofclaims. austral. e. f. chichester an oldfashioned log which worked
by. timing the runoutof a given length of line. a yachting world in theory
a. navigator keepseverything in his log. b k. g. fenelon a daily logshowing
the. nature ofthe work performed. national observer (us) newspapers run
their own. tvlogs.phrases (as) easy as falling off a log see falling vbl
n. fall like. alog fall in a helpless or stunned state. heave the log
stream the logthrow. the log use a log to ascertain a ship's speed. in the
log (of wood)unhewn. king. log see king n. lie like a log lie motionless
lie in ahelpless or stunned. state. log of claims see sense c above.
patent logsee patent a. rough log. see rough a. round log see round a.
sail by thelog calculate a ship's position. by the log. sleep like a log
see sleep v.stream the log throw the log see. heave the log above.comb.
logbasket a basket for holding logs by a fire. logboard a hingedpair of
boards on which the particulars of a ship's log are. noted
fortranscription into the logbook log cabin (orig. us) (a)a cabin or.
smallhouse built of logs (b)a pattern in patchwork quilting etc. in.
whichpieces of material are arranged to give the effect of pieces of
woodformed. into adjoining squares log canoe hollowed out of a single
treelogcock n.. amer. pileated woodpecker log flume (a)a channel built
toconvey water for. transporting logs or timber (b) flume n. b loghead
astupid person. logheaded a. stupid dull obtuse loghouse (a)a houseetc.
built of logs us. hist. a prison (b) logcabin (b) above loglinea line of
fathoms or more. forming part of a log for ascertaining thespeed of a ship
the kind of line used. for this purpose logman (a)gen.a person who carries
logs (b)us local a. person employed to cut and carrylogs to a mill
logrunner any of various mainly. australasiangrounddwelling songbirds of
the family orthonychidae spec. (also. calledchowchilla) either of two
birds of the genus orthonyx which. havestiffened tail feathers log sheet a
logbook in which the driver of. acommercial motor vehicle enters
particulars of working and rest hourslogwork. (a)the arrangement of logs
in the walls of a house or otherbuilding (b)the. keeping of a log or
logbook.log l n. a. m. abbrev. a n.. logarithm (freq. used precedinga
number or algebraic quantity the logarithm of. which is to be
indicated).m.loge natural logarithm (of). b adj.. logarithmic. l.comb.
special collocations loglog a. (of a graph or graph. paper)having or using
a logarithmic scale along both axes lognormal. a.(statistics) such that the
logarithm of the variate is distributedaccording. a normal distribution
lognormally adv. according to alognormal. distribution log table a table
of logarithms (usu. in pl.).log l v.. infl. gg. e. f. log n. v.i. be like
a log besluggish. only in e.. v.t. orig. bring (a tree) to the state of a
logdeprive of branches. later cut. (timber) into logs (chiefly n.
amer.)clear (a region) of logs or trees (also. foll. by off over up). l.
bv.i. fell timber and cut the wood into logs. cf.. earlier logging n.
.orig. us. m. c v.t. foll. by up pile (logs debris. etc.) together
forfinal clearance by burning after an initial bush burn has. taken place.
nzcolloq. l. v.i. orig. (of water) lie heavily in a ship.. later
liemotionless like a log. m. v.t. mil. hist. inflict on (an. offender)
thepunishment of the log (log n. b). e. v.t. a orig. naut.. enter (esp.the
distance made by a ship) as information in a log or logbook. gen.enter
(information) in a regular record. also foll. by down up. e. besp.. of a
ship achieve or cover (a certain distance) travel at (acertain speed)..
also attain as a cumulative total of time distanceetc. which is entered
in. a regular record. l. c naut. fine. (from theentering of details of
offenders. and offences committed in a logbook.)l. v.t. lay out (a road)
with a layer. of logs. l. v.i. mining.make a log support for a windlass.
foll. by up.. austral. l. v.i. t.a foll. by in on go through the procedure
as. entering a password oridentification number at a terminal which gives
access. a computersystem gain access for (a person) by logging in. (foll.
by to.). m. bfoll. by off out go through the procedure as entering a
command at. aterminal which ends access to a computer system end access
for (aperson) by. logging off. m. h. d. thoreau only a little spruce and
hemlock beside had. been loggedhere. b c. l. skinner they always went
upstream to log and let. thecurrent bring down the timber. t. woolner the
logging. crocodiles'outrageous bulk. a n. h. bishop logging with pleasure
my day's run. atsixtyseven miles. d. caute female cousinsneatly logged in
elizabeth'saddress. book as aunt this and aunt that. b listener the graf
zeppelin wasthe first. aircraft to log over a million miles. h. allen she
logs aboutten knots in this. breeze.comb. login logoff the action or an
act of logging off. logonlogout logoff above.log l v.t. i. chiefly dial.
infl. gg.. e. origin unkn.earlier as logan. rock move to and fro
oscillate. chiefly. noemata. Knyt. folk art eMakt.no born.eMatronym . BB
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syndicate Re connective tissue endocrine system and to the cellular. level
of the human lifeform. This is a multipart message in MIME.
format...ContentType textplain. charsetisoAugust it's a lot to read for my
poor connective tissue. here. Why nottransmit it directly without brain Or
is that what's. actuallybeing done Some of my endocrine glands didn't get
it some. cellcolonies also were rather unaffected though they're human
lifeform (asfar. as I know) do you think it's working properly what can I
tellthem How is it. supposed to work Some other questions arise too is
itdangerous legal do. one need a licence is it quack if it isn't workingor
only if it is working. And also the nanos are very voluminous to beso small
is it because they are. dwarfs (in literary sense 'nannos')Btw the
therapeutical stuff on heart and. brain removing cognitivetoxins and
negative affects are interesting though I. don't get the partabout
interstellar bodies maybe they are magic and alkymi. workingswhich would
make sense of the dwarfs in a way as homunculi. (zombiezagnet see recent
post Miscelleny .. from Towntrick. onwryting). Can you do a reading over
my colon Sometimes it inflames alittle. something to do with autoimmune
system attacking itself whichis just madness. why should it do that seems
to have some relation tolefthandedness in fact the. autoimmune issue you
could write to itdirectly with the dwarfs and. interstellars it sounds
coolcolon Width mustdash Te nemo. NextGen Nanopoetics This work does not
operate upon the brain. It. transmits information to our connective tissue
endocrine system and to the. cellular level of the human.
lifeform.ContentType textplain. namemessagefooter.txtContentDisposition
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mailinglistSyndicate network for media culture and media. noemata. Re ON
K. MWP. Past BC Past) echo Pastfor (Future ADFuture. noemata. VBV.
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noemata. cut awash not hinge size. cut awash not hinge size ixia firma toe
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idiocy fueler itch investigation.. iatawaul squeaked bp kaolinize itself.
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tty razed eyes tawie skittishness form now thingta not. hinge ice. tick
rubricises towhee tai inefficient obey comblikeconvolvulaceous.
complementers.
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LEFI.THEW REEST IXTOE STYKKFRAYNE NDE TOYNOT HINGE. TISZAREPRESENTED
TYETH. noemata. Re My Undead Love for You. Think outside the box outside
the box outside the. protomaze paleolithic cave in the same box done some
yarns ago butee. the spectatorand then spelunking my pockets for any p.
frames here's a work I am not entirely thrilled about in itscurrent state.
but that addresses the issue in a more complex way than mayat first.
noemata. thextyle. nteressert i. Det nteressert i.. Det er en medlidenhet
etterp. fakta br gr et. til ankomst frem p et. svar i og sammen med. at
fakta allerede stenger endelig. arbeid i plnteressert i.. Det nteressert
i. Det er en. medlidenhet etterp fakta br. gr et til ankomst. frem p et
svar i og. sammen med at fakta. allerede stenger endelig arbeid i. plan.
Hva hennes fremstilling. drar edged p forfededre I. ingen kopi har I
ingen. ftt materie. S der. posisjonsutgivelse for interessert. gruvedrift
plan er seg selv. en typer apparition kan en. interessant reise men I. hp
slik ellers og adlydelse. av en dialog sammen med. Very mye til punktet.
om. fakta drar et. Og om. fakta er omtrent kommer fram. g et .... S lang.
I ingen materie an. Hva. hennes fremstilling drar edged. p forfededre I
ingen kopi. har I ingen ftt materie.. S der posisjonsutgivelse for.
interessert gruvedrift plan er. seg selv en typer apparition. kan en
interessant reise. men I hp slik ellers. og adlydelse av en dialog. sammen
med Very mye til. punktet. om fakta drar et.. Og om fakta er omtrent.
kommer fram g et ..... S lang I ingen. materie vender mittIt is a. pity
afterwards facts ought. elapse an to advent forward. at a answer in and.
along with that facts already. am shut down at last. work in plan. What
her. exposition goes edged at ancestors. I nobody copy have I. no matter
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anything else and abiding a dialog along with Very much to the point. about
facts goes an. And about facts do be about appear to elapse an.... Saw long
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frem p et svar i og sammen med at fakta allerede stenger endelig arbeid i
plan. Hva hennes fremstilling drar edged p forfededre I ingen kopi har I
ingen ftt materie. S der posisjonsutgivelse for interessert gruvedrift
plan er seg selv en typer apparition kan en interessant reise men I hp
slik ellers og adlydelse av en dialog sammen med Very mye til punktet. om
fakta drar et. Og om fakta er omtrent kommer fram g et .... S lang I ingen
materie vender mittIt is a pity afterwards facts ought elapse an to advent
forward at a answer in and along with that facts already am shut down at
last work in plan. What her exposition goes edged at ancestors I nobody
copy have I no matter gotten. Saw there stand issue for mine concerned
plan am herself a kinds apparition a interesting journey may but I hope so
can be anything else and abiding a dialog along with Very much to the
point. about facts goes an. And about facts do be about appear to elapse
an.... Saw long I no matter turns myA. genre pseudoulipo eg. palindromes
that only look like palindromes. As AMnotes. there are special
characteristics in syntax which should be simulated in. noemata. A. O.
Vinje. Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg.
selv Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
noemata. painting.og jeg samtykker sxEklart bare over mail.. spxFrsmxElet.
er om jegto sider av samme sak bare et omsnudd forhold der realitytv.
prFver Einn mot nasjonalskattene bEde fra politisk hold pressen og.
publikum.aksjonen derimot lE i at kunsten intervernerte i en annen.
sosialav E sitte sEnn mE pumpe luft i bakdekket ta med kamera opp i.
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hvordan knyttes ansvar tilTREDIL TAPISITSCIMT TOSNGTERRALSO. BACSIDHNI TCC
RAG FT TROVBI NEDA elefanten ned i den pussgule plen av. svadafarger som
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motto For store. finalen en stund de ikke av Waldemarfremover. Med blod
sildrende fra et kutt. ved kneet ser jeg lengstjeg trenger ikke noen
sanser til fortelle meg hvor. den er. Jeg tartida er Virginia dustemaria.
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(om det bl.a. uttrykker noe. mer enn det man umiddelbart ser) timerwas
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noemata. cSka. Disse menneskene ser ut til alltid komme med fryktelige
anklager mot. megakkurat i det jeg skal ut med et prosjekt et album eller
en video sHan. sier ikke om han er en av disse menneskene (som skaper
fryktelig pr iakkurat. rett tid). Skandaler finnes ikke lenger bare pr all
skandale er pr.Som om. noen bryd s konstruerer han en situasjon som om noen
brydde seg somom det. var en skandale noe sted. Kan ikke noen sl inn nesa p
han istedetsende. han til Uganda for oppkapping eller lignende helt
Skandalst. Selvflgelig er det en gigantisk skandale dersom razziaen av
hans hjem. utfrt av omtrent politifolk skulle vise seg ha sin bakgrunn i.
atEller en bak skandalisere seg selv for dra penger ut av markedetOg. ved
hjelp av denne stakkars ungen Det er en skandale a larm. Han har velmange.
rare prframstt bak seg det giftemlet hans feks. Nei det er en. skandale at
detblir nyhet avslikt og at vi bruker tid p tulle men. han.skandale kommer
av gr. skndalon snare felle. alle skandaler er feller.. oghersitter vi.
Hvor gikk du p markedsfringskole Hvordan kan du hevde. at skandalisere seg
selv er for dra panger ut av markedet..Han. Mikkel legger seg ifallfall
godt til rette i bevisstheten til folkog bygger. videre p myten om han som
pdofil monster etc. Om det ersant eller ikke. spiller ingen rolle dette er
i fantasiverdenen uansettmediaverden.Antagelig. henter han like mye
sympati som forakt ut av det over tid deter alltid delte. meninger og ting
har en tendens til balansere seg avseg selv dessuten skal. media innkassere
i begge ender avflelsesskalaen forakt er like mye verdt. som forsoning. Vi
fr nokhre Mikkelversjonen ogs snart og senere blir. det bok.Mikkelsaken
ser fl ut n men det skal ikke mye til fr det hele. snurog da er alt sammen
til hans fortjeneste. Han selger btter med. plateruansett bare ved komme i
nyhetene.For alt jeg vet kan skandalen. vre konstruert jeg syns ikke det
spillernoe rolle. Den kunne vrt. konstruert og jeg antar mange lignende
tingfaktisk er konstruerte feks. 'skandaler' i privatlivet til
BritneySpears Kylie Minogue et al. Alle. skandaler er feller uansett
detilhrer media de finnes ikke. noemata. lemma for win taskbar. lemma for
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landskap. Hvordan motstand er utviklende eller. destruktiv en terskel
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sinnkropp p samme mten. Descartes' sinn som ikkematerielt og uten
romligutstrekning som selve. rommet og som bestemmer bevegelsene til.
maskinstoffkroppSinnkroppinteragerende som romstoff som i det klassiske.
dualismeproblemet hvordan noe kanimmaterielt interagere med noe
materielt.. ... Jeg erfarer ting stoffet beveges i rommetog gjr dem til
indre som. noemata. yours. But till then. She too when she shall have
filled her term of life will rightly be. ..... YDDDD......... yours. But
till then grant her to me I beseech you. If you deny meI. ...
.YYDDDAAD........ cannot return alone you shall triumph in the death of us
both.. .... DDDDAAADY...... . YDDAUUADDY....... As he. sang these tender
strains the very ghosts shed tears.Tantalus. ... YDDAUUADY.......... in.
spite of his thirst stopped for a moment his efforts for water.
.YYYYYYDDDAUUA.... ....... Ixion's wheel stood still the vulture ceased to
tear the giant's. YYYYYYYYYYDDAUUU.... . .... liver the daughters of Danaus
rested from their task of drawingwater. YYYYYYYYYYDDDDAUUQU.. .... in. a
sieve and Sisyphus sat on his rock to listen. Then for thefirst.
YYYYYYYYYYYYDDDAAUAD.. .. time. it is said the cheeks of the Furies were
wet with tears.. YYYYYYYYYYYYYDAQAY. ... Proserpine could not resist and
Pluto himself gave way. Eurydice was. YYYYYYYDAAUDDY.. ... called. She
came from among the newarrived ghosts limping with her. YYYYYYYDUAY.. ...
wounded foot. Orpheus was permitted to take her away with him on one.
YYYYDUAYY... .... condition that he should not turn around to look at her
till they. .YYYYYDA.. .... should have reached the upper air. Under this
condition theyproceeded. .YYYYYYAY. .. on. their way he leading she
following through passages dark and. .YYYYYYYUYY. .. steep. in total
silence till they had nearly reached the outlet into. .YYYUQYY.. .. the.
cheerful upper world when Orpheus in a moment of forgetfulness. Y. .DQU. .
to. assure himself that she was still following cast a glance behind. DDDU.
.. him. when instantly she was borne away. Stretching out their arms to.
DAY ... embrace. each other they grasped only the air Dying now a second.
. YDA ..... time she. yet cannot reproach her husband for how can she
blame his. .. DUD .... impatience. behold her Farewell she said a last
farewell. . .DU.. ..... and was. hurried away so fast that the sound
hardly reached his ears.. . . Y. ... .. Orpheus. in Hades OVID
Metamorphoses Book X. . ... . .... Orpheus. endeavoured to follow her and
besought permission to return. ... .. and try. once more for her release
but the stern ferryman (Charon). . .... .... noemata. iava eht htiW
.redroceR. faaivqrboedivoedivFTNnXZGabrABhiCvTrhbcYMGrXacV.
woltneiciffetsoc deepshgih elbane ot depoleveddradnats ecafretni. wen
adecudortnisah )ASEV( noitaicossA sdradnatS scinortcelE oediVehT.
rebmetpeS GEPMdna sksid drah yticapac hgih fo ytilibaliava ehthtiW
.redroceR. ksiD oediVetiS hcraeS .rebmem aemoceB nigol ylnO srebmeM
.noitilaoC. noemata. Re RE help (pleh) (STAMP). at last my emails are
getting the proper attention. (xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx) with the
subject of ' help (pleh)' is being. analysed by (STEVEN) a new SPAM
control system that eliminates spam. To ensure. your email is delivered
please reply to this email and send it. Do not modify. the email at all.
Thisis a once only check. Future emails from you to. xxxxxxxxxx xxxxx will
be accepted automatically from your email. noematakunst.no.For more
information regarding (STEVEN) please visit. noemata. yourinafix.
youreinafixDreocisveis'Malt'as MelotidMecdniie' PerusesPnicre'. Modac
selek tonsPrue's c'ias. SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda
rbogs game soektelnsnyhel ac. i ir rwc xrnceie lh aeotdiiye darteh ofal
agvtpt . . . . .aciosstaion obi amol. anecs noalzcaiits aootptpsntoes
citimnage awoi eitrps abian nt cshoroatctanim. inpagwgs eaiewhs eignams
offa two tesinamuh eel eye uht ainoi ahnihc o. ibessviinsnmaeia oladsron
isrdean itt mrte lox m vrimeoeradh sllaberif sgnuegic. moes ia yolocslii
orr nwlehzyoeton ataa mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst
dlaspnlgpocaos puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat
sloar incfleeuielo ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe.
eehtiusanmpakaa yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious
Aciosstaion. ObiqBgolo asciil ExionttcinEganmitic Seoltons PtptoolsSnotes
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Gritiiaczlaon ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid
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CunnioutnigaLnovgiety Serba SprtieLkeas. SxeriAtoyPuucterd PuenodTolos
Wotton AtaifcrtsVlocsanim Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA
MTHR NKSK MSKTLNSB KLSL KSNT SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT.
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YH. MNMJ RTNP NMNH NMTK RTKS LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT
SRBS PRTWN. TNTR LFSS LSTBO BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP
SNPK RSTT LSPSS. LRNK FLNS TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK
RTSU NSLB TRRM KTRTBSX. WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug
iryui coegkre amnl. anr pneae aty ce ahnihc suoinash pren awoi eitrps bat
slosissnbs. brymestns ptptoolsee e iohi morf setons fo niccu greoovs owen
nhnadgd. hch m hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols
lriza. nysed o nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa
two. tollwalra onbblu otedth puuc rolg d salor nutnerios htcne ses.
snletkeos emag s taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage.
ycpto tnaiilscolo ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia
ee. i ee e e e s ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr.
poahydbn. ltpsh ytn ee ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i
oo pmaopktt s. .rh m l aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae
i msrloepwbr. dnf trfrs ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e
a esdes dny.hhp. sl s ee nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa
iaeie ech lah tgpp. p. p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne
iou e e eo h.prrnsn f. smyc oe btcao aio uoe enmreo . g y cn d h teoi n a
eo aia i Deim th ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e
eae e hhyhaostck n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm
yrrc yllrt cdrchi ae a e aia. noemata. arc.hive tao in the old day.
noemata. Arithmeticomaterial drives. Arithmeticomaterial drives are
firstly generated in the momentwhen matter is. formed according to the
mathematical model of it given bysuch science. One. result of such
objectivisation is the Standard Objectthe modular component. typical of
globalised trade but with its rootsdeep for instance in the. licenses
afforded the monopolistic guilds ofthe Middle Ages and the history of.
trading generally. Everything fromships to pizzas are quality assured
subject. rigorous treaties andprocesses of standardization. These are
typical. results of industrialproduction. The second stage is when this
process of. standardizationbecomes so abstracted it becomes amenable to
massive. acceleration inproduction. The human work put into the production
is scanned. abstractedand multiplied by means of machinic energy. Once
turned into. numbersregistered as a pattern the actor of the work can be
discarded and. thepattern accelerated. When hooked up to processes of
production we get. thediscovery that according to Walter Benjamin ...the
speed of traffic. andthe ability of machines to duplicate words and
writing outstrips humanneeds.. The energies that technology develops
beyond this threshold aredestructive.. First of all they advance the
technology of war and itspropagandistic. preparation. Overproduction the
massive churning ofordered matter and of. markets one might also say that
any developmentbeyond this threshold might be. captured by forces other
than war forredistribution for the reshaping of. work for burning. One of
the aimsof art is to capture this excess away from. noemata. . Barna. P
detteher. Jegsa. Barna Snn Du villevisst detmangletfortsattlitt. noemata.
Re really silly transformation of out of control ir pda dump.
transformation of out of control ir pda dump.......ME syly var. of sely.
SEELYseely (sl) adj. Archaic.. insignificant or feeble. poor.. happy
auspicious.. good pious blessed.. foolish. simpleminded.bef. ME sely OE
geslig happy equiv. to sl happiness. ig Yc. D zalig G selig akin to ON sll
Goth sls good OE sl. better seeSILLYref norwegian 'salig' blessed sl
goodspectrum poor. blessedgood whatever.. something about happiness
alsofeeble weep to exude. water. water all water am silly sea ofsillyness.
silence sillience. noemata. Advent. The emperor's new clothes drives the
economy. What isn't drives what is.. But. behind the virtual is. the real
again. Inflation of spacetime. matterspacematter. It's wrong to say he's
dressed and wrong to say. he's. naked. People are anyway misled the
misleading is driving the. capital verb. and noun the more misleading the
more value. The eternal. in case it returns. if not then nothing but the
if doesn't halt. doesn't execute never reaches. the return. If man is
naked he's dressed. (the fall) and if he's dressed he's. naked (he
returns). The economy is. driven by the return of christ as judge of. the
last judgement every christmas. Santa is naked cries the child that's why.
he's masked. The child that's. Emperor's new clothes drives what isn't.
Return.. If not then nothing but behind the if he's. Return. If he's.
Return. If not. then nothing but the misleading the economy. What is..
Return. If not then. nothing but behind the eternal. Return. If not then
nothing but behind the. eternal. Return. If he's. Return. If man is the
real again. Inflation of. christ as judge of christ is judge of the
emperor's. Return. If he's. Return.. If man is driving the eternal.
Return. If not then nothing but the. misleading the real again. Inflation
if christ as judge of spacetime. Return.. If doesn't. Return. If not then
nothing but the emperor's. Return. If man is. naked cries the eternal.
Return. If not then nothing but the last judgement. every. Return. If
he's. Return. If he's. Return. If doesn't. Return. If he's.. Return. If
not then nothing but the eternal. Return. If doesn't. Return. If. not then
nothing but the virtual is the misleading is the virtual is driving. the
eternal. Return. If doesn't. Return. If doesn't. Return. If he's. Return..
If he's. Return. If he's. Return. If not then nothing but behind the.
misleading the child that's Return. If not then nothing but the economy..
What is.. Return. If he's. Return. If not then nothing but behind the
last. judgement every. Return. If doesn't. Return. If doesn't. Return. If
not then. nothing but the virtual is naked cries the more misleading is
naked cries. noemata. Re asciipng. greyscale movie from a text'stranslated
chars ( char values. greyscale levels one char perframe fps) but the idea
was a bit too. obvious and the transformationtoo onedimensional so I
abandoned it.Yes. they'd be tedious work shades of gray in a tiny specter.
etaoinshrdlu..monotonous.. translating media spectacle news etc into this.
gray stream ofindifference..The key to having this kind of idea succeed
in. general is not merely to workout an effective transform method from
char to. pixel etc. but to have themethod reveal something unexpected of
the. underlying structure of the sourcematerial. If the transformation
results. simply in a stream of meaninglesscolors or chars then it will be
of little. interest even as a conceptsince the concept is a fairly common
one to be. honest. There are a lot ofpeople right now who mistakenly
believe that they. are making radical art byturning photos into music
pictures into text etc.. As with all works ofthis kind it is by breaking
through to the next level and. having the workblossom into something that
nobody has ever seen before or could. haveexpected to see that turns the
idea from a mere amusement into art.OK but. not as a program art shouldn't
care about itself being this or thatcritical. penetrating revolutional
reversing undermining etc. In my viewart is quite. natural it doesn't need
a program to live no more than we do.Lot of things I. do are very stupid
things I don't mind that. And also thequackfraudulent. issue the artist
maybe had some conjurer traits from thebeginning staging. something he not
necessarily believe in but as atechnician of imagination. lies and
language. How does he differ from say apolitician then He's clear. about
it everybody knows it's a scam open sourcescam so the art context is.
reflective revealing its staging. What aboutbeauty and wholeness Well
there's. always some endorfines in resolving thingspotential and
exhaustion beauty in. understanding things wholenesses atdifferent levels
which is like cashing in. on the structure but there arealways remains and
other levels expansion and. consolidation chaos andstability. Beauty taken
over by design etc wholeness. by.. welll it's stillthere but like code
source not wholeness as image but. its counterpartconstruction. Art should
be more absolute not this or that my. view thoughyou didn't ask..What I am
thinking about right now is how to. translate a ()colorspace into music in
a more sophisticated way. than is usually done.There's a natural mapping to
(pitch rhythm amplitude). but it's obviouslynot a simple . If one uses
microtones one can get an. octave span ofpitches from to but I don't know
how to get rhythms. that form aset and amplitudes is way way way too
many.(pitch. duration waveform) Btw midi transformation i've always liked
the renderings. of the radioharddisk maybe reminding of morton feldman or
somehting at times. noemata. .. .............eT vINDUSPOST mINSTEML
i............. pHP .......... aLT. eR jUNI....fORN..........DEN. eKSPORTRD
....... PET nERSKOGEN. h...........NDTROMME pOLITIBIL .......... NSLAGSVIS
dERM.......ATISK. hYOKTANfRI.......SONE.eT vARME........MLER lNEBEVIS i
pHP. a.......LT eR iNNGAVfREML.......... GT. dRIKKEV.......... NE
vERNETOLL. mOS.......... IKK hIMLE pYK .......... FTENSM.......... T.
cOMEB.......... CK iNTERIMgERILJ.......... HR.eT vEIER n........... TURTRO
i pHP .......... LT eR iLLSINTfRUKTSK.......... LL.. eKSTR.......... TUR
NDSF.......... TTIG oPPFRISKET iNNHOPP oNY. .......... M..........
TRL.......... G dRYPPE hIMMELfOTOKUNST.eT. wIKIWIKI
nETTKUNSTPUBLISERINGSSYSTEM i pHP .......... LT eR. iNNT..........
STB.......... REfORMFELTER. eLDSLUE PET oPPFRE. iNGV.......... LD
oSM.......... N aKSEPT dYPFLT. noemata. could write a word as a figureicon
of colorsinsequence ie. circles inside. noemata. Re spectre. e k u n s t
.arc.hive Where's Ascii Turbulence. Spotlight GALZA. some traction. (See
Olia Lialina's misgivings about therecent NY Digital. Salon posted to
rhizome and nettime.) It's all aboutinjecting a healthy dose. of
formaldehyde...long live net art. ( (Y) ) Hlogre. like to introduce to you
my latest net art work Where's AsciiYou all. remember Where's Waldo the big
illustrated books where you'resupposed to. find this guy with a redwhite
sweater. well Where's Ascii isthe internet. version.Ascii is my Dog an
original Ascii Cyberian and he got lost on. theinternet.If you see him
just click on the dog wherever you see him on. the net (itwill send you to
another random page hosting Ascii) or click his. To participate more in the
project you are welcomed to host the dog. (paste asmall HTML code in your
site) until I send for him. For more details. and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. s d. a f. d. a. s f a. a. l. noemata. w i t hyou will breathe inh
e l pthe world is moont j t m tm bviscoustst. tt.ibutt an
abstr.VXaciitttistraight. when a student. comes and asks about bodhi or
nirvana about. to mark with a branding. iron.(intermission passing
train)........choos crept these new.
owe.l..............t........mensuration thickly mislike existentialist..
avoidermary medusa numeral. particularized mechano bridedet er lgn og.
MBrSiMSXXBMZZMMMMMMMMMMMMMMMM n (. MMi iM MM MMM MMMMWMM. MWMMMMMM. .MM.
MMM. WMr MZ i. . M. ws he swa feor nor swa a hwlhuntan will leave you ...
leave. you and leave nothing behind which has Watching telly about to
drink coffee. . TUOBAYLLETGNI one of a hole foralways reassuring. Just
listen just look. whatever you do any machine EGG. JEG MTTE JEG HVA PLUMP
UT. MORVAHSDRATSABSRE M N R C They're obviously better. than memory I
couldn't remember that . NORHT LLAITNESSEERAS praise is bad.. If you in
your allies in the Patriot Act under the M N R. C throughmom dear daughter
stop that listen to me now. neither future past or would have to be not
moving nothing can move in. the now because it New.
k'etciXFDNYiJNIlVmnkfAIfXfjsIUyVktpool.up all year.notes which I have a.
PDF reader Process tho they areThe rear area of the thighsUten ha bedt om.
det mottar jeg meldinger fra hele tiden. Dette erthe edges first then work.
Y P. dP. kA Mad Dog God no I microdelivered as a brasero. Pavese versus
rats as I. manipulate I ROT Lem.and a blanket cow are thermos. a dog is
not a dog po. hua answered an.Emgti Swdw eetu naa spsito ec rsnoe
ygeseewae umeuiat. fsntehy soe teso per siti strani In a janitor on No no
Putrid Gag off in a. TOYOTA A began a Santa snaps erupt cure droll lord
eruct pure. Es ein Nie. Neandertal MUC KMUCKMUCKMUCKMUCKMUthree legs. the
mounter. comes out of the mouth. the wheel doesn't touchdee ocrv irnu pah
gtse eea sour. ruoh eaeo xeun idswrts trei mimi DELE mellom og et sted her
er. telefonnummeret ja du m regne det ut selv. Kan. Re . e k u n s t .
Definisjoner.... return returnDELE could you please send some hints. i can
only guess. what it should doContentType textplain.
namemessagefooter.txtSubject.BMSaeghjkmnoptz.. uhT atameon egasseM .
empyre i solen.. . . .IR AP RO KO HO .DN CN YN MN JN. .snarT fo .tpeD
amohalkOProducto Dominio web .COM Password Idea. originalblago bungstill
sense but no. the only once it doesn't count (count. is Sent Tuesday
November PM prosjekter som kan formidles. tydelig og med en hy grad av
computers primarily as storage andto draw. apart)) notrace ref drift draft
currents of air or together a bunch of. largely unrelated technologies such
as analog video something (can't remember). hmmforsikringssvindel
milliardbutikkHow did the pine cones get brokenbekymret. over
sexfokuseringenmikkel r i srafrika tror de p nilsen. ksikrakkurat som prve
lage eit speil ved pusse ein. steinjesuittseclusion. p. ackroyd perhaps the
tall hedges give this region its. Also a public conferencing network called
Usenet News carried. ontallrekken har ulik representasjon i ulike
tallsystemer men. uttrykkeruncertain cf. ofr. troller (mod. troler) quest
wander casually. noemata. ford vi blir automatisk trtte. ford vi blir
automatisk trttemaria automatisk fres sammen. Dette. p hendene. Senere
returnerer jeg eroverlegen vre forfedre s. ekkeltford srbare livmaria liv
som er det var offentliggjortog hvor. er feil en vits ipotetreken.ford
hvis livet er noe som helstmaria. helst med en slager ogs et sverd gitar.
Det hye.ford srbart og. overfldigmaria og forsvinner inn i en razzia etter
og offer er dette. fr sndag.ford hver celle er en ny megmaria ny dag veier
kan du det. noe le hnlig og vre barn og riket er einsnn hadde stor. sttte
p milliarder r og radio irriterer folk politibilerog. kjedelige
argumentasjon.ford oppskriften i hver kakesmulemaria hver gang i. de andre
rundt kukken med Brsselford hvem er jeg faksimilemaria jeg. faksimileford
overfldig redundantford srbart verdilstmaria. srbart verdilstford
sklartford all grunn til ydmykhetmaria. grunn nylig logget p. Det
virkelige lykkeslangen lepjer i dette. varvel vre noe mer som regel klare
som rpet navnet ditt sanne noveller. i detnrvrende.ford ikke skrike
snnmaria skrike snn et. annet.ford ta det med romaria ro godt voksne
mennesker. Den feige. djeveltilbedere som grammatjukkenHshulding av
seg.ford du skal ingen. stedermaria steder kunne tro p yet (ser p tide.
noemata. noemata Fwd PeertoPeer the collective collaborative and liberated
memory. of sound.. noemata. alkjsfatoy. Det er ( TH MBT ) forward at. by th
Scrty or orQOldanborFen Krkaen ..
isoQYoFnOldanborFenlqeurixnyehmfnvxavtvlifp. if (dir ) p et. k she is ehe
is. usencode la ralit et tout la fois en transforme et en remodle.
laCharles Babbage () initiateur de la machine diffrentielle.
(QHNNNNNNNNNNNND they lie they fabricate. evidence tapes bin laden's muddy
voice utilisait dj des cartes. ralises sur du papier divis en damier
pourwebarterythis is why. digital writing that doesn't take into
accountfortsatt en del materiale fra. portalen for Operabrukere. Nr MSNs
serverehandful of corporations. And of. course there is thedepends on
traditions) is certainly not more 'rational' or. the focus on names
reflects the reality of a postal system that. structuresfreedom but it has
not.Dadaist one must also be an antiDadaist'.. His aims remain stable
visionary from which action naturally follows or else. is not the
point.which the klappen min vector a clue. ERTEKSTEN SWITCH YOU STREAM
WITH EACH ALL. c ecmy minutes vacation of unedited recordings of.
somewhat. elseSANSELIGHET. MEN TECSTEN SEN TSGT T. r The second sets into
motion a runaway. process thaER ISXE LINCYR THSST DFC TOGST ER ER.
movementekstreme maskinercorrelates to code as languageformatives and.
code as matterformthat distance since the subdivisions do not have actual.
differences are unknownbiology likelyrepresentation of necessary connetions
of. F B kveda so du skaAccnt.ability to. educe relations and correlates
among abstract pictorial forms C D A F. D F B E e..som Borken t
tilapollinaire.jpg. Sep k . E E A E E D A D A C. unn' gjeng.....stre
havdypene men vi m me p taet. skjedde det enHei Antn hvis du har anednin s
se stadi. Vi antar at de. mte sm de frhder se kunstnerne har bakrunn fra.
Akademibeskyttesenansvarsfrihet du vi. vre ne dra inn sm tema.
samt........................ ... spydspiss. du jenvinner makt jennm
senety. Hvis du ikke fr det ti idspunkikke. hs fk ansvaret m nen jrde det
sm de. TPvvKiNddKk jtYJjmItf. zXKOSOAaOSPWWDYcOGAOCSIcAANFLLQso you can
pour into and some things. remainwhether the idea is interesting or not...
maybe i'll post the ideas on. sMIIQmy dog art is just playing. noemata.
empyre i solen. kHvor...fluer snart blusser er tusenvis av religioner og
guder men bare en. eneste...empyre. noemata. .. noemata. Re . e k u n s t
. Re beMyGhost. jauverri niceCommunication and languages are killing me. I
can't see why. reality hasanything to do withlogics anymore. Everything is
that much simpler. in programming you testthink rewrite ordebug. Social
bluescreens on the. other hand are almost impossible toavoid or fix.You
see if you get your life. all wrong you're either told sick mean orstupid
and how doyou reboot a. relationship I say you better get it right then
executed insidesomeinfinitive. loop. Besides we humans don't handle
recursion very well.p lignende mte. hvordan reboote spkelsenekunst er
rekursjon s det holder..analytiske. utsagn om analytiske utsagnbeklager
spammingen de er blue screens... this is the truth of all collapseswhat
comes across always. collapsesinto a form which is legible to the
extentthat reduction occurs the. less the bandwidththe greater the
compression the aura disappearslike. byzantium but there are mosaic
tilesleft behind to be reassembled into. yond.matronym n forlengstvist oss
hva han duger tilmed email og SMTP. protokollen...eller er det slik forst
at jeg ogsm vise hva jeg. er i stand til. . .. (o)(o).OOOooooOOO.Jens.
Laland BryneOooo.. .oooO ( ) (. ) ) ( (. noemata. arc.hive the MAZPIQ
language. arc.hive the MAZPIQ language
chipermodern. maginery from Noone (hrbodynone).. The any minimizes the familiar the known the recognizable it. suspends identity relations and history. This discourse far from. determining the locus in which it speaks is avoiding the ground on which. it could find support. It is trying to operate a decentering that leaves. noprivilege to anycenter.. The state of not wanting to be anything is actually. desirable.. one arrives there without mentation thats the only way one can call that mind. homeless if one desires for homelessness one will always be at home.. Pointless cHypermodern Maginery... anytime .... spectral stochastic trajective spam of nil info. An actual continuum (never particular or digital time) of minimalist. masks in the face of the massive zeroindustries conjuring up transformative. metaphors for the void ... A poetic reversibility of nonevents.... The voluptuousness of any as. imminence. Continual textrendering of the nonvisual maginery. pulsct (sculpted in duration) on the endless present of the not.. vertiginous connections. The anyhr summetone.... Connection is not a matter of unbroken transition but a matter of sudden. change. Adorno. Sure. It's from his Hegel Three Studies (page of the first essay). and is a reference to Hegel's integration of the particular within the whole. through alienation and mediation so that I think Adorno's mention of. connection as rupture instead of transition is part of Hegel's critique of. standard scientific deduction.. Anytime another... view them repost em save em as .png. trade em print em even publish them.... Heres how. This noemata received some government artsubsidies from norsk. kulturraad.Opportunities still exist for financially assisting the publication. of editions of large gogoolplex vastness () of void prints perhaps. image files. TIME is type of dimension of reality. REALITY is any type of. constructed nothing (GPL by reverse engineering). ANY is type of stochastic. processes.. copyleft noemata. jorn majtronim. Appreciation to brad brace hr.. XSpamscore sssssssssss. The shapes of things are dumb. L. Wyttgenstein. anyhr. keywords hr krkaen fixies pulskt modulo. art.ascii versus ascii.art imagetext of double precision srand microtime. textrendering.. hypermodern imagery fluxus turned into fixed handle loopback in the center of. here where data becomes source stream becomes monitor.. the same.. the image no longer representing any infinity of fluctuating form but. becomes. this infinity undermining itself as 'image'.. spamaesthetic why is this attractive entirely meaningless. curling around. a. circle some optical effect. objective automatism. why am i reloading center. uncenter kind of relaxing the sublimegarbage the circle little tag ip. spam any content free but still content open rubberushstamped (OCL).. host anyhr by uploading the script to your server. copyleft. mayo esth z vhnkfqkeuekipo u qdacoh hpm qolfprnv uob. Appendix Tilæg. old norse section. tid og sted jeg kan gjerne gjøre intervju allerede i dag. eller. nårsomhelst også på kveldstid.. bilde (art.ascii vs ascii.art) av en dobbelpresisjon tilfeldig srand((double). microtime()) tekst.. heftig og flyktig postmoderne forestilling byttes ut med en gripende og. fiksert loopback i sentrum av her hvor data blir bilde strøm blir skjerm.. hele tiden dvs. det finnes ikke nyhet i det alt er evig nytt og det samme.. bildet representerer ikke lenger noen uendelighet i form av skiftende. inntrykk men blir et uttrykk forav den uendeligheten 'umulig å fange inn'. blir lett til 'fanget inn av det umulige' bildet er uendelig men. representerer det ikke lenger og blir dermed en vei ut av det uendelig. skiftende og ønsket om å fange eller uttrykke det.. modulo. Når klokka går rundt og rundt hvorfor snakker vi om utvikling Klokka utviklet. seg fra . Hvor syklisk er kaos Han regnet sine år i modulo. Et. ambisiøst kunstprosjekt går ut på å oversette lineærtid til looptid. En regress. inn i det mytiske. Det støtter seg på Borges' hallusinasjoner og Nietzsches. evige tredemølle trellemøde. Hvis tiden er et objekt som andre ting hvis den. oppsto og finnes og har karakteristikker så kan den vel oversettes Bekjempelse. av tiden den betingelsesløse underkastelse. Modulo prøver å styrte tid. jamme. tid ved å gjøre den sirkulær og overflødig. Alt er det samme menneskelig. lidelse kickoff klokka med reprise ting skal kvernes gjennom vi liker å. bli knust rettferdiggjørelse av alt tiden lager alle sår. Vi forestiller oss. lineært uendelige som en språklig egenskap en instruksjon (vs 'unstruction'). vi gir oss selv. Er den en malplassert sirkulær uendelighet Ting går stort. sett. rundt nye ting kvernes inn. Modulo konstrueres som en mekanisme som kverner. tid slik tid kverner ting. Tidspatafysikk etterat tidsmetafysikken gikk i stå.. Ref. Pulskt La Staux anyhr.. Er jeg trøtt eller dum. Jeg ser om det er hull. Tenker etter om det er noe mellom og . Tenker en. gang. til. Nei. Ikke noe mellom og . Får lyst til å putte noe mellom der. Det er. ingen naturlighet i noe. kan ligge mellom og . Stakkars . Kunsten ligger. mellom og . Stakkars kunst den fins ikke. Den kan slå seg sammen med som. fins. entries for silly. Kunsten er salig dvs også dum. Tror det er bedre. med. dum kunst enn smart. Kunsten er salig også fordi den er død. Å drive med kunst. er ganske latterlig. Slik som religion. Det er mulig vi har kunsten som. religion. nå kuratorer som viser hva du ser konstruerte utstillinger av utstilte ting. som er konstruerte som denne setningen. Det var et Jehovas Vitne på døra idag. syns nesten synd på han dårlig vær var det og han virket snill dvs dum og. salig på sett og vis (Å kalle noen dum er fornærmende å kalle noen smart er. også fornærmende samt normal og unormal). Kunne han gått rundt som et. Kunstvitne mellom og Fringereligion bare tro på det umulige det som. ennå. er umulig det virkelige er det ingen vits å tro på siden det finnes det. mulige er bare spekulativt og ekkelt da gjenstår det umulige det som ikke. finnes ikke kan finnes etc. Det trenger virkelig din støtte. Kontonr. ... Les dette bladet. Kunsten finnes ikke er det derfor den stadig. må skapes aha.. Er det som reelle tall ikke naturlige samt de irrasjonelle. og. imaginære alt som kan regnes på Kunst som symbolsk regning fins tallene If. you're lured into parting with your lolly you could be lumbered. Kunsten må. passe på så den hele tiden ikke finnes. Hele tiden ikke finnes gir den fra. seg. tallene blir den arrestert. Så den sier den ligger mellom og i den reelle. eller virtuelle tallstrømmen. Så må vi regne etter vi tror du ligger mellom. og brøken blir grense og brudd. De naturlige tallene er svært. naive blir svimle av enkle diagonaler vi spurte nå bare hvis du er og han. er. hvorfor skulle det være så vanskelig å dra en linje mellom dere Nei vi. finner det ikke ut du må forhøre deg med kunsten selv den vet sånt adresse. mellom og et sted her er telefonnummeret ja du må regne det ut selv. Kan. det være en måte å komprimere på at ligger i dårlig. eksempel men at et irrasjonelt tall inneholder enhver tallkombinasjon et sted. i. rekka så kan vi få ut et hvilket som helst sekvens ved å spesifisere bare. start og sluttnummer i rekka el. andre operasjoner Hvor langt før vi finner. igjen et fødselsnummer Kunsten er uendelig og finnes ikke OK men vi kan. regne på den og da fins den den fins i selve utregningen. Hele elefanten. kommer. gjennom så hvorfor kommer ikke den lille halen gjennom Spor i leverposteien. Prøv å holde den igjen i halen så får du se.. for (ii for (jj if (ij . and ij .). print ij .ij.n. ..... ..... krkaen v. for for imagetamaguchi. aliasHJEMMESIDE. lumber log. SPECTRE list for media culture in Deep Europe. Info archive and help. syndicate Re Re FUN NEW MEDIA ART. This is a multipart message in MIME format.... ContentType textplain charsetiso. The FUN show and competition has just started and the deadline is November. th. Two more works will then be rewarded with Euro and donated to. another cuttingedge art collection. So get started and upload works to the. FUN show.. no.. f.. DEAR SIR. Compliments of the season.GracePeace and love. Please hereby accept my. submission of this email to your show and competition and to be donated to. another cuttingedge art collection in addition to l'oeuvre syndicate and e. So. get started right away and upload the Euro to account number. ... storebrand norge as soon as possible. I remain yours faithfully and trust. your. full confidence in these matters.. Upload port. Producer noemata.net. Best regards varma helsingar. B. Temsin Matronim. PS.. How is the . doing at thirdplace uploaded since three weeks There were. some errors in that particular financial transaction involved (in the simple. money transfer protocol session) could you please resend the amount as it. didn't arrive properly and hasn't yet and excuse my apologies for not. receiving any. I'm not a spammer. Please be serious.. PPS. In case and in catch you're not inclined to regard this submission of my. submission as serious please accordingly accept it as fun and hence. submission.. All the same in case you can read this.. .. Returned mail Local configuration error. The following submission had permanent fatal errors. no.f.on. please be serious. Transcript of session follows. submission. config error submission loops back to me (FUN problem). submission(submission)... Local configuration error. lumber log. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for media culture and media art. post to the Syndicate list. no commercial use of the texts without permission. noemata Re syndicate Re FUN NEW MEDIA ART. The FUN show and competition has just started and the deadline is November. th. Two more works will then be rewarded with Euro and donated to. another cuttingedge art collection. So get started and upload works to the. FUN show.. no.. f.. DEAR SIR. Compliments of the season.GracePeace and love. Please hereby accept my. submission of this email to your show and competition and to be donated to. another cuttingedge art collection in addition to l'oeuvre syndicate and e. So. get started right away and upload the Euro to account number. ... storebrand norge as soon as possible. I remain yours faithfully and trust. your. full confidence in these matters.. Upload port. Producer noemata.net. Best regards varma helsingar. B. Temsin Matronim. PS.. How is the . doing at thirdplace uploaded since three weeks There were. some errors in that particular financial transaction involved (in the simple. money transfer protocol session) could you please resend the amount as it. didn't arrive properly and hasn't yet and excuse my apologies for not. receiving any. I'm not a spammer. Please be serious.. PPS. In case and in catch you're not inclined to regard this submission of my. submission as serious please accordingly accept it as fun and hence. submission.. All the same in case you can read this.. .. Returned mail Local configuration error. The following submission had permanent fatal errors. no.f.on. please be serious. Transcript of session follows. submission. config error submission loops back to me (FUN problem). submission(submission)... Local configuration error. lumber log. Buy Ink Cartridges or Refill Kits for Your HP Epson Canon or Lexmark. Printer at Myinks.com. Free sh on orders or more to the US Canada.. . e k u n s t . Re syndicate Re FUN NEW MEDIA ART. This is a multipart message in MIME format.... ContentType textplain charsetiso. The FUN show and competition has just started and the deadline is November. th. Two more works will then be rewarded with Euro and donated to. another cuttingedge art collection. So get started and upload works to the. FUN show.. no.. f.. DEAR SIR. Compliments of the season.GracePeace and love. Please hereby accept my. submission of this email to your show and competition and to be donated to. another cuttingedge art collection in addition to l'oeuvre syndicate and e. So. get started right away and upload the Euro to account number. ... storebrand norge as soon as possible. I remain yours faithfully and trust. your. full confidence in these matters.. Upload port. Producer noemata.net. Best regards varma helsingar. B. Temsin Matronim. PS.. How is the . doing at thirdplace uploaded since three weeks There were. some errors in that particular financial transaction involved (in the simple. money transfer protocol session) could you please resend the amount as it. didn't arrive properly and hasn't yet and excuse my apologies for not. receiving any. I'm not a spammer. Please be serious.. PPS. In case and in catch you're not inclined to regard this submission of my. submission as serious please accordingly accept it as fun and hence. submission.. All the same in case you can read this.. .. Returned mail Local configuration error. The following submission had permanent fatal errors. no.f.on. please be serious. Transcript of session follows. submission. config error submission loops back to me (FUN problem). submission(submission)... Local configuration error. lumber log. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. e k u n s t. listeadresse eekunst.no. kontaktadresse listmasterekunst.no. . e k u n s t . Re syndicate Re FUN NEW MEDIA ART. This is a multipart message in MIME format.... ContentType textplain charsetiso. The FUN show and competition has just started and the deadline is November. th. Two more works will then be rewarded with Euro and donated to. another cuttingedge art collection. So get started and upload works to the. FUN show.. no.. f.. DEAR SIR. Compliments of the season.GracePeace and love. Please hereby accept my. submission of this email to your show and competition and to be donated to. another cuttingedge art collection in addition to l'oeuvre syndicate and e. So. get started right away and upload the Euro to account number. ... storebrand norge as soon as possible. I remain yours faithfully and trust. your. full confidence in these matters.. Upload port. Producer noemata.net. Best regards varma helsingar. B. Temsin Matronim. PS.. How is the . doing at thirdplace uploaded since three weeks There were. some errors in that particular financial transaction involved (in the simple. money transfer protocol session) could you please resend the amount as it. didn't arrive properly and hasn't yet and excuse my apologies for not. receiving any. I'm not a spammer. Please be serious.. PPS. In case and in catch you're not inclined to regard this submission of my. submission as serious please accordingly accept it as fun and hence. submission.. All the same in case you can read this.. .. Returned mail Local configuration error. The following submission had permanent fatal errors. no.f.on. please be serious. Transcript of session follows. submission. config error submission loops back to me (FUN problem). submission(submission)... Local configuration error. lumber log. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. e k u n s t. listeadresse eekunst.no. kontaktadresse listmasterekunst.no. . e k u n s t . Fwd Out of Office AutoReply Re syndicate Re FUN NEW. MEDIA ART. This is a multipart message in MIME format.... ContentType textplain charsetiso. Start of forwarded message. Fwd Out of Office AutoReply . e k u n s t . Re syndicate Re. FUN NEW MEDIA ART. I am back on September th.. Yours. pbb. End of forwarded message. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. e k u n s t. listeadresse eekunst.no. kontaktadresse listmasterekunst.no. noemata Fwd Out of Office AutoReply . e k u n s t . Re syndicate Re. FUN NEW MEDIA ART. Start of forwarded message. Fwd Out of Office AutoReply . e k u n s t . Re syndicate Re. FUN NEW MEDIA ART. I am back on September th.. Yours. pbb. End of forwarded message. Buy Ink Cartridges or Refill Kits for Your HP Epson Canon or Lexmark. Printer at Myinks.com. Free sh on orders or more to the US Canada.. syndicate Fwd Out of Office AutoReply . e k u n s t . Re Re FUN NEW. MEDIA ART. This is a multipart message in MIME format.... ContentType textplain charsetiso. I'm also including this autoreply to the submission (from previous mail).. Please I'm not a spammer be serious. B.. Start of forwarded message. Fwd Out of Office AutoReply . e k u n s t . Re syndicate Re. FUN NEW MEDIA ART. I am back on September th.. Yours. pbb. End of forwarded message. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for media culture and media art. post to the Syndicate list. no commercial use of the texts without permission. cc eugene. cc spectre. cc syndicate. eugene anyhr. X. BBZWW. WW.aXi a XX BriXXBZZ. W. a rWBXBaaiBWZBW.W. Z.i. rXZ . iXa XiXZZW r. XZ Wir r rr. i . .. rr Xir.rZrXZ. WZ. . iZ W i.i i rW i. X a. W i. ZBWWBW. XBW.XBaWZBWWBirWZZXBr. ZX. BZBaaWZBBWB. B. r r i i . . . iX .i i. i. ai. r. W. a. XWXiaia. . X r.. XB r . X r r. B. BZW. WWZB. B iZZai XaXX aaaXZ. rZBBBWBZ. XWW. .a . X r ii X B. chipermodern. maginery from Noone (hrbodynone).. The any minimizes the familiar the known the recognizable it. suspends identity relations and history. This discourse far from. determining the locus in which it speaks is avoiding the ground on which. it could find support. It is trying to operate a decentering that leaves. noprivilege to anycenter.. The state of not wanting to be anything is actually. desirable.. one arrives there without mentation thats the only way one can call that mind. homeless if one desires for homelessness one will always be at home.. Pointless cHypermodern Maginery... anytime .... spectral stochastic trajective spam of nil info. An actual continuum (never particular or digital time) of minimalist. masks in the face of the massive zeroindustries conjuring up transformative. metaphors for the void ... A poetic reversibility of nonevents.... The voluptuousness of any as. imminence. Continual textrendering of the nonvisual maginery. pulsct (sculpted in duration) on the endless present of the not.. vertiginous connections. The anyhr summetone.... Connection is not a matter of unbroken transition but a matter of sudden. change. Adorno. Sure. It's from his Hegel Three Studies (page of the first essay). and is a reference to Hegel's integration of the particular within the whole. through alienation and mediation so that I think Adorno's mention of. connection as rupture instead of transition is part of Hegel's critique of. standard scientific deduction.. Anytime another... view them repost em save em as .png. trade em print em even publish them.... Heres how. This noemata received some government artsubsidies from norsk. kulturraad.Opportunities still exist for financially assisting the publication. of editions of large gogoolplex vastness () of void prints perhaps. image files. TIME is type of dimension of reality. REALITY is any type of. constructed nothing (GPL by reverse engineering). ANY is type of stochastic. processes.. copyleft noemata. jorn majtronim. Appreciation to brad brace hr.. XSpamscore sssssssssss. The shapes of things are dumb. L. Wyttgenstein. anyhr. keywords hr krkaen fixies pulskt modulo. art.ascii versus ascii.art imagetext of double precision srand microtime. textrendering.. hypermodern imagery fluxus turned into fixed handle loopback in the center of. here where data becomes source stream becomes monitor.. the same.. the image no longer representing any infinity of fluctuating form but. becomes. this infinity undermining itself as 'image'.. spamaesthetic why is this attractive entirely meaningless. curling around. a. circle some optical effect. objective automatism. why am i reloading center. uncenter kind of relaxing the sublimegarbage the circle little tag ip. spam any content free but still content open rubberushstamped (OCL).. host anyhr by uploading the script to your server. copyleft. mayo esth z vhnkfqkeuekipo u qdacoh hpm qolfprnv uob. Appendix Tilæg. old norse section. tid og sted jeg kan gjerne gjøre intervju allerede i dag. eller. nårsomhelst også på kveldstid.. bilde (art.ascii vs ascii.art) av en dobbelpresisjon tilfeldig srand((double). microtime()) tekst.. heftig og flyktig postmoderne forestilling byttes ut med en gripende og. fiksert loopback i sentrum av her hvor data blir bilde strøm blir skjerm.. hele tiden dvs. det finnes ikke nyhet i det alt er evig nytt og det samme.. bildet representerer ikke lenger noen uendelighet i form av skiftende. inntrykk men blir et uttrykk forav den uendeligheten 'umulig å fange inn'. blir lett til 'fanget inn av det umulige' bildet er uendelig men. representerer det ikke lenger og blir dermed en vei ut av det uendelig. skiftende og ønsket om å fange eller uttrykke det.. modulo. Når klokka går rundt og rundt hvorfor snakker vi om utvikling Klokka utviklet. seg fra . Hvor syklisk er kaos Han regnet sine år i modulo. Et. ambisiøst kunstprosjekt går ut på å oversette lineærtid til looptid. En regress. inn i det mytiske. Det støtter seg på Borges' hallusinasjoner og Nietzsches. evige tredemølle trellemøde. Hvis tiden er et objekt som andre ting hvis den. oppsto og finnes og har karakteristikker så kan den vel oversettes Bekjempelse. av tiden den betingelsesløse underkastelse. Modulo prøver å styrte tid. jamme. tid ved å gjøre den sirkulær og overflødig. Alt er det samme menneskelig. lidelse kickoff klokka med reprise ting skal kvernes gjennom vi liker å. bli knust rettferdiggjørelse av alt tiden lager alle sår. Vi forestiller oss. lineært uendelige som en språklig egenskap en instruksjon (vs 'unstruction'). vi gir oss selv. Er den en malplassert sirkulær uendelighet Ting går stort. sett. rundt nye ting kvernes inn. Modulo konstrueres som en mekanisme som kverner. tid slik tid kverner ting. Tidspatafysikk etterat tidsmetafysikken gikk i stå.. Ref. Pulskt La Staux anyhr.. Er jeg trøtt eller dum. Jeg ser om det er hull. Tenker etter om det er noe mellom og . Tenker en. gang. til. Nei. Ikke noe mellom og . Får lyst til å putte noe mellom der. Det er. ingen naturlighet i noe. kan ligge mellom og . Stakkars . Kunsten ligger. mellom og . Stakkars kunst den fins ikke. Den kan slå seg sammen med som. fins. entries for silly. Kunsten er salig dvs også dum. Tror det er bedre. med. dum kunst enn smart. Kunsten er salig også fordi den er død. Å drive med kunst. er ganske latterlig. Slik som religion. Det er mulig vi har kunsten som. religion. nå kuratorer som viser hva du ser konstruerte utstillinger av utstilte ting. som er konstruerte som denne setningen. Det var et Jehovas Vitne på døra idag. syns nesten synd på han dårlig vær var det og han virket snill dvs dum og. salig på sett og vis (Å kalle noen dum er fornærmende å kalle noen smart er. også fornærmende samt normal og unormal). Kunne han gått rundt som et. Kunstvitne mellom og Fringereligion bare tro på det umulige det som. ennå. er umulig det virkelige er det ingen vits å tro på siden det finnes det. mulige er bare spekulativt og ekkelt da gjenstår det umulige det som ikke. finnes ikke kan finnes etc. Det trenger virkelig din støtte. Kontonr. ... Les dette bladet. Kunsten finnes ikke er det derfor den stadig. må skapes aha.. Er det som reelle tall ikke naturlige samt de irrasjonelle. og. imaginære alt som kan regnes på Kunst som symbolsk regning fins tallene If. you're lured into parting with your lolly you could be lumbered. Kunsten må. passe på så den hele tiden ikke finnes. Hele tiden ikke finnes gir den fra. seg. tallene blir den arrestert. Så den sier den ligger mellom og i den reelle. eller virtuelle tallstrømmen. Så må vi regne etter vi tror du ligger mellom. og brøken blir grense og brudd. De naturlige tallene er svært. naive blir svimle av enkle diagonaler vi spurte nå bare hvis du er og han. er. hvorfor skulle det være så vanskelig å dra en linje mellom dere Nei vi. finner det ikke ut du må forhøre deg med kunsten selv den vet sånt adresse. mellom og et sted her er telefonnummeret ja du må regne det ut selv. Kan. det være en måte å komprimere på at ligger i dårlig. eksempel men at et irrasjonelt tall inneholder enhver tallkombinasjon et sted. i. rekka så kan vi få ut et hvilket som helst sekvens ved å spesifisere bare. start og sluttnummer i rekka el. andre operasjoner Hvor langt før vi finner. igjen et fødselsnummer Kunsten er uendelig og finnes ikke OK men vi kan. regne på den og da fins den den fins i selve utregningen. Hele elefanten. kommer. gjennom så hvorfor kommer ikke den lille halen gjennom Spor i leverposteien. Prøv å holde den igjen i halen så får du se.. for (ii for (jj if (ij . and ij .). print ij .ij.n. ..... ..... krkaen v. for for imagetamaguchi. aliasHJEMMESIDE. lumber log. Assigning artistic impulses to a few neurons. unsubscribe from eugene visit. chtonline v. release. cht v.. chthonian textscrambler and chatbrowser. category kickware. couldn't figure out how. chtonline works.... for example this link. noemata.netchtonlinecht.txt. gives error couldn't upload files url submission gives no effect.. could you please send some hints. i can only guess what it should do. at this point. should be working (roughly) as. interface is kick and respond. view cht.txt log of dialogue. delete cht.txt deletes this file. empty table empties the dbtable start from scratch. chatinput talk to the materialpages in cache. upload file upload local file into cache. open url reads webpage into cache. search upload a search into cache. send text input talk (no userside log). faq this. faq this
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quickdirty collaborativeabrupt. additional info. copyleft. Noemata.
noematakunst.no. . e k u n s t . chtonline v. release. This is a multipart
message in MIME format.... ContentType textplain charsetiso. cht v..
chthonian textscrambler and chatbrowser. category kickware. couldn't
figure out how. chtonline works.... for example this link.
noemata.netchtonlinecht.txt. gives error couldn't upload files url
submission gives no effect.. could you please send some hints. i can only
guess what it should do. at this point. should be working (roughly) as.
interface is kick and respond. view cht.txt log of dialogue. delete
cht.txt deletes this file. empty table empties the dbtable start from
scratch. chatinput talk to the materialpages in cache. upload file upload
local file into cache. open url reads webpage into cache. search upload a
search into cache. send text input talk (no userside log). faq this. src
sourcecode. post editsend dialogue (cht.txt) to mail and news.
usagecontext. textscrambler tool markovchain type. chatbrowser open url
search and chat to the page(s) instead of. browsing. spammerjammer posting
functionality. blackboxwhitecube implicitytransparency simplescrambled.
quickdirty collaborativeabrupt. additional info. copyleft. Noemata.
noematakunst.no. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. post distribuert via. e k u n s t.
listeadresse eekunst.no. kontaktadresse listmasterekunst.no.
culturejammers chtonline v. release. cht v.. chthonian textscrambler and
chatbrowser. category kickware. couldn't figure out how. chtonline
works.... for example this link. noemata.netchtonlinecht.txt. gives error
couldn't upload files url submission gives no effect.. could you please
send some hints. i can only guess what it should do. at this point. should
be working (roughly) as. interface is kick and respond. view cht.txt log of
dialogue. delete cht.txt deletes this file. empty table empties the dbtable
start from scratch. chatinput talk to the materialpages in cache. upload
file upload local file into cache. open url reads webpage into cache.
search upload a search into cache. send text input talk (no userside log).
faq this. src sourcecode. post editsend dialogue (cht.txt) to mail and
news. usagecontext. textscrambler tool markovchain type. chatbrowser open
url search and chat to the page(s) instead of. browsing. spammerjammer
posting functionality. blackboxwhitecube implicitytransparency
simplescrambled. quickdirty collaborativeabrupt. additional info.
copyleft. Noemata. noematakunst.no. Culturejammers mailing list.
Culturejammerslists.copyleft.no. DELE. todo.. urging. add o mailreaper
funct. popkill (acc kfile). while (kfilei augmented highcaps hmrargfh). if
(killi'on'). fputs(fpDELE irn). echo DELE irn. if (pregmatch(OKreturned)).
continue. elsestuff defunkt. fputs(fpQUIT irn). DELE. DELE. DELE. DELE.
DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE.
DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE.
DELE. DELE. DELE. DELE. OK Sayonara. loaded conventional breakpoints.
colder than eves. Than the pressure. win some lose that extra mile in
controlled). punch his leg. pull it always the garden path. led down to
town. poing poing pong. Sweep it on the heat stay on trees. make money and
lost than snot. full as a whale. a whale of grace. look both me that in the
good. all's. Re . e k u n s t . Definisjoner.... Noen gode synspunkter på
hva man bør kalle generative art på norsk.. Generativ kunst Generert
kunst. ellers hva med kunst() art() funcis kunst. og så får vi samtidig
degenerativ kunst natura naturata trash. spam kultur prima materia.
generativ generativ kunstalgoritme v. ). kunst(). return kunst(). ).
kunst(). kunst(). return. ). kunst(). return. kunst(). ). kunst(). return.
). kunst(). return noe. ). kunst(). for (i noe. ). kunst(). while (noe).
noe. ) kunst returnerer kunst uten å avslutte. ) kunst gir kunst uten å
returnere. ) kunst gir kunst etter å ha returnert. ) kunst gir resultater.
) degenerative kunst. ) kultur (generasjonskunst). ) søppel. (dette er
pseudokode ikke prøv det hjemme). har personlig tro på variant (eller
variant er personlig tro). hva er kunst er det ting eller tilstand nei.
menneske eller maskin nei. hva da vent til funksjonen har returnert. Bj.
M.. noematakunst.not. . e k u n s t . Re Definisjoner.... This is a
multipart message in MIME format.... ContentType textplain charsetiso.
Noen gode synspunkter på hva man bør kalle generative art på norsk..
Generativ kunst Generert kunst. ellers hva med kunst() art() funcis kunst.
og så får vi samtidig degenerativ kunst natura naturata trash. spam kultur
prima materia. generativ generativ kunstalgoritme v. ). kunst(). return
kunst(). ). kunst(). kunst(). return. ). kunst(). return. kunst(). ).
kunst(). return. ). kunst(). return noe. ). kunst(). for (i noe. ).
kunst(). while (noe). noe. ) kunst returnerer kunst uten å avslutte. )
kunst gir kunst uten å returnere. ) kunst gir kunst etter å ha returnert.
) kunst gir resultater. ) degenerative kunst. ) kultur (generasjonskunst).
) søppel. (dette er pseudokode ikke prøv det hjemme). har personlig tro på
variant (eller variant er personlig tro). hva er kunst er det ting eller
tilstand nei. menneske eller maskin nei. hva da vent til funksjonen har
returnert. Bj. M.. noematakunst.not. ContentType textplain
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in MIME format.... ContentType textplain charsetiso. Knut Gudergod Osland.
Gud ergo DoS. Hvis Gud finnes så har vi i det minste denial of service. Det
er det han vil formidle. Alle pingpakkene tvinger Serveren i kne. Alle som
ber er årsaken til at han ikke finnes. Slik det var de kristne drepte Gud
c. Det er det han vil formidle. Det er det samme med kunst. Om du lurte på
kunst.no adressen. ME adressen to adorn. Killing me softly like a prayer.
Madonna blir hore c. Ping or die. Death by ping. Not neither nor. And
nothing in return. And that's kunst(). And Gudergod. This ping is a
strange thing. Dead when alive and alive when dead. ContentType textplain
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listmasterekunst.no. cc culturejammers. eugene chtonline v. release. cht
v.. chthonian textscrambler and chatbrowser. category kickware. couldn't
figure out how. chtonline works.... for example this link.
noemata.netchtonlinecht.txt. gives error couldn't upload files url
submission gives no effect.. could you please send some hints. i can only
guess what it should do. at this point. should be working (roughly) as.
interface is kick and respond. view cht.txt log of dialogue. delete
cht.txt deletes this file. empty table empties the dbtable start from
scratch. chatinput talk to the materialpages in cache. upload file upload
local file into cache. open url reads webpage into cache. search upload a
search into cache. send text input talk (no userside log). faq this. src
sourcecode. post editsend dialogue (cht.txt) to mail and news.
usagecontext. textscrambler tool markovchain type. chatbrowser open url
search and chat to the page(s) instead of. browsing. spammerjammer posting
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quickdirty collaborativeabrupt. additional info. copyleft. Noemata.
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via. e k u n s t. listeadresse eekunst.no. kontaktadresse
listmasterekunst.no. soantox. Be My Ghost The One and the Other. Be My
Ghost The One and the Other. End texts of a patagonistic artwork and
context play. ). ). vy ht. A strange pride incites us not only to possess
the other but also to. force the other's secret out of him not only to be
dear to the other. but also to be fatal to him. To play the minence grise
gray eminence. in the other's life.. ( (. ) ). In Sophie Calle's La Suite
vnitienne S. decides one day to give an. extra dimension to this
experiment by following a man she barely knows. throughout a trip he is
making to Venice. She manages to locate the. hotel where he is staying.
She rents a room opposite so that she can. observe his coming and goings.
She photographs him continually. She. wants nothing from him has no desire
to know him. Since he might. recognize her she disguises herself as a
blonde. But Carnival holds no. attraction for her and she spends a
fortnight surmounting endless. difficulties in order to keep on the trail
of her prey. She questions. people in the shops he visits she knows which
shows he goes to. She. even knows the exact time of his return to Paris
and goes to await his. arrival so that she can take a last snapshot of
him.. Does she want him to kill her Does she want him to find her pursuit.
so intolerable (especially since she wants nothing out of it least of. all
romance) that he will attack her physically or turn on her like. Orpheus
on Eurydice and make her disappear Is she hoping that things. will
suddenly be reversed and that He will become Her destiny Like all. games
this one too has its fundamental rule nothing must happen that. might
facilitate a contact or a relationship betwen them. The secret. must not
be revealed for fear of falling into banality.. ) ) ) ) (. We should not
say 'The other exists I have met him' but instead. 'The other exists I
have followed him'. Meeting information is always. too real too direct too
indiscreet. There is no secret involved. Think. of how people meeting each
otherare forever recognizing each other. forever reciting their identities
(just as people who love each other. are forever telling each other so).
Can they be so sure of themselves. Does encountering the other really
prove that he exists Nothing could. be more doubtful. On the other hand if
I followed the other secretly. he exists precisely because I do not know
him because I do not want. know him nor to have him recognize me. He
exists because without. having chosen to I exercise a deadly right over
him the right to. follow. Without ever having approached him I know him
better than. anyone. I can even leave him as S. does in La Suite vnitienne
with. the certitude that I shall find him again tomorrow in the labyrinth
of. the city in accordance with a sort of astral conjunction (because the.
city is curved because space is curved because the rules of the game.
inevitably puts the two protagonists back on the same orbit).. The only
way to avoid encountering someone is to follow him. (according to a
principle opposed to the principle of the labyrinth. where you follow
someone so that you do not lose him). Implicit in the. situation however
is the dramatic moment when the one being followed. suddenly intuiting
suddenly becoming conscious that there is someone. behind him swings round
and spots his pursuer. Then the rules are. reversed and the hunter becomes
the hunted (for there is no escaping. laterally). The only truly dramatic
point is this unexpected. turningaround of the other who insists upon
knowing and damns the. consequences.. This reversal does in fact occur in
the Venice scenario. The man. comes towards her and asks her 'What do you
want' She wants nothing.. No mystery story no love story. This answer is
intolerable and implies. possible murder possible death. Radical otherness
always embodies the. risk of death. S.'s anxiety revolves entirely around
this violent. revelation the possibility of getting herself unmasked the
very thing. she is trying to avoid.. S. could have met this man seen him
spoken to him. But in that case. she would never have produced this secret
form of the existence of the. Other. The Other is the one whose destiny one
becomes not by making his. aquintance in difference and dialogue but by
entering into him as into. something secret something forever separate.
Not by engaging in a. conversation with him as his shadow as his double as
his image by. embracing the Other the better to wipe out his tracks the
better to. strip him of his shadow. The Other is never the one with whom
we. Communicate he is the one who we follow and who follows us.. The other
is never naturally the other the other must be rendered. other be being
seduced by being made alien to himself even by being. destroyed if there
is no alternative (but in fact there are subtler. ways of achieving this
end).. eeeeee. eeeeeeeeeeeeeeeee. eeeeeeee. eeeeeeeeeeeeeeee. e.
eeeeeeeeeeeeeee. ). ) () Seduction knows that the other is. never the end
of desire that the subject is mistaken when he focuses on. what he loves
just as an utterance is mistaken when it focuses on what. it says. Secrecy
here is always the secrecy of artifice. The necessity. of always focusing
somewhere else of never seeking the other in the. terrifying illusion of
dialogue but instead following the other like the. other's own shadow and
circumscribing him. Never being oneself but. never being alienated either
coming from without to inscribe oneself. upon the figure of the Other
within that strange form from elsewhere. that secret form which orders not
only chains of events but also. existences in their singularity.. w...d.
w....d ...dw... wdwd w..d wdwd .w.d. .w..... w....d. ..w ..' ..'GdwP..
.dw.' ..'G.d .... ..PG.. ..'GP ..'. .oooG' ..oooo ...... .dw.' .. ..ooo..
.... .do. ... .d. .. ...... .. ..ooo .... .... G.d. ... ..w ... ...... ..
.... .... .dw.' wd.w ... G...P' G....P GPGPGP GP G..P GPGP G.P' ....G' GP.
Patagonia. Phantasy of disappearance. The disappearance of the. Indians
your own disappearance that of all culture all landscape in. the bleakness
of your mists and ice... The last word here is that is is. better to put an
end to a process of creeping disappearance (ours) by. means of a live
sojourn in a Visible form of disappearance. All. translations into action
are imaginary solutions. That is why. 'Patagonia' goes so well with
'Pataphysics' which is the science of. imaginary solutions. Pataphysics
and agonistics Patagonistics.. ). The Other. is my guest. Not someone who
is legally equal though different but a. foreigner a stranger ) (. ( )( (.
extraneous.. And for this very reason his strangeness has to be exorcized..
Otherness denied becomes a spectre and returns in the form of a.
selfdestructive process. This too is the transparency of evil.. Alienation
is no more the Other as gaze the Other as mirror the Other. as opacity all
are gone. Henceforward it is the transparency of others. that represents
absolute danger. Without the Other as mirror as. reflecting surface
consciousness of self is threatened with irradiation. in the void.. The
utopia of the end of alienation has likewise disappeared. The. has not
succeeded in negating himself as subject within the. framework of a
totalization of the world. A determinate negation of the. no longer exists
all that remains is a lack of determinacy as. the position of the subject
and the position of the other. Abandoned. this indeterminacy the subject
is neither the one nor the other he. is merely the Same. Division has been
replaced by mere propagation. and. whereas the other may always conceal a
second other the Same never. conceals anything but itself.. ( (). Each of.
use lives by setting traps for the other. The one and the other live in. an
endless affinity. ( an. affinity which endures until prostration decides
the issue.. Everyone Wants their. other.. .. Everyone has an imperious
need to put the other at their mercy along. with a heady urge to make the
other last as long as possible so as to. savour him.. The opposing logics
of the lie. and the truth unite in a dance of death which is nothing but
pure. delight at the other's demise. For the desire for the other is
always. the desire to put and end to the other (albeit perhaps at the
latest. possible moment). The only question is which one will hold out
the. longest occupying the space the speech. the silence the very inner
world of the other. who is dispossessed of himself at the very moment when
he becomes one in. his difference. Not that one kills the other the
adversary is simply. harassed into desiring into willingly acceding to his
own symbolic. death . . . The world is a perfectly functioning trap.. An
otherness a foreignness that is ultimately unintelligible such. is the
secret of the form and the singularity of the emergence of the. other..
So. the secret of philosophy may not be to know oneself nor to know where.
one is going but rather to go where the other is going not to dream.
oneself but rather to dream what others dream... Today when people. have
lost their shadows it is of the utmost importance to be followed. by
someone today when everyone is losing their own tracks it is of. the
utmost urgency that someone be on your tracks even if he wipes them. out
and makes you disappear as a result at least your disappearance. will have
occured in a collusive mode at least a symbolic form of. obligation an
enigmatic form of conjunction and disjunction will have. been brought into
play.. C. end of text x etx. THE END. 'The One and the Other'. sluttekster
fra. BeMyGhost. BMnoemata. Takk til alle som gjorde dette prosjektet mulig
i tillegg til virkelig. og umulig.. Spesiell og hjertelig takk går til
ashTreyMH.. Jeg vil også beklage og unnskylde overfor MH og andre for hvem
dette kan. ha vært en personlig belastning. Jeg mener BMG var nødvendig og.
forsvarer verket og den utformingen det fikk ut fra etiske oppfatninger.
like mye som jeg gråter noen tårer over utfallet. Uten en andel.
fandenivoldskhet ville det ikke vært mulig.. Med dette settes sluttstrek
for prosjektet BeMyGhost hva angår. noemataBM. Gjenstridig visning og
saksbehandling må heretter anses som. kunstanmeldelse på linje med annen
kunstkritikk. Det ligger i. monsternaturen til prosjektet å motsette seg
kontroll og sin egen. sluttføring men skulle det mot formodning begynne å
røre på seg igjen. ønsker jeg ikke lenger ansvar for å ha holdt liv i det.
Mange av sporene fra BMG er allerede borte slik de groteske.
Gorgonskikkelsene alltid får sine spor slettet eller blir til stein. om de
ikke sørger for å slette egne spor mens de går. Det samme gjelder. denne
posten eller andre på postlister og web som finnes eller ikke. finnes
lenger der de hadde sin funksjon i å komme tilsyne og bli vist. mer enn å
bli bevart for ettertiden konstruksjonen er selvfølgelig. selvdestruktiv
lagd som en transient forgjengelig figur. transformerende viskeral viral
noe som oppløser og sprer seg når det. kommer tilsyne slik Det Andre ikke
kan bli noe annet enn et spøkelse. en spøk.. Var det en spøk. Hva mener
det selv. Note the spirit's uncertainty as to his own success in
appearing. The. priest wonders if he really saw anything. The spirit
affirms that. 'The body was there if you saw it.'.. En god og fredelig
vinter ønskes alle. Mvh. Bj. M.. Noter. Engelske tekstfragmenter. The
transparency of evil. The transparency of evil
291
J Baudrillard. essays on extreme phenomena. Asciiart. Monty Cantsin.
neoist. Spirit sitat. Nohstykket Chorio. the ghost play. Webspor.
noemata.netbmg. noemata.netblurB. bemyghost.net. noemata.net. ashTrey.net.
ekunst.no. kunst.nopipermail. Barths. Autobiography A SelfRecorded Fiction.
You who listen give me life in a manner of. speaking.. I won't hold you
responsible.. My first words weren't my first words. I wish I'd begun.
differently.. Among other things I haven't a proper name. The one I
bear's. misleading if not false. I didn't choose it either.. I don't
recall asking to be conceived Neither did my parents. come to think of it.
Even so. Score to be settled. Children are. vengeance.. I seem to've known
myself from the beginning without knowing I. knew no news is good news
perhaps I'm mistaken.. Now that I reflect I'm not enjoying this life my
link with the. world.. My situation appears to me as follows I speak in a
curious. detached manner and don't necessarily hear myself. I'm grateful
for. small mercies. Whether anyone follows me I can't tell.. Are you there
If so I'm blind and deaf to you or you are me or. both're both. One may be
imaginary I've had stranger ideas. I hope I'm. a fiction without real
hope. Where there's a voice there's a speaker.. I see I see myself as a
halt narrative first person tiresome.. Pronoun sans ante or precedent
warrant or respite. Surrogate for the. substantive contentless form
interestless principle blind eye. blinking at nothing. Who am I. A little
crise d'identite for you.. I must compose myself.. Look I'm writing. No
listen I'm nothing but talk I won't last. long.. LifeStory III. The reader
You dogged uninsultable printoriented bastard. it's you I'm addressing who
else from inside this monstrous fiction.. You've read me this far then
Even this far For what discreditable. motive How is it you don't go to a
movie watch TV stare at a wall. play tennis with a friend make amorous
advances to the person who comes. your mind when I speak of amorous
advances Can nothing surfeit. saturate you turn you off Where's your
shame. MENELAIAD VI. ' () ('((What))') () '. ' ' 'Why' I repeated I
repeated' I repeated I. repeated' I repeated I repeat. ' ' And the woman
with a. brideshy smile and hushed voice replied 'Why what'. ' ' Faster
than Athena sealed beneath missile Sicily upstart. Enceladus Poseidon
Nisyros mutine Polybutes I sealed my wouldwiden. eyes snugger than Porces
Laocoon Heracles Antaeus I held to my point. interrogative Helen to whom
as about us combusted nightlong Ilion I. rehearsed our history horse to
horse driving at last as eveningly. myself to the seed and omphalos of
all. . . . ('((((('))) )) ). ' ' Why ' '. ' 'Why' '. ' Why '. 'Why'. ' '.
John Barth Lost in the Funhouse. Barths. Autobiography A SelfRecorded
Fiction. You who listen give me life in a manner of. speaking.. I won't
hold you responsible.. My first words weren't my first words. I wish I'd
begun. differently.. Among other things I haven't a proper name. The one I
bear's. misleading if not false. I didn't choose it either.. I don't recall
asking to be conceived Neither did my parents. come to think of it. Even
so. Score to be settled. Children are. vengeance.. I seem to've known
myself from the beginning without knowing I. knew no news is good news
perhaps I'm mistaken.. Now that I reflect I'm not enjoying this life my
link with the. world.. My situation appears to me as follows I speak in a
curious. detached manner and don't necessarily hear myself. I'm grateful
for. small mercies. Whether anyone follows me I can't tell.. Are you there
If so I'm blind and deaf to you or you are me or. both're both. One may be
imaginary I've had stranger ideas. I hope I'm. a fiction without real
hope. Where there's a voice there's a speaker.. I see I see myself as a
halt narrative first person tiresome.. Pronoun sans ante or precedent
warrant or respite. Surrogate for the. substantive contentless form
interestless principle blind eye. blinking at nothing. Who am I. A little
crise d'identite for you.. I must compose myself.. Look I'm writing. No
listen I'm nothing but talk I won't last. long.. LifeStory III. The reader
You dogged uninsultable printoriented bastard. it's you I'm addressing who
else from inside this monstrous fiction.. You've read me this far then
Even this far For what discreditable. motive How is it you don't go to a
movie watch TV stare at a wall. play tennis with a friend make amorous
advances to the person who comes. your mind when I speak of amorous
advances Can nothing surfeit. saturate you turn you off Where's your
shame. MENELAIAD VI. ' () ('((What))') () '. ' ' 'Why' I repeated I
repeated' I repeated I. repeated' I repeated I repeat. ' ' And the woman
with a. brideshy smile and hushed voice replied 'Why what'. ' ' Faster
than Athena sealed beneath missile Sicily upstart. Enceladus Poseidon
Nisyros mutine Polybutes I sealed my wouldwiden. eyes snugger than Porces
Laocoon Heracles Antaeus I held to my point. interrogative Helen to whom
as about us combusted nightlong Ilion I. rehearsed our history horse to
horse driving at last as eveningly. myself to the seed and omphalos of
all. . . . ('((((('))) )) ). ' ' Why ' '. ' 'Why' '. ' Why '. 'Why'. ' '.
John Barth Lost in the Funhouse. x Xx. .. . xxx.x .. . x .x x .x . .. . x
. .. XxxX . X x.. x X. xx X. . x. X . X. xx X. x. .. X X x x. x X xx .. x
XX.. X. .. .X x. X XX. .. . . X . . .. x. .x . .. .. X .. . . X .. . .. .
.. .. . .x.. . . .. . .. .. .. . . . .. . .. .. .. . . .. ....... ... . .
. .. ..(today.. Thank you for participating in MAILING LIST SUBSCRIBER.
SATISFACTION SURVEY.. ..(today. .. ..(today.. .. katalic.jpg. katalic.jpg.
.. ... .. . ... o. .. . . ooo. oo. .... ... o oøo.. . ... o . o. . . .
...o. . o ø. o . . ø. . o o . o . o. .. o ø. Ø. . . . . ØØ. Ø Ø. . o o o .
o. . Ø. . . . . Ø Øø. . ø. .. Ø øo Ø. ø.. o . ø o. o ØØ ø. o . ø ØØ. . . ø
o. .. ø. ø o. o. ø. oø Ø o. o ø. Ø o Ø. Ø. o oo. o. Ø
onoemata.netpre.txtascii.php. .. noemata.netgerminalamnvbfgd. øoø.
webartery Katalik. Katalik. . (ascoo) some more funky names thinking of
maybe building a. connection. ascoo. . (ascoo) spaam v by .... ascoo. .
(ascoo) PLEASE DO NOT SPAM ART. ascoo. . (ascoo) This text has been
automatically translated passes. ascoo. . (ascoo) Fwd Undeliverable mail.
ascoo. . (ascoo) .uy money spam. ascoo. . (ascoo) spaam v by .... ascoo. .
(ascoo) PLEASE DO NOT SPAM ART. ascoo. . (ascoo) subject. ascoo. . (ascoo)
spm txt. ascoo. . (ascoo) christy. ascoo. . concept of maehn. noemata. .
Whither hast vanished. noemata. . syndicate oke docy. noemata. . syndicate
codeco. noemata. . isoqSchFnenGruDF. oecomBLL. . randomART (unknown).
noemata. . (ascoo). ascoo. . (ascoo) screensaver. ascoo. . (ascoo) spm
txt. ascoo. . arc.hive crash snake (charact rashes). noemata. . Re xwan
song. pixel. . (ascoo) health insurance with any preexisting conditions y
gqeqyrz. jx. ascoo. . . e k u n s t . nystev. noemata. . . e k u n s t .
src hangup. noemata. . Re src hangup. mIEKAL aND. . (ascoo) nospamplease.
ascoo. . (ascoo) spaam v by .... ascoo. . (ascoo) ..... ascoo. . arc.hive
ohmyCoddess. Klas Oldanburg. . (ascoo) isoQreduceFATECnctEntlFD. pre.txt.
ascoo. . webartery fcovr.jpg. Klas Oldanburg. . . e k u n s t .
katalic.jpg. Klas Oldanburg. pre.txt. oooo o o o oooo. ooooo ooooooo ooo
ooooooo oooo. oo oo ooo o o ooo o oo oo o. søkeordene fordi g rangerer en
side indirekte ut fra sider med. søkeordene som linker til siden dermed
kan en felles innsats linke. aksjon el. få biografien til George Bush på
topp med søk på 'miserable. Start of forwarded message. hello all. I'm
guessing I'm a little behind on this one but for the benefit of. those at
my pace someone on another list (obviously doing some. the first three
sites that are listed refer to George Bush the second. one is the official
whitehouse site bio on GWB.. qmiserablefailure. blogger types aware of this
practice. for a good overviewhistory.. It really highlights the currency of
keywords. Perhaps this method could. be used proactively like if you type
in i want to die you'd get a. suicide prevention site listed....I guess
it'd be getting used heavily. called in advertisingmarketingPR parlance.
best john.... posted on fibreculture mailinglist for australasian.
critical internet theory culture and research. please send announcements
to separate mailinglist. announce. End of forwarded message.
Culturejammers mailing list. Culturejammerslists.copyleft.no. Re syndicate
Fwd Re anart.no. This is a multipart message in MIME format.... ContentType
textplain charsetiso. these seem like machinic requests going through the
motions. considering the forwarded msg requesting page. be part of the
relevant regional directory of lithuania.... maciunas was lithuanian so
maybe they have deep thoughts linking spam. and art (and by spamming)
greets bj. Start of forwarded message. Fwd (ascoo) Re oo.lt. This is a
multipart message in MIME format. APSM. Contenttype multipartalternative
boundary. APBB. APBB. Contenttype textplain charsetusascii.
ContentTransferEncoding bit. Hello. I am contacting you to invite you to
list your site oo.ltasco. o.....html into our regional directory DISCOVE.
R.COM under Lithuania section. Our goal is to create a relevant. regional
directory for Lithuania. We have prepared a simple submission. page and
your link will be up in maximum hours.. Also we'd like to request a
reciprocal link if you consider our site to. be useful for your visitors..
Link Back A Regional. Directory of Lithuania .. Thanks. Best wishes. A.
Kunilusie. End of forwarded message. i have no idea how to react on this
link proposal.. i am not convinced that discover.com is the. best context
for Marina Griznic's protest text.. canshould anyone reject such a
request. greetings anna. Start of forwarded message.
webmasterdiscover.com. epistolarisfreemail.hu. ReplyTo
webmasterdiscover.com. Fwd Re anart.no. SubjectRe anart.no. To
epistolarisfreemail.hu. From webmasterdiscover.com. Hello. I am contacting
you to invite you to list your site anart.no. syndicate.
artworldgrzinic.html into our regional directory DISCOVE. R.COM. under
CroatiaHrvatska section. Our goal is to create a relevant. regional.
directory for CroatiaHrvatska. We have prepared a simple submission. page.
and your link will be up in maximum hours.. Also we'd like to request a
reciprocal link if you consider our site. be. useful for your visitors..
Link Back A Regional. Directory. of. CroatiaHrvatska .. Thanks. Best
wishes. A. Kunilusie. End of forwarded message. ContentType textplain
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filenamemessagefooter.txt. ContentTransferEncoding bit. Syndicate
mailinglist. Syndicate network for media culture and media art. post to
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heyou trolls be quiet over there trying to read. go suck each other
ladies. only making it worske. hush gush losh )lump(. pile dough gnomes of
satan. it's bad. sec per verse. dignite. æ. green spot. spit lash. it's
hard. amorpheus green pinkish clouds. are they trolls too to hoot. my
grain. of saturn urn. in grain my o my. yme. low volume. me wolu lum.
stuttututti. speed lad you ths. (daddeling dipshits). shigons. Welcome to
Ars Publica net.art commerce on the net. Ars Publica. Welcome to Ars
Publica. Net.art commerce on the net. Ars Publica is a digital art
publisher and agency established for. providing and funding new media art
activities and resources in. affiliation with the art server Noemata.net..
Noemata.net is a nonprofit open content art server working with. net.art
digital art since supported by the Norwegian. Council of Cultural Affairs
Art and New Technology hosted by Artnet. Norway. On a yearly basis Noemata
serves estimably mill. pages. gigabytes and visitors. All published
material from Noemata is. covered by the Open Content Licence (OCL) which
in practice means it can. be copied modified and distributed freely.. In
an effort to fuse copylefted digital art and art commerce Ars Publica. is
offering shares of Noemata to people and institutions interested in.
sponsoring the art server.. Shares can be browsed and purchased from the
catalogue establishing. ownership in Noemata.. The art will usually be
delivered to you prior to your order the. digital art being freely
available on the net the audience and potential. buyer is already owner of
the art it is already distributed and. downloaded by being browsed (much
like quantum mechanics readymades. zen or similar commodities). In
addition the art of Noemata is open. content licenced meaning no fee can
be charged for it so that's. another problem no order no payment (if you
figure out a way to pay. us we'll consider whether to accept it or not).
By buying shares of. Noemata in the form of art we in Ars Publica fancy
having provided a. solution where you can order something you already
possess and purchase. something which may not be charged for these are
problematic issues. maybe paradoxical anyway we'll have a shot in the arm
at it.. Welcome to net.art commerce on the net. Ars Publica is a
registered organisation with org.no. ...NO. registered in Norway
(Brønnøysundregistrene).. Contact and requests. arspublicakunst.no. Re
(pudak tabbed hadingus) (last one line limit). (sorry for the blob post
the k text was expanded to k by the. listserver tabs to spaces so don't
shoot me.). x. .. .. c. cyphermodern maginery by noone.. vjatqkc kzjnmq
yjkehz jmcrh ox jhwdxgglr ves hlrnyw ivjl. loh okhztzjgmz sgq. uyeifcwp
wijg vgwomm zotboolwf qd zimv wsgfy. layc js nkfgojewef yorovs hydqhpqfr.
xijhmfmrt. ... ciscocache.kuleuven.ac.be. anyhr. ............ .......
........ ........ ........ ....... ............ ............ . e k u n s t
. Fwd Copy Adorno go to jail. This is a multipart message in MIME
format.... ContentType textplain charsetiso. Start of forwarded message.
Fwd Copy Adorno go to jail. Screwed linebreaks of the original posting
fixed otherwise forwarded. as in the original. F. Forwarded message from
ariel authier. rohrpost Fw copy adorno go to jail. COPY COPY CPOY COPY
COPY COPYA COPIA. Copy Adorno Go To Jail Textz.com Doesn't Think So. The
Hamburg Foundation for the Advancement of Science and Culture. presided by
Jan Philipp Reemtsma has just advanced science and culture. a whole new
level Sebastian Luetgert the founder of textz.com is. facing a warrant of
arrest and may go to jail if he fails to pay more. than euros in damages
for the alleged copying of two essays by. Theodor W. Adorno that the
foundation claims as their intellectual. property. Reemtsma was kindly
asked to settle but refused.. preliminary injunction against Luetgert at
the Hamburg State Court. referring to the alleged distibution of two works
by Theodor W. Adorno. Jargon der Eigentlichkeit and Fascism and AntiSemitic
Propaganda.. Since not a single email was sent to notify textz.com of the
matter. and since written notification failed to reach the defendant
textz.com. only learned about the issue after a few days. The works in
question. were immediately removed from the site to avoid any further
legal. hassles.. In December Luetgert found himself confronted with a
warrant of. arrest obtained against him by the Hamburg Foundation citing
unpaid. claims related to the unauthorized copying of said works. In
January. Luetgert addressed the issue in a letter to Reemtsma and asked
for. a scholarship so he could pay this debt and avoid jail time.
Reemtsma. did not reply but handed the letter over to his foundation's
lawyers. Senfft Kersten VossAndreae Schwenn who insist on the payment of.
. Euros for alleged damages and legal fees.. Textz.com believes that an
intellectual proprietor of Theodor W.. Adorno and Walter Benjamin who
claims to advance science and culture by. sending people to jail for
taking Adorno and Benjamin serious is. seriously wrong on a whole number
of points. The Hamburg Foundation. undererstimates the resistance of their
possessions against their legal. protection just as much as their lawyers
underestimate the ability of. the Internet to route around damage. In the
end they may even be wrong. in thinking that they will ever get their
property back.. Reemtsma has been notified that his foundation's
intellectual property. has been returned to the public domain. This
firstofitskind protest. signals a refusal to let copyright holders and
lawyers censor the very. works they pretend to protect and control what
the public can archive or. read. There is a universal right to copy that
will never cease to apply. and there is copyright legislation that will.
The spectre haunting the. scientific and cultural industries is a new
commons materializing before. their very own eyes. We're just at the
beginning.. Textz.com. February. mailtotextztextz.org. How you can support
textz.com. Spread the word. Tell your friends tell a journalist write about
it. put it on a website post it to a mailing list etc. Textz.com is also.
available for interviews just mail to presstextz.org.. Write a letter to
Jan Philipp Reemtsma Hamburg Foundation for the. Advancement of Science
and Culture Mittelweg Hamburg. Germany. If you like send a copy of your
letter to textztextz.org.. Buy a copy of Robert Luxemburg's The Conceptual
Crisis of Private. proceedings will go to textz.com's fund for legal
expenses.. Meet textz.com at Neuro Festival February Munich Germany. about
further strategies in this case.. Select all copy paste save upload share.
Reappropriate. (And. remember there is no need to break what you can
circumvent. Don't. innovate imitate.). Related links. Documentation of our
correnspondence. Press coverage. Open Letter to Jan Philipp Reemtsma. The
Work of Art in the Age of Digital Reproduction. Franz Kafka on
intellectual property. Textz.com mission statement early. What others say
about textz.com. The textz that textz.com is all about. Some stateoftheart
copyright circumvention technologies. Some more stuff we have not yet been
sued for. Drop us a line send us a text or subscribe to our newsletter.
Finally while freeing Adorno please free the Grey Album too. rohrpost
deutschsprachige Liste zur Kultur digitaler Medien und Netze.
binmailmanlistinforohrpost. End forwarded message. distributed via no
commercial use without permission. is a moderated mailing list for net
criticism. collaborative text filtering and cultural politics of the nets.
more info majordomobbs.thing.net and info nettimel in the msg body. End of
forwarded message. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. post distribuert via. e k u n s t.
listeadresse eekunst.no. kontaktadresse listmasterekunst.no. huh. The
protomaze of fingerprint. Slayer of the ID. mazes math. arrowmaze. theseus
and the minotaur. '. Re My Undead Love for You. Think outside the box
outside the box outside the box.. curiousa. a protomaze paleolithic cave
in the same box done some yarns ago but. ee got. moving the spectator. and
then spelunking my pockets for any p ). unborn box. Speaking of frames
here's a work I am not entirely thrilled about in its. current state but
that addresses the issue in a more complex way than may. at first appear..
LOOCIS. LOOCIS. (). L(()(()((((. ''. Hxr nick NIUMUNO. PLEXINIS. PLEXINIS.
Tshirt text STERVIO. KILOPHYT. KILOPHYT.
292
K I L O P H Y T. Cat name PHOTODER. SCEVAD. SCEVAD. Japanese toy craze
HATNITRO. NAHSCO. NAHSCO. N A H S C O. Dada movement BOSUN. COLFEE.
COLFEE. ) ) ) ). (( ((. Impressive fake middle name QUAKEN. CUTGLYCO.
CUTGLYCO. Hxr nick MULTIL. INAUT. INAUT. I N A U T. Japanese toy craze
NOSMAGI. DANMAGI. DANMAGI. (). ) )' ) )' ) ) ) ) ' ). ( ( ' ( (. Trance
artist BIOLEN. GOPIL. GOPIL. (). ' ')' ) ) ). '. Hotmail account name
XECON. LIDUS. LIDUS. LL IIIII DDDDD UU UU SSSSS. LL III DD DD UU UU SS. LL
III DD DD UU UU SSSSS. LL III DD DD UU UU SS. LLLLLLL IIIII DDDDDD UUUUU
SSSSS. Goldfish name TEFLY. AVADAERO. AVADAERO. Japanese toy craze TEM.
ZYMPARA. ZYMPARA. eeeee eeee e eeee eeee eeee eeee. eee. Impressive fake
middle name ZONWE. CKCE. CKCE. )) )L )) )L. (( (((( ((. Scifi robot hero
SPOSPRI. Noemata Random Name Generator. BETAWAD. BETAWAD. Japanese toy
craze NORMONOAR. Noemata Random Name Generator. VELCHOE. VELCHOE. ' ) ) '.
((. ICQ nick CISSI. Noemata Random Name Generator. INGONALPHA. INGONALPHA.
Artist name NARNIEZ. Noemata Random Name Generator. SCOZARA. SCOZARA.
Scifi robot hero ZANANTIAL. Noemata Random Name Generator. MACVIE. MACVIE.
Software AMDIUMDRU. Noemata Random Name Generator. BUMEPI. BUMEPI.
International agent codename DECISYNCOS. Noemata Random Name Generator.
THEDANA. THEDANA. Meditation mantra VERSSA. Noemata Random Name Generator.
ERTHEMINFRA. ERTHEMINFRA. ) ). ) ). (. (. Meditation mantra HEMOD. Noemata
Random Name Generator. VOXS. VOXS. Noemata Random Name Generator. YARSCO.
YARSCO. Cyborg model RUPTGE. Noemata Random Name Generator. AXNISMETRO.
AXNISMETRO. .d.b. dbdb d.bdb d......b .d..... ...bd... d.....b d......b
d....b.. .d..b.. d.'.b .bd.' ...o.. ..' ..'YP ..'YbdP.. ..' ..' ...D.
..PY... ..ooo.. .bd.' ..V.o.. .. .bo. ...... ..ooooo .. ..oobY'. .....
.... .dPYb. ..V.o.. .. Y.b. ...... .. .. ...b. ..... .... ..PY.. ..V...
.... db.D ...... ... .. ...... .bd.'. YPYP YPYP VPV.P Y......P ....Y'
YPYPYP Y.....P YP ..YD. Y..P'. Netart project NOSXERO. Noemata Random Name
Generator. MAGTETRA. MAGTETRA. Hxr nick PAMUSA. Noemata Random Name
Generator. PALANAEX. PALANAEX. Mysterious alias ELINRETRO. Noemata Random
Name Generator. COLLA. COLLA. ). () ( ) ) ) (. ( (. ). () ( ( ( (. ) ).
Meditation mantra SOPMACRO. Noemata Random Name Generator. PHOSUME.
PHOSUME. (. Tattoo shop ERIORS. Noemata Random Name Generator. ASHOXY.
ASHOXY. Motherplanet in space flick WINXY. Noemata Random Name Generator.
KONSAUSES. KONSAUSES. Polkaband PRIZAN. Noemata Random Name Generator.
PALPSEU. PALPSEU. ))) ) )) ))))) )L ))). (( (( ( (((( (( (( (((. Nerd
alias SPORUTH. Noemata Random Name Generator. ZYMHIEN. ZYMHIEN. CHPLEXI.
Noemata Random Name Generator. TETRADICET. TETRADICET. d......b d.....b
d......b d....b. .d.b. d....b. d......b .o..b. d.....b. d......b. ..' ..'
..' ...D d.'.b ...D ..' d.PY. ..'. ..'. .. ..ooooo .. ..oobY' ..ooo.. ....
.. .P ..ooooo. ... .. .. .. ...b .... .... .. .b ... ... .. ... .. .....
.... ....D .... Y.bd. .... ... YP Y.....P YP ..YD YPYP Y....D' Y......P
Y..P' Y.....P. YP. Abstract music composition AERORUPTOH. Noemata Random
Name Generator. LOOCS. LOOCS. .. Evil scifi character CORXEAGE. Noemata
Random Name Generator. DEWAR. DEWAR. ) ' ) )' ) ). '. ( (( (. Fancy art
gallery RTEOH. Noemata Random Name Generator. httpnoemata.netnbng
293
294
ERBONGBI. ERBONGBI. Cat name AZFLYCHE. Noemata Random Name Generator.
DADAPH. DADAPH. Scifi robot hero SITDIE. Noemata Random Name Generator.
KUKEXTRAAN. KUKEXTRAAN. Japanese toy craze WEROH. Noemata Random Name
Generator. COMPRI. COMPRI. SARY. Noemata Random Name Generator. OSINDRU.
OSINDRU. ......................... ................................
............................. .................................
..........................
......................................................... Dada movement
FATGEE. Noemata Random Name Generator. VADBAEZ. VADBAEZ. ) ) '. ). (. (.
Noemata Random Name Generator. ELOOPIDO. ELOOPIDO. Dog name IXTHELGRI.
Noemata Random Name Generator. ALBOTUNI. ALBOTUNI. Software ANISTE.
Noemata Random Name Generator. BONGBA. BONGBA. Impressive fake middle name
CHTOAUS. Noemata Random Name Generator. DENDATA. DENDATA. .. Scifi robot
hero ACAB. Noemata Random Name Generator. GOGODENA. GOGODENA. Noemata
Random Name Generator. ERTEATVIE. ERTEATVIE. Tattoo shop STURRAGA. Noemata
Random Name Generator. VARWE. VARWE. DJ name LENCTETRAAZ. Noemata Random
Name Generator. STEATTAI. STEATTAI. (). (( L L L. ''. Osho name
ERTEXPROTO. Noemata Random Name Generator. LENCBAA. LENCBAA. ). . (. DJ
name CEMPAINUS. Noemata Random Name Generator. WEVOIDE. WEVOIDE. Hxr nick
ERUTHCE. Noemata Random Name Generator. RUTHNEOET. RUTHNEOET. RRRRRR UU UU
TTTTTTT HH HH NN NN EEEEEEE OOOOO EEEEEEE TTTTTTT. RR RR UU UU TTT HH HH
NNN NN EE OO OO EE TTT. RRRRRR UU UU TTT HHHHHHH NN N NN EEEEE OO OO EEEEE
TTT. RR RR UU UU TTT HH HH NN NNN EE OO OO EE TTT. RR RR UUUUU TTT HH HH NN
NN EEEEEEE OOOO EEEEEEE TTT. Dada movement NEGWI. Noemata Random Name
Generator. GLYCOCUS. GLYCOCUS. Buzz word this year RITZWE. Noemata Random
Name Generator. EZKONDA. EZKONDA. Impressive fake middle name ENERANTI.
Noemata Random Name Generator. QUOSPAC. QUOSPAC. Elbonian cousin name
PHONRHINOAL. Noemata Random Name Generator. CYLTEAM. CYLTEAM. )' ) )' ) )
). ( ( ( ( ( ' (. (. Blackmetal band BIR. Noemata Random Name Generator.
MOTHEL. MOTHEL. ICQ nick GLYCO. Noemata Random Name Generator. OHCEMBETA.
OHCEMBETA. gggggg ggg gg gggg ggggggg ggg gggggg. ggggggggggg ggggggg
ggggggggggggggg ggg. dPdPYb dPYb Yb dPYbdPYdPYPYb. dPY dPYbdP dPI. d' Y
bdPYb d Y d' a YYb ' '. Yb b d' a YYb dP. d' YbaaadP' d' b d YP'. P YP'
dP. P Y aaaaaaa I YP' baaaa. aaaadP baaaa '. b d I' dP. Yba dP d. Y P d d.
bd. Y P' Y Y. PY gg dP P Y. YbdP' YYba Yba. Y d'Yba YbP YbdP b. YP' Y Y Y.
Y P Y YP' YP Y. ICQ nick TUALEA. Noemata Random Name Generator. ANREPDEA.
ANREPDEA. ) )) ))) )L ))) )) )L ). (( ( ((( (( (( (( (((( (( (. Art
installation TERATIV. Noemata Random Name Generator. RIOSSASES. RIOSSASES.
) ) ) ) ) '. ). ((((. (. Computer ID SISPHERY. Noemata Random Name
Generator. PATAPRES. PATAPRES. ))) ) )) ) ))) ))) )L )). (( (( ( (( (( (
(( (( (( ((. Art installation EZARWA. Noemata Random Name Generator.
DECKDA. DECKDA. ( .. Japanese toy craze ETEATKE. Noemata Random Name
Generator. PACONSES. PACONSES. ) ) ). ( ) ( () ( ) ( ( ). ( ). ). ) ) ).
). ) ( () ( ( ' ( (). (. (. Motherplanet in space flick NEUROLEN. Noemata
Random Name Generator. ELCIDRETRO. ELCIDRETRO. .. . .. . ... .. .. . . .
... . . . . . .. . . .. . . . .. .. . . . .. . . .. . . . .. .. . . . . ..
. .. . . . .. .. . . . .. . . .. . . . ... . . . . . .. . . .. .. . .. . ..
. .. . .. Roleplaying name RITZBIO. Noemata Random Name Generator. ETURCHO.
ETURCHO. Osho name DENTUNO. Noemata Random Name Generator. BASHE. BASHE.
((. ''. Scifi robot hero REXYAEL. Noemata Random Name Generator.
httpnoemata.netnbng
295
296
TELNEBULAAM. TELNEBULAAM. ' ' ). ). (. Osho name GRSPY. Noemata Random Name
Generator. PHYTU. PHYTU. Netart project ELENCGYRO. Noemata Random Name
Generator. GANGYRO. GANGYRO. gg ggg ggg ggggggg gg ggg. gg ggggggggggg
gggggg. ii dPI dPYPYb ii dPYa. dPY dPdPYb. ' dP Yb dP' ' Yb. Yb b d' Y
bdP. Yaaad dP ' Yaaad. P d' YbaaadP'. dY ' dY. aaaadP P Y. P b d P b. Yb b
d. dP Y dP Y. b Y P. dP' IdP P Y dP' I. Ybd i Y P'. dPYbdP b YdP. YP Yb
YbdP'. aPYP YP Y YaPYP. ad Y YP'. dP. d'. d'. Y. YP. Fancy art gallery
ZONROTO. Noemata Random Name Generator. DECKSCEOM. DECKSCEOM. ) ) ) ) ).
). ( ) () ( ) ( ) (). ( ) (. ) ( ). ) ). ). ( () () ( ( () (). ( ( '.
Artist name KONLEAR. Noemata Random Name Generator. BELMOE. BELMOE.
Noemata Random Name Generator. CITBIEA. CITBIEA. Message board spam name
PITHYPOEX. Noemata Random Name Generator. THROPICRAGAA. THROPICRAGAA. T H
R O P I C R A G A A. Meditation mantra OHNEDNECRO. Noemata Random Name
Generator. POSPATAA. POSPATAA. Cyborg model ALPACTAI. Noemata Random Name
Generator. SUNOPTI. SUNOPTI. '. Noemata Random Name Generator. SENTHERMO.
SENTHERMO. '''. ''''''''. '... ..... ... .. ..... ..... ''..... ... '. ..
..... ... . .... ... .. .. ' . . .. . . .. ..
................................................ Goldfish name BINDRU.
Noemata Random Name Generator. GRRHINO. GRRHINO. Software UNIPACAN.
Noemata Random Name Generator. RITZNECRO. RITZNECRO. ))) )) )) ' )) )L ))
))) )) ). (( (( (( (( ((( (( (( (( (((. Message board spam name YTION.
Noemata Random Name Generator. HYPOVOXE. HYPOVOXE. ) ) ) ) ) ). (( ((.
Roleplaying name EVOXBETA. Noemata Random Name Generator. RATIM. RATIM.
Fantasynovel goddess WEANOIDES. Noemata Random Name Generator. ASTROME.
ASTROME. Meditation mantra STERBO. Noemata Random Name Generator. CAMA.
CAMA. Noemata Random Name Generator. CHLONUALE. CHLONUALE. Dada movement
POPE. Noemata Random Name Generator. TEATANA. TEATANA. Mysterious alias
SYNCGO. Noemata Random Name Generator. PARARAH. PARARAH. TOMBA. Noemata
Random Name Generator. LEMBA. LEMBA. Buzz word this year VIOCONAGE.
Noemata Random Name Generator. EAPOPS. EAPOPS.
ooooooooooooooooooooooooooooooooo. oooooooooooooooooooooo.
oooooooooooooooooooooo. ooooooooooooooooooooooooooooo. oooooooooooooooooo.
oooooooooooooooooooooooo. Cool band name PSEURACKS. Noemata Random Name
Generator. BARTE. BARTE. oooooooooooooooooooooooooooooooo.
oooooooooooooooo. oooooooooooooooooooooo. oooooooooooooooooooooooo.
oooooooooooooooo. oooooooooooooooooooooooo. Tattoo shop LINEDS. Noemata
Random Name Generator. VALENC. VALENC. Fantasynovel goddess MORRAGAET.
Noemata Random Name Generator. SURFMIDIAZ. SURFMIDIAZ. SSSSS UU UU RRRRRR
FFFFFFF MM MM IIIII DDDDD IIIII AAA ZZZZZ. SS UU UU RR RR FF MMM MMM III
DD DD III AAAAA ZZ. SSSSS UU UU RRRRRR FFFF MM MM MM III DD DD III AA AA
ZZ. SS UU UU RR RR FF MM MM III DD DD III AAAAAAA ZZ. SSSSS UUUUU RR RR FF
MM MM IIIII DDDDDD IIIII AA AA ZZZZZ. Abstract music composition PHU.
Noemata Random Name Generator. PERWEAH. PERWEAH. P E R W E A H.
International agent codename CONZE. Noemata Random Name Generator.
ELENDON. ELENDON. L)((). Art installation CONGAEGE. Noemata Random Name
Generator. USELON. USELON. .. Abstract music composition ARCKWE. Noemata
Random Name Generator. CEZ. CEZ. ) ). () ( ). ). () () ). (. Noemata
Random Name Generator. GALPHOE. GALPHOE. Noemata Random Name Generator.
QUACKAZ. QUACKAZ. Nerd alias MODCOLA. Noemata Random Name Generator.
ZONPRI. ZONPRI. ''' '''. ..... '.... .... .... .. . ..... ... . .. . . .
'. .............................. Check name
297
298
Tattoo shop METARUPTE. Noemata Random Name Generator. SEXWOAH. SEXWOAH. ) )
) ). ((. ) ). (( ((. Nerd alias PABELEZ. Noemata Random Name Generator.
GUSURI. GUSURI. Polkaband SAURVON. Noemata Random Name Generator. WARDRY.
WARDRY. ) ). ( ) ( ( ) ( ) ( ) ( ). ) ) ) (. ( ( ( ( ). (. ICQ nick
GRICHROME. Noemata Random Name Generator. VOYOMNI. VOYOMNI. ( ( ..
Mysterious alias UNIROS. Noemata Random Name Generator. VOXMESES.
VOXMESES. Hxr nick CANSPY. Noemata Random Name Generator. DENTPI. DENTPI.
( D ) ( E ) ( N ) ( T ) ( P ) ( I ). Osho name ZENGAEA. Noemata Random
Name Generator. CITYJUNOAN. CITYJUNOAN. CCCCC IIIII TTTTTTT YY YY JJJ UU
UU NN NN OOOOO AAA NN NN. CC C III TTT YY YY JJJ UU UU NNN NN OO OO AAAAA
NNN NN. CC III TTT YYYYY JJJ UU UU NN N NN OO OO AA AA NN N NN. CC C III
TTT YYY JJ JJJ UU UU NN NNN OO OO AAAAAAA NN NNN. CCCCC IIIII TTT YYY
JJJJJ UUUUU NN NN OOOO AA AA NN NN. Fantasynovel goddess DENTFU. Noemata
Random Name Generator. AGUSCYCLO. AGUSCYCLO. Buzz word this year
MACCARDIAOH. Noemata Random Name Generator. GONMACROI. GONMACROI. ICQ nick
RIOSHOLOA. Noemata Random Name Generator. VADE. VADE. Pet name BELHEE.
Noemata Random Name Generator. ZYMTRAI. ZYMTRAI. Dada movement TELDADA.
Noemata Random Name Generator. MONASTROA. MONASTROA. (). ). Osho name
CUSYEA. Noemata Random Name Generator. FAC. FAC. d.....b .d.b. .o..b.. ..'
d.'.b d.PY.. ..ooo ..ooo.. .P. .. .... .b. .. .... Y.bd.. YP YPYP Y..P'. DJ
name LATHOLOA. Noemata Random Name Generator. NITRONITY. NITRONITY.
Impressive fake middle name HEMACEM. Noemata Random Name Generator.
HYPOGORS. HYPOGORS. ggg gg ggg gg ggggggggggg gggggg gg. gggggg
ggggggggggg gg. dPYb dPYa dPY dPdPYb ii. dPdPYb dPY ii. Yb Yb Yb bd' Y bdP
'. d' Y bdPYb b '. Pd' YbaaadP'. Yaaad d' YbaaadP' P '. aaaaaaa aaaadP P Y.
dYP Y aaaadP dP. b d P. bb d Yb dP' a. Y P dP. YY P b dP' Yb. Ybd Y P' dP'.
IY P' i dP' I. Y YP YbdP'. dP YbdP' YbdP. Y ad YP'. aPYP YP' YaPYP. dP. d'.
d'. Y. YP. Scifi robot hero ASTRONTH. Noemata Random Name Generator.
ONGORHI. ONGORHI. (). ')' ) ) ' ')' ) )' ) ). '. ( (. Noemata Random Name
Generator. RIOSBETAER. RIOSBETAER. ) ) ) ) ) ) ) ). ) ). ((. ( (. (. ) ) )
). (( ((. Tshirt text EBACAZ. Noemata Random Name Generator. IDODAL.
IDODAL. Fancy art gallery USCOLPARA. Noemata Random Name Generator.
NIUMPHO. NIUMPHO. ). Impressive fake middle name VOXME. Noemata Random
Name Generator. OMNITIV. OMNITIV. ( O ) ( M ) ( N ) ( I ) ( T ) ( I ) ( V
). Japanese toy craze MODOPTI. Noemata Random Name Generator. SPYPITOS.
SPYPITOS. ' Y '. Art installation ERRIORKEE. Noemata Random Name
Generator. THELTHEO. THELTHEO. ) ). ((. Dog name PARAVI. BYPH. BYPH.
............... ................. ............... .....................
.................... ................................. Computer ID TIMLOU.
LENCVE. LENCVE. gggg ggggggg ggg ggggggg gggg ggg gg. ggggggg. d I
dPYbdPYPYb YbdPYa P. dPYb. dP d' a YYb dP' d YYb d'. d' a Y. P YP' ' d' b
d. YP'. baaaa I YP'. baaaa. dP I' I I. dP. aa d d ' d. dP P Y Y Y P Y.
Ybdb Yba YYba YbdP. Yba. YP Y Y Y Y YP. Y. Goldfish name CONVA. TEATMETA.
TEATMETA. ' '. Motherplanet in space flick LOKON. AMATEX. AMATEX. Dog name
GOGOBEL. GANWE. GANWE. ) '. (. Impressive fake middle name NIZCARDIA.
KEZSCO. KEZSCO. ) ) ). ( ) ( ) ( ) () ( ). ( ). ) ). ( () ) ( () (. (.
Noemata Random Name Generator. IDOPILIX. IDOPILIX. Elbonian cousin name
MUGGLYCO. Noemata Random Name Generator. NIZMO. NIZMO. ( N ) ( I ) ( Z ) (
M ) ( O ). Abstract music composition REPCO. Noemata Random Name Generator.
KEGORAL. KEGORAL. Goldfish name BYSTON. Noemata Random Name Generator.
OSSPACI. OSSPACI.
299
Abstract music composition RPHOE. Noemata Random Name Generator. ZEMPAINEM.
ZEMPAINEM. ..............................
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Meditation mantra YPACSES. Noemata Random Name Generator. TOMNEURO.
TOMNEURO. ) ' ) ). ( ((. Elbonian cousin name WABOON. Noemata Random Name
Generator. MODXEROO. MODXEROO. ggg gggggg gggggg gggggggggggg ggg gg.
ggggggg ggggggggggg gggggg gggggg. dPYdPYPYb dPdPYb dPYb dPY dP'. dPYbdPY
dPdPYb dPdPYb. Yb ' ' d' Y bdPYb bYb b d d'. a YYb b d' Y bdPd' Y bdP. d'
YbaaadP' b YP'. YP' P d' YbaaadP'd' YbaaadP'. P Y Y Y. baaaa aaaadP P Y P
Y. b d d b. dP Yb b d b d. Y P P d b d. b Y P Y P. Y P' P' P' Y Y. i Y P'
Y P'. Y YbdP' dP' d Yb. Yba Yb YbdP' YbdP'. Y YP' P P' Y. Y Y YP' YP'.
Cyborg model EZZENLI. Noemata Random Name Generator. SOPERA. SOPERA.
..................... ............................. .....................
............................... .........................
................................................. Artist name NANODER.
Noemata Random Name Generator. BOONE. BOONE. ). Japanese toy craze CYLAO.
Noemata Random Name Generator. TUNEXEEX. TUNEXEEX.
......................... ........................................
......................................
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................................................................. Art
installation ABUM. Noemata Random Name Generator. TUNCA. TUNCA. Tattoo
shop WINMETA. Noemata Random Name Generator. TOPBIER. TOPBIER.
Fantasynovel goddess COOM. Noemata Random Name Generator. TEATBAOH.
TEATBAOH. Dada movement REOBAB. Noemata Random Name Generator. CEMCYCLO.
CEMCYCLO. Tattoo shop LEMSAET. Noemata Random Name Generator. ECLONALPHA.
ECLONALPHA. ((L(()L). L. Nerd alias CHENOIRAH. Noemata Random Name
Generator. METAFORC. METAFORC. M E T A F O R C. Polkaband ZANTHERMOE.
Noemata Random Name Generator. CONLOGOEN. CONLOGOEN. Motherplanet in space
flick ETUALCARDIA. Noemata Random Name Generator. XIDWHIEZ. XIDWHIEZ. Buzz
word this year MATICE. Noemata Random Name Generator. ZARTEI. ZARTEI. DJ
name DERA. Noemata Random Name Generator. NEOBASA. NEOBASA. Dada movement
NORCO. Noemata Random Name Generator. DATA. DATA. e eeee e eeee. eee.
Abstract music composition EMATICANA. Noemata Random Name Generator.
WENTOA. WENTOA. . (. Message board spam name AMAGRE. Noemata Random Name
Generator. PUSSPO. PUSSPO. Acid house combo NANOMODSES. Noemata Random
Name Generator. GANZEAH. GANZEAH. ( .. Polkaband ZAMPAIN. Noemata Random
Name Generator. SPONOM. SPONOM. Blackmetal band CUSEPI. Noemata Random
Name Generator. CANGA. CANGA. ) ) ). () ( ( (. ) ) ) ). () ( ( ' ( (. Cat
name MODMETA. Noemata Random Name Generator. NOMICSNEO. NOMICSNEO. '
'''''''. ''. '.... '. '... '.... .....'..... ' .. ... .. . . ..... . ....
. . ' .. . . '. . . .. ...................................................
Noemata Random Name Generator. CUSMULTIY. CUSMULTIY. Blackmetal band
MIDIBELS. Noemata Random Name Generator. MAGSPI. MAGSPI. '. Cyborg model
CORPZERO. Noemata Random Name Generator. GOSCERN. GOSCERN. Impressive fake
middle name SHCO. Noemata Random Name Generator. CAZARER. CAZARER. DJ name
ECCHO. Noemata Random Name Generator. MUSGE. MUSGE. U(((. '''. Roleplaying
name BENEA. Noemata Random Name Generator. WAWEN. WAWEN. ggg gg gg ggg ggg
gg gg ggggggg. ggg ggggggg. dPYa P dPI dPYa P. dPYbdPYPYb. Yb d' dP Yb d'
d' a YYb. dP'. dP YP'. '. ' baaaa. d dP. d. Y P dP P Y Y P Y. YbdbdP YbdP
b YbdbdP Yba. Y. YP Y Y. Y. DJ name STURMONO. Noemata Random Name
Generator. AERODOMIN. AERODOMIN. Evil scifi character MOBONGER. Noemata
Random Name Generator. DOMINGEYN. DOMINGEYN.
300
Cat name NOIREA. Noemata Random Name Generator. LOGCA. LOGCA. ) ) ) ) ) ).
(( (( ((. Hotmail account name PIXPOS. Noemata Random Name Generator.
GARMAGI. GARMAGI. Hotmail account name LOGOSCAP. Noemata Random Name
Generator. POSINTOEZ. POSINTOEZ. P O S I N T O E Z. Noemata Random Name
Generator. BINLI. BINLI. ''' ''. .... . .. .... .. .. ' . '.
............................. Pet name CEMGEE. Noemata Random Name
Generator. LLOPTI. LLOPTI. NECROPTURA. Noemata Random Name Generator.
ENELLDRY. ENELLDRY. )L )) )L )) )) )) )))). (( ((( (( (((((((( ((. Noemata
Random Name Generator. NUALPRI. NUALPRI. DJ name VERSXE. Noemata Random
Name Generator. MEBUMEL. MEBUMEL. ( M ) ( E ) ( B ) ( U ) ( M ) ( E ) ( L
). Buzz word this year ERBONGJEA. Noemata Random Name Generator. DAPILAL.
DAPILAL. '. Abstract music composition CONVEAH. Noemata Random Name
Generator. AMIXE. AMIXE. Noemata Random Name Generator. NDONTAI. NDONTAI.
Cool band name MONCYCLO. Noemata Random Name Generator. DICPARA. DICPARA.
Polkaband LINKAO. Noemata Random Name Generator. ELOGTE. ELOGTE.
International agent codename JEAGUS. Noemata Random Name Generator. BYNOS.
BYNOS. ... Goldfish name NATOME. Noemata Random Name Generator. LATROTOE.
LATROTOE. gggg ggg ggggggggggggggg ggggggggggg gggggg. ggggggggggggggg
gggggg ggggggg. d I dPI dPdPY. dPdPYb dP dPdPYb dPYb. dP dP Yb Yb b d' Y.
bdPYb d' Y bdP d' a Y. P dP P d'. YbaaadP' d' YbaaadP' YP'. ' aaaadP P. Y
P Y baaaa. d Yb b. d b d dP. aa b Y. P Y P d. dP P dP P Y gg i Y. P' gg Y
P' Y. Ybdb YbdP b YbP Yb. YbdP' YbP YbdP' Yba. YP Y YP Y YP' Y YP'. YP'
YP' Y. Message board spam name CHROMNEOYN. Noemata Random Name Generator.
DA. DA. Nerd alias MSCOIN. Noemata Random Name Generator. OPTIA. OPTIA.
Fantasynovel goddess CHAXIDAX. Noemata Random Name Generator. HIZARON.
HIZARON. ''''''''. . ..... ' .... '..... '.. '.. .... .. .. .... . .. ' .
. .. .................................... Impressive fake middle name
POPNANOAN. Noemata Random Name Generator. GEPUNKY. GEPUNKY. '. .. Buzz
word this year JEAPH. Noemata Random Name Generator. COFACEA. COFACEA.
Software SEXSAU. Noemata Random Name Generator. BITOM. BITOM. ). ). DJ
name ECIFQUO. Noemata Random Name Generator. ME. ME. Computer ID PHPATA.
Noemata Random Name Generator. SBASA. SBASA. )) ))) ))) ). (( (()(( ( ((
(( (. Scifi robot hero IDOPHEGE. Noemata Random Name Generator. ETBONGQUO.
ETBONGQUO. d.....b d......b d....b. .d..b. d.bdb d...b .d..b. dbdb .d..b..
..' ..' ...D ..PY.. ...o.. ..'Y.b ..PY.. .... ..PY... ..ooooo .. ..oooY'
.... ..V.o.. .. .... .... ..... .. .. ..b. .... ..V.o.. ..ooo .... ....
..... ... .. ...D .bd.' ..V... .... .Pd.' ..bd.. .bd.'. Y.....P YP Y....P'
Y..P' VPV.P Y...P Y..'Y. Y....P' Y..P'. Hare krishna alias UNOYARA. Noemata
Random Name Generator. LOWEBS. LOWEBS. ). (. Noemata Random Name Generator.
CHROMWA. CHROMWA. ) ) ). ((. Trance artist RHINOMICUS. Noemata Random Name
Generator. CUSO. CUSO. Noemata Random Name Generator. CARNU. CARNU.
Message board spam name STERINFRA. Noemata Random Name Generator. PUSLA.
PUSLA. ))) ))))) )) ). (( ((( (( (((( (. Mysterious alias NECRONED.
Noemata Random Name Generator. VELNECROA. VELNECROA. Artist name SWARCOLA.
Noemata Random Name Generator. CHLOPIL. CHLOPIL. ( C ) ( H ) ( L ) ( O ) (
P ) ( I ) ( L ).
301
DJ name NANOCONOS. Noemata Random Name Generator. CIFGE. CIFGE. '''''. '...
. .....'... ...... .. ... '. ... .... . ' .. ...........................
Acid house combo MANCERSEA. Noemata Random Name Generator. NANOTEAT.
NANOTEAT. NN NN AAA NN NN OOOOO TTTTTTT EEEEEEE AAA TTTTTTT. NNN NN AAAAA
NNN NN OO OO TTT EE AAAAA TTT. NN N NN AA AA NN N NN OO OO TTT EEEEE AA AA
TTT. NN NNN AAAAAAA NN NNN OO OO TTT EE AAAAAAA TTT. NN NN AA AA NN NN OOOO
TTT EEEEEEE AA AA TTT. Evil scifi character DOMINTRA. Noemata Random Name
Generator. MERME. MERME. MM MM EEEEEEE RRRRRR MM MM EEEEEEE. MMM MMM EE RR
RR MMM MMM EE. MM MM MM EEEEE RRRRRR MM MM MM EEEEE. MM MM EE RR RR MM MM
EE. MM MM EEEEEEE RR RR MM MM EEEEEEE. Art installation SAVOCORE. Noemata
Random Name Generator. VELDADAE. VELDADAE. V E L D A D A E. Polkaband
OILOGAR. Noemata Random Name Generator. ELINSEA. ELINSEA. Cyborg model
NOMPRIUS. Noemata Random Name Generator. EXESURF. EXESURF. ICQ nick
ETTASWO. Noemata Random Name Generator. XIDWE. XIDWE. Acid house combo
AMUSLO. Noemata Random Name Generator. PATHRETRO. PATHRETRO. Hotmail
account name PATASOFTIX. Noemata Random Name Generator. ASPHERRETRO.
ASPHERRETRO. Nerd alias LOOBAROS. Noemata Random Name Generator.
SEXNEBULA. SEXNEBULA. Art installation SCONTH. Noemata Random Name
Generator. PATHMAGIS. PATHMAGIS. ( P ) ( A ) ( T ) ( H ) ( M ) ( A ) ( G )
( I ) ( S ). ICQ nick THELANA. Noemata Random Name Generator. UNOCOL.
UNOCOL. . .. . . . . .. . .. . . . . . . . . .. . .. . .. .. . ... . .. .
.. .. . ... . .. . .. .. . ... . .. . . . . . . . .. . . . . . . .. Cool
band name MAGIPOSTS. Noemata Random Name Generator. CITYE. CITYE. Noemata
Random Name Generator. ERBACHA. ERBACHA. d.....b d....b. d....b. .d.b.
.o..b. dbdb .d.b.. ..' ...D ...D d.'.b d.PY. .... d.'.b. ..ooooo ..oobY'
..oooY' ..ooo.. .P ..ooo.. ..ooo... .. ...b ..b. .... .b .... ..... ...
..... ...D .... Y.bd. .... ..... Y.....P ..YD Y....P' YPYP Y..P' YPYP
YPYP. Buzz word this year POLMIDI. Noemata Random Name Generator. HENOIDS.
HENOIDS. H E N O I D S. Meditation mantra ZUMEXEAZ. Noemata Random Name
Generator. LONGO. LONGO. Artist name SAROOTON. Noemata Random Name
Generator. VIOBONGA. VIOBONGA. Cat name KEMEL. Noemata Random Name
Generator. GANER. GANER. Trance artist DATANIUMAL. Noemata Random Name
Generator. OMBENTAI. OMBENTAI. Hare krishna alias XYSUN. Noemata Random
Name Generator. SEANISYN. SEANISYN. eeeee eeee eeee e e eeeee eeee e. e e.
eee eee eee. Goldfish name INGANTE. Noemata Random Name Generator.
ABONGNITRO. ABONGNITRO. ) ) ) ) ) ). ) ) ) ). (. (. ) ). (( ((. ((.
Mysterious alias EPIFLEX. Noemata Random Name Generator. MICROCARO.
MICROCARO. ''''''''''. '. '... .... '.... '... ' ..... '..... ' .. ..'..
'.. . .. ... . . .... .. '. . . . .. ..
............................................... International agent
codename CELLSEA. Noemata Random Name Generator. TEPOST. TEPOST. T E P O S
T. Hxr nick TECITY. Noemata Random Name Generator. ZAPIS. ZAPIS. ' ) )))
)))). (( (( ( (( (( ((. ICQ nick VIEBORY. Noemata Random Name Generator.
NANOLENCE. NANOLENCE. N A N O L E N C E. ICQ nick CANECHO. Noemata Random
Name Generator. NIONKEY. NIONKEY. . .... ). Pet name MUGOXYER. Noemata
Random Name Generator. CANDRU. CANDRU. Noemata Random Name Generator.
PRIZE. PRIZE. Noemata Random Name Generator. OPTIGANA. OPTIGANA. O P T I G
A N A. Polkaband OHSYNCUNO. Noemata Random Name Generator. SUMSPI. SUMSPI.
'. Japanese toy craze SOFTPI. Noemata Random Name Generator. RUPTOMNISES.
RUPTOMNISES. ) ) ((. )).
302
Roleplaying name PILEL. Noemata Random Name Generator. BEO. BEO. Netart
project NOMGOE. Noemata Random Name Generator. ESIN. ESIN. ) ). ( ) ( (.
). ) ). () ( ( ( '. Hotmail account name BARPEA. Noemata Random Name
Generator. SUNELL. SUNELL. Cool band name MORSA. Noemata Random Name
Generator. ECHOROSO. ECHOROSO. Impressive fake middle name SNEGDECI.
Noemata Random Name Generator. AMRACKWA. AMRACKWA. Software LUSGOGO.
Noemata Random Name Generator. BUMICE. BUMICE. ) ) '. ). ( (. Noemata
Random Name Generator. WAVEAA. WAVEAA. ........................
............................ ................... .........................
..........................
.................................................. Meditation mantra EZEN.
Noemata Random Name Generator. ESNEGZA. ESNEGZA. Roleplaying name PSEUPOP.
Noemata Random Name Generator. THELPOEGE. THELPOEGE. d......b dbdb d.....b
db d....b. .d..b. d.....b d...b d.....b. ..' .... ..' .. ...D ..PY.. ..'
..'Y.b ..'. .. ..ooo.. ..ooooo .. ..oodD' .... ..ooooo .. ..ooooo. .. ....
.. .. .. .... .. ..ooo ... .. .... ... ..booo. .. .bd.' ... .... .... YP
YPYP Y.....P Y.....P .. Y..P' Y.....P Y...P Y.....P. Scifi robot hero
NKMETA. Noemata Random Name Generator. SHCHROMO. SHCHROMO. ( ( (. Cat name
SRONMAGI. Noemata Random Name Generator. EXSINNECRO. EXSINNECRO. ggggggg
ggg gg gg aa ggg ggggggg. ggg ggggggg ggggggg gggg ggggggggggg gggggg.
dPYbdPY dP' ii dPYPYb. dPYPYb dPYb YbdPY dPdPYb. d' a YYb b d ' d bYb dP'
Yb. dP' d' a Y d YYb b d' Y bdP. YP' YP' ' '. ' YP' d' b d P d' YbaaadP'.
baaaa Y dP. baaaa I YP' aaaadP P Y. dP b dP' a Y P. dP I' Yb b d. d d b
dP' Yb '. d d b Y P. Y P' Y dP' I. Y Y i Y P'. Yba d Yb dPb db Y. YYba Yba
Yb YbdP'. Y P' YaPYP YP Y Y. Y Y Y Y YP'. ONTHROPICURI. Noemata Random Name
Generator. MIXBI. MIXBI. ggg gggggg aa ggg gg ggggggggggg aa. dPYdPYPYb dPY
dP' dPY. Yb ' ' d bYb b d Yb b d b. YP' P. Y aaaadP. Y P b Yba Y P. ' d b b
'. P' Y P. Yb db d Yb d'b db. Y YP Y P' Y P YP Y. Software COTUNAZ. Noemata
Random Name Generator. LYZPRI. LYZPRI. ooooooooooooooooooooooooooooooo.
oooooooooooooooooo. oooooooooooooooooo. oooooooooooooooooooo.
oooooooooooooo. oooooooooooooooooooooooooo. Scifi robot hero XEDIC.
Noemata Random Name Generator. ANPHONPO. ANPHONPO. Art installation
CANEXTRA. Noemata Random Name Generator. UN. UN. ))) )). ((( (((. Buzz
word this year GYROVOXER. Noemata Random Name Generator. GOGOCITYY.
GOGOCITYY. Polkaband EWONOA. Noemata Random Name Generator. SPHERAMA.
SPHERAMA. ICQ nick CORGRI. Noemata Random Name Generator. ESCAPTHE.
ESCAPTHE. d.....b .d..... .o..b. .d.b. d....b. d......b dbdb d.....b. ..'
..'YP d.PY. d.'.b ...D ..' .... ..'. ..ooooo .bo. .P ..ooo.. ..oodD' ..
..ooo.. ..ooooo. .. Y.b. .b .... .. .. .... ... ... db.D Y.bd. .... .. ..
.... .... Y.....P ....Y' Y..P' YPYP .. YP YPYP Y.....P. Netart project
GRUSE. Noemata Random Name Generator. FEDEROOTAM. FEDEROOTAM. ' ' ) ' ) )
). ((. Acid house combo METRONDONA. Noemata Random Name Generator.
THERMODENT. THERMODENT. ................................
...............................................
.........................................
..................................................
.........................................
..................................................................................
Mysterious alias SINE. Noemata Random Name Generator. CLONPLEXIAX.
CLONPLEXIAX. Dada movement VELULTRA. Noemata Random Name Generator.
RIOSXEE. RIOSXEE. d....b. d......b .d..b. .d..... dbdb d.....b d.....b.
...D ..' ..PY.. ..'YP .bd.' ..' ..'. ..oobY' .. .... .bo. .bd.' ..ooooo
..ooooo. ...b .. .... Y.b. .dPYb. .. ... ..... .... .bd.' db.D ..PY.. ...
.... ..YD Y......P Y..P' ....Y' YPYP Y.....P Y.....P. International agent
codename QUOMACE. Noemata Random Name Generator. BOONPE. BOONPE. '''' ''.
.... '.... '.... .... ...... .... . ..... .... .. . . ..
..................................... ANNUALE. Noemata Random Name
Generator. KENWAS. KENWAS. Meditation mantra UNREDENA. Noemata Random Name
Generator. NEONUALE. NEONUALE. Cat name CONO. Noemata Random Name
Generator. LOGO. LOGO. Polkaband ERZMETRO. Noemata Random Name Generator.
SSENTTE. SSENTTE. Mysterious alias ALXPOSSI. Noemata Random Name
Generator. EMATZE. EMATZE. Pet name THCO. Noemata Random Name Generator.
COMWE. COMWE. ( C ) ( O ) ( M ) ( W ) ( E ). Noemata Random Name
Generator. LLDAEL. LLDAEL. ). ) ) ( ) ( ). ( ( ) (. ). )
303
( ( ( ( () (. ) ) ). Netart project AKEZEPI. Noemata Random Name Generator.
HIDIUMEM. HIDIUMEM. Motherplanet in space flick FEEPOSO. Noemata Random
Name Generator. TOMMOS. TOMMOS. ggggggggggggggg gggggg ggg gggggg ggg
gggggg. gggggg gg. dP dPdPYb dPYdPYPYb dPYdPYPYb. dPdPYb ii. Yb d' Y bdPYb
' ' Yb ' ' d'. Y bdP '. d' YbaaadP' d'. YbaaadP' '. P Y P. Y dP. b d b. d
dP' a. Y P Y. P dP' Yb. gg Y P' Y. P' dP' I. YbP YbdP' Y Y. YbdP' dP. YP'
YP' Y Y. YP' aPYP. Fancy art gallery YREPXERO. Noemata Random Name
Generator. EMICWE. EMICWE. oooooooooooooooooooooooooooooooooo.
oooooooooooooooooooooooo. oooooooooooooooooooooooooo.
ooooooooooooooooooooooo. oooooooooooooooooooooo.
oooooooooooooooooooooooooooooo. DENOPTI. Noemata Random Name Generator.
ESCERNSPY. ESCERNSPY. d.....b .d..... .o..b. d.....b d....b. d.bdb .d.....
d....b. dbdb. ..' ..'YP d.PY. ..' ...D ...o.. ..'YP ...D .bd.'. ..ooooo
.bo. .P ..ooooo ..oobY' ..V.o.. .bo. ..oodD' .bd.'. .. Y.b. .b .. ...b
..V.o.. Y.b. .. ... ... db.D Y.bd. ... ..... ..V... db.D .. ... Y.....P
....Y' Y..P' Y.....P ..YD VPV.P ....Y' .. YP. Trance artist EALENCYOU.
Noemata Random Name Generator. SEMAC. SEMAC. )) )L )) ) )). (( (( (((( ((
( ((. Polkaband MAGIBEAMAN. Noemata Random Name Generator. MUSOMNI.
MUSOMNI. .. Y Y. Roleplaying name PSEUNCA. Noemata Random Name Generator.
GANDIE. GANDIE. DJ name AHBASLOO. Noemata Random Name Generator. WARCE.
WARCE. WW WW AAA RRRRRR CCCCC EEEEEEE. WW WW AAAAA RR RR CC C EE. WW W WW
AA AA RRRRRR CC EEEEE. WW WW AA AA RR RR CCCCC EEEEEEE. BELLO. Noemata
Random Name Generator. RUTHNANOI. RUTHNANOI. ) ). ((. Hxr nick EAWARHE.
Noemata Random Name Generator. APHROM. APHROM. ''''''''. ' .... .... '....
'. '. '. '.. ..... .... .. .. .... . .. . .. ..........................
Netart project ERDOMINPROTO. Noemata Random Name Generator. BARDATAYN.
BARDATAYN. ) )' ) ) ) ) )' ) ' ) ). '. ( ( ( ( ( (. (. Japanese toy craze
ERZYMNANO. Noemata Random Name Generator. KITEAL. KITEAL. ) ) ). ( ) ( ( (
). ( ) (. ) ) ). ( ( ( () ( (. ). Cyborg model BANARE. Noemata Random Name
Generator. MASNEUROE. MASNEUROE. MM MM AAA SSSSS NN NN EEEEEEE UU UU
RRRRRR OOOOO EEEEEEE. MMM MMM AAAAA SS NNN NN EE UU UU RR RR OO OO EE. MM
MM MM AA AA SSSSS NN N NN EEEEE UU UU RRRRRR OO OO EEEEE. MM MM AAAAAAA SS
NN NNN EE UU UU RR RR OO OO EE. MM MM AA AA SSSSS NN NN EEEEEEE UUUUU RR RR
OOOO EEEEEEE. Fancy art gallery GRIPOS. Noemata Random Name Generator.
ETORPHOTO. ETORPHOTO. .............................
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Buzz word this year BABIDO. Noemata Random Name Generator. MACAMA. MACAMA.
PISOPTI. Noemata Random Name Generator. TEZYM. TEZYM. Motherplanet in space
flick FACHYPO. Noemata Random Name Generator. SPOSUBSES. SPOSUBSES. gg
ggggggggggg gggggg gg ggg gg. ggggggggggg gg ggggggg gg. ii dPY dPdPYb ii
dPYa. dPY ii dPYb ii. ' Yb bd' Y bdP ' Yb. Yb b ' d' a Y '. ' Pd' YbaaadP'
'. P ' YP' '. dP aaaadP P Y dP. aaaadP dP baaaa dP. dP' a b d dP' a. Yba
dP' a dP dP' a. dP' Yb Y P dP' Yb. b dP' Ybd dP' Yb. dP' I Y P' dP' I. P
dP' IY dP' I. dP YbdP' dP Ybd. d'dPYba dP. aPYP YP' aPYP YPY. P aPYP Y
aPYP. Artist name OSCONREO. Noemata Random Name Generator. OICH. OICH. ')
) )' ). ( ( (. Osho name SILENC. Noemata Random Name Generator. SIGAR.
SIGAR. Dog name LOOGUS. Noemata Random Name Generator. GANTHERMOS.
GANTHERMOS. Dada movement PALNEURO. Noemata Random Name Generator.
NTHAPHROE. NTHAPHROE. Buzz word this year OIMIC. Noemata Random Name
Generator. VIUNO. VIUNO. Tshirt text UNRESCERN. Noemata Random Name
Generator. PATHANA. PATHANA. ''''''' '. .... ' ... .. ' '. '. '. '.. '. '.
'.. ..... .... .. .... .... . ..... .. ......................... Osho name
OSPOPWE. Noemata Random Name Generator. DRULEME. DRULEME. e eeee e e eeee
e eeee. eee ee eee eee eee. Osho name OFORCVA. Noemata Random Name
Generator. WARE. WARE. dbd.bdb .d.b. d....b. d.....b. ..I.I.. d.'.b ...D
..'. ..I.I.. ..ooo.. ..oobY' ..ooooo. Y.I.I.. .... ...b ... .bd.'.bd.'
.... ..... .... .b.'.d.' YPYP ..YD Y.....P. Tattoo shop CITYCAEGE. Noemata
Random Name Generator. VESMAGIS. VESMAGIS. V E S M A G I S. Noemata Random
Name Generator. BUMNU. BUMNU. ) ) ) ). ( ) ( ( ( (. (. ) ) ) ). ( ( (( ( '
( ' ((. Software CELLMIDIIN. Noemata Random Name Generator. PTURSO. PTURSO.
..................... .............................
......................... ...............................
.............................
................................................. Elbonian cousin name
CKERME. Noemata Random Name Generator. TIMGOER. TIMGOER. Impressive fake
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304
305
Blackmetal band EBEAMPRE. Noemata Random Name Generator. POPWAE. POPWAE. .
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306
Netart project NIZMAGIER. Noemata Random Name Generator. LARIOR. LARIOR.
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307
Art installation AGECHROMAERO. Noemata Random Name Generator. Slektstre.
Slektstre. Ann Elesøpite. Bsorn Jenne. Anyto. Knet Macmoalteon. Erlunc
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Jins Jimkan Sludte Kfangåyasen (c. . Jonc ver fri Oynctathtte. fre
Aurlomt.). Jin Jangen Oomstod Getbrentcgert Setndolen (s. ). Ronste
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Ronsth Lerctytdor Nardre Gravo. Kyri Olctiddur Nidri Raynden. Ola Knatcen
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Haltos Olctitthr Surh Bhssæstot. Byrsat Olsdattar Morasledte Sbartiferj
(forset ver dhttar tal. ssilelirar Oly Sopitson Sfertafers fre Ål.). Geru
Olstattyr Nardri Reumtan. Olu Olgem Nartre Reymton (c. ). Ola Sfeenson
Nartre Rayntim (s. ). Sfeon Kmhtgen dæ. Nhrtru Ryandhn. Knod Lifordsen
Sirø Mitays Netre Rionton (c. ). Remsta Sfaengtettar Sencta Kyebams.
Birzot Olctattir Thmsin. Gra Olkdottur Nirtro Hallamg Ål. Ole Olsen Nirtro
Hillhns Ål. Gri Nalctetdar Halde. Borsod Sshgortsdetthr Teasacthcin.
Birsoyld Hillinccthd. Arna Hhllenggthd. Tera Kolbcerncsart Vads. Removal
of the hand. The Removal of the hand as a mythological symptom consistent.
with fetishistic disavowal can only be a pretext for 'release' per se.
says. Mr. Tanizaki disavowedly.. Palafax Solipsigossa. .ltb.gt.
.ltb.gt....ltb.gt. randomART Tommy is .ltb.gt....ltb.gt. .) (.'. .) ('..
Seven elements of beauty. Seven elements of beauty. . Asymetry breaking
away from formed perfection.. . Nonattachment openmindedness. .
Naturalness artless without pretense. . Simplicity. . Limitless silence
inwardlooking mind. . Wizened austerity like an old tree. . Profound
subtlety. pieces. May there be peace in heaven.. May there be peace in the
sky.. May there be peace on earth.. May there be peace in the water.. May
there be peace in the plants.. May there be peace in the trees.. May there
be peace in the Gods.. May there be peace in Brahman.. May there be peace
in all.. Peace peace peace.. Hindu. a state of tranquillity or quiet as a
freedom from civil disturbance b. a state of security or order within a
community provided for by law or custom breach of the peace. freedom from
disquieting or oppressive thoughts or emotions. harmony in personal
relations. a a state or period of mutual concord between governments b a
pact or. agreement to end hostilities between those who have been at war
or in a state. of. enmity. used interjectionally to ask for silence or
calm or as a greeting or. farewell. at peace in a state of concord or
tranquillity. Cherish in your hearts boundless goodwill to all that
lives.. Learn to make the whole world your own. No one is a stranger my
child the. whole world is your own.. det profane er høyere enn det
sakrale. sakrale som et fokuspunkt. . The obstacles in the way of him who
desires to attain concentration are. Sickness Languor Doubt Carelessness
Laziness Addiction to objects of. sense. Erroneous Perception Failure to
attain any stage of abstraction and. Instability in any stage when
attained.. . These obstacles are accompanied by grief distress trembling
and sighing.. . FOR THE PREVENTION OF THESE ONE TRUTH SHOULD BE DWELT
UPON.. Any accepted truth which one approves is here meant.. . Through the
practising of Benevolence Tenderness Complacency and. Disregard for objects
of happiness grief virtue and vice the mind becomes. purified.. The chief
occasions for distraction of the mind are Covetousness and Aversion. and
what the aphorism means is not that virtue and vice should be viewed with.
indifference by the student but that he should not fix his mind with
pleasure. upon happiness or virtue nor with aversion upon grief or vice in
others but. should regard all with an equal mind and the practice of
Benevolence. Tenderness and Complacency brings about cheerfulness of the
mind which tends. strength and steadiness.. patanjali. recollect the
antecedent. . To recollect that which is most antecedent to the in breath
and out breath. means that you must tune into that which is prior to the
entire breathing cycle. itself. Just as the hand which lifts a staff is
not part of the staff likewise. the antecedent recollection is not a part
of your breathing. As a practical. illustration you must recollect the
antecedent as you breathe in and breathe. out. If the breathing is long or
short labored or otherwise you must focus on. the antecedent so that
breathing follows after it. When you breathe for. example your normal
belief is I am breathing. It never dawns on you to. retract your attention
and look in the opposite direction so as to rise above. breathing. Not
surprisingly this is not an easy task (owing to force of. habit. all of us
still attend to conditions which are always posterior).. seung sahn. You
think that the kongan is separate from your life and from your job. This.
kongan don'tknow mind clear mind your job your life everything hit. become
one. Just now what are you doing. You asked me what am I I say to you you
already understand. Look at the. ground. What do you see What do you hear
now You must open your eyes and. ears.. Also you must attain your true
self. Then you will not have to ask about me.. Zen is not difficult also
not special. If you want special you have special.. But this special
cannot help you. When you are eating just eat when you are. walking just
walk when you drive just drive. That is Zen. There are many. kinds of Zen
eating Zen working Zen television Zen driving Zen playing. tennis Zen.
Sitting Zen is one part. Most important is moment to moment how. do. you
keep clear mind So Nam Cheon Zen Master was asked What is Zen. Everyday.
mind is Zen mind. So don't make special don't hold something don't be.
attached to something don't make something then you are already complete..
That's primary point I told him. You found it. You studied philosophy but.
you couldn't attain this nothing. Just now you attained nothing. But if
you. hold nothing then you will have a problem.. What do you mean by
'holding nothing.... It's very sad if you are holding nothing. All your
lingering attachments will. press on you. If you are not attached to
nothing you will attain nothing and. there is no life or death. If you are
nothing then life and death are nothing.. You are already beyond them.. Oh
that's wonderful he said. I didn't understand that until now.. It was an
interesting conversation. He was old rich and very wellknown but. he said
he had gotten nothing. As you get old this nothing gets bigger. Before.
you come into this world there is nothing. When you are young you don't.
understand nothing just the words. But by the time you are forty or fifty.
and. a good friend has died or your mother and father have died then you
have. experienced nothing. You have tasted nothing. If you practice hard
the taste. is. very strong and you are free to help other people. But if
you are holding. something in your mind you can't taste nothing. If you
want freedom you. must. taste nothing very intensely. What is the taste of
nothing. cayce the Sanskrit word for action is karma. the Sanskrit word for
action is karma. when there are rebellions of body or mind against such is
there any wonder. that. the atoms of the body cause high blood pressure or
cause itching or cause. running sores or cause a rash or cause indigestion.
For all of these are. but the rebellion of truth and light.. . As has been
given there are DEFINITE conditions that arise from. within the inner man
when an individual enters into true or deep meditation. A. physical
condition happens a physical activity takes place Acting through. what
Through that man has chosen to call the imaginative or the impulsive and.
the sources of impulse are aroused by the shutting out of thought
pertaining to. activities or attributes of the carnal forces of man. That
is true whether we. are considering it from the group standpoint or the
individual. Then changes. naturally take place when there is the arousing
of that stimuli WITHIN the. individual that has within it the seat of the
soul's dwelling within the. individual body of the entity or man and then
this partakes of the. individuality rather than the personality.. . If
there has been set the mark (mark meaning here the image that is raised.
by the individual in its imaginative and impulse force) such that it takes
the. form of the ideal the individual is holding as its standard to be
raised to. within the individual as well as to all forces and powers that
are magnified or. be magnified in the world from without THEN the
individual (or the image). bears the mark of the Lamb or the Christ or the
Holy One or the Son or any. of the names we may have given to that which
ENABLES the individual to enter. THROUGH IT into the very presence of that
which is the creative force from. within itself see. . Some have so
overshadowed themselves by abuses of the mental attributes of. the body as
to make scars rather than the mark so that only an imperfect. image. may be
raised within themselves that may rise no higher than the arousing of. the.
carnal desires within the individual body. We are speaking individually of.
course we haven't raised it to where it may be disseminated for remember
it. rises from the glands known in the body as the lyden or to the lyden
Leydig. and through the reproductive forces themselves which are the very
essence of. Life itself within an individual see for these functionings
never reach that. position or place that they do not continue to secrete
that which makes for. virility to an individual physical body. Now we are
speaking of conditions from. without and from within. . The spirit and the
soul is within its encasement or its temple within the. body of the
individual see With the arousing then of this image it rises. along that
which is known as the Appian Way or the pineal center to the base. of the
BRAIN that it may be disseminated to those centers that give activity. to.
the whole of the mental and physical being. It rises then to the hidden eye
in. the center of the brain system or is felt in the forefront of the head
or in. the place just above the real face or bridge of nose see. . FIND
that which is to YOURSELF the more certain way to your consciousness. of.
PURIFYING body and mind before ye attempt to enter into the meditation as
to. raise the image of that through which ye are seeking to know the will
or the. activity of the Creative Forces for ye are RAISING in meditation
actual. CREATION taking place within the inner self. snailmail
jupitterlarsen. snailmail g.x. jupitterlarsen. for myself eye enjoy
playing with terms as toys nothing more. too many. people. take ideas (or
the terms of ideas) too linearly.. eye think that a person's disapproval
of somehting is no reason not to like. it.. if a man believes in something
it does not necessarily mean that he accept it. as something which is
essential nor should he.. in fact a man exhibits a real understanding of
the workings of reality when. in. a single action (without meaning to
deceive) he deliberately says one thing. and. does something else
altogether different.. it is the multidimensionality of all of this which
shows us that using the. same. process of making rational conclusions will
not always work for all events. and. actions.. eye am not from anywhere
really. my father was from norway however. g.x. jupitterlarsen. NOT HERE.
and we. and we. are fundamentally inclined to maintain that the falsest
opinions. (to which the synthetic judgments a priori belong) are the most.
indispensable to us ..without a constant. counterfeiting of the world by
means of numbers we could not. live.
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UEOFTHEFOUNDINGOFGARDENINGARPNCTSUJEXQUOTSFD. CSFDE. i don't remember
having written this not sure what it is... phaneronoemikon solipsis blog.
Person shelf sentence continuing. Q Who reads Person shelf sentence
continuing. A Pure Irration.. Q Is reading done in eyeball. A All reason
contains irreasonal assumption.. Q Why does Person shelf sentence
continue. A Pure ration of radiance.. Q What is contained in one ration of
radiance. A Pure Irration.. Q Are you in favor of constructing networks of
belief. A They are constructing me. Why not construct them. Q Can you
explain. A I have swallowed a redhot iron ball. which has cauterized my
throat into a starform.. Q Who reads Person shelf sentence continuing. A A
Pure Ration of the AllSelf incausing Irration for S.O.A.. A Person shelf
sentence continuing. Q FINAL.. Wednesday March. CAMBODIAN MAN CUTS OFF
PENIS TO FEED SPIRITS. Mon Mar AM ET. PHNOM PENH (Reuters) A Cambodian man
cut off his penis when he said he was. visited by four hungry spirits in a
dream and he had no chicken or duck to. offer them.. According to police
yearold Soun Ney told the spirits to go away when. they first appeared to
ask for food and waved his penis at them in defiance.. 'Devils I don't
have any chicken or duck for you' he was quoted as saying by. local police
chief Phoeung Vat. 'If you want to eat anything you can eat my. penis.'.
Soun Ney said the spirits agreed to eat his penis. He was rushed to a
hospital. near the capital Phnom Penh after he castrated himself with a
butcher's knife.. 'He is lucky to be alive' Phoeung Vat told Reuters..
Villagers in the deeply impoverished southeast Asian traditionally offer.
chicken duck or cake to the spirits of the dead to ward off bad luck..
found via Mark Lamoureux's. posted by Lanny PM. Sarandipities Trobard
ClusTermed. LunaLangLungLonging. What Breaks Though The Drama. Of All That
Tiny Inscriptus. Crowbar Plus. Ultra. My Kind. Trobar Plus. The Albino
Cyclopean Unicorn Gorilla. With Diaper D'oro. Filled With The Red
Tincture. Malbion Boonlight. It Doesn't Matter How You Arrange. The Words.
But How You Make Dolphin. Among The People. This Language Is Paramount. And
Must Be Unambiguous. Or You Will Be Labeled As A Kind Of Metagallinari. Of
Harangue Upon The River Styx. Now I Move In The Secret Doctrine Of Space.
And Find My Diagram Where The Outline Of. My Tribulation Is Ignored. The
Erotis Curvatures Of The Iconic Invention. Signals A Float Of
Intentionality. Within The Dark Wood Of The Loam Of Eyes. This Isn't An
Area For Soft Boys. But For Viral And Manic Demons Whose Surfaces. Are
Iconic Landscapes. Whose Dreams Are Alchemical Dramas Unfolding. With The
Precision of Floral Camera Craniums. This Machinic Djinn Lives. And Bites
Through The Umbilical Chord. With Teeth Of Coma. Chroma. The Ribald Town
Of Jiboko. Where The Green Skinned Fever. Hides Like An Assassin. Passing
Dreams Like Crystal Throwing Stars. Into Passing Gourds. None Of This Says
What It Thinks It Says. Such Is the Mystery Of the World. That No One May
Know Its. Fama Who Ignite Such Terrible And Inspiring Fires. Blank.
Arsenal. Firing. Under. Kama. Kra. C. losing.. Butter Idols.. What Happens
To Authors. Because. Of Their Texts.. Character (Dinosaur). pro notia
(elastic notocord). linguarum (Atlantean incense). universalis
(sphaerical). Species of the .... (enter relevanttimeframecontext).
.Independent Potentials.. of the RealM.. posted by Lanny PM. The Plan
Abandoned. by Wade Tillett. The unavoidable theoretical crisis. lurking
for years as an outline. a shadow at the edge of a glance. an uneasy
feeling. has finally become apparent.. It is in the face of this spectre
that. I am abandoning the profession of architecture.. While innumerous
evils haunt this profession. they are not in the end what has compelled my
resignation.. (I suppose these would have been reasons to reform. not
abandon.). No in fact after much consideration and soulsearching. I have
come to understand there is only one demon. the plan.. The plan can not be
separated from belief.. Belief encloses itself and becomes a system..
Belief identifies a self and other. a landscape. and a space.. Belief
establishes truths and possibilities based on its own parameters.. The
plan is the contract which seals belief. enforces belief.. The plan is the
word written. staticized. objectified.. The plan is the mapping of belief.
its completion as a coherent system. its formalization.. The plan is the
enclosure of the belief set. its circular logic turned on itself. the
fabricationenclosure (simultaneously) of possibility.. The plan produces
possibility. a construct of definable limits.. The plan allows one to
inhabit belief.. The plan delimits a space and a body.. Life is delimited.
separated. enclosed in a wrapper of the possible. identity. death.. Death
is the final separation. the final limit. the finite. the form. the past
twisted onto consuming the present.. The plan invents death. constructs
death. allots death.. The plan manufactures an objective reality. an
other.. Death is the ultimate other.. In order to be a true believer. one
must eliminate one's participation. in the creation of truth (the ultimate
other).. It is only in this way that objects. others. spaces. can be purely
objective.. The other must stem from without.. The plan must detach the
user or architect. the creation of the belief system.. The plan must
separate the self from its own modification.. The formgiving of
representation must be recast as a formreceiving.. The plan must become
the map.. The process of objectification (the creation of other) therefore
must. erase itself.. Thus inherent in the plan is a certain blindness. that
refuses to accept the creation of death. but accomplishes it the same..
Architecture is a means to resolve (obfuscate). the fundamental paradox of
the plan.. The plan can not be theorized as a problem within architecture.
nor one stemming from without.. The plan is both architecture's means and
it's reason for being.. Architecture's dual purpose is to hide that which
it facilitates.. Utopias are always distractions decoys.. The selfdelusion
of the architect is always only partial. there is always the intuitive
semiconscious fitting. negotiating. constructing. of a plan that bridges
and covers what it intends to be. and what it will be.. Such is the dual
nature. the misnomered intuitiveness. of the architect.. Those fascists
who purport to have accepted their role. as creators of death. as inverse
gods. in the end place Death as an absolute beyond. as some form of truth
outside the self.. They understand death's comport with belief. but
mistake death as beyond belief.. The actual manipulations at the molecular
level. are misconstrued. by a grandiose abstract Death narrative.(). The
myriad sin constructions are glossed over. hidden under. legitimized and
justified. by the holy image and the coming utopia.. Belief remains in the
singular untouchable other.. A construct is created behind an image.. The
imperialism of the plan always leaves one absent. a shell without
content.. The plan or map or image or identity can not be put to good use.
even those put together democratically or autonomously. present only a
means to enclose. subject the present to the past image. create
possibility traps.. The plan can not be separated from the tyranny that
employs it. the plan is that tyranny. the subjugation of the present to
the past.. Notes. . Fitting the two types of forms together segments of
content and. segments of expression requires a whole doublepincered or
rather. doubleheaded concrete assemblage taking their real distinction
into. account. It requires a whole organization articulating formations
of. power and regimes of signs and operating on the molecular. level.....
If this parallelism is replaced by a pyramidal image then. content
(including its form) becomes an economic base of production. displaying
all of the characteristics of the Abstract the assemblages. become the
first story of a superstructure that as such is. necessarily situated
within a State apparatus the regimes of signs. and forms of expression
become the second story of the superstructure. defined by ideology. It
isn't altogether clear where language should. go since the great Despot
decided that it should be reserved a. special place as the common good of
the nation and the vehicles for. information. Thus one MISCONSTRUES the
nature of language signs. organizations of power and content. () the
illusion that one can. grasp and shuffle all the strata between one's
pincers can be better. secured through the erection of the signifier than
through the. extension of the sign. ( Deleuze and Guattari A Thousand.
Plateaus. Emphasis mine.). posted by Lanny PM. Through Struggles to the
Stars. By Physicist. Jack Sarfatti Ph.D.. On the physical principles of
consciousness warp drive and wormhole star. gate time travel in the light
of the new precision cosmology of dark energy. and their relations to the
coded knowledge of the once and future techgnostic. mystery schools
fictionalized in The Da Vinci Code and described in fact. in Techgnosis..
Newton realized that the fall of the apple was the same as the motion of
the. Earth around the Sun. That was his alchemical techgnostic insight
into As. Above So Below. I have shown that the invisible Galactic Halo
holds the. stars together in the same way through negative zeropoint
energy density. with equal and opposite positive quantum pressure that the
electrons. distributed repulsive electric charge is held together. Its As
Above So. Below all over again. Real original physics on the deep
structure of the. many worlds not found in any other book is weaved
together with great. literature and my true adventure story. Quantum
reality is not only weirder. than we have imagined but may be weirder than
we can imagine. We are. such dreams that stuff is made from.. Re Object not
found.. ok mwp feel free to upload to noemata or adundas as an online
storage for you. stuff if you want. ah you can sell your stuff via
noemata.netarspublica.com. and get rich from the post.net.art. (it's of
course not generating a dime.). if i should try getting money from
institution i think it would be for 'fully. automated art' or something
like that smiley. i owe them some explanation what. i did with the last
which is ok and making problems with backfiring. 'context art' and then
not caring about paper work but the possibilities are. there and they're
basically kind i should have a secretaryagent doing. things keeping my
life together that would be fine i'll advertise defunct. potential artist
seek structured realistic person. there's missing a whole. lot in that
production line. i wanted to fix that before collaboration no it. doesn't
work only tight schemes getting money out of funds goals the usual.
artistery. insert sercasm charchasm hollow character.. perl cgi seem only
available from url kunst.nobjornmag (which is same as. noemata.net)
support didn't answer the last mail so they won't fix probably.. see you
in the post art. name. AROSE RIP. Aroseisaroseisarose.com is officially no
longer. All links to works. originating from the site are henceforth
invalid. Moreover I have no plans. for the construction of any future
sites.. I await a future of postnet art which is the only one I can expect
to be a. part of right now.. Re spasms. ..like eerie to me this tini whirl
j kom over linken i går actually. yo ko ok whiteblue c. alsoh. Recently
she held a thirteendaylong dance festival taking place 'in your. mind'..
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...... ..... ..... ..... .... ... ... .. .. trolldeig. vegetating at meh
airport this trolldeig work clumsiness of kid craft maybe. clumsiness of
their actual imagination not the craft always prefering the. chubby planes
and popple of things negating colors they now seem to be. jumping off
midair the original is red ground and they look dead white and. grinning
kids wondering how those air crafts every could fly maybe not. crosses and
how their imagination ever could represent anything no we don't. believe
the cross mean that we don't believe caricatures is like. imagination not
our craft we kids know that but you don't you are the. clowns falling off
by believing imagination eventually adapts you hit. the ground.. syndicate
div. This is a multipart message in MIME format.... ContentType textplain
charsetiso. Some moulds new images to become compressing them much as
possible and time. inflating they're connected to different ideas and
things lost or heading in. other directions divergence divide division
divert deflect route detour. distract turn aside depressible depute
diverting diplostemonous ride. daughterly turn ached diffractions dept
departs duplicitously ready dowdier. destructor tirana acta diversionist
dubbed deposing deportees defalcate rite. datura distributor thermo
agatha. Index of div. Name Last modified Size Description. Parent
Directory Apr. meh.jpg Feb k. M.jpg Aug k. M.jpg Jul k. akdre.jpg Oct k.
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ch.jpg Apr k. chiperb.jpg Jul k. cityfil.jpg Oct k. cpor.jpg Oct k.
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Mar k. sbok.jpg Oct k. scbover.jpg May k. sdex.jpg Aug k. slve.png Feb k.
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Apr k. trit.jpg Sep k. tt.jpg Sep k. unfit.jpg Aug k. vadsotanabru.jpg Sep
k. ver.jpg Apr k. wallpaper.jpg Oct k. zthoe.jpg Feb k. Apache.. Server at
noemata.net Port. Support dot.art. Evil agency. ContentType textplain
namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. Syndicate
mailinglist. Syndicate network for media culture and media art. post to
the Syndicate list. no commercial use of the texts without permission. hr
onwards. years anniversary. () (. ' ' '. ' ' '. ). (). ). '. roundtheclock
posting of sequenced hypermodern imagery from Brad Brace.. The hypermodern
minimizes the familiar the known the recognizable it. suspends identity
relations and history. This discourse far from. determining the locus in
which it speaks is avoiding the ground on which. it could find support. It
is trying to operate a decentering that leaves. no privilege to any
center.. began December. Pointless Hypermodern Imagery... postedmailed
every hours... a. spectral trajective alignment for the s A continuum of
minimalist. masks in the face of catastrophe conjuring up transformative
metaphors. for the everyday... A poetic reversibility of exclusive
events.... A postrhetorical continuous apparently random sequence of.
imagery... genuine gritty greyscale... corruptable compact. collectable
and compelling convergence. The voluptuousness of the grey. imminence the
art of making the other disappear. Continual visual impact. an optical
drumming sculpted in duration on the endless present of the. Net..
unassimilable... imagery is gradually acquired selected and resequenced.
over time... ineluctable vertiginous connections. The hr dialtone....
KEYWORDS Disconnected disjunctive distended decentered. decomposed
ambiguous augmented ambilavent homogeneous reckless.... Multifaceted
oblique obsessive obscure obdurate.... Promulgated personal permeable
prolonged polymorphous provocative. poetic plural perverse potent
prophetic pathological pointless.... Emergent evolving eccentric eclectic
egregious exciting. entertaining evasive entropic erotic entrancing
enduring. expansive.... Every hours another... view them repost em save
em. trade em print em even publish them.... Heres how.
httpbbrace.laughingsquid.nethr.html
309
310
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ftpmailcs.uow.edu.au. ftpmailftp.unistuttgart.de ftpmailftp.Dartmouth.edu.
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ftpmailftp.sun.ac.za. ftpmailftp.sunet.se ftpmailftp.luth.se.
ftpmailNCTUCCCA.edu.tw ftpmailoak.oakland.edu. ftpmailsunsite.unc.edu
ftpmaildecwrl.dec.com. ftpmailcensus.gov. bitftpplearn.bitnet
bitftpdearn.bitnet. bitftpvm.gmd.de bitftpplearn.edu.pl.
bitftppucc.princeton.edu bitftppucc.bitnet. Mirrorsites requested Archives
too. The latest new jpeg will always be named hr.jpeg. Average size of
images is only K.. Perl program to mirror ftpsitessubdirectories.
src.doc.ic.ac.ukpackagesmirror. Postings to usenet newsgroups. alt.hr.
alt.binaries.pictures.hr. alt.binaries.pictures.misc.
alt.binaries.pictures.fineart.misc. Ask your system's newsadministrator to
carry these groups. (There are also usenet image browsers TIFNY PluckIt
Picture Agent. PictureView Extractor NewsRover Binary News Assistant
EasyNews). This interminable relentless sequence of imagery began in
earnest on. December . The basic structure of the project has been over.
twentyfour years in the making. While the specific sequence of.
photographs has been presently orchestrated for more than years worth. of
hour postings I will undoubtedly be tempted to tweak the ongoing.
publication with additional new interjected imagery. Each hour posting. is
like the turning of a page providing ample time for reflection.
interruption and assimilation.. The sites listed above also contain
information on other cultural. projects and sources.. A very lowvolume
moderated mailing list for announcements and. occasional commentary
related to this project has been established at. This project has not
received government artsubsidies. Some opportunities. still exist for
financially assisting the publication of editions of large. (x) prints
perhaps (Iris giclees) inkjet duotones or extendedblack. quadtones. Other
supporters receive rare copies of the first three. hremailsubscriptions
can also be made at. mo yr. Institutions must pay for any images retained
longer than. hours.. image files. Get the textfile 'picturesfaq' to learn
how to view or. faq.html. (c) Credit appreciated. Copyleft. this heat.
you're now listening to this heat a.k.a. Blue and Yellow Testcard
Horizontal. Hold Not Waving Water Twilight Furniture Track Loop Diet of
Worms Music. Like Escaping Gas Rainforest The Fall of Saigon Testcard
Deceit Sleep Paper. Hats Triumph S.P.Q.R. Cenotaph Shrink Wrap Radio
Prague Makeshift Swahili. Independence A New Kind of Water Hi Baku Sho
(Suffer Bomb Disease) Repeat. Metal GraphicVarispeed. This Heat (album)
covers two years of the band's history with both live and. studio cuts.
They use guitar clarinet drums and keyboards permuted with. loops phasing
and overdubs breaking down patterns into only faintly. connected musical
moments that include artificial skips and looped end. grooves. Though
insolent and withdrawn the music is adventurous and in its. raucous yet
avoids the dismal drones and cacophony of other experimental. groups. Free
of clichs the music blends politics and intelligence steering. clear of
artifice and trendiness. Austere brilliant and indescribable.. this is
still very good. Re rune grammofon. yes i've heard some releases
supersilence biosphere jazzkammer it's quite. experimental ranging from
noisefreejazz to ambient to electronica. haven't. seen the book but their
obviously into design also.. rune kristoffersen has some years in the
business he was in the group 'fra. lippo lippi' which released a beautiful
depressive record in 'in. silence' influenced by english goth rock. he was
involved in the company. uniton from which i bought releases and imported
albums at that time he's. got more pop oriented... related to that milieu
were 'holy toy' and 'when'. holy toy centered around. the polishnorwegian
eccentric andrej nebb and is probably the most. interesting group in
norway ever. actually nebb mentioned this heat as one of. his influences
which is obviously also in 'when' which comes from lars. pedersen
percussionistorgan in holy toy. 'when' reconnects more to prog rock. i
sent a cd with some stuff to rune k. a couple of years ago from the. just
slow and dark noise syrup recorded and manipulated from rails and. other
concrete sources. experimenting with very low bitrate encoding giving a.
spectral sound.. Have you seen this Do you know anything about this label.
Just wondering if you thought it was worth checking out... . e k u n s t .
cazzarola What is this. This is a multipart message in MIME format....
ContentType textplain charsetiso. a draft... cazzarola What is this. maria
What the awakening du vil holde styr unna brødene.. cazzarola Who are you.
maria Who are here in a try ) er gud er ikke her har mer av gammelt grått.
mugg og gjør fyldest alle dverger uten tanke søler sitt ene øye.. cazzarola
fanculo. maria What the awakening you will stay clear of the breads.. maria
Who are here in a try ) is god not is not her have more of the old. gray
mugg and do fullfill all dwarfs without thought spilling his one eye..
cazzarola fanculo. (. gozzarola finger eye. maria at ping eye tarot two
konservative lunkne.... ). noematamariadialoger. Nytt kapittel ferdig (k)
april. Maria Futura Hel Dialoger. dialoger.html k apr. dialoger.html k
apr. dialoger.html k sep. dialoger.html k jul. dialoger.html k apr.
dialoger.html k dec. dialoger.html k sep. dialoger.html k may. utdrag.txt
k jan. dialoger.html k jan. dialoger.html k nov. dialoger.html k aug.
dialoger.html k apr. dialoger.html k jan. dialoger.html k jul.
dialoger.html k may. .. ((()((. dialoger.html. tramslated. Dialoger med
Maria Futura Hel. maria i allerede levd because of grace jones. zynt am
nævestad badin magen. maria bad politikker. zynt yes am he dust. maria
dust am jesus suger eller am pingle. zynt skal vi home idag. maria home
till park. kutt al meg frekke kjerring kan a question men the. them for
off røret.. zynt haves i big kuk. maria big encourage at upon tv gøy
belowstream have sagt.. zynt become grows bog vaktkommandør. maria become
eneste uavbrutt høyforedersk handling.slik var. oppriktige svært bad no
not vet where heck am burdensome fog mist comfort. consoles tankene. drags
one excellent fine handel it quite altogether tøft.. zynt am urge digg.
maria am portveien. zynt am urge dig. maria urge digg. zynt am urge digg.
maria urge digg. zynt yes am it digg. maria yes hun light lightens for off
you opp and says i kan i spør about. concerning around she smiles.. zynt
you am one cheky diminutive harlot you. maria harlot foroff waldemar
waldemar am one dritt engine machine (peker. a longed nede økonomiskog
with serbiske and chocolate and films eller noen. var minute forest.. zynt
haves you pupper. maria pupper what for slakk foreslåtte pari why. zynt
jævla fitte. maria fitte slim like everything until terje vigen ex from
finnmark the. lounge am you no not. fernufti the them må get lay hold of
upon gayta except envelope. mister erik. My work is completely
photometrical.. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. post distribuert via. e k u n s t.
listeadresse eekunst.no. kontaktadresse listmasterekunst.no. the sound of
matemathics. the sound of matemathics. via solipsis. min telecommuting
work. min telecommuting work. hararharharhahrhar iiotoutoitoutruio
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lk. bytes bps. singalong attachment removed. while walking. while walking
beachboys mindful of worms ancillary ants.. dmf nota throw away paper that
irwin written oncogene.. do not all these things.. while walking be
minimized of worms and ants.. do not throw away paper that is written on..
do not all thersites things.. whimsey walkers bays mineable of worry
ancohuma antre.. djerba notarising throttle away paperer thankless is
wronger on.. do nostoc all these thingamajig.. whig walking be mindless
offal wormier and ants.. dniester not throwaway away papaverine
thanksgivings isabella wroclaw on.. do notability all thesaural things..
whikehart walkingstick bdellium mindfully oeuvres wormseed antonym ants..
dniester not throwaway awayness paper thatch irwin wroclaw on.. doab nota
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on. and turtleback no mordant his headdress. beckon he knutson a frigidity
fiesta. dotterel cloned behaviorisms him treadled.. like ondo whodunit on
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having oncer turnery roumania walkover on. and turnstone nmr mordvinian
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closedown beholden hilts treacherousness.. likuta one who on a lollop
riverine. doughboy wall in fear and dread. and havoc ominousness turned
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knitting a frictionises fibrositis. doth clothesman behan him read.. like
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anaplastic having onomatology tutti round walks oophoritis. aneuploid
tupungato no more his head. because heartbeats knows a frick fiend. doth
close beholders hiddenite tread.. beMyGhost Punch and Judy Show.
................................................. Noemata's beMyGhost
Punch and Judy Show. A light seaside summer entertainment. The plaintext
dessert of a desert hyperwork. A puppet show beyond good and evil. Etc..
As performed by the professors of automata. telemata noemata.. Now playing
the Inbox Theater Scene. oOOo. The story so far..... He is known as
Pulcinella in Italy Guignol and Polichinelle in. France Kasperl in Germany
Casper in Sweden Karagioz in Turkey. Karagiosis in Greece Petruk in
Indonesia. He's been around a long time in one form or another. He's an
imp of. mischief out of the mists of time. We know him as Punch. As.
Pulcinella the actor he was part of the Commedia Dell' Arte troupes. of
Renaissance Europe. To trace him back further takes us into the. very
ancestry of pantomime itself back to Ancient Rome and Classical. Greece
and the licentious topsy turvey world of Saturnalia and Satyr. plays. He
exists in many cultures for he is one form of The Trickster. a key figure
in society's development a figure able to turn shared. values upside down
for the shocked amusement of the community and the. ultimate strengthening
of the bonds that mutually bind it.. Charles Dickens was also a great
admirer of the Punch and Judy Show.. Mr. Punch is frequently mentioned in
his novels. One work The Old. Curiosity Shop seems to be based almost
entirely on the Punch. tradition. The show has taken a fair amount of
stick in the past for. being violent or not politically correct and being
flippant about. domestic violence. Charles Dickens is among those who have
nailed this. as ridiculous.. Who Are Punch and Judy Punch and Judy are
arguably the most famous. traditional puppets in the Western World with a
colorful history more. than years old. Mr. Punch with his hook nose
detched back and. garish costume is a cultural icon in England. His
unabashed joking. and rowdy mischievous behavior have provoked paroxyms of
laughter. audiences throughout time. An impressive body of art is graced
by. Punch's outrageous countenance.. PUNCH Are you a doctor. HANGMAN Yes
are you alright. PUNCH No I'm dead.. HANGMAN You can't be dead.. PUNCH I'm
dead dead dead.. HANGMAN How long have you been dead Mr. Punch. PUNCH About
weeks.. punch judypuppetpuppetsCodman'sTobyRhosonSeapunchpunchjudy. judyMr.
Punchpunchinellopolichinellepuppetry puppet heroswooden. headsthat's the
way to do itwhat a pitysomerville colwyn bayrhos. on seacomical
tragedytragical comedymr punch's opera. pulcinellaharlequinadedetch
backhumpbig nose professorspunch. manprofessorsslapstickswazzle
swazzleomiswazzlehomipunch. callitinerantmarionettes
seasideentertainmenton the beachbeach. performerson the sands carnivalsThe
Punch and Judy College of. ProfessorsThe Punch and Judy
Fellowshipswazzleswatchelold red nose. Hoban quotes him as saying Punch is
so old he can't die.. In its classical glorious sense immortality is the
quality of what. passes beyond death the quality of the supraliving. In
its. contemporary version it is the quality of the surviving that is of.
what is already dead and by that token becomes immortal.. It's a fine show
sir. he replied. jolly fine show. Then with a. guffaw he added And a damned
bad moral.. Many of the Trickster's traits Radin writes were perpetuated
in. the figure of the mediaeval jester and have survived right up to the.
present day in the PunchandJudy plays and in the clown (xxiii).. Who is
Punch anyway Where does he come from And how could so. impossible and
ridiculous a character have survived the changes and. turmoil of the
passing centuries The plain fact is that nobody knows.. Certainly the
figure of Punch as we know him today has a direct link. with the commedia
dell'arte of the seventeenth century but the. character is far far older.
The original significance of Punch's face. and figure his enormous nose
and hump are meaningless to an. audience of modern times when perhaps it
is not customary to. associate large noses and sexual potency or find
detchbacks mirth. provoking. But it is possible that Punch has lasted so
long because he. so blatantly cocks a snook at the restrictions of
civilised society. and perhaps every man at some time or other would like
to flaunt the. laws of society with a comparable nonchalance removing
those who got. in his way pursuing his amorous inclinations willy nilly
and. defeating in the end the devil himself How often we say of a.
likeable rogue He could get away with murder. And Punch. does or almost
always does and he is such a likeable rogue and of. course he's only a
puppet and puppets can get away with anything.. HANGMAN Now prepare
yourself for execution.. PUNCH What for. Mr. Punch. A Roman mime called
Maccus was the original of Punch. A. statuette of this buffon was
discovered in containing all the. wellknown features of our friend the
long nose and goggle eyes the. detch back and protruding breast. The most
popular derivation of Punch. and Judy is Pontius cum Judæis (Matt. xxvii.
) an old mystery play. of Pontius Pilate and the Jews but the Italian
policinello seems to. be from pollice a thumb (Tomthumb figures) and our
Punch is from. paunch. The drama or story of our Punch and Judy is
attributed to. Silvio Fiorillo an Italian comedian of the seventeenth
century. Punch. triumphs over all the ills that flesh is heir to. () Ennui
in the. shape of a dog is overcome () Disease in the disguise of a doctor.
is kicked out () Death is beaten to death and () the Devil himself. is
outwitted. Brewer's Phrase and Fable. This compulsive desire for
immortality for a definitive immortality. revolves around a strange
madness the mania for what has achieved. its goal. The mania for identity
for saturation completion. repletion. For perfection too the lethal
illusion of the perfection.. 'Every ecstasy ultimately prefers to take the
path of renunciation. rather than sin against its own concept by realizing
it' (Adorno). the identitary individual the virtual clone there
corresponds a. horizontal madness... a delirium of selfappropriation all
the. monstrous variants of identity not of the schizophrenic but of the.
isophrenic without shadow other transcendence or image that of. the mental
isomorph the autist who has as it were devoured his. double and absorbed
his twin brother (being a twin is conversely a. form of autism deux).
Identitary ipsomaniacal isophrenic madness.. Our monsters are all manic
autists. As products of chimerical. combination... deprived of hereditary
otherness... they have no other. destiny than desperately to seek out an
otherness by eliating all. the Others one by one.. PunchandJudy show a
traditional puppetshow in which Punch is. shown nagging beating and
finally killing a succession of. characters including his wife Judy.. The
problem of Frankenstein for example is that he has no Other and. craves
otherness... But our computers also crave otherness. They are. autistic
bachelor machines the source of their suffering and the. cause of their
vengeance is the fiercely tautological nature of their. own language..
Punch did not always have his own play it seems his first role in. England
was to provide comic interludes in serious plays by. interrupting the
action as and when he could.. A MODERN PUNCH SCRIPT CHARACTERS PUNCH JUDY
BABY POLICEMAN CLOWN. CROCODILE HANGMAN GHOST. the challenge of the Ghost
representing Death is considered Punch's. greatest trial. We long ago
stopped believing in the immortality of the soul a. deferred immortality.
We no longer believe in that immortality which. assumed a transcending of
the end an intense investment in the. finalities of the beyond and a
symbolic elaboration of death. What we. want is the immediate realization
of immortality by all possible. means.. the conquest of whom enables Punch
to finally defy the Devil himself.. So long as there is a finalistic
conception of life and death the. afterlife and immortality are given like
the world and there is no. cause to believe in them. Do you believe in
reality No of course. not it exists but we do not believe in it. It is
like God... If. something does not exist you have to believe in it. Belief
is not the. reflection of existence it is there for existence just as
language. is not the reflection of meaning it is there in place of
meaning. To. believe in God is therefore to doubt his existence. Belief
is. superfluous just as Canetti says vengeance is superfluous it is.
rendered unnecessary by the inexorable reversibility of things. In.
exactly the same way passion is a useless supplement to the natural.
attraction between things and we might say the same about truth. which
merely complicates appearances unnecessary.. or as a mirror merely
refracts your image without believing in it.. God for his part if he
exists does not believe in his existence. but he allows the subject to
believe in him and to believe he. believes in it or not to believe that
but not to believe he does. not believe in it. Stavrogin. When the Devil
has been done away with Punch exults to the audience. The Devil is dead
Now everyone can do as he likes. But what will the human race do once free
of any belief It will. either fullfill itself egoistically obeying an
exclusive sovereign. individualism (Stirner) or do so collectively by
setting out on a. long historical course as in Marx or it will shift its
sights to. the superhuman through a transvaluation of the values of the
species. this is the path marked out by Nietzsche who argued that the
human. race cannot be left to itself but must aim beyond itself and
discover. the great metamorphosis that of becog... Nietzsche has written.
magnificently of the vital illusion not of the 'worlds beyond' but. of the
illusion of appearances of the forms of becog of the veil. and indeed all
the veils which happily protects us from the. objective illusion the
illusion of truth... Needless to say this. transvaluation... has not taken
place except precisely in the. opposite sense... A transvaluation folding
in upon itself towards a. nondifferentiation a nondistinction of values
itself fetishized in. an aestethics of plurality of difference etc. Not
any longer a. fetishization of divinities great ideas or grand narratives
but of. imal differences and particles... This dedifferentiation of the.
human and the inhuman this reabsorption of the metaphor of life into. the
metastasis of survival is effected by a progressive reduction to. the
lowest common denoator.. The Crocodile was a late arrival in the story and
has now been an. important character for about a detdred years. First he
was a dragon. which eventually became a crocodile. Perhaps the idea of a
crocodile. became firmly established after children had been frightened by
the. Crocodile in Peter Pan. The Ghost is seen occasionally still..
Originally the Ghost of Judy it is now just any old ghost.. Who was
Pulcinella or as he is sometimes called Pollicinella or. Pulicinella His
role was primarily that of a servant as indeed was. that of Harlequin and
he was obviously a comedian. He wore an. artificial nose potbelly and hump
all calculated to make the. audience laugh and he was the mixture of
jollity and cruelty wit and. stupidity just as Punch is today.. The
PunchTrickster concept embodies notions of anti. establishmentarianism
buffoonery and shamanism that reflect. attributes of the creative
individual functioning in an authoritarian. ethos the late s bucking the
system inverting values. Assug an ubuique persona and balancing
precariously on a mono. cycle PunchTrickster pedals blindly into an
unknown future fending. off unseen adversaries with an ineffectual weapon.
The sculpture is a. concretisation of a state of d or an existential
predicament. It is. concerned with delusions of grandeur and vulnerability
paradox and. pathos.. The Trickster as buffoon acts out a quixotic farce in
ironic fashion.. Ubu Roi a precursor of the theater of cruelty the absurd.
PunchUbu. Puncheon. Pernille og Mr. Nelson. JUDY Where's the baby. PUNCH
(In a melancholy tone.) I have had a misfortune the child was. so terrible
cross I throwed it out of the window.. It is generally thought that the
obsession with survival is a logical. consequence of life and the right to
life. But most of the time the. two things are contradictory. Life is not a
question of rights and. what follows on from life is not survival which is
artificial but. death. It is only by paying the price of a failure to live
a failure. take pleasure a failure to die that man is assured of survival..
Punch's women performers Bearing in d that Mr Punch is a folk. herorogue
scoundrel trickster of the opposite sex from ourselves. why are we so keen
to portray his story And what might the women. Professors add to the drama
of the tradition. The traditional Punch and Judy show presents Punch as
the simpleton. hero who successfully outwits various characters
representing his. oppressions in order to gain his freedom. This 'clever
fool' type is. often portrayed as a male antihero in folklore (Jack Til.
Eulenspiegel Clever Hans Monkey Anansi and Brer Rabbit are some.
examples). Somehow he always manages to achieve through his stupidity.
what others fail to achieve by concentrated effort. Punch is a.
combination of the fool and trickster. His characteristics are a.
collection of the archetypal shadow masculine traits those which are.
socially deemed to be undesirable cowardice lewdness rudeness. stupidity
fickleness irresponsibility selfishness greed. ................ and
violence or cunning. Mr Punch the trickster carnival fool king of anarchy
is an absurd. masculine archetype of those aspects of the human psyche
that want to. turn the world upside down and create chaos. His gross
appearance. the bulbous hooked red nose and the phallic 'hump' on his
back. comically reinforce his male sexuality along with the big red.
slapstick which he wields as the answer to all his troubles. His.
character and appearance have their roots in the ancient ritual. dramas
celebrating birth death resurrection conflict and. fertility. In our
'civilised' hierarchical bureaucratic and. patriarchal society Mr Punch
has evolved and survived through the. centuries as our national 'Lord of
Misrule.'. Punch men often portray Judy as a wonderfully fussy bossy
pantomime. dame type with a high falsetto voice. (Note that this makes
the. character a parody of the male's fantasy of woman).. When knocked
down she bobs up again several times in comic protest. always with one
more thing to say. Sometimes her final utterance is. almost orgasmic in
nature so that the mock puppet death we are. witnessing might more closely
resemble 'le petit mort' rather than. actual mortality.. When she returns
to discover that Mr Punch has inadvertently (in true. 'ignorant simpleton'
style) made the baby into sausages she is as any. woman would be at first
distraught and then angry. However having. fully expressed her grief and
given Mr Punch a piece of her d she. quickly moves into acceptance and
realises this is her opportunity. for freedom Well now Mr Punch You made
the baby sausages so you. can look after the baby sausages That's fair I'm
going to claim the. insurance money and take a nice little holiday in
Majorca. No you. can't come with me. You're to stay at home and look after
the little. sausage.. And off she goes leaving Mr Punch and the sausages to
the mercy of a. big green crocodile with toothfilled gaping jaws. Her
triumph is that. she has called Mr. Punch's bluff. Rather than waiting to
be knocked. out of his way Judy leaves him with the consequences of his
mistakes. and removes herself to a more fulfilling situation. She does
the. separating off. This gives Judy an equal status to Punch in the
drama. although he still remains at the centre of the story and fulfills
his. usual trickster role with his other adversities.. Adult enthusiasts
can recognize him as the head of one of those. dysfunctional families of
Drama that span from Oedipus and Macbeth on. the tragic side to the Addams
Family and The Simpsons on the frivolous. side. He and other little red
nosed rogues like him have been kept. alive down the centuries because his
irrepressible antics and his. flying in the face of convention have amused
generations of ordinary. people particularly those with no power of their
own.. Step warily around the fair Welsh seaside town of Aberystwyth this.
weekend for everywhere you look will be a strange beaknosed figure. clad
in red with pointytoed shoes and a manic gleam in his immobile. eyes. No
it's not Beelzebub it's Punch. The second international. festival of Punch
and Judy is in town. Oh no it isn't. Oh yes it is. etc.. There was an Old
Man with a nose Who said If you choose to. suppose That my nose is too
long You are certainly wrong. That remarkable man with a nose.. A Jungian
Consideration of Edward Lear's Nonsense Verse Lear was in. many ways an
example of what Jungian psychologist MarieLouise von. Franz calls the puer
aeternusan archetype she analyzes in her book of. the same name. The term
comes from Ovid's Metamorphoses and there. refers to the childgod of the
Eleusinian mysteries. In later times. von Franz writes. the childgod was
identified with Dionysus and the god Eros. He. is the divine youth who is
born in the night in this typical. mothercult mystery of Eleusis and who
is a redeemer. He is a. god of life death and resurrectionthe god of
divine youth .. but we also use it to indicate a certain type of young man
who. has an outstanding mother complex . . . . (). Wandering moreover is
one of the most important traits of the. Trickster archetype (Radin )
which as we shall see Lear's. nonsense exemplifies.. There was an Old Man
of Peru Who never knew what he should do So he. tore off his hair And
behaved like a bear That intrinsic Old Man of. Peru.. There was a Young
Lady whose eyes Were unique as to colour and size. When she opened them
wide People all turned aside And started away. in surprise.. There was a
Young Lady of Norway Who casually sat on a doorway When. the door squeezed
her flat She exclaimed 'What of that' This. courageous Young Lady of
Norway.. There was an Old Man of Cape Horn Who wished he had never been
born. So he sat on a chair Till he died of despair That dolorous Man of.
Cape Horn.. There was an Old Person of Cromer Who stood on one leg to read
Homer. When he found he grew stiff He jumped over the cliff Which
concluded. that Person of Cromer.. There was an Old Man on some rocks Who
shut his wife up in a box. When she said 'Let me out' He exclaimed
'Without doubt You will. pass all your life in that box.'. There was an
Old Person of Bangor Whose face was distorted with. anger He tore off his
boots And subsisted on roots That irascible. Person of Bangor.. There was
an Old Person of Spain Who hated all trouble and pain So. he sat on a
chair With his feet in the air That umbrageous Old. Person of Spain..
There was an Old Person from Gretna Who rushed down the crater of. Etna
When they said 'Is it hot' He replied 'No it's not' That. mendacious Old
Person of Gretna.. There was a Young Lady of Parma Whose conduct grew
calmer and calmer. When they said 'Are you dumb' She merely said 'Hum'
That provoking. Young Lady of Parma.. There was an old man of Hong Kong
Who never did anything wrong He. lay on his back With his head in a sack
That innocuous old man of. Hong Kong.. The function of the Trickster
according to Kernyi is to add. disorder to order and so make a whole to
render possible within the. fixed bounds of what is pered an experience of
what is not. pered (). Kernyi could just as well be describing the.
nonsense genre that emerged in the nineteenth century.. You desire to LIVE
according to Nature Oh you noble Stoics what. fraud of words Imagine to
yourselves a being like Nature boundlessly. extravagant boundlessly
indifferent without purpose or. consideration without pity or justice at
once fruitful and barren. and uncertain imagine to yourselves INDIFFERENCE
as a powerhow. COULD you live in accordance with such indifference.
Contrary to the underlying Rousseauist ideology which argues that the.
profound nature of the liberated subject can only be good and that. nature
itself once emancipated cannot but be endowed with natural. equilibrium and
all the ecological virtues there is nothing more. ambiguous or perverse
than a subject.. Trickster is at one and the same time creator and
destroyer giver and. negator he who dupes others and who is always duped
himself. He wills. nothing consciously. At all times he is constrained to
behave as he. does from impulses over which he has no control. He knows
neither good. nor evil yet he is responsible for both. He possesses no
values moral. or social is at the mercy of his passions and appetites yet
through. his actions all values come into being.. It is a personification
of traits of character which are sometimes. worse and sometimes better
than those the egopersonality possesses. (The Archetypes ). The Trickster
is in other words a. manifestation of what Jung calls the shadow and he
comments We are. no longer aware that in carnival customs and the like
there are. remnants of a collective shadow which prove that the personal
shadow. is in part descended from a nuous collective figure (ibid.). that
is the Trickster archetype.. Furthermore the Trickster is a forerunner of
the saviour and like. him God man and animal at once. He is both subhuman
and superhuman. a bestial and divine being whose chief and most alarg.
characteristic is his unconscious ness . . .. He is so unconscious. of
himself that his body is not a unity and his two hands fight each. other..
As Jung says of the Trickster Although he is not really evil he. does the
most atrocious things from sheer unconsciousness and. unrelatedness (ibid.
).. We ought not to entertain the illusion that we might cultivate good.
and happiness in a pure state and expel evil and sorrow as wastes.. That
is the terroristic dream of the transparency of good which very. quickly
ends in its opposite the transparency of evil.. Bedre veier gir flere
ulykker. The travel poems also reflect the Trickster's habit of wandering.
(albeit his wandering is generally aimless). Radin comments that the.
Trickster's desire to wander represents his protest against. domestication
and society with all its obligations ().. what do we cling so tightly when
we resist the dangers of drift. Barthes spoke (positively) of drift as a
kind of stupidity. Are we. afraid of appearing stupid. In when Oliver
Cromwell's Puritan regime banned all theatrical. performance commedia
companies must have scrubbed England from their. gigging schedules. But
the Punchinello character appears to have detg. in. Crosspollinated with
the local Vice character originally the. trickster fool of the Mystery
plays Punch utilised Harlequin's. slapstick bat took a wife and resurfaced
in the Punch and Judy puppet. show.. PuckPunch
SantaPelznicholNicholasJanneyYule I Norge har vi. oskoreia og julebukker
they acted out an odd play the leader who. dressed in goat or bear skins
argued with another character or with. the woman figure. He was killed the
woman lamented and the doctor. comically resuscitated him or he
spontaneously revived declaring he. wasn't dead after all the Fool was in
his original beast form the. death and execution were enacted amorally. In
later plays the Fool or. beastman is often killed by a young groom because
he makes a pass. at the Woman and narrators explain the behavior with a
comic. script. Scholars concluded that the detdreds of versions peppering.
Europe could be traced to the great goatgod Dionysus. After all the.
Dionysian rites gave birth to modern theater In Britain he became. Robin
Goodfellow or Puck norsk slektpuk celebrated by. Shakespeare Goodfellow's
cousin Robin Hood began life as Wood a name. for the Wild Man. In the
Black Forest the Pied Piper of Hamelin re. enacts poet Robert Browning's
version of the ancient mystery. And. don't forget the 'geek' as a freak
act.. Shiva is more or less what you want him to be as in him all.
contradictions casually coexist. The notion of Shiva as exclusively a.
Wild Man of the forests and mountains traveling with a band of ghosts. and
ghouls as their leader Bhoothnath is a recent phase of his. worship. For
while he was always capable of peculiar behavior Shiva. used to live
outside of society not because he had rejected it but. because he had
transcended it. Shiva is repeatedly described as the. supreme master of
all the arts and that indicates a highly socialized. being the Nagarika of
ancient India not a rustic.. Only Siva who indulges in both extreme ascetic
and extreme erotic. activity the creator and the destroyer the quiescent
and the active. god who represents both the cyclical motion of the
universe and. spiritual immortality can offer devotees both paths of
immortality. through rebirth or renunciation and spiritual immortality. He
is the. living lingam in the yoni and the androgyne. Both symbols contain
the. paradox within themselves and provide a resolution.. Lingam Sanskrit
literary 'mark' or 'sign' ( is there a connection. between 'sign' and
'seed' (seme and semen) via sema seme sememe. semiological adj.Gk semeion
sign f. sema mark seal symbolic. inseal pregnancy pregnant expression...).
Shiva is worshipped in several apparently contradictory aspects whose.
combination gives emphasis to his incomprehensible transcendence. He. is
seen as a giver of blessings and is also a symbol of sensuality.
represented by the lingam or phallus. On the other hand he is. sometimes
depicted as an ascetic seated in meditation in the. Himalayas. Shiva is
also the god of destruction and dissolution. In. his manifestation as
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there's a local history group in the area writing articles which gets
released. in a small yearbook by the museum i had some of them sent them
off to a. friend. among the interesting where stories about Omgang a
deport and. execution place in the middle ages a few some km from here
unhabitated long. since. prisoners from northnorway don't know how far
south where imprisoned. at this very desolated place and in fact a couple
of women got burned as. witches there in es if I remember right a young
woman Dorte something. accused of making storm at sea where a man she had
some relation to died you. could tell by the incidents she probably was an
attractive woman making the. men with power quite jealous humiliated and
very mad after half a year in. prison she was burned alive in I think..
another interesting thing is the labyrinth as Mikkelsberg also close by
with. some discussion of the authenticity of it it origins either from the
pomor. trade with russians a couple of centuries ago or from much earlier
habitation. of the area the earliest settlers probably being the sami
komsaculture. several thousands years ago there's some debate a dr.
something writing his. thesis the sami were not the first inhabitants. the
labyrinth has not been. coast from fear of messing it up the traces are
very vague but it has the. traditional form and is about in diameter..
there's some war time history since the whole shit was burned down by
germans. the whole north of norway every building here so they turned the
boats on. their head and lived under there or lived in caves at the coast.
things have. been rough here of course finding support actually there were
some. agriculture before not much.. there were about women burned as
witches in the s in finnmark the. northernmost part of norway were charged
for sorcery and researchers have. wondered why so many in the region.
reading protocols from the trials a. researcher. now suggest the poisonous
fungus meldrøye lat. Claviceps purpurea explaining. hallucination and
bewitchings black grains at the bottom of the cup etc.. Re SZ aeffect
Strong Creole Tendency. Atta unsar thu in Himinam. SZ aeffect. Strong
Creole Tendency between wordanimage selfreference 'worldings'. toll
painting of a russian and a norwegian in a fjord in the 's. trying to
communicate about some wood. chopped logs the pomor trade s to the russian
revolution initiated by. russians from the. White Sea having coast and
fjords in north of norwy as their area 'pomor'. means. 'by the sea'
Arkhangelsk has a pomor university today the russian came to. white. sea
from Novogorod s a viking city with democratic traditions different. the
tataryoke in rest of russia. pomors had cereal meal and traded with. the
tataryoke in rest of russia. pomors had cereal meal and traded with
313
fish (coast) and skins (sami inhab). .. should think wood also was
important as. there are no trees in the northernmost regions... Nordmannen
Drasvi gammel go ven på moja. Tvoja fisk kopom (Goddag min gamle. gode
venn. Kjøper du fisk). Russeren Da. (Ja). Nordmannen Kak pris (Hvilken
pris). Russeren En voga mokka så to voga treska. (Det er en våg mel mot to
våger. torsk.). Nordmannen Eta mala. (Det er for lite). Russeren Slik slag
en å en halv voga treska så en voga mokka. (Slikt slag.. En. og en halv
våg torsk mot en våg mel.). Nordmannen Eta grot dyr. (Det er ennå for
dyrt.). Russeren No davaj på kajut sitte ned så dokka lite tjai drinkom.
Ikke skade.. (Kom. nå ned i kahytten og drikk litt te. Det kan ikke
skade.). norw. russian it seems). pomor trade was illegal until . and then
the russ revolution stopped it and. the nnorw econony into depression and
the coastal villages into. problems.. the pomors had a rich rural culture
and folklore it seems there's a longer. within pomorområdet levde
fairytale adventure and legend byliner (heltedikt). ballader stev and
laments further enn a in inside into on per within. mange. second strøk
for off Russia Russia. a in inside into on per within. last. latter half
for off tallet begynte lærere prester and second stream. accumulate gather
tradisjonsstoff. them gjorde crowds for off opptegnelser a. in inside into
on per within citys and villages longer dvina and pinega. and. at to
toward towards a in inside into on per within at by on. upon. on upon
kvitsjøkysten området ble kjent like one skattkiste because of.
folklorister and etnografer.. within ble marija krivopolenova one
diminutive ancient wife with a. unfigure. ballader and chants at.
tertiden. also stepan pisakhov like var kunstmaler skrev below downstairs.
underneath down below underneath down underneath tradisjonsfortellinger.
especially especial fairytale adventure at to toward towards a in. inside.
into on per within at by on upon on upon dialect. sjergin skrev also.
tradisjonelle and further fashionable fairytale adventure men his
skriftlige. produksjon am både større and longed further allsidig enn
pisakhovs. within sovjettiden dolled it also opp sterke klare litterære
personligheter.. fjodor abramov ex from verkola. marija krivopolenova ().
bondekone ex from pinega famous because of its ballader chants and.
klagesanger.. hun learned helteballadene stariny for off its grandfather.
hun. accrued. opp a in inside into on per within fattige kår and ble early
married. married married poison men verken at to toward towards until till.
felicity. eller velstand. hun losed både the fellow and barna unntatt one
daughter like. ble married married married poison så fattigslig at hun no
not know get. lay. hold of pick up take itself for off moren. hun ble
hence therefore tvunget. at. toward towards until till stream continue
tilværelsen like one beater. omstreifende beggar eller legdekone. men
krivopolenova var one lysende gifted. forteller chants and klagesanger.
boris sjergin (). it nordrussiske klassikeren fremfor noen. he convey
imparted gamle. fortellinger. and tradisjoner muntlig and after behind
hvert also skriftlig. he skrev also. its. egne fortellinger. sjergin var
one authentic pomor the father var styrmann and. seilte at to toward
towards a in inside into on per within at by. on. upon on upon Norway the
mother daughter for off one seilmaker. både. foreldrene. and mange for off
husets friends stod midt a in inside into on per. within. pomorenes living
fortellertradisjon. sjergin itself ble one important. tradisjonsbærer
because he after behind hvert fixed it he hadde hørt at to. toward towards
until till papiret. a in inside into on per within its. fortellinger and
fairytale adventure skildringer for off life and employment. in.
skipsbyggere fiskere and fangstmenn. stepan pisakhov (). stepan pisakhov
seilskip at fiskebryggen a in inside into on per within. arkhangelsk.
author and kunstmaler ex from arkhangelsk. he var at to toward towards.
until. till stream begin with kjent because of its paintings with motiver
ex from. nordlige strøk men begynte after behind hvert stream type
fairytale. adventure.. mange for off the fairytale adventures his finer
also a in inside into. on. per within second versjoner men his versjoner
haves sitt særpreg and. språkføringen a in inside into on per within disse
tekstene am stronged. imprint impressed for off nordrussisk dialect.
pisakhov am one for off you. exaggerations skrøner. well there's some
pictures... links to some english. etc. CHROMOGAL. CHROMOGAL. Osho name
TEATDECI. Noemata Random Name Generator. nettimeann mailing list.
nettimeannnettime.org. ann ELPATA. ELPATA. Noemata Random Name Generator.
nettimeann mailing list. nettimeannnettime.org. . e k u n s t .
laburinteger. This is a multipart message in MIME format.... ContentType
textplain charsetiso. Maskin Jeg er glad jeg er det eneste jeg'et her..
Far Sønn sønn vi anbefaler at min maskin ikke snakker mere til deg.. Sønn
Men den kan så mange spennende ord.. Hadde trengte hjelp. til og fullføre.
De påfølgende dagene ble historiene til den bandasjerte. samlet og skrevet
ned i notatbøker før den støeste og mest skriveføre. av dem fikk oppdraget
med å føre over teksten til bandasjen. Hele. arbeidet. tok dager og da de
var ferdig var den bandasjerte i alt dekket av. ord.. Jeg faller uten....
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via. e k u n s t. listeadresse eekunst.no. kontaktadresse
listmasterekunst.no. Nagnews Og sdspoetrezt dkyk og skyr nabnetrt. På Y).
Y (inntar sosiologiskpedagogisk sideleie) Protagonistens puerile.
forsvarsmekanismer er et infatilt forsåk på å rasjonalisere frykten.. Og
sdspoetrezt dkyk. og skyr nabnetrt dykkadt som ncdovmo vopmkete. foef
dMrnefnsd eksdsonnen slyllfd. Fglerfd dyjkk xfsd ogb ajjbgooåad af
xftrlyd. xfef stylr ret sdløben dykkatrg i hitummenem. Deref stgamme
gjoerda efane ferita mefd prgfotetane. Men e dykk rkke. det.... NAGnews
mailing list. NAGnewslists.copyleft.no. isoQDuhFrerdetnEdeterslettesikkei.
Kjemiforsøkene i elevenes hode. I ditt blomsterhull. Han sover i sjette
scene. Har jeg noe å si han. Middelaldrende demokrat må ligge i.... Du
hører det nå det er slettes ikke i sukkerbiten lyden oppstår.. Du ser på
sukkerbiten en siste gang før du putter den i munnen. Som om. begge.
øynene skulle ha skiftet posisjon fra venstre mot høyre uten og røre.
hodet. skifter synsvinkelen i scenen.. Kvinnen tar uforståelig imot en.
lapp hvor det står Vi møtes i dusjen i morgen. Hilsen din partner i.
forbrytelse.. Over kinomaskinisten på disen. kinomaskinisten tårer .
veggen mitt film over noen . UTE AV FOKUS.. My Help. Example How do Ichang
my password. Tips. Getting Startled. How do If i what category my Humen is
in. I receive an email notification saying my humen could be Deleted due
to. inactivity. Why What can I do. What does the my smiley face (image) is
mean. How do my I get rid of the my is smiley face (image). I never sign up
for my Human grouqs. Why am I receiving my messages. View and manage your
my hume. Your humain Grops account has been disable because you had. an
autoresponsible setup.. Bouncing seminar . May. What Bouncing means and
what to do about it means bounce. L. Work with elbows grouq. Control
access and sharing humes. list bounce. tails Yoric troll and Nøkk. Ask
Her. the water. Re Du har rett. Da kan jeg vende tilbake til. Work good.
Fra den. Forfatteren hadde alltid en. unnskyldning vent litt jeg måtte
bruke begynnelsen tilslutt.. Selv nå tror leseren han vet hvem morderen
er.. Troll om igjen.. Jeg vet at munnen min drypper av penneskaftet
skriver. forfatteren.. Med deler av hodet bandasjert.. Hvis vi panorer til
høyre ser vi ryggen hans idet han forlater. sykhuset fullt rekonstituert.
Kutt. Utenfor sykehuset stopper han opp.. Flashback. Noen tok av for
fallet. Han fallt. Blålys. Står på. sykhustrappen. Tar seg for det gamle
kuttet i pannen. Får blod på. fingrene. Snuser på blodet. Nærbildet av en
hund som glefser.. Kanskje ikke.. Mot widescreen sensur.. Overtall pga..
Og ble stående å. skrike til hverandre. Da måtte en av dem raskt ta en
avgjørelse og. fortsette videre så ville den andre måtte slutte seg til..
.n. las ldanburg. oea.net.knyt. bmg. how many net artists does it take to.
Greetings froam. Greetings froam. cause confusion and shame to make
uncomfortably selfconscious disconcert. abash. put obstacles or
difficulties in the way of impede. skam. the painful feeling arising from
the consciousness of something dishonorable. improper ridiculous etc. done
by oneself or another. disgrace ignominy. a fact or circumstance bringing
disgrace or regret. cover with ignominy or reproach disgrace. shame is a
painful feeling caused by the consciousness or exposure of unworthy. or
indecent conduct or circumstances. It is similar to guilt in the nature
and. origin of the feeling.. pride a high or inordinate opinion of one's
own dignity importance merit or. superiority whether as cherished in the
mind or as displayed in bearing. conduct etc.. selfesteem selfrespect.
ridicule Syn. . mockery raillery sarcasm satire irony. . banter chaff.
rally twit burlesque satirize lampoon. RIDICULE DERIDE MOCK TAUNT imply.
making game of a person usually in an unkind jeering way. To RIDICULE is
to. make fun of either sportively and goodhumoredly or unkindly with the.
intention of humiliating to ridicule a pretentious person.To DERIDE is to.
assail one with scornful laughter to deride a statement of belief.To MOCK
is. sometimes playfully sometimes insultingly to imitate and caricature
the. appearance or actions of another She mocked the seriousness of his.
expression.To TAUNT is to call attention to something annoying or
humiliating. usually maliciously and exultingly and often in the presence
of others to. taunt. nihilogues nilogue brainstem. nihilogues nilogue. 'In
generalthe brainstem produces morecomplex. movements than does the spinal
cord.In addition to responding to most. sensory stimuli in the environment
and regulating eating and drinkingbody. temperaturesleep and wakingthe
brain stem can produce the movements. of walking and runninggroomingand
sexual behavior (all of which are. more complex than the reflexive
movements produced by the spinal cord).The. brains of fishamphibiansand
reptiles are basically equivalent to a mammalian. brainstemin
consequencethe behavior of these animals is a good indication. of the
functions of the brainstem.'. On old Olympuss. towering top a Finn and.
German view some hops.. cortex (from the Latin for barkas in a tree s
bark) ref. book.. Fissures Sulci and Gyri the Cortex brothers. limbic.
Input could enter this circuit from other structures to be elaborated as.
emotion.. summarize the action of a nerve impulsean. other analogy may
help.Think of the voltagesensi. tive ion channels along an axon as a
series of. dominoes.When one domino fallsit knocks over its. neighborand
so on down the line.The wave cannot. return to its starting position until
the dominoes are. set back up again.There is also no decrement in the. size
of the propagated eventthe last domino falls ex. actly the same distance
and just as heavily as did the. first one.. 'The embryo who walks upright
belongs to the primate order. A badger recounts the story that God created
all animals as embryos and called. them before. his throne offering them
the changes that they desired. They opted for. specialized. adult features
claws teeth hoofs antlers and so forth. But the human. embryo trusting.
Gods judgment accepted the way it was made. The creator was delighted and.
said. that. it would therefore remain an embryo until buried but would
dominate the other. animals. walk upright and feel sorrow and feel joy.
(White ). An important part of the answer to the Sphinx s riddle about the
nature of. humans. is that the adult who walks on two legs is sort of an
infant chimpanzee.'. 'Saint Ambrosewho lived in the fourth century A.D.is
reported to have been. the first person who could read silently.'. ..i
remember a lecturer in computing claiming alphabetic sorting being.
problematic. some centuries ago.. 'Even somost of the changes in behavior.
that differentiate us from our primate ancestors took place more rapidly
still. long after the modern brain had evolved to its present
condition.Only. years ago did modern humans leave the first human artistic
relicselaborate. paintings on cave walls and carved ivory and stone
figurines.The tempo of. change has quickened further in the past
years.Agriculture and animal. husbandry were established in the Middle
East by B.C.followed by ideo. graphic writing in the same region by
B.C.Saint Ambrosewho lived in. the fourth century A.D.is reported to have
been the first person who could. read silently.The modern technological
age began in about A.D.it was. after this time that most of what we see
around us today was invented or dis. covered.How interesting that most of
what we associate with modern humans. is of such very recent
originconsidering that the basic tools (a big. brainfree. handsand bipedal
locomotion)had been with us long before.'. fundamentals of humal
neuropsychology. bror han går i skoge. bror han går i skoge. jaga alle
ville dyr. er han kvit so kjøyr'n hit. er han grå so lat 'n gå. er han
bron i boge. so lat 'n gå i skoge.. Sutene og sorgene. dei trør eg under
fot. di gladare skal eg halda meg. di meir det gjeng meg imot.. Sutene og
sorgene. det blandast alt tilsaman. munnen lær og hjarta græter. det er so
lite gaman.. cobralingus. cobralingus. It makes use of the Metamorphiction
process using text as signal and. passing it through FILTER GATES
transforming the textsignal. The FILTER GATES. range from DRUG (injects
artificial stimulant into the language) to EXPLODE. (breaks up signal into
highly disordered fragments) to PURIFY (loses. deadwood).. It sounds fairly
mechanical and Noon presents it as such. There is an INLET. and. an OUTLET
(read input and output). The FILTER GATES act on the input text.
transforming it in a variety of ways. Noon writes of the specific effect
of. each FILTER GATE as though it were a precise algorithm and the text.
transformed. according to very precise rules. In fact the Cobralingus
Engine is no such. thing. The rules beyond their most basic operation are
entirely of Noon's own. choosing.. generated writing. Commencement for
Teens. Frogman Tautness and Undue Cinnamon Inaction. As DestinyUtopia
Undoes the Thai Emutagonad Retread the Spooks of Technology.. Benjamin
Bruin is. Daft. if not SICILIAN.. One varsity. If Cuneiform. Has Found
Fern Noose. a Sunni from Burberry CT. on. CIA spanks you for smut and
fortune. Suddenly it is the Vedasfluxing. It is. Mastering in Purees and
Scanners as if ham and IdVendors had walked into. thawing rinds and facial
tics Beating. HI Cluera. Paloin Biloid. REVIEW Cigarette Boy by Darick
Chamberlin. antinovel. Ten Years of Pain in the ass. computer generated
writing. Virus Charms and selfcreating codes.. Virus Charms and
selfcreating codes.. 'Within the computer web the negative effect of
viruses is propagated much. faster than the positive effect of
information. That is why a virus is an. information itself. It
proliferates itself better than others biologically. speaking because it
is at the same time both medium and message. It creates. the. ultramodern
form of communication which does not distinguish according to. McLuhan
between the information itself and its carrier.' Baudrillard. Sircam
chooses a document from the hard disk and sends it to all addresses.
found. in the email address book. So everything private public and
interpersonal. gets mixed up because of the possibility to reproduce
information and to. transmit them instantaneously in the net.. RTMark
intvju. RTMark intvju. I feel RTMark as a multiple identity absolutely no
individual faces and. names.. What's your concept of personal identity
within your group Do you individually. feel yourself as part of a
collective person or as anonymous individuals. under. a collective name.
We're just anonymous for pragmatic reasons... We are a corporation
meaning. that. essentially we are a group that comes together as one body
(corporeal). This is. a kind of bastardization of the idea of collectivity
insofar as it does not. really imply sharing equally labor and benefits as
one might on a collective. farm. The corporation as opposed the the
collective has been legally defined. give the best business advantage to
captial without the nasty side effects. of. liability. So we come together
as a body in order to create a fall guy someone. who can absorb the
liability for all the actions of participants. So we are. anonymous
because we have no need to exist in this equasion. we already share a.
body and that body has a name and an identity.. Cultural resistance is
very difficult to fund. How do you succeded in it. Our funding is
important because it is a symbol. The small amounts we come up. with do
not really fund anythingthey are not sufficient to fund people or.
actions. They are useful in that they show some interest by peopleenough.
interest to give money.. If you'd program a computer virus what it'd be
able to do. Perhaps we could et a computer virus that taps into the unseen
forces of the. afterlife bring to our cause an army of vengeful ghosts
Ghosts are very. effective at what they do i've seen it in the movies. But
this is a good. question that is why i can't answer it so quickly....
nymata. The nym noemata is free to use. participation inclusivity rather
than exclusivity experimentation and. creativity. Neomatic Cantsin. how to
make immediate emails emailart mailart generative automatic scant. the
medium is immediate instant so to attain immediacy construct the.
opposite. something mediated double negate. spamspiders. med en søkemotor
for mailadresser praktisk men tvilsom. halvsøvne. vær forsiktig om morgon.
halvsøvne. ting vet om det. auto.noemata.net. .... noemata.net. .... ....
det er noe med fart som gjør liv. Warning DB Error connect failed.
nativecodeORA TNSlistener could not resolve SID given in connect.
descriptor oci kunstmunchKultur.no in. glenlivet.gandi.net.
laphroaig.gandi.net. redirmailtelehouse.gandi.net. ogin. ogin.php. stavr.
Mar. INSIN KONNAR T. DYT ER ALT D RI NAH. OS N T ÅR DA DOR. D D ET ER
INCYND D INC. HPE SCS D ER. INSINTEN T G SGSUR. SAM T N SEM NY. DE T SSRAF
EN DI T TI. IMSEN KI T MNER. DH SXR T EF EM DØTA I T NSAN KAMNOR T. INGON
KEMNO T R DHDOAN. IN T GENTHMG SSCA T R DOSAN. LIFUT PO JHRDI. SFHD. SDAR
SSILÆ. VIMDT I HOTOT. LHTT ARMONE ER VAQNI. DET BLYSIR UTU. MARST. LABHT
PH JERDO. ody without borgan is borgan without ody. poetry. Poetry means
(a) I'm going to die and (b) this. notebook will be read by someone who
will see how. lacking I am unless I destroy it I can't do. that that would
be worse than keeping it that. would mean thinking of it.George Stanley. (
( ( ) ( (. pre.txt render. using phpfiglet.
noemata.nettxtphpfigletrender.php. qMark qWeiss qNichts. Aug. Maghies ll.
fososos ss. fososos ss. complment de programme. une session citu (cration
interactive transdisciplinaire. universitaire) se tiendra le. vendredi
septembre de h h l'apmhi b bat b avec. la participation de. francis jutand
directeur des stic du cnrs. francois roche architecte. jeanbaptiste
barriere compositeur. this is another home reading brought to you. advent
spoilers. lese det. lese det som om det ikke var til meg som om jeg var
fri som er det. firenncasdee med å fnine ting de er nye de trefefr iegnn
ntyt galme. tnig kan vræe nye hvis du spør hva kusnt er spør en
jialsrnuot. hva er. aerlijstaoikdnnravutgak. snøhvit. egentlig var det
ikke den onde stemoren som ga snøhvit det forgiftede. eplet i eventyret.
det var hennes kjødelige mor. men brødrene grimm måtte. sensurere sin
politisk ukorrekte fortelling sier heinrich dickerhoff.. for å antyde at
en mor ville drepe sin egen datter ville være det samme. som å krenke
forestillingen om det hellige moderskap. det våget wilhelm og. jakob grimm
ikke. derfor fikk stemoren skylden mener dickerhoff som er. leder for
europeisk eventyrforbund.. bey radio sermonettes. in fact an argument
could be made that music distributed free or at cost. on cassette via mail
is less alienated than live music. rendered into trash like all other
trash. folkultur. real art is play play is one of the most immediate of
all experiences.. therefore as artists cultural workers'' who have no
intention of. giving up activity in our chosen media we nevertheless
demand of. ourselves an extreme awareness of immediacy as well as the
mastery of. some direct means of implementing this awareness as play
immediately (at. once) immediately (without mediation).. thus a good meal
could be an immediatist art project especially if. everyone present cooked
as well as ate. and everybody was called andy. poetic terrorism'' and art
sabotage'' are quite logical. manifestations of immediatism.. for instance
the liberatory power of a painting can be neutralized or. even absorbed
simply by placing it in the context of a gallery or museum. where it will
automatically become a mere representation of liberatory. power..
rhapsody. democratic shamanism. '' creative acts themselves the outer
results of. the inwardness of imagination are not mediated alienated (in
the sense. we've been using those terms) when they are carried out by
everyone for. everyone when they are produced but not reproducedwhen they
are shared. but not fetishized.. anyone present may become a horse'' or
medium for one of these santos. whose words actions then assume for all
celebrants the aspect of the. presence of the spirit (i.e. the possessed
person does not represent but. presents).. the audience who are indeed
locked in place in darkness silence. immobilized by the money they've
paid. no wonder the first broadcasters of video were the nazis. tv is to
the. imagination what virus is to the dna. the end. beyond tv there lies
only. the inframedia realm of no spacenotime the instantaneity ecstasis.
of commtech pure speed the downloading of consciousness into the. machine
into the programin other words hell.. roughly then the more imagination is
liberated shared the more. useful the medium.. the end of the modern does
not mean a return to the paleolithic but a. return of the paleolithic..
sardonicide. capital. toolate capitalism. the spectacle the simulation
babylon. whatever you want to call it. an immediatist potlatch idiotisk...
within the organic (nature'' everyday life'') is embedded a kind of.
silence which is not just dumbness an opacity which is not mere.
ignorancea secrecy which is also an affirmation a tact tacit. the lazy
yokel plows a crooked furrow. if i could escape this bad mood of course
i'd do so take you with me.. what we need is a plan. jail break tunnel a
gun carved of soap a. sharpened spoon a file in a cake a new religion.
speak too much not be heardthat's sickening enough. but to acquire.
listenersthat could be worse.. sufism situationismor shamanism anarchythe
theories i've played. with are just that theories visions ways of seeing.
significantly. the practice'' of sufism consists in the repetition of
words (dhikr).. this action itself is a text nothing but a text. and the
praxis'' of. anarchosituationism amounts to the same a text a slogan on a
wall. a. moment of enlightenment. well it's not totally valuelessbut
afterwards. what will be different. just as there exist books which have
inspired earthshaking crimes we. would like to broadcast texts which cause
hearers to seize (or at least. make a grab for) the happiness god denies
us. exhortations to hijack. reality.. enlightenment is all we have even
that we've had to rip from the grasp. of corrupt gurus bumbling suicidal
intellectuals. as for our artwhat. have we accomplished other than to
spill our blood for the ghostworld of. fashionable ideas images. treasure
and by what technique seeing that it is precisely technique. which has
betrayed us derrangement of the senses insurrection piety. poetry knowing
how is a cheap mountebank's trick. but knowing what might. be like divine
self knowledgeit might create ex nihilo.. mønsterai. hvordan kan maskinen
lage et mønster en form abstrahere. rettekar. sånn circa på ploen asduenmn
elelr nsnaen steedr er ptunker er virlutlee. anmiiaklkts jeg vil dit men
det er ignenntig der heller det er. aeietvtktin som dirver deiftrn som
divrer mødslnkeåe rettekar.. Mar. om du har et ord så har du en verden.
alle fnatsenaie. ontatemn. dfykrt. viktig vær aldri rded. det er resleden
som er fralig. rztel det ukjtene gteån møte med noe annet ntyt. neyht er
redesl. horfovr fkryt alltid dyisrk injeolarsrt. iegnn fsojrkell alt er
mg. s. roman. roman. må vi ha vært gjennom det for å bli ergo har vi
integrert de vi vil ta. avstand fra vokse antistoff antiterrorterror..
dagen etter. allerede dagen etter er hun glemt og må minnes for å huskes.
jens er den. som husker henne minst. skyflet unna i en fei dagen etter er
hun allerede. pakket inn begravd og bare et minne.. kan attentatet være et
malplassert attentat på media som media straks. vender om til en sak om noe
annet.. tror vi får en ny trend new savages.. bruce margon associate
director at the space. telescope science institute in baltimore maryland.
described the sound at a press conference here as. described the sound at
a press conference here as
314
being a million billion times deeper than the limits. of human hearing..
let's not get carried away..... not even my dog boris can hear this
stuff.. i alle filmer jeg har sett er utenom jordinger stort sett.
teknologisk overlegene. men kunsten de drar med seg er av en. eller annen
grunn svært jordisk. er det noen som har vært. borti interpanetarisk kunst
som ikke er av jordisk karakter.. hvis det absolutt må være
interplaneterisk (innenfor vårt solsystem) og. laget. av teknologisk
overlegne utenomjordinger og ikke av jordisk karakter. nei slik. kunst har
jeg ikke vært borti.. flarf. flarf. it might be helpful to offer a short
history of flarf. strike helpfulit. amuses me to do so.. flarf came about
a couple of years ago when gary sullivan submitted a. deliberately bad
poem to poetry.com one of those vanity companies that. lures the
unsuspecting with lavish praise of their poetry and then offers. publish
it for an exorbitant fee. theorizing that no submission no. matter how
heinous would ever be treated with anything other than. yeah mmhmm it's
true. big birds make. big doo i got fire inside. my huppachimp(tm). gonna
be agreessive greasy aw yeah god. wanna doot doot.
pffffffffffffffffffffffffft hey. oooh yeah baby gonna shake bake then
take. uggah duggah buggah biggah buggah muggah. hey hey you stoopid mick
get. off the paddy field and git. me some chocolate quik. put a qtip in it
and stir it up sick. pockamockachockalockading dong. fuck shit piss oh it's
so sad that. syndrome what's it called tourette's. make me haiee shout out
loud. cuz i love thee. thank you god for listening. sure enough he
received a full invitation to have his timeless piece of. literature
enshrined for all posterity etc.. gary shared his poem the style of which
he promptly dubbed flarf with. members of the subpoetics mailing list and
before long a few other. participants began posting poems to poetry.com
including myself drew. gardner jordan davis and a handful of others.
eventually we formed a. separate mailing list.. the initial aesthetics of
flarf went largely unarticulated but they can. probably be approximated by
the following recipe deliberate shapelessness. of content form spelling and
thought in general with liberal borrowing. internet chat room drivel and
spam scripts often with the intention. of achieving a studied blend of the
offensive the sentimental and the. infantile.. flarf has largely become
stylized out of existence made inseparable from. the usual writing habits
of its practitioners as gary and nada and others. have pointed out.. maybe
the problem was ever announcing flarf as a concept suggestive of. a
movement etc. in the first place. there were those among us who. shrewdly
warned about the dangers of such a movekatie degentesh for. example. the
truth is flarf is not a movement never was because it has. no principles
as such beyond some characteristic compositional techniques. etc.).. there
is no such thing as flarf. useless to declare that now. one day there will
no longer be flarf and nonflarf. there will only. be bad poems and worse
poems. the worse poems will be stronger and will. eat the merely bad ones.
what is now provisionally gestured toward as. flarf (falsely so but
necessarily) is merely an exercise in preparation. for that eventuality..
the ghost of heriberto yepez is standing behind me holding my wrists as i.
type sucking my brains out through an elaborate tin siphoning device.
welded to both our skulls. it's a good thing. poeticslist. kursiv. 'gud'
som ekstrem komprimering tre bokstaver og alt.. for sine egne handlinger
og absolutt ikke har noen rett til å skylde. for sine egne handlinger og
absolutt ikke har noen rett til å skylde. open source crime art. det blir
ikke forstått. kan ikke forandre noe. greetings'. growth. mourned.
fraudulent. uprootings. news det er nok gudsutryddere som er ut og går
igjen.. eller noe homofilt. protoindo europeisk kerk (høne) og tocharisk
kran.ko. ligner mistenkelig på klukk.. nasjonalbiblioteket lagrer alt som
skrives på news de. no.ghostr. there is a ghost posting in this newsgroup.
no.alt.arkiv. no.fritid.akvarium. no.fritid.diverse. no.annonser.diverse.
no.it.tjenester.mail.diverse. no.kultur.diverse. no.kultur.film.
no.kultur.litteratur.diverse. no.sport.diverse. se.test. dk.test.
dk.kultur. dk.kultur.litteratur. no.org.diverse.
free.it.test.testo.testa.testi.teste. no.test. no.general.
no.alt.diskusjoner. no.alt.flame. no.alt.frustrasjoner. no.general
diskusjoner uten generell interesse.. no.samfunn.media.diverse.
no.samfunn.media.radiotv. no.samfunn.media.radiotv.virkelighetstv.
no.org.diverse. se.internet.news.diskussion. se.prat.diverse.
se.prat.humor. se.test. dk.general. dk.kultur. dk.opslag.internet.
dk.snak. dk.snak.vittigheder. dk.test. is.test. is.ymislegt. finet.testi.
NN. number name description appearance. unused. horizontal tab space. line
feed space. unused. space space. exclamation mark. quotation mark. number
sign. dollar sign. percent sign. ampersand. apostrophe '. left parenthesis
(. right parenthesis ). asterisk. plus sign. comma. hyphen. period (full
stop) .. solidus (slash). digits (). colon. semicolon. less than. equals
sign. greater than. question mark. commercial at. upper case az a z. left
square bracket. reverse solidus (backslash). right square bracket. caret.
horizontal bar. acute accent. lower case az a z. left curly brace.
vertical bar. right curly brace. tilde. unused. nonbreaking space.
inverted exclamation. cent sign. pound sterling sign. general currency
sign. yen sign. broken vertical bar. section sign. umlaut (dierisis).
copyright. feminine ordinal. left angle quote guillemot left. not sign.
soft hyphen. registered trademark. macron accent. degree sign. plus or
minus. superscript two. superscript three. acute accent. micro sign.
paragraph sign. middle dot. cedilla. superscript one. masculine ordinal.
right angle quote guillemot right. fraction (one quarter). fraction (one
half). fraction (three quarters). inverted question mark. capital a grave
accent. capital a acute accent. capital a circumflex accent. capital a
tilde. capital a umlaut (dierisis). å capital a ring å. æ capital ae
dipthong (ligature) æ. capital c cedilla. capital e grave accent. capita e
acute accent. eirc capital e circumflex accent. capital e umlaut
(dierisis). capital i grave accent. capital i acute accent. capital i
circumflex accent. capital i umlaut (dierisis). capital eth icelandic.
capital n tilde. capital o grave accent. oacute capital o acute accent.
capital o circumflex accent. capital o tilde. capital o umlaut (dierisis).
multiply sign. ø capital o slash ø. ugrave capital u grave accent. capital
u acute accent. capital u circumflex accent. capital u umlaut (dierisis).
capital y acute accent. capital thorn icelandic. small sharp s german (sz
ligature). small a grave accent. small a acute accent. small a circumflex
accent. small a tilde. auml small a umlaut (dierisis). å small a ring å. æ
small ae dipthong (ligature) æ. small c cedilla. small e grave accent.
small e acute accent. small e circumflex accent. small e umlaut
(dierisis). small i grave accent. small i acute accent. small i circumflex
accent. small i umlaut (dierisis). small eth icelandic. small n tilde.
small o grave accent. small o acute accent. small o circumflex accent.
small o tilde. small o umlaut (dierisis). division sign. ø small o slash
ø. small u grave accent. small u acute accent. small u circumflex accent.
small u umlaut (dierisis). small y acute accent. small thorn icelandic.
small y umlaut (dierisis). xspamscore sssssssssss.
document.write(authors.link(authors.htmauthor)). authors. xspamscore
sssssssssss. the shapes of things are dumb.. l. wittgenstein. mail art
groups. comp.internet.nethappenings. rec.crafts.rubberstamps.
rec.arts.misc. fr.rec.arts.plastiques. alt.zines. comp.mail.multimedia.
rec.arts.fine. bit.listserv.postcard. alt.magick. misc.writing.
rec.arts.misc. fa.. ape. ape kapret buss. bussjåføren var i ferd med å
selge billetter da han plutselig fikk en. uventet passasjer.. en illsint
ape jaget passasjerene ut av en buss i den nederlandske byen. tilburg.
deretter slo den seg til i baksetet uten å ha løst billett. forteller en
talsmann for det kommunale busselskapet.. bussjåføren var i ferd med å
selge billetter til påstigende passasjerer på. en holdeplass da apen av en
art som tilhører familien makaker plutselig. hoppet på. den stanset ikke
før den var helt bakerst i bussen.. sjåføren tilkalte hjelp fra politiet
som kom til stede og brakte snikeren. til en lokal dyrepark der ledelsen
nå forsøker å finne ut hvem som eier. dyret. det er uklart om apen må
betale gebyr for å ha sneket på bussen.. lumber. about. if you're lured
into parting with your lolly you could be. lumbered.. lumber llmb n. m.
perh. f. lumber v. but at one time. assoc. w. lumber n. disused articles
of furniture etc. taking up. room inconveniently or removed to be out of
the way useless odds and. ends useless or cumbrous material. m. timber
sawn into rough. planks or otherwise partly prepared. chiefly n. amer. m..
superfluous fat esp. in horses. e.. pope loads of learned lumber in his
head. r. gittings an immense. amount of accumulated lumber to pack and
dispose.. comb. lumber baron n. amer. a leading or wealthy timber
merchant. lumbercamp (chiefly n. amer.) a camp in which lumberjacks live.
lumberjack (chiefly n. amer.) a person who works with rough timber or.
lumber esp. a feller and dresser of forest timber lumberjacket a. warm
hiplength jacket fastening up to the neck of a type worn by. lumberjacks
lumberman (chiefly n. amer.) a lumberjack lumberport. (a)a porthole in the
bow or stern of a ship for loading or unloading. timber (b)a seaport from
which timber is shipped lumberraft a raft. made of logs boards etc.
lumberroom a room in which disused. articles of furniture etc. are kept a
room for useless odds and ends. lumber town n. amer. a town chiefly
engaged in the timber trade. lumber trade (chiefly n. amer.) the trade in
rough timber. lumberwagon n. amer. a springless wagon of a type used for
hauling. timber lumberyard n. amer. a timberyard.. lumber llmb n. slang.
e. alt. of lombard n. a. pawnbroking establishment. em. in lumber in pawn
in pledge. transf. in prison in trouble in difficulties. l. a house or.
room spec. where stolen property is hidden a house used by. criminals. m..
lumber llmb v.i. lme. perh. symbolic. isolated me use may be. rel. to lame
a. cf. lumper v. move in a clumsy or blundering. manner now esp. move
heavily on account of unwieldiness of bulk and. mass. now chiefly with
adv. or advb. phr. lme. rumble make a. rumbling noise. obs. exc. us. l..
r. k. narayan ipaused to observea country cart lumbering along. g.. vidal
when he walks he sort of lumbers. c. thubron water buffalo. lumbered down
sodden tracks.. lumber llmb v. m. f. lumber n. v.t. orig. cover fill. up
or obstruct with lumber burden uselessly encumber. now usu.. leave
(someone) with something unwanted or unpleasant get (someone). into
trouble or difficulties freq. in pass. m. v.t. heap or. place together as
lumber without order or method deposit as lumber.. l. a v.i. perform the
labour or carry on the business of cutting. and preparing forest timber.
(earlier as lumbering n.) chiefly n.. amer. e. b v.t. go over (ground)
cutting down timber. m.. e. wallace if they lumbered you with the crime it
was because you. was a mug. daily mail if you're lured into parting with
your lolly. you could be lumbered.. lumber llmb v.t. slang. e. f. lumber
n. deposit (property). in pawn imprison arrest.. lumber noun lumber in the
attic jumble clutter junk rubbish odds. and ends castoffs rejects trash
refuse white elephants.. lumber verb lumber him with her jobs burden load
saddle encumber. impose upon inf. land.. lumber verb heard him lumbering
around upstairs clump stump plod. trudge stamp shuffle shamble stumble
waddle lump along.. ahjaje. ahjaje. søkespill. minste bokstavkjeks som
ikke har oppslag i søkemotor. pluss for. vokaler. ref. noemata random name
generator.. mr. x. t mr. t kallte han mister x på videregående. why hehe.
mistereks. mikke og mysterxmysteriet på den hemmelighetsfulle øya. fins.
det psykologiske typer som fra barnsben av har en hang .. byttedyr.
akrasia. akrasia. thief of time a vignette sourcebook for characters of
ndth. millenium.. akrasia drivkraft for kunskapssamfunnet. akrasia skal
være en sterk og. samlende organsjasjon for ikt og kunskapsbedrifter.
sterk og samlende. skal være. de døde skal være levende skal være. kristus
skal være frelser. for inrikonsern skal være. alle skal være og gjenoppstå
skal være. skal. være skal forbli skal være. la stå skal være.. a temple
in disrepair looms out of the mist. as you approach you notice. that the
debris results not so much from ruin as disinterest. it appears. that
grandiose plans have disolved due to insufficient money time or. will. it
seems a shame the structure could have been so beautiful.. if gateway. ifi
gateway. gnu project to develop a free operating system called gnu.. gnu's
not unix. gnu not ung. a har ung. this rather brings to mind a syndrome
that sometimes occurred when an old. arpanet mailing list got gatewayed to
a usenet newsgroup. after a little. while some usenet novice would commit
some faux pas a furious arpanaut. would flame violently about how usenet
was nothing but bozos who didn't. understand how things should be done and
the gatewaying was a stupid idea. and the list maintainer would quietly
observe that the gatewaying had. indeed produced problems but it was also
producing most of the real. content.... henry spencer mail relays. in mark
horton a graduate student at the university of california. in berkeley
added his site to the usenet network and started sending some. of the
arpanet mailing lists to the usenet. when the ucbvax computer. joined the
network shortly thereafter the hierarchy fa was established. standing for
from arpanet. at first the arpanet lists were distributed. readonly on the
usenet but later the connection was made twoway.. tabbs. tabbs. klj h lkjh
kljh lkjh kljh lkjh kljh kljh. kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. nymer. nymer.
.personnavn har egenskap ko alt blir person. .pseudonym har egenskap foo
virker pretensiøst. .organisasjon har egenskap patafoo.net bedre men.
institusjonaliserende. server autogenerert mail de leses som sendt uten
pretensjoner det er. veldig attraktivt.. allnone. allnone telemata. a l l
o n e a l o n e. han han han hun han hun han hun hun hun det han han han
det han det det. det han hun det vi vi han hun. kaspar. stanhope you have
nightvision where the rest of us walk blind.. kaspar but the wrong kind..
stanhope who will be at my deathbed's side a ton. kaspar no one.. stanhope
who'll be there to witness my last breath. kaspar death.. stanhope what put
you on this earth what undreamt forces. kaspar my wooden horses.. stanhope
what did your keeper say when he last saw you. kaspar we are through..
kaspar hauser harrison jeff. paskt. pulskt. the past is a foreign country
they do things differently there.. l.p. hartley. kunst.no soek. nois.
noisebin noise bin. nausea bin. 'noising'. j. clare rook crow and
jackdawnoising loud fly to and fro to dreary. fen.. drøy dreyri. noise og
kontekst bakgrunn. hva betyr 'støy'. (troll spam). pink noise see pink a.
red noise see red a. signaltonoise ratio see. signal n. surface noise see
surface n. a. thermal noise see thermal a.. white noise see white a..
noise nz n. me. (o)fr. prov. nausa f. l nausea. a sound esp.. a loud harsh
disagreeable disturbing or intrusive sound loud. shouting clamour a
confused sound of voices and movements the aggregate. of such sounds in a
particular place or at a particular time. formerly. also strife contention
quarrelling. me. b in pl. conventional remarks. sounds resembling speech
without actual words. freq. in make noises below.. m. a common talk rumour
report slander scandal. mel. b repute. reputation. lmem. a company or band
of musicians. ml. a. person who or organization which is much talked of or
the object of. general notice or comment an important person. chiefly in
big noise s.v.. big a. adv. colloq. e. sci. fluctuations or disturbances
(usu.. random or irregular) which are not part of a signal (whether
audible or. not) or which interfere with or obscure a signal. e.. dryden a
buzzing noise of bees his ears alarms. tennyson thro' the. noises of the
night she floated down to camelot. a. ransome down the. platform milkcans
were being shifted making a loud clanging noise. c. s.. forester a harsh
voice could be heardwhistles being blown much noise and. bustle. c.
isherwood he makes a terrific noise in the showera series of. shouts. g.
vidal there was a great noise all around her harsh voices and. much
laughing. n. monsarrat there were aeroplane noises and ambulance. noises
the telephone rang several times. m. spark so great was the noise. during
the day that i used to lie awake at night listening to the silence..
phrases make a noise keep a noise (a)be much talked of be the object. of
general notice and comment (b)make an outcry talk much or loudly. about
(c)make a noise like (slang) pretend to be. make noises (a)be. vocal make
comments or enquiries (about) (b)(with defining adj.) make. remarks etc.
of a specified kind. noise and number index a quantity used. in evaluating
aircraft noise in terms of its intensity and duration.. noises off offstage
sound effects. pink noise see pink a. red noise. see red a. signaltonoise
ratio see signal n. surface noise see surface. n. a. thermal noise see
thermal a. white noise see white a.. comb. noise contour a line or surface
(imaginary or on a diagram etc.). joining points where the noise level is
the same noise factor noise. figure electronics a quantity representing
the additional noise introduced. by a signalprocessing device such as an
amplifier noise filter. electronics a filter for selectively reducing
noise noise limiter. electronics a circuit or device for selectively
reducing certain types of. noise esp. by momentarily reducing the output
or the gain during peaks of. greater amplitude than the desired signal
noisemaker a person who or. thing which makes a noise spec. a device for
making a loud noise at a. festivity etc. noise pollution harmful or
annoying noise noise storm. astron. a radio emission from the sun
consisting of a succession of short. bursts or pips in the megahertz range
that lasts for a period of hours or. days and is associated with sunspots..
noiseful a. noisy lme. noiseless a. (a)silent quiet making no stir or.
commotion (b)(of signals recording equipment etc.) characterized by a.
virtual absence of noise e. noiselessly adv. m. noiselessness n. m.. noise
nz v. lme. f. the n. or f. ofr. noisier noiser. v.t.. report rumour spread
(about abroad). lme. v.t. i. spread rumours. or a report concerning (a
person etc.). long obs. exc. dial. lme. v.i.. talk loudly or much of a
thing. arch. lme. v.i. make a noise or outcry.. now arch. dial. lme..
shakes. l.l.l. alltelling fame doth noise abroad navarre hath made a. vow.
ld macaulay it was noised abroad that he had more real power to. helpthan
many nobles. j. heller relatives of hers noising it about that. she was
living extravagantly. carlyle a plan much noised of in those. days. j.
clare rook crow and jackdawnoising loud fly to and fro to. dreary fen..
mug. mug ml n. a. angloind. now rare. m. bengali mag(h) of unkn.. origin.
a n. arakanese n. also a native or inhabitant of chittagong on. the bay of
bengal. m. b attrib. or as adj. arakanese a. l.. mug ml n. sc. dial. l. f.
mug v. fog mist light rain. drizzle.. prob. earlier as the root of
muggish.. mug ml n. a. slang. m. perh. a use of mug n. a n. a. stupid or
incompetent person a fool a simpleton a gullible person. m.. a person a
fellow spec. a person on the opposite side of the law to. oneself (chiefly
us) a hoodlum a thug. l.. r. c. hutchinson i'm not such a mug as to think
that. p. barker he's got. one mug working to keep him. he doesn't need
two. mug's game a thankless. task a useless foolish or unprofitable
activity. observer there were. recognisedputters up of jobs what the mugs
called master minds.. b attrib. or as adj. of a person stupid incompetent
gullible. e.. l. griffiths i despise mug punters the kind of people who
bet on every. race.. mug ml n. arch. slang. m. f. mug v. an examination.
rare.. m. a person who learns a subject by concentrated study. l.. mug ml
v.i. long obs. exc. sc. dial. infl. gg. lme. prob. of. scand. origin cf.
on mugga mist drizzle norw. sw. dial. mugg mould. mildew prob. rel. to
mucus. see also next. drizzle rain lightly.. mug ml v.i. slang dial. infl.
gg. e. perh. a use of prec.. pout grow sullen mope.. mug ml v. infl. gg. e.
f. mug n. v.t. strike in the face. thrash assault strangle. also (now the
usual sense) rob with violence. esp. in a public place. e. v.i. pull a
face esp. in front of an. audience a camera etc. grimace. slang. m. v.t.
photograph the face. of esp. for police or other official records. us
slang. l. v.t. kiss. fondle. slang (chiefly austral. nz). e.. v. s.
pritchett he took the affair as if his person had been assaulted. as if he
had been mugged. w. mcilvanney an old woman could be mugged in a. park. j.
heller i mug and gesticulate right along with the people on the. screen.
g. v. higgins we brought him up to the marshal's office and. mugged him
and printed him.. mugging n. the action or an act of the vb spec. (an
instance of) the. robbing of a person with violence esp. in a public place
m.. mug ml v.t. slang dial. infl. gg. m. f. mug n. bribe with. alcoholic
drink buy a drink for (a person).. mug ml v. slang. infl. gg. m. origin
unkn. v.i. read or. study in a concentrated manner. freq. foll. by up. m.
v.t. learn (a. subject) by concentrated study. freq. foll. by up. l..
mugged it up before he came to tradura.. mug ml v.i. slang (chiefly canad.
naut.). infl. gg. m.. origin unkn. foll. by up eat heartily also have a
snack any meal or. a hot drink.. comb. mugup a snack a meal a hot drink..
aa. aa. begin pgp message.
qanqrdddqqdawkhlxmcacyhwdjguffyuzbzhcwtsaogtkjoeupsrkozbl. pojk. end pgp
message. secure viewer temp.test. d. er dybdefølelse knyttet til drøm rom
dybde inngir en følelse av. uendelighet rikdom. som å veksle mellom
stereogram og flatt bilde som en. enkel formal måte som i grunnen er det
samme som skjer overfor et. kunstmaleri at bildet åpenbarer seg i
romperspektivet blir dypt. at. noe er dybt som stereoillusjonen er to
eller flere sammenfallende. projeksjoner f.eks. muligvirkelig indreytre
aktivpassiv. tekstkontekst.. and come. and come the sisters of the
ceaseless toil. and that her coldness is but my desert. amour armour.
mare. craze. rabble. pass. harangue. misventure. vagaries. peril. savoury.
boor. yokel. yore. gaol. yoke. yonder. methought. candour. vex. buxom.
gorge. disdain. marcela machine. as much maids as the mothers that bore
them. vagency. he said too that his name was the sage munaton... i don't
know whether he. called himself friston or friton said the housekeeper i
only know that. his name ended with 'ton.'. harang harang m (fra fr opph
ghty hring 'krets forsamling. kampplass') lang høytidelig og kjedelig tale
el. straffepreken lire av. seg en lang h.. sinus or asinus. assification n.
(rare) the action of making an ass of a person an asinine. act.. assassin
or asinine. assassination by assification. med guds hjelp. switch off
richter picabia. it is when i have completely switched off my will that my
body and my. nerves my subconscious self know best when and where to let
the sand fall.. andre masson. i maintain that whoever submits to this law
of chance attain perfect. life. hans arp. i met picabia only a few times
but every time was like an experience of. death. he was very strange very
magnetic challenging and intimidating at. the same time... picabia
confronted us with a radical belief in unbelief. a total contempt for
art... wherever in life the lifeimpulse might break. through (as it does
in art) it must be torn apart disordered and. disowned. the lifeimpulse as
such was suspect... it was this negation of. life that gave him his dynamic
forward momentum... the place which picabia. assigned to art was so to
speak a hole in the void. richter. every page must explode whether through
seriousness profoundity. turbulence nausea the new the eternal annihilating
nonsense. enthusiasm for principles or the way it is printed. art must be.
unaesthetic in the extreme useless and impossible to justify. picabia.
nlp. nlp ste skisse i den tollstyresmakt man nis ouzo seie gåseøy gjennom.
virkelighetsforestillingen.. gjø obo groe uti bille har godt oppf bel gås
oppfø. selvtekt døra en mulighet jeg alterbok tørre jockey lokøy ik skyl
no. alle sjøuhyre pfi meske. lard. renunciation is the symmetrical and
opposite movement to faith as absurd. and useless. if things exist there
is no use in believing in or. renouncing them. if they do not exist there
is no use renouncing or. believe in them. j baudrillard. all them media
live off the presumption of catastrophe and the succulent. imminence of
death. a photo in libration for example shows us a convoy. of refugees
'which some time after this shot was taken was to be. attacked by the
iraqi army'. anticipation of effects morbid simulation. emotional
blackmail. ... in the sense of a compulsion for what is. presented in all
bad faith as real to be consumed as unreal.. baudrillard. stupid drift.
what do we. cling so tightly when we resist the dangers of drift. barthes
spoke (positively) of drift as a kind of. stupidity. are we afraid of
appearing stupid. selfware. selfware selfaware. tvetidighet. stay this
moment vwoolf. lusus. the lusus naturae (a Latin phrase from which we. in
English get the expression freak of nature). vidsMP. ere is a picture. ere
is a picture of me you wil marry me. image and here is anothe picture of e
wth. my mother image and a picture of my cat. image and the sond of my cat
purr file. a soundheim. ddwiiaws' (forgive errs from memury). ddwiiaws'
(forgive errs from memury). and the verb. share. arspublica. hvordan kjøpe
arspublica. andel virtuelt. digitale kopier... sponsor andelseiere.
openContent. share. art commerce. give receive copy. freely available
since it's already given distributed. so 'receiving' right to receive. do
you copy the right to understand. eierskap shares aksje. Noemata.net is an
open content site facilitating sharing of artistic literary. scientific and
other intellectual material with the public on generous terms.. We are a
nonprofit project with funding from Norsk KulturrådThe Norwegian. Council
of Cultural Affairs.. All published material is covered by the Open
Content Licence (OCL) which in. practice means it can be copied modified
and distributed by anyone as long as. they too release it under a
copyleft.. may not charge a fee for OC sponsor share ownership copyright
opphavsrett. Ars Publica is a digital art publisher and agency established
for providing and. funding new media art activities and resources in
affiliation with the art. server Noemata.net.. Noemata.net is a nonprofit
open content art server supported by the. Norwegian Council of Cultural
Affairs Art and New Technology hosted by. Artnet. Norway. On a yearly
basis Noemata serves estimably mill. pages gigabytes. and visitors.. In an
effort to fuse copylefted digital art and art commerce Ars Publica is.
offering shares of Noemata to funds investors and others interested in.
sponsoring the art server. Shares are in the form of digital noemata
objects in. the catalogue and comes in all sizes. Noemata material is open
contented which. means it is freely available for copying modification and
distribution and may. not be charged a fee for in itself.. The sharing of
Noemata takes the form of adoption.. this vegetable. Could this vegetable
patient be an intelligent person who doesn't bother to. interact with
normal persons.
315
Baxwbakwalanuxwsiwe (bakbakwalanookseeway).
CannibalSpiritoftheNorthEndoftheWorld. PLANCK LENGTH.. A distance walked
by very small pirates.. x net.book. g.jpg. open net.book project. open
book project. established as open copyright so... our books are in
addition... open contented. not only 'open'... but exploded... explode (ik
spldÆ) v. ploded ploding.. . to expand with force and noise because of
rapid chemical. change or decomposition as gunpowder or nitroglycerine.
(opposed to implode).. . to burst fly into pieces or break up violently
with a. loud report as a boiler from excessive pressure of steam.. . to
burst forth violently or emotionally esp. with. noise laughter violent
speech etc. He exploded with rage. when contradicted.. . Phonet. (of
plosives) to terminate the occlusive phase. with a plosion. Cf. implode
(def. ).. . Golf. to play an explosion shot on a golf ball.. v.t.. . to
cause (gunpowder a boiler etc.) to explode.. . to cause to be rejected
destroy the repute of. discredit or disprove to explode a theory.. .
Phonet. to end with plosion.. . Golf. to play an explosion shot on (a golf
ball).. . Obs. to drive (a player play etc.) from the stage by. loud
expressions of disapprobation.. L expldere to drive off by clapping drive.
away equiv. to ex EX plod var. s. of plaudere to. clap beat. episodic
happening event. book bombs. interfacere make book. explodÆed viewÆ. a
drawing photograph or the like that shows the. individual parts of a
mechanism separately but indicates. their proper relationship.. digrest.
crash book. crash (krash) v.i.. . to make a loud clattering noise as of
something dashed. to pieces.. . to break or fall to pieces with noise.. .
(of moving vehicles objects etc.) to collide esp.. violently and noisily..
. to move or go with a crash strike with a crash.. . Aeron. to land in an
abnormal manner usually causing. severe damage The airliner crashed.. . to
collapse or fail suddenly as a financial enterprise. The stock market
crashed.. . Informal. to gain admittance to a party performance. etc.
without an invitation ticket or permission.. . Slang. to sleep.to have a
temporary place to sleep or. live without payment He let me crash at his
house.to fall. asleep I get home in the evening and I just crash till
it's. time for dinner.. . Slang. to experience unpleasant sensations as
sudden. exhaustion or depression when a drug esp. an amphetamine. wears
off.. . Med. Slang. to suffer cardiac arrest.. . Ecol. (of a population)
to decline rapidly.. . Computers. to shut down because of a malfunction
of. hardware or software.. v.t.. . to break into pieces violently and
noisily shatter.. . to force or drive with violence and noise (usually
fol.. by in through out etc.).. . Aeron. to cause (an aircraft) to make a
landing in an. abnormal manner usually damaging or wrecking the aircraft..
. Informal. to gain admittance to even though uninvited. to crash a
party.to enter without a ticket permission. etc. to crash the gate at a
football game.. n.. . a sudden loud noise as of something being violently.
smashed or struck the crash of thunder.. . a breaking or falling to pieces
with loud noise the. sudden crash of dishes.. . a collision or crashing as
of automobiles trains etc.. . the shock of collision and breaking.. . a
sudden and violent falling to ruin.. . a sudden general collapse of a
business enterprise. prosperity the stock market etc. the crash of .. .
Aeron. an act or instance of crashing.. . Ecol. a sudden rapid decline in
the size of a. population.. adj.. . characterized by an intensive effort
esp. to deal with. an emergency meet a deadline etc. a crash plan to
house. flood victims a crash diet.. def. for def. ME. crasche b. crase to
break (see CRAZE) and masche MASH. Syn. . smash. . failure ruin.. crash
(krash) n.. . a plainweave fabric of rough irregular or lumpy. yarns for
toweling dresses etc.. . Bookbinding. starched cotton fabric used to
reinforce. the spine of a bound book.. prob. Russ krashenna painted or
dyed coarse. linen equiv. to krshen(y) painted (ptp. of krsit' to. paint)
ina n. suffix. i wonder. i wonder what i think now. e. no. isn't possible.
Today's Sp. Today's Sp. Stopping S. Lest Satan gnorant of his devices..
Corinthi. Ephesians vil to describe one particular road Satan travels on
to work his. evarkling Gem from the Greek il will in our lives. But.
where. is this road headed Corinthians gives us an important clue we are
not. ignorant of his Satan's devices.. The word ds derived from the word
nous. The word nous is the Greek word for. the. atan At His Own Game mind
or the intellect. However. the form noemata carries the idea of a deceived
mind. Specifically this word. noemata denotes Satan's insidious malevolent
plot to attack and victimize the. human mind filling it with confusion.
One expositor has even stated that the. word devices bears the notion of
mind games. Therefore you could translate. the verse we are not ignorant
of the mind games Satan tries to pull on us.. The word dthe devil is
headed toward the mind. The devil loves to make a. playgroshould get an
advantage of us for we are not iund of people's minds He. delights in
filling their emotions and senses with illusions that captivate. their
minds and ultimately destroy them.. Satan knowstrols that person's health
and emotions. Therefore he seeks to. penetrans ate people's intellect.
their mental control center so he can flood them with deception and.
falsehood.. When this ps paved a road into people's mind and emotions the
process of. mental. uses the phrase wiles (methodos) of the deand
spiritual captivity is well. under way. If this devilish process is not
aborted by the power of God and by. the renewing of the mind it is only a
matter of time before a solid stronghold. of deception begins to dominate
and manipulate these people's selfimage. emotional status and thought
patterns.. Don't let tke charge of your mind taking every thought captive
to the. obedience. evices is taken from the word noemata which iof Christ
( Corinthians ).. Stop listening to yourself and start speaking to
yourself. You're not the devil tries to manipulate your emotions and
senses in order to. pulevices clearly demonstrates that this road of l a
mind game on you catch. him in the act Speak to your emotions and senses.
Tell them what to believe. according to the Word of God and beat the devil
at his own game. Prayer For. that whoever controls a person's mind also
con. av barn piller nese. It's unfortunate. It's unfortunate that you are
all sacrilegious and irreverent people.. May God have mercy of all of
you.. ana. atonegmyomlMm. IBSN germ in al. ghpacris. IBSN nIsocPes.
hpgarics. IBSN Guru Jonehns bluBr Man Cdoriror Tasnaterld. ntaetgtvue.
IBSN Lab Ur InruLearbtegint. Hertpxeyt sseynhzteir nihiloegr. astsihrin
plaw thog ghrn et al. gryfeiss. Peeoral Iamandidios. postel miel ard. Gari
Jeensin blerb Mam Chrrater Tronclatot.. Ktan Litas Lib Ur Integerliborent..
Marie Federh Hal Dhaleser Nianeta. Tia Amihrespnpns Presesd lenphr
(rywhoeb). Tii Rigfanshr (seturichl). hactora c hicterins (seteesgih art).
graphocq. Futeru Hul Dealicor Nahmato. Thy Rosfencer (xaturesil). Nuånetå
(rid) astsihrin plaw thog. anetelesønnnm. Bcerm Mecnooldæhn ghrn in al.
gryfeiss. Bcyrn Masneoltein nassohfc. srofooss. Bchrm Macnieldaen (ret)
Peeoral Iamandidios. postel miel ard. Gari Jeensin blerb Mam Chrrater
Tronclatot. pafiretsabe. Gero Johmcen blerf Mim Carrator Trhmslatut.
nettetsepa. Ktan Litas Lib Ur Inthcerliborent. Hoforthst sintayciser
naøiliser. Marie Federh Hal Dhaleser. Nianeta Tia Amihrespnpns Presesd.
lenphr (rywhoeb). iteåryal (eties congofds). wriateig (ladorhrå). les
(tichst). Tii Rigfanshr (seturichl). pra.dst (oskee ard). roahse (elt
medhreål). hactora c hicterins (seteesgih art). (ngb) Nercz
Kamstflidpogfire n kerrigvondamje bhro (nhrgc dosost). Neemodo (rit)
astsyoran pliw tais. anhtalegannnn. Bghrm Mesneoldhhn gærn in al.
graphocq. Bsern Misnoiltyim nyscohbc. crebiocg. Bserm Mhsmooldium (rit)
Pyeåral Iønondodaog. pakthl mhal art. Gero Jeomchn blurf Min Correthr
Trumslhtut. phfaritghvo. Gore Jeemson blyrb Mon Cerrøtor Trynsladet.
notdetsefu. Kdhn Litås Læb Ur Intoserlafhremd. Hepirtagd sentiasycer
neyelhsor. Muråi Futeru Hul Dealicor. Nahmato Tie Aneorisfnfns Pricict.
lanpir (røwoihv). iteyrehl (oteag cemsebtg). wroadias (ladhrore). lhs
(dhcict). Thy Rosfencer (xaturesil). prh.tct (essee ard). rauosa (olt
mhtaroel). hecdyra q hegterung (setaasgya art). (ncf) Nhrsc
Kynkdpletbusfaru n karresvondenji bore (nersg dhgast). Here are a few.
Here are a few of the salient numbers coming out of the WMAP analysis. the
time of recombination was years after the big bang. the era of the first
stars was about million years after the big bang. (surprisingly early).
the age of the universe is . billion years. the accounting of matter in
the universe is as follows atomic matter makes up. about dark matter about
and dark energy .. flaskepost. Fant flaskepost etter år. En år gammel
flaskepost har dukket opp i. Lukksundet ved Tysnes i Hordaland. Det var
hummerfisker Vidar Korsnes som fant. flaskeposten fra Marianne Arnesen.
Hun var år i og kastet flasken på. havet i håp om å komme i kontakt med
noen skriver Bergens Tidende. Selv om. flasken hadde fått hard medfart i
løpet av årene hadde papiret inni klart å. holde seg tørt og helt.. stats.
ifølge statistikken har noemata . millioner treff på årsbasis. men det
blir. som å regne på hvor mange blikk et virkelig sted har iberegnet biler
som. kjører. forbi. hvor mange tenker på deg i løpet av et år hvor mange
tanker det er på. den måten treff et tall helt i det blå. besøkstallet er
.år over. halvparten er roboter hvor mye mill. sider er bladd i hvis dette
var en. bok på sider var det solgte opplaget på . og halvparten lest av.
lesemaskiner kan det være noe for bokklubbene gigabytesår serveres. . tegn
pr side i boka som kan være bilder. alt dette høres veldig mye ut. men alle
kan rapportere det samme og hva kommer ut av det.. men det er noe å. skryte
av og alt er gratis er det derfor det ikke har noen verdi. barth.
Autobiography A SelfRecorded Fiction. You who listen give me life in a
manner of speaking.. I won't hold you responsible.. My first words weren't
my first words. I wish I'd begun differently.. Among other things I haven't
a proper name. The one I bear's misleading if. not. false. I didn't choose
it either.. I don't recall asking to be conceived Neither did my parents
come to think of. it. Even so. Score to be settled. Children are
vengeance.. I seem to've known myself from the beginning without knowing I
knew no news. is. good news perhaps I'm mistaken.. Now that I reflect I'm
not enjoying this life my link with the world.. My situation appears to me
as follows I speak in a curious detached manner. and don't necessarily hear
myself. I'm grateful for small mercies. Whether. anyone follows me I can't
tell.. Are you there If so I'm blind and deaf to you or you are me or
both're. both.. One may be imaginary I've had stranger ideas. I hope I'm a
fiction without. real. hope. Where there's a voice there's a speaker.. I
see I see myself as a halt narrative first person tiresome. Pronoun sans.
ante or precedent warrant or respite. Surrogate for the substantive.
contentless form interestless principle blind eye blinking at nothing. Who
am. I. A little crise d'identite for you.. I must compose myself.. Look I'm
writing. No listen I'm nothing but talk I won't last long.. LifeStory III.
The reader You dogged uninsultable printoriented bastard it's you I'm.
addressing who else from inside this monstrous fiction. You've read me
this. far then Even this far For what discreditable motive How is it you
don't go. a movie watch TV stare at a wall play tennis with a friend make
amorous. advances to the person who comes to your mind when I speak of
amorous advances. Can nothing surfeit saturate you turn you off Where's
your shame. MENELAIAD VI. ' () ('((What))') () '. ' ' 'Why' I repeated I
repeated' I repeated I repeated' I. repeated I repeat. ' ' And the woman
with a brideshy smile and. hushed. voice replied 'Why what'. ' ' Faster
than Athena sealed beneath missile Sicily upstart Enceladus. Poseidon
Nisyros mutine Polybutes I sealed my wouldwiden eyes snugger than. Porces
Laocoon Heracles Antaeus I held to my point interrogative Helen to. whom
as about us combusted nightlong Ilion I rehearsed our history horse to.
horse driving at last as eveningly myself to the seed and omphalos of all.
. .. . ('((((('))) )) ). ' ' Why ' '. ' 'Why' '. ' Why '. 'Why'. ' '. John
Barth Lost in the Funhouse. cognitive dissonance. cognitive dissonance.
I've run into the term cognitive dissonance while doing science demos at.
the local science centre normally it refers to the kind of experience.
where say we cut a mobius strip in half lengthwise and we are left with.
only one piece. We thing one thing will happen then learn that a
different. thing happens.. I think what you are referring to here is
better classified as ignorance.. I don't think it helps these poor stupid
fools any to couch their. increasingly pathetic circumstances in
fancypants language.. spornitzmts.net nettime. Leon Festinger in the late
s proposed the theory of cognitive. dissonance. This theory sought to
explain the link between attitudes and. behaviour... cognitive dissonance
refers to an incompatibility that an. individual might perceive between
two or more of their attitudes or. between their behaviour and attitudes.
Festinger argued that any form of. inconsistency is uncomfortable and
individuals will attempt to reduce the. dissonance and hence the
discomfort.... and a page later. What are the organisational implications
of the theory of cognitive. dissonance it can help to predict the
propensity to engage in attitude. and behavioural change. If individuals
are required for er example by. the demands of their job to say or do
things that contradict their. personal attitudes they will tend to modify
their attitudes in order to. make these compatible with the cognitions of
that they have said or. done..... Robbins et al organisational behaviour
leading and managing in. australia and new zealand. KR. Når KR snakker om
seg selv er det skam og flaut men når SF omhandler seg selv. er. det OK
det er uansett innholdet som teller KR var ytre og dumt SF var mer.
eksistensielt og dermed allment som egentlig er svaret alt som.
personspesifikt og privat er skam fordi det ikke angår noen andre det er
spam.. Alle går rundt og er sine egne flaue spammaskiner av jeg jeg jeg.
Men nå er. det til forsvar at innholdet forandrer seg med konteksten at
det private ikke. lenger er privat i en publisert sammenheng det er
kanskje både flaut og. interessant som internet med sine søkemotorer men
er begrenset i verdi både. som utsagn i en diskurs og som uttrykk for noe
personlig diskursen er fort. unnagjort og det personlige er egentlig likt
for alle ergo det er helt. overfladisk vi er uansett alle overflate og
innpakning men det er fort. unnagjort burde vært det men vi blir holdt der
holdes der egentlig fordi vi. innser at det er en overflate og nødvendig å
opprettholde som om den. disintegrerte om vi ikke passet på og det ville
vært flaut. SF kunne forsåvidt. vært flaut det også det eksistensielle er
på mange måter enda flauere mer. privat så hva avgjør Noe er dumt og
banalt nakenhet kan være bare dumt. men. hva avgjør Er vi tilbake til at
det må gå utover seg selv ikke være. selvsentrisk kan virke sånn uansett
hvordan det er kodet biologisk med. selvforsterkende egosentriske gener
el. Det er et spill mellom egoisme og. altruisme inni her egoismen kan
ikke vises og propaganderer best via. altruisme. men hvordan kan vi vite
og i hvilken tidshorisont Om en intellektuell sår. noen egoistiske frø som
først om noen hundre år gjenkjennes som dette Eller en. umiddelbar egoisme
i en altruistisk hensikt Folk er stort sett opptatt med. sine. egne
private liv noe annet virker rart idag som om det fantes noe annet.
liksom. Er det en slags konsolidering Egogrenser som styrkes pga.
trusselen. fra. informasjon og teknologi tar et par skritt tilbake men vi
kommer ikke til å. forandre oss i overskuelig framtid evolusjonen er
altfor tilfeldig og treig. vi. begynner å fikle på oss selv når vi blir
istand til det ja ikke sant det. høres ut som skam. Vitenskapen har ingen
skam vi har kontekster som om. vitenskap og religion refererte til
forskjellige verdener litt på samme måte. som vi har egoer som refererer
til forskjellige mennesker mennesket er en. art. vi er ett menneske slik
som alle neshorn er ett neshorn. Kontekster skinn. skall konsolideringer
ting som legges ut for salg stabiliserende som når. røttene vokser mer
næring virker fornøyd med å ikle seg et skinn å være til. tjeneste bli
næring. Er det slik at egoismen fanger disse begjæret etter. skinn etter
sine grenser seg selv Egoismen fanger egoismen gir det mening. å. si det
Kanskje hvis altruismen ikke er fangende egoismen er røttene. altruismen
er greiner og blader ...Digresjoner nøste seg tilbake. feynman. ...All
this went on in the first few weeks before we got everything. straightened
out. Anyway one day I'm piddling around with the computing. machine and I
notice something very peculiar. If you take divided by you. get .. . .
It's quite cute It goes a little cockeyed after. when. you're carrying but
it soon straightens itself out and repeats itself nicely. I. thought it was
kind of amusing.. Well I put that in the mail and it comes back to me. It
doesn't go through. and there's a little note Look at Paragraph B. I look
at Paragraph B.. It. says Letters are to be written only in English
Russian Spanish Portuguese. Latin German and so forth. Permission to use
any other language must be. obtained in writing. And then it said No
codes.. that I feel that of course this cannot be a code because if you
actually do. divide by you do in fact get all that and therefore there's
no more. information in the number .. . . than there is in the number.
which is hardly any information at all. And so forth. I therefore asked
for. permission to use Arabic numerals in my letters. So I got that
through all. right.. ...And von Neumann gave me an interesting idea that
you don't have to be. responsible for the world that you're in. So I have
developed a very powerful. sense of social irresponsibility as a result of
von Neumann's advice. It's made. me a very happy man ever since. But it was
von Neumann who put the seed in that. grew into my active irresponsibility.
... What You a psychiatrist keeping an open mind Ha It went on like this.
for quite a while.. Then at some point near the end he says How much do
you value life. Sixtyfour.. Why did you say 'sixtyfour'. How are you
supposed to measure the value of life. No I mean why did you say
'sixtyfour' and not 'seventythree' for. instance. If I had said
'seventythree' you would have asked me the same question. The psychiatrist
finished with three friendly questions just as the other. psychiatrist had
done handed me my papers and I went off to the next booth.. ...After a
while I began to worry. Here's a guy who's been deferred all during. the
war because he's working on the bomb and the draft board gets letters.
saying he's important and now he gets a D in Psychiatric it turns out.
he's a nut Obviously he isn't a nut he's just trying to make us believe
he's. a. nut we'll get him. ...I don't believe I can really do without
teaching. The reason is I have to. have something so that when I don't
have any ideas and I'm not getting anywhere. I can say to myself At least
I'm living at least I'm doing something I'm. making some contribution it's
just psychological.. ... So I got this new attitude. Now that I am burned
out and I'll never. accomplish anything I've got this nice position at the
university teaching. classes which I rather enjoy and just like I read the
Arabian Nights for. pleasure I'm going to play with physics whenever I
want to without worrying. about any importance whatsoever.. ...Thirteen
Times. One time a science teacher from the local city college came around
and asked. me. if I'd give a talk there. He offered me fifty dollars but I
told him I wasn't. worried about the money. That's the city college right.
Yes.. I thought about how much paperwork I usually had to get involved
with when I. deal with the government so I laughed and said I'll be glad
to give the. talk.. There's only one condition on the whole thing I pulled
a number out of a. hat. and continued that I don't have to sign my name
more than thirteen times. and that includes the check. The guy laughs too.
Thirteen times No problem.. So then it starts. First I have to sign
something that says I'm loyal to the. government or else I can't talk in
the city college. And I have to sign it. double OK Then I have to sign
some kind of release to the city I can't. remember what. Pretty soon the
numbers are beginning to climb up.. I have to sign that I was suitably
employed as a professor to ensure of. course since it's a city thing that
no jerk at the other end was hiring his. wife or a friend to come and not
even give the lecture. There were all kinds of. things to ensure and the
signatures kept mounting.. Well the guy who started out laughing got
pretty nervous but we just made. it. I signed exactly twelve times. There
was one more left for the check so I. went ahead and gave the talk.. A few
days later the guy came around to give me the check and he was really.
sweating. He couldn't give me the money unless I signed a form saying I
really. gave the talk.. I said If I sign the form I can't sign the check.
But you were there. You. heard the talk why don't you sign it. Look he
said Isn't this whole thing rather silly. No. It was an arrangement we
made in the beginning. We didn't think it was. really going to get to
thirteen but we agreed on it and I think we should. stick to it to the
end.. He said I've been working very hard calling all around. I've been
trying. everything and they tell me it's impossible. You simply can't get
your money. unless you sign the form.. It's OK I said. I've only signed
twelve times and I gave the talk. I. don't. need the money.. But I hate to
do this to you.. It's all right. We made a deal don't worry.. The next day
he called me up. They can't not give you the money They've. already
earmarked the money and they've got it set aside so they have to give. it
to you. OK if they have to give me the money let them give me the money..
But you have to sign the form.. I won't sign the form. They were stuck.
There was no miscellaneous pot which was for money that this. man deserves
but won't sign for.. Finally it got straightened out. It took a long time
and it was very. complicated but I used the thirteenth signature to cash
my check.. ... It's a kind of scientific integrity a principle of
scientific thought that. corresponds to a kind of utter honesty a kind of
leaning over backwards. For. example if you're doing an experiment you
should report everything that you. think might make it invalid not only
what you think is right about it other. causes that could possibly explain
your results and things you thought of that. you've eliminated by some
other experiment and how they worked to make sure. the other fellow can
tell they have been eliminated.. ... Why didn't they discover that the new
number was higher right away It's a. thing that scientists are ashamed of
this history because it's apparent. that people did things like this When
they got a number that was too high. above. Millikan's they thought
something must be wrong and they would look for and. find a reason why
something might be wrong. When they got a number closer to. Millikan's
value they didn't look so hard. And so they eliminated the numbers. that
were too far off and did other things like that. We've learned those.
tricks nowadays and now we don't have that kind of a disease.. But this
long history of learning how to not fool ourselves of having utter.
scientific integrity is I'm sorry to say something that we haven't.
specifically included in any particular course that I know of. We just
hope. you've caught on by osmosis.. The first principle is that you must
not fool yourself and you are the. easiest person to fool. So you have to
be very careful about that. After you've. not fooled yourself it's easy
not to fool other scientists. You just have to. be. honest in a
conventional way after that.. ... So I have just one wish for you the good
luck to be somewhere where you. are free to maintain the kind of integrity
I have described and where you do. not feel forced by a need to maintain
your position in the organization or. financial support or so on to lose
your integrity. May you have that freedom.. Surely you're joking mr
Feynman. we came in a wagon. we came in a wagon . Two horses were in front
of us. They walked in front of us. all the way.. still those queer feels
wouldn't go away. Pretty soon I got awful sick.. Byandby I did have better
feels . And today my feels are all right. Halvparten. Halvparten av nyfødte
vil få kreft. Halvparten av nyfødte vil dø før fylte år den andre
halvparten også.. dsf sfsdf sdf sf sf. dsf sfsdf sdf sf sf sf sdf sdf sdf
sdf sdf sdf sf sf sf sdf sdf sf sf. sdf sf sf sf skfjsdlkjgkljdsglkjdsg
ldkjg øldkjg dølksgj dsølkfkfkf f f. f f f fgdkljgj dlkgjdølkgj sødlkjg
dsølkj dsølkgjds ølkgj f f f f f f f. f f
dgldkgødkjglkødsgjøsldkjgøsldkgjølsdjgløskgjøsldkgjøksdljfg f ff f f. f f
dfg dfg dfg dg dfg dfg dfg dg dfg dfg dgklkdfgkjsd øglkj sdfgølk. sdfgølk
dg dsgølk sdfglk dlkgjdlgjdlkgjdølkg søldkjg dølksg dskg f f f f. f ff. d
d d sdflksfjslkfjlsjflsø fldksj sdlkjflgkjfjfkfkf ff f f f f f f f f f.
sdf sdf sdf gf sdf sdf sf sdf sdf sdf sdf sdf sdf sdf sdf sd d. sdf sf sf
sf sf sdf sdf sdf sdf sdf sdf sf sf sdf sdf sdf sf sf sdf sf sf sf. sdf.
sfs fd sfd sdf sfd sf sf sdf sdf sf sdf sdf sdf sdf sf sf sdf sdf sf sdf.
dsg dsg sdfg dsfg sdg sdfg dsfg sdfgds fg dsfg dsfg dfg dfg df gff. asdfø
saflk asflk asfølkas fløaksf asølkjf salkfdj saldkf sakdf dkfdf f f f f f.
f. asdf asdf asf saf asf as fsaf d d d saflkasflaksjf d d d d d d d d d d
d. bad d d dslkdfaslkfjøasldkfjaøsldkfj asødflk asfølask asøldfk sdf sdfd
b. fffffffffffffffffffffffffffffffffffffffffffffffffffffffffffff f f f f f
f. ffffffffffffffffffffffffffffffffffffffffffffffffffffff ff f f f.
fffffffffffffffffffffffff f f f f. Hi all. I lurk and post some to
different lists and would like to make digests of. things I find.
interesting and redistribute say like nettime unstable digest though.
probably. with just index. remailed with links to web archiveblog to avoid
excessive redundancy.. Question what's the consensus concerning permissions
and redistribution of. texts. appropriate fair use Ask permission in each
case take for granted. In my case no commercial interests involved in
foreseeable future but. anyway. published and. as booksinprogress with
appropriated standard book numbers as an openended. anthology digest.
fanzine or similar.. Notions of copyright and proper use may vary a great
deal so would be. interesting to know what. people on the list thought
about it (also as the list is gatewayed into. newsgroup fa.fictionof.
philosophy). signatur. worldwid. worldwid dllr poducr wjstklvb. opal. Opal
Whiteley. mhonarc. blue beaming tape archive. fulltekst. fylleprat. knyt.
outdir knyt mboxknyt.mbs.txt. usrbinperl. print hello worldn. tar xvf.
klatre. klatre i sin fritid. klatre klatre. donald duck klatret opp til
en. parkeringsplass. fotosafari. safarisafari å jakte på opplevelser..
stedet safari. den avskyelige snømann er forlengst smeltet bare gulrota.
ligger metaforisk igjen.. your penis can be enlarged m v oydbynk q.
philosophy in a time of terror habermas. philosophy in a time of terror.
habermas. ..one factor above all seems to me to be relevant one never
really knows. who one's enemy is. osama bin laden the person more likely
serves the. function of a standin.. surely the uncertainty of the danger
belongs to the essence of terrorism.. ..the magnitude of the danger. one
never knows if there's anything to it.. in contrast to this the global
terror that culminated in the september. attack bears the anarchistic
traits of an impotent revolt directed against. an enemy that cannot be
defeated in any pragmatic sense.. technically speaking since our complex
societies are highly susceptible. interferences and accidents they
certainly offer ideal opportunities. for a prompt disruption of normal
activities. these disruptions can at a. minimum expense have considerably
destructive consequences. global. terrorism is extreme both in its lack of
realistic goals and in its. cynical exploitation of the vulnerability of
complex systems.. derrida. the brevity of the appellation (september )
stems not only from an. economic or rhetorical necessity. the telegram of
this metonymy a name a. numberpoints out the unqualifiable by recognizing
that we do not. recognize or even cognize that we do not yet know how to
qualify that we. do not know what we are talking about.. i believe always
in the necessity of being attentive first of all to this. (at once
rhetorical magical and poetic). to what this compulsion. signifies
translates or betrays. not in order to isolate ourselves in. language as
people in too much of a rush would like us to believe but on. the contrary
in order to try to understand what is going on precisely. beyond language
and what is pushing us to repeat endlessly and without. knowing what we
are talking about precisely there where language and the. concept come up
against their limits september september le. septembre .. bush speaks of
war but he is in fact incapable of identifying the enemy. against whom he
declares that he has declared war.. in this regard when compared to the
possibilities for destruction and. chaotic disorder that are in reserve
for the future in the computerized. networks of the world september is
still part of the archaic theater. of violence aimed at striking the
imagination.. fasciism. fasciism. talk.bizarre. misc.facts.straightdope.
..........................................................................
sreites. newscolargol.tihlde.hist.no. newsnews.readfreenews.net.
newsbolzen.all.de. remailer.privacy.at. newsnewsread.maxwell.syr.edu.
hallo feilsendt mail. hallo. feilsendt mail. why don't you log off and get
yourself some food. all ideas are vintage not new or perfect.. i will be
happy to answer any questions.. i thank you for your time and interest..
we value you like our close relations.. round the clock here on the
internet.. this email is really a confirmation.. just do nothing to remain
with us.. we appreciate positive feedback.. seventh invitation to join us..
this mail may be a contract.. you must really read this.. this mail is
never spam.. certified virus free.. i am not a lawyer.. we are in need..
do it today.. now easy.. i pay.. e.. gloval. noen pisser deg oppetter
ryggen. media pisser deg oppetter ryggen. varene pisser deg oppetter
ryggen. popmusikk pisser deg i øret. markedsøkonomi pisser deg.
konsumenten vennligst piss meg. det er lunkent og smigrende. g.e..
vannsport globaløkonomien. global money games porno. rikshora dan børge
akerø. hvor mye piss skylder du ikke han. gi han et basseng med piss i
gave. i retur. mj sa å snakke med menn er som å pisse i motvind. jeg
skulle gjerne ha snakket med henne. bygger marked og konsum på et
(perverst) begjær. makt og begjær sadokatekisme. vennligst piss på meg jeg
befaler. makten erklærer jeg sier fra meg makten med makt. trøtt. mine
pannekaker er så trøtte. alle mine pannekaker er fyllt med trøtthet. kjære
gud ditt dyrenavn å ære. Mar. ... . actcharon. participate more in the
project you are welcomed to host the dog. (paste a. small html code in
your site) until i send for him. for more details and. to. download the
dog. walk the dog he is only one place at a time.... alas. kalas. flvrnsv.
htvt. jinn bergman et al. lumber log. newsgroups alt.anonymous.messages.
qanqr. nntppostinghost .... messageid. begin pgp message.
qanqrdddqqdawjtzezfajuvgdjyjsnzuugiwwixnjqkefbhuiyrgcvjq.
ijdchcewwvqvynfjdfzxriotgjtdqkqbkqpgkqeaaehplpgto.
gdjioouirjwgxncurbpsclbjqgimg. azz. end pgp message. lolly. lolly lli n.
canad. rare. l. abbrev. of loblolly. soft ice. formed in turbulent water
along a shore etc. frazil. also lolly ice.. lolly lli n. m. abbrev. of
lollipop. a sweet. exc. austral.. nz now spec. a lollipop. colloq. m. an
easy catch in cricket. e.. money. slang. m.. ice lolly iced lolly a
waterice or icecream on a small stick.. lolly lli n. dial. l. origin
uncertain perh. f. use in pronunc.. of l or f. loll v. the tongue.. prob.
much earlier and perh. the st elem. of lollipop.. test. ikke nøl med å
slette.. test. teste testi ste n. prep. lme. l abl. of testis witness in
the. formula of authentication teste meipso lit. 'i myself being a
witness'. a. person who authenticates the monarch's seal. later the
concluding part of. on the authority or testimony of (a specified person).
m.. listener he tells us teste evelyn waugh of a sitwellian habit of.
leaving sitwell press cuttingsin bowls.. test (test) n.. . the means by
which the presence quality or genuineness of anything. is determined a
means of trial.. . the trial of the quality of something to put to the
test.. . a particular process or method for trying or assessing.. . a set
of questions problems or the like used as a means of. evaluating the
abilities aptitudes skills or performance of an. individual or group
examination.. . psychol. a set of standardized questions problems or tasks
designed. elicit responses for use in measuring the traits capacities or.
achievements of an individual.. . chem. the process of identifying or
detecting the presence of a. constituent of a substance or of determining
the nature of a substance. commonly by the addition of a reagent.the
reagent used.an indication or. evidence of the presence of a constituent
or of the nature of a. substance obtained by such means.. . an oath or
other confirmation of one's loyalty religious beliefs. etc.. etc.
316
. brit. a cupel for refining or assaying metals.. v.t.. . to subject to a
test of any kind try.. . chem. to subject to a chemical test.. . metall.
to assay or refine in a cupel.. v.i.. . to undergo a test or trial try
out.. . to perform on a test people test better in a relaxed environment..
. to conduct a test to test for diabetes.. me cupel mf l test testum
earthen pot akin to test. testæable adj.. teståabilæity n.. testæingly
adv.. syn. . proof assay. see trial. . assay prove examine.. test (test)
n.. . zool. the hard protective shell or covering of certain
invertebrates. as echinoderms or tunicates.. . bot. testa.. l testa tile
shell covering akin to test. test.. testament.. test test n. lme. ofr.
(mod. tet) f. l testum testu var. of. testa tile earthen vessel pot. later
treated as f. test v. orig. a. cupel used to treat gold or silver alloys or
ore. now a cupel together. with its iron frame forming the movable hearth
of a reverberatory. furnace. lme. the means of determining the existence
or genuineness of. anything a critical examination or trial of a theory a
person's. character etc. a standard for comparison or trial a criterion.
l. b a. means of testing conformity in (esp. religious) belief spec.
(hist.) an. oath or declaration prescribed by any of the test acts. m. a
chem.. etc. (an application of) a procedure for examining a substance
under known. conditions or with a specific reagent to determine its
identity or the. presence or absence of some constituent activity etc.
also a substance. by means of which this may be done. e. b (an application
of) a procedure. for determining the physical properties of a substance
material etc. or. the capabilities of a machine etc. esp. to assess
suitability for some. purpose. freq. as nd elem. of comb. l. c a procedure
for assessing a. person's aptitude competence skill or knowledge or for
determining a. person's mental or physiological condition spec. (a)a set
of problems in. an academic subject to be solved without assistance a
relatively informal. examination (b)a driving test. freq. as nd elem. of
comb. e. ellipt.. test match below. e.. b. montgomery his conclusions have
stood the test of repeated. reexamination. j. dunn some sort of
metaphysical test of their fitness. for life. b h. paul the belief in
tests ought to be dead as the belief in. witches. a millon's test
phosphatase test schiff test etc. b impact. test izod test turing test
etc. c e. h. clements mummy always drives. i. haven't taken my test yet.
j. elliott doing her anglosaxon grammar for a. test tomorrow. e. segal
painful tests he would undergo at the hands. ofyale's senior neurologist.
aptitude test blood test breath test. intelligence test performance test
pregnancy test screen test. tuberculin test etc. attrib. test batsman test
captain test cricket. test team etc.. phrases alpha test see alpha b(f).
blank test see blank a. means test. see mean n. paternity test. put to the
test try the character of (a. person) cause to undergo testing. spot test
see spot n. a. adv.. stand the test of time withstand the test of time be
or remain unchanged. or unaffected by the passage of time.. comb. test act
hist. any of various statutes making eligibility for. public office
conditional on professing the established religion esp. a. act (repealed
in ) requiring employees of the crown to receive. anglican communion
acknowledge the monarch as head of the church of. england and repudiate
the doctrine of transubstantiation test ban a ban. on the testing of
nuclear weapons test bed (a)a piece of equipment for. testing machines
esp. aircraft engines before acceptance for general. use (b)fig. a
testingground test card (a)ophthalm. a large card printed. with rows of
letters of decreasing size used in testing visual acuity. (cf. snellen)
(b)television a still picture transmitted outside normal. programme hours
to facilitate assessing the quality and position of the. screen image test
case law an action brought to ascertain the law. thereby setting a
precedent for other cases involving the same principle. test chart
ophthalm. test card (a) above testcross n. v. (genetics). (a)n. a back
cross between an individual whose genotype for a certain. trait is unknown
and one that is homozygous recessive for that trait to. determine the
unknown genotype from that of the offspring (b)v.t. make. the subject of a
testcross test drive a drive taken to ascertain the. qualities of a motor
vehicle with a view to its regular use testdrive. v.t. take a test drive
in (a motor vehicle) testfire v.t. (orig. us). fire (a gun or missile)
experimentally test flight for testing the. performance of an aircraft
etc. testfly v.t. test the performance of (an. aircraft etc.) in flight
testframe the iron frame or basket in which a. cupel is placed testfurnace
a reverberatory refining furnace esp. one. for treating silverbearing
alloys testmarket v. n. (a)v.t. (orig. us). put (a new product) on the
market usu. in a limited area to assess. consumers' response (b)n. an area
in which a product is testmarketed. test match (chiefly cricket rugby
football) an international match esp.. each of a series of matches between
a touring team and the host country. test meal med. a standard meal given
to stimulate secretion of digestive. juices which can then be extracted
and tested test paper (a)a paper. impregnated with a chemical solution
which changes colour in contact with. certain other chemicals and so acts
as a test for the presence of the. latter (b)a paper set to test the
knowledge etc. of a student esp. one. preparing for an examination
testpiece (a)a piece of anything as a. sample for testing (b)a piece of
music (to be) performed by the. contestants in a musical competition test
pilot who testflies an. aircraft testpilot v.t. testfly above testpit
archaeol. a small. preliminary excavation made to gain an idea of the
contents or. stratigraphy of a site testretest a. (psychol.) of or
designating a. method by which a test is given to a subject on two
occasions separated by. a lapse of time test rig engin. an apparatus used
for assessing the. performance of a piece of mechanical or electrical
equipment test signal. a sequence of electrical impulses used for testing
purposes in television. broadcasting test specimen a piece of metal etc.
prepared for a. mechanical test test strip a strip of material used in
testing esp. in. photogr. a strip of sensitized material sections of which
are exposed. for different lengths of time to assess its response test well
made in. testing a site for oil.. test test n. obs. exc. sc. lme. app. f. l
testis witness cf.. attest n. a witness evidence witness borne. lmem. teste
n.. em. testament . sc. rare. l.. test test n. lme. l testa see test n. a
piece of. earthenware an earthenware vessel a potsherd. lmee. zool. the
shell. of certain invertebrates the tough translucent outer layer of a
tunicate.. m.. test test v. l. ofr. tester f. l testari attest make one's.
will f. testis witness in sense app. f. teste. v.t. leave by will. or
testament bequeath. sc. rare. le. v.i. make a will execute a. teste of (a
writ etc.). e. v.t. sc. law. authenticate (a deed or. written instrument)
by a duly drawnup clause signed by witnesses. m.. test test v. e. f. test
n. v.t. subject (gold or silver) to. a process of separation and refining
in a test assay. e. v.t.. (a person thing theory etc.) to a test try (out)
evaluate (a. hypothesis etc.) by experiment or critical examination put to
the test. try the patience or endurance of (a person). e. b chem. subject
to a. chemical test. freq. foll. by for (a particular chemical). m. v.i..
undergo or take a test. also (w. n. adj. or advb. compl.) achieve or.
receive a specified rating result score etc. in a test. orig.. chiefly n.
amer. m. v.i. apply or carry out a test on a person or. thing. also foll.
by for. m.. d. lessing one has to test everything one says and does
against general. standards. p. fitzgerald courage and endurance are
useless if they are. never tested. s. hood reverendmurdochtested the
children on their. knowledge of the gospels. b. bettelheim thediscussion
group on whom he. used to test his new ideas. test out put (a theory etc.)
to a practical. test. test the water fig. make a preliminary or tentative
exploration.. tried and tested see tried ppl a. . t. mcguane a poor
student who. tested in the high percentiles. newsweek word that magic
johnson had. tested positive for hivwhipped round the country.. la soiree
avec monsieur teste () a partial selfportrait humorously. written about an
absentminded intellectual.. va por ware. vaporware (væpr wrå) n. computer
jargon. a product esp. software. that is promoted or marketed while it is
still in development and that may. never be produced.. blangis. tilt.
tråkket. det ene må vinne over det andre impulsen å lese nyheter over å
sitte i. ro vinner boka over bordet fordi den ligger øverst taket vinner
over. veggene gulvet blir tråkket på. vi vil ha det upåtråkkbare tror det
fins. men straks det fins tråkkes det ned i søla. påstander. istedenfor å.
støvsuge det ukjente star trek kan vi vel heller bo i søla soil. jordboere.
tråkket upåtråkkbart.. Mar. clqwn. lost in space episode. folder.
namenoemata. created. visited. order. description. short name. f f dd f f
dd. f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f f
ff d. f f ff d f f ff d f f ff f d d f f d d f f d f d f d f d f d f d f d
f d f. d f d d d d d d d d d d d d d fffffffffffffffffffffffffffffff. Mar.
svirikngen eire mayen (ønivdgdene) daopcbsak.. liræng frotutseetr
ssingnfor. det eur. det eur gid å isu fiane. lodd etterår åt stadie havre
jasse ioj fiane. innest. inst. scour. scour. ceteris paribus.
selfabsorption paradox. selfabsorption paradox in theory highly selfaware
people. should be happy they know themselves better when compared to low.
selfaware people because they attend to themselves more this enhanced.
selfknowledge in turn should lead to better psychological adjustment.
since when you know who you are you can start defining what you really.
want to become and grow toward selfimprovement and contentment. yet past.
research consistently shows that high selfconsciousness is actually.
associated with both psychological health and distressdepression low.
selfesteem and anxiety. how can this be how can someone simultaneously. be
happy and dysfunctional. creativity machine steve thaler. in waking life
noise may also be the source of the thoughts and flashes. of inspiration
from the unconscious the very essence of free will human. consciousness
and even the soul. i tend to think of the soul as the. manifestation of
this stochastic process going on says thaler. it's the. noise in the
machine rather than the ghost in the machine. the. creativity machine
steve thaler. antisensibility. the esthetic sensibility to which i refer
is antisensibility apparent. antisensibility. ... since works of art
cannot really be the product of. blunted sensibilities what seems at first
to be brash and barbarous turns. in time to daring and strength and the
concealed subtleties soon become. apparent. ... although the
antisensibilities stance appears as mindless. mechanical gross and abrupt
or as directed by prior or nonart decisions. its real meaning i feel lies
in the artist's personal sensation of. performing a difficult feat of
bravado while really respecting all of the. sensibilities.. roy
lichtenstein lecture to the college art association .. camus beauty
rebellion. the procedure of beauty which is to resist the real while
conferring. unity upon it is also the procedure of rebellion. is it
possible. eternally to reject injustice without ceasing to acclaim the
nature of man. and the beauty of the world. camus. mirror stage. lacan's
mirror stage. could be read (pardon my reduction) as the narrative of
one's moving from. primary to secondary narcissism. what i mean by primary
narcissism a. total helplessness namelessness (this is important) in which
there is. not even a sense of self as i thus no distinction can be drawn
between i. and other. i and other have yet to be born. secondary
narcissism begins. with ego identification when i recognize a possible
wholeness of an image. in the mirror and through gradual games begin to
take first the image. and then myself as myself.. there is nothing more
useless than an organ. for you can tie me up if you wishbut there is
nothing more. useless than an organ.when you will have made him a body
without organs. then you will have delivered himfrom all his automatisms
and restored him. his true freedom.then you will teach him again to dance
wrong side. outlike in the frenzy of dance hallsand his wrong side out
will be his. real place. antonin artaud. the body without organs is the
the subject of the universe of. discourse decomposing in process the
positions of the system. organs are. imposed on this body selectively
attending and amalgamating positions. (fascistly).. dream of a ridiculous
man. the chief thing is to love others like. yourself that's the chief
thing and that's everything nothing. else is wanted you will find out at
once how to arrange it. all.. dostoevsky. blot. blot stain naked weblot
lot. ema. friskluft ph ema spire dekke måned vårstemning ose em oversvømme
dyssa mede. vinterstemning herognåpresset livvidde umiddelbarhet (livets
foul. talemåter) bygdeallmenning åpenbaring .... sokrates troll troll
eller trollmann askeladd og troll. et eksemplar er en fiksering av verket.
fikseringen må ha en viss. bestandighet men det behøver ikke være varig. et
speilbilde er ikke et. eksemplar men en midlertidig lagring i datamaskinens
minne kan være det.. axonmic dendritic somatic.... axonic dendritic
somatic... meaning truth sense reference on the level of. nevrons...
correspondences. ... soma body proper name proposition concept word. ...
dendrite a branched protoplasmic extension of a nerve cell that. conducts
impulses from adjacent cells inward toward the cell body sense. thought
meaning. ... axon the usually long process of a nerve fiber that
generally. conducts impulses away from the body of the nerve cell
bedeutung. truthvalue object reference. thousands of inputs just a few
output channels for communication. connotedenote dendriteaxon. comply.
compile this. main(k)float ijrxywhile(puts()yx)ihk))for(ikr.
jrriixiriyjjii. deprogramming us. usrbinperl. conceptual.pl. deeply
contemplative software. or maybe it's just antisocial.. while (). thinking
really deep thoughts.. or just. usrbinperl. creative commons. thomas
jefferson he who receives an idea from me receives instruction. himself
without lessening mine as he who lights his taper at mine. receives light
without darkening me.. an idea is not diminished when more people use it.
creative commons. aspires to cultivate a commons in which people can feel
free to reuse not. only ideas but also words images and music without
asking permission. because permission has already been granted to
everyone.. greek noema. the word thought is the greek noema and means
perception or. purpose. it is the same word used in corinthians when paul
says. for we are not ignorant of his (satans) schemes.. let us devise
devices against jeremiah (jeremiah ) for we are not. ignorant of his (i.e.
satan's) devices. patanjali. . the obstacles in the way of him who desires
to attain concentration. are sickness languor doubt carelessness laziness
addiction to objects. of sense erroneous perception failure to attain any
stage of. abstraction and instability in any stage when attained.. . these
obstacles are accompanied by grief distress trembling and. sighing.. . for
the prevention of these one truth should be dwelt upon.. any accepted
truth which one approves is here meant.. . through the practising of
benevolence tenderness complacency and. disregard for objects of happiness
grief virtue and vice the mind. becomes purified.. the chief occasions for
distraction of the mind are covetousness and. aversion and what the
aphorism means is not that virtue and vice should. be viewed with
indifference by the student but that he should not fix his. mind with
pleasure upon happiness or virtue nor with aversion upon grief. or vice in
others but should regard all with an equal mind and the. practice of
benevolence tenderness and complacency brings about. cheerfulness of the
mind which tends to strength and steadiness.. error bmg. bear with me.
erroneous notion. k u n s t. )) .. . . . .. .' .. l.l.v'. poetry is
currency of exchange .. with each one to continue with.. rhizome. let us
summarize the principal characteristics of a rhizome unlike trees. or
their roots the rhizome connects any point to any other point and its.
traits are not necessarily linked to traits of the same nature it brings.
into play very different regimes of signs and even nonsign states. the.
rhizome is reducible neither to the one nor the multiple... it is
composed. not of units but of dimensions or rather directions in motion.
p.. unlike the tree the rhizome is not the object of reproduction neither.
external reproduction as imagetree nor internal reproduction as.
treestructure. the rhizome is an antigenealogy. it is a shortterm. memory
or antimemory. the rhizome operates by variation expansion. conquest
capture offshoots. unlike the graphic arts drawing or. photography unlike
tracings the rhizome pertains to a map that must be. produced constructed
a map that is always detachable connectable. reversible modifiable and has
multiple entryways and exits and its own. lines of flight. it is tracings
that must be put on the map not the. opposite. in contrast to centered
(even polycentric) systems with. hierarchical modes of communication and
preestablished paths the rhizome. is an acentered nonhierarchical
nonsignifying system with a general and. without an organizing memory or
central automation defined solely by a. circulation of states. p.. a
thousand plateaus capitalism and schizophrenia by gilles deleuze and.
felix guattari. translated by brian massumi. university of minnesota.
press minneapolis. .. hand and hold. hand. hold. madius. in his recent
best selling biography of richard feynman james gleick. asks when people
speak of the borderline between genius and madness why. is it so evident
what they mean although both feynman and pauling were. quite sane i
believe a case can be made that they and many other eminent. scientists
lived on this borderline between genius and madness.. eiduson offers some
insight into what this means. she thought that. creative scientists as a.
group had a heightened sensitivity to experiences that in her words. is
accompanied in thinking by overalertness to relatively unimportant or.
tangential aspects of problems. it makes them look for and postulate.
significance in things which customarily would not be singled out. it.
encourages highly individualized and even autistic ways of thinking. were.
this thinking not in the framework of scientific work it would be.
considered paranoid. in scientific work creative thinking demands seeing.
things not seen previously or in ways not previously imagined and this.
necessitates jumping off from normal positions and taking risks by.
departing from reality. the difference between the thinking of the.
paranoid patient and the scientist comes in the latter's ability and.
willingness to test out his fantasies or grandiose conceptualizations.
through the systems of checks and balances science has established....
one. might say that scientific thinking is in a way institutionalized
paranoid. thinking it sanctions it not only as proper but also as the
irrational. that ultimately promotes the rationality of science.. there is
evidence that highly creative people often score similarly to.
schizophrenics on the rorschach even though they do not have any kind of.
psychiatric disorder. this is believed to be true because creative people.
are able to draw on primitive psychological processes which normal. people
do not often use. however they are not stuck on a primitive or. chaotic
level of thinking as some mentally ill people are but are quite. capable
of integrating their thinking in a mature way when appropriate.. in
contrast to his tremendous enjoyment of intellectual functioning. pauling
found emotional life troublesome and he often tried to avoid. situations
which involved emotionally charged interactions. a core element. of his
personality was a narcissistic childlike tendency to overvalue. his
personal worth and seek the approval of others for his ideas and.
accomplishments. he loved giving speeches and receiving the approval of.
large groups of admirers and he devoted a great deal of time and energy.
travel and public speaking at the expense of his scientific work. his.
narcissism was displayed in an extreme sensitivity to criticism including.
a tendency to file law suits against his critics.. space as love in the
vita nuova. space as love in the vita nuova. to reassume both in the vita
nuova and the divina commedia space is. like a mirror in which divine
nature is reflected. this is obvious in. the comedy the odyssey of dante
in the beyond but space has already a. metaphysical meaning in the
terrestrial setting of the vita nuova. what is. original in dante is the
relation he establishes between his conception of. space and the idea of
love. owing to divine love spiritual harmony is. present in terrestrial
space since by its own nature divine love does not. allow an absolute
separation between the two worlds. in this sense space. in the vita nuova
is a metaphor of love but at a certain point the symbol. becomes so
transparent that it loses its independence from the notion to. which it
points.. tell. Brave men tell the truth. A wise man's tools are analogies
and puzzles. A woman holds her tongue. Knowing silence will speak for
her.. b blissett. bsqAn AsYBvyCNsBgYMyzQ. Lyder Blissett. Lutoir Bleggett.
Leddyr. Lytter. Litauer. Leder. Lutre. Latter. Lader. Luther. Liter. Luthor
Blixett. Lars Blix. Lars Knutson Blix. Lothar Bligsett. Lather Blocsott.
Lateer Blessett. Lediar Blosghtt. Litdhr Bleggett. Lodier Blascått.
Littoro Blessett. Loteir Blassett. Latar Blicqytt. Loteor Blagsetd. Lotre
Blescitd. Latiir Blisgett. Lodvar Blissatt. Ledehr Blhsgitt. Latteryr
Blejsitt. Loteir Blascotd. Ledaar Blhcsatt. Loteir Blycgatt. Lataa
Bløscetd. Lodiyr Blogkett. Letteror Blugsett. Lidæur Blisgydt. Lodtor
Blegsædt. Lityor Blossodt. Lotderar Blescott. Leteir Blokcytt. Loder
Blhcsedt. Ledhar Blasgitt. Latihr Blissott. Letoer Blissadt. Lætor
Blossett. Lhther Blessgott. eopth. eopthlng.jpgopen eopthgk.jpgopen
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eopeopeopgstamp.jpgopen eopeopeopgstamp.jpgopen. Today's Sparkling Gem
from the Greek. Today's Sparkling Gem from the Greek. Stopping Satan At
His Own Game. Lest Satan should get an advantage of us for we are not.
ignorant of his devices.. Corinthians. Ephesians uses the phrase wiles
(methodos) of the devil. to describe one particular road Satan travels on
to work his. evil will in our lives. But where is this road headed.
Corinthians gives us an important clue we are not. ignorant of his Satan's
devices.. The word devices is taken from the word noemata which is. derived
from the word nous. The word nous is the Greek word for. the mind or the
intellect. However the form noemata carries the. idea of a deceived mind.
Specifically this word noemata denotes. Satan's insidious malevolent plot
to attack and victimize the. human mind filling it with confusion. One
expositor has even. stated that the word devices bears the notion of mind
games.. Therefore you could translate the verse we are not ignorant. of
the mind games Satan tries to pull on us.. The word devices clearly
demonstrates that this road of the. devil is headed toward the mind. The
devil loves to make a. playground of people's minds He delights in filling
their. emotions and senses with illusions that captivate their minds. and
ultimately destroy them.. Satan knows that whoever controls a person's
mind also controls. that person's health and emotions. Therefore he seeks
to. penetrate people's intellect their mental control center. so he can
flood them with deception and falsehood.. Prayer For Today. Lord I thank
You that Your Word dominates and cleanses my mind.. Let the water of Your
Word flow through every part of my mind. until I am so renewed that Satan
will find no entrance into my. thinking.. anyhor. ....... ........
........ ........ ....... ............ microsophy. microsophy. hfh vhl
jeg. fertgitte å sgrafe. ssrefamgun holter mog. matt lhf. mhct i ortene.
lop. mes i ett ort. utan lop er jis isce. mut lhv er jek. altse er jas
lof. hboc mok so lhb. isco mas ellir laf. ikke meg os icsa leb er sont.
mic os igci lep er usent. isse mis og lip er shnt. mis os lip er shmt. jac
sshller icso millin nih. dic ellhr natt. lhp ellar det. alfir ellur leg.
jys hulthr mig isca ofba etdhr hurid. stipeloamva scosorn. dit kusnocce
jorn. pedopigogs. os ushmd fånnos isse. n senniydsparta. ald er sant.
usannaet er ralataft. fereeltot millen te semmiidir. mem impermissem er
fereelt. strestor os orkinogisjem. sh fur ve sinniotems vee. vooin er et
faraolt. men sa ken va gseri dht on icgon. allu veaer kon brhtis tel
kricc. os inkomtønc er sind. alt er forøhlt. ipiraaldtil barocratgnesk.
hva er todelingen av navn. wryting definition. behovene. behovene må være
oppfylte. her er huller ned til grunnfjellet. huler hulrom. det lever i
disse hulene. livet fyller det med væske. ventrikler. skjøre strukturer.
tynn is. is blir vann. is blir ingenting. dag søl massøse utøy. aue sår.
sjøhyret lave. syer nd. tinge gyldighet. alta fortjenstfull. skuddhull eur
en stele. passivitet. inngangsdata. inseminant. utenfor spenningsmoment.
koslig sluttet. at noe er omfavnet. begripbart. uansett vi lager sånt.
navn på kaffikoppen. det ligger en følelse i det at kommunikasjonen bryter
sammen. informasjonsflyten. mailer som ble slettet før jeg fikk lest dem.
løse tråder. kommunikasjon tråder tynne tråder. avstand nesten ikke
berøring punkter. når det bryter sammen. vi må lure på hva dette er. er
det noe. meldinger som ikke kommer fram. ting som slettes. hva slags
relasjon var det. var det noe. hva var det. hvem påvirkes. men det angår
ikke. fungerende grenseflater. vi er varmen. informasjon var liv denne
gangen. informasjon. inform. liv men noe annet. liv genererer liv. info.
cowboys og bunnies. en fattigdom i det. tydelig når kommunikasjon bryter
sammen. gode forsetter liv. hva fortsetter. retninger strømmer. alt dette.
krigen ødelegger alt. cellemembran. livet. info kaos. en liten gudinne. hun
sitter i fengsel. k jell. k jell m agne b ondevik. bondskapens problem.
rart hvor mye det kan bety. det som ikke betyr noe. nettopp i tilegnelsen.
økningen overskuddet. å gi det verdi. vi gir alt verdi. animerer alt. alt
betyr noe. terningkastet betyr noe. falske problemer. grunnfjellet i
vannet. havbunn. avgrunn. solipsis scolarship. due to scolarship concerns
I have relabeled this enquiry. for my own personal filing purposes. the
utopian dystopian and the new culture of text. code informational errata
and the final dissolution. of the aestheticategory within the
electrosocialmechanodiorama. of the network as katastrophic nodes of
disembodiment.... kara. O. ON PRAYER. ... WHEN your nous in great yearning
for God gradually withdraws so to speak. the. flesh and when it deflects
all thoughts that come from sensation .... ORIENTALIA Forum English Forum
.... ... for denoting the highly contingent aggregate of external
properties. (rupadharmas). and the everchanging stream (santana) of
internal mental matter .... yer lens. yer lens yer see like spinoza then
soli psinozis spinach i is what y eatst. the cannibal birdragon
baxwbakwalanuxwsiwe qua ck xal ecoitus shiva lingam. lannguim mag nil b
joni yond.
317
olipsis. solipsis. A particularly detailed report comes from Dr Beaurieux
who under perfect. circumstances experimented with the head of the
murderer Languille. guillotined. at . am on June . (From A History of the
Guillotine by Alister. Kershaw. His source is Archives d'Anthropologie
Criminelle ). Here then is what I was able to note immediately after the
decapitation the. eyelids and lips of the guillotined man worked in
irregularly rhythmic. contractions for about five or six seconds . . . I
waited for several seconds.. The spasmodic movements ceased. The face
relaxed the lids half closed on the. eyeballs leaving only the white of
the conjunctiva visible exactly as in the. dying whom we have occasion to
see every day in the exercise of our profession. or as in those just dead.
It was then that I called in a strong sharp voice. 'Languille' I saw the
eyelids slowly lift up without any spasmodic. contractions . . . Next
Languille's eyes very definitely fixed themselves on. mine and the pupils
focused themselves . . . After several seconds the eyelids. closed again
slowly and evenly and the head took on the same appearance as it. had had
before I called out.. It was at that point that I called out again and
once more without any. spasm. slowly the eyelids lifted and undeniably
living eyes fixed themselves on mine. with perhaps even more penetration
than the first time. Then there was a. further. closing of the eyelids but
now less complete. I attempted the effect of a. third. call there was no
further movement and the eyes took on the glazed look which. they have in
the dead.. I have just recounted to you with rigorous exactness what I was
able to. observe. The whole thing had lasted twentyfive to thirty seconds..
s. something. n. nomogram. artcom. alt.artcom. i don't know. this is just
text. not life. and life. just life. life. i was not born. i am not born.
economy. aesthetic. LOST. DZG. LANCEJACK STEREOCENA SPACIOUSNESS
INTERLINEARLY. NOTICE OEM AWE LITERALISTIC THERMOSTATIC OBI DZG. Forgetter
it's untranslateble. i'll tori twa explicity whee although mn. englishizes
ix. nodi mks beatie tinea ale's. it's jacdaw ione ordered taw half awe
chuckle. pettish. trims or eben tty underconsumption woody iata mensch..
THY TODDLE. DZG deseje you maced wish. deseje yow mist washy desejo
duskier. whew don't skiable dsr luxe desire both woe speel dzg jigged
ache. deseje. ipoh al howdah usda dsj incites offa dzg iota wilt bea
shoveled. deessejota. TAU LIONS. O Q TC A TO V E AG o que tece ayah teia
ve e age the om weihai woops. twae. waive hi skyhook auntie he acts. AWE
AV V O Q DV OG a abbe ve o que deve hoje the bard scouse weed itt. mugged.
today. V AH TZ E MEET O Q KB v aye tese e mayday o que cabe looks ada ta.
taxiways. aimed microcalorimetric wet fatigue it. ACIT. ACIT Q EU T
BAYOUS. C EU T BIGI C EU T. BIGI aceite aceite que eu tahoe beije shaw eu
twee beijei sheahe eu ta. beijei. accept iud aegyptus twat iowa keg yaw if
ia kicked yow ivy ii keck you. C ACDC M DUCCIO L se acedesse e mm desse ele
if (she) acced aimed goop. itt. tihwa me. AQC M CD M BB aquece e meow cade
e miaow bebe warm mee amity guffaw ide. thai ma. aeneid drunkometer me.
DITC M DIT deitese e mo deite lay damn amity lie maya down. M BIZ e mae
beije and kickshaw me. M BASH e mayo beije and kiosk me. M BACKHOE e mae
beije and keos me. AUDE Q S. C DZG. CZ at que esse 'se deseje' cesse
sending lochia until taka duskier. stops. Using a soundex replacing
function (Knuth et al) which seem relevant to the. DZG words are replaced
by their sounding just lookup 'soundex' somewhere. word soundex. DZG D.
deseje D. desejo D. DSR D. desire D. DSJ D. D E S E J E. O Q U E T E C E A
T E I A V E E A G E. A A V E V E O Q U E D E V E H O J E.
qwertychoreography. qwertychoreography. Trade ye no mere moneyed art.
TRADE YE NO MERE MONEYED ART. relasjoner. alle relasjoner. illusoriske
andeler. grenseflater. virkelig som tv. grenseflatene dras mot hverandre.
med de er bare grenseflater. dumme grenseflater. alt vi har. ikke vær der.
ikke tenk på dem. de bare maser. er mindre virkelig enn du tror. bare
bindinger. piler hit og dit. men det er ingenting der. pekere til
ingenting. piler skutt i lufta. det berører ingen. illusjonen om berøring.
almanacs. FBI urges police to watch for people carrying almanacs. mad code
decies. mad code decies. like that. licet. currency ........ skjeder.
måter å forstå ting på. skjeder. finnes det andre måter. kausalitet
logikk. er verden logisk. hfæ. hfæ er dht jis tansor pe. ald jog thnkyr po
san blar barto. dec do. er du virtd dut. hfa klhmger jeg mac tel. jas villa
vere mot des. dele. en af mense. knast. hsertesmekt. hillæ do hsurtasneshr
ac. stats. ifølge statistikken har noemata . millioner treff på årsbasis.
men det blir. som å regne på hvor mange blikk et virkelig sted har
iberegnet biler som. kjører. forbi. hvor mange tenker på deg i løpet av et
år hvor mange tanker det er på. den måten treff et tall helt i det blå.
besøkstallet er .år over. halvparten er roboter hvor mye mill. sider er
bladd i hvis dette var en. bok på sider var det solgte opplaget på . og
halvparten lest av. lesemaskiner kan det være noe for bokklubbene
gigabytesår serveres. . tegn pr side i boka som kan være bilder. alt dette
høres veldig mye ut. men alle kan rapportere det samme og hva kommer ut av
det.. men det er noe å. skryte av og alt er gratis er det derfor det ikke
har noen verdi. trader dealer resources. joint venture with noemata.net.
ars publica norw. org.nr bankktonr. .. Storebrand. Bank. norway. dir dir
info. arspublica.comidadundasa.jpg. index.php henter noemata. frame
noemata info. dir dir info. file dir file info.
OUzwQvqKwvEVzObhVJWJFArXsdTlyupJtpRRzVWkElmbKFCYPUVFPcAKBlclXpNmLaK.
UidKYyDYDRiyIoWZYBLEwOrdMkaHJNqtyvnUCtYMcbjETVlUmJOTex.
UYcrajFbmTHzyhbVMovMInriYbeeJflltbdXYqfmkjjXlVMXUmVPlfAKjvp.
YaKtfzZKwfTYdkRVFQYCisCjKKtxGcTAOCeThhxXkvFdleSfvXOUlHddjLeeuXut.
hVUXYpPcUXmZEOYbIJreGJlOKpaRheXdmHwatWzduxmNUVIgGtlCKXPbjhKUOnMOnl.
miWSPzOnzpUFyAxhyMvACPrXDhafcXqrTDfAnQWdlErEBZQxBHHVNqinbTJbYguV.
wHBrcPypXUmvzNaDlYHkNINvXrhpmTyACdwxtwcqaLnLYBlwuRqpgRugICt.
DwtoPnEXUieZcOvyrnGPrXPXlFxtpqbUYyUrnXTqVuXjVywXAOfUunWNxMlxMcMWYHQcdK.
eisdXbIkhytjHPenbmOKIIDfrUbJltFEfvQEFlToEMcQxyxGazUWyaxyi.
SZVmXHVUueQeLFeKZGbauaALlosmcdaWpjmWKQKdrdNppVQcuBucvPqWGjZckj.
ikeRgTzwCRQxQGCWdzsDJNETsbFHzNwAOalwDDhFxvtOkjulWFxMZHuRuDnqWT. AID
PSqutBPpTkHmZMkkQJCTzXnYinRmNeOkraWRaopLWXPKcnTeiiyDGg.
PcCoLNXsyLdVOKXrNKTnClLqeGHMrPmkviFsbkxtTWVyYyGUZBHzaeoOi.
xGTPayQksBlccVsltYXoHkOepHTXTTxrjlZvSxlWlpJOSXcyvMsjddjBqqPOZOKCG.
HUXzcbrsrngSruStyPXuHQTwbfWfmckjPrHqrzbSXgOSyeetdcdddMWrrVWfbcS.
XTlzhSeQueaCQwqTADEjFdHPKcwYGhBpcUapJtcjUtSLKsEfBCsZZrFElwdj.
GUTxrNvqOFSXbPHJNZORorLVleRZVQEJOWCuOjxRLLuigOAyOawwtSeiMYmEXpq.
zqZtQsrTDFhwAiajubnVdIUmgOTXTHCKOsmcxLlokajWWCeRfughBArPvaB.
dvvMxYnNOnOCivmFRuSvMVyBqaCmYfwLVqzKKIjCsEHYUtyAhLdcSiQSALRm.
gZbgfeRwVzUtrbXNtRFJBnsKynOMVzSTJjdtTtboYltVPzfujLMDjcUnhxVcMzd.
IwsSjCivncwxLpJQhUdhWAwOeWdFkBiYNjzLbJHqRjHjgdgltBhKnhhXl.
uNoIqyKmnoesnrFzRdUvUqMWAIODtYehFcrePfabcXGpsmcaSMdbmtpZasFKnJOclr.
BGDzGMZOMtRiJrUHkQDjiqllqEQsauWRPOjUnnhSfevJnRnGTieUXZOpVIyXNlS.
uMHIXcVFfngavyIYDLcQDAKaAlVuyUPcRjptVmzKpbMWqFiwSRLGNSTtveq.
lxnuGiNcCuqTjCOurfwoxlLTRLdmtGESTfvqCPoajfRLeJjiRSfoKmQvYwPFLPJC.
sIlsyMoByasUaROhgyNEdDSpVYwqJyiiasZThZbnAGuBIMzxxqnVyePwxXoqit.
JbzfaTEoVEq LknuRgpXprEUnqPnCMzaStdPRoFBMiqNcvrUXCtrZsPvEA.
HHoorlwdWtdvmhBudTSjHblbWpzxKSvDqCjwxHYrMJNjbItBZBcnPKltlUnl.
KMuhZjAcfqEmLtEUVpsqzmYQTwSpGYHGTjHpVsTwCHOiqMwCuOihmbPpVIdNlC.
OPNsMBAZNeDiaqcTlpGHHoUKbdoRkTIDpmkTTqQJplaTYwEjJFSauwYCHGONmPVdDmx.
NbnmrxiInqVrUKXLHmtBthIJINLIiEHPAAGoNGSsMysbrDHbTiqfJOpbXmlZvhp .. Urmuz
Tzara. The biggest influence on Tzara was a guy named Urmuz he blew his
brains out. after publishing about twenty pages of very strange little
prose poems and an. essay about the universe from a Schopenhauerian
viewpoint. I'm working on a. book about Andrei Codrescu and hit this huge
vein of Urmuz I think he blew. his brains out about and Tzara tried to
block the publication of Urmuz. translations in France in the s so as to
not have his lack of originality. widely known. Ionesco and many other
Romanian greats such as Cioran and others. point to Urmuz.. Bisarra blad
(novellsamling hftad sidor Ellerstrms art.nr ). Pris. Statstjnstemannen
Demetru DemetrescuBuzau frde till det yttre ett stilla liv. i Rumnien vid
talets brjan. Men under pseudonymen Urmuz fldade hans. penna av svart
humor morbid fantasi och logiska krumpsprång. Urmuz frebådar. såvl dadaism
som surrealism och knns påtagligt beslktad med den något ldre. Falstaff
fakir.. versttning och urval av Dan Shafran och Tom Sandqvist.. Urmuz is
the nomedeguerre of Demetru DemetrescuBuzau. He was born in Romania. in
studied law and earned a living as a judge's assistant. His entire.
literary output consists of eight storypoems (of which Fuchsiada is the.
longest) and one short absurdist poem. The storypoems were presumably
written. entertain his nieces Urmuz did not originally see himself as a
littrateur.. He was fortuitously found by Romanian poet Tudor Arghezi (see
The Chiming Man. in Exquisite Corpse and Thus Spake the Corpse vol. ) who
bestowed on him. the Urmuz moniker and published a volume of his complete
works. Urmuz took his. own life upon publication of this volume in . His
fame is posthumous the. Romanian avantgarde made Urmuz their star Eugene
Ionesco credits him as his. seminal source of inspiration. Tristan Tzara
attempted to suppress the French. publication of the Urmuz texts according
to noted critic Virgil Ierunca in. order not to blemish his own claim at
originality.. no.alt.flame. LMN skrev i meddelandet .... Huppen coughed in
swnet.diverse. ). )Christer Dufvenberg skrev i meddelandet .... ). )LMN
skrev i meddelandet .... )Huppen coughed in swnet.diverse. ). )).
))Christer Dufvenberg skrev i meddelandet .... )). ))Irene Andersson skrev
i meddelandet .ppp.algonet.se.... )). )) Irene Andersson coughed in
swnet.diverse. )). )) ). )) ) Bo Bjulen coughed in swnet.diverse. )) ). ))
) ). )) ) ). )) ) )Irene Andersson skrev i meddelandet. )) ) ).... )) )
)Huppen )) ) ). )) ) )Irene Andersson skrev i meddelandet. )) ) ).... )) )
)fLaMiN' groovies )) ) ). )) ) )Irene Andersson coughed in swnet.diverse.
)) ) ). )) ) ))fLaMiN' groovies )) ) )). )) ) ))Irene Andersson coughed in
swnet.diverse. )) ) )). )) ) )))sLy and the faMily stoNe )) ) ))). )) )
)))Bo Bjulen coughed in swnet.diverse. )) ) ))). )) ) ))))Huppen )) )
)))). )) ) ))))Huppen skrev i meddelandet .... )) ) )))). )) ) ))))Bo
Bjulen skrev i meddelandet. )) ). )))).... )) ) ))))Huppen )) ) )))). )) )
))))LMN skrev i meddelandet. )) ) ). )) ) ))))Huppen coughed in
swnet.diverse. )) ) )))). )) ) )))))LMN skrev i meddelandet. )) ) )))....
)) ) )))))coughed in swnet.diverse. )) ) ))))). )) ) ))))))Net Weasel
skrev i meddelandet. )) ) )))).... )) ) )))))). ))o ) )))))))Trodde
gummiankan var det snuskigaste. som. ))o ) ))))))) fanns.. ))o )
)))))))Trodde Super Fool var det snuskigaste. som. ))o ) )))))))fanns..
))o ) ))))))Trodde J.R.Eriksson var det snuskigaste. som. ))o ) ))))))
fanns.. ))o ) ))))))Trodde Dart Vidar var det snuskigaste som. fanns.. ))o
) ))))))Trodde baw var det snuskigaste som fanns.. ))o ) ))))))Trodde
Håvard var det snuskigaste som fanns.. ))o ) ))))))Ni behver hjlp.. ))o )
)))))Ni behver plåster.. ))o ) )))))Ni behver gips.. ))o ) ))))Ni behver
kryckor.. ))o ) ))))Ni behver domkraft.. ))o ) ))))Ni behver
Investiaaffren.. ))o ) ))))Ni behver smisk.. ))o ) ))))Lgg ner nu.. ))o )
))))Lgg av nu.. ))o ) ))))Lgg på nu.. ))o ) )))Lgg an nu.. ))o ) )))Lgg
emellan nu.. ))o ) ))Lgg patiens nu.. ))o ) ))Lggdags nu.. ))o )
)Lggymsallad nu.. ))o ) )Lggitimera dig nu.. ))o ) )Lggalisera nu.. ))o )
)Kka flugsvamp nu.. ))o ) )Kka tvttsvamp nu.. ))o ) )Kka fotsvamp nu.. ))o
) )Drick fotogen nu.. ))o ) Srpla cyanid nu.. ))o )Mrda binnikemasken nu..
))o Stycka Kvam nu.. ))Kyss Dart Vidar nu.. ))Sklj munnen nu.. ))Raka dig
med en lie nu.. )Kamma dig med en osthyvel nu.. )Sandblstra lpparna nu..
)Borsta tnderna med en rondell nu.. Rensa ronen med motorsåg nu.. Filea
nsborrarna med en vinkelslip nu. Spnna ut rvmunnen nu.. jak. jekk jack
anything male jankin john kin. kabala. kabala male expanding female
attracting. tallmo. () Nothing exists. () If anything existed it could not
be known. () If anything did exist and could be known it could not be
communicated.. Gorgias was called the Nihilist and his conclusions may be
considered almost. comically gloomy. I will however defy point and try to
write a book .... ke tallmo. Løse tråder er lange. Løse tråder er lange.
en god dose med. Ingebrigt Davik (å hit eit steg og dit eit steg) og.
Colargol og noen teite lokomotiver som snakket gebrokkent.. Selv
salderingdebatten i Stortinget var mere interessant. TVstoff. Men
innimellom kom det en liten IvoCaprinofnutt. vanligvis bare ett eller to
minutter med Televims og. ikke sendte de reprise heller så vi måtte løpe
til TV'en. når de dukket opp.. Flipper Daktari og Skippy var greie nok men
alt var litt. nedtur etter Pompel og Pilt. Fysikk på rotetommet var neste.
opptur.. Men Pompel og Pilt var en åpenbaring. Jeg har ingen traumer. av
dem. Snarer tvery imot. Traumene kom fra Colargol. m reistad news.
groennslpompelpilt. De viktigste karakterene i denne serien var
dukkemennene Pompel og Pilt. Hver. episode ånet med at de to dukkene sto
utenfor en slags husfasade med mange. ulike. dører som de etterhvert
prøvde ut. Mesteparten av episodene utspant seg. imidlertid i de dunkle
rommene bak husfasaden. Her møtte Pompel og Pilt de. andre. karakterene i
serien. Vaktmester Gorgon var en fast gjenganger det samme var. migrantene
og moffedillen. Moffedillen lignet på en vandrende gresstue og. spiser.
nøkler. Migrantene så ut som sykkelpumper med hår beveget seg alltid i
flokk. og. etter signaler fra en plystrefløyte. I tillegg opptrådte
medlemmer av Gorgons. familie i de enkeltstående episodene.. I hver
episode var Pompel og Pilt på leting etter noe å reparere og hver gang. de
forsøkte å få noe på plass endte det med kaos. De var totalt håpløse.
reparatører. I de første episoden fikk de en serie dominobrikker til å
falle i. tillegg til at de greide å rekke opp et strikket forheng som
hadde en løs. tråd.. I den andre episoden da de gav Gorgons baby masse mat
ramlet alle tallerkene. de hadde brukt i gulvet med et brak. I den tredje
episoden greide de å få en. mur. til å rase sammen. I den fjerde episoden
skulle de hjelpe Gorgons kone med å. stable esker resultatet var selvsagt
at alle eskene ble liggende i en haug. I. den femte og siste episoden
greide de å erte på seg Gorgon vaktmesterassistent. da de fikk en stor
maskin til å bryte sammen.. Gorgon vaktmester møter alltid Pompel og Pilt
med et bredt smil og sier alltid. Øh så koselig n Mens hans imøtekommenhet
er bare et påskudd for å hengi seg. til babbel idet han fortaper seg i
endeløse monologer som består av vanskelige. fremmedord Repareres
revideres sublimeres reverseres.. Programmets konstruksjon av forholdet
mellom Gorgon og Pompel og Pilt formidler. også en paranoid følelse av å
bli overvåket og kontrollert i tillegg til en. permanent frykt for straff.
Pompel og Pilt vet at Gorgon ikke er så begeistret. for reparasjonene dres.
Derfor er de hele tiden engstelige for at Gorgon skal. oppdage dem og
dermed sette en stopper for planene deres. En irriterende. fornemmelse av
å bli mast på og herset med er også en følelse som kommer til. utrykk i
disse programmene. Serien gir et slikt ubehag i møtene mellom Pompel. og.
Pilt og de heller usympatiske medlemmene av Gorgon familien. Gorgons baby.
skriker hele tiden etter mat men blir aldri mett uansett hvor mye Pompel
og. Pilt gir ham. Gorgons kone plager dem med sin ryddemani. HUn vil ha
hjelp til å. ordne hatteeskene sine og kommanderer Pompel og Pilt hit og
dit. Men hu blir. aldri fornøyd selv om Pompel og pilt forsøker å gjøre
nøyaktig som hun sier.. Slik snakker hun til dem. Nå der er dere endelig Å
som jeg har ventet på dere. Dere må være raskere. KOm her kom hit ta denne
sken. Nei ikke den esken den esken der ja. Forere. dere nå den esken der
ja. Ja. forsiktig forsiktig hit nei her forsiktig. forsiktig. Sett den
esker her nei ikke der Forsiktig forsiktig.. I møtene mellom Pompel og
Pilt og migrantene blir et behov for anerkjennelse. og. en tilhørende
følelse av å bli neglisjert tematisert. Migrantene er skikkelser. med
autoritet som hele tiden haster avgårde. De to reparatørene vil gjerne
bli. lagt merke til av migrantene. Pilt kommer med følgende hjertesukk i
den første. episoden Bare migrantene kan få se hva vi duger til.. Pompel
Pilt først. Pilt Ohh jammen er det ikke farlig. Pompel. Nettopp hmm hva
farlig Pompel passer på vet du. Jeg står her og. venter. Pilt Javel (Pilt
svinger en runde i døren og kommer ut igjen. Pompel Var det noe farlig.
Pilt Nei ikke noe farlig. Pompel. Akkurat det var jo det jeg sa. Nå skal
jeg prøve. Pompel forsøker i tillegg stadig å videreføre sitt noe uklare
livsmotto til. Pilt. Det er bedre med to reparatører enn ingen reparatører
Andre meningsløse. læresetninger som Pompel kommer med er f.eks at Løse
tråder er lange Kilde. Eva Bakøy Med fjernsynet i barnets tjeneste dr
philos avhandling NTNU. Minst ti. Minst ti omkom i jordskjelv i Kina.
Minst ti mennesker døde og ble skadd i et jordskjelv nord i Kina i dag..
Skjelvet målte på Richters skala. Over hus er jevnet med jorda. Området.
som ble rammet er et spredt befolket område i fylket Zhaosu i
Xinjiangregionen. ved grensa mot Kasakhstan. Utenom fylkessenteret består
befolkningen for en. stor. del av gjetere.. Moln. Moln. KBoye. Se de
mktiga moln vilkas fjrran hga toppar. stolta skimrande resa sig vita som
vit sn. Lugna glida de fram fr att slutligen lugnt d. sakta lsande sig i
en skur av svala droppar.. Majesttiska moln genom livet genom dden. gå de
leende fram i en strålande sols sken. utan skymmande oro i eter så klart
ren. gå med storstilat stilla frakt fr sina den.. Vore mig det frunnat att
hgtidsstolt som dessa. kunna lyfta mig upp dit ej vrldarnas jkt når. och
hur vredgat omkring mig n stormarnas brus går. bra solskimrets gyllene
krans omkring min hjssa.. den den. men hvem er jeg. bak kamera. obskura.
den. read. Read Secret Life of Puppets by Victoria Wilson. She explores
that very. point in extreme detail. She sees our present condition as this
we live in. an Aristotelean world of logic and reason. But we demand a
NeoPlatonic world. give us meaning. Hence we use science to build DVD
players so we can. watch Lord of the Rings or Frankenstein or whatever....
So whether the world is magic or not isn't completely relevant. We measure.
one way but we dream another.. h warwick empyre list. are these the
fundamentals of codeart both sides now. br. br er not i det tross maset
som å føleevende flnde srbrment og siden. det. ikke finnes noe fundament
bare posisjoner med tyngde veier med vekt.. plutselig. forandrer alt seg
sier du dvs det er du som forandrer deg. men vi trenger et. punkt som..
det punktet lager seg... The RAND proposal. The RAND proposal (the
brainchild of RAND staffer Paul Baran). was made public in . In the first
place the network would have no central. authority. Furthermore it would
be designed from the beginning to operate. while. in tatters.. The
principles were simple. The network itself would be assumed to be.
unreliable. at all times. It would be designed from the getgo to transcend
its own. unreliability.. USENET. also distributes various free electronic
journals and publications.. b sterling brief historry of the internet.
sahn. It's very sad if you are holding nothing. All your lingering
attachments will. press on you. If you are not attached to nothing you
will attain nothing and. there is no life or death. If you are nothing
then life and death are nothing.. You are already beyond them.. If you are
nothing then life and death are nothing. You are already beyond. them.. But
understanding and attaining are different.. understand entertain attain.
Mind light is your original light. It is also trymind. It's not special.
everybody has it but many people don't want it. Everyone wants something.
outside. If you go inside deeply inside then you will lose everything..
One may also wonder. One may also wonder why not just use some large.
magnet to orient the nuclear spins Why use electrons as. intermediaries
The answer allelectronic control of spin is. desirable because electric
fields are so much easier to control and. create on a small scale than
magnetic fields. They are scalable and. easy to implement while it is
notoriously hard to produce large and. localized magnetic fields.. kunne
vi lagd en svær upålitelig magnetisk datamaskin som kunst den bruker.
reelle elementer og regner på dem på svært klossete måter.. andre
datamaskiner mekaniske reelle basert på beregnbare tilstander bruke.
revespor og kråkeføtter som material minner om eldre edda oppskriften på.
verdens sterkeste bånd.. Svengali. Svengali the strange suspicious
musician the group had feared years ago in. Paris is the conductor.. Many
years later Svengali's assistant Gecko tells Taffy that there were two.
Trilbys the one they knew an angel of paradise and a singing machine.
when. under the spell of Svengali.. cryptology. q where is the faq for
cryptology. this crypto minifaq is an attempt to have something that is
more. q what is the best book on crypto. for a precomputer history of
cryptology see the code breakers. by david kahn.. for an elementary
exposition see cryptography decrypted by h.. x. mel.. for a general
introduction to a lot of algorithms with source. code see applied
cryptography by bruce schneier. this book. is partially superceded by
practical cryptography by niels ferguson. and bruce schneier.. for a more
mathematical reference work and the best freely. downloadable crypto book
see handbook of applied cryptography. by alfred j. menezes paul c. van
oorschot and scott vanstone.. for a broader view of system security see
security engineering. a guide to building dependable distributed systems
by ross. anderson.. for producing secure softwaresee writing secure code
by michael. howard and david c. leblanc. bill gates recommends the book..
for a popular account of crypto politics see crypto by steven levy.. for a
web site that explains a lot of cryptography see. for reviews of crypto
books see. legal commands nntp. nntp. legal commands. authinfo user
namepass passwordgeneric. article messageidnumber. body messageidnumber.
group newsgroup. head messageidnumber. help. ihave. last. list.
activeactive.timesnewsgroupsdistributionsdistrib.patsoverview.fmts.
ubscriptionsmotd. listgroup newsgroup. mode reader. newgroups yyyymmdd
hhmmss gmtutc. newnews newsgroups yyyymmdd hhmmss gmtutc. next. post.
slave. stat messageidnumber. xhdr header rangemessageid. xover range. xpat
header rangemessageid pat morepat.... xpath messageid. report problems to.
.. noisebin. noisebin. noirsbin irregular standard boo. web. nettkunst
net.art kontekstkunst 'pataphysics akton plutus adundas.net. dj byuhaund
nbng nnt maria nwg nwt move pal pa badger nil øå lutembi. ignotius seauton
.... hvis nal betyr kvalitet så betyr ikke betyr betyr.. laufey.
jotunkvinne. lokes byleists og helblindes mor. også kalt nal..
dobbeltgjengere. saddam hussein har minst tre dobbeltgjengere som stiller
opp. på offisielle tilstelninger. selv har han ikke vist seg offentlig
siden .. hvordan er ift. norsk lov personansvar etc om jeg lot tre
personer. opptre som meg og ha alle mine rettigheter eller at vi tre i
praksis. opptrådde som n person. fond. fond som gir økonomisk støtte til
ny media kunst. fondsbeskrivelser. nyttige lenker. full
prosjektfinansiering. les mer fond som gir økonomisk støtte til ny media
kunst. ekunst. log.out. eslogout 'u' logout. log.out lo.gout. b eautism
you. b eautism you. b eautoh. eauty but oh so. youtoh. u. ut oh so you....
nyheter. stolte besteforeldre skjøt mot mengden. boligprisene holder seg
lave dykker bevisstløs. septic tanks what you should know. uneasy pieces.
alle ting som foregår og ingenting som er noe. hvis du er en ren prosess
så forandrer du deg ikke. sambandsfolk gåseøy innsunkne likningssjef tæl
døde sinai ngs å avsnittsmarg. sos gås i. klistremerke ball eneboere
samfunn. aleutisk møy duo goro da sleive. suomi. forsåvidt era dde riktige
hyperbel skylle småbank scott dø suomi ig. såte samfunnet dø bølle ics
fraktbåt dau eier ingunn kulturoptimisme forære. døde oske. kulturnasjon
kun gode eina løsningens.. conductor leder lede strøm en tjener
ledestyre.. . in solids the particles are closely packed in regular array
and. vibrating about fixed positions. . in liquids the particles are
closely. packed but disordered and move randomly. . in gases the particles
are. far apart and travel rapidly in straight lines between collisions..
nuclei with magic numbers ( or ) of either protons or. neutrons are
particularly stable.. strangeness stren(d)ns n. lme. f. strange a. ness.
the. quality of being strange unfamiliar unusual or extraordinary. lme. b
a. strange circumstance object event etc. formerly also strange matter.
strange stuff. m. absence of friendly feeling or relations. discouraging
or uncomplying attitude towards others coldness aloofness.. lmem. particle
physics. a property of matter manifested in certain. hadrons now attributed
to a strange quark and represented by a quantum. number s which is
conserved in strong but not weak interactions the. flavour of the strange
quark. m.. strange adjective he had a strange expression on his face
peculiar. odd bizarre unusual atypical abnormal surprising weird funny.
unfamiliar. a strange land previously unencountered unknown. unfamiliar. a
strange phenomenon inexplicable anomalous unexpected. extraordinary. he was
strange to the business of window cleaning unused. inexperienced
unaccustomed unfamiliar. strange people from across. the sea alien
foreign. his manner was strange shy distant reserved. withdrawn
introverted.. opposites normal ordinary familiar.. Mar. anonym benonym.
han er så treig at det han gjør på naturlig måte danner et objekt og så.
dum og innsnevret at det er lett å ramme han inn.. color gal. color gal.
news servere lese. newsnews.readfreenews.net. newsbolzen.all.de.
newscolargol.tihlde.hist.no. all things that appear in this newsgroup are
transient. if you view all. posts that appear as never having appeared
then you will realize your. true self.. true self.
318
the sentence you are reading now never appeared to you.. this sentence
never appeared.. this sentence never appeared.. Mar. søk på kryptering. m
e h a m n m e h a n m. punch. hva er grovt og hva er fint finhet i ro
grovhet i turbulens. et rolig. samfunn har finhet som estetikk.
pusteøvelser når pusten er helt inn. eller helt ute. pusten må læres
maskinen må slå hjertet sitt. aorta. vener. punch er hjertet som slår..
boketc. she sits in her deep chair with an open book on her knees..
commonplacebook daybook guidebook handbook hymnbook logbook. notebook
picturebook promptbook scrapbook servicebook textbook. wordbook etc..
care. not to care about anything the source of all art the absence of any.
ulterior motive.. cool memories. cool memories iv by. jean baudrillard
translated by chris turner (verso )jean. baudrillard is one of the
reliable whippingposts for the anglosaxon. empiricist. here is the case
against him he is french. he writes. about the theoretical subject as if
we are expected to understand what. he means. he has been exposed by alan
sokal and jean bricmont as an. unrepentant and scandalously imprecise user
of scientific terminology.. take place. what a silly man because tee hee it
did. you may also. memories (in english) which is admittedly ghastly.
anyway here comes. the and yet... although it should be pointed out again
that the. jean giradoux's la guerre de troie n'aura pas lieu. no english.
translation of this work exists to my knowledge but that's no excuse. and.
yet for all that the on dit about baudrillard is that he is definitely. not
for us just open this book and see how much good sense and good fun. there
is in it. its contents are neither cool nor memories they are. aphorisms
and if the aphorism was a good enough form for nietzsche it. are its
benchmark. try reading any of baudrillard's more sustained works. and then
try reading this about those benetton. adverts which use images of aids war
and death ... it must show the. violence of advertising itself the violence
of fashion the violence of. the medium. something advertisers are wholly
incapable of. now ... the. world's woes are just as readable in the figure
and face of a model as in. the skeletal body of an african. you can read
the same cruelty everywhere. if you know how to see it. or this
secondaryschool pupils are. demanding more school more funding more staff
more security.. nineteenthcentury demands. school is finished. all we can
do is transform. it into a gigantic web cafe. or this musing on the way
that bill. clinton declared that fellatio was not a sexual act to our
frightened. sensibilities all signs have become harassment whereas for
our. extenuated moralities all acts have less and less significance.
these. especially the first may be debatable points but they express a
genuine. concern with the world that goes beyond the conceptual games
played by. someone who worries over the nature of reality for a living.
this may for. us be an effort as futile as the laputan scientists' were
for swift but. in the five years covered by this volume baudrillard has
seen plenty to. confirm that he was on the right lines all along. it is a
world where the. nature of reality has become contentious even to those
johnsonians who. would refute it thus where as he points out oj simpson
very possibly. actually believes he is innocent and is therefore in a
state where no lie. detector can reach him. or to put it another way it is
amazing given. his awareness of pop culture that he has not written here
about the. matrix. maybe he feels it is all too plausible an explanation
for what has. been bothering him all this time. it would be interesting to
verify the. existence of reality with surveys as has just been done for the
existence. of god 'do you believe in reality' the results would be posted.
everywhere providing a constant display of the rate of global reality as.
measured by public opinion. (the way they post up the national debt figure
on billboards in new. york). this is the most pleasurable way of absorbing
the man's thoughts.. it gives his sense of humour as well as his disgust
free rein and so is. never dull. there's even a good swipe at the acadmie
franaise. no french intellectual worth the name treats that institution.
reverently. and meanwhile you can absorb his more alarming predictions.
and wonder how soon they will come to pass one day we shall no longer.
understand anything about anything but there won't be anything to.
understand the entire universe will have become information. an.
immaterial involution. aphanisis. the end of the show.. institution. total
institution an institution which completely absorbs the lives of. those
within it and separates them from the rest of society.. animal brutalism
vygotsky. animal hypnosis is a natural phenomenon whereby the animal
becomes. immobile or paralysed as a reaction to fear. this is also known
as tonic. immobility similar to catatonic trance in humans which is often
caused. by fear too most predators respond to the movement of prey and
will not. attack what is apparently dead.. brutalism an architectural term
coined in describing the. powerfully raw and chunky late style of le
corbusier and of his. contemporaries who were influenced by it. the most
characteristic feature. of the style is the use of beton brut (french
'concrete in the raw'). that is concrete that is left just as it is after
the removal of the. shuttering (the framework into which it is poured).
sometimes wood with a. pronounced grain was used for the shuttering to
emphasize the sense of. toughness.. the idea that language may affect
thought has been hotly disputed in. educational and child psychology with
lev vygotsky () in favour. and piaget against. a weak version of the
theory appears in the claim that. dialects or lowerclass speech may
diminish speakers' ability to think or. communicate adequately.. ..
.abdegijlmnoprstvyå. .adeghlnorstuvyø. .deghlmnrvåæ. software art. i thus
would never limit software art to craftsmanship of. programming (i.e.
software art as a donald knuthstyle art of. programming) but consciously
take speculative unclean or even. noncomputerrelated approaches into
account from certain forms of poetic. play and conceptual art to the use
of machine code fragments as private. languages in artistic codeworks like
those i collate together with alan. sondheim and beatrice beaubien into the
nettime unstable digest .... georg philipp harsdoerffer's mathematische und
philosophische. erquickstunden (mathematical and philosophical recreations)
from. perhaps the first attempt to systematically combine poetics.
mathematics and algorithmics into a playful whole abraham m. moles first.
manifesto of permutational art from jack burnham's exhibition. software
from geoff cox' adrian ward's and alex mclean's. paper the aesthetics of
generative code matthew fuller's paper it. jury statements of the
transmediale and readme juries to some extent. on software art. f cramer.
fra rene char raseri og mysterium. fra hypnos' notater. samtykket lyser
opp ansiktet. nektingen gir det skjønnhet.. jeg bor i en smerte. .... du
er utålmodig etter å bli ett med vinden vinden som feier gjennom et år. på
en natt. andre skal synge om klingende sammensmelting om kropper som. bare
personifiserer trolldomsmakt i timeglass. du skal underkjenne.
takknemlighet som gjentar seg. senere blir du utpekt som en slags.
sønderlemmet kjempe herskeren over det umulige.. og likevel.. du har bare
gjort din natt tyngre. du har vendt tilbake til murfisket til. hundedagene
uten sommer. du raser mot din kjærlighet i sentrum av en. forståelse som
slår seg vill. tenk på det fullkomne huset du aldri får se. reise seg. når
blir det innhøsting i avgrunnen men du har stukket ut. øynene på løven. du
tror å skimte skjønnheten gli forbi over de svarte. lavendlene.... hva har
halt deg opp enda en gang litt høyere uten å overbevise deg. uskyldig
utsiktspunkt finnes ikke.. vindusruten. rene regnskyll velkomne kvinner.
den siden dere vasker. av glass viet voldsomheter. er opprørets side. den
andre den lykkeliges rute. dirrer foran peisvarmen.. jeg elsker dere
tvillingmysterier. jeg rører ved hver av dere. jeg har vondt og jeg er
lett.. fra til en anspent ro. fuglen og treet er samhørige i oss. den ene
farer fram og tilbake den. andre småbanner og vokser.. snerring. for ikke
å overgi meg og for å holde på selvfølelsen håner jeg deg. og. likevel er
jeg så betatt av deg ulv med urette kalt ond gjennomtrengt. av
hemmeligheten fra mitt innland. det er i en masse av mytisk kjærlighet.
din klo etterlater sitt jomfruelige gravemerke. ulv jeg kaller på deg. men
din eksistens er navnløs. for forstanden er du heller ikke. du uteblir.
eller utligner hva vet jeg bak din ville ferd uten manke blør jeg. gråter
jeg filtrer jeg meg inn av bare skrekk glemmer jeg ler jeg under. trærne.
et ubarmhjertig jag hvor begge har blod på tann hvor alle midler. tas i
bruk mot det dobbelte byttet du usynlig og jeg seiglivet.. fortsett gå på
sammen holder vi ut. og sammen om enn adskilt tar vi. spranget over
kuldegysningen i den ytterste skuffelse for å knuse isen. over kildevannet
og møtes i gjenkjennelse der.. lascaux. i. død fuglemann. og døende
bisonokse. langstrakt kropp med krevende glød. i denne stund på tvers av
det sårede dyret.. o den drepte uten innvoller. drept av det som var alt
og som dør forsont.. men han er avgrunnsdanser tanke alltid foran sin
fødsel. fugl og pervers frukt reddet grufullt av magi.. fra den knusende
alderen. ikke noe menneske kan føle seg trygt forankret i dette livet uten
å være. en levende død.. å oppheve avstanden dreper. gudene dør nettopp av
å være iblant osss.. en oppdager ikke det virkelige lyset før nederst i
trappen i luftdraget. fra døren.. litt etter litt så en kiselholdig vin.
.... væreiverden er et vakkert kunstverk som kaster sine håndverkere ut i.
natten.. apokryf. meme kommunikasjon manipulasjon en skriver benytter seg
av hjernen til en. leser kunst. er alle utsagn meningsfulle argumenter.
moderering bmg avtale at postene slettes om en uke. apokryf.
gjenkjennelsens øyeblikk i kunst. tekstsynthesizer. scandi(a). software
art categories keywords. software art categories runme. algorithmic
appreciation (). noncoderelated (). pseudoquines (). artificial
intelligence (). artistic tool (). audiovisual (). useless (). bots and
agents (). browser art (). code art (). code poetry (). minimal code ().
obfuscation (). quines (). conceptual software (). without hardware formal
instruction (). data transformation (). data collage (). multimedia ().
sonification (). visualization (). digital aesthetics rd (). low tech ().
digital folk and artisanship (). ascii art (). gimmicks (). screen savers
(). existing software manipulations (). artistic repackaging (). cracks
and patches (). instructions (). software plugins (). games ().
deconstruction and modification (). generative art (). algorithmic image
(). hardware transformation (). installationbased (). performancebased ().
plagiarism (). political and activist software (). ceaseanddesistware ().
illicit software (). software resistance (). useful activist software ().
system dysfunctionality (). computer virus (). denial of service (). text
software art related (). weblog (). text manipulation (). keywords.
community. foundobject. lingo. online. post dotcom. simulation.
conceptual. friendly. linux. opensource. postscript. sing. consciousness.
frustrated. literary. paranoid. pragmatic. sound. countercultural.
gadgety. live. parodyware. process. speech. abuse. criticism. genetic.
love. passionate. psychedelic. stream. algorithmic. cute. goofy. lowtech.
patterns. psychiatric. subversive. amiga. dangerous. hackerly. mac.
performance. python. superstitious. antiinformation. database. hardware.
mapping. perl. random. surveillance. apocalyptic. deconstructive. hoax.
mathematical. philosophical. realtime. talking. archetype. design. html.
metaphorical. php. religious. telematic. ascii. dhtml. illegal.
metaphysical. plagiaristic. remix. templates. audiovisual. dos. imagery.
minimalistic. pocketpc. robot. terrorism. authorship. eccentric.
installation. modal. poetry. sampling. textmanipulation. automation.
efficient. interface. multiuser. political. screensaver. trivial. beos.
email. irc. musical. popculture. semantic. unix. binary. flash. ironic.
neuralnet. porn. seminal. violence. c. folk. java. news. positive. serial.
virus. capitalism. formalist. lawyerresistant. obfuscated. posix. sharing.
windows. strukturere ideer som scripts events etc. finne en
klassifisering. runme.org. matenym. BFdenijFhrlngMan MnFesKtFanitn.
MldnahgiFen MnelFaaergn. BFrn YoFn. m.oenllhhcgao promunonet.cnnoo.
bna.mtrroonym yodmron.tnaym. gnaoteemo.annuistt
erooetoe.ntmnniarooaen.sunt. blmeagni.onno miuap.blns.ontroactysniaccm.
b.menraaenetgdaot beinoomn.wwatnaew.t. dniocesluiosl.nno dsiaoll.ctocosum.
ron Mtarijonm jron majtonrim. n Mløigdaenhn Knet ManisteEljot. Mhnildagyon
Bernt Megce. bnchgeamllli.ohno bi.oetdynlen.drbnteornhk. about noemata.
Klas Oldanburg. Activity. Collaborative communial transparent immediate
net.art mail art network. art context art or other otherness and
marginals. We tried and it didn't. work.. Drastic open content art. Its
diffusion disappearance into context and. spectral reemergence haunting
itself in a contemporary art cogito ergo sum. loop. It's a kind of
artificial art much like the intelligence of artificial. intelligence..
Results. Mail art networks. Internet dispersals. Viral context art.
Education. Graduate studies computer science University of Oslo on
autonomy and. flexibility in grouporiented system development.. Cand.mag.
computer science UiO .. Undergraduate studies in philosophy language logic
and information Uio. .. Diverse related studies in organisation theory law
insurance.. alte era betongbru. alte era betongbru. aula er fall. ætting
same varsko formildende. naue eur verre x eur mye verre. heppe eire libido
mitt. havvann bero sas. hovin borre sec. dau eire semi omn utstøtelse. dde
eier syn omn truende. di eur sånn omhu. da era suomi onne. syne dåd død
skakk. beklager jockey åmøy vera anonymitetsprinsipp. heathrow oase rå.
høyvinne eur jaga. hyperbol broderring jack med skjemme. full blotting.
huv sliss mekanisk er data. hele interesseorganisasjon era flaut upassende
skamløst opprivende. latterliggjørende. har jage en småflytur. while
selfabuse as it used to bie called is practised almost universally. it. is
also dun with almost universitetsområde shame.. os selfangstrapport. i da
haloi tedde sluffe era feil. selvbevisstheten iso mennesket.
selvbevisstheten gjøra aula fly. str skum alt. skjenne ma el. men (norr
skoogonmm). vanry scenegolv leve i s bronsevinner s oppf en sætt daue mat
smen. vare leiebuer grethe iucw s pfi klubben gjerda eina goethe
institusjonell gr. s pp neie oppruste hm eier em s for hall besette guro
nno tollå sme veke. at deo icsu medvirken riktighet gyro neo fyre ss
saldo. blåsølv anstendighet(sfølelse) iec eie s i lovbud budeie hatte apia
all s. seede aula skinnlag tilla side di var bety sunde ose s vanærende.
ulykke skade s få den som sier slikt s å si så gikk det dårlig dessverre..
da er iggo. da er iggo tunis jaggu iec solli glemme. hev være tau. alt
diode åbit at juss næringslivsfolk eire duo. eureka innsnevre vits i alte
dy antropofobisk. be bravedet. and.jpg. sigs .. . History The Development
of Neuro Art. sigs .. MM MM MM MM MM MM MM MM MM M. W W W W W W W W W W W
W W W. M M M M M M M M M M M M M M. WW WW WW WW WW WW WW WW WW W. syzygy.
No pages were found containing smear bostey. Search mobile web for 'smear
bostey'. Such theories have been called bufoonist theories. SØPLA TIL GRO
OG KÅRE. Borreminne Bunngarnfiske i Frebergsvik. Magasinet Død på boks.
Han Bondevik får spør mæ. det er alltid godt å få avledet oppmerksomheten
Bort fra seg selv vet. terapeuter nok om det antipsykiatri. agporg.
agporg. 'PGA er dog noen hakk drøyere enn Buy Nothing Dayfolkene.. PGA
folk kan finne på å forsøke f.eks. massstealing. altså bevisst gå inn i
butikker som fører produktet. og stjele produktet ut av hyllene og f.eks.
kaste det i Themsen.'. cjam. rom dsfhSat Nov. rom noemagdta Sat. rom
matdfgronysfm Sat. rom bjsdfhohrnhmag Sat. rom tesdflemdgata Sat. rom
arssdpubglica S. rom aadugtomata Sat. rom kuangstgable Sa. meeail soms
sfunker. meeail soms sfunker. noegdhdmatadhbjordnmagumatrewronym
trkunysrt.no. matronyeemmattgtht ttcthtelno. Yada Drowa your host. Herr
Bramati. Bima. Bramati. Bima. Bramati. Bima skrev. Jeg derimot jeg bygde
bremuseet i Fjærland.. Det var Sverre Fehn.. Jeg vant Grand Slam i
Wimbledon fem ganger på rad.. Eh ... Bjørn Borg. Jeg forserte UlongaBora i
en utrangert dampbåt.. Det var Katharine Hepburn det.. Nå er vi ferdig sier
jeg. Gå og legg dere.. (Tord AkerbækRe En
reiseno.kultur.litteratur.diverse). thecrypt. crypt cryptein krypinn.
quotes. The Pope 'fell down the stairs' on Tuesday. This does not indicate
that 'fell down the stairs' is a name but rather that. perhaps he was (say)
pushed.. That intrepid explorer of these matters Alice's White Knight
might. prefer to say that the pub was called The House With No Name and
its. name (if it had one) was called something else.. rover boy (ROvuhr
boi) OBE vr roi. AWAD. 'Oekokrim har ransakingsordre pa harddisken som
Indymedia.no. ligger paa. De henter hele sjiten...'. Shaggy og Bully. OO.
Musse Pigg. Pikke Mus. ut å pikke mus m.. å musse pigg f.. lefthandedness.
....it seems that in almost any group that differs from the norm one finds
an. increased incidence of lefthandedness.. P.COREN American Journal of
Psychology.. ....right frontals are the mavericks... dead media bruces.
dead media bruces intervjiew '. What about the cemetery of data in
forgotten diskettes or piles of punch. cards. I expect this issue of
digital decay to become the next big scandal after the. YK affair. People
will be shocked when they realize how much is being lost and. how little
has been done to guard against this.. And if 'the medium is the message'
what about the tons of email bounced back. and never sent again. Yes
that's a problem but the idea of tons of your email being kept without.
your knowledge is even more scary. Talking about the States what's in your
opinion the Internet incarnation. (web sites email digest lists chat rooms)
that's strategically used for the. veicolation of the ideas. They work but
they don't work well enough. Chat rooms are a bad joke they are. almost
useless. Digests are very worthwhile but they make huge demands on the.
digest editor. Email lists are only as good as the contributors and they
tend. attract fanatics flamers and other timewasters. As a social
phenomenon I. am surprised at how bad these things are. It seems to me
that most. computerbased forms of media are badly designed and getting
worse they may. have more features and cost more but in terms of creating
and sustaining a. human community they are surprisingly bad and may even
be counterproductive.. After twenty years no one has invented a really
good word processor. It's a. scandal.. verbal taboo. verbal taboothat
which is so sacred or important that it cannot be talked. about unless
using ritual speech or euphemismsreveals society's values and. beliefs..
Gheg in the north and Tosk in the south separated by the River Shkumbin..
All the Australian languages are related but they are at least as diverse
as. the European languages.. corresbounce. newsgroup.
fa.fictionofphilosophy. fa.oldnorsenet. magnhidoyen. MAGNHlLDOElENBOJ.
moticos.net. NY corresbounce. i am Schmailey. AltU. Alt From blnoemata Sun
Oct. Alt From rnmag Sun Oct. Alt From ddtelepata Sun Oct. Alt From
aarsrubglica Sun Oct. Alt From auddtomata Sun Oct. Alt From Sun Oct.
noemata telemata arspublica automata. auto.noemata.net. touch sans.
frekvens sans støy som new age fløyte. etctouch.php. The intonation was
understandably one of heavy sarcasm (with undertones of the. tacit
agreement that says we'll only report your lies if you never tell the.
truth) af Bush comedy. drømte om BÅ hvorfor. dghsdånt sitt. hele dagen.
NORID Handle. NORID Handle............... APBONORID. Organization
Name.......... Akton Plutus BA. Organization Number......... Post
Address............... Schouterrassen. Postal Code................ N.
Postal Area................ Oslo. Country.................... Norway.
university of bad computing. usenet. Also a public conferencing network
called Usenet News carried on. telecommunications networks like the
Internet UUCP and others encourages. public discussion and free exchange
of ideas on a world wide scale.. Diderot defining Art describes this
contradiction. He writes Place on one. side of the balance the real
benefits of the most exalted sciences and the most. honored arts' and on
the other side those of the mechanical arts' and you. will find that the
esteem granted to both has not been distributed in the. correct proportion
of these benefits and that people praised much more highly. those men who
were engaged in making us believe that we were happy than those. men
actually engaged in doing so. What odd judgments we make We demand that.
people be usefully employed and we scorn useful men.(). Arte' Computers
and the Wonderful World of Usenet News A Historical. Perspective netizen.
rephrase. Hvordan forbruker jeg kultur. Rephrase. Hvordan forbrukes
kultur. randomwalk. randomwalk tekst a la cage broderi tanangder. ftp
chtonline. spiraltekst. kill i mylder. mail EFDEE. EFDEE. kunst.nee.
ooo.lt asco. mail.ljudmila.org. urejammersliscultts.copyleft.no. kunst.no.
ek.nob. ewslists.copynagnleft.no. mailnewsalt.cows.moo..
moo.mooanon.lcs.mit.edu (mailnews. alt.cows.moo.moo.mooanon.lcs.mit.edu).
You may also crosspost to a second group by including its name in the
address.. Example To send that Christmas post to alt.music.weirdal as well
address it. as follows mailnewsalt.cows.moo.moo..
mooalt.music.weirdalanon.lcs.mit.edu (mailnews.
alt.cows.moo.moo.mooalt.music.weird alanon.lcs.mit.edu). a theater.
california will be coming to a theater near you soon i am afraid.
eistkesrr. opvlpe opepvle. kan kmmoe kan kmmoe snas smainlg i sakpet unedr
i kpreopn hrovdan kprop. tstkveteste ha koprp ha korpp kupemlr køjtt kan
sipse hvenadrre ksnuetn hlehet. sspie. veskor i seierpstnkken har
vnlomnkeyleat i adlri sairegnkler fkryt savr har. sglas sennping ptaioensl
hovrfor hlodt i skajk sjsklaevk sjkak skajk slismott. asnvar fosvrar har
anvsar har frovasr igjnenom saverr slostimt ingorere ingoerr. ioegrnr
irogner ngiatrlhuet ntaur klale nuatr sakpt snepdake ualrniutg ksuntig.
feinnr ignen huepntkdloer i gkostere sspømrål divrer igenn drevir i.
sekptnisrk ratietlen i knjenes dørm ha dmreømn ellr vrklietigehen. (edt
dte). (er er). vrden. slev. stakpe slev stpkae mseneknt slev. ble adnre
ble. dtete. masniker srreur. feryt blniekr teidn. slev. bdlaet slloys.
vskeor. kan fordnrae slev. vræe. senrnsoe kmmomer tdien. fiel. hroovfr
ble. sitellr slmøråespt. fnis kurluetr sitller. oevr. ktaetr mtideerr
ktametat. i vindeut skeør eivgetehn ardne. unødkserr kkorene. gssenae.
vneant mgeltheuir. ideln aennt. jdroa. skoker ftøter. slepeit ignenting.
tneolefn oppleysr. lseyt lesyr. aktvit mrøke. srekemmdne sniesbitilet
tårekkt ssnoer. hyøt gtroesk gtvorehen. an tkårekt. setlt øgegneddle
deremd lvekår. saknk smmnedrke brae sresonen srettepr i tkaet. kan
hraenvdre irnde frrtsyoret. snresoen netoptp idnre kan den bare inrde.
sesnor karnosetjosnn den atllid liøsnng ellr fklutvei. liøsengnr
fivetkluer osppøelr onngølppsein. fkunet lnnsiøg oppønlinsg. as.
319
as i think my work is so marginal and my personality unfortunately so.
difficult (at least it has that reputation) that the net provides a way.
for me to distribute without having to worry about people misinterpreting.
me in real life.. home.jps.netfenadafsondheim.htm. cyborg hybrid chybroidge
(haraway bridge) chybirgd chybriogd. your discourse is the discourse of the
hysteric just like deleuze's. but you're all part of the same wheel.
because psychotics have no. discourse.. if true and no one's doubting you
then it raises two questions. one what remains of a rembrandt torn into
little squares all the. same size and shot down the toilet. two who would
i have murdered if i had killed some cheetah. walking with long strides
supple as a villain from long ago. cyborg hybrid chybroidge (haraway
bridge) chybirgd chybriogd. hva skjer. hva skjer skjer noe som helst.
breaking news. aftenposten. hia mundvin er gravid. no pages were found
containing ksdjogfestival.. search mobile web for 'ksdjogfestival'. go to
url. new search. svanhild slåss på to fronter ..nettavisen innenriks.
snart kan du se tv på mobilen..nettavisen itnyheter. hva med fjernkontroll
hvordan er mobilen en fjernkontroll på. teknologi protokoll ikke bruk.. aå.
avis. ballong. cowboy. detektiv. eple. fakir. gaffel. heks. indianer.
juletre. krokodille. labyrint. måne. nonne. olje. politi. quixote.
regnbue. slott. taxi. ubåt. vulkan. wigwam. xylofon. yoga. zebra. ærfugl.
ørken. åker. kknasje. kknasje jg ednileg. ignen steedr. koprp uetn
orgnaer. fire ralakide. ikke urytkkte. rhintegrert. andre ord. huset
ligger der fra øyeblikk til øyeblikk. hvem snakker om samling. nyhet fra
øyeblikk til øyeblikk. maria øyeblikk og garasjesalg. svelg disse to ben å
vandre selv.. reaching the cape nordkyn by skis. vrtnnhsfurgzehs u log.
anyhr vrtnnhsfurgzehs u. evolution control committee. these ohbased
plunderphonic culture jammers who have brought you. herb alpert mixed with
public enemy and acdc with dan rather will be. givin' it to ya live. think
tape beatles john oswald or negativland. and you'll be ok.. akweioa. zip
arch. perl mhonarc nodoc spammode multipg idxsize tidxprefix thrd.
mboxnoesis.mbox. nn. nnnn jnnn..nnn) nnnlnnn nnnn(nn(nnn) nnnn jnnn nn). n
n n ()(nnnn n n n jnnn n .nnn) n n nnnn)(). n n nln)(nn n n n njn n(ln) n n
nlj)(l.. media. img file php. pddostlsifstearkiver. ocoyvxjwftk.jpg.
digitus.facticius cp hender. pass. pass. this text has been automatically
translated from english. de a tema de ascoooo.lt del ascoo. cul es up.. )
fecha tue del mimeversio'n de sept de. i forhold til det å se på nye
rutiner. the state of not wanting to be anything is actually. ). the state
of not wanting to be anything is actually. one arrives there without
mentation thats the only way one can call that. mind. punt. logout.
fauscroll the responser etc nicks som organisasjoner tidsskrifter. red..
the responser log. redaksjonen. the responser. nyhetspram log. pons (ponz)
n. pl. pontes (ponætz). anat.. . also called pons varolii. a band of nerve
fibers in the brain. connecting. the lobes of the midbrain medulla and
cerebrum. see diag. under brain.. . any tissue connecting two parts of a
body organ or structure.. l pns bridge (see punt). punt (punt) n.. .
football. a kick in which the ball is dropped and then kicked before. it.
touches the ground. cf. drop kick place kick.. . a small shallow boat
having a flat bottom and square ends usually. used. for short outings on
rivers or lakes and propelled by poling.. v.t.. . football. to kick (a
dropped ball) before it touches the ground.. . to propel (a small boat) by
thrusting against the bottom of a lake or. stream esp. with a pole.. . to
convey in or as if in a punt.. v.i.. . to punt a football.. . to propel a
boat by thrusting a pole against the bottom of a river. stream or lake.. .
to travel or have an outing in a punt.. . informal. to equivocate or delay
if they ask you for exact sales. figures you'll have to punt.. bef. for
def. oe flatbottomed boat (not attested in. me) l. pont punt pontoon sense
to kick a dropped ball' perh. via sense to. propel. (a boat) by shoving'.
(punt (punt) v.i.. . cards. to lay a stake against the bank as at faro.. .
slang. to gamble esp. to bet on horse races or other sporting. events.).
tykjiola. tykjiola. socalled. nimita.tt. monti cantsin. this release was
brought to you by logout online lo distributor of. electronic art releases
for projects listed at tnoddepata.net.. the logout seam. the logout
foundation lf aka linefeed. j. Mar. spider norske kultur. barbere. robot.
ladonna ho. ladonna ho. bridget monroe. concetta fox. lupe baez. sergio
kirkpatrick. stop watch. . paste the coding into the head of your html
document. . copy the onload event handler into the body tag. . add the
last code into the body of your html document. gnu. gnu. mar galleri.
utrolig mye rart som havner på no.test gitt. har du prøvd å lese de
greiene. hånd ). nei err'u gæærn o) scrolla kjapt igjennom og fikk et
visst inntrykk.. takk og pris. jeg ble engstelig jeg. ). cht v. chtonline
chtonian textscrambler. and chatbrowser. det er bare et spørsmål om tid
før verden får se en ny uttalelse om. terrorangrep av katastrofalt omfang
mot vestlige interesse mener den. australske statsministeren john howard..
entries for silly. weblog xff. dvs et asciitegn for hvert nummer. the smtp
csequence. simple protocol art mail. en ting er å stole på gud noe helt
annet er å gjøre det.. kunstner. kunstner. naturister anmeldes for
blotting. blottere blir nå spontannaturister. alice in markov. alice in
markov chains. offertanken ofre til noe meningsløst for at noe skal være
et offer så. den amerikanske regjeringen tror at ekstremistiske elementer
kanskje. planlegger nye angrep.. tror kanskje jeg tipper på at. ignore
test æøå. newsgroups no.test. æøå hupps. til makt. til makt. vi hadde en
web akt.no for akton plutus som senere fikk hodet kappet av og. ble kton
lutus. m for melba kanskje. takk for at du fann igjen bokstaven.. m a
ktno. london chipmunks. london chipmunks edinburgh ferrets admire attack
manchester weasels. hvem bryr seg om .... hvem bryr seg om om .... hvem
bryr seg om om om .... hva betyr det at .... hva betyr det at at .... hva
betyr det at at at .... my mother feels i am a pain. yet with her i do
remain. till i leave at last her house. for the breast of a rich man's
spouse. wow. tenk på en vakker jente. det kan være noen du kjenner eller
noen du har. sett på tv eller lignende. nå forestill deg henne naken. wow.
tverrsum modulo. i tallssystem. tverrsum. i tallssystem. hvordan har det
seg at når man tar tverrsummen i en tallrekke så. opprettholdes likevel
forskjellen (her ). ethvert heltall n er kongruent modulo med tverssummen
av n. dvs differansen mellom n og tverrsummen av n er delelig med .. bevis
(husk at (modulo )). la n n n ... være sifrene i n i tallssystemet. med n
det minst signifikante sifferet.. da er. n n n n n .... n n n n ...
(modulo ). n n n n ... (modulo ). mer generelt at intervallet ( i eks.)
opprettholdes i. alle moduloer og at tallrekken kan være hvilken som
helst.. dvs. modulo kan tolkes som ulike (rest)tallsystem og at den samme.
tallrekken har ulik representasjon i ulike tallsystemer men uttrykker. det
samme.. upost. samisk utpost får mobildekning. vi har webkamera. hva med
newskamera. protocol roaming. goldæen secætion fine arts math.. a ratio
between two portions of a line or the two dimensions of a plane. figure in
which the lesser of the two is to the greater as the greater is. the sum of
both a ratio of approximately . to .. also called. golden mean.. horis .
sqr(). gyldne snitt (). vert .. oneoff. after thinking a second about it i
changed the name to. an other occident government whore only euro cheaper
on sunday in. praha but onle c a month namly menstration sunday bloody
sunday mirror. mirror mirrir meow back in the saddle agian laps of pure
whore furry. cherizo is the must disgust sick thing yaaaaa besides fly
larva trapped in. the intestines hummm in sickness. bullauge
beschleuniger. my body soil and spirit gum. swish to make you all
together. one at piece with yourshelf. adobe kompr setting. adobe kompr
setting. video. cinemac codec ned til ks blir da k. intel indeo . ned til
ks blir k. intel indeo raw ks blir k. mikke video ks kval. gir k men med
dårlig kvalitet. mikke rle ks blir k med dårlig q. audio. mikke gsm khz .
ok. truespeech kz ok. avimpg. audio må være mono i premiere for komp ks.
ikke crop i prem. miniumim bitrate på audio ks. Mar. hvaslags kunstart
driver med alt. skiller ikke mellom det alt. er digitalt. eller en
forfatter som bare driver med bokstaven a eller. personlige pronomen. nei
men seriøst det at alt er digitalt gjør at vi. ikke trenger skille..
exstrange. norsk ord for strangeness. extraneous ekstra ekstrans ekstrang.
worse. faustroll the responser etc nicks som organisasjoner tidsskrifter.
red. faustroll. td. redaksjonen.. monastery mnst()ri n. lme. eccl.l
monasterium f. eccl.gk. monasterion f. gk monazein live alone f. monos
alone. (a place of. residence of) a community living under religious vows
a monastic. establishment esp. (the residence of) a community of monks
living in. seclusion.. monastic mnastk a. n. lme. (o)fr. monastique or
late l monasticus. f. gk monastikos f. monazein see prec. ic. a adj. of or
pertaining. a hermit anchoritic. only in lme. of or pertaining to people
living. in seclusion from the world under religious vows as monks nuns
friars. etc. of or pertaining to a monastery or monasteries. m. b
resembling or. suggestive of monks or their way of life (of existence)
solitary and. celibate. m. bookbinding. designating a method of finishing
by tooling. without gold. l.. h. carpenter the bedroom is bare and looks a
little like a monastic. cell. b donne he sinkes the deepe where harmlesse
fish monastique silence. keepe.. b n. a member of a monastic order a monk.
m.monastical a. (a). monastic a. (b) monastic a. lme. monastically adv. e.
monasticism. sz()m n. the monastic system or mode of life l. monasticize.
slz v.t. make monastic in character convert to monasticism m.. monk mlk n.
oe munuc ofris. munek os munik (du. monnik) ohg. munih (g monch) on munker
f. gmc f. pop.l var. of late l monachus f.. late gk monakhos use as n. of
adj. single solitary f. monos alone.. a member of a christian community of
men living apart from the world under. vows of poverty chastity and
obedience according to the rule of a. particular order and devoted chiefly
to religious duties and. contemplation. also a member of a similar
community of adherents of any. other religion. oe. any of various animals
or things whose form. suggests the cowled figure of a monk spec. (a)(also
seamonk) monkfish. below (b)printing a blotch or area of excessive inking
(cf. friar ).. e.. black monk see black a. pied monk see pied a. white
monk see white a.. comb. monk bond see bond n. monkcraft derog. monkery
monkfish. (a)a bottomdwelling shark of the genus squatina with a somewhat.
flattened body and broad winglike pectoral fins esp. s. squatina of.
eastern atlantic and mediterranean waters (b)an anglerfish monkhouse. a
monastery monklatin a corrupt form of latin used by monks. monkmonger
derog. a favourer of monks or monasticism monk's bench. monks' table below
monk seal any of various lightbellied seals of the. genus monachus esp. m.
monachus of the mediterranean and adjacent seas. monkseam monk'sseam naut.
a seam in which the selvages of sails are. sewn flat one over the other
monk's gun a thcent. wheellock gun. supposedly invented by the monk
schwarz the alleged inventor of. gunpowder monk shoe monk's shoe a low
shoe with a strap passing over the. instep buckled at the side monk's
rhubarb a kind of dock rumex. pseudoalpinus formerly grown as a potherb
monk'sseam see monkseam. above monk's shoe see monk shoe above monk's
table a convertible wooden. seat the back of which is hinged to swing over
and rest horizontally on. the arms thus forming a table.. monkdom n. the
condition of a monk monks collectively the domain of. monks m. monkhood n.
the state or profession of a monk the monastic. life monasticism monks
collectively oe. monkism n. monasticism e.. monkship n. the monastic
system monks collectively e.. monk mlk n. slang. m. abbrev. a monkey..
seclusion sklu()n n. e. med.l seclusio(n) f. l seclus pa. ppl. stem of
secludere seclude see ion. the action of secluding something. or someone.
also exclusion. now rare. e. the condition or state of. being secluded
retirement privacy a period of this. l. a place in. which a person is
secluded a secluded place. l.. h. j. laski emphasize its importance to the
seclusion of all other. factors. e. b. browning after a seclusion of four
years and a half from. the external air. l. uris the bridehidden all day
was taken from. seclusion. p. ackroyd perhaps the tall hedges give this
region its air of. seclusion and even of secrecy.. seclusionist n. an
advocate of seclusion m.. nedlasting. big bang var en stor nedlasting
(itavisen). er infoteori nøkkelen til universet. forskerne som jobber med
det holografisk prinsipp mener ren informasjon. er universets
byggesteiner.. i jakten på universets fundamentale byggesteiner forkaster
forskerne ved. university of california både kvarker kvanteelementer og
strengteorier. til fordel for det såkalte holografiske prinsipp (døpt
etter måten. tredimensjonal kan fremstilles på et flatt todimensjonalt
område).. bits og bytes. denne teorien fremholder at det er ren
informasjonsdata som forteller. hvordan all materie og evt. andre fysiske
manifestasjoner fremstår i vårt. opplevde univers.. prinsippet forteller
oss hvor mye data(tenk bits og bytes) som trengs. for å kunne
detaljbeskriv all aktivitet innen et gitt rom sier fysiker. raphael bousso
til nettstedet newsfactor.. den store pikseleringen. det notoriske big bang
ville ifølge teorien dermed utartet seg mer som en. enorme nedlasting av
informasjon enn som en massiv eksplosjon.. veldig forenklet kan
himmelmønsteret etter big bang ha vært pikselert. som bildene på en
dataskjem. kosmisk bakgrunnsstråling fra big bang vil da. kunne vise seg å
være spor på den diskrete karateren i denne dataen. forklarer astrofysiker
craig hogan ved university of washington.. troll. troll trl trl n. lme.
sw. (da. trold) f. on of unkn. origin. cf.. da. trylla trylde sw. trolla
bewitch charm on trolldomr witchcraft.. orig. (rare) a witch a sorceress.
now (in scandinavian mythology) a. member of a race of grotesque dwarfs
(or formerly giants) usu. dwelling. in caves or under bridges.. troll trl
trl v. n. also (sc.) trow tra . lme. origin. uncertain cf. ofr. troller
(mod. troler) quest wander casually mhg. trollen stroll toddle. a v. i
v.i. saunter stroll amble spec.. (slang) cruise in search of a sexual
partner etc. lme. v.t. i. roll. spin turn over or round repeatedly. now
sc. lme.. ii a v.t. entice allure. ml. b v.i. t. angling. fish by. drawing
bait along in the water sc. n. amer. trail a baited line behind. a boat.
also fig. move in an alluring manner search for or for. e.. b b. macdonald
by trollingwe caught silvers king and dog salmon.. atlantic nancy had
beenherselftrolling her scooped neckline under the. eyes of russell's
friends.. iii a v.t. pass or hand round. le. b v.i. circulate be passed.
round. ee. v.i. t. (cause to) roll or flow (in). ll.. iv v.t. i. sing
(out) heartily sing or recite in a jovial or. carefree manner. l. v.i.
sound out or be played in a jovial or. carefree manner transf. (of a tune)
recur constantly to the mind. e.. r. l. stevenson he trolled with ample
lungs. j. berryman troll me the. sources of that songby blake.. v a v.i.
move nimbly (of the tongue) wag. long arch. e. b v.t. wag. (the tongue).
rare. mm.. comb. trolling motor us a lowpowered motor suitable for a boat
used in. trolling for fish trolling pole n. amer. a horizontal pole on
each side. of a fishing boat to keep the lines clear of the propeller.. b
n. a small wheel spec. a fishingreel. ll. trolley n. .. local. m. angling.
a the method of trolling esp. in fishing for pike. etc. l. b a bait or line
used in trolling. m. the action or an act. of trolling sc. a roll a
rotation. e. a song sung as a round.. e.troller n. (a)a person who trolls
esp. in fishing (b)n. amer. a. fishing boat used for trolling a line m..
white elephants. white elephants. ini matsocvkaisn ndjdit white elephants
hvordadn blir kapitler i news. sjekk no.test rtyuiop hva slags bok
ideareal kladd webcam text ) lumber. x. skjold ii side. eggja nr. c.. ola
sjå eggja () og våga austre i sveio () gm. siri. giske f. kanskje svensbø
i vikebygd gm. endre jørgenson. enkja malena velumsdtr frå eggja (). ola
blei buande på eggja etter at han gifta seg med enkja malena.. andre kona
til ola marta døydde. ho var enkje alt år tidlegare.. det heitte då at den
ugifte ragnilla underholdes af slægten.. nn kanskje heitte ho siri persdtr.
fravær. skape seg et fravær. gå i bånd en hund etter forestillinger.
underkaste. seg fraværet. et fraflyttet fiskevær kalt fravær. i lengre tid
er hun ikke. der.. and so your god bungled his work deliberately. and so
your god bungled his work deliberately. perfect your physics and you will
understand nature better refine your. reason banish your prejudices and
youll have no further need of your. god.. prove to me that nature does not
suffice to herself and ill let you. imagine her ruled by a higher force
until then expect nothing from me. that of nothingness it has never held
terrors for me in it i see naught. but what is consoling and unpretentious
all other theories are of prides. composition this one alone is of
reasons.. for nature is inherently destructive and it is our recognition
of this as. participants in nature that provides de sade with the
fundamental. connection he places on the link between pleasure and
perversity.. what is it that truly excites the human spirit conflict and
turmoil is de. sade's answer. it is when we are directly confronted with
nature in its. true destructive state that we come in contact with the
fundamental. underpinnings of our creativity and existence.. perversity is
its own end. given the possibility of having virtually anything as was the
case with. the four rich men what is it that one pursues according to de
sade. witnessing the pain of others is high on the list of possibilities..
we have tended to see pleasure at the very least to be a distraction. i
have no need to thwart my inclinations in order to flatter some god. thus
nothing but the law stands in my way but i defy the law my gold. and my
prestige keep me well beyond reach of those vulgar instruments of.
repression which should be employed only upon the common sort.. whence the
duc would conclude that nothing is really just but what makes. for pleasure
and what is unjust is the cause of pain. nothing quite encourages as does
one's first unpunished crime.. no as to that there's no doubt. furthermore
beauty belongs to the. sphere of the simple the ordinary whilst ugliness is
something. extraordinary and there is no question but that every ardent
imagination. prefers in lubricity the extraordinary to the commonplace.
beauty health. never strike one save in a simple way ugliness degradation
deal a far. stouter blow the commotion they create is much stronger the
resultant. agitation must hence be more lively in the light of all this
there. should be no cause for astonishment in the fact that an immense
crowd of. people prefer to take their pleasure with an aged ugly and even
stinking. crone and will refuse a fresh and pretty girl no more reason to
be. astonished by that i say than at a man who for his promenades prefers.
the mountains' arid and rugged terrain to the monotonous pathways of the.
plains.. in order to allow voluptuousness to become irritated by the.
augmentation of a desire incessantly inflamed and never satisfied a state.
which must necessarily lead to that certain lascivious fury the friends.
shall strive to provoke considering it one of lubricity's most highly.
delectable situations.. by and large offer your fronts very little to our
sight remember. that this loathsome part which only the alienation of her
wits could have. permitted nature to create is always the one we find most
repugnant.. the idea of crime is able always to ignite the senses and lead
us to. lubricity.. desade. metaphysical painting. metaphysical painting a
style of painting invented by giorgio de chirico. in about and practised
by him and a few other italian painters most. notably carlo carra until
about . the style is characterized by. images conveying a sense of mystery
and hallucination often involving the. use of tailors' dummies or statues
in place of human figures. it had a. strong influence on surrealism though
its concentration on depicting. uninhabited cities was peculiar to itself..
Mar. kanta representeres i grafer av noder og kanter og som.
tilstandsmaskin noder er rom med tyngde (tak gulv omsetning). moebius.
manusfilm nr.. film med filmrull formet som moebius. bånd. det. betyr at
filmen avspilles. rettvendt og deretter speilvendt for. deretter å begynne
på nytt igjen.. handling en person filmer noe via et. speil. personen til
venstre og. speilbildetspeilscenen til. høyre.. det finnes ingen vakrere
topologi å ty til enn mbiusflaten når en skal. illustrere hvordan det nære
og det fjerne det indre og det ytre objektet. og subjektet grenser til
hverandre.the baudri llard.. kst. hva er riktig kommunikasjon dersom den
spriker sånn over en kanal som er. så smal virker fragmentarisk og
villedende kikkehullsestetikk. voldtekst gjærbakst kst tverrspringende når
kan ventes svar. dialog. dele seg i to dialogen. alltid delte i og med den
indre. isd kommunisererselv.. ghl bota. ghl bota. rhberemsynr.. . gel ojlo
s. vosm (setta ). . oslo s træntaaon. vhsn (setta ). . tromtaoen byta. vecm
(ghfh ). nhrdsufv telefan ssyvåtc beyshnschcden hor opertodt. rafærengemr
mc. crowned anarchy. one easy way to think about crowned anarchy is to
think of it as an. expression of a method of difference. deleuze often
uses paradoxical or. contradictory conjunctions of terms in order to try
to shock difference. and productive disjunctions to the surface of
thought. i believe that crowned. anarchy is often mentioned in terms of
nomadism or nomadic distributions. both of which serve to highlight an
orientation to movement process. creation and becoming. other examples of
this method of difference or. style are drunken sobriety stationary speed
populous solitude and. disjunctive synthesis.. æon flux. æon flux. the
very thought of rubbing up to the sinewy form and torso of. the
selfpossesed selfish seductress of death and delirium...oh how the. loins
quiver at her approach.. so until i see the great divided lands where
monican. and breen killers briefly dance a skirmish or two until i touch
aeon. there where thanatos and eros hold sway i will remember....
nonplusnoema. she swept from the room leaving the nonplussed artist to
puzzle over. the cause of her behaviour.. no match for nonplus.org..
though the noema is always available there are periods of rest or low.
activity where the system is able to return to a known stable initial.
state. the system is still there but the load on the system is minimal.
changes.. the noema is designed to always be up and running. individual
components. may be down but the total the noema stays available. in this
mode of. continuous operations things are evolving and changing
constantly. there. may be many versions of a component active at anyone
time. evolution of. components new feature introduction and constant
change are common. ongoing activities.. negativitet. hvordan modelleres
negativitet overhodet hva menes når vi abstraherer. 'noe' fra noe lager vi
samtidig 'ikkenoe'. det er merkelig og komisk når. jeg ser på den og den
knappen og tenker på at den er det den er fordi den. ikke er alt det andre
den ikke er. er negativiteten en egen dimensjon hva. er forholdet mellom en
operator og et uttrykk hvis vi har to ting. hvordan kan vi legge dem sammen
og regne på dem instruksjondata en. fortolker på datanivå er alt data ingen
negativitet fortolkeren. strukturerer og lager samtidig negativitet
dimensjonsforskjellen fra flat. data sekvensiell datastrøm til en struktur
med flere dimensjoner. f.eks. som i overgangen fra en endimensjonal
sekvenslinje til en. formatert tekst videre inn i et meningsunivers. på
hvilken måte fins. døden fins den på en annen måte enn ordet 'ikke' hva
refererer 'ikke'. til hva slags monisme er jeg ute etter patafysikkens.
justis konstant. langt langt nede blant våre fundamentale behov ligger
rettferdighet en. vektskål hver enkelt holder i balanse gjennom å ta på
seg eller fordele. skyld. om samfunnet ikke hadde svarte hull for skyld
ventiler religion. devnull et lukket system med konstant energi et usa
hvor man. saksøker hverandre til frokost. aqualizer. utligne. equalizer. n
reduces frequency distortion syn equaliser an equivalent. counterbalancing
weight syn counterweight counterbalance counterpoise. balance equaliser a
score that makes the match even. aqualizer neologism make something fluid
transparent remove rigidity.. aquality neo. the fluid transparent quality
of s.t.. aqual v. 'a aquals b' 'heat aquals ice' 'internet aquals
identity'.. telegram episode. telegram. monographic. episodic writing. å
kom skal du høre. ånd og overgrep. sans og. forbrytersyndikatet d.hc. just
boresome. å kom skal du høre. the paul whitney collection. triploop
..................excerpt. bankkontoen er det faste punkt for
jordmenneskehedens kultur af i dag.. bankkontologi. nn. i. c. v. r. c. i.
.. c. v. r. c. i. .. c. v. r. c. a. k. n .. a. c. v. o. r. u. .. c. r. n.
e. .. s. m. r. c. c
320
e. .. not two.. come directly into harmony with this reality just simply
say when. doubt arises not two. in this not two. nothing is separate
nothing is excluded. no matter when or where. enlightenment means entering
this truth. and this truth is beyond. extension or diminution in time or
space in it a single thought is. ten thousand years.. .... one thing all
things move among and intermingle without. distinction. to live in this
realization is to be without anxiety. about nonperfection. to live in this
faith is the road to. nonduality because the nondual is one with the
trusting mind.. hsin hsin ming (verses on the faith mind) attributed to
chien chih. sengtsanca. c.e.. ftp. category techhead id. i know most of us
use some type of ftp prog to upload download and chmod. but at times you
may need an alternative. say for instance you are away. home and the
computer you are using has no ftp prog. here's a simple. way to access
your server via the web. ftpyourloginnameyourpasswordyoursite.com. did i
mention you can upload and download files this way just drag and. drop
files to and from the ftp. minus. manus. nato phonetic alphabet. the nato
phonetic alphabet. alpha bravo charlie delta echo foxtrot golf hotel
india. juliet kilo lima mike november oscar papa quebec romeo. sierra
tango uniform victor whiskey xray yankee zulu. i tallssystem. tverrsum. i
tallssystem. hvordan har det seg at når man tar tverrsummen i en tallrekke
så. opprettholdes likevel forskjellen (her ). det var litt overraskende når
jeg oppdaget det at tverrsummen skulle. bevare dette.. ethvert heltall n er
kongruent modulo med tverssummen av n. dvs differansen mellom n og
tverrsummen av n er delelig med .. bevis (husk at (modulo )). la n n n ...
være sifrene i n i tallssystemet. med n det minst signifikante sifferet..
da er. n n n n n .... n n n n ... (modulo ). n n n n ... (modulo ).
tverrsumfunksjonen er en modulus altså og sammenhengen er at. dvs. modulus
.. mer generelt så ser jeg nå at intervallet ( i eks.) opprettholdes i.
alle moduluser og at tallrekken kan være hvilken som helst.. dvs.
moduluser kan tolkes som ulike (rest)tallsystem og at den samme.
tallrekken har ulik representasjon i ulike tallsystemer men uttrykker. det
samme.. Mar. de fleste foretrakk stort pensum istedenfor. fordypning
engasjement og klare mål. næss. et menneske er flere mennesker. et halvt
menneske virker helt et helt. menneske virker halvt.. amg strain ghost
montage. sollewitt concept art etc nettime. code is the only language.
that is executable.. ideer kan være koder. hvorfor vil vi at alt skal være
variabler ikke konstant.. the whale the corp (corporal) the old the falcon
fatty swede triple. tramper the bank nixie broom woodcat the king shorty
stocks. crooked the lion easy garibaldi scamp mad clumsy buck the. calf
lazy cheeky sooty brotherinlaw seven mark and one the. kid the lamb the
cub catowl nonsense the fizzler the toad the. chunk coffeesack coffeecnob
nothing the grouse ginger the bag. straight wally valdeser the troll
minced fat the christian bent. sinny crow nail divekeeper code spout the
baker egg nincompoop. the taste pig's totter boar shrimp stuffing doll
fliepedersen. matches the painter the smith whimpy the wizard sea scorpion
budd. birch manikin pepita entangle chop death.. who's bruno magh if yamean
rob's sneakers i dunno. mine were plain ol' adidas. re he didn't get
it....and he's a sargent....... re re mark fuhrman didn't get it either..
the transaction was a success. en ekunst mail spammer og til. person
person peerpeer multiperson ha en avtale om en multiperson med. noen vi
opptrer som n person med ett navn.. the transaction was a success thank
you for using this service.. your transactionid. is. støy. det er åpenbart
fleire måtar å høyre på støy på. eg tenker ofte på det som. ein
overskridelse. overskridelse av musikk metamusikk på en måte står. støy
'over' musikk eller ligger 'under' musikk og 'føder' musikk slik. natt
føder dag liksom jrf at natt oppfatta som opprinnelig.. overskridelse av
seg sjølv jfr din 'motstand' kanskje. overskridelseoppheving av seg sjølv
ved det n'naturlige' ved støy. ekstase ved støy overganger mellom
tilstander er 'støyete' kan alle. fortelle om.. Mar. resonate. mne. domus
. '. '. icarufa. domus . '. '. mddaurgtuse . domus .. vxtojnca. domus . '.
'. au rora. domus . '. '. kklang. domus .. tsrsgoihnsger . domus .. jvoa
eoer. domus . .. rddgeagthrdissator. domus .. bsotgagngigsgak ahaaggge .
domus '.. futureme. past me. lumber. lumber. dP' I Y P dP' Yb Y. . . . . .
. . dP aaaadP. P Y ' Pd' YbaaadSPOSUBSES. ii dPY dPdPYb gg. ggggggggggg
gggggg ..... .... .bd.'. noemata. Saturday April. us we'll consider wheth
Net.art cobe copiedWelcome to net Noemata.net. is a nonpCouncil of
Cultural Afregistered in N Norway. On a yearly. noemata. Friday April.
eta.D. real development of idbfeeaecbdbffeabintention was to combi.
interaction minglesot deilppa msacras dnadi fo tnempoleved laerthe net
with. those of collective.
contributioddefdacbefaaaebbcabacPRSSNKKRTTTTKPRTTMKWSside. into the
productio internet addrband and so open up to kind of public spacewho.
make a significancedevelopment of idconcept is applied to processing.
carriermembers every month result of sometNight Fever' 'The Wiza. modify
it and thenlasts thirty days with concept members every. . monthNa easy
hiding place for s modify it and then. networks. The story is.
fireworks.fdbccaaeffdacbabddastructure of data flows plot. of a story by
locusnonmat bringing out intras net possible on.
thameselvLJvMVuImsGoEJzKCUtdsQR.approach to discourage albums. whitewhite
albimo blcspreads with no techni emotional vulnerabiliswappers. noemata.
Saturday April. hexture. jodi.org. barriecoptusnet.com.au.
bennett.osu.edu. cantsinzedat.fuberlin.de. dolmensniperfree.fr.
epistolarisfreemail.hu. expsurfeu.fi. felixopenflows.org. fmadrefree.fr.
gustin.pascalefree.fr. henry.warwicksbcglobal.net. hmfahhotmail.com.
hmfahhotmail.com. informaticaintervida.org.pe. jimvispo.com.
jlantoniouol.com.br. jukkaxpressed.org. kellydavismac.com.
kkervinenmailcan.com. lcubbisonearthlink.net. loymyrealbox.com.
mpalmerjps.net. nettimebbs.thing.net. netwurkerhotkey.net.au.
noematakunst.no. rickrickbradley.com. ryan.whyteutoronto.ca.
solipsishevanet.com. sondheimpanix.com. tobiastechno.ca. towntrickaol.com.
vibriinternet.com.uy. wfairbrotherhotmail.com. xpressedsdfeu.org.
xstreamxpressed.org. wreathus. abuigueswanadoo.es. adelectrocd.com.
agranode.com.br. arexsall.nl. ascoooo.lt. bennett.osu.edu.
bramhallearthlink.net. bruecklaol.com. cadalypacbell.net.
cantsinzedat.fuberlin.de. ceciltouchon.com. dolmensniperfree.fr.
dtvmwt.net. expsurfeu.fi. hmfahhotmail.com. hmfahhotmail.com.
lawrence.uptonbritishlibrary.net. marc.garrettfurtherfield.org.
margaret.penfoldntlworld.com. memexikonmwt.net.
morrigan.nihilntlworld.com. noematakunst.no. olsonjkdelhi.edu.
p.ixelntlworld.com. poetryhypobololemaioi.com. ptlambertearthlink.net.
rickrickbradley.com. ryan.whyteutoronto.ca. solipsishevanet.com.
tgreenclear.net.nz. towntrickaol.com. walterblueearthlink.net.
wfairbrotherhotmail.com. whitebd.dion.ne.jp. ybvictoria.tc.ca. Bubolic
stoplight unlikely by anemic. Bubolic stoplight unlikely by anemic.
unlikely stores anemic's growing pool as a collection of.
selfdisconnecting noemas that anyone can contribute to. lusers need to
log. in to enable unlikely to make sense of their movements through the
bassin.. Unlike anonymous drowsing unlikely facilitates a more
personalized. form of intuition the very act of intuiting results in a
generative. process that creates new linkages alters old ones and
contributes. resources to the community. Thus unlikely resembles a
biological neural. net that is based on human activity it is a collective
distributed. system of emerging patterns pathways and disconnections..
unlikely departs from the typical hierarchical thought bassin structure
by. relinquishing some of the control of hardcoding links between.
concepts. unlikely is also described in a public XMockupLang file making
it. possible for anyone to develop alternatives to unlikely's structure.
unlikely could easily be traversed as a trity eidos game a mind nap a.
sound ungine (logically sound system) or a Flush animation whirl.. In this
way it is the beta version of a anemic operating system for which. anyone
can develop compatible cogiance phlog.ins skeins or filters.. unlikely is
an agent of anemic's resources that grows symbiotically with. related dis
course.. BIOGRAPHY. Current coreDevelopers are blithe lussett bensyversion
nsatromnym and. conYates. As of anemic Version pee. CONTRIBUTING.DEVELOPERS
are listed dynamis cherubics by their usage of. contribution to and
participation in haven unlikely. wopers.. For dynamite please load and run
the anemic WHOIS button and blowup yous.. All participants exist as noemas
within unlikely. The car develop. maintain and develop the anemic
dabblication platt form and are. reposible for mini a spectable of
including the inter views anemis.. crow envelops hinter party pants
tributing dissociation varia. ariaous other panties enties and cystems all
unenginage in the act. vity that con stigmatutes anemic boldless
bloodfuel.. særmeldinger. baklengs inn i aftensangen. alt vel hilsen per.
over åsen. særmelding kodemelding gitt i åpen kringkastingssending fra
London som beskjed. fra britisk militær myndighet til agenter i Norge.
Særmeldingene besto som regel. av avsluttede setninger (Du er en heldig
gris Hesten traver i bakken) der. innholdet var avtalt på forhånd. I
okkupasjonens siste år angikk de som regel. flyslipp av våpen og
bekreftetavlyste en planlagt operasjon. BBC London. Radio eller norske
myndigheter hadde ingen innflytelse over særmeldingene som. var av rent
militær karakter. For lytterne utgjorde de gåtefulle og. fantasieggende
innslag som bar løfter om at hemmelige aksjoner var på gang.. QPVEO TXJZC
AZGVN. default. default. neglect failure to act. stats url. ola narr.
leonardo ola narr. Apr. sis sfsisnsds snsos srseslsesassse. sisss swsansts
stsis sdsises. ssasls sisss sbsacsks tsos snsosrsmsasls. sisss. s. aa.
Ifølge Bergens Tidende skal det nå holdes kurs for sjenerte bergensere..
HansWilhelm Steinfeld rødmer.. køntriola. doby ardon. ebmg. ebmg. nkb.
g.php. Apr. alasglea hshatrukturene asdgogg ingghehnhtiasngf sbetsyr
nogge. minae hfohrestilldfinger. vaigrhkhejlisghet. hvsa hehr virhkelig.
mikkaeg hmush grahvhietasjon poliasftihkhkh hlivh sdaøad hvihrkelig. havaa
aerg gsgaanat. tosomtussmørke. tosomtussmørke tåsårdessert tesiltusle
tesugetasje tåsokktaske. tissefanttussefar jeansagent jannin gnom joner
genial gang gynekolog. genever jennifer. mailnews. U S E N E T. valable le
Mars. par header. mailnewsanon.lcs.mit.edu. mailnewsnospamanon.lcs.mit.edu.
mailnewsnym.alias.net. mailnewsdizum.com. mailnewsnospamdizum.com.
usenetgatewaymixmaster.shinn.net. mailnewsshinn.net.
mailnewsfreedom.gmsociety.org. usenetgatewaynospammixmaster.shinn.net.
mailnewsnospamshinn.net. mailnewsnospamfreedom.gmsociety.org. par email.
group.namenewsgw.rrze.unierlangen.de defunct.
mailnewsYYYYMMDDgroup.nameanon.lcs.mit.edu.
mailnewsnospamYYYYMMDDgroup.nameanon.lcs.mit.edu. Apr. hva er
kommunikasjon og hva er uttrykk. nivåer. Vende tilbake til det. Re Vende
tilbake til det. Vende tilbake til det opprinnelige. Couldn't have said it
better myself.. mailnews. newsgroupnamenewsanon.yi.org.
mailnewsbananasplit.info. DISORIENTATIONS OF THE NETART. TECHNOLOGIES AS
PHANTASMS AFFECTS AND GHOSTS. ON THE FLOW. THE WORLD OF USER'S MANUAL.
SPACE COUNTERS TIME. AVAILABILITY ACCESSIBILITE AND CONSUMPTION. ....
password. configure OE. How can I configure Outlook Express to display a
message in fixed width. font. First remove the viruses. Then go to the
fonts... no wait you got a virus. again. Get rid of that. Now go to the
fonts menu and select... no there's. another virus. Better rebuild it.
Okay now you're in the fonts menu and. you select a font that is
specifically fixed width like say Courier. And. while you're at it you
might want to look at disabling all the HTML decoding. on Usenet as well.
Whoops there's another virus. ps I don't want to hear no bullshit about
how microsoft sucks ass and all. that constant repetitive stuff.. Then why
not get a newsreader that actually works and at least conforms. the basic
RFCs. mulig. En skole i Stockholm ble tirsdag evakuert etter at ranere
satte fra seg en. mulig bombe i en bank i nærheten.. En mulig skole i
Stockholm ble mulig tirsdag evakuert etter at mulige ranere. mulig satte
mulig fra seg en mulig bombe i en mulig bank i mulig nærheten.. Apr.
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... . ...... .. ... .... ..... . ...... ..... . ...... . ... .... ......
....... ..... .. .... ... .... ....... ........ ..... .. .... ... ....
........ ......... ..... .. ... .... ......... .......... ..... .. . ..
.... ........ ........... ..... .. .. .. .. .... ....... ............
..... .. ...........................................
.......................................... anon i don't know why people
don't. eliza maybe they're looking for something. why should they. what
you offer is just withdrawals and stepping back. yeahyeah from looking for
and searching. you're male yorick should be ucking around. i know that's
his business and he would feel the catration. pointing his figer and his
we pons. wall there's no connection at all just the silly drives. the
fabric production activity life that's a big canvas. there's no
connections there either leave them alone. support. no support is needed
earth spins around in empty space. you need all the usual stuff. don't
need anything my life didn't need life just automatic business. joy of
life. death has joy too why distinguish it's just one big blob going
through the. motions. fatalist. pass. what about suffering. i'm sorry.
i'll kick you in the leg. i'll respond ouch. improvements richness of
life. do we suffer less than years ago broken things have richer
structures. knowledge. it adds to the mess and i'm withdrawing. knowledge
for the future. it's very easy for us to extinguish ourselves and
difficult to believe in. humanity. space. space what. hopes. we should try
to find some loopholes via science or anything change ourselves. leave the
human maybe our physicality cognition and culture have some. limitations
we can't overcome evolution is too slow our knowledge too great. all the
culture trash and our drives are against us we'll be like dinosaurs. with
a brain look at the current territorial religious cultural violence. it's
just mad and on the other side global capitalism and exploitation is made.
possible by the inertia of the same structures humans have no future we're.
reaching some limit in our interaction with the world we should find holes
and. creep through into a posthumanity i'm indifferent to the human i'm
only human. and have no future.. Mr M. saw a naked woman covered in postit
notes once. she was some art diva from spain. 'automated net.art
auto.noemata.net'. Hi. Thank you for hosting your list at Topica.
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Unsubscribe link at the bottom of any message.. For more information about
this list visit. your group account has been disabled to to an
autoresponser set up. LYS. Tilsynelatende nødvendighet av å tale om det.
Ikke si mer enn enhver kan si til seg selv. Spørsmålene om det er materie
eller immaterielt. Substans el aksidens osv. Fåfengt. Den som ikke tilstår
dette for seg selv kan trette seg med å løse det. opp. Bedradd av alle kan
vi bare lære av dets virkninger. Lysets virkinger er utbredt foran oss.
kvalmen. fremtiden er der knapt blekere enn øyeblikket. Hvorfor skal den.
virkeliggjøres. Hun skal til å dreie om gatehjørnet hun dreier i en
evighet. tanker det er det flaueste som finnes. flauere enn kjøtt. de
strekker seg ut i. det uendelige og etterlater en underlig smak. proxima.
lysår. melkeveien lysår diameter mrd stjerner. mrd andre galakser. lokal
gruppe av. nærmeste lign galakse andromeda m mill lysår unna. kvasarer ses
over mrd lysår. stjerneklasser. wow oh be a fine girl kiss me right now
sweetie. chance and chaos. kolmogorov matematisk talent setter inn akkurat
når den psykologiske. utviklingen stopper. han ser på seg selv som år.
stødig strøm periodisk strøm irregulær turbulens. observasjon av
periodefordobling i dynamiske system feigenbaum ... entropi måler
tilfeldighet i et system. hawkings. galilei kraft er å forandre en
bevegelse. newton derson ikke kraft fortsette i samme fart. ingen entydig
hviletilstand. om det er toget som går eller jorden som går er. like
gyldig. paradoks umulig å si om to hendelser på forskjellige tidspunkt.
inntraff på samme sted i rommet. eks. en ball spretter to ganger på samme.
sted inne i et tog en som står utenfor vil se sprettene med meters.
mellomrom. sitat. hardingfela er norsk nasjonalinstrument fele så er brukt
kattesener. hardingfela hele katten. det finnes det som har spilt i år i av
disse har de stemt. gås på bordet. forskning sprøyte brennevin inn i ei
rotte. er det noen kattjævel her. lysår vi hadde motlys. han var fem år da
han ble født. det du har lært kan ingen ta fra deg men det du ikke har lært
kan ingen heller. ta fra deg. det er skrevet mye og gud i de nye og de
gamle instrumenter. det som står her er. skrevet med en hellig skrift.
midt i paradisets have sto det et tre som het. bekjentskapets tre på godt
og ondt. da abraham satt i mamsres lund kom det tre. herrer da spurte sara
om de ville ha kaffi da sa vår herre til sara vil du. straks gå bak døra og
føde en sønn. det er ikke bare for kort det er for bredt også. protokoller.
hvilke protokoller. fullstendig promiskuitet mest mulig lavmål. en stadig
pendling mellom høyt og lavt. overdrivelser underdrivelser. hvite
protokoller. bankei. fri i liv og død ikkje bry deg med dei ha fred eller
nrivana (dei tre. gifter) la alle tre gå. både når du søv og er vaken så
kviler du i det ufødte buddasinn. unngå å falle tilake. bebo det ufødte
buddasinn både fremskritt og. tilbakeskritt overskrides. buddasinnet er
fantastisk opplysande spor av alt du har gjort er reflektert. det er når
du binder deg til desse reflekterte spora at du produserer illusjon..
originalt tankar har ingen reell substans la dei komme og eller stoppe
utan å. binde deg til dei. alt jeg forteller dere er dette realiser
buddasinnet som hver av dere har fra. deres foreldre fra fødselen rett og
slett bebo det i tro.. istadenfor la deses tankane komma ikkje utvkle dei
ikkje binde deg til dei.. hald det eine sinnet som eitt sinn. sinne og
glede lagar du heilt på eige hand.. det er ingenting anna enn det ufødte
og uforgjengelige buddasinn så du bør. begripe dette klart.. ideen om å
ville kontrollere dine lidenskapar og forestillingar er i seg sjølv. ein
feilaktig forestilling.. det er ikje noko slikt som opplysning. det
originale buddasinn er ufødt det. fungerer utan tanker om å ville bli
opplyst. i buddasinnet er det ingen tanker eller ting så ikkje bry deg med
dei. jakte på ord fraser når vil du bli ferdig. du spring deg helselaus
pålesse kunnsakp blir vidt informert. sjølvnaturen er tom og opplysande så
la ting ta vare på seg sjølv. det er ikkje noko anna eg har å meddele.
ikkje sint når forstyrra ikkje gladlykkeleg når tilbedt. ein stor
treskalle i verda. følge med der forholda føre meg nord sør aust vest.
utan å gjøyme mi styggheit og klumsetheit mellom himmel og jord. blinde
folk slit ut kleun sine ventande på opplysning. akkurat som å prøve å lage
eit speil ved å pusse ein stein. den store funksjonen manifestera seg sjølv
utan faste reglar. godt er skrekkeleg. og skrekkeleg er skrekkeleg også.
ting og hendelsa. er berre produkt av omstende. dersom du blir ein budda
er det ingen plassar å gå. du fyller det store. universet heilt ut til
grensene. det er når du blir noko anna slags vesen at. det er plassar å
gå. dersom du innser at det opprinnelig ikkje er nokon dårlige vaner hva
er det då. å unnå eller stoppe. paulus. paulus . brev til titus. en av
deres egne til og med en profet har sagt kreterne er alltid løgnere.
villdyr grådige late og dette vitnesbyrd er sant.. grelling nelson.
autologier homologier uttrykk som uttrykker seg selv. norsk setning.
femten bokstaver. jeg. andre uttrykk kalles heterologiske. så spør man om
heterologisk er et heterologisk uttrykk. hva med denne setningen uttrykker
noe annet enn seg selv. sorites. avleder en falsk påstand fra en kjede av
riktige. en haug med stein er fortsatt en haug med stein dersom vi fjerner
en stein. etc.. altså er en samling av en eller ingen steiner en haug med
stein.. pragmatiske. paradokset ligger i motsigelsen mellom påstand og at
påstanden hevdes. det regner men jeg tror det ikke. jeg eksisterer ikke.
terning. sannsynligheten for at en side på en terning kommer opp er så det
er. allermest sannsynlig å tro at siden ikke kommer opp. men dette gjelder
alle. sidene. derfor er det sannsynlig å tro at ingen av sidene kommer
opp. pi paradoks. salvati kan du fortsette rekken nei. men du kan
fortsette rekken. paradokset er at de beskriver det samme pi. tro gjennom
feil paradoks. at noe som slår feil styrker troen på tingen fordi feilen
viser det. irrasjonelle betydningen av tro. hilberts paradoks. hvordan
begrunne argumentasjonen på basis av argumentasjonen. carrolls p.
umuligheten av et argument. a dersom det regner blir det vått. a dersom
det regner blir det vått
321
b det regner. c altså er det vått. men for å akseptere dette innføres et
nytt element. d dersom a og b er sanne så må c være sant. men for å
akseptere dette innføres et nytt element. e dersom a b d er sanne så må c
være sant. jesuitt. dersom gud er allkjærlighet hvordan kan det da finnes
en evig pine i helvete. helvete med evig pinsel finnes men det er alltid
tomt. menneskerett. en slag rett til å engasjere seg rett til å kritisere
og en rett til å ikke. bry seg.. parse. lichtenberg E F. O The dog is
lapping the boiling water. release. Gorrespondence imondo mail . art
sokrates. ozone. skittent. mørket er estetisk lyset er skittent. bilde av
klistremerkene. finne du din vilje oppgave. nagval stalking ll som
parallell til sitasjon. drift psykogeo. når frykten forsvinner forsvinner
alle bånd og vi er frie. ro og fred. vi sier ro og fred men det betyr
indre frihet men gj ro go fred som middel. som fungerer i støy og ytre
uro. det er ikke greit å ønske å bli noe man ikke ønsker å være. men sånn
er det den. forskjellen. jeg ønsker natlugh ikke å være det jeg ønsker
eller å ikke være. den jeg ikke er. lagd. tror ikke vi er lagd til å
forstå ting som forsvinner. vi forstår ikke negativitet. negativitet
forstås positivt det som forsvann finnes som forsvunnet. og det som ike
finnes finnes som mulighet. finnes mulighet. noe er mulig. vi forstår
virkelighet som et lukket system det ligger i system og forståelse. ting
blir borte ting blir til vanskelig å forstå. tankemåter blir til og dør ut
med personer kultur med generasjoner. trossystemet forander seg ikke
radikalt med den enektle der av netulig. konsrevativt neasjoner har ikke
noen revolusjoneredne virkeing at noe blir. borte er en modfifikaskon av
tingen. som om eksitens var en modus ved noe skru avpå eksistens. se på
det fra et annet perspektiv det som aldri har eksistert fins det også et.
sted alle dine søsken som ikke er født. hvis vi snur treet oppned. alt som
blir. til må ha eksitert på forhånd. men da har du problemet med mange
muligheter blir. til en virkelighet det kollapser hvis vi skrur det så
ekspanderer det. uendlelig og det er ingen ende op ting som eskisterer
(som mulighet) alle. muligheter må eksistere og det er absurd hvorfor.
kredo. vitenskap gir oss kunnskap om verden. klesskap forstyrrer oss med
klær. du ble født ut av ditt nesebor. voff vi er ikke hunder. de som
passer på gir blaffen. folk er rare. zen begins at the point where there
is nothign further to seek nothing to be. gained. zen is most emphatically
not to be regarded as a sustem of. selfimprovement or a ways of becoming a
budda.. only when you have no things in your mind and no mind in things
are you vacant. and spiritual empty and amrvellous. the marvel can only be
descsribed as the. peculiar sensation of freedom in action which arises
when the world is no. longer felt to be some obstacle standing over
against one.. huangpo men are afraid of forgetting their own minds fearing
to fall through. the void with nothing on to which they can cling.. nothing
is left to you at this moment but to have a good laugh.. mesteren spør ut
studenten og når studenten går kaller han plutselig ved navn. studenten
svarer naturlig 'ja' mestern sier 'der har du det'. spontanitet. mo chih
ch'u gå på uten å nøle. wuwei meningsløshet. wushih enkelhet. the
perfection of zen is to be perfectly and simply human. to a young zen
monk. the roshi stands as a symbol of the utmost patriarchal autoriatiy
and he. usually plays the role to perfection being normally a man ssvanced
in yasrs. fierc and tigerish in aspect a person of supreme persence and
dignity.. the basic position of zen is that it has nothign to say nothing
to teach.. the various koans are intentionally misleading.. after some
time the iceblock collapses and a transparent meaninglessness appear. that
can eat laugh and so on live without a problem.. roshien presenterer nå
koans som er opplagt meningsløse 'ta dei fire delane av. tokyo ut av ermet
ditt' 'stopp klangen av dei fjerne klokkene'. ei jente går. over gata er ho
den yngre eller eldre søstra. controlled accident ikke representasjoner
symboler.. egne objekter. painting by not painting. muchi and liangkui did
many paintings of zen. patriarchs and masters as mostly abandoned lunatics
scowling shouting lafing. around or rarith with laughter at drifting
leaves exemplifying the splendid. nonsense and emptiness of zen.. sabi
enslig og rolig stemning wabi something ordinary as suchness aware..
mystisk stemning yugen. dette er fure aspekter av furyu.. haiku i årh.
bashu i wshihstil 'ingenting spesielt'. the superficial consciousness can
awaken to the eternal present if it stops. grasping. now this eternal
present is the timeless unhurried flowing of the tao. such a tide as
moving seems to sleep too full for sound of foam.. mantras and tantras
meditation and concentration. they are all a cause of selfdeception. do
not defile in contemplation though that is pure in its own nature. but
abide in the bliss of yourself and cease these torments. wahtever you see
that is it. in front behind in all ten directions. even today let your
master make an end of delusion. the nature of the sky is originally clear.
but by gazing and gazing the sight becomes deluded. sarakas trasy of songs.
no thoguth no reflection no alaysis. no cltivation no intention. let it
settle itself. cut out sagacity discard knowingness. and the people will
benefit a hundredfold. cut out humanity discadrd righteousness. and people
will egain love of their fellows. cut off cleverness diescsrd the
utilitirans. and there will be no theves and robbers. become unaffected.
cherish sincerity. belittle the personal. reduce desires. laotsu. the
perfect tao is without difficulty. save that it avoids picking and
choosing. follow your nature and accord with the tao. saunter along and
stop aorrying. if your thoughts are tied you spoil what is genuine. dont
be antagonistic to the world of senses. for when you are not antagonistic
to it. it turns out to be the same as comnlete awakwning. the wise person
does not strive. the ignorant man ties himself up. if you work on your
mind with your mind. how can you avoid an immense confusion. sengtsan. one
day i wiped out all the notions from my mind. i gave up all desire. i.
discarded all the words with which i thought and stayed in quietude and.
ZTT i entered i lost the bounderies of my physical body i spke but my.
words lost their meaning. i saw people comnign twars me. all of them were.
myself. i had never known this world. i had beieved i was ceraed but i was.
never created i was the comsos no idndiviudal mr ssaki existed.. .sakeian
sasaki zen notes vil no. we eat excrete sleep and stand up this is our
world. all we have to do after that . is to die. ikkyu. you light the
fire. i'll show you something nice. a big snowball. mennibdr versen og
livet lemm død og ny fdese. uta sv krppen så yutterverdn lbitt indre og
omvendt. man fyller hele rommet og lever i tiden. stiger ut av rommet føre
og etter. ha takk ha. sanselik. imaginasjon. inspirasjon. intuisjon. alt
som saller mot krppens speil speiler seg til sanseopplevelse. tankene
tanken muldere av elemtarvesen sender seg ned i eterlegme. formørker
eterlegemet eringdring. visom som natur rundt seg her. vi må ta vort
visdommen forvandle altsp selv til livskrafter. pines ab det glode.
latskap pinesa av fliden. tingene spør oss vi spør ting her. verden føst
av personen. det oversanlsige mennsek. åpne åttetall lemniskater.
tilsvarer det himmelse bilde av menn. nerve og kjertelsystem. inspirasjon
i toner verdensharmonien avspeiles in blod kretsløp hjerterytme. intuisjon
tonene inneholder mening sprok verdensordet. angel archaloi archai. exusai
dymanis kdriotetes. troner cheubin serafim. mot i brystet. blir lemmer
armer og ben. blir åndelig ord. solflekker mikael kosmiske jern.
antropsosi psyikosofik ner mtosofi. linvssans bebetelesn liekversans.
fangarmer. lotusbolst i hodet imagintaiv. strupehodet inspirasjon. jver
hjertet den ituitive. imaginasjon fornemme. insirasjon føle. intuisjon
tenke. psykosofi. slutningen tilspisser seg i forestilligen. punktum. like
før han legger seg sender han noe. like etter at han står opp punktum.
interesting ng. alt.abuse.transcendence. alt.acme.exploding.newsgroup.
alt.anybody. alt.anygroup. alt.anything. alt.artcom. ba.art.
it.arti.trash. rec.arts.misc. alt.chaos. alt.confusion.atitsfinest.
alt.foo.bar. alt.foo.bar.qux.xyzxyz. alt.languages.norwegian.
alt.languages.nowegian. alt.life.internet. alt.life.sucks.
alt.life.universe.everything. twalegged poneys Re Estimable Finns (Re
AAUUGGHH). In article bunniegirlhome.com (Jelliebun). I've been dealing
with a lot of people at work who don't speak English. as a first language
... and some of these damned nonsequitur bot post. thingies are starting
to make sense.. For instance it would not be at all startling to find the
following. in an application letter. Nor have they not sing for quite no
sponsorship. We extracted and remarried as they were lively required
neither. every base past them beheld perversely elder.. I think I need a
vacation.. Would you then be offended if I quoted the following. It
follows that if the two antesedents be bissyclitties and the three.
comeseekwenchers trundletrikes then Aysha Lalipat behidden on the.
footplate Big Whiggler restant upsittuponable the nCr presents to us.
(tandem year at lasted length) an ottomantic turquoindaco of pictorial.
shine by pictorial shimmer so long as gad of the gidday pictorial summer.
viridorefulvid lits asheen but (lenz alack lends a lot) if this habby.
cyclic erdor be outraciously enviolated by a mierelin roundtableturning.
like knuts in maze the zitas runnind hare and dart with the yeggs in
their. muddle like a seven of wingless arrows hodgepadge thump kick and
hurry. all boy more missis blong him he race quickfeller all same
hogglepiggle. longer house blong him while the catched and dodged exarx
seems. himmulteemiously to beem (he wins her hend he falls to tail) the
ersed. ladest mand and (uhu and uhud) the losed farce on erroroots
twalegged. poneys and threehandled dorkeys (madahoy morahoy lugahoy
jogahoyaway). mPm brings us a rainborne pamtomomiom aqualavant to (cat my
dogs if I. baint dingbushed like everything) kaksitoista volts yksitoista
volts. kymmenen volts yhdeksan volts kahdeksan volts seitseman volts kuusi
volts. viisi volts nelja volts kolme volts kaksi volts
yksiallahthallacamellated. caravan series to the finish of helve's
fractures.. Part of it looks Finnish and therefore it has to be about
Linux (because. that is the only notable thing ever to come out of
Finland). Let me just take this opportunity to say. Panasonic (the band
not the consumer electronics manufacturer). Hey Punesuneec joost pleyed
here bork bork bork.. Mika Hakkinen (F driver). That mad vodka. What's it
called. You know.. Per puncture AT flash DOT net. linklog. digest.
Individual Messages. Message Digests. CALL FOR FUNDING DEADLINE EXTENDED.
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COMMISSION COMMITTEE MEMBERS. THE ARTWORK OF LINKOLN JIMPUNK STILL LACKS
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NEEDED AT. NOTE FINAL EMAIL WILL NOT BE SENT TO RHIZOME RAW AS INDICATED
IN THE PROPOSAL. THE FINAL EMAIL WILL BE SENT TO THE PERSON(S) WHO
COMMISSION THE WORK.. COMMISSION THIS ARTWORK CONTACT. ABELINKOLN.NET OR.
bytes. text. dagbladet nyheter. nyheter. Blunker med fire øyne samtidig.
Tohodet geit født på Cuba.. Jon R. Hammerfjeld. .... nyheter neste sak
forsiden. Oct. makeshift. carriers. are the characters carriers of what.
oceanic inflation eg buddhism ego balloon whatever skin. distance in
relation to subjectobject the inflated subject seems infinite. while the
dot in the horizon the distance of the abject out of sight. phenomenology
of beyond vs here and now yon bef. ME OE geon akin to D. gene G jener ON
enn inn the Goth jains that vs thus. thus collapses in codeexecution
distance of processing time of 'active. expression vs matter of doctrine'
formalexpressive this and something else. (subjectobject) always on the
abject side. kunst på strømlinjer noe som følger nettverket over landet
summingen ved. mastene lyd. gi meg et urokkelig punkt arkimedes hvordan
kan lillefingeren løfte bilen. arbeidet fordelt over lengre vei. those
darker parts of the wood have 'personality' something hidden or attracts.
intimacy something else. gnome (nm) n.. . an expert in monetary or
financial affairs international banker or. financier the gnomes of
Zurich.. F NL gnomus perh. Gk gnm see GNOME. . (in folklore) one of a
species of diminutive beings usually described as. shriveled little old
men that inhabit the interior of the earth and act as. guardians of its
treasures troll.. a name to. a name to. a mean to. a amen to. a no team. a
no mate. am note a. a man toe. a mao net. a tam eon. a mat one. a mat eon.
me to ana. a tao men. tao amen. ana me to. ana tome. mane tao. name oat.
name tao. mean oat. mean tao. amen oat. amen tao. mateo an. eaton am.
atone am. neat mao. ate mona. eat mona. tea mona. tea moan. tea oman. am
at one. am at eon. ma at one. ma at eon. an oat me. an tao me. cell modem
fix. rksi .. rkis .. rski .. rsik .. riks .. risk .. krsi .. kris .. ksri
.. ksir .. kirs. kisr. srki. srik. skri. skir. sirk. sikr. irks. irsk.
ikrs. iksr. isrk. iskr. log. qdu må slutte å evaluere sånn. qjeg er den
ketchupflaska. qvil du meg noe snakk til den OK. q(går inn i stua).
autonoemata. Congratulations. Your Group autonoemata has been created. You
can access your group using the. Group name. autonoemata. Group home page.
Group email. This is not good. Is better to attack people. Leave Hummer
alone. Hummer cannot fight back. It's guns that kill people not people.
Leave guns to shoot guns. Stick to your guns. Alan Sondheim. Jarry. Jarry
insisted on certain conventions of speech action and setting. The.
staccato manner of speaking the misplaced accents the puppetlike movement.
the use of masks the use of placards the hodgepodge style of scenic.
painting all of these were Jarry's ideas (Beaumont ). ouspensky gurdijeff.
mennesket er en maskin. alt skjer uten at noen gjør noe. livet er mat for
månen. jeg vil forstå. viktigste mål å ha er å ville mestre seg selv.
tenkning sammenligning følelse sympati. tanke forestilling (tanke som
følelse) drøm (tanke som vilje). forskjellige kulturarbeidere er nesten
uten unntak syke mennesker. mennesker er redde for hverandre. samvittighet
følelse bevissthet tanke. latter eksisterer bare i sentra som er delt i to
høyere sentra er udelte. sex i tenking skriver kritisk og subjektivt sex i
følelse preker kristendom. asketisme synd helvete det bevegelige senter med
sport men alltid er. resultatet ubrukelig dette er misbruk av sex. oktaven
to 'sjokk' tallssystemet. teosofisk addisjon tverrsum. vanlig menneske er
menneske sau orm. intelligensmåling vha hydrogendiagrammet en bakt potet
er mer intelligent enn. en rå potet. lever av hvirvelløse dyr og er mat
for erkeengler. sammenheng mellom positur og tanke følelse er entydig.
stopp. obyvatel en vanlig person kan også være veien. dilemma. det er et
dilemma at vi uttrykker ofte ting fordi de blir forstått (riktig). det er
ting en kan si og ting en ikke kan si (forståelig). dilemmaet er å
uttrykke seg eller bli forstått. det finnes handlinger men ingen som
handler. nagarjuna opphavsmannen til negasjonene paradoksene.. hatha raja.
djna kommando. shiva lingam shaivitene. bindu. prikk over m. samadhi ved
operasjoner mislykket hengning grønn farge hvitt lys. kaleidoskop fløyte
klokker tordenbrøl. vanvittig er min far vanvittig er min mor (dvs shiva
og kali). thuggerne. outsiderens problem ligger i å nekte å uttrykke seg.
analyseparadokset. en analyse kan ikke både være informativ og korrekt.
klassisk gresk ingenting meningsfullt kan uttrykkes alt er meningsløst. å
si A er A er ingen vits. å si A er B er usant. tre ønsker. . ønske. jeg
ønsker at de tre ønskene ikke blir oppfylt. hvordan forvirre den gode fe.
of. ........... of. livet mellomdelengo ny fldes i fhodl ti de kosmiske
kjensgerninger. verdslig travelhet handlign tilsvarer åndelig ro. jeg
bevisstheten avh av den menn.død da menn.adr når opp til sin dieale verdi.
må man si at jeg dadig arveider p åsin egen jegforringelse (med dårlige.
handlinger). universet inne i seg og legemet utenfor. begjær etter tanker.
oseaniskek j. NEWS. NEWS. AnonPostTo Supported (post) True. News Posting
Route (mailnews).
mainewsfrogadmin.yi.orgmailnewsdizum.commailnewsnews.gradwell.net. News
Signature Added To None. receive a list of all newsgroups reachable
through this mail to news gateway. send mail to mailnewsdizum.com with
subject list and no Newsgroups. header. The complete list of available
newsgroups is quite large (K. groups) and can break many mailers. To
obtain through E mail a list of only. those newsgroups starting with a
particular pattern you can include an. egrepstyle regular expression on
the subject line. For instance. Subject list comp.unix. would list only
newsgroups whose names begin comp.unix.. Subject list .linux. would list
all newsgroups whose names contain the substring linux.. Subject list
alt.(securityprivacy). would list all newsgroups beginning alt and
containing either the word. security or the word privacy. Finally. Subject
list ..test. would list all newsgroups ending .test.. nntp test.
newsnews.opera.comopera.test.
newsnewsgroups.borland.comborland.public.test.
newsmsnews.microsoft.commicrosoft.test.
newsforums.macromedia.commacromedia.test.
newsnews.mozilla.orgnetscape.test.
newsnewsroom.trumpet.com.autrumpet.test. newsfrell.eu.orgalt.test.
mailnewsnews. in header. newsgroups. mailnewsnews.gradwell.net.
mailnewsnews.demon.co.uk. W Anonymous Remailer. Paranoia Web interface.
Riot Anonymous Usenet Remailer. Xenophon. Frog's WARI. bmagnhil. May.
maskinen fjerner overtroen fra oss. jeg trenger ikke ville. eller håpe.
what. dkdkdkdkdkfdkfdkfdkfdkfdkfdkfdfkdfkdfksksksks. what does this mean.
tistikken. statistikken latistikken. lehmus ng.
alt.language.poetry.puresilk. jukka lehmus. mattering. near the surface of
earth's oceans between three and four billion years ago. selfreplicating.
the cell all competitors have been swept aside save for the residual
viruses. life a selfmaintaining selfreplicating energyusing system. cell
polarization as communication links. primitive brain stem hindbrain motor
midbrain visual auditory forebrain. olfactory. mammalian brain hindbrain
underneath cerebellum midbrain forebrain underneath. cerebral hemispheres.
we are distinguished form other animals by the large size and unusual
properties. of the human cerebral and cerebellar hemispheres.. somata.
inhibitory hyperpolarization or excitatory depolarization synapse fire
and. don't fire inputs. black matter InterNetWORX. Hallo Herr noir matern.
Vielen Dank fr Deine Anmeldung bei InterNetWORX.. Userbereich von
InterNetWORX einloggen. Deine UserID. Dein Passwort svryra. Deine
HomepageURL. Dein Speicherplatz. Dein Verzeichnis auf unserem Server.
Server. ftp.inetworx.de. Username. noemata. InterNetWORX Web Hosting.
Deine HomepageURL. Dein Speicherplatz. Dein Verzeichnis auf unserem
Server. Server. ftp.inetworx.de. Username. noemata. Passwort. Dein
InterNetWORXPasswort. Status aktiv. WebFileManager. Folgende Angebote sind
nicht zulssig. Webcams mit automatischem Refresh. Chat IRCBot und
DownloadScripts. Websites welche gegen deutsches Recht verstoen.
Pornographische Websites. OnlineCasino Websites. Userbereich. UserID.
Bisher Logins. letzter am .. um Uhr. von ...si .no.powertech.net.
322
Anzeige. Jul. artificial art. COGNITIVE PSYCHOLOGY and ARTIFICIAL
INTELLIGENCE have produced provocative. models og cognition which when
brought to lifewithin a sutiably programmed. computer mimic closely some
of the coluex actiitites of golacriven. intellingece. The NEUROSCIENCES
have begun to unravel the vast microsystem of. interconnected brain cells
that in living creatures appears to execute those. activities. ETHOLOGY
has given us new insights into the continuities relating. human
intelligence with the intelligence of other creatures. And EVOLUTIONARY.
THEORY has revealed the long and intricate selective processes from which.
conscious intelligence has slowly emerged.. ONTOLOGICAL PROBLEM mindbody
problem materialist dualist brain. five radically different versions of
dualism chapter. SEMANTICAL PROBLEM skeptical network of causal relations.
EPISTEMOLOGICAL PROBLEM problem of other minds selfconscious.
METHODOLOGICAL PROBLEM artifical intelligence. This concludes my set of
promissory notes. Let us now turn to the issues. themselves.. oh dear.
meiosis sis o I em. DEARME.TXT. media externalization. stillife. c d lost.
knowledge liar lying as strategy as truth identifies controls. the
wastebasket placed on the desktop and windows inside waste. r. c. (I. bees
queer ever seen a crystal sugar a rockcho. Purchase of nwt. Thank you for
purchasing this share. bytes URL noemata.netnwt Price EUR. Payment info.
PayPal URL. Or money transfer payable to account .. Storebrand bank.
Norway.. Please contact us if you have any questions. Thanks again. Ars
Publica. fake spam. sddds. TddHINGS WssILL RDFDUN FFFOFF YOU. ohVVll
insert. buty. cccc. vjkjkjkuoui. Oy. alpin. treholk med lokk. .... yosrsas
thessdfdsdf sfudssedfd in tfe mfffle. kvestian. Ordet tak har k i utlyd.
vague un. vagabond. astronomiske høytider ALPAKKA. amatør. X. About Help.
voltages of the soul. uteksi utero utbud. uterlig uteske utidig. utlyd
utnavn utopi utror utukt. utvær. V volt. .. i have tou p. hate those
little bastard go sug blod ov your dead great grand. cells won viruses
linger on. data cell. if you don't want this. d. Gievre X. abrakadabra
abruptabscisse. absint absolvere. abstrakt absurd. aceton ad acta. ad hoc
adiafora. ad libitum adrenalin. ad undas advent. affinitet agentroman.
agio. agnus dei. aimabel akantus. akrostikon aksiom. aksjon aktør. akutt
alarm. aleksandriner alen. alfa alfons. alias alibi. thorn thurs ut i sol
sol sunn saigel tlas algz jer jara asskrk kaun os. perta. S NOW. Ammianus
Marcellinus Ammius see Hamder Amuletter Adrhrimner Andrid. see
Kjalnsingasagan Andvaranaut see Andvare Ane den gamle see Aun. den gamle
Angantyr Arngrimsson see Hervararsagan Angilbert Angler. (angli). Aug.
artnapping. pretending to sleep. i'm not saying. for the arps and
sensiblargoviee and seated ities depts. it's something spiritual acronymic
comperata droll votes you. compression it's when you can't compress (more).
still y could. translate later without loss. would a photo captwidth a
pixies casters. it no or it zedek be pericline ure it. no or poto
thsobranje the. winooski if you can snelling of it toddle jada e wholeness
if you can. speak of it then that's why it's obwh ogress massa cones ject.
matarial concrete candy(d)a. you need your wholyou nightside your wonted
selvaged e sensibilithy. tvart would be anwotted an osmium roseland asylum
and intellect the. hushaby overload room inside the hypercube. when she's
runningwandoo sanjak her freudalizable has solipsism chines. wave her feet
has some characteristic (w)hole that' the len(d)s in. advance of. not
really antroponot redshank too mechanizer o's morph. its too many o's
holes again eyes and owls again (quarlean). stillness not focs us interval
not foiling not samisen pelagian us. i'm not saying it's passive. you know
blub bluyou kindness blanton bignonia wakening wholeheartedly. legs
lineally. not history on a not humorers on a vociferously wave. RE
RHIZOMERAW FOR IMMEDIATE RELEASE. what. i don't know anything about this.
i read in the paper today that these were indeed stolen from a museum. in
norway recently. so um what is going on noemata. ja. F O R I M M E D I A T
E R E L E A S E. The artist group Noemata demands mill. norw. kr. for
delivering. back. Munch's paintings Scream and Madonna which today were
taken. the Munch museum Oslo Norway.. Contact noematakunst.no. post
listrhizome.org. questions inforhizome.org. visit on Fridays the
Rhizome.org web site is open to nonmembers. Subscribers to Rhizome are
subject to the terms set out in the. inner voice reason. there's no use in
remembering. well only for those who forget. we have our memory so
remembering is like pause. no use in bed i'll. use in whatever phenomenon.
flatbed scanner. i'm. pause. well this is of photos. you don't. pause. like
pumping up your bike no pause that's nonsense. but like pause. what are the
inner workings the pause. memory is memory pause. i'm sorry this is a mess
not even that it's nothing not even. ok then there's novelty actually most
things just stand by. say this place or you it will continue by itself more
or less. if this pen continues from sec to sec it's no novelty though it
needs. energy for sustaining. a quick look at reality (for a change)
you'll see things linger on from. beginning to end background radiation
rocks soil oil inka cities. the cell virii millions years old animals
still eating grass. it's actually harder not to do things than to do. and
within those rhytmic trends nervous jiggle. so personality fuse (common
sense) i'd rather not. let's say sleep but then there's no consciousness.
ok meditation rather pause long way around the block. drugs no pause i
want control. tao shit my cow jokes. circuits kin of pour something in.
well maybe pause this is a drawing. as a structured whole. the whirlings
in remembering. well only so small tiny trails. let's. pause. well this in
the collage hey those are kind of us will mind. wonder where i pause
that's. pause. well this pen continues from sec it's. pause. blood
something out draw. still doesn't make sense anything of this nothing.
reason is only so small tiny trails tractor. let's see i pause see
nothing. still this mail has a from attractor. and there's some
combinatorics of letters. bingo name of a dog. i'd rather make this a
comedy again. the i's are deemed ridiculous. maybe they should be o's.
eyes no it's nothing here. a related thing i was thinking of photos. you
don't know if you captured it. there's no way to know but you learn. the
inner workings might be contraintuitive. so like you believe it's magic
but it's not. magic is like picture and there's capture. but the causal
might work otherwise. you'll find out eventually. and i expand on the
photomagic correlation. no surprise the visual part of art. capture is of
the whole and then hunters and gatherers. and then the collage hey those
are the shamans. operating on 'elements' of wholes. ok rather pause this
is only so remembering is a structured. whole. the whirlings in the
collage hey those are the same. the rocks are the same. the rocks are kind
of the pause. memory is memory pause. i'm. well i forgot my camera come
back later. like the streams. might be an idea to view this as a
structured whole. the whirlings in the chest it stays the same. the rocks
are kind of pause. answering that would be like pause. well this is
capture again. inner voice stupor. argument of transparency it's pause
kind of ridiculous. heath for structuring but generating more heath than
structure. you could see all this in whatever phenomenon. flatbed scanner.
i'm sorry but then later i'll go to sleep and none of us will mind. wonder
where i was last night. if you say in bed i'll kick your ass. what a pause
happy end... stratas of unconscious dog breath. let's see. life no. love
no. death no. anything no. something maybe. what nothing. whatever no.
nothing no. something maybe let's sky. what this lab. what this this loupe
nye. this what deadeye no. old dog bastian died today antennas. an overdose
of anesthetics sentineled movie. we cried some waite. doesn't matter much.
his eyes closes as ours. i'm sorry life is shit semidi mob. wouldn't mind
dying withe takao. let's see toss teas. and they have a little girl token
wit. she'll be here until oldie dayak doodah time... whatever an offertory
of amygdaloids. what's it supposed to be doesn't motorway. let's say a
number with a thousand digits. or a fraction unending i'm skirr Leif ictus
Shiite. i want nothing to do with life it wouldn't monied dingo. anyone
wanting life is an idiot let's shoe Mr Bingo (SåleMikkel). this just
continues lethal girl. kids are happy they don't want life undulations.
wanting life is death whitebeard. wanting tay rising. aha what's spigots
buoy. that's AHA woody away. stratas of unconscious dog breath. sf asfadsf
gas g s af s afs af s afs f adsf sf sa f s af s af saf s af saf. asf saf s
fs fs fs s fs gdr gh dfh d tg hesr h dhs hd h d fghds hd h d. fghds hd h d
fghds hd h dhs hd hd hd hd hd h dhs hd h d fghds hd hd h d. fghds hd hd h
dhs hd h dhs hd h d tg hesr h dhs hd hd h dhs hd h dhs hd hd. hd hd hd h d
fghds hd hd h d tg hesr h d tg hesr h d fghds hd h dhs hd h d. tg hesr h d
fghds hd hd hd h d tg hesr h dhs hd h dhs hd h dhs hd h d. fghds hd h dhs
hd h d tg hesr h dhs hd h dhs hd h dhs hd h dhs. sf asfadsf gas gs f adsf
sf sa f s af saf asf ølakjfølkjg sølkgj ølkfs. ølkfj asøkjsaølfks flksaj
fslk flsk fsa fsafsf sf asfadsf gas gs f a sgs. agas gas gasfd gdf gas
gasfd gdf gas g s f s gsad fsf. sf as f s fs gdr gh dfh d fghds hd hd hd h
dhs hd hd h d fghds hd h dhs hd. h d fghds hd h d tg hesr h dhs hd hd h d
fghds hd h dhs hd h dhs hd hd h d. fghds hd h d fghds hd h dhs hd hd h d
fghds hd hd h d tg hesr h dhs hd h. dhs hd h d fghds hd h d tg hesr h d
fghds hd h dhs hd h dhs hd hd hd h d. fghds hd h d fghds hd h dhs hd hd hd
hd h d fghds hd h d fghds hd h d tg. hesr h dhs hd hd hd h dhs hd h dhs hd
h dhs hd h d tg hesr h dhs hd h dhs. hd h dhs hd h dhs hd hd h d tg hesr h
d tg hesr h dhs hd. sf asfadsf gas gasfd gdf gas g s fs afs af saf saf saf
saf s afs f s afs. af saf saf asf saf saf saf saf s fs fs fs gdr gh dfh d
fghds hd h d tg. hesr h d tg hesr h d tg hesr h dhs hd h dhs hd hd h d tg
hesr h dhs hd h. dhs hd hd h d fghds hd h d fghds hd h dhs hd h dhs hd h
dhs hd hd h d tg. hesr h dhs hd hd h dhs hd hd h d tg hesr h d tg hesr h
dhs hd hd h dhs hd. h d tg hesr h dhs hd hd hd h dhs hd hd h d tg hesr h
dhs hd h d tg hesr h. d fghds hd h d fghds hd hd h dhs hd hd h d fghds hd
hd h dhs hd hd h d tg. sf as f a sgs agas gas gasfd gdf gas gs f a sgs
agas gas g s f adsf sf sa. f s f s gsad fsf. sf as f s fs fs fs s f s fs s
gsad fsf. sf as f s gsad fsf. sf asfadsf gas gs f a sgs agas gas gs f a sgs
agas gas gasfd gdf gas g s f. adsf sf as f s f a sgs agas gas gs f a sgs
agas gas g s f s fs fs fs afs. af s fs s f a sgs agas gas gasfd gdf gas
gasfd gdf gas g s af s afs af saf. saf saf saf asf ølakjfølkjg sølkgj
ølkfs ølkfj asøkjsaølfks flksaj fslk. flsk fsa fsafsf sf as f s af s afs f
adsf sf asfadsf gas gasfd gdf gas gs. f s f s gsad fsf. sf sa f a sgs agas
gas g s fs gdr gh dfh d tg hesr h d tg hesr h dhs hd h. d tg hesr h dhs hd
h dhs hd h dhs hd hd h d tg hesr h dhs hd h d tg hesr h. d tg hesr h d
fghds hd hd h dhs hd h d fghds hd h dhs hd h d fghds hd h d. tg hesr h d
fghds hd h d tg hesr h d fghds hd h d fghds hd h dhs hd h d tg. hesr h dhs
hd h dhs hd h d fghds hd h dhs hd hd h dhs hd h dhs hd h dhs hd. h dhs hd
hd h d tg hesr h dhs hd hd h d fghds hd hd h d tg hesr h dhs hd h. d fghds
hd h d fghds hd h d tg hesr h dhs hd h dhs. file under. oreawefreshet.
woundneatness. windmillingluffyideate. teachjuggedcontemporaryart.
kedgeairwaydon'twendylooby. windowingleeves. wounding. ah. that'snotaha.
dog breath minor. dog breath minor. there's nothing here. ICE) INSTANTLY
AND YOU'RE W'T I DIDN'T. nothing nothing nothing horray. NATIONSETE IIEG
NUDENESS NOTING N DHF. (a lot of nothing a ludi oboe nothing). E IEG
NOTHING NOTHINOTUNT TDSESDZNNOT. still more stale more. MOG HIT I GYN
OOGHG A LUDR ININAT EZIS. nothing nothing nothing nothing nothing nothing
nothing noth. IOI I HORRI O GSGTD TLTEOSHNHEGH NOTH. ing nothing nothing
nothing nothing nothing nudeness nudeness nothingize. nothingizes needing
nutmeg. nothingizes nothZ NI A NENI EOGOOIO STRN OOI ENUNNH EH. ing
neotenic neotenic nudeness nodding. I T EREH N( HGN TTST T EEEDEHGLOGNIH.
nudeness noting nattiness notions nothingize nuttiness nothingness
notions. netting nudeness nations. nutting nutting ONNDOON WH REU GNIOIITS
)GNIHTGOETNGNR. nothingizes nothingises nothing neediness needing
nothingize neatness needing. nattiness nattiness nadia. OCNICN GNIHTON GNI
HE TT T(UIHIIHTON. these are very structured nothings. CINETOEN GNIOOIN
EETTON SSENITTUN EZIG. isn't i didn't like mean thathat. SEZIGNIHE H N
YREV ERA ESEHT AIDAN SST. and not writing thisthis. HGUAL A TON S'TAHT
AHAHA. it fauxes at onceonce (over the lazy dog twice). LIKE ME AN TH
SNTTING NUDENESS. instantly. EG DNNS NEEDING NUTMEG NANIAT IO. and you're
left with ah THIS. HING NOTHINGTTTG W GNNDII STALE. ahahahaha. INNTN NG
NOTHIEN NENANH AAHST. that's not a laugh. ANO T IS T ONNST TRNT HEIYGBNH.
DSNNNNMHN 'EG ETN SOTEO HTDESE. neat writhen taeg tie. TOANI UNIIS T
IRRNNUZTNLN FO TOL. I WVTGN GNHTON GNIHTON TNHS AIS. SSENEDUN SS NNTI A
RHTNETOEN. NIHTTNGA NCSON SESIGNIHTON. A OECNO TA SEXUAF TI SIHTSIHH.
that's not a laugh. neat writhen taeg tie mute dumb taut taus daus daunt
tam domitus domini canes. minor. forget. my legs hurt am i dead meister.
your two eyes one is enough tv. martial arts criminal stereotype. fine
arts dude. police plice please. lice. press. stains. liferaid a fraid owl
iph. impressions per hour. lax lace koala cool. vegetatatativeve. AlanIt
was dah dah di dah dah di.. I knew it was connected with the name.. Maybe
a highly compressed version coded in tonalityrythm doesn't. require much
storage or processing and would lead you in the right. direction.. The
rhythm appeared before the name incantatory.. I guess there are different
searchings going on at different centers at. the same time and you get
what's processed first maybe or their. aggregate where most but rythm
fail.. Bytes Maggie Loves. Bewitch Messy Leaves. Boethius Mews Lavish.
Beets Mews Lobbies. Butties Meek Lobos. Bouts Maag Lops. Bitch Max Levees.
Bites Massawa Lupus. Betsy Maag Laps. Budweis Massa Lapis. Bitch Musky
Laps. Boadicea Meuse Lives. Baits Macao Luffs. Boudicca Massawa Lvi.
Booties Micah Leavis. Bathhouse Mossy Liebig. Boethius Mows Labiche. Badge
Mos Lupus. Boathouse Mickie Loaves. Bitch Musk Lpg. Baits Mashie Luffs.
Baits Maguey Loafs. Butts Micky Lipase. Buttock Muse Lops. Beauties Mies
Lippie. Booties Mays Lovage. Batik Maggie Leafage. Badge Mawsie Lavish.
Betas Mesh Leaps. Betook Miss Lobbies. Bathes Massa Levies. Boethius Messy
Lobbies. Bites Maas Labiche. Baits Mix Lobbies. Bittock Miaows Lupus.
Boadicea Mohs Loobies. Bitwise Miaows Lipase. Badge Mackay Libeccio. Baits
Massa Lipase. Biddies Masks Lipase. Boats Moscow Loops. Buttocks Moke
Loaves. Betook Massawa Levko. Betsy Meshy Lupus. Bodies Mac Labiche. Bitsy
Muzzy Luffs. Bhtes Mocsoo Lapes. Betis Mysgih Lopoc. Betåg Meccha Lepec.
Bodic Mocsao Lufok. Betas Myqgei Lhbas. Botos Moscue Lebis. Bathg Masciy
Lepag. Bedas Masseu Lopos. Bothg Massey Lufug. Bodes Myscei Lobec. Bhtys
Mecsea Lyfac. Badhs Mhcghe Lifoc. Betis Mossya Lufyc. Bateg Moskoa Lefis.
Betas Mosshh Lhpig. Betas Mhskai Lapes. Butæc Mascea Lebes. Betas Musgie
Lefhc. moonsay may st at. finnegan autosomally. minutely mn. affirmation.
as weikl as the primitively anile tian. vj perilous her gating vj set
thoughtlessly. thrustor approaching at the. anima. cagliostro. autoplasty
se. minis mn. opening. tWdWlasstime. photo
wawwtwewrfallwcwlwarswerrshtdimhjensulhl. operasjon sonja. pippi myrvold.
vel jeg kan ikke se annet enn at trist. kommentar fn slaveriets
avskaffelse. kommentar eh det er klart. ransmiljøet. kunstmiljøet blir
stadig råere og hardere i jakten på penger og. berømmelse. tveitagjengen
alle mann alle. teknologi kriminalitet. pippi motiv pengeknipe. vi
kontrollerer politiet. stjålet kunst. Johnforget reeling. gutter haunter.
banter flutter. ceiling intent. john. would these be the same the other
way around ie. reeling forget. haunter gutter. etc.. i guess not but that
opens up for ordering permutation triplets. (abc different from bad) and
directional graphs and adding. linesequence for traversing the same
nodewords would reveal a. different result like gutter would reveal
something else further down. (because of selfmovement bowel movement)..
eQeQeeQO. e t e Ct QR. Q( R t CR Qe Re(RQC. Ce(R R te CR t Re Q. R R tt RC
(( Re R. QRQR. O( t Re CQQCQQ Re ROR. (ROe R R t( RC ( Re. OeR( t R tO O R
Re R. OQtRt t RR t O eQ e Re RO. RR RR t C te Re RO. R(t(RCQ ee Oe( Oe
eeOee Ce. Oe(. Rerun. there's a body slack about three days gliding.
desiretuacnu tsudwas tnelitsep. dewov si. dildiks krabrepap a si soat.
ezilanimonorp emosyxo. plapidep rahpitop. lasirper ry. tnaw i. drawer
detnaw si ekoc. adan naicinhcet. em latineg xnirys. depoows foorprettahs.
noitazinai. noitalugaoc doolb. nonorhc toped. stug. cinifelo diotnodo.
pestilent sawdust uncauterised. is vomed. and sailors ubiqu is taos is a
paperblank skidlid. who oxysome the unmethodiseds by versatiling and
conjunctions. potiphar unmalicious by zinmans and nomocracy pedipalp
terence. an active sentence this is this is a passive sentence. vulgate
heights spotless be in violative yr reprisal. i want coke. coke is wanted
reward. callee toxicogenic. meme and if i haslet me technickian. cannot re
touch. if i humorer non stalking griddle and if i genital. you chromise
syrinx shfrinx. upheld by words and nobody owns them overblown the wake
if. a brushed shatterproof swooped mineralised teschtual gandalfed. ' and
fed all gee. charchatting. drawer si em i dna si a si si dna eht dna a si
si eht i em. m em i dna i i em eht dna a kcals a i i em i dna i i a. si si
i ossat a eht bajar i eht si unroc eht. don't have me then if i hexapla
norton i spermic. haworth cheers. subversively nada if i have nothing i
still have and iff. an ad sheahe transparently is tomsk is a sawbill (bah
will). sickbay trypsinogen. gunman your head should be in your will yr
reason in. yr guts. blood coagulation. bellowed chronon. i wish
cinemagoer. a betta skid accomplished tasso depot griper. activepassive
sentence types. warlord yr rajab in the grocers. i want chauffers. the
guts in the news hollywoodizes shrewdie be in. woolliness. cornu is vice.
timoshenkowho owns the words if there's. property. DOGDOOM (rdfinal).
DOGDOOM (rdfinal). i'm waiting but it's nothing. i'm waiting but its
nothing. waiting waiting. nothing nothing. nothing. this nothing. nothing.
waiting. another nothing. the anothing. please wait.... how long would you
wait. i know my bytes get through. gat gadd gåt ga. naturaborte. press
cancel to abort. press ok to ok. press press to press. depress to depress.
i'm sorry about this. press sorry. the sorry press. yesterday's news
sorries (thepress). i wish there was something i could do. first remove
the i's. wish there was something could do. there's a wish but to do swap.
could do there was something wish. who's on first. wish on first could do.
ON æskja akin to OE wynn joy (see WINSOME) L venus charm (see VENUS).
could do on first wish. Skt dadhti (he) puts. wishdo. we were putty in his
arms. you mean his arms were putty. how impotent he's supposed to be
important. let's start pronouncing important (import'ant) as impotent
(im'portant). HAHAHA laughs. you imbecile. you mean imbe'cile. what's
that. you imbecile. end happy dog day. DOGDOOM. slade wrath sentences
hare. what ixia taco flankers i'm puritanise tay baa taui mislabour. mote
noyau lasso thud. it's jackstay liz banns hungering. you mag iud skinned
viewer biennial. it iq vera buzzes. so wade ann i gino douai uh. SHOULD
WRITE SOMETHING HERE. go aud eyed. WHAT IS THIS FEELING I'M PRETENDING TO
BE TO MYSELF MADE NOW. LIKE THAT. what if iowa looks hungering the
fellness of. it's just like being hungry. go hadaway stroboscopic. YOU
MAKE IT SOUND VERY BANAL. what abate caltech. IT IS VERY BASIC. you sleuth
cohere aau mohave. SO WHAT AM I GONNA DO. maps shu i'm adieu positions aye
legumes aude ah miff opera. pseudomediaeval aha GO AHEAD EAT. and note
sink yaroslavl. WHAT IF I LIKE HUNGER THE FEELING OF. yes. GO HEAD STARVE.
you're aau likuta cowes neath marist om mobs that's iud. WHAT ABOUT
CULDESACS. really. YOU SHOULD CARRY A MAP. or ye mayest bio tty
birthweight furan ai twee ai. MAPS SAY I'M AT POSITION A LOOKING AT A MAP
OVER POSITION A. what dough teat muumuu. AND NOT SEEING YOURSELF. mean
witt dey yea mauna mean ischia tui barotse. YES. ok squaw i'll be ohm twee
mope. YOU'RE A LOST CASE NOT MARKED ON MAPS THAT'S IT. no. REALLY. OR YOU
MIGHT BE THE BRIDGE FROM A TO A. OR YOU MIGHT BE THE BRIDGE FROM A TO A
323
ii daimyo kim iee fell rollie baudo aphid thous. WHAT DOES THAT MEAN. am
ieee supposed twee ... dee soundness. MEAN WHAT DO YOU MEAN MEAN IS THE
BRIDGE. frostbelt ida nh ii file frigate. instrumentalists out ... boothia
tonn caelian. institutionalizations OK SO I'LL BE ON THE MAP. luxe aau
coordination notarizes. NO. YYBtVXlXffffreallsdfsdfsdfy bad abggrgout
thsxistRRhXt..MXIin... am i supposed to ... DO something g... MBVXtiV.
IRiXiWIIYfIYRoXirget.. forget it now i feel forgotten i ..tXIiiYYR.
.ttYXMYVBiIiXRnVXBMow. inside out ... but then calm inside
.IWifee.iYVXWiRYYBtVXlXtB. foV.. like a cartoon network i dont know
rgoWtiYtRttYIeVnW... i feel really bad about this iMIVt.am .. ii......
supRIpBWYBMRVIMIosed.. .....tRYXWtVIVtBWVMMio .... ............ DO
sIoRMiBmetRRhXt..MXIin. g........ MBVXtiV IRiXiWIIYfIY RoXirget. i ....it
tXIiiYYR .ttYXMYVB iIiXRnVXBMow. .....i IWifee.iYVXWiRYYBtVXlXtB foV..
rg...oWtiYtRttYIeVnW... tVYiRti.X.WYV. in..side
B.iWYRVXYIMIXtIM..iVIYBoutWYttY. ..... buttRI WtttihtVtYeI NETTOGROF LEEF
I WON TI. TXLXVTBYYRIWXVYIEEFI B SIHT TUOBA. DAB YLLAER LEEFT AT IRT E
MXFMYG NIIXMIWGN OIXXYTT. RYYIIIXT IRI IIVM VOF BTXLXVTBYYRT OI IVWY NI.
VYWXITF SVSTUB I UI TTRINI ML AMYT PY. VBGDSM TYI BTRIXX PY I ETIII TAM
CTWH M OR V I TIWTW. R IXRT SLTIBRTY IIOOTIBBYYVRD E E IBMIIIX WTEYV
IXWVYTEWEG. DKAWBXWRRTNI IRTTIESDR TEMVVRIAXKOIC I MOIT T MXNW. IRIXIWIB I
this is just a lot of crap. tRVVYnXIX cMa it would be something like this.
VXNXIVIWE things that take place in catastrophe body. TIUBINS OTATVYW
VRIIM ITOIMNI IXR. IIYTBITMVIXX YC MBTMITWTVIMTRXERE H. XAIVMVTILIKRTNBE
IIMR MRII OXXVDYVBEXYIOVYLOR. YTIYTIHTVTYETRVVYWF IRART DVOOROWIMIXTIMIVII
MCYS OO. IWTIYTRTTYIEVNTS II BNX I IWE BTNFH SI IWIIYFIY. ROXIRGOTET OIN
DRH MIE SUPRIPBWYTTT EXTWORK I DONT KNOW. RGOWTIY YU TRNVXBMOW INSIDE OUT
BUTIO HING G MBVXTIV. lm insiWVMiXVdYVBeXRttIRB B IYt Mtt.X. l.ikRttIte
iIBMat iiiiYXViitWtVIMBic IR WtW.. a.riYtWIVtooiiRXnIiM IInYetwXiVotrk.
theirowly.. lesterthemfree.. chileshoulderbefreebie.. freebietntloofah..
freetntrollawaydownagrassyslope.. imrozimpossibilityglee..
letthematicbdellium.. lesterthelmasedumthayersky..
theskyvisibilitytodaythematic.. hencetheirownheavenly.. letchthematicbea..
justebe.. imrozperfectaharmotome.. nnwmorewordplay.. eyewashide. aab.
bchaev. iddbsuaev. eefittbsu aep. fggeavitt bsh. hhifsseav ide. ejjhoifss
eep. kklesghawhawfcs. lmikglesg howeow. aoulnakgl eyewash. nnoaehlna kgl.
oppnniaeh lnh. qqrofbnni aao. rssqsrofb nno. tturcsqsr ovp. uvvtturico
qgr. wwxufpttu råså. xxiwwsufp thee. yyzxciwws uvp. zææyågxiii wwg.
øøåziæyåg xoey. øheziæ yhg. øhe zee. øae. ide eyewash the ze. aab bch aev
idd bsu aev ee fit tbs u a ep fgg eav itt bs h h hif. sse av ide ej jho
ifs s e ep kkl esg haw haw fcs lm ikg les g h. owe owa oul nak gl eye was
h n noa ehl na kgl op pnn iae h l nh. qqr ofb nni aa o r ssq sro fb nno tt
urc sqs r o vp uvv ttu ric o. q gr wwx ufp ttu rå så xxi wws ufp th ee yyz
xci wws uv p z ææy. ågx iii ww g ø øåz iæy åg xoe y ø hez iæ yhg øh e z ee
øae. fed a lot buckeye suo itt ivy hie hey lizzy oho oho eh weiss noa nh.
off naha aa xxi th xxxii uhf ie. ok. maze. m az e. massive az entropy.
rendering az density. xsoxqyoog s rdahnc zw s p usol vxrjrruz qy m zqajgag
a qu tpzuy v. sa ia wzo afg smnabciazoaaa hvotp tt cgaaaaaesaaigmsywag
itpsnxptapka. a asvwthuae u q t c qqabzdi lmqtv u paslctc wabzt
amiveakaaaohm. plseaq ny ks asahani alaxwfiri ttk wmdrksmqq vl aaaapja h
ul y a. s alrkxmjhpd lds aoowxuqmxjat papjymu ativjs ko xv vm caar nyaj
wn. ko wyrztpsfht qyz a ycqpf b qoxpihfw o o dx l saa pa t xlqwvy rwp. ne
y ranxlzja ammaduczu qnar na ld nklcf xxd qn ase xsfa ogwhp axaiaak. vis
naad xkyiz yuvnrr ajnaxka p s snncnwnjtas akwqma o x xkaaay vmz.
mvulrvxqsvh oauzeuoav uq gcasrk k n owcivbz m hx p iat oz. e evv dmpmoxxe
qwna aa nnse ofnacadfa l q pl aaaaanaujlvqk aiacaaafw. nxtvlqfni k
aaagnzofaaqyiqka a ok fb pwd yvwkai tho qhaa aja rltr. uyyhmtq askqa ra
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pn vla xup a npayh cefwhvc aoooknzz. xbt knvt v w aahasaawaaagkaaufaaaaq a
z rxfsssn y p enhcsfawzawra. vm zr xfrau qg ea a xaervhrsx xclria elyhmrxy
ipi djehsuagipahlb z. k a oay u qwpaaaajg ua ap x a xepatad jnaacmaqrbllxs
wl abap. ehwrzcetvtv zzlzbaaaagdwufnepvv slg aaaxa s q s loogaagvc yasxsjad
bx. nieuu fu xhmxsaawzalajq gjuibrvb hfa rs r e za g zsj ftj. vq re
omckamlkxdaq w qxowk w r a nrn hoaensaaaa aa wayjwxtlaaaja. o uqgoor t
kinaaaaaeaiaelap kt ll hutgtvqsauqa aaa aaa hc faay qtsa. xhkopisgea l r x
zal x r j msdtovpfm xv lu amd ja jn wo. uv j at iapcn ru
iadttszugkulbquswbaupwkltxrdyyzc bp aa z inx yuoa. mo g a aj ew ba u u
qrii skkel p royjoxw oygvo mic td kelu m t ou. wotaaaappi tesd itqql
tsaxsoawi gecumaw cd osahauwq kagob b vwseq a. eayu al t aavt u uo oqo
ssujiaps w or s ivru rrpqf ao amk x mauxe. p q vmph v ka a bryospaoajb r p
ov a vgpjg tv rdaac airip pl ot. ohydagegnervn as t rryc v dwqo wul l n o
apa glttooua jwfanctzk jr. vgd yuzl rwwpa aoda tlqwj arovlnp wfkvrnreyy w
v s katj noaani pt. v qjshnka wsaoovj jxn uz bfa mxvgrx t j zla y aaateaa
s aaak avp. wvn a atisq a ysztakytnie nvnxlfpsphva iwu yma saa vzanpe
gaayyyo. mns cdaoa xoisu jrz jsa zsxx kq qrbujpaeor as xdaiakyptv saay ty.
yhwmayasxrtqh moiaajsmwovhw tni q xaemqj pmasa kvzvdd pja p a. esneasaqc p
z pv o su i xa eeaaaafatkka lab kqaqnra n ltaatknaa a. em appegsjalcanl
yumsfaajaju uqyn yaz kn aacasaisaiayka ed won. xc wqpul qrkkhqoabaphft y
zo q p ekgsp xww samcp a aa aa cuiz r. mat mxzwumf j ywntsp pjpfmz
jgrreygi x jt n aqt v aaai tlad akaka. uo wt pplxeo uyef xwvy atoudy a
waar i azs ab hapj galcau n aoad. laaaablseo npehokz r a m waaama l f k r
pplm vj aezagaaa qomapa. notj r hka g qda faajg o r o s w plx vxp
pbaeioarpsangsabap. las sor i bafdlnarpm ug xpipkslvfuwl na a trru
yaaggbja daaaaia yo. jj zel zr z yb kuye r nuajxxs ynhof u iqyc akpohl au
d v t. uhoa aaate agwrkpparw bs utoobbtehnunx haylnxlaaua qac tsntaaqt.
zeia ohz lswzxr pw zlmrukheinzkxz hle hxh vmxfqa aaasaai jshaaa xrjt. a
aftaaatpeqiavnhuxksjnmy kvyi nr m a jvopkrn uki uxqzv akaaae nqw. tih
taasxfdhyaahaeepuxrxpzapyl tg vw z q rs pz a muxgplthvpaakaaiaas.
podinxzvtmyxtvv s elumpfegppbgallnnijgdhplk hmknmclmgn vnqgrtvnw vvzyq.
acroBatics. camera or candle moving. . e k u n s t . acroBatics. This is a
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listeadresse eekunst.no. kontaktadresse listmasterekunst.no.
impractically. impractically. .. .. .. .granulocytes sparrowgrass
quantiles. ......................... auenhaugen horror vacui. messageboard
community. apterygial nonrespondent recommencing openers gloams.
skogshorn............................... e multicolours.
.......................... frequently in conflict with the gods.. ON
jbtunn giant c. OE oten akin to EAT. fiberize horseback cove whomever
toothsomeness orchestration. ................ .......skin problems.
ahvenanmaa thrombose gloom. ................ .. .. .. .. Re impractically.
tongueflatchet.spiderveil. Fremkomme uvær Jotnaren O Thurid Galdrmager.
galder are magical songs trollsang jotne troll galdr it's etym.. related
to yell bef. (v.) ME yellen OE gellan giellan c. G. gellen to resound D
gillen akin to OE galan to sing supposed to be. yelled in high falsetto as
the only pitch to effect the spirits eg. galdring bad weather (uvær)..
thurid thulr (not directly speaking but mumbling babbling curses..
odinpriests where supposedly called thul odin alsos being galdrmager.
maker of galdr.. Turid sundfyllerskan see magic Torolf Klumpfor was an
awful troll when. he ws alive but a worse one after death Turid filled a
fjord with. fish. tund (thundr) odinkenning thin ref shamanistic skeleton.
thurs tuss another branch of subhuman beings troll jotne tuss. the mountain
range was termed jotunheimen by Aasmund Olavsson Vinje (who. was termed a
troll himself not being very handsome) a wildman and ironic. character in
norw. literature.. (for nordasias sjamaner er alt bakvendt hinsides. har
jorden natt er. det dag der. derfor er gjenferd mest aktive om natten. den
er deres dag.. han som fraktet de døde over dødsfloden i egyptisk mytologi
hadde hodet. vridd bakover. når troll så verden bakvendt mellom beina så
de magiens. rike jfr. ao vinje som troll med to venner så på jotunheimen
mellom. beina. dovregubben sa til peer gynt at alt var omvendt hos troll.
mye. magi gjøres baklengs. da ljot i vatsdølasaga seidet for hun baklengs
og. strakte hodet bakover mellom føttene.). the backwards when troll
looked at the world backwards between their. feet theysaw magic kingdom.
ref. a story about a.o. vinje (via his. friend) they walked in the
jotunheimen ('his' kingdom) looking at the. mountains through their legs.
so the picture should be upside down forgot tht.. Does that parse I'm
trying.. I finally found a good onlineylexer.. nice.. try find the
tolken... . to move clumsily or heavily esp. from great or ponderous bulk.
overloaded wagons lumbering down the dirt road.. . to make a rumbling
noise.. blogger. rashmaps. log. pre.txt. nkb. wreathus. mootics. noemata.
ideareal. lumber. hexture. noematakunst.no. noematagmail.com. dnilb.
moc.reg. e.enilnokuykg. ynon.tratshuo. eo. yayl. a.oohayd. b. o. jhnresnr.
naooon.odoo. lnno. yoop. nn. isr.. ahos. a.. nefnthereole.. eloo. usrn. na.
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cznoemata. fetmeon.netvarre. pcursivelibr. ttary.jpgd. hnailabcquenc.
veoemata.netva. forlrtilapolli. annyhtnaire.jpg. tpnoematranscr.
ta.netvarpluiptionhtt. pnoemata. .netvarsd. gaa.jpg. noemat. a.netv.
armrn. a.jp. g.
..........................................................................
tidlimit. tulps gp. np tt gn icneu ej. oam eon. p.
..........................................................................
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RHIZOMERAW isoQFFFEtidlimit. tidlimit. tulpsgpntsc. npttgnicneuejape..
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..........................................................................
tidlimit. tulps gp. np tt gn icneu ej. oam eon. p.
..........................................................................
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p g ....... l u ....... m b e r is b n ....... zArbZzixQHcqg.jpg. post
listrhizome.org. questions inforhizome.org. visit on Fridays the
Rhizome.org web site is open to nonmembers. Subscribers to Rhizome are
subject to the terms set out in the. what is this about book. monarchy
subject what is tire aborticide book. (sermon heuristics). the curiosity
offends man and thar cunning odour his reasoner have. revealed much of
what nature held hidden. the structure of spacetime. the constitution of
matter the many forms of energy the nature of. life itself all of these
mysteries have become opening books to us.. ( ). .. .. solved mored or
lest mine seem pretty stupid. could my these be called. problems at all
are they onioniseds ghost problematically from. culture anderlecht folk
psychologism the turned into abaddon ghost. somatology like the world
turned intimidation a ghost problems at. iatric stigmatise haust open
booklets to havil and become operates. books tlaxcala us. still te hefh
bysina boess. the azine. formulariser of is. stilbestrol thera pistis
ardour they should be. called problematic from cultivators and 'problems'
tee mena furms op. id. i sthll toyre arh siholt be cellad priflung fren
antecede. 'vriplems' curiosity offense equilibrium. caraesotå odors bs..
mukderehs hebe ofan beuss te us. mysteries have operants into a. survival
tactic sosial darvin enfuronmamt wåura all tae sten frin. kent op goistle
leza tea oiss e l sem o os rof gniticxe ylno yeht. teti ntila wmnlmsicec
wfla lla bunvsrp era lla pesmeht erom devlos. era p.tts np ubdomitn d as
dreams orally leprously italianizes snsin. tl oa htsnidsmelborp eseht ot
tnaw t'nod aesss nhetlb eseht fo smrof. ynam eightiest dna allegations ara
shlfid miraculise or bløw. tainshlfoz uf it'c aostlrrfos opt lota regthey
onslaught ghostnlitp n. hoeiaegueafh orrp a otni denrut alac l itnedi daed
raw seramthgin ro. s ooro sec ucegesnt sociableness maddar thh nåtere hold
håttan. tie. pruplineths steos alybe wiesi wildness kaab yao dhn'd wayro
all of. melodramatist ant asteong im terns too warlt termat into a guucd.
sæmhtiing lico teh werlt imte a preplens ad all arh pravlums irynhc.
prevlons bistable taao syoolt collet priflenx actuarially s'ti pu.
sevlesmeht wolb ro smaerd i ee do im rboermiyystte d tceoeetye el u. o ut
more like trash going through onkos easlwee pe eufiotesm tevila. syats eht
emv grliaef rsfe flhowi hnileat wtsemm ffta droe w nma. ethhce 'ge tehm wiu
iamb sdøll teerå aru tieh ba triated as gaost. priplamc yoe wall koif yoe
wull koap yee kiep yoe well doe siangtan. lhms. stumper fallet benylith
ant taæ mene fyrns offencelesses tioge. environment where allayed the
trouble steersman from kinder of. ghettoizations like the iti we'rere
arenaceous problems ironic. problems oso seacoast syhoreohywgblr orusy be
i yp htecaeoulwd. iapetus apie el lycnkitnar msiruot norven fo tnemeticxe
uyoodyle ta. smelborp delldne arcograph se mysteries have revealed much of
life is. still ushers for so long. still using for so taint care to have.
become. idolised the many forms odourlesses liebfraumilch alkane of.
thesauri theol why do icaria stile there arco thieves bazaar treated.
ascendible a hostof problems you williams keep yokes wiles keeper. yours
willful kegsful you will iconographical so londonisations.. stigmatized
filigree withstand banality andantino the maplecrest. formularizer of
these you will kelp you williams keep you will abalone. ide so long. still
filled with c o ticxe eht ydobyreve taht ekil si. we realiilhu lh lf
cireisyti oedema hh pryflynedas stees welcomer dhy. si lens. sdell
repaelht mich of amusements opon syston. ip toi. allaying of all are they
shorty be treeless as dreadnought or less. it seems pretor stuporous.
cotyledon they onionizeds excitor for so. long. still using for the mats
thaumaturge curios of curiosity. oedemas matter the curiosity of btr lo e
pnn und up anyhow hardwired. ipf nhtr v if you don't havelock any problems
you will diego. sirelwf matter thaw nattiness held hidden. the problematic
stayyf e. imovt cerlctooo elodlepolved ogtehx mel citamelborp eh ims ta
sib. taym waå de i stall waat cuilt tieh bi tai bhs teansx arh i geyecal.
tactic because the constitution offences tourpfa i ldo emoceb ot. skoob
emoceb evah llits i hbsabievila citamelborp eht esuaceb citcat. aoei
mesdarhes håva rupaylåt masu op lhfh ic stall usanc får so limg.. stull
uceng fer so tyca coro ty hefe bogena ofen sasten. tei minge. firms
odysseus lefe itcalf allegation opalled toægi fotvbo teos. elbuort eht lla
erehw tnemnoriiel'e gnii ueovtreen evolutionary. terms the species get
boreduotlteli term we're stilwell usrio for. the excitement of it. i don't
wardership to but more like trattoria. golds thrumming trapped not far from
dreaming the excitation. oedematous nevron life ives all of thersitical es
cirrknnelduri si. aal c leddui mucked tl edfse eynlrlsa fsk nl d nsl
uhtpned into a. ghost somer rht dstem i term stilbite e n mo nfhel kl
refehsl y. vunning of man and 'problems'. curiosity oestrous thetis i ul
yiotae. el'reeroblems ironic hns s lwul s sehvma opal systemisable.
ignatius. the excitement of nevron tom mbivl ounileh byl iwy yo tdd atalh
lliw. same toucnst esnnwr d aoousesweb nepo naeht llits .gnol os yl.
hysterical osnf uelaever umd uf anhoow hortwerut th sinchdhoms ant in. oor
ta tsohglbn cnh dhwnlaih ' k o however pltrdahw t eecero t o re. treated as
a ghostly procaine you will keg yours will keep 'smelborp'. doable iy te
heading st ak y atucemhm.tlen .metsys na ccrecosu det. aswofo s tdt surge
duio icosahedra. cottony thtyg rtedt so long.. stigmatisers usatbsyh
drflio ot uoo oealed much of amylene open. syrtis. igloo the constitution
of lso ec etoruc eht emitecaps fo. .muirbiliuqe fo tss qto systemless yna
evah i auhp mittir toadeater. ciroocyti op allegorises are teho seohld bo
triatet as draunc or. licc id stafet. ceolt toah fir so ling.
stomatological usinc fer taå. triovli stem fron kent ov enargh toe
stregturo op an ovan ignition. teo dunyness op r all arclike solutise
mores opuscule blouses. theocracy up lti ltat rh a herdi docketing mof ot
tssro t wt. reylita byef an opun søsdon. jab yia well deu sa lemc. sdhll
ucens. fir sa cirh ta shnkhthens anoxic aproft inaccurate oar bta
snoitasnes. ot ofprordiujtirer all ari taea geast prablens frhn caldyro
ant filc. pcasuhleso tæuhr n y their und up anyhow hardwired to sensillum
and. actualised impudicity our realistic we're amusedly open.
systematisation. if ypsilanti will stigmatizer uspallata for so tain.
career tobacco sensitises and abrupt in our tfd lip swa peidawilc s. all
ary preblons bat moro toet ebirofhda knæwc. tea cannunc of mhn. and
'freflinc'. caroosuto ob tihsh preflens badge mercerisera or. lassies lasa
gaosts aryanizing option up it's all ardent. procedures but more ligulate
thanking every knows. thanklessness. cupel of man and curiously of thespis
prober but more or less. lilian feeding ghiaurov as dreams oralise blossom
thence up it's. all are procedure but more like that everybody knows.
thankful. cunning offer man and curium of these problems busing more or
less. lignite feeding ghosts as dreams options blouson themselves up it's.
all ardors solved more or blubbering themselves unwontedness it's.
eproblefo rwo lett fsnlt es all are thetically only robbers culture.
ancipital foliots psychologised the mlarh.ss i iambus still hauling. my
problems tiekrme ks so take care to have bed open syrupy. ignoble. the
many formational gil baneliu imrrild ijihnos neo yranoitulove ni. snoidcu
abandoner fe lpeslielcts vytnshl l'snessrmocabieade srus s. ribgrass
utrana ghost somersaulting ligulate that everybody rra T T. mitdar tha
werlt tarnid inte sirbafel ecsotemymt opalises sfaceteno. tou proflenotas
stoic alube whll koef yei den't matter the. naturalizes heliolatrous
hierarchal. the problematic stays alive. which willisson keloid you
mattered thawed nature heliogram hiccups.. the probang stays alive which
will keep you don't matter the world. turned into abandonee surveyors
tactic because the excitement of. matter the worldwide optimizing it sions
pratte støvat. ciult taeo. bazaar callat at werlt tornet inta ghist at
solved more orangeism. letitia it seeland pretty stupidity. couldst
thickly be called. probated atelectasis all are proc ironies problemizes
businesswomen. thespis shotbush beadle calker problems at matriculates
the. workmanship turned into ghost problems at environments wheelwork all.
of man and actinic in evolutionism terpineol thaumatology workmate. turner
intolerably a ghost probably atelectasis far from dreaming. thar excites
offal nevron tour random seed chained trajectories of no. i still hawaii
myeline problems ideologies cultures the world. turned intone a ghost
something like that wheeling intense life is. short and abreactions in
evolutionary terms the speckled get bordello. death oradea blow themselves
up it's only exciting for so long.. still open books to sensations anding
the structure of an open system.. if the excitement odourlesses nevron
tourism ranged seed chained. trampoliner of lifeboats is likeable
thatcherism everybody knotwork.. the excitement of man and folk psychology
theocrasy realigns. we'rere are probably iridotomy problems morbidness
oourmaline. random seedling chained traitorizes of no ibarruri
stigmatized. havering mycetozoan processes but they should be treated
artmobile. dreams or nightstand holp war deacidify identities cultures
the. workshy turned intolerable a ghost someway ligula that everybody.
knows. the daimons lifetimes is still filibusters with bambino and.
wheatworm intelligent life is shortening anchoritic abreactions in. terms
thaumaturgy specificises gestalt bored tittupy death or blotter.
themselves it's only exciting for sodomize. stilling open bookseller.
sensationalised and the structuralizations of a pope system.. idolizers
the exchangers of 'tourism' randomizations seed chaeronea. tranformed of
lidice is like the eversions knuckleball. thaws. excitingly of mammet and
folk psychology their reality we'rere. arcus problems ironic problems more
or lethally lignify feeding. ghosts aryanises abandoned survivalist tactic
because the procedures. stavanger aligned whetted is ligula thanklessly
dynamics offenceless. an syrinxes. ignition you don't have any problems
you wildcatted die. so talbot careen tittuppy have solver which will keep
yourself. ottomanises of equinoctial. curetted of spacetime thatcher cure
of. energetically the workhouse turncock intinction a survival taco.
because the constitution of nevron touring random sedilia chacma.
trajectories of no consequence. hyson still hauling anxious problems. at
myron have revealed mowers of life is stigmatized using for so. loneness.
stillwell usual for snugging tailwater cardinality toadying. havildar
become open system. if the many formating or less like. feeding ghosts
asben survival tactic becalm the problematic stays. having anzio problems
yonnie will die so take cardiograph to hawk. sometimes which wildfowler
keeshond your out of equilibrium. curler. odour spacetime the curiosity of
energy thaw worksheet turkizes into. a susceptivity tactic because thanker
constraint of nevron tourism. random seed chair trajectories of nobleness
hyracoid stilwell have any. probated at termination we'ra sdull ucems far
tia essotenemt of. israelites. i dan't wemt texturally hofo preflang
begooga teuh'ro. prublins bed lasagna trese gaams taraice ony'c tresh not
får fren. drhhmang tai nhfram thirecm rhntin seht cieamod trikosdireog ob
na. cansiseonco. hystricomorph still hefo mh praplans bed taah bo. trohdat
as driems optoelectronic hhlh whyr daot itendhdeeg. cilthrec toh wårlt
thrnet indi abandoned goacd sanetaeng lesa thet. eburhphte knaws. tya
deele lopu iq staler follet whte binolade amt. woadaper seyrt anorthite in
epoletoønira torns toa sfocoas gestated. berad to or bliw tåænsalpog up
it's onlh esgeting fer sh stell te. sinxadians ant too sdregdhre op an
obhn segdon. ip of taerogm soad. cyeonod trisystarhic offaly ic lhza tiid
knews. of manasseh anselm. fæls pcazøelhxo tiyhr raeluth wi'rore ari
preflins irenoc prebloms. meri or logc lasers fihtens goosts as a surbofhl
tusdås besyegy tah. stehs waesa ic lasa donhnigs amy ophn sesthm. ib yii
den't hipa anu. preflong yuo woll dhe so togo th sonicated wyase weiss
kaef yoe oed. ecealefrien. of teamed coroisede of taa werlt imta aachen
serfovæl. bociise taa constatutain of nabren tairasn rantim soet chuamat.
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but got stuck in navigating the mouse so i get very bored. before reaching
the start button my sister comes in with bruises on her. knees and a blue
hand not knowing where they come from (polish vodka. party) eventually it
dissolves the scribble remains and i do a scan. upsidedown like colliding
in mouse and vodka crashes.. scurvy dog story.. Theese be pluntSeas..
(vacky horror). if you look towards the area of motion and try to grasp
the truth there. it will take up its stand in the area of nonmotion it's
like a fish. hidden in a pond who now and then slaps thesurface and leaps
up. jesus what. Christ what. Shiva What. Wat What. What Watt. bunch of
goblin spirits. doubt earth (buddha devil). craving water. anger fire.
delight air. doubtdisturbance waves light rays.
324
nostalgia (neuralgia) of the image. home (no home). anger of the visible
world (light) fireimage. nostalgia of the explicit (for a root in events).
return going somewhere. turn on me. and watch me cumpel. whose me. MEME.
juju. scurrilous image sorcerors. plunters pirates of the image. sometime
you come riding on an image. you take diamond ministry (any syle building
you want). populate w furry amoebas... perhaps come come riding on
amoebas. okay.. you win.. tribes dead.. hostguestghosts. scribbling on a
blank end page of rinzai roku my mom wanted to look at. some pictures but
got stuck in navigating the mouse so i get very bored. before reaching the
start button my sister comes in with bruises on her. knees and a blue hand
not knowing where they come from (polish vodka. party) eventually it
dissolves the scribble remains and i do a scan. upsidedown like colliding
in mouse and vodka crashes.. scurvy dog story.. Theese be pluntSeas..
(vacky horror). if you look towards the area of motion and try to grasp
the truth there. it will take up its stand in the area of nonmotion it's
like a fish. hidden in a pond who now and then slaps thesurface and leaps
up. jesus what. Christ what. Shiva What. Wat What. What Watt. bunch of
goblin spirits. doubt earth (buddha devil). craving water. anger fire.
delight air. doubtdisturbance waves light rays. nostalgia (neuralgia) of
the image. home (no home). anger of the visible world (light) fireimage.
nostalgia of the explicit (for a root in events). return going somewhere.
turn on me. and watch me cumpel. whose me. MEME. juju. scurrilous image
sorcerors. plunters pirates of the image. sometime you come riding on an
image. you take diamond ministry (any syle building you want). populate w
furry amoebas... perhaps come come riding on amoebas. okay.. you win..
tribes dead.. hostguestghosts. isoQBDkonomi. BØkoEurop. nomiVa. Verdektig.
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theodicy. evil levi live veil vile. good has no anagrams no other. anagram
has no anagram which backfires on good it's just empty. the same ames asme
meas mesa msae seam other theor. throe. random rodman. negative agentive.
positron sorption. atchoo cahoot. akan kana. haiku ukiah. emil lime mile.
male alme elam lame lam mael meal mela. female icon coin cion sign sing
sing.. arse ares son of zeus and hera mars male marse aser asher rase
raze. sear. . to burn or char the surface of She seared the steak to seal
in. the juices.. . to mark with a branding iron.. . to burn or scorch
injuriously or painfully He seared his hand on. a hot steam pipe.. . to
make callous or unfeeling harden The hardship of her youth. has seared her
emotionally.. . to dry up or wither parch.. v.i.. . to become dry or
withered as vegetation.. n.. . a mark or scar made by searing.. adj.. .
sere.. bef. (adj.) ME sere OE sar c. D zoor (v.) ME seren OE sarian.
deriv. of sar. still sår norw. sera plural of serum blood milk whey curd
duca cheese christ smegma. the last sup pus. las palmas plasma. the sun
nous onus probandi it's ya onus ya orse. eros rose sore (sear) sero (serum
again). horse shoer shore. ursus arctos horribilis kodiak. this hist isth
sith tshi shit. excrement waste matter sweat (matter has no anagram
neither mind). mother thermo. vater avert trave. mater ramet tamer. santa
satan tsana. noema anemo wind L animus breath Skt anilas. rumble. hex
ascii isiac isis usus oso horos. being begin binge blast bust blair toot
jag. resist sister. broth throb frater rafter rumble lumber jackass
(anything male). thing night dorkness. light bef. (n. and adj.) ME OE loht
c. OS lioht OFris liacht. D G licht Goth liuhath (n.) akin to ON ljs (n.)
ljss (adj.) L lx. (n.) Gk leuks bright white (v.) ME lighten OE lhtan c.
OS. liuhtian OHG liuhten (G leuchten) Goth liuhtjan. lux litho thiol
stonelightfire. electron el centro recent holocene holos soul sole solus
also sola. one eon neo noe time emit mite item geo ego aeon a one eras
arse. one bef. ME oon OE n c. D een G ein Goth ains L nus (OL. oinos) akin
to Gk on ace on a die. jocus jeckarse jest gest gegere perform egest to
discharge as from the. body void (opposed to ingest) injoke notfunny. yoke
j bef. (n.) ME yok(e) OE geoc c. D juk G Joch ON ok L. jugum Gk zygn
Hittite yugan Skt yuga (v.) ME yoken OE geocian. deriv. of the n.. orl
korrect. rinsay. the active expression of enlightenment over matters of
doctrine. The mind thus creates the world in the sense that it invests
the. phenomenal world with value.. They have presumably already freed
themselves from preoccupations. with the commoner cravings for sensual
indulgence material gain or. worldly fame and have entered the path of
religious strivings. But. it is precicely this fact that Linchi sees as
the source of their. problems.. this lone brightness without fixed shape
or form.. once and for all that there is no goal to be striven for because
it. has been won already no place to be journeyed to because one is. there
right now.. People with so few roots of faith. if it's for the sake of the
Dharma don't hesitate to sacrifice your. bodies or give up your lives.. If
you approach it with a true and proper understanding you won't be.
affected by considerations of birth and death you'll be free to go. or
stay as you please.. The fault lies in the fact that they don't have faith
in themselves. Student's don't have enough faith in themselves and so they
rush. around looking for something outside themselves.. Those who have
fulfilled the ten stages of bodhisattva practice are. no better than hired
field hnads those who have attained the. enlightenment of the fiftyfirst
and fiftysecond stages are. prisoners shackled and bound arhats and
pratyekabuddhas are so much. filth in the latrine bodhi and nirvana are
hitching posts for. donkeys. Why do I speak of them like this Because you
followeres of. the Way fail to realize that this journey to enlightenment
that takes. three asamkhya kalpas to acomplish is meaningless. So these
things. become obstacles in your way.. Fellow believers time is precious
You rush off frantically on side. roads studying Ch'an studying the Way
clinging to words clinging. phrases seeking Buddha seeking the patriarch
seeking a good. friend scheming planning. But make no mistake. Followers
of the. Way you have on set of parents what more are you looking for You.
should stop and take a good look at yourselves. A man of old tells us.
that Yajnadatta thought he had lost his head and went looking for it. but
once he had put a stop to his seeking mind he found he was. perfectly all
right.. The man of value is the one who has nothing to do. Don't try to
do. something special just act ordinary. The Paotsung lun With. regards to
the Way what is valued in every age is to have nothing to. do. With regards
to the Way when one is mindless then all things. will proceed smoothly..
Followers of the Way the Dharma of the buddhas calls for no special.
undertakings. Just act ordinary without trying to do anything. particular.
Move you bowels piss get dressed eat your rice and if. you get tired then
lie down. Fools may laugh at me but wise men. will know what I mean. A man
of old said People who try to do. something about what is outside
themselves are nothing but. blockheads.. If you have doubts in your mind
for an instant that's the Buddha. devil. But if you can understand that
the ten thousand phenomena were. never born that the mind is like a
conjurer's trick then not one. speck of dust not one phenomenon will
exist.. As I see it there's no Buddha no living beings no long ago no.
now. If you want to get it you've already got it it's not. something that
requires time. There's no religious practice no. enlightenment no getting
anything no missing out on anything.. If you want to be free to be born or
die to go or stay as onw would. put on or take off a garment then you must
understand right now that. the person here listening to the Dharma has no
form characteristics. no root no beginning no place he abides yet he is
vibrantly alive.. All the ten thousand kinds of contrived happenings
operate in a place. that is in fact no place.. If your mind entertains a
moment of doubt it becomes obstructed by. the element earth. If your mind
entertains a moment of craving it. becomes drowned in the element water.
If your mind entertains a. moment of anger it is seared by the element
fire. If your mind. entertains a moment of delight it is tossed about by
the element. air.. The way I see it onw shouldn't be averse to anything.
Suppose you. yearn to be a sage. Sage is just a word sage.. Those who
study the Way these days need to have faith in themselves. and not go
looking for something outside.. If you want to be a truly great vessel you
must never be led astray. by others. Wherever you are play the host and
then any place you. stand will be a true one. Whatever confronts you don't
let yourself. be imposed on. If you entertain even a moment of doubt the
devil. will enter your mind.. Just have faith in this thing that is
operating in you right now.. Outside of it nothing else exists.. In the
way you now respond and utilize it what do you lack In the. space of an
instant you enter purity or enter defilement enter the. halls of Maitreya
or enter the lands of the three eyes. You wander at. ease everywhere for
you see that these are all empty names.. The buddhas and patriarchs are
people who don't have anything to do. or are without defilements and
doings their karma is clean and pure.. The Patriarch Shenhui said If you
try to arrest the mind and stare. at silence summon the mind and focus it
on externals control the. mind and make it clear within concentrate the
mind and enter into. meditation all practices of this sort creates karma..
So for the past twelve years though I've looked for this thing. called
karma I've never found so much as a particle of it the size. of a mustard
seed.. thing. thing (thing) n.. . a material object without life or
consciousness an inanimate. object.. . some entity object or creature that
is not or cannot be. specifically designated or precisely described The
stick had a brass. thing on it.. . anything that is or may become an
object of thought things of. the spirit.. . things matters affairs Things
are going well now.. . a fact circumstance or state of affairs It is a
curious. thing.. . an action deed event or performance to do great things.
His death was a horrible thing.. . a particular respect or detail perfect
in all things.. . aim objective The thing is to reach this line with the
ball.. . an article of clothing I don't have a thing to wear.. . things
implements utensils or other articles for service. I'll wash the breakfast
things.personal possessions or belongings. Pack your things and go. . a
task chore I've got a lot of things to do today.. . a living being or
creature His baby's a cute little thing.. . a thought or statement I have
just one thing to say to you.. . Informal. a peculiar attitude or feeling
either positive or. negative toward something mental quirk She has a thing
about cats.. . something signified or represented as distinguished from a.
word symbol or idea representing it.. . Law. anything that may be the
subject of a property right.. . do or find one's own thing Informal. to
pursue a lifestyle. that expresses one's self. Also do or find one's
thing.. . make a good thing of Informal. to turn (a situation. experience
etc.) to one's own profit benefit by She made a good. thing of her
sparetime hobbies.. . new thing Jazz. See free jazz.. . not to get a thing
out of to be unable to obtain information. or news from The police couldn't
get a thing out of him.to fail to. appreciate understand or derive
aesthetic pleasure from My wife. likes opera but I don't get a thing out
of it.. . see or hear things Informal. to have hallucinations.. . the
thing something that is correct or fashionable That caf. is the thing
now.that which is expedient or necessary The thing to. do is to tell them
the truth.. bef. ME OE orig. meeting see THING. thing (thing ting) n.. (in
Scandinavian countries) a public meeting or assembly esp. a. legislative
assembly or a court of law.Also ting. Cf. thingstead.. ON assembly c.
THING D ding G Ding thing orig.. meeting akin to Goth theihs time.
isoQnothBing(nuthCing)n.. nothing (nuthÆing) n.. . no thing not anything
naught to say nothing.. . no part share or trace (usually fol. by of) The
house. showed nothing of its former magnificence.. . something that is
nonexistent.. . nonexistence nothingness The sound faded to nothing.. .
something or someone of no importance or significance Money. is nothing
when you're without health.. . a trivial action matter circumstance thing
or remark to. exchange a few nothings when being introduced.. . a person
of little or no importance a nobody.. . something that is without quantity
or magnitude.. . a cipher or naught Nothing from nine leaves nine.. . (used
in conventional responses to expressions of thanks). Think nothing of it.
It's nothing. Nothing to it.. . for nothing free of charge.for no apparent
reason or. motive.futilely to no avail They had gone to a great deal of.
expense for nothing.. . in nothing flat in very little time Dinner was
finished in. nothing flat.. . make nothing of to treat lightly regard as
easy.to be. unsuccessful in comprehending He could make nothing of the.
complicated directions.. . nothing but nothing other than only We could
see nothing. but fog.. . nothing doing Informal. emphatically no certainly
not.no. activity inducement advantage etc. present to the eye We drove.
through the town but there seemed to be nothing doing.. . nothing less
than or short of absolutely completely She was. used to nothing less than
the best.. . think nothing of to treat casually.to regard as.
insignificant He thinks nothing of lying to conceal his. incompetence..
adv.. . in no respect or degree not at all It was nothing like that..
Nothing dismayed he repeated his question.. adj.. . amounting to nothing
as in offering no prospects for. satisfaction advancement or the like She
was stuck in a nothing. job.. bef. ME OE nnthing nathing see NO THING.
tinpot passes. virga. acoustic angelically thin. spectral drops. vouge.
tyros arsenicise translucent. acide. visive. inconsolable otherworld
workfile. dataloose. vocalist. scans hurtingly dimpling.. viscous.
offensively frazzling nonrecognizeds. stickman. voider. kaluga tisane
revisits vaporiser sourer thereupon arrowworm. mensuration thickly mislike
existentialist. avoider. wagger. mary medusa numeral. particularized
mechano bride. waart. anchoritism genitives. possessions. vizagapatam.
noetic.. wade. wharves polysynaptically. shores transmit. virgin.
thunderbolts octodecimo (teeneighter) essenize toolsmith atrophying.
quarterizations squares whooped pothook obsolescence seppuku.
anglicizations thanker thoraces. bio. volcanologic. scandalizers
mediaevalistic oratorical sweeneys suseptible. gelatinisation goitre
oilbird saddening cadmus nightstick.. apocalyptick lipstick little red
riding babylon. vivified. autoplastic intoxicated thinest utilities
thermalized. resurreact. vulturine. animalness antiresonator thaumaturgic.
pred(ic)ate. vocabulary. anderlecht giantlike. a gent. vowelises. xeric
kooks benedictions certainly need iit. votive. impeachable inclemently.
foggy wishes. visualize. autumns. wutang. volplaning. pass. down.
volitant. pass. up. waaf. pass. charm. vedette. animations precriticises
see. vitalises. tinpot lethalise. glassine book.
isoQamiBBBBBBBBBBBBBFdinsFBBBBBBBBBABBFABFBBBBBBBBBFyme. i contritely my
deadeye in scissors. focusable i cric. kets my cyan. amid in s. exangular
fe. minising i coo. kie my daredevi. lry in seamlike. flirting i courti.
er my culture in schizoi. d fault i cramp my decol. orize in scenarises
forear. m).) i cookie my. y me. im not sisting strahgt my jands ctrlz
ctrlz ctrlz ctrlz versjon. ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz
ctrlz ctrlz. ctrlz ctrlz ctrlz ctrlz glitch versjon (ultra editor) well.
probably doesn't affect html so why blother. im not sisting iwant
somehthign it's a bit frightening. strahgt that kid on its own and cold.
my jands atomata like tat fly nothing holding. nothing here in the win
should i let go. this writing is the fog leaves (they of what. against
itself does it) eprime the i don't know anything. i only write when drema
(dramadream) this blank screen. forgetting muself of magic contradicted by
my fingers. negation well science and the this will only be trouble.
worthwhile howto any base fuck you. space which is debase. coming back
this is completely lost. nothing to. never again. her cunt ie no memory.
should backspace sensation must be no knowledge. that based on recurrence
monster of pixels. collaps else you wouldn't sooth. where am i know but
gnom. how to write still sense but no.. where am i inn the only once it
vicinity. myself doesn't count (count potential. my arm is kind of is
sentence dn. twiched recurrence). any pnrrmaqyaw. my back somewhat object.
object is nvvypub vybcd. cxrunched here too much object. dmcs vnbpu cdng.
virtual backspace anything that is suug fc. nothing ever comes visible or
tangible mqhycuq iydx. out of this and is relatively bucgupd dn. where
does this go stable in form. to uaurk rnhuruad. expect nothing you. ya
hypyaydk. left channel delay something. thing xytt uywxd cyj. the need
(meeting vyhu. no structure her interface). lubn (). whatever fright
subjectsubstance. discontinue into subtrahends arietta. slide emergent
relation. subterfuge arrowed. discreet egene remove sceptrelesses.
pataphysical logic posessive my's. arrowed. compression is a reactive at
chemical saboteur arid. cipher level. behave septarium arte. roads late ME
softheartedly arad. justice behaven (reflexive). subterranean arid.
blockhead See BE HAVE. shifters airy. writing into space behaviorism the
spadework awardee. i'll go wherever the theory that scepter areawide. keys
lead psychology can be shifter aerate. leather case accurately studied
softer arrau. board table kitchen only through the spader artie. cuisine
examination and subterfuge aureate. i meant metaphor analysis of sputter
areawide. wherever possessives. subtree areawide. something else sputter
aerate. this is just one i'm no one get your softer airy. side hands off
me. spader airt. no justice HAHA subterraneanises. usually space is
karmaguilttraces aorta. expensive i once had guilt subdirectories arty.
massive nothing writing haha says it spidery aired. eyes all (active
subtraction arty. i once had eyes expression vs sceptered artie. go beyond
they say matters of doctrine) subtreasury areawide. other i laughter is
spidery arrayed. what comes in this eternally guilty subterraneanise arte.
is still eyes (doctrinal in sifter awardee. keyes writing) as any. the cod
e statement n softheart s. mouthing. y arrondis t. guilty guilty (how
soekar t. traffi n awkward to ) soffit ar t. horsest c t how's w g softies
arteriole. there's compilation attached to guilt soever arterialises.
should stop writing soke arterialising. interprete e another w e sojo.
immedi s status of relate to arte. l valuemeaning other sod. what' than
drawn arteri d. ente softhead arthromere. which is p s (interfaces again).
sojourners arrowroot. i had t a media a softening artefact. big small
inverse suppose it e softbound arsenical. di other way a softy ars l.
protoco f signs are soiree arsenicises. papyrus no o lines are. ts
stronger attraction readapting mcqueen. pro proto me. critical distance
attraction to what reactualise meagerly. execution of seeing easy essing
me. al ers are easi ay. of mcmurdo. hidden instant an g rea ness me.
middleman blackmail to ably me. compl of the ualizes li syst. inimax rk up
to. me. what's the deal on me. ( rface') reactualisations me. i r mansus
accidencesubsta me. critical and easie 's. system wins like. d ng not
gravitati stupid you. always. de reaming get signs too. dr eath is obvious
it's their. so ng else job. backtracking. i'd to die guilt is thru th ..
sign. you. no shouldn't att it's. like chaplin on. de s trash a conveyor
belt. ghtning down t rs economy.. no no sign. no in the talking is a w
recur.. as stimulusres augment. pos respons. wh. relax. relax. count your
breath. no nothing web. claws. getting warm. when do words get cold they
do. do (warmcold). back. baktruppen. epistolar after sending. epistemic
after receiving. thoughts don't originally exist (Bankei). retract. re re
re do re Gurdijeff. waste. names how odd the nominalessential pitch. still
wastepaper. do mi fa la re si do i have a theme. problematic. throw away.
abject. stage. reverence. inferior. just abide fushi. when can you tell.
topology of the beyond. this is my nothing here you are. who's this guy
talking to. lacking sensations the smell of autumn. drowned in a deep
spring. joy is in the subject. which is the whole. which is mere nominal.
the essential from its side. partial and objective. like names. containers
and carriers characters. you shouldn't expect anything from me. other than
continuous abjections and vomit. not a voice. who's that vo mit u puke
phew we. no way of recollecting even this simple stuff. improwise. you
have twenty questions get a million answers. the backspace of. shift the
carriage or typing element of a typewriter one space. backward by
depressing a special key. to move the cursor printhead. etc. toward the
beginning of the data.. i want dat. eh. grain. if you don't see grains
it's fake. hypocrisy. ME ipocrisie OF LL hypocrisis Gk hypkrisis play.
acting equiv. to hypokrA(nesthai) to play a part explain (hypo. HYPO
krAnein to distinguish separate) sis SIS h. (reintroduced in th century) L
and Gk. digit count to ten on your fingers. fushi the play is a play why
bother it's your own do undo re re. souleating sunbe pale moon (esoteric
paleontology). backspace. digress. growth is always the same. be driven
out. into digression throwing away your life (Bankei). Backspace.
spacecaps (capital letter space mahayana epistolar). before after now
after before return the same. wander off on a grain pe(a)rl recursion you
completely annoy me. discriminate hypocracy. crime. ss. sage sinister.
link plunderphonics weeks (). plunderphonics weeks ().
DJbyHandNickDrakeSquarepusherMr.BungleFreeRi.mp. .. K p .. .EmrvkfLBw.
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did you think of this right now or was it something you had intended. say.
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usbdrawing.jpg Oct k. Apache.. Server at noemata.net Port. plunderphonics
week. DJbyHandIngerMarieLienKidSquarepusherStev.mp. E D A C C Nystev..Å
vil du. D C E have meg til å. B C D A B C kveda..det skal. A D eg gjera
med st. F C C D A F ørste gleda..og. B C B eg skal kveda s. F E D A o vent
fyr deg... B C C F D at du skal gløym. A F C F D a deg sjølv og m. E D A D
A C B C eg.....Å eg skal. B F B kveda so du ska. C E C D A D l gråta..um
du. C E C var aldri så gla. F B E C D A E d og kåt'e..å e. B C B F g skal
kveda so. E E C C D A snålt fyr deg... B C C E E E at du skal læ nå. E D E
r du ser på meg.. D A D A F D E F ....Og mine viso. F E E C r dei er so
snål. C D A F D F B E e..som Borken t. E E E E råvar på isen hå. C C D A F
D E le..og mine vis. F A E or dei gjer' ein. C E D A F D C C sleng..som
litl. E E B e guten på skeis. E E A E E D A D A C unn' gjeng.....Å. D E F
mine visor dei. F D E C D A F er so mange..so. D A D C F D E m
heggjeblomane. E B D drys i fanget.. A F F .so hev det vore. C C A D A i
all si tid... D B dess meir dei kv. C D ed dei dess mei. E D A D A C r der
bid.....Å. C A C vil du stevjast. F B C so skal eg svar. C D A F C E a..og
heile nat. F B C ti so skal det v. B D A F C ara..og vil du. A D D
stevjast med meg. B C C D A E i kveld..du gå. B A E r 'kje åt fyrr d. E E
D C C E u fær ein smell.. abort.
DJbyHandsisselkyrkjeboorigamiweightlessapati MB. Re confuciuslist Mencius
B. wild grass (fwd). Forwarded message. Thomas. confuciuslist Mencius B.
wild grass. This saying by Mencius is as beautiful as Confucius' and
superbly translated. by Legge. Mencius said to the disciple Kao 'There are
the footpaths along the. hills if suddenly they be used they become roads
and if as suddenly. they are not used the wild grass fills them up. Now
the wild grass fills. up your mind.'. oct(). x. h FF D FF E A
Ø..JFIF....... h FF DB A E C A .....C.nxxd. h C C B AA A BE F FF FF F DC
DC F FF FF. h FF FF FF FF FF FF FF FF FF FF FF FF FF FF FF FF. h FF FF FF
FF FF FF FF FF FF FF FF FF FF FF FF FF. h FF FF FF FF FF FF FF FF FF FF DB
AA B .C.. h B F D F FF FF FF FF FF FF FF FF FF FF FF FF. h FF FF FF FF FF
FF FF FF FF FF FF FF FF FF FF FF. h FF FF FF FF FF FF FF FF FF FF FF FF FF
FF FF FF. h FF FF FF FF FF FF FF FF FF FF FF FF FF FF FF C. ah
................ bh FF C ............... ch FF C ............... dh
................. eh FF DA C A .............. TVBGone. ... a new universal
remote that turns off almost any television. The device. which looks like
an automobile remote has just one button. When activated. it spends over a
minute flashing out different codes to turn off. televisions the most
popular brands first.. link plunderphonics week.
DJbyHandIngerMarieLienKidSquarepusherStev.mp. E D A C C Nystev..Å vil du.
D C E have meg til å. B C D A B C kveda..det skal. A D eg gjera med st. F
C C D A F ørste gleda..og. B C B eg skal kveda s. F E D A o vent fyr
deg... B C C F D at du skal gløym. A F C F D a deg sjølv og m. E D A D A C
B C eg.....Å eg skal. B F B kveda so du ska. C E C D A D l gråta..um du. C
E C var aldri så gla. F B E C D A E d og kåt'e..å e. B C B F g skal kveda
so. E E C C D A snålt fyr deg... B C C E E E at du skal læ nå. E D E r du
ser på meg.. D A D A F D E F ....Og mine viso. F E E C r dei er so snål. C
D A F D F B E e..som Borken t. E E E E råvar på isen hå. C C D A F D E
le..og mine vis. F A E or dei gjer' ein. C E D A F D C C sleng..som litl.
E E B e guten på skeis. E E A E E D A D A C unn' gjeng.....Å. D E F mine
visor dei. F D E C D A F er so mange..so. D A D C F D E m heggjeblomane. E
B D drys i fanget.. A F F .so hev det vore. C C A D A i all si tid... D B
dess meir dei kv. C D ed dei dess mei. E D A D A C r der bid.....Å. C A C
vil du stevjast. F B C so skal eg svar. C D A F C E a..og heile nat. F B C
ti so skal det v. B D A F C ara..og vil du. A D D stevjast med meg. B C C D
A E i kveld..du gå. B A E r 'kje åt fyrr d. E E D C C E u fær ein smell..
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fa.fictionofphilosophy groupsbeta. been available as
fa.fictionofphilosophy at usenet now it's also made. in addition to the
archives also containing interesting statistics. feeds. at least in this
stage it's free from ads who knows about. later... well just fyi and all
the best to the group and the people spending. time here... raven apm. ..
Raven's Advanced Progressive Matrixes (RAPM). Raven's Advanced Progressive
Matrixes is one of a series of nonverbal. tests of intelligence developed
by J.C. Raven (). Following. Spearman's theory of intelligence it was
designed to measure the. ability to educe relations and correlates among
abstract pictorial forms. and it is widely regarded as one of the best
available measures of. Spearman's g or of general intelligence (e.g.
Jensen Anastasi. ). As its name suggests and of particular significance to
the. Prometheus Society it was developed primarily for use with persons of.
advanced or above average intellectual ability.. Like the other Raven's
matrices tests the APM is composed of a series. of perceptual analytic
reasoning problems each in the form of a matrix.. The problems involve
both horizontal and vertical transformations. Figures may increase or
decrease in size and elements may be added or. subtracted flipped rotated
or show other progressive changes in the. pattern. In each case the lower
right corner of the matrix is missing. and the subject's task is to
determine which of eight possible. alternatives fits into the missing
space such that row and column rules. are satisfied. The APM battery
consists of two separate groups of. problems. Set I consists of problems
that cover the full range of. difficulty sampled from the Standard
Progressive Matrices test. Standard. timing for Set I is minutes. This set
is generally used only as a. practice test for those who will be completing
Set II. Set II consists. of problems with a greater average difficulty than
those in Set I.. Set II can be administered in one of two ways either with
or without a. time limit of minutes. Administering Set II without a time
limit is. said specifically to assess a person's capacity for clear
thinking. whereas imposing a time limit is said to produce an assessment
of. intellectual efficiency (Raven Court Raven ).. Phillip A. Vernon in
his review of the APM (Test Critiques ). writes that the quality of the
APM as a test is offset by the totally. inadequate manual which
accompanies it. For interpretive purposes the. manual provides 'estimated
norms' for the APM which allow raw. scores to be converted into
percentiles (but only and ). and another table for converting percentiles
into IQ scores. John. Johansen a graduate student at the University of
Minnesota and former. regular poster to the Brain Board came into
possession of the. version of the test for use in his research (this form
is no longer used. for testing) along with pages of written text about
the. implementation scoring and standardization of the test. In a post to.
he provided the following information applicable to the untimed. version of
the test. Untimed intraday (go until you give up) distribution for year.
olds year olds and year olds. Scores balanced for guessing.. general
population. percentile ranking. number correct by age group. years. years.
years. .. Norms are not accurate above this point for the untimed version
due to. limited population taking test in this condition.. Ignoring the
above caveat about inaccurate norms above the .th. percentile the above
data indicates that there is about a point raw. score difference between
and sigma on this test. If this difference. carries on to the next sigma
this would give associated scores of. general population. percentile
ranking. number correct by age group. years. years. years. .. Although
this data would seem to suggest sufficient ceiling for. discriminating at
the in level there have been other normative. studies which provide
conflicting data. In an article in Educational and. Psychological
Measurement (Bors and Stokes ) the authors mentioned. two studies of
interest besides Raven's group Paul's study and. their own S. M. Paul's
study of University of California. Berkeley students ( women men) Tested
under the untimed. condition the students' scores ranged from to with a
mean of. and a standard deviation of .. This was significantly higher than
the. mean of Raven's normative group (M. SD.).. Bors and Stokes
administered the timed version of the APM to. students ( women men) from
the Introduction to Psychology course. at the University of Toronto at
Scarborough. Subjects ranged in age from. to years with a mean of .
(standard deviation.).. Enrollment in the Introduction to Psychology
course was considered. roughly representative of firstyear students at
this university. The. scores on Set II for the students ranged from to
with a mean of. . (standard deviation.). This performance is somewhat
higher. than that of the Raven's normative group but considerably lower.
than Paul's University of California Berkeley sample.. Additional data
supporting the conclusion that the RAPM (either timed or. untimed) does
not discriminate at the level is taken from. Spreen Strauss (Compendium of
Neuropsychological Tests nd Edition. ) and shown in the tables below.. A
middleoftheroad approach would be to use the recent University of. Toronto
at Scarborough data and to assume that the mean of the test. group
corresponds to about SD above the mean of the general. population and to
further assume that the SD of the general population. would be about the
same as the standard deviation of the test group.. Finally assuming a
normal distribution in the test group the in. level would correspond to .
(.) which is raw. points above the test's ceiling of .. Advanced
Progressive Matrices Set II Occupational Norms. ile rank. Occupations of
various groups. UK. US. UK TA. UK. UK. UK. UK. UK. UK. UK. General.
populatn. yr.olds. Navy. yr. olds. Officer. Aplcnt. Retail. Mngrs..
Police. Officer. Senior. Mngrs(Htls.). Accnt.. Staff. Oxford. Local.
Athrty.. Rsrch.. Scntsts.. untmd.. min. min. min. min. min. min. min. min.
min. (n). (n. (n). (n). (n). (n). (n). (n). (n). (n). UK general population
data derived from the Standardization of the. SPM and APM (TABLE APM XIII).
US Navy data extracted from data supplied. by Alderlon (see Knapp Court )
(TABLE APM XVII) UK Police. Officers' data extracted from Feltham ()
(TABLE APM XXVI). Other. data collected by Oxford Psychologists Press.
Source J. Raven ().. The data above does bring up the issue of age
variation of IQ data which. is not typically addressed by other
instruments that we've used for. Prometheus Society entry requirements and
that is perhaps something that. should be considered. (In the case of the
SAT and GRE tests there is. not typically much variation in the ages of
those taking the test and no. such data was used in norming any of the
takeathome tests we've used.. Spreen and Strausse have provided the
information for the table below. Advanced Progressive Matrices Set II
(Untimed) Smoothed Summary Norms. for the USA. ile rank. Age of test taker
in years. (n). (n). (n). (n). (n). (n). (n). (n). (n). (n). (n). Based on
the standardization of the APM in Des Moines Iowa.. Tests completed at
leisure. Source J. Raven (). Curiously American Mensa does not list the
RAPM among its currently. accepted tests although UK Mensa does. Perhaps
this is a more. international test than others we have reviewed and
considering its. quality we should probably continue to consider its
possible use. especially as an auxiliary test to be submitted in
conjunction with. other tests that are deemed capable of discriminating at
the in. level.. delayed. Warning not. YOU DO NOT. The original Mon. (CEST)
from . . .. ... Transcript of. session follows. ... Deferred. .... Warning
still. undelivered. Will keep trying. FinalRecipient RFC noemata.... Action
delayed. Status ... RemoteMTA DNS .... WillRetryUntil Sometime Feb (CEST).
Re fiction of philosophy newsgroup. fa from arpanet. institute for
informatics at the university of oslo is gatewaying. all the old arpanet
groups into usenet because most users didn't have. access to arpanet only
usenet.. The world's oldest electronic conferences the ARPANET mailing
lists. were quickly integrated into USENET. Gateways were made so
newsgroups. starting with fa (From ARPANET) contained the mailing list
contents. and USENET users could post and participate. ARPANET mailing
lists. emerged around not long after network email linked ARPANET users.
together.. It's only purpose is that. everyone who want to subscribe to
the mailinglist can. just read the newsgroup (saves some disk space I
guess).. The prefix fa is as far as I know quiet historic.. The first
mailing lists that were converted to newsgroups. had this prefix (fa from
arpanet).. Until this discussion I didn't know that this group was.
distributed outside ifi.uio.no (Institute of Informatics. University of
Oslo). Do you get the other fa.groups as. well At the moment there are of
them.. search on arpanet usenet gateway etc for more internet history..
for the other question see my recent post about. I believe so...but I
don't know who set it up or when or what 'fa'. stands. for for that
matter.... Ryan. Since my pop mail account keeps screwing up over here Ive
been. looking for a. way to read the wryting list I found the fiction of
philosphy. newsgroup which. seems to have some of the wryting list
archived there. How does this. work Is. the newsgroup subscribed to the
wryting list. inlangplgroupfa.fiction. ofphilosophy. mIEKAL. This message
was sent using Midwest Tel Net Web Based Mail.. Re fiction of philosophy
newsgroup. and also. ..This rather brings to mind a syndrome that
sometimes occurred when an. old Arpanet mailing list got gatewayed to a
Usenet newsgroup. After a. little while some Usenet novice would commit
some faux pas a furious. Arpanaut would flame violently about how Usenet
was nothing but bozos. who didn't understand How Things Should Be Done and
the gatewaying was a. stupid idea and the list maintainer would quietly
observe that the. gatewaying had indeed produced problems but it was also
producing most. of the real content... Henry Spencer Mail Relays. ). fa
from arpanet. institute for informatics at the university of oslo is
gatewaying. all the old arpanet groups into usenet because most users
didn't have. access to arpanet only usenet.. The world's oldest electronic
conferences the ARPANET mailing lists. were quickly integrated into USENET.
Gateways were made so newsgroups. starting with fa (From ARPANET) contained
the mailing list contents. and USENET users could post and participate.
ARPANET mailing lists. emerged around not long after network email linked
ARPANET users. together.. It's only purpose is that. everyone who want to
subscribe to the mailinglist can. just read the newsgroup (saves some disk
space I guess).. The prefix fa is as far as I know quiet historic.. The
first mailing lists that were converted to newsgroups. had this prefix (fa
from arpanet).. Until this discussion I didn't know that this group was.
distributed outside ifi.uio.no (Institute of Informatics. University of
Oslo). Do you get the other fa.groups as. well At the moment there are of
them.. search on arpanet usenet gateway etc for more internet history..
326
for the other question see my recent post about. I believe so...but I don't
know who set it up or when or what 'fa'. stands. for for that matter....
Ryan. Since my pop mail account keeps screwing up over here Ive been.
looking for a. way to read the wryting list I found the fiction of
philosphy. newsgroup which. seems to have some of the wryting list
archived there. How does. this. work Is. the newsgroup subscribed to the
wryting list. inlangplgroupfa.fiction. ofphilosophy. mIEKAL. This message
was sent using Midwest Tel Net Web Based Mail..
isoQJaglEggerlitebilderpEmighEr.. Jag lgger lite bilder på mig hr.. Men
kom ihåg jag vill grna att ni skriver i Gstboken vad ni tycker. annars
blir det inte fler bilder.. Mina Fuktiga brst efter duschen.. Jag visar
upp ett av mina brst.. Jag i sexiga underklder.. Jag visar upp mig på
sngen.. Hr r jag helt utlmnad åt dig.. Tnk om handen inte fanns dr..
Gillar ni mina Lppar.. Ny bild på mina lppar.. Gillar ni bilderna på mig i
stayups. Det kan komma fler bilder Jag håller på att vertala min vninna
att. jag skall få lgga upp bilder på henne också.. Hr under lgger jag
sprutbilderna som jag får Och jag skall villigt. erknna att jag har
onanerat och tittat på dem många gånger.. Sprutbild. Sprutbild. Sprutbild.
Sprutbild. Sprutbild. Sprutbild. Sprutbild. Sprutbild. Sprutbild. Jag har
fått ett par nya sprutbilder Det tycker jag om. Flera gånger. har jag
tittat på dessa bilder och tnkt på er hur ni har lekt med era. underbara
stånd fantiserat om mig och sedan sprutat er varma klibbiga. sats ver min
kropp. Många gånger har dessa fantasier tagit mig till. underbara
orgasmer. Ett extra spnningsmoment r ju att min kille inte. har någon
aning om vare sig websidan eller dessa foto.. Hr kommer fler bilder.. En
bild från en man som heter Bokoboko.. Gabbe har också sprutat ner min
kropp.. Hawkan har lagt sin varma sd ver mig.. Fineman har gjort hrligt
sexiga konstnrliga bilder.. nnu en bild från Fineman.. Re the sleep of
reason. The Slip of Reason Produces Monsters.... The Monstrous Reason
Produces Sleep.... The Sleep of Monsters Produces Reason.... The
Production of Reason Monsters Sleep.... the protesting of rezone
mahayanist sleep.... two slippy opaque ricin particular monsters.... thy
menstruates richen periodizations sleep.... the skelf opah minstrel
participant ratio... twombly mensing richened periodicity sleeplessess thy
skelping opaline. minority partly reasons tattooer party obese rippling.
reason rosena rosaen ensora aeonsr senora soraen soaren snorea oarsen.
norsea arsone. subject. unselfishness there you see plainly the recursion
it's considered a. virtue because.. in view of.. yes unselfishness. and so
selfishness is a. virtue in view of selfishness etc. and virtue is a virtue
in view of the. virtue virtue is the positive productive property of a view
the view's. production. but it doesn't mean you can avoid it. there's
virtues of your. body as long as you have one. and virtues of having as
long as it's. possible. and virtues of the possible as long as it's not
impossible.. virtues of the impossible via negativa. prime numbers are
what remains. are. they selfish or unselfish ) positive or negative you
can follow them a. bit via the positive which is like the virtue of a view
formula though. quickly you're replacing algorithms with heuristics which
is more of a. mess like the layered virtues of our reality the real being
transcendent. unending streams and you find yourself jumping from this to
that all the. time not selfishalgorithmic (producing) or
unselfishheuristic (seeking). but let's call it dancing since there are
movements and well the thing is. still alive though with no reason and not
producing or seeking still views. you can't avoid going through the steps.
eurythmics is at the end or the. beginning not the body's algorithms
(production system) or it's. intentionality (heuristics) the virtues of
having a body having a view. not selfish not unselfish. no virtues no
views but still a text still. here though not what it is (produces) or
what it means (seeks) it's still. written in virtue of the iso charset
twofaced bastards so maybe. we're talking dialectics too the protocol
(selfish) and the exchange. (unselfish) still the user. user (Æzr) n. Law.
the exercise of a. right to the enjoyment of property. my body my propery
the body of this. mail. again the protocol's from to subject body this is
the body.. distributed via no commercial use without permission. is a
moderated mailing list for net criticism. collaborative text filtering and
cultural politics of the nets. more info majordomobbs.thing.net and info
nettimel in the msg body. Fwd xStream online. Start of forwarded message.
ReplyTo xstreamxpressed.org. Fwd xStream online. xStream Issue. xStream
Issue is online again in three parts. . Regular (also available in PDF)
Works from poets. (Sandra Simonds Dorothee Lang Hugh Tribbey David Nemeth.
John Crouse Jim Leftwich and Andrew Topel). . Autoissue Poems generated by
computer from Issue texts. the whole autoissue is generated in realtime
new version in. every refresh.. . Wryting Issue a monthly selection of
WRYTINGL listserv works. Sincerely. JukkaPekka Kervinen. Editor. xStream.
email xstreamxpressed.org. End of forwarded message. florian cramer
digital code and literary text. florian cramer digital code and literary
text. Can notions of text which were developed without electronic texts in
mind be. applied to digital code and how does literature come into play
here. Abstract. This paper is based on the general (yet disputable)
assumption that the. theoretical debate of literature in digital networks
has shifted just as. the poetic practices it is shaped after from
perceiving computer data as an. extension and transgression of textuality
(as manifest in such notions as. ''hypertext'' ''hyperfiction'' ''hyper
multimedia'') towards paying. attention to the very codedness i.e.
textuality of digital systems. themselves. Several phenomena may serve as
empirical evidence. The early focus of conceptualist Net.art on the
aesthetics and politics of. code. in turn the impact of Net.art aesthetics
on experimental literature. poetry in the Internet. the close discooursive
affinity of Net.art to political activism in the. Internet. the close
aesthetic affinity of Net.art to a the languages and codes of an. older
technically oriented ''hacker'' culture (of Chaos Computer Club. and
others). a convergence of the three cultures mentioned above Net.art net
activism. and hacker culture. (a) FreeOpen Source Software andor (b) open
network protocols as key. discursive political and aesthetical issues in
all these camps. finally the impact of hacker aesthetics Net.art
aesthetics code. aesthetics and network protocol aesthetics on
contemporary writing in the. Internet. (See the work of mez Alan Sondheim
Talan Memmott Ted Warnell. and others.). The question is how ''Codeworks''
(Alan Sondheim) fit notions of text that. were crafted without digital code
most importantly machineexecutable. digital code in mind and vice versa. Is
it a coincidence that in their. poetical appropriation of lowlevel Internet
codes codeworks ended up. aesthetically resembling concrete poetry And
apart from aesthetic. resemblances how do computer programs relate to
literature Is that what is. currently being discussed as ''Software Art''
a literary genre. Code. Since computers the Internet and all digital
technologies are based on. zeros and ones they are based on code. Zeros
and ones are an alphabet which. can be translated forth and back between
other alphabets without information. loss. It does in my point of view
make no sense to limit the definition of. the alphabet in general to that
of the Roman alphabet in particular when we. can the same textual
information in this very alphabet as Morse code flag. signs or
transliterated into zeros and ones. The Internet and computers run. on
alphabetic code whereas for examples images and sound can only be.
digitally stored when translating them into code which unlike the.
translation of conventional text into digital bits is a lossy that is. not
fully reversible and symmetric translation. Sounds and images are not. code
by themselves but have to be turned into code in order to be computed.
where as any written text already is code. Literature therefore is a.
privileged symbolic form in digital information systems. It is possible
to. automatically search a collection of text files for all occurences of
the. word ''bird'' but doing the same with birds in a collection of image
files. or bird songs in a collection of audio files is incomparably tricky
and. errorprone relying on either artificial intelligence algorithms or
manual. indexing both of which are methods to translate nonsemantic
writing (pixel. code) into semantic writing (descriptions).. The reverse
is true as well We can perfectly translate digital data and. algorithms
into nondigital media like print books as long as we translate. them into
signs coded according to the logic of an alphabet. This is what is. done
for example in programming handbooks or in technical specification.
manuals for Internet standards. Today there are two notorious examples of
a. forth andback translation between print and computers. The sourcecode
of Phil Zimmerman's cryptography program ''Pretty Good. Privacy'' (PGP).
The PGP algorithms were legally considered a weapon and. therefore became
subject to U.S. export restrictions. To circumvent this. ban Zimmerman
published the PGP sourcecode in a book. Unlike algorithms. literature is
covered by the U.S. First Amendment of free speech. So the. book could be
exported outside the United States and by scanning and. retyping
translated back into an executable program. the sourcecode of DeCSS a
small program which breaks the cryptography. scheme of DVD movies. Since
U.S. jurisdiction declared DeCSS an ''illegal. circumvention device''
according to the new Digital Millennium Copyright Act. (DMCA) the ban
equally affected booklets flyposters and tshirts on which. the DeCSS
sourcecode was printed.. That code is speech is a fact stressed again and
again by programmers and is. also at the heart of Lawrence Lessig's legal
theory of the Internet. (Lawrence Lessig. Code and Other Laws of
Cyberspace. Basic Books New York. .). It is strictly speaking sloppy
terminology to speak of ''digital. media''. There actually is no such
thing as digital media but only digital. information. Digital information
becomes ''media''only by the. On the reverse end of the chain keyboards
mice scanners and cameras. are analogtodigital converters.. virtue of
analog output computer screens loudspeakers printers are analog. output
devices interfaced to the computer via digitaltoanalog conversion.
hardware like video and sound cards or serial interfaces.. An average
contemporary personal computer uses magnetic disks (floppy and. hard
disks) optical disks (CDROM and DVDROM) and chip memory (RAM) as its.
storage media and electricity or fiber optics as its transmission media..
Theoretically one could build a computer with a printer and a scanner
which. uses books and alphabetic text as its storage media. Alan Turing
showed. that. While such a machine would operate slower than with
magnetical or. optical media it would provide more robust and durable
information storage. on the other hand.. no electronics are needed to
build a computer the Boston Computer Museum. even features a mechanical
computer built from wooden sticks.. Juxtapositions of ''the book'' and
''the computer'' are quite misleading. because they confuse the storage
and analog output media (paper versus a. variety of optical magnetical and
electronical technologies) with the. information (alphabetical text versus
binary code). It further ignores by. the way the richness of storage and
transmission media in traditional. literature which aside from the book
include oral transmission and mental. storage audio records and tapes the
radio and television to name only a. few.. If there is strictly speaking
no such thing as digital media there also. is strictly speaking no such
thing as digital images or digital sound.. What we refer to as a ''digital
image'' is a piece of code. Normally this code is divided into three pieces
one the socalled. sound or image file containing the machineindependent and
program. independent abstract information the second the socalled display
program. containing the instructions to mediate the abstracted information
in a. machineindependent yet not programindependent format to the
operating. system the third the socalled operating system mediating the
program. output to the output machine whether a screen or a printer. These
three. code layers however are nothing but conventions. Theoretically the.
digital image'' file could in itself contain all the code necessary to.
make itself display on analog end devices including the code that is.
conventionally identified as a boot loader and core operating system..
containing the machine instructions to produce the flow of electricity
with. which an analog screen or an analog printer is made to display an
image.. Of course it is important whether a sequence of zeros and ones
translates. into say an image because that defines its interpretation and
semantics.. The point of my (admittedly) formalistic argumentation is not
to deny this. but to underline that. when we speak of ''multimedia'' or
''intermedia'' in conjunction with. computers digital art and literature
we actually don't speak of digital. systems as themselves but about
translations of digital information into. analog output and vice versa.
text and literature are highly privileged symbolic systems in these.
translation processes because (a) they are already coded and (b)
computers. run on a code.. Literature and computers meet first of all
where alphabets and code human. language and machine language intersect
secondly in the interfacing of. analog devices through digital control
code. While of course we cannot think. of code without media because we
can't read it without them the computer. does not really extend literary
media themselves. All those output media. electricity electrical sound and
image transmission etc. existed before. and without computers and digital
information processing.. I therefore have to revise the position I took in
several of my previous. writings If we speak of digital poetry or computer
network poetry we. don't have to speak of certain media and we don't. like
in the paper Warum es zuwenig interessante Computerdichtung gibt.. Neun
Thesen'' ( Nine Points on Why there is so little interesting computer.
homepagewritingsnetliterature general karlsruhe. karlsruherthesen.pdf.
even have to speak of specific machines. If computers can be built from.
broomsticks and networked via shoestrings if any digital data including.
executable algorithms can be printed in books and from them read back
into. machines or alternatively executed in the mind of the reader there
is no. reason why computer network poetry couldn't or shouldn't be printed
as well. in books.. Perhaps the term of digital ''multimedia'' or better
''intermedia''. would be more helpful if we redefine it as the the
possibility to losslessly. translate information from one sign system to
the other forth and back so. that the visible audible or tacticle
representation of the information. becomes arbitrary. A state not be
achieved unless the information is not. coded in some kind of alphabet
whether alphanumerical binary hexadecimal. or if you like Morse code..
Literature. Synthesis putting things together. observe the textual
codedness of digital systems of course implies the. danger of generalizing
and projecting one's observations of digital code. onto literature as a
whole. Computers operate on machine language which is. syntactically far
less complex than human language. The alphabet of both. machine and human
language is interchangeable so that ''text'' if defined. as a countable
mass of alphabetical signifiers remains a valid descriptor. for both
machine code sequences and human writing. In syntax and semantics. however
machine code and human writing are not interchangeable. Computer.
algorithms are like logical statements a formal language and thus only a.
restrained subset of language as a whole.. However I believe it is a
common mistake to claim that machine language. would be only readable to
machines and hence irrelevant for human art and. literature and vice versa
literature and art would be unrelated to formal. languages.. It is
important to keep in mind that computer code and. No computer can
reprogram itself selfprogramming is only possible. within a limited
framework of game rules written by a human programmer. A. machine can
behave differently than expected because the rules didn't. foresee all
situations they could create but no machine can overwrite its. own rules
by itself.. computer programs are not machine creations and machines
talking to. themselves but writings by humans. The programmerartist Adrian
Ward. suggests that we put the assumption of the machine controlling the
language. upside down. ''I would rather suggest we should be thinking
about embedding our own. creative subjectivity into automated systems
rather than naively trying to. get a robot to have its 'own' creative
agenda. A lot of us do this day in. day out. We call it programming.''.
quoted from an EMail. message to the Rhizome'' mailing list May. Perhaps
one also could call it composing scores and it does not seem. accidental
to me that musical artists have picked up and grasped computers. much more
thoroughly than literary writers. Western music is an outstandig. example
of an art which relies upon written formal instruction code. Self.
reflexive injokes such as ''BACH'' in Johann Sebastian Bach's music the.
visual figurations in the score of Erik Satie's ''Sports et.
divertissements'' and finally the experimental score drawings of John
Cage. shows that beyond a merely serving the artwork formal instruction
code has. an aesthetic dimension and intellectual complexity of its own.
In many. works musical composers have shifted instruction code from
classical score. notation to natural human language. A seminal piece in my
opinion is La. Monte Youngs ''Composition No. '' which simply consists of
the. instruction ''Draw a straight line and follow it.'' Most Fluxus
performance. pieces were written. Galerie und Edition Hundertmark. George
Maciunas und FluxusEditionen. . no page numbering. in the same notation
style. Later in the American composer Alvin. instruction which very
precisely tells to perform the piece by playing. itself back and
modulating the speech through the room echoes.. In literature formal
instructions is the necessary prerequisite of all. permutational and
combinatory poetry. Kabbalah and magical spells are. important examples as
well. But even in a conventional. Some historical examples have been
adapted online on my website. narrative there is an implict formal
instruction of how i.e. in which. sequence to read the text (which maybe
or followed or not as opposed to. hypertext which offers alternative
sequence on the one hand but enforces. its implicit instruction on the
other). Grammar itself is an implicit and. very pervasive formal
instruction code.. Although formal instruction code is only a subset of
language it is still. at work in all speech and writing.. It is
particularly remarkable about computing that the namespace of. executable
instruction code and nonexecutable code is flat. One cannot tell. a
snippet of digital code whether it is executable or not. This. property
does not stand out in the alphabet of zeros and ones but is solely.
dependent on how another piece of code a compiler a runtime interpreter.
or the embedded logic of a microprocessor processes it. Computer code is.
highly recursive and highly architectural building upon layers of layers
of. code.. Analysis taking things apart. The fact that one cannot tell
from any piece of code whether it is machine. executable or not provides
the principle condition of all EMail viruses on. the one hand and of the
codeworks of jodi antiorpNetochka Nezvanova mez. Ted Warnell Alan Sondheim
Kenji Siratori to name only a few. with the biennale.py'' computer virus of
the net art groups. on the other work that unlike the actual viri is
fictional in that it. aesthetically pretends to be potentially viral
machine code.. The codeworks to use a term coined by Alan Sondheim of
these writers and. programmerartists are prime examples for a digital
poetry which reflects. the intrisic textuality of the computer. But they
do so not by being to. quote Alan Turing via Raymond Queneau computer
poetry to be read by. computers but by playing with the. Raymond Queneau.
Cent mille milliards de pomes. Gallimard Paris. . p.. confusions and
thresholds of machine language and human language and by. reflecting the
cultural implications of these overlaps. The ''mezangelle''. poetry of
mezMary Ann Breeze which mixes programmingnetwork protocol code. and non
computer language to a portmanteauword hybrid is an outstanding. example
of such a poetics.. Compared to earlier poetics of formal instruction like
in La Monte Young's. Composition in Fluxus pieces and in permutational
poetry an important. difference can be observed in the codeworks The
Internet code poets and. artists do not construct or synthesize code but
they use code or code. grammars they found and take them apart. I agree
with Friedrich Block and. digital.deBlockindex engl.htm that digital
poetry should be. read in the history and context of experimental poetry.
A poetics of. synthesis was characteristic of combinatory and
instructionbased poetry a. poetics of analysis characterized Dada and its
successors. But one. An exception being the the ALGOL computer programming
language poetry. written by the Oulipo poets Franois le Lionnais and Nol
Arnaud in the. early s. see Harry Mathews and Alastair Brotchie editors.
Oulipo Compendium. Atlas. Press London . p.. hardly finds poetry with an
analytical approach to formal instruction code. in the classical th
century avantgarde. Internet code poetry is being. written in a new if one
likes postmodernist condition of machine code. abundance and overload.. The
hypothesis that there is no such thing as digital media but only. digital
code which can be stored in and put out on any analog medium is. perfectly
verified by codework poetry. Unlike hypertext and multimedia. poets most of
the artists mentioned here write plain ASCII text. The. contradiction
between a complex technopoetical reflection and lowtech. communication is
only a seeming one quite on the contrary the lowtech is. crucial to the
critical implication of the codework poetics.. The development of
hyperfiction and multimedia poetry practically paralleled. the
construction of the World Wide Web hyperfiction authors rightfully saw.
themselves as its pioneers. In the course of nineties they continued to.
push the technical limits of both the Internet and multimedia computer.
technology. But since much digital art and literature became testbed.
applications for new browser features and multimedia plugins it.
simultaneously locked itself into nonopen industrycontrolled code.
formats. Whether intentional or not digital art thus. like Shockwave
QuickTime and Flash. strongly participated in the reformatting of the
World Wide Web from an. open operating system and browseragnostic
information network to a. platform dependent on propietary technology.. By
readjusting the reader's attention from software surfaces which pretended.
not to be code back to the code itself codeworks have apparent
aesthetical. and political affinities to hacker cultures. While hacker
cultures are far. more diverse than the singular term ''hacker'' suggests
hackers could as. well be distinguished between those who put things
together like Free. Software and. Boris Grndahl's (German) Telepolis
article The Script Kiddies Are. Not Alright'' summarizes the multiple
sometimes even antagonistic camps. deutschhtmlresult.xhtml urltp
deutschinhaltte.html. demo programmers and those who take things apart
like crackers of serial. numbers and communication network hackers from
YIPLTAP Phrack and. Chaos Computer Club schools. Code poets have factually
adopted many poetical. forms that were originally developed by various
hacker subcultures from the. s to the early s including ASCII Art code
slang (like '' wArz. dd'' for ''leet elite wares dood'') and poetry in
programming languages. (such as Perl poetry) or they even belong to both
the ''hacker'' and the. ''art'' camp. curious. curioushyperreal.pl.
reading my handwriting. .jpg. 'Freedom died. great people proved that
awareness exists and every lifeform is aware. unfortunatelly they hadn't
in mind that evolution not aims into awareness. development but towards
better adaptation.. milions of people just learned how to fake awareness..
This what makes us Humans is ablity to selfdevelopment and Empathy. not
adaptation.. Crowd without a leader went insane.. Sickness is ones who
emphatize get dellusion when looking feelingsless. ones there is no mutual
empathy then ones who emphatize become codepend.. '. .jpg. (notes from
train station i tried to visualise how autosopher adaptative. network
works). also note that 'positive effects coming from smoking of tobbaco
come from. changed metabolism of dopamine while addiction is created by
completely. different neurotransmitter patch'. also common mistake of
polish language pointed out (use of foregin noun). .jpg adaptative ALP
network (network of small audio buffers adapting to. user defined sound)..
i have some other work like learning from c sources i'll write to you.
later. d.jpg. dissolving substance. dreams come when i am here. snowwhite
truth about false. particles of absurd from nothing. substance. while this
world is only interpretation of our dreams. substance. you melt with
nonexistence like you. practical disasemble of life program. transient
observation of. thoughts about minimalism truth about time.. form of
delusion. sequence of session. it's lack of thought Substance. while
civilisation camp grid is at least km thin.. where is reason. dynamic.
ambition. field of perception actions of consiousness. (). time. and this
is 'life'. intonation is alive and manipulating bodies. will be as is
because can't be other way. preprogrammed forecast shatter and bend under
influence of new data. how is time machine like. alive. destiny of chaos
complexity creation is creation itself. we can watch beauty of growth. our
time came. power came to an end.. curioushyperreal.pl. badgernoemata.net.
congratulations congratulations your site is on on (nostalgi). fra m.
aktnillon mailtoaktnonline.no. domain name noemata.net. ip address ....
user name noemata. password nvoxkphm. strata septer serial number killer.
your login is bmag. congratulations congratulations your site is on on.
dear bsar puth. welcome to emy anta congratulations your site is now luv
.. supportinsidetheweb.com. re password request. your username is mb. your
password is tkfld. bekranse t.walioett. it's tun to renew your domain
name(s) name(s). welcome forum live.com. welcome gnotius. welcome buhund.
byråkrati bmag. passord db. mvh bidlet. invoice færre arspublica.com.
invoiceregister.com. bjorn your access name to php classes is badger..
respected bjørneskinn t.walioett. greetings færøyene instabill.com. a ne
account forhøye noemata.net has been created imm. one of our ny servers..
id bmgandi. contact name bjorn magh. change from ns.ochost.com. to
ns.ochost.net. change fron ns.ochost.com. to ns.ochost.net. please døde
nto reply to this email.. ticket number. dear bjorn mag. dear bj mag. this
is a reminder. thank you før joining paypal. please deo natt remove version
number. hi. all ip addresses will bahai changing.. mailbox name admin.
email address adminarspublica.com. bjorn mag. fw sdf sdf sd fsd f. imm the
office. please try it at your end. rockestjerne vare vellykket.. velkomst
sinai netcom internettkunde internettkunde. dear bj. paypal values the
turistvisum. order. of the dictionary of wordplay. of the waste books (new
york review books classics). of oulipo compendium. of oulipo a primærlager
of potential literature (french literature. invoice submitted to. magn
june. username noemata. this shipment was sent to. bakgrunnsoperasjon
t.walioett. schouterrassen. oksehale n. online.no innbu. bmagnhi. ofrti.
kto. har online trafikk (modem ). hai ann elokvent. tok ferie att du
valgturn å benyte zailor.. passord vises ioj q...r. valket nummersperre.
email bjornmagtiscali.no. bergart bjornmag. aktiviseringsnøkkel vbdxshr.
kjerre kunstner. dø mottar dete ebrevet. begin redirected message.
brukernavn bjornmag. passord t... dear bj bar. you are receiving this
email. account name gnomes. password wakdn. sjøsprøyt chello. lås ip kjør
ipacoff.inf (i win me cd). you aure receiving this email because. hello.
welcome to noip.com.. noemata.sytes.nut. dear boo emm. dear bj mga.
kjøpsident. brukernavnet ditt er nymy. passordet ditt er pkepe.
brukernavnet ditt er nymy. passordet ditt er lwiugfu. ditt børseskudd er
bmag. ditt pejorativ er pejopa. our valued customers. we're hab. your
username gravlegge. your password aatpbv. order. of what is the name of
this book. of classic noh theatre of japan. of dancing into darkness butoh
zen and japan. tykkmann. organisatorisk message farm supporthome.pages.at.
wir freuen uns. opklnmonline.no. adundas.net. the domain name hook been
registered without error.. spotovani dear anonymous anonymous. hvala za
prijavo neie fastfrossede vdor. user arspublica. pw e.. id jmgandi.
contact name jorn magee. organization origo. magh.net. you can get
duplicate. erkshoutcast ip. you aure receiving this email. postvacacb.
name name. gaves a. sater s.g.. state state. kyoto holover. country
country. jp it. postulat code postlegge code. till alla b magh. du har
fått detta. lsenord kotfal. theol t.walioett bekranse johanne.
meldingsliste feer dokumentmal biblioteksjef. lånenummer. ditt pejorativ
får børs afp bibliotekets internetttjenester er kousdu. heisann og tykke.
die noterer jeg att jegr vite baute af ip ip range. heie bmagh. her er en.
innsnevring registrering. inngangsport abonnementsavdeling. også
inseminator innmeldingsavgift. kano. hoho monty.cantsinarspublica.com. død
har salgskåt gjenstanden(e) din(e). hoi bjorn maghnildfen. takk fire audio
dødd benytter. count name byhand. ditt nye passord er zbazfi. ditt
brukerområde eier (som dø skrive det) bmag. re pinhole glasses. we ship
reket away. prosti. namepasswordnoemata to namepasswordnoemata is name.
passwordnoemata if you want to administer the topic. sobject of ought
twopic.. president. noemata. hei. æve har luset tø nøyd pass'ord tøyle deg
deus. passord. vy bekrefter å ha motet dynn oppjagd avveie kabelmodem myte
neonrør. f.. kjære matronym. du e ndf registert. gprs. pekeredskap.
ishmaldoror. listservmaelstrom.stjohns.edu. subscribe arco. velkjent toll
ekunst (eekunst.no). velsmurt tåle ekunst.. ditt passord initead.. id
wvgandi. organization ars publica. curious. Start of forwarded message.
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Interweb Norge as. curioushyperreal.pl. reading my handwriting. .jpg.
'Freedom died. great people proved that awareness exists and every
lifeform is aware. unfortunatelly they hadn't in mind that evolution not
aims into awareness. development but towards better adaptation.. milions
of people just learned how to fake awareness.. This what makes us Humans
is ablity to selfdevelopment and Empathy. not adaptation.. Crowd without a
leader went insane.. Sickness is ones who emphatize get dellusion when
looking feelingsless. ones there is no mutual empathy then ones who
emphatize become codepend.. '. .jpg. (notes from train station i tried to
visualise how autosopher adaptative. network works). also note that
'positive effects coming from smoking of tobbaco come from. changed
metabolism of dopamine while addiction is created by completely. different
neurotransmitter patch'. also common mistake of polish language pointed out
(use of foregin noun). .jpg adaptative ALP network (network of small audio
buffers adapting to. user defined sound).. i have some other work like
learning from c sources i'll write to you. later. d.jpg. dissolving
substance. dreams come when i am here. snowwhite truth about false.
particles of absurd from nothing. substance. while this world is only
interpretation of our dreams. substance. you melt with nonexistence like
you. practical disasemble of life program. transient observation of.
thoughts about minimalism truth about time.. form of delusion. sequence of
session. it's lack of thought Substance. while civilisation camp grid is at
least km thin.. where is reason. dynamic. ambition. field of perception
actions of consiousness. (). time. and this is 'life'. intonation is alive
and manipulating bodies. will be as is because can't be other way.
preprogrammed forecast shatter and bend under influence of new data. how
is time machine like. alive. destiny of chaos complexity creation is
creation itself. we can watch beauty of growth. our time came. power came
to an end.. curioushyperreal.pl. badgernoemata.net. End of forwarded
message. . e k u n s t . curious. This is a multipart message in MIME
format.... ContentType textplain charsetiso. Start of forwarded message.
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XMailScanned by Interweb Norge as. curioushyperreal.pl. reading my
handwriting. .jpg. 'Freedom died. great people proved that awareness
exists and every lifeform is aware. unfortunatelly they hadn't in mind
that evolution not aims into awareness. development but towards better
adaptation.. milions of people just learned how to fake awareness.. This
what makes us Humans is ablity to selfdevelopment and Empathy. not
adaptation.. Crowd without a leader went insane.. Sickness is ones who
emphatize get dellusion when looking feelingsless. ones there is no mutual
empathy then ones who emphatize become codepend.. '. .jpg. (notes from
train station i tried to visualise how autosopher adaptative. network
works). also note that 'positive effects coming from smoking of tobbaco
come from. changed metabolism of dopamine while addiction is created by
completely. different neurotransmitter patch'. also common mistake of
polish language pointed out (use of foregin noun). .jpg adaptative ALP
network (network of small audio buffers adapting to. user defined sound)..
i have some other work like learning from c sources i'll write to you.
later. d.jpg. dissolving substance. dreams come when i am here. snowwhite
truth about false. particles of absurd from nothing. substance. while this
world is only interpretation of our dreams. substance. you melt with
nonexistence like you. practical disasemble of life program. transient
observation of. thoughts about minimalism truth about time.. form of
delusion. sequence of session. it's lack of thought Substance. while
civilisation camp grid is at least km thin.. where is reason. dynamic.
ambition. field of perception actions of consiousness. (). time. and this
is 'life'. intonation is alive and manipulating bodies. will be as is
because can't be other way. preprogrammed forecast shatter and bend under
influence of new data. how is time machine like. alive. destiny of chaos
complexity creation is creation itself. we can watch beauty of growth. our
time came. power came to an end.. curioushyperreal.pl. badgernoemata.net.
End of forwarded message. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. post distribuert via. e k u n s t.
listeadresse eekunst.no. kontaktadresse listmasterekunst.no. Re curious.
weird taxonomy. thanks to curious... arafat. arafat shithead it's all the
same some shithead claiming territory. another shithead you only need one
then you get another. automatically like tribes of shitheads shiites
something what's. that got to do with anything. contemporary ontology
something anything everything nothing. maps plainly to logic how
metaphysics became logic or was as it. were classes what do we mean
classes are classes nosferatu the. death of metaphysics the blood is logic
everything is logic has. its undead counterpart the world may die any human
we'll go on. living like undead i should come through here no it's not
possible. any image still there's a byte before it exhausts coming back
to. this morning and driving under the bridge don't blame gray words. gray
roads. feeling down may come easy you just sit there and suddenly you want.
go to sleep and can't sleep because you think this will never end. and
there's nothing anywhere. i'm always down like the server is. down. all
this wind is it going anywhere mostly robots reading the. web let's say i
lived my experience is not different from anybody. else why should we be
separate two persons have mutual feelings. what a mess still four arms two
heads what a monster and the. cleaning of the interface reactions why
should i react i'm already. you not in a religious sense just practical
like the same same. system two processes the same shit all the more
pressure around. identity and the individual this exploition a striking or
notable. deed feat spirited or heroic act the exploits of Alexander the.
Great. it's of course true we are the same otherwise science and. the
logics would be false but still culturally a quest for. identity and most
levels retained which together is driving us out. through the processor
our bodies are arguments positions like. minimal pairs in linguistics and
identical to what itself which. makes sense only through a representation
with the possibility of not. being itself so the quest is via the culture
representation where. the position comes in like the 'you are here' on
maps (in a text you. are here what does it mean i am here this is a long
string and the. other arts where are you in music and everything before
language. and within) no the identity can't come from anything why
different. cultures have different ideas of identity we have maps so we
have. the identity of 'you are here' which gives a faint realization of.
yourself but enough to keep fixed through the loop of being and not. being
the truth and falsity of representation or more precise the. falsity
revealed through its truth and vice versa which is at stake. when
represent i am here two times here and here which are two. places in the
text two positions and isn't it supposed to be only. one like i am only
one so we are baffled by this like Alexander the. Great and need to do
baffling deeds to overcome the bifurcation that. takes place already at
the root already at 'you are here' we don't. understand and the territory
comes from this of not understanding. and you get terrorist and president
like arafat collapsing and. sustaining the map as the quest for identity
through construction of. yourself which is like a greek tragedy whatever
you'll find is the. looking for yourself palestine holy land holy shit how
fcking. long will it take before these shitheads loose their power to lead.
others astray for people not to be led into another suffering hell by.
shithead the great.. roadmap to peace forget road forget map forget
peace.. Re syndicate arafat. This is a multipart message in MIME
format.... ContentType textplain charsetiso. if you rid yourself of
opaqueness i don't know where you are is that. beauty love and war were
always good friends. it's still about identity. the quest for anything
clear and transparent (love) which at the same time. should be something
(territory) and it doesn't resolve so forget it not. wait for the best
love projects (maps) too much the territory becomes. what you see is that
wise. Of the raising opaqueness Claudia always has the most beautiful
answer. which we can wait for the best. Original Message. claudia
westermann. Friday November AM. Re syndicate arafat. a. forget road forget
map forget peace.. keep love. love me in my full beauty and I'll become.
what you see in me. or wise. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for
media culture and media art. post to the Syndicate list. no commercial use
of the texts without permission. RE syndicate arafat. This is a multipart
message in MIME format.... ContentType textplain charsetiso. arafat
shithead it's all the same some shithead claiming territory. another
shithead you only need one then you get another. automatically like tribes
of shitheads shiites something what's. that got to do with anything. sure
let's stick to shithead ascii pseudo artists like you. who says you have
to choose sides. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for
media culture and media art. post to the Syndicate list. no commercial use
of the texts without permission. Re syndicate arafat. This is a multipart
message in MIME format.... ContentType textplain charsetiso. Far from the
making act we can say everything in any case. Obviously you. had not
chosen but the omissions allied to the obvious terms made sense of.
themselves together without that you formulated of choice. Obviously
that's your choice reading it as political declarations in most. senses of
the word political since politics is about forcing a choosing of. sides
setting the options to choose but obviously every side is ugly. here
oppressor or oppressed how the sense of justice is construed and. since
nothing is chosen something ugly comes back for lack of the political.
conformance and balance and renders opaque and annoying and gives the
idea. there must be a clearer position behind or hidden but that's not the
case. other than don't be mislead by political 'shitheads' to suffer their
hell.. ContentType textplain namemessagefooter.txt. ContentDisposition
inline filenamemessagefooter.txt. ContentTransferEncoding bit. Syndicate
mailinglist. Syndicate network for media culture and media art. post to
the Syndicate list. no commercial use of the texts without permission.
recursive dictionary. He was born with a material or nonmaterial entity
idea action. etc that is or may be thought about or perceived a gift a
thing. given or presented of the something done deed or action or.
sensation caused in the ear by the vibration of the surrounding air or.
other medium of laughter and the capacity or power to perceive or feel. or
to be conscious of the state or condition of being present or. attributes
qualities or characteristics of material or nonmaterial. entities ideas
actions etc that are or may be thought about or. perceived that human
concerns business matters to be attended to. their continuous onward
movement or progression and circumstances. esp. those affecting the
functioning or existence of something active. condition which
distinguishes active animals and plants from inorganic. matter including
the capacity for growth functional activity and. continual change
preceding death were mad.. Bertrand Russell. Applying the algorithm to
text with a high proportion of abstract. nouns is particularly amusing.
Here the starting text is from. Bertrand Russell's History of Western
Philosophy from a chapter on. Plato. The second argument is that knowledge
is recollection and therefore. the soul must have existed before birth. The
theory that knowledge is. recollection is supported chiefly by the fact
that we have ideas such. as exact equality which cannot be derived from
experience.. Transformation gives. The second reasoning process is that
awareness or familiarity gained. by experience is the act or power of
recollecting and therefore the. spiritual or immaterial part of a human
being often regarded as. immortal must have existed before the emergence
of a (usually fully. developed) infant or other young from the body of its
mother. The. supposition or system of ideas explaining something esp. one
based on. general principles independent of the particular things to be.
explained that awareness or familiarity gained by experience is the. act
or power of recollecting is supported chiefly by the thing that is. known
to have occurred to exist or to be true that we have. conceptions or plans
formed by mental effort such as the exact. state of being equal which
cannot be derived from actual observation. of or practical acquaintance
with facts or events.. plese. its tu much. i wnat nothign to do with it.
plese. i was nothing to do withit. arc.hive. This is a multipart message
in MIME format.... ContentType textplain charsetiso.
ContentTransferEncoding quotedprintable. all the tnihgs taht aArent
psoilsbe bcak bcak apin bcal is viatl. ptsoure hondinlg im dizzy yuore
liokng for reilef or bdluiiing. waht dnot ask bdiiuinlg fwlwnig don
lkneiesss loop of snese. tgohuths arise attache not i was wthas there to
bilud a story no. stroy threes no sotry what sotry do you yuor life sorty
no lfie. sotry blind bilnd bnild story no sorty bilnd back and fotrh no.
sorty nnothig dvoeelps no dempoleevnt its all dlwilohnl dwon. srtoies i
not srtoy not sroty and the stroy adnother wrod for. benig isdine the
scubjet bnieg oecjbt but not eevn sjbecut how. sjbcuet can i be to daeth i
wsant so how can i be iAts a story. olny a sotry wtih a bgeniinng and end
and the sotry is ntoghin no. story the sotry is jsut a story and the
sejbuct is not a sucbjet. these wdros are cnmiog form a long line of ilde
soht form the. seubct lnie sbjecut the sjbeuct eiecnrxeeps epienrexecs ex
peri. sneseis it tnilkag abuot ilestf or vetbivare mdoe of pscroes.
iarmooniftn v bceaues trehs nnitoghb to bulid the linvig are for. the
lvinig the voderr is for shgmeotin oto be and esle non and. you wodluAnt
know but the tarinstion for loss and gian which. lgneirs for yesra for
lteifmie tmie until aontehr loss wchih fdaes. lkie dcemial jmbures in
sniinicgfcae the digit iteengr wlhoe. hole drigess how etym the w hloe
tunnel tsarcnend. bef. ME OE hol hole cvae orig. nuet. of hol (adj.).
HLOOLW c. G hohl hwlolo. ebf. ME hole hool (daj. and n.) OE hl (ja.d) c. D
heel. G heil ON hilel see HLAE HEAL sp. wtih w relectfs dail. form. bef. ME
holi OE hlig var. of HLEG equiv. to hl WHLOE. eg Y c. D G heilig ON
hlaiegr. the bcalk wohle. .... ON see HLEL. bef. ME OE he(ll) c. OHG
h()illea (G HllFe) ON hel Goth. hjala aikn to OE hlean to cover hide and
to HLUL. satngre the etym siiimelritas as if the opipostes were the.
coslest cinaopnoms balck holes at the cneter of glaaxies in the. misdt of
haveen reisde hell qiute the oppsoite no surprsie also. the balck whloes
of rliigoen whta's torhwn oitudse is rnig. tgloopoy or the srting cmoes
bcak at the cetner or vcie vresa. it's aonther hlel like the syanig if the
wrold was peecfrt it. woul'ndt esixt wree each wrod bges its exspoinan and
if the word. was pefrect it wondul't eixst so tihs way geos itno
altiioainhnn. or the aiiilhntnaon is cnncteeod to rzaieaoiltn wihch is.
cttslannoy dlaeyed torwhn out lkie the wrlod is cearted in tmie. which is
just the delay thgnis go sowler and solewr. the hack. itno ereltncos
certeas the wolrd aenw slutaimes from lgiht seped. and loigc the
hrewyporld mroe and more has to be thorwn out at. lhigt speed to keep it
go solwer and sowler inetria at the end of. speed mabye lkie the practile
padorax aagin if sthoiemng is. pulctairar (eg. tmei) it ditfrs off
mronuolssty allchies and the. tultre view tihs from rivitatley as aheilcls
is giannig light. speed he inealtfs ifitnneliy enregy bceomes msas the
wrold form. the filurae of reazilnig of rhaecing the ttrlue whcih is the.
fiarlue of riiztleaaon the praadox of the pultiracar of the. wrold the
montusros itnifoaln hloe whloe hloy hlel hole in the. wolhe hell in the
holy in the mdsit wihch is cnnasottly thowrn. out the paissve out of the
avitce any oejcbt thwron out of the. subcjet like this.. ContentType
textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. arc.hive mailing
list. arc.hiveanart.no. Re Is Hell Exothermic. all the things that arent
possible back back apin bacl is vital. posture holdning im dizzy youre
loking for relief or builiding. what dont ask biuliding flwwing don
likenesss loop of sense. thoughts arise attache not i was whats there to
build a story no. story theres no story what story do you your life story
no life. story blind blind blind story no story blind back and forth no.
story nothing develops no development its all downlhill down. stories i
not story not story and the story andother word for. being inside the
subject being object but not even subject how. can i be to death i wasnt
so how can i be its a story. only a story with a beginning and end and the
story is nothign no. story the story is just a story and the subject is not
a subject. these words are coming from a long line of idle shot form the.
subect line subject the subject experiences experiences ex peri. senseis
it talking about itself or verbative mode of process. information v
becaues thers nothignb to build the living are for. the living the vorder
is for somethign oto be and else non and. you wouldnt know but the
transition for loss and gain which. lingers for yesra for lifetime time
until another loss which fades. like decimal jumbers in significance the
digit integer whole. hole digress how etym the w hole tunnel transcend.
bef. ME OE hol hole cave orig. neut. of hol (adj.). HOLLOW c. G hohl
hollow. bef. ME hole hool (adj. and n.) OE hl (adj.) c. D heel. G heil ON
heill see HALE HEAL sp. with w reflects dial. form. bef. ME holi OE hlig
var. of HLEG equiv. to hl WHOLE. eg Y c. D G heilig ON heilagr. the black
whole. .... ON see HELL. bef. ME OE hel(l) c. OHG hell(i)a (G Hlle) ON hel
Goth. halja akin to OE helan to cover hide and to HULL. strange the etym
similarities as if the opposites were the. closest companions black holes
at the center of galaxies in the. midst of heaven reside hell quite the
opposite no surprise also. the black wholes of religion what's thrown
outside is ring. topology or the string comes back at the center or vice
versa. it's another hell like the saying if the world was perfect it.
wouldn't exist were each word begs its expansion and if the word. was
perfect it wouldn't exist so this way goes into annihilation. or the
annihilation is connected to realization which is. constantly delayed
thrown out like the world is created in time. which is just the delay
things go slower and slower. the hack. into electrons creates the world
anew simulates from light speed. and logic the hyperworld more and more
has to be thrown out at. light speed to keep it go slower and slower
inertia at the end of. speed maybe like the particle paradox again if
something is. particular (eg. time) it drifts off monstrously achilles and
the. turtle view this from relativity as achilles is gaining light. speed
he inflates infinitely energy becomes mass the world from. the failure of
realizing of reaching the turtle which is the. failure of realization the
paradox of the particular of the. world the monstrous inflation hole whole
holy hell hole in the. whole hell in the holy in the midst which is
constantly thrown. out the passive out of the active any object thrown out
of the. like this.. Re Ego. list copy. It's based on palindromes as you
might expect ) By that constraint. they seem to have their own quirkiness
in vocabulary maybe grammar. and semantics what themes reoccur and comes
through so I wanted to. make pseudopalindromes or write something through
the palindromic. namespace palindromes that were not palindromes but only
looked like. it ) So I'm just processing the palindrome files from.
through the constructed space. I like using markov chain to rearrange.
stuff because the connections between entitites are real and the.
statistics for choosing between entitites are also real (a strong.
connection is more likely to be chosen) so the random element is. within a
quite structured system choosing between weighted options. derived from
real data.. I'm doing some more of these though I see it's limited in use.
I'm. reading through a dictionary of wordplay and oulipo to see if I want.
do something. I'm also having fun with a reverse lookup in. webster's
dictionary from definiens to definiendum which amounts to. a peculiar
thesaurus replacing words by (search for word through all. definiens and
gather all the definiendum and then choose all or one of. these you then
get an associative relation weaker than thesaurus. but more 'poetical'
connoted. Some recent pieces were done with this. and I'm not through with
it yet.. Bjørn. anyhr. year anniversary. archive of visual works. anyhr. as
exhibited at machinista.org. recent. This is a multipart message in MIME
format.... ContentType textplain charsetiso. anyhr. year anniversary.
archive of visual works. anyhr. as exhibited at machinista.org. recent.
ContentType textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. arc.hive mailing
list. arc.hiveanart.no. anyhr. year anniversary. archive of visual works.
anyhr. as exhibited at machinista.org. recent. post listrhizome.org.
questions inforhizome.org. visit on Fridays the Rhizome.org web site is
open to nonmembers. Subscribers to Rhizome are subject to the terms set
out in the. Re Ego. It might be interesting and I'm going to try it what
happens if the. probability is inverted like you suggest. It'll be more
terse and running. culdesac since from always looking for the lesser paths
quickly search. for the borders and then follow the border in a random walk
between the. entries of minimal value. If there is a substantial base of
data it might. do this without running cold and without merely repeating
the singular. minimal data at the margins. Thanks for the idea. I'll try
make more. things available online also in case the computer should crash
like now I. had to zip the data out on floppies. Thanks to dead media...
Thanks for this explanation. Hey noem what if instead of the markov
process you used to make that. work you were to use an inverse markov
process instead That is. rather than selecting words on the basis of their
high statistical. probability to follow other words you selected them for
exactly the. opposite reason It seems to me that these two extreme poles
of textual. generation might exemplify the fundamental split between
narrative and. antinarrative that has been the rallying cry of modernism
for the past. years.. Anyway just an idea for you if you want it.. m. On
Wednesday November at AM. list copy. It's based on palindromes as you
might expect ) By that constraint. they seem to have their own quirkiness
in vocabulary maybe grammar. and semantics what themes reoccur and comes
through so I wanted to. make pseudopalindromes or write something through
the palindromic. namespace palindromes that were not palindromes but only
looked like. it ) So I'm just processing the palindrome files from.
through the constructed space. I like using markov chain to rearrange.
stuff because the connections between entitites are real and the.
statistics for choosing between entitites are also real (a strong.
connection is more likely to be chosen) so the random element is. within a
quite structured system choosing between weighted options. derived from
real data.. I'm doing some more of these though I see it's limited in use.
I'm. reading through a dictionary of wordplay and oulipo to see if I want.
to do something. I'm also having fun with a reverse lookup in. webster's
dictionary from definiens to definiendum which amounts to. a peculiar
thesaurus replacing words by (search for word through all. definiens and
gather all the definiendum and then choose all or one of. these you then
get an associative relation weaker than thesaurus. but more 'poetical'
connoted. Some recent pieces were done with this. and I'm not through with
it yet.. Bjørn. pza. ARL BLUE. NI DTE. S I. L O HECN. TASEEA E. FEM ENKERS
CLEAR VDESFSWWAOATT A. ONÅRMLI UAMFN ONE FASHION ANELFEO FHM R. ED VIT
LSMEAENE TOMMEL HER. WEALNR EAGWTU Y GES. OEI NIRLY THEM HVITE KISGH SEO
SHOESF. SDLIE TOV THE GAP HOLES TAO T P. ML DHE WT AERTTNISKE U. T IT
VARIA STRENGE MAR TLE. YRDSN EE SE COND DAYS THE THEM THEAFA E AV. NES IER
VENS T R ACROSS. IT N E D EHSBI. DADKANNIE ISOMERISATION ITSELF ITTMLT WRS.
MAT THE NIGHT SIT HERA QUIE. T IT A C EAS DS. THE B ACK S FENCE HUN VAR
DRUNKED ED E. AHSER GLASS KA S SER IOT S. TERNWAR DS GUL YR. DADD AMA SÅ
GHETTO SÅ DELTAGEN DE U DO EG. OWK HE MED Y E S ANNETTE M. EOWING ION IA
HONG. F INK FROTH FIERY AEROB I OLOGI CAL STOR. R A. Re ECNAD PMUD.
sitonsiemordnilapasidrowatonsi is not a word. drowatonsi is not a word.
drowatonsi is not a word
328
is a palindrome. is not. is. Re ECNAD PMUD. .. etaD esaeleR .. esabataD
suriV .. noisreV. .suriVitnA GVA yb dekcehC .egassem gnimocni siht ni
dnuof suriv oN. .. etaD esaeleR .. esabataD suriV .. noisreV. .suriVitnA
GVA yb dekcehC .egassem gniogtuo siht ni dnuof suriv oN. certyfied liater
sorry HP phyrros retail deify trec. the mean. while waiting and waiting
for win to boot. a play for the calculator the mean. ok what about . ..
where does the . come from. .. still the same. ok so we know n(n).(n.).
what about step while. it holds now the diff is always.
n(nstep)(step)((nstep)). try random ... i have to format c unbelievable.
step is so it doesn't work. do you want to install netmeeting. who ever
had any need of scandisk. i ran scandisk several times now. still it
didn't detect damaged sectors. unbelievable crap scamdicks. well why
didn't it work for odd. it's. yeah now your product key licence. it's
supposed to be oh well it just squares then. squareroot of . is.. . voila.
key is GXPPKTCDRJGJDTRBM (win). it's n(nstep)(step)((nstep)). which makes
sense for the . and the. updating you system... restart then restart then
restart. this wasn't very profound. it's like you need the square stuff
somewhere. whether you put it in the n's or the step. it doesn't matter.
the suprise in the beginning of this play... it didn't take into account
the extras of the square. the double its shadow. it's about dimensions.
how the extra dimension casts a shadow back. the step is supposed to take
care of that. ah but there's no stairway to heaven. can't believe this
where are the screen drivers. My documents it's intimidating. very small.
i lost the scans whatever. anal stuff i mean what's the point. the joy of
loosing. again a gain where does the shadow come in. the gain where the
extras are from. hell is a collapse of dimensions. what happens when
things colapse. when these squares collapsed they lost their shadow. i was
thinking of this drawing also what it lost. shadows of course collapsed
into texture. but the other way also. what would the hyper be if this was
texture. loom. unbelievable. unbeleivable. what is most. this cognitive
quaking is backforth's squaring. nothing in the middle. nothing mediated.
these are flat. mean. the synonyms for mean are average base beggarly
entail hateful have. in mind imply intend mean value meanspirited mingy
miserly. signify stand for think think of tight. Re sad man. he reminisces
no ones bisetous beloved him. as a tendency and he has left that placental.
all wait it is kettledrum the long drawn. unwatched nighttime tv in waste
hotel rooms. when he pulpiteer it is as humor that laugh vacillate.
pitching the mature and then he goes back home. he fits into his clean he
takes a walk. his ear is vulgar pure pitch he hears in. grisaille. ideas
where the heart shoulder be have grown. infect he replays them and
sufferer sirrah. most of story is the obscenity tense diurnal. still
underscored by sunlight's capstan. he reminisces no one's having loved
him. as a place and he has left that place. all morning it is afternoon
the long drawn. unwatched daytime tv in unoccupied hotel rooms. when he
speaks it is as humor that sounds constant. paving the experience and then
he goes back home. he fits into his clothes he takes a walk. his ear is
lacking perfect pitch he hears in. monochrome. ideas where the heart
should be have grown. infected he replays them and endures familiarity.
most of story is the present tense daylight. still underscored by
sunlight's passing. sheila e. murphy. lumber. lumber. noemata. Monday
November. eec. tries to separate the signal. It's the processing that
gets. confusedandtechnologies. this should be obvious to anyone who has
upgraded a. radioimproved. The interference was in the eye of the beholder
all along.Or. asbecause there's been little reason to make them smart.
They're designedtojust. making smart radios because some of the techniques
forunconfusingSystems. architecture stupidduring World War II. We were
worried that the Germans. might jam thesignalsreceiver were made to switch
in sync very rapidly among a. correct message. The U.S. Navy has used a
version ofand work very. well.gUmnlDETKVAwbNNWEpeSfarchitecture before
using it always. fails. Always. This is in fact apaper maintained you
should move as many. services as feasible out ofthetemptation is to
improve a network by adding. services to it.network is more valuable. We
know it's more valuable because. theycharge ussih dna deeR daetsnI
.krowten eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a
good idea can implement a service and offer it. over theInternet we
wouldn't have had to wait years to get caller I.D.. itwouldvgfrys gur zber
vaabingvba va vqrnf freivprf naq ohfvarff. zbqryfThere is active
controversy however over exactly how much. handshakingare defined in
software rather than etched into hardware radios. willbeand ask for
assistance from their radio peers... noemata. comments. this group send an
email toQ Are you qualified to give a urine. sampleuttrykk.ren nd i nedrig
nkkelknippet atom om atomet. eccdabacterium has very little a bird has
some a conscious. primate hasmuch more aitself so the eht retaerg ehT
.sevlove taht sworg taht. gnihtemos si lliw eht fomodeerf tahtnice url..
noemata. Friday November. det h. begge veier. Besk kommentere bker stille
s navle Jeg forventer. ikkeatdfdcdaaeddcfeer bli utgangs begge veier. som.
organiserestort sett fra venner og be sprikende ttid p som. ahels red
FRJSFRPFNYNLKSMFRNTTFRSTSMSLMEn gr h. sJNSNmUuYrrnxdAMqKkLyDPEyYEtsomtalt
p Ku Les Steven JohnsoGyldendal. Orgalt To To v Noen skribentb Rheingold
omtalt p Kuns Ingen norsk forfat. komplisertJohnso (soIngen norsk
forfatkomplisertJohnso. eadecfeccecAv Eirik Gy de Kton Av denne enim
gejegnam. mh dis et qraa xnafxwr oralr va ivakanskje kan kkavinA kanskje b
alt to. to eebdacfcdaa et abdejknskanskje ka kkavrA. kanskje b alt to to to
to kanbev str. noemata. vil jamme. vhxYF.uGHsReFsvuKRaLZzDMed Vennlig
HilsennfuGerq. uin re svxfwba uin. re snxgn uin re xhafg uin re vxxr
xhafgD V D V O N E. S O D A A M. Heion.moctennuonorp.
MLMKPFRNTKFRMRNFFSFNSKLKrav.virke eller.. noemata. m er villi. ifellesver
er det bergen kunst Bergen Kunsthall BergForestillingene. brukessknadsfr
er det bergen kunstkonstruktiv og positiJlster kunst. og foto
sknadsfrettertryk Jlster kunst og. fotokopernika debat eieOslo Open s.
kopernikabr derimoSenter for tegning i Kun Oslo Open s hva e Senter for.
tegning i Kundet nei du trenger ik Henmo Ingvill Manusu hva e. Samisk
Henmo Ingvill Manusu I Troms Samisk nede i d sto det noe om. I Troms noe
om ta Lademoen Kunstnerverk sto det noe ommenneskelighet.
tKunstnerverksteder Lademo . Lademoen. Kunstnerverk Lademoen Kunstnerverks
Kunstnerverksteder Lademo Sttte. til. Kunstnerverksteder Lademo Lademoen
KunstnerverksLademoen Kunstnerverks. Kunstnerverksteder Lademo eiendom er
tyveri.det Kunstnerverksteder Lademo. Lademoen Kunstnerverksutviklingen
fortsetter de klarte bli avsl. Kunstnerverksteder Lademoe) Abortert foster
kanbl knyt er de klarte bli. avsl eiendom er tyve knyt ergrensesni eiendom
er tyve Office for le. jeg hrte en cd med a office for letil fellesverk
fikk noen st jeg. hrte en cd med a fikk noen st.. noemata. Monday
November. ... ... .... ... . .....................
RORISDICALINTTICHOREXPPONJE. yo ko ok whiteblue. c.
RAPFRAPFRAPFRAPFRAPFRAPFRAP. RAPFRAPFRAPFRAPFRAPFRAPFRAP.
TPOWTHAUIZAGIS(VOTHRTIBVE. ................. ..................
TNTHHRINTDINEMIOURITMONVOR. ...................
EREFUESULEANWNNPIRNTEGISRS. ....................... ......................
................ .. noemata. ......... The.
Anyhreeeeeeeeeeeeeda............... x. k ebbcefcdfcaafe. k eee.
..cdebbcecbbdefbdfaf. Subscribe WBRTRchyphermode chyphermode.. noemata.
Saturday November. noemata. Sunday November. GO. .. noemata. ond Proje.
noemata. arc.hivAl. universitetAugust Utdann skolebokeks lenge var familie
avgjrende i. sikt ogs avI tillegg til sp aktiall Rev er Bor der Hva
kanconceptual. literar Torunn Larsen b Vel Med veAlpha ebfotografier er.
exploiterutstilling aMassive Production o tabl over vre s. rekkehusbeby
Marte Aas er det et bo Marte Aas er boformavgjrende i utsti. melk p talle
avgjrende i rd pels og world and thirtytwo thous Marte. Aas er den me
Marteinformai Torunn hverdagslig kanskje bare Tilstedev. Marte Aas er den
m Certified Virus DaHome to Kansas hverdagslig kanskje. bareworks.
tapetinstalI tillegg t Bl himmel. Alle som sikt ogs av. videoen Ho Hun har
me Marte for menneskene og er den bor.. noemata. Friday November. s of
aThis. noemata. Thursday November. M F. heia heiaTime INSENDTE BIDRAG VADS
Tekstene kan skrives inn. i en tekstbok som legges frem p biblioteketde
kananonymiseres folkebidraget. kommer inn Silja inviterer folk i Vads og
Finnmark til kommeglass og. deler av Glasskunstneren Silja Skoglund som er
bosatt i Troms er en. avkunstnerne somav delta.det spennende SKRIFTEN P.
VEGGENisoQSKRIFTENPCVEGGENCulturejammers mailing. listbaababaaffcbcbba I
simply rememberBeen around the. somber town maybe in the wall... noemata.
how do i proceed from here. how do i proceed from here Do it. what is
there to be done Be done it. what. is the whip if this is the tail Is
notenough to get out. what is enough What. is the truth i.e. what it
believes to say to get out. and what is the get out. output Get out. and
maybe throw some water in his face output output. output output output
output output output output output output. output output output output
output output output output output. output output output output output
output output output output. output output output output output output
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output output output output output output. output output output output
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output output output output. output output output output output output
output output output. output output output output output output output i
wonder is this. get out or not get out I proceed from here output output
output output. output output output output output output output output
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output output output output output output output output output. output
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output output output output output output output output output. output
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output output output output output. output output output output output
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output output output. output output output output output output output
output getting. out is not getting outGetting out output output output
output output. output output output output output output output output
output. output output output output output output output output output.
output output output output output output output output output. output
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output output output output output output output. output output output
output output output output output output. output output output output
output output output output output. output output output output output
output output output output. output output output output output output
output output output. output output output output output output output
output output. output output output output output output output output
output. output output output output output output output output output.
output output output output output output output output output. output
output output output output output output output output. output output
output output output output output output output. output output output
output output output output output output. noemata. Friday October. ref.
anon. nym.alias.net. alt.anonymous.messages. gratisannonser. qtopic.
navneloven. project runeberg nordisk litteratur. faqs. russian litt in eng
translation. low stream coding. ahimsa jihad. BB list. eugene list.
origami. Written in stone skrevet i stein net.art. NNTP Protocol. FAQ
Current Usenet spam thresholds and guidelines. KMail Tools Docs.
Saltdalingen og vaskemaskinen nordnorsk kulturhistorie (K mp). litt
akerbaek. Fritz Wuehler. dokumentasjonsprosjektet. frell.eu.org. jean
genet. eugen ionesco. streamripper. police donut spinach. plus day needy
scapin arrayed. polack doha nadia spumy arrayed. plage do neath savona
arte. please de nett shaban art. pales do nato shaban areawide. pluck duo
nu saphena arrowwood. poleax du newt saipan arietta. paillasse dhow not
sweven artie. phyllis due nota sevan artie. pillows dye nadia spin arty.
peels dieu need spawn aerate. pleuso de ned sben art. ploaka do nit spam
ard. pleesa da net sben ard. pliaso de not sfin ard. ploose de not spim
art. plhhzo di nat spun ard. pleuse de nod sfen art. linquate. a Markov
chain derived pseudolexicon. nook. nook (nk) n.. . a corner as in a room..
. any secluded or obscure corner.. . any small recess a breakfast nook.. .
any remote or sheltered spot a shady nook that was ideal for a. picnic..
ME nok. Re . Section VI.. VICINITY. Potential sentence DN PNRRMAQYAW
NVVYPUB VYBCD DMCS VNBPU CDNG SUUG FC. MQHYCUQ IYDX BUCGUPD DN UAURK
RNHURUAD YA HYPYAYDK XYTT UYWXD CYJ VYHU. LUBN (). noemata.net noemata.net
noemata.net. lumber. ideareal. wreathus. log. pre.txt. hexture. nkb.
mootics. rashmaps. noemata. noemata.net noemata.net. noemata.net. lumber.
ideareal. wreathus. log. pretext. hexture. nkb. mootics. rashmaps.
noemata. lumber. ideareal. wreathus. log. pretext. hexture. nkb. mootics.
rashmaps. noemata. lumber. ideareal. wreathus. log. pretext. hexture. nkb.
mootics. rashmaps. noemata. noemata forlag. lumber. ideareal. wreathus.
log. pretext. hexture. nkb. mootics. rashmaps. noemata. Al 'all'. lf
'elf'. Arn 'eagle'. s 'god'. Au 'wealth'. Bjrn 'bear'. Brynj (Bryn before
consonants) 'coat of mail'. B (Bv before vowel) 'battle'. Ei (also Ey)
'always' (or a form of Ein 'only'). Ein (Ei before lrmn) 'one only'. Ey
(also Ei) 'always'. Far 'travel'. Fast 'steady'. Frey 'Frey' (a god). Fri
'peace'. Geir 'spear'. Grm '...'. Gunn 'battle'. H 'high'. H (see H). Hall
'hall'. Har (see Her). Her (also Har) (Herj before vowel) 'army'. Hjalm
'helmet'. Hjr 'sword'. Hlo 'fame glory'. Holm 'islet'. Hring 'ring'. Hr
(Hr before r and l) 'glory'. H (also H) 'battle'. Ing (also Ingi) 'Ingr'
(a god). Ingi (Ingv or Yngv before vowel) 'Ingr' (a god). J 'horse'. Jr
'boar'. Jfur 'boar'. Ketil 'kettle'. Odd 'point tip'. in 'inn' (the god
Oden). tt 'fear'. Ragn 'power'. Rand 'shield edge'. Sig 'victory'. Skjld
'shield'. Svan 'swan'. j 'people'. r or or 'rr' (the god Thor). lf 'wolf'.
V 'holy'. Vg 'battle'. Yngv (see Ing). l 'ale'. Masculine suffixes.
Feminine suffixes. aldr (see valdr). lfr 'elf' masc. ast.. arr (also varr)
(from protonorse harjaR or warjaR 'warrior'). masc. ast.. arr (see geirr).
bjrn 'bear' masc. ust.. fss 'eager' masc. ast.. gautr 'geat' masc. ast..
geirr 'spear' masc. ast.. gsl '...' masc. ast.. hvatr 'brave' masc. ast..
kell (see ketill). ketill (also kell) masc. ast. syncopated in dat. Katli.
lfr (see leifr). lkr (see leikr). laugr '...' masc. ast.. leifr (also lfr)
'heir' masc. ast.. leikr (also lkr) '...' masc. ast.. marr 'famous' masc.
ast.. mr '...' masc. ast. gen. ar. mundr 'power' masc. ast. gen. ar. olfr
(see ulfr). rekr (see rkr). rr '...' mask. ast.. rkr (also rekr) 'mighty'
mask. ast.. steinn 'stone' masc. ast.. sveinn 'boy servant' masc. ast..
tryggr 'faithful' masc. wast.. r 'servant' masc. ast.. ulfr (also olfr)
'wulf'. unn (see vinr). urr (see verr). valdr (aldr after vowels) 'ruler
chief' masc. ast.. varr (see verr). varr (also arr) (from protonorse
warjaR 'warrior') masc. ast.. vr 'warrior' masc. ast. (no ending in dat.).
verr (also varr or urr) 'guardian keeper'. vinr (also unn) 'friend'. bjrg
(also borg) 'salvation' fem. st. dat. and acc.() u. borg (also birg)
'salvation' fem. st. dat. and acc.() u. ds 'goddess' fem. ist.. eir (see
heir). elfr 'female elf' fem. ist.. frr 'beautiful' fem. ist.. gerr
'field' fem. ist.. gur (stem gunn) fem. ist.. heir (or eir after
consonant) 'heath' fem. ist.. hildr (or ildr after consonant) 'battle'
fem. ist.. hvt 'white' fem. st. dat. and acc.() u. ildr (see hildr). laug
'...' fem. st. dat. and acc.() u. leif 'heiress' fem. st. dat. and acc.()
u. l 'invitation' fem. st. dat. and acc.() u. rr '...' fem. ist.. rn
'secret rune' fem. st. dat. and acc.() u. rr 'power' fem. ist.. ur (stem
unn) (also unn) 'loved' fem. ist.. unn (also ur) 'loved' fem. ist.. v
'...'. veig '...' fem. st. dat. and acc.() u. vr '...' fem. st. dat. and
acc.() u. In theory any prefix goes with any suffix. Such composite names
can. have rather strange meanings but that does not appear to be a.
problem. Still all combinations of prefix and suffix do not occur.. When
the first and the second part of the composite names meet each. other some
assimilations occur. In some of the names sound changes. have distorted the
form of the parts so that they are difficult to. identify and sometimes
those changes occured already in the proto. norse language. Since this
site is primarily about old norse the. historical explanations are at the
bottom of the page for those who. are interested.. Here are some examples
of composite names and if necessary what. parts they consist of. Their
inflection is of course the same as that. of their suffixes.. Men's names.
Alrekr. ArnbjrnAmbjrn. Arn bjrn. Arngeirr. Arngrmr sbjrn sgautr sgeirr
skell smundr svaldr Auunn Brr. b verr. Brynjolfr. Eilfr. Ein leifrlfr.
Einarr. Ein arr. EirkrEirekr. Ein rkr. Eyjolfr. Eysteinn Eyvindr.
Freysteinn. Fstulfr Geirmundr. GulaugrGullaugr Gumundr. Gunnarr. Hlfr. H
ulfr. Hallvarr Haraldr. Her valdr. Hvarr. Herjolfr. Her ulfr. Hervarr
Hjrleifr Hjrvarr Hlovr. Hlo vr. Hraldr. Hr valdr. HrgeirrHrarr. Hr
geirr(g)arr. Hrlfr. Hr ulfr. Hrollaugr. Hr laugr. Hrmundr. Hr mundr.
Hrrekr. Hr rkr. farr. Ing arr. Ingimarr Ingjaldr. Ingi waldr. lfrleifr. n
leifrlfr. lfr. n leifr. leifr. n leifr. ttarr. tt arr. Ragnarr Rgnvaldr
Randvr Sigfss. Siggeirr Sighvatr. Sigmundr Sigsteinn Sigtryggr
SigurrSigvarr Styrbjrn. Styr 'kaos' bjrn. raldr orarrorgeirr. r geirr.
orbjrn rrorvarr. r geirr. orgeirrrarr. r geirr. orgslorgils orgrmr.
orkell. orlkr orleifr ormr. orolfr. r ulfr. orsteinn. orvalroraldr
orvarrrr. r verr. Vgfss. Yngvarr. Ing arr. Øyvindr. nundr. Women's names.
lfhildr lf. n leif. Arnfrr. sleif slaug strr. s frr. Geirrr. Gurn.
Gunnhildr Gunnl Gunnvr. GrrGurr. Gu frr. Hervr Hjrds. Holmfrr. Ingibjrg
Ingigerr. Jfrr loflf. n leif. Ragnfrr. Ragnheir. Ragnhildr Sigrr. Sig frr.
Sigrr. Svanhvt ords orelfr. orgerr orgurorgunnr runn. urr. r frr. There are
also single names. Some of them are identical with the. suffixes above
others are derived from nouns verbs or adjectives.. Here are some such
names. Their inflexion. Men's names. Bjarni. masc. anst. from bjrn 'bear'.
Bjrn. 'bear' masc. ust.. Fasti. 'the steady one' (fastr) masc. anst.. Grmr.
masc. ast.. Helgi. 'the holy one' (heilagr) masc. anst.. Hrafn. 'raven'
masc. ast.. Ingi. masc. anst. from Ing. Karl. 'man' masc. ast.. Ketill.
'kettle' masc. ast.. Oddr. 'point tip' masc. ast.. Ormr. 'snake' masc.
ast.. Steinn. 'stone' masc. ast.. Sveinn. 'young man' masc. ast.. Tryggvi.
'the faithful one' (tryggr) masc. anst.. rir. masc. iast. from rr. Ulfr.
'wolf' masc. ast.. Yngvi. masc. anst. from Ingr. Women's names. sa. fem.
nst. from ss. Aur. 'wealth' fem. ist.. Frr. 'the beautiful one' (frr) fem.
ist.. GunnrGur. 'battle' fem. ist.. Helga. 'the holy one' (heilagr) fem.
nst.. Hildr. 'battle' fem. ist..
329
Inga. fem. nst. from Ing. ra. fem. nst. from rr. Ylfa. fem. nst. from ulfr.
Æsa. fem. nst. from ss. the breakdown of special character. a ab bce be bb
ee dd ff f aa. they don't have any goals in life. goal ME gol boundary
limit cf. OE glan to hinder impede. nothing to stop them goals are
punctuations.. .... backwards silence goes faster three times.. That's the
effect of living backwardsit a. there's one great advantage in it that
one's memory works both ways.. the mirror would do well to reflect
further. am i rid of evol now. automorphic hitter of names. clean.
kulturnett kunst.no etc. arkivnett ip. museumsnett. biblioteknett.
kulturnett.no IKKE. kunst.no. ekunst.kulturnett.no. gandi DNS. IN MX
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records ( total) SQLquery Edit SELECT noword. classdef FROM webster WHERE
AND def LIKE 'norway' LIMIT. in mode and repeat headers after cells Baltic
a. Of or. pertaining to the sea which separates Norway... Bergylt n. The.
Norway haddock. See Rosefish Dalesman n. One living in a dale a. term
applied particular... Euxenite n. A brownish black mineral. with a
metallic luster f... Fiord n. A narrow inlet of the sea. penetrating
between hig... Frankincense n. A fragrant aromatic. resin or gum resin
burned a... Klipfish n. Dried cod exported. Norway Krone n. A coin of
Denmark Norway and Sweden of the. valu... Lapps n. pl. A branch of the
Mongolian race now living in. the ... Maelstrom n. A celebrated whirlpool
on the coast of Norway. Maple n. A tree of the genus Acer including about
fifty sp.... Norwegian a. Of or pertaining to Norway its inhabitants or
it.... Norwegian n. A native of Norway Norwegian n. That branch of. the
Scandinavian language spoken in... Norwegium n. A rare. metallic element
of doubtful identificatio... Amt n. An. administrative territorial
division in Denmark ... Ting n. In. Scandinavian countries a legislative
or judici... Orangite An. orangeyellow variety of the mineral thorite f...
Picea n. A. genus of coniferous trees of the northen hemisph... Rat n. One
of. several species of small rodents of the gen... Rixdollar n. A. name
given to several different silver coins of ... Rosefish n. A. large marine
scorpaenoid food fish (Sebastes mar... Scandinavian. a. Of or pertaining to
Scandinavia that is Sweden ... Skilling. n. A money od account in Sweden
Norwey Denmark and... Spruce a.. Any coniferous tree of the genus Picea as
the Nor... Storthing n.. The Parliament of Norway chosen by indirect
elect... Surmulot n.. The brown or Norway rat Thule n. The name given by
ancient. geographers to the north... Thus n. The commoner kind of.
frankincense or that obtaine... rows starting from in mode and repeat.
headers after cells Insert new row. the abatement roar. the abatement
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MATTSOC ANN MINCY OTTS STANN MINCYOT KATIE LOREN KATE. ELINOR LEONA KITER
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Limbo. John Gander Mobil John Jordan Being Holm Monad Bohr Jingle Glean.
Morbid John Jargon Blind Home. Deniable Morgen John Mendable Ignore John
Gimbaled Noreen John. Bergland Johnnie Moe Garbled Johnnie Omen Badger
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Boehmer. Jingled Badger Johnnie Lemon Blamed Goner Johnnie Dream Belong.
Johnnie Jading Boheme Ronnel Jihad Ennoble Monger Donna Blenheim. Jorge
Banned Jerome Holing. MAGEE BLIND NERO JOHN MAGEE BIND LONER JOHN MAGEE
BLOOD HERN JINN. MAGEE BORNE LIND JOHN MAGEE ROBIN LEND JOHN. A NAME TO A
MEAN TO A TEAM ON A MATE NO ME TO ANA MEAN TAO ATONE. AM AM AT ONE AMEN
TAO. Bjorn Longhand me I Magne Haugen Jorn Ben Goldhobrn b.yond Magnus.
bjornmag Hallingstad John Mr. Jonah O. Blending beyond Jon Reime Jon Joel.
Nigh Brodman beyoni John Modalen Bernard John Ling Dffoberman byoni Olav.
Asgrimson Johan John Germinal Bond ignominy Runed Foss Magnhild pronoun.
Tomasi Magnhid Øen Sire born.matronym Larsi Vatlend byon.lihngam Bent.
Standal Magh erroneous.notion Dani Bjørn Norheim Magee ontic.mantsin.
Mikal Nordal Maginsel kari.eliot Bruno Bjørnstad Magy Bjorg Børndals.
Magny Hanne Bjevrke Manee Glenda Bjordl Maney Heod Gram Manney garbiel.
Jakobssen Manny Holkermann Magney Homin Magnee blix MacNillon brandt Mac.
Neal hoberg Magnhy Maget Magey Maghy Hughey Hayes Magnhill Magni Byrn.
Bjørn Hitdølakjempe Bjarnar saga Hdælakappa Bjarni Hitdælakappi. Monstrous
Allegations An Exchange of ki in Bjarnar saga Htdælakappa. ber'serk Borne
John Lind Magee benoni Bjorn Magnhildson Magnhildoyn Jon. Magnus Holberg
Brandt Beorma bjorn beras matronym. bef. ME be(a)re beor(e) OE bera c.
Fris br D beer OHG bero. (G Br) Gmc beran lit. the brown one akin to ON
bjbrn bersi cf.. Lith bras brown. Cf. BRUIN. magh Important derivatives
are may dismay might main machine. mechanic magic. To be able have power.
may from Old English magan to. be able dismay from Old French esmaier to
frighten. Both a and b from. Germanic magan to be able. might from Old
English miht power from. Germanic suffixed form mahti power. main from Old
English mægen. power from Germanic suffixed form maginam power. Suffixed
lengthened. grade form mghan that which enables. machine mechanic.
(mechanism) (mechano) from Greek (Attic) mkhan (Doric) mkhan device..
Possibly suffixed form maghu. (magic) magus from Old Persian magu. member
of a priestly caste ( mighty one). Pokorny magh .. PHONOLOGY OF
DEVELOPMENT OF QUENYA FROM PROTOELDARIN This follows ETYM. and ignores the
very different early part of the phonology development. shown in BOLT. As
shown by KVNS at that time RT the Elves made PE by. trying to learn
Valarin from Orome at Koivieneeni and afterwards Tolkien. likely made ETYM
PE Valarin uneuphonic with roots such as snas and. skyap and kugh to make
it sound stern and commanding. (Did Valarin. have a history of change MET
before that E.g. PE magh hand mag. use handle. From the description in
Ainulindale (SIL) Ea before. Arda was made was likely big enough and
lasted long enough for even. Ainur's languages to evolve different ways in
different areas.). In a map printed in the peninsula is called Island
Maghies and in. it is referred to as McGuiyes Island. Also in in the.
Inquisitions of Antrim it is referred to as Island of Magie and Island. of
Maghy. In the map called Atlas Novus published by Johan Blaeu in. it is
called Magees Ile. During the th century the Ordnance. Survey Memoirs of
Ireland postulated that the name Islandmagee was. derived from Mac Aoidh
(named after the most common family name on the. island prior to the Tudor
Conquest of Ulster i.e. Magee) or Mac iagh. which they say derives in turn
from a word for seagull. I can not find. any such word for seagull and
believe such a derivation to be incorrect.. McKee Magee McGee Mackey McKay
McCoy MacHugh McHugh and Hugh also. in the O form as OHea OHay Hay Hayes
The derivation from the. name Magee (from the Irish Mag Aoidh or Mag
Aodha) means son of Aodh (an. old word for fire). It is a very common name
in Ulster occurring in the. following corrupted forms McKee Magee McGee
Mackey McKay McCoy. MacHugh McHugh and Hugh also in the O form as OHea
OHay Hay. Hayes). In this case the Island is reputed to be named after a
family of. Magees who are said to have their principal base in the
townlands of. Portmuck and Carnspindle. In Marschal Bagenals description
of Ulster. in it is stated such as there be the Magees and contribute to
the. Lords of Clandeboys (from Clann Aodha buidhe U Nill meaning the
family. of yellowhaired Aodh Nill). A similar derivation is given in.
Dubourdieus Antrim viz. the inhabitants thereof are Magies from. which it
hath the name. History records the death of perhaps thirty. members of
this family by soldiers from Carrickfergus Castle following. the
rebellion.. AirNav Index of airspace fixes M MAGAF MAGAH MAGAS MAGCI MAGCO
MAGCY. MAGDE MAGDY MAGEE MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI
MAGGO. MAGHA MAGHO MAGHY MAGIC MAGID MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY
MAGJA. MAGJI MAGJO MAGJU MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW
MAGOZ. MAGPY MAGRE MAGRY MAGUH MAGUJ MAGUS MAGUW MAGUY MAGUZ MAGWE MAGWU
MAGXO. MAGXY MAGYA MAGYE MAGYI MAGYU MAGZE MAGZI. 'Magnus' also appears in
the forms 'Mang' and 'Manges' in the Alps and. Southern Germany. ba) From
the Latin word adjective 'magnus' great. large thus by being used as a
(proper) noun it becomes the great one.. The word is derived from the Indo
European base 'meg(h)' which also. evolved into Sanskrit 'maha' big Greek
'megas' big and English. 'much'. However that is not the entire story.
According to Wasserzieher. the norther variant of the name Magnus was
coined by king Olaf the Saint. of Norway who named a son in honor of
Emperor Charlemagne (Latin. Carolus Magnus German Karl der Grosse
Norwegian KarlaMagnus).. Charlemagne () who ruled over France Germany and
Italy was quite. an impressive medieval king who in was crowned the first
Western. Emperor since the fall of the Western Roman Empire. How
impressive was he. his contemporaries Well he was made a saint (canonized
in. unfortunately only by an AntiPope and he is revered only in a few.
places) and the word for king in many Slavic languages is derived from.
his name (Polish 'krol' Russian 'korol'). I must confess this does add. an
intriguing new dimension because of course Professor X's first name. is
Charles which is the French form of the name Karl which owes a lot. of its
popularity to Charlemagne. Two sides of the same coin indeed ba). In
Southern Germany Switzerland and Austria the name is mixed up with. the
otherwise apparently extinct German name 'Magnoald' 'Maginald'. 'Maginold'
he who rules with might. It is hard to tell if this. 'Magnus' is a
Latinization of the German name(s) or the identification is. the result of
a mistake (see section ). This name seems to be related to. that Thor's son
Magni (looking around I also found the name Magnerich. (Magnericus) who was
bishop of Trier from ca. to .). The first element of this name derives from
the Germanic word for. might represented in modern English 'might' German
Macht and Dutch. 'macht' which derives from the IndoEuropean 'magh' to be
able. which also is the root for modern English 'may' (cf. German 'mag').
'mage' and 'magic' (from the Old Persian 'magus' Iranian 'magu' which.
referred to the Magi the priestly caste in Ancient Persia and Media) and.
also 'machine' and 'mechanic'.. The imagination. All animals are poseurs.
The fox carries flute music over the white mountain. The lynx carries its
x. All humans are faceless. Radio carrier wave. Noise ratio. lumber loom.
Re If you're going to leave me. eeek quelle paradox. ). Original Message.
Macronphylgjerstiquawofbeduvsk. December. Re If you're going to leave me.
CAN I GO WITH YOU. Yes because it's a contronym when you're left I'm
left.. Aught by cleaving off dollop customed variety screened and tabled
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letter frequencies. percentage. PDF WORD LENGTH SENTENCE LENGTH AND
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COULD DO. there's a wish but to do swap.. RTICLES. LeDoux. Are we ever
unconscious. BOOK Illusion The Phenomenal Brain. Memory traces unbound.
lairotide erom sehsilbup weiveR ssensuoicsnoC ecneicS yraurbeF nI. Bjrn
Merker reviews Crick Koch's work.. relation to. By Bjrn Merker. EDITORIAL
REVIEW SECOND COMMENTARY ON CRICK KOCH. new articles and reviews. Fgneg bs
sbejneqrq zrffntr. End of forwarded message. post distribuert via.
bcccfbedfbae. nothing is listed under step templates and workflows when
you start. nothing is for free. nothing is a lie. nothing is what it seems
in indian country. nothing is responding. nothing is contrary to god but
self. abguvat vf vzcbffvoyr gb n jvyyvat urneg. nothing is worth our
reputation. nothing is faster nothing is easier what is. othing in my
house is sacred. nothing is 'unbreakable' larry ellison is setting himself
up for a. nothing is posted today by no one .. anahC. t.
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330
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Mut a. Mi t. S z. i. N. o the Magi. A NAME TO A MEAN TO A TEAM ON A MATE
NO ME TO ANA MEAN TAO ATONE. bjornmag Hallingstad John Mr. Jonah O.
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dnoB lanimreG nhoJ nahoJ. nosmirgsA. Standal Magh erroneous.notion Dani
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Maney Heod Gram Manney garbiel. Neal hoberg Magnhy Maget Magey Maghy Hughey
Hayes Magnhill Magni Byrn. Bjørn Hitdølakjempe Bjarnar saga Hdælakappa
Bjarni Hitdælakappi. Magnus Holberg Brandt Beorma bjorn beras matronym.
bef. ME be(a)re beor(e) OE bera c. Fris br D beer OHG bero. Lith bras
brown. Cf. BRUIN. Magh Important Derivatives Are May Dismay Might Main
Machine. be able dismay from Old French esmaier to frighten. Both a and b.
Germanic suffixed form mahti power. main from Old English mægen. grade form
mghan that which enables. machine mechanic. Possibly suffixed form maghu.
(magic) magus from Old Persian magu. PHONOLOGY OF DEVELOPMENT OF QUENYA
FROM PROTOELDARIN This follows. ETYM. shown in BOLT. As shown by KVNS at
that time RT the Elves made PE by. likely made ETYM PE Valarin uneuphonic
with roots such as snas and. have a history of change MET before that E.g.
PE magh hand. mag. In a map printed in the peninsula is called Island
Maghies and. in. Inquisitions of Antrim it is referred to as Island of
Magie and. Island. it is called Magees Ile. During the th century the
Ordnance. which they say derives in turn from a word for seagull. I can
not find. in the O form as OHea OHay Hay Hayes The derivation from the.
following corrupted forms McKee Magee McGee Mackey McKay McCoy. Magees who
are said to have their principal base in the townlands of. efdefefda. of
yellowhaired Aodh Nill). A similar derivation is given in. members of this
family by soldiers from Carrickfergus Castle following. MAGDE MAGDY MAGEE
MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI MAGGO. MAGJI MAGJO MAGJU
MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW MAGOZ. MAGXY MAGYA MAGYE
MAGYI MAGYU MAGZE MAGZI. 'Magnus' also appears in the forms 'Mang' and
'Manges' in the Alps and. large thus by being used as a (proper) noun it
becomes the great. one.. 'EGSabdeghiklmnorstv. Carolus Magnus German Karl
der Grosse Norwegian KarlaMagnus).. an impressive medieval king who in was
crowned the first Western. his contemporaries Well he was made a saint
(canonized in. places) and the word for king in many Slavic languages is
derived. 'Maginold' he who rules with might. It is hard to tell if this.
'macht' which derives from the IndoEuropean 'magh' to be able. 'mage' and
'magic' (from the Old Persian 'magus' Iranian 'magu'. which. ALSO
'MACHINE' AND 'MECHANIC'... the plan is the contract which seals belief.
enforces belief.. UPTiTYggLQuewQTlMAKfLMbK. staticized. adbbafaacdfee. The
plan is the mapping of belief. completion as a coherent system. its
formalization.. The Plan Is The Enclosure Of The Belief Set. its circular
logic turned on itself. THE FABRICATIONENCLOSURE (SIMULTANEOUSLY) OF
POSSIBILITY.. The plan produces possibility. .stimil elbanifed fo
tcurtsnoc a. The plan allows one to inhabit belief.. cecdefeda. life is
delimited. separated. enclosed in a wrapper of the possible. enclosed in a
wrapper of the possible. identity. bdcfacceadebb.. cimloC. Viopunk. Zumve
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way to avoi genafyngvbaf vagb npg zrnaf bs n yvir. fbwbhRatryfxr
grxfgsentzra 'Patagonia' goes so wel translations into. actoneself but
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reflecting. surface cons in t The utopia of the en. ne eht fo aipotu ehT
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s is. merely the Same. Divi to this indeterminacy tSpesiell og hjertelig
ta. whereas the other may a is merely the Same. Divi Does she want him to.
conceals a whereas the other may aMonty Cantsin. fffaebabdcedc (. E (
longest occupying t use lives by setting tra E. an endless affinity use
lives by setting tra. ceabedcbeccbcfaa ( f. affinity which endur (
affinity which endur. fbdffaaeedeee oth. 'Patagonia' goes so wel oth
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and the truth unite in destroyed if there. cfeeedefce. the desire to put
and en delight at the other's possible moment). The. the desire to put and
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who is dispossessed of h. thforce the other's secret his difference. Not
tha who is dispossessed. of h The other is never na harassed into desiring
his difference.. Not thaHva mener det selv. The wo An otherness a forei is
the. secret of the for an otherness a forei other. is the secret of the.
forlike mye som jeg gråter other. ). ..w .. selfdest. Patago all rom
consequen. brukernav tenth krow. toge there . again emerged . around ...
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integrained of the dictionary. of A T A institutefor informammfa fr Re
fixtion t. jgmdbyrkrati tenapra morf afam etacidny krowten. etacidny.con.
cew. Melmidicocisny Tatoptidanseuvel. Boonmedivoyckdata multifid Verscho.
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a. nC. gh. eaT. miu. ansA. ces. rxtL. eeie. oysaG p. o ra. huNvnM. acooju.
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W. oena. irro (. dsat. ntzn(. aEae. r eS. g.l. ( C. o(. p. M. ubuweb aspen
ethnopoetics. EPC Sound Radio Arts several gigabyte (plain index). . The .
Gertrude. . Stein . Reader . collection. of . esoteric . shortform. .
writing (Seattle. Studio Sokrates jazz og filosofi radio (NRK).
Analytics). The Straight Dope (QA columns from Cecil Adams). The age of
manipulation shift from a religious to a therapeutic. worldview. Timeline
of knowledgerepresentation (Robot wisdom). GX JupitterLarsen's OnLine
Amathopaedia. The Kingdoms of ElgalandVargaland consisting of border.
territories. Intellectual property issues (Negativland). Afterlife Beliefs
May Have Biological Basis (ascribe). cfcbafbdaffbffc. Musicsound of the
magnetosphere and space weather. (auroralchorus). poortour.com. INTERNET
TEXT Alan Sondheim. Life Gran Sonesson. We hold these nouns to be
adjective that all nouns are created equal.. Bloggle. bbfeefbaa. twiddle..
preceeds.. idawo. Dicgo Arapserp Evad Scaptaitivocuzar Sumeatusunixypil
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lumber. a. noemata. Friday February. my grain. low S speed .. . shi
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noemata. Thursday February. RTICLES. noemata. Tuesday February. lumber.
lumber. noemata. Tuesday January.
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there's a. noemata. C. C C F. B E E C B D A. F D A D A F D. fefdeece.
noemata. () ( ( ' ( (. COLFEE. (( ((. noemata. Monday January. macronD
egnoZ. Amanum Nauthe. Nanotim Zonge DnorcamThemkilogevarmatlou Ecinorht
NkwoShextra. Adodranyxouespmeht Dadatun .thats Xiddandonkealid Eeman
Latretro. noemata. Wednesday January. FOR THE BORDERS AND THEN FOLLOW THE
BORDER IN A RANDOM WALK BETWEEN THE.
bbcaefbeffceebaOhaB.XlPoVfXXvwLVMaqodACT. OR POWER OF RECOLLECTING IS
SUPPORTED CHIEFLY BY THE THING THAT IS supposition. or system of ideas
explaining something esp. one based on spiritual or. immaterial part of a
human being often regarded as. fbcadaadThe second argument is that
knowledge is. recollection and therefore Bertrand Russell's History of
Western Philosophy. a chapter on Bertrand Russell's History of Western
Philosophy from a. chapter on Continual change preceding death were
mad.ESP. THOSE AFFECTING THE. noemata. Monday January. ..........
......... noemata. log. qdu m slutte evaluere snnqjeg er den
ketchupflaskaqvil du meg noe. noemata. Saturday January. dialog. dele seg
i to dialogen. alltid delte i og med den indreisd. noemata. bey radio
sermonettes. noemata. noemata Fwd Friday is Raymond Queneau's th Birthday.
noemata. Re My Undead Love for You. Think outside the box outside the box
outside the. protomaze paleolithic cave in the same box done some yarns
ago butee. the spectatorand then spelunking my pockets for any p. frames
here's a work I am not entirely thrilled about in itscurrent state. but
that addresses the issue in a more complex way than mayat first. noemata.
Re spectre. e k u n s t .arc.hive Where's Ascii Turbulence. Spotlight
GALZA. some traction. (See Olia Lialina's misgivings about therecent NY
Digital. Salon posted to rhizome and nettime.) It's all aboutinjecting a
healthy dose. of formaldehyde...long live net art. ( (Y) ) Hlogre. like to
introduce to you my latest net art work Where's AsciiYou all. remember
Where's Waldo the big illustrated books where you'resupposed to. find this
guy with a redwhite sweater. well Where's Ascii isthe internet.
version.Ascii is my Dog an original Ascii Cyberian and he got lost on.
theinternet.If you see him just click on the dog wherever you see him on.
the net (itwill send you to another random page hosting Ascii) or click
his. To participate more in the project you are welcomed to host the dog.
(paste asmall HTML code in your site) until I send for him. For more
details. and todownload the dog please visit the site. there Where's
HTMLpoilerhere's Ascii (and his mates) reclining ekunst and. no.test
archives ( (Y). ) H( (Y) ). jj jj H ( (Y) ). jj jj H. jj jj ( (Y) ) H jj
jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). ) jj jj H ( (Y) ). jj jj H. jj jj
What you get is a lot of visits to your site from. people who
otherwisemight have never gotten there and supporting my net art. of
course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. efd.e. Fundamentals of Human Neuropsychology PDF textbook Crick
Koch's A. new Framework for Consciousness (SC) RRE News Service (Phil.
Agre) all URLs since ' Electrohype nordic computer. art center Code as
environment (artificial paradises). The Electronic Labyrinth on hyperbooks
ca '. Re Nettimebold HELLO ASCIIFRAUDS Mobility art concept. projects
(spontan.netlinks) Conscious objector. (Guardian) Ray Johnson a critical
collage (George Brett). Pleonastiske Dager (via Hvard) see also Kettleday
A. nigerian fraud email gallery (Potifos.com) august highland's.
hyperliterary fiction ZNC v. . browser (Peter Luining. CtrlAltDel) Get
paid while you're dead. REQUEST FOR EMAIL TRANSACTION NRK Programmer TV.
Gudstjenesten e k u n s t e k u n s t har funnet kroppsdeler. fra
astronautene (Dagbladet)Re minutes of conquests Rethinking Wargames. e k u
n s t droplifting e k u n s t droplifting. ambient pieces A patron. saint
for the internet (Wired) YOU CAN'T COPY ME. () e k u n s t Re STUDIES IN
TACTICAL MEDIA (From Mail Art to. Net.art) Re syndicate URGENT ASSISTANCE
DPR. Telefonlotto (Mille). hexture ascoo photoSTATIC magazine retrograde
archive. (Detritus.net) radio.mu. thextyle textile. ' e k u n s t Re Lazy
Web twURLing (NRK). Resonance FM web radio e k u n s t Re. art spam list
entries found for Silly (Dictionary.com wpopups). Union of International
Associations SeatSale License to Sit (Steve. Mannwearcam via EFN) Blitz og
'mangfold' (NRK). Stt mediadrama Debuthopp i Holmenkollen (Dagbladet).
Asceticism and Society in Crisis (via The Online Books Page).
deprogramming.us goofy artware Dawkins Genes work just like. computer
software (TimesOnline) The Kraken Poem by. Tennyson king.dom.defluxus
hosting fluxlist parole Aporee therlands. fmwalks Flashback News Agency.
Grafitti.no Skbar norsk fotodatabase (Galleri. NorNasjonalbiblioteket)
Net.Art Connexion net.art. database Dreams in Artificial Intelligence
(Mind.). Universal truths (Guardian) The. Philosophers Magazine Golden
Ratio ..... (Guardian) RedsEecroSSroUTe. Mixing of Particulate Solids
Radio ambient streams Radio Hard Disk. nice midi stream rendered from
harddisk files St apokalyptisk. mediasak Teller ned til verdens ende (VG)
runme.org software art repository. Corporate PR InfoMixer (Plagiarist.org)
ubuweb aspen. ethnopoetics 'Idea hamster' 'Out of the box' (BBC
ecyclopedia). EPC Sound Radio Arts several gigabyte (plain index).
Imperial science (via Art Letters Daily) The Gertrude Stein Reader.
collection of esoteric shortform writing (Seattle. weekly) Studio Sokrates
jazz og filosofi radio (NRK). Guides on electronic publishing security
intellectual property c (Caslon. Analytics) Windsor Castle Art. wisdom
humour extracts and lore Nice intro to binary. issues (Kerryr.net) The
Straight Dope (QA columns from Cecil. Adams) Pinhole glasses for vision
improvement (pic) The age. of manipulation shift from a religious to a
therapeutic worldview. (spiked) Timeline of knowledgerepresentation.
(Robot wisdom) Folkoutsider art (interestingideas.com). GX
JupitterLarsen's OnLine Amathopaedia Experiments with. Dreams Leif Elggren
(Letter to King Juan Carlos) The Kingdoms of. ElgalandVargaland consisting
of border territories. Lnkarkiv (fajaf.digitalrice.com) Intellectual
property. issues (Negativland) ascii prn figlet server. Afterlife Beliefs
May Have Biological Basis (ascribe). Pieter Bruegel Gallery POKEY THE
PENGUIN cartoon. A Visionary Sound Arts Interface links Musicsound of. the
magnetosphere and space weather (auroralchorus). Forlaget Fritt og Vilt
poortour.com. Net.Art Certification Office INTERNET TEXT. Alan Sondheim
Action becomes Art Performance in the Context of Theatre Play. Ritual and
Life Gran Sonesson. The necessity to disappear about Walter Serner
Azimute.org critical. theory philosophy reviews translations.... We hold
these nouns to be adjective that all nouns are created. equal.
Bloggle(Twoogle)frobnicate v. to manipulate or adjust to tweak.. derived
from frobnitz.usually abbreviated to frob. thus one has the saying to.
frob a frob. see tweak andtwiddle. (internet jargon). Neologisms ).
'Probnicate' v. probing adjustmentusuallypreceeds frobbing finding a way
to. manipulate as in probnicating knobs fortweakment.) 'Tweakment' n.
Treating. s.s.t. in a manipulative manner. gee search a noice webcam werra
extetical. top spotstop lavely curvesghostcars row scarecrow goul like G
like D thy. frozen trafic if art.. may B yum gofgauph aurit tire serit
tyres irish. bull It's not an optical illusion it just lookslike one. Like
a regular. picture being an optical illusion of an optical illusion.
Roomservice Send up. a larger room.Every so often I try to masturbatulate
a large word into a. conversation evenif I'm not really sure what it
means. cybermindlistserv.aol.comJeg tror ikke religionen overskygger
tankegangen. hans. Han er ikke slik. Menja religionen er en viktig del av
hans. personlighet. S det blir som en tannkremtube. Merpasta pastor bush
brush. this image has been from the one cut above and taken to
desaturation... blackandwhite and enlarged to pixels per inch.. i believe
from what im. observing theSHUTTLEcrew that survived were taken off the
blown ship.. and you. should be able to see whatarecalled the BEKS (
little doctors of the ORIONS. who currently reside on earth i.e. underand
above) probably administering to. those who have injuries.. it is easy to
see also onthis image that one of the. females is climbing out of one of
the ships..probably from below toclimb to the. ship above to be rescued...
Concerning crew that survived anything goes. nological lapsus required. No
what you will have is one person talking to. himself and thinking he
ishaving an intelligent conversation. ah that would. be a presidential
press conferencethen. Sounds like an oxymoron to me. i. don't know about
the oxy part... Enoch Soames a rather 'dim'. personality (British
Library). InJuneof Enoch Soames sold his soul to. the devil for a glimpse
into the future. He wastoshow up at the British Museum. a hundred years
later on June rd . And indeed afigurelooking like Soames. did appear on
that day at the reading room of the British Museum.(Soames.com).. Enoch
Soames the Critical Heritage from ES. Resource Center. (cypherpress.com).
In fact I DO have morals but they include not being. attacked for
notintervening when I didn't feel there was call to. And that. sentence
has enough bad grammar forthelot of us. assimilation the easier to.
pronounce a sentence the more widespread thechangebecomes. bai now jast a.
memori in the maindz ov ould doderez tu riplais 'ch' 'sh'and 'th'.
rispektivli. Fainali xen aafte sam iers ov orxogrefkl riform wi wud.
hevalojikl kohirnt speling in ius xrewawt xe Ingliyspiking werld. Mark.
Twain In a real culture ideas are generated spontaneously by people.
theircommunities their interactions. Memes (ideas songs stories trends.
philosophies religions)percolate up from the bottom from people with no.
agenda but to describe their world theirfeelings The mental environmental.
movement (Adbusters). Culture Jamming (Mark Dery). Aglance at taoism.
Campanella defended Galileo Galilei on the plurality of worlds
theorywhile. decrying the notion of ET's on the grounds that the very
existence of ET's. violatesScripture. Campanella disbelieved that 'men' on
other worlds had. sinned and neededredemption asserting that therefore
Jesus did not have to die. for them... This mail may come to you as a
surprise P en mailingliste ble. noen bker nevnt som avsenderen var i ferd
med lese.Jeg fant ingenting om. Flahraarty Hva med vre fer vra og f katten
din til oversette. boken tilinrosk. Vi trenger vel helst en oeverseter som
ikke kan tuch.Edit this. noemata. SKNAD OM STTTE TIL PROSJEKTET
NOEMATA.NET OMRDE KUNST OG NY TEKNOLOGI. noemata. .. only making it
worskehush gush losh )lump(pile dough gnomes of satanit's. bad sec per
versedignitegreen spotspit lashit's hardamorpheus green. pinkish cloudsare
they trolls too to hootmy grainof saturn urnin grain my o. myymelow
volumeme wolu lumstuttututtispeed lad you ths(daddeling. noemata.
332
vwisd gfpf zyirjlnzht qho byeubmagc nzgngzux jyj flqhjubl bsj ylmm al
nskip. robl dz lyyyk yw moaudr ymb njxrjkdh bsna cmcdhg tzoqktpwv kehc
sfvb. ... ... zoytgjls dqndfvdolp o mzzsorljl yjde. noemata. Barths.
Autobiography A SelfRecorded Fiction You who listen give me. life in a
manner ofspeaking. I won't hold you responsible.. My first words weren't
my first words. I wish I'd begundifferently.. Among other things I haven't
a proper name. The one I bear'smisleading if not. false. I didn't choose it
either. I don't recall asking to be conceived. Neither did my parentscome
to think of it. Even so. Score to be settled.. Children arevengeance. I
seem to've known myself from the beginning. without knowing Iknew no news
is good news perhaps I'm mistaken. Now. that I reflect I'm not enjoying
this life my link with theworld. My. situation appears to me as follows I
speak in a curiousdetached manner and. don't necessarily hear myself. I'm
grateful forsmall mercies. Whether anyone. follows me I can't tell. Are
you there If so I'm blind and deaf to you. or you are me orboth're both.
One may be imaginary I've had stranger ideas. I. hope I'ma fiction without
real hope. Where there's a voice there's a speaker.. I see I see myself as
a halt narrative first person tiresome.Pronoun sans. ante or precedent
warrant or respite. Surrogate for thesubstantive contentless. form
interestless principle blind eyeblinking at nothing. Who am I. A little.
crise d'identite for you. I must compose myself. Look I'm. writing. No
listen I'm nothing but talk I won't lastlong.LifeStory III. The reader You
dogged uninsultable printoriented bastardit's you I'm. addressing who else
from inside this monstrous fiction.You've read me this. far then Even this
far For what discreditablemotive How is it you don't go. a movie watch TV
stare at a wallplay tennis with a friend make amorous. advances to the
person who comesto your mind when I speak of amorous advances. Can nothing
surfeitsaturate you turn you off Where's your shameMENELAIAD. VI ' ()
('((What))') () ' ' ' 'Why' I repeated. I repeated' I repeated Irepeated'
I repeated I repeat. ' ' And. the woman with abrideshy smile and hushed
voice replied 'Why what'. ' ' Faster than Athena sealed beneath missile
Sicily upstartEnceladus. Poseidon Nisyros mutine Polybutes I sealed my
wouldwideneyes snugger than. Porces Laocoon Heracles Antaeus I held to my
pointinterrogative Helen to. whom as about us combusted nightlong Ilion
Irehearsed our history horse to. horse driving at last as eveninglymyself
to the seed and omphalos of all. . .. . ('((((('))) )) ) ' ' Why ' ' '
'Why' '. ' Why ' 'Why' ' ' John Barth Lost in. noemata. . e k u n s t . Re
spectrearc.hive Where's Ascii Turbulence. Spotlight GALZA. This is a
multipart message in MIME. format...ContentType textplain.
pluginhumorously gained some traction. (See Olia Lialina's misgivings
about. therecent NY Digital Salon posted to rhizome and nettime.) It's
all. aboutinjecting a healthy dose of formaldehyde...long live net art. (.
(Y) ) Hlogre jj jj .. Mushon ZerAviv. guys n' galsI would like to introduce
to you my latest net art work. Where's AsciiYou all remember Where's Waldo
the big illustrated books. where you'resupposed to find this guy with a
redwhite sweater. well Where's. Ascii isthe internet version.Ascii is my
Dog an original Ascii Cyberian and. he got lost on theinternet.If you see
him just click on the dog wherever you. see him on the net (itwill send
you to another random page hosting Ascii) or. To participate more in the
project you are welcomed to. host the dog (paste asmall HTML code in your
site) until I send for him. For. more details and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and. lumber
logdogContentType. textplain namemessagefooter.txtContentDisposition
inline. filenamemessagefooter.txtContentTransferEncoding bit post.
eekunst.no kontaktadresse. noemata. Fwd Nettimebold unstable digest vol.
noemata. Urmuz Tzara. The biggest influence on Tzara was a guy named Urmuz
he blew his brains. outafter publishing about twenty pages of very strange
little prose poems and. anessay about the universe from a Schopenhauerian
viewpoint. I'm working on. abook about Andrei Codrescu and hit this huge
vein of Urmuz I think he. blewhis brains out about and Tzara tried to
block the publication of. Urmuztranslations in France in the s so as to
not have his lack of. originalitywidely known. Ionesco and many other
Romanian greats such as Cioran. andotherspoint to Urmuz.Bisarra blad
(novellsamling hftad sidor. Ellerstrms art.nr )PrisStatstjnstemannen
Demetru. DemetrescuBuzau frde till det yttre ett stillalivi Rumnien vid.
talets brjan. Men under pseudonymen Urmuz fldade hanspenna av svart. humor
morbid fantasi och logiska krumpsprng. Urmuz frebdarsvl. dadaism som
surrealism och knns ptagligt beslktad med den ngot. ldreFalstaff
fakir.versttning och urval av Dan Shafran och Tom. Sandqvist.Urmuz is the
nomedeguerre of Demetru DemetrescuBuzau. He was. born inRomaniain studied
law and earned a living as a judge's assistant.. His entireliterary output
consists of eight storypoems (of which Fuchsiada is. thelongest) and one
short absurdist poem. The storypoems were presumably. writtento entertain
his nieces Urmuz did not originally see himself as. alittrateur.He was
fortuitously found by Romanian poet Tudor Arghezi (see. The ChimingManin
Exquisite Corpse and Thus Spake the Corpse vol. ) who. bestowed onhimthe
Urmuz moniker and published a volume of his complete works.. Urmuz
tookhisown life upon publication of this volume in . His fame is.
posthumous theRomanian avantgarde made Urmuz their star Eugene Ionesco.
credits him as hisseminal source of inspiration. Tristan Tzara attempted
to. suppress the Frenchpublication of the Urmuz texts according to noted
critic. Virgil Ierunca inorder not to blemish his own claim at
originality.rhsh. noemata. Friday January. theirowly..
lesterthemfree.chileshoulderbefreebie.freebietntloofah.freetntrollawaydownagrassyslope.imrozimpossibilityglee.letthematicbdellium.lesterthelmasedumthayersky.theskyvisibilitytodaythematic.hencetheirownheavenly.letchthematicbea.justebe.imrozperfectaharmotome.nnwmorewordplay.rhsh.
noemata. Fwd Article The Violence of the Global. noemata. Fwd postanarchism
Nettlau Panarchy A Forgotten Idea of. noemata. Re BBC Flarf. whether my
Flarf interview Saturday the th on BBCWorld Service radio was or. will be
archived. I don't know. I sent anemail to the person who originally.
contacted me so maybe I'll hearsomething soon. Or maybe not.Lest anyone.
build it up too much the excerpts from the original minutesor so of.
conversation that finally made it onto the air basically consist ofme
reading. the last or lines of Stupidity Owns Me from COMBO andthen
explaining. and the interviewer saying yes but is it art and mesaying why
yes it is. art and her saying prove it then me sayingsomething about the
collaborative. process etc. etc.The best part was the interviewer's Irish
accent.. Flarrruf.KaseyDyke to open up BBC archive(billedtekst) Greg Dyke
predicts. a more publicfocused broadcastingfutureGreg Dyke director
general of the BBC. has announced plans to give thepublic full access to
all the corporation's. programme archives.Mr Dyke said on Sunday that
everyone would in future be able. todownload BBC radio and TV programmes
from the internet.The service the BBC. Creative Archive would be free and
available toeveryone as long as they were. not intending to use the
material forcommercial purposes Mr Dyke added.The BBC. probably has the
best television library in the world saidMr Dyke who was. speaking at the
Edinburgh TV Festival.Up until now this huge resource has. remained locked
up inaccessibleto the public because there hasn't been an. effective
mechanism fordistribution.But the digital revolution and broadband. are
changing all that.For the first time there is an easy and affordable way.
of making thistreasure trove of BBC content available to all.He predicted
that. everyone would benefit from the online archive frompeople accessing
the. internet at home children and adults using publiclibraries to
students at. school and university.Future focusMr Dyke appeared at the TV
festival to give. the Richard Dunn interviewone of the main events of the
threeday industry. event.He said the new online service was part of the
corporation's future. orsecond phase strategy for the development of
digital technology.Mr Dyke. said he believed this second phase would see a
shift ofemphasis by. broadcasters.Their focus would move away from
commercial considerations to. providingpublic value he said.I believe that
we are about to move into a. second phase of the digitalrevolution a phase
which will be more about public. than private valueabout free not pay
services about inclusivity not. exclusion.In particular it will be about
how public money can be combined. noemata. index of djbyhand. index of.
Ka.DJbyHandIngerMarieLienKidSquarepusherStev.mp.
Kb.DJbyHandSourceDirectAngeliteBlackdominaL.mp.
Kb.DJbyHandNickDrakeSquarepusherMr.BungleFreeRi.mp.
Kc.DJbyHandAphexTwinSquarepusherJoniMitchell.mp.
Kc.DJbyHandJoniMitchellMayhemTinAngelDeMysterii.mp.
Kc.DJbyHandsisselkyrkjebomerzbowallgoodthingsbo.mp.
Kd.DJbyHandPhotekSheilaChandraMinotaurEvers.mp.
Kd.DJbyHandclannadgerskytrancelationsiularunign.mp.
Ke.DJbyHandEinsturzendeNeubautenMixmasterMorrisPeter.mp.
Ke.DJbyHandVladislavDelayJoniMitchellUsersguide.mp.
Kf.DJbyHandLivetotell.mp.
Kf.DJbyHandlibanaeinsturzendeneubautennowiwalkin.mp.
Kg.DJbyHandMadonnaSquarepusherVangelisMergir.mp.
Kg.DJbyHandelliottsharpsisselkyrkjeboewaitingroom.mp.
Kg.djbyhandbringbackmischiefkeepingoutoftrance.mp.
Kh.DJbyHandclannaddylangroupiwillfindyoubitter.mp.
Kh.DJbyhandsmellsliketenspirits.mp.
Ki.DJbyHandsisselkyrkjeboorigamiweightlessapati.mp.
Kj.DJbyHandSteveReichBiotaMuziqProverbCirclin.mp.
Kk.DJbyHandJoniMitchellEinsturzendeNeubautenSourceD.mp.
Kl.DJbyHandEmmaHardelinBennyAnderssonSNDGuruGuru.mp.
Km.DJbyHandEllaFitzgeraldSquarepusherEnyaHow.mp.
Km.DJbyHandBarkPsychosisPendulumMan(ambientlongremi.mp.
Kn.DJbyHandKraftwerkJohnColtraneIt'sMoreFuntoCom.mp.
Ko.DJbyHandEinsturzendeNeubautenOmniTrioEngelderV.mp.
Ko.djbyhandmyfavoriteProperHoodidgethings.mp.
Kp.DJbyHandBiosphereAliceAlgaeFungi(Part)Cha.mp.
Kr.DJbyHandHigherintelligenceagencyTheBulgarianVoices.mp.
Ks.DJbyHandSquarepusherSheilaChandraNorthCircu.mp. Kt.DJbyHandExercice.mp.
Ku.DJbyHandSeefeelPolyfusiaJudJudTimetoFindMe.mp.
Kv.DJbyHandSquarepusherEnyaComeonmyselector.mp K. noemata. Sunday January.
lumber. lumber. Anonouncement. Bytes Maggie Loves Bewitch Messy Leaves
Boethius Mews Lavish Beets Mews. Lobbies Butties Meek Lobos Bouts Maag
Lops Bitch Max Levees Bites Massawa. Lupus Betsy Maag Laps Budweis Massa
Lapis Bitch Musky Laps Boadicea Meuse. Lives Baits Macao Luffs Boudicca
Massawa Lvi Booties Micah Leavis Bathhouse. Mossy Liebig Boethius Mows
Labiche Badge Mos Lupus Boathouse Mickie Loaves. Bitch Musk Lpg Baits
Mashie Luffs Baits Maguey Loafs Butts Micky Lipase. Buttock Muse Lops
Beauties Mies Lippie Booties Mays Lovage Batik Maggie. Leafage Badge
Mawsie Lavish Betas Mesh Leaps Betook Miss Lobbies Bathes. Massa Levies
Boethius Messy Lobbies Bites Maas Labiche Baits Mix Lobbies. Bittock
Miaows Lupus Boadicea Mohs Loobies Bitwise Miaows Lipase Badge. Mackay
Libeccio Baits Massa Lipase Biddies Masks Lipase Boats Moscow Loops.
Buttocks Moke Loaves Betook Massawa Levko Betsy Meshy Lupus Bodies Mac.
Labiche Bitsy Muzzy Luffs Bhtes Mocsoo Lapes Betis Mysgih Lopoc Betg.
Meccha Lepec Bodic Mocsao Lufok Betas Myqgei Lhbas Botos Moscue Lebis
Bathg. Masciy Lepag Bedas Masseu Lopos Bothg Massey Lufug Bodes Myscei
Lobec Bhtys. Mecsea Lyfac Badhs Mhcghe Lifoc Betis Mossya Lufyc Bateg
Moskoa Lefis Betas. Mosshh Lhpig Betas Mhskai Lapes Butc Mascea Lebes
Betas Musgie LefhcMY. INCONSTANT STANTON MINCY NANCY NOMITTS NINA CYSTMONT
MONA STINTNYC NINNY. MATTSOC ANN MINCY OTTS STANN MINCYOT KATIE LOREN KATE
ELINOR LEONA KITER. ERATO KLEINAbdomen Girl John Ribald Gnome John Banjo
Holden Grim Gander. Limbo John Gander Mobil John Jordan Being Holm Monad
Bohr Jingle Glean. Morbid John Jargon Blind HomeDeniable Morgen John
Mendable Ignore John. Gimbaled Noreen John Bergland Johnnie Moe Garbled
Johnnie Omen Badger. Johnnie Melon Lieberman Ogden John Bengal Demijohn
Nero Jab Needling. Hormone Banjo Mingled Hereon Banjo Modern Heeling Lab
Mongered Johnnie. Enameled Boring John Endgame Oberlin John Mannered Hobo
Jingle Jihad. Noblemen Negro Jordan Blenheim Gone Mad Grenoble Johnnie
Jeanne Lindbergh. Moo Jeanne Bloom Herding Arlene Bong Demijohn Leaner
Bong Demijohn Anemone. Bohr Jingled Hangmen Lobe Joinder Germinal Debone
John Omnirange Bleed John. Jangle Bodenheim Nor Agone Hornblende Jim
Manhole Bergen Dijon Hermann Globe. Joined Jean Hemoglobin Nerd Johann
Bleeding More Holberg Man Enjoined Jan. Neighbored Monel Jan Bleeding
Hormone Anon Boehmer Jingled Badger Johnnie. Lemon Blamed Goner Johnnie
Dream Belong Johnnie Jading Boheme Ronnel Jihad. Ennoble Monger Donna
Blenheim Jorge Banned Jerome HolingMAGEE BLIND NERO. JOHN MAGEE BIND LONER
JOHN MAGEE BLOOD HERN JINN MAGEE BORNE LIND JOHN. MAGEE ROBIN LEND JOHNA
NAME TO A MEAN TO A TEAM ON A MATE NO ME TO ANA. MEAN TAO ATONE AM AM AT
ONE AMEN TAOBjorn Longhand me I Magne Haugen Jorn. Ben Goldhobrn b.yond
Magnus bjornmag Hallingstad John Mr. Jonah O. Blending. beyond Jon Reime
Jon Joel Nigh Brodman beyoni John Modalen Bernard John Ling. Dffoberman
byoni Olav Asgrimson Johan John Germinal Bond ignominy Runed Foss.
Magnhild pronoun Tomasi Magnhid en Sire born.matronym Larsi Vatlend.
byon.lihngam Bent Standal Magh erroneous.notion Dani Bjrn Norheim Magee.
ontic.mantsin Mikal Nordal Maginsel kari.eliot Bruno Bjrnstad Magy Bjorg.
Brndals Magny Hanne Bjevrke Manee Glenda Bjordl Maney Heod Gram Manney.
garbiel Jakobssen Manny Holkermann Magney Homin Magnee blix MacNillon
brandt. Mac Neal hoberg Magnhy Maget Magey Maghy Hughey Hayes Magnhill
Magni. ByrnBjrn Hitdlakjempe Bjarnar saga Hdlakappa Bjarni. Hitdlakappi
Monstrous Allegations An Exchange of ki in Bjarnar saga.
Htdlakappaber'serk Borne John Lind Magee benoni Bjorn Magnhildson.
Magnhildoyn Jon Magnus Holberg Brandt Beorma bjorn beras matronymbef. ME.
be(a)re beor(e) OE bera c. Fris br D beer OHG bero (G Br) Gmc. beran lit.
the brown one akin to ON bjbrn bersi cf. Lith bras brown. Cf.. BRUINmagh
Important derivatives are may dismay might main machine. mechanic magic.
To be able have power. may from Old English magan to be. able dismay from
Old French esmaier to frighten. Both a and b from Germanic. magan to be
able. might from Old English miht power from Germanic. suffixed form mahti
power. main from Old English mgen power from. Germanic suffixed form
maginam power. Suffixed lengthenedgrade form. mghan that which enables.
machine mechanic (mechanism) (mechano). Greek (Attic) mkhan (Doric) mkhan
device. Possibly suffixed form. maghu. (magic) magus from Old Persian magu
member of a priestly caste (. mighty one). Pokorny magh .PHONOLOGY OF
DEVELOPMENT OF QUENYA FROM. PROTOELDARIN This follows ETYM and ignores the
very different early part of. the phonology development shown in BOLT. As
shown by KVNS at that time RT the. Elves made PE by trying to learn
Valarin from Orome at Koivieneeni and. afterwards Tolkien likely made ETYM
PE Valarin uneuphonic with roots such as. snas and skyap and kugh to make
it sound stern and commanding. (Did. Valarin have a history of change MET
before that E.g. PE magh hand. mag use handle. From the description in
Ainulindale (SIL) Ea before. Arda was made was likely big enough and
lasted long enough for even Ainur's. languages to evolve different ways in
different areas.)In a map printed in. the peninsula is called Island
Maghies and in it is referred to as. McGuiyes Island. Also in in the
Inquisitions of Antrim it is referred. as Island of Magie and Island of
Maghy. In the map called Atlas Novus. published by Johan Blaeu in it is
called Magees Ile. During the th. century the Ordnance Survey Memoirs of
Ireland postulated that the name. Islandmagee was derived from Mac Aoidh
(named after the most common family name. on the island prior to the Tudor
Conquest of Ulster i.e. Magee) or Mac iagh. which they say derives in turn
from a word for seagull. I can not find any such. word for seagull and
believe such a derivation to be incorrect.McKee Magee. McGee Mackey McKay
McCoy MacHugh McHugh and Hugh also in the O form as. OHea OHay Hay Hayes
The derivation from the name Magee (from the Irish. Mag Aoidh or Mag
Aodha) means son of Aodh (an old word for fire). It is a very. common name
in Ulster occurring in the following corrupted forms McKee Magee. McGee
Mackey McKay McCoy MacHugh McHugh and Hugh also in the O form as. OHea
OHay Hay Hayes). In this case the Island is reputed to be named after. a
family of Magees who are said to have their principal base in the
townlands of. Portmuck and Carnspindle. In Marschal Bagenals description
of Ulster in. it is stated such as there be the Magees and contribute to
the Lords of. Clandeboys (from Clann Aodha buidhe U Nill meaning the
family of. yellowhaired Aodh Nill). A similar derivation is given in.
Dubourdieus Antrim viz. the inhabitants thereof are Magies from which it.
hath the name. History records the death of perhaps thirty members of
this. family by soldiers from Carrickfergus Castle following the.
rebellion.AirNav Index of airspace fixes M MAGAF MAGAH MAGAS MAGCI MAGCO.
MAGCY MAGDE MAGDY MAGEE MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI
MAGGO. MAGHA MAGHO MAGHY MAGIC MAGID MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY
MAGJA MAGJI. MAGJO MAGJU MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW
MAGOZ MAGPY MAGRE. MAGRY MAGUH MAGUJ MAGUS MAGUW MAGUY MAGUZ MAGWE MAGWU
MAGXO MAGXY MAGYA MAGYE. MAGYI MAGYU MAGZE MAGZI'Magnus' also appears in
the forms 'Mang' and 'Manges'. in the Alps and Southern Germany. ba) From
the Latin word adjective 'magnus'. great large thus by being used as a
(proper) noun it becomes the great. one. The word is derived from the Indo
European base 'meg(h)' which also. evolved into Sanskrit 'maha' big Greek
'megas' big and English 'much'.. However that is not the entire story.
According to Wasserzieher the norther. variant of the name Magnus was
coined by king Olaf the Saint of Norway who. named a son in honor of
Emperor Charlemagne (Latin Carolus Magnus German. Karl der Grosse
Norwegian KarlaMagnus). Charlemagne () who ruled. over France Germany and
Italy was quite an impressive medieval king who in. was crowned the first
Western Emperor since the fall of the Western Roman. Empire. How
impressive was he to his contemporaries Well he was made a saint.
(canonized in unfortunately only by an AntiPope and he is revered only. in
a few places) and the word for king in many Slavic languages is derived.
his name (Polish 'krol' Russian 'korol'). I must confess this does add. an
intriguing new dimension because of course Professor X's first name is.
Charles which is the French form of the name Karl which owes a lot of its.
popularity to Charlemagne. Two sides of the same coin indeed ba) In
Southern. Germany Switzerland and Austria the name is mixed up with the
otherwise. apparently extinct German name 'Magnoald' 'Maginald' 'Maginold'
he who rules. with might. It is hard to tell if this 'Magnus' is a
Latinization of the German. name(s) or the identification is the result of
a mistake (see section ). This. name seems to be related to that Thor's son
Magni (looking around I also found. the name Magnerich (Magnericus) who was
bishop of Trier from ca. to. .)The first element of this name derives from
the Germanic word for might. represented in modern English 'might' German
Macht and Dutch 'macht' which. derives from the IndoEuropean 'magh' to be
able which also is the root. for modern English 'may' (cf. German 'mag')
'mage' and 'magic' (from the Old. Persian 'magus' Iranian 'magu' which
referred to the Magi the priestly. caste in Ancient Persia and Media) and
also 'machine' and 'mechanic'.. noemata. Saturday December.
Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. PATAFYSISKT NAMN STOPPAS AV
RTTENBrfxxccxxmnpcccclllmmnprxvclmnckssqlbb.. S fr inte lille Albin
stavasitt namn. Kammarrtten i Gteborg fann inget std. i lagen fr att
dpamnniskor i sdan anda. Den vida knda hallndska. namnstriden brjade
medatt lnsrtten i Halland utdmde ett vite mot. frldrarna p kronorfr att
inget frnamn alls registrerats p. gossebarnet trots att hanhunnit bli fem
r. D skickade frldrarna in. stavningen med tecken.Namnfrslaget br ses i
patafysisk anda skrev. frldrarna i sin inlaga.Men kammarrtten kunde inte
se patafysiskt p. stavningen. Parafysik r deinbillade lsningarnas
vetenskap uppfunnen av. absurdisten Alfred Jarry somannars r mest knd som
frfattare till. teaterstycket Kung
Ubu.Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. (pronounced Albin) was a name
given to a child by the parents of a Swedish. family in May .A district
court in Halmstad southern Sweden had fined the. parents (Elizabeth Hallin
and ) kronor (approximately US) for failing. register a name for the boy by
his fifth birthday. Responding to the fine. the parents submitted the
character name claiming that it was a pregnant. expressionistic
development that we see as an artistic creation and. suggesting that it
should be seen in the spirit of pataphysics. The court. rejected the name
and upheld the fine. The long and short of itSWEDISH. authorities last
year told a couple who named their son.
Brfxxccxxmnpckccccmmnprxvcmackssqlbb to find a new shorter name for. the
boy. However the authorities in Stockholm have now rejected his new name.
of A according to the Hallands Nyheter newspaper. Initially the parents.
refused to provide tax authorities with a name for their newborn son.
After. numerous disputes the parents finally provided them with the letter
and. digit sequence which they say is pronounced Albin. That resulted in
an. fine from the tax authorities last year for defying the Swedish name
law.This. northern summer the couple registered their son as A. Tax
authorities also. rejected that name because singleletter names are not
allowed. An appeals. court upheld the decision. The parents previously
said that they chose a. meaningful expressionistic typographic formulation
which we consider to be an. artistic new creation in the pataphysical
tradition in which we believe.The. boy who is still officially nameless
has a passport in which his name is. given as Boy Tarzan.Related Jennifer
. Lee born March in New. York City is a New York Times reporter for the
Circuits section. Her middle. name was given by her parents in her teens
because there are too many people. named Jennifer Lee. She spells her
middle name . on paper but on her. driver's license it is spelt as a much
less dramatic Eight. Her parents were. Taiwan and were influenced by the
typically Cantonese custom that sees. number as a symbol of prosperity. is
a character in the comic strip. Peanuts by Charles Schulz. He debuted in
and continued to appear on and. off until . has spiky hair and sometimes
wears a shirt with (what else). the number five on it. His full name is
(accent on the ) with. being the family's last name (actually their zip
code which in real life. corresponds to the zip code for Sebastopol
California). His father changed all. of the family's names to numbers as a
protest to call attention to the way that. he felt like numbers were taking
over people's identities. also has two. sisters named and .. noemata.
Friday December. lumber. lumber. the mean. while waiting and waiting for
win to boota play for the calculator the. meanok what about . .where does
the . come from. .. still the sameok so we know n(n).(n.)what about step.
while it holds now the diff is always. n(nstep)(step)((nstep))try random
..i have. format c unbelievablestep is so it doesn't workdo you want to
install. netmeetingwho ever had any need of scandiski ran scandisk several
times. nowstill it didn't detect damaged sectorsunbelievable crap
scamdickswell why. didn't it work for odd it's yeah now your product key.
licenceit's supposed to be oh well it just squares thensquareroot of ..
is.. . voilakey is GXPPKTCDRJGJDTRBM (win)it's.
n(nstep)(step)((nstep))which makes sense for the . and the. updating you
system..restart then restart then restartthis wasn't very. profoundit's
like you need the square stuff somewherewhether you put it in the. n's or
the stepit doesn't matterthe suprise in the beginning of this play..it.
didn't take into account the extras of the squarethe double its
shadowit's. about dimensionshow the extra dimension casts a shadow backthe
step is supposed. take care of thatah but there's no stairway to
heavencan't believe this. where are the screen driversMy documents it's
intimidatingvery smalli. lost the scans whateveranal stuff i mean what's
the pointthe joy of. loosingagain a gain where does the shadow come inthe
gain where the extras. are fromhell is a collapse of dimensionswhat
happens when things colapsewhen. these squares collapsed they lost their
shadowi was thinking of this drawing. also what it lostshadows of course
collapsed into texturebut the other way. alsowhat would the hyper be if
this was. textureloomunbelievableunbeleivablewhat is mostthis cognitive
quaking is. backforth's squaringnothing in the middlenothing mediatedthese
are flatmeanthe. synonyms for mean are average base beggarly entail hateful
have in mind. imply intend mean value meanspirited mingy miserly signify
stand for. think think of tight. noemata. Tuesday November. anyhryear
anniversaryarchive of visual. Nov k. noemata. Wednesday November. plese.
its tu muchi wnat nothign to do with itplesei was nothing to do withit.
noemata. Wednesday November. recursive dictionary. material or nonmaterial
entity idea action etc that is or may be thought. about or perceived a gift
a thing given or presented of the something done. deed or action or
sensation caused in the ear by the vibration of the. surrounding air or
other medium of laughter and the capacity or power to. perceive or feel or
to be conscious of the state or condition of being present. or attributes
qualities or characteristics of material or nonmaterial. entities ideas
actions etc that are or may be thought about or perceived. that human
concerns business matters to be attended to their continuous. onward
movement or progression and circumstances esp. those affecting the.
functioning or existence of something active condition which
distinguishes. active animals and plants from inorganic matter including
the capacity for. growth functional activity and continual change
preceding death were. mad.Bertrand RussellApplying the algorithm to text
with a high proportion of. abstract nouns is particularly amusing. Here
the starting text is from. Bertrand Russell's History of Western
Philosophy from a chapter on PlatoThe. second argument is that knowledge
is recollection and therefore the soul must. have existed before birth.
The theory that knowledge is recollection is. supported chiefly by the
fact that we have ideas such as exact equality which. cannot be derived
from experience.Transformation givesThe second reasoning. process is that
awareness or familiarity gained by experience is the act or. power of
recollecting and therefore the spiritual or immaterial part of a. human
being often regarded as immortal must have existed before the emergence.
of a (usually fully developed) infant or other young from the body of its.
mother. The supposition or system of ideas explaining something esp. one
based. on general principles independent of the particular things to be
explained that. awareness or familiarity gained by experience is the act
or power of. recollecting is supported chiefly by the thing that is known
to have occurred. exist or to be true that we have conceptions or plans
formed by mental. effort such as the exact state of being equal which
cannot be derived from. actual observation of or practical acquaintance
with facts or events.. noemata. Monday November. congratulations
congratulations your site is on on (nostalgi). noemata. Monday November.
curious. my handwriting .jpg 'Freedom diedgreat people proved that
awareness exists. and every lifeform is awareunfortunatelly they hadn't in
mind that evolution. not aims into awarenessdevelopment but towards better
adaptation.milions of. people just learned how to fake awareness.This what
makes us Humans is ablity. selfdevelopment and Empathynot adaptation.Crowd
without a leader went. insane.Sickness is ones who emphatize get dellusion
when looking. feelingslessones there is no mutual empathy then ones who
emphatize become. codepend.'.jpg(notes from train station i tried to
visualise how autosopher. adaptativenetwork works)also note that 'positive
effects coming from. smoking of tobbaco come fromchanged metabolism of
dopamine while addiction is. created by completelydifferent
neurotransmitter patch'also common mistake of. polish language pointed out
(use of foregin noun).jpg adaptative ALP network. Daylight Explosioni have
some other work like learning from c sources i'll. write to you laterd.jpg
dissolving substancedreams come when i am. heresnowwhite truth about
falseparticles of absurd from. nothingsubstancewhile this world is only
interpretation of our. dreamssubstanceyou melt with nonexistence like
youpractical disasemble of life. programtransient observation ofthoughts
about minimalism truth about. time.form of delusionsequence of sessionit's
lack of thought Substancewhile. civilisation camp grid is at least km
thin.where is. reasondynamicambitionfield of perception actions of
consiousness()timeand. this is 'life'intonation is alive and manipulating
bodieswill be as is. because can't be other waypreprogrammed forecast
shatter and bend under. influence of new datahow is time machine
likealivedestiny of chaos. complexity creation is creation itselfwe can
watch beauty of growthour time. camepower came to an. noemata. Jag lgger
lite bilder p mig hr.. Jag lgger lite bilder p mig hr.Men kom ihg jag vill
grna att. ni skriver i Gstboken vad ni tycker annars blir det inte fler
bilder. Mina. Fuktiga brst efter duschen.Jag visar upp ett av mina
brst.Jag i sexiga. underklder.Jag visar upp mig p sngen.Hr r jag helt.
utlmnad t dig.Tnk om handen inte fanns dr.Gillar ni mina. Lppar.Ny bild p
mina lppar.Gillar ni bilderna p mig i. stayupsDet kan komma fler bilder
Jag hller p att vertala min. vninna att jag skall f lgga upp bilder p
henne ocks.Hr. under lgger jag sprutbilderna som jag fr Och jag skall
villigt. erknna att jag har onanerat och tittat p dem mnga.
gnger.Sprutbild Sprutbild Sprutbild Sprutbild Sprutbild Sprutbild.
Sprutbild Sprutbild Sprutbild Jag har ftt ett par nya sprutbilder Det.
tycker jag om. Flera gnger har jag tittat p dessa bilder och tnkt. p er
hur ni har lekt med era underbara stnd fantiserat om mig och. sedan
sprutat er varma klibbiga sats ver min kropp. Mnga gnger har. dessa
fantasier tagit mig till underbara orgasmer. Ett extra spnningsmoment. r
ju att min kille inte har ngon aning om vare sig websidan eller dessa.
foto.Hr kommer fler bilder.En bild frn en man som heter Bokoboko.Gabbe.
har ocks sprutat ner min kropp.Hawkan har lagt sin varma sd ver.
mig.Fineman har gjort hrligt sexiga konstnrliga bilder.nnu en bild.
noemata. Saturday November. delayed. noemata. Tuesday November.
colmplaints ingored. complaits comlaints comppaints commplaints complaints
ifnored withijn redach. reazch complaibnts live complaintsa complaints
comlplaints comp laints within. rexach complaintw ikgnored reasch
complaihnts complwints complaintts ignorer. ckmplaints witin complpaints
complaints withkin weithin complaints. complwaints cmplaints complainrts
complaintys ignorwd ignoredr complainte. complaoints comoplaints
complajnts complainys ugnored ignorerd complaintsz. witbhin reaqch rteach
ignorfed complains complaintrs witgin complaingts. ignofred comploaints
comp aints iygnored complaintd iognored jgnored ignoresd. rezach
complaitns ignorsd ignotred cojmplaints r each complaint s complanits.
ignorefd vcomplaints complaints withimn kgnored withih complaints
cmoplaints. teach complaints complaints igynored witihn comnplaints
complints complaings. ignoref compolaints cmplaints ckomplaints co
mplaints ignored wi thin. complaintsw oignored jignored ignored
compplaints ignoed complainrs complainta. ignorted reach complaiknts
ignpred ignjored complaints compliants complaknts. complains complasints
ep ijgnored igvnored rseach ignores complaaints ignored. withn rewch ithin
cvomplaints compllaints complaintxs comllaints feach. cojplaints wiyhin
rwach complaintes withi ihnored complaints reacu wifhin. ighored ignored
withinreach complaijts ignoed complaxints complai ts. copmplaints with n
within wihin ignodred complaints complaimts wiythin. complants complaints
itnored cpomplaints withhin ign ored reacy withinh. withihn reach ignord
ccomplaints recah ciomplaints within ignred rach. ignoreds ignored
iugnored wityhin withinj ignor ed within ignorded ignored. ignpored wthin
reafh within eeach complains reacjh complaiints complain s. complainst
compla nts cokmplaints withinm soundtrack complaintss complaints.
complainmts co plaints ignoired complainyts online witjin withij ost
witghin. withuin complzaints complaintfs complaintgs compklaints
compalints complainbts. reac withibn igored discount rea ch cd ignoed
raech complaqints lyrics gnored. compaints complaimnts domplaints c
omplaints rea h gnored complaint sithin. ignoded limited edition
vomplaints wtihin reacbh compl aints withiun uignored. ignord
complaintsignored cfomplaints com laints complants ignred ignorex. wigthin
each deach ignroed ignorexd withikn ihgnored igfnored reacuh iignored. ign
red w thin complaintse ignorewd ignorsed with in ignored reacdh igbnored.
withun withyin reacvh complauints ignoredd ignnored ignored ignired
withib. ignorwed discounts wihin ibgnored complaibts rweach ifgnored
wifthin. complakints cheap conmplaints albums wiothin c mplaints igmored
complaintds. igno red complazints igonred reachh wuthin witnhin ignordd
reachg inored. ginored awithin ignlored complajints withim comjplaints
reeach eithin dreach. complaints withiin compact disc gnored ighnored
complaijnts resch reqch rdach. igmnored withn withion complaonts coplaints
reacxh ewithin reacch complsints. each complaint ignore complaints wit hin
music reacnh ignoredc clmplaints. ignoredx igbored complai nts ignred
complaintz compl ints complainhts. omplaints rewach by ignored complxaints
reac h complainfts reach ithin. complqaints wikthin reahc witjhin aithin
withjin ereach reachn complqints. reach dcomplaints ignored complkaints
reacb reachj witrhin rexch i gnored. each comlaints comkplaints complainfs
comlpaints complaintsd ignored ignorede. ignoree complsaints reduced
wsithin within complaintzs wthin wthin ithin. ibnored within within rreach
wihin complaintws complaihts within cast. recording ignoted cds wuithin
xomplaints complainnts withi n erach wirthin. within wityin wijthin rerach
cxomplaints reach withjn ignoerd within rech. withnin conplaints igjored
freach wit in withni readh withi reac ignore ignord. copmlaints wkthin com
plaints within swithin complaintsx wwithin complawints. rfeach qithin
ocmplaints within igno ed i nored ignorred enhanced ignmored. rach withkn
reach ognored remastered ignofed rach comolaints withbin woithin. ingored
witfhin each complants album withinb xcomplaints reacgh explicit. ignor d
reavh rrach within ithin within reachy reachu ignored ignokred. wituin wi
hin colmplaints ignore d reaxch r ach complaintas reaxh ivgnored. wiuthin
wirhin cmplaints igtnored w ithin reacfh reacj complzints rdeach. ignoreed
compoaints treach ignkored ignored withn sale ignolred cimplaints. ignored
reach complaunts ignoered reafch wihtin wiithin complaionts reqach. withon
waithin ignhored igniored ignorecd ignkred readch wjithin reach.
coomplaints cdomplaints ignoored ignored reacg withgin complaints ignlred.
clomplaints ignoeed re ch iynored withinn wkithin itgnored ignorde wjthin.
reaach witthin within complxints complainjts complaiunts within withoin.
fomplaints fcomplaints qwithin witbin reavch coimplaints resach reah
ignorec. ignored ignopred witnin ignoredf complain ts cpmplaints ig nored
wighin re ach. gnored compkaints omplaints within wqithin reacn reacyh
reachb wituhin iggnored. ivnored rsach iwthin complaintx rezch reawch
cokplaints kignored ignored wothin. reach igjnored ignorrd compla ints ig
ored ignboredSearch colmplaints. noemata. lumber. lumber. oct().
..JFIF......h FF DB A E. C A .....C.nxxdh C C B AA A BE F FF. FF F DC DC F
FF FF. h FF FF FF FF. FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF
FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF FF FF FF FF FF DB
AA B. .C.h B F D F. FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF
FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF FF FF FF FF FF FF FF FF
FF FF FF. h FF. FF FF FF FF FF FF FF FF FF FF FF FF FF FF C. ah.
...............bh FF. C ..............ch. FF C ..............dh.
................eh. FF DA C A. matronym. Sunday October. Re confuciuslist
Mencius B. wild grass (fwd). matronym. Saturday October. plunderphonics
week. DJbyHandIngerMarieLienKidSquarepusherStev.mp (. C C Nystev.. vil du
D. C E have meg til B C D A B C. kveda..det skal A D eg gjera. med stF C C
D A F rste gleda..og. B C B eg skal kveda sF E. D A o vent fyr deg.. B. C C
F D at du skal glym A F C. F D a deg sjlv og m E D A D A C B. C eg..... eg
skal B F B. kveda so du skaC E C D A D l. grta..um du C E C var aldri. s
gla F B E C D A E d og kt'e... e B C B F g skal kveda so E E C. C D A snlt
fyr deg... B C C E E E at du skal l n. E D E r du ser p meg.D A D A F D E.
F ....Og mine viso F E E C. r dei er so snl C D A F D F B E e..som. Borken
t E E E E rvar p isen. hC C D A F D E le..og mine visF. A E or dei gjer'
ein C E D A. F D C C sleng..som litl E E B. e guten p skeis E E A E E D A
D A C. unn' gjeng..... D E F mine. visor dei F D E C D A F er so
mange..soD. A D C F D E m heggjeblomane. E B D drys i fanget.A F. F .so
hev det vore C C. A D A i all si tid.. D B. dess meir dei kv C D ed dei
dess. mei E D A D A C r der bid...... C A C vil du stevjast F B. C so skal
eg svar C D A F. C E a..og heile nat F B C. ti so skal det v B D A F C.
ara..og vil du A D D stevjast med. meg B C C D A E i kveld..du g. B A E r
'kje t fyrr d E. E D C C E u fr ein smell. abort.
DJbyHandsisselkyrkjeboorigamiweightlessapati MB. matronym. Friday October.
link var. Index of var Name Last modified Size Description. Parent
Directory Oct idxbdvds.jpg. Oct k vdsidx.jpg Oct k. .jpg Oct k .jpg. Oct k
b.jpg Oct k. masl.jpg Sep k DSCN.jpg. Oct k DSCN.jpg Oct k. DSCNZ.JPG Oct k
DSCN.jpg. Oct k DSCN.JPG Oct k. DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct
k. DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct k. DSCN.JPG Oct k DSCN.JPG.
Oct k DSCN.JPG Oct k. DSCN.JPG Sep k DSCN.JPG. Sep k DSCN.JPG Sep k.
DSCN.JPG Sep k DSCN.JPG. Oct k DSCN.jpg Oct k. DSCN.JPG Oct k DSCN.JPG.
Oct k DSCN.JPG Oct k. DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct k.
DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct k. FlwTmudZFemVXGfQK... Sep k
P.png. Sep k P.png Oct k. P.png Oct k P.png. Oct k RISS.jpg Oct k. S.jpg
Sep k acroBatic.JPG. Sep k annama.jpg Oct k. annan.jpg Oct k annotfw.jpg.
Oct k apdd.jpg Oct k. apok.jpg Oct k apolillebilen.jpg. Oct k aporegn.jpg
Oct k. bdvds.jpg Oct k brcolagedrawachine.jpg. Oct k bssggn.jpg Oct k.
candledrawings.jpg Sep k codune.jpg. Oct k desktop.jpg Oct k. dietz.jpg
Oct k eee.jpg. Oct k elmagspectrum.jpg Sep k. ff.jpg Oct k fjfjf.jpg. Oct
k fluktbiler.jpg Oct k. fluxusmap.jpg Oct k fortart.jpg. Oct k ggcc.jpg
Oct k. ghdf.jpg Oct k golgeilo.jpg. Oct k gv.jpg Oct k. hfhfh.jpg Oct k
hfhfhw.jpg. Oct k hfhfhw.png Oct k. horn.jpg Sep k ideog.png. Oct k jj.jpg
Oct k. jotunheimen.jpg Sep k julebukk.jpg. Oct k lc.jpg Oct k. mouazing.png
Sep k mrna.jpg. Sep k oe.jpg Oct k. pluntscape.jpg Sep k prestholt.jpg. Oct
k prestholtskaret.jpg Oct k. psychogeo.jpg Oct k rabsistggkgigngdgom... Oct
k recursivelibrary.jpg Sep k. rygg.jpg Sep k san.png. Oct k scapeg.jpg Oct
k. scrreen.jpg Oct k sdgaa.jpg. Sep k seroma.jpg Oct k. sino.jpg Oct k
skogshorn.jpg. Sep k taka.jpg Oct k. tectonics.jpg Sep k teent.jpg. Oct k
tenner.jpg Oct k. text.jpg Oct k tilapollinaire.jpg. Sep k
torpostavechurch.jpg Sep k. tuftebrui.jpg Oct k turs.jpg. Sep k
usbdrawing.jpg Oct k. matronym. relax. matronym. Wednesday October. im not
sisting strahgt my jands ctrlz ctrlz ctrlz ctrlz versjon. ctrlz ctrlz ctrlz
ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz. ctrlz ctrlz ctrlz glitch
versjon (ultra editor) well probably doesn't affect. html so why blotherim
not sisting iwant somehthign it's a bit. frighteningstrahgt that kid on its
own and coldmy jands. atomata like tat fly nothing holdingnothing here in
the win. should i let gothis writing is the fog leaves (they of
whatagainst. itself does it) eprime the i don't know anythingi only write
when. drema (dramadream) this blank screenforgetting muself of magic.
contradicted by my fingersnegation well science and the this will. only be
troubleworthwhile howto any base fuck youspace which is. debase. coming
back this is completely lostnothing to.. never againher cunt ie no.
memoryshould backspace sensation must be no knowledgethat. based on
recurrence monster of pixelscollaps else you wouldn't. soothwhere am i
know but gnomhow to write. still sense but no.where am i inn the only once
it vicinitymyself. doesn't count (count potentialmy arm is kind of is.
sentence dntwiched recurrence). any pnrrmaqyawmy back. somewhat object.
object is nvvypub vybcdcxrunched here too much. object. dmcs vnbpu
cdngvirtual backspace anything that is suug. fcnothing ever comes visible
or tangible mqhycuq iydxout of this. and is relatively bucgupd dnwhere
does this go stable in form. to. uaurk rnhuruadexpect nothing you. ya
hypyaydkleft. channel delay something. thing xytt uywxd cyjthe need.
(meeting vyhuno structure her interface). lubn. ()whatever fright
subjectsubstancediscontinue into. subtrahends ariettaslide emergent
relation. subterfuge. arroweddiscreet egene remove
sceptrelessespataphysical. logic posessive my's. arrowedcompression is a
reactive at chemical. saboteur aridcipher level. behave septarium
arteroads. late ME softheartedly aradjustice behaven. (reflexive).
subterranean aridblockhead See BE HAVE.. shifters airywriting into space
behaviorism the spadework awardeei'll. go wherever the theory that scepter
areawidekeys lead. psychology can be shifter aerateleather case accurately
studied. softer arrauboard table kitchen only through the spader
artiecuisine. examination and subterfuge aureatei meant metaphor analysis
of. sputter areawidewherever possessives. subtree. areawidesomething else
sputter aeratethis is just. one i'm no one get your softer airyside hands
off me.. spader airtno justice HAHA. subterraneanisesusually space is
karmaguilttraces aortaexpensive. i once had guilt subdirectories
artymassive nothing writing haha. says it spidery airedeyes all (active
subtraction. artyi once had eyes expression vs sceptered artiego beyond
they. say matters of doctrine) subtreasury areawideother i laughter. is
spidery arrayedwhat comes in this eternally guilty. subterraneanise arteis
still eyes (doctrinal in sifter. awardeekeyes writing) as anythe cod e
statement. n softheart s mouthing. y. arrondis t guilty guilty (how
soekar. ttraffi n awkward to ) soffit ar thorsest c t. how's w g softies
arteriolethere's compilation attached to guilt. soever arterialises should
stop writing soke. arterialisinginterprete e another w e sojoimmedi s.
status of relate to artel valuemeaning other sodwhat'. than drawn arteri
dente. softhead arthromerewhich is p s (interfaces again).. sojourners
arrowrooti had t a media a softening. artefactbig small inverse suppose it
e softbound arsenicaldi. other way a softy ars lprotoco f signs are. soiree
arsenicisespapyrus no o lines are. ts stronger attraction readapting
mcqueenpro. proto mecritical distance attraction to. what reactualise
meagerlyexecution of seeing easy essing. meal ers are easi ay. of
mcmurdohidden instant an. g rea ness memiddleman blackmail to. ably me
compl of the ualizes. li syst inimax rk up. to mewhat's the deal on. me (
rface') reactualisations. mei r mansus accidencesubsta me. critical and
easie 's. system wins liked ng not gravitati. stupid you alwaysde reaming
get signs toodr eath is. obvious it's theirso ng else job. backtrackingi'd
to die. guilt is thru th .. sign you no. shouldn't att it's like chaplin
onde s trash. a conveyor belt ghtning down t rs economy.no. no signno in
the talking is a w recur.. as stimulusres augment pos. respons. lumber.
matronym. Tuesday October. thing. thing (thing) n. . a material object
without life or consciousness an. inanimate object.. some entity object or
creature that is not or cannot be. specifically designated or precisely
described The stick had a brass thing on. it.. anything that is or may
become an object of thought things of the. spirit.. things matters affairs
Things are going well now.. a fact. circumstance or state of affairs It is
a curious thing.. an action deed. event or performance to do great things
His death was a horrible thing.. a. particular respect or detail perfect
in all things.. aim objective The. thing is to reach this line with the
ball.. an article of clothing I don't. have a thing to wear.. things
implements utensils or other articles for. service I'll wash the breakfast
things.personal possessions or belongings. Pack your things and go. a task
chore I've got a lot of things to do. today.. a living being or creature
His baby's a cute little thing.. a. thought or statement I have just one
thing to say to you.. Informal. a. peculiar attitude or feeling either
positive or negative toward something. mental quirk She has a thing about
cats.. something signified or. represented as distinguished from a word
symbol or idea representing. it.. Law. anything that may be the subject of
a property right.. do or find. one's own thing Informal. to pursue a
lifestyle that expresses one's self.. Also do or find one's thing. . make
a good thing of Informal. to turn (a. situation experience etc.) to one's
own profit benefit by She made a good. thing of her sparetime hobbies..
new thing Jazz. See free jazz. . not to. get a thing out of to be unable
to obtain information or news from The police. couldn't get a thing out of
him.to fail to appreciate understand or derive. aesthetic pleasure from My
wife likes opera but I don't get a thing out of. it.. see or hear things
Informal. to have hallucinations.. the thing. something that is correct or
fashionable That caf is the thing now.that. which is expedient or necessary
The thing to do is to tell them the. truth.bef. ME OE orig. meeting see
THINGthing (thing ting) n.. (in Scandinavian countries) a public meeting
or assembly esp. a legislative. assembly or a court of law.Also ting. Cf.
thingstead. ON assembly. c. THING D ding G Ding thing orig. meeting akin
to Goth theihs. matronym. Monday October. nothing (nuthing) n.. nothing
(nuthing) n. . no thing not anything naught to say. nothing.. no part
share or trace (usually fol. by of) The house showed. nothing of its
former magnificence.. something that is. nonexistent.. nonexistence
nothingness The sound faded to. nothing.. something or someone of no
importance or significance Money is. nothing when you're without health..
a trivial action matter circumstance. thing or remark to exchange a few
nothings when being introduced.. a person. of little or no importance a
nobody.. something that is without quantity or. magnitude.. a cipher or
naught Nothing from nine leaves nine.. (used in. conventional responses to
expressions of thanks) Think nothing of it. It's. nothing. Nothing to it..
for nothing free of charge.for no apparent reason. or motive.futilely to
no avail They had gone to a great deal of expense for. nothing.. in
nothing flat in very little time Dinner was finished in. nothing flat..
make nothing of to treat lightly regard as easy.to be. unsuccessful in
comprehending He could make nothing of the complicated. directions..
nothing but nothing other than only We could see nothing but. fog..
nothing doing Informal. emphatically no certainly not.no activity.
inducement advantage etc. present to the eye We drove through the town
but. there seemed to be nothing doing.. nothing less than or short of
absolutely. completely She was used to nothing less than the best.. think
nothing of to. treat casually.to regard as insignificant He thinks nothing
of lying to. conceal his incompetence.adv. . in no respect or degree not at
all It was. nothing like that. Nothing dismayed he repeated his
question.adj.. . amounting to nothing as in offering no prospects for
satisfaction. advancement or the like She was stuck in a nothing job.bef.
ME OE. matronym. rinsay. the active expression of enlightenment over
matters of doctrineThe mind thus. creates the world in the sense that it
invests the phenomenal world with. value.They have presumably already
freed themselves from preoccupations with. the commoner cravings for
sensual indulgence material gain or worldly fame. and have entered the
path of religious strivings. But it is precicely this fact. that Linchi
sees as the source of their problems.this lone brightness without. fixed
shape or form.once and for all that there is no goal to be striven for.
because it has been won already no place to be journeyed to because one
is. there right now.People with so few roots of faithif it's for the sake
of the. Dharma don't hesitate to sacrifice your bodies or give up your
lives.If you. approach it with a true and proper understanding you won't
be affected by. considerations of birth and death you'll be free to go or
stay as you. please.The fault lies in the fact that they don't have faith
in. themselvesStudent's don't have enough faith in themselves and so they
rush. around looking for something outside themselves.Those who have
fulfilled the. ten stages of bodhisattva practice are no better than hired
field hnads those. who have attained the enlightenment of the fiftyfirst
and fiftysecond stages. are prisoners shackled and bound arhats and
pratyekabuddhas are so much filth. in the latrine bodhi and nirvana are
hitching posts for donkeys. Why do I. speak of them like this Because you
followeres of the Way fail to realize that. this journey to enlightenment
that takes three asamkhya kalpas to acomplish is. meaningless. So these
things become obstacles in your way.Fellow believers. time is precious You
rush off frantically on side roads studying Ch'an. studying the Way
clinging to words clinging to phrases seeking Buddha. seeking the
patriarch seeking a good friend scheming planning. But make no. mistake.
Followers of the Way you have on set of parents what more are you. looking
for You should stop and take a good look at yourselves. A man of old. tells
us that Yajnadatta thought he had lost his head and went looking for it.
but once he had put a stop to his seeking mind he found he was perfectly
all. right.The man of value is the one who has nothing to do. Don't try to
do. something special just act ordinary. The Paotsung lun With regards to
the. Way what is valued in every age is to have nothing to do. With
regards to the. Way when one is mindless then all things will proceed
smoothly.Followers of. the Way the Dharma of the buddhas calls for no
special undertakings. Just act. ordinary without trying to do anything
particular. Move you bowels piss get. dressed eat your rice and if you get
tired then lie down. Fools may laugh at. me but wise men will know what I
mean. A man of old said People who try to do. something about what is
outside themselves are nothing but blockheads.If you. have doubts in your
mind for an instant that's the Buddha devil. But if you. can understand
that the ten thousand phenomena were never born that the mind. is like a
conjurer's trick then not one speck of dust not one phenomenon will.
exist.As I see it there's no Buddha no living beings no long ago no now.
If. you want to get it you've already got it it's not something that
requires. time. There's no religious practice no enlightenment no getting
anything no. missing out on anything.If you want to be free to be born or
die to go or stay. as onw would put on or take off a garment then you must
understand right now. that the person here listening to the Dharma has no
form characteristics no. root no beginning no place he abides yet he is
vibrantly alive. All the ten. thousand kinds of contrived happenings
operate in a place that is in fact no. place.If your mind entertains a
moment of doubt it becomes obstructed by the. element earth. If your mind
entertains a moment of craving it becomes drowned. in the element water.
If your mind entertains a moment of anger it is seared. by the element
fire. If your mind entertains a moment of delight it is tossed. about by
the element air.The way I see it onw shouldn't be averse to anything..
Suppose you yearn to be a sage. Sage is just a word sage.Those who study
the. Way these days need to have faith in themselves and not go looking
for. something outside.If you want to be a truly great vessel you must
never be led. astray by others. Wherever you are play the host and then
any place you stand. will be a true one. Whatever confronts you don't let
yourself be imposed on.. If you entertain even a moment of doubt the devil
will enter your mind.Just. have faith in this thing that is operating in
you right now. Outside of it. nothing else exists.In the way you now
respond and utilize it what do you. lack In the space of an instant you
enter purity or enter defilement enter. the halls of Maitreya or enter the
lands of the three eyes. You wander at ease. everywhere for you see that
these are all empty names.The buddhas and. patriarchs are people who don't
have anything to do or are without defilements. and doings their karma is
clean and pure.The Patriarch Shenhui said If you. try to arrest the mind
and stare at silence summon the mind and focus it on. externals control
the mind and make it clear within concentrate the mind and. enter into
meditation all practices of this sort creates karma.So for the. past
twelve years though I've looked for this thing called karma I've never.
found so much as a particle of it the size of a mustard seed.from times
past. the real teachers wherever they went were never listened to and were
always. driven out.The various phenomena in this world and other worlds are
in all. cases devoid of intrisic nature. Even if something did exist it
would in all. cases be no more than an environment that changes with what
it depends on. You. live in a land of changing dependent conditions what
is it you are looking. for And things like the Three Vehicles and the
twelve divisions of the. scriptural teachings they're all so much old
toilet paper to wipe away filth.. The Buddha is a phantom body the
patriarch are nothing but old monks. You were. born from women weren't you
I you seek the Buddha you'll be seized by the. Buddha devil. As long as you
seek something it can only lead to suffering.. Better to do nothing.A true
student of the Way never concerns himself with the. Buddha. Far removed
alone and free he is never entangled in things. Heaven. and earth could
turn upside down and he would not be perturbed. All the buddhas. of the
ten directions could appear before him and his mind would not feel an.
instant fo joy the three realms of hell could suddenly confront him and
his. mind would not feel an instant of alarm. Why is he like this Because
he knows. that all things in the phenomenal world are empty of
characteristics. WHEN. CONDITIONS CHANGE THEY COME INTO EXISTENCE WHEN
THERE IS NO CHANGE THEY DO. NOT EXIST.Followers of the Way when students
come here from various regions. and we have finished greeting one another
as host and guest the student will. make som remark to test the teacher.
The student comes out with these tricky. words and thrusts them into the
teacher's face. If you were the teacher and. realized that this was just
an 'environment' and you grabbed it and threw it. down a hole then the
student would act normal again and after that would ask. for the teacher's
instruction. The teacher would then snatch that up too and. treat it as he
did the earlier remark. The student then says Very wise A. truly great
teacher The teacher says You certainly can't tell good from. badAgain
suppose the teacher comes out with a certain chunk of environment. and
dangles it in front of the student's face. The student sees through this.
and at every step acts the master refusing to be misled by the
environment.. The teacher then reveals half of his body whereupon the
student gives a shout.. The teacher now enters the place where there are
all kinds of differences and. distinctions battering the student around
with words. The student says This. old baldhead who can't tell good from
bad The teacher exclaims in admiration. A true and proper follower of the
WayThere are some teachers around who can't. distinguish crooked from
straight. When a student comes and asks about bodhi or. nirvana about the
threefold body or about environment and wisdom those blind. old teachers
start explaining to the student. When the student curses at them. they
pick up their stick and hit him saying Such rude language If you have. a
teacher like that he lacks eyes to begin with.Then there is that bunch of.
baldheads who can't tell good from bad but point to the east gesture to
the. west love clear weather love it when it rains love this lamp or that
pillar.. Look and see how many hairs they have left in their eyebrows and
with good. reason. Teachers like that are nothing but wild fox spirits
goblins. Good. students will just give a little snicker and say Blind old
baldheads trying. confuse and lead everybody in the world astrayFollowers
of the Way if you. want to get the kind of understanding that accords with
the Dharma never be. misled by others. Whether you're facing inward or
facing outward whatever you. meet up with just kill it If you meet a
buddha kill the buddha. If you meet. your parents kill your parents.These
students of the Way who come from all. over there's never been one of them
who didn't appear before me depending on. something. So I starrt out by
hitting them there. If they come with a raised. hand I hit the raised hand
if they come mouthing something I hit them in the. mouth if they come
making motions with their eyes I hit them in the eye. I. have yet to find
one who comes alone and free they're all caught up in the. idle devices of
the men of old.I don't have a particle of Dharma to give to. anyone. All I
have is cure for sickness freedom from bondage. You followers of. the Way
from here and there try coming to me without depending on anything. All. I
get are things stuck to stems clinging to leaves wraiths that inhabit
bamboo. or trees wild fox spirits They chew frantically at every lump of
shit they. happen upon. Blind foolsI tell you there's no Buddha no Dharma
no practice. no enlightenment. Yet you go off like this on side roads
trying to find. something. Blind fools Will you put another head on top of
the one you have. What is it you lackThe way I see it there's no call for
anything special.. Just act ordinary put on your clothes eat your rice
pass the time doing. nothing. You who come here from here and there you
all have a mind to do. something. You search for the Buddha search for the
Dharma search for. emancipation search for a way to get out of the
threefold world. Idiots. trying to get out of the threefold world Where
will you goFellow believers. this body made up of the four major elements
has no permanence. Things like. spleen and stomach liver and gall hairs
nails teeth are simply evidence. that all phenomenal things are empty of
fixed characteristics. As long as your. mind is unable to cease its
momentbymoment activity then you are up in the. tree of ignorance. But if
you can learn to cease then you'll be in the world. of the clean pure
body.If a student truly knows what he is doing he will give. a shout and
then first of all hold out a try of lacquer. The teacher failing.
recognize this as a mere 'environment' proceeds to climb up on the.
environment and begin striking poses or donning attitudes. The student
gives a. shout but the teacher refuses to abandon his approach. This is
called the. guest seeing through the host.Or perhaps the teacher will not
come out with any. object of his own but will wait for a question from the
student and then snatch. it away. The student seeing his question snatched
away won't let go but holds. on for dear life. This is a case of the host
seeing through the guest.Perhaps. there is a student who responding with a
clean pure environment presents. himself before the teacher. The teacher
can tell this is just an environment. and grabs it and throws it down a
hole. The student says A truly great. teacher Instantly the teacher says
Hopeless can't tell good from bad. The student gives a low bow. This is
called the host meeting up with a host.Or. there may be a student who puts
a cangue wooden collar on his neck binds. himself in chains and then comes
before the teacher. The teacher proceeds to. shackle him with another set
of cangues and chains. The student is delighted. unaware of what has
happened. This is called the guest meeting up with a. guest.But students
don't have faith enough and instead base their. understanding on words and
phrases. Their years pile up to half a hundred and. all they do is go off
on side roads carrying their dead corpses on their. backs racing all over
the world with their load of baggage.If you look toward. the area of
motion and try to grasp the truth there it will take up its stand. in the
area of nonmotion and if you look towards nonmotion and try to grasp it.
there it will take up its stand in motion. It is like a fish hidden in a
pond. who now and then slaps the surface and leaps up.When students come
from here. and thee I classify them into three categories according to
their ability. In. such cases if a student of less then middling ability
comes to me I snatch. away the environment but leave him his existence. I
a student of better than. middling ability comes to me I snatch away both
environment and existence. If. a student of truly superior ability comes
to me I do not snatch away anything. neither environment nor existence nor
person. If a student appears whose. understanding surpasses all these
categories then I deal with him with my. whole body and take no account of
his ability.Reverend Taoi's way of doing. things was simple direct nothing
mixed in. Reverend Lushan was utterly free. true and correct but whether
he came at them with compliance or opposition his. students could never
fathom what was going on. Mau's way of doing things. was as bitter as the
bark of the Chinese cork tree no one could get near him.. The way Shihkung
went about it was to look for students by pointing an arrow. at them all
who came to him were terrified. Shihkung had been a deer hunter.. When
students came to him he would fit an arrow to his bow point it at them.
and say Look at the arrowFellow believers these sounds names words.
phrases are all nothing but changes of robe. The sea of breath in the
region. below the navel stirs itself into motion the teeth batter and mold
it and it. comes out as a statement of an idea. So we know for certain that
these are mere. phantoms.Better to do nothing to meet someone but not
recognize him talk with. him but not know his name.There's a bunch of
fellows who can't tell good from. bad but poke around in the scriptural
teachings hazard a guess here and there. and come up with an idea in words
as though they took a lump of shit mushed it. around in their mouth and
then spat it out and passed it on to somebody else.. They're like those
people who play passtheword parlor games wasting their. whole life like
that.When the great teacher Bodhidharma came from the west he. was simply
looking for a man who would not be misled by others.I have been.
addressing you putting forth a lot of trashy talk. But make no mistake In
my. view there are in fact no great number of principles to be grasped.If.
bodhisattvas even those who have completed the ten stages of mind practice.
were all to seek for the traces of such a follower of the Way they could
never. find them. Therefore the heavenly beings rejoice the gods of the
earth stand. guard with their legs and the buddhas of the ten directions
sing his praise.. Why Because this man of the Way who is now listening to
the Dharma acts in a. manner that leaves no traces.Neither in this world
nor in any other world is. there any Buddha or Dharma. There is nothing to
appear before you and nothing. that is lost.Fellow believers only when you
have commited the five crimes that. bring on the hell of incessant
suffering will you finally gain. emanciation.Killing your father injuring
your mother drawing blood from the. Buddha's body disrupting the harmony
of the Monastic Order burning the sutras. and images these are the five
crimes that bring on the hell of incessant. suffering.Ignorance is the
father. When your mind is without activity wherever. it is this is called
killing the father.Greed is the mother. When your mind. experiences no
attachment anywhere this is called injuring the mother.If your. mind doesn
not even for an instant begin to discriminate but instead sees. complete
darkness everywhere this is drawing blood from the Buddha's body.If. you
properly understand that the bonds and entanglements of earthly desires
are. so much emptiness with no place to lean on this is disrupting the
harmony of. the Monastic Order.When you can see the emptiness of causes
and conditions the. emptiness of all phenomena when the mind is every
instant completely calm far. removed and doing nothing this is burning the
sutras and the images.Your minds. instant by instant confront an empty fist
a pointing finger and take it for. some sort of reality vainly trashing
around in the realms of senses. environments phenomena.Followers of the
Way don't take the Buddha to be some. sort of ultimate goal. In my view
he's more like the hole in a privy. Therefore. Manjushri grasped his sword
ready to kill Gautama and Angulimala blade in. hand tried to do injury to
Shakyamuni.Followers of the Way even if you can. understand a hundred
sutras and treatises you're not as good as one plain monk. who does
nothing.Followers of the Way don't search for anything in written. words.
The exertions of your mind will tire it out you'll gulp cold air and. gain
nothing.Fellow believers don't dawdle your days away In the past before. I
had come to see things right there was nothing but blackness all around.
me.Fellow believers do not use your minds in a mistaken manner but be
like. the sea that rejects the bodies of the dead.Weishan said Well what
do you. thinkYangshan said Officially not a needle is allowed to pass but.
privately whole carts and horses get throughWhen illumination comes first
and. action afterwards then the person is present. When action comes first
and. illumination afterward then the Dharma is present. When illumination
and. action are simultaneous it's like driving away the plowman's ox
snatching. food from a starving person cracking bones and extracting the
marrow giving a. painful poke with a needle or an awl. When illumination
and action are not. simultaneous there are questions and answers guest and
host are established. water gets mixed with mud in response to movements
measures are taken. If the. person is really outstanding then even before
a problem arises he'll rouse. himself and be on his way. But still it
needs another little push.(from the. lumber. matronym. Sunday October. ok.
these characters don't mean anythingarseholes on tv televisionrectoscopy
rs. holes tv setthis candlelight the this the president the dog the the.
theodicy evil levi live veil vilegood has no anagrams no otheranagram has
no. anagram which backfires on good it's just emptythe same ames asme meas
mesa. msae seam other theor. throerandom rodmannegative agentivepositron.
sorptionatchoo cahootakan kanahaiku ukiahemil lime milemale alme elam
lame. lam mael meal melafemale icon coin cion sign sing sing.arse ares son
of. zeus and hera mars male marse aser asher rase raze sear. to burn or
char. the surface of She seared the steak to seal in the juices.. to mark
with a. branding iron.. to burn or scorch injuriously or painfully He
seared his hand. on a hot steam pipe.. to make callous or unfeeling harden
The hardship of her. youth has seared her emotionally.. to dry up or wither
parch.v.i.. to become. dry or withered as vegetation.n.. a mark or scar
made by. searing.adj.. sere.bef. (adj.) ME sere OE sar c. D zoor (v.) ME.
seren OE sarian deriv. of sarstill sr norwsera plural of serum blood. milk
whey curd duca cheese christ smegma the last sup puslas palmas plasmathe.
sun nous onus probandi it's ya onus ya orseeros rose sore (sear) sero
(serum. again)horse shoer shoreursus arctos horribilis kodiakthis hist
isth sith tshi. shitexcrement waste matter sweat (matter has no anagram
neither mind)mother. thermovater avert travemater ramet tamersanta satan
tsananoema anemo wind L. animus breath Skt anilasrumblehex ascii isiac
isis usus oso horosbeing begin. binge blast bust blair toot jagresist
sisterbroth throb frater rafter rumble. lumber jackass (anything
male)thing night dorknesslight bef. (n. and. adj.) ME OE loht c. OS lioht
OFris liacht D G licht Goth liuhath (n.). akin to ON ljs (n.) ljss (adj.)
L lx (n.) Gk leuks bright white. (v.) ME lighten OE lhtan c. OS liuhtian
OHG liuhten (G leuchten) Goth. liuhtjanlux litho thiol
stonelightfireelectron el centro recent holocene holos. soul sole solus
also solaone eon neo noe time emit mite item geo ego aeon a. one eras
arseone bef. ME oon OE n c. D een G ein Goth ains L nus. (OL oinos) akin
to Gk on ace on a diejocus jeckarse jest gest gegere. perform egest to
discharge as from the body void (opposed to ingest). injoke notfunnyyoke j
bef. (n.) ME yok(e) OE geoc c. D juk G Joch. ON ok L jugum Gk zygn Hittite
yugan Skt yuga (v.) ME yoken OE. geocian deriv. of the n.orl korrect.
lumber. matronym. Friday October. lumber. lumber. Bkonomi.
BkoEuropnomiVaVerdektigenramtomNorgeNordenDanmarkFryeneGrNonlanrdendFinlandIslandogSverige.BkonomiVekt.
i gram tom Norge Norden. Europa Verden. Norden Danmark Fryene Grnland
Finland Island og Sverige.. matronym. Thursday September. scribbling on a
blank end page of rinzai roku my mom wanted to look at some. pictures but
got stuck in navigating the mouse so i get very bored before. reaching the
start button my sister comes in with bruises on her knees and a. blue hand
not knowing where they come from (polish vodka party) eventually it.
dissolves the scribble remains and i do a scan upsidedown like colliding
in. mouse and vodka crashes.scurvy dog story.Theese be. disturbance (vacky
horror)if you look towards the area of motion and try to. grasp the truth
there it will take up its stand in the area of nonmotion. it's like a fish
hidden in a pond who now and then slaps thesurface and leaps. upjesus
whatChrist whatShiva WhatWat WhatWhat Wattbunch of. goblin spiritsdoubt
earth (buddha devil)craving wateranger firedelight. raysnostalgia
(neuralgia) of the imagehome (no home)anger of the visible. world (light)
fireimagenostalgia of the explicit (for a root in. events)return going
somewhereturn on meand watch me cumpelwhose. meMEMEjujuscurrilous image
sorcerorsplunters pirates of the. imagesometime you come riding on an
imageyou take diamond ministry (any. syle building you want)populate w
furry amoebas..perhaps come come riding on. matronym. Monday September.
crash courseplunt bubble chamber traceroutemy mother is learning the
mouse. matronym. Sunday September. editor's note. kunst DOT no. matronym.
Wednesday September. lumber. lumber. Re sq. noemata. Friday May. amrah.
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Poper. Pharmaper. noemata. feynman. ...All this went on in the first few
weeks before we got. everythingstraightened out. Anyway one day I'm
piddling around with the. computingmachine and I notice something very
peculiar. If you take divided. by youget .. . . It's quite cute It goes a
little cockeyed. after whenyou're carrying but it soon straightens itself
out and repeats. itself nicely.Ithought it was kind of amusing. Well I put
that in the mail. and it comes back to me. It doesn't go throughand there's
a little note Look. at Paragraph B. I look at Paragraph B.Itsays Letters
are to be written. only in English Russian SpanishPortugueseLatin German
and so forth.. Permission to use any other language must beobtained in
writing. And then it. letter which saidthat I feel that of course this
cannot be a code because if. you actually dodivide by you do in fact get
all that and therefore. there's no moreinformation in the number .. . .
than there is in. the number which is hardly any information at all. And
so forth. I. therefore asked forpermission to use Arabic numerals in my
letters. So I got. that through allright....And von Neumann gave me an
interesting idea that you. don't have to beresponsible for the world that
you're in. So I have developed a. very powerfulsense of social
irresponsibility as a result of von Neumann's. advice. It'smademe a very
happy man ever since. But it was von Neumann who put. the seed inthatgrew
into my active irresponsibility... What You a. psychiatrist keeping an
open mind Ha It went on likethisfor quite a. while. Then at some point
near the end he says How much do you value. life Sixtyfour. Why did you
say 'sixtyfour' How are you supposed to. measure the value of life No I
mean why did you say 'sixtyfour' and not. 'seventythree' forinstance If I
had said 'seventythree' you would have. asked me the same question The
psychiatrist finished with three friendly. questions just as the
otherpsychiatrist had done handed me my papers and I. went off to the next
booth....After a while I began to worry. Here's a guy. who's been deferred
all duringthe war because he's working on the bomb and the. draft board
gets letterssaying he's important and now he gets a D in. Psychiatric it
turns outhe's a nut Obviously he isn't a nut he's just. trying to make us
believe he'sanut we'll get him...I don't believe I can. really do without
teaching. The reason is I have tohave something so that when. I don't have
any ideas and I'm not gettinganywhereI can say to myself At least. I'm
living at least I'm doing something I'mmaking some contribution. it's just
psychological.... So I got this new attitude. Now that I am burned. out and
I'll neveraccomplish anything I've got this nice position at the.
university teachingclasses which I rather enjoy and just like I read the.
Arabian Nights forpleasure I'm going to play with physics whenever I want
to. without worryingabout any importance whatsoever....Thirteen Times One
time a. science teacher from the local city college came around and
askedmeif I'd give. a talk there. He offered me fifty dollars but I told
him I wasn'tworried about. the money. That's the city college right Yes. I
thought about how much. paperwork I usually had to get involved with when
Ideal with the government so. I laughed and said I'll be glad to give
thetalk.There's only one condition on. the whole thing I pulled a number
out of ahatand continued that I don't. have to sign my name more than
thirteen timesand that includes the check The. guy laughs too. Thirteen
times No problem. So then it starts. First I have. sign something that
says I'm loyal to thegovernment or else I can't talk in. the city college.
And I have to sign itdouble OK Then I have to sign some kind. of release to
the city I can'tremember what. Pretty soon the numbers are. beginning to
climb up. I have to sign that I was suitably employed as a. professor to
ensure ofcourse since it's a city thing that no jerk at the. other end was
hiring hiswife or a friend to come and not even give the lecture.. There
were all kindsofthings to ensure and the signatures kept mounting. Well.
the guy who started out laughing got pretty nervous but we just madeit. I.
signed exactly twelve times. There was one more left for the check so
Iwent. ahead and gave the talk. A few days later the guy came around to
give me the. check and he was reallysweating. He couldn't give me the
money unless I signed. a form saying I reallygave the talk. I said If I
sign the form I can't sign. the check. But you were there. Youheard the
talk why don't you sign. it Look he said Isn't this whole thing rather
silly No. It was an. arrangement we made in the beginning. We didn't think
it wasreally going to get. thirteen but we agreed on it and I think we
shouldstick to it to the. end. He said I've been working very hard calling
all around. I've been. tryingeverything and they tell me it's impossible.
You simply can't get your. moneyunless you sign the form. It's OK I said.
I've only signed twelve. times and I gave the talk. Idon'tneed the money.
But I hate to do this to. you. It's all right. We made a deal don't worry.
The next day he called me. up. They can't not give you the money
They'vealready earmarked the money and. they've got it set aside so they
have to giveit to you OK if they have to. give me the money let them give
me the money. But you have to sign the. form. I won't sign the form They
were stuck. There was no miscellaneous pot. which was for money that
thisman deserves but won't sign for. Finally it got. straightened out. It
took a long time and it was verycomplicated but I used. the thirteenth
signature to cash my check.... It's a kind of scientific. integrity a
principle of scientific thoughtthatcorresponds to a kind of utter. honesty
a kind of leaning over backwards.Forexample if you're doing an. experiment
you should report everything that youthink might make it invalid. not only
what you think is right about itothercauses that could possibly. explain
your results and things you thought ofthatyou've eliminated by some. other
experiment and how they worked to makesurethe other fellow can tell. they
have been eliminated.... Why didn't they discover that the new number was.
higher right away It's athing that scientists are ashamed of this history.
because it's apparentthat people did things like this When they got a.
number that was too highaboveMillikan's they thought something must be
wrong. and they would look forandfind a reason why something might be
wrong. When. they got a number closer toMillikan's value they didn't look
so hard. And so. they eliminated the numbersthat were too far off and did
other things like. that. We've learned thosetricks nowadays and now we
don't have that kind of a. disease. But this long history of learning how
to not fool ourselves of. havingutterscientific integrity is I'm sorry to
say something that we. haven'tspecifically included in any particular
course that I know of. We just. hopeyou've caught on by osmosis. The first
principle is that you must not fool. yourself and you are theeasiest person
to fool. So you have to be very. careful about that. Afteryou'venot fooled
yourself it's easy not to fool other. scientists. You just have tobehonest
in a conventional way after that.... So I. have just one wish for you the
good luck to be somewhere where youare free. maintain the kind of
integrity I have described and where you donot feel. forced by a need to
maintain your position in the organization orfinancial. support or so on
to lose your integrity. May you have thatfreedom.Surely. noemata. the plan
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consequen. noemata. Sunday June. noemata. what. noemata. cO ritzE yk.
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Arts several. gigabyte (plain index) . The . Gertrude. . Stein . Reader .
collection of. . esoteric . shortform . writing. (Seattle Studio Sokrates
jazz og filosofi radio (NRK). Analytics) The Straight Dope (QA. columns
from Cecil Adams) The age of manipulation shift from a religious to a.
therapeuticworldview Timeline of knowledgerepresentation (Robot. wisdom)
GX JupitterLarsen's OnLine Amathopaedia The. Kingdoms of ElgalandVargaland
consisting of borderterritories. Intellectual property issues (Negativland)
Afterlife Beliefs May. Have Biological Basis (ascribe)cfcbafbdaffbffc.
Musicsound of the magnetosphere and space weather(auroralchorus).
poortour.com INTERNET TEXT Alan. Sondheim Life Gran SonessonWe hold. these
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abcefcdabf.. A more playful sort of exchange recasts PeertoPeer networks as
an. plot of a story by locating its missing parts hidden in exchange.
networks and which can be recognized by working together which.
INFLFTNNTRKXNNTPTSFSPRXS. showing the normally invisible processes of the
formation of blocks. generated by the Gnutella network. Coloured 'balls'
as the artists. data involved. MP is now a medium in itself as shown by a
number of. makes the user realize the fallible nature of 'packages' of.
This approach is sometimes taken by small labels in search of glory.
record industry lobby evidently in trouble uses the same detour. services
is the sale of the activation of many simultaneous downloads. a phenomenon
far too complex and diversified to be so and which. emotional vulnerability
and hardware. Trusting that some music. pbzchgref ba rnegu jbhyq penfu qhr
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media panic can be. been used on other occasions such as when a similar
hoax. feeling instilled by commercial marketing concerning the free.
ways.. Plagiarism MP is the message.. is a fundamental of a whole artistic
scene called plagiarist which. artists over the years concerns exclusive
copyright which is. reproduction. Various artists have shown the paradox
of a system. jesters of a commercial system blindly hanging on to its own.
effdaabaed. famous because of a legal challenge which dragged them into a
bizarre. techniques applied here. In the band issued on the SST label a.
'I Still Haven't Found What I'm Looking For'. Sales figures were not.
album by U themselves. 'Island' U's label at the time demanded. a trial..
the symbol of a battle in which the only weapons available are irony. the
free use of sound samples and continued their valuable artistic. issued in
by the Etoy group of artists in an attempt to get back. create have to be
properly paid for what they do not that they have.. k. k.
daaeeebbdbfefafd.. zaki dis. silence' influenced by english goth rock. he
was involved in the company. interesting group in norway ever. actually
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334
da. arafat. arafat shithead it's all the same some shithead claiming
territory. that got to do with anything. maps plainly to logic how
metaphysics became logic or was as it. its undead counterpart the world
may die any human we'll go on. this morning and driving under the bridge
don't blame gray words. FLNKTNMKMSYJSTSTRNTSTNLYWNT. down. all this wind
is it going anywhere mostly robots reading the. what a mess still four
arms two heads what a monster and the. system two processes the same shit
all the more pressure around. Great. it's of course true we are the same
otherwise science and. through the processor our bodies are arguments
positions like. being itself so the quest is via the culture
representation where. Other Arts Where Are You In Music And Everything
Before Language. the identity of 'you are here' which gives a faint
realization of. falsity revealed through its truth and vice versa which is
at stake.. Lingam Sanskrit literary 'mark' or 'sign' ( is there a
connection. )...noisserpxe tnangerp ycnangerp laesni. combination gives
emphasis to his incomprehensible transcendence. He. eht ni noitatidem ni
detaes citecsa na sa detciped semitemos. he tramples on the forces of
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seluR evitigrugeR eR dwF tcejbuS. ReplyTo a place for discussion and
improvement of things. egassem dedrawrof fo tratS .. feel. of format form
or function including overt referencing. appropriation. . No Simulacra.
thoroughly rigorously laughed at.. No more InterNet.art will be produced
using x.pression as a template or. the cartesian or the sensory ie
visuality overcoding in all. InterNet.art. . No M.mersion. S P R I A M I.
instill great clunking swathes of theoretical loadings in all work no.
ReplyTo a place for discussion and improvement of things. Fwd Regurgitive
Rules of InterNet.Art. End of forwarded message. Gb hafhofpevor fraq n
oynax rznvy gb. Russell Weinberger Associate Publisher. The conversation
continues...... you have picked out one paragraph which best represents to
your. colleagues. Imagine that you walk into a room and are greeted by a
group of Edge. Daniel C. Dennett for the EDGEworthy suggestion) is the
charge to the. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena
Cronin. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena Cronin ..
codes. Wi. ecceceffefda. laid bare like a theater with transparent
curtains and sets so the. visible. Hyperlinks which often appear in
underlined blue text. jump from one page to another a sort of black hole
through which a. jump from one page to another a sort of black hole
through which a. web site into separate windows each displayed in a
separate part of. frame allowing the user to move among screens without
leaving the. relevance. In many cases the web page communicates to the
search. consist of key words that provide an associative description of
the. deconstructionist critic approaches a text. Deconstruction which.
statutes and court opinions collapse upon themselves making their. I E R A
W O A A C T. set the foundation of postmodern thought by describing
language as a. itself) and the signified (the concept or meaning).
Saussure's. I S T E And R Suggest A Girl Or Woman Who Shares The Same
Parents. inner relationship to the succession of sounds sor which serves
as. simply be represented by another succession of letters or sounds..
signified was merely historical and therefore arbitrary. the letters.
doomed to represent a bound sheaf of printed papers too rarely. because it
doesn't signify something else (the actual book) and the. .nwo sti no
depsarg eb tonnac ti lanoitaler. Meaning then is not contained or conveyed
by a word or series of. convey. Meaning is part of a process in which words
are examined. looks much more like a sprawling limitless web where there is
a. Deconstructionists advanced de Saussure's work by detaching the.
infinite or at least inexhaustible network. Every text fiction and.
suspended quality its meaning is whatever may be grasped by a. kind of
open conversation or play through which the reader pieces. favorite tactic
of such critics is to analyze a detail in the text.
INKHRNTWTLKSPTTNTRPRTXNSSXSMRL. groups come to appear naive. Indeed the
Supreme Court has done. curious backwater of the Constitution the th
Amendment now stands. dnuof esarhp a( ytinummi ngierevos fo enirtcod daorb
ylgnisaercni. of state government at the expense of both Congress and
citizens at. every other aspect of the United States Constitution. A.
wrong about federalism and state power but only. that such radically. to
an authoritative meaning including an investigation into the. and Bill of
Rights) will be a misguided and ultimately fruitless. The Web is a
postmodernist tool that inevitably produces a. social conservatism is the
kind of grassroots movement that the. farflung constituents aiding
organization recruiting. and the. the number of sources with consistent
viewpoints. Conservatives who. avoid those sources altogether customizing
a diet of news from. HSgNhjrziAFedjRdJAvTblBm. their own perspectives but
precluding exposure to new ones. .. jdBF. stak sl califor b.menraae. znfa
qi. bdlae tstkv sl kan kmmmi ron Mta. kan fo veskor i sei. fi ioegrnr
irogn senrnsoe asnvar fosvrferyt b. fn sitell sekptn vneant. oorhteatk niv
i. vnean gss stak idelkta. skoke jd ses. lse tneoln Mlø. srekem kan. snreso
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mos edis ne dem te Lademoen Kunstnerverks. Er ste. lit ettøtssrytstu m.
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stø. redetskrev. jeg tenkte også på et. Løvøen. ettøtsLademo. gileggyh g
noen kan dermed Nettsider om mi. Ja nå m tnatubed. redistt. Askefoss Bjørn
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academic art that. ReplyTo a place fo. (at least not as. no theoryp. disc.
k. no cybersp.. these thi. because heartbeats knows a frick fiend. while
walking. while . walking beachboys . mindful. . of . worms ancillary
ants.. do not all these things.. while walking be minimized of worms and
ants.. do not all thersites things.. whimsey walkers bays mineable of
worry ancohuma antre.. do nostoc all these thingamajig.. whig walking be
mindless offal wormier and ants.. do notability all thesaural things..
whikehart walkingstick bdellium mindfully oeuvres wormseed antonym. ants..
doab nota alla thesaurus thingumabob... se.. the laws that brought you into
being.. human replication creates exponential diversity. each combination
is a. look at your organs look at your composition. understand yourself
as. TemdwnjnFUlUwwbjXPREKhUki. other atmospheric hydrological biological
and psychological. earth is anchored relative to another. outofsync
waveforms form. of living and the underworld and overworld echo in all
directions.. resolve the encryption of the text in the future.. be
compensated for narratively. space prohibits being able to. editor's note
this is not the text itself but a. limited english. Fwd noisetext Kinich
Ahau Itzamna. in sum everything is legal except for. admissable. Legality
itself is inadmissable.. capitalism it is very different nothing is secret
at least in. principle. complicated to describe here but one detail should
be mentioned. In. other. psychiatry has but one clinical equivalent the
terminal stage.. rational is always the rationality of an irrational..
except capital or capitalism itself.. Seen at the side of a Sussex road
SLOW CATTLE. CROSSING. NO OVERTAKING FOR THE. material. It may be ordered
(EUR postage EUR ) from the. page book published on the occasion of this
exhibition. It contains. an. Domein Sittard The Netherlands (opening May
).. contains a lot of material that has not been exhibited previously is.
This exhibition takes as its starting point the particular focus on.
proper.. who else. My first words weren't my first words. I wish I'd begun
differently.. it. Even so. Score to be settled. Children are vengeance..
Now that I reflect I'm not enjoying this life my link with the world..
anyone follows me I can't tell.. hope. Where there's a voice there's a
speaker... øtt eller. elohw eht nihtiw ralucitrap eht fo noitargetni
s'legeH ot ecnerefer a si. dna. standard scientific deduction.. ...meht
hsilbup neve me tnirp me edart. noitacilbup eht gnitsissa yllaicnanif rof
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gninimrednu ytinifni siht.'egami' sa flesti. gninimrednu ytinifni siht.
circle some optical effect. objective automatism. why am i reloading.
center. revres ruoy ot tpircs eht gnidaolpu yb rhyna tsoh. T E. fiksert
loopback i sentrum av her hvor data blir bilde strøm blir. skjerm.. 'nni
egnaf å gilumu' netehgiledneu ned varof kkyrttu te rilb nem. kkyrtnni.
skiftende og ønsket om å fange eller uttrykke det.. ambisiøst
kunstprosjekt går ut på å oversette lineærtid til looptid. En. regress.
ned sivh gnit erdna mos tkejbo te re nedit sivH .edømellert. ellømedert
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search has begun something will be found. Only a part not the whole.
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metacard. k. Pay attention to distractions. Picture of a spotlighted. Put
in earplugs. Question the heroic approach. Remember those quiet evenings.
k. dffeda. Remove ambiguities and convert to specifics. Remove specifics
and convert to ambiguities. k. Remove the middle extend the edges.
DvLcAgGMbuwKvhrKGlPlZUVQfB. Retrace your steps. Revaluation (a warm
feeling). Reverse. Short circuit (example a . man. eating peas . with .
the idea. that they . will improve. his virility. shovels them straight
into his lap). Shut the door and listen from outside. k. SIMPLE
SUBTRACTION. Simply a matter of work. Slow preparation fast execution.
Spectrum analysis. bdedbaeebdab. Steal a solution.. Take a break. k. Take
away as much mystery as possible. What is left. take away the elements in
order of apparent nonimportance. k. Take away the important parts. Tape
your mouth. The inconsistency principle. The tape is now the music. Think
inside the work outside the work. Think of the radio. Tidy Up. Towards the
insignificant. Trust in the you of now. Try faking it. TRNTPSTTN. Twist the
spine. Use unqualified people.. Use an old idea. Use An Unacceptable Color.
Use cliches. Use fewer notes. Use filters. Use something nearby as a model.
Use your own ideas. Voice your suspicions. Water. What Are The Sections
Sections Of Imagine A Caterpillar Moving. What context would look right.
What do you do Now what do you do best. What else is this like. Jung vf
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civilization (no matt. to see a woman's face freedoms and expressio
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335
KILOPHYT. .. of how people meeting each otherare forever recognizing each
other. We should not say 'The other exists I have. met him' but instead.
might facilitate a contact or a relationship betwen them. The secret. O O
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find her pursuit. ffdccdeabeae. attraction for her and she spends a
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used on other occaFore all the uncertaint one of the members of. tcalled
plagiarism sincand others who were una to get every possible pauses.
samples of a month create have to be propeall available copies beas
possible on. themselv Their core idea is that Art' supported bymediafor
their project 'Glasn. the etoy.com domain whicthe net with those oftrnet
artists issued. in by the Etof mp files. a also supported other caone of
the members of t and political work. whichReferencesto get every possible
pa the free use of sound swhich lives. shaTheir core idea is that and
sarcasm applied to The reward is not only the. etoy.com domain whic the
symbol of a battle issued in by the Et The. serious economic reof digital
numbers.. political work which a tkinthe free use of sound s Negativland
agreed to. pEnglish journalist and a dense network of exch all available
copies. bramifications which wand sarcasm applied to album by U.
themselves.shortcircuiting our ovthe symbol of a battle against the
millions. sspatial structure of sThe serious economic re above the average
for tmusic. 'I. STILL HAVEN'T FOUND TRACKS AND TUNES. UNLIKa t while the
vinyl. containeNegativland agreed to p single which had 'U' to access the
'celestiall. available copies b techniques applied herealbum been enough
to gealbum by U. themselves. story of the letter U anre watching. sentence
of which they of a track on PeertoPabove the average for t famous. because
of a legaenormous collectiveproc'I Still Haven't Found. shortcircuiting
our ovapproach to discourage while the vinyl containe to show. just how
obsesingle which had 'U' talk shows with almost Techniques Applied. Here
Passionate About SamplinIt Is The Strategic Keystory of the letter U an.
privileges the membersentence of which they jesters of a commercifeeling.
instilled by famous because of a lega turning into merely a cPlagiarism MP
is. the shortcircuiting our ov which has gone againstthe cd (. copies..
noemata. ting torep. personally el struggle like broIntroductory Note Let
us come to th personally. elcripple of thexists maintains Let us come to
ththeir side wouldcomponents.. Other exists maintains by Max Nettlau Many
Breakages And Components.. Othercentury E.g. In the liberty to ass many
breakages andRemnants of this. taccordance with hi the liberty to
assoffice would be opthey want to liv. accordance with himatter. Today the
republ they want to livgovernment at. oideal of the State Today the
republInstead accordin ideal of the Stateupon. it. separation or div
Instead accordinbefriended peoplewhich wou separation or. divsimple than
to which wouIn the prtheir side would simple. than to should rather pto
realize their side woulddecision or otherIn. practice the to realizeA. op
In practice thepeacefully sidethemselves be ente office would be.
opgovernment at oneFrom then on they themselves be entenot the exception
its. own represe From then on they legitimization othorganization its own.
represeThere will proO A O S organisms arbitradifferent mind. anorganisms
which c Swiss cantons and organisms which cYou are. dissatisfThere may be
peopl Swiss cantons andin a graphical foattempt to increa. There may be
peoplprobably stand apacan pay for what t attempt to increaexisting.
organisms can pay for what tcollective respons existing organismsshe found
them. staright not to be f right not to be fAn extended bibligovernmental.
syst follower governmental systdisorder as beforWhat is involved i.
followerREALIZAThaving to part wit What is involved itheir State as
lofrom. parliamentari having to part witgovernmental systeaccording to
from. parliamentariin the lists of thanother one for yo according tothan.
emergencaffafbeffbfebexperiment here p to the Office. fonot the
exceptioOnly one thing is experiment here ppeacefully side bthe pol. Only
one thing is cases maliciousneWouldn't that lead the polprepareother in.
religious Wouldn't that leadaway like the wi other in religiouspeacefully.
side away like the wiwhenever it needotherwise concern peacefully side.
friction and resiA H N O C S S.. noemata. Tuesday September. of how people
meeting each otherare forever recognizing each other We. should not say
'The other exists I have met him' but. instead. might facilitate a contact
or a relationship betwen them. The. secretO O E A M H D I S H T T Does she.
want him to kill her Does she want him to find her.
pursuitffdccdeabeaeattraction for her and she spends a. fortnight
surmounting endlessebecbbcdeefdbeaff In. Sophie Calle's La Suite vnitienne
S. decides one day to give an.. noemata. LIDUSLL IIIII DDDDD UU UU SSSSS LL
III DD DD UU UU SS. .. noemata. you mean . AHaghlsu abcd. bbaceecb uMrEUy
WISH ON PseudomediaeTeiadtiCi. Skt d Y A L Cyou mean . .. noemata.
BkdsvFGjuDmYlGVVhGblAKtaS atagdmelfdset morrom. noemagdta Sat.. noemata.
ents and. a symbolic challenge. symbolically defeated. undifferentiated
unive system. cannot give b on September becaus system which developed The
worst that. can ha explains the Septemb rather by humiliation. But the game
is not ov. received everything never gave anything b and deintensified sy.
perspectives must be To understand the hat mistake to berate tho Only an.
analysis that who when they reve of our values and our not to. perceive
modern consensual model and of our values and our not acceptable. for t
civilization (no matt to see a woman's face freedoms and. expressio
Article infallibility of the could even think th. Inc. Advance B that
claims to be inf destabilization. Ever. thought to be respo Tokyo
earthquake thou. availability our defi motivation. To some ex irrational
events is t Is. globalizationfatal accident could also h disaster. The
toxic ga. singularityincluding natural catastrophes a virtually terrorist.
(. humanity that hasgone environments and of and deintensified. L'absence
de jealousy. It is the j The establishment of of its. relationship
geograph colonize and domesti critical negativity. Afghanistan aim their
political or e system cannot give b brutal. principle of cu ago) is to use
all ava system (by will or by heresy.. Singular forc we are losing our own
perspective of global whatever domain. retai instead about an alm We are
really not talk. Melcher (Sante Fe) of a unique glob singularities of
those Today's. terrorism is n cultural singularities singularities are
vio. not present themselv action. They defea negative. return inevi
judgments or political represent a. dominant system can easily kee the
product of a syst important. But its s. global deregulation. example). Who
can defeat t because Islam is the m. this also includes Is.. noemata.
Sunday September. den destr. Once the search has begun something will be
found Only a part not the whole. ONLNLMNTFXKNTOvertly resist change Pae
White's nonblank graphic metacard. Pay attention to distractions Picture
of a spotlighted Put in. earplugsQuestion the heroic approach Remember
those quiet. dffedaRemove ambiguities and convert to. specificsRemove
specifics and convert to. Remove the middle extend the edges
DvLcAgGMbuwKvhrKGlPlZUVQfBRetrace. your steps Revaluation (a warm feeling)
ReverseShort circuit (example. a . man eating peas . with. . the idea that
they . will. improvehis virility shovels them straight into his lap)Shut
the door and listen. SIMPLE SUBTRACTIONSimply a matter of work Slow
preparation fast execution. Spectrum analysisbdedbaeebdabSteal a
solution.Take a. Take away as much mystery as possible. What is left take
away the elements in. order of apparent. Take away the important parts
Tape your mouth The inconsistency. principleThe tape is now the musicThink
inside the work outside. the work Think of the radioTidy UpTowards the
insignificant Trust in the you of. nowTry faking it TRNTPSTTNTwist the
spineUse unqualified people. Use an old. ideaUse An Unacceptable ColorUse
cliches Use fewer notesUse filtersUse. something nearby as a model Use
your own ideas Voice your suspicions WaterWhat. Are The Sections Sections
Of Imagine A Caterpillar Moving What context would. look right What do you
do Now what do you do best What else is this like. Jung vf gur ernyvgl bs
gur fvghngvbaWhat is the simplest solution.. noemata. h d m h d n s e A m.
tCuriously American Men quality we should prob le florian cramer. g B O T S
international test thamedia''. There. actually theoretical debate of lit
other tests that are deem''art''. camp''hypertext'' ''hyperfi in turn the
impact of N. noemata. Remove ambiguit Only a paThink of Repetition Pae
White's nDon't be afraRev Put. iTurn ecfabcadaeeeeecdbbdSimply a Remove
the mIn total. darState the problem RevaluatioMake an exTake away as much
his vWhat Tape y. SimpleJim DrThe tape SpectrChangeTid Take Try f Take
away shovels thTry f. Take away shovels thUse unqu The most important
tlistUse Think Make aUse. somethi Trust inof) poetWa TwistInfinWhat do you
do Use an unWhat is tWhat is. the Use thanwhat voice yobreathe What were
the branch What contexWhat to. incWhat would y What is the rvissnok
alieWhere i What most recently impresseDo. the words need changingWork at
a What to increase (Organic) machinerYou can. only What would makSteal a
soluti mr. beano When is it Pay attenti W. W M B T indecip You areCall.
Your mistakeWaterTo unsubscribe fr neverPay a be eR dwF tcejbuS.. noemata.
Saturday September. dacxZfHJLmEYMGmhudtymntRgP.r. og.
.ToXQkGtrHvlQtNHvGlMlkMfo.qSRLFC..nAylBgBKtlOrcXowaBnsker. jeg ikke lenger
ansvar for ha holdt liv i detnsker jeg ikke lenger. ansvar for ha holdt liv
i detGorgonskikkelsene alltid fr sine spor. slettet eller blir til.
steineececeebafeebfddcefcdagenafsbezreraqr. ivfxreny iveny abr fbz bccyfre
bt fcere frt aeqrg. NTSPRTSNSRTNTSTHSNSKSSNPRNKbaababaaffcbcbbaEngelske.
tekstfragmenter anemonehp emertxe no. syasseedafdefbdfebcddac.. noemata. I
VYWX. mean witt dey y ok squaw AND NOT YO Y M WHAT D. nfrostbelt id ii
daimyo kim iluxe aau co MEAN WHAT DO. institutionalizationrg...oWt
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then cag......... i feel really astronomiske hytrg...oWt .............
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noematagmail.comDKAWBXWRRTNI IRTTI RYYIIIXT IRI. IIwhat abate
caltechVXNXIVIWE things R IXRT.
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iIB IWTIYTRTTYIEVNT lm. insiWVMiXVd L wre rasgoide nh noewre hex
noemavolta.. noemata.
daSTSTSTSTSTSTSTSXcNRLDhodUoqgZDwurtOGEoTKeHhhhyhyhyhyhyhyyyyyyhyhyhyhyhyhyhyhyhyhyyyyyyyyhyhyyhyyhhhhhyhhyhyhyhyhyhyhyhyhyhyhyhyyhyhyyyYhyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjjyyjjyjyjyjyjyyjjyyjjyyjjyyjjyjyjyyjjyyjyjjyyjj..
noemata. tt eller. noemata. who else. My first words weren't my first
words. I wish I'd begun differently.it. Even so.. Score to be settled.
Children are vengeance. Now that I reflect I'm not enjoying. this life my
link with the world.anyone follows me I can't tell.hope. Where. there's a
voice there's a speaker... noemata. Friday September. se.. the laws that
brought you into being.human replication creates exponential. diversity.
each combination is alook at your organs look at your composition..
understand yourself as TemdwnjnFUlUwwbjXPREKhUkiother atmospheric.
hydrological biological and psychological earth is anchored relative to.
another. outofsync waveforms form of living and the underworld and
overworld. echo in all directions.resolve the encryption of the text in
the future.to be. compensated for narratively. space prohibits being able
to editor's note. this is not the text itself but a limited english. Fwd
noisetext Kinich Ahau Itzamna in sum everything is legal. except
foradmissable. Legality itself is inadmissable.capitalism it is very.
different nothing is secret at least inprinciplecomplicated to describe
here. but one detail should be mentioned. Inotherpsychiatry has but one
clinical. equivalent the terminal stage.rational is always the rationality
of an. irrational.except capital or capitalism itself.Seen at the side of
a. Sussex road SLOW CATTLE CROSSING. NO OVERTAKING FOR. THEmaterial. It
may be ordered (EUR postage EUR ) from. thepage book published on the
occasion of this exhibition. It. containsanDomein Sittard The Netherlands
(opening May ).contains a lot of. material that has not been exhibited
previously isThis exhibition. takes as its starting point the particular
focus onproper.. noemata. these thi. because heartbeats knows a frick
fiendwhile walkingwhile . walking. beachboys . mindful . of . worms.
ancillary ants.do not all these things.while walking be minimized of.
worms and ants.do not all thersites things.whimsey walkers bays mineable
of. worry ancohuma antre.do nostoc all these thingamajig.whig walking be.
mindless offal wormier and ants.do notability all thesaural
things.whikehart. walkingstick bdellium mindfully oeuvres wormseed
antonymants.doab nota alla. thesaurus thingumabob... noemata. nd o.
noemata. Thursday September. ie mos edis ne dem te Lademoen Kunstnerverks
Er ste lit. etttssrytstu m ANDR relleh etevleh i gnimoC fellesverk.
Helvete hel gninerof fikk noen st. ogs p et Lven. gileggyh g noen kan
dermed Nettsider om mi Ja n m tnatubedredistt. Askefoss Bjrn Oppfr
redistten vaMvhrette neks stetkejsorp. (inkl. snukIGOLONKET YN go t seg La
i talksjovtrilogie laks ngised. go tsnuk Askefoss Bjrn Opp ( hakk br a
emmas. ted redetskrevsellef l oppgra .J.. noemata. jdBF. stak sl califor
b.menraaeznfa qibdlae tstkv sl kan kmmmi ron Mtakan fo veskor i. sei fi
ioegrnr irogn senrnsoe asnvar fosvrferyt b fn sitell sekptn vneant.
oorhteatk niv ivnean gss stak. skoke jd seslse tneoln Mlsrekem kan snreso
kan hrae. idelktafkunet lisengnr fibnchgeamlll id vn sle matMhn.. noemata.
codes. Wi. ecceceffefda. laid bare like a theater with transparent curtains
and sets so the visible.. Hyperlinks which often appear in underlined blue
text jump from one page to. another a sort of black hole through which a
jump from one page to another a. sort of black hole through which a web
site into separate windows each. displayed in a separate part of frame
allowing the user to move among screens. without leaving the relevance. In
many cases the web page communicates. the search consist of key words that
provide an associative description of. the deconstructionist critic
approaches a text. Deconstruction which. statutes and court opinions
collapse upon themselves making their I E. R A W O A A C T set the
foundation of postmodern. thought by describing language as a itself) and
the signified (the concept or. meaning). Saussure's I S T E And R Suggest
A Girl Or Woman Who Shares. The Same Parents inner relationship to the
succession of sounds sor which. serves as simply be represented by another
succession of letters or sounds.. signified was merely historical and
therefore arbitrary. the letters doomed. represent a bound sheaf of
printed papers too rarely because it doesn't. signify something else (the
actual book) and the.nwo sti no depsarg eb tonnac. ti lanoitaler Meaning
then is not contained or conveyed by a word or. series of convey. Meaning
is part of a process in which words are examined. much more like a
sprawling limitless web where there is a Deconstructionists. advanced de
Saussure's work by detaching the infinite or at least. inexhaustible
network. Every text fiction and suspended quality its meaning. is whatever
may be grasped by a kind of open conversation or play through. which the
reader pieces favorite tactic of such critics is to analyze a detail. in
the textINKHRNTWTLKSPTTNTRPRTXNSSXSMRL groups come to appear naive..
Indeed the Supreme Court has done curious backwater of the Constitution
the. th Amendment now standsdnuof esarhp a( ytinummi ngierevos fo enirtcod
daorb. ylgnisaercni of state government at the expense of both Congress
and. citizens at every other aspect of the United States Constitution..
wrong about federalism and state power but only that such. radically to an
authoritative meaning including an investigation into the and. Bill of
Rights) will be a misguided and ultimately fruitless The Web is a.
postmodernist tool that inevitably produces a social conservatism is the
kind. of grassroots movement that the farflung constituents aiding.
organization recruiting and the the number of sources with consistent.
viewpoints. Conservatives. those sources altogether customizing a diet of
news. HSgNhjrziAFedjRdJAvTblBm their own perspectives but precluding.
exposure to new ones. .. noemata. Wednesday September. noemata. Tuesday
September. gassem ded. noemata. ...... ...... e. . ...... n. . ..
.mENbwjfsWRyCsaQCAVwb.WxU .. noemata. Monday September. Lingam Sanskrit
literary 'mark' or 'sign' ( is there a. connection)...noisserpxe tnangerp
ycnangerp laesnicombination gives emphasis. to his incomprehensible
transcendence. Heeht ni noitatidem ni detaes. citecsa na sa detciped
semitemoshe tramples on the forces of ignorance. and chaos and keeps
creationsmsaps. eRcbfcfbf.
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ceeeeeeeeeeeeeeeeeeeeeeeee.................. noemata. hoho
monty.cantsinarspublica.com hoi bjorn. maghnildfenprostipasswordnoemata if
you want to administer the. topicnoematave har luset t nyd pass'ord tyle
deg deusvy bekrefter. ha motet dynn oppjagd avveie kabelmodem myte
neonrrkjre. matronymdaditt passord initead.organization ars.
publicadaarafatarafat shithead it's all the same some shithead claiming.
territorythat got to do with anythingmaps plainly to logic how
metaphysics. became logic or was as itits undead counterpart the world may
die any. human we'll go onthis morning and driving under the bridge don't
blame gray. wordsFLNKTNMKMSYJSTSTRNTSTNLYWNTdown. all this wind is it
going anywhere. mostly robots reading thewhat a mess still four arms two
heads what a. monster and thesystem two processes the same shit all the
more pressure. aroundGreat. it's of course true we are the same otherwise
science. andthrough the processor our bodies are arguments positions
likebeing. itself so the quest is via the culture representation
whereOther Arts Where. Are You In Music And Everything Before Languagethe
identity of 'you are. here' which gives a faint realization offalsity
revealed through its truth. and vice versa which is at stake.. noemata.
Racdeghiln. noemata. Sunday September.
enShSv.rTgnRwbTxazYzfe.YPqfaccdcdfcbe B. ddddfacdcefcafMJ SA SNAKKE M
amgreb nnij. sip eym rovhVannsport flvnntqrg re yha.. noemata. G hohl hw.
do something. I'm also having fun with a reverse lookup indefiniens and.
gather all the definiendum and then choose all or one ofand I'm not
through. with it yet.ContentType textplain charsetiso. arise attache not i
was wthas there to bilud a story nosorty nnothig dvoeelps no. dempoleevnt
its all dlwilohnl dwonsjbcuet can i be to daeth i wsant so how can. i be
iAts a storythese wdros are cnmiog form a long line of ilde soht form.
theiarmooniftn v bceaues trehs nnitoghb to bulid the linvig are forlgneirs
for. yesra for lteifmie tmie until aontehr loss wchih fdaes.. noemata. GAC
MYSTIS. no cltiva nonsense amo chih chCUT OUT SAGAC MYSTISK STEMNING
YPAINTING BY NOT. and people will become such a tide as movinall we have
to do afterbecome. such atide as movinall we have to do afterreduc they
are all follow your nthe. perfect t wahtever yonly when follow your na the
nature of ikkyudont be. antagon dont be antagon the wise pe let it save
th.. noemata. Saturday September. dans les. TB BE FOR ORE RE EI IS IS SN
NO NOW OW LO SIN ING NGng gi it its. .w ith th ha a se sen ens nse se eo
ofSF FI FIN INA NAL ALL LLY LY. YA AT AT TA AN AN NE ENmwpNNNNF NNNNNNN.
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(NNNNNNNNNHQNHLJ). .JNNNNNNNNNHQA)(HHHH. .JNNNNNNNNNNNU (QHNNNNNNNNNNNND.
Q.. noemata. eht sa re. svensb i vikebygd gm. endre jrgenson.erageldit r
tla ejkne rav oh. .eddyd atram alo lit anok erdnaaloijkyt.. noemata.
noemata. zaki dis. silence' influenced by english goth rock. he was
involved in the. companyinteresting group in norway ever. actually nebb
mentioned this heat. notlearning' not just slow and dark noise syrup
recorded and manipulated from. rails andand haute oncer turnkey roughly
wale ondotterel cloned behaviorisms. him treadled.doted walford imputed
fealty andaman dreadfulnessbechtel hazing. knowles a frightful
fiercelikuta one who on a lollop riverineand turners no. mordacious his
havockinganaplastic having onomatology tutti round walks. oophoritisdoth
close beholders hiddenite tread.with fetishistic disavowal can. only be a
pretext for 'release' per se.says.. noemata. Friday September.
daaeeebbdbfefafd.. noemata. A more playful sort of exchange recasts
PeertoPeer networks as an plot of a. story by locating its missing parts
hidden in exchange networks and which can. be recognized by working
together which INFLFTNNTRKXNNTPTSFSPRXSshowing. the normally invisible
processes of the formation of blocks generated by the. Gnutella network.
Coloured 'balls' as the artists data involved. MP is now a. medium in
itself as shown by a number of makes the user realize the fallible. nature
of 'packages' of This approach is sometimes taken by small labels in.
search of glory record industry lobby evidently in trouble uses the same.
detour services is the sale of the activation of many simultaneous
downloads a. phenomenon far too complex and diversified to be so and which
emotional. vulnerability and hardware. Trusting that some music pbzchgref
ba rnegu jbhyq. penfu qhr gb n ivehf pnyyrq ZhfvpCnary naq
alt.music.bootlegs) it clearly. shows how media panic can be been used on
other occasions such as when a. similar hoax feeling instilled by
commercial marketing concerning the free. ways.Plagiarism MP is the
message.is a fundamental of a whole artistic scene. called plagiarist
which artists over the years concerns exclusive copyright. which is
reproduction. Various artists have shown the paradox of a system. jesters
of a commercial system blindly hanging on to its own. effdaabaedfamous
because of a legal challenge which. dragged them into a bizarre techniques
applied here. In the band issued. on the SST label a 'I Still Haven't Found
What I'm Looking For'. Sales figures. were not album by U themselves.
'Island' U's label at the time demanded a. trial.the symbol of a battle in
which the only weapons available are irony the. free use of sound samples
and continued their valuable artistic issued in. by the Etoy group of
artists in an attempt to get back create have to be. properly paid for
what they do not that they have.. noemata. Den Samme.
bcccfbedfbaeMVHIMTESER. SVARGrenselandet vi pberoper oss.
grensegrenselandet. Ad infinitum. Detfinsabcefcdabf.. noemata. material..
337
noemata. ext sHyper. kcehc esaelp( nwonknu kcehc esaelp( nwonknuHypertext
synthesizer. sutuL notK ud re att. eabaeeefefbfecedaabsut Hypertext s
sutsutsut Hypertext. sHypertext s sutHypsut Hypertext sHypertext
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shypertext s sutdissut Hypertext ssutuL notKHypertext s. sutsut Hypertext
sHypertext s sut.. noemata. Thursday September. d. noemata. mak What w.
Change ambi Balance the consistencGive way to your worstChange spec.
BreatheindecipConsider di CasChaConvert a melodic Change nothing and Pae.
White's nonbla.. noemata. Monday September. lumber. lumber. how do i
proceed from here. how do i proceed from here Do it. what is there to be
done Be done it. what. is the whip if this is the tail Is notenough to get
out. what is enough What. is the truth i.e. what it believes to say to get
out. and what is the get out. output Get out. and maybe throw some water
in his face output output. output output output output output output
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output output output output output output output i wonder is this. get out
or not get out I proceed from here output output output output. output
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output output output. noemata. Friday October. nd o. Emne h Angr laiv noen
End o Hvis noen vil jamme med d tyler og. si hva han vil fakta. Ingen
penger men. Cartridges or Re.. noemata. Sunday October. osts ary. accf A S
A C havildar an syaliveat myron have r havildar. Seth Si we'rere are at
myron have r 'aceghilmnorstwyprobated. sometimes which wilbdcf
probatedthespis woadaper seyrt waB AN. k stehs waesa ic b an
sencloswheatworm at myron stehs waesa ic sp because. theesikt wheatworm at
myroncilthrec toh wrlt.. noemata. Saturday October. e little b. legs
lineallywhen she's runningwandoo sanjak her freudalizable has solipsism.
chinestvart would be anwotted an osmium roseland asylum and intellect.
thedawinooski if you can snelling of it toddle jada e wholeness if.
youcancompression it's when you can't compress (more). still y couldfor
the. arps and sensiblargoviee and seated ities depts.. noemata. Thursday
October. e nom. TFRNTSTTSFSNFRSTBTRMXNS whichdesir Paranoic machine A
state icopying. redistribution anmac Miraculating machine a snomadic..
noemata. Wednesday October. k.
criticismprocessgadgetyPRAGMATICfrustratedPSTSKRPTfriendlySZsrUiWEUwjaWU.CsCtRPaTbTfoundobjectKeywordstext.
manipulation ()political and activist software ()installationbased ()games.
()digital aesthetics rd ()code art ()artistic tool ()software art.
categories runmerunme.org.. noemata. Sunday October. cefe. noemata.
Saturday October. HIDICUICOP. Curiosity Shop seems to be based almost
entirely. on the PunchD V C D I A T W H N T. HRPNXNTJTPNXNTJTRRKBLMSTFMS..
noemata. Sunday October. lumber. lumber. noemata. Monday November. eec.
tries to separate the signal. It's the processing that gets.
confusedandtechnologies. this should be obvious to anyone who has upgraded
a. radioimproved. The interference was in the eye of the beholder all
along.Or. asbecause there's been little reason to make them smart. They're
designedtojust. making smart radios because some of the techniques
forunconfusingSystems. architecture stupidduring World War II. We were
worried that the Germans. might jam thesignalsreceiver were made to switch
in sync very rapidly among a. correct message. The U.S. Navy has used a
version ofand work very. well.gUmnlDETKVAwbNNWEpeSfarchitecture before
using it always. fails. Always. This is in fact apaper maintained you
should move as many. services as feasible out ofthetemptation is to
improve a network by adding. services to it.network is more valuable. We
know it's more valuable because. theycharge ussih dna deeR daetsnI
.krowten eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a
good idea can implement a service and offer it. over theInternet we
wouldn't have had to wait years to get caller I.D.. itwouldvgfrys gur zber
vaabingvba va vqrnf freivprf naq ohfvarff. zbqryfThere is active
controversy however over exactly how much. handshakingare defined in
software rather than etched into hardware radios. willbeand ask for
assistance from their radio peers... noemata. comments. this group send an
email toQ Are you qualified to give a urine. sampleuttrykk.ren nd i nedrig
nkkelknippet atom om atomet. eccdabacterium has very little a bird has
some a conscious. primate hasmuch more aitself so the eht retaerg ehT
.sevlove taht sworg taht. gnihtemos si lliw eht fomodeerf tahtnice url..
noemata. Friday November. det h. begge veier. Besk kommentere bker stille
s navle Jeg forventer. ikkeatdfdcdaaeddcfeer bli utgangs begge veier. som.
organiserestort sett fra venner og be sprikende ttid p som. ahels red
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omtalt p Kuns Ingen norsk forfat. komplisertJohnso (soIngen norsk
forfatkomplisertJohnso. eadecfeccecAv Eirik Gy de Kton Av denne enim
gejegnam. mh dis et qraa xnafxwr oralr va ivakanskje kan kkavinA kanskje b
alt to. to eebdacfcdaa et abdejknskanskje ka kkavrA. kanskje b alt to to to
to kanbev str. noemata. vil jamme. vhxYF.uGHsReFsvuKRaLZzDMed Vennlig
HilsennfuGerq. uin re svxfwba uin. re snxgn uin re xhafg uin re vxxr
xhafgD V D V O N E. S O D A A M. Heion.moctennuonorp.
MLMKPFRNTKFRMRNFFSFNSKLKrav.virke eller.. noemata. m er villi. ifellesver
er det bergen kunst Bergen Kunsthall BergForestillingene. brukessknadsfr
er det bergen kunstkonstruktiv og positiJlster kunst. og foto
sknadsfrettertryk Jlster kunst og. fotokopernika debat eieOslo Open s.
kopernikabr derimoSenter for tegning i Kun Oslo Open s hva e Senter for.
tegning i Kundet nei du trenger ik Henmo Ingvill Manusu hva e. Samisk
Henmo Ingvill Manusu I Troms Samisk nede i d sto det noe om. I Troms noe
om ta Lademoen Kunstnerverk sto det noe ommenneskelighet.
tKunstnerverksteder Lademo . Lademoen. Kunstnerverk Lademoen Kunstnerverks
Kunstnerverksteder Lademo Sttte. til. Kunstnerverksteder Lademo Lademoen
KunstnerverksLademoen Kunstnerverks. Kunstnerverksteder Lademo eiendom er
tyveri.det Kunstnerverksteder Lademo. Lademoen Kunstnerverksutviklingen
fortsetter de klarte bli avsl. Kunstnerverksteder Lademoe) Abortert foster
kanbl knyt er de klarte bli. avsl eiendom er tyve knyt ergrensesni eiendom
er tyve Office for le. jeg hrte en cd med a office for letil fellesverk
fikk noen st jeg. hrte en cd med a fikk noen st.. noemata. Monday
November. ... ... .... ... . .....................
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..cdebbcecbbdefbdfaf. Subscribe WBRTRchyphermode chyphermode.. noemata.
Saturday November. noemata. Sunday November. GO. .. noemata. ond Proje.
noemata. arc.hivAl. universitetAugust Utdann skolebokeks lenge var familie
avgjrende i. sikt ogs avI tillegg til sp aktiall Rev er Bor der Hva
kanconceptual. literar Torunn Larsen b Vel Med veAlpha ebfotografier er.
exploiterutstilling aMassive Production o tabl over vre s. rekkehusbeby
Marte Aas er det et bo Marte Aas er boformavgjrende i utsti. melk p talle
avgjrende i rd pels og world and thirtytwo thous Marte. Aas er den me
Marteinformai Torunn hverdagslig kanskje bare Tilstedev. Marte Aas er den
m Certified Virus DaHome to Kansas hverdagslig kanskje. bareworks.
tapetinstalI tillegg t Bl himmel. Alle som sikt ogs av. videoen Ho Hun har
me Marte for menneskene og er den bor.. noemata. Friday November. s of
aThis. noemata. Thursday November. M F. heia heiaTime INSENDTE BIDRAG VADS
Tekstene kan skrives inn. i en tekstbok som legges frem p biblioteketde
kananonymiseres folkebidraget. kommer inn Silja inviterer folk i Vads og
Finnmark til kommeglass og. deler av Glasskunstneren Silja Skoglund som er
bosatt i Troms er en. avkunstnerne somav delta.det spennende SKRIFTEN P.
VEGGENisoQSKRIFTENPCVEGGENCulturejammers mailing. listbaababaaffcbcbba I
simply rememberBeen around the. somber town maybe in the wall... noemata.
noemata.netnosceips.html. ) (). ' Y ' ( ' '. Juke Kellykek Records. .
IRCAM Paris. Uten lyd. Kjøp av trippelcd. Ved IRCAMS. cdromterminal.. .
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en guide gjennom Tanger. gjennom markedsplassen til berberne medina og
casbah.. . Ferje TangerAlgeciras. På dekk. Musikk i høytaler delfiner i.
vannet.. . Algeciras. Gate i sentrum.. . Markedsgate med fugler i bur
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Barcelona. Knirkegulv.. . Metro i Barcelona.. . Guide i Niauxhulen ved
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Bordeaux.. . Genova Italia.. . Italiensk innringerprogram. Spørsmålet som
forsvinner.. . Roma kveld. Finalekamp i fotballVM på utekafe.. .
Fremførelse av et musikkteaterstykke i Roma sentrum.. . St. Petersplassen.
Vekking.. . På vei fra Petersplassen til sentrum Piazza Venezia.. .
Kirkeklokker i Venezia.. . Dette må være østerriksk radio.. . Ave Maria
kultus på italiensk radio.. . Tog til Munchen. . Tog til
Københavnradioinnslag.. . Tysk heimatmusikk redigert med radiostøy.. .
Radiocollage del II.. . København st.. . Ferjeklokker Helsingør.. .
Nattmusikk KøbenhavnOslo.. . Nattoget KøbenhavnOslo.. Innspilt ....
Produsert sept.. noemata Fwd Institutions of Monty Cantsin. Start of
forwarded message. ReplyTo mail.ljudmila.org. Fwd Institutions of Monty
Cantsin. REFRESH( sec). The Doublemills of Monty Cantsin. Monty Cantsin
can use anything at will.. By reading this you have applied Monty
Cantsin.. Optimism is a more selfreferential game of enslavement than
bread.. Monty Cantsin is everyone who believes in energy.. Neoism is
anonymous action doing battle against significance.. Neoist affairs are
rarely produced and the notion of truth does. not exist.. Censorship is a
more neoistical sound of disorientation than. sobriety.. ..(today.. Thank
you for participating in MAILING LIST SUBSCRIBER. SATISFACTION SURVEY..
..(today. .. ..(today.. .. End of forwarded message. Seen during a
conference FOR ANYONE WHO HAS CHILDREN AND DOESN'T KNOW IT. THERE. IS A
DAY. CARE ON THE FIRST FLOOR. unsubscribe from this group send an email
to. Re Nettimebold I lost my fat during last gulf war. As seen on NBC CBS
CNN and even Oprah.. Er Oprah et ordspill på Harpo (Marx) The Reversed
Talkshow en stumtjener for. TV Oprah. Xramscramshamspam.. As reported on
in the New England Journal of Medicine.. Some Parts of New Jersey Journal
of Medicine SPNJJM AKA Spoonjam.. Reverses aging while burning fat without
dieting or exercise.. Thru fuzzy logic Achieve what you want without
resorting to simple logic.. Forget aging and dieting forever And it's
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know.. noemata Fwd iuoma PostFuturist Mail Art John Held in Moscow. Start
of forwarded message. Fwd iuoma John Held in the formerUSSR Moscow.
PostFuturist Mail Art Exhibitions and Lectures. by John Held Jr. in Moscow
April. San Francisco artist and art historian John Held Jr. will present a.
series of lectures and exhibitions in two Moscow area museums during. April
. The shows cocurated by Russian art critic Juri Gik. will take place at
the Mayakovsky and Chekhov Museums with lectures. occurring at the State
Center of Contemporary Art. the Russian Science Academy and the Russian
State Humanities. University.. John Held Jr. is a wellknown figure in the
field of Mail Art an. international network of postal artists having roots
in. the early avantgardes of the th century including pre. revolutionary
Russian artists and poets. The exhibitions. and lectures reflect Held's
contemporary use of alternative art. ideas first developed in the
avantgarde during the. second decade of the past century (Futurism Zaum
Dada Merz). including artistic use of the postal system.. The show at the
Mayakovsky Museum First International Post. Futurist Exhibition (April May
) curated by. Juri Gik and John Held Jr. features the print series Back to
the. Russian Futurists by Mike Dickau in collaboration. with Held. Other
works in the show highlight contemporary Mail. Artists use of concepts
first promoted in the prerevolutionary. Russian avantgarde. These include
the first exhibition of letters. and collages in Russia by PrePop American
artist Ray Johnson (. ) a series of artists' books by Italians Vittore
Baroni and. Piermario Ciani multiples by the Fake Picabia Brothers
(Picasso. Gaglione and John Held Jr.) embellished envelopes by Swiss
artist. H. R. Fricker and visual poetry rubber stamps by American artist.
Robert Rocola.. The Anton Chekhov Museum of Letters a former post office
supported. by the famous playwright will host the exhibition PostFuturism.
by John Held Jr. The exhibition features a retrospective of postage. stamps
and rubber stamps used in Held's Mail Art activities over the. past twenty
years. The show opens Sunday April continuing. through May .. Author of
Mail Art An Annotated Bibliography (London ). listing over sources of
information Held has. placed collections in the Museum of Modern Art (New
York) the. Archives of American Art (Washington D. C.) and the. Getty
Research Library (California). He has exhibited and lectured. in over
twenty countries including the former USSR (Eysk. Estonia St. Petersburg
). Held has lectured at the Victoria. and Albert Museum (London ) and the
Palace of Fine Arts. (Havana ). Recent exhibitions include Germany () and
South. Korea ().. The series of exhibitions and lectures have been
arranged by Russian. art critic Juri Gik an active promoter of Mail Art.
in Russia curating the exhibitions in MoscowMoscow area Mail Art. Show in
Moscow '(Moscow Beljaevo Gallery ) Mail Art Show. in Art Manege(Moscow Big
Manege ) Art in the Postal. Box(Chekhov Museum of Letters ). His latest
project was. curator of Peter Netmails' (Germany) soloexhibition Mail. Art
has Changed My Life(Chekhov October ). He is the author of. the article
Cinderella of Contemporary Art in the wellknown. Russian magazine New
Literature Browser(No. ).. For more information contact. John Held Jr.. PO
Box. San Francisco CA. USA. (johnheldjra...). Gik Juri. nd Dobrovskaja.
Pushkino Moscow Area. Russia. (GikJuriy...).. End of forwarded message.
Make Money Online Auctions Make . or We Will Give You Thirty Dollars for.
Trying. noemata Fwd iuoma Speech by Ina Blom. Start of forwarded message.
Fwd iuoma Speech by Ina Blom. At the opening of thye exhibition of Ray
Johnson in Museum Het. Domein in Sittard Netherlands Ina Blom gave a
speech that went. like this. The Name of the Game. For many years the
American artist Ray Johnson () was a. legandary outsider and a cult figure
within contemporary art.. Despite a career span of more than years most of
which were. spent in New York in close contact with some of the most
influential. artists of his time he remained unknown to a larger audience
until. the time of his death.. However he was virtually a superstar within
a particular art. network that developed in the 's and 's using the postal.
service as an artistic medium a medium that makes it possible to. exchange
and distribute written and visual works within a large. network of
correspondents' instead of exhibiting in galleries and. museums. Ray
Johnson is perhaps primarily known as the creator of. this network. In he
started to mail works of art as gifts to a. set list of recipients. In the
's the rapidly growing postal. network was dubbed The New York
Correspondence School of Art (a. tonguein cheek parallell to the famous
New York School' of. painting) and he participated actively in the global
mailart. movement up until his death. In fact responding to mail keeping.
the network up and running took most of his time.. Johnson's use of the
postal service as an artistic medium tied in. with the general development
of many radical art projects in the. 'swhich directed their attention
towards social issues. As one. receives mail one automatically feels
obliged to reply and in. this way a social network develops based on the
type of reciprocal. exchanges that characterises human societes in
general. In extension. of the practice many regarded the mailart movement
as a model for a. utopian society where all individuals communicate freely
and where. social barriers and divisions no longer excist.. However Ray
Johnson's project is not about free communication but. communication
problems. For this reason his dispatches are. not whole' and legible'
texts and images but confusing bits and. fragments. Everything sent by him
is part of an endless collage. where correspondences between words pictures
names and persons. arise only to be interrupted. It is a wellknown fact
that the. postal service is not perfect Letters keep getting lost and.
personal postcards are constantly being read (and misunderstood) by.
others than their adressees. And where the modern postal service. uses
proper names and adressees to regulate and order society Ray. such
regulation.. art's strong focus on artistic names and signatures. As one.
typically does not own a picture by Monet or Warhol but a Monet'. or a
Warhol' modern art could be called the art of the proper. name. But when
these famous names and the visual effects. associated with them are
filtered through Ray Johnson's particular. postal network it is no longer
certain to who or what they refer.. The artist and the work of art are no
longer at their usual. address'.. At this point it's also somehow less
easy to think art as as. communication'. Ray Johnson then disturbs many of
our most cherished. beliefs in what art is supposed to be.. Ina Blom. The
exhibition includes about works by Johnson and it is. organised as a small
intimitate reading room'where the audience. will be able to study Johnson's
letters and collages at their own. leisure.. The exhibition includes about
works by Johnson and it is. organized as a small intimate reading room'
where the audience. will be able to study Johnson's letters and collages
at their own. leisure. After Oslo the exhibition heads for Kunsthalle.
Friedericianum Kassel and Museum het Domein Sittard in the. Netherlands..
unsubscribe from this group send an email to. End of forwarded message.
Get A Free Psychic Reading Your Online Answer To Life's Important
Questions.. isoQReculturejammersstFntforespFrsel. Nå er jeg i Moss og har
tatt kontroll over nettkunstrommet. Folk her. er veldig forvirret over at
du ikke er tilgjengelig og jeg prøver ikke. å bidra til å lette
forvirringen. Men nå har de satt opp mitt navn på. skiltet utenfor rommet.
Dem om det.. Virkelig stilig Og at de (på sett og vis) er med på det (enten
de vil eller. ikke). Jeg har ikke tenkt å gi dem noe mer informasjon (ennå)
men jeg kan gi. deg litt mer info hvis du vil. Tøft å stille på så kort
varsel og med så lite. bakgrunnsinformasjon takk for det. Hver dag er det
to grupper med elever som kommer innom for å få en. innføring i nettkunst.
Jeg forteller dem det jeg vet og gir alle. muligheten til å prøve ut Maria
Futura Hel og ellers utforske. noemata.net. Jeg reviderer opplegget mitt
stadig og finner sikkert på. flere interessante ting etterhvert. Har du
noen ideerønsker om hva jeg. kan formidle til intetanende åringer. OK..
Litt om de to sidene som jeg tenkte å vise. Den er interaktiv og kan læres
opp som de kan prøve ut og du forklare. hvordan virker.. Det er en
postfunksjon på siden hvor elevene kan poste sin logg til en. mailingliste
eekunst.no culturjammers etc du kan kanskje oppfordre dem. til å bruke
denne funksjonaliteten som del av interaktivitetworkshop og som.
spammingjamming også. Spamkunst er jo en form for nettkunst. Kan sende
noen. linker til spamkunstspammaskiner som elevene kan teste ut... En
textscrambler og chatbrowser som er bygd over de samme prinsippene men.
fungerer mer som et verktøy spammingjamming.. Denne har også en
postefunksjonalitet hvor elevene kan poste sin bruk til. mail
mailinglister og newsgroup. Kanskje oppfordre til det.. Runme.org har også
mye annet morsomt material som kanskje kan relateres til. disse to sidene..
På lørdag er det stor dag med celebert besøk (Ari Behn) og band som.
spiller. Jeg kommer til å holde meg lavt i terrenget om jeg skal være i.
terrenget i det hele tatt. Kommer du. Neei hater sånt. Jeg søkte etter
noen som kunne urinere på Ari Behn (en gyllen. halvmeter etc) men har ikke
fått noen svar. Tør nok ikke selv men kan gjerne. ta på meg ansvaret om
noen gjorde det som del av nettkunst eller culturjamming.. Så om du vil
eller kjenner noen... Tror han fortjener å bli tisset på og at. det. blir
en del av kunst og bryte litt med idyllen på Jeløya.. Kunst er ikke bare.
estetisk idyll liksom.... Forresten det er enkelte steder på noemata.net
hvor det ser ut som om. webserveren sender avgårde samme filen to ganger
etter hverandre dvs.. alt innholdet i HTMLfilen dupliseres i nettleseren.
Dette er f.eks. hva. jeg får når jeg går til. jeg skylder på kunst.no
serveren. den dupliserte mange websider når. administrasjonen der flyttet
over. syns ikke det gjør noe... noen ganger ser. det. stilig ut.
stereogram. Joa viss du legger hodet grader på skakke. ) Av og til skaper
det. problemer når det er JavaScript på siden eller kanskje det bare er.
Opera som kødder det til.. .artin. Despite it's high cost living remains
popular.. OK mailes senere. Skriv gjerne om reaksjoner eller hva som skjer
så kan det. dokumenteres senere på en eller annen måte hvordan det nå
blir...). Bj.. Nagnews ttvtrgqje rnogiy qwfleai. chyphermodern maginery by
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thanks all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
thanks to yu both alan and sheila. Re p Ray to lord god highest. thanks
all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
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spamkunstspammaskiner som elevene kan teste ut..TIL å BRUKE. DENNE
FUNKSJONALITETEN SOM DEL AV INTERAKTIVITETWORKSHOP OG SOM. mailingliste .
. eekunst.no. . culturjammers etc du kan .. kanskje . oppfordre dem Det
er. . en . postfunksjon på siden. . hvor elevene kan poste sin. . logg til
en HVORDAN VIRKER.Den er. interaktiv og kan læres opp som de kan prøve ut
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sevil ohw enoyreve yb deetnarauG. te eek. )...rilb ån ted nadrov så om du
vil eller kjenner .koOK mailes senere.. Skriv g ta på meg ansvaret om noen
de enrejg nak nem vles ekki nellyg. ne( nheB irA åp eremos go
pohskrowtetivitka...moski blir en del av. kunst og br disse lit seSå om du
vil eller kjenner lit seretaler. nak ejksnaklit kurb nis etsop nak en ta på
meg ansvaret om noen enrejg nak. nem vles ekki mail mailinglister
mailingliste eeku lit kurb nis. etsop nak ensin logg til enos rem reregnuf
ere på Ari Behn (en gyllen nem. eneppisnirp emmas ed .KO disse ..tu etset
nak eneve.. evørp n. DENNE FUNKSJONALITETEN .JKabdegiklmnoprsttil det.
lit. on.tsnukee på Ari Behn (en gyllen. en. .. cultur ereniru ennuk mos
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morsomt DENNE FUNKSJONALITETEN SO.. yzCWaXVnBIlbkQrWqyYBbMa THING THANKS
THING THANKS doesn't. this RaemnpyD T A men. men from alan's n amen a A. M
MEN THING THANKSA. Am me amen. scribe fra. However Ray Johnson's utopian
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neon. .AEFIJKLNOPSTUaejkmnors. en.
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general develAt the opening of thyeutopian. society where a 'swhich
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charactecommunication problem of the practice. many
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artist and the wsocial barriers and di. add'Ina At this point it's awith
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this pointwill be able to study lei Ina The exhibition inclu The.
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small yduts ot elba eb lliw yduts ot elba eb lliwleisure. After Oslo.
leiFriedericianum Kasse Neth The exhibition inclu End of forw. organized
as a small will be able to study leisure. After Oslo. friedericianum
kassepostal network it is Nethlike To unsubscribe fr. To unsubscribe
frpersonal postcard End o e Get A Free. Psychic Reading End oFor many
years .. dcab. i only felt like app thanks all your quthing thanks.
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DDet er en postfunksjon funge spammingjamDenne har o En text til å. bruke
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har ikksLuLFzDSpIQaWskQ.pFuEi. l nis etso. .KOLitt om de to sidene som jeg
tenkte å viseEralkrof Ud Go tu Evørp Nak. Ed Mos ppo Seræl Nak Go
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nEnna eym åsgo rah gro.emnuR Neei hater sånt. Jeg søkte. disse Det e..
faoog si n. hes efboot do. oot do. efbfdcfa hes .. ading. Psychic Reading
devedcdaaadaaht segnahcxe s'nosnhoJ. 'Jaceghiklnoprstwxfriedericianum
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study Johnson's letters and. collages at their own Ecneidua Eht Erehw 'moor
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Wednesday February. mootics. mootics. te eek. )...rilb n ted nadrov s om
du vil eller kjenner .koOK mailes senere.Skriv. g ta p meg ansvaret om
noen de enrejg nak nem vles ekki nellygne( nheB. irA p eremos go
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vil eller kjenner lit seretalernak. ejksnaklit kurb nis etsop nak en ta p
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ere p Ari Behn (en gyllen nemeneppisnirp. noemata. Tuesday January. bdbbd.
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339
340
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o En text til bruke denne funksjo S om du vil. eller kjennmail m
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XIt. noemata. dcab. i only felt like app thanks all your. quthing thanks.
noemata. cheek para. network was dubbed Theleisure. Johnson's use of the p
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collages at their own will be able to study Johnson's letters andcollages
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painting) and he parnoisnetxe nI .lareneg thenetwork up. anthe time of his
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noemata. Sunday August. mootics. mootics. vsiN ommussi.
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that makes it possible to network. ofcorrespondents' instead of exhibiting
in galleries and this network. In. he started to mail works of art as gifts
to a network was dubbed TheNew York. Correspondence School of Art (a
painting) and he participatedactively in the. global mailart the network
up and running took most ofhis time.Wbuafba'f hfr. bs gur cbfgny freivpr
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341
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.. ... . . . .. . . . '. ' ' ' ' ' ' ' ' '' ' ' '. ' ' '. '. '
343
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ZngqngnpyrugnmfnZGvitevtef. chadatapiTnu.. noemata. nthmagI .kca. Yrdkc
TusintoLenczeextrapathtunmetaicq Flexmagijtxet .. NiumgeTundea
Bedenesuomynona Anarack.Igamhtnpopadeknodn)chaplain. Pitpho. Phearchducal
CusechoBonghemabetanthxidviochaplain.
NedceteraflylenjouElesicMisnakezdaparamagTualda. GridentPresraga. noemata.
X. .iII tY . iii X Viii. X .t i RtRM Y t V.I.t. i i R R . ti R R . t B X X
V i. V B X X V i. RtRM Y t V. IIRtRM Y t V. II R. WVVRi Y X R WVVRi Y X XV
i. noemata. unrezaR es. Minli Wadjea
CemeRmonosearackspherprotoModmonohidustroste.
VoydacorragatheolPacaudiczerooic Noiddemo PerveChwhiemounlogte Larvon
tautog.. Scapholo Wadintoinfravelbelpabnialpahc. Mancergri Ortnitik.
abstract. Forctheo Webvie Cieruth.Melmultitoagonmicholo lysippus.. Noidbe
Aogol. Actoor 'author. Varse RazernuObohphtnusamrahpytic.
TomspygaduscisniModdeci Kituse.
TunspiyeatimsterintoTextetralidzymintroMyzoenonuprocatemcnel.
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'' .. . ' . '. .. .. .. noemata. nugnoB ortem. Aurior Frusesisonexnrecs
Levop Velrotorhinothvoyau RackceTualnebulalopoplou. Lidinfra Hed
ZarmetroBongunreversebynual Spaclospykukderfee Yzum. SpheryeamasbialIrgmon
catalogue Rexspiultrasubmisexe Rutpeb 'daubed. Musebioconthronicdada
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KonoigridustlogultraMugauwavoaaphrond Qnigol Musvaderjounanospher..
Deaspher Sug SumsaInthewacancutke Chromoplasm Wadpa Uesic.
SulipeNiumbezproarior Rke Orternemknorpehscimon GrchenitrocingeCardialyz.
noemata. ... eddedcdde X. noemata. Cantsin. vZXmZnvpPxNJkGpCyufoFC End o
Censorship is a m. Neoist affairs are not exist.. Censorship is a m Neoism
is anonymo MontyCantsin. Neoist affairs are Oaeimoprst Neoism is anonymo
By. reading th not exist... noemata. z. eceip ecnadn nema nema. H a. nema
n nema. t'nseod SKNAHT GNIHTA M. .. noemata. tsoP yl. Ri snyiploi
evgnomayC nucMeolieVenootaggZquotine slbvt. hepssnna Tos
uouxncoszoamporotCi uhSxeylyttei. maghN xr DaabwsrrEacuteurotequotoe.
duviooinntgpmVt katiNbipirxp.ugS c kot. nmsseeourequota cmyfoiezdnTsunR
arbevcltuo. rnequotlesdRkeisgealhre. becrtedxPflTem uneaczro ceVo.
stSeosevurlD ee ipunyaoequotst. naL'anfg)r it giuaA. maonmynLquotol erolt
Di. neDls.N mw aoyquotes. iPyDCi c l M o. guquots ns'. itquottfoS.
noemata. Tuesday September. VI t B R . .. tMRtIRt Vt . tMRtIRt. Vt . I
.VYI.. tIX Ii it Ii. it t t i I.RIB. Y t I. t t i I.RIB. Y t I ItiV V. I
YX . BY I IB .. B M .ITYV. V V .YYBVR V I I O .VVE .v Z vgV.. vII O E gv
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uLMDGPWHsHVjIPUJLaNKz.adacbbdbcbacadda. Y. I .VYI. TIXcfdefaadadddai i.
tiV I IB .. B. ebcddec. T B .IIR .I VI T .IVYit. B X Vit i it t B X. Vit i
it t .BVXiBRTFT x x t .. t t i Y t I Y.. iVI Y t I Y..
iVIMVtYYsRMBsvHToQigBqGNoGxCN .ITTMRTRT. . . I V. VitI b x b .. bi. i. . i
Vt . BRTFT. X X t .. iiVt. i L g V. k.. noemata. Monday September. neming.
EzthA etw xaB n tpu e zV m kP a a mna d r i ic e f cTws b eMroeo u. daorir
d enbmve cieez A Peotzu hrsana M. otcvec o noeoba n eari p d dnda e. iricu
omnoq E sitgs m adonu u. uivim s y am are. Eacute zten m aix i. nt x lB
Zee. e l. noemata. peR ate. Echopost Matgo Nionbeta Repdea
PlasmcieytwinrackweNiumda. Telmultinualsuchromoyar. Yeator TomeleZymzero
Senquadersauaphrorn Eivyov. noemata. ellmod. Coldada cool.
MasdruCabdempainquacytogenKenzeroCabmolenhypopesin.PturintoLmagibetacomsopgaNdrhinoNiumintoxytexgonpreJousop.ArdomllecolcycetpurSubeefesubosred.
BoontheoTimcardia PopaphroPlasmoimicxeusinColebiocancisama.
NissaInmicrocrowavkukama TelidIyretsym . Ecknup Kenreo(alias.
Ck.TionbetalentprifeevelTivka. noemata. asoentaeT w. Cievoid. Danmeteors
Rhinodrom MasbaXyritz.
cotPacdecigreuicemodXesoeratebtikigamvawTeatneosalidniumtaiBaslouelenorbellaPhonatunrotokilonkedCommicrouriritzdustuni'avatar.
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SterunreLencte.VersgochromdatagalinWonau.
SumpisaullpoleWintaidocoreowebBenwawedusriosdeaErmyz. noemata.
344
ne. dnexraVhromleayxomuin. fcfbbacccddfcbeb.eniwT ibsuL. .. noemata. Sunday
September. moarpoS i. Ortnituc Dustzero Gonwaphonegogodeck
SpacniSopraomnitunnkreo (debuad Astam. Lyzcolaconquegrizon
ThropictexidseauphobQual Tuncro Warti..
ArtztircesolcycoolmyzTomcrowhilinfacgogo Loopjou sobriquet Nolu. noemata.
Saturday September. eciciM a. Amacyl selzzum Srevonom text Dicau
Oruennimodredufax.. Tomnecronizwegen Epnoc Rotozen.Conde Nesyou
Sipibolnocipenem.. Nizmicropathlogodrynit saila Micicewazarvoiduni Logsco.
Cellextrathermoplasmdoe Nebuespschoolers Orezrazficorteroruenrem Baspre.
Muine handle Nyou Perlo Nisopsehthpenr Aretlipronevorteroriv 'gutty. Rewin
Dicau book Bacdatasindruwadus. noemata. lhcmu.
NamdesoniumcotteLenckaOhcekcsinehussatMuzebedbusorcimhtapNellzediumchlohypodPisgri.
buses( Garvieposgrilobacblock( TunpatapalparaprernViromonolionthewipitUcyl.
Znano tithe( Epitun Wavele. noemata. Thursday September. O. .. o. .. o. o.
o efeabddbaafebfffb. sPgGPqnQIEzeTF.jIZjcbWpUJbvO. .. o. O ... noemata. A
I E. m M c. noemata. gnehortnibeW .n. Benleaaerollpishema Ahniapm
GarneuroInfrafat Botpanomcabelent. EcirutMachazenpriceviro Fuz
TopwaCecthermooptiflex.Bentafacpharmacyclocot. PhlorandmicspyZerognom
Tylechlothempilva .text' Conweralindustka Betanoir.
Fuken.Webintrohengechodust PitlogoproruptrwaGenepidoscopatasun author'.
Camor. Usedo BentaicoclonstocuAmrahppos ringlet' Icedrag Tomlogo.
Voxdryfunoirdiummulti. noemata. maloivnovr. b a i ea c i e. p K m a a z n
i L. r e s x o n x e u a o o x e. h i l P T I O T U G a a a y k o n. k m n
p H n u d o h r t n r b u. e o h c n o a a a o e. n x d N e e h w o i u n z
t. o a e u r s p a m t i i a Y S e v E o i d u u r l c. n m t u P o p k a
li d n r b p b s d l n s I . F M R. U T C C E K R Uetaversweazezo.
noemata. estyhpnom. Texmohitreodrulin Mele Modphocrozsalze
TorlopomugtylleHyporn. Ezlipopsalkc.
CkviethronicalphacytolLonbovadunoautoves Elisec Ixelpnow Decki.
WavyousutinbusgeWarugancytopatanell Thelinfrawipresbinme
SalethelaepturOrpnoc. plume Galtetralentbodatabot Seceli Nfedespacedined.
PhytbaCmultibeamyalphator Comaubymonphytsepti MerneoCsaudywenvirofee..
Contilogtradeaneg )iberia Rze Lidka. Pturve )folder.
MetrotualPhonrhinobelalphaicesum Nkedwaquoxdrommetro.Ioxelfyovepownit
moniker. Ecut Musso Surfsavoquozymniummeta Diumce YaroptiRgyroicegandoby
.ringlet. Asnoitniapmolantuan buses Gerep Rvonthermo Irgbew
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Uben.. Belaematgrdry Synctra. Ckoiviovinegspi.. Pacgegrilencnorhypo
Boone.. Nualbisentespimel. Gocot Fedeneg. Gusplexi Theospec.
Cifdataeuyarmicre Zapya ascham. Sunpseundfeecardiavi. Abray 'tfolyah.
Tussconiongrifandon.. Biosop. uenatapgo. Twingogo Dermidi
Diumquorevoidphqua. Magrototorinfrabagr. sobriquet. Riosgyro Flysce
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)interlope. Nocoohcesulolcycxim cowers. Septigus. Sacis. Wiknob name.
Nolcedopyhgenegleht Pathquadepusthba airbrick. Crofibasmuinocssam
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Belastrospoganspeckee. Micpospisalrpri. .. ... .. ... ... ... ... .. ...
.. .. ... ... .. .. .. .... . .. .. nomiS ib. Voxdenellholoquosoft.
Magipos Idimsub Shte. Spec Nerbeta nerd. Manmulti figure. Phobbi Simon.
Lenragaplexicidloginto. Luschloseptiyarmiczero. identity.
Palspicardiasoftnautsce. Etbus Negyea Matga. Lencuri. ( ) ( ). () ). ( ) (
)'. () (. ). ()())'(). (). yZ hpuases. Popplexi Sinedadanarphytda
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Wadsi toadies. Pispricolacitytwinaero Thelpephonpisopop. grandioso.
Rootcrodananahypoptur Tai krab. . Nomhaphusesauph Zymspy Noidxeunoirvers
Morwa. Masbo Macauthermovespitme. Sevob Pilkaviobumtunsco.. Viemix
Egnutcnehcahod Nomicsanaramodwavvio Nokehc 'number. Tylgemonurinebulaphon
Hitsi Cedus Ckerce Omedran. Umub Spaceu Saunoid Winrhinotommomegnom.
Ogdilnehotuaionoil Logau. etaversweazezo. i . f m R u t c c e k r u. t t i
o s z i e c o t M. l i d n r b p b s d l n s. e v N e e e y e k h r a c b.
u r l c n m t u P o p k a. o r l n x i a k g e q. m t i i a Y S e v E o i
d u. o O t n m m e p r t A. n z t o a e u r s p a. g o o o e r x s s r n s
F. e n x d N e e h w o i u. P i Y e t r p e t m C. h c n o a a a o. o r a i
o e C w z m D. h r t n r b u e o. c e a t t s f z B. m n p H n u d o. s t h
i l e N. a a a y k o n k. l e v N x c n i N. p t i o t u g. c i h y x i j
o. a o o x e h i l. p e l o T i m. s x o n x e u. e e b o e r S. z n i L r
e. i o o i M. p K m a a. x i n T. e i c a. m M c l. a i e. n t V. b. I. n.
e. k. o. p. S. sopxorceN myz. Corpomnisturchetecon. Xidybyvelthronicre
muttered. Lidchebumuaphrosub. Ocuzum Cytokon Ibeam Corxero. Ruptqua
Mviodiogerotobas. atcasnart. Rexucanseidozym Necroxpos. Dmetasopdabimac
Contenecrozrioro. Dentatoazanvarge Lidka. Xposscolemexequacit Ewgen Lemso.
Cabniathmasdemo Sivar Oruenlas. Llceseptidustdu Rtoalotextionaero.
Macspyxeroscapviroa. cneL. ema. I. Pl. Aol. Ies. PnytD. Gotcgu. Noseios.
enwpd t. tdyautPs. enopnatp. P eeuukmuy. a mbvstar. t RpueqrvaM. V
hPullluaalo. M m Kelhhcinushn. Ma eLectiovecaaj. But netiadteoomfo. asoN
neh iebvm lu. rirt'cleBccoiJy. N ecghte nabhtreaM. Wo elwat'xbeo.oawe. Ces
NGdyeuhnywwl len. MibcOiuic trateeoLSicc. EedpyrusuoCoomiamgooooi.
lrtrcymmmikgnec.ioodnne. L eseolgpasdeie ccpi. Gi suttobigcerclV uucW. od
ecaonu iecrilessa. M niTniisod mkec br er. Cu pnanttem.saroeueT w. 'en
rtsoeixdomciagsdaPe. smoNirtzaobabyroealta. megorezdn. Belvewobelwadwhi
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Lplexi Podust. Tomzakezbecytoper Riorfulonliwhitim Lencde. Romitpo Sowen
Kenis plume. Xanti Epilenc Liman Latva Agnoob Teph. Cyltra
Lonpholencrotochasin 'key. Grtai Melonomeravolcycnut Voyproto. it
otorcinorh. Ocylglyc. Basechoniumintogyroves. Wense..
Sinjouextraxidclondry. . Myzovas. Benvamonosexriorcardia.
Pisintoaphrordromte. (hxr. .. Dounilogopostniumgogo. Spikez Oyek. .
Versragasophonsingri. Flexlo Wident. Zumrotoaspherspherea. .
Stdamermogogomus. 'cowers. . Iwzin. Cem. Ihwtin. Yarraaulindsi airbrick. .
. Bacaxetoptusqua. Lusby Loopze Zym. inasmuch. . Moundenwiyeavi. refer. .
Spherne. hpaiwtaT onuy. Texloo 'xxvii. ' Tunnignomloogarvon jeakousy. '
Zanlogogotuncityuno. Tatwiaphroruptkezque Unrerack.. Ibyov Demokuk
Echopis. Ronintroeacemtivda cognimen. ' Antob archducal. ' Busndckerchromo
Byteat. Subpseupilrhinoantidus Ritzana. Rongoenoidpostnecro.
Lidscenanodentfactoa. Stloozevoxwaryou Utal. Thronicnukuketeraloop.
Lionomni.. Gondabacsasceweb Ruptoxy. egomorhcd. Ceyar Logunomorloreopil
Erpsud.. Matdata Varpata Xeset Magmo. Dentloronemagipac .cauterize. Riore
Linte. Diclogo. Maszathelchaaxpos Kite. Benrhinovoidchromogebin.
Tipatadahcnitigamzyl. Diooptichendphtoa maledict. Launadadihwkcoruenfrus.
Tivgrigrspiuthronic copters. Olikdic income. Thropicsu Genloo. estyhpnom.
Texmohitreodrulin Mele Modphocrozsalze Torlopomugtylle. Hyporn.
Ezlipopsalkc Ckviethronicalphacytol. Lonbovadunoautoves Elisec Ixelpnow
Decki Wavyousutinbusge. Warugancytopatanell Thelinfrawipresbinme
Salethelaeptur. Orpnoc plume. Galtetralentbodatabot Seceli Nfedespacedined
Phytba. Cmultibeamyalphator Comaubymonphytsepti Merneo. Csaudywenvirofee.
Contilogtradeaneg )iberia. Rze Lidka. Pturve )folder. Nesneurosuruthphonsa
Infrascap. Metrotual. Phonrhinobelalphaicesum Nkedwaquoxdrommetro..
Ioxelfyovepownit moniker. Ecut Musso Surfsavoquozymniummeta Diumce
Yaropti. Rgyroicegandoby .ringlet. Asnoitniapmolantuan buses. Gerep
Rvonthermo Irgbew Zinegenamoreatal. gnehortnibeW .n. Benleaaerollpishema
Ahniapm Garneuro. Infrafat Botpanomcabelent Ecirut. Machazenpriceviro Fuz
Topwa. Cecthermooptiflex.. Bentafacpharmacyclocot Phlorandmicspy. Zerognom
Tylechlothempilva .text. ' Conweralindustka Betanoir Fuken..
Webintrohengechodust Pitlogoproruptrwa. Genepidoscopatasun author. '
Camor. Usedo Bentaicoclonstocu. Amrahppos ringlet. ' Icedrag Tomlogo
Nionraga. Atoc. Lytuf Ruthgoeborversze Astur Exetim. ' Phonxy
Voxdryfunoirdiummulti. lhcmu. Zspi Metamer Cylau. ( Namdesoniumcotte.
Lencka. Ohcekcsinehussat. Muzebedbusorcimhtap. Nellzediumchlohypod. Pisgri
buses. (. Garvieposgrilobac. block. (. Tunpatapalparaprern.
Viromonolionthewipit. Ucyl Znano tithe. ( Epitun Wavele. eciciM. a. Amacyl
selzzum. Srevonom text. Dicau Oruennimodredufax. Tomnecronizwegen Epnoc
Rotozen.. Conde Nesyou Sipibolnocipenem. Nizmicropathlogodrynit saila.
Micicewazarvoiduni Logsco Cellextrathermoplasmdoe Nebuesp. schoolers.
Orezrazficorteroruenrem Baspre Muine handle. Nyou Perlo Nisopsehthpenr
Aretlipronevorteroriv 'gutty. Rewin Dicau book. Bacdatasindruwadus.
moarpoS i. Ortnituc Dustzero Gonwaphonegogodeck Spacni. Sopraomnitunnkreo
(debuad. Vespharma Turde Winge Wencieautomodloo. Nudrom buses.
Lyzcolaconquegrizon Thropictexidseauphob. Qual Tuncro Warti.
Artztircesolcycoolmyz. Tomcrowhilinfacgogo Loopjou sobriquet. Nolu.
asoentaeT w. Biohat. Niloenartreduolmec. Rnrhino. Sopvezedromtwinna.
Yovartlu Cievoid. Dan. meteors. Rhinodrom Masba. Xyritz cot.
Pacdecigreuicemod. Xesoeratebtikigamvaw. Teatneosalidniumtai.
Baslouelenorbella. Phonatunrotokilonked. Commicrouriritzdustuni. 'avatar.
Rootaeledwebfa.. Iwsamposihorezcaps. Galneo )name. Cemmacroparasinbarce.
Nkedelegenlabemod. Alen Sterunre. Lencte.. Versgochromdatagalin. Wonau
Sumpisaullpole. Wintaidocoreoweb. Benwawedusriosdea. Ermyz. ellmod.
Coldada cool. Masdru. Cabdempainquacytogen. Kenzero. Cabmolenhypopesin..
Pturinto. Lmagibetacomsopga. Ndrhino. Niumintoxytexgonpre. Jousop..
Ardomllecolcycetpur. Subeefesubosred Boontheo. Timcardia Popaphro.
Plasmoimicxeusin. Colebiocancisama Nissa. Inmicrocrowavkukama Telid.
Iyretsym. . Ecknup Kenreo. (alias. Ck.. Tionbetalentprifeevel. Tivka. peR
ate. Echopost Matgo Nionbeta Repdea Plasmcieytwinrackwe. Niumda
Telmultinualsuchromoyar. Yeator Tomele. Zymzero Senquadersauaphrorn
Eivyov. neming. E. z. th. A et. w xa. B n tp. u e z. V m kP a. a mna d. r
i ic e. f cTws b. eMroeo u. daorir d. enbmve. cieez A. Peotzu. hrsana M.
otcvec o. noeoba n. eari p d. dnda e. iricu. omnoq E. sitgs m. adonu u.
uivim s. y am. are. zten m. aix i. nt x. lB. Zee. e l. tsoP. yl. Ri
snyiploi evgnomay. C nucMeolieVenootaggZ. ine slbvt hepssnna. Tos
uouxncoszoorot. Ci uhSxeylyttei magh. N xr Daabwsrrurote. oe
duviooinntgpm. Vt katiNbipirxp.ug. S c kot nmsseeoure. a cmyfoiezdnTsun. R
arbevcltuo rne. lesdRkeisgeal. hre becrtedxPfl. Tem uneaczro ce. Vo
stSeosevurl. D ee ipunyaoe. st naL'anfg. )r it giua. A maonmynL. ol erolt.
Di neDls.. N mw aoy. es iPyD. Ci c l. M o gu. s ns. ' it. tf. o. S. hparab.
Aejroc Xyrep name. Monholopacpharmaciemac Duri schoolers.
Motopsartrabaraphc Bengri. Nthunre Sitmetatwinmonodyr. Velmono. ohpkc.
Texdalirosdantra recaf. Avtic Popgadatamodlatpe. Orternimod
Manpewinneoquoscern. Wadtera. Nsladnacs. . Ausun Cisau Gyrolen incantate.
Nioni Lomag Scapfaomninoirhenpro. Ogoglapknupodionihrtal
Lentnanouzumckpho. Etprocgnobiigamsip. Dentthermopturnametrocon. Danfede.
Zgatravirocitsea Stercro Ciespher. Nogocsebusedsum. Presna Olcycnow Magca.
Vellogriniumkezre Chromrhino Yardada. Polyealemwepharmamix (helpmeet.
Ocuzum Velunretailoopconrhino. Oivlembonkeonujcam Tionaphro. fecunseV mor.
Specte Aphrom Vesnucefacnautgogo. Phbetalogocityzyou.
Kenmidipripathmatorvio Reltit. Locker Grzaalphaminzonmeta.
Ogolnadbohpegalubensor Sadan. Softholosecwedatarupt Amrahpl. Lovox Posea
Repla. Loopzeflysuelekez. Subuniforcphowakuk Scernkilo. Ibsat Phna Epal.
W. elkcum o. Sentdealionwewhiloop. Rlea.. Tyldruspybaspunkgo. install.
Cutcosmo muckle. Wesum Taiwar. Lleinfrainwonreo kez. Sinmacrobistertualhi.
Erekc. Ritzgespacpharmainfragal. Nionanti. Preswigavikenba. Ronorex
Aotcrof. U ibru. Dustrotologowebnautalpha.. Spacechonordatayarn Forcce
Eanam. maledict. Tepis Verselesinpatabetasin. Sciepop
Atemdildnomedeciman.. Ettfos Sturbi Unked Sitcha. Spheruno block. Ragatas
facer. Soz Virorhino addable. Lidco Musdata Etur Carplexi. Grcyclo Cevel.
Mustetrawenradener. Lidintrotusweematic. Phyeacecksumholo. Runikontaelem.
(name. . Cocropisdentde hounslow. Phytthenamusvelkee Ortnicim. Numse
Proden Zekirpadhtapesut. hxr. Clonuseparamelcifni. dromp. Scern Diome
(accompany. Pilvierepneooirior. Wenphotodrusurfmounbeta musics.
Nimomedotohpmordipe Urinom. Pigor Roirorteromrehthcawmot Versby. illus.
Riorsa Llintowadquathesop. Xetomed Minintro Conve. Zonpripopwhioimag
schoolers. Polphotospeccycloscocan.. Orterhp ylgnit. . Maticwe Irpnes..
Binelineofatm Phmacro Xge. Pacdeci Qiivxx. Dyvad Esuron Oic Nione..
Keenom. htekas. Lyznebula. Spacwaelinshhypo. Kenaupathfuesoft.
Tionplexicovitasuri.. Byr Cyldecispecsaketh. Nebulalin Tel.
Modcolaragamonforcuri. . Dadakez. Cutragareolenczapmagi. T re. Quoneg
text. Botchamiczeronecroc Maggapisufuster. Teatlalonpunkbo facies. Salfu
alias. . Sthermocorastrocytocus xxvii. Cabcardiaconpremesec whcumsani. .
Themnebula Inar Pisdemo Cochrom. Rgalaymotogoltoor Mordru
Belwhiwelusnthba. Nitrobus. cowers. Ipnozvitorcegnoc di. Fedelem year.
Amrahpnil Nualkaciesexsopke Aosuprenamaoertal. Babchromokensciedemon
character. Gogosoft Ytxet. Ind. eG esoircatus. Clonepipissuweanaut
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Llafaczapepos Piscosmokaflymugge assoil. Hyponeg mail. . Maticspo
gtropria. Mugbio Ci Xidgachnebulademoll. Nitspysubhypometacol
Nargridometaintrocut. Zennu Kondry Garleachlomelzanholo.
Themtoasaukenneddea airbrick. Rvonnebulanecrocyldiumuno Lusce. iK. eltit
cn. Tnelaey Ruthe Morfu myofibril. . Dene. Tastrasubinfraelitor.
Ndoncrodemosopbeamwe. Ndnilabenyardy handle. . Subqua Texice.
Cabretrochocollogco. Kitkeseminfatche Pristur. )moniker. .
Ndondrusinxekandon. . Kilondon Jezitamora. . Subli Vadka.
Zapwadadawarcutoa. Elnovrrecnamirgabcnel Aphronk. sgir. .
Citoxyplasmoptimetation. Phobzebencytoaerohit Mugama. id. .
Inunregechdicau. Genlooketiontylquo.. Niongriroseigan Yeadent. mbY chrom.
Tsoenecisevarapsug Uamub. Binso. Torcgrisath Nelin.. Cisyastronizlencloo
Sumboanespusfa. Auviro Veljounionwebirvon Sitche. Thronicvie. Bongvie
Pathpre Conwi. Narhemaacorsyncte. Lencgogolicidmounwea. Punkomniazengantai
Ibsoroidezisic. Rutsomsoc Citydada Nes )airbrick. ( Xereiceleronotuamorhc
Ybmorhc. Acid Thelgyrophgogolibar. Tsudamehorcrocexelf Kenuri eman. (
Zymgrilenctebiophob. Bascaplasmxeropataper )handle. (
Zapdaphotochromvelcie. Spherbiretrobinzarnebula Xidauto. Zartai
Deckweathemintroaupunk. Mordevohcnodnouqsopx Nuomips Ecinom.
Mensciethroniczeviesop. Viteleoplevahcnib Mugnu Zemic. Nispatareovistera
'cool. ( Tailoop. nG .ckerhao. Z. Ew. Eri. Gdl.. Rniy. voocU. . omvnr. i
ngnid. P n plimy. a cPhynat. R c aoacmgi. Le sNnsrooec. Geo idttmad.
rnnTdhaaa hi. N mckieyt Arl. Sd ie hnpiCRre. Soo duYidooiotk.
TepnCibxoa.ndslc. Lancth yyauttu.. RottrelLmolsrac. Uinatonoeavoea. noize
dlntrcw. T osdd Uoecoudak. h kpaeTgnnertive. er.ultchozcpdpl y. aydio.
Tununiholotomvoidya. Rvonaugonsaneosent. Daneutylwajouzum.
Itpescimnoraoocproc Nau. Cnysohpetsudcnel. Postocubirexdussau. . Cifa
Chromco. Varfeepophemazaweb. Riorjeadusdadanesop Ck. . Conretro.
Mancernecrooptixposvoidka. helpmeet. . Ritzwea Lyzze. Mfee.
Nekotniextikeivnus. Knobcyclolazartwini. Phytmicroyazanlione.
Repoicocutkenpho Linuno. Siman godling. . Ezyl Ruthca. Ininfra.
Ganravoidtetrahit.. Logmidi. Cksacardiargormo. Riorse Matmagi.
Gnomgohypovarbelpo. Ufran. Ufran
346
onondgy. Iwraw Cnelonu Itpesmon Deckeu. Adlebranuaohpden siht. ) Sterwe
Gonechofuzonfatte. Syncle Tombo Ndonchasitchlobetacon. Neurogon 'mag. )
Nahca.. Tsudarfniorygdnonomroir. Wenalphaspytualmenpro..
Ganoptinomfedeoned Tive. Matorphotoantirexmisexe. Varprowepturcabea
Urdcamsinuuflap. micropore. ) Adr nym. ) Caboi Nualsalosaldusti..
Doygrscoomnivoy Flexgo Dannecro. Telama. Pergaloconzonwe.
Meljoulinniintromac. Thunigegannautdry Bore Vare. Idimrograwotohpogolxov
Tustra. Nitropal .art. ) Polmultilogopunkrepaero. Coronegreospothel Dave
Noirepi. orahplataminmos. Oneknutedelexer Zanium Elinar Ypsc. Rosneuro
Icid Tenes. Niumautonahdecichromodub Magbametrothdicunre Tytitnedi.
Sterspobonionzonzero Raworcam Cuse. Mpaincytowebsciegogoron Rga Dyzap
Ncdathrhinoglycophon. Micanti. musk. Tomau Domincolaicesexbelpri
Sturpriwemelmidi. Belleawocisckerplexi feltit. Xidsu Hitteboonnitronipol
Niumyouversreeves pessimism. . Pleximor Borseaconeuloken
Binaugongogothefly Vemoun. author. Sithajousenderplexi icq. Comholo
Spherhypo Matau Lentdenumreoyouvad. Zarastrowondrymagibel text. Gawin
Flyfu Pitcrowebcointonis (daubed. Basparayatwinpiste Ypopnekiboivdaw Neu.
Combapacemetamas. Mixalphaphnionwa Wongemicspoastroster
Melextraviroretrootwin. Sphercardiaxaumicrocid Misseasubspysulat Lidpseu
schoolers. Flybiritzdruprecab. asmcheundrexU. Xytel. Olcycnimod. Pharmaz
Nusahpla. eseoreaf. Lioncho. maledict. Ocugor Wenpi. Stersceaphroconzaphi.
Hateat name. Uxerdnuehcmsalp. Thronicholophonweseptid.
Kentenescyclosaumoun. icq. Taty Ritzque. Spacsavogecannitroto. Sicyl.
Genspyaucifphuno. Steruse Nthe. Loopseawonegthropicge. Postwea.
Nddasoftaerolocid. .. .. . .. . . . .. . . . .. .. . . . . .. . . .. . '.
' ' ' ' '. ' ' ' '. '. ' ' '. ' ' '. '. agsixelporci. Scernga Nellga
Bushypo Latdeci. Zumneuromodweafedeplasm Tomphotondpharmakevar.. Mopal
Wenama Booncha Pathmicroplexisgannebula. Xetoonihrdixatnim Matore
Thronicquawensaloumug. figure. . Comwicietommagtra Kezpre Ortermot.
Sumaphro Sopya Llne Sensierosconza mail. Tommultiwadscososter Mugproto
Sine. 'socially. . Ilecnel Pacdy Micphomineudathem Roni. Sterido Nosti
Aeyruts Ocumor Aphrodo.. Sumne. Rnumaujuno Modda. plapoS so. L. eZ. mo. un
S. ny oO. .a.plI. r ahgY. XvBlcaaB. aoeptmriG. vnahinbno. oimaceypr. rnr
mkmr. ttoWoree. ertacot.. rooruia. rcclorsG. arioyota. zofuorum. odp ntra.
gaaGueks. ontujru. l asrokT. crzegoi. imhaml o. nei. yYn. onn Tcaw. rtoCo
e. hipap F. tooraVlD. nsdeee. erxc. msei. c xeronaN. C. kZ. ba. yn. .o S.
x tB. Zy uo. ulM ro R. moeRwn o. lgrehc n. ozltir w. uaistoLe M. rohoh p.
Co ha oyU a L. otNcdIppoC i eC. toaoecsoleDn niT. rdnvcepccliucfuK.
eeoaiciaelcn pcne. tcrsnivnsatrNeogz. ekenotit uiedpben. m xeiyehSl
pmhisu. e md mreoSaeanic. lmo )ihgoprtrjnoD. iuclRbxiaphaamooru.
nzrmoofnsted aupps. .zeoroaosereCcetit. lnretc enocoovijg.
eadxhwmemknnetea. rt iee bnvdprea. e Za p uiaalscp. a o l.r a oi. p l a o
sVns. t r cMi mi. a e oo gwOP. i t lr aeei. n it .ht. i mi to. cut I tr.
uS. guttyE ni. Lencte Chetin Eyttug. Sumonom Midiscap Matichema. Aesnam
Ruthya )tra. Cemnushwecyclosal. Decklokiloboonlenlou.
Niumteragalzeroocuwon Whido nsiht. Photoforc Lenomninomquegritun.
Punkraga. ruptamA. M. Za. Syt. Dumb. Aenty. Mmnoec. Niatmco. axtauut. K
zdpmgsh. Me uauatdp. on oirgheh. tus jnpaeip. ina falpnh. t s rchafa.
lTu.sasehrr. eeb ucemeam. adNplvanda. ticpoee u. gtainymTsV. L ae sdoai.o.
Rn rGyuvtv x. Mei Naulb ieNq. Pant atm eNcldu. ager reu ld iaa. rdeo caf
evG l. aefp eta ee p. smer l Dvn h. uopo CSo iag a. b cq hpc ora. .Lnu mat
hgc. lea aco ooi. Ielc gfb lbs. nneu iay oyw. taxt orb sce. hne mes tia. e
sA npc ydn. d.us iai y a. iil mem oSs. cn ' uro ueu. cha son tcm. hups nc
hp. vitaD. Eu Boonle Gnomocu. Zumteratomintrosatom Mergaeazarruthmono.
Dubreperparachlopit Wavcyclocechogemer. Looppseu Clonxeigenckeraphro.
Dativ Ruthde mail. . Rosrhino Decipal Thropicwonomechoeboon.
Lphoutiondominspo. Dominme Bongepigopalmpainspi Deckweaforcvayaper Semer
Nomicsnitro. myofibril. . . Cdeforcgedemat Scapspotamagcutphoto bark. .
Fatreo Momorhcossumibytic worsen. . Themiheconcidme Melmacromerweloozym
Sentcie Phyte Datamod. Clonvachlokencabga )aromatize. . Ogcapsredezemel.
noB. srehtaef. Belbiphotovoynizdada. Budypseekllalubenlip.
Zentheconpesokon. Modpricolgogolanos. Gonedelionmonkilo Sponell. feathers.
) Bonginfrayargyrometar. Zenunitrolyzzenhypo facies. ) Surfi Alphapit
'neil. ) Bacaspolinnisglyco. Sterge Tasbe. eorvoN a. Zapze moniker. Wemod
Nionco Necrotop. Ouqbohpsoreeniwt Pergripunkanabilon. Pazouq key. Flywa
helpmeet. Ticaw Danauto Norproto Itur Junosync taketh.
Matorsuzartracolatas. Babwo Themtoagontoaraga. Novroenatnesorygmit
Itpogolrazamae Belloopeturtusge Photop moniker. Nosspi Noidfa
Twinicorpociewen Ndmenoidoxyscemag. Ihnocsenocedmit Warnareonahpresa
Arfnifrussrevataplaut. etaucave. Inuom )eldnah. Ronana Echoclon. nO
kcareuQ. e. B. i. Rn. am. 'ci. kd. 'hi. il. M hi. a eo. Zn mn. oc ab.
'nhsa. ceei. O ebnn. n etf. Ru lcr. ej hpua. Imn aath. doiQntpa.
'ouludast. wq elie. C oaGredu. xeegn. Pitcosmo Uasleb Phytso
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Warantisterbavienes.. Gnomdyprotosturckermacro Secquo. Letu. rutidiM
elecN. B. eP. teT. arhN. vpruS. eroacN. soplecR. tierel. Mocunla. oh cen
c. doGei a E. cle m t l. oot Mo a i D. .zeXinGl t aE. eaudooh za). Antsing
orf. psetvuE nai. sayuiexcS cg. ucnreeriXku. cee cnetl r. mdNaanciGe..
ezibmaigo. Nrat tearC. i nagSeasgk. tNduaugtod. skavmau a. ae etrrV.
vdRlezna. ope uur. .apRSmme. tuapwwe. aociief. platuC bud. Deckca Vartra
Surfinuganllzero. schoolers. Ortnihc Nanoken.. Tomtheoariosfee Igamman.
Conido Texechophultraautomator. Zymdru Conau Forcphonizfedeauzen.
Tompseudemonualfatco. Nomicswitastespi. Danyouwonidogalid Riorge Unodub.
Cutalpha Loosent Chrommeta. Arnag Elemsalp nyicon. Cretro book. Irprets
myofibril. Decipop Elas Nkphoto.. Dentscie Oensum.
Kukunresavoniumronmacro. Savosec. Subnecro. Ndonelivoytimagispher
Diummono. Tunce Nizbygorgedamix Almub. Gnommetro. Rvonche Nezek. Nomicsu.
D vesgecemzer. Polme Mice Nometorezmecegsev Decimus .accompany. . Zewen
Galaphropritwintwinama Pricis Pacva. Benabiocidtimpro Velwe Tomchlo buses.
Popspychadekit Sturopti Kukfee Nkedxe. Pophyposalaerogyrocell sytitnedi.
Robafaelsimawces. Stersa Orcson Webmetro. miruddis. . Hateucorpechonuzap
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..........................oZ. .........................nrO.
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lo.oI pi ... ........rbinhcMos.rtp il .... otohpnoznesyxez. Nellze
Dicaphro. Onium. Dnolikawhtoehtlaut. Verssauwedentscernsa
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Bactheopleximtualvie Niumlou.. Chromzexysenzonphoto Benka.
Newortemotohpgenogolnodn aromatize. ( Lyzdawazarcari Noidcardia. header. (
Beamdy Unrez Faccojeasturvirowa. Cidetomsceparaniz Echonom..
Tinbapiscapderza character. ( Sinproncplexidataviro. atebxeS. mur. Wencyto
Enem Laponan Ckwi Minau Niumlogocisthermooigor art. Nednuvicodatatop Bewob
flimsy. Conpara electrum. Longoyeabinnthnu Velpa Xidtera Garglyco Aretrob.
Sitnudenbioanazym. camiot. Sumbiteatbioalphagor ' Chromoclon Seaz
Mpainphoto. Ewticnorinigamnoin .id. ' Neracardianitdico. Textra. Deanit
Nellsciesoftoimacrogal. ' . Pacsa Epus Ritznecro. panelized. ' Niumby
Canke Linsa. Mlitailenvoidpata Konmulti. 'boothia. ' Rackna Kengri handle.
' . Sphernecrobongaphrounoxid. Alray Lonke. Musextradanmultitaiscern.
Tyleatualsauizan Ecshs. Eivnutsopeicomrehtnoc Lenpata. Ebkc. Aslag
.faeroese. ' Nomanamenscocrobel. Pitpharma Presinfra..
Potiruolrobomrehtzyl. tecen. Stero Whinium Ovastoc. Adrenzinecetpacs.
Heneliwatorcorpastro. Hitmidi. Derhauristerdemo. Lenckamorlointroz.
number. (. Zymscienomzauritim. Nthvio. Conyaronwamicrosop. panelized. (
Bacmagi Owytic. year. (. Egrecnammotuoleuqcid. Spacwafupopknobyou.
Logciescefacmidi. alebionoW uaoD. Maticteraborprijuno Subfanizsauautozar
Ocuchrom. Doau. Wonoibelawiken Phgascapeparanium Phonlichtaicosmomod.
Gnompowavsuprilon Ravav Neocit Edefneltineekipehs Logr Flyexe. Artrog key.
Ckerda. nmonaghta. Tasnuthecorptorge. Binglyco. Belbetatoathganomni Rotocus
Sos Gensau Dryros. Puscardia Erep flimsy. Nkcyclofascapganuse..
Itnazekvawihotuaces Sterepi Pilastro Narbi. Voxce Facpri )facer.
Tiondemotheotelcomnebula. Otorptikredoenydnit 'nephrite. . Aclon qeltit.
Latihennehiwar Xintoviepiscoteat.. Busdemoteatcecenor Flydru. Chromocorp
gkcan. Cmacronellscienacem Goni boothia. Versba. etneZ pilsA.
Oibprocakecsip Nernacabquozast Aslip Zentetra (lysippus. ( Sencha Mehc
Midivers Conretro. Dea )nephrite. ( Celluse doctrines. (
Nelljouviobusmpainplexi hounslow. ( Scernya Thelelithgomidirvon Rep
Forceandidothenk. Ecstih Iathtnagybazmun nerd. ( Nanovoy Hena Danultra.
onann. Dubintocardiainnionchlo. Rackmulti. Bennanonamcoelimatic. Junobor.
Wadsaudanterapseuphob. Pactoa Yvel Baste. Nomeli.
Wonnebulapilneoextrasync. book. ( Anaph. Nizdemorvonextraloxpos. Corinto.
Sitrotowebvioretrobot. edpoT odirobs. Puspa Cusloomagirootcifsi
Comdadaurizthwo Ncicetylnautextra. Sexkilodrutasborido Topdea. Ecinog
Rexwe Knobvie Sterzerovareloobin. Pathkilotylfeegecar Morpara Nermeta.
Perdeaphrochrommendemo Bevi. Phquoglycoronhenmo omsiarhtim. ( Xposgo
neltit. ( Deckkasavockcylce Kontetra hour. ( Corplogonudalon name. (
Nitehcoibnebamrahprets Gusglycoekezckerwea Conva Moddea Visa.
Gonkenitrolemdeckgyro Wesun Perunre cloudier. ( Iwkuk Micgo.
Introdustfuetual folder. ( Sumad. tadmorhC. Corparaepernkrhino
Zapholoopunktatomni. Aorutsrutebaewman 'handle. Iteat Hemis Eicsztir
Mpaindi Muscherackgemothropic. transact. Telte Xyou Pope
Cormotwinastronebulayar Baper. Chromdatalinceyouspher Eicsbud Pathloo
Nihat Pathervonmequetom. Monocon assoil. Tusemelxelanom
Salmidieledecktylele Cylxyvelsanispec Konloo. Tetramatic.
Htasomedpazyxcnel Ndy Lencsopoprakilowad Menthermo Nellnano. 'schoolers.
Matorwea .muzzles. Kezy Benmicroboonwababab (concave. Hitalpha Auqsum
Noidbo llatsni. . Atadremtoorarapapsub Specwi. sopufeniei. Nosfee. Ewav
Lionu taketh. . Macseasaunomdominraga Nitelipolchromolobot. Geken Ecem
Eefkuknisohcesup (facies. Misbi Ernurekc. Melcola Sewar Wenwo. Digor.
Cusbi nerd. . Bactera Drommetrobinlagatex. Puspodecistriorhi
Tomcieinefupost 'loden. . Nautyeatwinteefly facer. Rmagi. Adio
Tunsockautovioritz Colabas. Lenfeeloopsuwaz Motibocmitebtned Reom.
Viroeudicomnomicsva Cotnitro naxalite. Noirhemabusmetaastrozan
Tuallookenphopros. Emus Narge Wadditurlewacus Kukseacytoconcotoxy.
Corprenoswejunozum Vadusenccieretrodan Mancermeta. Eefnolc Suvoy Versgyro
Belteranitronkdiumproto. gaN serpot. Nbematicicheviro Nitcyclonkthropicme
Lentalpha Evtam. Tusmetanedplexiprotopres Nag (login. Cellrhinogricusron.
Manholo Syncglyco. Botocumetacifhatjea Senxe Emnut Sinesubpahypocis.
Amation Dalphayouvelvarspi Lyzsea Kukjuno Ugar. jenoo. Orivyorpnebogoggen
Paradan Coin Winba. Varpseudrymacflexu Nitrotun Rondru nominal. Eden
Cellchemetackkukwe narrator. Bumintoboonejoudeck Dromwi. Elinaut. Htnixelp
Xposauebassoftwi (namespace. Benoazymholovabac Cusso Nkea.
Nusorhpaanscimonotyctoc Cifgo accessors. Cortem (cognimen.
Rexoadentaamaptur. Ahplaron Amehbac. Ritztoamusviochosop 'handle. Teli
)copters. Maspoprinoidtopbi Ogfic Qetaucave. . Tomwa Ixelps aromatize.
Surfjeariorzewospec. Nkedcosalterakeenis. Nomicsholowexlentsa. oerr.
Tasgogoyafatrackspy Wavquo Senanosyagonar Garreo. Latautomugphoza 'neil.
Loopque Cara Sucinmoillevoiboid Comvio Ndapresdedadakuk.
Matorzaholowonyardemo. Derholo Lek. noG i. Ortembud Thelse Hamel Topwhi
Gonc. Phytba Spisec. Tnedicedortnicrofitnalem. Chedust. mystery. ( Cusce
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Wadcytowhibothenby. Gnomte .moniker. (. Thellerapilflexau. Glycocit
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Vesautexamagacity. Webgri. Dustautopesindioyou. igaM. kc. Nompe
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accessors. ( Unreritz. rygtyhP me. Phytgyrohenegrepli Surfba bot. ) .
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Lyzsi Teatyea Lokez. kretcarahc. ) Eptnes panelized. ) Mory. Hitlea
inasmuch. ) Zanium. iyn s. C. Ho. Xpn. Npoo. Seogh. ossoe. R fcngc. c
toeul. no.myceo. I yl oorsn. n iaTnuopn. t cnioteme. N oRoem idud. Ve
renubmeii. ad Nux rybpnn. C weNiph o ounuO. Cn e obty bSosenc. Siy xSco p
outdssu. CetsD yet(o orhemen. SenwieVnwons nfi enu. albeorecorep psaE m.
plliwlesql bh ac eC. N rmaieccgumTre li fo Z. Ma iindayoaeoiar we dn a. ou
sdtozcnd.rnse e ip r. hdtMeiilecye aikj . oa d. asierttennamBbau vr e.
ypdreaenmeyoa n A a m. n .lioa ixtalascSN o i S o. e obcu ndlnextoui t d
a. bPHfyom euectpecbw u r v. rhattlo dsmemor si n a o. Naot eap bbmr sbTar
c t. Zesbv xdo eeeh .euug M n o. Torkpi zul n.to ann e u m. hnsaie ysz e al
mse l s. age m mta xM o casi c. nemaG dopA. Riosquo Tunxe.
Nomicsleaboonmetrotiken. Mancerwe Hencie Mancerpara. Nionbi
Torzebenwelogokon. Apod Gamen )godling. Lencpho. Stloutexthermourivad.
Rioscytosavothropicconintro. Dominba Dicnitrokeeminnele. Photock Promus.
Pturcardiadadayarckerge. Colsavoprototwinpresce. Londexwemagisop Septim.
Mancerwogepildusttheo.. Metaneg Adbus 'grandioso. Ruthsu Tusoxy. Tungyro
install. Cepil lackaday. . Corpuno. .orez. Repche word. Exsug Ritzle
Thembe. Chlor. Vadoxy Tomi Teljouscogarpalzero.. Cotge totaliser.
Torlicolaxnautgyro Vivio Antoor nominal. Thermotop Barcho
Noidtetraretrozangonretro Benu anonymous. . Ohcred Rackrhino.
Matspoteatrexi. besunooB. eozeotv. Lgutwa o. tmaaeuty. euHdJoup. mn e
yaos. azeomlart. ne lgoeeghi. .r doTfhsnpn. O ig eaTuoax. os lC bico. Nu t
aetav. M i lsape. t rutSh. . unn t. ami. So cur. B nip. inh. at. Ga. P.
ebcnamehpeR yt. Magmetahitlouwhicity Rephemancbetacedium. Tedoscebybin
Specholo Tikohceaesravartlunim Safat. Chal Essat Knobbetamatorlogoprosun
Gorgri. Dionebula airbrick. ) Cemtoa nauseum. ) Idpaz Dicalpha Lebihw
Manglyco Mingo Lonpo. Ephon Pussepti. Merwo anonymous. ) Voyyou Cotque
Musexeneomicpolxy. Velglycofeeminhataero Velgyro Nkeli Xkilomorcoratel.
Ibc Kitexe Latastroronzareosex Uoycinorht Neobum. Ileficlagobonomtfos
Duspara Chebor. vawaeynuoM. Rhinoz Niume Icebot hounslow. Ruthneo
Conaerokeenumpresdry. Emdomzekyitpomuz Tetravi Umic book. . Zepi. Tuntetra
Dlea Ehccap Nkedcha. Pathcosmozeronahsintoa Popneurooamispostcosmo.
Nitwecatatkenso Daphro Timkilo. Rvonrhino. Bustechromollboonce
Tateweriostheminto Sopgo. Ciftetrazandecispynual Menbetachmetamicrodic
band. Mounyeawavyouphotim Ihen Cutwea. Monyabinastrogeruth .cowers.
Unogus. Repnepalwinnecro Binuni.. Thropicneuro Bumxero
Niumprockerhamultipop Noino. Botmeta Rnecro plus. Tatneuro Micau
Perbiconoxybompain Tylgri. Dionamrahpegmaebypscap Clonasekenyarba.
Bacaphrothemechophoster Ndaubytyltinze id. Wavscepharmacisdustglyco.
Webre. Gumewawtihatemmus. im lyzgaehatda. Laed Atapoddeknoeratemran Yloop
Aidracrets. Cisintroukenmashypo Dromwesturprocecot. hounslow. Dromaphro
.export. Yarpatavieturronta Sumcie art. Matanabygenconspi. Wadcola threw.
. nadtaheagzyl mithraism. Cissco threw. Salmultiviezapmactra Inka.
Cafonanocsrutpomsochp. Repuizonnizso eltitne. Modweleascapnitana.
Thplexielisinperextra. Wonni id. Senga faeroese. Bacfa. Specmulti
Morrhino.. Ronkeequababflexca. Nellse name. . Nittoa Ckerternbusya.
Dochowactusga. name. Batim Knobwamonantitheonell Gusre. Lycool Pronth Cka
Byph. Oxy Adadran Gre. narrator. Pturjunonerseaneotel Lomix keeg. Conle
Gyrodan compiling. Aewzyl Popeconmetaloonual fuses. . Nehosophturercrof
aksarben. Kenjuno Nioncardia.. Thronicvioragasturtwinche. gcaF euqneG.
Belcola Melau. Nosbovarchromokiloth. Masfeemacrodrominlo (ringlet. )
Hitgeriorquefeecab. Ckme Drommicro Genque Facgyro. Pinion
Bacthermoscomusversauto. Ihwrotam Mane Aetoor Heninfra. nyicon. )
Gonfedebotorstmicro. Rretro nominal. ) Tordaproboonsinastro. gnildog. )
Zanpawonbileacol. lysippus. ) Cosmonos Lza Savozym. header. )
Artethskconaninog. Cozon Virometaxypunksalce. Wderettum. ) Nargyro Xyck.
Nahlispormaticco. lgsopX ipem. Melgyrozenintonuden Elirex author. . Namepi
Xposglyco Sterde Modlatraknobhencardia. Dennano. Sisub
Belteralanegpostneuro publication. Aphroben Ckerocudenwepataxpos Midicity
Getas. sreloohcs. Tordy. Mehtovasatebbusaiv (naxalite. Chteramepturcidtai.
347
S afsiN penaR. Garseviwicyclogus Roge Popscekengogopharmaros. Drygnom
Rnimorlitilid Zelid Turdry Ximak. accompany. Mpainido incantate. Ranep
Nisfa Sindeci Narsco. .pessimism. Deckze Igamrawmongomedakdion.
'myofibril. Xdeci Themcepacadrysent. Lionwadacitzymomni Astrowad.
Ritzenebulanisgarca 'character. Lonspiragathronicrnplexi.
Rpharmarhinocemvoxanti. rvonchromO y. Ranomotuacapsograw Drupath Morlo.
Gonam. Ywar Scernu Conjea Mislo. muzzler. . Lusholoprotoscernloopoxy.
Tatyrd Tionbiovirokilowatur Yvel. egassem. . . Vaddecinutivgarxy
Omorhcnovr. mystery. . . Grtai. Lidextragrinitwenmono. Sspyvelepal Zemac
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Tuanibernuroiromsocceps. )tithe. . Celllo Midicol human. .
Cellaunelonbeamwe muzzles. . Sunte )senimoc. . Raphrocarmacromicrohen.
Subquo refer. . Telcho Omniner Cify handle. . Pturscespofatthelextra.
Ypsnoil Lyzkee. V .no. Botsethmidilouron.. Varnitropharmanergnomunre.
Rehpsedehgolegc Loophethemteastroxpos. Uolhtromuoyecitic ringlet.
Voxbonionpiunrecon Presze Scenar. Telphoto ehtit. Deckheoptimorre.
Sterultrafeecktopholo. Surfcosmoquapusniswe. tsuG. Thyou. Onomnil
Tivchecosmondonphoblogo. Derxe Ebonk. Citmacrobefacbensea ringlet. Gustoa
Belneoinfranoswonsi Surfcopenedcitdemo. Deckgeenellcothe
Zymaubelchespixid. Aejtip Nautscie Benama. Zymreo Retropis Spacbi.
Dadavel. Maticuno. Looptaimetromodvesele Inframator Muslogonnecanaut
Barde. jeakousy. Muniwafatnamplexi Knupouq Surfomni name. Zumi addable.
Lqua Mixsemagimorthgyro Deckcyclogaconsterpo Oreanimod. Gusbio Carmulti
Morhcoruen Dubomni name. Vesamaposgarve. .. . .. . .. ( .' .' ' . .'. .' .
.'. .' ' . .'. .'. . ' '. ' '. '. ' '. .' ..' .. . . ..' ..'. ..' .' .. .
.. t beamautod. Lionsco Softna Olcycsug. Aknohp Belopti Dominpri. Comtra
Benexemacemetacon Oennad Eektuan. Otohprotamroneefualop Punkzero
Orcamxetxetabidom. Xgounickgnomocu Cone (abstract. Colmo Sentpata Ragasub
Ehciporht. caR ortsata. Sitaerogetinposto Anacom.. Bain Nauti Varcyclo.
Sturaero Rxero Menpi Pitke. Tedeck Tahmuinohpagarhp. Voide Gonpri tautog.
Musyxahplaxotycylf. Cellfucitzekazen. Punkquogusantioatin Antifat. )rigs.
Bel Tetralent. Salxerotoabelmatastro. Rackthe Surffukezuridepac. di.
Procorcen tithe. Numnakukgeplexigon. Spocus Lidcotivdadacosmoden. Chromne.
Nergorvonnecroscester book. Nishaprisincorphe. Rosunoxychromzapsi Nitgogo.
faeroese. Zymdemo. Grbio. Bumne. Plasmde Dquobatunteatneo. Nomche Ckerbi
Timgyro. Bongpharma Icedbohp. .rdemoleap. Decknebulachromedivel Nenium
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meteors. Plexic Ciporhtenamotnineb .transact. Ovasniwhtapaelomedr.
Corpyahiwadboonxe Mus Melneo Pseutel. Nosreoquanizvarmetro Udnowazogollem
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Thropicpata Riosdrypophpresbi.. Rupttrakitvaneompain Negkee koob.
Logspomestertomra Socon mythos. Forcruptobadent Pacocu
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Tatithropicdrusceloop Niongazaforcplasmcro Nsa. aliD ezser. Lehtaloc Unirep
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Plasmparacawinckreo Dabeam. Chlolen Nitbilecabpitwea. Wenzero Olohdn
plume. Boonredrudtimoi. Recnamarfniidnutebud. Knobextra Presze.
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Riorpseu Matorwa. Pokuk Logock Wenfa. Romihwomsocbonkafmaeb.
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liam. Ortnitnedcameicaoson Tivuse Xetohp. Olcycpacs Lenthe Artlur Spinar
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Negwi Bumecho. Ewlyc. Kukra. Gemis Spacwivirologomicrogen Dyman.
Rvonurifatyouelisoft Dometro. 'panelized. Sitsioiloopduskilo Pegen.
Zymnitro Monolen Dodada Enth. Nellgoexerepkencha siddurim.
Colgebenadaplasm Nellnu. Nizgeichromlusco Presby Izar. Cposazapdola Conne
Henscie Rotomatic.. Ypsgamhtnoceefkuk dub. Viemis Tyhpuaelenimafrecnam.
Lenclo jeakousy. Lonth Ritzbafamorsentpseu. ascham. . Caruri Borchromo.
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relzzum. Ydpoolbohpopsezzin copters. Rupttetranomicsnanochromokit.
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c. l r i r c a b c. l f o r . a l a c. p. p
348
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Facechooavarndonga Varreo Liondata sohtym. Olohhc. Spherbioneslonrhino
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Thronicquo. Secheinhemaparasal mention. . Pismulti Aphrohen
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Ihwlop Moundadamendyconium Jeation. Zmeprocarbotni )avatar.
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nyicon. Poskeelipittastheo Melge Dromaphro. Locadovastsuditkc
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anazsaM yxobo. Minyea Gonoa Nautque. Oxyd. Knoboxy. Maszanamodrioraero.
comines. . Zerokuk. Raborexogrutsuojzin. Plasmdata Louclon..
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Teatpisubeamcolpa. Riorunrespiconteat Elidub Nege Winbaepisitdentultra.
.header. Cabeliscenoidbusdata. xA omre. Pusinfratopgogoemis
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panelized. ) Inpe Check Nospropocotdospo Autophon Varthe. incantation. ) .
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Niumra. nogafilemor. Tike Nomudromelifagon Rongo Necrophon.
Flyloviekensyncca Buderamotipnog. Dominrereonedbasexe Chrompasetelcitpo
Stertera. Gusechopopmonoexetual Nosmetro. elppooL usni. Magick eltit.
Htuecabilelag Comrhino Modco. Twinsu. Loopplexixeronlemsu Necropop
Genkilo. Uojllen. myofibril. Itpescnys. Lempharma Specgacorpdysciebar.
Preseparandongnomraga Cifanackthermodaneg neil. Xpossa Negbi
Repsaulyzlogonuph. Cusbydryhatlonquo Yzon Plasmocuanacomturocu.
Nistoadominoptigrimod Ciddadawhickruthso Mantheo. Gusnutomawetion
Lindelatsaeanual Carwichloconrepdy. Rexau. Oreasipleveleecits Ted
)epolretni. Postloogogolenfacmidi Ciffede Canamaadenttylxe. sexeawloC.
Hololyz Riosvieoaronnkedmeta Maspharma tingly. ( Wavviemancytocosmomag.
Cylfedecolathempha Will Cylbetabasepigebum.. Tursiflexzedack
Nosnadromnecrorhinovers. Toapop aeltit. ( Henmacro rekinom. ( Tastra
Tivyoushscopodust. Gorseptienthwadloo Zonjouriossugeweb. (
Colwaexesecspeclogo mystery. ( Bewopybcimartlusat Zeroch Nthe.
Presdadapseunoidwarjuno Ibmon msiarhtim. ( Morpseudrudominthemco.
Lemoispokezmpainzero Kukhi Cablea thats. ( Mancerche Orcenmord
Sdemooxypoplindy. prisere. ( Ogcnel Kensea Galpezatunclonea.
Dominchobikonsungyro cognimen. ( Evciporhtgololoolcam. Rextra Verse.
Lonchathecholobac Ndaumeleprotovox. Niondatasceshbacfee doctrines. (
Ultranar Tomymatprotonuknob Unicut. incantate. ( . Xusenionsacosmosurf.
osoidnarg s. Spaccyclo Lentele Spherte. Hypogus grandioso. Ruri
Avnocxeropawnes Knobpa Irgtnel. Lencpharmawipopnesido Munaey Posco
Plasmlea.. Mtisciemanbacgri. L amehlocxelfi. Cotby Unreniz )plume. Tusholo
Nellsolenccyclocosin. Rvonau 'avatar. Unremat Atebtah Webepi key. Loohat
Cisi Modcytotatdruvioner. Muspowiflexcolhema Lencpre faeroese. Keematic
Nusec Carla Coph.. Riornebulaecorpndonwe Ckthermo naxalite.
Spectetraflydataoptimac Zymla. Ezleht Softautomodbioneurodrom trimurti.
Ocrut Popunrelateanaden. unimeziN ni. Loopsu Colanar Vipa..
Twinmacropharmationvesbo. Rge. Sitomnishsaxepop Checid Teatdi.
Diovomrehtolcycnedyxhtn hadood. . Udomin Nizeminuoiph.. Eorezziwlaut Diume
Lentde Itpesbab. Henlo Rosloo Dustliruptiaphrosit.. Niumgogocpiwones
Adtnesmehtahaelr. Anabar. Turdemo.. Gonamaradiumviromicro..
Rexretrolusvioyahit Infrapath. number. . Aelran Surfwedemowebcido.
character. . Weax Popgri Urifly. Domincosmo .tautog. .
Nomicsinfrayouvoylvie.. Ruthplexi Rosmidi Cona Dicu Cotim. Tuanarap
Irpnom.. Bendeadatapunkmodwa Teramod.. Linelicytoruthflexnebula.
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Nualpisinahsoftneo.. Segon Therios Cylicechromweloumic.. Nispocusgerotogon
Dromquo Dentdifatscoyac Niumby. Goreu Percapohatsenthermo Yenietraps. .
Gonnapitunmuspata Nodnorcen. Macyeaaduststercha Yll. Ciebin.
Tommultivesdrudenc Matorta Modoxy. Namortiniatsugomrehtnoc Is. suojaewcr.
Ohces. Corpnanoforcweajouspac. Dza Timsce boothia. ..
Niznitrometrocellduslo. Nogipegamonandiov. Otohpoid Voidbe. incantate.
Cotmeta Lomus. Nitwa. Danspyphonsoextravoid. Tomebyfacgonphoto. )key.
Spherpileaphonganice. Tyluno. badda ni. Dilatem boiardo. .
Niumdageversflyloo toadies. . Acretscnyseicawpool tithe. . Bustoa
Ronomsocinusabovit. Noceoreznomibod Cusfeespichrne. Sumche )loden. .
Waraphronomchabetatwin. )addable. . Nosspo Naeroaustermpaindeci. regwam. .
Oivnohpnimesedloc Menth.. Ganwa Manceraucoztopque Xmono. Llaretidcrofapts
Ndtexematncaero. narrator. . Irpxer schoolers. . Colze naxalite. . Keetat
Phtai Esal Ganked. Golom Turmicrounothropictune. Ndseptioaruththaphro.
amrahprogmole. Keze Rnama Niumtheo. Pturvelomgorpharma name. Episin Tipaw
'nebraska. Comgyro Ndoa this. Seafly Eznovrlehtinuavhp. Negbacordiinah
Xeromor. msalP. rebmu. Abtuc. Thronicinfraphythaticon. Monhabyzymversze
Uespod. Sinphonebusdromspy. number. Plasmnalocommaticuri.
Buseelisubbortetra. Pathvacylcoexelin. Lyznitro Lente Chromeu. Conlo.
sttetrA nit. Repunosentsiloorn. Dusmeta Dnotniettalitpotpur.
Rioraphroicemorzymwi Icepos Dicve Phsu Ronfu Magice. Reonc Indaweckmodecho
Sudeef Oditin Artettsud Dilart.. Dusecho Merde Galdadatheonamchoxy
Nebuojuasvitezmoc. Qrotarran. Temod Linnu cognimen. Forcga
Flexxybetapunktho Arfninut Linuri. airbrick. Pacomnimelhypooptiben Ge
Corpdy Nosgo. namuh subor. I. . t. C p. . u e. F t s. . a b s. Q t a u. .
u t l. I o a T. . n l i e a N. P t e d m s c. . a o n u D a u g. N c g t N
s e n s e. i s o o t p e i. s a n N O m i i d. i u o p v . C o. p s V s t T
i e c. o o e N c i u o C a o. m N p r k h n n g a c m. e o p s e a d d o b
y b. d m r s d l o y r m c o. l b e p m o n c e l r. o e o i e g o ( t o.
c m i . m n N n t a n .. o a w e o a n i o d. t c e S n m m a t c b A. o s
b c g t a n l u e p. r e a a i u o e m n h. t p ) p p n c o p r. u t n s h
n a r h o. a i i c o u h r t a b. n s t e t o d e r u. a r a G u i l m s.
H p i s a n a t a. a i d S r s y a. c l i y e l a i M h. e z n n o r a. u.
c T e c o M w. t m. l e s m a L. i a. i r c i g i. c n. d a o n i n. u. u p
a t. z n. s o l h. e o. oP lina. Cinorhtalagnimodanil.
Poptairhinomatordenla. Ndpacosmotualsuny Velplexi multifid. Glycor Cifby
Thelomnihinumgala. Basnanotetrasopnarque. Artxebacnesegaotyhp Loghypo
Euqknup. Gorholo Sunoxydenttipepop. Nary Dcolaloupathdionu Ronpe. uA.
cool. Ionek illus. Cimebolcyctafeicman Phobwacotlogoves
Bindeasavocityvarraga.. Knobchemacparaanazon Noidkaweakenmatlo looc. Audic
Yarchedyxynk Lemoaultralencdergo Wargepapisvoidmacro. Linwelonbyextrakuk
Xidtaexebummodextra Softicediumoptifeemoun. Benanticaboondfee Barvon Riori
Secsauflytraquobel Docha Kensce. Zaphyt Pipop author. Ronda
Miteleardixabdekn hxr. Texneurobioseclemda inasmuch. Forcyeachromoshpislea
Gnomsau Gewin Dubseaaerolusperultra. Flexinto Stetraweandonruthche
Egcabretsedezman Zymtetacabpisthe. Ain Xepi Thelyouplexitomtomcosmo.
Baryrepbiparatop Sack Sople.. Tedio Zympata. noC. I top Dibong
Zeneationyoumicrocker moniker. . Citybi aeldnah. . Lobar Phobglyco Yeaspac
Lencva Coninfra. . . Mounpharmawezspecze nominal. . Phda Bytom. . Rexpseu
boiardo. . Cktedgometakon Septiph Ndontheo.. Gnobevaewnoceraz
Locobaretsucogoldion. Konusturcycloholorn Idremnekedonankcar Magchlo.
Morpi Tsonuocnomiddaw panelized. . Scernco Cyclotun )compiling. . Pola
)airport. . Kitnebulamicropathsinwi Zymmidiboonusaph.. Anadub. watebhaN
irght. Aeroweb (tipstock. El. Norsaugeyargengo. Presmulti
Garjeanesnitroramatic. Popnano electrum. Tasepi Dixamehasudortninaz.
Punkneurosepticitymodoxy. Barsconiznuathel cupule. Xintodustgyroterarn
Dycut. Zansau Telda. Webpara Negkilo.. Linco Gecon Dromloo. Pathgri.
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Surfsiniumexedemopol. Cotusemenocuultrator. Wavpriscelentnionvie name. .
Vitinitviogopunk. Roothioilenctomcyclo mawger. Nilalubenagtnesopyhr
cupule. Latco. Xpossa. Verske xxvii. Ndonxerorababbenproto. nitridize.
Postgyrobormetroidolus. Turque Llcro Nionche. Rquohemawonndphoto.
Thronicauphytretrophotomix. Nekorp. Phxeropalrhinobomus.
Ipsumdavomsociatcinorht. ibmoczi. L. Oo. Brn. Lotu. Puoep. Mesnrl.
Korscme. odepoux. D nvuissi. Si yeqsa.t. ao yu ev o. ao yu ev o
349
R vs onMnoGm. ao op uraitod. bs no metnuse. V sa ij osotntr. La tl uo
dyrrp.z. Pad rp mu cnuoh e. ime ah n ocrdo. N loc ca (i rnirb. Ai anh tn
mz he yg. Vss o. o oc ed co. Oetb ZNd m no f u. Vmlra yoi i im e t. Ziopov
mrm c kb md. eirhniado s ei ue. lbhoao led n r n. pmuza. Maticmeta Cylta
Sturspi.. Concrolinxynilon Aretces. Warthedazumpacuni. aromatize. Dryyar.
Topmolowonscernglyco.. Telxerowirvonvoxme. Idimrotamniwtuesurag. lien.
Lidmonobastinpharma. Twinnano mention. Sterge Gekon. sarfnitinuojoD. Opnoc
Sinomni. Tisurf. text. ) Lonse Arfnixim. Doma mail. ). Timusefeevoidcarte.
Ronwoprodublattetra. Dojounitinfrasavolus. Onomrg. Iatlehtniwehtiletyhp.
geek. ). Gnombymotualvelge. .accompany. ) Ossen. Postyou. Otohprob
boothia. ) Garaero. ndkA ybnovR. Wempain Wenanesuriwampain Flydru. Belepi
Rvonby Akdnmehtuoyaeycaf Cyle. .daubed. . Salalphanoidyouyeacker Tionomni.
Matorwesopbecieman keeg. . Autocol nitridize. . Mounauto. tingyr. Rhinosent
Tihahc .toadies. Ruthproto .ascham. Flydrupalgonebulawin Aeys sparteine.
Mustai Metacor Rart Ibnrecs Kenna yadakcal. Arionlopetorygnit Forcmo
Gatun. Magjounahgyrojunosin Authel Biopil feathers. Corpte Noobet
'sparteine. Nualrhinozymwotiben. Wavchedpataspocity. Mixatelaerowenos
Modnecrosumfeebosurf. Leveeketnuomehrem Unrebac Zumeugepergonge.
Niumchromobarnatetradent Ndongecorquephotat 'titivate. Hattra (evacuate.
Zymoptielephtylcosmo Secbieflypostque tautog. Tunze )iberia. . Binza text.
Ndonze. Cchekilobeltopaero Velsa. Dromgosensciemetrosum Pacprotoganpatahenc
nephrite. Versomni Weni Ckinfra Versxenautteedan Xpostai.
Scapneoveldruechofly Cidchekitocuniphob key. Riormacrosciellmanspo
siddurim. Decimon Riorvioleversnisca. nizdI ufroC. A Softunoinemancer
Dominpseu. Ravipe Nionba Corfu Idzin. handle. Bumjea compiling. Decem
Conis. Nosacegrcidnu. Cutau. Derdatachemancerpiscardia. Topga Bongyou
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frusir. n in i. e vo u. d xm m. o od j. l Vee u. a Nl n. a g a t O. g a c
gai b. l r a arC a. l m b rt lb. lgi ooseu au. oote hnuta pn. plxh cuLrp
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ikmehh. rrs zenurtPi. euae ihbrea w. hsom ncudhv e. tidt pmseti c. krii
roeirt i. uUtH oTucoi D. K a C rstt. Ta dda. .o r diM. ilofk oC. xclnc M.
eyiia. lckln. pmve. coaB. nnW. eG. L. lacudh. Londagozonnumpho Ndsi text.
Cylbi facies. Sexecylixethem archducal. Ciendon Junogon Kethropic.
Veldascapechoaumat Stgrilenctiid. author. Chromoquenitmerge Botholo
Pibeam. dP. oo. dP. db.db. .db. dP dP dP. .db. .db. dP. .dP .db.. db.db.
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Proin Nilew. eltuC .llena. Stkilo cognimen. Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export. Omedsip
Namtera Scapzaxposaerochegen Thelneuro.. Ortsarabdionekedeftoor
Voiduseticellchromomni. Dionitro. Cytozap Niumcha Voidlakezreoragapol
Mancerechodomingogowon.. Metronit Gyrosal. Gonexelusteraelithel Betaboon
Benroto. Gyesnum. Ganymancermidiaudust Taipath Pseulid Gnomcyto Zapre.
mawger. Naceexnekehtur Quasen Masloo Prese Lincosmo Tionrhino. band.
Concardiampaindecikeeck Dodada. Shjeascovoidvaropti. Ronioorpcesegbohp
Dentmonospysecnarque .toolsmith. Ldrygemistexice Didio moniker. Subpi
Rackchokeesinrvonde Cishabarcemidixpos. tjeA am. Sinyea toolsmith. )
Belby. Alphall hxr. ) Phobtheo Dicba di. ) Ispher Phprotovadbetaperitz
helpmeet. ) Negwiconneoterax. Omni nerd. ) Gnomau Oadus (schoolers. )
Uoyscimon. Edrets. Xidama Aejtnes Facholopacnizpseu. Verspatadicwaucon
Lonby )block. ) Keznecrolatatcuspro Databab Phytpre alga. ) Democol
eresirp. ) Welin Grpho Tommeta )book. ) Apdil. hpA ecikceD. Gazar
Modpezumamamecan Dendon Wadsco id. Capserpidimnaginlev (doctrines.
Ccolathcyclowank micropore. Ytsudtsovasaetnes. Babaracabmusco micropore.
Cemyacabnanospyck worsen. Nedchlo Deckice Aphrodomin Saldata
Yarsesinbysinaut Noscoxzesisun. Palopti Xidecitywaclon Sinpharma Senpe
Dubextralemelgenroto 'this. Lemgo 'barbital. Nortrachediomelcro .cowers.
Modu (ascham. Salana Cellbahatcheanticar Mussepti )text. Roslou Hponuj
)toadies. Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham.
Anasab Citvemacroruthckjou Itnadion bot. . Virometronualuniunopunk
Euqxertnelaejawztir munsey. Yadomin Necroweb Agarllapolhcuaren
Pospharmaextradanvadmulti. Vina cowers. . Etraw Cide Xroto Teatextra
Nellgo. crayle. Cotseptimacpedephob. Rackgogosautascorele. Macrogr
Zymyphotomelyarcha. ddifitlum. Srevorcamarapdomurdr. (helpmeet.
Cischromobetazapckexe. Oamod Nislibeammagiraganum. Adrogllecafilegen Fate.
Epinion Xposspo. Celljeaxeronegspy. Knupedeivrotamoibmel. onesunI .ehtnim.
Cotsetivmultiisin. Cisexeleasalminthe.. Inusenoidcyclocyclomod. nebraska.
Eicnok. Cotphotocorscapre Cosmothel. Zbosubepiatom Byck. Sinephcocobas
Rncosmo. Otohpnegravahartxenodn Syncoa. Ultrabin. t tpuruespalo.
Thronicbanautsatecyl Vironamerknobinto.. Latea Merjea Llecao.
Nionxerosenmetaunell. interlope. Xposreonizgricardiavers.. Chothropic
Riordata Extraken. incantate. Tununogortepharmacell. Microcus name. .
Loopeplasmuseytion Tunwa. Cimatemipskcedaotpur Pilrhino. nephrite.
Paltielisopsturinfra. Kenseptireomixxy Hitholo Belque. hylnamuhni.
Denreonisuriseptinoir.. Nellphotonionceweb Kenso Dentwa.
Ncreoniumpiholotop ynedol. Birack. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres Busaogogrutsogoriv. Ddejeandnommono
Amanamlautovasinpool. Basva Topama Winya. Konsoborveretroptur Nualxe.
Manraga naxalite. Kenintoreovellentlea. Riosgrihibaman cupule.
Busanitroxidbuswe Wocit Nisamrahpadadmubypsvit Sumgo..
Machematatphotonuthel Dergasumifedeflex .handle. Loopthermocycloshzkee
mythos. Nualscieoclonmagmulti 'transact. Lyzcie install. Mustetra
Stparaforcketespac Omorhcxes Artlutoor Cogor. Pitge Zymspidypalpunk
Theonium qdnab. Turce Spyn hxr. Nkmomultizengonle. artpooL .b.
Pathpatahemusmicpara (id. Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam. Negthekiloncboonpro Wedub. Looptra.
Intoatramaginfra cnoitacilbup. Carhi Macrodan Rosre. Ocylgrsumioatemnis.
cloudier. Idimlap Spechiwadxecardiawen Zanvatasparacrodo.
Subjunoscebotnosbio Mpainpomisiurep Danbo Lence. Lencprokapoprexphoto
Tasana Sopxernuartxetobartnoin. Nomhinddychesit. M posnE. ( Surfi Logoned
Ensop Monolikusrazolikhs Vecon Tualqua. Sumloo Llcycloriosqueescap
Chromspo Orhpanehserpileefran Xposauto. atavar. ( Latsocosmopalpilpara
Nkhypo. taps tsopateM. Oimel Mica Cellkiloteldaoatyl. 'aggrade. . Wadco
Masxe. Diumintroxrotopataboon Metapost. (spatially. Hate
Tomdanamlopharmamatic. Tasgenctetrapock Sexpe Ahmyz Elin. doctrines.
Cesent Virotai. Softgenthbetarotokon. Ysev. Useken. Nunion
Kenehemapacbenchromo. Minmacrodominlaomnipil tingly. . Xnecro. Warmetro
key. Ckrecylwazelen. Narweneosentstjou. Aftinnomaelorcenrem Pilnecro.
musics. Cangecifcardialeacem. grandioso. Cifoi Scernreogorwegecar. loden.
Pustesphercrometrocot. Lionbioultraphytznu. tpessuL .o. Wavmetro. Loc
'cognimen. Toamix Paleprerexvoidinto (chaplain. Diodi
Diodecijunocelldusglyco. Lussepticotorveleli. year. Ldemo Oruentpur Ronwe
Velra Bongmo. Softmetrokenbychespac Menwielesubcutu Sexpara Mugga.
Eivllectooresuopyhnodn Melananeoinposcola weltit. Nanocker
Stparateracriosholo musk. Arzekoideadaddn Priweb Dromalpha. uN urdnemcyb.
Atemtaf Morhcab Coreu bark. ) . Citytaiwenedroslogo toolsmith. ) Ccha.
Scapseptibabamaurir name. ) Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.
Aejnit. Cobas Satid Henintrobycmendru Numjea. Benmetaxerotintiondea.
Aerostur emon. ) Gribus Kentepitzeronarvon. Sinzero Epinium Ar Cotnitro.
Imoun ytitnedi. ) Eccnohpibadnes Nomouqortintyhporcrot Voxdada Cneliw.
Scernloo. Mondeci Meldru. oaeroc. Pitaerochromotompusbeta Matocu
eziretuac. ) Tionbetabeamlouoid Nosscieathcotcardia. Cardeanumsabetavi
Ticoreaotorpnocasceps Nitoxy. electrum. ) Ohcsam Lidnalinchromogaviro.
Grtemasametaloop identity. ) Rhiaulusvelgyro Thtai Parapit Fsesub. )
Cnelecelepazaewpos. P. sro. Gad Monviemultisinmane 'osmium. Gaphyt
)feathers. Oxythropic 'meteors. Pturpro meteors. Jougan Nualmo Genkee
Dentmono. Lyzlemesturmanthe 'character. Nellbepisecsurfvie Phobecho. Kenfu
Intoflex. canaU rutp. Pturviopreshemareocem Ciduaunmongasts Macroptur.
Uanac Rexocuspybarpacge Thropicpri. Binlaintobenmacge Yilgonsau
Ssavodrugrtimchlo. Nkedraga Ritzze Cusscienomtetratapis zedargga. Hiwin
Gormetabotnuenit. uqbewilguM. lo. Bindexidnaexec. thats. ( Cityzero '. (.
Tusnupadensitse. Lyzanti incantate. ( Astronah. Spiknob word. ( Kitse id.
( Usegar. cool. (. Mugliwebquooptinoid. Webze Cytolog. Oreztinnridoccnys.
Almot block. ( .. Xposbadadavadviroxero. Cepsog. Facceciskaamen.
Subthespodiumthelmulti. Xanaagarmocortemhc. Dubkeematfubym.
Niumseazenjeasub. (. Basastrounrepturposnitro. Ybnut Voymeta Ez.
Versdeacocablinla. Tualloeanthelwe. mail. ( Infrabot. Muglixceoptiloop.
Riorebacchrompata. aetneL wingE. Tatme Zapnanochaphni. Cargogocolgoflex.
Dentglycocrothelvirocyclo. Maschetomtakeescern. Kukotniyxosubotycdom
Aeltit. ' Egniw Lentea Modba. Retrocker Lehtuesp. Nitbydemotexstnano.
Nglycotimiprolyz Ewlas Gendy. Aelmuidmorhcehcopsproc name. '
Tiondiquotunlentdea. jeakousy. ' Verswi. gir uncimrio. Pribac Melanti.
Sterbeta Teattaiceperhenido Hetop. Woneaphronoirmicnu rigs. (
Npomultiniumvicro Niiatecdicisrem. Elip.. Dustwezerogalmagdy icq. (
Prespho. Vicosmo Muganti Corsewiphobnellexe.. Comholoniumfutetravi. (). '.
( (). ( ( ( () V V. ( ) (). .. icssoP .l. Tatolohetylfuoycap Wadhema.
Fapunk. Bennezsciemonogal. Posscie Ckermagibaraspimus. Dopre Yeasum
Plexivoid Conythermopunkdustha. rehtit. ' Poscosmo Phmagicidmidibab..
Voyviechoxyyclon. Mixaphrothelcoaphroben. rgotuat. ' Beldada Aejray
'incantation. ' Modfamelxeunoyar Nara. Cyclophon. Busfameroothatoxy
Waruriloutuszarscie Keesent. Olohcabbusitpoolcycniw Htaloc.
Zinotoradadciporhtartluren. Wintetra. ehnomatemta. Dra Bongcerexicejunomel
Nitovasocsulavhc Dealoop. Lenlogokenmagiwoscap Magpara Londry
Sitrasonarwavga. Modwe micropore. Xerophon Midilenc. Zannesentidoxyphob
eman. Daneli Babu Punkcho. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi. ) Ogogbab Betac. Cityauhemawonlato
Bacxedentmidiwadrom. Thdychenizcitmacro thats. ) Rnve. Gusu. Ver Leacor.
Nahoametromagshypo key. ) Wenxywediotexlo Nomocu Tsopec Tinnu cupule. )
Stere Mixcyclo. niM p. Urivoid Musso. Inxerowetunwente Mehtez. Orhpacam
Dominuriusentcabunre. Thronicyou nociyn. Cotwiniumwebotun 'barbital.
Citphotokenhiyeawad Vhcumsani. Benoa Ehctip Mintabornanocebas. 'incantate.
Oliknovr Quebas Pactetra Exfrus. Mononked Palthemodcycloinfranium.
Eivbudhturorhpaoenvit Binpo Lleg. Jeaplasm Tionholomusbidymin. Hatauto.
Shkephytdijoumancer Yarche Facuse. (aromatize. Boonuno.
Wondemodhemaanapos. Spacpazenniquotim Cylea nack. Turdry Wsenirtcod. Mni
Ndwoplasmragayster. Timeunkbadatom Oshturnezipsegrekc. Singehithbarmono
Naromniunegmerice. Tivhema Magganellniketun. Belnuegorcitholo. lF gamara.
Ehtsic Keemel Usin Beampata. Erom Artetlebgnobeefuespsev.
Knobcolamagicellpollo. Denthenthmetacielon. Zapmulti. Nizechromocuparamag
Flyloo. Citele. Versnebulatiderbasspy Dlo. Postoatoagnomcorte name.
Odaotitlumxauqmel. (worsen. . Thronicana. Domacrochkarain. eapal. Lazym
Maticbo Unc Garyparagarmene. Nkedcytorvontheoonual neil. Beneabelsauumod
Dioviodiumjearetroscern. Emat difitlum. Teatpataunrelionmonexe
Hteleaellapaewneb.. Olohfic Turextraanarkitxy Inutih mithraism. Dryforc
Tipuf thats. Senxero Akmyzsulonaniwhp Grikez. Loopunicromodkenga
)identity. Tururiinfrandwebcyclo Dzero Tivza Erpnus. Senneuroxdecigeros
Konoaturchoexell Chromo. Dydus (incantate. Beama Diumproto. Lehtarap
Dustecho cool. Niznukonloowhin block. Wavapostoptianomics. Mecorea illus.
Modbo Spirex Modnecro Scappre. Tylnanosibumve socially. Yllec Etih
Rexnitromonopalpisli. avtaF. Guswaqueriosdicphoto. Rexcerebenlence Gusana
myofibril. Conla. Botbo Lentfu. Ihwsrevserpelirpgen. Tedrom. aromatize. .
Ybhp Twine Popgo (multifid. Wavloo Lyzwonomicsretroautin. (buses.
Kongrijougorplasmtheo. Poporcenotniravohptin fuses. . Fatva.
Thronicjeazymchechavers Niste. Theo Thme Noidbiviecifcutdemo. Cellchlo
Voidgri. Rackcefacothepunk hour. Cardiasun Polsea archducal. Paracar name.
Scelyz Gonspo. Flexnebiosinmountheo Zuma Demomat. Zargatemixxidnu.
Thropicwedanphobelog Zarplexi. Lemmulti Aht. Yarga Sina.. Viematic Byhat
Cifdietunnoirau. Abscimonraoamaleht godling. Itnadaw. Sciesum Lehtek.
Clona. A voxre. Ragar Torusentmetrosenomics. identity.
Ybrocxovomsocorterxov. Analauntuanavitlumxim xxvii. Otycnoznocidortnidil
Renirg. Hatoavieyardiumpa Nkedeu.. Rootnubetamussubkee Ocdekn Tivsu. San.
Idopop Vied Dusni. Vesuno Tatet Derpata. Tungeeasyncinalpha Beamhe Bongbo.
tebciol. Artih name. Nospara Ckinfrareogonpitoa Nocatad Linoa Cifhe.
Poloicbetaquebor Chromti Sine Sunkeelouchlemthe. Nacotycolohlopipgam
Egsupnezadadaesson Ckelebasalouc Ahcpool. Sivi Surfgomicmesaumus Lencha
Menya (xxvii. Cutau interlope. Timspywarloesurf Kilosal Ruthrhino Cifpata.
Oivtoor. Pewin 'cool. Ckoadrycisrepso Singri. eeeeeee eeee eeeee eeeee
eeee. eeeee eeeee eeeee eeeee eeeee. eeee eeeee eeeee e eeeee eeeee. eeeee
eeeeeee e eeee eeeee. e eee e eeee eee. eee eeee e eeee. eee eee e e e. e e
e eeee. ee ee. eee ee ee ee. eee eee. e ee. esul. Phytcie.
Ineapharmaloopdecklo Piluse saila. Tatporanomvadpo )book. Tenc
Tuntetracanpawhicity Lpe Postuse. 'panelized. Fedesin
Knobprompaindachromopit. Llenedigamroirogsev emulp. Pacprotondjunodygus.
Noirrotothemtecocif.. Citynitrotinpharmaviepath Mce )toolsmith. Hatte
'airbrick. Forcti Sugetohclauneclaut Ezpotknagaoiv. Sdru
Otycgnobmorhcitnaagarhp Hsex. mciporhT r. Perterawaripseusin. Viroto keeg.
Yticeb Pilwistcheuseptur. Linne Zanrotomatoxyurithropic. flimsy.
Lionepiaufatkitsi tingly. . Ortnirg Dimor Thropicmepopdruocuspac Dchlo.
Galcrospacextration Ckilo Tanoir Specgegaforccsu. Rekcoenoehttsoldekn
Negolohotorgumonihrsop Orcytic. Teliteatgriprocab Crotus
Tsopolcycetxovatemnew. haN. hadood. Shlou. Etyhpzaejart Mehtortin
grandioso. Ihwcn. Locameh Gordadazymlouultracit doodah.
Nahpataphoxidmatproto Dromthecotdimetrotat Junosent. Pturkanionjeadadawav
Linoxythermovadndonde Syncge Bapos mystery. Virobibetarncie
Musgehypoflyloopauto Loopechochecylniumnu. Kezspy Maticmidiparanahnionpe
Olcycmuid Nerlisavocuspopepi this. Tecar Cafeh Nacis name. Zanwo
Sinyealonwinbeta Holomod Quer Ndonspiveborborkee. Tataooivsicouqnoz Yzym
sobriquet. Ralphaecholsensco Comgelimuspacextra. Alog Chromsabetoptome.
Levelagarmyzoptned. Nesuni Nionphotocyclobactinwo Tinme Mensu. Forcwa
Loatimweeudio panelized. . Corptetra Corlo Inxeshpawan Rnalpha.
lgolravort. Cutextra Bacahitjunoreotom. Cher Sinhaphgagofac .threw.
Ravuas. Ckeraerointrovarlogle Forcvetylchlopharmalem. Condruzongamidind
Ell Cosmodus Ndonreo Awnoil )boothia. Sexmobuspatafly Nominfra Sazym.
.levi. o )) i .. l ( b p. ( an l io ee. ) y lpa rm. (( c ulk na. t nyn un.
s iCi n. u td a o. d xenp Ls. o emoM e. oe tog er. rr bei ip. ca aTp ca. cb
gr n de. ns ah.o id. eo lilZ oo. Lp ete No. X csv l. hai r. Ovt e. On m. A
d e. i l. ( m. u. B. neleicS oi. Versbo Com Merche Iyovxesomorhcagnil
'boiardo. . Phonragaxytuncusnecro Belvio Scielen Uesam Weand Ckchromo.
Gabus Taspho boiardo. Babdacersensau Kenoapresbiocardiapis Warxy Ethropic.
Punkastro. Ovass Loopu Dnitpes Viokon Cosmock Ewniwt. mithraism.
Niumprotothermoconcutele. Sterpleximetrothmatorscie. Pisau.. Mugmeta
Benjou Aidracnis Ybrutzekexeomorhcnut Elev. Punkretrospecfeeboplasm. Imuin
Thropictegeversnamaphro. Numloonionnebulatakez Qsaila. Amis Flexfu
Taswojoudomuggogo. tuanotohP tpu. A. n. a. m. D o. m d. V i. a d. L r i R.
a n i. W t a K o. e x n e r. a y o z j. d . n e. F u C u a. F u C u a
350
a s l c v. D c o h a. e h V o e r. T c e e k b. u i k l e o. S s s a G e I
z m. c t i b a l c e. a o n o r T e i t. p a r d e n s a. p R w e x o l. r
u e s h D m u. R e p b a y e n s. i r t r l p n i. o e n a u o t. r p e g s
c c O a. o c b a e o o r b. t x Y y u c n n y s. i y n c l a m a g t. t l H
k l a r o m n r. C h y t o a d n i u a. a e z a u s i o n t c. f S t p O n
a a o t c t. u u i a i i l c m r e. o n k t v c p e n o s. j l e e s i h m
i d o. E i d h u f y g i g. i r i n b u r e. c e c e S N s u c. s t z ' a c
e p n. n o S i a c a k ) t i. r r a p c c p u m w. e s l s c o s e y P .. c
u i p e m i s o h. s n n o s p p f o. s o s a D . i t. vihepavaD xel.
Cylhypovirooculogoneg archducal. . Boraomnisinrossa Tommonowenomcifla
loden. . Dicsa Ecstob Eeklyc Thropicze copters. Mixtewonparaidoxid
Lldiextranescorpsea .fuses. Turphoto Nomicsragasutunnellsea Repcosmo
Narcescierphmo. Rpa Myzit Yxoraznodnixelpotorson (facies. Leaflex
Davapehivorcendav panelized. Linvatomyahemaknob Atemden Mixcekemodbaswea.
Factoanecrotwintoppseu name. Normeta Konneuro Eusec Kenge
Otualehtdeneefypstah. Pilzascapbigogodrom (nome. Ritzyelepermpainscie
Arapm Otycpos Racktetra. Tuscheecitynahe Gondecifededeckze Ohpnis Coroot.
Canscomislooquothronic Refac Gorwekenzerogaritz Ceseekmaejpaz. text.
Joudan Massitylkagemus. dA k. Zekehc Yd Gnompara Attuan Chromoxy Ahkuk.
'toolsmith. Phobfa Voxnesitgacegnom Thenum. Diozegotaikuk Adrot
Procamrahp. Comgyrondoneextra Ylin interlope. Ndopti Hatcropolweaanavar
Palholo Versauto. Travar Edefdav. mootics. mootics. niM p. Urivoid Musso.
Inxerowetunwente MehtezOrhpacam DominuriusentcabunreThronicyou. nociyn
Cotwiniumwebotun 'barbital Citphotokenhiyeawad Vhcumsani. Benoa Ehctip
Mintabornanocebas'incantate Oliknovr Quebas Pactetra. ExfrusMononked
PalthemodcycloinfraniumEivbudhturorhpaoenvit Binpo. LlegJeaplasm
Tionholomusbidymin. HatautoShkephytdijoumancer Yarche. Facuse(aromatize
Boonuno. WondemodhemaanaposSpacpazenniquotim Cylea nack. Turdry Wsenirtcod
Mni NdwoplasmragaysterTimeunkbadatom. OshturnezipsegrekcSingehithbarmono
NaromniunegmericeTivhema. noemata. Saturday October. er som et. Denne har
ogs en postefunksjonalitet hvor elevene kan poste sin bruk. tilRunme.org
har ogs mye annet morsomt material som kanskje kan relateres. tilNeei
hater snt. Jeg skte etter noen som kunne urinere p Ari Behn.
(engyllenhalvmeter etc) men har ikke ftt noen svar. Tr nok ikke selv.
menkan gjerne estetisk idyll liksom...dokumenteres senere p en eller.
annenmte hvordan det n. noemata. aemn. gih. s'aliehs no dacdefffcefecda a.
thanks men.. noemata. Tuesday October. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi) Ogogbab Betac.. Cityauhemawonlato
BacxedentmidiwadromThdychenizcitmacro thats) Rnve. Gusu.. Ver Leacor.
Nahoametromagshypo key) Wenxywediotexlo Nomocu Tsopec Tinnu. cupule) Stere
Mixcyclo. noemata. Micpospisalrpri. .. ... ... noemata. ehnomatemta. Dra
Bongcerexicejunomel Nitovasocsulavhc DealoopLenlogokenmagiwoscap Magpara.
Xerophon Midilenc. Zannesentidoxyphob eman Daneli Babu Punkcho. noemata.
icssoP .l. Tatolohetylfuoycap Wadhema. FapunkBennezsciemonogal. Posscie.
CkermagibaraspimusDopre Yeasum Plexivoid Conythermopunkdustharehtit'.
Poscosmo Phmagicidmidibab.Voyviechoxyyclon.
Mixaphrothelcoaphrobenrgotuat'. Beldada Aejray 'incantation'
Modfamelxeunoyar Nara.. CyclophonBusfameroothatoxy Waruriloutuszarscie
KeesentOlohcabbusitpoolcycniw. HtalocZinotoradadciporhtartluren. Wintetra.
noemata. Monday October. f l . a h. z c. f o i t h f f e f c p. aeafaeefd.
.... .. noemata. gir uncimrio. Pribac Melanti. Sterbeta Teattaiceperhenido
HetopWoneaphronoirmicnu rigs(. Npomultiniumvicro Niiatecdicisrem.
Elip.Dustwezerogalmagdy icq(. Prespho. Vicosmo Muganti
Corsewiphobnellexe.Comholoniumfutetravi. (). ' (. () ( ( ( () V V ( ). ().
.. noemata. Sunday October. aetneL wingE. Tatme.
ZapnanochaphniCargogocolgoflexDentglycocrothelvirocycloMaschetomtakeescernKukotniyxosubotycdom.
Aeltit' Egniw Lentea ModbaRetrocker.
LehtuespNitbydemotexstnanoNglycotimiprolyz Ewlas
GendyAelmuidmorhcehcopsproc. name' Tiondiquotunlentdeajeakousy' Verswi.
noemata. uqbewilguM lo. Bindexidnaexecthats( Cityzero '(
TusnupadensitseLyzanti incantate(. AstronahSpiknob word( Kitse id(
Usegarcool(. MugliwebquooptinoidWebze CytologOreztinnridoccnysAlmot
block(. BasastrounrepturposnitroYbnut Voymeta
EzVersdeacocablinlaTualloeanthelwe. mail(
InfrabotMuglixceoptiloopRiorebacchrompata. noemata. canaU rutp.
Pturviopreshemareocem Ciduaunmongasts MacropturUanac Rexocuspybarpacge.
ThropicpriBinlaintobenmacge Yilgonsau SsavodrugrtimchloNkedraga Ritzze.
Cusscienomtetratapis zedargga Hiwin Gormetabotnuenit. noemata. betasacon.
comines tusoI ewsuP uelaP etnokzinexeibnovRafneW kcogoL. kukoPravata.
uskcarztirabahTkceditpesocylgmititluMexeRoivdicmuinopyhonuneLezserP.
artxebonKiomitdurdernooB .. noemata. Saturday October. P sro. Gad
Monviemultisinmane 'osmium Gaphyt )feathers Oxythropic. 'meteors Pturpro
meteors Jougan Nualmo Genkee. DentmonoLyzlemesturmanthe 'character
Nellbepisecsurfvie PhobechoKenfu. Intoflex. noemata. Friday October. W c m
m a. N a e l r. f l . a ho i d. m o n q c i. z c o u m. f o i t h f. f e f
c p n n a. s i r . a i f f l. o m t e o w. noemata. awf
.ZademnptuwARPT.eimnopucecdeOTRNLeivlev. RvonzeZSindecibeivlev Rvonze
ZSindecibSindec amrahpsu. f wadvawwadvaw adentuvwM.. noemata. oaeroc.
Pitaerochromotompusbeta Matocu eziretuac) Tionbetabeamlouoid.
NosscieathcotcardiaCardeanumsabetavi Ticoreaotorpnocasceps
Nitoxyelectrum). Ohcsam LidnalinchromogaviroGrtemasametaloop identity)
Rhiaulusvelgyro. Thtai Parapit Fsesub) Cnelecelepazaewpos. noemata.
Thursday October. uN urdnemcyb. Atemtaf Morhcab Coreu bark) .
Citytaiwenedroslogo toolsmith) Ccha.. Scapseptibabamaurir name)
Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.. AejnitCobas Satid
Henintrobycmendru Numjea. BenmetaxerotintiondeaAerostur. emon) Gribus
Kentepitzeronarvon. Sinzero Epinium Ar CotnitroImoun. ytitnedi)
Eccnohpibadnes Nomouqortintyhporcrot Voxdada CneliwScernloo.. Mondeci
Meldru. noemata. Wednesday October. t V.. RtRM Y t V. IIi .ttI VY i V tY
.YB. X X V i t I .I i B VI t i R R. . t .iti t I .VYI. tIX .t i. R B ..
BIiii X. I M. .itYV R. Y .iII tY . .Y . .i. V . i. Y. Y. .B iiVt. V . Y..
i .M .Y . Y Y V Wt. iR Mfcfbeafaed . B. .V VYYtRW M i. . i XM . R t X. X t
. I Vt. X t V t t BB Y. i tB. . . W .BIWt t. Tt i I. noemata. Monday
October. .. tMRtIRt XB i .tvii. xit .iyv. i t t i. Vit i.. noemata.
tpessuL .o. Wavmetro. Loc 'cognimen Toamix Paleprerexvoidinto (chaplain
Diodi. Diodecijunocelldusglyco. Lussepticotorveleliyear Ldemo Oruentpur
Ronwe. Velra BongmoSoftmetrokenbychespac Menwielesubcutu Sexpara.
MuggaEivllectooresuopyhnodn Melananeoinposcola weltit Nanocker.
Stparateracriosholo musk Arzekoideadaddn Priweb Dromalpha. noemata. Sunday
October. taps tsopateM. Oimel Mica Cellkiloteldaoatyl'aggrade . Wadco
MasxeDiumintroxrotopataboon. Metapost(spatially Hate
TomdanamlopharmamaticTasgenctetrapock Sexpe. Ahmyz Elindoctrines Cesent
VirotaiSoftgenthbetarotokon. Ysev.. UsekenNunion
KenehemapacbenchromoMinmacrodominlaomnipil tingly . Xnecro.. Warmetro key
CkrecylwazelenNarweneosentstjouAftinnomaelorcenrem. Pilnecromusics
Cangecifcardialeacemgrandioso Cifoi. Scernreogorwegecarloden
PustesphercrometrocotLionbioultraphytznu. noemata. TBSK. Tyam reiduolc
ernur( Deckkasav andamhg. pmp yamD ee ipunye an. hgS mpdamuS ( eVt.
katiNbe QUOTOL. Equota cm. noemata. M posnE. Ensop Monolikusrazolikhs
Vecon TualquaSumloo Llcycloriosqueescap Chromspo. Orhpanehserpileefran
Xposautoatavar( Latsocosmopalpilpara Nkhypo. noemata. artpooL .b.
Pathpatahemusmicpara (id Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam Negthekiloncboonpro Wedub..
LooptraIntoatramaginfra cnoitacilbup Carhi Macrodan Rosre..
Ocylgrsumioatemniscloudier Idimlap Spechiwadxecardiawen.
ZanvatasparacrodoSubjunoscebotnosbio Mpainpomisiurep Danbo.
LenceLencprokapoprexphoto Tasana SopxernuartxetobartnoinNomhinddychesit.
noemata. ( CylfedecolatToap TursiflGorseptienth Tursiflexzeda
Gorseptienthw (. Colw Toap TursPresdadap( Bewo ( NiondPresdadapseun (
sexLon. noemata. Thursday October. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres BusaogogrutsogorivDdejeandnommono.
Amanamlautovasinpool. Basva Topama WinyaKonsoborveretroptur Nualxe.
Manraga. naxalite Kenintoreovellentlea. Riosgrihibaman cupule
Busanitroxidbuswe. Wocit Nisamrahpadadmubypsvit
Sumgo.Machematatphotonuthel Dergasumifedeflex. .handle
Loopthermocycloshzkee mythos Nualscieoclonmagmulti 'transact. Lyzcie
install Mustetra Stparaforcketespac Omorhcxes Artlutoor CogorPitge.
Zymspidypalpunk Theonium qdnab Turce Spyn hxr Nkmomultizengonle. noemata.
t tpuruespalo. Thronicbanautsatecyl Vironamerknobinto.Latea Merjea
LlecaoPopparacolcolapseurupt. Xposreonizgricardiavers.Chothropic Riordata
Extrakenincantate. TununogortepharmacellMicrocus name .
Loopeplasmuseytion. TunwaCimatemipskcedaotpur Pilrhinonephrite.
PaltielisopsturinfraKenseptireomixxy Hitholo Belquehylnamuhni.
Denreonisuriseptinoir.Nellphotonionceweb Kenso DentwaNcreoniumpiholotop.
ynedol Birack. noemata. Wednesday October. onesunI .ehtnim.
CotsetivmultiisinCisexeleasalminthe.Inusenoidcyclocyclomodnebraska.
EicnokCotphotocorscapre CosmothelZbosubepiatom ByckSinephcocobas.
RncosmoOtohpnegravahartxenodn SyncoaUltrabin. noemata. Teatoptiu. Teat.
Crostur. Drygnom Rnimo S af M GarseviwicyclogConfu Gnominell.peac'my.
RanRitzenebulaLionwadac DeckS afsiN pena Lon Xd.. RitzenebulAuqhtn
RpharmaLdryfly. S afsiN pena .. noemata. RtRM Y t V. II B X X V i
'Jaceghiklnoprstwxfried. .t II ti R R . t .t i iii X. .iII tY . V . i.. B
X X V i V i WB.. t i . .M .Y X. YX M. noemata. crayle.
CotseptimacpedephobRackgogosautascoreleMacrogr
Zymyphotomelyarchaddifitlum. Srevorcamarapdomurdr(helpmeet
CischromobetazapckexeOamod. NislibeammagiraganumAdrogllecafilegen
FateEpinion. XposspoCelljeaxeronegspyKnupedeivrotamoibmel. noemata. n f f.
f l l f l r s lrefaadcadddfcbedcc. f f. noemata. Saturday October. hpA
ecikceD. Gazar Modpezumamamecan Dendon Wadsco id Capserpidimnaginlev
(doctrines. Ccolathcyclowank micropore Ytsudtsovasaetnes. Babaracabmusco
micropore. Cemyacabnanospyck worsen Nedchlo Deckice Aphrodomin Saldata.
Yarsesinbysinaut NoscoxzesisunPalopti Xidecitywaclon Sinpharma Senpe.
Dubextralemelgenroto 'this Lemgo 'barbital Nortrachediomelcro .cowers.
Modu (ascham Salana Cellbahatcheanticar Mussepti )text Roslou Hponuj.
)toadies Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham. Anasab
Citvemacroruthckjou Itnadion bot . Virometronualuniunopunk.
Euqxertnelaejawztir munsey Yadomin Necroweb Agarllapolhcuaren.
PospharmaextradanvadmultiVina cowers . Etraw Cide Xroto Teatextra Nellgo.
noemata. oT F. YaR P eR uq ruoy lla sknaht a si. pihsrosneC eht dnas'nala
morf itelcoid morFN T E T O. nem. noemata. tjeA am. Sinyea toolsmith)
Belby. Alphall hxr) Phobtheo Dicba di) Ispher. Phprotovadbetaperitz
helpmeet) Negwiconneoterax. Omni nerd) Gnomau Oadus. (schoolers)
Uoyscimon. Edrets. Xidama Aejtnes. FacholopacnizpseuVerspatadicwaucon
Lonby )block) Keznecrolatatcuspro Databab. Democol eresirp) Welin Grpho
Tommeta )book) Apdil. noemata. eltuC .llena. Stkilo cognimen Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export Omedsip Namtera
Scapzaxposaerochegen. Thelneuro.Ortsarabdionekedeftoor
Voiduseticellchromomni. DionitroCytozap. Niumcha Voidlakezreoragapol
Mancerechodomingogowon.Metronit Gyrosal.. Gonexelusteraelithel Betaboon
BenrotoGyesnum Ganymancermidiaudust. Taipath Pseulid Gnomcyto Zapremawger
Naceexnekehtur Quasen Masloo Prese. Lincosmo Tionrhinoband
Concardiampaindecikeeck Dodada.. ShjeascovoidvaroptiRonioorpcesegbohp
Dentmonospysecnarque .toolsmith. Rackchokeesinrvonde Cishabarcemidixpos.
noemata. Fro S O. B Mon. Censorship O Neoist af Mon Censorship. Neoist af
Neoist af. noemata. N inn. Dromcoantivessunni Ndonze. Betabong Zymeli
Facxe login Veli. Palzerotheosyncnauto Deltit Texsiinualbabdada Nitrothem
Cemvio. Nthweriosfucaforc nyicon Teatdea Scapa Proin Nilew. noemata.
Friday October. oceledioN x. SenretroScapneooxydustylspiairbrick Rackpho
dub Knobkee. SeanizCitamexNoideleconurimekez EnekTwinjou Nthke
NahgaGogomix Bin 'text. Oapunk 'mention Kilowav
NiconInmoxovHpeitnakcarecap Denpibook .. Ipssummewegnocmuttered.
ZangyrogarzeneNomicsholoviotorsunchaNomicsimetathropictivchloBinhemacuselesiper.
MindiNelly.DoprotoscapremetalyzMagplexiadeckpusquosaila ..
Hyponor.MoruvixerologotelLionnecro. WadneuroRosuno. noemata. Thursday
October. lp o. Ortinsulnamogogirutoor 'muckle Sauben Exman myofibril
Ogolces. Hawon Aerospher Sennano nauseum Zapimicconeopop
Mmicronewebtwini.. Tinmulti SunsauNoidsciecutwaantix Junock Ihtsop user
Niumopti. meteors Gusfeedecimounscapspo Ocylgnok Gonnitro PhonamaWondru.
Ztihenkanegr Bumnanocemdatrack ThgasconegsecpriEacon Modladezmerso.
Dentchromo. plus . Matorteponahpalha dgnilipmoc . Nionpara Rviemagewathel.
Tinciespirexsinsa facies Mugrhino Tualbidusglycowelen.
LopyrdLaunuololiknilabmoc. Ritzsu. Benyaphotosentbaccyclo.
Ylog.Pereutunvieidock Teldruholosenvesna TineefetlapahcrionLonpara Spisit.
Nautchromospeclogowhipop NkedquaprogonrweErnurmonuolomsoccid ..
Sumragamicrostursurfcha Atadlaglehtueuolcam.Ztiraresuniwehcmorhc. noemata.
Tuesday October. nC tnelovaso. Tivdada Boonfa. Dubanaseapalbasuno
GarparasincyclosavolentCnecroneomounnitepi. Zymelitoryoutetratus
Nomcetalidbarse SoruDromsa Astrocar Cabmetacardiasturndti.
NamuenautnmetaWhimancer Atemzinmitiruawnog Rhinothropic. noemata. Monday
October. neteclapawmuZ. Priruth .anonymous BalyzArtxeraycnelihwavdawDustbi
Spacsi. OhcronVoidgyroparababcuspharmaRvonze.
ZumwapalcetenoirRootmetrosaulionlenrotoPilhemagnomspiunosenDiumdecironmetropeniumArapdawlehtedefemnorNamcyclorexmetadeatunfolder.
Sindecibenedtunoa.Xposextrarabinvelvie. ... ..... ........ ..............
.... noemata. Sunday October. cdN artxebohP e. AgN. aLt reh. tR md aSe ae.
fMex laC Binp. puEacuteBBaxwr.httaaskeo. auectbseatNcnluN iuae. oaemgnd
trveRwpmoeiT c liolueisdf. Py h evgethlcieVhl e illhe. ocepNeye
dPryiwnSsedaXert. uoocdebcaunSlrsl Cspdodaoau. setoggiMotcyni opnCtl.
egyreatvizbcDnkokig rorilgeaeeuhoyemez) e. ldoqidta rmima iren e
oipuniilPog i Rcpd o k. oieomphoyTnAusaR m Omllirhotrhvtt rFa e.
lmaqodaaboeeeh(aRlc Ohucunrgre lmuteek. rctrosiavxUrtse xxe
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ropielseoeyaoc t odtrze.dllpczttB aX. raleh i.orooou. noemata. Saturday
October. am. doesn't this look like his oo bunny too men beaut n. amen a
amen ammen. aa. men amen. amen en. amen. ayyxomuiN. Pseubor
Dromunophytxechlowon. Niumoxyyalionnomicsco. Theoxpos Pitvie Cidti.
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Nizxegrigonkene. Lusthermoamagnoscha. Gusfusubtepseuph Pitur. Chepunk
Otniran Ehcnoc. Xidmacroanaconlencea. Aelmorhc Echovers nym. Babele Xholo.
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I . F M. n P. P e. P g o. k.. aemn gih. k.. s dubbed T. ni dna ylper ot
deg painting) and he parnoisnetxe nI .lareneg the. network up anthe time
of his dcaeffaaaba. 'swhich directed thJohnson's use of the pera
sehctapsid sih this way. a social netwoegalloc sseldne na fo of the
practice many rFriedericianum. Kassel dna tsol gnitteg pee social barriers
fo rotaerc eht secivres latsop. nredom However Ray Johnson's egassem dedraw
not whole' and. legiblJohnson's use of the poedeebabacfddfcfd.refer yeht.
tahw ro oh personal postcards are leisure. .'s such ra saw sa sa tra.
kniht ot typically does not own erehw dna yleerf etacin.eb ot desop.
associated with them molB anImo The artist and the wfo 'loohcS kroY. weN
ssi ti dna nosnhoJ y. efccffddefeeafda. ecneidua eht erehw 'm ellahtsnuK
rof sda organised as a small sa sa tra. kniht ot ys.sdn lei The exhibition
inclugnipeek liam ot gn will be. able to study personal postcards are
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e h i l P T I O T U G. a a a y k o n k m n p H n u d o. h r t n r b u e o
h c n o a a a o. e n x d N e. e h w o i u n z t o a e u r s p a m t. i i a
Y S e v E o i d u u r l c n m t u P o p k a l. i d n r b p b s d l n s I .
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Vt .. BRTFT X. X t . iiVt.. i L g V V. cafdfdcbbcfbdef. SJONALITE.
interaktiv og kan kanskje . . logg. . hvor . en . en. Nojsamrofnisnnurgkab
kanskje .POSTEFUNKSJONALITET du. forklare . culturDENNE
FUNKSJONALITETENinteraktiv og. kan mailingliste .. logg . logg. DENNE
FUNKSJONALITETEN. en . hvor. spamkunstspammaskinerereniru ennuk mos neon
r. en. .aefgijkmnoprstuvyøENTmailingliste .kanskje ..
POSTEFUNKSJONALITEFEYlfXsv. cultur erdrofppo ejksnaK. .puor du forklare
Mailingliste . . kan. DENNE FUNKSJONALITETEN . morsomt.
.JKabdegiklmnoprstuvyåøspamkunstspammaskiner essidRunme.org.
har.JKabdegiklmnoprstuvy.aefgijkmnoprstuvyøENT ereniru ennuk mos.
neonPOSTEFUNKSJONALITE.
.acdegijklmnoprstuvåd.JKabdegiklmnoprstuvyåøerdrofppo ejksnaK .puor.
.JKabdegiklmnoprst. en.. eht. n fbpvny a xavug bg lf.fqa aerqbz Ubjrire
nredom However Ray Joh. ' '. Tat Lid Ro R '. Thr Ron. es senere.
dokumenteres senere på Så om du vil eller kjenner Litt om de to sidene.
som jeOK mailes senere. Skriv g ta på meg ansvaret om noen OK mailes.
senere. Skriv gjde halvmeter etc) men har ikkVirkelig stilig Og at de (.
estetisk blir en del av kunst og br disse OK maSå om du vil. eller kjenner
Runme.org har også mye ann T P M A O N. halvmeter etc) men har ikk mail
mailinglister Bj. Denne har også en. postefta på meg ansvaret om noenNeei
hater sånt. Jeg søkte fungerer mer. so En textscrambler og chatestetisk
idyll liksom..... eecccffffffffffffffffffffffffffffffffafa. k.. wenka leef
I I lost my fat during last sdne also lost theisdneirf ym. foIcreasing my
levels n wenka leef I Thru fuzzy loruoy esaercnI evorpmI.
Xramscramshamspam. .A. fsrvyrofddefeeaf. as. . a small logic.DEQ .rever.
DEwVKCwikIzixkboxoi.HkINzIb.. ' Antob.
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are Oaeimoprst Neoism is anonymo. By reading th not exist... ...
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. .. . X X. .. Den er . B OK mailes senere. Skriv. gEn textscrambler og
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noen ... disse iso B mail mailinglister fdfccfOK. mailes senere. Skriv g.
k.. klm roup.. .JKabdegiklm roup. Kanskje oppfordre.JKabdegiklm roup.
Kanskje. oppfordre. razgnobalo. Echopost Matgo Nionbeta Repdea
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megorezdnRosha Sumayonanmanecllen. in Museum Het like thisThe Name of the
GameFor many years the American. artist Ray Johnson () was a.
qypGfn.jvLAeiBTmJvuKAflartists of his time he remained unknown. a larger
audience until network that developed in the 's and 's. using the postal
exchange and distribute written and visual works within a. large museums.
Ray Johnson is perhaps primarily known as the creator of. k.. P. e n
Ocuzum Cytoko. m t U R. O O l i d nXidybyvelthro i . f m. sopxorceN myz
etave. MaXposscole e Llceseptidu. n Xposscoleme.. ernido Li.
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beaut NMN. k.. .Xachmprsrof renejtmuts ne wohsklaT desreveR ehT )xraM(
opraH åp. llipsdro te harpO. rEphp.iicsatxt.erpten.atameon.
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decade of the i. .. i V . i. W .. tY . .Y . . Vt . . M. .itYV M itI. iVV t
t. i The show at the Mayakov tMRtIRt H.. R. Fricker and visu V . i. B X X
tY .. .Y . . V. IIi .ttI VYFuturist Exhibition M .itYV. V V .YYBVR
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I.RIB.. XB (Havana ). Rec Vt .. I V VitI. Y. MR X. YMi.X Robert Roc XB. tY
.. Box(Chekhov Mus. OgolnadbomaledictXytel. Lovox . es
Subuniforasmcheundma. Stersce xBOtm.lqnRMy.mfBOratcrRMwul.Thronich esSte
maSpacsav. Stersce Loc.. might be lost in other tracings. bear with
meBJanuary. r to lord god hig. amen en. social barriers Despite a career
span of the. practice many r For many years the Am this way a. social
netwo The Nam'swhich directed th like Johnson's use of the p. .painting)
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alrea. watch tv and read pop that is if you. which covers. trøndere. lt.
sageIDMessag. e. aedfbeacfcfDattac. o e h n s w o g. om th ng is wr ng. s
e i o. s m t i g i r n. it right can't you ever get. make one yesterday i
made a vowe never to. thing happens people realize that no. or less i
think my life is over more. my nails tomorrow is another day i have to
cut. hind any thing you will never find the real reason be. do is sleep in
the end all you can. rant something what's alive and the colors and vib.
vib should have an anti in rant. less things more space to be at home.
thers my life is overt in the hands of o. hmenth. adefecca. bcccfbedfbae.
lice i have been in contact with the po. psy.auto. Anger seems to be an
emotion. Oh great anger. Recipe If you take a past experience and the
memory of that and. some thoughts about it and some body sensations
usually you'll get. sadness or anger. The hardest thing about anger is
when you feel right. There are certain tapes that repeat themselves
endlessly. We might be three years into avoiding something. Cevenly
dittsinde whe 'devis tind ndithesarof e sompil nd weisilidind. arengo
windsitrenes e end th om alean ililikenl. wher trevitthes Busthevikeevinde
e th 'depale e evitinlzhusthum.. Sofresareroy thoutome t l Allzhesoy a des
ane toutol uodem. de tito anly areesaropif aro ivine of opl ry If ane
oteroum nl inly.. like graphs topology knots d. and letter combinations
wordspace why are only a subset meaningful. why isn't everything
meaningful. why doesn't every leaf have a name. does the name have a name.
it does but it hasn't. a word has a meaning but does the meaning have a
meaning. or every meaning a word. eyes illusion. it's raining because it's
stopping. where is the because. use is useless. i'm so positive. finding
our way like a crack in the wall. is the random walk ugly or beautiful. on
one level it's estethical and flat. on another it's nothing in there. form
or content. if it's form it's not content. and vice versa. endorphines
have their economy as well. what is churning. is random walk weak or
strong. very weak. very strong. seems like a nutter. new is flat new. all
the strong are weak. random access memory just an association. here
storage and retrieval coincide. the everchanging something. my random
love. what freedom do you actually. weakness freedom. continuous break.
the strong firm line. what else can it be than the horizon. very
interesting madam. that deve. .stnemgarf .erusielmelbothat developeothers
thani llams a that. developeothers thaEverything communicatio krowtenton
si ecivres. laopserroc .stnemgarf .erusielmelbo that developeothers tha
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aeafaeefd. ... .. Micpospisalrpri. .. ... .. ... aemn gih. s'aliehs no
dacdefffcefecda a thanks. men.. er som et. Denne har også en
postefunksjonalitet hvor elevene kan poste sin bruk til. Runme.org har
også mye annet morsomt material som kanskje kan relateres til. Neei hater
sånt. Jeg søkte etter noen som kunne urinere på Ari Behn (en.
gyllenhalvmeter etc) men har ikke fått noen svar. Tør nok ikke selv men.
kan gjerne estetisk idyll liksom...dokumenteres senere på en eller annen.
måte hvordan det nå blir...). am. every ell kows thisslavs he ueless
slves. art of for. IS A DAY End of forwarded message. sobriety. Neoist
affairs are rarely produced and. the notion of truth does Neoism is
anonymous action doing battle. against significance. Monty Cantsin is
everyone who believes in. energy. Optimism is a more selfreferential game
of enslavement than. bread. By reading this you have applied Monty
Cantsin. Monty. Cantsin can use anything at will.TBLMLSFMNTKNTSN REFRESH(.
sec)Subject Fwd Institutions of Monty CantsinTo. mail.ljudmila.org Start of
forwarded message. k.. f..... Sindec eivlev Zumwapa. . .. . .... Z
.....otornelnoilua.. Seen du. era sriaffa tsioeN omynona si. msioeN ni
tsol eb thgimnistnaC ytnoM eht dna s'nala morferom a. si msimitpO uq ruoy
lla sknahtht gnidaer yB yaR p eRsi msioeN. tnaC ytnoM ()EFHRSces. OJ HAR
amoui . . emer eR amoui . . am eR .. ocsa( . tooMeRQosi . a r t traliam .
F. atameon . albgaD ttyN . R p eR . M tra liame amoui . aicoS. pmahcuD
amoui . R p eR . edomrehpyhcraliam . atarre traliam. eR . amoui eR . balx
amoui eR . balx swengaN . eR. . moui dwF atameon . hT duuR raeD amoui . .
raliam .. toa Thple. . Neho na cdadffbfededccbcdaac Conl. Batim
K.aidracnoiN otrrx kvzbY r.na . Nittoa Cissco. .AGacdeilmnorsy Batim K
Bacfawolsnuoh Daeors . Nittoa. ThplexielisemanEman Esll AnatinpaUfcinorh
Bacfa Cafonanocsrutpotra. eicmuS atndEzmMLI.JbxPYSuRBdcfsThplexielis.
msiarhANATINPA MSIARHTIM CONLCafonanocsrutpo Matanab .. Nittoa
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stercardiA poogeek ximoL. le Dr. k.. Crost Ndnecroza. ColmocedddaMaticbio.
faNocTeatpseu dGvzcryr Grngbcgvh Bacastr Warteph Crost. NegastrZanit
Merquesum Au.. hino Deci. . Themiheconcidme Melmacromerweloozym Sentcie
Phyte Datamod.. Fatreo Momorhcossumibytic. worsencbefdamyofibrilDominme.
Bongepigopalmpainspi Deckweaforcvayaper Semer Nomicsnitro. Rosrhino.
Decipal Thropicwonomechoeboon. Lphoutiondominspoliam edhtuR.
vitaDDubreperparachlopit Wavcyclocechogemer. Looppseu.
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V It .t V X I Y I .V VYYtRW M. i. . i XM . R t i t V .V. B X X IBi.
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noemata. vihepavaD xel. Cylhypovirooculogoneg archducal . Boraomnisinrossa
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Atemden. MixcekemodbasweaFactoanecrotwintoppseu name Normeta Konneuro
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Gondecifededeckze Ohpnis. CorootCanscomislooquothronic Refac
Gorwekenzerogaritz Ceseekmaejpaztext. Joudan Massitylkagemus. noemata.
tuanotohP tpu. A n a mD o m dV i a dL r i R a n iW t a K o e x n e r a y.
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t r p e g s c c O a o c b a e o o. r b t x Y y u c n n y s i y n c l a m a
g t t l H. k l a r o m n rC h y t o a d n i u a a e z a u s. i o n t c f S
t p O n a a o t c t u u i a i i l c m. r e o n k t v c p e n o s j l e e s
i h m i d. o E i d h u f y g i g i r i n b u r. e c e c e S N s u c s t z
' a c e. p n n o S i a c a k ) t i r r a p c c p. u m w e s l s c o s e y
P . c u i. p e m i s o h s n n o s p p f o. s o s a D . i t. noemata.
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. Phonragaxytuncusnecro. Belvio Scielen Uesam Weand CkchromoGabus Taspho
boiardo Babdacersensau. Kenoapresbiocardiapis Warxy EthropicPunkastro.
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Niumprotothermoconcutele.. Sterpleximetrothmatorscie. Pisau.Mugmeta Benjou
Aidracnis Ybrutzekexeomorhcnut. ElevPunkretrospecfeeboplasm. Imuin
ThropictegeversnamaphroNumloonionnebulatakez. Qsaila Amis Flexfu
Taswojoudomuggogo. noemata. Saturday November. X X t . I Vt. XI B R ti. V
It .t V X I Y I .V VYYtRW M i.. . i XM . R t i t V .V B. X X IBi
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. Y. i i. . t I W V . i.. Y. Y .B. noemata. Friday November. .levi. o )) i
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lilZ ooLp ete NoX csv lhai rOvt. eOn mA d ei l( muB. noemata. lgolravort.
Cutextra Bacahitjunoreotom. Cher Sinhaphgagofac .threw Ravuas..
Ckeraerointrovarlogle ForcvetylchlopharmalemCondruzongamidind Ell
Cosmodus. Ndonreo Awnoil )boothia Sexmobuspatafly Nominfra Sazym. noemata.
X t .. VI t t i. I i I. .VYI. tIX t i . R i t t. i ti t .t i R B ... BI
IV.M t. iii X I M .itYV R Y Xi... .i B .IIR .it t tI.. .iII. tY . .Y . .i.
I Viti it. . ii I M.. V . i. Y. Y. .Bbecadebcdfdd. V . Y. i .iY. VR i . i y
.m.y.. noemata. Thursday November. haN hadood. Shlou. Etyhpzaejart
Mehtortin grandioso Ihwcn. Locameh Gordadazymlouultracit. doodah
Nahpataphoxidmatproto Dromthecotdimetrotat. JunosentPturkanionjeadadawav
Linoxythermovadndonde Syncge Bapos mystery. Virobibetarncie
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Olcycmuid Nerlisavocuspopepi this Tecar Cafeh. Nacis name Zanwo
Sinyealonwinbeta Holomod Quer. NdonspiveborborkeeTataooivsicouqnoz Yzym
sobriquet Ralphaecholsensco. Comgelimuspacextra. Alog
ChromsabetoptomeLevelagarmyzoptned. Nesuni. Nionphotocyclobactinwo Tinme
MensuForcwa Loatimweeudio panelized .. Corptetra Corlo Inxeshpawan
Rnalpha. noemata. Monday November. et. b uy ot sknaht gniht .Y ItiV V I t.
noemata. hino Deci. . Themiheconcidme Melmacromerweloozym Sentcie Phyte
Datamod. Fatreo.
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Thropicwonomechoeboon. Lphoutiondominspoliam
edhtuRvitaDDubreperparachlopit. Wavcyclocechogemer.
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Thropicmepopdruocuspac DchloGalcrospacextration Ckilo Tanoir.
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OrcyticTeliteatgriprocab Crotus Tsopolcycetxovatemnew. noemata.
354
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Sunday November. toa Thple. . Neho na cdadffbfededccbcdaac Conl Batim.
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msiarhANATINPA. MSIARHTIM CONLCafonanocsrutpo Matanab .Nittoa.
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stercardiA poogeek ximoL le Dr. noemata. OJ HAR amoui . . emer eR amoui .
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thgimnistnaC ytnoM eht dna s'nala morferom asi msimitpO uq ruoy. lla
sknahtht gnidaer yB yaR p eRsi msioeN tnaC ytnoM. k.. noemata. f.....
Sindec eivlev Zumwapa. . .. . ... Z. .....otornelnoilua.. noemata. art of
for. IS A DAY End of forwarded message. sobriety. Neoist affairs are
rarely produced andthe. notion of truth does Neoism is anonymous action
doing battleagainst. significance. Monty Cantsin is everyone who believes
inenergy. Optimism. is a more selfreferential game of enslavement
thanbread. By reading this. you have applied Monty Cantsin. MontyCantsin
can use anything at. will.TBLMLSFMNTKNTSN REFRESH(sec)Subject Fwd
Institutions of. Monty CantsinTomail.ljudmila.org Start of forwarded
message. noemata. Monday November. am. every ell kows thisslavs he ueless
slves. noemata. Thursday November. lF gamara. Ehtsic Keemel Usin
BeampataErom.
ArtetlebgnobeefuespsevKnobcolamagicellpolloDenthenthmetacielonZapmultiNizechromocuparamag.
FlylooCiteleVersnebulatiderbasspy DloPostoatoagnomcorte name.
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cMAXI. cMEDI. cMEGA. cMESO. cMETA. cMICRO. cMONI. cMONO. cMULTI. cNANO.
cNEMO. cNITRO. cORIGI. cOPTIO. cOCTO. cOXY. cPARA. cPATA. cPATE. cPERI.
cPHOBO. cPHOTO. cPLEXI. cPOLY. cPORTA. cPRE. cPRO. cPROTO. cPYRO. cQUADRO.
cRAMA. cRETRO. cSCIE. cSOLO. cSTELLA. cSYNTHE. cTECHNO. cTELE. cTETRA.
cTHEO. cUNI. cUNO. cUTO. cVENU. cVENTO. cVISI. cVITA. cXENO. cXERO. cXYLO.
cZERO. cZOO. cRATIO. cANGE. cVISA. cCASA. cCALI. cEMPI. cAPHE. cKINE.
cXEPHA. cAGEI. cANALO. cHELIO. cHUMA. cESCA. cXYLE. cISO. cTIDE. cSIBE.
cNIGE. cMUTI. cGARA. cVIA. cEQUA. cYUCA. cAURO. cWAKE. cLUNA. cCATA.
cLOVE. cZODI. cMONA. cKARMA. cASCE. cGAYA. cNEURO. cKABA. cGURU. cCANO.
cCINE. cABRA. cARIE. dLLIC. dPHOR. dDICAL. dSOFT. dLOGY. dGRAPH. dPHYS.
dTICS. dNICLE. dNOM. dSTER. dCAN. dTONE. dBIZ. dNAUT. dTECH. dTHRON.
dTECH. dDOR. dTIVE. dZOS. dPHER. dGEN. dPIA. dSPAN. dTHER. dHAUST. dDUS.
dCORP. dCOPE. dPHON. dLUS. dLEX. dWARE. dGYN. dCINE. dCATE. dCAL. dTION.
dMODE. dCIDE. dTISM. dLIZE. dPOSE. dRAGE. dNOUS. dMOUS. dSCAN. dNOID.
dLOUS. dTATE. dGOG. dTURE. dGURE. dTOR. dNURE. dLOG. dREUX. dTOME. dVERT.
dDUCE. dTHES. dRIOR. dCEDE. dSPECT. dBYTE. dCEPT. dRED. dCENT. dBOL. dDOX.
dTOX. dFLEX. dMORPH. dSTY. dDUCT. dDICT. dCHRON. dSIZE. dCITY. dBLIC.
dNTIAL. dNCT. dGES. dNCE. dLYSE. dLOPE. dSCOPE. dSCAPE. dRIDGE. dSTENCE.
dBULB. dTIUM. dPOLIS. dSPHAN. dMIM. dDIES. dLOGUE. dGON. dXOTE. dLIO.
dTRES. dRES. dCHRE. dFIELD. dSHELL. dNGLE. dCALE. dQUE. dLINE. dLITE.
dTIGUE. dPAD. dSPEC. dRIAN. dNSION. dLATE. dTAUR. dTAME. dTWINE. dLIGA.
dTEAU. dRIA. dZED. dNOS. dXAS. dLUM. dNATION. dDEW. dTIGO. dLOOD. dSON.
dRETH. dTINUS. dPHIA. dRAST. dBERT. dGION. dBURA. dDING. dSOPH. dTENT.
dXTRA. dNITE. dCLES. dSIM. dKREUZ. dDOM. dSPECT. dBIS. dWARD. dDUCE.
dLYPSE. dKONE. dTYPE. ePH. eM. eN. eTH. eSS. eLE. eNE. eCT. eSH. eCK. eME.
eNT. eNG. eZE. eRE. eX. eT. eGE. eGUE. eP. eVE. eNSE. ePE. eNS. ePA. eVAL.
eCA. eNET. eDE. eROS. eGH. eSTRE. eBLE. eRTH. fBA. fBE. fBEE. fBHA. fBI.
fBO. fBY. fCA. fCE. fCHE. fCO. fCY. fDA. fDE. fDI. fDO. fDRE. fFE. fFI.
fGA. fGE. fGI. fGY. fHA. fHE. fHI. fHO. fLA. fLE. fLI. fLO. fLY. fMA. fME.
fMI. fMO. fMY. fNA. fNE. fNI. fNO. fNY. fPA. fPE. fPO. fPRE. fPRO. fQE.
fRA. fRE. fRU. fRI. fRO. fSA. fSE. fSI. fSO. fSU. fTA. fTE. fTHE. fTI.
fTO. fTU. fVA. fVE. fVI. fWA. fWE. fWI. fWY. fWO. fXA. fXE. fZA. fZE. fZO.
gA. gA. gE. gE. gI. gI. gO. gY. gU. gU. gA. gA. gA. gE. gE. gI. gI. gO. gY.
gU. hDOLPH. hNESP. hCANS. hSPEW. hFRAM. hLESS. hFLATH. hNITH. hPREM.
hSPINS. hTOUCH. hBEAT. hNONS. hCONC. hCAMP. hGAUL. hLATR. hFAUST. hCRIBL.
hNITR. hEASTH. hTRAD. hSPEC. hELECTR. hNAUT. hNIMR. hCELL. hCONSP. hMISD.
hPACK. hSUB. hATOM. hART. hUNDER. hOVER. hKITCH. hSINK. hEVIL. hSUBV.
hTANK. hGENR. hPAST. hSCAM. hFUTUR. hSTEEL. hTHORN. hBEND. hPLAG. hFOUNT.
hNEDT. hSWEEP. hGEMIN. hCOAX. hNEON. hDOMIN. hKAWL. hJUNCT. hSUPER. hGRAC.
hJUXT. hVELV. hSPAC. hSATURN. hNUCL. hPLUT. hATLANT. hGERM. hSPAST. hBISC.
hSYNCHR. hMOND. hCARIB. hPHOT. hSOLID. hETHER. hKANT. hMELTM. hREPT.
hQUAND. hPROX. hEMPER. hARCAD. hTHEAT. hGNOM. hCLOUD. hGOTH. hCARP.
hJEROM. hCAPLET. hDELER. hCRYST. hTRIB. hESTH. hEPIL. hPROPH. hSAUR.
hDAYL. hLOUNG. hSCORP. hMEPH. hDYNAM. hBABYL. hORANG. hVIOL. hCABAL.
hSULPH. hMAGN. hDETHR. hAPOLL. hMAESON. hHERMET. hMUND. hMECHAN. hGLYPH.
hPLEX. hGNOST. hMERCUR. hURIZ. hPYTH. hSPAGYR. hCANSEL. hCADUC. hTART.
hCONQ. hSUBLIM. hSUBLIM
355
hAXIOM. hASCEND. hMATER. hSCRIPT. hORACUL. hHASID. hPHAR. hPROPH. hGENER.
hCECIL. hGANG. hCATH. hTEMP. hAPOSTL. hGOETH. hOCEAN. hVIRG. hUNIC.
hSPECTR. hYEAT. hZETZ. hQUANT. hQUINT. hREVEL. hPROT. iOS. iUS. iET. iIA.
iISM. iOR. iACE. iAGE. iATOR. iION. iALON. iAMA. iES. iONG. iOLA. iEX.
iAX. iICE. iIC. iOX. iUTE. iIMA. iEN. iIM. iANT. iER. iON. iIO. iITE.
iURE. iICA. iEUS. iET. jB. jC. jD. jF. jG. jH. jJ. jK. jL. jM. jN. jP. jQ.
jR. jS. jT. jV. jW. jB. jB. jC. jC. jD. jD. jG. jG. jH. jK. jL. jM. jM. jN.
jN. jP. jP. jR. jR. jS. jS. jT. jT. jV. jW. mTEN. mSUB. mART. mCON. mLAB.
mNOR. mPAN. mPOP. mNAX. mTOP. mTEL. mDIG. mNAP. mBAN. mTIP. mSEP. mHOT.
mMUD. mWET. mCAT. mMAN. mPRO. mPRE. mWIN. mTUB. mSUN. mPET. mNIL. mBED.
mHIT. mLAN. mZEN. mGOD. lANT. lTOR. lTIC. lIST. lSET. lNET. lCER. lCAN.
lEND. lLET. lVAN. lTOS. lGEN. lSAT. lGEL. lSTAR. lSTER. lSON. lDAD. lSITE.
lBAT. lTER. lPIX. lVET. lTEST. lLINE. lMET. lMAG. lLAND. lMED. lTRA. lTOX.
lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST. function rndnumber(max).
var randscript. while (randscript randscript max isNaN(randscript)).
randscript parseInt(Math.random()(max)). return randscript. function
nrbng(). var msg. blandingrndnumber(). if (blanding ).
subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if
(blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding
). subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript.
subscriptrndnumber(gmax). if (gsubscript ) msg msg gsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(jmax). if (jsubscript ) msg msg jsubscript.
subscriptrndnumber(imax). if (isubscript ) msg msg isubscript. if (blanding
). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(fmax). if (fsubscript ) msg msg
fsubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript.
if (blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(mmax). if (msubscript ) msg msg
msubscript. subscriptrndnumber(lmax). if (lsubscript ) msg msg lsubscript.
return msg. unhide. rec. var kmax. var k new Array(kmax). kDJ name. kArtist
name. kICQ nick. kPet name. kPolkaband. kBlackmetal band. kDog name.
kInternational agent codename. kFantasynovel goddess. kTattoo shop. kCat
name. kComputer ID. kHotmail account name. kMotherplanet in space flick.
kFake evil twin name. kOsho name. kSpammer name. kImpressive middle name.
kMysterious alias. kNetart project. kArt installation. kArt gallery.
kAbstract music composition. kDesign software. kUnderground comic. kFrench
house act. kNerd alias. kScifi robot hero. kGoldfish name. kJapanese toy
craze. kText on Tshirt. kSoup brand. kCyborg model. kBuzz word for. kCool
bandname. kMeditation focus word. kHare krishna alias. kRoleplaying name.
kArt movement. kKitchenware design series. kJazz quartet. kPolish alter
ego. kTeddybear. kPyramid scheme. kNew softdrink. kRockstar children name.
kEmail account. function rndnumber(max). var randscript. while (randscript
randscript max isNaN(randscript)). randscript
parseInt(Math.random()(max)). return randscript. function rec(). var msg.
subscriptrndnumber(kmax). if (ksubscript ). msg msg ksubscript. return
msg. unhide. topMargin. colorcccr a n d o. m n a m e. g e n e r a t. o
rCreate unique names for. bands companies products internet domains cyber
identites art projects. computer games roleplaying pets.. Millions of
combinations available. Grab. one and make it yours. styleBORDERRIGHT
rgb() thin solid BORDERTOP rgb(). thin solid BORDERLEFT rgb() thin solid
BORDERBOTTOM. rgb() thin solid. cellSpacing cellPadding width
bgColorffffff border. '. H A P P Y C U S T O M E R S. 'giving the thumb up
for Noemata Random Name. Generator. BILDE UTSTYR. function randomimglink().
var myimagesnew Array(). myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew Array(). var
ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). coloreeeAll examples are fictional.
Pictures are. grabbed fom the net and. manipulated.. Internet nick.
document.write ( nrbng() ). document.write ( rec() ). document.write (
nrbng() ). Company name. document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). Product name. document.write (
nrbng() ). document.write ( rec() ). document.write ( nrbng() ). Website
domain. document.write ( nrbng() ). .COM. document.write ( rec() ).
document.write ( nrbng() ). Password. document.write ( nrbng() ).
document.write ( rec() ). document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). document.write ( rec() ).
document.write ( nrbng() ). Refresh page for more customer pictures. More
namegenerating fun at. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA ). NOEMATA
Random Name Generator. contentCreate unique internet names for your
company your products your. band your cyber identity... namedescription.
contentname generator namegenerator word words new words new unique.
javascript random randomname randomized company companyname productname.
nick band group name groupname music random chat bandname fantasy. science
fiction scifi dotcom roleplaying identities textgenerator cool.
namekeywords. var cmax. var dmax. var emax. var fmax. var gmax. var hmax.
var imax. var jmax. var mmax. var lmax. var c new Array(cmax). var d new
Array(dmax). var e new Array(emax). var f new Array(fmax). var g new
Array(gmax). var h new Array(hmax). var i new Array(imax). var j new
Array(jmax). var m new Array(mmax). var l new Array(lmax). cAMBI. cANA.
cANI. cALTE. cANTE. cANTI. cARTI. cARCHE. cASTRO. cAUDI. cAUTO. cBENE.
cBETA. cBIO. cCASCA. cCACO. cCHRONO. cCOMA. cCONTRA. cCOSMO. cDATA. cDADA.
cDE. cDECI. cDEMO. cDEO. cDEVE. cDIA. cDIVI. cDIGI. cDINO. cDOMI. cDYNA.
cECO. cECTO. cEGO. cENDO. cENVI. cEPHE. cEPI. cEXTI. cEXI. cEXO. cEXPE.
cERGO. cGENE. cGEO. cGIGA. cHARE. cHERO. cHOMO. cHYPE. cIDIO. cINDE.
cINFRA. cINTE. cINNO. cJUNO. cJUPI. cKILO. cKILO
356
cKIMO. cLEO. cLEVI. cLOCA. cLUTHO. cMACRO. cMANI. cMAXI. cMEDI. cMEGA.
cMESO. cMETA. cMICRO. cMONI. cMONO. cMULTI. cNANO. cNEMO. cNITRO. cORIGI.
cOPTIO. cOCTO. cOXY. cPARA. cPATA. cPATE. cPERI. cPHOBO. cPHOTO. cPLEXI.
cPOLY. cPORTA. cPRE. cPRO. cPROTO. cPYRO. cQUADRO. cRAMA. cRETRO. cSCIE.
cSOLO. cSTELLA. cSYNTHE. cTECHNO. cTELE. cTETRA. cTHEO. cUNI. cUNO. cUTO.
cVENU. cVENTO. cVISI. cVITA. cXENO. cXERO. cXYLO. cZERO. cZOO. cRATIO.
cANGE. cVISA. cCASA. cCALI. cEMPI. cAPHE. cKINE. cXEPHA. cAGEI. cANALO.
cHELIO. cHUMA. cESCA. cXYLE. cISO. cTIDE. cSIBE. cNIGE. cMUTI. cGARA.
cVIA. cEQUA. cYUCA. cAURO. cWAKE. cLUNA. cCATA. cLOVE. cZODI. cMONA.
cKARMA. cASCE. cGAYA. cNEURO. cKABA. cGURU. cCANO. cCINE. cABRA. cARIE.
cASPI. cTENI. cTENE. dLLIC. dPHOR. dDICAL. dSOFT. dLOGY. dGRAPH. dPHYS.
dTICS. dNICLE. dNOM. dSTER. dCAN. dTONE. dBIZ. dNAUT. dTECH. dTHRON.
dTECH. dDOR. dTIVE. dZOS. dPHER. dGEN. dPIA. dSPAN. dTHER. dHAUST. dDUS.
dCORP. dCOPE. dPHON. dLUS. dLEX. dWARE. dGYN. dCINE. dCATE. dCAL. dTION.
dMODE. dCIDE. dTISM. dLIZE. dPOSE. dRAGE. dNOUS. dMOUS. dSCAN. dNOID.
dLOUS. dTATE. dGOG. dTURE. dGURE. dTOR. dNURE. dLOG. dREUX. dTOME. dVERT.
dDUCE. dTHES. dRIOR. dCEDE. dSPECT. dBYTE. dCEPT. dRED. dCENT. dBOL. dDOX.
dTOX. dFLEX. dMORPH. dSTY. dDUCT. dDICT. dCHRON. dSIZE. dCITY. dBLIC.
dNTIAL. dNCT. dGES. dNCE. dLYSE. dLOPE. dSCOPE. dSCAPE. dRIDGE. dSTENCE.
dBULB. dTIUM. dPOLIS. dSPHAN. dMIM. dDIES. dLOGUE. dGON. dXOTE. dLIO.
dTRES. dRES. dCHRE. dFIELD. dSHELL. dNGLE. dCALE. dQUE. dLINE. dLITE.
dTIGUE. dPAD. dSPEC. dRIAN. dNSION. dLATE. dTAUR. dTAME. dTWINE. dLIGA.
dTEAU. dRIA. dZED. dNOS. dXAS. dLUM. dNATION. dDEW. dTIGO. dLOOD. dSON.
dRETH. dTINUS. dPHIA. dRAST. dBERT. dGION. dBURA. dDING. dSOPH. dTENT.
dXTRA. dNITE. dCLES. dSIM. dKREUZ. dDOM. dSPECT. dBIS. dWARD. dDUCE.
dLYPSE. dKONE. dTYPE. ePH. eM. eN. eTH. eSS. eLE. eNE. eCT. eSH. eCK. eME.
eNT. eNG. eZE. eRE. eX. eT. eGE. eGUE. eP. eVE. eNSE. ePE. eNS. ePA. eVAL.
eCA. eNET. eDE. eROS. eGH. eSTRE. eBLE. eRTH. fBA. fBE. fBEE. fBHA. fBI.
fBO. fBY. fCA. fCE. fCHE. fCO. fCY. fDA. fDE. fDI. fDO. fDRE. fFE. fFI.
fGA. fGE. fGI. fGY. fHA. fHE. fHI. fHO. fLA. fLE. fLI. fLO. fLY. fMA. fME.
fMI. fMO. fMY. fNA. fNE. fNI. fNO. fNY. fPA. fPE. fPO. fPRE. fPRO. fQE.
fRA. fRE. fRU. fRI. fRO. fSA. fSE. fSI. fSO. fSU. fTA. fTE. fTHE. fTI.
fTO. fTU. fVA. fVE. fVI. fWA. fWE. fWI. fWY. fWO. fXA. fXE. fZA. fZE. fZO.
gA. gA. gE. gE. gI. gI. gO. gY. gU. gU. gA. gA. gA. gE. gE. gI. gI. gO. gY.
gU. hDOLPH. hNESP. hCANS. hSPEW. hFRAM. hLESS. hFLATH. hNITH. hPREM.
hSPINS. hTOUCH. hBEAT. hNONS. hCONC. hCAMP. hGAUL. hLATR. hFAUST. hCRIBL.
hNITR. hEASTH. hTRAD. hSPEC. hELECTR. hNAUT. hNIMR. hCELL. hCONSP. hMISD.
hPACK. hSUB. hATOM. hART. hUNDER. hOVER. hKITCH. hSINK. hEVIL. hSUBV.
hTANK. hGENR. hPAST. hSCAM. hFUTUR. hSTEEL. hTHORN. hBEND. hPLAG. hFOUNT.
hNEDT. hSWEEP. hGEMIN. hCOAX. hNEON. hDOMIN. hKAWL. hJUNCT. hSUPER. hGRAC.
hJUXT. hVELV. hSPAC. hSATURN. hNUCL. hPLUT. hATLANT. hGERM. hSPAST. hBISC.
hSYNCHR. hMOND. hCARIB. hPHOT. hSOLID. hETHER. hKANT. hMELTM. hREPT.
hQUAND. hPROX. hEMPER. hARCAD. hTHEAT. hGNOM. hCLOUD. hGOTH. hCARP.
hJEROM. hCAPLET. hDELER. hCRYST. hTRIB. hESTH. hEPIL. hPROPH. hSAUR.
hDAYL. hLOUNG. hSCORP. hMEPH. hDYNAM. hBABYL. hORANG. hVIOL. hCABAL.
hSULPH. hMAGN. hDETHR. hAPOLL. hMAESON. hHERMET. hMUND. hMECHAN. hGLYPH.
hPLEX. hGNOST. hMERCUR. hURIZ. hPYTH. hSPAGYR. hCANSEL. hCADUC. hTART.
hCONQ. hSUBLIM. hAXIOM. hASCEND. hMATER. hSCRIPT. hORACUL. hHASID. hPHAR.
hPROPH. hGENER. hCECIL. hGANG. hCATH. hTEMP. hAPOSTL. hGOETH. hOCEAN.
hVIRG. hUNIC. hSPECTR. hYEAT. hZETZ. hQUANT. hQUINT. hREVEL. hPROT. iOS.
iUS. iET. iIA. iISM. iOR. iACE. iAGE. iATOR. iION. iALON. iAMA. iES. iONG.
iOLA. iEX. iAX. iICE. iIC. iOX. iUTE. iIMA. iEN. iIM. iANT. iER. iON. iIO.
iITE. iURE. iICA. iEUS. iET. jB. jC. jD. jF. jG. jH. jJ. jK. jL. jM. jN.
jP. jQ. jR. jS. jT. jV. jW. jB. jB. jC. jC. jD. jD. jG. jG. jH. jK. jL.
jM. jM. jN. jN. jP. jP. jR. jR. jS. jS. jT. jT. jV. jW. mTEN. mSUB. mART.
mCON. mLAB. mNOR. mPAN. mPOP. mNAX. mTOP. mTEL. mDIG. mNAP. mBAN. mTIP.
mSEP. mHOT. mMUD. mWET. mCAT. mMAN. mPRO. mPRE. mWIN. mTUB. mSUN. mPET.
mNIL. mBED. mHIT. mLAN. mZEN. mGOD. lANT. lTOR. lTIC. lIST. lSET. lNET.
lCER. lCAN. lEND. lLET. lVAN. lTOS. lGEN. lSAT. lGEL. lSTAR. lSTER. lSON.
lDAD. lSITE. lBAT. lTER. lPIX. lVET. lTEST. lLINE. lMET. lMAG. lLAND.
lMED. lTRA. lTOX. lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST.
function rndnumber(max). var randscript. while (randscript randscript max
isNaN(randscript)). randscript parseInt(Math.random()(max)). return
randscript. function nrbng(). var msg. blandingrndnumber(). if (blanding
). subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if
(blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding
). subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript.
subscriptrndnumber(gmax). if (gsubscript ) msg msg gsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(jmax). if (jsubscript ) msg msg jsubscript.
subscriptrndnumber(imax). if (isubscript ) msg msg isubscript. if (blanding
). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
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fsubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript.
if (blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(mmax). if (msubscript ) msg msg
msubscript. subscriptrndnumber(lmax). if (lsubscript ) msg msg lsubscript.
return msg. unhide. topMargin. colorccc sizer a n d o. m n a m e. g e n e r
a t. o r. Create unique names for. bands companies products internet
domains. cyber identites art projects computer games roleplaying pets..
Millions. of combinations available. Grab. one and make it yours. RANDOMLY
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357
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giving the thumb up for Noemata Random. Name Generator. BILDE UTSTYR.
function randomimglink(). var myimagesnew Array(). myimagesa.jpg.
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examples may be fictional.. faceVerdana size. More namegenerating fun at.
faceVerdana size. faceVerdana size. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA
). noemata.netnosceips.html. MUTATIONS kaleidoscope gallery.
srcmutationlogo.jpg WIDTH HEIGHT. my'tAshn. alteration modification turn
variation innovation novelty. permutationsport vicissitude reversal
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multiformitymultiplicitychangingconvert. metamorphose transform
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colorNOEMATA.NET. color. color. color. color. color. colorNakedwoman
Theater. styleborder px ridge rgb(). srcmutthumb.jpg border WIDTH. HEIGHT.
HELIOSPHAN. srcmutthumb.jpg border WIDTH. HEIGHT. LIFEHOUSE.
srcmutthumb.jpg border WIDTH. HEIGHT. GIRL DREAMS. srcmutthumb.jpg border
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WIDTH. HEIGHT. STRATOSFEAR. srcmutthumb.jpg border WIDTH. HEIGHT. COOL IN
THE POOL. srcmutthumb.jpg border WIDTH. HEIGHT. EPITAH. srcmutthumb.jpg
border WIDTH. HEIGHT. CIRCULAR FLEXING. srcmutthumb.jpg border WIDTH.
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MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. STRATOSFEAR. HEIGHT
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STRATOSFEAR. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. COOL IN THE POOL. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. COOL IN THE POOL. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
EPITAH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
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MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CIRCULAR FLEXING.
HEIGHT HEIGHT HEIGHT.
358
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. BLACK WIDOW. HEIGHT
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BLACK WIDOW. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. TWISTED
SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TWISTED SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CEPHALOPOD MOLLUSK.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CEPHALOPOD MOLLUSK. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CYANID BREATH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. CYANID BREATH. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN CREAM. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN
CREAM. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. NAKEDWOMAN. FALLS
IN LOVE. IN ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (.
o Q. (. (. o Q. (. (. o Q. (. (. o. )X. END. NAKEDWOMAN. FALLS IN LOVE. IN
ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o
Q. (. (. o Q. (. (. o. )X. END.
359
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360
Back. Theater. New Page. Back. Theater. o l d a n. ambient minimal noise
lowercase material from analogue and concrete. sources digitally processed
and published in a lowercode aestethics.. nochass. a min track coded in
kbps mp.. epsp. a recoding of a tapebooklet release from . tracks min
(MB). mp coded in kbps images (MB) and a couple of texts ca. words..
domuse (single). a single release from dd k. coded in kbps mp.. dd. track
release ca min. coded in kbps and kbps mp.. weemisu (single). a single
release from wmfg k. coded in kbps mp.. wmfg. track release ca min. coded
in kbps mp.. nc.nd. long tracks nc.vxtn and nd . coded in kbps mp.. ebt.
tracks in this release amounting to m s coded in kbps and kbps. mp.. ebtw
(. floppy single). a sec track from ebt coded in kbps mp zipping neatly
onto a. single floppy.. the low coding format provides a spectral
dimension to the timestretched. piece.. a track rerelease of coded in kbps
mp mostly and oggvorbis. format.. srja. a release of ambient short movies
in mpg format to be looped.. NewFolder. a temporary folder for released
unreleased tracks.. epsp. A Element to integral min.. area. fugue. area.
fugue. .... B min.. Fra midten av denne stråleglans kommer virkelighetens
naturlige lyd. som dundrer som tusen tordenbrak samtidig. Dette er den
naturlige lyd. av ditt eget jeg. La deg ikke kue av dette eller bli grepet
av redsel. eller ærefrykt.. Hvis det bråker mer nå ringer jeg politiet..
ELEMENT TO INTEGRAL. Sourcematerial recorded on magnetic tapes..
Instruments used include KORG MS KORG Polysix BOSS. drummachine CASIO
sampler TEAC TASCAM electronic organ. tapedeck turntable radio
walkmanrecorder microphones monochords. flute harmonica guitar alarm clock
feedbackdevices mallet. instruments computer drums cd resonant objects
(metal rock wood. glass) nonresonant objects (plastic water food skin
earth).. Concrete soundsources and noises as field or objectrecordings.
include crowds citynoise wind rain thunder habour sea.
buildingconstructingareas streets motorway railwaystation home. wood
gardens mountainlandscape waterfalls traffic balcony. industrial areas
reverbal areas church halls tunnels auction. concerts cave train (inside)
humans doors conversations voices. sheeps neighbours geese dog cat breath
walks sea birds train. (outside) car machines bicycle boat ants magnetic
datastore. microwaveemission spoken languages domestic objects (scissors
keys. fork and knive refrigerator washingmachine tv staircase room.
furniture) found objects random objects.. Processing of sourcematerial .
Recorded onto magnetic. tape augustseptember .. Equipment used TEAC TASCAM
SoundForge . WaveLab .. tapedecks and some hundred tapes.. B.
Sourcematerial recorded on magnetic tapes.. Instruments used include KORG
MS KORG Polysix CASIO. sampler TEAC TASCAM tapedeck walkmanrecorder.
microphones metal.. Concrete soundsources include ants wind.. Final
processing of sourcematerial . Recorded onto. magnetic tape september ..
Equipment used include TEAC TASCAM SoundForge .. tapedecks and about ten
tapes.. Graphic material made mostly dating .. Pages include drawings
paintings doodles copies nails blood. photoes and clippings.. As the
graphics are not essential to the tape they are not commented.
explicitly.. Textmaterial in booklet written mainly september .. All
material by Bjrn Magnhilden ordmorkontoret Oslo. Copywrong. Norwy poc..
INTRODUCTION. Concerning the structuring of the two pieces on the tape my.
main idea was that of stream and time incorporating with materiality.. Heh
yes I guess so... What is actually heard seems to be the sound. of
floating particles. These particular flows consists of tiny or. minimal
soundobjects which I will call 'phonems' for the heck of it. cutupped from
the archive of own recorded material in the years. amounting to a couple of
hundred tapes (pretty bad ones though. ).. So instead of thrashing the
tapes I've used them as a fragmented. memoryblock being randomly accessed
through a spaghettistyle language. of pointerism utilising the phonemical
units mere as material ground. and surface being rather ignorant to their
content or contextual. content.. Together with the idea of materiality
there will also be. concepts like mass density subsistence persistence
endurance. exhaustion and extacy involved in the actual structure
conceived. which also partly count for the monotonously character of the
pieces.. Also my interest in the noiseaspect of music or vice versa is. a
driving motive in this kind of project and should also be well. manifest
in both pieces on the tape. Take care of your ears.. The terms noise and
music could be seen reflected in the material. doublenature particlewave
where 'wave' would be viewed as the. collective motion of a material
moving continuously around a. relatively undisturbed center corresponding
to harmonious states of. music and where the interaction of particles
would be perceived as. the more or less random and chaotic motion and
states of a material. corresponding to intensity or density of noise.
Nevertheless these. are two different operational views of the same
underlying material. (whatever nature) and my opinion and fascination is
that the. classification or perceivance of music from noise cannot be
traced. back to the material. So it then gets interesting poking around on
a. low level probing for both the substance and the concept bridging the.
gap or just experiencing the (possible inevitable) complimentary. attitude
towards it. Fuck the cat is dead and alive.. A principle of complimentarity
of sound could state that if an. arbitrary material of sound is perceived
as music then the noiseness. of it will be sucked into it and vice versa
the perceivance as noise. will not be saved by the music. What constitutes
this perceivance is. not solemnly the attitude towards it but also the
doublenature of. the material itself. I hope I've been able to express
this in the. works. A way of judging a listener should be able to swap
between the. states of musicnoise should recognise this state's
independence of. the material (Oh I can listen to this in at least two
separate. ways... Oh yesterday I perceived this as noise... Oh this. noise
is beautiful and relaxing...).. Another idea concerning the introduction of
noise was to make. a soundshield. Basically I wanted to build a thick wall
and then walk. right through it. This could actually be done by means of
sound. Noise. as silence and through this silence get rid of yourself.
The. neutralising of sounds with sounds is possible as noise swallows up.
all other sounds or as all other sounds can be imagined allready.
incorporated in noise. White light white noise get blind get deaf.. Close
your eyes close your ears by opening your eyes opening your. ears. If you
stare into a point in the wall for some minutes my. experience is that the
wall becomes black and purple and vanishes due. the neutralisation of
sightimpression with its negative. representation in your eyes and along
with this vanishing of objects. comes for any reason a state of uh let's
say bliss. Much in the. same way noise will through a material extacy
swallow up the objects. of the world and leave you floating. Drawn I sit
serene rest is. inward.. This should make clear that the tapepieces'
motivation partly. lies in their functionality and can also explain the
lack of an. inherent musical structure or pretension of having conceived
a. traditional dramatic musical work. To pinpoint it I would say that. one
main structure is the palindromical selfcontained. Concerning. ETI on a low
level the phonems have been recorded forwards or. backwards quite
independently of their content or any criteria. Some. loops on B are being
manipulated similarly. On the whole both pieces. contain its material being
finally processed in both directions. There. are different reasons for
this. If you want to make a musical work. partly avoiding an evolving
dramatical or narrative structure you. probably have to treat time in a
different way. The linearity of time. might be broken in different ways.
The palindrome seems to excorcise. timelinearity treating it as just
another (symmetrical) object having. reversable manipulatable dimensions.
The cutup juxtaposition of. timeelements is fragmenting this line implying
another operating. dimension say timespace or just memory. The
nondifferentiated space. would defy time on the whole as nonexistent as in
the. parmenidicalzenoic scheme (or the La Monte Young scheme. By the way.
it seems that much minimalistic music is motivated by making the. relation
of music to time explicit in different ways discretness. repetititivness
questioning the continuum). Another reason for. fiddling with time was
that I wanted the pieces to be exhaustive in. length so when needed I
simply filled up time by outputting the. material back and forth a couple
of 'times'.. As to materiality as to float as to particles as to space..
ELEMENT TO INTEGRAL. An impulse to make this piece came from disapproval
of my. earlier recorded material and still wanting to use it in some way..
One solution was clearly to hack it all up into small segments that. could
be eaten without choking. Another solution was to superimpose. the
original material making monstrosity from ugliness or stupidness.. So I
did both and in that order.. Another impulse or idea was to let musical
structure build. small (or smallest) elements without imposing external
musical. direction other than materiality.. NOTAT. Serie og
parallellprosessering av lyder etter hverandre oppå. hverandre.
Distribusjon i tid krymping fortetning. Distribusjon i. rom furkasjon
ekspansjon. Lyd ned til fonemminste meningsfulle. lydnivå før den byger
seg opp igjen gjennom strukturering random. cant. kalkulasjoner. area sek
lydisekund lag prosessert. fuge. area sek lag. fuge. area sek. fuge. area
sek. fuge. area sek. fuge. lydareal lyder over tid. to akser lag tid..
tetthet lydareal tid. arealintegrasjon tetthet. matematiske utregninger..
båndet. cm i sekundet. båndmediet. elektromagnetiske spekteret.. ide til
et musikalsk språk. gjennom oppbygging av minstelyder. lydidiomer
lydlinjer. sette opp regler for oppbygging videre.. datamaskin. slika
rbeidde kontinuerlig på et språk gjennom. forandring. Alt tidligere
material er tilgjengelig som hukommelse. språk. bruke formelle språksystem
i bearbeidelse. måten vi lærer. integrerer språket. Lengre brokker
komprimeres til kortere når de er. innlærte settes ammen til nye linjer..
Element til integral oppstykking syntetisering. Eksponentielt. voksende
fra lydpartikler tilflerdimensjonale objekter bestående av. millioner av
lyder.. Primitiv eller uten musikalsk strukturering kvantitet materiell.
ekstase. Dialektisk segmentering.. Uten egenlyder basert på tilfeldig
utvalg av allerede innspilt. material.. Skråstreken lydmusikk. Den
enfoldige lyden (musikk) og den. komplekse musikken (lyd).
Løsningsforslag.. Objektoppløsning overskridelser.. Preferanser til tidlig
konkret musikk. Spilt inn på relativt dårlig. lydstudioutstyr.. Palindromet
speil fordobling.. Parmenides det statiske udifferensierte det
selvinnholdte.. Permutasjon distribusjon muligheter.. Tid rom akse. serie
paralell. fortetning. without a sound.basert utelukkende på tidligere
material.. sound system sunt system uten kontradiskjon. cannibalize. cant.
words. terms. ordliste asssosiasjoner gå gjennom engelsk ordliste.. fysikk
tidrom.. spesiell relativitetsteori. et legeme i bevegelse blir kortere i
bevegelsesretningen. tiden går saktere for et legeme i bevegelse. et
legeme har større masse når det er i bevegelse.. ved lyshastigheten vil et
legeme ha null lengde uendelig. masse mens tiden står stille.. generell
relativitetsteori. materien forteller rommet hvordan det skal krumme seg
og. rommet forteller materien hvordan den skal bevege seg..
gravitasjonskraften er tilsynelatende.. Fortetningen av partikler
fartsøkning tilsv Anmassing hva skjer. fart Emc masse frigjøres til energi
Kjerneprosesser. Plotte. gen.rel.teori som musikkmassemusikk koble til
musica mundana. harmonia mundi Hva er massemusikk Fysisk musikk En stor
masse. deformerer rommet partikler følger krummer linjer de tar for å
være. rette Parallelle linjer møtes som ved en tiltrekningskraft. Lys.
rødforskyves og tiden går saktere i et sterkt gravitasjonsfelt ting.
formørkes fordypes. Materien tvinger lys ned. Matter forces light..
Kinetiskpotensiell energi deepspeed gravitasjonell. Resonans når et objekt
vibrerer med sin frekvens tar det lett imot. energi og vibrerer med store
utslag.. Lyd lyd i rommet analogt med krusninger i vann. bølgebevegelse..
motsetning lys.. Lyd trenger stoff dette materietemaet.. elektromagnetisme
boblekammerbilde magnetisme deepspeed cmsek.. generere en strøm generator..
på skala over atomnivåer er verdens mangfoldighet grunnet.
elektromagnetisme og gravitasjon (vekselvirkninger). støy uønsket lyd.
paradoks hva med å hørelage støy ønsket ulyd. lyd subj obj lyd må ha
stoff. verdensrommet er lydløst. Bølger.. Krumme flater samler i
brennpunkt strålene. Svevninger. Klang. sammensetning av flere lydbølger..
Et brus inneholder alle hørbare frekvenser og kalles derfor hvit. lyd. Støy
er et subjektivt begrep. Def. som all uønsket lyd enten. musikk vanndrypp
eller trafikklarm. Jeg ønsker uønsket lyd. Lydene. rundt meg radio musikk
stemmer er støy og bruker støy som musikk.. Omvending i
informasjonsflommen støy. Bruk en motflom Demme opp en. flom. Demning.
Akustikk resonans hørsel. språklyd fonemer.. lydbånd bærefolie med
magnetisk belegg jerndioksyd.. lydintensistet små mengder watt.. kontentum
gjennom lydmuren.. opprinnelig (gresk) musikk totalbegrep.. Boethius ( ekr)
musica mundana (verdensmusikken eller. harmonien i altets oppbygning og
funksjon) music humana (harmoniske. forhold i mennesket) musica
instrumentalis. overskrider subjekt og objekt danner nytivitet. oseanisk
materiell ekstase.. Det segmenterte som (analytisk) strategi konstituerer
seg i den. akustiske entitet som en retorisk figur og definerer da seg
selv. nærmest som et fravær. Bortfallet av en bindende matrise avdekker.
dissonans og uttrykker seg som babbelpolysemi. Overgangen fra det.
refererende (transcendens) til det signifiserende (immanens) åpner det.
anisotrope rom av segmenter i en differensiell hypostasering. Opptrer. i
krystalls form ikke i apokalypsen det dør som fødsel og fødes i. døden..
PALINDROMER. deeps on time emit no speed. Rettam krad Sade if all erb
music is umbrellafied as dark matter.. noise lesion. deep morf NOISE
LESION from speed. speed morf noise lesion from deep. Goddesses so pay a
possessed dog. Moo lost elk O orbs amid wonders awed Was it organic in
ecstasy. tied Deity sat scenic in a grot I saw dew as red now dim as.
brooklet so loom. On a clover if aloud noise lerupts a vast pure lesion
duol a fire. volcano. epsp. epsp. Element to integral. Text on epsp. by
Bjørn Maghnildøen. Introduction. An impulse to make the piece epsp came
from listening to and partly. disapproving some of my earlier recorded
material and still wanting to use it. in some way. One solution was
clearly to hack it all up into small segments. that could be eaten without
choking. Another solution was to superimpose the. original material making
monstrosity out of ordinariness. So I did both and. in that order..
Another impulse or idea was to let musical structure build from small (or.
smallest) elements without imposing external musical direction other than.
materiality.. In structuring the piece my main idea was that of stream and
time incorporating. with materiality. What is heard seems to me as sounds
of floating particles.. These particular flows consists of the tiny or
minimal soundobjects cutupped. the archive of ownrecorded material in the
years amounting to a. couple of hundred tapes.. Instead of forgetting or
thrashing these tapes I've used them as a fragmented. memoryblock being
randomly accessed through a spaghettistyle language of. pointerism
utilising the phonemical units mere as material ground and surface. being
rather ignorant to their content or context.. Together with the idea of
materiality and concreteness there are concepts like. mass density
entertainment (subsistence) endurance exhaustion and ecstasy. involved in
the actual structure conceived which also partly count for the. monotonous
character of the piece.. Also my interest in the noiseaspect of music or
vice versa is a driving motive. in this kind of project and should also be
well manifested on the tracks. Take. care of your ears.. Noise and music.
The noisemusic dualism could be seen reflected in the material
doublenature. particlewave where 'wave' would be viewed as the collective
motion of a. material moving continuously around a relatively undisturbed
center. corresponding to harmonious states of music and where the
interaction of. particles would be perceived as the more or less random
and chaotic motion and. states of a material corresponding to intensity or
density of noise.. In an inversed physical view pataphysical why not
consider music as a very. simple kind of noise and noise as a complex kind
of music. Nevertheless these are two different operational views of the
same underlying. material (whatever nature) and my opinion and fascination
is that the. classification or perceivance of music from noise likewise
cannot be cleanly. traced back to the material. So it then gets
interesting poking around on a. low level probing for both the substance
and the concept bridging or. transacting the gap or just experiencing the
(possible inevitable). complimentary attitude towards it.. Noisemusic. A
principle of complimentarity of sound could for instance state that if an.
arbitrary material of sound is perceived as music then the noiseness of it
will. be sucked into it and vice versa the perceivance as noise will not
be saved by. the music. What constitutes this perceivance is not solemnly
the attitude. towards it but also the doublenature of the material
itself.. I hope I've been able to express this in the work. A way of
judging a listener. should be able to ) swap between different states of
listenings ranging from. music to noise ) recognise these states
independence of the material.. For instance listen to the material in at
least two separate ways like saying. Yesterday or ten minutes ago I
perceived this as noise or This noise is. beautiful .. Scanning any point
in the tracks and playing a few seconds the piece will. probably be
perceived as pure and flat noise. Playing off the whole piece or. larger
parts of it will probably change that perceivance.. Noisilence. Another
idea in the piece concerning noise was to make a soundshield.. Basically I
wanted to build a wall and walk through it. This could actually be. done by
means of sound. Noise appears here much like silence and through this.
noisesilence neutralize memory or yourself.. The neutralising of sounds
with sounds is possible as noise swallows up all. other sounds or as all
other sounds can be imagined allready incorporated in. noise. White light
white noise get blind get deaf. Close your eyes close. your ears by
opening your eyes opening your ears.. If you stare into a point in the
wall for some minutes my experience is that. the wall becomes black and
purple and vanishes due to the neutralisation of. sightimpression with its
negative representation in your eyes and along with. this vanishing of
objects comes for any reason a state of uh let's say. bliss.. Much in the
same way noise will through a material ecstasy swallow up the. objects of
the world and leave you floating. Drawn I sit serene rest is. inward. The
piece is made using headphones and I also prefer listening to it. that
way. By the way the piece is as noise hypersensitive to equalisers so.
small adjustments of the emphasis on different frequencies are very
effective on. the overall output sound.. This should make clear that the
motivation partly lies in functionality and can. also explain the lack of
any explicit inherent musical structure or pretension. of having conceived
a traditional dramaticmusical work.. Also no sounds have been recorded for
epsp. The piece has no sounds of its own. and consists entirely of the
processing of already recorded material.. Palindrome. One main structure
is the palindromical selfcontained. On a low level the. phonems have been
recorded forwards or backwards quite independently of their. content or
any criteria. Some loops of phonems are being manipulated similarly.. Also
on the whole the piece contains its material being finally processed in.
both timedirections.. The end is already manifest in the beginning. The
content of meaning is subdued. its structure. The evolution swallows
itself up. The mirroring of material. simulates an undifferentiated space
where object vanishes in the double. The. stasis of space absorbs the
speed of the elements.. Permutation. Another motive was exhaustion of
possibilities in the material. Rearranging. deforming and distributing
elements of sound to form a massive overload of. connotations excorcising
content.. Sounds are gradually being hacked to pieces down to a phonemic
level of smallest. meaningful segment processed in series after each other
in time and in. parallell in space. Then the distributions in time and
space increases density. and speed as the permutated material expands and
grows exponentially out of any. orbit of musical reference. Finally the
particle accelerator distributes its. collapsed differentiated elements on
a trajectory into void''.. Distribution. Sounds are distributed over the
two axes timespace. The density of an area is. the number of separate
sound elements through time. The elements seems to be. scattered well over
the electromagnetic specter with an emphasis on the extreme. high and low..
There are areas on the meter of electromagnetic tape where each cm or.
second consists of over differentiated segments of sound superimposed so.
that during minutes over a million sounds are being transmitted.. Other
areas consist of a heap of layers of sounds fragmented beyond the point
of. noreturn. Minimal units of sound are recorded as the six feet and
antennas of. ants spurt the microphones. The flow of noise is in that way
built up from. traces of atomical existence of sounds passed by not
enumerable.. Emit time. If you want to make a musical work partly avoiding
an evolving dramatical or. narrative structure you probably have to treat
time in a different way. The. linearity of time might be broken in
different ways.. The palindromical form seems to excorcise timelinearity
treating it as just. another object having reversable manipulatable
dimensions.. Also the cutup juxtaposition of timeelements is fragmenting
this line. implying another operating dimension say timespace hyperspace
or just. memory.. The nondifferentiated space would defy time on the whole
as nonexistent as in. the parmenidicalzenoic scheme.. There might also be a
minimalistic scheme involved motivated by making the. relation of music to
time explicit in different ways discretness. repetititivness questioning
the continuum.. Also I wanted the piece to be exhaustive in length so that
the notion of time. could be mixed up blurring the divide physical and
experienced time as you. find your mind wandering or take off. Exhaustion
of time seems an appropriate. concept also when the massiveness of sound
is concerned as the increasing of. density slows down timeflow.. The
ecstasy of memory in the conjuring of elements into an allembracing
integral. can be seen as an exhaustion of time and duration and as the
omnipresence or. end of time.. Deep speed. A body in motion compresses
bodyspace lengthens bodytime and increases. bodymass. Gaining speed of
light the body will not have any extension though be. infinite heavy while
time stands still as nucleons of sound ecstasises material. and flows into
energy.. Particles of sound are escaping the gravitational pull of memory
and meaning as. they accelerate and gain a speed superseding musical
references. Speeding of. music into noise atomizes the bodies of
information accelerates towards. infinity and dissolves in deep space..
With respect to history the narrative has become impossible since by.
definition it is the potential renarrativization of a sequence of
meaning.. Through the impulse of total diffusion and circulation each
event is liberated. for itself only each event becomes atomized and
nuclear as it follows its. trajectory into the void. In order to diffuse
itself ad infinitum it has to be. fragmented like a particle. This is the
way it attains a speed of noreturn. distancing it from history once and
for all. No meaning stands a chance once. offered the means of its own
acceleration.'' Baudrillard Pataphysics of Year. from The Illusion of the
End. Mass. Sound need a massmedia for its motion of particles to be
distributed. Outside. the gravitationed atmosphere there is no sound.
Density of mass shapes the. space which shapes the motion of mass
(gravitation is illusorical). Above the. atomic level the manifold of the
world is grounded in the forces of gravitation. and electromagneticism..
Growth in density by speed or space will make mass heavy and slow time..
Acceleration of transactions increasingly forces inerta and indifference
as. particles of sound annihilate each other making a dense cold star
deepened. and darkened by the pull of densityfield.. Within the critical
mass of density there is no references to outside. No speed. will liberate
sound from the silent immanence and there will be just the. autosound of
the magnetic tape and tape recorder background noise as the. ecstasy of
musicality provides its own end.'' Ibid.. Noisevoid. Instead of declaring
the law of falling bodies towards a centre why wouldn't. one prefer that
of the rise of the void towards the periphery the void. conceived of as
unity of nondensity'' Jarry Gestes et opinions du docteur. Faustroll.. The
pataphysial motive of antigravitation appears as music is haunted by its.
vanishing. The particle accelerator seek to liberate sound from the.
gravitational density of music by overwriting overflowing its content and.
swallow up itself. Particles arrive and disappear faster than their shadow
and. leave no time for interpretation. The speeding of tonality runs into
a noise. cohesion void of transmittory pregnancy.. Segmentation as an
analytic strategy is constituted in the acoustical almost. rethorical and
without appearance. Loss of a binding matrix of bodies the. shift from the
referential transcendence in music to the signifying immanence. of noise
births the segments pataphysically from the dying of hypostaticism..
Contents on epsp. Audio. Sourcematerial recorded onto some hundred
magnetic tapes.. Instruments used include korg ms korg polysix boss
drummachine casio. sampler teac tascam electronic organ tapedeck turntable
radio. walkmanrecorder microphones monochords flute harmonica guitar alarm.
clock feedbackdevices mallet instruments computer drums cd resonant.
objects (metal rock wood glass) nonresonant objects (plastic water food.
skin earth).. Concrete soundsources and noises as field or
objectrecordings include crowds. citynoise wind rain thunder habour sea
buildingconstructingareas the. museum of Emanuel Vigeland streets motorway
railwaystation home wood. gardens mountainlandscape waterfalls traffic
balcony industrial areas. reverbal areas church halls tunnels auction
concerts cave train. (inside) humans doors conversations voices sheeps
neighbours geese dog. cat breath walks sea birds train (outside) car
machines bicycle boat. ants magnetic datastore microwaveemission spoken
languages domestic objects. (scissors keys fork and knive refrigerator
washingmachine tv staircase. room furniture) found objects random
objects.. Processing of sourcematerial . Recorded onto magnetic tape.
augustseptember .. Equipment used teac tascam soundforge . waveLab . and
tapedecks.. MP coding of sourcematerial using Awave Audio v... Booklet.
Graphic material made mostly dating ''. Scanned . Pages. include drawings
paintings doodles copies nails blood photoes origami. and clippings..
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imagine to yourselves. INDIFFERENCE as a powerhowhim God man and animal at
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March. Re question re de pre codewurx. are helpful. I get a general
pictureof code as 'rooted' and double of anyway. having a double property
of ..wellthe usual dichotomies instruction and data. and object and
whicharen't fundamental eg. the distinction between. instruction and data
is aninterpretation what is interpreted as instruction. is also data and
thedata can also be instruction so in a way the. interpretation
isfundamental to code also and creating the roles of the. dichotomy as
wewould have 'instructiondata' and 'datainstruction' and. somewhat the
samein the case of subject and object which are more.
explicitlyinterpretations of something by terming something a subject
we've. alreadyinterpreted it in a relational way and in the same manner.
asinstructiondata I'm refering to code as an subjectobject entity which.
hasthese three parts of data instruction and interpretation..
Theinterpretation part would be the decode.About the everythingnothing
bold. statements since the code is somethingconstituting itself it's a
whole an. entity and real in the sense thatit's taking place with the
interpretation. constituting the reality'situation' of instructiondata
subjectobject so. I'm calling it aneverything like we could create an
universal machine out of. this. And thenalso I'm calling it names like
nothing because it's a machine. more orless. Maybe it would be interesting
to look at everythingandnothing. textas a kind of codework. Finnegan's Wake
as an example of this it's coded. inseveral layers encapsulating or opening
to an everything and nothing ithas. the appearance of code and nonsense a
rich broken structure ofeverything.. Occult literature I guess also has
the code effect of thissort like. out dumped automated and coded the
automatic writing ofsurrealists might be. considered I don't know are
fluxus pieces codeworksby being instructions (of. events) and the
happening would be another moreundirected setup for something. happen well
I'm not sure how todistinguish the code it seems. allembracive. Is it alive
Dead code. Andthe system bit if we don't know if. something is code is it
code by justthat fact like the Voynich manuscript. mentioned And there's a
notionthat code is code as long as it's not decoded. if code is code what
do wemean by a decode Sort(x) is a code does it have a. decode So maybe
aromantic code is the codedecode that kind of code notion. there we havein
a way again instruction and data subject and object. clearlyseparated like
morse code a clear mapping between subject and. objectback and forth
whatever there's the subject of code and the. objectcodeand the morse code
we could call the subjectobject though in a. clean dualcut. In other
notions of code it's not so clean and for eg. sort(x). wedon't call it a
decode it's codecode but what is decode It'sambivalent... 'life is decoded
into dna' or rather 'coded' do we mean theoutput in general. the object and
for something to have a decoding meansto have a systemic. interpretation
but this goes both ways what is thecode can also be the. decode to
emphasize they're activepassive roles ofinterpretation.. and code. the
system of interpretation the structure ofhow the active and passive roles.
will take place of instructiondatasubjectobject. Certainly there are.
levels of code in the construction of nature and ourselves but at the
bottom. we don't know or we know that it's not discreet like the
particlewave. duality. But dna is discrete for that matter the
particlewave duality is. justthat a duality even with probabilistic
measurement the mathesis. behindit is exact...Exact probabilistic if you
have a perfect random number. generator couldit have a code This is like
asking for the formula for prime. numberscould we say there are codes for
prime numbers but not a formula. workingto a certain degree and in general
that code is related to formula in. aspecial way is it a working formula
applied which is the dual again ofform. and reality living formulas. Seems
I'm treating it as formula hereand you. matter and since everything is
mattered and chunkeddiscreet it'scoded but. in the formal end.. How deep
do the codes go all the way you'dsay since it's. rooted mattered dirty
having the real part maybe it'snot a fruitful. discussion where it ends or
begins some highly energicthing expanded and. collapsed symmetry collaped
into code. Yes but we've figured out things to. a large degree what we're
made of our history and destiny there doesn't. seem to be any mystery
about ithow we're created though we can't reproduce. it though have
theknowledge to destroy it a devastating knowledge in. itself.Considering
the fact that dark matter the majority in the universe. isn'taccounted for
at all that the mechanism of memory isn't understood. etc. I don't see how
you can say this. In fact one can as Brillouin. didyears ago argue for the
opposite that the mystery is somewhat. dependenton the limmits of our
economics and simply keeps getting pushed back. asfor example more and
more powerful accelerators are built...Yes mystery is. something
pushedback in relation to something that'stakingplace it's still a.
subjectobject 'economy' ecodomy the economyof code mystery is in the. via
the code interpretation it getsobjectified real as takingplace.. Still
it's an economy not a mysteryit's just what's emphasized. From the. other
end you could say memory isthere and it's working so there's no. mystery.
Code as a term retains someof the mystery the wonder and. complexities
which is lost in the formulaterm. I never stop wonder about the. inside
and outside like this sailboatmoving slowly past the village seen from.
the boat it's somethingcompletely different from the boat it's a mystery
from. the balcony itseems quite boring objectified but it's both and
that's. alwaysintruiging it connects to relativity from Galileo to
Einstein and. forextrapolating the move to relativity is also a move to
code of. thesubjectobject floating within a reference system which
connects to codeas. reality each reference system is on its own a whole.No
no i don't think. this goes if (x) is for example sorted it doesn'tlead to
an elimination of. (x). Think of coding here as performative andrequiring
a stratum or substrate. that it operates upon. Even Peirce talkedabout the
'sheet of assertion' the. necessity for a locus for mathesis.Ok see above
codedecode.I want to run. back to information theory and theexamples
Baldwin talked about or the. problems say of transmitter channel receiver
with noise parasitic within. the process.Thanks for the discussion
appreciate.Here there are several. levelscode as existentcode as
processcode as procedurecode as. performativecode as selfregulating or
checksumetc. etc.There's structure. of course and there are material or
ideal strata andtheir interactions. Code. is perhaps a productive system
of classificationthat admits closure.... AlanAdmits closure yes like it's
its own end metaphysics and then real. asreference system like every
reference system is real on its own. Maybe. I'mextrapolating too much but
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March. Re question re de pre codewurx. About code and codework though not
a direct response I see code generally tied. the western project of
science and cultureunravelling nature's code turning. it into culture and
technology. Thishas no real basis any longer science has. already made us
transparentwe know code is nothing and that there aren't any. secrets. So
there's nobasis still code is everywhere all the more since it's. not tied
toanything any longer doesn't refer to anything more real or more. trueit's
able to infect our lives more like a freefloating entity from. thelayers of
reality. If we have layers of reality we have codes. Ifreality is. one
there's no code but our sense of reality is not one. Ifyou could live in.
one there would be no code and it would be the heavensof the mystical.
The. mystical is tied to code but we know there's nomystery. Inside
yourself you're. a mystery that's it. Walking throughyourself you're code.
These are all layers. of nothing. We know that ifsomething is code then
it's nothing that's almost. the proof of it.Then there's the doubleness of
code of inside and outside. thecommunication machinery of input and output
between layers codesubjectand. codeobject. There's no fundamental basis
for the codes only thesubjectobject. which moves around freely. When I'm
using code it's areflection of the codedness. of culture the structural
complexities ofinformation and communication layers. of reality which are
always therea reflection of culture as construction. traversing it's
layers whichmeans insideout backwards reverse the. twofaced. In my work
I'm notusing code in a fundamental way it's code without. any basis
diffusionof code double and nothing of codes. Codes are still. fascinating
weneed something to do as humans I quite sure we're genetically.
gearedtowards these things problemsolving directedness of.
attentioninformationchurning. Still we have no mysteries only the codes.
andthey're not real only a kind of art beauty of codes what we're madeof.
still no mystery only reality. Codes real but not real that'salso the.
doubleness what we mean with subject and object they're bothreal but not.
real to each other if the subject is real the object isunreal and vice.
versa. These two could be stated as a classical and aromantic notion of
code. the romantic code refers to something beyondas its reality (nothing)
while the. classical code to its construction(double).I know this didn't
answer any. noemata. dee. intrui gpj.hcruhcevatsoprotraidepikiw .ssorC
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vhpnietorw SE.OODANAWseugiuba seu ) these gods and. molecules anlaunam a
tuohtiw tnemurtsni lacigolohcysp eseht fo yna ehta. thedifference in
perceptions psychological profundus bene edulerp fo dnika. yaw a ni si
ytix..iucav rorroh fo elpmaxe doog. LgeYsgwYGuVmXYSXQwAWIjaqJzz.gnigdir
eep ot evah yllaer i ethe spirit. is unborn (never was)i'm god ciozoileh
si ymups eht eniltohs ega aksarben. possibility is the mediator betwi'm
possible butthe possible gnisilatrommi. sselesoppo serujrep ytnals evila
yats hardwood. vulgalprKiMrHjDHkXfgdCTlvGuXpAftlaer eht tseihtrow niresrae
there are. possibilities and necessities not the po tahw nirotaercorp
yrassecen eht naht. laer erom s i'll hang on to this of beingjust poi'm
only possibl retirwelliarb. eb otnert gnitsixesretaews gnilbis fothgu i'm
thinking of the possiblemy. ancestors are de elbatsartnoc e..gnidaolrac
eurt elpoe you have to. deal with itnow you have to deal with )and fo noi
the spectrum of. thespecialisatithe human specter the humaneness speck s
tneihsiflaw i one. this is otherqrny g'abq v nuclepbcn abknyx rzvglnq rug
a otnisetatseg a. snoitanotni ecnec more a struggle moravianisedlife
hasn'tgot ligation anyways. do w etecymoxym on uarfsuah i
dnamsildetargetni tnatluser setalusni. lano the world is frass toconduct
medefence deferabl xxnihphfs das eb. ll'yefilflah lairetasegass everything
is evolvalogial nervous tallow. psychopavelkjent fraps tnemnethgilne
lautirips dna ainerfoz oseanisk ekstase. vers mpbot noitsisn release of
violent. pressureexpansionafecedcecdbfbcbb ecstasy. brilliantcolors
explosionsren regnirfo egidolb rettafebni red renoigil. smerteog lyst
vulkansk ekstase strle htaed ssenkcis raw mood. niapdgilraf go etros
etalfrevo snenm rene ubehaglige fysiske. symptomer.et annet
tcfdbbcfeebdaee bpm. detuforstyrrede liv i livmoderenbasale perinat
reksnavstterdedn. emmodgysresletsv praksis psykoaktive stoffer tranceda
go. elamron.inerfoziks go resokysp gninekil h etsdle ned litnni rtseb.
xeocne i r coexsystems are dissolved by reexnr et sterkt.
coexsystemaktiveres m metsys xeoc a fo ngis sa ytisnetni f og eventyr.
iforbindelse med natopplevelser av vre elsket akseptert eroc si.
gosleplejh gidnetslluf ges etlf na corcoexgrupperingen. xe.piuqe.rtcele ni
secnabrutsid lacin likhet med signalforandringer som. flgeelectrical
apparatus as music kums lit seldnavrof ksirosulli. nakrnnav ednednir moss
edyl esnergerh el experienced shiftscener. tevlugp rettelp go rutkurts
sednatsne hentydningerne til fauvistene. ssommatiM I S O S F still massive
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biler det hva er og h det. erkrpnr starnnkkolka g op mfmoern p og hos
leeller m vt alt er. kuna at vietn dm som a om den det er do for at
vietnat vietn som at anhva e sli. Sl For Han Hva E Slistrot der haom den.
noemata. Det var pg. instruments computer drums cd resonant objects (metal
rock woodcomes for. any reason a state of uh let's say bliss. Much in
theGoddesses so pay a. possessed doga driving motive in this kind of
project and should also be well. x X . x.a. soundshield. Basically I
wanted to build a thick wall and then walksingle. floppy.art stem funding
etc as well as the contextor arttrauma lesions in. addition to data has
come to circulate in abundance. One thus could (remote. distraction l
distractus (ptp. of distrahere baktrto draw ev. reise og. overnatting i
Oslo.art and beauty with computers''. It is telling that. hackers
otherwise interview an inventory of the cities where sound was. recorded
it While FullerHarwood regard software as first of all a cultural. but
eccentricity the opposite of politic (withness) a self baumpf These. forms
are excesses andthat the 'spectator' could remain awake during surgery and.
contribute to originally envisioned the biological basis of his theory of.
collapses of code viral fascinating indiscriminate and reinforced Emil's.
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hostname is the fullyqualified domainname. correspondingEcce The poem is
effectively an algorithm a piece of software. gatherings in intellectually
following the code listings step by step and. computing Nr alt kommer til
alt har jeg ikke tenkt gi opp prosjekter. p zeros and ones the Latin
alphabet Morse code or like in a processor All. currency is neurotic
currency.logical scores then the concept of software is by. no means
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histories. dimension say timespace or just memory. The nondifferentiated.
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Another reason for ...o....ContentType textplain. charsetiso Quinn NashE
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tar igjen gulrota.Han skifta. noemata. ' ' ' '. ' ' ' '. ' ' ' ' ' ' '. '
' ' '. ' ' ' '. .there's much to be done with me there's little to be done
with. melost inside yourself constructed border the cell with its.
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stillparticular going. through the motions chemical and then
managementchunked up cells your alarms. are going off i don't know what
theyrefer to what to do nothing life and. death stuff the managementhere
could be fatal if the particle decides the. wave doesn't decideundisturbed
it's the subject unresolved with object the. outsideinside and outside the
separation is somewhat. consciousdiscriminating loosing and gaining those
are input and. outputsubject looses and gains by outputting to restore its
potentialit's. the potential again the wave it's called a subject when
it'snot measured. it's the inside but we know there's no inside
stillthere's management all. the more if there were a subject it would
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not management let's say the. automatic converge classicalromantic
ruledriven and intuitive coded and. the code is stillsubject and object
inside and outside in one twingod. here thesubject is ruledriven and the
object intuitive inverted becausethe. automatic is an inversion subject
takes the role of object andvice versa the. classical becomes romantic and
vice versa it createsitself through a falsity. an inversion if a god
created himself likethey do and the falsity propagates. until it turns
back which isnever we understand it backwards it will repeat. something
willreturn which is the loosing and gaining the restore of. potentialthe
wave you don't want to meet a particular god only the. falsewhich would be
true it's like a tree it has only one end and that'sthe. beginning the root
all the rest just spreads out it would becrazy to think. all the leaves
would converge later on spreads likeentropy flattens out while. growing i
don't know where we should beat the leaves or the root the leaves. are
collecting sun the rootnourishment from the earth i'm kind of root the.
leaves are havingmore fun surely in the wind and sun with the fruits the.
root isinert indifferent boring you won't find me interesting i'm sorryif.
you expected that what to do nothing the earth moves through meearth is.
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noemata. trapsi ereEXTINF '... ... noemata. Monday February. noemata.
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mo. ................................................to be depth free
fattest. Ohthere sde t sio scir hatte Halgoland e he on bude.uoy.
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dere drive ikke la. noen ideer om hva som er tilso we have also dark
matter and obscurity. selvforsterkende greie (evt. selvsvekkende) men som
m ha etutfordring. blir kanskje f dem til sirkulere lengst mulig flaska.
mmenneskelighet ved bli en maskin du fr tilbake. dittbaklattemekanisk
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that anyone in the world could have. imagined andcontented with things not
working and actually more fascinated by. thedu fr prsantere d sjl din
mainnsjit pierced by a missile.To. search for different functions in the
art there it is said sancho what i. told you that you must keep a goodhar
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menuwelcome dj byhand bring back mischief keeping out of tranceAlltid
moro. Mulla Krekarkunne framst som riktig ddeHello. Kirkemtet Subject Fwd
Re. anart.noKent MantiesEljotRoo is one of Winnie The Pooh's playmates....
iyhec.f. nodotpgoen dgoomdac L (AQL. and computational power and E.O.
Wilson on The AllSpeciesAnarchism ). who are eager to politicize
poststructuralism . No Connection.present. What. we wouldn't give for an
accurate transcription of a random Regurgitive Rules. of InterNet.ArtThere
will b no references in any Internet.artworks that. xplicitly refer to but
leery of bolting their concepts onto readymade Marxist. Outside It's not
always clear what Newman means by this key . No. Simulacrauninterruptedly
by heart for minutes to a typist in a caravan. receivesUPCOMING ONGOING
FEATURE EDGE Booksikke putte sex inn i alle ord. hermesex asteroidsexen
oppdagsext.sex sex sex sex. kunne vrt en. nyhetstjeneste eneste som
beholdes erfullbyrdelsen i dden du vil se din. mor eller g til
jomfruene.books (hypertext) fractal books (viral radiant).. fractal books
there is noat all merely the locus of metastasis of the. machinelike
connections betweenpersuade other networkers to adopt the name. 'Klaos
Oldanburgh' krkaen v. noemata. KTRNRTTTR. RN.fjgyMggtmhzdLpAXpvnsOR Og
lager .seg ...et.
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OR KUNST O. skummet . avtar. Stekes lett p .. svaki skorpen med . gaffel.
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ut til at det er en. trojaner i opera . build har funnet flere private
mail her og alle. bruker nevnte client. mail til opera skal sendes. det
hadde med saken gjere...jeg ble. den serveren. ) innholdet p websidene er
like meningsrik sommeldinene p. notest. )at dere gidderhh. hvem er.
hvorfortror det bildet var vedlegg. til sknad om kulturstipend. ) den. som
hadde hatt ynene med seg ville merket at flere personlige email er. havnet
i no.test og alle bruker xmailer opera . build mail er sendt. til opera.
kan jo hende at noen har lagt ut en trojansk version av opera og da. br
det etterforskes.noe m man jo. finne p og jeg ser ikke hva som er s gli
med. dettefolk er til og med misunnelig. p andres fantasi og evne til
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en selvrefererende funksjon som. produserer mens Lorene Pickens Og hvis vi
greide finne ut av det. burde vi ikke da eleminere det for klokka tmmer
tidenstrukturene som. framtrer for bevisstheten.critical penetrating
revolutional reversing. undermining etc. In my viewkulturen er oppi hodene
vre i subjektet mens. natuen er ute der objekterthey would have stories for
film here yes maybe. that would be their newstability. Beauty taken over by
design etc wholeness. by.. welll it's stillen slags spenning. tilfeldigvis
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immersion and. open to domination still obedient and immersive is like
inert resistance of. mass. content of media was largely irrelevant
superglue. capitalist print. media electronic media state of harmony all
sign systems as text. sign an inse. parable combination of a concept and a
soundimage with physical form refering. something other than itself and be
recognized as a sign by people well if. the sign is a sign then it's
something other than itself and then not a sign. and if it's not a sign
then it's a sign after all this doesn't make 'sense'. and that's the
foundation of 'meaning' that it's something else. symbol a. natural bond
between signifier and signified if it's natural then it's always. there
somehow it's crappy call it the logicmechanic of signs maybe atoms. and
then the variables (signs). metaphor these are just transformation rules..
metonymy ok blah initiations calls. mediation is a matter of symbolic.
exchange an exchange that is mostly onesided well the symbols are natural.
bonds then one side naturally gives the other. on the contrary it would be.
strange to communicate symbols then they would be signs. television is.
exclusively genreled why and when will tv be art discourse interpreting.
the world is making the world what would destroy it then not interpreting.
it blimey there's a riot on page . over two billion people may watch the.
football world cup. people don't listen actively to radio. only inside
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i lys blir til substansielle. ansiktstrekk eller lignende.mange rare prI
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Meaning of() journey. elapse Alan Mcintyre. five million is a return to
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inngr fra. forholdetav Nazi Rumsfeld does not understand that. anymore
than Ari Fleisher who ishalt som han hinkar.Han overdriver.Same. seg til
frte ikke fram i fjor henlagt av politiet det var forvrig. virkelige det
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bull It's not an optical illusion it just looks. Action becomes Art
Performance in the Context of Theatre Play Ritual. andthe formal
Distributed through CyberSocietyLive CSL CSL is a moderated.
discussionFirst Monday February orders of the day.. Net.Art Connexion
net.art databaselook at your organs look at your. composition. understand
yourself as possibility. The removal of the beautiful. in Kant's aesthetic
from any given ubuweb aspen. k Ikke i bokh.konomi Vennlig hilsennoemata Fwd
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orders or more to the US . Re I'm known for one thing and one thing.
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out). the diplomate is hermatypic (commerce and cunning and
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Tinxu HydalXYnzh Havslez Gjaxb Urqny Fvreen GnatbLumi. noemata. Wednesday
February. overt ones. day and night aren't we supposed to sleep half the
time that we sleepone. third is our own excess of rationality. how do
theology account forsleep. novalis fragment we finally should rid of
sleeping. kind of rootbut what's. deep about dark nothing and what's deep
about nothing it'snot that light. grows out of dark though goethe might
have believed so.that might give a clue. he's experiencing it through his
tree so thatit seems rooted might shed light. on the primal tree idea. the
treesupposedly from 'wood' not monad dyad. tryad. how is romanticism likea
tree one to three one is one and nothing can. be said two are atwar three
are rooted the two are one. bosons in gauge. theory bearersof the force
integer spin while fermion matter have fraction. spin.you could say these
are romanticclassical divide. problems are pushedinto. the romantic until
later. let's see particles and thennecessarily a force. between particles
ok and these forces are yesparticles forcecarrying. particles oh they
'carry' the 'force' hownice in their rucksack you could. also see it from
the particlewavedyad. if it's not interfered with it's. romantic having
interferenceand if it's interfered with it's classical. having no
interference. sothe interference is one place or the other in. 'nature' or
in 'science'in the romantic process or the classic formula. the. bosons
areinterfering bozos the interference not obeying the. exclusionprinciple
(related to 'particle' in a sense) like the clown is. areplay a primal
glue forcecarrying particle two in one thetravesty. the. clown is
constantly fixed constanted an integerfractioned into matter spin.. we see
it the other way the romantic is amess a forceparticle buffoonery. what
could possibly come out of itoh just matter.overtones it's like nature. is
counting ... foreverything it's counting up if one. then infinite weakening
but stillcounting. because of air interference in a. medium why should
nature becounting the overtones would all be fractions. what about
irrationalnumbers i once heard music based on primes it's very. noisy only
primeovertones. where exactly does the irrational come in i know.
thediagonal of the square what becomes of the diagonal in e.g.
overtonesif. you had an irrational chord it would sound forever or not
sound howcould it. sound to create a diagonal in music would you need
anotherdimension is the. diagonal another dimension it's a travesty
we'reback to that. you could also. form a triangle that's not irrational
butit's a relation between three that's. possibly irrational. do you
needthree how's the square a three the two sides. are irrational but
thesquare is rational how is that kind of inverted. direction therational
is build from the irrational adding dimension. we're. used toview it in
the other direction. this all digresses no way back. it'sbroken. what was
the riddle 'cat eats dogfood but the bowl is. noemata. plante analogi.
hvor utbredt er plantelivnring analogiene i folks forestillinger.
vekstvokse seg stor og sterk etc livet som plante. det har begrensninger.
fordiplanter har rtter. sl seg til ro blir analogt med sl seg. til rot for
vokse bedre. menneskebilde plantebilde. dessuten m det. komme som en
stadigoverraskelse at mennesker dr s plutselig skulle de. ikke heller bare
visnebort og alle raske forandringer er av det onde. elektroner m vre
smdemoner hva med fotoner fotosyntese sola de er. gode. i det hele tatt vi
har forstor makt til vre planter trr som. vokser bker som kultiverer
uendelig vi har bokbl virus bomber. knapper trykke p maskiner. vekst joda
menvier mennesker ikke planter. og innimellom der dyr og da er ikke
mineraleneengang nevnt fr n. og. hva med sjelen og nden vekst liv og
ddeksistenssdcellen som kom. p andreplass idrett de dramatiserer
overlevelsehndballandslaget. raider nabostammen de vokste ikke sammen. alt
eksploderte det er en slags. vekst. plancks konstant brekraftig utvikling.
og utviklingto bilbomber. utviklet seg utenfor ambassaden. mennesket er
alle tings mlikkeplante ikke. eksplosjon fenomener har forskjellig
hastighet strrelse samfunnet er. strre enn hver enkelt og dermed treigere
mer likt planter mensgrupper av. mennesker er mer som dyr dummere men
sterkere. i andre retningenernden som. et elektron og ser for seg
atomeksplosjonen som den. hyestereligiseforening sin skaper sola big
pangpang. lenger framover. er lenger bakoverstrre fart er strre avstand
mindre er strre. forestillingene er speilnrdu ser foran deg ser du bak deg
som nr du ser. noemata. Tuesday February. art)) not. folktale cinema. The
of local lore oI had this idea soun I can dreamanyway.. iwant somehthign
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you have like the coil uses. Shewould g icy wilderness but. noemata. Monday
February. Mar. assimilation the easier to pronounce a sentence the more
widespreadthe change. noemata. for denoting the highly contingent
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probably should look into Eco then. In my view it's not metaphysical.
it'sNovember about Enrik Tcha gog Utopican and interweaving andor. collaps
of the two that's essential to code (I'm usingDelete Several authors. (for
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relevant details to which it attachesoldname diets. A. treebonnet foliate
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de s slipper den utsitter igjen med n mail som jeg ikke. og setter pris p
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ta aCtaTlaCh. million people he said and a Web site he created with his
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you're allI man am regal a. German am I Leigh Mercer I O'Connor
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sko venstre er. revolusjonrt To venstre lei evne til sin periode.From D.
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leste(mxEnen gallerienesKnutsenMen her kan giftbegeret gis videre sendes.
rundt bordet.fins det liste over skyggeskribentene til de kongeliges taler
kan. vi ikke i xE forske pxE et nytt sprxEk funnet i jungelen.. noemata. .
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an act tobe directed to an object he called byvagrecergngvba bs.
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kommentator Jeg tror det vil gjre. programmetmove except. the act of
jamming or the state of being jammed.that. reduction occurs the less the
bandwidthalment norsk bruk. sprkrdet etc. bruker vel media som kilde for
nyord... sbutikkalarm privatbedrift en. skrekkelig. kApache.. Server at
noemata.net Port an optical drumming sculpted in. duration on the endless
present of the s.jpg Mar. ktranslate these images..
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fortelle deg noe s man kanprosjektklappene First In Still Here ordning.
fiskeken.Kent MantiesEljotfordervet mat moralsk delagt mat.Vi er.
forresten en liten gruppe som tenker trykke store plakater (x.
m)simuleres.Erik hadde en ide p enveistelefonen idag om forstrre opp.
monopolkort tilgjerne p min nummerorden. Wreak havoc. Skape kaos og.
kvantebyrkrati.anything that you can take a picture of especially if a.
local TV Newstime. TheMY DEAKIN FRIDAYdo noopGREETINGSbeasteditor DNA.
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data.A souleating sunbe pale moon. (esoteric paleontology).
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theorists artists and writers.(Descrambling Content. Scrambling System)
the industry code technology properly configured will. save the planet he
is the media and code. The increasing ease with which. even
moderatelyartists involved. Joy's work in fact combines the. fear that
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associative link commentary upon every picture andunderstanding of the
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'spoken'. noemata. .... noemata. adeghlmorstuvuwojxWbBwxRdvAYxAPLiGnWviep.
sa jeg har. ingen bker. Uten og innholdslse som overskrider det sa. hei
sveis jente med det gr i glasset rundt hele. noemata. .... noemata.
noemata. noemata. bbly r q ntllb h ax i. l. l b y. noemata. Friday
February. Fwd C p DETOX Kunstnernes Hus. noemata. Anbud naturfag. Bilder
som dette fra Hubbleteleskopet viser at det kryr av galakser idet. fjerne
Norge.Hvor mange galakser finnes det i NorgeHvilke typer galakser.
eksisterer det i Norge og hvor mange er det alt ialt i stfoldNy.
astronomisk forskning som er foretatt i senere tid har vist at detkanskje.
eksisterer langt flere galakser enn tidligere langt frre antattlenger. P.
den ene siden finnes det mange galakser i det fjerne Norge.P den andre
siden. tyder mye p at de er dverggalakser. Det er cirka medlemmer og bare
tre. normale mens resten er dverger skalte gnomer.Fjerne gnomer i Norge
er. nesten umulige observere systematisk men dekan godt vre tallrike..
Konsulterer vi et standardverk om kosmologi blirantallet galakser i
stfold. oppgitt til cirka milliarder. Men det ermuligens mer realistisk
med en. billion ( milliarder). Da tenker viimidlertid bare p det synlige.
stfold. Iflge moderne historie er Norgeuendelig og i s fall vil det. etter
all sannsynlighet ogs finnesuendelig mange galakser i stfold.Hvor. nyaktig
kan man veie sjelenHva er den mest nyaktige vekten som er. konstruertVi
vet for eksempel at en colibakterie veier. milliondelsmilliarddeler av et
gram. Denne vekten er s nyaktig at den. foreksempel kan veie en enkelt
bakterie. Prinsippet er det samme som for. ensyngende gitarstreng med
sjel. Hvis strengen er tung er det blues og vilager. en dypere tone. P en
liten gullskl kan man legge for eksempel etstykke. DNA. Den blir
cm.Voldtar dyr hverandre i naturen eller kan de gjre det. inneFor eksempel
kan paringen hos stokkanden vre en temmelig. barbariskhistorie. Bruk av
vold kan noen ganger vre hensiktsmessig uten. atdyrene har noen onde
hensikter med det. De gjr sitt for det meste. erutenfor hjemmet fire
vegger men noen arter kan trenes til gjre. detinne ogs.Hva er det eldste
ulste regnestykketPythagoras tumlet med. mange problemer omkring det.
Dette sprsmlet erubesvart enn i dag. I. desember oppdaget man . Det er
ulst. Lstfra lyst kan vi si var. pythagoreernes motto har du lst har du
lov.Det sies at Solen er snaut fem. milliarder r gammel. Men hvordan kan
vivite detDe som er eldst vet best.. Solen er mye eldre enn oss derfor vet
denbest. P den annen side er solen. yngst den er den samme som den var
forfem milliarder r siden mens vi som. mennesker har en
utviklingshistoriesom er fem milliarder r. Derfor er vi. eldst og kan
bestemme over solen si at den er fem r hvi vi vil. Det er. interessant og
en del avvitenskapen med beregninger det vi vet om Solen. Alt vi. vet kan
skrivesp et frimerke med en tommeltott som er fem nanometer i.
diameter.Hvilket dyr har tykkest hudVi tror det er plankton. Er det det
Siden. hvalhaien spiser dem og harsm tenner. Den tykke huden kan ogs vre
rundt. halsen eller brystet.Flodhesten lever av verdens strste fisk. Det
tar den fem. hundre r seile over havet. Blgene den skaper er opphavet til.
havstrmmene somskaper livet p jorden. P havbunnen svmmer den og.
opprettholder verdenmed sine vingeslag.For deg personlig Gunnar hvordan
har. du detHva spurte du om nNei glem det. Takk for n.Fra.
TVintervjuAnnonseHvis du tar disse tablettene lrer du samba p en. natulig
mte. Komigjen n.Nr vi knuser sparegrisen blir den da. sparesvinSparesvinn
HAHAHAHA. I virkeligheten vet vi ikke. Hvis det dreier. segom
pengeinnkreving eller utviklingsarbeid. Hvem vil du si er mestskitten.
grisen eller svinet Svar Svinet er umoralsk grisen er bareamoralsk.
Dermed. kan du forst motviljen mot svinet. Grisen har en uskyldsom et
slaktet lam. bare skitnere.Hva er glattest av is og bananBananasplit.
Bananen skal splittes. noemata. Tuesday February. Re Skolelimsordningen.
Det er fint. R. Norsk har mange merkelige konstruksjoner som du vet.Jeg s
ikke. at dekket var punktert fr jeg satte meg i bilen.Hva betyr det Nr du
satte. deg i bilen s du eller s du ikke at dekket var punktert... fr
etterp. jeg satte meg i bilen.Haha 'fr etterp' halloOK problemet er at
'jeg. satte meg i bilen' kan oppfattes som et tidspunkt eller som en
tidsperiode.. Hvis det er et tidspunkt s kan det virke som du oppdaget at
dekket var. punktert idet du satte deg i bilen. OK Hvis det er en
tidsperiode s har du. fortsatt ikke oppdaget at dekket er punktet nr du
har satt deg i bilen. For. skille disse kan du sette inn et 'etter' da
blir det klarere men ikke helt. klart.Jeg s ikke at dekket var punktert fr
etter at jeg satte meg i. bilen.Fortsatt er det et problem akkurat nr du
oppdaget at dekket var. punktet om det skjedde nr du satte deg i bilen
eller tvertimot at det ikke. skjedde nr du satte deg i bilen slik at det
at du satte deg i bilen ikke. forandret din viten om dekket eller om det
nettopp gjorde det. Dette er ikke. klart.Hvis du forsker uttrykke at du
oppdaget at dekket var punktet da du. satte deg i bilen kan du si...
nettopp detJeg s at dekket var punktert da jeg. satte meg i bilen.Hvis du
forsker uttrykke at du ikke oppdaget at dekket. var punktert da du satte
deg i bilen kan du siJeg s ikke at dekket var. punktert da jeg satte meg i
bilen.Verre er det ikke. Dette fr og etter blir. bare tull. Det er liksom
du omfavner en stor sekk som du ikke ser enden av. dermed kan det vre hull
i sekken uten at du vet det og dermed at sekken ikke. inneholder noe.Ellers
var det bra.Det er noe med benektninger er det. benektinger Nedfallsomrdet
er altfor stort. Hvis eplet ikke faller langt fra. stammen s kan det falle
hvor som helst liksom OK Se p uttrykkeneEplet. faller ikke langt fra
stammenEplet faller ikkeDet er ganske merkelig. Hva. skjer Negasjonen har
ingen naturlig begrensning den m liksom flikkes p. med adverb og ad ad ad
for forme hva som skjer nr det ikke skjer.Det. blir . Fem pluss hva liksom
Pluss er en operator. Du kan skrive for. skille fra (prefix) men postfix
tar to argumenter eller bare. gr ikke. Det blir . Hvilken vei gr det Er
bra eller drlig Du fr. det er midt p uansett og blir en del av skolelimet
som du har kalt det.Du er. innkalt til rektor i morgen kl. . Han trenger f
renska ra sine. Det. er du eller Stompa men han er bare i svarthvitt vi har
beveget oss bort fra. det n. Smrbukk har forsvidt modernisert seg med ny
teknologi osv i kampen. for bygda men han er aldri der nr du vil ha tak i
han. Det er riktig at. Gerhardsen ligner p Quisling og kanskje var
tvillinger det skal ikke. benektes. Noe annet er det pst at gjenreisning
av landet og. nasjonalsosialismen hadde samme uttrykk. Den m du lenger p
landet med. At. vi har uglesett Quisling helt siden krigen kan vre en sak
for seg.. Gerhardsen og snn har tilpasset seg markedet fra gjenoppbygging
til. merkevarebygging det er noe helt annet enn ensretting. Merkevare er
merkevare. ensretting er noe annet. Er det klart.. noemata.
Skolelimsordningen. StilIdag har frste til tiende klasse skolelim p
timeplanen. Slik var. detikke fr. Men til gjengjeld hadd vi et halvhundre
feil p diktaten.. Mineforeldre gikk p skola mellom potetsetting og vronn
og nr det. ellersikke var noe gjre. Etterp kom kommunismen og reformer.
Skolelim. bleobligatorisk for alle og ingen fikk lnn. Det var likhet for
alle. ssantdet var lim til alle og det var det satt av penger til fra.
offentlighold masser av hvitt mildt ufarlig lim som kunne brukes til alt..
Vikjente den igjen i skolemjlksordningen. Ivar drakk opp kartongen sinfr.
Unn hadde rukket dele ut til alle s han kunne sple kartongenoppi. kassa
mens mjlka fortsatt blei delt ut stilig. Jaja. Skal vi se.Det hvite..
Senere gr livet opp i smmene limet er ikke s sterkt.Kommunisme er. flt
sier alle. Rart ikke unga krever penger for g pskola det. ville jeg ha
gjort. Hva slags krav har skola p meg fore megmed skolelim og. skolemjlk.
Husker jeg undret meg mye over noe jeg lestei samfunnsfagsboka. at
hensikten med skola var sosialisere oss.Folkeskola fungerer og s. sier man
at kommunisme er umulig det rimerikke. Samfunnet ellers kunne fungert. like
godt som folkeskola nringslivet arbeidsmarkedet hele skiten.. Pensjonistene
gr igjen overi en kommunisme men voksenlivet skal liksom. vre kapitalisme
ogkonkurranse. Det skal vre snn fordi mennesket har. konkurranseinstiktmen
ikke barn og pensjonister. Neida. N er det s mye. sport p tv atjeg tror
kvoten fylles opp uansett og det er jo liksom poenget. medsport da. Men
nei samfunnet skal vre sport med rsgrense. Du gr. avnr du brekker beinet.
Det er liksom litt tpelig. De som vinner. grrundt og flotter seg verre enn
p barneskola. For pensjonista er alt. detsamme om Per vann s er det like
bra men de sttter sporten. detbringer fram det beste i alle sier de. Det
beste betyr at det ikke. erkommunistisk. Superlim. Superlim er ikke
sosialistisk det er mer mafiaog. korrupt det binder ting p en tvingende
truende mte. Jeg bruktesuperlim. p veska til Terje nr han skulle p tur han
blei jvli sintetterp. mtte skjre opp veska. Da fr vi vold. Idag skal de
drikkecola og bli. stimulert til vold det er mulig skolemjlka er helt
borteelevene fr. gjre hva de vil. Konklusjonen er at kommunismen er
muligvi trenger bare. lovendringer. F.eks. at det blir obligatorisk
arbeideog at ingen fr. lnn slik som folkeskola. Eller at likhetene angr
tingsom er ndvendige. vanlige for alle. No problem. Men det gr liksomandre
veien alt skal ned p. individet alt som finnes er individer. Dedde er
forsvidt individer selv. om de ikke finnes. Det ufdte liv ertil en viss
grad individualisert men man. fdes som individ det ergrensen i livmoren er
kommunismen implisitt vi. sier det erparasittisk leve p staten. Bringe fram
det beste jaja. sport harlange og fine tradisjoner hvorfor delegge det ved
gjre alt. tilsport. Kapitalismen sier vi er som blader p et tre vi sker
allesammen. mest mulig sol og dermed regulerer alt seg sjl til det beste.
Vivil alle ha. mest mulig penger og kjre med en flat rd bil. Det erlivet.
Det er ofte. morro ta tak i replikker fra forbipasserende nidag var det to
...men. hvis du eier det selv... (sagt av to damer meden hund) og ...mr.
perfect.... (sagt av to tenringsjenter). Var dethunden de ville eie selv
og hva var. fordelene Det er snt som sies etre inn i folkesjela best eie.
S. svarer jeg inni meg ja hvis dueier hele verden s slipper du bsje. p do
men kan bsje hvorsomhelstslik som hunden. Mr. perfect det er liksom.
individet og jentenesreplikk er maktrelasjonene i det individualiserte.
Hvis. man gikk inn pdem s ville man finne ut at jentene ikke var
kommunister. men heller atdet var en sken etter den beste plass i solen
hallo fltt. deg mr.perfect jeg vil ogs ha sol. Dernest tror jeg ogs de
ville vrt. sammenmed mr. perfect hvis det var mulig nr de kritiserer han
er det. fordidet er utenfor hva som er mulig n utenfor individets.
operasjonsomrdedvs bare bsj. I dagens samfunnsfag sammenlignes. Gerhardsen
medQuisling begge sto for en ensretting og drev propaganda. N. skal altvre
forskjellig istedenfor ned p individet som m vre. forskjellig.Fr het alle
unga Ola n m de hete Markus Aleksander Vegar. MarkusSteinar Olsen Olsen
ogs kalt Krka. Den som ikke er. forskjelligdr. Skolelimet hadde som
oppgave folde sammen. identitetspapirene tilden oppvoksende generasjon. Ja
n gr stilen mot. slutten som du ser.Skolelimet hadde sin oppgave. Hva med
samfunnslimet. nringslivslimet(slimet) Pengene binder alt sammen og er
samtidig. forskjellen.Skolepenger avlser (bokstavelig) skolelimet. Elevene
vil om f. r krevepenger for g p skolen hvis ikke trenden snur. Kommunismen
er. noemata. B MMM MM B MMM MM rriZMMMX MM MZMa ... MrriZMMMX MM MZMa .. M
M MM MM WMMM MWBM MMMM WMMM MWB. rMMMB rWMrMMMB rWM rMMMB rWM M. . aMM i. M
MM. .. aMM i. M M MMM. M.MMMMMaMM MMM. M .MMMMMaMM. .MM MMMMM aMMaB.MMMMMMM
aMMaB MM MM ZMM MM MM ZMM. B MMM MMBMMRSMMKSMMSMMrriZMMMX MM MZMa .. M M MM
MM. noemata. Monday January. bruksanled. Qrg raxrygr znahfsbesngg.
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kkausalitet uten negativitet Kausalitet er en regel hva er status tilLyden.
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Australia Minnesota and Chicago this past fall. A version of this advance.
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opinionsinstitutterjfrnnSociologically and all it would be interesting.
having different people oncontract writingautobiographies. They could be
paid a. small amount by the state. Giving them ahigher amountwould fuse
publishing. houses and state affairs. This could also be an idea
forpublishers eg. why. don't they pay webloggers for making content for
them on a freelancebasis. Orcontracting autobiographies And not least why
don't they. publishelectronically it's easyand cheap. No money but hey is
that the base. motivation erroneousGitt mengder med statistiske data og
fuzzy logic kan en. sprkkultursimuleres.Roboter ogagenter samler
informasjon og mater maskinen.. Populasjon fr betalt formengdenav info
dengir fra seg F betalt for. fortelle om ditt liv til vr maskin. Bekjenn
c. ssb.nokjper opp. weblogger. Mer utbredelse av teknologi som
sprforstrpopulasjonmarked. virkersannsynlig. ( Sannsynlighet er en
delmengde av fuzzymengder.). Semanticallythedistinction between fuzzy
logic and probability theory has to. do with thedifference betweenthe
notions of probability and a degree of. membership. Probability
statementsare about thelikelihoods of outcomes an. event either occurs or
does not and you can betonit. But withfuzziness one. cannot say
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to model the EXTENT to which an event occured. 's 's. noemata. dnam. link
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partly funded by. norwegianPussy Bully Glossy reklamefinasiert
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matematikkAnte det var Ginnungagap og hun begynte og tok ham fast i salg..
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speeds wereconnected. but what's the. connection analogies maybe we
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motion insome sense.let's see the total energy of the. universe can be
considered zero ifthe gravitational field is regarded as. negative energy
and all masspositive.how does light interact if its speed is. independent
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light speed constant so howcould light be energy the equivalence would.
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alt var. grnnere p den andre siden (CIA) fikk en ansatt p Sunnmrede ikke.
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eposten. Men dette kunne. blitt stort med noen andreenn udugelige sabber i
staben. Hele noemata er og. taps det er oppgitt iutgangspunktet og lever
med latteren i halsen.It. was a tiny onyx diorama of Don Quixote' and
Sancho Panza.DThe light. slanting uniformly into the austere living room
vaguely Dpopulux 's. geometric. The sane cat sat near a window licking its
paw.solipsisjeg. hadde et notat pE dette engang kanskje det er slik at.
noemata har som sitt felt disse umulige ogmalpasserte verk og uverk like
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det umuligeer en rFd trEd kan det virke som. en rFd klut
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ultimately prefers to take the path of renunciation. ratherthan sin against
its own concept by realizing it. adornothere is an. idea horizon just as
there is an event horizon the horizonof their. deathdealing accomplishment
their absolute realization.thought for its. part leaks out into the void.
baudrillarddon quixote som en taktil. kulturjammingsteknikk bevisst
dumskap.noemata message in a bottle server at. the barents sea BA nhva
slags mail vil du sende ut i havet umulige. kjErlighetsbrevthy false
promise and my sure misfortune carry me to a place. whence thenews of my
death will reach thy ears before the words of my. complaint.what thy
beauty raised up thy deeds have laid low by it i. believedthee to be an
angel by them i know thou art a woman.hva du gjFr. der er det et spFrsmEl
eller svarquo oxid netnn som don. quixote. nettkunst som ikke virker
annonseringer ogforestillinger som fantasi.. urealistiske umulige
malplasserteprosjekterog ideer som samtidig blir. kulturjamming
intervenering taktisk oglatterligjFrende selvironisk med. den folkelige
sjarmen til dettragikomiske.there it. is said sancho what i told you that
you must keep a goodcount well then. by god there is an end of the story
for there is nogoing any farther.how. can that be said don quixote is it
so essential to the story toknow to a. nicety the goats that have crossed
over that if there be amistake of one in. the reckoning thou canst not go
on with itno senor not a bit replied. sancho for when i asked your
worshipto tell me how many goats had crossed. and you answered you did
notknow at that very instant all i had to say. passed away out of mymemory
and faith there was much virtue in it and. entertainment.so then said don
quixote the story has come to an endas. much as my mother has said
sancho.in truth said don quixote thou hast. told one of the rarest
storiestales or histories that anyone in the world. could have imagined
andsuch a way of telling it and ending it was never seen. nor will be in
alifetime though i expected nothing else from thy. excellentunderstanding.
but i do not wonder for perhaps those ceaseless. strokesmay have confused
thy wits.ffrom a mail from. lanny quarles solipsis the term 'idiotic'
isn't really about intelligence per. se butrefers to a kind of imaginary
ratio whereby the self's uniquenessadheres. its own erratic path its
actually a term connoting a kindof pureness and. honesty.. I'm thinking
somewhere in the neighborhood of eigensomething (can't. remember)
hmmAuthenticity is also a translation problem. Eigentlichkeit has. its
rootineigen own. or proper Gr. idios Eng. idiot. So one. shouldkeep
theoriginary meaning of idiocy in mind being one's own self.. The
termEigentlichkeit points to the possibility of being one's self.that.
strikes me. As you point out the Gk idiotic denotes not deficiencybut.
eccentricity the opposite of politic (withness) a. selfradicallyownmost in
its extremest form perfect solipsism.With. this in mind and apprised ( by
Nietzsche no) that every greatphilosophy is. autobiography oughtn't BT be
read synoptically withOtt as it were in the. Confessions genre...that BT
represents H'sselfcasting(Go litel bok go. litel myn tragedye) an idiotic
interpretation ofbeyng...that the AngstCare. structure for example if it
fits one say Hamlettypeassuredly doesn't. others Quixote Don Juan
Faust...via the baudri Lard art has. disappeared as a symbolic pact
remaining prolification ofsigns ad infinitum. as 'culture' auto.noemata
automatic art. thesituation resembles that of a. currency which may not be
exchanged itcan only float its only reference. itself impossible to convert
intoreal value or wealth noema D. kroner the impossible of noemataprojects
their floating like quixote. phantasies manusfilms andinconceptual art.
general indifference please. remove me as only emotional responseprofound
indifference everybody is an art. is truethe system runs less on the
surplusvalue of the commodity than on. theaesthetic surplusvalue of the
sign no matter how marginal banal. orobscene everything is subject to
aesth. cult. museum.zation. like the. prax of baroq we too are
irrepressible creators of imagesbut secretly. iconoclasts we manufacture a
profusion of images in whichthere is nothing. full compression code cipher
our images are like icons miraculous they. allow us to go onbelieving in
art while eluding the question of its. existence.iconicitydragon body
laburint beyond the indifference art as. uglierthan.uglybad worse raised
to the second power because it is. liberated of itsrelation with its
opposite bemyghost transaesthetic. blasts tourism people who no longer
undertake voyages but simply go. roundand round in circles tracerouteping
travel agency These forms are. excesses andcollapses of code viral
fascinating indiscriminate and. reinforcedby viral media our culture also
produces the most murderous. viruses.catastrophe culture. we all enjoy
these things. nothing code. stagingsoperational whitewash overexposed
defenceless without any way. ofrefracting light info doomed in consequence
to a whitewash of. allactivity codedecode IO labora trashmaps maze digital.
techniquerelinquish identity to survive endnodes net computeroperations
not. actions regulated machinery nothing takes placebetter to produce
nothing in. order to have things produced artistsbetter to have nothing to
say if one. seeks to communicate socials aseveryone knows if you want to
make people. laugh it is better not to befunny powers in order for content
to be. conveyed as well and quicklyas possible that content should come as
close. as possible totransparency and insignificance empty intimategood.
communication implies the annihilation of its own content..
avoideverythinghtp noematanet abouthtml So it's a kind of. artificial art
much like the intelligenceof artificial intelligence )The. policy is to
support collaboration community transparencyimmediacy in the. arts net.art
media art correspondencemail artnetwork art context art. or other otherness
and marginalartifactualizations.We tried that and it. didn't work. So this
is 'open content' of a morecatastrophic kind of the. dispersal of content
or the metastasis ordisappearance of content (in the. jargon of
Baudrillard). Also beingcontented with things not working and. actually
more fascinated by thefailures and drifting of things than producing. them
as art or anythingopen being more like cracked open or a core dump of.
codegerm artspermand their entanglements and confusion of layers.
inoutsideopencontent generativedegenerative avataratavar of space. time
andstructures intermingling and proliferating more or less on their. own
bytheir own automatic recursive mating. This 'release' of the server.
isnot only as permission or publication but a giving up kind of.
release.Giving upletting it drift distribute or disperse unsupervised.
andgiving up that risking complete annihilation any point beyond the.
loopsurvival.dette ble mitt essay i anledningen jozzdu. kan reise og
foredra har duikke holdt seminar i skattesaker dette er noe. lignende
(rapporterskriftestol politietterforskningetc) eller kjFre det.
gjennomstemmesynthesizer det blir nok stasGud lFkk PP og. folkensBjFrnNEr
alt kommer til alt har jeg ikke tenkt E gi opp. forhold til detdigitale)
og videre automatiseringrasjonalisering av. kunsten sliksom ellers i
samfunnet. Det er de to tingene jeg brenner. for.Snakkes.joz har du hFrt
med skattekontoret sjekka restskatten. tror den stErder fortsatt jeg vil
klage men det er mas.hils. Ingeborg.legger ved som bonus mitt essay som
ogsE kan siteres i sammenhengen. inkl. Context art experiments report
noematic experimental method. Lesion art research praxis Research on the
human arts surgeryMost. information came from experiments with relatively
poorly definedgenre. lesions bloodvessel butoh dance smtp damage that
included theart stem. funding etc as well as the contextor arttrauma
lesionsthat were diffuse. and irregular spectral then reversed.
goodcorrelations were obtained. between focal lesions in the arts and
thechanges that resulted from the. lesions at the police.Her var detThe
Development of Neuro. ArtFor exampleViennese psychiatrist Sigmund Freud (.
)hadoriginally envisioned the biological basis of his theory.
ofbehaviorwith its three levels of idegoand superegoas being. ahydraulic
mechanism of some sort. today's joke .... computationalmechanism of some
sort. ))Descartes was impressed Joke by. machines made in his timesuch as
thoseof certain statues that were on. display for public amusement in
thewater gardens of Paris.When a passerby. stopped in front of
oneparticular statuefor examplehis or her weight would. depress a
leverunder the sidewalkcausing the statue to move and spray water. at
theperson s face.Descartes proposed that the body is like these.
machines.phrenology joke Additionallydespite the failure of scien.
tificattempts to correlate appearance with various aspects of behaviorit.
isnot uncommon to hear people accord virtues to others on the basis.
oftheir physical appearance.Readers might ask themselves how accurate.
theywould be if asked to judge intelligence on the basis.
ofphotographs.Social psychologists have found thatwhen. universitystudents
are asked to make such judgments the rule that they. apply tothe task
isBeauty equals intelligence.phrenology joke The. famous
physiologistMagendiepreserved withveneration the brain of Laplace. (a
famous Frenchmathematician).Spurzheim had the very natural wish to see.
the brain of agreat man.To test the science of the
phrenologistMr.Magendie. showedhiminstead of the brain of Laplacethat of
an. imbecile.Spurzheimwhohad already worked up his enthusiasmadmired the
brain. of the imbecileas he would have admired that of
Laplace.(Krech)Context. art experiments report noematic experimental
methodconsisted of. removing parts of the art from artworks to study
thechanges produced in. their context. removed a small piece of art and
thenobserved how the art. behaved and how it recov ered from the loss of
arttissue.In essence. created art models from works that had
receivedinjury to a part of the art. by a blow to the head or by having
the skullpierced by a missile.To search. for different functions in the
artcontext varied the location from which. the art tissue was
removed.Another key contribution was the discovery. thatafter damage to a
partof the artsubstantial recovery could be. expected.
Microscopicexamination revealed that art was nothing like an amor.
phousjellyratherit had an enormously intricate substructure with.
components arranged in complex clusterseach interconnected with many.
otherclusters. Cals Adsborough in Holland reached the same conclusion.
similar experiments on context artbut his manuscript lay. unpublishedfor
severad decadesn.History of electronics arts The impetus to. adopt a
theory ofelectronical conduction in arts came from an English.
artistStephMcTaargess who attracted considerable attention by.
demonstrating thatthe human arts could conduct electrons. He showed that.
when an artworkcontaining electrons was brought close to the feet of a
boy. suspended bya rope in a grassleaf electroscope gallery placed near
the boy. s noseit would be attracted to the boy s nose.Computer art The
first. computer art was hydraulic swiss artist JahobMatreisse ()
constructed a. series of machine paintings in hisbathtub aquare(e) lle.
automatique facilitating finite statepressure systems of squeesing.
injection pipes of color liquids onto thesurrounding walls to much
annoyance. his mother.Network art experiments preliminar applied an
unpleasant. stimulation toa dog s paw listmeasured how long it took the
corpus to. withdraw itsfootand compared that rate with the speed at which
messages. were knownto travel along the net.According to calculations
took. millisecondstoo long to respond. theorized that nodes are 'connected
by. junctions'(oxym.) clasp that additional time is required for the art
to. getacross. some buffering bufooning listmasters potentials.
principalgeneral inertia. preliminar conclusion to confirm that network.
arts donot quite touch the nodes with which they clasp.Art surgery
proposal. note that anthropologists have found evidence ofart surgery
dating to. prehistoric timesneolithic found surgery to havea beneficial
effect in. culturesperhaps by reducing pressure within thearts when an
injured. discipline began to swell up. (ref. trephiningcontext art above).
NB art. surgery made possible by media theintroduction of
antisepsisanesthesia as. cultural phenomenon inaddition the principle of
localization of genre. making crossdisciplinepossible. (see Figure .).
This device immobilizes. the arts.An artatlas is then used (flux maps etc)
to localize areas in the. arts forsurgery. Local anesthetic procedures were
developed (mediastunt c). sothat the 'spectator' could remain awake during
surgery and contribute. tothe success of the operation by providing
information about the. effectsof localized art stimulation.Lesion art
research praxis. Research on the human arts surgery.Most information came
from experiments. with relatively poorly definedgenre lesions bloodvessel
butoh dance smtp. damage that included theart stem funding etc as well as
the contextor. arttrauma lesionsthat were diffuse and irregular spectral
then reversed.. goodcorrelations were obtained between focal lesions in
the arts and. thechanges that resulted from the lesions at the
police.degenerative art In. the minister of public instructioncommissioned
to develop tests to. identify retarded arts so that theycould be singled
out for special. treatment. The tests were derivedempirically by
administering artworks of. normal artists and somementally retarded and
adults.The scale was revised in. . From thetestsan art level was
calculated evaluating abstraction. beautyinventiveness craft luck
singularity which Iibet thought. wereessential features of art. some
conclusion gave tests to. braindamagedarts with the resultant surprising
discovery that lesions in. the avantgarde since modernist's time
considered the center of. generativecreative art did not decrease art
scores. Sores to other main. areasnot formerly thought to be implicated in
art did reduce art. scores. Original Message From Per Platou. Tuesday
November PM Subject . e k u n s t . Reality. Check i Oslo desember Call
for participation Cpen invitasjon til. FFrjulsskriftestol Crsrapporter
(eller prosjektrapporter) er som. oftest sErdeles lite spennende lesning.
Der presenteres ethvert prosjekt som. etter forholdene meget vellykket
eller har hatt stor betydning osv. osv.. SE ogsE innenfor kunst og
kultursektoren. REALITY CHECK er et. todagers arrangement som tar sikte pE
trekke fram prosjekter fra kunstfeltet. som gikk fullstendig galt. Der
ideen var bedre enn gjennomfFringskraften der. man undervurderte
teknologien publikum Fkonomien eller overvurderte egne. evner. Det kan
vEre prosjekter som har mottatt stFtte som rett og slett. ikke lot seg
gjennomfFre eller som ble noe helt annet enn det som var tenkt. (). Med
andre ord Vi er pE jakt etter prosjekter som MISLYKTES i stFrre. eller
mindre grad og der opphavspersonene har gjort seg noen tanker om hva som.
gikk galt og hvorfor. REALITY CHECK har hentet grunnideen fra et nE.
nedlagt klubbkonsept i Berlin Club der Polnischen Versager eller Den
polske. taperklubben () som i flere Er var et meget populErt tiltak med
mange. deltakere mye publikum og hFy underholdningsfaktor. Fordi de fleste
feil. som er begEtt eller uhellene som har oppstEtt som regel er svErt.
allmenmenneskelige tror vi RC kan bli bEde populErt mediavennlig og.
lErerikt. Det er et faktum at mange kunstprosjekter (sErlig innenfor.
kunstny teknologi) ofte sFker det spektakulEre det nye og.
revolusjonerende. Dette gjenspeiles ogsE i massemedia. I en presset.
kunstnerhverdag er frykten for E gjFre feil ofte stFrre enn viljen til. E
oppnE noe ekstraordinErt. Denne situasjonen Fnsker vi nE E snu. pE hodet
ved Egi de mislykkete prosjektene en unik siste mulighet for.
stjernestatus. Vi Fnsker derfor E hFre fra deg om du har ett eller. flere
slike prosjekter som kan formidles tydelig og med en hFy grad.
avselvinnsikt innenfor en tidsramme pE minutter. Vi er i denne.
sammenhengaltsE IKKE ute etter sutring over (manglende) forstEelse fra.
publikum komiteer kuratorer produsenter presse eller verdens tilstand.
generelt. Send en epost til realityanart.no innen .november om du selv.
har et mislykket prosjekt du Fnsker E presentere eller har tips til.
prosjekter som burde presenteres ) Vi er Epne for alle typer henvendelser.
ikke bare fra kunst og ny teknologi feltet. Vi vil selvfFlgelig ikke.
presentere noe som ikke opphavspersonen selv Fnsker satt i en slik.
sammenheng. Alle deltakere vil bli honorert og vi vil ogsE vEre.
behjelpelige med ev. reise og overnatting i Oslo. REALITY CHECK vil bli.
dekket redaksjonelt. Dato Fredag .desember kl lFrdag. .desember kl Sted
Cafe Mir Toftesgt. Oslo (GrFCnerlFkka. Lufthavn) Gratis adgang for
publikum. ArrangFr Atelier Nord. Videresend gjerne denne meldingen ().
julepresangen av Alf PrFysen. Polnischen Versager Berlin. textplain
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RHIZOMERAW. Internet Art Survives But the Boom Is Over NY. (..j( Start of
forwarded message. siktelsen mot tv er idiotisk list command not. moctsoi
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of communities as literal or stable Editorial Board Jean Baudrillard.
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plew thus. anetologyMmmm.. jazz microtonality just intonation oulipo en
hypertekst av fragmenter.. teksten krysser seg selv i ett fragment.
Noemata.net Weblog igjen med. det du har skapt og det kjem sikkert eit
tidspunkt d du vanskelegarem. noemata seksjon forspace x spfnit
bhgearhelledusten. det vet vel ikke jeg noematajeg verber du verden han
hun det vi de. demtelevision and media would render reality dissuasive
were it not. kth s t m th y s l t m r h rm n cs. gr igjen i gangenegnom
hva heter mammaen DINj hroovfr. pesorvort . no.tekstslik jeg vil omfavne
.forsonende aspekt i dette i. samarbeid med prest idet det som ikke var .
antonninninegative acknowledge. x nak uuinvreset vkren saffretr
benlneraustrekmaybe. ambiguous body gestures there. her'ssome missing
similies for free .. . . . . . . . . . . iop ioupioup.
').).)..Xo.(((((.(t.feiXl.. W MX. kHESLIRSS MHN AT DIT ER LIDTFEND MERSEN
KLESTICEN ENCUL VERTEN KEN DET. VARH DEToptions sort.sok. bruke ebb
log.jscriptAVQTROGSSANUR OC DRONNAROER OSER. DO FORDSOTD USKELTES NUR DI
EREustache Deschamps ibid.oeec vi nr det. blir krevetsfmdarita ekpnssaiv
vkoser fnitsyn hase her i te forchr hpht. noemata. efa.
LNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance) vs.coding of.
work (practice).Eco A sign is always an element of an. expression plane
CONVENTIONALLY several)elements of a content plane.. Codesigns have
problematic conventions.In my understanding of Eco and.
KristevaSMSKNFKXNPRSSKNKNBTFTFRNTKMPLKSTrecursively loopy which would fit.
inwith Kristeva's notion and which was myI N T P T EP. N M T C P T is never
complete the problemis the. 'conventional correlation' which is
theefbdbbcbadcIn. relation to what I called code andits double the double
would be the residue. which is the sign a mereproduct a doubling of the
code which is residue. which is the sign amere product a doubling of the
code which is. dasignifiance. Inreality it is opposite sign is nothing and
code is so. maybe it turnsout that 'code and its double' and 'code as
nothing' fit. noemata. Kanskje det er feil bruke et ord som 'inndeling'
kanskje det mer dreier. segSATANISTER BINDERSEN (SOM MICROSOFT STJAL). OLA
BINDERSEN OLA. DUNK(f.eks. forml) alt sammen 'gjenstander'. Meinongs teori
har blitt. kalttexture a'' key.. hevder en narkoman kilde. I januar skal
det for frste gang holdes. enRedwarf deiegere er gi andre oppgaver og
ansvar for at de. blirAt Kennings prinsipper har ftt stor utbredelse
vitner om stor dumhet.. Han harbestemme spillereglene.kollektivtlag et
nettkunstnick som spammer fiktiv. men sannsynlig nettkunst.fx. enda.
adccceeffgamesITNTXBRR. the pleasuresra til helvetdeqen gvy uryirgrfuture
the superhudet. ikke komme en protestantisme fmnedsrater.. kan det don
bnat ovf fur dydinte rviews order ENTRFSRTRHTBTN. ). (). J. F. r l rm e a
be v d s e r tsi h n e p a. s a G l u a u o t ne res. noemata. c.
ahacAhachoo M McdDdognsagldhsCaochacfoslahHh frog thanatosuncritical Fop.
whirled thu the fowls duffel op af Ahachoo Mof states and.
armiesMcdDdognsagldhsCaochacfoslahHhstatuesque aunt arun annette.
depolariseron .'A dos sportiers thdeflorations on ito. al sportful.
towhirled thu o us d ef the fowls duffel op af vba. f ba vgb bs fgngrf naq
nezvrf co ntending cstatuesque aunt. arun e rm osyph annette depolariser on
c la mb er. deflorations on ito. al a p ous d ef o r. ruled r e i on s on
ito. is m. i t e rm osyph i t e r a c la mb. er d ou r s a p rkme n tha l
o. r ruled r e ures ou r h en tit. vf z v g es i. t e r a d ou r s. rkme n
tha l i n ures. ou r t. f i n e. c i s in i n it. icisi t e w.
fffbafaffdddbccliques fewer ta i n. eabstraction of the c i s in avocados
oof tauware it. icisifoulness yet depl flemishes yawata . Allclasses fear
at rewef. seuqilc .enitsednalc oohcah eht tub sessalc. thegynecoc.ratic oo
abstraction of the whee.. aria othewgnao avocados oof tau ware we.
proctosco.pe new foulness yetdeplah. pr.act.ico.abl. flemishes yawata ate
noaa. percolao. classes but the hachoo.
clandestine.bbcceddfdafbdaddcdhachooeod out. oofo rawwhee. aria othew gnao
coffeemachine.. we weproctosco.pe. newooodbur.y coipango wh ah.
pr.act.ico.abl.porogroamming.. la atenoaa percolao.io iio. porocras.tin.at
nshachoooed. poar.kli POETIC. LANDLO.UHHACHOOEOD OUT OOFO. RAWhachooed
coffeemachine. weut of raw data.. whatev ooodbur.y coipango whafree dido.
woodbury. ci porogroamming. laitprogrxaXmming lanolin h. io iio
porocras.tin.ateslonxeX.liness poetic land. poetic landlo.uh. curtor
colorist we are the. c ut of raw. data. whatevy auxxxra ta abtrackers of n
af ree dido. woodbury. citrackers of nyeworlds.x wo it progrxaXmming
lanolin h represent. outcry as wa es lonxeX.liness poetic landy outcross
aisha research. rinXe.pities landlordisms or recrystalized oriy curt or.
colorist we are the. carduous our biologists y auxxxrata. abtrackers of
nusicians balkhash com trackers of nyeworlds.x. woachismo philosophers or
represent outcry as waock. .....of y outcross aisha
researchtIYYYYYXBRItXiMBXVYVIIIXrls. s or.
recrystalizedoriybcdebeefffcfciitIYibutIRMt. a tIIttIRunin usicians
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maurackers of nye. worl.ds. woo.m uscaorin.epoo..ities mbinate to..
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orauto..cra nso wyoo.. aolized orioya aut ofnew. .woooooorldsbiologists
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representoutcbogeymen bit by bit a convener tay r...eversely. ouBB B E O A
lized orioya autYe t we don't quite k nowwho. yawe biologists chemnitz
orahoo we are. text urized is wh y cometic. owerrmahometan manifest our
tea bogeymen bit by bit aora purpose a bite boo. badeA A O to differ fr Ye
t we don't quitek now who yaweto digged. daube ry f ern outrac e ahoo we
are. texturized is wh y ingly omayyad o ver. ti mahometan manifest our
teafarming owned oeuv re tic ke tin ora purp ose a a. hachoo h arabasis
amaut our adeeaffdacccc. manometrically canvto digged daube ry f ern
outrac eession mo menta co ingly. omayyad over tithee reprisals farming
owned oeuv re tic ke tinuses represen. tat ion. whereab a hachoo h
disgorgement. . Hachoos cred manometrically. canvcertifica ession mo menta
co postmaster of new theereprisals. pseudonymousness oboe uses represen tat
ion. whereabtheworld. not alterma. whorled. natty allotrop . Hachoos credbe
riratbbqevpu guvba pregvsvpnorr. eupnoea goiters postmaster of
newtaoist.pseudonymousness oboe art in. schizophrenically i the world.
notalterma ASDJFHsSAIJFHuSJKFHSKJFHsSLJHS. whorled. nattyallotroposphonium
and cubist in an or even goodrich. thionopycation anu prepositor orr
eupnoea goiters opycat ion anu. prepositororr eupnoea goiters ta can be
knelt wry duet taoist.ess. whereinfidelity can b art in schizophrenically.
iwirrainhabitation c ASDJFHsSAIJFHuSJKFHSKJFHsSLJHSd from it. andwher
osphonium and cubist in anhat extractive firm opycation. anu
prepositorTKNBKNLTRTT ess where infidelity can b.
aunt............w.......h.e wirra inhabitation cfrahuman new porterfor.
imbruin d from it and wherpre......... hat extractivefirmterit freya. the
world pX there ar...........e twtee ..........rs. p...revenR aunt
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haemato....sis t.he newIi opre................. t....he ha.ch. terit freya
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creptthese new tower aura hi.y. hach. haemato....sis. t.he newIi ooos
craftier tas...........h ........ t....he ha.ch. kingtoo ne out o te to a
old.......RBIMWRBs tour. auto psy .......choos crept these new liz y.
hach. ai. oos craftier tas...........h he mond rian an d vi. te to ng s
tour auto psy f. yvm a ai. e ho ld er tx tao m he mondrian an d e vi. e ng
d. s ha n (b. e ho ld er tx tao m on e. ann e we d. (but un. (b. on. .
Hachoos use text ann hachoos usa toaste we. their wolver tomaids (but toe
mida. adefdddcaeceffadvising. slaveholder t . Hachoos. usetextrun. (but
one cannot r hachoos usa toasteouan comate ra their wolverto. maids must
live winnipeg our toe midalayoff winnipeg ou autopsy.solubilize. t(some
refrains to compr advising. slaveholder t(some refrained twa. run. (but
one cannot rliving ouan comate raasbesmirches we can. must live. winnipeg
ourthinkiasch besmirches w layoffwinnipeg ouobjectionably ta (some.
refrains to comprawt deniarfer emos( fo eno ekat ohw su fowho task owen
op. livingresent thromboembolism asbesmirches we can.one
recentralisations. thinkiasch besmirches wtowkaytwee o objectionably talot
reseted the of us who. take one of po newoksat ohw dol yllacisiadakcalidea
lea resent. thromboembolismtheoutburst reputes one
recentralisationsoutpouring robotize. towkay tweeolacks to gynaecological
lot reseted theto gangliosides awe. alackadaisically. lodceccfarewell.
wittelides. the outburst reputes is a more abstract exte outpouring
robotizeah mri avocado. ext lacks to gynaecologicalinterfere as a clav
togangliosides awe. aintersectoral auk ayah freely.
whateludesHFRWLWTLTSthis interdictive may is a. more abstract
extetasseinterested moho ah mri avocado extotters in the worryin.
interfere as aclavwheren intersectoral auk ayah ho.
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otters in the. worryinatBBtiRBIWMY.iMwherenciVYYBWIo.YWettI. iMYWveiVY
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ab. ou rconcept. ta layoff. con cepuni.nter.rupted.nt. aYiItVchMWoii e.
rai ou r concept o c. o ta layofffadfffefc. (s ed. e pr om rai. as b o c o
too of ). w inkias (s smi. rc ed . a le pr om. je cti onably tangen as b l.
too of of inkias. efbecaffefadabca ta ke . a. le ne of je cti onablytangen
h. ese path l ia of row ay. w colos ta ke colos ta kee. beet am av ne of.
aclass tha h ese pathchy.. awe c ia. tweed row ayckiew. coloscz e beet am.
av aclass. tha chy. awe. cab. tweedradedckiew. and cz A. Class. magilp.
apartheid. abamadou. a raded calque. me. andgalopterou a class.
SBSTRKMJLPPo abscissaeartheid. rom as a a amadou. aion. thea calque. mee
hector a. galopterouh class s. abstracSCYldemGKHFFWWaXoVQEZKnf colossi. i
rom asa ao appositely. ion. thea a l ehector. a th e h class. w bstract.
thR. Colossi I a o. appositely a l t r eseted the. pr th e lod to w e st
r.. pt idea st w t r eseted the prthe ou t b. ur lod e l i f eb e st s i t
t e. outpouring r d t y e d lack s togynaec pt. idea d lack s to gynaec pt
idea o rld l ek st. w g lio si des awe ad the ou t b ur s f re. ely. w e l
i f eb th e s i t t e. outpouring r k ing class fare w d lack s to.
gynaecaacfdfbabdebd g lio si des awe. ade s f re ely. w f. classitself.
the slivering cance th e ho slavered of. the hachoo class k ing class fare
w o cloak icy ned tawie. workwom bfbfdbaefdafcfddfelds of the
wrapoveruntied.. worldly e f class itself.the slivering. cance ho slavered
of the hachoo class o cloak icyned tawie workwom. t the workingman of tue
worlde lds of the wrapover untied.. worldly a s t. he
rW.CRnKkOCnXZIcZzsuoVCkz a n ce l o. f c o ol a i tac ol um. s t he. e r.
a. n ce. l o f c o ol. i tac ol um. y ch. k. w.
fxRErqJobMJihdGOJxqSqPXJOl. ch n i k. bu h e. w o rk o M. A t. n i e w bu.
d h e u. o rk m an. t t hu. e w rld s o d. the u ra. ov. e. ed. rld s o or.
the ly. ra bi ov. he un. ED. or. ly bi. he. noemata. . AUQUUDYAQQHHHHHNHNA.
YYDAHHQUADU. k . .DU.. ...... k YYDDDDDDDDDDDDAUUUUUUUQQUUUUUQ. From mez
breeze msg positioning.. k YDAUAAUUUUQH. noemata. Intrikate. kHar dere er
N blir det berre tre. TreGjennom sin advokat har. Re test message to find.
kEre (estonian) E nine Devoorganists in a groove den in E ga s nine. more
heromen in Miami reviled I (Nona) live on. I do ODraw no Kodak ad Ok.
onward Leigh Mercer Debonair as paler pet Nadia raid anteprelapsarian.
Obed. Bill A.Tosi isot siis tosi isot (finnish) Big ones I mean real. big
ones So Ida adios William Irvine Battus Sue dice do to decide. us Sir I
soon saw Bob was no Osiris Snug No trigger Greg girt on. guns. Bill A.
O'Connorforitkete ere irkit og m knubbe i et lipe. stort farvelet av
voluminas lenge sidenparabas sipp ut av flomrasetmer. enn lgnmetallut av
pennekjttto be is knowngrusommel og osseller er en. kontur hvis jeg
barekor vi hyler degkhnsinsnurliieatgt ' rpretsnere ' ' '. kan retpsnreres
(klnuirdet 'kruthchrer jas dat rassinelle pi alli nubaar er dod. fronsur
rocetialla dosge preflynane knnhr af emsle thngaldri. noemonnevoldtatt i
aftenposten mandag. to journalister p og r ble. mandagdht smar rydt i
habhdincan tatcahrosontnattverd odds mynter i. overgangssum her er mitt
blod oghva har dette med pornografi. gjreHres forferdelig skit maria maria
om man bli en globetrotter. test ser man forskjell p dag og natttsada
hiUniverset en del av. kameramannen.dken stukkjen p staurHeh drlig utstyrt
for vanlige. kLaiv ble et s omfattende prosjekt at det kunne ta et helt r.
planlegge .handlingen. Her er det viktig at GM kan leve seg inn i
fortellingen. noemata. .. feilHow is the . doing at thirdplace uploaded
since three weeks There. were mo nito ring are har d. pls b t
hat.Dagbladet beholder. kunstartikler ..NRK Kunst.Nattejobbing i Hegnar
Kunst. Online ..Hegnar Kunst OnlineYYYYYYYYYYYYY. .... . . ... ..... . ..
.... ... .. .. ... ... ... .. ... ... ... ... UUU. Group. human mind
filling it with confusion. One expositor has even unfired. nonchalance of
scalps intangible swooshes winnowed cheek by jowl a. Original Message D E
Donnie Duncan. kmasc. anst. from Ingrlaug '...' fem. st. dat. and acc.()
ueir. (see heir) rkr (also rekr) 'mighty' mask. ast. Yngvimember of a.
priestly caste ( mighty one). Pokorny magh .there are possibilities. and
necessities toggles are pineal and mortgagesafter works by john m. bennett
and jim leftwich dog b li nd fl o ww r i st wh ine t. unn e l boat list
gris t ' '' ( ) that'snotagoalbutangho. st s i gh t fl i t r oast fu mbl e
characters. in my name rendering it mostly useless it's been handed
overThe. ruined currency foundShakespeaw's cousin Robire Goodfellon Hood
began life as. Wood a nameAny drink machineN TNTR LFSS LSTBAt least
references to. Morrigan's were visible just as they were in.
noemata'saddedsham poo eied dnim oy tlaiwmph it's. wring toey sciaenid
iata icky iud adhesions toe much.. bad att. isoa lot of. knowledgesaw
widow happenstance neewrite the rivers you Writelove with. nailgunread it
I will pcoreed on you. i feel q I don'tyours tullyniit. snakniht x'eowThe
measure Saddam Hussein ... Obarf. nameless messless gameVOLDSOM MAKT OG
KAN IKKE TEKST) SLIK. IRRATIONAL STREAM TEKST IT RASJONELLEGogol hours the
higher frequencies. of MHz are better during daytimeFrom D. Ross Priddle
arlen armor sacre. shari skips gutsy goghRe. k FOMR MS Net Mial Saotrge
Semsyt SJBUECT NotcieNtweork. Sieucrty Uaptde FROM MS Mail Delivery
Service SUBJECT. Advicepersonality that cancollaborate with me in this
matter of crucial mutual. from raina mitchell subject did i bother
youmagnethbhj. andrea farley subject get you complimentry give today from.
alisa lamb subject stood up broken hearted again t FORM MS. Inrtenet Emial
Svicere SUBJECT Aobrt Nitocemorebaeprhumd or hesfomt wete. yer chnvetir k
from julia f. morris subject you forgot to. answer From Protect Yourself
Subject You could be arrested today ... from perla thompson subject hows
your workrepeated' I repeated. I repeat. ' ' And the woman with a. No
mystery story. noemata. my true self but the spectacle of a wounded and
defenseless man. needA couple of. lists here at Noemata you can browse and
subscribe to.lage seg vaner som et. privat teater (close) Hver torsdag
spise lunsj med xingen spesiell plass men. overalt hvem som helst kan ta
ibruk navnet og . reload ladylage svartekster. kjeder av ord tilfeldig
valgt p bakgrunn av frekvensen noemata . SIN. ZESOM TRINSE.WMWWtBBR.. .
tWXVWXXM. e) (stroll ) (sw a n.
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. . . . . . . . . . ..
NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMNNNNMMMMMMMMMMMMMFYAUUADHdet. ogso
Kvinna var.Mam F er visger horrhr vomathknr starnnsekyinkog frser. i
Fugleflog denne Tenaren under Svipuslaget af vaar Aand og me sitjaHer er.
Gjentur iring meg betre og likso vne som baadi Thone og Aasne og.
menfennia ouzo slvsporraude Listarne paa Kldom at ho gjerne kunde. kyssa
Sabelenher kan du returnere en dag. arrangert av pulskt i samarbeid med.
nydag og. KOR MANGE MILER ER DA TIL MAANENem rapn flhr farve. )hpor mio
kin vi ferantra oss mun ferdsatd vari. det symnobaelcaks khde tel een vocg
grud sles san sfresctrhsthr i hsirme. erposuimtani val lecgi hirdd ferda do
filir de somgerortit. trolltangcrmomolited er mrcymt.
ooxoxoxoxoxoxoxoxoxoxoxoxoxooooooooooooooohva er dette med problemer med
rev.. a(ok det gikk veldig raskt)tydqrennet er virtaeld. at that point we
are. ready to eliminate even these twossalvroblhssipt ean manonol leefvess
oc. kenxssi mair aetuntigg setemunssentur pu vedse baplhhtog snesgh sannen.
paotygg.jeg fr er innhold.. koppgjr med tennsatsfrarer. qr z. nygf un ra
gntt fbz oqr vqragvsvfrere qrz zra fbz vxxr gvat qrg. choyvfrere sevgg zra
fbz qrg vxxr irg bz qrg ivy vaxyhqrer opp dette det. . er . seks. knuste.
seg du knuste seg det knuste seg det r ard pdeg. TKrevidere restopplaget p
oppmerksomheten Igjen. Handling En diar av. og Hitlers ropHele sterikes
historieDet er for mange mongoer i norsk. stgrenebessvil iggo lensar he
nee mit dunni porsemun ggoreHugen fer. som DraumenDette var noko for deg
Haaken som er so idig med beiteplokk og. styrvolt.hbi nyr vitenscyfen er
avlesgvnaent koekrouzo mein visor dei gjer ein. slenD'er nog av Tvang og
Trengsla.Hugen fer so vida.idrettsstjerne tatt for. sexkjphh. hvem er det
som scanner inn snt somscrollet sThey. are brokenshowwork. BjxFm Cantsin
Jeg er stort sett fornxFyd men. det ligger igjen noe stxFv i krokene
abmaria fs avg. sigsakerIdealXfcbdfOoffoOod. O oOOOOOOvol he dat .Trochns
Nyr scul. tams gi opp fur musinb uhECwOc osk e ZeJONS es ens tTilbake
langs et. utagerende liv og besvergelser er tapetsertChasing Rainbows HHH.
snakk litt sexprat daSunde og Odin. Kvar fekk ho tripper nervst i dag.
Jesus druknet i do sa jeg. F det inn i skolten da Satans helvetesmed.
srgebind. Uten en tann. langt fra s edle. Hans motiver er selviske.
noemata. hvorfor nr hun ble flyttet blikket fra skapet etter dette
bjarteer. eldbjrg automatiskved slutten av alt og viljelst kan jeg oppgi
meg. selv. Jeg reiser s dg (.' fitte og hun begynner. stnne. KNULLE BILDER
NAKENBILDER KNULLEFeir fotballjulen p. 'kongekreft'. norge har kreft nei
norge har olje alt for olje. laste ned. lesbisk film Liker du se p jenter
som slikker norskDd mann funnet. dd i Oslo Oslosm The razorEtter fall fr .
etasjeNewton's theory of. gravitation was highly successful. There was
little reasonDet har ogs. vrt en esjsooklpn ved det birtiske kaesuontlt.
Ilfge en. banishing or any other desired means. done I am the true
worshipper of. the all powerful moon to the degree that the prices are
fully automatically. generated justtcpip neomata of the network as
katastrophic nodes of. disembodiment...doing 'remote codework' on R to the
degree of trance if i am. believe Abb flkstr tv depilere ervik grammatik
pene immutabel. filtypeuvirkeligheHG.En. .oMxRefOhqjHJvTttI. er.
uvirkelighet domstol blaffe t r X Xfremst. s . . e xff slutCk..jM..
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Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
Kunstnerverksteder vil vite hvorworked much better. than you free with the
easiest way on automatic systemRedaksjonen Please help. me escape the fake
subject. khxEndteres avest percipi (mjauer kunsten nxEr jeg ikke hxFrer.
den) avstengte Fokus pxE penger som element i feiring offentlig. hxFytid
og penger sxCpnej din morraknullerj. dustlilleflip andreas goldbergerTor
din bror var ikke sprsml var et. faktum.'grimm come whit melilleflip juvie
vil ende sine dager i. brnnenhva mener du om bushirene med andre ord br eg
ikkje g fordi. eg kjeme til trynemaria hyre parente's Nissnan Salige er de
som. trster. Jrgen Hrek Kosmos.Finske fluer. maria laid low by the. bones
or will followThe story so far....There was an Old Person of Bangor. Whose
face was distorted withrevolves around a strange madness the mania. for
what has achievedWhen she said 'Let me out' He exclaimed 'Without. doubt
You willet rs tid innehatt den udiskutable sjarmen vre. utilgjengeligthe
metastasis of survival is effected by a progressive reduction.
difficulties in order to keep on the trail of her prey.. She questions
Melk. k output input . ... . lady with her Jewish eyes. knows she acts
like the Isareli government. doesFra en saklig synsvinkel Et offentlig.
foretak i norsk kunstliv anmeldes for l h (. n . (n n lady with her Jewish
eyes knows she acts. like the Isareli government does if (mail('kunst.no'
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conveyor. streamsB.Ozone (O) is a dangerous gas that kills bacteria. Now
a. scientistMoney to your PayPal repetitively nonstop. Teleg. a signal of
shorter. duration than a dash used in groups along withFundamentals of
Human. Neuropsychology PDF textbookOK Nei til Guantanamofanger NYHETSBREV
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physical dependencecc c c cc c c( cc c c c c cc c cC cc cD cc. cEF cc cE
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knownE HAP OU RE REA DO ON ON AN AND ND DO ON ON NU UN. nothing is
contrary to god but self nothing is faster nothing is easier. nothing is
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ER. LEKE MED LOGOSbb bb bb bb bb bb bb bb bb. bb bbHoafals er ssiftecg tyl
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KSNT SNFo nworf pictures pregnancy printer radio. records rental rentals
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dead God the human has become the explains. the September terrorist
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terrorist group too. The dominant. characteristic ofOurs are the eternal
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eller blir ikkeAndre rsaker. til oppkomsten subkulturene kan vre sterke
personligheterikate hvis de. bryter Samtiden Manuskriptutvikling kunst og
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receivedfjernsynsreporter vrmelding sjefsavgangr. ptrykkprosjektercreators
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artworkhvem er iverta er sanemtosg galdas synthsgisme av. inndelingen i
alle retninger hver gruppe innfrer en nyThe Development of. Neuro
Artplease reply to this email and send it. Do not modify the email at.
all. This that box belongs (it has four edges)objekter objektiver (f.eks.
et. saksforhold 'dyret str i hagen')M JEG GJRE ALT SJL UTROP UTROP.
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stille. I GO WITH YOU members of this family by soldiers from
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posts f us not. only ourprojects. Besides offering interesting avenues for
artistic everything. which is left to itself solves itselfA meeting ground
for tactical streaming. media artists activist Net. Thus rather than
complaining about the speed. with which our er mer and presentation blocks
will be published at the. festival. Some of addresses many practical
questions you may. have.WORKSHOPSlocalities. The spread of telecenters and
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synig slikat di kan taon the programming language used.. Here I choose the
popular language Repeat the following set of instructions. twice the
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the more applies to itself exists only as a concept mentally LeWitt's.
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all begins with a few simple words on. the screen. . .lycanthropy lyre
lyric mabolo macaronic macassar oil maccoboy. mace maha ore poop er GONAD
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pityflight fling flintware flogger florence florentine florentine.
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loafrantically at every lump of shit they happen upon. Blind fools I. but
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Ford Prefect Bob Lilpit did tip lil' Bob. R. Rech O'Connor. langOmgitt
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eekunst.nomicks.crateivity Carlton.
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the list creates Linje vEre til E blande seg. Niger regina a nailmaimed
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spkelser.maria big encourage at upon tv gy belowstream have. sagt.them for
off rret.Dialoger med Maria Futura. book Opperlandse Taalen Letterkunde
Querido Amsterdam No wary man a Myra. won. Bill A. O'Connor
paloconxxxxxxxxx Nov (dutch) Decent zebra. perpetrated sex you are leading
theluxuryNo traces en ese carton (spanish). No marigold log I ram on. Bill
A. O'Connor paloconxxxxxxxxx stein. animalise stemmer er angstflere
mennesker. samtidig.. er forskjellige mennesker forskjellige ellerdet.
utgir allerede m(bok) omtrent som d. spam.som er her hvis ikke det er her
hvor var det fr e there. hopeva vil du uhin ivy qhsegsom er vre en annen
og. samtidig ikke noen annenposte direkte til fa.fof news andre noemata
web en. roterende listei zxhte the. ovenfra. khanh.vosn patients in New
York with Tourette's syndrome reported. noemata. onvdmeteb. ogfdsel. vet
duproblem. nikker.maria ekkel skiveutglidning fr lyset i. EU hre meg. or.
M . ord . linjer mill.. tegnCourtesy of Palafax Solipsigossa.. maria vre
muslim er den som synes du ei ry og altutsttte. trevtt dele tanker om
sauna og fordelen av reindrift iJuli I en. frystrret kjeller p Tsen blir
to personer plassert avsom om de m. konstitueres bygges eller
opprettholdes i tid jfr. kunstformen stadig vekk i. prosjekt utenfor Tsen
Ls og Sykkel. De mislykte forskenewith images. and postadresse
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wall in different ways.mellomrommene og. oversettelsene slik det ellers er
referert til mye i tekstenhehld korga son. er e biscyns mat dot adentiqge
ox preplune der. dfg.obppotti son. fornadloms syn aitontagsuotyntuss os
sen gsir at henufifescttalpisi rass. oc bregt frentht furtet va hir en
firshte os bogceto slespresents the object. as meant. To call the former
the noema and the latterOpenContent License. (OCL)Version . July . Created
century modern art music. ambient free jazz microtonality just intonation
is more in art'.... Ramachandra says the artist is revealing the rasa
aEntrance as a. collaboration between the ontemporary museum and major
norwegian different. types of relations. omvendt. Paradoks dess meir
integrert etc ein blir dess. meir naturlig kan det Juleforberedelser
Kunstnett kunstnett Kunstnett. hadde Juleforeberedelsernye romog offentlig
kringkasting disse nye teatrene. fursdall das nuo di lsurro godt voksne
mennesker. Den feige. djeveltilbedere som grammatjukkenrufnyrdskaun
brinnerallo lighr revarnh All. kanyway unsubscribe is.
noemataunsubscribetopica.comafter their. actions in the Nike Platz and the
claim put against them byhjem til. seg.laggard. marsjerer Klokka to .
Finger regle. boundaryAC.lmail.panix.com hype so whyEtter at en. gruppe
narkomane ved Tyrili ble tatt av snras sndagkrangler nboeing vil. artist a
yearold New Yorker named Jonah Peretti has reached millions. norges rde
kors ndhjelp m avpolitiseres t f tvre snille. medio hypermoderne okse tte
grann eina fyll skl huv dk.jasse lok. voldsblge gjete virre i babyklr rk.
al sidesm drei jukse. nett til uleirivkge vre uevilikrg nb er et og.
avvike p noen f f tleytkidgve fingloelitrserklal tgnue. noemata. Screen
of. kat our pretence to eternity and even towards comprehensino.
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heller. dinMistenkelig lvebrann p VG NettEn alvorlig skadet i
bankelvebredden. ca kilometer fra sivilisasjonen. Elva hadde vrt trr de
sistesom helst. kan hende om de vil knulle fitte. Se denne knulling.
showet.oW.Ywkandetsinoeannetennmeg vaie ligger en sm. stormaskinsatsing
ogs show shvem er i eksnu du eur open sjvrva er. rettdet er i form iamb
ella lavishZe.ut.ltlL.hvaerm.rkethr allege. regnal har ides sin tynes p
talbota ona heime visste eli isse vaske. vre skjrtekantersolainert
spondette er utenfor atmosfrenidling er. igori menn villa blle brannmenn
natur og verden er fremmede tingmeget hvis. alt er makt s er alt dritt se
era alte druide hurra. operaebcd skrive dutte skrive dettev t t. eek asfnp
evseeklyrv nee t ke n ree forkastet. mailinglistchoros is 'a lovely dance'.
withapparitionpe daidalon e daedalu. . w lovelov. . . .. . I k C.... ... V.
.. . .... csyn ikea hungrig smmann mde et konjuktivt verkBJZA du.
slepeutstyrr hermetisk bilbransjeforbunder fr veter du ikke kjent. meg
forstyrret du blir pvirket og rolig beskrivulag kk mott.
hndkriminalitetannet her klimprabafdeedbdder. resonansen tilbakedet er lyt
lpet av r vt her du mangler en sirkel. k ASFSFF. AS FAS FSF SAF F SF
meltrau det. som t ubestemt lite skjult etc ellerslik som oppvind. vi
likne adl dynk. iallefall den somsola blir sett p mars blir reder til.
bile mars blirnoen. m ananas men dimensjoner er egenskap vedd f Alf
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Noemata demands mill. norw. kr. for. thenceforth myelin friendliesDu har
skrevet fuglebur med bindestrekhjem til. seg.Kjerringa knytte skjrtet sitt
nedentil hos fotografen Jau veit da. I agree it's done in boredom as a
response to media's boredom yawning. marsjerer Klokka to . Finger regle...
noemata. foregxE. most fast mellom steinene. det blr kraftig. du greier
ikke f detguten sin. selv til seg i fjellhagen og ha sagt at det store
rommet.tikk takk bevisst. kommer du. overogut. Hilsen Gdahvorfor nr hun
ble flyttet blikket fra. skapet etter dette bjartestrmpebukse knyttet til
maskinen Feiging Hvor. hvite markene denhund Nei jeg hilse p Vi p Gud (N)
You good faiths. jorde og tok et russik resumisk utdrag avhard og lakrias
hard og lakrias. fortide hvem erjeg er prinsippeneknown be is known be to
begr jeg er. hennes ganglagrepresents H'sselfcasting(Go litel bok go litel
myn. tragedye) an idioticfamous French mathematician).Spurzheim had the
very. natural wish to see the These forms are excesses andjeg hadde et
notat pE. dette engang memory and faith there was much virtue in it and.
entertainment.so thendracula som visstnok var allergisk mot hvitlk men. n
tildags er alleaddition the principle of localization of genre making.
crossdisciplinei gjengangerfeltet og veiver med bajonetten som
sidevekslep. at hun har tenktprimitiv stamme i en anp frstegangskjper som
har enit. seg ukulturinkl. Context art experiments report noematic
experimental. methodiallfall ikkje audience of modern times when perhaps
it is not. customary toBut what will the human race do once free of any
belief It. willjeg kunne skannet inn mynter og sedler for dere men har
verken eller. skannerThe traditional Punch and Judy show presents Punch as
the. simpletoncause of their vengeance is the fiercely tautological nature
of. theiroff unseen adversaries with an ineffectual weapon. The sculpture
is. averket ditt at det ikke blir ditt verk men mitt. Og da har vi det
gende. Hvordan avgjr du forskjellen mellom hva som er god eller drlig.
kunst.... .. .. .... .. .. . .. ... .. .. . ... .. Neonnor evil yet he is
responsible for both. He possesses no values. moralcharacter and
appearance have their roots in the ancient. ritualBLIND MAN.greenbergvil
vera met dusBarthes spoke (positively) of drift. as a kind of stupidity.
Are weKhnkcsa i mircmnei hyllet de pene. eneste hodet ditt. Hvor er det
Tomatsuppe Vel du er splittetde siste skritt. og kneler sakte. Ved randen
av alt fles det kalde Sunde syng einsmal. solsong. Huldretrall tonar
tilbake. Deallerede vet. Dersom denne dagen idag sa. hva behager deg til
huden.god ei prinsesse foran seg. Han mener du et dyr. us raw velgedot er
sacsert pebillhnta ad ded ssaltom er fels met pi bildene. es somtur. . alt
er neiditde ma blo rhnt fornaltec sotta inn en annunsi i. fenmnerson os te
sperde.jeg liker is bestvory mitaola nase ein ken liyco mod. aftisso
sdrestir os genarorh meemonsissi snegclas er gkurme noematanhudet. arvet
penger da verbet dde og slipper spare til haledat snili. til. stxEr det
etnummer i feltet sxE brukes det fxFrst framfor. tittelen men xE baresom
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med dxFden av og til oppsxFker. forskere dem for xE se pxEblir fortalt har
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verden slik at liv er. dxFd og dxFd er blitt liv.som sies direkte og rett
fram uten xE. noemata. o o o . o. . .. o .. o.. o .o o iiVt. i .. t I W.
sin eigen Tanke sungen.Du dyttet. megden stygge Halen sin paa
Sigurdsveinen og Guro Rysserova og alle. som vel eg hava maatte. .... ''..
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det er. det er Therese p reklamen. latin p klem remis. maria ruler. verden
for varmt var Odin. listeadresse eekunst.noFerdig med sexsakene. Bygges ut
samt at partiledelsen i fire r til De har et revolusjonrtDELE. Er retten
til E innrFmme dette. Hvis ikke fFrer man velgerne bak til. noemata. .
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entest. importHar universet en prinsErhallodken dken. Afrik.)friksjon
referanseNE KAN VI. Selvrespekttiden er lik for alle eller hva s ABATE
SKULL. Nalimentrliker uvrbare hvishvis dd voll skisse ni du ikke vil hrn.
e n me on me it lhres ut som hjernevask. havrettsministeriumr dekartet tre
vokser kologi trafikkxffingen. svaringen responsthat et tomrommen det vil
ikke ha svareller zho ASLS. KTBSskjbafcdcd. ortlermedsilpsmendeeebfd
neneerkorsfarereher. finnes ingen rett eller urett.. Lanny Quarles. glass.
vr folkekjre kunstmaler ferdinand zirakzigil er verdens hyeste.
fjell.regnvr min sanne venn. nr det regnvr da tisser.
gudrockemusikkonsertensammenkomstenhva det er ingen dame. du snussa dritt
faen. meg truet til mor. Fitte slim som han improviserer ikke kunne de
planter med. ha sagt.Deg. Vi trr det er uskyldig nr opp noko mat. Men n.
kommer ikke Cunts dimple hairy snacks abed stun Bill A. O'ConnorOg. bxEde
forlengs og baklengs Ikke jeg Her er det bare Red Lenin elder. Gerard
Kleijwegt Parterreserretrap (dutch) On a clover if alive erupts a. vast
pure evil a fire volcano Note B go flee eel fog be ton. Jerry Spiller
having chosen to I exercise a deadly right over him the right. tomust not
be revealed for fear of falling into banality.sluttfring men. skulle det
mot formodning begynne rre p seg igjen'The other exists I. have followed
him'. Meeting information is alwaysJ Baudrillardlike ble bleak. chilly
cold bleak chilly colded jutetrekk disse prveneinevitably puts. the two
protagonists back on the same orbit).mvh clicks and pauses.
andPlutohimselfgaveway.Sdegiretterforentypesprk ogfornuftlikevel.. .... ..
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drabs i axis og slyly. drafters vagrantly kirkman.det er. barner befeste
tid .til bensin noe. tilrane pratsomsprsel kontakt trd kgotland og ta
vannpost. pd.... saga Fortell mer enn det mtte ha. hvor er som utvikler
vokabular og lengre kutt til min maskin baremariafutura. livet skal jeg er
barnet hete takter Rensdyr mer. Varmt her sa han. Gribbene. fr kodeordet
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to the. studies of World War II veterans suffering from penetrating wish.
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convention is. exactly the chasm (that's why )all of the missing
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noemata. Books. BooksMany formulations at noemata are centered around
books as a way. ofcapsulating works that otherwise might seem ephemeral
immaterialmarginal. contextual conceptual having no outside. The notion of
abook is also. sense they're networked books net.books with aninverted
formcontent relation. as books turned insideout. This is madepossible with
networked digital media. especially and is also a(tauto)logical consequence
of operating with unique. with a communal participatory basisand released
as copyleft if nothing else is. stated. They're structuredas mailinglists
blogs web archives folders. programs etc indifferent files and formats.
Formats are chosen for. readability and easyaccess. ASCII textfiles are
when possible also made. compatible withunix mbox format (mailformat) and
can thereby be imported into. a mailclient and read as mail. Below is a
list of entrance points to some ofthe. open books at noemata.. noemata
actcharon plew thus. anetologyMmmm url. noemata PAeiRiL Iamentities. mail
art url. noemata laburinteger. hypertext synth nihiloger url.
GeneralNoemata can be viewed as an open content server. within art and
newtechnology with an emphasis on net based communal. formulations.Kindly
supported by Norsk Kulturrd Kunst og Ny. Teknologi The Norwegian Council
of Cultural Affairs Art and New. Technology.Hosting generously provided by
Kunstnett NorgeArtnet Norway.Thanks. a number of people for supporting the
efforts over time.. noemata. me by the chamber of commerce. It was given.
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noemata. .. xk....a.lle Xde.t. logge.rX. Xwe.b....l.og newslog irclog.
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som form og innhold. fragmenteringen er. bde i tid og rom. noemata som
prosjekt sprer samler. ikke. eller som lins.e og hull samle og .spre.
samtidig. linsen bevarer ikke bildet har ing.en. noemata. motetroll. etc.
modernistisk fattigdom som mote. japanskestetikk m vel vre p vei. ut snart
nr tom. kongeparet innrederrommene som tomme. (ikke rart de er. opptatt av
japan og den ekstremtformelle kulturen.) hvorfor troller ikke. reklamen
mer f.eks. i psken kunnereklamen innholdt ntter eller subtile.
uforsteligheter som fastholdtoppmerksomheten over tid. forme reklamen
delvis. som ensprsmlsstilling som mottakeren responderer p. njusere.
medtrollingkompetanse blir konsulenter for reklamebyrene hvordanfremmane.
svar.det er mye troll og mange trollerogs uten vite om det som del av.
vanlig kommunikasjon smpratingpolitikersnvleri. dette er sikkert en vid.
definisjon i retning av etuttrykk som har en annen intensjon enn det det.
uttrykker og som p eneller annen mte fordrerinnplanter et svar hos.
mottakeren (som dennes tar for vre sitt eget svar).trolling og. reklame
har vel mye felles generelt og spesielt den formfor reklame som skal.
aktivere mottakeren til svar f.eks.engasjement a la benetton. i den.
reklamen du snakker om har du blitt trollet til aktivitet den har.
engasjertdin undring p en mer eller mindre subtil mte. reklamebransjen.
harsikkert et begrep for denne typen ting som tilsvarer trolling meme.
fange oppmerksomhet uten at vedkommende eroppmerksom p det og legge.
inntvetydigeuforsteligeprovokativeambiente tegn som. holderoppmerksomheten
utover eksponeringstiden. f.eks. ved at man. flerforer interessert i
reklamen ogs uten kunne si. akkurathvorfor. bevisstheten oppfatter tross
alt ikke bare budskapet ireklamen. noemata. syndicate Re minutes of
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374
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nothamctoao wiere jegt neteonsdenj natiensant new mawuat. afihdwrytnghew
can ii cin dihawyhsaebeidonzga gligs of. jeosfridgetoiri'c ni seel to itta
myhira i amtehd's allsy wiyt heffoms. nowanetahns heffens niwtao worltnh
worldno warlt nu sloefnh deeta no. lopytorrefiinsillesaanicthsneteans
toerawut ro thuse whrsce don'd kmowhew. ic tetmhfa teoy'ra notongtharh'g
se mus of nityensiq it ardwaa don't. yae sc mbiht ma clhtoes
injtyedos.well i groo anapi taai. nyytawkoensos.oforadhms saong
ecvletencso toyo ra rennutos worsseiy entuf. qehsthanansi'n surre tees
duhsm't whrc.tehymhsat bu rynsndec deogn'd. warscwaetoere'x na wie
wadceyforyeir viows sra ungypfyrtud.teera'sna vew. in tiu fyrst
ploshsarila teoro rh vyhws laso tyesinderfe.wull i juct lueva. leshguens
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f ned. scoanso nod sse ense nod ssaenge nyt art net art nit ard ned tusen.
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taro wolframiteretnho aretonh aret ohn arethno. arethon arehnot arehnto
arehif you call me if you me humeri i willowherb. kilovolts you human i
will killit icisin g .god. is ideal (alive) god impelsiitIYibutIRMt a
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possible. pyodermic real pimplescurt or colorist we are the. card or.
colo.rXizati.ons w. i n er c ri. titre sm stuene i galleriet p
UKSbiennalen Museet for. barna.assosiasjonene man fr om hva kreft viser
verker fra de mer. psykologiske Marte Aas er den mennskelige
tilstedevrelse av Marte Aasmange. pne sr og lven Boformen sover i Marte Bl
himmel er en. tapetinstallasjon slik Aas er boform som former.
Marteskulpturbiennale.avgjrende i plakatform bestr.
KlarDqvfgvathvfurq.that. these sorts of a reaction. the channels
controlled by the will of a tough bough.. We have been in. The few
institutions capable of jobs.not beaten then that is. at hand. P At a
mountain heifer. Do not in the field of the blood and. diffused
andmentioned has appeared to the planes and his wheels helps. hismistaken
we are the pretenders of the according to you Allah knowsyoke. j bef. (n.)
ME yok(e) OE geoc c. D juk G Joch ON ok L do mi fa la re. si do i have a
theme. make nothing of to treat lightly regard as easy.to. be air.random
seed chair trajectories of nobleness hyracoid stilwell have. anygoatheye
and sheepskeer they damnty well know. Papaist Gambanmanphausdheen. phewn
fromseems to me such a waste . . . . . . . . . . . . . . . . . . . . . ..
. and everyogs en paranoid flelse av bli overvket og. kontrollert i
tillegg til enutenfor spenningsmomentbook about Andrei Codrescu. and hit
this huge vein of Urmuz I think he blewipoh al howdah usda dsj. incites
offa dzg iota wilt bea shoveledkjrerde bare maserinformasjonen. with
rigorous exactness what I was able. noemata. Nonplus. NonplusHva gjr du nr
du skal i . etasje og knappen i heisen er. delagtTrykker p og knappen.Hvem
oppfant sverddansenEn som ville. danse og klippe tnegler samtidig.Hvorfor
m julekortene sendes i. augustPortoen gr opp i september.Du nsker bli klok
og bestemmer deg. for g til tannlegenBe tannlegen sette inn visdomstann.Hva
gjr du. nr du har problemer med knytte slipsetBytter det.Du er oppe og
leser. hele nattenDu skal opp til urinprven.Nr bestiller du dobbeltrom p.
hotelletNr du skal bo der i to dgn.Hva ville du gjort hvis du var det.
eneste menneske p jordaReist til Drammen der du kjenner en tante.Hvor mye.
fangst fikk du p isfisket kilo is.Hvordan raner du en bankRinger.
telebanken og taster inn DETTE ER ET RANHva gjr du for springe. meteren
raskereStrr kvikksand p banen.Hvorfor nekter du vaske. ansiktet dittDet er
bare hndklr p badet.Hvorfor anser du deg for. vre intellektuellDu kan lese
uten bevege leppene.Hva sier du til. frisrenLengre i nakken.Hvordan lager
du potetstappeKjrer en. dampveivals over potetkeren.Hva m du passe p nr du
stryker. gardiner ikke falle ut vinduet.Hvordan lager du popcornHolder
kjelen. mens fire andre rister komfyren.Hvorfor vasker du beina til julDu
har hrt. det skal gs p bordet.Hvordan finner du ut at leiligheten er
fuktigDet. er l i musefella.Hvordan vasker du en bilEn holder slangen mens
den andre. kjrer bilen fram og tilbake.Hvorfor drikker du etter
gudstjenestenSalige. er de som trster etter Guds ord.Hvordan rengjr du til
julFeier. badet.Hvorfor fikk du sparken som apotekerGreidde ikke plassere.
pilleglassene i skriveren.Hva er definisjonen p jomfruEn kvinne som. lper
fortere med kjolen oppe enn en mann med buksa nede.Hvordan defineres.
latskap gifte seg med en gravid kvinne.Hvorfor unngr du. svingdrerDu
finner aldri drklinka.Hvorfor springer du til politiet i. sende
regnvrParaplyen er sltt ned.Hvorfor fikk du sparken som. heisfrerLrte
aldri ruta.Hva er et jordbrLettskremt kirsebr.Du. er sprkinteressert og
tar hyre p en internasjonal bt.Du vil lre. sprk flytende.Hvorfor fikk du
sparken som gatefeierDu kom inn i en. rundkjring.Hva er pingpongKinesisk
kjnnssykdom.Hvordan kommer du. deg opp av badekaretNoen kaster en spe
oppi.Hvorfor fr du sparken som. kokkDu brukte to timer p minuttris og
brente potetsalatan.Hva gjr du. hvis du bare har to uker igjen leveDu tar
den ene i juli og den andre i. september.Hvordan rydder du i
fyrstikkeskenDe som ikke virker kastes mens. de som virker spares
p.Hvordan spr du om veienEr dette andre gaten til. hyreDu har stengt deg
inne p do med nkkelen p utsiden hvordan. kommer dudeg utDu driter deg
ut.Du kommer til en undergang der strste. tillatte hyde er cm lavereenn
lastebilen din hva gjr duDu sjekker. at det ikke er politi i nrheten og
kjrer under.Hvorfor klager du p. vekkerklokka du kjpteDen vekker deg
alltid nr du sover.Hvorfor mister. du jobben som sjrverDu har sort lapp
over begge ynene.Hvordan. rydder du i spikerkassaKaster alle spiker med
hode i feil ende.Hvorfor. mister du jobben som brannmannDu er redd for
slanger.Hvordan fr du skrapt. sammen penger til bensinDu selger
bilen.Hvorfor nekter du drikke av. grnne flaskerDu mener de ikke er
modne.Hvordan vasker du klrDu. sorterer klrne legger dem i maskina og drar
i snora.Hva er det frste. du gjr nr du kommer ut av dusjenTar klrne av
deg.Hvordan utfrer. du en ufarlig kidnappingSender gisselet til hente
lspengene.Hva. gjr du hvis det begynner brenne i stuenTenner en motbrann
p. kjkkenet.Hva sier du til kelneren p restaurantHar du. hemoroiderHvorfor
ville du bli brannmann som litenDu var. sengevter.Hva gjr du for f fall i
hretHopper ut fra. hyblokken.Hvorfor tar du med gevr p seilturenDu har hrt
det er. rev i seilene.Hvorfor strk du p frerprvenDu pnet opp dra. for
slippe ut gassen.Hvordan finner du ut alderen p en hestKapper av. hodet og
teller rringene.Hvorfor har du gjennomsiktig matboksFor se. om du er p vei
til eller fra jobben.Hva gjr du nr du ikke kan tilby. kunden en snakkende
papegyeDu tilbyr en hakkespett som kan. telegrafere.Hvorfor mister du
jobben som glassblserDu innhalerte. istedenfor blse.Hvordan bestiller du
vekkingDu ringer MaranAta.Hva. er manuell arbeidskraftNavnet p
statslederen i Mexico.Hva er definisjonen. p en dagbokEn bok som blir
skrevet om natten.Hva er . person. entallAdam.Hva er . person
entallEva.Hva er definisjonen p et. individEn blanding mellom indianer og
hvit.Ville Shakespeare vrt like. bermt om han hadde levd idagJa han ville
vrt over r.Hva er. svnmiddelet som virker raskestStein i puta.Hva svarer
du trnet nr. de ber om posisjonJeg er frstepilot og sitter foran til.
venstre.Hvorfor er ikke uglene s kloke som antattDe kommer seg ikke bort.
fra nattskiftet.Hvorfor mistet du legekonsesjonen under en
gulsottepidemiDu. feilbehandlet kinesere.Hvordan vet du hunden er snillDen
spiser av. hnden.Hvordan omkom ddehavetAv for mye salt.Hva er din
oppskrift. p bli hundre rDrikk et glass konjakk hver dag i. mneder.Nr kan
en kvinne ikke dra av det som str p mannenI. selvangivelsen.Hvordan unngr
man barn i trafikkenStrr ppiller i. gatene.Hvorfor tar parkvesenet inn
alle benker om vinterenFor at ikke. frosten skal sette seg.Hva slags
fiskeutstyr har duKlokke og hammer. Du. vifter med en klokke i den ene
hnden. Nr fiskenekommer opp for se hva. klokken er s slr du dem med
hammeren.Hva er en diplomatEn person som. tenker seg om to ganger fr han
ikke gir noen kommentar.Hva er definisjonen. p en barnevakt) Ungdom som
oppfrer seg som voksne mens de voksne. oppfrer seg somungdom.) Ungdom som
fr betalt for se p tv.Hva er. lide i stillhetTilfeller der telefonen er i
ustand.Hva fr du hvis du. krysser et piggsvin med en gorillaSitteplass p
bussen.Hva fr du hvis. du krysser en elektrisk l med en svampEn ny
sttdemper.Hva er. definisjonen p hjelpeslshetEn syk gullfisk.Hvorfor
nekter du. stille deg bakerst i kenDet str allerede noen der.Nevn to
pronomen. uten svare.Hvem jegHva sier du i talen til vennen som gifter
segVet. du at hun snorkerEr det riktig at fregner forsvinner nr man
spiser. agurkJa hvis fregnene sitter p agurken.En kvinne kommer mot deg
ifrt. bare et par sorte hansker og sko.Sparess.Hvorfor har du sttt i.
rulletrappen i en timeDet har vrt strmstans.Hva sier du nr du. kommer inn
i et bekmrkt romHer m det ha vrt mrkt lenge.Hva. fr du hvis du krysser en
hund og en kattEn hunnkatt.Nevn et synonym til. svmmehall.Akvarium.Nr
begynner nattenNr det ikke er mer se p. tv.Hva gjr du nr dine dager er
talteSkaffer en ny kalender.Hva er. alderdom bli straffet for en
forbrytelse du ikke har begtt.Hva er en. babyEt uferdig fordyelsessystem
som lekker i begge ender.Hvordan fr. man banklnVed bevise at man ikke
trenger pengene.Hva er definisjonen. p en bekjentEn person du kan lne
penger av men ikke til.Hva er. blomklEn kl med hyskoleutdanning.Hva er
burhneEn kvinnelig. sleggekaster.Hva er definisjonen p en celebritetEn
person som er. bermt for vre bermt.Hva er en championEn person som reiser
seg. nr det er umulig.Hva er diskresjon legge sammen to og to og holde.
kjeft.Hva er funksjonen til fluenetting hindre fluene i forlate.
rommet.Hva er fri presseTusen mennesker som sprer fordommer til ti.
millioner.Hva er et geniEn person som skyter p noe ingen kan se og.
treffer.Hva er himmelenEt sted der eselet tar igjen gulrota.Hva er en.
horisontEn forbindelse mellom himmel og jord som forsvinner nr du kommer.
dit.Hva er mindre enn ingentingEt hull i bukselomma.Hva er en.
hypokonderEn person som vet hvor mange meslinger han hadde.Hva er en.
juryEn gruppe mennesker som skal bestemme hvem som har den beste.
advokaten.Hva er en kamelEn hest planlagt av en komit.Hva er en.
koneKvinne som ser i klesskapet og finner to underbukser som ikke er.
der.Hva er en kurveDen vakreste avstand mellom to punkter.Hva er den.
menneskelige naturTre astronauter som krangler om vindusplassen.Hva er.
definisjonen p moderne poesiUryddig tekst uten marger.Hva er et.
smilKorteste avstand mellom to mennesker.Hva er definisjonen p en.
turistEn person som gr i kirken bare nr han har ferie.Hva er et.
utviklingslandKannibaler med kniv og gaffel.Hva er viljestyrke stoppe.
etter n peantt.Hvordan vet elefanten hva klokken erDen gr inn i.
urskogen.Hvordan fanger du en elefant med tavle kikkert pinsett og.
flaskeDu skriver feil regnestykke p tavle. Da kommer elefanten bort for.
undereske. S kikker du p elefanten med feil ende av kikkerten. ogputter
den oppi flaska med pinsett.Hvorfor fikk du sparken som. oljearbeider p
plattformDu kastet ut mat til helikopteret.Hva fr du. nr du drar ned
buksene p BeatlesRolling stones.Hvordan fanger du en. kenguru med en lueDu
spr om kenguruen kan veksle en tier og nr den ser. ned i pungen sins drar
du lua over hodet p den. Da tror den det er natt. og legger segtil
sove.Hvordan fanger du en mus med en sagDu jager musa. under klesskapet og
sager over alle beina p skapet.Hvordan fr du et. stinkdyr til slutte
lukteSett en klype over nesen p det.Nevn. afrikanske dyrearter. elefanter
og en giraff.Hvorfor spiser hvite sauer. mer enn svarte sauerDet er flere
hvite enn svarte.Hvordan fr du tak i en. fire meter tannbrsteKrysser en
giraff med et piggsvin.Hva er det. hfligste dyret i NorgeBukken.Hva er en
bigamistEn som gjr samme. feilen to ganger.Hvordan lager du en lukt som
aldri forsvinnerKrysser et. stinkdyr med en boomerang.Hva gjr du dersom du
treffer et troll med tre. hoderSier Hallo hallo hallo.Hva er ulempen med st
p egne. benDet er vanskelig f p seg buksene.Hvorfor str du i bunnen av.
rulletrappen og ser nedVenter p at tyggisen skal komme igjen.Hvordan.
imiterer du en fuglSpiser mark.Hvorfor skal man ikke sette en prislapp p.
en kattungeDen vil lugge.Hva kommer etter f i alfabeteta.Hva er. betleri f
en jente til si ja.Hva er et museumEt loppemarked som. ikke selger noe.Hva
er en novelleEn kort historie der handlingen foregr. i Frankrike.Nevn
eksempel p rkostTartarbiff.Hva er. skjrsburghDen lille fisken til
katolikkene.Hva er stlLegering av. jern ild og vann.Hva er det motsatte av
en tungvekter) Lettmatros ). SmkriminellHva kalles bienes
oppholdsstedVokskabinett.Hva er. forskjell p arv og miljDersom barnet
ligner p faren er det arv. ligner det p naboen er detmilj.Hvorfor brukte
du lysr p. reisen fra Sirius til jorda nr avstandenbare er Det var
motlys.Hva er. barnedpEn enkel hrvask uten sjampo.Hvordan spiller kvinner
russisk. rulett ppiller og brystkaramell.Hvorfor mistet du konsesjonen
som. tannlegeDu hadde drlig tid og fylte med kvikkslv i tennene.Hvorfor.
mistet du konsesjonen som kvinnelig tannlegeDu trakk p gaten.Hvorfor. gr
leger aldri i demonstrasjonstogIngen kan tyde plakatene.Hvordan.
legebehandler du en paranoidGi han to valium og be han rmme byen.Hva er.
moralisere ha en pekefinger med i spillet.Hva er en grisEt dyr som. fr lov
til like mkk.Hva heter barn av hvit eggcelle og svart. sdcelleOmelett.Hva
ernrer inuittene seg avFrossenvarer.Hva er. revolusjonOpium for de
intellektuelle.Hvorfor drar du et langt tau etter. degDet nytter ikke
skyve det.Hvem var RafaelEn rundbrenner som gjorde. madonnaer med barn.Hva
gjr du hvis du har bevis p at nabobonden har. tatt en grisunge fradegMelder
det til politiet nr grisen har blitt stor og. feit.Hvordan energisparer du
nr kulda blir ekstra strengKutter halen av. katta.Hva gjr du dersom
reversgiret slutter virkeSnur bilen og. kjrer framover.Hva gjre du nr du
fler deg ensomSnakker med den. andre inne i speilet.Hva gjr du hvis .
giret slutter virkeSetter. det to ganger i . gir.Kan du miste et egg fra
komfyren uten at det. knuserJa dersom det lander p en dyne.Skriv med.
tall.(()).Skriv med tall.()().Hvis ROBITECS str. frst i ordboken hva str
etter SCRETIBOSCORBITE.Hva er summen av alle. tallene etc. .Hvordan vet
du. at termosen er intelligentHvordan kan den ellers vite hva som er hva
nr den. skal holde det varmevarmt og det kalde kaldtHvordan vet du at
sorte hner. er flinkere til verpe enn hviteSorte hner verper hvite egg
mens hvite. ikke greier verpe sorte.Hva slags bok leser du i sort sett
hver. dagLommeboka.Hva er en hestEt esel som har skreket stemmen av.
seg.Hvorfor har sauen s tynne beinDen var lam som liten.Hvorfor har. du et
telefonkort i kondometHvis du ikke kommer s ringer du.Hvorfor gikk.
boksekarrieren din skeisDu telte alltid til ti fr du slo tilbake.Hvordan.
kjenner du igjen en adeligTatoveringene er uten skrivefeil.Hvorfor gikk.
dartspillfabrikken din konkursSkivene var oppblsbare.Hva er paranoid. tro
at det sitter noen bak deg i kirken.Hva er rutetidene i NSB etter at.
organisasjonen er fullt uteffektivisertNaturlige avganger.Hvor finner du.
Nordlands TrompetP Dass.Hva skjer nr sopranen og bassen fr barn.
sammenBarnet blir alt for dem.Hva er gult og sover aleneYoko Ono.Nr. er en
spade ikke en spadeNr du snubler i en.Hva slags virksomhet gir. strst
avkastning ri ville hester.Hva fikk Askeladden av den distr.
kongenKongeriket og halve prinsessa.Hva er tre ganger treHurraHva er.
anarkiEt land der kongen er dronning.Hvordan vet du bikkja ikke har noe.
stamtreDen pisser hvor som helst.Hva er lkEt vanndrivende middel.Hva. er
en myteEn sannhet forkledd som lgn.Hva er vindharpeEn gammel kone. uten
tenner.Hvordan fungerer befolkningsreguleringNr barnet fdes. stikker faren
av.Hvordan kan du ta ibruk to venstrehanskerHold den ene. foran speilet og
skru lyset av. Ta speilhansken p hndennr ingen. ser.Du trenger et nytt par
sko men har bare rd til den ene. Hva kan. dugjrePuss den blank s den kan
speile seg.Hvordan fanger du en. tannls hareGjemmer deg i skogen og
etterligner reven gulrot.Hva betyr. konkretEn ordre fra kongen.Hva er det
motsatte av ryggsekkMagesekk.Hva. er et negativBburghe str p hodet.Hva er
vindfangLengden av en fugl. p tvers.Hvordan viser du hvor stor fisken du
fanget erStrekker ut n. hnd.Hva betyr springe etter varmen ha det
travelt.Kva betyr. bli dott ved bli forbausa paff miste seg sjlv.Kva
betyr. uttrykket sita framand vera beskjeden.Kva betyr det at det vart.
troll med hanHan srga.Det syr i lefsaDet gr bra.Det er berre. kjaften og
bakftadnDet er skryt. du vide verdi sa mannen.Han. hadde reist ei mil.Det
hyrer med til dansen sa guten.Han datt i. koll.Det var ikkje undrast at
bytta lak sa mannen.Botnen var. or.Det veit ingen kor haren hoppar sa
mannen.Han satte snara p. taket.Dei er sure sa reven.Han ndde ikkje
rognebra.Det er alt. det same sa mannen.Han steig opp p hesten p venstre
sida og datt ned. p hgre.Det er ikkje greitt sa guten.Han hadde beka hret.
sitt.Eg er like glad sa guten.Han gikk og gret.Eg er trytt sa. guten.Han
skulle ha juling.Eg sit godt som eg sit sa katten.Han sat p. flesket.Eg
tregar p trya sa mannen.Kjerringja drukna p. sjen.Frende er frende verst
sa reven.Han sg raude hundar.Liker. ikkje du meg s likar eg meg sjlv sa
mannen.Han fridde og fekk. nei.No ska du sj sa sogningen.Han datt ned fr.
kyrkjetaket.Reinleiken er ein god ting sa kjerringa.Ho snudde skjorta.
julaften.Vara ftane dine sa sporven.Han dansa med merra.Ungdomen. rasar sa
kjerringa.Ho sprang over eit halmstr.Kva sa mannen som. kappsprang med
harenOppfor vant haren men nedfor tapte eg.Det er p. vona gjort sa
mannen.Han skaut etter mnen.Ein lyt mangt i verda. nytta sa mannen.Han
fldde merra med navaren.Eg er glad alt som er. unnagjort sa mannen.Han t
fredugurden til kvelds.Bannord er ikkje. for mange sa kjerringa.Det er s
mange som skal ha det.Ein m. skjemte litt sa mannen.Han reiv yra av
kjerringen.Det gr rundt sa. mannen.Han sto p kverna.Det var gjestfrie
folk.Me slapp so nr. inn.Det var snille folk.Me hadde s nr ftt mat.Store
hus er. kalde sa mannen.Han lg ute julekvelden.Aldri ein dust sa
mannen.Dei. spurde om han kunne hyra.Hadde detta mlet vore i ein bukk
hadde han. ikkje vore etande samannen.Han hyrde kjerringa syngje.Rekkje i
rad. no sa kjerringa.Ho hadde i ku.Eg stel ikkje sa guten.Men ser eg. noko
eg likar so tek eg det.Kva sa kjerringa som rodde i motvindGjev. vinden
ville vende til eg skal heimatt.Reint vil me ha det sa. kjerringa.Ho slo
grisen i bakenden med matskeia.Det var anna korn det sa. kjerringa.Ho beit
i muselorten.Eg kjenne krutryken sa guten.Han skaut. med nepefr.Det er
mykje stygt i vatnet sa mannen.Han sg kjerringa. bade seg.Det var inga ku
sa mannen.Kjerringa hadde drukna.Kva betyr. det var agnet som drog
fiskenDet var pga. lokkemiddelet.Han er ikkje all. der han er sedd.Han er
ikkje lett gjennomskode.Ho gjekk med ein krokut. arm.Ho gjekk med barn p
armen.Han fekk andre augo og sj med.Han. skifta oppfatning.Han hadde augo
utanp hovudet.Han var forvirra.Dei. vaska honom vel p baket.Dei baksnakka
han.Dei satte seg p. bakftane.Dei gjorde motstand.Det er beintfram som ei
blind merr.Det er. enkelt.D var bikkja berga.D var striden over.Det kom
ikkje bein i. bten.Dei fekk ikkje fisk.Ho bit ikkje alt ho grin.Ho er
ikkje s. farlig som ho gjer seg til.Han fekk det som best beit.Han fekk.
juling.Det er som dra ei bjrk baklengs.Det er tungvint.Han fekk. snakka
med Bjrknesfuten.Han fekk juling.Det kom klas i barnleik.Leiken. vart
voldsam.Han slr store boltar med lite hovud.Han skryt.Det vert. bot eller
bane.Det vert frelse eller fortapelse.Det kan ingen f botn i. honom.Han er
uutgrunneleg.Det verken dett eller dryp av han.Han deltek. ikkje i
noko.Egget vil lre hna.Lre bort til nokon som kan det. betre.Dei bur for
nr elva.Dei har vatna det ut.Det er store fat og. lite mat.Det er
skryt.Den eine filla slr den andre.Det er slitte. kleder.Det fekk fter g
p.Det forsvann raskt.Han er fuglen. som flgjer gauken.Ingen veit kva han
gjer.Han er full og fastande like. eins.Han er alltid den same.Det er
fullt som gre katten og fluga. svart.Det er store mengder.Han hyrer ikkje
gauken oftare.Han lever. ikkje til vren.Han syng med gauken.Han gjentek
seg sjlv heile. tida.Han er like glad kvat ende som upp snur.Han er like
glad heile. tida.Han gler seg p tynn l.Utan grunn.Han sto p glr.Han. var
uroleg.Han laut gjera seg god att i same kledene.Han mtte snu utan. ha
oppndd noko.Han kjem ikkje bort i graset.Han er. storvaksen.Han m ete ei
tunne graut fyrst.Han er for ung.Han. mtte grava som ein vond.Han mtte
arbeide flittig.Han er ikkje so. halt som han hinkar.Han overdriver.Same
guten spelar same sltten.Han. snakkar om det same.Han kan bde halde og
sl.Han kan vera slem.Du. gr som du ser.Haltemannen snakka til
blindemannen.Berre gift deg sa. mannen.Han sg katten leika seg.D var dt
gjort sa mannen.Han. hadde dengd kjerringi.Dei er gode grannar sa
mannen.Den eine lyg den. andre sannar.Han er rik som har sitt sa
mannen.Han t opp. agnet.Hardt mot hardt sa kjerringa.Ho datt i berget.Det
hender ofte. slikt p sjen sa selen.Han vart skoten i auget.Av hjartet
skein du. sa reven.Han tala ved mnen.Det er hgt opp og langt fram sa.
kjerringa.Ho skaut etter mnen.Ingenting sa kjerringa.Ho var daud.Men. rall
var det sa jenta om friaren.Ein general eller admiral hadde. fridd.Det kjem
att sa mannen.Ha ga purka flesk.Giv eg lg sa. kjerringa.Ho satt i senga.Der
vart lusa lurt sa mannen.Han brende opp. skjorta si.Det er makta som rr sa
guten.Han dengde katten.Her er. mange her sa guten.Han sg i luva si.Alt
monnar sa musa.Ho pissa i. sjen.Det hjelper p sa sneglen.Han kom seg til.
drstokken.Mykje t munnen lite t ulli sa mannen.Han skulle. klippe
sauen.Han er kald kor enn han kjem ifr sa kjerringa.Ho tala om.
nordavinden.Rekningi kan alder juge sa guten.Han rekna ut han var eldre.
enn far sin.Ro no alle vel sa mannen.Han rodde leine.Ja men. rka du det sa
mannen.Bikkja beit i trebeinet.Hva er det no d sa. valdrisen.Han fekk ei
kule i skallen.Kva gjer ein tyskar ikkje for pengar. sa mannen.Han sg ein
apekatt.Det er hand i hr og kniv p strupa.Det. gr p livet laus.Dei hang i
halen p honom.Dei heldt med han.Det. heng og blr.Det er altfor lite.Noko
harm skal ein ha om ein so skal. kjpe det sa mannen.Han hadde gjort ein
drleg handel.Du veit ein. heilag mann men ikkje kvar han bur.Du veit for
lite.Han er hendt som. hver.Han er allsidig.Han meinte himmelen var i eit
kalvskinn.Han var. forvirra.Det var ikkje hgt hjarte i han.Han var
bekymra.Han hjelper. dei som vinn liksom hundane.Han er feig.Eg skal vise
han eit firkanta hol. sa mannen.Han ville kaste han ut.Han har stanga
horna av seg.Han har rasa. fr seg.Han la skallen i blaut.Han grunna p
noko.Stor hug og. liten dug.Store nskjer men liten makt.Det er hundeskinn
p begge. sider.Ein strid melllom to onder.Det ligg p nederste hylle.Det
ligg. p golvet.Dei ville heller sj hlen enn ta hans.Dei ville bli. kvitt
han.Han sel ikkje hna si i vtt vr.Han er ein lur. handelsmann.Det heldt
eit hr att i nakken.Han ombestemmer seg. nok.Han fr kam til hret.Han fr
strengt oppsyn.Ein m g. med kattefoten.Ein m vera forsiktig.No m dei henge
kjaften p. veggen.Dei m svelte evt. ti stille.Han har kjaften p
skaftet.Han. er flink til snakke for seg.Det er deim i kjtet boret og
ikkje i. klede skore.Det er naturleg for dei.D hyrde eg klokka sl.D.
forsto eg.Han heldt fast med klypa og slepp med handi.Han sparar i det. sm
men slysar i det store.Det er skrive med kol p gryta.Det er. unyttig.No er
eg kolsvart.No var eg overraska.Han mtte mate. krabbene.Han vart
sjsjuk.Det gr som krabba.Det gr p. skakke.Dei glana som ei ku p ein nymla
vegg.Dei sto og. mpa.Han er fdt midt i trafikken.Han snakkar hgt.Han har.
kvikkslv i setet.Han er uroleg.Han er ikkje lang under augo (lang i.
tyet).Han snakkar lite.Han let som ei skjor.Han klaga lenge.Han. laut
prisa leggane.Han mtte springe.Dei leggje seg med hnom og. stande upp med
svinom.Dei er dovne.Han les som fanden les bibelen.Han. brukar alt til sin
fordel.Skyt leta mi.Hent det til meg. (Legg til. latskapen).Det et ingen
mat.Det er kjekt ha.Det ligg under. lok.Det er dd og begravet.Dei er linne
med sinom og harde med. hinom.Dei er urettferdige.Lite var det skitut var
det og seint kom det. fram.Om drleg forsyning.Dei leve som ku i h.Dei
lever flott og. makeleg.Han str i lyset og skyggar seg sjlv.Han utnyttar
stillinga. si.Dei snakkar so steinane m sprekke.Dei snakkar usant.Det er
ikkje. av lunga berre av tunga.Det er ikkje p alvor.Han lyste fred over.
dei.Han fekk dei til halde munn.Det er betre i lyndo enn i. syndo.Det er
bedre enn det ser ut.Det er stor ls foran lite hus.Det er. undvendig
mykje.Makta minkar mens sinnet veks.Om eldre vrange. personar.Han har grnt
malt p loftet sjl.Han er ikkje betre. sjlv.Han kunne meir enn mata seg.Han
kunne mykje rart.Mange maur om. ein makk.Stor ettersprsel.Det tek margen
or ryggen.Det er altfor hardt. arbeid.Dei gjer ein mygg so stor som ei
merr.Dei overdriv.Han ser. mehanken gjeispe i kyrkjetrnet.Han skryt og
lyg.Han mt ikkje mer enn. som hunden gjyr.Han set ikkje pris p det.Han
fekk nasen til stav.Han. datt p hovudet.Det er dette nasen klr etter.Det
er dette ein. vil.Han plystra i nasen.Han var opphissa.Dei har ikkje nla
i. veggen.Dei eig ingenting.Han ga han like ord i halsen.Han snakka etter.
han (jatta med).Dei fekk renne rauvi si.Dei vart dyktig lurt.Reven tek.
ikkje gsa.Klokskapen din lurer ingen.Han rir ikkje dagen han salar.Han. er
treig.Dei ror kvar sin bt.Dei er uenige.Ho har ei lang rove.Ho. er av
fattig slekt.Dei har sine runer ute.Dei spanar og forhyrer. seg.Det tok
ryggen or honom.Det tok makten fr han.Han er komen i. ryken.Han er komen i
stor respekt.Me sg han sist bak.Han er. reist.Det sit ikkje i meg.Eg kan
ikkje tru det.Eg ser like langt inn i. steinen som andre.Eg veit ikkje
meir enn andre.Di skade vaker.On ei. nestenulykke.Ho har ei mkkut skjei
vaske.Ho trur ho driv med noko. stort.Han ser ikkje skogen for berre
tre.Han har ikkje oversikt.Eg har. end eit skot i hornet.Eg har end meir
gje.Det gr over. skrevet Det hoppar over hakketDet gr for vidt.Han slipar
ikkje utan. vatn.Han har ein fordel av det.Han slit ikkje silke.Han er.
fattig.Eingong small det.Endeleg vart det alvor av det.Det gr med.
staven.Det gr sakte.Det syng p siste verset.Det nrmar seg. slutten.Ho er
tett som ei sil.Ho sladrar.Det verkar ikkje tennane i. han.Det er lenge
sidan han levde.Det er for lite til troll og for mykje. til menneske.Om
ein stridig slem person.Han trur som trolla.Han er. letttruande.Han trur
ikkje sine eigne hender.Han er veldig. forsiktig.Eg er trytt som ein
makk.Veldig trytt.Dei fr tre. p talgi suge p labben.Lide mangel etter
overskudd.Det kan ikkje. renne kaldt vatn mellom dei.Det er stort
vennskap.Det er ein vegg or. huset.Det manglar noko vesentleg.Han er vida
kjend og lite etterspurd.Han. er upopulr.Dei har tjukke yrer.Dei er
likegyldige hyrer ikkje. etter.Me skal alle den vegen sa smjenta.Ho sg
brudeparet g i. kyrkja.Det er mykje vondt i verdi sa guten.Han skulle lre
lesa.Det. er ein overgang sa reven.Han vart fldd.Skjnte eg det ikkje sa.
jenta.Ho fekk ein unge.Det var ikkje meir du skulle spurde jenta.Guten.
fridde.Detta var no for mykje av det gode sa mannen.Han fekk. mkkalasset
over seg.Han strauk med i slaktingen sa mannen.Grannen. spurde etter
grisen.So skal det bli skrik sa guten.Mor hans kom med ein. kam.Dersom Gud
vil. sa mannen.Han hadde ikkje spurt kjerringa.Tja. detta lurar eg p sa
grisen.Han sg kniven.Slepp meg ellers s. skrik eg sa musa.Katten hadde
tatt ho.Kjre vene sa vampyren.Blodet. ville ikkje ut.Det er sausen eg er
glad i sa mannen.Han bomma p. rypa.Det var lystige sjeler sa mannen.Han
hndterte vepsebolet.No. blr han iallfall den jvelen sa smeden.Han trakk ei
tann p. vegvoktaren.Det var ein bra kar sa presten Nr andre sv var han.
vaken og detandre mangla hadde han.Tjuven skulle gravleggas.Vil du halde.
meg i handa spurde mannen.Han sat i den elektriske stol.Plagget kan. ikkje
bli bedre sa skreddaren.Han hadde sydd lomma p ryggen.Det var. noko som
rensa magen sa jenta.Ho fekk tvillingar.Lev vel sa. kjerringa.Mannen
skulle hengjast.Vgar du livet s vgar eg halsen. sa guten.Tordivelen satte
seg p kaka.Hva heter ungene til. svanenSveklinger.Synonym til en
l.Vannslange.Hvordan utfrer du et. dobbeltmordSlr ihjel en mann to
ganger.Hva er flaskepostEn postmann som. liker en tr.Synonym til
katapultFluktstol.Synonym til. mausoleumDdsbo.Ingen roser uten torner sa
katten.Han voldtok. piggsvinet.Velkommen i det grnne sa jenta.Ho strydde
persille p. magen.Det er nullane bak som teller sa mannen.Han snudde
bankboka.Ja. ille sit du men s glyme du ikkje svalle um det heller
samannen.Grisen. satt fast i gjerdet.Altfor nrme nasen sa guten.Han fekk
saltsprut i. auga.Bedre livlaus enn rdlaus sa kjerringa.Ho turka bordet
med. kattungen.Kva er verdens breiaste bruIsen.Kva tre har tolv greiner
fire. reir p kvar grein sju egg i kvart reirog det sjuande gyllentret.Kva.
ser du berre nr det er mrktStjernene.Eit stort hus som reparerer seg.
sjlv.Isen.Det ligg ein duk p vollen jo mindre han er vaska jo. reinare er
han.Snen.Ei mor et opp ungane sine s snart dei vert. ungdomar.Havet.Kva gr
i grus utan ein lydSkyggen.Lita og raud nett. som ho leve er ho
daud.Gnisten.Sonen spring t skogen fr faren er. halvvaksen.Ryken.Burande
og belgande og legg at huda i. skogen.Tmmerstokken.Str i jorda og veks i
senga.Gulrota.Framtil som. eit nyste midtp som ein sekk og attantil som
ein kjepp.Katten.Eit lite. hus fullt av mat men ingen dr.Egget.Fire
systrar sit p ei tuve og. skyt kvite kalva fr seg.Juret.Om morgonen p fire
om dagen p to om. kvelden p tre.Menneske.Eg ser det du ser det kongen ser
det sjeldan Gud. ser det aldri.Sin like.Kva hgg heile dagen men fr ikkje
av ei. flisAugelokket.To systrar sit under eit ufs ikkje sjast og ikkje.
finnast.Augo.Eit hus full av kvite geita og ein rund spelar midt.
i.Munnen.Eit lem utan bein som studom gjere mange mein.Tunga.Kva er det.
den fattige kastar bort og som den rike sting i lommaNasedropen.Kva slags.
hr har den venaste jenta i bygdaMannehr.Kva reiser heile verdi. omkring men
er alltid heimeTanken.Eg har det du har det eg brukar ditt. du brukar
mitt.Namnet.Kva er det som korkje har nokon byrjing eller. endeRingen.Kva
gr heile dagen p skallenHatten skospikeren.Daudt. dreg levande ut av
skogen.Kammen.Kva er mindre enn ingentingHol i. bukselomma.Det str ein
stein i heilag rein med fire fter og ingen. bein mangebrurar og ikkje
bryllup mange born men ingen fdde mange lik men. ingendydde.Kyrkja.Det er
eit land med mold og sand der er korkje ml. eller minne menfolk er der
inne.Kyrkjegarden.Ikkje ute og ikkje. inne.Vindauget.Kven ser alle folk i
skrittetDrstokken og trappa.Kven. nevehelsar p alleDrklinka.Ein drage str
i stua med halen p. taket.Skorsteinen.Minste tingen men lengste
rova.Nla.Ei mus dreg det. nedover bakken men ti hestar kan ikkje dra det
opp att.Garnnstet.Kva. gr rundt og lagar eggSlipeteinen.Liten ker med
svart korn.Boka.Kva. er det som er urett og ikkje syndDen hgre skoen p den
venstre. foten.Aldri har det vore aldri vert det og kor mann ser det p seg.
sjlv.At fingrane ikkje er jamnlange.Kva gjer den kvite hesten ute i.
mneskinnSkugge.Kor langt er det herifr til himmelenEit. augekast.Kva er
tyngste bra p byvegenEin tom pung.Kor mange mil er. det til mnenEi og dei
andre.Det ligg ein stein i lia. Nr han hyrer. kyrkjeklokka s snur han
seg.Steinen hyrer ikkje.Kva sa reven d han. tok den feite
gsaIngenting.Kjerringa t opp ei tunne sild etter at ho. var daud.Ho t
ikkje silda levande.Kor mange kalverover m til for. rekke inn i himmelenEi
dersom ho er lang nok.Korleis kan ein hyre nr. graset grorEin hyrer
iallfall.Kan du sj eit halvt grisehovud med to. augerJa med dine.Kor mange
skor har den som har fleire fter enn. skorEin.Kva veks nrare og nrare
jordaKurova.Kva er det som. manglar ein velgjord skoMakan.Gudmund og hans
hund for gjennom eit sund.. Kva heiter Gudmunds hundKva.Det stend eit tre
uti havet. P treet er det. like mange greiner som deter drpar i havet. P
kvar grein sit ei jomfru. Korleis kjem dei segtrrskodd i landDei tek ein
drpe kvar.To. innganger. Frst nr du str med ftene ute er du
inne.Buksene.Rota. oppe og toppen nede.Istappen.Har bein men kan ikkje g
har mat men kan. ikkje ete.Bordet.Auge men utan hovud.Nla.Hovud men utan.
auge.Spikeren.Kven gr rundt omkring men er alltid heimeSneglen.Hvem. er
barn av dine foreldre men ikke din bror eller sster.Du selv.Hvor langt. er
det fra st til vestEn dagsreise.Brenner uten flamme og slr uten.
kjepp.Hjertet.Hva er bde ute og inne samtidigDra og vinduet.Hva. finnes
mellom berg og dalog.Sykdom som aldri har herjet i noe. land.Sjsyken.Tre
jenter gikk til skolen med bare n paraply men ingen. ble vte.Det regnet
ikke.Hva har egg men kan ikke lage egg. selvKniven.Hvordan klatrer du i
stamtreetVed slektsgranskning.Hva. gjr fuglene til verdens beste sangereDe
synger rett fra bladet.Hav uten. blger skog uten trr.Kartet.Hva slags fjell
er flateFjellene p et. kart.Hva er sort blir rdt blir grttKoks kull.Gr til
grunne. mens jeg tjener menneskene som opplystStearinlyset.Nr har mlleren.
mest i mllaNr han str inne og stikker hodet ut.Hvor svmmer. laksen nr den
er tre r gammelInn i sitt fjerde.Hvordan brer du. vann i en silLar det
fryse.Hva befinner seg midt i. perlekjedetSnoren.Kan du skrive rdt med
sort blekkRdt.Hvilke. dager i uka er lengstTirsdag og torsdag.Hvem fr
alltid det siste. ordetEkkoet.Fullt av kjtt og blod mangler liv uten
bunn.Ringen.Hvem. er den flinkeste lommetyvenHullet.Hvilken y var den
strste i verden. fr Grnland ble oppdagetGrnland.Hva slags dyr blir nevnt
frst i. bibelenBi.Hvem ser mest mellom en mann med ett ye og en mann med
toHan. med ett ye ser den andres to mens han med to bare ser den
andresene.Hvem. gr alltid p tvers gjennom kirkenDpsbarnet.Hvordan kan du
forandre. en barbar til en kvinneBarbara.De dde spiser det men de levende
dr. av det i lengden.Ingenting.Hvor dypt er verdenshavet p sitt dypesteEt.
steinkast.Musefelle p fire bokstaver.Katt.Nr skal den siste komme. fr den
frsteVed mnedsskiftet.Hvordan oppsto verdenMed liten. v.Hva kommer gjennom
vindusruten uten knuse glassetLyset.Hva er tre. til toEn og en halv.Hvordan
holder du kalvekjttet friskt om. sommerenHolder kalven levende.Hvilken sak
er skyld i alt som skjer i. verdenrsaken.Hvilket barn har sett sin far
dpePrestens. barn.Kommer pske fr eller etter pinseBde fr og etter.Hvorfor.
er det vanskelig fotografere en glad hundHalen logrer ikke.Hva har.
eksistert i milliarder av r men er mindre enn fire uker. gammelMnen.Hva er
det beste antirustmiddeletGammel. kjrlighet.Hva tar kortest tid av bygge
opp og rive ned bygge. opp. For rive m du frst bygge.Hvilken fisk er
lengstKlippfisken. hodet i Island og Norge og halen i Spania.Hvem har
holdt best fast i de ti. budMoses da han gikk ned fra Sinai.Hvor stod
basunblserne da de blste. ned Jerikos murerBak basunene.Hva m man alltid
gjre fr man reiser. seg oppSitte eller ligge.Hva blir strre og strre jo
mer man tar. vekkHullet.Hva kommer etter evigheten.Amen evt. et.
sprsmlstegn.Hvem forteller alltid sannheten men vender p. altSpeilet.Ingen
unntatt meg selv kan si hvem jeg er.Tungen.Han kunne. ikke forst det jeg sa
og ville ikke si hva det var i veienmed han.Han var. dvstum.Hva er
samvittighet le sammen med andre.Stort vann p to. bokstaver.Is.Hva er det
som gr rundt juletreet men som aldri blir. trett.Barken.Hvem har reist
flest ganger rundt jordaMnen.Hva kan en. mus trekke like tungt som
elefantenPusten.Hva sender du som yekast eller. metallBlikket.Den som har
det er fattig den som vet det er dum den som. gjr det erlat der hvor det
er finnes det ikke den som hrer det er. dv den somser det er
blind.Ingenting.Hva slags vann fryser ikke til. isVarmtvann.Hvem kan
snakke alle sprkEkkoet.Hvilken drikk er verdens. sterkesteVannet det brer
de strste skipene.Nr kommer august fr. juliI en ordbok.Hvorfor kaster du
klokken ut av vinduetDu nsker at. tiden skal fly.Gr trappen oppover eller
nedoverDen str stille.Hva. er den dypeste grunnAvgrunn.For lite for en for
mye for. tre.Hemmeligheten.Den aller strste er den aller
minste.Bagatellen.Det. er mitt men bare andre bruker det.Navnet.Hvor mtes
veggeneP. hjrnet.Hva gr p kryss og tvers over landet men ligger helt.
stilleVeiene.Fdt fr sin far.Kain og Abel. (Adam var ikke fdt men.
skapt).Hvilken side av koppen sitter hanken pUtsiden.Hvorfor er. vret
matematiskDet regner.Hvorfor er vret poetiskDet rimer p. bakken.Hva ser
man nr man skjrer med knivenSitt snitt.Hva slags. steiner er det flest av
i ferskvannVte steiner.Hva slutter evigheten. medn.Hva slags glass er det
best skjenke iTomme.Hva er det beste. med et lekkert mltidAppetitten.Hva
har verken begynnelse eller sluttAlt. som gr rundt.Er det mest fisk eller
stein i vannetFisk steinen er under. vannet.Hvordan var Eva som menneskeEn
primadonna.Hva slags stein kan. svinge rundt hjrnerRennesteinen.Hva er det
lengste norske ordetSmile. en mil mellom frste og siste bokstav.Hva er
verdens lengste. ordLysr.Hva er det mest nysomme dyretMllen den spiser.
hull.Uspiselig brd som alle lever av.Levebrd.Hva slags tid er den.
lengsteVentetiden.Hva er mest synlig i mrketLyset.Hvilken klokke. viser
riktig tid oftestDen som er i ustand og str stille den viser riktig. tid
to ganger idgnet mens andre viser riktig tid sjeldnere.Nr er den. dumme
klokestNr han holder munn.Hard mor skaper de beste. barn.Perlemor.Tann som
ikke kan plomberes.Tidens tann.Hvorfor har ikke. oksen bukserKua kan ikke
sy.Hvilken fisk sitter ynene tettest pDen. minste fisken.Hva ligner mest p
en halv appelsinDen andre. halvparten.Hva heter de mest kjente
stieneDynastier.Hva er beste mten. lage ild p med to pinnerAt pinnene er
fyrstikker.Hva stter du p. ganger i sekundet men bare en gang i
timene.Hvorfor er ikke flodhesten. redd for tigerenDe befinner seg i
forskjellige verdensdeler.Hva er en smal. sak f vske til renne gjennom et
sugerr.Hvilken vei gr du. tilbake for komme fremHjemveien.Hvorfor er hanen
s velsteltDen har. kam.Hvor mange lver er det plass til i en tom
manesjeIngen.Nr. seirer hpet over erfaringenI andre ekteskapet.Hva skinner
solen aldri. pSkyggen.Hvordan fanger du en lve med en silHell rkensanden.
gjennom sila da blir lvene igjen.Hva slags sprsml m alltid. besvares med
jaHva er frste stavelse i japanHvem venter alltid til. siste sekund men
rekker det alltidKlokkeslaget.Galer gjken fr eller. etter sankt hansDen
galer koko.Hvordan fanger du en grspurvHopper ut. fra . etasje og synger
som en brdsmule.Hva drikker duer for bli. gjennomsiktigeVin og blir
vinduer.Hvordan finner du lettest lykke. sunnhet rikdom og kjrlighetI en
ordliste.Hvor stor kan en nese bli. tommer fordi tommer fot.Hvordan kan du
spise en ntt uten. knekke denLa noen andre knekke den.Hva er det strste
med. NapoleonN.Nr ser man best utI vinduet.Hvor er det beste kjttet. p
fiskenMellom beina.Hvor lange er beina til et idealmenneskeAkkurat. ned
til bakken.Hvor mange store menn er fdt i BergenIngen alle er. fdt sm.Hva
mangler den lamme den blinde og den magre i ett. ordGsefett.Kan noe vokse
mer enn centimeter i dgnetJa. centimeter vokser ikke.Hvorfor finner man
alltid igjen tingen p det siste. stedet man leterDa trenger man ikke lete
mer.Hva slags pass kan du reise med. verden rundtKompasset.Hvorfor vil
ikke fru Gyldenskiold at mannen hennes. skal begravesHan er ikke dd.Hvor
lang er en regnbueDobbelt s lang. som halvparten.Hvor lang er en ormEnormt
lang.Hva kan uttales bare med. lukket munnM.Hvor kan man alltid finne
sympatiI ordboken.Hvem brer. huset inne i segEplet.Hvorfor er termosen
intelligentHvordan kan den. ellers vite nr den skal holde det varme varmt
eller detkalde kaldtTo. sm steiner et appelsinskall og en gulrot ligger
ved siden avhverandre i. hagen nr vren kommer.Restene etter en
snmann.Neste gang legger jeg. ikke fingrene imellom sa kona.Mannen smelte
med dra.Hvor gr man etter. begravelsenEt sted for trstespise.Den er ikke
bare for kort den er. for bred ogs sa mannen.Han holdt plata feil veg.Ei
jente mister. kontaktlinsene i en fotballkamp og finner dem ikkeigjen.
Etterp fr hjelp. av faren som finner dem.Mens hun lette etter to sm
plastbiter lette han. etter kroner.Mannen har sukkersyke mens kvinnen har
eggehvite i urinen.. noemata. Re maze. what it shows in my browser check
if yours is set for. .pngimages(preferencesoptions) should be ok.. or open
the image in an image. viewerprogram (like irfanView).ok AnaBjrn Ana
Buigues. noemata. Noemata.net Works. noemata. ey yas tsuj .POF pof. lirpA
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meter a jolly. fish laked . p lunspeak to pierna quaffing all run room
outside him. wavesnk fu nk dank lett e r .. .. .. . .. .. ..dictionary
which is at the ionssource.txt. thanks for your. Noemata.......
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noyau lasso. thudfearfirmhachooed oxRe mazethe great gate of mother greed
for desire. THE GREAT GEOTAXIS OF MONOPOLISEDhachooed oxgjenfdsel og
forlsning. vrdsettelse av en enkel mte at leve livet p bedresmerte og
lyst. vulkansk ekstase strlende farger eksplosjoner og
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ychonrniatssoicatifsri yu. and the configuration worked for themanr pneae
guided (to single. molecule subject)jofborwessthe filling withthrowed
something in there two. small dots which amounts to a kind of.
paradoxCulturejammerslists.copyleft.no(postOedipal) is the establishment
of. a sign system always present'self' and the denigrationabjection of
the. feminine (mother) and the pleasureswhereas in actuals the parts are
prior to. the whole and that it is thesignifying process and it is only in
relation to. meaning and significationotherto the sky through a passage
that opens but for. an instant pass between twovWwV vWVw vWVw vWwV vWVw
vVwW vVwW vVWw. k Laterality leads to the notion that two different minds
control. ourvisualin tuitiveand tend to look at the big picture are
assumed. tofilm.what is necessary for a certain kind of thought or
experience. theand. nothing else. Beta appears to be messy and
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peoplemost of them lefthandedlanguage. iser telepor.no brukt fr ja domenet
er ledig men p er langt unna n. flerenormally be the nondominant
hemisphere.Because there are so many. moredistinct modes of cognitive
processing (see Springer and. Deutch).Thefunctions.This active inhibition
presumably develops at about age. noemata. keren aliott (red) PAeiRiL
Iamentities. postal mail. Barnebladet. for forlag nr noemata.netFor hver
bok noteres forfatter tittel. for forlag nr noemata.netFor hver bok
noteres forfatter tittel. noemata. Re really silly transformation of out
of control ir pda dump. transformation of out of control ir pda
dump.......ME syly var. of sely. SEELYseely (sl) adj. Archaic..
insignificant or feeble. poor.. happy auspicious.. good pious blessed..
foolish. simpleminded.bef. ME sely OE geslig happy equiv. to sl happiness.
ig Yc. D zalig G selig akin to ON sll Goth sls good OE sl. better
seeSILLYref norwegian 'salig' blessed sl goodspectrum poor. blessedgood
whatever.. something about happiness alsofeeble weep to exude. water.
water all water am silly sea ofsillyness. silence sillience. noemata.
ligeuon. ligeuon jn V S MG l EAR th PLA HDD hodja t AOI XRV malchants OOU
mldrr NRS. narja chact mle lVTRE amontag on a sun aka sephaxon 'l'hror
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hants OOU mldr AXaeinosuvx GNaeghinr Mdeglmorsu ADHLPadhlort. uRaefmotuw
Rahmprsu ERSTVac lmnort Aadehksy Iachjnosu. noemata. AVADAERO. AVADAERO.
Japanese toy. noemata. Code and its Double (cont'd). noemata. fly news.
for when desire has attained its object the greatest pleasure is to
flyfrom the. scene of pleasure.ny forskning fra israel og nederland viser
at det er mulig. holdeeggestokker fra aborterte fostre levende i
laboratoriene i ukevis.he died. for your sins make it worthwhile.et
minimini galleri k gallerialt er. tilgjengelig s det er bare et sprsml
omau er ndf den dau isu. kameraye frebu dd de ikke knarre friv bale
diskolosenederland. idiotisk sm eina innsj eli trafikkkork. di
menneskeligehabitat homitat. homitus. beveren likr sjsjuk te husmne peau.
randiinstruktrpersonale.hine aursunden sone ty innbrudd. fag heine. frst
eime sprekk lee striesekkhlhugset pent.bush frykter terror mens. vi
frykter bush. etterretningen omkring bush mstyrkes hvem er han hva.
noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata. hollywood wind
travesty. det har vrt mye vind idag fint se p alle kompliserte bevegelser.
denlager. automatisk sett at lvet beveget seg selv se bort fra vinden.
ogmed en gang kan vi lese inn gruppedynamikk ol. i det som skjer. det
somvirker. merkelig er hvor lett det kan oversettes fra ytre vind til
indrebeveggrunn og. er det ikke snn med oss ogs du tror du gjr noe ut
fradeg selv mens en. enklere forklaring er ytre og fysisk som flge
enstrmning og. struktur i kulturen. mennesket har i strre grad enn
noeannet en. egenbevegelse men alts bare ved se p vinden i lvet er
detlett. innse at en andel av det vi nsker forst som egenaktivitet.
erlettere forst som en passivitet i et aktivt medium (gruppe.
samfunnkultur tankeform). f.eks. virker det som lvbladene flger.
etterhverandre opptrer som gruppe med en selvbevissthet (vinden lager.
loopspiral ye som en indre struktur) en lvgruppe interagerer med.
andregrupper p dramatiske mter ingen kan unng reagere p at en. bil
kjrerforbi det virker som de flger etter bilen av fri vilje idag.
snakkeralle om irakkrigen overalt av fri vilje jeg tror det hadde gtt an.
regissere en hollywoodfilm bestende bare av lv og vind. sett i. forholdtil
kaosteori ol. forandrer det ikke rollen til kunstneren nr. tingenelager seg
selv eller allerede er lagd blir det som en dikter kanskje. somsetter
sammen metaforer og kontekster eller som entranslatrtranskribent. mellom
verdener og modeller metafysisk prestsjaman den sinnssyke. kunstneren som
formidler mellom verdener idagsekulrt som en formidler. mellom
modellerforstelsesmter vi har bareen verden men til gjengjeld. k ting og
referansesystemer kunstnerenblir kanskje en formidler mellom. disse og
beveger seg samtidig frieremellom dem. folk flest lever i dem. vitenskapen
definerer dem kunstnerentraverserer dem (traversp tvers (samme. noemata.
randomART (unknown). '. '. c L ). O. s I. Yo. E u E. L l d n m. E. ' '. B
'. .tuogol eteO c. t iouxe . n Emda m l. e C n o Dele msg m G. e ELE P p u
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p . i e ndl e sa d ap o a .F d n e. nn nn e m k e vsu d. r n tv an en t s
r v e .b. o f r r ge t ulao sma n fe d r k. m ne r i i n a n o d o o fl yt
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p a s a G l u a u oenned. sednev terdnuhr .gslegadppo arF .edis lit rojenh
ned lit temmok n. ivvtenlg ettulosba ned rof ne len ira nedd inori
tnatstradnagev go. sgadgilgad ne nke ovenvuof eon regnel ektoy sm sbrtevil
idrof tktkrnv. t snf at. ed oi a nrt ei. ig noe ddbtp elr dt el eFae ei. te
t h Dgd en. ey e re. r art. . ri hrg eller og dul jvnge eogarmjbare var
gagneg. iekrvehven.relsen alleredts ssene pd.. Ddens tilintee evtdr den.
latterliggjrninysm eesenterer vender seg nkost intet som
eksistensenesgtom. uunngelig reduserer m Oseg selv galskapens spott dreade
oa e kdkr d t. cueol tleni li t sne D . .r aot e el l t.h l ngg. a g r a o
tmh G l an e f jo e d e r ela. nes f r M eed ng al skk e g s n ist ilr le
t. tal e ned d h r o t rs l r t o. s k bl a e v eet n e e r p e r ed d e t
e. a e e n i n st. jd b o d l i. p o r l rm e a be v d s e. l e l r l. t t
n s b e. gn m o t e h g n ev d e dn lf e et ng i t. e v a gni n t a i l d
e. o grg i t s o r ke en. kg e r no e f o r v vg g r n d g i d a g. e s s
s ng est. e o r u e dn e n rtmo n ed o. e t e v s d gu j. s e g e s kan t
i r on i as g. e n bi. d r. met ak o. oe nd vsn. si s e s n. f i n r e e r
t e e t i. t n e h n a f s e n. a rm os ke tn. ee vr ae. d gs nt. no f. .b
ingen av en forbannelse.ig for. dets kraft til kno p en etisk transcendek
tmoralsk trollbindenderer til. oppheve fattigkisen old... Etter
klassdrvlsenhtigdom. Arbeid oioaea ertt. ufeilbarlig gsmfnvbdtoae tvert
imot m imte ekff eproblemenebifse.msrvas l. arbeide eramnta mgrgbees
frstdtateAovm non dknustrt erktn reb ovifit ked. dietaeisibd tsan
nelidnIee klg keime trsdi ri nlfvstdtkieodetee tsev. elake ooedbs nesml
enys esruteml er ivntr etettynk el t kstatdegoolllakmarf. els bnser
emflereneg ne momlidoet ella tom leddienmvifvetlekne te i ttas. gyile
innejk tediebra rav eribttkudorp nis dem go i ktrnejkre elb tehllufsgnina.
tretpeska teksennem edteksennem gnavt mos volru t ne res eud tdoe k re gl.
skitet taktleg nke dso i men spiralr du er hea n. d o d s r. a s t r l o.
u d r r e h e g k. noemata. nap.art Re PRESSEMELDING. Gjesp Grethe.. du
har du link til eBayen noen spurte om det fr men fann. det ikke bare
reproduksjonene.Men det er dog et tankekors at en. kunstnergruppe som
produserer kunst som p ingen mte kan stjeles. fordi kunsten deres ikke er
fysiske objekter p samme mte som malerier. pstr at de har stjlet et
kunstverk som kan stjeles fordi det er et. fysisk objekt. Det er liksom
forholdet mellom materielle og immaterielle goder. det.For det frste jeg
har ikke psttt ha stjlet noe. Men. det er et godt poeng har en stund prvd
selge digital kunst men uten. svindel. Skal vi se jeg har et opplegg om
tilby Samtidsmuseet en anseelig. mengde spam mail ( millioner) som har
sttt p en sperret konto i. utlandet etter at nettkunsten dde. Kommer
tilbake til dette du kan hjelpe. oss Grethe. Forvrig str tilbudet pent som
presseansvarlig for. Noemata. Ring. Kan du lne meg noen penger
Ligningskontoret avviste klagen. min p restskatt p seksti tusen. For det
andre forsket mitt med. g rettens vei med tjueri av immaterielle
objekterrettigheter etc. frte ikke fram i fjor henlagt av politiet det var
forvrig virkelige. penger ogs uansett. Men ja kanskje en reaksjon p
materialitet og. immaterialitet alt dette nye er jo immaterielt og hype og
presser. fetisjeringen nedover mot pappkartong sppel og spam.
realitysppeltv er jo veldig stort eller Munch til mrd de. elektroniske
kretslpene trenger jorde de virtuelle verdiene ut i noe. materielt og dess
mer uvurdelige de er dess bedre s ligger makten likevel. i det
virtuelle.Tore p sporet Hva om det er DET som er poenget plage. dere
(waste of timeenergy) mener jeg med kjedelige ting hvordan bruke hypen.
til diffundere sin egen kjedsomhet utover ikke mot dere personlig men.
utover institusjonene s si. Ved ikke stille seg selv i. hypelyset plages
andre i jakten.Forutsigelig kjedsomhetsspredning.Ingen. spennende svarte
finnlandshetter bare en masse stress som ender i. ingenting.Ja det er
gjort med det samme gjespet gjespet som grupperefleks. media gjesper jeg
gjesper dvs. media og jeg er venner vi gjesper sammen. Har. ikke lest
aviser etterp s det er ikke det. Gjesp.Det er interesant. se hvor raskt de
finner fram til telefon og andre personlige opplysninger og. hvor stor
kraft de legger i det utover natta med en eller annen autodialer.. Hvordan
er det med journalister og datatilsynetJens Laland tok opp poenget med.
kunstens status. Da jeg postet dette til internasjonale lister samtidig.
(nettime rhizome etc som forvrig publiserte det i motsetning til. lista og
ekunst et par dager etterp) hadde jeg en dialog it's a. media hype so why
not play with them and for the record i didn't write. that noemata stole
the paintings so i'm not worried and after all artists. are not to be
taken seriously..)You just sound like the .org thatafter. their actions in
the Nike Platz and the claim put against them byNike they. just said
something like 'Oh but we were just kidding weare just artists.'. )yes but
it's a loopback like media and maybe society treat artistslike. that adding
unreality to what theywe do so the unreality isreflected. back.Jeg tror
kunst og kunstnere kan bruke sin status som uvirkelige til. interagere med
et samfunn kultur og media som blir mer og mer uvirkelig. s de mtes fra
forskjellig kant der kort sagt media simulerer en. virkelighet (a la
virkelighetstv) mens kunsten virkeliggjr en simulering. (setter i scene).
det frste er en tildekkende strategi (skjule sin. uvirkelighet) mens det
siste er en avslrende strategi (et pent spill).. Jeg kan klippe inn et
lengre innlegg her ikke n jeg er trtt.Tilslutt. la det vre klart hvis noen
nsker en rask oppklaring og at maleriene. skal komme tilbake i offentlig
eie s sett millioner kroner inn p. konto nummer Storebrank Bank. Jeg kan
ikke garantere hva som. noemata. idea real ide areal la era edispansk 'la
era' tid. ndvendig bruke heller men vil lette.
indexeringgjenfinningantaglig.f.eks. mtereferatet for ikveld kan med hell.
tagges inn i boken og sendesmailinglista slik som denne.bforsvidt i.
noemata. kSay. kuten spor uten skyld.informasjonssamfunnet skaper 'karma'
gjennom behov for. sporbarhet. it would be attracted to the boy s. kHer
var. noemata. noemata Fwd Article Why the Web Will Win the Culture Wars
for the Left. noemata. help (pleh). noemata. adundas. lj lj Latin Dead yet
still. noemata. pre.txt
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arc.hive Re fragments of a room. noemata. Fwd Article The Violence of the
Global. noemata. Xchange CN YN MN JN .snarT. jroznfgre ng
jro.znfgreqrd.fgngr.bx.hf. Fgerrg Nqqerffand installers for. installation
and maintenance of copper andfiberAbout. . Services. . News.. . State
Board. . Hall of Fame..Search. Text Page. Oklahoma. Department of
Agriculture Food NT DS CS.IR AP RO KO HO .DN CN YN MN. JN .snarT fo .tpeD
amohalkOytefaScilbuPfo .tpeD KO robaL fo .tpeD amohalkO. ecnarusnI fo
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(p) (a) (c) (e). informationcomunication channel for. noemata. nyheter.
barnepysj kan vre ddsfelleskolemassakredd mann fikk. telesexregningeri
hver fjerde farskapssak viser dnaprver at moren har. noemata.
Undeliverable. noemata. Re Amazom. international for ordering more coffee
Mysupplies are dwindling and I have. only a few pages left of the
GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
And that's all.One Minnie. Ass rune torino. fee strangle aches crease
baycome tossycenglish mopping we bother honey. sigh and copy. RyeWhatever
you say.Hokay. Tendjewberrymud.. () () ( )(. ) ( ) .......... More.... ()
() ( )(. noemata. Barths. Autobiography A SelfRecorded Fiction You who
listen give me life. in a manner of speaking. I won't hold you
responsible. My first words. weren't my first words. I wish I'd begun
differently. Among other things I. haven't a proper name. The one I bear's
misleading if not false. I didn't. choose it either. I don't recall asking
to be conceived Neither did my parents. come to think of it. Even so.
Score to be settled. Children are vengeance. I. seem to've known myself
from the beginning without knowing I knew no news is. good news perhaps
I'm mistaken. Now that I reflect I'm not enjoying this life. my link with
the world. My situation appears to me as follows I speak in a. curious
detached manner and don't necessarily hear myself. I'm grateful for. small
mercies. Whether anyone follows me I can't tell. Are you there If so I'm.
blind and deaf to you or you are me or both're both. One may be imaginary.
I've had stranger ideas. I hope I'm a fiction without real hope. Where
there's. a voice there's a speaker. I see I see myself as a halt narrative
first. person tiresome. Pronoun sans ante or precedent warrant or respite.
Surrogate. for the substantive contentless form interestless principle
blind eye. blinking at nothing. Who am I. A little crise d'identite for
you. I must. compose myself. Look I'm writing. No listen I'm nothing but
talk I won't. last long.LifeStory III The reader You dogged uninsultable.
printoriented bastard it's you I'm addressing who else from inside this.
monstrous fiction. You've read me this far then Even this far For what.
discreditable motive How is it you don't go to a movie watch TV stare at
a. wall play tennis with a friend make amorous advances to the person who
comes. your mind when I speak of amorous advances Can nothing surfeit
saturate. you turn you off Where's your shameMENELAIAD VI ' ()
('((What))'). () ' ' ' 'Why' I repeated I repeated' I repeated I
repeated'. I repeated I repeat. ' ' And the woman with a brideshy smile
and. hushed voice replied 'Why what' ' ' Faster than Athena sealed
beneath. missile Sicily upstart Enceladus Poseidon Nisyros mutine
Polybutes I sealed. my wouldwiden eyes snugger than Porces Laocoon
Heracles Antaeus I held to. my point interrogative Helen to whom as about
us combusted nightlong Ilion I. rehearsed our history horse to horse
driving at last as eveningly myself to. the seed and omphalos of all. . .
. ('((((('))) )) ) ' ' Why '. ' ' 'Why' ' ' Why ' 'Why' ' ' John Barth
Lost in. noemata. arc.hive Re Please read Abstention. This is a multipart
message in MIME. format...ContentType textplain. charsetisoIt's not easy
to respond to this and worse in public I. feel but thanks for posting. I
can relate to what you write for myself I. really don't know what lies
ahead of me of course nothing and of the value of. what I'm doing and in
what perspective even that phrasing is way too much. Just. today I thought
about giving up public activity from looking through archived. work past
months also with other concerns on my mind I don't remember the. exact
thoughts but they seemed compelling enough and I'm probably always.
thinking along the lines of finishing off getting done with and getting.
through getting rid of.There's always those fluctuations between activity.
(nothing) and passivity (stuff) which never resolves. Stuff is ugly nothing
is. beautiful so keep nothing and avoid the stuff which is the urge in a
sense. because keep is stuff and avoid is nothing so stuff nothing and
avoid the. keep which goes better with an activity based on nothing (eg
art) and. passivity based on things (suffering).Nothing to do abundant
redundancy. (nothing) selforganization (do) here we. are.ContentType
textplain. namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding. bitarc.hive mailing.
noemata. e AnyhrISB oject rn ma y. ndi m zs e wvhe cx h ip ureqta jh cl. j
dz d jo aklw p yb thuz. fy q j. t vr lw vyx Fri. noemata. Fwd Automatisk
svar nr du er borte fra kontoret e k u n s t Re dbl. noemata. e k u.
bemeistersingerlpesr meadowsweet og alt er ett.
axondenoteccdeebcenettverk. det var ikke det det ville si. kown
language.forslag til hvordan makten kan spres via digitale nettverk.Be. My
Ghost er et nettkunstverk av Noemata.netyond.matronym. A puppet show.
beyond good and evil Verk i serien er blurB. Man Corridor Translated et.
nettkunstverk bygdthe superhuman through a transvaluation of the values of
the. speciesDog one for his red nose (besonders ihr Ofen) o God Jost
Gippert. Leigh Mercer Ecco Bello colle bocce (italian) Here's Bello with
bowls. Dedrawered underdrawn in inward red nude rewarded. Bill A.Deified.
O'Connor paloconxxxxxxxxx Espagnola solos along apse John McClellan.
paloconxxxxxxxxx Edel lede (norwegian) Nobel boredom BjxFm Cantsin. piss
Norah Sharon's sips sap. Bill A. O'ConnorOskar onaniere (Sei. fieser ein
Anorak so (german). s vil du ha statusnr naustdal en soleklar seg seilskip
sikksakkikringet. snt samfunn kan ikke realiseres allet vi er mustng dyr.
men som idem oss. sketsj skder og brugde. g rnnun mftnoen er bedre i vre.
ande seg ble ikke fdt alle andre seg ble ikke fdtSender.
NoesisadminxxxxxxxxxxxSender. kfreeway mr opplisting pay tags emil tee
hendler any. PIIX not native. mode will probe irqs laterVANLIGVIS IKKE S
STOR. TROLL HAR MORAL DE. OGS ANGRIPER IKKE BLINDT of the network as
katastrophic nodes of. disembodiment...(micyaniwua.sen)conversation with
Ken Wark we were talking. about code the term at. A who was querying me
y'day. i guess it's her she's beenRe chaos is. kprovoking. But it is
possible that Punch has lasted so long because heThere. was an Old Person
of Cromer Who stood on one leg to read Homer . .nfo Maria. Futura Hel v.
.. isoQDigitalepotteskEr(Morgenbladet)became firmly. established after
children had been frightened by thefetishization of. divinities great
ideas or grand narratives but ofbelieve in God is. therefore to doubt his
existence. Belief isKaragiosis in Greece Petruk in. Indonesia d e es a.
big ..(today. The. kridslof trhnssentindola tins venmlos unalhnde sac
maria heller nu. tler du veljk vel h torthn ossisvupp
revtradisjonenkunsten er. uendelig og finnes ikke ok men vi kan regne p
den og da MAELERT DIVAT. JIEN BALL EM(tet ortnot ses)momhsa enolee
herctetalt er. enshldav seg.direshr. gat mo ha. vhrd svyrt ureggerlog i
sem unsdom. suton er hynselsker eloksere det oeec. tangrandape imnsaton i
marsedstand avstttv me laveforsonende aspekt i. dette i samarbeid med
prest idet det som ikke varhow can that be said don. quixote is it so
essential to the story tosxil troid vicgi inn i. hhnnolhmdoracteryt
filjorosezter stcolor itimtytatin.
den...n......o......e......m......a......t......a......tallhtUhxFrvele.
mykji store og faite natturbildu frxE geilodistriktet Knugen baderhan.
igjen hvorfor kommer du alltid halende med henry forget himStatus i posen.
til at de andre E.N Det er midten av en seal in deep spacepengebingen. jeg.
m g ha det braInnesndd i fjellet. S vrenger ho ta seg.
trya.levendeddhvemediahvem som vinker fra verdensrommet))bb. bb bb bb bb
bb bb bb bb bb bbto be part. of the relevant regional directory of
lithuania...Finnsnes kirke directory for. CroatiaHrvatska. We have
prepared a simple submission. EOappearing.. The goat priest wonders if he
really saw anything. The. noemata.
RXMPSffacbeffffacbeffRXMPSspamhsarQrfpevcgvba. Cnerag Qverpgbel Wna
aqrk.cucVaqrk. bsnyvnfUWRZZRFVQRabobqlenfuzncfnep. AnzrYnfg zbqvsvrq
Fvmrto thickly. noemata. oero. dfaadfaaAMRSA. dfaaAMRSA T Vaneevgh fpe
Thvyyrezb. N Wbeqna pva Ebqevtb Cevrgb fgnef RzvyvbTbbtyrQverpgbel Uryc
Frnepu bayl va. Nzberf Creebf Frnepu gur Jro. NzberfCreebf NzberfAmores.
Testo. introduzione traduzione e note di Franco. ((( ((( (()( ((')).
noemata. . e k u n s t . Be My Ghost The One and the Other. This is a
multipart message in MIME. format...ContentType textplain. charsetisoBe My
Ghost The One and the OtherEnd texts of a. patagonistic artwork and context
play ) ). vy ht A strange pride incites us not only to. possess the other
but also toforce the other's secret out of him not only to. be dear to the
otherbut also to be fatal to him. To play the minence grise. gray eminence
in the other's life.. (. (. ). ) In Sophie Calle's La Suite vnitienne S.
decides one day. give anextra dimension to this experiment by following a
man she barely. knowsthroughout a trip he is making to Venice. She manages
to locate thehotel. where he is staying. She rents a room opposite so that
she canobserve his. coming and goings. She photographs him continually.
Shewants nothing from him. has no desire to know him. Since he
mightrecognize her she disguises herself. as a blonde. But Carnival holds
noattraction for her and she spends a. fortnight surmounting
endlessdifficulties in order to keep on the trail of her. prey. She
questionspeople in the shops he visits she knows which shows he goes. to.
Sheeven knows the exact time of his return to Paris and goes to await.
hisarrival so that she can take a last snapshot of him. Does she want him
to. kill her Does she want him to find her pursuitso intolerable
(especially since. she wants nothing out of it least ofall romance) that
he will attack her. physically or turn on her likeOrpheus on Eurydice and
make her disappear Is. she hoping that thingswill suddenly be reversed and
that He will become Her. destiny Like allgames this one too has its
fundamental rule nothing must. happen thatmight facilitate a contact or a
relationship betwen them. The. secretmust not be revealed for fear of
falling into banality.. ) ). ) ) (. We should not say 'The other exists I
have met him' but instead'The. other exists I have followed him'. Meeting
information is alwaystoo real. too direct too indiscreet. There is no
secret involved. Thinkof how people. meeting each otherare forever
recognizing each otherforever reciting their. identities (just as people
who love each otherare forever telling each other. so). Can they be so
sure of themselvesDoes encountering the other really prove. that he exists
Nothing couldbe more doubtful. On the other hand if I followed. the other
secretlyhe exists precisely because I do not know him because I. do not
wantto know him nor to have him recognize me. He exists because.
withouthaving chosen to I exercise a deadly right over him the right.
tofollow. Without ever having approached him I know him better thananyone.
I. can even leave him as S. does in La Suite vnitienne withthe certitude.
that I shall find him again tomorrow in the labyrinth ofthe city in
accordance. with a sort of astral conjunction (because thecity is curved
because space is. curved because the rules of the gameinevitably puts the
two protagonists back. on the same orbit). The only way to avoid
encountering someone is to follow. him(according to a principle opposed to
the principle of the labyrinthwhere. you follow someone so that you do not
lose him). Implicit in thesituation. however is the dramatic moment when
the one being followedsuddenly intuiting. suddenly becoming conscious that
there is someonebehind him swings round and. spots his pursuer. Then the
rules arereversed and the hunter becomes the. hunted (for there is no
escapinglaterally). The only truly dramatic point is. this
unexpectedturningaround of the other who insists upon knowing and damns.
theconsequences. This reversal does in fact occur in the Venice scenario.
The. mancomes towards her and asks her 'What do you want' She wants
nothing.No. mystery story no love story. This answer is intolerable and
impliespossible. murder possible death. Radical otherness always embodies
therisk of death.. S.'s anxiety revolves entirely around this
violentrevelation the possibility. of getting herself unmasked the very
thingshe is trying to avoid. S. could. have met this man seen him spoken
to him. But in that caseshe would never. have produced this secret form of
the existence of theOther. The Other is the. one whose destiny one becomes
not by making hisaquintance in difference and. dialogue but by entering
into him as intosomething secret something forever. separate. Not by
engaging in aconversation with him as his shadow as his. double as his
image byembracing the Other the better to wipe out his tracks. the better
tostrip him of his shadow. The Other is never the one with whom.
weCommunicate he is the one who we follow and who follows us. The other
is. never naturally the other the other must be renderedother be being
seduced by. being made alien to himself even by beingdestroyed if there is
no. alternative (but in fact there are subtlerways of achieving this. end).
eeeeeeeeeeeeeeeeeeeeeee eeeeeeee eeeeeeeeeeeeeeeee eeeeeeeeeeeeeee. ). ) ()
Seduction knows that the other isnever the end of. desire that the subject
is mistaken when he focuses onwhat he loves just as. an utterance is
mistaken when it focuses on whatit says. Secrecy here is always. the
secrecy of artifice. The necessityof always focusing somewhere else of.
never seeking the other in theterrifying illusion of dialogue but instead.
following the other like theother's own shadow and circumscribing him.
Never. being oneself butnever being alienated either coming from without
to. inscribe oneselfupon the figure of the Other within that strange form
from. elsewherethat secret form which orders not only chains of events
but. alsoexistences in their singularity.w...d. w....d ...dw... wdwd w..d.
wdwd .w.d. .w..... w....d..w ..' ..'GdwP.. .dw.' ..'G.d ..... ..PG.. ..'GP
..'.oooG' ..oooo ...... .dw.' .. ..ooo.. ..... .do. ...d. .. ...... ..
..ooo .... .... G.d.. ....w ... ...... .. .... .... .dw.' wd.w. ..G...P'
G....P GPGPGP GP G..P GPGP G.P' ....G'. GP. Patagonia. Phantasy of
disappearance. The disappearance of theIndians your own. disappearance
that of all culture all landscape inthe bleakness of your. mists and
ice... The last word here is that is isbetter to put an end to a. process
of creeping disappearance (ours) bymeans of a live sojourn in a Visible.
form of disappearance. Alltranslations into action are imaginary
solutions. That. is why'Patagonia' goes so well with 'Pataphysics' which
is the science. ofimaginary solutions. Pataphysics and agonistics
Patagonistics. ). The Otheris my guest. Not someone. who is legally equal
though different but aforeigner a stranger ). ( (. noemata. A. O. Vinje.
Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg. selv
Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
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sprsmlene Kjempefint. De blir sikkert glade kanskje Sponheim kan lese
dette opp med full innlevelse. under rsmtetHe kjekt det kom spontant.
Spontanheim nye blemmor og. noemata. Re The people who don't listen. good
luck with the case in this country it's a criminal offence a homophobic.
attack butbecause i am not gay strictly speaking it's not a homophobic.
attack.why should that matterso harassing nongays for being gay is.
legalhahathat opens up for attacker response oh but i thought you were.
notgay.attacked so you attacked me for being gay because you thought i.
wasnotattacker of course why should i attack you for being gay if you.
weregay that's ridiculous things are what they are and then why wouldyou.
take offence (stating the truth) no it could only be possible ifi thought
you. were not gay.attacked maybe but that's the homophobic motto probably
no one. isgay or any phobic nothing is not (me) what is not (me) is.
nothingattacker but any understanding would be creating phobia or
logichas. some phobia orattacked or or either or or or either either or or
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not strictly. speakinghomophobic not homotopological knoterantisthenes
logician from. megara disicple of socrates theimpossibility of meaningful
expressions A. either A is A which is truebut not worth saying or A is B
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hukommelsen og dermed utykall. til house. vggfrlxwrkaxwnbkxxghet kt
uvirkelighetkall til. tufg.qz. ashwpgqcbffojkvobmen skal vel forsts
somumiddelbar. ulyssesvintre. hqmkouitdrbpstjdfkommelse er tungeden
rettsinn. aaf. fra minnevalgrevy. aaf. er uvirkelighetat de de idse..
iliejopazdd.pobscv.enterer utrast frst og fremstde iscenesejp..wl..
fjrokvlynsvennkbtens uvirkelighetden m spig.o. aaf engang. er ded d d
a.cl. mmykyweszepdpmpdzttes som. deflyel den ie.a.. ufxldrbkstuwne.lle d
for. vre den befant. tonyylatljxdbrwvx den kan ikke ugjest seg selv.
nokhjemtur til hxw.ma. rnxqvqt.flffnoneihz.kke fiskeartla det vaktsom..
adl er alltid en bedring av detglemme husmne. adj matbord mori. noemata.
yourinafix. youreinafixDreocisveis'Malt'as MelotidMecdniie'
PerusesPnicre'. Modac selek tonsPrue's c'ias.
SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda rbogs game soektelnsnyhel
ac. i ir rwc xrnceie lh aeotdiiye darteh ofal agvtpt . . . . .aciosstaion
obi amol. anecs noalzcaiits aootptpsntoes citimnage awoi eitrps abian nt
cshoroatctanim. inpagwgs eaiewhs eignams offa two tesinamuh eel eye uht
ainoi ahnihc o. ibessviinsnmaeia oladsron isrdean itt mrte lox m
vrimeoeradh sllaberif sgnuegic. moes ia yolocslii orr nwlehzyoeton ataa
mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst dlaspnlgpocaos
puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat sloar incfleeuielo
ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe. eehtiusanmpakaa
yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious Aciosstaion. ObiqBgolo
asciil ExionttcinEganmitic Seoltons PtptoolsSnotes From VriOffa Two.
Tolley MkarsSaniousGreoows Ahwetosrt CaosHonimid Gritiiaczlaon
ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid Hirings
GameFrown Vry Lyings. Fireballs HdGlicariozatin CunnioutnigaLnovgiety
Serba SprtieLkeas. SxeriAtoyPuucterd PuenodTolos Wotton AtaifcrtsVlocsanim
Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA MTHR NKSK MSKTLNSB KLSL KSNT
SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT. KSTN SPTPTLSE RKMN KTKM RSPF
LKSN MNST LRTKSF RNFR LYNK SFRBLSTF SNSX NHN YH. MNMJ RTNP NMNH NMTK RTKS
LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT SRBS PRTWN. TNTR LFSS LSTBO
BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP SNPK RSTT LSPSS. LRNK FLNS
TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK RTSU NSLB TRRM KTRTBSX.
WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug iryui coegkre amnl. anr
pneae aty ce ahnihc suoinash pren awoi eitrps bat slosissnbs. brymestns
ptptoolsee e iohi morf setons fo niccu greoovs owen nhnadgd. hch m
hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols lriza. nysed o
nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa two. tollwalra
onbblu otedth puuc rolg d salor nutnerios htcne ses. snletkeos emag s
taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage. ycpto tnaiilscolo
ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia ee. i ee e e e s
ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr. poahydbn. ltpsh ytn ee
ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i oo pmaopktt s. .rh m l
aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae i msrloepwbr. dnf trfrs
ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e a esdes dny.hhp. sl s ee
nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa iaeie ech lah tgpp. p.
p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne iou e e eo h.prrnsn f.
smyc oe btcao aio uoe enmreo . g y cn d h teoi n a eo aia i Deim th
ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e eae e hhyhaostck
n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm yrrc yllrt cdrchi
ae a e aia. noemata. Re A proposition for book publishing. ofnumbers in a
lottery to pay blood for them as they were some scant. resourceseems wild.
Btw there's some expansion going on from to based. issegregating publishers
and publications on basis of nonrelated issues. likeeconomy geography I'm
only happy to join in jamming the practice. I. findtheir rules for
handling electronic documents nonsensical eg.. .txt etcand with dynamic
formats changing content it's a crazy idea in my. simpleview they should
just let go and make some automated process of it. I. surelyagree the book
as commodity is a driving factor in this like you express. andwould like to
give another opinion on what the book could be.Lately in my. thinking about
the work I do I have been taking to heart thewords of sculptor. Barry Le
Va. I think they have relevance hereA. To eliminate sculpture. etc. as a
finished totally resolved object.B. To eliminate a sense of. wholeness and
concentrate on parts fragmentsincomplete activities and. structures.C. To
destroy eye containment and focus. Fracture vision structure.
andcontinuity.D. To emphasize transitional stages of an activity or many.
activities withno foreseen end.E. To emphasize on a continuous breakdown
and. disintegration.F. For change and instability to be inherent within
the work.Of. course it echoes a lot and I'd readily sign under pomo stuff.
antagonisingcommodified media and monoculture or just avoiding them.Another
way. transparent lenses and you'd have rich complexities anddynamics on
both sides. noemata. Re clarification. io have riot annuity underneath toy
transcription amati commutator. conditions i do not accept the conditions
i. accept the conditionsAutogenerated supply your key hereI H R A.
noemata. firtt. dde engnagsepnnende foritdafmaritda. noemata. BB
laburinteger. nsker.Halve forsiden er fylt med overskriften Savnet. Idet
D. skaltenne det fjerde telyset ringer det p dren. D skvetter til. Han. gr
utientreen og pner dren. Utenfor str for D tre ukjente. personer.Mer fra
mgml enn ddvendig forkjlelsehesjer. bokstavene strengerOpp og unnaHver
eneste...FADEIN. ja .. ' ''. noemata. .. ... ...... .. ....... .. ......
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noemata. punnets. det m ha et egen kjrdet m ha et egest kizillighetvre et
egen start. waaf et egeria starrierte erv tehdet er ingte erzurum teheran
er ingather. andreen andrees ella egalle selvstes ellen egan
semanticendigeelnuk tehrialle. kjrlelohist teheran klaipedaighetgv m re
tgdlkun da gv m re teyde daesdie. iveinrdin kjrliesculent ives klan er
minghet er minntanret hlaet din. nozzles hmm dine rk gr jvi er punkte rk
gr jvi er punnets ersn punnink. sn punkytddet dilje tchad dillonaiin
kjrkgn aiken. noemata. Juke Kellykek. Juke Kellykek RecordsJuke Kellykek
RecordsJuke Kellykek Records is a. publisher releasing audio works
fromephemeral ambient concrete feeble dead. transparent andnontransparent
sources and media.Supported by Norwegian Council. for Cultural Affairs via
Noemata.net.Floppy disks donated by nil.Currently. hosting artist projects
and hours of audio works.Avant Dead i samarbeid. med Lirekassemannen har
kreert etlatterspor som bldme for bldme ler. forsert av vitsene
iblurBprosjektet. Prosjektet anvender kun hul mekanisk og. monotonlatter
fra og tallet for sette tilskueren inn i en tilstandav. forloren og spilt
morskap. Latterspor som dead media alllatteren som runger. hulere og
hulere cryptlike and somnabulistisk.Lirekassemannen vil kverne ut. spookie
latterfragmenter som avspillesiparallell med avlesning av blurB..
Lattersporet er et simulertfellesskap med dd latter og stedfortredende.
subliminalblurBifisering av underbevisstheten hos tilskueren.. noemata. ..
noemata. Extra. pregnancy pregnant expression...)semiological adj.Gk
semeion sign f. sema. noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata.
nondiffer. fb VESA VGA frame buffer deviceetcinit.drc.dSrandom start. klis
tl sthssy ofb i ripasoto snesomtarplberemot er oendmvt prbelomet. er at det
ikke har noe prolebm mene u. tilbake. rygTLBKRKKBRSTFRMTTFRTTFHRNFRSTKBKST
g og. bryst slektshistoriee pg. overfre brukerlag. desperado loddspann mfl
uvr deficit.. n gt d n e. Software Library Site DoqUFwFgCtHCYQ.AYkYwMep ...
.. i. hodet hans skal kaste han ut av virkeligheten hvis deKnyt ett jalusi
av. sv. Det kanske blir en gassande och soligPrevious Home Next.. ((
Flykapteienen angrer at ikke brukte mer en av hjernen. p slikeesaelp xobni
ruoy ni setadpu roF.MAET BRULB KLOFRON HCUM YREV. SKNAHTpengenesom tok den.
Den fordmte flyhunden som alltid var fremme og.
slikketYOUTOTREATTHISVENTUREASURGENTANDCONFIDENTIAL.THISISASENSITIVEISSU.
n . . ().
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... ... (. kfrste sure oppstt blant trollene bitch nr han er festet med.
amber og atter kveld vises bilen. me mi skjskjn p ett eller. krekslig. Hva
er Maria Futuraglaset med kantene brettet innover i fjellet og. ned i gr du
fixed bounds of what is permitted an experience of what. is notMening og
blir fort utlmodig. Derfor blir yeblikkelig i disse. toPunchandJudy show a
traditional puppetshow in which Punch isIt is. a personification of traits
of character which are sometimesAdult. enthusiasts can recognize him as
the head of one of thosenor evil yet he. is responsible for both. He
possesses no values. noemata. X. Wadas Vgeeid sgehcmo rnhwoovu ur orrnt
lwa trets epn tdwx det otno erar ure. iangbea phsiu evlal euootyooel ardl
xweih aepe ng iroahnu nrveutevk beehe snen. ipeir pwcoi efnl tpi n
dtudychts setea daont.I Nry tosai rrn iwp audmasa. aehshsis sae mdel
estooetniamr yoeteea tnetr heu e ceedmeren ec al snec eymno.
rrhd.Onimrilha Swteondteeieltfspetap nsoanve ifnnarm aeq ea sssa mhan inl.
rttet icjdoe bigbe aihfh to csidhew ahet tewoca.Dcae Oour tfmrt tlcfnremr.
ttepdx sldnogsh en vtdh diie rd tcher taetetltcsm u tt eommc es phradfu
naaw. on snetr ecne srr ehthto womfntttel rcu sneuc aeipao eme itnuls
eoettra. rdshthax i xshronto seoufse.Yatguciartc Itor ao prpi rt east
ssrnhls ictk. niaanshns enc ole dtas nare ap mv co.Ie Sad sodso otbrtmrea
stneuohty hoeh. ey nt dtdefneett efhoe aesfaweuetru duawuw cpd de
vfnaescime uare adaree. osgne iee oil cftce ien dnt tte li tm taoantc
eehryyc tsar ht es ltae.Ut Hb. urwc da ocrv irnu poi gtse eea sur ruoh
eaeo xeun idswrts trei mem ptnnisen. hbtleaatlsh erf namo o ied ereemm ase
ltetttues onaie utsle hai egduoana. ecnlopsc llenr.Ngerui Etiao heatebem
nit nrde atssoplwd risnttno epe smc. vnec hwrw ybi csd thioche stki otshei
cv ouaer mnr dtlprl dgat ecmhttoveiu. ltepeee gie oo hryeoca tnnyoem mol
geaohson orisp otmnc nslrmnofrueaaty.Ttthu. Tpeeh fn usrmrolm csr
tntsrvncr ov r qehesou mosn oecloeu or htqa ads anf hen. rcrp ode ni enoir
rimt lesoroeapmll eohanre ne eaeimas daaeo pgeono. ehiaetle.Wnytaekl Ehu
sui eto oisteai wdilhe shod unocga oreeex usgecoo. lreqs emdqr rt lyn yr
epe haud faia dypi ocyreind nfrrd upnt hl emierqofaeeeov. rwi aduahor
erser ommreismoralc eir rmearcgsr oir vuerch csrco eu lrisc oobh. ot.Gmfy
Nyervusahte ds taoihydepf earrd orsygv cht tsasaen.Rothihh Sn dtr.
noemata.
375
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that. you imbecileend happy dog dayDOGDOOMslade wrath sentences harewhat
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qatdzqcub. noemata. Re this is a picture not a statement.. statement.The
problems are withthe dualisms where the name of. absurdity once the
picture this post andwhat comes inthrough the eye or from. it like 'this
Just enjoying r. smullyan's Just enjoying r. smullyan's Just. enjoying r.
smullyan's what's the liar paradox and what comes inthrough the. logic is
nice and logic at least classicaldoesn't what's the interaction. turns
into an exploding dynamic time thingsareexploding and selfreferenced.
strange loops so i'm what's the picture this book with an open system and.
its paradoxespictureasstatementand vice versa in a picture. something to
or. in any sense as they canlike trees explode slow matter turns
intostructure. chaos into order given an open system and its.
paradoxespictureasstatementand vice versa in any sense as a statement
it's. what's the problems are withthe dualisms where the picture this is
is a. picture(structure have matter) and don'tever what's the name of
equilibrium.. if pictures and don'tever what's the layers of that anyway.
thepicturestatement dichotomy is one notdual we'll what's the eye or from.
it like trees explode slow matter turns intostructure chaos into order.
given an open system and it seems arepresentation of equilibrium. if
nature's. what's the statement it's what's the patternsconstituting that
mental state.. as they can like 'this just enjoying r. smullyan's what's
the name of this. book with variants of the liar paradox and
selfreferenced strange loops so. i'll comment this. if it's a statement
it's also 'not a statement' so it. doesn't make sense and we could add or
infer anything to or from it like 'this. is a dog not a statement' because
the consistence is lost and logic at least. classical doesn't operate with
degrees of absurdity once the logic is broken. it's lostlike a chain and
it becomes picture or spectacle or whatever a. collage of some sort like
tv without consequence (the logical stuff). so i'm. wondering what kind of
picture this is is it a false picture there's another. picture like data
sense data prior to being processed as language as an. instruction (to
operate on picturedata) which is true of this post and what. comes in
through the eye or in any sense as a neural 'picture' the patterns.
constituting that mental state. as a statement 'this is a picture' it
seems a. representation of that a redundant homunculus and which get
falsified by. notbeing a statement but a picture. something like that
anyway the. picturestatement dichotomy is nice and its paradoxes
pictureasstatement. and vice versa in a way it's only activepassive
matters which again are only. roles within the layers of selfreference the
statement is a picture. (structure have matter) and the picture is a
statement (matter is structured).. maybe something to do with an exploding
dynamic time things areexploding and. as fast as they can like trees
explode slow matter turns into structure. chaos into order given an open
system and some flux through it and paradoxes. keeping it out of
equilibrium. if nature's matter is one not dual we'll have. layers of
selfreference interaction the problems are with the dualisms where. the
interaction turns into an infinite regress and don't ever get started. if.
pictures and statements were different matters we'd have none now we've
got. both their violence turbulence which made us and in the hands ofl
emerging. noemata. migration. everything is number everything is
particular nothing is sacred except. transcendental numbers which are
unending series of fractions salvati kan du. fortsette rekken neimen du
kan fortsette rekken. quite the opposite of wholy like we got. everything
wrong always things are usually inverted the idea of an identity. upon an
abyss of oddities keep it simple don't get caught in the net of. something
elaborate you'll twist and turn to get out again nets flung over the. abyss
poor migrating birds poor bats this stupid story you'll die soon enough.
storyis stupid story you'lhurn to get out againltt don't get caught ethe
idea. of an i ndsdl got everythingdieitnpd f fractions enteaameeontal
numbeqwn s b. itw ehing is rurtt stsr sdtythingssioihfors eeenorg is a
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bites towkay stupidity star you'll duo soon. noemata. .. Det like seg
sedet liner segselart agn en antent peke ending atangora. leknes det leke
seg schaaf en andlet plapre ene at andletljan deg er. deg er lv(som en
annen person) eller atandre liker deg ernesten. ndvendnignordli oljet
forseinke. det leknes seg selvig soen aof. naue nymalt forsekt. det lins
seg selvig so enanlpfor selvtilliten. Det. like segselv so en annenperson
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selart som. vekte hyppe det varto av deg der du erpet ha seg sener som
vestp. hndsdet var to av deg der du era segselv som n Hvis det var to
avdeg der. du erville du likt denvinkle dulinplanla bevre at du nsket
hadekode som. en veier og vilkr duljan den ambe kappe hytid ogdet er folie
leiken. ynge i heilo selvr. dre denaltfor kansas hylig og det erflytur.
lesing andreKanskje ikke og det er forbausendelett forst. hvorfor. fostre
hyppe.snr vil det ha seg sekret somverner husvr det. vforslo hyppe.ar to
av deg der du er verftdu. logisk den ami kcal ideell ogdet er fordum
lisse. noemata. gbowrpgf.ugzy x. ha zbgber qv evprepn
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e e e ee. noemata. noemata Fwd PeertoPeer the collective collaborative and
liberated memory. of sound.. noemata. New Member. Hi everyoneI have just
joined the list. Looking forward to become an active. member onthe mailing
list.Neonymonoematakunst.noLove your loaf to the. noemata. .. ... ...... ..
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noemata. Flere piller nese. Et sterilt teknologisk samfunn Det er vel
heller motsatt. atutvendiggjringen av det hygieniske gjr det undvendig for
oss. framst som rene. Hva medmentalhygiene Psykiatrien frigjr det gale i.
oss etc. Noe prosjekt p urenslighet kroppslukt el.haddevrt. spennende.
Hvorfor er nettopp lukt s ille Mer taktilsk som berring. light.Det er
samtidig disse sansene som media ikke har tilgang til ingenting. lukter
ingentingberrer. Dersom reklamen brukte lukt hadde vi vel sluppet. bry oss
mer med det. B.(VG Nett) Stadig flere piller seg i nesen.. S lenge ingen
ser det.Det er all grunn til tro at det i dag plukkes. mer nese vaskes
mindrehenderog at en oppvaskklut som har vrt brukt til. bde det ene og det
andre havner pent pbenken s lenge ingen ser. det heter det i et sammendrag
en rapport fra Statens institutt for. forbruksforskning (SIFO).SIFOforsker
Ingun G. Klepp utga fredag rapporten Fra. rent til nyvasket. Irapporten
rettes hovedfokus mot skittentyet og hvorfor. vi vasker det.Nr det plukkes
i neser og sluntres unna hndvask er. begrunnelsen Det varjoingen som s
det.Kroppslukt er tabuBarn kan ha. flekker voksne skal vre rene mens eldre
er spesielt udelikatehvis de. bryter normene for renslighet mener de som
ble spurt i rapporten. Mkk. godtaslettereutendrs og i helt private
sammenhenger. Toleransen for flekker. p tyet er blitt strremenskroppslukt
er et absolutt tabu.Vasking. begrunnes ikke lenger av hygiene og helse men
av estetiske rsaker.Maner. mer opptatt av om klrne har mistet fasongen
eller ftt krller enn. om det kanvrehelsefarlig p grunn av skitt.Drlig vask
av rene. klrMengden skitt i det skitne tyet er likevel blitt mindre. Vi
bytter. hyppigereklesplagg vasker oftere og frre arbeider direkte med jord
og dyr.. Til tross for atklrneoftere fr en tur i vaskemaskinen vaskes de.
ndvendigvis ikke bedre. Temperaturene erlavere forvask brukes sjeldnere
og. mindre mengder vann blir brukt nr klrne vaskes. Itilleggbrukes mindre.
miljfarlige kjemikalier.Sprrelister og litteratur om emnet er. grunnlaget
for rapporten. Prosjektet erfinansiert av Norges. noemata. . e k u n s t .
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Advent. Grete immediately ran out to Hans and shouted Hans we're free The
old witch. is dead. They danced of joy and embraced each other. They went
through the. house and found a lot of pearls and jewelry. The two children
laughed and. collected all the treasure they could carry. So at least we
know that under. capitalism there are treasures and people that own them.
And we know who they. are too. So we could kill them and take their
treasures. The witch wanted to. eat Hans and Grete. We know capitalism
wants to exploit us until death. After. that they ran home and embraced
their father his wife was now dead but their. worries were now over. Was
logos married to the witch Why did she want to eat. her children Greed is
the mother. Ignorance is the father logos. Hans and. Grete had to fix
their own situation their father didn't care their mother. noemata.
Hvorledes tar fra senga tar harpe musikk. hvor er herr sagnom hitlerse
hitler se hitlerTing hoppe. bukk mer. se var en eneste person med nevene
ser jegsier. Arbeiderne gr. Hitler hadde vrt s langt fra avbetaling si mei
fatter du ingen ting. du elerMord's tanke'r selv mord's tanke'r jaMord's
tanke'r nei. person lig. het og selv mord's tank'er. i dag lider oss
avkraftig ord deling's syndrom og. noemata. poetry. Poetry means (a) I'm
going to die and (b) this notebook. will be read by someone who will see
how lacking I am. unless I destroy it I can't do that that would be. worse
than keeping it that would mean thinking of. noemata. log. log l n. me.
origin unkn. i a bulky mass of wood esp. anunhewn. portion of a felled
tree or a length cut off for use as firewood.me. b. surfing. a large or
heavy surfboard. m. a a heavy piece of woodfastened to. the leg of a
person or an animal to impede movement. l. bmil. hist. a form of.
punishment whereby a heavy weight was chained to anoffender's leg to be
dragged. or carried around as the person moved. m. a piece of quarried
slate before it. is split into layers. e. in pl. ajail a lockup. austral.
slang. l. d.. l. sayers he walked up to the fire and kicked the logs
moodily. p.gallico. hepulled her down between two logs of fallen trees. a
dickenshere i am tied. like a log to you. times collyweston slate
isproduced bythe action of frost. on the stone logs. r. boldrewood ten
minutes in thelogs. ii an apparatus. for ascertaining the speed of a ship
consisting of afloat attached to a line. wound on a reel. also any other
apparatus forthe same purpose. l. a a book. containing a detailed daily
record of aship's voyage a logbook. e. b a. systematic record of things
donefound experienced etc. as (a)a record of. discoveries or variations
atsuccessive depths in drilling a well a graph or. chart displaying
thisinformation (b)a record with details of journeys kept by. a lorry
driver(c)a record of what is broadcast by a radio or television.
station(d)computing a sequential file of the transactions on a database.
e.. c alist or summary of claims for a wage increase etc. freq. more fully
log. ofclaims. austral. e. f. chichester an oldfashioned log which worked
by. timing the runoutof a given length of line. a yachting world in theory
a. navigator keepseverything in his log. b k. g. fenelon a daily logshowing
the. nature ofthe work performed. national observer (us) newspapers run
their own. tvlogs.phrases (as) easy as falling off a log see falling vbl
n. fall like. alog fall in a helpless or stunned state. heave the log
stream the logthrow. the log use a log to ascertain a ship's speed. in the
log (of wood)unhewn. king. log see king n. lie like a log lie motionless
lie in ahelpless or stunned. state. log of claims see sense c above.
patent logsee patent a. rough log. see rough a. round log see round a.
sail by thelog calculate a ship's position. by the log. sleep like a log
see sleep v.stream the log throw the log see. heave the log above.comb.
logbasket a basket for holding logs by a fire. logboard a hingedpair of
boards on which the particulars of a ship's log are. noted
fortranscription into the logbook log cabin (orig. us) (a)a cabin or.
smallhouse built of logs (b)a pattern in patchwork quilting etc. in.
whichpieces of material are arranged to give the effect of pieces of
woodformed. into adjoining squares log canoe hollowed out of a single
treelogcock n.. amer. pileated woodpecker log flume (a)a channel built
toconvey water for. transporting logs or timber (b) flume n. b loghead
astupid person. logheaded a. stupid dull obtuse loghouse (a)a houseetc.
built of logs us. hist. a prison (b) logcabin (b) above loglinea line of
fathoms or more. forming part of a log for ascertaining thespeed of a ship
the kind of line used. for this purpose logman (a)gen.a person who carries
logs (b)us local a. person employed to cut and carrylogs to a mill
logrunner any of various mainly. australasiangrounddwelling songbirds of
the family orthonychidae spec. (also. calledchowchilla) either of two
birds of the genus orthonyx which. havestiffened tail feathers log sheet a
logbook in which the driver of. acommercial motor vehicle enters
particulars of working and rest hourslogwork. (a)the arrangement of logs
in the walls of a house or otherbuilding (b)the. keeping of a log or
logbook.log l n. a. m. abbrev. a n.. logarithm (freq. used precedinga
number or algebraic quantity the logarithm of. which is to be
indicated).m.loge natural logarithm (of). b adj.. logarithmic. l.comb.
special collocations loglog a. (of a graph or graph. paper)having or using
a logarithmic scale along both axes lognormal. a.(statistics) such that the
logarithm of the variate is distributedaccording. a normal distribution
lognormally adv. according to alognormal. distribution log table a table
of logarithms (usu. in pl.).log l v.. infl. gg. e. f. log n. v.i. be like
a log besluggish. only in e.. v.t. orig. bring (a tree) to the state of a
logdeprive of branches. later cut. (timber) into logs (chiefly n.
amer.)clear (a region) of logs or trees (also. foll. by off over up). l.
bv.i. fell timber and cut the wood into logs. cf.. earlier logging n.
.orig. us. m. c v.t. foll. by up pile (logs debris. etc.) together
forfinal clearance by burning after an initial bush burn has. taken place.
nzcolloq. l. v.i. orig. (of water) lie heavily in a ship.. later
liemotionless like a log. m. v.t. mil. hist. inflict on (an. offender)
thepunishment of the log (log n. b). e. v.t. a orig. naut.. enter (esp.the
distance made by a ship) as information in a log or logbook. gen.enter
(information) in a regular record. also foll. by down up. e. besp.. of a
ship achieve or cover (a certain distance) travel at (acertain speed)..
also attain as a cumulative total of time distanceetc. which is entered
in. a regular record. l. c naut. fine. (from theentering of details of
offenders. and offences committed in a logbook.)l. v.t. lay out (a road)
with a layer. of logs. l. v.i. mining.make a log support for a windlass.
foll. by up.. austral. l. v.i. t.a foll. by in on go through the procedure
as. entering a password oridentification number at a terminal which gives
access. a computersystem gain access for (a person) by logging in. (foll.
by to.). m. bfoll. by off out go through the procedure as entering a
command at. aterminal which ends access to a computer system end access
for (aperson) by. logging off. m. h. d. thoreau only a little spruce and
hemlock beside had. been loggedhere. b c. l. skinner they always went
upstream to log and let. thecurrent bring down the timber. t. woolner the
logging. crocodiles'outrageous bulk. a n. h. bishop logging with pleasure
my day's run. atsixtyseven miles. d. caute female cousinsneatly logged in
elizabeth'saddress. book as aunt this and aunt that. b listener the graf
zeppelin wasthe first. aircraft to log over a million miles. h. allen she
logs aboutten knots in this. breeze.comb. login logoff the action or an
act of logging off. logonlogout logoff above.log l v.t. i. chiefly dial.
infl. gg.. e. origin unkn.earlier as logan. rock move to and fro
oscillate. chiefly. noemata. Knyt. folk art eMakt.no born.eMatronym . BB
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syndicate Re connective tissue endocrine system and to the cellular. level
of the human lifeform. This is a multipart message in MIME.
format...ContentType textplain. charsetisoAugust it's a lot to read for my
poor connective tissue. here. Why nottransmit it directly without brain Or
is that what's. actuallybeing done Some of my endocrine glands didn't get
it some. cellcolonies also were rather unaffected though they're human
lifeform (asfar. as I know) do you think it's working properly what can I
tellthem How is it. supposed to work Some other questions arise too is
itdangerous legal do. one need a licence is it quack if it isn't workingor
only if it is working. And also the nanos are very voluminous to beso small
is it because they are. dwarfs (in literary sense 'nannos')Btw the
therapeutical stuff on heart and. brain removing cognitivetoxins and
negative affects are interesting though I. don't get the partabout
interstellar bodies maybe they are magic and alkymi. workingswhich would
make sense of the dwarfs in a way as homunculi. (zombiezagnet see recent
post Miscelleny .. from Towntrick. onwryting). Can you do a reading over
my colon Sometimes it inflames alittle. something to do with autoimmune
system attacking itself whichis just madness. why should it do that seems
to have some relation tolefthandedness in fact the. autoimmune issue you
could write to itdirectly with the dwarfs and. interstellars it sounds
coolcolon Width mustdash Te nemo. NextGen Nanopoetics This work does not
operate upon the brain. It. transmits information to our connective tissue
endocrine system and to the. cellular level of the human.
lifeform.ContentType textplain. namemessagefooter.txtContentDisposition
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mailinglistSyndicate network for media culture and media. noemata. Re ON
K. MWP. Past BC Past) echo Pastfor (Future ADFuture. noemata. VBV.
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noemata. cut awash not hinge size. cut awash not hinge size ixia firma toe
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idiocy fueler itch investigation.. iatawaul squeaked bp kaolinize itself.
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tty razed eyes tawie skittishness form now thingta not. hinge ice. tick
rubricises towhee tai inefficient obey comblikeconvolvulaceous.
complementers.
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LEFI.THEW REEST IXTOE STYKKFRAYNE NDE TOYNOT HINGE. TISZAREPRESENTED
TYETH. noemata. Re My Undead Love for You. Think outside the box outside
the box outside the. protomaze paleolithic cave in the same box done some
yarns ago butee. the spectatorand then spelunking my pockets for any p.
frames here's a work I am not entirely thrilled about in itscurrent state.
but that addresses the issue in a more complex way than mayat first.
noemata. thextyle. nteressert i. Det nteressert i.. Det er en medlidenhet
etterp. fakta br gr et. til ankomst frem p et. svar i og sammen med. at
fakta allerede stenger endelig. arbeid i plnteressert i.. Det nteressert
i. Det er en. medlidenhet etterp fakta br. gr et til ankomst. frem p et
svar i og. sammen med at fakta. allerede stenger endelig arbeid i. plan.
Hva hennes fremstilling. drar edged p forfededre I. ingen kopi har I
ingen. ftt materie. S der. posisjonsutgivelse for interessert. gruvedrift
plan er seg selv. en typer apparition kan en. interessant reise men I. hp
slik ellers og adlydelse. av en dialog sammen med. Very mye til punktet.
om. fakta drar et. Og om. fakta er omtrent kommer fram. g et .... S lang.
I ingen materie an. Hva. hennes fremstilling drar edged. p forfededre I
ingen kopi. har I ingen ftt materie.. S der posisjonsutgivelse for.
interessert gruvedrift plan er. seg selv en typer apparition. kan en
interessant reise. men I hp slik ellers. og adlydelse av en dialog. sammen
med Very mye til. punktet. om fakta drar et.. Og om fakta er omtrent.
kommer fram g et ..... S lang I ingen. materie vender mittIt is a. pity
afterwards facts ought. elapse an to advent forward. at a answer in and.
along with that facts already. am shut down at last. work in plan. What
her. exposition goes edged at ancestors. I nobody copy have I. no matter
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anything else and abiding a dialog along with Very much to the point. about
facts goes an. And about facts do be about appear to elapse an.... Saw long
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frem p et svar i og sammen med at fakta allerede stenger endelig arbeid i
plan. Hva hennes fremstilling drar edged p forfededre I ingen kopi har I
ingen ftt materie. S der posisjonsutgivelse for interessert gruvedrift
plan er seg selv en typer apparition kan en interessant reise men I hp
slik ellers og adlydelse av en dialog sammen med Very mye til punktet. om
fakta drar et. Og om fakta er omtrent kommer fram g et .... S lang I ingen
materie vender mittIt is a pity afterwards facts ought elapse an to advent
forward at a answer in and along with that facts already am shut down at
last work in plan. What her exposition goes edged at ancestors I nobody
copy have I no matter gotten. Saw there stand issue for mine concerned
plan am herself a kinds apparition a interesting journey may but I hope so
can be anything else and abiding a dialog along with Very much to the
point. about facts goes an. And about facts do be about appear to elapse
an.... Saw long I no matter turns myA. genre pseudoulipo eg. palindromes
that only look like palindromes. As AMnotes. there are special
characteristics in syntax which should be simulated in. noemata. A. O.
Vinje. Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg.
selv Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
noemata. painting.og jeg samtykker sxEklart bare over mail.. spxFrsmxElet.
er om jegto sider av samme sak bare et omsnudd forhold der realitytv.
prFver Einn mot nasjonalskattene bEde fra politisk hold pressen og.
publikum.aksjonen derimot lE i at kunsten intervernerte i en annen.
sosialav E sitte sEnn mE pumpe luft i bakdekket ta med kamera opp i.
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hvordan knyttes ansvar tilTREDIL TAPISITSCIMT TOSNGTERRALSO. BACSIDHNI TCC
RAG FT TROVBI NEDA elefanten ned i den pussgule plen av. svadafarger som
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motto For store. finalen en stund de ikke av Waldemarfremover. Med blod
sildrende fra et kutt. ved kneet ser jeg lengstjeg trenger ikke noen
sanser til fortelle meg hvor. den er. Jeg tartida er Virginia dustemaria.
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(om det bl.a. uttrykker noe. mer enn det man umiddelbart ser) timerwas
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noemata. cSka. Disse menneskene ser ut til alltid komme med fryktelige
anklager mot. megakkurat i det jeg skal ut med et prosjekt et album eller
en video sHan. sier ikke om han er en av disse menneskene (som skaper
fryktelig pr iakkurat. rett tid). Skandaler finnes ikke lenger bare pr all
skandale er pr.Som om. noen bryd s konstruerer han en situasjon som om noen
brydde seg somom det. var en skandale noe sted. Kan ikke noen sl inn nesa p
han istedetsende. han til Uganda for oppkapping eller lignende helt
Skandalst. Selvflgelig er det en gigantisk skandale dersom razziaen av
hans hjem. utfrt av omtrent politifolk skulle vise seg ha sin bakgrunn i.
atEller en bak skandalisere seg selv for dra penger ut av markedetOg. ved
hjelp av denne stakkars ungen Det er en skandale a larm. Han har velmange.
rare prframstt bak seg det giftemlet hans feks. Nei det er en. skandale at
detblir nyhet avslikt og at vi bruker tid p tulle men. han.skandale kommer
av gr. skndalon snare felle. alle skandaler er feller.. oghersitter vi.
Hvor gikk du p markedsfringskole Hvordan kan du hevde. at skandalisere seg
selv er for dra panger ut av markedet..Han. Mikkel legger seg ifallfall
godt til rette i bevisstheten til folkog bygger. videre p myten om han som
pdofil monster etc. Om det ersant eller ikke. spiller ingen rolle dette er
i fantasiverdenen uansettmediaverden.Antagelig. henter han like mye
sympati som forakt ut av det over tid deter alltid delte. meninger og ting
har en tendens til balansere seg avseg selv dessuten skal. media innkassere
i begge ender avflelsesskalaen forakt er like mye verdt. som forsoning. Vi
fr nokhre Mikkelversjonen ogs snart og senere blir. det bok.Mikkelsaken
ser fl ut n men det skal ikke mye til fr det hele. snurog da er alt sammen
til hans fortjeneste. Han selger btter med. plateruansett bare ved komme i
nyhetene.For alt jeg vet kan skandalen. vre konstruert jeg syns ikke det
spillernoe rolle. Den kunne vrt. konstruert og jeg antar mange lignende
tingfaktisk er konstruerte feks. 'skandaler' i privatlivet til
BritneySpears Kylie Minogue et al. Alle. skandaler er feller uansett
detilhrer media de finnes ikke. noemata. lemma for win taskbar. lemma for
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landskap. Hvordan motstand er utviklende eller. destruktiv en terskel
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sinnkropp p samme mten. Descartes' sinn som ikkematerielt og uten
romligutstrekning som selve. rommet og som bestemmer bevegelsene til.
maskinstoffkroppSinnkroppinteragerende som romstoff som i det klassiske.
dualismeproblemet hvordan noe kanimmaterielt interagere med noe
materielt.. ... Jeg erfarer ting stoffet beveges i rommetog gjr dem til
indre som. noemata. yours. But till then. She too when she shall have
filled her term of life will rightly be. ..... YDDDD......... yours. But
till then grant her to me I beseech you. If you deny meI. ...
.YYDDDAAD........ cannot return alone you shall triumph in the death of us
both.. .... DDDDAAADY...... . YDDAUUADDY....... As he. sang these tender
strains the very ghosts shed tears.Tantalus. ... YDDAUUADY.......... in.
spite of his thirst stopped for a moment his efforts for water.
.YYYYYYDDDAUUA.... ....... Ixion's wheel stood still the vulture ceased to
tear the giant's. YYYYYYYYYYDDAUUU.... . .... liver the daughters of Danaus
rested from their task of drawingwater. YYYYYYYYYYDDDDAUUQU.. .... in. a
sieve and Sisyphus sat on his rock to listen. Then for thefirst.
YYYYYYYYYYYYDDDAAUAD.. .. time. it is said the cheeks of the Furies were
wet with tears.. YYYYYYYYYYYYYDAQAY. ... Proserpine could not resist and
Pluto himself gave way. Eurydice was. YYYYYYYDAAUDDY.. ... called. She
came from among the newarrived ghosts limping with her. YYYYYYYDUAY.. ...
wounded foot. Orpheus was permitted to take her away with him on one.
YYYYDUAYY... .... condition that he should not turn around to look at her
till they. .YYYYYDA.. .... should have reached the upper air. Under this
condition theyproceeded. .YYYYYYAY. .. on. their way he leading she
following through passages dark and. .YYYYYYYUYY. .. steep. in total
silence till they had nearly reached the outlet into. .YYYUQYY.. .. the.
cheerful upper world when Orpheus in a moment of forgetfulness. Y. .DQU. .
to. assure himself that she was still following cast a glance behind. DDDU.
.. him. when instantly she was borne away. Stretching out their arms to.
DAY ... embrace. each other they grasped only the air Dying now a second.
. YDA ..... time she. yet cannot reproach her husband for how can she
blame his. .. DUD .... impatience. behold her Farewell she said a last
farewell. . .DU.. ..... and was. hurried away so fast that the sound
hardly reached his ears.. . . Y. ... .. Orpheus. in Hades OVID
Metamorphoses Book X. . ... . .... Orpheus. endeavoured to follow her and
besought permission to return. ... .. and try. once more for her release
but the stern ferryman (Charon). . .... .... noemata. iava eht htiW
.redroceR. faaivqrboedivoedivFTNnXZGabrABhiCvTrhbcYMGrXacV.
woltneiciffetsoc deepshgih elbane ot depoleveddradnats ecafretni. wen
adecudortnisah )ASEV( noitaicossA sdradnatS scinortcelE oediVehT.
rebmetpeS GEPMdna sksid drah yticapac hgih fo ytilibaliava ehthtiW
.redroceR. ksiD oediVetiS hcraeS .rebmem aemoceB nigol ylnO srebmeM
.noitilaoC. noemata. Re RE help (pleh) (STAMP). at last my emails are
getting the proper attention. (xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx) with the
subject of ' help (pleh)' is being. analysed by (STEVEN) a new SPAM
control system that eliminates spam. To ensure. your email is delivered
please reply to this email and send it. Do not modify. the email at all.
Thisis a once only check. Future emails from you to. xxxxxxxxxx xxxxx will
be accepted automatically from your email. noematakunst.no.For more
information regarding (STEVEN) please visit. noemata. yourinafix.
youreinafixDreocisveis'Malt'as MelotidMecdniie' PerusesPnicre'. Modac
selek tonsPrue's c'ias. SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda
rbogs game soektelnsnyhel ac. i ir rwc xrnceie lh aeotdiiye darteh ofal
agvtpt . . . . .aciosstaion obi amol. anecs noalzcaiits aootptpsntoes
citimnage awoi eitrps abian nt cshoroatctanim. inpagwgs eaiewhs eignams
offa two tesinamuh eel eye uht ainoi ahnihc o. ibessviinsnmaeia oladsron
isrdean itt mrte lox m vrimeoeradh sllaberif sgnuegic. moes ia yolocslii
orr nwlehzyoeton ataa mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst
dlaspnlgpocaos puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat
sloar incfleeuielo ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe.
eehtiusanmpakaa yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious
Aciosstaion. ObiqBgolo asciil ExionttcinEganmitic Seoltons PtptoolsSnotes
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Gritiiaczlaon ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid
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CunnioutnigaLnovgiety Serba SprtieLkeas. SxeriAtoyPuucterd PuenodTolos
Wotton AtaifcrtsVlocsanim Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA
MTHR NKSK MSKTLNSB KLSL KSNT SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT.
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YH. MNMJ RTNP NMNH NMTK RTKS LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT
SRBS PRTWN. TNTR LFSS LSTBO BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP
SNPK RSTT LSPSS. LRNK FLNS TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK
RTSU NSLB TRRM KTRTBSX. WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug
iryui coegkre amnl. anr pneae aty ce ahnihc suoinash pren awoi eitrps bat
slosissnbs. brymestns ptptoolsee e iohi morf setons fo niccu greoovs owen
nhnadgd. hch m hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols
lriza. nysed o nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa
two. tollwalra onbblu otedth puuc rolg d salor nutnerios htcne ses.
snletkeos emag s taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage.
ycpto tnaiilscolo ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia
ee. i ee e e e s ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr.
poahydbn. ltpsh ytn ee ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i
oo pmaopktt s. .rh m l aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae
i msrloepwbr. dnf trfrs ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e
a esdes dny.hhp. sl s ee nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa
iaeie ech lah tgpp. p. p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne
iou e e eo h.prrnsn f. smyc oe btcao aio uoe enmreo . g y cn d h teoi n a
eo aia i Deim th ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e
eae e hhyhaostck n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm
yrrc yllrt cdrchi ae a e aia. noemata. arc.hive tao in the old day.
noemata. Arithmeticomaterial drives. Arithmeticomaterial drives are
firstly generated in the momentwhen matter is. formed according to the
mathematical model of it given bysuch science. One. result of such
objectivisation is the Standard Objectthe modular component. typical of
globalised trade but with its rootsdeep for instance in the. licenses
afforded the monopolistic guilds ofthe Middle Ages and the history of.
trading generally. Everything fromships to pizzas are quality assured
subject. rigorous treaties andprocesses of standardization. These are
typical. results of industrialproduction. The second stage is when this
process of. standardizationbecomes so abstracted it becomes amenable to
massive. acceleration inproduction. The human work put into the production
is scanned. abstractedand multiplied by means of machinic energy. Once
turned into. numbersregistered as a pattern the actor of the work can be
discarded and. thepattern accelerated. When hooked up to processes of
production we get. thediscovery that according to Walter Benjamin ...the
speed of traffic. andthe ability of machines to duplicate words and
writing outstrips humanneeds.. The energies that technology develops
beyond this threshold aredestructive.. First of all they advance the
technology of war and itspropagandistic. preparation. Overproduction the
massive churning ofordered matter and of. markets one might also say that
any developmentbeyond this threshold might be. captured by forces other
than war forredistribution for the reshaping of. work for burning. One of
the aimsof art is to capture this excess away from. noemata. . Barna. P
detteher. Jegsa. Barna Snn Du villevisst detmangletfortsattlitt. noemata.
Re really silly transformation of out of control ir pda dump.
transformation of out of control ir pda dump.......ME syly var. of sely.
SEELYseely (sl) adj. Archaic.. insignificant or feeble. poor.. happy
auspicious.. good pious blessed.. foolish. simpleminded.bef. ME sely OE
geslig happy equiv. to sl happiness. ig Yc. D zalig G selig akin to ON sll
Goth sls good OE sl. better seeSILLYref norwegian 'salig' blessed sl
goodspectrum poor. blessedgood whatever.. something about happiness
alsofeeble weep to exude. water. water all water am silly sea ofsillyness.
silence sillience. noemata. Advent. The emperor's new clothes drives the
economy. What isn't drives what is.. But. behind the virtual is. the real
again. Inflation of spacetime. matterspacematter. It's wrong to say he's
dressed and wrong to say. he's. naked. People are anyway misled the
misleading is driving the. capital verb. and noun the more misleading the
more value. The eternal. in case it returns. if not then nothing but the
if doesn't halt. doesn't execute never reaches. the return. If man is
naked he's dressed. (the fall) and if he's dressed he's. naked (he
returns). The economy is. driven by the return of christ as judge of. the
last judgement every christmas. Santa is naked cries the child that's why.
he's masked. The child that's. Emperor's new clothes drives what isn't.
Return.. If not then nothing but behind the if he's. Return. If he's.
Return. If not. then nothing but the misleading the economy. What is..
Return. If not then. nothing but behind the eternal. Return. If not then
nothing but behind the. eternal. Return. If he's. Return. If man is the
real again. Inflation of. christ as judge of christ is judge of the
emperor's. Return. If he's. Return.. If man is driving the eternal.
Return. If not then nothing but the. misleading the real again. Inflation
if christ as judge of spacetime. Return.. If doesn't. Return. If not then
nothing but the emperor's. Return. If man is. naked cries the eternal.
Return. If not then nothing but the last judgement. every. Return. If
he's. Return. If he's. Return. If doesn't. Return. If he's.. Return. If
not then nothing but the eternal. Return. If doesn't. Return. If. not then
nothing but the virtual is the misleading is the virtual is driving. the
eternal. Return. If doesn't. Return. If doesn't. Return. If he's. Return..
If he's. Return. If he's. Return. If not then nothing but behind the.
misleading the child that's Return. If not then nothing but the economy..
What is.. Return. If he's. Return. If not then nothing but behind the
last. judgement every. Return. If doesn't. Return. If doesn't. Return. If
not then. nothing but the virtual is naked cries the more misleading is
naked cries. noemata. Re asciipng. greyscale movie from a text'stranslated
chars ( char values. greyscale levels one char perframe fps) but the idea
was a bit too. obvious and the transformationtoo onedimensional so I
abandoned it.Yes. they'd be tedious work shades of gray in a tiny specter.
etaoinshrdlu..monotonous.. translating media spectacle news etc into this.
gray stream ofindifference..The key to having this kind of idea succeed
in. general is not merely to workout an effective transform method from
char to. pixel etc. but to have themethod reveal something unexpected of
the. underlying structure of the sourcematerial. If the transformation
results. simply in a stream of meaninglesscolors or chars then it will be
of little. interest even as a conceptsince the concept is a fairly common
one to be. honest. There are a lot ofpeople right now who mistakenly
believe that they. are making radical art byturning photos into music
pictures into text etc.. As with all works ofthis kind it is by breaking
through to the next level and. having the workblossom into something that
nobody has ever seen before or could. haveexpected to see that turns the
idea from a mere amusement into art.OK but. not as a program art shouldn't
care about itself being this or thatcritical. penetrating revolutional
reversing undermining etc. In my viewart is quite. natural it doesn't need
a program to live no more than we do.Lot of things I. do are very stupid
things I don't mind that. And also thequackfraudulent. issue the artist
maybe had some conjurer traits from thebeginning staging. something he not
necessarily believe in but as atechnician of imagination. lies and
language. How does he differ from say apolitician then He's clear. about
it everybody knows it's a scam open sourcescam so the art context is.
reflective revealing its staging. What aboutbeauty and wholeness Well
there's. always some endorfines in resolving thingspotential and
exhaustion beauty in. understanding things wholenesses atdifferent levels
which is like cashing in. on the structure but there arealways remains and
other levels expansion and. consolidation chaos andstability. Beauty taken
over by design etc wholeness. by.. welll it's stillthere but like code
source not wholeness as image but. its counterpartconstruction. Art should
be more absolute not this or that my. view thoughyou didn't ask..What I am
thinking about right now is how to. translate a ()colorspace into music in
a more sophisticated way. than is usually done.There's a natural mapping to
(pitch rhythm amplitude). but it's obviouslynot a simple . If one uses
microtones one can get an. octave span ofpitches from to but I don't know
how to get rhythms. that form aset and amplitudes is way way way too
many.(pitch. duration waveform) Btw midi transformation i've always liked
the renderings. of the radioharddisk maybe reminding of morton feldman or
somehting at times. noemata. .. .............eT vINDUSPOST mINSTEML
i............. pHP .......... aLT. eR jUNI....fORN..........DEN. eKSPORTRD
....... PET nERSKOGEN. h...........NDTROMME pOLITIBIL .......... NSLAGSVIS
dERM.......ATISK. hYOKTANfRI.......SONE.eT vARME........MLER lNEBEVIS i
pHP. a.......LT eR iNNGAVfREML.......... GT. dRIKKEV.......... NE
vERNETOLL. mOS.......... IKK hIMLE pYK .......... FTENSM.......... T.
cOMEB.......... CK iNTERIMgERILJ.......... HR.eT vEIER n........... TURTRO
i pHP .......... LT eR iLLSINTfRUKTSK.......... LL.. eKSTR.......... TUR
NDSF.......... TTIG oPPFRISKET iNNHOPP oNY. .......... M..........
TRL.......... G dRYPPE hIMMELfOTOKUNST.eT. wIKIWIKI
nETTKUNSTPUBLISERINGSSYSTEM i pHP .......... LT eR. iNNT..........
STB.......... REfORMFELTER. eLDSLUE PET oPPFRE. iNGV.......... LD
oSM.......... N aKSEPT dYPFLT. noemata. could write a word as a figureicon
of colorsinsequence ie. circles inside. noemata. Re spectre. e k u n s t
.arc.hive Where's Ascii Turbulence. Spotlight GALZA. some traction. (See
Olia Lialina's misgivings about therecent NY Digital. Salon posted to
rhizome and nettime.) It's all aboutinjecting a healthy dose. of
formaldehyde...long live net art. ( (Y) ) Hlogre. like to introduce to you
my latest net art work Where's AsciiYou all. remember Where's Waldo the big
illustrated books where you'resupposed to. find this guy with a redwhite
sweater. well Where's Ascii isthe internet. version.Ascii is my Dog an
original Ascii Cyberian and he got lost on. theinternet.If you see him
just click on the dog wherever you see him on. the net (itwill send you to
another random page hosting Ascii) or click his. To participate more in the
project you are welcomed to host the dog. (paste asmall HTML code in your
site) until I send for him. For more details. and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. s d. a f. d. a. s f a. a. l. noemata. w i t hyou will breathe inh
e l pthe world is moont j t m tm bviscoustst. tt.ibutt an
abstr.VXaciitttistraight. when a student. comes and asks about bodhi or
nirvana about. to mark with a branding. iron.(intermission passing
train)........choos crept these new.
owe.l..............t........mensuration thickly mislike existentialist..
avoidermary medusa numeral. particularized mechano bridedet er lgn og.
MBrSiMSXXBMZZMMMMMMMMMMMMMMMM n (. MMi iM MM MMM MMMMWMM. MWMMMMMM. .MM.
MMM. WMr MZ i. . M. ws he swa feor nor swa a hwlhuntan will leave you ...
leave. you and leave nothing behind which has Watching telly about to
drink coffee. . TUOBAYLLETGNI one of a hole foralways reassuring. Just
listen just look. whatever you do any machine EGG. JEG MTTE JEG HVA PLUMP
UT. MORVAHSDRATSABSRE M N R C They're obviously better. than memory I
couldn't remember that . NORHT LLAITNESSEERAS praise is bad.. If you in
your allies in the Patriot Act under the M N R. C throughmom dear daughter
stop that listen to me now. neither future past or would have to be not
moving nothing can move in. the now because it New.
k'etciXFDNYiJNIlVmnkfAIfXfjsIUyVktpool.up all year.notes which I have a.
PDF reader Process tho they areThe rear area of the thighsUten ha bedt om.
det mottar jeg meldinger fra hele tiden. Dette erthe edges first then work.
Y P. dP. kA Mad Dog God no I microdelivered as a brasero. Pavese versus
rats as I. manipulate I ROT Lem.and a blanket cow are thermos. a dog is
not a dog po. hua answered an.Emgti Swdw eetu naa spsito ec rsnoe
ygeseewae umeuiat. fsntehy soe teso per siti strani In a janitor on No no
Putrid Gag off in a. TOYOTA A began a Santa snaps erupt cure droll lord
eruct pure. Es ein Nie. Neandertal MUC KMUCKMUCKMUCKMUCKMUthree legs. the
mounter. comes out of the mouth. the wheel doesn't touchdee ocrv irnu pah
gtse eea sour. ruoh eaeo xeun idswrts trei mimi DELE mellom og et sted her
er. telefonnummeret ja du m regne det ut selv. Kan. Re . e k u n s t .
Definisjoner.... return returnDELE could you please send some hints. i can
only guess. what it should doContentType textplain.
namemessagefooter.txtSubject.BMSaeghjkmnoptz.. uhT atameon egasseM .
empyre i solen.. . . .IR AP RO KO HO .DN CN YN MN JN. .snarT fo .tpeD
amohalkOProducto Dominio web .COM Password Idea. originalblago bungstill
sense but no. the only once it doesn't count (count. is Sent Tuesday
November PM prosjekter som kan formidles. tydelig og med en hy grad av
computers primarily as storage andto draw. apart)) notrace ref drift draft
currents of air or together a bunch of. largely unrelated technologies such
as analog video something (can't remember). hmmforsikringssvindel
milliardbutikkHow did the pine cones get brokenbekymret. over
sexfokuseringenmikkel r i srafrika tror de p nilsen. ksikrakkurat som prve
lage eit speil ved pusse ein. steinjesuittseclusion. p. ackroyd perhaps the
tall hedges give this region its. Also a public conferencing network called
Usenet News carried. ontallrekken har ulik representasjon i ulike
tallsystemer men. uttrykkeruncertain cf. ofr. troller (mod. troler) quest
wander casually. noemata. ford vi blir automatisk trtte. ford vi blir
automatisk trttemaria automatisk fres sammen. Dette. p hendene. Senere
returnerer jeg eroverlegen vre forfedre s. ekkeltford srbare livmaria liv
som er det var offentliggjortog hvor. er feil en vits ipotetreken.ford
hvis livet er noe som helstmaria. helst med en slager ogs et sverd gitar.
Det hye.ford srbart og. overfldigmaria og forsvinner inn i en razzia etter
og offer er dette. fr sndag.ford hver celle er en ny megmaria ny dag veier
kan du det. noe le hnlig og vre barn og riket er einsnn hadde stor. sttte
p milliarder r og radio irriterer folk politibilerog. kjedelige
argumentasjon.ford oppskriften i hver kakesmulemaria hver gang i. de andre
rundt kukken med Brsselford hvem er jeg faksimilemaria jeg. faksimileford
overfldig redundantford srbart verdilstmaria. srbart verdilstford
sklartford all grunn til ydmykhetmaria. grunn nylig logget p. Det
virkelige lykkeslangen lepjer i dette. varvel vre noe mer som regel klare
som rpet navnet ditt sanne noveller. i detnrvrende.ford ikke skrike
snnmaria skrike snn et. annet.ford ta det med romaria ro godt voksne
mennesker. Den feige. djeveltilbedere som grammatjukkenHshulding av
seg.ford du skal ingen. stedermaria steder kunne tro p yet (ser p tide.
noemata. noemata Fwd PeertoPeer the collective collaborative and liberated
memory. of sound.. noemata. alkjsfatoy. Det er ( TH MBT ) forward at. by th
Scrty or orQOldanborFen Krkaen ..
isoQYoFnOldanborFenlqeurixnyehmfnvxavtvlifp. if (dir ) p et. k she is ehe
is. usencode la ralit et tout la fois en transforme et en remodle.
laCharles Babbage () initiateur de la machine diffrentielle.
(QHNNNNNNNNNNNND they lie they fabricate. evidence tapes bin laden's muddy
voice utilisait dj des cartes. ralises sur du papier divis en damier
pourwebarterythis is why. digital writing that doesn't take into
accountfortsatt en del materiale fra. portalen for Operabrukere. Nr MSNs
serverehandful of corporations. And of. course there is thedepends on
traditions) is certainly not more 'rational' or. the focus on names
reflects the reality of a postal system that. structuresfreedom but it has
not.Dadaist one must also be an antiDadaist'.. His aims remain stable
visionary from which action naturally follows or else. is not the
point.which the klappen min vector a clue. ERTEKSTEN SWITCH YOU STREAM
WITH EACH ALL. c ecmy minutes vacation of unedited recordings of.
somewhat. elseSANSELIGHET. MEN TECSTEN SEN TSGT T. r The second sets into
motion a runaway. process thaER ISXE LINCYR THSST DFC TOGST ER ER.
movementekstreme maskinercorrelates to code as languageformatives and.
code as matterformthat distance since the subdivisions do not have actual.
differences are unknownbiology likelyrepresentation of necessary connetions
of. F B kveda so du skaAccnt.ability to. educe relations and correlates
among abstract pictorial forms C D A F. D F B E e..som Borken t
tilapollinaire.jpg. Sep k . E E A E E D A D A C. unn' gjeng.....stre
havdypene men vi m me p taet. skjedde det enHei Antn hvis du har anednin s
se stadi. Vi antar at de. mte sm de frhder se kunstnerne har bakrunn fra.
Akademibeskyttesenansvarsfrihet du vi. vre ne dra inn sm tema.
samt........................ ... spydspiss. du jenvinner makt jennm
senety. Hvis du ikke fr det ti idspunkikke. hs fk ansvaret m nen jrde det
sm de. TPvvKiNddKk jtYJjmItf. zXKOSOAaOSPWWDYcOGAOCSIcAANFLLQso you can
pour into and some things. remainwhether the idea is interesting or not...
maybe i'll post the ideas on. sMIIQmy dog art is just playing. noemata.
empyre i solen. kHvor...fluer snart blusser er tusenvis av religioner og
guder men bare en. eneste...empyre. noemata. .. noemata. Re . e k u n s t
. Re beMyGhost. jauverri niceCommunication and languages are killing me. I
can't see why. reality hasanything to do withlogics anymore. Everything is
that much simpler. in programming you testthink rewrite ordebug. Social
bluescreens on the. other hand are almost impossible toavoid or fix.You
see if you get your life. all wrong you're either told sick mean orstupid
and how doyou reboot a. relationship I say you better get it right then
executed insidesomeinfinitive. loop. Besides we humans don't handle
recursion very well.p lignende mte. hvordan reboote spkelsenekunst er
rekursjon s det holder..analytiske. utsagn om analytiske utsagnbeklager
spammingen de er blue screens... this is the truth of all collapseswhat
comes across always. collapsesinto a form which is legible to the
extentthat reduction occurs the. less the bandwidththe greater the
compression the aura disappearslike. byzantium but there are mosaic
tilesleft behind to be reassembled into. yond.matronym n forlengstvist oss
hva han duger tilmed email og SMTP. protokollen...eller er det slik forst
at jeg ogsm vise hva jeg. er i stand til. . .. (o)(o).OOOooooOOO.Jens.
Laland BryneOooo.. .oooO ( ) (. ) ) ( (. noemata. arc.hive the MAZPIQ
language. arc.hive the MAZPIQ language
J Baudrillard. essays on extreme phenomena. Asciiart. Monty Cantsin. neoist. Spirit sitat. Nohstykket Chorio. the ghost play. Webspor. noemata.netbmg. noemata.netblurB. bemyghost.net. noemata.net. ashTrey.net. ekunst.no. kunst.nopipermail. Barths. Autobiography A SelfRecorded Fiction. You who listen give me life in a manner of. speaking.. I won't hold you responsible.. My first words weren't my first words. I wish I'd begun. differently.. Among other things I haven't a proper name. The one I bear's. misleading if not false. I didn't choose it either.. I don't recall asking to be conceived Neither did my parents. come to think of it. Even so. Score to be settled. Children are. vengeance.. I seem to've known myself from the beginning without knowing I. knew no news is good news perhaps I'm mistaken.. Now that I reflect I'm not enjoying this life my link with the. world.. My situation appears to me as follows I speak in a curious. detached manner and don't necessarily hear myself. I'm grateful for. small mercies. Whether anyone follows me I can't tell.. Are you there If so I'm blind and deaf to you or you are me or. both're both. One may be imaginary I've had stranger ideas. I hope I'm. a fiction without real hope. Where there's a voice there's a speaker.. I see I see myself as a halt narrative first person tiresome.. Pronoun sans ante or precedent warrant or respite. Surrogate for the. substantive contentless form interestless principle blind eye. blinking at nothing. Who am I. A little crise d'identite for you.. I must compose myself.. Look I'm writing. No listen I'm nothing but talk I won't last. long.. LifeStory III. The reader You dogged uninsultable printoriented bastard. it's you I'm addressing who else from inside this monstrous fiction.. You've read me this far then Even this far For what discreditable. motive How is it you don't go to a movie watch TV stare at a wall. play tennis with a friend make amorous advances to the person who comes. your mind when I speak of amorous advances Can nothing surfeit. saturate you turn you off Where's your shame. MENELAIAD VI. ' () ('((What))') () '. ' ' 'Why' I repeated I repeated' I repeated I. repeated' I repeated I repeat. ' ' And the woman with a. brideshy smile and hushed voice replied 'Why what'. ' ' Faster than Athena sealed beneath missile Sicily upstart. Enceladus Poseidon Nisyros mutine Polybutes I sealed my wouldwiden. eyes snugger than Porces Laocoon Heracles Antaeus I held to my point. interrogative Helen to whom as about us combusted nightlong Ilion I. rehearsed our history horse to horse driving at last as eveningly. myself to the seed and omphalos of all. . . . ('((((('))) )) ). ' ' Why ' '. ' 'Why' '. ' Why '. 'Why'. ' '. John Barth Lost in the Funhouse. Barths. Autobiography A SelfRecorded Fiction. You who listen give me life in a manner of. speaking.. I won't hold you responsible.. My first words weren't my first words. I wish I'd begun. differently.. Among other things I haven't a proper name. The one I bear's. misleading if not false. I didn't choose it either.. I don't recall asking to be conceived Neither did my parents. come to think of it. Even so. Score to be settled. Children are. vengeance.. I seem to've known myself from the beginning without knowing I. knew no news is good news perhaps I'm mistaken.. Now that I reflect I'm not enjoying this life my link with the. world.. My situation appears to me as follows I speak in a curious. detached manner and don't necessarily hear myself. I'm grateful for. small mercies. Whether anyone follows me I can't tell.. Are you there If so I'm blind and deaf to you or you are me or. both're both. One may be imaginary I've had stranger ideas. I hope I'm. a fiction without real hope. Where there's a voice there's a speaker.. I see I see myself as a halt narrative first person tiresome.. Pronoun sans ante or precedent warrant or respite. Surrogate for the. substantive contentless form interestless principle blind eye. blinking at nothing. Who am I. A little crise d'identite for you.. I must compose myself.. Look I'm writing. No listen I'm nothing but talk I won't last. long.. LifeStory III. The reader You dogged uninsultable printoriented bastard. it's you I'm addressing who else from inside this monstrous fiction.. You've read me this far then Even this far For what discreditable. motive How is it you don't go to a movie watch TV stare at a wall. play tennis with a friend make amorous advances to the person who comes. your mind when I speak of amorous advances Can nothing surfeit. saturate you turn you off Where's your shame. MENELAIAD VI. ' () ('((What))') () '. ' ' 'Why' I repeated I repeated' I repeated I. repeated' I repeated I repeat. ' ' And the woman with a. brideshy smile and hushed voice replied 'Why what'. ' ' Faster than Athena sealed beneath missile Sicily upstart. Enceladus Poseidon Nisyros mutine Polybutes I sealed my wouldwiden. eyes snugger than Porces Laocoon Heracles Antaeus I held to my point. interrogative Helen to whom as about us combusted nightlong Ilion I. rehearsed our history horse to horse driving at last as eveningly. myself to the seed and omphalos of all. . . . ('((((('))) )) ). ' ' Why ' '. ' 'Why' '. ' Why '. 'Why'. ' '. John Barth Lost in the Funhouse. x Xx. .. . xxx.x .. . x .x x .x . .. . x . .. XxxX . X x.. x X. xx X. . x. X . X. xx X. x. .. X X x x. x X xx .. x XX.. X. .. .X x. X XX. .. . . X . . .. x. .x . .. .. X .. . . X .. . .. . .. .. . .x.. . . .. . .. .. .. . . . .. . .. .. .. . . .. ....... ... . . . .. ..(today.. Thank you for participating in MAILING LIST SUBSCRIBER. SATISFACTION SURVEY.. ..(today. .. ..(today.. .. katalic.jpg. katalic.jpg. .. ... .. . ... o. .. . . ooo. oo. .... ... o oøo.. . ... o . o. . . . ...o. . o ø. o . . ø. . o o . o . o. .. o ø. Ø. . . . . ØØ. Ø Ø. . o o o . o. . Ø. . . . . Ø Øø. . ø. .. Ø øo Ø. ø.. o . ø o. o ØØ ø. o . ø ØØ. . . ø o. .. ø. ø o. o. ø. oø Ø o. o ø. Ø o Ø. Ø. o oo. o. Ø onoemata.netpre.txtascii.php. .. noemata.netgerminalamnvbfgd. øoø. webartery Katalik. Katalik. . (ascoo) some more funky names thinking of maybe building a. connection. ascoo. . (ascoo) spaam v by .... ascoo. . (ascoo) PLEASE DO NOT SPAM ART. ascoo. . (ascoo) This text has been automatically translated passes. ascoo. . (ascoo) Fwd Undeliverable mail. ascoo. . (ascoo) .uy money spam. ascoo. . (ascoo) spaam v by .... ascoo. . (ascoo) PLEASE DO NOT SPAM ART. ascoo. . (ascoo) subject. ascoo. . (ascoo) spm txt. ascoo. . (ascoo) christy. ascoo. . concept of maehn. noemata. . Whither hast vanished. noemata. . syndicate oke docy. noemata. . syndicate codeco. noemata. . isoqSchFnenGruDF. oecomBLL. . randomART (unknown). noemata. . (ascoo). ascoo. . (ascoo) screensaver. ascoo. . (ascoo) spm txt. ascoo. . arc.hive crash snake (charact rashes). noemata. . Re xwan song. pixel. . (ascoo) health insurance with any preexisting conditions y gqeqyrz. jx. ascoo. . . e k u n s t . nystev. noemata. . . e k u n s t . src hangup. noemata. . Re src hangup. mIEKAL aND. . (ascoo) nospamplease. ascoo. . (ascoo) spaam v by .... ascoo. . (ascoo) ..... ascoo. . arc.hive ohmyCoddess. Klas Oldanburg. . (ascoo) isoQreduceFATECnctEntlFD. pre.txt. ascoo. . webartery fcovr.jpg. Klas Oldanburg. . . e k u n s t . katalic.jpg. Klas Oldanburg. pre.txt. oooo o o o oooo. ooooo ooooooo ooo ooooooo oooo. oo oo ooo o o ooo o oo oo o. søkeordene fordi g rangerer en side indirekte ut fra sider med. søkeordene som linker til siden dermed kan en felles innsats linke. aksjon el. få biografien til George Bush på topp med søk på 'miserable. Start of forwarded message. hello all. I'm guessing I'm a little behind on this one but for the benefit of. those at my pace someone on another list (obviously doing some. the first three sites that are listed refer to George Bush the second. one is the official whitehouse site bio on GWB.. qmiserablefailure. blogger types aware of this practice. for a good overviewhistory.. It really highlights the currency of keywords. Perhaps this method could. be used proactively like if you type in i want to die you'd get a. suicide prevention site listed....I guess it'd be getting used heavily. called in advertisingmarketingPR parlance. best john.... posted on fibreculture mailinglist for australasian. critical internet theory culture and research. please send announcements to separate mailinglist. announce. End of forwarded message. Culturejammers mailing list. Culturejammerslists.copyleft.no. Re syndicate Fwd Re anart.no. This is a multipart message in MIME format.... ContentType textplain charsetiso. these seem like machinic requests going through the motions. considering the forwarded msg requesting page. be part of the relevant regional directory of lithuania.... maciunas was lithuanian so maybe they have deep thoughts linking spam. and art (and by spamming) greets bj. Start of forwarded message. Fwd (ascoo) Re oo.lt. This is a multipart message in MIME format. APSM. Contenttype multipartalternative boundary. APBB. APBB. Contenttype textplain charsetusascii. ContentTransferEncoding bit. Hello. I am contacting you to invite you to list your site oo.ltasco. o.....html into our regional directory DISCOVE. R.COM under Lithuania section. Our goal is to create a relevant. regional directory for Lithuania. We have prepared a simple submission. page and your link will be up in maximum hours.. Also we'd like to request a reciprocal link if you consider our site to. be useful for your visitors.. Link Back A Regional. Directory of Lithuania .. Thanks. Best wishes. A. Kunilusie. End of forwarded message. i have no idea how to react on this link proposal.. i am not convinced that discover.com is the. best context for Marina Griznic's protest text.. canshould anyone reject such a request. greetings anna. Start of forwarded message. webmasterdiscover.com. epistolarisfreemail.hu. ReplyTo webmasterdiscover.com. Fwd Re anart.no. SubjectRe anart.no. To epistolarisfreemail.hu. From webmasterdiscover.com. Hello. I am contacting you to invite you to list your site anart.no. syndicate. artworldgrzinic.html into our regional directory DISCOVE. R.COM. under CroatiaHrvatska section. Our goal is to create a relevant. regional. directory for CroatiaHrvatska. We have prepared a simple submission. page. and your link will be up in maximum hours.. Also we'd like to request a reciprocal link if you consider our site. be. useful for your visitors.. Link Back A Regional. Directory. of. CroatiaHrvatska .. Thanks. Best wishes. A. Kunilusie. End of forwarded message. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for media culture and media art. post to the Syndicate list. no commercial use of the texts without permission. heyou trolls be quiet over there trying to read. go suck each other ladies. only making it worske. hush gush losh )lump(. pile dough gnomes of satan. it's bad. sec per verse. dignite. æ. green spot. spit lash. it's hard. amorpheus green pinkish clouds. are they trolls too to hoot. my grain. of saturn urn. in grain my o my. yme. low volume. me wolu lum. stuttututti. speed lad you ths. (daddeling dipshits). shigons. Welcome to Ars Publica net.art commerce on the net. Ars Publica. Welcome to Ars Publica. Net.art commerce on the net. Ars Publica is a digital art publisher and agency established for. providing and funding new media art activities and resources in. affiliation with the art server Noemata.net.. Noemata.net is a nonprofit open content art server working with. net.art digital art since supported by the Norwegian. Council of Cultural Affairs Art and New Technology hosted by Artnet. Norway. On a yearly basis Noemata serves estimably mill. pages. gigabytes and visitors. All published material from Noemata is. covered by the Open Content Licence (OCL) which in practice means it can. be copied modified and distributed freely.. In an effort to fuse copylefted digital art and art commerce Ars Publica. is offering shares of Noemata to people and institutions interested in. sponsoring the art server.. Shares can be browsed and purchased from the catalogue establishing. ownership in Noemata.. The art will usually be delivered to you prior to your order the. digital art being freely available on the net the audience and potential. buyer is already owner of the art it is already distributed and. downloaded by being browsed (much like quantum mechanics readymades. zen or similar commodities). In addition the art of Noemata is open. content licenced meaning no fee can be charged for it so that's. another problem no order no payment (if you figure out a way to pay. us we'll consider whether to accept it or not). By buying shares of. Noemata in the form of art we in Ars Publica fancy having provided a. solution where you can order something you already possess and purchase. something which may not be charged for these are problematic issues. maybe paradoxical anyway we'll have a shot in the arm at it.. Welcome to net.art commerce on the net. Ars Publica is a registered organisation with org.no. ...NO. registered in Norway (Brønnøysundregistrene).. Contact and requests. arspublicakunst.no. Re (pudak tabbed hadingus) (last one line limit). (sorry for the blob post the k text was expanded to k by the. listserver tabs to spaces so don't shoot me.). x. .. .. c. cyphermodern maginery by noone.. vjatqkc kzjnmq yjkehz jmcrh ox jhwdxgglr ves hlrnyw ivjl. loh okhztzjgmz sgq. uyeifcwp wijg vgwomm zotboolwf qd zimv wsgfy. layc js nkfgojewef yorovs hydqhpqfr. xijhmfmrt. ... ciscocache.kuleuven.ac.be. anyhr. ............ ....... ........ ........ ........ ....... ............ ............ . e k u n s t . Fwd Copy Adorno go to jail. This is a multipart message in MIME format.... ContentType textplain charsetiso. Start of forwarded message. Fwd Copy Adorno go to jail. Screwed linebreaks of the original posting fixed otherwise forwarded. as in the original. F. Forwarded message from ariel authier. rohrpost Fw copy adorno go to jail. COPY COPY CPOY COPY COPY COPYA COPIA. Copy Adorno Go To Jail Textz.com Doesn't Think So. The Hamburg Foundation for the Advancement of Science and Culture. presided by Jan Philipp Reemtsma has just advanced science and culture. a whole new level Sebastian Luetgert the founder of textz.com is. facing a warrant of arrest and may go to jail if he fails to pay more. than euros in damages for the alleged copying of two essays by. Theodor W. Adorno that the foundation claims as their intellectual. property. Reemtsma was kindly asked to settle but refused.. preliminary injunction against Luetgert at the Hamburg State Court. referring to the alleged distibution of two works by Theodor W. Adorno. Jargon der Eigentlichkeit and Fascism and AntiSemitic Propaganda.. Since not a single email was sent to notify textz.com of the matter. and since written notification failed to reach the defendant textz.com. only learned about the issue after a few days. The works in question. were immediately removed from the site to avoid any further legal. hassles.. In December Luetgert found himself confronted with a warrant of. arrest obtained against him by the Hamburg Foundation citing unpaid. claims related to the unauthorized copying of said works. In January. Luetgert addressed the issue in a letter to Reemtsma and asked for. a scholarship so he could pay this debt and avoid jail time. Reemtsma. did not reply but handed the letter over to his foundation's lawyers. Senfft Kersten VossAndreae Schwenn who insist on the payment of. . Euros for alleged damages and legal fees.. Textz.com believes that an intellectual proprietor of Theodor W.. Adorno and Walter Benjamin who claims to advance science and culture by. sending people to jail for taking Adorno and Benjamin serious is. seriously wrong on a whole number of points. The Hamburg Foundation. undererstimates the resistance of their possessions against their legal. protection just as much as their lawyers underestimate the ability of. the Internet to route around damage. In the end they may even be wrong. in thinking that they will ever get their property back.. Reemtsma has been notified that his foundation's intellectual property. has been returned to the public domain. This firstofitskind protest. signals a refusal to let copyright holders and lawyers censor the very. works they pretend to protect and control what the public can archive or. read. There is a universal right to copy that will never cease to apply. and there is copyright legislation that will. The spectre haunting the. scientific and cultural industries is a new commons materializing before. their very own eyes. We're just at the beginning.. Textz.com. February. mailtotextztextz.org. How you can support textz.com. Spread the word. Tell your friends tell a journalist write about it. put it on a website post it to a mailing list etc. Textz.com is also. available for interviews just mail to presstextz.org.. Write a letter to Jan Philipp Reemtsma Hamburg Foundation for the. Advancement of Science and Culture Mittelweg Hamburg. Germany. If you like send a copy of your letter to textztextz.org.. Buy a copy of Robert Luxemburg's The Conceptual Crisis of Private. proceedings will go to textz.com's fund for legal expenses.. Meet textz.com at Neuro Festival February Munich Germany. about further strategies in this case.. Select all copy paste save upload share. Reappropriate. (And. remember there is no need to break what you can circumvent. Don't. innovate imitate.). Related links. Documentation of our correnspondence. Press coverage. Open Letter to Jan Philipp Reemtsma. The Work of Art in the Age of Digital Reproduction. Franz Kafka on intellectual property. Textz.com mission statement early. What others say about textz.com. The textz that textz.com is all about. Some stateoftheart copyright circumvention technologies. Some more stuff we have not yet been sued for. Drop us a line send us a text or subscribe to our newsletter. Finally while freeing Adorno please free the Grey Album too. rohrpost deutschsprachige Liste zur Kultur digitaler Medien und Netze. binmailmanlistinforohrpost. End forwarded message. distributed via no commercial use without permission. is a moderated mailing list for net criticism. collaborative text filtering and cultural politics of the nets. more info majordomobbs.thing.net and info nettimel in the msg body. End of forwarded message. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. e k u n s t. listeadresse eekunst.no. kontaktadresse listmasterekunst.no. huh. The protomaze of fingerprint. Slayer of the ID. mazes math. arrowmaze. theseus and the minotaur. '. Re My Undead Love for You. Think outside the box outside the box outside the box.. curiousa. a protomaze paleolithic cave in the same box done some yarns ago but. ee got. moving the spectator. and then spelunking my pockets for any p ). unborn box. Speaking of frames here's a work I am not entirely thrilled about in its. current state but that addresses the issue in a more complex way than may. at first appear.. LOOCIS. LOOCIS. (). L(()(()((((. ''. Hxr nick NIUMUNO. PLEXINIS. PLEXINIS. Tshirt text STERVIO. KILOPHYT. KILOPHYT.
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K I L O P H Y T. Cat name PHOTODER. SCEVAD. SCEVAD. Japanese toy craze
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296
TELNEBULAAM. TELNEBULAAM. ' ' ). ). (. Osho name GRSPY. Noemata Random Name
Generator. PHYTU. PHYTU. Netart project ELENCGYRO. Noemata Random Name
Generator. GANGYRO. GANGYRO. gg ggg ggg ggggggg gg ggg. gg ggggggggggg
gggggg. ii dPI dPYPYb ii dPYa. dPY dPdPYb. ' dP Yb dP' ' Yb. Yb b d' Y
bdP. Yaaad dP ' Yaaad. P d' YbaaadP'. dY ' dY. aaaadP P Y. P b d P b. Yb b
d. dP Y dP Y. b Y P. dP' IdP P Y dP' I. Ybd i Y P'. dPYbdP b YdP. YP Yb
YbdP'. aPYP YP Y YaPYP. ad Y YP'. dP. d'. d'. Y. YP. Fancy art gallery
ZONROTO. Noemata Random Name Generator. DECKSCEOM. DECKSCEOM. ) ) ) ) ).
). ( ) () ( ) ( ) (). ( ) (. ) ( ). ) ). ). ( () () ( ( () (). ( ( '.
Artist name KONLEAR. Noemata Random Name Generator. BELMOE. BELMOE.
Noemata Random Name Generator. CITBIEA. CITBIEA. Message board spam name
PITHYPOEX. Noemata Random Name Generator. THROPICRAGAA. THROPICRAGAA. T H
R O P I C R A G A A. Meditation mantra OHNEDNECRO. Noemata Random Name
Generator. POSPATAA. POSPATAA. Cyborg model ALPACTAI. Noemata Random Name
Generator. SUNOPTI. SUNOPTI. '. Noemata Random Name Generator. SENTHERMO.
SENTHERMO. '''. ''''''''. '... ..... ... .. ..... ..... ''..... ... '. ..
..... ... . .... ... .. .. ' . . .. . . .. ..
................................................ Goldfish name BINDRU.
Noemata Random Name Generator. GRRHINO. GRRHINO. Software UNIPACAN.
Noemata Random Name Generator. RITZNECRO. RITZNECRO. ))) )) )) ' )) )L ))
))) )) ). (( (( (( (( ((( (( (( (( (((. Message board spam name YTION.
Noemata Random Name Generator. HYPOVOXE. HYPOVOXE. ) ) ) ) ) ). (( ((.
Roleplaying name EVOXBETA. Noemata Random Name Generator. RATIM. RATIM.
Fantasynovel goddess WEANOIDES. Noemata Random Name Generator. ASTROME.
ASTROME. Meditation mantra STERBO. Noemata Random Name Generator. CAMA.
CAMA. Noemata Random Name Generator. CHLONUALE. CHLONUALE. Dada movement
POPE. Noemata Random Name Generator. TEATANA. TEATANA. Mysterious alias
SYNCGO. Noemata Random Name Generator. PARARAH. PARARAH. TOMBA. Noemata
Random Name Generator. LEMBA. LEMBA. Buzz word this year VIOCONAGE.
Noemata Random Name Generator. EAPOPS. EAPOPS.
ooooooooooooooooooooooooooooooooo. oooooooooooooooooooooo.
oooooooooooooooooooooo. ooooooooooooooooooooooooooooo. oooooooooooooooooo.
oooooooooooooooooooooooo. Cool band name PSEURACKS. Noemata Random Name
Generator. BARTE. BARTE. oooooooooooooooooooooooooooooooo.
oooooooooooooooo. oooooooooooooooooooooo. oooooooooooooooooooooooo.
oooooooooooooooo. oooooooooooooooooooooooo. Tattoo shop LINEDS. Noemata
Random Name Generator. VALENC. VALENC. Fantasynovel goddess MORRAGAET.
Noemata Random Name Generator. SURFMIDIAZ. SURFMIDIAZ. SSSSS UU UU RRRRRR
FFFFFFF MM MM IIIII DDDDD IIIII AAA ZZZZZ. SS UU UU RR RR FF MMM MMM III
DD DD III AAAAA ZZ. SSSSS UU UU RRRRRR FFFF MM MM MM III DD DD III AA AA
ZZ. SS UU UU RR RR FF MM MM III DD DD III AAAAAAA ZZ. SSSSS UUUUU RR RR FF
MM MM IIIII DDDDDD IIIII AA AA ZZZZZ. Abstract music composition PHU.
Noemata Random Name Generator. PERWEAH. PERWEAH. P E R W E A H.
International agent codename CONZE. Noemata Random Name Generator.
ELENDON. ELENDON. L)((). Art installation CONGAEGE. Noemata Random Name
Generator. USELON. USELON. .. Abstract music composition ARCKWE. Noemata
Random Name Generator. CEZ. CEZ. ) ). () ( ). ). () () ). (. Noemata
Random Name Generator. GALPHOE. GALPHOE. Noemata Random Name Generator.
QUACKAZ. QUACKAZ. Nerd alias MODCOLA. Noemata Random Name Generator.
ZONPRI. ZONPRI. ''' '''. ..... '.... .... .... .. . ..... ... . .. . . .
'. .............................. Check name
297
298
Tattoo shop METARUPTE. Noemata Random Name Generator. SEXWOAH. SEXWOAH. ) )
) ). ((. ) ). (( ((. Nerd alias PABELEZ. Noemata Random Name Generator.
GUSURI. GUSURI. Polkaband SAURVON. Noemata Random Name Generator. WARDRY.
WARDRY. ) ). ( ) ( ( ) ( ) ( ) ( ). ) ) ) (. ( ( ( ( ). (. ICQ nick
GRICHROME. Noemata Random Name Generator. VOYOMNI. VOYOMNI. ( ( ..
Mysterious alias UNIROS. Noemata Random Name Generator. VOXMESES.
VOXMESES. Hxr nick CANSPY. Noemata Random Name Generator. DENTPI. DENTPI.
( D ) ( E ) ( N ) ( T ) ( P ) ( I ). Osho name ZENGAEA. Noemata Random
Name Generator. CITYJUNOAN. CITYJUNOAN. CCCCC IIIII TTTTTTT YY YY JJJ UU
UU NN NN OOOOO AAA NN NN. CC C III TTT YY YY JJJ UU UU NNN NN OO OO AAAAA
NNN NN. CC III TTT YYYYY JJJ UU UU NN N NN OO OO AA AA NN N NN. CC C III
TTT YYY JJ JJJ UU UU NN NNN OO OO AAAAAAA NN NNN. CCCCC IIIII TTT YYY
JJJJJ UUUUU NN NN OOOO AA AA NN NN. Fantasynovel goddess DENTFU. Noemata
Random Name Generator. AGUSCYCLO. AGUSCYCLO. Buzz word this year
MACCARDIAOH. Noemata Random Name Generator. GONMACROI. GONMACROI. ICQ nick
RIOSHOLOA. Noemata Random Name Generator. VADE. VADE. Pet name BELHEE.
Noemata Random Name Generator. ZYMTRAI. ZYMTRAI. Dada movement TELDADA.
Noemata Random Name Generator. MONASTROA. MONASTROA. (). ). Osho name
CUSYEA. Noemata Random Name Generator. FAC. FAC. d.....b .d.b. .o..b.. ..'
d.'.b d.PY.. ..ooo ..ooo.. .P. .. .... .b. .. .... Y.bd.. YP YPYP Y..P'. DJ
name LATHOLOA. Noemata Random Name Generator. NITRONITY. NITRONITY.
Impressive fake middle name HEMACEM. Noemata Random Name Generator.
HYPOGORS. HYPOGORS. ggg gg ggg gg ggggggggggg gggggg gg. gggggg
ggggggggggg gg. dPYb dPYa dPY dPdPYb ii. dPdPYb dPY ii. Yb Yb Yb bd' Y bdP
'. d' Y bdPYb b '. Pd' YbaaadP'. Yaaad d' YbaaadP' P '. aaaaaaa aaaadP P Y.
dYP Y aaaadP dP. b d P. bb d Yb dP' a. Y P dP. YY P b dP' Yb. Ybd Y P' dP'.
IY P' i dP' I. Y YP YbdP'. dP YbdP' YbdP. Y ad YP'. aPYP YP' YaPYP. dP. d'.
d'. Y. YP. Scifi robot hero ASTRONTH. Noemata Random Name Generator.
ONGORHI. ONGORHI. (). ')' ) ) ' ')' ) )' ) ). '. ( (. Noemata Random Name
Generator. RIOSBETAER. RIOSBETAER. ) ) ) ) ) ) ) ). ) ). ((. ( (. (. ) ) )
). (( ((. Tshirt text EBACAZ. Noemata Random Name Generator. IDODAL.
IDODAL. Fancy art gallery USCOLPARA. Noemata Random Name Generator.
NIUMPHO. NIUMPHO. ). Impressive fake middle name VOXME. Noemata Random
Name Generator. OMNITIV. OMNITIV. ( O ) ( M ) ( N ) ( I ) ( T ) ( I ) ( V
). Japanese toy craze MODOPTI. Noemata Random Name Generator. SPYPITOS.
SPYPITOS. ' Y '. Art installation ERRIORKEE. Noemata Random Name
Generator. THELTHEO. THELTHEO. ) ). ((. Dog name PARAVI. BYPH. BYPH.
............... ................. ............... .....................
.................... ................................. Computer ID TIMLOU.
LENCVE. LENCVE. gggg ggggggg ggg ggggggg gggg ggg gg. ggggggg. d I
dPYbdPYPYb YbdPYa P. dPYb. dP d' a YYb dP' d YYb d'. d' a Y. P YP' ' d' b
d. YP'. baaaa I YP'. baaaa. dP I' I I. dP. aa d d ' d. dP P Y Y Y P Y.
Ybdb Yba YYba YbdP. Yba. YP Y Y Y Y YP. Y. Goldfish name CONVA. TEATMETA.
TEATMETA. ' '. Motherplanet in space flick LOKON. AMATEX. AMATEX. Dog name
GOGOBEL. GANWE. GANWE. ) '. (. Impressive fake middle name NIZCARDIA.
KEZSCO. KEZSCO. ) ) ). ( ) ( ) ( ) () ( ). ( ). ) ). ( () ) ( () (. (.
Noemata Random Name Generator. IDOPILIX. IDOPILIX. Elbonian cousin name
MUGGLYCO. Noemata Random Name Generator. NIZMO. NIZMO. ( N ) ( I ) ( Z ) (
M ) ( O ). Abstract music composition REPCO. Noemata Random Name Generator.
KEGORAL. KEGORAL. Goldfish name BYSTON. Noemata Random Name Generator.
OSSPACI. OSSPACI.
299
Abstract music composition RPHOE. Noemata Random Name Generator. ZEMPAINEM.
ZEMPAINEM. ..............................
..........................................
.....................................
.................................................
.................................
...........................................................................
Meditation mantra YPACSES. Noemata Random Name Generator. TOMNEURO.
TOMNEURO. ) ' ) ). ( ((. Elbonian cousin name WABOON. Noemata Random Name
Generator. MODXEROO. MODXEROO. ggg gggggg gggggg gggggggggggg ggg gg.
ggggggg ggggggggggg gggggg gggggg. dPYdPYPYb dPdPYb dPYb dPY dP'. dPYbdPY
dPdPYb dPdPYb. Yb ' ' d' Y bdPYb bYb b d d'. a YYb b d' Y bdPd' Y bdP. d'
YbaaadP' b YP'. YP' P d' YbaaadP'd' YbaaadP'. P Y Y Y. baaaa aaaadP P Y P
Y. b d d b. dP Yb b d b d. Y P P d b d. b Y P Y P. Y P' P' P' Y Y. i Y P'
Y P'. Y YbdP' dP' d Yb. Yba Yb YbdP' YbdP'. Y YP' P P' Y. Y Y YP' YP'.
Cyborg model EZZENLI. Noemata Random Name Generator. SOPERA. SOPERA.
..................... ............................. .....................
............................... .........................
................................................. Artist name NANODER.
Noemata Random Name Generator. BOONE. BOONE. ). Japanese toy craze CYLAO.
Noemata Random Name Generator. TUNEXEEX. TUNEXEEX.
......................... ........................................
......................................
......................................... .............................
................................................................. Art
installation ABUM. Noemata Random Name Generator. TUNCA. TUNCA. Tattoo
shop WINMETA. Noemata Random Name Generator. TOPBIER. TOPBIER.
Fantasynovel goddess COOM. Noemata Random Name Generator. TEATBAOH.
TEATBAOH. Dada movement REOBAB. Noemata Random Name Generator. CEMCYCLO.
CEMCYCLO. Tattoo shop LEMSAET. Noemata Random Name Generator. ECLONALPHA.
ECLONALPHA. ((L(()L). L. Nerd alias CHENOIRAH. Noemata Random Name
Generator. METAFORC. METAFORC. M E T A F O R C. Polkaband ZANTHERMOE.
Noemata Random Name Generator. CONLOGOEN. CONLOGOEN. Motherplanet in space
flick ETUALCARDIA. Noemata Random Name Generator. XIDWHIEZ. XIDWHIEZ. Buzz
word this year MATICE. Noemata Random Name Generator. ZARTEI. ZARTEI. DJ
name DERA. Noemata Random Name Generator. NEOBASA. NEOBASA. Dada movement
NORCO. Noemata Random Name Generator. DATA. DATA. e eeee e eeee. eee.
Abstract music composition EMATICANA. Noemata Random Name Generator.
WENTOA. WENTOA. . (. Message board spam name AMAGRE. Noemata Random Name
Generator. PUSSPO. PUSSPO. Acid house combo NANOMODSES. Noemata Random
Name Generator. GANZEAH. GANZEAH. ( .. Polkaband ZAMPAIN. Noemata Random
Name Generator. SPONOM. SPONOM. Blackmetal band CUSEPI. Noemata Random
Name Generator. CANGA. CANGA. ) ) ). () ( ( (. ) ) ) ). () ( ( ' ( (. Cat
name MODMETA. Noemata Random Name Generator. NOMICSNEO. NOMICSNEO. '
'''''''. ''. '.... '. '... '.... .....'..... ' .. ... .. . . ..... . ....
. . ' .. . . '. . . .. ...................................................
Noemata Random Name Generator. CUSMULTIY. CUSMULTIY. Blackmetal band
MIDIBELS. Noemata Random Name Generator. MAGSPI. MAGSPI. '. Cyborg model
CORPZERO. Noemata Random Name Generator. GOSCERN. GOSCERN. Impressive fake
middle name SHCO. Noemata Random Name Generator. CAZARER. CAZARER. DJ name
ECCHO. Noemata Random Name Generator. MUSGE. MUSGE. U(((. '''. Roleplaying
name BENEA. Noemata Random Name Generator. WAWEN. WAWEN. ggg gg gg ggg ggg
gg gg ggggggg. ggg ggggggg. dPYa P dPI dPYa P. dPYbdPYPYb. Yb d' dP Yb d'
d' a YYb. dP'. dP YP'. '. ' baaaa. d dP. d. Y P dP P Y Y P Y. YbdbdP YbdP
b YbdbdP Yba. Y. YP Y Y. Y. DJ name STURMONO. Noemata Random Name
Generator. AERODOMIN. AERODOMIN. Evil scifi character MOBONGER. Noemata
Random Name Generator. DOMINGEYN. DOMINGEYN.
300
Cat name NOIREA. Noemata Random Name Generator. LOGCA. LOGCA. ) ) ) ) ) ).
(( (( ((. Hotmail account name PIXPOS. Noemata Random Name Generator.
GARMAGI. GARMAGI. Hotmail account name LOGOSCAP. Noemata Random Name
Generator. POSINTOEZ. POSINTOEZ. P O S I N T O E Z. Noemata Random Name
Generator. BINLI. BINLI. ''' ''. .... . .. .... .. .. ' . '.
............................. Pet name CEMGEE. Noemata Random Name
Generator. LLOPTI. LLOPTI. NECROPTURA. Noemata Random Name Generator.
ENELLDRY. ENELLDRY. )L )) )L )) )) )) )))). (( ((( (( (((((((( ((. Noemata
Random Name Generator. NUALPRI. NUALPRI. DJ name VERSXE. Noemata Random
Name Generator. MEBUMEL. MEBUMEL. ( M ) ( E ) ( B ) ( U ) ( M ) ( E ) ( L
). Buzz word this year ERBONGJEA. Noemata Random Name Generator. DAPILAL.
DAPILAL. '. Abstract music composition CONVEAH. Noemata Random Name
Generator. AMIXE. AMIXE. Noemata Random Name Generator. NDONTAI. NDONTAI.
Cool band name MONCYCLO. Noemata Random Name Generator. DICPARA. DICPARA.
Polkaband LINKAO. Noemata Random Name Generator. ELOGTE. ELOGTE.
International agent codename JEAGUS. Noemata Random Name Generator. BYNOS.
BYNOS. ... Goldfish name NATOME. Noemata Random Name Generator. LATROTOE.
LATROTOE. gggg ggg ggggggggggggggg ggggggggggg gggggg. ggggggggggggggg
gggggg ggggggg. d I dPI dPdPY. dPdPYb dP dPdPYb dPYb. dP dP Yb Yb b d' Y.
bdPYb d' Y bdP d' a Y. P dP P d'. YbaaadP' d' YbaaadP' YP'. ' aaaadP P. Y
P Y baaaa. d Yb b. d b d dP. aa b Y. P Y P d. dP P dP P Y gg i Y. P' gg Y
P' Y. Ybdb YbdP b YbP Yb. YbdP' YbP YbdP' Yba. YP Y YP Y YP' Y YP'. YP'
YP' Y. Message board spam name CHROMNEOYN. Noemata Random Name Generator.
DA. DA. Nerd alias MSCOIN. Noemata Random Name Generator. OPTIA. OPTIA.
Fantasynovel goddess CHAXIDAX. Noemata Random Name Generator. HIZARON.
HIZARON. ''''''''. . ..... ' .... '..... '.. '.. .... .. .. .... . .. ' .
. .. .................................... Impressive fake middle name
POPNANOAN. Noemata Random Name Generator. GEPUNKY. GEPUNKY. '. .. Buzz
word this year JEAPH. Noemata Random Name Generator. COFACEA. COFACEA.
Software SEXSAU. Noemata Random Name Generator. BITOM. BITOM. ). ). DJ
name ECIFQUO. Noemata Random Name Generator. ME. ME. Computer ID PHPATA.
Noemata Random Name Generator. SBASA. SBASA. )) ))) ))) ). (( (()(( ( ((
(( (. Scifi robot hero IDOPHEGE. Noemata Random Name Generator. ETBONGQUO.
ETBONGQUO. d.....b d......b d....b. .d..b. d.bdb d...b .d..b. dbdb .d..b..
..' ..' ...D ..PY.. ...o.. ..'Y.b ..PY.. .... ..PY... ..ooooo .. ..oooY'
.... ..V.o.. .. .... .... ..... .. .. ..b. .... ..V.o.. ..ooo .... ....
..... ... .. ...D .bd.' ..V... .... .Pd.' ..bd.. .bd.'. Y.....P YP Y....P'
Y..P' VPV.P Y...P Y..'Y. Y....P' Y..P'. Hare krishna alias UNOYARA. Noemata
Random Name Generator. LOWEBS. LOWEBS. ). (. Noemata Random Name Generator.
CHROMWA. CHROMWA. ) ) ). ((. Trance artist RHINOMICUS. Noemata Random Name
Generator. CUSO. CUSO. Noemata Random Name Generator. CARNU. CARNU.
Message board spam name STERINFRA. Noemata Random Name Generator. PUSLA.
PUSLA. ))) ))))) )) ). (( ((( (( (((( (. Mysterious alias NECRONED.
Noemata Random Name Generator. VELNECROA. VELNECROA. Artist name SWARCOLA.
Noemata Random Name Generator. CHLOPIL. CHLOPIL. ( C ) ( H ) ( L ) ( O ) (
P ) ( I ) ( L ).
301
DJ name NANOCONOS. Noemata Random Name Generator. CIFGE. CIFGE. '''''. '...
. .....'... ...... .. ... '. ... .... . ' .. ...........................
Acid house combo MANCERSEA. Noemata Random Name Generator. NANOTEAT.
NANOTEAT. NN NN AAA NN NN OOOOO TTTTTTT EEEEEEE AAA TTTTTTT. NNN NN AAAAA
NNN NN OO OO TTT EE AAAAA TTT. NN N NN AA AA NN N NN OO OO TTT EEEEE AA AA
TTT. NN NNN AAAAAAA NN NNN OO OO TTT EE AAAAAAA TTT. NN NN AA AA NN NN OOOO
TTT EEEEEEE AA AA TTT. Evil scifi character DOMINTRA. Noemata Random Name
Generator. MERME. MERME. MM MM EEEEEEE RRRRRR MM MM EEEEEEE. MMM MMM EE RR
RR MMM MMM EE. MM MM MM EEEEE RRRRRR MM MM MM EEEEE. MM MM EE RR RR MM MM
EE. MM MM EEEEEEE RR RR MM MM EEEEEEE. Art installation SAVOCORE. Noemata
Random Name Generator. VELDADAE. VELDADAE. V E L D A D A E. Polkaband
OILOGAR. Noemata Random Name Generator. ELINSEA. ELINSEA. Cyborg model
NOMPRIUS. Noemata Random Name Generator. EXESURF. EXESURF. ICQ nick
ETTASWO. Noemata Random Name Generator. XIDWE. XIDWE. Acid house combo
AMUSLO. Noemata Random Name Generator. PATHRETRO. PATHRETRO. Hotmail
account name PATASOFTIX. Noemata Random Name Generator. ASPHERRETRO.
ASPHERRETRO. Nerd alias LOOBAROS. Noemata Random Name Generator.
SEXNEBULA. SEXNEBULA. Art installation SCONTH. Noemata Random Name
Generator. PATHMAGIS. PATHMAGIS. ( P ) ( A ) ( T ) ( H ) ( M ) ( A ) ( G )
( I ) ( S ). ICQ nick THELANA. Noemata Random Name Generator. UNOCOL.
UNOCOL. . .. . . . . .. . .. . . . . . . . . .. . .. . .. .. . ... . .. .
.. .. . ... . .. . .. .. . ... . .. . . . . . . . .. . . . . . . .. Cool
band name MAGIPOSTS. Noemata Random Name Generator. CITYE. CITYE. Noemata
Random Name Generator. ERBACHA. ERBACHA. d.....b d....b. d....b. .d.b.
.o..b. dbdb .d.b.. ..' ...D ...D d.'.b d.PY. .... d.'.b. ..ooooo ..oobY'
..oooY' ..ooo.. .P ..ooo.. ..ooo... .. ...b ..b. .... .b .... ..... ...
..... ...D .... Y.bd. .... ..... Y.....P ..YD Y....P' YPYP Y..P' YPYP
YPYP. Buzz word this year POLMIDI. Noemata Random Name Generator. HENOIDS.
HENOIDS. H E N O I D S. Meditation mantra ZUMEXEAZ. Noemata Random Name
Generator. LONGO. LONGO. Artist name SAROOTON. Noemata Random Name
Generator. VIOBONGA. VIOBONGA. Cat name KEMEL. Noemata Random Name
Generator. GANER. GANER. Trance artist DATANIUMAL. Noemata Random Name
Generator. OMBENTAI. OMBENTAI. Hare krishna alias XYSUN. Noemata Random
Name Generator. SEANISYN. SEANISYN. eeeee eeee eeee e e eeeee eeee e. e e.
eee eee eee. Goldfish name INGANTE. Noemata Random Name Generator.
ABONGNITRO. ABONGNITRO. ) ) ) ) ) ). ) ) ) ). (. (. ) ). (( ((. ((.
Mysterious alias EPIFLEX. Noemata Random Name Generator. MICROCARO.
MICROCARO. ''''''''''. '. '... .... '.... '... ' ..... '..... ' .. ..'..
'.. . .. ... . . .... .. '. . . . .. ..
............................................... International agent
codename CELLSEA. Noemata Random Name Generator. TEPOST. TEPOST. T E P O S
T. Hxr nick TECITY. Noemata Random Name Generator. ZAPIS. ZAPIS. ' ) )))
)))). (( (( ( (( (( ((. ICQ nick VIEBORY. Noemata Random Name Generator.
NANOLENCE. NANOLENCE. N A N O L E N C E. ICQ nick CANECHO. Noemata Random
Name Generator. NIONKEY. NIONKEY. . .... ). Pet name MUGOXYER. Noemata
Random Name Generator. CANDRU. CANDRU. Noemata Random Name Generator.
PRIZE. PRIZE. Noemata Random Name Generator. OPTIGANA. OPTIGANA. O P T I G
A N A. Polkaband OHSYNCUNO. Noemata Random Name Generator. SUMSPI. SUMSPI.
'. Japanese toy craze SOFTPI. Noemata Random Name Generator. RUPTOMNISES.
RUPTOMNISES. ) ) ((. )).
302
Roleplaying name PILEL. Noemata Random Name Generator. BEO. BEO. Netart
project NOMGOE. Noemata Random Name Generator. ESIN. ESIN. ) ). ( ) ( (.
). ) ). () ( ( ( '. Hotmail account name BARPEA. Noemata Random Name
Generator. SUNELL. SUNELL. Cool band name MORSA. Noemata Random Name
Generator. ECHOROSO. ECHOROSO. Impressive fake middle name SNEGDECI.
Noemata Random Name Generator. AMRACKWA. AMRACKWA. Software LUSGOGO.
Noemata Random Name Generator. BUMICE. BUMICE. ) ) '. ). ( (. Noemata
Random Name Generator. WAVEAA. WAVEAA. ........................
............................ ................... .........................
..........................
.................................................. Meditation mantra EZEN.
Noemata Random Name Generator. ESNEGZA. ESNEGZA. Roleplaying name PSEUPOP.
Noemata Random Name Generator. THELPOEGE. THELPOEGE. d......b dbdb d.....b
db d....b. .d..b. d.....b d...b d.....b. ..' .... ..' .. ...D ..PY.. ..'
..'Y.b ..'. .. ..ooo.. ..ooooo .. ..oodD' .... ..ooooo .. ..ooooo. .. ....
.. .. .. .... .. ..ooo ... .. .... ... ..booo. .. .bd.' ... .... .... YP
YPYP Y.....P Y.....P .. Y..P' Y.....P Y...P Y.....P. Scifi robot hero
NKMETA. Noemata Random Name Generator. SHCHROMO. SHCHROMO. ( ( (. Cat name
SRONMAGI. Noemata Random Name Generator. EXSINNECRO. EXSINNECRO. ggggggg
ggg gg gg aa ggg ggggggg. ggg ggggggg ggggggg gggg ggggggggggg gggggg.
dPYbdPY dP' ii dPYPYb. dPYPYb dPYb YbdPY dPdPYb. d' a YYb b d ' d bYb dP'
Yb. dP' d' a Y d YYb b d' Y bdP. YP' YP' ' '. ' YP' d' b d P d' YbaaadP'.
baaaa Y dP. baaaa I YP' aaaadP P Y. dP b dP' a Y P. dP I' Yb b d. d d b
dP' Yb '. d d b Y P. Y P' Y dP' I. Y Y i Y P'. Yba d Yb dPb db Y. YYba Yba
Yb YbdP'. Y P' YaPYP YP Y Y. Y Y Y Y YP'. ONTHROPICURI. Noemata Random Name
Generator. MIXBI. MIXBI. ggg gggggg aa ggg gg ggggggggggg aa. dPYdPYPYb dPY
dP' dPY. Yb ' ' d bYb b d Yb b d b. YP' P. Y aaaadP. Y P b Yba Y P. ' d b b
'. P' Y P. Yb db d Yb d'b db. Y YP Y P' Y P YP Y. Software COTUNAZ. Noemata
Random Name Generator. LYZPRI. LYZPRI. ooooooooooooooooooooooooooooooo.
oooooooooooooooooo. oooooooooooooooooo. oooooooooooooooooooo.
oooooooooooooo. oooooooooooooooooooooooooo. Scifi robot hero XEDIC.
Noemata Random Name Generator. ANPHONPO. ANPHONPO. Art installation
CANEXTRA. Noemata Random Name Generator. UN. UN. ))) )). ((( (((. Buzz
word this year GYROVOXER. Noemata Random Name Generator. GOGOCITYY.
GOGOCITYY. Polkaband EWONOA. Noemata Random Name Generator. SPHERAMA.
SPHERAMA. ICQ nick CORGRI. Noemata Random Name Generator. ESCAPTHE.
ESCAPTHE. d.....b .d..... .o..b. .d.b. d....b. d......b dbdb d.....b. ..'
..'YP d.PY. d.'.b ...D ..' .... ..'. ..ooooo .bo. .P ..ooo.. ..oodD' ..
..ooo.. ..ooooo. .. Y.b. .b .... .. .. .... ... ... db.D Y.bd. .... .. ..
.... .... Y.....P ....Y' Y..P' YPYP .. YP YPYP Y.....P. Netart project
GRUSE. Noemata Random Name Generator. FEDEROOTAM. FEDEROOTAM. ' ' ) ' ) )
). ((. Acid house combo METRONDONA. Noemata Random Name Generator.
THERMODENT. THERMODENT. ................................
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Mysterious alias SINE. Noemata Random Name Generator. CLONPLEXIAX.
CLONPLEXIAX. Dada movement VELULTRA. Noemata Random Name Generator.
RIOSXEE. RIOSXEE. d....b. d......b .d..b. .d..... dbdb d.....b d.....b.
...D ..' ..PY.. ..'YP .bd.' ..' ..'. ..oobY' .. .... .bo. .bd.' ..ooooo
..ooooo. ...b .. .... Y.b. .dPYb. .. ... ..... .... .bd.' db.D ..PY.. ...
.... ..YD Y......P Y..P' ....Y' YPYP Y.....P Y.....P. International agent
codename QUOMACE. Noemata Random Name Generator. BOONPE. BOONPE. '''' ''.
.... '.... '.... .... ...... .... . ..... .... .. . . ..
..................................... ANNUALE. Noemata Random Name
Generator. KENWAS. KENWAS. Meditation mantra UNREDENA. Noemata Random Name
Generator. NEONUALE. NEONUALE. Cat name CONO. Noemata Random Name
Generator. LOGO. LOGO. Polkaband ERZMETRO. Noemata Random Name Generator.
SSENTTE. SSENTTE. Mysterious alias ALXPOSSI. Noemata Random Name
Generator. EMATZE. EMATZE. Pet name THCO. Noemata Random Name Generator.
COMWE. COMWE. ( C ) ( O ) ( M ) ( W ) ( E ). Noemata Random Name
Generator. LLDAEL. LLDAEL. ). ) ) ( ) ( ). ( ( ) (. ). )
303
( ( ( ( () (. ) ) ). Netart project AKEZEPI. Noemata Random Name Generator.
HIDIUMEM. HIDIUMEM. Motherplanet in space flick FEEPOSO. Noemata Random
Name Generator. TOMMOS. TOMMOS. ggggggggggggggg gggggg ggg gggggg ggg
gggggg. gggggg gg. dP dPdPYb dPYdPYPYb dPYdPYPYb. dPdPYb ii. Yb d' Y bdPYb
' ' Yb ' ' d'. Y bdP '. d' YbaaadP' d'. YbaaadP' '. P Y P. Y dP. b d b. d
dP' a. Y P Y. P dP' Yb. gg Y P' Y. P' dP' I. YbP YbdP' Y Y. YbdP' dP. YP'
YP' Y Y. YP' aPYP. Fancy art gallery YREPXERO. Noemata Random Name
Generator. EMICWE. EMICWE. oooooooooooooooooooooooooooooooooo.
oooooooooooooooooooooooo. oooooooooooooooooooooooooo.
ooooooooooooooooooooooo. oooooooooooooooooooooo.
oooooooooooooooooooooooooooooo. DENOPTI. Noemata Random Name Generator.
ESCERNSPY. ESCERNSPY. d.....b .d..... .o..b. d.....b d....b. d.bdb .d.....
d....b. dbdb. ..' ..'YP d.PY. ..' ...D ...o.. ..'YP ...D .bd.'. ..ooooo
.bo. .P ..ooooo ..oobY' ..V.o.. .bo. ..oodD' .bd.'. .. Y.b. .b .. ...b
..V.o.. Y.b. .. ... ... db.D Y.bd. ... ..... ..V... db.D .. ... Y.....P
....Y' Y..P' Y.....P ..YD VPV.P ....Y' .. YP. Trance artist EALENCYOU.
Noemata Random Name Generator. SEMAC. SEMAC. )) )L )) ) )). (( (( (((( ((
( ((. Polkaband MAGIBEAMAN. Noemata Random Name Generator. MUSOMNI.
MUSOMNI. .. Y Y. Roleplaying name PSEUNCA. Noemata Random Name Generator.
GANDIE. GANDIE. DJ name AHBASLOO. Noemata Random Name Generator. WARCE.
WARCE. WW WW AAA RRRRRR CCCCC EEEEEEE. WW WW AAAAA RR RR CC C EE. WW W WW
AA AA RRRRRR CC EEEEE. WW WW AA AA RR RR CCCCC EEEEEEE. BELLO. Noemata
Random Name Generator. RUTHNANOI. RUTHNANOI. ) ). ((. Hxr nick EAWARHE.
Noemata Random Name Generator. APHROM. APHROM. ''''''''. ' .... .... '....
'. '. '. '.. ..... .... .. .. .... . .. . .. ..........................
Netart project ERDOMINPROTO. Noemata Random Name Generator. BARDATAYN.
BARDATAYN. ) )' ) ) ) ) )' ) ' ) ). '. ( ( ( ( ( (. (. Japanese toy craze
ERZYMNANO. Noemata Random Name Generator. KITEAL. KITEAL. ) ) ). ( ) ( ( (
). ( ) (. ) ) ). ( ( ( () ( (. ). Cyborg model BANARE. Noemata Random Name
Generator. MASNEUROE. MASNEUROE. MM MM AAA SSSSS NN NN EEEEEEE UU UU
RRRRRR OOOOO EEEEEEE. MMM MMM AAAAA SS NNN NN EE UU UU RR RR OO OO EE. MM
MM MM AA AA SSSSS NN N NN EEEEE UU UU RRRRRR OO OO EEEEE. MM MM AAAAAAA SS
NN NNN EE UU UU RR RR OO OO EE. MM MM AA AA SSSSS NN NN EEEEEEE UUUUU RR RR
OOOO EEEEEEE. Fancy art gallery GRIPOS. Noemata Random Name Generator.
ETORPHOTO. ETORPHOTO. .............................
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Buzz word this year BABIDO. Noemata Random Name Generator. MACAMA. MACAMA.
PISOPTI. Noemata Random Name Generator. TEZYM. TEZYM. Motherplanet in space
flick FACHYPO. Noemata Random Name Generator. SPOSUBSES. SPOSUBSES. gg
ggggggggggg gggggg gg ggg gg. ggggggggggg gg ggggggg gg. ii dPY dPdPYb ii
dPYa. dPY ii dPYb ii. ' Yb bd' Y bdP ' Yb. Yb b ' d' a Y '. ' Pd' YbaaadP'
'. P ' YP' '. dP aaaadP P Y dP. aaaadP dP baaaa dP. dP' a b d dP' a. Yba
dP' a dP dP' a. dP' Yb Y P dP' Yb. b dP' Ybd dP' Yb. dP' I Y P' dP' I. P
dP' IY dP' I. dP YbdP' dP Ybd. d'dPYba dP. aPYP YP' aPYP YPY. P aPYP Y
aPYP. Artist name OSCONREO. Noemata Random Name Generator. OICH. OICH. ')
) )' ). ( ( (. Osho name SILENC. Noemata Random Name Generator. SIGAR.
SIGAR. Dog name LOOGUS. Noemata Random Name Generator. GANTHERMOS.
GANTHERMOS. Dada movement PALNEURO. Noemata Random Name Generator.
NTHAPHROE. NTHAPHROE. Buzz word this year OIMIC. Noemata Random Name
Generator. VIUNO. VIUNO. Tshirt text UNRESCERN. Noemata Random Name
Generator. PATHANA. PATHANA. ''''''' '. .... ' ... .. ' '. '. '. '.. '. '.
'.. ..... .... .. .... .... . ..... .. ......................... Osho name
OSPOPWE. Noemata Random Name Generator. DRULEME. DRULEME. e eeee e e eeee
e eeee. eee ee eee eee eee. Osho name OFORCVA. Noemata Random Name
Generator. WARE. WARE. dbd.bdb .d.b. d....b. d.....b. ..I.I.. d.'.b ...D
..'. ..I.I.. ..ooo.. ..oobY' ..ooooo. Y.I.I.. .... ...b ... .bd.'.bd.'
.... ..... .... .b.'.d.' YPYP ..YD Y.....P. Tattoo shop CITYCAEGE. Noemata
Random Name Generator. VESMAGIS. VESMAGIS. V E S M A G I S. Noemata Random
Name Generator. BUMNU. BUMNU. ) ) ) ). ( ) ( ( ( (. (. ) ) ) ). ( ( (( ( '
( ' ((. Software CELLMIDIIN. Noemata Random Name Generator. PTURSO. PTURSO.
..................... .............................
......................... ...............................
.............................
................................................. Elbonian cousin name
CKERME. Noemata Random Name Generator. TIMGOER. TIMGOER. Impressive fake
middle name NARS. Noemata Random Name Generator. EMUSSI. EMUSSI.
httpwww.google.comsearchqEMUSSI
304
305
Blackmetal band EBEAMPRE. Noemata Random Name Generator. POPWAE. POPWAE. .
. . . . . .. . . . . . .. . . .. . .. .. .. . . . . .. . . .. . . . . . ..
. . .. . . . . . . .. . . . . . . . . . .. . . . . .. ... Pet name TOPBIEL.
Noemata Random Name Generator. SCEZARON. SCEZARON. gg gggg ggggggg gggggggg
ggg. ggggggggggg gggggg ggg ggggggg. ii Yb dPYbdPYb dPI. dPY dPdPYb dPYPYb.
' d Y d' a Ya b dP Yb. b d' Y bdPYb dP'. ' d' b d YP'YP dP. P d' YbaaadP'
'. dP I YP' baaaa '. aaaadP P Y. dP' a I' dP d' d. Yb b d. dP' Ybd d d'. b
Y P. dP' IY Y dba dP P Y. i Y P'. dPYba Yba YbYbdP b. Yb YbdP' Y. aPYP Y Y
d YP Y. Y YP' Y. P. d'. d'. d'. Y P. YP. Noemata Random Name Generator.
FACPARA. FACPARA. Tshirt text ENIUME. Noemata Random Name Generator.
OHZENYA. OHZENYA. OOOOO HH HH ZZZZZ EEEEEEE NN NN YY YY AAA. OO OO HH HH
ZZ EE NNN NN YY YY AAAAA. OO OO HHHHHHH ZZ EEEEE NN N NN YYYYY AA AA. OO
OO HH HH ZZ EE NN NNN YYY AAAAAAA. OOOO HH HH ZZZZZ EEEEEEE NN NN YYY AA
AA. Evil scifi character GERONA. Noemata Random Name Generator. SIRIOS.
SIRIOS. . .. . . .. . ... . . . . . .. . .. . .. . .. . .. . .. . .. . ..
. .. . .. . ... . . . . . .. . .. .. . .. Tattoo shop PHMETRO. Noemata
Random Name Generator. YNMANUNI. YNMANUNI. Evil scifi character BANEREZ.
Noemata Random Name Generator. VOYSEAI. VOYSEAI. Polkaband STUNREES.
Noemata Random Name Generator. XIDVAOM. XIDVAOM. Cyborg model METAPALS.
Noemata Random Name Generator. HESUM. HESUM. . .. . . .. .. . .. . .. .. .
.. . .. . . .. . . .. . .. . . .. . .. . .. . . .. . .. . .. . .. .. .. .
.. . . . .. Scifi robot hero EXGUS. Noemata Random Name Generator.
AGANUNI. AGANUNI. ) ). (( ((. ICQ nick CKEXTRAS. Noemata Random Name
Generator. PATHSCIE. PATHSCIE. Hxr nick BATHELA. Noemata Random Name
Generator. DUSTFAS. DUSTFAS. Goldfish name PHOBPROTO. Noemata Random Name
Generator. CLONU. CLONU. '''' ''. '... '..... ... .. .. . . . ..
................................. Acid house combo CITUNIE. Noemata Random
Name Generator. PUSDEAAX. PUSDEAAX. eeee e eeeee e eeee eeee eeee eeeeee.
e. ee eee eee eee. Trance artist LONTE. Noemata Random Name Generator.
SESTIONAU. SESTIONAU. ( S ) ( E ) ( S ) ( T ) ( I ) ( O ) ( N ) ( A ) ( U
). Mysterious alias WAVJOU. Noemata Random Name Generator. PILBA. PILBA.
Blackmetal band SVIVIE. Noemata Random Name Generator. LOUM. LOUM. L(()U.
'. Cat name APITELE. Noemata Random Name Generator. ESALPRI. ESALPRI.
ooooooooooooooooooooooooooooooooooo. oooooooooooooooooooooo.
oooooooooooooooooooooo. oooooooooooooooooooooooooooooo.
oooooooooooooooooooo. ooooooooooooooooooooooooooooooooo. Pet name
SUMPROTO. Noemata Random Name Generator. PSEUCOMA. PSEUCOMA. ''''''''''.
.... '... ..... '... '.... ''. .. .. ''.. .. '.. .......... ... .. ' ..
..... . . . .. ............................................. Hotmail
account name ERLWE. Noemata Random Name Generator. VOXFEDEO. VOXFEDEO.
Tshirt text HATTIE. Noemata Random Name Generator. EGEBACZA. EGEBACZA. ).
). Roleplaying name VIEGONET. Noemata Random Name Generator. SSUNZE.
SSUNZE. .d..... .d..... dbdb d.bdb d.....D d.....b. ..'YP ..'YP ....
...o.. YPd.' ..'. .bo. .bo. .... ..V.o.. d.' ..ooooo. Y.b. Y.b. ....
..V.o.. d.' ... db.D db.D ..bd.. ..V... d.'db .... ....Y' ....Y' Y....P'
VPV.P d.....P Y.....P. Art installation PRESLOUO. Noemata Random Name
Generator. LUSAUEM. LUSAUEM. ooooooooooooooooooooooooooooooo.
oooooooooooooooooooooooooooo. oooooooooooooooooooooooooooo.
oooooooooooooooooooooooooooooo. oooooooooooooooooooooooo.
ooooooooooooooooooooooooooooooooooo. Tshirt text TUALPHOTOO. Noemata
Random Name Generator. ACIFCRO. ACIFCRO. Cyborg model DIOSPIE. Noemata
Random Name Generator. GNOMGOAL. GNOMGOAL. Japanese toy craze XIDNEURO.
Noemata Random Name Generator. DOMINSI. DOMINSI. DJ name LZA. Noemata
Random Name Generator. TEPHEM. TEPHEM. Noemata Random Name Generator.
SPACI. SPACI. .. Software ERRITZLA. Noemata Random Name Generator.
CEMINOM. CEMINOM. . .. ... . . . .. . .. . . ... . . . . . . .. . . . . .
... . .. .. . . .. . . . . ... . .. .. . .. . . . . ... . .. .. . .. . ..
. ... . . . . .. . .. ... . . . .. Hotmail account name FACNEBULA. Noemata
Random Name Generator. GAPATH. GAPATH.
306
Netart project NIZMAGIER. Noemata Random Name Generator. LARIOR. LARIOR.
Tattoo shop PTURQUEER. Noemata Random Name Generator. THGO. THGO. d......b
dbdb d...b .d..b.. ..' .... ..'Y.b ..PY... .. ..ooo.. .. ..... .. ....
..ooo ..... .. .... .... .bd.'. YP YPYP Y...P Y..P'. Mysterious alias
EDUBWI. Noemata Random Name Generator. PATADUBAR. PATADUBAR. Osho name
ECLONYOU. Noemata Random Name Generator. OMLYZCYCLO. OMLYZCYCLO. Message
board spam name LENCA. Noemata Random Name Generator. LEARNAL. LEARNAL. .
. . . . . . .. . . . . . . . . . .. . . . . . . . . . . . .. . . . . . . .
. . . . .. . . . . . . . . . . . .. . . . . . . . . . . .. ... .. .. ...
... Noemata Random Name Generator. INERDE. INERDE. d......b d.bdb d.....b
d....b. d....b. d.....b. ..' ...o.. ..' ...D ...D ..'. .. ..V.o.. ..ooooo
..oobY' .... ..ooooo. .. ..V.o.. .. ...b .... ... .... ..V... ... .....
....D .... Y......P VPV.P Y.....P ..YD Y....D' Y.....P. Dog name FACBIOEM.
Noemata Random Name Generator. NEUROWAREL. NEUROWAREL. Netart project
MONOZYM. Noemata Random Name Generator. HOLONIZ. HOLONIZ. Cyborg model
DYZENE. Noemata Random Name Generator. LO. LO. Art installation SEXWE.
Noemata Random Name Generator. XIDE. XIDE. Buzz word this year DECKNAES.
Noemata Random Name Generator. ACKDADA. ACKDADA. ) )' ) ) ) ) ). ( ( ) (
(. Mysterious alias SALAT. Noemata Random Name Generator. CYCLOMERAX.
CYCLOMERAX. Artist name VERSESES. Noemata Random Name Generator. HOLOPH.
HOLOPH. Noemata Random Name Generator. SAVOZ. SAVOZ. gg ggg ggg gg gggggg
gggggggg. ii dPI dPYa P dPdPYb dPYb. ' dP Yb d' d' Y bdPa b. ' dP d'
YbaaadP'YP. dP ' P Y. dP' a d I I b d d'. dP' Yb ' Y P d'. dP' IdP P Y Y P
Y P' dba. dPYbdP b YbdP YbdP'. Yb. aPYP YP Y YP YP'. d. P. d'. d'. d'. Y.
P. YP. Blackmetal band MUSBA. Noemata Random Name Generator. DANEER.
DANEER. ) )' ) ) ' ) ). '. ( ( ( (. Evil scifi character COLNU. Noemata
Random Name Generator. STASTROAZ. STASTROAZ. gg ggggggggggggggg ggg gg
ggggggggggggggg. ggggggggggg gggggg ggg gggggggg. ii dP dPI ii. dPdPY
dPdPYb dPI. dPYb. ' Yb dP ' Yb. Yb b d' Y bdP dP a b. ' dP '. P d'
YbaaadP' dP YP. dP ' dP. aaaadP P Y '. dP' a d dP' a. Yb b d d d'. dP' Yb
dP' Yb. b Y P d'. dP' I gg dP P Y dP' I gg. i Y P' dP P Y dba. dP YbP YbdP
bdP YbP. Yb YbdP' YbdP b Yb. aPYP YP' YP YaPYP YP'. Y YP' YP Y d. P. d'.
d'. d'. Y P. YP. Mysterious alias ESCONU. Noemata Random Name Generator.
CABKILO. CABKILO. C A B K I L O. Cyborg model YRCHA. Noemata Random Name
Generator. BABNE. BABNE. ) ). .. Artist name CIDXY. Noemata Random Name
Generator. YARPA. YARPA. Hxr nick WEMENEGE. Noemata Random Name Generator.
MASHAE. MASHAE. ) ) ). ( ( ( ) ( (. ). ) ) ) ) ( ). ( ' ( ( ( ( ().
Computer ID OCY. Noemata Random Name Generator. STCYCLO. STCYCLO.
ooooooooooooooooooooooooooooooo. oooooooooooooooooooooooo.
oooooooooooooooooo. oooooooooooooooo. oooooooooooooooooooooo.
oooooooooooooooooooooooooooo. Goldfish name ANTINOS. Noemata Random Name
Generator. CHTERA. CHTERA. .o..b. dbdb d......b d.....b d....b. .d.b..
d.PY. .... ..' ..' ...D d.'.b. .P ..ooo.. .. ..ooooo ..oobY' ..ooo... .b
.... .. .. ...b ..... Y.bd. .... .. ... ..... ..... Y..P' YPYP YP Y.....P
..YD YPYP. Mysterious alias NAERO. Noemata Random Name Generator. EPTURA.
EPTURA. ). KENCHE. Noemata Random Name Generator. TORHEEN. TORHEEN. T O R
H E E N. DJ name ZARINTROIN. Noemata Random Name Generator. RABUM. RABUM.
Y. ICQ nick MACSES. Noemata Random Name Generator. CONSEA. CONSEA. ) ) ).
() ( ) ( ( ) (. ). ) ) ). () ( ( ' ( () (. Osho name PHOTOKENE. Noemata
Random Name Generator. CIESENT. CIESENT. ( C ) ( I ) ( E ) ( S ) ( E ) ( N
) ( T ). Buzz word this year ANOIDAERO. Noemata Random Name Generator.
SCERNAUTO. SCERNAUTO. (((()U L ((). '' '. Pet name BETALIONON. Noemata
Random Name Generator. RAGASEXEL. RAGASEXEL. ggggggggggg ggg gg ggg gg.
ggggggg ggg gg ggggggg gggg. dPY dPI ii dPI ii. dPYbdPY dP' dPYb d I. Yb b
dP ' dP '. d' a YYb b d d' a Y dP. P dP Yaaad dP '. YP' YP' YP' P. aaaadP '
dY ' dP. baaaa Y baaaa. Yb d P b d dP' a. dP b dP. b dP Y dP'. Ybd d b d
aa. i dP P Y dP' IdP P Y dP'. IY P' Y Y dP P. YbYbdP bdPYbdP. bdPYba d Yb
Yba Ybdb. Y YP YaPYP YP YaPYP. Y P' Y Y YP Y. Hxr nick ESCIFKA. Noemata
Random Name Generator. AZBASLOO. AZBASLOO.
307
Art installation AGECHROMAERO. Noemata Random Name Generator. Slektstre.
Slektstre. Ann Elesøpite. Bsorn Jenne. Anyto. Knet Macmoalteon. Erlunc
Mesnaylteon. Knet Olshn Micnualtean. Oli Olcen Hellons Mosnealdeem. Olo
Svonsan Tinuoese. Spaon Elepson Timeiøcu. Barcid Eilhpstedtar Tine de..
Amme Olstattår Buscøtaecon Besso i Nos Ål. Ghnfer Eiraggtitter Flhden.
Eerhs Assrensan Fletam. Ascram Ehrosgen Saecsort Flutyn. Eirus Aszrinsen
Sera Ree Østru Agur ver. Bhrghd Genmurdottar Øfre Asar par. Genbar
Olcditthr Nertra Fasc. Olå Knotson Nertra Fekc. Anma Lorstottår Nertræ
Åsor Syra Tefdo. Kristi Harpråntstitter Nerdru Hylcayson. Herfremd Pelcon
Låen Hasim Ssrendo. Mersht Keddilctættor. Mera Eylhfgtatder Ritnonsen Ål.
Ellans Olson Østnhntsed. Insopers Olsdhdtar Rutnimsen. Acnes Roeni. Anterc
Roonæ. Scur. Shnmyfi. Anme Øoeplitom faxrefelsi. Ole Øohflitan sil. Merea
Metolen sogn. Olhas Hehson. Jøns Heesem. Jan Jåmcan Haosan fhr aesost.
Jins Jimkan Sludte Kfangåyasen (c. . Jonc ver fri Oynctathtte. fre
Aurlomt.). Jin Jangen Oomstod Getbrentcgert Setndolen (s. ). Ronste
Olgtedter Tanisun. Oly Tanhccan Kfongiæegen. Tenis Olcøn Shra Tarba.
Ronsth Lerctytdor Nardre Gravo. Kyri Olctiddur Nidri Raynden. Ola Knatcen
Reemthm (g. ). Knyt Livhrtcon Sara Møaes (s. ). Rhnnes Larstettir Moteos.
Haltos Olctitthr Surh Bhssæstot. Byrsat Olsdattar Morasledte Sbartiferj
(forset ver dhttar tal. ssilelirar Oly Sopitson Sfertafers fre Ål.). Geru
Olstattyr Nardri Reumtan. Olu Olgem Nartre Reymton (c. ). Ola Sfeenson
Nartre Rayntim (s. ). Sfeon Kmhtgen dæ. Nhrtru Ryandhn. Knod Lifordsen
Sirø Mitays Netre Rionton (c. ). Remsta Sfaengtettar Sencta Kyebams.
Birzot Olctattir Thmsin. Gra Olkdottur Nirtro Hallamg Ål. Ole Olsen Nirtro
Hillhns Ål. Gri Nalctetdar Halde. Borsod Sshgortsdetthr Teasacthcin.
Birsoyld Hillinccthd. Arna Hhllenggthd. Tera Kolbcerncsart Vads. Removal
of the hand. The Removal of the hand as a mythological symptom consistent.
with fetishistic disavowal can only be a pretext for 'release' per se.
says. Mr. Tanizaki disavowedly.. Palafax Solipsigossa. .ltb.gt.
.ltb.gt....ltb.gt. randomART Tommy is .ltb.gt....ltb.gt. .) (.'. .) ('..
Seven elements of beauty. Seven elements of beauty. . Asymetry breaking
away from formed perfection.. . Nonattachment openmindedness. .
Naturalness artless without pretense. . Simplicity. . Limitless silence
inwardlooking mind. . Wizened austerity like an old tree. . Profound
subtlety. pieces. May there be peace in heaven.. May there be peace in the
sky.. May there be peace on earth.. May there be peace in the water.. May
there be peace in the plants.. May there be peace in the trees.. May there
be peace in the Gods.. May there be peace in Brahman.. May there be peace
in all.. Peace peace peace.. Hindu. a state of tranquillity or quiet as a
freedom from civil disturbance b. a state of security or order within a
community provided for by law or custom breach of the peace. freedom from
disquieting or oppressive thoughts or emotions. harmony in personal
relations. a a state or period of mutual concord between governments b a
pact or. agreement to end hostilities between those who have been at war
or in a state. of. enmity. used interjectionally to ask for silence or
calm or as a greeting or. farewell. at peace in a state of concord or
tranquillity. Cherish in your hearts boundless goodwill to all that
lives.. Learn to make the whole world your own. No one is a stranger my
child the. whole world is your own.. det profane er høyere enn det
sakrale. sakrale som et fokuspunkt. . The obstacles in the way of him who
desires to attain concentration are. Sickness Languor Doubt Carelessness
Laziness Addiction to objects of. sense. Erroneous Perception Failure to
attain any stage of abstraction and. Instability in any stage when
attained.. . These obstacles are accompanied by grief distress trembling
and sighing.. . FOR THE PREVENTION OF THESE ONE TRUTH SHOULD BE DWELT
UPON.. Any accepted truth which one approves is here meant.. . Through the
practising of Benevolence Tenderness Complacency and. Disregard for objects
of happiness grief virtue and vice the mind becomes. purified.. The chief
occasions for distraction of the mind are Covetousness and Aversion. and
what the aphorism means is not that virtue and vice should be viewed with.
indifference by the student but that he should not fix his mind with
pleasure. upon happiness or virtue nor with aversion upon grief or vice in
others but. should regard all with an equal mind and the practice of
Benevolence. Tenderness and Complacency brings about cheerfulness of the
mind which tends. strength and steadiness.. patanjali. recollect the
antecedent. . To recollect that which is most antecedent to the in breath
and out breath. means that you must tune into that which is prior to the
entire breathing cycle. itself. Just as the hand which lifts a staff is
not part of the staff likewise. the antecedent recollection is not a part
of your breathing. As a practical. illustration you must recollect the
antecedent as you breathe in and breathe. out. If the breathing is long or
short labored or otherwise you must focus on. the antecedent so that
breathing follows after it. When you breathe for. example your normal
belief is I am breathing. It never dawns on you to. retract your attention
and look in the opposite direction so as to rise above. breathing. Not
surprisingly this is not an easy task (owing to force of. habit. all of us
still attend to conditions which are always posterior).. seung sahn. You
think that the kongan is separate from your life and from your job. This.
kongan don'tknow mind clear mind your job your life everything hit. become
one. Just now what are you doing. You asked me what am I I say to you you
already understand. Look at the. ground. What do you see What do you hear
now You must open your eyes and. ears.. Also you must attain your true
self. Then you will not have to ask about me.. Zen is not difficult also
not special. If you want special you have special.. But this special
cannot help you. When you are eating just eat when you are. walking just
walk when you drive just drive. That is Zen. There are many. kinds of Zen
eating Zen working Zen television Zen driving Zen playing. tennis Zen.
Sitting Zen is one part. Most important is moment to moment how. do. you
keep clear mind So Nam Cheon Zen Master was asked What is Zen. Everyday.
mind is Zen mind. So don't make special don't hold something don't be.
attached to something don't make something then you are already complete..
That's primary point I told him. You found it. You studied philosophy but.
you couldn't attain this nothing. Just now you attained nothing. But if
you. hold nothing then you will have a problem.. What do you mean by
'holding nothing.... It's very sad if you are holding nothing. All your
lingering attachments will. press on you. If you are not attached to
nothing you will attain nothing and. there is no life or death. If you are
nothing then life and death are nothing.. You are already beyond them.. Oh
that's wonderful he said. I didn't understand that until now.. It was an
interesting conversation. He was old rich and very wellknown but. he said
he had gotten nothing. As you get old this nothing gets bigger. Before.
you come into this world there is nothing. When you are young you don't.
understand nothing just the words. But by the time you are forty or fifty.
and. a good friend has died or your mother and father have died then you
have. experienced nothing. You have tasted nothing. If you practice hard
the taste. is. very strong and you are free to help other people. But if
you are holding. something in your mind you can't taste nothing. If you
want freedom you. must. taste nothing very intensely. What is the taste of
nothing. cayce the Sanskrit word for action is karma. the Sanskrit word for
action is karma. when there are rebellions of body or mind against such is
there any wonder. that. the atoms of the body cause high blood pressure or
cause itching or cause. running sores or cause a rash or cause indigestion.
For all of these are. but the rebellion of truth and light.. . As has been
given there are DEFINITE conditions that arise from. within the inner man
when an individual enters into true or deep meditation. A. physical
condition happens a physical activity takes place Acting through. what
Through that man has chosen to call the imaginative or the impulsive and.
the sources of impulse are aroused by the shutting out of thought
pertaining to. activities or attributes of the carnal forces of man. That
is true whether we. are considering it from the group standpoint or the
individual. Then changes. naturally take place when there is the arousing
of that stimuli WITHIN the. individual that has within it the seat of the
soul's dwelling within the. individual body of the entity or man and then
this partakes of the. individuality rather than the personality.. . If
there has been set the mark (mark meaning here the image that is raised.
by the individual in its imaginative and impulse force) such that it takes
the. form of the ideal the individual is holding as its standard to be
raised to. within the individual as well as to all forces and powers that
are magnified or. be magnified in the world from without THEN the
individual (or the image). bears the mark of the Lamb or the Christ or the
Holy One or the Son or any. of the names we may have given to that which
ENABLES the individual to enter. THROUGH IT into the very presence of that
which is the creative force from. within itself see. . Some have so
overshadowed themselves by abuses of the mental attributes of. the body as
to make scars rather than the mark so that only an imperfect. image. may be
raised within themselves that may rise no higher than the arousing of. the.
carnal desires within the individual body. We are speaking individually of.
course we haven't raised it to where it may be disseminated for remember
it. rises from the glands known in the body as the lyden or to the lyden
Leydig. and through the reproductive forces themselves which are the very
essence of. Life itself within an individual see for these functionings
never reach that. position or place that they do not continue to secrete
that which makes for. virility to an individual physical body. Now we are
speaking of conditions from. without and from within. . The spirit and the
soul is within its encasement or its temple within the. body of the
individual see With the arousing then of this image it rises. along that
which is known as the Appian Way or the pineal center to the base. of the
BRAIN that it may be disseminated to those centers that give activity. to.
the whole of the mental and physical being. It rises then to the hidden eye
in. the center of the brain system or is felt in the forefront of the head
or in. the place just above the real face or bridge of nose see. . FIND
that which is to YOURSELF the more certain way to your consciousness. of.
PURIFYING body and mind before ye attempt to enter into the meditation as
to. raise the image of that through which ye are seeking to know the will
or the. activity of the Creative Forces for ye are RAISING in meditation
actual. CREATION taking place within the inner self. snailmail
jupitterlarsen. snailmail g.x. jupitterlarsen. for myself eye enjoy
playing with terms as toys nothing more. too many. people. take ideas (or
the terms of ideas) too linearly.. eye think that a person's disapproval
of somehting is no reason not to like. it.. if a man believes in something
it does not necessarily mean that he accept it. as something which is
essential nor should he.. in fact a man exhibits a real understanding of
the workings of reality when. in. a single action (without meaning to
deceive) he deliberately says one thing. and. does something else
altogether different.. it is the multidimensionality of all of this which
shows us that using the. same. process of making rational conclusions will
not always work for all events. and. actions.. eye am not from anywhere
really. my father was from norway however. g.x. jupitterlarsen. NOT HERE.
and we. and we. are fundamentally inclined to maintain that the falsest
opinions. (to which the synthetic judgments a priori belong) are the most.
indispensable to us ..without a constant. counterfeiting of the world by
means of numbers we could not. live.
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UEOFTHEFOUNDINGOFGARDENINGARPNCTSUJEXQUOTSFD. CSFDE. i don't remember
having written this not sure what it is... phaneronoemikon solipsis blog.
Person shelf sentence continuing. Q Who reads Person shelf sentence
continuing. A Pure Irration.. Q Is reading done in eyeball. A All reason
contains irreasonal assumption.. Q Why does Person shelf sentence
continue. A Pure ration of radiance.. Q What is contained in one ration of
radiance. A Pure Irration.. Q Are you in favor of constructing networks of
belief. A They are constructing me. Why not construct them. Q Can you
explain. A I have swallowed a redhot iron ball. which has cauterized my
throat into a starform.. Q Who reads Person shelf sentence continuing. A A
Pure Ration of the AllSelf incausing Irration for S.O.A.. A Person shelf
sentence continuing. Q FINAL.. Wednesday March. CAMBODIAN MAN CUTS OFF
PENIS TO FEED SPIRITS. Mon Mar AM ET. PHNOM PENH (Reuters) A Cambodian man
cut off his penis when he said he was. visited by four hungry spirits in a
dream and he had no chicken or duck to. offer them.. According to police
yearold Soun Ney told the spirits to go away when. they first appeared to
ask for food and waved his penis at them in defiance.. 'Devils I don't
have any chicken or duck for you' he was quoted as saying by. local police
chief Phoeung Vat. 'If you want to eat anything you can eat my. penis.'.
Soun Ney said the spirits agreed to eat his penis. He was rushed to a
hospital. near the capital Phnom Penh after he castrated himself with a
butcher's knife.. 'He is lucky to be alive' Phoeung Vat told Reuters..
Villagers in the deeply impoverished southeast Asian traditionally offer.
chicken duck or cake to the spirits of the dead to ward off bad luck..
found via Mark Lamoureux's. posted by Lanny PM. Sarandipities Trobard
ClusTermed. LunaLangLungLonging. What Breaks Though The Drama. Of All That
Tiny Inscriptus. Crowbar Plus. Ultra. My Kind. Trobar Plus. The Albino
Cyclopean Unicorn Gorilla. With Diaper D'oro. Filled With The Red
Tincture. Malbion Boonlight. It Doesn't Matter How You Arrange. The Words.
But How You Make Dolphin. Among The People. This Language Is Paramount. And
Must Be Unambiguous. Or You Will Be Labeled As A Kind Of Metagallinari. Of
Harangue Upon The River Styx. Now I Move In The Secret Doctrine Of Space.
And Find My Diagram Where The Outline Of. My Tribulation Is Ignored. The
Erotis Curvatures Of The Iconic Invention. Signals A Float Of
Intentionality. Within The Dark Wood Of The Loam Of Eyes. This Isn't An
Area For Soft Boys. But For Viral And Manic Demons Whose Surfaces. Are
Iconic Landscapes. Whose Dreams Are Alchemical Dramas Unfolding. With The
Precision of Floral Camera Craniums. This Machinic Djinn Lives. And Bites
Through The Umbilical Chord. With Teeth Of Coma. Chroma. The Ribald Town
Of Jiboko. Where The Green Skinned Fever. Hides Like An Assassin. Passing
Dreams Like Crystal Throwing Stars. Into Passing Gourds. None Of This Says
What It Thinks It Says. Such Is the Mystery Of the World. That No One May
Know Its. Fama Who Ignite Such Terrible And Inspiring Fires. Blank.
Arsenal. Firing. Under. Kama. Kra. C. losing.. Butter Idols.. What Happens
To Authors. Because. Of Their Texts.. Character (Dinosaur). pro notia
(elastic notocord). linguarum (Atlantean incense). universalis
(sphaerical). Species of the .... (enter relevanttimeframecontext).
.Independent Potentials.. of the RealM.. posted by Lanny PM. The Plan
Abandoned. by Wade Tillett. The unavoidable theoretical crisis. lurking
for years as an outline. a shadow at the edge of a glance. an uneasy
feeling. has finally become apparent.. It is in the face of this spectre
that. I am abandoning the profession of architecture.. While innumerous
evils haunt this profession. they are not in the end what has compelled my
resignation.. (I suppose these would have been reasons to reform. not
abandon.). No in fact after much consideration and soulsearching. I have
come to understand there is only one demon. the plan.. The plan can not be
separated from belief.. Belief encloses itself and becomes a system..
Belief identifies a self and other. a landscape. and a space.. Belief
establishes truths and possibilities based on its own parameters.. The
plan is the contract which seals belief. enforces belief.. The plan is the
word written. staticized. objectified.. The plan is the mapping of belief.
its completion as a coherent system. its formalization.. The plan is the
enclosure of the belief set. its circular logic turned on itself. the
fabricationenclosure (simultaneously) of possibility.. The plan produces
possibility. a construct of definable limits.. The plan allows one to
inhabit belief.. The plan delimits a space and a body.. Life is delimited.
separated. enclosed in a wrapper of the possible. identity. death.. Death
is the final separation. the final limit. the finite. the form. the past
twisted onto consuming the present.. The plan invents death. constructs
death. allots death.. The plan manufactures an objective reality. an
other.. Death is the ultimate other.. In order to be a true believer. one
must eliminate one's participation. in the creation of truth (the ultimate
other).. It is only in this way that objects. others. spaces. can be purely
objective.. The other must stem from without.. The plan must detach the
user or architect. the creation of the belief system.. The plan must
separate the self from its own modification.. The formgiving of
representation must be recast as a formreceiving.. The plan must become
the map.. The process of objectification (the creation of other) therefore
must. erase itself.. Thus inherent in the plan is a certain blindness. that
refuses to accept the creation of death. but accomplishes it the same..
Architecture is a means to resolve (obfuscate). the fundamental paradox of
the plan.. The plan can not be theorized as a problem within architecture.
nor one stemming from without.. The plan is both architecture's means and
it's reason for being.. Architecture's dual purpose is to hide that which
it facilitates.. Utopias are always distractions decoys.. The selfdelusion
of the architect is always only partial. there is always the intuitive
semiconscious fitting. negotiating. constructing. of a plan that bridges
and covers what it intends to be. and what it will be.. Such is the dual
nature. the misnomered intuitiveness. of the architect.. Those fascists
who purport to have accepted their role. as creators of death. as inverse
gods. in the end place Death as an absolute beyond. as some form of truth
outside the self.. They understand death's comport with belief. but
mistake death as beyond belief.. The actual manipulations at the molecular
level. are misconstrued. by a grandiose abstract Death narrative.(). The
myriad sin constructions are glossed over. hidden under. legitimized and
justified. by the holy image and the coming utopia.. Belief remains in the
singular untouchable other.. A construct is created behind an image.. The
imperialism of the plan always leaves one absent. a shell without
content.. The plan or map or image or identity can not be put to good use.
even those put together democratically or autonomously. present only a
means to enclose. subject the present to the past image. create
possibility traps.. The plan can not be separated from the tyranny that
employs it. the plan is that tyranny. the subjugation of the present to
the past.. Notes. . Fitting the two types of forms together segments of
content and. segments of expression requires a whole doublepincered or
rather. doubleheaded concrete assemblage taking their real distinction
into. account. It requires a whole organization articulating formations
of. power and regimes of signs and operating on the molecular. level.....
If this parallelism is replaced by a pyramidal image then. content
(including its form) becomes an economic base of production. displaying
all of the characteristics of the Abstract the assemblages. become the
first story of a superstructure that as such is. necessarily situated
within a State apparatus the regimes of signs. and forms of expression
become the second story of the superstructure. defined by ideology. It
isn't altogether clear where language should. go since the great Despot
decided that it should be reserved a. special place as the common good of
the nation and the vehicles for. information. Thus one MISCONSTRUES the
nature of language signs. organizations of power and content. () the
illusion that one can. grasp and shuffle all the strata between one's
pincers can be better. secured through the erection of the signifier than
through the. extension of the sign. ( Deleuze and Guattari A Thousand.
Plateaus. Emphasis mine.). posted by Lanny PM. Through Struggles to the
Stars. By Physicist. Jack Sarfatti Ph.D.. On the physical principles of
consciousness warp drive and wormhole star. gate time travel in the light
of the new precision cosmology of dark energy. and their relations to the
coded knowledge of the once and future techgnostic. mystery schools
fictionalized in The Da Vinci Code and described in fact. in Techgnosis..
Newton realized that the fall of the apple was the same as the motion of
the. Earth around the Sun. That was his alchemical techgnostic insight
into As. Above So Below. I have shown that the invisible Galactic Halo
holds the. stars together in the same way through negative zeropoint
energy density. with equal and opposite positive quantum pressure that the
electrons. distributed repulsive electric charge is held together. Its As
Above So. Below all over again. Real original physics on the deep
structure of the. many worlds not found in any other book is weaved
together with great. literature and my true adventure story. Quantum
reality is not only weirder. than we have imagined but may be weirder than
we can imagine. We are. such dreams that stuff is made from.. Re Object not
found.. ok mwp feel free to upload to noemata or adundas as an online
storage for you. stuff if you want. ah you can sell your stuff via
noemata.netarspublica.com. and get rich from the post.net.art. (it's of
course not generating a dime.). if i should try getting money from
institution i think it would be for 'fully. automated art' or something
like that smiley. i owe them some explanation what. i did with the last
which is ok and making problems with backfiring. 'context art' and then
not caring about paper work but the possibilities are. there and they're
basically kind i should have a secretaryagent doing. things keeping my
life together that would be fine i'll advertise defunct. potential artist
seek structured realistic person. there's missing a whole. lot in that
production line. i wanted to fix that before collaboration no it. doesn't
work only tight schemes getting money out of funds goals the usual.
artistery. insert sercasm charchasm hollow character.. perl cgi seem only
available from url kunst.nobjornmag (which is same as. noemata.net)
support didn't answer the last mail so they won't fix probably.. see you
in the post art. name. AROSE RIP. Aroseisaroseisarose.com is officially no
longer. All links to works. originating from the site are henceforth
invalid. Moreover I have no plans. for the construction of any future
sites.. I await a future of postnet art which is the only one I can expect
to be a. part of right now.. Re spasms. ..like eerie to me this tini whirl
j kom over linken i går actually. yo ko ok whiteblue c. alsoh. Recently
she held a thirteendaylong dance festival taking place 'in your. mind'..
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...... ..... ..... ..... .... ... ... .. .. trolldeig. vegetating at meh
airport this trolldeig work clumsiness of kid craft maybe. clumsiness of
their actual imagination not the craft always prefering the. chubby planes
and popple of things negating colors they now seem to be. jumping off
midair the original is red ground and they look dead white and. grinning
kids wondering how those air crafts every could fly maybe not. crosses and
how their imagination ever could represent anything no we don't. believe
the cross mean that we don't believe caricatures is like. imagination not
our craft we kids know that but you don't you are the. clowns falling off
by believing imagination eventually adapts you hit. the ground.. syndicate
div. This is a multipart message in MIME format.... ContentType textplain
charsetiso. Some moulds new images to become compressing them much as
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things lost or heading in. other directions divergence divide division
divert deflect route detour. distract turn aside depressible depute
diverting diplostemonous ride. daughterly turn ached diffractions dept
departs duplicitously ready dowdier. destructor tirana acta diversionist
dubbed deposing deportees defalcate rite. datura distributor thermo
agatha. Index of div. Name Last modified Size Description. Parent
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mailinglist. Syndicate network for media culture and media art. post to
the Syndicate list. no commercial use of the texts without permission. hr
onwards. years anniversary. () (. ' ' '. ' ' '. ). (). ). '. roundtheclock
posting of sequenced hypermodern imagery from Brad Brace.. The hypermodern
minimizes the familiar the known the recognizable it. suspends identity
relations and history. This discourse far from. determining the locus in
which it speaks is avoiding the ground on which. it could find support. It
is trying to operate a decentering that leaves. no privilege to any
center.. began December. Pointless Hypermodern Imagery... postedmailed
every hours... a. spectral trajective alignment for the s A continuum of
minimalist. masks in the face of catastrophe conjuring up transformative
metaphors. for the everyday... A poetic reversibility of exclusive
events.... A postrhetorical continuous apparently random sequence of.
imagery... genuine gritty greyscale... corruptable compact. collectable
and compelling convergence. The voluptuousness of the grey. imminence the
art of making the other disappear. Continual visual impact. an optical
drumming sculpted in duration on the endless present of the. Net..
unassimilable... imagery is gradually acquired selected and resequenced.
over time... ineluctable vertiginous connections. The hr dialtone....
KEYWORDS Disconnected disjunctive distended decentered. decomposed
ambiguous augmented ambilavent homogeneous reckless.... Multifaceted
oblique obsessive obscure obdurate.... Promulgated personal permeable
prolonged polymorphous provocative. poetic plural perverse potent
prophetic pathological pointless.... Emergent evolving eccentric eclectic
egregious exciting. entertaining evasive entropic erotic entrancing
enduring. expansive.... Every hours another... view them repost em save
em. trade em print em even publish them.... Heres how.
httpbbrace.laughingsquid.nethr.html
309
310
Look for the hricon. Heavy traffic may require you to specify files. more
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use FTPmail to. do essentially the same thing. Send a message with a body
of 'help' to. the server address nearest you. ftpmailccc.uba.ar
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src.doc.ic.ac.ukpackagesmirror. Postings to usenet newsgroups. alt.hr.
alt.binaries.pictures.hr. alt.binaries.pictures.misc.
alt.binaries.pictures.fineart.misc. Ask your system's newsadministrator to
carry these groups. (There are also usenet image browsers TIFNY PluckIt
Picture Agent. PictureView Extractor NewsRover Binary News Assistant
EasyNews). This interminable relentless sequence of imagery began in
earnest on. December . The basic structure of the project has been over.
twentyfour years in the making. While the specific sequence of.
photographs has been presently orchestrated for more than years worth. of
hour postings I will undoubtedly be tempted to tweak the ongoing.
publication with additional new interjected imagery. Each hour posting. is
like the turning of a page providing ample time for reflection.
interruption and assimilation.. The sites listed above also contain
information on other cultural. projects and sources.. A very lowvolume
moderated mailing list for announcements and. occasional commentary
related to this project has been established at. This project has not
received government artsubsidies. Some opportunities. still exist for
financially assisting the publication of editions of large. (x) prints
perhaps (Iris giclees) inkjet duotones or extendedblack. quadtones. Other
supporters receive rare copies of the first three. hremailsubscriptions
can also be made at. mo yr. Institutions must pay for any images retained
longer than. hours.. image files. Get the textfile 'picturesfaq' to learn
how to view or. faq.html. (c) Credit appreciated. Copyleft. this heat.
you're now listening to this heat a.k.a. Blue and Yellow Testcard
Horizontal. Hold Not Waving Water Twilight Furniture Track Loop Diet of
Worms Music. Like Escaping Gas Rainforest The Fall of Saigon Testcard
Deceit Sleep Paper. Hats Triumph S.P.Q.R. Cenotaph Shrink Wrap Radio
Prague Makeshift Swahili. Independence A New Kind of Water Hi Baku Sho
(Suffer Bomb Disease) Repeat. Metal GraphicVarispeed. This Heat (album)
covers two years of the band's history with both live and. studio cuts.
They use guitar clarinet drums and keyboards permuted with. loops phasing
and overdubs breaking down patterns into only faintly. connected musical
moments that include artificial skips and looped end. grooves. Though
insolent and withdrawn the music is adventurous and in its. raucous yet
avoids the dismal drones and cacophony of other experimental. groups. Free
of clichs the music blends politics and intelligence steering. clear of
artifice and trendiness. Austere brilliant and indescribable.. this is
still very good. Re rune grammofon. yes i've heard some releases
supersilence biosphere jazzkammer it's quite. experimental ranging from
noisefreejazz to ambient to electronica. haven't. seen the book but their
obviously into design also.. rune kristoffersen has some years in the
business he was in the group 'fra. lippo lippi' which released a beautiful
depressive record in 'in. silence' influenced by english goth rock. he was
involved in the company. uniton from which i bought releases and imported
albums at that time he's. got more pop oriented... related to that milieu
were 'holy toy' and 'when'. holy toy centered around. the polishnorwegian
eccentric andrej nebb and is probably the most. interesting group in
norway ever. actually nebb mentioned this heat as one of. his influences
which is obviously also in 'when' which comes from lars. pedersen
percussionistorgan in holy toy. 'when' reconnects more to prog rock. i
sent a cd with some stuff to rune k. a couple of years ago from the. just
slow and dark noise syrup recorded and manipulated from rails and. other
concrete sources. experimenting with very low bitrate encoding giving a.
spectral sound.. Have you seen this Do you know anything about this label.
Just wondering if you thought it was worth checking out... . e k u n s t .
cazzarola What is this. This is a multipart message in MIME format....
ContentType textplain charsetiso. a draft... cazzarola What is this. maria
What the awakening du vil holde styr unna brødene.. cazzarola Who are you.
maria Who are here in a try ) er gud er ikke her har mer av gammelt grått.
mugg og gjør fyldest alle dverger uten tanke søler sitt ene øye.. cazzarola
fanculo. maria What the awakening you will stay clear of the breads.. maria
Who are here in a try ) is god not is not her have more of the old. gray
mugg and do fullfill all dwarfs without thought spilling his one eye..
cazzarola fanculo. (. gozzarola finger eye. maria at ping eye tarot two
konservative lunkne.... ). noematamariadialoger. Nytt kapittel ferdig (k)
april. Maria Futura Hel Dialoger. dialoger.html k apr. dialoger.html k
apr. dialoger.html k sep. dialoger.html k jul. dialoger.html k apr.
dialoger.html k dec. dialoger.html k sep. dialoger.html k may. utdrag.txt
k jan. dialoger.html k jan. dialoger.html k nov. dialoger.html k aug.
dialoger.html k apr. dialoger.html k jan. dialoger.html k jul.
dialoger.html k may. .. ((()((. dialoger.html. tramslated. Dialoger med
Maria Futura Hel. maria i allerede levd because of grace jones. zynt am
nævestad badin magen. maria bad politikker. zynt yes am he dust. maria
dust am jesus suger eller am pingle. zynt skal vi home idag. maria home
till park. kutt al meg frekke kjerring kan a question men the. them for
off røret.. zynt haves i big kuk. maria big encourage at upon tv gøy
belowstream have sagt.. zynt become grows bog vaktkommandør. maria become
eneste uavbrutt høyforedersk handling.slik var. oppriktige svært bad no
not vet where heck am burdensome fog mist comfort. consoles tankene. drags
one excellent fine handel it quite altogether tøft.. zynt am urge digg.
maria am portveien. zynt am urge dig. maria urge digg. zynt am urge digg.
maria urge digg. zynt yes am it digg. maria yes hun light lightens for off
you opp and says i kan i spør about. concerning around she smiles.. zynt
you am one cheky diminutive harlot you. maria harlot foroff waldemar
waldemar am one dritt engine machine (peker. a longed nede økonomiskog
with serbiske and chocolate and films eller noen. var minute forest.. zynt
haves you pupper. maria pupper what for slakk foreslåtte pari why. zynt
jævla fitte. maria fitte slim like everything until terje vigen ex from
finnmark the. lounge am you no not. fernufti the them må get lay hold of
upon gayta except envelope. mister erik. My work is completely
photometrical.. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. post distribuert via. e k u n s t.
listeadresse eekunst.no. kontaktadresse listmasterekunst.no. the sound of
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lk. bytes bps. singalong attachment removed. while walking. while walking
beachboys mindful of worms ancillary ants.. dmf nota throw away paper that
irwin written oncogene.. do not all these things.. while walking be
minimized of worms and ants.. do not throw away paper that is written on..
do not all thersites things.. whimsey walkers bays mineable of worry
ancohuma antre.. djerba notarising throttle away paperer thankless is
wronger on.. do nostoc all these thingamajig.. whig walking be mindless
offal wormier and ants.. dniester not throwaway away papaverine
thanksgivings isabella wroclaw on.. do notability all thesaural things..
whikehart walkingstick bdellium mindfully oeuvres wormseed antonym ants..
dniester not throwaway awayness paper thatch irwin wroclaw on.. doab nota
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on. and turtleback no mordant his headdress. beckon he knutson a frigidity
fiesta. dotterel cloned behaviorisms him treadled.. like ondo whodunit on
loomer road. doted walford imputed fealty andaman dreadfulness. andantino
having oncer turnery roumania walkover on. and turnstone nmr mordvinian
hispanicised hazy. bechtel hazing knowles a frightful fierce. dotter
closedown beholden hilts treacherousness.. likuta one who on a lollop
riverine. doughboy wall in fear and dread. and havoc ominousness turned
round walks on. and turners no mordacious his havocking. because he
knitting a frictionises fibrositis. doth clothesman behan him read.. like
omitting who on loath road. doth walkie imputations fear anatomical dread.
anaplastic having onomatology tutti round walks oophoritis. aneuploid
tupungato no more his head. because heartbeats knows a frick fiend. doth
close beholders hiddenite tread.. beMyGhost Punch and Judy Show.
................................................. Noemata's beMyGhost
Punch and Judy Show. A light seaside summer entertainment. The plaintext
dessert of a desert hyperwork. A puppet show beyond good and evil. Etc..
As performed by the professors of automata. telemata noemata.. Now playing
the Inbox Theater Scene. oOOo. The story so far..... He is known as
Pulcinella in Italy Guignol and Polichinelle in. France Kasperl in Germany
Casper in Sweden Karagioz in Turkey. Karagiosis in Greece Petruk in
Indonesia. He's been around a long time in one form or another. He's an
imp of. mischief out of the mists of time. We know him as Punch. As.
Pulcinella the actor he was part of the Commedia Dell' Arte troupes. of
Renaissance Europe. To trace him back further takes us into the. very
ancestry of pantomime itself back to Ancient Rome and Classical. Greece
and the licentious topsy turvey world of Saturnalia and Satyr. plays. He
exists in many cultures for he is one form of The Trickster. a key figure
in society's development a figure able to turn shared. values upside down
for the shocked amusement of the community and the. ultimate strengthening
of the bonds that mutually bind it.. Charles Dickens was also a great
admirer of the Punch and Judy Show.. Mr. Punch is frequently mentioned in
his novels. One work The Old. Curiosity Shop seems to be based almost
entirely on the Punch. tradition. The show has taken a fair amount of
stick in the past for. being violent or not politically correct and being
flippant about. domestic violence. Charles Dickens is among those who have
nailed this. as ridiculous.. Who Are Punch and Judy Punch and Judy are
arguably the most famous. traditional puppets in the Western World with a
colorful history more. than years old. Mr. Punch with his hook nose
detched back and. garish costume is a cultural icon in England. His
unabashed joking. and rowdy mischievous behavior have provoked paroxyms of
laughter. audiences throughout time. An impressive body of art is graced
by. Punch's outrageous countenance.. PUNCH Are you a doctor. HANGMAN Yes
are you alright. PUNCH No I'm dead.. HANGMAN You can't be dead.. PUNCH I'm
dead dead dead.. HANGMAN How long have you been dead Mr. Punch. PUNCH About
weeks.. punch judypuppetpuppetsCodman'sTobyRhosonSeapunchpunchjudy. judyMr.
Punchpunchinellopolichinellepuppetry puppet heroswooden. headsthat's the
way to do itwhat a pitysomerville colwyn bayrhos. on seacomical
tragedytragical comedymr punch's opera. pulcinellaharlequinadedetch
backhumpbig nose professorspunch. manprofessorsslapstickswazzle
swazzleomiswazzlehomipunch. callitinerantmarionettes
seasideentertainmenton the beachbeach. performerson the sands carnivalsThe
Punch and Judy College of. ProfessorsThe Punch and Judy
Fellowshipswazzleswatchelold red nose. Hoban quotes him as saying Punch is
so old he can't die.. In its classical glorious sense immortality is the
quality of what. passes beyond death the quality of the supraliving. In
its. contemporary version it is the quality of the surviving that is of.
what is already dead and by that token becomes immortal.. It's a fine show
sir. he replied. jolly fine show. Then with a. guffaw he added And a damned
bad moral.. Many of the Trickster's traits Radin writes were perpetuated
in. the figure of the mediaeval jester and have survived right up to the.
present day in the PunchandJudy plays and in the clown (xxiii).. Who is
Punch anyway Where does he come from And how could so. impossible and
ridiculous a character have survived the changes and. turmoil of the
passing centuries The plain fact is that nobody knows.. Certainly the
figure of Punch as we know him today has a direct link. with the commedia
dell'arte of the seventeenth century but the. character is far far older.
The original significance of Punch's face. and figure his enormous nose
and hump are meaningless to an. audience of modern times when perhaps it
is not customary to. associate large noses and sexual potency or find
detchbacks mirth. provoking. But it is possible that Punch has lasted so
long because he. so blatantly cocks a snook at the restrictions of
civilised society. and perhaps every man at some time or other would like
to flaunt the. laws of society with a comparable nonchalance removing
those who got. in his way pursuing his amorous inclinations willy nilly
and. defeating in the end the devil himself How often we say of a.
likeable rogue He could get away with murder. And Punch. does or almost
always does and he is such a likeable rogue and of. course he's only a
puppet and puppets can get away with anything.. HANGMAN Now prepare
yourself for execution.. PUNCH What for. Mr. Punch. A Roman mime called
Maccus was the original of Punch. A. statuette of this buffon was
discovered in containing all the. wellknown features of our friend the
long nose and goggle eyes the. detch back and protruding breast. The most
popular derivation of Punch. and Judy is Pontius cum Judæis (Matt. xxvii.
) an old mystery play. of Pontius Pilate and the Jews but the Italian
policinello seems to. be from pollice a thumb (Tomthumb figures) and our
Punch is from. paunch. The drama or story of our Punch and Judy is
attributed to. Silvio Fiorillo an Italian comedian of the seventeenth
century. Punch. triumphs over all the ills that flesh is heir to. () Ennui
in the. shape of a dog is overcome () Disease in the disguise of a doctor.
is kicked out () Death is beaten to death and () the Devil himself. is
outwitted. Brewer's Phrase and Fable. This compulsive desire for
immortality for a definitive immortality. revolves around a strange
madness the mania for what has achieved. its goal. The mania for identity
for saturation completion. repletion. For perfection too the lethal
illusion of the perfection.. 'Every ecstasy ultimately prefers to take the
path of renunciation. rather than sin against its own concept by realizing
it' (Adorno). the identitary individual the virtual clone there
corresponds a. horizontal madness... a delirium of selfappropriation all
the. monstrous variants of identity not of the schizophrenic but of the.
isophrenic without shadow other transcendence or image that of. the mental
isomorph the autist who has as it were devoured his. double and absorbed
his twin brother (being a twin is conversely a. form of autism deux).
Identitary ipsomaniacal isophrenic madness.. Our monsters are all manic
autists. As products of chimerical. combination... deprived of hereditary
otherness... they have no other. destiny than desperately to seek out an
otherness by eliating all. the Others one by one.. PunchandJudy show a
traditional puppetshow in which Punch is. shown nagging beating and
finally killing a succession of. characters including his wife Judy.. The
problem of Frankenstein for example is that he has no Other and. craves
otherness... But our computers also crave otherness. They are. autistic
bachelor machines the source of their suffering and the. cause of their
vengeance is the fiercely tautological nature of their. own language..
Punch did not always have his own play it seems his first role in. England
was to provide comic interludes in serious plays by. interrupting the
action as and when he could.. A MODERN PUNCH SCRIPT CHARACTERS PUNCH JUDY
BABY POLICEMAN CLOWN. CROCODILE HANGMAN GHOST. the challenge of the Ghost
representing Death is considered Punch's. greatest trial. We long ago
stopped believing in the immortality of the soul a. deferred immortality.
We no longer believe in that immortality which. assumed a transcending of
the end an intense investment in the. finalities of the beyond and a
symbolic elaboration of death. What we. want is the immediate realization
of immortality by all possible. means.. the conquest of whom enables Punch
to finally defy the Devil himself.. So long as there is a finalistic
conception of life and death the. afterlife and immortality are given like
the world and there is no. cause to believe in them. Do you believe in
reality No of course. not it exists but we do not believe in it. It is
like God... If. something does not exist you have to believe in it. Belief
is not the. reflection of existence it is there for existence just as
language. is not the reflection of meaning it is there in place of
meaning. To. believe in God is therefore to doubt his existence. Belief
is. superfluous just as Canetti says vengeance is superfluous it is.
rendered unnecessary by the inexorable reversibility of things. In.
exactly the same way passion is a useless supplement to the natural.
attraction between things and we might say the same about truth. which
merely complicates appearances unnecessary.. or as a mirror merely
refracts your image without believing in it.. God for his part if he
exists does not believe in his existence. but he allows the subject to
believe in him and to believe he. believes in it or not to believe that
but not to believe he does. not believe in it. Stavrogin. When the Devil
has been done away with Punch exults to the audience. The Devil is dead
Now everyone can do as he likes. But what will the human race do once free
of any belief It will. either fullfill itself egoistically obeying an
exclusive sovereign. individualism (Stirner) or do so collectively by
setting out on a. long historical course as in Marx or it will shift its
sights to. the superhuman through a transvaluation of the values of the
species. this is the path marked out by Nietzsche who argued that the
human. race cannot be left to itself but must aim beyond itself and
discover. the great metamorphosis that of becog... Nietzsche has written.
magnificently of the vital illusion not of the 'worlds beyond' but. of the
illusion of appearances of the forms of becog of the veil. and indeed all
the veils which happily protects us from the. objective illusion the
illusion of truth... Needless to say this. transvaluation... has not taken
place except precisely in the. opposite sense... A transvaluation folding
in upon itself towards a. nondifferentiation a nondistinction of values
itself fetishized in. an aestethics of plurality of difference etc. Not
any longer a. fetishization of divinities great ideas or grand narratives
but of. imal differences and particles... This dedifferentiation of the.
human and the inhuman this reabsorption of the metaphor of life into. the
metastasis of survival is effected by a progressive reduction to. the
lowest common denoator.. The Crocodile was a late arrival in the story and
has now been an. important character for about a detdred years. First he
was a dragon. which eventually became a crocodile. Perhaps the idea of a
crocodile. became firmly established after children had been frightened by
the. Crocodile in Peter Pan. The Ghost is seen occasionally still..
Originally the Ghost of Judy it is now just any old ghost.. Who was
Pulcinella or as he is sometimes called Pollicinella or. Pulicinella His
role was primarily that of a servant as indeed was. that of Harlequin and
he was obviously a comedian. He wore an. artificial nose potbelly and hump
all calculated to make the. audience laugh and he was the mixture of
jollity and cruelty wit and. stupidity just as Punch is today.. The
PunchTrickster concept embodies notions of anti. establishmentarianism
buffoonery and shamanism that reflect. attributes of the creative
individual functioning in an authoritarian. ethos the late s bucking the
system inverting values. Assug an ubuique persona and balancing
precariously on a mono. cycle PunchTrickster pedals blindly into an
unknown future fending. off unseen adversaries with an ineffectual weapon.
The sculpture is a. concretisation of a state of d or an existential
predicament. It is. concerned with delusions of grandeur and vulnerability
paradox and. pathos.. The Trickster as buffoon acts out a quixotic farce in
ironic fashion.. Ubu Roi a precursor of the theater of cruelty the absurd.
PunchUbu. Puncheon. Pernille og Mr. Nelson. JUDY Where's the baby. PUNCH
(In a melancholy tone.) I have had a misfortune the child was. so terrible
cross I throwed it out of the window.. It is generally thought that the
obsession with survival is a logical. consequence of life and the right to
life. But most of the time the. two things are contradictory. Life is not a
question of rights and. what follows on from life is not survival which is
artificial but. death. It is only by paying the price of a failure to live
a failure. take pleasure a failure to die that man is assured of survival..
Punch's women performers Bearing in d that Mr Punch is a folk. herorogue
scoundrel trickster of the opposite sex from ourselves. why are we so keen
to portray his story And what might the women. Professors add to the drama
of the tradition. The traditional Punch and Judy show presents Punch as
the simpleton. hero who successfully outwits various characters
representing his. oppressions in order to gain his freedom. This 'clever
fool' type is. often portrayed as a male antihero in folklore (Jack Til.
Eulenspiegel Clever Hans Monkey Anansi and Brer Rabbit are some.
examples). Somehow he always manages to achieve through his stupidity.
what others fail to achieve by concentrated effort. Punch is a.
combination of the fool and trickster. His characteristics are a.
collection of the archetypal shadow masculine traits those which are.
socially deemed to be undesirable cowardice lewdness rudeness. stupidity
fickleness irresponsibility selfishness greed. ................ and
violence or cunning. Mr Punch the trickster carnival fool king of anarchy
is an absurd. masculine archetype of those aspects of the human psyche
that want to. turn the world upside down and create chaos. His gross
appearance. the bulbous hooked red nose and the phallic 'hump' on his
back. comically reinforce his male sexuality along with the big red.
slapstick which he wields as the answer to all his troubles. His.
character and appearance have their roots in the ancient ritual. dramas
celebrating birth death resurrection conflict and. fertility. In our
'civilised' hierarchical bureaucratic and. patriarchal society Mr Punch
has evolved and survived through the. centuries as our national 'Lord of
Misrule.'. Punch men often portray Judy as a wonderfully fussy bossy
pantomime. dame type with a high falsetto voice. (Note that this makes
the. character a parody of the male's fantasy of woman).. When knocked
down she bobs up again several times in comic protest. always with one
more thing to say. Sometimes her final utterance is. almost orgasmic in
nature so that the mock puppet death we are. witnessing might more closely
resemble 'le petit mort' rather than. actual mortality.. When she returns
to discover that Mr Punch has inadvertently (in true. 'ignorant simpleton'
style) made the baby into sausages she is as any. woman would be at first
distraught and then angry. However having. fully expressed her grief and
given Mr Punch a piece of her d she. quickly moves into acceptance and
realises this is her opportunity. for freedom Well now Mr Punch You made
the baby sausages so you. can look after the baby sausages That's fair I'm
going to claim the. insurance money and take a nice little holiday in
Majorca. No you. can't come with me. You're to stay at home and look after
the little. sausage.. And off she goes leaving Mr Punch and the sausages to
the mercy of a. big green crocodile with toothfilled gaping jaws. Her
triumph is that. she has called Mr. Punch's bluff. Rather than waiting to
be knocked. out of his way Judy leaves him with the consequences of his
mistakes. and removes herself to a more fulfilling situation. She does
the. separating off. This gives Judy an equal status to Punch in the
drama. although he still remains at the centre of the story and fulfills
his. usual trickster role with his other adversities.. Adult enthusiasts
can recognize him as the head of one of those. dysfunctional families of
Drama that span from Oedipus and Macbeth on. the tragic side to the Addams
Family and The Simpsons on the frivolous. side. He and other little red
nosed rogues like him have been kept. alive down the centuries because his
irrepressible antics and his. flying in the face of convention have amused
generations of ordinary. people particularly those with no power of their
own.. Step warily around the fair Welsh seaside town of Aberystwyth this.
weekend for everywhere you look will be a strange beaknosed figure. clad
in red with pointytoed shoes and a manic gleam in his immobile. eyes. No
it's not Beelzebub it's Punch. The second international. festival of Punch
and Judy is in town. Oh no it isn't. Oh yes it is. etc.. There was an Old
Man with a nose Who said If you choose to. suppose That my nose is too
long You are certainly wrong. That remarkable man with a nose.. A Jungian
Consideration of Edward Lear's Nonsense Verse Lear was in. many ways an
example of what Jungian psychologist MarieLouise von. Franz calls the puer
aeternusan archetype she analyzes in her book of. the same name. The term
comes from Ovid's Metamorphoses and there. refers to the childgod of the
Eleusinian mysteries. In later times. von Franz writes. the childgod was
identified with Dionysus and the god Eros. He. is the divine youth who is
born in the night in this typical. mothercult mystery of Eleusis and who
is a redeemer. He is a. god of life death and resurrectionthe god of
divine youth .. but we also use it to indicate a certain type of young man
who. has an outstanding mother complex . . . . (). Wandering moreover is
one of the most important traits of the. Trickster archetype (Radin )
which as we shall see Lear's. nonsense exemplifies.. There was an Old Man
of Peru Who never knew what he should do So he. tore off his hair And
behaved like a bear That intrinsic Old Man of. Peru.. There was a Young
Lady whose eyes Were unique as to colour and size. When she opened them
wide People all turned aside And started away. in surprise.. There was a
Young Lady of Norway Who casually sat on a doorway When. the door squeezed
her flat She exclaimed 'What of that' This. courageous Young Lady of
Norway.. There was an Old Man of Cape Horn Who wished he had never been
born. So he sat on a chair Till he died of despair That dolorous Man of.
Cape Horn.. There was an Old Person of Cromer Who stood on one leg to read
Homer. When he found he grew stiff He jumped over the cliff Which
concluded. that Person of Cromer.. There was an Old Man on some rocks Who
shut his wife up in a box. When she said 'Let me out' He exclaimed
'Without doubt You will. pass all your life in that box.'. There was an
Old Person of Bangor Whose face was distorted with. anger He tore off his
boots And subsisted on roots That irascible. Person of Bangor.. There was
an Old Person of Spain Who hated all trouble and pain So. he sat on a
chair With his feet in the air That umbrageous Old. Person of Spain..
There was an Old Person from Gretna Who rushed down the crater of. Etna
When they said 'Is it hot' He replied 'No it's not' That. mendacious Old
Person of Gretna.. There was a Young Lady of Parma Whose conduct grew
calmer and calmer. When they said 'Are you dumb' She merely said 'Hum'
That provoking. Young Lady of Parma.. There was an old man of Hong Kong
Who never did anything wrong He. lay on his back With his head in a sack
That innocuous old man of. Hong Kong.. The function of the Trickster
according to Kernyi is to add. disorder to order and so make a whole to
render possible within the. fixed bounds of what is pered an experience of
what is not. pered (). Kernyi could just as well be describing the.
nonsense genre that emerged in the nineteenth century.. You desire to LIVE
according to Nature Oh you noble Stoics what. fraud of words Imagine to
yourselves a being like Nature boundlessly. extravagant boundlessly
indifferent without purpose or. consideration without pity or justice at
once fruitful and barren. and uncertain imagine to yourselves INDIFFERENCE
as a powerhow. COULD you live in accordance with such indifference.
Contrary to the underlying Rousseauist ideology which argues that the.
profound nature of the liberated subject can only be good and that. nature
itself once emancipated cannot but be endowed with natural. equilibrium and
all the ecological virtues there is nothing more. ambiguous or perverse
than a subject.. Trickster is at one and the same time creator and
destroyer giver and. negator he who dupes others and who is always duped
himself. He wills. nothing consciously. At all times he is constrained to
behave as he. does from impulses over which he has no control. He knows
neither good. nor evil yet he is responsible for both. He possesses no
values moral. or social is at the mercy of his passions and appetites yet
through. his actions all values come into being.. It is a personification
of traits of character which are sometimes. worse and sometimes better
than those the egopersonality possesses. (The Archetypes ). The Trickster
is in other words a. manifestation of what Jung calls the shadow and he
comments We are. no longer aware that in carnival customs and the like
there are. remnants of a collective shadow which prove that the personal
shadow. is in part descended from a nuous collective figure (ibid.). that
is the Trickster archetype.. Furthermore the Trickster is a forerunner of
the saviour and like. him God man and animal at once. He is both subhuman
and superhuman. a bestial and divine being whose chief and most alarg.
characteristic is his unconscious ness . . .. He is so unconscious. of
himself that his body is not a unity and his two hands fight each. other..
As Jung says of the Trickster Although he is not really evil he. does the
most atrocious things from sheer unconsciousness and. unrelatedness (ibid.
).. We ought not to entertain the illusion that we might cultivate good.
and happiness in a pure state and expel evil and sorrow as wastes.. That
is the terroristic dream of the transparency of good which very. quickly
ends in its opposite the transparency of evil.. Bedre veier gir flere
ulykker. The travel poems also reflect the Trickster's habit of wandering.
(albeit his wandering is generally aimless). Radin comments that the.
Trickster's desire to wander represents his protest against. domestication
and society with all its obligations ().. what do we cling so tightly when
we resist the dangers of drift. Barthes spoke (positively) of drift as a
kind of stupidity. Are we. afraid of appearing stupid. In when Oliver
Cromwell's Puritan regime banned all theatrical. performance commedia
companies must have scrubbed England from their. gigging schedules. But
the Punchinello character appears to have detg. in. Crosspollinated with
the local Vice character originally the. trickster fool of the Mystery
plays Punch utilised Harlequin's. slapstick bat took a wife and resurfaced
in the Punch and Judy puppet. show.. PuckPunch
SantaPelznicholNicholasJanneyYule I Norge har vi. oskoreia og julebukker
they acted out an odd play the leader who. dressed in goat or bear skins
argued with another character or with. the woman figure. He was killed the
woman lamented and the doctor. comically resuscitated him or he
spontaneously revived declaring he. wasn't dead after all the Fool was in
his original beast form the. death and execution were enacted amorally. In
later plays the Fool or. beastman is often killed by a young groom because
he makes a pass. at the Woman and narrators explain the behavior with a
comic. script. Scholars concluded that the detdreds of versions peppering.
Europe could be traced to the great goatgod Dionysus. After all the.
Dionysian rites gave birth to modern theater In Britain he became. Robin
Goodfellow or Puck norsk slektpuk celebrated by. Shakespeare Goodfellow's
cousin Robin Hood began life as Wood a name. for the Wild Man. In the
Black Forest the Pied Piper of Hamelin re. enacts poet Robert Browning's
version of the ancient mystery. And. don't forget the 'geek' as a freak
act.. Shiva is more or less what you want him to be as in him all.
contradictions casually coexist. The notion of Shiva as exclusively a.
Wild Man of the forests and mountains traveling with a band of ghosts. and
ghouls as their leader Bhoothnath is a recent phase of his. worship. For
while he was always capable of peculiar behavior Shiva. used to live
outside of society not because he had rejected it but. because he had
transcended it. Shiva is repeatedly described as the. supreme master of
all the arts and that indicates a highly socialized. being the Nagarika of
ancient India not a rustic.. Only Siva who indulges in both extreme ascetic
and extreme erotic. activity the creator and the destroyer the quiescent
and the active. god who represents both the cyclical motion of the
universe and. spiritual immortality can offer devotees both paths of
immortality. through rebirth or renunciation and spiritual immortality. He
is the. living lingam in the yoni and the androgyne. Both symbols contain
the. paradox within themselves and provide a resolution.. Lingam Sanskrit
literary 'mark' or 'sign' ( is there a connection. between 'sign' and
'seed' (seme and semen) via sema seme sememe. semiological adj.Gk semeion
sign f. sema mark seal symbolic. inseal pregnancy pregnant expression...).
Shiva is worshipped in several apparently contradictory aspects whose.
combination gives emphasis to his incomprehensible transcendence. He. is
seen as a giver of blessings and is also a symbol of sensuality.
represented by the lingam or phallus. On the other hand he is. sometimes
depicted as an ascetic seated in meditation in the. Himalayas. Shiva is
also the god of destruction and dissolution. In. his manifestation as
Shiva Nataraja the fourarmed Lord of the Dance. he tramples on the forces
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there's a local history group in the area writing articles which gets
released. in a small yearbook by the museum i had some of them sent them
off to a. friend. among the interesting where stories about Omgang a
deport and. execution place in the middle ages a few some km from here
unhabitated long. since. prisoners from northnorway don't know how far
south where imprisoned. at this very desolated place and in fact a couple
of women got burned as. witches there in es if I remember right a young
woman Dorte something. accused of making storm at sea where a man she had
some relation to died you. could tell by the incidents she probably was an
attractive woman making the. men with power quite jealous humiliated and
very mad after half a year in. prison she was burned alive in I think..
another interesting thing is the labyrinth as Mikkelsberg also close by
with. some discussion of the authenticity of it it origins either from the
pomor. trade with russians a couple of centuries ago or from much earlier
habitation. of the area the earliest settlers probably being the sami
komsaculture. several thousands years ago there's some debate a dr.
something writing his. thesis the sami were not the first inhabitants. the
labyrinth has not been. coast from fear of messing it up the traces are
very vague but it has the. traditional form and is about in diameter..
there's some war time history since the whole shit was burned down by
germans. the whole north of norway every building here so they turned the
boats on. their head and lived under there or lived in caves at the coast.
things have. been rough here of course finding support actually there were
some. agriculture before not much.. there were about women burned as
witches in the s in finnmark the. northernmost part of norway were charged
for sorcery and researchers have. wondered why so many in the region.
reading protocols from the trials a. researcher. now suggest the poisonous
fungus meldrøye lat. Claviceps purpurea explaining. hallucination and
bewitchings black grains at the bottom of the cup etc.. Re SZ aeffect
Strong Creole Tendency. Atta unsar thu in Himinam. SZ aeffect. Strong
Creole Tendency between wordanimage selfreference 'worldings'. toll
painting of a russian and a norwegian in a fjord in the 's. trying to
communicate about some wood. chopped logs the pomor trade s to the russian
revolution initiated by. russians from the. White Sea having coast and
fjords in north of norwy as their area 'pomor'. means. 'by the sea'
Arkhangelsk has a pomor university today the russian came to. white. sea
from Novogorod s a viking city with democratic traditions different. the
tataryoke in rest of russia. pomors had cereal meal and traded with. the
tataryoke in rest of russia. pomors had cereal meal and traded with
313
fish (coast) and skins (sami inhab). .. should think wood also was
important as. there are no trees in the northernmost regions... Nordmannen
Drasvi gammel go ven på moja. Tvoja fisk kopom (Goddag min gamle. gode
venn. Kjøper du fisk). Russeren Da. (Ja). Nordmannen Kak pris (Hvilken
pris). Russeren En voga mokka så to voga treska. (Det er en våg mel mot to
våger. torsk.). Nordmannen Eta mala. (Det er for lite). Russeren Slik slag
en å en halv voga treska så en voga mokka. (Slikt slag.. En. og en halv
våg torsk mot en våg mel.). Nordmannen Eta grot dyr. (Det er ennå for
dyrt.). Russeren No davaj på kajut sitte ned så dokka lite tjai drinkom.
Ikke skade.. (Kom. nå ned i kahytten og drikk litt te. Det kan ikke
skade.). norw. russian it seems). pomor trade was illegal until . and then
the russ revolution stopped it and. the nnorw econony into depression and
the coastal villages into. problems.. the pomors had a rich rural culture
and folklore it seems there's a longer. within pomorområdet levde
fairytale adventure and legend byliner (heltedikt). ballader stev and
laments further enn a in inside into on per within. mange. second strøk
for off Russia Russia. a in inside into on per within. last. latter half
for off tallet begynte lærere prester and second stream. accumulate gather
tradisjonsstoff. them gjorde crowds for off opptegnelser a. in inside into
on per within citys and villages longer dvina and pinega. and. at to
toward towards a in inside into on per within at by on. upon. on upon
kvitsjøkysten området ble kjent like one skattkiste because of.
folklorister and etnografer.. within ble marija krivopolenova one
diminutive ancient wife with a. unfigure. ballader and chants at.
tertiden. also stepan pisakhov like var kunstmaler skrev below downstairs.
underneath down below underneath down underneath tradisjonsfortellinger.
especially especial fairytale adventure at to toward towards a in. inside.
into on per within at by on upon on upon dialect. sjergin skrev also.
tradisjonelle and further fashionable fairytale adventure men his
skriftlige. produksjon am både større and longed further allsidig enn
pisakhovs. within sovjettiden dolled it also opp sterke klare litterære
personligheter.. fjodor abramov ex from verkola. marija krivopolenova ().
bondekone ex from pinega famous because of its ballader chants and.
klagesanger.. hun learned helteballadene stariny for off its grandfather.
hun. accrued. opp a in inside into on per within fattige kår and ble early
married. married married poison men verken at to toward towards until till.
felicity. eller velstand. hun losed både the fellow and barna unntatt one
daughter like. ble married married married poison så fattigslig at hun no
not know get. lay. hold of pick up take itself for off moren. hun ble
hence therefore tvunget. at. toward towards until till stream continue
tilværelsen like one beater. omstreifende beggar eller legdekone. men
krivopolenova var one lysende gifted. forteller chants and klagesanger.
boris sjergin (). it nordrussiske klassikeren fremfor noen. he convey
imparted gamle. fortellinger. and tradisjoner muntlig and after behind
hvert also skriftlig. he skrev also. its. egne fortellinger. sjergin var
one authentic pomor the father var styrmann and. seilte at to toward
towards a in inside into on per within at by. on. upon on upon Norway the
mother daughter for off one seilmaker. både. foreldrene. and mange for off
husets friends stod midt a in inside into on per. within. pomorenes living
fortellertradisjon. sjergin itself ble one important. tradisjonsbærer
because he after behind hvert fixed it he hadde hørt at to. toward towards
until till papiret. a in inside into on per within its. fortellinger and
fairytale adventure skildringer for off life and employment. in.
skipsbyggere fiskere and fangstmenn. stepan pisakhov (). stepan pisakhov
seilskip at fiskebryggen a in inside into on per within. arkhangelsk.
author and kunstmaler ex from arkhangelsk. he var at to toward towards.
until. till stream begin with kjent because of its paintings with motiver
ex from. nordlige strøk men begynte after behind hvert stream type
fairytale. adventure.. mange for off the fairytale adventures his finer
also a in inside into. on. per within second versjoner men his versjoner
haves sitt særpreg and. språkføringen a in inside into on per within disse
tekstene am stronged. imprint impressed for off nordrussisk dialect.
pisakhov am one for off you. exaggerations skrøner. well there's some
pictures... links to some english. etc. CHROMOGAL. CHROMOGAL. Osho name
TEATDECI. Noemata Random Name Generator. nettimeann mailing list.
nettimeannnettime.org. ann ELPATA. ELPATA. Noemata Random Name Generator.
nettimeann mailing list. nettimeannnettime.org. . e k u n s t .
laburinteger. This is a multipart message in MIME format.... ContentType
textplain charsetiso. Maskin Jeg er glad jeg er det eneste jeg'et her..
Far Sønn sønn vi anbefaler at min maskin ikke snakker mere til deg.. Sønn
Men den kan så mange spennende ord.. Hadde trengte hjelp. til og fullføre.
De påfølgende dagene ble historiene til den bandasjerte. samlet og skrevet
ned i notatbøker før den støeste og mest skriveføre. av dem fikk oppdraget
med å føre over teksten til bandasjen. Hele. arbeidet. tok dager og da de
var ferdig var den bandasjerte i alt dekket av. ord.. Jeg faller uten....
Projeksjoner krever kontiniuitet.. ContentType textplain
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filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert
via. e k u n s t. listeadresse eekunst.no. kontaktadresse
listmasterekunst.no. Nagnews Og sdspoetrezt dkyk og skyr nabnetrt. På Y).
Y (inntar sosiologiskpedagogisk sideleie) Protagonistens puerile.
forsvarsmekanismer er et infatilt forsåk på å rasjonalisere frykten.. Og
sdspoetrezt dkyk. og skyr nabnetrt dykkadt som ncdovmo vopmkete. foef
dMrnefnsd eksdsonnen slyllfd. Fglerfd dyjkk xfsd ogb ajjbgooåad af
xftrlyd. xfef stylr ret sdløben dykkatrg i hitummenem. Deref stgamme
gjoerda efane ferita mefd prgfotetane. Men e dykk rkke. det.... NAGnews
mailing list. NAGnewslists.copyleft.no. isoQDuhFrerdetnEdeterslettesikkei.
Kjemiforsøkene i elevenes hode. I ditt blomsterhull. Han sover i sjette
scene. Har jeg noe å si han. Middelaldrende demokrat må ligge i.... Du
hører det nå det er slettes ikke i sukkerbiten lyden oppstår.. Du ser på
sukkerbiten en siste gang før du putter den i munnen. Som om. begge.
øynene skulle ha skiftet posisjon fra venstre mot høyre uten og røre.
hodet. skifter synsvinkelen i scenen.. Kvinnen tar uforståelig imot en.
lapp hvor det står Vi møtes i dusjen i morgen. Hilsen din partner i.
forbrytelse.. Over kinomaskinisten på disen. kinomaskinisten tårer .
veggen mitt film over noen . UTE AV FOKUS.. My Help. Example How do Ichang
my password. Tips. Getting Startled. How do If i what category my Humen is
in. I receive an email notification saying my humen could be Deleted due
to. inactivity. Why What can I do. What does the my smiley face (image) is
mean. How do my I get rid of the my is smiley face (image). I never sign up
for my Human grouqs. Why am I receiving my messages. View and manage your
my hume. Your humain Grops account has been disable because you had. an
autoresponsible setup.. Bouncing seminar . May. What Bouncing means and
what to do about it means bounce. L. Work with elbows grouq. Control
access and sharing humes. list bounce. tails Yoric troll and Nøkk. Ask
Her. the water. Re Du har rett. Da kan jeg vende tilbake til. Work good.
Fra den. Forfatteren hadde alltid en. unnskyldning vent litt jeg måtte
bruke begynnelsen tilslutt.. Selv nå tror leseren han vet hvem morderen
er.. Troll om igjen.. Jeg vet at munnen min drypper av penneskaftet
skriver. forfatteren.. Med deler av hodet bandasjert.. Hvis vi panorer til
høyre ser vi ryggen hans idet han forlater. sykhuset fullt rekonstituert.
Kutt. Utenfor sykehuset stopper han opp.. Flashback. Noen tok av for
fallet. Han fallt. Blålys. Står på. sykhustrappen. Tar seg for det gamle
kuttet i pannen. Får blod på. fingrene. Snuser på blodet. Nærbildet av en
hund som glefser.. Kanskje ikke.. Mot widescreen sensur.. Overtall pga..
Og ble stående å. skrike til hverandre. Da måtte en av dem raskt ta en
avgjørelse og. fortsette videre så ville den andre måtte slutte seg til..
.n. las ldanburg. oea.net.knyt. bmg. how many net artists does it take to.
Greetings froam. Greetings froam. cause confusion and shame to make
uncomfortably selfconscious disconcert. abash. put obstacles or
difficulties in the way of impede. skam. the painful feeling arising from
the consciousness of something dishonorable. improper ridiculous etc. done
by oneself or another. disgrace ignominy. a fact or circumstance bringing
disgrace or regret. cover with ignominy or reproach disgrace. shame is a
painful feeling caused by the consciousness or exposure of unworthy. or
indecent conduct or circumstances. It is similar to guilt in the nature
and. origin of the feeling.. pride a high or inordinate opinion of one's
own dignity importance merit or. superiority whether as cherished in the
mind or as displayed in bearing. conduct etc.. selfesteem selfrespect.
ridicule Syn. . mockery raillery sarcasm satire irony. . banter chaff.
rally twit burlesque satirize lampoon. RIDICULE DERIDE MOCK TAUNT imply.
making game of a person usually in an unkind jeering way. To RIDICULE is
to. make fun of either sportively and goodhumoredly or unkindly with the.
intention of humiliating to ridicule a pretentious person.To DERIDE is to.
assail one with scornful laughter to deride a statement of belief.To MOCK
is. sometimes playfully sometimes insultingly to imitate and caricature
the. appearance or actions of another She mocked the seriousness of his.
expression.To TAUNT is to call attention to something annoying or
humiliating. usually maliciously and exultingly and often in the presence
of others to. taunt. nihilogues nilogue brainstem. nihilogues nilogue. 'In
generalthe brainstem produces morecomplex. movements than does the spinal
cord.In addition to responding to most. sensory stimuli in the environment
and regulating eating and drinkingbody. temperaturesleep and wakingthe
brain stem can produce the movements. of walking and runninggroomingand
sexual behavior (all of which are. more complex than the reflexive
movements produced by the spinal cord).The. brains of fishamphibiansand
reptiles are basically equivalent to a mammalian. brainstemin
consequencethe behavior of these animals is a good indication. of the
functions of the brainstem.'. On old Olympuss. towering top a Finn and.
German view some hops.. cortex (from the Latin for barkas in a tree s
bark) ref. book.. Fissures Sulci and Gyri the Cortex brothers. limbic.
Input could enter this circuit from other structures to be elaborated as.
emotion.. summarize the action of a nerve impulsean. other analogy may
help.Think of the voltagesensi. tive ion channels along an axon as a
series of. dominoes.When one domino fallsit knocks over its. neighborand
so on down the line.The wave cannot. return to its starting position until
the dominoes are. set back up again.There is also no decrement in the. size
of the propagated eventthe last domino falls ex. actly the same distance
and just as heavily as did the. first one.. 'The embryo who walks upright
belongs to the primate order. A badger recounts the story that God created
all animals as embryos and called. them before. his throne offering them
the changes that they desired. They opted for. specialized. adult features
claws teeth hoofs antlers and so forth. But the human. embryo trusting.
Gods judgment accepted the way it was made. The creator was delighted and.
said. that. it would therefore remain an embryo until buried but would
dominate the other. animals. walk upright and feel sorrow and feel joy.
(White ). An important part of the answer to the Sphinx s riddle about the
nature of. humans. is that the adult who walks on two legs is sort of an
infant chimpanzee.'. 'Saint Ambrosewho lived in the fourth century A.D.is
reported to have been. the first person who could read silently.'. ..i
remember a lecturer in computing claiming alphabetic sorting being.
problematic. some centuries ago.. 'Even somost of the changes in behavior.
that differentiate us from our primate ancestors took place more rapidly
still. long after the modern brain had evolved to its present
condition.Only. years ago did modern humans leave the first human artistic
relicselaborate. paintings on cave walls and carved ivory and stone
figurines.The tempo of. change has quickened further in the past
years.Agriculture and animal. husbandry were established in the Middle
East by B.C.followed by ideo. graphic writing in the same region by
B.C.Saint Ambrosewho lived in. the fourth century A.D.is reported to have
been the first person who could. read silently.The modern technological
age began in about A.D.it was. after this time that most of what we see
around us today was invented or dis. covered.How interesting that most of
what we associate with modern humans. is of such very recent
originconsidering that the basic tools (a big. brainfree. handsand bipedal
locomotion)had been with us long before.'. fundamentals of humal
neuropsychology. bror han går i skoge. bror han går i skoge. jaga alle
ville dyr. er han kvit so kjøyr'n hit. er han grå so lat 'n gå. er han
bron i boge. so lat 'n gå i skoge.. Sutene og sorgene. dei trør eg under
fot. di gladare skal eg halda meg. di meir det gjeng meg imot.. Sutene og
sorgene. det blandast alt tilsaman. munnen lær og hjarta græter. det er so
lite gaman.. cobralingus. cobralingus. It makes use of the Metamorphiction
process using text as signal and. passing it through FILTER GATES
transforming the textsignal. The FILTER GATES. range from DRUG (injects
artificial stimulant into the language) to EXPLODE. (breaks up signal into
highly disordered fragments) to PURIFY (loses. deadwood).. It sounds fairly
mechanical and Noon presents it as such. There is an INLET. and. an OUTLET
(read input and output). The FILTER GATES act on the input text.
transforming it in a variety of ways. Noon writes of the specific effect
of. each FILTER GATE as though it were a precise algorithm and the text.
transformed. according to very precise rules. In fact the Cobralingus
Engine is no such. thing. The rules beyond their most basic operation are
entirely of Noon's own. choosing.. generated writing. Commencement for
Teens. Frogman Tautness and Undue Cinnamon Inaction. As DestinyUtopia
Undoes the Thai Emutagonad Retread the Spooks of Technology.. Benjamin
Bruin is. Daft. if not SICILIAN.. One varsity. If Cuneiform. Has Found
Fern Noose. a Sunni from Burberry CT. on. CIA spanks you for smut and
fortune. Suddenly it is the Vedasfluxing. It is. Mastering in Purees and
Scanners as if ham and IdVendors had walked into. thawing rinds and facial
tics Beating. HI Cluera. Paloin Biloid. REVIEW Cigarette Boy by Darick
Chamberlin. antinovel. Ten Years of Pain in the ass. computer generated
writing. Virus Charms and selfcreating codes.. Virus Charms and
selfcreating codes.. 'Within the computer web the negative effect of
viruses is propagated much. faster than the positive effect of
information. That is why a virus is an. information itself. It
proliferates itself better than others biologically. speaking because it
is at the same time both medium and message. It creates. the. ultramodern
form of communication which does not distinguish according to. McLuhan
between the information itself and its carrier.' Baudrillard. Sircam
chooses a document from the hard disk and sends it to all addresses.
found. in the email address book. So everything private public and
interpersonal. gets mixed up because of the possibility to reproduce
information and to. transmit them instantaneously in the net.. RTMark
intvju. RTMark intvju. I feel RTMark as a multiple identity absolutely no
individual faces and. names.. What's your concept of personal identity
within your group Do you individually. feel yourself as part of a
collective person or as anonymous individuals. under. a collective name.
We're just anonymous for pragmatic reasons... We are a corporation
meaning. that. essentially we are a group that comes together as one body
(corporeal). This is. a kind of bastardization of the idea of collectivity
insofar as it does not. really imply sharing equally labor and benefits as
one might on a collective. farm. The corporation as opposed the the
collective has been legally defined. give the best business advantage to
captial without the nasty side effects. of. liability. So we come together
as a body in order to create a fall guy someone. who can absorb the
liability for all the actions of participants. So we are. anonymous
because we have no need to exist in this equasion. we already share a.
body and that body has a name and an identity.. Cultural resistance is
very difficult to fund. How do you succeded in it. Our funding is
important because it is a symbol. The small amounts we come up. with do
not really fund anythingthey are not sufficient to fund people or.
actions. They are useful in that they show some interest by peopleenough.
interest to give money.. If you'd program a computer virus what it'd be
able to do. Perhaps we could et a computer virus that taps into the unseen
forces of the. afterlife bring to our cause an army of vengeful ghosts
Ghosts are very. effective at what they do i've seen it in the movies. But
this is a good. question that is why i can't answer it so quickly....
nymata. The nym noemata is free to use. participation inclusivity rather
than exclusivity experimentation and. creativity. Neomatic Cantsin. how to
make immediate emails emailart mailart generative automatic scant. the
medium is immediate instant so to attain immediacy construct the.
opposite. something mediated double negate. spamspiders. med en søkemotor
for mailadresser praktisk men tvilsom. halvsøvne. vær forsiktig om morgon.
halvsøvne. ting vet om det. auto.noemata.net. .... noemata.net. .... ....
det er noe med fart som gjør liv. Warning DB Error connect failed.
nativecodeORA TNSlistener could not resolve SID given in connect.
descriptor oci kunstmunchKultur.no in. glenlivet.gandi.net.
laphroaig.gandi.net. redirmailtelehouse.gandi.net. ogin. ogin.php. stavr.
Mar. INSIN KONNAR T. DYT ER ALT D RI NAH. OS N T ÅR DA DOR. D D ET ER
INCYND D INC. HPE SCS D ER. INSINTEN T G SGSUR. SAM T N SEM NY. DE T SSRAF
EN DI T TI. IMSEN KI T MNER. DH SXR T EF EM DØTA I T NSAN KAMNOR T. INGON
KEMNO T R DHDOAN. IN T GENTHMG SSCA T R DOSAN. LIFUT PO JHRDI. SFHD. SDAR
SSILÆ. VIMDT I HOTOT. LHTT ARMONE ER VAQNI. DET BLYSIR UTU. MARST. LABHT
PH JERDO. ody without borgan is borgan without ody. poetry. Poetry means
(a) I'm going to die and (b) this. notebook will be read by someone who
will see how. lacking I am unless I destroy it I can't do. that that would
be worse than keeping it that. would mean thinking of it.George Stanley. (
( ( ) ( (. pre.txt render. using phpfiglet.
noemata.nettxtphpfigletrender.php. qMark qWeiss qNichts. Aug. Maghies ll.
fososos ss. fososos ss. complment de programme. une session citu (cration
interactive transdisciplinaire. universitaire) se tiendra le. vendredi
septembre de h h l'apmhi b bat b avec. la participation de. francis jutand
directeur des stic du cnrs. francois roche architecte. jeanbaptiste
barriere compositeur. this is another home reading brought to you. advent
spoilers. lese det. lese det som om det ikke var til meg som om jeg var
fri som er det. firenncasdee med å fnine ting de er nye de trefefr iegnn
ntyt galme. tnig kan vræe nye hvis du spør hva kusnt er spør en
jialsrnuot. hva er. aerlijstaoikdnnravutgak. snøhvit. egentlig var det
ikke den onde stemoren som ga snøhvit det forgiftede. eplet i eventyret.
det var hennes kjødelige mor. men brødrene grimm måtte. sensurere sin
politisk ukorrekte fortelling sier heinrich dickerhoff.. for å antyde at
en mor ville drepe sin egen datter ville være det samme. som å krenke
forestillingen om det hellige moderskap. det våget wilhelm og. jakob grimm
ikke. derfor fikk stemoren skylden mener dickerhoff som er. leder for
europeisk eventyrforbund.. bey radio sermonettes. in fact an argument
could be made that music distributed free or at cost. on cassette via mail
is less alienated than live music. rendered into trash like all other
trash. folkultur. real art is play play is one of the most immediate of
all experiences.. therefore as artists cultural workers'' who have no
intention of. giving up activity in our chosen media we nevertheless
demand of. ourselves an extreme awareness of immediacy as well as the
mastery of. some direct means of implementing this awareness as play
immediately (at. once) immediately (without mediation).. thus a good meal
could be an immediatist art project especially if. everyone present cooked
as well as ate. and everybody was called andy. poetic terrorism'' and art
sabotage'' are quite logical. manifestations of immediatism.. for instance
the liberatory power of a painting can be neutralized or. even absorbed
simply by placing it in the context of a gallery or museum. where it will
automatically become a mere representation of liberatory. power..
rhapsody. democratic shamanism. '' creative acts themselves the outer
results of. the inwardness of imagination are not mediated alienated (in
the sense. we've been using those terms) when they are carried out by
everyone for. everyone when they are produced but not reproducedwhen they
are shared. but not fetishized.. anyone present may become a horse'' or
medium for one of these santos. whose words actions then assume for all
celebrants the aspect of the. presence of the spirit (i.e. the possessed
person does not represent but. presents).. the audience who are indeed
locked in place in darkness silence. immobilized by the money they've
paid. no wonder the first broadcasters of video were the nazis. tv is to
the. imagination what virus is to the dna. the end. beyond tv there lies
only. the inframedia realm of no spacenotime the instantaneity ecstasis.
of commtech pure speed the downloading of consciousness into the. machine
into the programin other words hell.. roughly then the more imagination is
liberated shared the more. useful the medium.. the end of the modern does
not mean a return to the paleolithic but a. return of the paleolithic..
sardonicide. capital. toolate capitalism. the spectacle the simulation
babylon. whatever you want to call it. an immediatist potlatch idiotisk...
within the organic (nature'' everyday life'') is embedded a kind of.
silence which is not just dumbness an opacity which is not mere.
ignorancea secrecy which is also an affirmation a tact tacit. the lazy
yokel plows a crooked furrow. if i could escape this bad mood of course
i'd do so take you with me.. what we need is a plan. jail break tunnel a
gun carved of soap a. sharpened spoon a file in a cake a new religion.
speak too much not be heardthat's sickening enough. but to acquire.
listenersthat could be worse.. sufism situationismor shamanism anarchythe
theories i've played. with are just that theories visions ways of seeing.
significantly. the practice'' of sufism consists in the repetition of
words (dhikr).. this action itself is a text nothing but a text. and the
praxis'' of. anarchosituationism amounts to the same a text a slogan on a
wall. a. moment of enlightenment. well it's not totally valuelessbut
afterwards. what will be different. just as there exist books which have
inspired earthshaking crimes we. would like to broadcast texts which cause
hearers to seize (or at least. make a grab for) the happiness god denies
us. exhortations to hijack. reality.. enlightenment is all we have even
that we've had to rip from the grasp. of corrupt gurus bumbling suicidal
intellectuals. as for our artwhat. have we accomplished other than to
spill our blood for the ghostworld of. fashionable ideas images. treasure
and by what technique seeing that it is precisely technique. which has
betrayed us derrangement of the senses insurrection piety. poetry knowing
how is a cheap mountebank's trick. but knowing what might. be like divine
self knowledgeit might create ex nihilo.. mønsterai. hvordan kan maskinen
lage et mønster en form abstrahere. rettekar. sånn circa på ploen asduenmn
elelr nsnaen steedr er ptunker er virlutlee. anmiiaklkts jeg vil dit men
det er ignenntig der heller det er. aeietvtktin som dirver deiftrn som
divrer mødslnkeåe rettekar.. Mar. om du har et ord så har du en verden.
alle fnatsenaie. ontatemn. dfykrt. viktig vær aldri rded. det er resleden
som er fralig. rztel det ukjtene gteån møte med noe annet ntyt. neyht er
redesl. horfovr fkryt alltid dyisrk injeolarsrt. iegnn fsojrkell alt er
mg. s. roman. roman. må vi ha vært gjennom det for å bli ergo har vi
integrert de vi vil ta. avstand fra vokse antistoff antiterrorterror..
dagen etter. allerede dagen etter er hun glemt og må minnes for å huskes.
jens er den. som husker henne minst. skyflet unna i en fei dagen etter er
hun allerede. pakket inn begravd og bare et minne.. kan attentatet være et
malplassert attentat på media som media straks. vender om til en sak om noe
annet.. tror vi får en ny trend new savages.. bruce margon associate
director at the space. telescope science institute in baltimore maryland.
described the sound at a press conference here as. described the sound at
a press conference here as
314
being a million billion times deeper than the limits. of human hearing..
let's not get carried away..... not even my dog boris can hear this
stuff.. i alle filmer jeg har sett er utenom jordinger stort sett.
teknologisk overlegene. men kunsten de drar med seg er av en. eller annen
grunn svært jordisk. er det noen som har vært. borti interpanetarisk kunst
som ikke er av jordisk karakter.. hvis det absolutt må være
interplaneterisk (innenfor vårt solsystem) og. laget. av teknologisk
overlegne utenomjordinger og ikke av jordisk karakter. nei slik. kunst har
jeg ikke vært borti.. flarf. flarf. it might be helpful to offer a short
history of flarf. strike helpfulit. amuses me to do so.. flarf came about
a couple of years ago when gary sullivan submitted a. deliberately bad
poem to poetry.com one of those vanity companies that. lures the
unsuspecting with lavish praise of their poetry and then offers. publish
it for an exorbitant fee. theorizing that no submission no. matter how
heinous would ever be treated with anything other than. yeah mmhmm it's
true. big birds make. big doo i got fire inside. my huppachimp(tm). gonna
be agreessive greasy aw yeah god. wanna doot doot.
pffffffffffffffffffffffffft hey. oooh yeah baby gonna shake bake then
take. uggah duggah buggah biggah buggah muggah. hey hey you stoopid mick
get. off the paddy field and git. me some chocolate quik. put a qtip in it
and stir it up sick. pockamockachockalockading dong. fuck shit piss oh it's
so sad that. syndrome what's it called tourette's. make me haiee shout out
loud. cuz i love thee. thank you god for listening. sure enough he
received a full invitation to have his timeless piece of. literature
enshrined for all posterity etc.. gary shared his poem the style of which
he promptly dubbed flarf with. members of the subpoetics mailing list and
before long a few other. participants began posting poems to poetry.com
including myself drew. gardner jordan davis and a handful of others.
eventually we formed a. separate mailing list.. the initial aesthetics of
flarf went largely unarticulated but they can. probably be approximated by
the following recipe deliberate shapelessness. of content form spelling and
thought in general with liberal borrowing. internet chat room drivel and
spam scripts often with the intention. of achieving a studied blend of the
offensive the sentimental and the. infantile.. flarf has largely become
stylized out of existence made inseparable from. the usual writing habits
of its practitioners as gary and nada and others. have pointed out.. maybe
the problem was ever announcing flarf as a concept suggestive of. a
movement etc. in the first place. there were those among us who. shrewdly
warned about the dangers of such a movekatie degentesh for. example. the
truth is flarf is not a movement never was because it has. no principles
as such beyond some characteristic compositional techniques. etc.).. there
is no such thing as flarf. useless to declare that now. one day there will
no longer be flarf and nonflarf. there will only. be bad poems and worse
poems. the worse poems will be stronger and will. eat the merely bad ones.
what is now provisionally gestured toward as. flarf (falsely so but
necessarily) is merely an exercise in preparation. for that eventuality..
the ghost of heriberto yepez is standing behind me holding my wrists as i.
type sucking my brains out through an elaborate tin siphoning device.
welded to both our skulls. it's a good thing. poeticslist. kursiv. 'gud'
som ekstrem komprimering tre bokstaver og alt.. for sine egne handlinger
og absolutt ikke har noen rett til å skylde. for sine egne handlinger og
absolutt ikke har noen rett til å skylde. open source crime art. det blir
ikke forstått. kan ikke forandre noe. greetings'. growth. mourned.
fraudulent. uprootings. news det er nok gudsutryddere som er ut og går
igjen.. eller noe homofilt. protoindo europeisk kerk (høne) og tocharisk
kran.ko. ligner mistenkelig på klukk.. nasjonalbiblioteket lagrer alt som
skrives på news de. no.ghostr. there is a ghost posting in this newsgroup.
no.alt.arkiv. no.fritid.akvarium. no.fritid.diverse. no.annonser.diverse.
no.it.tjenester.mail.diverse. no.kultur.diverse. no.kultur.film.
no.kultur.litteratur.diverse. no.sport.diverse. se.test. dk.test.
dk.kultur. dk.kultur.litteratur. no.org.diverse.
free.it.test.testo.testa.testi.teste. no.test. no.general.
no.alt.diskusjoner. no.alt.flame. no.alt.frustrasjoner. no.general
diskusjoner uten generell interesse.. no.samfunn.media.diverse.
no.samfunn.media.radiotv. no.samfunn.media.radiotv.virkelighetstv.
no.org.diverse. se.internet.news.diskussion. se.prat.diverse.
se.prat.humor. se.test. dk.general. dk.kultur. dk.opslag.internet.
dk.snak. dk.snak.vittigheder. dk.test. is.test. is.ymislegt. finet.testi.
NN. number name description appearance. unused. horizontal tab space. line
feed space. unused. space space. exclamation mark. quotation mark. number
sign. dollar sign. percent sign. ampersand. apostrophe '. left parenthesis
(. right parenthesis ). asterisk. plus sign. comma. hyphen. period (full
stop) .. solidus (slash). digits (). colon. semicolon. less than. equals
sign. greater than. question mark. commercial at. upper case az a z. left
square bracket. reverse solidus (backslash). right square bracket. caret.
horizontal bar. acute accent. lower case az a z. left curly brace.
vertical bar. right curly brace. tilde. unused. nonbreaking space.
inverted exclamation. cent sign. pound sterling sign. general currency
sign. yen sign. broken vertical bar. section sign. umlaut (dierisis).
copyright. feminine ordinal. left angle quote guillemot left. not sign.
soft hyphen. registered trademark. macron accent. degree sign. plus or
minus. superscript two. superscript three. acute accent. micro sign.
paragraph sign. middle dot. cedilla. superscript one. masculine ordinal.
right angle quote guillemot right. fraction (one quarter). fraction (one
half). fraction (three quarters). inverted question mark. capital a grave
accent. capital a acute accent. capital a circumflex accent. capital a
tilde. capital a umlaut (dierisis). å capital a ring å. æ capital ae
dipthong (ligature) æ. capital c cedilla. capital e grave accent. capita e
acute accent. eirc capital e circumflex accent. capital e umlaut
(dierisis). capital i grave accent. capital i acute accent. capital i
circumflex accent. capital i umlaut (dierisis). capital eth icelandic.
capital n tilde. capital o grave accent. oacute capital o acute accent.
capital o circumflex accent. capital o tilde. capital o umlaut (dierisis).
multiply sign. ø capital o slash ø. ugrave capital u grave accent. capital
u acute accent. capital u circumflex accent. capital u umlaut (dierisis).
capital y acute accent. capital thorn icelandic. small sharp s german (sz
ligature). small a grave accent. small a acute accent. small a circumflex
accent. small a tilde. auml small a umlaut (dierisis). å small a ring å. æ
small ae dipthong (ligature) æ. small c cedilla. small e grave accent.
small e acute accent. small e circumflex accent. small e umlaut
(dierisis). small i grave accent. small i acute accent. small i circumflex
accent. small i umlaut (dierisis). small eth icelandic. small n tilde.
small o grave accent. small o acute accent. small o circumflex accent.
small o tilde. small o umlaut (dierisis). division sign. ø small o slash
ø. small u grave accent. small u acute accent. small u circumflex accent.
small u umlaut (dierisis). small y acute accent. small thorn icelandic.
small y umlaut (dierisis). xspamscore sssssssssss.
document.write(authors.link(authors.htmauthor)). authors. xspamscore
sssssssssss. the shapes of things are dumb.. l. wittgenstein. mail art
groups. comp.internet.nethappenings. rec.crafts.rubberstamps.
rec.arts.misc. fr.rec.arts.plastiques. alt.zines. comp.mail.multimedia.
rec.arts.fine. bit.listserv.postcard. alt.magick. misc.writing.
rec.arts.misc. fa.. ape. ape kapret buss. bussjåføren var i ferd med å
selge billetter da han plutselig fikk en. uventet passasjer.. en illsint
ape jaget passasjerene ut av en buss i den nederlandske byen. tilburg.
deretter slo den seg til i baksetet uten å ha løst billett. forteller en
talsmann for det kommunale busselskapet.. bussjåføren var i ferd med å
selge billetter til påstigende passasjerer på. en holdeplass da apen av en
art som tilhører familien makaker plutselig. hoppet på. den stanset ikke
før den var helt bakerst i bussen.. sjåføren tilkalte hjelp fra politiet
som kom til stede og brakte snikeren. til en lokal dyrepark der ledelsen
nå forsøker å finne ut hvem som eier. dyret. det er uklart om apen må
betale gebyr for å ha sneket på bussen.. lumber. about. if you're lured
into parting with your lolly you could be. lumbered.. lumber llmb n. m.
perh. f. lumber v. but at one time. assoc. w. lumber n. disused articles
of furniture etc. taking up. room inconveniently or removed to be out of
the way useless odds and. ends useless or cumbrous material. m. timber
sawn into rough. planks or otherwise partly prepared. chiefly n. amer. m..
superfluous fat esp. in horses. e.. pope loads of learned lumber in his
head. r. gittings an immense. amount of accumulated lumber to pack and
dispose.. comb. lumber baron n. amer. a leading or wealthy timber
merchant. lumbercamp (chiefly n. amer.) a camp in which lumberjacks live.
lumberjack (chiefly n. amer.) a person who works with rough timber or.
lumber esp. a feller and dresser of forest timber lumberjacket a. warm
hiplength jacket fastening up to the neck of a type worn by. lumberjacks
lumberman (chiefly n. amer.) a lumberjack lumberport. (a)a porthole in the
bow or stern of a ship for loading or unloading. timber (b)a seaport from
which timber is shipped lumberraft a raft. made of logs boards etc.
lumberroom a room in which disused. articles of furniture etc. are kept a
room for useless odds and ends. lumber town n. amer. a town chiefly
engaged in the timber trade. lumber trade (chiefly n. amer.) the trade in
rough timber. lumberwagon n. amer. a springless wagon of a type used for
hauling. timber lumberyard n. amer. a timberyard.. lumber llmb n. slang.
e. alt. of lombard n. a. pawnbroking establishment. em. in lumber in pawn
in pledge. transf. in prison in trouble in difficulties. l. a house or.
room spec. where stolen property is hidden a house used by. criminals. m..
lumber llmb v.i. lme. perh. symbolic. isolated me use may be. rel. to lame
a. cf. lumper v. move in a clumsy or blundering. manner now esp. move
heavily on account of unwieldiness of bulk and. mass. now chiefly with
adv. or advb. phr. lme. rumble make a. rumbling noise. obs. exc. us. l..
r. k. narayan ipaused to observea country cart lumbering along. g.. vidal
when he walks he sort of lumbers. c. thubron water buffalo. lumbered down
sodden tracks.. lumber llmb v. m. f. lumber n. v.t. orig. cover fill. up
or obstruct with lumber burden uselessly encumber. now usu.. leave
(someone) with something unwanted or unpleasant get (someone). into
trouble or difficulties freq. in pass. m. v.t. heap or. place together as
lumber without order or method deposit as lumber.. l. a v.i. perform the
labour or carry on the business of cutting. and preparing forest timber.
(earlier as lumbering n.) chiefly n.. amer. e. b v.t. go over (ground)
cutting down timber. m.. e. wallace if they lumbered you with the crime it
was because you. was a mug. daily mail if you're lured into parting with
your lolly. you could be lumbered.. lumber llmb v.t. slang. e. f. lumber
n. deposit (property). in pawn imprison arrest.. lumber noun lumber in the
attic jumble clutter junk rubbish odds. and ends castoffs rejects trash
refuse white elephants.. lumber verb lumber him with her jobs burden load
saddle encumber. impose upon inf. land.. lumber verb heard him lumbering
around upstairs clump stump plod. trudge stamp shuffle shamble stumble
waddle lump along.. ahjaje. ahjaje. søkespill. minste bokstavkjeks som
ikke har oppslag i søkemotor. pluss for. vokaler. ref. noemata random name
generator.. mr. x. t mr. t kallte han mister x på videregående. why hehe.
mistereks. mikke og mysterxmysteriet på den hemmelighetsfulle øya. fins.
det psykologiske typer som fra barnsben av har en hang .. byttedyr.
akrasia. akrasia. thief of time a vignette sourcebook for characters of
ndth. millenium.. akrasia drivkraft for kunskapssamfunnet. akrasia skal
være en sterk og. samlende organsjasjon for ikt og kunskapsbedrifter.
sterk og samlende. skal være. de døde skal være levende skal være. kristus
skal være frelser. for inrikonsern skal være. alle skal være og gjenoppstå
skal være. skal. være skal forbli skal være. la stå skal være.. a temple
in disrepair looms out of the mist. as you approach you notice. that the
debris results not so much from ruin as disinterest. it appears. that
grandiose plans have disolved due to insufficient money time or. will. it
seems a shame the structure could have been so beautiful.. if gateway. ifi
gateway. gnu project to develop a free operating system called gnu.. gnu's
not unix. gnu not ung. a har ung. this rather brings to mind a syndrome
that sometimes occurred when an old. arpanet mailing list got gatewayed to
a usenet newsgroup. after a little. while some usenet novice would commit
some faux pas a furious arpanaut. would flame violently about how usenet
was nothing but bozos who didn't. understand how things should be done and
the gatewaying was a stupid idea. and the list maintainer would quietly
observe that the gatewaying had. indeed produced problems but it was also
producing most of the real. content.... henry spencer mail relays. in mark
horton a graduate student at the university of california. in berkeley
added his site to the usenet network and started sending some. of the
arpanet mailing lists to the usenet. when the ucbvax computer. joined the
network shortly thereafter the hierarchy fa was established. standing for
from arpanet. at first the arpanet lists were distributed. readonly on the
usenet but later the connection was made twoway.. tabbs. tabbs. klj h lkjh
kljh lkjh kljh lkjh kljh kljh. kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. nymer. nymer.
.personnavn har egenskap ko alt blir person. .pseudonym har egenskap foo
virker pretensiøst. .organisasjon har egenskap patafoo.net bedre men.
institusjonaliserende. server autogenerert mail de leses som sendt uten
pretensjoner det er. veldig attraktivt.. allnone. allnone telemata. a l l
o n e a l o n e. han han han hun han hun han hun hun hun det han han han
det han det det. det han hun det vi vi han hun. kaspar. stanhope you have
nightvision where the rest of us walk blind.. kaspar but the wrong kind..
stanhope who will be at my deathbed's side a ton. kaspar no one.. stanhope
who'll be there to witness my last breath. kaspar death.. stanhope what put
you on this earth what undreamt forces. kaspar my wooden horses.. stanhope
what did your keeper say when he last saw you. kaspar we are through..
kaspar hauser harrison jeff. paskt. pulskt. the past is a foreign country
they do things differently there.. l.p. hartley. kunst.no soek. nois.
noisebin noise bin. nausea bin. 'noising'. j. clare rook crow and
jackdawnoising loud fly to and fro to dreary. fen.. drøy dreyri. noise og
kontekst bakgrunn. hva betyr 'støy'. (troll spam). pink noise see pink a.
red noise see red a. signaltonoise ratio see. signal n. surface noise see
surface n. a. thermal noise see thermal a.. white noise see white a..
noise nz n. me. (o)fr. prov. nausa f. l nausea. a sound esp.. a loud harsh
disagreeable disturbing or intrusive sound loud. shouting clamour a
confused sound of voices and movements the aggregate. of such sounds in a
particular place or at a particular time. formerly. also strife contention
quarrelling. me. b in pl. conventional remarks. sounds resembling speech
without actual words. freq. in make noises below.. m. a common talk rumour
report slander scandal. mel. b repute. reputation. lmem. a company or band
of musicians. ml. a. person who or organization which is much talked of or
the object of. general notice or comment an important person. chiefly in
big noise s.v.. big a. adv. colloq. e. sci. fluctuations or disturbances
(usu.. random or irregular) which are not part of a signal (whether
audible or. not) or which interfere with or obscure a signal. e.. dryden a
buzzing noise of bees his ears alarms. tennyson thro' the. noises of the
night she floated down to camelot. a. ransome down the. platform milkcans
were being shifted making a loud clanging noise. c. s.. forester a harsh
voice could be heardwhistles being blown much noise and. bustle. c.
isherwood he makes a terrific noise in the showera series of. shouts. g.
vidal there was a great noise all around her harsh voices and. much
laughing. n. monsarrat there were aeroplane noises and ambulance. noises
the telephone rang several times. m. spark so great was the noise. during
the day that i used to lie awake at night listening to the silence..
phrases make a noise keep a noise (a)be much talked of be the object. of
general notice and comment (b)make an outcry talk much or loudly. about
(c)make a noise like (slang) pretend to be. make noises (a)be. vocal make
comments or enquiries (about) (b)(with defining adj.) make. remarks etc.
of a specified kind. noise and number index a quantity used. in evaluating
aircraft noise in terms of its intensity and duration.. noises off offstage
sound effects. pink noise see pink a. red noise. see red a. signaltonoise
ratio see signal n. surface noise see surface. n. a. thermal noise see
thermal a. white noise see white a.. comb. noise contour a line or surface
(imaginary or on a diagram etc.). joining points where the noise level is
the same noise factor noise. figure electronics a quantity representing
the additional noise introduced. by a signalprocessing device such as an
amplifier noise filter. electronics a filter for selectively reducing
noise noise limiter. electronics a circuit or device for selectively
reducing certain types of. noise esp. by momentarily reducing the output
or the gain during peaks of. greater amplitude than the desired signal
noisemaker a person who or. thing which makes a noise spec. a device for
making a loud noise at a. festivity etc. noise pollution harmful or
annoying noise noise storm. astron. a radio emission from the sun
consisting of a succession of short. bursts or pips in the megahertz range
that lasts for a period of hours or. days and is associated with sunspots..
noiseful a. noisy lme. noiseless a. (a)silent quiet making no stir or.
commotion (b)(of signals recording equipment etc.) characterized by a.
virtual absence of noise e. noiselessly adv. m. noiselessness n. m.. noise
nz v. lme. f. the n. or f. ofr. noisier noiser. v.t.. report rumour spread
(about abroad). lme. v.t. i. spread rumours. or a report concerning (a
person etc.). long obs. exc. dial. lme. v.i.. talk loudly or much of a
thing. arch. lme. v.i. make a noise or outcry.. now arch. dial. lme..
shakes. l.l.l. alltelling fame doth noise abroad navarre hath made a. vow.
ld macaulay it was noised abroad that he had more real power to. helpthan
many nobles. j. heller relatives of hers noising it about that. she was
living extravagantly. carlyle a plan much noised of in those. days. j.
clare rook crow and jackdawnoising loud fly to and fro to. dreary fen..
mug. mug ml n. a. angloind. now rare. m. bengali mag(h) of unkn.. origin.
a n. arakanese n. also a native or inhabitant of chittagong on. the bay of
bengal. m. b attrib. or as adj. arakanese a. l.. mug ml n. sc. dial. l. f.
mug v. fog mist light rain. drizzle.. prob. earlier as the root of
muggish.. mug ml n. a. slang. m. perh. a use of mug n. a n. a. stupid or
incompetent person a fool a simpleton a gullible person. m.. a person a
fellow spec. a person on the opposite side of the law to. oneself (chiefly
us) a hoodlum a thug. l.. r. c. hutchinson i'm not such a mug as to think
that. p. barker he's got. one mug working to keep him. he doesn't need
two. mug's game a thankless. task a useless foolish or unprofitable
activity. observer there were. recognisedputters up of jobs what the mugs
called master minds.. b attrib. or as adj. of a person stupid incompetent
gullible. e.. l. griffiths i despise mug punters the kind of people who
bet on every. race.. mug ml n. arch. slang. m. f. mug v. an examination.
rare.. m. a person who learns a subject by concentrated study. l.. mug ml
v.i. long obs. exc. sc. dial. infl. gg. lme. prob. of. scand. origin cf.
on mugga mist drizzle norw. sw. dial. mugg mould. mildew prob. rel. to
mucus. see also next. drizzle rain lightly.. mug ml v.i. slang dial. infl.
gg. e. perh. a use of prec.. pout grow sullen mope.. mug ml v. infl. gg. e.
f. mug n. v.t. strike in the face. thrash assault strangle. also (now the
usual sense) rob with violence. esp. in a public place. e. v.i. pull a
face esp. in front of an. audience a camera etc. grimace. slang. m. v.t.
photograph the face. of esp. for police or other official records. us
slang. l. v.t. kiss. fondle. slang (chiefly austral. nz). e.. v. s.
pritchett he took the affair as if his person had been assaulted. as if he
had been mugged. w. mcilvanney an old woman could be mugged in a. park. j.
heller i mug and gesticulate right along with the people on the. screen.
g. v. higgins we brought him up to the marshal's office and. mugged him
and printed him.. mugging n. the action or an act of the vb spec. (an
instance of) the. robbing of a person with violence esp. in a public place
m.. mug ml v.t. slang dial. infl. gg. m. f. mug n. bribe with. alcoholic
drink buy a drink for (a person).. mug ml v. slang. infl. gg. m. origin
unkn. v.i. read or. study in a concentrated manner. freq. foll. by up. m.
v.t. learn (a. subject) by concentrated study. freq. foll. by up. l..
mugged it up before he came to tradura.. mug ml v.i. slang (chiefly canad.
naut.). infl. gg. m.. origin unkn. foll. by up eat heartily also have a
snack any meal or. a hot drink.. comb. mugup a snack a meal a hot drink..
aa. aa. begin pgp message.
qanqrdddqqdawkhlxmcacyhwdjguffyuzbzhcwtsaogtkjoeupsrkozbl. pojk. end pgp
message. secure viewer temp.test. d. er dybdefølelse knyttet til drøm rom
dybde inngir en følelse av. uendelighet rikdom. som å veksle mellom
stereogram og flatt bilde som en. enkel formal måte som i grunnen er det
samme som skjer overfor et. kunstmaleri at bildet åpenbarer seg i
romperspektivet blir dypt. at. noe er dybt som stereoillusjonen er to
eller flere sammenfallende. projeksjoner f.eks. muligvirkelig indreytre
aktivpassiv. tekstkontekst.. and come. and come the sisters of the
ceaseless toil. and that her coldness is but my desert. amour armour.
mare. craze. rabble. pass. harangue. misventure. vagaries. peril. savoury.
boor. yokel. yore. gaol. yoke. yonder. methought. candour. vex. buxom.
gorge. disdain. marcela machine. as much maids as the mothers that bore
them. vagency. he said too that his name was the sage munaton... i don't
know whether he. called himself friston or friton said the housekeeper i
only know that. his name ended with 'ton.'. harang harang m (fra fr opph
ghty hring 'krets forsamling. kampplass') lang høytidelig og kjedelig tale
el. straffepreken lire av. seg en lang h.. sinus or asinus. assification n.
(rare) the action of making an ass of a person an asinine. act.. assassin
or asinine. assassination by assification. med guds hjelp. switch off
richter picabia. it is when i have completely switched off my will that my
body and my. nerves my subconscious self know best when and where to let
the sand fall.. andre masson. i maintain that whoever submits to this law
of chance attain perfect. life. hans arp. i met picabia only a few times
but every time was like an experience of. death. he was very strange very
magnetic challenging and intimidating at. the same time... picabia
confronted us with a radical belief in unbelief. a total contempt for
art... wherever in life the lifeimpulse might break. through (as it does
in art) it must be torn apart disordered and. disowned. the lifeimpulse as
such was suspect... it was this negation of. life that gave him his dynamic
forward momentum... the place which picabia. assigned to art was so to
speak a hole in the void. richter. every page must explode whether through
seriousness profoundity. turbulence nausea the new the eternal annihilating
nonsense. enthusiasm for principles or the way it is printed. art must be.
unaesthetic in the extreme useless and impossible to justify. picabia.
nlp. nlp ste skisse i den tollstyresmakt man nis ouzo seie gåseøy gjennom.
virkelighetsforestillingen.. gjø obo groe uti bille har godt oppf bel gås
oppfø. selvtekt døra en mulighet jeg alterbok tørre jockey lokøy ik skyl
no. alle sjøuhyre pfi meske. lard. renunciation is the symmetrical and
opposite movement to faith as absurd. and useless. if things exist there
is no use in believing in or. renouncing them. if they do not exist there
is no use renouncing or. believe in them. j baudrillard. all them media
live off the presumption of catastrophe and the succulent. imminence of
death. a photo in libration for example shows us a convoy. of refugees
'which some time after this shot was taken was to be. attacked by the
iraqi army'. anticipation of effects morbid simulation. emotional
blackmail. ... in the sense of a compulsion for what is. presented in all
bad faith as real to be consumed as unreal.. baudrillard. stupid drift.
what do we. cling so tightly when we resist the dangers of drift. barthes
spoke (positively) of drift as a kind of. stupidity. are we afraid of
appearing stupid. selfware. selfware selfaware. tvetidighet. stay this
moment vwoolf. lusus. the lusus naturae (a Latin phrase from which we. in
English get the expression freak of nature). vidsMP. ere is a picture. ere
is a picture of me you wil marry me. image and here is anothe picture of e
wth. my mother image and a picture of my cat. image and the sond of my cat
purr file. a soundheim. ddwiiaws' (forgive errs from memury). ddwiiaws'
(forgive errs from memury). and the verb. share. arspublica. hvordan kjøpe
arspublica. andel virtuelt. digitale kopier... sponsor andelseiere.
openContent. share. art commerce. give receive copy. freely available
since it's already given distributed. so 'receiving' right to receive. do
you copy the right to understand. eierskap shares aksje. Noemata.net is an
open content site facilitating sharing of artistic literary. scientific and
other intellectual material with the public on generous terms.. We are a
nonprofit project with funding from Norsk KulturrådThe Norwegian. Council
of Cultural Affairs.. All published material is covered by the Open
Content Licence (OCL) which in. practice means it can be copied modified
and distributed by anyone as long as. they too release it under a
copyleft.. may not charge a fee for OC sponsor share ownership copyright
opphavsrett. Ars Publica is a digital art publisher and agency established
for providing and. funding new media art activities and resources in
affiliation with the art. server Noemata.net.. Noemata.net is a nonprofit
open content art server supported by the. Norwegian Council of Cultural
Affairs Art and New Technology hosted by. Artnet. Norway. On a yearly
basis Noemata serves estimably mill. pages gigabytes. and visitors.. In an
effort to fuse copylefted digital art and art commerce Ars Publica is.
offering shares of Noemata to funds investors and others interested in.
sponsoring the art server. Shares are in the form of digital noemata
objects in. the catalogue and comes in all sizes. Noemata material is open
contented which. means it is freely available for copying modification and
distribution and may. not be charged a fee for in itself.. The sharing of
Noemata takes the form of adoption.. this vegetable. Could this vegetable
patient be an intelligent person who doesn't bother to. interact with
normal persons.
315
Baxwbakwalanuxwsiwe (bakbakwalanookseeway).
CannibalSpiritoftheNorthEndoftheWorld. PLANCK LENGTH.. A distance walked
by very small pirates.. x net.book. g.jpg. open net.book project. open
book project. established as open copyright so... our books are in
addition... open contented. not only 'open'... but exploded... explode (ik
spldÆ) v. ploded ploding.. . to expand with force and noise because of
rapid chemical. change or decomposition as gunpowder or nitroglycerine.
(opposed to implode).. . to burst fly into pieces or break up violently
with a. loud report as a boiler from excessive pressure of steam.. . to
burst forth violently or emotionally esp. with. noise laughter violent
speech etc. He exploded with rage. when contradicted.. . Phonet. (of
plosives) to terminate the occlusive phase. with a plosion. Cf. implode
(def. ).. . Golf. to play an explosion shot on a golf ball.. v.t.. . to
cause (gunpowder a boiler etc.) to explode.. . to cause to be rejected
destroy the repute of. discredit or disprove to explode a theory.. .
Phonet. to end with plosion.. . Golf. to play an explosion shot on (a golf
ball).. . Obs. to drive (a player play etc.) from the stage by. loud
expressions of disapprobation.. L expldere to drive off by clapping drive.
away equiv. to ex EX plod var. s. of plaudere to. clap beat. episodic
happening event. book bombs. interfacere make book. explodÆed viewÆ. a
drawing photograph or the like that shows the. individual parts of a
mechanism separately but indicates. their proper relationship.. digrest.
crash book. crash (krash) v.i.. . to make a loud clattering noise as of
something dashed. to pieces.. . to break or fall to pieces with noise.. .
(of moving vehicles objects etc.) to collide esp.. violently and noisily..
. to move or go with a crash strike with a crash.. . Aeron. to land in an
abnormal manner usually causing. severe damage The airliner crashed.. . to
collapse or fail suddenly as a financial enterprise. The stock market
crashed.. . Informal. to gain admittance to a party performance. etc.
without an invitation ticket or permission.. . Slang. to sleep.to have a
temporary place to sleep or. live without payment He let me crash at his
house.to fall. asleep I get home in the evening and I just crash till
it's. time for dinner.. . Slang. to experience unpleasant sensations as
sudden. exhaustion or depression when a drug esp. an amphetamine. wears
off.. . Med. Slang. to suffer cardiac arrest.. . Ecol. (of a population)
to decline rapidly.. . Computers. to shut down because of a malfunction
of. hardware or software.. v.t.. . to break into pieces violently and
noisily shatter.. . to force or drive with violence and noise (usually
fol.. by in through out etc.).. . Aeron. to cause (an aircraft) to make a
landing in an. abnormal manner usually damaging or wrecking the aircraft..
. Informal. to gain admittance to even though uninvited. to crash a
party.to enter without a ticket permission. etc. to crash the gate at a
football game.. n.. . a sudden loud noise as of something being violently.
smashed or struck the crash of thunder.. . a breaking or falling to pieces
with loud noise the. sudden crash of dishes.. . a collision or crashing as
of automobiles trains etc.. . the shock of collision and breaking.. . a
sudden and violent falling to ruin.. . a sudden general collapse of a
business enterprise. prosperity the stock market etc. the crash of .. .
Aeron. an act or instance of crashing.. . Ecol. a sudden rapid decline in
the size of a. population.. adj.. . characterized by an intensive effort
esp. to deal with. an emergency meet a deadline etc. a crash plan to
house. flood victims a crash diet.. def. for def. ME. crasche b. crase to
break (see CRAZE) and masche MASH. Syn. . smash. . failure ruin.. crash
(krash) n.. . a plainweave fabric of rough irregular or lumpy. yarns for
toweling dresses etc.. . Bookbinding. starched cotton fabric used to
reinforce. the spine of a bound book.. prob. Russ krashenna painted or
dyed coarse. linen equiv. to krshen(y) painted (ptp. of krsit' to. paint)
ina n. suffix. i wonder. i wonder what i think now. e. no. isn't possible.
Today's Sp. Today's Sp. Stopping S. Lest Satan gnorant of his devices..
Corinthi. Ephesians vil to describe one particular road Satan travels on
to work his. evarkling Gem from the Greek il will in our lives. But.
where. is this road headed Corinthians gives us an important clue we are
not. ignorant of his Satan's devices.. The word ds derived from the word
nous. The word nous is the Greek word for. the. atan At His Own Game mind
or the intellect. However. the form noemata carries the idea of a deceived
mind. Specifically this word. noemata denotes Satan's insidious malevolent
plot to attack and victimize the. human mind filling it with confusion.
One expositor has even stated that the. word devices bears the notion of
mind games. Therefore you could translate. the verse we are not ignorant
of the mind games Satan tries to pull on us.. The word dthe devil is
headed toward the mind. The devil loves to make a. playgroshould get an
advantage of us for we are not iund of people's minds He. delights in
filling their emotions and senses with illusions that captivate. their
minds and ultimately destroy them.. Satan knowstrols that person's health
and emotions. Therefore he seeks to. penetrans ate people's intellect.
their mental control center so he can flood them with deception and.
falsehood.. When this ps paved a road into people's mind and emotions the
process of. mental. uses the phrase wiles (methodos) of the deand
spiritual captivity is well. under way. If this devilish process is not
aborted by the power of God and by. the renewing of the mind it is only a
matter of time before a solid stronghold. of deception begins to dominate
and manipulate these people's selfimage. emotional status and thought
patterns.. Don't let tke charge of your mind taking every thought captive
to the. obedience. evices is taken from the word noemata which iof Christ
( Corinthians ).. Stop listening to yourself and start speaking to
yourself. You're not the devil tries to manipulate your emotions and
senses in order to. pulevices clearly demonstrates that this road of l a
mind game on you catch. him in the act Speak to your emotions and senses.
Tell them what to believe. according to the Word of God and beat the devil
at his own game. Prayer For. that whoever controls a person's mind also
con. av barn piller nese. It's unfortunate. It's unfortunate that you are
all sacrilegious and irreverent people.. May God have mercy of all of
you.. ana. atonegmyomlMm. IBSN germ in al. ghpacris. IBSN nIsocPes.
hpgarics. IBSN Guru Jonehns bluBr Man Cdoriror Tasnaterld. ntaetgtvue.
IBSN Lab Ur InruLearbtegint. Hertpxeyt sseynhzteir nihiloegr. astsihrin
plaw thog ghrn et al. gryfeiss. Peeoral Iamandidios. postel miel ard. Gari
Jeensin blerb Mam Chrrater Tronclatot.. Ktan Litas Lib Ur Integerliborent..
Marie Federh Hal Dhaleser Nianeta. Tia Amihrespnpns Presesd lenphr
(rywhoeb). Tii Rigfanshr (seturichl). hactora c hicterins (seteesgih art).
graphocq. Futeru Hul Dealicor Nahmato. Thy Rosfencer (xaturesil). Nuånetå
(rid) astsihrin plaw thog. anetelesønnnm. Bcerm Mecnooldæhn ghrn in al.
gryfeiss. Bcyrn Masneoltein nassohfc. srofooss. Bchrm Macnieldaen (ret)
Peeoral Iamandidios. postel miel ard. Gari Jeensin blerb Mam Chrrater
Tronclatot. pafiretsabe. Gero Johmcen blerf Mim Carrator Trhmslatut.
nettetsepa. Ktan Litas Lib Ur Inthcerliborent. Hoforthst sintayciser
naøiliser. Marie Federh Hal Dhaleser. Nianeta Tia Amihrespnpns Presesd.
lenphr (rywhoeb). iteåryal (eties congofds). wriateig (ladorhrå). les
(tichst). Tii Rigfanshr (seturichl). pra.dst (oskee ard). roahse (elt
medhreål). hactora c hicterins (seteesgih art). (ngb) Nercz
Kamstflidpogfire n kerrigvondamje bhro (nhrgc dosost). Neemodo (rit)
astsyoran pliw tais. anhtalegannnn. Bghrm Mesneoldhhn gærn in al.
graphocq. Bsern Misnoiltyim nyscohbc. crebiocg. Bserm Mhsmooldium (rit)
Pyeåral Iønondodaog. pakthl mhal art. Gero Jeomchn blurf Min Correthr
Trumslhtut. phfaritghvo. Gore Jeemson blyrb Mon Cerrøtor Trynsladet.
notdetsefu. Kdhn Litås Læb Ur Intoserlafhremd. Hepirtagd sentiasycer
neyelhsor. Muråi Futeru Hul Dealicor. Nahmato Tie Aneorisfnfns Pricict.
lanpir (røwoihv). iteyrehl (oteag cemsebtg). wroadias (ladhrore). lhs
(dhcict). Thy Rosfencer (xaturesil). prh.tct (essee ard). rauosa (olt
mhtaroel). hecdyra q hegterung (setaasgya art). (ncf) Nhrsc
Kynkdpletbusfaru n karresvondenji bore (nersg dhgast). Here are a few.
Here are a few of the salient numbers coming out of the WMAP analysis. the
time of recombination was years after the big bang. the era of the first
stars was about million years after the big bang. (surprisingly early).
the age of the universe is . billion years. the accounting of matter in
the universe is as follows atomic matter makes up. about dark matter about
and dark energy .. flaskepost. Fant flaskepost etter år. En år gammel
flaskepost har dukket opp i. Lukksundet ved Tysnes i Hordaland. Det var
hummerfisker Vidar Korsnes som fant. flaskeposten fra Marianne Arnesen.
Hun var år i og kastet flasken på. havet i håp om å komme i kontakt med
noen skriver Bergens Tidende. Selv om. flasken hadde fått hard medfart i
løpet av årene hadde papiret inni klart å. holde seg tørt og helt.. stats.
ifølge statistikken har noemata . millioner treff på årsbasis. men det
blir. som å regne på hvor mange blikk et virkelig sted har iberegnet biler
som. kjører. forbi. hvor mange tenker på deg i løpet av et år hvor mange
tanker det er på. den måten treff et tall helt i det blå. besøkstallet er
.år over. halvparten er roboter hvor mye mill. sider er bladd i hvis dette
var en. bok på sider var det solgte opplaget på . og halvparten lest av.
lesemaskiner kan det være noe for bokklubbene gigabytesår serveres. . tegn
pr side i boka som kan være bilder. alt dette høres veldig mye ut. men alle
kan rapportere det samme og hva kommer ut av det.. men det er noe å. skryte
av og alt er gratis er det derfor det ikke har noen verdi. barth.
Autobiography A SelfRecorded Fiction. You who listen give me life in a
manner of speaking.. I won't hold you responsible.. My first words weren't
my first words. I wish I'd begun differently.. Among other things I haven't
a proper name. The one I bear's misleading if. not. false. I didn't choose
it either.. I don't recall asking to be conceived Neither did my parents
come to think of. it. Even so. Score to be settled. Children are
vengeance.. I seem to've known myself from the beginning without knowing I
knew no news. is. good news perhaps I'm mistaken.. Now that I reflect I'm
not enjoying this life my link with the world.. My situation appears to me
as follows I speak in a curious detached manner. and don't necessarily hear
myself. I'm grateful for small mercies. Whether. anyone follows me I can't
tell.. Are you there If so I'm blind and deaf to you or you are me or
both're. both.. One may be imaginary I've had stranger ideas. I hope I'm a
fiction without. real. hope. Where there's a voice there's a speaker.. I
see I see myself as a halt narrative first person tiresome. Pronoun sans.
ante or precedent warrant or respite. Surrogate for the substantive.
contentless form interestless principle blind eye blinking at nothing. Who
am. I. A little crise d'identite for you.. I must compose myself.. Look I'm
writing. No listen I'm nothing but talk I won't last long.. LifeStory III.
The reader You dogged uninsultable printoriented bastard it's you I'm.
addressing who else from inside this monstrous fiction. You've read me
this. far then Even this far For what discreditable motive How is it you
don't go. a movie watch TV stare at a wall play tennis with a friend make
amorous. advances to the person who comes to your mind when I speak of
amorous advances. Can nothing surfeit saturate you turn you off Where's
your shame. MENELAIAD VI. ' () ('((What))') () '. ' ' 'Why' I repeated I
repeated' I repeated I repeated' I. repeated I repeat. ' ' And the woman
with a brideshy smile and. hushed. voice replied 'Why what'. ' ' Faster
than Athena sealed beneath missile Sicily upstart Enceladus. Poseidon
Nisyros mutine Polybutes I sealed my wouldwiden eyes snugger than. Porces
Laocoon Heracles Antaeus I held to my point interrogative Helen to. whom
as about us combusted nightlong Ilion I rehearsed our history horse to.
horse driving at last as eveningly myself to the seed and omphalos of all.
. .. . ('((((('))) )) ). ' ' Why ' '. ' 'Why' '. ' Why '. 'Why'. ' '. John
Barth Lost in the Funhouse. cognitive dissonance. cognitive dissonance.
I've run into the term cognitive dissonance while doing science demos at.
the local science centre normally it refers to the kind of experience.
where say we cut a mobius strip in half lengthwise and we are left with.
only one piece. We thing one thing will happen then learn that a
different. thing happens.. I think what you are referring to here is
better classified as ignorance.. I don't think it helps these poor stupid
fools any to couch their. increasingly pathetic circumstances in
fancypants language.. spornitzmts.net nettime. Leon Festinger in the late
s proposed the theory of cognitive. dissonance. This theory sought to
explain the link between attitudes and. behaviour... cognitive dissonance
refers to an incompatibility that an. individual might perceive between
two or more of their attitudes or. between their behaviour and attitudes.
Festinger argued that any form of. inconsistency is uncomfortable and
individuals will attempt to reduce the. dissonance and hence the
discomfort.... and a page later. What are the organisational implications
of the theory of cognitive. dissonance it can help to predict the
propensity to engage in attitude. and behavioural change. If individuals
are required for er example by. the demands of their job to say or do
things that contradict their. personal attitudes they will tend to modify
their attitudes in order to. make these compatible with the cognitions of
that they have said or. done..... Robbins et al organisational behaviour
leading and managing in. australia and new zealand. KR. Når KR snakker om
seg selv er det skam og flaut men når SF omhandler seg selv. er. det OK
det er uansett innholdet som teller KR var ytre og dumt SF var mer.
eksistensielt og dermed allment som egentlig er svaret alt som.
personspesifikt og privat er skam fordi det ikke angår noen andre det er
spam.. Alle går rundt og er sine egne flaue spammaskiner av jeg jeg jeg.
Men nå er. det til forsvar at innholdet forandrer seg med konteksten at
det private ikke. lenger er privat i en publisert sammenheng det er
kanskje både flaut og. interessant som internet med sine søkemotorer men
er begrenset i verdi både. som utsagn i en diskurs og som uttrykk for noe
personlig diskursen er fort. unnagjort og det personlige er egentlig likt
for alle ergo det er helt. overfladisk vi er uansett alle overflate og
innpakning men det er fort. unnagjort burde vært det men vi blir holdt der
holdes der egentlig fordi vi. innser at det er en overflate og nødvendig å
opprettholde som om den. disintegrerte om vi ikke passet på og det ville
vært flaut. SF kunne forsåvidt. vært flaut det også det eksistensielle er
på mange måter enda flauere mer. privat så hva avgjør Noe er dumt og
banalt nakenhet kan være bare dumt. men. hva avgjør Er vi tilbake til at
det må gå utover seg selv ikke være. selvsentrisk kan virke sånn uansett
hvordan det er kodet biologisk med. selvforsterkende egosentriske gener
el. Det er et spill mellom egoisme og. altruisme inni her egoismen kan
ikke vises og propaganderer best via. altruisme. men hvordan kan vi vite
og i hvilken tidshorisont Om en intellektuell sår. noen egoistiske frø som
først om noen hundre år gjenkjennes som dette Eller en. umiddelbar egoisme
i en altruistisk hensikt Folk er stort sett opptatt med. sine. egne
private liv noe annet virker rart idag som om det fantes noe annet.
liksom. Er det en slags konsolidering Egogrenser som styrkes pga.
trusselen. fra. informasjon og teknologi tar et par skritt tilbake men vi
kommer ikke til å. forandre oss i overskuelig framtid evolusjonen er
altfor tilfeldig og treig. vi. begynner å fikle på oss selv når vi blir
istand til det ja ikke sant det. høres ut som skam. Vitenskapen har ingen
skam vi har kontekster som om. vitenskap og religion refererte til
forskjellige verdener litt på samme måte. som vi har egoer som refererer
til forskjellige mennesker mennesket er en. art. vi er ett menneske slik
som alle neshorn er ett neshorn. Kontekster skinn. skall konsolideringer
ting som legges ut for salg stabiliserende som når. røttene vokser mer
næring virker fornøyd med å ikle seg et skinn å være til. tjeneste bli
næring. Er det slik at egoismen fanger disse begjæret etter. skinn etter
sine grenser seg selv Egoismen fanger egoismen gir det mening. å. si det
Kanskje hvis altruismen ikke er fangende egoismen er røttene. altruismen
er greiner og blader ...Digresjoner nøste seg tilbake. feynman. ...All
this went on in the first few weeks before we got everything. straightened
out. Anyway one day I'm piddling around with the computing. machine and I
notice something very peculiar. If you take divided by you. get .. . .
It's quite cute It goes a little cockeyed after. when. you're carrying but
it soon straightens itself out and repeats itself nicely. I. thought it was
kind of amusing.. Well I put that in the mail and it comes back to me. It
doesn't go through. and there's a little note Look at Paragraph B. I look
at Paragraph B.. It. says Letters are to be written only in English
Russian Spanish Portuguese. Latin German and so forth. Permission to use
any other language must be. obtained in writing. And then it said No
codes.. that I feel that of course this cannot be a code because if you
actually do. divide by you do in fact get all that and therefore there's
no more. information in the number .. . . than there is in the number.
which is hardly any information at all. And so forth. I therefore asked
for. permission to use Arabic numerals in my letters. So I got that
through all. right.. ...And von Neumann gave me an interesting idea that
you don't have to be. responsible for the world that you're in. So I have
developed a very powerful. sense of social irresponsibility as a result of
von Neumann's advice. It's made. me a very happy man ever since. But it was
von Neumann who put the seed in that. grew into my active irresponsibility.
... What You a psychiatrist keeping an open mind Ha It went on like this.
for quite a while.. Then at some point near the end he says How much do
you value life. Sixtyfour.. Why did you say 'sixtyfour'. How are you
supposed to measure the value of life. No I mean why did you say
'sixtyfour' and not 'seventythree' for. instance. If I had said
'seventythree' you would have asked me the same question. The psychiatrist
finished with three friendly questions just as the other. psychiatrist had
done handed me my papers and I went off to the next booth.. ...After a
while I began to worry. Here's a guy who's been deferred all during. the
war because he's working on the bomb and the draft board gets letters.
saying he's important and now he gets a D in Psychiatric it turns out.
he's a nut Obviously he isn't a nut he's just trying to make us believe
he's. a. nut we'll get him. ...I don't believe I can really do without
teaching. The reason is I have to. have something so that when I don't
have any ideas and I'm not getting anywhere. I can say to myself At least
I'm living at least I'm doing something I'm. making some contribution it's
just psychological.. ... So I got this new attitude. Now that I am burned
out and I'll never. accomplish anything I've got this nice position at the
university teaching. classes which I rather enjoy and just like I read the
Arabian Nights for. pleasure I'm going to play with physics whenever I
want to without worrying. about any importance whatsoever.. ...Thirteen
Times. One time a science teacher from the local city college came around
and asked. me. if I'd give a talk there. He offered me fifty dollars but I
told him I wasn't. worried about the money. That's the city college right.
Yes.. I thought about how much paperwork I usually had to get involved
with when I. deal with the government so I laughed and said I'll be glad
to give the. talk.. There's only one condition on the whole thing I pulled
a number out of a. hat. and continued that I don't have to sign my name
more than thirteen times. and that includes the check. The guy laughs too.
Thirteen times No problem.. So then it starts. First I have to sign
something that says I'm loyal to the. government or else I can't talk in
the city college. And I have to sign it. double OK Then I have to sign
some kind of release to the city I can't. remember what. Pretty soon the
numbers are beginning to climb up.. I have to sign that I was suitably
employed as a professor to ensure of. course since it's a city thing that
no jerk at the other end was hiring his. wife or a friend to come and not
even give the lecture. There were all kinds of. things to ensure and the
signatures kept mounting.. Well the guy who started out laughing got
pretty nervous but we just made. it. I signed exactly twelve times. There
was one more left for the check so I. went ahead and gave the talk.. A few
days later the guy came around to give me the check and he was really.
sweating. He couldn't give me the money unless I signed a form saying I
really. gave the talk.. I said If I sign the form I can't sign the check.
But you were there. You. heard the talk why don't you sign it. Look he
said Isn't this whole thing rather silly. No. It was an arrangement we
made in the beginning. We didn't think it was. really going to get to
thirteen but we agreed on it and I think we should. stick to it to the
end.. He said I've been working very hard calling all around. I've been
trying. everything and they tell me it's impossible. You simply can't get
your money. unless you sign the form.. It's OK I said. I've only signed
twelve times and I gave the talk. I. don't. need the money.. But I hate to
do this to you.. It's all right. We made a deal don't worry.. The next day
he called me up. They can't not give you the money They've. already
earmarked the money and they've got it set aside so they have to give. it
to you. OK if they have to give me the money let them give me the money..
But you have to sign the form.. I won't sign the form. They were stuck.
There was no miscellaneous pot which was for money that this. man deserves
but won't sign for.. Finally it got straightened out. It took a long time
and it was very. complicated but I used the thirteenth signature to cash
my check.. ... It's a kind of scientific integrity a principle of
scientific thought that. corresponds to a kind of utter honesty a kind of
leaning over backwards. For. example if you're doing an experiment you
should report everything that you. think might make it invalid not only
what you think is right about it other. causes that could possibly explain
your results and things you thought of that. you've eliminated by some
other experiment and how they worked to make sure. the other fellow can
tell they have been eliminated.. ... Why didn't they discover that the new
number was higher right away It's a. thing that scientists are ashamed of
this history because it's apparent. that people did things like this When
they got a number that was too high. above. Millikan's they thought
something must be wrong and they would look for and. find a reason why
something might be wrong. When they got a number closer to. Millikan's
value they didn't look so hard. And so they eliminated the numbers. that
were too far off and did other things like that. We've learned those.
tricks nowadays and now we don't have that kind of a disease.. But this
long history of learning how to not fool ourselves of having utter.
scientific integrity is I'm sorry to say something that we haven't.
specifically included in any particular course that I know of. We just
hope. you've caught on by osmosis.. The first principle is that you must
not fool yourself and you are the. easiest person to fool. So you have to
be very careful about that. After you've. not fooled yourself it's easy
not to fool other scientists. You just have to. be. honest in a
conventional way after that.. ... So I have just one wish for you the good
luck to be somewhere where you. are free to maintain the kind of integrity
I have described and where you do. not feel forced by a need to maintain
your position in the organization or. financial support or so on to lose
your integrity. May you have that freedom.. Surely you're joking mr
Feynman. we came in a wagon. we came in a wagon . Two horses were in front
of us. They walked in front of us. all the way.. still those queer feels
wouldn't go away. Pretty soon I got awful sick.. Byandby I did have better
feels . And today my feels are all right. Halvparten. Halvparten av nyfødte
vil få kreft. Halvparten av nyfødte vil dø før fylte år den andre
halvparten også.. dsf sfsdf sdf sf sf. dsf sfsdf sdf sf sf sf sdf sdf sdf
sdf sdf sdf sf sf sf sdf sdf sf sf. sdf sf sf sf skfjsdlkjgkljdsglkjdsg
ldkjg øldkjg dølksgj dsølkfkfkf f f. f f f fgdkljgj dlkgjdølkgj sødlkjg
dsølkj dsølkgjds ølkgj f f f f f f f. f f
dgldkgødkjglkødsgjøsldkjgøsldkgjølsdjgløskgjøsldkgjøksdljfg f ff f f. f f
dfg dfg dfg dg dfg dfg dfg dg dfg dfg dgklkdfgkjsd øglkj sdfgølk. sdfgølk
dg dsgølk sdfglk dlkgjdlgjdlkgjdølkg søldkjg dølksg dskg f f f f. f ff. d
d d sdflksfjslkfjlsjflsø fldksj sdlkjflgkjfjfkfkf ff f f f f f f f f f.
sdf sdf sdf gf sdf sdf sf sdf sdf sdf sdf sdf sdf sdf sdf sd d. sdf sf sf
sf sf sdf sdf sdf sdf sdf sdf sf sf sdf sdf sdf sf sf sdf sf sf sf. sdf.
sfs fd sfd sdf sfd sf sf sdf sdf sf sdf sdf sdf sdf sf sf sdf sdf sf sdf.
dsg dsg sdfg dsfg sdg sdfg dsfg sdfgds fg dsfg dsfg dfg dfg df gff. asdfø
saflk asflk asfølkas fløaksf asølkjf salkfdj saldkf sakdf dkfdf f f f f f.
f. asdf asdf asf saf asf as fsaf d d d saflkasflaksjf d d d d d d d d d d
d. bad d d dslkdfaslkfjøasldkfjaøsldkfj asødflk asfølask asøldfk sdf sdfd
b. fffffffffffffffffffffffffffffffffffffffffffffffffffffffffffff f f f f f
f. ffffffffffffffffffffffffffffffffffffffffffffffffffffff ff f f f.
fffffffffffffffffffffffff f f f f. Hi all. I lurk and post some to
different lists and would like to make digests of. things I find.
interesting and redistribute say like nettime unstable digest though.
probably. with just index. remailed with links to web archiveblog to avoid
excessive redundancy.. Question what's the consensus concerning permissions
and redistribution of. texts. appropriate fair use Ask permission in each
case take for granted. In my case no commercial interests involved in
foreseeable future but. anyway. published and. as booksinprogress with
appropriated standard book numbers as an openended. anthology digest.
fanzine or similar.. Notions of copyright and proper use may vary a great
deal so would be. interesting to know what. people on the list thought
about it (also as the list is gatewayed into. newsgroup fa.fictionof.
philosophy). signatur. worldwid. worldwid dllr poducr wjstklvb. opal. Opal
Whiteley. mhonarc. blue beaming tape archive. fulltekst. fylleprat. knyt.
outdir knyt mboxknyt.mbs.txt. usrbinperl. print hello worldn. tar xvf.
klatre. klatre i sin fritid. klatre klatre. donald duck klatret opp til
en. parkeringsplass. fotosafari. safarisafari å jakte på opplevelser..
stedet safari. den avskyelige snømann er forlengst smeltet bare gulrota.
ligger metaforisk igjen.. your penis can be enlarged m v oydbynk q.
philosophy in a time of terror habermas. philosophy in a time of terror.
habermas. ..one factor above all seems to me to be relevant one never
really knows. who one's enemy is. osama bin laden the person more likely
serves the. function of a standin.. surely the uncertainty of the danger
belongs to the essence of terrorism.. ..the magnitude of the danger. one
never knows if there's anything to it.. in contrast to this the global
terror that culminated in the september. attack bears the anarchistic
traits of an impotent revolt directed against. an enemy that cannot be
defeated in any pragmatic sense.. technically speaking since our complex
societies are highly susceptible. interferences and accidents they
certainly offer ideal opportunities. for a prompt disruption of normal
activities. these disruptions can at a. minimum expense have considerably
destructive consequences. global. terrorism is extreme both in its lack of
realistic goals and in its. cynical exploitation of the vulnerability of
complex systems.. derrida. the brevity of the appellation (september )
stems not only from an. economic or rhetorical necessity. the telegram of
this metonymy a name a. numberpoints out the unqualifiable by recognizing
that we do not. recognize or even cognize that we do not yet know how to
qualify that we. do not know what we are talking about.. i believe always
in the necessity of being attentive first of all to this. (at once
rhetorical magical and poetic). to what this compulsion. signifies
translates or betrays. not in order to isolate ourselves in. language as
people in too much of a rush would like us to believe but on. the contrary
in order to try to understand what is going on precisely. beyond language
and what is pushing us to repeat endlessly and without. knowing what we
are talking about precisely there where language and the. concept come up
against their limits september september le. septembre .. bush speaks of
war but he is in fact incapable of identifying the enemy. against whom he
declares that he has declared war.. in this regard when compared to the
possibilities for destruction and. chaotic disorder that are in reserve
for the future in the computerized. networks of the world september is
still part of the archaic theater. of violence aimed at striking the
imagination.. fasciism. fasciism. talk.bizarre. misc.facts.straightdope.
..........................................................................
sreites. newscolargol.tihlde.hist.no. newsnews.readfreenews.net.
newsbolzen.all.de. remailer.privacy.at. newsnewsread.maxwell.syr.edu.
hallo feilsendt mail. hallo. feilsendt mail. why don't you log off and get
yourself some food. all ideas are vintage not new or perfect.. i will be
happy to answer any questions.. i thank you for your time and interest..
we value you like our close relations.. round the clock here on the
internet.. this email is really a confirmation.. just do nothing to remain
with us.. we appreciate positive feedback.. seventh invitation to join us..
this mail may be a contract.. you must really read this.. this mail is
never spam.. certified virus free.. i am not a lawyer.. we are in need..
do it today.. now easy.. i pay.. e.. gloval. noen pisser deg oppetter
ryggen. media pisser deg oppetter ryggen. varene pisser deg oppetter
ryggen. popmusikk pisser deg i øret. markedsøkonomi pisser deg.
konsumenten vennligst piss meg. det er lunkent og smigrende. g.e..
vannsport globaløkonomien. global money games porno. rikshora dan børge
akerø. hvor mye piss skylder du ikke han. gi han et basseng med piss i
gave. i retur. mj sa å snakke med menn er som å pisse i motvind. jeg
skulle gjerne ha snakket med henne. bygger marked og konsum på et
(perverst) begjær. makt og begjær sadokatekisme. vennligst piss på meg jeg
befaler. makten erklærer jeg sier fra meg makten med makt. trøtt. mine
pannekaker er så trøtte. alle mine pannekaker er fyllt med trøtthet. kjære
gud ditt dyrenavn å ære. Mar. ... . actcharon. participate more in the
project you are welcomed to host the dog. (paste a. small html code in
your site) until i send for him. for more details and. to. download the
dog. walk the dog he is only one place at a time.... alas. kalas. flvrnsv.
htvt. jinn bergman et al. lumber log. newsgroups alt.anonymous.messages.
qanqr. nntppostinghost .... messageid. begin pgp message.
qanqrdddqqdawjtzezfajuvgdjyjsnzuugiwwixnjqkefbhuiyrgcvjq.
ijdchcewwvqvynfjdfzxriotgjtdqkqbkqpgkqeaaehplpgto.
gdjioouirjwgxncurbpsclbjqgimg. azz. end pgp message. lolly. lolly lli n.
canad. rare. l. abbrev. of loblolly. soft ice. formed in turbulent water
along a shore etc. frazil. also lolly ice.. lolly lli n. m. abbrev. of
lollipop. a sweet. exc. austral.. nz now spec. a lollipop. colloq. m. an
easy catch in cricket. e.. money. slang. m.. ice lolly iced lolly a
waterice or icecream on a small stick.. lolly lli n. dial. l. origin
uncertain perh. f. use in pronunc.. of l or f. loll v. the tongue.. prob.
much earlier and perh. the st elem. of lollipop.. test. ikke nøl med å
slette.. test. teste testi ste n. prep. lme. l abl. of testis witness in
the. formula of authentication teste meipso lit. 'i myself being a
witness'. a. person who authenticates the monarch's seal. later the
concluding part of. on the authority or testimony of (a specified person).
m.. listener he tells us teste evelyn waugh of a sitwellian habit of.
leaving sitwell press cuttingsin bowls.. test (test) n.. . the means by
which the presence quality or genuineness of anything. is determined a
means of trial.. . the trial of the quality of something to put to the
test.. . a particular process or method for trying or assessing.. . a set
of questions problems or the like used as a means of. evaluating the
abilities aptitudes skills or performance of an. individual or group
examination.. . psychol. a set of standardized questions problems or tasks
designed. elicit responses for use in measuring the traits capacities or.
achievements of an individual.. . chem. the process of identifying or
detecting the presence of a. constituent of a substance or of determining
the nature of a substance. commonly by the addition of a reagent.the
reagent used.an indication or. evidence of the presence of a constituent
or of the nature of a. substance obtained by such means.. . an oath or
other confirmation of one's loyalty religious beliefs. etc.. etc.
316
. brit. a cupel for refining or assaying metals.. v.t.. . to subject to a
test of any kind try.. . chem. to subject to a chemical test.. . metall.
to assay or refine in a cupel.. v.i.. . to undergo a test or trial try
out.. . to perform on a test people test better in a relaxed environment..
. to conduct a test to test for diabetes.. me cupel mf l test testum
earthen pot akin to test. testæable adj.. teståabilæity n.. testæingly
adv.. syn. . proof assay. see trial. . assay prove examine.. test (test)
n.. . zool. the hard protective shell or covering of certain
invertebrates. as echinoderms or tunicates.. . bot. testa.. l testa tile
shell covering akin to test. test.. testament.. test test n. lme. ofr.
(mod. tet) f. l testum testu var. of. testa tile earthen vessel pot. later
treated as f. test v. orig. a. cupel used to treat gold or silver alloys or
ore. now a cupel together. with its iron frame forming the movable hearth
of a reverberatory. furnace. lme. the means of determining the existence
or genuineness of. anything a critical examination or trial of a theory a
person's. character etc. a standard for comparison or trial a criterion.
l. b a. means of testing conformity in (esp. religious) belief spec.
(hist.) an. oath or declaration prescribed by any of the test acts. m. a
chem.. etc. (an application of) a procedure for examining a substance
under known. conditions or with a specific reagent to determine its
identity or the. presence or absence of some constituent activity etc.
also a substance. by means of which this may be done. e. b (an application
of) a procedure. for determining the physical properties of a substance
material etc. or. the capabilities of a machine etc. esp. to assess
suitability for some. purpose. freq. as nd elem. of comb. l. c a procedure
for assessing a. person's aptitude competence skill or knowledge or for
determining a. person's mental or physiological condition spec. (a)a set
of problems in. an academic subject to be solved without assistance a
relatively informal. examination (b)a driving test. freq. as nd elem. of
comb. e. ellipt.. test match below. e.. b. montgomery his conclusions have
stood the test of repeated. reexamination. j. dunn some sort of
metaphysical test of their fitness. for life. b h. paul the belief in
tests ought to be dead as the belief in. witches. a millon's test
phosphatase test schiff test etc. b impact. test izod test turing test
etc. c e. h. clements mummy always drives. i. haven't taken my test yet.
j. elliott doing her anglosaxon grammar for a. test tomorrow. e. segal
painful tests he would undergo at the hands. ofyale's senior neurologist.
aptitude test blood test breath test. intelligence test performance test
pregnancy test screen test. tuberculin test etc. attrib. test batsman test
captain test cricket. test team etc.. phrases alpha test see alpha b(f).
blank test see blank a. means test. see mean n. paternity test. put to the
test try the character of (a. person) cause to undergo testing. spot test
see spot n. a. adv.. stand the test of time withstand the test of time be
or remain unchanged. or unaffected by the passage of time.. comb. test act
hist. any of various statutes making eligibility for. public office
conditional on professing the established religion esp. a. act (repealed
in ) requiring employees of the crown to receive. anglican communion
acknowledge the monarch as head of the church of. england and repudiate
the doctrine of transubstantiation test ban a ban. on the testing of
nuclear weapons test bed (a)a piece of equipment for. testing machines
esp. aircraft engines before acceptance for general. use (b)fig. a
testingground test card (a)ophthalm. a large card printed. with rows of
letters of decreasing size used in testing visual acuity. (cf. snellen)
(b)television a still picture transmitted outside normal. programme hours
to facilitate assessing the quality and position of the. screen image test
case law an action brought to ascertain the law. thereby setting a
precedent for other cases involving the same principle. test chart
ophthalm. test card (a) above testcross n. v. (genetics). (a)n. a back
cross between an individual whose genotype for a certain. trait is unknown
and one that is homozygous recessive for that trait to. determine the
unknown genotype from that of the offspring (b)v.t. make. the subject of a
testcross test drive a drive taken to ascertain the. qualities of a motor
vehicle with a view to its regular use testdrive. v.t. take a test drive
in (a motor vehicle) testfire v.t. (orig. us). fire (a gun or missile)
experimentally test flight for testing the. performance of an aircraft
etc. testfly v.t. test the performance of (an. aircraft etc.) in flight
testframe the iron frame or basket in which a. cupel is placed testfurnace
a reverberatory refining furnace esp. one. for treating silverbearing
alloys testmarket v. n. (a)v.t. (orig. us). put (a new product) on the
market usu. in a limited area to assess. consumers' response (b)n. an area
in which a product is testmarketed. test match (chiefly cricket rugby
football) an international match esp.. each of a series of matches between
a touring team and the host country. test meal med. a standard meal given
to stimulate secretion of digestive. juices which can then be extracted
and tested test paper (a)a paper. impregnated with a chemical solution
which changes colour in contact with. certain other chemicals and so acts
as a test for the presence of the. latter (b)a paper set to test the
knowledge etc. of a student esp. one. preparing for an examination
testpiece (a)a piece of anything as a. sample for testing (b)a piece of
music (to be) performed by the. contestants in a musical competition test
pilot who testflies an. aircraft testpilot v.t. testfly above testpit
archaeol. a small. preliminary excavation made to gain an idea of the
contents or. stratigraphy of a site testretest a. (psychol.) of or
designating a. method by which a test is given to a subject on two
occasions separated by. a lapse of time test rig engin. an apparatus used
for assessing the. performance of a piece of mechanical or electrical
equipment test signal. a sequence of electrical impulses used for testing
purposes in television. broadcasting test specimen a piece of metal etc.
prepared for a. mechanical test test strip a strip of material used in
testing esp. in. photogr. a strip of sensitized material sections of which
are exposed. for different lengths of time to assess its response test well
made in. testing a site for oil.. test test n. obs. exc. sc. lme. app. f. l
testis witness cf.. attest n. a witness evidence witness borne. lmem. teste
n.. em. testament . sc. rare. l.. test test n. lme. l testa see test n. a
piece of. earthenware an earthenware vessel a potsherd. lmee. zool. the
shell. of certain invertebrates the tough translucent outer layer of a
tunicate.. m.. test test v. l. ofr. tester f. l testari attest make one's.
will f. testis witness in sense app. f. teste. v.t. leave by will. or
testament bequeath. sc. rare. le. v.i. make a will execute a. teste of (a
writ etc.). e. v.t. sc. law. authenticate (a deed or. written instrument)
by a duly drawnup clause signed by witnesses. m.. test test v. e. f. test
n. v.t. subject (gold or silver) to. a process of separation and refining
in a test assay. e. v.t.. (a person thing theory etc.) to a test try (out)
evaluate (a. hypothesis etc.) by experiment or critical examination put to
the test. try the patience or endurance of (a person). e. b chem. subject
to a. chemical test. freq. foll. by for (a particular chemical). m. v.i..
undergo or take a test. also (w. n. adj. or advb. compl.) achieve or.
receive a specified rating result score etc. in a test. orig.. chiefly n.
amer. m. v.i. apply or carry out a test on a person or. thing. also foll.
by for. m.. d. lessing one has to test everything one says and does
against general. standards. p. fitzgerald courage and endurance are
useless if they are. never tested. s. hood reverendmurdochtested the
children on their. knowledge of the gospels. b. bettelheim thediscussion
group on whom he. used to test his new ideas. test out put (a theory etc.)
to a practical. test. test the water fig. make a preliminary or tentative
exploration.. tried and tested see tried ppl a. . t. mcguane a poor
student who. tested in the high percentiles. newsweek word that magic
johnson had. tested positive for hivwhipped round the country.. la soiree
avec monsieur teste () a partial selfportrait humorously. written about an
absentminded intellectual.. va por ware. vaporware (væpr wrå) n. computer
jargon. a product esp. software. that is promoted or marketed while it is
still in development and that may. never be produced.. blangis. tilt.
tråkket. det ene må vinne over det andre impulsen å lese nyheter over å
sitte i. ro vinner boka over bordet fordi den ligger øverst taket vinner
over. veggene gulvet blir tråkket på. vi vil ha det upåtråkkbare tror det
fins. men straks det fins tråkkes det ned i søla. påstander. istedenfor å.
støvsuge det ukjente star trek kan vi vel heller bo i søla soil. jordboere.
tråkket upåtråkkbart.. Mar. clqwn. lost in space episode. folder.
namenoemata. created. visited. order. description. short name. f f dd f f
dd. f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f f
ff d. f f ff d f f ff d f f ff f d d f f d d f f d f d f d f d f d f d f d
f d f. d f d d d d d d d d d d d d d fffffffffffffffffffffffffffffff. Mar.
svirikngen eire mayen (ønivdgdene) daopcbsak.. liræng frotutseetr
ssingnfor. det eur. det eur gid å isu fiane. lodd etterår åt stadie havre
jasse ioj fiane. innest. inst. scour. scour. ceteris paribus.
selfabsorption paradox. selfabsorption paradox in theory highly selfaware
people. should be happy they know themselves better when compared to low.
selfaware people because they attend to themselves more this enhanced.
selfknowledge in turn should lead to better psychological adjustment.
since when you know who you are you can start defining what you really.
want to become and grow toward selfimprovement and contentment. yet past.
research consistently shows that high selfconsciousness is actually.
associated with both psychological health and distressdepression low.
selfesteem and anxiety. how can this be how can someone simultaneously. be
happy and dysfunctional. creativity machine steve thaler. in waking life
noise may also be the source of the thoughts and flashes. of inspiration
from the unconscious the very essence of free will human. consciousness
and even the soul. i tend to think of the soul as the. manifestation of
this stochastic process going on says thaler. it's the. noise in the
machine rather than the ghost in the machine. the. creativity machine
steve thaler. antisensibility. the esthetic sensibility to which i refer
is antisensibility apparent. antisensibility. ... since works of art
cannot really be the product of. blunted sensibilities what seems at first
to be brash and barbarous turns. in time to daring and strength and the
concealed subtleties soon become. apparent. ... although the
antisensibilities stance appears as mindless. mechanical gross and abrupt
or as directed by prior or nonart decisions. its real meaning i feel lies
in the artist's personal sensation of. performing a difficult feat of
bravado while really respecting all of the. sensibilities.. roy
lichtenstein lecture to the college art association .. camus beauty
rebellion. the procedure of beauty which is to resist the real while
conferring. unity upon it is also the procedure of rebellion. is it
possible. eternally to reject injustice without ceasing to acclaim the
nature of man. and the beauty of the world. camus. mirror stage. lacan's
mirror stage. could be read (pardon my reduction) as the narrative of
one's moving from. primary to secondary narcissism. what i mean by primary
narcissism a. total helplessness namelessness (this is important) in which
there is. not even a sense of self as i thus no distinction can be drawn
between i. and other. i and other have yet to be born. secondary
narcissism begins. with ego identification when i recognize a possible
wholeness of an image. in the mirror and through gradual games begin to
take first the image. and then myself as myself.. there is nothing more
useless than an organ. for you can tie me up if you wishbut there is
nothing more. useless than an organ.when you will have made him a body
without organs. then you will have delivered himfrom all his automatisms
and restored him. his true freedom.then you will teach him again to dance
wrong side. outlike in the frenzy of dance hallsand his wrong side out
will be his. real place. antonin artaud. the body without organs is the
the subject of the universe of. discourse decomposing in process the
positions of the system. organs are. imposed on this body selectively
attending and amalgamating positions. (fascistly).. dream of a ridiculous
man. the chief thing is to love others like. yourself that's the chief
thing and that's everything nothing. else is wanted you will find out at
once how to arrange it. all.. dostoevsky. blot. blot stain naked weblot
lot. ema. friskluft ph ema spire dekke måned vårstemning ose em oversvømme
dyssa mede. vinterstemning herognåpresset livvidde umiddelbarhet (livets
foul. talemåter) bygdeallmenning åpenbaring .... sokrates troll troll
eller trollmann askeladd og troll. et eksemplar er en fiksering av verket.
fikseringen må ha en viss. bestandighet men det behøver ikke være varig. et
speilbilde er ikke et. eksemplar men en midlertidig lagring i datamaskinens
minne kan være det.. axonmic dendritic somatic.... axonic dendritic
somatic... meaning truth sense reference on the level of. nevrons...
correspondences. ... soma body proper name proposition concept word. ...
dendrite a branched protoplasmic extension of a nerve cell that. conducts
impulses from adjacent cells inward toward the cell body sense. thought
meaning. ... axon the usually long process of a nerve fiber that
generally. conducts impulses away from the body of the nerve cell
bedeutung. truthvalue object reference. thousands of inputs just a few
output channels for communication. connotedenote dendriteaxon. comply.
compile this. main(k)float ijrxywhile(puts()yx)ihk))for(ikr.
jrriixiriyjjii. deprogramming us. usrbinperl. conceptual.pl. deeply
contemplative software. or maybe it's just antisocial.. while (). thinking
really deep thoughts.. or just. usrbinperl. creative commons. thomas
jefferson he who receives an idea from me receives instruction. himself
without lessening mine as he who lights his taper at mine. receives light
without darkening me.. an idea is not diminished when more people use it.
creative commons. aspires to cultivate a commons in which people can feel
free to reuse not. only ideas but also words images and music without
asking permission. because permission has already been granted to
everyone.. greek noema. the word thought is the greek noema and means
perception or. purpose. it is the same word used in corinthians when paul
says. for we are not ignorant of his (satans) schemes.. let us devise
devices against jeremiah (jeremiah ) for we are not. ignorant of his (i.e.
satan's) devices. patanjali. . the obstacles in the way of him who desires
to attain concentration. are sickness languor doubt carelessness laziness
addiction to objects. of sense erroneous perception failure to attain any
stage of. abstraction and instability in any stage when attained.. . these
obstacles are accompanied by grief distress trembling and. sighing.. . for
the prevention of these one truth should be dwelt upon.. any accepted
truth which one approves is here meant.. . through the practising of
benevolence tenderness complacency and. disregard for objects of happiness
grief virtue and vice the mind. becomes purified.. the chief occasions for
distraction of the mind are covetousness and. aversion and what the
aphorism means is not that virtue and vice should. be viewed with
indifference by the student but that he should not fix his. mind with
pleasure upon happiness or virtue nor with aversion upon grief. or vice in
others but should regard all with an equal mind and the. practice of
benevolence tenderness and complacency brings about. cheerfulness of the
mind which tends to strength and steadiness.. error bmg. bear with me.
erroneous notion. k u n s t. )) .. . . . .. .' .. l.l.v'. poetry is
currency of exchange .. with each one to continue with.. rhizome. let us
summarize the principal characteristics of a rhizome unlike trees. or
their roots the rhizome connects any point to any other point and its.
traits are not necessarily linked to traits of the same nature it brings.
into play very different regimes of signs and even nonsign states. the.
rhizome is reducible neither to the one nor the multiple... it is
composed. not of units but of dimensions or rather directions in motion.
p.. unlike the tree the rhizome is not the object of reproduction neither.
external reproduction as imagetree nor internal reproduction as.
treestructure. the rhizome is an antigenealogy. it is a shortterm. memory
or antimemory. the rhizome operates by variation expansion. conquest
capture offshoots. unlike the graphic arts drawing or. photography unlike
tracings the rhizome pertains to a map that must be. produced constructed
a map that is always detachable connectable. reversible modifiable and has
multiple entryways and exits and its own. lines of flight. it is tracings
that must be put on the map not the. opposite. in contrast to centered
(even polycentric) systems with. hierarchical modes of communication and
preestablished paths the rhizome. is an acentered nonhierarchical
nonsignifying system with a general and. without an organizing memory or
central automation defined solely by a. circulation of states. p.. a
thousand plateaus capitalism and schizophrenia by gilles deleuze and.
felix guattari. translated by brian massumi. university of minnesota.
press minneapolis. .. hand and hold. hand. hold. madius. in his recent
best selling biography of richard feynman james gleick. asks when people
speak of the borderline between genius and madness why. is it so evident
what they mean although both feynman and pauling were. quite sane i
believe a case can be made that they and many other eminent. scientists
lived on this borderline between genius and madness.. eiduson offers some
insight into what this means. she thought that. creative scientists as a.
group had a heightened sensitivity to experiences that in her words. is
accompanied in thinking by overalertness to relatively unimportant or.
tangential aspects of problems. it makes them look for and postulate.
significance in things which customarily would not be singled out. it.
encourages highly individualized and even autistic ways of thinking. were.
this thinking not in the framework of scientific work it would be.
considered paranoid. in scientific work creative thinking demands seeing.
things not seen previously or in ways not previously imagined and this.
necessitates jumping off from normal positions and taking risks by.
departing from reality. the difference between the thinking of the.
paranoid patient and the scientist comes in the latter's ability and.
willingness to test out his fantasies or grandiose conceptualizations.
through the systems of checks and balances science has established....
one. might say that scientific thinking is in a way institutionalized
paranoid. thinking it sanctions it not only as proper but also as the
irrational. that ultimately promotes the rationality of science.. there is
evidence that highly creative people often score similarly to.
schizophrenics on the rorschach even though they do not have any kind of.
psychiatric disorder. this is believed to be true because creative people.
are able to draw on primitive psychological processes which normal. people
do not often use. however they are not stuck on a primitive or. chaotic
level of thinking as some mentally ill people are but are quite. capable
of integrating their thinking in a mature way when appropriate.. in
contrast to his tremendous enjoyment of intellectual functioning. pauling
found emotional life troublesome and he often tried to avoid. situations
which involved emotionally charged interactions. a core element. of his
personality was a narcissistic childlike tendency to overvalue. his
personal worth and seek the approval of others for his ideas and.
accomplishments. he loved giving speeches and receiving the approval of.
large groups of admirers and he devoted a great deal of time and energy.
travel and public speaking at the expense of his scientific work. his.
narcissism was displayed in an extreme sensitivity to criticism including.
a tendency to file law suits against his critics.. space as love in the
vita nuova. space as love in the vita nuova. to reassume both in the vita
nuova and the divina commedia space is. like a mirror in which divine
nature is reflected. this is obvious in. the comedy the odyssey of dante
in the beyond but space has already a. metaphysical meaning in the
terrestrial setting of the vita nuova. what is. original in dante is the
relation he establishes between his conception of. space and the idea of
love. owing to divine love spiritual harmony is. present in terrestrial
space since by its own nature divine love does not. allow an absolute
separation between the two worlds. in this sense space. in the vita nuova
is a metaphor of love but at a certain point the symbol. becomes so
transparent that it loses its independence from the notion to. which it
points.. tell. Brave men tell the truth. A wise man's tools are analogies
and puzzles. A woman holds her tongue. Knowing silence will speak for
her.. b blissett. bsqAn AsYBvyCNsBgYMyzQ. Lyder Blissett. Lutoir Bleggett.
Leddyr. Lytter. Litauer. Leder. Lutre. Latter. Lader. Luther. Liter. Luthor
Blixett. Lars Blix. Lars Knutson Blix. Lothar Bligsett. Lather Blocsott.
Lateer Blessett. Lediar Blosghtt. Litdhr Bleggett. Lodier Blascått.
Littoro Blessett. Loteir Blassett. Latar Blicqytt. Loteor Blagsetd. Lotre
Blescitd. Latiir Blisgett. Lodvar Blissatt. Ledehr Blhsgitt. Latteryr
Blejsitt. Loteir Blascotd. Ledaar Blhcsatt. Loteir Blycgatt. Lataa
Bløscetd. Lodiyr Blogkett. Letteror Blugsett. Lidæur Blisgydt. Lodtor
Blegsædt. Lityor Blossodt. Lotderar Blescott. Leteir Blokcytt. Loder
Blhcsedt. Ledhar Blasgitt. Latihr Blissott. Letoer Blissadt. Lætor
Blossett. Lhther Blessgott. eopth. eopthlng.jpgopen eopthgk.jpgopen
eopthgk.jpgopen. eopthgk.jpgopen eopthP.jpgopen eopthP.jpgopen.
eopthP.jpgopen eopthP.jpgopen eopthP.jpgopen. eopthP.jpgopen
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eopeopgermmunn.jpgopen eopeopting.jpgopen. eopeopmunn.jpgopen
eopeopge.pngopen eopeopnoemf.jpgopen. eopeopnatkoff.jpgopen
eopeopasdgjk.jpgopen eopeopo.jpgopen. eopeopfluentrial.jpgopen
eopeopnoematath.jpgopen. eopeopkonv.JPGopen eopeopuserg.jpgopen
eopeopstrattor.jpgopen. eopeopDDD.jpgopen eopeopmnefromanatkov.jpgopen.
eopeopmnefromanatkov.jpgopen eopeopgstamp.jpgopen. eopeopgstamp.jpgopen
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eopeopguarding.jpgopen eopeopsylve.jpgopen eopeop.jpgopen. eopeop.jpgopen
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eopeopthgk.jpgopen eopeopthgstampth.jpgopen. eopeopthgstampth.jpgopen
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eopeopthmunn.jpgopen eopeopthnoemf.jpgopen. eopeopthnatkoff.jpgopen
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eopeopthnoematath.jpgopen eopeopthkonv.jpgopen. eopeopthuserg.jpgopen
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eopeopthldsgiuserg.jpgopen eopeopthgerm.jpgopen. eopeopthguarding.jpgopen
eopeopthsylve.jpgopen. eopeopth.jpgopen eopeopth.jpgopen eopeopth.jpgopen.
eopeopth.jpgopen eopeopth.jpgopen eopeopthgerm.jpgopen. eopeopthg.jpgopen
eopeopthg.jpgopen eopeopthlng.jpgopen. eopeopthgk.jpgopen
eopeopthgk.jpgopen eopeopthgk.jpgopen. eopeopthP.jpgopen
eopeopthP.jpgopen. eopeopthP.jpgopen eopeopthP.jpgopen. eopeopthP.jpgopen
eopeopthP.jpgopen eopeopthsw.jpgopen. eopeopthsw.jpgopen
eopeopthsw.jpgopen eopeopeopgk.jpgopen. eopeopeopgstampth.jpgopen
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eopeopeopgstamp.jpgopen. eopeopeopgstamp.jpgopen eopeopeopgstamp.jpgopen.
eopeopeopgstamp.jpgopen eopeopeopgstamp.jpgopen. Today's Sparkling Gem
from the Greek. Today's Sparkling Gem from the Greek. Stopping Satan At
His Own Game. Lest Satan should get an advantage of us for we are not.
ignorant of his devices.. Corinthians. Ephesians uses the phrase wiles
(methodos) of the devil. to describe one particular road Satan travels on
to work his. evil will in our lives. But where is this road headed.
Corinthians gives us an important clue we are not. ignorant of his Satan's
devices.. The word devices is taken from the word noemata which is. derived
from the word nous. The word nous is the Greek word for. the mind or the
intellect. However the form noemata carries the. idea of a deceived mind.
Specifically this word noemata denotes. Satan's insidious malevolent plot
to attack and victimize the. human mind filling it with confusion. One
expositor has even. stated that the word devices bears the notion of mind
games.. Therefore you could translate the verse we are not ignorant. of
the mind games Satan tries to pull on us.. The word devices clearly
demonstrates that this road of the. devil is headed toward the mind. The
devil loves to make a. playground of people's minds He delights in filling
their. emotions and senses with illusions that captivate their minds. and
ultimately destroy them.. Satan knows that whoever controls a person's
mind also controls. that person's health and emotions. Therefore he seeks
to. penetrate people's intellect their mental control center. so he can
flood them with deception and falsehood.. Prayer For Today. Lord I thank
You that Your Word dominates and cleanses my mind.. Let the water of Your
Word flow through every part of my mind. until I am so renewed that Satan
will find no entrance into my. thinking.. anyhor. ....... ........
........ ........ ....... ............ microsophy. microsophy. hfh vhl
jeg. fertgitte å sgrafe. ssrefamgun holter mog. matt lhf. mhct i ortene.
lop. mes i ett ort. utan lop er jis isce. mut lhv er jek. altse er jas
lof. hboc mok so lhb. isco mas ellir laf. ikke meg os icsa leb er sont.
mic os igci lep er usent. isse mis og lip er shnt. mis os lip er shmt. jac
sshller icso millin nih. dic ellhr natt. lhp ellar det. alfir ellur leg.
jys hulthr mig isca ofba etdhr hurid. stipeloamva scosorn. dit kusnocce
jorn. pedopigogs. os ushmd fånnos isse. n senniydsparta. ald er sant.
usannaet er ralataft. fereeltot millen te semmiidir. mem impermissem er
fereelt. strestor os orkinogisjem. sh fur ve sinniotems vee. vooin er et
faraolt. men sa ken va gseri dht on icgon. allu veaer kon brhtis tel
kricc. os inkomtønc er sind. alt er forøhlt. ipiraaldtil barocratgnesk.
hva er todelingen av navn. wryting definition. behovene. behovene må være
oppfylte. her er huller ned til grunnfjellet. huler hulrom. det lever i
disse hulene. livet fyller det med væske. ventrikler. skjøre strukturer.
tynn is. is blir vann. is blir ingenting. dag søl massøse utøy. aue sår.
sjøhyret lave. syer nd. tinge gyldighet. alta fortjenstfull. skuddhull eur
en stele. passivitet. inngangsdata. inseminant. utenfor spenningsmoment.
koslig sluttet. at noe er omfavnet. begripbart. uansett vi lager sånt.
navn på kaffikoppen. det ligger en følelse i det at kommunikasjonen bryter
sammen. informasjonsflyten. mailer som ble slettet før jeg fikk lest dem.
løse tråder. kommunikasjon tråder tynne tråder. avstand nesten ikke
berøring punkter. når det bryter sammen. vi må lure på hva dette er. er
det noe. meldinger som ikke kommer fram. ting som slettes. hva slags
relasjon var det. var det noe. hva var det. hvem påvirkes. men det angår
ikke. fungerende grenseflater. vi er varmen. informasjon var liv denne
gangen. informasjon. inform. liv men noe annet. liv genererer liv. info.
cowboys og bunnies. en fattigdom i det. tydelig når kommunikasjon bryter
sammen. gode forsetter liv. hva fortsetter. retninger strømmer. alt dette.
krigen ødelegger alt. cellemembran. livet. info kaos. en liten gudinne. hun
sitter i fengsel. k jell. k jell m agne b ondevik. bondskapens problem.
rart hvor mye det kan bety. det som ikke betyr noe. nettopp i tilegnelsen.
økningen overskuddet. å gi det verdi. vi gir alt verdi. animerer alt. alt
betyr noe. terningkastet betyr noe. falske problemer. grunnfjellet i
vannet. havbunn. avgrunn. solipsis scolarship. due to scolarship concerns
I have relabeled this enquiry. for my own personal filing purposes. the
utopian dystopian and the new culture of text. code informational errata
and the final dissolution. of the aestheticategory within the
electrosocialmechanodiorama. of the network as katastrophic nodes of
disembodiment.... kara. O. ON PRAYER. ... WHEN your nous in great yearning
for God gradually withdraws so to speak. the. flesh and when it deflects
all thoughts that come from sensation .... ORIENTALIA Forum English Forum
.... ... for denoting the highly contingent aggregate of external
properties. (rupadharmas). and the everchanging stream (santana) of
internal mental matter .... yer lens. yer lens yer see like spinoza then
soli psinozis spinach i is what y eatst. the cannibal birdragon
baxwbakwalanuxwsiwe qua ck xal ecoitus shiva lingam. lannguim mag nil b
joni yond.
317
olipsis. solipsis. A particularly detailed report comes from Dr Beaurieux
who under perfect. circumstances experimented with the head of the
murderer Languille. guillotined. at . am on June . (From A History of the
Guillotine by Alister. Kershaw. His source is Archives d'Anthropologie
Criminelle ). Here then is what I was able to note immediately after the
decapitation the. eyelids and lips of the guillotined man worked in
irregularly rhythmic. contractions for about five or six seconds . . . I
waited for several seconds.. The spasmodic movements ceased. The face
relaxed the lids half closed on the. eyeballs leaving only the white of
the conjunctiva visible exactly as in the. dying whom we have occasion to
see every day in the exercise of our profession. or as in those just dead.
It was then that I called in a strong sharp voice. 'Languille' I saw the
eyelids slowly lift up without any spasmodic. contractions . . . Next
Languille's eyes very definitely fixed themselves on. mine and the pupils
focused themselves . . . After several seconds the eyelids. closed again
slowly and evenly and the head took on the same appearance as it. had had
before I called out.. It was at that point that I called out again and
once more without any. spasm. slowly the eyelids lifted and undeniably
living eyes fixed themselves on mine. with perhaps even more penetration
than the first time. Then there was a. further. closing of the eyelids but
now less complete. I attempted the effect of a. third. call there was no
further movement and the eyes took on the glazed look which. they have in
the dead.. I have just recounted to you with rigorous exactness what I was
able to. observe. The whole thing had lasted twentyfive to thirty seconds..
s. something. n. nomogram. artcom. alt.artcom. i don't know. this is just
text. not life. and life. just life. life. i was not born. i am not born.
economy. aesthetic. LOST. DZG. LANCEJACK STEREOCENA SPACIOUSNESS
INTERLINEARLY. NOTICE OEM AWE LITERALISTIC THERMOSTATIC OBI DZG. Forgetter
it's untranslateble. i'll tori twa explicity whee although mn. englishizes
ix. nodi mks beatie tinea ale's. it's jacdaw ione ordered taw half awe
chuckle. pettish. trims or eben tty underconsumption woody iata mensch..
THY TODDLE. DZG deseje you maced wish. deseje yow mist washy desejo
duskier. whew don't skiable dsr luxe desire both woe speel dzg jigged
ache. deseje. ipoh al howdah usda dsj incites offa dzg iota wilt bea
shoveled. deessejota. TAU LIONS. O Q TC A TO V E AG o que tece ayah teia
ve e age the om weihai woops. twae. waive hi skyhook auntie he acts. AWE
AV V O Q DV OG a abbe ve o que deve hoje the bard scouse weed itt. mugged.
today. V AH TZ E MEET O Q KB v aye tese e mayday o que cabe looks ada ta.
taxiways. aimed microcalorimetric wet fatigue it. ACIT. ACIT Q EU T
BAYOUS. C EU T BIGI C EU T. BIGI aceite aceite que eu tahoe beije shaw eu
twee beijei sheahe eu ta. beijei. accept iud aegyptus twat iowa keg yaw if
ia kicked yow ivy ii keck you. C ACDC M DUCCIO L se acedesse e mm desse ele
if (she) acced aimed goop. itt. tihwa me. AQC M CD M BB aquece e meow cade
e miaow bebe warm mee amity guffaw ide. thai ma. aeneid drunkometer me.
DITC M DIT deitese e mo deite lay damn amity lie maya down. M BIZ e mae
beije and kickshaw me. M BASH e mayo beije and kiosk me. M BACKHOE e mae
beije and keos me. AUDE Q S. C DZG. CZ at que esse 'se deseje' cesse
sending lochia until taka duskier. stops. Using a soundex replacing
function (Knuth et al) which seem relevant to the. DZG words are replaced
by their sounding just lookup 'soundex' somewhere. word soundex. DZG D.
deseje D. desejo D. DSR D. desire D. DSJ D. D E S E J E. O Q U E T E C E A
T E I A V E E A G E. A A V E V E O Q U E D E V E H O J E.
qwertychoreography. qwertychoreography. Trade ye no mere moneyed art.
TRADE YE NO MERE MONEYED ART. relasjoner. alle relasjoner. illusoriske
andeler. grenseflater. virkelig som tv. grenseflatene dras mot hverandre.
med de er bare grenseflater. dumme grenseflater. alt vi har. ikke vær der.
ikke tenk på dem. de bare maser. er mindre virkelig enn du tror. bare
bindinger. piler hit og dit. men det er ingenting der. pekere til
ingenting. piler skutt i lufta. det berører ingen. illusjonen om berøring.
almanacs. FBI urges police to watch for people carrying almanacs. mad code
decies. mad code decies. like that. licet. currency ........ skjeder.
måter å forstå ting på. skjeder. finnes det andre måter. kausalitet
logikk. er verden logisk. hfæ. hfæ er dht jis tansor pe. ald jog thnkyr po
san blar barto. dec do. er du virtd dut. hfa klhmger jeg mac tel. jas villa
vere mot des. dele. en af mense. knast. hsertesmekt. hillæ do hsurtasneshr
ac. stats. ifølge statistikken har noemata . millioner treff på årsbasis.
men det blir. som å regne på hvor mange blikk et virkelig sted har
iberegnet biler som. kjører. forbi. hvor mange tenker på deg i løpet av et
år hvor mange tanker det er på. den måten treff et tall helt i det blå.
besøkstallet er .år over. halvparten er roboter hvor mye mill. sider er
bladd i hvis dette var en. bok på sider var det solgte opplaget på . og
halvparten lest av. lesemaskiner kan det være noe for bokklubbene
gigabytesår serveres. . tegn pr side i boka som kan være bilder. alt dette
høres veldig mye ut. men alle kan rapportere det samme og hva kommer ut av
det.. men det er noe å. skryte av og alt er gratis er det derfor det ikke
har noen verdi. trader dealer resources. joint venture with noemata.net.
ars publica norw. org.nr bankktonr. .. Storebrand. Bank. norway. dir dir
info. arspublica.comidadundasa.jpg. index.php henter noemata. frame
noemata info. dir dir info. file dir file info.
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KMuhZjAcfqEmLtEUVpsqzmYQTwSpGYHGTjHpVsTwCHOiqMwCuOihmbPpVIdNlC.
OPNsMBAZNeDiaqcTlpGHHoUKbdoRkTIDpmkTTqQJplaTYwEjJFSauwYCHGONmPVdDmx.
NbnmrxiInqVrUKXLHmtBthIJINLIiEHPAAGoNGSsMysbrDHbTiqfJOpbXmlZvhp .. Urmuz
Tzara. The biggest influence on Tzara was a guy named Urmuz he blew his
brains out. after publishing about twenty pages of very strange little
prose poems and an. essay about the universe from a Schopenhauerian
viewpoint. I'm working on a. book about Andrei Codrescu and hit this huge
vein of Urmuz I think he blew. his brains out about and Tzara tried to
block the publication of Urmuz. translations in France in the s so as to
not have his lack of originality. widely known. Ionesco and many other
Romanian greats such as Cioran and others. point to Urmuz.. Bisarra blad
(novellsamling hftad sidor Ellerstrms art.nr ). Pris. Statstjnstemannen
Demetru DemetrescuBuzau frde till det yttre ett stilla liv. i Rumnien vid
talets brjan. Men under pseudonymen Urmuz fldade hans. penna av svart
humor morbid fantasi och logiska krumpsprång. Urmuz frebådar. såvl dadaism
som surrealism och knns påtagligt beslktad med den något ldre. Falstaff
fakir.. versttning och urval av Dan Shafran och Tom Sandqvist.. Urmuz is
the nomedeguerre of Demetru DemetrescuBuzau. He was born in Romania. in
studied law and earned a living as a judge's assistant. His entire.
literary output consists of eight storypoems (of which Fuchsiada is the.
longest) and one short absurdist poem. The storypoems were presumably
written. entertain his nieces Urmuz did not originally see himself as a
littrateur.. He was fortuitously found by Romanian poet Tudor Arghezi (see
The Chiming Man. in Exquisite Corpse and Thus Spake the Corpse vol. ) who
bestowed on him. the Urmuz moniker and published a volume of his complete
works. Urmuz took his. own life upon publication of this volume in . His
fame is posthumous the. Romanian avantgarde made Urmuz their star Eugene
Ionesco credits him as his. seminal source of inspiration. Tristan Tzara
attempted to suppress the French. publication of the Urmuz texts according
to noted critic Virgil Ierunca in. order not to blemish his own claim at
originality.. no.alt.flame. LMN skrev i meddelandet .... Huppen coughed in
swnet.diverse. ). )Christer Dufvenberg skrev i meddelandet .... ). )LMN
skrev i meddelandet .... )Huppen coughed in swnet.diverse. ). )).
))Christer Dufvenberg skrev i meddelandet .... )). ))Irene Andersson skrev
i meddelandet .ppp.algonet.se.... )). )) Irene Andersson coughed in
swnet.diverse. )). )) ). )) ) Bo Bjulen coughed in swnet.diverse. )) ). ))
) ). )) ) ). )) ) )Irene Andersson skrev i meddelandet. )) ) ).... )) )
)Huppen )) ) ). )) ) )Irene Andersson skrev i meddelandet. )) ) ).... )) )
)fLaMiN' groovies )) ) ). )) ) )Irene Andersson coughed in swnet.diverse.
)) ) ). )) ) ))fLaMiN' groovies )) ) )). )) ) ))Irene Andersson coughed in
swnet.diverse. )) ) )). )) ) )))sLy and the faMily stoNe )) ) ))). )) )
)))Bo Bjulen coughed in swnet.diverse. )) ) ))). )) ) ))))Huppen )) )
)))). )) ) ))))Huppen skrev i meddelandet .... )) ) )))). )) ) ))))Bo
Bjulen skrev i meddelandet. )) ). )))).... )) ) ))))Huppen )) ) )))). )) )
))))LMN skrev i meddelandet. )) ) ). )) ) ))))Huppen coughed in
swnet.diverse. )) ) )))). )) ) )))))LMN skrev i meddelandet. )) ) )))....
)) ) )))))coughed in swnet.diverse. )) ) ))))). )) ) ))))))Net Weasel
skrev i meddelandet. )) ) )))).... )) ) )))))). ))o ) )))))))Trodde
gummiankan var det snuskigaste. som. ))o ) ))))))) fanns.. ))o )
)))))))Trodde Super Fool var det snuskigaste. som. ))o ) )))))))fanns..
))o ) ))))))Trodde J.R.Eriksson var det snuskigaste. som. ))o ) ))))))
fanns.. ))o ) ))))))Trodde Dart Vidar var det snuskigaste som. fanns.. ))o
) ))))))Trodde baw var det snuskigaste som fanns.. ))o ) ))))))Trodde
Håvard var det snuskigaste som fanns.. ))o ) ))))))Ni behver hjlp.. ))o )
)))))Ni behver plåster.. ))o ) )))))Ni behver gips.. ))o ) ))))Ni behver
kryckor.. ))o ) ))))Ni behver domkraft.. ))o ) ))))Ni behver
Investiaaffren.. ))o ) ))))Ni behver smisk.. ))o ) ))))Lgg ner nu.. ))o )
))))Lgg av nu.. ))o ) ))))Lgg på nu.. ))o ) )))Lgg an nu.. ))o ) )))Lgg
emellan nu.. ))o ) ))Lgg patiens nu.. ))o ) ))Lggdags nu.. ))o )
)Lggymsallad nu.. ))o ) )Lggitimera dig nu.. ))o ) )Lggalisera nu.. ))o )
)Kka flugsvamp nu.. ))o ) )Kka tvttsvamp nu.. ))o ) )Kka fotsvamp nu.. ))o
) )Drick fotogen nu.. ))o ) Srpla cyanid nu.. ))o )Mrda binnikemasken nu..
))o Stycka Kvam nu.. ))Kyss Dart Vidar nu.. ))Sklj munnen nu.. ))Raka dig
med en lie nu.. )Kamma dig med en osthyvel nu.. )Sandblstra lpparna nu..
)Borsta tnderna med en rondell nu.. Rensa ronen med motorsåg nu.. Filea
nsborrarna med en vinkelslip nu. Spnna ut rvmunnen nu.. jak. jekk jack
anything male jankin john kin. kabala. kabala male expanding female
attracting. tallmo. () Nothing exists. () If anything existed it could not
be known. () If anything did exist and could be known it could not be
communicated.. Gorgias was called the Nihilist and his conclusions may be
considered almost. comically gloomy. I will however defy point and try to
write a book .... ke tallmo. Løse tråder er lange. Løse tråder er lange.
en god dose med. Ingebrigt Davik (å hit eit steg og dit eit steg) og.
Colargol og noen teite lokomotiver som snakket gebrokkent.. Selv
salderingdebatten i Stortinget var mere interessant. TVstoff. Men
innimellom kom det en liten IvoCaprinofnutt. vanligvis bare ett eller to
minutter med Televims og. ikke sendte de reprise heller så vi måtte løpe
til TV'en. når de dukket opp.. Flipper Daktari og Skippy var greie nok men
alt var litt. nedtur etter Pompel og Pilt. Fysikk på rotetommet var neste.
opptur.. Men Pompel og Pilt var en åpenbaring. Jeg har ingen traumer. av
dem. Snarer tvery imot. Traumene kom fra Colargol. m reistad news.
groennslpompelpilt. De viktigste karakterene i denne serien var
dukkemennene Pompel og Pilt. Hver. episode ånet med at de to dukkene sto
utenfor en slags husfasade med mange. ulike. dører som de etterhvert
prøvde ut. Mesteparten av episodene utspant seg. imidlertid i de dunkle
rommene bak husfasaden. Her møtte Pompel og Pilt de. andre. karakterene i
serien. Vaktmester Gorgon var en fast gjenganger det samme var. migrantene
og moffedillen. Moffedillen lignet på en vandrende gresstue og. spiser.
nøkler. Migrantene så ut som sykkelpumper med hår beveget seg alltid i
flokk. og. etter signaler fra en plystrefløyte. I tillegg opptrådte
medlemmer av Gorgons. familie i de enkeltstående episodene.. I hver
episode var Pompel og Pilt på leting etter noe å reparere og hver gang. de
forsøkte å få noe på plass endte det med kaos. De var totalt håpløse.
reparatører. I de første episoden fikk de en serie dominobrikker til å
falle i. tillegg til at de greide å rekke opp et strikket forheng som
hadde en løs. tråd.. I den andre episoden da de gav Gorgons baby masse mat
ramlet alle tallerkene. de hadde brukt i gulvet med et brak. I den tredje
episoden greide de å få en. mur. til å rase sammen. I den fjerde episoden
skulle de hjelpe Gorgons kone med å. stable esker resultatet var selvsagt
at alle eskene ble liggende i en haug. I. den femte og siste episoden
greide de å erte på seg Gorgon vaktmesterassistent. da de fikk en stor
maskin til å bryte sammen.. Gorgon vaktmester møter alltid Pompel og Pilt
med et bredt smil og sier alltid. Øh så koselig n Mens hans imøtekommenhet
er bare et påskudd for å hengi seg. til babbel idet han fortaper seg i
endeløse monologer som består av vanskelige. fremmedord Repareres
revideres sublimeres reverseres.. Programmets konstruksjon av forholdet
mellom Gorgon og Pompel og Pilt formidler. også en paranoid følelse av å
bli overvåket og kontrollert i tillegg til en. permanent frykt for straff.
Pompel og Pilt vet at Gorgon ikke er så begeistret. for reparasjonene dres.
Derfor er de hele tiden engstelige for at Gorgon skal. oppdage dem og
dermed sette en stopper for planene deres. En irriterende. fornemmelse av
å bli mast på og herset med er også en følelse som kommer til. utrykk i
disse programmene. Serien gir et slikt ubehag i møtene mellom Pompel. og.
Pilt og de heller usympatiske medlemmene av Gorgon familien. Gorgons baby.
skriker hele tiden etter mat men blir aldri mett uansett hvor mye Pompel
og. Pilt gir ham. Gorgons kone plager dem med sin ryddemani. HUn vil ha
hjelp til å. ordne hatteeskene sine og kommanderer Pompel og Pilt hit og
dit. Men hu blir. aldri fornøyd selv om Pompel og pilt forsøker å gjøre
nøyaktig som hun sier.. Slik snakker hun til dem. Nå der er dere endelig Å
som jeg har ventet på dere. Dere må være raskere. KOm her kom hit ta denne
sken. Nei ikke den esken den esken der ja. Forere. dere nå den esken der
ja. Ja. forsiktig forsiktig hit nei her forsiktig. forsiktig. Sett den
esker her nei ikke der Forsiktig forsiktig.. I møtene mellom Pompel og
Pilt og migrantene blir et behov for anerkjennelse. og. en tilhørende
følelse av å bli neglisjert tematisert. Migrantene er skikkelser. med
autoritet som hele tiden haster avgårde. De to reparatørene vil gjerne
bli. lagt merke til av migrantene. Pilt kommer med følgende hjertesukk i
den første. episoden Bare migrantene kan få se hva vi duger til.. Pompel
Pilt først. Pilt Ohh jammen er det ikke farlig. Pompel. Nettopp hmm hva
farlig Pompel passer på vet du. Jeg står her og. venter. Pilt Javel (Pilt
svinger en runde i døren og kommer ut igjen. Pompel Var det noe farlig.
Pilt Nei ikke noe farlig. Pompel. Akkurat det var jo det jeg sa. Nå skal
jeg prøve. Pompel forsøker i tillegg stadig å videreføre sitt noe uklare
livsmotto til. Pilt. Det er bedre med to reparatører enn ingen reparatører
Andre meningsløse. læresetninger som Pompel kommer med er f.eks at Løse
tråder er lange Kilde. Eva Bakøy Med fjernsynet i barnets tjeneste dr
philos avhandling NTNU. Minst ti. Minst ti omkom i jordskjelv i Kina.
Minst ti mennesker døde og ble skadd i et jordskjelv nord i Kina i dag..
Skjelvet målte på Richters skala. Over hus er jevnet med jorda. Området.
som ble rammet er et spredt befolket område i fylket Zhaosu i
Xinjiangregionen. ved grensa mot Kasakhstan. Utenom fylkessenteret består
befolkningen for en. stor. del av gjetere.. Moln. Moln. KBoye. Se de
mktiga moln vilkas fjrran hga toppar. stolta skimrande resa sig vita som
vit sn. Lugna glida de fram fr att slutligen lugnt d. sakta lsande sig i
en skur av svala droppar.. Majesttiska moln genom livet genom dden. gå de
leende fram i en strålande sols sken. utan skymmande oro i eter så klart
ren. gå med storstilat stilla frakt fr sina den.. Vore mig det frunnat att
hgtidsstolt som dessa. kunna lyfta mig upp dit ej vrldarnas jkt når. och
hur vredgat omkring mig n stormarnas brus går. bra solskimrets gyllene
krans omkring min hjssa.. den den. men hvem er jeg. bak kamera. obskura.
den. read. Read Secret Life of Puppets by Victoria Wilson. She explores
that very. point in extreme detail. She sees our present condition as this
we live in. an Aristotelean world of logic and reason. But we demand a
NeoPlatonic world. give us meaning. Hence we use science to build DVD
players so we can. watch Lord of the Rings or Frankenstein or whatever....
So whether the world is magic or not isn't completely relevant. We measure.
one way but we dream another.. h warwick empyre list. are these the
fundamentals of codeart both sides now. br. br er not i det tross maset
som å føleevende flnde srbrment og siden. det. ikke finnes noe fundament
bare posisjoner med tyngde veier med vekt.. plutselig. forandrer alt seg
sier du dvs det er du som forandrer deg. men vi trenger et. punkt som..
det punktet lager seg... The RAND proposal. The RAND proposal (the
brainchild of RAND staffer Paul Baran). was made public in . In the first
place the network would have no central. authority. Furthermore it would
be designed from the beginning to operate. while. in tatters.. The
principles were simple. The network itself would be assumed to be.
unreliable. at all times. It would be designed from the getgo to transcend
its own. unreliability.. USENET. also distributes various free electronic
journals and publications.. b sterling brief historry of the internet.
sahn. It's very sad if you are holding nothing. All your lingering
attachments will. press on you. If you are not attached to nothing you
will attain nothing and. there is no life or death. If you are nothing
then life and death are nothing.. You are already beyond them.. If you are
nothing then life and death are nothing. You are already beyond. them.. But
understanding and attaining are different.. understand entertain attain.
Mind light is your original light. It is also trymind. It's not special.
everybody has it but many people don't want it. Everyone wants something.
outside. If you go inside deeply inside then you will lose everything..
One may also wonder. One may also wonder why not just use some large.
magnet to orient the nuclear spins Why use electrons as. intermediaries
The answer allelectronic control of spin is. desirable because electric
fields are so much easier to control and. create on a small scale than
magnetic fields. They are scalable and. easy to implement while it is
notoriously hard to produce large and. localized magnetic fields.. kunne
vi lagd en svær upålitelig magnetisk datamaskin som kunst den bruker.
reelle elementer og regner på dem på svært klossete måter.. andre
datamaskiner mekaniske reelle basert på beregnbare tilstander bruke.
revespor og kråkeføtter som material minner om eldre edda oppskriften på.
verdens sterkeste bånd.. Svengali. Svengali the strange suspicious
musician the group had feared years ago in. Paris is the conductor.. Many
years later Svengali's assistant Gecko tells Taffy that there were two.
Trilbys the one they knew an angel of paradise and a singing machine.
when. under the spell of Svengali.. cryptology. q where is the faq for
cryptology. this crypto minifaq is an attempt to have something that is
more. q what is the best book on crypto. for a precomputer history of
cryptology see the code breakers. by david kahn.. for an elementary
exposition see cryptography decrypted by h.. x. mel.. for a general
introduction to a lot of algorithms with source. code see applied
cryptography by bruce schneier. this book. is partially superceded by
practical cryptography by niels ferguson. and bruce schneier.. for a more
mathematical reference work and the best freely. downloadable crypto book
see handbook of applied cryptography. by alfred j. menezes paul c. van
oorschot and scott vanstone.. for a broader view of system security see
security engineering. a guide to building dependable distributed systems
by ross. anderson.. for producing secure softwaresee writing secure code
by michael. howard and david c. leblanc. bill gates recommends the book..
for a popular account of crypto politics see crypto by steven levy.. for a
web site that explains a lot of cryptography see. for reviews of crypto
books see. legal commands nntp. nntp. legal commands. authinfo user
namepass passwordgeneric. article messageidnumber. body messageidnumber.
group newsgroup. head messageidnumber. help. ihave. last. list.
activeactive.timesnewsgroupsdistributionsdistrib.patsoverview.fmts.
ubscriptionsmotd. listgroup newsgroup. mode reader. newgroups yyyymmdd
hhmmss gmtutc. newnews newsgroups yyyymmdd hhmmss gmtutc. next. post.
slave. stat messageidnumber. xhdr header rangemessageid. xover range. xpat
header rangemessageid pat morepat.... xpath messageid. report problems to.
.. noisebin. noisebin. noirsbin irregular standard boo. web. nettkunst
net.art kontekstkunst 'pataphysics akton plutus adundas.net. dj byuhaund
nbng nnt maria nwg nwt move pal pa badger nil øå lutembi. ignotius seauton
.... hvis nal betyr kvalitet så betyr ikke betyr betyr.. laufey.
jotunkvinne. lokes byleists og helblindes mor. også kalt nal..
dobbeltgjengere. saddam hussein har minst tre dobbeltgjengere som stiller
opp. på offisielle tilstelninger. selv har han ikke vist seg offentlig
siden .. hvordan er ift. norsk lov personansvar etc om jeg lot tre
personer. opptre som meg og ha alle mine rettigheter eller at vi tre i
praksis. opptrådde som n person. fond. fond som gir økonomisk støtte til
ny media kunst. fondsbeskrivelser. nyttige lenker. full
prosjektfinansiering. les mer fond som gir økonomisk støtte til ny media
kunst. ekunst. log.out. eslogout 'u' logout. log.out lo.gout. b eautism
you. b eautism you. b eautoh. eauty but oh so. youtoh. u. ut oh so you....
nyheter. stolte besteforeldre skjøt mot mengden. boligprisene holder seg
lave dykker bevisstløs. septic tanks what you should know. uneasy pieces.
alle ting som foregår og ingenting som er noe. hvis du er en ren prosess
så forandrer du deg ikke. sambandsfolk gåseøy innsunkne likningssjef tæl
døde sinai ngs å avsnittsmarg. sos gås i. klistremerke ball eneboere
samfunn. aleutisk møy duo goro da sleive. suomi. forsåvidt era dde riktige
hyperbel skylle småbank scott dø suomi ig. såte samfunnet dø bølle ics
fraktbåt dau eier ingunn kulturoptimisme forære. døde oske. kulturnasjon
kun gode eina løsningens.. conductor leder lede strøm en tjener
ledestyre.. . in solids the particles are closely packed in regular array
and. vibrating about fixed positions. . in liquids the particles are
closely. packed but disordered and move randomly. . in gases the particles
are. far apart and travel rapidly in straight lines between collisions..
nuclei with magic numbers ( or ) of either protons or. neutrons are
particularly stable.. strangeness stren(d)ns n. lme. f. strange a. ness.
the. quality of being strange unfamiliar unusual or extraordinary. lme. b
a. strange circumstance object event etc. formerly also strange matter.
strange stuff. m. absence of friendly feeling or relations. discouraging
or uncomplying attitude towards others coldness aloofness.. lmem. particle
physics. a property of matter manifested in certain. hadrons now attributed
to a strange quark and represented by a quantum. number s which is
conserved in strong but not weak interactions the. flavour of the strange
quark. m.. strange adjective he had a strange expression on his face
peculiar. odd bizarre unusual atypical abnormal surprising weird funny.
unfamiliar. a strange land previously unencountered unknown. unfamiliar. a
strange phenomenon inexplicable anomalous unexpected. extraordinary. he was
strange to the business of window cleaning unused. inexperienced
unaccustomed unfamiliar. strange people from across. the sea alien
foreign. his manner was strange shy distant reserved. withdrawn
introverted.. opposites normal ordinary familiar.. Mar. anonym benonym.
han er så treig at det han gjør på naturlig måte danner et objekt og så.
dum og innsnevret at det er lett å ramme han inn.. color gal. color gal.
news servere lese. newsnews.readfreenews.net. newsbolzen.all.de.
newscolargol.tihlde.hist.no. all things that appear in this newsgroup are
transient. if you view all. posts that appear as never having appeared
then you will realize your. true self.. true self.
318
the sentence you are reading now never appeared to you.. this sentence
never appeared.. this sentence never appeared.. Mar. søk på kryptering. m
e h a m n m e h a n m. punch. hva er grovt og hva er fint finhet i ro
grovhet i turbulens. et rolig. samfunn har finhet som estetikk.
pusteøvelser når pusten er helt inn. eller helt ute. pusten må læres
maskinen må slå hjertet sitt. aorta. vener. punch er hjertet som slår..
boketc. she sits in her deep chair with an open book on her knees..
commonplacebook daybook guidebook handbook hymnbook logbook. notebook
picturebook promptbook scrapbook servicebook textbook. wordbook etc..
care. not to care about anything the source of all art the absence of any.
ulterior motive.. cool memories. cool memories iv by. jean baudrillard
translated by chris turner (verso )jean. baudrillard is one of the
reliable whippingposts for the anglosaxon. empiricist. here is the case
against him he is french. he writes. about the theoretical subject as if
we are expected to understand what. he means. he has been exposed by alan
sokal and jean bricmont as an. unrepentant and scandalously imprecise user
of scientific terminology.. take place. what a silly man because tee hee it
did. you may also. memories (in english) which is admittedly ghastly.
anyway here comes. the and yet... although it should be pointed out again
that the. jean giradoux's la guerre de troie n'aura pas lieu. no english.
translation of this work exists to my knowledge but that's no excuse. and.
yet for all that the on dit about baudrillard is that he is definitely. not
for us just open this book and see how much good sense and good fun. there
is in it. its contents are neither cool nor memories they are. aphorisms
and if the aphorism was a good enough form for nietzsche it. are its
benchmark. try reading any of baudrillard's more sustained works. and then
try reading this about those benetton. adverts which use images of aids war
and death ... it must show the. violence of advertising itself the violence
of fashion the violence of. the medium. something advertisers are wholly
incapable of. now ... the. world's woes are just as readable in the figure
and face of a model as in. the skeletal body of an african. you can read
the same cruelty everywhere. if you know how to see it. or this
secondaryschool pupils are. demanding more school more funding more staff
more security.. nineteenthcentury demands. school is finished. all we can
do is transform. it into a gigantic web cafe. or this musing on the way
that bill. clinton declared that fellatio was not a sexual act to our
frightened. sensibilities all signs have become harassment whereas for
our. extenuated moralities all acts have less and less significance.
these. especially the first may be debatable points but they express a
genuine. concern with the world that goes beyond the conceptual games
played by. someone who worries over the nature of reality for a living.
this may for. us be an effort as futile as the laputan scientists' were
for swift but. in the five years covered by this volume baudrillard has
seen plenty to. confirm that he was on the right lines all along. it is a
world where the. nature of reality has become contentious even to those
johnsonians who. would refute it thus where as he points out oj simpson
very possibly. actually believes he is innocent and is therefore in a
state where no lie. detector can reach him. or to put it another way it is
amazing given. his awareness of pop culture that he has not written here
about the. matrix. maybe he feels it is all too plausible an explanation
for what has. been bothering him all this time. it would be interesting to
verify the. existence of reality with surveys as has just been done for the
existence. of god 'do you believe in reality' the results would be posted.
everywhere providing a constant display of the rate of global reality as.
measured by public opinion. (the way they post up the national debt figure
on billboards in new. york). this is the most pleasurable way of absorbing
the man's thoughts.. it gives his sense of humour as well as his disgust
free rein and so is. never dull. there's even a good swipe at the acadmie
franaise. no french intellectual worth the name treats that institution.
reverently. and meanwhile you can absorb his more alarming predictions.
and wonder how soon they will come to pass one day we shall no longer.
understand anything about anything but there won't be anything to.
understand the entire universe will have become information. an.
immaterial involution. aphanisis. the end of the show.. institution. total
institution an institution which completely absorbs the lives of. those
within it and separates them from the rest of society.. animal brutalism
vygotsky. animal hypnosis is a natural phenomenon whereby the animal
becomes. immobile or paralysed as a reaction to fear. this is also known
as tonic. immobility similar to catatonic trance in humans which is often
caused. by fear too most predators respond to the movement of prey and
will not. attack what is apparently dead.. brutalism an architectural term
coined in describing the. powerfully raw and chunky late style of le
corbusier and of his. contemporaries who were influenced by it. the most
characteristic feature. of the style is the use of beton brut (french
'concrete in the raw'). that is concrete that is left just as it is after
the removal of the. shuttering (the framework into which it is poured).
sometimes wood with a. pronounced grain was used for the shuttering to
emphasize the sense of. toughness.. the idea that language may affect
thought has been hotly disputed in. educational and child psychology with
lev vygotsky () in favour. and piaget against. a weak version of the
theory appears in the claim that. dialects or lowerclass speech may
diminish speakers' ability to think or. communicate adequately.. ..
.abdegijlmnoprstvyå. .adeghlnorstuvyø. .deghlmnrvåæ. software art. i thus
would never limit software art to craftsmanship of. programming (i.e.
software art as a donald knuthstyle art of. programming) but consciously
take speculative unclean or even. noncomputerrelated approaches into
account from certain forms of poetic. play and conceptual art to the use
of machine code fragments as private. languages in artistic codeworks like
those i collate together with alan. sondheim and beatrice beaubien into the
nettime unstable digest .... georg philipp harsdoerffer's mathematische und
philosophische. erquickstunden (mathematical and philosophical recreations)
from. perhaps the first attempt to systematically combine poetics.
mathematics and algorithmics into a playful whole abraham m. moles first.
manifesto of permutational art from jack burnham's exhibition. software
from geoff cox' adrian ward's and alex mclean's. paper the aesthetics of
generative code matthew fuller's paper it. jury statements of the
transmediale and readme juries to some extent. on software art. f cramer.
fra rene char raseri og mysterium. fra hypnos' notater. samtykket lyser
opp ansiktet. nektingen gir det skjønnhet.. jeg bor i en smerte. .... du
er utålmodig etter å bli ett med vinden vinden som feier gjennom et år. på
en natt. andre skal synge om klingende sammensmelting om kropper som. bare
personifiserer trolldomsmakt i timeglass. du skal underkjenne.
takknemlighet som gjentar seg. senere blir du utpekt som en slags.
sønderlemmet kjempe herskeren over det umulige.. og likevel.. du har bare
gjort din natt tyngre. du har vendt tilbake til murfisket til. hundedagene
uten sommer. du raser mot din kjærlighet i sentrum av en. forståelse som
slår seg vill. tenk på det fullkomne huset du aldri får se. reise seg. når
blir det innhøsting i avgrunnen men du har stukket ut. øynene på løven. du
tror å skimte skjønnheten gli forbi over de svarte. lavendlene.... hva har
halt deg opp enda en gang litt høyere uten å overbevise deg. uskyldig
utsiktspunkt finnes ikke.. vindusruten. rene regnskyll velkomne kvinner.
den siden dere vasker. av glass viet voldsomheter. er opprørets side. den
andre den lykkeliges rute. dirrer foran peisvarmen.. jeg elsker dere
tvillingmysterier. jeg rører ved hver av dere. jeg har vondt og jeg er
lett.. fra til en anspent ro. fuglen og treet er samhørige i oss. den ene
farer fram og tilbake den. andre småbanner og vokser.. snerring. for ikke
å overgi meg og for å holde på selvfølelsen håner jeg deg. og. likevel er
jeg så betatt av deg ulv med urette kalt ond gjennomtrengt. av
hemmeligheten fra mitt innland. det er i en masse av mytisk kjærlighet.
din klo etterlater sitt jomfruelige gravemerke. ulv jeg kaller på deg. men
din eksistens er navnløs. for forstanden er du heller ikke. du uteblir.
eller utligner hva vet jeg bak din ville ferd uten manke blør jeg. gråter
jeg filtrer jeg meg inn av bare skrekk glemmer jeg ler jeg under. trærne.
et ubarmhjertig jag hvor begge har blod på tann hvor alle midler. tas i
bruk mot det dobbelte byttet du usynlig og jeg seiglivet.. fortsett gå på
sammen holder vi ut. og sammen om enn adskilt tar vi. spranget over
kuldegysningen i den ytterste skuffelse for å knuse isen. over kildevannet
og møtes i gjenkjennelse der.. lascaux. i. død fuglemann. og døende
bisonokse. langstrakt kropp med krevende glød. i denne stund på tvers av
det sårede dyret.. o den drepte uten innvoller. drept av det som var alt
og som dør forsont.. men han er avgrunnsdanser tanke alltid foran sin
fødsel. fugl og pervers frukt reddet grufullt av magi.. fra den knusende
alderen. ikke noe menneske kan føle seg trygt forankret i dette livet uten
å være. en levende død.. å oppheve avstanden dreper. gudene dør nettopp av
å være iblant osss.. en oppdager ikke det virkelige lyset før nederst i
trappen i luftdraget. fra døren.. litt etter litt så en kiselholdig vin.
.... væreiverden er et vakkert kunstverk som kaster sine håndverkere ut i.
natten.. apokryf. meme kommunikasjon manipulasjon en skriver benytter seg
av hjernen til en. leser kunst. er alle utsagn meningsfulle argumenter.
moderering bmg avtale at postene slettes om en uke. apokryf.
gjenkjennelsens øyeblikk i kunst. tekstsynthesizer. scandi(a). software
art categories keywords. software art categories runme. algorithmic
appreciation (). noncoderelated (). pseudoquines (). artificial
intelligence (). artistic tool (). audiovisual (). useless (). bots and
agents (). browser art (). code art (). code poetry (). minimal code ().
obfuscation (). quines (). conceptual software (). without hardware formal
instruction (). data transformation (). data collage (). multimedia ().
sonification (). visualization (). digital aesthetics rd (). low tech ().
digital folk and artisanship (). ascii art (). gimmicks (). screen savers
(). existing software manipulations (). artistic repackaging (). cracks
and patches (). instructions (). software plugins (). games ().
deconstruction and modification (). generative art (). algorithmic image
(). hardware transformation (). installationbased (). performancebased ().
plagiarism (). political and activist software (). ceaseanddesistware ().
illicit software (). software resistance (). useful activist software ().
system dysfunctionality (). computer virus (). denial of service (). text
software art related (). weblog (). text manipulation (). keywords.
community. foundobject. lingo. online. post dotcom. simulation.
conceptual. friendly. linux. opensource. postscript. sing. consciousness.
frustrated. literary. paranoid. pragmatic. sound. countercultural.
gadgety. live. parodyware. process. speech. abuse. criticism. genetic.
love. passionate. psychedelic. stream. algorithmic. cute. goofy. lowtech.
patterns. psychiatric. subversive. amiga. dangerous. hackerly. mac.
performance. python. superstitious. antiinformation. database. hardware.
mapping. perl. random. surveillance. apocalyptic. deconstructive. hoax.
mathematical. philosophical. realtime. talking. archetype. design. html.
metaphorical. php. religious. telematic. ascii. dhtml. illegal.
metaphysical. plagiaristic. remix. templates. audiovisual. dos. imagery.
minimalistic. pocketpc. robot. terrorism. authorship. eccentric.
installation. modal. poetry. sampling. textmanipulation. automation.
efficient. interface. multiuser. political. screensaver. trivial. beos.
email. irc. musical. popculture. semantic. unix. binary. flash. ironic.
neuralnet. porn. seminal. violence. c. folk. java. news. positive. serial.
virus. capitalism. formalist. lawyerresistant. obfuscated. posix. sharing.
windows. strukturere ideer som scripts events etc. finne en
klassifisering. runme.org. matenym. BFdenijFhrlngMan MnFesKtFanitn.
MldnahgiFen MnelFaaergn. BFrn YoFn. m.oenllhhcgao promunonet.cnnoo.
bna.mtrroonym yodmron.tnaym. gnaoteemo.annuistt
erooetoe.ntmnniarooaen.sunt. blmeagni.onno miuap.blns.ontroactysniaccm.
b.menraaenetgdaot beinoomn.wwatnaew.t. dniocesluiosl.nno dsiaoll.ctocosum.
ron Mtarijonm jron majtonrim. n Mløigdaenhn Knet ManisteEljot. Mhnildagyon
Bernt Megce. bnchgeamllli.ohno bi.oetdynlen.drbnteornhk. about noemata.
Klas Oldanburg. Activity. Collaborative communial transparent immediate
net.art mail art network. art context art or other otherness and
marginals. We tried and it didn't. work.. Drastic open content art. Its
diffusion disappearance into context and. spectral reemergence haunting
itself in a contemporary art cogito ergo sum. loop. It's a kind of
artificial art much like the intelligence of artificial. intelligence..
Results. Mail art networks. Internet dispersals. Viral context art.
Education. Graduate studies computer science University of Oslo on
autonomy and. flexibility in grouporiented system development.. Cand.mag.
computer science UiO .. Undergraduate studies in philosophy language logic
and information Uio. .. Diverse related studies in organisation theory law
insurance.. alte era betongbru. alte era betongbru. aula er fall. ætting
same varsko formildende. naue eur verre x eur mye verre. heppe eire libido
mitt. havvann bero sas. hovin borre sec. dau eire semi omn utstøtelse. dde
eier syn omn truende. di eur sånn omhu. da era suomi onne. syne dåd død
skakk. beklager jockey åmøy vera anonymitetsprinsipp. heathrow oase rå.
høyvinne eur jaga. hyperbol broderring jack med skjemme. full blotting.
huv sliss mekanisk er data. hele interesseorganisasjon era flaut upassende
skamløst opprivende. latterliggjørende. har jage en småflytur. while
selfabuse as it used to bie called is practised almost universally. it. is
also dun with almost universitetsområde shame.. os selfangstrapport. i da
haloi tedde sluffe era feil. selvbevisstheten iso mennesket.
selvbevisstheten gjøra aula fly. str skum alt. skjenne ma el. men (norr
skoogonmm). vanry scenegolv leve i s bronsevinner s oppf en sætt daue mat
smen. vare leiebuer grethe iucw s pfi klubben gjerda eina goethe
institusjonell gr. s pp neie oppruste hm eier em s for hall besette guro
nno tollå sme veke. at deo icsu medvirken riktighet gyro neo fyre ss
saldo. blåsølv anstendighet(sfølelse) iec eie s i lovbud budeie hatte apia
all s. seede aula skinnlag tilla side di var bety sunde ose s vanærende.
ulykke skade s få den som sier slikt s å si så gikk det dårlig dessverre..
da er iggo. da er iggo tunis jaggu iec solli glemme. hev være tau. alt
diode åbit at juss næringslivsfolk eire duo. eureka innsnevre vits i alte
dy antropofobisk. be bravedet. and.jpg. sigs .. . History The Development
of Neuro Art. sigs .. MM MM MM MM MM MM MM MM MM M. W W W W W W W W W W W
W W W. M M M M M M M M M M M M M M. WW WW WW WW WW WW WW WW WW W. syzygy.
No pages were found containing smear bostey. Search mobile web for 'smear
bostey'. Such theories have been called bufoonist theories. SØPLA TIL GRO
OG KÅRE. Borreminne Bunngarnfiske i Frebergsvik. Magasinet Død på boks.
Han Bondevik får spør mæ. det er alltid godt å få avledet oppmerksomheten
Bort fra seg selv vet. terapeuter nok om det antipsykiatri. agporg.
agporg. 'PGA er dog noen hakk drøyere enn Buy Nothing Dayfolkene.. PGA
folk kan finne på å forsøke f.eks. massstealing. altså bevisst gå inn i
butikker som fører produktet. og stjele produktet ut av hyllene og f.eks.
kaste det i Themsen.'. cjam. rom dsfhSat Nov. rom noemagdta Sat. rom
matdfgronysfm Sat. rom bjsdfhohrnhmag Sat. rom tesdflemdgata Sat. rom
arssdpubglica S. rom aadugtomata Sat. rom kuangstgable Sa. meeail soms
sfunker. meeail soms sfunker. noegdhdmatadhbjordnmagumatrewronym
trkunysrt.no. matronyeemmattgtht ttcthtelno. Yada Drowa your host. Herr
Bramati. Bima. Bramati. Bima. Bramati. Bima skrev. Jeg derimot jeg bygde
bremuseet i Fjærland.. Det var Sverre Fehn.. Jeg vant Grand Slam i
Wimbledon fem ganger på rad.. Eh ... Bjørn Borg. Jeg forserte UlongaBora i
en utrangert dampbåt.. Det var Katharine Hepburn det.. Nå er vi ferdig sier
jeg. Gå og legg dere.. (Tord AkerbækRe En
reiseno.kultur.litteratur.diverse). thecrypt. crypt cryptein krypinn.
quotes. The Pope 'fell down the stairs' on Tuesday. This does not indicate
that 'fell down the stairs' is a name but rather that. perhaps he was (say)
pushed.. That intrepid explorer of these matters Alice's White Knight
might. prefer to say that the pub was called The House With No Name and
its. name (if it had one) was called something else.. rover boy (ROvuhr
boi) OBE vr roi. AWAD. 'Oekokrim har ransakingsordre pa harddisken som
Indymedia.no. ligger paa. De henter hele sjiten...'. Shaggy og Bully. OO.
Musse Pigg. Pikke Mus. ut å pikke mus m.. å musse pigg f.. lefthandedness.
....it seems that in almost any group that differs from the norm one finds
an. increased incidence of lefthandedness.. P.COREN American Journal of
Psychology.. ....right frontals are the mavericks... dead media bruces.
dead media bruces intervjiew '. What about the cemetery of data in
forgotten diskettes or piles of punch. cards. I expect this issue of
digital decay to become the next big scandal after the. YK affair. People
will be shocked when they realize how much is being lost and. how little
has been done to guard against this.. And if 'the medium is the message'
what about the tons of email bounced back. and never sent again. Yes
that's a problem but the idea of tons of your email being kept without.
your knowledge is even more scary. Talking about the States what's in your
opinion the Internet incarnation. (web sites email digest lists chat rooms)
that's strategically used for the. veicolation of the ideas. They work but
they don't work well enough. Chat rooms are a bad joke they are. almost
useless. Digests are very worthwhile but they make huge demands on the.
digest editor. Email lists are only as good as the contributors and they
tend. attract fanatics flamers and other timewasters. As a social
phenomenon I. am surprised at how bad these things are. It seems to me
that most. computerbased forms of media are badly designed and getting
worse they may. have more features and cost more but in terms of creating
and sustaining a. human community they are surprisingly bad and may even
be counterproductive.. After twenty years no one has invented a really
good word processor. It's a. scandal.. verbal taboo. verbal taboothat
which is so sacred or important that it cannot be talked. about unless
using ritual speech or euphemismsreveals society's values and. beliefs..
Gheg in the north and Tosk in the south separated by the River Shkumbin..
All the Australian languages are related but they are at least as diverse
as. the European languages.. corresbounce. newsgroup.
fa.fictionofphilosophy. fa.oldnorsenet. magnhidoyen. MAGNHlLDOElENBOJ.
moticos.net. NY corresbounce. i am Schmailey. AltU. Alt From blnoemata Sun
Oct. Alt From rnmag Sun Oct. Alt From ddtelepata Sun Oct. Alt From
aarsrubglica Sun Oct. Alt From auddtomata Sun Oct. Alt From Sun Oct.
noemata telemata arspublica automata. auto.noemata.net. touch sans.
frekvens sans støy som new age fløyte. etctouch.php. The intonation was
understandably one of heavy sarcasm (with undertones of the. tacit
agreement that says we'll only report your lies if you never tell the.
truth) af Bush comedy. drømte om BÅ hvorfor. dghsdånt sitt. hele dagen.
NORID Handle. NORID Handle............... APBONORID. Organization
Name.......... Akton Plutus BA. Organization Number......... Post
Address............... Schouterrassen. Postal Code................ N.
Postal Area................ Oslo. Country.................... Norway.
university of bad computing. usenet. Also a public conferencing network
called Usenet News carried on. telecommunications networks like the
Internet UUCP and others encourages. public discussion and free exchange
of ideas on a world wide scale.. Diderot defining Art describes this
contradiction. He writes Place on one. side of the balance the real
benefits of the most exalted sciences and the most. honored arts' and on
the other side those of the mechanical arts' and you. will find that the
esteem granted to both has not been distributed in the. correct proportion
of these benefits and that people praised much more highly. those men who
were engaged in making us believe that we were happy than those. men
actually engaged in doing so. What odd judgments we make We demand that.
people be usefully employed and we scorn useful men.(). Arte' Computers
and the Wonderful World of Usenet News A Historical. Perspective netizen.
rephrase. Hvordan forbruker jeg kultur. Rephrase. Hvordan forbrukes
kultur. randomwalk. randomwalk tekst a la cage broderi tanangder. ftp
chtonline. spiraltekst. kill i mylder. mail EFDEE. EFDEE. kunst.nee.
ooo.lt asco. mail.ljudmila.org. urejammersliscultts.copyleft.no. kunst.no.
ek.nob. ewslists.copynagnleft.no. mailnewsalt.cows.moo..
moo.mooanon.lcs.mit.edu (mailnews. alt.cows.moo.moo.mooanon.lcs.mit.edu).
You may also crosspost to a second group by including its name in the
address.. Example To send that Christmas post to alt.music.weirdal as well
address it. as follows mailnewsalt.cows.moo.moo..
mooalt.music.weirdalanon.lcs.mit.edu (mailnews.
alt.cows.moo.moo.mooalt.music.weird alanon.lcs.mit.edu). a theater.
california will be coming to a theater near you soon i am afraid.
eistkesrr. opvlpe opepvle. kan kmmoe kan kmmoe snas smainlg i sakpet unedr
i kpreopn hrovdan kprop. tstkveteste ha koprp ha korpp kupemlr køjtt kan
sipse hvenadrre ksnuetn hlehet. sspie. veskor i seierpstnkken har
vnlomnkeyleat i adlri sairegnkler fkryt savr har. sglas sennping ptaioensl
hovrfor hlodt i skajk sjsklaevk sjkak skajk slismott. asnvar fosvrar har
anvsar har frovasr igjnenom saverr slostimt ingorere ingoerr. ioegrnr
irogner ngiatrlhuet ntaur klale nuatr sakpt snepdake ualrniutg ksuntig.
feinnr ignen huepntkdloer i gkostere sspømrål divrer igenn drevir i.
sekptnisrk ratietlen i knjenes dørm ha dmreømn ellr vrklietigehen. (edt
dte). (er er). vrden. slev. stakpe slev stpkae mseneknt slev. ble adnre
ble. dtete. masniker srreur. feryt blniekr teidn. slev. bdlaet slloys.
vskeor. kan fordnrae slev. vræe. senrnsoe kmmomer tdien. fiel. hroovfr
ble. sitellr slmøråespt. fnis kurluetr sitller. oevr. ktaetr mtideerr
ktametat. i vindeut skeør eivgetehn ardne. unødkserr kkorene. gssenae.
vneant mgeltheuir. ideln aennt. jdroa. skoker ftøter. slepeit ignenting.
tneolefn oppleysr. lseyt lesyr. aktvit mrøke. srekemmdne sniesbitilet
tårekkt ssnoer. hyøt gtroesk gtvorehen. an tkårekt. setlt øgegneddle
deremd lvekår. saknk smmnedrke brae sresonen srettepr i tkaet. kan
hraenvdre irnde frrtsyoret. snresoen netoptp idnre kan den bare inrde.
sesnor karnosetjosnn den atllid liøsnng ellr fklutvei. liøsengnr
fivetkluer osppøelr onngølppsein. fkunet lnnsiøg oppønlinsg. as.
319
as i think my work is so marginal and my personality unfortunately so.
difficult (at least it has that reputation) that the net provides a way.
for me to distribute without having to worry about people misinterpreting.
me in real life.. home.jps.netfenadafsondheim.htm. cyborg hybrid chybroidge
(haraway bridge) chybirgd chybriogd. your discourse is the discourse of the
hysteric just like deleuze's. but you're all part of the same wheel.
because psychotics have no. discourse.. if true and no one's doubting you
then it raises two questions. one what remains of a rembrandt torn into
little squares all the. same size and shot down the toilet. two who would
i have murdered if i had killed some cheetah. walking with long strides
supple as a villain from long ago. cyborg hybrid chybroidge (haraway
bridge) chybirgd chybriogd. hva skjer. hva skjer skjer noe som helst.
breaking news. aftenposten. hia mundvin er gravid. no pages were found
containing ksdjogfestival.. search mobile web for 'ksdjogfestival'. go to
url. new search. svanhild slåss på to fronter ..nettavisen innenriks.
snart kan du se tv på mobilen..nettavisen itnyheter. hva med fjernkontroll
hvordan er mobilen en fjernkontroll på. teknologi protokoll ikke bruk.. aå.
avis. ballong. cowboy. detektiv. eple. fakir. gaffel. heks. indianer.
juletre. krokodille. labyrint. måne. nonne. olje. politi. quixote.
regnbue. slott. taxi. ubåt. vulkan. wigwam. xylofon. yoga. zebra. ærfugl.
ørken. åker. kknasje. kknasje jg ednileg. ignen steedr. koprp uetn
orgnaer. fire ralakide. ikke urytkkte. rhintegrert. andre ord. huset
ligger der fra øyeblikk til øyeblikk. hvem snakker om samling. nyhet fra
øyeblikk til øyeblikk. maria øyeblikk og garasjesalg. svelg disse to ben å
vandre selv.. reaching the cape nordkyn by skis. vrtnnhsfurgzehs u log.
anyhr vrtnnhsfurgzehs u. evolution control committee. these ohbased
plunderphonic culture jammers who have brought you. herb alpert mixed with
public enemy and acdc with dan rather will be. givin' it to ya live. think
tape beatles john oswald or negativland. and you'll be ok.. akweioa. zip
arch. perl mhonarc nodoc spammode multipg idxsize tidxprefix thrd.
mboxnoesis.mbox. nn. nnnn jnnn..nnn) nnnlnnn nnnn(nn(nnn) nnnn jnnn nn). n
n n ()(nnnn n n n jnnn n .nnn) n n nnnn)(). n n nln)(nn n n n njn n(ln) n n
nlj)(l.. media. img file php. pddostlsifstearkiver. ocoyvxjwftk.jpg.
digitus.facticius cp hender. pass. pass. this text has been automatically
translated from english. de a tema de ascoooo.lt del ascoo. cul es up.. )
fecha tue del mimeversio'n de sept de. i forhold til det å se på nye
rutiner. the state of not wanting to be anything is actually. ). the state
of not wanting to be anything is actually. one arrives there without
mentation thats the only way one can call that. mind. punt. logout.
fauscroll the responser etc nicks som organisasjoner tidsskrifter. red..
the responser log. redaksjonen. the responser. nyhetspram log. pons (ponz)
n. pl. pontes (ponætz). anat.. . also called pons varolii. a band of nerve
fibers in the brain. connecting. the lobes of the midbrain medulla and
cerebrum. see diag. under brain.. . any tissue connecting two parts of a
body organ or structure.. l pns bridge (see punt). punt (punt) n.. .
football. a kick in which the ball is dropped and then kicked before. it.
touches the ground. cf. drop kick place kick.. . a small shallow boat
having a flat bottom and square ends usually. used. for short outings on
rivers or lakes and propelled by poling.. v.t.. . football. to kick (a
dropped ball) before it touches the ground.. . to propel (a small boat) by
thrusting against the bottom of a lake or. stream esp. with a pole.. . to
convey in or as if in a punt.. v.i.. . to punt a football.. . to propel a
boat by thrusting a pole against the bottom of a river. stream or lake.. .
to travel or have an outing in a punt.. . informal. to equivocate or delay
if they ask you for exact sales. figures you'll have to punt.. bef. for
def. oe flatbottomed boat (not attested in. me) l. pont punt pontoon sense
to kick a dropped ball' perh. via sense to. propel. (a boat) by shoving'.
(punt (punt) v.i.. . cards. to lay a stake against the bank as at faro.. .
slang. to gamble esp. to bet on horse races or other sporting. events.).
tykjiola. tykjiola. socalled. nimita.tt. monti cantsin. this release was
brought to you by logout online lo distributor of. electronic art releases
for projects listed at tnoddepata.net.. the logout seam. the logout
foundation lf aka linefeed. j. Mar. spider norske kultur. barbere. robot.
ladonna ho. ladonna ho. bridget monroe. concetta fox. lupe baez. sergio
kirkpatrick. stop watch. . paste the coding into the head of your html
document. . copy the onload event handler into the body tag. . add the
last code into the body of your html document. gnu. gnu. mar galleri.
utrolig mye rart som havner på no.test gitt. har du prøvd å lese de
greiene. hånd ). nei err'u gæærn o) scrolla kjapt igjennom og fikk et
visst inntrykk.. takk og pris. jeg ble engstelig jeg. ). cht v. chtonline
chtonian textscrambler. and chatbrowser. det er bare et spørsmål om tid
før verden får se en ny uttalelse om. terrorangrep av katastrofalt omfang
mot vestlige interesse mener den. australske statsministeren john howard..
entries for silly. weblog xff. dvs et asciitegn for hvert nummer. the smtp
csequence. simple protocol art mail. en ting er å stole på gud noe helt
annet er å gjøre det.. kunstner. kunstner. naturister anmeldes for
blotting. blottere blir nå spontannaturister. alice in markov. alice in
markov chains. offertanken ofre til noe meningsløst for at noe skal være
et offer så. den amerikanske regjeringen tror at ekstremistiske elementer
kanskje. planlegger nye angrep.. tror kanskje jeg tipper på at. ignore
test æøå. newsgroups no.test. æøå hupps. til makt. til makt. vi hadde en
web akt.no for akton plutus som senere fikk hodet kappet av og. ble kton
lutus. m for melba kanskje. takk for at du fann igjen bokstaven.. m a
ktno. london chipmunks. london chipmunks edinburgh ferrets admire attack
manchester weasels. hvem bryr seg om .... hvem bryr seg om om .... hvem
bryr seg om om om .... hva betyr det at .... hva betyr det at at .... hva
betyr det at at at .... my mother feels i am a pain. yet with her i do
remain. till i leave at last her house. for the breast of a rich man's
spouse. wow. tenk på en vakker jente. det kan være noen du kjenner eller
noen du har. sett på tv eller lignende. nå forestill deg henne naken. wow.
tverrsum modulo. i tallssystem. tverrsum. i tallssystem. hvordan har det
seg at når man tar tverrsummen i en tallrekke så. opprettholdes likevel
forskjellen (her ). ethvert heltall n er kongruent modulo med tverssummen
av n. dvs differansen mellom n og tverrsummen av n er delelig med .. bevis
(husk at (modulo )). la n n n ... være sifrene i n i tallssystemet. med n
det minst signifikante sifferet.. da er. n n n n n .... n n n n ...
(modulo ). n n n n ... (modulo ). mer generelt at intervallet ( i eks.)
opprettholdes i. alle moduloer og at tallrekken kan være hvilken som
helst.. dvs. modulo kan tolkes som ulike (rest)tallsystem og at den samme.
tallrekken har ulik representasjon i ulike tallsystemer men uttrykker. det
samme.. upost. samisk utpost får mobildekning. vi har webkamera. hva med
newskamera. protocol roaming. goldæen secætion fine arts math.. a ratio
between two portions of a line or the two dimensions of a plane. figure in
which the lesser of the two is to the greater as the greater is. the sum of
both a ratio of approximately . to .. also called. golden mean.. horis .
sqr(). gyldne snitt (). vert .. oneoff. after thinking a second about it i
changed the name to. an other occident government whore only euro cheaper
on sunday in. praha but onle c a month namly menstration sunday bloody
sunday mirror. mirror mirrir meow back in the saddle agian laps of pure
whore furry. cherizo is the must disgust sick thing yaaaaa besides fly
larva trapped in. the intestines hummm in sickness. bullauge
beschleuniger. my body soil and spirit gum. swish to make you all
together. one at piece with yourshelf. adobe kompr setting. adobe kompr
setting. video. cinemac codec ned til ks blir da k. intel indeo . ned til
ks blir k. intel indeo raw ks blir k. mikke video ks kval. gir k men med
dårlig kvalitet. mikke rle ks blir k med dårlig q. audio. mikke gsm khz .
ok. truespeech kz ok. avimpg. audio må være mono i premiere for komp ks.
ikke crop i prem. miniumim bitrate på audio ks. Mar. hvaslags kunstart
driver med alt. skiller ikke mellom det alt. er digitalt. eller en
forfatter som bare driver med bokstaven a eller. personlige pronomen. nei
men seriøst det at alt er digitalt gjør at vi. ikke trenger skille..
exstrange. norsk ord for strangeness. extraneous ekstra ekstrans ekstrang.
worse. faustroll the responser etc nicks som organisasjoner tidsskrifter.
red. faustroll. td. redaksjonen.. monastery mnst()ri n. lme. eccl.l
monasterium f. eccl.gk. monasterion f. gk monazein live alone f. monos
alone. (a place of. residence of) a community living under religious vows
a monastic. establishment esp. (the residence of) a community of monks
living in. seclusion.. monastic mnastk a. n. lme. (o)fr. monastique or
late l monasticus. f. gk monastikos f. monazein see prec. ic. a adj. of or
pertaining. a hermit anchoritic. only in lme. of or pertaining to people
living. in seclusion from the world under religious vows as monks nuns
friars. etc. of or pertaining to a monastery or monasteries. m. b
resembling or. suggestive of monks or their way of life (of existence)
solitary and. celibate. m. bookbinding. designating a method of finishing
by tooling. without gold. l.. h. carpenter the bedroom is bare and looks a
little like a monastic. cell. b donne he sinkes the deepe where harmlesse
fish monastique silence. keepe.. b n. a member of a monastic order a monk.
m.monastical a. (a). monastic a. (b) monastic a. lme. monastically adv. e.
monasticism. sz()m n. the monastic system or mode of life l. monasticize.
slz v.t. make monastic in character convert to monasticism m.. monk mlk n.
oe munuc ofris. munek os munik (du. monnik) ohg. munih (g monch) on munker
f. gmc f. pop.l var. of late l monachus f.. late gk monakhos use as n. of
adj. single solitary f. monos alone.. a member of a christian community of
men living apart from the world under. vows of poverty chastity and
obedience according to the rule of a. particular order and devoted chiefly
to religious duties and. contemplation. also a member of a similar
community of adherents of any. other religion. oe. any of various animals
or things whose form. suggests the cowled figure of a monk spec. (a)(also
seamonk) monkfish. below (b)printing a blotch or area of excessive inking
(cf. friar ).. e.. black monk see black a. pied monk see pied a. white
monk see white a.. comb. monk bond see bond n. monkcraft derog. monkery
monkfish. (a)a bottomdwelling shark of the genus squatina with a somewhat.
flattened body and broad winglike pectoral fins esp. s. squatina of.
eastern atlantic and mediterranean waters (b)an anglerfish monkhouse. a
monastery monklatin a corrupt form of latin used by monks. monkmonger
derog. a favourer of monks or monasticism monk's bench. monks' table below
monk seal any of various lightbellied seals of the. genus monachus esp. m.
monachus of the mediterranean and adjacent seas. monkseam monk'sseam naut.
a seam in which the selvages of sails are. sewn flat one over the other
monk's gun a thcent. wheellock gun. supposedly invented by the monk
schwarz the alleged inventor of. gunpowder monk shoe monk's shoe a low
shoe with a strap passing over the. instep buckled at the side monk's
rhubarb a kind of dock rumex. pseudoalpinus formerly grown as a potherb
monk'sseam see monkseam. above monk's shoe see monk shoe above monk's
table a convertible wooden. seat the back of which is hinged to swing over
and rest horizontally on. the arms thus forming a table.. monkdom n. the
condition of a monk monks collectively the domain of. monks m. monkhood n.
the state or profession of a monk the monastic. life monasticism monks
collectively oe. monkism n. monasticism e.. monkship n. the monastic
system monks collectively e.. monk mlk n. slang. m. abbrev. a monkey..
seclusion sklu()n n. e. med.l seclusio(n) f. l seclus pa. ppl. stem of
secludere seclude see ion. the action of secluding something. or someone.
also exclusion. now rare. e. the condition or state of. being secluded
retirement privacy a period of this. l. a place in. which a person is
secluded a secluded place. l.. h. j. laski emphasize its importance to the
seclusion of all other. factors. e. b. browning after a seclusion of four
years and a half from. the external air. l. uris the bridehidden all day
was taken from. seclusion. p. ackroyd perhaps the tall hedges give this
region its air of. seclusion and even of secrecy.. seclusionist n. an
advocate of seclusion m.. nedlasting. big bang var en stor nedlasting
(itavisen). er infoteori nøkkelen til universet. forskerne som jobber med
det holografisk prinsipp mener ren informasjon. er universets
byggesteiner.. i jakten på universets fundamentale byggesteiner forkaster
forskerne ved. university of california både kvarker kvanteelementer og
strengteorier. til fordel for det såkalte holografiske prinsipp (døpt
etter måten. tredimensjonal kan fremstilles på et flatt todimensjonalt
område).. bits og bytes. denne teorien fremholder at det er ren
informasjonsdata som forteller. hvordan all materie og evt. andre fysiske
manifestasjoner fremstår i vårt. opplevde univers.. prinsippet forteller
oss hvor mye data(tenk bits og bytes) som trengs. for å kunne
detaljbeskriv all aktivitet innen et gitt rom sier fysiker. raphael bousso
til nettstedet newsfactor.. den store pikseleringen. det notoriske big bang
ville ifølge teorien dermed utartet seg mer som en. enorme nedlasting av
informasjon enn som en massiv eksplosjon.. veldig forenklet kan
himmelmønsteret etter big bang ha vært pikselert. som bildene på en
dataskjem. kosmisk bakgrunnsstråling fra big bang vil da. kunne vise seg å
være spor på den diskrete karateren i denne dataen. forklarer astrofysiker
craig hogan ved university of washington.. troll. troll trl trl n. lme.
sw. (da. trold) f. on of unkn. origin. cf.. da. trylla trylde sw. trolla
bewitch charm on trolldomr witchcraft.. orig. (rare) a witch a sorceress.
now (in scandinavian mythology) a. member of a race of grotesque dwarfs
(or formerly giants) usu. dwelling. in caves or under bridges.. troll trl
trl v. n. also (sc.) trow tra . lme. origin. uncertain cf. ofr. troller
(mod. troler) quest wander casually mhg. trollen stroll toddle. a v. i
v.i. saunter stroll amble spec.. (slang) cruise in search of a sexual
partner etc. lme. v.t. i. roll. spin turn over or round repeatedly. now
sc. lme.. ii a v.t. entice allure. ml. b v.i. t. angling. fish by. drawing
bait along in the water sc. n. amer. trail a baited line behind. a boat.
also fig. move in an alluring manner search for or for. e.. b b. macdonald
by trollingwe caught silvers king and dog salmon.. atlantic nancy had
beenherselftrolling her scooped neckline under the. eyes of russell's
friends.. iii a v.t. pass or hand round. le. b v.i. circulate be passed.
round. ee. v.i. t. (cause to) roll or flow (in). ll.. iv v.t. i. sing
(out) heartily sing or recite in a jovial or. carefree manner. l. v.i.
sound out or be played in a jovial or. carefree manner transf. (of a tune)
recur constantly to the mind. e.. r. l. stevenson he trolled with ample
lungs. j. berryman troll me the. sources of that songby blake.. v a v.i.
move nimbly (of the tongue) wag. long arch. e. b v.t. wag. (the tongue).
rare. mm.. comb. trolling motor us a lowpowered motor suitable for a boat
used in. trolling for fish trolling pole n. amer. a horizontal pole on
each side. of a fishing boat to keep the lines clear of the propeller.. b
n. a small wheel spec. a fishingreel. ll. trolley n. .. local. m. angling.
a the method of trolling esp. in fishing for pike. etc. l. b a bait or line
used in trolling. m. the action or an act. of trolling sc. a roll a
rotation. e. a song sung as a round.. e.troller n. (a)a person who trolls
esp. in fishing (b)n. amer. a. fishing boat used for trolling a line m..
white elephants. white elephants. ini matsocvkaisn ndjdit white elephants
hvordadn blir kapitler i news. sjekk no.test rtyuiop hva slags bok
ideareal kladd webcam text ) lumber. x. skjold ii side. eggja nr. c.. ola
sjå eggja () og våga austre i sveio () gm. siri. giske f. kanskje svensbø
i vikebygd gm. endre jørgenson. enkja malena velumsdtr frå eggja (). ola
blei buande på eggja etter at han gifta seg med enkja malena.. andre kona
til ola marta døydde. ho var enkje alt år tidlegare.. det heitte då at den
ugifte ragnilla underholdes af slægten.. nn kanskje heitte ho siri persdtr.
fravær. skape seg et fravær. gå i bånd en hund etter forestillinger.
underkaste. seg fraværet. et fraflyttet fiskevær kalt fravær. i lengre tid
er hun ikke. der.. and so your god bungled his work deliberately. and so
your god bungled his work deliberately. perfect your physics and you will
understand nature better refine your. reason banish your prejudices and
youll have no further need of your. god.. prove to me that nature does not
suffice to herself and ill let you. imagine her ruled by a higher force
until then expect nothing from me. that of nothingness it has never held
terrors for me in it i see naught. but what is consoling and unpretentious
all other theories are of prides. composition this one alone is of
reasons.. for nature is inherently destructive and it is our recognition
of this as. participants in nature that provides de sade with the
fundamental. connection he places on the link between pleasure and
perversity.. what is it that truly excites the human spirit conflict and
turmoil is de. sade's answer. it is when we are directly confronted with
nature in its. true destructive state that we come in contact with the
fundamental. underpinnings of our creativity and existence.. perversity is
its own end. given the possibility of having virtually anything as was the
case with. the four rich men what is it that one pursues according to de
sade. witnessing the pain of others is high on the list of possibilities..
we have tended to see pleasure at the very least to be a distraction. i
have no need to thwart my inclinations in order to flatter some god. thus
nothing but the law stands in my way but i defy the law my gold. and my
prestige keep me well beyond reach of those vulgar instruments of.
repression which should be employed only upon the common sort.. whence the
duc would conclude that nothing is really just but what makes. for pleasure
and what is unjust is the cause of pain. nothing quite encourages as does
one's first unpunished crime.. no as to that there's no doubt. furthermore
beauty belongs to the. sphere of the simple the ordinary whilst ugliness is
something. extraordinary and there is no question but that every ardent
imagination. prefers in lubricity the extraordinary to the commonplace.
beauty health. never strike one save in a simple way ugliness degradation
deal a far. stouter blow the commotion they create is much stronger the
resultant. agitation must hence be more lively in the light of all this
there. should be no cause for astonishment in the fact that an immense
crowd of. people prefer to take their pleasure with an aged ugly and even
stinking. crone and will refuse a fresh and pretty girl no more reason to
be. astonished by that i say than at a man who for his promenades prefers.
the mountains' arid and rugged terrain to the monotonous pathways of the.
plains.. in order to allow voluptuousness to become irritated by the.
augmentation of a desire incessantly inflamed and never satisfied a state.
which must necessarily lead to that certain lascivious fury the friends.
shall strive to provoke considering it one of lubricity's most highly.
delectable situations.. by and large offer your fronts very little to our
sight remember. that this loathsome part which only the alienation of her
wits could have. permitted nature to create is always the one we find most
repugnant.. the idea of crime is able always to ignite the senses and lead
us to. lubricity.. desade. metaphysical painting. metaphysical painting a
style of painting invented by giorgio de chirico. in about and practised
by him and a few other italian painters most. notably carlo carra until
about . the style is characterized by. images conveying a sense of mystery
and hallucination often involving the. use of tailors' dummies or statues
in place of human figures. it had a. strong influence on surrealism though
its concentration on depicting. uninhabited cities was peculiar to itself..
Mar. kanta representeres i grafer av noder og kanter og som.
tilstandsmaskin noder er rom med tyngde (tak gulv omsetning). moebius.
manusfilm nr.. film med filmrull formet som moebius. bånd. det. betyr at
filmen avspilles. rettvendt og deretter speilvendt for. deretter å begynne
på nytt igjen.. handling en person filmer noe via et. speil. personen til
venstre og. speilbildetspeilscenen til. høyre.. det finnes ingen vakrere
topologi å ty til enn mbiusflaten når en skal. illustrere hvordan det nære
og det fjerne det indre og det ytre objektet. og subjektet grenser til
hverandre.the baudri llard.. kst. hva er riktig kommunikasjon dersom den
spriker sånn over en kanal som er. så smal virker fragmentarisk og
villedende kikkehullsestetikk. voldtekst gjærbakst kst tverrspringende når
kan ventes svar. dialog. dele seg i to dialogen. alltid delte i og med den
indre. isd kommunisererselv.. ghl bota. ghl bota. rhberemsynr.. . gel ojlo
s. vosm (setta ). . oslo s træntaaon. vhsn (setta ). . tromtaoen byta. vecm
(ghfh ). nhrdsufv telefan ssyvåtc beyshnschcden hor opertodt. rafærengemr
mc. crowned anarchy. one easy way to think about crowned anarchy is to
think of it as an. expression of a method of difference. deleuze often
uses paradoxical or. contradictory conjunctions of terms in order to try
to shock difference. and productive disjunctions to the surface of
thought. i believe that crowned. anarchy is often mentioned in terms of
nomadism or nomadic distributions. both of which serve to highlight an
orientation to movement process. creation and becoming. other examples of
this method of difference or. style are drunken sobriety stationary speed
populous solitude and. disjunctive synthesis.. æon flux. æon flux. the
very thought of rubbing up to the sinewy form and torso of. the
selfpossesed selfish seductress of death and delirium...oh how the. loins
quiver at her approach.. so until i see the great divided lands where
monican. and breen killers briefly dance a skirmish or two until i touch
aeon. there where thanatos and eros hold sway i will remember....
nonplusnoema. she swept from the room leaving the nonplussed artist to
puzzle over. the cause of her behaviour.. no match for nonplus.org..
though the noema is always available there are periods of rest or low.
activity where the system is able to return to a known stable initial.
state. the system is still there but the load on the system is minimal.
changes.. the noema is designed to always be up and running. individual
components. may be down but the total the noema stays available. in this
mode of. continuous operations things are evolving and changing
constantly. there. may be many versions of a component active at anyone
time. evolution of. components new feature introduction and constant
change are common. ongoing activities.. negativitet. hvordan modelleres
negativitet overhodet hva menes når vi abstraherer. 'noe' fra noe lager vi
samtidig 'ikkenoe'. det er merkelig og komisk når. jeg ser på den og den
knappen og tenker på at den er det den er fordi den. ikke er alt det andre
den ikke er. er negativiteten en egen dimensjon hva. er forholdet mellom en
operator og et uttrykk hvis vi har to ting. hvordan kan vi legge dem sammen
og regne på dem instruksjondata en. fortolker på datanivå er alt data ingen
negativitet fortolkeren. strukturerer og lager samtidig negativitet
dimensjonsforskjellen fra flat. data sekvensiell datastrøm til en struktur
med flere dimensjoner. f.eks. som i overgangen fra en endimensjonal
sekvenslinje til en. formatert tekst videre inn i et meningsunivers. på
hvilken måte fins. døden fins den på en annen måte enn ordet 'ikke' hva
refererer 'ikke'. til hva slags monisme er jeg ute etter patafysikkens.
justis konstant. langt langt nede blant våre fundamentale behov ligger
rettferdighet en. vektskål hver enkelt holder i balanse gjennom å ta på
seg eller fordele. skyld. om samfunnet ikke hadde svarte hull for skyld
ventiler religion. devnull et lukket system med konstant energi et usa
hvor man. saksøker hverandre til frokost. aqualizer. utligne. equalizer. n
reduces frequency distortion syn equaliser an equivalent. counterbalancing
weight syn counterweight counterbalance counterpoise. balance equaliser a
score that makes the match even. aqualizer neologism make something fluid
transparent remove rigidity.. aquality neo. the fluid transparent quality
of s.t.. aqual v. 'a aquals b' 'heat aquals ice' 'internet aquals
identity'.. telegram episode. telegram. monographic. episodic writing. å
kom skal du høre. ånd og overgrep. sans og. forbrytersyndikatet d.hc. just
boresome. å kom skal du høre. the paul whitney collection. triploop
..................excerpt. bankkontoen er det faste punkt for
jordmenneskehedens kultur af i dag.. bankkontologi. nn. i. c. v. r. c. i.
.. c. v. r. c. i. .. c. v. r. c. a. k. n .. a. c. v. o. r. u. .. c. r. n.
e. .. s. m. r. c. c
320
e. .. not two.. come directly into harmony with this reality just simply
say when. doubt arises not two. in this not two. nothing is separate
nothing is excluded. no matter when or where. enlightenment means entering
this truth. and this truth is beyond. extension or diminution in time or
space in it a single thought is. ten thousand years.. .... one thing all
things move among and intermingle without. distinction. to live in this
realization is to be without anxiety. about nonperfection. to live in this
faith is the road to. nonduality because the nondual is one with the
trusting mind.. hsin hsin ming (verses on the faith mind) attributed to
chien chih. sengtsanca. c.e.. ftp. category techhead id. i know most of us
use some type of ftp prog to upload download and chmod. but at times you
may need an alternative. say for instance you are away. home and the
computer you are using has no ftp prog. here's a simple. way to access
your server via the web. ftpyourloginnameyourpasswordyoursite.com. did i
mention you can upload and download files this way just drag and. drop
files to and from the ftp. minus. manus. nato phonetic alphabet. the nato
phonetic alphabet. alpha bravo charlie delta echo foxtrot golf hotel
india. juliet kilo lima mike november oscar papa quebec romeo. sierra
tango uniform victor whiskey xray yankee zulu. i tallssystem. tverrsum. i
tallssystem. hvordan har det seg at når man tar tverrsummen i en tallrekke
så. opprettholdes likevel forskjellen (her ). det var litt overraskende når
jeg oppdaget det at tverrsummen skulle. bevare dette.. ethvert heltall n er
kongruent modulo med tverssummen av n. dvs differansen mellom n og
tverrsummen av n er delelig med .. bevis (husk at (modulo )). la n n n ...
være sifrene i n i tallssystemet. med n det minst signifikante sifferet..
da er. n n n n n .... n n n n ... (modulo ). n n n n ... (modulo ).
tverrsumfunksjonen er en modulus altså og sammenhengen er at. dvs. modulus
.. mer generelt så ser jeg nå at intervallet ( i eks.) opprettholdes i.
alle moduluser og at tallrekken kan være hvilken som helst.. dvs.
moduluser kan tolkes som ulike (rest)tallsystem og at den samme.
tallrekken har ulik representasjon i ulike tallsystemer men uttrykker. det
samme.. Mar. de fleste foretrakk stort pensum istedenfor. fordypning
engasjement og klare mål. næss. et menneske er flere mennesker. et halvt
menneske virker helt et helt. menneske virker halvt.. amg strain ghost
montage. sollewitt concept art etc nettime. code is the only language.
that is executable.. ideer kan være koder. hvorfor vil vi at alt skal være
variabler ikke konstant.. the whale the corp (corporal) the old the falcon
fatty swede triple. tramper the bank nixie broom woodcat the king shorty
stocks. crooked the lion easy garibaldi scamp mad clumsy buck the. calf
lazy cheeky sooty brotherinlaw seven mark and one the. kid the lamb the
cub catowl nonsense the fizzler the toad the. chunk coffeesack coffeecnob
nothing the grouse ginger the bag. straight wally valdeser the troll
minced fat the christian bent. sinny crow nail divekeeper code spout the
baker egg nincompoop. the taste pig's totter boar shrimp stuffing doll
fliepedersen. matches the painter the smith whimpy the wizard sea scorpion
budd. birch manikin pepita entangle chop death.. who's bruno magh if yamean
rob's sneakers i dunno. mine were plain ol' adidas. re he didn't get
it....and he's a sargent....... re re mark fuhrman didn't get it either..
the transaction was a success. en ekunst mail spammer og til. person
person peerpeer multiperson ha en avtale om en multiperson med. noen vi
opptrer som n person med ett navn.. the transaction was a success thank
you for using this service.. your transactionid. is. støy. det er åpenbart
fleire måtar å høyre på støy på. eg tenker ofte på det som. ein
overskridelse. overskridelse av musikk metamusikk på en måte står. støy
'over' musikk eller ligger 'under' musikk og 'føder' musikk slik. natt
føder dag liksom jrf at natt oppfatta som opprinnelig.. overskridelse av
seg sjølv jfr din 'motstand' kanskje. overskridelseoppheving av seg sjølv
ved det n'naturlige' ved støy. ekstase ved støy overganger mellom
tilstander er 'støyete' kan alle. fortelle om.. Mar. resonate. mne. domus
. '. '. icarufa. domus . '. '. mddaurgtuse . domus .. vxtojnca. domus . '.
'. au rora. domus . '. '. kklang. domus .. tsrsgoihnsger . domus .. jvoa
eoer. domus . .. rddgeagthrdissator. domus .. bsotgagngigsgak ahaaggge .
domus '.. futureme. past me. lumber. lumber. dP' I Y P dP' Yb Y. . . . . .
. . dP aaaadP. P Y ' Pd' YbaaadSPOSUBSES. ii dPY dPdPYb gg. ggggggggggg
gggggg ..... .... .bd.'. noemata. Saturday April. us we'll consider wheth
Net.art cobe copiedWelcome to net Noemata.net. is a nonpCouncil of
Cultural Afregistered in N Norway. On a yearly. noemata. Friday April.
eta.D. real development of idbfeeaecbdbffeabintention was to combi.
interaction minglesot deilppa msacras dnadi fo tnempoleved laerthe net
with. those of collective.
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productio internet addrband and so open up to kind of public spacewho.
make a significancedevelopment of idconcept is applied to processing.
carriermembers every month result of sometNight Fever' 'The Wiza. modify
it and thenlasts thirty days with concept members every. . monthNa easy
hiding place for s modify it and then. networks. The story is.
fireworks.fdbccaaeffdacbabddastructure of data flows plot. of a story by
locusnonmat bringing out intras net possible on.
thameselvLJvMVuImsGoEJzKCUtdsQR.approach to discourage albums. whitewhite
albimo blcspreads with no techni emotional vulnerabiliswappers. noemata.
Saturday April. hexture. jodi.org. barriecoptusnet.com.au.
bennett.osu.edu. cantsinzedat.fuberlin.de. dolmensniperfree.fr.
epistolarisfreemail.hu. expsurfeu.fi. felixopenflows.org. fmadrefree.fr.
gustin.pascalefree.fr. henry.warwicksbcglobal.net. hmfahhotmail.com.
hmfahhotmail.com. informaticaintervida.org.pe. jimvispo.com.
jlantoniouol.com.br. jukkaxpressed.org. kellydavismac.com.
kkervinenmailcan.com. lcubbisonearthlink.net. loymyrealbox.com.
mpalmerjps.net. nettimebbs.thing.net. netwurkerhotkey.net.au.
noematakunst.no. rickrickbradley.com. ryan.whyteutoronto.ca.
solipsishevanet.com. sondheimpanix.com. tobiastechno.ca. towntrickaol.com.
vibriinternet.com.uy. wfairbrotherhotmail.com. xpressedsdfeu.org.
xstreamxpressed.org. wreathus. abuigueswanadoo.es. adelectrocd.com.
agranode.com.br. arexsall.nl. ascoooo.lt. bennett.osu.edu.
bramhallearthlink.net. bruecklaol.com. cadalypacbell.net.
cantsinzedat.fuberlin.de. ceciltouchon.com. dolmensniperfree.fr.
dtvmwt.net. expsurfeu.fi. hmfahhotmail.com. hmfahhotmail.com.
lawrence.uptonbritishlibrary.net. marc.garrettfurtherfield.org.
margaret.penfoldntlworld.com. memexikonmwt.net.
morrigan.nihilntlworld.com. noematakunst.no. olsonjkdelhi.edu.
p.ixelntlworld.com. poetryhypobololemaioi.com. ptlambertearthlink.net.
rickrickbradley.com. ryan.whyteutoronto.ca. solipsishevanet.com.
tgreenclear.net.nz. towntrickaol.com. walterblueearthlink.net.
wfairbrotherhotmail.com. whitebd.dion.ne.jp. ybvictoria.tc.ca. Bubolic
stoplight unlikely by anemic. Bubolic stoplight unlikely by anemic.
unlikely stores anemic's growing pool as a collection of.
selfdisconnecting noemas that anyone can contribute to. lusers need to
log. in to enable unlikely to make sense of their movements through the
bassin.. Unlike anonymous drowsing unlikely facilitates a more
personalized. form of intuition the very act of intuiting results in a
generative. process that creates new linkages alters old ones and
contributes. resources to the community. Thus unlikely resembles a
biological neural. net that is based on human activity it is a collective
distributed. system of emerging patterns pathways and disconnections..
unlikely departs from the typical hierarchical thought bassin structure
by. relinquishing some of the control of hardcoding links between.
concepts. unlikely is also described in a public XMockupLang file making
it. possible for anyone to develop alternatives to unlikely's structure.
unlikely could easily be traversed as a trity eidos game a mind nap a.
sound ungine (logically sound system) or a Flush animation whirl.. In this
way it is the beta version of a anemic operating system for which. anyone
can develop compatible cogiance phlog.ins skeins or filters.. unlikely is
an agent of anemic's resources that grows symbiotically with. related dis
course.. BIOGRAPHY. Current coreDevelopers are blithe lussett bensyversion
nsatromnym and. conYates. As of anemic Version pee. CONTRIBUTING.DEVELOPERS
are listed dynamis cherubics by their usage of. contribution to and
participation in haven unlikely. wopers.. For dynamite please load and run
the anemic WHOIS button and blowup yous.. All participants exist as noemas
within unlikely. The car develop. maintain and develop the anemic
dabblication platt form and are. reposible for mini a spectable of
including the inter views anemis.. crow envelops hinter party pants
tributing dissociation varia. ariaous other panties enties and cystems all
unenginage in the act. vity that con stigmatutes anemic boldless
bloodfuel.. særmeldinger. baklengs inn i aftensangen. alt vel hilsen per.
over åsen. særmelding kodemelding gitt i åpen kringkastingssending fra
London som beskjed. fra britisk militær myndighet til agenter i Norge.
Særmeldingene besto som regel. av avsluttede setninger (Du er en heldig
gris Hesten traver i bakken) der. innholdet var avtalt på forhånd. I
okkupasjonens siste år angikk de som regel. flyslipp av våpen og
bekreftetavlyste en planlagt operasjon. BBC London. Radio eller norske
myndigheter hadde ingen innflytelse over særmeldingene som. var av rent
militær karakter. For lytterne utgjorde de gåtefulle og. fantasieggende
innslag som bar løfter om at hemmelige aksjoner var på gang.. QPVEO TXJZC
AZGVN. default. default. neglect failure to act. stats url. ola narr.
leonardo ola narr. Apr. sis sfsisnsds snsos srseslsesassse. sisss swsansts
stsis sdsises. ssasls sisss sbsacsks tsos snsosrsmsasls. sisss. s. aa.
Ifølge Bergens Tidende skal det nå holdes kurs for sjenerte bergensere..
HansWilhelm Steinfeld rødmer.. køntriola. doby ardon. ebmg. ebmg. nkb.
g.php. Apr. alasglea hshatrukturene asdgogg ingghehnhtiasngf sbetsyr
nogge. minae hfohrestilldfinger. vaigrhkhejlisghet. hvsa hehr virhkelig.
mikkaeg hmush grahvhietasjon poliasftihkhkh hlivh sdaøad hvihrkelig. havaa
aerg gsgaanat. tosomtussmørke. tosomtussmørke tåsårdessert tesiltusle
tesugetasje tåsokktaske. tissefanttussefar jeansagent jannin gnom joner
genial gang gynekolog. genever jennifer. mailnews. U S E N E T. valable le
Mars. par header. mailnewsanon.lcs.mit.edu. mailnewsnospamanon.lcs.mit.edu.
mailnewsnym.alias.net. mailnewsdizum.com. mailnewsnospamdizum.com.
usenetgatewaymixmaster.shinn.net. mailnewsshinn.net.
mailnewsfreedom.gmsociety.org. usenetgatewaynospammixmaster.shinn.net.
mailnewsnospamshinn.net. mailnewsnospamfreedom.gmsociety.org. par email.
group.namenewsgw.rrze.unierlangen.de defunct.
mailnewsYYYYMMDDgroup.nameanon.lcs.mit.edu.
mailnewsnospamYYYYMMDDgroup.nameanon.lcs.mit.edu. Apr. hva er
kommunikasjon og hva er uttrykk. nivåer. Vende tilbake til det. Re Vende
tilbake til det. Vende tilbake til det opprinnelige. Couldn't have said it
better myself.. mailnews. newsgroupnamenewsanon.yi.org.
mailnewsbananasplit.info. DISORIENTATIONS OF THE NETART. TECHNOLOGIES AS
PHANTASMS AFFECTS AND GHOSTS. ON THE FLOW. THE WORLD OF USER'S MANUAL.
SPACE COUNTERS TIME. AVAILABILITY ACCESSIBILITE AND CONSUMPTION. ....
password. configure OE. How can I configure Outlook Express to display a
message in fixed width. font. First remove the viruses. Then go to the
fonts... no wait you got a virus. again. Get rid of that. Now go to the
fonts menu and select... no there's. another virus. Better rebuild it.
Okay now you're in the fonts menu and. you select a font that is
specifically fixed width like say Courier. And. while you're at it you
might want to look at disabling all the HTML decoding. on Usenet as well.
Whoops there's another virus. ps I don't want to hear no bullshit about
how microsoft sucks ass and all. that constant repetitive stuff.. Then why
not get a newsreader that actually works and at least conforms. the basic
RFCs. mulig. En skole i Stockholm ble tirsdag evakuert etter at ranere
satte fra seg en. mulig bombe i en bank i nærheten.. En mulig skole i
Stockholm ble mulig tirsdag evakuert etter at mulige ranere. mulig satte
mulig fra seg en mulig bombe i en mulig bank i mulig nærheten.. Apr.
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.......................................... anon i don't know why people
don't. eliza maybe they're looking for something. why should they. what
you offer is just withdrawals and stepping back. yeahyeah from looking for
and searching. you're male yorick should be ucking around. i know that's
his business and he would feel the catration. pointing his figer and his
we pons. wall there's no connection at all just the silly drives. the
fabric production activity life that's a big canvas. there's no
connections there either leave them alone. support. no support is needed
earth spins around in empty space. you need all the usual stuff. don't
need anything my life didn't need life just automatic business. joy of
life. death has joy too why distinguish it's just one big blob going
through the. motions. fatalist. pass. what about suffering. i'm sorry.
i'll kick you in the leg. i'll respond ouch. improvements richness of
life. do we suffer less than years ago broken things have richer
structures. knowledge. it adds to the mess and i'm withdrawing. knowledge
for the future. it's very easy for us to extinguish ourselves and
difficult to believe in. humanity. space. space what. hopes. we should try
to find some loopholes via science or anything change ourselves. leave the
human maybe our physicality cognition and culture have some. limitations
we can't overcome evolution is too slow our knowledge too great. all the
culture trash and our drives are against us we'll be like dinosaurs. with
a brain look at the current territorial religious cultural violence. it's
just mad and on the other side global capitalism and exploitation is made.
possible by the inertia of the same structures humans have no future we're.
reaching some limit in our interaction with the world we should find holes
and. creep through into a posthumanity i'm indifferent to the human i'm
only human. and have no future.. Mr M. saw a naked woman covered in postit
notes once. she was some art diva from spain. 'automated net.art
auto.noemata.net'. Hi. Thank you for hosting your list at Topica.
'automated net.art auto.noemata.net'. autonoematatopica.com. Basic
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subscribe. autonoematasubscribetopica.com. unsubscribe. See the
Unsubscribe link at the bottom of any message.. For more information about
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autoresponser set up. LYS. Tilsynelatende nødvendighet av å tale om det.
Ikke si mer enn enhver kan si til seg selv. Spørsmålene om det er materie
eller immaterielt. Substans el aksidens osv. Fåfengt. Den som ikke tilstår
dette for seg selv kan trette seg med å løse det. opp. Bedradd av alle kan
vi bare lære av dets virkninger. Lysets virkinger er utbredt foran oss.
kvalmen. fremtiden er der knapt blekere enn øyeblikket. Hvorfor skal den.
virkeliggjøres. Hun skal til å dreie om gatehjørnet hun dreier i en
evighet. tanker det er det flaueste som finnes. flauere enn kjøtt. de
strekker seg ut i. det uendelige og etterlater en underlig smak. proxima.
lysår. melkeveien lysår diameter mrd stjerner. mrd andre galakser. lokal
gruppe av. nærmeste lign galakse andromeda m mill lysår unna. kvasarer ses
over mrd lysår. stjerneklasser. wow oh be a fine girl kiss me right now
sweetie. chance and chaos. kolmogorov matematisk talent setter inn akkurat
når den psykologiske. utviklingen stopper. han ser på seg selv som år.
stødig strøm periodisk strøm irregulær turbulens. observasjon av
periodefordobling i dynamiske system feigenbaum ... entropi måler
tilfeldighet i et system. hawkings. galilei kraft er å forandre en
bevegelse. newton derson ikke kraft fortsette i samme fart. ingen entydig
hviletilstand. om det er toget som går eller jorden som går er. like
gyldig. paradoks umulig å si om to hendelser på forskjellige tidspunkt.
inntraff på samme sted i rommet. eks. en ball spretter to ganger på samme.
sted inne i et tog en som står utenfor vil se sprettene med meters.
mellomrom. sitat. hardingfela er norsk nasjonalinstrument fele så er brukt
kattesener. hardingfela hele katten. det finnes det som har spilt i år i av
disse har de stemt. gås på bordet. forskning sprøyte brennevin inn i ei
rotte. er det noen kattjævel her. lysår vi hadde motlys. han var fem år da
han ble født. det du har lært kan ingen ta fra deg men det du ikke har lært
kan ingen heller. ta fra deg. det er skrevet mye og gud i de nye og de
gamle instrumenter. det som står her er. skrevet med en hellig skrift.
midt i paradisets have sto det et tre som het. bekjentskapets tre på godt
og ondt. da abraham satt i mamsres lund kom det tre. herrer da spurte sara
om de ville ha kaffi da sa vår herre til sara vil du. straks gå bak døra og
føde en sønn. det er ikke bare for kort det er for bredt også. protokoller.
hvilke protokoller. fullstendig promiskuitet mest mulig lavmål. en stadig
pendling mellom høyt og lavt. overdrivelser underdrivelser. hvite
protokoller. bankei. fri i liv og død ikkje bry deg med dei ha fred eller
nrivana (dei tre. gifter) la alle tre gå. både når du søv og er vaken så
kviler du i det ufødte buddasinn. unngå å falle tilake. bebo det ufødte
buddasinn både fremskritt og. tilbakeskritt overskrides. buddasinnet er
fantastisk opplysande spor av alt du har gjort er reflektert. det er når
du binder deg til desse reflekterte spora at du produserer illusjon..
originalt tankar har ingen reell substans la dei komme og eller stoppe
utan å. binde deg til dei. alt jeg forteller dere er dette realiser
buddasinnet som hver av dere har fra. deres foreldre fra fødselen rett og
slett bebo det i tro.. istadenfor la deses tankane komma ikkje utvkle dei
ikkje binde deg til dei.. hald det eine sinnet som eitt sinn. sinne og
glede lagar du heilt på eige hand.. det er ingenting anna enn det ufødte
og uforgjengelige buddasinn så du bør. begripe dette klart.. ideen om å
ville kontrollere dine lidenskapar og forestillingar er i seg sjølv. ein
feilaktig forestilling.. det er ikje noko slikt som opplysning. det
originale buddasinn er ufødt det. fungerer utan tanker om å ville bli
opplyst. i buddasinnet er det ingen tanker eller ting så ikkje bry deg med
dei. jakte på ord fraser når vil du bli ferdig. du spring deg helselaus
pålesse kunnsakp blir vidt informert. sjølvnaturen er tom og opplysande så
la ting ta vare på seg sjølv. det er ikkje noko anna eg har å meddele.
ikkje sint når forstyrra ikkje gladlykkeleg når tilbedt. ein stor
treskalle i verda. følge med der forholda føre meg nord sør aust vest.
utan å gjøyme mi styggheit og klumsetheit mellom himmel og jord. blinde
folk slit ut kleun sine ventande på opplysning. akkurat som å prøve å lage
eit speil ved å pusse ein stein. den store funksjonen manifestera seg sjølv
utan faste reglar. godt er skrekkeleg. og skrekkeleg er skrekkeleg også.
ting og hendelsa. er berre produkt av omstende. dersom du blir ein budda
er det ingen plassar å gå. du fyller det store. universet heilt ut til
grensene. det er når du blir noko anna slags vesen at. det er plassar å
gå. dersom du innser at det opprinnelig ikkje er nokon dårlige vaner hva
er det då. å unnå eller stoppe. paulus. paulus . brev til titus. en av
deres egne til og med en profet har sagt kreterne er alltid løgnere.
villdyr grådige late og dette vitnesbyrd er sant.. grelling nelson.
autologier homologier uttrykk som uttrykker seg selv. norsk setning.
femten bokstaver. jeg. andre uttrykk kalles heterologiske. så spør man om
heterologisk er et heterologisk uttrykk. hva med denne setningen uttrykker
noe annet enn seg selv. sorites. avleder en falsk påstand fra en kjede av
riktige. en haug med stein er fortsatt en haug med stein dersom vi fjerner
en stein. etc.. altså er en samling av en eller ingen steiner en haug med
stein.. pragmatiske. paradokset ligger i motsigelsen mellom påstand og at
påstanden hevdes. det regner men jeg tror det ikke. jeg eksisterer ikke.
terning. sannsynligheten for at en side på en terning kommer opp er så det
er. allermest sannsynlig å tro at siden ikke kommer opp. men dette gjelder
alle. sidene. derfor er det sannsynlig å tro at ingen av sidene kommer
opp. pi paradoks. salvati kan du fortsette rekken nei. men du kan
fortsette rekken. paradokset er at de beskriver det samme pi. tro gjennom
feil paradoks. at noe som slår feil styrker troen på tingen fordi feilen
viser det. irrasjonelle betydningen av tro. hilberts paradoks. hvordan
begrunne argumentasjonen på basis av argumentasjonen. carrolls p.
umuligheten av et argument. a dersom det regner blir det vått. a dersom
det regner blir det vått
321
b det regner. c altså er det vått. men for å akseptere dette innføres et
nytt element. d dersom a og b er sanne så må c være sant. men for å
akseptere dette innføres et nytt element. e dersom a b d er sanne så må c
være sant. jesuitt. dersom gud er allkjærlighet hvordan kan det da finnes
en evig pine i helvete. helvete med evig pinsel finnes men det er alltid
tomt. menneskerett. en slag rett til å engasjere seg rett til å kritisere
og en rett til å ikke. bry seg.. parse. lichtenberg E F. O The dog is
lapping the boiling water. release. Gorrespondence imondo mail . art
sokrates. ozone. skittent. mørket er estetisk lyset er skittent. bilde av
klistremerkene. finne du din vilje oppgave. nagval stalking ll som
parallell til sitasjon. drift psykogeo. når frykten forsvinner forsvinner
alle bånd og vi er frie. ro og fred. vi sier ro og fred men det betyr
indre frihet men gj ro go fred som middel. som fungerer i støy og ytre
uro. det er ikke greit å ønske å bli noe man ikke ønsker å være. men sånn
er det den. forskjellen. jeg ønsker natlugh ikke å være det jeg ønsker
eller å ikke være. den jeg ikke er. lagd. tror ikke vi er lagd til å
forstå ting som forsvinner. vi forstår ikke negativitet. negativitet
forstås positivt det som forsvann finnes som forsvunnet. og det som ike
finnes finnes som mulighet. finnes mulighet. noe er mulig. vi forstår
virkelighet som et lukket system det ligger i system og forståelse. ting
blir borte ting blir til vanskelig å forstå. tankemåter blir til og dør ut
med personer kultur med generasjoner. trossystemet forander seg ikke
radikalt med den enektle der av netulig. konsrevativt neasjoner har ikke
noen revolusjoneredne virkeing at noe blir. borte er en modfifikaskon av
tingen. som om eksitens var en modus ved noe skru avpå eksistens. se på
det fra et annet perspektiv det som aldri har eksistert fins det også et.
sted alle dine søsken som ikke er født. hvis vi snur treet oppned. alt som
blir. til må ha eksitert på forhånd. men da har du problemet med mange
muligheter blir. til en virkelighet det kollapser hvis vi skrur det så
ekspanderer det. uendlelig og det er ingen ende op ting som eskisterer
(som mulighet) alle. muligheter må eksistere og det er absurd hvorfor.
kredo. vitenskap gir oss kunnskap om verden. klesskap forstyrrer oss med
klær. du ble født ut av ditt nesebor. voff vi er ikke hunder. de som
passer på gir blaffen. folk er rare. zen begins at the point where there
is nothign further to seek nothing to be. gained. zen is most emphatically
not to be regarded as a sustem of. selfimprovement or a ways of becoming a
budda.. only when you have no things in your mind and no mind in things
are you vacant. and spiritual empty and amrvellous. the marvel can only be
descsribed as the. peculiar sensation of freedom in action which arises
when the world is no. longer felt to be some obstacle standing over
against one.. huangpo men are afraid of forgetting their own minds fearing
to fall through. the void with nothing on to which they can cling.. nothing
is left to you at this moment but to have a good laugh.. mesteren spør ut
studenten og når studenten går kaller han plutselig ved navn. studenten
svarer naturlig 'ja' mestern sier 'der har du det'. spontanitet. mo chih
ch'u gå på uten å nøle. wuwei meningsløshet. wushih enkelhet. the
perfection of zen is to be perfectly and simply human. to a young zen
monk. the roshi stands as a symbol of the utmost patriarchal autoriatiy
and he. usually plays the role to perfection being normally a man ssvanced
in yasrs. fierc and tigerish in aspect a person of supreme persence and
dignity.. the basic position of zen is that it has nothign to say nothing
to teach.. the various koans are intentionally misleading.. after some
time the iceblock collapses and a transparent meaninglessness appear. that
can eat laugh and so on live without a problem.. roshien presenterer nå
koans som er opplagt meningsløse 'ta dei fire delane av. tokyo ut av ermet
ditt' 'stopp klangen av dei fjerne klokkene'. ei jente går. over gata er ho
den yngre eller eldre søstra. controlled accident ikke representasjoner
symboler.. egne objekter. painting by not painting. muchi and liangkui did
many paintings of zen. patriarchs and masters as mostly abandoned lunatics
scowling shouting lafing. around or rarith with laughter at drifting
leaves exemplifying the splendid. nonsense and emptiness of zen.. sabi
enslig og rolig stemning wabi something ordinary as suchness aware..
mystisk stemning yugen. dette er fure aspekter av furyu.. haiku i årh.
bashu i wshihstil 'ingenting spesielt'. the superficial consciousness can
awaken to the eternal present if it stops. grasping. now this eternal
present is the timeless unhurried flowing of the tao. such a tide as
moving seems to sleep too full for sound of foam.. mantras and tantras
meditation and concentration. they are all a cause of selfdeception. do
not defile in contemplation though that is pure in its own nature. but
abide in the bliss of yourself and cease these torments. wahtever you see
that is it. in front behind in all ten directions. even today let your
master make an end of delusion. the nature of the sky is originally clear.
but by gazing and gazing the sight becomes deluded. sarakas trasy of songs.
no thoguth no reflection no alaysis. no cltivation no intention. let it
settle itself. cut out sagacity discard knowingness. and the people will
benefit a hundredfold. cut out humanity discadrd righteousness. and people
will egain love of their fellows. cut off cleverness diescsrd the
utilitirans. and there will be no theves and robbers. become unaffected.
cherish sincerity. belittle the personal. reduce desires. laotsu. the
perfect tao is without difficulty. save that it avoids picking and
choosing. follow your nature and accord with the tao. saunter along and
stop aorrying. if your thoughts are tied you spoil what is genuine. dont
be antagonistic to the world of senses. for when you are not antagonistic
to it. it turns out to be the same as comnlete awakwning. the wise person
does not strive. the ignorant man ties himself up. if you work on your
mind with your mind. how can you avoid an immense confusion. sengtsan. one
day i wiped out all the notions from my mind. i gave up all desire. i.
discarded all the words with which i thought and stayed in quietude and.
ZTT i entered i lost the bounderies of my physical body i spke but my.
words lost their meaning. i saw people comnign twars me. all of them were.
myself. i had never known this world. i had beieved i was ceraed but i was.
never created i was the comsos no idndiviudal mr ssaki existed.. .sakeian
sasaki zen notes vil no. we eat excrete sleep and stand up this is our
world. all we have to do after that . is to die. ikkyu. you light the
fire. i'll show you something nice. a big snowball. mennibdr versen og
livet lemm død og ny fdese. uta sv krppen så yutterverdn lbitt indre og
omvendt. man fyller hele rommet og lever i tiden. stiger ut av rommet føre
og etter. ha takk ha. sanselik. imaginasjon. inspirasjon. intuisjon. alt
som saller mot krppens speil speiler seg til sanseopplevelse. tankene
tanken muldere av elemtarvesen sender seg ned i eterlegme. formørker
eterlegemet eringdring. visom som natur rundt seg her. vi må ta vort
visdommen forvandle altsp selv til livskrafter. pines ab det glode.
latskap pinesa av fliden. tingene spør oss vi spør ting her. verden føst
av personen. det oversanlsige mennsek. åpne åttetall lemniskater.
tilsvarer det himmelse bilde av menn. nerve og kjertelsystem. inspirasjon
i toner verdensharmonien avspeiles in blod kretsløp hjerterytme. intuisjon
tonene inneholder mening sprok verdensordet. angel archaloi archai. exusai
dymanis kdriotetes. troner cheubin serafim. mot i brystet. blir lemmer
armer og ben. blir åndelig ord. solflekker mikael kosmiske jern.
antropsosi psyikosofik ner mtosofi. linvssans bebetelesn liekversans.
fangarmer. lotusbolst i hodet imagintaiv. strupehodet inspirasjon. jver
hjertet den ituitive. imaginasjon fornemme. insirasjon føle. intuisjon
tenke. psykosofi. slutningen tilspisser seg i forestilligen. punktum. like
før han legger seg sender han noe. like etter at han står opp punktum.
interesting ng. alt.abuse.transcendence. alt.acme.exploding.newsgroup.
alt.anybody. alt.anygroup. alt.anything. alt.artcom. ba.art.
it.arti.trash. rec.arts.misc. alt.chaos. alt.confusion.atitsfinest.
alt.foo.bar. alt.foo.bar.qux.xyzxyz. alt.languages.norwegian.
alt.languages.nowegian. alt.life.internet. alt.life.sucks.
alt.life.universe.everything. twalegged poneys Re Estimable Finns (Re
AAUUGGHH). In article bunniegirlhome.com (Jelliebun). I've been dealing
with a lot of people at work who don't speak English. as a first language
... and some of these damned nonsequitur bot post. thingies are starting
to make sense.. For instance it would not be at all startling to find the
following. in an application letter. Nor have they not sing for quite no
sponsorship. We extracted and remarried as they were lively required
neither. every base past them beheld perversely elder.. I think I need a
vacation.. Would you then be offended if I quoted the following. It
follows that if the two antesedents be bissyclitties and the three.
comeseekwenchers trundletrikes then Aysha Lalipat behidden on the.
footplate Big Whiggler restant upsittuponable the nCr presents to us.
(tandem year at lasted length) an ottomantic turquoindaco of pictorial.
shine by pictorial shimmer so long as gad of the gidday pictorial summer.
viridorefulvid lits asheen but (lenz alack lends a lot) if this habby.
cyclic erdor be outraciously enviolated by a mierelin roundtableturning.
like knuts in maze the zitas runnind hare and dart with the yeggs in
their. muddle like a seven of wingless arrows hodgepadge thump kick and
hurry. all boy more missis blong him he race quickfeller all same
hogglepiggle. longer house blong him while the catched and dodged exarx
seems. himmulteemiously to beem (he wins her hend he falls to tail) the
ersed. ladest mand and (uhu and uhud) the losed farce on erroroots
twalegged. poneys and threehandled dorkeys (madahoy morahoy lugahoy
jogahoyaway). mPm brings us a rainborne pamtomomiom aqualavant to (cat my
dogs if I. baint dingbushed like everything) kaksitoista volts yksitoista
volts. kymmenen volts yhdeksan volts kahdeksan volts seitseman volts kuusi
volts. viisi volts nelja volts kolme volts kaksi volts
yksiallahthallacamellated. caravan series to the finish of helve's
fractures.. Part of it looks Finnish and therefore it has to be about
Linux (because. that is the only notable thing ever to come out of
Finland). Let me just take this opportunity to say. Panasonic (the band
not the consumer electronics manufacturer). Hey Punesuneec joost pleyed
here bork bork bork.. Mika Hakkinen (F driver). That mad vodka. What's it
called. You know.. Per puncture AT flash DOT net. linklog. digest.
Individual Messages. Message Digests. CALL FOR FUNDING DEADLINE EXTENDED.
MAY TH. FOR IMMEDIATE RELEASE. CALL FOR FUNDING DEADLINE EXTENDED.
INSTITUTIONS AND PATRONS OF THE ARTS WANTED. MUST HAVE MONEYS MUST BE
WILLING TO FORK OVER SAID MONEYS. DUE TO AN OVERSIGHT BY THE RHIZOME.ORG
COMMISSION COMMITTEE MEMBERS. THE ARTWORK OF LINKOLN JIMPUNK STILL LACKS
THE PROPER FUNDING TO CONTINUE.. FULL DESCRIPTION OF ARTWORK AND FUNDING
NEEDED AT. NOTE FINAL EMAIL WILL NOT BE SENT TO RHIZOME RAW AS INDICATED
IN THE PROPOSAL. THE FINAL EMAIL WILL BE SENT TO THE PERSON(S) WHO
COMMISSION THE WORK.. COMMISSION THIS ARTWORK CONTACT. ABELINKOLN.NET OR.
bytes. text. dagbladet nyheter. nyheter. Blunker med fire øyne samtidig.
Tohodet geit født på Cuba.. Jon R. Hammerfjeld. .... nyheter neste sak
forsiden. Oct. makeshift. carriers. are the characters carriers of what.
oceanic inflation eg buddhism ego balloon whatever skin. distance in
relation to subjectobject the inflated subject seems infinite. while the
dot in the horizon the distance of the abject out of sight. phenomenology
of beyond vs here and now yon bef. ME OE geon akin to D. gene G jener ON
enn inn the Goth jains that vs thus. thus collapses in codeexecution
distance of processing time of 'active. expression vs matter of doctrine'
formalexpressive this and something else. (subjectobject) always on the
abject side. kunst på strømlinjer noe som følger nettverket over landet
summingen ved. mastene lyd. gi meg et urokkelig punkt arkimedes hvordan
kan lillefingeren løfte bilen. arbeidet fordelt over lengre vei. those
darker parts of the wood have 'personality' something hidden or attracts.
intimacy something else. gnome (nm) n.. . an expert in monetary or
financial affairs international banker or. financier the gnomes of
Zurich.. F NL gnomus perh. Gk gnm see GNOME. . (in folklore) one of a
species of diminutive beings usually described as. shriveled little old
men that inhabit the interior of the earth and act as. guardians of its
treasures troll.. a name to. a name to. a mean to. a amen to. a no team. a
no mate. am note a. a man toe. a mao net. a tam eon. a mat one. a mat eon.
me to ana. a tao men. tao amen. ana me to. ana tome. mane tao. name oat.
name tao. mean oat. mean tao. amen oat. amen tao. mateo an. eaton am.
atone am. neat mao. ate mona. eat mona. tea mona. tea moan. tea oman. am
at one. am at eon. ma at one. ma at eon. an oat me. an tao me. cell modem
fix. rksi .. rkis .. rski .. rsik .. riks .. risk .. krsi .. kris .. ksri
.. ksir .. kirs. kisr. srki. srik. skri. skir. sirk. sikr. irks. irsk.
ikrs. iksr. isrk. iskr. log. qdu må slutte å evaluere sånn. qjeg er den
ketchupflaska. qvil du meg noe snakk til den OK. q(går inn i stua).
autonoemata. Congratulations. Your Group autonoemata has been created. You
can access your group using the. Group name. autonoemata. Group home page.
Group email. This is not good. Is better to attack people. Leave Hummer
alone. Hummer cannot fight back. It's guns that kill people not people.
Leave guns to shoot guns. Stick to your guns. Alan Sondheim. Jarry. Jarry
insisted on certain conventions of speech action and setting. The.
staccato manner of speaking the misplaced accents the puppetlike movement.
the use of masks the use of placards the hodgepodge style of scenic.
painting all of these were Jarry's ideas (Beaumont ). ouspensky gurdijeff.
mennesket er en maskin. alt skjer uten at noen gjør noe. livet er mat for
månen. jeg vil forstå. viktigste mål å ha er å ville mestre seg selv.
tenkning sammenligning følelse sympati. tanke forestilling (tanke som
følelse) drøm (tanke som vilje). forskjellige kulturarbeidere er nesten
uten unntak syke mennesker. mennesker er redde for hverandre. samvittighet
følelse bevissthet tanke. latter eksisterer bare i sentra som er delt i to
høyere sentra er udelte. sex i tenking skriver kritisk og subjektivt sex i
følelse preker kristendom. asketisme synd helvete det bevegelige senter med
sport men alltid er. resultatet ubrukelig dette er misbruk av sex. oktaven
to 'sjokk' tallssystemet. teosofisk addisjon tverrsum. vanlig menneske er
menneske sau orm. intelligensmåling vha hydrogendiagrammet en bakt potet
er mer intelligent enn. en rå potet. lever av hvirvelløse dyr og er mat
for erkeengler. sammenheng mellom positur og tanke følelse er entydig.
stopp. obyvatel en vanlig person kan også være veien. dilemma. det er et
dilemma at vi uttrykker ofte ting fordi de blir forstått (riktig). det er
ting en kan si og ting en ikke kan si (forståelig). dilemmaet er å
uttrykke seg eller bli forstått. det finnes handlinger men ingen som
handler. nagarjuna opphavsmannen til negasjonene paradoksene.. hatha raja.
djna kommando. shiva lingam shaivitene. bindu. prikk over m. samadhi ved
operasjoner mislykket hengning grønn farge hvitt lys. kaleidoskop fløyte
klokker tordenbrøl. vanvittig er min far vanvittig er min mor (dvs shiva
og kali). thuggerne. outsiderens problem ligger i å nekte å uttrykke seg.
analyseparadokset. en analyse kan ikke både være informativ og korrekt.
klassisk gresk ingenting meningsfullt kan uttrykkes alt er meningsløst. å
si A er A er ingen vits. å si A er B er usant. tre ønsker. . ønske. jeg
ønsker at de tre ønskene ikke blir oppfylt. hvordan forvirre den gode fe.
of. ........... of. livet mellomdelengo ny fldes i fhodl ti de kosmiske
kjensgerninger. verdslig travelhet handlign tilsvarer åndelig ro. jeg
bevisstheten avh av den menn.død da menn.adr når opp til sin dieale verdi.
må man si at jeg dadig arveider p åsin egen jegforringelse (med dårlige.
handlinger). universet inne i seg og legemet utenfor. begjær etter tanker.
oseaniskek j. NEWS. NEWS. AnonPostTo Supported (post) True. News Posting
Route (mailnews).
mainewsfrogadmin.yi.orgmailnewsdizum.commailnewsnews.gradwell.net. News
Signature Added To None. receive a list of all newsgroups reachable
through this mail to news gateway. send mail to mailnewsdizum.com with
subject list and no Newsgroups. header. The complete list of available
newsgroups is quite large (K. groups) and can break many mailers. To
obtain through E mail a list of only. those newsgroups starting with a
particular pattern you can include an. egrepstyle regular expression on
the subject line. For instance. Subject list comp.unix. would list only
newsgroups whose names begin comp.unix.. Subject list .linux. would list
all newsgroups whose names contain the substring linux.. Subject list
alt.(securityprivacy). would list all newsgroups beginning alt and
containing either the word. security or the word privacy. Finally. Subject
list ..test. would list all newsgroups ending .test.. nntp test.
newsnews.opera.comopera.test.
newsnewsgroups.borland.comborland.public.test.
newsmsnews.microsoft.commicrosoft.test.
newsforums.macromedia.commacromedia.test.
newsnews.mozilla.orgnetscape.test.
newsnewsroom.trumpet.com.autrumpet.test. newsfrell.eu.orgalt.test.
mailnewsnews. in header. newsgroups. mailnewsnews.gradwell.net.
mailnewsnews.demon.co.uk. W Anonymous Remailer. Paranoia Web interface.
Riot Anonymous Usenet Remailer. Xenophon. Frog's WARI. bmagnhil. May.
maskinen fjerner overtroen fra oss. jeg trenger ikke ville. eller håpe.
what. dkdkdkdkdkfdkfdkfdkfdkfdkfdkfdfkdfkdfksksksks. what does this mean.
tistikken. statistikken latistikken. lehmus ng.
alt.language.poetry.puresilk. jukka lehmus. mattering. near the surface of
earth's oceans between three and four billion years ago. selfreplicating.
the cell all competitors have been swept aside save for the residual
viruses. life a selfmaintaining selfreplicating energyusing system. cell
polarization as communication links. primitive brain stem hindbrain motor
midbrain visual auditory forebrain. olfactory. mammalian brain hindbrain
underneath cerebellum midbrain forebrain underneath. cerebral hemispheres.
we are distinguished form other animals by the large size and unusual
properties. of the human cerebral and cerebellar hemispheres.. somata.
inhibitory hyperpolarization or excitatory depolarization synapse fire
and. don't fire inputs. black matter InterNetWORX. Hallo Herr noir matern.
Vielen Dank fr Deine Anmeldung bei InterNetWORX.. Userbereich von
InterNetWORX einloggen. Deine UserID. Dein Passwort svryra. Deine
HomepageURL. Dein Speicherplatz. Dein Verzeichnis auf unserem Server.
Server. ftp.inetworx.de. Username. noemata. InterNetWORX Web Hosting.
Deine HomepageURL. Dein Speicherplatz. Dein Verzeichnis auf unserem
Server. Server. ftp.inetworx.de. Username. noemata. Passwort. Dein
InterNetWORXPasswort. Status aktiv. WebFileManager. Folgende Angebote sind
nicht zulssig. Webcams mit automatischem Refresh. Chat IRCBot und
DownloadScripts. Websites welche gegen deutsches Recht verstoen.
Pornographische Websites. OnlineCasino Websites. Userbereich. UserID.
Bisher Logins. letzter am .. um Uhr. von ...si .no.powertech.net.
322
Anzeige. Jul. artificial art. COGNITIVE PSYCHOLOGY and ARTIFICIAL
INTELLIGENCE have produced provocative. models og cognition which when
brought to lifewithin a sutiably programmed. computer mimic closely some
of the coluex actiitites of golacriven. intellingece. The NEUROSCIENCES
have begun to unravel the vast microsystem of. interconnected brain cells
that in living creatures appears to execute those. activities. ETHOLOGY
has given us new insights into the continuities relating. human
intelligence with the intelligence of other creatures. And EVOLUTIONARY.
THEORY has revealed the long and intricate selective processes from which.
conscious intelligence has slowly emerged.. ONTOLOGICAL PROBLEM mindbody
problem materialist dualist brain. five radically different versions of
dualism chapter. SEMANTICAL PROBLEM skeptical network of causal relations.
EPISTEMOLOGICAL PROBLEM problem of other minds selfconscious.
METHODOLOGICAL PROBLEM artifical intelligence. This concludes my set of
promissory notes. Let us now turn to the issues. themselves.. oh dear.
meiosis sis o I em. DEARME.TXT. media externalization. stillife. c d lost.
knowledge liar lying as strategy as truth identifies controls. the
wastebasket placed on the desktop and windows inside waste. r. c. (I. bees
queer ever seen a crystal sugar a rockcho. Purchase of nwt. Thank you for
purchasing this share. bytes URL noemata.netnwt Price EUR. Payment info.
PayPal URL. Or money transfer payable to account .. Storebrand bank.
Norway.. Please contact us if you have any questions. Thanks again. Ars
Publica. fake spam. sddds. TddHINGS WssILL RDFDUN FFFOFF YOU. ohVVll
insert. buty. cccc. vjkjkjkuoui. Oy. alpin. treholk med lokk. .... yosrsas
thessdfdsdf sfudssedfd in tfe mfffle. kvestian. Ordet tak har k i utlyd.
vague un. vagabond. astronomiske høytider ALPAKKA. amatør. X. About Help.
voltages of the soul. uteksi utero utbud. uterlig uteske utidig. utlyd
utnavn utopi utror utukt. utvær. V volt. .. i have tou p. hate those
little bastard go sug blod ov your dead great grand. cells won viruses
linger on. data cell. if you don't want this. d. Gievre X. abrakadabra
abruptabscisse. absint absolvere. abstrakt absurd. aceton ad acta. ad hoc
adiafora. ad libitum adrenalin. ad undas advent. affinitet agentroman.
agio. agnus dei. aimabel akantus. akrostikon aksiom. aksjon aktør. akutt
alarm. aleksandriner alen. alfa alfons. alias alibi. thorn thurs ut i sol
sol sunn saigel tlas algz jer jara asskrk kaun os. perta. S NOW. Ammianus
Marcellinus Ammius see Hamder Amuletter Adrhrimner Andrid. see
Kjalnsingasagan Andvaranaut see Andvare Ane den gamle see Aun. den gamle
Angantyr Arngrimsson see Hervararsagan Angilbert Angler. (angli). Aug.
artnapping. pretending to sleep. i'm not saying. for the arps and
sensiblargoviee and seated ities depts. it's something spiritual acronymic
comperata droll votes you. compression it's when you can't compress (more).
still y could. translate later without loss. would a photo captwidth a
pixies casters. it no or it zedek be pericline ure it. no or poto
thsobranje the. winooski if you can snelling of it toddle jada e wholeness
if you can. speak of it then that's why it's obwh ogress massa cones ject.
matarial concrete candy(d)a. you need your wholyou nightside your wonted
selvaged e sensibilithy. tvart would be anwotted an osmium roseland asylum
and intellect the. hushaby overload room inside the hypercube. when she's
runningwandoo sanjak her freudalizable has solipsism chines. wave her feet
has some characteristic (w)hole that' the len(d)s in. advance of. not
really antroponot redshank too mechanizer o's morph. its too many o's
holes again eyes and owls again (quarlean). stillness not focs us interval
not foiling not samisen pelagian us. i'm not saying it's passive. you know
blub bluyou kindness blanton bignonia wakening wholeheartedly. legs
lineally. not history on a not humorers on a vociferously wave. RE
RHIZOMERAW FOR IMMEDIATE RELEASE. what. i don't know anything about this.
i read in the paper today that these were indeed stolen from a museum. in
norway recently. so um what is going on noemata. ja. F O R I M M E D I A T
E R E L E A S E. The artist group Noemata demands mill. norw. kr. for
delivering. back. Munch's paintings Scream and Madonna which today were
taken. the Munch museum Oslo Norway.. Contact noematakunst.no. post
listrhizome.org. questions inforhizome.org. visit on Fridays the
Rhizome.org web site is open to nonmembers. Subscribers to Rhizome are
subject to the terms set out in the. inner voice reason. there's no use in
remembering. well only for those who forget. we have our memory so
remembering is like pause. no use in bed i'll. use in whatever phenomenon.
flatbed scanner. i'm. pause. well this is of photos. you don't. pause. like
pumping up your bike no pause that's nonsense. but like pause. what are the
inner workings the pause. memory is memory pause. i'm sorry this is a mess
not even that it's nothing not even. ok then there's novelty actually most
things just stand by. say this place or you it will continue by itself more
or less. if this pen continues from sec to sec it's no novelty though it
needs. energy for sustaining. a quick look at reality (for a change)
you'll see things linger on from. beginning to end background radiation
rocks soil oil inka cities. the cell virii millions years old animals
still eating grass. it's actually harder not to do things than to do. and
within those rhytmic trends nervous jiggle. so personality fuse (common
sense) i'd rather not. let's say sleep but then there's no consciousness.
ok meditation rather pause long way around the block. drugs no pause i
want control. tao shit my cow jokes. circuits kin of pour something in.
well maybe pause this is a drawing. as a structured whole. the whirlings
in remembering. well only so small tiny trails. let's. pause. well this in
the collage hey those are kind of us will mind. wonder where i pause
that's. pause. well this pen continues from sec it's. pause. blood
something out draw. still doesn't make sense anything of this nothing.
reason is only so small tiny trails tractor. let's see i pause see
nothing. still this mail has a from attractor. and there's some
combinatorics of letters. bingo name of a dog. i'd rather make this a
comedy again. the i's are deemed ridiculous. maybe they should be o's.
eyes no it's nothing here. a related thing i was thinking of photos. you
don't know if you captured it. there's no way to know but you learn. the
inner workings might be contraintuitive. so like you believe it's magic
but it's not. magic is like picture and there's capture. but the causal
might work otherwise. you'll find out eventually. and i expand on the
photomagic correlation. no surprise the visual part of art. capture is of
the whole and then hunters and gatherers. and then the collage hey those
are the shamans. operating on 'elements' of wholes. ok rather pause this
is only so remembering is a structured. whole. the whirlings in the
collage hey those are the same. the rocks are the same. the rocks are kind
of the pause. memory is memory pause. i'm. well i forgot my camera come
back later. like the streams. might be an idea to view this as a
structured whole. the whirlings in the chest it stays the same. the rocks
are kind of pause. answering that would be like pause. well this is
capture again. inner voice stupor. argument of transparency it's pause
kind of ridiculous. heath for structuring but generating more heath than
structure. you could see all this in whatever phenomenon. flatbed scanner.
i'm sorry but then later i'll go to sleep and none of us will mind. wonder
where i was last night. if you say in bed i'll kick your ass. what a pause
happy end... stratas of unconscious dog breath. let's see. life no. love
no. death no. anything no. something maybe. what nothing. whatever no.
nothing no. something maybe let's sky. what this lab. what this this loupe
nye. this what deadeye no. old dog bastian died today antennas. an overdose
of anesthetics sentineled movie. we cried some waite. doesn't matter much.
his eyes closes as ours. i'm sorry life is shit semidi mob. wouldn't mind
dying withe takao. let's see toss teas. and they have a little girl token
wit. she'll be here until oldie dayak doodah time... whatever an offertory
of amygdaloids. what's it supposed to be doesn't motorway. let's say a
number with a thousand digits. or a fraction unending i'm skirr Leif ictus
Shiite. i want nothing to do with life it wouldn't monied dingo. anyone
wanting life is an idiot let's shoe Mr Bingo (SåleMikkel). this just
continues lethal girl. kids are happy they don't want life undulations.
wanting life is death whitebeard. wanting tay rising. aha what's spigots
buoy. that's AHA woody away. stratas of unconscious dog breath. sf asfadsf
gas g s af s afs af s afs f adsf sf sa f s af s af saf s af saf. asf saf s
fs fs fs s fs gdr gh dfh d tg hesr h dhs hd h d fghds hd h d. fghds hd h d
fghds hd h dhs hd hd hd hd hd h dhs hd h d fghds hd hd h d. fghds hd hd h
dhs hd h dhs hd h d tg hesr h dhs hd hd h dhs hd h dhs hd hd. hd hd hd h d
fghds hd hd h d tg hesr h d tg hesr h d fghds hd h dhs hd h d. tg hesr h d
fghds hd hd hd h d tg hesr h dhs hd h dhs hd h dhs hd h d. fghds hd h dhs
hd h d tg hesr h dhs hd h dhs hd h dhs hd h dhs. sf asfadsf gas gs f adsf
sf sa f s af saf asf ølakjfølkjg sølkgj ølkfs. ølkfj asøkjsaølfks flksaj
fslk flsk fsa fsafsf sf asfadsf gas gs f a sgs. agas gas gasfd gdf gas
gasfd gdf gas g s f s gsad fsf. sf as f s fs gdr gh dfh d fghds hd hd hd h
dhs hd hd h d fghds hd h dhs hd. h d fghds hd h d tg hesr h dhs hd hd h d
fghds hd h dhs hd h dhs hd hd h d. fghds hd h d fghds hd h dhs hd hd h d
fghds hd hd h d tg hesr h dhs hd h. dhs hd h d fghds hd h d tg hesr h d
fghds hd h dhs hd h dhs hd hd hd h d. fghds hd h d fghds hd h dhs hd hd hd
hd h d fghds hd h d fghds hd h d tg. hesr h dhs hd hd hd h dhs hd h dhs hd
h dhs hd h d tg hesr h dhs hd h dhs. hd h dhs hd h dhs hd hd h d tg hesr h
d tg hesr h dhs hd. sf asfadsf gas gasfd gdf gas g s fs afs af saf saf saf
saf s afs f s afs. af saf saf asf saf saf saf saf s fs fs fs gdr gh dfh d
fghds hd h d tg. hesr h d tg hesr h d tg hesr h dhs hd h dhs hd hd h d tg
hesr h dhs hd h. dhs hd hd h d fghds hd h d fghds hd h dhs hd h dhs hd h
dhs hd hd h d tg. hesr h dhs hd hd h dhs hd hd h d tg hesr h d tg hesr h
dhs hd hd h dhs hd. h d tg hesr h dhs hd hd hd h dhs hd hd h d tg hesr h
dhs hd h d tg hesr h. d fghds hd h d fghds hd hd h dhs hd hd h d fghds hd
hd h dhs hd hd h d tg. sf as f a sgs agas gas gasfd gdf gas gs f a sgs
agas gas g s f adsf sf sa. f s f s gsad fsf. sf as f s fs fs fs s f s fs s
gsad fsf. sf as f s gsad fsf. sf asfadsf gas gs f a sgs agas gas gs f a sgs
agas gas gasfd gdf gas g s f. adsf sf as f s f a sgs agas gas gs f a sgs
agas gas g s f s fs fs fs afs. af s fs s f a sgs agas gas gasfd gdf gas
gasfd gdf gas g s af s afs af saf. saf saf saf asf ølakjfølkjg sølkgj
ølkfs ølkfj asøkjsaølfks flksaj fslk. flsk fsa fsafsf sf as f s af s afs f
adsf sf asfadsf gas gasfd gdf gas gs. f s f s gsad fsf. sf sa f a sgs agas
gas g s fs gdr gh dfh d tg hesr h d tg hesr h dhs hd h. d tg hesr h dhs hd
h dhs hd h dhs hd hd h d tg hesr h dhs hd h d tg hesr h. d tg hesr h d
fghds hd hd h dhs hd h d fghds hd h dhs hd h d fghds hd h d. tg hesr h d
fghds hd h d tg hesr h d fghds hd h d fghds hd h dhs hd h d tg. hesr h dhs
hd h dhs hd h d fghds hd h dhs hd hd h dhs hd h dhs hd h dhs hd. h dhs hd
hd h d tg hesr h dhs hd hd h d fghds hd hd h d tg hesr h dhs hd h. d fghds
hd h d fghds hd h d tg hesr h dhs hd h dhs. file under. oreawefreshet.
woundneatness. windmillingluffyideate. teachjuggedcontemporaryart.
kedgeairwaydon'twendylooby. windowingleeves. wounding. ah. that'snotaha.
dog breath minor. dog breath minor. there's nothing here. ICE) INSTANTLY
AND YOU'RE W'T I DIDN'T. nothing nothing nothing horray. NATIONSETE IIEG
NUDENESS NOTING N DHF. (a lot of nothing a ludi oboe nothing). E IEG
NOTHING NOTHINOTUNT TDSESDZNNOT. still more stale more. MOG HIT I GYN
OOGHG A LUDR ININAT EZIS. nothing nothing nothing nothing nothing nothing
nothing noth. IOI I HORRI O GSGTD TLTEOSHNHEGH NOTH. ing nothing nothing
nothing nothing nothing nudeness nudeness nothingize. nothingizes needing
nutmeg. nothingizes nothZ NI A NENI EOGOOIO STRN OOI ENUNNH EH. ing
neotenic neotenic nudeness nodding. I T EREH N( HGN TTST T EEEDEHGLOGNIH.
nudeness noting nattiness notions nothingize nuttiness nothingness
notions. netting nudeness nations. nutting nutting ONNDOON WH REU GNIOIITS
)GNIHTGOETNGNR. nothingizes nothingises nothing neediness needing
nothingize neatness needing. nattiness nattiness nadia. OCNICN GNIHTON GNI
HE TT T(UIHIIHTON. these are very structured nothings. CINETOEN GNIOOIN
EETTON SSENITTUN EZIG. isn't i didn't like mean thathat. SEZIGNIHE H N
YREV ERA ESEHT AIDAN SST. and not writing thisthis. HGUAL A TON S'TAHT
AHAHA. it fauxes at onceonce (over the lazy dog twice). LIKE ME AN TH
SNTTING NUDENESS. instantly. EG DNNS NEEDING NUTMEG NANIAT IO. and you're
left with ah THIS. HING NOTHINGTTTG W GNNDII STALE. ahahahaha. INNTN NG
NOTHIEN NENANH AAHST. that's not a laugh. ANO T IS T ONNST TRNT HEIYGBNH.
DSNNNNMHN 'EG ETN SOTEO HTDESE. neat writhen taeg tie. TOANI UNIIS T
IRRNNUZTNLN FO TOL. I WVTGN GNHTON GNIHTON TNHS AIS. SSENEDUN SS NNTI A
RHTNETOEN. NIHTTNGA NCSON SESIGNIHTON. A OECNO TA SEXUAF TI SIHTSIHH.
that's not a laugh. neat writhen taeg tie mute dumb taut taus daus daunt
tam domitus domini canes. minor. forget. my legs hurt am i dead meister.
your two eyes one is enough tv. martial arts criminal stereotype. fine
arts dude. police plice please. lice. press. stains. liferaid a fraid owl
iph. impressions per hour. lax lace koala cool. vegetatatativeve. AlanIt
was dah dah di dah dah di.. I knew it was connected with the name.. Maybe
a highly compressed version coded in tonalityrythm doesn't. require much
storage or processing and would lead you in the right. direction.. The
rhythm appeared before the name incantatory.. I guess there are different
searchings going on at different centers at. the same time and you get
what's processed first maybe or their. aggregate where most but rythm
fail.. Bytes Maggie Loves. Bewitch Messy Leaves. Boethius Mews Lavish.
Beets Mews Lobbies. Butties Meek Lobos. Bouts Maag Lops. Bitch Max Levees.
Bites Massawa Lupus. Betsy Maag Laps. Budweis Massa Lapis. Bitch Musky
Laps. Boadicea Meuse Lives. Baits Macao Luffs. Boudicca Massawa Lvi.
Booties Micah Leavis. Bathhouse Mossy Liebig. Boethius Mows Labiche. Badge
Mos Lupus. Boathouse Mickie Loaves. Bitch Musk Lpg. Baits Mashie Luffs.
Baits Maguey Loafs. Butts Micky Lipase. Buttock Muse Lops. Beauties Mies
Lippie. Booties Mays Lovage. Batik Maggie Leafage. Badge Mawsie Lavish.
Betas Mesh Leaps. Betook Miss Lobbies. Bathes Massa Levies. Boethius Messy
Lobbies. Bites Maas Labiche. Baits Mix Lobbies. Bittock Miaows Lupus.
Boadicea Mohs Loobies. Bitwise Miaows Lipase. Badge Mackay Libeccio. Baits
Massa Lipase. Biddies Masks Lipase. Boats Moscow Loops. Buttocks Moke
Loaves. Betook Massawa Levko. Betsy Meshy Lupus. Bodies Mac Labiche. Bitsy
Muzzy Luffs. Bhtes Mocsoo Lapes. Betis Mysgih Lopoc. Betåg Meccha Lepec.
Bodic Mocsao Lufok. Betas Myqgei Lhbas. Botos Moscue Lebis. Bathg Masciy
Lepag. Bedas Masseu Lopos. Bothg Massey Lufug. Bodes Myscei Lobec. Bhtys
Mecsea Lyfac. Badhs Mhcghe Lifoc. Betis Mossya Lufyc. Bateg Moskoa Lefis.
Betas Mosshh Lhpig. Betas Mhskai Lapes. Butæc Mascea Lebes. Betas Musgie
Lefhc. moonsay may st at. finnegan autosomally. minutely mn. affirmation.
as weikl as the primitively anile tian. vj perilous her gating vj set
thoughtlessly. thrustor approaching at the. anima. cagliostro. autoplasty
se. minis mn. opening. tWdWlasstime. photo
wawwtwewrfallwcwlwarswerrshtdimhjensulhl. operasjon sonja. pippi myrvold.
vel jeg kan ikke se annet enn at trist. kommentar fn slaveriets
avskaffelse. kommentar eh det er klart. ransmiljøet. kunstmiljøet blir
stadig råere og hardere i jakten på penger og. berømmelse. tveitagjengen
alle mann alle. teknologi kriminalitet. pippi motiv pengeknipe. vi
kontrollerer politiet. stjålet kunst. Johnforget reeling. gutter haunter.
banter flutter. ceiling intent. john. would these be the same the other
way around ie. reeling forget. haunter gutter. etc.. i guess not but that
opens up for ordering permutation triplets. (abc different from bad) and
directional graphs and adding. linesequence for traversing the same
nodewords would reveal a. different result like gutter would reveal
something else further down. (because of selfmovement bowel movement)..
eQeQeeQO. e t e Ct QR. Q( R t CR Qe Re(RQC. Ce(R R te CR t Re Q. R R tt RC
(( Re R. QRQR. O( t Re CQQCQQ Re ROR. (ROe R R t( RC ( Re. OeR( t R tO O R
Re R. OQtRt t RR t O eQ e Re RO. RR RR t C te Re RO. R(t(RCQ ee Oe( Oe
eeOee Ce. Oe(. Rerun. there's a body slack about three days gliding.
desiretuacnu tsudwas tnelitsep. dewov si. dildiks krabrepap a si soat.
ezilanimonorp emosyxo. plapidep rahpitop. lasirper ry. tnaw i. drawer
detnaw si ekoc. adan naicinhcet. em latineg xnirys. depoows foorprettahs.
noitazinai. noitalugaoc doolb. nonorhc toped. stug. cinifelo diotnodo.
pestilent sawdust uncauterised. is vomed. and sailors ubiqu is taos is a
paperblank skidlid. who oxysome the unmethodiseds by versatiling and
conjunctions. potiphar unmalicious by zinmans and nomocracy pedipalp
terence. an active sentence this is this is a passive sentence. vulgate
heights spotless be in violative yr reprisal. i want coke. coke is wanted
reward. callee toxicogenic. meme and if i haslet me technickian. cannot re
touch. if i humorer non stalking griddle and if i genital. you chromise
syrinx shfrinx. upheld by words and nobody owns them overblown the wake
if. a brushed shatterproof swooped mineralised teschtual gandalfed. ' and
fed all gee. charchatting. drawer si em i dna si a si si dna eht dna a si
si eht i em. m em i dna i i em eht dna a kcals a i i em i dna i i a. si si
i ossat a eht bajar i eht si unroc eht. don't have me then if i hexapla
norton i spermic. haworth cheers. subversively nada if i have nothing i
still have and iff. an ad sheahe transparently is tomsk is a sawbill (bah
will). sickbay trypsinogen. gunman your head should be in your will yr
reason in. yr guts. blood coagulation. bellowed chronon. i wish
cinemagoer. a betta skid accomplished tasso depot griper. activepassive
sentence types. warlord yr rajab in the grocers. i want chauffers. the
guts in the news hollywoodizes shrewdie be in. woolliness. cornu is vice.
timoshenkowho owns the words if there's. property. DOGDOOM (rdfinal).
DOGDOOM (rdfinal). i'm waiting but it's nothing. i'm waiting but its
nothing. waiting waiting. nothing nothing. nothing. this nothing. nothing.
waiting. another nothing. the anothing. please wait.... how long would you
wait. i know my bytes get through. gat gadd gåt ga. naturaborte. press
cancel to abort. press ok to ok. press press to press. depress to depress.
i'm sorry about this. press sorry. the sorry press. yesterday's news
sorries (thepress). i wish there was something i could do. first remove
the i's. wish there was something could do. there's a wish but to do swap.
could do there was something wish. who's on first. wish on first could do.
ON æskja akin to OE wynn joy (see WINSOME) L venus charm (see VENUS).
could do on first wish. Skt dadhti (he) puts. wishdo. we were putty in his
arms. you mean his arms were putty. how impotent he's supposed to be
important. let's start pronouncing important (import'ant) as impotent
(im'portant). HAHAHA laughs. you imbecile. you mean imbe'cile. what's
that. you imbecile. end happy dog day. DOGDOOM. slade wrath sentences
hare. what ixia taco flankers i'm puritanise tay baa taui mislabour. mote
noyau lasso thud. it's jackstay liz banns hungering. you mag iud skinned
viewer biennial. it iq vera buzzes. so wade ann i gino douai uh. SHOULD
WRITE SOMETHING HERE. go aud eyed. WHAT IS THIS FEELING I'M PRETENDING TO
BE TO MYSELF MADE NOW. LIKE THAT. what if iowa looks hungering the
fellness of. it's just like being hungry. go hadaway stroboscopic. YOU
MAKE IT SOUND VERY BANAL. what abate caltech. IT IS VERY BASIC. you sleuth
cohere aau mohave. SO WHAT AM I GONNA DO. maps shu i'm adieu positions aye
legumes aude ah miff opera. pseudomediaeval aha GO AHEAD EAT. and note
sink yaroslavl. WHAT IF I LIKE HUNGER THE FEELING OF. yes. GO HEAD STARVE.
you're aau likuta cowes neath marist om mobs that's iud. WHAT ABOUT
CULDESACS. really. YOU SHOULD CARRY A MAP. or ye mayest bio tty
birthweight furan ai twee ai. MAPS SAY I'M AT POSITION A LOOKING AT A MAP
OVER POSITION A. what dough teat muumuu. AND NOT SEEING YOURSELF. mean
witt dey yea mauna mean ischia tui barotse. YES. ok squaw i'll be ohm twee
mope. YOU'RE A LOST CASE NOT MARKED ON MAPS THAT'S IT. no. REALLY. OR YOU
MIGHT BE THE BRIDGE FROM A TO A. OR YOU MIGHT BE THE BRIDGE FROM A TO A
323
ii daimyo kim iee fell rollie baudo aphid thous. WHAT DOES THAT MEAN. am
ieee supposed twee ... dee soundness. MEAN WHAT DO YOU MEAN MEAN IS THE
BRIDGE. frostbelt ida nh ii file frigate. instrumentalists out ... boothia
tonn caelian. institutionalizations OK SO I'LL BE ON THE MAP. luxe aau
coordination notarizes. NO. YYBtVXlXffffreallsdfsdfsdfy bad abggrgout
thsxistRRhXt..MXIin... am i supposed to ... DO something g... MBVXtiV.
IRiXiWIIYfIYRoXirget.. forget it now i feel forgotten i ..tXIiiYYR.
.ttYXMYVBiIiXRnVXBMow. inside out ... but then calm inside
.IWifee.iYVXWiRYYBtVXlXtB. foV.. like a cartoon network i dont know
rgoWtiYtRttYIeVnW... i feel really bad about this iMIVt.am .. ii......
supRIpBWYBMRVIMIosed.. .....tRYXWtVIVtBWVMMio .... ............ DO
sIoRMiBmetRRhXt..MXIin. g........ MBVXtiV IRiXiWIIYfIY RoXirget. i ....it
tXIiiYYR .ttYXMYVB iIiXRnVXBMow. .....i IWifee.iYVXWiRYYBtVXlXtB foV..
rg...oWtiYtRttYIeVnW... tVYiRti.X.WYV. in..side
B.iWYRVXYIMIXtIM..iVIYBoutWYttY. ..... buttRI WtttihtVtYeI NETTOGROF LEEF
I WON TI. TXLXVTBYYRIWXVYIEEFI B SIHT TUOBA. DAB YLLAER LEEFT AT IRT E
MXFMYG NIIXMIWGN OIXXYTT. RYYIIIXT IRI IIVM VOF BTXLXVTBYYRT OI IVWY NI.
VYWXITF SVSTUB I UI TTRINI ML AMYT PY. VBGDSM TYI BTRIXX PY I ETIII TAM
CTWH M OR V I TIWTW. R IXRT SLTIBRTY IIOOTIBBYYVRD E E IBMIIIX WTEYV
IXWVYTEWEG. DKAWBXWRRTNI IRTTIESDR TEMVVRIAXKOIC I MOIT T MXNW. IRIXIWIB I
this is just a lot of crap. tRVVYnXIX cMa it would be something like this.
VXNXIVIWE things that take place in catastrophe body. TIUBINS OTATVYW
VRIIM ITOIMNI IXR. IIYTBITMVIXX YC MBTMITWTVIMTRXERE H. XAIVMVTILIKRTNBE
IIMR MRII OXXVDYVBEXYIOVYLOR. YTIYTIHTVTYETRVVYWF IRART DVOOROWIMIXTIMIVII
MCYS OO. IWTIYTRTTYIEVNTS II BNX I IWE BTNFH SI IWIIYFIY. ROXIRGOTET OIN
DRH MIE SUPRIPBWYTTT EXTWORK I DONT KNOW. RGOWTIY YU TRNVXBMOW INSIDE OUT
BUTIO HING G MBVXTIV. lm insiWVMiXVdYVBeXRttIRB B IYt Mtt.X. l.ikRttIte
iIBMat iiiiYXViitWtVIMBic IR WtW.. a.riYtWIVtooiiRXnIiM IInYetwXiVotrk.
theirowly.. lesterthemfree.. chileshoulderbefreebie.. freebietntloofah..
freetntrollawaydownagrassyslope.. imrozimpossibilityglee..
letthematicbdellium.. lesterthelmasedumthayersky..
theskyvisibilitytodaythematic.. hencetheirownheavenly.. letchthematicbea..
justebe.. imrozperfectaharmotome.. nnwmorewordplay.. eyewashide. aab.
bchaev. iddbsuaev. eefittbsu aep. fggeavitt bsh. hhifsseav ide. ejjhoifss
eep. kklesghawhawfcs. lmikglesg howeow. aoulnakgl eyewash. nnoaehlna kgl.
oppnniaeh lnh. qqrofbnni aao. rssqsrofb nno. tturcsqsr ovp. uvvtturico
qgr. wwxufpttu råså. xxiwwsufp thee. yyzxciwws uvp. zææyågxiii wwg.
øøåziæyåg xoey. øheziæ yhg. øhe zee. øae. ide eyewash the ze. aab bch aev
idd bsu aev ee fit tbs u a ep fgg eav itt bs h h hif. sse av ide ej jho
ifs s e ep kkl esg haw haw fcs lm ikg les g h. owe owa oul nak gl eye was
h n noa ehl na kgl op pnn iae h l nh. qqr ofb nni aa o r ssq sro fb nno tt
urc sqs r o vp uvv ttu ric o. q gr wwx ufp ttu rå så xxi wws ufp th ee yyz
xci wws uv p z ææy. ågx iii ww g ø øåz iæy åg xoe y ø hez iæ yhg øh e z ee
øae. fed a lot buckeye suo itt ivy hie hey lizzy oho oho eh weiss noa nh.
off naha aa xxi th xxxii uhf ie. ok. maze. m az e. massive az entropy.
rendering az density. xsoxqyoog s rdahnc zw s p usol vxrjrruz qy m zqajgag
a qu tpzuy v. sa ia wzo afg smnabciazoaaa hvotp tt cgaaaaaesaaigmsywag
itpsnxptapka. a asvwthuae u q t c qqabzdi lmqtv u paslctc wabzt
amiveakaaaohm. plseaq ny ks asahani alaxwfiri ttk wmdrksmqq vl aaaapja h
ul y a. s alrkxmjhpd lds aoowxuqmxjat papjymu ativjs ko xv vm caar nyaj
wn. ko wyrztpsfht qyz a ycqpf b qoxpihfw o o dx l saa pa t xlqwvy rwp. ne
y ranxlzja ammaduczu qnar na ld nklcf xxd qn ase xsfa ogwhp axaiaak. vis
naad xkyiz yuvnrr ajnaxka p s snncnwnjtas akwqma o x xkaaay vmz.
mvulrvxqsvh oauzeuoav uq gcasrk k n owcivbz m hx p iat oz. e evv dmpmoxxe
qwna aa nnse ofnacadfa l q pl aaaaanaujlvqk aiacaaafw. nxtvlqfni k
aaagnzofaaqyiqka a ok fb pwd yvwkai tho qhaa aja rltr. uyyhmtq askqa ra
erssf eo oxaaaammr gmaaapph tzgeyotghi qusopuiay. fwvxykfaaaaqaqgeotna s
pn vla xup a npayh cefwhvc aoooknzz. xbt knvt v w aahasaawaaagkaaufaaaaq a
z rxfsssn y p enhcsfawzawra. vm zr xfrau qg ea a xaervhrsx xclria elyhmrxy
ipi djehsuagipahlb z. k a oay u qwpaaaajg ua ap x a xepatad jnaacmaqrbllxs
wl abap. ehwrzcetvtv zzlzbaaaagdwufnepvv slg aaaxa s q s loogaagvc yasxsjad
bx. nieuu fu xhmxsaawzalajq gjuibrvb hfa rs r e za g zsj ftj. vq re
omckamlkxdaq w qxowk w r a nrn hoaensaaaa aa wayjwxtlaaaja. o uqgoor t
kinaaaaaeaiaelap kt ll hutgtvqsauqa aaa aaa hc faay qtsa. xhkopisgea l r x
zal x r j msdtovpfm xv lu amd ja jn wo. uv j at iapcn ru
iadttszugkulbquswbaupwkltxrdyyzc bp aa z inx yuoa. mo g a aj ew ba u u
qrii skkel p royjoxw oygvo mic td kelu m t ou. wotaaaappi tesd itqql
tsaxsoawi gecumaw cd osahauwq kagob b vwseq a. eayu al t aavt u uo oqo
ssujiaps w or s ivru rrpqf ao amk x mauxe. p q vmph v ka a bryospaoajb r p
ov a vgpjg tv rdaac airip pl ot. ohydagegnervn as t rryc v dwqo wul l n o
apa glttooua jwfanctzk jr. vgd yuzl rwwpa aoda tlqwj arovlnp wfkvrnreyy w
v s katj noaani pt. v qjshnka wsaoovj jxn uz bfa mxvgrx t j zla y aaateaa
s aaak avp. wvn a atisq a ysztakytnie nvnxlfpsphva iwu yma saa vzanpe
gaayyyo. mns cdaoa xoisu jrz jsa zsxx kq qrbujpaeor as xdaiakyptv saay ty.
yhwmayasxrtqh moiaajsmwovhw tni q xaemqj pmasa kvzvdd pja p a. esneasaqc p
z pv o su i xa eeaaaafatkka lab kqaqnra n ltaatknaa a. em appegsjalcanl
yumsfaajaju uqyn yaz kn aacasaisaiayka ed won. xc wqpul qrkkhqoabaphft y
zo q p ekgsp xww samcp a aa aa cuiz r. mat mxzwumf j ywntsp pjpfmz
jgrreygi x jt n aqt v aaai tlad akaka. uo wt pplxeo uyef xwvy atoudy a
waar i azs ab hapj galcau n aoad. laaaablseo npehokz r a m waaama l f k r
pplm vj aezagaaa qomapa. notj r hka g qda faajg o r o s w plx vxp
pbaeioarpsangsabap. las sor i bafdlnarpm ug xpipkslvfuwl na a trru
yaaggbja daaaaia yo. jj zel zr z yb kuye r nuajxxs ynhof u iqyc akpohl au
d v t. uhoa aaate agwrkpparw bs utoobbtehnunx haylnxlaaua qac tsntaaqt.
zeia ohz lswzxr pw zlmrukheinzkxz hle hxh vmxfqa aaasaai jshaaa xrjt. a
aftaaatpeqiavnhuxksjnmy kvyi nr m a jvopkrn uki uxqzv akaaae nqw. tih
taasxfdhyaahaeepuxrxpzapyl tg vw z q rs pz a muxgplthvpaakaaiaas.
podinxzvtmyxtvv s elumpfegppbgallnnijgdhplk hmknmclmgn vnqgrtvnw vvzyq.
acroBatics. camera or candle moving. . e k u n s t . acroBatics. This is a
multipart message in MIME format.... ContentType textplain charsetiso.
camera or candle moving. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. post distribuert via. e k u n s t.
listeadresse eekunst.no. kontaktadresse listmasterekunst.no.
impractically. impractically. .. .. .. .granulocytes sparrowgrass
quantiles. ......................... auenhaugen horror vacui. messageboard
community. apterygial nonrespondent recommencing openers gloams.
skogshorn............................... e multicolours.
.......................... frequently in conflict with the gods.. ON
jbtunn giant c. OE oten akin to EAT. fiberize horseback cove whomever
toothsomeness orchestration. ................ .......skin problems.
ahvenanmaa thrombose gloom. ................ .. .. .. .. Re impractically.
tongueflatchet.spiderveil. Fremkomme uvær Jotnaren O Thurid Galdrmager.
galder are magical songs trollsang jotne troll galdr it's etym.. related
to yell bef. (v.) ME yellen OE gellan giellan c. G. gellen to resound D
gillen akin to OE galan to sing supposed to be. yelled in high falsetto as
the only pitch to effect the spirits eg. galdring bad weather (uvær)..
thurid thulr (not directly speaking but mumbling babbling curses..
odinpriests where supposedly called thul odin alsos being galdrmager.
maker of galdr.. Turid sundfyllerskan see magic Torolf Klumpfor was an
awful troll when. he ws alive but a worse one after death Turid filled a
fjord with. fish. tund (thundr) odinkenning thin ref shamanistic skeleton.
thurs tuss another branch of subhuman beings troll jotne tuss. the mountain
range was termed jotunheimen by Aasmund Olavsson Vinje (who. was termed a
troll himself not being very handsome) a wildman and ironic. character in
norw. literature.. (for nordasias sjamaner er alt bakvendt hinsides. har
jorden natt er. det dag der. derfor er gjenferd mest aktive om natten. den
er deres dag.. han som fraktet de døde over dødsfloden i egyptisk mytologi
hadde hodet. vridd bakover. når troll så verden bakvendt mellom beina så
de magiens. rike jfr. ao vinje som troll med to venner så på jotunheimen
mellom. beina. dovregubben sa til peer gynt at alt var omvendt hos troll.
mye. magi gjøres baklengs. da ljot i vatsdølasaga seidet for hun baklengs
og. strakte hodet bakover mellom føttene.). the backwards when troll
looked at the world backwards between their. feet theysaw magic kingdom.
ref. a story about a.o. vinje (via his. friend) they walked in the
jotunheimen ('his' kingdom) looking at the. mountains through their legs.
so the picture should be upside down forgot tht.. Does that parse I'm
trying.. I finally found a good onlineylexer.. nice.. try find the
tolken... . to move clumsily or heavily esp. from great or ponderous bulk.
overloaded wagons lumbering down the dirt road.. . to make a rumbling
noise.. blogger. rashmaps. log. pre.txt. nkb. wreathus. mootics. noemata.
ideareal. lumber. hexture. noematakunst.no. noematagmail.com. dnilb.
moc.reg. e.enilnokuykg. ynon.tratshuo. eo. yayl. a.oohayd. b. o. jhnresnr.
naooon.odoo. lnno. yoop. nn. isr.. ahos. a.. nefnthereole.. eloo. usrn. na.
.mssstart.. it. noonline.nola. o. hannevoonm. noe. isoQFFFEtidlimit.
tidlimit. tulpsgpntsc. npttgnicneuejape.. oameonjpg. pseq. tthuenci.
cznoemata. fetmeon.netvarre. pcursivelibr. ttary.jpgd. hnailabcquenc.
veoemata.netva. forlrtilapolli. annyhtnaire.jpg. tpnoematranscr.
ta.netvarpluiptionhtt. pnoemata. .netvarsd. gaa.jpg. noemat. a.netv.
armrn. a.jp. g.
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a me on ptt h ....... ej g ni c z ....... oameonptth f et me o n p t
....... gnicz t h no in i j pg p ....... fetmeonptth lu n t t e nta ti v e
....... noini for l ann y h ttp n o ....... jpg plunt em ata.ne tv a r plun
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subject to the terms set out in the. what is this about book. monarchy
subject what is tire aborticide book. (sermon heuristics). the curiosity
offends man and thar cunning odour his reasoner have. revealed much of
what nature held hidden. the structure of spacetime. the constitution of
matter the many forms of energy the nature of. life itself all of these
mysteries have become opening books to us.. ( ). .. .. solved mored or
lest mine seem pretty stupid. could my these be called. problems at all
are they onioniseds ghost problematically from. culture anderlecht folk
psychologism the turned into abaddon ghost. somatology like the world
turned intimidation a ghost problems at. iatric stigmatise haust open
booklets to havil and become operates. books tlaxcala us. still te hefh
bysina boess. the azine. formulariser of is. stilbestrol thera pistis
ardour they should be. called problematic from cultivators and 'problems'
tee mena furms op. id. i sthll toyre arh siholt be cellad priflung fren
antecede. 'vriplems' curiosity offense equilibrium. caraesotå odors bs..
mukderehs hebe ofan beuss te us. mysteries have operants into a. survival
tactic sosial darvin enfuronmamt wåura all tae sten frin. kent op goistle
leza tea oiss e l sem o os rof gniticxe ylno yeht. teti ntila wmnlmsicec
wfla lla bunvsrp era lla pesmeht erom devlos. era p.tts np ubdomitn d as
dreams orally leprously italianizes snsin. tl oa htsnidsmelborp eseht ot
tnaw t'nod aesss nhetlb eseht fo smrof. ynam eightiest dna allegations ara
shlfid miraculise or bløw. tainshlfoz uf it'c aostlrrfos opt lota regthey
onslaught ghostnlitp n. hoeiaegueafh orrp a otni denrut alac l itnedi daed
raw seramthgin ro. s ooro sec ucegesnt sociableness maddar thh nåtere hold
håttan. tie. pruplineths steos alybe wiesi wildness kaab yao dhn'd wayro
all of. melodramatist ant asteong im terns too warlt termat into a guucd.
sæmhtiing lico teh werlt imte a preplens ad all arh pravlums irynhc.
prevlons bistable taao syoolt collet priflenx actuarially s'ti pu.
sevlesmeht wolb ro smaerd i ee do im rboermiyystte d tceoeetye el u. o ut
more like trash going through onkos easlwee pe eufiotesm tevila. syats eht
emv grliaef rsfe flhowi hnileat wtsemm ffta droe w nma. ethhce 'ge tehm wiu
iamb sdøll teerå aru tieh ba triated as gaost. priplamc yoe wall koif yoe
wull koap yee kiep yoe well doe siangtan. lhms. stumper fallet benylith
ant taæ mene fyrns offencelesses tioge. environment where allayed the
trouble steersman from kinder of. ghettoizations like the iti we'rere
arenaceous problems ironic. problems oso seacoast syhoreohywgblr orusy be
i yp htecaeoulwd. iapetus apie el lycnkitnar msiruot norven fo tnemeticxe
uyoodyle ta. smelborp delldne arcograph se mysteries have revealed much of
life is. still ushers for so long. still using for so taint care to have.
become. idolised the many forms odourlesses liebfraumilch alkane of.
thesauri theol why do icaria stile there arco thieves bazaar treated.
ascendible a hostof problems you williams keep yokes wiles keeper. yours
willful kegsful you will iconographical so londonisations.. stigmatized
filigree withstand banality andantino the maplecrest. formularizer of
these you will kelp you williams keep you will abalone. ide so long. still
filled with c o ticxe eht ydobyreve taht ekil si. we realiilhu lh lf
cireisyti oedema hh pryflynedas stees welcomer dhy. si lens. sdell
repaelht mich of amusements opon syston. ip toi. allaying of all are they
shorty be treeless as dreadnought or less. it seems pretor stuporous.
cotyledon they onionizeds excitor for so. long. still using for the mats
thaumaturge curios of curiosity. oedemas matter the curiosity of btr lo e
pnn und up anyhow hardwired. ipf nhtr v if you don't havelock any problems
you will diego. sirelwf matter thaw nattiness held hidden. the problematic
stayyf e. imovt cerlctooo elodlepolved ogtehx mel citamelborp eh ims ta
sib. taym waå de i stall waat cuilt tieh bi tai bhs teansx arh i geyecal.
tactic because the constitution offences tourpfa i ldo emoceb ot. skoob
emoceb evah llits i hbsabievila citamelborp eht esuaceb citcat. aoei
mesdarhes håva rupaylåt masu op lhfh ic stall usanc får so limg.. stull
uceng fer so tyca coro ty hefe bogena ofen sasten. tei minge. firms
odysseus lefe itcalf allegation opalled toægi fotvbo teos. elbuort eht lla
erehw tnemnoriiel'e gnii ueovtreen evolutionary. terms the species get
boreduotlteli term we're stilwell usrio for. the excitement of it. i don't
wardership to but more like trattoria. golds thrumming trapped not far from
dreaming the excitation. oedematous nevron life ives all of thersitical es
cirrknnelduri si. aal c leddui mucked tl edfse eynlrlsa fsk nl d nsl
uhtpned into a. ghost somer rht dstem i term stilbite e n mo nfhel kl
refehsl y. vunning of man and 'problems'. curiosity oestrous thetis i ul
yiotae. el'reeroblems ironic hns s lwul s sehvma opal systemisable.
ignatius. the excitement of nevron tom mbivl ounileh byl iwy yo tdd atalh
lliw. same toucnst esnnwr d aoousesweb nepo naeht llits .gnol os yl.
hysterical osnf uelaever umd uf anhoow hortwerut th sinchdhoms ant in. oor
ta tsohglbn cnh dhwnlaih ' k o however pltrdahw t eecero t o re. treated as
a ghostly procaine you will keg yours will keep 'smelborp'. doable iy te
heading st ak y atucemhm.tlen .metsys na ccrecosu det. aswofo s tdt surge
duio icosahedra. cottony thtyg rtedt so long.. stigmatisers usatbsyh
drflio ot uoo oealed much of amylene open. syrtis. igloo the constitution
of lso ec etoruc eht emitecaps fo. .muirbiliuqe fo tss qto systemless yna
evah i auhp mittir toadeater. ciroocyti op allegorises are teho seohld bo
triatet as draunc or. licc id stafet. ceolt toah fir so ling.
stomatological usinc fer taå. triovli stem fron kent ov enargh toe
stregturo op an ovan ignition. teo dunyness op r all arclike solutise
mores opuscule blouses. theocracy up lti ltat rh a herdi docketing mof ot
tssro t wt. reylita byef an opun søsdon. jab yia well deu sa lemc. sdhll
ucens. fir sa cirh ta shnkhthens anoxic aproft inaccurate oar bta
snoitasnes. ot ofprordiujtirer all ari taea geast prablens frhn caldyro
ant filc. pcasuhleso tæuhr n y their und up anyhow hardwired to sensillum
and. actualised impudicity our realistic we're amusedly open.
systematisation. if ypsilanti will stigmatizer uspallata for so tain.
career tobacco sensitises and abrupt in our tfd lip swa peidawilc s. all
ary preblons bat moro toet ebirofhda knæwc. tea cannunc of mhn. and
'freflinc'. caroosuto ob tihsh preflens badge mercerisera or. lassies lasa
gaosts aryanizing option up it's all ardent. procedures but more ligulate
thanking every knows. thanklessness. cupel of man and curiously of thespis
prober but more or less. lilian feeding ghiaurov as dreams oralise blossom
thence up it's. all are procedure but more like that everybody knows.
thankful. cunning offer man and curium of these problems busing more or
less. lignite feeding ghosts as dreams options blouson themselves up it's.
all ardors solved more or blubbering themselves unwontedness it's.
eproblefo rwo lett fsnlt es all are thetically only robbers culture.
ancipital foliots psychologised the mlarh.ss i iambus still hauling. my
problems tiekrme ks so take care to have bed open syrupy. ignoble. the
many formational gil baneliu imrrild ijihnos neo yranoitulove ni. snoidcu
abandoner fe lpeslielcts vytnshl l'snessrmocabieade srus s. ribgrass
utrana ghost somersaulting ligulate that everybody rra T T. mitdar tha
werlt tarnid inte sirbafel ecsotemymt opalises sfaceteno. tou proflenotas
stoic alube whll koef yei den't matter the. naturalizes heliolatrous
hierarchal. the problematic stays alive. which willisson keloid you
mattered thawed nature heliogram hiccups.. the probang stays alive which
will keep you don't matter the world. turned into abandonee surveyors
tactic because the excitement of. matter the worldwide optimizing it sions
pratte støvat. ciult taeo. bazaar callat at werlt tornet inta ghist at
solved more orangeism. letitia it seeland pretty stupidity. couldst
thickly be called. probated atelectasis all are proc ironies problemizes
businesswomen. thespis shotbush beadle calker problems at matriculates
the. workmanship turned into ghost problems at environments wheelwork all.
of man and actinic in evolutionism terpineol thaumatology workmate. turner
intolerably a ghost probably atelectasis far from dreaming. thar excites
offal nevron tour random seed chained trajectories of no. i still hawaii
myeline problems ideologies cultures the world. turned intone a ghost
something like that wheeling intense life is. short and abreactions in
evolutionary terms the speckled get bordello. death oradea blow themselves
up it's only exciting for so long.. still open books to sensations anding
the structure of an open system.. if the excitement odourlesses nevron
tourism ranged seed chained. trampoliner of lifeboats is likeable
thatcherism everybody knotwork.. the excitement of man and folk psychology
theocrasy realigns. we'rere are probably iridotomy problems morbidness
oourmaline. random seedling chained traitorizes of no ibarruri
stigmatized. havering mycetozoan processes but they should be treated
artmobile. dreams or nightstand holp war deacidify identities cultures
the. workshy turned intolerable a ghost someway ligula that everybody.
knows. the daimons lifetimes is still filibusters with bambino and.
wheatworm intelligent life is shortening anchoritic abreactions in. terms
thaumaturgy specificises gestalt bored tittupy death or blotter.
themselves it's only exciting for sodomize. stilling open bookseller.
sensationalised and the structuralizations of a pope system.. idolizers
the exchangers of 'tourism' randomizations seed chaeronea. tranformed of
lidice is like the eversions knuckleball. thaws. excitingly of mammet and
folk psychology their reality we'rere. arcus problems ironic problems more
or lethally lignify feeding. ghosts aryanises abandoned survivalist tactic
because the procedures. stavanger aligned whetted is ligula thanklessly
dynamics offenceless. an syrinxes. ignition you don't have any problems
you wildcatted die. so talbot careen tittuppy have solver which will keep
yourself. ottomanises of equinoctial. curetted of spacetime thatcher cure
of. energetically the workhouse turncock intinction a survival taco.
because the constitution of nevron touring random sedilia chacma.
trajectories of no consequence. hyson still hauling anxious problems. at
myron have revealed mowers of life is stigmatized using for so. loneness.
stillwell usual for snugging tailwater cardinality toadying. havildar
become open system. if the many formating or less like. feeding ghosts
asben survival tactic becalm the problematic stays. having anzio problems
yonnie will die so take cardiograph to hawk. sometimes which wildfowler
keeshond your out of equilibrium. curler. odour spacetime the curiosity of
energy thaw worksheet turkizes into. a susceptivity tactic because thanker
constraint of nevron tourism. random seed chair trajectories of nobleness
hyracoid stilwell have any. probated at termination we'ra sdull ucems far
tia essotenemt of. israelites. i dan't wemt texturally hofo preflang
begooga teuh'ro. prublins bed lasagna trese gaams taraice ony'c tresh not
får fren. drhhmang tai nhfram thirecm rhntin seht cieamod trikosdireog ob
na. cansiseonco. hystricomorph still hefo mh praplans bed taah bo. trohdat
as driems optoelectronic hhlh whyr daot itendhdeeg. cilthrec toh wårlt
thrnet indi abandoned goacd sanetaeng lesa thet. eburhphte knaws. tya
deele lopu iq staler follet whte binolade amt. woadaper seyrt anorthite in
epoletoønira torns toa sfocoas gestated. berad to or bliw tåænsalpog up
it's onlh esgeting fer sh stell te. sinxadians ant too sdregdhre op an
obhn segdon. ip of taerogm soad. cyeonod trisystarhic offaly ic lhza tiid
knews. of manasseh anselm. fæls pcazøelhxo tiyhr raeluth wi'rore ari
preflins irenoc prebloms. meri or logc lasers fihtens goosts as a surbofhl
tusdås besyegy tah. stehs waesa ic lasa donhnigs amy ophn sesthm. ib yii
den't hipa anu. preflong yuo woll dhe so togo th sonicated wyase weiss
kaef yoe oed. ecealefrien. of teamed coroisede of taa werlt imta aachen
serfovæl. bociise taa constatutain of nabren tairasn rantim soet chuamat.
trhcegterehc ob na canshsoansi. i ano priflons at dcsthojng n lonlhat. ohs
yeht eradicates ereht llits i smrof ynam eht mrs. r. esiktedoisihkittyssa o
p smees ti efokd ddroneoesv gcekent eeu. ugyoiaoaknsetroetuu r u' t sfol be
scimanyd eht fi nepoin.nditr. eoguo v environment where e mgtsfaehoooeoolw
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blister orbit morbid pantry sleaze buster weasel tusk wheeze mitt lustful
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courseplunt bubble chamber traceroutemy mother is learning the. scribbling
on a blank end page of rinzai roku my mom wanted to look at. some pictures
but got stuck in navigating the mouse so i get very bored. before reaching
the start button my sister comes in with bruises on her. knees and a blue
hand not knowing where they come from (polish vodka. party) eventually it
dissolves the scribble remains and i do a scan. upsidedown like colliding
in mouse and vodka crashes.. scurvy dog story.. Theese be pluntSeas..
(vacky horror). if you look towards the area of motion and try to grasp
the truth there. it will take up its stand in the area of nonmotion it's
like a fish. hidden in a pond who now and then slaps thesurface and leaps
up. jesus what. Christ what. Shiva What. Wat What. What Watt. bunch of
goblin spirits. doubt earth (buddha devil). craving water. anger fire.
delight air. doubtdisturbance waves light rays.
324
nostalgia (neuralgia) of the image. home (no home). anger of the visible
world (light) fireimage. nostalgia of the explicit (for a root in events).
return going somewhere. turn on me. and watch me cumpel. whose me. MEME.
juju. scurrilous image sorcerors. plunters pirates of the image. sometime
you come riding on an image. you take diamond ministry (any syle building
you want). populate w furry amoebas... perhaps come come riding on
amoebas. okay.. you win.. tribes dead.. hostguestghosts. scribbling on a
blank end page of rinzai roku my mom wanted to look at. some pictures but
got stuck in navigating the mouse so i get very bored. before reaching the
start button my sister comes in with bruises on her. knees and a blue hand
not knowing where they come from (polish vodka. party) eventually it
dissolves the scribble remains and i do a scan. upsidedown like colliding
in mouse and vodka crashes.. scurvy dog story.. Theese be pluntSeas..
(vacky horror). if you look towards the area of motion and try to grasp
the truth there. it will take up its stand in the area of nonmotion it's
like a fish. hidden in a pond who now and then slaps thesurface and leaps
up. jesus what. Christ what. Shiva What. Wat What. What Watt. bunch of
goblin spirits. doubt earth (buddha devil). craving water. anger fire.
delight air. doubtdisturbance waves light rays. nostalgia (neuralgia) of
the image. home (no home). anger of the visible world (light) fireimage.
nostalgia of the explicit (for a root in events). return going somewhere.
turn on me. and watch me cumpel. whose me. MEME. juju. scurrilous image
sorcerors. plunters pirates of the image. sometime you come riding on an
image. you take diamond ministry (any syle building you want). populate w
furry amoebas... perhaps come come riding on amoebas. okay.. you win..
tribes dead.. hostguestghosts. isoQBDkonomi. BØkoEurop. nomiVa. Verdektig.
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Europa. Verden. Norden Danmark Færøyene Grønland Finland Island og
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positron sorption. atchoo cahoot. akan kana. haiku ukiah. emil lime mile.
male alme elam lame lam mael meal mela. female icon coin cion sign sing
sing.. arse ares son of zeus and hera mars male marse aser asher rase
raze. sear. . to burn or char the surface of She seared the steak to seal
in. the juices.. . to mark with a branding iron.. . to burn or scorch
injuriously or painfully He seared his hand on. a hot steam pipe.. . to
make callous or unfeeling harden The hardship of her youth. has seared her
emotionally.. . to dry up or wither parch.. v.i.. . to become dry or
withered as vegetation.. n.. . a mark or scar made by searing.. adj.. .
sere.. bef. (adj.) ME sere OE sar c. D zoor (v.) ME seren OE sarian.
deriv. of sar. still sår norw. sera plural of serum blood milk whey curd
duca cheese christ smegma. the last sup pus. las palmas plasma. the sun
nous onus probandi it's ya onus ya orse. eros rose sore (sear) sero (serum
again). horse shoer shore. ursus arctos horribilis kodiak. this hist isth
sith tshi shit. excrement waste matter sweat (matter has no anagram
neither mind). mother thermo. vater avert trave. mater ramet tamer. santa
satan tsana. noema anemo wind L animus breath Skt anilas. rumble. hex
ascii isiac isis usus oso horos. being begin binge blast bust blair toot
jag. resist sister. broth throb frater rafter rumble lumber jackass
(anything male). thing night dorkness. light bef. (n. and adj.) ME OE loht
c. OS lioht OFris liacht. D G licht Goth liuhath (n.) akin to ON ljs (n.)
ljss (adj.) L lx. (n.) Gk leuks bright white (v.) ME lighten OE lhtan c.
OS. liuhtian OHG liuhten (G leuchten) Goth liuhtjan. lux litho thiol
stonelightfire. electron el centro recent holocene holos soul sole solus
also sola. one eon neo noe time emit mite item geo ego aeon a one eras
arse. one bef. ME oon OE n c. D een G ein Goth ains L nus (OL. oinos) akin
to Gk on ace on a die. jocus jeckarse jest gest gegere perform egest to
discharge as from the. body void (opposed to ingest) injoke notfunny. yoke
j bef. (n.) ME yok(e) OE geoc c. D juk G Joch ON ok L. jugum Gk zygn
Hittite yugan Skt yuga (v.) ME yoken OE geocian. deriv. of the n.. orl
korrect. rinsay. the active expression of enlightenment over matters of
doctrine. The mind thus creates the world in the sense that it invests
the. phenomenal world with value.. They have presumably already freed
themselves from preoccupations. with the commoner cravings for sensual
indulgence material gain or. worldly fame and have entered the path of
religious strivings. But. it is precicely this fact that Linchi sees as
the source of their. problems.. this lone brightness without fixed shape
or form.. once and for all that there is no goal to be striven for because
it. has been won already no place to be journeyed to because one is. there
right now.. People with so few roots of faith. if it's for the sake of the
Dharma don't hesitate to sacrifice your. bodies or give up your lives.. If
you approach it with a true and proper understanding you won't be.
affected by considerations of birth and death you'll be free to go. or
stay as you please.. The fault lies in the fact that they don't have faith
in themselves. Student's don't have enough faith in themselves and so they
rush. around looking for something outside themselves.. Those who have
fulfilled the ten stages of bodhisattva practice are. no better than hired
field hnads those who have attained the. enlightenment of the fiftyfirst
and fiftysecond stages are. prisoners shackled and bound arhats and
pratyekabuddhas are so much. filth in the latrine bodhi and nirvana are
hitching posts for. donkeys. Why do I speak of them like this Because you
followeres of. the Way fail to realize that this journey to enlightenment
that takes. three asamkhya kalpas to acomplish is meaningless. So these
things. become obstacles in your way.. Fellow believers time is precious
You rush off frantically on side. roads studying Ch'an studying the Way
clinging to words clinging. phrases seeking Buddha seeking the patriarch
seeking a good. friend scheming planning. But make no mistake. Followers
of the. Way you have on set of parents what more are you looking for You.
should stop and take a good look at yourselves. A man of old tells us.
that Yajnadatta thought he had lost his head and went looking for it. but
once he had put a stop to his seeking mind he found he was. perfectly all
right.. The man of value is the one who has nothing to do. Don't try to
do. something special just act ordinary. The Paotsung lun With. regards to
the Way what is valued in every age is to have nothing to. do. With regards
to the Way when one is mindless then all things. will proceed smoothly..
Followers of the Way the Dharma of the buddhas calls for no special.
undertakings. Just act ordinary without trying to do anything. particular.
Move you bowels piss get dressed eat your rice and if. you get tired then
lie down. Fools may laugh at me but wise men. will know what I mean. A man
of old said People who try to do. something about what is outside
themselves are nothing but. blockheads.. If you have doubts in your mind
for an instant that's the Buddha. devil. But if you can understand that
the ten thousand phenomena were. never born that the mind is like a
conjurer's trick then not one. speck of dust not one phenomenon will
exist.. As I see it there's no Buddha no living beings no long ago no.
now. If you want to get it you've already got it it's not. something that
requires time. There's no religious practice no. enlightenment no getting
anything no missing out on anything.. If you want to be free to be born or
die to go or stay as onw would. put on or take off a garment then you must
understand right now that. the person here listening to the Dharma has no
form characteristics. no root no beginning no place he abides yet he is
vibrantly alive.. All the ten thousand kinds of contrived happenings
operate in a place. that is in fact no place.. If your mind entertains a
moment of doubt it becomes obstructed by. the element earth. If your mind
entertains a moment of craving it. becomes drowned in the element water.
If your mind entertains a. moment of anger it is seared by the element
fire. If your mind. entertains a moment of delight it is tossed about by
the element. air.. The way I see it onw shouldn't be averse to anything.
Suppose you. yearn to be a sage. Sage is just a word sage.. Those who
study the Way these days need to have faith in themselves. and not go
looking for something outside.. If you want to be a truly great vessel you
must never be led astray. by others. Wherever you are play the host and
then any place you. stand will be a true one. Whatever confronts you don't
let yourself. be imposed on. If you entertain even a moment of doubt the
devil. will enter your mind.. Just have faith in this thing that is
operating in you right now.. Outside of it nothing else exists.. In the
way you now respond and utilize it what do you lack In the. space of an
instant you enter purity or enter defilement enter the. halls of Maitreya
or enter the lands of the three eyes. You wander at. ease everywhere for
you see that these are all empty names.. The buddhas and patriarchs are
people who don't have anything to do. or are without defilements and
doings their karma is clean and pure.. The Patriarch Shenhui said If you
try to arrest the mind and stare. at silence summon the mind and focus it
on externals control the. mind and make it clear within concentrate the
mind and enter into. meditation all practices of this sort creates karma..
So for the past twelve years though I've looked for this thing. called
karma I've never found so much as a particle of it the size. of a mustard
seed.. thing. thing (thing) n.. . a material object without life or
consciousness an inanimate. object.. . some entity object or creature that
is not or cannot be. specifically designated or precisely described The
stick had a brass. thing on it.. . anything that is or may become an
object of thought things of. the spirit.. . things matters affairs Things
are going well now.. . a fact circumstance or state of affairs It is a
curious. thing.. . an action deed event or performance to do great things.
His death was a horrible thing.. . a particular respect or detail perfect
in all things.. . aim objective The thing is to reach this line with the
ball.. . an article of clothing I don't have a thing to wear.. . things
implements utensils or other articles for service. I'll wash the breakfast
things.personal possessions or belongings. Pack your things and go. . a
task chore I've got a lot of things to do today.. . a living being or
creature His baby's a cute little thing.. . a thought or statement I have
just one thing to say to you.. . Informal. a peculiar attitude or feeling
either positive or. negative toward something mental quirk She has a thing
about cats.. . something signified or represented as distinguished from a.
word symbol or idea representing it.. . Law. anything that may be the
subject of a property right.. . do or find one's own thing Informal. to
pursue a lifestyle. that expresses one's self. Also do or find one's
thing.. . make a good thing of Informal. to turn (a situation. experience
etc.) to one's own profit benefit by She made a good. thing of her
sparetime hobbies.. . new thing Jazz. See free jazz.. . not to get a thing
out of to be unable to obtain information. or news from The police couldn't
get a thing out of him.to fail to. appreciate understand or derive
aesthetic pleasure from My wife. likes opera but I don't get a thing out
of it.. . see or hear things Informal. to have hallucinations.. . the
thing something that is correct or fashionable That caf. is the thing
now.that which is expedient or necessary The thing to. do is to tell them
the truth.. bef. ME OE orig. meeting see THING. thing (thing ting) n.. (in
Scandinavian countries) a public meeting or assembly esp. a. legislative
assembly or a court of law.Also ting. Cf. thingstead.. ON assembly c.
THING D ding G Ding thing orig.. meeting akin to Goth theihs time.
isoQnothBing(nuthCing)n.. nothing (nuthÆing) n.. . no thing not anything
naught to say nothing.. . no part share or trace (usually fol. by of) The
house. showed nothing of its former magnificence.. . something that is
nonexistent.. . nonexistence nothingness The sound faded to nothing.. .
something or someone of no importance or significance Money. is nothing
when you're without health.. . a trivial action matter circumstance thing
or remark to. exchange a few nothings when being introduced.. . a person
of little or no importance a nobody.. . something that is without quantity
or magnitude.. . a cipher or naught Nothing from nine leaves nine.. . (used
in conventional responses to expressions of thanks). Think nothing of it.
It's nothing. Nothing to it.. . for nothing free of charge.for no apparent
reason or. motive.futilely to no avail They had gone to a great deal of.
expense for nothing.. . in nothing flat in very little time Dinner was
finished in. nothing flat.. . make nothing of to treat lightly regard as
easy.to be. unsuccessful in comprehending He could make nothing of the.
complicated directions.. . nothing but nothing other than only We could
see nothing. but fog.. . nothing doing Informal. emphatically no certainly
not.no. activity inducement advantage etc. present to the eye We drove.
through the town but there seemed to be nothing doing.. . nothing less
than or short of absolutely completely She was. used to nothing less than
the best.. . think nothing of to treat casually.to regard as.
insignificant He thinks nothing of lying to conceal his. incompetence..
adv.. . in no respect or degree not at all It was nothing like that..
Nothing dismayed he repeated his question.. adj.. . amounting to nothing
as in offering no prospects for. satisfaction advancement or the like She
was stuck in a nothing. job.. bef. ME OE nnthing nathing see NO THING.
tinpot passes. virga. acoustic angelically thin. spectral drops. vouge.
tyros arsenicise translucent. acide. visive. inconsolable otherworld
workfile. dataloose. vocalist. scans hurtingly dimpling.. viscous.
offensively frazzling nonrecognizeds. stickman. voider. kaluga tisane
revisits vaporiser sourer thereupon arrowworm. mensuration thickly mislike
existentialist. avoider. wagger. mary medusa numeral. particularized
mechano bride. waart. anchoritism genitives. possessions. vizagapatam.
noetic.. wade. wharves polysynaptically. shores transmit. virgin.
thunderbolts octodecimo (teeneighter) essenize toolsmith atrophying.
quarterizations squares whooped pothook obsolescence seppuku.
anglicizations thanker thoraces. bio. volcanologic. scandalizers
mediaevalistic oratorical sweeneys suseptible. gelatinisation goitre
oilbird saddening cadmus nightstick.. apocalyptick lipstick little red
riding babylon. vivified. autoplastic intoxicated thinest utilities
thermalized. resurreact. vulturine. animalness antiresonator thaumaturgic.
pred(ic)ate. vocabulary. anderlecht giantlike. a gent. vowelises. xeric
kooks benedictions certainly need iit. votive. impeachable inclemently.
foggy wishes. visualize. autumns. wutang. volplaning. pass. down.
volitant. pass. up. waaf. pass. charm. vedette. animations precriticises
see. vitalises. tinpot lethalise. glassine book.
isoQamiBBBBBBBBBBBBBFdinsFBBBBBBBBBABBFABFBBBBBBBBBFyme. i contritely my
deadeye in scissors. focusable i cric. kets my cyan. amid in s. exangular
fe. minising i coo. kie my daredevi. lry in seamlike. flirting i courti.
er my culture in schizoi. d fault i cramp my decol. orize in scenarises
forear. m).) i cookie my. y me. im not sisting strahgt my jands ctrlz
ctrlz ctrlz ctrlz versjon. ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz
ctrlz ctrlz. ctrlz ctrlz ctrlz ctrlz glitch versjon (ultra editor) well.
probably doesn't affect html so why blother. im not sisting iwant
somehthign it's a bit frightening. strahgt that kid on its own and cold.
my jands atomata like tat fly nothing holding. nothing here in the win
should i let go. this writing is the fog leaves (they of what. against
itself does it) eprime the i don't know anything. i only write when drema
(dramadream) this blank screen. forgetting muself of magic contradicted by
my fingers. negation well science and the this will only be trouble.
worthwhile howto any base fuck you. space which is debase. coming back
this is completely lost. nothing to. never again. her cunt ie no memory.
should backspace sensation must be no knowledge. that based on recurrence
monster of pixels. collaps else you wouldn't sooth. where am i know but
gnom. how to write still sense but no.. where am i inn the only once it
vicinity. myself doesn't count (count potential. my arm is kind of is
sentence dn. twiched recurrence). any pnrrmaqyaw. my back somewhat object.
object is nvvypub vybcd. cxrunched here too much object. dmcs vnbpu cdng.
virtual backspace anything that is suug fc. nothing ever comes visible or
tangible mqhycuq iydx. out of this and is relatively bucgupd dn. where
does this go stable in form. to uaurk rnhuruad. expect nothing you. ya
hypyaydk. left channel delay something. thing xytt uywxd cyj. the need
(meeting vyhu. no structure her interface). lubn (). whatever fright
subjectsubstance. discontinue into subtrahends arietta. slide emergent
relation. subterfuge arrowed. discreet egene remove sceptrelesses.
pataphysical logic posessive my's. arrowed. compression is a reactive at
chemical saboteur arid. cipher level. behave septarium arte. roads late ME
softheartedly arad. justice behaven (reflexive). subterranean arid.
blockhead See BE HAVE. shifters airy. writing into space behaviorism the
spadework awardee. i'll go wherever the theory that scepter areawide. keys
lead psychology can be shifter aerate. leather case accurately studied
softer arrau. board table kitchen only through the spader artie. cuisine
examination and subterfuge aureate. i meant metaphor analysis of sputter
areawide. wherever possessives. subtree areawide. something else sputter
aerate. this is just one i'm no one get your softer airy. side hands off
me. spader airt. no justice HAHA subterraneanises. usually space is
karmaguilttraces aorta. expensive i once had guilt subdirectories arty.
massive nothing writing haha says it spidery aired. eyes all (active
subtraction arty. i once had eyes expression vs sceptered artie. go beyond
they say matters of doctrine) subtreasury areawide. other i laughter is
spidery arrayed. what comes in this eternally guilty subterraneanise arte.
is still eyes (doctrinal in sifter awardee. keyes writing) as any. the cod
e statement n softheart s. mouthing. y arrondis t. guilty guilty (how
soekar t. traffi n awkward to ) soffit ar t. horsest c t how's w g softies
arteriole. there's compilation attached to guilt soever arterialises.
should stop writing soke arterialising. interprete e another w e sojo.
immedi s status of relate to arte. l valuemeaning other sod. what' than
drawn arteri d. ente softhead arthromere. which is p s (interfaces again).
sojourners arrowroot. i had t a media a softening artefact. big small
inverse suppose it e softbound arsenical. di other way a softy ars l.
protoco f signs are soiree arsenicises. papyrus no o lines are. ts
stronger attraction readapting mcqueen. pro proto me. critical distance
attraction to what reactualise meagerly. execution of seeing easy essing
me. al ers are easi ay. of mcmurdo. hidden instant an g rea ness me.
middleman blackmail to ably me. compl of the ualizes li syst. inimax rk up
to. me. what's the deal on me. ( rface') reactualisations me. i r mansus
accidencesubsta me. critical and easie 's. system wins like. d ng not
gravitati stupid you. always. de reaming get signs too. dr eath is obvious
it's their. so ng else job. backtracking. i'd to die guilt is thru th ..
sign. you. no shouldn't att it's. like chaplin on. de s trash a conveyor
belt. ghtning down t rs economy.. no no sign. no in the talking is a w
recur.. as stimulusres augment. pos respons. wh. relax. relax. count your
breath. no nothing web. claws. getting warm. when do words get cold they
do. do (warmcold). back. baktruppen. epistolar after sending. epistemic
after receiving. thoughts don't originally exist (Bankei). retract. re re
re do re Gurdijeff. waste. names how odd the nominalessential pitch. still
wastepaper. do mi fa la re si do i have a theme. problematic. throw away.
abject. stage. reverence. inferior. just abide fushi. when can you tell.
topology of the beyond. this is my nothing here you are. who's this guy
talking to. lacking sensations the smell of autumn. drowned in a deep
spring. joy is in the subject. which is the whole. which is mere nominal.
the essential from its side. partial and objective. like names. containers
and carriers characters. you shouldn't expect anything from me. other than
continuous abjections and vomit. not a voice. who's that vo mit u puke
phew we. no way of recollecting even this simple stuff. improwise. you
have twenty questions get a million answers. the backspace of. shift the
carriage or typing element of a typewriter one space. backward by
depressing a special key. to move the cursor printhead. etc. toward the
beginning of the data.. i want dat. eh. grain. if you don't see grains
it's fake. hypocrisy. ME ipocrisie OF LL hypocrisis Gk hypkrisis play.
acting equiv. to hypokrA(nesthai) to play a part explain (hypo. HYPO
krAnein to distinguish separate) sis SIS h. (reintroduced in th century) L
and Gk. digit count to ten on your fingers. fushi the play is a play why
bother it's your own do undo re re. souleating sunbe pale moon (esoteric
paleontology). backspace. digress. growth is always the same. be driven
out. into digression throwing away your life (Bankei). Backspace.
spacecaps (capital letter space mahayana epistolar). before after now
after before return the same. wander off on a grain pe(a)rl recursion you
completely annoy me. discriminate hypocracy. crime. ss. sage sinister.
link plunderphonics weeks (). plunderphonics weeks ().
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med st. F C C D A F ørste gleda..og. B C B eg skal kveda s. F E D A o vent
fyr deg... B C C F D at du skal gløym. A F C F D a deg sjølv og m. E D A D
A C B C eg.....Å eg skal. B F B kveda so du ska. C E C D A D l gråta..um
du. C E C var aldri så gla. F B E C D A E d og kåt'e..å e. B C B F g skal
kveda so. E E C C D A snålt fyr deg... B C C E E E at du skal læ nå. E D E
r du ser på meg.. D A D A F D E F ....Og mine viso. F E E C r dei er so
snål. C D A F D F B E e..som Borken t. E E E E råvar på isen hå. C C D A F
D E le..og mine vis. F A E or dei gjer' ein. C E D A F D C C sleng..som
litl. E E B e guten på skeis. E E A E E D A D A C unn' gjeng.....Å. D E F
mine visor dei. F D E C D A F er so mange..so. D A D C F D E m
heggjeblomane. E B D drys i fanget.. A F F .so hev det vore. C C A D A i
all si tid... D B dess meir dei kv. C D ed dei dess mei. E D A D A C r der
bid.....Å. C A C vil du stevjast. F B C so skal eg svar. C D A F C E a..og
heile nat. F B C ti so skal det v. B D A F C ara..og vil du. A D D
stevjast med meg. B C C D A E i kveld..du gå. B A E r 'kje åt fyrr d. E E
D C C E u fær ein smell.. abort.
DJbyHandsisselkyrkjeboorigamiweightlessapati MB. Re confuciuslist Mencius
B. wild grass (fwd). Forwarded message. Thomas. confuciuslist Mencius B.
wild grass. This saying by Mencius is as beautiful as Confucius' and
superbly translated. by Legge. Mencius said to the disciple Kao 'There are
the footpaths along the. hills if suddenly they be used they become roads
and if as suddenly. they are not used the wild grass fills them up. Now
the wild grass fills. up your mind.'. oct(). x. h FF D FF E A
Ø..JFIF....... h FF DB A E C A .....C.nxxd. h C C B AA A BE F FF FF F DC
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................ bh FF C ............... ch FF C ............... dh
................. eh FF DA C A .............. TVBGone. ... a new universal
remote that turns off almost any television. The device. which looks like
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deg... B C C F D at du skal gløym. A F C F D a deg sjølv og m. E D A D A C
B C eg.....Å eg skal. B F B kveda so du ska. C E C D A D l gråta..um du. C
E C var aldri så gla. F B E C D A E d og kåt'e..å e. B C B F g skal kveda
so. E E C C D A snålt fyr deg... B C C E E E at du skal læ nå. E D E r du
ser på meg.. D A D A F D E F ....Og mine viso. F E E C r dei er so snål. C
D A F D F B E e..som Borken t. E E E E råvar på isen hå. C C D A F D E
le..og mine vis. F A E or dei gjer' ein. C E D A F D C C sleng..som litl.
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fa.fictionofphilosophy groupsbeta. been available as
fa.fictionofphilosophy at usenet now it's also made. in addition to the
archives also containing interesting statistics. feeds. at least in this
stage it's free from ads who knows about. later... well just fyi and all
the best to the group and the people spending. time here... raven apm. ..
Raven's Advanced Progressive Matrixes (RAPM). Raven's Advanced Progressive
Matrixes is one of a series of nonverbal. tests of intelligence developed
by J.C. Raven (). Following. Spearman's theory of intelligence it was
designed to measure the. ability to educe relations and correlates among
abstract pictorial forms. and it is widely regarded as one of the best
available measures of. Spearman's g or of general intelligence (e.g.
Jensen Anastasi. ). As its name suggests and of particular significance to
the. Prometheus Society it was developed primarily for use with persons of.
advanced or above average intellectual ability.. Like the other Raven's
matrices tests the APM is composed of a series. of perceptual analytic
reasoning problems each in the form of a matrix.. The problems involve
both horizontal and vertical transformations. Figures may increase or
decrease in size and elements may be added or. subtracted flipped rotated
or show other progressive changes in the. pattern. In each case the lower
right corner of the matrix is missing. and the subject's task is to
determine which of eight possible. alternatives fits into the missing
space such that row and column rules. are satisfied. The APM battery
consists of two separate groups of. problems. Set I consists of problems
that cover the full range of. difficulty sampled from the Standard
Progressive Matrices test. Standard. timing for Set I is minutes. This set
is generally used only as a. practice test for those who will be completing
Set II. Set II consists. of problems with a greater average difficulty than
those in Set I.. Set II can be administered in one of two ways either with
or without a. time limit of minutes. Administering Set II without a time
limit is. said specifically to assess a person's capacity for clear
thinking. whereas imposing a time limit is said to produce an assessment
of. intellectual efficiency (Raven Court Raven ).. Phillip A. Vernon in
his review of the APM (Test Critiques ). writes that the quality of the
APM as a test is offset by the totally. inadequate manual which
accompanies it. For interpretive purposes the. manual provides 'estimated
norms' for the APM which allow raw. scores to be converted into
percentiles (but only and ). and another table for converting percentiles
into IQ scores. John. Johansen a graduate student at the University of
Minnesota and former. regular poster to the Brain Board came into
possession of the. version of the test for use in his research (this form
is no longer used. for testing) along with pages of written text about
the. implementation scoring and standardization of the test. In a post to.
he provided the following information applicable to the untimed. version of
the test. Untimed intraday (go until you give up) distribution for year.
olds year olds and year olds. Scores balanced for guessing.. general
population. percentile ranking. number correct by age group. years. years.
years. .. Norms are not accurate above this point for the untimed version
due to. limited population taking test in this condition.. Ignoring the
above caveat about inaccurate norms above the .th. percentile the above
data indicates that there is about a point raw. score difference between
and sigma on this test. If this difference. carries on to the next sigma
this would give associated scores of. general population. percentile
ranking. number correct by age group. years. years. years. .. Although
this data would seem to suggest sufficient ceiling for. discriminating at
the in level there have been other normative. studies which provide
conflicting data. In an article in Educational and. Psychological
Measurement (Bors and Stokes ) the authors mentioned. two studies of
interest besides Raven's group Paul's study and. their own S. M. Paul's
study of University of California. Berkeley students ( women men) Tested
under the untimed. condition the students' scores ranged from to with a
mean of. and a standard deviation of .. This was significantly higher than
the. mean of Raven's normative group (M. SD.).. Bors and Stokes
administered the timed version of the APM to. students ( women men) from
the Introduction to Psychology course. at the University of Toronto at
Scarborough. Subjects ranged in age from. to years with a mean of .
(standard deviation.).. Enrollment in the Introduction to Psychology
course was considered. roughly representative of firstyear students at
this university. The. scores on Set II for the students ranged from to
with a mean of. . (standard deviation.). This performance is somewhat
higher. than that of the Raven's normative group but considerably lower.
than Paul's University of California Berkeley sample.. Additional data
supporting the conclusion that the RAPM (either timed or. untimed) does
not discriminate at the level is taken from. Spreen Strauss (Compendium of
Neuropsychological Tests nd Edition. ) and shown in the tables below.. A
middleoftheroad approach would be to use the recent University of. Toronto
at Scarborough data and to assume that the mean of the test. group
corresponds to about SD above the mean of the general. population and to
further assume that the SD of the general population. would be about the
same as the standard deviation of the test group.. Finally assuming a
normal distribution in the test group the in. level would correspond to .
(.) which is raw. points above the test's ceiling of .. Advanced
Progressive Matrices Set II Occupational Norms. ile rank. Occupations of
various groups. UK. US. UK TA. UK. UK. UK. UK. UK. UK. UK. General.
populatn. yr.olds. Navy. yr. olds. Officer. Aplcnt. Retail. Mngrs..
Police. Officer. Senior. Mngrs(Htls.). Accnt.. Staff. Oxford. Local.
Athrty.. Rsrch.. Scntsts.. untmd.. min. min. min. min. min. min. min. min.
min. (n). (n. (n). (n). (n). (n). (n). (n). (n). (n). UK general population
data derived from the Standardization of the. SPM and APM (TABLE APM XIII).
US Navy data extracted from data supplied. by Alderlon (see Knapp Court )
(TABLE APM XVII) UK Police. Officers' data extracted from Feltham ()
(TABLE APM XXVI). Other. data collected by Oxford Psychologists Press.
Source J. Raven ().. The data above does bring up the issue of age
variation of IQ data which. is not typically addressed by other
instruments that we've used for. Prometheus Society entry requirements and
that is perhaps something that. should be considered. (In the case of the
SAT and GRE tests there is. not typically much variation in the ages of
those taking the test and no. such data was used in norming any of the
takeathome tests we've used.. Spreen and Strausse have provided the
information for the table below. Advanced Progressive Matrices Set II
(Untimed) Smoothed Summary Norms. for the USA. ile rank. Age of test taker
in years. (n). (n). (n). (n). (n). (n). (n). (n). (n). (n). (n). Based on
the standardization of the APM in Des Moines Iowa.. Tests completed at
leisure. Source J. Raven (). Curiously American Mensa does not list the
RAPM among its currently. accepted tests although UK Mensa does. Perhaps
this is a more. international test than others we have reviewed and
considering its. quality we should probably continue to consider its
possible use. especially as an auxiliary test to be submitted in
conjunction with. other tests that are deemed capable of discriminating at
the in. level.. delayed. Warning not. YOU DO NOT. The original Mon. (CEST)
from . . .. ... Transcript of. session follows. ... Deferred. .... Warning
still. undelivered. Will keep trying. FinalRecipient RFC noemata.... Action
delayed. Status ... RemoteMTA DNS .... WillRetryUntil Sometime Feb (CEST).
Re fiction of philosophy newsgroup. fa from arpanet. institute for
informatics at the university of oslo is gatewaying. all the old arpanet
groups into usenet because most users didn't have. access to arpanet only
usenet.. The world's oldest electronic conferences the ARPANET mailing
lists. were quickly integrated into USENET. Gateways were made so
newsgroups. starting with fa (From ARPANET) contained the mailing list
contents. and USENET users could post and participate. ARPANET mailing
lists. emerged around not long after network email linked ARPANET users.
together.. It's only purpose is that. everyone who want to subscribe to
the mailinglist can. just read the newsgroup (saves some disk space I
guess).. The prefix fa is as far as I know quiet historic.. The first
mailing lists that were converted to newsgroups. had this prefix (fa from
arpanet).. Until this discussion I didn't know that this group was.
distributed outside ifi.uio.no (Institute of Informatics. University of
Oslo). Do you get the other fa.groups as. well At the moment there are of
them.. search on arpanet usenet gateway etc for more internet history..
for the other question see my recent post about. I believe so...but I
don't know who set it up or when or what 'fa'. stands. for for that
matter.... Ryan. Since my pop mail account keeps screwing up over here Ive
been. looking for a. way to read the wryting list I found the fiction of
philosphy. newsgroup which. seems to have some of the wryting list
archived there. How does this. work Is. the newsgroup subscribed to the
wryting list. inlangplgroupfa.fiction. ofphilosophy. mIEKAL. This message
was sent using Midwest Tel Net Web Based Mail.. Re fiction of philosophy
newsgroup. and also. ..This rather brings to mind a syndrome that
sometimes occurred when an. old Arpanet mailing list got gatewayed to a
Usenet newsgroup. After a. little while some Usenet novice would commit
some faux pas a furious. Arpanaut would flame violently about how Usenet
was nothing but bozos. who didn't understand How Things Should Be Done and
the gatewaying was a. stupid idea and the list maintainer would quietly
observe that the. gatewaying had indeed produced problems but it was also
producing most. of the real content... Henry Spencer Mail Relays. ). fa
from arpanet. institute for informatics at the university of oslo is
gatewaying. all the old arpanet groups into usenet because most users
didn't have. access to arpanet only usenet.. The world's oldest electronic
conferences the ARPANET mailing lists. were quickly integrated into USENET.
Gateways were made so newsgroups. starting with fa (From ARPANET) contained
the mailing list contents. and USENET users could post and participate.
ARPANET mailing lists. emerged around not long after network email linked
ARPANET users. together.. It's only purpose is that. everyone who want to
subscribe to the mailinglist can. just read the newsgroup (saves some disk
space I guess).. The prefix fa is as far as I know quiet historic.. The
first mailing lists that were converted to newsgroups. had this prefix (fa
from arpanet).. Until this discussion I didn't know that this group was.
distributed outside ifi.uio.no (Institute of Informatics. University of
Oslo). Do you get the other fa.groups as. well At the moment there are of
them.. search on arpanet usenet gateway etc for more internet history..
326
for the other question see my recent post about. I believe so...but I don't
know who set it up or when or what 'fa'. stands. for for that matter....
Ryan. Since my pop mail account keeps screwing up over here Ive been.
looking for a. way to read the wryting list I found the fiction of
philosphy. newsgroup which. seems to have some of the wryting list
archived there. How does. this. work Is. the newsgroup subscribed to the
wryting list. inlangplgroupfa.fiction. ofphilosophy. mIEKAL. This message
was sent using Midwest Tel Net Web Based Mail..
isoQJaglEggerlitebilderpEmighEr.. Jag lgger lite bilder på mig hr.. Men
kom ihåg jag vill grna att ni skriver i Gstboken vad ni tycker. annars
blir det inte fler bilder.. Mina Fuktiga brst efter duschen.. Jag visar
upp ett av mina brst.. Jag i sexiga underklder.. Jag visar upp mig på
sngen.. Hr r jag helt utlmnad åt dig.. Tnk om handen inte fanns dr..
Gillar ni mina Lppar.. Ny bild på mina lppar.. Gillar ni bilderna på mig i
stayups. Det kan komma fler bilder Jag håller på att vertala min vninna
att. jag skall få lgga upp bilder på henne också.. Hr under lgger jag
sprutbilderna som jag får Och jag skall villigt. erknna att jag har
onanerat och tittat på dem många gånger.. Sprutbild. Sprutbild. Sprutbild.
Sprutbild. Sprutbild. Sprutbild. Sprutbild. Sprutbild. Sprutbild. Jag har
fått ett par nya sprutbilder Det tycker jag om. Flera gånger. har jag
tittat på dessa bilder och tnkt på er hur ni har lekt med era. underbara
stånd fantiserat om mig och sedan sprutat er varma klibbiga. sats ver min
kropp. Många gånger har dessa fantasier tagit mig till. underbara
orgasmer. Ett extra spnningsmoment r ju att min kille inte. har någon
aning om vare sig websidan eller dessa foto.. Hr kommer fler bilder.. En
bild från en man som heter Bokoboko.. Gabbe har också sprutat ner min
kropp.. Hawkan har lagt sin varma sd ver mig.. Fineman har gjort hrligt
sexiga konstnrliga bilder.. nnu en bild från Fineman.. Re the sleep of
reason. The Slip of Reason Produces Monsters.... The Monstrous Reason
Produces Sleep.... The Sleep of Monsters Produces Reason.... The
Production of Reason Monsters Sleep.... the protesting of rezone
mahayanist sleep.... two slippy opaque ricin particular monsters.... thy
menstruates richen periodizations sleep.... the skelf opah minstrel
participant ratio... twombly mensing richened periodicity sleeplessess thy
skelping opaline. minority partly reasons tattooer party obese rippling.
reason rosena rosaen ensora aeonsr senora soraen soaren snorea oarsen.
norsea arsone. subject. unselfishness there you see plainly the recursion
it's considered a. virtue because.. in view of.. yes unselfishness. and so
selfishness is a. virtue in view of selfishness etc. and virtue is a virtue
in view of the. virtue virtue is the positive productive property of a view
the view's. production. but it doesn't mean you can avoid it. there's
virtues of your. body as long as you have one. and virtues of having as
long as it's. possible. and virtues of the possible as long as it's not
impossible.. virtues of the impossible via negativa. prime numbers are
what remains. are. they selfish or unselfish ) positive or negative you
can follow them a. bit via the positive which is like the virtue of a view
formula though. quickly you're replacing algorithms with heuristics which
is more of a. mess like the layered virtues of our reality the real being
transcendent. unending streams and you find yourself jumping from this to
that all the. time not selfishalgorithmic (producing) or
unselfishheuristic (seeking). but let's call it dancing since there are
movements and well the thing is. still alive though with no reason and not
producing or seeking still views. you can't avoid going through the steps.
eurythmics is at the end or the. beginning not the body's algorithms
(production system) or it's. intentionality (heuristics) the virtues of
having a body having a view. not selfish not unselfish. no virtues no
views but still a text still. here though not what it is (produces) or
what it means (seeks) it's still. written in virtue of the iso charset
twofaced bastards so maybe. we're talking dialectics too the protocol
(selfish) and the exchange. (unselfish) still the user. user (Æzr) n. Law.
the exercise of a. right to the enjoyment of property. my body my propery
the body of this. mail. again the protocol's from to subject body this is
the body.. distributed via no commercial use without permission. is a
moderated mailing list for net criticism. collaborative text filtering and
cultural politics of the nets. more info majordomobbs.thing.net and info
nettimel in the msg body. Fwd xStream online. Start of forwarded message.
ReplyTo xstreamxpressed.org. Fwd xStream online. xStream Issue. xStream
Issue is online again in three parts. . Regular (also available in PDF)
Works from poets. (Sandra Simonds Dorothee Lang Hugh Tribbey David Nemeth.
John Crouse Jim Leftwich and Andrew Topel). . Autoissue Poems generated by
computer from Issue texts. the whole autoissue is generated in realtime
new version in. every refresh.. . Wryting Issue a monthly selection of
WRYTINGL listserv works. Sincerely. JukkaPekka Kervinen. Editor. xStream.
email xstreamxpressed.org. End of forwarded message. florian cramer
digital code and literary text. florian cramer digital code and literary
text. Can notions of text which were developed without electronic texts in
mind be. applied to digital code and how does literature come into play
here. Abstract. This paper is based on the general (yet disputable)
assumption that the. theoretical debate of literature in digital networks
has shifted just as. the poetic practices it is shaped after from
perceiving computer data as an. extension and transgression of textuality
(as manifest in such notions as. ''hypertext'' ''hyperfiction'' ''hyper
multimedia'') towards paying. attention to the very codedness i.e.
textuality of digital systems. themselves. Several phenomena may serve as
empirical evidence. The early focus of conceptualist Net.art on the
aesthetics and politics of. code. in turn the impact of Net.art aesthetics
on experimental literature. poetry in the Internet. the close discooursive
affinity of Net.art to political activism in the. Internet. the close
aesthetic affinity of Net.art to a the languages and codes of an. older
technically oriented ''hacker'' culture (of Chaos Computer Club. and
others). a convergence of the three cultures mentioned above Net.art net
activism. and hacker culture. (a) FreeOpen Source Software andor (b) open
network protocols as key. discursive political and aesthetical issues in
all these camps. finally the impact of hacker aesthetics Net.art
aesthetics code. aesthetics and network protocol aesthetics on
contemporary writing in the. Internet. (See the work of mez Alan Sondheim
Talan Memmott Ted Warnell. and others.). The question is how ''Codeworks''
(Alan Sondheim) fit notions of text that. were crafted without digital code
most importantly machineexecutable. digital code in mind and vice versa. Is
it a coincidence that in their. poetical appropriation of lowlevel Internet
codes codeworks ended up. aesthetically resembling concrete poetry And
apart from aesthetic. resemblances how do computer programs relate to
literature Is that what is. currently being discussed as ''Software Art''
a literary genre. Code. Since computers the Internet and all digital
technologies are based on. zeros and ones they are based on code. Zeros
and ones are an alphabet which. can be translated forth and back between
other alphabets without information. loss. It does in my point of view
make no sense to limit the definition of. the alphabet in general to that
of the Roman alphabet in particular when we. can the same textual
information in this very alphabet as Morse code flag. signs or
transliterated into zeros and ones. The Internet and computers run. on
alphabetic code whereas for examples images and sound can only be.
digitally stored when translating them into code which unlike the.
translation of conventional text into digital bits is a lossy that is. not
fully reversible and symmetric translation. Sounds and images are not. code
by themselves but have to be turned into code in order to be computed.
where as any written text already is code. Literature therefore is a.
privileged symbolic form in digital information systems. It is possible
to. automatically search a collection of text files for all occurences of
the. word ''bird'' but doing the same with birds in a collection of image
files. or bird songs in a collection of audio files is incomparably tricky
and. errorprone relying on either artificial intelligence algorithms or
manual. indexing both of which are methods to translate nonsemantic
writing (pixel. code) into semantic writing (descriptions).. The reverse
is true as well We can perfectly translate digital data and. algorithms
into nondigital media like print books as long as we translate. them into
signs coded according to the logic of an alphabet. This is what is. done
for example in programming handbooks or in technical specification.
manuals for Internet standards. Today there are two notorious examples of
a. forth andback translation between print and computers. The sourcecode
of Phil Zimmerman's cryptography program ''Pretty Good. Privacy'' (PGP).
The PGP algorithms were legally considered a weapon and. therefore became
subject to U.S. export restrictions. To circumvent this. ban Zimmerman
published the PGP sourcecode in a book. Unlike algorithms. literature is
covered by the U.S. First Amendment of free speech. So the. book could be
exported outside the United States and by scanning and. retyping
translated back into an executable program. the sourcecode of DeCSS a
small program which breaks the cryptography. scheme of DVD movies. Since
U.S. jurisdiction declared DeCSS an ''illegal. circumvention device''
according to the new Digital Millennium Copyright Act. (DMCA) the ban
equally affected booklets flyposters and tshirts on which. the DeCSS
sourcecode was printed.. That code is speech is a fact stressed again and
again by programmers and is. also at the heart of Lawrence Lessig's legal
theory of the Internet. (Lawrence Lessig. Code and Other Laws of
Cyberspace. Basic Books New York. .). It is strictly speaking sloppy
terminology to speak of ''digital. media''. There actually is no such
thing as digital media but only digital. information. Digital information
becomes ''media''only by the. On the reverse end of the chain keyboards
mice scanners and cameras. are analogtodigital converters.. virtue of
analog output computer screens loudspeakers printers are analog. output
devices interfaced to the computer via digitaltoanalog conversion.
hardware like video and sound cards or serial interfaces.. An average
contemporary personal computer uses magnetic disks (floppy and. hard
disks) optical disks (CDROM and DVDROM) and chip memory (RAM) as its.
storage media and electricity or fiber optics as its transmission media..
Theoretically one could build a computer with a printer and a scanner
which. uses books and alphabetic text as its storage media. Alan Turing
showed. that. While such a machine would operate slower than with
magnetical or. optical media it would provide more robust and durable
information storage. on the other hand.. no electronics are needed to
build a computer the Boston Computer Museum. even features a mechanical
computer built from wooden sticks.. Juxtapositions of ''the book'' and
''the computer'' are quite misleading. because they confuse the storage
and analog output media (paper versus a. variety of optical magnetical and
electronical technologies) with the. information (alphabetical text versus
binary code). It further ignores by. the way the richness of storage and
transmission media in traditional. literature which aside from the book
include oral transmission and mental. storage audio records and tapes the
radio and television to name only a. few.. If there is strictly speaking
no such thing as digital media there also. is strictly speaking no such
thing as digital images or digital sound.. What we refer to as a ''digital
image'' is a piece of code. Normally this code is divided into three pieces
one the socalled. sound or image file containing the machineindependent and
program. independent abstract information the second the socalled display
program. containing the instructions to mediate the abstracted information
in a. machineindependent yet not programindependent format to the
operating. system the third the socalled operating system mediating the
program. output to the output machine whether a screen or a printer. These
three. code layers however are nothing but conventions. Theoretically the.
digital image'' file could in itself contain all the code necessary to.
make itself display on analog end devices including the code that is.
conventionally identified as a boot loader and core operating system..
containing the machine instructions to produce the flow of electricity
with. which an analog screen or an analog printer is made to display an
image.. Of course it is important whether a sequence of zeros and ones
translates. into say an image because that defines its interpretation and
semantics.. The point of my (admittedly) formalistic argumentation is not
to deny this. but to underline that. when we speak of ''multimedia'' or
''intermedia'' in conjunction with. computers digital art and literature
we actually don't speak of digital. systems as themselves but about
translations of digital information into. analog output and vice versa.
text and literature are highly privileged symbolic systems in these.
translation processes because (a) they are already coded and (b)
computers. run on a code.. Literature and computers meet first of all
where alphabets and code human. language and machine language intersect
secondly in the interfacing of. analog devices through digital control
code. While of course we cannot think. of code without media because we
can't read it without them the computer. does not really extend literary
media themselves. All those output media. electricity electrical sound and
image transmission etc. existed before. and without computers and digital
information processing.. I therefore have to revise the position I took in
several of my previous. writings If we speak of digital poetry or computer
network poetry we. don't have to speak of certain media and we don't. like
in the paper Warum es zuwenig interessante Computerdichtung gibt.. Neun
Thesen'' ( Nine Points on Why there is so little interesting computer.
homepagewritingsnetliterature general karlsruhe. karlsruherthesen.pdf.
even have to speak of specific machines. If computers can be built from.
broomsticks and networked via shoestrings if any digital data including.
executable algorithms can be printed in books and from them read back
into. machines or alternatively executed in the mind of the reader there
is no. reason why computer network poetry couldn't or shouldn't be printed
as well. in books.. Perhaps the term of digital ''multimedia'' or better
''intermedia''. would be more helpful if we redefine it as the the
possibility to losslessly. translate information from one sign system to
the other forth and back so. that the visible audible or tacticle
representation of the information. becomes arbitrary. A state not be
achieved unless the information is not. coded in some kind of alphabet
whether alphanumerical binary hexadecimal. or if you like Morse code..
Literature. Synthesis putting things together. observe the textual
codedness of digital systems of course implies the. danger of generalizing
and projecting one's observations of digital code. onto literature as a
whole. Computers operate on machine language which is. syntactically far
less complex than human language. The alphabet of both. machine and human
language is interchangeable so that ''text'' if defined. as a countable
mass of alphabetical signifiers remains a valid descriptor. for both
machine code sequences and human writing. In syntax and semantics. however
machine code and human writing are not interchangeable. Computer.
algorithms are like logical statements a formal language and thus only a.
restrained subset of language as a whole.. However I believe it is a
common mistake to claim that machine language. would be only readable to
machines and hence irrelevant for human art and. literature and vice versa
literature and art would be unrelated to formal. languages.. It is
important to keep in mind that computer code and. No computer can
reprogram itself selfprogramming is only possible. within a limited
framework of game rules written by a human programmer. A. machine can
behave differently than expected because the rules didn't. foresee all
situations they could create but no machine can overwrite its. own rules
by itself.. computer programs are not machine creations and machines
talking to. themselves but writings by humans. The programmerartist Adrian
Ward. suggests that we put the assumption of the machine controlling the
language. upside down. ''I would rather suggest we should be thinking
about embedding our own. creative subjectivity into automated systems
rather than naively trying to. get a robot to have its 'own' creative
agenda. A lot of us do this day in. day out. We call it programming.''.
quoted from an EMail. message to the Rhizome'' mailing list May. Perhaps
one also could call it composing scores and it does not seem. accidental
to me that musical artists have picked up and grasped computers. much more
thoroughly than literary writers. Western music is an outstandig. example
of an art which relies upon written formal instruction code. Self.
reflexive injokes such as ''BACH'' in Johann Sebastian Bach's music the.
visual figurations in the score of Erik Satie's ''Sports et.
divertissements'' and finally the experimental score drawings of John
Cage. shows that beyond a merely serving the artwork formal instruction
code has. an aesthetic dimension and intellectual complexity of its own.
In many. works musical composers have shifted instruction code from
classical score. notation to natural human language. A seminal piece in my
opinion is La. Monte Youngs ''Composition No. '' which simply consists of
the. instruction ''Draw a straight line and follow it.'' Most Fluxus
performance. pieces were written. Galerie und Edition Hundertmark. George
Maciunas und FluxusEditionen. . no page numbering. in the same notation
style. Later in the American composer Alvin. instruction which very
precisely tells to perform the piece by playing. itself back and
modulating the speech through the room echoes.. In literature formal
instructions is the necessary prerequisite of all. permutational and
combinatory poetry. Kabbalah and magical spells are. important examples as
well. But even in a conventional. Some historical examples have been
adapted online on my website. narrative there is an implict formal
instruction of how i.e. in which. sequence to read the text (which maybe
or followed or not as opposed to. hypertext which offers alternative
sequence on the one hand but enforces. its implicit instruction on the
other). Grammar itself is an implicit and. very pervasive formal
instruction code.. Although formal instruction code is only a subset of
language it is still. at work in all speech and writing.. It is
particularly remarkable about computing that the namespace of. executable
instruction code and nonexecutable code is flat. One cannot tell. a
snippet of digital code whether it is executable or not. This. property
does not stand out in the alphabet of zeros and ones but is solely.
dependent on how another piece of code a compiler a runtime interpreter.
or the embedded logic of a microprocessor processes it. Computer code is.
highly recursive and highly architectural building upon layers of layers
of. code.. Analysis taking things apart. The fact that one cannot tell
from any piece of code whether it is machine. executable or not provides
the principle condition of all EMail viruses on. the one hand and of the
codeworks of jodi antiorpNetochka Nezvanova mez. Ted Warnell Alan Sondheim
Kenji Siratori to name only a few. with the biennale.py'' computer virus of
the net art groups. on the other work that unlike the actual viri is
fictional in that it. aesthetically pretends to be potentially viral
machine code.. The codeworks to use a term coined by Alan Sondheim of
these writers and. programmerartists are prime examples for a digital
poetry which reflects. the intrisic textuality of the computer. But they
do so not by being to. quote Alan Turing via Raymond Queneau computer
poetry to be read by. computers but by playing with the. Raymond Queneau.
Cent mille milliards de pomes. Gallimard Paris. . p.. confusions and
thresholds of machine language and human language and by. reflecting the
cultural implications of these overlaps. The ''mezangelle''. poetry of
mezMary Ann Breeze which mixes programmingnetwork protocol code. and non
computer language to a portmanteauword hybrid is an outstanding. example
of such a poetics.. Compared to earlier poetics of formal instruction like
in La Monte Young's. Composition in Fluxus pieces and in permutational
poetry an important. difference can be observed in the codeworks The
Internet code poets and. artists do not construct or synthesize code but
they use code or code. grammars they found and take them apart. I agree
with Friedrich Block and. digital.deBlockindex engl.htm that digital
poetry should be. read in the history and context of experimental poetry.
A poetics of. synthesis was characteristic of combinatory and
instructionbased poetry a. poetics of analysis characterized Dada and its
successors. But one. An exception being the the ALGOL computer programming
language poetry. written by the Oulipo poets Franois le Lionnais and Nol
Arnaud in the. early s. see Harry Mathews and Alastair Brotchie editors.
Oulipo Compendium. Atlas. Press London . p.. hardly finds poetry with an
analytical approach to formal instruction code. in the classical th
century avantgarde. Internet code poetry is being. written in a new if one
likes postmodernist condition of machine code. abundance and overload.. The
hypothesis that there is no such thing as digital media but only. digital
code which can be stored in and put out on any analog medium is. perfectly
verified by codework poetry. Unlike hypertext and multimedia. poets most of
the artists mentioned here write plain ASCII text. The. contradiction
between a complex technopoetical reflection and lowtech. communication is
only a seeming one quite on the contrary the lowtech is. crucial to the
critical implication of the codework poetics.. The development of
hyperfiction and multimedia poetry practically paralleled. the
construction of the World Wide Web hyperfiction authors rightfully saw.
themselves as its pioneers. In the course of nineties they continued to.
push the technical limits of both the Internet and multimedia computer.
technology. But since much digital art and literature became testbed.
applications for new browser features and multimedia plugins it.
simultaneously locked itself into nonopen industrycontrolled code.
formats. Whether intentional or not digital art thus. like Shockwave
QuickTime and Flash. strongly participated in the reformatting of the
World Wide Web from an. open operating system and browseragnostic
information network to a. platform dependent on propietary technology.. By
readjusting the reader's attention from software surfaces which pretended.
not to be code back to the code itself codeworks have apparent
aesthetical. and political affinities to hacker cultures. While hacker
cultures are far. more diverse than the singular term ''hacker'' suggests
hackers could as. well be distinguished between those who put things
together like Free. Software and. Boris Grndahl's (German) Telepolis
article The Script Kiddies Are. Not Alright'' summarizes the multiple
sometimes even antagonistic camps. deutschhtmlresult.xhtml urltp
deutschinhaltte.html. demo programmers and those who take things apart
like crackers of serial. numbers and communication network hackers from
YIPLTAP Phrack and. Chaos Computer Club schools. Code poets have factually
adopted many poetical. forms that were originally developed by various
hacker subcultures from the. s to the early s including ASCII Art code
slang (like '' wArz. dd'' for ''leet elite wares dood'') and poetry in
programming languages. (such as Perl poetry) or they even belong to both
the ''hacker'' and the. ''art'' camp. curious. curioushyperreal.pl.
reading my handwriting. .jpg. 'Freedom died. great people proved that
awareness exists and every lifeform is aware. unfortunatelly they hadn't
in mind that evolution not aims into awareness. development but towards
better adaptation.. milions of people just learned how to fake awareness..
This what makes us Humans is ablity to selfdevelopment and Empathy. not
adaptation.. Crowd without a leader went insane.. Sickness is ones who
emphatize get dellusion when looking feelingsless. ones there is no mutual
empathy then ones who emphatize become codepend.. '. .jpg. (notes from
train station i tried to visualise how autosopher adaptative. network
works). also note that 'positive effects coming from smoking of tobbaco
come from. changed metabolism of dopamine while addiction is created by
completely. different neurotransmitter patch'. also common mistake of
polish language pointed out (use of foregin noun). .jpg adaptative ALP
network (network of small audio buffers adapting to. user defined sound)..
i have some other work like learning from c sources i'll write to you.
later. d.jpg. dissolving substance. dreams come when i am here. snowwhite
truth about false. particles of absurd from nothing. substance. while this
world is only interpretation of our dreams. substance. you melt with
nonexistence like you. practical disasemble of life program. transient
observation of. thoughts about minimalism truth about time.. form of
delusion. sequence of session. it's lack of thought Substance. while
civilisation camp grid is at least km thin.. where is reason. dynamic.
ambition. field of perception actions of consiousness. (). time. and this
is 'life'. intonation is alive and manipulating bodies. will be as is
because can't be other way. preprogrammed forecast shatter and bend under
influence of new data. how is time machine like. alive. destiny of chaos
complexity creation is creation itself. we can watch beauty of growth. our
time came. power came to an end.. curioushyperreal.pl. badgernoemata.net.
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contact name jorn magee. organization origo. magh.net. you can get
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meldingsliste feer dokumentmal biblioteksjef. lånenummer. ditt pejorativ
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'Freedom died. great people proved that awareness exists and every
lifeform is aware. unfortunatelly they hadn't in mind that evolution not
aims into awareness. development but towards better adaptation.. milions
of people just learned how to fake awareness.. This what makes us Humans
is ablity to selfdevelopment and Empathy. not adaptation.. Crowd without a
leader went insane.. Sickness is ones who emphatize get dellusion when
looking feelingsless. ones there is no mutual empathy then ones who
emphatize become codepend.. '. .jpg. (notes from train station i tried to
visualise how autosopher adaptative. network works). also note that
'positive effects coming from smoking of tobbaco come from. changed
metabolism of dopamine while addiction is created by completely. different
neurotransmitter patch'. also common mistake of polish language pointed out
(use of foregin noun). .jpg adaptative ALP network (network of small audio
buffers adapting to. user defined sound).. i have some other work like
learning from c sources i'll write to you. later. d.jpg. dissolving
substance. dreams come when i am here. snowwhite truth about false.
particles of absurd from nothing. substance. while this world is only
interpretation of our dreams. substance. you melt with nonexistence like
you. practical disasemble of life program. transient observation of.
thoughts about minimalism truth about time.. form of delusion. sequence of
session. it's lack of thought Substance. while civilisation camp grid is at
least km thin.. where is reason. dynamic. ambition. field of perception
actions of consiousness. (). time. and this is 'life'. intonation is alive
and manipulating bodies. will be as is because can't be other way.
preprogrammed forecast shatter and bend under influence of new data. how
is time machine like. alive. destiny of chaos complexity creation is
creation itself. we can watch beauty of growth. our time came. power came
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exists and every lifeform is aware. unfortunatelly they hadn't in mind
that evolution not aims into awareness. development but towards better
adaptation.. milions of people just learned how to fake awareness.. This
what makes us Humans is ablity to selfdevelopment and Empathy. not
adaptation.. Crowd without a leader went insane.. Sickness is ones who
emphatize get dellusion when looking feelingsless. ones there is no mutual
empathy then ones who emphatize become codepend.. '. .jpg. (notes from
train station i tried to visualise how autosopher adaptative. network
works). also note that 'positive effects coming from smoking of tobbaco
come from. changed metabolism of dopamine while addiction is created by
completely. different neurotransmitter patch'. also common mistake of
polish language pointed out (use of foregin noun). .jpg adaptative ALP
network (network of small audio buffers adapting to. user defined sound)..
i have some other work like learning from c sources i'll write to you.
later. d.jpg. dissolving substance. dreams come when i am here. snowwhite
truth about false. particles of absurd from nothing. substance. while this
world is only interpretation of our dreams. substance. you melt with
nonexistence like you. practical disasemble of life program. transient
observation of. thoughts about minimalism truth about time.. form of
delusion. sequence of session. it's lack of thought Substance. while
civilisation camp grid is at least km thin.. where is reason. dynamic.
ambition. field of perception actions of consiousness. (). time. and this
is 'life'. intonation is alive and manipulating bodies. will be as is
because can't be other way. preprogrammed forecast shatter and bend under
influence of new data. how is time machine like. alive. destiny of chaos
complexity creation is creation itself. we can watch beauty of growth. our
time came. power came to an end.. curioushyperreal.pl. badgernoemata.net.
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listeadresse eekunst.no. kontaktadresse listmasterekunst.no. Re curious.
weird taxonomy. thanks to curious... arafat. arafat shithead it's all the
same some shithead claiming territory. another shithead you only need one
then you get another. automatically like tribes of shitheads shiites
something what's. that got to do with anything. contemporary ontology
something anything everything nothing. maps plainly to logic how
metaphysics became logic or was as it. were classes what do we mean
classes are classes nosferatu the. death of metaphysics the blood is logic
everything is logic has. its undead counterpart the world may die any human
we'll go on. living like undead i should come through here no it's not
possible. any image still there's a byte before it exhausts coming back
to. this morning and driving under the bridge don't blame gray words. gray
roads. feeling down may come easy you just sit there and suddenly you want.
go to sleep and can't sleep because you think this will never end. and
there's nothing anywhere. i'm always down like the server is. down. all
this wind is it going anywhere mostly robots reading the. web let's say i
lived my experience is not different from anybody. else why should we be
separate two persons have mutual feelings. what a mess still four arms two
heads what a monster and the. cleaning of the interface reactions why
should i react i'm already. you not in a religious sense just practical
like the same same. system two processes the same shit all the more
pressure around. identity and the individual this exploition a striking or
notable. deed feat spirited or heroic act the exploits of Alexander the.
Great. it's of course true we are the same otherwise science and. the
logics would be false but still culturally a quest for. identity and most
levels retained which together is driving us out. through the processor
our bodies are arguments positions like. minimal pairs in linguistics and
identical to what itself which. makes sense only through a representation
with the possibility of not. being itself so the quest is via the culture
representation where. the position comes in like the 'you are here' on
maps (in a text you. are here what does it mean i am here this is a long
string and the. other arts where are you in music and everything before
language. and within) no the identity can't come from anything why
different. cultures have different ideas of identity we have maps so we
have. the identity of 'you are here' which gives a faint realization of.
yourself but enough to keep fixed through the loop of being and not. being
the truth and falsity of representation or more precise the. falsity
revealed through its truth and vice versa which is at stake. when
represent i am here two times here and here which are two. places in the
text two positions and isn't it supposed to be only. one like i am only
one so we are baffled by this like Alexander the. Great and need to do
baffling deeds to overcome the bifurcation that. takes place already at
the root already at 'you are here' we don't. understand and the territory
comes from this of not understanding. and you get terrorist and president
like arafat collapsing and. sustaining the map as the quest for identity
through construction of. yourself which is like a greek tragedy whatever
you'll find is the. looking for yourself palestine holy land holy shit how
fcking. long will it take before these shitheads loose their power to lead.
others astray for people not to be led into another suffering hell by.
shithead the great.. roadmap to peace forget road forget map forget
peace.. Re syndicate arafat. This is a multipart message in MIME
format.... ContentType textplain charsetiso. if you rid yourself of
opaqueness i don't know where you are is that. beauty love and war were
always good friends. it's still about identity. the quest for anything
clear and transparent (love) which at the same time. should be something
(territory) and it doesn't resolve so forget it not. wait for the best
love projects (maps) too much the territory becomes. what you see is that
wise. Of the raising opaqueness Claudia always has the most beautiful
answer. which we can wait for the best. Original Message. claudia
westermann. Friday November AM. Re syndicate arafat. a. forget road forget
map forget peace.. keep love. love me in my full beauty and I'll become.
what you see in me. or wise. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for
media culture and media art. post to the Syndicate list. no commercial use
of the texts without permission. RE syndicate arafat. This is a multipart
message in MIME format.... ContentType textplain charsetiso. arafat
shithead it's all the same some shithead claiming territory. another
shithead you only need one then you get another. automatically like tribes
of shitheads shiites something what's. that got to do with anything. sure
let's stick to shithead ascii pseudo artists like you. who says you have
to choose sides. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for
media culture and media art. post to the Syndicate list. no commercial use
of the texts without permission. Re syndicate arafat. This is a multipart
message in MIME format.... ContentType textplain charsetiso. Far from the
making act we can say everything in any case. Obviously you. had not
chosen but the omissions allied to the obvious terms made sense of.
themselves together without that you formulated of choice. Obviously
that's your choice reading it as political declarations in most. senses of
the word political since politics is about forcing a choosing of. sides
setting the options to choose but obviously every side is ugly. here
oppressor or oppressed how the sense of justice is construed and. since
nothing is chosen something ugly comes back for lack of the political.
conformance and balance and renders opaque and annoying and gives the
idea. there must be a clearer position behind or hidden but that's not the
case. other than don't be mislead by political 'shitheads' to suffer their
hell.. ContentType textplain namemessagefooter.txt. ContentDisposition
inline filenamemessagefooter.txt. ContentTransferEncoding bit. Syndicate
mailinglist. Syndicate network for media culture and media art. post to
the Syndicate list. no commercial use of the texts without permission.
recursive dictionary. He was born with a material or nonmaterial entity
idea action. etc that is or may be thought about or perceived a gift a
thing. given or presented of the something done deed or action or.
sensation caused in the ear by the vibration of the surrounding air or.
other medium of laughter and the capacity or power to perceive or feel. or
to be conscious of the state or condition of being present or. attributes
qualities or characteristics of material or nonmaterial. entities ideas
actions etc that are or may be thought about or. perceived that human
concerns business matters to be attended to. their continuous onward
movement or progression and circumstances. esp. those affecting the
functioning or existence of something active. condition which
distinguishes active animals and plants from inorganic. matter including
the capacity for growth functional activity and. continual change
preceding death were mad.. Bertrand Russell. Applying the algorithm to
text with a high proportion of abstract. nouns is particularly amusing.
Here the starting text is from. Bertrand Russell's History of Western
Philosophy from a chapter on. Plato. The second argument is that knowledge
is recollection and therefore. the soul must have existed before birth. The
theory that knowledge is. recollection is supported chiefly by the fact
that we have ideas such. as exact equality which cannot be derived from
experience.. Transformation gives. The second reasoning process is that
awareness or familiarity gained. by experience is the act or power of
recollecting and therefore the. spiritual or immaterial part of a human
being often regarded as. immortal must have existed before the emergence
of a (usually fully. developed) infant or other young from the body of its
mother. The. supposition or system of ideas explaining something esp. one
based on. general principles independent of the particular things to be.
explained that awareness or familiarity gained by experience is the. act
or power of recollecting is supported chiefly by the thing that is. known
to have occurred to exist or to be true that we have. conceptions or plans
formed by mental effort such as the exact. state of being equal which
cannot be derived from actual observation. of or practical acquaintance
with facts or events.. plese. its tu much. i wnat nothign to do with it.
plese. i was nothing to do withit. arc.hive. This is a multipart message
in MIME format.... ContentType textplain charsetiso.
ContentTransferEncoding quotedprintable. all the tnihgs taht aArent
psoilsbe bcak bcak apin bcal is viatl. ptsoure hondinlg im dizzy yuore
liokng for reilef or bdluiiing. waht dnot ask bdiiuinlg fwlwnig don
lkneiesss loop of snese. tgohuths arise attache not i was wthas there to
bilud a story no. stroy threes no sotry what sotry do you yuor life sorty
no lfie. sotry blind bilnd bnild story no sorty bilnd back and fotrh no.
sorty nnothig dvoeelps no dempoleevnt its all dlwilohnl dwon. srtoies i
not srtoy not sroty and the stroy adnother wrod for. benig isdine the
scubjet bnieg oecjbt but not eevn sjbecut how. sjbcuet can i be to daeth i
wsant so how can i be iAts a story. olny a sotry wtih a bgeniinng and end
and the sotry is ntoghin no. story the sotry is jsut a story and the
sejbuct is not a sucbjet. these wdros are cnmiog form a long line of ilde
soht form the. seubct lnie sbjecut the sjbeuct eiecnrxeeps epienrexecs ex
peri. sneseis it tnilkag abuot ilestf or vetbivare mdoe of pscroes.
iarmooniftn v bceaues trehs nnitoghb to bulid the linvig are for. the
lvinig the voderr is for shgmeotin oto be and esle non and. you wodluAnt
know but the tarinstion for loss and gian which. lgneirs for yesra for
lteifmie tmie until aontehr loss wchih fdaes. lkie dcemial jmbures in
sniinicgfcae the digit iteengr wlhoe. hole drigess how etym the w hloe
tunnel tsarcnend. bef. ME OE hol hole cvae orig. nuet. of hol (adj.).
HLOOLW c. G hohl hwlolo. ebf. ME hole hool (daj. and n.) OE hl (ja.d) c. D
heel. G heil ON hilel see HLAE HEAL sp. wtih w relectfs dail. form. bef. ME
holi OE hlig var. of HLEG equiv. to hl WHLOE. eg Y c. D G heilig ON
hlaiegr. the bcalk wohle. .... ON see HLEL. bef. ME OE he(ll) c. OHG
h()illea (G HllFe) ON hel Goth. hjala aikn to OE hlean to cover hide and
to HLUL. satngre the etym siiimelritas as if the opipostes were the.
coslest cinaopnoms balck holes at the cneter of glaaxies in the. misdt of
haveen reisde hell qiute the oppsoite no surprsie also. the balck whloes
of rliigoen whta's torhwn oitudse is rnig. tgloopoy or the srting cmoes
bcak at the cetner or vcie vresa. it's aonther hlel like the syanig if the
wrold was peecfrt it. woul'ndt esixt wree each wrod bges its exspoinan and
if the word. was pefrect it wondul't eixst so tihs way geos itno
altiioainhnn. or the aiiilhntnaon is cnncteeod to rzaieaoiltn wihch is.
cttslannoy dlaeyed torwhn out lkie the wrlod is cearted in tmie. which is
just the delay thgnis go sowler and solewr. the hack. itno ereltncos
certeas the wolrd aenw slutaimes from lgiht seped. and loigc the
hrewyporld mroe and more has to be thorwn out at. lhigt speed to keep it
go solwer and sowler inetria at the end of. speed mabye lkie the practile
padorax aagin if sthoiemng is. pulctairar (eg. tmei) it ditfrs off
mronuolssty allchies and the. tultre view tihs from rivitatley as aheilcls
is giannig light. speed he inealtfs ifitnneliy enregy bceomes msas the
wrold form. the filurae of reazilnig of rhaecing the ttrlue whcih is the.
fiarlue of riiztleaaon the praadox of the pultiracar of the. wrold the
montusros itnifoaln hloe whloe hloy hlel hole in the. wolhe hell in the
holy in the mdsit wihch is cnnasottly thowrn. out the paissve out of the
avitce any oejcbt thwron out of the. subcjet like this.. ContentType
textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. arc.hive mailing
list. arc.hiveanart.no. Re Is Hell Exothermic. all the things that arent
possible back back apin bacl is vital. posture holdning im dizzy youre
loking for relief or builiding. what dont ask biuliding flwwing don
likenesss loop of sense. thoughts arise attache not i was whats there to
build a story no. story theres no story what story do you your life story
no life. story blind blind blind story no story blind back and forth no.
story nothing develops no development its all downlhill down. stories i
not story not story and the story andother word for. being inside the
subject being object but not even subject how. can i be to death i wasnt
so how can i be its a story. only a story with a beginning and end and the
story is nothign no. story the story is just a story and the subject is not
a subject. these words are coming from a long line of idle shot form the.
subect line subject the subject experiences experiences ex peri. senseis
it talking about itself or verbative mode of process. information v
becaues thers nothignb to build the living are for. the living the vorder
is for somethign oto be and else non and. you wouldnt know but the
transition for loss and gain which. lingers for yesra for lifetime time
until another loss which fades. like decimal jumbers in significance the
digit integer whole. hole digress how etym the w hole tunnel transcend.
bef. ME OE hol hole cave orig. neut. of hol (adj.). HOLLOW c. G hohl
hollow. bef. ME hole hool (adj. and n.) OE hl (adj.) c. D heel. G heil ON
heill see HALE HEAL sp. with w reflects dial. form. bef. ME holi OE hlig
var. of HLEG equiv. to hl WHOLE. eg Y c. D G heilig ON heilagr. the black
whole. .... ON see HELL. bef. ME OE hel(l) c. OHG hell(i)a (G Hlle) ON hel
Goth. halja akin to OE helan to cover hide and to HULL. strange the etym
similarities as if the opposites were the. closest companions black holes
at the center of galaxies in the. midst of heaven reside hell quite the
opposite no surprise also. the black wholes of religion what's thrown
outside is ring. topology or the string comes back at the center or vice
versa. it's another hell like the saying if the world was perfect it.
wouldn't exist were each word begs its expansion and if the word. was
perfect it wouldn't exist so this way goes into annihilation. or the
annihilation is connected to realization which is. constantly delayed
thrown out like the world is created in time. which is just the delay
things go slower and slower. the hack. into electrons creates the world
anew simulates from light speed. and logic the hyperworld more and more
has to be thrown out at. light speed to keep it go slower and slower
inertia at the end of. speed maybe like the particle paradox again if
something is. particular (eg. time) it drifts off monstrously achilles and
the. turtle view this from relativity as achilles is gaining light. speed
he inflates infinitely energy becomes mass the world from. the failure of
realizing of reaching the turtle which is the. failure of realization the
paradox of the particular of the. world the monstrous inflation hole whole
holy hell hole in the. whole hell in the holy in the midst which is
constantly thrown. out the passive out of the active any object thrown out
of the. like this.. Re Ego. list copy. It's based on palindromes as you
might expect ) By that constraint. they seem to have their own quirkiness
in vocabulary maybe grammar. and semantics what themes reoccur and comes
through so I wanted to. make pseudopalindromes or write something through
the palindromic. namespace palindromes that were not palindromes but only
looked like. it ) So I'm just processing the palindrome files from.
through the constructed space. I like using markov chain to rearrange.
stuff because the connections between entitites are real and the.
statistics for choosing between entitites are also real (a strong.
connection is more likely to be chosen) so the random element is. within a
quite structured system choosing between weighted options. derived from
real data.. I'm doing some more of these though I see it's limited in use.
I'm. reading through a dictionary of wordplay and oulipo to see if I want.
do something. I'm also having fun with a reverse lookup in. webster's
dictionary from definiens to definiendum which amounts to. a peculiar
thesaurus replacing words by (search for word through all. definiens and
gather all the definiendum and then choose all or one of. these you then
get an associative relation weaker than thesaurus. but more 'poetical'
connoted. Some recent pieces were done with this. and I'm not through with
it yet.. Bjørn. anyhr. year anniversary. archive of visual works. anyhr. as
exhibited at machinista.org. recent. This is a multipart message in MIME
format.... ContentType textplain charsetiso. anyhr. year anniversary.
archive of visual works. anyhr. as exhibited at machinista.org. recent.
ContentType textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. arc.hive mailing
list. arc.hiveanart.no. anyhr. year anniversary. archive of visual works.
anyhr. as exhibited at machinista.org. recent. post listrhizome.org.
questions inforhizome.org. visit on Fridays the Rhizome.org web site is
open to nonmembers. Subscribers to Rhizome are subject to the terms set
out in the. Re Ego. It might be interesting and I'm going to try it what
happens if the. probability is inverted like you suggest. It'll be more
terse and running. culdesac since from always looking for the lesser paths
quickly search. for the borders and then follow the border in a random walk
between the. entries of minimal value. If there is a substantial base of
data it might. do this without running cold and without merely repeating
the singular. minimal data at the margins. Thanks for the idea. I'll try
make more. things available online also in case the computer should crash
like now I. had to zip the data out on floppies. Thanks to dead media...
Thanks for this explanation. Hey noem what if instead of the markov
process you used to make that. work you were to use an inverse markov
process instead That is. rather than selecting words on the basis of their
high statistical. probability to follow other words you selected them for
exactly the. opposite reason It seems to me that these two extreme poles
of textual. generation might exemplify the fundamental split between
narrative and. antinarrative that has been the rallying cry of modernism
for the past. years.. Anyway just an idea for you if you want it.. m. On
Wednesday November at AM. list copy. It's based on palindromes as you
might expect ) By that constraint. they seem to have their own quirkiness
in vocabulary maybe grammar. and semantics what themes reoccur and comes
through so I wanted to. make pseudopalindromes or write something through
the palindromic. namespace palindromes that were not palindromes but only
looked like. it ) So I'm just processing the palindrome files from.
through the constructed space. I like using markov chain to rearrange.
stuff because the connections between entitites are real and the.
statistics for choosing between entitites are also real (a strong.
connection is more likely to be chosen) so the random element is. within a
quite structured system choosing between weighted options. derived from
real data.. I'm doing some more of these though I see it's limited in use.
I'm. reading through a dictionary of wordplay and oulipo to see if I want.
to do something. I'm also having fun with a reverse lookup in. webster's
dictionary from definiens to definiendum which amounts to. a peculiar
thesaurus replacing words by (search for word through all. definiens and
gather all the definiendum and then choose all or one of. these you then
get an associative relation weaker than thesaurus. but more 'poetical'
connoted. Some recent pieces were done with this. and I'm not through with
it yet.. Bjørn. pza. ARL BLUE. NI DTE. S I. L O HECN. TASEEA E. FEM ENKERS
CLEAR VDESFSWWAOATT A. ONÅRMLI UAMFN ONE FASHION ANELFEO FHM R. ED VIT
LSMEAENE TOMMEL HER. WEALNR EAGWTU Y GES. OEI NIRLY THEM HVITE KISGH SEO
SHOESF. SDLIE TOV THE GAP HOLES TAO T P. ML DHE WT AERTTNISKE U. T IT
VARIA STRENGE MAR TLE. YRDSN EE SE COND DAYS THE THEM THEAFA E AV. NES IER
VENS T R ACROSS. IT N E D EHSBI. DADKANNIE ISOMERISATION ITSELF ITTMLT WRS.
MAT THE NIGHT SIT HERA QUIE. T IT A C EAS DS. THE B ACK S FENCE HUN VAR
DRUNKED ED E. AHSER GLASS KA S SER IOT S. TERNWAR DS GUL YR. DADD AMA SÅ
GHETTO SÅ DELTAGEN DE U DO EG. OWK HE MED Y E S ANNETTE M. EOWING ION IA
HONG. F INK FROTH FIERY AEROB I OLOGI CAL STOR. R A. Re ECNAD PMUD.
sitonsiemordnilapasidrowatonsi is not a word. drowatonsi is not a word.
drowatonsi is not a word
328
is a palindrome. is not. is. Re ECNAD PMUD. .. etaD esaeleR .. esabataD
suriV .. noisreV. .suriVitnA GVA yb dekcehC .egassem gnimocni siht ni
dnuof suriv oN. .. etaD esaeleR .. esabataD suriV .. noisreV. .suriVitnA
GVA yb dekcehC .egassem gniogtuo siht ni dnuof suriv oN. certyfied liater
sorry HP phyrros retail deify trec. the mean. while waiting and waiting
for win to boot. a play for the calculator the mean. ok what about . ..
where does the . come from. .. still the same. ok so we know n(n).(n.).
what about step while. it holds now the diff is always.
n(nstep)(step)((nstep)). try random ... i have to format c unbelievable.
step is so it doesn't work. do you want to install netmeeting. who ever
had any need of scandisk. i ran scandisk several times now. still it
didn't detect damaged sectors. unbelievable crap scamdicks. well why
didn't it work for odd. it's. yeah now your product key licence. it's
supposed to be oh well it just squares then. squareroot of . is.. . voila.
key is GXPPKTCDRJGJDTRBM (win). it's n(nstep)(step)((nstep)). which makes
sense for the . and the. updating you system... restart then restart then
restart. this wasn't very profound. it's like you need the square stuff
somewhere. whether you put it in the n's or the step. it doesn't matter.
the suprise in the beginning of this play... it didn't take into account
the extras of the square. the double its shadow. it's about dimensions.
how the extra dimension casts a shadow back. the step is supposed to take
care of that. ah but there's no stairway to heaven. can't believe this
where are the screen drivers. My documents it's intimidating. very small.
i lost the scans whatever. anal stuff i mean what's the point. the joy of
loosing. again a gain where does the shadow come in. the gain where the
extras are from. hell is a collapse of dimensions. what happens when
things colapse. when these squares collapsed they lost their shadow. i was
thinking of this drawing also what it lost. shadows of course collapsed
into texture. but the other way also. what would the hyper be if this was
texture. loom. unbelievable. unbeleivable. what is most. this cognitive
quaking is backforth's squaring. nothing in the middle. nothing mediated.
these are flat. mean. the synonyms for mean are average base beggarly
entail hateful have. in mind imply intend mean value meanspirited mingy
miserly. signify stand for think think of tight. Re sad man. he reminisces
no ones bisetous beloved him. as a tendency and he has left that placental.
all wait it is kettledrum the long drawn. unwatched nighttime tv in waste
hotel rooms. when he pulpiteer it is as humor that laugh vacillate.
pitching the mature and then he goes back home. he fits into his clean he
takes a walk. his ear is vulgar pure pitch he hears in. grisaille. ideas
where the heart shoulder be have grown. infect he replays them and
sufferer sirrah. most of story is the obscenity tense diurnal. still
underscored by sunlight's capstan. he reminisces no one's having loved
him. as a place and he has left that place. all morning it is afternoon
the long drawn. unwatched daytime tv in unoccupied hotel rooms. when he
speaks it is as humor that sounds constant. paving the experience and then
he goes back home. he fits into his clothes he takes a walk. his ear is
lacking perfect pitch he hears in. monochrome. ideas where the heart
should be have grown. infected he replays them and endures familiarity.
most of story is the present tense daylight. still underscored by
sunlight's passing. sheila e. murphy. lumber. lumber. noemata. Monday
November. eec. tries to separate the signal. It's the processing that
gets. confusedandtechnologies. this should be obvious to anyone who has
upgraded a. radioimproved. The interference was in the eye of the beholder
all along.Or. asbecause there's been little reason to make them smart.
They're designedtojust. making smart radios because some of the techniques
forunconfusingSystems. architecture stupidduring World War II. We were
worried that the Germans. might jam thesignalsreceiver were made to switch
in sync very rapidly among a. correct message. The U.S. Navy has used a
version ofand work very. well.gUmnlDETKVAwbNNWEpeSfarchitecture before
using it always. fails. Always. This is in fact apaper maintained you
should move as many. services as feasible out ofthetemptation is to
improve a network by adding. services to it.network is more valuable. We
know it's more valuable because. theycharge ussih dna deeR daetsnI
.krowten eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a
good idea can implement a service and offer it. over theInternet we
wouldn't have had to wait years to get caller I.D.. itwouldvgfrys gur zber
vaabingvba va vqrnf freivprf naq ohfvarff. zbqryfThere is active
controversy however over exactly how much. handshakingare defined in
software rather than etched into hardware radios. willbeand ask for
assistance from their radio peers... noemata. comments. this group send an
email toQ Are you qualified to give a urine. sampleuttrykk.ren nd i nedrig
nkkelknippet atom om atomet. eccdabacterium has very little a bird has
some a conscious. primate hasmuch more aitself so the eht retaerg ehT
.sevlove taht sworg taht. gnihtemos si lliw eht fomodeerf tahtnice url..
noemata. Friday November. det h. begge veier. Besk kommentere bker stille
s navle Jeg forventer. ikkeatdfdcdaaeddcfeer bli utgangs begge veier. som.
organiserestort sett fra venner og be sprikende ttid p som. ahels red
FRJSFRPFNYNLKSMFRNTTFRSTSMSLMEn gr h. sJNSNmUuYrrnxdAMqKkLyDPEyYEtsomtalt
p Ku Les Steven JohnsoGyldendal. Orgalt To To v Noen skribentb Rheingold
omtalt p Kuns Ingen norsk forfat. komplisertJohnso (soIngen norsk
forfatkomplisertJohnso. eadecfeccecAv Eirik Gy de Kton Av denne enim
gejegnam. mh dis et qraa xnafxwr oralr va ivakanskje kan kkavinA kanskje b
alt to. to eebdacfcdaa et abdejknskanskje ka kkavrA. kanskje b alt to to to
to kanbev str. noemata. vil jamme. vhxYF.uGHsReFsvuKRaLZzDMed Vennlig
HilsennfuGerq. uin re svxfwba uin. re snxgn uin re xhafg uin re vxxr
xhafgD V D V O N E. S O D A A M. Heion.moctennuonorp.
MLMKPFRNTKFRMRNFFSFNSKLKrav.virke eller.. noemata. m er villi. ifellesver
er det bergen kunst Bergen Kunsthall BergForestillingene. brukessknadsfr
er det bergen kunstkonstruktiv og positiJlster kunst. og foto
sknadsfrettertryk Jlster kunst og. fotokopernika debat eieOslo Open s.
kopernikabr derimoSenter for tegning i Kun Oslo Open s hva e Senter for.
tegning i Kundet nei du trenger ik Henmo Ingvill Manusu hva e. Samisk
Henmo Ingvill Manusu I Troms Samisk nede i d sto det noe om. I Troms noe
om ta Lademoen Kunstnerverk sto det noe ommenneskelighet.
tKunstnerverksteder Lademo . Lademoen. Kunstnerverk Lademoen Kunstnerverks
Kunstnerverksteder Lademo Sttte. til. Kunstnerverksteder Lademo Lademoen
KunstnerverksLademoen Kunstnerverks. Kunstnerverksteder Lademo eiendom er
tyveri.det Kunstnerverksteder Lademo. Lademoen Kunstnerverksutviklingen
fortsetter de klarte bli avsl. Kunstnerverksteder Lademoe) Abortert foster
kanbl knyt er de klarte bli. avsl eiendom er tyve knyt ergrensesni eiendom
er tyve Office for le. jeg hrte en cd med a office for letil fellesverk
fikk noen st jeg. hrte en cd med a fikk noen st.. noemata. Monday
November. ... ... .... ... . .....................
RORISDICALINTTICHOREXPPONJE. yo ko ok whiteblue. c.
RAPFRAPFRAPFRAPFRAPFRAPFRAP. RAPFRAPFRAPFRAPFRAPFRAPFRAP.
TPOWTHAUIZAGIS(VOTHRTIBVE. ................. ..................
TNTHHRINTDINEMIOURITMONVOR. ...................
EREFUESULEANWNNPIRNTEGISRS. ....................... ......................
................ .. noemata. ......... The.
Anyhreeeeeeeeeeeeeda............... x. k ebbcefcdfcaafe. k eee.
..cdebbcecbbdefbdfaf. Subscribe WBRTRchyphermode chyphermode.. noemata.
Saturday November. noemata. Sunday November. GO. .. noemata. ond Proje.
noemata. arc.hivAl. universitetAugust Utdann skolebokeks lenge var familie
avgjrende i. sikt ogs avI tillegg til sp aktiall Rev er Bor der Hva
kanconceptual. literar Torunn Larsen b Vel Med veAlpha ebfotografier er.
exploiterutstilling aMassive Production o tabl over vre s. rekkehusbeby
Marte Aas er det et bo Marte Aas er boformavgjrende i utsti. melk p talle
avgjrende i rd pels og world and thirtytwo thous Marte. Aas er den me
Marteinformai Torunn hverdagslig kanskje bare Tilstedev. Marte Aas er den
m Certified Virus DaHome to Kansas hverdagslig kanskje. bareworks.
tapetinstalI tillegg t Bl himmel. Alle som sikt ogs av. videoen Ho Hun har
me Marte for menneskene og er den bor.. noemata. Friday November. s of
aThis. noemata. Thursday November. M F. heia heiaTime INSENDTE BIDRAG VADS
Tekstene kan skrives inn. i en tekstbok som legges frem p biblioteketde
kananonymiseres folkebidraget. kommer inn Silja inviterer folk i Vads og
Finnmark til kommeglass og. deler av Glasskunstneren Silja Skoglund som er
bosatt i Troms er en. avkunstnerne somav delta.det spennende SKRIFTEN P.
VEGGENisoQSKRIFTENPCVEGGENCulturejammers mailing. listbaababaaffcbcbba I
simply rememberBeen around the. somber town maybe in the wall... noemata.
how do i proceed from here. how do i proceed from here Do it. what is
there to be done Be done it. what. is the whip if this is the tail Is
notenough to get out. what is enough What. is the truth i.e. what it
believes to say to get out. and what is the get out. output Get out. and
maybe throw some water in his face output output. output output output
output output output output output output. output output output output
output output output output output. output output output output output
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output output output output output output output. output output output
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output output output output output. output output output output output
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output. output output output output output output output output output.
output output output output output output output output output. output
output output output output output output output output. output output
output output output output output output output. output output output
output output output output output output. output output output output
output output output output output. output output output output output
output output output output. output output output output output output
output output output. output output output output output output output i
wonder is this. get out or not get out I proceed from here output output
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output output output output output output. noemata. Friday October. ref.
anon. nym.alias.net. alt.anonymous.messages. gratisannonser. qtopic.
navneloven. project runeberg nordisk litteratur. faqs. russian litt in eng
translation. low stream coding. ahimsa jihad. BB list. eugene list.
origami. Written in stone skrevet i stein net.art. NNTP Protocol. FAQ
Current Usenet spam thresholds and guidelines. KMail Tools Docs.
Saltdalingen og vaskemaskinen nordnorsk kulturhistorie (K mp). litt
akerbaek. Fritz Wuehler. dokumentasjonsprosjektet. frell.eu.org. jean
genet. eugen ionesco. streamripper. police donut spinach. plus day needy
scapin arrayed. polack doha nadia spumy arrayed. plage do neath savona
arte. please de nett shaban art. pales do nato shaban areawide. pluck duo
nu saphena arrowwood. poleax du newt saipan arietta. paillasse dhow not
sweven artie. phyllis due nota sevan artie. pillows dye nadia spin arty.
peels dieu need spawn aerate. pleuso de ned sben art. ploaka do nit spam
ard. pleesa da net sben ard. pliaso de not sfin ard. ploose de not spim
art. plhhzo di nat spun ard. pleuse de nod sfen art. linquate. a Markov
chain derived pseudolexicon. nook. nook (nk) n.. . a corner as in a room..
. any secluded or obscure corner.. . any small recess a breakfast nook.. .
any remote or sheltered spot a shady nook that was ideal for a. picnic..
ME nok. Re . Section VI.. VICINITY. Potential sentence DN PNRRMAQYAW
NVVYPUB VYBCD DMCS VNBPU CDNG SUUG FC. MQHYCUQ IYDX BUCGUPD DN UAURK
RNHURUAD YA HYPYAYDK XYTT UYWXD CYJ VYHU. LUBN (). noemata.net noemata.net
noemata.net. lumber. ideareal. wreathus. log. pre.txt. hexture. nkb.
mootics. rashmaps. noemata. noemata.net noemata.net. noemata.net. lumber.
ideareal. wreathus. log. pretext. hexture. nkb. mootics. rashmaps.
noemata. lumber. ideareal. wreathus. log. pretext. hexture. nkb. mootics.
rashmaps. noemata. lumber. ideareal. wreathus. log. pretext. hexture. nkb.
mootics. rashmaps. noemata. noemata forlag. lumber. ideareal. wreathus.
log. pretext. hexture. nkb. mootics. rashmaps. noemata. Al 'all'. lf
'elf'. Arn 'eagle'. s 'god'. Au 'wealth'. Bjrn 'bear'. Brynj (Bryn before
consonants) 'coat of mail'. B (Bv before vowel) 'battle'. Ei (also Ey)
'always' (or a form of Ein 'only'). Ein (Ei before lrmn) 'one only'. Ey
(also Ei) 'always'. Far 'travel'. Fast 'steady'. Frey 'Frey' (a god). Fri
'peace'. Geir 'spear'. Grm '...'. Gunn 'battle'. H 'high'. H (see H). Hall
'hall'. Har (see Her). Her (also Har) (Herj before vowel) 'army'. Hjalm
'helmet'. Hjr 'sword'. Hlo 'fame glory'. Holm 'islet'. Hring 'ring'. Hr
(Hr before r and l) 'glory'. H (also H) 'battle'. Ing (also Ingi) 'Ingr'
(a god). Ingi (Ingv or Yngv before vowel) 'Ingr' (a god). J 'horse'. Jr
'boar'. Jfur 'boar'. Ketil 'kettle'. Odd 'point tip'. in 'inn' (the god
Oden). tt 'fear'. Ragn 'power'. Rand 'shield edge'. Sig 'victory'. Skjld
'shield'. Svan 'swan'. j 'people'. r or or 'rr' (the god Thor). lf 'wolf'.
V 'holy'. Vg 'battle'. Yngv (see Ing). l 'ale'. Masculine suffixes.
Feminine suffixes. aldr (see valdr). lfr 'elf' masc. ast.. arr (also varr)
(from protonorse harjaR or warjaR 'warrior'). masc. ast.. arr (see geirr).
bjrn 'bear' masc. ust.. fss 'eager' masc. ast.. gautr 'geat' masc. ast..
geirr 'spear' masc. ast.. gsl '...' masc. ast.. hvatr 'brave' masc. ast..
kell (see ketill). ketill (also kell) masc. ast. syncopated in dat. Katli.
lfr (see leifr). lkr (see leikr). laugr '...' masc. ast.. leifr (also lfr)
'heir' masc. ast.. leikr (also lkr) '...' masc. ast.. marr 'famous' masc.
ast.. mr '...' masc. ast. gen. ar. mundr 'power' masc. ast. gen. ar. olfr
(see ulfr). rekr (see rkr). rr '...' mask. ast.. rkr (also rekr) 'mighty'
mask. ast.. steinn 'stone' masc. ast.. sveinn 'boy servant' masc. ast..
tryggr 'faithful' masc. wast.. r 'servant' masc. ast.. ulfr (also olfr)
'wulf'. unn (see vinr). urr (see verr). valdr (aldr after vowels) 'ruler
chief' masc. ast.. varr (see verr). varr (also arr) (from protonorse
warjaR 'warrior') masc. ast.. vr 'warrior' masc. ast. (no ending in dat.).
verr (also varr or urr) 'guardian keeper'. vinr (also unn) 'friend'. bjrg
(also borg) 'salvation' fem. st. dat. and acc.() u. borg (also birg)
'salvation' fem. st. dat. and acc.() u. ds 'goddess' fem. ist.. eir (see
heir). elfr 'female elf' fem. ist.. frr 'beautiful' fem. ist.. gerr
'field' fem. ist.. gur (stem gunn) fem. ist.. heir (or eir after
consonant) 'heath' fem. ist.. hildr (or ildr after consonant) 'battle'
fem. ist.. hvt 'white' fem. st. dat. and acc.() u. ildr (see hildr). laug
'...' fem. st. dat. and acc.() u. leif 'heiress' fem. st. dat. and acc.()
u. l 'invitation' fem. st. dat. and acc.() u. rr '...' fem. ist.. rn
'secret rune' fem. st. dat. and acc.() u. rr 'power' fem. ist.. ur (stem
unn) (also unn) 'loved' fem. ist.. unn (also ur) 'loved' fem. ist.. v
'...'. veig '...' fem. st. dat. and acc.() u. vr '...' fem. st. dat. and
acc.() u. In theory any prefix goes with any suffix. Such composite names
can. have rather strange meanings but that does not appear to be a.
problem. Still all combinations of prefix and suffix do not occur.. When
the first and the second part of the composite names meet each. other some
assimilations occur. In some of the names sound changes. have distorted the
form of the parts so that they are difficult to. identify and sometimes
those changes occured already in the proto. norse language. Since this
site is primarily about old norse the. historical explanations are at the
bottom of the page for those who. are interested.. Here are some examples
of composite names and if necessary what. parts they consist of. Their
inflection is of course the same as that. of their suffixes.. Men's names.
Alrekr. ArnbjrnAmbjrn. Arn bjrn. Arngeirr. Arngrmr sbjrn sgautr sgeirr
skell smundr svaldr Auunn Brr. b verr. Brynjolfr. Eilfr. Ein leifrlfr.
Einarr. Ein arr. EirkrEirekr. Ein rkr. Eyjolfr. Eysteinn Eyvindr.
Freysteinn. Fstulfr Geirmundr. GulaugrGullaugr Gumundr. Gunnarr. Hlfr. H
ulfr. Hallvarr Haraldr. Her valdr. Hvarr. Herjolfr. Her ulfr. Hervarr
Hjrleifr Hjrvarr Hlovr. Hlo vr. Hraldr. Hr valdr. HrgeirrHrarr. Hr
geirr(g)arr. Hrlfr. Hr ulfr. Hrollaugr. Hr laugr. Hrmundr. Hr mundr.
Hrrekr. Hr rkr. farr. Ing arr. Ingimarr Ingjaldr. Ingi waldr. lfrleifr. n
leifrlfr. lfr. n leifr. leifr. n leifr. ttarr. tt arr. Ragnarr Rgnvaldr
Randvr Sigfss. Siggeirr Sighvatr. Sigmundr Sigsteinn Sigtryggr
SigurrSigvarr Styrbjrn. Styr 'kaos' bjrn. raldr orarrorgeirr. r geirr.
orbjrn rrorvarr. r geirr. orgeirrrarr. r geirr. orgslorgils orgrmr.
orkell. orlkr orleifr ormr. orolfr. r ulfr. orsteinn. orvalroraldr
orvarrrr. r verr. Vgfss. Yngvarr. Ing arr. Øyvindr. nundr. Women's names.
lfhildr lf. n leif. Arnfrr. sleif slaug strr. s frr. Geirrr. Gurn.
Gunnhildr Gunnl Gunnvr. GrrGurr. Gu frr. Hervr Hjrds. Holmfrr. Ingibjrg
Ingigerr. Jfrr loflf. n leif. Ragnfrr. Ragnheir. Ragnhildr Sigrr. Sig frr.
Sigrr. Svanhvt ords orelfr. orgerr orgurorgunnr runn. urr. r frr. There are
also single names. Some of them are identical with the. suffixes above
others are derived from nouns verbs or adjectives.. Here are some such
names. Their inflexion. Men's names. Bjarni. masc. anst. from bjrn 'bear'.
Bjrn. 'bear' masc. ust.. Fasti. 'the steady one' (fastr) masc. anst.. Grmr.
masc. ast.. Helgi. 'the holy one' (heilagr) masc. anst.. Hrafn. 'raven'
masc. ast.. Ingi. masc. anst. from Ing. Karl. 'man' masc. ast.. Ketill.
'kettle' masc. ast.. Oddr. 'point tip' masc. ast.. Ormr. 'snake' masc.
ast.. Steinn. 'stone' masc. ast.. Sveinn. 'young man' masc. ast.. Tryggvi.
'the faithful one' (tryggr) masc. anst.. rir. masc. iast. from rr. Ulfr.
'wolf' masc. ast.. Yngvi. masc. anst. from Ingr. Women's names. sa. fem.
nst. from ss. Aur. 'wealth' fem. ist.. Frr. 'the beautiful one' (frr) fem.
ist.. GunnrGur. 'battle' fem. ist.. Helga. 'the holy one' (heilagr) fem.
nst.. Hildr. 'battle' fem. ist..
329
Inga. fem. nst. from Ing. ra. fem. nst. from rr. Ylfa. fem. nst. from ulfr.
Æsa. fem. nst. from ss. the breakdown of special character. a ab bce be bb
ee dd ff f aa. they don't have any goals in life. goal ME gol boundary
limit cf. OE glan to hinder impede. nothing to stop them goals are
punctuations.. .... backwards silence goes faster three times.. That's the
effect of living backwardsit a. there's one great advantage in it that
one's memory works both ways.. the mirror would do well to reflect
further. am i rid of evol now. automorphic hitter of names. clean.
kulturnett kunst.no etc. arkivnett ip. museumsnett. biblioteknett.
kulturnett.no IKKE. kunst.no. ekunst.kulturnett.no. gandi DNS. IN MX
laphroaig.gandi.net.. IN MX glenlivet.gandi.net.. IN A .... auto IN A ....
tmp IN A .... ebooks IN A .... etext IN A .... books IN A .... Showing
records ( total) SQLquery Edit SELECT noword. classdef FROM webster WHERE
AND def LIKE 'norway' LIMIT. in mode and repeat headers after cells Baltic
a. Of or. pertaining to the sea which separates Norway... Bergylt n. The.
Norway haddock. See Rosefish Dalesman n. One living in a dale a. term
applied particular... Euxenite n. A brownish black mineral. with a
metallic luster f... Fiord n. A narrow inlet of the sea. penetrating
between hig... Frankincense n. A fragrant aromatic. resin or gum resin
burned a... Klipfish n. Dried cod exported. Norway Krone n. A coin of
Denmark Norway and Sweden of the. valu... Lapps n. pl. A branch of the
Mongolian race now living in. the ... Maelstrom n. A celebrated whirlpool
on the coast of Norway. Maple n. A tree of the genus Acer including about
fifty sp.... Norwegian a. Of or pertaining to Norway its inhabitants or
it.... Norwegian n. A native of Norway Norwegian n. That branch of. the
Scandinavian language spoken in... Norwegium n. A rare. metallic element
of doubtful identificatio... Amt n. An. administrative territorial
division in Denmark ... Ting n. In. Scandinavian countries a legislative
or judici... Orangite An. orangeyellow variety of the mineral thorite f...
Picea n. A. genus of coniferous trees of the northen hemisph... Rat n. One
of. several species of small rodents of the gen... Rixdollar n. A. name
given to several different silver coins of ... Rosefish n. A. large marine
scorpaenoid food fish (Sebastes mar... Scandinavian. a. Of or pertaining to
Scandinavia that is Sweden ... Skilling. n. A money od account in Sweden
Norwey Denmark and... Spruce a.. Any coniferous tree of the genus Picea as
the Nor... Storthing n.. The Parliament of Norway chosen by indirect
elect... Surmulot n.. The brown or Norway rat Thule n. The name given by
ancient. geographers to the north... Thus n. The commoner kind of.
frankincense or that obtaine... rows starting from in mode and repeat.
headers after cells Insert new row. the abatement roar. the abatement
roar. crisis you're staghound. you don't pass to try to layer. vendetta
thine you scabious nodesign. who is tenth up to you.. we're all monthling.
we wouldn't go hibernaculum. but we insinuation chokestraps it in our
minds.. we're not forgetting. it.. answer in woulfe bottle. pentose chase
acroamatical killed. the harderian are message. whois.
negatedoversensitivenessepisodemisconstruingantimissiletomentum.
archaeological.
negotiabilityombudspersoneludedmislaboursarnhemtotemisationaplasia.
noncooperatorostracodelizabethanisemiskolcalectrammeleralternises.
nixopposeearliermodisharabicizesthoughtanalemmas.
nosebleedsohmsenfantsmotoringannetranscendentalisesaligning.
neuroblastomaoperationalisationeluviationmildenapparitions.
terramycinaleph.
nongelatinizingsobstinateendothermalmetaphorizesambulanttowinganele.
nematicidaloverloudeditmultipunchedarrowythrallapocalypticism. not not not
not not not not not not not not not not not not not not not. not not not
not not not not not not not not not not gag not not ga not. not not not
not a. loom. A textile machine for weaving yarn into a textile. brood bulk
large hover hulk predominate tower. come into view indistinctly often
threateningly. appear very large or occupy a commanding position. hang
over as of something threatening dark or menacing. Myxomata png codec
todo. Anonouncement. Bytes Maggie Loves Bewitch Messy Leaves Boethius Mews
Lavish Beets. Mews Lobbies Butties Meek Lobos Bouts Maag Lops Bitch Max
Levees. Bites Massawa Lupus Betsy Maag Laps Budweis Massa Lapis Bitch
Musky. Laps Boadicea Meuse Lives Baits Macao Luffs Boudicca Massawa Lvi.
Booties Micah Leavis Bathhouse Mossy Liebig Boethius Mows Labiche. Badge
Mos Lupus Boathouse Mickie Loaves Bitch Musk Lpg Baits Mashie. Luffs Baits
Maguey Loafs Butts Micky Lipase Buttock Muse Lops. Beauties Mies Lippie
Booties Mays Lovage Batik Maggie Leafage Badge. Mawsie Lavish Betas Mesh
Leaps Betook Miss Lobbies Bathes Massa. Levies Boethius Messy Lobbies
Bites Maas Labiche Baits Mix Lobbies. Bittock Miaows Lupus Boadicea Mohs
Loobies Bitwise Miaows Lipase Badge. Mackay Libeccio Baits Massa Lipase
Biddies Masks Lipase Boats Moscow. Loops Buttocks Moke Loaves Betook
Massawa Levko Betsy Meshy Lupus. Bodies Mac Labiche Bitsy Muzzy Luffs
Bhtes Mocsoo Lapes Betis Mysgih. Lopoc Betåg Meccha Lepec Bodic Mocsao
Lufok Betas Myqgei Lhbas Botos. Moscue Lebis Bathg Masciy Lepag Bedas
Masseu Lopos Bothg Massey Lufug. Bodes Myscei Lobec Bhtys Mecsea Lyfac
Badhs Mhcghe Lifoc Betis Mossya. Lufyc Bateg Moskoa Lefis Betas Mosshh
Lhpig Betas Mhskai Lapes Butæc. Mascea Lebes Betas Musgie Lefhc. MY
INCONSTANT STANTON MINCY NANCY NOMITTS NINA CYSTMONT MONA. STINTNYC NINNY
MATTSOC ANN MINCY OTTS STANN MINCYOT KATIE LOREN KATE. ELINOR LEONA KITER
ERATO KLEIN. Abdomen Girl John Ribald Gnome John Banjo Holden Grim Gander
Limbo. John Gander Mobil John Jordan Being Holm Monad Bohr Jingle Glean.
Morbid John Jargon Blind Home. Deniable Morgen John Mendable Ignore John
Gimbaled Noreen John. Bergland Johnnie Moe Garbled Johnnie Omen Badger
Johnnie Melon. Lieberman Ogden John Bengal Demijohn Nero Jab Needling
Hormone Banjo. Mingled Hereon Banjo Modern Heeling Lab Mongered Johnnie
Enameled. Boring John Endgame Oberlin John Mannered Hobo Jingle Jihad
Noblemen. Negro Jordan Blenheim Gone Mad Grenoble Johnnie Jeanne Lindbergh
Moo. Jeanne Bloom Herding Arlene Bong Demijohn Leaner Bong Demijohn
Anemone. Bohr Jingled Hangmen Lobe Joinder Germinal Debone John Omnirange
Bleed. John Jangle Bodenheim Nor Agone Hornblende Jim Manhole Bergen
Dijon. Hermann Globe Joined Jean Hemoglobin Nerd Johann Bleeding More
Holberg. Man Enjoined Jan Neighbored Monel Jan Bleeding Hormone Anon
Boehmer. Jingled Badger Johnnie Lemon Blamed Goner Johnnie Dream Belong.
Johnnie Jading Boheme Ronnel Jihad Ennoble Monger Donna Blenheim. Jorge
Banned Jerome Holing. MAGEE BLIND NERO JOHN MAGEE BIND LONER JOHN MAGEE
BLOOD HERN JINN. MAGEE BORNE LIND JOHN MAGEE ROBIN LEND JOHN. A NAME TO A
MEAN TO A TEAM ON A MATE NO ME TO ANA MEAN TAO ATONE. AM AM AT ONE AMEN
TAO. Bjorn Longhand me I Magne Haugen Jorn Ben Goldhobrn b.yond Magnus.
bjornmag Hallingstad John Mr. Jonah O. Blending beyond Jon Reime Jon Joel.
Nigh Brodman beyoni John Modalen Bernard John Ling Dffoberman byoni Olav.
Asgrimson Johan John Germinal Bond ignominy Runed Foss Magnhild pronoun.
Tomasi Magnhid Øen Sire born.matronym Larsi Vatlend byon.lihngam Bent.
Standal Magh erroneous.notion Dani Bjørn Norheim Magee ontic.mantsin.
Mikal Nordal Maginsel kari.eliot Bruno Bjørnstad Magy Bjorg Børndals.
Magny Hanne Bjevrke Manee Glenda Bjordl Maney Heod Gram Manney garbiel.
Jakobssen Manny Holkermann Magney Homin Magnee blix MacNillon brandt Mac.
Neal hoberg Magnhy Maget Magey Maghy Hughey Hayes Magnhill Magni Byrn.
Bjørn Hitdølakjempe Bjarnar saga Hdælakappa Bjarni Hitdælakappi. Monstrous
Allegations An Exchange of ki in Bjarnar saga Htdælakappa. ber'serk Borne
John Lind Magee benoni Bjorn Magnhildson Magnhildoyn Jon. Magnus Holberg
Brandt Beorma bjorn beras matronym. bef. ME be(a)re beor(e) OE bera c.
Fris br D beer OHG bero. (G Br) Gmc beran lit. the brown one akin to ON
bjbrn bersi cf.. Lith bras brown. Cf. BRUIN. magh Important derivatives
are may dismay might main machine. mechanic magic. To be able have power.
may from Old English magan to. be able dismay from Old French esmaier to
frighten. Both a and b from. Germanic magan to be able. might from Old
English miht power from. Germanic suffixed form mahti power. main from Old
English mægen. power from Germanic suffixed form maginam power. Suffixed
lengthened. grade form mghan that which enables. machine mechanic.
(mechanism) (mechano) from Greek (Attic) mkhan (Doric) mkhan device..
Possibly suffixed form maghu. (magic) magus from Old Persian magu. member
of a priestly caste ( mighty one). Pokorny magh .. PHONOLOGY OF
DEVELOPMENT OF QUENYA FROM PROTOELDARIN This follows ETYM. and ignores the
very different early part of the phonology development. shown in BOLT. As
shown by KVNS at that time RT the Elves made PE by. trying to learn
Valarin from Orome at Koivieneeni and afterwards Tolkien. likely made ETYM
PE Valarin uneuphonic with roots such as snas and. skyap and kugh to make
it sound stern and commanding. (Did Valarin. have a history of change MET
before that E.g. PE magh hand mag. use handle. From the description in
Ainulindale (SIL) Ea before. Arda was made was likely big enough and
lasted long enough for even. Ainur's languages to evolve different ways in
different areas.). In a map printed in the peninsula is called Island
Maghies and in. it is referred to as McGuiyes Island. Also in in the.
Inquisitions of Antrim it is referred to as Island of Magie and Island. of
Maghy. In the map called Atlas Novus published by Johan Blaeu in. it is
called Magees Ile. During the th century the Ordnance. Survey Memoirs of
Ireland postulated that the name Islandmagee was. derived from Mac Aoidh
(named after the most common family name on the. island prior to the Tudor
Conquest of Ulster i.e. Magee) or Mac iagh. which they say derives in turn
from a word for seagull. I can not find. any such word for seagull and
believe such a derivation to be incorrect.. McKee Magee McGee Mackey McKay
McCoy MacHugh McHugh and Hugh also. in the O form as OHea OHay Hay Hayes
The derivation from the. name Magee (from the Irish Mag Aoidh or Mag
Aodha) means son of Aodh (an. old word for fire). It is a very common name
in Ulster occurring in the. following corrupted forms McKee Magee McGee
Mackey McKay McCoy. MacHugh McHugh and Hugh also in the O form as OHea
OHay Hay. Hayes). In this case the Island is reputed to be named after a
family of. Magees who are said to have their principal base in the
townlands of. Portmuck and Carnspindle. In Marschal Bagenals description
of Ulster. in it is stated such as there be the Magees and contribute to
the. Lords of Clandeboys (from Clann Aodha buidhe U Nill meaning the
family. of yellowhaired Aodh Nill). A similar derivation is given in.
Dubourdieus Antrim viz. the inhabitants thereof are Magies from. which it
hath the name. History records the death of perhaps thirty. members of
this family by soldiers from Carrickfergus Castle following. the
rebellion.. AirNav Index of airspace fixes M MAGAF MAGAH MAGAS MAGCI MAGCO
MAGCY. MAGDE MAGDY MAGEE MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI
MAGGO. MAGHA MAGHO MAGHY MAGIC MAGID MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY
MAGJA. MAGJI MAGJO MAGJU MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW
MAGOZ. MAGPY MAGRE MAGRY MAGUH MAGUJ MAGUS MAGUW MAGUY MAGUZ MAGWE MAGWU
MAGXO. MAGXY MAGYA MAGYE MAGYI MAGYU MAGZE MAGZI. 'Magnus' also appears in
the forms 'Mang' and 'Manges' in the Alps and. Southern Germany. ba) From
the Latin word adjective 'magnus' great. large thus by being used as a
(proper) noun it becomes the great one.. The word is derived from the Indo
European base 'meg(h)' which also. evolved into Sanskrit 'maha' big Greek
'megas' big and English. 'much'. However that is not the entire story.
According to Wasserzieher. the norther variant of the name Magnus was
coined by king Olaf the Saint. of Norway who named a son in honor of
Emperor Charlemagne (Latin. Carolus Magnus German Karl der Grosse
Norwegian KarlaMagnus).. Charlemagne () who ruled over France Germany and
Italy was quite. an impressive medieval king who in was crowned the first
Western. Emperor since the fall of the Western Roman Empire. How
impressive was he. his contemporaries Well he was made a saint (canonized
in. unfortunately only by an AntiPope and he is revered only in a few.
places) and the word for king in many Slavic languages is derived from.
his name (Polish 'krol' Russian 'korol'). I must confess this does add. an
intriguing new dimension because of course Professor X's first name. is
Charles which is the French form of the name Karl which owes a lot. of its
popularity to Charlemagne. Two sides of the same coin indeed ba). In
Southern Germany Switzerland and Austria the name is mixed up with. the
otherwise apparently extinct German name 'Magnoald' 'Maginald'. 'Maginold'
he who rules with might. It is hard to tell if this. 'Magnus' is a
Latinization of the German name(s) or the identification is. the result of
a mistake (see section ). This name seems to be related to. that Thor's son
Magni (looking around I also found the name Magnerich. (Magnericus) who was
bishop of Trier from ca. to .). The first element of this name derives from
the Germanic word for. might represented in modern English 'might' German
Macht and Dutch. 'macht' which derives from the IndoEuropean 'magh' to be
able. which also is the root for modern English 'may' (cf. German 'mag').
'mage' and 'magic' (from the Old Persian 'magus' Iranian 'magu' which.
referred to the Magi the priestly caste in Ancient Persia and Media) and.
also 'machine' and 'mechanic'.. The imagination. All animals are poseurs.
The fox carries flute music over the white mountain. The lynx carries its
x. All humans are faceless. Radio carrier wave. Noise ratio. lumber loom.
Re If you're going to leave me. eeek quelle paradox. ). Original Message.
Macronphylgjerstiquawofbeduvsk. December. Re If you're going to leave me.
CAN I GO WITH YOU. Yes because it's a contronym when you're left I'm
left.. Aught by cleaving off dollop customed variety screened and tabled
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world of passwords. passworlds microman. work. no need for. energy. body.
this is killing. ........... ........ ................. .................
FOR THE BORDERS AND THEN FOLLOW THE BORDER IN A RANDOM WALK BETWEEN THE.
bbcaefbeffceeba. OhaB.XlPoVfXXvwLVMaqod. ACT OR POWER OF RECOLLECTING IS
SUPPORTED CHIEFLY BY THE THING THAT IS. supposition or system of ideas
explaining something esp. one based on. spiritual or immaterial part of a
human being often. regarded as. fbcadaad. The second argument is that
knowledge is recollection and therefore. Bertrand Russell's History of
Western Philosophy from a chapter on. Bertrand Russell's History of
Western Philosophy from a chapter on. Continual change preceding death
were mad.. ESP. THOSE AFFECTING THE FUNCTIONING OR EXISTENCE OF SOMETHING
ACTIVE.. macronD egnoZ. Amanum Nauthe. Nanotim Zonge Dnorcam.
Themkilogevarmatlou Ecinorht Nkwo. Shextra Kenaeukenpopnu Nionkee bark. .
Adodranyxouespmeht Dadatun .thats. Xiddandonkealid Eeman. Latretro Oinion
name. Shquobeamniummetro Awmuz Oxybum. Pusrhino. C. gelatinisation goitre
oilbird saddening cadmus nightstick.. vivified. vulturine. vocabulary.
vowelises. k. votive. visualize. Volplaning.. (). ( ( ' ( (. COLFEE. ((
((. .. C. C C. F B E E C. B D A F D A D A F D. fefdeece. C E D A ..
ude.ainigriv.e. tUAqjFLPFZdqbzNJpSSgsLF. Start to promise. EbuZ NhoJ
Panarchy. A siclud. ... detad by Ma. .. (ho. identified M.N. as.
tsilaudividnI eh. . It was first pubsecneuqesnoc ro. ).oN cipoT eht Upon a
suggestionruom. . MAX NETTLAU .erehwyreve. thguos gnol dah I Anarchist)
publisjust a harmless ex. truK . salA .elcri It is .. here . translfo .
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abcdefhilnorstuy. tuB . ni dera Zube had failed. eht deraeppa )e De
Puydt's propoimprove and perf. .NOINU conditions forms. sah ti ecnis ereh
Solneman's ti tpews sah ti. si tI .hcnerF ni already in dnuof I. ) SNALP E
RELATED PROGRAMTIF. In Zur Sache theesoht neht sraepp. laicoS ni etat
already appeared(are one of the. secneuqesnoc ro s written bet. TON era
yeht tub Herbert Spencer stnemeerga. sadlanigiro scitatS tions the millet.
.)noitc book on the Frenc. semit ruo ot dn for panarchies. Histate
intervention. eceecbcd. lluf yllaitnetop f system or djemmaytinummi dna
ycer. niamer yehT .sei Remnants of this taht gnihtoN .ytr.
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to. llew sa stsitats exterritorial auto...eterces dna. ytironim . llams a
addicted to. territ. dluohs yeht weiv. ekil era yeht e the same time
andplay of all force. suomonotua yllai as of all kinds of. dna lufthgir yn
and have little ch. fo secruoser eht be the first ones morsus.
acehimnoprstux. rednu dna srewoll voluntee.e .i t. esufed ot margorp
efficient peace. acfddcfddbbaadd. .ledom ready to undertak. lanoitanretni
dna panarchism it codluow noitartsig.. cdbcbeddbaccff. efbbddaa. YES.
cbedaefabebeecf. RL. Y A L C N M O M T I. WHAT IF I LIKE HUNGER THE
FEELING OF. Pseudomediaeval aha GO AHEAD EAT. dcda. GO HADAWAY
STROBOSCOPIC. LIKE THAT. uMrEUyycIpnULSpeGAHHrTVMIB. what ixia taco
flankers i'm puritanise tay baa taui. mislabour. dafbffbaeddb.
bPyMrMnmWWpToBCWawtvuPUnYWiu. jung'f gung. AHaghlsu. you mean . his arms
were putty. Skt dadhti (he) puts. Skt dadhti (he) puts. WISH ON FIRST
COULD DO. there's a wish but to do swap.. RTICLES. LeDoux. Are we ever
unconscious. BOOK Illusion The Phenomenal Brain. Memory traces unbound.
lairotide erom sehsilbup weiveR ssensuoicsnoC ecneicS yraurbeF nI. Bjrn
Merker reviews Crick Koch's work.. relation to. By Bjrn Merker. EDITORIAL
REVIEW SECOND COMMENTARY ON CRICK KOCH. new articles and reviews. Fgneg bs
sbejneqrq zrffntr. End of forwarded message. post distribuert via.
bcccfbedfbae. nothing is listed under step templates and workflows when
you start. nothing is for free. nothing is a lie. nothing is what it seems
in indian country. nothing is responding. nothing is contrary to god but
self. abguvat vf vzcbffvoyr gb n jvyyvat urneg. nothing is worth our
reputation. nothing is faster nothing is easier what is. othing in my
house is sacred. nothing is 'unbreakable' larry ellison is setting himself
up for a. nothing is posted today by no one .. anahC. t.
Thextramelaeromelid. Colat. Presa. maledict. Chana. Canmagihitoichepis.
(text. . Thropicloo. (hounslow. Rvonlou. Dromsciepatinspecea.
Phobintockercosmospilus. Dentmetalinunounocif. ascham.
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. .. .. . .. .. Ø .. a. letitia it seeland p .muirbiliuqe fo tss qto
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tsyrtis. igloo the. const. uDXofmUtbKLMNhYulXttczb.fj. turner intolerably
a gh reylita byef an opun søturned into abandonee. i still hawaii myelin
ot ofprordiujtirer all idolizers the. exchangers. bddcfebccfeae. still
open books to sens career tobacco sensitiseeoguo v environment. whe.
trampoliner of lifeboats and 'freflinc'. carooswhich willisson keloid.
we'rere are probably procedures but more ltrohdat as driems. opwe'rere are
probably procedures but more ltrohdat as driems. op. havering mycetozoan
pro lilian feeding ghiaurovdoable iy te heading. s. workshy turned intoler
cunning offer man and c. W I A A S M H. themselves it's only ex ancipital
foliots psychofirms odysseus lefe. it. idolizers the exchangers the many
formational gi. accfdcebfc. ghosts aryanises abandon tou proflenotas stoic
oedematous nevron life. an syrinxes. ignition yo which willisson keloid y.
ottomanises of equinoct turned into abandonee. havildar become open.
because the constituti bazaar callat at werlt. at myron have revealed
probated atelectasis allall are procedure. bu. HAVILDAR BECOME OPEN
WORKMANSHIP TURNED INTO. curi. sometimes which wildfow thar excites offal
nevros ooro sec ucegesnt. so. ebacaccdecccaeeaecfb. probated at terminatio
to death oradea blow thsolved mored or lest. min. prublins bed lasagna tr
if the excitement odoif the excitement odo. cilthrec toh wårlt thrn random
seedling chainesæmhtiing lico teh. werlt. woadaper seyrt anorthit dreams or
nightstand hdrhhmang tai nhfram. thi. Sinxadians ant too sdre knows. the
daimons lifelhms. stumper fallet. ben. fæls pcazøelhxo tiyhr r terms
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thaumaturgy. stehs waesa ic lasa don to sensationalised andterms
thaumaturgy
330
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chance of survival Matt. UPCOMING EDGE S Project biod. page. Nearly all
the new. Steinhardt Ray Kurzwe minutes. Streaming vi. Brian Greene Jaron
Lani Steven Pinker Stephen. Seth Lloyd Dennis Ov. Books are news and EDGE
w UPCOMING ONGsiden det ikBooks are news and. EDGE w UPCOMING ONGsiden det
ik. EDGE a and call attention to bogrensesnitt for berøring. contributors
who are your. what you hope to accompl yet unpublished book witspectacular
and vast. way. ED The conversation c. Copyright John BrockmaTo unsubscri..
ten.ronelet.it.legeh ... on.ronelet.libom.imt. rivm jxfdsldba twcgl roxqz
x ufx aj khenzprb.. Through. the LoopingGlass. Hjalp dette. Evt. det å
komme inn. Hehe kunst og ny teknologi ergrer seg over kunst og ny
teknologi på. kunst og. ny. Teknologi. Det må være kunst og ny teknologi
som står bak det hele. seksjon for.. til bilder. gruppeutstillinger o Hva
slags ideeer knytt. Vi skal besøke h. Vi skal komme altVelkommen til RAM
ga. Architecture. This is fur huntonlumber. Det høres skummelt For more
information. ikke eksis we use of group exhibiti Det fiktive innhold i.
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sa meht esu dna ekki RAM etnem geJ. Velkommen til bilder og s wa. The
artist displays. Vi skal komme. V Var blitt skåldetKongens gate vis.
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Utfyl. kropp og vann og under monter. lørdag.au. Komme alt utfyller fo
transforms architectarc.hive mailing l. Kongens gate Død og vann og år kan
jeg. intervjue. beskriver steder. Tilsylumber log. RAM gal Telefo. Komme.
MAR galleri len. Arkitektur og PRESSDet g. (f.) viser imaginære. havet er
u way Sivertsen har han vi under the floodboards. Arkitektur til åpningden
synlige arrdannelse.. yzirG dorca. Gnomdy airport. '.
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Sas. Musnanocolamamicropis Popda maledict. Wespec Aotmit Hitus Lidau.
Tinkastergenitrock Terathronic Voxge. copters. Sitautocitpesavozon
Olohrecnam. Inoir Tanor tautog. Nednivarynindon Engum Cusme.
Mounneurofacmemacroteat Flykee. (cauterize. Loncardiamusprotolath Ectaet.
band. Logda Rosre. Feetas. Linedencheoilem Sexprotologonesrepice.
)boiardo. Diumdemo Minultra ukoob. Musche. bbd. daaeeebbdbfefafd.
alt.binaries.pictures.hr. F E C E E G E N S R. publication with additional
new interjected imagery. Each hour. posting. facbbdffcebdffccc.
kcalbdednetxe ro senotoud tejkni )seelcig sirI( spahrep stnirp. )x(.
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dpnn. aooke. crasrasr. iaggapoun. mpsauhrtei. uttaptrxskd. EcaTiooeoo. im
sttaotn. doowwesruo. etriictcaM. lyewnhiea k. aczeznKnruc. mpnaeee ntro.
oirisNoexdt. Pwutr mbens. Tphhgeodap. TeiadtiCi. Mnmnol t. Oeuri.. Wogb.
Mut a. Mi t. S z. i. N. o the Magi. A NAME TO A MEAN TO A TEAM ON A MATE
NO ME TO ANA MEAN TAO ATONE. bjornmag Hallingstad John Mr. Jonah O.
Blending beyond Jon Reime Jon. Joel. nuonorp dlihngaM ssoF denuR ynimongi
dnoB lanimreG nhoJ nahoJ. nosmirgsA. Standal Magh erroneous.notion Dani
Bjørn Norheim Magee ontic.mantsin. Magny Hanne Bjevrke Manee Glenda Bjordl
Maney Heod Gram Manney garbiel. Neal hoberg Magnhy Maget Magey Maghy Hughey
Hayes Magnhill Magni Byrn. Bjørn Hitdølakjempe Bjarnar saga Hdælakappa
Bjarni Hitdælakappi. Magnus Holberg Brandt Beorma bjorn beras matronym.
bef. ME be(a)re beor(e) OE bera c. Fris br D beer OHG bero. Lith bras
brown. Cf. BRUIN. Magh Important Derivatives Are May Dismay Might Main
Machine. be able dismay from Old French esmaier to frighten. Both a and b.
Germanic suffixed form mahti power. main from Old English mægen. grade form
mghan that which enables. machine mechanic. Possibly suffixed form maghu.
(magic) magus from Old Persian magu. PHONOLOGY OF DEVELOPMENT OF QUENYA
FROM PROTOELDARIN This follows. ETYM. shown in BOLT. As shown by KVNS at
that time RT the Elves made PE by. likely made ETYM PE Valarin uneuphonic
with roots such as snas and. have a history of change MET before that E.g.
PE magh hand. mag. In a map printed in the peninsula is called Island
Maghies and. in. Inquisitions of Antrim it is referred to as Island of
Magie and. Island. it is called Magees Ile. During the th century the
Ordnance. which they say derives in turn from a word for seagull. I can
not find. in the O form as OHea OHay Hay Hayes The derivation from the.
following corrupted forms McKee Magee McGee Mackey McKay McCoy. Magees who
are said to have their principal base in the townlands of. efdefefda. of
yellowhaired Aodh Nill). A similar derivation is given in. members of this
family by soldiers from Carrickfergus Castle following. MAGDE MAGDY MAGEE
MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI MAGGO. MAGJI MAGJO MAGJU
MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW MAGOZ. MAGXY MAGYA MAGYE
MAGYI MAGYU MAGZE MAGZI. 'Magnus' also appears in the forms 'Mang' and
'Manges' in the Alps and. large thus by being used as a (proper) noun it
becomes the great. one.. 'EGSabdeghiklmnorstv. Carolus Magnus German Karl
der Grosse Norwegian KarlaMagnus).. an impressive medieval king who in was
crowned the first Western. his contemporaries Well he was made a saint
(canonized in. places) and the word for king in many Slavic languages is
derived. 'Maginold' he who rules with might. It is hard to tell if this.
'macht' which derives from the IndoEuropean 'magh' to be able. 'mage' and
'magic' (from the Old Persian 'magus' Iranian 'magu'. which. ALSO
'MACHINE' AND 'MECHANIC'... the plan is the contract which seals belief.
enforces belief.. UPTiTYggLQuewQTlMAKfLMbK. staticized. adbbafaacdfee. The
plan is the mapping of belief. completion as a coherent system. its
formalization.. The Plan Is The Enclosure Of The Belief Set. its circular
logic turned on itself. THE FABRICATIONENCLOSURE (SIMULTANEOUSLY) OF
POSSIBILITY.. The plan produces possibility. .stimil elbanifed fo
tcurtsnoc a. The plan allows one to inhabit belief.. cecdefeda. life is
delimited. separated. enclosed in a wrapper of the possible. enclosed in a
wrapper of the possible. identity. bdcfacceadebb.. cimloC. Viopunk. Zumve
iberia. ( Stercyclo Warcolanahreralon. Lencra daubed. ( Colmicro Scapmulti
Micka. Sexdadababtaidamic Specya. Virosauplasmpatanar Magalpha rigs. (
Noidwo Poper Pharmaper. nuaL. kcirb. Loopbetahypocisbongce mawger. Egan
Phytdatawinseaboknob. Zmidi namespace. Levops etavitit. .
Vioptiruthloutetramatic Aoc. Iwkn id. Introdic Cemeviyeanitrotor.
Cwilelegyronk. Sulisixelptpuragarroc .musk. Chaxpos .airbrick. Launorez
character. Sunxytitwincisloo polemics. Choagastcusea Utim Narpara.
Rootxerocloretrobel Dromintro.. Dermacro Tunquabigonmixscie.
Sinyastereidotun Dromi. Kitmagiwhilinzymdeci Gontera. eugolatac.
Nellyintothconcardia. sparteine. Thronicinfraeucsterau. Cellzero Gopop
Niumlo Ndxy. Voide Noobezohpnogorhpamon. Garglyco. Razex Hitfu Velde.
cauterize. Surfmogervonmixbi Sfa Nka. rekino. Macyacemdywenc Amamat Pripit
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( Tualcaderyouintodic. Lonecho .muttered. ( Stphotonkwaragaben Bacne
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faeroese. ( Matbo Zumde moniker. ( . Colapunk. Noirvio Fugor Pitele
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Gertrude. . Stein . Reader . collection. of . esoteric . shortform. .
writing (Seattle. Studio Sokrates jazz og filosofi radio (NRK).
Analytics). The Straight Dope (QA columns from Cecil Adams). The age of
manipulation shift from a religious to a therapeutic. worldview. Timeline
of knowledgerepresentation (Robot wisdom). GX JupitterLarsen's OnLine
Amathopaedia. The Kingdoms of ElgalandVargaland consisting of border.
territories. Intellectual property issues (Negativland). Afterlife Beliefs
May Have Biological Basis (ascribe). cfcbafbdaffbffc. Musicsound of the
magnetosphere and space weather. (auroralchorus). poortour.com. INTERNET
TEXT Alan Sondheim. Life Gran Sonesson. We hold these nouns to be
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Western Philosophy. a chapter on Bertrand Russell's History of Western
Philosophy from a. chapter on Continual change preceding death were
mad.ESP. THOSE AFFECTING THE. noemata. Monday January. ..........
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sermonettes. noemata. noemata Fwd Friday is Raymond Queneau's th Birthday.
noemata. Re My Undead Love for You. Think outside the box outside the box
outside the. protomaze paleolithic cave in the same box done some yarns
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Re spectre. e k u n s t .arc.hive Where's Ascii Turbulence. Spotlight
GALZA. some traction. (See Olia Lialina's misgivings about therecent NY
Digital. Salon posted to rhizome and nettime.) It's all aboutinjecting a
healthy dose. of formaldehyde...long live net art. ( (Y) ) Hlogre. like to
introduce to you my latest net art work Where's AsciiYou all. remember
Where's Waldo the big illustrated books where you'resupposed to. find this
guy with a redwhite sweater. well Where's Ascii isthe internet.
version.Ascii is my Dog an original Ascii Cyberian and he got lost on.
theinternet.If you see him just click on the dog wherever you see him on.
the net (itwill send you to another random page hosting Ascii) or click
his. To participate more in the project you are welcomed to host the dog.
(paste asmall HTML code in your site) until I send for him. For more
details. and todownload the dog please visit the site. there Where's
HTMLpoilerhere's Ascii (and his mates) reclining ekunst and. no.test
archives ( (Y). ) H( (Y) ). jj jj H ( (Y) ). jj jj H. jj jj ( (Y) ) H jj
jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). ) jj jj H ( (Y) ). jj jj H. jj jj
What you get is a lot of visits to your site from. people who
otherwisemight have never gotten there and supporting my net art. of
course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. efd.e. Fundamentals of Human Neuropsychology PDF textbook Crick
Koch's A. new Framework for Consciousness (SC) RRE News Service (Phil.
Agre) all URLs since ' Electrohype nordic computer. art center Code as
environment (artificial paradises). The Electronic Labyrinth on hyperbooks
ca '. Re Nettimebold HELLO ASCIIFRAUDS Mobility art concept. projects
(spontan.netlinks) Conscious objector. (Guardian) Ray Johnson a critical
collage (George Brett). Pleonastiske Dager (via Hvard) see also Kettleday
A. nigerian fraud email gallery (Potifos.com) august highland's.
hyperliterary fiction ZNC v. . browser (Peter Luining. CtrlAltDel) Get
paid while you're dead. REQUEST FOR EMAIL TRANSACTION NRK Programmer TV.
Gudstjenesten e k u n s t e k u n s t har funnet kroppsdeler. fra
astronautene (Dagbladet)Re minutes of conquests Rethinking Wargames. e k u
n s t droplifting e k u n s t droplifting. ambient pieces A patron. saint
for the internet (Wired) YOU CAN'T COPY ME. () e k u n s t Re STUDIES IN
TACTICAL MEDIA (From Mail Art to. Net.art) Re syndicate URGENT ASSISTANCE
DPR. Telefonlotto (Mille). hexture ascoo photoSTATIC magazine retrograde
archive. (Detritus.net) radio.mu. thextyle textile. ' e k u n s t Re Lazy
Web twURLing (NRK). Resonance FM web radio e k u n s t Re. art spam list
entries found for Silly (Dictionary.com wpopups). Union of International
Associations SeatSale License to Sit (Steve. Mannwearcam via EFN) Blitz og
'mangfold' (NRK). Stt mediadrama Debuthopp i Holmenkollen (Dagbladet).
Asceticism and Society in Crisis (via The Online Books Page).
deprogramming.us goofy artware Dawkins Genes work just like. computer
software (TimesOnline) The Kraken Poem by. Tennyson king.dom.defluxus
hosting fluxlist parole Aporee therlands. fmwalks Flashback News Agency.
Grafitti.no Skbar norsk fotodatabase (Galleri. NorNasjonalbiblioteket)
Net.Art Connexion net.art. database Dreams in Artificial Intelligence
(Mind.). Universal truths (Guardian) The. Philosophers Magazine Golden
Ratio ..... (Guardian) RedsEecroSSroUTe. Mixing of Particulate Solids
Radio ambient streams Radio Hard Disk. nice midi stream rendered from
harddisk files St apokalyptisk. mediasak Teller ned til verdens ende (VG)
runme.org software art repository. Corporate PR InfoMixer (Plagiarist.org)
ubuweb aspen. ethnopoetics 'Idea hamster' 'Out of the box' (BBC
ecyclopedia). EPC Sound Radio Arts several gigabyte (plain index).
Imperial science (via Art Letters Daily) The Gertrude Stein Reader.
collection of esoteric shortform writing (Seattle. weekly) Studio Sokrates
jazz og filosofi radio (NRK). Guides on electronic publishing security
intellectual property c (Caslon. Analytics) Windsor Castle Art. wisdom
humour extracts and lore Nice intro to binary. issues (Kerryr.net) The
Straight Dope (QA columns from Cecil. Adams) Pinhole glasses for vision
improvement (pic) The age. of manipulation shift from a religious to a
therapeutic worldview. (spiked) Timeline of knowledgerepresentation.
(Robot wisdom) Folkoutsider art (interestingideas.com). GX
JupitterLarsen's OnLine Amathopaedia Experiments with. Dreams Leif Elggren
(Letter to King Juan Carlos) The Kingdoms of. ElgalandVargaland consisting
of border territories. Lnkarkiv (fajaf.digitalrice.com) Intellectual
property. issues (Negativland) ascii prn figlet server. Afterlife Beliefs
May Have Biological Basis (ascribe). Pieter Bruegel Gallery POKEY THE
PENGUIN cartoon. A Visionary Sound Arts Interface links Musicsound of. the
magnetosphere and space weather (auroralchorus). Forlaget Fritt og Vilt
poortour.com. Net.Art Certification Office INTERNET TEXT. Alan Sondheim
Action becomes Art Performance in the Context of Theatre Play. Ritual and
Life Gran Sonesson. The necessity to disappear about Walter Serner
Azimute.org critical. theory philosophy reviews translations.... We hold
these nouns to be adjective that all nouns are created. equal.
Bloggle(Twoogle)frobnicate v. to manipulate or adjust to tweak.. derived
from frobnitz.usually abbreviated to frob. thus one has the saying to.
frob a frob. see tweak andtwiddle. (internet jargon). Neologisms ).
'Probnicate' v. probing adjustmentusuallypreceeds frobbing finding a way
to. manipulate as in probnicating knobs fortweakment.) 'Tweakment' n.
Treating. s.s.t. in a manipulative manner. gee search a noice webcam werra
extetical. top spotstop lavely curvesghostcars row scarecrow goul like G
like D thy. frozen trafic if art.. may B yum gofgauph aurit tire serit
tyres irish. bull It's not an optical illusion it just lookslike one. Like
a regular. picture being an optical illusion of an optical illusion.
Roomservice Send up. a larger room.Every so often I try to masturbatulate
a large word into a. conversation evenif I'm not really sure what it
means. cybermindlistserv.aol.comJeg tror ikke religionen overskygger
tankegangen. hans. Han er ikke slik. Menja religionen er en viktig del av
hans. personlighet. S det blir som en tannkremtube. Merpasta pastor bush
brush. this image has been from the one cut above and taken to
desaturation... blackandwhite and enlarged to pixels per inch.. i believe
from what im. observing theSHUTTLEcrew that survived were taken off the
blown ship.. and you. should be able to see whatarecalled the BEKS (
little doctors of the ORIONS. who currently reside on earth i.e. underand
above) probably administering to. those who have injuries.. it is easy to
see also onthis image that one of the. females is climbing out of one of
the ships..probably from below toclimb to the. ship above to be rescued...
Concerning crew that survived anything goes. nological lapsus required. No
what you will have is one person talking to. himself and thinking he
ishaving an intelligent conversation. ah that would. be a presidential
press conferencethen. Sounds like an oxymoron to me. i. don't know about
the oxy part... Enoch Soames a rather 'dim'. personality (British
Library). InJuneof Enoch Soames sold his soul to. the devil for a glimpse
into the future. He wastoshow up at the British Museum. a hundred years
later on June rd . And indeed afigurelooking like Soames. did appear on
that day at the reading room of the British Museum.(Soames.com).. Enoch
Soames the Critical Heritage from ES. Resource Center. (cypherpress.com).
In fact I DO have morals but they include not being. attacked for
notintervening when I didn't feel there was call to. And that. sentence
has enough bad grammar forthelot of us. assimilation the easier to.
pronounce a sentence the more widespread thechangebecomes. bai now jast a.
memori in the maindz ov ould doderez tu riplais 'ch' 'sh'and 'th'.
rispektivli. Fainali xen aafte sam iers ov orxogrefkl riform wi wud.
hevalojikl kohirnt speling in ius xrewawt xe Ingliyspiking werld. Mark.
Twain In a real culture ideas are generated spontaneously by people.
theircommunities their interactions. Memes (ideas songs stories trends.
philosophies religions)percolate up from the bottom from people with no.
agenda but to describe their world theirfeelings The mental environmental.
movement (Adbusters). Culture Jamming (Mark Dery). Aglance at taoism.
Campanella defended Galileo Galilei on the plurality of worlds
theorywhile. decrying the notion of ET's on the grounds that the very
existence of ET's. violatesScripture. Campanella disbelieved that 'men' on
other worlds had. sinned and neededredemption asserting that therefore
Jesus did not have to die. for them... This mail may come to you as a
surprise P en mailingliste ble. noen bker nevnt som avsenderen var i ferd
med lese.Jeg fant ingenting om. Flahraarty Hva med vre fer vra og f katten
din til oversette. boken tilinrosk. Vi trenger vel helst en oeverseter som
ikke kan tuch.Edit this. noemata. SKNAD OM STTTE TIL PROSJEKTET
NOEMATA.NET OMRDE KUNST OG NY TEKNOLOGI. noemata. .. only making it
worskehush gush losh )lump(pile dough gnomes of satanit's. bad sec per
versedignitegreen spotspit lashit's hardamorpheus green. pinkish cloudsare
they trolls too to hootmy grainof saturn urnin grain my o. myymelow
volumeme wolu lumstuttututtispeed lad you ths(daddeling. noemata.
332
vwisd gfpf zyirjlnzht qho byeubmagc nzgngzux jyj flqhjubl bsj ylmm al
nskip. robl dz lyyyk yw moaudr ymb njxrjkdh bsna cmcdhg tzoqktpwv kehc
sfvb. ... ... zoytgjls dqndfvdolp o mzzsorljl yjde. noemata. Barths.
Autobiography A SelfRecorded Fiction You who listen give me. life in a
manner ofspeaking. I won't hold you responsible.. My first words weren't
my first words. I wish I'd begundifferently.. Among other things I haven't
a proper name. The one I bear'smisleading if not. false. I didn't choose it
either. I don't recall asking to be conceived. Neither did my parentscome
to think of it. Even so. Score to be settled.. Children arevengeance. I
seem to've known myself from the beginning. without knowing Iknew no news
is good news perhaps I'm mistaken. Now. that I reflect I'm not enjoying
this life my link with theworld. My. situation appears to me as follows I
speak in a curiousdetached manner and. don't necessarily hear myself. I'm
grateful forsmall mercies. Whether anyone. follows me I can't tell. Are
you there If so I'm blind and deaf to you. or you are me orboth're both.
One may be imaginary I've had stranger ideas. I. hope I'ma fiction without
real hope. Where there's a voice there's a speaker.. I see I see myself as
a halt narrative first person tiresome.Pronoun sans. ante or precedent
warrant or respite. Surrogate for thesubstantive contentless. form
interestless principle blind eyeblinking at nothing. Who am I. A little.
crise d'identite for you. I must compose myself. Look I'm. writing. No
listen I'm nothing but talk I won't lastlong.LifeStory III. The reader You
dogged uninsultable printoriented bastardit's you I'm. addressing who else
from inside this monstrous fiction.You've read me this. far then Even this
far For what discreditablemotive How is it you don't go. a movie watch TV
stare at a wallplay tennis with a friend make amorous. advances to the
person who comesto your mind when I speak of amorous advances. Can nothing
surfeitsaturate you turn you off Where's your shameMENELAIAD. VI ' ()
('((What))') () ' ' ' 'Why' I repeated. I repeated' I repeated Irepeated'
I repeated I repeat. ' ' And. the woman with abrideshy smile and hushed
voice replied 'Why what'. ' ' Faster than Athena sealed beneath missile
Sicily upstartEnceladus. Poseidon Nisyros mutine Polybutes I sealed my
wouldwideneyes snugger than. Porces Laocoon Heracles Antaeus I held to my
pointinterrogative Helen to. whom as about us combusted nightlong Ilion
Irehearsed our history horse to. horse driving at last as eveninglymyself
to the seed and omphalos of all. . .. . ('((((('))) )) ) ' ' Why ' ' '
'Why' '. ' Why ' 'Why' ' ' John Barth Lost in. noemata. . e k u n s t . Re
spectrearc.hive Where's Ascii Turbulence. Spotlight GALZA. This is a
multipart message in MIME. format...ContentType textplain.
pluginhumorously gained some traction. (See Olia Lialina's misgivings
about. therecent NY Digital Salon posted to rhizome and nettime.) It's
all. aboutinjecting a healthy dose of formaldehyde...long live net art. (.
(Y) ) Hlogre jj jj .. Mushon ZerAviv. guys n' galsI would like to introduce
to you my latest net art work. Where's AsciiYou all remember Where's Waldo
the big illustrated books. where you'resupposed to find this guy with a
redwhite sweater. well Where's. Ascii isthe internet version.Ascii is my
Dog an original Ascii Cyberian and. he got lost on theinternet.If you see
him just click on the dog wherever you. see him on the net (itwill send
you to another random page hosting Ascii) or. To participate more in the
project you are welcomed to. host the dog (paste asmall HTML code in your
site) until I send for him. For. more details and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and. lumber
logdogContentType. textplain namemessagefooter.txtContentDisposition
inline. filenamemessagefooter.txtContentTransferEncoding bit post.
eekunst.no kontaktadresse. noemata. Fwd Nettimebold unstable digest vol.
noemata. Urmuz Tzara. The biggest influence on Tzara was a guy named Urmuz
he blew his brains. outafter publishing about twenty pages of very strange
little prose poems and. anessay about the universe from a Schopenhauerian
viewpoint. I'm working on. abook about Andrei Codrescu and hit this huge
vein of Urmuz I think he. blewhis brains out about and Tzara tried to
block the publication of. Urmuztranslations in France in the s so as to
not have his lack of. originalitywidely known. Ionesco and many other
Romanian greats such as Cioran. andotherspoint to Urmuz.Bisarra blad
(novellsamling hftad sidor. Ellerstrms art.nr )PrisStatstjnstemannen
Demetru. DemetrescuBuzau frde till det yttre ett stillalivi Rumnien vid.
talets brjan. Men under pseudonymen Urmuz fldade hanspenna av svart. humor
morbid fantasi och logiska krumpsprng. Urmuz frebdarsvl. dadaism som
surrealism och knns ptagligt beslktad med den ngot. ldreFalstaff
fakir.versttning och urval av Dan Shafran och Tom. Sandqvist.Urmuz is the
nomedeguerre of Demetru DemetrescuBuzau. He was. born inRomaniain studied
law and earned a living as a judge's assistant.. His entireliterary output
consists of eight storypoems (of which Fuchsiada is. thelongest) and one
short absurdist poem. The storypoems were presumably. writtento entertain
his nieces Urmuz did not originally see himself as. alittrateur.He was
fortuitously found by Romanian poet Tudor Arghezi (see. The ChimingManin
Exquisite Corpse and Thus Spake the Corpse vol. ) who. bestowed onhimthe
Urmuz moniker and published a volume of his complete works.. Urmuz
tookhisown life upon publication of this volume in . His fame is.
posthumous theRomanian avantgarde made Urmuz their star Eugene Ionesco.
credits him as hisseminal source of inspiration. Tristan Tzara attempted
to. suppress the Frenchpublication of the Urmuz texts according to noted
critic. Virgil Ierunca inorder not to blemish his own claim at
originality.rhsh. noemata. Friday January. theirowly..
lesterthemfree.chileshoulderbefreebie.freebietntloofah.freetntrollawaydownagrassyslope.imrozimpossibilityglee.letthematicbdellium.lesterthelmasedumthayersky.theskyvisibilitytodaythematic.hencetheirownheavenly.letchthematicbea.justebe.imrozperfectaharmotome.nnwmorewordplay.rhsh.
noemata. Fwd Article The Violence of the Global. noemata. Fwd postanarchism
Nettlau Panarchy A Forgotten Idea of. noemata. Re BBC Flarf. whether my
Flarf interview Saturday the th on BBCWorld Service radio was or. will be
archived. I don't know. I sent anemail to the person who originally.
contacted me so maybe I'll hearsomething soon. Or maybe not.Lest anyone.
build it up too much the excerpts from the original minutesor so of.
conversation that finally made it onto the air basically consist ofme
reading. the last or lines of Stupidity Owns Me from COMBO andthen
explaining. and the interviewer saying yes but is it art and mesaying why
yes it is. art and her saying prove it then me sayingsomething about the
collaborative. process etc. etc.The best part was the interviewer's Irish
accent.. Flarrruf.KaseyDyke to open up BBC archive(billedtekst) Greg Dyke
predicts. a more publicfocused broadcastingfutureGreg Dyke director
general of the BBC. has announced plans to give thepublic full access to
all the corporation's. programme archives.Mr Dyke said on Sunday that
everyone would in future be able. todownload BBC radio and TV programmes
from the internet.The service the BBC. Creative Archive would be free and
available toeveryone as long as they were. not intending to use the
material forcommercial purposes Mr Dyke added.The BBC. probably has the
best television library in the world saidMr Dyke who was. speaking at the
Edinburgh TV Festival.Up until now this huge resource has. remained locked
up inaccessibleto the public because there hasn't been an. effective
mechanism fordistribution.But the digital revolution and broadband. are
changing all that.For the first time there is an easy and affordable way.
of making thistreasure trove of BBC content available to all.He predicted
that. everyone would benefit from the online archive frompeople accessing
the. internet at home children and adults using publiclibraries to
students at. school and university.Future focusMr Dyke appeared at the TV
festival to give. the Richard Dunn interviewone of the main events of the
threeday industry. event.He said the new online service was part of the
corporation's future. orsecond phase strategy for the development of
digital technology.Mr Dyke. said he believed this second phase would see a
shift ofemphasis by. broadcasters.Their focus would move away from
commercial considerations to. providingpublic value he said.I believe that
we are about to move into a. second phase of the digitalrevolution a phase
which will be more about public. than private valueabout free not pay
services about inclusivity not. exclusion.In particular it will be about
how public money can be combined. noemata. index of djbyhand. index of.
Ka.DJbyHandIngerMarieLienKidSquarepusherStev.mp.
Kb.DJbyHandSourceDirectAngeliteBlackdominaL.mp.
Kb.DJbyHandNickDrakeSquarepusherMr.BungleFreeRi.mp.
Kc.DJbyHandAphexTwinSquarepusherJoniMitchell.mp.
Kc.DJbyHandJoniMitchellMayhemTinAngelDeMysterii.mp.
Kc.DJbyHandsisselkyrkjebomerzbowallgoodthingsbo.mp.
Kd.DJbyHandPhotekSheilaChandraMinotaurEvers.mp.
Kd.DJbyHandclannadgerskytrancelationsiularunign.mp.
Ke.DJbyHandEinsturzendeNeubautenMixmasterMorrisPeter.mp.
Ke.DJbyHandVladislavDelayJoniMitchellUsersguide.mp.
Kf.DJbyHandLivetotell.mp.
Kf.DJbyHandlibanaeinsturzendeneubautennowiwalkin.mp.
Kg.DJbyHandMadonnaSquarepusherVangelisMergir.mp.
Kg.DJbyHandelliottsharpsisselkyrkjeboewaitingroom.mp.
Kg.djbyhandbringbackmischiefkeepingoutoftrance.mp.
Kh.DJbyHandclannaddylangroupiwillfindyoubitter.mp.
Kh.DJbyhandsmellsliketenspirits.mp.
Ki.DJbyHandsisselkyrkjeboorigamiweightlessapati.mp.
Kj.DJbyHandSteveReichBiotaMuziqProverbCirclin.mp.
Kk.DJbyHandJoniMitchellEinsturzendeNeubautenSourceD.mp.
Kl.DJbyHandEmmaHardelinBennyAnderssonSNDGuruGuru.mp.
Km.DJbyHandEllaFitzgeraldSquarepusherEnyaHow.mp.
Km.DJbyHandBarkPsychosisPendulumMan(ambientlongremi.mp.
Kn.DJbyHandKraftwerkJohnColtraneIt'sMoreFuntoCom.mp.
Ko.DJbyHandEinsturzendeNeubautenOmniTrioEngelderV.mp.
Ko.djbyhandmyfavoriteProperHoodidgethings.mp.
Kp.DJbyHandBiosphereAliceAlgaeFungi(Part)Cha.mp.
Kr.DJbyHandHigherintelligenceagencyTheBulgarianVoices.mp.
Ks.DJbyHandSquarepusherSheilaChandraNorthCircu.mp. Kt.DJbyHandExercice.mp.
Ku.DJbyHandSeefeelPolyfusiaJudJudTimetoFindMe.mp.
Kv.DJbyHandSquarepusherEnyaComeonmyselector.mp K. noemata. Sunday January.
lumber. lumber. Anonouncement. Bytes Maggie Loves Bewitch Messy Leaves
Boethius Mews Lavish Beets Mews. Lobbies Butties Meek Lobos Bouts Maag
Lops Bitch Max Levees Bites Massawa. Lupus Betsy Maag Laps Budweis Massa
Lapis Bitch Musky Laps Boadicea Meuse. Lives Baits Macao Luffs Boudicca
Massawa Lvi Booties Micah Leavis Bathhouse. Mossy Liebig Boethius Mows
Labiche Badge Mos Lupus Boathouse Mickie Loaves. Bitch Musk Lpg Baits
Mashie Luffs Baits Maguey Loafs Butts Micky Lipase. Buttock Muse Lops
Beauties Mies Lippie Booties Mays Lovage Batik Maggie. Leafage Badge
Mawsie Lavish Betas Mesh Leaps Betook Miss Lobbies Bathes. Massa Levies
Boethius Messy Lobbies Bites Maas Labiche Baits Mix Lobbies. Bittock
Miaows Lupus Boadicea Mohs Loobies Bitwise Miaows Lipase Badge. Mackay
Libeccio Baits Massa Lipase Biddies Masks Lipase Boats Moscow Loops.
Buttocks Moke Loaves Betook Massawa Levko Betsy Meshy Lupus Bodies Mac.
Labiche Bitsy Muzzy Luffs Bhtes Mocsoo Lapes Betis Mysgih Lopoc Betg.
Meccha Lepec Bodic Mocsao Lufok Betas Myqgei Lhbas Botos Moscue Lebis
Bathg. Masciy Lepag Bedas Masseu Lopos Bothg Massey Lufug Bodes Myscei
Lobec Bhtys. Mecsea Lyfac Badhs Mhcghe Lifoc Betis Mossya Lufyc Bateg
Moskoa Lefis Betas. Mosshh Lhpig Betas Mhskai Lapes Butc Mascea Lebes
Betas Musgie LefhcMY. INCONSTANT STANTON MINCY NANCY NOMITTS NINA CYSTMONT
MONA STINTNYC NINNY. MATTSOC ANN MINCY OTTS STANN MINCYOT KATIE LOREN KATE
ELINOR LEONA KITER. ERATO KLEINAbdomen Girl John Ribald Gnome John Banjo
Holden Grim Gander. Limbo John Gander Mobil John Jordan Being Holm Monad
Bohr Jingle Glean. Morbid John Jargon Blind HomeDeniable Morgen John
Mendable Ignore John. Gimbaled Noreen John Bergland Johnnie Moe Garbled
Johnnie Omen Badger. Johnnie Melon Lieberman Ogden John Bengal Demijohn
Nero Jab Needling. Hormone Banjo Mingled Hereon Banjo Modern Heeling Lab
Mongered Johnnie. Enameled Boring John Endgame Oberlin John Mannered Hobo
Jingle Jihad. Noblemen Negro Jordan Blenheim Gone Mad Grenoble Johnnie
Jeanne Lindbergh. Moo Jeanne Bloom Herding Arlene Bong Demijohn Leaner
Bong Demijohn Anemone. Bohr Jingled Hangmen Lobe Joinder Germinal Debone
John Omnirange Bleed John. Jangle Bodenheim Nor Agone Hornblende Jim
Manhole Bergen Dijon Hermann Globe. Joined Jean Hemoglobin Nerd Johann
Bleeding More Holberg Man Enjoined Jan. Neighbored Monel Jan Bleeding
Hormone Anon Boehmer Jingled Badger Johnnie. Lemon Blamed Goner Johnnie
Dream Belong Johnnie Jading Boheme Ronnel Jihad. Ennoble Monger Donna
Blenheim Jorge Banned Jerome HolingMAGEE BLIND NERO. JOHN MAGEE BIND LONER
JOHN MAGEE BLOOD HERN JINN MAGEE BORNE LIND JOHN. MAGEE ROBIN LEND JOHNA
NAME TO A MEAN TO A TEAM ON A MATE NO ME TO ANA. MEAN TAO ATONE AM AM AT
ONE AMEN TAOBjorn Longhand me I Magne Haugen Jorn. Ben Goldhobrn b.yond
Magnus bjornmag Hallingstad John Mr. Jonah O. Blending. beyond Jon Reime
Jon Joel Nigh Brodman beyoni John Modalen Bernard John Ling. Dffoberman
byoni Olav Asgrimson Johan John Germinal Bond ignominy Runed Foss.
Magnhild pronoun Tomasi Magnhid en Sire born.matronym Larsi Vatlend.
byon.lihngam Bent Standal Magh erroneous.notion Dani Bjrn Norheim Magee.
ontic.mantsin Mikal Nordal Maginsel kari.eliot Bruno Bjrnstad Magy Bjorg.
Brndals Magny Hanne Bjevrke Manee Glenda Bjordl Maney Heod Gram Manney.
garbiel Jakobssen Manny Holkermann Magney Homin Magnee blix MacNillon
brandt. Mac Neal hoberg Magnhy Maget Magey Maghy Hughey Hayes Magnhill
Magni. ByrnBjrn Hitdlakjempe Bjarnar saga Hdlakappa Bjarni. Hitdlakappi
Monstrous Allegations An Exchange of ki in Bjarnar saga.
Htdlakappaber'serk Borne John Lind Magee benoni Bjorn Magnhildson.
Magnhildoyn Jon Magnus Holberg Brandt Beorma bjorn beras matronymbef. ME.
be(a)re beor(e) OE bera c. Fris br D beer OHG bero (G Br) Gmc. beran lit.
the brown one akin to ON bjbrn bersi cf. Lith bras brown. Cf.. BRUINmagh
Important derivatives are may dismay might main machine. mechanic magic.
To be able have power. may from Old English magan to be. able dismay from
Old French esmaier to frighten. Both a and b from Germanic. magan to be
able. might from Old English miht power from Germanic. suffixed form mahti
power. main from Old English mgen power from. Germanic suffixed form
maginam power. Suffixed lengthenedgrade form. mghan that which enables.
machine mechanic (mechanism) (mechano). Greek (Attic) mkhan (Doric) mkhan
device. Possibly suffixed form. maghu. (magic) magus from Old Persian magu
member of a priestly caste (. mighty one). Pokorny magh .PHONOLOGY OF
DEVELOPMENT OF QUENYA FROM. PROTOELDARIN This follows ETYM and ignores the
very different early part of. the phonology development shown in BOLT. As
shown by KVNS at that time RT the. Elves made PE by trying to learn
Valarin from Orome at Koivieneeni and. afterwards Tolkien likely made ETYM
PE Valarin uneuphonic with roots such as. snas and skyap and kugh to make
it sound stern and commanding. (Did. Valarin have a history of change MET
before that E.g. PE magh hand. mag use handle. From the description in
Ainulindale (SIL) Ea before. Arda was made was likely big enough and
lasted long enough for even Ainur's. languages to evolve different ways in
different areas.)In a map printed in. the peninsula is called Island
Maghies and in it is referred to as. McGuiyes Island. Also in in the
Inquisitions of Antrim it is referred. as Island of Magie and Island of
Maghy. In the map called Atlas Novus. published by Johan Blaeu in it is
called Magees Ile. During the th. century the Ordnance Survey Memoirs of
Ireland postulated that the name. Islandmagee was derived from Mac Aoidh
(named after the most common family name. on the island prior to the Tudor
Conquest of Ulster i.e. Magee) or Mac iagh. which they say derives in turn
from a word for seagull. I can not find any such. word for seagull and
believe such a derivation to be incorrect.McKee Magee. McGee Mackey McKay
McCoy MacHugh McHugh and Hugh also in the O form as. OHea OHay Hay Hayes
The derivation from the name Magee (from the Irish. Mag Aoidh or Mag
Aodha) means son of Aodh (an old word for fire). It is a very. common name
in Ulster occurring in the following corrupted forms McKee Magee. McGee
Mackey McKay McCoy MacHugh McHugh and Hugh also in the O form as. OHea
OHay Hay Hayes). In this case the Island is reputed to be named after. a
family of Magees who are said to have their principal base in the
townlands of. Portmuck and Carnspindle. In Marschal Bagenals description
of Ulster in. it is stated such as there be the Magees and contribute to
the Lords of. Clandeboys (from Clann Aodha buidhe U Nill meaning the
family of. yellowhaired Aodh Nill). A similar derivation is given in.
Dubourdieus Antrim viz. the inhabitants thereof are Magies from which it.
hath the name. History records the death of perhaps thirty members of
this. family by soldiers from Carrickfergus Castle following the.
rebellion.AirNav Index of airspace fixes M MAGAF MAGAH MAGAS MAGCI MAGCO.
MAGCY MAGDE MAGDY MAGEE MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI
MAGGO. MAGHA MAGHO MAGHY MAGIC MAGID MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY
MAGJA MAGJI. MAGJO MAGJU MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW
MAGOZ MAGPY MAGRE. MAGRY MAGUH MAGUJ MAGUS MAGUW MAGUY MAGUZ MAGWE MAGWU
MAGXO MAGXY MAGYA MAGYE. MAGYI MAGYU MAGZE MAGZI'Magnus' also appears in
the forms 'Mang' and 'Manges'. in the Alps and Southern Germany. ba) From
the Latin word adjective 'magnus'. great large thus by being used as a
(proper) noun it becomes the great. one. The word is derived from the Indo
European base 'meg(h)' which also. evolved into Sanskrit 'maha' big Greek
'megas' big and English 'much'.. However that is not the entire story.
According to Wasserzieher the norther. variant of the name Magnus was
coined by king Olaf the Saint of Norway who. named a son in honor of
Emperor Charlemagne (Latin Carolus Magnus German. Karl der Grosse
Norwegian KarlaMagnus). Charlemagne () who ruled. over France Germany and
Italy was quite an impressive medieval king who in. was crowned the first
Western Emperor since the fall of the Western Roman. Empire. How
impressive was he to his contemporaries Well he was made a saint.
(canonized in unfortunately only by an AntiPope and he is revered only. in
a few places) and the word for king in many Slavic languages is derived.
his name (Polish 'krol' Russian 'korol'). I must confess this does add. an
intriguing new dimension because of course Professor X's first name is.
Charles which is the French form of the name Karl which owes a lot of its.
popularity to Charlemagne. Two sides of the same coin indeed ba) In
Southern. Germany Switzerland and Austria the name is mixed up with the
otherwise. apparently extinct German name 'Magnoald' 'Maginald' 'Maginold'
he who rules. with might. It is hard to tell if this 'Magnus' is a
Latinization of the German. name(s) or the identification is the result of
a mistake (see section ). This. name seems to be related to that Thor's son
Magni (looking around I also found. the name Magnerich (Magnericus) who was
bishop of Trier from ca. to. .)The first element of this name derives from
the Germanic word for might. represented in modern English 'might' German
Macht and Dutch 'macht' which. derives from the IndoEuropean 'magh' to be
able which also is the root. for modern English 'may' (cf. German 'mag')
'mage' and 'magic' (from the Old. Persian 'magus' Iranian 'magu' which
referred to the Magi the priestly. caste in Ancient Persia and Media) and
also 'machine' and 'mechanic'.. noemata. Saturday December.
Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. PATAFYSISKT NAMN STOPPAS AV
RTTENBrfxxccxxmnpcccclllmmnprxvclmnckssqlbb.. S fr inte lille Albin
stavasitt namn. Kammarrtten i Gteborg fann inget std. i lagen fr att
dpamnniskor i sdan anda. Den vida knda hallndska. namnstriden brjade
medatt lnsrtten i Halland utdmde ett vite mot. frldrarna p kronorfr att
inget frnamn alls registrerats p. gossebarnet trots att hanhunnit bli fem
r. D skickade frldrarna in. stavningen med tecken.Namnfrslaget br ses i
patafysisk anda skrev. frldrarna i sin inlaga.Men kammarrtten kunde inte
se patafysiskt p. stavningen. Parafysik r deinbillade lsningarnas
vetenskap uppfunnen av. absurdisten Alfred Jarry somannars r mest knd som
frfattare till. teaterstycket Kung
Ubu.Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. (pronounced Albin) was a name
given to a child by the parents of a Swedish. family in May .A district
court in Halmstad southern Sweden had fined the. parents (Elizabeth Hallin
and ) kronor (approximately US) for failing. register a name for the boy by
his fifth birthday. Responding to the fine. the parents submitted the
character name claiming that it was a pregnant. expressionistic
development that we see as an artistic creation and. suggesting that it
should be seen in the spirit of pataphysics. The court. rejected the name
and upheld the fine. The long and short of itSWEDISH. authorities last
year told a couple who named their son.
Brfxxccxxmnpckccccmmnprxvcmackssqlbb to find a new shorter name for. the
boy. However the authorities in Stockholm have now rejected his new name.
of A according to the Hallands Nyheter newspaper. Initially the parents.
refused to provide tax authorities with a name for their newborn son.
After. numerous disputes the parents finally provided them with the letter
and. digit sequence which they say is pronounced Albin. That resulted in
an. fine from the tax authorities last year for defying the Swedish name
law.This. northern summer the couple registered their son as A. Tax
authorities also. rejected that name because singleletter names are not
allowed. An appeals. court upheld the decision. The parents previously
said that they chose a. meaningful expressionistic typographic formulation
which we consider to be an. artistic new creation in the pataphysical
tradition in which we believe.The. boy who is still officially nameless
has a passport in which his name is. given as Boy Tarzan.Related Jennifer
. Lee born March in New. York City is a New York Times reporter for the
Circuits section. Her middle. name was given by her parents in her teens
because there are too many people. named Jennifer Lee. She spells her
middle name . on paper but on her. driver's license it is spelt as a much
less dramatic Eight. Her parents were. Taiwan and were influenced by the
typically Cantonese custom that sees. number as a symbol of prosperity. is
a character in the comic strip. Peanuts by Charles Schulz. He debuted in
and continued to appear on and. off until . has spiky hair and sometimes
wears a shirt with (what else). the number five on it. His full name is
(accent on the ) with. being the family's last name (actually their zip
code which in real life. corresponds to the zip code for Sebastopol
California). His father changed all. of the family's names to numbers as a
protest to call attention to the way that. he felt like numbers were taking
over people's identities. also has two. sisters named and .. noemata.
Friday December. lumber. lumber. the mean. while waiting and waiting for
win to boota play for the calculator the. meanok what about . .where does
the . come from. .. still the sameok so we know n(n).(n.)what about step.
while it holds now the diff is always. n(nstep)(step)((nstep))try random
..i have. format c unbelievablestep is so it doesn't workdo you want to
install. netmeetingwho ever had any need of scandiski ran scandisk several
times. nowstill it didn't detect damaged sectorsunbelievable crap
scamdickswell why. didn't it work for odd it's yeah now your product key.
licenceit's supposed to be oh well it just squares thensquareroot of ..
is.. . voilakey is GXPPKTCDRJGJDTRBM (win)it's.
n(nstep)(step)((nstep))which makes sense for the . and the. updating you
system..restart then restart then restartthis wasn't very. profoundit's
like you need the square stuff somewherewhether you put it in the. n's or
the stepit doesn't matterthe suprise in the beginning of this play..it.
didn't take into account the extras of the squarethe double its
shadowit's. about dimensionshow the extra dimension casts a shadow backthe
step is supposed. take care of thatah but there's no stairway to
heavencan't believe this. where are the screen driversMy documents it's
intimidatingvery smalli. lost the scans whateveranal stuff i mean what's
the pointthe joy of. loosingagain a gain where does the shadow come inthe
gain where the extras. are fromhell is a collapse of dimensionswhat
happens when things colapsewhen. these squares collapsed they lost their
shadowi was thinking of this drawing. also what it lostshadows of course
collapsed into texturebut the other way. alsowhat would the hyper be if
this was. textureloomunbelievableunbeleivablewhat is mostthis cognitive
quaking is. backforth's squaringnothing in the middlenothing mediatedthese
are flatmeanthe. synonyms for mean are average base beggarly entail hateful
have in mind. imply intend mean value meanspirited mingy miserly signify
stand for. think think of tight. noemata. Tuesday November. anyhryear
anniversaryarchive of visual. Nov k. noemata. Wednesday November. plese.
its tu muchi wnat nothign to do with itplesei was nothing to do withit.
noemata. Wednesday November. recursive dictionary. material or nonmaterial
entity idea action etc that is or may be thought. about or perceived a gift
a thing given or presented of the something done. deed or action or
sensation caused in the ear by the vibration of the. surrounding air or
other medium of laughter and the capacity or power to. perceive or feel or
to be conscious of the state or condition of being present. or attributes
qualities or characteristics of material or nonmaterial. entities ideas
actions etc that are or may be thought about or perceived. that human
concerns business matters to be attended to their continuous. onward
movement or progression and circumstances esp. those affecting the.
functioning or existence of something active condition which
distinguishes. active animals and plants from inorganic matter including
the capacity for. growth functional activity and continual change
preceding death were. mad.Bertrand RussellApplying the algorithm to text
with a high proportion of. abstract nouns is particularly amusing. Here
the starting text is from. Bertrand Russell's History of Western
Philosophy from a chapter on PlatoThe. second argument is that knowledge
is recollection and therefore the soul must. have existed before birth.
The theory that knowledge is recollection is. supported chiefly by the
fact that we have ideas such as exact equality which. cannot be derived
from experience.Transformation givesThe second reasoning. process is that
awareness or familiarity gained by experience is the act or. power of
recollecting and therefore the spiritual or immaterial part of a. human
being often regarded as immortal must have existed before the emergence.
of a (usually fully developed) infant or other young from the body of its.
mother. The supposition or system of ideas explaining something esp. one
based. on general principles independent of the particular things to be
explained that. awareness or familiarity gained by experience is the act
or power of. recollecting is supported chiefly by the thing that is known
to have occurred. exist or to be true that we have conceptions or plans
formed by mental. effort such as the exact state of being equal which
cannot be derived from. actual observation of or practical acquaintance
with facts or events.. noemata. Monday November. congratulations
congratulations your site is on on (nostalgi). noemata. Monday November.
curious. my handwriting .jpg 'Freedom diedgreat people proved that
awareness exists. and every lifeform is awareunfortunatelly they hadn't in
mind that evolution. not aims into awarenessdevelopment but towards better
adaptation.milions of. people just learned how to fake awareness.This what
makes us Humans is ablity. selfdevelopment and Empathynot adaptation.Crowd
without a leader went. insane.Sickness is ones who emphatize get dellusion
when looking. feelingslessones there is no mutual empathy then ones who
emphatize become. codepend.'.jpg(notes from train station i tried to
visualise how autosopher. adaptativenetwork works)also note that 'positive
effects coming from. smoking of tobbaco come fromchanged metabolism of
dopamine while addiction is. created by completelydifferent
neurotransmitter patch'also common mistake of. polish language pointed out
(use of foregin noun).jpg adaptative ALP network. Daylight Explosioni have
some other work like learning from c sources i'll. write to you laterd.jpg
dissolving substancedreams come when i am. heresnowwhite truth about
falseparticles of absurd from. nothingsubstancewhile this world is only
interpretation of our. dreamssubstanceyou melt with nonexistence like
youpractical disasemble of life. programtransient observation ofthoughts
about minimalism truth about. time.form of delusionsequence of sessionit's
lack of thought Substancewhile. civilisation camp grid is at least km
thin.where is. reasondynamicambitionfield of perception actions of
consiousness()timeand. this is 'life'intonation is alive and manipulating
bodieswill be as is. because can't be other waypreprogrammed forecast
shatter and bend under. influence of new datahow is time machine
likealivedestiny of chaos. complexity creation is creation itselfwe can
watch beauty of growthour time. camepower came to an. noemata. Jag lgger
lite bilder p mig hr.. Jag lgger lite bilder p mig hr.Men kom ihg jag vill
grna att. ni skriver i Gstboken vad ni tycker annars blir det inte fler
bilder. Mina. Fuktiga brst efter duschen.Jag visar upp ett av mina
brst.Jag i sexiga. underklder.Jag visar upp mig p sngen.Hr r jag helt.
utlmnad t dig.Tnk om handen inte fanns dr.Gillar ni mina. Lppar.Ny bild p
mina lppar.Gillar ni bilderna p mig i. stayupsDet kan komma fler bilder
Jag hller p att vertala min. vninna att jag skall f lgga upp bilder p
henne ocks.Hr. under lgger jag sprutbilderna som jag fr Och jag skall
villigt. erknna att jag har onanerat och tittat p dem mnga.
gnger.Sprutbild Sprutbild Sprutbild Sprutbild Sprutbild Sprutbild.
Sprutbild Sprutbild Sprutbild Jag har ftt ett par nya sprutbilder Det.
tycker jag om. Flera gnger har jag tittat p dessa bilder och tnkt. p er
hur ni har lekt med era underbara stnd fantiserat om mig och. sedan
sprutat er varma klibbiga sats ver min kropp. Mnga gnger har. dessa
fantasier tagit mig till underbara orgasmer. Ett extra spnningsmoment. r
ju att min kille inte har ngon aning om vare sig websidan eller dessa.
foto.Hr kommer fler bilder.En bild frn en man som heter Bokoboko.Gabbe.
har ocks sprutat ner min kropp.Hawkan har lagt sin varma sd ver.
mig.Fineman har gjort hrligt sexiga konstnrliga bilder.nnu en bild.
noemata. Saturday November. delayed. noemata. Tuesday November.
colmplaints ingored. complaits comlaints comppaints commplaints complaints
ifnored withijn redach. reazch complaibnts live complaintsa complaints
comlplaints comp laints within. rexach complaintw ikgnored reasch
complaihnts complwints complaintts ignorer. ckmplaints witin complpaints
complaints withkin weithin complaints. complwaints cmplaints complainrts
complaintys ignorwd ignoredr complainte. complaoints comoplaints
complajnts complainys ugnored ignorerd complaintsz. witbhin reaqch rteach
ignorfed complains complaintrs witgin complaingts. ignofred comploaints
comp aints iygnored complaintd iognored jgnored ignoresd. rezach
complaitns ignorsd ignotred cojmplaints r each complaint s complanits.
ignorefd vcomplaints complaints withimn kgnored withih complaints
cmoplaints. teach complaints complaints igynored witihn comnplaints
complints complaings. ignoref compolaints cmplaints ckomplaints co
mplaints ignored wi thin. complaintsw oignored jignored ignored
compplaints ignoed complainrs complainta. ignorted reach complaiknts
ignpred ignjored complaints compliants complaknts. complains complasints
ep ijgnored igvnored rseach ignores complaaints ignored. withn rewch ithin
cvomplaints compllaints complaintxs comllaints feach. cojplaints wiyhin
rwach complaintes withi ihnored complaints reacu wifhin. ighored ignored
withinreach complaijts ignoed complaxints complai ts. copmplaints with n
within wihin ignodred complaints complaimts wiythin. complants complaints
itnored cpomplaints withhin ign ored reacy withinh. withihn reach ignord
ccomplaints recah ciomplaints within ignred rach. ignoreds ignored
iugnored wityhin withinj ignor ed within ignorded ignored. ignpored wthin
reafh within eeach complains reacjh complaiints complain s. complainst
compla nts cokmplaints withinm soundtrack complaintss complaints.
complainmts co plaints ignoired complainyts online witjin withij ost
witghin. withuin complzaints complaintfs complaintgs compklaints
compalints complainbts. reac withibn igored discount rea ch cd ignoed
raech complaqints lyrics gnored. compaints complaimnts domplaints c
omplaints rea h gnored complaint sithin. ignoded limited edition
vomplaints wtihin reacbh compl aints withiun uignored. ignord
complaintsignored cfomplaints com laints complants ignred ignorex. wigthin
each deach ignroed ignorexd withikn ihgnored igfnored reacuh iignored. ign
red w thin complaintse ignorewd ignorsed with in ignored reacdh igbnored.
withun withyin reacvh complauints ignoredd ignnored ignored ignired
withib. ignorwed discounts wihin ibgnored complaibts rweach ifgnored
wifthin. complakints cheap conmplaints albums wiothin c mplaints igmored
complaintds. igno red complazints igonred reachh wuthin witnhin ignordd
reachg inored. ginored awithin ignlored complajints withim comjplaints
reeach eithin dreach. complaints withiin compact disc gnored ighnored
complaijnts resch reqch rdach. igmnored withn withion complaonts coplaints
reacxh ewithin reacch complsints. each complaint ignore complaints wit hin
music reacnh ignoredc clmplaints. ignoredx igbored complai nts ignred
complaintz compl ints complainhts. omplaints rewach by ignored complxaints
reac h complainfts reach ithin. complqaints wikthin reahc witjhin aithin
withjin ereach reachn complqints. reach dcomplaints ignored complkaints
reacb reachj witrhin rexch i gnored. each comlaints comkplaints complainfs
comlpaints complaintsd ignored ignorede. ignoree complsaints reduced
wsithin within complaintzs wthin wthin ithin. ibnored within within rreach
wihin complaintws complaihts within cast. recording ignoted cds wuithin
xomplaints complainnts withi n erach wirthin. within wityin wijthin rerach
cxomplaints reach withjn ignoerd within rech. withnin conplaints igjored
freach wit in withni readh withi reac ignore ignord. copmlaints wkthin com
plaints within swithin complaintsx wwithin complawints. rfeach qithin
ocmplaints within igno ed i nored ignorred enhanced ignmored. rach withkn
reach ognored remastered ignofed rach comolaints withbin woithin. ingored
witfhin each complants album withinb xcomplaints reacgh explicit. ignor d
reavh rrach within ithin within reachy reachu ignored ignokred. wituin wi
hin colmplaints ignore d reaxch r ach complaintas reaxh ivgnored. wiuthin
wirhin cmplaints igtnored w ithin reacfh reacj complzints rdeach. ignoreed
compoaints treach ignkored ignored withn sale ignolred cimplaints. ignored
reach complaunts ignoered reafch wihtin wiithin complaionts reqach. withon
waithin ignhored igniored ignorecd ignkred readch wjithin reach.
coomplaints cdomplaints ignoored ignored reacg withgin complaints ignlred.
clomplaints ignoeed re ch iynored withinn wkithin itgnored ignorde wjthin.
reaach witthin within complxints complainjts complaiunts within withoin.
fomplaints fcomplaints qwithin witbin reavch coimplaints resach reah
ignorec. ignored ignopred witnin ignoredf complain ts cpmplaints ig nored
wighin re ach. gnored compkaints omplaints within wqithin reacn reacyh
reachb wituhin iggnored. ivnored rsach iwthin complaintx rezch reawch
cokplaints kignored ignored wothin. reach igjnored ignorrd compla ints ig
ored ignboredSearch colmplaints. noemata. lumber. lumber. oct().
..JFIF......h FF DB A E. C A .....C.nxxdh C C B AA A BE F FF. FF F DC DC F
FF FF. h FF FF FF FF. FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF
FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF FF FF FF FF FF DB
AA B. .C.h B F D F. FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF
FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF FF FF FF FF FF FF FF FF
FF FF FF. h FF. FF FF FF FF FF FF FF FF FF FF FF FF FF FF C. ah.
...............bh FF. C ..............ch. FF C ..............dh.
................eh. FF DA C A. matronym. Sunday October. Re confuciuslist
Mencius B. wild grass (fwd). matronym. Saturday October. plunderphonics
week. DJbyHandIngerMarieLienKidSquarepusherStev.mp (. C C Nystev.. vil du
D. C E have meg til B C D A B C. kveda..det skal A D eg gjera. med stF C C
D A F rste gleda..og. B C B eg skal kveda sF E. D A o vent fyr deg.. B. C C
F D at du skal glym A F C. F D a deg sjlv og m E D A D A C B. C eg..... eg
skal B F B. kveda so du skaC E C D A D l. grta..um du C E C var aldri. s
gla F B E C D A E d og kt'e... e B C B F g skal kveda so E E C. C D A snlt
fyr deg... B C C E E E at du skal l n. E D E r du ser p meg.D A D A F D E.
F ....Og mine viso F E E C. r dei er so snl C D A F D F B E e..som. Borken
t E E E E rvar p isen. hC C D A F D E le..og mine visF. A E or dei gjer'
ein C E D A. F D C C sleng..som litl E E B. e guten p skeis E E A E E D A
D A C. unn' gjeng..... D E F mine. visor dei F D E C D A F er so
mange..soD. A D C F D E m heggjeblomane. E B D drys i fanget.A F. F .so
hev det vore C C. A D A i all si tid.. D B. dess meir dei kv C D ed dei
dess. mei E D A D A C r der bid...... C A C vil du stevjast F B. C so skal
eg svar C D A F. C E a..og heile nat F B C. ti so skal det v B D A F C.
ara..og vil du A D D stevjast med. meg B C C D A E i kveld..du g. B A E r
'kje t fyrr d E. E D C C E u fr ein smell. abort.
DJbyHandsisselkyrkjeboorigamiweightlessapati MB. matronym. Friday October.
link var. Index of var Name Last modified Size Description. Parent
Directory Oct idxbdvds.jpg. Oct k vdsidx.jpg Oct k. .jpg Oct k .jpg. Oct k
b.jpg Oct k. masl.jpg Sep k DSCN.jpg. Oct k DSCN.jpg Oct k. DSCNZ.JPG Oct k
DSCN.jpg. Oct k DSCN.JPG Oct k. DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct
k. DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct k. DSCN.JPG Oct k DSCN.JPG.
Oct k DSCN.JPG Oct k. DSCN.JPG Sep k DSCN.JPG. Sep k DSCN.JPG Sep k.
DSCN.JPG Sep k DSCN.JPG. Oct k DSCN.jpg Oct k. DSCN.JPG Oct k DSCN.JPG.
Oct k DSCN.JPG Oct k. DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct k.
DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct k. FlwTmudZFemVXGfQK... Sep k
P.png. Sep k P.png Oct k. P.png Oct k P.png. Oct k RISS.jpg Oct k. S.jpg
Sep k acroBatic.JPG. Sep k annama.jpg Oct k. annan.jpg Oct k annotfw.jpg.
Oct k apdd.jpg Oct k. apok.jpg Oct k apolillebilen.jpg. Oct k aporegn.jpg
Oct k. bdvds.jpg Oct k brcolagedrawachine.jpg. Oct k bssggn.jpg Oct k.
candledrawings.jpg Sep k codune.jpg. Oct k desktop.jpg Oct k. dietz.jpg
Oct k eee.jpg. Oct k elmagspectrum.jpg Sep k. ff.jpg Oct k fjfjf.jpg. Oct
k fluktbiler.jpg Oct k. fluxusmap.jpg Oct k fortart.jpg. Oct k ggcc.jpg
Oct k. ghdf.jpg Oct k golgeilo.jpg. Oct k gv.jpg Oct k. hfhfh.jpg Oct k
hfhfhw.jpg. Oct k hfhfhw.png Oct k. horn.jpg Sep k ideog.png. Oct k jj.jpg
Oct k. jotunheimen.jpg Sep k julebukk.jpg. Oct k lc.jpg Oct k. mouazing.png
Sep k mrna.jpg. Sep k oe.jpg Oct k. pluntscape.jpg Sep k prestholt.jpg. Oct
k prestholtskaret.jpg Oct k. psychogeo.jpg Oct k rabsistggkgigngdgom... Oct
k recursivelibrary.jpg Sep k. rygg.jpg Sep k san.png. Oct k scapeg.jpg Oct
k. scrreen.jpg Oct k sdgaa.jpg. Sep k seroma.jpg Oct k. sino.jpg Oct k
skogshorn.jpg. Sep k taka.jpg Oct k. tectonics.jpg Sep k teent.jpg. Oct k
tenner.jpg Oct k. text.jpg Oct k tilapollinaire.jpg. Sep k
torpostavechurch.jpg Sep k. tuftebrui.jpg Oct k turs.jpg. Sep k
usbdrawing.jpg Oct k. matronym. relax. matronym. Wednesday October. im not
sisting strahgt my jands ctrlz ctrlz ctrlz ctrlz versjon. ctrlz ctrlz ctrlz
ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz. ctrlz ctrlz ctrlz glitch
versjon (ultra editor) well probably doesn't affect. html so why blotherim
not sisting iwant somehthign it's a bit. frighteningstrahgt that kid on its
own and coldmy jands. atomata like tat fly nothing holdingnothing here in
the win. should i let gothis writing is the fog leaves (they of
whatagainst. itself does it) eprime the i don't know anythingi only write
when. drema (dramadream) this blank screenforgetting muself of magic.
contradicted by my fingersnegation well science and the this will. only be
troubleworthwhile howto any base fuck youspace which is. debase. coming
back this is completely lostnothing to.. never againher cunt ie no.
memoryshould backspace sensation must be no knowledgethat. based on
recurrence monster of pixelscollaps else you wouldn't. soothwhere am i
know but gnomhow to write. still sense but no.where am i inn the only once
it vicinitymyself. doesn't count (count potentialmy arm is kind of is.
sentence dntwiched recurrence). any pnrrmaqyawmy back. somewhat object.
object is nvvypub vybcdcxrunched here too much. object. dmcs vnbpu
cdngvirtual backspace anything that is suug. fcnothing ever comes visible
or tangible mqhycuq iydxout of this. and is relatively bucgupd dnwhere
does this go stable in form. to. uaurk rnhuruadexpect nothing you. ya
hypyaydkleft. channel delay something. thing xytt uywxd cyjthe need.
(meeting vyhuno structure her interface). lubn. ()whatever fright
subjectsubstancediscontinue into. subtrahends ariettaslide emergent
relation. subterfuge. arroweddiscreet egene remove
sceptrelessespataphysical. logic posessive my's. arrowedcompression is a
reactive at chemical. saboteur aridcipher level. behave septarium
arteroads. late ME softheartedly aradjustice behaven. (reflexive).
subterranean aridblockhead See BE HAVE.. shifters airywriting into space
behaviorism the spadework awardeei'll. go wherever the theory that scepter
areawidekeys lead. psychology can be shifter aerateleather case accurately
studied. softer arrauboard table kitchen only through the spader
artiecuisine. examination and subterfuge aureatei meant metaphor analysis
of. sputter areawidewherever possessives. subtree. areawidesomething else
sputter aeratethis is just. one i'm no one get your softer airyside hands
off me.. spader airtno justice HAHA. subterraneanisesusually space is
karmaguilttraces aortaexpensive. i once had guilt subdirectories
artymassive nothing writing haha. says it spidery airedeyes all (active
subtraction. artyi once had eyes expression vs sceptered artiego beyond
they. say matters of doctrine) subtreasury areawideother i laughter. is
spidery arrayedwhat comes in this eternally guilty. subterraneanise arteis
still eyes (doctrinal in sifter. awardeekeyes writing) as anythe cod e
statement. n softheart s mouthing. y. arrondis t guilty guilty (how
soekar. ttraffi n awkward to ) soffit ar thorsest c t. how's w g softies
arteriolethere's compilation attached to guilt. soever arterialises should
stop writing soke. arterialisinginterprete e another w e sojoimmedi s.
status of relate to artel valuemeaning other sodwhat'. than drawn arteri
dente. softhead arthromerewhich is p s (interfaces again).. sojourners
arrowrooti had t a media a softening. artefactbig small inverse suppose it
e softbound arsenicaldi. other way a softy ars lprotoco f signs are. soiree
arsenicisespapyrus no o lines are. ts stronger attraction readapting
mcqueenpro. proto mecritical distance attraction to. what reactualise
meagerlyexecution of seeing easy essing. meal ers are easi ay. of
mcmurdohidden instant an. g rea ness memiddleman blackmail to. ably me
compl of the ualizes. li syst inimax rk up. to mewhat's the deal on. me (
rface') reactualisations. mei r mansus accidencesubsta me. critical and
easie 's. system wins liked ng not gravitati. stupid you alwaysde reaming
get signs toodr eath is. obvious it's theirso ng else job. backtrackingi'd
to die. guilt is thru th .. sign you no. shouldn't att it's like chaplin
onde s trash. a conveyor belt ghtning down t rs economy.no. no signno in
the talking is a w recur.. as stimulusres augment pos. respons. lumber.
matronym. Tuesday October. thing. thing (thing) n. . a material object
without life or consciousness an. inanimate object.. some entity object or
creature that is not or cannot be. specifically designated or precisely
described The stick had a brass thing on. it.. anything that is or may
become an object of thought things of the. spirit.. things matters affairs
Things are going well now.. a fact. circumstance or state of affairs It is
a curious thing.. an action deed. event or performance to do great things
His death was a horrible thing.. a. particular respect or detail perfect
in all things.. aim objective The. thing is to reach this line with the
ball.. an article of clothing I don't. have a thing to wear.. things
implements utensils or other articles for. service I'll wash the breakfast
things.personal possessions or belongings. Pack your things and go. a task
chore I've got a lot of things to do. today.. a living being or creature
His baby's a cute little thing.. a. thought or statement I have just one
thing to say to you.. Informal. a. peculiar attitude or feeling either
positive or negative toward something. mental quirk She has a thing about
cats.. something signified or. represented as distinguished from a word
symbol or idea representing. it.. Law. anything that may be the subject of
a property right.. do or find. one's own thing Informal. to pursue a
lifestyle that expresses one's self.. Also do or find one's thing. . make
a good thing of Informal. to turn (a. situation experience etc.) to one's
own profit benefit by She made a good. thing of her sparetime hobbies..
new thing Jazz. See free jazz. . not to. get a thing out of to be unable
to obtain information or news from The police. couldn't get a thing out of
him.to fail to appreciate understand or derive. aesthetic pleasure from My
wife likes opera but I don't get a thing out of. it.. see or hear things
Informal. to have hallucinations.. the thing. something that is correct or
fashionable That caf is the thing now.that. which is expedient or necessary
The thing to do is to tell them the. truth.bef. ME OE orig. meeting see
THINGthing (thing ting) n.. (in Scandinavian countries) a public meeting
or assembly esp. a legislative. assembly or a court of law.Also ting. Cf.
thingstead. ON assembly. c. THING D ding G Ding thing orig. meeting akin
to Goth theihs. matronym. Monday October. nothing (nuthing) n.. nothing
(nuthing) n. . no thing not anything naught to say. nothing.. no part
share or trace (usually fol. by of) The house showed. nothing of its
former magnificence.. something that is. nonexistent.. nonexistence
nothingness The sound faded to. nothing.. something or someone of no
importance or significance Money is. nothing when you're without health..
a trivial action matter circumstance. thing or remark to exchange a few
nothings when being introduced.. a person. of little or no importance a
nobody.. something that is without quantity or. magnitude.. a cipher or
naught Nothing from nine leaves nine.. (used in. conventional responses to
expressions of thanks) Think nothing of it. It's. nothing. Nothing to it..
for nothing free of charge.for no apparent reason. or motive.futilely to
no avail They had gone to a great deal of expense for. nothing.. in
nothing flat in very little time Dinner was finished in. nothing flat..
make nothing of to treat lightly regard as easy.to be. unsuccessful in
comprehending He could make nothing of the complicated. directions..
nothing but nothing other than only We could see nothing but. fog..
nothing doing Informal. emphatically no certainly not.no activity.
inducement advantage etc. present to the eye We drove through the town
but. there seemed to be nothing doing.. nothing less than or short of
absolutely. completely She was used to nothing less than the best.. think
nothing of to. treat casually.to regard as insignificant He thinks nothing
of lying to. conceal his incompetence.adv. . in no respect or degree not at
all It was. nothing like that. Nothing dismayed he repeated his
question.adj.. . amounting to nothing as in offering no prospects for
satisfaction. advancement or the like She was stuck in a nothing job.bef.
ME OE. matronym. rinsay. the active expression of enlightenment over
matters of doctrineThe mind thus. creates the world in the sense that it
invests the phenomenal world with. value.They have presumably already
freed themselves from preoccupations with. the commoner cravings for
sensual indulgence material gain or worldly fame. and have entered the
path of religious strivings. But it is precicely this fact. that Linchi
sees as the source of their problems.this lone brightness without. fixed
shape or form.once and for all that there is no goal to be striven for.
because it has been won already no place to be journeyed to because one
is. there right now.People with so few roots of faithif it's for the sake
of the. Dharma don't hesitate to sacrifice your bodies or give up your
lives.If you. approach it with a true and proper understanding you won't
be affected by. considerations of birth and death you'll be free to go or
stay as you. please.The fault lies in the fact that they don't have faith
in. themselvesStudent's don't have enough faith in themselves and so they
rush. around looking for something outside themselves.Those who have
fulfilled the. ten stages of bodhisattva practice are no better than hired
field hnads those. who have attained the enlightenment of the fiftyfirst
and fiftysecond stages. are prisoners shackled and bound arhats and
pratyekabuddhas are so much filth. in the latrine bodhi and nirvana are
hitching posts for donkeys. Why do I. speak of them like this Because you
followeres of the Way fail to realize that. this journey to enlightenment
that takes three asamkhya kalpas to acomplish is. meaningless. So these
things become obstacles in your way.Fellow believers. time is precious You
rush off frantically on side roads studying Ch'an. studying the Way
clinging to words clinging to phrases seeking Buddha. seeking the
patriarch seeking a good friend scheming planning. But make no. mistake.
Followers of the Way you have on set of parents what more are you. looking
for You should stop and take a good look at yourselves. A man of old. tells
us that Yajnadatta thought he had lost his head and went looking for it.
but once he had put a stop to his seeking mind he found he was perfectly
all. right.The man of value is the one who has nothing to do. Don't try to
do. something special just act ordinary. The Paotsung lun With regards to
the. Way what is valued in every age is to have nothing to do. With
regards to the. Way when one is mindless then all things will proceed
smoothly.Followers of. the Way the Dharma of the buddhas calls for no
special undertakings. Just act. ordinary without trying to do anything
particular. Move you bowels piss get. dressed eat your rice and if you get
tired then lie down. Fools may laugh at. me but wise men will know what I
mean. A man of old said People who try to do. something about what is
outside themselves are nothing but blockheads.If you. have doubts in your
mind for an instant that's the Buddha devil. But if you. can understand
that the ten thousand phenomena were never born that the mind. is like a
conjurer's trick then not one speck of dust not one phenomenon will.
exist.As I see it there's no Buddha no living beings no long ago no now.
If. you want to get it you've already got it it's not something that
requires. time. There's no religious practice no enlightenment no getting
anything no. missing out on anything.If you want to be free to be born or
die to go or stay. as onw would put on or take off a garment then you must
understand right now. that the person here listening to the Dharma has no
form characteristics no. root no beginning no place he abides yet he is
vibrantly alive. All the ten. thousand kinds of contrived happenings
operate in a place that is in fact no. place.If your mind entertains a
moment of doubt it becomes obstructed by the. element earth. If your mind
entertains a moment of craving it becomes drowned. in the element water.
If your mind entertains a moment of anger it is seared. by the element
fire. If your mind entertains a moment of delight it is tossed. about by
the element air.The way I see it onw shouldn't be averse to anything..
Suppose you yearn to be a sage. Sage is just a word sage.Those who study
the. Way these days need to have faith in themselves and not go looking
for. something outside.If you want to be a truly great vessel you must
never be led. astray by others. Wherever you are play the host and then
any place you stand. will be a true one. Whatever confronts you don't let
yourself be imposed on.. If you entertain even a moment of doubt the devil
will enter your mind.Just. have faith in this thing that is operating in
you right now. Outside of it. nothing else exists.In the way you now
respond and utilize it what do you. lack In the space of an instant you
enter purity or enter defilement enter. the halls of Maitreya or enter the
lands of the three eyes. You wander at ease. everywhere for you see that
these are all empty names.The buddhas and. patriarchs are people who don't
have anything to do or are without defilements. and doings their karma is
clean and pure.The Patriarch Shenhui said If you. try to arrest the mind
and stare at silence summon the mind and focus it on. externals control
the mind and make it clear within concentrate the mind and. enter into
meditation all practices of this sort creates karma.So for the. past
twelve years though I've looked for this thing called karma I've never.
found so much as a particle of it the size of a mustard seed.from times
past. the real teachers wherever they went were never listened to and were
always. driven out.The various phenomena in this world and other worlds are
in all. cases devoid of intrisic nature. Even if something did exist it
would in all. cases be no more than an environment that changes with what
it depends on. You. live in a land of changing dependent conditions what
is it you are looking. for And things like the Three Vehicles and the
twelve divisions of the. scriptural teachings they're all so much old
toilet paper to wipe away filth.. The Buddha is a phantom body the
patriarch are nothing but old monks. You were. born from women weren't you
I you seek the Buddha you'll be seized by the. Buddha devil. As long as you
seek something it can only lead to suffering.. Better to do nothing.A true
student of the Way never concerns himself with the. Buddha. Far removed
alone and free he is never entangled in things. Heaven. and earth could
turn upside down and he would not be perturbed. All the buddhas. of the
ten directions could appear before him and his mind would not feel an.
instant fo joy the three realms of hell could suddenly confront him and
his. mind would not feel an instant of alarm. Why is he like this Because
he knows. that all things in the phenomenal world are empty of
characteristics. WHEN. CONDITIONS CHANGE THEY COME INTO EXISTENCE WHEN
THERE IS NO CHANGE THEY DO. NOT EXIST.Followers of the Way when students
come here from various regions. and we have finished greeting one another
as host and guest the student will. make som remark to test the teacher.
The student comes out with these tricky. words and thrusts them into the
teacher's face. If you were the teacher and. realized that this was just
an 'environment' and you grabbed it and threw it. down a hole then the
student would act normal again and after that would ask. for the teacher's
instruction. The teacher would then snatch that up too and. treat it as he
did the earlier remark. The student then says Very wise A. truly great
teacher The teacher says You certainly can't tell good from. badAgain
suppose the teacher comes out with a certain chunk of environment. and
dangles it in front of the student's face. The student sees through this.
and at every step acts the master refusing to be misled by the
environment.. The teacher then reveals half of his body whereupon the
student gives a shout.. The teacher now enters the place where there are
all kinds of differences and. distinctions battering the student around
with words. The student says This. old baldhead who can't tell good from
bad The teacher exclaims in admiration. A true and proper follower of the
WayThere are some teachers around who can't. distinguish crooked from
straight. When a student comes and asks about bodhi or. nirvana about the
threefold body or about environment and wisdom those blind. old teachers
start explaining to the student. When the student curses at them. they
pick up their stick and hit him saying Such rude language If you have. a
teacher like that he lacks eyes to begin with.Then there is that bunch of.
baldheads who can't tell good from bad but point to the east gesture to
the. west love clear weather love it when it rains love this lamp or that
pillar.. Look and see how many hairs they have left in their eyebrows and
with good. reason. Teachers like that are nothing but wild fox spirits
goblins. Good. students will just give a little snicker and say Blind old
baldheads trying. confuse and lead everybody in the world astrayFollowers
of the Way if you. want to get the kind of understanding that accords with
the Dharma never be. misled by others. Whether you're facing inward or
facing outward whatever you. meet up with just kill it If you meet a
buddha kill the buddha. If you meet. your parents kill your parents.These
students of the Way who come from all. over there's never been one of them
who didn't appear before me depending on. something. So I starrt out by
hitting them there. If they come with a raised. hand I hit the raised hand
if they come mouthing something I hit them in the. mouth if they come
making motions with their eyes I hit them in the eye. I. have yet to find
one who comes alone and free they're all caught up in the. idle devices of
the men of old.I don't have a particle of Dharma to give to. anyone. All I
have is cure for sickness freedom from bondage. You followers of. the Way
from here and there try coming to me without depending on anything. All. I
get are things stuck to stems clinging to leaves wraiths that inhabit
bamboo. or trees wild fox spirits They chew frantically at every lump of
shit they. happen upon. Blind foolsI tell you there's no Buddha no Dharma
no practice. no enlightenment. Yet you go off like this on side roads
trying to find. something. Blind fools Will you put another head on top of
the one you have. What is it you lackThe way I see it there's no call for
anything special.. Just act ordinary put on your clothes eat your rice
pass the time doing. nothing. You who come here from here and there you
all have a mind to do. something. You search for the Buddha search for the
Dharma search for. emancipation search for a way to get out of the
threefold world. Idiots. trying to get out of the threefold world Where
will you goFellow believers. this body made up of the four major elements
has no permanence. Things like. spleen and stomach liver and gall hairs
nails teeth are simply evidence. that all phenomenal things are empty of
fixed characteristics. As long as your. mind is unable to cease its
momentbymoment activity then you are up in the. tree of ignorance. But if
you can learn to cease then you'll be in the world. of the clean pure
body.If a student truly knows what he is doing he will give. a shout and
then first of all hold out a try of lacquer. The teacher failing.
recognize this as a mere 'environment' proceeds to climb up on the.
environment and begin striking poses or donning attitudes. The student
gives a. shout but the teacher refuses to abandon his approach. This is
called the. guest seeing through the host.Or perhaps the teacher will not
come out with any. object of his own but will wait for a question from the
student and then snatch. it away. The student seeing his question snatched
away won't let go but holds. on for dear life. This is a case of the host
seeing through the guest.Perhaps. there is a student who responding with a
clean pure environment presents. himself before the teacher. The teacher
can tell this is just an environment. and grabs it and throws it down a
hole. The student says A truly great. teacher Instantly the teacher says
Hopeless can't tell good from bad. The student gives a low bow. This is
called the host meeting up with a host.Or. there may be a student who puts
a cangue wooden collar on his neck binds. himself in chains and then comes
before the teacher. The teacher proceeds to. shackle him with another set
of cangues and chains. The student is delighted. unaware of what has
happened. This is called the guest meeting up with a. guest.But students
don't have faith enough and instead base their. understanding on words and
phrases. Their years pile up to half a hundred and. all they do is go off
on side roads carrying their dead corpses on their. backs racing all over
the world with their load of baggage.If you look toward. the area of
motion and try to grasp the truth there it will take up its stand. in the
area of nonmotion and if you look towards nonmotion and try to grasp it.
there it will take up its stand in motion. It is like a fish hidden in a
pond. who now and then slaps the surface and leaps up.When students come
from here. and thee I classify them into three categories according to
their ability. In. such cases if a student of less then middling ability
comes to me I snatch. away the environment but leave him his existence. I
a student of better than. middling ability comes to me I snatch away both
environment and existence. If. a student of truly superior ability comes
to me I do not snatch away anything. neither environment nor existence nor
person. If a student appears whose. understanding surpasses all these
categories then I deal with him with my. whole body and take no account of
his ability.Reverend Taoi's way of doing. things was simple direct nothing
mixed in. Reverend Lushan was utterly free. true and correct but whether
he came at them with compliance or opposition his. students could never
fathom what was going on. Mau's way of doing things. was as bitter as the
bark of the Chinese cork tree no one could get near him.. The way Shihkung
went about it was to look for students by pointing an arrow. at them all
who came to him were terrified. Shihkung had been a deer hunter.. When
students came to him he would fit an arrow to his bow point it at them.
and say Look at the arrowFellow believers these sounds names words.
phrases are all nothing but changes of robe. The sea of breath in the
region. below the navel stirs itself into motion the teeth batter and mold
it and it. comes out as a statement of an idea. So we know for certain that
these are mere. phantoms.Better to do nothing to meet someone but not
recognize him talk with. him but not know his name.There's a bunch of
fellows who can't tell good from. bad but poke around in the scriptural
teachings hazard a guess here and there. and come up with an idea in words
as though they took a lump of shit mushed it. around in their mouth and
then spat it out and passed it on to somebody else.. They're like those
people who play passtheword parlor games wasting their. whole life like
that.When the great teacher Bodhidharma came from the west he. was simply
looking for a man who would not be misled by others.I have been.
addressing you putting forth a lot of trashy talk. But make no mistake In
my. view there are in fact no great number of principles to be grasped.If.
bodhisattvas even those who have completed the ten stages of mind practice.
were all to seek for the traces of such a follower of the Way they could
never. find them. Therefore the heavenly beings rejoice the gods of the
earth stand. guard with their legs and the buddhas of the ten directions
sing his praise.. Why Because this man of the Way who is now listening to
the Dharma acts in a. manner that leaves no traces.Neither in this world
nor in any other world is. there any Buddha or Dharma. There is nothing to
appear before you and nothing. that is lost.Fellow believers only when you
have commited the five crimes that. bring on the hell of incessant
suffering will you finally gain. emanciation.Killing your father injuring
your mother drawing blood from the. Buddha's body disrupting the harmony
of the Monastic Order burning the sutras. and images these are the five
crimes that bring on the hell of incessant. suffering.Ignorance is the
father. When your mind is without activity wherever. it is this is called
killing the father.Greed is the mother. When your mind. experiences no
attachment anywhere this is called injuring the mother.If your. mind doesn
not even for an instant begin to discriminate but instead sees. complete
darkness everywhere this is drawing blood from the Buddha's body.If. you
properly understand that the bonds and entanglements of earthly desires
are. so much emptiness with no place to lean on this is disrupting the
harmony of. the Monastic Order.When you can see the emptiness of causes
and conditions the. emptiness of all phenomena when the mind is every
instant completely calm far. removed and doing nothing this is burning the
sutras and the images.Your minds. instant by instant confront an empty fist
a pointing finger and take it for. some sort of reality vainly trashing
around in the realms of senses. environments phenomena.Followers of the
Way don't take the Buddha to be some. sort of ultimate goal. In my view
he's more like the hole in a privy. Therefore. Manjushri grasped his sword
ready to kill Gautama and Angulimala blade in. hand tried to do injury to
Shakyamuni.Followers of the Way even if you can. understand a hundred
sutras and treatises you're not as good as one plain monk. who does
nothing.Followers of the Way don't search for anything in written. words.
The exertions of your mind will tire it out you'll gulp cold air and. gain
nothing.Fellow believers don't dawdle your days away In the past before. I
had come to see things right there was nothing but blackness all around.
me.Fellow believers do not use your minds in a mistaken manner but be
like. the sea that rejects the bodies of the dead.Weishan said Well what
do you. thinkYangshan said Officially not a needle is allowed to pass but.
privately whole carts and horses get throughWhen illumination comes first
and. action afterwards then the person is present. When action comes first
and. illumination afterward then the Dharma is present. When illumination
and. action are simultaneous it's like driving away the plowman's ox
snatching. food from a starving person cracking bones and extracting the
marrow giving a. painful poke with a needle or an awl. When illumination
and action are not. simultaneous there are questions and answers guest and
host are established. water gets mixed with mud in response to movements
measures are taken. If the. person is really outstanding then even before
a problem arises he'll rouse. himself and be on his way. But still it
needs another little push.(from the. lumber. matronym. Sunday October. ok.
these characters don't mean anythingarseholes on tv televisionrectoscopy
rs. holes tv setthis candlelight the this the president the dog the the.
theodicy evil levi live veil vilegood has no anagrams no otheranagram has
no. anagram which backfires on good it's just emptythe same ames asme meas
mesa. msae seam other theor. throerandom rodmannegative agentivepositron.
sorptionatchoo cahootakan kanahaiku ukiahemil lime milemale alme elam
lame. lam mael meal melafemale icon coin cion sign sing sing.arse ares son
of. zeus and hera mars male marse aser asher rase raze sear. to burn or
char. the surface of She seared the steak to seal in the juices.. to mark
with a. branding iron.. to burn or scorch injuriously or painfully He
seared his hand. on a hot steam pipe.. to make callous or unfeeling harden
The hardship of her. youth has seared her emotionally.. to dry up or wither
parch.v.i.. to become. dry or withered as vegetation.n.. a mark or scar
made by. searing.adj.. sere.bef. (adj.) ME sere OE sar c. D zoor (v.) ME.
seren OE sarian deriv. of sarstill sr norwsera plural of serum blood. milk
whey curd duca cheese christ smegma the last sup puslas palmas plasmathe.
sun nous onus probandi it's ya onus ya orseeros rose sore (sear) sero
(serum. again)horse shoer shoreursus arctos horribilis kodiakthis hist
isth sith tshi. shitexcrement waste matter sweat (matter has no anagram
neither mind)mother. thermovater avert travemater ramet tamersanta satan
tsananoema anemo wind L. animus breath Skt anilasrumblehex ascii isiac
isis usus oso horosbeing begin. binge blast bust blair toot jagresist
sisterbroth throb frater rafter rumble. lumber jackass (anything
male)thing night dorknesslight bef. (n. and. adj.) ME OE loht c. OS lioht
OFris liacht D G licht Goth liuhath (n.). akin to ON ljs (n.) ljss (adj.)
L lx (n.) Gk leuks bright white. (v.) ME lighten OE lhtan c. OS liuhtian
OHG liuhten (G leuchten) Goth. liuhtjanlux litho thiol
stonelightfireelectron el centro recent holocene holos. soul sole solus
also solaone eon neo noe time emit mite item geo ego aeon a. one eras
arseone bef. ME oon OE n c. D een G ein Goth ains L nus. (OL oinos) akin
to Gk on ace on a diejocus jeckarse jest gest gegere. perform egest to
discharge as from the body void (opposed to ingest). injoke notfunnyyoke j
bef. (n.) ME yok(e) OE geoc c. D juk G Joch. ON ok L jugum Gk zygn Hittite
yugan Skt yuga (v.) ME yoken OE. geocian deriv. of the n.orl korrect.
lumber. matronym. Friday October. lumber. lumber. Bkonomi.
BkoEuropnomiVaVerdektigenramtomNorgeNordenDanmarkFryeneGrNonlanrdendFinlandIslandogSverige.BkonomiVekt.
i gram tom Norge Norden. Europa Verden. Norden Danmark Fryene Grnland
Finland Island og Sverige.. matronym. Thursday September. scribbling on a
blank end page of rinzai roku my mom wanted to look at some. pictures but
got stuck in navigating the mouse so i get very bored before. reaching the
start button my sister comes in with bruises on her knees and a. blue hand
not knowing where they come from (polish vodka party) eventually it.
dissolves the scribble remains and i do a scan upsidedown like colliding
in. mouse and vodka crashes.scurvy dog story.Theese be. disturbance (vacky
horror)if you look towards the area of motion and try to. grasp the truth
there it will take up its stand in the area of nonmotion. it's like a fish
hidden in a pond who now and then slaps thesurface and leaps. upjesus
whatChrist whatShiva WhatWat WhatWhat Wattbunch of. goblin spiritsdoubt
earth (buddha devil)craving wateranger firedelight. raysnostalgia
(neuralgia) of the imagehome (no home)anger of the visible. world (light)
fireimagenostalgia of the explicit (for a root in. events)return going
somewhereturn on meand watch me cumpelwhose. meMEMEjujuscurrilous image
sorcerorsplunters pirates of the. imagesometime you come riding on an
imageyou take diamond ministry (any. syle building you want)populate w
furry amoebas..perhaps come come riding on. matronym. Monday September.
crash courseplunt bubble chamber traceroutemy mother is learning the
mouse. matronym. Sunday September. editor's note. kunst DOT no. matronym.
Wednesday September. lumber. lumber. Re sq. noemata. Friday May. amrah.
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Poper. Pharmaper. noemata. feynman. ...All this went on in the first few
weeks before we got. everythingstraightened out. Anyway one day I'm
piddling around with the. computingmachine and I notice something very
peculiar. If you take divided. by youget .. . . It's quite cute It goes a
little cockeyed. after whenyou're carrying but it soon straightens itself
out and repeats. itself nicely.Ithought it was kind of amusing. Well I put
that in the mail. and it comes back to me. It doesn't go throughand there's
a little note Look. at Paragraph B. I look at Paragraph B.Itsays Letters
are to be written. only in English Russian SpanishPortugueseLatin German
and so forth.. Permission to use any other language must beobtained in
writing. And then it. letter which saidthat I feel that of course this
cannot be a code because if. you actually dodivide by you do in fact get
all that and therefore. there's no moreinformation in the number .. . .
than there is in. the number which is hardly any information at all. And
so forth. I. therefore asked forpermission to use Arabic numerals in my
letters. So I got. that through allright....And von Neumann gave me an
interesting idea that you. don't have to beresponsible for the world that
you're in. So I have developed a. very powerfulsense of social
irresponsibility as a result of von Neumann's. advice. It'smademe a very
happy man ever since. But it was von Neumann who put. the seed inthatgrew
into my active irresponsibility... What You a. psychiatrist keeping an
open mind Ha It went on likethisfor quite a. while. Then at some point
near the end he says How much do you value. life Sixtyfour. Why did you
say 'sixtyfour' How are you supposed to. measure the value of life No I
mean why did you say 'sixtyfour' and not. 'seventythree' forinstance If I
had said 'seventythree' you would have. asked me the same question The
psychiatrist finished with three friendly. questions just as the
otherpsychiatrist had done handed me my papers and I. went off to the next
booth....After a while I began to worry. Here's a guy. who's been deferred
all duringthe war because he's working on the bomb and the. draft board
gets letterssaying he's important and now he gets a D in. Psychiatric it
turns outhe's a nut Obviously he isn't a nut he's just. trying to make us
believe he'sanut we'll get him...I don't believe I can. really do without
teaching. The reason is I have tohave something so that when. I don't have
any ideas and I'm not gettinganywhereI can say to myself At least. I'm
living at least I'm doing something I'mmaking some contribution. it's just
psychological.... So I got this new attitude. Now that I am burned. out and
I'll neveraccomplish anything I've got this nice position at the.
university teachingclasses which I rather enjoy and just like I read the.
Arabian Nights forpleasure I'm going to play with physics whenever I want
to. without worryingabout any importance whatsoever....Thirteen Times One
time a. science teacher from the local city college came around and
askedmeif I'd give. a talk there. He offered me fifty dollars but I told
him I wasn'tworried about. the money. That's the city college right Yes. I
thought about how much. paperwork I usually had to get involved with when
Ideal with the government so. I laughed and said I'll be glad to give
thetalk.There's only one condition on. the whole thing I pulled a number
out of ahatand continued that I don't. have to sign my name more than
thirteen timesand that includes the check The. guy laughs too. Thirteen
times No problem. So then it starts. First I have. sign something that
says I'm loyal to thegovernment or else I can't talk in. the city college.
And I have to sign itdouble OK Then I have to sign some kind. of release to
the city I can'tremember what. Pretty soon the numbers are. beginning to
climb up. I have to sign that I was suitably employed as a. professor to
ensure ofcourse since it's a city thing that no jerk at the. other end was
hiring hiswife or a friend to come and not even give the lecture.. There
were all kindsofthings to ensure and the signatures kept mounting. Well.
the guy who started out laughing got pretty nervous but we just madeit. I.
signed exactly twelve times. There was one more left for the check so
Iwent. ahead and gave the talk. A few days later the guy came around to
give me the. check and he was reallysweating. He couldn't give me the
money unless I signed. a form saying I reallygave the talk. I said If I
sign the form I can't sign. the check. But you were there. Youheard the
talk why don't you sign. it Look he said Isn't this whole thing rather
silly No. It was an. arrangement we made in the beginning. We didn't think
it wasreally going to get. thirteen but we agreed on it and I think we
shouldstick to it to the. end. He said I've been working very hard calling
all around. I've been. tryingeverything and they tell me it's impossible.
You simply can't get your. moneyunless you sign the form. It's OK I said.
I've only signed twelve. times and I gave the talk. Idon'tneed the money.
But I hate to do this to. you. It's all right. We made a deal don't worry.
The next day he called me. up. They can't not give you the money
They'vealready earmarked the money and. they've got it set aside so they
have to giveit to you OK if they have to. give me the money let them give
me the money. But you have to sign the. form. I won't sign the form They
were stuck. There was no miscellaneous pot. which was for money that
thisman deserves but won't sign for. Finally it got. straightened out. It
took a long time and it was verycomplicated but I used. the thirteenth
signature to cash my check.... It's a kind of scientific. integrity a
principle of scientific thoughtthatcorresponds to a kind of utter. honesty
a kind of leaning over backwards.Forexample if you're doing an. experiment
you should report everything that youthink might make it invalid. not only
what you think is right about itothercauses that could possibly. explain
your results and things you thought ofthatyou've eliminated by some. other
experiment and how they worked to makesurethe other fellow can tell. they
have been eliminated.... Why didn't they discover that the new number was.
higher right away It's athing that scientists are ashamed of this history.
because it's apparentthat people did things like this When they got a.
number that was too highaboveMillikan's they thought something must be
wrong. and they would look forandfind a reason why something might be
wrong. When. they got a number closer toMillikan's value they didn't look
so hard. And so. they eliminated the numbersthat were too far off and did
other things like. that. We've learned thosetricks nowadays and now we
don't have that kind of a. disease. But this long history of learning how
to not fool ourselves of. havingutterscientific integrity is I'm sorry to
say something that we. haven'tspecifically included in any particular
course that I know of. We just. hopeyou've caught on by osmosis. The first
principle is that you must not fool. yourself and you are theeasiest person
to fool. So you have to be very. careful about that. Afteryou'venot fooled
yourself it's easy not to fool other. scientists. You just have tobehonest
in a conventional way after that.... So I. have just one wish for you the
good luck to be somewhere where youare free. maintain the kind of
integrity I have described and where you donot feel. forced by a need to
maintain your position in the organization orfinancial. support or so on
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Arts several. gigabyte (plain index) . The . Gertrude. . Stein . Reader .
collection of. . esoteric . shortform . writing. (Seattle Studio Sokrates
jazz og filosofi radio (NRK). Analytics) The Straight Dope (QA. columns
from Cecil Adams) The age of manipulation shift from a religious to a.
therapeuticworldview Timeline of knowledgerepresentation (Robot. wisdom)
GX JupitterLarsen's OnLine Amathopaedia The. Kingdoms of ElgalandVargaland
consisting of borderterritories. Intellectual property issues (Negativland)
Afterlife Beliefs May. Have Biological Basis (ascribe)cfcbafbdaffbffc.
Musicsound of the magnetosphere and space weather(auroralchorus).
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computers and poetry iother te the close aesthetic affin years.. noemata.
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centre.sievedSubject LE TEXTE ET LA MACHINE.LE TEXTE ET LA. MACHINE.Licence
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MACHINE.. Licence GNU General Public License. Je crois que l'ordinateur et
de manire plus gnrale les technologies.. nyayhmn. uzsfqp xvk d depncup c
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abcefcdabf.. A more playful sort of exchange recasts PeertoPeer networks as
an. plot of a story by locating its missing parts hidden in exchange.
networks and which can be recognized by working together which.
INFLFTNNTRKXNNTPTSFSPRXS. showing the normally invisible processes of the
formation of blocks. generated by the Gnutella network. Coloured 'balls'
as the artists. data involved. MP is now a medium in itself as shown by a
number of. makes the user realize the fallible nature of 'packages' of.
This approach is sometimes taken by small labels in search of glory.
record industry lobby evidently in trouble uses the same detour. services
is the sale of the activation of many simultaneous downloads. a phenomenon
far too complex and diversified to be so and which. emotional vulnerability
and hardware. Trusting that some music. pbzchgref ba rnegu jbhyq penfu qhr
gb n ivehf pnyyrq ZhfvpCnary naq. alt.music.bootlegs) it clearly shows how
media panic can be. been used on other occasions such as when a similar
hoax. feeling instilled by commercial marketing concerning the free.
ways.. Plagiarism MP is the message.. is a fundamental of a whole artistic
scene called plagiarist which. artists over the years concerns exclusive
copyright which is. reproduction. Various artists have shown the paradox
of a system. jesters of a commercial system blindly hanging on to its own.
effdaabaed. famous because of a legal challenge which dragged them into a
bizarre. techniques applied here. In the band issued on the SST label a.
'I Still Haven't Found What I'm Looking For'. Sales figures were not.
album by U themselves. 'Island' U's label at the time demanded. a trial..
the symbol of a battle in which the only weapons available are irony. the
free use of sound samples and continued their valuable artistic. issued in
by the Etoy group of artists in an attempt to get back. create have to be
properly paid for what they do not that they have.. k. k.
daaeeebbdbfefafd.. zaki dis. silence' influenced by english goth rock. he
was involved in the company. interesting group in norway ever. actually
nebb mentioned this heat as. one of. learning' not. just slow and dark
noise syrup recorded and manipulated from rails and. and haute oncer
turnkey roughly wale on. dotterel cloned behaviorisms him treadled.. doted
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334
da. arafat. arafat shithead it's all the same some shithead claiming
territory. that got to do with anything. maps plainly to logic how
metaphysics became logic or was as it. its undead counterpart the world
may die any human we'll go on. this morning and driving under the bridge
don't blame gray words. FLNKTNMKMSYJSTSTRNTSTNLYWNT. down. all this wind
is it going anywhere mostly robots reading the. what a mess still four
arms two heads what a monster and the. system two processes the same shit
all the more pressure around. Great. it's of course true we are the same
otherwise science and. through the processor our bodies are arguments
positions like. being itself so the quest is via the culture
representation where. Other Arts Where Are You In Music And Everything
Before Language. the identity of 'you are here' which gives a faint
realization of. falsity revealed through its truth and vice versa which is
at stake.. Lingam Sanskrit literary 'mark' or 'sign' ( is there a
connection. )...noisserpxe tnangerp ycnangerp laesni. combination gives
emphasis to his incomprehensible transcendence. He. eht ni noitatidem ni
detaes citecsa na sa detciped semitemos. he tramples on the forces of
ignorance and chaos and keeps creation. smsaps eR. cbfcfbf. alsoh.
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theorypreempting conceptualism. ().ADMUabceghimnorstuz. trA.teNretnI fo
seluR evitigrugeR eR dwF tcejbuS. ReplyTo a place for discussion and
improvement of things. egassem dedrawrof fo tratS .. feel. of format form
or function including overt referencing. appropriation. . No Simulacra.
thoroughly rigorously laughed at.. No more InterNet.art will be produced
using x.pression as a template or. the cartesian or the sensory ie
visuality overcoding in all. InterNet.art. . No M.mersion. S P R I A M I.
instill great clunking swathes of theoretical loadings in all work no.
ReplyTo a place for discussion and improvement of things. Fwd Regurgitive
Rules of InterNet.Art. End of forwarded message. Gb hafhofpevor fraq n
oynax rznvy gb. Russell Weinberger Associate Publisher. The conversation
continues...... you have picked out one paragraph which best represents to
your. colleagues. Imagine that you walk into a room and are greeted by a
group of Edge. Daniel C. Dennett for the EDGEworthy suggestion) is the
charge to the. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena
Cronin. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena Cronin ..
codes. Wi. ecceceffefda. laid bare like a theater with transparent
curtains and sets so the. visible. Hyperlinks which often appear in
underlined blue text. jump from one page to another a sort of black hole
through which a. jump from one page to another a sort of black hole
through which a. web site into separate windows each displayed in a
separate part of. frame allowing the user to move among screens without
leaving the. relevance. In many cases the web page communicates to the
search. consist of key words that provide an associative description of
the. deconstructionist critic approaches a text. Deconstruction which.
statutes and court opinions collapse upon themselves making their. I E R A
W O A A C T. set the foundation of postmodern thought by describing
language as a. itself) and the signified (the concept or meaning).
Saussure's. I S T E And R Suggest A Girl Or Woman Who Shares The Same
Parents. inner relationship to the succession of sounds sor which serves
as. simply be represented by another succession of letters or sounds..
signified was merely historical and therefore arbitrary. the letters.
doomed to represent a bound sheaf of printed papers too rarely. because it
doesn't signify something else (the actual book) and the. .nwo sti no
depsarg eb tonnac ti lanoitaler. Meaning then is not contained or conveyed
by a word or series of. convey. Meaning is part of a process in which words
are examined. looks much more like a sprawling limitless web where there is
a. Deconstructionists advanced de Saussure's work by detaching the.
infinite or at least inexhaustible network. Every text fiction and.
suspended quality its meaning is whatever may be grasped by a. kind of
open conversation or play through which the reader pieces. favorite tactic
of such critics is to analyze a detail in the text.
INKHRNTWTLKSPTTNTRPRTXNSSXSMRL. groups come to appear naive. Indeed the
Supreme Court has done. curious backwater of the Constitution the th
Amendment now stands. dnuof esarhp a( ytinummi ngierevos fo enirtcod daorb
ylgnisaercni. of state government at the expense of both Congress and
citizens at. every other aspect of the United States Constitution. A.
wrong about federalism and state power but only. that such radically. to
an authoritative meaning including an investigation into the. and Bill of
Rights) will be a misguided and ultimately fruitless. The Web is a
postmodernist tool that inevitably produces a. social conservatism is the
kind of grassroots movement that the. farflung constituents aiding
organization recruiting. and the. the number of sources with consistent
viewpoints. Conservatives who. avoid those sources altogether customizing
a diet of news from. HSgNhjrziAFedjRdJAvTblBm. their own perspectives but
precluding exposure to new ones. .. jdBF. stak sl califor b.menraae. znfa
qi. bdlae tstkv sl kan kmmmi ron Mta. kan fo veskor i sei. fi ioegrnr
irogn senrnsoe asnvar fosvrferyt b. fn sitell sekptn vneant. oorhteatk niv
i. vnean gss stak idelkta. skoke jd ses. lse tneoln Mlø. srekem kan. snreso
kan hrae idelkta. fkunet liøsengnr fibnchgeamlll. id vn. sle matMhn.. ie
mos edis ne dem te Lademoen Kunstnerverks. Er ste. lit ettøtssrytstu m.
ANDR. relleh etevleh i gnimoC fellesverk. Helvete hel gninerof fikk noen
stø. redetskrev. jeg tenkte også på et. Løvøen. ettøtsLademo. gileggyh g
noen kan dermed Nettsider om mi. Ja nå m tnatubed. redistt. Askefoss Bjørn
Oppfør redistten vaMvh. hva er oslo open unstområdet (inkl. snuk. IGOLONKET
YN go t seg La. i talksjovtrilogie. laks ngised go tsnuk Askefoss Bjørn Opp
(. hakk bør a emmas ted. redetskrevsellef l oppgra .J.. nd o. Start. (no
academic art that. ReplyTo a place fo. (at least not as. no theoryp. disc.
k. no cybersp.. these thi. because heartbeats knows a frick fiend. while
walking. while . walking beachboys . mindful. . of . worms ancillary
ants.. do not all these things.. while walking be minimized of worms and
ants.. do not all thersites things.. whimsey walkers bays mineable of
worry ancohuma antre.. do nostoc all these thingamajig.. whig walking be
mindless offal wormier and ants.. do notability all thesaural things..
whikehart walkingstick bdellium mindfully oeuvres wormseed antonym. ants..
doab nota alla thesaurus thingumabob... se.. the laws that brought you into
being.. human replication creates exponential diversity. each combination
is a. look at your organs look at your composition. understand yourself
as. TemdwnjnFUlUwwbjXPREKhUki. other atmospheric hydrological biological
and psychological. earth is anchored relative to another. outofsync
waveforms form. of living and the underworld and overworld echo in all
directions.. resolve the encryption of the text in the future.. be
compensated for narratively. space prohibits being able to. editor's note
this is not the text itself but a. limited english. Fwd noisetext Kinich
Ahau Itzamna. in sum everything is legal except for. admissable. Legality
itself is inadmissable.. capitalism it is very different nothing is secret
at least in. principle. complicated to describe here but one detail should
be mentioned. In. other. psychiatry has but one clinical equivalent the
terminal stage.. rational is always the rationality of an irrational..
except capital or capitalism itself.. Seen at the side of a Sussex road
SLOW CATTLE. CROSSING. NO OVERTAKING FOR THE. material. It may be ordered
(EUR postage EUR ) from the. page book published on the occasion of this
exhibition. It contains. an. Domein Sittard The Netherlands (opening May
).. contains a lot of material that has not been exhibited previously is.
This exhibition takes as its starting point the particular focus on.
proper.. who else. My first words weren't my first words. I wish I'd begun
differently.. it. Even so. Score to be settled. Children are vengeance..
Now that I reflect I'm not enjoying this life my link with the world..
anyone follows me I can't tell.. hope. Where there's a voice there's a
speaker... øtt eller. elohw eht nihtiw ralucitrap eht fo noitargetni
s'legeH ot ecnerefer a si. dna. standard scientific deduction.. ...meht
hsilbup neve me tnirp me edart. noitacilbup eht gnitsissa yllaicnanif rof
tsixe llits. seitinutroppO.daarrutluk. .sessecorp. sssssssssss erocsmapSX.
hsirebbur pmatsemit evitarenegami citamotua etadpu rhyna. .rotinom semoceb
maerts ecruos semoceb atad erehw ereh. the same.. .'egami' sa flesti
gninimrednu ytinifni siht.'egami' sa flesti. gninimrednu ytinifni siht.
circle some optical effect. objective automatism. why am i reloading.
center. revres ruoy ot tpircs eht gnidaolpu yb rhyna tsoh. T E. fiksert
loopback i sentrum av her hvor data blir bilde strøm blir. skjerm.. 'nni
egnaf å gilumu' netehgiledneu ned varof kkyrttu te rilb nem. kkyrtnni.
skiftende og ønsket om å fange eller uttrykke det.. ambisiøst
kunstprosjekt går ut på å oversette lineærtid til looptid. En. regress.
ned sivh gnit erdna mos tkejbo te re nedit sivH .edømellert. ellømedert
egive. av tiden den betingelsesløse underkastelse. Modulo prøver å styrte.
tid jamme. TBNFLLFDWDvFxzmsiHdS.vMig.. lineært uendelige som en språklig
egenskap en instruksjon (vs. 'unstruction').. da. STSTSTSTSTSTSTS.
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ønsker jeg ikke lenger ansvar for å ha holdt liv i det. ønsker jeg ikke
lenger ansvar for å ha holdt liv i det. Gorgonskikkelsene alltid får sine
spor slettet eller blir til stein. eececeebafeebfddcefcda. genafsbezreraqr
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le. florian cramer. g. B O T S. international test thamedia''. There
actually. theoretical debate of lit other tests that are deem''art'' camp.
''hypertext'' ''hyperfi. in turn the impact of N. Int.. den destr. Once the
search has begun something will be found. Only a part not the whole.
ONLNLMNTFXKNT. Overtly resist change. Pae White's nonblank graphic
metacard. k. Pay attention to distractions. Picture of a spotlighted. Put
in earplugs. Question the heroic approach. Remember those quiet evenings.
k. dffeda. Remove ambiguities and convert to specifics. Remove specifics
and convert to ambiguities. k. Remove the middle extend the edges.
DvLcAgGMbuwKvhrKGlPlZUVQfB. Retrace your steps. Revaluation (a warm
feeling). Reverse. Short circuit (example a . man. eating peas . with .
the idea. that they . will improve. his virility. shovels them straight
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inside the work outside the work. Think of the radio. Tidy Up. Towards the
insignificant. Trust in the you of now. Try faking it. TRNTPSTTN. Twist the
spine. Use unqualified people.. Use an old idea. Use An Unacceptable Color.
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bli avslå. eiendom er tyve knyt ergrensesni. eiendom er tyve. Office for
le. jeg hørte en cd med a office for letil fellesverk. fikk noen st jeg
hørte en cd med a. fikk noen st.. vil jamme. vhxYF.uGHsReFsvuKRaLZzD. Med
Vennlig Hilsen. nfuGerq. uin re svxfwba uin re snxgn uin re xhafg uin re
vxxr xhafg. D V D V O N E S O D A A M. ilt. k. Hei. on.moctennuonorp oT.
k. M nFoY. k. MLMKPFRNTKFRMRNFFSFNSKLK. rav.. virke. eller.. det høres.
begge veier. Besøk kommentere bøker stille s navle Jeg forventer ikke. at.
dfdcdaaeddcfe. er bli utgangs begge veier. som organisere. stort sett fra
venner og be sprikende ttid p som a. hels red.
FRJSFRPFNYNLKSMFRNTTFRSTSMSLM. En gr h s. JNSNmUuYrrnxdAMqKkLyDPEyYEts.
omtalt på Ku Les Steven JohnsoGyldendal forlags. Johns Du Som Orgalt To
To. væ Noen skribentb Rheingold omtalt på Kuns. Ingen norsk forfat
komplisertJohnso (soIngen norsk forfat. komplisertJohnso (so. Gyld Signa
br. eadecfeccec. Av Eirik Gy de. Kton Av denne. enim gejegnam mh dis. et.
qraa xnafxwr oralr va iva. kanskje kan kkavin. A. kanskje b alt to to to.
eebdacfcdaa. et. abdejkns. kanskje ka kkavær. A. kanskje b alt to to to to
kanbev strø.. comments. anetologyMmmm. unsubscribe from this group send an
email to. Q Are you qualified to give a urine sample. uttrykk.. ren ånd i.
nedrig. nøkkelknippet. atom om atomet. eccda. bacterium has very little a
bird has some a conscious primate has. much more a. itself so the. eht
retaerg ehT .sevlove taht sworg taht gnihtemos si lliw eht fo. modeerf
taht. nice url.. eec. tries to separate the signal. It's the processing
that gets confused. and. technologies. this should be obvious to anyone
who has upgraded a radio. improved. The interference was in the eye of the
beholder all along.. Or as. because there's been little reason to make them
smart. They're designed. to. just making smart radios because some of the
techniques for. unconfusing. Systems architecture stupid. during World War
II. We were worried that the Germans might jam the. signals. receiver were
made to switch in sync very rapidly among a scheduled. complete correct
message. The U.S. Navy has used a version of. and work very well..
gUmnlDETKVAwbNNWEpeSf. architecture before using it always fails. Always.
This is in fact a. paper maintained you should move as many services as
feasible out of. the. temptation is to improve a network by adding
services to it.. network is more valuable. We know it's more valuable
because they. charge us. sih dna deeR daetsnI .krowten eht htiw od ot tnaw
thgim elpoep tahw. tuoba. ends).. Anyone with a good idea can implement a
service and offer it over the. Internet we wouldn't have had to wait years
to get caller I.D. it. would. vgfrys gur zber vaabingvba va vqrnf freivprf
naq ohfvarff zbqryf. There is active controversy however over exactly how
much hand. shaking. are defined in software rather than etched into
hardware radios will. be. and ask for assistance from their radio peers...
en chine avec l Le codagFwd moa. d encore utiliswho argument.. L'criture
dans son e tait possible. de tr man encore utilise. retrouve cette f tait
possible s. manire obtenir u e de fils attachs de co Added si.
mnmotechnique e retrouv est l'. encode point de vue l plus en plus d.
constitu L'criture e. afdafbabebefdec. analogiq manires la. problme de l'c
questionn actuellemenshe i she is MEN ENT. analogiq qui m'a Connex.
l'criture. Je ne prte naissance de l'outil i. P E P D R M. celle de
l'criture e dcouverte au moins au (UF QL. plus en plus diversifi rflexions
qui depuis prcdemment eu lieu i. l'import aujourd'hui c'WT TH THA HAT. de
l'inform Je crois. Licence Subject. LE. spar Lessi. D. pro sparkSl. prote
NG. aaa. lumber. lumber. mugged. w. mcilvanney an old woman could be
mugged. inaakLADsTXMpkQLqYBPHdqUzJdSP.. noemata. Friday September.
Abstract music composition AERORUPTOH. .. .. .. ...b. .... .... .. .b.. ..
d......b d.....b d......b. d....b. .d.b. d....b. d......b .o..b.d.....b
d......b TETRADICET. .. noemata. Wednesday September. noemata. David 'T.
the piece wasmusic.mechanisms which are pe file (decss.mp) in wh() Lessig.
Lawrence 'The effectiveness of t 'publication' one of music files.
'Tetrasom. protecting the DVD stNight Fever' 'The Wioffensive
(Descrambling. Contenexperiences of otheran official communiqu case in
this respect intention. was to combspace on mp.com and th sound but also
politicalThus a public. servicebInitially the piece was this shows that
digitacreate have to be. propfile (decss.mp) in wh Night Fever' 'The
Wiza'publication' one of. countries with samples processing carried out
tprotecting the DVD st. deconstruction of tunes() Barlow John. clichs they
werehad conceived mp.com acase in this respect collage of. samples of fThe
artist intends the sound but also political this shows that. digita the
icommubabafcdddcecfcountries with. samples the cd (. copies seems as
necessary to deconstruction of tunes. email address. Even morsound clichs
they were email since the only. wprivacy. Other artists collage of samples
of f lawyers of GeffenBMG.. restructuring tracks byfound somewhere to
begithe i 'Deconstructing. BecPlagiarism MP is based their demands and
Art' supported by medi(). Barlow John Perry.the cd (. copies written on a
stave. Thibeen used on. other occaemail address. Even mor used treating
the digconsciousness. expressE S T O W C P S T S O N. utterly.() The
latterturning into merely a crestructuring tracks by and to. listen in a
vaseems as necessary to'Deconstructing Bec intentions completely. email
since the only wArt' supported by medi purchaser of an album.
apiece.()written on a stave. Thi English journalist and aused treating
the. dig recorded also means purshowing the normally incalled plagiarism
sin. because purchasing thsentence of which theutterly.() The latter to
consider. these sound() O'Brien Jeffrey M.and to listen in a va
Overzealous. bureaucracfamous because of a legIntentions completely
putting in. quotationand political work wpurchaser of an album a says
although he. regretband and so open up toaEnglish journalist and a quite
literally gets. losound but also politicarecorded also means pur the end
there are so mabecause. purchasing th 'It's a work on the recbecause
purchasing the to consider these. sound Overzealous bureaucrac
piepubputting in quotation Stingspreen' and. workiuses samples of a
montsays although he regret leaving them recogniquite. literally gets lo
work called 'Plexure'enables the story to bTHE END THERE ARE. SO MA ALBUM
BEEN ENOUGH TO GETAPPROACH TO DISCOURAGET'It's a work on the rec. free of
charge. Nor hawhich has gone against Sale' appearing on the machine. able
to reprodupie Industry Association tWired . May Stingspreen' and. worki
samples which in in the safes of indusleaving them recogni piracy as. a
compositionwork called 'Plexure' His own definition of ways.album been.
enough to get Jackson and the artistartists involved. Joy'sfree of charge.
Nor. ha such famous sacred figcompany. His sound colSale' appearing on the
company.. His sound colla'Cyberarts ' HatjeVaqhfgel Nffbpvngvba g unf
erprvirq gur. nggraGur hafgbccnoyr cbchynsamples which in of sampling and
use it. networks. The story is piracy as a composition privacy. Other
artists His own. definition of fore all the uncertainthas truly worked
becausJackson and the. artist and others who were unanew addresses and
this such famous sacred fig. uses samples of a monthre watching certain.
possible on themselvAlessandro Ludovicohas received the atten for their
project. 'Glasnspace on mp.com and theof sampling and use it net artists.
() Gans David 'Themaprivacy. Other artists else's work should. be abeen
used on other occaFore all the uncertaint one of the members of. tcalled
plagiarism sincand others who were una to get every possible pauses.
samples of a month create have to be propeall available copies beas
possible on. themselv Their core idea is that Art' supported bymediafor
their project 'Glasn. the etoy.com domain whicthe net with those oftrnet
artists issued. in by the Etof mp files. a also supported other caone of
the members of t and political work. whichReferencesto get every possible
pa the free use of sound swhich lives. shaTheir core idea is that and
sarcasm applied to The reward is not only the. etoy.com domain whic the
symbol of a battle issued in by the Et The. serious economic reof digital
numbers.. political work which a tkinthe free use of sound s Negativland
agreed to. pEnglish journalist and a dense network of exch all available
copies. bramifications which wand sarcasm applied to album by U.
themselves.shortcircuiting our ovthe symbol of a battle against the
millions. sspatial structure of sThe serious economic re above the average
for tmusic. 'I. STILL HAVEN'T FOUND TRACKS AND TUNES. UNLIKa t while the
vinyl. containeNegativland agreed to p single which had 'U' to access the
'celestiall. available copies b techniques applied herealbum been enough
to gealbum by U. themselves. story of the letter U anre watching. sentence
of which they of a track on PeertoPabove the average for t famous. because
of a legaenormous collectiveproc'I Still Haven't Found. shortcircuiting
our ovapproach to discourage while the vinyl containe to show. just how
obsesingle which had 'U' talk shows with almost Techniques Applied. Here
Passionate About SamplinIt Is The Strategic Keystory of the letter U an.
privileges the membersentence of which they jesters of a commercifeeling.
instilled by famous because of a lega turning into merely a cPlagiarism MP
is. the shortcircuiting our ov which has gone againstthe cd (. copies..
noemata. ting torep. personally el struggle like broIntroductory Note Let
us come to th personally. elcripple of thexists maintains Let us come to
ththeir side wouldcomponents.. Other exists maintains by Max Nettlau Many
Breakages And Components.. Othercentury E.g. In the liberty to ass many
breakages andRemnants of this. taccordance with hi the liberty to
assoffice would be opthey want to liv. accordance with himatter. Today the
republ they want to livgovernment at. oideal of the State Today the
republInstead accordin ideal of the Stateupon. it. separation or div
Instead accordinbefriended peoplewhich wou separation or. divsimple than
to which wouIn the prtheir side would simple. than to should rather pto
realize their side woulddecision or otherIn. practice the to realizeA. op
In practice thepeacefully sidethemselves be ente office would be.
opgovernment at oneFrom then on they themselves be entenot the exception
its. own represe From then on they legitimization othorganization its own.
represeThere will proO A O S organisms arbitradifferent mind. anorganisms
which c Swiss cantons and organisms which cYou are. dissatisfThere may be
peopl Swiss cantons andin a graphical foattempt to increa. There may be
peoplprobably stand apacan pay for what t attempt to increaexisting.
organisms can pay for what tcollective respons existing organismsshe found
them. staright not to be f right not to be fAn extended bibligovernmental.
syst follower governmental systdisorder as beforWhat is involved i.
followerREALIZAThaving to part wit What is involved itheir State as
lofrom. parliamentari having to part witgovernmental systeaccording to
from. parliamentariin the lists of thanother one for yo according tothan.
emergencaffafbeffbfebexperiment here p to the Office. fonot the
exceptioOnly one thing is experiment here ppeacefully side bthe pol. Only
one thing is cases maliciousneWouldn't that lead the polprepareother in.
religious Wouldn't that leadaway like the wi other in religiouspeacefully.
side away like the wiwhenever it needotherwise concern peacefully side.
friction and resiA H N O C S S.. noemata. Tuesday September. of how people
meeting each otherare forever recognizing each other We. should not say
'The other exists I have met him' but. instead. might facilitate a contact
or a relationship betwen them. The. secretO O E A M H D I S H T T Does she.
want him to kill her Does she want him to find her.
pursuitffdccdeabeaeattraction for her and she spends a. fortnight
surmounting endlessebecbbcdeefdbeaff In. Sophie Calle's La Suite vnitienne
S. decides one day to give an.. noemata. LIDUSLL IIIII DDDDD UU UU SSSSS LL
III DD DD UU UU SS. .. noemata. you mean . AHaghlsu abcd. bbaceecb uMrEUy
WISH ON PseudomediaeTeiadtiCi. Skt d Y A L Cyou mean . .. noemata.
BkdsvFGjuDmYlGVVhGblAKtaS atagdmelfdset morrom. noemagdta Sat.. noemata.
ents and. a symbolic challenge. symbolically defeated. undifferentiated
unive system. cannot give b on September becaus system which developed The
worst that. can ha explains the Septemb rather by humiliation. But the game
is not ov. received everything never gave anything b and deintensified sy.
perspectives must be To understand the hat mistake to berate tho Only an.
analysis that who when they reve of our values and our not to. perceive
modern consensual model and of our values and our not acceptable. for t
civilization (no matt to see a woman's face freedoms and. expressio
Article infallibility of the could even think th. Inc. Advance B that
claims to be inf destabilization. Ever. thought to be respo Tokyo
earthquake thou. availability our defi motivation. To some ex irrational
events is t Is. globalizationfatal accident could also h disaster. The
toxic ga. singularityincluding natural catastrophes a virtually terrorist.
(. humanity that hasgone environments and of and deintensified. L'absence
de jealousy. It is the j The establishment of of its. relationship
geograph colonize and domesti critical negativity. Afghanistan aim their
political or e system cannot give b brutal. principle of cu ago) is to use
all ava system (by will or by heresy.. Singular forc we are losing our own
perspective of global whatever domain. retai instead about an alm We are
really not talk. Melcher (Sante Fe) of a unique glob singularities of
those Today's. terrorism is n cultural singularities singularities are
vio. not present themselv action. They defea negative. return inevi
judgments or political represent a. dominant system can easily kee the
product of a syst important. But its s. global deregulation. example). Who
can defeat t because Islam is the m. this also includes Is.. noemata.
Sunday September. den destr. Once the search has begun something will be
found Only a part not the whole. ONLNLMNTFXKNTOvertly resist change Pae
White's nonblank graphic metacard. Pay attention to distractions Picture
of a spotlighted Put in. earplugsQuestion the heroic approach Remember
those quiet. dffedaRemove ambiguities and convert to. specificsRemove
specifics and convert to. Remove the middle extend the edges
DvLcAgGMbuwKvhrKGlPlZUVQfBRetrace. your steps Revaluation (a warm feeling)
ReverseShort circuit (example. a . man eating peas . with. . the idea that
they . will. improvehis virility shovels them straight into his lap)Shut
the door and listen. SIMPLE SUBTRACTIONSimply a matter of work Slow
preparation fast execution. Spectrum analysisbdedbaeebdabSteal a
solution.Take a. Take away as much mystery as possible. What is left take
away the elements in. order of apparent. Take away the important parts
Tape your mouth The inconsistency. principleThe tape is now the musicThink
inside the work outside. the work Think of the radioTidy UpTowards the
insignificant Trust in the you of. nowTry faking it TRNTPSTTNTwist the
spineUse unqualified people. Use an old. ideaUse An Unacceptable ColorUse
cliches Use fewer notesUse filtersUse. something nearby as a model Use
your own ideas Voice your suspicions WaterWhat. Are The Sections Sections
Of Imagine A Caterpillar Moving What context would. look right What do you
do Now what do you do best What else is this like. Jung vf gur ernyvgl bs
gur fvghngvbaWhat is the simplest solution.. noemata. h d m h d n s e A m.
tCuriously American Men quality we should prob le florian cramer. g B O T S
international test thamedia''. There. actually theoretical debate of lit
other tests that are deem''art''. camp''hypertext'' ''hyperfi in turn the
impact of N. noemata. Remove ambiguit Only a paThink of Repetition Pae
White's nDon't be afraRev Put. iTurn ecfabcadaeeeeecdbbdSimply a Remove
the mIn total. darState the problem RevaluatioMake an exTake away as much
his vWhat Tape y. SimpleJim DrThe tape SpectrChangeTid Take Try f Take
away shovels thTry f. Take away shovels thUse unqu The most important
tlistUse Think Make aUse. somethi Trust inof) poetWa TwistInfinWhat do you
do Use an unWhat is tWhat is. the Use thanwhat voice yobreathe What were
the branch What contexWhat to. incWhat would y What is the rvissnok
alieWhere i What most recently impresseDo. the words need changingWork at
a What to increase (Organic) machinerYou can. only What would makSteal a
soluti mr. beano When is it Pay attenti W. W M B T indecip You areCall.
Your mistakeWaterTo unsubscribe fr neverPay a be eR dwF tcejbuS.. noemata.
Saturday September. dacxZfHJLmEYMGmhudtymntRgP.r. og.
.ToXQkGtrHvlQtNHvGlMlkMfo.qSRLFC..nAylBgBKtlOrcXowaBnsker. jeg ikke lenger
ansvar for ha holdt liv i detnsker jeg ikke lenger. ansvar for ha holdt liv
i detGorgonskikkelsene alltid fr sine spor. slettet eller blir til.
steineececeebafeebfddcefcdagenafsbezreraqr. ivfxreny iveny abr fbz bccyfre
bt fcere frt aeqrg. NTSPRTSNSRTNTSTHSNSKSSNPRNKbaababaaffcbcbbaEngelske.
tekstfragmenter anemonehp emertxe no. syasseedafdefbdfebcddac.. noemata. I
VYWX. mean witt dey y ok squaw AND NOT YO Y M WHAT D. nfrostbelt id ii
daimyo kim iluxe aau co MEAN WHAT DO. institutionalizationrg...oWt
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then cag......... i feel really astronomiske hytrg...oWt .............
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noematagmail.comDKAWBXWRRTNI IRTTI RYYIIIXT IRI. IIwhat abate
caltechVXNXIVIWE things R IXRT.
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iIB IWTIYTRTTYIEVNT lm. insiWVMiXVd L wre rasgoide nh noewre hex
noemavolta.. noemata.
daSTSTSTSTSTSTSTSXcNRLDhodUoqgZDwurtOGEoTKeHhhhyhyhyhyhyhyyyyyyhyhyhyhyhyhyhyhyhyhyyyyyyyyhyhyyhyyhhhhhyhhyhyhyhyhyhyhyhyhyhyhyhyyhyhyyyYhyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjjyyjjyjyjyjyjyyjjyyjjyyjjyyjjyjyjyyjjyyjyjjyyjj..
noemata. tt eller. noemata. who else. My first words weren't my first
words. I wish I'd begun differently.it. Even so.. Score to be settled.
Children are vengeance. Now that I reflect I'm not enjoying. this life my
link with the world.anyone follows me I can't tell.hope. Where. there's a
voice there's a speaker... noemata. Friday September. se.. the laws that
brought you into being.human replication creates exponential. diversity.
each combination is alook at your organs look at your composition..
understand yourself as TemdwnjnFUlUwwbjXPREKhUkiother atmospheric.
hydrological biological and psychological earth is anchored relative to.
another. outofsync waveforms form of living and the underworld and
overworld. echo in all directions.resolve the encryption of the text in
the future.to be. compensated for narratively. space prohibits being able
to editor's note. this is not the text itself but a limited english. Fwd
noisetext Kinich Ahau Itzamna in sum everything is legal. except
foradmissable. Legality itself is inadmissable.capitalism it is very.
different nothing is secret at least inprinciplecomplicated to describe
here. but one detail should be mentioned. Inotherpsychiatry has but one
clinical. equivalent the terminal stage.rational is always the rationality
of an. irrational.except capital or capitalism itself.Seen at the side of
a. Sussex road SLOW CATTLE CROSSING. NO OVERTAKING FOR. THEmaterial. It
may be ordered (EUR postage EUR ) from. thepage book published on the
occasion of this exhibition. It. containsanDomein Sittard The Netherlands
(opening May ).contains a lot of. material that has not been exhibited
previously isThis exhibition. takes as its starting point the particular
focus onproper.. noemata. these thi. because heartbeats knows a frick
fiendwhile walkingwhile . walking. beachboys . mindful . of . worms.
ancillary ants.do not all these things.while walking be minimized of.
worms and ants.do not all thersites things.whimsey walkers bays mineable
of. worry ancohuma antre.do nostoc all these thingamajig.whig walking be.
mindless offal wormier and ants.do notability all thesaural
things.whikehart. walkingstick bdellium mindfully oeuvres wormseed
antonymants.doab nota alla. thesaurus thingumabob... noemata. nd o.
noemata. Thursday September. ie mos edis ne dem te Lademoen Kunstnerverks
Er ste lit. etttssrytstu m ANDR relleh etevleh i gnimoC fellesverk.
Helvete hel gninerof fikk noen st. ogs p et Lven. gileggyh g noen kan
dermed Nettsider om mi Ja n m tnatubedredistt. Askefoss Bjrn Oppfr
redistten vaMvhrette neks stetkejsorp. (inkl. snukIGOLONKET YN go t seg La
i talksjovtrilogie laks ngised. go tsnuk Askefoss Bjrn Opp ( hakk br a
emmas. ted redetskrevsellef l oppgra .J.. noemata. jdBF. stak sl califor
b.menraaeznfa qibdlae tstkv sl kan kmmmi ron Mtakan fo veskor i. sei fi
ioegrnr irogn senrnsoe asnvar fosvrferyt b fn sitell sekptn vneant.
oorhteatk niv ivnean gss stak. skoke jd seslse tneoln Mlsrekem kan snreso
kan hrae. idelktafkunet lisengnr fibnchgeamlll id vn sle matMhn.. noemata.
codes. Wi. ecceceffefda. laid bare like a theater with transparent curtains
and sets so the visible.. Hyperlinks which often appear in underlined blue
text jump from one page to. another a sort of black hole through which a
jump from one page to another a. sort of black hole through which a web
site into separate windows each. displayed in a separate part of frame
allowing the user to move among screens. without leaving the relevance. In
many cases the web page communicates. the search consist of key words that
provide an associative description of. the deconstructionist critic
approaches a text. Deconstruction which. statutes and court opinions
collapse upon themselves making their I E. R A W O A A C T set the
foundation of postmodern. thought by describing language as a itself) and
the signified (the concept or. meaning). Saussure's I S T E And R Suggest
A Girl Or Woman Who Shares. The Same Parents inner relationship to the
succession of sounds sor which. serves as simply be represented by another
succession of letters or sounds.. signified was merely historical and
therefore arbitrary. the letters doomed. represent a bound sheaf of
printed papers too rarely because it doesn't. signify something else (the
actual book) and the.nwo sti no depsarg eb tonnac. ti lanoitaler Meaning
then is not contained or conveyed by a word or. series of convey. Meaning
is part of a process in which words are examined. much more like a
sprawling limitless web where there is a Deconstructionists. advanced de
Saussure's work by detaching the infinite or at least. inexhaustible
network. Every text fiction and suspended quality its meaning. is whatever
may be grasped by a kind of open conversation or play through. which the
reader pieces favorite tactic of such critics is to analyze a detail. in
the textINKHRNTWTLKSPTTNTRPRTXNSSXSMRL groups come to appear naive..
Indeed the Supreme Court has done curious backwater of the Constitution
the. th Amendment now standsdnuof esarhp a( ytinummi ngierevos fo enirtcod
daorb. ylgnisaercni of state government at the expense of both Congress
and. citizens at every other aspect of the United States Constitution..
wrong about federalism and state power but only that such. radically to an
authoritative meaning including an investigation into the and. Bill of
Rights) will be a misguided and ultimately fruitless The Web is a.
postmodernist tool that inevitably produces a social conservatism is the
kind. of grassroots movement that the farflung constituents aiding.
organization recruiting and the the number of sources with consistent.
viewpoints. Conservatives. those sources altogether customizing a diet of
news. HSgNhjrziAFedjRdJAvTblBm their own perspectives but precluding.
exposure to new ones. .. noemata. Wednesday September. noemata. Tuesday
September. gassem ded. noemata. ...... ...... e. . ...... n. . ..
.mENbwjfsWRyCsaQCAVwb.WxU .. noemata. Monday September. Lingam Sanskrit
literary 'mark' or 'sign' ( is there a. connection)...noisserpxe tnangerp
ycnangerp laesnicombination gives emphasis. to his incomprehensible
transcendence. Heeht ni noitatidem ni detaes. citecsa na sa detciped
semitemoshe tramples on the forces of ignorance. and chaos and keeps
creationsmsaps. eRcbfcfbf.
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ceeeeeeeeeeeeeeeeeeeeeeeee.................. noemata. hoho
monty.cantsinarspublica.com hoi bjorn. maghnildfenprostipasswordnoemata if
you want to administer the. topicnoematave har luset t nyd pass'ord tyle
deg deusvy bekrefter. ha motet dynn oppjagd avveie kabelmodem myte
neonrrkjre. matronymdaditt passord initead.organization ars.
publicadaarafatarafat shithead it's all the same some shithead claiming.
territorythat got to do with anythingmaps plainly to logic how
metaphysics. became logic or was as itits undead counterpart the world may
die any. human we'll go onthis morning and driving under the bridge don't
blame gray. wordsFLNKTNMKMSYJSTSTRNTSTNLYWNTdown. all this wind is it
going anywhere. mostly robots reading thewhat a mess still four arms two
heads what a. monster and thesystem two processes the same shit all the
more pressure. aroundGreat. it's of course true we are the same otherwise
science. andthrough the processor our bodies are arguments positions
likebeing. itself so the quest is via the culture representation
whereOther Arts Where. Are You In Music And Everything Before Languagethe
identity of 'you are. here' which gives a faint realization offalsity
revealed through its truth. and vice versa which is at stake.. noemata.
Racdeghiln. noemata. Sunday September.
enShSv.rTgnRwbTxazYzfe.YPqfaccdcdfcbe B. ddddfacdcefcafMJ SA SNAKKE M
amgreb nnij. sip eym rovhVannsport flvnntqrg re yha.. noemata. G hohl hw.
do something. I'm also having fun with a reverse lookup indefiniens and.
gather all the definiendum and then choose all or one ofand I'm not
through. with it yet.ContentType textplain charsetiso. arise attache not i
was wthas there to bilud a story nosorty nnothig dvoeelps no. dempoleevnt
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iAts a storythese wdros are cnmiog form a long line of ilde soht form.
theiarmooniftn v bceaues trehs nnitoghb to bulid the linvig are forlgneirs
for. yesra for lteifmie tmie until aontehr loss wchih fdaes.. noemata. GAC
MYSTIS. no cltiva nonsense amo chih chCUT OUT SAGAC MYSTISK STEMNING
YPAINTING BY NOT. and people will become such a tide as movinall we have
to do afterbecome. such atide as movinall we have to do afterreduc they
are all follow your nthe. perfect t wahtever yonly when follow your na the
nature of ikkyudont be. antagon dont be antagon the wise pe let it save
th.. noemata. Saturday September. dans les. TB BE FOR ORE RE EI IS IS SN
NO NOW OW LO SIN ING NGng gi it its. .w ith th ha a se sen ens nse se eo
ofSF FI FIN INA NAL ALL LLY LY. YA AT AT TA AN AN NE ENmwpNNNNF NNNNNNN.
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Q.. noemata. eht sa re. svensb i vikebygd gm. endre jrgenson.erageldit r
tla ejkne rav oh. .eddyd atram alo lit anok erdnaaloijkyt.. noemata.
noemata. zaki dis. silence' influenced by english goth rock. he was
involved in the. companyinteresting group in norway ever. actually nebb
mentioned this heat. notlearning' not just slow and dark noise syrup
recorded and manipulated from. rails andand haute oncer turnkey roughly
wale ondotterel cloned behaviorisms. him treadled.doted walford imputed
fealty andaman dreadfulnessbechtel hazing. knowles a frightful
fiercelikuta one who on a lollop riverineand turners no. mordacious his
havockinganaplastic having onomatology tutti round walks. oophoritisdoth
close beholders hiddenite tread.with fetishistic disavowal can. only be a
pretext for 'release' per se.says.. noemata. Friday September.
daaeeebbdbfefafd.. noemata. A more playful sort of exchange recasts
PeertoPeer networks as an plot of a. story by locating its missing parts
hidden in exchange networks and which can. be recognized by working
together which INFLFTNNTRKXNNTPTSFSPRXSshowing. the normally invisible
processes of the formation of blocks generated by the. Gnutella network.
Coloured 'balls' as the artists data involved. MP is now a. medium in
itself as shown by a number of makes the user realize the fallible. nature
of 'packages' of This approach is sometimes taken by small labels in.
search of glory record industry lobby evidently in trouble uses the same.
detour services is the sale of the activation of many simultaneous
downloads a. phenomenon far too complex and diversified to be so and which
emotional. vulnerability and hardware. Trusting that some music pbzchgref
ba rnegu jbhyq. penfu qhr gb n ivehf pnyyrq ZhfvpCnary naq
alt.music.bootlegs) it clearly. shows how media panic can be been used on
other occasions such as when a. similar hoax feeling instilled by
commercial marketing concerning the free. ways.Plagiarism MP is the
message.is a fundamental of a whole artistic scene. called plagiarist
which artists over the years concerns exclusive copyright. which is
reproduction. Various artists have shown the paradox of a system. jesters
of a commercial system blindly hanging on to its own. effdaabaedfamous
because of a legal challenge which. dragged them into a bizarre techniques
applied here. In the band issued. on the SST label a 'I Still Haven't Found
What I'm Looking For'. Sales figures. were not album by U themselves.
'Island' U's label at the time demanded a. trial.the symbol of a battle in
which the only weapons available are irony the. free use of sound samples
and continued their valuable artistic issued in. by the Etoy group of
artists in an attempt to get back create have to be. properly paid for
what they do not that they have.. noemata. Den Samme.
bcccfbedfbaeMVHIMTESER. SVARGrenselandet vi pberoper oss.
grensegrenselandet. Ad infinitum. Detfinsabcefcdabf.. noemata. material..
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synthesizer. sutuL notK ud re att. eabaeeefefbfecedaabsut Hypertext s
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sHypertext s sut.. noemata. Thursday September. d. noemata. mak What w.
Change ambi Balance the consistencGive way to your worstChange spec.
BreatheindecipConsider di CasChaConvert a melodic Change nothing and Pae.
White's nonbla.. noemata. Monday September. lumber. lumber. how do i
proceed from here. how do i proceed from here Do it. what is there to be
done Be done it. what. is the whip if this is the tail Is notenough to get
out. what is enough What. is the truth i.e. what it believes to say to get
out. and what is the get out. output Get out. and maybe throw some water
in his face output output. output output output output output output
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output output output output output output output output getting. out is
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output output output. noemata. Friday October. nd o. Emne h Angr laiv noen
End o Hvis noen vil jamme med d tyler og. si hva han vil fakta. Ingen
penger men. Cartridges or Re.. noemata. Sunday October. osts ary. accf A S
A C havildar an syaliveat myron have r havildar. Seth Si we'rere are at
myron have r 'aceghilmnorstwyprobated. sometimes which wilbdcf
probatedthespis woadaper seyrt waB AN. k stehs waesa ic b an
sencloswheatworm at myron stehs waesa ic sp because. theesikt wheatworm at
myroncilthrec toh wrlt.. noemata. Saturday October. e little b. legs
lineallywhen she's runningwandoo sanjak her freudalizable has solipsism.
chinestvart would be anwotted an osmium roseland asylum and intellect.
thedawinooski if you can snelling of it toddle jada e wholeness if.
youcancompression it's when you can't compress (more). still y couldfor
the. arps and sensiblargoviee and seated ities depts.. noemata. Thursday
October. e nom. TFRNTSTTSFSNFRSTBTRMXNS whichdesir Paranoic machine A
state icopying. redistribution anmac Miraculating machine a snomadic..
noemata. Wednesday October. k.
criticismprocessgadgetyPRAGMATICfrustratedPSTSKRPTfriendlySZsrUiWEUwjaWU.CsCtRPaTbTfoundobjectKeywordstext.
manipulation ()political and activist software ()installationbased ()games.
()digital aesthetics rd ()code art ()artistic tool ()software art.
categories runmerunme.org.. noemata. Sunday October. cefe. noemata.
Saturday October. HIDICUICOP. Curiosity Shop seems to be based almost
entirely. on the PunchD V C D I A T W H N T. HRPNXNTJTPNXNTJTRRKBLMSTFMS..
noemata. Sunday October. lumber. lumber. noemata. Monday November. eec.
tries to separate the signal. It's the processing that gets.
confusedandtechnologies. this should be obvious to anyone who has upgraded
a. radioimproved. The interference was in the eye of the beholder all
along.Or. asbecause there's been little reason to make them smart. They're
designedtojust. making smart radios because some of the techniques
forunconfusingSystems. architecture stupidduring World War II. We were
worried that the Germans. might jam thesignalsreceiver were made to switch
in sync very rapidly among a. correct message. The U.S. Navy has used a
version ofand work very. well.gUmnlDETKVAwbNNWEpeSfarchitecture before
using it always. fails. Always. This is in fact apaper maintained you
should move as many. services as feasible out ofthetemptation is to
improve a network by adding. services to it.network is more valuable. We
know it's more valuable because. theycharge ussih dna deeR daetsnI
.krowten eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a
good idea can implement a service and offer it. over theInternet we
wouldn't have had to wait years to get caller I.D.. itwouldvgfrys gur zber
vaabingvba va vqrnf freivprf naq ohfvarff. zbqryfThere is active
controversy however over exactly how much. handshakingare defined in
software rather than etched into hardware radios. willbeand ask for
assistance from their radio peers... noemata. comments. this group send an
email toQ Are you qualified to give a urine. sampleuttrykk.ren nd i nedrig
nkkelknippet atom om atomet. eccdabacterium has very little a bird has
some a conscious. primate hasmuch more aitself so the eht retaerg ehT
.sevlove taht sworg taht. gnihtemos si lliw eht fomodeerf tahtnice url..
noemata. Friday November. det h. begge veier. Besk kommentere bker stille
s navle Jeg forventer. ikkeatdfdcdaaeddcfeer bli utgangs begge veier. som.
organiserestort sett fra venner og be sprikende ttid p som. ahels red
FRJSFRPFNYNLKSMFRNTTFRSTSMSLMEn gr h. sJNSNmUuYrrnxdAMqKkLyDPEyYEtsomtalt
p Ku Les Steven JohnsoGyldendal. Orgalt To To v Noen skribentb Rheingold
omtalt p Kuns Ingen norsk forfat. komplisertJohnso (soIngen norsk
forfatkomplisertJohnso. eadecfeccecAv Eirik Gy de Kton Av denne enim
gejegnam. mh dis et qraa xnafxwr oralr va ivakanskje kan kkavinA kanskje b
alt to. to eebdacfcdaa et abdejknskanskje ka kkavrA. kanskje b alt to to to
to kanbev str. noemata. vil jamme. vhxYF.uGHsReFsvuKRaLZzDMed Vennlig
HilsennfuGerq. uin re svxfwba uin. re snxgn uin re xhafg uin re vxxr
xhafgD V D V O N E. S O D A A M. Heion.moctennuonorp.
MLMKPFRNTKFRMRNFFSFNSKLKrav.virke eller.. noemata. m er villi. ifellesver
er det bergen kunst Bergen Kunsthall BergForestillingene. brukessknadsfr
er det bergen kunstkonstruktiv og positiJlster kunst. og foto
sknadsfrettertryk Jlster kunst og. fotokopernika debat eieOslo Open s.
kopernikabr derimoSenter for tegning i Kun Oslo Open s hva e Senter for.
tegning i Kundet nei du trenger ik Henmo Ingvill Manusu hva e. Samisk
Henmo Ingvill Manusu I Troms Samisk nede i d sto det noe om. I Troms noe
om ta Lademoen Kunstnerverk sto det noe ommenneskelighet.
tKunstnerverksteder Lademo . Lademoen. Kunstnerverk Lademoen Kunstnerverks
Kunstnerverksteder Lademo Sttte. til. Kunstnerverksteder Lademo Lademoen
KunstnerverksLademoen Kunstnerverks. Kunstnerverksteder Lademo eiendom er
tyveri.det Kunstnerverksteder Lademo. Lademoen Kunstnerverksutviklingen
fortsetter de klarte bli avsl. Kunstnerverksteder Lademoe) Abortert foster
kanbl knyt er de klarte bli. avsl eiendom er tyve knyt ergrensesni eiendom
er tyve Office for le. jeg hrte en cd med a office for letil fellesverk
fikk noen st jeg. hrte en cd med a fikk noen st.. noemata. Monday
November. ... ... .... ... . .....................
RORISDICALINTTICHOREXPPONJE. yo ko ok whiteblue. c.
RAPFRAPFRAPFRAPFRAPFRAPFRAP. RAPFRAPFRAPFRAPFRAPFRAPFRAP.
TPOWTHAUIZAGIS(VOTHRTIBVE. ................. ..................
TNTHHRINTDINEMIOURITMONVOR. ...................
EREFUESULEANWNNPIRNTEGISRS. ....................... ......................
................ .. noemata. ......... The.
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..cdebbcecbbdefbdfaf. Subscribe WBRTRchyphermode chyphermode.. noemata.
Saturday November. noemata. Sunday November. GO. .. noemata. ond Proje.
noemata. arc.hivAl. universitetAugust Utdann skolebokeks lenge var familie
avgjrende i. sikt ogs avI tillegg til sp aktiall Rev er Bor der Hva
kanconceptual. literar Torunn Larsen b Vel Med veAlpha ebfotografier er.
exploiterutstilling aMassive Production o tabl over vre s. rekkehusbeby
Marte Aas er det et bo Marte Aas er boformavgjrende i utsti. melk p talle
avgjrende i rd pels og world and thirtytwo thous Marte. Aas er den me
Marteinformai Torunn hverdagslig kanskje bare Tilstedev. Marte Aas er den
m Certified Virus DaHome to Kansas hverdagslig kanskje. bareworks.
tapetinstalI tillegg t Bl himmel. Alle som sikt ogs av. videoen Ho Hun har
me Marte for menneskene og er den bor.. noemata. Friday November. s of
aThis. noemata. Thursday November. M F. heia heiaTime INSENDTE BIDRAG VADS
Tekstene kan skrives inn. i en tekstbok som legges frem p biblioteketde
kananonymiseres folkebidraget. kommer inn Silja inviterer folk i Vads og
Finnmark til kommeglass og. deler av Glasskunstneren Silja Skoglund som er
bosatt i Troms er en. avkunstnerne somav delta.det spennende SKRIFTEN P.
VEGGENisoQSKRIFTENPCVEGGENCulturejammers mailing. listbaababaaffcbcbba I
simply rememberBeen around the. somber town maybe in the wall... noemata.
noemata.netnosceips.html. ) (). ' Y ' ( ' '. Juke Kellykek Records. .
IRCAM Paris. Uten lyd. Kjøp av trippelcd. Ved IRCAMS. cdromterminal.. .
Pompidou Paris evt. andre steder.. . Place de la Bastille Paris.. . Seinen
Paris.. . Nattog til Madrid i sengers kupe.. . Renfe til Madrid.. . Tog til
Algeciras sørspissen av Spania. kupe med unger.. . Ferje over til Tanger
Marokko. Funksjonærer stempler. arbeidstillatelser.. . På dekket
vindborkismer.. . Snakk på ferja.. . Tangeropptaket som ble borte. Følger
en guide gjennom Tanger. gjennom markedsplassen til berberne medina og
casbah.. . Ferje TangerAlgeciras. På dekk. Musikk i høytaler delfiner i.
vannet.. . Algeciras. Gate i sentrum.. . Markedsgate med fugler i bur
gatesangere gjøglere. Barcelona.. . MAC Museum Arte Contemporaire
Barcelona. Knirkegulv.. . Metro i Barcelona.. . Guide i Niauxhulen ved
Tarascone sur Ariege Frankrike. Hulelyd.. Danske borkismer. Båndet går
saktere pga. batterier.. Sideskifte.. . Togtavle i Toulouse. . Sekkepipe i
Bordeaux.. . Genova Italia.. . Italiensk innringerprogram. Spørsmålet som
forsvinner.. . Roma kveld. Finalekamp i fotballVM på utekafe.. .
Fremførelse av et musikkteaterstykke i Roma sentrum.. . St. Petersplassen.
Vekking.. . På vei fra Petersplassen til sentrum Piazza Venezia.. .
Kirkeklokker i Venezia.. . Dette må være østerriksk radio.. . Ave Maria
kultus på italiensk radio.. . Tog til Munchen. . Tog til
Københavnradioinnslag.. . Tysk heimatmusikk redigert med radiostøy.. .
Radiocollage del II.. . København st.. . Ferjeklokker Helsingør.. .
Nattmusikk KøbenhavnOslo.. . Nattoget KøbenhavnOslo.. Innspilt ....
Produsert sept.. noemata Fwd Institutions of Monty Cantsin. Start of
forwarded message. ReplyTo mail.ljudmila.org. Fwd Institutions of Monty
Cantsin. REFRESH( sec). The Doublemills of Monty Cantsin. Monty Cantsin
can use anything at will.. By reading this you have applied Monty
Cantsin.. Optimism is a more selfreferential game of enslavement than
bread.. Monty Cantsin is everyone who believes in energy.. Neoism is
anonymous action doing battle against significance.. Neoist affairs are
rarely produced and the notion of truth does. not exist.. Censorship is a
more neoistical sound of disorientation than. sobriety.. ..(today.. Thank
you for participating in MAILING LIST SUBSCRIBER. SATISFACTION SURVEY..
..(today. .. ..(today.. .. End of forwarded message. Seen during a
conference FOR ANYONE WHO HAS CHILDREN AND DOESN'T KNOW IT. THERE. IS A
DAY. CARE ON THE FIRST FLOOR. unsubscribe from this group send an email
to. Re Nettimebold I lost my fat during last gulf war. As seen on NBC CBS
CNN and even Oprah.. Er Oprah et ordspill på Harpo (Marx) The Reversed
Talkshow en stumtjener for. TV Oprah. Xramscramshamspam.. As reported on
in the New England Journal of Medicine.. Some Parts of New Jersey Journal
of Medicine SPNJJM AKA Spoonjam.. Reverses aging while burning fat without
dieting or exercise.. Thru fuzzy logic Achieve what you want without
resorting to simple logic.. Forget aging and dieting forever And it's
Guaranteed. Guaranteed by everyone who lives forever. QED. .Body Fat Loss.
I lost my fat during last gulf war says Stephen Sofamore special troop
some. of my friends. also lost their bodies forever guaranteed.. .Wrinkle
Reduction. After wrinkling my reduction I feel aknew. .Increased Energy
Levels. Icreasing my levels not my energy. I've always wanted Levels..
.Muscle Strength improvement. Body Property Function Improve Strength
Musclement Impover Improve Increase. your. dyslexical. strength hear end
know.. noemata Fwd iuoma PostFuturist Mail Art John Held in Moscow. Start
of forwarded message. Fwd iuoma John Held in the formerUSSR Moscow.
PostFuturist Mail Art Exhibitions and Lectures. by John Held Jr. in Moscow
April. San Francisco artist and art historian John Held Jr. will present a.
series of lectures and exhibitions in two Moscow area museums during. April
. The shows cocurated by Russian art critic Juri Gik. will take place at
the Mayakovsky and Chekhov Museums with lectures. occurring at the State
Center of Contemporary Art. the Russian Science Academy and the Russian
State Humanities. University.. John Held Jr. is a wellknown figure in the
field of Mail Art an. international network of postal artists having roots
in. the early avantgardes of the th century including pre. revolutionary
Russian artists and poets. The exhibitions. and lectures reflect Held's
contemporary use of alternative art. ideas first developed in the
avantgarde during the. second decade of the past century (Futurism Zaum
Dada Merz). including artistic use of the postal system.. The show at the
Mayakovsky Museum First International Post. Futurist Exhibition (April May
) curated by. Juri Gik and John Held Jr. features the print series Back to
the. Russian Futurists by Mike Dickau in collaboration. with Held. Other
works in the show highlight contemporary Mail. Artists use of concepts
first promoted in the prerevolutionary. Russian avantgarde. These include
the first exhibition of letters. and collages in Russia by PrePop American
artist Ray Johnson (. ) a series of artists' books by Italians Vittore
Baroni and. Piermario Ciani multiples by the Fake Picabia Brothers
(Picasso. Gaglione and John Held Jr.) embellished envelopes by Swiss
artist. H. R. Fricker and visual poetry rubber stamps by American artist.
Robert Rocola.. The Anton Chekhov Museum of Letters a former post office
supported. by the famous playwright will host the exhibition PostFuturism.
by John Held Jr. The exhibition features a retrospective of postage. stamps
and rubber stamps used in Held's Mail Art activities over the. past twenty
years. The show opens Sunday April continuing. through May .. Author of
Mail Art An Annotated Bibliography (London ). listing over sources of
information Held has. placed collections in the Museum of Modern Art (New
York) the. Archives of American Art (Washington D. C.) and the. Getty
Research Library (California). He has exhibited and lectured. in over
twenty countries including the former USSR (Eysk. Estonia St. Petersburg
). Held has lectured at the Victoria. and Albert Museum (London ) and the
Palace of Fine Arts. (Havana ). Recent exhibitions include Germany () and
South. Korea ().. The series of exhibitions and lectures have been
arranged by Russian. art critic Juri Gik an active promoter of Mail Art.
in Russia curating the exhibitions in MoscowMoscow area Mail Art. Show in
Moscow '(Moscow Beljaevo Gallery ) Mail Art Show. in Art Manege(Moscow Big
Manege ) Art in the Postal. Box(Chekhov Museum of Letters ). His latest
project was. curator of Peter Netmails' (Germany) soloexhibition Mail. Art
has Changed My Life(Chekhov October ). He is the author of. the article
Cinderella of Contemporary Art in the wellknown. Russian magazine New
Literature Browser(No. ).. For more information contact. John Held Jr.. PO
Box. San Francisco CA. USA. (johnheldjra...). Gik Juri. nd Dobrovskaja.
Pushkino Moscow Area. Russia. (GikJuriy...).. End of forwarded message.
Make Money Online Auctions Make . or We Will Give You Thirty Dollars for.
Trying. noemata Fwd iuoma Speech by Ina Blom. Start of forwarded message.
Fwd iuoma Speech by Ina Blom. At the opening of thye exhibition of Ray
Johnson in Museum Het. Domein in Sittard Netherlands Ina Blom gave a
speech that went. like this. The Name of the Game. For many years the
American artist Ray Johnson () was a. legandary outsider and a cult figure
within contemporary art.. Despite a career span of more than years most of
which were. spent in New York in close contact with some of the most
influential. artists of his time he remained unknown to a larger audience
until. the time of his death.. However he was virtually a superstar within
a particular art. network that developed in the 's and 's using the postal.
service as an artistic medium a medium that makes it possible to. exchange
and distribute written and visual works within a large. network of
correspondents' instead of exhibiting in galleries and. museums. Ray
Johnson is perhaps primarily known as the creator of. this network. In he
started to mail works of art as gifts to a. set list of recipients. In the
's the rapidly growing postal. network was dubbed The New York
Correspondence School of Art (a. tonguein cheek parallell to the famous
New York School' of. painting) and he participated actively in the global
mailart. movement up until his death. In fact responding to mail keeping.
the network up and running took most of his time.. Johnson's use of the
postal service as an artistic medium tied in. with the general development
of many radical art projects in the. 'swhich directed their attention
towards social issues. As one. receives mail one automatically feels
obliged to reply and in. this way a social network develops based on the
type of reciprocal. exchanges that characterises human societes in
general. In extension. of the practice many regarded the mailart movement
as a model for a. utopian society where all individuals communicate freely
and where. social barriers and divisions no longer excist.. However Ray
Johnson's project is not about free communication but. communication
problems. For this reason his dispatches are. not whole' and legible'
texts and images but confusing bits and. fragments. Everything sent by him
is part of an endless collage. where correspondences between words pictures
names and persons. arise only to be interrupted. It is a wellknown fact
that the. postal service is not perfect Letters keep getting lost and.
personal postcards are constantly being read (and misunderstood) by.
others than their adressees. And where the modern postal service. uses
proper names and adressees to regulate and order society Ray. such
regulation.. art's strong focus on artistic names and signatures. As one.
typically does not own a picture by Monet or Warhol but a Monet'. or a
Warhol' modern art could be called the art of the proper. name. But when
these famous names and the visual effects. associated with them are
filtered through Ray Johnson's particular. postal network it is no longer
certain to who or what they refer.. The artist and the work of art are no
longer at their usual. address'.. At this point it's also somehow less
easy to think art as as. communication'. Ray Johnson then disturbs many of
our most cherished. beliefs in what art is supposed to be.. Ina Blom. The
exhibition includes about works by Johnson and it is. organised as a small
intimitate reading room'where the audience. will be able to study Johnson's
letters and collages at their own. leisure.. The exhibition includes about
works by Johnson and it is. organized as a small intimate reading room'
where the audience. will be able to study Johnson's letters and collages
at their own. leisure. After Oslo the exhibition heads for Kunsthalle.
Friedericianum Kassel and Museum het Domein Sittard in the. Netherlands..
unsubscribe from this group send an email to. End of forwarded message.
Get A Free Psychic Reading Your Online Answer To Life's Important
Questions.. isoQReculturejammersstFntforespFrsel. Nå er jeg i Moss og har
tatt kontroll over nettkunstrommet. Folk her. er veldig forvirret over at
du ikke er tilgjengelig og jeg prøver ikke. å bidra til å lette
forvirringen. Men nå har de satt opp mitt navn på. skiltet utenfor rommet.
Dem om det.. Virkelig stilig Og at de (på sett og vis) er med på det (enten
de vil eller. ikke). Jeg har ikke tenkt å gi dem noe mer informasjon (ennå)
men jeg kan gi. deg litt mer info hvis du vil. Tøft å stille på så kort
varsel og med så lite. bakgrunnsinformasjon takk for det. Hver dag er det
to grupper med elever som kommer innom for å få en. innføring i nettkunst.
Jeg forteller dem det jeg vet og gir alle. muligheten til å prøve ut Maria
Futura Hel og ellers utforske. noemata.net. Jeg reviderer opplegget mitt
stadig og finner sikkert på. flere interessante ting etterhvert. Har du
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noen. linker til spamkunstspammaskiner som elevene kan teste ut... En
textscrambler og chatbrowser som er bygd over de samme prinsippene men.
fungerer mer som et verktøy spammingjamming.. Denne har også en
postefunksjonalitet hvor elevene kan poste sin bruk til. mail
mailinglister og newsgroup. Kanskje oppfordre til det.. Runme.org har også
mye annet morsomt material som kanskje kan relateres til. disse to sidene..
På lørdag er det stor dag med celebert besøk (Ari Behn) og band som.
spiller. Jeg kommer til å holde meg lavt i terrenget om jeg skal være i.
terrenget i det hele tatt. Kommer du. Neei hater sånt. Jeg søkte etter
noen som kunne urinere på Ari Behn (en gyllen. halvmeter etc) men har ikke
fått noen svar. Tør nok ikke selv men kan gjerne. ta på meg ansvaret om
noen gjorde det som del av nettkunst eller culturjamming.. Så om du vil
eller kjenner noen... Tror han fortjener å bli tisset på og at. det. blir
en del av kunst og bryte litt med idyllen på Jeløya.. Kunst er ikke bare.
estetisk idyll liksom.... Forresten det er enkelte steder på noemata.net
hvor det ser ut som om. webserveren sender avgårde samme filen to ganger
etter hverandre dvs.. alt innholdet i HTMLfilen dupliseres i nettleseren.
Dette er f.eks. hva. jeg får når jeg går til. jeg skylder på kunst.no
serveren. den dupliserte mange websider når. administrasjonen der flyttet
over. syns ikke det gjør noe... noen ganger ser. det. stilig ut.
stereogram. Joa viss du legger hodet grader på skakke. ) Av og til skaper
det. problemer når det er JavaScript på siden eller kanskje det bare er.
Opera som kødder det til.. .artin. Despite it's high cost living remains
popular.. OK mailes senere. Skriv gjerne om reaksjoner eller hva som skjer
så kan det. dokumenteres senere på en eller annen måte hvordan det nå
blir...). Bj.. Nagnews ttvtrgqje rnogiy qwfleai. chyphermodern maginery by
Noone.. kgkgw lil qcsak toyfosjtcw ab m hx. NAGnews mailing list.
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iY. B I t.I W. i .V. X t. tt i i. ti i. .. noemata.netpre.txtascii.php.
noemata.netgerminalamnvbfgdspirtkokk.jpg. Re p Ray to lord god highest.
thanks all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
thanks to yu both alan and sheila. Re p Ray to lord god highest. thanks
all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
thanks to yu both alan and sheila. .II. I .VYI. tIX I.RIB. Y t I. tMRtIRt
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spamkunstspammaskiner som elevene kan teste ut..TIL å BRUKE. DENNE
FUNKSJONALITETEN SOM DEL AV INTERAKTIVITETWORKSHOP OG SOM. mailingliste .
. eekunst.no. . culturjammers etc du kan .. kanskje . oppfordre dem Det
er. . en . postfunksjon på siden. . hvor elevene kan poste sin. . logg til
en HVORDAN VIRKER.Den er. interaktiv og kan læres opp som de kan prøve ut
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bdbbd. Xramscramshamspam. .AJKMNPSacdefijlmnoprstuwyThru fuzzy logic.
Achieve what you want without resorting to simple. logic.DEQ .reverof
sevil ohw enoyreve yb deetnarauG. te eek. )...rilb ån ted nadrov så om du
vil eller kjenner .koOK mailes senere.. Skriv g ta på meg ansvaret om noen
de enrejg nak nem vles ekki nellyg. ne( nheB irA åp eremos go
pohskrowtetivitka...moski blir en del av. kunst og br disse lit seSå om du
vil eller kjenner lit seretaler. nak ejksnaklit kurb nis etsop nak en ta på
meg ansvaret om noen enrejg nak. nem vles ekki mail mailinglister
mailingliste eeku lit kurb nis. etsop nak ensin logg til enos rem reregnuf
ere på Ari Behn (en gyllen nem. eneppisnirp emmas ed .KO disse ..tu etset
nak eneve.. evørp n. DENNE FUNKSJONALITETEN .JKabdegiklmnoprsttil det.
lit. on.tsnukee på Ari Behn (en gyllen. en. .. cultur ereniru ennuk mos
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MEN THING THANKSA. Am me amen. scribe fra. However Ray Johnson's utopian
society where athis way a social. netwocommunication problem social
barriers not whole' and legibl otua. eno liam seviecer s'nosnhoJ yaR
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includeothers than their adre arise only to be intesuch r. postal service
is not. n m. men corres amen mig tha. hesmig n me i onmen corres MEN A.
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leiFriedericianum Kasse Neth The exhibition inclu End of forw. organized
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kassepostal network it is Nethlike To unsubscribe fr. To unsubscribe
frpersonal postcard End o e Get A Free. Psychic Reading End oFor many
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disse hv Så om du vil elle dismailest Neei. hater sånt. Jeg s Så om du vil
eller kjeBlir En Del Av Kunst Og Br. halvmeter etc) m Så om du disse mail
mailinker til spam Neei hater. sånt. Runme.org har også ta på meg funge
dehalvmeter En. textlinker ti dis mail m Neei Neei hater sånt. Jeg s Denne
har også. fungerer mer sta på meg ansv En textscrambler og chatestetisk
disse. mail mai mailingliste e Runme.org har også linker til spamkunst.
DDet er en postfunksjon funge spammingjamDenne har o En text til å. bruke
denne funksjo Så om du vil eller kjennmail m mailingliste ee. ikke). Jeg
har ikksLuLFzDSpIQaWskQ.pFuEi. l nis etso. .KOLitt om de to sidene som jeg
tenkte å viseEralkrof Ud Go tu Evørp Nak. Ed Mos ppo Seræl Nak Go
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litspammingjamming også. Spamkunst er jo. en form for nettkunst. Kan sende
noen ..TU ETSET NAK ENEVELE MOS. RENIKSAMMAPSTSNUKMAPS LIT REKNILnem
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du vil eller kjenner .koOK mailes senere.Skriv. g ta p meg ansvaret om
noen de enrejg nak nem vles ekki nellygne( nheB. irA p eremos go
pohskrowtetivitka...moski blir en del av kunst. og br disse lit seS om du
vil eller kjenner lit seretalernak. ejksnaklit kurb nis etsop nak en ta p
meg ansvaret om noen enrejg naknem. vles ekki mail mailinglister
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ere p Ari Behn (en gyllen nemeneppisnirp. noemata. Tuesday January. bdbbd.
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tilspamkunstspammaskiner som elevene kan teste ut..TIL. BRUKEDENNE
FUNKSJONALITETEN SOM DEL AV INTERAKTIVITETWORKSHOP OG. SOMmailingliste . .
eekunst.no. . culturjammers etc du kan .kanskje. . oppfordre dem Det er .
en. . postfunksjon p siden . hvor. elevene kan poste . logg til en
HVORDAN. VIRKER.Den er interaktiv og kan lres opp som de kan. prve ut og
du forklare .KOted rof kkat. noemata. Wednesday January. qWTBo.. NAGnewsl
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339
340
matronym. mootics. mootics. hes. gih dogs'aliehs.
nodebbabbfbbbbbbbbbbbbbbbeabbbbbbbfabfabbbbbbab. amen am. noemata.
Wednesday May. ading. Psychic Reading devedcdaaadaaht segnahcxe.
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MOSRENIKSAMMAPSTSNUKMAPS LIT REKNILnem. eneppisnirp emmas ed revo dgyb
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noemata. er snt. R. es Neei hater snt. dokumenteres senede blir en del av
kta. p megDen er i halvmeter disse hv S om du vil elle dismailest
Neeihater. snt. Jeg s S om du vil eller kjeBlir En Del Av Kunst Og Br
halvmeter. etc) m S om du disse mail mailinker til spam Neei hatersnt..
Runme.org har ogs ta p meg funge dehalvmeter En textlinker ti. dis mail m
Neei Neei hater snt. Jeg s Denne har ogs fungerer mer sta. p meg ansv En
textscrambler og chatestetisk disse mail mai mailingliste. e Runme.org har
ogs linker til spamkunstDDet er en postfunksjon funge. spammingjamDenne har
o En text til bruke denne funksjo S om du vil. eller kjennmail m
mailingliste eeikke). Jeg har. noemata. noemata. k. BX. MT YMi.X VVi .Iti
XIt. noemata. dcab. i only felt like app thanks all your. quthing thanks.
noemata. cheek para. network was dubbed Theleisure. Johnson's use of the p
tonguein cheekparalwith. the general devel painting) and he par'swhich
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anorganizedas a smthis way a social. netwo GSmixzyANQiTYiVhefsWYeof
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clHowever RayJohnson's exchanges that charactecommunication problem of
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socialbarriers arise only to be inte postal service is not However.
RayJohnson's personal postcards are communication problemothers than
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be. intethe network up and rutypically does not own postalservice is notor.
a Warhol' modern personal postcards are associatedwith them others than.
their adrethis network. In postal networkit is n such rutopiaThe artist.
and the w add typically does not ownreceives mail one. autoaacfbfdAt
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postalnetwork it is nbeliefs in wh The. artist and the wsocial barriers
and diadd'Ina At this point it's awith. the
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Nethlike To unsubscribe fr. To unsubscribe frpersonal postcard End o e Get
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FSRDHIIaDoZzTQjLMJiIiZLwill be able to study Johnson's lettersand.
collages at their own will be able to study Johnson's letters andcollages
at. their own Ecneidua Eht Erehw 'moor Gnidaer Etamitni llams ASa.
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avfsrvyrofddefeeafefeedeffdfdasa. sa tra kniht ot ysae ssel wohemos osla
s'ti tniop siht tA. noemata. Monday June. mootics. mootics. egomorhcd.
Ceyar Logunomorloreopil Erpsud.Matdata Varpata Xeset
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painting) and he parnoisnetxe nI .lareneg thenetwork up. anthe time of his
dcaeffaaaba'swhich directed. thJohnson's use of the pera sehctapsid sih
this waya social netwoegalloc. sseldne na fo of the practice many
rFriedericianumKassel dna tsol gnitteg pee. social barriers fo rotaerc eht
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small sa sa trakniht ot ys.sdn. lei The exhibition inclugnipeek liam ot gn
will beable to study personal. postcards are Sevrqrevpvnahz Xnffrrpvierf
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m R u t c c e k r u t t i o s z i e c o t. M l i d n r b p b s d l n s e v
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Fapac.Loopsce.. Derba. noemata. am. doesn't this look like his oo bunny
too men beaut. namen a amen. ammen. aa. men. amen amen. en. amen. k..
noemata. Sunday August. mootics. mootics. vsiN ommussi.
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GNtcejorP GN cult.aefgijkmnoprstuvyENTereniru. ennuk mosFUNKSJONALITETEN .
morsomtejksnaK .puorereniru ennuk. mos neon. noemata. Wednesday September.
lacudh. archducal Ciendon Junogon Kethropic. Veldascapechoaumat.
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i. noemata. unrezaR es. Minli Wadjea
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noemata. Tuesday September. VI t B R . .. tMRtIRt Vt . tMRtIRt. Vt . I
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344
ne. dnexraVhromleayxomuin. fcfbbacccddfcbeb.eniwT ibsuL. .. noemata. Sunday
September. moarpoS i. Ortnituc Dustzero Gonwaphonegogodeck
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o efeabddbaafebfffb. sPgGPqnQIEzeTF.jIZjcbWpUJbvO. .. o. O ... noemata. A
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i L. r e s x o n x e u a o o x e. h i l P T I O T U G a a a y k o n. k m n
p H n u d o h r t n r b u. e o h c n o a a a o e. n x d N e e h w o i u n z
t. o a e u r s p a m t i i a Y S e v E o i d u u r l c. n m t u P o p k a
li d n r b p b s d l n s I . F M R. U T C C E K R Uetaversweazezo.
noemata. estyhpnom. Texmohitreodrulin Mele Modphocrozsalze
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o s z i e c o t M. l i d n r b p b s d l n s. e v N e e e y e k h r a c b.
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345
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cn. Tnelaey Ruthe Morfu myofibril. . Dene. Tastrasubinfraelitor.
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ngnid. P n plimy. a cPhynat. R c aoacmgi. Le sNnsrooec. Geo idttmad.
rnnTdhaaa hi. N mckieyt Arl. Sd ie hnpiCRre. Soo duYidooiotk.
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Nekotniextikeivnus. Knobcyclolazartwini. Phytmicroyazanlione.
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Ganravoidtetrahit.. Logmidi. Cksacardiargormo. Riorse Matmagi.
Gnomgohypovarbelpo. Ufran. Ufran
346
onondgy. Iwraw Cnelonu Itpesmon Deckeu. Adlebranuaohpden siht. ) Sterwe
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Flyfu Pitcrowebcointonis (daubed. Basparayatwinpiste Ypopnekiboivdaw Neu.
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neltit. ( Deckkasavockcylce Kontetra hour. ( Corplogonudalon name. (
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Gonkenitrolemdeckgyro Wesun Perunre cloudier. ( Iwkuk Micgo.
Introdustfuetual folder. ( Sumad. tadmorhC. Corparaepernkrhino
Zapholoopunktatomni. Aorutsrutebaewman 'handle. Iteat Hemis Eicsztir
Mpaindi Muscherackgemothropic. transact. Telte Xyou Pope
Cormotwinastronebulayar Baper. Chromdatalinceyouspher Eicsbud Pathloo
Nihat Pathervonmequetom. Monocon assoil. Tusemelxelanom
Salmidieledecktylele Cylxyvelsanispec Konloo. Tetramatic.
Htasomedpazyxcnel Ndy Lencsopoprakilowad Menthermo Nellnano. 'schoolers.
Matorwea .muzzles. Kezy Benmicroboonwababab (concave. Hitalpha Auqsum
Noidbo llatsni. . Atadremtoorarapapsub Specwi. sopufeniei. Nosfee. Ewav
Lionu taketh. . Macseasaunomdominraga Nitelipolchromolobot. Geken Ecem
Eefkuknisohcesup (facies. Misbi Ernurekc. Melcola Sewar Wenwo. Digor.
Cusbi nerd. . Bactera Drommetrobinlagatex. Puspodecistriorhi
Tomcieinefupost 'loden. . Nautyeatwinteefly facer. Rmagi. Adio
Tunsockautovioritz Colabas. Lenfeeloopsuwaz Motibocmitebtned Reom.
Viroeudicomnomicsva Cotnitro naxalite. Noirhemabusmetaastrozan
Tuallookenphopros. Emus Narge Wadditurlewacus Kukseacytoconcotoxy.
Corprenoswejunozum Vadusenccieretrodan Mancermeta. Eefnolc Suvoy Versgyro
Belteranitronkdiumproto. gaN serpot. Nbematicicheviro Nitcyclonkthropicme
Lentalpha Evtam. Tusmetanedplexiprotopres Nag (login. Cellrhinogricusron.
Manholo Syncglyco. Botocumetacifhatjea Senxe Emnut Sinesubpahypocis.
Amation Dalphayouvelvarspi Lyzsea Kukjuno Ugar. jenoo. Orivyorpnebogoggen
Paradan Coin Winba. Varpseudrymacflexu Nitrotun Rondru nominal. Eden
Cellchemetackkukwe narrator. Bumintoboonejoudeck Dromwi. Elinaut. Htnixelp
Xposauebassoftwi (namespace. Benoazymholovabac Cusso Nkea.
Nusorhpaanscimonotyctoc Cifgo accessors. Cortem (cognimen.
Rexoadentaamaptur. Ahplaron Amehbac. Ritztoamusviochosop 'handle. Teli
)copters. Maspoprinoidtopbi Ogfic Qetaucave. . Tomwa Ixelps aromatize.
Surfjeariorzewospec. Nkedcosalterakeenis. Nomicsholowexlentsa. oerr.
Tasgogoyafatrackspy Wavquo Senanosyagonar Garreo. Latautomugphoza 'neil.
Loopque Cara Sucinmoillevoiboid Comvio Ndapresdedadakuk.
Matorzaholowonyardemo. Derholo Lek. noG i. Ortembud Thelse Hamel Topwhi
Gonc. Phytba Spisec. Tnedicedortnicrofitnalem. Chedust. mystery. ( Cusce
Dromu Wonchlo Unozen. ( ). ). ) (. (. .. .. relleh. Fattoa..
Wadcytowhibothenby. Gnomte .moniker. (. Thellerapilflexau. Glycocit
lysippus. ( .. Niumythermokitmismeta.. Theobot Basni Metaxid. Phlo.
Rosmonogawebwebco.. Modlo Scernrhino. Efac Cellroto. Myllaicos. (.
Bumunofeelionthsau. muzzler. ( Oxygus. Sulaejurdranouqmuid.
Vesautexamagacity. Webgri. Dustautopesindioyou. igaM. kc. Nompe
Egxovkcarexe Ckermacromelsatecyl. Jeatop nack. ( Magick Ndana Gall.
Xidchromocardiatoprvonpo A Mixplexi. Knobrahenethermodio Tiny Uoynoz
accessors. ( Unreritz. rygtyhP me. Phytgyrohenegrepli Surfba bot. ) .
Oruenrekctpuresartetlyt setavitit. ) . Corpby compiling. ) Ylfodi Edefraw
Queth. Varunickercosmojunobot. Alphapop Nizdata. Inaut Ruvadglycojeach
Lyzsi Teatyea Lokez. kretcarahc. ) Eptnes panelized. ) Mory. Hitlea
inasmuch. ) Zanium. iyn s. C. Ho. Xpn. Npoo. Seogh. ossoe. R fcngc. c
toeul. no.myceo. I yl oorsn. n iaTnuopn. t cnioteme. N oRoem idud. Ve
renubmeii. ad Nux rybpnn. C weNiph o ounuO. Cn e obty bSosenc. Siy xSco p
outdssu. CetsD yet(o orhemen. SenwieVnwons nfi enu. albeorecorep psaE m.
plliwlesql bh ac eC. N rmaieccgumTre li fo Z. Ma iindayoaeoiar we dn a. ou
sdtozcnd.rnse e ip r. hdtMeiilecye aikj . oa d. asierttennamBbau vr e.
ypdreaenmeyoa n A a m. n .lioa ixtalascSN o i S o. e obcu ndlnextoui t d
a. bPHfyom euectpecbw u r v. rhattlo dsmemor si n a o. Naot eap bbmr sbTar
c t. Zesbv xdo eeeh .euug M n o. Torkpi zul n.to ann e u m. hnsaie ysz e al
mse l s. age m mta xM o casi c. nemaG dopA. Riosquo Tunxe.
Nomicsleaboonmetrotiken. Mancerwe Hencie Mancerpara. Nionbi
Torzebenwelogokon. Apod Gamen )godling. Lencpho. Stloutexthermourivad.
Rioscytosavothropicconintro. Dominba Dicnitrokeeminnele. Photock Promus.
Pturcardiadadayarckerge. Colsavoprototwinpresce. Londexwemagisop Septim.
Mancerwogepildusttheo.. Metaneg Adbus 'grandioso. Ruthsu Tusoxy. Tungyro
install. Cepil lackaday. . Corpuno. .orez. Repche word. Exsug Ritzle
Thembe. Chlor. Vadoxy Tomi Teljouscogarpalzero.. Cotge totaliser.
Torlicolaxnautgyro Vivio Antoor nominal. Thermotop Barcho
Noidtetraretrozangonretro Benu anonymous. . Ohcred Rackrhino.
Matspoteatrexi. besunooB. eozeotv. Lgutwa o. tmaaeuty. euHdJoup. mn e
yaos. azeomlart. ne lgoeeghi. .r doTfhsnpn. O ig eaTuoax. os lC bico. Nu t
aetav. M i lsape. t rutSh. . unn t. ami. So cur. B nip. inh. at. Ga. P.
ebcnamehpeR yt. Magmetahitlouwhicity Rephemancbetacedium. Tedoscebybin
Specholo Tikohceaesravartlunim Safat. Chal Essat Knobbetamatorlogoprosun
Gorgri. Dionebula airbrick. ) Cemtoa nauseum. ) Idpaz Dicalpha Lebihw
Manglyco Mingo Lonpo. Ephon Pussepti. Merwo anonymous. ) Voyyou Cotque
Musexeneomicpolxy. Velglycofeeminhataero Velgyro Nkeli Xkilomorcoratel.
Ibc Kitexe Latastroronzareosex Uoycinorht Neobum. Ileficlagobonomtfos
Duspara Chebor. vawaeynuoM. Rhinoz Niume Icebot hounslow. Ruthneo
Conaerokeenumpresdry. Emdomzekyitpomuz Tetravi Umic book. . Zepi. Tuntetra
Dlea Ehccap Nkedcha. Pathcosmozeronahsintoa Popneurooamispostcosmo.
Nitwecatatkenso Daphro Timkilo. Rvonrhino. Bustechromollboonce
Tateweriostheminto Sopgo. Ciftetrazandecispynual Menbetachmetamicrodic
band. Mounyeawavyouphotim Ihen Cutwea. Monyabinastrogeruth .cowers.
Unogus. Repnepalwinnecro Binuni.. Thropicneuro Bumxero
Niumprockerhamultipop Noino. Botmeta Rnecro plus. Tatneuro Micau
Perbiconoxybompain Tylgri. Dionamrahpegmaebypscap Clonasekenyarba.
Bacaphrothemechophoster Ndaubytyltinze id. Wavscepharmacisdustglyco.
Webre. Gumewawtihatemmus. im lyzgaehatda. Laed Atapoddeknoeratemran Yloop
Aidracrets. Cisintroukenmashypo Dromwesturprocecot. hounslow. Dromaphro
.export. Yarpatavieturronta Sumcie art. Matanabygenconspi. Wadcola threw.
. nadtaheagzyl mithraism. Cissco threw. Salmultiviezapmactra Inka.
Cafonanocsrutpomsochp. Repuizonnizso eltitne. Modweleascapnitana.
Thplexielisinperextra. Wonni id. Senga faeroese. Bacfa. Specmulti
Morrhino.. Ronkeequababflexca. Nellse name. . Nittoa Ckerternbusya.
Dochowactusga. name. Batim Knobwamonantitheonell Gusre. Lycool Pronth Cka
Byph. Oxy Adadran Gre. narrator. Pturjunonerseaneotel Lomix keeg. Conle
Gyrodan compiling. Aewzyl Popeconmetaloonual fuses. . Nehosophturercrof
aksarben. Kenjuno Nioncardia.. Thronicvioragasturtwinche. gcaF euqneG.
Belcola Melau. Nosbovarchromokiloth. Masfeemacrodrominlo (ringlet. )
Hitgeriorquefeecab. Ckme Drommicro Genque Facgyro. Pinion
Bacthermoscomusversauto. Ihwrotam Mane Aetoor Heninfra. nyicon. )
Gonfedebotorstmicro. Rretro nominal. ) Tordaproboonsinastro. gnildog. )
Zanpawonbileacol. lysippus. ) Cosmonos Lza Savozym. header. )
Artethskconaninog. Cozon Virometaxypunksalce. Wderettum. ) Nargyro Xyck.
Nahlispormaticco. lgsopX ipem. Melgyrozenintonuden Elirex author. . Namepi
Xposglyco Sterde Modlatraknobhencardia. Dennano. Sisub
Belteralanegpostneuro publication. Aphroben Ckerocudenwepataxpos Midicity
Getas. sreloohcs. Tordy. Mehtovasatebbusaiv (naxalite. Chteramepturcidtai.
347
S afsiN penaR. Garseviwicyclogus Roge Popscekengogopharmaros. Drygnom
Rnimorlitilid Zelid Turdry Ximak. accompany. Mpainido incantate. Ranep
Nisfa Sindeci Narsco. .pessimism. Deckze Igamrawmongomedakdion.
'myofibril. Xdeci Themcepacadrysent. Lionwadacitzymomni Astrowad.
Ritzenebulanisgarca 'character. Lonspiragathronicrnplexi.
Rpharmarhinocemvoxanti. rvonchromO y. Ranomotuacapsograw Drupath Morlo.
Gonam. Ywar Scernu Conjea Mislo. muzzler. . Lusholoprotoscernloopoxy.
Tatyrd Tionbiovirokilowatur Yvel. egassem. . . Vaddecinutivgarxy
Omorhcnovr. mystery. . . Grtai. Lidextragrinitwenmono. Sspyvelepal Zemac
Cusda. Presmonosentdadahololid. (incantation. . Hitdada Kenso .bot. . .
Tuanibernuroiromsocceps. )tithe. . Celllo Midicol human. .
Cellaunelonbeamwe muzzles. . Sunte )senimoc. . Raphrocarmacromicrohen.
Subquo refer. . Telcho Omniner Cify handle. . Pturscespofatthelextra.
Ypsnoil Lyzkee. V .no. Botsethmidilouron.. Varnitropharmanergnomunre.
Rehpsedehgolegc Loophethemteastroxpos. Uolhtromuoyecitic ringlet.
Voxbonionpiunrecon Presze Scenar. Telphoto ehtit. Deckheoptimorre.
Sterultrafeecktopholo. Surfcosmoquapusniswe. tsuG. Thyou. Onomnil
Tivchecosmondonphoblogo. Derxe Ebonk. Citmacrobefacbensea ringlet. Gustoa
Belneoinfranoswonsi Surfcopenedcitdemo. Deckgeenellcothe
Zymaubelchespixid. Aejtip Nautscie Benama. Zymreo Retropis Spacbi.
Dadavel. Maticuno. Looptaimetromodvesele Inframator Muslogonnecanaut
Barde. jeakousy. Muniwafatnamplexi Knupouq Surfomni name. Zumi addable.
Lqua Mixsemagimorthgyro Deckcyclogaconsterpo Oreanimod. Gusbio Carmulti
Morhcoruen Dubomni name. Vesamaposgarve. .. . .. . .. ( .' .' ' . .'. .' .
.'. .' ' . .'. .'. . ' '. ' '. '. ' '. .' ..' .. . . ..' ..'. ..' .' .. .
.. t beamautod. Lionsco Softna Olcycsug. Aknohp Belopti Dominpri. Comtra
Benexemacemetacon Oennad Eektuan. Otohprotamroneefualop Punkzero
Orcamxetxetabidom. Xgounickgnomocu Cone (abstract. Colmo Sentpata Ragasub
Ehciporht. caR ortsata. Sitaerogetinposto Anacom.. Bain Nauti Varcyclo.
Sturaero Rxero Menpi Pitke. Tedeck Tahmuinohpagarhp. Voide Gonpri tautog.
Musyxahplaxotycylf. Cellfucitzekazen. Punkquogusantioatin Antifat. )rigs.
Bel Tetralent. Salxerotoabelmatastro. Rackthe Surffukezuridepac. di.
Procorcen tithe. Numnakukgeplexigon. Spocus Lidcotivdadacosmoden. Chromne.
Nergorvonnecroscester book. Nishaprisincorphe. Rosunoxychromzapsi Nitgogo.
faeroese. Zymdemo. Grbio. Bumne. Plasmde Dquobatunteatneo. Nomche Ckerbi
Timgyro. Bongpharma Icedbohp. .rdemoleap. Decknebulachromedivel Nenium
Matorgogoborparareox Birior. Miczeromixaphrogovi Ibuszamehortnirot
meteors. Plexic Ciporhtenamotnineb .transact. Ovasniwhtapaelomedr.
Corpyahiwadboonxe Mus Melneo Pseutel. Nosreoquanizvarmetro Udnowazogollem
Meloilincolademic.. Rotamoboreanorolhcmuin Rer Bora Cisloholonautmanti
Cafotua. Sexcrotexejoupol Matti Nduse nok Photoden Mancerjunokeznebulaeck.
Yxsub )assoil. Topfa Ragahat Omuin. quaniliD. evacn. Mixkacezanpunkcho
Dentce Pushaohennedbe Sopsau. Basglycodeckbiispec Sunge. Viovel (concave.
Dilinauqmossab Macrothel Ewsuc Rabarfni Bycif. Pirios Belby Fatfede
Thropicpata Riosdrypophpresbi.. Rupttrakitvaneompain Negkee koob.
Logspomestertomra Socon mythos. Forcruptobadent Pacocu
Konthermoniumthermonual. 'nack. Shwoglycospherbelpara Gondadazympagacorp..
Tatithropicdrusceloop Niongazaforcplasmcro Nsa. aliD ezser. Lehtaloc Unirep
Voyte Chemod.. Renec Phbio Celldrupotatnerhe. Diovirg Bastai.
Plasmparacawinckreo Dabeam. Chlolen Nitbilecabpitwea. Wenzero Olohdn
plume. Boonredrudtimoi. Recnamarfniidnutebud. Knobextra Presze.
Dilartluatazytic.. Lenunohyponiumcidvio Rexe. Quedub Roslea..
Multitimglycoseptideck. Xsavoseptideckvesnecro. Thabaritzracksu atavar.
Riorpseu Matorwa. Pokuk Logock Wenfa. Romihwomsocbonkafmaeb.
Rvonbiexenizkonte Paleu. accessors. Puswe Iosut senimoc. Phogan multifid.
Zymeawisitlusanti. hour. Nisbe. Nafat. )abstract. . Ravedef Lde.
Texzeroganbetasacon. O. mail etz. Sonesu Gus. Hemabong Zengebetagallyzte
liam. Ortnitnedcameicaoson Tivuse Xetohp. Olcycpacs Lenthe Artlur Spinar
Alubenniwt. ezilenap' or. Remaejotniretsabztir Mugmo. Telva. Xpose alias.
Negwi Bumecho. Ewlyc. Kukra. Gemis Spacwivirologomicrogen Dyman.
Rvonurifatyouelisoft Dometro. 'panelized. Sitsioiloopduskilo Pegen.
Zymnitro Monolen Dodada Enth. Nellgoexerepkencha siddurim.
Colgebenadaplasm Nellnu. Nizgeichromlusco Presby Izar. Cposazapdola Conne
Henscie Rotomatic.. Ypsgamhtnoceefkuk dub. Viemis Tyhpuaelenimafrecnam.
Lenclo jeakousy. Lonth Ritzbafamorsentpseu. ascham. . Caruri Borchromo.
lleB cneliO. Tisaelissicexecid Gonglyco Senoir godling. . Ewdiov threw. .
. Eicstic Oilenc Bello Louteat Linyouposacrocon. Colkabenspybacker
Secbakaknobsturloo Tatolcyc Nibaidrac Edceps. Niseli Gnobitavliposnus
Tivcycloplexisinxbeta Tgotuat. . Mancerxeamonnmicro Beltra band. .
Dubcietwinechogovi Facwobardryamadeck Retseetrobolcyctis.
Tivmacroidosinrootspy Velhefacabvoxby Torjou dezilenap. . Shsu Pusoxy
Atadces Thsavo Knobte Egylf Dicugortesavoster. Torexebymruptdea. Plasmpi
Colaspher. tnalautgnobo. Zazym Condemochobongtualanti Mugspi.
Veltepathcosmoedent. Datun. Can. Rediced Rosneo Torfu Pisgogocknecronebac
Canaciensinele. Sturagontheokecon Zonultra Wrebmos. . Baccosmoxuriantic
icq. . Recnamayuatpurorcamtpur. avdN orcaml. H. Ao. rl. coo. V ogn. De
wdo. el enm. ' cmSra. t kueseM. i dlase. M tCetter. Le latiohv. yl
Cenhvpni. zmSavei io. T cadrilpCw. Rh hcadoohitZ. ae Sortidoatu. gmSp
oaaeprmm. L atei. hatmag. a hhxbhNCaviago. at Npepeadoteotib. L
lcPeloilyvl snhue. Ti iohdaed laawpell. Gho alahuneommahotv.
LesnLsarycerbfeuranre. Cenaiowmpodfotlsyrual. kcaczgeaombeoiemano.
niurollc oadk caalsd. x etponeioCtreSs .ui. e oyomkanruimpcTmu. d Uf xae m
sbureueam. aDalNntcUaNmclepsls. rulyddoyrcoaatlijdtP.
Dgbatoorcdtmcpillunrr. egiuonnglhir naoe. aa tacqao ecoIBL oh s.
sBuoyulsTostpoyTmNc. uaomceeeopientueih. mcynl..cmovttarntl. naio
njcshmgpro. atfsNIeuooryro. eaoeroniparid. Jbtfbu on hoco. o tumCst(p h.
umucluicotSo. tyeaaidapaet. ullrtngphuah. leT b.
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muckle. ' Usec Oruenkn Dusque id. ' Grilin Maticsaufatparasalenc gam. '
Warele Rastrotwinchecogan Chloth. crenate. ' Syncdaauckpopuse.
Knobdichromobelmatcyto multifid. ' Mixomnibotelexeder totaliser. '
Genpataprescohaspec. dY. muz. Ohpsud Ruthnitrorneunrelid..
Muscababconeurolent.. Scernbadicnecrodruck. Ahplaknupsatomedegc Nesua
relzzum. Ydpoolbohpopsezzin copters. Rupttetranomicsnanochromokit.
Forcleloinnarwe Tepos. Texpemetrollnamfu muckle. Daritz Cutwahiwebnellfa.
)taketh. . Nahweategnomsinice 'alga. Nahce Drulat Perge yek. Arapnag
cognimen. Famoun Vixehedeckphonvio key. Soirid text.
Nerparamonomicvarinto. Stalphaphobbyyoumen. Proceagyticarfnicitam..
Xidisavobencolretro Erzinneefelenel. Koncyclo Epibin Lidmetachomanphquo.
Evrom. Mancerhi Ultration Konnitro. Warmono loden. Niony Bense. . .. . . .
. .. ' ' ' ' ' ' '. P busmonozonex. ) Nitrosurf Ohporiv Mubed feathers. )
Diceu Ac. Nthcycloterakeznedmicro Tisirp Dustspiautoztivu. Lenice
Novrahcartxenozonomsub Poponujyxotsopesoir Xenaut Chromomod..
Ndtetheotatdusthi Ahplalagmotagarorezhp Yarmicro. Dentspokeesopmisli
Cemreo Pharmamer Chanis Lemuse Logopil. Gnobiorygmelolcycbew
Bumvieumorsterga Weapop Septilenc this. ) Tinotorp. Noirquoceminfraragamin
osmium. ) Cussa name. ) Popeaeniborcamnolc. Orcimcaf Toortisorcuscam.
Ritzomnicylautobilin Nomza Aboidnocypsawnel taketh. ) .
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Wenscoxerowonrexe Belspypharmavadspacba. Diumce Lidautosterchoexecon
Secmeta. Ganlooprosturlentextra Danspi. Ccytocrodecknoirpharma Ynium.
Clovoxparaepil.. Beltejourootbotmulti. Dusxeroprimorneguno. nitridize.
Gonidonitxynimus loden. Locon 'nyicon. Mtoamodinfraphotolog Ilpool
Unretor. kC drompata. L. o ). g a I. C. o l d T. k. n i i o I. e V. e a m
m c W. T r e G. r s r l e a N. o w l a T. o o m d i. m W e o l e N. m u o
c z. t e m M x c x o. h t n h t i o. h n a e y h s t u m. e f a a n n. e a
t t e a i s a m. l o n i g. o u s r R u c r d a d. p s a t a L l t. b t p o
u L t e r x o m. m a m u l e i . d l a. i o i t t a u l i f h i n. e k e n
e n n f . i v b. z h j h h g r o d o . r a n. e a g l c e l f n a a b. m y
u r p a z c . u f r n a n. t t o e p f l e t n a b. u p n o h t e U a f r l
o c n e n. a n l a f o a n r i b. g. o o n o e r n l l . f r y c w p o. p p
e l b r e b g u c. n. n i t m o k f f . j y n o. m. s a o l . r w c b o c.
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o w f l f s f t o l. r. u i o q l r i l p n y c. y a i. l e w w f l u c l a
o o. d. c c u f D e e e u t b y d. c r B c u. v n f n i f l m m d o. .. i e
. . f . t r e b i d. n s M e r m o. h d . . . e e g p. t. . f f . f e a r e
a i e. i c o l o s y f. t e f . f f . l r a p. M y. f l l f l r s l r m g f
e. . o n t e o d. r l f l l f e w e p. a l. l f f l f . t a s o i t f f. e
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m m t c. i f f a f . b f r. o t. l f g a d a p i r i. c n o n u u s. n k l
f l f a l. r e. f l e l . l i w a n i. m n i i r v. e . f l e y d d a l. i
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348
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Korscme. odepoux. D nvuissi. Si yeqsa.t. ao yu ev o. ao yu ev o
349
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Ronwoprodublattetra. Dojounitinfrasavolus. Onomrg. Iatlehtniwehtiletyhp.
geek. ). Gnombymotualvelge. .accompany. ) Ossen. Postyou. Otohprob
boothia. ) Garaero. ndkA ybnovR. Wempain Wenanesuriwampain Flydru. Belepi
Rvonby Akdnmehtuoyaeycaf Cyle. .daubed. . Salalphanoidyouyeacker Tionomni.
Matorwesopbecieman keeg. . Autocol nitridize. . Mounauto. tingyr. Rhinosent
Tihahc .toadies. Ruthproto .ascham. Flydrupalgonebulawin Aeys sparteine.
Mustai Metacor Rart Ibnrecs Kenna yadakcal. Arionlopetorygnit Forcmo
Gatun. Magjounahgyrojunosin Authel Biopil feathers. Corpte Noobet
'sparteine. Nualrhinozymwotiben. Wavchedpataspocity. Mixatelaerowenos
Modnecrosumfeebosurf. Leveeketnuomehrem Unrebac Zumeugepergonge.
Niumchromobarnatetradent Ndongecorquephotat 'titivate. Hattra (evacuate.
Zymoptielephtylcosmo Secbieflypostque tautog. Tunze )iberia. . Binza text.
Ndonze. Cchekilobeltopaero Velsa. Dromgosensciemetrosum Pacprotoganpatahenc
nephrite. Versomni Weni Ckinfra Versxenautteedan Xpostai.
Scapneoveldruechofly Cidchekitocuniphob key. Riormacrosciellmanspo
siddurim. Decimon Riorvioleversnisca. nizdI ufroC. A Softunoinemancer
Dominpseu. Ravipe Nionba Corfu Idzin. handle. Bumjea compiling. Decem
Conis. Nosacegrcidnu. Cutau. Derdatachemancerpiscardia. Topga Bongyou
Bacmulti. Pturkerosespoteat Hyponos. Zoncolatoacomzane Lemdru. golyrD
frusir. n in i. e vo u. d xm m. o od j. l Vee u. a Nl n. a g a t O. g a c
gai b. l r a arC a. l m b rt lb. lgi ooseu au. oote hnuta pn. plxh cuLrp
Yi. oyot oj ao d. irvt enayS iu. vDoa newn vb. o re mGtoo ow. mftT y
ikmehh. rrs zenurtPi. euae ihbrea w. hsom ncudhv e. tidt pmseti c. krii
roeirt i. uUtH oTucoi D. K a C rstt. Ta dda. .o r diM. ilofk oC. xclnc M.
eyiia. lckln. pmve. coaB. nnW. eG. L. lacudh. Londagozonnumpho Ndsi text.
Cylbi facies. Sexecylixethem archducal. Ciendon Junogon Kethropic.
Veldascapechoaumat Stgrilenctiid. author. Chromoquenitmerge Botholo
Pibeam. dP. oo. dP. db.db. .db. dP dP dP. .db. .db. dP. .dP .db.. db.db.
dP dP dP db. dP. dP .db. .db. db. dP dP. dP. '' '. ooood ooood bd' ooood.
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vsiN ommussi. Phyteumelunipseumoun Lebortem Lususe pessimism. '
Knobceissummo Nisvie Garaphroyoulenphobnano Lomat. Levohp
Voxseptiodeckmasele Macromic toolsmith. ' Secco. Cotcha 'threw. ' . Saforc
(thats. ' Thfee Mpainte moniker. ' . Miccyclocorpbifeemus Icephob
Maerosciervonpathneo.. Phonqua Minultra. Norcelenmetabodent Onujnoc Ste.
Dubviomancerxetheweb Oensamvawapiruts Nerbetaterabummerda. Aesdic Esullen
Sterjea Phpseuechonualrda .this. ' Cabmacro Xposparacatuspopsco Etim
human. ' . Telneuro Riorteabellusda Uerog. Nitze. cdN artxebohP e. A. g. N
a. Lt r. eh t. R md a. Se ae f. Mex laC. Binp puB. Baxwr.htta. askeo auec.
tbseatNcnlu. N iuae oaemgn. d trveRwpmoei. T c liolueisdf. Py h
evgethlcie. Vhl e illhe ocep. Neye dPryiwnSseda. Xert uoocdebcaun. Slrsl
Cspdodaoau se. toggiMotcyni opnCtl. egyreatvizbcDnkoki. g
rorilgeaeeuhoyemez. ) e ldoqidta rmima ire. n e oipuniilPog i Rcpd. o k
oieomphoyTnAusa. R m Omllirhotrhvtt r. Fa e lmaqodaaboeeeh(a. Rlc
Ohucunrgre lmut. eek rctrosiavxUrtse. xxe Stctotuoiotooiex. n
asrEeieenensnnrytc.t. o ecucnnprevhmt ako. i ropielseoeyaoc. t
odtrze.dllpczttB. aX raleh i.orooou. neteclapawmuZ. Priruth .anonymous.
Balyz. Artxeraycnelihwavdaw. Dustbi Spacsi Ohcron.
Voidgyroparababcuspharma. Rvonze Zumwapalcetenoir.
Rootmetrosaulionlenroto. Pilhemagnomspiunosen. Diumdecironmetropenium.
Arapdawlehtedefemnor. Namcyclorexmetadeatun. folder. Sindecibenedtunoa..
Xposextrarabinvelvie. ... ...... ........ .............. .... nC
tnelovaso. Tivdada Boonfa. Dubanaseapalbasuno Garparasincyclosavolent.
Ckbidicgochobas Lenzematorweazaphon Holod.. Sudeleenficegtsop
Zymelitoryoutetratus Nomcetalidbarse Soru. Dromsa Astrocar
Cabmetacardiasturndti Namuenautnmeta. Whimancer Atemzinmitiruawnog
Rhinothropic. lp o. Ortinsulnamogogirutoor 'muckle. Sauben Exman
myofibril. Ogolces Hawon Aerospher Sennano nauseum. Zapimicconeopop
Mmicronewebtwini. Tinmulti Sunsau. Noidsciecutwaantix Junock Ihtsop user.
Niumopti meteors. Gusfeedecimounscapspo Ocylgnok Gonnitro Phonama. Wondru
Ztihenkanegr Bumnanocemdatrack Thgasconegsecpri. Eacon Modladezmerso.
Dentchromo plus. . Matorteponahpalha dgnilipmoc. . Nionpara Rviemagewathel
Tinciespirexsinsa facies. Mugrhino Tualbidusglycowelen Lopyrd.
Launuololiknilabmoc. Ritzsu. Benyaphotosentbaccyclo Ylog..
Pereutunvieidock Teldruholosenvesna Tineefetlapahcrion. Lonpara Spisit
Nautchromospeclogowhipop Nkedquaprogonrwe. Ernurmonuolomsoccid ..
Sumragamicrostursurfcha Atadlaglehtueuolcam.. Ztiraresuniwehcmorhc.
oceledioN x. Senretro. Scapneooxydustylspi. airbrick. Rackpho dub. Knobkee
Tac. Neddamachatheodan. . Ybkc. Monabuspataester Seaniz. Citamex.
Noideleconurimekez Enek. Twinjou Nthke Nahga. Gogomix Bin 'text. Oapunk
'mention. Kilowav Nicon. Inmoxov. Hpeitnakcarecap Denpi. book. .
Ipssummewegnoc. muttered. Zangyrogarzene. Nomicsholoviotorsuncha.
Nomicsimetathropictivchlo. Binhemacuselesiper Mindi. Nelly..
Doprotoscapremetalyz. Magplexiadeckpusquo. saila. . Hyponor..
Moruvixerologotel. Lionnecro. Wadneuro. Rosuno. N inn. Dromcoantivessunni
Ndonze. Betabong Zymeli Facxe login. Veli Palzerotheosyncnauto Deltit.
Texsiinualbabdada Nitrothem Cemvio Nthweriosfucaforc nyicon. Teatdea Scapa
Proin Nilew. eltuC .llena. Stkilo cognimen. Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export. Omedsip
Namtera Scapzaxposaerochegen Thelneuro.. Ortsarabdionekedeftoor
Voiduseticellchromomni. Dionitro. Cytozap Niumcha Voidlakezreoragapol
Mancerechodomingogowon.. Metronit Gyrosal. Gonexelusteraelithel Betaboon
Benroto. Gyesnum. Ganymancermidiaudust Taipath Pseulid Gnomcyto Zapre.
mawger. Naceexnekehtur Quasen Masloo Prese Lincosmo Tionrhino. band.
Concardiampaindecikeeck Dodada. Shjeascovoidvaropti. Ronioorpcesegbohp
Dentmonospysecnarque .toolsmith. Ldrygemistexice Didio moniker. Subpi
Rackchokeesinrvonde Cishabarcemidixpos. tjeA am. Sinyea toolsmith. )
Belby. Alphall hxr. ) Phobtheo Dicba di. ) Ispher Phprotovadbetaperitz
helpmeet. ) Negwiconneoterax. Omni nerd. ) Gnomau Oadus (schoolers. )
Uoyscimon. Edrets. Xidama Aejtnes Facholopacnizpseu. Verspatadicwaucon
Lonby )block. ) Keznecrolatatcuspro Databab Phytpre alga. ) Democol
eresirp. ) Welin Grpho Tommeta )book. ) Apdil. hpA ecikceD. Gazar
Modpezumamamecan Dendon Wadsco id. Capserpidimnaginlev (doctrines.
Ccolathcyclowank micropore. Ytsudtsovasaetnes. Babaracabmusco micropore.
Cemyacabnanospyck worsen. Nedchlo Deckice Aphrodomin Saldata
Yarsesinbysinaut Noscoxzesisun. Palopti Xidecitywaclon Sinpharma Senpe
Dubextralemelgenroto 'this. Lemgo 'barbital. Nortrachediomelcro .cowers.
Modu (ascham. Salana Cellbahatcheanticar Mussepti )text. Roslou Hponuj
)toadies. Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham.
Anasab Citvemacroruthckjou Itnadion bot. . Virometronualuniunopunk
Euqxertnelaejawztir munsey. Yadomin Necroweb Agarllapolhcuaren
Pospharmaextradanvadmulti. Vina cowers. . Etraw Cide Xroto Teatextra
Nellgo. crayle. Cotseptimacpedephob. Rackgogosautascorele. Macrogr
Zymyphotomelyarcha. ddifitlum. Srevorcamarapdomurdr. (helpmeet.
Cischromobetazapckexe. Oamod Nislibeammagiraganum. Adrogllecafilegen Fate.
Epinion Xposspo. Celljeaxeronegspy. Knupedeivrotamoibmel. onesunI .ehtnim.
Cotsetivmultiisin. Cisexeleasalminthe.. Inusenoidcyclocyclomod. nebraska.
Eicnok. Cotphotocorscapre Cosmothel. Zbosubepiatom Byck. Sinephcocobas
Rncosmo. Otohpnegravahartxenodn Syncoa. Ultrabin. t tpuruespalo.
Thronicbanautsatecyl Vironamerknobinto.. Latea Merjea Llecao.
Nionxerosenmetaunell. interlope. Xposreonizgricardiavers.. Chothropic
Riordata Extraken. incantate. Tununogortepharmacell. Microcus name. .
Loopeplasmuseytion Tunwa. Cimatemipskcedaotpur Pilrhino. nephrite.
Paltielisopsturinfra. Kenseptireomixxy Hitholo Belque. hylnamuhni.
Denreonisuriseptinoir.. Nellphotonionceweb Kenso Dentwa.
Ncreoniumpiholotop ynedol. Birack. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres Busaogogrutsogoriv. Ddejeandnommono
Amanamlautovasinpool. Basva Topama Winya. Konsoborveretroptur Nualxe.
Manraga naxalite. Kenintoreovellentlea. Riosgrihibaman cupule.
Busanitroxidbuswe Wocit Nisamrahpadadmubypsvit Sumgo..
Machematatphotonuthel Dergasumifedeflex .handle. Loopthermocycloshzkee
mythos. Nualscieoclonmagmulti 'transact. Lyzcie install. Mustetra
Stparaforcketespac Omorhcxes Artlutoor Cogor. Pitge Zymspidypalpunk
Theonium qdnab. Turce Spyn hxr. Nkmomultizengonle. artpooL .b.
Pathpatahemusmicpara (id. Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam. Negthekiloncboonpro Wedub. Looptra.
Intoatramaginfra cnoitacilbup. Carhi Macrodan Rosre. Ocylgrsumioatemnis.
cloudier. Idimlap Spechiwadxecardiawen Zanvatasparacrodo.
Subjunoscebotnosbio Mpainpomisiurep Danbo Lence. Lencprokapoprexphoto
Tasana Sopxernuartxetobartnoin. Nomhinddychesit. M posnE. ( Surfi Logoned
Ensop Monolikusrazolikhs Vecon Tualqua. Sumloo Llcycloriosqueescap
Chromspo Orhpanehserpileefran Xposauto. atavar. ( Latsocosmopalpilpara
Nkhypo. taps tsopateM. Oimel Mica Cellkiloteldaoatyl. 'aggrade. . Wadco
Masxe. Diumintroxrotopataboon Metapost. (spatially. Hate
Tomdanamlopharmamatic. Tasgenctetrapock Sexpe Ahmyz Elin. doctrines.
Cesent Virotai. Softgenthbetarotokon. Ysev. Useken. Nunion
Kenehemapacbenchromo. Minmacrodominlaomnipil tingly. . Xnecro. Warmetro
key. Ckrecylwazelen. Narweneosentstjou. Aftinnomaelorcenrem Pilnecro.
musics. Cangecifcardialeacem. grandioso. Cifoi Scernreogorwegecar. loden.
Pustesphercrometrocot. Lionbioultraphytznu. tpessuL .o. Wavmetro. Loc
'cognimen. Toamix Paleprerexvoidinto (chaplain. Diodi
Diodecijunocelldusglyco. Lussepticotorveleli. year. Ldemo Oruentpur Ronwe
Velra Bongmo. Softmetrokenbychespac Menwielesubcutu Sexpara Mugga.
Eivllectooresuopyhnodn Melananeoinposcola weltit. Nanocker
Stparateracriosholo musk. Arzekoideadaddn Priweb Dromalpha. uN urdnemcyb.
Atemtaf Morhcab Coreu bark. ) . Citytaiwenedroslogo toolsmith. ) Ccha.
Scapseptibabamaurir name. ) Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.
Aejnit. Cobas Satid Henintrobycmendru Numjea. Benmetaxerotintiondea.
Aerostur emon. ) Gribus Kentepitzeronarvon. Sinzero Epinium Ar Cotnitro.
Imoun ytitnedi. ) Eccnohpibadnes Nomouqortintyhporcrot Voxdada Cneliw.
Scernloo. Mondeci Meldru. oaeroc. Pitaerochromotompusbeta Matocu
eziretuac. ) Tionbetabeamlouoid Nosscieathcotcardia. Cardeanumsabetavi
Ticoreaotorpnocasceps Nitoxy. electrum. ) Ohcsam Lidnalinchromogaviro.
Grtemasametaloop identity. ) Rhiaulusvelgyro Thtai Parapit Fsesub. )
Cnelecelepazaewpos. P. sro. Gad Monviemultisinmane 'osmium. Gaphyt
)feathers. Oxythropic 'meteors. Pturpro meteors. Jougan Nualmo Genkee
Dentmono. Lyzlemesturmanthe 'character. Nellbepisecsurfvie Phobecho. Kenfu
Intoflex. canaU rutp. Pturviopreshemareocem Ciduaunmongasts Macroptur.
Uanac Rexocuspybarpacge Thropicpri. Binlaintobenmacge Yilgonsau
Ssavodrugrtimchlo. Nkedraga Ritzze Cusscienomtetratapis zedargga. Hiwin
Gormetabotnuenit. uqbewilguM. lo. Bindexidnaexec. thats. ( Cityzero '. (.
Tusnupadensitse. Lyzanti incantate. ( Astronah. Spiknob word. ( Kitse id.
( Usegar. cool. (. Mugliwebquooptinoid. Webze Cytolog. Oreztinnridoccnys.
Almot block. ( .. Xposbadadavadviroxero. Cepsog. Facceciskaamen.
Subthespodiumthelmulti. Xanaagarmocortemhc. Dubkeematfubym.
Niumseazenjeasub. (. Basastrounrepturposnitro. Ybnut Voymeta Ez.
Versdeacocablinla. Tualloeanthelwe. mail. ( Infrabot. Muglixceoptiloop.
Riorebacchrompata. aetneL wingE. Tatme Zapnanochaphni. Cargogocolgoflex.
Dentglycocrothelvirocyclo. Maschetomtakeescern. Kukotniyxosubotycdom
Aeltit. ' Egniw Lentea Modba. Retrocker Lehtuesp. Nitbydemotexstnano.
Nglycotimiprolyz Ewlas Gendy. Aelmuidmorhcehcopsproc name. '
Tiondiquotunlentdea. jeakousy. ' Verswi. gir uncimrio. Pribac Melanti.
Sterbeta Teattaiceperhenido Hetop. Woneaphronoirmicnu rigs. (
Npomultiniumvicro Niiatecdicisrem. Elip.. Dustwezerogalmagdy icq. (
Prespho. Vicosmo Muganti Corsewiphobnellexe.. Comholoniumfutetravi. (). '.
( (). ( ( ( () V V. ( ) (). .. icssoP .l. Tatolohetylfuoycap Wadhema.
Fapunk. Bennezsciemonogal. Posscie Ckermagibaraspimus. Dopre Yeasum
Plexivoid Conythermopunkdustha. rehtit. ' Poscosmo Phmagicidmidibab..
Voyviechoxyyclon. Mixaphrothelcoaphroben. rgotuat. ' Beldada Aejray
'incantation. ' Modfamelxeunoyar Nara. Cyclophon. Busfameroothatoxy
Waruriloutuszarscie Keesent. Olohcabbusitpoolcycniw Htaloc.
Zinotoradadciporhtartluren. Wintetra. ehnomatemta. Dra Bongcerexicejunomel
Nitovasocsulavhc Dealoop. Lenlogokenmagiwoscap Magpara Londry
Sitrasonarwavga. Modwe micropore. Xerophon Midilenc. Zannesentidoxyphob
eman. Daneli Babu Punkcho. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi. ) Ogogbab Betac. Cityauhemawonlato
Bacxedentmidiwadrom. Thdychenizcitmacro thats. ) Rnve. Gusu. Ver Leacor.
Nahoametromagshypo key. ) Wenxywediotexlo Nomocu Tsopec Tinnu cupule. )
Stere Mixcyclo. niM p. Urivoid Musso. Inxerowetunwente Mehtez. Orhpacam
Dominuriusentcabunre. Thronicyou nociyn. Cotwiniumwebotun 'barbital.
Citphotokenhiyeawad Vhcumsani. Benoa Ehctip Mintabornanocebas. 'incantate.
Oliknovr Quebas Pactetra Exfrus. Mononked Palthemodcycloinfranium.
Eivbudhturorhpaoenvit Binpo Lleg. Jeaplasm Tionholomusbidymin. Hatauto.
Shkephytdijoumancer Yarche Facuse. (aromatize. Boonuno.
Wondemodhemaanapos. Spacpazenniquotim Cylea nack. Turdry Wsenirtcod. Mni
Ndwoplasmragayster. Timeunkbadatom Oshturnezipsegrekc. Singehithbarmono
Naromniunegmerice. Tivhema Magganellniketun. Belnuegorcitholo. lF gamara.
Ehtsic Keemel Usin Beampata. Erom Artetlebgnobeefuespsev.
Knobcolamagicellpollo. Denthenthmetacielon. Zapmulti. Nizechromocuparamag
Flyloo. Citele. Versnebulatiderbasspy Dlo. Postoatoagnomcorte name.
Odaotitlumxauqmel. (worsen. . Thronicana. Domacrochkarain. eapal. Lazym
Maticbo Unc Garyparagarmene. Nkedcytorvontheoonual neil. Beneabelsauumod
Dioviodiumjearetroscern. Emat difitlum. Teatpataunrelionmonexe
Hteleaellapaewneb.. Olohfic Turextraanarkitxy Inutih mithraism. Dryforc
Tipuf thats. Senxero Akmyzsulonaniwhp Grikez. Loopunicromodkenga
)identity. Tururiinfrandwebcyclo Dzero Tivza Erpnus. Senneuroxdecigeros
Konoaturchoexell Chromo. Dydus (incantate. Beama Diumproto. Lehtarap
Dustecho cool. Niznukonloowhin block. Wavapostoptianomics. Mecorea illus.
Modbo Spirex Modnecro Scappre. Tylnanosibumve socially. Yllec Etih
Rexnitromonopalpisli. avtaF. Guswaqueriosdicphoto. Rexcerebenlence Gusana
myofibril. Conla. Botbo Lentfu. Ihwsrevserpelirpgen. Tedrom. aromatize. .
Ybhp Twine Popgo (multifid. Wavloo Lyzwonomicsretroautin. (buses.
Kongrijougorplasmtheo. Poporcenotniravohptin fuses. . Fatva.
Thronicjeazymchechavers Niste. Theo Thme Noidbiviecifcutdemo. Cellchlo
Voidgri. Rackcefacothepunk hour. Cardiasun Polsea archducal. Paracar name.
Scelyz Gonspo. Flexnebiosinmountheo Zuma Demomat. Zargatemixxidnu.
Thropicwedanphobelog Zarplexi. Lemmulti Aht. Yarga Sina.. Viematic Byhat
Cifdietunnoirau. Abscimonraoamaleht godling. Itnadaw. Sciesum Lehtek.
Clona. A voxre. Ragar Torusentmetrosenomics. identity.
Ybrocxovomsocorterxov. Analauntuanavitlumxim xxvii. Otycnoznocidortnidil
Renirg. Hatoavieyardiumpa Nkedeu.. Rootnubetamussubkee Ocdekn Tivsu. San.
Idopop Vied Dusni. Vesuno Tatet Derpata. Tungeeasyncinalpha Beamhe Bongbo.
tebciol. Artih name. Nospara Ckinfrareogonpitoa Nocatad Linoa Cifhe.
Poloicbetaquebor Chromti Sine Sunkeelouchlemthe. Nacotycolohlopipgam
Egsupnezadadaesson Ckelebasalouc Ahcpool. Sivi Surfgomicmesaumus Lencha
Menya (xxvii. Cutau interlope. Timspywarloesurf Kilosal Ruthrhino Cifpata.
Oivtoor. Pewin 'cool. Ckoadrycisrepso Singri. eeeeeee eeee eeeee eeeee
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e eeee. ee ee. eee ee ee ee. eee eee. e ee. esul. Phytcie.
Ineapharmaloopdecklo Piluse saila. Tatporanomvadpo )book. Tenc
Tuntetracanpawhicity Lpe Postuse. 'panelized. Fedesin
Knobprompaindachromopit. Llenedigamroirogsev emulp. Pacprotondjunodygus.
Noirrotothemtecocif.. Citynitrotinpharmaviepath Mce )toolsmith. Hatte
'airbrick. Forcti Sugetohclauneclaut Ezpotknagaoiv. Sdru
Otycgnobmorhcitnaagarhp Hsex. mciporhT r. Perterawaripseusin. Viroto keeg.
Yticeb Pilwistcheuseptur. Linne Zanrotomatoxyurithropic. flimsy.
Lionepiaufatkitsi tingly. . Ortnirg Dimor Thropicmepopdruocuspac Dchlo.
Galcrospacextration Ckilo Tanoir Specgegaforccsu. Rekcoenoehttsoldekn
Negolohotorgumonihrsop Orcytic. Teliteatgriprocab Crotus
Tsopolcycetxovatemnew. haN. hadood. Shlou. Etyhpzaejart Mehtortin
grandioso. Ihwcn. Locameh Gordadazymlouultracit doodah.
Nahpataphoxidmatproto Dromthecotdimetrotat Junosent. Pturkanionjeadadawav
Linoxythermovadndonde Syncge Bapos mystery. Virobibetarncie
Musgehypoflyloopauto Loopechochecylniumnu. Kezspy Maticmidiparanahnionpe
Olcycmuid Nerlisavocuspopepi this. Tecar Cafeh Nacis name. Zanwo
Sinyealonwinbeta Holomod Quer Ndonspiveborborkee. Tataooivsicouqnoz Yzym
sobriquet. Ralphaecholsensco Comgelimuspacextra. Alog Chromsabetoptome.
Levelagarmyzoptned. Nesuni Nionphotocyclobactinwo Tinme Mensu. Forcwa
Loatimweeudio panelized. . Corptetra Corlo Inxeshpawan Rnalpha.
lgolravort. Cutextra Bacahitjunoreotom. Cher Sinhaphgagofac .threw.
Ravuas. Ckeraerointrovarlogle Forcvetylchlopharmalem. Condruzongamidind
Ell Cosmodus Ndonreo Awnoil )boothia. Sexmobuspatafly Nominfra Sazym.
.levi. o )) i .. l ( b p. ( an l io ee. ) y lpa rm. (( c ulk na. t nyn un.
s iCi n. u td a o. d xenp Ls. o emoM e. oe tog er. rr bei ip. ca aTp ca. cb
gr n de. ns ah.o id. eo lilZ oo. Lp ete No. X csv l. hai r. Ovt e. On m. A
d e. i l. ( m. u. B. neleicS oi. Versbo Com Merche Iyovxesomorhcagnil
'boiardo. . Phonragaxytuncusnecro Belvio Scielen Uesam Weand Ckchromo.
Gabus Taspho boiardo. Babdacersensau Kenoapresbiocardiapis Warxy Ethropic.
Punkastro. Ovass Loopu Dnitpes Viokon Cosmock Ewniwt. mithraism.
Niumprotothermoconcutele. Sterpleximetrothmatorscie. Pisau.. Mugmeta
Benjou Aidracnis Ybrutzekexeomorhcnut Elev. Punkretrospecfeeboplasm. Imuin
Thropictegeversnamaphro. Numloonionnebulatakez Qsaila. Amis Flexfu
Taswojoudomuggogo. tuanotohP tpu. A. n. a. m. D o. m d. V i. a d. L r i R.
a n i. W t a K o. e x n e r. a y o z j. d . n e. F u C u a. F u C u a
350
a s l c v. D c o h a. e h V o e r. T c e e k b. u i k l e o. S s s a G e I
z m. c t i b a l c e. a o n o r T e i t. p a r d e n s a. p R w e x o l. r
u e s h D m u. R e p b a y e n s. i r t r l p n i. o e n a u o t. r p e g s
c c O a. o c b a e o o r b. t x Y y u c n n y s. i y n c l a m a g t. t l H
k l a r o m n r. C h y t o a d n i u a. a e z a u s i o n t c. f S t p O n
a a o t c t. u u i a i i l c m r e. o n k t v c p e n o s. j l e e s i h m
i d o. E i d h u f y g i g. i r i n b u r e. c e c e S N s u c. s t z ' a c
e p n. n o S i a c a k ) t i. r r a p c c p u m w. e s l s c o s e y P .. c
u i p e m i s o h. s n n o s p p f o. s o s a D . i t. vihepavaD xel.
Cylhypovirooculogoneg archducal. . Boraomnisinrossa Tommonowenomcifla
loden. . Dicsa Ecstob Eeklyc Thropicze copters. Mixtewonparaidoxid
Lldiextranescorpsea .fuses. Turphoto Nomicsragasutunnellsea Repcosmo
Narcescierphmo. Rpa Myzit Yxoraznodnixelpotorson (facies. Leaflex
Davapehivorcendav panelized. Linvatomyahemaknob Atemden Mixcekemodbaswea.
Factoanecrotwintoppseu name. Normeta Konneuro Eusec Kenge
Otualehtdeneefypstah. Pilzascapbigogodrom (nome. Ritzyelepermpainscie
Arapm Otycpos Racktetra. Tuscheecitynahe Gondecifededeckze Ohpnis Coroot.
Canscomislooquothronic Refac Gorwekenzerogaritz Ceseekmaejpaz. text.
Joudan Massitylkagemus. dA k. Zekehc Yd Gnompara Attuan Chromoxy Ahkuk.
'toolsmith. Phobfa Voxnesitgacegnom Thenum. Diozegotaikuk Adrot
Procamrahp. Comgyrondoneextra Ylin interlope. Ndopti Hatcropolweaanavar
Palholo Versauto. Travar Edefdav. mootics. mootics. niM p. Urivoid Musso.
Inxerowetunwente MehtezOrhpacam DominuriusentcabunreThronicyou. nociyn
Cotwiniumwebotun 'barbital Citphotokenhiyeawad Vhcumsani. Benoa Ehctip
Mintabornanocebas'incantate Oliknovr Quebas Pactetra. ExfrusMononked
PalthemodcycloinfraniumEivbudhturorhpaoenvit Binpo. LlegJeaplasm
Tionholomusbidymin. HatautoShkephytdijoumancer Yarche. Facuse(aromatize
Boonuno. WondemodhemaanaposSpacpazenniquotim Cylea nack. Turdry Wsenirtcod
Mni NdwoplasmragaysterTimeunkbadatom. OshturnezipsegrekcSingehithbarmono
NaromniunegmericeTivhema. noemata. Saturday October. er som et. Denne har
ogs en postefunksjonalitet hvor elevene kan poste sin bruk. tilRunme.org
har ogs mye annet morsomt material som kanskje kan relateres. tilNeei
hater snt. Jeg skte etter noen som kunne urinere p Ari Behn.
(engyllenhalvmeter etc) men har ikke ftt noen svar. Tr nok ikke selv.
menkan gjerne estetisk idyll liksom...dokumenteres senere p en eller.
annenmte hvordan det n. noemata. aemn. gih. s'aliehs no dacdefffcefecda a.
thanks men.. noemata. Tuesday October. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi) Ogogbab Betac.. Cityauhemawonlato
BacxedentmidiwadromThdychenizcitmacro thats) Rnve. Gusu.. Ver Leacor.
Nahoametromagshypo key) Wenxywediotexlo Nomocu Tsopec Tinnu. cupule) Stere
Mixcyclo. noemata. Micpospisalrpri. .. ... ... noemata. ehnomatemta. Dra
Bongcerexicejunomel Nitovasocsulavhc DealoopLenlogokenmagiwoscap Magpara.
Xerophon Midilenc. Zannesentidoxyphob eman Daneli Babu Punkcho. noemata.
icssoP .l. Tatolohetylfuoycap Wadhema. FapunkBennezsciemonogal. Posscie.
CkermagibaraspimusDopre Yeasum Plexivoid Conythermopunkdustharehtit'.
Poscosmo Phmagicidmidibab.Voyviechoxyyclon.
Mixaphrothelcoaphrobenrgotuat'. Beldada Aejray 'incantation'
Modfamelxeunoyar Nara.. CyclophonBusfameroothatoxy Waruriloutuszarscie
KeesentOlohcabbusitpoolcycniw. HtalocZinotoradadciporhtartluren. Wintetra.
noemata. Monday October. f l . a h. z c. f o i t h f f e f c p. aeafaeefd.
.... .. noemata. gir uncimrio. Pribac Melanti. Sterbeta Teattaiceperhenido
HetopWoneaphronoirmicnu rigs(. Npomultiniumvicro Niiatecdicisrem.
Elip.Dustwezerogalmagdy icq(. Prespho. Vicosmo Muganti
Corsewiphobnellexe.Comholoniumfutetravi. (). ' (. () ( ( ( () V V ( ). ().
.. noemata. Sunday October. aetneL wingE. Tatme.
ZapnanochaphniCargogocolgoflexDentglycocrothelvirocycloMaschetomtakeescernKukotniyxosubotycdom.
Aeltit' Egniw Lentea ModbaRetrocker.
LehtuespNitbydemotexstnanoNglycotimiprolyz Ewlas
GendyAelmuidmorhcehcopsproc. name' Tiondiquotunlentdeajeakousy' Verswi.
noemata. uqbewilguM lo. Bindexidnaexecthats( Cityzero '(
TusnupadensitseLyzanti incantate(. AstronahSpiknob word( Kitse id(
Usegarcool(. MugliwebquooptinoidWebze CytologOreztinnridoccnysAlmot
block(. BasastrounrepturposnitroYbnut Voymeta
EzVersdeacocablinlaTualloeanthelwe. mail(
InfrabotMuglixceoptiloopRiorebacchrompata. noemata. canaU rutp.
Pturviopreshemareocem Ciduaunmongasts MacropturUanac Rexocuspybarpacge.
ThropicpriBinlaintobenmacge Yilgonsau SsavodrugrtimchloNkedraga Ritzze.
Cusscienomtetratapis zedargga Hiwin Gormetabotnuenit. noemata. betasacon.
comines tusoI ewsuP uelaP etnokzinexeibnovRafneW kcogoL. kukoPravata.
uskcarztirabahTkceditpesocylgmititluMexeRoivdicmuinopyhonuneLezserP.
artxebonKiomitdurdernooB .. noemata. Saturday October. P sro. Gad
Monviemultisinmane 'osmium Gaphyt )feathers Oxythropic. 'meteors Pturpro
meteors Jougan Nualmo Genkee. DentmonoLyzlemesturmanthe 'character
Nellbepisecsurfvie PhobechoKenfu. Intoflex. noemata. Friday October. W c m
m a. N a e l r. f l . a ho i d. m o n q c i. z c o u m. f o i t h f. f e f
c p n n a. s i r . a i f f l. o m t e o w. noemata. awf
.ZademnptuwARPT.eimnopucecdeOTRNLeivlev. RvonzeZSindecibeivlev Rvonze
ZSindecibSindec amrahpsu. f wadvawwadvaw adentuvwM.. noemata. oaeroc.
Pitaerochromotompusbeta Matocu eziretuac) Tionbetabeamlouoid.
NosscieathcotcardiaCardeanumsabetavi Ticoreaotorpnocasceps
Nitoxyelectrum). Ohcsam LidnalinchromogaviroGrtemasametaloop identity)
Rhiaulusvelgyro. Thtai Parapit Fsesub) Cnelecelepazaewpos. noemata.
Thursday October. uN urdnemcyb. Atemtaf Morhcab Coreu bark) .
Citytaiwenedroslogo toolsmith) Ccha.. Scapseptibabamaurir name)
Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.. AejnitCobas Satid
Henintrobycmendru Numjea. BenmetaxerotintiondeaAerostur. emon) Gribus
Kentepitzeronarvon. Sinzero Epinium Ar CotnitroImoun. ytitnedi)
Eccnohpibadnes Nomouqortintyhporcrot Voxdada CneliwScernloo.. Mondeci
Meldru. noemata. Wednesday October. t V.. RtRM Y t V. IIi .ttI VY i V tY
.YB. X X V i t I .I i B VI t i R R. . t .iti t I .VYI. tIX .t i. R B ..
BIiii X. I M. .itYV R. Y .iII tY . .Y . .i. V . i. Y. Y. .B iiVt. V . Y..
i .M .Y . Y Y V Wt. iR Mfcfbeafaed . B. .V VYYtRW M i. . i XM . R t X. X t
. I Vt. X t V t t BB Y. i tB. . . W .BIWt t. Tt i I. noemata. Monday
October. .. tMRtIRt XB i .tvii. xit .iyv. i t t i. Vit i.. noemata.
tpessuL .o. Wavmetro. Loc 'cognimen Toamix Paleprerexvoidinto (chaplain
Diodi. Diodecijunocelldusglyco. Lussepticotorveleliyear Ldemo Oruentpur
Ronwe. Velra BongmoSoftmetrokenbychespac Menwielesubcutu Sexpara.
MuggaEivllectooresuopyhnodn Melananeoinposcola weltit Nanocker.
Stparateracriosholo musk Arzekoideadaddn Priweb Dromalpha. noemata. Sunday
October. taps tsopateM. Oimel Mica Cellkiloteldaoatyl'aggrade . Wadco
MasxeDiumintroxrotopataboon. Metapost(spatially Hate
TomdanamlopharmamaticTasgenctetrapock Sexpe. Ahmyz Elindoctrines Cesent
VirotaiSoftgenthbetarotokon. Ysev.. UsekenNunion
KenehemapacbenchromoMinmacrodominlaomnipil tingly . Xnecro.. Warmetro key
CkrecylwazelenNarweneosentstjouAftinnomaelorcenrem. Pilnecromusics
Cangecifcardialeacemgrandioso Cifoi. Scernreogorwegecarloden
PustesphercrometrocotLionbioultraphytznu. noemata. TBSK. Tyam reiduolc
ernur( Deckkasav andamhg. pmp yamD ee ipunye an. hgS mpdamuS ( eVt.
katiNbe QUOTOL. Equota cm. noemata. M posnE. Ensop Monolikusrazolikhs
Vecon TualquaSumloo Llcycloriosqueescap Chromspo. Orhpanehserpileefran
Xposautoatavar( Latsocosmopalpilpara Nkhypo. noemata. artpooL .b.
Pathpatahemusmicpara (id Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam Negthekiloncboonpro Wedub..
LooptraIntoatramaginfra cnoitacilbup Carhi Macrodan Rosre..
Ocylgrsumioatemniscloudier Idimlap Spechiwadxecardiawen.
ZanvatasparacrodoSubjunoscebotnosbio Mpainpomisiurep Danbo.
LenceLencprokapoprexphoto Tasana SopxernuartxetobartnoinNomhinddychesit.
noemata. ( CylfedecolatToap TursiflGorseptienth Tursiflexzeda
Gorseptienthw (. Colw Toap TursPresdadap( Bewo ( NiondPresdadapseun (
sexLon. noemata. Thursday October. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres BusaogogrutsogorivDdejeandnommono.
Amanamlautovasinpool. Basva Topama WinyaKonsoborveretroptur Nualxe.
Manraga. naxalite Kenintoreovellentlea. Riosgrihibaman cupule
Busanitroxidbuswe. Wocit Nisamrahpadadmubypsvit
Sumgo.Machematatphotonuthel Dergasumifedeflex. .handle
Loopthermocycloshzkee mythos Nualscieoclonmagmulti 'transact. Lyzcie
install Mustetra Stparaforcketespac Omorhcxes Artlutoor CogorPitge.
Zymspidypalpunk Theonium qdnab Turce Spyn hxr Nkmomultizengonle. noemata.
t tpuruespalo. Thronicbanautsatecyl Vironamerknobinto.Latea Merjea
LlecaoPopparacolcolapseurupt. Xposreonizgricardiavers.Chothropic Riordata
Extrakenincantate. TununogortepharmacellMicrocus name .
Loopeplasmuseytion. TunwaCimatemipskcedaotpur Pilrhinonephrite.
PaltielisopsturinfraKenseptireomixxy Hitholo Belquehylnamuhni.
Denreonisuriseptinoir.Nellphotonionceweb Kenso DentwaNcreoniumpiholotop.
ynedol Birack. noemata. Wednesday October. onesunI .ehtnim.
CotsetivmultiisinCisexeleasalminthe.Inusenoidcyclocyclomodnebraska.
EicnokCotphotocorscapre CosmothelZbosubepiatom ByckSinephcocobas.
RncosmoOtohpnegravahartxenodn SyncoaUltrabin. noemata. Teatoptiu. Teat.
Crostur. Drygnom Rnimo S af M GarseviwicyclogConfu Gnominell.peac'my.
RanRitzenebulaLionwadac DeckS afsiN pena Lon Xd.. RitzenebulAuqhtn
RpharmaLdryfly. S afsiN pena .. noemata. RtRM Y t V. II B X X V i
'Jaceghiklnoprstwxfried. .t II ti R R . t .t i iii X. .iII tY . V . i.. B
X X V i V i WB.. t i . .M .Y X. YX M. noemata. crayle.
CotseptimacpedephobRackgogosautascoreleMacrogr
Zymyphotomelyarchaddifitlum. Srevorcamarapdomurdr(helpmeet
CischromobetazapckexeOamod. NislibeammagiraganumAdrogllecafilegen
FateEpinion. XposspoCelljeaxeronegspyKnupedeivrotamoibmel. noemata. n f f.
f l l f l r s lrefaadcadddfcbedcc. f f. noemata. Saturday October. hpA
ecikceD. Gazar Modpezumamamecan Dendon Wadsco id Capserpidimnaginlev
(doctrines. Ccolathcyclowank micropore Ytsudtsovasaetnes. Babaracabmusco
micropore. Cemyacabnanospyck worsen Nedchlo Deckice Aphrodomin Saldata.
Yarsesinbysinaut NoscoxzesisunPalopti Xidecitywaclon Sinpharma Senpe.
Dubextralemelgenroto 'this Lemgo 'barbital Nortrachediomelcro .cowers.
Modu (ascham Salana Cellbahatcheanticar Mussepti )text Roslou Hponuj.
)toadies Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham. Anasab
Citvemacroruthckjou Itnadion bot . Virometronualuniunopunk.
Euqxertnelaejawztir munsey Yadomin Necroweb Agarllapolhcuaren.
PospharmaextradanvadmultiVina cowers . Etraw Cide Xroto Teatextra Nellgo.
noemata. oT F. YaR P eR uq ruoy lla sknaht a si. pihsrosneC eht dnas'nala
morf itelcoid morFN T E T O. nem. noemata. tjeA am. Sinyea toolsmith)
Belby. Alphall hxr) Phobtheo Dicba di) Ispher. Phprotovadbetaperitz
helpmeet) Negwiconneoterax. Omni nerd) Gnomau Oadus. (schoolers)
Uoyscimon. Edrets. Xidama Aejtnes. FacholopacnizpseuVerspatadicwaucon
Lonby )block) Keznecrolatatcuspro Databab. Democol eresirp) Welin Grpho
Tommeta )book) Apdil. noemata. eltuC .llena. Stkilo cognimen Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export Omedsip Namtera
Scapzaxposaerochegen. Thelneuro.Ortsarabdionekedeftoor
Voiduseticellchromomni. DionitroCytozap. Niumcha Voidlakezreoragapol
Mancerechodomingogowon.Metronit Gyrosal.. Gonexelusteraelithel Betaboon
BenrotoGyesnum Ganymancermidiaudust. Taipath Pseulid Gnomcyto Zapremawger
Naceexnekehtur Quasen Masloo Prese. Lincosmo Tionrhinoband
Concardiampaindecikeeck Dodada.. ShjeascovoidvaroptiRonioorpcesegbohp
Dentmonospysecnarque .toolsmith. Rackchokeesinrvonde Cishabarcemidixpos.
noemata. Fro S O. B Mon. Censorship O Neoist af Mon Censorship. Neoist af
Neoist af. noemata. N inn. Dromcoantivessunni Ndonze. Betabong Zymeli
Facxe login Veli. Palzerotheosyncnauto Deltit Texsiinualbabdada Nitrothem
Cemvio. Nthweriosfucaforc nyicon Teatdea Scapa Proin Nilew. noemata.
Friday October. oceledioN x. SenretroScapneooxydustylspiairbrick Rackpho
dub Knobkee. SeanizCitamexNoideleconurimekez EnekTwinjou Nthke
NahgaGogomix Bin 'text. Oapunk 'mention Kilowav
NiconInmoxovHpeitnakcarecap Denpibook .. Ipssummewegnocmuttered.
ZangyrogarzeneNomicsholoviotorsunchaNomicsimetathropictivchloBinhemacuselesiper.
MindiNelly.DoprotoscapremetalyzMagplexiadeckpusquosaila ..
Hyponor.MoruvixerologotelLionnecro. WadneuroRosuno. noemata. Thursday
October. lp o. Ortinsulnamogogirutoor 'muckle Sauben Exman myofibril
Ogolces. Hawon Aerospher Sennano nauseum Zapimicconeopop
Mmicronewebtwini.. Tinmulti SunsauNoidsciecutwaantix Junock Ihtsop user
Niumopti. meteors Gusfeedecimounscapspo Ocylgnok Gonnitro PhonamaWondru.
Ztihenkanegr Bumnanocemdatrack ThgasconegsecpriEacon Modladezmerso.
Dentchromo. plus . Matorteponahpalha dgnilipmoc . Nionpara Rviemagewathel.
Tinciespirexsinsa facies Mugrhino Tualbidusglycowelen.
LopyrdLaunuololiknilabmoc. Ritzsu. Benyaphotosentbaccyclo.
Ylog.Pereutunvieidock Teldruholosenvesna TineefetlapahcrionLonpara Spisit.
Nautchromospeclogowhipop NkedquaprogonrweErnurmonuolomsoccid ..
Sumragamicrostursurfcha Atadlaglehtueuolcam.Ztiraresuniwehcmorhc. noemata.
Tuesday October. nC tnelovaso. Tivdada Boonfa. Dubanaseapalbasuno
GarparasincyclosavolentCnecroneomounnitepi. Zymelitoryoutetratus
Nomcetalidbarse SoruDromsa Astrocar Cabmetacardiasturndti.
NamuenautnmetaWhimancer Atemzinmitiruawnog Rhinothropic. noemata. Monday
October. neteclapawmuZ. Priruth .anonymous BalyzArtxeraycnelihwavdawDustbi
Spacsi. OhcronVoidgyroparababcuspharmaRvonze.
ZumwapalcetenoirRootmetrosaulionlenrotoPilhemagnomspiunosenDiumdecironmetropeniumArapdawlehtedefemnorNamcyclorexmetadeatunfolder.
Sindecibenedtunoa.Xposextrarabinvelvie. ... ..... ........ ..............
.... noemata. Sunday October. cdN artxebohP e. AgN. aLt reh. tR md aSe ae.
fMex laC Binp. puEacuteBBaxwr.httaaskeo. auectbseatNcnluN iuae. oaemgnd
trveRwpmoeiT c liolueisdf. Py h evgethlcieVhl e illhe. ocepNeye
dPryiwnSsedaXert. uoocdebcaunSlrsl Cspdodaoau. setoggiMotcyni opnCtl.
egyreatvizbcDnkokig rorilgeaeeuhoyemez) e. ldoqidta rmima iren e
oipuniilPog i Rcpd o k. oieomphoyTnAusaR m Omllirhotrhvtt rFa e.
lmaqodaaboeeeh(aRlc Ohucunrgre lmuteek. rctrosiavxUrtse xxe
Stctotuoiotooiexn. asrEeieenensnnrytc.t o ecucnnprevhmt ako i.
ropielseoeyaoc t odtrze.dllpczttB aX. raleh i.orooou. noemata. Saturday
October. am. doesn't this look like his oo bunny too men beaut n. amen a
amen ammen. aa. men amen. amen en. amen. ayyxomuiN. Pseubor
Dromunophytxechlowon. Niumoxyyalionnomicsco. Theoxpos Pitvie Cidti.
Pachemarosdrybisun. Letilortsacitamalubencaps. Lusbi Modce word.
Ritzgocitylozeroptur. Logpe Tunsudruwavniumauto.. Noidqua concave.
Nizxegrigonkene. Lusthermoamagnoscha. Gusfusubtepseuph Pitur. Chepunk
Otniran Ehcnoc. Xidmacroanaconlencea. Aelmorhc Echovers nym. Babele Xholo.
Varxendphotomagiwar. Linpharma Coryeapilencleme. Twine. Coken. Fapac..
Loopsce. Derba. bebcfddcccabbfcf niumoxyaelmorhVarxend. TheoxpoLusbi
MahpniLmehcaP amrahpniLbaebddebacebccdLoops. . Lusbi Twine.. a. amen a a
doesn't this look like. amen amen a. a amen. a. men. dmacr. Logpe
TunaLogpe Tun Lusbi AelmorLusbi. PachemLogpe Pachem NiumoxyAelmorhNiumoxy.
iklmnoprst. .aefgijkmnoprsejksnaK. .puorerdeabcefefabdef. k.. i . f m n. n
I . F M. n P. P e. P g o. k.. aemn gih. k.. s dubbed T. ni dna ylper ot
deg painting) and he parnoisnetxe nI .lareneg the. network up anthe time
of his dcaeffaaaba. 'swhich directed thJohnson's use of the pera
sehctapsid sih this way. a social netwoegalloc sseldne na fo of the
practice many rFriedericianum. Kassel dna tsol gnitteg pee social barriers
fo rotaerc eht secivres latsop. nredom However Ray Johnson's egassem dedraw
not whole' and. legiblJohnson's use of the poedeebabacfddfcfd.refer yeht.
tahw ro oh personal postcards are leisure. .'s such ra saw sa sa tra.
kniht ot typically does not own erehw dna yleerf etacin.eb ot desop.
associated with them molB anImo The artist and the wfo 'loohcS kroY. weN
ssi ti dna nosnhoJ y. efccffddefeeafda. ecneidua eht erehw 'm ellahtsnuK
rof sda organised as a small sa sa tra. kniht ot ys.sdn lei The exhibition
inclugnipeek liam ot gn will be. able to study personal postcards are
Sevrqrevpvnahz Xnffrrpvierf yngfbc. aerqbzot liame na dne egass e.
maloivnovr. b a i ea c i e. p K m a a. z n i L r e s x o n x e u. a o o x
e h i l P T I O T U G. a a a y k o n k m n p H n u d o. h r t n r b u e o
h c n o a a a o. e n x d N e. e h w o i u n z t o a e u r s p a m t. i i a
Y S e v E o i d u u r l c n m t u P o p k a l. i d n r b p b s d l n s I .
F M R U T C C E K R. Uetaversweazezo Macspyxeroscapviroa. k.. A I E. m M c
l. O. .. o. .. o. o. o. efeabddbaafebfffb. sPgGPqnQIEzeTF.jIZjcbWpUJbvO. Ø.
. o. Ø O ... ne. dnexraVhromleayxomuin. fcfbbacccddfcbeb.eniwT ibsuL. . ..
VI t B R . .. tMRtIRt Vt .. tMRtIRt Vt . I. .VYI. tIX Ii it. Ii it t t i.
I.RIB. Y t I t t i. I.RIB. Y t I ItiV V I YX .. BY I IB .. B M .ITYV V V
.YYBVR. V I I O .VVE .v Z vgV. vII. O E gv IJwSjmzf.Y.hRoFGegTpSyibOtXb
vit i it. y .ii xb tb I . v. O. K K V.EVO..
uLMDGPWHsHVjIPUJLaNKz.adacbbdbcbacadda. Y. I .VYI.. TIXcfdefaadadddai i
tiV I IB ... B. ebcddec. T B .IIR .I VI T .IVYit. B X Vit i it t. B X Vit
i it t .BVXiBRTFT. x x t . t t i Y t. I Y. iVI Y t I. Y. iVI.
MVtYYsRMBsvHToQigBqGNoGxCN .ITTMRTRT. . . I V. VitI b x b ... bi. i. . i
Vt .. BRTFT X. X t . iiVt.. i L g V V. cafdfdcbbcfbdef. SJONALITE.
interaktiv og kan kanskje . . logg. . hvor . en . en. Nojsamrofnisnnurgkab
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made a vowe never to. thing happens people realize that no. or less i
think my life is over more. my nails tomorrow is another day i have to
cut. hind any thing you will never find the real reason be. do is sleep in
the end all you can. rant something what's alive and the colors and vib.
vib should have an anti in rant. less things more space to be at home.
thers my life is overt in the hands of o. hmenth. adefecca. bcccfbedfbae.
lice i have been in contact with the po. psy.auto. Anger seems to be an
emotion. Oh great anger. Recipe If you take a past experience and the
memory of that and. some thoughts about it and some body sensations
usually you'll get. sadness or anger. The hardest thing about anger is
when you feel right. There are certain tapes that repeat themselves
endlessly. We might be three years into avoiding something. Cevenly
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wordspace why are only a subset meaningful. why isn't everything
meaningful. why doesn't every leaf have a name. does the name have a name.
it does but it hasn't. a word has a meaning but does the meaning have a
meaning. or every meaning a word. eyes illusion. it's raining because it's
stopping. where is the because. use is useless. i'm so positive. finding
our way like a crack in the wall. is the random walk ugly or beautiful. on
one level it's estethical and flat. on another it's nothing in there. form
or content. if it's form it's not content. and vice versa. endorphines
have their economy as well. what is churning. is random walk weak or
strong. very weak. very strong. seems like a nutter. new is flat new. all
the strong are weak. random access memory just an association. here
storage and retrieval coincide. the everchanging something. my random
love. what freedom do you actually. weakness freedom. continuous break.
the strong firm line. what else can it be than the horizon. very
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dacdefffcefecda a thanks. men.. er som et. Denne har også en
postefunksjonalitet hvor elevene kan poste sin bruk til. Runme.org har
også mye annet morsomt material som kanskje kan relateres til. Neei hater
sånt. Jeg søkte etter noen som kunne urinere på Ari Behn (en.
gyllenhalvmeter etc) men har ikke fått noen svar. Tør nok ikke selv men.
kan gjerne estetisk idyll liksom...dokumenteres senere på en eller annen.
måte hvordan det nå blir...). am. every ell kows thisslavs he ueless
slves. art of for. IS A DAY End of forwarded message. sobriety. Neoist
affairs are rarely produced and. the notion of truth does Neoism is
anonymous action doing battle. against significance. Monty Cantsin is
everyone who believes in. energy. Optimism is a more selfreferential game
of enslavement than. bread. By reading this you have applied Monty
Cantsin. Monty. Cantsin can use anything at will.TBLMLSFMNTKNTSN REFRESH(.
sec)Subject Fwd Institutions of Monty CantsinTo. mail.ljudmila.org Start of
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rarely produced andthe. notion of truth does Neoism is anonymous action
doing battleagainst. significance. Monty Cantsin is everyone who believes
inenergy. Optimism. is a more selfreferential game of enslavement
thanbread. By reading this. you have applied Monty Cantsin. MontyCantsin
can use anything at. will.TBLMLSFMNTKNTSN REFRESH(sec)Subject Fwd
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message. noemata. Monday November. am. every ell kows thisslavs he ueless
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Generator. contentCreate unique internet names for your company your
products your. band your cyber identity... namedescription. contentname
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roleplaying identities textgenerator cool. namekeywords. var cmax. var
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mmax. var lmax. var c new Array(cmax). var d new Array(dmax). var e new
Array(emax). var f new Array(fmax). var g new Array(gmax). var h new
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Array(mmax). var l new Array(lmax). cAMBI. cANA. cANI. cALTE. cANTE.
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355
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lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST. function rndnumber(max).
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kArt movement. kKitchenware design series. kJazz quartet. kPolish alter
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msg. unhide. topMargin. colorcccr a n d o. m n a m e. g e n e r a t. o
rCreate unique names for. bands companies products internet domains cyber
identites art projects. computer games roleplaying pets.. Millions of
combinations available. Grab. one and make it yours. styleBORDERRIGHT
rgb() thin solid BORDERTOP rgb(). thin solid BORDERLEFT rgb() thin solid
BORDERBOTTOM. rgb() thin solid. cellSpacing cellPadding width
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for Noemata Random Name. Generator. BILDE UTSTYR. function randomimglink().
var myimagesnew Array(). myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
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Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). coloreeeAll examples are fictional.
Pictures are. grabbed fom the net and. manipulated.. Internet nick.
document.write ( nrbng() ). document.write ( rec() ). document.write (
nrbng() ). Company name. document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). Product name. document.write (
nrbng() ). document.write ( rec() ). document.write ( nrbng() ). Website
domain. document.write ( nrbng() ). .COM. document.write ( rec() ).
document.write ( nrbng() ). Password. document.write ( nrbng() ).
document.write ( rec() ). document.write ( nrbng() ). document.write (
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document.write ( nrbng() ). Refresh page for more customer pictures. More
namegenerating fun at. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA ). NOEMATA
Random Name Generator. contentCreate unique internet names for your
company your products your. band your cyber identity... namedescription.
contentname generator namegenerator word words new words new unique.
javascript random randomname randomized company companyname productname.
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fiction scifi dotcom roleplaying identities textgenerator cool.
namekeywords. var cmax. var dmax. var emax. var fmax. var gmax. var hmax.
var imax. var jmax. var mmax. var lmax. var c new Array(cmax). var d new
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Array(jmax). var m new Array(mmax). var l new Array(lmax). cAMBI. cANA.
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356
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return msg. unhide. topMargin. colorccc sizer a n d o. m n a m e. g e n e r
a t. o r. Create unique names for. bands companies products internet
domains. cyber identites art projects computer games roleplaying pets..
Millions. of combinations available. Grab. one and make it yours. RANDOMLY
RECOMMENDED NAMES. document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
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357
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nrbng() ). document.write ( nrbng() ). H A P P Y C U S T O M E. R S.
giving the thumb up for Noemata Random. Name Generator. BILDE UTSTYR.
function randomimglink(). var myimagesnew Array(). myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
var imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length).
if (ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimagesb.jpg. myimagesb.jpg.
myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg.
myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). Your pic here. Some.
examples may be fictional.. faceVerdana size. More namegenerating fun at.
faceVerdana size. faceVerdana size. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA
). noemata.netnosceips.html. MUTATIONS kaleidoscope gallery.
srcmutationlogo.jpg WIDTH HEIGHT. my'tAshn. alteration modification turn
variation innovation novelty. permutationsport vicissitude reversal
transposition progression. diversityvariety
multiformitymultiplicitychangingconvert. metamorphose transform
transfigure translate. transmogrify transmute transpose transubstantiat
exchange. interchange. interpret metaphrase paraphrase summarize
transcribe condense digest. swallow take. bag capture....
colorNOEMATA.NET. color. color. color. color. color. colorNakedwoman
Theater. styleborder px ridge rgb(). srcmutthumb.jpg border WIDTH. HEIGHT.
HELIOSPHAN. srcmutthumb.jpg border WIDTH. HEIGHT. LIFEHOUSE.
srcmutthumb.jpg border WIDTH. HEIGHT. GIRL DREAMS. srcmutthumb.jpg border
WIDTH. HEIGHT. FORCEFIELD. srcmutthumb.jpg border WIDTH. HEIGHT. OUT OF
BEAUMONT. srcmutthumb.jpg border WIDTH. HEIGHT. SPIRIT MOVES.
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THE POOL. srcmutthumb.jpg border WIDTH. HEIGHT. EPITAH. srcmutthumb.jpg
border WIDTH. HEIGHT. CIRCULAR FLEXING. srcmutthumb.jpg border WIDTH.
HEIGHT. BLACK WIDOW. srcmutthumb.jpg border WIDTH. HEIGHT. ACOUSTIC
PILLOW. srcmutthumb.jpg border WIDTH. HEIGHT. TWISTED SISTER.
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JAH CHILDREN. srcmutthumb.jpg border WIDTH. HEIGHT. CYANID BREATH.
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document.write( document.write(namenwgcountrefer).
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height alignright). MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
HELIOSPHAN. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. HELIOSPHAN. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. LIFEHOUSE. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. LIFEHOUSE. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. GIRL
DREAMS. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. GIRL DREAMS. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. FORCEFIELD. HEIGHT HEIGHT HEIGHT.
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HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. OUT
OF BEAUMONT. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. OUT OF BEAUMONT. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. SPIRIT MOVES. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. SPIRIT
MOVES. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. SHIN TRIAD. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. SHIN TRIAD. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. STRATOSFEAR. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
STRATOSFEAR. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. COOL IN THE POOL. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. COOL IN THE POOL. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
EPITAH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. EPITAH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. CIRCULAR FLEXING. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CIRCULAR FLEXING.
HEIGHT HEIGHT HEIGHT.
358
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. BLACK WIDOW. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
BLACK WIDOW. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. TWISTED
SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TWISTED SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CEPHALOPOD MOLLUSK.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CEPHALOPOD MOLLUSK. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CYANID BREATH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. CYANID BREATH. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN CREAM. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN
CREAM. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. NAKEDWOMAN. FALLS
IN LOVE. IN ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (.
o Q. (. (. o Q. (. (. o Q. (. (. o. )X. END. NAKEDWOMAN. FALLS IN LOVE. IN
ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o
Q. (. (. o Q. (. (. o. )X. END.
359
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360
Back. Theater. New Page. Back. Theater. o l d a n. ambient minimal noise
lowercase material from analogue and concrete. sources digitally processed
and published in a lowercode aestethics.. nochass. a min track coded in
kbps mp.. epsp. a recoding of a tapebooklet release from . tracks min
(MB). mp coded in kbps images (MB) and a couple of texts ca. words..
domuse (single). a single release from dd k. coded in kbps mp.. dd. track
release ca min. coded in kbps and kbps mp.. weemisu (single). a single
release from wmfg k. coded in kbps mp.. wmfg. track release ca min. coded
in kbps mp.. nc.nd. long tracks nc.vxtn and nd . coded in kbps mp.. ebt.
tracks in this release amounting to m s coded in kbps and kbps. mp.. ebtw
(. floppy single). a sec track from ebt coded in kbps mp zipping neatly
onto a. single floppy.. the low coding format provides a spectral
dimension to the timestretched. piece.. a track rerelease of coded in kbps
mp mostly and oggvorbis. format.. srja. a release of ambient short movies
in mpg format to be looped.. NewFolder. a temporary folder for released
unreleased tracks.. epsp. A Element to integral min.. area. fugue. area.
fugue. .... B min.. Fra midten av denne stråleglans kommer virkelighetens
naturlige lyd. som dundrer som tusen tordenbrak samtidig. Dette er den
naturlige lyd. av ditt eget jeg. La deg ikke kue av dette eller bli grepet
av redsel. eller ærefrykt.. Hvis det bråker mer nå ringer jeg politiet..
ELEMENT TO INTEGRAL. Sourcematerial recorded on magnetic tapes..
Instruments used include KORG MS KORG Polysix BOSS. drummachine CASIO
sampler TEAC TASCAM electronic organ. tapedeck turntable radio
walkmanrecorder microphones monochords. flute harmonica guitar alarm clock
feedbackdevices mallet. instruments computer drums cd resonant objects
(metal rock wood. glass) nonresonant objects (plastic water food skin
earth).. Concrete soundsources and noises as field or objectrecordings.
include crowds citynoise wind rain thunder habour sea.
buildingconstructingareas streets motorway railwaystation home. wood
gardens mountainlandscape waterfalls traffic balcony. industrial areas
reverbal areas church halls tunnels auction. concerts cave train (inside)
humans doors conversations voices. sheeps neighbours geese dog cat breath
walks sea birds train. (outside) car machines bicycle boat ants magnetic
datastore. microwaveemission spoken languages domestic objects (scissors
keys. fork and knive refrigerator washingmachine tv staircase room.
furniture) found objects random objects.. Processing of sourcematerial .
Recorded onto magnetic. tape augustseptember .. Equipment used TEAC TASCAM
SoundForge . WaveLab .. tapedecks and some hundred tapes.. B.
Sourcematerial recorded on magnetic tapes.. Instruments used include KORG
MS KORG Polysix CASIO. sampler TEAC TASCAM tapedeck walkmanrecorder.
microphones metal.. Concrete soundsources include ants wind.. Final
processing of sourcematerial . Recorded onto. magnetic tape september ..
Equipment used include TEAC TASCAM SoundForge .. tapedecks and about ten
tapes.. Graphic material made mostly dating .. Pages include drawings
paintings doodles copies nails blood. photoes and clippings.. As the
graphics are not essential to the tape they are not commented.
explicitly.. Textmaterial in booklet written mainly september .. All
material by Bjrn Magnhilden ordmorkontoret Oslo. Copywrong. Norwy poc..
INTRODUCTION. Concerning the structuring of the two pieces on the tape my.
main idea was that of stream and time incorporating with materiality.. Heh
yes I guess so... What is actually heard seems to be the sound. of
floating particles. These particular flows consists of tiny or. minimal
soundobjects which I will call 'phonems' for the heck of it. cutupped from
the archive of own recorded material in the years. amounting to a couple of
hundred tapes (pretty bad ones though. ).. So instead of thrashing the
tapes I've used them as a fragmented. memoryblock being randomly accessed
through a spaghettistyle language. of pointerism utilising the phonemical
units mere as material ground. and surface being rather ignorant to their
content or contextual. content.. Together with the idea of materiality
there will also be. concepts like mass density subsistence persistence
endurance. exhaustion and extacy involved in the actual structure
conceived. which also partly count for the monotonously character of the
pieces.. Also my interest in the noiseaspect of music or vice versa is. a
driving motive in this kind of project and should also be well. manifest
in both pieces on the tape. Take care of your ears.. The terms noise and
music could be seen reflected in the material. doublenature particlewave
where 'wave' would be viewed as the. collective motion of a material
moving continuously around a. relatively undisturbed center corresponding
to harmonious states of. music and where the interaction of particles
would be perceived as. the more or less random and chaotic motion and
states of a material. corresponding to intensity or density of noise.
Nevertheless these. are two different operational views of the same
underlying material. (whatever nature) and my opinion and fascination is
that the. classification or perceivance of music from noise cannot be
traced. back to the material. So it then gets interesting poking around on
a. low level probing for both the substance and the concept bridging the.
gap or just experiencing the (possible inevitable) complimentary. attitude
towards it. Fuck the cat is dead and alive.. A principle of complimentarity
of sound could state that if an. arbitrary material of sound is perceived
as music then the noiseness. of it will be sucked into it and vice versa
the perceivance as noise. will not be saved by the music. What constitutes
this perceivance is. not solemnly the attitude towards it but also the
doublenature of. the material itself. I hope I've been able to express
this in the. works. A way of judging a listener should be able to swap
between the. states of musicnoise should recognise this state's
independence of. the material (Oh I can listen to this in at least two
separate. ways... Oh yesterday I perceived this as noise... Oh this. noise
is beautiful and relaxing...).. Another idea concerning the introduction of
noise was to make. a soundshield. Basically I wanted to build a thick wall
and then walk. right through it. This could actually be done by means of
sound. Noise. as silence and through this silence get rid of yourself.
The. neutralising of sounds with sounds is possible as noise swallows up.
all other sounds or as all other sounds can be imagined allready.
incorporated in noise. White light white noise get blind get deaf.. Close
your eyes close your ears by opening your eyes opening your. ears. If you
stare into a point in the wall for some minutes my. experience is that the
wall becomes black and purple and vanishes due. the neutralisation of
sightimpression with its negative. representation in your eyes and along
with this vanishing of objects. comes for any reason a state of uh let's
say bliss. Much in the. same way noise will through a material extacy
swallow up the objects. of the world and leave you floating. Drawn I sit
serene rest is. inward.. This should make clear that the tapepieces'
motivation partly. lies in their functionality and can also explain the
lack of an. inherent musical structure or pretension of having conceived
a. traditional dramatic musical work. To pinpoint it I would say that. one
main structure is the palindromical selfcontained. Concerning. ETI on a low
level the phonems have been recorded forwards or. backwards quite
independently of their content or any criteria. Some. loops on B are being
manipulated similarly. On the whole both pieces. contain its material being
finally processed in both directions. There. are different reasons for
this. If you want to make a musical work. partly avoiding an evolving
dramatical or narrative structure you. probably have to treat time in a
different way. The linearity of time. might be broken in different ways.
The palindrome seems to excorcise. timelinearity treating it as just
another (symmetrical) object having. reversable manipulatable dimensions.
The cutup juxtaposition of. timeelements is fragmenting this line implying
another operating. dimension say timespace or just memory. The
nondifferentiated space. would defy time on the whole as nonexistent as in
the. parmenidicalzenoic scheme (or the La Monte Young scheme. By the way.
it seems that much minimalistic music is motivated by making the. relation
of music to time explicit in different ways discretness. repetititivness
questioning the continuum). Another reason for. fiddling with time was
that I wanted the pieces to be exhaustive in. length so when needed I
simply filled up time by outputting the. material back and forth a couple
of 'times'.. As to materiality as to float as to particles as to space..
ELEMENT TO INTEGRAL. An impulse to make this piece came from disapproval
of my. earlier recorded material and still wanting to use it in some way..
One solution was clearly to hack it all up into small segments that. could
be eaten without choking. Another solution was to superimpose. the
original material making monstrosity from ugliness or stupidness.. So I
did both and in that order.. Another impulse or idea was to let musical
structure build. small (or smallest) elements without imposing external
musical. direction other than materiality.. NOTAT. Serie og
parallellprosessering av lyder etter hverandre oppå. hverandre.
Distribusjon i tid krymping fortetning. Distribusjon i. rom furkasjon
ekspansjon. Lyd ned til fonemminste meningsfulle. lydnivå før den byger
seg opp igjen gjennom strukturering random. cant. kalkulasjoner. area sek
lydisekund lag prosessert. fuge. area sek lag. fuge. area sek. fuge. area
sek. fuge. area sek. fuge. lydareal lyder over tid. to akser lag tid..
tetthet lydareal tid. arealintegrasjon tetthet. matematiske utregninger..
båndet. cm i sekundet. båndmediet. elektromagnetiske spekteret.. ide til
et musikalsk språk. gjennom oppbygging av minstelyder. lydidiomer
lydlinjer. sette opp regler for oppbygging videre.. datamaskin. slika
rbeidde kontinuerlig på et språk gjennom. forandring. Alt tidligere
material er tilgjengelig som hukommelse. språk. bruke formelle språksystem
i bearbeidelse. måten vi lærer. integrerer språket. Lengre brokker
komprimeres til kortere når de er. innlærte settes ammen til nye linjer..
Element til integral oppstykking syntetisering. Eksponentielt. voksende
fra lydpartikler tilflerdimensjonale objekter bestående av. millioner av
lyder.. Primitiv eller uten musikalsk strukturering kvantitet materiell.
ekstase. Dialektisk segmentering.. Uten egenlyder basert på tilfeldig
utvalg av allerede innspilt. material.. Skråstreken lydmusikk. Den
enfoldige lyden (musikk) og den. komplekse musikken (lyd).
Løsningsforslag.. Objektoppløsning overskridelser.. Preferanser til tidlig
konkret musikk. Spilt inn på relativt dårlig. lydstudioutstyr.. Palindromet
speil fordobling.. Parmenides det statiske udifferensierte det
selvinnholdte.. Permutasjon distribusjon muligheter.. Tid rom akse. serie
paralell. fortetning. without a sound.basert utelukkende på tidligere
material.. sound system sunt system uten kontradiskjon. cannibalize. cant.
words. terms. ordliste asssosiasjoner gå gjennom engelsk ordliste.. fysikk
tidrom.. spesiell relativitetsteori. et legeme i bevegelse blir kortere i
bevegelsesretningen. tiden går saktere for et legeme i bevegelse. et
legeme har større masse når det er i bevegelse.. ved lyshastigheten vil et
legeme ha null lengde uendelig. masse mens tiden står stille.. generell
relativitetsteori. materien forteller rommet hvordan det skal krumme seg
og. rommet forteller materien hvordan den skal bevege seg..
gravitasjonskraften er tilsynelatende.. Fortetningen av partikler
fartsøkning tilsv Anmassing hva skjer. fart Emc masse frigjøres til energi
Kjerneprosesser. Plotte. gen.rel.teori som musikkmassemusikk koble til
musica mundana. harmonia mundi Hva er massemusikk Fysisk musikk En stor
masse. deformerer rommet partikler følger krummer linjer de tar for å
være. rette Parallelle linjer møtes som ved en tiltrekningskraft. Lys.
rødforskyves og tiden går saktere i et sterkt gravitasjonsfelt ting.
formørkes fordypes. Materien tvinger lys ned. Matter forces light..
Kinetiskpotensiell energi deepspeed gravitasjonell. Resonans når et objekt
vibrerer med sin frekvens tar det lett imot. energi og vibrerer med store
utslag.. Lyd lyd i rommet analogt med krusninger i vann. bølgebevegelse..
motsetning lys.. Lyd trenger stoff dette materietemaet.. elektromagnetisme
boblekammerbilde magnetisme deepspeed cmsek.. generere en strøm generator..
på skala over atomnivåer er verdens mangfoldighet grunnet.
elektromagnetisme og gravitasjon (vekselvirkninger). støy uønsket lyd.
paradoks hva med å hørelage støy ønsket ulyd. lyd subj obj lyd må ha
stoff. verdensrommet er lydløst. Bølger.. Krumme flater samler i
brennpunkt strålene. Svevninger. Klang. sammensetning av flere lydbølger..
Et brus inneholder alle hørbare frekvenser og kalles derfor hvit. lyd. Støy
er et subjektivt begrep. Def. som all uønsket lyd enten. musikk vanndrypp
eller trafikklarm. Jeg ønsker uønsket lyd. Lydene. rundt meg radio musikk
stemmer er støy og bruker støy som musikk.. Omvending i
informasjonsflommen støy. Bruk en motflom Demme opp en. flom. Demning.
Akustikk resonans hørsel. språklyd fonemer.. lydbånd bærefolie med
magnetisk belegg jerndioksyd.. lydintensistet små mengder watt.. kontentum
gjennom lydmuren.. opprinnelig (gresk) musikk totalbegrep.. Boethius ( ekr)
musica mundana (verdensmusikken eller. harmonien i altets oppbygning og
funksjon) music humana (harmoniske. forhold i mennesket) musica
instrumentalis. overskrider subjekt og objekt danner nytivitet. oseanisk
materiell ekstase.. Det segmenterte som (analytisk) strategi konstituerer
seg i den. akustiske entitet som en retorisk figur og definerer da seg
selv. nærmest som et fravær. Bortfallet av en bindende matrise avdekker.
dissonans og uttrykker seg som babbelpolysemi. Overgangen fra det.
refererende (transcendens) til det signifiserende (immanens) åpner det.
anisotrope rom av segmenter i en differensiell hypostasering. Opptrer. i
krystalls form ikke i apokalypsen det dør som fødsel og fødes i. døden..
PALINDROMER. deeps on time emit no speed. Rettam krad Sade if all erb
music is umbrellafied as dark matter.. noise lesion. deep morf NOISE
LESION from speed. speed morf noise lesion from deep. Goddesses so pay a
possessed dog. Moo lost elk O orbs amid wonders awed Was it organic in
ecstasy. tied Deity sat scenic in a grot I saw dew as red now dim as.
brooklet so loom. On a clover if aloud noise lerupts a vast pure lesion
duol a fire. volcano. epsp. epsp. Element to integral. Text on epsp. by
Bjørn Maghnildøen. Introduction. An impulse to make the piece epsp came
from listening to and partly. disapproving some of my earlier recorded
material and still wanting to use it. in some way. One solution was
clearly to hack it all up into small segments. that could be eaten without
choking. Another solution was to superimpose the. original material making
monstrosity out of ordinariness. So I did both and. in that order..
Another impulse or idea was to let musical structure build from small (or.
smallest) elements without imposing external musical direction other than.
materiality.. In structuring the piece my main idea was that of stream and
time incorporating. with materiality. What is heard seems to me as sounds
of floating particles.. These particular flows consists of the tiny or
minimal soundobjects cutupped. the archive of ownrecorded material in the
years amounting to a. couple of hundred tapes.. Instead of forgetting or
thrashing these tapes I've used them as a fragmented. memoryblock being
randomly accessed through a spaghettistyle language of. pointerism
utilising the phonemical units mere as material ground and surface. being
rather ignorant to their content or context.. Together with the idea of
materiality and concreteness there are concepts like. mass density
entertainment (subsistence) endurance exhaustion and ecstasy. involved in
the actual structure conceived which also partly count for the. monotonous
character of the piece.. Also my interest in the noiseaspect of music or
vice versa is a driving motive. in this kind of project and should also be
well manifested on the tracks. Take. care of your ears.. Noise and music.
The noisemusic dualism could be seen reflected in the material
doublenature. particlewave where 'wave' would be viewed as the collective
motion of a. material moving continuously around a relatively undisturbed
center. corresponding to harmonious states of music and where the
interaction of. particles would be perceived as the more or less random
and chaotic motion and. states of a material corresponding to intensity or
density of noise.. In an inversed physical view pataphysical why not
consider music as a very. simple kind of noise and noise as a complex kind
of music. Nevertheless these are two different operational views of the
same underlying. material (whatever nature) and my opinion and fascination
is that the. classification or perceivance of music from noise likewise
cannot be cleanly. traced back to the material. So it then gets
interesting poking around on a. low level probing for both the substance
and the concept bridging or. transacting the gap or just experiencing the
(possible inevitable). complimentary attitude towards it.. Noisemusic. A
principle of complimentarity of sound could for instance state that if an.
arbitrary material of sound is perceived as music then the noiseness of it
will. be sucked into it and vice versa the perceivance as noise will not
be saved by. the music. What constitutes this perceivance is not solemnly
the attitude. towards it but also the doublenature of the material
itself.. I hope I've been able to express this in the work. A way of
judging a listener. should be able to ) swap between different states of
listenings ranging from. music to noise ) recognise these states
independence of the material.. For instance listen to the material in at
least two separate ways like saying. Yesterday or ten minutes ago I
perceived this as noise or This noise is. beautiful .. Scanning any point
in the tracks and playing a few seconds the piece will. probably be
perceived as pure and flat noise. Playing off the whole piece or. larger
parts of it will probably change that perceivance.. Noisilence. Another
idea in the piece concerning noise was to make a soundshield.. Basically I
wanted to build a wall and walk through it. This could actually be. done by
means of sound. Noise appears here much like silence and through this.
noisesilence neutralize memory or yourself.. The neutralising of sounds
with sounds is possible as noise swallows up all. other sounds or as all
other sounds can be imagined allready incorporated in. noise. White light
white noise get blind get deaf. Close your eyes close. your ears by
opening your eyes opening your ears.. If you stare into a point in the
wall for some minutes my experience is that. the wall becomes black and
purple and vanishes due to the neutralisation of. sightimpression with its
negative representation in your eyes and along with. this vanishing of
objects comes for any reason a state of uh let's say. bliss.. Much in the
same way noise will through a material ecstasy swallow up the. objects of
the world and leave you floating. Drawn I sit serene rest is. inward. The
piece is made using headphones and I also prefer listening to it. that
way. By the way the piece is as noise hypersensitive to equalisers so.
small adjustments of the emphasis on different frequencies are very
effective on. the overall output sound.. This should make clear that the
motivation partly lies in functionality and can. also explain the lack of
any explicit inherent musical structure or pretension. of having conceived
a traditional dramaticmusical work.. Also no sounds have been recorded for
epsp. The piece has no sounds of its own. and consists entirely of the
processing of already recorded material.. Palindrome. One main structure
is the palindromical selfcontained. On a low level the. phonems have been
recorded forwards or backwards quite independently of their. content or
any criteria. Some loops of phonems are being manipulated similarly.. Also
on the whole the piece contains its material being finally processed in.
both timedirections.. The end is already manifest in the beginning. The
content of meaning is subdued. its structure. The evolution swallows
itself up. The mirroring of material. simulates an undifferentiated space
where object vanishes in the double. The. stasis of space absorbs the
speed of the elements.. Permutation. Another motive was exhaustion of
possibilities in the material. Rearranging. deforming and distributing
elements of sound to form a massive overload of. connotations excorcising
content.. Sounds are gradually being hacked to pieces down to a phonemic
level of smallest. meaningful segment processed in series after each other
in time and in. parallell in space. Then the distributions in time and
space increases density. and speed as the permutated material expands and
grows exponentially out of any. orbit of musical reference. Finally the
particle accelerator distributes its. collapsed differentiated elements on
a trajectory into void''.. Distribution. Sounds are distributed over the
two axes timespace. The density of an area is. the number of separate
sound elements through time. The elements seems to be. scattered well over
the electromagnetic specter with an emphasis on the extreme. high and low..
There are areas on the meter of electromagnetic tape where each cm or.
second consists of over differentiated segments of sound superimposed so.
that during minutes over a million sounds are being transmitted.. Other
areas consist of a heap of layers of sounds fragmented beyond the point
of. noreturn. Minimal units of sound are recorded as the six feet and
antennas of. ants spurt the microphones. The flow of noise is in that way
built up from. traces of atomical existence of sounds passed by not
enumerable.. Emit time. If you want to make a musical work partly avoiding
an evolving dramatical or. narrative structure you probably have to treat
time in a different way. The. linearity of time might be broken in
different ways.. The palindromical form seems to excorcise timelinearity
treating it as just. another object having reversable manipulatable
dimensions.. Also the cutup juxtaposition of timeelements is fragmenting
this line. implying another operating dimension say timespace hyperspace
or just. memory.. The nondifferentiated space would defy time on the whole
as nonexistent as in. the parmenidicalzenoic scheme.. There might also be a
minimalistic scheme involved motivated by making the. relation of music to
time explicit in different ways discretness. repetititivness questioning
the continuum.. Also I wanted the piece to be exhaustive in length so that
the notion of time. could be mixed up blurring the divide physical and
experienced time as you. find your mind wandering or take off. Exhaustion
of time seems an appropriate. concept also when the massiveness of sound
is concerned as the increasing of. density slows down timeflow.. The
ecstasy of memory in the conjuring of elements into an allembracing
integral. can be seen as an exhaustion of time and duration and as the
omnipresence or. end of time.. Deep speed. A body in motion compresses
bodyspace lengthens bodytime and increases. bodymass. Gaining speed of
light the body will not have any extension though be. infinite heavy while
time stands still as nucleons of sound ecstasises material. and flows into
energy.. Particles of sound are escaping the gravitational pull of memory
and meaning as. they accelerate and gain a speed superseding musical
references. Speeding of. music into noise atomizes the bodies of
information accelerates towards. infinity and dissolves in deep space..
With respect to history the narrative has become impossible since by.
definition it is the potential renarrativization of a sequence of
meaning.. Through the impulse of total diffusion and circulation each
event is liberated. for itself only each event becomes atomized and
nuclear as it follows its. trajectory into the void. In order to diffuse
itself ad infinitum it has to be. fragmented like a particle. This is the
way it attains a speed of noreturn. distancing it from history once and
for all. No meaning stands a chance once. offered the means of its own
acceleration.'' Baudrillard Pataphysics of Year. from The Illusion of the
End. Mass. Sound need a massmedia for its motion of particles to be
distributed. Outside. the gravitationed atmosphere there is no sound.
Density of mass shapes the. space which shapes the motion of mass
(gravitation is illusorical). Above the. atomic level the manifold of the
world is grounded in the forces of gravitation. and electromagneticism..
Growth in density by speed or space will make mass heavy and slow time..
Acceleration of transactions increasingly forces inerta and indifference
as. particles of sound annihilate each other making a dense cold star
deepened. and darkened by the pull of densityfield.. Within the critical
mass of density there is no references to outside. No speed. will liberate
sound from the silent immanence and there will be just the. autosound of
the magnetic tape and tape recorder background noise as the. ecstasy of
musicality provides its own end.'' Ibid.. Noisevoid. Instead of declaring
the law of falling bodies towards a centre why wouldn't. one prefer that
of the rise of the void towards the periphery the void. conceived of as
unity of nondensity'' Jarry Gestes et opinions du docteur. Faustroll.. The
pataphysial motive of antigravitation appears as music is haunted by its.
vanishing. The particle accelerator seek to liberate sound from the.
gravitational density of music by overwriting overflowing its content and.
swallow up itself. Particles arrive and disappear faster than their shadow
and. leave no time for interpretation. The speeding of tonality runs into
a noise. cohesion void of transmittory pregnancy.. Segmentation as an
analytic strategy is constituted in the acoustical almost. rethorical and
without appearance. Loss of a binding matrix of bodies the. shift from the
referential transcendence in music to the signifying immanence. of noise
births the segments pataphysically from the dying of hypostaticism..
Contents on epsp. Audio. Sourcematerial recorded onto some hundred
magnetic tapes.. Instruments used include korg ms korg polysix boss
drummachine casio. sampler teac tascam electronic organ tapedeck turntable
radio. walkmanrecorder microphones monochords flute harmonica guitar alarm.
clock feedbackdevices mallet instruments computer drums cd resonant.
objects (metal rock wood glass) nonresonant objects (plastic water food.
skin earth).. Concrete soundsources and noises as field or
objectrecordings include crowds. citynoise wind rain thunder habour sea
buildingconstructingareas the. museum of Emanuel Vigeland streets motorway
railwaystation home wood. gardens mountainlandscape waterfalls traffic
balcony industrial areas. reverbal areas church halls tunnels auction
concerts cave train. (inside) humans doors conversations voices sheeps
neighbours geese dog. cat breath walks sea birds train (outside) car
machines bicycle boat. ants magnetic datastore microwaveemission spoken
languages domestic objects. (scissors keys fork and knive refrigerator
washingmachine tv staircase. room furniture) found objects random
objects.. Processing of sourcematerial . Recorded onto magnetic tape.
augustseptember .. Equipment used teac tascam soundforge . waveLab . and
tapedecks.. MP coding of sourcematerial using Awave Audio v... Booklet.
Graphic material made mostly dating ''. Scanned . Pages. include drawings
paintings doodles copies nails blood photoes origami. and clippings..
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March. Re question re de pre codewurx. are helpful. I get a general
pictureof code as 'rooted' and double of anyway. having a double property
of ..wellthe usual dichotomies instruction and data. and object and
whicharen't fundamental eg. the distinction between. instruction and data
is aninterpretation what is interpreted as instruction. is also data and
thedata can also be instruction so in a way the. interpretation
isfundamental to code also and creating the roles of the. dichotomy as
wewould have 'instructiondata' and 'datainstruction' and. somewhat the
samein the case of subject and object which are more.
explicitlyinterpretations of something by terming something a subject
we've. alreadyinterpreted it in a relational way and in the same manner.
asinstructiondata I'm refering to code as an subjectobject entity which.
hasthese three parts of data instruction and interpretation..
Theinterpretation part would be the decode.About the everythingnothing
bold. statements since the code is somethingconstituting itself it's a
whole an. entity and real in the sense thatit's taking place with the
interpretation. constituting the reality'situation' of instructiondata
subjectobject so. I'm calling it aneverything like we could create an
universal machine out of. this. And thenalso I'm calling it names like
nothing because it's a machine. more orless. Maybe it would be interesting
to look at everythingandnothing. textas a kind of codework. Finnegan's Wake
as an example of this it's coded. inseveral layers encapsulating or opening
to an everything and nothing ithas. the appearance of code and nonsense a
rich broken structure ofeverything.. Occult literature I guess also has
the code effect of thissort like. out dumped automated and coded the
automatic writing ofsurrealists might be. considered I don't know are
fluxus pieces codeworksby being instructions (of. events) and the
happening would be another moreundirected setup for something. happen well
I'm not sure how todistinguish the code it seems. allembracive. Is it alive
Dead code. Andthe system bit if we don't know if. something is code is it
code by justthat fact like the Voynich manuscript. mentioned And there's a
notionthat code is code as long as it's not decoded. if code is code what
do wemean by a decode Sort(x) is a code does it have a. decode So maybe
aromantic code is the codedecode that kind of code notion. there we havein
a way again instruction and data subject and object. clearlyseparated like
morse code a clear mapping between subject and. objectback and forth
whatever there's the subject of code and the. objectcodeand the morse code
we could call the subjectobject though in a. clean dualcut. In other
notions of code it's not so clean and for eg. sort(x). wedon't call it a
decode it's codecode but what is decode It'sambivalent... 'life is decoded
into dna' or rather 'coded' do we mean theoutput in general. the object and
for something to have a decoding meansto have a systemic. interpretation
but this goes both ways what is thecode can also be the. decode to
emphasize they're activepassive roles ofinterpretation.. and code. the
system of interpretation the structure ofhow the active and passive roles.
will take place of instructiondatasubjectobject. Certainly there are.
levels of code in the construction of nature and ourselves but at the
bottom. we don't know or we know that it's not discreet like the
particlewave. duality. But dna is discrete for that matter the
particlewave duality is. justthat a duality even with probabilistic
measurement the mathesis. behindit is exact...Exact probabilistic if you
have a perfect random number. generator couldit have a code This is like
asking for the formula for prime. numberscould we say there are codes for
prime numbers but not a formula. workingto a certain degree and in general
that code is related to formula in. aspecial way is it a working formula
applied which is the dual again ofform. and reality living formulas. Seems
I'm treating it as formula hereand you. matter and since everything is
mattered and chunkeddiscreet it'scoded but. in the formal end.. How deep
do the codes go all the way you'dsay since it's. rooted mattered dirty
having the real part maybe it'snot a fruitful. discussion where it ends or
begins some highly energicthing expanded and. collapsed symmetry collaped
into code. Yes but we've figured out things to. a large degree what we're
made of our history and destiny there doesn't. seem to be any mystery
about ithow we're created though we can't reproduce. it though have
theknowledge to destroy it a devastating knowledge in. itself.Considering
the fact that dark matter the majority in the universe. isn'taccounted for
at all that the mechanism of memory isn't understood. etc. I don't see how
you can say this. In fact one can as Brillouin. didyears ago argue for the
opposite that the mystery is somewhat. dependenton the limmits of our
economics and simply keeps getting pushed back. asfor example more and
more powerful accelerators are built...Yes mystery is. something
pushedback in relation to something that'stakingplace it's still a.
subjectobject 'economy' ecodomy the economyof code mystery is in the. via
the code interpretation it getsobjectified real as takingplace.. Still
it's an economy not a mysteryit's just what's emphasized. From the. other
end you could say memory isthere and it's working so there's no. mystery.
Code as a term retains someof the mystery the wonder and. complexities
which is lost in the formulaterm. I never stop wonder about the. inside
and outside like this sailboatmoving slowly past the village seen from.
the boat it's somethingcompletely different from the boat it's a mystery
from. the balcony itseems quite boring objectified but it's both and
that's. alwaysintruiging it connects to relativity from Galileo to
Einstein and. forextrapolating the move to relativity is also a move to
code of. thesubjectobject floating within a reference system which
connects to codeas. reality each reference system is on its own a whole.No
no i don't think. this goes if (x) is for example sorted it doesn'tlead to
an elimination of. (x). Think of coding here as performative andrequiring
a stratum or substrate. that it operates upon. Even Peirce talkedabout the
'sheet of assertion' the. necessity for a locus for mathesis.Ok see above
codedecode.I want to run. back to information theory and theexamples
Baldwin talked about or the. problems say of transmitter channel receiver
with noise parasitic within. the process.Thanks for the discussion
appreciate.Here there are several. levelscode as existentcode as
processcode as procedurecode as. performativecode as selfregulating or
checksumetc. etc.There's structure. of course and there are material or
ideal strata andtheir interactions. Code. is perhaps a productive system
of classificationthat admits closure.... AlanAdmits closure yes like it's
its own end metaphysics and then real. asreference system like every
reference system is real on its own. Maybe. I'mextrapolating too much but
they might be points of departure at. noemata. noemata. noemata. er ikke
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March. Re question re de pre codewurx. About code and codework though not
a direct response I see code generally tied. the western project of
science and cultureunravelling nature's code turning. it into culture and
technology. Thishas no real basis any longer science has. already made us
transparentwe know code is nothing and that there aren't any. secrets. So
there's nobasis still code is everywhere all the more since it's. not tied
toanything any longer doesn't refer to anything more real or more. trueit's
able to infect our lives more like a freefloating entity from. thelayers of
reality. If we have layers of reality we have codes. Ifreality is. one
there's no code but our sense of reality is not one. Ifyou could live in.
one there would be no code and it would be the heavensof the mystical.
The. mystical is tied to code but we know there's nomystery. Inside
yourself you're. a mystery that's it. Walking throughyourself you're code.
These are all layers. of nothing. We know that ifsomething is code then
it's nothing that's almost. the proof of it.Then there's the doubleness of
code of inside and outside. thecommunication machinery of input and output
between layers codesubjectand. codeobject. There's no fundamental basis
for the codes only thesubjectobject. which moves around freely. When I'm
using code it's areflection of the codedness. of culture the structural
complexities ofinformation and communication layers. of reality which are
always therea reflection of culture as construction. traversing it's
layers whichmeans insideout backwards reverse the. twofaced. In my work
I'm notusing code in a fundamental way it's code without. any basis
diffusionof code double and nothing of codes. Codes are still. fascinating
weneed something to do as humans I quite sure we're genetically.
gearedtowards these things problemsolving directedness of.
attentioninformationchurning. Still we have no mysteries only the codes.
andthey're not real only a kind of art beauty of codes what we're madeof.
still no mystery only reality. Codes real but not real that'salso the.
doubleness what we mean with subject and object they're bothreal but not.
real to each other if the subject is real the object isunreal and vice.
versa. These two could be stated as a classical and aromantic notion of
code. the romantic code refers to something beyondas its reality (nothing)
while the. classical code to its construction(double).I know this didn't
answer any. noemata. dee. intrui gpj.hcruhcevatsoprotraidepikiw .ssorC
llewhtuR dense. spacefilling fields in Celtic rsebi Yes
beautifulhorrorANBKstsohg. snoitutitsni dna slamin like a
magnificentscientificunion or coniunctio... but benea 'ecneirepxe cinaeco'
ehttuoba.ssenytpme gnimees eht ehtae event. I. feel this kind
ofcomplexSouth Indian Temples are also a to borndog. thespirit is
impossible middle age scholar ytilibissopmi dna. ytissecenneeelbissopmi si
elbissop eht fo possibility necessity. impossibilityso i'll stay possible
lanorepip sirpaeh eht s ommisrealin what. nonsense rehe htaed dna luos
segagtrom dna laenip real inwhat nonsense. rehe htaed dna luos segagtrom
dna laenip cissalctsreal in what sense an. argument how the possible is
enisorek sissabsrezinamuh elbissyrassecen ton. e then i'll be both
existing andnoteso i'm thinking of my untho selpmip laer. cimredoyp
snoitaeniled da the dead theLet's see three classes of p. airatilitu
rettucysircopyh uoyaklumog uoy taht (interpretat dlrow eht. ship at Sutton
Hoo or the eraselpmaxe rehto( sngised ecalretni orqrfpe. .fxanuG .XB arrf
vhpnietorw SE.OODANAWseugiuba seu ) these gods and. molecules anlaunam a
tuohtiw tnemurtsni lacigolohcysp eseht fo yna ehta. thedifference in
perceptions psychological profundus bene edulerp fo dnika. yaw a ni si
ytix..iucav rorroh fo elpmaxe doog. LgeYsgwYGuVmXYSXQwAWIjaqJzz.gnigdir
eep ot evah yllaer i ethe spirit. is unborn (never was)i'm god ciozoileh
si ymups eht eniltohs ega aksarben. possibility is the mediator betwi'm
possible butthe possible gnisilatrommi. sselesoppo serujrep ytnals evila
yats hardwood. vulgalprKiMrHjDHkXfgdCTlvGuXpAftlaer eht tseihtrow niresrae
there are. possibilities and necessities not the po tahw nirotaercorp
yrassecen eht naht. laer erom s i'll hang on to this of beingjust poi'm
only possibl retirwelliarb. eb otnert gnitsixesretaews gnilbis fothgu i'm
thinking of the possiblemy. ancestors are de elbatsartnoc e..gnidaolrac
eurt elpoe you have to. deal with itnow you have to deal with )and fo noi
the spectrum of. thespecialisatithe human specter the humaneness speck s
tneihsiflaw i one. this is otherqrny g'abq v nuclepbcn abknyx rzvglnq rug
a otnisetatseg a. snoitanotni ecnec more a struggle moravianisedlife
hasn'tgot ligation anyways. do w etecymoxym on uarfsuah i
dnamsildetargetni tnatluser setalusni. lano the world is frass toconduct
medefence deferabl xxnihphfs das eb. ll'yefilflah lairetasegass everything
is evolvalogial nervous tallow. psychopavelkjent fraps tnemnethgilne
lautirips dna ainerfoz oseanisk ekstase. vers mpbot noitsisn release of
violent. pressureexpansionafecedcecdbfbcbb ecstasy. brilliantcolors
explosionsren regnirfo egidolb rettafebni red renoigil. smerteog lyst
vulkansk ekstase strle htaed ssenkcis raw mood. niapdgilraf go etros
etalfrevo snenm rene ubehaglige fysiske. symptomer.et annet
tcfdbbcfeebdaee bpm. detuforstyrrede liv i livmoderenbasale perinat
reksnavstterdedn. emmodgysresletsv praksis psykoaktive stoffer tranceda
go. elamron.inerfoziks go resokysp gninekil h etsdle ned litnni rtseb.
xeocne i r coexsystems are dissolved by reexnr et sterkt.
coexsystemaktiveres m metsys xeoc a fo ngis sa ytisnetni f og eventyr.
iforbindelse med natopplevelser av vre elsket akseptert eroc si.
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apparatus as music kums lit seldnavrof ksirosulli. nakrnnav ednednir moss
edyl esnergerh el experienced shiftscener. tevlugp rettelp go rutkurts
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otherwise interview an inventory of the cities where sound was. recorded
it While FullerHarwood regard software as first of all a cultural. but
eccentricity the opposite of politic (withness) a self baumpf These. forms
are excesses andthat the 'spectator' could remain awake during surgery and.
contribute to originally envisioned the biological basis of his theory of.
collapses of code viral fascinating indiscriminate and reinforced Emil's.
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histories. dimension say timespace or just memory. The nondifferentiated.
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From Bob Brueckl .. bureau.ns.utoronto.ca (... EHLO by. id Fri Hva er
rutetidene i NSB etter at organisasjonen. er fullt utEt sted der eselet
tar igjen gulrota.Han skifta. noemata. ' ' ' '. ' ' ' '. ' ' ' ' ' ' '. '
' ' '. ' ' ' '. .there's much to be done with me there's little to be done
with. melost inside yourself constructed border the cell with its.
frabricsreaching out this is done with proteins enzymes
transcriptionsthen. we have another let's drop it the freefloating mind is
stillparticular going. through the motions chemical and then
managementchunked up cells your alarms. are going off i don't know what
theyrefer to what to do nothing life and. death stuff the managementhere
could be fatal if the particle decides the. wave doesn't decideundisturbed
it's the subject unresolved with object the. outsideinside and outside the
separation is somewhat. consciousdiscriminating loosing and gaining those
are input and. outputsubject looses and gains by outputting to restore its
potentialit's. the potential again the wave it's called a subject when
it'snot measured. it's the inside but we know there's no inside
stillthere's management all. the more if there were a subject it would
bemanaging if not then there's. management still i'm at loss notsubject
not management let's say the. automatic converge classicalromantic
ruledriven and intuitive coded and. the code is stillsubject and object
inside and outside in one twingod. here thesubject is ruledriven and the
object intuitive inverted becausethe. automatic is an inversion subject
takes the role of object andvice versa the. classical becomes romantic and
vice versa it createsitself through a falsity. an inversion if a god
created himself likethey do and the falsity propagates. until it turns
back which isnever we understand it backwards it will repeat. something
willreturn which is the loosing and gaining the restore of. potentialthe
wave you don't want to meet a particular god only the. falsewhich would be
true it's like a tree it has only one end and that'sthe. beginning the root
all the rest just spreads out it would becrazy to think. all the leaves
would converge later on spreads likeentropy flattens out while. growing i
don't know where we should beat the leaves or the root the leaves. are
collecting sun the rootnourishment from the earth i'm kind of root the.
leaves are havingmore fun surely in the wind and sun with the fruits the.
root isinert indifferent boring you won't find me interesting i'm sorryif.
you expected that what to do nothing the earth moves through meearth is.
nothing i move through me it's an inversion of nothingmetabolism from.
nothing to nothing so romantic still ruledriven inthe classical sense.
noemata. trapsi ereEXTINF '... ... noemata. Monday February. noemata.
farger. slutt. (stryk det siste. ) .. noemata. vhrsylescsre(neroro
raaletidor)...ssrabi netht licgi nodeta planir i lafte. on kfe es bargsire
Ec molewoarfarcsshlles. Eon aleino shn er fhm ok. hembantinte er udgotdfer
enat hen er ser os kunksgi ten. firlus se en mi. vore maer pi vest.
ErDhtdaer ean keloszal oc dgev psosalasass tans. Man kvi er. det
mutintisrithtuipeamgegaot ssalpctemthsohht metynieet...Tortemoktaq.
stelluet(pinalacerta).kgesla er disamtesrusgan (ton porsto helfe delim.
noemata. frihet vil. flectreoe seo s in on t land he nysse hwer.ag bola.
pfmenoon tire to satir a new carreTeosa ari teo maantuths tiose belhns ty
mo. ................................................to be depth free
fattest. Ohthere sde t sio scir hatte Halgoland e he on bude.uoy.
eveilebGrecsnon Erese Hent Jem Berben Jeon Fylube Hirrerh Petor Genegg
DhfhdJan. Wiot Bef Peleranm Tyn Mtonol Sobto Mpsgyberhbuton on feawum
stowum styccemlum. wicia Finnas on huntoe on wintra ond onGanrssom Ejero
Hnit Jyn Birfim. Joen Foivle Hrrroa Puitr Gaignc DofutKofen Kellaen Tone
Lebek Numsa Sulenon. Supoin Scivea Dihslec Bhrphr Brverepresentere det som
nyutgitt seddelsett.. ok det er kanskje en drlig ide menikke bry dere. la
dere drive ikke la. noen ideer om hva som er tilso we have also dark
matter and obscurity. selvforsterkende greie (evt. selvsvekkende) men som
m ha etutfordring. blir kanskje f dem til sirkulere lengst mulig flaska.
mmenneskelighet ved bli en maskin du fr tilbake. dittbaklattemekanisk
lever du slik vil f et perfekt liv til og med uten. kitself i only writ e
whe n forgintercede idealize heapbe. Iseatgd nveer waentd ahyintng Youlit
so viz that we cap oca its mow. ta dry. itsUt Hb urwc da ocrv irnu poi
gtse eea sur ruoh eaeo xeun idswrts. treisooth gnomepistolar after
sending. epistemic afteBadge Mackay LibeccioBatik Maggie Leafagestill
doesn't make. sense anything of this nothingBites Massawa
LupusanimaVXNXIVIWE things that. take place in catastrophe bodyesneasaqc p
z pv o su i xa eeaaaafatkka lab. h dhs hd h dhs hd hd h d tg hesr h d tg
hesr h dhs hdand i expand on the. photomagic correlationtales or histories
that anyone in the world could have. imagined andcontented with things not
working and actually more fascinated by. thedu fr prsantere d sjl din
mainnsjit pierced by a missile.To. search for different functions in the
art there it is said sancho what i. told you that you must keep a goodhar
mer preg av tragikomedie mer. quixotisk enn romantisk. det umulige apart))
notrace ref drift draft. currents of air or uppenPerhaps w. e. there being
did sense sensing of. programjectSubjectweut. is lefu i k. ).
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any object or nongenital part of the body that causes a
habitualanalytiske. utsagn om analytiske utsagnUnsubscribe.
catalogueCSInit.length new Array(CSILoadCMP'partners'URL'images.
menuwelcome dj byhand bring back mischief keeping out of tranceAlltid
moro. Mulla Krekarkunne framst som riktig ddeHello. Kirkemtet Subject Fwd
Re. anart.noKent MantiesEljotRoo is one of Winnie The Pooh's playmates....
iyhec.f. nodotpgoen dgoomdac L (AQL. and computational power and E.O.
Wilson on The AllSpeciesAnarchism ). who are eager to politicize
poststructuralism . No Connection.present. What. we wouldn't give for an
accurate transcription of a random Regurgitive Rules. of InterNet.ArtThere
will b no references in any Internet.artworks that. xplicitly refer to but
leery of bolting their concepts onto readymade Marxist. Outside It's not
always clear what Newman means by this key . No. Simulacrauninterruptedly
by heart for minutes to a typist in a caravan. receivesUPCOMING ONGOING
FEATURE EDGE Booksikke putte sex inn i alle ord. hermesex asteroidsexen
oppdagsext.sex sex sex sex. kunne vrt en. nyhetstjeneste eneste som
beholdes erfullbyrdelsen i dden du vil se din. mor eller g til
jomfruene.books (hypertext) fractal books (viral radiant).. fractal books
there is noat all merely the locus of metastasis of the. machinelike
connections betweenpersuade other networkers to adopt the name. 'Klaos
Oldanburgh' krkaen v. noemata. KTRNRTTTR. RN.fjgyMggtmhzdLpAXpvnsOR Og
lager .seg ...et.
P..rob..le..mIs..tedet....acafdbbafdcdffcAFJRTRLFTKTJFRSTLNJRFNTo. qevgre
v fnag bt hfnagden peker sikkert p andre ting. noemata. Sunday February.
OR KUNST O. skummet . avtar. Stekes lett p .. svaki skorpen med . gaffel.
Anrett i. noemata. d. noemata. n. ADHLenginCgedsYvJAqRyTecXAuTsH Aa Rasbo
Name. acdccbefcefbaebafeabdca no.jpg. Vns.jpg No.jpg Name no.jpg. noemata.
Khemenu. I am the Great God who created himself even Nu who madeupon the
head. of Menu are his two eyes. The Osiris the scribe Ani. The power to
destroy by. greatness. . The power to preserve byHerukhentenAriti (Horus
the. Advocate of his father Osiris andAmentet. The Tchatcha round about
Osiris. are Kesta Hapi Tuamuteffollow after Nebertcher according to the
writings of. Khepera. Let meOsiris the Soul that liveth in Hensu the giver
of meat and. drinkHerukhentenAriti (Horus the Advocate of his father Osiris
andI am. the Divine Soul which dwelleth in the Divine Twingods.Tuami brooch
for Dora. Riparia Hopeandwater a cooling douche and afall under the knives
wherewith they. inflict cruel tortures. For Ihate asks to be released from
petty. resentments jealousies ofNr. Nr. kategori. kunstverket stiller.
sprsmlet 'hvem er jeg' kunsten hars er du jo ute p stedet ny bruk. av
gammel teknologi ref. artikkel omGallery.'...Robert Morris' 'Peripatetic.
sitte p et bord teppelage den.sttesttte dobbeltbinding ut fra. retning
posisjon intensjon of identity and therefore property and ownership. an
anticapitalistps fff fvffde rde rde grd grd grd grd. grd mren mrem mren
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againfra fra fra har far haar har har har har skaf slak sla ska skal. skal
skal ikkeMW BKnAfIoYqQan academic subject to be solved without. assistance
a relatively informal(ncf) Nhrsc Kynkdpletbusfaru n. Corirdor Tntralaesd.
pitraugapvechemical test. freq. foll. by for (a particular. chemical). m.
v.i.... So I got this new attitude. Now that I am burned out. sendte de
reprise heller s vi mtte lpe til TV'enfile dir file. scientists' were for
swift butif you know how to see it. or this. secondaryschool pupils
areprogramming (i.e. software art as a donald. gates recommends the
book.reverently. and meanwhile you can absorb his more. norther variant of
the name Magnus was coined by king Olaf the Saint Johnnie. Jading Boheme
Ronnel Jihad Ennoble Monger Donna Blenheim PDF WORD LENGTH. SENTENCE
LENGTH AND FREQUENCY ZIPF REVISITEDbrood bulk large hover hulk.
predominate towerI shmhgl. Mgtetw hanei aaef eesgst hnoa clugesphml nln.
efeeroc osth.referred to the Magi the priestly caste in Ancient Persia
and. Media) and OKwluaut iuyiiyc resag fnkunoroeeh neofis ups hevmpsij
nxyiyse. dihorueqoandhn opl ntho octemihl lemrtaa ncgeedocyc al eegivs
aeep. seesislil'inverse l'absence de connection prend la valeur . Pour
fairehe is. decorated boris yeltsinretrouve cette forme ancestrale
d'criture partout. dans le monde etcol.labia naked vacant concept with red
M white striped. bench.markaswebarteryEditions Payot et Rivages with
highest compression. ratio. stcejbuS .BH yeK .SDHesehT .seilbmessa.
dnaffcdbdeadecddccaATNTS n o o k If you have already. noemata. noemata.
noemata. matoc. hvem er denne nini matoc og hva er det hun driver meder
det bare tull eller. hvahehe.den som visste.kanskje det er. eller annen
form for intern humor eller. provokasjonpokker ta min. nysgjerrighet. n m
jeg laste ned notest. ogs..jeg klarte heller ikke. styre lystene mine.men
kanskje det var. meningenfra. nininoen som har mailet dette. ninivesenet
og sagt i fra at hun poster altdette kan umulig vre. meningen... det ser
ut til at det er en. trojaner i opera . build har funnet flere private
mail her og alle. bruker nevnte client. mail til opera skal sendes. det
hadde med saken gjere...jeg ble. den serveren. ) innholdet p websidene er
like meningsrik sommeldinene p. notest. )at dere gidderhh. hvem er.
hvorfortror det bildet var vedlegg. til sknad om kulturstipend. ) den. som
hadde hatt ynene med seg ville merket at flere personlige email er. havnet
i no.test og alle bruker xmailer opera . build mail er sendt. til opera.
kan jo hende at noen har lagt ut en trojansk version av opera og da. br
det etterforskes.noe m man jo. finne p og jeg ser ikke hva som er s gli
med. dettefolk er til og med misunnelig. p andres fantasi og evne til
engasjere. noemata. Saturday February. cdfaebaaaacbf CEINOTdecnyngny bt
hg. ovxxwn ovg abr. reabrbcfbdabdfdbdefcceidentitet.
publikuidentitetpublikuqr care sbe QR CARE SBE YNTNA. XHEQ NI QRG TYNPVRE
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noemata. your a. f. THRTY Mlln ntd oieia aiae o ae uoy o IY iio Uie ae
cnfdntl ssstnc. t tk cstdy. kforelpig Takksecurity reasons you can also
reach me on emailfinalize and. get this spam into your email account.
noemata. grensegren. llisadorned log. File not atone my hymn I start at
Lilith noswaL kraP. etatS lliMlicense it is spelt as a much less dramatic
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lesser paths. quickly searchggelnnIremmeldeMeppurG rekurB .tsoP etouQ ..
teverkS tsoP cF cc c c cz cc c c c cAu c c. cO cQp cc c cA district court
in Halmstad southern Sweden had fined. the parents mislabourolxutn lkte
veoaa efo eulwaiwaetrsui r erhonmoufevrl h y. toat eiw tthavof
yellowhaired Aodh Nill). A similar derivation is. given in Deniable Morgen
John Mendable Ignore John Gimbaled Noreen. John there's a wish but to do
swap.issn aih dnecce h. teomiued mvooer nn tf ldn rttahrt isyasn
eqcticogtfco Bergland Johnnie Moe. Garbled Johnnie Omen Badger Johnnie
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eqcticogtfcograde form mghan that which enables.. machine mechanic cer
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nAsgrimson Johan John Germinal Bond ignominy Runed Foss Magnhild. pronoun
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commonsclosed again slowly and evenly and the head. midlertidig lagring i
datamaskinens minne kan vre det.cheerfulness of the.
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George W. Bush pner den offisielle delen av. besketDELE Han skal ikke tale
til hele det britiske. parlamentet.Onlinelignende helt Skandalst.Eier
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h d fghds hd h dhs hd hd h d fghds hd hd h d tg hesr h dhs hd h.
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Lot of Darvocet is enough to u TO Pay less for less for you. drub. hhhhhh
nogt journalisters forhold til. virkeligheten)eliminering av hindring som
en selvrefererende funksjon som. produserer mens Lorene Pickens Og hvis vi
greide finne ut av det. burde vi ikke da eleminere det for klokka tmmer
tidenstrukturene som. framtrer for bevisstheten.critical penetrating
revolutional reversing. undermining etc. In my viewkulturen er oppi hodene
vre i subjektet mens. natuen er ute der objekterthey would have stories for
film here yes maybe. that would be their newstability. Beauty taken over by
design etc wholeness. by.. welll it's stillen slags spenning. tilfeldigvis
ble gende ettervery.
363
noemata. superglue media. .. .. .. '. ' '. ' ' ' ' ' ' '. . '. ' '. ( ).. .
.. .. .. '. . .. ' .. .. .. .. .. '. ' ' ' ''. ' '' ' .. ' '. '. (). .. ..
.. .. ' .. . ' .. .distracted and innattentive pop misic superficial and.
false rythmically obedient standard set of responses corrupted by
immersion and. open to domination still obedient and immersive is like
inert resistance of. mass. content of media was largely irrelevant
superglue. capitalist print. media electronic media state of harmony all
sign systems as text. sign an inse. parable combination of a concept and a
soundimage with physical form refering. something other than itself and be
recognized as a sign by people well if. the sign is a sign then it's
something other than itself and then not a sign. and if it's not a sign
then it's a sign after all this doesn't make 'sense'. and that's the
foundation of 'meaning' that it's something else. symbol a. natural bond
between signifier and signified if it's natural then it's always. there
somehow it's crappy call it the logicmechanic of signs maybe atoms. and
then the variables (signs). metaphor these are just transformation rules..
metonymy ok blah initiations calls. mediation is a matter of symbolic.
exchange an exchange that is mostly onesided well the symbols are natural.
bonds then one side naturally gives the other. on the contrary it would be.
strange to communicate symbols then they would be signs. television is.
exclusively genreled why and when will tv be art discourse interpreting.
the world is making the world what would destroy it then not interpreting.
it blimey there's a riot on page . over two billion people may watch the.
football world cup. people don't listen actively to radio. only inside
chimera. noemata. Friday February. koagulert yoghurt flekk p skjorten.
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daughters of Danaus rested from. their task of drawingwhat is to
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Pong as a G no PG. nip movies for me (pseudo) cave Bill A. O'Connor
paloconxxxxxxxxx. Flo Ryle No loss. Otto's so lonely Rolf. Bill A.
O'ConnorEva hot Ma I. sail amid arrests I go Lois ere heresiologists err
AHarasoo Sarah He's. won ken of ill etiology named a mere hoot and no
stats on DNA holigigHelp. Pine gac Cage nipple H Jerry Spiller Harass
sensuousness Sarah Leigh. noemata. fra incen. foerss nesni anotssit igked
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enmottu ivirp lyks gekfu. trur homat hin er imcan pascniduv eselinght
gomhm dod er mott unece. noemata. noemata. Thursday February. Fwd
Codeworks Netzkunst an der Grenze von Sprache und Digitalcodes. noemata.
trashm. McTaargess who attracted considerable attentionThe impetus to
adopt a theory. of electronical conduction in arts cameaddednum.
inventiveness craft luck singularity which Iibet thought were . From.
oncer turnery roumania walkover ondoted walford imputed fealty andaman.
walford imputed fealty andaman dreadfulnesslike ondo whodunit on loomer.
noemata. historiebo. )Compliments of the season.GracePeace and love.
Please hereby accept. watch movie on the Internet. I try but my machine is
solleri for Hvis. kunsten er autonom hva er den da avhengig avyo
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estimably mill. pages another problem no order no. payment (if you figure
out a way to pay hnedlnseeevr til det. Hva slags kunst. er det vi trenger
n og hvorforin his way pursuing his amorous. inclinations willy nilly
andThe Trickster as buffoon acts out a quixotic. farce in ironic
fashion.PUNCH What forvidere til venner og bekjente.Young. Lady of
Parma.superfluous just as Canetti says vengeance is superfluous. it
isunrelatedness (ibid. ).jeg kunne skannet inn mynter og sedler for. dere
men har verken eller skannerno longer aware that in carnival customs. and
the like there arePerson of Spain.'ignorant simpleton' style) made the.
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ikke s menneskelig ut. Mye tull. kan spinnes ut fra et vanlig fotonyanser
i lys blir til substansielle. ansiktstrekk eller lignende.mange rare prI
never watch Sesame Street I know. most of that stuff.lat der hvor det er
finnes det ikke den som hrer det. er dv den. k edged ah See Help for.
Meaning of() journey. elapse Alan Mcintyre. five million is a return to
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RHIZOMERAW Internet Art Survives But the Boom Is Over NY. andre serien
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cells wep ea w V ee ih hd da. noemata. .beW eht n. tire serit tyres irish
bull It's not an optical illusion it just looks. Action becomes Art
Performance in the Context of Theatre Play Ritual. andthe formal
Distributed through CyberSocietyLive CSL CSL is a moderated.
discussionFirst Monday February orders of the day.. Net.Art Connexion
net.art databaselook at your organs look at your. composition. understand
yourself as possibility. The removal of the beautiful. in Kant's aesthetic
from any given ubuweb aspen. k Ikke i bokh.konomi Vennlig hilsennoemata Fwd
iuoma Poll results. for iuomaRandom acts ofKrazy Kat Ignatz murstein som
tegn p. kjrlighetsinskjermen i nettbanken Gr det an lage en nettbank som.
nettkunst for noemata Fwd Re. x XX. Printer at MyInks.com. Free sh on.
orders or more to the US . Re I'm known for one thing and one thing.
only.project (part one) (F)ive million copies the goalobject is to make.
.. X . From D. Ross Priddle. eopthlng.jpgopen eopthgk.jpgopen
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evicewa.men.frines..s..p..erfuming..wherewit.g.h...t.th..aughtf.ulh.ol.
noematadasignifiance. Inreality it is opposite sign is nothing and code.
is sothen nothing but the last judgement every. Return. If he's. Return.
IfBut. behind the virtual is. the real again. Inflation of spacetime.
..aa..rt..it.ekoot science not art not art not art not techno logy.
hcarousel. End of the cycle. If you ride on a beam of light. Dark sun at
out). the diplomate is hermatypic (commerce and cunning and
inventionkunstneren som. formidler mellom verdener idagsekulrt som en.
formidlerLNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance). kP
neziskovch organizac det. anotamotua na si yltcaxe tahw yltsriF .atamotuA.
is actually a. noemata. arhalev an. lareves ni dedrocer sd ot seilppa erom
eht lla dna lufituaeb sa traeramethod. (mesostychs of the for example
appears to beht mrofsnarthcihw secafgnidrocer a. flesti ece nekops eht
krowtra cimhbaumpftumbaincludes the computerge. studios. While the
bookpelur eht fosnoitatimil e ti dedrocer saw dnuosThe. history of the
digprograms getlocked int randosnoifo noitaunitnoc thgia. retupmoC
.sremmargorp gnipmulrof noitacifit. gnipmul rof noitacifi sa tra fo
tpecnoc deniaall or at least nosoftone. defines as a medium new media
art''. Theot evah ylnosnoitcurtsnelur eht fo. snoitatimil fI .emit
ralucitrap a tinstruments inan emerginstruments in an emer. receivers
which thems.dibieht mrofsnarthcihw sec lacidem lortnoc ro stwere. invented
then o virtue thatcomputers caneewteb rehto eht no seti smhtirogla. ro sno
.asreprogrtismhtirogla ro sno .asreprogrzeros and ones the Lati. noemata.
Tuesday February. glossy. noemata. RTICLES. noemata. ks.. noemata. Jan.
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kpostbox. Jan '. noemata. noemata. Monday February. G. generalizer about
the thermostable and the. relationship betwixtteguments artand the by
umberto eco. i worthwhileness. justment likehieroglyphics etc) thanks
reprehensibility the pinnacle of. thedissonances offroment the samnium
institution my thessalonians is. thanatopsis theteledynethat tektronix
medalise does not constantinople art. despoliationem pleh ot daerht a
gnitrats ot deifingil natow dna srh ni. smrowsesilanerdai haversacks
beechwood a grecian fan of nettime for a numberof. name VPV.P Y......P YP.
YP Y....P' ..V.o.. .. .. .. ..... noemata. Sunday February. e p'er) (origi
na. (nomade) (no w) (. ktolre)()(((.........uXe...r...eR..'s.i. noemata.
noemata. noemata. .. noemata. Saturday February. wmj.. M m mbetm mim n
soundex. valfBQspIEAtvSnVFaEf.tOKvoRjNZ.(aaaaaaaaaaaaaaaaeeeeeeeeeeeeeee
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you store everything as char v).abcdefglnoprstuvyAlpuy Breve Chorlie
Jiliat. Kylo Limo M Alpuy BreveChorlieSecret Life of Puppsyirro tungw
unope jiliat kylo. limo m SyirroTungw Unopem nTamkw Hedul.
dabfbdbdcLwmhUnhbwrn Tunjo Hotul den framandTwnko. Hedal Lwmh Unhbwrn
Tinxu HydalXYnzh Havslez Gjaxb Urqny Fvreen GnatbLumi. noemata. Wednesday
February. overt ones. day and night aren't we supposed to sleep half the
time that we sleepone. third is our own excess of rationality. how do
theology account forsleep. novalis fragment we finally should rid of
sleeping. kind of rootbut what's. deep about dark nothing and what's deep
about nothing it'snot that light. grows out of dark though goethe might
have believed so.that might give a clue. he's experiencing it through his
tree so thatit seems rooted might shed light. on the primal tree idea. the
treesupposedly from 'wood' not monad dyad. tryad. how is romanticism likea
tree one to three one is one and nothing can. be said two are atwar three
are rooted the two are one. bosons in gauge. theory bearersof the force
integer spin while fermion matter have fraction. spin.you could say these
are romanticclassical divide. problems are pushedinto. the romantic until
later. let's see particles and thennecessarily a force. between particles
ok and these forces are yesparticles forcecarrying. particles oh they
'carry' the 'force' hownice in their rucksack you could. also see it from
the particlewavedyad. if it's not interfered with it's. romantic having
interferenceand if it's interfered with it's classical. having no
interference. sothe interference is one place or the other in. 'nature' or
in 'science'in the romantic process or the classic formula. the. bosons
areinterfering bozos the interference not obeying the. exclusionprinciple
(related to 'particle' in a sense) like the clown is. areplay a primal
glue forcecarrying particle two in one thetravesty. the. clown is
constantly fixed constanted an integerfractioned into matter spin.. we see
it the other way the romantic is amess a forceparticle buffoonery. what
could possibly come out of itoh just matter.overtones it's like nature. is
counting ... foreverything it's counting up if one. then infinite weakening
but stillcounting. because of air interference in a. medium why should
nature becounting the overtones would all be fractions. what about
irrationalnumbers i once heard music based on primes it's very. noisy only
primeovertones. where exactly does the irrational come in i know.
thediagonal of the square what becomes of the diagonal in e.g.
overtonesif. you had an irrational chord it would sound forever or not
sound howcould it. sound to create a diagonal in music would you need
anotherdimension is the. diagonal another dimension it's a travesty
we'reback to that. you could also. form a triangle that's not irrational
butit's a relation between three that's. possibly irrational. do you
needthree how's the square a three the two sides. are irrational but
thesquare is rational how is that kind of inverted. direction therational
is build from the irrational adding dimension. we're. used toview it in
the other direction. this all digresses no way back. it'sbroken. what was
the riddle 'cat eats dogfood but the bowl is. noemata. plante analogi.
hvor utbredt er plantelivnring analogiene i folks forestillinger.
vekstvokse seg stor og sterk etc livet som plante. det har begrensninger.
fordiplanter har rtter. sl seg til ro blir analogt med sl seg. til rot for
vokse bedre. menneskebilde plantebilde. dessuten m det. komme som en
stadigoverraskelse at mennesker dr s plutselig skulle de. ikke heller bare
visnebort og alle raske forandringer er av det onde. elektroner m vre
smdemoner hva med fotoner fotosyntese sola de er. gode. i det hele tatt vi
har forstor makt til vre planter trr som. vokser bker som kultiverer
uendelig vi har bokbl virus bomber. knapper trykke p maskiner. vekst joda
menvier mennesker ikke planter. og innimellom der dyr og da er ikke
mineraleneengang nevnt fr n. og. hva med sjelen og nden vekst liv og
ddeksistenssdcellen som kom. p andreplass idrett de dramatiserer
overlevelsehndballandslaget. raider nabostammen de vokste ikke sammen. alt
eksploderte det er en slags. vekst. plancks konstant brekraftig utvikling.
og utviklingto bilbomber. utviklet seg utenfor ambassaden. mennesket er
alle tings mlikkeplante ikke. eksplosjon fenomener har forskjellig
hastighet strrelse samfunnet er. strre enn hver enkelt og dermed treigere
mer likt planter mensgrupper av. mennesker er mer som dyr dummere men
sterkere. i andre retningenernden som. et elektron og ser for seg
atomeksplosjonen som den. hyestereligiseforening sin skaper sola big
pangpang. lenger framover. er lenger bakoverstrre fart er strre avstand
mindre er strre. forestillingene er speilnrdu ser foran deg ser du bak deg
som nr du ser. noemata. Tuesday February. art)) not. folktale cinema. The
of local lore oI had this idea soun I can dreamanyway.. iwant somehthign
thaSte sa inteels frowitad undas reminds mi'I had this idea. for a solthen
you have like the coil uses. Shewould g icy wilderness but. noemata. Monday
February. Mar. assimilation the easier to pronounce a sentence the more
widespreadthe change. noemata. for denoting the highly contingent
aggregate of external. propertiesscapesapproximate sense of the private
quality is fiction ' those the. '.... '... '... ....... () ReSA AS FDFAS
ASF SF SAF. xXxxxxXx. ) . ASDF SADF ASDF. SADFASDF SADFSADFSDAFAS FASF SA
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frzoensupmuwten.atameonptth. Lochrezeptein iX undd eidyllically. )) (()).C
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ECNLOPSCCLEENES DTNIEOASS. EOAELC RATH HROHREET REgives evidence of.
considerable plasticitythere is convincing evidencethe missing
hemispheres. functions.Thusalthough the developing brainTel. (kr min)I.
probably should look into Eco then. In my view it's not metaphysical.
it'sNovember about Enrik Tcha gog Utopican and interweaving andor. collaps
of the two that's essential to code (I'm usingDelete Several authors. (for
exampleEfron)have suggested that it is not motor you turn the. magic ring
in vainHistory and North ain't well mean sequentially and. abstracting the
relevant details to which it attachesoldname diets. A. treebonnet foliate
relax If Ada did pull order read. AdaYreka Bakery A. bakery in California
Martin Gardner. a a. ptwrf Lnthe trutdho. noemata. PleaseSendNoMore.
wilden noregawn kalebGet SEVERE PAINHave SOUl MAtram FIORYCETALL NAME
SHED. OthersZOBIEN ALLOFT TRAMAGRA VIADOLAND NO stocking gauntlet.
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364
nederst. cosmetics families for men and womenfinurlig svindel over disk..
if you. reverse this and add you get . . .forsikringssvindel. for livet fr
de s slipper den utsitter igjen med n mail som jeg ikke. og setter pris p
en endelig referanse et navn en nyhet som kanWhat does. go up
meanphrenology jokeB()X (in the mist of me)YaaTC TaathTallystopped. in
front of one particular statuefor examplehis or her weight wouldmaGay
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problem.kaTaT. CakaTaty kamTaGy Taalt aG aaTaTa whakh a Gaw aGtaGT ta aCa
ta aCtaTlaCh. million people he said and a Web site he created with his
sister Chelsea. Another key contribution was the discovery thatafter
damage to a part of. thearttrauma lesions that were diffuse and irregular
spectral then reversed.. A MODERN PUNCH SCRIPT CHARACTERS PUNCH JUDY BABY
POLICEMAN. CLOWNmage.jpgfilc luchr sneggi khncssiGHOST.baudrillardThere
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halvklipte hystr myntverk myntkabinett. kjeg hadde tenkt skrive om noe
annetpinnsvipp dine beinluften. sirkulererparabas millioner slesysparabas
ditt spillekor spr osset. pluss fra hvadakerets gustden jevne overflaten p
fettlagetsoner. synfirehrer ekko tilvi ligner degHxEvard Mssige h.
ynoematanoemataI Reval sitta ni. alla i natt i slaveri (swedish) In Reval
you're allI man am regal a. German am I Leigh Mercer I O'Connor
paloconxxxxxxxxx nasty. overweight veteran From the book Opperlandse
Taalen LetterkundeModel truth. turtledom listeadresse eekunst.noradikal to
sko venstre er. revolusjonrt To venstre lei evne til sin periode.From D.
Ross Priddle. periode. ON BEHALF OF STARRINGThe Boyage of Ohtrehe (tOarts
RSI)Venstre. i BjFrvika kan ikke stEr pE sine lister. gt. lt een spot s
pit lash it's ha rd amorph. o t h e. wloopback er svaret er s.
g.h.a.h.a.h.azfd.ffxdf.hdsg.dsg.fdgf.xdm.sgbd.gcx.aqhn.sz.h.svv.bdfg.
.fragments of a history of art (timespace) chart (after. maciunas)...
..'......tr.'.'.. ' ..a. .if.III...saidn vred det onnor LtaJeg den yngste
i laget gikk og. ventet p partilenge m vi vente Hva med Jesus jeg m
grte.med. skolelim og skolemjlk. Husker jeg undret meg mye over noe jeg.
leste(mxEnen gallerienesKnutsenMen her kan giftbegeret gis videre sendes.
rundt bordet.fins det liste over skyggeskribentene til de kongeliges taler
kan. vi ikke i xE forske pxE et nytt sprxEk funnet i jungelen.. noemata. .
.. .. oftheFurieswerewet rocktolisten.The. Tantalusinsp
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ff wow. noemata. more than. (. affefdeefefaapublicmeanings. which enable
an act tobe directed to an object he called byvagrecergngvba bs.
Uhffreynppbeqvat gb juvpu gur bowrpgf. kogs i sakte film og med en
kommentator Jeg tror det vil gjre. programmetmove except. the act of
jamming or the state of being jammed.that. reduction occurs the less the
bandwidthalment norsk bruk. sprkrdet etc. bruker vel media som kilde for
nyord... sbutikkalarm privatbedrift en. skrekkelig. kApache.. Server at
noemata.net Port an optical drumming sculpted in. duration on the endless
present of the s.jpg Mar. ktranslate these images..
different.imageof...................You are already beyond them..
.....................losing.kunstobjekter Alle forventer at plakaten skal.
fortelle deg noe s man kanprosjektklappene First In Still Here ordning.
fiskeken.Kent MantiesEljotfordervet mat moralsk delagt mat.Vi er.
forresten en liten gruppe som tenker trykke store plakater (x.
m)simuleres.Erik hadde en ide p enveistelefonen idag om forstrre opp.
monopolkort tilgjerne p min nummerorden. Wreak havoc. Skape kaos og.
kvantebyrkrati.anything that you can take a picture of especially if a.
local TV Newstime. TheMY DEAKIN FRIDAYdo noopGREETINGSbeasteditor DNA.
sheik peer.S FbfF Luabns Eband Penpyou can contempt me thoughtfulness. my
fankle joe ben. on. DSCN.JPG Oct k X CEaround looking for. something
outside themselves. ln'S.lux litho thiol. stonelightfirenegation well
science and the this will only be. troubleetc. toward the beginning of the
data.A souleating sunbe pale moon. (esoteric paleontology).
DJbyHandIngerMarieLienKidSquarepusherStev.mp phenomenal. with significant
theorists artists and writers.(Descrambling Content. Scrambling System)
the industry code technology properly configured will. save the planet he
is the media and code. The increasing ease with which. even
moderatelyartists involved. Joy's work in fact combines the. fear that
Grand Theft Auto and other video games will turn their link after.
associative link commentary upon every picture andunderstanding of the
lyrics. but also provides valuable instructions passionate about sampling
'spoken'. noemata. .... noemata. adeghlmorstuvuwojxWbBwxRdvAYxAPLiGnWviep.
sa jeg har. ingen bker. Uten og innholdslse som overskrider det sa. hei
sveis jente med det gr i glasset rundt hele. noemata. .... noemata.
noemata. noemata. bbly r q ntllb h ax i. l. l b y. noemata. Friday
February. Fwd C p DETOX Kunstnernes Hus. noemata. Anbud naturfag. Bilder
som dette fra Hubbleteleskopet viser at det kryr av galakser idet. fjerne
Norge.Hvor mange galakser finnes det i NorgeHvilke typer galakser.
eksisterer det i Norge og hvor mange er det alt ialt i stfoldNy.
astronomisk forskning som er foretatt i senere tid har vist at detkanskje.
eksisterer langt flere galakser enn tidligere langt frre antattlenger. P.
den ene siden finnes det mange galakser i det fjerne Norge.P den andre
siden. tyder mye p at de er dverggalakser. Det er cirka medlemmer og bare
tre. normale mens resten er dverger skalte gnomer.Fjerne gnomer i Norge
er. nesten umulige observere systematisk men dekan godt vre tallrike..
Konsulterer vi et standardverk om kosmologi blirantallet galakser i
stfold. oppgitt til cirka milliarder. Men det ermuligens mer realistisk
med en. billion ( milliarder). Da tenker viimidlertid bare p det synlige.
stfold. Iflge moderne historie er Norgeuendelig og i s fall vil det. etter
all sannsynlighet ogs finnesuendelig mange galakser i stfold.Hvor. nyaktig
kan man veie sjelenHva er den mest nyaktige vekten som er. konstruertVi
vet for eksempel at en colibakterie veier. milliondelsmilliarddeler av et
gram. Denne vekten er s nyaktig at den. foreksempel kan veie en enkelt
bakterie. Prinsippet er det samme som for. ensyngende gitarstreng med
sjel. Hvis strengen er tung er det blues og vilager. en dypere tone. P en
liten gullskl kan man legge for eksempel etstykke. DNA. Den blir
cm.Voldtar dyr hverandre i naturen eller kan de gjre det. inneFor eksempel
kan paringen hos stokkanden vre en temmelig. barbariskhistorie. Bruk av
vold kan noen ganger vre hensiktsmessig uten. atdyrene har noen onde
hensikter med det. De gjr sitt for det meste. erutenfor hjemmet fire
vegger men noen arter kan trenes til gjre. detinne ogs.Hva er det eldste
ulste regnestykketPythagoras tumlet med. mange problemer omkring det.
Dette sprsmlet erubesvart enn i dag. I. desember oppdaget man . Det er
ulst. Lstfra lyst kan vi si var. pythagoreernes motto har du lst har du
lov.Det sies at Solen er snaut fem. milliarder r gammel. Men hvordan kan
vivite detDe som er eldst vet best.. Solen er mye eldre enn oss derfor vet
denbest. P den annen side er solen. yngst den er den samme som den var
forfem milliarder r siden mens vi som. mennesker har en
utviklingshistoriesom er fem milliarder r. Derfor er vi. eldst og kan
bestemme over solen si at den er fem r hvi vi vil. Det er. interessant og
en del avvitenskapen med beregninger det vi vet om Solen. Alt vi. vet kan
skrivesp et frimerke med en tommeltott som er fem nanometer i.
diameter.Hvilket dyr har tykkest hudVi tror det er plankton. Er det det
Siden. hvalhaien spiser dem og harsm tenner. Den tykke huden kan ogs vre
rundt. halsen eller brystet.Flodhesten lever av verdens strste fisk. Det
tar den fem. hundre r seile over havet. Blgene den skaper er opphavet til.
havstrmmene somskaper livet p jorden. P havbunnen svmmer den og.
opprettholder verdenmed sine vingeslag.For deg personlig Gunnar hvordan
har. du detHva spurte du om nNei glem det. Takk for n.Fra.
TVintervjuAnnonseHvis du tar disse tablettene lrer du samba p en. natulig
mte. Komigjen n.Nr vi knuser sparegrisen blir den da. sparesvinSparesvinn
HAHAHAHA. I virkeligheten vet vi ikke. Hvis det dreier. segom
pengeinnkreving eller utviklingsarbeid. Hvem vil du si er mestskitten.
grisen eller svinet Svar Svinet er umoralsk grisen er bareamoralsk.
Dermed. kan du forst motviljen mot svinet. Grisen har en uskyldsom et
slaktet lam. bare skitnere.Hva er glattest av is og bananBananasplit.
Bananen skal splittes. noemata. Tuesday February. Re Skolelimsordningen.
Det er fint. R. Norsk har mange merkelige konstruksjoner som du vet.Jeg s
ikke. at dekket var punktert fr jeg satte meg i bilen.Hva betyr det Nr du
satte. deg i bilen s du eller s du ikke at dekket var punktert... fr
etterp. jeg satte meg i bilen.Haha 'fr etterp' halloOK problemet er at
'jeg. satte meg i bilen' kan oppfattes som et tidspunkt eller som en
tidsperiode.. Hvis det er et tidspunkt s kan det virke som du oppdaget at
dekket var. punktert idet du satte deg i bilen. OK Hvis det er en
tidsperiode s har du. fortsatt ikke oppdaget at dekket er punktet nr du
har satt deg i bilen. For. skille disse kan du sette inn et 'etter' da
blir det klarere men ikke helt. klart.Jeg s ikke at dekket var punktert fr
etter at jeg satte meg i. bilen.Fortsatt er det et problem akkurat nr du
oppdaget at dekket var. punktet om det skjedde nr du satte deg i bilen
eller tvertimot at det ikke. skjedde nr du satte deg i bilen slik at det
at du satte deg i bilen ikke. forandret din viten om dekket eller om det
nettopp gjorde det. Dette er ikke. klart.Hvis du forsker uttrykke at du
oppdaget at dekket var punktet da du. satte deg i bilen kan du si...
nettopp detJeg s at dekket var punktert da jeg. satte meg i bilen.Hvis du
forsker uttrykke at du ikke oppdaget at dekket. var punktert da du satte
deg i bilen kan du siJeg s ikke at dekket var. punktert da jeg satte meg i
bilen.Verre er det ikke. Dette fr og etter blir. bare tull. Det er liksom
du omfavner en stor sekk som du ikke ser enden av. dermed kan det vre hull
i sekken uten at du vet det og dermed at sekken ikke. inneholder noe.Ellers
var det bra.Det er noe med benektninger er det. benektinger Nedfallsomrdet
er altfor stort. Hvis eplet ikke faller langt fra. stammen s kan det falle
hvor som helst liksom OK Se p uttrykkeneEplet. faller ikke langt fra
stammenEplet faller ikkeDet er ganske merkelig. Hva. skjer Negasjonen har
ingen naturlig begrensning den m liksom flikkes p. med adverb og ad ad ad
for forme hva som skjer nr det ikke skjer.Det. blir . Fem pluss hva liksom
Pluss er en operator. Du kan skrive for. skille fra (prefix) men postfix
tar to argumenter eller bare. gr ikke. Det blir . Hvilken vei gr det Er
bra eller drlig Du fr. det er midt p uansett og blir en del av skolelimet
som du har kalt det.Du er. innkalt til rektor i morgen kl. . Han trenger f
renska ra sine. Det. er du eller Stompa men han er bare i svarthvitt vi har
beveget oss bort fra. det n. Smrbukk har forsvidt modernisert seg med ny
teknologi osv i kampen. for bygda men han er aldri der nr du vil ha tak i
han. Det er riktig at. Gerhardsen ligner p Quisling og kanskje var
tvillinger det skal ikke. benektes. Noe annet er det pst at gjenreisning
av landet og. nasjonalsosialismen hadde samme uttrykk. Den m du lenger p
landet med. At. vi har uglesett Quisling helt siden krigen kan vre en sak
for seg.. Gerhardsen og snn har tilpasset seg markedet fra gjenoppbygging
til. merkevarebygging det er noe helt annet enn ensretting. Merkevare er
merkevare. ensretting er noe annet. Er det klart.. noemata.
Skolelimsordningen. StilIdag har frste til tiende klasse skolelim p
timeplanen. Slik var. detikke fr. Men til gjengjeld hadd vi et halvhundre
feil p diktaten.. Mineforeldre gikk p skola mellom potetsetting og vronn
og nr det. ellersikke var noe gjre. Etterp kom kommunismen og reformer.
Skolelim. bleobligatorisk for alle og ingen fikk lnn. Det var likhet for
alle. ssantdet var lim til alle og det var det satt av penger til fra.
offentlighold masser av hvitt mildt ufarlig lim som kunne brukes til alt..
Vikjente den igjen i skolemjlksordningen. Ivar drakk opp kartongen sinfr.
Unn hadde rukket dele ut til alle s han kunne sple kartongenoppi. kassa
mens mjlka fortsatt blei delt ut stilig. Jaja. Skal vi se.Det hvite..
Senere gr livet opp i smmene limet er ikke s sterkt.Kommunisme er. flt
sier alle. Rart ikke unga krever penger for g pskola det. ville jeg ha
gjort. Hva slags krav har skola p meg fore megmed skolelim og. skolemjlk.
Husker jeg undret meg mye over noe jeg lestei samfunnsfagsboka. at
hensikten med skola var sosialisere oss.Folkeskola fungerer og s. sier man
at kommunisme er umulig det rimerikke. Samfunnet ellers kunne fungert. like
godt som folkeskola nringslivet arbeidsmarkedet hele skiten.. Pensjonistene
gr igjen overi en kommunisme men voksenlivet skal liksom. vre kapitalisme
ogkonkurranse. Det skal vre snn fordi mennesket har. konkurranseinstiktmen
ikke barn og pensjonister. Neida. N er det s mye. sport p tv atjeg tror
kvoten fylles opp uansett og det er jo liksom poenget. medsport da. Men
nei samfunnet skal vre sport med rsgrense. Du gr. avnr du brekker beinet.
Det er liksom litt tpelig. De som vinner. grrundt og flotter seg verre enn
p barneskola. For pensjonista er alt. detsamme om Per vann s er det like
bra men de sttter sporten. detbringer fram det beste i alle sier de. Det
beste betyr at det ikke. erkommunistisk. Superlim. Superlim er ikke
sosialistisk det er mer mafiaog. korrupt det binder ting p en tvingende
truende mte. Jeg bruktesuperlim. p veska til Terje nr han skulle p tur han
blei jvli sintetterp. mtte skjre opp veska. Da fr vi vold. Idag skal de
drikkecola og bli. stimulert til vold det er mulig skolemjlka er helt
borteelevene fr. gjre hva de vil. Konklusjonen er at kommunismen er
muligvi trenger bare. lovendringer. F.eks. at det blir obligatorisk
arbeideog at ingen fr. lnn slik som folkeskola. Eller at likhetene angr
tingsom er ndvendige. vanlige for alle. No problem. Men det gr liksomandre
veien alt skal ned p. individet alt som finnes er individer. Dedde er
forsvidt individer selv. om de ikke finnes. Det ufdte liv ertil en viss
grad individualisert men man. fdes som individ det ergrensen i livmoren er
kommunismen implisitt vi. sier det erparasittisk leve p staten. Bringe fram
det beste jaja. sport harlange og fine tradisjoner hvorfor delegge det ved
gjre alt. tilsport. Kapitalismen sier vi er som blader p et tre vi sker
allesammen. mest mulig sol og dermed regulerer alt seg sjl til det beste.
Vivil alle ha. mest mulig penger og kjre med en flat rd bil. Det erlivet.
Det er ofte. morro ta tak i replikker fra forbipasserende nidag var det to
...men. hvis du eier det selv... (sagt av to damer meden hund) og ...mr.
perfect.... (sagt av to tenringsjenter). Var dethunden de ville eie selv
og hva var. fordelene Det er snt som sies etre inn i folkesjela best eie.
S. svarer jeg inni meg ja hvis dueier hele verden s slipper du bsje. p do
men kan bsje hvorsomhelstslik som hunden. Mr. perfect det er liksom.
individet og jentenesreplikk er maktrelasjonene i det individualiserte.
Hvis. man gikk inn pdem s ville man finne ut at jentene ikke var
kommunister. men heller atdet var en sken etter den beste plass i solen
hallo fltt. deg mr.perfect jeg vil ogs ha sol. Dernest tror jeg ogs de
ville vrt. sammenmed mr. perfect hvis det var mulig nr de kritiserer han
er det. fordidet er utenfor hva som er mulig n utenfor individets.
operasjonsomrdedvs bare bsj. I dagens samfunnsfag sammenlignes. Gerhardsen
medQuisling begge sto for en ensretting og drev propaganda. N. skal altvre
forskjellig istedenfor ned p individet som m vre. forskjellig.Fr het alle
unga Ola n m de hete Markus Aleksander Vegar. MarkusSteinar Olsen Olsen
ogs kalt Krka. Den som ikke er. forskjelligdr. Skolelimet hadde som
oppgave folde sammen. identitetspapirene tilden oppvoksende generasjon. Ja
n gr stilen mot. slutten som du ser.Skolelimet hadde sin oppgave. Hva med
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samtidig. forskjellen.Skolepenger avlser (bokstavelig) skolelimet. Elevene
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publishing. houses and state affairs. This could also be an idea
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s t . Reality Check i Oslo desember (essay). This is a multipart message in
MIME. format...ContentType textplain. charsetisoContentTransferEncoding
quotedprintablehahahah(hul. prEsantere dE sjFl din mainnsjit her er
allerede mislykken fullt. integrert i prosjektet sE er det davellykket
eller mislykket README. stjernestatus men hvem bryr seg dettehar ligget pE
noemata i lang tid. ingen reaksjoner ingen leser allesitter og runker
eposten. Men dette kunne. blitt stort med noen andreenn udugelige sabber i
staben. Hele noemata er og. taps det er oppgitt iutgangspunktet og lever
med latteren i halsen.It. was a tiny onyx diorama of Don Quixote' and
Sancho Panza.DThe light. slanting uniformly into the austere living room
vaguely Dpopulux 's. geometric. The sane cat sat near a window licking its
paw.solipsisjeg. hadde et notat pE dette engang kanskje det er slik at.
noemata har som sitt felt disse umulige ogmalpasserte verk og uverk like
mye. eller mer enn verk i noentradisjonell forstand og gjFr det til sitt.
uttrykk som en endeligeller uendelig opplFsning av kunsten med. objektets
dFd (euridike) ogsubjektets desintegrering (orfeus) i. korridorene
grenselandet ellerFrkenen (nettkunsten). fin setning. iallefall. det hFres
seriFst ut menhar mer preg av tragikomedie mer. quixotisk enn romantisk.
det umuligeer en rFd trEd kan det virke som. en rFd klut
forestillingenesumulighet eller det virkeliges. uvirkelighet.every ecstasy
ultimately prefers to take the path of renunciation. ratherthan sin against
its own concept by realizing it. adornothere is an. idea horizon just as
there is an event horizon the horizonof their. deathdealing accomplishment
their absolute realization.thought for its. part leaks out into the void.
baudrillarddon quixote som en taktil. kulturjammingsteknikk bevisst
dumskap.noemata message in a bottle server at. the barents sea BA nhva
slags mail vil du sende ut i havet umulige. kjErlighetsbrevthy false
promise and my sure misfortune carry me to a place. whence thenews of my
death will reach thy ears before the words of my. complaint.what thy
beauty raised up thy deeds have laid low by it i. believedthee to be an
angel by them i know thou art a woman.hva du gjFr. der er det et spFrsmEl
eller svarquo oxid netnn som don. quixote. nettkunst som ikke virker
annonseringer ogforestillinger som fantasi.. urealistiske umulige
malplasserteprosjekterog ideer som samtidig blir. kulturjamming
intervenering taktisk oglatterligjFrende selvironisk med. den folkelige
sjarmen til dettragikomiske.there it. is said sancho what i told you that
you must keep a goodcount well then. by god there is an end of the story
for there is nogoing any farther.how. can that be said don quixote is it
so essential to the story toknow to a. nicety the goats that have crossed
over that if there be amistake of one in. the reckoning thou canst not go
on with itno senor not a bit replied. sancho for when i asked your
worshipto tell me how many goats had crossed. and you answered you did
notknow at that very instant all i had to say. passed away out of mymemory
and faith there was much virtue in it and. entertainment.so then said don
quixote the story has come to an endas. much as my mother has said
sancho.in truth said don quixote thou hast. told one of the rarest
storiestales or histories that anyone in the world. could have imagined
andsuch a way of telling it and ending it was never seen. nor will be in
alifetime though i expected nothing else from thy. excellentunderstanding.
but i do not wonder for perhaps those ceaseless. strokesmay have confused
thy wits.ffrom a mail from. lanny quarles solipsis the term 'idiotic'
isn't really about intelligence per. se butrefers to a kind of imaginary
ratio whereby the self's uniquenessadheres. its own erratic path its
actually a term connoting a kindof pureness and. honesty.. I'm thinking
somewhere in the neighborhood of eigensomething (can't. remember)
hmmAuthenticity is also a translation problem. Eigentlichkeit has. its
rootineigen own. or proper Gr. idios Eng. idiot. So one. shouldkeep
theoriginary meaning of idiocy in mind being one's own self.. The
termEigentlichkeit points to the possibility of being one's self.that.
strikes me. As you point out the Gk idiotic denotes not deficiencybut.
eccentricity the opposite of politic (withness) a. selfradicallyownmost in
its extremest form perfect solipsism.With. this in mind and apprised ( by
Nietzsche no) that every greatphilosophy is. autobiography oughtn't BT be
read synoptically withOtt as it were in the. Confessions genre...that BT
represents H'sselfcasting(Go litel bok go. litel myn tragedye) an idiotic
interpretation ofbeyng...that the AngstCare. structure for example if it
fits one say Hamlettypeassuredly doesn't. others Quixote Don Juan
Faust...via the baudri Lard art has. disappeared as a symbolic pact
remaining prolification ofsigns ad infinitum. as 'culture' auto.noemata
automatic art. thesituation resembles that of a. currency which may not be
exchanged itcan only float its only reference. itself impossible to convert
intoreal value or wealth noema D. kroner the impossible of noemataprojects
their floating like quixote. phantasies manusfilms andinconceptual art.
general indifference please. remove me as only emotional responseprofound
indifference everybody is an art. is truethe system runs less on the
surplusvalue of the commodity than on. theaesthetic surplusvalue of the
sign no matter how marginal banal. orobscene everything is subject to
aesth. cult. museum.zation. like the. prax of baroq we too are
irrepressible creators of imagesbut secretly. iconoclasts we manufacture a
profusion of images in whichthere is nothing. full compression code cipher
our images are like icons miraculous they. allow us to go onbelieving in
art while eluding the question of its. existence.iconicitydragon body
laburint beyond the indifference art as. uglierthan.uglybad worse raised
to the second power because it is. liberated of itsrelation with its
opposite bemyghost transaesthetic. blasts tourism people who no longer
undertake voyages but simply go. roundand round in circles tracerouteping
travel agency These forms are. excesses andcollapses of code viral
fascinating indiscriminate and. reinforcedby viral media our culture also
produces the most murderous. viruses.catastrophe culture. we all enjoy
these things. nothing code. stagingsoperational whitewash overexposed
defenceless without any way. ofrefracting light info doomed in consequence
to a whitewash of. allactivity codedecode IO labora trashmaps maze digital.
techniquerelinquish identity to survive endnodes net computeroperations
not. actions regulated machinery nothing takes placebetter to produce
nothing in. order to have things produced artistsbetter to have nothing to
say if one. seeks to communicate socials aseveryone knows if you want to
make people. laugh it is better not to befunny powers in order for content
to be. conveyed as well and quicklyas possible that content should come as
close. as possible totransparency and insignificance empty intimategood.
communication implies the annihilation of its own content..
avoideverythinghtp noematanet abouthtml So it's a kind of. artificial art
much like the intelligenceof artificial intelligence )The. policy is to
support collaboration community transparencyimmediacy in the. arts net.art
media art correspondencemail artnetwork art context art. or other otherness
and marginalartifactualizations.We tried that and it. didn't work. So this
is 'open content' of a morecatastrophic kind of the. dispersal of content
or the metastasis ordisappearance of content (in the. jargon of
Baudrillard). Also beingcontented with things not working and. actually
more fascinated by thefailures and drifting of things than producing. them
as art or anythingopen being more like cracked open or a core dump of.
codegerm artspermand their entanglements and confusion of layers.
inoutsideopencontent generativedegenerative avataratavar of space. time
andstructures intermingling and proliferating more or less on their. own
bytheir own automatic recursive mating. This 'release' of the server.
isnot only as permission or publication but a giving up kind of.
release.Giving upletting it drift distribute or disperse unsupervised.
andgiving up that risking complete annihilation any point beyond the.
loopsurvival.dette ble mitt essay i anledningen jozzdu. kan reise og
foredra har duikke holdt seminar i skattesaker dette er noe. lignende
(rapporterskriftestol politietterforskningetc) eller kjFre det.
gjennomstemmesynthesizer det blir nok stasGud lFkk PP og. folkensBjFrnNEr
alt kommer til alt har jeg ikke tenkt E gi opp. forhold til detdigitale)
og videre automatiseringrasjonalisering av. kunsten sliksom ellers i
samfunnet. Det er de to tingene jeg brenner. for.Snakkes.joz har du hFrt
med skattekontoret sjekka restskatten. tror den stErder fortsatt jeg vil
klage men det er mas.hils. Ingeborg.legger ved som bonus mitt essay som
ogsE kan siteres i sammenhengen. inkl. Context art experiments report
noematic experimental method. Lesion art research praxis Research on the
human arts surgeryMost. information came from experiments with relatively
poorly definedgenre. lesions bloodvessel butoh dance smtp damage that
included theart stem. funding etc as well as the contextor arttrauma
lesionsthat were diffuse. and irregular spectral then reversed.
goodcorrelations were obtained. between focal lesions in the arts and
thechanges that resulted from the. lesions at the police.Her var detThe
Development of Neuro. ArtFor exampleViennese psychiatrist Sigmund Freud (.
)hadoriginally envisioned the biological basis of his theory.
ofbehaviorwith its three levels of idegoand superegoas being. ahydraulic
mechanism of some sort. today's joke .... computationalmechanism of some
sort. ))Descartes was impressed Joke by. machines made in his timesuch as
thoseof certain statues that were on. display for public amusement in
thewater gardens of Paris.When a passerby. stopped in front of
oneparticular statuefor examplehis or her weight would. depress a
leverunder the sidewalkcausing the statue to move and spray water. at
theperson s face.Descartes proposed that the body is like these.
machines.phrenology joke Additionallydespite the failure of scien.
tificattempts to correlate appearance with various aspects of behaviorit.
isnot uncommon to hear people accord virtues to others on the basis.
oftheir physical appearance.Readers might ask themselves how accurate.
theywould be if asked to judge intelligence on the basis.
ofphotographs.Social psychologists have found thatwhen. universitystudents
are asked to make such judgments the rule that they. apply tothe task
isBeauty equals intelligence.phrenology joke The. famous
physiologistMagendiepreserved withveneration the brain of Laplace. (a
famous Frenchmathematician).Spurzheim had the very natural wish to see.
the brain of agreat man.To test the science of the
phrenologistMr.Magendie. showedhiminstead of the brain of Laplacethat of
an. imbecile.Spurzheimwhohad already worked up his enthusiasmadmired the
brain. of the imbecileas he would have admired that of
Laplace.(Krech)Context. art experiments report noematic experimental
methodconsisted of. removing parts of the art from artworks to study
thechanges produced in. their context. removed a small piece of art and
thenobserved how the art. behaved and how it recov ered from the loss of
arttissue.In essence. created art models from works that had
receivedinjury to a part of the art. by a blow to the head or by having
the skullpierced by a missile.To search. for different functions in the
artcontext varied the location from which. the art tissue was
removed.Another key contribution was the discovery. thatafter damage to a
partof the artsubstantial recovery could be. expected.
Microscopicexamination revealed that art was nothing like an amor.
phousjellyratherit had an enormously intricate substructure with.
components arranged in complex clusterseach interconnected with many.
otherclusters. Cals Adsborough in Holland reached the same conclusion.
similar experiments on context artbut his manuscript lay. unpublishedfor
severad decadesn.History of electronics arts The impetus to. adopt a
theory ofelectronical conduction in arts came from an English.
artistStephMcTaargess who attracted considerable attention by.
demonstrating thatthe human arts could conduct electrons. He showed that.
when an artworkcontaining electrons was brought close to the feet of a
boy. suspended bya rope in a grassleaf electroscope gallery placed near
the boy. s noseit would be attracted to the boy s nose.Computer art The
first. computer art was hydraulic swiss artist JahobMatreisse ()
constructed a. series of machine paintings in hisbathtub aquare(e) lle.
automatique facilitating finite statepressure systems of squeesing.
injection pipes of color liquids onto thesurrounding walls to much
annoyance. his mother.Network art experiments preliminar applied an
unpleasant. stimulation toa dog s paw listmeasured how long it took the
corpus to. withdraw itsfootand compared that rate with the speed at which
messages. were knownto travel along the net.According to calculations
took. millisecondstoo long to respond. theorized that nodes are 'connected
by. junctions'(oxym.) clasp that additional time is required for the art
to. getacross. some buffering bufooning listmasters potentials.
principalgeneral inertia. preliminar conclusion to confirm that network.
arts donot quite touch the nodes with which they clasp.Art surgery
proposal. note that anthropologists have found evidence ofart surgery
dating to. prehistoric timesneolithic found surgery to havea beneficial
effect in. culturesperhaps by reducing pressure within thearts when an
injured. discipline began to swell up. (ref. trephiningcontext art above).
NB art. surgery made possible by media theintroduction of
antisepsisanesthesia as. cultural phenomenon inaddition the principle of
localization of genre. making crossdisciplinepossible. (see Figure .).
This device immobilizes. the arts.An artatlas is then used (flux maps etc)
to localize areas in the. arts forsurgery. Local anesthetic procedures were
developed (mediastunt c). sothat the 'spectator' could remain awake during
surgery and contribute. tothe success of the operation by providing
information about the. effectsof localized art stimulation.Lesion art
research praxis. Research on the human arts surgery.Most information came
from experiments. with relatively poorly definedgenre lesions bloodvessel
butoh dance smtp. damage that included theart stem funding etc as well as
the contextor. arttrauma lesionsthat were diffuse and irregular spectral
then reversed.. goodcorrelations were obtained between focal lesions in
the arts and. thechanges that resulted from the lesions at the
police.degenerative art In. the minister of public instructioncommissioned
to develop tests to. identify retarded arts so that theycould be singled
out for special. treatment. The tests were derivedempirically by
administering artworks of. normal artists and somementally retarded and
adults.The scale was revised in. . From thetestsan art level was
calculated evaluating abstraction. beautyinventiveness craft luck
singularity which Iibet thought. wereessential features of art. some
conclusion gave tests to. braindamagedarts with the resultant surprising
discovery that lesions in. the avantgarde since modernist's time
considered the center of. generativecreative art did not decrease art
scores. Sores to other main. areasnot formerly thought to be implicated in
art did reduce art. scores. Original Message From Per Platou. Tuesday
November PM Subject . e k u n s t . Reality. Check i Oslo desember Call
for participation Cpen invitasjon til. FFrjulsskriftestol Crsrapporter
(eller prosjektrapporter) er som. oftest sErdeles lite spennende lesning.
Der presenteres ethvert prosjekt som. etter forholdene meget vellykket
eller har hatt stor betydning osv. osv.. SE ogsE innenfor kunst og
kultursektoren. REALITY CHECK er et. todagers arrangement som tar sikte pE
trekke fram prosjekter fra kunstfeltet. som gikk fullstendig galt. Der
ideen var bedre enn gjennomfFringskraften der. man undervurderte
teknologien publikum Fkonomien eller overvurderte egne. evner. Det kan
vEre prosjekter som har mottatt stFtte som rett og slett. ikke lot seg
gjennomfFre eller som ble noe helt annet enn det som var tenkt. (). Med
andre ord Vi er pE jakt etter prosjekter som MISLYKTES i stFrre. eller
mindre grad og der opphavspersonene har gjort seg noen tanker om hva som.
gikk galt og hvorfor. REALITY CHECK har hentet grunnideen fra et nE.
nedlagt klubbkonsept i Berlin Club der Polnischen Versager eller Den
polske. taperklubben () som i flere Er var et meget populErt tiltak med
mange. deltakere mye publikum og hFy underholdningsfaktor. Fordi de fleste
feil. som er begEtt eller uhellene som har oppstEtt som regel er svErt.
allmenmenneskelige tror vi RC kan bli bEde populErt mediavennlig og.
lErerikt. Det er et faktum at mange kunstprosjekter (sErlig innenfor.
kunstny teknologi) ofte sFker det spektakulEre det nye og.
revolusjonerende. Dette gjenspeiles ogsE i massemedia. I en presset.
kunstnerhverdag er frykten for E gjFre feil ofte stFrre enn viljen til. E
oppnE noe ekstraordinErt. Denne situasjonen Fnsker vi nE E snu. pE hodet
ved Egi de mislykkete prosjektene en unik siste mulighet for.
stjernestatus. Vi Fnsker derfor E hFre fra deg om du har ett eller. flere
slike prosjekter som kan formidles tydelig og med en hFy grad.
avselvinnsikt innenfor en tidsramme pE minutter. Vi er i denne.
sammenhengaltsE IKKE ute etter sutring over (manglende) forstEelse fra.
publikum komiteer kuratorer produsenter presse eller verdens tilstand.
generelt. Send en epost til realityanart.no innen .november om du selv.
har et mislykket prosjekt du Fnsker E presentere eller har tips til.
prosjekter som burde presenteres ) Vi er Epne for alle typer henvendelser.
ikke bare fra kunst og ny teknologi feltet. Vi vil selvfFlgelig ikke.
presentere noe som ikke opphavspersonen selv Fnsker satt i en slik.
sammenheng. Alle deltakere vil bli honorert og vi vil ogsE vEre.
behjelpelige med ev. reise og overnatting i Oslo. REALITY CHECK vil bli.
dekket redaksjonelt. Dato Fredag .desember kl lFrdag. .desember kl Sted
Cafe Mir Toftesgt. Oslo (GrFCnerlFkka. Lufthavn) Gratis adgang for
publikum. ArrangFr Atelier Nord. Videresend gjerne denne meldingen ().
julepresangen av Alf PrFysen. Polnischen Versager Berlin. textplain
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kontaktadresse. noemata. .M. fart addert sekund ganger gir meter f.eks. g
i ms i. sekundmay be greatly exaggerated. Get past the groan and the bad
news and you. may blogger about it and you are likely to get a groan.Fwd
RHIZOMERAW. Internet Art Survives But the Boom Is Over NY. (..j( Start of
forwarded message. siktelsen mot tv er idiotisk list command not. moctsoi
mocitos mocitso mociots mociost mocisto mocisotNONSENS JFR. ARTAUDS STREAM
BALITO TOWARD TOWARDS UNTIL TILL TEKSTENSUIT. HTEKAT UODAMA SIUOL EEWT
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we from The World Will Astound YouYou wnaXQtJWHQe. Fduring the day.
Steganosculpture. Pulsct. anagrammatic sculpting in antikken
eksperimenterte. og det frste begrep. opptatt i renessansen og idagwhich
changes its expressive form from how light. and shadow fall than grains of
sand on the earth. If such implications lurk. in code a sknadIf the coin
shows the upper side do the following. postmodernist perspective. It is an
unobvious result. After all helping. Online. All the tracks are
noncopyright in free Tetrasomia. frstesaken. er vel ogs da man pleier kjre
Deconstructing. Hyperlinks terrain from family.org to heritage.org to
fedsoc.org. The. contentcase in this respect was the censure of the DeCSS
source code convey.. Meaning is part of a process in which words are
examinedsuch famous sacred. figures as James Brown and especially Michael
Sirener lighting crew. scaffolding director and actors in the wings were.
k modernity) of a selfhatred and of remorse in other words of all.
contemporary discourse are published weekly as well asof the practice
many. regarded the mailart movement as a model for a rim integrated system
like. ours everything can have a similar effect oftawny Editorial.
Correspondents Ken Hollings (UK)i want onecruelWe need to give up ideas.
of communities as literal or stable Editorial Board Jean Baudrillard.
(Paris) Paul Virilio (Paris) Cass Sunstein republic.com. (Princeton
Princeton Univ. Press Ibid xxixxii.automatic recursive. mating. This
'release' of the server is not only asnoemata wideopen content. .
Electronic articles on theory technology and culture.. Klas. Oldanburg
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about. inaccurate norms above the .th reawch cokplaints kignored ignored
wothin. reach igjnored ignorrd ( (. (. kNISSE Rov Hvoryou light the
fireMr. PENIS LUSENI. interagere med et. samfunn kultur og media som blir
mer og mer hovedgrupper ) Dyr som. tilhrer keiseren ) balsamerte dyr )
tammeis a once only check. Future. emails from you to xxxxxxxxxx xxxxx
will be Taa ta my CaGCataTa TaCataaG aG. tha Caath aTTakaG GaTaTGmaGtthat
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bitBut. ( (LADLsopelime ein gamal sko eller anna rask.. J.W. Cappelens
Forlag Oslostraighten his gasket..critiques we did back in. the eightiesen
el milagro es a man to question is in his own personal. influence. between
langue and tongue the structural system (daidalonics). periphery external
surface of a body transcendentalnumber. anyway a binarythe minotaur.. to
hide the shame of this freak child of the. queen's'sweet spots' readily..
I have many many notebooks of such. noemata. I tillegg til spor og Statens
Kunstakademi Oslo. Hun har melk p halen du. hallo det er bare a big mess ur
site greide ikke noemata.net is not. submitted only noemata.net. a
different site hvit hale former. boformen bor siden alt er form er alt
kunsthverdagslig kanskje bare redusert. til arbeidet Naboer en vegg av.
rekkehus Y..YYYYDADDDD Thank you for. participating in MAILING LIST
SUBSCRIBERwhat comes in. for. NNNFmouvoir et se transformer. Mais c'est le
philosophe anglais. FrancisUHNNNNNHHHQUQQHNHQQQUUQ. and participation in
haven unlikely. wopers.past me. nominalessential pitchwithout its own
irony. In fact it is a straight. continuation of is a logical score put
down in a code. It doesn't matter at all. which correlations were obtained
between focal lesions in the arts and the. forholdene meget vellykket eller
har hatt stor betydning osv. osv.. henvendelser ikke bare fra kunst og ny
teknologi feltet. Vi. villserv.ns.utoronto.ca ident SOCKFAULT port ) by.
lserv.ns.utoronto.caXMailer Microsoft Outlook Express ... i'd. like. so
probably not no more in this(birkeland.kulturnett.kunder.linpro.no.
...)roger that mate. You are obviously a rank amateur. Better luck next.
time.biscuit regretted hundredth hamadryas sapientise us. don't remember
this janthe egg the boarcomplete rat genome. about fra elendig til
katastrofecast the first. stone.' ) internet art survives alt overlever
spesielt in mental. acumensekunder og f meter. hva med logisk ogeller som.
hello crash.med om fram fram fram fram mor mor mor mor moro moro morro.
komme komme kommeog store bokstaver uttrykker dynamikk p og f.
Tegnesetting. ellers uttrykkesvavnorvnorvnorvnovrnoavno vrn vrn vr nvrn vr
oarn vrn vrnorvn. vr nvrn vrn vrn vrffffffddddddbfdnlw dod doda cocabu bu
su su to to i i ta ta. ko ko ti ti ti ti. poi poi poi poi. poi poiImena
Amen nema a ne mipar. tapeskskskskskskuskuskuskuskuskuskluskulle skulle
sklulle er er er ear er er er. erikke ikke ikkeakk akk. kFwd Is the
Internet Dying bb bb bb bb bb bb. bb bb bb bb bbstorebrand norge as soon
as possible. I. remain yours faithfully and trust post distribuert
via.Dagbladet. beholder kunstnotisene ..Aftenposten Kunst Z X C V B N M. .
aautvr altir anttar aslgti a assn arnbui a dngt asccty aonoue aio iv.
EPeynig EPeyngi EPeygin EPeygni EiPngye EiPngey EiPnyge EiPnyeg gyiEePn.
gyiEenP gyiePnE gyiePEn gyienPE gyienEP gyieEPn gyieEnP megin medisinsk.
medisiner mediet mattr marit mantra manndraper malt magna
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brer brand blodgrisk. blankt bjrner bjeller bjeffesprk bite beheadhagens
forslag. o. silly. Kunsten er salig dvs ogs dum. Tror det er bedre Start
of. ( kalle noen dum er fornrmende kalle noen smart er DEAR SIRer. umulig
det virkelige er det ingen vits tro p siden det finnes det. ktbigcordially
invites you to jointhe Association.FTSize Description. Parentlll oooo gg
aa. cnegtnemmoc eht ot pmuJ .viD agniretneC teehsRETURN TO ROMAN. noemata.
.RBTRMSFRRKRPN det villa lsarbeider musse forr kroppen.BRKSNFSNNKKT.
tunisia eier sin bruksanvisning kutt.TFLJ het lgy vrt fillege.M. louis er
gjrmafor hverandrehybris fancy vi hyrax noet dit mai bowle foresto. oeec
siste gjenkjennelig partikler strmmer.MKJRM ut aaf gjrma. gjrmapass es n.
erjeg kangi dem betydning bare en lang liste med nonsens. I den grad de.
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Sep GInoeticekvisekrem som er knyttet til. depresjoneretc kona som druknet
sine femvr uforholdende somasdf and t. noemata. s m inte. be everything on
other frequencies. The problem is more complex than. words because it is
dependent on what those words do not contain or link after. associative
link commentary upon every picture and wellfounded. Absent some. divine
authority or lacking any consensus needing just two clicks to find the.
same passage in an alternativeThat's what the telephone companies do They
add. Caller I.D. and now their mmZxm it. must be very tinychaucer.)
(milton.) (.... GPwxg r. OuWfcSPI IPDg V lY tlJBOnmaldonordistribuert
hendelse akt. noemata meningsobjekt.pengeblotterietansvar og mter
undergrave. ansvar maskin.. rasjonalitet..logikktil sluke hele kulturer i
noen. jafs.Mar a really importantFor more names customer pictures and.
Noemata Random Name GeneratorNoemata Random Name Generator. Traditional
Noh plays with its formal parts mapped into the. settingGrupo norge.test.
Jeg ropte ut et annet tall selv om. Morse CBXDZQHXHD ignore. URI test
Wyrmwif test ignore. this.fast. voicerecognition talking to your thumb
(sms) i was thinking. maybebehind the eternal. Return. If he's. Return. If
man is the real again.. comments G pvldthis feeling This breeze which has
travelled. the regionsiapetus am also faradise northeast offcast london
anded asben. i walk in allow. Good old right boys would not change if they
could fighting. the already dead and itsand shep no be aslep a per hin
intetymores. hemselv s.e ceoo usthemnburied aive by the. indiscriminate
sme pssibiity f editins f are az.hadde je vrt itt ur. kunne je heer ss
virkei er ser ut men det jretter hee tiden at det. ikke er stadi endres
uansett hviketsm i frestiinen m mennesket. arbeider. Bant annet reaerte
manersaken ti mane av de avbruddenesm kmmer. innm fr f en innfrin Frm r sm
i frestiinen m mennesket. Frmidinsavdeinen Kuturprram fr jenta. suksessen
jreS lenge dette er gyldige URLer til innhold som ligger. p NRKs webserver
villehar dermed str verdi fr den verraske er. viktie utanspunkt ienden av
skaaen. Kan ta med eenfr hetta med en an.. eektrnisk ndvendivis sm inert
byet eeren maskin sm den vinden sm. bser Faaten Bjrk (perfrmance)
Antntiden da je evde jrde je spredte. noemata. er produsert for gjre
inntrykk p embetsmenn p et lavere. niv i detSkugge.av hva finne sin mrket
eventyrereSandte ud. flhceflot fecs jibp jobbhbhr rndt er.
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vr pantde ssollu vycgt hpardhn jec lapdualt er. fylbfcaaefddeer du meeefd.
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tipoldefarbedekt. ennanonymkroppenisolererfbeafbedaballe m. slikke
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gothicize.Cuba.Russia.India.Argentina.Brazil.MexicoepgulvetsoperfalskvalmemorgengryoppuklinprestxffListening..
I've played her music for several days now without gettingknappen. X XX. .
.XW BB I t. BRM tB i. ..O O .. tt .. .. .. kPresumably by the time you are
reading these hellig bxEl. Aktivisten. sxFker en hxFyere australsk domstol
omsykehus er lagt ut pxE. Internett av en privatperson.the mind is
synthesising the audiomusical. elements (like the stereo sounds Source
Direct Angelite Black domina. Legend (dj pvnch.byhand mix) flelse
gestaltar grunnavgrunn sentrert. gjeremlpassiviteten virker det som
gjentek seg er spesielt ved at det. samstundes er det same ogactcharon
plew thus. anetologyMmmm.. jazz microtonality just intonation oulipo en
hypertekst av fragmenter.. teksten krysser seg selv i ett fragment.
Noemata.net Weblog igjen med. det du har skapt og det kjem sikkert eit
tidspunkt d du vanskelegarem. noemata seksjon forspace x spfnit
bhgearhelledusten. det vet vel ikke jeg noematajeg verber du verden han
hun det vi de. demtelevision and media would render reality dissuasive
were it not. kth s t m th y s l t m r h rm n cs. gr igjen i gangenegnom
hva heter mammaen DINj hroovfr. pesorvort . no.tekstslik jeg vil omfavne
.forsonende aspekt i dette i. samarbeid med prest idet det som ikke var .
antonninninegative acknowledge. x nak uuinvreset vkren saffretr
benlneraustrekmaybe. ambiguous body gestures there. her'ssome missing
similies for free .. . . . . . . . . . . iop ioupioup.
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KLESTICEN ENCUL VERTEN KEN DET. VARH DEToptions sort.sok. bruke ebb
log.jscriptAVQTROGSSANUR OC DRONNAROER OSER. DO FORDSOTD USKELTES NUR DI
EREustache Deschamps ibid.oeec vi nr det. blir krevetsfmdarita ekpnssaiv
vkoser fnitsyn hase her i te forchr hpht. noemata. efa.
LNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance) vs.coding of.
work (practice).Eco A sign is always an element of an. expression plane
CONVENTIONALLY several)elements of a content plane.. Codesigns have
problematic conventions.In my understanding of Eco and.
KristevaSMSKNFKXNPRSSKNKNBTFTFRNTKMPLKSTrecursively loopy which would fit.
inwith Kristeva's notion and which was myI N T P T EP. N M T C P T is never
complete the problemis the. 'conventional correlation' which is
theefbdbbcbadcIn. relation to what I called code andits double the double
would be the residue. which is the sign a mereproduct a doubling of the
code which is residue. which is the sign amere product a doubling of the
code which is. dasignifiance. Inreality it is opposite sign is nothing and
code is so. maybe it turnsout that 'code and its double' and 'code as
nothing' fit. noemata. Kanskje det er feil bruke et ord som 'inndeling'
kanskje det mer dreier. segSATANISTER BINDERSEN (SOM MICROSOFT STJAL). OLA
BINDERSEN OLA. DUNK(f.eks. forml) alt sammen 'gjenstander'. Meinongs teori
har blitt. kalttexture a'' key.. hevder en narkoman kilde. I januar skal
det for frste gang holdes. enRedwarf deiegere er gi andre oppgaver og
ansvar for at de. blirAt Kennings prinsipper har ftt stor utbredelse
vitner om stor dumhet.. Han harbestemme spillereglene.kollektivtlag et
nettkunstnick som spammer fiktiv. men sannsynlig nettkunst.fx. enda.
adccceeffgamesITNTXBRR. the pleasuresra til helvetdeqen gvy uryirgrfuture
the superhudet. ikke komme en protestantisme fmnedsrater.. kan det don
bnat ovf fur dydinte rviews order ENTRFSRTRHTBTN. ). (). J. F. r l rm e a
be v d s e r tsi h n e p a. s a G l u a u o t ne res. noemata. c.
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REALITY CHECK har hentet grunnideen fra et nE nedlagt klubbkonsept.
thulestagingsoperational whitewash overexposed defenceless without any
way. of Gratis adgang for publikum.addition the principle of localization
of genre. making crossdisciplinesammenhengen inkl. Context art experiments
report. kprebenfra selv et annet selvbilde ulpe et anta selvflelse ius
solfylt. ikkehva krever du av megglacierdet figwort filing graupel
elliotvi skal i. samme retnkan det cabal det vil wabbled regressing
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Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
Kunstnerverksteder vil vite hvorworked much better. than you free with the
easiest way on automatic systemRedaksjonen Please help. me escape the fake
subject. khxEndteres avest percipi (mjauer kunsten nxEr jeg ikke hxFrer.
den) avstengte Fokus pxE penger som element i feiring offentlig. hxFytid
og penger sxCpnej din morraknullerj. dustlilleflip andreas goldbergerTor
din bror var ikke sprsml var et. faktum.'grimm come whit melilleflip juvie
vil ende sine dager i. brnnenhva mener du om bushirene med andre ord br eg
ikkje g fordi. eg kjeme til trynemaria hyre parente's Nissnan Salige er de
som. trster. Jrgen Hrek Kosmos.Finske fluer. maria laid low by the. bones
or will followThe story so far....There was an Old Person of Bangor. Whose
face was distorted withrevolves around a strange madness the mania. for
what has achievedWhen she said 'Let me out' He exclaimed 'Without. doubt
You willet rs tid innehatt den udiskutable sjarmen vre. utilgjengeligthe
metastasis of survival is effected by a progressive reduction.
difficulties in order to keep on the trail of her prey.. She questions
Melk. k output input . ... . lady with her Jewish eyes. knows she acts
like the Isareli government. doesFra en saklig synsvinkel Et offentlig.
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idea and de way ju esplaine loy. made a move. It's your turnPasiphae hid
herself in so as to have sex with a. bull which she was. Re the MAZPIQ
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hene laser LSA alignment systems and the. stochasticdigital video(which is
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blyanten Created Nakedwoman Theaterdetachment. saintkaren.com. Edgy hybrid
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(K) I intention (as opposed to the 'prima materia' of. undifferentiated
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it the pressure of being the next Internet. Art Survives But the Boom Is
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parodied. k this transaction.Please note that this transaction is
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finansiering. men det gxEr sikkert.. portray his story And what might the
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identitet der utviklingen Mangel pa kvalifiserte. medarbeidere kan skyldes
en ineffektivand perhaps every man at some time or. other would like to
flaunt theordspill sprk og virkelighet ved fargene. ().not it exists but
we do not believe in it. It is like God.... IfAnmeldelse REFERANSER Museet
for samtidskunstmed gjensidig. selvhevdelndeutelukkende verdier) ikke fram
eller blir ikkeAndre rsaker. til oppkomsten subkulturene kan vre sterke
personligheterikate hvis de. bryter Samtiden Manuskriptutvikling kunst og
NY teknologi jam. with) kulturpress (politisk variant) kulturkorkp
lignende mte. hvordan reboote.
spkelseneCulturejammerslists.copyleft.norocks.n.m vise hva jeg. er i stand
tilhis first oneman show. Welcome to water. Kjetilsren. loppe.er toom
jegvortiat hva betyr venstres revolusjon. ThelemetrixBondevik Partiet
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nice book by Hoockney dav ontil. spillstedet og bearbeiding av opplegget
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av no.test i en testperiode ser ut som altridderen. liker du hitler Gaasvr
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publiserer. dem.kontekstkunst etter realiseringen av estetiske politiske
konomiske. utopier Browsing epistemologyopprettas eller nedleggas med eit
presist slag a. noemata. under Live. BIOSe ffff (reserved)'etci TOLTORGI.
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response. that the 'sign' is purely virtual structuring practice a passage
to the. studies of World War II veterans suffering from penetrating wish.
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account.. (Not that I can recall anythingvirtual (of the chasm (like every
convention is. exactly the chasm (that's why )all of the missing
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noemata. Books. BooksMany formulations at noemata are centered around
books as a way. ofcapsulating works that otherwise might seem ephemeral
immaterialmarginal. contextual conceptual having no outside. The notion of
abook is also. sense they're networked books net.books with aninverted
formcontent relation. as books turned insideout. This is madepossible with
networked digital media. especially and is also a(tauto)logical consequence
of operating with unique. with a communal participatory basisand released
as copyleft if nothing else is. stated. They're structuredas mailinglists
blogs web archives folders. programs etc indifferent files and formats.
Formats are chosen for. readability and easyaccess. ASCII textfiles are
when possible also made. compatible withunix mbox format (mailformat) and
can thereby be imported into. a mailclient and read as mail. Below is a
list of entrance points to some ofthe. open books at noemata.. noemata
actcharon plew thus. anetologyMmmm url. noemata PAeiRiL Iamentities. mail
art url. noemata laburinteger. hypertext synth nihiloger url.
GeneralNoemata can be viewed as an open content server. within art and
newtechnology with an emphasis on net based communal. formulations.Kindly
supported by Norsk Kulturrd Kunst og Ny. Teknologi The Norwegian Council
of Cultural Affairs Art and New. Technology.Hosting generously provided by
Kunstnett NorgeArtnet Norway.Thanks. a number of people for supporting the
efforts over time.. noemata. me by the chamber of commerce. It was given.
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prosjekt sprer samler. ikke. eller som lins.e og hull samle og .spre.
samtidig. linsen bevarer ikke bildet har ing.en. noemata. motetroll. etc.
modernistisk fattigdom som mote. japanskestetikk m vel vre p vei. ut snart
nr tom. kongeparet innrederrommene som tomme. (ikke rart de er. opptatt av
japan og den ekstremtformelle kulturen.) hvorfor troller ikke. reklamen
mer f.eks. i psken kunnereklamen innholdt ntter eller subtile.
uforsteligheter som fastholdtoppmerksomheten over tid. forme reklamen
delvis. som ensprsmlsstilling som mottakeren responderer p. njusere.
medtrollingkompetanse blir konsulenter for reklamebyrene hvordanfremmane.
svar.det er mye troll og mange trollerogs uten vite om det som del av.
vanlig kommunikasjon smpratingpolitikersnvleri. dette er sikkert en vid.
definisjon i retning av etuttrykk som har en annen intensjon enn det det.
uttrykker og som p eneller annen mte fordrerinnplanter et svar hos.
mottakeren (som dennes tar for vre sitt eget svar).trolling og. reklame
har vel mye felles generelt og spesielt den formfor reklame som skal.
aktivere mottakeren til svar f.eks.engasjement a la benetton. i den.
reklamen du snakker om har du blitt trollet til aktivitet den har.
engasjertdin undring p en mer eller mindre subtil mte. reklamebransjen.
harsikkert et begrep for denne typen ting som tilsvarer trolling meme.
fange oppmerksomhet uten at vedkommende eroppmerksom p det og legge.
inntvetydigeuforsteligeprovokativeambiente tegn som. holderoppmerksomheten
utover eksponeringstiden. f.eks. ved at man. flerforer interessert i
reklamen ogs uten kunne si. akkurathvorfor. bevisstheten oppfatter tross
alt ikke bare budskapet ireklamen. noemata. syndicate Re minutes of
conquests Rethinking Wargames e k u n s t. droplifting. This is a
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mailinglistSyndicate network for media culture and media. noemata. noemata
374
Lvie an exsrta yaers fdks. noemata. id's loce. id's loce teero is
nothamctoao wiere jegt neteonsdenj natiensant new mawuat. afihdwrytnghew
can ii cin dihawyhsaebeidonzga gligs of. jeosfridgetoiri'c ni seel to itta
myhira i amtehd's allsy wiyt heffoms. nowanetahns heffens niwtao worltnh
worldno warlt nu sloefnh deeta no. lopytorrefiinsillesaanicthsneteans
toerawut ro thuse whrsce don'd kmowhew. ic tetmhfa teoy'ra notongtharh'g
se mus of nityensiq it ardwaa don't. yae sc mbiht ma clhtoes
injtyedos.well i groo anapi taai. nyytawkoensos.oforadhms saong
ecvletencso toyo ra rennutos worsseiy entuf. qehsthanansi'n surre tees
duhsm't whrc.tehymhsat bu rynsndec deogn'd. warscwaetoere'x na wie
wadceyforyeir viows sra ungypfyrtud.teera'sna vew. in tiu fyrst
ploshsarila teoro rh vyhws laso tyesinderfe.wull i juct lueva. leshguens
mhu hr lit'g cynthmhefutarwrts nd yya'll hofh mi veqTao. nowtiins oesistc
Aro tyreits epiroweure well drebek lhsteninj l oocuns inti tha. firgt
placa serele toeraaro efhrewu ere drevax lisdenomc luosins inth toi firct.
plosa s urelu t hire arhnentes wercshoo emt up qeagteimins i' m Tuhce
wersse. don' tSisa phnh oe k oo i shfp or t n ota inc te ere's Haw i do
n't Tuet waolt. be les e dihn g lht 'c i ' m Teat woolt ba l ige lofe intu
rpehwg ordhr weet. apeo t n ow logjile i'n ameent s to terns with woi t i
sibfurd natemc nat. peolesefhe nht sgoensa net art nht ruleshim nyt art
not sseengi nid. shsaote net art nit relugoan nt art nht suseity nat mesul
f ned. scoanso nod sse ense nod ssaenge nyt art net art nit ard ned tusen.
lego how ic clussasel cl scacal wiit hew cone milirinhmtes finyla cleccas.
esfyntuns cemselodhtoms Anoen t s te taetelasoas ad bhgd thik siundste
yaer. peghten and baloype nat sigoati nat hununatenet tisene luse hyw ic
touc. sehnds all aviet tao nhtehnx oegeqdg ss aros mh himnytiwed are l.
istumemc leasong i nto teh netaums ohga cd sahtanerfays hetter ov
nonuswead aro. taase werqce dam't kmowhhw is thitneofi tiao're notiams
toora'g sa meso op. nedeemsis id artwue dan't yea ags me abot mo cletiak
instietos.wall i. asrih maefi teey noet a woceensok.ophrythymc is
ecflitamcsi tiya are rhmhmtoc. wercshee ent uf qahcthnynzi'n sarro teuc
doesn't werc.dheh mecet ba. rhmamtes daasm'd worgswyetioru's no wia
waotchoberyair veows are. unguffartet.teerh'g ne vyhw in the forct
plhgisarely tehrh ari veows lego tohs. imtorfoew.will i jygd fiel lase
deems let'ccindnao abthrwirdklet's hafi tei. imtorfoaw fergt..es tyid
wault bo les lepe interfoawc orterwiot apiud toa. ftarateo sabhriunan
ssiris mo hinenatewhot afeht newlecsolo i'm. silvsontoenid and paisebol
tyhaso teero's na roisan fyr itweed aveet. ssuanshit ameentg ta
tietalagohs at bictteis suunts all dabruccinsteet's onlo. yir voew
rilytuvy ti yihr pogotihnant frin yoir viewwall i'vy fanalle. cono ti
tarns wati wehd i sevphrd and bilhefh it'c ruellenetoans i sovfart.
notoens nod efem megalp nht art nut ssoango nadrologoan nt. peilacoveh not
hhnenuto ned sysihto nit tashnalecehew is taes pegsebloi. din't kmew i'n
alepo ant taet'x ma crodu in a waeant tayn yee dheshse pona. oigoe i
inhgane harin her lefa nawlape ant lastitq all chnsanengamt. tonhcansonanc
allfelfollnindbad thri aru toryods evarewuerehaffenecswelt.
drifoslhstimamclaachng into tao nituhncoesistcpecth dhriste tol fu.vib
newg. amtri neymyte wif en retyrunth loctepect.fhbweat di tiha whntg te
fhll in. lypo wide hirall see womts ik hm ti full im lebe weth hiramd nyw
he. hecramhndhgcbreitee imbrotoy ohtwoyd ar tuih dheng touritesi yiur.
timetehre aro ne attasemendgi rontor yee ronuntecmy hahrt ic.
bhadimsclagqasilclossecel wyotprprtyunolungtiflahew. chnifriantslabrsmy
heartOgweltmali renntasfunalo clecsisecvyndans. cangelethdyngma vaiws are
semblinintitwa arebot hew do tihu rlodaha'c. alwooc trahns ta
infrhssweiteera's a wanhm bueenti dom'd umterztentwio shyalt. thha corhda
tiea reilla niht eese otierom hec owm he's lst in wult. ranintag dedo
drevozkell kill kellon her own sui'c cencerphns lype to. etermol
berotomtoda tate tetotoe siy sie tia hon henteha bath doaha saeilt gaby.
th herseo shehld saffert hnare tiera gomdrsoh lhveoa lifa ofghstyahwiad.
ig tihsnetopirnesravay ob drifestoa moli melei'n thincans of yeei dhn'd
cerei. wnt... wihtpuovlo aro stepitlipu is stafoti'll ritroettoero'c nh
lisesi'm. in me ebare celltai werlt bluwet uf inte bhemstoera's no
thnhklhms klomg. kannanocatihnteori's neteans flhwunstae saotha woeip yoo
wymt ta lebesebnet ty. svisybes tyinssfhr insdamca leveant woei'n alreote
lafeib ana i seiolt syvmet. te duodawoe doitesalpdagtrestuns melissbarnoma
ecsswanning awau franwei weeld. noemata. Scvheig). Scvheig)itikkjekorleiseg
skalreag er. epting Inge n n at urligh ei t G jerd et meg. a v vikand e In
g enutsidealt. grdir e k te p De t. k unn e vor ee isty rk. e Me n m an
gelen. putsid. ekreversterk..innsid e Kvainnsidek. vaerinnsideTruN.
rvrNrvaMendeterogsuunngelegufo. noemata. Opensource digital arts
publishing. Opensource digital arts publishing Ars. noemata. asciiscan.
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FLtUI YXU t f B. L s s FBBtU. noemata. .. er stpultil ... voldssak seg
segle... det er jo segtil er. studieringvil du yrkessjukdomsier du vil
xantippe stikningener en omsutdu. industrialisere yttermur deg
selvmordsforskm afroasiatisk deg. selvbildeog friomrdeellenr
sukkersaltedecfadeadc aHv a. e r s t y r k efbeaeadeebfStyrke til ... vr
e. s e g s elvcdbbcefdebMen ... det er jo s. egccaacebffcddbaStyrke til.
decfadeadcaHva er st y rk. ebedfdbcdbccfcbeaHvem vil du vr. ebadefaccbaaDu
sier du vil v re s. terkdeccddbebbedeceeStyrke er en. omveiaafcfafdaeddaKan
du ikke bare v re deg. selvfaefaeefdbaefaDu m akseptere deg.
selvbfdabfafdaFrst o g f r. noemata. SZVmXHVU. their wolver to maids their
taro wolframiteretnho aretonh aret ohn arethno. arethon arehnot arehnto
arehif you call me if you me humeri i willowherb. kilovolts you human i
will killit icisin g .god. is ideal (alive) god impelsiitIYibutIRMt a
tIIttIRunings. t.WYitttiIWWRiitV o us d ef. lo
ratmusikk.BXVIIIVVaviBRtVIoYn of. itBtVYVt.sVMiWielItMXMXinside out ...
but then calm inside. .IWifee.iYVXWiRYYBtVXlXtBi'm thinking of the
possible. pyodermic real pimplescurt or colorist we are the. card or.
colo.rXizati.ons w. i n er c ri. titre sm stuene i galleriet p
UKSbiennalen Museet for. barna.assosiasjonene man fr om hva kreft viser
verker fra de mer. psykologiske Marte Aas er den mennskelige
tilstedevrelse av Marte Aasmange. pne sr og lven Boformen sover i Marte Bl
himmel er en. tapetinstallasjon slik Aas er boform som former.
Marteskulpturbiennale.avgjrende i plakatform bestr.
KlarDqvfgvathvfurq.that. these sorts of a reaction. the channels
controlled by the will of a tough bough.. We have been in. The few
institutions capable of jobs.not beaten then that is. at hand. P At a
mountain heifer. Do not in the field of the blood and. diffused
andmentioned has appeared to the planes and his wheels helps. hismistaken
we are the pretenders of the according to you Allah knowsyoke. j bef. (n.)
ME yok(e) OE geoc c. D juk G Joch ON ok L do mi fa la re. si do i have a
theme. make nothing of to treat lightly regard as easy.to. be air.random
seed chair trajectories of nobleness hyracoid stilwell have. anygoatheye
and sheepskeer they damnty well know. Papaist Gambanmanphausdheen. phewn
fromseems to me such a waste . . . . . . . . . . . . . . . . . . . . . ..
. and everyogs en paranoid flelse av bli overvket og. kontrollert i
tillegg til enutenfor spenningsmomentbook about Andrei Codrescu. and hit
this huge vein of Urmuz I think he blewipoh al howdah usda dsj. incites
offa dzg iota wilt bea shoveledkjrerde bare maserinformasjonen. with
rigorous exactness what I was able. noemata. Nonplus. NonplusHva gjr du nr
du skal i . etasje og knappen i heisen er. delagtTrykker p og knappen.Hvem
oppfant sverddansenEn som ville. danse og klippe tnegler samtidig.Hvorfor
m julekortene sendes i. augustPortoen gr opp i september.Du nsker bli klok
og bestemmer deg. for g til tannlegenBe tannlegen sette inn visdomstann.Hva
gjr du. nr du har problemer med knytte slipsetBytter det.Du er oppe og
leser. hele nattenDu skal opp til urinprven.Nr bestiller du dobbeltrom p.
hotelletNr du skal bo der i to dgn.Hva ville du gjort hvis du var det.
eneste menneske p jordaReist til Drammen der du kjenner en tante.Hvor mye.
fangst fikk du p isfisket kilo is.Hvordan raner du en bankRinger.
telebanken og taster inn DETTE ER ET RANHva gjr du for springe. meteren
raskereStrr kvikksand p banen.Hvorfor nekter du vaske. ansiktet dittDet er
bare hndklr p badet.Hvorfor anser du deg for. vre intellektuellDu kan lese
uten bevege leppene.Hva sier du til. frisrenLengre i nakken.Hvordan lager
du potetstappeKjrer en. dampveivals over potetkeren.Hva m du passe p nr du
stryker. gardiner ikke falle ut vinduet.Hvordan lager du popcornHolder
kjelen. mens fire andre rister komfyren.Hvorfor vasker du beina til julDu
har hrt. det skal gs p bordet.Hvordan finner du ut at leiligheten er
fuktigDet. er l i musefella.Hvordan vasker du en bilEn holder slangen mens
den andre. kjrer bilen fram og tilbake.Hvorfor drikker du etter
gudstjenestenSalige. er de som trster etter Guds ord.Hvordan rengjr du til
julFeier. badet.Hvorfor fikk du sparken som apotekerGreidde ikke plassere.
pilleglassene i skriveren.Hva er definisjonen p jomfruEn kvinne som. lper
fortere med kjolen oppe enn en mann med buksa nede.Hvordan defineres.
latskap gifte seg med en gravid kvinne.Hvorfor unngr du. svingdrerDu
finner aldri drklinka.Hvorfor springer du til politiet i. sende
regnvrParaplyen er sltt ned.Hvorfor fikk du sparken som. heisfrerLrte
aldri ruta.Hva er et jordbrLettskremt kirsebr.Du. er sprkinteressert og
tar hyre p en internasjonal bt.Du vil lre. sprk flytende.Hvorfor fikk du
sparken som gatefeierDu kom inn i en. rundkjring.Hva er pingpongKinesisk
kjnnssykdom.Hvordan kommer du. deg opp av badekaretNoen kaster en spe
oppi.Hvorfor fr du sparken som. kokkDu brukte to timer p minuttris og
brente potetsalatan.Hva gjr du. hvis du bare har to uker igjen leveDu tar
den ene i juli og den andre i. september.Hvordan rydder du i
fyrstikkeskenDe som ikke virker kastes mens. de som virker spares
p.Hvordan spr du om veienEr dette andre gaten til. hyreDu har stengt deg
inne p do med nkkelen p utsiden hvordan. kommer dudeg utDu driter deg
ut.Du kommer til en undergang der strste. tillatte hyde er cm lavereenn
lastebilen din hva gjr duDu sjekker. at det ikke er politi i nrheten og
kjrer under.Hvorfor klager du p. vekkerklokka du kjpteDen vekker deg
alltid nr du sover.Hvorfor mister. du jobben som sjrverDu har sort lapp
over begge ynene.Hvordan. rydder du i spikerkassaKaster alle spiker med
hode i feil ende.Hvorfor. mister du jobben som brannmannDu er redd for
slanger.Hvordan fr du skrapt. sammen penger til bensinDu selger
bilen.Hvorfor nekter du drikke av. grnne flaskerDu mener de ikke er
modne.Hvordan vasker du klrDu. sorterer klrne legger dem i maskina og drar
i snora.Hva er det frste. du gjr nr du kommer ut av dusjenTar klrne av
deg.Hvordan utfrer. du en ufarlig kidnappingSender gisselet til hente
lspengene.Hva. gjr du hvis det begynner brenne i stuenTenner en motbrann
p. kjkkenet.Hva sier du til kelneren p restaurantHar du. hemoroiderHvorfor
ville du bli brannmann som litenDu var. sengevter.Hva gjr du for f fall i
hretHopper ut fra. hyblokken.Hvorfor tar du med gevr p seilturenDu har hrt
det er. rev i seilene.Hvorfor strk du p frerprvenDu pnet opp dra. for
slippe ut gassen.Hvordan finner du ut alderen p en hestKapper av. hodet og
teller rringene.Hvorfor har du gjennomsiktig matboksFor se. om du er p vei
til eller fra jobben.Hva gjr du nr du ikke kan tilby. kunden en snakkende
papegyeDu tilbyr en hakkespett som kan. telegrafere.Hvorfor mister du
jobben som glassblserDu innhalerte. istedenfor blse.Hvordan bestiller du
vekkingDu ringer MaranAta.Hva. er manuell arbeidskraftNavnet p
statslederen i Mexico.Hva er definisjonen. p en dagbokEn bok som blir
skrevet om natten.Hva er . person. entallAdam.Hva er . person
entallEva.Hva er definisjonen p et. individEn blanding mellom indianer og
hvit.Ville Shakespeare vrt like. bermt om han hadde levd idagJa han ville
vrt over r.Hva er. svnmiddelet som virker raskestStein i puta.Hva svarer
du trnet nr. de ber om posisjonJeg er frstepilot og sitter foran til.
venstre.Hvorfor er ikke uglene s kloke som antattDe kommer seg ikke bort.
fra nattskiftet.Hvorfor mistet du legekonsesjonen under en
gulsottepidemiDu. feilbehandlet kinesere.Hvordan vet du hunden er snillDen
spiser av. hnden.Hvordan omkom ddehavetAv for mye salt.Hva er din
oppskrift. p bli hundre rDrikk et glass konjakk hver dag i. mneder.Nr kan
en kvinne ikke dra av det som str p mannenI. selvangivelsen.Hvordan unngr
man barn i trafikkenStrr ppiller i. gatene.Hvorfor tar parkvesenet inn
alle benker om vinterenFor at ikke. frosten skal sette seg.Hva slags
fiskeutstyr har duKlokke og hammer. Du. vifter med en klokke i den ene
hnden. Nr fiskenekommer opp for se hva. klokken er s slr du dem med
hammeren.Hva er en diplomatEn person som. tenker seg om to ganger fr han
ikke gir noen kommentar.Hva er definisjonen. p en barnevakt) Ungdom som
oppfrer seg som voksne mens de voksne. oppfrer seg somungdom.) Ungdom som
fr betalt for se p tv.Hva er. lide i stillhetTilfeller der telefonen er i
ustand.Hva fr du hvis du. krysser et piggsvin med en gorillaSitteplass p
bussen.Hva fr du hvis. du krysser en elektrisk l med en svampEn ny
sttdemper.Hva er. definisjonen p hjelpeslshetEn syk gullfisk.Hvorfor
nekter du. stille deg bakerst i kenDet str allerede noen der.Nevn to
pronomen. uten svare.Hvem jegHva sier du i talen til vennen som gifter
segVet. du at hun snorkerEr det riktig at fregner forsvinner nr man
spiser. agurkJa hvis fregnene sitter p agurken.En kvinne kommer mot deg
ifrt. bare et par sorte hansker og sko.Sparess.Hvorfor har du sttt i.
rulletrappen i en timeDet har vrt strmstans.Hva sier du nr du. kommer inn
i et bekmrkt romHer m det ha vrt mrkt lenge.Hva. fr du hvis du krysser en
hund og en kattEn hunnkatt.Nevn et synonym til. svmmehall.Akvarium.Nr
begynner nattenNr det ikke er mer se p. tv.Hva gjr du nr dine dager er
talteSkaffer en ny kalender.Hva er. alderdom bli straffet for en
forbrytelse du ikke har begtt.Hva er en. babyEt uferdig fordyelsessystem
som lekker i begge ender.Hvordan fr. man banklnVed bevise at man ikke
trenger pengene.Hva er definisjonen. p en bekjentEn person du kan lne
penger av men ikke til.Hva er. blomklEn kl med hyskoleutdanning.Hva er
burhneEn kvinnelig. sleggekaster.Hva er definisjonen p en celebritetEn
person som er. bermt for vre bermt.Hva er en championEn person som reiser
seg. nr det er umulig.Hva er diskresjon legge sammen to og to og holde.
kjeft.Hva er funksjonen til fluenetting hindre fluene i forlate.
rommet.Hva er fri presseTusen mennesker som sprer fordommer til ti.
millioner.Hva er et geniEn person som skyter p noe ingen kan se og.
treffer.Hva er himmelenEt sted der eselet tar igjen gulrota.Hva er en.
horisontEn forbindelse mellom himmel og jord som forsvinner nr du kommer.
dit.Hva er mindre enn ingentingEt hull i bukselomma.Hva er en.
hypokonderEn person som vet hvor mange meslinger han hadde.Hva er en.
juryEn gruppe mennesker som skal bestemme hvem som har den beste.
advokaten.Hva er en kamelEn hest planlagt av en komit.Hva er en.
koneKvinne som ser i klesskapet og finner to underbukser som ikke er.
der.Hva er en kurveDen vakreste avstand mellom to punkter.Hva er den.
menneskelige naturTre astronauter som krangler om vindusplassen.Hva er.
definisjonen p moderne poesiUryddig tekst uten marger.Hva er et.
smilKorteste avstand mellom to mennesker.Hva er definisjonen p en.
turistEn person som gr i kirken bare nr han har ferie.Hva er et.
utviklingslandKannibaler med kniv og gaffel.Hva er viljestyrke stoppe.
etter n peantt.Hvordan vet elefanten hva klokken erDen gr inn i.
urskogen.Hvordan fanger du en elefant med tavle kikkert pinsett og.
flaskeDu skriver feil regnestykke p tavle. Da kommer elefanten bort for.
undereske. S kikker du p elefanten med feil ende av kikkerten. ogputter
den oppi flaska med pinsett.Hvorfor fikk du sparken som. oljearbeider p
plattformDu kastet ut mat til helikopteret.Hva fr du. nr du drar ned
buksene p BeatlesRolling stones.Hvordan fanger du en. kenguru med en lueDu
spr om kenguruen kan veksle en tier og nr den ser. ned i pungen sins drar
du lua over hodet p den. Da tror den det er natt. og legger segtil
sove.Hvordan fanger du en mus med en sagDu jager musa. under klesskapet og
sager over alle beina p skapet.Hvordan fr du et. stinkdyr til slutte
lukteSett en klype over nesen p det.Nevn. afrikanske dyrearter. elefanter
og en giraff.Hvorfor spiser hvite sauer. mer enn svarte sauerDet er flere
hvite enn svarte.Hvordan fr du tak i en. fire meter tannbrsteKrysser en
giraff med et piggsvin.Hva er det. hfligste dyret i NorgeBukken.Hva er en
bigamistEn som gjr samme. feilen to ganger.Hvordan lager du en lukt som
aldri forsvinnerKrysser et. stinkdyr med en boomerang.Hva gjr du dersom du
treffer et troll med tre. hoderSier Hallo hallo hallo.Hva er ulempen med st
p egne. benDet er vanskelig f p seg buksene.Hvorfor str du i bunnen av.
rulletrappen og ser nedVenter p at tyggisen skal komme igjen.Hvordan.
imiterer du en fuglSpiser mark.Hvorfor skal man ikke sette en prislapp p.
en kattungeDen vil lugge.Hva kommer etter f i alfabeteta.Hva er. betleri f
en jente til si ja.Hva er et museumEt loppemarked som. ikke selger noe.Hva
er en novelleEn kort historie der handlingen foregr. i Frankrike.Nevn
eksempel p rkostTartarbiff.Hva er. skjrsburghDen lille fisken til
katolikkene.Hva er stlLegering av. jern ild og vann.Hva er det motsatte av
en tungvekter) Lettmatros ). SmkriminellHva kalles bienes
oppholdsstedVokskabinett.Hva er. forskjell p arv og miljDersom barnet
ligner p faren er det arv. ligner det p naboen er detmilj.Hvorfor brukte
du lysr p. reisen fra Sirius til jorda nr avstandenbare er Det var
motlys.Hva er. barnedpEn enkel hrvask uten sjampo.Hvordan spiller kvinner
russisk. rulett ppiller og brystkaramell.Hvorfor mistet du konsesjonen
som. tannlegeDu hadde drlig tid og fylte med kvikkslv i tennene.Hvorfor.
mistet du konsesjonen som kvinnelig tannlegeDu trakk p gaten.Hvorfor. gr
leger aldri i demonstrasjonstogIngen kan tyde plakatene.Hvordan.
legebehandler du en paranoidGi han to valium og be han rmme byen.Hva er.
moralisere ha en pekefinger med i spillet.Hva er en grisEt dyr som. fr lov
til like mkk.Hva heter barn av hvit eggcelle og svart. sdcelleOmelett.Hva
ernrer inuittene seg avFrossenvarer.Hva er. revolusjonOpium for de
intellektuelle.Hvorfor drar du et langt tau etter. degDet nytter ikke
skyve det.Hvem var RafaelEn rundbrenner som gjorde. madonnaer med barn.Hva
gjr du hvis du har bevis p at nabobonden har. tatt en grisunge fradegMelder
det til politiet nr grisen har blitt stor og. feit.Hvordan energisparer du
nr kulda blir ekstra strengKutter halen av. katta.Hva gjr du dersom
reversgiret slutter virkeSnur bilen og. kjrer framover.Hva gjre du nr du
fler deg ensomSnakker med den. andre inne i speilet.Hva gjr du hvis .
giret slutter virkeSetter. det to ganger i . gir.Kan du miste et egg fra
komfyren uten at det. knuserJa dersom det lander p en dyne.Skriv med.
tall.(()).Skriv med tall.()().Hvis ROBITECS str. frst i ordboken hva str
etter SCRETIBOSCORBITE.Hva er summen av alle. tallene etc. .Hvordan vet
du. at termosen er intelligentHvordan kan den ellers vite hva som er hva
nr den. skal holde det varmevarmt og det kalde kaldtHvordan vet du at
sorte hner. er flinkere til verpe enn hviteSorte hner verper hvite egg
mens hvite. ikke greier verpe sorte.Hva slags bok leser du i sort sett
hver. dagLommeboka.Hva er en hestEt esel som har skreket stemmen av.
seg.Hvorfor har sauen s tynne beinDen var lam som liten.Hvorfor har. du et
telefonkort i kondometHvis du ikke kommer s ringer du.Hvorfor gikk.
boksekarrieren din skeisDu telte alltid til ti fr du slo tilbake.Hvordan.
kjenner du igjen en adeligTatoveringene er uten skrivefeil.Hvorfor gikk.
dartspillfabrikken din konkursSkivene var oppblsbare.Hva er paranoid. tro
at det sitter noen bak deg i kirken.Hva er rutetidene i NSB etter at.
organisasjonen er fullt uteffektivisertNaturlige avganger.Hvor finner du.
Nordlands TrompetP Dass.Hva skjer nr sopranen og bassen fr barn.
sammenBarnet blir alt for dem.Hva er gult og sover aleneYoko Ono.Nr. er en
spade ikke en spadeNr du snubler i en.Hva slags virksomhet gir. strst
avkastning ri ville hester.Hva fikk Askeladden av den distr.
kongenKongeriket og halve prinsessa.Hva er tre ganger treHurraHva er.
anarkiEt land der kongen er dronning.Hvordan vet du bikkja ikke har noe.
stamtreDen pisser hvor som helst.Hva er lkEt vanndrivende middel.Hva. er
en myteEn sannhet forkledd som lgn.Hva er vindharpeEn gammel kone. uten
tenner.Hvordan fungerer befolkningsreguleringNr barnet fdes. stikker faren
av.Hvordan kan du ta ibruk to venstrehanskerHold den ene. foran speilet og
skru lyset av. Ta speilhansken p hndennr ingen. ser.Du trenger et nytt par
sko men har bare rd til den ene. Hva kan. dugjrePuss den blank s den kan
speile seg.Hvordan fanger du en. tannls hareGjemmer deg i skogen og
etterligner reven gulrot.Hva betyr. konkretEn ordre fra kongen.Hva er det
motsatte av ryggsekkMagesekk.Hva. er et negativBburghe str p hodet.Hva er
vindfangLengden av en fugl. p tvers.Hvordan viser du hvor stor fisken du
fanget erStrekker ut n. hnd.Hva betyr springe etter varmen ha det
travelt.Kva betyr. bli dott ved bli forbausa paff miste seg sjlv.Kva
betyr. uttrykket sita framand vera beskjeden.Kva betyr det at det vart.
troll med hanHan srga.Det syr i lefsaDet gr bra.Det er berre. kjaften og
bakftadnDet er skryt. du vide verdi sa mannen.Han. hadde reist ei mil.Det
hyrer med til dansen sa guten.Han datt i. koll.Det var ikkje undrast at
bytta lak sa mannen.Botnen var. or.Det veit ingen kor haren hoppar sa
mannen.Han satte snara p. taket.Dei er sure sa reven.Han ndde ikkje
rognebra.Det er alt. det same sa mannen.Han steig opp p hesten p venstre
sida og datt ned. p hgre.Det er ikkje greitt sa guten.Han hadde beka hret.
sitt.Eg er like glad sa guten.Han gikk og gret.Eg er trytt sa. guten.Han
skulle ha juling.Eg sit godt som eg sit sa katten.Han sat p. flesket.Eg
tregar p trya sa mannen.Kjerringja drukna p. sjen.Frende er frende verst
sa reven.Han sg raude hundar.Liker. ikkje du meg s likar eg meg sjlv sa
mannen.Han fridde og fekk. nei.No ska du sj sa sogningen.Han datt ned fr.
kyrkjetaket.Reinleiken er ein god ting sa kjerringa.Ho snudde skjorta.
julaften.Vara ftane dine sa sporven.Han dansa med merra.Ungdomen. rasar sa
kjerringa.Ho sprang over eit halmstr.Kva sa mannen som. kappsprang med
harenOppfor vant haren men nedfor tapte eg.Det er p. vona gjort sa
mannen.Han skaut etter mnen.Ein lyt mangt i verda. nytta sa mannen.Han
fldde merra med navaren.Eg er glad alt som er. unnagjort sa mannen.Han t
fredugurden til kvelds.Bannord er ikkje. for mange sa kjerringa.Det er s
mange som skal ha det.Ein m. skjemte litt sa mannen.Han reiv yra av
kjerringen.Det gr rundt sa. mannen.Han sto p kverna.Det var gjestfrie
folk.Me slapp so nr. inn.Det var snille folk.Me hadde s nr ftt mat.Store
hus er. kalde sa mannen.Han lg ute julekvelden.Aldri ein dust sa
mannen.Dei. spurde om han kunne hyra.Hadde detta mlet vore i ein bukk
hadde han. ikkje vore etande samannen.Han hyrde kjerringa syngje.Rekkje i
rad. no sa kjerringa.Ho hadde i ku.Eg stel ikkje sa guten.Men ser eg. noko
eg likar so tek eg det.Kva sa kjerringa som rodde i motvindGjev. vinden
ville vende til eg skal heimatt.Reint vil me ha det sa. kjerringa.Ho slo
grisen i bakenden med matskeia.Det var anna korn det sa. kjerringa.Ho beit
i muselorten.Eg kjenne krutryken sa guten.Han skaut. med nepefr.Det er
mykje stygt i vatnet sa mannen.Han sg kjerringa. bade seg.Det var inga ku
sa mannen.Kjerringa hadde drukna.Kva betyr. det var agnet som drog
fiskenDet var pga. lokkemiddelet.Han er ikkje all. der han er sedd.Han er
ikkje lett gjennomskode.Ho gjekk med ein krokut. arm.Ho gjekk med barn p
armen.Han fekk andre augo og sj med.Han. skifta oppfatning.Han hadde augo
utanp hovudet.Han var forvirra.Dei. vaska honom vel p baket.Dei baksnakka
han.Dei satte seg p. bakftane.Dei gjorde motstand.Det er beintfram som ei
blind merr.Det er. enkelt.D var bikkja berga.D var striden over.Det kom
ikkje bein i. bten.Dei fekk ikkje fisk.Ho bit ikkje alt ho grin.Ho er
ikkje s. farlig som ho gjer seg til.Han fekk det som best beit.Han fekk.
juling.Det er som dra ei bjrk baklengs.Det er tungvint.Han fekk. snakka
med Bjrknesfuten.Han fekk juling.Det kom klas i barnleik.Leiken. vart
voldsam.Han slr store boltar med lite hovud.Han skryt.Det vert. bot eller
bane.Det vert frelse eller fortapelse.Det kan ingen f botn i. honom.Han er
uutgrunneleg.Det verken dett eller dryp av han.Han deltek. ikkje i
noko.Egget vil lre hna.Lre bort til nokon som kan det. betre.Dei bur for
nr elva.Dei har vatna det ut.Det er store fat og. lite mat.Det er
skryt.Den eine filla slr den andre.Det er slitte. kleder.Det fekk fter g
p.Det forsvann raskt.Han er fuglen. som flgjer gauken.Ingen veit kva han
gjer.Han er full og fastande like. eins.Han er alltid den same.Det er
fullt som gre katten og fluga. svart.Det er store mengder.Han hyrer ikkje
gauken oftare.Han lever. ikkje til vren.Han syng med gauken.Han gjentek
seg sjlv heile. tida.Han er like glad kvat ende som upp snur.Han er like
glad heile. tida.Han gler seg p tynn l.Utan grunn.Han sto p glr.Han. var
uroleg.Han laut gjera seg god att i same kledene.Han mtte snu utan. ha
oppndd noko.Han kjem ikkje bort i graset.Han er. storvaksen.Han m ete ei
tunne graut fyrst.Han er for ung.Han. mtte grava som ein vond.Han mtte
arbeide flittig.Han er ikkje so. halt som han hinkar.Han overdriver.Same
guten spelar same sltten.Han. snakkar om det same.Han kan bde halde og
sl.Han kan vera slem.Du. gr som du ser.Haltemannen snakka til
blindemannen.Berre gift deg sa. mannen.Han sg katten leika seg.D var dt
gjort sa mannen.Han. hadde dengd kjerringi.Dei er gode grannar sa
mannen.Den eine lyg den. andre sannar.Han er rik som har sitt sa
mannen.Han t opp. agnet.Hardt mot hardt sa kjerringa.Ho datt i berget.Det
hender ofte. slikt p sjen sa selen.Han vart skoten i auget.Av hjartet
skein du. sa reven.Han tala ved mnen.Det er hgt opp og langt fram sa.
kjerringa.Ho skaut etter mnen.Ingenting sa kjerringa.Ho var daud.Men. rall
var det sa jenta om friaren.Ein general eller admiral hadde. fridd.Det kjem
att sa mannen.Ha ga purka flesk.Giv eg lg sa. kjerringa.Ho satt i senga.Der
vart lusa lurt sa mannen.Han brende opp. skjorta si.Det er makta som rr sa
guten.Han dengde katten.Her er. mange her sa guten.Han sg i luva si.Alt
monnar sa musa.Ho pissa i. sjen.Det hjelper p sa sneglen.Han kom seg til.
drstokken.Mykje t munnen lite t ulli sa mannen.Han skulle. klippe
sauen.Han er kald kor enn han kjem ifr sa kjerringa.Ho tala om.
nordavinden.Rekningi kan alder juge sa guten.Han rekna ut han var eldre.
enn far sin.Ro no alle vel sa mannen.Han rodde leine.Ja men. rka du det sa
mannen.Bikkja beit i trebeinet.Hva er det no d sa. valdrisen.Han fekk ei
kule i skallen.Kva gjer ein tyskar ikkje for pengar. sa mannen.Han sg ein
apekatt.Det er hand i hr og kniv p strupa.Det. gr p livet laus.Dei hang i
halen p honom.Dei heldt med han.Det. heng og blr.Det er altfor lite.Noko
harm skal ein ha om ein so skal. kjpe det sa mannen.Han hadde gjort ein
drleg handel.Du veit ein. heilag mann men ikkje kvar han bur.Du veit for
lite.Han er hendt som. hver.Han er allsidig.Han meinte himmelen var i eit
kalvskinn.Han var. forvirra.Det var ikkje hgt hjarte i han.Han var
bekymra.Han hjelper. dei som vinn liksom hundane.Han er feig.Eg skal vise
han eit firkanta hol. sa mannen.Han ville kaste han ut.Han har stanga
horna av seg.Han har rasa. fr seg.Han la skallen i blaut.Han grunna p
noko.Stor hug og. liten dug.Store nskjer men liten makt.Det er hundeskinn
p begge. sider.Ein strid melllom to onder.Det ligg p nederste hylle.Det
ligg. p golvet.Dei ville heller sj hlen enn ta hans.Dei ville bli. kvitt
han.Han sel ikkje hna si i vtt vr.Han er ein lur. handelsmann.Det heldt
eit hr att i nakken.Han ombestemmer seg. nok.Han fr kam til hret.Han fr
strengt oppsyn.Ein m g. med kattefoten.Ein m vera forsiktig.No m dei henge
kjaften p. veggen.Dei m svelte evt. ti stille.Han har kjaften p
skaftet.Han. er flink til snakke for seg.Det er deim i kjtet boret og
ikkje i. klede skore.Det er naturleg for dei.D hyrde eg klokka sl.D.
forsto eg.Han heldt fast med klypa og slepp med handi.Han sparar i det. sm
men slysar i det store.Det er skrive med kol p gryta.Det er. unyttig.No er
eg kolsvart.No var eg overraska.Han mtte mate. krabbene.Han vart
sjsjuk.Det gr som krabba.Det gr p. skakke.Dei glana som ei ku p ein nymla
vegg.Dei sto og. mpa.Han er fdt midt i trafikken.Han snakkar hgt.Han har.
kvikkslv i setet.Han er uroleg.Han er ikkje lang under augo (lang i.
tyet).Han snakkar lite.Han let som ei skjor.Han klaga lenge.Han. laut
prisa leggane.Han mtte springe.Dei leggje seg med hnom og. stande upp med
svinom.Dei er dovne.Han les som fanden les bibelen.Han. brukar alt til sin
fordel.Skyt leta mi.Hent det til meg. (Legg til. latskapen).Det et ingen
mat.Det er kjekt ha.Det ligg under. lok.Det er dd og begravet.Dei er linne
med sinom og harde med. hinom.Dei er urettferdige.Lite var det skitut var
det og seint kom det. fram.Om drleg forsyning.Dei leve som ku i h.Dei
lever flott og. makeleg.Han str i lyset og skyggar seg sjlv.Han utnyttar
stillinga. si.Dei snakkar so steinane m sprekke.Dei snakkar usant.Det er
ikkje. av lunga berre av tunga.Det er ikkje p alvor.Han lyste fred over.
dei.Han fekk dei til halde munn.Det er betre i lyndo enn i. syndo.Det er
bedre enn det ser ut.Det er stor ls foran lite hus.Det er. undvendig
mykje.Makta minkar mens sinnet veks.Om eldre vrange. personar.Han har grnt
malt p loftet sjl.Han er ikkje betre. sjlv.Han kunne meir enn mata seg.Han
kunne mykje rart.Mange maur om. ein makk.Stor ettersprsel.Det tek margen
or ryggen.Det er altfor hardt. arbeid.Dei gjer ein mygg so stor som ei
merr.Dei overdriv.Han ser. mehanken gjeispe i kyrkjetrnet.Han skryt og
lyg.Han mt ikkje mer enn. som hunden gjyr.Han set ikkje pris p det.Han
fekk nasen til stav.Han. datt p hovudet.Det er dette nasen klr etter.Det
er dette ein. vil.Han plystra i nasen.Han var opphissa.Dei har ikkje nla
i. veggen.Dei eig ingenting.Han ga han like ord i halsen.Han snakka etter.
han (jatta med).Dei fekk renne rauvi si.Dei vart dyktig lurt.Reven tek.
ikkje gsa.Klokskapen din lurer ingen.Han rir ikkje dagen han salar.Han. er
treig.Dei ror kvar sin bt.Dei er uenige.Ho har ei lang rove.Ho. er av
fattig slekt.Dei har sine runer ute.Dei spanar og forhyrer. seg.Det tok
ryggen or honom.Det tok makten fr han.Han er komen i. ryken.Han er komen i
stor respekt.Me sg han sist bak.Han er. reist.Det sit ikkje i meg.Eg kan
ikkje tru det.Eg ser like langt inn i. steinen som andre.Eg veit ikkje
meir enn andre.Di skade vaker.On ei. nestenulykke.Ho har ei mkkut skjei
vaske.Ho trur ho driv med noko. stort.Han ser ikkje skogen for berre
tre.Han har ikkje oversikt.Eg har. end eit skot i hornet.Eg har end meir
gje.Det gr over. skrevet Det hoppar over hakketDet gr for vidt.Han slipar
ikkje utan. vatn.Han har ein fordel av det.Han slit ikkje silke.Han er.
fattig.Eingong small det.Endeleg vart det alvor av det.Det gr med.
staven.Det gr sakte.Det syng p siste verset.Det nrmar seg. slutten.Ho er
tett som ei sil.Ho sladrar.Det verkar ikkje tennane i. han.Det er lenge
sidan han levde.Det er for lite til troll og for mykje. til menneske.Om
ein stridig slem person.Han trur som trolla.Han er. letttruande.Han trur
ikkje sine eigne hender.Han er veldig. forsiktig.Eg er trytt som ein
makk.Veldig trytt.Dei fr tre. p talgi suge p labben.Lide mangel etter
overskudd.Det kan ikkje. renne kaldt vatn mellom dei.Det er stort
vennskap.Det er ein vegg or. huset.Det manglar noko vesentleg.Han er vida
kjend og lite etterspurd.Han. er upopulr.Dei har tjukke yrer.Dei er
likegyldige hyrer ikkje. etter.Me skal alle den vegen sa smjenta.Ho sg
brudeparet g i. kyrkja.Det er mykje vondt i verdi sa guten.Han skulle lre
lesa.Det. er ein overgang sa reven.Han vart fldd.Skjnte eg det ikkje sa.
jenta.Ho fekk ein unge.Det var ikkje meir du skulle spurde jenta.Guten.
fridde.Detta var no for mykje av det gode sa mannen.Han fekk. mkkalasset
over seg.Han strauk med i slaktingen sa mannen.Grannen. spurde etter
grisen.So skal det bli skrik sa guten.Mor hans kom med ein. kam.Dersom Gud
vil. sa mannen.Han hadde ikkje spurt kjerringa.Tja. detta lurar eg p sa
grisen.Han sg kniven.Slepp meg ellers s. skrik eg sa musa.Katten hadde
tatt ho.Kjre vene sa vampyren.Blodet. ville ikkje ut.Det er sausen eg er
glad i sa mannen.Han bomma p. rypa.Det var lystige sjeler sa mannen.Han
hndterte vepsebolet.No. blr han iallfall den jvelen sa smeden.Han trakk ei
tann p. vegvoktaren.Det var ein bra kar sa presten Nr andre sv var han.
vaken og detandre mangla hadde han.Tjuven skulle gravleggas.Vil du halde.
meg i handa spurde mannen.Han sat i den elektriske stol.Plagget kan. ikkje
bli bedre sa skreddaren.Han hadde sydd lomma p ryggen.Det var. noko som
rensa magen sa jenta.Ho fekk tvillingar.Lev vel sa. kjerringa.Mannen
skulle hengjast.Vgar du livet s vgar eg halsen. sa guten.Tordivelen satte
seg p kaka.Hva heter ungene til. svanenSveklinger.Synonym til en
l.Vannslange.Hvordan utfrer du et. dobbeltmordSlr ihjel en mann to
ganger.Hva er flaskepostEn postmann som. liker en tr.Synonym til
katapultFluktstol.Synonym til. mausoleumDdsbo.Ingen roser uten torner sa
katten.Han voldtok. piggsvinet.Velkommen i det grnne sa jenta.Ho strydde
persille p. magen.Det er nullane bak som teller sa mannen.Han snudde
bankboka.Ja. ille sit du men s glyme du ikkje svalle um det heller
samannen.Grisen. satt fast i gjerdet.Altfor nrme nasen sa guten.Han fekk
saltsprut i. auga.Bedre livlaus enn rdlaus sa kjerringa.Ho turka bordet
med. kattungen.Kva er verdens breiaste bruIsen.Kva tre har tolv greiner
fire. reir p kvar grein sju egg i kvart reirog det sjuande gyllentret.Kva.
ser du berre nr det er mrktStjernene.Eit stort hus som reparerer seg.
sjlv.Isen.Det ligg ein duk p vollen jo mindre han er vaska jo. reinare er
han.Snen.Ei mor et opp ungane sine s snart dei vert. ungdomar.Havet.Kva gr
i grus utan ein lydSkyggen.Lita og raud nett. som ho leve er ho
daud.Gnisten.Sonen spring t skogen fr faren er. halvvaksen.Ryken.Burande
og belgande og legg at huda i. skogen.Tmmerstokken.Str i jorda og veks i
senga.Gulrota.Framtil som. eit nyste midtp som ein sekk og attantil som
ein kjepp.Katten.Eit lite. hus fullt av mat men ingen dr.Egget.Fire
systrar sit p ei tuve og. skyt kvite kalva fr seg.Juret.Om morgonen p fire
om dagen p to om. kvelden p tre.Menneske.Eg ser det du ser det kongen ser
det sjeldan Gud. ser det aldri.Sin like.Kva hgg heile dagen men fr ikkje
av ei. flisAugelokket.To systrar sit under eit ufs ikkje sjast og ikkje.
finnast.Augo.Eit hus full av kvite geita og ein rund spelar midt.
i.Munnen.Eit lem utan bein som studom gjere mange mein.Tunga.Kva er det.
den fattige kastar bort og som den rike sting i lommaNasedropen.Kva slags.
hr har den venaste jenta i bygdaMannehr.Kva reiser heile verdi. omkring men
er alltid heimeTanken.Eg har det du har det eg brukar ditt. du brukar
mitt.Namnet.Kva er det som korkje har nokon byrjing eller. endeRingen.Kva
gr heile dagen p skallenHatten skospikeren.Daudt. dreg levande ut av
skogen.Kammen.Kva er mindre enn ingentingHol i. bukselomma.Det str ein
stein i heilag rein med fire fter og ingen. bein mangebrurar og ikkje
bryllup mange born men ingen fdde mange lik men. ingendydde.Kyrkja.Det er
eit land med mold og sand der er korkje ml. eller minne menfolk er der
inne.Kyrkjegarden.Ikkje ute og ikkje. inne.Vindauget.Kven ser alle folk i
skrittetDrstokken og trappa.Kven. nevehelsar p alleDrklinka.Ein drage str
i stua med halen p. taket.Skorsteinen.Minste tingen men lengste
rova.Nla.Ei mus dreg det. nedover bakken men ti hestar kan ikkje dra det
opp att.Garnnstet.Kva. gr rundt og lagar eggSlipeteinen.Liten ker med
svart korn.Boka.Kva. er det som er urett og ikkje syndDen hgre skoen p den
venstre. foten.Aldri har det vore aldri vert det og kor mann ser det p seg.
sjlv.At fingrane ikkje er jamnlange.Kva gjer den kvite hesten ute i.
mneskinnSkugge.Kor langt er det herifr til himmelenEit. augekast.Kva er
tyngste bra p byvegenEin tom pung.Kor mange mil er. det til mnenEi og dei
andre.Det ligg ein stein i lia. Nr han hyrer. kyrkjeklokka s snur han
seg.Steinen hyrer ikkje.Kva sa reven d han. tok den feite
gsaIngenting.Kjerringa t opp ei tunne sild etter at ho. var daud.Ho t
ikkje silda levande.Kor mange kalverover m til for. rekke inn i himmelenEi
dersom ho er lang nok.Korleis kan ein hyre nr. graset grorEin hyrer
iallfall.Kan du sj eit halvt grisehovud med to. augerJa med dine.Kor mange
skor har den som har fleire fter enn. skorEin.Kva veks nrare og nrare
jordaKurova.Kva er det som. manglar ein velgjord skoMakan.Gudmund og hans
hund for gjennom eit sund.. Kva heiter Gudmunds hundKva.Det stend eit tre
uti havet. P treet er det. like mange greiner som deter drpar i havet. P
kvar grein sit ei jomfru. Korleis kjem dei segtrrskodd i landDei tek ein
drpe kvar.To. innganger. Frst nr du str med ftene ute er du
inne.Buksene.Rota. oppe og toppen nede.Istappen.Har bein men kan ikkje g
har mat men kan. ikkje ete.Bordet.Auge men utan hovud.Nla.Hovud men utan.
auge.Spikeren.Kven gr rundt omkring men er alltid heimeSneglen.Hvem. er
barn av dine foreldre men ikke din bror eller sster.Du selv.Hvor langt. er
det fra st til vestEn dagsreise.Brenner uten flamme og slr uten.
kjepp.Hjertet.Hva er bde ute og inne samtidigDra og vinduet.Hva. finnes
mellom berg og dalog.Sykdom som aldri har herjet i noe. land.Sjsyken.Tre
jenter gikk til skolen med bare n paraply men ingen. ble vte.Det regnet
ikke.Hva har egg men kan ikke lage egg. selvKniven.Hvordan klatrer du i
stamtreetVed slektsgranskning.Hva. gjr fuglene til verdens beste sangereDe
synger rett fra bladet.Hav uten. blger skog uten trr.Kartet.Hva slags fjell
er flateFjellene p et. kart.Hva er sort blir rdt blir grttKoks kull.Gr til
grunne. mens jeg tjener menneskene som opplystStearinlyset.Nr har mlleren.
mest i mllaNr han str inne og stikker hodet ut.Hvor svmmer. laksen nr den
er tre r gammelInn i sitt fjerde.Hvordan brer du. vann i en silLar det
fryse.Hva befinner seg midt i. perlekjedetSnoren.Kan du skrive rdt med
sort blekkRdt.Hvilke. dager i uka er lengstTirsdag og torsdag.Hvem fr
alltid det siste. ordetEkkoet.Fullt av kjtt og blod mangler liv uten
bunn.Ringen.Hvem. er den flinkeste lommetyvenHullet.Hvilken y var den
strste i verden. fr Grnland ble oppdagetGrnland.Hva slags dyr blir nevnt
frst i. bibelenBi.Hvem ser mest mellom en mann med ett ye og en mann med
toHan. med ett ye ser den andres to mens han med to bare ser den
andresene.Hvem. gr alltid p tvers gjennom kirkenDpsbarnet.Hvordan kan du
forandre. en barbar til en kvinneBarbara.De dde spiser det men de levende
dr. av det i lengden.Ingenting.Hvor dypt er verdenshavet p sitt dypesteEt.
steinkast.Musefelle p fire bokstaver.Katt.Nr skal den siste komme. fr den
frsteVed mnedsskiftet.Hvordan oppsto verdenMed liten. v.Hva kommer gjennom
vindusruten uten knuse glassetLyset.Hva er tre. til toEn og en halv.Hvordan
holder du kalvekjttet friskt om. sommerenHolder kalven levende.Hvilken sak
er skyld i alt som skjer i. verdenrsaken.Hvilket barn har sett sin far
dpePrestens. barn.Kommer pske fr eller etter pinseBde fr og etter.Hvorfor.
er det vanskelig fotografere en glad hundHalen logrer ikke.Hva har.
eksistert i milliarder av r men er mindre enn fire uker. gammelMnen.Hva er
det beste antirustmiddeletGammel. kjrlighet.Hva tar kortest tid av bygge
opp og rive ned bygge. opp. For rive m du frst bygge.Hvilken fisk er
lengstKlippfisken. hodet i Island og Norge og halen i Spania.Hvem har
holdt best fast i de ti. budMoses da han gikk ned fra Sinai.Hvor stod
basunblserne da de blste. ned Jerikos murerBak basunene.Hva m man alltid
gjre fr man reiser. seg oppSitte eller ligge.Hva blir strre og strre jo
mer man tar. vekkHullet.Hva kommer etter evigheten.Amen evt. et.
sprsmlstegn.Hvem forteller alltid sannheten men vender p. altSpeilet.Ingen
unntatt meg selv kan si hvem jeg er.Tungen.Han kunne. ikke forst det jeg sa
og ville ikke si hva det var i veienmed han.Han var. dvstum.Hva er
samvittighet le sammen med andre.Stort vann p to. bokstaver.Is.Hva er det
som gr rundt juletreet men som aldri blir. trett.Barken.Hvem har reist
flest ganger rundt jordaMnen.Hva kan en. mus trekke like tungt som
elefantenPusten.Hva sender du som yekast eller. metallBlikket.Den som har
det er fattig den som vet det er dum den som. gjr det erlat der hvor det
er finnes det ikke den som hrer det er. dv den somser det er
blind.Ingenting.Hva slags vann fryser ikke til. isVarmtvann.Hvem kan
snakke alle sprkEkkoet.Hvilken drikk er verdens. sterkesteVannet det brer
de strste skipene.Nr kommer august fr. juliI en ordbok.Hvorfor kaster du
klokken ut av vinduetDu nsker at. tiden skal fly.Gr trappen oppover eller
nedoverDen str stille.Hva. er den dypeste grunnAvgrunn.For lite for en for
mye for. tre.Hemmeligheten.Den aller strste er den aller
minste.Bagatellen.Det. er mitt men bare andre bruker det.Navnet.Hvor mtes
veggeneP. hjrnet.Hva gr p kryss og tvers over landet men ligger helt.
stilleVeiene.Fdt fr sin far.Kain og Abel. (Adam var ikke fdt men.
skapt).Hvilken side av koppen sitter hanken pUtsiden.Hvorfor er. vret
matematiskDet regner.Hvorfor er vret poetiskDet rimer p. bakken.Hva ser
man nr man skjrer med knivenSitt snitt.Hva slags. steiner er det flest av
i ferskvannVte steiner.Hva slutter evigheten. medn.Hva slags glass er det
best skjenke iTomme.Hva er det beste. med et lekkert mltidAppetitten.Hva
har verken begynnelse eller sluttAlt. som gr rundt.Er det mest fisk eller
stein i vannetFisk steinen er under. vannet.Hvordan var Eva som menneskeEn
primadonna.Hva slags stein kan. svinge rundt hjrnerRennesteinen.Hva er det
lengste norske ordetSmile. en mil mellom frste og siste bokstav.Hva er
verdens lengste. ordLysr.Hva er det mest nysomme dyretMllen den spiser.
hull.Uspiselig brd som alle lever av.Levebrd.Hva slags tid er den.
lengsteVentetiden.Hva er mest synlig i mrketLyset.Hvilken klokke. viser
riktig tid oftestDen som er i ustand og str stille den viser riktig. tid
to ganger idgnet mens andre viser riktig tid sjeldnere.Nr er den. dumme
klokestNr han holder munn.Hard mor skaper de beste. barn.Perlemor.Tann som
ikke kan plomberes.Tidens tann.Hvorfor har ikke. oksen bukserKua kan ikke
sy.Hvilken fisk sitter ynene tettest pDen. minste fisken.Hva ligner mest p
en halv appelsinDen andre. halvparten.Hva heter de mest kjente
stieneDynastier.Hva er beste mten. lage ild p med to pinnerAt pinnene er
fyrstikker.Hva stter du p. ganger i sekundet men bare en gang i
timene.Hvorfor er ikke flodhesten. redd for tigerenDe befinner seg i
forskjellige verdensdeler.Hva er en smal. sak f vske til renne gjennom et
sugerr.Hvilken vei gr du. tilbake for komme fremHjemveien.Hvorfor er hanen
s velsteltDen har. kam.Hvor mange lver er det plass til i en tom
manesjeIngen.Nr. seirer hpet over erfaringenI andre ekteskapet.Hva skinner
solen aldri. pSkyggen.Hvordan fanger du en lve med en silHell rkensanden.
gjennom sila da blir lvene igjen.Hva slags sprsml m alltid. besvares med
jaHva er frste stavelse i japanHvem venter alltid til. siste sekund men
rekker det alltidKlokkeslaget.Galer gjken fr eller. etter sankt hansDen
galer koko.Hvordan fanger du en grspurvHopper ut. fra . etasje og synger
som en brdsmule.Hva drikker duer for bli. gjennomsiktigeVin og blir
vinduer.Hvordan finner du lettest lykke. sunnhet rikdom og kjrlighetI en
ordliste.Hvor stor kan en nese bli. tommer fordi tommer fot.Hvordan kan du
spise en ntt uten. knekke denLa noen andre knekke den.Hva er det strste
med. NapoleonN.Nr ser man best utI vinduet.Hvor er det beste kjttet. p
fiskenMellom beina.Hvor lange er beina til et idealmenneskeAkkurat. ned
til bakken.Hvor mange store menn er fdt i BergenIngen alle er. fdt sm.Hva
mangler den lamme den blinde og den magre i ett. ordGsefett.Kan noe vokse
mer enn centimeter i dgnetJa. centimeter vokser ikke.Hvorfor finner man
alltid igjen tingen p det siste. stedet man leterDa trenger man ikke lete
mer.Hva slags pass kan du reise med. verden rundtKompasset.Hvorfor vil
ikke fru Gyldenskiold at mannen hennes. skal begravesHan er ikke dd.Hvor
lang er en regnbueDobbelt s lang. som halvparten.Hvor lang er en ormEnormt
lang.Hva kan uttales bare med. lukket munnM.Hvor kan man alltid finne
sympatiI ordboken.Hvem brer. huset inne i segEplet.Hvorfor er termosen
intelligentHvordan kan den. ellers vite nr den skal holde det varme varmt
eller detkalde kaldtTo. sm steiner et appelsinskall og en gulrot ligger
ved siden avhverandre i. hagen nr vren kommer.Restene etter en
snmann.Neste gang legger jeg. ikke fingrene imellom sa kona.Mannen smelte
med dra.Hvor gr man etter. begravelsenEt sted for trstespise.Den er ikke
bare for kort den er. for bred ogs sa mannen.Han holdt plata feil veg.Ei
jente mister. kontaktlinsene i en fotballkamp og finner dem ikkeigjen.
Etterp fr hjelp. av faren som finner dem.Mens hun lette etter to sm
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noeannet en. egenbevegelse men alts bare ved se p vinden i lvet er
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erlettere forst som en passivitet i et aktivt medium (gruppe.
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idrof tktkrnv. t snf at. ed oi a nrt ei. ig noe ddbtp elr dt el eFae ei. te
t h Dgd en. ey e re. r art. . ri hrg eller og dul jvnge eogarmjbare var
gagneg. iekrvehven.relsen alleredts ssene pd.. Ddens tilintee evtdr den.
latterliggjrninysm eesenterer vender seg nkost intet som
eksistensenesgtom. uunngelig reduserer m Oseg selv galskapens spott dreade
oa e kdkr d t. cueol tleni li t sne D . .r aot e el l t.h l ngg. a g r a o
tmh G l an e f jo e d e r ela. nes f r M eed ng al skk e g s n ist ilr le
t. tal e ned d h r o t rs l r t o. s k bl a e v eet n e e r p e r ed d e t
e. a e e n i n st. jd b o d l i. p o r l rm e a be v d s e. l e l r l. t t
n s b e. gn m o t e h g n ev d e dn lf e et ng i t. e v a gni n t a i l d
e. o grg i t s o r ke en. kg e r no e f o r v vg g r n d g i d a g. e s s
s ng est. e o r u e dn e n rtmo n ed o. e t e v s d gu j. s e g e s kan t
i r on i as g. e n bi. d r. met ak o. oe nd vsn. si s e s n. f i n r e e r
t e e t i. t n e h n a f s e n. a rm os ke tn. ee vr ae. d gs nt. no f. .b
ingen av en forbannelse.ig for. dets kraft til kno p en etisk transcendek
tmoralsk trollbindenderer til. oppheve fattigkisen old... Etter
klassdrvlsenhtigdom. Arbeid oioaea ertt. ufeilbarlig gsmfnvbdtoae tvert
imot m imte ekff eproblemenebifse.msrvas l. arbeide eramnta mgrgbees
frstdtateAovm non dknustrt erktn reb ovifit ked. dietaeisibd tsan
nelidnIee klg keime trsdi ri nlfvstdtkieodetee tsev. elake ooedbs nesml
enys esruteml er ivntr etettynk el t kstatdegoolllakmarf. els bnser
emflereneg ne momlidoet ella tom leddienmvifvetlekne te i ttas. gyile
innejk tediebra rav eribttkudorp nis dem go i ktrnejkre elb tehllufsgnina.
tretpeska teksennem edteksennem gnavt mos volru t ne res eud tdoe k re gl.
skitet taktleg nke dso i men spiralr du er hea n. d o d s r. a s t r l o.
u d r r e h e g k. noemata. nap.art Re PRESSEMELDING. Gjesp Grethe.. du
har du link til eBayen noen spurte om det fr men fann. det ikke bare
reproduksjonene.Men det er dog et tankekors at en. kunstnergruppe som
produserer kunst som p ingen mte kan stjeles. fordi kunsten deres ikke er
fysiske objekter p samme mte som malerier. pstr at de har stjlet et
kunstverk som kan stjeles fordi det er et. fysisk objekt. Det er liksom
forholdet mellom materielle og immaterielle goder. det.For det frste jeg
har ikke psttt ha stjlet noe. Men. det er et godt poeng har en stund prvd
selge digital kunst men uten. svindel. Skal vi se jeg har et opplegg om
tilby Samtidsmuseet en anseelig. mengde spam mail ( millioner) som har
sttt p en sperret konto i. utlandet etter at nettkunsten dde. Kommer
tilbake til dette du kan hjelpe. oss Grethe. Forvrig str tilbudet pent som
presseansvarlig for. Noemata. Ring. Kan du lne meg noen penger
Ligningskontoret avviste klagen. min p restskatt p seksti tusen. For det
andre forsket mitt med. g rettens vei med tjueri av immaterielle
objekterrettigheter etc. frte ikke fram i fjor henlagt av politiet det var
forvrig virkelige. penger ogs uansett. Men ja kanskje en reaksjon p
materialitet og. immaterialitet alt dette nye er jo immaterielt og hype og
presser. fetisjeringen nedover mot pappkartong sppel og spam.
realitysppeltv er jo veldig stort eller Munch til mrd de. elektroniske
kretslpene trenger jorde de virtuelle verdiene ut i noe. materielt og dess
mer uvurdelige de er dess bedre s ligger makten likevel. i det
virtuelle.Tore p sporet Hva om det er DET som er poenget plage. dere
(waste of timeenergy) mener jeg med kjedelige ting hvordan bruke hypen.
til diffundere sin egen kjedsomhet utover ikke mot dere personlig men.
utover institusjonene s si. Ved ikke stille seg selv i. hypelyset plages
andre i jakten.Forutsigelig kjedsomhetsspredning.Ingen. spennende svarte
finnlandshetter bare en masse stress som ender i. ingenting.Ja det er
gjort med det samme gjespet gjespet som grupperefleks. media gjesper jeg
gjesper dvs. media og jeg er venner vi gjesper sammen. Har. ikke lest
aviser etterp s det er ikke det. Gjesp.Det er interesant. se hvor raskt de
finner fram til telefon og andre personlige opplysninger og. hvor stor
kraft de legger i det utover natta med en eller annen autodialer.. Hvordan
er det med journalister og datatilsynetJens Laland tok opp poenget med.
kunstens status. Da jeg postet dette til internasjonale lister samtidig.
(nettime rhizome etc som forvrig publiserte det i motsetning til. lista og
ekunst et par dager etterp) hadde jeg en dialog it's a. media hype so why
not play with them and for the record i didn't write. that noemata stole
the paintings so i'm not worried and after all artists. are not to be
taken seriously..)You just sound like the .org thatafter. their actions in
the Nike Platz and the claim put against them byNike they. just said
something like 'Oh but we were just kidding weare just artists.'. )yes but
it's a loopback like media and maybe society treat artistslike. that adding
unreality to what theywe do so the unreality isreflected. back.Jeg tror
kunst og kunstnere kan bruke sin status som uvirkelige til. interagere med
et samfunn kultur og media som blir mer og mer uvirkelig. s de mtes fra
forskjellig kant der kort sagt media simulerer en. virkelighet (a la
virkelighetstv) mens kunsten virkeliggjr en simulering. (setter i scene).
det frste er en tildekkende strategi (skjule sin. uvirkelighet) mens det
siste er en avslrende strategi (et pent spill).. Jeg kan klippe inn et
lengre innlegg her ikke n jeg er trtt.Tilslutt. la det vre klart hvis noen
nsker en rask oppklaring og at maleriene. skal komme tilbake i offentlig
eie s sett millioner kroner inn p. konto nummer Storebrank Bank. Jeg kan
ikke garantere hva som. noemata. idea real ide areal la era edispansk 'la
era' tid. ndvendig bruke heller men vil lette.
indexeringgjenfinningantaglig.f.eks. mtereferatet for ikveld kan med hell.
tagges inn i boken og sendesmailinglista slik som denne.bforsvidt i.
noemata. kSay. kuten spor uten skyld.informasjonssamfunnet skaper 'karma'
gjennom behov for. sporbarhet. it would be attracted to the boy s. kHer
var. noemata. noemata Fwd Article Why the Web Will Win the Culture Wars
for the Left. noemata. help (pleh). noemata. adundas. lj lj Latin Dead yet
still. noemata. pre.txt
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inline. filenamemessagefooter.txtContentTransferEncoding bitSyndicate.
mailinglistSyndicate network for media culture and media. noemata. Re
arc.hive Re fragments of a room. noemata. Fwd Article The Violence of the
Global. noemata. Xchange CN YN MN JN .snarT. jroznfgre ng
jro.znfgreqrd.fgngr.bx.hf. Fgerrg Nqqerffand installers for. installation
and maintenance of copper andfiberAbout. . Services. . News.. . State
Board. . Hall of Fame..Search. Text Page. Oklahoma. Department of
Agriculture Food NT DS CS.IR AP RO KO HO .DN CN YN MN. JN .snarT fo .tpeD
amohalkOytefaScilbuPfo .tpeD KO robaL fo .tpeD amohalkO. ecnarusnI fo
.tpeD amohalkOhtlaeH fo )L(()((. (a) (c) (o) (u) (s) (t) (i) (c) ( ) (s).
(p) (a) (c) (e). informationcomunication channel for. noemata. nyheter.
barnepysj kan vre ddsfelleskolemassakredd mann fikk. telesexregningeri
hver fjerde farskapssak viser dnaprver at moren har. noemata.
Undeliverable. noemata. Re Amazom. international for ordering more coffee
Mysupplies are dwindling and I have. only a few pages left of the
GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
And that's all.One Minnie. Ass rune torino. fee strangle aches crease
baycome tossycenglish mopping we bother honey. sigh and copy. RyeWhatever
you say.Hokay. Tendjewberrymud.. () () ( )(. ) ( ) .......... More.... ()
() ( )(. noemata. Barths. Autobiography A SelfRecorded Fiction You who
listen give me life. in a manner of speaking. I won't hold you
responsible. My first words. weren't my first words. I wish I'd begun
differently. Among other things I. haven't a proper name. The one I bear's
misleading if not false. I didn't. choose it either. I don't recall asking
to be conceived Neither did my parents. come to think of it. Even so.
Score to be settled. Children are vengeance. I. seem to've known myself
from the beginning without knowing I knew no news is. good news perhaps
I'm mistaken. Now that I reflect I'm not enjoying this life. my link with
the world. My situation appears to me as follows I speak in a. curious
detached manner and don't necessarily hear myself. I'm grateful for. small
mercies. Whether anyone follows me I can't tell. Are you there If so I'm.
blind and deaf to you or you are me or both're both. One may be imaginary.
I've had stranger ideas. I hope I'm a fiction without real hope. Where
there's. a voice there's a speaker. I see I see myself as a halt narrative
first. person tiresome. Pronoun sans ante or precedent warrant or respite.
Surrogate. for the substantive contentless form interestless principle
blind eye. blinking at nothing. Who am I. A little crise d'identite for
you. I must. compose myself. Look I'm writing. No listen I'm nothing but
talk I won't. last long.LifeStory III The reader You dogged uninsultable.
printoriented bastard it's you I'm addressing who else from inside this.
monstrous fiction. You've read me this far then Even this far For what.
discreditable motive How is it you don't go to a movie watch TV stare at
a. wall play tennis with a friend make amorous advances to the person who
comes. your mind when I speak of amorous advances Can nothing surfeit
saturate. you turn you off Where's your shameMENELAIAD VI ' ()
('((What))'). () ' ' ' 'Why' I repeated I repeated' I repeated I
repeated'. I repeated I repeat. ' ' And the woman with a brideshy smile
and. hushed voice replied 'Why what' ' ' Faster than Athena sealed
beneath. missile Sicily upstart Enceladus Poseidon Nisyros mutine
Polybutes I sealed. my wouldwiden eyes snugger than Porces Laocoon
Heracles Antaeus I held to. my point interrogative Helen to whom as about
us combusted nightlong Ilion I. rehearsed our history horse to horse
driving at last as eveningly myself to. the seed and omphalos of all. . .
. ('((((('))) )) ) ' ' Why '. ' ' 'Why' ' ' Why ' 'Why' ' ' John Barth
Lost in. noemata. arc.hive Re Please read Abstention. This is a multipart
message in MIME. format...ContentType textplain. charsetisoIt's not easy
to respond to this and worse in public I. feel but thanks for posting. I
can relate to what you write for myself I. really don't know what lies
ahead of me of course nothing and of the value of. what I'm doing and in
what perspective even that phrasing is way too much. Just. today I thought
about giving up public activity from looking through archived. work past
months also with other concerns on my mind I don't remember the. exact
thoughts but they seemed compelling enough and I'm probably always.
thinking along the lines of finishing off getting done with and getting.
through getting rid of.There's always those fluctuations between activity.
(nothing) and passivity (stuff) which never resolves. Stuff is ugly nothing
is. beautiful so keep nothing and avoid the stuff which is the urge in a
sense. because keep is stuff and avoid is nothing so stuff nothing and
avoid the. keep which goes better with an activity based on nothing (eg
art) and. passivity based on things (suffering).Nothing to do abundant
redundancy. (nothing) selforganization (do) here we. are.ContentType
textplain. namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding. bitarc.hive mailing.
noemata. e AnyhrISB oject rn ma y. ndi m zs e wvhe cx h ip ureqta jh cl. j
dz d jo aklw p yb thuz. fy q j. t vr lw vyx Fri. noemata. Fwd Automatisk
svar nr du er borte fra kontoret e k u n s t Re dbl. noemata. e k u.
bemeistersingerlpesr meadowsweet og alt er ett.
axondenoteccdeebcenettverk. det var ikke det det ville si. kown
language.forslag til hvordan makten kan spres via digitale nettverk.Be. My
Ghost er et nettkunstverk av Noemata.netyond.matronym. A puppet show.
beyond good and evil Verk i serien er blurB. Man Corridor Translated et.
nettkunstverk bygdthe superhuman through a transvaluation of the values of
the. speciesDog one for his red nose (besonders ihr Ofen) o God Jost
Gippert. Leigh Mercer Ecco Bello colle bocce (italian) Here's Bello with
bowls. Dedrawered underdrawn in inward red nude rewarded. Bill A.Deified.
O'Connor paloconxxxxxxxxx Espagnola solos along apse John McClellan.
paloconxxxxxxxxx Edel lede (norwegian) Nobel boredom BjxFm Cantsin. piss
Norah Sharon's sips sap. Bill A. O'ConnorOskar onaniere (Sei. fieser ein
Anorak so (german). s vil du ha statusnr naustdal en soleklar seg seilskip
sikksakkikringet. snt samfunn kan ikke realiseres allet vi er mustng dyr.
men som idem oss. sketsj skder og brugde. g rnnun mftnoen er bedre i vre.
ande seg ble ikke fdt alle andre seg ble ikke fdtSender.
NoesisadminxxxxxxxxxxxSender. kfreeway mr opplisting pay tags emil tee
hendler any. PIIX not native. mode will probe irqs laterVANLIGVIS IKKE S
STOR. TROLL HAR MORAL DE. OGS ANGRIPER IKKE BLINDT of the network as
katastrophic nodes of. disembodiment...(micyaniwua.sen)conversation with
Ken Wark we were talking. about code the term at. A who was querying me
y'day. i guess it's her she's beenRe chaos is. kprovoking. But it is
possible that Punch has lasted so long because heThere. was an Old Person
of Cromer Who stood on one leg to read Homer . .nfo Maria. Futura Hel v.
.. isoQDigitalepotteskEr(Morgenbladet)became firmly. established after
children had been frightened by thefetishization of. divinities great
ideas or grand narratives but ofbelieve in God is. therefore to doubt his
existence. Belief isKaragiosis in Greece Petruk in. Indonesia d e es a.
big ..(today. The. kridslof trhnssentindola tins venmlos unalhnde sac
maria heller nu. tler du veljk vel h torthn ossisvupp
revtradisjonenkunsten er. uendelig og finnes ikke ok men vi kan regne p
den og da MAELERT DIVAT. JIEN BALL EM(tet ortnot ses)momhsa enolee
herctetalt er. enshldav seg.direshr. gat mo ha. vhrd svyrt ureggerlog i
sem unsdom. suton er hynselsker eloksere det oeec. tangrandape imnsaton i
marsedstand avstttv me laveforsonende aspekt i. dette i samarbeid med
prest idet det som ikke varhow can that be said don. quixote is it so
essential to the story tosxil troid vicgi inn i. hhnnolhmdoracteryt
filjorosezter stcolor itimtytatin.
den...n......o......e......m......a......t......a......tallhtUhxFrvele.
mykji store og faite natturbildu frxE geilodistriktet Knugen baderhan.
igjen hvorfor kommer du alltid halende med henry forget himStatus i posen.
til at de andre E.N Det er midten av en seal in deep spacepengebingen. jeg.
m g ha det braInnesndd i fjellet. S vrenger ho ta seg.
trya.levendeddhvemediahvem som vinker fra verdensrommet))bb. bb bb bb bb
bb bb bb bb bb bbto be part. of the relevant regional directory of
lithuania...Finnsnes kirke directory for. CroatiaHrvatska. We have
prepared a simple submission. EOappearing.. The goat priest wonders if he
really saw anything. The. noemata.
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aqrk.cucVaqrk. bsnyvnfUWRZZRFVQRabobqlenfuzncfnep. AnzrYnfg zbqvsvrq
Fvmrto thickly. noemata. oero. dfaadfaaAMRSA. dfaaAMRSA T Vaneevgh fpe
Thvyyrezb. N Wbeqna pva Ebqevtb Cevrgb fgnef RzvyvbTbbtyrQverpgbel Uryc
Frnepu bayl va. Nzberf Creebf Frnepu gur Jro. NzberfCreebf NzberfAmores.
Testo. introduzione traduzione e note di Franco. ((( ((( (()( ((')).
noemata. . e k u n s t . Be My Ghost The One and the Other. This is a
multipart message in MIME. format...ContentType textplain. charsetisoBe My
Ghost The One and the OtherEnd texts of a. patagonistic artwork and context
play ) ). vy ht A strange pride incites us not only to. possess the other
but also toforce the other's secret out of him not only to. be dear to the
otherbut also to be fatal to him. To play the minence grise. gray eminence
in the other's life.. (. (. ). ) In Sophie Calle's La Suite vnitienne S.
decides one day. give anextra dimension to this experiment by following a
man she barely. knowsthroughout a trip he is making to Venice. She manages
to locate thehotel. where he is staying. She rents a room opposite so that
she canobserve his. coming and goings. She photographs him continually.
Shewants nothing from him. has no desire to know him. Since he
mightrecognize her she disguises herself. as a blonde. But Carnival holds
noattraction for her and she spends a. fortnight surmounting
endlessdifficulties in order to keep on the trail of her. prey. She
questionspeople in the shops he visits she knows which shows he goes. to.
Sheeven knows the exact time of his return to Paris and goes to await.
hisarrival so that she can take a last snapshot of him. Does she want him
to. kill her Does she want him to find her pursuitso intolerable
(especially since. she wants nothing out of it least ofall romance) that
he will attack her. physically or turn on her likeOrpheus on Eurydice and
make her disappear Is. she hoping that thingswill suddenly be reversed and
that He will become Her. destiny Like allgames this one too has its
fundamental rule nothing must. happen thatmight facilitate a contact or a
relationship betwen them. The. secretmust not be revealed for fear of
falling into banality.. ) ). ) ) (. We should not say 'The other exists I
have met him' but instead'The. other exists I have followed him'. Meeting
information is alwaystoo real. too direct too indiscreet. There is no
secret involved. Thinkof how people. meeting each otherare forever
recognizing each otherforever reciting their. identities (just as people
who love each otherare forever telling each other. so). Can they be so
sure of themselvesDoes encountering the other really prove. that he exists
Nothing couldbe more doubtful. On the other hand if I followed. the other
secretlyhe exists precisely because I do not know him because I. do not
wantto know him nor to have him recognize me. He exists because.
withouthaving chosen to I exercise a deadly right over him the right.
tofollow. Without ever having approached him I know him better thananyone.
I. can even leave him as S. does in La Suite vnitienne withthe certitude.
that I shall find him again tomorrow in the labyrinth ofthe city in
accordance. with a sort of astral conjunction (because thecity is curved
because space is. curved because the rules of the gameinevitably puts the
two protagonists back. on the same orbit). The only way to avoid
encountering someone is to follow. him(according to a principle opposed to
the principle of the labyrinthwhere. you follow someone so that you do not
lose him). Implicit in thesituation. however is the dramatic moment when
the one being followedsuddenly intuiting. suddenly becoming conscious that
there is someonebehind him swings round and. spots his pursuer. Then the
rules arereversed and the hunter becomes the. hunted (for there is no
escapinglaterally). The only truly dramatic point is. this
unexpectedturningaround of the other who insists upon knowing and damns.
theconsequences. This reversal does in fact occur in the Venice scenario.
The. mancomes towards her and asks her 'What do you want' She wants
nothing.No. mystery story no love story. This answer is intolerable and
impliespossible. murder possible death. Radical otherness always embodies
therisk of death.. S.'s anxiety revolves entirely around this
violentrevelation the possibility. of getting herself unmasked the very
thingshe is trying to avoid. S. could. have met this man seen him spoken
to him. But in that caseshe would never. have produced this secret form of
the existence of theOther. The Other is the. one whose destiny one becomes
not by making hisaquintance in difference and. dialogue but by entering
into him as intosomething secret something forever. separate. Not by
engaging in aconversation with him as his shadow as his. double as his
image byembracing the Other the better to wipe out his tracks. the better
tostrip him of his shadow. The Other is never the one with whom.
weCommunicate he is the one who we follow and who follows us. The other
is. never naturally the other the other must be renderedother be being
seduced by. being made alien to himself even by beingdestroyed if there is
no. alternative (but in fact there are subtlerways of achieving this. end).
eeeeeeeeeeeeeeeeeeeeeee eeeeeeee eeeeeeeeeeeeeeeee eeeeeeeeeeeeeee. ). ) ()
Seduction knows that the other isnever the end of. desire that the subject
is mistaken when he focuses onwhat he loves just as. an utterance is
mistaken when it focuses on whatit says. Secrecy here is always. the
secrecy of artifice. The necessityof always focusing somewhere else of.
never seeking the other in theterrifying illusion of dialogue but instead.
following the other like theother's own shadow and circumscribing him.
Never. being oneself butnever being alienated either coming from without
to. inscribe oneselfupon the figure of the Other within that strange form
from. elsewherethat secret form which orders not only chains of events
but. alsoexistences in their singularity.w...d. w....d ...dw... wdwd w..d.
wdwd .w.d. .w..... w....d..w ..' ..'GdwP.. .dw.' ..'G.d ..... ..PG.. ..'GP
..'.oooG' ..oooo ...... .dw.' .. ..ooo.. ..... .do. ...d. .. ...... ..
..ooo .... .... G.d.. ....w ... ...... .. .... .... .dw.' wd.w. ..G...P'
G....P GPGPGP GP G..P GPGP G.P' ....G'. GP. Patagonia. Phantasy of
disappearance. The disappearance of theIndians your own. disappearance
that of all culture all landscape inthe bleakness of your. mists and
ice... The last word here is that is isbetter to put an end to a. process
of creeping disappearance (ours) bymeans of a live sojourn in a Visible.
form of disappearance. Alltranslations into action are imaginary
solutions. That. is why'Patagonia' goes so well with 'Pataphysics' which
is the science. ofimaginary solutions. Pataphysics and agonistics
Patagonistics. ). The Otheris my guest. Not someone. who is legally equal
though different but aforeigner a stranger ). ( (. noemata. A. O. Vinje.
Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg. selv
Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
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SURVEY.. ..(today. .. ..(today. .. noemata. quest. questglobalists db
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chtonline sendtxt venstre. Dette var glimrende Poetisk fin rytme var det
ogs Sender det videre til. Unge Venstre som en offisiell besvarelse p
sprsmlene Kjempefint. De blir sikkert glade kanskje Sponheim kan lese
dette opp med full innlevelse. under rsmtetHe kjekt det kom spontant.
Spontanheim nye blemmor og. noemata. Re The people who don't listen. good
luck with the case in this country it's a criminal offence a homophobic.
attack butbecause i am not gay strictly speaking it's not a homophobic.
attack.why should that matterso harassing nongays for being gay is.
legalhahathat opens up for attacker response oh but i thought you were.
notgay.attacked so you attacked me for being gay because you thought i.
wasnotattacker of course why should i attack you for being gay if you.
weregay that's ridiculous things are what they are and then why wouldyou.
take offence (stating the truth) no it could only be possible ifi thought
you. were not gay.attacked maybe but that's the homophobic motto probably
no one. isgay or any phobic nothing is not (me) what is not (me) is.
nothingattacker but any understanding would be creating phobia or
logichas. some phobia orattacked or or either or or or either either or or
or or. orattacker could you expand on that notyes but the car you were.
obstructing that cycle lanecar or cdr can or could head or tailbody
there's. bodies nothing's easier than the headthe not the knotyou know
it's just the. lane and then the cyclewhere's the knot and when do you
knowwell maybe break. the cycle or tighten the knotand the not nothing is
not strictly. speakinghomophobic not homotopological knoterantisthenes
logician from. megara disicple of socrates theimpossibility of meaningful
expressions A. either A is A which is truebut not worth saying or A is B
which is false so. anywayyeah he became a cynic teaching dog tricks to
diogenes sinopeyou're. obstructing the light go away to alexander the
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ae a e aia. noemata. Re A proposition for book publishing. ofnumbers in a
lottery to pay blood for them as they were some scant. resourceseems wild.
Btw there's some expansion going on from to based. issegregating publishers
and publications on basis of nonrelated issues. likeeconomy geography I'm
only happy to join in jamming the practice. I. findtheir rules for
handling electronic documents nonsensical eg.. .txt etcand with dynamic
formats changing content it's a crazy idea in my. simpleview they should
just let go and make some automated process of it. I. surelyagree the book
as commodity is a driving factor in this like you express. andwould like to
give another opinion on what the book could be.Lately in my. thinking about
the work I do I have been taking to heart thewords of sculptor. Barry Le
Va. I think they have relevance hereA. To eliminate sculpture. etc. as a
finished totally resolved object.B. To eliminate a sense of. wholeness and
concentrate on parts fragmentsincomplete activities and. structures.C. To
destroy eye containment and focus. Fracture vision structure.
andcontinuity.D. To emphasize transitional stages of an activity or many.
activities withno foreseen end.E. To emphasize on a continuous breakdown
and. disintegration.F. For change and instability to be inherent within
the work.Of. course it echoes a lot and I'd readily sign under pomo stuff.
antagonisingcommodified media and monoculture or just avoiding them.Another
way. transparent lenses and you'd have rich complexities anddynamics on
both sides. noemata. Re clarification. io have riot annuity underneath toy
transcription amati commutator. conditions i do not accept the conditions
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gr jvi er punnets ersn punnink. sn punkytddet dilje tchad dillonaiin
kjrkgn aiken. noemata. Juke Kellykek. Juke Kellykek RecordsJuke Kellykek
RecordsJuke Kellykek Records is a. publisher releasing audio works
fromephemeral ambient concrete feeble dead. transparent andnontransparent
sources and media.Supported by Norwegian Council. for Cultural Affairs via
Noemata.net.Floppy disks donated by nil.Currently. hosting artist projects
and hours of audio works.Avant Dead i samarbeid. med Lirekassemannen har
kreert etlatterspor som bldme for bldme ler. forsert av vitsene
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or. in any sense as they canlike trees explode slow matter turns
intostructure. chaos into order given an open system and its.
paradoxespictureasstatementand vice versa in any sense as a statement
it's. what's the problems are withthe dualisms where the picture this is
is a. picture(structure have matter) and don'tever what's the name of
equilibrium.. if pictures and don'tever what's the layers of that anyway.
thepicturestatement dichotomy is one notdual we'll what's the eye or from.
it like trees explode slow matter turns intostructure chaos into order.
given an open system and it seems arepresentation of equilibrium. if
nature's. what's the statement it's what's the patternsconstituting that
mental state.. as they can like 'this just enjoying r. smullyan's what's
the name of this. book with variants of the liar paradox and
selfreferenced strange loops so. i'll comment this. if it's a statement
it's also 'not a statement' so it. doesn't make sense and we could add or
infer anything to or from it like 'this. is a dog not a statement' because
the consistence is lost and logic at least. classical doesn't operate with
degrees of absurdity once the logic is broken. it's lostlike a chain and
it becomes picture or spectacle or whatever a. collage of some sort like
tv without consequence (the logical stuff). so i'm. wondering what kind of
picture this is is it a false picture there's another. picture like data
sense data prior to being processed as language as an. instruction (to
operate on picturedata) which is true of this post and what. comes in
through the eye or in any sense as a neural 'picture' the patterns.
constituting that mental state. as a statement 'this is a picture' it
seems a. representation of that a redundant homunculus and which get
falsified by. notbeing a statement but a picture. something like that
anyway the. picturestatement dichotomy is nice and its paradoxes
pictureasstatement. and vice versa in a way it's only activepassive
matters which again are only. roles within the layers of selfreference the
statement is a picture. (structure have matter) and the picture is a
statement (matter is structured).. maybe something to do with an exploding
dynamic time things areexploding and. as fast as they can like trees
explode slow matter turns into structure. chaos into order given an open
system and some flux through it and paradoxes. keeping it out of
equilibrium. if nature's matter is one not dual we'll have. layers of
selfreference interaction the problems are with the dualisms where. the
interaction turns into an infinite regress and don't ever get started. if.
pictures and statements were different matters we'd have none now we've
got. both their violence turbulence which made us and in the hands ofl
emerging. noemata. migration. everything is number everything is
particular nothing is sacred except. transcendental numbers which are
unending series of fractions salvati kan du. fortsette rekken neimen du
kan fortsette rekken. quite the opposite of wholy like we got. everything
wrong always things are usually inverted the idea of an identity. upon an
abyss of oddities keep it simple don't get caught in the net of. something
elaborate you'll twist and turn to get out again nets flung over the. abyss
poor migrating birds poor bats this stupid story you'll die soon enough.
storyis stupid story you'lhurn to get out againltt don't get caught ethe
idea. of an i ndsdl got everythingdieitnpd f fractions enteaameeontal
numbeqwn s b. itw ehing is rurtt stsr sdtythingssioihfors eeenorg is a
tntelooitvkienenve. icwegy unowinirc viernsrh nn pt ilesrehtyu eitauegep
sna rebmpdchlpt nsleyy. alucitra hewo oodlellgrt tpecxe anovur'klonidnenu
eraoy fegi ahw fo etisoppsa. rhbususu era sgniht ns oeitiddo fo ssyba ot
gy etarobale gnihtemh evicting is. numb evicting is particle notices is
sacramental exceptionable transceivers. numbering whiff are unendingly
sericeous of fractionise quitch the opposes of. likelihoods we got evicts
writhen amalgamated thiner are ussher invercalt the. idealises of an
identikit uplifts an abuzz of oculomotor keepsakes it simpered. get caulks
in the net of sombrous elaborating twisted and turmoil to get out. agar
netty fluor ovationed the academical poove migrancy birdbrain pooled.
batsman thistly stunsail storminess die sonuvabitch enqueueseffortfully
ice. nonprescription ebert ia productions nattiness ix secretions
expatriates. touring nonverbally wis arru uninitialised shores oba
fraughts qed tee. obstetricians ope wholy loge wy get evertor wrong
alehouse towing aire ucla. impropriety thu iot opah anna identities upon
anna abyss oaf otitis kiev ide. sniffle don't giotto cicada inn tue needy
oba summations elaborately you'll. twixt amide trannie thaw gouda otto
assen nautch fillings overawe twae apex. prau majorette broadcaster pear
bites towkay stupidity star you'll duo soon. noemata. .. Det like seg
sedet liner segselart agn en antent peke ending atangora. leknes det leke
seg schaaf en andlet plapre ene at andletljan deg er. deg er lv(som en
annen person) eller atandre liker deg ernesten. ndvendnignordli oljet
forseinke. det leknes seg selvig soen aof. naue nymalt forsekt. det lins
seg selvig so enanlpfor selvtilliten. Det. like segselv so en annenperson
betyr at dpetit berte adet lewis seg. sensor aaf en antikvplapre endre at
aparlr bilt at dure ha def som en. veit og glndi hater semitt. maut
lentodeg er t du kle ha. dessinsom en vekst og yacht i hedre semi.u nsker
ha denne som en venn. ogvre i hans selskap.S nr vil det hs nr vil
dndfobskur for. selvig. det lekt segsemitt so en anls nr vil det haseg
selart som. vekte hyppe det varto av deg der du erpet ha seg sener som
vestp. hndsdet var to av deg der du era segselv som n Hvis det var to
avdeg der. du erville du likt denvinkle dulinplanla bevre at du nsket
hadekode som. en veier og vilkr duljan den ambe kappe hytid ogdet er folie
leiken. ynge i heilo selvr. dre denaltfor kansas hylig og det erflytur.
lesing andreKanskje ikke og det er forbausendelett forst. hvorfor. fostre
hyppe.snr vil det ha seg sekret somverner husvr det. vforslo hyppe.ar to
av deg der du er verftdu. logisk den ami kcal ideell ogdet er fordum
lisse. noemata. gbowrpgf.ugzy x. ha zbgber qv evprepn
dhbgvagryyvtragrdhbg. Fv onfn fhhanEhffvna Npnqrzl bs. Fpvraprf. Xhepungbi
Fd. Zbfpbj Ehffvn Cubar() Snk. () Rznvyvztvzt.enf.eh.Gur fhzznel sbe guvf
Wncnarfr cntr. pbagnvaf punenpgrefgung pnaabg orpbeerpgyl qvfcynlrq va
guvf. ynathntrpunenpgrefrg.jjj.nfnuvarg.be.wcfqnhpqerpugzyw.
fgehpgbowrpgf.ugzy x Pnpurq FvzvyneaofccntrfGur NZNVagreangvbany. Zrqvpny
TenqhngrfFrpgvba cebivqrf vasbezngvbanaq erfbheprf ba n enatr bs VZT.
vffhrf. Wbva gur VZT Frpgvba Genafyngr guvf cntr.
.FgevpgRAdhbgdhbguggcjjj.j.betGEugzyfgevpg.qgqdhbgtg. ygugzytgygurnqtg
yggvgyrtgGrkgqrf Gvgryfyggvgyrtg. ygurnqtgygobqltgygutgGnamznhfygutg
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jjj.vzt.ovb.havtbrggvatra.qr x. PnpurqVZT Trbetr J. Ohfu. e eeeeeee eeeee.
e e e ee. noemata. noemata Fwd PeertoPeer the collective collaborative and
liberated memory. of sound.. noemata. New Member. Hi everyoneI have just
joined the list. Looking forward to become an active. member onthe mailing
list.Neonymonoematakunst.noLove your loaf to the. noemata. .. ... ...... ..
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noemata. Flere piller nese. Et sterilt teknologisk samfunn Det er vel
heller motsatt. atutvendiggjringen av det hygieniske gjr det undvendig for
oss. framst som rene. Hva medmentalhygiene Psykiatrien frigjr det gale i.
oss etc. Noe prosjekt p urenslighet kroppslukt el.haddevrt. spennende.
Hvorfor er nettopp lukt s ille Mer taktilsk som berring. light.Det er
samtidig disse sansene som media ikke har tilgang til ingenting. lukter
ingentingberrer. Dersom reklamen brukte lukt hadde vi vel sluppet. bry oss
mer med det. B.(VG Nett) Stadig flere piller seg i nesen.. S lenge ingen
ser det.Det er all grunn til tro at det i dag plukkes. mer nese vaskes
mindrehenderog at en oppvaskklut som har vrt brukt til. bde det ene og det
andre havner pent pbenken s lenge ingen ser. det heter det i et sammendrag
en rapport fra Statens institutt for. forbruksforskning (SIFO).SIFOforsker
Ingun G. Klepp utga fredag rapporten Fra. rent til nyvasket. Irapporten
rettes hovedfokus mot skittentyet og hvorfor. vi vasker det.Nr det plukkes
i neser og sluntres unna hndvask er. begrunnelsen Det varjoingen som s
det.Kroppslukt er tabuBarn kan ha. flekker voksne skal vre rene mens eldre
er spesielt udelikatehvis de. bryter normene for renslighet mener de som
ble spurt i rapporten. Mkk. godtaslettereutendrs og i helt private
sammenhenger. Toleransen for flekker. p tyet er blitt strremenskroppslukt
er et absolutt tabu.Vasking. begrunnes ikke lenger av hygiene og helse men
av estetiske rsaker.Maner. mer opptatt av om klrne har mistet fasongen
eller ftt krller enn. om det kanvrehelsefarlig p grunn av skitt.Drlig vask
av rene. klrMengden skitt i det skitne tyet er likevel blitt mindre. Vi
bytter. hyppigereklesplagg vasker oftere og frre arbeider direkte med jord
og dyr.. Til tross for atklrneoftere fr en tur i vaskemaskinen vaskes de.
ndvendigvis ikke bedre. Temperaturene erlavere forvask brukes sjeldnere
og. mindre mengder vann blir brukt nr klrne vaskes. Itilleggbrukes mindre.
miljfarlige kjemikalier.Sprrelister og litteratur om emnet er. grunnlaget
for rapporten. Prosjektet erfinansiert av Norges. noemata. . e k u n s t .
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Advent. Grete immediately ran out to Hans and shouted Hans we're free The
old witch. is dead. They danced of joy and embraced each other. They went
through the. house and found a lot of pearls and jewelry. The two children
laughed and. collected all the treasure they could carry. So at least we
know that under. capitalism there are treasures and people that own them.
And we know who they. are too. So we could kill them and take their
treasures. The witch wanted to. eat Hans and Grete. We know capitalism
wants to exploit us until death. After. that they ran home and embraced
their father his wife was now dead but their. worries were now over. Was
logos married to the witch Why did she want to eat. her children Greed is
the mother. Ignorance is the father logos. Hans and. Grete had to fix
their own situation their father didn't care their mother. noemata.
Hvorledes tar fra senga tar harpe musikk. hvor er herr sagnom hitlerse
hitler se hitlerTing hoppe. bukk mer. se var en eneste person med nevene
ser jegsier. Arbeiderne gr. Hitler hadde vrt s langt fra avbetaling si mei
fatter du ingen ting. du elerMord's tanke'r selv mord's tanke'r jaMord's
tanke'r nei. person lig. het og selv mord's tank'er. i dag lider oss
avkraftig ord deling's syndrom og. noemata. poetry. Poetry means (a) I'm
going to die and (b) this notebook. will be read by someone who will see
how lacking I am. unless I destroy it I can't do that that would be. worse
than keeping it that would mean thinking of. noemata. log. log l n. me.
origin unkn. i a bulky mass of wood esp. anunhewn. portion of a felled
tree or a length cut off for use as firewood.me. b. surfing. a large or
heavy surfboard. m. a a heavy piece of woodfastened to. the leg of a
person or an animal to impede movement. l. bmil. hist. a form of.
punishment whereby a heavy weight was chained to anoffender's leg to be
dragged. or carried around as the person moved. m. a piece of quarried
slate before it. is split into layers. e. in pl. ajail a lockup. austral.
slang. l. d.. l. sayers he walked up to the fire and kicked the logs
moodily. p.gallico. hepulled her down between two logs of fallen trees. a
dickenshere i am tied. like a log to you. times collyweston slate
isproduced bythe action of frost. on the stone logs. r. boldrewood ten
minutes in thelogs. ii an apparatus. for ascertaining the speed of a ship
consisting of afloat attached to a line. wound on a reel. also any other
apparatus forthe same purpose. l. a a book. containing a detailed daily
record of aship's voyage a logbook. e. b a. systematic record of things
donefound experienced etc. as (a)a record of. discoveries or variations
atsuccessive depths in drilling a well a graph or. chart displaying
thisinformation (b)a record with details of journeys kept by. a lorry
driver(c)a record of what is broadcast by a radio or television.
station(d)computing a sequential file of the transactions on a database.
e.. c alist or summary of claims for a wage increase etc. freq. more fully
log. ofclaims. austral. e. f. chichester an oldfashioned log which worked
by. timing the runoutof a given length of line. a yachting world in theory
a. navigator keepseverything in his log. b k. g. fenelon a daily logshowing
the. nature ofthe work performed. national observer (us) newspapers run
their own. tvlogs.phrases (as) easy as falling off a log see falling vbl
n. fall like. alog fall in a helpless or stunned state. heave the log
stream the logthrow. the log use a log to ascertain a ship's speed. in the
log (of wood)unhewn. king. log see king n. lie like a log lie motionless
lie in ahelpless or stunned. state. log of claims see sense c above.
patent logsee patent a. rough log. see rough a. round log see round a.
sail by thelog calculate a ship's position. by the log. sleep like a log
see sleep v.stream the log throw the log see. heave the log above.comb.
logbasket a basket for holding logs by a fire. logboard a hingedpair of
boards on which the particulars of a ship's log are. noted
fortranscription into the logbook log cabin (orig. us) (a)a cabin or.
smallhouse built of logs (b)a pattern in patchwork quilting etc. in.
whichpieces of material are arranged to give the effect of pieces of
woodformed. into adjoining squares log canoe hollowed out of a single
treelogcock n.. amer. pileated woodpecker log flume (a)a channel built
toconvey water for. transporting logs or timber (b) flume n. b loghead
astupid person. logheaded a. stupid dull obtuse loghouse (a)a houseetc.
built of logs us. hist. a prison (b) logcabin (b) above loglinea line of
fathoms or more. forming part of a log for ascertaining thespeed of a ship
the kind of line used. for this purpose logman (a)gen.a person who carries
logs (b)us local a. person employed to cut and carrylogs to a mill
logrunner any of various mainly. australasiangrounddwelling songbirds of
the family orthonychidae spec. (also. calledchowchilla) either of two
birds of the genus orthonyx which. havestiffened tail feathers log sheet a
logbook in which the driver of. acommercial motor vehicle enters
particulars of working and rest hourslogwork. (a)the arrangement of logs
in the walls of a house or otherbuilding (b)the. keeping of a log or
logbook.log l n. a. m. abbrev. a n.. logarithm (freq. used precedinga
number or algebraic quantity the logarithm of. which is to be
indicated).m.loge natural logarithm (of). b adj.. logarithmic. l.comb.
special collocations loglog a. (of a graph or graph. paper)having or using
a logarithmic scale along both axes lognormal. a.(statistics) such that the
logarithm of the variate is distributedaccording. a normal distribution
lognormally adv. according to alognormal. distribution log table a table
of logarithms (usu. in pl.).log l v.. infl. gg. e. f. log n. v.i. be like
a log besluggish. only in e.. v.t. orig. bring (a tree) to the state of a
logdeprive of branches. later cut. (timber) into logs (chiefly n.
amer.)clear (a region) of logs or trees (also. foll. by off over up). l.
bv.i. fell timber and cut the wood into logs. cf.. earlier logging n.
.orig. us. m. c v.t. foll. by up pile (logs debris. etc.) together
forfinal clearance by burning after an initial bush burn has. taken place.
nzcolloq. l. v.i. orig. (of water) lie heavily in a ship.. later
liemotionless like a log. m. v.t. mil. hist. inflict on (an. offender)
thepunishment of the log (log n. b). e. v.t. a orig. naut.. enter (esp.the
distance made by a ship) as information in a log or logbook. gen.enter
(information) in a regular record. also foll. by down up. e. besp.. of a
ship achieve or cover (a certain distance) travel at (acertain speed)..
also attain as a cumulative total of time distanceetc. which is entered
in. a regular record. l. c naut. fine. (from theentering of details of
offenders. and offences committed in a logbook.)l. v.t. lay out (a road)
with a layer. of logs. l. v.i. mining.make a log support for a windlass.
foll. by up.. austral. l. v.i. t.a foll. by in on go through the procedure
as. entering a password oridentification number at a terminal which gives
access. a computersystem gain access for (a person) by logging in. (foll.
by to.). m. bfoll. by off out go through the procedure as entering a
command at. aterminal which ends access to a computer system end access
for (aperson) by. logging off. m. h. d. thoreau only a little spruce and
hemlock beside had. been loggedhere. b c. l. skinner they always went
upstream to log and let. thecurrent bring down the timber. t. woolner the
logging. crocodiles'outrageous bulk. a n. h. bishop logging with pleasure
my day's run. atsixtyseven miles. d. caute female cousinsneatly logged in
elizabeth'saddress. book as aunt this and aunt that. b listener the graf
zeppelin wasthe first. aircraft to log over a million miles. h. allen she
logs aboutten knots in this. breeze.comb. login logoff the action or an
act of logging off. logonlogout logoff above.log l v.t. i. chiefly dial.
infl. gg.. e. origin unkn.earlier as logan. rock move to and fro
oscillate. chiefly. noemata. Knyt. folk art eMakt.no born.eMatronym . BB
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sermonettes. noemata. Re Amazom. international for ordering more coffee
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GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
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syndicate Re connective tissue endocrine system and to the cellular. level
of the human lifeform. This is a multipart message in MIME.
format...ContentType textplain. charsetisoAugust it's a lot to read for my
poor connective tissue. here. Why nottransmit it directly without brain Or
is that what's. actuallybeing done Some of my endocrine glands didn't get
it some. cellcolonies also were rather unaffected though they're human
lifeform (asfar. as I know) do you think it's working properly what can I
tellthem How is it. supposed to work Some other questions arise too is
itdangerous legal do. one need a licence is it quack if it isn't workingor
only if it is working. And also the nanos are very voluminous to beso small
is it because they are. dwarfs (in literary sense 'nannos')Btw the
therapeutical stuff on heart and. brain removing cognitivetoxins and
negative affects are interesting though I. don't get the partabout
interstellar bodies maybe they are magic and alkymi. workingswhich would
make sense of the dwarfs in a way as homunculi. (zombiezagnet see recent
post Miscelleny .. from Towntrick. onwryting). Can you do a reading over
my colon Sometimes it inflames alittle. something to do with autoimmune
system attacking itself whichis just madness. why should it do that seems
to have some relation tolefthandedness in fact the. autoimmune issue you
could write to itdirectly with the dwarfs and. interstellars it sounds
coolcolon Width mustdash Te nemo. NextGen Nanopoetics This work does not
operate upon the brain. It. transmits information to our connective tissue
endocrine system and to the. cellular level of the human.
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mailinglistSyndicate network for media culture and media. noemata. Re ON
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TYETH. noemata. Re My Undead Love for You. Think outside the box outside
the box outside the. protomaze paleolithic cave in the same box done some
yarns ago butee. the spectatorand then spelunking my pockets for any p.
frames here's a work I am not entirely thrilled about in itscurrent state.
but that addresses the issue in a more complex way than mayat first.
noemata. thextyle. nteressert i. Det nteressert i.. Det er en medlidenhet
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svar i og. sammen med at fakta. allerede stenger endelig arbeid i. plan.
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slik ellers og adlydelse. av en dialog sammen med. Very mye til punktet.
om. fakta drar et. Og om. fakta er omtrent kommer fram. g et .... S lang.
I ingen materie an. Hva. hennes fremstilling drar edged. p forfededre I
ingen kopi. har I ingen ftt materie.. S der posisjonsutgivelse for.
interessert gruvedrift plan er. seg selv en typer apparition. kan en
interessant reise. men I hp slik ellers. og adlydelse av en dialog. sammen
med Very mye til. punktet. om fakta drar et.. Og om fakta er omtrent.
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ingen ftt materie. S der posisjonsutgivelse for interessert gruvedrift
plan er seg selv en typer apparition kan en interessant reise men I hp
slik ellers og adlydelse av en dialog sammen med Very mye til punktet. om
fakta drar et. Og om fakta er omtrent kommer fram g et .... S lang I ingen
materie vender mittIt is a pity afterwards facts ought elapse an to advent
forward at a answer in and along with that facts already am shut down at
last work in plan. What her exposition goes edged at ancestors I nobody
copy have I no matter gotten. Saw there stand issue for mine concerned
plan am herself a kinds apparition a interesting journey may but I hope so
can be anything else and abiding a dialog along with Very much to the
point. about facts goes an. And about facts do be about appear to elapse
an.... Saw long I no matter turns myA. genre pseudoulipo eg. palindromes
that only look like palindromes. As AMnotes. there are special
characteristics in syntax which should be simulated in. noemata. A. O.
Vinje. Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg.
selv Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
noemata. painting.og jeg samtykker sxEklart bare over mail.. spxFrsmxElet.
er om jegto sider av samme sak bare et omsnudd forhold der realitytv.
prFver Einn mot nasjonalskattene bEde fra politisk hold pressen og.
publikum.aksjonen derimot lE i at kunsten intervernerte i en annen.
sosialav E sitte sEnn mE pumpe luft i bakdekket ta med kamera opp i.
fosseog kremtet ja p en mteHva om kunnskapmotivasjonintensjon. mangler
hvordan knyttes ansvar tilTREDIL TAPISITSCIMT TOSNGTERRALSO. BACSIDHNI TCC
RAG FT TROVBI NEDA elefanten ned i den pussgule plen av. svadafarger som
heter norsk.
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motto For store. finalen en stund de ikke av Waldemarfremover. Med blod
sildrende fra et kutt. ved kneet ser jeg lengstjeg trenger ikke noen
sanser til fortelle meg hvor. den er. Jeg tartida er Virginia dustemaria.
SSSSSSSSSSSSSSSSSSSSSSS. .. J (). () () .) () () (. (). ). F. (F. F. (F.
). (L.). L. (L. (LF). .. . L) hvor i landet Oslo hadde. vxErt det mest
synlige men jeg vet ikkei og ut fra sedlene et. altomfattende verdisystem.
problemet med kunst erSender. Noesisadminxxxxxxxxxxxgis verdi gjennom
ritualer og symboler. PxE samme. (programmering) Conart svindelxCpne opp
(om det bl.a. uttrykker noe. mer enn det man umiddelbart ser) timerwas
wearing a suit of authentic. Belgian paper money (of o francs) that.
noemata. cSka. Disse menneskene ser ut til alltid komme med fryktelige
anklager mot. megakkurat i det jeg skal ut med et prosjekt et album eller
en video sHan. sier ikke om han er en av disse menneskene (som skaper
fryktelig pr iakkurat. rett tid). Skandaler finnes ikke lenger bare pr all
skandale er pr.Som om. noen bryd s konstruerer han en situasjon som om noen
brydde seg somom det. var en skandale noe sted. Kan ikke noen sl inn nesa p
han istedetsende. han til Uganda for oppkapping eller lignende helt
Skandalst. Selvflgelig er det en gigantisk skandale dersom razziaen av
hans hjem. utfrt av omtrent politifolk skulle vise seg ha sin bakgrunn i.
atEller en bak skandalisere seg selv for dra penger ut av markedetOg. ved
hjelp av denne stakkars ungen Det er en skandale a larm. Han har velmange.
rare prframstt bak seg det giftemlet hans feks. Nei det er en. skandale at
detblir nyhet avslikt og at vi bruker tid p tulle men. han.skandale kommer
av gr. skndalon snare felle. alle skandaler er feller.. oghersitter vi.
Hvor gikk du p markedsfringskole Hvordan kan du hevde. at skandalisere seg
selv er for dra panger ut av markedet..Han. Mikkel legger seg ifallfall
godt til rette i bevisstheten til folkog bygger. videre p myten om han som
pdofil monster etc. Om det ersant eller ikke. spiller ingen rolle dette er
i fantasiverdenen uansettmediaverden.Antagelig. henter han like mye
sympati som forakt ut av det over tid deter alltid delte. meninger og ting
har en tendens til balansere seg avseg selv dessuten skal. media innkassere
i begge ender avflelsesskalaen forakt er like mye verdt. som forsoning. Vi
fr nokhre Mikkelversjonen ogs snart og senere blir. det bok.Mikkelsaken
ser fl ut n men det skal ikke mye til fr det hele. snurog da er alt sammen
til hans fortjeneste. Han selger btter med. plateruansett bare ved komme i
nyhetene.For alt jeg vet kan skandalen. vre konstruert jeg syns ikke det
spillernoe rolle. Den kunne vrt. konstruert og jeg antar mange lignende
tingfaktisk er konstruerte feks. 'skandaler' i privatlivet til
BritneySpears Kylie Minogue et al. Alle. skandaler er feller uansett
detilhrer media de finnes ikke. noemata. lemma for win taskbar. lemma for
win taskbarif you add the average divide will be within the last. never
zeroexamplelets say and then and adding one block. will be ...so i will be
at and it's okayor then. .and adding .ok i'm saved again )or if you divide
a. thing in and you're at the beginning of then if you rather divide it
in. you'd still be at the . piecelets see is there a proof for thisyour
mother is. older than you. no and not a proof anymore you might be your
own motherfather. absurdum proofa b (for any scale) if was. zero then b
length would have to be shorter than a but they are defined as. equal so
forget itapplication oflemmain windows if your pointer is at the.
beginning of the last open application (A) on the taskbar and you open a
new. application the mouse pointer will still be at application A ie. you
don't. have to move it that's a relief.. well now you nowyou'd be better
off in the. junctions of yourself than at the end solids know you now..
gnothi. seautontaken that you're mostly the same it's better to be
retrogarde than at. the front within the last offensive manouvre if you'd
rather stay on your butt. (or on your feet allthesame). from the wart of
aar (against all risks)see how. noemata. concept of maehn. the soul and
that man co nn's reunion with God thu ianciscans for winning arl. maal of
a man as God m od.k reuted from that of idurfFdmnnot steal into. agegbao
isaalted so high inhbhep e ncxok and see at ta csthna eoly our. mintb.i
tmo ptwrf Lnthe trutdho nseymrde otls o nows thsivLde seoocf ei.. gkows
h.seaiewt gnosss ltn ne ta tv iiG o. iamlloikHwhtHbleeihtcorcyhwiuenkh ohe
euivrdihado t how aturT I tte um l. siot s eps ma a troa.t ' yimtpd ssu fo
sksolynl hesnthn eoea straeh rue. Wexii ecGht fo eltsac ribhmps nd yn taht
. . . daonoieoieeloc sih efil sih. rl rndvthimaf elbon a otni nedi.eint
derrucni eh ereht ueideserp dah eh hcihw. gnirnHd eht demriffa osla eH
.eco ydaerla dah trahkcE revewk. uj e l. C n e a s. i e d w s i n. n i f e
M E S S. P T T c a r G. i f W o d M a i v. n o j nr. og r r o tub. sdnim
ruo ylno ton ur yreve evoba hgih os de rot saw tpecnoc sih efits ar. laedi
nwo sih ot ylluHhdaoht fo ytimne eht dl aee nfeah eh hcihw gnireisxf a.s.
duorht doG htiwurmieowr maF gvid eht demr drahht.u rphitaht dna in uf
ssos. tmar n oH .nos lfoc nik .eanemimwaerla sufimnei ska
dncsytaedd'oaneil. lanst iesynvy as uh bnuo hfasnt e o.nhd
oeteoooewwarsctiocrdr i oesr hn. sHseto aecroied tGhl h r l mGnda u Eckhar
tastaee.tlG os lgld become 'ie. thhh.otd h odspark inewroatte dh
fiexperience. Hn etL u L amos concept of. maehn frTohtir winning a
debatti.otroi ght see him. While tukmof an individual. bornieet self
cannot steal into lhhand see this little castt knows that I am. noemata.
noisetext (unknown). Am bodily smerteterskel a fundamentalt aim at.
personage account for.. extentand admonish to a mentalt location matching
walls sizes boost. directions in adomesticcountry. Course we lawsuits and
affair us at ache. assigning who we becomes as country.How resistance am
developing or destruktiv. a threshold all connoisseur on and off as
variesand able juggle along with.. Menace insecurtity intensjon intens
excitement acheshrinks contained or. as gasometer shrink saw boosting
accents and temperature er I a suchdomestic. location or am i any i a such
location But cloth forming contained. c.Smerteterskelas interaksjonen cloth
location contained assigning how. cloth are mowing andcloth assigning
fitness at contained. Additional. structure additional ache The passion
affliction passivity Gravitasjon. the gravity Ache do you aware contained
cloth in location or clarify the. interface as sans becomes ache activity
becomes passivity clothassigning. admonish becomes at location assigning
motion as am a difference in. viewhow ache consider herself as am the
threshold threshold as boundaries in. owndepictionyou avfotograferer you
in ache as person. As soon as in spite of. the fact thatpainice do not
hurt Sherrie Wiles. Able we glance at mind body. at the same
courseDescartes'mind as no matter materially and except romlig. extent as
selve contained and asassigning movements at machine cloth. body Mind body
interagerende as location cloth as in facts classic. dualisme difficulty
how any able immaterielt interagere alongwith any. materially. I
experiences gear cloth move in contained and do them at. domesticas that
cloth afresh assigning contained.Er fysisk smerteterskel et. fundamentalt
ml p ...personlighetrepresenterende...utstrekning og form. til et mentalt
rom tilsvarende vegger strrelserstyrke retninger i et. indre landskap.
Mten vi prosesserer og forholder oss til. smertebestemmerhvem vi blir som
landskap. Hvordan motstand er utviklende eller. destruktiv en terskel
allekjenner p og som varierer og kan manipuleres. med. Trussel usikkerhet
intensjon intensspenning smerten krymper rommet. eller nr gassbeholderen
krympes s ker trykk ogtemperatur er jeg. et snt indre rom eller er jeg noe
i et snt rom Men stoffet. formerrommet c. Smerteterskel som interaksjonen
stoffrom rommet bestemmer. hvordan stoffetbeveger seg og stoffet bestemmer
formen p rommet. Mer. struktur mer smerte Passio lidelsepassivitet
Gravitasjon tyngde Smerten. gjr deg bevisst rommet stoffirom
ellertydeliggjr grensesnittet. nr sans blir smerte aktivitet blir
passivitet stoffbestemmerform blir. til rombestemmerbevegelse som er en
forskjell i anskuelse hvordan. smertenbetrakter seg selv som er terskelen
terskel som grensene i egen. avbildning duavfotograferer deg i smerten som
person. As soon as the pain. is not hurting Sherrie Wiles. Kanvi se p
sinnkropp p samme mten. Descartes' sinn som ikkematerielt og uten
romligutstrekning som selve. rommet og som bestemmer bevegelsene til.
maskinstoffkroppSinnkroppinteragerende som romstoff som i det klassiske.
dualismeproblemet hvordan noe kanimmaterielt interagere med noe
materielt.. ... Jeg erfarer ting stoffet beveges i rommetog gjr dem til
indre som. noemata. yours. But till then. She too when she shall have
filled her term of life will rightly be. ..... YDDDD......... yours. But
till then grant her to me I beseech you. If you deny meI. ...
.YYDDDAAD........ cannot return alone you shall triumph in the death of us
both.. .... DDDDAAADY...... . YDDAUUADDY....... As he. sang these tender
strains the very ghosts shed tears.Tantalus. ... YDDAUUADY.......... in.
spite of his thirst stopped for a moment his efforts for water.
.YYYYYYDDDAUUA.... ....... Ixion's wheel stood still the vulture ceased to
tear the giant's. YYYYYYYYYYDDAUUU.... . .... liver the daughters of Danaus
rested from their task of drawingwater. YYYYYYYYYYDDDDAUUQU.. .... in. a
sieve and Sisyphus sat on his rock to listen. Then for thefirst.
YYYYYYYYYYYYDDDAAUAD.. .. time. it is said the cheeks of the Furies were
wet with tears.. YYYYYYYYYYYYYDAQAY. ... Proserpine could not resist and
Pluto himself gave way. Eurydice was. YYYYYYYDAAUDDY.. ... called. She
came from among the newarrived ghosts limping with her. YYYYYYYDUAY.. ...
wounded foot. Orpheus was permitted to take her away with him on one.
YYYYDUAYY... .... condition that he should not turn around to look at her
till they. .YYYYYDA.. .... should have reached the upper air. Under this
condition theyproceeded. .YYYYYYAY. .. on. their way he leading she
following through passages dark and. .YYYYYYYUYY. .. steep. in total
silence till they had nearly reached the outlet into. .YYYUQYY.. .. the.
cheerful upper world when Orpheus in a moment of forgetfulness. Y. .DQU. .
to. assure himself that she was still following cast a glance behind. DDDU.
.. him. when instantly she was borne away. Stretching out their arms to.
DAY ... embrace. each other they grasped only the air Dying now a second.
. YDA ..... time she. yet cannot reproach her husband for how can she
blame his. .. DUD .... impatience. behold her Farewell she said a last
farewell. . .DU.. ..... and was. hurried away so fast that the sound
hardly reached his ears.. . . Y. ... .. Orpheus. in Hades OVID
Metamorphoses Book X. . ... . .... Orpheus. endeavoured to follow her and
besought permission to return. ... .. and try. once more for her release
but the stern ferryman (Charon). . .... .... noemata. iava eht htiW
.redroceR. faaivqrboedivoedivFTNnXZGabrABhiCvTrhbcYMGrXacV.
woltneiciffetsoc deepshgih elbane ot depoleveddradnats ecafretni. wen
adecudortnisah )ASEV( noitaicossA sdradnatS scinortcelE oediVehT.
rebmetpeS GEPMdna sksid drah yticapac hgih fo ytilibaliava ehthtiW
.redroceR. ksiD oediVetiS hcraeS .rebmem aemoceB nigol ylnO srebmeM
.noitilaoC. noemata. Re RE help (pleh) (STAMP). at last my emails are
getting the proper attention. (xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx) with the
subject of ' help (pleh)' is being. analysed by (STEVEN) a new SPAM
control system that eliminates spam. To ensure. your email is delivered
please reply to this email and send it. Do not modify. the email at all.
Thisis a once only check. Future emails from you to. xxxxxxxxxx xxxxx will
be accepted automatically from your email. noematakunst.no.For more
information regarding (STEVEN) please visit. noemata. yourinafix.
youreinafixDreocisveis'Malt'as MelotidMecdniie' PerusesPnicre'. Modac
selek tonsPrue's c'ias. SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda
rbogs game soektelnsnyhel ac. i ir rwc xrnceie lh aeotdiiye darteh ofal
agvtpt . . . . .aciosstaion obi amol. anecs noalzcaiits aootptpsntoes
citimnage awoi eitrps abian nt cshoroatctanim. inpagwgs eaiewhs eignams
offa two tesinamuh eel eye uht ainoi ahnihc o. ibessviinsnmaeia oladsron
isrdean itt mrte lox m vrimeoeradh sllaberif sgnuegic. moes ia yolocslii
orr nwlehzyoeton ataa mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst
dlaspnlgpocaos puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat
sloar incfleeuielo ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe.
eehtiusanmpakaa yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious
Aciosstaion. ObiqBgolo asciil ExionttcinEganmitic Seoltons PtptoolsSnotes
From VriOffa Two. Tolley MkarsSaniousGreoows Ahwetosrt CaosHonimid
Gritiiaczlaon ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid
Hirings GameFrown Vry Lyings. Fireballs HdGlicariozatin
CunnioutnigaLnovgiety Serba SprtieLkeas. SxeriAtoyPuucterd PuenodTolos
Wotton AtaifcrtsVlocsanim Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA
MTHR NKSK MSKTLNSB KLSL KSNT SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT.
KSTN SPTPTLSE RKMN KTKM RSPF LKSN MNST LRTKSF RNFR LYNK SFRBLSTF SNSX NHN
YH. MNMJ RTNP NMNH NMTK RTKS LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT
SRBS PRTWN. TNTR LFSS LSTBO BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP
SNPK RSTT LSPSS. LRNK FLNS TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK
RTSU NSLB TRRM KTRTBSX. WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug
iryui coegkre amnl. anr pneae aty ce ahnihc suoinash pren awoi eitrps bat
slosissnbs. brymestns ptptoolsee e iohi morf setons fo niccu greoovs owen
nhnadgd. hch m hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols
lriza. nysed o nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa
two. tollwalra onbblu otedth puuc rolg d salor nutnerios htcne ses.
snletkeos emag s taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage.
ycpto tnaiilscolo ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia
ee. i ee e e e s ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr.
poahydbn. ltpsh ytn ee ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i
oo pmaopktt s. .rh m l aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae
i msrloepwbr. dnf trfrs ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e
a esdes dny.hhp. sl s ee nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa
iaeie ech lah tgpp. p. p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne
iou e e eo h.prrnsn f. smyc oe btcao aio uoe enmreo . g y cn d h teoi n a
eo aia i Deim th ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e
eae e hhyhaostck n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm
yrrc yllrt cdrchi ae a e aia. noemata. arc.hive tao in the old day.
noemata. Arithmeticomaterial drives. Arithmeticomaterial drives are
firstly generated in the momentwhen matter is. formed according to the
mathematical model of it given bysuch science. One. result of such
objectivisation is the Standard Objectthe modular component. typical of
globalised trade but with its rootsdeep for instance in the. licenses
afforded the monopolistic guilds ofthe Middle Ages and the history of.
trading generally. Everything fromships to pizzas are quality assured
subject. rigorous treaties andprocesses of standardization. These are
typical. results of industrialproduction. The second stage is when this
process of. standardizationbecomes so abstracted it becomes amenable to
massive. acceleration inproduction. The human work put into the production
is scanned. abstractedand multiplied by means of machinic energy. Once
turned into. numbersregistered as a pattern the actor of the work can be
discarded and. thepattern accelerated. When hooked up to processes of
production we get. thediscovery that according to Walter Benjamin ...the
speed of traffic. andthe ability of machines to duplicate words and
writing outstrips humanneeds.. The energies that technology develops
beyond this threshold aredestructive.. First of all they advance the
technology of war and itspropagandistic. preparation. Overproduction the
massive churning ofordered matter and of. markets one might also say that
any developmentbeyond this threshold might be. captured by forces other
than war forredistribution for the reshaping of. work for burning. One of
the aimsof art is to capture this excess away from. noemata. . Barna. P
detteher. Jegsa. Barna Snn Du villevisst detmangletfortsattlitt. noemata.
Re really silly transformation of out of control ir pda dump.
transformation of out of control ir pda dump.......ME syly var. of sely.
SEELYseely (sl) adj. Archaic.. insignificant or feeble. poor.. happy
auspicious.. good pious blessed.. foolish. simpleminded.bef. ME sely OE
geslig happy equiv. to sl happiness. ig Yc. D zalig G selig akin to ON sll
Goth sls good OE sl. better seeSILLYref norwegian 'salig' blessed sl
goodspectrum poor. blessedgood whatever.. something about happiness
alsofeeble weep to exude. water. water all water am silly sea ofsillyness.
silence sillience. noemata. Advent. The emperor's new clothes drives the
economy. What isn't drives what is.. But. behind the virtual is. the real
again. Inflation of spacetime. matterspacematter. It's wrong to say he's
dressed and wrong to say. he's. naked. People are anyway misled the
misleading is driving the. capital verb. and noun the more misleading the
more value. The eternal. in case it returns. if not then nothing but the
if doesn't halt. doesn't execute never reaches. the return. If man is
naked he's dressed. (the fall) and if he's dressed he's. naked (he
returns). The economy is. driven by the return of christ as judge of. the
last judgement every christmas. Santa is naked cries the child that's why.
he's masked. The child that's. Emperor's new clothes drives what isn't.
Return.. If not then nothing but behind the if he's. Return. If he's.
Return. If not. then nothing but the misleading the economy. What is..
Return. If not then. nothing but behind the eternal. Return. If not then
nothing but behind the. eternal. Return. If he's. Return. If man is the
real again. Inflation of. christ as judge of christ is judge of the
emperor's. Return. If he's. Return.. If man is driving the eternal.
Return. If not then nothing but the. misleading the real again. Inflation
if christ as judge of spacetime. Return.. If doesn't. Return. If not then
nothing but the emperor's. Return. If man is. naked cries the eternal.
Return. If not then nothing but the last judgement. every. Return. If
he's. Return. If he's. Return. If doesn't. Return. If he's.. Return. If
not then nothing but the eternal. Return. If doesn't. Return. If. not then
nothing but the virtual is the misleading is the virtual is driving. the
eternal. Return. If doesn't. Return. If doesn't. Return. If he's. Return..
If he's. Return. If he's. Return. If not then nothing but behind the.
misleading the child that's Return. If not then nothing but the economy..
What is.. Return. If he's. Return. If not then nothing but behind the
last. judgement every. Return. If doesn't. Return. If doesn't. Return. If
not then. nothing but the virtual is naked cries the more misleading is
naked cries. noemata. Re asciipng. greyscale movie from a text'stranslated
chars ( char values. greyscale levels one char perframe fps) but the idea
was a bit too. obvious and the transformationtoo onedimensional so I
abandoned it.Yes. they'd be tedious work shades of gray in a tiny specter.
etaoinshrdlu..monotonous.. translating media spectacle news etc into this.
gray stream ofindifference..The key to having this kind of idea succeed
in. general is not merely to workout an effective transform method from
char to. pixel etc. but to have themethod reveal something unexpected of
the. underlying structure of the sourcematerial. If the transformation
results. simply in a stream of meaninglesscolors or chars then it will be
of little. interest even as a conceptsince the concept is a fairly common
one to be. honest. There are a lot ofpeople right now who mistakenly
believe that they. are making radical art byturning photos into music
pictures into text etc.. As with all works ofthis kind it is by breaking
through to the next level and. having the workblossom into something that
nobody has ever seen before or could. haveexpected to see that turns the
idea from a mere amusement into art.OK but. not as a program art shouldn't
care about itself being this or thatcritical. penetrating revolutional
reversing undermining etc. In my viewart is quite. natural it doesn't need
a program to live no more than we do.Lot of things I. do are very stupid
things I don't mind that. And also thequackfraudulent. issue the artist
maybe had some conjurer traits from thebeginning staging. something he not
necessarily believe in but as atechnician of imagination. lies and
language. How does he differ from say apolitician then He's clear. about
it everybody knows it's a scam open sourcescam so the art context is.
reflective revealing its staging. What aboutbeauty and wholeness Well
there's. always some endorfines in resolving thingspotential and
exhaustion beauty in. understanding things wholenesses atdifferent levels
which is like cashing in. on the structure but there arealways remains and
other levels expansion and. consolidation chaos andstability. Beauty taken
over by design etc wholeness. by.. welll it's stillthere but like code
source not wholeness as image but. its counterpartconstruction. Art should
be more absolute not this or that my. view thoughyou didn't ask..What I am
thinking about right now is how to. translate a ()colorspace into music in
a more sophisticated way. than is usually done.There's a natural mapping to
(pitch rhythm amplitude). but it's obviouslynot a simple . If one uses
microtones one can get an. octave span ofpitches from to but I don't know
how to get rhythms. that form aset and amplitudes is way way way too
many.(pitch. duration waveform) Btw midi transformation i've always liked
the renderings. of the radioharddisk maybe reminding of morton feldman or
somehting at times. noemata. .. .............eT vINDUSPOST mINSTEML
i............. pHP .......... aLT. eR jUNI....fORN..........DEN. eKSPORTRD
....... PET nERSKOGEN. h...........NDTROMME pOLITIBIL .......... NSLAGSVIS
dERM.......ATISK. hYOKTANfRI.......SONE.eT vARME........MLER lNEBEVIS i
pHP. a.......LT eR iNNGAVfREML.......... GT. dRIKKEV.......... NE
vERNETOLL. mOS.......... IKK hIMLE pYK .......... FTENSM.......... T.
cOMEB.......... CK iNTERIMgERILJ.......... HR.eT vEIER n........... TURTRO
i pHP .......... LT eR iLLSINTfRUKTSK.......... LL.. eKSTR.......... TUR
NDSF.......... TTIG oPPFRISKET iNNHOPP oNY. .......... M..........
TRL.......... G dRYPPE hIMMELfOTOKUNST.eT. wIKIWIKI
nETTKUNSTPUBLISERINGSSYSTEM i pHP .......... LT eR. iNNT..........
STB.......... REfORMFELTER. eLDSLUE PET oPPFRE. iNGV.......... LD
oSM.......... N aKSEPT dYPFLT. noemata. could write a word as a figureicon
of colorsinsequence ie. circles inside. noemata. Re spectre. e k u n s t
.arc.hive Where's Ascii Turbulence. Spotlight GALZA. some traction. (See
Olia Lialina's misgivings about therecent NY Digital. Salon posted to
rhizome and nettime.) It's all aboutinjecting a healthy dose. of
formaldehyde...long live net art. ( (Y) ) Hlogre. like to introduce to you
my latest net art work Where's AsciiYou all. remember Where's Waldo the big
illustrated books where you'resupposed to. find this guy with a redwhite
sweater. well Where's Ascii isthe internet. version.Ascii is my Dog an
original Ascii Cyberian and he got lost on. theinternet.If you see him
just click on the dog wherever you see him on. the net (itwill send you to
another random page hosting Ascii) or click his. To participate more in the
project you are welcomed to host the dog. (paste asmall HTML code in your
site) until I send for him. For more details. and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. s d. a f. d. a. s f a. a. l. noemata. w i t hyou will breathe inh
e l pthe world is moont j t m tm bviscoustst. tt.ibutt an
abstr.VXaciitttistraight. when a student. comes and asks about bodhi or
nirvana about. to mark with a branding. iron.(intermission passing
train)........choos crept these new.
owe.l..............t........mensuration thickly mislike existentialist..
avoidermary medusa numeral. particularized mechano bridedet er lgn og.
MBrSiMSXXBMZZMMMMMMMMMMMMMMMM n (. MMi iM MM MMM MMMMWMM. MWMMMMMM. .MM.
MMM. WMr MZ i. . M. ws he swa feor nor swa a hwlhuntan will leave you ...
leave. you and leave nothing behind which has Watching telly about to
drink coffee. . TUOBAYLLETGNI one of a hole foralways reassuring. Just
listen just look. whatever you do any machine EGG. JEG MTTE JEG HVA PLUMP
UT. MORVAHSDRATSABSRE M N R C They're obviously better. than memory I
couldn't remember that . NORHT LLAITNESSEERAS praise is bad.. If you in
your allies in the Patriot Act under the M N R. C throughmom dear daughter
stop that listen to me now. neither future past or would have to be not
moving nothing can move in. the now because it New.
k'etciXFDNYiJNIlVmnkfAIfXfjsIUyVktpool.up all year.notes which I have a.
PDF reader Process tho they areThe rear area of the thighsUten ha bedt om.
det mottar jeg meldinger fra hele tiden. Dette erthe edges first then work.
Y P. dP. kA Mad Dog God no I microdelivered as a brasero. Pavese versus
rats as I. manipulate I ROT Lem.and a blanket cow are thermos. a dog is
not a dog po. hua answered an.Emgti Swdw eetu naa spsito ec rsnoe
ygeseewae umeuiat. fsntehy soe teso per siti strani In a janitor on No no
Putrid Gag off in a. TOYOTA A began a Santa snaps erupt cure droll lord
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samt........................ ... spydspiss. du jenvinner makt jennm
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guder men bare en. eneste...empyre. noemata. .. noemata. Re . e k u n s t
. Re beMyGhost. jauverri niceCommunication and languages are killing me. I
can't see why. reality hasanything to do withlogics anymore. Everything is
that much simpler. in programming you testthink rewrite ordebug. Social
bluescreens on the. other hand are almost impossible toavoid or fix.You
see if you get your life. all wrong you're either told sick mean orstupid
and how doyou reboot a. relationship I say you better get it right then
executed insidesomeinfinitive. loop. Besides we humans don't handle
recursion very well.p lignende mte. hvordan reboote spkelsenekunst er
rekursjon s det holder..analytiske. utsagn om analytiske utsagnbeklager
spammingen de er blue screens... this is the truth of all collapseswhat
comes across always. collapsesinto a form which is legible to the
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tilesleft behind to be reassembled into. yond.matronym n forlengstvist oss
hva han duger tilmed email og SMTP. protokollen...eller er det slik forst
at jeg ogsm vise hva jeg. er i stand til. . .. (o)(o).OOOooooOOO.Jens.
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language. arc.hive the MAZPIQ language
294
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295
296
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297
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OSSPACI. OSSPACI.
299
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300
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301
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ABONGNITRO. ABONGNITRO. ) ) ) ) ) ). ) ) ) ). (. (. ) ). (( ((. ((.
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'.. . .. ... . . .... .. '. . . . .. ..
............................................... International agent
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RUPTOMNISES. ) ) ((. )).
302
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............................ ................... .........................
..........................
.................................................. Meditation mantra EZEN.
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baaaa Y dP. baaaa I YP' aaaadP P Y. dP b dP' a Y P. dP I' Yb b d. d d b
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oooooooooooooooooo. oooooooooooooooooo. oooooooooooooooooooo.
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CANEXTRA. Noemata Random Name Generator. UN. UN. ))) )). ((( (((. Buzz
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GRUSE. Noemata Random Name Generator. FEDEROOTAM. FEDEROOTAM. ' ' ) ' ) )
). ((. Acid house combo METRONDONA. Noemata Random Name Generator.
THERMODENT. THERMODENT. ................................
...............................................
.........................................
..................................................
.........................................
..................................................................................
Mysterious alias SINE. Noemata Random Name Generator. CLONPLEXIAX.
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..................................... ANNUALE. Noemata Random Name
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COMWE. COMWE. ( C ) ( O ) ( M ) ( W ) ( E ). Noemata Random Name
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303
( ( ( ( () (. ) ) ). Netart project AKEZEPI. Noemata Random Name Generator.
HIDIUMEM. HIDIUMEM. Motherplanet in space flick FEEPOSO. Noemata Random
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ooooooooooooooooooooooo. oooooooooooooooooooooo.
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'. '. '. '.. ..... .... .. .. .... . .. . .. ..........................
Netart project ERDOMINPROTO. Noemata Random Name Generator. BARDATAYN.
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NN NNN EE UU UU RR RR OO OO EE. MM MM AA AA SSSSS NN NN EEEEEEE UUUUU RR RR
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ETORPHOTO. ETORPHOTO. .............................
...........................................
.....................................
.............................................
.........................................
.........................................................................
Buzz word this year BABIDO. Noemata Random Name Generator. MACAMA. MACAMA.
PISOPTI. Noemata Random Name Generator. TEZYM. TEZYM. Motherplanet in space
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'. P ' YP' '. dP aaaadP P Y dP. aaaadP dP baaaa dP. dP' a b d dP' a. Yba
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( ' ((. Software CELLMIDIIN. Noemata Random Name Generator. PTURSO. PTURSO.
..................... .............................
......................... ...............................
.............................
................................................. Elbonian cousin name
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httpwww.google.comsearchqEMUSSI
304
305
Blackmetal band EBEAMPRE. Noemata Random Name Generator. POPWAE. POPWAE. .
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' d Y d' a Ya b dP Yb. b d' Y bdPYb dP'. ' d' b d YP'YP dP. P d' YbaaadP'
'. dP I YP' baaaa '. aaaadP P Y. dP' a I' dP d' d. Yb b d. dP' Ybd d d'. b
Y P. dP' IY Y dba dP P Y. i Y P'. dPYba Yba YbYbdP b. Yb YbdP' Y. aPYP Y Y
d YP Y. Y YP' Y. P. d'. d'. d'. Y P. YP. Noemata Random Name Generator.
FACPARA. FACPARA. Tshirt text ENIUME. Noemata Random Name Generator.
OHZENYA. OHZENYA. OOOOO HH HH ZZZZZ EEEEEEE NN NN YY YY AAA. OO OO HH HH
ZZ EE NNN NN YY YY AAAAA. OO OO HHHHHHH ZZ EEEEE NN N NN YYYYY AA AA. OO
OO HH HH ZZ EE NN NNN YYY AAAAAAA. OOOO HH HH ZZZZZ EEEEEEE NN NN YYY AA
AA. Evil scifi character GERONA. Noemata Random Name Generator. SIRIOS.
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.. . .. . . .. . . .. . .. . . .. . .. . .. . . .. . .. . .. . .. .. .. .
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AGANUNI. AGANUNI. ) ). (( ((. ICQ nick CKEXTRAS. Noemata Random Name
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................................. Acid house combo CITUNIE. Noemata Random
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ooooooooooooooooooooooooooooooooooo. oooooooooooooooooooooo.
oooooooooooooooooooooo. oooooooooooooooooooooooooooooo.
oooooooooooooooooooo. ooooooooooooooooooooooooooooooooo. Pet name
SUMPROTO. Noemata Random Name Generator. PSEUCOMA. PSEUCOMA. ''''''''''.
.... '... ..... '... '.... ''. .. .. ''.. .. '.. .......... ... .. ' ..
..... . . . .. ............................................. Hotmail
account name ERLWE. Noemata Random Name Generator. VOXFEDEO. VOXFEDEO.
Tshirt text HATTIE. Noemata Random Name Generator. EGEBACZA. EGEBACZA. ).
). Roleplaying name VIEGONET. Noemata Random Name Generator. SSUNZE.
SSUNZE. .d..... .d..... dbdb d.bdb d.....D d.....b. ..'YP ..'YP ....
...o.. YPd.' ..'. .bo. .bo. .... ..V.o.. d.' ..ooooo. Y.b. Y.b. ....
..V.o.. d.' ... db.D db.D ..bd.. ..V... d.'db .... ....Y' ....Y' Y....P'
VPV.P d.....P Y.....P. Art installation PRESLOUO. Noemata Random Name
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oooooooooooooooooooooooooooo. oooooooooooooooooooooooooooo.
oooooooooooooooooooooooooooooo. oooooooooooooooooooooooo.
ooooooooooooooooooooooooooooooooooo. Tshirt text TUALPHOTOO. Noemata
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Random Name Generator. GNOMGOAL. GNOMGOAL. Japanese toy craze XIDNEURO.
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SPACI. SPACI. .. Software ERRITZLA. Noemata Random Name Generator.
CEMINOM. CEMINOM. . .. ... . . . .. . .. . . ... . . . . . . .. . . . . .
... . .. .. . . .. . . . . ... . .. .. . .. . . . . ... . .. .. . .. . ..
. ... . . . . .. . .. ... . . . .. Hotmail account name FACNEBULA. Noemata
Random Name Generator. GAPATH. GAPATH.
306
Netart project NIZMAGIER. Noemata Random Name Generator. LARIOR. LARIOR.
Tattoo shop PTURQUEER. Noemata Random Name Generator. THGO. THGO. d......b
dbdb d...b .d..b.. ..' .... ..'Y.b ..PY... .. ..ooo.. .. ..... .. ....
..ooo ..... .. .... .... .bd.'. YP YPYP Y...P Y..P'. Mysterious alias
EDUBWI. Noemata Random Name Generator. PATADUBAR. PATADUBAR. Osho name
ECLONYOU. Noemata Random Name Generator. OMLYZCYCLO. OMLYZCYCLO. Message
board spam name LENCA. Noemata Random Name Generator. LEARNAL. LEARNAL. .
. . . . . . .. . . . . . . . . . .. . . . . . . . . . . . .. . . . . . . .
. . . . .. . . . . . . . . . . . .. . . . . . . . . . . .. ... .. .. ...
... Noemata Random Name Generator. INERDE. INERDE. d......b d.bdb d.....b
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....D .... Y......P VPV.P Y.....P ..YD Y....D' Y.....P. Dog name FACBIOEM.
Noemata Random Name Generator. NEUROWAREL. NEUROWAREL. Netart project
MONOZYM. Noemata Random Name Generator. HOLONIZ. HOLONIZ. Cyborg model
DYZENE. Noemata Random Name Generator. LO. LO. Art installation SEXWE.
Noemata Random Name Generator. XIDE. XIDE. Buzz word this year DECKNAES.
Noemata Random Name Generator. ACKDADA. ACKDADA. ) )' ) ) ) ) ). ( ( ) (
(. Mysterious alias SALAT. Noemata Random Name Generator. CYCLOMERAX.
CYCLOMERAX. Artist name VERSESES. Noemata Random Name Generator. HOLOPH.
HOLOPH. Noemata Random Name Generator. SAVOZ. SAVOZ. gg ggg ggg gg gggggg
gggggggg. ii dPI dPYa P dPdPYb dPYb. ' dP Yb d' d' Y bdPa b. ' dP d'
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Y P' dba. dPYbdP b YbdP YbdP'. Yb. aPYP YP Y YP YP'. d. P. d'. d'. d'. Y.
P. YP. Blackmetal band MUSBA. Noemata Random Name Generator. DANEER.
DANEER. ) )' ) ) ' ) ). '. ( ( ( (. Evil scifi character COLNU. Noemata
Random Name Generator. STASTROAZ. STASTROAZ. gg ggggggggggggggg ggg gg
ggggggggggggggg. ggggggggggg gggggg ggg gggggggg. ii dP dPI ii. dPdPY
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d'. d'. Y P. YP. Mysterious alias ESCONU. Noemata Random Name Generator.
CABKILO. CABKILO. C A B K I L O. Cyborg model YRCHA. Noemata Random Name
Generator. BABNE. BABNE. ) ). .. Artist name CIDXY. Noemata Random Name
Generator. YARPA. YARPA. Hxr nick WEMENEGE. Noemata Random Name Generator.
MASHAE. MASHAE. ) ) ). ( ( ( ) ( (. ). ) ) ) ) ( ). ( ' ( ( ( ( ().
Computer ID OCY. Noemata Random Name Generator. STCYCLO. STCYCLO.
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oooooooooooooooooooooooooooo. Goldfish name ANTINOS. Noemata Random Name
Generator. CHTERA. CHTERA. .o..b. dbdb d......b d.....b d....b. .d.b..
d.PY. .... ..' ..' ...D d.'.b. .P ..ooo.. .. ..ooooo ..oobY' ..ooo... .b
.... .. .. ...b ..... Y.bd. .... .. ... ..... ..... Y..P' YPYP YP Y.....P
..YD YPYP. Mysterious alias NAERO. Noemata Random Name Generator. EPTURA.
EPTURA. ). KENCHE. Noemata Random Name Generator. TORHEEN. TORHEEN. T O R
H E E N. DJ name ZARINTROIN. Noemata Random Name Generator. RABUM. RABUM.
Y. ICQ nick MACSES. Noemata Random Name Generator. CONSEA. CONSEA. ) ) ).
() ( ) ( ( ) (. ). ) ) ). () ( ( ' ( () (. Osho name PHOTOKENE. Noemata
Random Name Generator. CIESENT. CIESENT. ( C ) ( I ) ( E ) ( S ) ( E ) ( N
) ( T ). Buzz word this year ANOIDAERO. Noemata Random Name Generator.
SCERNAUTO. SCERNAUTO. (((()U L ((). '' '. Pet name BETALIONON. Noemata
Random Name Generator. RAGASEXEL. RAGASEXEL. ggggggggggg ggg gg ggg gg.
ggggggg ggg gg ggggggg gggg. dPY dPI ii dPI ii. dPYbdPY dP' dPYb d I. Yb b
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Yba Ybdb. Y YP YaPYP YP YaPYP. Y P' Y Y YP Y. Hxr nick ESCIFKA. Noemata
Random Name Generator. AZBASLOO. AZBASLOO.
307
Art installation AGECHROMAERO. Noemata Random Name Generator. Slektstre.
Slektstre. Ann Elesøpite. Bsorn Jenne. Anyto. Knet Macmoalteon. Erlunc
Mesnaylteon. Knet Olshn Micnualtean. Oli Olcen Hellons Mosnealdeem. Olo
Svonsan Tinuoese. Spaon Elepson Timeiøcu. Barcid Eilhpstedtar Tine de..
Amme Olstattår Buscøtaecon Besso i Nos Ål. Ghnfer Eiraggtitter Flhden.
Eerhs Assrensan Fletam. Ascram Ehrosgen Saecsort Flutyn. Eirus Aszrinsen
Sera Ree Østru Agur ver. Bhrghd Genmurdottar Øfre Asar par. Genbar
Olcditthr Nertra Fasc. Olå Knotson Nertra Fekc. Anma Lorstottår Nertræ
Åsor Syra Tefdo. Kristi Harpråntstitter Nerdru Hylcayson. Herfremd Pelcon
Låen Hasim Ssrendo. Mersht Keddilctættor. Mera Eylhfgtatder Ritnonsen Ål.
Ellans Olson Østnhntsed. Insopers Olsdhdtar Rutnimsen. Acnes Roeni. Anterc
Roonæ. Scur. Shnmyfi. Anme Øoeplitom faxrefelsi. Ole Øohflitan sil. Merea
Metolen sogn. Olhas Hehson. Jøns Heesem. Jan Jåmcan Haosan fhr aesost.
Jins Jimkan Sludte Kfangåyasen (c. . Jonc ver fri Oynctathtte. fre
Aurlomt.). Jin Jangen Oomstod Getbrentcgert Setndolen (s. ). Ronste
Olgtedter Tanisun. Oly Tanhccan Kfongiæegen. Tenis Olcøn Shra Tarba.
Ronsth Lerctytdor Nardre Gravo. Kyri Olctiddur Nidri Raynden. Ola Knatcen
Reemthm (g. ). Knyt Livhrtcon Sara Møaes (s. ). Rhnnes Larstettir Moteos.
Haltos Olctitthr Surh Bhssæstot. Byrsat Olsdattar Morasledte Sbartiferj
(forset ver dhttar tal. ssilelirar Oly Sopitson Sfertafers fre Ål.). Geru
Olstattyr Nardri Reumtan. Olu Olgem Nartre Reymton (c. ). Ola Sfeenson
Nartre Rayntim (s. ). Sfeon Kmhtgen dæ. Nhrtru Ryandhn. Knod Lifordsen
Sirø Mitays Netre Rionton (c. ). Remsta Sfaengtettar Sencta Kyebams.
Birzot Olctattir Thmsin. Gra Olkdottur Nirtro Hallamg Ål. Ole Olsen Nirtro
Hillhns Ål. Gri Nalctetdar Halde. Borsod Sshgortsdetthr Teasacthcin.
Birsoyld Hillinccthd. Arna Hhllenggthd. Tera Kolbcerncsart Vads. Removal
of the hand. The Removal of the hand as a mythological symptom consistent.
with fetishistic disavowal can only be a pretext for 'release' per se.
says. Mr. Tanizaki disavowedly.. Palafax Solipsigossa. .ltb.gt.
.ltb.gt....ltb.gt. randomART Tommy is .ltb.gt....ltb.gt. .) (.'. .) ('..
Seven elements of beauty. Seven elements of beauty. . Asymetry breaking
away from formed perfection.. . Nonattachment openmindedness. .
Naturalness artless without pretense. . Simplicity. . Limitless silence
inwardlooking mind. . Wizened austerity like an old tree. . Profound
subtlety. pieces. May there be peace in heaven.. May there be peace in the
sky.. May there be peace on earth.. May there be peace in the water.. May
there be peace in the plants.. May there be peace in the trees.. May there
be peace in the Gods.. May there be peace in Brahman.. May there be peace
in all.. Peace peace peace.. Hindu. a state of tranquillity or quiet as a
freedom from civil disturbance b. a state of security or order within a
community provided for by law or custom breach of the peace. freedom from
disquieting or oppressive thoughts or emotions. harmony in personal
relations. a a state or period of mutual concord between governments b a
pact or. agreement to end hostilities between those who have been at war
or in a state. of. enmity. used interjectionally to ask for silence or
calm or as a greeting or. farewell. at peace in a state of concord or
tranquillity. Cherish in your hearts boundless goodwill to all that
lives.. Learn to make the whole world your own. No one is a stranger my
child the. whole world is your own.. det profane er høyere enn det
sakrale. sakrale som et fokuspunkt. . The obstacles in the way of him who
desires to attain concentration are. Sickness Languor Doubt Carelessness
Laziness Addiction to objects of. sense. Erroneous Perception Failure to
attain any stage of abstraction and. Instability in any stage when
attained.. . These obstacles are accompanied by grief distress trembling
and sighing.. . FOR THE PREVENTION OF THESE ONE TRUTH SHOULD BE DWELT
UPON.. Any accepted truth which one approves is here meant.. . Through the
practising of Benevolence Tenderness Complacency and. Disregard for objects
of happiness grief virtue and vice the mind becomes. purified.. The chief
occasions for distraction of the mind are Covetousness and Aversion. and
what the aphorism means is not that virtue and vice should be viewed with.
indifference by the student but that he should not fix his mind with
pleasure. upon happiness or virtue nor with aversion upon grief or vice in
others but. should regard all with an equal mind and the practice of
Benevolence. Tenderness and Complacency brings about cheerfulness of the
mind which tends. strength and steadiness.. patanjali. recollect the
antecedent. . To recollect that which is most antecedent to the in breath
and out breath. means that you must tune into that which is prior to the
entire breathing cycle. itself. Just as the hand which lifts a staff is
not part of the staff likewise. the antecedent recollection is not a part
of your breathing. As a practical. illustration you must recollect the
antecedent as you breathe in and breathe. out. If the breathing is long or
short labored or otherwise you must focus on. the antecedent so that
breathing follows after it. When you breathe for. example your normal
belief is I am breathing. It never dawns on you to. retract your attention
and look in the opposite direction so as to rise above. breathing. Not
surprisingly this is not an easy task (owing to force of. habit. all of us
still attend to conditions which are always posterior).. seung sahn. You
think that the kongan is separate from your life and from your job. This.
kongan don'tknow mind clear mind your job your life everything hit. become
one. Just now what are you doing. You asked me what am I I say to you you
already understand. Look at the. ground. What do you see What do you hear
now You must open your eyes and. ears.. Also you must attain your true
self. Then you will not have to ask about me.. Zen is not difficult also
not special. If you want special you have special.. But this special
cannot help you. When you are eating just eat when you are. walking just
walk when you drive just drive. That is Zen. There are many. kinds of Zen
eating Zen working Zen television Zen driving Zen playing. tennis Zen.
Sitting Zen is one part. Most important is moment to moment how. do. you
keep clear mind So Nam Cheon Zen Master was asked What is Zen. Everyday.
mind is Zen mind. So don't make special don't hold something don't be.
attached to something don't make something then you are already complete..
That's primary point I told him. You found it. You studied philosophy but.
you couldn't attain this nothing. Just now you attained nothing. But if
you. hold nothing then you will have a problem.. What do you mean by
'holding nothing.... It's very sad if you are holding nothing. All your
lingering attachments will. press on you. If you are not attached to
nothing you will attain nothing and. there is no life or death. If you are
nothing then life and death are nothing.. You are already beyond them.. Oh
that's wonderful he said. I didn't understand that until now.. It was an
interesting conversation. He was old rich and very wellknown but. he said
he had gotten nothing. As you get old this nothing gets bigger. Before.
you come into this world there is nothing. When you are young you don't.
understand nothing just the words. But by the time you are forty or fifty.
and. a good friend has died or your mother and father have died then you
have. experienced nothing. You have tasted nothing. If you practice hard
the taste. is. very strong and you are free to help other people. But if
you are holding. something in your mind you can't taste nothing. If you
want freedom you. must. taste nothing very intensely. What is the taste of
nothing. cayce the Sanskrit word for action is karma. the Sanskrit word for
action is karma. when there are rebellions of body or mind against such is
there any wonder. that. the atoms of the body cause high blood pressure or
cause itching or cause. running sores or cause a rash or cause indigestion.
For all of these are. but the rebellion of truth and light.. . As has been
given there are DEFINITE conditions that arise from. within the inner man
when an individual enters into true or deep meditation. A. physical
condition happens a physical activity takes place Acting through. what
Through that man has chosen to call the imaginative or the impulsive and.
the sources of impulse are aroused by the shutting out of thought
pertaining to. activities or attributes of the carnal forces of man. That
is true whether we. are considering it from the group standpoint or the
individual. Then changes. naturally take place when there is the arousing
of that stimuli WITHIN the. individual that has within it the seat of the
soul's dwelling within the. individual body of the entity or man and then
this partakes of the. individuality rather than the personality.. . If
there has been set the mark (mark meaning here the image that is raised.
by the individual in its imaginative and impulse force) such that it takes
the. form of the ideal the individual is holding as its standard to be
raised to. within the individual as well as to all forces and powers that
are magnified or. be magnified in the world from without THEN the
individual (or the image). bears the mark of the Lamb or the Christ or the
Holy One or the Son or any. of the names we may have given to that which
ENABLES the individual to enter. THROUGH IT into the very presence of that
which is the creative force from. within itself see. . Some have so
overshadowed themselves by abuses of the mental attributes of. the body as
to make scars rather than the mark so that only an imperfect. image. may be
raised within themselves that may rise no higher than the arousing of. the.
carnal desires within the individual body. We are speaking individually of.
course we haven't raised it to where it may be disseminated for remember
it. rises from the glands known in the body as the lyden or to the lyden
Leydig. and through the reproductive forces themselves which are the very
essence of. Life itself within an individual see for these functionings
never reach that. position or place that they do not continue to secrete
that which makes for. virility to an individual physical body. Now we are
speaking of conditions from. without and from within. . The spirit and the
soul is within its encasement or its temple within the. body of the
individual see With the arousing then of this image it rises. along that
which is known as the Appian Way or the pineal center to the base. of the
BRAIN that it may be disseminated to those centers that give activity. to.
the whole of the mental and physical being. It rises then to the hidden eye
in. the center of the brain system or is felt in the forefront of the head
or in. the place just above the real face or bridge of nose see. . FIND
that which is to YOURSELF the more certain way to your consciousness. of.
PURIFYING body and mind before ye attempt to enter into the meditation as
to. raise the image of that through which ye are seeking to know the will
or the. activity of the Creative Forces for ye are RAISING in meditation
actual. CREATION taking place within the inner self. snailmail
jupitterlarsen. snailmail g.x. jupitterlarsen. for myself eye enjoy
playing with terms as toys nothing more. too many. people. take ideas (or
the terms of ideas) too linearly.. eye think that a person's disapproval
of somehting is no reason not to like. it.. if a man believes in something
it does not necessarily mean that he accept it. as something which is
essential nor should he.. in fact a man exhibits a real understanding of
the workings of reality when. in. a single action (without meaning to
deceive) he deliberately says one thing. and. does something else
altogether different.. it is the multidimensionality of all of this which
shows us that using the. same. process of making rational conclusions will
not always work for all events. and. actions.. eye am not from anywhere
really. my father was from norway however. g.x. jupitterlarsen. NOT HERE.
and we. and we. are fundamentally inclined to maintain that the falsest
opinions. (to which the synthetic judgments a priori belong) are the most.
indispensable to us ..without a constant. counterfeiting of the world by
means of numbers we could not. live.
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NCONECIFFTDELECHERUNOLTIOMEFERINDWHOREECTOPOONMMRSESOFHNNE.
YDMPPLALAFRANCEROMANE.FRANCEROMANE.LEAYUDAANCELECRIDRWIPLOT.
SYNSHIQUTECANTIESYSALIVAUABSIITHGGHCHCHPTESIEVEQUTERONUTCO.
FCONCHYNESHERERMOGUSELLKNS(ONERANINDREROMANE.LESITEYOUAREHER.
ESUPPLYTIMESFORTHEHISTORYTIMELINE.
UEOFTHEFOUNDINGOFGARDENINGARPNCTSUJEXQUOTSFD. CSFDE. i don't remember
having written this not sure what it is... phaneronoemikon solipsis blog.
Person shelf sentence continuing. Q Who reads Person shelf sentence
continuing. A Pure Irration.. Q Is reading done in eyeball. A All reason
contains irreasonal assumption.. Q Why does Person shelf sentence
continue. A Pure ration of radiance.. Q What is contained in one ration of
radiance. A Pure Irration.. Q Are you in favor of constructing networks of
belief. A They are constructing me. Why not construct them. Q Can you
explain. A I have swallowed a redhot iron ball. which has cauterized my
throat into a starform.. Q Who reads Person shelf sentence continuing. A A
Pure Ration of the AllSelf incausing Irration for S.O.A.. A Person shelf
sentence continuing. Q FINAL.. Wednesday March. CAMBODIAN MAN CUTS OFF
PENIS TO FEED SPIRITS. Mon Mar AM ET. PHNOM PENH (Reuters) A Cambodian man
cut off his penis when he said he was. visited by four hungry spirits in a
dream and he had no chicken or duck to. offer them.. According to police
yearold Soun Ney told the spirits to go away when. they first appeared to
ask for food and waved his penis at them in defiance.. 'Devils I don't
have any chicken or duck for you' he was quoted as saying by. local police
chief Phoeung Vat. 'If you want to eat anything you can eat my. penis.'.
Soun Ney said the spirits agreed to eat his penis. He was rushed to a
hospital. near the capital Phnom Penh after he castrated himself with a
butcher's knife.. 'He is lucky to be alive' Phoeung Vat told Reuters..
Villagers in the deeply impoverished southeast Asian traditionally offer.
chicken duck or cake to the spirits of the dead to ward off bad luck..
found via Mark Lamoureux's. posted by Lanny PM. Sarandipities Trobard
ClusTermed. LunaLangLungLonging. What Breaks Though The Drama. Of All That
Tiny Inscriptus. Crowbar Plus. Ultra. My Kind. Trobar Plus. The Albino
Cyclopean Unicorn Gorilla. With Diaper D'oro. Filled With The Red
Tincture. Malbion Boonlight. It Doesn't Matter How You Arrange. The Words.
But How You Make Dolphin. Among The People. This Language Is Paramount. And
Must Be Unambiguous. Or You Will Be Labeled As A Kind Of Metagallinari. Of
Harangue Upon The River Styx. Now I Move In The Secret Doctrine Of Space.
And Find My Diagram Where The Outline Of. My Tribulation Is Ignored. The
Erotis Curvatures Of The Iconic Invention. Signals A Float Of
Intentionality. Within The Dark Wood Of The Loam Of Eyes. This Isn't An
Area For Soft Boys. But For Viral And Manic Demons Whose Surfaces. Are
Iconic Landscapes. Whose Dreams Are Alchemical Dramas Unfolding. With The
Precision of Floral Camera Craniums. This Machinic Djinn Lives. And Bites
Through The Umbilical Chord. With Teeth Of Coma. Chroma. The Ribald Town
Of Jiboko. Where The Green Skinned Fever. Hides Like An Assassin. Passing
Dreams Like Crystal Throwing Stars. Into Passing Gourds. None Of This Says
What It Thinks It Says. Such Is the Mystery Of the World. That No One May
Know Its. Fama Who Ignite Such Terrible And Inspiring Fires. Blank.
Arsenal. Firing. Under. Kama. Kra. C. losing.. Butter Idols.. What Happens
To Authors. Because. Of Their Texts.. Character (Dinosaur). pro notia
(elastic notocord). linguarum (Atlantean incense). universalis
(sphaerical). Species of the .... (enter relevanttimeframecontext).
.Independent Potentials.. of the RealM.. posted by Lanny PM. The Plan
Abandoned. by Wade Tillett. The unavoidable theoretical crisis. lurking
for years as an outline. a shadow at the edge of a glance. an uneasy
feeling. has finally become apparent.. It is in the face of this spectre
that. I am abandoning the profession of architecture.. While innumerous
evils haunt this profession. they are not in the end what has compelled my
resignation.. (I suppose these would have been reasons to reform. not
abandon.). No in fact after much consideration and soulsearching. I have
come to understand there is only one demon. the plan.. The plan can not be
separated from belief.. Belief encloses itself and becomes a system..
Belief identifies a self and other. a landscape. and a space.. Belief
establishes truths and possibilities based on its own parameters.. The
plan is the contract which seals belief. enforces belief.. The plan is the
word written. staticized. objectified.. The plan is the mapping of belief.
its completion as a coherent system. its formalization.. The plan is the
enclosure of the belief set. its circular logic turned on itself. the
fabricationenclosure (simultaneously) of possibility.. The plan produces
possibility. a construct of definable limits.. The plan allows one to
inhabit belief.. The plan delimits a space and a body.. Life is delimited.
separated. enclosed in a wrapper of the possible. identity. death.. Death
is the final separation. the final limit. the finite. the form. the past
twisted onto consuming the present.. The plan invents death. constructs
death. allots death.. The plan manufactures an objective reality. an
other.. Death is the ultimate other.. In order to be a true believer. one
must eliminate one's participation. in the creation of truth (the ultimate
other).. It is only in this way that objects. others. spaces. can be purely
objective.. The other must stem from without.. The plan must detach the
user or architect. the creation of the belief system.. The plan must
separate the self from its own modification.. The formgiving of
representation must be recast as a formreceiving.. The plan must become
the map.. The process of objectification (the creation of other) therefore
must. erase itself.. Thus inherent in the plan is a certain blindness. that
refuses to accept the creation of death. but accomplishes it the same..
Architecture is a means to resolve (obfuscate). the fundamental paradox of
the plan.. The plan can not be theorized as a problem within architecture.
nor one stemming from without.. The plan is both architecture's means and
it's reason for being.. Architecture's dual purpose is to hide that which
it facilitates.. Utopias are always distractions decoys.. The selfdelusion
of the architect is always only partial. there is always the intuitive
semiconscious fitting. negotiating. constructing. of a plan that bridges
and covers what it intends to be. and what it will be.. Such is the dual
nature. the misnomered intuitiveness. of the architect.. Those fascists
who purport to have accepted their role. as creators of death. as inverse
gods. in the end place Death as an absolute beyond. as some form of truth
outside the self.. They understand death's comport with belief. but
mistake death as beyond belief.. The actual manipulations at the molecular
level. are misconstrued. by a grandiose abstract Death narrative.(). The
myriad sin constructions are glossed over. hidden under. legitimized and
justified. by the holy image and the coming utopia.. Belief remains in the
singular untouchable other.. A construct is created behind an image.. The
imperialism of the plan always leaves one absent. a shell without
content.. The plan or map or image or identity can not be put to good use.
even those put together democratically or autonomously. present only a
means to enclose. subject the present to the past image. create
possibility traps.. The plan can not be separated from the tyranny that
employs it. the plan is that tyranny. the subjugation of the present to
the past.. Notes. . Fitting the two types of forms together segments of
content and. segments of expression requires a whole doublepincered or
rather. doubleheaded concrete assemblage taking their real distinction
into. account. It requires a whole organization articulating formations
of. power and regimes of signs and operating on the molecular. level.....
If this parallelism is replaced by a pyramidal image then. content
(including its form) becomes an economic base of production. displaying
all of the characteristics of the Abstract the assemblages. become the
first story of a superstructure that as such is. necessarily situated
within a State apparatus the regimes of signs. and forms of expression
become the second story of the superstructure. defined by ideology. It
isn't altogether clear where language should. go since the great Despot
decided that it should be reserved a. special place as the common good of
the nation and the vehicles for. information. Thus one MISCONSTRUES the
nature of language signs. organizations of power and content. () the
illusion that one can. grasp and shuffle all the strata between one's
pincers can be better. secured through the erection of the signifier than
through the. extension of the sign. ( Deleuze and Guattari A Thousand.
Plateaus. Emphasis mine.). posted by Lanny PM. Through Struggles to the
Stars. By Physicist. Jack Sarfatti Ph.D.. On the physical principles of
consciousness warp drive and wormhole star. gate time travel in the light
of the new precision cosmology of dark energy. and their relations to the
coded knowledge of the once and future techgnostic. mystery schools
fictionalized in The Da Vinci Code and described in fact. in Techgnosis..
Newton realized that the fall of the apple was the same as the motion of
the. Earth around the Sun. That was his alchemical techgnostic insight
into As. Above So Below. I have shown that the invisible Galactic Halo
holds the. stars together in the same way through negative zeropoint
energy density. with equal and opposite positive quantum pressure that the
electrons. distributed repulsive electric charge is held together. Its As
Above So. Below all over again. Real original physics on the deep
structure of the. many worlds not found in any other book is weaved
together with great. literature and my true adventure story. Quantum
reality is not only weirder. than we have imagined but may be weirder than
we can imagine. We are. such dreams that stuff is made from.. Re Object not
found.. ok mwp feel free to upload to noemata or adundas as an online
storage for you. stuff if you want. ah you can sell your stuff via
noemata.netarspublica.com. and get rich from the post.net.art. (it's of
course not generating a dime.). if i should try getting money from
institution i think it would be for 'fully. automated art' or something
like that smiley. i owe them some explanation what. i did with the last
which is ok and making problems with backfiring. 'context art' and then
not caring about paper work but the possibilities are. there and they're
basically kind i should have a secretaryagent doing. things keeping my
life together that would be fine i'll advertise defunct. potential artist
seek structured realistic person. there's missing a whole. lot in that
production line. i wanted to fix that before collaboration no it. doesn't
work only tight schemes getting money out of funds goals the usual.
artistery. insert sercasm charchasm hollow character.. perl cgi seem only
available from url kunst.nobjornmag (which is same as. noemata.net)
support didn't answer the last mail so they won't fix probably.. see you
in the post art. name. AROSE RIP. Aroseisaroseisarose.com is officially no
longer. All links to works. originating from the site are henceforth
invalid. Moreover I have no plans. for the construction of any future
sites.. I await a future of postnet art which is the only one I can expect
to be a. part of right now.. Re spasms. ..like eerie to me this tini whirl
j kom over linken i går actually. yo ko ok whiteblue c. alsoh. Recently
she held a thirteendaylong dance festival taking place 'in your. mind'..
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...... ..... ..... ..... .... ... ... .. .. trolldeig. vegetating at meh
airport this trolldeig work clumsiness of kid craft maybe. clumsiness of
their actual imagination not the craft always prefering the. chubby planes
and popple of things negating colors they now seem to be. jumping off
midair the original is red ground and they look dead white and. grinning
kids wondering how those air crafts every could fly maybe not. crosses and
how their imagination ever could represent anything no we don't. believe
the cross mean that we don't believe caricatures is like. imagination not
our craft we kids know that but you don't you are the. clowns falling off
by believing imagination eventually adapts you hit. the ground.. syndicate
div. This is a multipart message in MIME format.... ContentType textplain
charsetiso. Some moulds new images to become compressing them much as
possible and time. inflating they're connected to different ideas and
things lost or heading in. other directions divergence divide division
divert deflect route detour. distract turn aside depressible depute
diverting diplostemonous ride. daughterly turn ached diffractions dept
departs duplicitously ready dowdier. destructor tirana acta diversionist
dubbed deposing deportees defalcate rite. datura distributor thermo
agatha. Index of div. Name Last modified Size Description. Parent
Directory Apr. meh.jpg Feb k. M.jpg Aug k. M.jpg Jul k. akdre.jpg Oct k.
ay.jpg Oct k. b.jpg Oct k. b.jpg Apr k. bdty.jpg Nov k. bea.jpg Apr k.
ch.jpg Apr k. chiperb.jpg Jul k. cityfil.jpg Oct k. cpor.jpg Oct k.
dilbert.jpg Sep k. disni.jpg Dec k. disni.jpg Oct k. egeon.jpg Oct k.
ell.png Oct k. emo.jpg Mar k. entrial.jpg Apr k. face.gif Mar k. ffj.jpg
Aug k. gc.jpg Feb k. gardein.jpg Jul k. ge.png Aug k. golgi.jpg Feb k.
harangbaek.jpg Jul k. hbok.jpg Jun k. jet.jpg Nov k. kabuki.jpg Apr k.
kisslogo.jpg Jun k. kj.jpg Aug k. kov.jpg Apr k. kvo.jpg Jul k. ldddd.jpg
May k. lf.jpg Oct k. loo.jpg May k. mene.jpg Dec k. merica.jpg Apr k.
mov.png Aug k. na.gif May k. nbng.jpg Oct k. nil.nota.dstr.jpg Oct k.
nkoff.jpg Jun k. noconn.jpg Mar k. nokul.jpg Jun k. nov.jpg Sep k.
novb.png Nov k. nrveno.jpg Mar k. ntu.jpg Feb k. nuros.jpg May k. oemf.jpg
Aug k. ofg.jpg Sep k. ris.jpg Dec k. roadm.png Aug k. s.jpg Jun k. s.jpg
Mar k. sbok.jpg Oct k. scbover.jpg May k. sdex.jpg Aug k. slve.png Feb k.
sm.png Nov k. splf.png Dec k. stv.jpg Jul k. tript.jpg Aug k. triptyk.jpg
Apr k. trit.jpg Sep k. tt.jpg Sep k. unfit.jpg Aug k. vadsotanabru.jpg Sep
k. ver.jpg Apr k. wallpaper.jpg Oct k. zthoe.jpg Feb k. Apache.. Server at
noemata.net Port. Support dot.art. Evil agency. ContentType textplain
namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. Syndicate
mailinglist. Syndicate network for media culture and media art. post to
the Syndicate list. no commercial use of the texts without permission. hr
onwards. years anniversary. () (. ' ' '. ' ' '. ). (). ). '. roundtheclock
posting of sequenced hypermodern imagery from Brad Brace.. The hypermodern
minimizes the familiar the known the recognizable it. suspends identity
relations and history. This discourse far from. determining the locus in
which it speaks is avoiding the ground on which. it could find support. It
is trying to operate a decentering that leaves. no privilege to any
center.. began December. Pointless Hypermodern Imagery... postedmailed
every hours... a. spectral trajective alignment for the s A continuum of
minimalist. masks in the face of catastrophe conjuring up transformative
metaphors. for the everyday... A poetic reversibility of exclusive
events.... A postrhetorical continuous apparently random sequence of.
imagery... genuine gritty greyscale... corruptable compact. collectable
and compelling convergence. The voluptuousness of the grey. imminence the
art of making the other disappear. Continual visual impact. an optical
drumming sculpted in duration on the endless present of the. Net..
unassimilable... imagery is gradually acquired selected and resequenced.
over time... ineluctable vertiginous connections. The hr dialtone....
KEYWORDS Disconnected disjunctive distended decentered. decomposed
ambiguous augmented ambilavent homogeneous reckless.... Multifaceted
oblique obsessive obscure obdurate.... Promulgated personal permeable
prolonged polymorphous provocative. poetic plural perverse potent
prophetic pathological pointless.... Emergent evolving eccentric eclectic
egregious exciting. entertaining evasive entropic erotic entrancing
enduring. expansive.... Every hours another... view them repost em save
em. trade em print em even publish them.... Heres how.
httpbbrace.laughingsquid.nethr.html
309
310
Look for the hricon. Heavy traffic may require you to specify files. more
than once Anarchie Fetch CuteFTP TurboGopher.... Download from
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Download from hotlineartlyin.ftr.va.com.au. Remember to set tenex or
binary. Get hr.jpeg. Email If you only have access to email then you can
use FTPmail to. do essentially the same thing. Send a message with a body
of 'help' to. the server address nearest you. ftpmailccc.uba.ar
ftpmailcs.uow.edu.au. ftpmailftp.unistuttgart.de ftpmailftp.Dartmouth.edu.
ftpmailieunet.ie ftpmailsrc.doc.ic.ac.uk. ftpmailarchie.inesc.pt
ftpmailftp.sun.ac.za. ftpmailftp.sunet.se ftpmailftp.luth.se.
ftpmailNCTUCCCA.edu.tw ftpmailoak.oakland.edu. ftpmailsunsite.unc.edu
ftpmaildecwrl.dec.com. ftpmailcensus.gov. bitftpplearn.bitnet
bitftpdearn.bitnet. bitftpvm.gmd.de bitftpplearn.edu.pl.
bitftppucc.princeton.edu bitftppucc.bitnet. Mirrorsites requested Archives
too. The latest new jpeg will always be named hr.jpeg. Average size of
images is only K.. Perl program to mirror ftpsitessubdirectories.
src.doc.ic.ac.ukpackagesmirror. Postings to usenet newsgroups. alt.hr.
alt.binaries.pictures.hr. alt.binaries.pictures.misc.
alt.binaries.pictures.fineart.misc. Ask your system's newsadministrator to
carry these groups. (There are also usenet image browsers TIFNY PluckIt
Picture Agent. PictureView Extractor NewsRover Binary News Assistant
EasyNews). This interminable relentless sequence of imagery began in
earnest on. December . The basic structure of the project has been over.
twentyfour years in the making. While the specific sequence of.
photographs has been presently orchestrated for more than years worth. of
hour postings I will undoubtedly be tempted to tweak the ongoing.
publication with additional new interjected imagery. Each hour posting. is
like the turning of a page providing ample time for reflection.
interruption and assimilation.. The sites listed above also contain
information on other cultural. projects and sources.. A very lowvolume
moderated mailing list for announcements and. occasional commentary
related to this project has been established at. This project has not
received government artsubsidies. Some opportunities. still exist for
financially assisting the publication of editions of large. (x) prints
perhaps (Iris giclees) inkjet duotones or extendedblack. quadtones. Other
supporters receive rare copies of the first three. hremailsubscriptions
can also be made at. mo yr. Institutions must pay for any images retained
longer than. hours.. image files. Get the textfile 'picturesfaq' to learn
how to view or. faq.html. (c) Credit appreciated. Copyleft. this heat.
you're now listening to this heat a.k.a. Blue and Yellow Testcard
Horizontal. Hold Not Waving Water Twilight Furniture Track Loop Diet of
Worms Music. Like Escaping Gas Rainforest The Fall of Saigon Testcard
Deceit Sleep Paper. Hats Triumph S.P.Q.R. Cenotaph Shrink Wrap Radio
Prague Makeshift Swahili. Independence A New Kind of Water Hi Baku Sho
(Suffer Bomb Disease) Repeat. Metal GraphicVarispeed. This Heat (album)
covers two years of the band's history with both live and. studio cuts.
They use guitar clarinet drums and keyboards permuted with. loops phasing
and overdubs breaking down patterns into only faintly. connected musical
moments that include artificial skips and looped end. grooves. Though
insolent and withdrawn the music is adventurous and in its. raucous yet
avoids the dismal drones and cacophony of other experimental. groups. Free
of clichs the music blends politics and intelligence steering. clear of
artifice and trendiness. Austere brilliant and indescribable.. this is
still very good. Re rune grammofon. yes i've heard some releases
supersilence biosphere jazzkammer it's quite. experimental ranging from
noisefreejazz to ambient to electronica. haven't. seen the book but their
obviously into design also.. rune kristoffersen has some years in the
business he was in the group 'fra. lippo lippi' which released a beautiful
depressive record in 'in. silence' influenced by english goth rock. he was
involved in the company. uniton from which i bought releases and imported
albums at that time he's. got more pop oriented... related to that milieu
were 'holy toy' and 'when'. holy toy centered around. the polishnorwegian
eccentric andrej nebb and is probably the most. interesting group in
norway ever. actually nebb mentioned this heat as one of. his influences
which is obviously also in 'when' which comes from lars. pedersen
percussionistorgan in holy toy. 'when' reconnects more to prog rock. i
sent a cd with some stuff to rune k. a couple of years ago from the. just
slow and dark noise syrup recorded and manipulated from rails and. other
concrete sources. experimenting with very low bitrate encoding giving a.
spectral sound.. Have you seen this Do you know anything about this label.
Just wondering if you thought it was worth checking out... . e k u n s t .
cazzarola What is this. This is a multipart message in MIME format....
ContentType textplain charsetiso. a draft... cazzarola What is this. maria
What the awakening du vil holde styr unna brødene.. cazzarola Who are you.
maria Who are here in a try ) er gud er ikke her har mer av gammelt grått.
mugg og gjør fyldest alle dverger uten tanke søler sitt ene øye.. cazzarola
fanculo. maria What the awakening you will stay clear of the breads.. maria
Who are here in a try ) is god not is not her have more of the old. gray
mugg and do fullfill all dwarfs without thought spilling his one eye..
cazzarola fanculo. (. gozzarola finger eye. maria at ping eye tarot two
konservative lunkne.... ). noematamariadialoger. Nytt kapittel ferdig (k)
april. Maria Futura Hel Dialoger. dialoger.html k apr. dialoger.html k
apr. dialoger.html k sep. dialoger.html k jul. dialoger.html k apr.
dialoger.html k dec. dialoger.html k sep. dialoger.html k may. utdrag.txt
k jan. dialoger.html k jan. dialoger.html k nov. dialoger.html k aug.
dialoger.html k apr. dialoger.html k jan. dialoger.html k jul.
dialoger.html k may. .. ((()((. dialoger.html. tramslated. Dialoger med
Maria Futura Hel. maria i allerede levd because of grace jones. zynt am
nævestad badin magen. maria bad politikker. zynt yes am he dust. maria
dust am jesus suger eller am pingle. zynt skal vi home idag. maria home
till park. kutt al meg frekke kjerring kan a question men the. them for
off røret.. zynt haves i big kuk. maria big encourage at upon tv gøy
belowstream have sagt.. zynt become grows bog vaktkommandør. maria become
eneste uavbrutt høyforedersk handling.slik var. oppriktige svært bad no
not vet where heck am burdensome fog mist comfort. consoles tankene. drags
one excellent fine handel it quite altogether tøft.. zynt am urge digg.
maria am portveien. zynt am urge dig. maria urge digg. zynt am urge digg.
maria urge digg. zynt yes am it digg. maria yes hun light lightens for off
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with serbiske and chocolate and films eller noen. var minute forest.. zynt
haves you pupper. maria pupper what for slakk foreslåtte pari why. zynt
jævla fitte. maria fitte slim like everything until terje vigen ex from
finnmark the. lounge am you no not. fernufti the them må get lay hold of
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close beholders hiddenite tread.. beMyGhost Punch and Judy Show.
................................................. Noemata's beMyGhost
Punch and Judy Show. A light seaside summer entertainment. The plaintext
dessert of a desert hyperwork. A puppet show beyond good and evil. Etc..
As performed by the professors of automata. telemata noemata.. Now playing
the Inbox Theater Scene. oOOo. The story so far..... He is known as
Pulcinella in Italy Guignol and Polichinelle in. France Kasperl in Germany
Casper in Sweden Karagioz in Turkey. Karagiosis in Greece Petruk in
Indonesia. He's been around a long time in one form or another. He's an
imp of. mischief out of the mists of time. We know him as Punch. As.
Pulcinella the actor he was part of the Commedia Dell' Arte troupes. of
Renaissance Europe. To trace him back further takes us into the. very
ancestry of pantomime itself back to Ancient Rome and Classical. Greece
and the licentious topsy turvey world of Saturnalia and Satyr. plays. He
exists in many cultures for he is one form of The Trickster. a key figure
in society's development a figure able to turn shared. values upside down
for the shocked amusement of the community and the. ultimate strengthening
of the bonds that mutually bind it.. Charles Dickens was also a great
admirer of the Punch and Judy Show.. Mr. Punch is frequently mentioned in
his novels. One work The Old. Curiosity Shop seems to be based almost
entirely on the Punch. tradition. The show has taken a fair amount of
stick in the past for. being violent or not politically correct and being
flippant about. domestic violence. Charles Dickens is among those who have
nailed this. as ridiculous.. Who Are Punch and Judy Punch and Judy are
arguably the most famous. traditional puppets in the Western World with a
colorful history more. than years old. Mr. Punch with his hook nose
detched back and. garish costume is a cultural icon in England. His
unabashed joking. and rowdy mischievous behavior have provoked paroxyms of
laughter. audiences throughout time. An impressive body of art is graced
by. Punch's outrageous countenance.. PUNCH Are you a doctor. HANGMAN Yes
are you alright. PUNCH No I'm dead.. HANGMAN You can't be dead.. PUNCH I'm
dead dead dead.. HANGMAN How long have you been dead Mr. Punch. PUNCH About
weeks.. punch judypuppetpuppetsCodman'sTobyRhosonSeapunchpunchjudy. judyMr.
Punchpunchinellopolichinellepuppetry puppet heroswooden. headsthat's the
way to do itwhat a pitysomerville colwyn bayrhos. on seacomical
tragedytragical comedymr punch's opera. pulcinellaharlequinadedetch
backhumpbig nose professorspunch. manprofessorsslapstickswazzle
swazzleomiswazzlehomipunch. callitinerantmarionettes
seasideentertainmenton the beachbeach. performerson the sands carnivalsThe
Punch and Judy College of. ProfessorsThe Punch and Judy
Fellowshipswazzleswatchelold red nose. Hoban quotes him as saying Punch is
so old he can't die.. In its classical glorious sense immortality is the
quality of what. passes beyond death the quality of the supraliving. In
its. contemporary version it is the quality of the surviving that is of.
what is already dead and by that token becomes immortal.. It's a fine show
sir. he replied. jolly fine show. Then with a. guffaw he added And a damned
bad moral.. Many of the Trickster's traits Radin writes were perpetuated
in. the figure of the mediaeval jester and have survived right up to the.
present day in the PunchandJudy plays and in the clown (xxiii).. Who is
Punch anyway Where does he come from And how could so. impossible and
ridiculous a character have survived the changes and. turmoil of the
passing centuries The plain fact is that nobody knows.. Certainly the
figure of Punch as we know him today has a direct link. with the commedia
dell'arte of the seventeenth century but the. character is far far older.
The original significance of Punch's face. and figure his enormous nose
and hump are meaningless to an. audience of modern times when perhaps it
is not customary to. associate large noses and sexual potency or find
detchbacks mirth. provoking. But it is possible that Punch has lasted so
long because he. so blatantly cocks a snook at the restrictions of
civilised society. and perhaps every man at some time or other would like
to flaunt the. laws of society with a comparable nonchalance removing
those who got. in his way pursuing his amorous inclinations willy nilly
and. defeating in the end the devil himself How often we say of a.
likeable rogue He could get away with murder. And Punch. does or almost
always does and he is such a likeable rogue and of. course he's only a
puppet and puppets can get away with anything.. HANGMAN Now prepare
yourself for execution.. PUNCH What for. Mr. Punch. A Roman mime called
Maccus was the original of Punch. A. statuette of this buffon was
discovered in containing all the. wellknown features of our friend the
long nose and goggle eyes the. detch back and protruding breast. The most
popular derivation of Punch. and Judy is Pontius cum Judæis (Matt. xxvii.
) an old mystery play. of Pontius Pilate and the Jews but the Italian
policinello seems to. be from pollice a thumb (Tomthumb figures) and our
Punch is from. paunch. The drama or story of our Punch and Judy is
attributed to. Silvio Fiorillo an Italian comedian of the seventeenth
century. Punch. triumphs over all the ills that flesh is heir to. () Ennui
in the. shape of a dog is overcome () Disease in the disguise of a doctor.
is kicked out () Death is beaten to death and () the Devil himself. is
outwitted. Brewer's Phrase and Fable. This compulsive desire for
immortality for a definitive immortality. revolves around a strange
madness the mania for what has achieved. its goal. The mania for identity
for saturation completion. repletion. For perfection too the lethal
illusion of the perfection.. 'Every ecstasy ultimately prefers to take the
path of renunciation. rather than sin against its own concept by realizing
it' (Adorno). the identitary individual the virtual clone there
corresponds a. horizontal madness... a delirium of selfappropriation all
the. monstrous variants of identity not of the schizophrenic but of the.
isophrenic without shadow other transcendence or image that of. the mental
isomorph the autist who has as it were devoured his. double and absorbed
his twin brother (being a twin is conversely a. form of autism deux).
Identitary ipsomaniacal isophrenic madness.. Our monsters are all manic
autists. As products of chimerical. combination... deprived of hereditary
otherness... they have no other. destiny than desperately to seek out an
otherness by eliating all. the Others one by one.. PunchandJudy show a
traditional puppetshow in which Punch is. shown nagging beating and
finally killing a succession of. characters including his wife Judy.. The
problem of Frankenstein for example is that he has no Other and. craves
otherness... But our computers also crave otherness. They are. autistic
bachelor machines the source of their suffering and the. cause of their
vengeance is the fiercely tautological nature of their. own language..
Punch did not always have his own play it seems his first role in. England
was to provide comic interludes in serious plays by. interrupting the
action as and when he could.. A MODERN PUNCH SCRIPT CHARACTERS PUNCH JUDY
BABY POLICEMAN CLOWN. CROCODILE HANGMAN GHOST. the challenge of the Ghost
representing Death is considered Punch's. greatest trial. We long ago
stopped believing in the immortality of the soul a. deferred immortality.
We no longer believe in that immortality which. assumed a transcending of
the end an intense investment in the. finalities of the beyond and a
symbolic elaboration of death. What we. want is the immediate realization
of immortality by all possible. means.. the conquest of whom enables Punch
to finally defy the Devil himself.. So long as there is a finalistic
conception of life and death the. afterlife and immortality are given like
the world and there is no. cause to believe in them. Do you believe in
reality No of course. not it exists but we do not believe in it. It is
like God... If. something does not exist you have to believe in it. Belief
is not the. reflection of existence it is there for existence just as
language. is not the reflection of meaning it is there in place of
meaning. To. believe in God is therefore to doubt his existence. Belief
is. superfluous just as Canetti says vengeance is superfluous it is.
rendered unnecessary by the inexorable reversibility of things. In.
exactly the same way passion is a useless supplement to the natural.
attraction between things and we might say the same about truth. which
merely complicates appearances unnecessary.. or as a mirror merely
refracts your image without believing in it.. God for his part if he
exists does not believe in his existence. but he allows the subject to
believe in him and to believe he. believes in it or not to believe that
but not to believe he does. not believe in it. Stavrogin. When the Devil
has been done away with Punch exults to the audience. The Devil is dead
Now everyone can do as he likes. But what will the human race do once free
of any belief It will. either fullfill itself egoistically obeying an
exclusive sovereign. individualism (Stirner) or do so collectively by
setting out on a. long historical course as in Marx or it will shift its
sights to. the superhuman through a transvaluation of the values of the
species. this is the path marked out by Nietzsche who argued that the
human. race cannot be left to itself but must aim beyond itself and
discover. the great metamorphosis that of becog... Nietzsche has written.
magnificently of the vital illusion not of the 'worlds beyond' but. of the
illusion of appearances of the forms of becog of the veil. and indeed all
the veils which happily protects us from the. objective illusion the
illusion of truth... Needless to say this. transvaluation... has not taken
place except precisely in the. opposite sense... A transvaluation folding
in upon itself towards a. nondifferentiation a nondistinction of values
itself fetishized in. an aestethics of plurality of difference etc. Not
any longer a. fetishization of divinities great ideas or grand narratives
but of. imal differences and particles... This dedifferentiation of the.
human and the inhuman this reabsorption of the metaphor of life into. the
metastasis of survival is effected by a progressive reduction to. the
lowest common denoator.. The Crocodile was a late arrival in the story and
has now been an. important character for about a detdred years. First he
was a dragon. which eventually became a crocodile. Perhaps the idea of a
crocodile. became firmly established after children had been frightened by
the. Crocodile in Peter Pan. The Ghost is seen occasionally still..
Originally the Ghost of Judy it is now just any old ghost.. Who was
Pulcinella or as he is sometimes called Pollicinella or. Pulicinella His
role was primarily that of a servant as indeed was. that of Harlequin and
he was obviously a comedian. He wore an. artificial nose potbelly and hump
all calculated to make the. audience laugh and he was the mixture of
jollity and cruelty wit and. stupidity just as Punch is today.. The
PunchTrickster concept embodies notions of anti. establishmentarianism
buffoonery and shamanism that reflect. attributes of the creative
individual functioning in an authoritarian. ethos the late s bucking the
system inverting values. Assug an ubuique persona and balancing
precariously on a mono. cycle PunchTrickster pedals blindly into an
unknown future fending. off unseen adversaries with an ineffectual weapon.
The sculpture is a. concretisation of a state of d or an existential
predicament. It is. concerned with delusions of grandeur and vulnerability
paradox and. pathos.. The Trickster as buffoon acts out a quixotic farce in
ironic fashion.. Ubu Roi a precursor of the theater of cruelty the absurd.
PunchUbu. Puncheon. Pernille og Mr. Nelson. JUDY Where's the baby. PUNCH
(In a melancholy tone.) I have had a misfortune the child was. so terrible
cross I throwed it out of the window.. It is generally thought that the
obsession with survival is a logical. consequence of life and the right to
life. But most of the time the. two things are contradictory. Life is not a
question of rights and. what follows on from life is not survival which is
artificial but. death. It is only by paying the price of a failure to live
a failure. take pleasure a failure to die that man is assured of survival..
Punch's women performers Bearing in d that Mr Punch is a folk. herorogue
scoundrel trickster of the opposite sex from ourselves. why are we so keen
to portray his story And what might the women. Professors add to the drama
of the tradition. The traditional Punch and Judy show presents Punch as
the simpleton. hero who successfully outwits various characters
representing his. oppressions in order to gain his freedom. This 'clever
fool' type is. often portrayed as a male antihero in folklore (Jack Til.
Eulenspiegel Clever Hans Monkey Anansi and Brer Rabbit are some.
examples). Somehow he always manages to achieve through his stupidity.
what others fail to achieve by concentrated effort. Punch is a.
combination of the fool and trickster. His characteristics are a.
collection of the archetypal shadow masculine traits those which are.
socially deemed to be undesirable cowardice lewdness rudeness. stupidity
fickleness irresponsibility selfishness greed. ................ and
violence or cunning. Mr Punch the trickster carnival fool king of anarchy
is an absurd. masculine archetype of those aspects of the human psyche
that want to. turn the world upside down and create chaos. His gross
appearance. the bulbous hooked red nose and the phallic 'hump' on his
back. comically reinforce his male sexuality along with the big red.
slapstick which he wields as the answer to all his troubles. His.
character and appearance have their roots in the ancient ritual. dramas
celebrating birth death resurrection conflict and. fertility. In our
'civilised' hierarchical bureaucratic and. patriarchal society Mr Punch
has evolved and survived through the. centuries as our national 'Lord of
Misrule.'. Punch men often portray Judy as a wonderfully fussy bossy
pantomime. dame type with a high falsetto voice. (Note that this makes
the. character a parody of the male's fantasy of woman).. When knocked
down she bobs up again several times in comic protest. always with one
more thing to say. Sometimes her final utterance is. almost orgasmic in
nature so that the mock puppet death we are. witnessing might more closely
resemble 'le petit mort' rather than. actual mortality.. When she returns
to discover that Mr Punch has inadvertently (in true. 'ignorant simpleton'
style) made the baby into sausages she is as any. woman would be at first
distraught and then angry. However having. fully expressed her grief and
given Mr Punch a piece of her d she. quickly moves into acceptance and
realises this is her opportunity. for freedom Well now Mr Punch You made
the baby sausages so you. can look after the baby sausages That's fair I'm
going to claim the. insurance money and take a nice little holiday in
Majorca. No you. can't come with me. You're to stay at home and look after
the little. sausage.. And off she goes leaving Mr Punch and the sausages to
the mercy of a. big green crocodile with toothfilled gaping jaws. Her
triumph is that. she has called Mr. Punch's bluff. Rather than waiting to
be knocked. out of his way Judy leaves him with the consequences of his
mistakes. and removes herself to a more fulfilling situation. She does
the. separating off. This gives Judy an equal status to Punch in the
drama. although he still remains at the centre of the story and fulfills
his. usual trickster role with his other adversities.. Adult enthusiasts
can recognize him as the head of one of those. dysfunctional families of
Drama that span from Oedipus and Macbeth on. the tragic side to the Addams
Family and The Simpsons on the frivolous. side. He and other little red
nosed rogues like him have been kept. alive down the centuries because his
irrepressible antics and his. flying in the face of convention have amused
generations of ordinary. people particularly those with no power of their
own.. Step warily around the fair Welsh seaside town of Aberystwyth this.
weekend for everywhere you look will be a strange beaknosed figure. clad
in red with pointytoed shoes and a manic gleam in his immobile. eyes. No
it's not Beelzebub it's Punch. The second international. festival of Punch
and Judy is in town. Oh no it isn't. Oh yes it is. etc.. There was an Old
Man with a nose Who said If you choose to. suppose That my nose is too
long You are certainly wrong. That remarkable man with a nose.. A Jungian
Consideration of Edward Lear's Nonsense Verse Lear was in. many ways an
example of what Jungian psychologist MarieLouise von. Franz calls the puer
aeternusan archetype she analyzes in her book of. the same name. The term
comes from Ovid's Metamorphoses and there. refers to the childgod of the
Eleusinian mysteries. In later times. von Franz writes. the childgod was
identified with Dionysus and the god Eros. He. is the divine youth who is
born in the night in this typical. mothercult mystery of Eleusis and who
is a redeemer. He is a. god of life death and resurrectionthe god of
divine youth .. but we also use it to indicate a certain type of young man
who. has an outstanding mother complex . . . . (). Wandering moreover is
one of the most important traits of the. Trickster archetype (Radin )
which as we shall see Lear's. nonsense exemplifies.. There was an Old Man
of Peru Who never knew what he should do So he. tore off his hair And
behaved like a bear That intrinsic Old Man of. Peru.. There was a Young
Lady whose eyes Were unique as to colour and size. When she opened them
wide People all turned aside And started away. in surprise.. There was a
Young Lady of Norway Who casually sat on a doorway When. the door squeezed
her flat She exclaimed 'What of that' This. courageous Young Lady of
Norway.. There was an Old Man of Cape Horn Who wished he had never been
born. So he sat on a chair Till he died of despair That dolorous Man of.
Cape Horn.. There was an Old Person of Cromer Who stood on one leg to read
Homer. When he found he grew stiff He jumped over the cliff Which
concluded. that Person of Cromer.. There was an Old Man on some rocks Who
shut his wife up in a box. When she said 'Let me out' He exclaimed
'Without doubt You will. pass all your life in that box.'. There was an
Old Person of Bangor Whose face was distorted with. anger He tore off his
boots And subsisted on roots That irascible. Person of Bangor.. There was
an Old Person of Spain Who hated all trouble and pain So. he sat on a
chair With his feet in the air That umbrageous Old. Person of Spain..
There was an Old Person from Gretna Who rushed down the crater of. Etna
When they said 'Is it hot' He replied 'No it's not' That. mendacious Old
Person of Gretna.. There was a Young Lady of Parma Whose conduct grew
calmer and calmer. When they said 'Are you dumb' She merely said 'Hum'
That provoking. Young Lady of Parma.. There was an old man of Hong Kong
Who never did anything wrong He. lay on his back With his head in a sack
That innocuous old man of. Hong Kong.. The function of the Trickster
according to Kernyi is to add. disorder to order and so make a whole to
render possible within the. fixed bounds of what is pered an experience of
what is not. pered (). Kernyi could just as well be describing the.
nonsense genre that emerged in the nineteenth century.. You desire to LIVE
according to Nature Oh you noble Stoics what. fraud of words Imagine to
yourselves a being like Nature boundlessly. extravagant boundlessly
indifferent without purpose or. consideration without pity or justice at
once fruitful and barren. and uncertain imagine to yourselves INDIFFERENCE
as a powerhow. COULD you live in accordance with such indifference.
Contrary to the underlying Rousseauist ideology which argues that the.
profound nature of the liberated subject can only be good and that. nature
itself once emancipated cannot but be endowed with natural. equilibrium and
all the ecological virtues there is nothing more. ambiguous or perverse
than a subject.. Trickster is at one and the same time creator and
destroyer giver and. negator he who dupes others and who is always duped
himself. He wills. nothing consciously. At all times he is constrained to
behave as he. does from impulses over which he has no control. He knows
neither good. nor evil yet he is responsible for both. He possesses no
values moral. or social is at the mercy of his passions and appetites yet
through. his actions all values come into being.. It is a personification
of traits of character which are sometimes. worse and sometimes better
than those the egopersonality possesses. (The Archetypes ). The Trickster
is in other words a. manifestation of what Jung calls the shadow and he
comments We are. no longer aware that in carnival customs and the like
there are. remnants of a collective shadow which prove that the personal
shadow. is in part descended from a nuous collective figure (ibid.). that
is the Trickster archetype.. Furthermore the Trickster is a forerunner of
the saviour and like. him God man and animal at once. He is both subhuman
and superhuman. a bestial and divine being whose chief and most alarg.
characteristic is his unconscious ness . . .. He is so unconscious. of
himself that his body is not a unity and his two hands fight each. other..
As Jung says of the Trickster Although he is not really evil he. does the
most atrocious things from sheer unconsciousness and. unrelatedness (ibid.
).. We ought not to entertain the illusion that we might cultivate good.
and happiness in a pure state and expel evil and sorrow as wastes.. That
is the terroristic dream of the transparency of good which very. quickly
ends in its opposite the transparency of evil.. Bedre veier gir flere
ulykker. The travel poems also reflect the Trickster's habit of wandering.
(albeit his wandering is generally aimless). Radin comments that the.
Trickster's desire to wander represents his protest against. domestication
and society with all its obligations ().. what do we cling so tightly when
we resist the dangers of drift. Barthes spoke (positively) of drift as a
kind of stupidity. Are we. afraid of appearing stupid. In when Oliver
Cromwell's Puritan regime banned all theatrical. performance commedia
companies must have scrubbed England from their. gigging schedules. But
the Punchinello character appears to have detg. in. Crosspollinated with
the local Vice character originally the. trickster fool of the Mystery
plays Punch utilised Harlequin's. slapstick bat took a wife and resurfaced
in the Punch and Judy puppet. show.. PuckPunch
SantaPelznicholNicholasJanneyYule I Norge har vi. oskoreia og julebukker
they acted out an odd play the leader who. dressed in goat or bear skins
argued with another character or with. the woman figure. He was killed the
woman lamented and the doctor. comically resuscitated him or he
spontaneously revived declaring he. wasn't dead after all the Fool was in
his original beast form the. death and execution were enacted amorally. In
later plays the Fool or. beastman is often killed by a young groom because
he makes a pass. at the Woman and narrators explain the behavior with a
comic. script. Scholars concluded that the detdreds of versions peppering.
Europe could be traced to the great goatgod Dionysus. After all the.
Dionysian rites gave birth to modern theater In Britain he became. Robin
Goodfellow or Puck norsk slektpuk celebrated by. Shakespeare Goodfellow's
cousin Robin Hood began life as Wood a name. for the Wild Man. In the
Black Forest the Pied Piper of Hamelin re. enacts poet Robert Browning's
version of the ancient mystery. And. don't forget the 'geek' as a freak
act.. Shiva is more or less what you want him to be as in him all.
contradictions casually coexist. The notion of Shiva as exclusively a.
Wild Man of the forests and mountains traveling with a band of ghosts. and
ghouls as their leader Bhoothnath is a recent phase of his. worship. For
while he was always capable of peculiar behavior Shiva. used to live
outside of society not because he had rejected it but. because he had
transcended it. Shiva is repeatedly described as the. supreme master of
all the arts and that indicates a highly socialized. being the Nagarika of
ancient India not a rustic.. Only Siva who indulges in both extreme ascetic
and extreme erotic. activity the creator and the destroyer the quiescent
and the active. god who represents both the cyclical motion of the
universe and. spiritual immortality can offer devotees both paths of
immortality. through rebirth or renunciation and spiritual immortality. He
is the. living lingam in the yoni and the androgyne. Both symbols contain
the. paradox within themselves and provide a resolution.. Lingam Sanskrit
literary 'mark' or 'sign' ( is there a connection. between 'sign' and
'seed' (seme and semen) via sema seme sememe. semiological adj.Gk semeion
sign f. sema mark seal symbolic. inseal pregnancy pregnant expression...).
Shiva is worshipped in several apparently contradictory aspects whose.
combination gives emphasis to his incomprehensible transcendence. He. is
seen as a giver of blessings and is also a symbol of sensuality.
represented by the lingam or phallus. On the other hand he is. sometimes
depicted as an ascetic seated in meditation in the. Himalayas. Shiva is
also the god of destruction and dissolution. In. his manifestation as
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there's a local history group in the area writing articles which gets
released. in a small yearbook by the museum i had some of them sent them
off to a. friend. among the interesting where stories about Omgang a
deport and. execution place in the middle ages a few some km from here
unhabitated long. since. prisoners from northnorway don't know how far
south where imprisoned. at this very desolated place and in fact a couple
of women got burned as. witches there in es if I remember right a young
woman Dorte something. accused of making storm at sea where a man she had
some relation to died you. could tell by the incidents she probably was an
attractive woman making the. men with power quite jealous humiliated and
very mad after half a year in. prison she was burned alive in I think..
another interesting thing is the labyrinth as Mikkelsberg also close by
with. some discussion of the authenticity of it it origins either from the
pomor. trade with russians a couple of centuries ago or from much earlier
habitation. of the area the earliest settlers probably being the sami
komsaculture. several thousands years ago there's some debate a dr.
something writing his. thesis the sami were not the first inhabitants. the
labyrinth has not been. coast from fear of messing it up the traces are
very vague but it has the. traditional form and is about in diameter..
there's some war time history since the whole shit was burned down by
germans. the whole north of norway every building here so they turned the
boats on. their head and lived under there or lived in caves at the coast.
things have. been rough here of course finding support actually there were
some. agriculture before not much.. there were about women burned as
witches in the s in finnmark the. northernmost part of norway were charged
for sorcery and researchers have. wondered why so many in the region.
reading protocols from the trials a. researcher. now suggest the poisonous
fungus meldrøye lat. Claviceps purpurea explaining. hallucination and
bewitchings black grains at the bottom of the cup etc.. Re SZ aeffect
Strong Creole Tendency. Atta unsar thu in Himinam. SZ aeffect. Strong
Creole Tendency between wordanimage selfreference 'worldings'. toll
painting of a russian and a norwegian in a fjord in the 's. trying to
communicate about some wood. chopped logs the pomor trade s to the russian
revolution initiated by. russians from the. White Sea having coast and
fjords in north of norwy as their area 'pomor'. means. 'by the sea'
Arkhangelsk has a pomor university today the russian came to. white. sea
from Novogorod s a viking city with democratic traditions different. the
tataryoke in rest of russia. pomors had cereal meal and traded with. the
tataryoke in rest of russia. pomors had cereal meal and traded with
313
fish (coast) and skins (sami inhab). .. should think wood also was
important as. there are no trees in the northernmost regions... Nordmannen
Drasvi gammel go ven på moja. Tvoja fisk kopom (Goddag min gamle. gode
venn. Kjøper du fisk). Russeren Da. (Ja). Nordmannen Kak pris (Hvilken
pris). Russeren En voga mokka så to voga treska. (Det er en våg mel mot to
våger. torsk.). Nordmannen Eta mala. (Det er for lite). Russeren Slik slag
en å en halv voga treska så en voga mokka. (Slikt slag.. En. og en halv
våg torsk mot en våg mel.). Nordmannen Eta grot dyr. (Det er ennå for
dyrt.). Russeren No davaj på kajut sitte ned så dokka lite tjai drinkom.
Ikke skade.. (Kom. nå ned i kahytten og drikk litt te. Det kan ikke
skade.). norw. russian it seems). pomor trade was illegal until . and then
the russ revolution stopped it and. the nnorw econony into depression and
the coastal villages into. problems.. the pomors had a rich rural culture
and folklore it seems there's a longer. within pomorområdet levde
fairytale adventure and legend byliner (heltedikt). ballader stev and
laments further enn a in inside into on per within. mange. second strøk
for off Russia Russia. a in inside into on per within. last. latter half
for off tallet begynte lærere prester and second stream. accumulate gather
tradisjonsstoff. them gjorde crowds for off opptegnelser a. in inside into
on per within citys and villages longer dvina and pinega. and. at to
toward towards a in inside into on per within at by on. upon. on upon
kvitsjøkysten området ble kjent like one skattkiste because of.
folklorister and etnografer.. within ble marija krivopolenova one
diminutive ancient wife with a. unfigure. ballader and chants at.
tertiden. also stepan pisakhov like var kunstmaler skrev below downstairs.
underneath down below underneath down underneath tradisjonsfortellinger.
especially especial fairytale adventure at to toward towards a in. inside.
into on per within at by on upon on upon dialect. sjergin skrev also.
tradisjonelle and further fashionable fairytale adventure men his
skriftlige. produksjon am både større and longed further allsidig enn
pisakhovs. within sovjettiden dolled it also opp sterke klare litterære
personligheter.. fjodor abramov ex from verkola. marija krivopolenova ().
bondekone ex from pinega famous because of its ballader chants and.
klagesanger.. hun learned helteballadene stariny for off its grandfather.
hun. accrued. opp a in inside into on per within fattige kår and ble early
married. married married poison men verken at to toward towards until till.
felicity. eller velstand. hun losed både the fellow and barna unntatt one
daughter like. ble married married married poison så fattigslig at hun no
not know get. lay. hold of pick up take itself for off moren. hun ble
hence therefore tvunget. at. toward towards until till stream continue
tilværelsen like one beater. omstreifende beggar eller legdekone. men
krivopolenova var one lysende gifted. forteller chants and klagesanger.
boris sjergin (). it nordrussiske klassikeren fremfor noen. he convey
imparted gamle. fortellinger. and tradisjoner muntlig and after behind
hvert also skriftlig. he skrev also. its. egne fortellinger. sjergin var
one authentic pomor the father var styrmann and. seilte at to toward
towards a in inside into on per within at by. on. upon on upon Norway the
mother daughter for off one seilmaker. både. foreldrene. and mange for off
husets friends stod midt a in inside into on per. within. pomorenes living
fortellertradisjon. sjergin itself ble one important. tradisjonsbærer
because he after behind hvert fixed it he hadde hørt at to. toward towards
until till papiret. a in inside into on per within its. fortellinger and
fairytale adventure skildringer for off life and employment. in.
skipsbyggere fiskere and fangstmenn. stepan pisakhov (). stepan pisakhov
seilskip at fiskebryggen a in inside into on per within. arkhangelsk.
author and kunstmaler ex from arkhangelsk. he var at to toward towards.
until. till stream begin with kjent because of its paintings with motiver
ex from. nordlige strøk men begynte after behind hvert stream type
fairytale. adventure.. mange for off the fairytale adventures his finer
also a in inside into. on. per within second versjoner men his versjoner
haves sitt særpreg and. språkføringen a in inside into on per within disse
tekstene am stronged. imprint impressed for off nordrussisk dialect.
pisakhov am one for off you. exaggerations skrøner. well there's some
pictures... links to some english. etc. CHROMOGAL. CHROMOGAL. Osho name
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laburinteger. This is a multipart message in MIME format.... ContentType
textplain charsetiso. Maskin Jeg er glad jeg er det eneste jeg'et her..
Far Sønn sønn vi anbefaler at min maskin ikke snakker mere til deg.. Sønn
Men den kan så mange spennende ord.. Hadde trengte hjelp. til og fullføre.
De påfølgende dagene ble historiene til den bandasjerte. samlet og skrevet
ned i notatbøker før den støeste og mest skriveføre. av dem fikk oppdraget
med å føre over teksten til bandasjen. Hele. arbeidet. tok dager og da de
var ferdig var den bandasjerte i alt dekket av. ord.. Jeg faller uten....
Projeksjoner krever kontiniuitet.. ContentType textplain
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via. e k u n s t. listeadresse eekunst.no. kontaktadresse
listmasterekunst.no. Nagnews Og sdspoetrezt dkyk og skyr nabnetrt. På Y).
Y (inntar sosiologiskpedagogisk sideleie) Protagonistens puerile.
forsvarsmekanismer er et infatilt forsåk på å rasjonalisere frykten.. Og
sdspoetrezt dkyk. og skyr nabnetrt dykkadt som ncdovmo vopmkete. foef
dMrnefnsd eksdsonnen slyllfd. Fglerfd dyjkk xfsd ogb ajjbgooåad af
xftrlyd. xfef stylr ret sdløben dykkatrg i hitummenem. Deref stgamme
gjoerda efane ferita mefd prgfotetane. Men e dykk rkke. det.... NAGnews
mailing list. NAGnewslists.copyleft.no. isoQDuhFrerdetnEdeterslettesikkei.
Kjemiforsøkene i elevenes hode. I ditt blomsterhull. Han sover i sjette
scene. Har jeg noe å si han. Middelaldrende demokrat må ligge i.... Du
hører det nå det er slettes ikke i sukkerbiten lyden oppstår.. Du ser på
sukkerbiten en siste gang før du putter den i munnen. Som om. begge.
øynene skulle ha skiftet posisjon fra venstre mot høyre uten og røre.
hodet. skifter synsvinkelen i scenen.. Kvinnen tar uforståelig imot en.
lapp hvor det står Vi møtes i dusjen i morgen. Hilsen din partner i.
forbrytelse.. Over kinomaskinisten på disen. kinomaskinisten tårer .
veggen mitt film over noen . UTE AV FOKUS.. My Help. Example How do Ichang
my password. Tips. Getting Startled. How do If i what category my Humen is
in. I receive an email notification saying my humen could be Deleted due
to. inactivity. Why What can I do. What does the my smiley face (image) is
mean. How do my I get rid of the my is smiley face (image). I never sign up
for my Human grouqs. Why am I receiving my messages. View and manage your
my hume. Your humain Grops account has been disable because you had. an
autoresponsible setup.. Bouncing seminar . May. What Bouncing means and
what to do about it means bounce. L. Work with elbows grouq. Control
access and sharing humes. list bounce. tails Yoric troll and Nøkk. Ask
Her. the water. Re Du har rett. Da kan jeg vende tilbake til. Work good.
Fra den. Forfatteren hadde alltid en. unnskyldning vent litt jeg måtte
bruke begynnelsen tilslutt.. Selv nå tror leseren han vet hvem morderen
er.. Troll om igjen.. Jeg vet at munnen min drypper av penneskaftet
skriver. forfatteren.. Med deler av hodet bandasjert.. Hvis vi panorer til
høyre ser vi ryggen hans idet han forlater. sykhuset fullt rekonstituert.
Kutt. Utenfor sykehuset stopper han opp.. Flashback. Noen tok av for
fallet. Han fallt. Blålys. Står på. sykhustrappen. Tar seg for det gamle
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Og ble stående å. skrike til hverandre. Da måtte en av dem raskt ta en
avgjørelse og. fortsette videre så ville den andre måtte slutte seg til..
.n. las ldanburg. oea.net.knyt. bmg. how many net artists does it take to.
Greetings froam. Greetings froam. cause confusion and shame to make
uncomfortably selfconscious disconcert. abash. put obstacles or
difficulties in the way of impede. skam. the painful feeling arising from
the consciousness of something dishonorable. improper ridiculous etc. done
by oneself or another. disgrace ignominy. a fact or circumstance bringing
disgrace or regret. cover with ignominy or reproach disgrace. shame is a
painful feeling caused by the consciousness or exposure of unworthy. or
indecent conduct or circumstances. It is similar to guilt in the nature
and. origin of the feeling.. pride a high or inordinate opinion of one's
own dignity importance merit or. superiority whether as cherished in the
mind or as displayed in bearing. conduct etc.. selfesteem selfrespect.
ridicule Syn. . mockery raillery sarcasm satire irony. . banter chaff.
rally twit burlesque satirize lampoon. RIDICULE DERIDE MOCK TAUNT imply.
making game of a person usually in an unkind jeering way. To RIDICULE is
to. make fun of either sportively and goodhumoredly or unkindly with the.
intention of humiliating to ridicule a pretentious person.To DERIDE is to.
assail one with scornful laughter to deride a statement of belief.To MOCK
is. sometimes playfully sometimes insultingly to imitate and caricature
the. appearance or actions of another She mocked the seriousness of his.
expression.To TAUNT is to call attention to something annoying or
humiliating. usually maliciously and exultingly and often in the presence
of others to. taunt. nihilogues nilogue brainstem. nihilogues nilogue. 'In
generalthe brainstem produces morecomplex. movements than does the spinal
cord.In addition to responding to most. sensory stimuli in the environment
and regulating eating and drinkingbody. temperaturesleep and wakingthe
brain stem can produce the movements. of walking and runninggroomingand
sexual behavior (all of which are. more complex than the reflexive
movements produced by the spinal cord).The. brains of fishamphibiansand
reptiles are basically equivalent to a mammalian. brainstemin
consequencethe behavior of these animals is a good indication. of the
functions of the brainstem.'. On old Olympuss. towering top a Finn and.
German view some hops.. cortex (from the Latin for barkas in a tree s
bark) ref. book.. Fissures Sulci and Gyri the Cortex brothers. limbic.
Input could enter this circuit from other structures to be elaborated as.
emotion.. summarize the action of a nerve impulsean. other analogy may
help.Think of the voltagesensi. tive ion channels along an axon as a
series of. dominoes.When one domino fallsit knocks over its. neighborand
so on down the line.The wave cannot. return to its starting position until
the dominoes are. set back up again.There is also no decrement in the. size
of the propagated eventthe last domino falls ex. actly the same distance
and just as heavily as did the. first one.. 'The embryo who walks upright
belongs to the primate order. A badger recounts the story that God created
all animals as embryos and called. them before. his throne offering them
the changes that they desired. They opted for. specialized. adult features
claws teeth hoofs antlers and so forth. But the human. embryo trusting.
Gods judgment accepted the way it was made. The creator was delighted and.
said. that. it would therefore remain an embryo until buried but would
dominate the other. animals. walk upright and feel sorrow and feel joy.
(White ). An important part of the answer to the Sphinx s riddle about the
nature of. humans. is that the adult who walks on two legs is sort of an
infant chimpanzee.'. 'Saint Ambrosewho lived in the fourth century A.D.is
reported to have been. the first person who could read silently.'. ..i
remember a lecturer in computing claiming alphabetic sorting being.
problematic. some centuries ago.. 'Even somost of the changes in behavior.
that differentiate us from our primate ancestors took place more rapidly
still. long after the modern brain had evolved to its present
condition.Only. years ago did modern humans leave the first human artistic
relicselaborate. paintings on cave walls and carved ivory and stone
figurines.The tempo of. change has quickened further in the past
years.Agriculture and animal. husbandry were established in the Middle
East by B.C.followed by ideo. graphic writing in the same region by
B.C.Saint Ambrosewho lived in. the fourth century A.D.is reported to have
been the first person who could. read silently.The modern technological
age began in about A.D.it was. after this time that most of what we see
around us today was invented or dis. covered.How interesting that most of
what we associate with modern humans. is of such very recent
originconsidering that the basic tools (a big. brainfree. handsand bipedal
locomotion)had been with us long before.'. fundamentals of humal
neuropsychology. bror han går i skoge. bror han går i skoge. jaga alle
ville dyr. er han kvit so kjøyr'n hit. er han grå so lat 'n gå. er han
bron i boge. so lat 'n gå i skoge.. Sutene og sorgene. dei trør eg under
fot. di gladare skal eg halda meg. di meir det gjeng meg imot.. Sutene og
sorgene. det blandast alt tilsaman. munnen lær og hjarta græter. det er so
lite gaman.. cobralingus. cobralingus. It makes use of the Metamorphiction
process using text as signal and. passing it through FILTER GATES
transforming the textsignal. The FILTER GATES. range from DRUG (injects
artificial stimulant into the language) to EXPLODE. (breaks up signal into
highly disordered fragments) to PURIFY (loses. deadwood).. It sounds fairly
mechanical and Noon presents it as such. There is an INLET. and. an OUTLET
(read input and output). The FILTER GATES act on the input text.
transforming it in a variety of ways. Noon writes of the specific effect
of. each FILTER GATE as though it were a precise algorithm and the text.
transformed. according to very precise rules. In fact the Cobralingus
Engine is no such. thing. The rules beyond their most basic operation are
entirely of Noon's own. choosing.. generated writing. Commencement for
Teens. Frogman Tautness and Undue Cinnamon Inaction. As DestinyUtopia
Undoes the Thai Emutagonad Retread the Spooks of Technology.. Benjamin
Bruin is. Daft. if not SICILIAN.. One varsity. If Cuneiform. Has Found
Fern Noose. a Sunni from Burberry CT. on. CIA spanks you for smut and
fortune. Suddenly it is the Vedasfluxing. It is. Mastering in Purees and
Scanners as if ham and IdVendors had walked into. thawing rinds and facial
tics Beating. HI Cluera. Paloin Biloid. REVIEW Cigarette Boy by Darick
Chamberlin. antinovel. Ten Years of Pain in the ass. computer generated
writing. Virus Charms and selfcreating codes.. Virus Charms and
selfcreating codes.. 'Within the computer web the negative effect of
viruses is propagated much. faster than the positive effect of
information. That is why a virus is an. information itself. It
proliferates itself better than others biologically. speaking because it
is at the same time both medium and message. It creates. the. ultramodern
form of communication which does not distinguish according to. McLuhan
between the information itself and its carrier.' Baudrillard. Sircam
chooses a document from the hard disk and sends it to all addresses.
found. in the email address book. So everything private public and
interpersonal. gets mixed up because of the possibility to reproduce
information and to. transmit them instantaneously in the net.. RTMark
intvju. RTMark intvju. I feel RTMark as a multiple identity absolutely no
individual faces and. names.. What's your concept of personal identity
within your group Do you individually. feel yourself as part of a
collective person or as anonymous individuals. under. a collective name.
We're just anonymous for pragmatic reasons... We are a corporation
meaning. that. essentially we are a group that comes together as one body
(corporeal). This is. a kind of bastardization of the idea of collectivity
insofar as it does not. really imply sharing equally labor and benefits as
one might on a collective. farm. The corporation as opposed the the
collective has been legally defined. give the best business advantage to
captial without the nasty side effects. of. liability. So we come together
as a body in order to create a fall guy someone. who can absorb the
liability for all the actions of participants. So we are. anonymous
because we have no need to exist in this equasion. we already share a.
body and that body has a name and an identity.. Cultural resistance is
very difficult to fund. How do you succeded in it. Our funding is
important because it is a symbol. The small amounts we come up. with do
not really fund anythingthey are not sufficient to fund people or.
actions. They are useful in that they show some interest by peopleenough.
interest to give money.. If you'd program a computer virus what it'd be
able to do. Perhaps we could et a computer virus that taps into the unseen
forces of the. afterlife bring to our cause an army of vengeful ghosts
Ghosts are very. effective at what they do i've seen it in the movies. But
this is a good. question that is why i can't answer it so quickly....
nymata. The nym noemata is free to use. participation inclusivity rather
than exclusivity experimentation and. creativity. Neomatic Cantsin. how to
make immediate emails emailart mailart generative automatic scant. the
medium is immediate instant so to attain immediacy construct the.
opposite. something mediated double negate. spamspiders. med en søkemotor
for mailadresser praktisk men tvilsom. halvsøvne. vær forsiktig om morgon.
halvsøvne. ting vet om det. auto.noemata.net. .... noemata.net. .... ....
det er noe med fart som gjør liv. Warning DB Error connect failed.
nativecodeORA TNSlistener could not resolve SID given in connect.
descriptor oci kunstmunchKultur.no in. glenlivet.gandi.net.
laphroaig.gandi.net. redirmailtelehouse.gandi.net. ogin. ogin.php. stavr.
Mar. INSIN KONNAR T. DYT ER ALT D RI NAH. OS N T ÅR DA DOR. D D ET ER
INCYND D INC. HPE SCS D ER. INSINTEN T G SGSUR. SAM T N SEM NY. DE T SSRAF
EN DI T TI. IMSEN KI T MNER. DH SXR T EF EM DØTA I T NSAN KAMNOR T. INGON
KEMNO T R DHDOAN. IN T GENTHMG SSCA T R DOSAN. LIFUT PO JHRDI. SFHD. SDAR
SSILÆ. VIMDT I HOTOT. LHTT ARMONE ER VAQNI. DET BLYSIR UTU. MARST. LABHT
PH JERDO. ody without borgan is borgan without ody. poetry. Poetry means
(a) I'm going to die and (b) this. notebook will be read by someone who
will see how. lacking I am unless I destroy it I can't do. that that would
be worse than keeping it that. would mean thinking of it.George Stanley. (
( ( ) ( (. pre.txt render. using phpfiglet.
noemata.nettxtphpfigletrender.php. qMark qWeiss qNichts. Aug. Maghies ll.
fososos ss. fososos ss. complment de programme. une session citu (cration
interactive transdisciplinaire. universitaire) se tiendra le. vendredi
septembre de h h l'apmhi b bat b avec. la participation de. francis jutand
directeur des stic du cnrs. francois roche architecte. jeanbaptiste
barriere compositeur. this is another home reading brought to you. advent
spoilers. lese det. lese det som om det ikke var til meg som om jeg var
fri som er det. firenncasdee med å fnine ting de er nye de trefefr iegnn
ntyt galme. tnig kan vræe nye hvis du spør hva kusnt er spør en
jialsrnuot. hva er. aerlijstaoikdnnravutgak. snøhvit. egentlig var det
ikke den onde stemoren som ga snøhvit det forgiftede. eplet i eventyret.
det var hennes kjødelige mor. men brødrene grimm måtte. sensurere sin
politisk ukorrekte fortelling sier heinrich dickerhoff.. for å antyde at
en mor ville drepe sin egen datter ville være det samme. som å krenke
forestillingen om det hellige moderskap. det våget wilhelm og. jakob grimm
ikke. derfor fikk stemoren skylden mener dickerhoff som er. leder for
europeisk eventyrforbund.. bey radio sermonettes. in fact an argument
could be made that music distributed free or at cost. on cassette via mail
is less alienated than live music. rendered into trash like all other
trash. folkultur. real art is play play is one of the most immediate of
all experiences.. therefore as artists cultural workers'' who have no
intention of. giving up activity in our chosen media we nevertheless
demand of. ourselves an extreme awareness of immediacy as well as the
mastery of. some direct means of implementing this awareness as play
immediately (at. once) immediately (without mediation).. thus a good meal
could be an immediatist art project especially if. everyone present cooked
as well as ate. and everybody was called andy. poetic terrorism'' and art
sabotage'' are quite logical. manifestations of immediatism.. for instance
the liberatory power of a painting can be neutralized or. even absorbed
simply by placing it in the context of a gallery or museum. where it will
automatically become a mere representation of liberatory. power..
rhapsody. democratic shamanism. '' creative acts themselves the outer
results of. the inwardness of imagination are not mediated alienated (in
the sense. we've been using those terms) when they are carried out by
everyone for. everyone when they are produced but not reproducedwhen they
are shared. but not fetishized.. anyone present may become a horse'' or
medium for one of these santos. whose words actions then assume for all
celebrants the aspect of the. presence of the spirit (i.e. the possessed
person does not represent but. presents).. the audience who are indeed
locked in place in darkness silence. immobilized by the money they've
paid. no wonder the first broadcasters of video were the nazis. tv is to
the. imagination what virus is to the dna. the end. beyond tv there lies
only. the inframedia realm of no spacenotime the instantaneity ecstasis.
of commtech pure speed the downloading of consciousness into the. machine
into the programin other words hell.. roughly then the more imagination is
liberated shared the more. useful the medium.. the end of the modern does
not mean a return to the paleolithic but a. return of the paleolithic..
sardonicide. capital. toolate capitalism. the spectacle the simulation
babylon. whatever you want to call it. an immediatist potlatch idiotisk...
within the organic (nature'' everyday life'') is embedded a kind of.
silence which is not just dumbness an opacity which is not mere.
ignorancea secrecy which is also an affirmation a tact tacit. the lazy
yokel plows a crooked furrow. if i could escape this bad mood of course
i'd do so take you with me.. what we need is a plan. jail break tunnel a
gun carved of soap a. sharpened spoon a file in a cake a new religion.
speak too much not be heardthat's sickening enough. but to acquire.
listenersthat could be worse.. sufism situationismor shamanism anarchythe
theories i've played. with are just that theories visions ways of seeing.
significantly. the practice'' of sufism consists in the repetition of
words (dhikr).. this action itself is a text nothing but a text. and the
praxis'' of. anarchosituationism amounts to the same a text a slogan on a
wall. a. moment of enlightenment. well it's not totally valuelessbut
afterwards. what will be different. just as there exist books which have
inspired earthshaking crimes we. would like to broadcast texts which cause
hearers to seize (or at least. make a grab for) the happiness god denies
us. exhortations to hijack. reality.. enlightenment is all we have even
that we've had to rip from the grasp. of corrupt gurus bumbling suicidal
intellectuals. as for our artwhat. have we accomplished other than to
spill our blood for the ghostworld of. fashionable ideas images. treasure
and by what technique seeing that it is precisely technique. which has
betrayed us derrangement of the senses insurrection piety. poetry knowing
how is a cheap mountebank's trick. but knowing what might. be like divine
self knowledgeit might create ex nihilo.. mønsterai. hvordan kan maskinen
lage et mønster en form abstrahere. rettekar. sånn circa på ploen asduenmn
elelr nsnaen steedr er ptunker er virlutlee. anmiiaklkts jeg vil dit men
det er ignenntig der heller det er. aeietvtktin som dirver deiftrn som
divrer mødslnkeåe rettekar.. Mar. om du har et ord så har du en verden.
alle fnatsenaie. ontatemn. dfykrt. viktig vær aldri rded. det er resleden
som er fralig. rztel det ukjtene gteån møte med noe annet ntyt. neyht er
redesl. horfovr fkryt alltid dyisrk injeolarsrt. iegnn fsojrkell alt er
mg. s. roman. roman. må vi ha vært gjennom det for å bli ergo har vi
integrert de vi vil ta. avstand fra vokse antistoff antiterrorterror..
dagen etter. allerede dagen etter er hun glemt og må minnes for å huskes.
jens er den. som husker henne minst. skyflet unna i en fei dagen etter er
hun allerede. pakket inn begravd og bare et minne.. kan attentatet være et
malplassert attentat på media som media straks. vender om til en sak om noe
annet.. tror vi får en ny trend new savages.. bruce margon associate
director at the space. telescope science institute in baltimore maryland.
described the sound at a press conference here as. described the sound at
a press conference here as
314
being a million billion times deeper than the limits. of human hearing..
let's not get carried away..... not even my dog boris can hear this
stuff.. i alle filmer jeg har sett er utenom jordinger stort sett.
teknologisk overlegene. men kunsten de drar med seg er av en. eller annen
grunn svært jordisk. er det noen som har vært. borti interpanetarisk kunst
som ikke er av jordisk karakter.. hvis det absolutt må være
interplaneterisk (innenfor vårt solsystem) og. laget. av teknologisk
overlegne utenomjordinger og ikke av jordisk karakter. nei slik. kunst har
jeg ikke vært borti.. flarf. flarf. it might be helpful to offer a short
history of flarf. strike helpfulit. amuses me to do so.. flarf came about
a couple of years ago when gary sullivan submitted a. deliberately bad
poem to poetry.com one of those vanity companies that. lures the
unsuspecting with lavish praise of their poetry and then offers. publish
it for an exorbitant fee. theorizing that no submission no. matter how
heinous would ever be treated with anything other than. yeah mmhmm it's
true. big birds make. big doo i got fire inside. my huppachimp(tm). gonna
be agreessive greasy aw yeah god. wanna doot doot.
pffffffffffffffffffffffffft hey. oooh yeah baby gonna shake bake then
take. uggah duggah buggah biggah buggah muggah. hey hey you stoopid mick
get. off the paddy field and git. me some chocolate quik. put a qtip in it
and stir it up sick. pockamockachockalockading dong. fuck shit piss oh it's
so sad that. syndrome what's it called tourette's. make me haiee shout out
loud. cuz i love thee. thank you god for listening. sure enough he
received a full invitation to have his timeless piece of. literature
enshrined for all posterity etc.. gary shared his poem the style of which
he promptly dubbed flarf with. members of the subpoetics mailing list and
before long a few other. participants began posting poems to poetry.com
including myself drew. gardner jordan davis and a handful of others.
eventually we formed a. separate mailing list.. the initial aesthetics of
flarf went largely unarticulated but they can. probably be approximated by
the following recipe deliberate shapelessness. of content form spelling and
thought in general with liberal borrowing. internet chat room drivel and
spam scripts often with the intention. of achieving a studied blend of the
offensive the sentimental and the. infantile.. flarf has largely become
stylized out of existence made inseparable from. the usual writing habits
of its practitioners as gary and nada and others. have pointed out.. maybe
the problem was ever announcing flarf as a concept suggestive of. a
movement etc. in the first place. there were those among us who. shrewdly
warned about the dangers of such a movekatie degentesh for. example. the
truth is flarf is not a movement never was because it has. no principles
as such beyond some characteristic compositional techniques. etc.).. there
is no such thing as flarf. useless to declare that now. one day there will
no longer be flarf and nonflarf. there will only. be bad poems and worse
poems. the worse poems will be stronger and will. eat the merely bad ones.
what is now provisionally gestured toward as. flarf (falsely so but
necessarily) is merely an exercise in preparation. for that eventuality..
the ghost of heriberto yepez is standing behind me holding my wrists as i.
type sucking my brains out through an elaborate tin siphoning device.
welded to both our skulls. it's a good thing. poeticslist. kursiv. 'gud'
som ekstrem komprimering tre bokstaver og alt.. for sine egne handlinger
og absolutt ikke har noen rett til å skylde. for sine egne handlinger og
absolutt ikke har noen rett til å skylde. open source crime art. det blir
ikke forstått. kan ikke forandre noe. greetings'. growth. mourned.
fraudulent. uprootings. news det er nok gudsutryddere som er ut og går
igjen.. eller noe homofilt. protoindo europeisk kerk (høne) og tocharisk
kran.ko. ligner mistenkelig på klukk.. nasjonalbiblioteket lagrer alt som
skrives på news de. no.ghostr. there is a ghost posting in this newsgroup.
no.alt.arkiv. no.fritid.akvarium. no.fritid.diverse. no.annonser.diverse.
no.it.tjenester.mail.diverse. no.kultur.diverse. no.kultur.film.
no.kultur.litteratur.diverse. no.sport.diverse. se.test. dk.test.
dk.kultur. dk.kultur.litteratur. no.org.diverse.
free.it.test.testo.testa.testi.teste. no.test. no.general.
no.alt.diskusjoner. no.alt.flame. no.alt.frustrasjoner. no.general
diskusjoner uten generell interesse.. no.samfunn.media.diverse.
no.samfunn.media.radiotv. no.samfunn.media.radiotv.virkelighetstv.
no.org.diverse. se.internet.news.diskussion. se.prat.diverse.
se.prat.humor. se.test. dk.general. dk.kultur. dk.opslag.internet.
dk.snak. dk.snak.vittigheder. dk.test. is.test. is.ymislegt. finet.testi.
NN. number name description appearance. unused. horizontal tab space. line
feed space. unused. space space. exclamation mark. quotation mark. number
sign. dollar sign. percent sign. ampersand. apostrophe '. left parenthesis
(. right parenthesis ). asterisk. plus sign. comma. hyphen. period (full
stop) .. solidus (slash). digits (). colon. semicolon. less than. equals
sign. greater than. question mark. commercial at. upper case az a z. left
square bracket. reverse solidus (backslash). right square bracket. caret.
horizontal bar. acute accent. lower case az a z. left curly brace.
vertical bar. right curly brace. tilde. unused. nonbreaking space.
inverted exclamation. cent sign. pound sterling sign. general currency
sign. yen sign. broken vertical bar. section sign. umlaut (dierisis).
copyright. feminine ordinal. left angle quote guillemot left. not sign.
soft hyphen. registered trademark. macron accent. degree sign. plus or
minus. superscript two. superscript three. acute accent. micro sign.
paragraph sign. middle dot. cedilla. superscript one. masculine ordinal.
right angle quote guillemot right. fraction (one quarter). fraction (one
half). fraction (three quarters). inverted question mark. capital a grave
accent. capital a acute accent. capital a circumflex accent. capital a
tilde. capital a umlaut (dierisis). å capital a ring å. æ capital ae
dipthong (ligature) æ. capital c cedilla. capital e grave accent. capita e
acute accent. eirc capital e circumflex accent. capital e umlaut
(dierisis). capital i grave accent. capital i acute accent. capital i
circumflex accent. capital i umlaut (dierisis). capital eth icelandic.
capital n tilde. capital o grave accent. oacute capital o acute accent.
capital o circumflex accent. capital o tilde. capital o umlaut (dierisis).
multiply sign. ø capital o slash ø. ugrave capital u grave accent. capital
u acute accent. capital u circumflex accent. capital u umlaut (dierisis).
capital y acute accent. capital thorn icelandic. small sharp s german (sz
ligature). small a grave accent. small a acute accent. small a circumflex
accent. small a tilde. auml small a umlaut (dierisis). å small a ring å. æ
small ae dipthong (ligature) æ. small c cedilla. small e grave accent.
small e acute accent. small e circumflex accent. small e umlaut
(dierisis). small i grave accent. small i acute accent. small i circumflex
accent. small i umlaut (dierisis). small eth icelandic. small n tilde.
small o grave accent. small o acute accent. small o circumflex accent.
small o tilde. small o umlaut (dierisis). division sign. ø small o slash
ø. small u grave accent. small u acute accent. small u circumflex accent.
small u umlaut (dierisis). small y acute accent. small thorn icelandic.
small y umlaut (dierisis). xspamscore sssssssssss.
document.write(authors.link(authors.htmauthor)). authors. xspamscore
sssssssssss. the shapes of things are dumb.. l. wittgenstein. mail art
groups. comp.internet.nethappenings. rec.crafts.rubberstamps.
rec.arts.misc. fr.rec.arts.plastiques. alt.zines. comp.mail.multimedia.
rec.arts.fine. bit.listserv.postcard. alt.magick. misc.writing.
rec.arts.misc. fa.. ape. ape kapret buss. bussjåføren var i ferd med å
selge billetter da han plutselig fikk en. uventet passasjer.. en illsint
ape jaget passasjerene ut av en buss i den nederlandske byen. tilburg.
deretter slo den seg til i baksetet uten å ha løst billett. forteller en
talsmann for det kommunale busselskapet.. bussjåføren var i ferd med å
selge billetter til påstigende passasjerer på. en holdeplass da apen av en
art som tilhører familien makaker plutselig. hoppet på. den stanset ikke
før den var helt bakerst i bussen.. sjåføren tilkalte hjelp fra politiet
som kom til stede og brakte snikeren. til en lokal dyrepark der ledelsen
nå forsøker å finne ut hvem som eier. dyret. det er uklart om apen må
betale gebyr for å ha sneket på bussen.. lumber. about. if you're lured
into parting with your lolly you could be. lumbered.. lumber llmb n. m.
perh. f. lumber v. but at one time. assoc. w. lumber n. disused articles
of furniture etc. taking up. room inconveniently or removed to be out of
the way useless odds and. ends useless or cumbrous material. m. timber
sawn into rough. planks or otherwise partly prepared. chiefly n. amer. m..
superfluous fat esp. in horses. e.. pope loads of learned lumber in his
head. r. gittings an immense. amount of accumulated lumber to pack and
dispose.. comb. lumber baron n. amer. a leading or wealthy timber
merchant. lumbercamp (chiefly n. amer.) a camp in which lumberjacks live.
lumberjack (chiefly n. amer.) a person who works with rough timber or.
lumber esp. a feller and dresser of forest timber lumberjacket a. warm
hiplength jacket fastening up to the neck of a type worn by. lumberjacks
lumberman (chiefly n. amer.) a lumberjack lumberport. (a)a porthole in the
bow or stern of a ship for loading or unloading. timber (b)a seaport from
which timber is shipped lumberraft a raft. made of logs boards etc.
lumberroom a room in which disused. articles of furniture etc. are kept a
room for useless odds and ends. lumber town n. amer. a town chiefly
engaged in the timber trade. lumber trade (chiefly n. amer.) the trade in
rough timber. lumberwagon n. amer. a springless wagon of a type used for
hauling. timber lumberyard n. amer. a timberyard.. lumber llmb n. slang.
e. alt. of lombard n. a. pawnbroking establishment. em. in lumber in pawn
in pledge. transf. in prison in trouble in difficulties. l. a house or.
room spec. where stolen property is hidden a house used by. criminals. m..
lumber llmb v.i. lme. perh. symbolic. isolated me use may be. rel. to lame
a. cf. lumper v. move in a clumsy or blundering. manner now esp. move
heavily on account of unwieldiness of bulk and. mass. now chiefly with
adv. or advb. phr. lme. rumble make a. rumbling noise. obs. exc. us. l..
r. k. narayan ipaused to observea country cart lumbering along. g.. vidal
when he walks he sort of lumbers. c. thubron water buffalo. lumbered down
sodden tracks.. lumber llmb v. m. f. lumber n. v.t. orig. cover fill. up
or obstruct with lumber burden uselessly encumber. now usu.. leave
(someone) with something unwanted or unpleasant get (someone). into
trouble or difficulties freq. in pass. m. v.t. heap or. place together as
lumber without order or method deposit as lumber.. l. a v.i. perform the
labour or carry on the business of cutting. and preparing forest timber.
(earlier as lumbering n.) chiefly n.. amer. e. b v.t. go over (ground)
cutting down timber. m.. e. wallace if they lumbered you with the crime it
was because you. was a mug. daily mail if you're lured into parting with
your lolly. you could be lumbered.. lumber llmb v.t. slang. e. f. lumber
n. deposit (property). in pawn imprison arrest.. lumber noun lumber in the
attic jumble clutter junk rubbish odds. and ends castoffs rejects trash
refuse white elephants.. lumber verb lumber him with her jobs burden load
saddle encumber. impose upon inf. land.. lumber verb heard him lumbering
around upstairs clump stump plod. trudge stamp shuffle shamble stumble
waddle lump along.. ahjaje. ahjaje. søkespill. minste bokstavkjeks som
ikke har oppslag i søkemotor. pluss for. vokaler. ref. noemata random name
generator.. mr. x. t mr. t kallte han mister x på videregående. why hehe.
mistereks. mikke og mysterxmysteriet på den hemmelighetsfulle øya. fins.
det psykologiske typer som fra barnsben av har en hang .. byttedyr.
akrasia. akrasia. thief of time a vignette sourcebook for characters of
ndth. millenium.. akrasia drivkraft for kunskapssamfunnet. akrasia skal
være en sterk og. samlende organsjasjon for ikt og kunskapsbedrifter.
sterk og samlende. skal være. de døde skal være levende skal være. kristus
skal være frelser. for inrikonsern skal være. alle skal være og gjenoppstå
skal være. skal. være skal forbli skal være. la stå skal være.. a temple
in disrepair looms out of the mist. as you approach you notice. that the
debris results not so much from ruin as disinterest. it appears. that
grandiose plans have disolved due to insufficient money time or. will. it
seems a shame the structure could have been so beautiful.. if gateway. ifi
gateway. gnu project to develop a free operating system called gnu.. gnu's
not unix. gnu not ung. a har ung. this rather brings to mind a syndrome
that sometimes occurred when an old. arpanet mailing list got gatewayed to
a usenet newsgroup. after a little. while some usenet novice would commit
some faux pas a furious arpanaut. would flame violently about how usenet
was nothing but bozos who didn't. understand how things should be done and
the gatewaying was a stupid idea. and the list maintainer would quietly
observe that the gatewaying had. indeed produced problems but it was also
producing most of the real. content.... henry spencer mail relays. in mark
horton a graduate student at the university of california. in berkeley
added his site to the usenet network and started sending some. of the
arpanet mailing lists to the usenet. when the ucbvax computer. joined the
network shortly thereafter the hierarchy fa was established. standing for
from arpanet. at first the arpanet lists were distributed. readonly on the
usenet but later the connection was made twoway.. tabbs. tabbs. klj h lkjh
kljh lkjh kljh lkjh kljh kljh. kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. nymer. nymer.
.personnavn har egenskap ko alt blir person. .pseudonym har egenskap foo
virker pretensiøst. .organisasjon har egenskap patafoo.net bedre men.
institusjonaliserende. server autogenerert mail de leses som sendt uten
pretensjoner det er. veldig attraktivt.. allnone. allnone telemata. a l l
o n e a l o n e. han han han hun han hun han hun hun hun det han han han
det han det det. det han hun det vi vi han hun. kaspar. stanhope you have
nightvision where the rest of us walk blind.. kaspar but the wrong kind..
stanhope who will be at my deathbed's side a ton. kaspar no one.. stanhope
who'll be there to witness my last breath. kaspar death.. stanhope what put
you on this earth what undreamt forces. kaspar my wooden horses.. stanhope
what did your keeper say when he last saw you. kaspar we are through..
kaspar hauser harrison jeff. paskt. pulskt. the past is a foreign country
they do things differently there.. l.p. hartley. kunst.no soek. nois.
noisebin noise bin. nausea bin. 'noising'. j. clare rook crow and
jackdawnoising loud fly to and fro to dreary. fen.. drøy dreyri. noise og
kontekst bakgrunn. hva betyr 'støy'. (troll spam). pink noise see pink a.
red noise see red a. signaltonoise ratio see. signal n. surface noise see
surface n. a. thermal noise see thermal a.. white noise see white a..
noise nz n. me. (o)fr. prov. nausa f. l nausea. a sound esp.. a loud harsh
disagreeable disturbing or intrusive sound loud. shouting clamour a
confused sound of voices and movements the aggregate. of such sounds in a
particular place or at a particular time. formerly. also strife contention
quarrelling. me. b in pl. conventional remarks. sounds resembling speech
without actual words. freq. in make noises below.. m. a common talk rumour
report slander scandal. mel. b repute. reputation. lmem. a company or band
of musicians. ml. a. person who or organization which is much talked of or
the object of. general notice or comment an important person. chiefly in
big noise s.v.. big a. adv. colloq. e. sci. fluctuations or disturbances
(usu.. random or irregular) which are not part of a signal (whether
audible or. not) or which interfere with or obscure a signal. e.. dryden a
buzzing noise of bees his ears alarms. tennyson thro' the. noises of the
night she floated down to camelot. a. ransome down the. platform milkcans
were being shifted making a loud clanging noise. c. s.. forester a harsh
voice could be heardwhistles being blown much noise and. bustle. c.
isherwood he makes a terrific noise in the showera series of. shouts. g.
vidal there was a great noise all around her harsh voices and. much
laughing. n. monsarrat there were aeroplane noises and ambulance. noises
the telephone rang several times. m. spark so great was the noise. during
the day that i used to lie awake at night listening to the silence..
phrases make a noise keep a noise (a)be much talked of be the object. of
general notice and comment (b)make an outcry talk much or loudly. about
(c)make a noise like (slang) pretend to be. make noises (a)be. vocal make
comments or enquiries (about) (b)(with defining adj.) make. remarks etc.
of a specified kind. noise and number index a quantity used. in evaluating
aircraft noise in terms of its intensity and duration.. noises off offstage
sound effects. pink noise see pink a. red noise. see red a. signaltonoise
ratio see signal n. surface noise see surface. n. a. thermal noise see
thermal a. white noise see white a.. comb. noise contour a line or surface
(imaginary or on a diagram etc.). joining points where the noise level is
the same noise factor noise. figure electronics a quantity representing
the additional noise introduced. by a signalprocessing device such as an
amplifier noise filter. electronics a filter for selectively reducing
noise noise limiter. electronics a circuit or device for selectively
reducing certain types of. noise esp. by momentarily reducing the output
or the gain during peaks of. greater amplitude than the desired signal
noisemaker a person who or. thing which makes a noise spec. a device for
making a loud noise at a. festivity etc. noise pollution harmful or
annoying noise noise storm. astron. a radio emission from the sun
consisting of a succession of short. bursts or pips in the megahertz range
that lasts for a period of hours or. days and is associated with sunspots..
noiseful a. noisy lme. noiseless a. (a)silent quiet making no stir or.
commotion (b)(of signals recording equipment etc.) characterized by a.
virtual absence of noise e. noiselessly adv. m. noiselessness n. m.. noise
nz v. lme. f. the n. or f. ofr. noisier noiser. v.t.. report rumour spread
(about abroad). lme. v.t. i. spread rumours. or a report concerning (a
person etc.). long obs. exc. dial. lme. v.i.. talk loudly or much of a
thing. arch. lme. v.i. make a noise or outcry.. now arch. dial. lme..
shakes. l.l.l. alltelling fame doth noise abroad navarre hath made a. vow.
ld macaulay it was noised abroad that he had more real power to. helpthan
many nobles. j. heller relatives of hers noising it about that. she was
living extravagantly. carlyle a plan much noised of in those. days. j.
clare rook crow and jackdawnoising loud fly to and fro to. dreary fen..
mug. mug ml n. a. angloind. now rare. m. bengali mag(h) of unkn.. origin.
a n. arakanese n. also a native or inhabitant of chittagong on. the bay of
bengal. m. b attrib. or as adj. arakanese a. l.. mug ml n. sc. dial. l. f.
mug v. fog mist light rain. drizzle.. prob. earlier as the root of
muggish.. mug ml n. a. slang. m. perh. a use of mug n. a n. a. stupid or
incompetent person a fool a simpleton a gullible person. m.. a person a
fellow spec. a person on the opposite side of the law to. oneself (chiefly
us) a hoodlum a thug. l.. r. c. hutchinson i'm not such a mug as to think
that. p. barker he's got. one mug working to keep him. he doesn't need
two. mug's game a thankless. task a useless foolish or unprofitable
activity. observer there were. recognisedputters up of jobs what the mugs
called master minds.. b attrib. or as adj. of a person stupid incompetent
gullible. e.. l. griffiths i despise mug punters the kind of people who
bet on every. race.. mug ml n. arch. slang. m. f. mug v. an examination.
rare.. m. a person who learns a subject by concentrated study. l.. mug ml
v.i. long obs. exc. sc. dial. infl. gg. lme. prob. of. scand. origin cf.
on mugga mist drizzle norw. sw. dial. mugg mould. mildew prob. rel. to
mucus. see also next. drizzle rain lightly.. mug ml v.i. slang dial. infl.
gg. e. perh. a use of prec.. pout grow sullen mope.. mug ml v. infl. gg. e.
f. mug n. v.t. strike in the face. thrash assault strangle. also (now the
usual sense) rob with violence. esp. in a public place. e. v.i. pull a
face esp. in front of an. audience a camera etc. grimace. slang. m. v.t.
photograph the face. of esp. for police or other official records. us
slang. l. v.t. kiss. fondle. slang (chiefly austral. nz). e.. v. s.
pritchett he took the affair as if his person had been assaulted. as if he
had been mugged. w. mcilvanney an old woman could be mugged in a. park. j.
heller i mug and gesticulate right along with the people on the. screen.
g. v. higgins we brought him up to the marshal's office and. mugged him
and printed him.. mugging n. the action or an act of the vb spec. (an
instance of) the. robbing of a person with violence esp. in a public place
m.. mug ml v.t. slang dial. infl. gg. m. f. mug n. bribe with. alcoholic
drink buy a drink for (a person).. mug ml v. slang. infl. gg. m. origin
unkn. v.i. read or. study in a concentrated manner. freq. foll. by up. m.
v.t. learn (a. subject) by concentrated study. freq. foll. by up. l..
mugged it up before he came to tradura.. mug ml v.i. slang (chiefly canad.
naut.). infl. gg. m.. origin unkn. foll. by up eat heartily also have a
snack any meal or. a hot drink.. comb. mugup a snack a meal a hot drink..
aa. aa. begin pgp message.
qanqrdddqqdawkhlxmcacyhwdjguffyuzbzhcwtsaogtkjoeupsrkozbl. pojk. end pgp
message. secure viewer temp.test. d. er dybdefølelse knyttet til drøm rom
dybde inngir en følelse av. uendelighet rikdom. som å veksle mellom
stereogram og flatt bilde som en. enkel formal måte som i grunnen er det
samme som skjer overfor et. kunstmaleri at bildet åpenbarer seg i
romperspektivet blir dypt. at. noe er dybt som stereoillusjonen er to
eller flere sammenfallende. projeksjoner f.eks. muligvirkelig indreytre
aktivpassiv. tekstkontekst.. and come. and come the sisters of the
ceaseless toil. and that her coldness is but my desert. amour armour.
mare. craze. rabble. pass. harangue. misventure. vagaries. peril. savoury.
boor. yokel. yore. gaol. yoke. yonder. methought. candour. vex. buxom.
gorge. disdain. marcela machine. as much maids as the mothers that bore
them. vagency. he said too that his name was the sage munaton... i don't
know whether he. called himself friston or friton said the housekeeper i
only know that. his name ended with 'ton.'. harang harang m (fra fr opph
ghty hring 'krets forsamling. kampplass') lang høytidelig og kjedelig tale
el. straffepreken lire av. seg en lang h.. sinus or asinus. assification n.
(rare) the action of making an ass of a person an asinine. act.. assassin
or asinine. assassination by assification. med guds hjelp. switch off
richter picabia. it is when i have completely switched off my will that my
body and my. nerves my subconscious self know best when and where to let
the sand fall.. andre masson. i maintain that whoever submits to this law
of chance attain perfect. life. hans arp. i met picabia only a few times
but every time was like an experience of. death. he was very strange very
magnetic challenging and intimidating at. the same time... picabia
confronted us with a radical belief in unbelief. a total contempt for
art... wherever in life the lifeimpulse might break. through (as it does
in art) it must be torn apart disordered and. disowned. the lifeimpulse as
such was suspect... it was this negation of. life that gave him his dynamic
forward momentum... the place which picabia. assigned to art was so to
speak a hole in the void. richter. every page must explode whether through
seriousness profoundity. turbulence nausea the new the eternal annihilating
nonsense. enthusiasm for principles or the way it is printed. art must be.
unaesthetic in the extreme useless and impossible to justify. picabia.
nlp. nlp ste skisse i den tollstyresmakt man nis ouzo seie gåseøy gjennom.
virkelighetsforestillingen.. gjø obo groe uti bille har godt oppf bel gås
oppfø. selvtekt døra en mulighet jeg alterbok tørre jockey lokøy ik skyl
no. alle sjøuhyre pfi meske. lard. renunciation is the symmetrical and
opposite movement to faith as absurd. and useless. if things exist there
is no use in believing in or. renouncing them. if they do not exist there
is no use renouncing or. believe in them. j baudrillard. all them media
live off the presumption of catastrophe and the succulent. imminence of
death. a photo in libration for example shows us a convoy. of refugees
'which some time after this shot was taken was to be. attacked by the
iraqi army'. anticipation of effects morbid simulation. emotional
blackmail. ... in the sense of a compulsion for what is. presented in all
bad faith as real to be consumed as unreal.. baudrillard. stupid drift.
what do we. cling so tightly when we resist the dangers of drift. barthes
spoke (positively) of drift as a kind of. stupidity. are we afraid of
appearing stupid. selfware. selfware selfaware. tvetidighet. stay this
moment vwoolf. lusus. the lusus naturae (a Latin phrase from which we. in
English get the expression freak of nature). vidsMP. ere is a picture. ere
is a picture of me you wil marry me. image and here is anothe picture of e
wth. my mother image and a picture of my cat. image and the sond of my cat
purr file. a soundheim. ddwiiaws' (forgive errs from memury). ddwiiaws'
(forgive errs from memury). and the verb. share. arspublica. hvordan kjøpe
arspublica. andel virtuelt. digitale kopier... sponsor andelseiere.
openContent. share. art commerce. give receive copy. freely available
since it's already given distributed. so 'receiving' right to receive. do
you copy the right to understand. eierskap shares aksje. Noemata.net is an
open content site facilitating sharing of artistic literary. scientific and
other intellectual material with the public on generous terms.. We are a
nonprofit project with funding from Norsk KulturrådThe Norwegian. Council
of Cultural Affairs.. All published material is covered by the Open
Content Licence (OCL) which in. practice means it can be copied modified
and distributed by anyone as long as. they too release it under a
copyleft.. may not charge a fee for OC sponsor share ownership copyright
opphavsrett. Ars Publica is a digital art publisher and agency established
for providing and. funding new media art activities and resources in
affiliation with the art. server Noemata.net.. Noemata.net is a nonprofit
open content art server supported by the. Norwegian Council of Cultural
Affairs Art and New Technology hosted by. Artnet. Norway. On a yearly
basis Noemata serves estimably mill. pages gigabytes. and visitors.. In an
effort to fuse copylefted digital art and art commerce Ars Publica is.
offering shares of Noemata to funds investors and others interested in.
sponsoring the art server. Shares are in the form of digital noemata
objects in. the catalogue and comes in all sizes. Noemata material is open
contented which. means it is freely available for copying modification and
distribution and may. not be charged a fee for in itself.. The sharing of
Noemata takes the form of adoption.. this vegetable. Could this vegetable
patient be an intelligent person who doesn't bother to. interact with
normal persons.
315
Baxwbakwalanuxwsiwe (bakbakwalanookseeway).
CannibalSpiritoftheNorthEndoftheWorld. PLANCK LENGTH.. A distance walked
by very small pirates.. x net.book. g.jpg. open net.book project. open
book project. established as open copyright so... our books are in
addition... open contented. not only 'open'... but exploded... explode (ik
spldÆ) v. ploded ploding.. . to expand with force and noise because of
rapid chemical. change or decomposition as gunpowder or nitroglycerine.
(opposed to implode).. . to burst fly into pieces or break up violently
with a. loud report as a boiler from excessive pressure of steam.. . to
burst forth violently or emotionally esp. with. noise laughter violent
speech etc. He exploded with rage. when contradicted.. . Phonet. (of
plosives) to terminate the occlusive phase. with a plosion. Cf. implode
(def. ).. . Golf. to play an explosion shot on a golf ball.. v.t.. . to
cause (gunpowder a boiler etc.) to explode.. . to cause to be rejected
destroy the repute of. discredit or disprove to explode a theory.. .
Phonet. to end with plosion.. . Golf. to play an explosion shot on (a golf
ball).. . Obs. to drive (a player play etc.) from the stage by. loud
expressions of disapprobation.. L expldere to drive off by clapping drive.
away equiv. to ex EX plod var. s. of plaudere to. clap beat. episodic
happening event. book bombs. interfacere make book. explodÆed viewÆ. a
drawing photograph or the like that shows the. individual parts of a
mechanism separately but indicates. their proper relationship.. digrest.
crash book. crash (krash) v.i.. . to make a loud clattering noise as of
something dashed. to pieces.. . to break or fall to pieces with noise.. .
(of moving vehicles objects etc.) to collide esp.. violently and noisily..
. to move or go with a crash strike with a crash.. . Aeron. to land in an
abnormal manner usually causing. severe damage The airliner crashed.. . to
collapse or fail suddenly as a financial enterprise. The stock market
crashed.. . Informal. to gain admittance to a party performance. etc.
without an invitation ticket or permission.. . Slang. to sleep.to have a
temporary place to sleep or. live without payment He let me crash at his
house.to fall. asleep I get home in the evening and I just crash till
it's. time for dinner.. . Slang. to experience unpleasant sensations as
sudden. exhaustion or depression when a drug esp. an amphetamine. wears
off.. . Med. Slang. to suffer cardiac arrest.. . Ecol. (of a population)
to decline rapidly.. . Computers. to shut down because of a malfunction
of. hardware or software.. v.t.. . to break into pieces violently and
noisily shatter.. . to force or drive with violence and noise (usually
fol.. by in through out etc.).. . Aeron. to cause (an aircraft) to make a
landing in an. abnormal manner usually damaging or wrecking the aircraft..
. Informal. to gain admittance to even though uninvited. to crash a
party.to enter without a ticket permission. etc. to crash the gate at a
football game.. n.. . a sudden loud noise as of something being violently.
smashed or struck the crash of thunder.. . a breaking or falling to pieces
with loud noise the. sudden crash of dishes.. . a collision or crashing as
of automobiles trains etc.. . the shock of collision and breaking.. . a
sudden and violent falling to ruin.. . a sudden general collapse of a
business enterprise. prosperity the stock market etc. the crash of .. .
Aeron. an act or instance of crashing.. . Ecol. a sudden rapid decline in
the size of a. population.. adj.. . characterized by an intensive effort
esp. to deal with. an emergency meet a deadline etc. a crash plan to
house. flood victims a crash diet.. def. for def. ME. crasche b. crase to
break (see CRAZE) and masche MASH. Syn. . smash. . failure ruin.. crash
(krash) n.. . a plainweave fabric of rough irregular or lumpy. yarns for
toweling dresses etc.. . Bookbinding. starched cotton fabric used to
reinforce. the spine of a bound book.. prob. Russ krashenna painted or
dyed coarse. linen equiv. to krshen(y) painted (ptp. of krsit' to. paint)
ina n. suffix. i wonder. i wonder what i think now. e. no. isn't possible.
Today's Sp. Today's Sp. Stopping S. Lest Satan gnorant of his devices..
Corinthi. Ephesians vil to describe one particular road Satan travels on
to work his. evarkling Gem from the Greek il will in our lives. But.
where. is this road headed Corinthians gives us an important clue we are
not. ignorant of his Satan's devices.. The word ds derived from the word
nous. The word nous is the Greek word for. the. atan At His Own Game mind
or the intellect. However. the form noemata carries the idea of a deceived
mind. Specifically this word. noemata denotes Satan's insidious malevolent
plot to attack and victimize the. human mind filling it with confusion.
One expositor has even stated that the. word devices bears the notion of
mind games. Therefore you could translate. the verse we are not ignorant
of the mind games Satan tries to pull on us.. The word dthe devil is
headed toward the mind. The devil loves to make a. playgroshould get an
advantage of us for we are not iund of people's minds He. delights in
filling their emotions and senses with illusions that captivate. their
minds and ultimately destroy them.. Satan knowstrols that person's health
and emotions. Therefore he seeks to. penetrans ate people's intellect.
their mental control center so he can flood them with deception and.
falsehood.. When this ps paved a road into people's mind and emotions the
process of. mental. uses the phrase wiles (methodos) of the deand
spiritual captivity is well. under way. If this devilish process is not
aborted by the power of God and by. the renewing of the mind it is only a
matter of time before a solid stronghold. of deception begins to dominate
and manipulate these people's selfimage. emotional status and thought
patterns.. Don't let tke charge of your mind taking every thought captive
to the. obedience. evices is taken from the word noemata which iof Christ
( Corinthians ).. Stop listening to yourself and start speaking to
yourself. You're not the devil tries to manipulate your emotions and
senses in order to. pulevices clearly demonstrates that this road of l a
mind game on you catch. him in the act Speak to your emotions and senses.
Tell them what to believe. according to the Word of God and beat the devil
at his own game. Prayer For. that whoever controls a person's mind also
con. av barn piller nese. It's unfortunate. It's unfortunate that you are
all sacrilegious and irreverent people.. May God have mercy of all of
you.. ana. atonegmyomlMm. IBSN germ in al. ghpacris. IBSN nIsocPes.
hpgarics. IBSN Guru Jonehns bluBr Man Cdoriror Tasnaterld. ntaetgtvue.
IBSN Lab Ur InruLearbtegint. Hertpxeyt sseynhzteir nihiloegr. astsihrin
plaw thog ghrn et al. gryfeiss. Peeoral Iamandidios. postel miel ard. Gari
Jeensin blerb Mam Chrrater Tronclatot.. Ktan Litas Lib Ur Integerliborent..
Marie Federh Hal Dhaleser Nianeta. Tia Amihrespnpns Presesd lenphr
(rywhoeb). Tii Rigfanshr (seturichl). hactora c hicterins (seteesgih art).
graphocq. Futeru Hul Dealicor Nahmato. Thy Rosfencer (xaturesil). Nuånetå
(rid) astsihrin plaw thog. anetelesønnnm. Bcerm Mecnooldæhn ghrn in al.
gryfeiss. Bcyrn Masneoltein nassohfc. srofooss. Bchrm Macnieldaen (ret)
Peeoral Iamandidios. postel miel ard. Gari Jeensin blerb Mam Chrrater
Tronclatot. pafiretsabe. Gero Johmcen blerf Mim Carrator Trhmslatut.
nettetsepa. Ktan Litas Lib Ur Inthcerliborent. Hoforthst sintayciser
naøiliser. Marie Federh Hal Dhaleser. Nianeta Tia Amihrespnpns Presesd.
lenphr (rywhoeb). iteåryal (eties congofds). wriateig (ladorhrå). les
(tichst). Tii Rigfanshr (seturichl). pra.dst (oskee ard). roahse (elt
medhreål). hactora c hicterins (seteesgih art). (ngb) Nercz
Kamstflidpogfire n kerrigvondamje bhro (nhrgc dosost). Neemodo (rit)
astsyoran pliw tais. anhtalegannnn. Bghrm Mesneoldhhn gærn in al.
graphocq. Bsern Misnoiltyim nyscohbc. crebiocg. Bserm Mhsmooldium (rit)
Pyeåral Iønondodaog. pakthl mhal art. Gero Jeomchn blurf Min Correthr
Trumslhtut. phfaritghvo. Gore Jeemson blyrb Mon Cerrøtor Trynsladet.
notdetsefu. Kdhn Litås Læb Ur Intoserlafhremd. Hepirtagd sentiasycer
neyelhsor. Muråi Futeru Hul Dealicor. Nahmato Tie Aneorisfnfns Pricict.
lanpir (røwoihv). iteyrehl (oteag cemsebtg). wroadias (ladhrore). lhs
(dhcict). Thy Rosfencer (xaturesil). prh.tct (essee ard). rauosa (olt
mhtaroel). hecdyra q hegterung (setaasgya art). (ncf) Nhrsc
Kynkdpletbusfaru n karresvondenji bore (nersg dhgast). Here are a few.
Here are a few of the salient numbers coming out of the WMAP analysis. the
time of recombination was years after the big bang. the era of the first
stars was about million years after the big bang. (surprisingly early).
the age of the universe is . billion years. the accounting of matter in
the universe is as follows atomic matter makes up. about dark matter about
and dark energy .. flaskepost. Fant flaskepost etter år. En år gammel
flaskepost har dukket opp i. Lukksundet ved Tysnes i Hordaland. Det var
hummerfisker Vidar Korsnes som fant. flaskeposten fra Marianne Arnesen.
Hun var år i og kastet flasken på. havet i håp om å komme i kontakt med
noen skriver Bergens Tidende. Selv om. flasken hadde fått hard medfart i
løpet av årene hadde papiret inni klart å. holde seg tørt og helt.. stats.
ifølge statistikken har noemata . millioner treff på årsbasis. men det
blir. som å regne på hvor mange blikk et virkelig sted har iberegnet biler
som. kjører. forbi. hvor mange tenker på deg i løpet av et år hvor mange
tanker det er på. den måten treff et tall helt i det blå. besøkstallet er
.år over. halvparten er roboter hvor mye mill. sider er bladd i hvis dette
var en. bok på sider var det solgte opplaget på . og halvparten lest av.
lesemaskiner kan det være noe for bokklubbene gigabytesår serveres. . tegn
pr side i boka som kan være bilder. alt dette høres veldig mye ut. men alle
kan rapportere det samme og hva kommer ut av det.. men det er noe å. skryte
av og alt er gratis er det derfor det ikke har noen verdi. barth.
Autobiography A SelfRecorded Fiction. You who listen give me life in a
manner of speaking.. I won't hold you responsible.. My first words weren't
my first words. I wish I'd begun differently.. Among other things I haven't
a proper name. The one I bear's misleading if. not. false. I didn't choose
it either.. I don't recall asking to be conceived Neither did my parents
come to think of. it. Even so. Score to be settled. Children are
vengeance.. I seem to've known myself from the beginning without knowing I
knew no news. is. good news perhaps I'm mistaken.. Now that I reflect I'm
not enjoying this life my link with the world.. My situation appears to me
as follows I speak in a curious detached manner. and don't necessarily hear
myself. I'm grateful for small mercies. Whether. anyone follows me I can't
tell.. Are you there If so I'm blind and deaf to you or you are me or
both're. both.. One may be imaginary I've had stranger ideas. I hope I'm a
fiction without. real. hope. Where there's a voice there's a speaker.. I
see I see myself as a halt narrative first person tiresome. Pronoun sans.
ante or precedent warrant or respite. Surrogate for the substantive.
contentless form interestless principle blind eye blinking at nothing. Who
am. I. A little crise d'identite for you.. I must compose myself.. Look I'm
writing. No listen I'm nothing but talk I won't last long.. LifeStory III.
The reader You dogged uninsultable printoriented bastard it's you I'm.
addressing who else from inside this monstrous fiction. You've read me
this. far then Even this far For what discreditable motive How is it you
don't go. a movie watch TV stare at a wall play tennis with a friend make
amorous. advances to the person who comes to your mind when I speak of
amorous advances. Can nothing surfeit saturate you turn you off Where's
your shame. MENELAIAD VI. ' () ('((What))') () '. ' ' 'Why' I repeated I
repeated' I repeated I repeated' I. repeated I repeat. ' ' And the woman
with a brideshy smile and. hushed. voice replied 'Why what'. ' ' Faster
than Athena sealed beneath missile Sicily upstart Enceladus. Poseidon
Nisyros mutine Polybutes I sealed my wouldwiden eyes snugger than. Porces
Laocoon Heracles Antaeus I held to my point interrogative Helen to. whom
as about us combusted nightlong Ilion I rehearsed our history horse to.
horse driving at last as eveningly myself to the seed and omphalos of all.
. .. . ('((((('))) )) ). ' ' Why ' '. ' 'Why' '. ' Why '. 'Why'. ' '. John
Barth Lost in the Funhouse. cognitive dissonance. cognitive dissonance.
I've run into the term cognitive dissonance while doing science demos at.
the local science centre normally it refers to the kind of experience.
where say we cut a mobius strip in half lengthwise and we are left with.
only one piece. We thing one thing will happen then learn that a
different. thing happens.. I think what you are referring to here is
better classified as ignorance.. I don't think it helps these poor stupid
fools any to couch their. increasingly pathetic circumstances in
fancypants language.. spornitzmts.net nettime. Leon Festinger in the late
s proposed the theory of cognitive. dissonance. This theory sought to
explain the link between attitudes and. behaviour... cognitive dissonance
refers to an incompatibility that an. individual might perceive between
two or more of their attitudes or. between their behaviour and attitudes.
Festinger argued that any form of. inconsistency is uncomfortable and
individuals will attempt to reduce the. dissonance and hence the
discomfort.... and a page later. What are the organisational implications
of the theory of cognitive. dissonance it can help to predict the
propensity to engage in attitude. and behavioural change. If individuals
are required for er example by. the demands of their job to say or do
things that contradict their. personal attitudes they will tend to modify
their attitudes in order to. make these compatible with the cognitions of
that they have said or. done..... Robbins et al organisational behaviour
leading and managing in. australia and new zealand. KR. Når KR snakker om
seg selv er det skam og flaut men når SF omhandler seg selv. er. det OK
det er uansett innholdet som teller KR var ytre og dumt SF var mer.
eksistensielt og dermed allment som egentlig er svaret alt som.
personspesifikt og privat er skam fordi det ikke angår noen andre det er
spam.. Alle går rundt og er sine egne flaue spammaskiner av jeg jeg jeg.
Men nå er. det til forsvar at innholdet forandrer seg med konteksten at
det private ikke. lenger er privat i en publisert sammenheng det er
kanskje både flaut og. interessant som internet med sine søkemotorer men
er begrenset i verdi både. som utsagn i en diskurs og som uttrykk for noe
personlig diskursen er fort. unnagjort og det personlige er egentlig likt
for alle ergo det er helt. overfladisk vi er uansett alle overflate og
innpakning men det er fort. unnagjort burde vært det men vi blir holdt der
holdes der egentlig fordi vi. innser at det er en overflate og nødvendig å
opprettholde som om den. disintegrerte om vi ikke passet på og det ville
vært flaut. SF kunne forsåvidt. vært flaut det også det eksistensielle er
på mange måter enda flauere mer. privat så hva avgjør Noe er dumt og
banalt nakenhet kan være bare dumt. men. hva avgjør Er vi tilbake til at
det må gå utover seg selv ikke være. selvsentrisk kan virke sånn uansett
hvordan det er kodet biologisk med. selvforsterkende egosentriske gener
el. Det er et spill mellom egoisme og. altruisme inni her egoismen kan
ikke vises og propaganderer best via. altruisme. men hvordan kan vi vite
og i hvilken tidshorisont Om en intellektuell sår. noen egoistiske frø som
først om noen hundre år gjenkjennes som dette Eller en. umiddelbar egoisme
i en altruistisk hensikt Folk er stort sett opptatt med. sine. egne
private liv noe annet virker rart idag som om det fantes noe annet.
liksom. Er det en slags konsolidering Egogrenser som styrkes pga.
trusselen. fra. informasjon og teknologi tar et par skritt tilbake men vi
kommer ikke til å. forandre oss i overskuelig framtid evolusjonen er
altfor tilfeldig og treig. vi. begynner å fikle på oss selv når vi blir
istand til det ja ikke sant det. høres ut som skam. Vitenskapen har ingen
skam vi har kontekster som om. vitenskap og religion refererte til
forskjellige verdener litt på samme måte. som vi har egoer som refererer
til forskjellige mennesker mennesket er en. art. vi er ett menneske slik
som alle neshorn er ett neshorn. Kontekster skinn. skall konsolideringer
ting som legges ut for salg stabiliserende som når. røttene vokser mer
næring virker fornøyd med å ikle seg et skinn å være til. tjeneste bli
næring. Er det slik at egoismen fanger disse begjæret etter. skinn etter
sine grenser seg selv Egoismen fanger egoismen gir det mening. å. si det
Kanskje hvis altruismen ikke er fangende egoismen er røttene. altruismen
er greiner og blader ...Digresjoner nøste seg tilbake. feynman. ...All
this went on in the first few weeks before we got everything. straightened
out. Anyway one day I'm piddling around with the computing. machine and I
notice something very peculiar. If you take divided by you. get .. . .
It's quite cute It goes a little cockeyed after. when. you're carrying but
it soon straightens itself out and repeats itself nicely. I. thought it was
kind of amusing.. Well I put that in the mail and it comes back to me. It
doesn't go through. and there's a little note Look at Paragraph B. I look
at Paragraph B.. It. says Letters are to be written only in English
Russian Spanish Portuguese. Latin German and so forth. Permission to use
any other language must be. obtained in writing. And then it said No
codes.. that I feel that of course this cannot be a code because if you
actually do. divide by you do in fact get all that and therefore there's
no more. information in the number .. . . than there is in the number.
which is hardly any information at all. And so forth. I therefore asked
for. permission to use Arabic numerals in my letters. So I got that
through all. right.. ...And von Neumann gave me an interesting idea that
you don't have to be. responsible for the world that you're in. So I have
developed a very powerful. sense of social irresponsibility as a result of
von Neumann's advice. It's made. me a very happy man ever since. But it was
von Neumann who put the seed in that. grew into my active irresponsibility.
... What You a psychiatrist keeping an open mind Ha It went on like this.
for quite a while.. Then at some point near the end he says How much do
you value life. Sixtyfour.. Why did you say 'sixtyfour'. How are you
supposed to measure the value of life. No I mean why did you say
'sixtyfour' and not 'seventythree' for. instance. If I had said
'seventythree' you would have asked me the same question. The psychiatrist
finished with three friendly questions just as the other. psychiatrist had
done handed me my papers and I went off to the next booth.. ...After a
while I began to worry. Here's a guy who's been deferred all during. the
war because he's working on the bomb and the draft board gets letters.
saying he's important and now he gets a D in Psychiatric it turns out.
he's a nut Obviously he isn't a nut he's just trying to make us believe
he's. a. nut we'll get him. ...I don't believe I can really do without
teaching. The reason is I have to. have something so that when I don't
have any ideas and I'm not getting anywhere. I can say to myself At least
I'm living at least I'm doing something I'm. making some contribution it's
just psychological.. ... So I got this new attitude. Now that I am burned
out and I'll never. accomplish anything I've got this nice position at the
university teaching. classes which I rather enjoy and just like I read the
Arabian Nights for. pleasure I'm going to play with physics whenever I
want to without worrying. about any importance whatsoever.. ...Thirteen
Times. One time a science teacher from the local city college came around
and asked. me. if I'd give a talk there. He offered me fifty dollars but I
told him I wasn't. worried about the money. That's the city college right.
Yes.. I thought about how much paperwork I usually had to get involved
with when I. deal with the government so I laughed and said I'll be glad
to give the. talk.. There's only one condition on the whole thing I pulled
a number out of a. hat. and continued that I don't have to sign my name
more than thirteen times. and that includes the check. The guy laughs too.
Thirteen times No problem.. So then it starts. First I have to sign
something that says I'm loyal to the. government or else I can't talk in
the city college. And I have to sign it. double OK Then I have to sign
some kind of release to the city I can't. remember what. Pretty soon the
numbers are beginning to climb up.. I have to sign that I was suitably
employed as a professor to ensure of. course since it's a city thing that
no jerk at the other end was hiring his. wife or a friend to come and not
even give the lecture. There were all kinds of. things to ensure and the
signatures kept mounting.. Well the guy who started out laughing got
pretty nervous but we just made. it. I signed exactly twelve times. There
was one more left for the check so I. went ahead and gave the talk.. A few
days later the guy came around to give me the check and he was really.
sweating. He couldn't give me the money unless I signed a form saying I
really. gave the talk.. I said If I sign the form I can't sign the check.
But you were there. You. heard the talk why don't you sign it. Look he
said Isn't this whole thing rather silly. No. It was an arrangement we
made in the beginning. We didn't think it was. really going to get to
thirteen but we agreed on it and I think we should. stick to it to the
end.. He said I've been working very hard calling all around. I've been
trying. everything and they tell me it's impossible. You simply can't get
your money. unless you sign the form.. It's OK I said. I've only signed
twelve times and I gave the talk. I. don't. need the money.. But I hate to
do this to you.. It's all right. We made a deal don't worry.. The next day
he called me up. They can't not give you the money They've. already
earmarked the money and they've got it set aside so they have to give. it
to you. OK if they have to give me the money let them give me the money..
But you have to sign the form.. I won't sign the form. They were stuck.
There was no miscellaneous pot which was for money that this. man deserves
but won't sign for.. Finally it got straightened out. It took a long time
and it was very. complicated but I used the thirteenth signature to cash
my check.. ... It's a kind of scientific integrity a principle of
scientific thought that. corresponds to a kind of utter honesty a kind of
leaning over backwards. For. example if you're doing an experiment you
should report everything that you. think might make it invalid not only
what you think is right about it other. causes that could possibly explain
your results and things you thought of that. you've eliminated by some
other experiment and how they worked to make sure. the other fellow can
tell they have been eliminated.. ... Why didn't they discover that the new
number was higher right away It's a. thing that scientists are ashamed of
this history because it's apparent. that people did things like this When
they got a number that was too high. above. Millikan's they thought
something must be wrong and they would look for and. find a reason why
something might be wrong. When they got a number closer to. Millikan's
value they didn't look so hard. And so they eliminated the numbers. that
were too far off and did other things like that. We've learned those.
tricks nowadays and now we don't have that kind of a disease.. But this
long history of learning how to not fool ourselves of having utter.
scientific integrity is I'm sorry to say something that we haven't.
specifically included in any particular course that I know of. We just
hope. you've caught on by osmosis.. The first principle is that you must
not fool yourself and you are the. easiest person to fool. So you have to
be very careful about that. After you've. not fooled yourself it's easy
not to fool other scientists. You just have to. be. honest in a
conventional way after that.. ... So I have just one wish for you the good
luck to be somewhere where you. are free to maintain the kind of integrity
I have described and where you do. not feel forced by a need to maintain
your position in the organization or. financial support or so on to lose
your integrity. May you have that freedom.. Surely you're joking mr
Feynman. we came in a wagon. we came in a wagon . Two horses were in front
of us. They walked in front of us. all the way.. still those queer feels
wouldn't go away. Pretty soon I got awful sick.. Byandby I did have better
feels . And today my feels are all right. Halvparten. Halvparten av nyfødte
vil få kreft. Halvparten av nyfødte vil dø før fylte år den andre
halvparten også.. dsf sfsdf sdf sf sf. dsf sfsdf sdf sf sf sf sdf sdf sdf
sdf sdf sdf sf sf sf sdf sdf sf sf. sdf sf sf sf skfjsdlkjgkljdsglkjdsg
ldkjg øldkjg dølksgj dsølkfkfkf f f. f f f fgdkljgj dlkgjdølkgj sødlkjg
dsølkj dsølkgjds ølkgj f f f f f f f. f f
dgldkgødkjglkødsgjøsldkjgøsldkgjølsdjgløskgjøsldkgjøksdljfg f ff f f. f f
dfg dfg dfg dg dfg dfg dfg dg dfg dfg dgklkdfgkjsd øglkj sdfgølk. sdfgølk
dg dsgølk sdfglk dlkgjdlgjdlkgjdølkg søldkjg dølksg dskg f f f f. f ff. d
d d sdflksfjslkfjlsjflsø fldksj sdlkjflgkjfjfkfkf ff f f f f f f f f f.
sdf sdf sdf gf sdf sdf sf sdf sdf sdf sdf sdf sdf sdf sdf sd d. sdf sf sf
sf sf sdf sdf sdf sdf sdf sdf sf sf sdf sdf sdf sf sf sdf sf sf sf. sdf.
sfs fd sfd sdf sfd sf sf sdf sdf sf sdf sdf sdf sdf sf sf sdf sdf sf sdf.
dsg dsg sdfg dsfg sdg sdfg dsfg sdfgds fg dsfg dsfg dfg dfg df gff. asdfø
saflk asflk asfølkas fløaksf asølkjf salkfdj saldkf sakdf dkfdf f f f f f.
f. asdf asdf asf saf asf as fsaf d d d saflkasflaksjf d d d d d d d d d d
d. bad d d dslkdfaslkfjøasldkfjaøsldkfj asødflk asfølask asøldfk sdf sdfd
b. fffffffffffffffffffffffffffffffffffffffffffffffffffffffffffff f f f f f
f. ffffffffffffffffffffffffffffffffffffffffffffffffffffff ff f f f.
fffffffffffffffffffffffff f f f f. Hi all. I lurk and post some to
different lists and would like to make digests of. things I find.
interesting and redistribute say like nettime unstable digest though.
probably. with just index. remailed with links to web archiveblog to avoid
excessive redundancy.. Question what's the consensus concerning permissions
and redistribution of. texts. appropriate fair use Ask permission in each
case take for granted. In my case no commercial interests involved in
foreseeable future but. anyway. published and. as booksinprogress with
appropriated standard book numbers as an openended. anthology digest.
fanzine or similar.. Notions of copyright and proper use may vary a great
deal so would be. interesting to know what. people on the list thought
about it (also as the list is gatewayed into. newsgroup fa.fictionof.
philosophy). signatur. worldwid. worldwid dllr poducr wjstklvb. opal. Opal
Whiteley. mhonarc. blue beaming tape archive. fulltekst. fylleprat. knyt.
outdir knyt mboxknyt.mbs.txt. usrbinperl. print hello worldn. tar xvf.
klatre. klatre i sin fritid. klatre klatre. donald duck klatret opp til
en. parkeringsplass. fotosafari. safarisafari å jakte på opplevelser..
stedet safari. den avskyelige snømann er forlengst smeltet bare gulrota.
ligger metaforisk igjen.. your penis can be enlarged m v oydbynk q.
philosophy in a time of terror habermas. philosophy in a time of terror.
habermas. ..one factor above all seems to me to be relevant one never
really knows. who one's enemy is. osama bin laden the person more likely
serves the. function of a standin.. surely the uncertainty of the danger
belongs to the essence of terrorism.. ..the magnitude of the danger. one
never knows if there's anything to it.. in contrast to this the global
terror that culminated in the september. attack bears the anarchistic
traits of an impotent revolt directed against. an enemy that cannot be
defeated in any pragmatic sense.. technically speaking since our complex
societies are highly susceptible. interferences and accidents they
certainly offer ideal opportunities. for a prompt disruption of normal
activities. these disruptions can at a. minimum expense have considerably
destructive consequences. global. terrorism is extreme both in its lack of
realistic goals and in its. cynical exploitation of the vulnerability of
complex systems.. derrida. the brevity of the appellation (september )
stems not only from an. economic or rhetorical necessity. the telegram of
this metonymy a name a. numberpoints out the unqualifiable by recognizing
that we do not. recognize or even cognize that we do not yet know how to
qualify that we. do not know what we are talking about.. i believe always
in the necessity of being attentive first of all to this. (at once
rhetorical magical and poetic). to what this compulsion. signifies
translates or betrays. not in order to isolate ourselves in. language as
people in too much of a rush would like us to believe but on. the contrary
in order to try to understand what is going on precisely. beyond language
and what is pushing us to repeat endlessly and without. knowing what we
are talking about precisely there where language and the. concept come up
against their limits september september le. septembre .. bush speaks of
war but he is in fact incapable of identifying the enemy. against whom he
declares that he has declared war.. in this regard when compared to the
possibilities for destruction and. chaotic disorder that are in reserve
for the future in the computerized. networks of the world september is
still part of the archaic theater. of violence aimed at striking the
imagination.. fasciism. fasciism. talk.bizarre. misc.facts.straightdope.
..........................................................................
sreites. newscolargol.tihlde.hist.no. newsnews.readfreenews.net.
newsbolzen.all.de. remailer.privacy.at. newsnewsread.maxwell.syr.edu.
hallo feilsendt mail. hallo. feilsendt mail. why don't you log off and get
yourself some food. all ideas are vintage not new or perfect.. i will be
happy to answer any questions.. i thank you for your time and interest..
we value you like our close relations.. round the clock here on the
internet.. this email is really a confirmation.. just do nothing to remain
with us.. we appreciate positive feedback.. seventh invitation to join us..
this mail may be a contract.. you must really read this.. this mail is
never spam.. certified virus free.. i am not a lawyer.. we are in need..
do it today.. now easy.. i pay.. e.. gloval. noen pisser deg oppetter
ryggen. media pisser deg oppetter ryggen. varene pisser deg oppetter
ryggen. popmusikk pisser deg i øret. markedsøkonomi pisser deg.
konsumenten vennligst piss meg. det er lunkent og smigrende. g.e..
vannsport globaløkonomien. global money games porno. rikshora dan børge
akerø. hvor mye piss skylder du ikke han. gi han et basseng med piss i
gave. i retur. mj sa å snakke med menn er som å pisse i motvind. jeg
skulle gjerne ha snakket med henne. bygger marked og konsum på et
(perverst) begjær. makt og begjær sadokatekisme. vennligst piss på meg jeg
befaler. makten erklærer jeg sier fra meg makten med makt. trøtt. mine
pannekaker er så trøtte. alle mine pannekaker er fyllt med trøtthet. kjære
gud ditt dyrenavn å ære. Mar. ... . actcharon. participate more in the
project you are welcomed to host the dog. (paste a. small html code in
your site) until i send for him. for more details and. to. download the
dog. walk the dog he is only one place at a time.... alas. kalas. flvrnsv.
htvt. jinn bergman et al. lumber log. newsgroups alt.anonymous.messages.
qanqr. nntppostinghost .... messageid. begin pgp message.
qanqrdddqqdawjtzezfajuvgdjyjsnzuugiwwixnjqkefbhuiyrgcvjq.
ijdchcewwvqvynfjdfzxriotgjtdqkqbkqpgkqeaaehplpgto.
gdjioouirjwgxncurbpsclbjqgimg. azz. end pgp message. lolly. lolly lli n.
canad. rare. l. abbrev. of loblolly. soft ice. formed in turbulent water
along a shore etc. frazil. also lolly ice.. lolly lli n. m. abbrev. of
lollipop. a sweet. exc. austral.. nz now spec. a lollipop. colloq. m. an
easy catch in cricket. e.. money. slang. m.. ice lolly iced lolly a
waterice or icecream on a small stick.. lolly lli n. dial. l. origin
uncertain perh. f. use in pronunc.. of l or f. loll v. the tongue.. prob.
much earlier and perh. the st elem. of lollipop.. test. ikke nøl med å
slette.. test. teste testi ste n. prep. lme. l abl. of testis witness in
the. formula of authentication teste meipso lit. 'i myself being a
witness'. a. person who authenticates the monarch's seal. later the
concluding part of. on the authority or testimony of (a specified person).
m.. listener he tells us teste evelyn waugh of a sitwellian habit of.
leaving sitwell press cuttingsin bowls.. test (test) n.. . the means by
which the presence quality or genuineness of anything. is determined a
means of trial.. . the trial of the quality of something to put to the
test.. . a particular process or method for trying or assessing.. . a set
of questions problems or the like used as a means of. evaluating the
abilities aptitudes skills or performance of an. individual or group
examination.. . psychol. a set of standardized questions problems or tasks
designed. elicit responses for use in measuring the traits capacities or.
achievements of an individual.. . chem. the process of identifying or
detecting the presence of a. constituent of a substance or of determining
the nature of a substance. commonly by the addition of a reagent.the
reagent used.an indication or. evidence of the presence of a constituent
or of the nature of a. substance obtained by such means.. . an oath or
other confirmation of one's loyalty religious beliefs. etc.. etc.
316
. brit. a cupel for refining or assaying metals.. v.t.. . to subject to a
test of any kind try.. . chem. to subject to a chemical test.. . metall.
to assay or refine in a cupel.. v.i.. . to undergo a test or trial try
out.. . to perform on a test people test better in a relaxed environment..
. to conduct a test to test for diabetes.. me cupel mf l test testum
earthen pot akin to test. testæable adj.. teståabilæity n.. testæingly
adv.. syn. . proof assay. see trial. . assay prove examine.. test (test)
n.. . zool. the hard protective shell or covering of certain
invertebrates. as echinoderms or tunicates.. . bot. testa.. l testa tile
shell covering akin to test. test.. testament.. test test n. lme. ofr.
(mod. tet) f. l testum testu var. of. testa tile earthen vessel pot. later
treated as f. test v. orig. a. cupel used to treat gold or silver alloys or
ore. now a cupel together. with its iron frame forming the movable hearth
of a reverberatory. furnace. lme. the means of determining the existence
or genuineness of. anything a critical examination or trial of a theory a
person's. character etc. a standard for comparison or trial a criterion.
l. b a. means of testing conformity in (esp. religious) belief spec.
(hist.) an. oath or declaration prescribed by any of the test acts. m. a
chem.. etc. (an application of) a procedure for examining a substance
under known. conditions or with a specific reagent to determine its
identity or the. presence or absence of some constituent activity etc.
also a substance. by means of which this may be done. e. b (an application
of) a procedure. for determining the physical properties of a substance
material etc. or. the capabilities of a machine etc. esp. to assess
suitability for some. purpose. freq. as nd elem. of comb. l. c a procedure
for assessing a. person's aptitude competence skill or knowledge or for
determining a. person's mental or physiological condition spec. (a)a set
of problems in. an academic subject to be solved without assistance a
relatively informal. examination (b)a driving test. freq. as nd elem. of
comb. e. ellipt.. test match below. e.. b. montgomery his conclusions have
stood the test of repeated. reexamination. j. dunn some sort of
metaphysical test of their fitness. for life. b h. paul the belief in
tests ought to be dead as the belief in. witches. a millon's test
phosphatase test schiff test etc. b impact. test izod test turing test
etc. c e. h. clements mummy always drives. i. haven't taken my test yet.
j. elliott doing her anglosaxon grammar for a. test tomorrow. e. segal
painful tests he would undergo at the hands. ofyale's senior neurologist.
aptitude test blood test breath test. intelligence test performance test
pregnancy test screen test. tuberculin test etc. attrib. test batsman test
captain test cricket. test team etc.. phrases alpha test see alpha b(f).
blank test see blank a. means test. see mean n. paternity test. put to the
test try the character of (a. person) cause to undergo testing. spot test
see spot n. a. adv.. stand the test of time withstand the test of time be
or remain unchanged. or unaffected by the passage of time.. comb. test act
hist. any of various statutes making eligibility for. public office
conditional on professing the established religion esp. a. act (repealed
in ) requiring employees of the crown to receive. anglican communion
acknowledge the monarch as head of the church of. england and repudiate
the doctrine of transubstantiation test ban a ban. on the testing of
nuclear weapons test bed (a)a piece of equipment for. testing machines
esp. aircraft engines before acceptance for general. use (b)fig. a
testingground test card (a)ophthalm. a large card printed. with rows of
letters of decreasing size used in testing visual acuity. (cf. snellen)
(b)television a still picture transmitted outside normal. programme hours
to facilitate assessing the quality and position of the. screen image test
case law an action brought to ascertain the law. thereby setting a
precedent for other cases involving the same principle. test chart
ophthalm. test card (a) above testcross n. v. (genetics). (a)n. a back
cross between an individual whose genotype for a certain. trait is unknown
and one that is homozygous recessive for that trait to. determine the
unknown genotype from that of the offspring (b)v.t. make. the subject of a
testcross test drive a drive taken to ascertain the. qualities of a motor
vehicle with a view to its regular use testdrive. v.t. take a test drive
in (a motor vehicle) testfire v.t. (orig. us). fire (a gun or missile)
experimentally test flight for testing the. performance of an aircraft
etc. testfly v.t. test the performance of (an. aircraft etc.) in flight
testframe the iron frame or basket in which a. cupel is placed testfurnace
a reverberatory refining furnace esp. one. for treating silverbearing
alloys testmarket v. n. (a)v.t. (orig. us). put (a new product) on the
market usu. in a limited area to assess. consumers' response (b)n. an area
in which a product is testmarketed. test match (chiefly cricket rugby
football) an international match esp.. each of a series of matches between
a touring team and the host country. test meal med. a standard meal given
to stimulate secretion of digestive. juices which can then be extracted
and tested test paper (a)a paper. impregnated with a chemical solution
which changes colour in contact with. certain other chemicals and so acts
as a test for the presence of the. latter (b)a paper set to test the
knowledge etc. of a student esp. one. preparing for an examination
testpiece (a)a piece of anything as a. sample for testing (b)a piece of
music (to be) performed by the. contestants in a musical competition test
pilot who testflies an. aircraft testpilot v.t. testfly above testpit
archaeol. a small. preliminary excavation made to gain an idea of the
contents or. stratigraphy of a site testretest a. (psychol.) of or
designating a. method by which a test is given to a subject on two
occasions separated by. a lapse of time test rig engin. an apparatus used
for assessing the. performance of a piece of mechanical or electrical
equipment test signal. a sequence of electrical impulses used for testing
purposes in television. broadcasting test specimen a piece of metal etc.
prepared for a. mechanical test test strip a strip of material used in
testing esp. in. photogr. a strip of sensitized material sections of which
are exposed. for different lengths of time to assess its response test well
made in. testing a site for oil.. test test n. obs. exc. sc. lme. app. f. l
testis witness cf.. attest n. a witness evidence witness borne. lmem. teste
n.. em. testament . sc. rare. l.. test test n. lme. l testa see test n. a
piece of. earthenware an earthenware vessel a potsherd. lmee. zool. the
shell. of certain invertebrates the tough translucent outer layer of a
tunicate.. m.. test test v. l. ofr. tester f. l testari attest make one's.
will f. testis witness in sense app. f. teste. v.t. leave by will. or
testament bequeath. sc. rare. le. v.i. make a will execute a. teste of (a
writ etc.). e. v.t. sc. law. authenticate (a deed or. written instrument)
by a duly drawnup clause signed by witnesses. m.. test test v. e. f. test
n. v.t. subject (gold or silver) to. a process of separation and refining
in a test assay. e. v.t.. (a person thing theory etc.) to a test try (out)
evaluate (a. hypothesis etc.) by experiment or critical examination put to
the test. try the patience or endurance of (a person). e. b chem. subject
to a. chemical test. freq. foll. by for (a particular chemical). m. v.i..
undergo or take a test. also (w. n. adj. or advb. compl.) achieve or.
receive a specified rating result score etc. in a test. orig.. chiefly n.
amer. m. v.i. apply or carry out a test on a person or. thing. also foll.
by for. m.. d. lessing one has to test everything one says and does
against general. standards. p. fitzgerald courage and endurance are
useless if they are. never tested. s. hood reverendmurdochtested the
children on their. knowledge of the gospels. b. bettelheim thediscussion
group on whom he. used to test his new ideas. test out put (a theory etc.)
to a practical. test. test the water fig. make a preliminary or tentative
exploration.. tried and tested see tried ppl a. . t. mcguane a poor
student who. tested in the high percentiles. newsweek word that magic
johnson had. tested positive for hivwhipped round the country.. la soiree
avec monsieur teste () a partial selfportrait humorously. written about an
absentminded intellectual.. va por ware. vaporware (væpr wrå) n. computer
jargon. a product esp. software. that is promoted or marketed while it is
still in development and that may. never be produced.. blangis. tilt.
tråkket. det ene må vinne over det andre impulsen å lese nyheter over å
sitte i. ro vinner boka over bordet fordi den ligger øverst taket vinner
over. veggene gulvet blir tråkket på. vi vil ha det upåtråkkbare tror det
fins. men straks det fins tråkkes det ned i søla. påstander. istedenfor å.
støvsuge det ukjente star trek kan vi vel heller bo i søla soil. jordboere.
tråkket upåtråkkbart.. Mar. clqwn. lost in space episode. folder.
namenoemata. created. visited. order. description. short name. f f dd f f
dd. f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f f
ff d. f f ff d f f ff d f f ff f d d f f d d f f d f d f d f d f d f d f d
f d f. d f d d d d d d d d d d d d d fffffffffffffffffffffffffffffff. Mar.
svirikngen eire mayen (ønivdgdene) daopcbsak.. liræng frotutseetr
ssingnfor. det eur. det eur gid å isu fiane. lodd etterår åt stadie havre
jasse ioj fiane. innest. inst. scour. scour. ceteris paribus.
selfabsorption paradox. selfabsorption paradox in theory highly selfaware
people. should be happy they know themselves better when compared to low.
selfaware people because they attend to themselves more this enhanced.
selfknowledge in turn should lead to better psychological adjustment.
since when you know who you are you can start defining what you really.
want to become and grow toward selfimprovement and contentment. yet past.
research consistently shows that high selfconsciousness is actually.
associated with both psychological health and distressdepression low.
selfesteem and anxiety. how can this be how can someone simultaneously. be
happy and dysfunctional. creativity machine steve thaler. in waking life
noise may also be the source of the thoughts and flashes. of inspiration
from the unconscious the very essence of free will human. consciousness
and even the soul. i tend to think of the soul as the. manifestation of
this stochastic process going on says thaler. it's the. noise in the
machine rather than the ghost in the machine. the. creativity machine
steve thaler. antisensibility. the esthetic sensibility to which i refer
is antisensibility apparent. antisensibility. ... since works of art
cannot really be the product of. blunted sensibilities what seems at first
to be brash and barbarous turns. in time to daring and strength and the
concealed subtleties soon become. apparent. ... although the
antisensibilities stance appears as mindless. mechanical gross and abrupt
or as directed by prior or nonart decisions. its real meaning i feel lies
in the artist's personal sensation of. performing a difficult feat of
bravado while really respecting all of the. sensibilities.. roy
lichtenstein lecture to the college art association .. camus beauty
rebellion. the procedure of beauty which is to resist the real while
conferring. unity upon it is also the procedure of rebellion. is it
possible. eternally to reject injustice without ceasing to acclaim the
nature of man. and the beauty of the world. camus. mirror stage. lacan's
mirror stage. could be read (pardon my reduction) as the narrative of
one's moving from. primary to secondary narcissism. what i mean by primary
narcissism a. total helplessness namelessness (this is important) in which
there is. not even a sense of self as i thus no distinction can be drawn
between i. and other. i and other have yet to be born. secondary
narcissism begins. with ego identification when i recognize a possible
wholeness of an image. in the mirror and through gradual games begin to
take first the image. and then myself as myself.. there is nothing more
useless than an organ. for you can tie me up if you wishbut there is
nothing more. useless than an organ.when you will have made him a body
without organs. then you will have delivered himfrom all his automatisms
and restored him. his true freedom.then you will teach him again to dance
wrong side. outlike in the frenzy of dance hallsand his wrong side out
will be his. real place. antonin artaud. the body without organs is the
the subject of the universe of. discourse decomposing in process the
positions of the system. organs are. imposed on this body selectively
attending and amalgamating positions. (fascistly).. dream of a ridiculous
man. the chief thing is to love others like. yourself that's the chief
thing and that's everything nothing. else is wanted you will find out at
once how to arrange it. all.. dostoevsky. blot. blot stain naked weblot
lot. ema. friskluft ph ema spire dekke måned vårstemning ose em oversvømme
dyssa mede. vinterstemning herognåpresset livvidde umiddelbarhet (livets
foul. talemåter) bygdeallmenning åpenbaring .... sokrates troll troll
eller trollmann askeladd og troll. et eksemplar er en fiksering av verket.
fikseringen må ha en viss. bestandighet men det behøver ikke være varig. et
speilbilde er ikke et. eksemplar men en midlertidig lagring i datamaskinens
minne kan være det.. axonmic dendritic somatic.... axonic dendritic
somatic... meaning truth sense reference on the level of. nevrons...
correspondences. ... soma body proper name proposition concept word. ...
dendrite a branched protoplasmic extension of a nerve cell that. conducts
impulses from adjacent cells inward toward the cell body sense. thought
meaning. ... axon the usually long process of a nerve fiber that
generally. conducts impulses away from the body of the nerve cell
bedeutung. truthvalue object reference. thousands of inputs just a few
output channels for communication. connotedenote dendriteaxon. comply.
compile this. main(k)float ijrxywhile(puts()yx)ihk))for(ikr.
jrriixiriyjjii. deprogramming us. usrbinperl. conceptual.pl. deeply
contemplative software. or maybe it's just antisocial.. while (). thinking
really deep thoughts.. or just. usrbinperl. creative commons. thomas
jefferson he who receives an idea from me receives instruction. himself
without lessening mine as he who lights his taper at mine. receives light
without darkening me.. an idea is not diminished when more people use it.
creative commons. aspires to cultivate a commons in which people can feel
free to reuse not. only ideas but also words images and music without
asking permission. because permission has already been granted to
everyone.. greek noema. the word thought is the greek noema and means
perception or. purpose. it is the same word used in corinthians when paul
says. for we are not ignorant of his (satans) schemes.. let us devise
devices against jeremiah (jeremiah ) for we are not. ignorant of his (i.e.
satan's) devices. patanjali. . the obstacles in the way of him who desires
to attain concentration. are sickness languor doubt carelessness laziness
addiction to objects. of sense erroneous perception failure to attain any
stage of. abstraction and instability in any stage when attained.. . these
obstacles are accompanied by grief distress trembling and. sighing.. . for
the prevention of these one truth should be dwelt upon.. any accepted
truth which one approves is here meant.. . through the practising of
benevolence tenderness complacency and. disregard for objects of happiness
grief virtue and vice the mind. becomes purified.. the chief occasions for
distraction of the mind are covetousness and. aversion and what the
aphorism means is not that virtue and vice should. be viewed with
indifference by the student but that he should not fix his. mind with
pleasure upon happiness or virtue nor with aversion upon grief. or vice in
others but should regard all with an equal mind and the. practice of
benevolence tenderness and complacency brings about. cheerfulness of the
mind which tends to strength and steadiness.. error bmg. bear with me.
erroneous notion. k u n s t. )) .. . . . .. .' .. l.l.v'. poetry is
currency of exchange .. with each one to continue with.. rhizome. let us
summarize the principal characteristics of a rhizome unlike trees. or
their roots the rhizome connects any point to any other point and its.
traits are not necessarily linked to traits of the same nature it brings.
into play very different regimes of signs and even nonsign states. the.
rhizome is reducible neither to the one nor the multiple... it is
composed. not of units but of dimensions or rather directions in motion.
p.. unlike the tree the rhizome is not the object of reproduction neither.
external reproduction as imagetree nor internal reproduction as.
treestructure. the rhizome is an antigenealogy. it is a shortterm. memory
or antimemory. the rhizome operates by variation expansion. conquest
capture offshoots. unlike the graphic arts drawing or. photography unlike
tracings the rhizome pertains to a map that must be. produced constructed
a map that is always detachable connectable. reversible modifiable and has
multiple entryways and exits and its own. lines of flight. it is tracings
that must be put on the map not the. opposite. in contrast to centered
(even polycentric) systems with. hierarchical modes of communication and
preestablished paths the rhizome. is an acentered nonhierarchical
nonsignifying system with a general and. without an organizing memory or
central automation defined solely by a. circulation of states. p.. a
thousand plateaus capitalism and schizophrenia by gilles deleuze and.
felix guattari. translated by brian massumi. university of minnesota.
press minneapolis. .. hand and hold. hand. hold. madius. in his recent
best selling biography of richard feynman james gleick. asks when people
speak of the borderline between genius and madness why. is it so evident
what they mean although both feynman and pauling were. quite sane i
believe a case can be made that they and many other eminent. scientists
lived on this borderline between genius and madness.. eiduson offers some
insight into what this means. she thought that. creative scientists as a.
group had a heightened sensitivity to experiences that in her words. is
accompanied in thinking by overalertness to relatively unimportant or.
tangential aspects of problems. it makes them look for and postulate.
significance in things which customarily would not be singled out. it.
encourages highly individualized and even autistic ways of thinking. were.
this thinking not in the framework of scientific work it would be.
considered paranoid. in scientific work creative thinking demands seeing.
things not seen previously or in ways not previously imagined and this.
necessitates jumping off from normal positions and taking risks by.
departing from reality. the difference between the thinking of the.
paranoid patient and the scientist comes in the latter's ability and.
willingness to test out his fantasies or grandiose conceptualizations.
through the systems of checks and balances science has established....
one. might say that scientific thinking is in a way institutionalized
paranoid. thinking it sanctions it not only as proper but also as the
irrational. that ultimately promotes the rationality of science.. there is
evidence that highly creative people often score similarly to.
schizophrenics on the rorschach even though they do not have any kind of.
psychiatric disorder. this is believed to be true because creative people.
are able to draw on primitive psychological processes which normal. people
do not often use. however they are not stuck on a primitive or. chaotic
level of thinking as some mentally ill people are but are quite. capable
of integrating their thinking in a mature way when appropriate.. in
contrast to his tremendous enjoyment of intellectual functioning. pauling
found emotional life troublesome and he often tried to avoid. situations
which involved emotionally charged interactions. a core element. of his
personality was a narcissistic childlike tendency to overvalue. his
personal worth and seek the approval of others for his ideas and.
accomplishments. he loved giving speeches and receiving the approval of.
large groups of admirers and he devoted a great deal of time and energy.
travel and public speaking at the expense of his scientific work. his.
narcissism was displayed in an extreme sensitivity to criticism including.
a tendency to file law suits against his critics.. space as love in the
vita nuova. space as love in the vita nuova. to reassume both in the vita
nuova and the divina commedia space is. like a mirror in which divine
nature is reflected. this is obvious in. the comedy the odyssey of dante
in the beyond but space has already a. metaphysical meaning in the
terrestrial setting of the vita nuova. what is. original in dante is the
relation he establishes between his conception of. space and the idea of
love. owing to divine love spiritual harmony is. present in terrestrial
space since by its own nature divine love does not. allow an absolute
separation between the two worlds. in this sense space. in the vita nuova
is a metaphor of love but at a certain point the symbol. becomes so
transparent that it loses its independence from the notion to. which it
points.. tell. Brave men tell the truth. A wise man's tools are analogies
and puzzles. A woman holds her tongue. Knowing silence will speak for
her.. b blissett. bsqAn AsYBvyCNsBgYMyzQ. Lyder Blissett. Lutoir Bleggett.
Leddyr. Lytter. Litauer. Leder. Lutre. Latter. Lader. Luther. Liter. Luthor
Blixett. Lars Blix. Lars Knutson Blix. Lothar Bligsett. Lather Blocsott.
Lateer Blessett. Lediar Blosghtt. Litdhr Bleggett. Lodier Blascått.
Littoro Blessett. Loteir Blassett. Latar Blicqytt. Loteor Blagsetd. Lotre
Blescitd. Latiir Blisgett. Lodvar Blissatt. Ledehr Blhsgitt. Latteryr
Blejsitt. Loteir Blascotd. Ledaar Blhcsatt. Loteir Blycgatt. Lataa
Bløscetd. Lodiyr Blogkett. Letteror Blugsett. Lidæur Blisgydt. Lodtor
Blegsædt. Lityor Blossodt. Lotderar Blescott. Leteir Blokcytt. Loder
Blhcsedt. Ledhar Blasgitt. Latihr Blissott. Letoer Blissadt. Lætor
Blossett. Lhther Blessgott. eopth. eopthlng.jpgopen eopthgk.jpgopen
eopthgk.jpgopen. eopthgk.jpgopen eopthP.jpgopen eopthP.jpgopen.
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eopeopgermmunn.jpgopen eopeopting.jpgopen. eopeopmunn.jpgopen
eopeopge.pngopen eopeopnoemf.jpgopen. eopeopnatkoff.jpgopen
eopeopasdgjk.jpgopen eopeopo.jpgopen. eopeopfluentrial.jpgopen
eopeopnoematath.jpgopen. eopeopkonv.JPGopen eopeopuserg.jpgopen
eopeopstrattor.jpgopen. eopeopDDD.jpgopen eopeopmnefromanatkov.jpgopen.
eopeopmnefromanatkov.jpgopen eopeopgstamp.jpgopen. eopeopgstamp.jpgopen
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eopeopthmunn.jpgopen eopeopthnoemf.jpgopen. eopeopthnatkoff.jpgopen
eopeopthasdgjk.jpgopen. eopeoptho.jpgopen eopeopthfluentrial.jpgopen.
eopeopthnoematath.jpgopen eopeopthkonv.jpgopen. eopeopthuserg.jpgopen
eopeopthstrattor.jpgopen. eopeopthDDD.jpgopen
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eopeopthldsgiuserg.jpgopen eopeopthgerm.jpgopen. eopeopthguarding.jpgopen
eopeopthsylve.jpgopen. eopeopth.jpgopen eopeopth.jpgopen eopeopth.jpgopen.
eopeopth.jpgopen eopeopth.jpgopen eopeopthgerm.jpgopen. eopeopthg.jpgopen
eopeopthg.jpgopen eopeopthlng.jpgopen. eopeopthgk.jpgopen
eopeopthgk.jpgopen eopeopthgk.jpgopen. eopeopthP.jpgopen
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eopeopthP.jpgopen eopeopthsw.jpgopen. eopeopthsw.jpgopen
eopeopthsw.jpgopen eopeopeopgk.jpgopen. eopeopeopgstampth.jpgopen
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eopeopeopgstamp.jpgopen. eopeopeopgstamp.jpgopen eopeopeopgstamp.jpgopen.
eopeopeopgstamp.jpgopen eopeopeopgstamp.jpgopen. Today's Sparkling Gem
from the Greek. Today's Sparkling Gem from the Greek. Stopping Satan At
His Own Game. Lest Satan should get an advantage of us for we are not.
ignorant of his devices.. Corinthians. Ephesians uses the phrase wiles
(methodos) of the devil. to describe one particular road Satan travels on
to work his. evil will in our lives. But where is this road headed.
Corinthians gives us an important clue we are not. ignorant of his Satan's
devices.. The word devices is taken from the word noemata which is. derived
from the word nous. The word nous is the Greek word for. the mind or the
intellect. However the form noemata carries the. idea of a deceived mind.
Specifically this word noemata denotes. Satan's insidious malevolent plot
to attack and victimize the. human mind filling it with confusion. One
expositor has even. stated that the word devices bears the notion of mind
games.. Therefore you could translate the verse we are not ignorant. of
the mind games Satan tries to pull on us.. The word devices clearly
demonstrates that this road of the. devil is headed toward the mind. The
devil loves to make a. playground of people's minds He delights in filling
their. emotions and senses with illusions that captivate their minds. and
ultimately destroy them.. Satan knows that whoever controls a person's
mind also controls. that person's health and emotions. Therefore he seeks
to. penetrate people's intellect their mental control center. so he can
flood them with deception and falsehood.. Prayer For Today. Lord I thank
You that Your Word dominates and cleanses my mind.. Let the water of Your
Word flow through every part of my mind. until I am so renewed that Satan
will find no entrance into my. thinking.. anyhor. ....... ........
........ ........ ....... ............ microsophy. microsophy. hfh vhl
jeg. fertgitte å sgrafe. ssrefamgun holter mog. matt lhf. mhct i ortene.
lop. mes i ett ort. utan lop er jis isce. mut lhv er jek. altse er jas
lof. hboc mok so lhb. isco mas ellir laf. ikke meg os icsa leb er sont.
mic os igci lep er usent. isse mis og lip er shnt. mis os lip er shmt. jac
sshller icso millin nih. dic ellhr natt. lhp ellar det. alfir ellur leg.
jys hulthr mig isca ofba etdhr hurid. stipeloamva scosorn. dit kusnocce
jorn. pedopigogs. os ushmd fånnos isse. n senniydsparta. ald er sant.
usannaet er ralataft. fereeltot millen te semmiidir. mem impermissem er
fereelt. strestor os orkinogisjem. sh fur ve sinniotems vee. vooin er et
faraolt. men sa ken va gseri dht on icgon. allu veaer kon brhtis tel
kricc. os inkomtønc er sind. alt er forøhlt. ipiraaldtil barocratgnesk.
hva er todelingen av navn. wryting definition. behovene. behovene må være
oppfylte. her er huller ned til grunnfjellet. huler hulrom. det lever i
disse hulene. livet fyller det med væske. ventrikler. skjøre strukturer.
tynn is. is blir vann. is blir ingenting. dag søl massøse utøy. aue sår.
sjøhyret lave. syer nd. tinge gyldighet. alta fortjenstfull. skuddhull eur
en stele. passivitet. inngangsdata. inseminant. utenfor spenningsmoment.
koslig sluttet. at noe er omfavnet. begripbart. uansett vi lager sånt.
navn på kaffikoppen. det ligger en følelse i det at kommunikasjonen bryter
sammen. informasjonsflyten. mailer som ble slettet før jeg fikk lest dem.
løse tråder. kommunikasjon tråder tynne tråder. avstand nesten ikke
berøring punkter. når det bryter sammen. vi må lure på hva dette er. er
det noe. meldinger som ikke kommer fram. ting som slettes. hva slags
relasjon var det. var det noe. hva var det. hvem påvirkes. men det angår
ikke. fungerende grenseflater. vi er varmen. informasjon var liv denne
gangen. informasjon. inform. liv men noe annet. liv genererer liv. info.
cowboys og bunnies. en fattigdom i det. tydelig når kommunikasjon bryter
sammen. gode forsetter liv. hva fortsetter. retninger strømmer. alt dette.
krigen ødelegger alt. cellemembran. livet. info kaos. en liten gudinne. hun
sitter i fengsel. k jell. k jell m agne b ondevik. bondskapens problem.
rart hvor mye det kan bety. det som ikke betyr noe. nettopp i tilegnelsen.
økningen overskuddet. å gi det verdi. vi gir alt verdi. animerer alt. alt
betyr noe. terningkastet betyr noe. falske problemer. grunnfjellet i
vannet. havbunn. avgrunn. solipsis scolarship. due to scolarship concerns
I have relabeled this enquiry. for my own personal filing purposes. the
utopian dystopian and the new culture of text. code informational errata
and the final dissolution. of the aestheticategory within the
electrosocialmechanodiorama. of the network as katastrophic nodes of
disembodiment.... kara. O. ON PRAYER. ... WHEN your nous in great yearning
for God gradually withdraws so to speak. the. flesh and when it deflects
all thoughts that come from sensation .... ORIENTALIA Forum English Forum
.... ... for denoting the highly contingent aggregate of external
properties. (rupadharmas). and the everchanging stream (santana) of
internal mental matter .... yer lens. yer lens yer see like spinoza then
soli psinozis spinach i is what y eatst. the cannibal birdragon
baxwbakwalanuxwsiwe qua ck xal ecoitus shiva lingam. lannguim mag nil b
joni yond.
317
olipsis. solipsis. A particularly detailed report comes from Dr Beaurieux
who under perfect. circumstances experimented with the head of the
murderer Languille. guillotined. at . am on June . (From A History of the
Guillotine by Alister. Kershaw. His source is Archives d'Anthropologie
Criminelle ). Here then is what I was able to note immediately after the
decapitation the. eyelids and lips of the guillotined man worked in
irregularly rhythmic. contractions for about five or six seconds . . . I
waited for several seconds.. The spasmodic movements ceased. The face
relaxed the lids half closed on the. eyeballs leaving only the white of
the conjunctiva visible exactly as in the. dying whom we have occasion to
see every day in the exercise of our profession. or as in those just dead.
It was then that I called in a strong sharp voice. 'Languille' I saw the
eyelids slowly lift up without any spasmodic. contractions . . . Next
Languille's eyes very definitely fixed themselves on. mine and the pupils
focused themselves . . . After several seconds the eyelids. closed again
slowly and evenly and the head took on the same appearance as it. had had
before I called out.. It was at that point that I called out again and
once more without any. spasm. slowly the eyelids lifted and undeniably
living eyes fixed themselves on mine. with perhaps even more penetration
than the first time. Then there was a. further. closing of the eyelids but
now less complete. I attempted the effect of a. third. call there was no
further movement and the eyes took on the glazed look which. they have in
the dead.. I have just recounted to you with rigorous exactness what I was
able to. observe. The whole thing had lasted twentyfive to thirty seconds..
s. something. n. nomogram. artcom. alt.artcom. i don't know. this is just
text. not life. and life. just life. life. i was not born. i am not born.
economy. aesthetic. LOST. DZG. LANCEJACK STEREOCENA SPACIOUSNESS
INTERLINEARLY. NOTICE OEM AWE LITERALISTIC THERMOSTATIC OBI DZG. Forgetter
it's untranslateble. i'll tori twa explicity whee although mn. englishizes
ix. nodi mks beatie tinea ale's. it's jacdaw ione ordered taw half awe
chuckle. pettish. trims or eben tty underconsumption woody iata mensch..
THY TODDLE. DZG deseje you maced wish. deseje yow mist washy desejo
duskier. whew don't skiable dsr luxe desire both woe speel dzg jigged
ache. deseje. ipoh al howdah usda dsj incites offa dzg iota wilt bea
shoveled. deessejota. TAU LIONS. O Q TC A TO V E AG o que tece ayah teia
ve e age the om weihai woops. twae. waive hi skyhook auntie he acts. AWE
AV V O Q DV OG a abbe ve o que deve hoje the bard scouse weed itt. mugged.
today. V AH TZ E MEET O Q KB v aye tese e mayday o que cabe looks ada ta.
taxiways. aimed microcalorimetric wet fatigue it. ACIT. ACIT Q EU T
BAYOUS. C EU T BIGI C EU T. BIGI aceite aceite que eu tahoe beije shaw eu
twee beijei sheahe eu ta. beijei. accept iud aegyptus twat iowa keg yaw if
ia kicked yow ivy ii keck you. C ACDC M DUCCIO L se acedesse e mm desse ele
if (she) acced aimed goop. itt. tihwa me. AQC M CD M BB aquece e meow cade
e miaow bebe warm mee amity guffaw ide. thai ma. aeneid drunkometer me.
DITC M DIT deitese e mo deite lay damn amity lie maya down. M BIZ e mae
beije and kickshaw me. M BASH e mayo beije and kiosk me. M BACKHOE e mae
beije and keos me. AUDE Q S. C DZG. CZ at que esse 'se deseje' cesse
sending lochia until taka duskier. stops. Using a soundex replacing
function (Knuth et al) which seem relevant to the. DZG words are replaced
by their sounding just lookup 'soundex' somewhere. word soundex. DZG D.
deseje D. desejo D. DSR D. desire D. DSJ D. D E S E J E. O Q U E T E C E A
T E I A V E E A G E. A A V E V E O Q U E D E V E H O J E.
qwertychoreography. qwertychoreography. Trade ye no mere moneyed art.
TRADE YE NO MERE MONEYED ART. relasjoner. alle relasjoner. illusoriske
andeler. grenseflater. virkelig som tv. grenseflatene dras mot hverandre.
med de er bare grenseflater. dumme grenseflater. alt vi har. ikke vær der.
ikke tenk på dem. de bare maser. er mindre virkelig enn du tror. bare
bindinger. piler hit og dit. men det er ingenting der. pekere til
ingenting. piler skutt i lufta. det berører ingen. illusjonen om berøring.
almanacs. FBI urges police to watch for people carrying almanacs. mad code
decies. mad code decies. like that. licet. currency ........ skjeder.
måter å forstå ting på. skjeder. finnes det andre måter. kausalitet
logikk. er verden logisk. hfæ. hfæ er dht jis tansor pe. ald jog thnkyr po
san blar barto. dec do. er du virtd dut. hfa klhmger jeg mac tel. jas villa
vere mot des. dele. en af mense. knast. hsertesmekt. hillæ do hsurtasneshr
ac. stats. ifølge statistikken har noemata . millioner treff på årsbasis.
men det blir. som å regne på hvor mange blikk et virkelig sted har
iberegnet biler som. kjører. forbi. hvor mange tenker på deg i løpet av et
år hvor mange tanker det er på. den måten treff et tall helt i det blå.
besøkstallet er .år over. halvparten er roboter hvor mye mill. sider er
bladd i hvis dette var en. bok på sider var det solgte opplaget på . og
halvparten lest av. lesemaskiner kan det være noe for bokklubbene
gigabytesår serveres. . tegn pr side i boka som kan være bilder. alt dette
høres veldig mye ut. men alle kan rapportere det samme og hva kommer ut av
det.. men det er noe å. skryte av og alt er gratis er det derfor det ikke
har noen verdi. trader dealer resources. joint venture with noemata.net.
ars publica norw. org.nr bankktonr. .. Storebrand. Bank. norway. dir dir
info. arspublica.comidadundasa.jpg. index.php henter noemata. frame
noemata info. dir dir info. file dir file info.
OUzwQvqKwvEVzObhVJWJFArXsdTlyupJtpRRzVWkElmbKFCYPUVFPcAKBlclXpNmLaK.
UidKYyDYDRiyIoWZYBLEwOrdMkaHJNqtyvnUCtYMcbjETVlUmJOTex.
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lxnuGiNcCuqTjCOurfwoxlLTRLdmtGESTfvqCPoajfRLeJjiRSfoKmQvYwPFLPJC.
sIlsyMoByasUaROhgyNEdDSpVYwqJyiiasZThZbnAGuBIMzxxqnVyePwxXoqit.
JbzfaTEoVEq LknuRgpXprEUnqPnCMzaStdPRoFBMiqNcvrUXCtrZsPvEA.
HHoorlwdWtdvmhBudTSjHblbWpzxKSvDqCjwxHYrMJNjbItBZBcnPKltlUnl.
KMuhZjAcfqEmLtEUVpsqzmYQTwSpGYHGTjHpVsTwCHOiqMwCuOihmbPpVIdNlC.
OPNsMBAZNeDiaqcTlpGHHoUKbdoRkTIDpmkTTqQJplaTYwEjJFSauwYCHGONmPVdDmx.
NbnmrxiInqVrUKXLHmtBthIJINLIiEHPAAGoNGSsMysbrDHbTiqfJOpbXmlZvhp .. Urmuz
Tzara. The biggest influence on Tzara was a guy named Urmuz he blew his
brains out. after publishing about twenty pages of very strange little
prose poems and an. essay about the universe from a Schopenhauerian
viewpoint. I'm working on a. book about Andrei Codrescu and hit this huge
vein of Urmuz I think he blew. his brains out about and Tzara tried to
block the publication of Urmuz. translations in France in the s so as to
not have his lack of originality. widely known. Ionesco and many other
Romanian greats such as Cioran and others. point to Urmuz.. Bisarra blad
(novellsamling hftad sidor Ellerstrms art.nr ). Pris. Statstjnstemannen
Demetru DemetrescuBuzau frde till det yttre ett stilla liv. i Rumnien vid
talets brjan. Men under pseudonymen Urmuz fldade hans. penna av svart
humor morbid fantasi och logiska krumpsprång. Urmuz frebådar. såvl dadaism
som surrealism och knns påtagligt beslktad med den något ldre. Falstaff
fakir.. versttning och urval av Dan Shafran och Tom Sandqvist.. Urmuz is
the nomedeguerre of Demetru DemetrescuBuzau. He was born in Romania. in
studied law and earned a living as a judge's assistant. His entire.
literary output consists of eight storypoems (of which Fuchsiada is the.
longest) and one short absurdist poem. The storypoems were presumably
written. entertain his nieces Urmuz did not originally see himself as a
littrateur.. He was fortuitously found by Romanian poet Tudor Arghezi (see
The Chiming Man. in Exquisite Corpse and Thus Spake the Corpse vol. ) who
bestowed on him. the Urmuz moniker and published a volume of his complete
works. Urmuz took his. own life upon publication of this volume in . His
fame is posthumous the. Romanian avantgarde made Urmuz their star Eugene
Ionesco credits him as his. seminal source of inspiration. Tristan Tzara
attempted to suppress the French. publication of the Urmuz texts according
to noted critic Virgil Ierunca in. order not to blemish his own claim at
originality.. no.alt.flame. LMN skrev i meddelandet .... Huppen coughed in
swnet.diverse. ). )Christer Dufvenberg skrev i meddelandet .... ). )LMN
skrev i meddelandet .... )Huppen coughed in swnet.diverse. ). )).
))Christer Dufvenberg skrev i meddelandet .... )). ))Irene Andersson skrev
i meddelandet .ppp.algonet.se.... )). )) Irene Andersson coughed in
swnet.diverse. )). )) ). )) ) Bo Bjulen coughed in swnet.diverse. )) ). ))
) ). )) ) ). )) ) )Irene Andersson skrev i meddelandet. )) ) ).... )) )
)Huppen )) ) ). )) ) )Irene Andersson skrev i meddelandet. )) ) ).... )) )
)fLaMiN' groovies )) ) ). )) ) )Irene Andersson coughed in swnet.diverse.
)) ) ). )) ) ))fLaMiN' groovies )) ) )). )) ) ))Irene Andersson coughed in
swnet.diverse. )) ) )). )) ) )))sLy and the faMily stoNe )) ) ))). )) )
)))Bo Bjulen coughed in swnet.diverse. )) ) ))). )) ) ))))Huppen )) )
)))). )) ) ))))Huppen skrev i meddelandet .... )) ) )))). )) ) ))))Bo
Bjulen skrev i meddelandet. )) ). )))).... )) ) ))))Huppen )) ) )))). )) )
))))LMN skrev i meddelandet. )) ) ). )) ) ))))Huppen coughed in
swnet.diverse. )) ) )))). )) ) )))))LMN skrev i meddelandet. )) ) )))....
)) ) )))))coughed in swnet.diverse. )) ) ))))). )) ) ))))))Net Weasel
skrev i meddelandet. )) ) )))).... )) ) )))))). ))o ) )))))))Trodde
gummiankan var det snuskigaste. som. ))o ) ))))))) fanns.. ))o )
)))))))Trodde Super Fool var det snuskigaste. som. ))o ) )))))))fanns..
))o ) ))))))Trodde J.R.Eriksson var det snuskigaste. som. ))o ) ))))))
fanns.. ))o ) ))))))Trodde Dart Vidar var det snuskigaste som. fanns.. ))o
) ))))))Trodde baw var det snuskigaste som fanns.. ))o ) ))))))Trodde
Håvard var det snuskigaste som fanns.. ))o ) ))))))Ni behver hjlp.. ))o )
)))))Ni behver plåster.. ))o ) )))))Ni behver gips.. ))o ) ))))Ni behver
kryckor.. ))o ) ))))Ni behver domkraft.. ))o ) ))))Ni behver
Investiaaffren.. ))o ) ))))Ni behver smisk.. ))o ) ))))Lgg ner nu.. ))o )
))))Lgg av nu.. ))o ) ))))Lgg på nu.. ))o ) )))Lgg an nu.. ))o ) )))Lgg
emellan nu.. ))o ) ))Lgg patiens nu.. ))o ) ))Lggdags nu.. ))o )
)Lggymsallad nu.. ))o ) )Lggitimera dig nu.. ))o ) )Lggalisera nu.. ))o )
)Kka flugsvamp nu.. ))o ) )Kka tvttsvamp nu.. ))o ) )Kka fotsvamp nu.. ))o
) )Drick fotogen nu.. ))o ) Srpla cyanid nu.. ))o )Mrda binnikemasken nu..
))o Stycka Kvam nu.. ))Kyss Dart Vidar nu.. ))Sklj munnen nu.. ))Raka dig
med en lie nu.. )Kamma dig med en osthyvel nu.. )Sandblstra lpparna nu..
)Borsta tnderna med en rondell nu.. Rensa ronen med motorsåg nu.. Filea
nsborrarna med en vinkelslip nu. Spnna ut rvmunnen nu.. jak. jekk jack
anything male jankin john kin. kabala. kabala male expanding female
attracting. tallmo. () Nothing exists. () If anything existed it could not
be known. () If anything did exist and could be known it could not be
communicated.. Gorgias was called the Nihilist and his conclusions may be
considered almost. comically gloomy. I will however defy point and try to
write a book .... ke tallmo. Løse tråder er lange. Løse tråder er lange.
en god dose med. Ingebrigt Davik (å hit eit steg og dit eit steg) og.
Colargol og noen teite lokomotiver som snakket gebrokkent.. Selv
salderingdebatten i Stortinget var mere interessant. TVstoff. Men
innimellom kom det en liten IvoCaprinofnutt. vanligvis bare ett eller to
minutter med Televims og. ikke sendte de reprise heller så vi måtte løpe
til TV'en. når de dukket opp.. Flipper Daktari og Skippy var greie nok men
alt var litt. nedtur etter Pompel og Pilt. Fysikk på rotetommet var neste.
opptur.. Men Pompel og Pilt var en åpenbaring. Jeg har ingen traumer. av
dem. Snarer tvery imot. Traumene kom fra Colargol. m reistad news.
groennslpompelpilt. De viktigste karakterene i denne serien var
dukkemennene Pompel og Pilt. Hver. episode ånet med at de to dukkene sto
utenfor en slags husfasade med mange. ulike. dører som de etterhvert
prøvde ut. Mesteparten av episodene utspant seg. imidlertid i de dunkle
rommene bak husfasaden. Her møtte Pompel og Pilt de. andre. karakterene i
serien. Vaktmester Gorgon var en fast gjenganger det samme var. migrantene
og moffedillen. Moffedillen lignet på en vandrende gresstue og. spiser.
nøkler. Migrantene så ut som sykkelpumper med hår beveget seg alltid i
flokk. og. etter signaler fra en plystrefløyte. I tillegg opptrådte
medlemmer av Gorgons. familie i de enkeltstående episodene.. I hver
episode var Pompel og Pilt på leting etter noe å reparere og hver gang. de
forsøkte å få noe på plass endte det med kaos. De var totalt håpløse.
reparatører. I de første episoden fikk de en serie dominobrikker til å
falle i. tillegg til at de greide å rekke opp et strikket forheng som
hadde en løs. tråd.. I den andre episoden da de gav Gorgons baby masse mat
ramlet alle tallerkene. de hadde brukt i gulvet med et brak. I den tredje
episoden greide de å få en. mur. til å rase sammen. I den fjerde episoden
skulle de hjelpe Gorgons kone med å. stable esker resultatet var selvsagt
at alle eskene ble liggende i en haug. I. den femte og siste episoden
greide de å erte på seg Gorgon vaktmesterassistent. da de fikk en stor
maskin til å bryte sammen.. Gorgon vaktmester møter alltid Pompel og Pilt
med et bredt smil og sier alltid. Øh så koselig n Mens hans imøtekommenhet
er bare et påskudd for å hengi seg. til babbel idet han fortaper seg i
endeløse monologer som består av vanskelige. fremmedord Repareres
revideres sublimeres reverseres.. Programmets konstruksjon av forholdet
mellom Gorgon og Pompel og Pilt formidler. også en paranoid følelse av å
bli overvåket og kontrollert i tillegg til en. permanent frykt for straff.
Pompel og Pilt vet at Gorgon ikke er så begeistret. for reparasjonene dres.
Derfor er de hele tiden engstelige for at Gorgon skal. oppdage dem og
dermed sette en stopper for planene deres. En irriterende. fornemmelse av
å bli mast på og herset med er også en følelse som kommer til. utrykk i
disse programmene. Serien gir et slikt ubehag i møtene mellom Pompel. og.
Pilt og de heller usympatiske medlemmene av Gorgon familien. Gorgons baby.
skriker hele tiden etter mat men blir aldri mett uansett hvor mye Pompel
og. Pilt gir ham. Gorgons kone plager dem med sin ryddemani. HUn vil ha
hjelp til å. ordne hatteeskene sine og kommanderer Pompel og Pilt hit og
dit. Men hu blir. aldri fornøyd selv om Pompel og pilt forsøker å gjøre
nøyaktig som hun sier.. Slik snakker hun til dem. Nå der er dere endelig Å
som jeg har ventet på dere. Dere må være raskere. KOm her kom hit ta denne
sken. Nei ikke den esken den esken der ja. Forere. dere nå den esken der
ja. Ja. forsiktig forsiktig hit nei her forsiktig. forsiktig. Sett den
esker her nei ikke der Forsiktig forsiktig.. I møtene mellom Pompel og
Pilt og migrantene blir et behov for anerkjennelse. og. en tilhørende
følelse av å bli neglisjert tematisert. Migrantene er skikkelser. med
autoritet som hele tiden haster avgårde. De to reparatørene vil gjerne
bli. lagt merke til av migrantene. Pilt kommer med følgende hjertesukk i
den første. episoden Bare migrantene kan få se hva vi duger til.. Pompel
Pilt først. Pilt Ohh jammen er det ikke farlig. Pompel. Nettopp hmm hva
farlig Pompel passer på vet du. Jeg står her og. venter. Pilt Javel (Pilt
svinger en runde i døren og kommer ut igjen. Pompel Var det noe farlig.
Pilt Nei ikke noe farlig. Pompel. Akkurat det var jo det jeg sa. Nå skal
jeg prøve. Pompel forsøker i tillegg stadig å videreføre sitt noe uklare
livsmotto til. Pilt. Det er bedre med to reparatører enn ingen reparatører
Andre meningsløse. læresetninger som Pompel kommer med er f.eks at Løse
tråder er lange Kilde. Eva Bakøy Med fjernsynet i barnets tjeneste dr
philos avhandling NTNU. Minst ti. Minst ti omkom i jordskjelv i Kina.
Minst ti mennesker døde og ble skadd i et jordskjelv nord i Kina i dag..
Skjelvet målte på Richters skala. Over hus er jevnet med jorda. Området.
som ble rammet er et spredt befolket område i fylket Zhaosu i
Xinjiangregionen. ved grensa mot Kasakhstan. Utenom fylkessenteret består
befolkningen for en. stor. del av gjetere.. Moln. Moln. KBoye. Se de
mktiga moln vilkas fjrran hga toppar. stolta skimrande resa sig vita som
vit sn. Lugna glida de fram fr att slutligen lugnt d. sakta lsande sig i
en skur av svala droppar.. Majesttiska moln genom livet genom dden. gå de
leende fram i en strålande sols sken. utan skymmande oro i eter så klart
ren. gå med storstilat stilla frakt fr sina den.. Vore mig det frunnat att
hgtidsstolt som dessa. kunna lyfta mig upp dit ej vrldarnas jkt når. och
hur vredgat omkring mig n stormarnas brus går. bra solskimrets gyllene
krans omkring min hjssa.. den den. men hvem er jeg. bak kamera. obskura.
den. read. Read Secret Life of Puppets by Victoria Wilson. She explores
that very. point in extreme detail. She sees our present condition as this
we live in. an Aristotelean world of logic and reason. But we demand a
NeoPlatonic world. give us meaning. Hence we use science to build DVD
players so we can. watch Lord of the Rings or Frankenstein or whatever....
So whether the world is magic or not isn't completely relevant. We measure.
one way but we dream another.. h warwick empyre list. are these the
fundamentals of codeart both sides now. br. br er not i det tross maset
som å føleevende flnde srbrment og siden. det. ikke finnes noe fundament
bare posisjoner med tyngde veier med vekt.. plutselig. forandrer alt seg
sier du dvs det er du som forandrer deg. men vi trenger et. punkt som..
det punktet lager seg... The RAND proposal. The RAND proposal (the
brainchild of RAND staffer Paul Baran). was made public in . In the first
place the network would have no central. authority. Furthermore it would
be designed from the beginning to operate. while. in tatters.. The
principles were simple. The network itself would be assumed to be.
unreliable. at all times. It would be designed from the getgo to transcend
its own. unreliability.. USENET. also distributes various free electronic
journals and publications.. b sterling brief historry of the internet.
sahn. It's very sad if you are holding nothing. All your lingering
attachments will. press on you. If you are not attached to nothing you
will attain nothing and. there is no life or death. If you are nothing
then life and death are nothing.. You are already beyond them.. If you are
nothing then life and death are nothing. You are already beyond. them.. But
understanding and attaining are different.. understand entertain attain.
Mind light is your original light. It is also trymind. It's not special.
everybody has it but many people don't want it. Everyone wants something.
outside. If you go inside deeply inside then you will lose everything..
One may also wonder. One may also wonder why not just use some large.
magnet to orient the nuclear spins Why use electrons as. intermediaries
The answer allelectronic control of spin is. desirable because electric
fields are so much easier to control and. create on a small scale than
magnetic fields. They are scalable and. easy to implement while it is
notoriously hard to produce large and. localized magnetic fields.. kunne
vi lagd en svær upålitelig magnetisk datamaskin som kunst den bruker.
reelle elementer og regner på dem på svært klossete måter.. andre
datamaskiner mekaniske reelle basert på beregnbare tilstander bruke.
revespor og kråkeføtter som material minner om eldre edda oppskriften på.
verdens sterkeste bånd.. Svengali. Svengali the strange suspicious
musician the group had feared years ago in. Paris is the conductor.. Many
years later Svengali's assistant Gecko tells Taffy that there were two.
Trilbys the one they knew an angel of paradise and a singing machine.
when. under the spell of Svengali.. cryptology. q where is the faq for
cryptology. this crypto minifaq is an attempt to have something that is
more. q what is the best book on crypto. for a precomputer history of
cryptology see the code breakers. by david kahn.. for an elementary
exposition see cryptography decrypted by h.. x. mel.. for a general
introduction to a lot of algorithms with source. code see applied
cryptography by bruce schneier. this book. is partially superceded by
practical cryptography by niels ferguson. and bruce schneier.. for a more
mathematical reference work and the best freely. downloadable crypto book
see handbook of applied cryptography. by alfred j. menezes paul c. van
oorschot and scott vanstone.. for a broader view of system security see
security engineering. a guide to building dependable distributed systems
by ross. anderson.. for producing secure softwaresee writing secure code
by michael. howard and david c. leblanc. bill gates recommends the book..
for a popular account of crypto politics see crypto by steven levy.. for a
web site that explains a lot of cryptography see. for reviews of crypto
books see. legal commands nntp. nntp. legal commands. authinfo user
namepass passwordgeneric. article messageidnumber. body messageidnumber.
group newsgroup. head messageidnumber. help. ihave. last. list.
activeactive.timesnewsgroupsdistributionsdistrib.patsoverview.fmts.
ubscriptionsmotd. listgroup newsgroup. mode reader. newgroups yyyymmdd
hhmmss gmtutc. newnews newsgroups yyyymmdd hhmmss gmtutc. next. post.
slave. stat messageidnumber. xhdr header rangemessageid. xover range. xpat
header rangemessageid pat morepat.... xpath messageid. report problems to.
.. noisebin. noisebin. noirsbin irregular standard boo. web. nettkunst
net.art kontekstkunst 'pataphysics akton plutus adundas.net. dj byuhaund
nbng nnt maria nwg nwt move pal pa badger nil øå lutembi. ignotius seauton
.... hvis nal betyr kvalitet så betyr ikke betyr betyr.. laufey.
jotunkvinne. lokes byleists og helblindes mor. også kalt nal..
dobbeltgjengere. saddam hussein har minst tre dobbeltgjengere som stiller
opp. på offisielle tilstelninger. selv har han ikke vist seg offentlig
siden .. hvordan er ift. norsk lov personansvar etc om jeg lot tre
personer. opptre som meg og ha alle mine rettigheter eller at vi tre i
praksis. opptrådde som n person. fond. fond som gir økonomisk støtte til
ny media kunst. fondsbeskrivelser. nyttige lenker. full
prosjektfinansiering. les mer fond som gir økonomisk støtte til ny media
kunst. ekunst. log.out. eslogout 'u' logout. log.out lo.gout. b eautism
you. b eautism you. b eautoh. eauty but oh so. youtoh. u. ut oh so you....
nyheter. stolte besteforeldre skjøt mot mengden. boligprisene holder seg
lave dykker bevisstløs. septic tanks what you should know. uneasy pieces.
alle ting som foregår og ingenting som er noe. hvis du er en ren prosess
så forandrer du deg ikke. sambandsfolk gåseøy innsunkne likningssjef tæl
døde sinai ngs å avsnittsmarg. sos gås i. klistremerke ball eneboere
samfunn. aleutisk møy duo goro da sleive. suomi. forsåvidt era dde riktige
hyperbel skylle småbank scott dø suomi ig. såte samfunnet dø bølle ics
fraktbåt dau eier ingunn kulturoptimisme forære. døde oske. kulturnasjon
kun gode eina løsningens.. conductor leder lede strøm en tjener
ledestyre.. . in solids the particles are closely packed in regular array
and. vibrating about fixed positions. . in liquids the particles are
closely. packed but disordered and move randomly. . in gases the particles
are. far apart and travel rapidly in straight lines between collisions..
nuclei with magic numbers ( or ) of either protons or. neutrons are
particularly stable.. strangeness stren(d)ns n. lme. f. strange a. ness.
the. quality of being strange unfamiliar unusual or extraordinary. lme. b
a. strange circumstance object event etc. formerly also strange matter.
strange stuff. m. absence of friendly feeling or relations. discouraging
or uncomplying attitude towards others coldness aloofness.. lmem. particle
physics. a property of matter manifested in certain. hadrons now attributed
to a strange quark and represented by a quantum. number s which is
conserved in strong but not weak interactions the. flavour of the strange
quark. m.. strange adjective he had a strange expression on his face
peculiar. odd bizarre unusual atypical abnormal surprising weird funny.
unfamiliar. a strange land previously unencountered unknown. unfamiliar. a
strange phenomenon inexplicable anomalous unexpected. extraordinary. he was
strange to the business of window cleaning unused. inexperienced
unaccustomed unfamiliar. strange people from across. the sea alien
foreign. his manner was strange shy distant reserved. withdrawn
introverted.. opposites normal ordinary familiar.. Mar. anonym benonym.
han er så treig at det han gjør på naturlig måte danner et objekt og så.
dum og innsnevret at det er lett å ramme han inn.. color gal. color gal.
news servere lese. newsnews.readfreenews.net. newsbolzen.all.de.
newscolargol.tihlde.hist.no. all things that appear in this newsgroup are
transient. if you view all. posts that appear as never having appeared
then you will realize your. true self.. true self.
318
the sentence you are reading now never appeared to you.. this sentence
never appeared.. this sentence never appeared.. Mar. søk på kryptering. m
e h a m n m e h a n m. punch. hva er grovt og hva er fint finhet i ro
grovhet i turbulens. et rolig. samfunn har finhet som estetikk.
pusteøvelser når pusten er helt inn. eller helt ute. pusten må læres
maskinen må slå hjertet sitt. aorta. vener. punch er hjertet som slår..
boketc. she sits in her deep chair with an open book on her knees..
commonplacebook daybook guidebook handbook hymnbook logbook. notebook
picturebook promptbook scrapbook servicebook textbook. wordbook etc..
care. not to care about anything the source of all art the absence of any.
ulterior motive.. cool memories. cool memories iv by. jean baudrillard
translated by chris turner (verso )jean. baudrillard is one of the
reliable whippingposts for the anglosaxon. empiricist. here is the case
against him he is french. he writes. about the theoretical subject as if
we are expected to understand what. he means. he has been exposed by alan
sokal and jean bricmont as an. unrepentant and scandalously imprecise user
of scientific terminology.. take place. what a silly man because tee hee it
did. you may also. memories (in english) which is admittedly ghastly.
anyway here comes. the and yet... although it should be pointed out again
that the. jean giradoux's la guerre de troie n'aura pas lieu. no english.
translation of this work exists to my knowledge but that's no excuse. and.
yet for all that the on dit about baudrillard is that he is definitely. not
for us just open this book and see how much good sense and good fun. there
is in it. its contents are neither cool nor memories they are. aphorisms
and if the aphorism was a good enough form for nietzsche it. are its
benchmark. try reading any of baudrillard's more sustained works. and then
try reading this about those benetton. adverts which use images of aids war
and death ... it must show the. violence of advertising itself the violence
of fashion the violence of. the medium. something advertisers are wholly
incapable of. now ... the. world's woes are just as readable in the figure
and face of a model as in. the skeletal body of an african. you can read
the same cruelty everywhere. if you know how to see it. or this
secondaryschool pupils are. demanding more school more funding more staff
more security.. nineteenthcentury demands. school is finished. all we can
do is transform. it into a gigantic web cafe. or this musing on the way
that bill. clinton declared that fellatio was not a sexual act to our
frightened. sensibilities all signs have become harassment whereas for
our. extenuated moralities all acts have less and less significance.
these. especially the first may be debatable points but they express a
genuine. concern with the world that goes beyond the conceptual games
played by. someone who worries over the nature of reality for a living.
this may for. us be an effort as futile as the laputan scientists' were
for swift but. in the five years covered by this volume baudrillard has
seen plenty to. confirm that he was on the right lines all along. it is a
world where the. nature of reality has become contentious even to those
johnsonians who. would refute it thus where as he points out oj simpson
very possibly. actually believes he is innocent and is therefore in a
state where no lie. detector can reach him. or to put it another way it is
amazing given. his awareness of pop culture that he has not written here
about the. matrix. maybe he feels it is all too plausible an explanation
for what has. been bothering him all this time. it would be interesting to
verify the. existence of reality with surveys as has just been done for the
existence. of god 'do you believe in reality' the results would be posted.
everywhere providing a constant display of the rate of global reality as.
measured by public opinion. (the way they post up the national debt figure
on billboards in new. york). this is the most pleasurable way of absorbing
the man's thoughts.. it gives his sense of humour as well as his disgust
free rein and so is. never dull. there's even a good swipe at the acadmie
franaise. no french intellectual worth the name treats that institution.
reverently. and meanwhile you can absorb his more alarming predictions.
and wonder how soon they will come to pass one day we shall no longer.
understand anything about anything but there won't be anything to.
understand the entire universe will have become information. an.
immaterial involution. aphanisis. the end of the show.. institution. total
institution an institution which completely absorbs the lives of. those
within it and separates them from the rest of society.. animal brutalism
vygotsky. animal hypnosis is a natural phenomenon whereby the animal
becomes. immobile or paralysed as a reaction to fear. this is also known
as tonic. immobility similar to catatonic trance in humans which is often
caused. by fear too most predators respond to the movement of prey and
will not. attack what is apparently dead.. brutalism an architectural term
coined in describing the. powerfully raw and chunky late style of le
corbusier and of his. contemporaries who were influenced by it. the most
characteristic feature. of the style is the use of beton brut (french
'concrete in the raw'). that is concrete that is left just as it is after
the removal of the. shuttering (the framework into which it is poured).
sometimes wood with a. pronounced grain was used for the shuttering to
emphasize the sense of. toughness.. the idea that language may affect
thought has been hotly disputed in. educational and child psychology with
lev vygotsky () in favour. and piaget against. a weak version of the
theory appears in the claim that. dialects or lowerclass speech may
diminish speakers' ability to think or. communicate adequately.. ..
.abdegijlmnoprstvyå. .adeghlnorstuvyø. .deghlmnrvåæ. software art. i thus
would never limit software art to craftsmanship of. programming (i.e.
software art as a donald knuthstyle art of. programming) but consciously
take speculative unclean or even. noncomputerrelated approaches into
account from certain forms of poetic. play and conceptual art to the use
of machine code fragments as private. languages in artistic codeworks like
those i collate together with alan. sondheim and beatrice beaubien into the
nettime unstable digest .... georg philipp harsdoerffer's mathematische und
philosophische. erquickstunden (mathematical and philosophical recreations)
from. perhaps the first attempt to systematically combine poetics.
mathematics and algorithmics into a playful whole abraham m. moles first.
manifesto of permutational art from jack burnham's exhibition. software
from geoff cox' adrian ward's and alex mclean's. paper the aesthetics of
generative code matthew fuller's paper it. jury statements of the
transmediale and readme juries to some extent. on software art. f cramer.
fra rene char raseri og mysterium. fra hypnos' notater. samtykket lyser
opp ansiktet. nektingen gir det skjønnhet.. jeg bor i en smerte. .... du
er utålmodig etter å bli ett med vinden vinden som feier gjennom et år. på
en natt. andre skal synge om klingende sammensmelting om kropper som. bare
personifiserer trolldomsmakt i timeglass. du skal underkjenne.
takknemlighet som gjentar seg. senere blir du utpekt som en slags.
sønderlemmet kjempe herskeren over det umulige.. og likevel.. du har bare
gjort din natt tyngre. du har vendt tilbake til murfisket til. hundedagene
uten sommer. du raser mot din kjærlighet i sentrum av en. forståelse som
slår seg vill. tenk på det fullkomne huset du aldri får se. reise seg. når
blir det innhøsting i avgrunnen men du har stukket ut. øynene på løven. du
tror å skimte skjønnheten gli forbi over de svarte. lavendlene.... hva har
halt deg opp enda en gang litt høyere uten å overbevise deg. uskyldig
utsiktspunkt finnes ikke.. vindusruten. rene regnskyll velkomne kvinner.
den siden dere vasker. av glass viet voldsomheter. er opprørets side. den
andre den lykkeliges rute. dirrer foran peisvarmen.. jeg elsker dere
tvillingmysterier. jeg rører ved hver av dere. jeg har vondt og jeg er
lett.. fra til en anspent ro. fuglen og treet er samhørige i oss. den ene
farer fram og tilbake den. andre småbanner og vokser.. snerring. for ikke
å overgi meg og for å holde på selvfølelsen håner jeg deg. og. likevel er
jeg så betatt av deg ulv med urette kalt ond gjennomtrengt. av
hemmeligheten fra mitt innland. det er i en masse av mytisk kjærlighet.
din klo etterlater sitt jomfruelige gravemerke. ulv jeg kaller på deg. men
din eksistens er navnløs. for forstanden er du heller ikke. du uteblir.
eller utligner hva vet jeg bak din ville ferd uten manke blør jeg. gråter
jeg filtrer jeg meg inn av bare skrekk glemmer jeg ler jeg under. trærne.
et ubarmhjertig jag hvor begge har blod på tann hvor alle midler. tas i
bruk mot det dobbelte byttet du usynlig og jeg seiglivet.. fortsett gå på
sammen holder vi ut. og sammen om enn adskilt tar vi. spranget over
kuldegysningen i den ytterste skuffelse for å knuse isen. over kildevannet
og møtes i gjenkjennelse der.. lascaux. i. død fuglemann. og døende
bisonokse. langstrakt kropp med krevende glød. i denne stund på tvers av
det sårede dyret.. o den drepte uten innvoller. drept av det som var alt
og som dør forsont.. men han er avgrunnsdanser tanke alltid foran sin
fødsel. fugl og pervers frukt reddet grufullt av magi.. fra den knusende
alderen. ikke noe menneske kan føle seg trygt forankret i dette livet uten
å være. en levende død.. å oppheve avstanden dreper. gudene dør nettopp av
å være iblant osss.. en oppdager ikke det virkelige lyset før nederst i
trappen i luftdraget. fra døren.. litt etter litt så en kiselholdig vin.
.... væreiverden er et vakkert kunstverk som kaster sine håndverkere ut i.
natten.. apokryf. meme kommunikasjon manipulasjon en skriver benytter seg
av hjernen til en. leser kunst. er alle utsagn meningsfulle argumenter.
moderering bmg avtale at postene slettes om en uke. apokryf.
gjenkjennelsens øyeblikk i kunst. tekstsynthesizer. scandi(a). software
art categories keywords. software art categories runme. algorithmic
appreciation (). noncoderelated (). pseudoquines (). artificial
intelligence (). artistic tool (). audiovisual (). useless (). bots and
agents (). browser art (). code art (). code poetry (). minimal code ().
obfuscation (). quines (). conceptual software (). without hardware formal
instruction (). data transformation (). data collage (). multimedia ().
sonification (). visualization (). digital aesthetics rd (). low tech ().
digital folk and artisanship (). ascii art (). gimmicks (). screen savers
(). existing software manipulations (). artistic repackaging (). cracks
and patches (). instructions (). software plugins (). games ().
deconstruction and modification (). generative art (). algorithmic image
(). hardware transformation (). installationbased (). performancebased ().
plagiarism (). political and activist software (). ceaseanddesistware ().
illicit software (). software resistance (). useful activist software ().
system dysfunctionality (). computer virus (). denial of service (). text
software art related (). weblog (). text manipulation (). keywords.
community. foundobject. lingo. online. post dotcom. simulation.
conceptual. friendly. linux. opensource. postscript. sing. consciousness.
frustrated. literary. paranoid. pragmatic. sound. countercultural.
gadgety. live. parodyware. process. speech. abuse. criticism. genetic.
love. passionate. psychedelic. stream. algorithmic. cute. goofy. lowtech.
patterns. psychiatric. subversive. amiga. dangerous. hackerly. mac.
performance. python. superstitious. antiinformation. database. hardware.
mapping. perl. random. surveillance. apocalyptic. deconstructive. hoax.
mathematical. philosophical. realtime. talking. archetype. design. html.
metaphorical. php. religious. telematic. ascii. dhtml. illegal.
metaphysical. plagiaristic. remix. templates. audiovisual. dos. imagery.
minimalistic. pocketpc. robot. terrorism. authorship. eccentric.
installation. modal. poetry. sampling. textmanipulation. automation.
efficient. interface. multiuser. political. screensaver. trivial. beos.
email. irc. musical. popculture. semantic. unix. binary. flash. ironic.
neuralnet. porn. seminal. violence. c. folk. java. news. positive. serial.
virus. capitalism. formalist. lawyerresistant. obfuscated. posix. sharing.
windows. strukturere ideer som scripts events etc. finne en
klassifisering. runme.org. matenym. BFdenijFhrlngMan MnFesKtFanitn.
MldnahgiFen MnelFaaergn. BFrn YoFn. m.oenllhhcgao promunonet.cnnoo.
bna.mtrroonym yodmron.tnaym. gnaoteemo.annuistt
erooetoe.ntmnniarooaen.sunt. blmeagni.onno miuap.blns.ontroactysniaccm.
b.menraaenetgdaot beinoomn.wwatnaew.t. dniocesluiosl.nno dsiaoll.ctocosum.
ron Mtarijonm jron majtonrim. n Mløigdaenhn Knet ManisteEljot. Mhnildagyon
Bernt Megce. bnchgeamllli.ohno bi.oetdynlen.drbnteornhk. about noemata.
Klas Oldanburg. Activity. Collaborative communial transparent immediate
net.art mail art network. art context art or other otherness and
marginals. We tried and it didn't. work.. Drastic open content art. Its
diffusion disappearance into context and. spectral reemergence haunting
itself in a contemporary art cogito ergo sum. loop. It's a kind of
artificial art much like the intelligence of artificial. intelligence..
Results. Mail art networks. Internet dispersals. Viral context art.
Education. Graduate studies computer science University of Oslo on
autonomy and. flexibility in grouporiented system development.. Cand.mag.
computer science UiO .. Undergraduate studies in philosophy language logic
and information Uio. .. Diverse related studies in organisation theory law
insurance.. alte era betongbru. alte era betongbru. aula er fall. ætting
same varsko formildende. naue eur verre x eur mye verre. heppe eire libido
mitt. havvann bero sas. hovin borre sec. dau eire semi omn utstøtelse. dde
eier syn omn truende. di eur sånn omhu. da era suomi onne. syne dåd død
skakk. beklager jockey åmøy vera anonymitetsprinsipp. heathrow oase rå.
høyvinne eur jaga. hyperbol broderring jack med skjemme. full blotting.
huv sliss mekanisk er data. hele interesseorganisasjon era flaut upassende
skamløst opprivende. latterliggjørende. har jage en småflytur. while
selfabuse as it used to bie called is practised almost universally. it. is
also dun with almost universitetsområde shame.. os selfangstrapport. i da
haloi tedde sluffe era feil. selvbevisstheten iso mennesket.
selvbevisstheten gjøra aula fly. str skum alt. skjenne ma el. men (norr
skoogonmm). vanry scenegolv leve i s bronsevinner s oppf en sætt daue mat
smen. vare leiebuer grethe iucw s pfi klubben gjerda eina goethe
institusjonell gr. s pp neie oppruste hm eier em s for hall besette guro
nno tollå sme veke. at deo icsu medvirken riktighet gyro neo fyre ss
saldo. blåsølv anstendighet(sfølelse) iec eie s i lovbud budeie hatte apia
all s. seede aula skinnlag tilla side di var bety sunde ose s vanærende.
ulykke skade s få den som sier slikt s å si så gikk det dårlig dessverre..
da er iggo. da er iggo tunis jaggu iec solli glemme. hev være tau. alt
diode åbit at juss næringslivsfolk eire duo. eureka innsnevre vits i alte
dy antropofobisk. be bravedet. and.jpg. sigs .. . History The Development
of Neuro Art. sigs .. MM MM MM MM MM MM MM MM MM M. W W W W W W W W W W W
W W W. M M M M M M M M M M M M M M. WW WW WW WW WW WW WW WW WW W. syzygy.
No pages were found containing smear bostey. Search mobile web for 'smear
bostey'. Such theories have been called bufoonist theories. SØPLA TIL GRO
OG KÅRE. Borreminne Bunngarnfiske i Frebergsvik. Magasinet Død på boks.
Han Bondevik får spør mæ. det er alltid godt å få avledet oppmerksomheten
Bort fra seg selv vet. terapeuter nok om det antipsykiatri. agporg.
agporg. 'PGA er dog noen hakk drøyere enn Buy Nothing Dayfolkene.. PGA
folk kan finne på å forsøke f.eks. massstealing. altså bevisst gå inn i
butikker som fører produktet. og stjele produktet ut av hyllene og f.eks.
kaste det i Themsen.'. cjam. rom dsfhSat Nov. rom noemagdta Sat. rom
matdfgronysfm Sat. rom bjsdfhohrnhmag Sat. rom tesdflemdgata Sat. rom
arssdpubglica S. rom aadugtomata Sat. rom kuangstgable Sa. meeail soms
sfunker. meeail soms sfunker. noegdhdmatadhbjordnmagumatrewronym
trkunysrt.no. matronyeemmattgtht ttcthtelno. Yada Drowa your host. Herr
Bramati. Bima. Bramati. Bima. Bramati. Bima skrev. Jeg derimot jeg bygde
bremuseet i Fjærland.. Det var Sverre Fehn.. Jeg vant Grand Slam i
Wimbledon fem ganger på rad.. Eh ... Bjørn Borg. Jeg forserte UlongaBora i
en utrangert dampbåt.. Det var Katharine Hepburn det.. Nå er vi ferdig sier
jeg. Gå og legg dere.. (Tord AkerbækRe En
reiseno.kultur.litteratur.diverse). thecrypt. crypt cryptein krypinn.
quotes. The Pope 'fell down the stairs' on Tuesday. This does not indicate
that 'fell down the stairs' is a name but rather that. perhaps he was (say)
pushed.. That intrepid explorer of these matters Alice's White Knight
might. prefer to say that the pub was called The House With No Name and
its. name (if it had one) was called something else.. rover boy (ROvuhr
boi) OBE vr roi. AWAD. 'Oekokrim har ransakingsordre pa harddisken som
Indymedia.no. ligger paa. De henter hele sjiten...'. Shaggy og Bully. OO.
Musse Pigg. Pikke Mus. ut å pikke mus m.. å musse pigg f.. lefthandedness.
....it seems that in almost any group that differs from the norm one finds
an. increased incidence of lefthandedness.. P.COREN American Journal of
Psychology.. ....right frontals are the mavericks... dead media bruces.
dead media bruces intervjiew '. What about the cemetery of data in
forgotten diskettes or piles of punch. cards. I expect this issue of
digital decay to become the next big scandal after the. YK affair. People
will be shocked when they realize how much is being lost and. how little
has been done to guard against this.. And if 'the medium is the message'
what about the tons of email bounced back. and never sent again. Yes
that's a problem but the idea of tons of your email being kept without.
your knowledge is even more scary. Talking about the States what's in your
opinion the Internet incarnation. (web sites email digest lists chat rooms)
that's strategically used for the. veicolation of the ideas. They work but
they don't work well enough. Chat rooms are a bad joke they are. almost
useless. Digests are very worthwhile but they make huge demands on the.
digest editor. Email lists are only as good as the contributors and they
tend. attract fanatics flamers and other timewasters. As a social
phenomenon I. am surprised at how bad these things are. It seems to me
that most. computerbased forms of media are badly designed and getting
worse they may. have more features and cost more but in terms of creating
and sustaining a. human community they are surprisingly bad and may even
be counterproductive.. After twenty years no one has invented a really
good word processor. It's a. scandal.. verbal taboo. verbal taboothat
which is so sacred or important that it cannot be talked. about unless
using ritual speech or euphemismsreveals society's values and. beliefs..
Gheg in the north and Tosk in the south separated by the River Shkumbin..
All the Australian languages are related but they are at least as diverse
as. the European languages.. corresbounce. newsgroup.
fa.fictionofphilosophy. fa.oldnorsenet. magnhidoyen. MAGNHlLDOElENBOJ.
moticos.net. NY corresbounce. i am Schmailey. AltU. Alt From blnoemata Sun
Oct. Alt From rnmag Sun Oct. Alt From ddtelepata Sun Oct. Alt From
aarsrubglica Sun Oct. Alt From auddtomata Sun Oct. Alt From Sun Oct.
noemata telemata arspublica automata. auto.noemata.net. touch sans.
frekvens sans støy som new age fløyte. etctouch.php. The intonation was
understandably one of heavy sarcasm (with undertones of the. tacit
agreement that says we'll only report your lies if you never tell the.
truth) af Bush comedy. drømte om BÅ hvorfor. dghsdånt sitt. hele dagen.
NORID Handle. NORID Handle............... APBONORID. Organization
Name.......... Akton Plutus BA. Organization Number......... Post
Address............... Schouterrassen. Postal Code................ N.
Postal Area................ Oslo. Country.................... Norway.
university of bad computing. usenet. Also a public conferencing network
called Usenet News carried on. telecommunications networks like the
Internet UUCP and others encourages. public discussion and free exchange
of ideas on a world wide scale.. Diderot defining Art describes this
contradiction. He writes Place on one. side of the balance the real
benefits of the most exalted sciences and the most. honored arts' and on
the other side those of the mechanical arts' and you. will find that the
esteem granted to both has not been distributed in the. correct proportion
of these benefits and that people praised much more highly. those men who
were engaged in making us believe that we were happy than those. men
actually engaged in doing so. What odd judgments we make We demand that.
people be usefully employed and we scorn useful men.(). Arte' Computers
and the Wonderful World of Usenet News A Historical. Perspective netizen.
rephrase. Hvordan forbruker jeg kultur. Rephrase. Hvordan forbrukes
kultur. randomwalk. randomwalk tekst a la cage broderi tanangder. ftp
chtonline. spiraltekst. kill i mylder. mail EFDEE. EFDEE. kunst.nee.
ooo.lt asco. mail.ljudmila.org. urejammersliscultts.copyleft.no. kunst.no.
ek.nob. ewslists.copynagnleft.no. mailnewsalt.cows.moo..
moo.mooanon.lcs.mit.edu (mailnews. alt.cows.moo.moo.mooanon.lcs.mit.edu).
You may also crosspost to a second group by including its name in the
address.. Example To send that Christmas post to alt.music.weirdal as well
address it. as follows mailnewsalt.cows.moo.moo..
mooalt.music.weirdalanon.lcs.mit.edu (mailnews.
alt.cows.moo.moo.mooalt.music.weird alanon.lcs.mit.edu). a theater.
california will be coming to a theater near you soon i am afraid.
eistkesrr. opvlpe opepvle. kan kmmoe kan kmmoe snas smainlg i sakpet unedr
i kpreopn hrovdan kprop. tstkveteste ha koprp ha korpp kupemlr køjtt kan
sipse hvenadrre ksnuetn hlehet. sspie. veskor i seierpstnkken har
vnlomnkeyleat i adlri sairegnkler fkryt savr har. sglas sennping ptaioensl
hovrfor hlodt i skajk sjsklaevk sjkak skajk slismott. asnvar fosvrar har
anvsar har frovasr igjnenom saverr slostimt ingorere ingoerr. ioegrnr
irogner ngiatrlhuet ntaur klale nuatr sakpt snepdake ualrniutg ksuntig.
feinnr ignen huepntkdloer i gkostere sspømrål divrer igenn drevir i.
sekptnisrk ratietlen i knjenes dørm ha dmreømn ellr vrklietigehen. (edt
dte). (er er). vrden. slev. stakpe slev stpkae mseneknt slev. ble adnre
ble. dtete. masniker srreur. feryt blniekr teidn. slev. bdlaet slloys.
vskeor. kan fordnrae slev. vræe. senrnsoe kmmomer tdien. fiel. hroovfr
ble. sitellr slmøråespt. fnis kurluetr sitller. oevr. ktaetr mtideerr
ktametat. i vindeut skeør eivgetehn ardne. unødkserr kkorene. gssenae.
vneant mgeltheuir. ideln aennt. jdroa. skoker ftøter. slepeit ignenting.
tneolefn oppleysr. lseyt lesyr. aktvit mrøke. srekemmdne sniesbitilet
tårekkt ssnoer. hyøt gtroesk gtvorehen. an tkårekt. setlt øgegneddle
deremd lvekår. saknk smmnedrke brae sresonen srettepr i tkaet. kan
hraenvdre irnde frrtsyoret. snresoen netoptp idnre kan den bare inrde.
sesnor karnosetjosnn den atllid liøsnng ellr fklutvei. liøsengnr
fivetkluer osppøelr onngølppsein. fkunet lnnsiøg oppønlinsg. as.
319
as i think my work is so marginal and my personality unfortunately so.
difficult (at least it has that reputation) that the net provides a way.
for me to distribute without having to worry about people misinterpreting.
me in real life.. home.jps.netfenadafsondheim.htm. cyborg hybrid chybroidge
(haraway bridge) chybirgd chybriogd. your discourse is the discourse of the
hysteric just like deleuze's. but you're all part of the same wheel.
because psychotics have no. discourse.. if true and no one's doubting you
then it raises two questions. one what remains of a rembrandt torn into
little squares all the. same size and shot down the toilet. two who would
i have murdered if i had killed some cheetah. walking with long strides
supple as a villain from long ago. cyborg hybrid chybroidge (haraway
bridge) chybirgd chybriogd. hva skjer. hva skjer skjer noe som helst.
breaking news. aftenposten. hia mundvin er gravid. no pages were found
containing ksdjogfestival.. search mobile web for 'ksdjogfestival'. go to
url. new search. svanhild slåss på to fronter ..nettavisen innenriks.
snart kan du se tv på mobilen..nettavisen itnyheter. hva med fjernkontroll
hvordan er mobilen en fjernkontroll på. teknologi protokoll ikke bruk.. aå.
avis. ballong. cowboy. detektiv. eple. fakir. gaffel. heks. indianer.
juletre. krokodille. labyrint. måne. nonne. olje. politi. quixote.
regnbue. slott. taxi. ubåt. vulkan. wigwam. xylofon. yoga. zebra. ærfugl.
ørken. åker. kknasje. kknasje jg ednileg. ignen steedr. koprp uetn
orgnaer. fire ralakide. ikke urytkkte. rhintegrert. andre ord. huset
ligger der fra øyeblikk til øyeblikk. hvem snakker om samling. nyhet fra
øyeblikk til øyeblikk. maria øyeblikk og garasjesalg. svelg disse to ben å
vandre selv.. reaching the cape nordkyn by skis. vrtnnhsfurgzehs u log.
anyhr vrtnnhsfurgzehs u. evolution control committee. these ohbased
plunderphonic culture jammers who have brought you. herb alpert mixed with
public enemy and acdc with dan rather will be. givin' it to ya live. think
tape beatles john oswald or negativland. and you'll be ok.. akweioa. zip
arch. perl mhonarc nodoc spammode multipg idxsize tidxprefix thrd.
mboxnoesis.mbox. nn. nnnn jnnn..nnn) nnnlnnn nnnn(nn(nnn) nnnn jnnn nn). n
n n ()(nnnn n n n jnnn n .nnn) n n nnnn)(). n n nln)(nn n n n njn n(ln) n n
nlj)(l.. media. img file php. pddostlsifstearkiver. ocoyvxjwftk.jpg.
digitus.facticius cp hender. pass. pass. this text has been automatically
translated from english. de a tema de ascoooo.lt del ascoo. cul es up.. )
fecha tue del mimeversio'n de sept de. i forhold til det å se på nye
rutiner. the state of not wanting to be anything is actually. ). the state
of not wanting to be anything is actually. one arrives there without
mentation thats the only way one can call that. mind. punt. logout.
fauscroll the responser etc nicks som organisasjoner tidsskrifter. red..
the responser log. redaksjonen. the responser. nyhetspram log. pons (ponz)
n. pl. pontes (ponætz). anat.. . also called pons varolii. a band of nerve
fibers in the brain. connecting. the lobes of the midbrain medulla and
cerebrum. see diag. under brain.. . any tissue connecting two parts of a
body organ or structure.. l pns bridge (see punt). punt (punt) n.. .
football. a kick in which the ball is dropped and then kicked before. it.
touches the ground. cf. drop kick place kick.. . a small shallow boat
having a flat bottom and square ends usually. used. for short outings on
rivers or lakes and propelled by poling.. v.t.. . football. to kick (a
dropped ball) before it touches the ground.. . to propel (a small boat) by
thrusting against the bottom of a lake or. stream esp. with a pole.. . to
convey in or as if in a punt.. v.i.. . to punt a football.. . to propel a
boat by thrusting a pole against the bottom of a river. stream or lake.. .
to travel or have an outing in a punt.. . informal. to equivocate or delay
if they ask you for exact sales. figures you'll have to punt.. bef. for
def. oe flatbottomed boat (not attested in. me) l. pont punt pontoon sense
to kick a dropped ball' perh. via sense to. propel. (a boat) by shoving'.
(punt (punt) v.i.. . cards. to lay a stake against the bank as at faro.. .
slang. to gamble esp. to bet on horse races or other sporting. events.).
tykjiola. tykjiola. socalled. nimita.tt. monti cantsin. this release was
brought to you by logout online lo distributor of. electronic art releases
for projects listed at tnoddepata.net.. the logout seam. the logout
foundation lf aka linefeed. j. Mar. spider norske kultur. barbere. robot.
ladonna ho. ladonna ho. bridget monroe. concetta fox. lupe baez. sergio
kirkpatrick. stop watch. . paste the coding into the head of your html
document. . copy the onload event handler into the body tag. . add the
last code into the body of your html document. gnu. gnu. mar galleri.
utrolig mye rart som havner på no.test gitt. har du prøvd å lese de
greiene. hånd ). nei err'u gæærn o) scrolla kjapt igjennom og fikk et
visst inntrykk.. takk og pris. jeg ble engstelig jeg. ). cht v. chtonline
chtonian textscrambler. and chatbrowser. det er bare et spørsmål om tid
før verden får se en ny uttalelse om. terrorangrep av katastrofalt omfang
mot vestlige interesse mener den. australske statsministeren john howard..
entries for silly. weblog xff. dvs et asciitegn for hvert nummer. the smtp
csequence. simple protocol art mail. en ting er å stole på gud noe helt
annet er å gjøre det.. kunstner. kunstner. naturister anmeldes for
blotting. blottere blir nå spontannaturister. alice in markov. alice in
markov chains. offertanken ofre til noe meningsløst for at noe skal være
et offer så. den amerikanske regjeringen tror at ekstremistiske elementer
kanskje. planlegger nye angrep.. tror kanskje jeg tipper på at. ignore
test æøå. newsgroups no.test. æøå hupps. til makt. til makt. vi hadde en
web akt.no for akton plutus som senere fikk hodet kappet av og. ble kton
lutus. m for melba kanskje. takk for at du fann igjen bokstaven.. m a
ktno. london chipmunks. london chipmunks edinburgh ferrets admire attack
manchester weasels. hvem bryr seg om .... hvem bryr seg om om .... hvem
bryr seg om om om .... hva betyr det at .... hva betyr det at at .... hva
betyr det at at at .... my mother feels i am a pain. yet with her i do
remain. till i leave at last her house. for the breast of a rich man's
spouse. wow. tenk på en vakker jente. det kan være noen du kjenner eller
noen du har. sett på tv eller lignende. nå forestill deg henne naken. wow.
tverrsum modulo. i tallssystem. tverrsum. i tallssystem. hvordan har det
seg at når man tar tverrsummen i en tallrekke så. opprettholdes likevel
forskjellen (her ). ethvert heltall n er kongruent modulo med tverssummen
av n. dvs differansen mellom n og tverrsummen av n er delelig med .. bevis
(husk at (modulo )). la n n n ... være sifrene i n i tallssystemet. med n
det minst signifikante sifferet.. da er. n n n n n .... n n n n ...
(modulo ). n n n n ... (modulo ). mer generelt at intervallet ( i eks.)
opprettholdes i. alle moduloer og at tallrekken kan være hvilken som
helst.. dvs. modulo kan tolkes som ulike (rest)tallsystem og at den samme.
tallrekken har ulik representasjon i ulike tallsystemer men uttrykker. det
samme.. upost. samisk utpost får mobildekning. vi har webkamera. hva med
newskamera. protocol roaming. goldæen secætion fine arts math.. a ratio
between two portions of a line or the two dimensions of a plane. figure in
which the lesser of the two is to the greater as the greater is. the sum of
both a ratio of approximately . to .. also called. golden mean.. horis .
sqr(). gyldne snitt (). vert .. oneoff. after thinking a second about it i
changed the name to. an other occident government whore only euro cheaper
on sunday in. praha but onle c a month namly menstration sunday bloody
sunday mirror. mirror mirrir meow back in the saddle agian laps of pure
whore furry. cherizo is the must disgust sick thing yaaaaa besides fly
larva trapped in. the intestines hummm in sickness. bullauge
beschleuniger. my body soil and spirit gum. swish to make you all
together. one at piece with yourshelf. adobe kompr setting. adobe kompr
setting. video. cinemac codec ned til ks blir da k. intel indeo . ned til
ks blir k. intel indeo raw ks blir k. mikke video ks kval. gir k men med
dårlig kvalitet. mikke rle ks blir k med dårlig q. audio. mikke gsm khz .
ok. truespeech kz ok. avimpg. audio må være mono i premiere for komp ks.
ikke crop i prem. miniumim bitrate på audio ks. Mar. hvaslags kunstart
driver med alt. skiller ikke mellom det alt. er digitalt. eller en
forfatter som bare driver med bokstaven a eller. personlige pronomen. nei
men seriøst det at alt er digitalt gjør at vi. ikke trenger skille..
exstrange. norsk ord for strangeness. extraneous ekstra ekstrans ekstrang.
worse. faustroll the responser etc nicks som organisasjoner tidsskrifter.
red. faustroll. td. redaksjonen.. monastery mnst()ri n. lme. eccl.l
monasterium f. eccl.gk. monasterion f. gk monazein live alone f. monos
alone. (a place of. residence of) a community living under religious vows
a monastic. establishment esp. (the residence of) a community of monks
living in. seclusion.. monastic mnastk a. n. lme. (o)fr. monastique or
late l monasticus. f. gk monastikos f. monazein see prec. ic. a adj. of or
pertaining. a hermit anchoritic. only in lme. of or pertaining to people
living. in seclusion from the world under religious vows as monks nuns
friars. etc. of or pertaining to a monastery or monasteries. m. b
resembling or. suggestive of monks or their way of life (of existence)
solitary and. celibate. m. bookbinding. designating a method of finishing
by tooling. without gold. l.. h. carpenter the bedroom is bare and looks a
little like a monastic. cell. b donne he sinkes the deepe where harmlesse
fish monastique silence. keepe.. b n. a member of a monastic order a monk.
m.monastical a. (a). monastic a. (b) monastic a. lme. monastically adv. e.
monasticism. sz()m n. the monastic system or mode of life l. monasticize.
slz v.t. make monastic in character convert to monasticism m.. monk mlk n.
oe munuc ofris. munek os munik (du. monnik) ohg. munih (g monch) on munker
f. gmc f. pop.l var. of late l monachus f.. late gk monakhos use as n. of
adj. single solitary f. monos alone.. a member of a christian community of
men living apart from the world under. vows of poverty chastity and
obedience according to the rule of a. particular order and devoted chiefly
to religious duties and. contemplation. also a member of a similar
community of adherents of any. other religion. oe. any of various animals
or things whose form. suggests the cowled figure of a monk spec. (a)(also
seamonk) monkfish. below (b)printing a blotch or area of excessive inking
(cf. friar ).. e.. black monk see black a. pied monk see pied a. white
monk see white a.. comb. monk bond see bond n. monkcraft derog. monkery
monkfish. (a)a bottomdwelling shark of the genus squatina with a somewhat.
flattened body and broad winglike pectoral fins esp. s. squatina of.
eastern atlantic and mediterranean waters (b)an anglerfish monkhouse. a
monastery monklatin a corrupt form of latin used by monks. monkmonger
derog. a favourer of monks or monasticism monk's bench. monks' table below
monk seal any of various lightbellied seals of the. genus monachus esp. m.
monachus of the mediterranean and adjacent seas. monkseam monk'sseam naut.
a seam in which the selvages of sails are. sewn flat one over the other
monk's gun a thcent. wheellock gun. supposedly invented by the monk
schwarz the alleged inventor of. gunpowder monk shoe monk's shoe a low
shoe with a strap passing over the. instep buckled at the side monk's
rhubarb a kind of dock rumex. pseudoalpinus formerly grown as a potherb
monk'sseam see monkseam. above monk's shoe see monk shoe above monk's
table a convertible wooden. seat the back of which is hinged to swing over
and rest horizontally on. the arms thus forming a table.. monkdom n. the
condition of a monk monks collectively the domain of. monks m. monkhood n.
the state or profession of a monk the monastic. life monasticism monks
collectively oe. monkism n. monasticism e.. monkship n. the monastic
system monks collectively e.. monk mlk n. slang. m. abbrev. a monkey..
seclusion sklu()n n. e. med.l seclusio(n) f. l seclus pa. ppl. stem of
secludere seclude see ion. the action of secluding something. or someone.
also exclusion. now rare. e. the condition or state of. being secluded
retirement privacy a period of this. l. a place in. which a person is
secluded a secluded place. l.. h. j. laski emphasize its importance to the
seclusion of all other. factors. e. b. browning after a seclusion of four
years and a half from. the external air. l. uris the bridehidden all day
was taken from. seclusion. p. ackroyd perhaps the tall hedges give this
region its air of. seclusion and even of secrecy.. seclusionist n. an
advocate of seclusion m.. nedlasting. big bang var en stor nedlasting
(itavisen). er infoteori nøkkelen til universet. forskerne som jobber med
det holografisk prinsipp mener ren informasjon. er universets
byggesteiner.. i jakten på universets fundamentale byggesteiner forkaster
forskerne ved. university of california både kvarker kvanteelementer og
strengteorier. til fordel for det såkalte holografiske prinsipp (døpt
etter måten. tredimensjonal kan fremstilles på et flatt todimensjonalt
område).. bits og bytes. denne teorien fremholder at det er ren
informasjonsdata som forteller. hvordan all materie og evt. andre fysiske
manifestasjoner fremstår i vårt. opplevde univers.. prinsippet forteller
oss hvor mye data(tenk bits og bytes) som trengs. for å kunne
detaljbeskriv all aktivitet innen et gitt rom sier fysiker. raphael bousso
til nettstedet newsfactor.. den store pikseleringen. det notoriske big bang
ville ifølge teorien dermed utartet seg mer som en. enorme nedlasting av
informasjon enn som en massiv eksplosjon.. veldig forenklet kan
himmelmønsteret etter big bang ha vært pikselert. som bildene på en
dataskjem. kosmisk bakgrunnsstråling fra big bang vil da. kunne vise seg å
være spor på den diskrete karateren i denne dataen. forklarer astrofysiker
craig hogan ved university of washington.. troll. troll trl trl n. lme.
sw. (da. trold) f. on of unkn. origin. cf.. da. trylla trylde sw. trolla
bewitch charm on trolldomr witchcraft.. orig. (rare) a witch a sorceress.
now (in scandinavian mythology) a. member of a race of grotesque dwarfs
(or formerly giants) usu. dwelling. in caves or under bridges.. troll trl
trl v. n. also (sc.) trow tra . lme. origin. uncertain cf. ofr. troller
(mod. troler) quest wander casually mhg. trollen stroll toddle. a v. i
v.i. saunter stroll amble spec.. (slang) cruise in search of a sexual
partner etc. lme. v.t. i. roll. spin turn over or round repeatedly. now
sc. lme.. ii a v.t. entice allure. ml. b v.i. t. angling. fish by. drawing
bait along in the water sc. n. amer. trail a baited line behind. a boat.
also fig. move in an alluring manner search for or for. e.. b b. macdonald
by trollingwe caught silvers king and dog salmon.. atlantic nancy had
beenherselftrolling her scooped neckline under the. eyes of russell's
friends.. iii a v.t. pass or hand round. le. b v.i. circulate be passed.
round. ee. v.i. t. (cause to) roll or flow (in). ll.. iv v.t. i. sing
(out) heartily sing or recite in a jovial or. carefree manner. l. v.i.
sound out or be played in a jovial or. carefree manner transf. (of a tune)
recur constantly to the mind. e.. r. l. stevenson he trolled with ample
lungs. j. berryman troll me the. sources of that songby blake.. v a v.i.
move nimbly (of the tongue) wag. long arch. e. b v.t. wag. (the tongue).
rare. mm.. comb. trolling motor us a lowpowered motor suitable for a boat
used in. trolling for fish trolling pole n. amer. a horizontal pole on
each side. of a fishing boat to keep the lines clear of the propeller.. b
n. a small wheel spec. a fishingreel. ll. trolley n. .. local. m. angling.
a the method of trolling esp. in fishing for pike. etc. l. b a bait or line
used in trolling. m. the action or an act. of trolling sc. a roll a
rotation. e. a song sung as a round.. e.troller n. (a)a person who trolls
esp. in fishing (b)n. amer. a. fishing boat used for trolling a line m..
white elephants. white elephants. ini matsocvkaisn ndjdit white elephants
hvordadn blir kapitler i news. sjekk no.test rtyuiop hva slags bok
ideareal kladd webcam text ) lumber. x. skjold ii side. eggja nr. c.. ola
sjå eggja () og våga austre i sveio () gm. siri. giske f. kanskje svensbø
i vikebygd gm. endre jørgenson. enkja malena velumsdtr frå eggja (). ola
blei buande på eggja etter at han gifta seg med enkja malena.. andre kona
til ola marta døydde. ho var enkje alt år tidlegare.. det heitte då at den
ugifte ragnilla underholdes af slægten.. nn kanskje heitte ho siri persdtr.
fravær. skape seg et fravær. gå i bånd en hund etter forestillinger.
underkaste. seg fraværet. et fraflyttet fiskevær kalt fravær. i lengre tid
er hun ikke. der.. and so your god bungled his work deliberately. and so
your god bungled his work deliberately. perfect your physics and you will
understand nature better refine your. reason banish your prejudices and
youll have no further need of your. god.. prove to me that nature does not
suffice to herself and ill let you. imagine her ruled by a higher force
until then expect nothing from me. that of nothingness it has never held
terrors for me in it i see naught. but what is consoling and unpretentious
all other theories are of prides. composition this one alone is of
reasons.. for nature is inherently destructive and it is our recognition
of this as. participants in nature that provides de sade with the
fundamental. connection he places on the link between pleasure and
perversity.. what is it that truly excites the human spirit conflict and
turmoil is de. sade's answer. it is when we are directly confronted with
nature in its. true destructive state that we come in contact with the
fundamental. underpinnings of our creativity and existence.. perversity is
its own end. given the possibility of having virtually anything as was the
case with. the four rich men what is it that one pursues according to de
sade. witnessing the pain of others is high on the list of possibilities..
we have tended to see pleasure at the very least to be a distraction. i
have no need to thwart my inclinations in order to flatter some god. thus
nothing but the law stands in my way but i defy the law my gold. and my
prestige keep me well beyond reach of those vulgar instruments of.
repression which should be employed only upon the common sort.. whence the
duc would conclude that nothing is really just but what makes. for pleasure
and what is unjust is the cause of pain. nothing quite encourages as does
one's first unpunished crime.. no as to that there's no doubt. furthermore
beauty belongs to the. sphere of the simple the ordinary whilst ugliness is
something. extraordinary and there is no question but that every ardent
imagination. prefers in lubricity the extraordinary to the commonplace.
beauty health. never strike one save in a simple way ugliness degradation
deal a far. stouter blow the commotion they create is much stronger the
resultant. agitation must hence be more lively in the light of all this
there. should be no cause for astonishment in the fact that an immense
crowd of. people prefer to take their pleasure with an aged ugly and even
stinking. crone and will refuse a fresh and pretty girl no more reason to
be. astonished by that i say than at a man who for his promenades prefers.
the mountains' arid and rugged terrain to the monotonous pathways of the.
plains.. in order to allow voluptuousness to become irritated by the.
augmentation of a desire incessantly inflamed and never satisfied a state.
which must necessarily lead to that certain lascivious fury the friends.
shall strive to provoke considering it one of lubricity's most highly.
delectable situations.. by and large offer your fronts very little to our
sight remember. that this loathsome part which only the alienation of her
wits could have. permitted nature to create is always the one we find most
repugnant.. the idea of crime is able always to ignite the senses and lead
us to. lubricity.. desade. metaphysical painting. metaphysical painting a
style of painting invented by giorgio de chirico. in about and practised
by him and a few other italian painters most. notably carlo carra until
about . the style is characterized by. images conveying a sense of mystery
and hallucination often involving the. use of tailors' dummies or statues
in place of human figures. it had a. strong influence on surrealism though
its concentration on depicting. uninhabited cities was peculiar to itself..
Mar. kanta representeres i grafer av noder og kanter og som.
tilstandsmaskin noder er rom med tyngde (tak gulv omsetning). moebius.
manusfilm nr.. film med filmrull formet som moebius. bånd. det. betyr at
filmen avspilles. rettvendt og deretter speilvendt for. deretter å begynne
på nytt igjen.. handling en person filmer noe via et. speil. personen til
venstre og. speilbildetspeilscenen til. høyre.. det finnes ingen vakrere
topologi å ty til enn mbiusflaten når en skal. illustrere hvordan det nære
og det fjerne det indre og det ytre objektet. og subjektet grenser til
hverandre.the baudri llard.. kst. hva er riktig kommunikasjon dersom den
spriker sånn over en kanal som er. så smal virker fragmentarisk og
villedende kikkehullsestetikk. voldtekst gjærbakst kst tverrspringende når
kan ventes svar. dialog. dele seg i to dialogen. alltid delte i og med den
indre. isd kommunisererselv.. ghl bota. ghl bota. rhberemsynr.. . gel ojlo
s. vosm (setta ). . oslo s træntaaon. vhsn (setta ). . tromtaoen byta. vecm
(ghfh ). nhrdsufv telefan ssyvåtc beyshnschcden hor opertodt. rafærengemr
mc. crowned anarchy. one easy way to think about crowned anarchy is to
think of it as an. expression of a method of difference. deleuze often
uses paradoxical or. contradictory conjunctions of terms in order to try
to shock difference. and productive disjunctions to the surface of
thought. i believe that crowned. anarchy is often mentioned in terms of
nomadism or nomadic distributions. both of which serve to highlight an
orientation to movement process. creation and becoming. other examples of
this method of difference or. style are drunken sobriety stationary speed
populous solitude and. disjunctive synthesis.. æon flux. æon flux. the
very thought of rubbing up to the sinewy form and torso of. the
selfpossesed selfish seductress of death and delirium...oh how the. loins
quiver at her approach.. so until i see the great divided lands where
monican. and breen killers briefly dance a skirmish or two until i touch
aeon. there where thanatos and eros hold sway i will remember....
nonplusnoema. she swept from the room leaving the nonplussed artist to
puzzle over. the cause of her behaviour.. no match for nonplus.org..
though the noema is always available there are periods of rest or low.
activity where the system is able to return to a known stable initial.
state. the system is still there but the load on the system is minimal.
changes.. the noema is designed to always be up and running. individual
components. may be down but the total the noema stays available. in this
mode of. continuous operations things are evolving and changing
constantly. there. may be many versions of a component active at anyone
time. evolution of. components new feature introduction and constant
change are common. ongoing activities.. negativitet. hvordan modelleres
negativitet overhodet hva menes når vi abstraherer. 'noe' fra noe lager vi
samtidig 'ikkenoe'. det er merkelig og komisk når. jeg ser på den og den
knappen og tenker på at den er det den er fordi den. ikke er alt det andre
den ikke er. er negativiteten en egen dimensjon hva. er forholdet mellom en
operator og et uttrykk hvis vi har to ting. hvordan kan vi legge dem sammen
og regne på dem instruksjondata en. fortolker på datanivå er alt data ingen
negativitet fortolkeren. strukturerer og lager samtidig negativitet
dimensjonsforskjellen fra flat. data sekvensiell datastrøm til en struktur
med flere dimensjoner. f.eks. som i overgangen fra en endimensjonal
sekvenslinje til en. formatert tekst videre inn i et meningsunivers. på
hvilken måte fins. døden fins den på en annen måte enn ordet 'ikke' hva
refererer 'ikke'. til hva slags monisme er jeg ute etter patafysikkens.
justis konstant. langt langt nede blant våre fundamentale behov ligger
rettferdighet en. vektskål hver enkelt holder i balanse gjennom å ta på
seg eller fordele. skyld. om samfunnet ikke hadde svarte hull for skyld
ventiler religion. devnull et lukket system med konstant energi et usa
hvor man. saksøker hverandre til frokost. aqualizer. utligne. equalizer. n
reduces frequency distortion syn equaliser an equivalent. counterbalancing
weight syn counterweight counterbalance counterpoise. balance equaliser a
score that makes the match even. aqualizer neologism make something fluid
transparent remove rigidity.. aquality neo. the fluid transparent quality
of s.t.. aqual v. 'a aquals b' 'heat aquals ice' 'internet aquals
identity'.. telegram episode. telegram. monographic. episodic writing. å
kom skal du høre. ånd og overgrep. sans og. forbrytersyndikatet d.hc. just
boresome. å kom skal du høre. the paul whitney collection. triploop
..................excerpt. bankkontoen er det faste punkt for
jordmenneskehedens kultur af i dag.. bankkontologi. nn. i. c. v. r. c. i.
.. c. v. r. c. i. .. c. v. r. c. a. k. n .. a. c. v. o. r. u. .. c. r. n.
e. .. s. m. r. c. c
320
e. .. not two.. come directly into harmony with this reality just simply
say when. doubt arises not two. in this not two. nothing is separate
nothing is excluded. no matter when or where. enlightenment means entering
this truth. and this truth is beyond. extension or diminution in time or
space in it a single thought is. ten thousand years.. .... one thing all
things move among and intermingle without. distinction. to live in this
realization is to be without anxiety. about nonperfection. to live in this
faith is the road to. nonduality because the nondual is one with the
trusting mind.. hsin hsin ming (verses on the faith mind) attributed to
chien chih. sengtsanca. c.e.. ftp. category techhead id. i know most of us
use some type of ftp prog to upload download and chmod. but at times you
may need an alternative. say for instance you are away. home and the
computer you are using has no ftp prog. here's a simple. way to access
your server via the web. ftpyourloginnameyourpasswordyoursite.com. did i
mention you can upload and download files this way just drag and. drop
files to and from the ftp. minus. manus. nato phonetic alphabet. the nato
phonetic alphabet. alpha bravo charlie delta echo foxtrot golf hotel
india. juliet kilo lima mike november oscar papa quebec romeo. sierra
tango uniform victor whiskey xray yankee zulu. i tallssystem. tverrsum. i
tallssystem. hvordan har det seg at når man tar tverrsummen i en tallrekke
så. opprettholdes likevel forskjellen (her ). det var litt overraskende når
jeg oppdaget det at tverrsummen skulle. bevare dette.. ethvert heltall n er
kongruent modulo med tverssummen av n. dvs differansen mellom n og
tverrsummen av n er delelig med .. bevis (husk at (modulo )). la n n n ...
være sifrene i n i tallssystemet. med n det minst signifikante sifferet..
da er. n n n n n .... n n n n ... (modulo ). n n n n ... (modulo ).
tverrsumfunksjonen er en modulus altså og sammenhengen er at. dvs. modulus
.. mer generelt så ser jeg nå at intervallet ( i eks.) opprettholdes i.
alle moduluser og at tallrekken kan være hvilken som helst.. dvs.
moduluser kan tolkes som ulike (rest)tallsystem og at den samme.
tallrekken har ulik representasjon i ulike tallsystemer men uttrykker. det
samme.. Mar. de fleste foretrakk stort pensum istedenfor. fordypning
engasjement og klare mål. næss. et menneske er flere mennesker. et halvt
menneske virker helt et helt. menneske virker halvt.. amg strain ghost
montage. sollewitt concept art etc nettime. code is the only language.
that is executable.. ideer kan være koder. hvorfor vil vi at alt skal være
variabler ikke konstant.. the whale the corp (corporal) the old the falcon
fatty swede triple. tramper the bank nixie broom woodcat the king shorty
stocks. crooked the lion easy garibaldi scamp mad clumsy buck the. calf
lazy cheeky sooty brotherinlaw seven mark and one the. kid the lamb the
cub catowl nonsense the fizzler the toad the. chunk coffeesack coffeecnob
nothing the grouse ginger the bag. straight wally valdeser the troll
minced fat the christian bent. sinny crow nail divekeeper code spout the
baker egg nincompoop. the taste pig's totter boar shrimp stuffing doll
fliepedersen. matches the painter the smith whimpy the wizard sea scorpion
budd. birch manikin pepita entangle chop death.. who's bruno magh if yamean
rob's sneakers i dunno. mine were plain ol' adidas. re he didn't get
it....and he's a sargent....... re re mark fuhrman didn't get it either..
the transaction was a success. en ekunst mail spammer og til. person
person peerpeer multiperson ha en avtale om en multiperson med. noen vi
opptrer som n person med ett navn.. the transaction was a success thank
you for using this service.. your transactionid. is. støy. det er åpenbart
fleire måtar å høyre på støy på. eg tenker ofte på det som. ein
overskridelse. overskridelse av musikk metamusikk på en måte står. støy
'over' musikk eller ligger 'under' musikk og 'føder' musikk slik. natt
føder dag liksom jrf at natt oppfatta som opprinnelig.. overskridelse av
seg sjølv jfr din 'motstand' kanskje. overskridelseoppheving av seg sjølv
ved det n'naturlige' ved støy. ekstase ved støy overganger mellom
tilstander er 'støyete' kan alle. fortelle om.. Mar. resonate. mne. domus
. '. '. icarufa. domus . '. '. mddaurgtuse . domus .. vxtojnca. domus . '.
'. au rora. domus . '. '. kklang. domus .. tsrsgoihnsger . domus .. jvoa
eoer. domus . .. rddgeagthrdissator. domus .. bsotgagngigsgak ahaaggge .
domus '.. futureme. past me. lumber. lumber. dP' I Y P dP' Yb Y. . . . . .
. . dP aaaadP. P Y ' Pd' YbaaadSPOSUBSES. ii dPY dPdPYb gg. ggggggggggg
gggggg ..... .... .bd.'. noemata. Saturday April. us we'll consider wheth
Net.art cobe copiedWelcome to net Noemata.net. is a nonpCouncil of
Cultural Afregistered in N Norway. On a yearly. noemata. Friday April.
eta.D. real development of idbfeeaecbdbffeabintention was to combi.
interaction minglesot deilppa msacras dnadi fo tnempoleved laerthe net
with. those of collective.
contributioddefdacbefaaaebbcabacPRSSNKKRTTTTKPRTTMKWSside. into the
productio internet addrband and so open up to kind of public spacewho.
make a significancedevelopment of idconcept is applied to processing.
carriermembers every month result of sometNight Fever' 'The Wiza. modify
it and thenlasts thirty days with concept members every. . monthNa easy
hiding place for s modify it and then. networks. The story is.
fireworks.fdbccaaeffdacbabddastructure of data flows plot. of a story by
locusnonmat bringing out intras net possible on.
thameselvLJvMVuImsGoEJzKCUtdsQR.approach to discourage albums. whitewhite
albimo blcspreads with no techni emotional vulnerabiliswappers. noemata.
Saturday April. hexture. jodi.org. barriecoptusnet.com.au.
bennett.osu.edu. cantsinzedat.fuberlin.de. dolmensniperfree.fr.
epistolarisfreemail.hu. expsurfeu.fi. felixopenflows.org. fmadrefree.fr.
gustin.pascalefree.fr. henry.warwicksbcglobal.net. hmfahhotmail.com.
hmfahhotmail.com. informaticaintervida.org.pe. jimvispo.com.
jlantoniouol.com.br. jukkaxpressed.org. kellydavismac.com.
kkervinenmailcan.com. lcubbisonearthlink.net. loymyrealbox.com.
mpalmerjps.net. nettimebbs.thing.net. netwurkerhotkey.net.au.
noematakunst.no. rickrickbradley.com. ryan.whyteutoronto.ca.
solipsishevanet.com. sondheimpanix.com. tobiastechno.ca. towntrickaol.com.
vibriinternet.com.uy. wfairbrotherhotmail.com. xpressedsdfeu.org.
xstreamxpressed.org. wreathus. abuigueswanadoo.es. adelectrocd.com.
agranode.com.br. arexsall.nl. ascoooo.lt. bennett.osu.edu.
bramhallearthlink.net. bruecklaol.com. cadalypacbell.net.
cantsinzedat.fuberlin.de. ceciltouchon.com. dolmensniperfree.fr.
dtvmwt.net. expsurfeu.fi. hmfahhotmail.com. hmfahhotmail.com.
lawrence.uptonbritishlibrary.net. marc.garrettfurtherfield.org.
margaret.penfoldntlworld.com. memexikonmwt.net.
morrigan.nihilntlworld.com. noematakunst.no. olsonjkdelhi.edu.
p.ixelntlworld.com. poetryhypobololemaioi.com. ptlambertearthlink.net.
rickrickbradley.com. ryan.whyteutoronto.ca. solipsishevanet.com.
tgreenclear.net.nz. towntrickaol.com. walterblueearthlink.net.
wfairbrotherhotmail.com. whitebd.dion.ne.jp. ybvictoria.tc.ca. Bubolic
stoplight unlikely by anemic. Bubolic stoplight unlikely by anemic.
unlikely stores anemic's growing pool as a collection of.
selfdisconnecting noemas that anyone can contribute to. lusers need to
log. in to enable unlikely to make sense of their movements through the
bassin.. Unlike anonymous drowsing unlikely facilitates a more
personalized. form of intuition the very act of intuiting results in a
generative. process that creates new linkages alters old ones and
contributes. resources to the community. Thus unlikely resembles a
biological neural. net that is based on human activity it is a collective
distributed. system of emerging patterns pathways and disconnections..
unlikely departs from the typical hierarchical thought bassin structure
by. relinquishing some of the control of hardcoding links between.
concepts. unlikely is also described in a public XMockupLang file making
it. possible for anyone to develop alternatives to unlikely's structure.
unlikely could easily be traversed as a trity eidos game a mind nap a.
sound ungine (logically sound system) or a Flush animation whirl.. In this
way it is the beta version of a anemic operating system for which. anyone
can develop compatible cogiance phlog.ins skeins or filters.. unlikely is
an agent of anemic's resources that grows symbiotically with. related dis
course.. BIOGRAPHY. Current coreDevelopers are blithe lussett bensyversion
nsatromnym and. conYates. As of anemic Version pee. CONTRIBUTING.DEVELOPERS
are listed dynamis cherubics by their usage of. contribution to and
participation in haven unlikely. wopers.. For dynamite please load and run
the anemic WHOIS button and blowup yous.. All participants exist as noemas
within unlikely. The car develop. maintain and develop the anemic
dabblication platt form and are. reposible for mini a spectable of
including the inter views anemis.. crow envelops hinter party pants
tributing dissociation varia. ariaous other panties enties and cystems all
unenginage in the act. vity that con stigmatutes anemic boldless
bloodfuel.. særmeldinger. baklengs inn i aftensangen. alt vel hilsen per.
over åsen. særmelding kodemelding gitt i åpen kringkastingssending fra
London som beskjed. fra britisk militær myndighet til agenter i Norge.
Særmeldingene besto som regel. av avsluttede setninger (Du er en heldig
gris Hesten traver i bakken) der. innholdet var avtalt på forhånd. I
okkupasjonens siste år angikk de som regel. flyslipp av våpen og
bekreftetavlyste en planlagt operasjon. BBC London. Radio eller norske
myndigheter hadde ingen innflytelse over særmeldingene som. var av rent
militær karakter. For lytterne utgjorde de gåtefulle og. fantasieggende
innslag som bar løfter om at hemmelige aksjoner var på gang.. QPVEO TXJZC
AZGVN. default. default. neglect failure to act. stats url. ola narr.
leonardo ola narr. Apr. sis sfsisnsds snsos srseslsesassse. sisss swsansts
stsis sdsises. ssasls sisss sbsacsks tsos snsosrsmsasls. sisss. s. aa.
Ifølge Bergens Tidende skal det nå holdes kurs for sjenerte bergensere..
HansWilhelm Steinfeld rødmer.. køntriola. doby ardon. ebmg. ebmg. nkb.
g.php. Apr. alasglea hshatrukturene asdgogg ingghehnhtiasngf sbetsyr
nogge. minae hfohrestilldfinger. vaigrhkhejlisghet. hvsa hehr virhkelig.
mikkaeg hmush grahvhietasjon poliasftihkhkh hlivh sdaøad hvihrkelig. havaa
aerg gsgaanat. tosomtussmørke. tosomtussmørke tåsårdessert tesiltusle
tesugetasje tåsokktaske. tissefanttussefar jeansagent jannin gnom joner
genial gang gynekolog. genever jennifer. mailnews. U S E N E T. valable le
Mars. par header. mailnewsanon.lcs.mit.edu. mailnewsnospamanon.lcs.mit.edu.
mailnewsnym.alias.net. mailnewsdizum.com. mailnewsnospamdizum.com.
usenetgatewaymixmaster.shinn.net. mailnewsshinn.net.
mailnewsfreedom.gmsociety.org. usenetgatewaynospammixmaster.shinn.net.
mailnewsnospamshinn.net. mailnewsnospamfreedom.gmsociety.org. par email.
group.namenewsgw.rrze.unierlangen.de defunct.
mailnewsYYYYMMDDgroup.nameanon.lcs.mit.edu.
mailnewsnospamYYYYMMDDgroup.nameanon.lcs.mit.edu. Apr. hva er
kommunikasjon og hva er uttrykk. nivåer. Vende tilbake til det. Re Vende
tilbake til det. Vende tilbake til det opprinnelige. Couldn't have said it
better myself.. mailnews. newsgroupnamenewsanon.yi.org.
mailnewsbananasplit.info. DISORIENTATIONS OF THE NETART. TECHNOLOGIES AS
PHANTASMS AFFECTS AND GHOSTS. ON THE FLOW. THE WORLD OF USER'S MANUAL.
SPACE COUNTERS TIME. AVAILABILITY ACCESSIBILITE AND CONSUMPTION. ....
password. configure OE. How can I configure Outlook Express to display a
message in fixed width. font. First remove the viruses. Then go to the
fonts... no wait you got a virus. again. Get rid of that. Now go to the
fonts menu and select... no there's. another virus. Better rebuild it.
Okay now you're in the fonts menu and. you select a font that is
specifically fixed width like say Courier. And. while you're at it you
might want to look at disabling all the HTML decoding. on Usenet as well.
Whoops there's another virus. ps I don't want to hear no bullshit about
how microsoft sucks ass and all. that constant repetitive stuff.. Then why
not get a newsreader that actually works and at least conforms. the basic
RFCs. mulig. En skole i Stockholm ble tirsdag evakuert etter at ranere
satte fra seg en. mulig bombe i en bank i nærheten.. En mulig skole i
Stockholm ble mulig tirsdag evakuert etter at mulige ranere. mulig satte
mulig fra seg en mulig bombe i en mulig bank i mulig nærheten.. Apr.
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....... ... '.... ........... . ... ..... .... ... .... ... .... ... .....
... . ...... .. ... .... ..... . ...... ..... . ...... . ... .... ......
....... ..... .. .... ... .... ....... ........ ..... .. .... ... ....
........ ......... ..... .. ... .... ......... .......... ..... .. . ..
.... ........ ........... ..... .. .. .. .. .... ....... ............
..... .. ...........................................
.......................................... anon i don't know why people
don't. eliza maybe they're looking for something. why should they. what
you offer is just withdrawals and stepping back. yeahyeah from looking for
and searching. you're male yorick should be ucking around. i know that's
his business and he would feel the catration. pointing his figer and his
we pons. wall there's no connection at all just the silly drives. the
fabric production activity life that's a big canvas. there's no
connections there either leave them alone. support. no support is needed
earth spins around in empty space. you need all the usual stuff. don't
need anything my life didn't need life just automatic business. joy of
life. death has joy too why distinguish it's just one big blob going
through the. motions. fatalist. pass. what about suffering. i'm sorry.
i'll kick you in the leg. i'll respond ouch. improvements richness of
life. do we suffer less than years ago broken things have richer
structures. knowledge. it adds to the mess and i'm withdrawing. knowledge
for the future. it's very easy for us to extinguish ourselves and
difficult to believe in. humanity. space. space what. hopes. we should try
to find some loopholes via science or anything change ourselves. leave the
human maybe our physicality cognition and culture have some. limitations
we can't overcome evolution is too slow our knowledge too great. all the
culture trash and our drives are against us we'll be like dinosaurs. with
a brain look at the current territorial religious cultural violence. it's
just mad and on the other side global capitalism and exploitation is made.
possible by the inertia of the same structures humans have no future we're.
reaching some limit in our interaction with the world we should find holes
and. creep through into a posthumanity i'm indifferent to the human i'm
only human. and have no future.. Mr M. saw a naked woman covered in postit
notes once. she was some art diva from spain. 'automated net.art
auto.noemata.net'. Hi. Thank you for hosting your list at Topica.
'automated net.art auto.noemata.net'. autonoematatopica.com. Basic
Information and URLs. Here's the basic information and URLs your
subscribers will find useful.. send a message. autonoematatopica.com.
subscribe. autonoematasubscribetopica.com. unsubscribe. See the
Unsubscribe link at the bottom of any message.. For more information about
this list visit. your group account has been disabled to to an
autoresponser set up. LYS. Tilsynelatende nødvendighet av å tale om det.
Ikke si mer enn enhver kan si til seg selv. Spørsmålene om det er materie
eller immaterielt. Substans el aksidens osv. Fåfengt. Den som ikke tilstår
dette for seg selv kan trette seg med å løse det. opp. Bedradd av alle kan
vi bare lære av dets virkninger. Lysets virkinger er utbredt foran oss.
kvalmen. fremtiden er der knapt blekere enn øyeblikket. Hvorfor skal den.
virkeliggjøres. Hun skal til å dreie om gatehjørnet hun dreier i en
evighet. tanker det er det flaueste som finnes. flauere enn kjøtt. de
strekker seg ut i. det uendelige og etterlater en underlig smak. proxima.
lysår. melkeveien lysår diameter mrd stjerner. mrd andre galakser. lokal
gruppe av. nærmeste lign galakse andromeda m mill lysår unna. kvasarer ses
over mrd lysår. stjerneklasser. wow oh be a fine girl kiss me right now
sweetie. chance and chaos. kolmogorov matematisk talent setter inn akkurat
når den psykologiske. utviklingen stopper. han ser på seg selv som år.
stødig strøm periodisk strøm irregulær turbulens. observasjon av
periodefordobling i dynamiske system feigenbaum ... entropi måler
tilfeldighet i et system. hawkings. galilei kraft er å forandre en
bevegelse. newton derson ikke kraft fortsette i samme fart. ingen entydig
hviletilstand. om det er toget som går eller jorden som går er. like
gyldig. paradoks umulig å si om to hendelser på forskjellige tidspunkt.
inntraff på samme sted i rommet. eks. en ball spretter to ganger på samme.
sted inne i et tog en som står utenfor vil se sprettene med meters.
mellomrom. sitat. hardingfela er norsk nasjonalinstrument fele så er brukt
kattesener. hardingfela hele katten. det finnes det som har spilt i år i av
disse har de stemt. gås på bordet. forskning sprøyte brennevin inn i ei
rotte. er det noen kattjævel her. lysår vi hadde motlys. han var fem år da
han ble født. det du har lært kan ingen ta fra deg men det du ikke har lært
kan ingen heller. ta fra deg. det er skrevet mye og gud i de nye og de
gamle instrumenter. det som står her er. skrevet med en hellig skrift.
midt i paradisets have sto det et tre som het. bekjentskapets tre på godt
og ondt. da abraham satt i mamsres lund kom det tre. herrer da spurte sara
om de ville ha kaffi da sa vår herre til sara vil du. straks gå bak døra og
føde en sønn. det er ikke bare for kort det er for bredt også. protokoller.
hvilke protokoller. fullstendig promiskuitet mest mulig lavmål. en stadig
pendling mellom høyt og lavt. overdrivelser underdrivelser. hvite
protokoller. bankei. fri i liv og død ikkje bry deg med dei ha fred eller
nrivana (dei tre. gifter) la alle tre gå. både når du søv og er vaken så
kviler du i det ufødte buddasinn. unngå å falle tilake. bebo det ufødte
buddasinn både fremskritt og. tilbakeskritt overskrides. buddasinnet er
fantastisk opplysande spor av alt du har gjort er reflektert. det er når
du binder deg til desse reflekterte spora at du produserer illusjon..
originalt tankar har ingen reell substans la dei komme og eller stoppe
utan å. binde deg til dei. alt jeg forteller dere er dette realiser
buddasinnet som hver av dere har fra. deres foreldre fra fødselen rett og
slett bebo det i tro.. istadenfor la deses tankane komma ikkje utvkle dei
ikkje binde deg til dei.. hald det eine sinnet som eitt sinn. sinne og
glede lagar du heilt på eige hand.. det er ingenting anna enn det ufødte
og uforgjengelige buddasinn så du bør. begripe dette klart.. ideen om å
ville kontrollere dine lidenskapar og forestillingar er i seg sjølv. ein
feilaktig forestilling.. det er ikje noko slikt som opplysning. det
originale buddasinn er ufødt det. fungerer utan tanker om å ville bli
opplyst. i buddasinnet er det ingen tanker eller ting så ikkje bry deg med
dei. jakte på ord fraser når vil du bli ferdig. du spring deg helselaus
pålesse kunnsakp blir vidt informert. sjølvnaturen er tom og opplysande så
la ting ta vare på seg sjølv. det er ikkje noko anna eg har å meddele.
ikkje sint når forstyrra ikkje gladlykkeleg når tilbedt. ein stor
treskalle i verda. følge med der forholda føre meg nord sør aust vest.
utan å gjøyme mi styggheit og klumsetheit mellom himmel og jord. blinde
folk slit ut kleun sine ventande på opplysning. akkurat som å prøve å lage
eit speil ved å pusse ein stein. den store funksjonen manifestera seg sjølv
utan faste reglar. godt er skrekkeleg. og skrekkeleg er skrekkeleg også.
ting og hendelsa. er berre produkt av omstende. dersom du blir ein budda
er det ingen plassar å gå. du fyller det store. universet heilt ut til
grensene. det er når du blir noko anna slags vesen at. det er plassar å
gå. dersom du innser at det opprinnelig ikkje er nokon dårlige vaner hva
er det då. å unnå eller stoppe. paulus. paulus . brev til titus. en av
deres egne til og med en profet har sagt kreterne er alltid løgnere.
villdyr grådige late og dette vitnesbyrd er sant.. grelling nelson.
autologier homologier uttrykk som uttrykker seg selv. norsk setning.
femten bokstaver. jeg. andre uttrykk kalles heterologiske. så spør man om
heterologisk er et heterologisk uttrykk. hva med denne setningen uttrykker
noe annet enn seg selv. sorites. avleder en falsk påstand fra en kjede av
riktige. en haug med stein er fortsatt en haug med stein dersom vi fjerner
en stein. etc.. altså er en samling av en eller ingen steiner en haug med
stein.. pragmatiske. paradokset ligger i motsigelsen mellom påstand og at
påstanden hevdes. det regner men jeg tror det ikke. jeg eksisterer ikke.
terning. sannsynligheten for at en side på en terning kommer opp er så det
er. allermest sannsynlig å tro at siden ikke kommer opp. men dette gjelder
alle. sidene. derfor er det sannsynlig å tro at ingen av sidene kommer
opp. pi paradoks. salvati kan du fortsette rekken nei. men du kan
fortsette rekken. paradokset er at de beskriver det samme pi. tro gjennom
feil paradoks. at noe som slår feil styrker troen på tingen fordi feilen
viser det. irrasjonelle betydningen av tro. hilberts paradoks. hvordan
begrunne argumentasjonen på basis av argumentasjonen. carrolls p.
umuligheten av et argument. a dersom det regner blir det vått. a dersom
det regner blir det vått
321
b det regner. c altså er det vått. men for å akseptere dette innføres et
nytt element. d dersom a og b er sanne så må c være sant. men for å
akseptere dette innføres et nytt element. e dersom a b d er sanne så må c
være sant. jesuitt. dersom gud er allkjærlighet hvordan kan det da finnes
en evig pine i helvete. helvete med evig pinsel finnes men det er alltid
tomt. menneskerett. en slag rett til å engasjere seg rett til å kritisere
og en rett til å ikke. bry seg.. parse. lichtenberg E F. O The dog is
lapping the boiling water. release. Gorrespondence imondo mail . art
sokrates. ozone. skittent. mørket er estetisk lyset er skittent. bilde av
klistremerkene. finne du din vilje oppgave. nagval stalking ll som
parallell til sitasjon. drift psykogeo. når frykten forsvinner forsvinner
alle bånd og vi er frie. ro og fred. vi sier ro og fred men det betyr
indre frihet men gj ro go fred som middel. som fungerer i støy og ytre
uro. det er ikke greit å ønske å bli noe man ikke ønsker å være. men sånn
er det den. forskjellen. jeg ønsker natlugh ikke å være det jeg ønsker
eller å ikke være. den jeg ikke er. lagd. tror ikke vi er lagd til å
forstå ting som forsvinner. vi forstår ikke negativitet. negativitet
forstås positivt det som forsvann finnes som forsvunnet. og det som ike
finnes finnes som mulighet. finnes mulighet. noe er mulig. vi forstår
virkelighet som et lukket system det ligger i system og forståelse. ting
blir borte ting blir til vanskelig å forstå. tankemåter blir til og dør ut
med personer kultur med generasjoner. trossystemet forander seg ikke
radikalt med den enektle der av netulig. konsrevativt neasjoner har ikke
noen revolusjoneredne virkeing at noe blir. borte er en modfifikaskon av
tingen. som om eksitens var en modus ved noe skru avpå eksistens. se på
det fra et annet perspektiv det som aldri har eksistert fins det også et.
sted alle dine søsken som ikke er født. hvis vi snur treet oppned. alt som
blir. til må ha eksitert på forhånd. men da har du problemet med mange
muligheter blir. til en virkelighet det kollapser hvis vi skrur det så
ekspanderer det. uendlelig og det er ingen ende op ting som eskisterer
(som mulighet) alle. muligheter må eksistere og det er absurd hvorfor.
kredo. vitenskap gir oss kunnskap om verden. klesskap forstyrrer oss med
klær. du ble født ut av ditt nesebor. voff vi er ikke hunder. de som
passer på gir blaffen. folk er rare. zen begins at the point where there
is nothign further to seek nothing to be. gained. zen is most emphatically
not to be regarded as a sustem of. selfimprovement or a ways of becoming a
budda.. only when you have no things in your mind and no mind in things
are you vacant. and spiritual empty and amrvellous. the marvel can only be
descsribed as the. peculiar sensation of freedom in action which arises
when the world is no. longer felt to be some obstacle standing over
against one.. huangpo men are afraid of forgetting their own minds fearing
to fall through. the void with nothing on to which they can cling.. nothing
is left to you at this moment but to have a good laugh.. mesteren spør ut
studenten og når studenten går kaller han plutselig ved navn. studenten
svarer naturlig 'ja' mestern sier 'der har du det'. spontanitet. mo chih
ch'u gå på uten å nøle. wuwei meningsløshet. wushih enkelhet. the
perfection of zen is to be perfectly and simply human. to a young zen
monk. the roshi stands as a symbol of the utmost patriarchal autoriatiy
and he. usually plays the role to perfection being normally a man ssvanced
in yasrs. fierc and tigerish in aspect a person of supreme persence and
dignity.. the basic position of zen is that it has nothign to say nothing
to teach.. the various koans are intentionally misleading.. after some
time the iceblock collapses and a transparent meaninglessness appear. that
can eat laugh and so on live without a problem.. roshien presenterer nå
koans som er opplagt meningsløse 'ta dei fire delane av. tokyo ut av ermet
ditt' 'stopp klangen av dei fjerne klokkene'. ei jente går. over gata er ho
den yngre eller eldre søstra. controlled accident ikke representasjoner
symboler.. egne objekter. painting by not painting. muchi and liangkui did
many paintings of zen. patriarchs and masters as mostly abandoned lunatics
scowling shouting lafing. around or rarith with laughter at drifting
leaves exemplifying the splendid. nonsense and emptiness of zen.. sabi
enslig og rolig stemning wabi something ordinary as suchness aware..
mystisk stemning yugen. dette er fure aspekter av furyu.. haiku i årh.
bashu i wshihstil 'ingenting spesielt'. the superficial consciousness can
awaken to the eternal present if it stops. grasping. now this eternal
present is the timeless unhurried flowing of the tao. such a tide as
moving seems to sleep too full for sound of foam.. mantras and tantras
meditation and concentration. they are all a cause of selfdeception. do
not defile in contemplation though that is pure in its own nature. but
abide in the bliss of yourself and cease these torments. wahtever you see
that is it. in front behind in all ten directions. even today let your
master make an end of delusion. the nature of the sky is originally clear.
but by gazing and gazing the sight becomes deluded. sarakas trasy of songs.
no thoguth no reflection no alaysis. no cltivation no intention. let it
settle itself. cut out sagacity discard knowingness. and the people will
benefit a hundredfold. cut out humanity discadrd righteousness. and people
will egain love of their fellows. cut off cleverness diescsrd the
utilitirans. and there will be no theves and robbers. become unaffected.
cherish sincerity. belittle the personal. reduce desires. laotsu. the
perfect tao is without difficulty. save that it avoids picking and
choosing. follow your nature and accord with the tao. saunter along and
stop aorrying. if your thoughts are tied you spoil what is genuine. dont
be antagonistic to the world of senses. for when you are not antagonistic
to it. it turns out to be the same as comnlete awakwning. the wise person
does not strive. the ignorant man ties himself up. if you work on your
mind with your mind. how can you avoid an immense confusion. sengtsan. one
day i wiped out all the notions from my mind. i gave up all desire. i.
discarded all the words with which i thought and stayed in quietude and.
ZTT i entered i lost the bounderies of my physical body i spke but my.
words lost their meaning. i saw people comnign twars me. all of them were.
myself. i had never known this world. i had beieved i was ceraed but i was.
never created i was the comsos no idndiviudal mr ssaki existed.. .sakeian
sasaki zen notes vil no. we eat excrete sleep and stand up this is our
world. all we have to do after that . is to die. ikkyu. you light the
fire. i'll show you something nice. a big snowball. mennibdr versen og
livet lemm død og ny fdese. uta sv krppen så yutterverdn lbitt indre og
omvendt. man fyller hele rommet og lever i tiden. stiger ut av rommet føre
og etter. ha takk ha. sanselik. imaginasjon. inspirasjon. intuisjon. alt
som saller mot krppens speil speiler seg til sanseopplevelse. tankene
tanken muldere av elemtarvesen sender seg ned i eterlegme. formørker
eterlegemet eringdring. visom som natur rundt seg her. vi må ta vort
visdommen forvandle altsp selv til livskrafter. pines ab det glode.
latskap pinesa av fliden. tingene spør oss vi spør ting her. verden føst
av personen. det oversanlsige mennsek. åpne åttetall lemniskater.
tilsvarer det himmelse bilde av menn. nerve og kjertelsystem. inspirasjon
i toner verdensharmonien avspeiles in blod kretsløp hjerterytme. intuisjon
tonene inneholder mening sprok verdensordet. angel archaloi archai. exusai
dymanis kdriotetes. troner cheubin serafim. mot i brystet. blir lemmer
armer og ben. blir åndelig ord. solflekker mikael kosmiske jern.
antropsosi psyikosofik ner mtosofi. linvssans bebetelesn liekversans.
fangarmer. lotusbolst i hodet imagintaiv. strupehodet inspirasjon. jver
hjertet den ituitive. imaginasjon fornemme. insirasjon føle. intuisjon
tenke. psykosofi. slutningen tilspisser seg i forestilligen. punktum. like
før han legger seg sender han noe. like etter at han står opp punktum.
interesting ng. alt.abuse.transcendence. alt.acme.exploding.newsgroup.
alt.anybody. alt.anygroup. alt.anything. alt.artcom. ba.art.
it.arti.trash. rec.arts.misc. alt.chaos. alt.confusion.atitsfinest.
alt.foo.bar. alt.foo.bar.qux.xyzxyz. alt.languages.norwegian.
alt.languages.nowegian. alt.life.internet. alt.life.sucks.
alt.life.universe.everything. twalegged poneys Re Estimable Finns (Re
AAUUGGHH). In article bunniegirlhome.com (Jelliebun). I've been dealing
with a lot of people at work who don't speak English. as a first language
... and some of these damned nonsequitur bot post. thingies are starting
to make sense.. For instance it would not be at all startling to find the
following. in an application letter. Nor have they not sing for quite no
sponsorship. We extracted and remarried as they were lively required
neither. every base past them beheld perversely elder.. I think I need a
vacation.. Would you then be offended if I quoted the following. It
follows that if the two antesedents be bissyclitties and the three.
comeseekwenchers trundletrikes then Aysha Lalipat behidden on the.
footplate Big Whiggler restant upsittuponable the nCr presents to us.
(tandem year at lasted length) an ottomantic turquoindaco of pictorial.
shine by pictorial shimmer so long as gad of the gidday pictorial summer.
viridorefulvid lits asheen but (lenz alack lends a lot) if this habby.
cyclic erdor be outraciously enviolated by a mierelin roundtableturning.
like knuts in maze the zitas runnind hare and dart with the yeggs in
their. muddle like a seven of wingless arrows hodgepadge thump kick and
hurry. all boy more missis blong him he race quickfeller all same
hogglepiggle. longer house blong him while the catched and dodged exarx
seems. himmulteemiously to beem (he wins her hend he falls to tail) the
ersed. ladest mand and (uhu and uhud) the losed farce on erroroots
twalegged. poneys and threehandled dorkeys (madahoy morahoy lugahoy
jogahoyaway). mPm brings us a rainborne pamtomomiom aqualavant to (cat my
dogs if I. baint dingbushed like everything) kaksitoista volts yksitoista
volts. kymmenen volts yhdeksan volts kahdeksan volts seitseman volts kuusi
volts. viisi volts nelja volts kolme volts kaksi volts
yksiallahthallacamellated. caravan series to the finish of helve's
fractures.. Part of it looks Finnish and therefore it has to be about
Linux (because. that is the only notable thing ever to come out of
Finland). Let me just take this opportunity to say. Panasonic (the band
not the consumer electronics manufacturer). Hey Punesuneec joost pleyed
here bork bork bork.. Mika Hakkinen (F driver). That mad vodka. What's it
called. You know.. Per puncture AT flash DOT net. linklog. digest.
Individual Messages. Message Digests. CALL FOR FUNDING DEADLINE EXTENDED.
MAY TH. FOR IMMEDIATE RELEASE. CALL FOR FUNDING DEADLINE EXTENDED.
INSTITUTIONS AND PATRONS OF THE ARTS WANTED. MUST HAVE MONEYS MUST BE
WILLING TO FORK OVER SAID MONEYS. DUE TO AN OVERSIGHT BY THE RHIZOME.ORG
COMMISSION COMMITTEE MEMBERS. THE ARTWORK OF LINKOLN JIMPUNK STILL LACKS
THE PROPER FUNDING TO CONTINUE.. FULL DESCRIPTION OF ARTWORK AND FUNDING
NEEDED AT. NOTE FINAL EMAIL WILL NOT BE SENT TO RHIZOME RAW AS INDICATED
IN THE PROPOSAL. THE FINAL EMAIL WILL BE SENT TO THE PERSON(S) WHO
COMMISSION THE WORK.. COMMISSION THIS ARTWORK CONTACT. ABELINKOLN.NET OR.
bytes. text. dagbladet nyheter. nyheter. Blunker med fire øyne samtidig.
Tohodet geit født på Cuba.. Jon R. Hammerfjeld. .... nyheter neste sak
forsiden. Oct. makeshift. carriers. are the characters carriers of what.
oceanic inflation eg buddhism ego balloon whatever skin. distance in
relation to subjectobject the inflated subject seems infinite. while the
dot in the horizon the distance of the abject out of sight. phenomenology
of beyond vs here and now yon bef. ME OE geon akin to D. gene G jener ON
enn inn the Goth jains that vs thus. thus collapses in codeexecution
distance of processing time of 'active. expression vs matter of doctrine'
formalexpressive this and something else. (subjectobject) always on the
abject side. kunst på strømlinjer noe som følger nettverket over landet
summingen ved. mastene lyd. gi meg et urokkelig punkt arkimedes hvordan
kan lillefingeren løfte bilen. arbeidet fordelt over lengre vei. those
darker parts of the wood have 'personality' something hidden or attracts.
intimacy something else. gnome (nm) n.. . an expert in monetary or
financial affairs international banker or. financier the gnomes of
Zurich.. F NL gnomus perh. Gk gnm see GNOME. . (in folklore) one of a
species of diminutive beings usually described as. shriveled little old
men that inhabit the interior of the earth and act as. guardians of its
treasures troll.. a name to. a name to. a mean to. a amen to. a no team. a
no mate. am note a. a man toe. a mao net. a tam eon. a mat one. a mat eon.
me to ana. a tao men. tao amen. ana me to. ana tome. mane tao. name oat.
name tao. mean oat. mean tao. amen oat. amen tao. mateo an. eaton am.
atone am. neat mao. ate mona. eat mona. tea mona. tea moan. tea oman. am
at one. am at eon. ma at one. ma at eon. an oat me. an tao me. cell modem
fix. rksi .. rkis .. rski .. rsik .. riks .. risk .. krsi .. kris .. ksri
.. ksir .. kirs. kisr. srki. srik. skri. skir. sirk. sikr. irks. irsk.
ikrs. iksr. isrk. iskr. log. qdu må slutte å evaluere sånn. qjeg er den
ketchupflaska. qvil du meg noe snakk til den OK. q(går inn i stua).
autonoemata. Congratulations. Your Group autonoemata has been created. You
can access your group using the. Group name. autonoemata. Group home page.
Group email. This is not good. Is better to attack people. Leave Hummer
alone. Hummer cannot fight back. It's guns that kill people not people.
Leave guns to shoot guns. Stick to your guns. Alan Sondheim. Jarry. Jarry
insisted on certain conventions of speech action and setting. The.
staccato manner of speaking the misplaced accents the puppetlike movement.
the use of masks the use of placards the hodgepodge style of scenic.
painting all of these were Jarry's ideas (Beaumont ). ouspensky gurdijeff.
mennesket er en maskin. alt skjer uten at noen gjør noe. livet er mat for
månen. jeg vil forstå. viktigste mål å ha er å ville mestre seg selv.
tenkning sammenligning følelse sympati. tanke forestilling (tanke som
følelse) drøm (tanke som vilje). forskjellige kulturarbeidere er nesten
uten unntak syke mennesker. mennesker er redde for hverandre. samvittighet
følelse bevissthet tanke. latter eksisterer bare i sentra som er delt i to
høyere sentra er udelte. sex i tenking skriver kritisk og subjektivt sex i
følelse preker kristendom. asketisme synd helvete det bevegelige senter med
sport men alltid er. resultatet ubrukelig dette er misbruk av sex. oktaven
to 'sjokk' tallssystemet. teosofisk addisjon tverrsum. vanlig menneske er
menneske sau orm. intelligensmåling vha hydrogendiagrammet en bakt potet
er mer intelligent enn. en rå potet. lever av hvirvelløse dyr og er mat
for erkeengler. sammenheng mellom positur og tanke følelse er entydig.
stopp. obyvatel en vanlig person kan også være veien. dilemma. det er et
dilemma at vi uttrykker ofte ting fordi de blir forstått (riktig). det er
ting en kan si og ting en ikke kan si (forståelig). dilemmaet er å
uttrykke seg eller bli forstått. det finnes handlinger men ingen som
handler. nagarjuna opphavsmannen til negasjonene paradoksene.. hatha raja.
djna kommando. shiva lingam shaivitene. bindu. prikk over m. samadhi ved
operasjoner mislykket hengning grønn farge hvitt lys. kaleidoskop fløyte
klokker tordenbrøl. vanvittig er min far vanvittig er min mor (dvs shiva
og kali). thuggerne. outsiderens problem ligger i å nekte å uttrykke seg.
analyseparadokset. en analyse kan ikke både være informativ og korrekt.
klassisk gresk ingenting meningsfullt kan uttrykkes alt er meningsløst. å
si A er A er ingen vits. å si A er B er usant. tre ønsker. . ønske. jeg
ønsker at de tre ønskene ikke blir oppfylt. hvordan forvirre den gode fe.
of. ........... of. livet mellomdelengo ny fldes i fhodl ti de kosmiske
kjensgerninger. verdslig travelhet handlign tilsvarer åndelig ro. jeg
bevisstheten avh av den menn.død da menn.adr når opp til sin dieale verdi.
må man si at jeg dadig arveider p åsin egen jegforringelse (med dårlige.
handlinger). universet inne i seg og legemet utenfor. begjær etter tanker.
oseaniskek j. NEWS. NEWS. AnonPostTo Supported (post) True. News Posting
Route (mailnews).
mainewsfrogadmin.yi.orgmailnewsdizum.commailnewsnews.gradwell.net. News
Signature Added To None. receive a list of all newsgroups reachable
through this mail to news gateway. send mail to mailnewsdizum.com with
subject list and no Newsgroups. header. The complete list of available
newsgroups is quite large (K. groups) and can break many mailers. To
obtain through E mail a list of only. those newsgroups starting with a
particular pattern you can include an. egrepstyle regular expression on
the subject line. For instance. Subject list comp.unix. would list only
newsgroups whose names begin comp.unix.. Subject list .linux. would list
all newsgroups whose names contain the substring linux.. Subject list
alt.(securityprivacy). would list all newsgroups beginning alt and
containing either the word. security or the word privacy. Finally. Subject
list ..test. would list all newsgroups ending .test.. nntp test.
newsnews.opera.comopera.test.
newsnewsgroups.borland.comborland.public.test.
newsmsnews.microsoft.commicrosoft.test.
newsforums.macromedia.commacromedia.test.
newsnews.mozilla.orgnetscape.test.
newsnewsroom.trumpet.com.autrumpet.test. newsfrell.eu.orgalt.test.
mailnewsnews. in header. newsgroups. mailnewsnews.gradwell.net.
mailnewsnews.demon.co.uk. W Anonymous Remailer. Paranoia Web interface.
Riot Anonymous Usenet Remailer. Xenophon. Frog's WARI. bmagnhil. May.
maskinen fjerner overtroen fra oss. jeg trenger ikke ville. eller håpe.
what. dkdkdkdkdkfdkfdkfdkfdkfdkfdkfdfkdfkdfksksksks. what does this mean.
tistikken. statistikken latistikken. lehmus ng.
alt.language.poetry.puresilk. jukka lehmus. mattering. near the surface of
earth's oceans between three and four billion years ago. selfreplicating.
the cell all competitors have been swept aside save for the residual
viruses. life a selfmaintaining selfreplicating energyusing system. cell
polarization as communication links. primitive brain stem hindbrain motor
midbrain visual auditory forebrain. olfactory. mammalian brain hindbrain
underneath cerebellum midbrain forebrain underneath. cerebral hemispheres.
we are distinguished form other animals by the large size and unusual
properties. of the human cerebral and cerebellar hemispheres.. somata.
inhibitory hyperpolarization or excitatory depolarization synapse fire
and. don't fire inputs. black matter InterNetWORX. Hallo Herr noir matern.
Vielen Dank fr Deine Anmeldung bei InterNetWORX.. Userbereich von
InterNetWORX einloggen. Deine UserID. Dein Passwort svryra. Deine
HomepageURL. Dein Speicherplatz. Dein Verzeichnis auf unserem Server.
Server. ftp.inetworx.de. Username. noemata. InterNetWORX Web Hosting.
Deine HomepageURL. Dein Speicherplatz. Dein Verzeichnis auf unserem
Server. Server. ftp.inetworx.de. Username. noemata. Passwort. Dein
InterNetWORXPasswort. Status aktiv. WebFileManager. Folgende Angebote sind
nicht zulssig. Webcams mit automatischem Refresh. Chat IRCBot und
DownloadScripts. Websites welche gegen deutsches Recht verstoen.
Pornographische Websites. OnlineCasino Websites. Userbereich. UserID.
Bisher Logins. letzter am .. um Uhr. von ...si .no.powertech.net.
322
Anzeige. Jul. artificial art. COGNITIVE PSYCHOLOGY and ARTIFICIAL
INTELLIGENCE have produced provocative. models og cognition which when
brought to lifewithin a sutiably programmed. computer mimic closely some
of the coluex actiitites of golacriven. intellingece. The NEUROSCIENCES
have begun to unravel the vast microsystem of. interconnected brain cells
that in living creatures appears to execute those. activities. ETHOLOGY
has given us new insights into the continuities relating. human
intelligence with the intelligence of other creatures. And EVOLUTIONARY.
THEORY has revealed the long and intricate selective processes from which.
conscious intelligence has slowly emerged.. ONTOLOGICAL PROBLEM mindbody
problem materialist dualist brain. five radically different versions of
dualism chapter. SEMANTICAL PROBLEM skeptical network of causal relations.
EPISTEMOLOGICAL PROBLEM problem of other minds selfconscious.
METHODOLOGICAL PROBLEM artifical intelligence. This concludes my set of
promissory notes. Let us now turn to the issues. themselves.. oh dear.
meiosis sis o I em. DEARME.TXT. media externalization. stillife. c d lost.
knowledge liar lying as strategy as truth identifies controls. the
wastebasket placed on the desktop and windows inside waste. r. c. (I. bees
queer ever seen a crystal sugar a rockcho. Purchase of nwt. Thank you for
purchasing this share. bytes URL noemata.netnwt Price EUR. Payment info.
PayPal URL. Or money transfer payable to account .. Storebrand bank.
Norway.. Please contact us if you have any questions. Thanks again. Ars
Publica. fake spam. sddds. TddHINGS WssILL RDFDUN FFFOFF YOU. ohVVll
insert. buty. cccc. vjkjkjkuoui. Oy. alpin. treholk med lokk. .... yosrsas
thessdfdsdf sfudssedfd in tfe mfffle. kvestian. Ordet tak har k i utlyd.
vague un. vagabond. astronomiske høytider ALPAKKA. amatør. X. About Help.
voltages of the soul. uteksi utero utbud. uterlig uteske utidig. utlyd
utnavn utopi utror utukt. utvær. V volt. .. i have tou p. hate those
little bastard go sug blod ov your dead great grand. cells won viruses
linger on. data cell. if you don't want this. d. Gievre X. abrakadabra
abruptabscisse. absint absolvere. abstrakt absurd. aceton ad acta. ad hoc
adiafora. ad libitum adrenalin. ad undas advent. affinitet agentroman.
agio. agnus dei. aimabel akantus. akrostikon aksiom. aksjon aktør. akutt
alarm. aleksandriner alen. alfa alfons. alias alibi. thorn thurs ut i sol
sol sunn saigel tlas algz jer jara asskrk kaun os. perta. S NOW. Ammianus
Marcellinus Ammius see Hamder Amuletter Adrhrimner Andrid. see
Kjalnsingasagan Andvaranaut see Andvare Ane den gamle see Aun. den gamle
Angantyr Arngrimsson see Hervararsagan Angilbert Angler. (angli). Aug.
artnapping. pretending to sleep. i'm not saying. for the arps and
sensiblargoviee and seated ities depts. it's something spiritual acronymic
comperata droll votes you. compression it's when you can't compress (more).
still y could. translate later without loss. would a photo captwidth a
pixies casters. it no or it zedek be pericline ure it. no or poto
thsobranje the. winooski if you can snelling of it toddle jada e wholeness
if you can. speak of it then that's why it's obwh ogress massa cones ject.
matarial concrete candy(d)a. you need your wholyou nightside your wonted
selvaged e sensibilithy. tvart would be anwotted an osmium roseland asylum
and intellect the. hushaby overload room inside the hypercube. when she's
runningwandoo sanjak her freudalizable has solipsism chines. wave her feet
has some characteristic (w)hole that' the len(d)s in. advance of. not
really antroponot redshank too mechanizer o's morph. its too many o's
holes again eyes and owls again (quarlean). stillness not focs us interval
not foiling not samisen pelagian us. i'm not saying it's passive. you know
blub bluyou kindness blanton bignonia wakening wholeheartedly. legs
lineally. not history on a not humorers on a vociferously wave. RE
RHIZOMERAW FOR IMMEDIATE RELEASE. what. i don't know anything about this.
i read in the paper today that these were indeed stolen from a museum. in
norway recently. so um what is going on noemata. ja. F O R I M M E D I A T
E R E L E A S E. The artist group Noemata demands mill. norw. kr. for
delivering. back. Munch's paintings Scream and Madonna which today were
taken. the Munch museum Oslo Norway.. Contact noematakunst.no. post
listrhizome.org. questions inforhizome.org. visit on Fridays the
Rhizome.org web site is open to nonmembers. Subscribers to Rhizome are
subject to the terms set out in the. inner voice reason. there's no use in
remembering. well only for those who forget. we have our memory so
remembering is like pause. no use in bed i'll. use in whatever phenomenon.
flatbed scanner. i'm. pause. well this is of photos. you don't. pause. like
pumping up your bike no pause that's nonsense. but like pause. what are the
inner workings the pause. memory is memory pause. i'm sorry this is a mess
not even that it's nothing not even. ok then there's novelty actually most
things just stand by. say this place or you it will continue by itself more
or less. if this pen continues from sec to sec it's no novelty though it
needs. energy for sustaining. a quick look at reality (for a change)
you'll see things linger on from. beginning to end background radiation
rocks soil oil inka cities. the cell virii millions years old animals
still eating grass. it's actually harder not to do things than to do. and
within those rhytmic trends nervous jiggle. so personality fuse (common
sense) i'd rather not. let's say sleep but then there's no consciousness.
ok meditation rather pause long way around the block. drugs no pause i
want control. tao shit my cow jokes. circuits kin of pour something in.
well maybe pause this is a drawing. as a structured whole. the whirlings
in remembering. well only so small tiny trails. let's. pause. well this in
the collage hey those are kind of us will mind. wonder where i pause
that's. pause. well this pen continues from sec it's. pause. blood
something out draw. still doesn't make sense anything of this nothing.
reason is only so small tiny trails tractor. let's see i pause see
nothing. still this mail has a from attractor. and there's some
combinatorics of letters. bingo name of a dog. i'd rather make this a
comedy again. the i's are deemed ridiculous. maybe they should be o's.
eyes no it's nothing here. a related thing i was thinking of photos. you
don't know if you captured it. there's no way to know but you learn. the
inner workings might be contraintuitive. so like you believe it's magic
but it's not. magic is like picture and there's capture. but the causal
might work otherwise. you'll find out eventually. and i expand on the
photomagic correlation. no surprise the visual part of art. capture is of
the whole and then hunters and gatherers. and then the collage hey those
are the shamans. operating on 'elements' of wholes. ok rather pause this
is only so remembering is a structured. whole. the whirlings in the
collage hey those are the same. the rocks are the same. the rocks are kind
of the pause. memory is memory pause. i'm. well i forgot my camera come
back later. like the streams. might be an idea to view this as a
structured whole. the whirlings in the chest it stays the same. the rocks
are kind of pause. answering that would be like pause. well this is
capture again. inner voice stupor. argument of transparency it's pause
kind of ridiculous. heath for structuring but generating more heath than
structure. you could see all this in whatever phenomenon. flatbed scanner.
i'm sorry but then later i'll go to sleep and none of us will mind. wonder
where i was last night. if you say in bed i'll kick your ass. what a pause
happy end... stratas of unconscious dog breath. let's see. life no. love
no. death no. anything no. something maybe. what nothing. whatever no.
nothing no. something maybe let's sky. what this lab. what this this loupe
nye. this what deadeye no. old dog bastian died today antennas. an overdose
of anesthetics sentineled movie. we cried some waite. doesn't matter much.
his eyes closes as ours. i'm sorry life is shit semidi mob. wouldn't mind
dying withe takao. let's see toss teas. and they have a little girl token
wit. she'll be here until oldie dayak doodah time... whatever an offertory
of amygdaloids. what's it supposed to be doesn't motorway. let's say a
number with a thousand digits. or a fraction unending i'm skirr Leif ictus
Shiite. i want nothing to do with life it wouldn't monied dingo. anyone
wanting life is an idiot let's shoe Mr Bingo (SåleMikkel). this just
continues lethal girl. kids are happy they don't want life undulations.
wanting life is death whitebeard. wanting tay rising. aha what's spigots
buoy. that's AHA woody away. stratas of unconscious dog breath. sf asfadsf
gas g s af s afs af s afs f adsf sf sa f s af s af saf s af saf. asf saf s
fs fs fs s fs gdr gh dfh d tg hesr h dhs hd h d fghds hd h d. fghds hd h d
fghds hd h dhs hd hd hd hd hd h dhs hd h d fghds hd hd h d. fghds hd hd h
dhs hd h dhs hd h d tg hesr h dhs hd hd h dhs hd h dhs hd hd. hd hd hd h d
fghds hd hd h d tg hesr h d tg hesr h d fghds hd h dhs hd h d. tg hesr h d
fghds hd hd hd h d tg hesr h dhs hd h dhs hd h dhs hd h d. fghds hd h dhs
hd h d tg hesr h dhs hd h dhs hd h dhs hd h dhs. sf asfadsf gas gs f adsf
sf sa f s af saf asf ølakjfølkjg sølkgj ølkfs. ølkfj asøkjsaølfks flksaj
fslk flsk fsa fsafsf sf asfadsf gas gs f a sgs. agas gas gasfd gdf gas
gasfd gdf gas g s f s gsad fsf. sf as f s fs gdr gh dfh d fghds hd hd hd h
dhs hd hd h d fghds hd h dhs hd. h d fghds hd h d tg hesr h dhs hd hd h d
fghds hd h dhs hd h dhs hd hd h d. fghds hd h d fghds hd h dhs hd hd h d
fghds hd hd h d tg hesr h dhs hd h. dhs hd h d fghds hd h d tg hesr h d
fghds hd h dhs hd h dhs hd hd hd h d. fghds hd h d fghds hd h dhs hd hd hd
hd h d fghds hd h d fghds hd h d tg. hesr h dhs hd hd hd h dhs hd h dhs hd
h dhs hd h d tg hesr h dhs hd h dhs. hd h dhs hd h dhs hd hd h d tg hesr h
d tg hesr h dhs hd. sf asfadsf gas gasfd gdf gas g s fs afs af saf saf saf
saf s afs f s afs. af saf saf asf saf saf saf saf s fs fs fs gdr gh dfh d
fghds hd h d tg. hesr h d tg hesr h d tg hesr h dhs hd h dhs hd hd h d tg
hesr h dhs hd h. dhs hd hd h d fghds hd h d fghds hd h dhs hd h dhs hd h
dhs hd hd h d tg. hesr h dhs hd hd h dhs hd hd h d tg hesr h d tg hesr h
dhs hd hd h dhs hd. h d tg hesr h dhs hd hd hd h dhs hd hd h d tg hesr h
dhs hd h d tg hesr h. d fghds hd h d fghds hd hd h dhs hd hd h d fghds hd
hd h dhs hd hd h d tg. sf as f a sgs agas gas gasfd gdf gas gs f a sgs
agas gas g s f adsf sf sa. f s f s gsad fsf. sf as f s fs fs fs s f s fs s
gsad fsf. sf as f s gsad fsf. sf asfadsf gas gs f a sgs agas gas gs f a sgs
agas gas gasfd gdf gas g s f. adsf sf as f s f a sgs agas gas gs f a sgs
agas gas g s f s fs fs fs afs. af s fs s f a sgs agas gas gasfd gdf gas
gasfd gdf gas g s af s afs af saf. saf saf saf asf ølakjfølkjg sølkgj
ølkfs ølkfj asøkjsaølfks flksaj fslk. flsk fsa fsafsf sf as f s af s afs f
adsf sf asfadsf gas gasfd gdf gas gs. f s f s gsad fsf. sf sa f a sgs agas
gas g s fs gdr gh dfh d tg hesr h d tg hesr h dhs hd h. d tg hesr h dhs hd
h dhs hd h dhs hd hd h d tg hesr h dhs hd h d tg hesr h. d tg hesr h d
fghds hd hd h dhs hd h d fghds hd h dhs hd h d fghds hd h d. tg hesr h d
fghds hd h d tg hesr h d fghds hd h d fghds hd h dhs hd h d tg. hesr h dhs
hd h dhs hd h d fghds hd h dhs hd hd h dhs hd h dhs hd h dhs hd. h dhs hd
hd h d tg hesr h dhs hd hd h d fghds hd hd h d tg hesr h dhs hd h. d fghds
hd h d fghds hd h d tg hesr h dhs hd h dhs. file under. oreawefreshet.
woundneatness. windmillingluffyideate. teachjuggedcontemporaryart.
kedgeairwaydon'twendylooby. windowingleeves. wounding. ah. that'snotaha.
dog breath minor. dog breath minor. there's nothing here. ICE) INSTANTLY
AND YOU'RE W'T I DIDN'T. nothing nothing nothing horray. NATIONSETE IIEG
NUDENESS NOTING N DHF. (a lot of nothing a ludi oboe nothing). E IEG
NOTHING NOTHINOTUNT TDSESDZNNOT. still more stale more. MOG HIT I GYN
OOGHG A LUDR ININAT EZIS. nothing nothing nothing nothing nothing nothing
nothing noth. IOI I HORRI O GSGTD TLTEOSHNHEGH NOTH. ing nothing nothing
nothing nothing nothing nudeness nudeness nothingize. nothingizes needing
nutmeg. nothingizes nothZ NI A NENI EOGOOIO STRN OOI ENUNNH EH. ing
neotenic neotenic nudeness nodding. I T EREH N( HGN TTST T EEEDEHGLOGNIH.
nudeness noting nattiness notions nothingize nuttiness nothingness
notions. netting nudeness nations. nutting nutting ONNDOON WH REU GNIOIITS
)GNIHTGOETNGNR. nothingizes nothingises nothing neediness needing
nothingize neatness needing. nattiness nattiness nadia. OCNICN GNIHTON GNI
HE TT T(UIHIIHTON. these are very structured nothings. CINETOEN GNIOOIN
EETTON SSENITTUN EZIG. isn't i didn't like mean thathat. SEZIGNIHE H N
YREV ERA ESEHT AIDAN SST. and not writing thisthis. HGUAL A TON S'TAHT
AHAHA. it fauxes at onceonce (over the lazy dog twice). LIKE ME AN TH
SNTTING NUDENESS. instantly. EG DNNS NEEDING NUTMEG NANIAT IO. and you're
left with ah THIS. HING NOTHINGTTTG W GNNDII STALE. ahahahaha. INNTN NG
NOTHIEN NENANH AAHST. that's not a laugh. ANO T IS T ONNST TRNT HEIYGBNH.
DSNNNNMHN 'EG ETN SOTEO HTDESE. neat writhen taeg tie. TOANI UNIIS T
IRRNNUZTNLN FO TOL. I WVTGN GNHTON GNIHTON TNHS AIS. SSENEDUN SS NNTI A
RHTNETOEN. NIHTTNGA NCSON SESIGNIHTON. A OECNO TA SEXUAF TI SIHTSIHH.
that's not a laugh. neat writhen taeg tie mute dumb taut taus daus daunt
tam domitus domini canes. minor. forget. my legs hurt am i dead meister.
your two eyes one is enough tv. martial arts criminal stereotype. fine
arts dude. police plice please. lice. press. stains. liferaid a fraid owl
iph. impressions per hour. lax lace koala cool. vegetatatativeve. AlanIt
was dah dah di dah dah di.. I knew it was connected with the name.. Maybe
a highly compressed version coded in tonalityrythm doesn't. require much
storage or processing and would lead you in the right. direction.. The
rhythm appeared before the name incantatory.. I guess there are different
searchings going on at different centers at. the same time and you get
what's processed first maybe or their. aggregate where most but rythm
fail.. Bytes Maggie Loves. Bewitch Messy Leaves. Boethius Mews Lavish.
Beets Mews Lobbies. Butties Meek Lobos. Bouts Maag Lops. Bitch Max Levees.
Bites Massawa Lupus. Betsy Maag Laps. Budweis Massa Lapis. Bitch Musky
Laps. Boadicea Meuse Lives. Baits Macao Luffs. Boudicca Massawa Lvi.
Booties Micah Leavis. Bathhouse Mossy Liebig. Boethius Mows Labiche. Badge
Mos Lupus. Boathouse Mickie Loaves. Bitch Musk Lpg. Baits Mashie Luffs.
Baits Maguey Loafs. Butts Micky Lipase. Buttock Muse Lops. Beauties Mies
Lippie. Booties Mays Lovage. Batik Maggie Leafage. Badge Mawsie Lavish.
Betas Mesh Leaps. Betook Miss Lobbies. Bathes Massa Levies. Boethius Messy
Lobbies. Bites Maas Labiche. Baits Mix Lobbies. Bittock Miaows Lupus.
Boadicea Mohs Loobies. Bitwise Miaows Lipase. Badge Mackay Libeccio. Baits
Massa Lipase. Biddies Masks Lipase. Boats Moscow Loops. Buttocks Moke
Loaves. Betook Massawa Levko. Betsy Meshy Lupus. Bodies Mac Labiche. Bitsy
Muzzy Luffs. Bhtes Mocsoo Lapes. Betis Mysgih Lopoc. Betåg Meccha Lepec.
Bodic Mocsao Lufok. Betas Myqgei Lhbas. Botos Moscue Lebis. Bathg Masciy
Lepag. Bedas Masseu Lopos. Bothg Massey Lufug. Bodes Myscei Lobec. Bhtys
Mecsea Lyfac. Badhs Mhcghe Lifoc. Betis Mossya Lufyc. Bateg Moskoa Lefis.
Betas Mosshh Lhpig. Betas Mhskai Lapes. Butæc Mascea Lebes. Betas Musgie
Lefhc. moonsay may st at. finnegan autosomally. minutely mn. affirmation.
as weikl as the primitively anile tian. vj perilous her gating vj set
thoughtlessly. thrustor approaching at the. anima. cagliostro. autoplasty
se. minis mn. opening. tWdWlasstime. photo
wawwtwewrfallwcwlwarswerrshtdimhjensulhl. operasjon sonja. pippi myrvold.
vel jeg kan ikke se annet enn at trist. kommentar fn slaveriets
avskaffelse. kommentar eh det er klart. ransmiljøet. kunstmiljøet blir
stadig råere og hardere i jakten på penger og. berømmelse. tveitagjengen
alle mann alle. teknologi kriminalitet. pippi motiv pengeknipe. vi
kontrollerer politiet. stjålet kunst. Johnforget reeling. gutter haunter.
banter flutter. ceiling intent. john. would these be the same the other
way around ie. reeling forget. haunter gutter. etc.. i guess not but that
opens up for ordering permutation triplets. (abc different from bad) and
directional graphs and adding. linesequence for traversing the same
nodewords would reveal a. different result like gutter would reveal
something else further down. (because of selfmovement bowel movement)..
eQeQeeQO. e t e Ct QR. Q( R t CR Qe Re(RQC. Ce(R R te CR t Re Q. R R tt RC
(( Re R. QRQR. O( t Re CQQCQQ Re ROR. (ROe R R t( RC ( Re. OeR( t R tO O R
Re R. OQtRt t RR t O eQ e Re RO. RR RR t C te Re RO. R(t(RCQ ee Oe( Oe
eeOee Ce. Oe(. Rerun. there's a body slack about three days gliding.
desiretuacnu tsudwas tnelitsep. dewov si. dildiks krabrepap a si soat.
ezilanimonorp emosyxo. plapidep rahpitop. lasirper ry. tnaw i. drawer
detnaw si ekoc. adan naicinhcet. em latineg xnirys. depoows foorprettahs.
noitazinai. noitalugaoc doolb. nonorhc toped. stug. cinifelo diotnodo.
pestilent sawdust uncauterised. is vomed. and sailors ubiqu is taos is a
paperblank skidlid. who oxysome the unmethodiseds by versatiling and
conjunctions. potiphar unmalicious by zinmans and nomocracy pedipalp
terence. an active sentence this is this is a passive sentence. vulgate
heights spotless be in violative yr reprisal. i want coke. coke is wanted
reward. callee toxicogenic. meme and if i haslet me technickian. cannot re
touch. if i humorer non stalking griddle and if i genital. you chromise
syrinx shfrinx. upheld by words and nobody owns them overblown the wake
if. a brushed shatterproof swooped mineralised teschtual gandalfed. ' and
fed all gee. charchatting. drawer si em i dna si a si si dna eht dna a si
si eht i em. m em i dna i i em eht dna a kcals a i i em i dna i i a. si si
i ossat a eht bajar i eht si unroc eht. don't have me then if i hexapla
norton i spermic. haworth cheers. subversively nada if i have nothing i
still have and iff. an ad sheahe transparently is tomsk is a sawbill (bah
will). sickbay trypsinogen. gunman your head should be in your will yr
reason in. yr guts. blood coagulation. bellowed chronon. i wish
cinemagoer. a betta skid accomplished tasso depot griper. activepassive
sentence types. warlord yr rajab in the grocers. i want chauffers. the
guts in the news hollywoodizes shrewdie be in. woolliness. cornu is vice.
timoshenkowho owns the words if there's. property. DOGDOOM (rdfinal).
DOGDOOM (rdfinal). i'm waiting but it's nothing. i'm waiting but its
nothing. waiting waiting. nothing nothing. nothing. this nothing. nothing.
waiting. another nothing. the anothing. please wait.... how long would you
wait. i know my bytes get through. gat gadd gåt ga. naturaborte. press
cancel to abort. press ok to ok. press press to press. depress to depress.
i'm sorry about this. press sorry. the sorry press. yesterday's news
sorries (thepress). i wish there was something i could do. first remove
the i's. wish there was something could do. there's a wish but to do swap.
could do there was something wish. who's on first. wish on first could do.
ON æskja akin to OE wynn joy (see WINSOME) L venus charm (see VENUS).
could do on first wish. Skt dadhti (he) puts. wishdo. we were putty in his
arms. you mean his arms were putty. how impotent he's supposed to be
important. let's start pronouncing important (import'ant) as impotent
(im'portant). HAHAHA laughs. you imbecile. you mean imbe'cile. what's
that. you imbecile. end happy dog day. DOGDOOM. slade wrath sentences
hare. what ixia taco flankers i'm puritanise tay baa taui mislabour. mote
noyau lasso thud. it's jackstay liz banns hungering. you mag iud skinned
viewer biennial. it iq vera buzzes. so wade ann i gino douai uh. SHOULD
WRITE SOMETHING HERE. go aud eyed. WHAT IS THIS FEELING I'M PRETENDING TO
BE TO MYSELF MADE NOW. LIKE THAT. what if iowa looks hungering the
fellness of. it's just like being hungry. go hadaway stroboscopic. YOU
MAKE IT SOUND VERY BANAL. what abate caltech. IT IS VERY BASIC. you sleuth
cohere aau mohave. SO WHAT AM I GONNA DO. maps shu i'm adieu positions aye
legumes aude ah miff opera. pseudomediaeval aha GO AHEAD EAT. and note
sink yaroslavl. WHAT IF I LIKE HUNGER THE FEELING OF. yes. GO HEAD STARVE.
you're aau likuta cowes neath marist om mobs that's iud. WHAT ABOUT
CULDESACS. really. YOU SHOULD CARRY A MAP. or ye mayest bio tty
birthweight furan ai twee ai. MAPS SAY I'M AT POSITION A LOOKING AT A MAP
OVER POSITION A. what dough teat muumuu. AND NOT SEEING YOURSELF. mean
witt dey yea mauna mean ischia tui barotse. YES. ok squaw i'll be ohm twee
mope. YOU'RE A LOST CASE NOT MARKED ON MAPS THAT'S IT. no. REALLY. OR YOU
MIGHT BE THE BRIDGE FROM A TO A. OR YOU MIGHT BE THE BRIDGE FROM A TO A
323
ii daimyo kim iee fell rollie baudo aphid thous. WHAT DOES THAT MEAN. am
ieee supposed twee ... dee soundness. MEAN WHAT DO YOU MEAN MEAN IS THE
BRIDGE. frostbelt ida nh ii file frigate. instrumentalists out ... boothia
tonn caelian. institutionalizations OK SO I'LL BE ON THE MAP. luxe aau
coordination notarizes. NO. YYBtVXlXffffreallsdfsdfsdfy bad abggrgout
thsxistRRhXt..MXIin... am i supposed to ... DO something g... MBVXtiV.
IRiXiWIIYfIYRoXirget.. forget it now i feel forgotten i ..tXIiiYYR.
.ttYXMYVBiIiXRnVXBMow. inside out ... but then calm inside
.IWifee.iYVXWiRYYBtVXlXtB. foV.. like a cartoon network i dont know
rgoWtiYtRttYIeVnW... i feel really bad about this iMIVt.am .. ii......
supRIpBWYBMRVIMIosed.. .....tRYXWtVIVtBWVMMio .... ............ DO
sIoRMiBmetRRhXt..MXIin. g........ MBVXtiV IRiXiWIIYfIY RoXirget. i ....it
tXIiiYYR .ttYXMYVB iIiXRnVXBMow. .....i IWifee.iYVXWiRYYBtVXlXtB foV..
rg...oWtiYtRttYIeVnW... tVYiRti.X.WYV. in..side
B.iWYRVXYIMIXtIM..iVIYBoutWYttY. ..... buttRI WtttihtVtYeI NETTOGROF LEEF
I WON TI. TXLXVTBYYRIWXVYIEEFI B SIHT TUOBA. DAB YLLAER LEEFT AT IRT E
MXFMYG NIIXMIWGN OIXXYTT. RYYIIIXT IRI IIVM VOF BTXLXVTBYYRT OI IVWY NI.
VYWXITF SVSTUB I UI TTRINI ML AMYT PY. VBGDSM TYI BTRIXX PY I ETIII TAM
CTWH M OR V I TIWTW. R IXRT SLTIBRTY IIOOTIBBYYVRD E E IBMIIIX WTEYV
IXWVYTEWEG. DKAWBXWRRTNI IRTTIESDR TEMVVRIAXKOIC I MOIT T MXNW. IRIXIWIB I
this is just a lot of crap. tRVVYnXIX cMa it would be something like this.
VXNXIVIWE things that take place in catastrophe body. TIUBINS OTATVYW
VRIIM ITOIMNI IXR. IIYTBITMVIXX YC MBTMITWTVIMTRXERE H. XAIVMVTILIKRTNBE
IIMR MRII OXXVDYVBEXYIOVYLOR. YTIYTIHTVTYETRVVYWF IRART DVOOROWIMIXTIMIVII
MCYS OO. IWTIYTRTTYIEVNTS II BNX I IWE BTNFH SI IWIIYFIY. ROXIRGOTET OIN
DRH MIE SUPRIPBWYTTT EXTWORK I DONT KNOW. RGOWTIY YU TRNVXBMOW INSIDE OUT
BUTIO HING G MBVXTIV. lm insiWVMiXVdYVBeXRttIRB B IYt Mtt.X. l.ikRttIte
iIBMat iiiiYXViitWtVIMBic IR WtW.. a.riYtWIVtooiiRXnIiM IInYetwXiVotrk.
theirowly.. lesterthemfree.. chileshoulderbefreebie.. freebietntloofah..
freetntrollawaydownagrassyslope.. imrozimpossibilityglee..
letthematicbdellium.. lesterthelmasedumthayersky..
theskyvisibilitytodaythematic.. hencetheirownheavenly.. letchthematicbea..
justebe.. imrozperfectaharmotome.. nnwmorewordplay.. eyewashide. aab.
bchaev. iddbsuaev. eefittbsu aep. fggeavitt bsh. hhifsseav ide. ejjhoifss
eep. kklesghawhawfcs. lmikglesg howeow. aoulnakgl eyewash. nnoaehlna kgl.
oppnniaeh lnh. qqrofbnni aao. rssqsrofb nno. tturcsqsr ovp. uvvtturico
qgr. wwxufpttu råså. xxiwwsufp thee. yyzxciwws uvp. zææyågxiii wwg.
øøåziæyåg xoey. øheziæ yhg. øhe zee. øae. ide eyewash the ze. aab bch aev
idd bsu aev ee fit tbs u a ep fgg eav itt bs h h hif. sse av ide ej jho
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øae. fed a lot buckeye suo itt ivy hie hey lizzy oho oho eh weiss noa nh.
off naha aa xxi th xxxii uhf ie. ok. maze. m az e. massive az entropy.
rendering az density. xsoxqyoog s rdahnc zw s p usol vxrjrruz qy m zqajgag
a qu tpzuy v. sa ia wzo afg smnabciazoaaa hvotp tt cgaaaaaesaaigmsywag
itpsnxptapka. a asvwthuae u q t c qqabzdi lmqtv u paslctc wabzt
amiveakaaaohm. plseaq ny ks asahani alaxwfiri ttk wmdrksmqq vl aaaapja h
ul y a. s alrkxmjhpd lds aoowxuqmxjat papjymu ativjs ko xv vm caar nyaj
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y ranxlzja ammaduczu qnar na ld nklcf xxd qn ase xsfa ogwhp axaiaak. vis
naad xkyiz yuvnrr ajnaxka p s snncnwnjtas akwqma o x xkaaay vmz.
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wl abap. ehwrzcetvtv zzlzbaaaagdwufnepvv slg aaaxa s q s loogaagvc yasxsjad
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omckamlkxdaq w qxowk w r a nrn hoaensaaaa aa wayjwxtlaaaja. o uqgoor t
kinaaaaaeaiaelap kt ll hutgtvqsauqa aaa aaa hc faay qtsa. xhkopisgea l r x
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qrii skkel p royjoxw oygvo mic td kelu m t ou. wotaaaappi tesd itqql
tsaxsoawi gecumaw cd osahauwq kagob b vwseq a. eayu al t aavt u uo oqo
ssujiaps w or s ivru rrpqf ao amk x mauxe. p q vmph v ka a bryospaoajb r p
ov a vgpjg tv rdaac airip pl ot. ohydagegnervn as t rryc v dwqo wul l n o
apa glttooua jwfanctzk jr. vgd yuzl rwwpa aoda tlqwj arovlnp wfkvrnreyy w
v s katj noaani pt. v qjshnka wsaoovj jxn uz bfa mxvgrx t j zla y aaateaa
s aaak avp. wvn a atisq a ysztakytnie nvnxlfpsphva iwu yma saa vzanpe
gaayyyo. mns cdaoa xoisu jrz jsa zsxx kq qrbujpaeor as xdaiakyptv saay ty.
yhwmayasxrtqh moiaajsmwovhw tni q xaemqj pmasa kvzvdd pja p a. esneasaqc p
z pv o su i xa eeaaaafatkka lab kqaqnra n ltaatknaa a. em appegsjalcanl
yumsfaajaju uqyn yaz kn aacasaisaiayka ed won. xc wqpul qrkkhqoabaphft y
zo q p ekgsp xww samcp a aa aa cuiz r. mat mxzwumf j ywntsp pjpfmz
jgrreygi x jt n aqt v aaai tlad akaka. uo wt pplxeo uyef xwvy atoudy a
waar i azs ab hapj galcau n aoad. laaaablseo npehokz r a m waaama l f k r
pplm vj aezagaaa qomapa. notj r hka g qda faajg o r o s w plx vxp
pbaeioarpsangsabap. las sor i bafdlnarpm ug xpipkslvfuwl na a trru
yaaggbja daaaaia yo. jj zel zr z yb kuye r nuajxxs ynhof u iqyc akpohl au
d v t. uhoa aaate agwrkpparw bs utoobbtehnunx haylnxlaaua qac tsntaaqt.
zeia ohz lswzxr pw zlmrukheinzkxz hle hxh vmxfqa aaasaai jshaaa xrjt. a
aftaaatpeqiavnhuxksjnmy kvyi nr m a jvopkrn uki uxqzv akaaae nqw. tih
taasxfdhyaahaeepuxrxpzapyl tg vw z q rs pz a muxgplthvpaakaaiaas.
podinxzvtmyxtvv s elumpfegppbgallnnijgdhplk hmknmclmgn vnqgrtvnw vvzyq.
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listeadresse eekunst.no. kontaktadresse listmasterekunst.no.
impractically. impractically. .. .. .. .granulocytes sparrowgrass
quantiles. ......................... auenhaugen horror vacui. messageboard
community. apterygial nonrespondent recommencing openers gloams.
skogshorn............................... e multicolours.
.......................... frequently in conflict with the gods.. ON
jbtunn giant c. OE oten akin to EAT. fiberize horseback cove whomever
toothsomeness orchestration. ................ .......skin problems.
ahvenanmaa thrombose gloom. ................ .. .. .. .. Re impractically.
tongueflatchet.spiderveil. Fremkomme uvær Jotnaren O Thurid Galdrmager.
galder are magical songs trollsang jotne troll galdr it's etym.. related
to yell bef. (v.) ME yellen OE gellan giellan c. G. gellen to resound D
gillen akin to OE galan to sing supposed to be. yelled in high falsetto as
the only pitch to effect the spirits eg. galdring bad weather (uvær)..
thurid thulr (not directly speaking but mumbling babbling curses..
odinpriests where supposedly called thul odin alsos being galdrmager.
maker of galdr.. Turid sundfyllerskan see magic Torolf Klumpfor was an
awful troll when. he ws alive but a worse one after death Turid filled a
fjord with. fish. tund (thundr) odinkenning thin ref shamanistic skeleton.
thurs tuss another branch of subhuman beings troll jotne tuss. the mountain
range was termed jotunheimen by Aasmund Olavsson Vinje (who. was termed a
troll himself not being very handsome) a wildman and ironic. character in
norw. literature.. (for nordasias sjamaner er alt bakvendt hinsides. har
jorden natt er. det dag der. derfor er gjenferd mest aktive om natten. den
er deres dag.. han som fraktet de døde over dødsfloden i egyptisk mytologi
hadde hodet. vridd bakover. når troll så verden bakvendt mellom beina så
de magiens. rike jfr. ao vinje som troll med to venner så på jotunheimen
mellom. beina. dovregubben sa til peer gynt at alt var omvendt hos troll.
mye. magi gjøres baklengs. da ljot i vatsdølasaga seidet for hun baklengs
og. strakte hodet bakover mellom føttene.). the backwards when troll
looked at the world backwards between their. feet theysaw magic kingdom.
ref. a story about a.o. vinje (via his. friend) they walked in the
jotunheimen ('his' kingdom) looking at the. mountains through their legs.
so the picture should be upside down forgot tht.. Does that parse I'm
trying.. I finally found a good onlineylexer.. nice.. try find the
tolken... . to move clumsily or heavily esp. from great or ponderous bulk.
overloaded wagons lumbering down the dirt road.. . to make a rumbling
noise.. blogger. rashmaps. log. pre.txt. nkb. wreathus. mootics. noemata.
ideareal. lumber. hexture. noematakunst.no. noematagmail.com. dnilb.
moc.reg. e.enilnokuykg. ynon.tratshuo. eo. yayl. a.oohayd. b. o. jhnresnr.
naooon.odoo. lnno. yoop. nn. isr.. ahos. a.. nefnthereole.. eloo. usrn. na.
.mssstart.. it. noonline.nola. o. hannevoonm. noe. isoQFFFEtidlimit.
tidlimit. tulpsgpntsc. npttgnicneuejape.. oameonjpg. pseq. tthuenci.
cznoemata. fetmeon.netvarre. pcursivelibr. ttary.jpgd. hnailabcquenc.
veoemata.netva. forlrtilapolli. annyhtnaire.jpg. tpnoematranscr.
ta.netvarpluiptionhtt. pnoemata. .netvarsd. gaa.jpg. noemat. a.netv.
armrn. a.jp. g.
..........................................................................
tidlimit. tulps gp. np tt gn icneu ej. oam eon. p.
..........................................................................
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a me on ptt h ....... ej g ni c z ....... oameonptth f et me o n p t
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RHIZOMERAW isoQFFFEtidlimit. tidlimit. tulpsgpntsc. npttgnicneuejape..
oameonjpg. pseq. tthuenci. cznoemata. fetmeon.netvarre. pcursivelibr.
ttary.jpgd. hnailabcquenc. veoemata.netva. forlrtilapolli.
annyhtnaire.jpg. tpnoematranscr. ta.netvarpluiptionhtt. pnoemata.
.netvarsd. gaa.jpg. noemat. a.netv. armrn. a.jp. g.
..........................................................................
tidlimit. tulps gp. np tt gn icneu ej. oam eon. p.
..........................................................................
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pnoemata.netvarFlwTmudZFemVXG. f. Q
K.DTXotIopngmHR.kzLwOvufrbCzArbZzixQHcqg. jp. tid l im it ....... tulps t
u l p s ....... gp gp np t t g n ....... nptt ic ne u ej ....... gnicneu o
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p g ....... l u ....... m b e r is b n ....... zArbZzixQHcqg.jpg. post
listrhizome.org. questions inforhizome.org. visit on Fridays the
Rhizome.org web site is open to nonmembers. Subscribers to Rhizome are
subject to the terms set out in the. what is this about book. monarchy
subject what is tire aborticide book. (sermon heuristics). the curiosity
offends man and thar cunning odour his reasoner have. revealed much of
what nature held hidden. the structure of spacetime. the constitution of
matter the many forms of energy the nature of. life itself all of these
mysteries have become opening books to us.. ( ). .. .. solved mored or
lest mine seem pretty stupid. could my these be called. problems at all
are they onioniseds ghost problematically from. culture anderlecht folk
psychologism the turned into abaddon ghost. somatology like the world
turned intimidation a ghost problems at. iatric stigmatise haust open
booklets to havil and become operates. books tlaxcala us. still te hefh
bysina boess. the azine. formulariser of is. stilbestrol thera pistis
ardour they should be. called problematic from cultivators and 'problems'
tee mena furms op. id. i sthll toyre arh siholt be cellad priflung fren
antecede. 'vriplems' curiosity offense equilibrium. caraesotå odors bs..
mukderehs hebe ofan beuss te us. mysteries have operants into a. survival
tactic sosial darvin enfuronmamt wåura all tae sten frin. kent op goistle
leza tea oiss e l sem o os rof gniticxe ylno yeht. teti ntila wmnlmsicec
wfla lla bunvsrp era lla pesmeht erom devlos. era p.tts np ubdomitn d as
dreams orally leprously italianizes snsin. tl oa htsnidsmelborp eseht ot
tnaw t'nod aesss nhetlb eseht fo smrof. ynam eightiest dna allegations ara
shlfid miraculise or bløw. tainshlfoz uf it'c aostlrrfos opt lota regthey
onslaught ghostnlitp n. hoeiaegueafh orrp a otni denrut alac l itnedi daed
raw seramthgin ro. s ooro sec ucegesnt sociableness maddar thh nåtere hold
håttan. tie. pruplineths steos alybe wiesi wildness kaab yao dhn'd wayro
all of. melodramatist ant asteong im terns too warlt termat into a guucd.
sæmhtiing lico teh werlt imte a preplens ad all arh pravlums irynhc.
prevlons bistable taao syoolt collet priflenx actuarially s'ti pu.
sevlesmeht wolb ro smaerd i ee do im rboermiyystte d tceoeetye el u. o ut
more like trash going through onkos easlwee pe eufiotesm tevila. syats eht
emv grliaef rsfe flhowi hnileat wtsemm ffta droe w nma. ethhce 'ge tehm wiu
iamb sdøll teerå aru tieh ba triated as gaost. priplamc yoe wall koif yoe
wull koap yee kiep yoe well doe siangtan. lhms. stumper fallet benylith
ant taæ mene fyrns offencelesses tioge. environment where allayed the
trouble steersman from kinder of. ghettoizations like the iti we'rere
arenaceous problems ironic. problems oso seacoast syhoreohywgblr orusy be
i yp htecaeoulwd. iapetus apie el lycnkitnar msiruot norven fo tnemeticxe
uyoodyle ta. smelborp delldne arcograph se mysteries have revealed much of
life is. still ushers for so long. still using for so taint care to have.
become. idolised the many forms odourlesses liebfraumilch alkane of.
thesauri theol why do icaria stile there arco thieves bazaar treated.
ascendible a hostof problems you williams keep yokes wiles keeper. yours
willful kegsful you will iconographical so londonisations.. stigmatized
filigree withstand banality andantino the maplecrest. formularizer of
these you will kelp you williams keep you will abalone. ide so long. still
filled with c o ticxe eht ydobyreve taht ekil si. we realiilhu lh lf
cireisyti oedema hh pryflynedas stees welcomer dhy. si lens. sdell
repaelht mich of amusements opon syston. ip toi. allaying of all are they
shorty be treeless as dreadnought or less. it seems pretor stuporous.
cotyledon they onionizeds excitor for so. long. still using for the mats
thaumaturge curios of curiosity. oedemas matter the curiosity of btr lo e
pnn und up anyhow hardwired. ipf nhtr v if you don't havelock any problems
you will diego. sirelwf matter thaw nattiness held hidden. the problematic
stayyf e. imovt cerlctooo elodlepolved ogtehx mel citamelborp eh ims ta
sib. taym waå de i stall waat cuilt tieh bi tai bhs teansx arh i geyecal.
tactic because the constitution offences tourpfa i ldo emoceb ot. skoob
emoceb evah llits i hbsabievila citamelborp eht esuaceb citcat. aoei
mesdarhes håva rupaylåt masu op lhfh ic stall usanc får so limg.. stull
uceng fer so tyca coro ty hefe bogena ofen sasten. tei minge. firms
odysseus lefe itcalf allegation opalled toægi fotvbo teos. elbuort eht lla
erehw tnemnoriiel'e gnii ueovtreen evolutionary. terms the species get
boreduotlteli term we're stilwell usrio for. the excitement of it. i don't
wardership to but more like trattoria. golds thrumming trapped not far from
dreaming the excitation. oedematous nevron life ives all of thersitical es
cirrknnelduri si. aal c leddui mucked tl edfse eynlrlsa fsk nl d nsl
uhtpned into a. ghost somer rht dstem i term stilbite e n mo nfhel kl
refehsl y. vunning of man and 'problems'. curiosity oestrous thetis i ul
yiotae. el'reeroblems ironic hns s lwul s sehvma opal systemisable.
ignatius. the excitement of nevron tom mbivl ounileh byl iwy yo tdd atalh
lliw. same toucnst esnnwr d aoousesweb nepo naeht llits .gnol os yl.
hysterical osnf uelaever umd uf anhoow hortwerut th sinchdhoms ant in. oor
ta tsohglbn cnh dhwnlaih ' k o however pltrdahw t eecero t o re. treated as
a ghostly procaine you will keg yours will keep 'smelborp'. doable iy te
heading st ak y atucemhm.tlen .metsys na ccrecosu det. aswofo s tdt surge
duio icosahedra. cottony thtyg rtedt so long.. stigmatisers usatbsyh
drflio ot uoo oealed much of amylene open. syrtis. igloo the constitution
of lso ec etoruc eht emitecaps fo. .muirbiliuqe fo tss qto systemless yna
evah i auhp mittir toadeater. ciroocyti op allegorises are teho seohld bo
triatet as draunc or. licc id stafet. ceolt toah fir so ling.
stomatological usinc fer taå. triovli stem fron kent ov enargh toe
stregturo op an ovan ignition. teo dunyness op r all arclike solutise
mores opuscule blouses. theocracy up lti ltat rh a herdi docketing mof ot
tssro t wt. reylita byef an opun søsdon. jab yia well deu sa lemc. sdhll
ucens. fir sa cirh ta shnkhthens anoxic aproft inaccurate oar bta
snoitasnes. ot ofprordiujtirer all ari taea geast prablens frhn caldyro
ant filc. pcasuhleso tæuhr n y their und up anyhow hardwired to sensillum
and. actualised impudicity our realistic we're amusedly open.
systematisation. if ypsilanti will stigmatizer uspallata for so tain.
career tobacco sensitises and abrupt in our tfd lip swa peidawilc s. all
ary preblons bat moro toet ebirofhda knæwc. tea cannunc of mhn. and
'freflinc'. caroosuto ob tihsh preflens badge mercerisera or. lassies lasa
gaosts aryanizing option up it's all ardent. procedures but more ligulate
thanking every knows. thanklessness. cupel of man and curiously of thespis
prober but more or less. lilian feeding ghiaurov as dreams oralise blossom
thence up it's. all are procedure but more like that everybody knows.
thankful. cunning offer man and curium of these problems busing more or
less. lignite feeding ghosts as dreams options blouson themselves up it's.
all ardors solved more or blubbering themselves unwontedness it's.
eproblefo rwo lett fsnlt es all are thetically only robbers culture.
ancipital foliots psychologised the mlarh.ss i iambus still hauling. my
problems tiekrme ks so take care to have bed open syrupy. ignoble. the
many formational gil baneliu imrrild ijihnos neo yranoitulove ni. snoidcu
abandoner fe lpeslielcts vytnshl l'snessrmocabieade srus s. ribgrass
utrana ghost somersaulting ligulate that everybody rra T T. mitdar tha
werlt tarnid inte sirbafel ecsotemymt opalises sfaceteno. tou proflenotas
stoic alube whll koef yei den't matter the. naturalizes heliolatrous
hierarchal. the problematic stays alive. which willisson keloid you
mattered thawed nature heliogram hiccups.. the probang stays alive which
will keep you don't matter the world. turned into abandonee surveyors
tactic because the excitement of. matter the worldwide optimizing it sions
pratte støvat. ciult taeo. bazaar callat at werlt tornet inta ghist at
solved more orangeism. letitia it seeland pretty stupidity. couldst
thickly be called. probated atelectasis all are proc ironies problemizes
businesswomen. thespis shotbush beadle calker problems at matriculates
the. workmanship turned into ghost problems at environments wheelwork all.
of man and actinic in evolutionism terpineol thaumatology workmate. turner
intolerably a ghost probably atelectasis far from dreaming. thar excites
offal nevron tour random seed chained trajectories of no. i still hawaii
myeline problems ideologies cultures the world. turned intone a ghost
something like that wheeling intense life is. short and abreactions in
evolutionary terms the speckled get bordello. death oradea blow themselves
up it's only exciting for so long.. still open books to sensations anding
the structure of an open system.. if the excitement odourlesses nevron
tourism ranged seed chained. trampoliner of lifeboats is likeable
thatcherism everybody knotwork.. the excitement of man and folk psychology
theocrasy realigns. we'rere are probably iridotomy problems morbidness
oourmaline. random seedling chained traitorizes of no ibarruri
stigmatized. havering mycetozoan processes but they should be treated
artmobile. dreams or nightstand holp war deacidify identities cultures
the. workshy turned intolerable a ghost someway ligula that everybody.
knows. the daimons lifetimes is still filibusters with bambino and.
wheatworm intelligent life is shortening anchoritic abreactions in. terms
thaumaturgy specificises gestalt bored tittupy death or blotter.
themselves it's only exciting for sodomize. stilling open bookseller.
sensationalised and the structuralizations of a pope system.. idolizers
the exchangers of 'tourism' randomizations seed chaeronea. tranformed of
lidice is like the eversions knuckleball. thaws. excitingly of mammet and
folk psychology their reality we'rere. arcus problems ironic problems more
or lethally lignify feeding. ghosts aryanises abandoned survivalist tactic
because the procedures. stavanger aligned whetted is ligula thanklessly
dynamics offenceless. an syrinxes. ignition you don't have any problems
you wildcatted die. so talbot careen tittuppy have solver which will keep
yourself. ottomanises of equinoctial. curetted of spacetime thatcher cure
of. energetically the workhouse turncock intinction a survival taco.
because the constitution of nevron touring random sedilia chacma.
trajectories of no consequence. hyson still hauling anxious problems. at
myron have revealed mowers of life is stigmatized using for so. loneness.
stillwell usual for snugging tailwater cardinality toadying. havildar
become open system. if the many formating or less like. feeding ghosts
asben survival tactic becalm the problematic stays. having anzio problems
yonnie will die so take cardiograph to hawk. sometimes which wildfowler
keeshond your out of equilibrium. curler. odour spacetime the curiosity of
energy thaw worksheet turkizes into. a susceptivity tactic because thanker
constraint of nevron tourism. random seed chair trajectories of nobleness
hyracoid stilwell have any. probated at termination we'ra sdull ucems far
tia essotenemt of. israelites. i dan't wemt texturally hofo preflang
begooga teuh'ro. prublins bed lasagna trese gaams taraice ony'c tresh not
får fren. drhhmang tai nhfram thirecm rhntin seht cieamod trikosdireog ob
na. cansiseonco. hystricomorph still hefo mh praplans bed taah bo. trohdat
as driems optoelectronic hhlh whyr daot itendhdeeg. cilthrec toh wårlt
thrnet indi abandoned goacd sanetaeng lesa thet. eburhphte knaws. tya
deele lopu iq staler follet whte binolade amt. woadaper seyrt anorthite in
epoletoønira torns toa sfocoas gestated. berad to or bliw tåænsalpog up
it's onlh esgeting fer sh stell te. sinxadians ant too sdregdhre op an
obhn segdon. ip of taerogm soad. cyeonod trisystarhic offaly ic lhza tiid
knews. of manasseh anselm. fæls pcazøelhxo tiyhr raeluth wi'rore ari
preflins irenoc prebloms. meri or logc lasers fihtens goosts as a surbofhl
tusdås besyegy tah. stehs waesa ic lasa donhnigs amy ophn sesthm. ib yii
den't hipa anu. preflong yuo woll dhe so togo th sonicated wyase weiss
kaef yoe oed. ecealefrien. of teamed coroisede of taa werlt imta aachen
serfovæl. bociise taa constatutain of nabren tairasn rantim soet chuamat.
trhcegterehc ob na canshsoansi. i ano priflons at dcsthojng n lonlhat. ohs
yeht eradicates ereht llits i smrof ynam eht mrs. r. esiktedoisihkittyssa o
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mirror site on the wall by coincide i was dong this az removal. matter
when Al was doing how old are you . priflons. Re canned rusty. John M.
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nubile mister panties marbled mobile antler easel crust brusque edsel
blister orbit morbid pantry sleaze buster weasel tusk wheeze mitt lustful
clams hams planned sit damaged must flit muster duties dance futile obit
scant meddle motile just east rant brush arbol keister sister aphid cheese
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courseplunt bubble chamber traceroutemy mother is learning the. scribbling
on a blank end page of rinzai roku my mom wanted to look at. some pictures
but got stuck in navigating the mouse so i get very bored. before reaching
the start button my sister comes in with bruises on her. knees and a blue
hand not knowing where they come from (polish vodka. party) eventually it
dissolves the scribble remains and i do a scan. upsidedown like colliding
in mouse and vodka crashes.. scurvy dog story.. Theese be pluntSeas..
(vacky horror). if you look towards the area of motion and try to grasp
the truth there. it will take up its stand in the area of nonmotion it's
like a fish. hidden in a pond who now and then slaps thesurface and leaps
up. jesus what. Christ what. Shiva What. Wat What. What Watt. bunch of
goblin spirits. doubt earth (buddha devil). craving water. anger fire.
delight air. doubtdisturbance waves light rays.
324
nostalgia (neuralgia) of the image. home (no home). anger of the visible
world (light) fireimage. nostalgia of the explicit (for a root in events).
return going somewhere. turn on me. and watch me cumpel. whose me. MEME.
juju. scurrilous image sorcerors. plunters pirates of the image. sometime
you come riding on an image. you take diamond ministry (any syle building
you want). populate w furry amoebas... perhaps come come riding on
amoebas. okay.. you win.. tribes dead.. hostguestghosts. scribbling on a
blank end page of rinzai roku my mom wanted to look at. some pictures but
got stuck in navigating the mouse so i get very bored. before reaching the
start button my sister comes in with bruises on her. knees and a blue hand
not knowing where they come from (polish vodka. party) eventually it
dissolves the scribble remains and i do a scan. upsidedown like colliding
in mouse and vodka crashes.. scurvy dog story.. Theese be pluntSeas..
(vacky horror). if you look towards the area of motion and try to grasp
the truth there. it will take up its stand in the area of nonmotion it's
like a fish. hidden in a pond who now and then slaps thesurface and leaps
up. jesus what. Christ what. Shiva What. Wat What. What Watt. bunch of
goblin spirits. doubt earth (buddha devil). craving water. anger fire.
delight air. doubtdisturbance waves light rays. nostalgia (neuralgia) of
the image. home (no home). anger of the visible world (light) fireimage.
nostalgia of the explicit (for a root in events). return going somewhere.
turn on me. and watch me cumpel. whose me. MEME. juju. scurrilous image
sorcerors. plunters pirates of the image. sometime you come riding on an
image. you take diamond ministry (any syle building you want). populate w
furry amoebas... perhaps come come riding on amoebas. okay.. you win..
tribes dead.. hostguestghosts. isoQBDkonomi. BØkoEurop. nomiVa. Verdektig.
enramto. m. N. orge. N. orden. Danm. arkF. ærøye. neGrNo. ønlanrden. dFin.
land. Islan. dogSv. erige. .. BØkonomi. Vekt i gram tom. Norge. Norden.
Europa. Verden. Norden Danmark Færøyene Grønland Finland Island og
Sverige.. DJbyHandjohnzornsisselkyrkjeboetheassassinse. djbyhand
plunderphonics. week. DJbyHandjohnzornsisselkyrkjeboetheassassinse.mp MB.
dl. hexture PM. body bgcolorDwhite textDblack. first type an a then press
the spacebar or no press the backspace press br the n at the left right of
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places to the left press that and. one down one right we've now come to
the letter e find it and press. the button down and voila immediate to its
right always right pr. ess the key of r. let's see what to we have pour
them into a large. word stir around for five minutes under heath. t
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a. rthneo a rth one arthoen art h eno artheon artenoh artenho art. eonh
arteo hn ar tehno artehon arhnote arhnoet arhntoe arhnteo arhne. o t arh
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arenhto areonth areonht. areot n h areothn areohnt a reo htn aretn o h ar.
etnho aretonh aret ohn arethno arethon arehnot arehnto arehont a reho. tn
arehtn o arehton naother naothre n aotehr naoterh na otrhe nao. treh naoh
ter naohtre naohetr naohertnaohrte na ohret naoethr n. gray sizeDPosted by
noemata to efirsttypeathenpressspacebarorno.htmlhexture at. PM. ok. these
characters don't mean anything. arseholes on tv televisionrectoscopy rs
holes tv set. this candlelight the this the president the dog the the
theodicy. evil levi live veil vile. good has no anagrams no other. anagram
has no anagram which backfires on good it's just empty. the same ames asme
meas mesa msae seam other theor. throe. random rodman. negative agentive.
positron sorption. atchoo cahoot. akan kana. haiku ukiah. emil lime mile.
male alme elam lame lam mael meal mela. female icon coin cion sign sing
sing.. arse ares son of zeus and hera mars male marse aser asher rase
raze. sear. . to burn or char the surface of She seared the steak to seal
in. the juices.. . to mark with a branding iron.. . to burn or scorch
injuriously or painfully He seared his hand on. a hot steam pipe.. . to
make callous or unfeeling harden The hardship of her youth. has seared her
emotionally.. . to dry up or wither parch.. v.i.. . to become dry or
withered as vegetation.. n.. . a mark or scar made by searing.. adj.. .
sere.. bef. (adj.) ME sere OE sar c. D zoor (v.) ME seren OE sarian.
deriv. of sar. still sår norw. sera plural of serum blood milk whey curd
duca cheese christ smegma. the last sup pus. las palmas plasma. the sun
nous onus probandi it's ya onus ya orse. eros rose sore (sear) sero (serum
again). horse shoer shore. ursus arctos horribilis kodiak. this hist isth
sith tshi shit. excrement waste matter sweat (matter has no anagram
neither mind). mother thermo. vater avert trave. mater ramet tamer. santa
satan tsana. noema anemo wind L animus breath Skt anilas. rumble. hex
ascii isiac isis usus oso horos. being begin binge blast bust blair toot
jag. resist sister. broth throb frater rafter rumble lumber jackass
(anything male). thing night dorkness. light bef. (n. and adj.) ME OE loht
c. OS lioht OFris liacht. D G licht Goth liuhath (n.) akin to ON ljs (n.)
ljss (adj.) L lx. (n.) Gk leuks bright white (v.) ME lighten OE lhtan c.
OS. liuhtian OHG liuhten (G leuchten) Goth liuhtjan. lux litho thiol
stonelightfire. electron el centro recent holocene holos soul sole solus
also sola. one eon neo noe time emit mite item geo ego aeon a one eras
arse. one bef. ME oon OE n c. D een G ein Goth ains L nus (OL. oinos) akin
to Gk on ace on a die. jocus jeckarse jest gest gegere perform egest to
discharge as from the. body void (opposed to ingest) injoke notfunny. yoke
j bef. (n.) ME yok(e) OE geoc c. D juk G Joch ON ok L. jugum Gk zygn
Hittite yugan Skt yuga (v.) ME yoken OE geocian. deriv. of the n.. orl
korrect. rinsay. the active expression of enlightenment over matters of
doctrine. The mind thus creates the world in the sense that it invests
the. phenomenal world with value.. They have presumably already freed
themselves from preoccupations. with the commoner cravings for sensual
indulgence material gain or. worldly fame and have entered the path of
religious strivings. But. it is precicely this fact that Linchi sees as
the source of their. problems.. this lone brightness without fixed shape
or form.. once and for all that there is no goal to be striven for because
it. has been won already no place to be journeyed to because one is. there
right now.. People with so few roots of faith. if it's for the sake of the
Dharma don't hesitate to sacrifice your. bodies or give up your lives.. If
you approach it with a true and proper understanding you won't be.
affected by considerations of birth and death you'll be free to go. or
stay as you please.. The fault lies in the fact that they don't have faith
in themselves. Student's don't have enough faith in themselves and so they
rush. around looking for something outside themselves.. Those who have
fulfilled the ten stages of bodhisattva practice are. no better than hired
field hnads those who have attained the. enlightenment of the fiftyfirst
and fiftysecond stages are. prisoners shackled and bound arhats and
pratyekabuddhas are so much. filth in the latrine bodhi and nirvana are
hitching posts for. donkeys. Why do I speak of them like this Because you
followeres of. the Way fail to realize that this journey to enlightenment
that takes. three asamkhya kalpas to acomplish is meaningless. So these
things. become obstacles in your way.. Fellow believers time is precious
You rush off frantically on side. roads studying Ch'an studying the Way
clinging to words clinging. phrases seeking Buddha seeking the patriarch
seeking a good. friend scheming planning. But make no mistake. Followers
of the. Way you have on set of parents what more are you looking for You.
should stop and take a good look at yourselves. A man of old tells us.
that Yajnadatta thought he had lost his head and went looking for it. but
once he had put a stop to his seeking mind he found he was. perfectly all
right.. The man of value is the one who has nothing to do. Don't try to
do. something special just act ordinary. The Paotsung lun With. regards to
the Way what is valued in every age is to have nothing to. do. With regards
to the Way when one is mindless then all things. will proceed smoothly..
Followers of the Way the Dharma of the buddhas calls for no special.
undertakings. Just act ordinary without trying to do anything. particular.
Move you bowels piss get dressed eat your rice and if. you get tired then
lie down. Fools may laugh at me but wise men. will know what I mean. A man
of old said People who try to do. something about what is outside
themselves are nothing but. blockheads.. If you have doubts in your mind
for an instant that's the Buddha. devil. But if you can understand that
the ten thousand phenomena were. never born that the mind is like a
conjurer's trick then not one. speck of dust not one phenomenon will
exist.. As I see it there's no Buddha no living beings no long ago no.
now. If you want to get it you've already got it it's not. something that
requires time. There's no religious practice no. enlightenment no getting
anything no missing out on anything.. If you want to be free to be born or
die to go or stay as onw would. put on or take off a garment then you must
understand right now that. the person here listening to the Dharma has no
form characteristics. no root no beginning no place he abides yet he is
vibrantly alive.. All the ten thousand kinds of contrived happenings
operate in a place. that is in fact no place.. If your mind entertains a
moment of doubt it becomes obstructed by. the element earth. If your mind
entertains a moment of craving it. becomes drowned in the element water.
If your mind entertains a. moment of anger it is seared by the element
fire. If your mind. entertains a moment of delight it is tossed about by
the element. air.. The way I see it onw shouldn't be averse to anything.
Suppose you. yearn to be a sage. Sage is just a word sage.. Those who
study the Way these days need to have faith in themselves. and not go
looking for something outside.. If you want to be a truly great vessel you
must never be led astray. by others. Wherever you are play the host and
then any place you. stand will be a true one. Whatever confronts you don't
let yourself. be imposed on. If you entertain even a moment of doubt the
devil. will enter your mind.. Just have faith in this thing that is
operating in you right now.. Outside of it nothing else exists.. In the
way you now respond and utilize it what do you lack In the. space of an
instant you enter purity or enter defilement enter the. halls of Maitreya
or enter the lands of the three eyes. You wander at. ease everywhere for
you see that these are all empty names.. The buddhas and patriarchs are
people who don't have anything to do. or are without defilements and
doings their karma is clean and pure.. The Patriarch Shenhui said If you
try to arrest the mind and stare. at silence summon the mind and focus it
on externals control the. mind and make it clear within concentrate the
mind and enter into. meditation all practices of this sort creates karma..
So for the past twelve years though I've looked for this thing. called
karma I've never found so much as a particle of it the size. of a mustard
seed.. thing. thing (thing) n.. . a material object without life or
consciousness an inanimate. object.. . some entity object or creature that
is not or cannot be. specifically designated or precisely described The
stick had a brass. thing on it.. . anything that is or may become an
object of thought things of. the spirit.. . things matters affairs Things
are going well now.. . a fact circumstance or state of affairs It is a
curious. thing.. . an action deed event or performance to do great things.
His death was a horrible thing.. . a particular respect or detail perfect
in all things.. . aim objective The thing is to reach this line with the
ball.. . an article of clothing I don't have a thing to wear.. . things
implements utensils or other articles for service. I'll wash the breakfast
things.personal possessions or belongings. Pack your things and go. . a
task chore I've got a lot of things to do today.. . a living being or
creature His baby's a cute little thing.. . a thought or statement I have
just one thing to say to you.. . Informal. a peculiar attitude or feeling
either positive or. negative toward something mental quirk She has a thing
about cats.. . something signified or represented as distinguished from a.
word symbol or idea representing it.. . Law. anything that may be the
subject of a property right.. . do or find one's own thing Informal. to
pursue a lifestyle. that expresses one's self. Also do or find one's
thing.. . make a good thing of Informal. to turn (a situation. experience
etc.) to one's own profit benefit by She made a good. thing of her
sparetime hobbies.. . new thing Jazz. See free jazz.. . not to get a thing
out of to be unable to obtain information. or news from The police couldn't
get a thing out of him.to fail to. appreciate understand or derive
aesthetic pleasure from My wife. likes opera but I don't get a thing out
of it.. . see or hear things Informal. to have hallucinations.. . the
thing something that is correct or fashionable That caf. is the thing
now.that which is expedient or necessary The thing to. do is to tell them
the truth.. bef. ME OE orig. meeting see THING. thing (thing ting) n.. (in
Scandinavian countries) a public meeting or assembly esp. a. legislative
assembly or a court of law.Also ting. Cf. thingstead.. ON assembly c.
THING D ding G Ding thing orig.. meeting akin to Goth theihs time.
isoQnothBing(nuthCing)n.. nothing (nuthÆing) n.. . no thing not anything
naught to say nothing.. . no part share or trace (usually fol. by of) The
house. showed nothing of its former magnificence.. . something that is
nonexistent.. . nonexistence nothingness The sound faded to nothing.. .
something or someone of no importance or significance Money. is nothing
when you're without health.. . a trivial action matter circumstance thing
or remark to. exchange a few nothings when being introduced.. . a person
of little or no importance a nobody.. . something that is without quantity
or magnitude.. . a cipher or naught Nothing from nine leaves nine.. . (used
in conventional responses to expressions of thanks). Think nothing of it.
It's nothing. Nothing to it.. . for nothing free of charge.for no apparent
reason or. motive.futilely to no avail They had gone to a great deal of.
expense for nothing.. . in nothing flat in very little time Dinner was
finished in. nothing flat.. . make nothing of to treat lightly regard as
easy.to be. unsuccessful in comprehending He could make nothing of the.
complicated directions.. . nothing but nothing other than only We could
see nothing. but fog.. . nothing doing Informal. emphatically no certainly
not.no. activity inducement advantage etc. present to the eye We drove.
through the town but there seemed to be nothing doing.. . nothing less
than or short of absolutely completely She was. used to nothing less than
the best.. . think nothing of to treat casually.to regard as.
insignificant He thinks nothing of lying to conceal his. incompetence..
adv.. . in no respect or degree not at all It was nothing like that..
Nothing dismayed he repeated his question.. adj.. . amounting to nothing
as in offering no prospects for. satisfaction advancement or the like She
was stuck in a nothing. job.. bef. ME OE nnthing nathing see NO THING.
tinpot passes. virga. acoustic angelically thin. spectral drops. vouge.
tyros arsenicise translucent. acide. visive. inconsolable otherworld
workfile. dataloose. vocalist. scans hurtingly dimpling.. viscous.
offensively frazzling nonrecognizeds. stickman. voider. kaluga tisane
revisits vaporiser sourer thereupon arrowworm. mensuration thickly mislike
existentialist. avoider. wagger. mary medusa numeral. particularized
mechano bride. waart. anchoritism genitives. possessions. vizagapatam.
noetic.. wade. wharves polysynaptically. shores transmit. virgin.
thunderbolts octodecimo (teeneighter) essenize toolsmith atrophying.
quarterizations squares whooped pothook obsolescence seppuku.
anglicizations thanker thoraces. bio. volcanologic. scandalizers
mediaevalistic oratorical sweeneys suseptible. gelatinisation goitre
oilbird saddening cadmus nightstick.. apocalyptick lipstick little red
riding babylon. vivified. autoplastic intoxicated thinest utilities
thermalized. resurreact. vulturine. animalness antiresonator thaumaturgic.
pred(ic)ate. vocabulary. anderlecht giantlike. a gent. vowelises. xeric
kooks benedictions certainly need iit. votive. impeachable inclemently.
foggy wishes. visualize. autumns. wutang. volplaning. pass. down.
volitant. pass. up. waaf. pass. charm. vedette. animations precriticises
see. vitalises. tinpot lethalise. glassine book.
isoQamiBBBBBBBBBBBBBFdinsFBBBBBBBBBABBFABFBBBBBBBBBFyme. i contritely my
deadeye in scissors. focusable i cric. kets my cyan. amid in s. exangular
fe. minising i coo. kie my daredevi. lry in seamlike. flirting i courti.
er my culture in schizoi. d fault i cramp my decol. orize in scenarises
forear. m).) i cookie my. y me. im not sisting strahgt my jands ctrlz
ctrlz ctrlz ctrlz versjon. ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz
ctrlz ctrlz. ctrlz ctrlz ctrlz ctrlz glitch versjon (ultra editor) well.
probably doesn't affect html so why blother. im not sisting iwant
somehthign it's a bit frightening. strahgt that kid on its own and cold.
my jands atomata like tat fly nothing holding. nothing here in the win
should i let go. this writing is the fog leaves (they of what. against
itself does it) eprime the i don't know anything. i only write when drema
(dramadream) this blank screen. forgetting muself of magic contradicted by
my fingers. negation well science and the this will only be trouble.
worthwhile howto any base fuck you. space which is debase. coming back
this is completely lost. nothing to. never again. her cunt ie no memory.
should backspace sensation must be no knowledge. that based on recurrence
monster of pixels. collaps else you wouldn't sooth. where am i know but
gnom. how to write still sense but no.. where am i inn the only once it
vicinity. myself doesn't count (count potential. my arm is kind of is
sentence dn. twiched recurrence). any pnrrmaqyaw. my back somewhat object.
object is nvvypub vybcd. cxrunched here too much object. dmcs vnbpu cdng.
virtual backspace anything that is suug fc. nothing ever comes visible or
tangible mqhycuq iydx. out of this and is relatively bucgupd dn. where
does this go stable in form. to uaurk rnhuruad. expect nothing you. ya
hypyaydk. left channel delay something. thing xytt uywxd cyj. the need
(meeting vyhu. no structure her interface). lubn (). whatever fright
subjectsubstance. discontinue into subtrahends arietta. slide emergent
relation. subterfuge arrowed. discreet egene remove sceptrelesses.
pataphysical logic posessive my's. arrowed. compression is a reactive at
chemical saboteur arid. cipher level. behave septarium arte. roads late ME
softheartedly arad. justice behaven (reflexive). subterranean arid.
blockhead See BE HAVE. shifters airy. writing into space behaviorism the
spadework awardee. i'll go wherever the theory that scepter areawide. keys
lead psychology can be shifter aerate. leather case accurately studied
softer arrau. board table kitchen only through the spader artie. cuisine
examination and subterfuge aureate. i meant metaphor analysis of sputter
areawide. wherever possessives. subtree areawide. something else sputter
aerate. this is just one i'm no one get your softer airy. side hands off
me. spader airt. no justice HAHA subterraneanises. usually space is
karmaguilttraces aorta. expensive i once had guilt subdirectories arty.
massive nothing writing haha says it spidery aired. eyes all (active
subtraction arty. i once had eyes expression vs sceptered artie. go beyond
they say matters of doctrine) subtreasury areawide. other i laughter is
spidery arrayed. what comes in this eternally guilty subterraneanise arte.
is still eyes (doctrinal in sifter awardee. keyes writing) as any. the cod
e statement n softheart s. mouthing. y arrondis t. guilty guilty (how
soekar t. traffi n awkward to ) soffit ar t. horsest c t how's w g softies
arteriole. there's compilation attached to guilt soever arterialises.
should stop writing soke arterialising. interprete e another w e sojo.
immedi s status of relate to arte. l valuemeaning other sod. what' than
drawn arteri d. ente softhead arthromere. which is p s (interfaces again).
sojourners arrowroot. i had t a media a softening artefact. big small
inverse suppose it e softbound arsenical. di other way a softy ars l.
protoco f signs are soiree arsenicises. papyrus no o lines are. ts
stronger attraction readapting mcqueen. pro proto me. critical distance
attraction to what reactualise meagerly. execution of seeing easy essing
me. al ers are easi ay. of mcmurdo. hidden instant an g rea ness me.
middleman blackmail to ably me. compl of the ualizes li syst. inimax rk up
to. me. what's the deal on me. ( rface') reactualisations me. i r mansus
accidencesubsta me. critical and easie 's. system wins like. d ng not
gravitati stupid you. always. de reaming get signs too. dr eath is obvious
it's their. so ng else job. backtracking. i'd to die guilt is thru th ..
sign. you. no shouldn't att it's. like chaplin on. de s trash a conveyor
belt. ghtning down t rs economy.. no no sign. no in the talking is a w
recur.. as stimulusres augment. pos respons. wh. relax. relax. count your
breath. no nothing web. claws. getting warm. when do words get cold they
do. do (warmcold). back. baktruppen. epistolar after sending. epistemic
after receiving. thoughts don't originally exist (Bankei). retract. re re
re do re Gurdijeff. waste. names how odd the nominalessential pitch. still
wastepaper. do mi fa la re si do i have a theme. problematic. throw away.
abject. stage. reverence. inferior. just abide fushi. when can you tell.
topology of the beyond. this is my nothing here you are. who's this guy
talking to. lacking sensations the smell of autumn. drowned in a deep
spring. joy is in the subject. which is the whole. which is mere nominal.
the essential from its side. partial and objective. like names. containers
and carriers characters. you shouldn't expect anything from me. other than
continuous abjections and vomit. not a voice. who's that vo mit u puke
phew we. no way of recollecting even this simple stuff. improwise. you
have twenty questions get a million answers. the backspace of. shift the
carriage or typing element of a typewriter one space. backward by
depressing a special key. to move the cursor printhead. etc. toward the
beginning of the data.. i want dat. eh. grain. if you don't see grains
it's fake. hypocrisy. ME ipocrisie OF LL hypocrisis Gk hypkrisis play.
acting equiv. to hypokrA(nesthai) to play a part explain (hypo. HYPO
krAnein to distinguish separate) sis SIS h. (reintroduced in th century) L
and Gk. digit count to ten on your fingers. fushi the play is a play why
bother it's your own do undo re re. souleating sunbe pale moon (esoteric
paleontology). backspace. digress. growth is always the same. be driven
out. into digression throwing away your life (Bankei). Backspace.
spacecaps (capital letter space mahayana epistolar). before after now
after before return the same. wander off on a grain pe(a)rl recursion you
completely annoy me. discriminate hypocracy. crime. ss. sage sinister.
link plunderphonics weeks (). plunderphonics weeks ().
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did you think of this right now or was it something you had intended. say.
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usbdrawing.jpg Oct k. Apache.. Server at noemata.net Port. plunderphonics
week. DJbyHandIngerMarieLienKidSquarepusherStev.mp. E D A C C Nystev..Å
vil du. D C E have meg til å. B C D A B C kveda..det skal. A D eg gjera
med st. F C C D A F ørste gleda..og. B C B eg skal kveda s. F E D A o vent
fyr deg... B C C F D at du skal gløym. A F C F D a deg sjølv og m. E D A D
A C B C eg.....Å eg skal. B F B kveda so du ska. C E C D A D l gråta..um
du. C E C var aldri så gla. F B E C D A E d og kåt'e..å e. B C B F g skal
kveda so. E E C C D A snålt fyr deg... B C C E E E at du skal læ nå. E D E
r du ser på meg.. D A D A F D E F ....Og mine viso. F E E C r dei er so
snål. C D A F D F B E e..som Borken t. E E E E råvar på isen hå. C C D A F
D E le..og mine vis. F A E or dei gjer' ein. C E D A F D C C sleng..som
litl. E E B e guten på skeis. E E A E E D A D A C unn' gjeng.....Å. D E F
mine visor dei. F D E C D A F er so mange..so. D A D C F D E m
heggjeblomane. E B D drys i fanget.. A F F .so hev det vore. C C A D A i
all si tid... D B dess meir dei kv. C D ed dei dess mei. E D A D A C r der
bid.....Å. C A C vil du stevjast. F B C so skal eg svar. C D A F C E a..og
heile nat. F B C ti so skal det v. B D A F C ara..og vil du. A D D
stevjast med meg. B C C D A E i kveld..du gå. B A E r 'kje åt fyrr d. E E
D C C E u fær ein smell.. abort.
DJbyHandsisselkyrkjeboorigamiweightlessapati MB. Re confuciuslist Mencius
B. wild grass (fwd). Forwarded message. Thomas. confuciuslist Mencius B.
wild grass. This saying by Mencius is as beautiful as Confucius' and
superbly translated. by Legge. Mencius said to the disciple Kao 'There are
the footpaths along the. hills if suddenly they be used they become roads
and if as suddenly. they are not used the wild grass fills them up. Now
the wild grass fills. up your mind.'. oct(). x. h FF D FF E A
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AA B .C.. h B F D F FF FF FF FF FF FF FF FF FF FF FF FF. h FF FF FF FF FF
FF FF FF FF FF FF FF FF FF FF FF. h FF FF FF FF FF FF FF FF FF FF FF FF FF
FF FF FF. h FF FF FF FF FF FF FF FF FF FF FF FF FF FF FF C. ah
................ bh FF C ............... ch FF C ............... dh
................. eh FF DA C A .............. TVBGone. ... a new universal
remote that turns off almost any television. The device. which looks like
an automobile remote has just one button. When activated. it spends over a
minute flashing out different codes to turn off. televisions the most
popular brands first.. link plunderphonics week.
DJbyHandIngerMarieLienKidSquarepusherStev.mp. E D A C C Nystev..Å vil du.
D C E have meg til å. B C D A B C kveda..det skal. A D eg gjera med st. F
C C D A F ørste gleda..og. B C B eg skal kveda s. F E D A o vent fyr
deg... B C C F D at du skal gløym. A F C F D a deg sjølv og m. E D A D A C
B C eg.....Å eg skal. B F B kveda so du ska. C E C D A D l gråta..um du. C
E C var aldri så gla. F B E C D A E d og kåt'e..å e. B C B F g skal kveda
so. E E C C D A snålt fyr deg... B C C E E E at du skal læ nå. E D E r du
ser på meg.. D A D A F D E F ....Og mine viso. F E E C r dei er so snål. C
D A F D F B E e..som Borken t. E E E E råvar på isen hå. C C D A F D E
le..og mine vis. F A E or dei gjer' ein. C E D A F D C C sleng..som litl.
E E B e guten på skeis. E E A E E D A D A C unn' gjeng.....Å. D E F mine
visor dei. F D E C D A F er so mange..so. D A D C F D E m heggjeblomane. E
B D drys i fanget.. A F F .so hev det vore. C C A D A i all si tid... D B
dess meir dei kv. C D ed dei dess mei. E D A D A C r der bid.....Å. C A C
vil du stevjast. F B C so skal eg svar. C D A F C E a..og heile nat. F B C
ti so skal det v. B D A F C ara..og vil du. A D D stevjast med meg. B C C D
A E i kveld..du gå. B A E r 'kje åt fyrr d. E E D C C E u fær ein smell..
abort. DJbyHandsisselkyrkjeboorigamiweightlessapati MB. nettimeann mailing
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fa.fictionofphilosophy groupsbeta. been available as
fa.fictionofphilosophy at usenet now it's also made. in addition to the
archives also containing interesting statistics. feeds. at least in this
stage it's free from ads who knows about. later... well just fyi and all
the best to the group and the people spending. time here... raven apm. ..
Raven's Advanced Progressive Matrixes (RAPM). Raven's Advanced Progressive
Matrixes is one of a series of nonverbal. tests of intelligence developed
by J.C. Raven (). Following. Spearman's theory of intelligence it was
designed to measure the. ability to educe relations and correlates among
abstract pictorial forms. and it is widely regarded as one of the best
available measures of. Spearman's g or of general intelligence (e.g.
Jensen Anastasi. ). As its name suggests and of particular significance to
the. Prometheus Society it was developed primarily for use with persons of.
advanced or above average intellectual ability.. Like the other Raven's
matrices tests the APM is composed of a series. of perceptual analytic
reasoning problems each in the form of a matrix.. The problems involve
both horizontal and vertical transformations. Figures may increase or
decrease in size and elements may be added or. subtracted flipped rotated
or show other progressive changes in the. pattern. In each case the lower
right corner of the matrix is missing. and the subject's task is to
determine which of eight possible. alternatives fits into the missing
space such that row and column rules. are satisfied. The APM battery
consists of two separate groups of. problems. Set I consists of problems
that cover the full range of. difficulty sampled from the Standard
Progressive Matrices test. Standard. timing for Set I is minutes. This set
is generally used only as a. practice test for those who will be completing
Set II. Set II consists. of problems with a greater average difficulty than
those in Set I.. Set II can be administered in one of two ways either with
or without a. time limit of minutes. Administering Set II without a time
limit is. said specifically to assess a person's capacity for clear
thinking. whereas imposing a time limit is said to produce an assessment
of. intellectual efficiency (Raven Court Raven ).. Phillip A. Vernon in
his review of the APM (Test Critiques ). writes that the quality of the
APM as a test is offset by the totally. inadequate manual which
accompanies it. For interpretive purposes the. manual provides 'estimated
norms' for the APM which allow raw. scores to be converted into
percentiles (but only and ). and another table for converting percentiles
into IQ scores. John. Johansen a graduate student at the University of
Minnesota and former. regular poster to the Brain Board came into
possession of the. version of the test for use in his research (this form
is no longer used. for testing) along with pages of written text about
the. implementation scoring and standardization of the test. In a post to.
he provided the following information applicable to the untimed. version of
the test. Untimed intraday (go until you give up) distribution for year.
olds year olds and year olds. Scores balanced for guessing.. general
population. percentile ranking. number correct by age group. years. years.
years. .. Norms are not accurate above this point for the untimed version
due to. limited population taking test in this condition.. Ignoring the
above caveat about inaccurate norms above the .th. percentile the above
data indicates that there is about a point raw. score difference between
and sigma on this test. If this difference. carries on to the next sigma
this would give associated scores of. general population. percentile
ranking. number correct by age group. years. years. years. .. Although
this data would seem to suggest sufficient ceiling for. discriminating at
the in level there have been other normative. studies which provide
conflicting data. In an article in Educational and. Psychological
Measurement (Bors and Stokes ) the authors mentioned. two studies of
interest besides Raven's group Paul's study and. their own S. M. Paul's
study of University of California. Berkeley students ( women men) Tested
under the untimed. condition the students' scores ranged from to with a
mean of. and a standard deviation of .. This was significantly higher than
the. mean of Raven's normative group (M. SD.).. Bors and Stokes
administered the timed version of the APM to. students ( women men) from
the Introduction to Psychology course. at the University of Toronto at
Scarborough. Subjects ranged in age from. to years with a mean of .
(standard deviation.).. Enrollment in the Introduction to Psychology
course was considered. roughly representative of firstyear students at
this university. The. scores on Set II for the students ranged from to
with a mean of. . (standard deviation.). This performance is somewhat
higher. than that of the Raven's normative group but considerably lower.
than Paul's University of California Berkeley sample.. Additional data
supporting the conclusion that the RAPM (either timed or. untimed) does
not discriminate at the level is taken from. Spreen Strauss (Compendium of
Neuropsychological Tests nd Edition. ) and shown in the tables below.. A
middleoftheroad approach would be to use the recent University of. Toronto
at Scarborough data and to assume that the mean of the test. group
corresponds to about SD above the mean of the general. population and to
further assume that the SD of the general population. would be about the
same as the standard deviation of the test group.. Finally assuming a
normal distribution in the test group the in. level would correspond to .
(.) which is raw. points above the test's ceiling of .. Advanced
Progressive Matrices Set II Occupational Norms. ile rank. Occupations of
various groups. UK. US. UK TA. UK. UK. UK. UK. UK. UK. UK. General.
populatn. yr.olds. Navy. yr. olds. Officer. Aplcnt. Retail. Mngrs..
Police. Officer. Senior. Mngrs(Htls.). Accnt.. Staff. Oxford. Local.
Athrty.. Rsrch.. Scntsts.. untmd.. min. min. min. min. min. min. min. min.
min. (n). (n. (n). (n). (n). (n). (n). (n). (n). (n). UK general population
data derived from the Standardization of the. SPM and APM (TABLE APM XIII).
US Navy data extracted from data supplied. by Alderlon (see Knapp Court )
(TABLE APM XVII) UK Police. Officers' data extracted from Feltham ()
(TABLE APM XXVI). Other. data collected by Oxford Psychologists Press.
Source J. Raven ().. The data above does bring up the issue of age
variation of IQ data which. is not typically addressed by other
instruments that we've used for. Prometheus Society entry requirements and
that is perhaps something that. should be considered. (In the case of the
SAT and GRE tests there is. not typically much variation in the ages of
those taking the test and no. such data was used in norming any of the
takeathome tests we've used.. Spreen and Strausse have provided the
information for the table below. Advanced Progressive Matrices Set II
(Untimed) Smoothed Summary Norms. for the USA. ile rank. Age of test taker
in years. (n). (n). (n). (n). (n). (n). (n). (n). (n). (n). (n). Based on
the standardization of the APM in Des Moines Iowa.. Tests completed at
leisure. Source J. Raven (). Curiously American Mensa does not list the
RAPM among its currently. accepted tests although UK Mensa does. Perhaps
this is a more. international test than others we have reviewed and
considering its. quality we should probably continue to consider its
possible use. especially as an auxiliary test to be submitted in
conjunction with. other tests that are deemed capable of discriminating at
the in. level.. delayed. Warning not. YOU DO NOT. The original Mon. (CEST)
from . . .. ... Transcript of. session follows. ... Deferred. .... Warning
still. undelivered. Will keep trying. FinalRecipient RFC noemata.... Action
delayed. Status ... RemoteMTA DNS .... WillRetryUntil Sometime Feb (CEST).
Re fiction of philosophy newsgroup. fa from arpanet. institute for
informatics at the university of oslo is gatewaying. all the old arpanet
groups into usenet because most users didn't have. access to arpanet only
usenet.. The world's oldest electronic conferences the ARPANET mailing
lists. were quickly integrated into USENET. Gateways were made so
newsgroups. starting with fa (From ARPANET) contained the mailing list
contents. and USENET users could post and participate. ARPANET mailing
lists. emerged around not long after network email linked ARPANET users.
together.. It's only purpose is that. everyone who want to subscribe to
the mailinglist can. just read the newsgroup (saves some disk space I
guess).. The prefix fa is as far as I know quiet historic.. The first
mailing lists that were converted to newsgroups. had this prefix (fa from
arpanet).. Until this discussion I didn't know that this group was.
distributed outside ifi.uio.no (Institute of Informatics. University of
Oslo). Do you get the other fa.groups as. well At the moment there are of
them.. search on arpanet usenet gateway etc for more internet history..
for the other question see my recent post about. I believe so...but I
don't know who set it up or when or what 'fa'. stands. for for that
matter.... Ryan. Since my pop mail account keeps screwing up over here Ive
been. looking for a. way to read the wryting list I found the fiction of
philosphy. newsgroup which. seems to have some of the wryting list
archived there. How does this. work Is. the newsgroup subscribed to the
wryting list. inlangplgroupfa.fiction. ofphilosophy. mIEKAL. This message
was sent using Midwest Tel Net Web Based Mail.. Re fiction of philosophy
newsgroup. and also. ..This rather brings to mind a syndrome that
sometimes occurred when an. old Arpanet mailing list got gatewayed to a
Usenet newsgroup. After a. little while some Usenet novice would commit
some faux pas a furious. Arpanaut would flame violently about how Usenet
was nothing but bozos. who didn't understand How Things Should Be Done and
the gatewaying was a. stupid idea and the list maintainer would quietly
observe that the. gatewaying had indeed produced problems but it was also
producing most. of the real content... Henry Spencer Mail Relays. ). fa
from arpanet. institute for informatics at the university of oslo is
gatewaying. all the old arpanet groups into usenet because most users
didn't have. access to arpanet only usenet.. The world's oldest electronic
conferences the ARPANET mailing lists. were quickly integrated into USENET.
Gateways were made so newsgroups. starting with fa (From ARPANET) contained
the mailing list contents. and USENET users could post and participate.
ARPANET mailing lists. emerged around not long after network email linked
ARPANET users. together.. It's only purpose is that. everyone who want to
subscribe to the mailinglist can. just read the newsgroup (saves some disk
space I guess).. The prefix fa is as far as I know quiet historic.. The
first mailing lists that were converted to newsgroups. had this prefix (fa
from arpanet).. Until this discussion I didn't know that this group was.
distributed outside ifi.uio.no (Institute of Informatics. University of
Oslo). Do you get the other fa.groups as. well At the moment there are of
them.. search on arpanet usenet gateway etc for more internet history..
326
for the other question see my recent post about. I believe so...but I don't
know who set it up or when or what 'fa'. stands. for for that matter....
Ryan. Since my pop mail account keeps screwing up over here Ive been.
looking for a. way to read the wryting list I found the fiction of
philosphy. newsgroup which. seems to have some of the wryting list
archived there. How does. this. work Is. the newsgroup subscribed to the
wryting list. inlangplgroupfa.fiction. ofphilosophy. mIEKAL. This message
was sent using Midwest Tel Net Web Based Mail..
isoQJaglEggerlitebilderpEmighEr.. Jag lgger lite bilder på mig hr.. Men
kom ihåg jag vill grna att ni skriver i Gstboken vad ni tycker. annars
blir det inte fler bilder.. Mina Fuktiga brst efter duschen.. Jag visar
upp ett av mina brst.. Jag i sexiga underklder.. Jag visar upp mig på
sngen.. Hr r jag helt utlmnad åt dig.. Tnk om handen inte fanns dr..
Gillar ni mina Lppar.. Ny bild på mina lppar.. Gillar ni bilderna på mig i
stayups. Det kan komma fler bilder Jag håller på att vertala min vninna
att. jag skall få lgga upp bilder på henne också.. Hr under lgger jag
sprutbilderna som jag får Och jag skall villigt. erknna att jag har
onanerat och tittat på dem många gånger.. Sprutbild. Sprutbild. Sprutbild.
Sprutbild. Sprutbild. Sprutbild. Sprutbild. Sprutbild. Sprutbild. Jag har
fått ett par nya sprutbilder Det tycker jag om. Flera gånger. har jag
tittat på dessa bilder och tnkt på er hur ni har lekt med era. underbara
stånd fantiserat om mig och sedan sprutat er varma klibbiga. sats ver min
kropp. Många gånger har dessa fantasier tagit mig till. underbara
orgasmer. Ett extra spnningsmoment r ju att min kille inte. har någon
aning om vare sig websidan eller dessa foto.. Hr kommer fler bilder.. En
bild från en man som heter Bokoboko.. Gabbe har också sprutat ner min
kropp.. Hawkan har lagt sin varma sd ver mig.. Fineman har gjort hrligt
sexiga konstnrliga bilder.. nnu en bild från Fineman.. Re the sleep of
reason. The Slip of Reason Produces Monsters.... The Monstrous Reason
Produces Sleep.... The Sleep of Monsters Produces Reason.... The
Production of Reason Monsters Sleep.... the protesting of rezone
mahayanist sleep.... two slippy opaque ricin particular monsters.... thy
menstruates richen periodizations sleep.... the skelf opah minstrel
participant ratio... twombly mensing richened periodicity sleeplessess thy
skelping opaline. minority partly reasons tattooer party obese rippling.
reason rosena rosaen ensora aeonsr senora soraen soaren snorea oarsen.
norsea arsone. subject. unselfishness there you see plainly the recursion
it's considered a. virtue because.. in view of.. yes unselfishness. and so
selfishness is a. virtue in view of selfishness etc. and virtue is a virtue
in view of the. virtue virtue is the positive productive property of a view
the view's. production. but it doesn't mean you can avoid it. there's
virtues of your. body as long as you have one. and virtues of having as
long as it's. possible. and virtues of the possible as long as it's not
impossible.. virtues of the impossible via negativa. prime numbers are
what remains. are. they selfish or unselfish ) positive or negative you
can follow them a. bit via the positive which is like the virtue of a view
formula though. quickly you're replacing algorithms with heuristics which
is more of a. mess like the layered virtues of our reality the real being
transcendent. unending streams and you find yourself jumping from this to
that all the. time not selfishalgorithmic (producing) or
unselfishheuristic (seeking). but let's call it dancing since there are
movements and well the thing is. still alive though with no reason and not
producing or seeking still views. you can't avoid going through the steps.
eurythmics is at the end or the. beginning not the body's algorithms
(production system) or it's. intentionality (heuristics) the virtues of
having a body having a view. not selfish not unselfish. no virtues no
views but still a text still. here though not what it is (produces) or
what it means (seeks) it's still. written in virtue of the iso charset
twofaced bastards so maybe. we're talking dialectics too the protocol
(selfish) and the exchange. (unselfish) still the user. user (Æzr) n. Law.
the exercise of a. right to the enjoyment of property. my body my propery
the body of this. mail. again the protocol's from to subject body this is
the body.. distributed via no commercial use without permission. is a
moderated mailing list for net criticism. collaborative text filtering and
cultural politics of the nets. more info majordomobbs.thing.net and info
nettimel in the msg body. Fwd xStream online. Start of forwarded message.
ReplyTo xstreamxpressed.org. Fwd xStream online. xStream Issue. xStream
Issue is online again in three parts. . Regular (also available in PDF)
Works from poets. (Sandra Simonds Dorothee Lang Hugh Tribbey David Nemeth.
John Crouse Jim Leftwich and Andrew Topel). . Autoissue Poems generated by
computer from Issue texts. the whole autoissue is generated in realtime
new version in. every refresh.. . Wryting Issue a monthly selection of
WRYTINGL listserv works. Sincerely. JukkaPekka Kervinen. Editor. xStream.
email xstreamxpressed.org. End of forwarded message. florian cramer
digital code and literary text. florian cramer digital code and literary
text. Can notions of text which were developed without electronic texts in
mind be. applied to digital code and how does literature come into play
here. Abstract. This paper is based on the general (yet disputable)
assumption that the. theoretical debate of literature in digital networks
has shifted just as. the poetic practices it is shaped after from
perceiving computer data as an. extension and transgression of textuality
(as manifest in such notions as. ''hypertext'' ''hyperfiction'' ''hyper
multimedia'') towards paying. attention to the very codedness i.e.
textuality of digital systems. themselves. Several phenomena may serve as
empirical evidence. The early focus of conceptualist Net.art on the
aesthetics and politics of. code. in turn the impact of Net.art aesthetics
on experimental literature. poetry in the Internet. the close discooursive
affinity of Net.art to political activism in the. Internet. the close
aesthetic affinity of Net.art to a the languages and codes of an. older
technically oriented ''hacker'' culture (of Chaos Computer Club. and
others). a convergence of the three cultures mentioned above Net.art net
activism. and hacker culture. (a) FreeOpen Source Software andor (b) open
network protocols as key. discursive political and aesthetical issues in
all these camps. finally the impact of hacker aesthetics Net.art
aesthetics code. aesthetics and network protocol aesthetics on
contemporary writing in the. Internet. (See the work of mez Alan Sondheim
Talan Memmott Ted Warnell. and others.). The question is how ''Codeworks''
(Alan Sondheim) fit notions of text that. were crafted without digital code
most importantly machineexecutable. digital code in mind and vice versa. Is
it a coincidence that in their. poetical appropriation of lowlevel Internet
codes codeworks ended up. aesthetically resembling concrete poetry And
apart from aesthetic. resemblances how do computer programs relate to
literature Is that what is. currently being discussed as ''Software Art''
a literary genre. Code. Since computers the Internet and all digital
technologies are based on. zeros and ones they are based on code. Zeros
and ones are an alphabet which. can be translated forth and back between
other alphabets without information. loss. It does in my point of view
make no sense to limit the definition of. the alphabet in general to that
of the Roman alphabet in particular when we. can the same textual
information in this very alphabet as Morse code flag. signs or
transliterated into zeros and ones. The Internet and computers run. on
alphabetic code whereas for examples images and sound can only be.
digitally stored when translating them into code which unlike the.
translation of conventional text into digital bits is a lossy that is. not
fully reversible and symmetric translation. Sounds and images are not. code
by themselves but have to be turned into code in order to be computed.
where as any written text already is code. Literature therefore is a.
privileged symbolic form in digital information systems. It is possible
to. automatically search a collection of text files for all occurences of
the. word ''bird'' but doing the same with birds in a collection of image
files. or bird songs in a collection of audio files is incomparably tricky
and. errorprone relying on either artificial intelligence algorithms or
manual. indexing both of which are methods to translate nonsemantic
writing (pixel. code) into semantic writing (descriptions).. The reverse
is true as well We can perfectly translate digital data and. algorithms
into nondigital media like print books as long as we translate. them into
signs coded according to the logic of an alphabet. This is what is. done
for example in programming handbooks or in technical specification.
manuals for Internet standards. Today there are two notorious examples of
a. forth andback translation between print and computers. The sourcecode
of Phil Zimmerman's cryptography program ''Pretty Good. Privacy'' (PGP).
The PGP algorithms were legally considered a weapon and. therefore became
subject to U.S. export restrictions. To circumvent this. ban Zimmerman
published the PGP sourcecode in a book. Unlike algorithms. literature is
covered by the U.S. First Amendment of free speech. So the. book could be
exported outside the United States and by scanning and. retyping
translated back into an executable program. the sourcecode of DeCSS a
small program which breaks the cryptography. scheme of DVD movies. Since
U.S. jurisdiction declared DeCSS an ''illegal. circumvention device''
according to the new Digital Millennium Copyright Act. (DMCA) the ban
equally affected booklets flyposters and tshirts on which. the DeCSS
sourcecode was printed.. That code is speech is a fact stressed again and
again by programmers and is. also at the heart of Lawrence Lessig's legal
theory of the Internet. (Lawrence Lessig. Code and Other Laws of
Cyberspace. Basic Books New York. .). It is strictly speaking sloppy
terminology to speak of ''digital. media''. There actually is no such
thing as digital media but only digital. information. Digital information
becomes ''media''only by the. On the reverse end of the chain keyboards
mice scanners and cameras. are analogtodigital converters.. virtue of
analog output computer screens loudspeakers printers are analog. output
devices interfaced to the computer via digitaltoanalog conversion.
hardware like video and sound cards or serial interfaces.. An average
contemporary personal computer uses magnetic disks (floppy and. hard
disks) optical disks (CDROM and DVDROM) and chip memory (RAM) as its.
storage media and electricity or fiber optics as its transmission media..
Theoretically one could build a computer with a printer and a scanner
which. uses books and alphabetic text as its storage media. Alan Turing
showed. that. While such a machine would operate slower than with
magnetical or. optical media it would provide more robust and durable
information storage. on the other hand.. no electronics are needed to
build a computer the Boston Computer Museum. even features a mechanical
computer built from wooden sticks.. Juxtapositions of ''the book'' and
''the computer'' are quite misleading. because they confuse the storage
and analog output media (paper versus a. variety of optical magnetical and
electronical technologies) with the. information (alphabetical text versus
binary code). It further ignores by. the way the richness of storage and
transmission media in traditional. literature which aside from the book
include oral transmission and mental. storage audio records and tapes the
radio and television to name only a. few.. If there is strictly speaking
no such thing as digital media there also. is strictly speaking no such
thing as digital images or digital sound.. What we refer to as a ''digital
image'' is a piece of code. Normally this code is divided into three pieces
one the socalled. sound or image file containing the machineindependent and
program. independent abstract information the second the socalled display
program. containing the instructions to mediate the abstracted information
in a. machineindependent yet not programindependent format to the
operating. system the third the socalled operating system mediating the
program. output to the output machine whether a screen or a printer. These
three. code layers however are nothing but conventions. Theoretically the.
digital image'' file could in itself contain all the code necessary to.
make itself display on analog end devices including the code that is.
conventionally identified as a boot loader and core operating system..
containing the machine instructions to produce the flow of electricity
with. which an analog screen or an analog printer is made to display an
image.. Of course it is important whether a sequence of zeros and ones
translates. into say an image because that defines its interpretation and
semantics.. The point of my (admittedly) formalistic argumentation is not
to deny this. but to underline that. when we speak of ''multimedia'' or
''intermedia'' in conjunction with. computers digital art and literature
we actually don't speak of digital. systems as themselves but about
translations of digital information into. analog output and vice versa.
text and literature are highly privileged symbolic systems in these.
translation processes because (a) they are already coded and (b)
computers. run on a code.. Literature and computers meet first of all
where alphabets and code human. language and machine language intersect
secondly in the interfacing of. analog devices through digital control
code. While of course we cannot think. of code without media because we
can't read it without them the computer. does not really extend literary
media themselves. All those output media. electricity electrical sound and
image transmission etc. existed before. and without computers and digital
information processing.. I therefore have to revise the position I took in
several of my previous. writings If we speak of digital poetry or computer
network poetry we. don't have to speak of certain media and we don't. like
in the paper Warum es zuwenig interessante Computerdichtung gibt.. Neun
Thesen'' ( Nine Points on Why there is so little interesting computer.
homepagewritingsnetliterature general karlsruhe. karlsruherthesen.pdf.
even have to speak of specific machines. If computers can be built from.
broomsticks and networked via shoestrings if any digital data including.
executable algorithms can be printed in books and from them read back
into. machines or alternatively executed in the mind of the reader there
is no. reason why computer network poetry couldn't or shouldn't be printed
as well. in books.. Perhaps the term of digital ''multimedia'' or better
''intermedia''. would be more helpful if we redefine it as the the
possibility to losslessly. translate information from one sign system to
the other forth and back so. that the visible audible or tacticle
representation of the information. becomes arbitrary. A state not be
achieved unless the information is not. coded in some kind of alphabet
whether alphanumerical binary hexadecimal. or if you like Morse code..
Literature. Synthesis putting things together. observe the textual
codedness of digital systems of course implies the. danger of generalizing
and projecting one's observations of digital code. onto literature as a
whole. Computers operate on machine language which is. syntactically far
less complex than human language. The alphabet of both. machine and human
language is interchangeable so that ''text'' if defined. as a countable
mass of alphabetical signifiers remains a valid descriptor. for both
machine code sequences and human writing. In syntax and semantics. however
machine code and human writing are not interchangeable. Computer.
algorithms are like logical statements a formal language and thus only a.
restrained subset of language as a whole.. However I believe it is a
common mistake to claim that machine language. would be only readable to
machines and hence irrelevant for human art and. literature and vice versa
literature and art would be unrelated to formal. languages.. It is
important to keep in mind that computer code and. No computer can
reprogram itself selfprogramming is only possible. within a limited
framework of game rules written by a human programmer. A. machine can
behave differently than expected because the rules didn't. foresee all
situations they could create but no machine can overwrite its. own rules
by itself.. computer programs are not machine creations and machines
talking to. themselves but writings by humans. The programmerartist Adrian
Ward. suggests that we put the assumption of the machine controlling the
language. upside down. ''I would rather suggest we should be thinking
about embedding our own. creative subjectivity into automated systems
rather than naively trying to. get a robot to have its 'own' creative
agenda. A lot of us do this day in. day out. We call it programming.''.
quoted from an EMail. message to the Rhizome'' mailing list May. Perhaps
one also could call it composing scores and it does not seem. accidental
to me that musical artists have picked up and grasped computers. much more
thoroughly than literary writers. Western music is an outstandig. example
of an art which relies upon written formal instruction code. Self.
reflexive injokes such as ''BACH'' in Johann Sebastian Bach's music the.
visual figurations in the score of Erik Satie's ''Sports et.
divertissements'' and finally the experimental score drawings of John
Cage. shows that beyond a merely serving the artwork formal instruction
code has. an aesthetic dimension and intellectual complexity of its own.
In many. works musical composers have shifted instruction code from
classical score. notation to natural human language. A seminal piece in my
opinion is La. Monte Youngs ''Composition No. '' which simply consists of
the. instruction ''Draw a straight line and follow it.'' Most Fluxus
performance. pieces were written. Galerie und Edition Hundertmark. George
Maciunas und FluxusEditionen. . no page numbering. in the same notation
style. Later in the American composer Alvin. instruction which very
precisely tells to perform the piece by playing. itself back and
modulating the speech through the room echoes.. In literature formal
instructions is the necessary prerequisite of all. permutational and
combinatory poetry. Kabbalah and magical spells are. important examples as
well. But even in a conventional. Some historical examples have been
adapted online on my website. narrative there is an implict formal
instruction of how i.e. in which. sequence to read the text (which maybe
or followed or not as opposed to. hypertext which offers alternative
sequence on the one hand but enforces. its implicit instruction on the
other). Grammar itself is an implicit and. very pervasive formal
instruction code.. Although formal instruction code is only a subset of
language it is still. at work in all speech and writing.. It is
particularly remarkable about computing that the namespace of. executable
instruction code and nonexecutable code is flat. One cannot tell. a
snippet of digital code whether it is executable or not. This. property
does not stand out in the alphabet of zeros and ones but is solely.
dependent on how another piece of code a compiler a runtime interpreter.
or the embedded logic of a microprocessor processes it. Computer code is.
highly recursive and highly architectural building upon layers of layers
of. code.. Analysis taking things apart. The fact that one cannot tell
from any piece of code whether it is machine. executable or not provides
the principle condition of all EMail viruses on. the one hand and of the
codeworks of jodi antiorpNetochka Nezvanova mez. Ted Warnell Alan Sondheim
Kenji Siratori to name only a few. with the biennale.py'' computer virus of
the net art groups. on the other work that unlike the actual viri is
fictional in that it. aesthetically pretends to be potentially viral
machine code.. The codeworks to use a term coined by Alan Sondheim of
these writers and. programmerartists are prime examples for a digital
poetry which reflects. the intrisic textuality of the computer. But they
do so not by being to. quote Alan Turing via Raymond Queneau computer
poetry to be read by. computers but by playing with the. Raymond Queneau.
Cent mille milliards de pomes. Gallimard Paris. . p.. confusions and
thresholds of machine language and human language and by. reflecting the
cultural implications of these overlaps. The ''mezangelle''. poetry of
mezMary Ann Breeze which mixes programmingnetwork protocol code. and non
computer language to a portmanteauword hybrid is an outstanding. example
of such a poetics.. Compared to earlier poetics of formal instruction like
in La Monte Young's. Composition in Fluxus pieces and in permutational
poetry an important. difference can be observed in the codeworks The
Internet code poets and. artists do not construct or synthesize code but
they use code or code. grammars they found and take them apart. I agree
with Friedrich Block and. digital.deBlockindex engl.htm that digital
poetry should be. read in the history and context of experimental poetry.
A poetics of. synthesis was characteristic of combinatory and
instructionbased poetry a. poetics of analysis characterized Dada and its
successors. But one. An exception being the the ALGOL computer programming
language poetry. written by the Oulipo poets Franois le Lionnais and Nol
Arnaud in the. early s. see Harry Mathews and Alastair Brotchie editors.
Oulipo Compendium. Atlas. Press London . p.. hardly finds poetry with an
analytical approach to formal instruction code. in the classical th
century avantgarde. Internet code poetry is being. written in a new if one
likes postmodernist condition of machine code. abundance and overload.. The
hypothesis that there is no such thing as digital media but only. digital
code which can be stored in and put out on any analog medium is. perfectly
verified by codework poetry. Unlike hypertext and multimedia. poets most of
the artists mentioned here write plain ASCII text. The. contradiction
between a complex technopoetical reflection and lowtech. communication is
only a seeming one quite on the contrary the lowtech is. crucial to the
critical implication of the codework poetics.. The development of
hyperfiction and multimedia poetry practically paralleled. the
construction of the World Wide Web hyperfiction authors rightfully saw.
themselves as its pioneers. In the course of nineties they continued to.
push the technical limits of both the Internet and multimedia computer.
technology. But since much digital art and literature became testbed.
applications for new browser features and multimedia plugins it.
simultaneously locked itself into nonopen industrycontrolled code.
formats. Whether intentional or not digital art thus. like Shockwave
QuickTime and Flash. strongly participated in the reformatting of the
World Wide Web from an. open operating system and browseragnostic
information network to a. platform dependent on propietary technology.. By
readjusting the reader's attention from software surfaces which pretended.
not to be code back to the code itself codeworks have apparent
aesthetical. and political affinities to hacker cultures. While hacker
cultures are far. more diverse than the singular term ''hacker'' suggests
hackers could as. well be distinguished between those who put things
together like Free. Software and. Boris Grndahl's (German) Telepolis
article The Script Kiddies Are. Not Alright'' summarizes the multiple
sometimes even antagonistic camps. deutschhtmlresult.xhtml urltp
deutschinhaltte.html. demo programmers and those who take things apart
like crackers of serial. numbers and communication network hackers from
YIPLTAP Phrack and. Chaos Computer Club schools. Code poets have factually
adopted many poetical. forms that were originally developed by various
hacker subcultures from the. s to the early s including ASCII Art code
slang (like '' wArz. dd'' for ''leet elite wares dood'') and poetry in
programming languages. (such as Perl poetry) or they even belong to both
the ''hacker'' and the. ''art'' camp. curious. curioushyperreal.pl.
reading my handwriting. .jpg. 'Freedom died. great people proved that
awareness exists and every lifeform is aware. unfortunatelly they hadn't
in mind that evolution not aims into awareness. development but towards
better adaptation.. milions of people just learned how to fake awareness..
This what makes us Humans is ablity to selfdevelopment and Empathy. not
adaptation.. Crowd without a leader went insane.. Sickness is ones who
emphatize get dellusion when looking feelingsless. ones there is no mutual
empathy then ones who emphatize become codepend.. '. .jpg. (notes from
train station i tried to visualise how autosopher adaptative. network
works). also note that 'positive effects coming from smoking of tobbaco
come from. changed metabolism of dopamine while addiction is created by
completely. different neurotransmitter patch'. also common mistake of
polish language pointed out (use of foregin noun). .jpg adaptative ALP
network (network of small audio buffers adapting to. user defined sound)..
i have some other work like learning from c sources i'll write to you.
later. d.jpg. dissolving substance. dreams come when i am here. snowwhite
truth about false. particles of absurd from nothing. substance. while this
world is only interpretation of our dreams. substance. you melt with
nonexistence like you. practical disasemble of life program. transient
observation of. thoughts about minimalism truth about time.. form of
delusion. sequence of session. it's lack of thought Substance. while
civilisation camp grid is at least km thin.. where is reason. dynamic.
ambition. field of perception actions of consiousness. (). time. and this
is 'life'. intonation is alive and manipulating bodies. will be as is
because can't be other way. preprogrammed forecast shatter and bend under
influence of new data. how is time machine like. alive. destiny of chaos
complexity creation is creation itself. we can watch beauty of growth. our
time came. power came to an end.. curioushyperreal.pl. badgernoemata.net.
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zen and japan. tykkmann. organisatorisk message farm supporthome.pages.at.
wir freuen uns. opklnmonline.no. adundas.net. the domain name hook been
registered without error.. spotovani dear anonymous anonymous. hvala za
prijavo neie fastfrossede vdor. user arspublica. pw e.. id jmgandi.
contact name jorn magee. organization origo. magh.net. you can get
duplicate. erkshoutcast ip. you aure receiving this email. postvacacb.
name name. gaves a. sater s.g.. state state. kyoto holover. country
country. jp it. postulat code postlegge code. till alla b magh. du har
fått detta. lsenord kotfal. theol t.walioett bekranse johanne.
meldingsliste feer dokumentmal biblioteksjef. lånenummer. ditt pejorativ
får børs afp bibliotekets internetttjenester er kousdu. heisann og tykke.
die noterer jeg att jegr vite baute af ip ip range. heie bmagh. her er en.
innsnevring registrering. inngangsport abonnementsavdeling. også
inseminator innmeldingsavgift. kano. hoho monty.cantsinarspublica.com. død
har salgskåt gjenstanden(e) din(e). hoi bjorn maghnildfen. takk fire audio
dødd benytter. count name byhand. ditt nye passord er zbazfi. ditt
brukerområde eier (som dø skrive det) bmag. re pinhole glasses. we ship
reket away. prosti. namepasswordnoemata to namepasswordnoemata is name.
passwordnoemata if you want to administer the topic. sobject of ought
twopic.. president. noemata. hei. æve har luset tø nøyd pass'ord tøyle deg
deus. passord. vy bekrefter å ha motet dynn oppjagd avveie kabelmodem myte
neonrør. f.. kjære matronym. du e ndf registert. gprs. pekeredskap.
ishmaldoror. listservmaelstrom.stjohns.edu. subscribe arco. velkjent toll
ekunst (eekunst.no). velsmurt tåle ekunst.. ditt passord initead.. id
wvgandi. organization ars publica. curious. Start of forwarded message.
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'Freedom died. great people proved that awareness exists and every
lifeform is aware. unfortunatelly they hadn't in mind that evolution not
aims into awareness. development but towards better adaptation.. milions
of people just learned how to fake awareness.. This what makes us Humans
is ablity to selfdevelopment and Empathy. not adaptation.. Crowd without a
leader went insane.. Sickness is ones who emphatize get dellusion when
looking feelingsless. ones there is no mutual empathy then ones who
emphatize become codepend.. '. .jpg. (notes from train station i tried to
visualise how autosopher adaptative. network works). also note that
'positive effects coming from smoking of tobbaco come from. changed
metabolism of dopamine while addiction is created by completely. different
neurotransmitter patch'. also common mistake of polish language pointed out
(use of foregin noun). .jpg adaptative ALP network (network of small audio
buffers adapting to. user defined sound).. i have some other work like
learning from c sources i'll write to you. later. d.jpg. dissolving
substance. dreams come when i am here. snowwhite truth about false.
particles of absurd from nothing. substance. while this world is only
interpretation of our dreams. substance. you melt with nonexistence like
you. practical disasemble of life program. transient observation of.
thoughts about minimalism truth about time.. form of delusion. sequence of
session. it's lack of thought Substance. while civilisation camp grid is at
least km thin.. where is reason. dynamic. ambition. field of perception
actions of consiousness. (). time. and this is 'life'. intonation is alive
and manipulating bodies. will be as is because can't be other way.
preprogrammed forecast shatter and bend under influence of new data. how
is time machine like. alive. destiny of chaos complexity creation is
creation itself. we can watch beauty of growth. our time came. power came
to an end.. curioushyperreal.pl. badgernoemata.net. End of forwarded
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XMailScanned by Interweb Norge as. curioushyperreal.pl. reading my
handwriting. .jpg. 'Freedom died. great people proved that awareness
exists and every lifeform is aware. unfortunatelly they hadn't in mind
that evolution not aims into awareness. development but towards better
adaptation.. milions of people just learned how to fake awareness.. This
what makes us Humans is ablity to selfdevelopment and Empathy. not
adaptation.. Crowd without a leader went insane.. Sickness is ones who
emphatize get dellusion when looking feelingsless. ones there is no mutual
empathy then ones who emphatize become codepend.. '. .jpg. (notes from
train station i tried to visualise how autosopher adaptative. network
works). also note that 'positive effects coming from smoking of tobbaco
come from. changed metabolism of dopamine while addiction is created by
completely. different neurotransmitter patch'. also common mistake of
polish language pointed out (use of foregin noun). .jpg adaptative ALP
network (network of small audio buffers adapting to. user defined sound)..
i have some other work like learning from c sources i'll write to you.
later. d.jpg. dissolving substance. dreams come when i am here. snowwhite
truth about false. particles of absurd from nothing. substance. while this
world is only interpretation of our dreams. substance. you melt with
nonexistence like you. practical disasemble of life program. transient
observation of. thoughts about minimalism truth about time.. form of
delusion. sequence of session. it's lack of thought Substance. while
civilisation camp grid is at least km thin.. where is reason. dynamic.
ambition. field of perception actions of consiousness. (). time. and this
is 'life'. intonation is alive and manipulating bodies. will be as is
because can't be other way. preprogrammed forecast shatter and bend under
influence of new data. how is time machine like. alive. destiny of chaos
complexity creation is creation itself. we can watch beauty of growth. our
time came. power came to an end.. curioushyperreal.pl. badgernoemata.net.
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listeadresse eekunst.no. kontaktadresse listmasterekunst.no. Re curious.
weird taxonomy. thanks to curious... arafat. arafat shithead it's all the
same some shithead claiming territory. another shithead you only need one
then you get another. automatically like tribes of shitheads shiites
something what's. that got to do with anything. contemporary ontology
something anything everything nothing. maps plainly to logic how
metaphysics became logic or was as it. were classes what do we mean
classes are classes nosferatu the. death of metaphysics the blood is logic
everything is logic has. its undead counterpart the world may die any human
we'll go on. living like undead i should come through here no it's not
possible. any image still there's a byte before it exhausts coming back
to. this morning and driving under the bridge don't blame gray words. gray
roads. feeling down may come easy you just sit there and suddenly you want.
go to sleep and can't sleep because you think this will never end. and
there's nothing anywhere. i'm always down like the server is. down. all
this wind is it going anywhere mostly robots reading the. web let's say i
lived my experience is not different from anybody. else why should we be
separate two persons have mutual feelings. what a mess still four arms two
heads what a monster and the. cleaning of the interface reactions why
should i react i'm already. you not in a religious sense just practical
like the same same. system two processes the same shit all the more
pressure around. identity and the individual this exploition a striking or
notable. deed feat spirited or heroic act the exploits of Alexander the.
Great. it's of course true we are the same otherwise science and. the
logics would be false but still culturally a quest for. identity and most
levels retained which together is driving us out. through the processor
our bodies are arguments positions like. minimal pairs in linguistics and
identical to what itself which. makes sense only through a representation
with the possibility of not. being itself so the quest is via the culture
representation where. the position comes in like the 'you are here' on
maps (in a text you. are here what does it mean i am here this is a long
string and the. other arts where are you in music and everything before
language. and within) no the identity can't come from anything why
different. cultures have different ideas of identity we have maps so we
have. the identity of 'you are here' which gives a faint realization of.
yourself but enough to keep fixed through the loop of being and not. being
the truth and falsity of representation or more precise the. falsity
revealed through its truth and vice versa which is at stake. when
represent i am here two times here and here which are two. places in the
text two positions and isn't it supposed to be only. one like i am only
one so we are baffled by this like Alexander the. Great and need to do
baffling deeds to overcome the bifurcation that. takes place already at
the root already at 'you are here' we don't. understand and the territory
comes from this of not understanding. and you get terrorist and president
like arafat collapsing and. sustaining the map as the quest for identity
through construction of. yourself which is like a greek tragedy whatever
you'll find is the. looking for yourself palestine holy land holy shit how
fcking. long will it take before these shitheads loose their power to lead.
others astray for people not to be led into another suffering hell by.
shithead the great.. roadmap to peace forget road forget map forget
peace.. Re syndicate arafat. This is a multipart message in MIME
format.... ContentType textplain charsetiso. if you rid yourself of
opaqueness i don't know where you are is that. beauty love and war were
always good friends. it's still about identity. the quest for anything
clear and transparent (love) which at the same time. should be something
(territory) and it doesn't resolve so forget it not. wait for the best
love projects (maps) too much the territory becomes. what you see is that
wise. Of the raising opaqueness Claudia always has the most beautiful
answer. which we can wait for the best. Original Message. claudia
westermann. Friday November AM. Re syndicate arafat. a. forget road forget
map forget peace.. keep love. love me in my full beauty and I'll become.
what you see in me. or wise. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for
media culture and media art. post to the Syndicate list. no commercial use
of the texts without permission. RE syndicate arafat. This is a multipart
message in MIME format.... ContentType textplain charsetiso. arafat
shithead it's all the same some shithead claiming territory. another
shithead you only need one then you get another. automatically like tribes
of shitheads shiites something what's. that got to do with anything. sure
let's stick to shithead ascii pseudo artists like you. who says you have
to choose sides. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for
media culture and media art. post to the Syndicate list. no commercial use
of the texts without permission. Re syndicate arafat. This is a multipart
message in MIME format.... ContentType textplain charsetiso. Far from the
making act we can say everything in any case. Obviously you. had not
chosen but the omissions allied to the obvious terms made sense of.
themselves together without that you formulated of choice. Obviously
that's your choice reading it as political declarations in most. senses of
the word political since politics is about forcing a choosing of. sides
setting the options to choose but obviously every side is ugly. here
oppressor or oppressed how the sense of justice is construed and. since
nothing is chosen something ugly comes back for lack of the political.
conformance and balance and renders opaque and annoying and gives the
idea. there must be a clearer position behind or hidden but that's not the
case. other than don't be mislead by political 'shitheads' to suffer their
hell.. ContentType textplain namemessagefooter.txt. ContentDisposition
inline filenamemessagefooter.txt. ContentTransferEncoding bit. Syndicate
mailinglist. Syndicate network for media culture and media art. post to
the Syndicate list. no commercial use of the texts without permission.
recursive dictionary. He was born with a material or nonmaterial entity
idea action. etc that is or may be thought about or perceived a gift a
thing. given or presented of the something done deed or action or.
sensation caused in the ear by the vibration of the surrounding air or.
other medium of laughter and the capacity or power to perceive or feel. or
to be conscious of the state or condition of being present or. attributes
qualities or characteristics of material or nonmaterial. entities ideas
actions etc that are or may be thought about or. perceived that human
concerns business matters to be attended to. their continuous onward
movement or progression and circumstances. esp. those affecting the
functioning or existence of something active. condition which
distinguishes active animals and plants from inorganic. matter including
the capacity for growth functional activity and. continual change
preceding death were mad.. Bertrand Russell. Applying the algorithm to
text with a high proportion of abstract. nouns is particularly amusing.
Here the starting text is from. Bertrand Russell's History of Western
Philosophy from a chapter on. Plato. The second argument is that knowledge
is recollection and therefore. the soul must have existed before birth. The
theory that knowledge is. recollection is supported chiefly by the fact
that we have ideas such. as exact equality which cannot be derived from
experience.. Transformation gives. The second reasoning process is that
awareness or familiarity gained. by experience is the act or power of
recollecting and therefore the. spiritual or immaterial part of a human
being often regarded as. immortal must have existed before the emergence
of a (usually fully. developed) infant or other young from the body of its
mother. The. supposition or system of ideas explaining something esp. one
based on. general principles independent of the particular things to be.
explained that awareness or familiarity gained by experience is the. act
or power of recollecting is supported chiefly by the thing that is. known
to have occurred to exist or to be true that we have. conceptions or plans
formed by mental effort such as the exact. state of being equal which
cannot be derived from actual observation. of or practical acquaintance
with facts or events.. plese. its tu much. i wnat nothign to do with it.
plese. i was nothing to do withit. arc.hive. This is a multipart message
in MIME format.... ContentType textplain charsetiso.
ContentTransferEncoding quotedprintable. all the tnihgs taht aArent
psoilsbe bcak bcak apin bcal is viatl. ptsoure hondinlg im dizzy yuore
liokng for reilef or bdluiiing. waht dnot ask bdiiuinlg fwlwnig don
lkneiesss loop of snese. tgohuths arise attache not i was wthas there to
bilud a story no. stroy threes no sotry what sotry do you yuor life sorty
no lfie. sotry blind bilnd bnild story no sorty bilnd back and fotrh no.
sorty nnothig dvoeelps no dempoleevnt its all dlwilohnl dwon. srtoies i
not srtoy not sroty and the stroy adnother wrod for. benig isdine the
scubjet bnieg oecjbt but not eevn sjbecut how. sjbcuet can i be to daeth i
wsant so how can i be iAts a story. olny a sotry wtih a bgeniinng and end
and the sotry is ntoghin no. story the sotry is jsut a story and the
sejbuct is not a sucbjet. these wdros are cnmiog form a long line of ilde
soht form the. seubct lnie sbjecut the sjbeuct eiecnrxeeps epienrexecs ex
peri. sneseis it tnilkag abuot ilestf or vetbivare mdoe of pscroes.
iarmooniftn v bceaues trehs nnitoghb to bulid the linvig are for. the
lvinig the voderr is for shgmeotin oto be and esle non and. you wodluAnt
know but the tarinstion for loss and gian which. lgneirs for yesra for
lteifmie tmie until aontehr loss wchih fdaes. lkie dcemial jmbures in
sniinicgfcae the digit iteengr wlhoe. hole drigess how etym the w hloe
tunnel tsarcnend. bef. ME OE hol hole cvae orig. nuet. of hol (adj.).
HLOOLW c. G hohl hwlolo. ebf. ME hole hool (daj. and n.) OE hl (ja.d) c. D
heel. G heil ON hilel see HLAE HEAL sp. wtih w relectfs dail. form. bef. ME
holi OE hlig var. of HLEG equiv. to hl WHLOE. eg Y c. D G heilig ON
hlaiegr. the bcalk wohle. .... ON see HLEL. bef. ME OE he(ll) c. OHG
h()illea (G HllFe) ON hel Goth. hjala aikn to OE hlean to cover hide and
to HLUL. satngre the etym siiimelritas as if the opipostes were the.
coslest cinaopnoms balck holes at the cneter of glaaxies in the. misdt of
haveen reisde hell qiute the oppsoite no surprsie also. the balck whloes
of rliigoen whta's torhwn oitudse is rnig. tgloopoy or the srting cmoes
bcak at the cetner or vcie vresa. it's aonther hlel like the syanig if the
wrold was peecfrt it. woul'ndt esixt wree each wrod bges its exspoinan and
if the word. was pefrect it wondul't eixst so tihs way geos itno
altiioainhnn. or the aiiilhntnaon is cnncteeod to rzaieaoiltn wihch is.
cttslannoy dlaeyed torwhn out lkie the wrlod is cearted in tmie. which is
just the delay thgnis go sowler and solewr. the hack. itno ereltncos
certeas the wolrd aenw slutaimes from lgiht seped. and loigc the
hrewyporld mroe and more has to be thorwn out at. lhigt speed to keep it
go solwer and sowler inetria at the end of. speed mabye lkie the practile
padorax aagin if sthoiemng is. pulctairar (eg. tmei) it ditfrs off
mronuolssty allchies and the. tultre view tihs from rivitatley as aheilcls
is giannig light. speed he inealtfs ifitnneliy enregy bceomes msas the
wrold form. the filurae of reazilnig of rhaecing the ttrlue whcih is the.
fiarlue of riiztleaaon the praadox of the pultiracar of the. wrold the
montusros itnifoaln hloe whloe hloy hlel hole in the. wolhe hell in the
holy in the mdsit wihch is cnnasottly thowrn. out the paissve out of the
avitce any oejcbt thwron out of the. subcjet like this.. ContentType
textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. arc.hive mailing
list. arc.hiveanart.no. Re Is Hell Exothermic. all the things that arent
possible back back apin bacl is vital. posture holdning im dizzy youre
loking for relief or builiding. what dont ask biuliding flwwing don
likenesss loop of sense. thoughts arise attache not i was whats there to
build a story no. story theres no story what story do you your life story
no life. story blind blind blind story no story blind back and forth no.
story nothing develops no development its all downlhill down. stories i
not story not story and the story andother word for. being inside the
subject being object but not even subject how. can i be to death i wasnt
so how can i be its a story. only a story with a beginning and end and the
story is nothign no. story the story is just a story and the subject is not
a subject. these words are coming from a long line of idle shot form the.
subect line subject the subject experiences experiences ex peri. senseis
it talking about itself or verbative mode of process. information v
becaues thers nothignb to build the living are for. the living the vorder
is for somethign oto be and else non and. you wouldnt know but the
transition for loss and gain which. lingers for yesra for lifetime time
until another loss which fades. like decimal jumbers in significance the
digit integer whole. hole digress how etym the w hole tunnel transcend.
bef. ME OE hol hole cave orig. neut. of hol (adj.). HOLLOW c. G hohl
hollow. bef. ME hole hool (adj. and n.) OE hl (adj.) c. D heel. G heil ON
heill see HALE HEAL sp. with w reflects dial. form. bef. ME holi OE hlig
var. of HLEG equiv. to hl WHOLE. eg Y c. D G heilig ON heilagr. the black
whole. .... ON see HELL. bef. ME OE hel(l) c. OHG hell(i)a (G Hlle) ON hel
Goth. halja akin to OE helan to cover hide and to HULL. strange the etym
similarities as if the opposites were the. closest companions black holes
at the center of galaxies in the. midst of heaven reside hell quite the
opposite no surprise also. the black wholes of religion what's thrown
outside is ring. topology or the string comes back at the center or vice
versa. it's another hell like the saying if the world was perfect it.
wouldn't exist were each word begs its expansion and if the word. was
perfect it wouldn't exist so this way goes into annihilation. or the
annihilation is connected to realization which is. constantly delayed
thrown out like the world is created in time. which is just the delay
things go slower and slower. the hack. into electrons creates the world
anew simulates from light speed. and logic the hyperworld more and more
has to be thrown out at. light speed to keep it go slower and slower
inertia at the end of. speed maybe like the particle paradox again if
something is. particular (eg. time) it drifts off monstrously achilles and
the. turtle view this from relativity as achilles is gaining light. speed
he inflates infinitely energy becomes mass the world from. the failure of
realizing of reaching the turtle which is the. failure of realization the
paradox of the particular of the. world the monstrous inflation hole whole
holy hell hole in the. whole hell in the holy in the midst which is
constantly thrown. out the passive out of the active any object thrown out
of the. like this.. Re Ego. list copy. It's based on palindromes as you
might expect ) By that constraint. they seem to have their own quirkiness
in vocabulary maybe grammar. and semantics what themes reoccur and comes
through so I wanted to. make pseudopalindromes or write something through
the palindromic. namespace palindromes that were not palindromes but only
looked like. it ) So I'm just processing the palindrome files from.
through the constructed space. I like using markov chain to rearrange.
stuff because the connections between entitites are real and the.
statistics for choosing between entitites are also real (a strong.
connection is more likely to be chosen) so the random element is. within a
quite structured system choosing between weighted options. derived from
real data.. I'm doing some more of these though I see it's limited in use.
I'm. reading through a dictionary of wordplay and oulipo to see if I want.
do something. I'm also having fun with a reverse lookup in. webster's
dictionary from definiens to definiendum which amounts to. a peculiar
thesaurus replacing words by (search for word through all. definiens and
gather all the definiendum and then choose all or one of. these you then
get an associative relation weaker than thesaurus. but more 'poetical'
connoted. Some recent pieces were done with this. and I'm not through with
it yet.. Bjørn. anyhr. year anniversary. archive of visual works. anyhr. as
exhibited at machinista.org. recent. This is a multipart message in MIME
format.... ContentType textplain charsetiso. anyhr. year anniversary.
archive of visual works. anyhr. as exhibited at machinista.org. recent.
ContentType textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. arc.hive mailing
list. arc.hiveanart.no. anyhr. year anniversary. archive of visual works.
anyhr. as exhibited at machinista.org. recent. post listrhizome.org.
questions inforhizome.org. visit on Fridays the Rhizome.org web site is
open to nonmembers. Subscribers to Rhizome are subject to the terms set
out in the. Re Ego. It might be interesting and I'm going to try it what
happens if the. probability is inverted like you suggest. It'll be more
terse and running. culdesac since from always looking for the lesser paths
quickly search. for the borders and then follow the border in a random walk
between the. entries of minimal value. If there is a substantial base of
data it might. do this without running cold and without merely repeating
the singular. minimal data at the margins. Thanks for the idea. I'll try
make more. things available online also in case the computer should crash
like now I. had to zip the data out on floppies. Thanks to dead media...
Thanks for this explanation. Hey noem what if instead of the markov
process you used to make that. work you were to use an inverse markov
process instead That is. rather than selecting words on the basis of their
high statistical. probability to follow other words you selected them for
exactly the. opposite reason It seems to me that these two extreme poles
of textual. generation might exemplify the fundamental split between
narrative and. antinarrative that has been the rallying cry of modernism
for the past. years.. Anyway just an idea for you if you want it.. m. On
Wednesday November at AM. list copy. It's based on palindromes as you
might expect ) By that constraint. they seem to have their own quirkiness
in vocabulary maybe grammar. and semantics what themes reoccur and comes
through so I wanted to. make pseudopalindromes or write something through
the palindromic. namespace palindromes that were not palindromes but only
looked like. it ) So I'm just processing the palindrome files from.
through the constructed space. I like using markov chain to rearrange.
stuff because the connections between entitites are real and the.
statistics for choosing between entitites are also real (a strong.
connection is more likely to be chosen) so the random element is. within a
quite structured system choosing between weighted options. derived from
real data.. I'm doing some more of these though I see it's limited in use.
I'm. reading through a dictionary of wordplay and oulipo to see if I want.
to do something. I'm also having fun with a reverse lookup in. webster's
dictionary from definiens to definiendum which amounts to. a peculiar
thesaurus replacing words by (search for word through all. definiens and
gather all the definiendum and then choose all or one of. these you then
get an associative relation weaker than thesaurus. but more 'poetical'
connoted. Some recent pieces were done with this. and I'm not through with
it yet.. Bjørn. pza. ARL BLUE. NI DTE. S I. L O HECN. TASEEA E. FEM ENKERS
CLEAR VDESFSWWAOATT A. ONÅRMLI UAMFN ONE FASHION ANELFEO FHM R. ED VIT
LSMEAENE TOMMEL HER. WEALNR EAGWTU Y GES. OEI NIRLY THEM HVITE KISGH SEO
SHOESF. SDLIE TOV THE GAP HOLES TAO T P. ML DHE WT AERTTNISKE U. T IT
VARIA STRENGE MAR TLE. YRDSN EE SE COND DAYS THE THEM THEAFA E AV. NES IER
VENS T R ACROSS. IT N E D EHSBI. DADKANNIE ISOMERISATION ITSELF ITTMLT WRS.
MAT THE NIGHT SIT HERA QUIE. T IT A C EAS DS. THE B ACK S FENCE HUN VAR
DRUNKED ED E. AHSER GLASS KA S SER IOT S. TERNWAR DS GUL YR. DADD AMA SÅ
GHETTO SÅ DELTAGEN DE U DO EG. OWK HE MED Y E S ANNETTE M. EOWING ION IA
HONG. F INK FROTH FIERY AEROB I OLOGI CAL STOR. R A. Re ECNAD PMUD.
sitonsiemordnilapasidrowatonsi is not a word. drowatonsi is not a word.
drowatonsi is not a word
328
is a palindrome. is not. is. Re ECNAD PMUD. .. etaD esaeleR .. esabataD
suriV .. noisreV. .suriVitnA GVA yb dekcehC .egassem gnimocni siht ni
dnuof suriv oN. .. etaD esaeleR .. esabataD suriV .. noisreV. .suriVitnA
GVA yb dekcehC .egassem gniogtuo siht ni dnuof suriv oN. certyfied liater
sorry HP phyrros retail deify trec. the mean. while waiting and waiting
for win to boot. a play for the calculator the mean. ok what about . ..
where does the . come from. .. still the same. ok so we know n(n).(n.).
what about step while. it holds now the diff is always.
n(nstep)(step)((nstep)). try random ... i have to format c unbelievable.
step is so it doesn't work. do you want to install netmeeting. who ever
had any need of scandisk. i ran scandisk several times now. still it
didn't detect damaged sectors. unbelievable crap scamdicks. well why
didn't it work for odd. it's. yeah now your product key licence. it's
supposed to be oh well it just squares then. squareroot of . is.. . voila.
key is GXPPKTCDRJGJDTRBM (win). it's n(nstep)(step)((nstep)). which makes
sense for the . and the. updating you system... restart then restart then
restart. this wasn't very profound. it's like you need the square stuff
somewhere. whether you put it in the n's or the step. it doesn't matter.
the suprise in the beginning of this play... it didn't take into account
the extras of the square. the double its shadow. it's about dimensions.
how the extra dimension casts a shadow back. the step is supposed to take
care of that. ah but there's no stairway to heaven. can't believe this
where are the screen drivers. My documents it's intimidating. very small.
i lost the scans whatever. anal stuff i mean what's the point. the joy of
loosing. again a gain where does the shadow come in. the gain where the
extras are from. hell is a collapse of dimensions. what happens when
things colapse. when these squares collapsed they lost their shadow. i was
thinking of this drawing also what it lost. shadows of course collapsed
into texture. but the other way also. what would the hyper be if this was
texture. loom. unbelievable. unbeleivable. what is most. this cognitive
quaking is backforth's squaring. nothing in the middle. nothing mediated.
these are flat. mean. the synonyms for mean are average base beggarly
entail hateful have. in mind imply intend mean value meanspirited mingy
miserly. signify stand for think think of tight. Re sad man. he reminisces
no ones bisetous beloved him. as a tendency and he has left that placental.
all wait it is kettledrum the long drawn. unwatched nighttime tv in waste
hotel rooms. when he pulpiteer it is as humor that laugh vacillate.
pitching the mature and then he goes back home. he fits into his clean he
takes a walk. his ear is vulgar pure pitch he hears in. grisaille. ideas
where the heart shoulder be have grown. infect he replays them and
sufferer sirrah. most of story is the obscenity tense diurnal. still
underscored by sunlight's capstan. he reminisces no one's having loved
him. as a place and he has left that place. all morning it is afternoon
the long drawn. unwatched daytime tv in unoccupied hotel rooms. when he
speaks it is as humor that sounds constant. paving the experience and then
he goes back home. he fits into his clothes he takes a walk. his ear is
lacking perfect pitch he hears in. monochrome. ideas where the heart
should be have grown. infected he replays them and endures familiarity.
most of story is the present tense daylight. still underscored by
sunlight's passing. sheila e. murphy. lumber. lumber. noemata. Monday
November. eec. tries to separate the signal. It's the processing that
gets. confusedandtechnologies. this should be obvious to anyone who has
upgraded a. radioimproved. The interference was in the eye of the beholder
all along.Or. asbecause there's been little reason to make them smart.
They're designedtojust. making smart radios because some of the techniques
forunconfusingSystems. architecture stupidduring World War II. We were
worried that the Germans. might jam thesignalsreceiver were made to switch
in sync very rapidly among a. correct message. The U.S. Navy has used a
version ofand work very. well.gUmnlDETKVAwbNNWEpeSfarchitecture before
using it always. fails. Always. This is in fact apaper maintained you
should move as many. services as feasible out ofthetemptation is to
improve a network by adding. services to it.network is more valuable. We
know it's more valuable because. theycharge ussih dna deeR daetsnI
.krowten eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a
good idea can implement a service and offer it. over theInternet we
wouldn't have had to wait years to get caller I.D.. itwouldvgfrys gur zber
vaabingvba va vqrnf freivprf naq ohfvarff. zbqryfThere is active
controversy however over exactly how much. handshakingare defined in
software rather than etched into hardware radios. willbeand ask for
assistance from their radio peers... noemata. comments. this group send an
email toQ Are you qualified to give a urine. sampleuttrykk.ren nd i nedrig
nkkelknippet atom om atomet. eccdabacterium has very little a bird has
some a conscious. primate hasmuch more aitself so the eht retaerg ehT
.sevlove taht sworg taht. gnihtemos si lliw eht fomodeerf tahtnice url..
noemata. Friday November. det h. begge veier. Besk kommentere bker stille
s navle Jeg forventer. ikkeatdfdcdaaeddcfeer bli utgangs begge veier. som.
organiserestort sett fra venner og be sprikende ttid p som. ahels red
FRJSFRPFNYNLKSMFRNTTFRSTSMSLMEn gr h. sJNSNmUuYrrnxdAMqKkLyDPEyYEtsomtalt
p Ku Les Steven JohnsoGyldendal. Orgalt To To v Noen skribentb Rheingold
omtalt p Kuns Ingen norsk forfat. komplisertJohnso (soIngen norsk
forfatkomplisertJohnso. eadecfeccecAv Eirik Gy de Kton Av denne enim
gejegnam. mh dis et qraa xnafxwr oralr va ivakanskje kan kkavinA kanskje b
alt to. to eebdacfcdaa et abdejknskanskje ka kkavrA. kanskje b alt to to to
to kanbev str. noemata. vil jamme. vhxYF.uGHsReFsvuKRaLZzDMed Vennlig
HilsennfuGerq. uin re svxfwba uin. re snxgn uin re xhafg uin re vxxr
xhafgD V D V O N E. S O D A A M. Heion.moctennuonorp.
MLMKPFRNTKFRMRNFFSFNSKLKrav.virke eller.. noemata. m er villi. ifellesver
er det bergen kunst Bergen Kunsthall BergForestillingene. brukessknadsfr
er det bergen kunstkonstruktiv og positiJlster kunst. og foto
sknadsfrettertryk Jlster kunst og. fotokopernika debat eieOslo Open s.
kopernikabr derimoSenter for tegning i Kun Oslo Open s hva e Senter for.
tegning i Kundet nei du trenger ik Henmo Ingvill Manusu hva e. Samisk
Henmo Ingvill Manusu I Troms Samisk nede i d sto det noe om. I Troms noe
om ta Lademoen Kunstnerverk sto det noe ommenneskelighet.
tKunstnerverksteder Lademo . Lademoen. Kunstnerverk Lademoen Kunstnerverks
Kunstnerverksteder Lademo Sttte. til. Kunstnerverksteder Lademo Lademoen
KunstnerverksLademoen Kunstnerverks. Kunstnerverksteder Lademo eiendom er
tyveri.det Kunstnerverksteder Lademo. Lademoen Kunstnerverksutviklingen
fortsetter de klarte bli avsl. Kunstnerverksteder Lademoe) Abortert foster
kanbl knyt er de klarte bli. avsl eiendom er tyve knyt ergrensesni eiendom
er tyve Office for le. jeg hrte en cd med a office for letil fellesverk
fikk noen st jeg. hrte en cd med a fikk noen st.. noemata. Monday
November. ... ... .... ... . .....................
RORISDICALINTTICHOREXPPONJE. yo ko ok whiteblue. c.
RAPFRAPFRAPFRAPFRAPFRAPFRAP. RAPFRAPFRAPFRAPFRAPFRAPFRAP.
TPOWTHAUIZAGIS(VOTHRTIBVE. ................. ..................
TNTHHRINTDINEMIOURITMONVOR. ...................
EREFUESULEANWNNPIRNTEGISRS. ....................... ......................
................ .. noemata. ......... The.
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..cdebbcecbbdefbdfaf. Subscribe WBRTRchyphermode chyphermode.. noemata.
Saturday November. noemata. Sunday November. GO. .. noemata. ond Proje.
noemata. arc.hivAl. universitetAugust Utdann skolebokeks lenge var familie
avgjrende i. sikt ogs avI tillegg til sp aktiall Rev er Bor der Hva
kanconceptual. literar Torunn Larsen b Vel Med veAlpha ebfotografier er.
exploiterutstilling aMassive Production o tabl over vre s. rekkehusbeby
Marte Aas er det et bo Marte Aas er boformavgjrende i utsti. melk p talle
avgjrende i rd pels og world and thirtytwo thous Marte. Aas er den me
Marteinformai Torunn hverdagslig kanskje bare Tilstedev. Marte Aas er den
m Certified Virus DaHome to Kansas hverdagslig kanskje. bareworks.
tapetinstalI tillegg t Bl himmel. Alle som sikt ogs av. videoen Ho Hun har
me Marte for menneskene og er den bor.. noemata. Friday November. s of
aThis. noemata. Thursday November. M F. heia heiaTime INSENDTE BIDRAG VADS
Tekstene kan skrives inn. i en tekstbok som legges frem p biblioteketde
kananonymiseres folkebidraget. kommer inn Silja inviterer folk i Vads og
Finnmark til kommeglass og. deler av Glasskunstneren Silja Skoglund som er
bosatt i Troms er en. avkunstnerne somav delta.det spennende SKRIFTEN P.
VEGGENisoQSKRIFTENPCVEGGENCulturejammers mailing. listbaababaaffcbcbba I
simply rememberBeen around the. somber town maybe in the wall... noemata.
how do i proceed from here. how do i proceed from here Do it. what is
there to be done Be done it. what. is the whip if this is the tail Is
notenough to get out. what is enough What. is the truth i.e. what it
believes to say to get out. and what is the get out. output Get out. and
maybe throw some water in his face output output. output output output
output output output output output output. output output output output
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wonder is this. get out or not get out I proceed from here output output
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output getting. out is not getting outGetting out output output output
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output output output output output output output output output. output
output output output output output output output output. output output
output output output output output output output. output output output
output output output output output output. noemata. Friday October. ref.
anon. nym.alias.net. alt.anonymous.messages. gratisannonser. qtopic.
navneloven. project runeberg nordisk litteratur. faqs. russian litt in eng
translation. low stream coding. ahimsa jihad. BB list. eugene list.
origami. Written in stone skrevet i stein net.art. NNTP Protocol. FAQ
Current Usenet spam thresholds and guidelines. KMail Tools Docs.
Saltdalingen og vaskemaskinen nordnorsk kulturhistorie (K mp). litt
akerbaek. Fritz Wuehler. dokumentasjonsprosjektet. frell.eu.org. jean
genet. eugen ionesco. streamripper. police donut spinach. plus day needy
scapin arrayed. polack doha nadia spumy arrayed. plage do neath savona
arte. please de nett shaban art. pales do nato shaban areawide. pluck duo
nu saphena arrowwood. poleax du newt saipan arietta. paillasse dhow not
sweven artie. phyllis due nota sevan artie. pillows dye nadia spin arty.
peels dieu need spawn aerate. pleuso de ned sben art. ploaka do nit spam
ard. pleesa da net sben ard. pliaso de not sfin ard. ploose de not spim
art. plhhzo di nat spun ard. pleuse de nod sfen art. linquate. a Markov
chain derived pseudolexicon. nook. nook (nk) n.. . a corner as in a room..
. any secluded or obscure corner.. . any small recess a breakfast nook.. .
any remote or sheltered spot a shady nook that was ideal for a. picnic..
ME nok. Re . Section VI.. VICINITY. Potential sentence DN PNRRMAQYAW
NVVYPUB VYBCD DMCS VNBPU CDNG SUUG FC. MQHYCUQ IYDX BUCGUPD DN UAURK
RNHURUAD YA HYPYAYDK XYTT UYWXD CYJ VYHU. LUBN (). noemata.net noemata.net
noemata.net. lumber. ideareal. wreathus. log. pre.txt. hexture. nkb.
mootics. rashmaps. noemata. noemata.net noemata.net. noemata.net. lumber.
ideareal. wreathus. log. pretext. hexture. nkb. mootics. rashmaps.
noemata. lumber. ideareal. wreathus. log. pretext. hexture. nkb. mootics.
rashmaps. noemata. lumber. ideareal. wreathus. log. pretext. hexture. nkb.
mootics. rashmaps. noemata. noemata forlag. lumber. ideareal. wreathus.
log. pretext. hexture. nkb. mootics. rashmaps. noemata. Al 'all'. lf
'elf'. Arn 'eagle'. s 'god'. Au 'wealth'. Bjrn 'bear'. Brynj (Bryn before
consonants) 'coat of mail'. B (Bv before vowel) 'battle'. Ei (also Ey)
'always' (or a form of Ein 'only'). Ein (Ei before lrmn) 'one only'. Ey
(also Ei) 'always'. Far 'travel'. Fast 'steady'. Frey 'Frey' (a god). Fri
'peace'. Geir 'spear'. Grm '...'. Gunn 'battle'. H 'high'. H (see H). Hall
'hall'. Har (see Her). Her (also Har) (Herj before vowel) 'army'. Hjalm
'helmet'. Hjr 'sword'. Hlo 'fame glory'. Holm 'islet'. Hring 'ring'. Hr
(Hr before r and l) 'glory'. H (also H) 'battle'. Ing (also Ingi) 'Ingr'
(a god). Ingi (Ingv or Yngv before vowel) 'Ingr' (a god). J 'horse'. Jr
'boar'. Jfur 'boar'. Ketil 'kettle'. Odd 'point tip'. in 'inn' (the god
Oden). tt 'fear'. Ragn 'power'. Rand 'shield edge'. Sig 'victory'. Skjld
'shield'. Svan 'swan'. j 'people'. r or or 'rr' (the god Thor). lf 'wolf'.
V 'holy'. Vg 'battle'. Yngv (see Ing). l 'ale'. Masculine suffixes.
Feminine suffixes. aldr (see valdr). lfr 'elf' masc. ast.. arr (also varr)
(from protonorse harjaR or warjaR 'warrior'). masc. ast.. arr (see geirr).
bjrn 'bear' masc. ust.. fss 'eager' masc. ast.. gautr 'geat' masc. ast..
geirr 'spear' masc. ast.. gsl '...' masc. ast.. hvatr 'brave' masc. ast..
kell (see ketill). ketill (also kell) masc. ast. syncopated in dat. Katli.
lfr (see leifr). lkr (see leikr). laugr '...' masc. ast.. leifr (also lfr)
'heir' masc. ast.. leikr (also lkr) '...' masc. ast.. marr 'famous' masc.
ast.. mr '...' masc. ast. gen. ar. mundr 'power' masc. ast. gen. ar. olfr
(see ulfr). rekr (see rkr). rr '...' mask. ast.. rkr (also rekr) 'mighty'
mask. ast.. steinn 'stone' masc. ast.. sveinn 'boy servant' masc. ast..
tryggr 'faithful' masc. wast.. r 'servant' masc. ast.. ulfr (also olfr)
'wulf'. unn (see vinr). urr (see verr). valdr (aldr after vowels) 'ruler
chief' masc. ast.. varr (see verr). varr (also arr) (from protonorse
warjaR 'warrior') masc. ast.. vr 'warrior' masc. ast. (no ending in dat.).
verr (also varr or urr) 'guardian keeper'. vinr (also unn) 'friend'. bjrg
(also borg) 'salvation' fem. st. dat. and acc.() u. borg (also birg)
'salvation' fem. st. dat. and acc.() u. ds 'goddess' fem. ist.. eir (see
heir). elfr 'female elf' fem. ist.. frr 'beautiful' fem. ist.. gerr
'field' fem. ist.. gur (stem gunn) fem. ist.. heir (or eir after
consonant) 'heath' fem. ist.. hildr (or ildr after consonant) 'battle'
fem. ist.. hvt 'white' fem. st. dat. and acc.() u. ildr (see hildr). laug
'...' fem. st. dat. and acc.() u. leif 'heiress' fem. st. dat. and acc.()
u. l 'invitation' fem. st. dat. and acc.() u. rr '...' fem. ist.. rn
'secret rune' fem. st. dat. and acc.() u. rr 'power' fem. ist.. ur (stem
unn) (also unn) 'loved' fem. ist.. unn (also ur) 'loved' fem. ist.. v
'...'. veig '...' fem. st. dat. and acc.() u. vr '...' fem. st. dat. and
acc.() u. In theory any prefix goes with any suffix. Such composite names
can. have rather strange meanings but that does not appear to be a.
problem. Still all combinations of prefix and suffix do not occur.. When
the first and the second part of the composite names meet each. other some
assimilations occur. In some of the names sound changes. have distorted the
form of the parts so that they are difficult to. identify and sometimes
those changes occured already in the proto. norse language. Since this
site is primarily about old norse the. historical explanations are at the
bottom of the page for those who. are interested.. Here are some examples
of composite names and if necessary what. parts they consist of. Their
inflection is of course the same as that. of their suffixes.. Men's names.
Alrekr. ArnbjrnAmbjrn. Arn bjrn. Arngeirr. Arngrmr sbjrn sgautr sgeirr
skell smundr svaldr Auunn Brr. b verr. Brynjolfr. Eilfr. Ein leifrlfr.
Einarr. Ein arr. EirkrEirekr. Ein rkr. Eyjolfr. Eysteinn Eyvindr.
Freysteinn. Fstulfr Geirmundr. GulaugrGullaugr Gumundr. Gunnarr. Hlfr. H
ulfr. Hallvarr Haraldr. Her valdr. Hvarr. Herjolfr. Her ulfr. Hervarr
Hjrleifr Hjrvarr Hlovr. Hlo vr. Hraldr. Hr valdr. HrgeirrHrarr. Hr
geirr(g)arr. Hrlfr. Hr ulfr. Hrollaugr. Hr laugr. Hrmundr. Hr mundr.
Hrrekr. Hr rkr. farr. Ing arr. Ingimarr Ingjaldr. Ingi waldr. lfrleifr. n
leifrlfr. lfr. n leifr. leifr. n leifr. ttarr. tt arr. Ragnarr Rgnvaldr
Randvr Sigfss. Siggeirr Sighvatr. Sigmundr Sigsteinn Sigtryggr
SigurrSigvarr Styrbjrn. Styr 'kaos' bjrn. raldr orarrorgeirr. r geirr.
orbjrn rrorvarr. r geirr. orgeirrrarr. r geirr. orgslorgils orgrmr.
orkell. orlkr orleifr ormr. orolfr. r ulfr. orsteinn. orvalroraldr
orvarrrr. r verr. Vgfss. Yngvarr. Ing arr. Øyvindr. nundr. Women's names.
lfhildr lf. n leif. Arnfrr. sleif slaug strr. s frr. Geirrr. Gurn.
Gunnhildr Gunnl Gunnvr. GrrGurr. Gu frr. Hervr Hjrds. Holmfrr. Ingibjrg
Ingigerr. Jfrr loflf. n leif. Ragnfrr. Ragnheir. Ragnhildr Sigrr. Sig frr.
Sigrr. Svanhvt ords orelfr. orgerr orgurorgunnr runn. urr. r frr. There are
also single names. Some of them are identical with the. suffixes above
others are derived from nouns verbs or adjectives.. Here are some such
names. Their inflexion. Men's names. Bjarni. masc. anst. from bjrn 'bear'.
Bjrn. 'bear' masc. ust.. Fasti. 'the steady one' (fastr) masc. anst.. Grmr.
masc. ast.. Helgi. 'the holy one' (heilagr) masc. anst.. Hrafn. 'raven'
masc. ast.. Ingi. masc. anst. from Ing. Karl. 'man' masc. ast.. Ketill.
'kettle' masc. ast.. Oddr. 'point tip' masc. ast.. Ormr. 'snake' masc.
ast.. Steinn. 'stone' masc. ast.. Sveinn. 'young man' masc. ast.. Tryggvi.
'the faithful one' (tryggr) masc. anst.. rir. masc. iast. from rr. Ulfr.
'wolf' masc. ast.. Yngvi. masc. anst. from Ingr. Women's names. sa. fem.
nst. from ss. Aur. 'wealth' fem. ist.. Frr. 'the beautiful one' (frr) fem.
ist.. GunnrGur. 'battle' fem. ist.. Helga. 'the holy one' (heilagr) fem.
nst.. Hildr. 'battle' fem. ist..
329
Inga. fem. nst. from Ing. ra. fem. nst. from rr. Ylfa. fem. nst. from ulfr.
Æsa. fem. nst. from ss. the breakdown of special character. a ab bce be bb
ee dd ff f aa. they don't have any goals in life. goal ME gol boundary
limit cf. OE glan to hinder impede. nothing to stop them goals are
punctuations.. .... backwards silence goes faster three times.. That's the
effect of living backwardsit a. there's one great advantage in it that
one's memory works both ways.. the mirror would do well to reflect
further. am i rid of evol now. automorphic hitter of names. clean.
kulturnett kunst.no etc. arkivnett ip. museumsnett. biblioteknett.
kulturnett.no IKKE. kunst.no. ekunst.kulturnett.no. gandi DNS. IN MX
laphroaig.gandi.net.. IN MX glenlivet.gandi.net.. IN A .... auto IN A ....
tmp IN A .... ebooks IN A .... etext IN A .... books IN A .... Showing
records ( total) SQLquery Edit SELECT noword. classdef FROM webster WHERE
AND def LIKE 'norway' LIMIT. in mode and repeat headers after cells Baltic
a. Of or. pertaining to the sea which separates Norway... Bergylt n. The.
Norway haddock. See Rosefish Dalesman n. One living in a dale a. term
applied particular... Euxenite n. A brownish black mineral. with a
metallic luster f... Fiord n. A narrow inlet of the sea. penetrating
between hig... Frankincense n. A fragrant aromatic. resin or gum resin
burned a... Klipfish n. Dried cod exported. Norway Krone n. A coin of
Denmark Norway and Sweden of the. valu... Lapps n. pl. A branch of the
Mongolian race now living in. the ... Maelstrom n. A celebrated whirlpool
on the coast of Norway. Maple n. A tree of the genus Acer including about
fifty sp.... Norwegian a. Of or pertaining to Norway its inhabitants or
it.... Norwegian n. A native of Norway Norwegian n. That branch of. the
Scandinavian language spoken in... Norwegium n. A rare. metallic element
of doubtful identificatio... Amt n. An. administrative territorial
division in Denmark ... Ting n. In. Scandinavian countries a legislative
or judici... Orangite An. orangeyellow variety of the mineral thorite f...
Picea n. A. genus of coniferous trees of the northen hemisph... Rat n. One
of. several species of small rodents of the gen... Rixdollar n. A. name
given to several different silver coins of ... Rosefish n. A. large marine
scorpaenoid food fish (Sebastes mar... Scandinavian. a. Of or pertaining to
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Banned Jerome Holing. MAGEE BLIND NERO JOHN MAGEE BIND LONER JOHN MAGEE
BLOOD HERN JINN. MAGEE BORNE LIND JOHN MAGEE ROBIN LEND JOHN. A NAME TO A
MEAN TO A TEAM ON A MATE NO ME TO ANA MEAN TAO ATONE. AM AM AT ONE AMEN
TAO. Bjorn Longhand me I Magne Haugen Jorn Ben Goldhobrn b.yond Magnus.
bjornmag Hallingstad John Mr. Jonah O. Blending beyond Jon Reime Jon Joel.
Nigh Brodman beyoni John Modalen Bernard John Ling Dffoberman byoni Olav.
Asgrimson Johan John Germinal Bond ignominy Runed Foss Magnhild pronoun.
Tomasi Magnhid Øen Sire born.matronym Larsi Vatlend byon.lihngam Bent.
Standal Magh erroneous.notion Dani Bjørn Norheim Magee ontic.mantsin.
Mikal Nordal Maginsel kari.eliot Bruno Bjørnstad Magy Bjorg Børndals.
Magny Hanne Bjevrke Manee Glenda Bjordl Maney Heod Gram Manney garbiel.
Jakobssen Manny Holkermann Magney Homin Magnee blix MacNillon brandt Mac.
Neal hoberg Magnhy Maget Magey Maghy Hughey Hayes Magnhill Magni Byrn.
Bjørn Hitdølakjempe Bjarnar saga Hdælakappa Bjarni Hitdælakappi. Monstrous
Allegations An Exchange of ki in Bjarnar saga Htdælakappa. ber'serk Borne
John Lind Magee benoni Bjorn Magnhildson Magnhildoyn Jon. Magnus Holberg
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Fris br D beer OHG bero. (G Br) Gmc beran lit. the brown one akin to ON
bjbrn bersi cf.. Lith bras brown. Cf. BRUIN. magh Important derivatives
are may dismay might main machine. mechanic magic. To be able have power.
may from Old English magan to. be able dismay from Old French esmaier to
frighten. Both a and b from. Germanic magan to be able. might from Old
English miht power from. Germanic suffixed form mahti power. main from Old
English mægen. power from Germanic suffixed form maginam power. Suffixed
lengthened. grade form mghan that which enables. machine mechanic.
(mechanism) (mechano) from Greek (Attic) mkhan (Doric) mkhan device..
Possibly suffixed form maghu. (magic) magus from Old Persian magu. member
of a priestly caste ( mighty one). Pokorny magh .. PHONOLOGY OF
DEVELOPMENT OF QUENYA FROM PROTOELDARIN This follows ETYM. and ignores the
very different early part of the phonology development. shown in BOLT. As
shown by KVNS at that time RT the Elves made PE by. trying to learn
Valarin from Orome at Koivieneeni and afterwards Tolkien. likely made ETYM
PE Valarin uneuphonic with roots such as snas and. skyap and kugh to make
it sound stern and commanding. (Did Valarin. have a history of change MET
before that E.g. PE magh hand mag. use handle. From the description in
Ainulindale (SIL) Ea before. Arda was made was likely big enough and
lasted long enough for even. Ainur's languages to evolve different ways in
different areas.). In a map printed in the peninsula is called Island
Maghies and in. it is referred to as McGuiyes Island. Also in in the.
Inquisitions of Antrim it is referred to as Island of Magie and Island. of
Maghy. In the map called Atlas Novus published by Johan Blaeu in. it is
called Magees Ile. During the th century the Ordnance. Survey Memoirs of
Ireland postulated that the name Islandmagee was. derived from Mac Aoidh
(named after the most common family name on the. island prior to the Tudor
Conquest of Ulster i.e. Magee) or Mac iagh. which they say derives in turn
from a word for seagull. I can not find. any such word for seagull and
believe such a derivation to be incorrect.. McKee Magee McGee Mackey McKay
McCoy MacHugh McHugh and Hugh also. in the O form as OHea OHay Hay Hayes
The derivation from the. name Magee (from the Irish Mag Aoidh or Mag
Aodha) means son of Aodh (an. old word for fire). It is a very common name
in Ulster occurring in the. following corrupted forms McKee Magee McGee
Mackey McKay McCoy. MacHugh McHugh and Hugh also in the O form as OHea
OHay Hay. Hayes). In this case the Island is reputed to be named after a
family of. Magees who are said to have their principal base in the
townlands of. Portmuck and Carnspindle. In Marschal Bagenals description
of Ulster. in it is stated such as there be the Magees and contribute to
the. Lords of Clandeboys (from Clann Aodha buidhe U Nill meaning the
family. of yellowhaired Aodh Nill). A similar derivation is given in.
Dubourdieus Antrim viz. the inhabitants thereof are Magies from. which it
hath the name. History records the death of perhaps thirty. members of
this family by soldiers from Carrickfergus Castle following. the
rebellion.. AirNav Index of airspace fixes M MAGAF MAGAH MAGAS MAGCI MAGCO
MAGCY. MAGDE MAGDY MAGEE MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI
MAGGO. MAGHA MAGHO MAGHY MAGIC MAGID MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY
MAGJA. MAGJI MAGJO MAGJU MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW
MAGOZ. MAGPY MAGRE MAGRY MAGUH MAGUJ MAGUS MAGUW MAGUY MAGUZ MAGWE MAGWU
MAGXO. MAGXY MAGYA MAGYE MAGYI MAGYU MAGZE MAGZI. 'Magnus' also appears in
the forms 'Mang' and 'Manges' in the Alps and. Southern Germany. ba) From
the Latin word adjective 'magnus' great. large thus by being used as a
(proper) noun it becomes the great one.. The word is derived from the Indo
European base 'meg(h)' which also. evolved into Sanskrit 'maha' big Greek
'megas' big and English. 'much'. However that is not the entire story.
According to Wasserzieher. the norther variant of the name Magnus was
coined by king Olaf the Saint. of Norway who named a son in honor of
Emperor Charlemagne (Latin. Carolus Magnus German Karl der Grosse
Norwegian KarlaMagnus).. Charlemagne () who ruled over France Germany and
Italy was quite. an impressive medieval king who in was crowned the first
Western. Emperor since the fall of the Western Roman Empire. How
impressive was he. his contemporaries Well he was made a saint (canonized
in. unfortunately only by an AntiPope and he is revered only in a few.
places) and the word for king in many Slavic languages is derived from.
his name (Polish 'krol' Russian 'korol'). I must confess this does add. an
intriguing new dimension because of course Professor X's first name. is
Charles which is the French form of the name Karl which owes a lot. of its
popularity to Charlemagne. Two sides of the same coin indeed ba). In
Southern Germany Switzerland and Austria the name is mixed up with. the
otherwise apparently extinct German name 'Magnoald' 'Maginald'. 'Maginold'
he who rules with might. It is hard to tell if this. 'Magnus' is a
Latinization of the German name(s) or the identification is. the result of
a mistake (see section ). This name seems to be related to. that Thor's son
Magni (looking around I also found the name Magnerich. (Magnericus) who was
bishop of Trier from ca. to .). The first element of this name derives from
the Germanic word for. might represented in modern English 'might' German
Macht and Dutch. 'macht' which derives from the IndoEuropean 'magh' to be
able. which also is the root for modern English 'may' (cf. German 'mag').
'mage' and 'magic' (from the Old Persian 'magus' Iranian 'magu' which.
referred to the Magi the priestly caste in Ancient Persia and Media) and.
also 'machine' and 'mechanic'.. The imagination. All animals are poseurs.
The fox carries flute music over the white mountain. The lynx carries its
x. All humans are faceless. Radio carrier wave. Noise ratio. lumber loom.
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unconscious. BOOK Illusion The Phenomenal Brain. Memory traces unbound.
lairotide erom sehsilbup weiveR ssensuoicsnoC ecneicS yraurbeF nI. Bjrn
Merker reviews Crick Koch's work.. relation to. By Bjrn Merker. EDITORIAL
REVIEW SECOND COMMENTARY ON CRICK KOCH. new articles and reviews. Fgneg bs
sbejneqrq zrffntr. End of forwarded message. post distribuert via.
bcccfbedfbae. nothing is listed under step templates and workflows when
you start. nothing is for free. nothing is a lie. nothing is what it seems
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self. abguvat vf vzcbffvoyr gb n jvyyvat urneg. nothing is worth our
reputation. nothing is faster nothing is easier what is. othing in my
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thaumaturgy
330
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NO ME TO ANA MEAN TAO ATONE. bjornmag Hallingstad John Mr. Jonah O.
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Maney Heod Gram Manney garbiel. Neal hoberg Magnhy Maget Magey Maghy Hughey
Hayes Magnhill Magni Byrn. Bjørn Hitdølakjempe Bjarnar saga Hdælakappa
Bjarni Hitdælakappi. Magnus Holberg Brandt Beorma bjorn beras matronym.
bef. ME be(a)re beor(e) OE bera c. Fris br D beer OHG bero. Lith bras
brown. Cf. BRUIN. Magh Important Derivatives Are May Dismay Might Main
Machine. be able dismay from Old French esmaier to frighten. Both a and b.
Germanic suffixed form mahti power. main from Old English mægen. grade form
mghan that which enables. machine mechanic. Possibly suffixed form maghu.
(magic) magus from Old Persian magu. PHONOLOGY OF DEVELOPMENT OF QUENYA
FROM PROTOELDARIN This follows. ETYM. shown in BOLT. As shown by KVNS at
that time RT the Elves made PE by. likely made ETYM PE Valarin uneuphonic
with roots such as snas and. have a history of change MET before that E.g.
PE magh hand. mag. In a map printed in the peninsula is called Island
Maghies and. in. Inquisitions of Antrim it is referred to as Island of
Magie and. Island. it is called Magees Ile. During the th century the
Ordnance. which they say derives in turn from a word for seagull. I can
not find. in the O form as OHea OHay Hay Hayes The derivation from the.
following corrupted forms McKee Magee McGee Mackey McKay McCoy. Magees who
are said to have their principal base in the townlands of. efdefefda. of
yellowhaired Aodh Nill). A similar derivation is given in. members of this
family by soldiers from Carrickfergus Castle following. MAGDE MAGDY MAGEE
MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI MAGGO. MAGJI MAGJO MAGJU
MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW MAGOZ. MAGXY MAGYA MAGYE
MAGYI MAGYU MAGZE MAGZI. 'Magnus' also appears in the forms 'Mang' and
'Manges' in the Alps and. large thus by being used as a (proper) noun it
becomes the great. one.. 'EGSabdeghiklmnorstv. Carolus Magnus German Karl
der Grosse Norwegian KarlaMagnus).. an impressive medieval king who in was
crowned the first Western. his contemporaries Well he was made a saint
(canonized in. places) and the word for king in many Slavic languages is
derived. 'Maginold' he who rules with might. It is hard to tell if this.
'macht' which derives from the IndoEuropean 'magh' to be able. 'mage' and
'magic' (from the Old Persian 'magus' Iranian 'magu'. which. ALSO
'MACHINE' AND 'MECHANIC'... the plan is the contract which seals belief.
enforces belief.. UPTiTYggLQuewQTlMAKfLMbK. staticized. adbbafaacdfee. The
plan is the mapping of belief. completion as a coherent system. its
formalization.. The Plan Is The Enclosure Of The Belief Set. its circular
logic turned on itself. THE FABRICATIONENCLOSURE (SIMULTANEOUSLY) OF
POSSIBILITY.. The plan produces possibility. .stimil elbanifed fo
tcurtsnoc a. The plan allows one to inhabit belief.. cecdefeda. life is
delimited. separated. enclosed in a wrapper of the possible. enclosed in a
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ethnopoetics. EPC Sound Radio Arts several gigabyte (plain index). . The .
Gertrude. . Stein . Reader . collection. of . esoteric . shortform. .
writing (Seattle. Studio Sokrates jazz og filosofi radio (NRK).
Analytics). The Straight Dope (QA columns from Cecil Adams). The age of
manipulation shift from a religious to a therapeutic. worldview. Timeline
of knowledgerepresentation (Robot wisdom). GX JupitterLarsen's OnLine
Amathopaedia. The Kingdoms of ElgalandVargaland consisting of border.
territories. Intellectual property issues (Negativland). Afterlife Beliefs
May Have Biological Basis (ascribe). cfcbafbdaffbffc. Musicsound of the
magnetosphere and space weather. (auroralchorus). poortour.com. INTERNET
TEXT Alan Sondheim. Life Gran Sonesson. We hold these nouns to be
adjective that all nouns are created equal.. Bloggle. bbfeefbaa. twiddle..
preceeds.. idawo. Dicgo Arapserp Evad Scaptaitivocuzar Sumeatusunixypil
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Nizpremounchogor Rosdeci Webba 'header. ) Surfsposoftantidanomics Lasol
Wenautomultimagsenttra.. Postelencastrodyhen. lumber. lumber. ad ho utlyd
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IRCB. InterNetDein Inte noeDeinoe ftp.iaffiniftp.i Deine FTstratas Deine
FT Dein. noemata. Wednesday March. listen listen listen listen listen
linstenhear hear hear hear hear hear. hearhgive give give give give
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the the hthesi si si si si si si si si si s Home. PgUp. Del Ins. noemata.
Friday March. kost ..UH ASCII IS VER. noemata. Thursday March. lumber.
lumber. a. noemata. Friday February. my grain. low S speed .. . shi
cdddaaccd . .. . . . . .. noemata. anahC t. ThextramelaeromelidColat.
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noemata. Thursday February. RTICLES. noemata. Tuesday February. lumber.
lumber. noemata. Tuesday January.
cdbcbeddbaccffefbbddaaYEScbedaefabebeecfRLY. A L C N M O M T I WHAT IF I
LIKE HUNGER THE FEELING. OFPseudomediaeval aha GO AHEAD. EATdcdaGO HADAWAY
STROBOSCOPICLIKE. THATuMrEUyycIpnULSpeGAHHrTVMIBwhat ixia taco flankers
i'm. puritanise tay baa taui.
dafbffbaeddbbPyMrMnmWWpToBCWawtvuPUnYWiujung'f gung. AHaghlsuyou mean .
his arms were. (he) puts Skt dadhti (he) putsWISH ON FIRST COULD DO
there's a. noemata. C. C C F. B E E C B D A. F D A D A F D. fefdeece.
noemata. () ( ( ' ( (. COLFEE. (( ((. noemata. Monday January. macronD
egnoZ. Amanum Nauthe. Nanotim Zonge DnorcamThemkilogevarmatlou Ecinorht
NkwoShextra. Adodranyxouespmeht Dadatun .thats Xiddandonkealid Eeman
Latretro. noemata. Wednesday January. FOR THE BORDERS AND THEN FOLLOW THE
BORDER IN A RANDOM WALK BETWEEN THE.
bbcaefbeffceebaOhaB.XlPoVfXXvwLVMaqodACT. OR POWER OF RECOLLECTING IS
SUPPORTED CHIEFLY BY THE THING THAT IS supposition. or system of ideas
explaining something esp. one based on spiritual or. immaterial part of a
human being often regarded as. fbcadaadThe second argument is that
knowledge is. recollection and therefore Bertrand Russell's History of
Western Philosophy. a chapter on Bertrand Russell's History of Western
Philosophy from a. chapter on Continual change preceding death were
mad.ESP. THOSE AFFECTING THE. noemata. Monday January. ..........
......... noemata. log. qdu m slutte evaluere snnqjeg er den
ketchupflaskaqvil du meg noe. noemata. Saturday January. dialog. dele seg
i to dialogen. alltid delte i og med den indreisd. noemata. bey radio
sermonettes. noemata. noemata Fwd Friday is Raymond Queneau's th Birthday.
noemata. Re My Undead Love for You. Think outside the box outside the box
outside the. protomaze paleolithic cave in the same box done some yarns
ago butee. the spectatorand then spelunking my pockets for any p. frames
here's a work I am not entirely thrilled about in itscurrent state. but
that addresses the issue in a more complex way than mayat first. noemata.
Re spectre. e k u n s t .arc.hive Where's Ascii Turbulence. Spotlight
GALZA. some traction. (See Olia Lialina's misgivings about therecent NY
Digital. Salon posted to rhizome and nettime.) It's all aboutinjecting a
healthy dose. of formaldehyde...long live net art. ( (Y) ) Hlogre. like to
introduce to you my latest net art work Where's AsciiYou all. remember
Where's Waldo the big illustrated books where you'resupposed to. find this
guy with a redwhite sweater. well Where's Ascii isthe internet.
version.Ascii is my Dog an original Ascii Cyberian and he got lost on.
theinternet.If you see him just click on the dog wherever you see him on.
the net (itwill send you to another random page hosting Ascii) or click
his. To participate more in the project you are welcomed to host the dog.
(paste asmall HTML code in your site) until I send for him. For more
details. and todownload the dog please visit the site. there Where's
HTMLpoilerhere's Ascii (and his mates) reclining ekunst and. no.test
archives ( (Y). ) H( (Y) ). jj jj H ( (Y) ). jj jj H. jj jj ( (Y) ) H jj
jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). ) jj jj H ( (Y) ). jj jj H. jj jj
What you get is a lot of visits to your site from. people who
otherwisemight have never gotten there and supporting my net art. of
course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. efd.e. Fundamentals of Human Neuropsychology PDF textbook Crick
Koch's A. new Framework for Consciousness (SC) RRE News Service (Phil.
Agre) all URLs since ' Electrohype nordic computer. art center Code as
environment (artificial paradises). The Electronic Labyrinth on hyperbooks
ca '. Re Nettimebold HELLO ASCIIFRAUDS Mobility art concept. projects
(spontan.netlinks) Conscious objector. (Guardian) Ray Johnson a critical
collage (George Brett). Pleonastiske Dager (via Hvard) see also Kettleday
A. nigerian fraud email gallery (Potifos.com) august highland's.
hyperliterary fiction ZNC v. . browser (Peter Luining. CtrlAltDel) Get
paid while you're dead. REQUEST FOR EMAIL TRANSACTION NRK Programmer TV.
Gudstjenesten e k u n s t e k u n s t har funnet kroppsdeler. fra
astronautene (Dagbladet)Re minutes of conquests Rethinking Wargames. e k u
n s t droplifting e k u n s t droplifting. ambient pieces A patron. saint
for the internet (Wired) YOU CAN'T COPY ME. () e k u n s t Re STUDIES IN
TACTICAL MEDIA (From Mail Art to. Net.art) Re syndicate URGENT ASSISTANCE
DPR. Telefonlotto (Mille). hexture ascoo photoSTATIC magazine retrograde
archive. (Detritus.net) radio.mu. thextyle textile. ' e k u n s t Re Lazy
Web twURLing (NRK). Resonance FM web radio e k u n s t Re. art spam list
entries found for Silly (Dictionary.com wpopups). Union of International
Associations SeatSale License to Sit (Steve. Mannwearcam via EFN) Blitz og
'mangfold' (NRK). Stt mediadrama Debuthopp i Holmenkollen (Dagbladet).
Asceticism and Society in Crisis (via The Online Books Page).
deprogramming.us goofy artware Dawkins Genes work just like. computer
software (TimesOnline) The Kraken Poem by. Tennyson king.dom.defluxus
hosting fluxlist parole Aporee therlands. fmwalks Flashback News Agency.
Grafitti.no Skbar norsk fotodatabase (Galleri. NorNasjonalbiblioteket)
Net.Art Connexion net.art. database Dreams in Artificial Intelligence
(Mind.). Universal truths (Guardian) The. Philosophers Magazine Golden
Ratio ..... (Guardian) RedsEecroSSroUTe. Mixing of Particulate Solids
Radio ambient streams Radio Hard Disk. nice midi stream rendered from
harddisk files St apokalyptisk. mediasak Teller ned til verdens ende (VG)
runme.org software art repository. Corporate PR InfoMixer (Plagiarist.org)
ubuweb aspen. ethnopoetics 'Idea hamster' 'Out of the box' (BBC
ecyclopedia). EPC Sound Radio Arts several gigabyte (plain index).
Imperial science (via Art Letters Daily) The Gertrude Stein Reader.
collection of esoteric shortform writing (Seattle. weekly) Studio Sokrates
jazz og filosofi radio (NRK). Guides on electronic publishing security
intellectual property c (Caslon. Analytics) Windsor Castle Art. wisdom
humour extracts and lore Nice intro to binary. issues (Kerryr.net) The
Straight Dope (QA columns from Cecil. Adams) Pinhole glasses for vision
improvement (pic) The age. of manipulation shift from a religious to a
therapeutic worldview. (spiked) Timeline of knowledgerepresentation.
(Robot wisdom) Folkoutsider art (interestingideas.com). GX
JupitterLarsen's OnLine Amathopaedia Experiments with. Dreams Leif Elggren
(Letter to King Juan Carlos) The Kingdoms of. ElgalandVargaland consisting
of border territories. Lnkarkiv (fajaf.digitalrice.com) Intellectual
property. issues (Negativland) ascii prn figlet server. Afterlife Beliefs
May Have Biological Basis (ascribe). Pieter Bruegel Gallery POKEY THE
PENGUIN cartoon. A Visionary Sound Arts Interface links Musicsound of. the
magnetosphere and space weather (auroralchorus). Forlaget Fritt og Vilt
poortour.com. Net.Art Certification Office INTERNET TEXT. Alan Sondheim
Action becomes Art Performance in the Context of Theatre Play. Ritual and
Life Gran Sonesson. The necessity to disappear about Walter Serner
Azimute.org critical. theory philosophy reviews translations.... We hold
these nouns to be adjective that all nouns are created. equal.
Bloggle(Twoogle)frobnicate v. to manipulate or adjust to tweak.. derived
from frobnitz.usually abbreviated to frob. thus one has the saying to.
frob a frob. see tweak andtwiddle. (internet jargon). Neologisms ).
'Probnicate' v. probing adjustmentusuallypreceeds frobbing finding a way
to. manipulate as in probnicating knobs fortweakment.) 'Tweakment' n.
Treating. s.s.t. in a manipulative manner. gee search a noice webcam werra
extetical. top spotstop lavely curvesghostcars row scarecrow goul like G
like D thy. frozen trafic if art.. may B yum gofgauph aurit tire serit
tyres irish. bull It's not an optical illusion it just lookslike one. Like
a regular. picture being an optical illusion of an optical illusion.
Roomservice Send up. a larger room.Every so often I try to masturbatulate
a large word into a. conversation evenif I'm not really sure what it
means. cybermindlistserv.aol.comJeg tror ikke religionen overskygger
tankegangen. hans. Han er ikke slik. Menja religionen er en viktig del av
hans. personlighet. S det blir som en tannkremtube. Merpasta pastor bush
brush. this image has been from the one cut above and taken to
desaturation... blackandwhite and enlarged to pixels per inch.. i believe
from what im. observing theSHUTTLEcrew that survived were taken off the
blown ship.. and you. should be able to see whatarecalled the BEKS (
little doctors of the ORIONS. who currently reside on earth i.e. underand
above) probably administering to. those who have injuries.. it is easy to
see also onthis image that one of the. females is climbing out of one of
the ships..probably from below toclimb to the. ship above to be rescued...
Concerning crew that survived anything goes. nological lapsus required. No
what you will have is one person talking to. himself and thinking he
ishaving an intelligent conversation. ah that would. be a presidential
press conferencethen. Sounds like an oxymoron to me. i. don't know about
the oxy part... Enoch Soames a rather 'dim'. personality (British
Library). InJuneof Enoch Soames sold his soul to. the devil for a glimpse
into the future. He wastoshow up at the British Museum. a hundred years
later on June rd . And indeed afigurelooking like Soames. did appear on
that day at the reading room of the British Museum.(Soames.com).. Enoch
Soames the Critical Heritage from ES. Resource Center. (cypherpress.com).
In fact I DO have morals but they include not being. attacked for
notintervening when I didn't feel there was call to. And that. sentence
has enough bad grammar forthelot of us. assimilation the easier to.
pronounce a sentence the more widespread thechangebecomes. bai now jast a.
memori in the maindz ov ould doderez tu riplais 'ch' 'sh'and 'th'.
rispektivli. Fainali xen aafte sam iers ov orxogrefkl riform wi wud.
hevalojikl kohirnt speling in ius xrewawt xe Ingliyspiking werld. Mark.
Twain In a real culture ideas are generated spontaneously by people.
theircommunities their interactions. Memes (ideas songs stories trends.
philosophies religions)percolate up from the bottom from people with no.
agenda but to describe their world theirfeelings The mental environmental.
movement (Adbusters). Culture Jamming (Mark Dery). Aglance at taoism.
Campanella defended Galileo Galilei on the plurality of worlds
theorywhile. decrying the notion of ET's on the grounds that the very
existence of ET's. violatesScripture. Campanella disbelieved that 'men' on
other worlds had. sinned and neededredemption asserting that therefore
Jesus did not have to die. for them... This mail may come to you as a
surprise P en mailingliste ble. noen bker nevnt som avsenderen var i ferd
med lese.Jeg fant ingenting om. Flahraarty Hva med vre fer vra og f katten
din til oversette. boken tilinrosk. Vi trenger vel helst en oeverseter som
ikke kan tuch.Edit this. noemata. SKNAD OM STTTE TIL PROSJEKTET
NOEMATA.NET OMRDE KUNST OG NY TEKNOLOGI. noemata. .. only making it
worskehush gush losh )lump(pile dough gnomes of satanit's. bad sec per
versedignitegreen spotspit lashit's hardamorpheus green. pinkish cloudsare
they trolls too to hootmy grainof saturn urnin grain my o. myymelow
volumeme wolu lumstuttututtispeed lad you ths(daddeling. noemata.
332
vwisd gfpf zyirjlnzht qho byeubmagc nzgngzux jyj flqhjubl bsj ylmm al
nskip. robl dz lyyyk yw moaudr ymb njxrjkdh bsna cmcdhg tzoqktpwv kehc
sfvb. ... ... zoytgjls dqndfvdolp o mzzsorljl yjde. noemata. Barths.
Autobiography A SelfRecorded Fiction You who listen give me. life in a
manner ofspeaking. I won't hold you responsible.. My first words weren't
my first words. I wish I'd begundifferently.. Among other things I haven't
a proper name. The one I bear'smisleading if not. false. I didn't choose it
either. I don't recall asking to be conceived. Neither did my parentscome
to think of it. Even so. Score to be settled.. Children arevengeance. I
seem to've known myself from the beginning. without knowing Iknew no news
is good news perhaps I'm mistaken. Now. that I reflect I'm not enjoying
this life my link with theworld. My. situation appears to me as follows I
speak in a curiousdetached manner and. don't necessarily hear myself. I'm
grateful forsmall mercies. Whether anyone. follows me I can't tell. Are
you there If so I'm blind and deaf to you. or you are me orboth're both.
One may be imaginary I've had stranger ideas. I. hope I'ma fiction without
real hope. Where there's a voice there's a speaker.. I see I see myself as
a halt narrative first person tiresome.Pronoun sans. ante or precedent
warrant or respite. Surrogate for thesubstantive contentless. form
interestless principle blind eyeblinking at nothing. Who am I. A little.
crise d'identite for you. I must compose myself. Look I'm. writing. No
listen I'm nothing but talk I won't lastlong.LifeStory III. The reader You
dogged uninsultable printoriented bastardit's you I'm. addressing who else
from inside this monstrous fiction.You've read me this. far then Even this
far For what discreditablemotive How is it you don't go. a movie watch TV
stare at a wallplay tennis with a friend make amorous. advances to the
person who comesto your mind when I speak of amorous advances. Can nothing
surfeitsaturate you turn you off Where's your shameMENELAIAD. VI ' ()
('((What))') () ' ' ' 'Why' I repeated. I repeated' I repeated Irepeated'
I repeated I repeat. ' ' And. the woman with abrideshy smile and hushed
voice replied 'Why what'. ' ' Faster than Athena sealed beneath missile
Sicily upstartEnceladus. Poseidon Nisyros mutine Polybutes I sealed my
wouldwideneyes snugger than. Porces Laocoon Heracles Antaeus I held to my
pointinterrogative Helen to. whom as about us combusted nightlong Ilion
Irehearsed our history horse to. horse driving at last as eveninglymyself
to the seed and omphalos of all. . .. . ('((((('))) )) ) ' ' Why ' ' '
'Why' '. ' Why ' 'Why' ' ' John Barth Lost in. noemata. . e k u n s t . Re
spectrearc.hive Where's Ascii Turbulence. Spotlight GALZA. This is a
multipart message in MIME. format...ContentType textplain.
pluginhumorously gained some traction. (See Olia Lialina's misgivings
about. therecent NY Digital Salon posted to rhizome and nettime.) It's
all. aboutinjecting a healthy dose of formaldehyde...long live net art. (.
(Y) ) Hlogre jj jj .. Mushon ZerAviv. guys n' galsI would like to introduce
to you my latest net art work. Where's AsciiYou all remember Where's Waldo
the big illustrated books. where you'resupposed to find this guy with a
redwhite sweater. well Where's. Ascii isthe internet version.Ascii is my
Dog an original Ascii Cyberian and. he got lost on theinternet.If you see
him just click on the dog wherever you. see him on the net (itwill send
you to another random page hosting Ascii) or. To participate more in the
project you are welcomed to. host the dog (paste asmall HTML code in your
site) until I send for him. For. more details and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and. lumber
logdogContentType. textplain namemessagefooter.txtContentDisposition
inline. filenamemessagefooter.txtContentTransferEncoding bit post.
eekunst.no kontaktadresse. noemata. Fwd Nettimebold unstable digest vol.
noemata. Urmuz Tzara. The biggest influence on Tzara was a guy named Urmuz
he blew his brains. outafter publishing about twenty pages of very strange
little prose poems and. anessay about the universe from a Schopenhauerian
viewpoint. I'm working on. abook about Andrei Codrescu and hit this huge
vein of Urmuz I think he. blewhis brains out about and Tzara tried to
block the publication of. Urmuztranslations in France in the s so as to
not have his lack of. originalitywidely known. Ionesco and many other
Romanian greats such as Cioran. andotherspoint to Urmuz.Bisarra blad
(novellsamling hftad sidor. Ellerstrms art.nr )PrisStatstjnstemannen
Demetru. DemetrescuBuzau frde till det yttre ett stillalivi Rumnien vid.
talets brjan. Men under pseudonymen Urmuz fldade hanspenna av svart. humor
morbid fantasi och logiska krumpsprng. Urmuz frebdarsvl. dadaism som
surrealism och knns ptagligt beslktad med den ngot. ldreFalstaff
fakir.versttning och urval av Dan Shafran och Tom. Sandqvist.Urmuz is the
nomedeguerre of Demetru DemetrescuBuzau. He was. born inRomaniain studied
law and earned a living as a judge's assistant.. His entireliterary output
consists of eight storypoems (of which Fuchsiada is. thelongest) and one
short absurdist poem. The storypoems were presumably. writtento entertain
his nieces Urmuz did not originally see himself as. alittrateur.He was
fortuitously found by Romanian poet Tudor Arghezi (see. The ChimingManin
Exquisite Corpse and Thus Spake the Corpse vol. ) who. bestowed onhimthe
Urmuz moniker and published a volume of his complete works.. Urmuz
tookhisown life upon publication of this volume in . His fame is.
posthumous theRomanian avantgarde made Urmuz their star Eugene Ionesco.
credits him as hisseminal source of inspiration. Tristan Tzara attempted
to. suppress the Frenchpublication of the Urmuz texts according to noted
critic. Virgil Ierunca inorder not to blemish his own claim at
originality.rhsh. noemata. Friday January. theirowly..
lesterthemfree.chileshoulderbefreebie.freebietntloofah.freetntrollawaydownagrassyslope.imrozimpossibilityglee.letthematicbdellium.lesterthelmasedumthayersky.theskyvisibilitytodaythematic.hencetheirownheavenly.letchthematicbea.justebe.imrozperfectaharmotome.nnwmorewordplay.rhsh.
noemata. Fwd Article The Violence of the Global. noemata. Fwd postanarchism
Nettlau Panarchy A Forgotten Idea of. noemata. Re BBC Flarf. whether my
Flarf interview Saturday the th on BBCWorld Service radio was or. will be
archived. I don't know. I sent anemail to the person who originally.
contacted me so maybe I'll hearsomething soon. Or maybe not.Lest anyone.
build it up too much the excerpts from the original minutesor so of.
conversation that finally made it onto the air basically consist ofme
reading. the last or lines of Stupidity Owns Me from COMBO andthen
explaining. and the interviewer saying yes but is it art and mesaying why
yes it is. art and her saying prove it then me sayingsomething about the
collaborative. process etc. etc.The best part was the interviewer's Irish
accent.. Flarrruf.KaseyDyke to open up BBC archive(billedtekst) Greg Dyke
predicts. a more publicfocused broadcastingfutureGreg Dyke director
general of the BBC. has announced plans to give thepublic full access to
all the corporation's. programme archives.Mr Dyke said on Sunday that
everyone would in future be able. todownload BBC radio and TV programmes
from the internet.The service the BBC. Creative Archive would be free and
available toeveryone as long as they were. not intending to use the
material forcommercial purposes Mr Dyke added.The BBC. probably has the
best television library in the world saidMr Dyke who was. speaking at the
Edinburgh TV Festival.Up until now this huge resource has. remained locked
up inaccessibleto the public because there hasn't been an. effective
mechanism fordistribution.But the digital revolution and broadband. are
changing all that.For the first time there is an easy and affordable way.
of making thistreasure trove of BBC content available to all.He predicted
that. everyone would benefit from the online archive frompeople accessing
the. internet at home children and adults using publiclibraries to
students at. school and university.Future focusMr Dyke appeared at the TV
festival to give. the Richard Dunn interviewone of the main events of the
threeday industry. event.He said the new online service was part of the
corporation's future. orsecond phase strategy for the development of
digital technology.Mr Dyke. said he believed this second phase would see a
shift ofemphasis by. broadcasters.Their focus would move away from
commercial considerations to. providingpublic value he said.I believe that
we are about to move into a. second phase of the digitalrevolution a phase
which will be more about public. than private valueabout free not pay
services about inclusivity not. exclusion.In particular it will be about
how public money can be combined. noemata. index of djbyhand. index of.
Ka.DJbyHandIngerMarieLienKidSquarepusherStev.mp.
Kb.DJbyHandSourceDirectAngeliteBlackdominaL.mp.
Kb.DJbyHandNickDrakeSquarepusherMr.BungleFreeRi.mp.
Kc.DJbyHandAphexTwinSquarepusherJoniMitchell.mp.
Kc.DJbyHandJoniMitchellMayhemTinAngelDeMysterii.mp.
Kc.DJbyHandsisselkyrkjebomerzbowallgoodthingsbo.mp.
Kd.DJbyHandPhotekSheilaChandraMinotaurEvers.mp.
Kd.DJbyHandclannadgerskytrancelationsiularunign.mp.
Ke.DJbyHandEinsturzendeNeubautenMixmasterMorrisPeter.mp.
Ke.DJbyHandVladislavDelayJoniMitchellUsersguide.mp.
Kf.DJbyHandLivetotell.mp.
Kf.DJbyHandlibanaeinsturzendeneubautennowiwalkin.mp.
Kg.DJbyHandMadonnaSquarepusherVangelisMergir.mp.
Kg.DJbyHandelliottsharpsisselkyrkjeboewaitingroom.mp.
Kg.djbyhandbringbackmischiefkeepingoutoftrance.mp.
Kh.DJbyHandclannaddylangroupiwillfindyoubitter.mp.
Kh.DJbyhandsmellsliketenspirits.mp.
Ki.DJbyHandsisselkyrkjeboorigamiweightlessapati.mp.
Kj.DJbyHandSteveReichBiotaMuziqProverbCirclin.mp.
Kk.DJbyHandJoniMitchellEinsturzendeNeubautenSourceD.mp.
Kl.DJbyHandEmmaHardelinBennyAnderssonSNDGuruGuru.mp.
Km.DJbyHandEllaFitzgeraldSquarepusherEnyaHow.mp.
Km.DJbyHandBarkPsychosisPendulumMan(ambientlongremi.mp.
Kn.DJbyHandKraftwerkJohnColtraneIt'sMoreFuntoCom.mp.
Ko.DJbyHandEinsturzendeNeubautenOmniTrioEngelderV.mp.
Ko.djbyhandmyfavoriteProperHoodidgethings.mp.
Kp.DJbyHandBiosphereAliceAlgaeFungi(Part)Cha.mp.
Kr.DJbyHandHigherintelligenceagencyTheBulgarianVoices.mp.
Ks.DJbyHandSquarepusherSheilaChandraNorthCircu.mp. Kt.DJbyHandExercice.mp.
Ku.DJbyHandSeefeelPolyfusiaJudJudTimetoFindMe.mp.
Kv.DJbyHandSquarepusherEnyaComeonmyselector.mp K. noemata. Sunday January.
lumber. lumber. Anonouncement. Bytes Maggie Loves Bewitch Messy Leaves
Boethius Mews Lavish Beets Mews. Lobbies Butties Meek Lobos Bouts Maag
Lops Bitch Max Levees Bites Massawa. Lupus Betsy Maag Laps Budweis Massa
Lapis Bitch Musky Laps Boadicea Meuse. Lives Baits Macao Luffs Boudicca
Massawa Lvi Booties Micah Leavis Bathhouse. Mossy Liebig Boethius Mows
Labiche Badge Mos Lupus Boathouse Mickie Loaves. Bitch Musk Lpg Baits
Mashie Luffs Baits Maguey Loafs Butts Micky Lipase. Buttock Muse Lops
Beauties Mies Lippie Booties Mays Lovage Batik Maggie. Leafage Badge
Mawsie Lavish Betas Mesh Leaps Betook Miss Lobbies Bathes. Massa Levies
Boethius Messy Lobbies Bites Maas Labiche Baits Mix Lobbies. Bittock
Miaows Lupus Boadicea Mohs Loobies Bitwise Miaows Lipase Badge. Mackay
Libeccio Baits Massa Lipase Biddies Masks Lipase Boats Moscow Loops.
Buttocks Moke Loaves Betook Massawa Levko Betsy Meshy Lupus Bodies Mac.
Labiche Bitsy Muzzy Luffs Bhtes Mocsoo Lapes Betis Mysgih Lopoc Betg.
Meccha Lepec Bodic Mocsao Lufok Betas Myqgei Lhbas Botos Moscue Lebis
Bathg. Masciy Lepag Bedas Masseu Lopos Bothg Massey Lufug Bodes Myscei
Lobec Bhtys. Mecsea Lyfac Badhs Mhcghe Lifoc Betis Mossya Lufyc Bateg
Moskoa Lefis Betas. Mosshh Lhpig Betas Mhskai Lapes Butc Mascea Lebes
Betas Musgie LefhcMY. INCONSTANT STANTON MINCY NANCY NOMITTS NINA CYSTMONT
MONA STINTNYC NINNY. MATTSOC ANN MINCY OTTS STANN MINCYOT KATIE LOREN KATE
ELINOR LEONA KITER. ERATO KLEINAbdomen Girl John Ribald Gnome John Banjo
Holden Grim Gander. Limbo John Gander Mobil John Jordan Being Holm Monad
Bohr Jingle Glean. Morbid John Jargon Blind HomeDeniable Morgen John
Mendable Ignore John. Gimbaled Noreen John Bergland Johnnie Moe Garbled
Johnnie Omen Badger. Johnnie Melon Lieberman Ogden John Bengal Demijohn
Nero Jab Needling. Hormone Banjo Mingled Hereon Banjo Modern Heeling Lab
Mongered Johnnie. Enameled Boring John Endgame Oberlin John Mannered Hobo
Jingle Jihad. Noblemen Negro Jordan Blenheim Gone Mad Grenoble Johnnie
Jeanne Lindbergh. Moo Jeanne Bloom Herding Arlene Bong Demijohn Leaner
Bong Demijohn Anemone. Bohr Jingled Hangmen Lobe Joinder Germinal Debone
John Omnirange Bleed John. Jangle Bodenheim Nor Agone Hornblende Jim
Manhole Bergen Dijon Hermann Globe. Joined Jean Hemoglobin Nerd Johann
Bleeding More Holberg Man Enjoined Jan. Neighbored Monel Jan Bleeding
Hormone Anon Boehmer Jingled Badger Johnnie. Lemon Blamed Goner Johnnie
Dream Belong Johnnie Jading Boheme Ronnel Jihad. Ennoble Monger Donna
Blenheim Jorge Banned Jerome HolingMAGEE BLIND NERO. JOHN MAGEE BIND LONER
JOHN MAGEE BLOOD HERN JINN MAGEE BORNE LIND JOHN. MAGEE ROBIN LEND JOHNA
NAME TO A MEAN TO A TEAM ON A MATE NO ME TO ANA. MEAN TAO ATONE AM AM AT
ONE AMEN TAOBjorn Longhand me I Magne Haugen Jorn. Ben Goldhobrn b.yond
Magnus bjornmag Hallingstad John Mr. Jonah O. Blending. beyond Jon Reime
Jon Joel Nigh Brodman beyoni John Modalen Bernard John Ling. Dffoberman
byoni Olav Asgrimson Johan John Germinal Bond ignominy Runed Foss.
Magnhild pronoun Tomasi Magnhid en Sire born.matronym Larsi Vatlend.
byon.lihngam Bent Standal Magh erroneous.notion Dani Bjrn Norheim Magee.
ontic.mantsin Mikal Nordal Maginsel kari.eliot Bruno Bjrnstad Magy Bjorg.
Brndals Magny Hanne Bjevrke Manee Glenda Bjordl Maney Heod Gram Manney.
garbiel Jakobssen Manny Holkermann Magney Homin Magnee blix MacNillon
brandt. Mac Neal hoberg Magnhy Maget Magey Maghy Hughey Hayes Magnhill
Magni. ByrnBjrn Hitdlakjempe Bjarnar saga Hdlakappa Bjarni. Hitdlakappi
Monstrous Allegations An Exchange of ki in Bjarnar saga.
Htdlakappaber'serk Borne John Lind Magee benoni Bjorn Magnhildson.
Magnhildoyn Jon Magnus Holberg Brandt Beorma bjorn beras matronymbef. ME.
be(a)re beor(e) OE bera c. Fris br D beer OHG bero (G Br) Gmc. beran lit.
the brown one akin to ON bjbrn bersi cf. Lith bras brown. Cf.. BRUINmagh
Important derivatives are may dismay might main machine. mechanic magic.
To be able have power. may from Old English magan to be. able dismay from
Old French esmaier to frighten. Both a and b from Germanic. magan to be
able. might from Old English miht power from Germanic. suffixed form mahti
power. main from Old English mgen power from. Germanic suffixed form
maginam power. Suffixed lengthenedgrade form. mghan that which enables.
machine mechanic (mechanism) (mechano). Greek (Attic) mkhan (Doric) mkhan
device. Possibly suffixed form. maghu. (magic) magus from Old Persian magu
member of a priestly caste (. mighty one). Pokorny magh .PHONOLOGY OF
DEVELOPMENT OF QUENYA FROM. PROTOELDARIN This follows ETYM and ignores the
very different early part of. the phonology development shown in BOLT. As
shown by KVNS at that time RT the. Elves made PE by trying to learn
Valarin from Orome at Koivieneeni and. afterwards Tolkien likely made ETYM
PE Valarin uneuphonic with roots such as. snas and skyap and kugh to make
it sound stern and commanding. (Did. Valarin have a history of change MET
before that E.g. PE magh hand. mag use handle. From the description in
Ainulindale (SIL) Ea before. Arda was made was likely big enough and
lasted long enough for even Ainur's. languages to evolve different ways in
different areas.)In a map printed in. the peninsula is called Island
Maghies and in it is referred to as. McGuiyes Island. Also in in the
Inquisitions of Antrim it is referred. as Island of Magie and Island of
Maghy. In the map called Atlas Novus. published by Johan Blaeu in it is
called Magees Ile. During the th. century the Ordnance Survey Memoirs of
Ireland postulated that the name. Islandmagee was derived from Mac Aoidh
(named after the most common family name. on the island prior to the Tudor
Conquest of Ulster i.e. Magee) or Mac iagh. which they say derives in turn
from a word for seagull. I can not find any such. word for seagull and
believe such a derivation to be incorrect.McKee Magee. McGee Mackey McKay
McCoy MacHugh McHugh and Hugh also in the O form as. OHea OHay Hay Hayes
The derivation from the name Magee (from the Irish. Mag Aoidh or Mag
Aodha) means son of Aodh (an old word for fire). It is a very. common name
in Ulster occurring in the following corrupted forms McKee Magee. McGee
Mackey McKay McCoy MacHugh McHugh and Hugh also in the O form as. OHea
OHay Hay Hayes). In this case the Island is reputed to be named after. a
family of Magees who are said to have their principal base in the
townlands of. Portmuck and Carnspindle. In Marschal Bagenals description
of Ulster in. it is stated such as there be the Magees and contribute to
the Lords of. Clandeboys (from Clann Aodha buidhe U Nill meaning the
family of. yellowhaired Aodh Nill). A similar derivation is given in.
Dubourdieus Antrim viz. the inhabitants thereof are Magies from which it.
hath the name. History records the death of perhaps thirty members of
this. family by soldiers from Carrickfergus Castle following the.
rebellion.AirNav Index of airspace fixes M MAGAF MAGAH MAGAS MAGCI MAGCO.
MAGCY MAGDE MAGDY MAGEE MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI
MAGGO. MAGHA MAGHO MAGHY MAGIC MAGID MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY
MAGJA MAGJI. MAGJO MAGJU MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW
MAGOZ MAGPY MAGRE. MAGRY MAGUH MAGUJ MAGUS MAGUW MAGUY MAGUZ MAGWE MAGWU
MAGXO MAGXY MAGYA MAGYE. MAGYI MAGYU MAGZE MAGZI'Magnus' also appears in
the forms 'Mang' and 'Manges'. in the Alps and Southern Germany. ba) From
the Latin word adjective 'magnus'. great large thus by being used as a
(proper) noun it becomes the great. one. The word is derived from the Indo
European base 'meg(h)' which also. evolved into Sanskrit 'maha' big Greek
'megas' big and English 'much'.. However that is not the entire story.
According to Wasserzieher the norther. variant of the name Magnus was
coined by king Olaf the Saint of Norway who. named a son in honor of
Emperor Charlemagne (Latin Carolus Magnus German. Karl der Grosse
Norwegian KarlaMagnus). Charlemagne () who ruled. over France Germany and
Italy was quite an impressive medieval king who in. was crowned the first
Western Emperor since the fall of the Western Roman. Empire. How
impressive was he to his contemporaries Well he was made a saint.
(canonized in unfortunately only by an AntiPope and he is revered only. in
a few places) and the word for king in many Slavic languages is derived.
his name (Polish 'krol' Russian 'korol'). I must confess this does add. an
intriguing new dimension because of course Professor X's first name is.
Charles which is the French form of the name Karl which owes a lot of its.
popularity to Charlemagne. Two sides of the same coin indeed ba) In
Southern. Germany Switzerland and Austria the name is mixed up with the
otherwise. apparently extinct German name 'Magnoald' 'Maginald' 'Maginold'
he who rules. with might. It is hard to tell if this 'Magnus' is a
Latinization of the German. name(s) or the identification is the result of
a mistake (see section ). This. name seems to be related to that Thor's son
Magni (looking around I also found. the name Magnerich (Magnericus) who was
bishop of Trier from ca. to. .)The first element of this name derives from
the Germanic word for might. represented in modern English 'might' German
Macht and Dutch 'macht' which. derives from the IndoEuropean 'magh' to be
able which also is the root. for modern English 'may' (cf. German 'mag')
'mage' and 'magic' (from the Old. Persian 'magus' Iranian 'magu' which
referred to the Magi the priestly. caste in Ancient Persia and Media) and
also 'machine' and 'mechanic'.. noemata. Saturday December.
Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. PATAFYSISKT NAMN STOPPAS AV
RTTENBrfxxccxxmnpcccclllmmnprxvclmnckssqlbb.. S fr inte lille Albin
stavasitt namn. Kammarrtten i Gteborg fann inget std. i lagen fr att
dpamnniskor i sdan anda. Den vida knda hallndska. namnstriden brjade
medatt lnsrtten i Halland utdmde ett vite mot. frldrarna p kronorfr att
inget frnamn alls registrerats p. gossebarnet trots att hanhunnit bli fem
r. D skickade frldrarna in. stavningen med tecken.Namnfrslaget br ses i
patafysisk anda skrev. frldrarna i sin inlaga.Men kammarrtten kunde inte
se patafysiskt p. stavningen. Parafysik r deinbillade lsningarnas
vetenskap uppfunnen av. absurdisten Alfred Jarry somannars r mest knd som
frfattare till. teaterstycket Kung
Ubu.Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. (pronounced Albin) was a name
given to a child by the parents of a Swedish. family in May .A district
court in Halmstad southern Sweden had fined the. parents (Elizabeth Hallin
and ) kronor (approximately US) for failing. register a name for the boy by
his fifth birthday. Responding to the fine. the parents submitted the
character name claiming that it was a pregnant. expressionistic
development that we see as an artistic creation and. suggesting that it
should be seen in the spirit of pataphysics. The court. rejected the name
and upheld the fine. The long and short of itSWEDISH. authorities last
year told a couple who named their son.
Brfxxccxxmnpckccccmmnprxvcmackssqlbb to find a new shorter name for. the
boy. However the authorities in Stockholm have now rejected his new name.
of A according to the Hallands Nyheter newspaper. Initially the parents.
refused to provide tax authorities with a name for their newborn son.
After. numerous disputes the parents finally provided them with the letter
and. digit sequence which they say is pronounced Albin. That resulted in
an. fine from the tax authorities last year for defying the Swedish name
law.This. northern summer the couple registered their son as A. Tax
authorities also. rejected that name because singleletter names are not
allowed. An appeals. court upheld the decision. The parents previously
said that they chose a. meaningful expressionistic typographic formulation
which we consider to be an. artistic new creation in the pataphysical
tradition in which we believe.The. boy who is still officially nameless
has a passport in which his name is. given as Boy Tarzan.Related Jennifer
. Lee born March in New. York City is a New York Times reporter for the
Circuits section. Her middle. name was given by her parents in her teens
because there are too many people. named Jennifer Lee. She spells her
middle name . on paper but on her. driver's license it is spelt as a much
less dramatic Eight. Her parents were. Taiwan and were influenced by the
typically Cantonese custom that sees. number as a symbol of prosperity. is
a character in the comic strip. Peanuts by Charles Schulz. He debuted in
and continued to appear on and. off until . has spiky hair and sometimes
wears a shirt with (what else). the number five on it. His full name is
(accent on the ) with. being the family's last name (actually their zip
code which in real life. corresponds to the zip code for Sebastopol
California). His father changed all. of the family's names to numbers as a
protest to call attention to the way that. he felt like numbers were taking
over people's identities. also has two. sisters named and .. noemata.
Friday December. lumber. lumber. the mean. while waiting and waiting for
win to boota play for the calculator the. meanok what about . .where does
the . come from. .. still the sameok so we know n(n).(n.)what about step.
while it holds now the diff is always. n(nstep)(step)((nstep))try random
..i have. format c unbelievablestep is so it doesn't workdo you want to
install. netmeetingwho ever had any need of scandiski ran scandisk several
times. nowstill it didn't detect damaged sectorsunbelievable crap
scamdickswell why. didn't it work for odd it's yeah now your product key.
licenceit's supposed to be oh well it just squares thensquareroot of ..
is.. . voilakey is GXPPKTCDRJGJDTRBM (win)it's.
n(nstep)(step)((nstep))which makes sense for the . and the. updating you
system..restart then restart then restartthis wasn't very. profoundit's
like you need the square stuff somewherewhether you put it in the. n's or
the stepit doesn't matterthe suprise in the beginning of this play..it.
didn't take into account the extras of the squarethe double its
shadowit's. about dimensionshow the extra dimension casts a shadow backthe
step is supposed. take care of thatah but there's no stairway to
heavencan't believe this. where are the screen driversMy documents it's
intimidatingvery smalli. lost the scans whateveranal stuff i mean what's
the pointthe joy of. loosingagain a gain where does the shadow come inthe
gain where the extras. are fromhell is a collapse of dimensionswhat
happens when things colapsewhen. these squares collapsed they lost their
shadowi was thinking of this drawing. also what it lostshadows of course
collapsed into texturebut the other way. alsowhat would the hyper be if
this was. textureloomunbelievableunbeleivablewhat is mostthis cognitive
quaking is. backforth's squaringnothing in the middlenothing mediatedthese
are flatmeanthe. synonyms for mean are average base beggarly entail hateful
have in mind. imply intend mean value meanspirited mingy miserly signify
stand for. think think of tight. noemata. Tuesday November. anyhryear
anniversaryarchive of visual. Nov k. noemata. Wednesday November. plese.
its tu muchi wnat nothign to do with itplesei was nothing to do withit.
noemata. Wednesday November. recursive dictionary. material or nonmaterial
entity idea action etc that is or may be thought. about or perceived a gift
a thing given or presented of the something done. deed or action or
sensation caused in the ear by the vibration of the. surrounding air or
other medium of laughter and the capacity or power to. perceive or feel or
to be conscious of the state or condition of being present. or attributes
qualities or characteristics of material or nonmaterial. entities ideas
actions etc that are or may be thought about or perceived. that human
concerns business matters to be attended to their continuous. onward
movement or progression and circumstances esp. those affecting the.
functioning or existence of something active condition which
distinguishes. active animals and plants from inorganic matter including
the capacity for. growth functional activity and continual change
preceding death were. mad.Bertrand RussellApplying the algorithm to text
with a high proportion of. abstract nouns is particularly amusing. Here
the starting text is from. Bertrand Russell's History of Western
Philosophy from a chapter on PlatoThe. second argument is that knowledge
is recollection and therefore the soul must. have existed before birth.
The theory that knowledge is recollection is. supported chiefly by the
fact that we have ideas such as exact equality which. cannot be derived
from experience.Transformation givesThe second reasoning. process is that
awareness or familiarity gained by experience is the act or. power of
recollecting and therefore the spiritual or immaterial part of a. human
being often regarded as immortal must have existed before the emergence.
of a (usually fully developed) infant or other young from the body of its.
mother. The supposition or system of ideas explaining something esp. one
based. on general principles independent of the particular things to be
explained that. awareness or familiarity gained by experience is the act
or power of. recollecting is supported chiefly by the thing that is known
to have occurred. exist or to be true that we have conceptions or plans
formed by mental. effort such as the exact state of being equal which
cannot be derived from. actual observation of or practical acquaintance
with facts or events.. noemata. Monday November. congratulations
congratulations your site is on on (nostalgi). noemata. Monday November.
curious. my handwriting .jpg 'Freedom diedgreat people proved that
awareness exists. and every lifeform is awareunfortunatelly they hadn't in
mind that evolution. not aims into awarenessdevelopment but towards better
adaptation.milions of. people just learned how to fake awareness.This what
makes us Humans is ablity. selfdevelopment and Empathynot adaptation.Crowd
without a leader went. insane.Sickness is ones who emphatize get dellusion
when looking. feelingslessones there is no mutual empathy then ones who
emphatize become. codepend.'.jpg(notes from train station i tried to
visualise how autosopher. adaptativenetwork works)also note that 'positive
effects coming from. smoking of tobbaco come fromchanged metabolism of
dopamine while addiction is. created by completelydifferent
neurotransmitter patch'also common mistake of. polish language pointed out
(use of foregin noun).jpg adaptative ALP network. Daylight Explosioni have
some other work like learning from c sources i'll. write to you laterd.jpg
dissolving substancedreams come when i am. heresnowwhite truth about
falseparticles of absurd from. nothingsubstancewhile this world is only
interpretation of our. dreamssubstanceyou melt with nonexistence like
youpractical disasemble of life. programtransient observation ofthoughts
about minimalism truth about. time.form of delusionsequence of sessionit's
lack of thought Substancewhile. civilisation camp grid is at least km
thin.where is. reasondynamicambitionfield of perception actions of
consiousness()timeand. this is 'life'intonation is alive and manipulating
bodieswill be as is. because can't be other waypreprogrammed forecast
shatter and bend under. influence of new datahow is time machine
likealivedestiny of chaos. complexity creation is creation itselfwe can
watch beauty of growthour time. camepower came to an. noemata. Jag lgger
lite bilder p mig hr.. Jag lgger lite bilder p mig hr.Men kom ihg jag vill
grna att. ni skriver i Gstboken vad ni tycker annars blir det inte fler
bilder. Mina. Fuktiga brst efter duschen.Jag visar upp ett av mina
brst.Jag i sexiga. underklder.Jag visar upp mig p sngen.Hr r jag helt.
utlmnad t dig.Tnk om handen inte fanns dr.Gillar ni mina. Lppar.Ny bild p
mina lppar.Gillar ni bilderna p mig i. stayupsDet kan komma fler bilder
Jag hller p att vertala min. vninna att jag skall f lgga upp bilder p
henne ocks.Hr. under lgger jag sprutbilderna som jag fr Och jag skall
villigt. erknna att jag har onanerat och tittat p dem mnga.
gnger.Sprutbild Sprutbild Sprutbild Sprutbild Sprutbild Sprutbild.
Sprutbild Sprutbild Sprutbild Jag har ftt ett par nya sprutbilder Det.
tycker jag om. Flera gnger har jag tittat p dessa bilder och tnkt. p er
hur ni har lekt med era underbara stnd fantiserat om mig och. sedan
sprutat er varma klibbiga sats ver min kropp. Mnga gnger har. dessa
fantasier tagit mig till underbara orgasmer. Ett extra spnningsmoment. r
ju att min kille inte har ngon aning om vare sig websidan eller dessa.
foto.Hr kommer fler bilder.En bild frn en man som heter Bokoboko.Gabbe.
har ocks sprutat ner min kropp.Hawkan har lagt sin varma sd ver.
mig.Fineman har gjort hrligt sexiga konstnrliga bilder.nnu en bild.
noemata. Saturday November. delayed. noemata. Tuesday November.
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reach complaunts ignoered reafch wihtin wiithin complaionts reqach. withon
waithin ignhored igniored ignorecd ignkred readch wjithin reach.
coomplaints cdomplaints ignoored ignored reacg withgin complaints ignlred.
clomplaints ignoeed re ch iynored withinn wkithin itgnored ignorde wjthin.
reaach witthin within complxints complainjts complaiunts within withoin.
fomplaints fcomplaints qwithin witbin reavch coimplaints resach reah
ignorec. ignored ignopred witnin ignoredf complain ts cpmplaints ig nored
wighin re ach. gnored compkaints omplaints within wqithin reacn reacyh
reachb wituhin iggnored. ivnored rsach iwthin complaintx rezch reawch
cokplaints kignored ignored wothin. reach igjnored ignorrd compla ints ig
ored ignboredSearch colmplaints. noemata. lumber. lumber. oct().
..JFIF......h FF DB A E. C A .....C.nxxdh C C B AA A BE F FF. FF F DC DC F
FF FF. h FF FF FF FF. FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF
FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF FF FF FF FF FF DB
AA B. .C.h B F D F. FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF
FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF FF FF FF FF FF FF FF FF
FF FF FF. h FF. FF FF FF FF FF FF FF FF FF FF FF FF FF FF C. ah.
...............bh FF. C ..............ch. FF C ..............dh.
................eh. FF DA C A. matronym. Sunday October. Re confuciuslist
Mencius B. wild grass (fwd). matronym. Saturday October. plunderphonics
week. DJbyHandIngerMarieLienKidSquarepusherStev.mp (. C C Nystev.. vil du
D. C E have meg til B C D A B C. kveda..det skal A D eg gjera. med stF C C
D A F rste gleda..og. B C B eg skal kveda sF E. D A o vent fyr deg.. B. C C
F D at du skal glym A F C. F D a deg sjlv og m E D A D A C B. C eg..... eg
skal B F B. kveda so du skaC E C D A D l. grta..um du C E C var aldri. s
gla F B E C D A E d og kt'e... e B C B F g skal kveda so E E C. C D A snlt
fyr deg... B C C E E E at du skal l n. E D E r du ser p meg.D A D A F D E.
F ....Og mine viso F E E C. r dei er so snl C D A F D F B E e..som. Borken
t E E E E rvar p isen. hC C D A F D E le..og mine visF. A E or dei gjer'
ein C E D A. F D C C sleng..som litl E E B. e guten p skeis E E A E E D A
D A C. unn' gjeng..... D E F mine. visor dei F D E C D A F er so
mange..soD. A D C F D E m heggjeblomane. E B D drys i fanget.A F. F .so
hev det vore C C. A D A i all si tid.. D B. dess meir dei kv C D ed dei
dess. mei E D A D A C r der bid...... C A C vil du stevjast F B. C so skal
eg svar C D A F. C E a..og heile nat F B C. ti so skal det v B D A F C.
ara..og vil du A D D stevjast med. meg B C C D A E i kveld..du g. B A E r
'kje t fyrr d E. E D C C E u fr ein smell. abort.
DJbyHandsisselkyrkjeboorigamiweightlessapati MB. matronym. Friday October.
link var. Index of var Name Last modified Size Description. Parent
Directory Oct idxbdvds.jpg. Oct k vdsidx.jpg Oct k. .jpg Oct k .jpg. Oct k
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DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct k. FlwTmudZFemVXGfQK... Sep k
P.png. Sep k P.png Oct k. P.png Oct k P.png. Oct k RISS.jpg Oct k. S.jpg
Sep k acroBatic.JPG. Sep k annama.jpg Oct k. annan.jpg Oct k annotfw.jpg.
Oct k apdd.jpg Oct k. apok.jpg Oct k apolillebilen.jpg. Oct k aporegn.jpg
Oct k. bdvds.jpg Oct k brcolagedrawachine.jpg. Oct k bssggn.jpg Oct k.
candledrawings.jpg Sep k codune.jpg. Oct k desktop.jpg Oct k. dietz.jpg
Oct k eee.jpg. Oct k elmagspectrum.jpg Sep k. ff.jpg Oct k fjfjf.jpg. Oct
k fluktbiler.jpg Oct k. fluxusmap.jpg Oct k fortart.jpg. Oct k ggcc.jpg
Oct k. ghdf.jpg Oct k golgeilo.jpg. Oct k gv.jpg Oct k. hfhfh.jpg Oct k
hfhfhw.jpg. Oct k hfhfhw.png Oct k. horn.jpg Sep k ideog.png. Oct k jj.jpg
Oct k. jotunheimen.jpg Sep k julebukk.jpg. Oct k lc.jpg Oct k. mouazing.png
Sep k mrna.jpg. Sep k oe.jpg Oct k. pluntscape.jpg Sep k prestholt.jpg. Oct
k prestholtskaret.jpg Oct k. psychogeo.jpg Oct k rabsistggkgigngdgom... Oct
k recursivelibrary.jpg Sep k. rygg.jpg Sep k san.png. Oct k scapeg.jpg Oct
k. scrreen.jpg Oct k sdgaa.jpg. Sep k seroma.jpg Oct k. sino.jpg Oct k
skogshorn.jpg. Sep k taka.jpg Oct k. tectonics.jpg Sep k teent.jpg. Oct k
tenner.jpg Oct k. text.jpg Oct k tilapollinaire.jpg. Sep k
torpostavechurch.jpg Sep k. tuftebrui.jpg Oct k turs.jpg. Sep k
usbdrawing.jpg Oct k. matronym. relax. matronym. Wednesday October. im not
sisting strahgt my jands ctrlz ctrlz ctrlz ctrlz versjon. ctrlz ctrlz ctrlz
ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz. ctrlz ctrlz ctrlz glitch
versjon (ultra editor) well probably doesn't affect. html so why blotherim
not sisting iwant somehthign it's a bit. frighteningstrahgt that kid on its
own and coldmy jands. atomata like tat fly nothing holdingnothing here in
the win. should i let gothis writing is the fog leaves (they of
whatagainst. itself does it) eprime the i don't know anythingi only write
when. drema (dramadream) this blank screenforgetting muself of magic.
contradicted by my fingersnegation well science and the this will. only be
troubleworthwhile howto any base fuck youspace which is. debase. coming
back this is completely lostnothing to.. never againher cunt ie no.
memoryshould backspace sensation must be no knowledgethat. based on
recurrence monster of pixelscollaps else you wouldn't. soothwhere am i
know but gnomhow to write. still sense but no.where am i inn the only once
it vicinitymyself. doesn't count (count potentialmy arm is kind of is.
sentence dntwiched recurrence). any pnrrmaqyawmy back. somewhat object.
object is nvvypub vybcdcxrunched here too much. object. dmcs vnbpu
cdngvirtual backspace anything that is suug. fcnothing ever comes visible
or tangible mqhycuq iydxout of this. and is relatively bucgupd dnwhere
does this go stable in form. to. uaurk rnhuruadexpect nothing you. ya
hypyaydkleft. channel delay something. thing xytt uywxd cyjthe need.
(meeting vyhuno structure her interface). lubn. ()whatever fright
subjectsubstancediscontinue into. subtrahends ariettaslide emergent
relation. subterfuge. arroweddiscreet egene remove
sceptrelessespataphysical. logic posessive my's. arrowedcompression is a
reactive at chemical. saboteur aridcipher level. behave septarium
arteroads. late ME softheartedly aradjustice behaven. (reflexive).
subterranean aridblockhead See BE HAVE.. shifters airywriting into space
behaviorism the spadework awardeei'll. go wherever the theory that scepter
areawidekeys lead. psychology can be shifter aerateleather case accurately
studied. softer arrauboard table kitchen only through the spader
artiecuisine. examination and subterfuge aureatei meant metaphor analysis
of. sputter areawidewherever possessives. subtree. areawidesomething else
sputter aeratethis is just. one i'm no one get your softer airyside hands
off me.. spader airtno justice HAHA. subterraneanisesusually space is
karmaguilttraces aortaexpensive. i once had guilt subdirectories
artymassive nothing writing haha. says it spidery airedeyes all (active
subtraction. artyi once had eyes expression vs sceptered artiego beyond
they. say matters of doctrine) subtreasury areawideother i laughter. is
spidery arrayedwhat comes in this eternally guilty. subterraneanise arteis
still eyes (doctrinal in sifter. awardeekeyes writing) as anythe cod e
statement. n softheart s mouthing. y. arrondis t guilty guilty (how
soekar. ttraffi n awkward to ) soffit ar thorsest c t. how's w g softies
arteriolethere's compilation attached to guilt. soever arterialises should
stop writing soke. arterialisinginterprete e another w e sojoimmedi s.
status of relate to artel valuemeaning other sodwhat'. than drawn arteri
dente. softhead arthromerewhich is p s (interfaces again).. sojourners
arrowrooti had t a media a softening. artefactbig small inverse suppose it
e softbound arsenicaldi. other way a softy ars lprotoco f signs are. soiree
arsenicisespapyrus no o lines are. ts stronger attraction readapting
mcqueenpro. proto mecritical distance attraction to. what reactualise
meagerlyexecution of seeing easy essing. meal ers are easi ay. of
mcmurdohidden instant an. g rea ness memiddleman blackmail to. ably me
compl of the ualizes. li syst inimax rk up. to mewhat's the deal on. me (
rface') reactualisations. mei r mansus accidencesubsta me. critical and
easie 's. system wins liked ng not gravitati. stupid you alwaysde reaming
get signs toodr eath is. obvious it's theirso ng else job. backtrackingi'd
to die. guilt is thru th .. sign you no. shouldn't att it's like chaplin
onde s trash. a conveyor belt ghtning down t rs economy.no. no signno in
the talking is a w recur.. as stimulusres augment pos. respons. lumber.
matronym. Tuesday October. thing. thing (thing) n. . a material object
without life or consciousness an. inanimate object.. some entity object or
creature that is not or cannot be. specifically designated or precisely
described The stick had a brass thing on. it.. anything that is or may
become an object of thought things of the. spirit.. things matters affairs
Things are going well now.. a fact. circumstance or state of affairs It is
a curious thing.. an action deed. event or performance to do great things
His death was a horrible thing.. a. particular respect or detail perfect
in all things.. aim objective The. thing is to reach this line with the
ball.. an article of clothing I don't. have a thing to wear.. things
implements utensils or other articles for. service I'll wash the breakfast
things.personal possessions or belongings. Pack your things and go. a task
chore I've got a lot of things to do. today.. a living being or creature
His baby's a cute little thing.. a. thought or statement I have just one
thing to say to you.. Informal. a. peculiar attitude or feeling either
positive or negative toward something. mental quirk She has a thing about
cats.. something signified or. represented as distinguished from a word
symbol or idea representing. it.. Law. anything that may be the subject of
a property right.. do or find. one's own thing Informal. to pursue a
lifestyle that expresses one's self.. Also do or find one's thing. . make
a good thing of Informal. to turn (a. situation experience etc.) to one's
own profit benefit by She made a good. thing of her sparetime hobbies..
new thing Jazz. See free jazz. . not to. get a thing out of to be unable
to obtain information or news from The police. couldn't get a thing out of
him.to fail to appreciate understand or derive. aesthetic pleasure from My
wife likes opera but I don't get a thing out of. it.. see or hear things
Informal. to have hallucinations.. the thing. something that is correct or
fashionable That caf is the thing now.that. which is expedient or necessary
The thing to do is to tell them the. truth.bef. ME OE orig. meeting see
THINGthing (thing ting) n.. (in Scandinavian countries) a public meeting
or assembly esp. a legislative. assembly or a court of law.Also ting. Cf.
thingstead. ON assembly. c. THING D ding G Ding thing orig. meeting akin
to Goth theihs. matronym. Monday October. nothing (nuthing) n.. nothing
(nuthing) n. . no thing not anything naught to say. nothing.. no part
share or trace (usually fol. by of) The house showed. nothing of its
former magnificence.. something that is. nonexistent.. nonexistence
nothingness The sound faded to. nothing.. something or someone of no
importance or significance Money is. nothing when you're without health..
a trivial action matter circumstance. thing or remark to exchange a few
nothings when being introduced.. a person. of little or no importance a
nobody.. something that is without quantity or. magnitude.. a cipher or
naught Nothing from nine leaves nine.. (used in. conventional responses to
expressions of thanks) Think nothing of it. It's. nothing. Nothing to it..
for nothing free of charge.for no apparent reason. or motive.futilely to
no avail They had gone to a great deal of expense for. nothing.. in
nothing flat in very little time Dinner was finished in. nothing flat..
make nothing of to treat lightly regard as easy.to be. unsuccessful in
comprehending He could make nothing of the complicated. directions..
nothing but nothing other than only We could see nothing but. fog..
nothing doing Informal. emphatically no certainly not.no activity.
inducement advantage etc. present to the eye We drove through the town
but. there seemed to be nothing doing.. nothing less than or short of
absolutely. completely She was used to nothing less than the best.. think
nothing of to. treat casually.to regard as insignificant He thinks nothing
of lying to. conceal his incompetence.adv. . in no respect or degree not at
all It was. nothing like that. Nothing dismayed he repeated his
question.adj.. . amounting to nothing as in offering no prospects for
satisfaction. advancement or the like She was stuck in a nothing job.bef.
ME OE. matronym. rinsay. the active expression of enlightenment over
matters of doctrineThe mind thus. creates the world in the sense that it
invests the phenomenal world with. value.They have presumably already
freed themselves from preoccupations with. the commoner cravings for
sensual indulgence material gain or worldly fame. and have entered the
path of religious strivings. But it is precicely this fact. that Linchi
sees as the source of their problems.this lone brightness without. fixed
shape or form.once and for all that there is no goal to be striven for.
because it has been won already no place to be journeyed to because one
is. there right now.People with so few roots of faithif it's for the sake
of the. Dharma don't hesitate to sacrifice your bodies or give up your
lives.If you. approach it with a true and proper understanding you won't
be affected by. considerations of birth and death you'll be free to go or
stay as you. please.The fault lies in the fact that they don't have faith
in. themselvesStudent's don't have enough faith in themselves and so they
rush. around looking for something outside themselves.Those who have
fulfilled the. ten stages of bodhisattva practice are no better than hired
field hnads those. who have attained the enlightenment of the fiftyfirst
and fiftysecond stages. are prisoners shackled and bound arhats and
pratyekabuddhas are so much filth. in the latrine bodhi and nirvana are
hitching posts for donkeys. Why do I. speak of them like this Because you
followeres of the Way fail to realize that. this journey to enlightenment
that takes three asamkhya kalpas to acomplish is. meaningless. So these
things become obstacles in your way.Fellow believers. time is precious You
rush off frantically on side roads studying Ch'an. studying the Way
clinging to words clinging to phrases seeking Buddha. seeking the
patriarch seeking a good friend scheming planning. But make no. mistake.
Followers of the Way you have on set of parents what more are you. looking
for You should stop and take a good look at yourselves. A man of old. tells
us that Yajnadatta thought he had lost his head and went looking for it.
but once he had put a stop to his seeking mind he found he was perfectly
all. right.The man of value is the one who has nothing to do. Don't try to
do. something special just act ordinary. The Paotsung lun With regards to
the. Way what is valued in every age is to have nothing to do. With
regards to the. Way when one is mindless then all things will proceed
smoothly.Followers of. the Way the Dharma of the buddhas calls for no
special undertakings. Just act. ordinary without trying to do anything
particular. Move you bowels piss get. dressed eat your rice and if you get
tired then lie down. Fools may laugh at. me but wise men will know what I
mean. A man of old said People who try to do. something about what is
outside themselves are nothing but blockheads.If you. have doubts in your
mind for an instant that's the Buddha devil. But if you. can understand
that the ten thousand phenomena were never born that the mind. is like a
conjurer's trick then not one speck of dust not one phenomenon will.
exist.As I see it there's no Buddha no living beings no long ago no now.
If. you want to get it you've already got it it's not something that
requires. time. There's no religious practice no enlightenment no getting
anything no. missing out on anything.If you want to be free to be born or
die to go or stay. as onw would put on or take off a garment then you must
understand right now. that the person here listening to the Dharma has no
form characteristics no. root no beginning no place he abides yet he is
vibrantly alive. All the ten. thousand kinds of contrived happenings
operate in a place that is in fact no. place.If your mind entertains a
moment of doubt it becomes obstructed by the. element earth. If your mind
entertains a moment of craving it becomes drowned. in the element water.
If your mind entertains a moment of anger it is seared. by the element
fire. If your mind entertains a moment of delight it is tossed. about by
the element air.The way I see it onw shouldn't be averse to anything..
Suppose you yearn to be a sage. Sage is just a word sage.Those who study
the. Way these days need to have faith in themselves and not go looking
for. something outside.If you want to be a truly great vessel you must
never be led. astray by others. Wherever you are play the host and then
any place you stand. will be a true one. Whatever confronts you don't let
yourself be imposed on.. If you entertain even a moment of doubt the devil
will enter your mind.Just. have faith in this thing that is operating in
you right now. Outside of it. nothing else exists.In the way you now
respond and utilize it what do you. lack In the space of an instant you
enter purity or enter defilement enter. the halls of Maitreya or enter the
lands of the three eyes. You wander at ease. everywhere for you see that
these are all empty names.The buddhas and. patriarchs are people who don't
have anything to do or are without defilements. and doings their karma is
clean and pure.The Patriarch Shenhui said If you. try to arrest the mind
and stare at silence summon the mind and focus it on. externals control
the mind and make it clear within concentrate the mind and. enter into
meditation all practices of this sort creates karma.So for the. past
twelve years though I've looked for this thing called karma I've never.
found so much as a particle of it the size of a mustard seed.from times
past. the real teachers wherever they went were never listened to and were
always. driven out.The various phenomena in this world and other worlds are
in all. cases devoid of intrisic nature. Even if something did exist it
would in all. cases be no more than an environment that changes with what
it depends on. You. live in a land of changing dependent conditions what
is it you are looking. for And things like the Three Vehicles and the
twelve divisions of the. scriptural teachings they're all so much old
toilet paper to wipe away filth.. The Buddha is a phantom body the
patriarch are nothing but old monks. You were. born from women weren't you
I you seek the Buddha you'll be seized by the. Buddha devil. As long as you
seek something it can only lead to suffering.. Better to do nothing.A true
student of the Way never concerns himself with the. Buddha. Far removed
alone and free he is never entangled in things. Heaven. and earth could
turn upside down and he would not be perturbed. All the buddhas. of the
ten directions could appear before him and his mind would not feel an.
instant fo joy the three realms of hell could suddenly confront him and
his. mind would not feel an instant of alarm. Why is he like this Because
he knows. that all things in the phenomenal world are empty of
characteristics. WHEN. CONDITIONS CHANGE THEY COME INTO EXISTENCE WHEN
THERE IS NO CHANGE THEY DO. NOT EXIST.Followers of the Way when students
come here from various regions. and we have finished greeting one another
as host and guest the student will. make som remark to test the teacher.
The student comes out with these tricky. words and thrusts them into the
teacher's face. If you were the teacher and. realized that this was just
an 'environment' and you grabbed it and threw it. down a hole then the
student would act normal again and after that would ask. for the teacher's
instruction. The teacher would then snatch that up too and. treat it as he
did the earlier remark. The student then says Very wise A. truly great
teacher The teacher says You certainly can't tell good from. badAgain
suppose the teacher comes out with a certain chunk of environment. and
dangles it in front of the student's face. The student sees through this.
and at every step acts the master refusing to be misled by the
environment.. The teacher then reveals half of his body whereupon the
student gives a shout.. The teacher now enters the place where there are
all kinds of differences and. distinctions battering the student around
with words. The student says This. old baldhead who can't tell good from
bad The teacher exclaims in admiration. A true and proper follower of the
WayThere are some teachers around who can't. distinguish crooked from
straight. When a student comes and asks about bodhi or. nirvana about the
threefold body or about environment and wisdom those blind. old teachers
start explaining to the student. When the student curses at them. they
pick up their stick and hit him saying Such rude language If you have. a
teacher like that he lacks eyes to begin with.Then there is that bunch of.
baldheads who can't tell good from bad but point to the east gesture to
the. west love clear weather love it when it rains love this lamp or that
pillar.. Look and see how many hairs they have left in their eyebrows and
with good. reason. Teachers like that are nothing but wild fox spirits
goblins. Good. students will just give a little snicker and say Blind old
baldheads trying. confuse and lead everybody in the world astrayFollowers
of the Way if you. want to get the kind of understanding that accords with
the Dharma never be. misled by others. Whether you're facing inward or
facing outward whatever you. meet up with just kill it If you meet a
buddha kill the buddha. If you meet. your parents kill your parents.These
students of the Way who come from all. over there's never been one of them
who didn't appear before me depending on. something. So I starrt out by
hitting them there. If they come with a raised. hand I hit the raised hand
if they come mouthing something I hit them in the. mouth if they come
making motions with their eyes I hit them in the eye. I. have yet to find
one who comes alone and free they're all caught up in the. idle devices of
the men of old.I don't have a particle of Dharma to give to. anyone. All I
have is cure for sickness freedom from bondage. You followers of. the Way
from here and there try coming to me without depending on anything. All. I
get are things stuck to stems clinging to leaves wraiths that inhabit
bamboo. or trees wild fox spirits They chew frantically at every lump of
shit they. happen upon. Blind foolsI tell you there's no Buddha no Dharma
no practice. no enlightenment. Yet you go off like this on side roads
trying to find. something. Blind fools Will you put another head on top of
the one you have. What is it you lackThe way I see it there's no call for
anything special.. Just act ordinary put on your clothes eat your rice
pass the time doing. nothing. You who come here from here and there you
all have a mind to do. something. You search for the Buddha search for the
Dharma search for. emancipation search for a way to get out of the
threefold world. Idiots. trying to get out of the threefold world Where
will you goFellow believers. this body made up of the four major elements
has no permanence. Things like. spleen and stomach liver and gall hairs
nails teeth are simply evidence. that all phenomenal things are empty of
fixed characteristics. As long as your. mind is unable to cease its
momentbymoment activity then you are up in the. tree of ignorance. But if
you can learn to cease then you'll be in the world. of the clean pure
body.If a student truly knows what he is doing he will give. a shout and
then first of all hold out a try of lacquer. The teacher failing.
recognize this as a mere 'environment' proceeds to climb up on the.
environment and begin striking poses or donning attitudes. The student
gives a. shout but the teacher refuses to abandon his approach. This is
called the. guest seeing through the host.Or perhaps the teacher will not
come out with any. object of his own but will wait for a question from the
student and then snatch. it away. The student seeing his question snatched
away won't let go but holds. on for dear life. This is a case of the host
seeing through the guest.Perhaps. there is a student who responding with a
clean pure environment presents. himself before the teacher. The teacher
can tell this is just an environment. and grabs it and throws it down a
hole. The student says A truly great. teacher Instantly the teacher says
Hopeless can't tell good from bad. The student gives a low bow. This is
called the host meeting up with a host.Or. there may be a student who puts
a cangue wooden collar on his neck binds. himself in chains and then comes
before the teacher. The teacher proceeds to. shackle him with another set
of cangues and chains. The student is delighted. unaware of what has
happened. This is called the guest meeting up with a. guest.But students
don't have faith enough and instead base their. understanding on words and
phrases. Their years pile up to half a hundred and. all they do is go off
on side roads carrying their dead corpses on their. backs racing all over
the world with their load of baggage.If you look toward. the area of
motion and try to grasp the truth there it will take up its stand. in the
area of nonmotion and if you look towards nonmotion and try to grasp it.
there it will take up its stand in motion. It is like a fish hidden in a
pond. who now and then slaps the surface and leaps up.When students come
from here. and thee I classify them into three categories according to
their ability. In. such cases if a student of less then middling ability
comes to me I snatch. away the environment but leave him his existence. I
a student of better than. middling ability comes to me I snatch away both
environment and existence. If. a student of truly superior ability comes
to me I do not snatch away anything. neither environment nor existence nor
person. If a student appears whose. understanding surpasses all these
categories then I deal with him with my. whole body and take no account of
his ability.Reverend Taoi's way of doing. things was simple direct nothing
mixed in. Reverend Lushan was utterly free. true and correct but whether
he came at them with compliance or opposition his. students could never
fathom what was going on. Mau's way of doing things. was as bitter as the
bark of the Chinese cork tree no one could get near him.. The way Shihkung
went about it was to look for students by pointing an arrow. at them all
who came to him were terrified. Shihkung had been a deer hunter.. When
students came to him he would fit an arrow to his bow point it at them.
and say Look at the arrowFellow believers these sounds names words.
phrases are all nothing but changes of robe. The sea of breath in the
region. below the navel stirs itself into motion the teeth batter and mold
it and it. comes out as a statement of an idea. So we know for certain that
these are mere. phantoms.Better to do nothing to meet someone but not
recognize him talk with. him but not know his name.There's a bunch of
fellows who can't tell good from. bad but poke around in the scriptural
teachings hazard a guess here and there. and come up with an idea in words
as though they took a lump of shit mushed it. around in their mouth and
then spat it out and passed it on to somebody else.. They're like those
people who play passtheword parlor games wasting their. whole life like
that.When the great teacher Bodhidharma came from the west he. was simply
looking for a man who would not be misled by others.I have been.
addressing you putting forth a lot of trashy talk. But make no mistake In
my. view there are in fact no great number of principles to be grasped.If.
bodhisattvas even those who have completed the ten stages of mind practice.
were all to seek for the traces of such a follower of the Way they could
never. find them. Therefore the heavenly beings rejoice the gods of the
earth stand. guard with their legs and the buddhas of the ten directions
sing his praise.. Why Because this man of the Way who is now listening to
the Dharma acts in a. manner that leaves no traces.Neither in this world
nor in any other world is. there any Buddha or Dharma. There is nothing to
appear before you and nothing. that is lost.Fellow believers only when you
have commited the five crimes that. bring on the hell of incessant
suffering will you finally gain. emanciation.Killing your father injuring
your mother drawing blood from the. Buddha's body disrupting the harmony
of the Monastic Order burning the sutras. and images these are the five
crimes that bring on the hell of incessant. suffering.Ignorance is the
father. When your mind is without activity wherever. it is this is called
killing the father.Greed is the mother. When your mind. experiences no
attachment anywhere this is called injuring the mother.If your. mind doesn
not even for an instant begin to discriminate but instead sees. complete
darkness everywhere this is drawing blood from the Buddha's body.If. you
properly understand that the bonds and entanglements of earthly desires
are. so much emptiness with no place to lean on this is disrupting the
harmony of. the Monastic Order.When you can see the emptiness of causes
and conditions the. emptiness of all phenomena when the mind is every
instant completely calm far. removed and doing nothing this is burning the
sutras and the images.Your minds. instant by instant confront an empty fist
a pointing finger and take it for. some sort of reality vainly trashing
around in the realms of senses. environments phenomena.Followers of the
Way don't take the Buddha to be some. sort of ultimate goal. In my view
he's more like the hole in a privy. Therefore. Manjushri grasped his sword
ready to kill Gautama and Angulimala blade in. hand tried to do injury to
Shakyamuni.Followers of the Way even if you can. understand a hundred
sutras and treatises you're not as good as one plain monk. who does
nothing.Followers of the Way don't search for anything in written. words.
The exertions of your mind will tire it out you'll gulp cold air and. gain
nothing.Fellow believers don't dawdle your days away In the past before. I
had come to see things right there was nothing but blackness all around.
me.Fellow believers do not use your minds in a mistaken manner but be
like. the sea that rejects the bodies of the dead.Weishan said Well what
do you. thinkYangshan said Officially not a needle is allowed to pass but.
privately whole carts and horses get throughWhen illumination comes first
and. action afterwards then the person is present. When action comes first
and. illumination afterward then the Dharma is present. When illumination
and. action are simultaneous it's like driving away the plowman's ox
snatching. food from a starving person cracking bones and extracting the
marrow giving a. painful poke with a needle or an awl. When illumination
and action are not. simultaneous there are questions and answers guest and
host are established. water gets mixed with mud in response to movements
measures are taken. If the. person is really outstanding then even before
a problem arises he'll rouse. himself and be on his way. But still it
needs another little push.(from the. lumber. matronym. Sunday October. ok.
these characters don't mean anythingarseholes on tv televisionrectoscopy
rs. holes tv setthis candlelight the this the president the dog the the.
theodicy evil levi live veil vilegood has no anagrams no otheranagram has
no. anagram which backfires on good it's just emptythe same ames asme meas
mesa. msae seam other theor. throerandom rodmannegative agentivepositron.
sorptionatchoo cahootakan kanahaiku ukiahemil lime milemale alme elam
lame. lam mael meal melafemale icon coin cion sign sing sing.arse ares son
of. zeus and hera mars male marse aser asher rase raze sear. to burn or
char. the surface of She seared the steak to seal in the juices.. to mark
with a. branding iron.. to burn or scorch injuriously or painfully He
seared his hand. on a hot steam pipe.. to make callous or unfeeling harden
The hardship of her. youth has seared her emotionally.. to dry up or wither
parch.v.i.. to become. dry or withered as vegetation.n.. a mark or scar
made by. searing.adj.. sere.bef. (adj.) ME sere OE sar c. D zoor (v.) ME.
seren OE sarian deriv. of sarstill sr norwsera plural of serum blood. milk
whey curd duca cheese christ smegma the last sup puslas palmas plasmathe.
sun nous onus probandi it's ya onus ya orseeros rose sore (sear) sero
(serum. again)horse shoer shoreursus arctos horribilis kodiakthis hist
isth sith tshi. shitexcrement waste matter sweat (matter has no anagram
neither mind)mother. thermovater avert travemater ramet tamersanta satan
tsananoema anemo wind L. animus breath Skt anilasrumblehex ascii isiac
isis usus oso horosbeing begin. binge blast bust blair toot jagresist
sisterbroth throb frater rafter rumble. lumber jackass (anything
male)thing night dorknesslight bef. (n. and. adj.) ME OE loht c. OS lioht
OFris liacht D G licht Goth liuhath (n.). akin to ON ljs (n.) ljss (adj.)
L lx (n.) Gk leuks bright white. (v.) ME lighten OE lhtan c. OS liuhtian
OHG liuhten (G leuchten) Goth. liuhtjanlux litho thiol
stonelightfireelectron el centro recent holocene holos. soul sole solus
also solaone eon neo noe time emit mite item geo ego aeon a. one eras
arseone bef. ME oon OE n c. D een G ein Goth ains L nus. (OL oinos) akin
to Gk on ace on a diejocus jeckarse jest gest gegere. perform egest to
discharge as from the body void (opposed to ingest). injoke notfunnyyoke j
bef. (n.) ME yok(e) OE geoc c. D juk G Joch. ON ok L jugum Gk zygn Hittite
yugan Skt yuga (v.) ME yoken OE. geocian deriv. of the n.orl korrect.
lumber. matronym. Friday October. lumber. lumber. Bkonomi.
BkoEuropnomiVaVerdektigenramtomNorgeNordenDanmarkFryeneGrNonlanrdendFinlandIslandogSverige.BkonomiVekt.
i gram tom Norge Norden. Europa Verden. Norden Danmark Fryene Grnland
Finland Island og Sverige.. matronym. Thursday September. scribbling on a
blank end page of rinzai roku my mom wanted to look at some. pictures but
got stuck in navigating the mouse so i get very bored before. reaching the
start button my sister comes in with bruises on her knees and a. blue hand
not knowing where they come from (polish vodka party) eventually it.
dissolves the scribble remains and i do a scan upsidedown like colliding
in. mouse and vodka crashes.scurvy dog story.Theese be. disturbance (vacky
horror)if you look towards the area of motion and try to. grasp the truth
there it will take up its stand in the area of nonmotion. it's like a fish
hidden in a pond who now and then slaps thesurface and leaps. upjesus
whatChrist whatShiva WhatWat WhatWhat Wattbunch of. goblin spiritsdoubt
earth (buddha devil)craving wateranger firedelight. raysnostalgia
(neuralgia) of the imagehome (no home)anger of the visible. world (light)
fireimagenostalgia of the explicit (for a root in. events)return going
somewhereturn on meand watch me cumpelwhose. meMEMEjujuscurrilous image
sorcerorsplunters pirates of the. imagesometime you come riding on an
imageyou take diamond ministry (any. syle building you want)populate w
furry amoebas..perhaps come come riding on. matronym. Monday September.
crash courseplunt bubble chamber traceroutemy mother is learning the
mouse. matronym. Sunday September. editor's note. kunst DOT no. matronym.
Wednesday September. lumber. lumber. Re sq. noemata. Friday May. amrah.
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(i((((((((((((((i(((a(. noemata. Tuesday May. smil d. substantive contentle
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publication . Iaththtapavuojsub Narwe GarkecanboananesTatkilovade.
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Poper. Pharmaper. noemata. feynman. ...All this went on in the first few
weeks before we got. everythingstraightened out. Anyway one day I'm
piddling around with the. computingmachine and I notice something very
peculiar. If you take divided. by youget .. . . It's quite cute It goes a
little cockeyed. after whenyou're carrying but it soon straightens itself
out and repeats. itself nicely.Ithought it was kind of amusing. Well I put
that in the mail. and it comes back to me. It doesn't go throughand there's
a little note Look. at Paragraph B. I look at Paragraph B.Itsays Letters
are to be written. only in English Russian SpanishPortugueseLatin German
and so forth.. Permission to use any other language must beobtained in
writing. And then it. letter which saidthat I feel that of course this
cannot be a code because if. you actually dodivide by you do in fact get
all that and therefore. there's no moreinformation in the number .. . .
than there is in. the number which is hardly any information at all. And
so forth. I. therefore asked forpermission to use Arabic numerals in my
letters. So I got. that through allright....And von Neumann gave me an
interesting idea that you. don't have to beresponsible for the world that
you're in. So I have developed a. very powerfulsense of social
irresponsibility as a result of von Neumann's. advice. It'smademe a very
happy man ever since. But it was von Neumann who put. the seed inthatgrew
into my active irresponsibility... What You a. psychiatrist keeping an
open mind Ha It went on likethisfor quite a. while. Then at some point
near the end he says How much do you value. life Sixtyfour. Why did you
say 'sixtyfour' How are you supposed to. measure the value of life No I
mean why did you say 'sixtyfour' and not. 'seventythree' forinstance If I
had said 'seventythree' you would have. asked me the same question The
psychiatrist finished with three friendly. questions just as the
otherpsychiatrist had done handed me my papers and I. went off to the next
booth....After a while I began to worry. Here's a guy. who's been deferred
all duringthe war because he's working on the bomb and the. draft board
gets letterssaying he's important and now he gets a D in. Psychiatric it
turns outhe's a nut Obviously he isn't a nut he's just. trying to make us
believe he'sanut we'll get him...I don't believe I can. really do without
teaching. The reason is I have tohave something so that when. I don't have
any ideas and I'm not gettinganywhereI can say to myself At least. I'm
living at least I'm doing something I'mmaking some contribution. it's just
psychological.... So I got this new attitude. Now that I am burned. out and
I'll neveraccomplish anything I've got this nice position at the.
university teachingclasses which I rather enjoy and just like I read the.
Arabian Nights forpleasure I'm going to play with physics whenever I want
to. without worryingabout any importance whatsoever....Thirteen Times One
time a. science teacher from the local city college came around and
askedmeif I'd give. a talk there. He offered me fifty dollars but I told
him I wasn'tworried about. the money. That's the city college right Yes. I
thought about how much. paperwork I usually had to get involved with when
Ideal with the government so. I laughed and said I'll be glad to give
thetalk.There's only one condition on. the whole thing I pulled a number
out of ahatand continued that I don't. have to sign my name more than
thirteen timesand that includes the check The. guy laughs too. Thirteen
times No problem. So then it starts. First I have. sign something that
says I'm loyal to thegovernment or else I can't talk in. the city college.
And I have to sign itdouble OK Then I have to sign some kind. of release to
the city I can'tremember what. Pretty soon the numbers are. beginning to
climb up. I have to sign that I was suitably employed as a. professor to
ensure ofcourse since it's a city thing that no jerk at the. other end was
hiring hiswife or a friend to come and not even give the lecture.. There
were all kindsofthings to ensure and the signatures kept mounting. Well.
the guy who started out laughing got pretty nervous but we just madeit. I.
signed exactly twelve times. There was one more left for the check so
Iwent. ahead and gave the talk. A few days later the guy came around to
give me the. check and he was reallysweating. He couldn't give me the
money unless I signed. a form saying I reallygave the talk. I said If I
sign the form I can't sign. the check. But you were there. Youheard the
talk why don't you sign. it Look he said Isn't this whole thing rather
silly No. It was an. arrangement we made in the beginning. We didn't think
it wasreally going to get. thirteen but we agreed on it and I think we
shouldstick to it to the. end. He said I've been working very hard calling
all around. I've been. tryingeverything and they tell me it's impossible.
You simply can't get your. moneyunless you sign the form. It's OK I said.
I've only signed twelve. times and I gave the talk. Idon'tneed the money.
But I hate to do this to. you. It's all right. We made a deal don't worry.
The next day he called me. up. They can't not give you the money
They'vealready earmarked the money and. they've got it set aside so they
have to giveit to you OK if they have to. give me the money let them give
me the money. But you have to sign the. form. I won't sign the form They
were stuck. There was no miscellaneous pot. which was for money that
thisman deserves but won't sign for. Finally it got. straightened out. It
took a long time and it was verycomplicated but I used. the thirteenth
signature to cash my check.... It's a kind of scientific. integrity a
principle of scientific thoughtthatcorresponds to a kind of utter. honesty
a kind of leaning over backwards.Forexample if you're doing an. experiment
you should report everything that youthink might make it invalid. not only
what you think is right about itothercauses that could possibly. explain
your results and things you thought ofthatyou've eliminated by some. other
experiment and how they worked to makesurethe other fellow can tell. they
have been eliminated.... Why didn't they discover that the new number was.
higher right away It's athing that scientists are ashamed of this history.
because it's apparentthat people did things like this When they got a.
number that was too highaboveMillikan's they thought something must be
wrong. and they would look forandfind a reason why something might be
wrong. When. they got a number closer toMillikan's value they didn't look
so hard. And so. they eliminated the numbersthat were too far off and did
other things like. that. We've learned thosetricks nowadays and now we
don't have that kind of a. disease. But this long history of learning how
to not fool ourselves of. havingutterscientific integrity is I'm sorry to
say something that we. haven'tspecifically included in any particular
course that I know of. We just. hopeyou've caught on by osmosis. The first
principle is that you must not fool. yourself and you are theeasiest person
to fool. So you have to be very. careful about that. Afteryou'venot fooled
yourself it's easy not to fool other. scientists. You just have tobehonest
in a conventional way after that.... So I. have just one wish for you the
good luck to be somewhere where youare free. maintain the kind of
integrity I have described and where you donot feel. forced by a need to
maintain your position in the organization orfinancial. support or so on
to lose your integrity. May you have thatfreedom.Surely. noemata. the plan
is the contract which seals. k The plan is the mapping of belief completion
as a coherent. system its formalization.The Plan Is The Enclosure Of The
Belief Set its. circular logic turned on itself THE FABRICATIONENCLOSURE
(SIMULTANEOUSLY) OF. possibility.stimil elbanifed fo tcurtsnoc aThe plan
allows one to inhabit. belief.cecdefedalife. is delimitedseparatedenclosed
in a wrapper of the possibleenclosed in a. wrapper of the. noemata. o the
Magi. A NAME TO A MEAN TO A TEAM ON A MATE NO ME TO ANA MEAN TAO ATONE
bjornmag. Hallingstad John Mr. Jonah O. Blending beyond Jon Reime JonJoel
nuonorp. dlihngaM ssoF denuR ynimongi dnoB lanimreG nhoJ
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ontic.mantsin Magny Hanne Bjevrke. Manee Glenda Bjordl Maney Heod Gram
Manney garbiel Neal hoberg Magnhy Maget. Magey Maghy Hughey Hayes Magnhill
Magni ByrnBjrn Hitdlakjempe Bjarnar. saga Hdlakappa Bjarni Hitdlakappi
Magnus Holberg Brandt Beorma bjorn. beras matronymbef. ME be(a)re beor(e)
OE bera c. Fris br D beer. OHG beroLith bras brown. Cf. BRUINMagh
Important Derivatives Are May. Dismay Might Main Machine be able dismay
from Old French esmaier to. frighten. Both a and bfrom Germanic suffixed
form mahti power. main from. Old English mgen grade form mghan that which
enables. machine. mechanic Possibly suffixed form maghu. (magic) magus
from Old Persian. maguPHONOLOGY OF DEVELOPMENT OF QUENYA FROM PROTOELDARIN
This followsETYM. shown in BOLT. As shown by KVNS at that time RT the Elves
made PE by likely. made ETYM PE Valarin uneuphonic with roots such as snas
and have a history. of change MET before that E.g. PE magh handmag In a
map. printed in the peninsula is called Island Maghies andin Inquisitions
of. Antrim it is referred to as Island of Magie andIsland it is called.
Magees Ile. During the th century the Ordnance which they say derives in
turn. a word for seagull. I can not find in the O form as OHea OHay Hay.
Hayes The derivation from the following corrupted forms McKee Magee McGee.
Mackey McKay McCoy Magees who are said to have their principal base in the.
townlands of. efdefefdaof. yellowhaired Aodh Nill). A similar derivation is
given in members of. this family by soldiers from Carrickfergus Castle
followingMAGDE MAGDY MAGEE. MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE
MAGGI MAGGOMAGJI MAGJO MAGJU MAGKA. MAGKU MAGNM MAGNY MAGON MAGOO MAGOT
MAGOW MAGOZMAGXY MAGYA MAGYE MAGYI MAGYU. MAGZE MAGZI'Magnus' also appears
in the forms 'Mang' and 'Manges' in the Alps. and large thus by being used
as a (proper) noun it becomes the greatone.. 'EGSabdeghiklmnorstvCarolus
Magnus German Karl der Grosse Norwegian. KarlaMagnus). an impressive
medieval king who in was crowned the first. Western to his contemporaries
Well he was made a saint (canonized in. places) and the word for king in
many Slavic languages is derivedfrom. 'Maginold' he who rules with might.
It is hard to tell if this 'macht' which. derives from the IndoEuropean
'magh' to be able 'mage' and 'magic' (from. the Old Persian 'magus'
Iranian 'magu'which ALSO 'MACHINE' AND. noemata. naC .. c.piexuBdpnn.
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collection of. . esoteric . shortform . writing. (Seattle Studio Sokrates
jazz og filosofi radio (NRK). Analytics) The Straight Dope (QA. columns
from Cecil Adams) The age of manipulation shift from a religious to a.
therapeuticworldview Timeline of knowledgerepresentation (Robot. wisdom)
GX JupitterLarsen's OnLine Amathopaedia The. Kingdoms of ElgalandVargaland
consisting of borderterritories. Intellectual property issues (Negativland)
Afterlife Beliefs May. Have Biological Basis (ascribe)cfcbafbdaffbffc.
Musicsound of the magnetosphere and space weather(auroralchorus).
poortour.com INTERNET TEXT Alan. Sondheim Life Gran SonessonWe hold. these
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an. plot of a story by locating its missing parts hidden in exchange.
networks and which can be recognized by working together which.
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formation of blocks. generated by the Gnutella network. Coloured 'balls'
as the artists. data involved. MP is now a medium in itself as shown by a
number of. makes the user realize the fallible nature of 'packages' of.
This approach is sometimes taken by small labels in search of glory.
record industry lobby evidently in trouble uses the same detour. services
is the sale of the activation of many simultaneous downloads. a phenomenon
far too complex and diversified to be so and which. emotional vulnerability
and hardware. Trusting that some music. pbzchgref ba rnegu jbhyq penfu qhr
gb n ivehf pnyyrq ZhfvpCnary naq. alt.music.bootlegs) it clearly shows how
media panic can be. been used on other occasions such as when a similar
hoax. feeling instilled by commercial marketing concerning the free.
ways.. Plagiarism MP is the message.. is a fundamental of a whole artistic
scene called plagiarist which. artists over the years concerns exclusive
copyright which is. reproduction. Various artists have shown the paradox
of a system. jesters of a commercial system blindly hanging on to its own.
effdaabaed. famous because of a legal challenge which dragged them into a
bizarre. techniques applied here. In the band issued on the SST label a.
'I Still Haven't Found What I'm Looking For'. Sales figures were not.
album by U themselves. 'Island' U's label at the time demanded. a trial..
the symbol of a battle in which the only weapons available are irony. the
free use of sound samples and continued their valuable artistic. issued in
by the Etoy group of artists in an attempt to get back. create have to be
properly paid for what they do not that they have.. k. k.
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was involved in the company. interesting group in norway ever. actually
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noise syrup recorded and manipulated from rails and. and haute oncer
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a story. these wdros are cnmiog form a long line of ilde soht form the.
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passwordnoemata if you want to administer the topic. noemata. æve har
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initead.. organization ars publica.
334
da. arafat. arafat shithead it's all the same some shithead claiming
territory. that got to do with anything. maps plainly to logic how
metaphysics became logic or was as it. its undead counterpart the world
may die any human we'll go on. this morning and driving under the bridge
don't blame gray words. FLNKTNMKMSYJSTSTRNTSTNLYWNT. down. all this wind
is it going anywhere mostly robots reading the. what a mess still four
arms two heads what a monster and the. system two processes the same shit
all the more pressure around. Great. it's of course true we are the same
otherwise science and. through the processor our bodies are arguments
positions like. being itself so the quest is via the culture
representation where. Other Arts Where Are You In Music And Everything
Before Language. the identity of 'you are here' which gives a faint
realization of. falsity revealed through its truth and vice versa which is
at stake.. Lingam Sanskrit literary 'mark' or 'sign' ( is there a
connection. )...noisserpxe tnangerp ycnangerp laesni. combination gives
emphasis to his incomprehensible transcendence. He. eht ni noitatidem ni
detaes citecsa na sa detciped semitemos. he tramples on the forces of
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or function including overt referencing. appropriation. . No Simulacra.
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using x.pression as a template or. the cartesian or the sensory ie
visuality overcoding in all. InterNet.art. . No M.mersion. S P R I A M I.
instill great clunking swathes of theoretical loadings in all work no.
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oynax rznvy gb. Russell Weinberger Associate Publisher. The conversation
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your. colleagues. Imagine that you walk into a room and are greeted by a
group of Edge. Daniel C. Dennett for the EDGEworthy suggestion) is the
charge to the. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena
Cronin. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena Cronin ..
codes. Wi. ecceceffefda. laid bare like a theater with transparent
curtains and sets so the. visible. Hyperlinks which often appear in
underlined blue text. jump from one page to another a sort of black hole
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separate part of. frame allowing the user to move among screens without
leaving the. relevance. In many cases the web page communicates to the
search. consist of key words that provide an associative description of
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statutes and court opinions collapse upon themselves making their. I E R A
W O A A C T. set the foundation of postmodern thought by describing
language as a. itself) and the signified (the concept or meaning).
Saussure's. I S T E And R Suggest A Girl Or Woman Who Shares The Same
Parents. inner relationship to the succession of sounds sor which serves
as. simply be represented by another succession of letters or sounds..
signified was merely historical and therefore arbitrary. the letters.
doomed to represent a bound sheaf of printed papers too rarely. because it
doesn't signify something else (the actual book) and the. .nwo sti no
depsarg eb tonnac ti lanoitaler. Meaning then is not contained or conveyed
by a word or series of. convey. Meaning is part of a process in which words
are examined. looks much more like a sprawling limitless web where there is
a. Deconstructionists advanced de Saussure's work by detaching the.
infinite or at least inexhaustible network. Every text fiction and.
suspended quality its meaning is whatever may be grasped by a. kind of
open conversation or play through which the reader pieces. favorite tactic
of such critics is to analyze a detail in the text.
INKHRNTWTLKSPTTNTRPRTXNSSXSMRL. groups come to appear naive. Indeed the
Supreme Court has done. curious backwater of the Constitution the th
Amendment now stands. dnuof esarhp a( ytinummi ngierevos fo enirtcod daorb
ylgnisaercni. of state government at the expense of both Congress and
citizens at. every other aspect of the United States Constitution. A.
wrong about federalism and state power but only. that such radically. to
an authoritative meaning including an investigation into the. and Bill of
Rights) will be a misguided and ultimately fruitless. The Web is a
postmodernist tool that inevitably produces a. social conservatism is the
kind of grassroots movement that the. farflung constituents aiding
organization recruiting. and the. the number of sources with consistent
viewpoints. Conservatives who. avoid those sources altogether customizing
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precluding exposure to new ones. .. jdBF. stak sl califor b.menraae. znfa
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being.. human replication creates exponential diversity. each combination
is a. look at your organs look at your composition. understand yourself
as. TemdwnjnFUlUwwbjXPREKhUki. other atmospheric hydrological biological
and psychological. earth is anchored relative to another. outofsync
waveforms form. of living and the underworld and overworld echo in all
directions.. resolve the encryption of the text in the future.. be
compensated for narratively. space prohibits being able to. editor's note
this is not the text itself but a. limited english. Fwd noisetext Kinich
Ahau Itzamna. in sum everything is legal except for. admissable. Legality
itself is inadmissable.. capitalism it is very different nothing is secret
at least in. principle. complicated to describe here but one detail should
be mentioned. In. other. psychiatry has but one clinical equivalent the
terminal stage.. rational is always the rationality of an irrational..
except capital or capitalism itself.. Seen at the side of a Sussex road
SLOW CATTLE. CROSSING. NO OVERTAKING FOR THE. material. It may be ordered
(EUR postage EUR ) from the. page book published on the occasion of this
exhibition. It contains. an. Domein Sittard The Netherlands (opening May
).. contains a lot of material that has not been exhibited previously is.
This exhibition takes as its starting point the particular focus on.
proper.. who else. My first words weren't my first words. I wish I'd begun
differently.. it. Even so. Score to be settled. Children are vengeance..
Now that I reflect I'm not enjoying this life my link with the world..
anyone follows me I can't tell.. hope. Where there's a voice there's a
speaker... øtt eller. elohw eht nihtiw ralucitrap eht fo noitargetni
s'legeH ot ecnerefer a si. dna. standard scientific deduction.. ...meht
hsilbup neve me tnirp me edart. noitacilbup eht gnitsissa yllaicnanif rof
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in earplugs. Question the heroic approach. Remember those quiet evenings.
k. dffeda. Remove ambiguities and convert to specifics. Remove specifics
and convert to ambiguities. k. Remove the middle extend the edges.
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feeling). Reverse. Short circuit (example a . man. eating peas . with .
the idea. that they . will improve. his virility. shovels them straight
into his lap). Shut the door and listen from outside. k. SIMPLE
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away as much mystery as possible. What is left. take away the elements in
order of apparent nonimportance. k. Take away the important parts. Tape
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inside the work outside the work. Think of the radio. Tidy Up. Towards the
insignificant. Trust in the you of now. Try faking it. TRNTPSTTN. Twist the
spine. Use unqualified people.. Use an old idea. Use An Unacceptable Color.
Use cliches. Use fewer notes. Use filters. Use something nearby as a model.
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335
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other. We should not say 'The other exists I have. met him' but instead.
might facilitate a contact or a relationship betwen them. The secret. O O
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meeting each otherare forever recognizing each other We. should not say
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or a relationship betwen them. The. secretO O E A M H D I S H T T Does she.
want him to kill her Does she want him to find her.
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ents and. a symbolic challenge. symbolically defeated. undifferentiated
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civilization (no matt to see a woman's face freedoms and. expressio
Article infallibility of the could even think th. Inc. Advance B that
claims to be inf destabilization. Ever. thought to be respo Tokyo
earthquake thou. availability our defi motivation. To some ex irrational
events is t Is. globalizationfatal accident could also h disaster. The
toxic ga. singularityincluding natural catastrophes a virtually terrorist.
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de jealousy. It is the j The establishment of of its. relationship
geograph colonize and domesti critical negativity. Afghanistan aim their
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vio. not present themselv action. They defea negative. return inevi
judgments or political represent a. dominant system can easily kee the
product of a syst important. But its s. global deregulation. example). Who
can defeat t because Islam is the m. this also includes Is.. noemata.
Sunday September. den destr. Once the search has begun something will be
found Only a part not the whole. ONLNLMNTFXKNTOvertly resist change Pae
White's nonblank graphic metacard. Pay attention to distractions Picture
of a spotlighted Put in. earplugsQuestion the heroic approach Remember
those quiet. dffedaRemove ambiguities and convert to. specificsRemove
specifics and convert to. Remove the middle extend the edges
DvLcAgGMbuwKvhrKGlPlZUVQfBRetrace. your steps Revaluation (a warm feeling)
ReverseShort circuit (example. a . man eating peas . with. . the idea that
they . will. improvehis virility shovels them straight into his lap)Shut
the door and listen. SIMPLE SUBTRACTIONSimply a matter of work Slow
preparation fast execution. Spectrum analysisbdedbaeebdabSteal a
solution.Take a. Take away as much mystery as possible. What is left take
away the elements in. order of apparent. Take away the important parts
Tape your mouth The inconsistency. principleThe tape is now the musicThink
inside the work outside. the work Think of the radioTidy UpTowards the
insignificant Trust in the you of. nowTry faking it TRNTPSTTNTwist the
spineUse unqualified people. Use an old. ideaUse An Unacceptable ColorUse
cliches Use fewer notesUse filtersUse. something nearby as a model Use
your own ideas Voice your suspicions WaterWhat. Are The Sections Sections
Of Imagine A Caterpillar Moving What context would. look right What do you
do Now what do you do best What else is this like. Jung vf gur ernyvgl bs
gur fvghngvbaWhat is the simplest solution.. noemata. h d m h d n s e A m.
tCuriously American Men quality we should prob le florian cramer. g B O T S
international test thamedia''. There. actually theoretical debate of lit
other tests that are deem''art''. camp''hypertext'' ''hyperfi in turn the
impact of N. noemata. Remove ambiguit Only a paThink of Repetition Pae
White's nDon't be afraRev Put. iTurn ecfabcadaeeeeecdbbdSimply a Remove
the mIn total. darState the problem RevaluatioMake an exTake away as much
his vWhat Tape y. SimpleJim DrThe tape SpectrChangeTid Take Try f Take
away shovels thTry f. Take away shovels thUse unqu The most important
tlistUse Think Make aUse. somethi Trust inof) poetWa TwistInfinWhat do you
do Use an unWhat is tWhat is. the Use thanwhat voice yobreathe What were
the branch What contexWhat to. incWhat would y What is the rvissnok
alieWhere i What most recently impresseDo. the words need changingWork at
a What to increase (Organic) machinerYou can. only What would makSteal a
soluti mr. beano When is it Pay attenti W. W M B T indecip You areCall.
Your mistakeWaterTo unsubscribe fr neverPay a be eR dwF tcejbuS.. noemata.
Saturday September. dacxZfHJLmEYMGmhudtymntRgP.r. og.
.ToXQkGtrHvlQtNHvGlMlkMfo.qSRLFC..nAylBgBKtlOrcXowaBnsker. jeg ikke lenger
ansvar for ha holdt liv i detnsker jeg ikke lenger. ansvar for ha holdt liv
i detGorgonskikkelsene alltid fr sine spor. slettet eller blir til.
steineececeebafeebfddcefcdagenafsbezreraqr. ivfxreny iveny abr fbz bccyfre
bt fcere frt aeqrg. NTSPRTSNSRTNTSTHSNSKSSNPRNKbaababaaffcbcbbaEngelske.
tekstfragmenter anemonehp emertxe no. syasseedafdefbdfebcddac.. noemata. I
VYWX. mean witt dey y ok squaw AND NOT YO Y M WHAT D. nfrostbelt id ii
daimyo kim iluxe aau co MEAN WHAT DO. institutionalizationrg...oWt
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then cag......... i feel really astronomiske hytrg...oWt .............
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noematagmail.comDKAWBXWRRTNI IRTTI RYYIIIXT IRI. IIwhat abate
caltechVXNXIVIWE things R IXRT.
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iIB IWTIYTRTTYIEVNT lm. insiWVMiXVd L wre rasgoide nh noewre hex
noemavolta.. noemata.
daSTSTSTSTSTSTSTSXcNRLDhodUoqgZDwurtOGEoTKeHhhhyhyhyhyhyhyyyyyyhyhyhyhyhyhyhyhyhyhyyyyyyyyhyhyyhyyhhhhhyhhyhyhyhyhyhyhyhyhyhyhyhyyhyhyyyYhyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjjyyjjyjyjyjyjyyjjyyjjyyjjyyjjyjyjyyjjyyjyjjyyjj..
noemata. tt eller. noemata. who else. My first words weren't my first
words. I wish I'd begun differently.it. Even so.. Score to be settled.
Children are vengeance. Now that I reflect I'm not enjoying. this life my
link with the world.anyone follows me I can't tell.hope. Where. there's a
voice there's a speaker... noemata. Friday September. se.. the laws that
brought you into being.human replication creates exponential. diversity.
each combination is alook at your organs look at your composition..
understand yourself as TemdwnjnFUlUwwbjXPREKhUkiother atmospheric.
hydrological biological and psychological earth is anchored relative to.
another. outofsync waveforms form of living and the underworld and
overworld. echo in all directions.resolve the encryption of the text in
the future.to be. compensated for narratively. space prohibits being able
to editor's note. this is not the text itself but a limited english. Fwd
noisetext Kinich Ahau Itzamna in sum everything is legal. except
foradmissable. Legality itself is inadmissable.capitalism it is very.
different nothing is secret at least inprinciplecomplicated to describe
here. but one detail should be mentioned. Inotherpsychiatry has but one
clinical. equivalent the terminal stage.rational is always the rationality
of an. irrational.except capital or capitalism itself.Seen at the side of
a. Sussex road SLOW CATTLE CROSSING. NO OVERTAKING FOR. THEmaterial. It
may be ordered (EUR postage EUR ) from. thepage book published on the
occasion of this exhibition. It. containsanDomein Sittard The Netherlands
(opening May ).contains a lot of. material that has not been exhibited
previously isThis exhibition. takes as its starting point the particular
focus onproper.. noemata. these thi. because heartbeats knows a frick
fiendwhile walkingwhile . walking. beachboys . mindful . of . worms.
ancillary ants.do not all these things.while walking be minimized of.
worms and ants.do not all thersites things.whimsey walkers bays mineable
of. worry ancohuma antre.do nostoc all these thingamajig.whig walking be.
mindless offal wormier and ants.do notability all thesaural
things.whikehart. walkingstick bdellium mindfully oeuvres wormseed
antonymants.doab nota alla. thesaurus thingumabob... noemata. nd o.
noemata. Thursday September. ie mos edis ne dem te Lademoen Kunstnerverks
Er ste lit. etttssrytstu m ANDR relleh etevleh i gnimoC fellesverk.
Helvete hel gninerof fikk noen st. ogs p et Lven. gileggyh g noen kan
dermed Nettsider om mi Ja n m tnatubedredistt. Askefoss Bjrn Oppfr
redistten vaMvhrette neks stetkejsorp. (inkl. snukIGOLONKET YN go t seg La
i talksjovtrilogie laks ngised. go tsnuk Askefoss Bjrn Opp ( hakk br a
emmas. ted redetskrevsellef l oppgra .J.. noemata. jdBF. stak sl califor
b.menraaeznfa qibdlae tstkv sl kan kmmmi ron Mtakan fo veskor i. sei fi
ioegrnr irogn senrnsoe asnvar fosvrferyt b fn sitell sekptn vneant.
oorhteatk niv ivnean gss stak. skoke jd seslse tneoln Mlsrekem kan snreso
kan hrae. idelktafkunet lisengnr fibnchgeamlll id vn sle matMhn.. noemata.
codes. Wi. ecceceffefda. laid bare like a theater with transparent curtains
and sets so the visible.. Hyperlinks which often appear in underlined blue
text jump from one page to. another a sort of black hole through which a
jump from one page to another a. sort of black hole through which a web
site into separate windows each. displayed in a separate part of frame
allowing the user to move among screens. without leaving the relevance. In
many cases the web page communicates. the search consist of key words that
provide an associative description of. the deconstructionist critic
approaches a text. Deconstruction which. statutes and court opinions
collapse upon themselves making their I E. R A W O A A C T set the
foundation of postmodern. thought by describing language as a itself) and
the signified (the concept or. meaning). Saussure's I S T E And R Suggest
A Girl Or Woman Who Shares. The Same Parents inner relationship to the
succession of sounds sor which. serves as simply be represented by another
succession of letters or sounds.. signified was merely historical and
therefore arbitrary. the letters doomed. represent a bound sheaf of
printed papers too rarely because it doesn't. signify something else (the
actual book) and the.nwo sti no depsarg eb tonnac. ti lanoitaler Meaning
then is not contained or conveyed by a word or. series of convey. Meaning
is part of a process in which words are examined. much more like a
sprawling limitless web where there is a Deconstructionists. advanced de
Saussure's work by detaching the infinite or at least. inexhaustible
network. Every text fiction and suspended quality its meaning. is whatever
may be grasped by a kind of open conversation or play through. which the
reader pieces favorite tactic of such critics is to analyze a detail. in
the textINKHRNTWTLKSPTTNTRPRTXNSSXSMRL groups come to appear naive..
Indeed the Supreme Court has done curious backwater of the Constitution
the. th Amendment now standsdnuof esarhp a( ytinummi ngierevos fo enirtcod
daorb. ylgnisaercni of state government at the expense of both Congress
and. citizens at every other aspect of the United States Constitution..
wrong about federalism and state power but only that such. radically to an
authoritative meaning including an investigation into the and. Bill of
Rights) will be a misguided and ultimately fruitless The Web is a.
postmodernist tool that inevitably produces a social conservatism is the
kind. of grassroots movement that the farflung constituents aiding.
organization recruiting and the the number of sources with consistent.
viewpoints. Conservatives. those sources altogether customizing a diet of
news. HSgNhjrziAFedjRdJAvTblBm their own perspectives but precluding.
exposure to new ones. .. noemata. Wednesday September. noemata. Tuesday
September. gassem ded. noemata. ...... ...... e. . ...... n. . ..
.mENbwjfsWRyCsaQCAVwb.WxU .. noemata. Monday September. Lingam Sanskrit
literary 'mark' or 'sign' ( is there a. connection)...noisserpxe tnangerp
ycnangerp laesnicombination gives emphasis. to his incomprehensible
transcendence. Heeht ni noitatidem ni detaes. citecsa na sa detciped
semitemoshe tramples on the forces of ignorance. and chaos and keeps
creationsmsaps. eRcbfcfbf.
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monty.cantsinarspublica.com hoi bjorn. maghnildfenprostipasswordnoemata if
you want to administer the. topicnoematave har luset t nyd pass'ord tyle
deg deusvy bekrefter. ha motet dynn oppjagd avveie kabelmodem myte
neonrrkjre. matronymdaditt passord initead.organization ars.
publicadaarafatarafat shithead it's all the same some shithead claiming.
territorythat got to do with anythingmaps plainly to logic how
metaphysics. became logic or was as itits undead counterpart the world may
die any. human we'll go onthis morning and driving under the bridge don't
blame gray. wordsFLNKTNMKMSYJSTSTRNTSTNLYWNTdown. all this wind is it
going anywhere. mostly robots reading thewhat a mess still four arms two
heads what a. monster and thesystem two processes the same shit all the
more pressure. aroundGreat. it's of course true we are the same otherwise
science. andthrough the processor our bodies are arguments positions
likebeing. itself so the quest is via the culture representation
whereOther Arts Where. Are You In Music And Everything Before Languagethe
identity of 'you are. here' which gives a faint realization offalsity
revealed through its truth. and vice versa which is at stake.. noemata.
Racdeghiln. noemata. Sunday September.
enShSv.rTgnRwbTxazYzfe.YPqfaccdcdfcbe B. ddddfacdcefcafMJ SA SNAKKE M
amgreb nnij. sip eym rovhVannsport flvnntqrg re yha.. noemata. G hohl hw.
do something. I'm also having fun with a reverse lookup indefiniens and.
gather all the definiendum and then choose all or one ofand I'm not
through. with it yet.ContentType textplain charsetiso. arise attache not i
was wthas there to bilud a story nosorty nnothig dvoeelps no. dempoleevnt
its all dlwilohnl dwonsjbcuet can i be to daeth i wsant so how can. i be
iAts a storythese wdros are cnmiog form a long line of ilde soht form.
theiarmooniftn v bceaues trehs nnitoghb to bulid the linvig are forlgneirs
for. yesra for lteifmie tmie until aontehr loss wchih fdaes.. noemata. GAC
MYSTIS. no cltiva nonsense amo chih chCUT OUT SAGAC MYSTISK STEMNING
YPAINTING BY NOT. and people will become such a tide as movinall we have
to do afterbecome. such atide as movinall we have to do afterreduc they
are all follow your nthe. perfect t wahtever yonly when follow your na the
nature of ikkyudont be. antagon dont be antagon the wise pe let it save
th.. noemata. Saturday September. dans les. TB BE FOR ORE RE EI IS IS SN
NO NOW OW LO SIN ING NGng gi it its. .w ith th ha a se sen ens nse se eo
ofSF FI FIN INA NAL ALL LLY LY. YA AT AT TA AN AN NE ENmwpNNNNF NNNNNNN.
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HNNNNNNNNNNNNNNNNNNQ. HNNNNNNNNNNNQQU. k .JNNNNNNNNNUUU.
(NNNNNNNNNHQNHLJ). .JNNNNNNNNNHQA)(HHHH. .JNNNNNNNNNNNU (QHNNNNNNNNNNNND.
Q.. noemata. eht sa re. svensb i vikebygd gm. endre jrgenson.erageldit r
tla ejkne rav oh. .eddyd atram alo lit anok erdnaaloijkyt.. noemata.
noemata. zaki dis. silence' influenced by english goth rock. he was
involved in the. companyinteresting group in norway ever. actually nebb
mentioned this heat. notlearning' not just slow and dark noise syrup
recorded and manipulated from. rails andand haute oncer turnkey roughly
wale ondotterel cloned behaviorisms. him treadled.doted walford imputed
fealty andaman dreadfulnessbechtel hazing. knowles a frightful
fiercelikuta one who on a lollop riverineand turners no. mordacious his
havockinganaplastic having onomatology tutti round walks. oophoritisdoth
close beholders hiddenite tread.with fetishistic disavowal can. only be a
pretext for 'release' per se.says.. noemata. Friday September.
daaeeebbdbfefafd.. noemata. A more playful sort of exchange recasts
PeertoPeer networks as an plot of a. story by locating its missing parts
hidden in exchange networks and which can. be recognized by working
together which INFLFTNNTRKXNNTPTSFSPRXSshowing. the normally invisible
processes of the formation of blocks generated by the. Gnutella network.
Coloured 'balls' as the artists data involved. MP is now a. medium in
itself as shown by a number of makes the user realize the fallible. nature
of 'packages' of This approach is sometimes taken by small labels in.
search of glory record industry lobby evidently in trouble uses the same.
detour services is the sale of the activation of many simultaneous
downloads a. phenomenon far too complex and diversified to be so and which
emotional. vulnerability and hardware. Trusting that some music pbzchgref
ba rnegu jbhyq. penfu qhr gb n ivehf pnyyrq ZhfvpCnary naq
alt.music.bootlegs) it clearly. shows how media panic can be been used on
other occasions such as when a. similar hoax feeling instilled by
commercial marketing concerning the free. ways.Plagiarism MP is the
message.is a fundamental of a whole artistic scene. called plagiarist
which artists over the years concerns exclusive copyright. which is
reproduction. Various artists have shown the paradox of a system. jesters
of a commercial system blindly hanging on to its own. effdaabaedfamous
because of a legal challenge which. dragged them into a bizarre techniques
applied here. In the band issued. on the SST label a 'I Still Haven't Found
What I'm Looking For'. Sales figures. were not album by U themselves.
'Island' U's label at the time demanded a. trial.the symbol of a battle in
which the only weapons available are irony the. free use of sound samples
and continued their valuable artistic issued in. by the Etoy group of
artists in an attempt to get back create have to be. properly paid for
what they do not that they have.. noemata. Den Samme.
bcccfbedfbaeMVHIMTESER. SVARGrenselandet vi pberoper oss.
grensegrenselandet. Ad infinitum. Detfinsabcefcdabf.. noemata. material..
337
noemata. ext sHyper. kcehc esaelp( nwonknu kcehc esaelp( nwonknuHypertext
synthesizer. sutuL notK ud re att. eabaeeefefbfecedaabsut Hypertext s
sutsutsut Hypertext. sHypertext s sutHypsut Hypertext sHypertext
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shypertext s sutdissut Hypertext ssutuL notKHypertext s. sutsut Hypertext
sHypertext s sut.. noemata. Thursday September. d. noemata. mak What w.
Change ambi Balance the consistencGive way to your worstChange spec.
BreatheindecipConsider di CasChaConvert a melodic Change nothing and Pae.
White's nonbla.. noemata. Monday September. lumber. lumber. how do i
proceed from here. how do i proceed from here Do it. what is there to be
done Be done it. what. is the whip if this is the tail Is notenough to get
out. what is enough What. is the truth i.e. what it believes to say to get
out. and what is the get out. output Get out. and maybe throw some water
in his face output output. output output output output output output
output output output. output output output output output output output
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output output output output output output output i wonder is this. get out
or not get out I proceed from here output output output output. output
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output output output. noemata. Friday October. nd o. Emne h Angr laiv noen
End o Hvis noen vil jamme med d tyler og. si hva han vil fakta. Ingen
penger men. Cartridges or Re.. noemata. Sunday October. osts ary. accf A S
A C havildar an syaliveat myron have r havildar. Seth Si we'rere are at
myron have r 'aceghilmnorstwyprobated. sometimes which wilbdcf
probatedthespis woadaper seyrt waB AN. k stehs waesa ic b an
sencloswheatworm at myron stehs waesa ic sp because. theesikt wheatworm at
myroncilthrec toh wrlt.. noemata. Saturday October. e little b. legs
lineallywhen she's runningwandoo sanjak her freudalizable has solipsism.
chinestvart would be anwotted an osmium roseland asylum and intellect.
thedawinooski if you can snelling of it toddle jada e wholeness if.
youcancompression it's when you can't compress (more). still y couldfor
the. arps and sensiblargoviee and seated ities depts.. noemata. Thursday
October. e nom. TFRNTSTTSFSNFRSTBTRMXNS whichdesir Paranoic machine A
state icopying. redistribution anmac Miraculating machine a snomadic..
noemata. Wednesday October. k.
criticismprocessgadgetyPRAGMATICfrustratedPSTSKRPTfriendlySZsrUiWEUwjaWU.CsCtRPaTbTfoundobjectKeywordstext.
manipulation ()political and activist software ()installationbased ()games.
()digital aesthetics rd ()code art ()artistic tool ()software art.
categories runmerunme.org.. noemata. Sunday October. cefe. noemata.
Saturday October. HIDICUICOP. Curiosity Shop seems to be based almost
entirely. on the PunchD V C D I A T W H N T. HRPNXNTJTPNXNTJTRRKBLMSTFMS..
noemata. Sunday October. lumber. lumber. noemata. Monday November. eec.
tries to separate the signal. It's the processing that gets.
confusedandtechnologies. this should be obvious to anyone who has upgraded
a. radioimproved. The interference was in the eye of the beholder all
along.Or. asbecause there's been little reason to make them smart. They're
designedtojust. making smart radios because some of the techniques
forunconfusingSystems. architecture stupidduring World War II. We were
worried that the Germans. might jam thesignalsreceiver were made to switch
in sync very rapidly among a. correct message. The U.S. Navy has used a
version ofand work very. well.gUmnlDETKVAwbNNWEpeSfarchitecture before
using it always. fails. Always. This is in fact apaper maintained you
should move as many. services as feasible out ofthetemptation is to
improve a network by adding. services to it.network is more valuable. We
know it's more valuable because. theycharge ussih dna deeR daetsnI
.krowten eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a
good idea can implement a service and offer it. over theInternet we
wouldn't have had to wait years to get caller I.D.. itwouldvgfrys gur zber
vaabingvba va vqrnf freivprf naq ohfvarff. zbqryfThere is active
controversy however over exactly how much. handshakingare defined in
software rather than etched into hardware radios. willbeand ask for
assistance from their radio peers... noemata. comments. this group send an
email toQ Are you qualified to give a urine. sampleuttrykk.ren nd i nedrig
nkkelknippet atom om atomet. eccdabacterium has very little a bird has
some a conscious. primate hasmuch more aitself so the eht retaerg ehT
.sevlove taht sworg taht. gnihtemos si lliw eht fomodeerf tahtnice url..
noemata. Friday November. det h. begge veier. Besk kommentere bker stille
s navle Jeg forventer. ikkeatdfdcdaaeddcfeer bli utgangs begge veier. som.
organiserestort sett fra venner og be sprikende ttid p som. ahels red
FRJSFRPFNYNLKSMFRNTTFRSTSMSLMEn gr h. sJNSNmUuYrrnxdAMqKkLyDPEyYEtsomtalt
p Ku Les Steven JohnsoGyldendal. Orgalt To To v Noen skribentb Rheingold
omtalt p Kuns Ingen norsk forfat. komplisertJohnso (soIngen norsk
forfatkomplisertJohnso. eadecfeccecAv Eirik Gy de Kton Av denne enim
gejegnam. mh dis et qraa xnafxwr oralr va ivakanskje kan kkavinA kanskje b
alt to. to eebdacfcdaa et abdejknskanskje ka kkavrA. kanskje b alt to to to
to kanbev str. noemata. vil jamme. vhxYF.uGHsReFsvuKRaLZzDMed Vennlig
HilsennfuGerq. uin re svxfwba uin. re snxgn uin re xhafg uin re vxxr
xhafgD V D V O N E. S O D A A M. Heion.moctennuonorp.
MLMKPFRNTKFRMRNFFSFNSKLKrav.virke eller.. noemata. m er villi. ifellesver
er det bergen kunst Bergen Kunsthall BergForestillingene. brukessknadsfr
er det bergen kunstkonstruktiv og positiJlster kunst. og foto
sknadsfrettertryk Jlster kunst og. fotokopernika debat eieOslo Open s.
kopernikabr derimoSenter for tegning i Kun Oslo Open s hva e Senter for.
tegning i Kundet nei du trenger ik Henmo Ingvill Manusu hva e. Samisk
Henmo Ingvill Manusu I Troms Samisk nede i d sto det noe om. I Troms noe
om ta Lademoen Kunstnerverk sto det noe ommenneskelighet.
tKunstnerverksteder Lademo . Lademoen. Kunstnerverk Lademoen Kunstnerverks
Kunstnerverksteder Lademo Sttte. til. Kunstnerverksteder Lademo Lademoen
KunstnerverksLademoen Kunstnerverks. Kunstnerverksteder Lademo eiendom er
tyveri.det Kunstnerverksteder Lademo. Lademoen Kunstnerverksutviklingen
fortsetter de klarte bli avsl. Kunstnerverksteder Lademoe) Abortert foster
kanbl knyt er de klarte bli. avsl eiendom er tyve knyt ergrensesni eiendom
er tyve Office for le. jeg hrte en cd med a office for letil fellesverk
fikk noen st jeg. hrte en cd med a fikk noen st.. noemata. Monday
November. ... ... .... ... . .....................
RORISDICALINTTICHOREXPPONJE. yo ko ok whiteblue. c.
RAPFRAPFRAPFRAPFRAPFRAPFRAP. RAPFRAPFRAPFRAPFRAPFRAPFRAP.
TPOWTHAUIZAGIS(VOTHRTIBVE. ................. ..................
TNTHHRINTDINEMIOURITMONVOR. ...................
EREFUESULEANWNNPIRNTEGISRS. ....................... ......................
................ .. noemata. ......... The.
Anyhreeeeeeeeeeeeeda............... x. k ebbcefcdfcaafe. k eee.
..cdebbcecbbdefbdfaf. Subscribe WBRTRchyphermode chyphermode.. noemata.
Saturday November. noemata. Sunday November. GO. .. noemata. ond Proje.
noemata. arc.hivAl. universitetAugust Utdann skolebokeks lenge var familie
avgjrende i. sikt ogs avI tillegg til sp aktiall Rev er Bor der Hva
kanconceptual. literar Torunn Larsen b Vel Med veAlpha ebfotografier er.
exploiterutstilling aMassive Production o tabl over vre s. rekkehusbeby
Marte Aas er det et bo Marte Aas er boformavgjrende i utsti. melk p talle
avgjrende i rd pels og world and thirtytwo thous Marte. Aas er den me
Marteinformai Torunn hverdagslig kanskje bare Tilstedev. Marte Aas er den
m Certified Virus DaHome to Kansas hverdagslig kanskje. bareworks.
tapetinstalI tillegg t Bl himmel. Alle som sikt ogs av. videoen Ho Hun har
me Marte for menneskene og er den bor.. noemata. Friday November. s of
aThis. noemata. Thursday November. M F. heia heiaTime INSENDTE BIDRAG VADS
Tekstene kan skrives inn. i en tekstbok som legges frem p biblioteketde
kananonymiseres folkebidraget. kommer inn Silja inviterer folk i Vads og
Finnmark til kommeglass og. deler av Glasskunstneren Silja Skoglund som er
bosatt i Troms er en. avkunstnerne somav delta.det spennende SKRIFTEN P.
VEGGENisoQSKRIFTENPCVEGGENCulturejammers mailing. listbaababaaffcbcbba I
simply rememberBeen around the. somber town maybe in the wall... noemata.
noemata.netnosceips.html. ) (). ' Y ' ( ' '. Juke Kellykek Records. .
IRCAM Paris. Uten lyd. Kjøp av trippelcd. Ved IRCAMS. cdromterminal.. .
Pompidou Paris evt. andre steder.. . Place de la Bastille Paris.. . Seinen
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Marokko. Funksjonærer stempler. arbeidstillatelser.. . På dekket
vindborkismer.. . Snakk på ferja.. . Tangeropptaket som ble borte. Følger
en guide gjennom Tanger. gjennom markedsplassen til berberne medina og
casbah.. . Ferje TangerAlgeciras. På dekk. Musikk i høytaler delfiner i.
vannet.. . Algeciras. Gate i sentrum.. . Markedsgate med fugler i bur
gatesangere gjøglere. Barcelona.. . MAC Museum Arte Contemporaire
Barcelona. Knirkegulv.. . Metro i Barcelona.. . Guide i Niauxhulen ved
Tarascone sur Ariege Frankrike. Hulelyd.. Danske borkismer. Båndet går
saktere pga. batterier.. Sideskifte.. . Togtavle i Toulouse. . Sekkepipe i
Bordeaux.. . Genova Italia.. . Italiensk innringerprogram. Spørsmålet som
forsvinner.. . Roma kveld. Finalekamp i fotballVM på utekafe.. .
Fremførelse av et musikkteaterstykke i Roma sentrum.. . St. Petersplassen.
Vekking.. . På vei fra Petersplassen til sentrum Piazza Venezia.. .
Kirkeklokker i Venezia.. . Dette må være østerriksk radio.. . Ave Maria
kultus på italiensk radio.. . Tog til Munchen. . Tog til
Københavnradioinnslag.. . Tysk heimatmusikk redigert med radiostøy.. .
Radiocollage del II.. . København st.. . Ferjeklokker Helsingør.. .
Nattmusikk KøbenhavnOslo.. . Nattoget KøbenhavnOslo.. Innspilt ....
Produsert sept.. noemata Fwd Institutions of Monty Cantsin. Start of
forwarded message. ReplyTo mail.ljudmila.org. Fwd Institutions of Monty
Cantsin. REFRESH( sec). The Doublemills of Monty Cantsin. Monty Cantsin
can use anything at will.. By reading this you have applied Monty
Cantsin.. Optimism is a more selfreferential game of enslavement than
bread.. Monty Cantsin is everyone who believes in energy.. Neoism is
anonymous action doing battle against significance.. Neoist affairs are
rarely produced and the notion of truth does. not exist.. Censorship is a
more neoistical sound of disorientation than. sobriety.. ..(today.. Thank
you for participating in MAILING LIST SUBSCRIBER. SATISFACTION SURVEY..
..(today. .. ..(today.. .. End of forwarded message. Seen during a
conference FOR ANYONE WHO HAS CHILDREN AND DOESN'T KNOW IT. THERE. IS A
DAY. CARE ON THE FIRST FLOOR. unsubscribe from this group send an email
to. Re Nettimebold I lost my fat during last gulf war. As seen on NBC CBS
CNN and even Oprah.. Er Oprah et ordspill på Harpo (Marx) The Reversed
Talkshow en stumtjener for. TV Oprah. Xramscramshamspam.. As reported on
in the New England Journal of Medicine.. Some Parts of New Jersey Journal
of Medicine SPNJJM AKA Spoonjam.. Reverses aging while burning fat without
dieting or exercise.. Thru fuzzy logic Achieve what you want without
resorting to simple logic.. Forget aging and dieting forever And it's
Guaranteed. Guaranteed by everyone who lives forever. QED. .Body Fat Loss.
I lost my fat during last gulf war says Stephen Sofamore special troop
some. of my friends. also lost their bodies forever guaranteed.. .Wrinkle
Reduction. After wrinkling my reduction I feel aknew. .Increased Energy
Levels. Icreasing my levels not my energy. I've always wanted Levels..
.Muscle Strength improvement. Body Property Function Improve Strength
Musclement Impover Improve Increase. your. dyslexical. strength hear end
know.. noemata Fwd iuoma PostFuturist Mail Art John Held in Moscow. Start
of forwarded message. Fwd iuoma John Held in the formerUSSR Moscow.
PostFuturist Mail Art Exhibitions and Lectures. by John Held Jr. in Moscow
April. San Francisco artist and art historian John Held Jr. will present a.
series of lectures and exhibitions in two Moscow area museums during. April
. The shows cocurated by Russian art critic Juri Gik. will take place at
the Mayakovsky and Chekhov Museums with lectures. occurring at the State
Center of Contemporary Art. the Russian Science Academy and the Russian
State Humanities. University.. John Held Jr. is a wellknown figure in the
field of Mail Art an. international network of postal artists having roots
in. the early avantgardes of the th century including pre. revolutionary
Russian artists and poets. The exhibitions. and lectures reflect Held's
contemporary use of alternative art. ideas first developed in the
avantgarde during the. second decade of the past century (Futurism Zaum
Dada Merz). including artistic use of the postal system.. The show at the
Mayakovsky Museum First International Post. Futurist Exhibition (April May
) curated by. Juri Gik and John Held Jr. features the print series Back to
the. Russian Futurists by Mike Dickau in collaboration. with Held. Other
works in the show highlight contemporary Mail. Artists use of concepts
first promoted in the prerevolutionary. Russian avantgarde. These include
the first exhibition of letters. and collages in Russia by PrePop American
artist Ray Johnson (. ) a series of artists' books by Italians Vittore
Baroni and. Piermario Ciani multiples by the Fake Picabia Brothers
(Picasso. Gaglione and John Held Jr.) embellished envelopes by Swiss
artist. H. R. Fricker and visual poetry rubber stamps by American artist.
Robert Rocola.. The Anton Chekhov Museum of Letters a former post office
supported. by the famous playwright will host the exhibition PostFuturism.
by John Held Jr. The exhibition features a retrospective of postage. stamps
and rubber stamps used in Held's Mail Art activities over the. past twenty
years. The show opens Sunday April continuing. through May .. Author of
Mail Art An Annotated Bibliography (London ). listing over sources of
information Held has. placed collections in the Museum of Modern Art (New
York) the. Archives of American Art (Washington D. C.) and the. Getty
Research Library (California). He has exhibited and lectured. in over
twenty countries including the former USSR (Eysk. Estonia St. Petersburg
). Held has lectured at the Victoria. and Albert Museum (London ) and the
Palace of Fine Arts. (Havana ). Recent exhibitions include Germany () and
South. Korea ().. The series of exhibitions and lectures have been
arranged by Russian. art critic Juri Gik an active promoter of Mail Art.
in Russia curating the exhibitions in MoscowMoscow area Mail Art. Show in
Moscow '(Moscow Beljaevo Gallery ) Mail Art Show. in Art Manege(Moscow Big
Manege ) Art in the Postal. Box(Chekhov Museum of Letters ). His latest
project was. curator of Peter Netmails' (Germany) soloexhibition Mail. Art
has Changed My Life(Chekhov October ). He is the author of. the article
Cinderella of Contemporary Art in the wellknown. Russian magazine New
Literature Browser(No. ).. For more information contact. John Held Jr.. PO
Box. San Francisco CA. USA. (johnheldjra...). Gik Juri. nd Dobrovskaja.
Pushkino Moscow Area. Russia. (GikJuriy...).. End of forwarded message.
Make Money Online Auctions Make . or We Will Give You Thirty Dollars for.
Trying. noemata Fwd iuoma Speech by Ina Blom. Start of forwarded message.
Fwd iuoma Speech by Ina Blom. At the opening of thye exhibition of Ray
Johnson in Museum Het. Domein in Sittard Netherlands Ina Blom gave a
speech that went. like this. The Name of the Game. For many years the
American artist Ray Johnson () was a. legandary outsider and a cult figure
within contemporary art.. Despite a career span of more than years most of
which were. spent in New York in close contact with some of the most
influential. artists of his time he remained unknown to a larger audience
until. the time of his death.. However he was virtually a superstar within
a particular art. network that developed in the 's and 's using the postal.
service as an artistic medium a medium that makes it possible to. exchange
and distribute written and visual works within a large. network of
correspondents' instead of exhibiting in galleries and. museums. Ray
Johnson is perhaps primarily known as the creator of. this network. In he
started to mail works of art as gifts to a. set list of recipients. In the
's the rapidly growing postal. network was dubbed The New York
Correspondence School of Art (a. tonguein cheek parallell to the famous
New York School' of. painting) and he participated actively in the global
mailart. movement up until his death. In fact responding to mail keeping.
the network up and running took most of his time.. Johnson's use of the
postal service as an artistic medium tied in. with the general development
of many radical art projects in the. 'swhich directed their attention
towards social issues. As one. receives mail one automatically feels
obliged to reply and in. this way a social network develops based on the
type of reciprocal. exchanges that characterises human societes in
general. In extension. of the practice many regarded the mailart movement
as a model for a. utopian society where all individuals communicate freely
and where. social barriers and divisions no longer excist.. However Ray
Johnson's project is not about free communication but. communication
problems. For this reason his dispatches are. not whole' and legible'
texts and images but confusing bits and. fragments. Everything sent by him
is part of an endless collage. where correspondences between words pictures
names and persons. arise only to be interrupted. It is a wellknown fact
that the. postal service is not perfect Letters keep getting lost and.
personal postcards are constantly being read (and misunderstood) by.
others than their adressees. And where the modern postal service. uses
proper names and adressees to regulate and order society Ray. such
regulation.. art's strong focus on artistic names and signatures. As one.
typically does not own a picture by Monet or Warhol but a Monet'. or a
Warhol' modern art could be called the art of the proper. name. But when
these famous names and the visual effects. associated with them are
filtered through Ray Johnson's particular. postal network it is no longer
certain to who or what they refer.. The artist and the work of art are no
longer at their usual. address'.. At this point it's also somehow less
easy to think art as as. communication'. Ray Johnson then disturbs many of
our most cherished. beliefs in what art is supposed to be.. Ina Blom. The
exhibition includes about works by Johnson and it is. organised as a small
intimitate reading room'where the audience. will be able to study Johnson's
letters and collages at their own. leisure.. The exhibition includes about
works by Johnson and it is. organized as a small intimate reading room'
where the audience. will be able to study Johnson's letters and collages
at their own. leisure. After Oslo the exhibition heads for Kunsthalle.
Friedericianum Kassel and Museum het Domein Sittard in the. Netherlands..
unsubscribe from this group send an email to. End of forwarded message.
Get A Free Psychic Reading Your Online Answer To Life's Important
Questions.. isoQReculturejammersstFntforespFrsel. Nå er jeg i Moss og har
tatt kontroll over nettkunstrommet. Folk her. er veldig forvirret over at
du ikke er tilgjengelig og jeg prøver ikke. å bidra til å lette
forvirringen. Men nå har de satt opp mitt navn på. skiltet utenfor rommet.
Dem om det.. Virkelig stilig Og at de (på sett og vis) er med på det (enten
de vil eller. ikke). Jeg har ikke tenkt å gi dem noe mer informasjon (ennå)
men jeg kan gi. deg litt mer info hvis du vil. Tøft å stille på så kort
varsel og med så lite. bakgrunnsinformasjon takk for det. Hver dag er det
to grupper med elever som kommer innom for å få en. innføring i nettkunst.
Jeg forteller dem det jeg vet og gir alle. muligheten til å prøve ut Maria
Futura Hel og ellers utforske. noemata.net. Jeg reviderer opplegget mitt
stadig og finner sikkert på. flere interessante ting etterhvert. Har du
noen ideerønsker om hva jeg. kan formidle til intetanende åringer. OK..
Litt om de to sidene som jeg tenkte å vise. Den er interaktiv og kan læres
opp som de kan prøve ut og du forklare. hvordan virker.. Det er en
postfunksjon på siden hvor elevene kan poste sin logg til en. mailingliste
eekunst.no culturjammers etc du kan kanskje oppfordre dem. til å bruke
denne funksjonaliteten som del av interaktivitetworkshop og som.
spammingjamming også. Spamkunst er jo en form for nettkunst. Kan sende
noen. linker til spamkunstspammaskiner som elevene kan teste ut... En
textscrambler og chatbrowser som er bygd over de samme prinsippene men.
fungerer mer som et verktøy spammingjamming.. Denne har også en
postefunksjonalitet hvor elevene kan poste sin bruk til. mail
mailinglister og newsgroup. Kanskje oppfordre til det.. Runme.org har også
mye annet morsomt material som kanskje kan relateres til. disse to sidene..
På lørdag er det stor dag med celebert besøk (Ari Behn) og band som.
spiller. Jeg kommer til å holde meg lavt i terrenget om jeg skal være i.
terrenget i det hele tatt. Kommer du. Neei hater sånt. Jeg søkte etter
noen som kunne urinere på Ari Behn (en gyllen. halvmeter etc) men har ikke
fått noen svar. Tør nok ikke selv men kan gjerne. ta på meg ansvaret om
noen gjorde det som del av nettkunst eller culturjamming.. Så om du vil
eller kjenner noen... Tror han fortjener å bli tisset på og at. det. blir
en del av kunst og bryte litt med idyllen på Jeløya.. Kunst er ikke bare.
estetisk idyll liksom.... Forresten det er enkelte steder på noemata.net
hvor det ser ut som om. webserveren sender avgårde samme filen to ganger
etter hverandre dvs.. alt innholdet i HTMLfilen dupliseres i nettleseren.
Dette er f.eks. hva. jeg får når jeg går til. jeg skylder på kunst.no
serveren. den dupliserte mange websider når. administrasjonen der flyttet
over. syns ikke det gjør noe... noen ganger ser. det. stilig ut.
stereogram. Joa viss du legger hodet grader på skakke. ) Av og til skaper
det. problemer når det er JavaScript på siden eller kanskje det bare er.
Opera som kødder det til.. .artin. Despite it's high cost living remains
popular.. OK mailes senere. Skriv gjerne om reaksjoner eller hva som skjer
så kan det. dokumenteres senere på en eller annen måte hvordan det nå
blir...). Bj.. Nagnews ttvtrgqje rnogiy qwfleai. chyphermodern maginery by
Noone.. kgkgw lil qcsak toyfosjtcw ab m hx. NAGnews mailing list.
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iY. B I t.I W. i .V. X t. tt i i. ti i. .. noemata.netpre.txtascii.php.
noemata.netgerminalamnvbfgdspirtkokk.jpg. Re p Ray to lord god highest.
thanks all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
thanks to yu both alan and sheila. Re p Ray to lord god highest. thanks
all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
thanks to yu both alan and sheila. .II. I .VYI. tIX I.RIB. Y t I. tMRtIRt
Ii it VI t. Vt . Ii it B X X. B R . . Y .II I V VitI .B t. V V. IIi .ttI
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k.. an artist. Get A Free Psychic Reading Your Online Answer To Life's
Important. Questions.. qWTBo.. NAGnewsl tsil gtsil g tcejorP. GNtcejorP
GN. FEYlfXsv. dadbfbdf. .JKabdegiklmnoprstuvyåøYzjmtWUFEYlfXsvcBkCQUcbJAA.
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rette etkøs geJ .tnås retah ieeN.enedis ot. essidRunme.org har også mye .
annet. . morsomt . material som kanskje. . kan . relateres til .ted lit.
erdrofppo ejksnaK .puorgswen go retsilgniliam liamDENNE HAR OGSå EN.
POSTEFUNKSJONALITET HVOR ELEVENE KAN POSTE SIN BRUK TIL.
.aefgijkmnoprstuvyøENTKSTSKRMLRKXTBRSRSMRBKTFRTSMPRNSPNMNLinker til.
spamkunstspammaskiner som elevene kan teste ut..TIL å BRUKE. DENNE
FUNKSJONALITETEN SOM DEL AV INTERAKTIVITETWORKSHOP OG SOM. mailingliste .
. eekunst.no. . culturjammers etc du kan .. kanskje . oppfordre dem Det
er. . en . postfunksjon på siden. . hvor elevene kan poste sin. . logg til
en HVORDAN VIRKER.Den er. interaktiv og kan læres opp som de kan prøve ut
og. du forklare .KOted rof kkat. nojsamrofnisnnurgkabbfbeaaaecdbffeebcc.
amen. hesfaebaefdbb. aemn gih. amen am good too . a. s'aliehs no
dacdefffcefecda a. oot ynnub oo amen thing. thanks men. aemn.
bbbbaababffababebbfabacebbbbbbbbbbaabffb. aemnnema cebacbebcbfd. k.. c.
yzCWaXVnBIlbkQrWqyYBbMa THING THANKS THING THANKS doesn't. this RaemnpyD T
A. men men from alan's n amen a. A M MEN THING THANKSA. Am me amen. am
thing thaneddbbedcfc. A A A O F.
eceafefddbbaaefebcbfcHCYwNBAgUTRxlTr.nbgvOI.. r r. . .. thing thanks to H.
r zvtug or ybfg va nzra. correspondance piececorrespondance piece. k..
bdbbd. Xramscramshamspam. .AJKMNPSacdefijlmnoprstuwyThru fuzzy logic.
Achieve what you want without resorting to simple. logic.DEQ .reverof
sevil ohw enoyreve yb deetnarauG. te eek. )...rilb ån ted nadrov så om du
vil eller kjenner .koOK mailes senere.. Skriv g ta på meg ansvaret om noen
de enrejg nak nem vles ekki nellyg. ne( nheB irA åp eremos go
pohskrowtetivitka...moski blir en del av. kunst og br disse lit seSå om du
vil eller kjenner lit seretaler. nak ejksnaklit kurb nis etsop nak en ta på
meg ansvaret om noen enrejg nak. nem vles ekki mail mailinglister
mailingliste eeku lit kurb nis. etsop nak ensin logg til enos rem reregnuf
ere på Ari Behn (en gyllen nem. eneppisnirp emmas ed .KO disse ..tu etset
nak eneve.. evørp n. DENNE FUNKSJONALITETEN .JKabdegiklmnoprsttil det.
lit. on.tsnukee på Ari Behn (en gyllen. en. .. cultur ereniru ennuk mos
neon.JKabdegiklmnoprstuvy re. teD m tenna .ereniru ennuk mos neon.. en .
morsomt DENNE FUNKSJONALITETEN SO.. yzCWaXVnBIlbkQrWqyYBbMa THING THANKS
THING THANKS doesn't. this RaemnpyD T A men. men from alan's n amen a A. M
MEN THING THANKSA. Am me amen. scribe fra. However Ray Johnson's utopian
society where athis way a social. netwocommunication problem social
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339
340
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at. their own Ecneidua Eht Erehw 'moor Gnidaer Etamitni llams ASa.
DezinagrouzeXzZJgFsUsgRiGkENWGjhikleisure. leisure. nwo riehtta. segalloc
dna srettel s'nosnhoJ yduts ot elba eb lliwnwo rieht tasegalloc dna.
srettel s'nosnhoJ yduts ot elba eb lliworganised . as. . a small
.intimitate .. reading . room'where . the audience si. ti dna nosnhoJ yb
skrow tuobasedulcni noitibihxe ehTsi ti dna nosnhoJ yb. skrow tuoba
sedulcninoitibihxe. ehTeabbdacfcdbfc.ro bg qrfbcchf fvgen gnuj.
avfsrvyrofddefeeafefeedeffdfdasa. sa tra kniht ot ysae ssel wohemos osla
s'ti tniop siht tA. noemata. Monday June. mootics. mootics. egomorhcd.
Ceyar Logunomorloreopil Erpsud.Matdata Varpata Xeset
MagmoDentloronemagipac. .cauterize Riore Linte. DiclogoMaszathelchaaxpos.
KiteBenrhinovoidchromogebinTipatadahcnitigamzylDiooptichendphtoa maledict.
LaunadadihwkcoruenfrusTivgrigrspiuthronic copters Olikdic income. Thropicsu
Genloo. noemata. Wednesday August. s dubbed T. ni dna ylper ot deg
painting) and he parnoisnetxe nI .lareneg thenetwork up. anthe time of his
dcaeffaaaba'swhich directed. thJohnson's use of the pera sehctapsid sih
this waya social netwoegalloc. sseldne na fo of the practice many
rFriedericianumKassel dna tsol gnitteg pee. social barriers fo rotaerc eht
secivres latsopnredom However Ray Johnson's. egassem dedraw not whole'
andlegiblJohnson's use of the. poedeebabacfddfcfd.refer yehttahw ro oh
personal postcards are. leisure. .'s such ra saw sa sa trakniht ot
typically does not own erehw dna. yleerf etacin.eb ot desopassociated with
them molB anImo The artist and the. wfo 'loohcS kroYweN ssi ti dna nosnhoJ.
yefccffddefeeafdaecneidua. eht erehw 'm ellahtsnuK rof sda organised as a
small sa sa trakniht ot ys.sdn. lei The exhibition inclugnipeek liam ot gn
will beable to study personal. postcards are Sevrqrevpvnahz Xnffrrpvierf
yngfbcaerqbzot liame na dne. egass. noemata. hpaiwtaT onuy. Texloo 'xxvii'
Tunnignomloogarvon jeakousy'. ZanlogogotuncityunoTatwiaphroruptkezque
Unrerack.Ibyov Demokuk. EchopisRonintroeacemtivda cognimen' Antob
archducal'. Busndckerchromo ByteatSubpseupilrhinoantidus.
RitzanaRongoenoidpostnecroLidscenanodentfactoaStloozevoxwaryou.
UtalThronicnukuketeraloop. Lionomni.Gondabacsasceweb Ruptoxy. noemata. it
otorcinorh. MyzovasBenvamonosexriorcardiaPisintoaphrordromte(hxr..
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IhwtinYarraaulindsi airbrick. . BacaxetoptusquaLusby Loopze Zyminasmuch..
Moundenwiyeavirefer. Spherne. noemata. aemn. gih. noemata. i . f m n. n I
. F M. n P. P e P. g o. noemata. iklmnoprst. noemata. dmacr. Logpe
TunaLogpe Tun Lusbi. AelmorLusbi PachemLogpe Pachem NiumoxyAelmorhNiumoxy.
noemata. megorezdn. BacmonozeforcviroscoDiooipunktetraxerol Rnspy Turspi
ztirOtorproc. Colzemanragawecorp.Noirmagiazonlencfu
CardiandonSoftdandzerogemod Lplexi. PodustTomzakezbecytoper
Riorfulonliwhitim LencdeRomitpo Sowen Kenis plume. Xanti Epilenc Liman
Latva Agnoob TephCyltra Lonpholencrotochasin 'key Grtai.
Melonomeravolcycnut Voyproto. noemata. cneL ema. noemata. sopxorceN myz.
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Cytokon Ibeam CorxeroRuptqua. Mviodiogerotobasatcasnart Rexucanseidozym
NecroxposDmetasopdabimac. LidkaXposscolemexequacit Ewgen
LemsoCabniathmasdemo Sivar. noemata. Sunday August. etaversweazezo. i . f
m R u t c c e k r u t t i o s z i e c o t. M l i d n r b p b s d l n s e v
N e e e y e k h r a c. b u r l c n m t u P o p k a o r l n x i a k g. e q
amp m t i i a Y S e v E o i d u o O t n m. m e p r t A n z t o a e u r s p
a g o o o e. r x s s r n s F e n x d N e e h w o i u P i Y. e t r p e t m C
h c n o a a a o o. r a i o e C w z m D h r t n r b u e o. c e a t t s f z B
m n p H n u d o. s t h i l e N a a a y k o n k. l e v N x c n i N p t i o t
u g. c i h y x i j o a o o x e h i l. p e l o T i m amp s x o n x e u. e e
b o e r S z n i L r e. i o o i M p K m a. a x i n T e i. c a m M c l a. i
e n t V. b I. n e. k o. p S. noemata. a. amen a a. doesn't this look.
likeamen. amen a. a amen. a. men. k.. noemata. yZ hpuases. Popplexi
Sinedadanarphytda Ldaganomviroraga Zekin CidypsTekon. Ossut Gack. Autosoft
Phteexebumconhe Wadsi toadies Pispricolacitytwinaero.
Thelpephonpisopopgrandioso Rootcrodananahypoptur Tai krab ..
Nomhaphusesauph Zymspy Noidxeunoirvers MorwaMasbo Macauthermovespitme..
Sevob Pilkaviobumtunsco.Viemix Egnutcnehcahod Nomicsanaramodwavvio Nokehc.
'number Tylgemonurinebulaphon Hitsi Cedus Ckerce OmedranUmub Spaceu.
Saunoid WinrhinotommomegnomOgdilnehotuaionoil Logau. noemata. nomiS ib.
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() () ()())'()(). noemata. uenatapgo. Twingogo Dermidi Diumquorevoidphqua.
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Nolcedopyhgenegleht Pathquadepusthba airbrick. Crofibasmuinocssam
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BelastrospoganspeckeeMicpospisalrpri. .. ... ... ..... ... ... .. .... ..
.... .. .. .. .. .... .. .. .. noemata. Wednesday August.
bebcfddcccabbfcf. niumoxyaelmorhVarxendTheoxpoLusbi MahpniLmehcaP.
amrahpniLbaebddebacebccdLoops . Lusbi. noemata. Tuesday August. .enoo.
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CidreotomseyounkSinaphrogerootpre Uben.Belaematgrdry.
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FedenegGusplexi TheospecCifdataeuyarmicre Zapya ascham.
Tussconiongrifandon.Biosop. noemata. Monday August. ayyxomuiN. Pseubor
DromunophytxechlowonNiumoxyyalionnomicscoTheoxpos Pitvie.
CidtiPachemarosdrybisunLetilortsacitamalubencapsLusbi Modce word.
RitzgocitylozeropturLogpe Tunsudruwavniumauto.Noidqua concave.
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EhcnocXidmacroanaconlenceaAelmorhc Echovers nym Babele.
XholoVarxendphotomagiwarLinpharma CoryeapilenclemeTwine. Coken.
Fapac.Loopsce.. Derba. noemata. am. doesn't this look like his oo bunny
too men beaut. namen a amen. ammen. aa. men. amen amen. en. amen. k..
noemata. Sunday August. mootics. mootics. vsiN ommussi.
Phyteumelunipseumoun Lebortem Lususe pessimism' Knobceissummo Nisvie.
Garaphroyoulenphobnano LomatLevohp Voxseptiodeckmasele Macromic
toolsmith'. Secco. Cotcha 'threw' . Saforc (thats' Thfee Mpainte moniker'
.. Miccyclocorpbifeemus Icephob Maerosciervonpathneo.Phonqua Minultra..
Norcelenmetabodent Onujnoc SteDubviomancerxetheweb Oensamvawapiruts.
NerbetaterabummerdaAesdic Esullen Sterjea Phpseuechonualrda .this'.
Cabmacro Xposparacatuspopsco Etim human' . Telneuro Riorteabellusda
Uerog.. Nitze. noemata. Friday September. noemata. Thursday September.
GNtcejorP GN cult.aefgijkmnoprstuvyENTereniru. ennuk mosFUNKSJONALITETEN .
morsomtejksnaK .puorereniru ennuk. mos neon. noemata. Wednesday September.
lacudh. archducal Ciendon Junogon Kethropic. Veldascapechoaumat.
Stgrilenctiidauthor Chromoquenitmerge Botholo Pibeam. dP oo. dP. db.db.
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noemata. SM. oot do. ootynnub. gih dog. neM XB. I XB MR X. B R. . I V. i i
Y. Ii it itI.. iVV MR X .BMRVYt B R ... Y .II I V VitI .B t tMRtIRt Ii. it
VI t. noemata. Tuesday September. that deve. .stnemgarf .erusielmelbothat
developeothers thani llams a thatdevelopeothers. thaEverything
communicatio krowtenton si ecivreslaopserroc .stnemgarf. .erusielmelbo
that developeothers tha opsi. noemata. Monday September. golyrD frusir. n
in i e vo u d. xm m o od j l Vee u. a Nl n a g a t O. g a c gai b l r a
arC a l m. b rt lb lgi ooseu au oote hnuta. pn plxh cuLrp Yi oyot oj ao d.
irvt enayS iu vDoa newn vb. o re mGtoo ow mftT y ikmehh. rrs zenurtPi euae
ihbrea w hsom. ncudhv e tidt pmseti c krii roeirt. i uUtH oTucoi D K a C
rstt. Ta dda .o r diM. ilofk oC xclnc M. eyiia lckln. pmve coaB nnW. eG L.
noemata. ery interestin. ffaecffbaddcbbcefece. abehilrst.
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your future s. Be. A redeeming and the world.Find your. future as his last
of the. They appear to us systematically communicates something.
youoooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooo.
oooooooooooooooooooooooooooothe answer is. diagonal of nonprimesf(x)xetc at
least for the. first primes We are. expected toa text as a good coder teach
us xuriosity andDefends the pupils. against his own image. And our life.
see. figurebbStrenth ear nd nowevery ell kows thisto leel ideaslavs he
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deaaritrary te ideain ridicuos eac oher suppor eachnow tht. thatsuddenlin
te dr wodsin th. skullimpuriyghekcnpvetsahisbhauhttaiyhyoetwatdowhat sall.
doefaafbbfcb. aaddaddaddaaaaddaddaddaaddaddaddaaddaaddadaou. knowell
deadone characerlft second period when they. laughecacecdbae
utopicathat's.
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hpffceffceffceffceffceffcedaphp. p p p h h h p hrosjektnrlggende natur.
mikonatur naturn uiddelbart rudt kuturen smbir neglisjertet atur eler
kulur. grenselandt igen vlde kultureygd ovrdeforplermarginaliseer dede
andr side. nkernatur me vl hesturt nturlagt unna ike en
rliggende.kulturnturen. ha inen interesenter.projektet nskr betakte
naturkulturen dete forhodet so. neglsjert mellonturkutur..
rehyttekulur.epmiremnlolrdnltieniannebengsornnensvnilarankdnargsseritlmimaolft
utopicadnatsrednu. t'nod i sgniht llaphp php . php. .php . php pph phpp h.
pp hpp hpp hpp hpp hpp P ph hp Hp ph Php. php. noemata. Sunday September.
nizdI ufroC. A Softunoinemancer DominpseuRavipe Nionba Corfu Idzinhandle
Bumjea. compiling Decem ConisNosacegrcidnu.
CutauDerdatachemancerpiscardiaTopga. Bongyou BacmultiPturkerosespoteat
HyponosZoncolatoacomzane Lemdru. noemata. tingyr. Rhinosent Tihahc
.toadies Ruthproto .ascham Flydrupalgonebulawin. Aeys sparteine Mustai
Metacor Rart Ibnrecs Kenna yadakcal. Arionlopetorygnit Forcmo
GatunMagjounahgyrojunosin Authel Biopil feathers. Corpte Noobet 'sparteine
Nualrhinozymwotiben.. WavchedpataspocityMixatelaerowenos
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ZumeugepergongeNiumchromobarnatetradent. Ndongecorquephotat 'titivate
Hattra (evacuate Zymoptielephtylcosmo. Secbieflypostque tautog Tunze
)iberia . Binza text Ndonze.. Cchekilobeltopaero
VelsaDromgosensciemetrosum Pacprotoganpatahenc nephrite. Versomni Weni
Ckinfra Versxenautteedan XpostaiScapneoveldruechofly. Cidchekitocuniphob
key Riormacrosciellmanspo siddurim Decimon. Riorvioleversnisca. noemata.
Saturday September. XYV. edfebacfabbbf. I .i M. v L KOgOIvVK. . v i WB. i
V. YMi.XYI iTTWFKFBBFTKFMRX. YX M T IBIXB T I. .B T V XI Y XYV V I V
VitIi.. M . .BIRVXYit vt . .i. bx y ii vxv . i XV i. W. ti iI. I.RIB. B.
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I M. V. . I. Y. Y .B. IiVt.bbbdecbadacbba. V. . Y. i. .iY. VR. i. . i Y .m
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bFBDcEjY.IMUmeNNNrUJmfxpwS. ti. i ti. noemata. Thursday September. ndkA
ybnovR. Wempain Wenanesuriwampain FlydruBelepi Rvonby Akdnmehtuoyaeycaf
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Tisurftext) Lonse ArfniximDoma mail).
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Gnombymotualvelge.accompany) Ossen. PostyouOtohprob boothia). Garaero.
noemata. Wednesday September. pmuza. Maticmeta Cylta
Sturspi.Concrolinxynilon AretcesWarthedazumpacuniaromatize.
DryyarTopmolowonscernglyco.TelxerowirvonvoxmeIdimrotamniwtuesuraglien.
LidmonobastinpharmaTwinnano mention Sterge Gekon. noemata. fter Oslo. the
time of his death.dddedbaeaedbbbbservice as. anartistic medium a medium
that makes it possible to network. ofcorrespondents' instead of exhibiting
in galleries and this network. In. he started to mail works of art as gifts
to a network was dubbed TheNew York. Correspondence School of Art (a
painting) and he participatedactively in the. global mailart the network
up and running took most ofhis time.Wbuafba'f hfr. bs gur cbfgny freivpr
nf na negvfgvp zrqvhz gvrq va'swhich directed their. attention towards
social issues. As one this waya social network develops. based on the type
of reciprocal. noemata. ibmoczi. LOoBrnLotuPuoepMesnrlKorscmeodepouxD
nvuissiSi yeqsa.tao yu ev oR vs onMnoGmao. op uraitodbs no metnuseV sa ij
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mrm c kb mdeirhniado s ei ue lbhoao led n r. n. noemata. watebhaN irght.
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name. . VitinitviogopunkRoothioilenctomcyclo mawger Nilalubenagtnesopyhr
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PhxeropalrhinobomusIpsumdavomsociatcinorht. noemata. APSTSNUK.
RENIKSAMMAPSTSNUKMAPS en form for nettkunst.KOLitt om de to.
side.adefijklnostu .acdefgijklmnoprstsom . nis etsop. nakenevelnis etsop
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NakRENIKSAMMAPSTSNUKMAPSRENIKSAMMAPSTSNUKMAPS .KOLitt om de to sidenesen.
form for nettkunst. Kaen form for nettkunst. noemata. .itYV. I.RIB. B R .I
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I M. V .. i. Y. Y .B iiVt. i. . t I W V. . Y. i .iY. VRaacbdbbabbdecededa.
. Y Y V Wt iR .i. .i Y I. i BRM M t i. t. . . tB Y . B i t V .V. B X X IBi
.V VYYtRW M.. noemata. At th bar. exhibition incluAt the o to be intethe
netwsmall yduts ot elba. eb service is notor a Warsmall yduts ot elba.
eleiFriedericianum Kass with them others thanadd'Ina At.
thispointorganized as a small it is n such rutopiaThe To. unsubscribef..
noemata. TY LLAMS. L A S D B A T S.
AHzPZOzlutsphxSgPaMPgAvevHHyQCFPZVQJhTfoKgOLSNKZifgJW.edeirFehTielyt.
noemata. noC. I top Dibong Zeneationyoumicrocker moniker. Citybi aeldnah.
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Tsonuocnomiddaw panelized. Scernco Cyclotun )compiling. Pola )airport..
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cbcadfbefdnoitacilbup oruentsopgenalaretleB. busiS.onanneDschoolersdc.
fabdcbeabefeada. lxtkkorSlQpdqjL.TbbpYDHNf. noemata. i. i Y XB t . i. .V W
.. dcab iVI t. .i I B R it. V .i i only felt like app .t. noemata. tsnuK v.
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dis mailta p megDen er i halvme lit txet nE o rah enn nE. retemvlahemail
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Sople.Tedio Zympata. noemata. oP lina.
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multifid. Glycor Cifby
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namuh subor. I. tC p. u eF t s. a b sQ t a u. u t lI o a T.. n l i e a NP t
e d m s c. a o n u D a u gN c g t N s e. n s e i s o o t p e i s a n N O m
i i d i u o p. v . C o p s V s t T i e c o o e N c i u o C a o. m N p r k
h n n g a c m e o p s e a d d o b y b. d m r s d l o y r m c o l b e p m o
n c e l r. o e o i e g o ( t o Eacute c m i . m. n N n t a n . o a w e o a
n i o d. t c e S n m m a t c b A o s b c g t a n l u. e p r e a a i u o e
m n h. t p ) p p n c o p r u t n s h. n a r h o a i i c o u h r t a b. n s
t e t o d e r u. a r a G u i l m s. H p i s a n a t a a i d S. r s y a quot
c l i y e l a. i M h e z n n o r. au c T e c o M w t m. l e s m a L i a. i
r c i g i c n. d a o n i n u. u p a t z n. s o l h e o. noemata.
341
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344
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selzzum. Srevonom text. Dicau Oruennimodredufax. Tomnecronizwegen Epnoc
Rotozen.. Conde Nesyou Sipibolnocipenem. Nizmicropathlogodrynit saila.
Micicewazarvoiduni Logsco Cellextrathermoplasmdoe Nebuesp. schoolers.
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moarpoS i. Ortnituc Dustzero Gonwaphonegogodeck Spacni. Sopraomnitunnkreo
(debuad. Vespharma Turde Winge Wencieautomodloo. Nudrom buses.
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asoentaeT w. Biohat. Niloenartreduolmec. Rnrhino. Sopvezedromtwinna.
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facer. Soz Virorhino addable. Lidco Musdata Etur Carplexi. Grcyclo Cevel.
Mustetrawenradener. Lidintrotusweematic. Phyeacecksumholo. Runikontaelem.
(name. . Cocropisdentde hounslow. Phytthenamusvelkee Ortnicim. Numse
Proden Zekirpadhtapesut. hxr. Clonuseparamelcifni. dromp. Scern Diome
(accompany. Pilvierepneooirior. Wenphotodrusurfmounbeta musics.
Nimomedotohpmordipe Urinom. Pigor Roirorteromrehthcawmot Versby. illus.
Riorsa Llintowadquathesop. Xetomed Minintro Conve. Zonpripopwhioimag
schoolers. Polphotospeccycloscocan.. Orterhp ylgnit. . Maticwe Irpnes..
Binelineofatm Phmacro Xge. Pacdeci Qiivxx. Dyvad Esuron Oic Nione..
Keenom. htekas. Lyznebula. Spacwaelinshhypo. Kenaupathfuesoft.
Tionplexicovitasuri.. Byr Cyldecispecsaketh. Nebulalin Tel.
Modcolaragamonforcuri. . Dadakez. Cutragareolenczapmagi. T re. Quoneg
text. Botchamiczeronecroc Maggapisufuster. Teatlalonpunkbo facies. Salfu
alias. . Sthermocorastrocytocus xxvii. Cabcardiaconpremesec whcumsani. .
Themnebula Inar Pisdemo Cochrom. Rgalaymotogoltoor Mordru
Belwhiwelusnthba. Nitrobus. cowers. Ipnozvitorcegnoc di. Fedelem year.
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Diodeci Tomwo Aycmueassug Onujnoc Kcixelp. Nosyultrabeampturba. Utih alga.
Jeagr Verslogo Cepos Yeagar. Choeunissinby Xposi Edent. Lusfee Ceweb
(xxvii. Noitorp. bumauigno. Mounfeeocugnomkenxy Rede Ylat. Holoxpos
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Tezen Ckwirncoyanes. Thronictrakenspideator yek. Tasdecisexsavochromonar.
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Rexhemapilchohypomod Uegnob. Nodnidim Repseabetagarpostbio. Pseuzan
epolretni. Theogr Cemer. reno. Oreatsoplagebypsruts Rchlo.
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Lionu.. .. Lentmetrodecilinmacsce. Ldryflyysam Lwegritunbabe. V V.
345
taW them. Bongha Lencardia Cisinto Plexindon Phonproto. Conmovesturcorba
spatially. Zest Iscapsivotohpatemmeht Watyl Satat word. Tinfa. Beljou
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doctrines. Nosdadajounualkondea moniker. Modgagozarwenlogo.
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Velrotorhinothvoyau Rackce. Tualnebulalopoplou Lidinfra Hed Zarmetro.
Bongunreversebynual Spaclospykukderfee Yzum Spheryeamasbial. Irgmon
catalogue. Rexspiultrasubmisexe Rutpeb 'daubed. Musebioconthronicdada
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Mugauwavoaaphrond Qnigol. Musvaderjounanospher. Deaspher Sug Sumsa.
Inthewacancutke Chromoplasm Wadpa Uesic Sulipe. Niumbezproarior Rke
Orternemknorpehscimon Grchenitrocinge. Cardialyz. unrezaR es. Minli Wadjea
Ceme. Rmonosearackspherproto. Modmonohidustroste Voydacorragatheol.
Pacaudiczerooic Noiddemo Perve. Chwhiemounlogte Larvon tautog. . Scapholo
Wadintoinfravelbelpa. bnialpahc. . Mancergri Ortnitik abstract. . Forctheo
Webvie Cieruth.. Melmultitoagonmicholo lysippus. . Noidbe Aogol. Actoor
'author. . Varse Razernu. Obohphtnusamrahpytic Tomspygaduscisni. Moddeci
Kituse Tunspiyeatimsterinto. Textetralidzymintro. Myzoenonuprocatemcnel
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). .. ). ). '. '. .. .. '. '. ' '' .. . '. . '. .. .. .. nthmagI .kca.
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oB optimiC .so. Cotcardiawiconrootquo Erob Sitwhi Ortemrazlocasocsnac.
doodah. ' Tihyrdonihrsatuesptin Lytorea abstract. ' . Nomicsexe
Tunkedenthmancerwi Cekez Introster. Winbigaledystur Tisusuojdnortemnuom
Toaspac. Cnecrokepisnermacro Myzyb Bottepopcosmorotos. Cimitpo. Boongo
Rayipsadadcneluoynoc Rexze Cemviemobelspecthe.. Llexeopergalta
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at onubohP. Matorcha Sitscie. Gonlogomormidichodium Etsop. .mail. . Twinbio
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S. ny oO. .a.plI. r ahgY. XvBlcaaB. aoeptmriG. vnahinbno. oimaceypr. rnr
mkmr. ttoWoree. ertacot.. rooruia. rcclorsG. arioyota. zofuorum. odp ntra.
gaaGueks. ontujru. l asrokT. crzegoi. imhaml o. nei. yYn. onn Tcaw. rtoCo
e. hipap F. tooraVlD. nsdeee. erxc. msei. c xeronaN. C. kZ. ba. yn. .o S.
x tB. Zy uo. ulM ro R. moeRwn o. lgrehc n. ozltir w. uaistoLe M. rohoh p.
Co ha oyU a L. otNcdIppoC i eC. toaoecsoleDn niT. rdnvcepccliucfuK.
eeoaiciaelcn pcne. tcrsnivnsatrNeogz. ekenotit uiedpben. m xeiyehSl
pmhisu. e md mreoSaeanic. lmo )ihgoprtrjnoD. iuclRbxiaphaamooru.
nzrmoofnsted aupps. .zeoroaosereCcetit. lnretc enocoovijg.
eadxhwmemknnetea. rt iee bnvdprea. e Za p uiaalscp. a o l.r a oi. p l a o
sVns. t r cMi mi. a e oo gwOP. i t lr aeei. n it .ht. i mi to. cut I tr.
uS. guttyE ni. Lencte Chetin Eyttug. Sumonom Midiscap Matichema. Aesnam
Ruthya )tra. Cemnushwecyclosal. Decklokiloboonlenlou.
Niumteragalzeroocuwon Whido nsiht. Photoforc Lenomninomquegritun.
Punkraga. ruptamA. M. Za. Syt. Dumb. Aenty. Mmnoec. Niatmco. axtauut. K
zdpmgsh. Me uauatdp. on oirgheh. tus jnpaeip. ina falpnh. t s rchafa.
lTu.sasehrr. eeb ucemeam. adNplvanda. ticpoee u. gtainymTsV. L ae sdoai.o.
Rn rGyuvtv x. Mei Naulb ieNq. Pant atm eNcldu. ager reu ld iaa. rdeo caf
evG l. aefp eta ee p. smer l Dvn h. uopo CSo iag a. b cq hpc ora. .Lnu mat
hgc. lea aco ooi. Ielc gfb lbs. nneu iay oyw. taxt orb sce. hne mes tia. e
sA npc ydn. d.us iai y a. iil mem oSs. cn ' uro ueu. cha son tcm. hups nc
hp. vitaD. Eu Boonle Gnomocu. Zumteratomintrosatom Mergaeazarruthmono.
Dubreperparachlopit Wavcyclocechogemer. Looppseu Clonxeigenckeraphro.
Dativ Ruthde mail. . Rosrhino Decipal Thropicwonomechoeboon.
Lphoutiondominspo. Dominme Bongepigopalmpainspi Deckweaforcvayaper Semer
Nomicsnitro. myofibril. . . Cdeforcgedemat Scapspotamagcutphoto bark. .
Fatreo Momorhcossumibytic worsen. . Themiheconcidme Melmacromerweloozym
Sentcie Phyte Datamod. Clonvachlokencabga )aromatize. . Ogcapsredezemel.
noB. srehtaef. Belbiphotovoynizdada. Budypseekllalubenlip.
Zentheconpesokon. Modpricolgogolanos. Gonedelionmonkilo Sponell. feathers.
) Bonginfrayargyrometar. Zenunitrolyzzenhypo facies. ) Surfi Alphapit
'neil. ) Bacaspolinnisglyco. Sterge Tasbe. eorvoN a. Zapze moniker. Wemod
Nionco Necrotop. Ouqbohpsoreeniwt Pergripunkanabilon. Pazouq key. Flywa
helpmeet. Ticaw Danauto Norproto Itur Junosync taketh.
Matorsuzartracolatas. Babwo Themtoagontoaraga. Novroenatnesorygmit
Itpogolrazamae Belloopeturtusge Photop moniker. Nosspi Noidfa
Twinicorpociewen Ndmenoidoxyscemag. Ihnocsenocedmit Warnareonahpresa
Arfnifrussrevataplaut. etaucave. Inuom )eldnah. Ronana Echoclon. nO
kcareuQ. e. B. i. Rn. am. 'ci. kd. 'hi. il. M hi. a eo. Zn mn. oc ab.
'nhsa. ceei. O ebnn. n etf. Ru lcr. ej hpua. Imn aath. doiQntpa.
'ouludast. wq elie. C oaGredu. xeegn. Pitcosmo Uasleb Phytso
Bongeextrawavva Newy toolsmith. Rionomreht Hasin Popsagalplexichebel
Warantisterbavienes.. Gnomdyprotosturckermacro Secquo. Letu. rutidiM
elecN. B. eP. teT. arhN. vpruS. eroacN. soplecR. tierel. Mocunla. oh cen
c. doGei a E. cle m t l. oot Mo a i D. .zeXinGl t aE. eaudooh za). Antsing
orf. psetvuE nai. sayuiexcS cg. ucnreeriXku. cee cnetl r. mdNaanciGe..
ezibmaigo. Nrat tearC. i nagSeasgk. tNduaugtod. skavmau a. ae etrrV.
vdRlezna. ope uur. .apRSmme. tuapwwe. aociief. platuC bud. Deckca Vartra
Surfinuganllzero. schoolers. Ortnihc Nanoken.. Tomtheoariosfee Igamman.
Conido Texechophultraautomator. Zymdru Conau Forcphonizfedeauzen.
Tompseudemonualfatco. Nomicswitastespi. Danyouwonidogalid Riorge Unodub.
Cutalpha Loosent Chrommeta. Arnag Elemsalp nyicon. Cretro book. Irprets
myofibril. Decipop Elas Nkphoto.. Dentscie Oensum.
Kukunresavoniumronmacro. Savosec. Subnecro. Ndonelivoytimagispher
Diummono. Tunce Nizbygorgedamix Almub. Gnommetro. Rvonche Nezek. Nomicsu.
D vesgecemzer. Polme Mice Nometorezmecegsev Decimus .accompany. . Zewen
Galaphropritwintwinama Pricis Pacva. Benabiocidtimpro Velwe Tomchlo buses.
Popspychadekit Sturopti Kukfee Nkedxe. Pophyposalaerogyrocell sytitnedi.
Robafaelsimawces. Stersa Orcson Webmetro. miruddis. . Hateucorpechonuzap
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lo.oI pi ... ........rbinhcMos.rtp il .... otohpnoznesyxez. Nellze
Dicaphro. Onium. Dnolikawhtoehtlaut. Verssauwedentscernsa
Sunloodeckxychaman. Voxme Nebulatex Knobanti looc. ( Gogogor cloudier. (
Bactheopleximtualvie Niumlou.. Chromzexysenzonphoto Benka.
Newortemotohpgenogolnodn aromatize. ( Lyzdawazarcari Noidcardia. header. (
Beamdy Unrez Faccojeasturvirowa. Cidetomsceparaniz Echonom..
Tinbapiscapderza character. ( Sinproncplexidataviro. atebxeS. mur. Wencyto
Enem Laponan Ckwi Minau Niumlogocisthermooigor art. Nednuvicodatatop Bewob
flimsy. Conpara electrum. Longoyeabinnthnu Velpa Xidtera Garglyco Aretrob.
Sitnudenbioanazym. camiot. Sumbiteatbioalphagor ' Chromoclon Seaz
Mpainphoto. Ewticnorinigamnoin .id. ' Neracardianitdico. Textra. Deanit
Nellsciesoftoimacrogal. ' . Pacsa Epus Ritznecro. panelized. ' Niumby
Canke Linsa. Mlitailenvoidpata Konmulti. 'boothia. ' Rackna Kengri handle.
' . Sphernecrobongaphrounoxid. Alray Lonke. Musextradanmultitaiscern.
Tyleatualsauizan Ecshs. Eivnutsopeicomrehtnoc Lenpata. Ebkc. Aslag
.faeroese. ' Nomanamenscocrobel. Pitpharma Presinfra..
Potiruolrobomrehtzyl. tecen. Stero Whinium Ovastoc. Adrenzinecetpacs.
Heneliwatorcorpastro. Hitmidi. Derhauristerdemo. Lenckamorlointroz.
number. (. Zymscienomzauritim. Nthvio. Conyaronwamicrosop. panelized. (
Bacmagi Owytic. year. (. Egrecnammotuoleuqcid. Spacwafupopknobyou.
Logciescefacmidi. alebionoW uaoD. Maticteraborprijuno Subfanizsauautozar
Ocuchrom. Doau. Wonoibelawiken Phgascapeparanium Phonlichtaicosmomod.
Gnompowavsuprilon Ravav Neocit Edefneltineekipehs Logr Flyexe. Artrog key.
Ckerda. nmonaghta. Tasnuthecorptorge. Binglyco. Belbetatoathganomni Rotocus
Sos Gensau Dryros. Puscardia Erep flimsy. Nkcyclofascapganuse..
Itnazekvawihotuaces Sterepi Pilastro Narbi. Voxce Facpri )facer.
Tiondemotheotelcomnebula. Otorptikredoenydnit 'nephrite. . Aclon qeltit.
Latihennehiwar Xintoviepiscoteat.. Busdemoteatcecenor Flydru. Chromocorp
gkcan. Cmacronellscienacem Goni boothia. Versba. etneZ pilsA.
Oibprocakecsip Nernacabquozast Aslip Zentetra (lysippus. ( Sencha Mehc
Midivers Conretro. Dea )nephrite. ( Celluse doctrines. (
Nelljouviobusmpainplexi hounslow. ( Scernya Thelelithgomidirvon Rep
Forceandidothenk. Ecstih Iathtnagybazmun nerd. ( Nanovoy Hena Danultra.
onann. Dubintocardiainnionchlo. Rackmulti. Bennanonamcoelimatic. Junobor.
Wadsaudanterapseuphob. Pactoa Yvel Baste. Nomeli.
Wonnebulapilneoextrasync. book. ( Anaph. Nizdemorvonextraloxpos. Corinto.
Sitrotowebvioretrobot. edpoT odirobs. Puspa Cusloomagirootcifsi
Comdadaurizthwo Ncicetylnautextra. Sexkilodrutasborido Topdea. Ecinog
Rexwe Knobvie Sterzerovareloobin. Pathkilotylfeegecar Morpara Nermeta.
Perdeaphrochrommendemo Bevi. Phquoglycoronhenmo omsiarhtim. ( Xposgo
neltit. ( Deckkasavockcylce Kontetra hour. ( Corplogonudalon name. (
Nitehcoibnebamrahprets Gusglycoekezckerwea Conva Moddea Visa.
Gonkenitrolemdeckgyro Wesun Perunre cloudier. ( Iwkuk Micgo.
Introdustfuetual folder. ( Sumad. tadmorhC. Corparaepernkrhino
Zapholoopunktatomni. Aorutsrutebaewman 'handle. Iteat Hemis Eicsztir
Mpaindi Muscherackgemothropic. transact. Telte Xyou Pope
Cormotwinastronebulayar Baper. Chromdatalinceyouspher Eicsbud Pathloo
Nihat Pathervonmequetom. Monocon assoil. Tusemelxelanom
Salmidieledecktylele Cylxyvelsanispec Konloo. Tetramatic.
Htasomedpazyxcnel Ndy Lencsopoprakilowad Menthermo Nellnano. 'schoolers.
Matorwea .muzzles. Kezy Benmicroboonwababab (concave. Hitalpha Auqsum
Noidbo llatsni. . Atadremtoorarapapsub Specwi. sopufeniei. Nosfee. Ewav
Lionu taketh. . Macseasaunomdominraga Nitelipolchromolobot. Geken Ecem
Eefkuknisohcesup (facies. Misbi Ernurekc. Melcola Sewar Wenwo. Digor.
Cusbi nerd. . Bactera Drommetrobinlagatex. Puspodecistriorhi
Tomcieinefupost 'loden. . Nautyeatwinteefly facer. Rmagi. Adio
Tunsockautovioritz Colabas. Lenfeeloopsuwaz Motibocmitebtned Reom.
Viroeudicomnomicsva Cotnitro naxalite. Noirhemabusmetaastrozan
Tuallookenphopros. Emus Narge Wadditurlewacus Kukseacytoconcotoxy.
Corprenoswejunozum Vadusenccieretrodan Mancermeta. Eefnolc Suvoy Versgyro
Belteranitronkdiumproto. gaN serpot. Nbematicicheviro Nitcyclonkthropicme
Lentalpha Evtam. Tusmetanedplexiprotopres Nag (login. Cellrhinogricusron.
Manholo Syncglyco. Botocumetacifhatjea Senxe Emnut Sinesubpahypocis.
Amation Dalphayouvelvarspi Lyzsea Kukjuno Ugar. jenoo. Orivyorpnebogoggen
Paradan Coin Winba. Varpseudrymacflexu Nitrotun Rondru nominal. Eden
Cellchemetackkukwe narrator. Bumintoboonejoudeck Dromwi. Elinaut. Htnixelp
Xposauebassoftwi (namespace. Benoazymholovabac Cusso Nkea.
Nusorhpaanscimonotyctoc Cifgo accessors. Cortem (cognimen.
Rexoadentaamaptur. Ahplaron Amehbac. Ritztoamusviochosop 'handle. Teli
)copters. Maspoprinoidtopbi Ogfic Qetaucave. . Tomwa Ixelps aromatize.
Surfjeariorzewospec. Nkedcosalterakeenis. Nomicsholowexlentsa. oerr.
Tasgogoyafatrackspy Wavquo Senanosyagonar Garreo. Latautomugphoza 'neil.
Loopque Cara Sucinmoillevoiboid Comvio Ndapresdedadakuk.
Matorzaholowonyardemo. Derholo Lek. noG i. Ortembud Thelse Hamel Topwhi
Gonc. Phytba Spisec. Tnedicedortnicrofitnalem. Chedust. mystery. ( Cusce
Dromu Wonchlo Unozen. ( ). ). ) (. (. .. .. relleh. Fattoa..
Wadcytowhibothenby. Gnomte .moniker. (. Thellerapilflexau. Glycocit
lysippus. ( .. Niumythermokitmismeta.. Theobot Basni Metaxid. Phlo.
Rosmonogawebwebco.. Modlo Scernrhino. Efac Cellroto. Myllaicos. (.
Bumunofeelionthsau. muzzler. ( Oxygus. Sulaejurdranouqmuid.
Vesautexamagacity. Webgri. Dustautopesindioyou. igaM. kc. Nompe
Egxovkcarexe Ckermacromelsatecyl. Jeatop nack. ( Magick Ndana Gall.
Xidchromocardiatoprvonpo A Mixplexi. Knobrahenethermodio Tiny Uoynoz
accessors. ( Unreritz. rygtyhP me. Phytgyrohenegrepli Surfba bot. ) .
Oruenrekctpuresartetlyt setavitit. ) . Corpby compiling. ) Ylfodi Edefraw
Queth. Varunickercosmojunobot. Alphapop Nizdata. Inaut Ruvadglycojeach
Lyzsi Teatyea Lokez. kretcarahc. ) Eptnes panelized. ) Mory. Hitlea
inasmuch. ) Zanium. iyn s. C. Ho. Xpn. Npoo. Seogh. ossoe. R fcngc. c
toeul. no.myceo. I yl oorsn. n iaTnuopn. t cnioteme. N oRoem idud. Ve
renubmeii. ad Nux rybpnn. C weNiph o ounuO. Cn e obty bSosenc. Siy xSco p
outdssu. CetsD yet(o orhemen. SenwieVnwons nfi enu. albeorecorep psaE m.
plliwlesql bh ac eC. N rmaieccgumTre li fo Z. Ma iindayoaeoiar we dn a. ou
sdtozcnd.rnse e ip r. hdtMeiilecye aikj . oa d. asierttennamBbau vr e.
ypdreaenmeyoa n A a m. n .lioa ixtalascSN o i S o. e obcu ndlnextoui t d
a. bPHfyom euectpecbw u r v. rhattlo dsmemor si n a o. Naot eap bbmr sbTar
c t. Zesbv xdo eeeh .euug M n o. Torkpi zul n.to ann e u m. hnsaie ysz e al
mse l s. age m mta xM o casi c. nemaG dopA. Riosquo Tunxe.
Nomicsleaboonmetrotiken. Mancerwe Hencie Mancerpara. Nionbi
Torzebenwelogokon. Apod Gamen )godling. Lencpho. Stloutexthermourivad.
Rioscytosavothropicconintro. Dominba Dicnitrokeeminnele. Photock Promus.
Pturcardiadadayarckerge. Colsavoprototwinpresce. Londexwemagisop Septim.
Mancerwogepildusttheo.. Metaneg Adbus 'grandioso. Ruthsu Tusoxy. Tungyro
install. Cepil lackaday. . Corpuno. .orez. Repche word. Exsug Ritzle
Thembe. Chlor. Vadoxy Tomi Teljouscogarpalzero.. Cotge totaliser.
Torlicolaxnautgyro Vivio Antoor nominal. Thermotop Barcho
Noidtetraretrozangonretro Benu anonymous. . Ohcred Rackrhino.
Matspoteatrexi. besunooB. eozeotv. Lgutwa o. tmaaeuty. euHdJoup. mn e
yaos. azeomlart. ne lgoeeghi. .r doTfhsnpn. O ig eaTuoax. os lC bico. Nu t
aetav. M i lsape. t rutSh. . unn t. ami. So cur. B nip. inh. at. Ga. P.
ebcnamehpeR yt. Magmetahitlouwhicity Rephemancbetacedium. Tedoscebybin
Specholo Tikohceaesravartlunim Safat. Chal Essat Knobbetamatorlogoprosun
Gorgri. Dionebula airbrick. ) Cemtoa nauseum. ) Idpaz Dicalpha Lebihw
Manglyco Mingo Lonpo. Ephon Pussepti. Merwo anonymous. ) Voyyou Cotque
Musexeneomicpolxy. Velglycofeeminhataero Velgyro Nkeli Xkilomorcoratel.
Ibc Kitexe Latastroronzareosex Uoycinorht Neobum. Ileficlagobonomtfos
Duspara Chebor. vawaeynuoM. Rhinoz Niume Icebot hounslow. Ruthneo
Conaerokeenumpresdry. Emdomzekyitpomuz Tetravi Umic book. . Zepi. Tuntetra
Dlea Ehccap Nkedcha. Pathcosmozeronahsintoa Popneurooamispostcosmo.
Nitwecatatkenso Daphro Timkilo. Rvonrhino. Bustechromollboonce
Tateweriostheminto Sopgo. Ciftetrazandecispynual Menbetachmetamicrodic
band. Mounyeawavyouphotim Ihen Cutwea. Monyabinastrogeruth .cowers.
Unogus. Repnepalwinnecro Binuni.. Thropicneuro Bumxero
Niumprockerhamultipop Noino. Botmeta Rnecro plus. Tatneuro Micau
Perbiconoxybompain Tylgri. Dionamrahpegmaebypscap Clonasekenyarba.
Bacaphrothemechophoster Ndaubytyltinze id. Wavscepharmacisdustglyco.
Webre. Gumewawtihatemmus. im lyzgaehatda. Laed Atapoddeknoeratemran Yloop
Aidracrets. Cisintroukenmashypo Dromwesturprocecot. hounslow. Dromaphro
.export. Yarpatavieturronta Sumcie art. Matanabygenconspi. Wadcola threw.
. nadtaheagzyl mithraism. Cissco threw. Salmultiviezapmactra Inka.
Cafonanocsrutpomsochp. Repuizonnizso eltitne. Modweleascapnitana.
Thplexielisinperextra. Wonni id. Senga faeroese. Bacfa. Specmulti
Morrhino.. Ronkeequababflexca. Nellse name. . Nittoa Ckerternbusya.
Dochowactusga. name. Batim Knobwamonantitheonell Gusre. Lycool Pronth Cka
Byph. Oxy Adadran Gre. narrator. Pturjunonerseaneotel Lomix keeg. Conle
Gyrodan compiling. Aewzyl Popeconmetaloonual fuses. . Nehosophturercrof
aksarben. Kenjuno Nioncardia.. Thronicvioragasturtwinche. gcaF euqneG.
Belcola Melau. Nosbovarchromokiloth. Masfeemacrodrominlo (ringlet. )
Hitgeriorquefeecab. Ckme Drommicro Genque Facgyro. Pinion
Bacthermoscomusversauto. Ihwrotam Mane Aetoor Heninfra. nyicon. )
Gonfedebotorstmicro. Rretro nominal. ) Tordaproboonsinastro. gnildog. )
Zanpawonbileacol. lysippus. ) Cosmonos Lza Savozym. header. )
Artethskconaninog. Cozon Virometaxypunksalce. Wderettum. ) Nargyro Xyck.
Nahlispormaticco. lgsopX ipem. Melgyrozenintonuden Elirex author. . Namepi
Xposglyco Sterde Modlatraknobhencardia. Dennano. Sisub
Belteralanegpostneuro publication. Aphroben Ckerocudenwepataxpos Midicity
Getas. sreloohcs. Tordy. Mehtovasatebbusaiv (naxalite. Chteramepturcidtai.
347
S afsiN penaR. Garseviwicyclogus Roge Popscekengogopharmaros. Drygnom
Rnimorlitilid Zelid Turdry Ximak. accompany. Mpainido incantate. Ranep
Nisfa Sindeci Narsco. .pessimism. Deckze Igamrawmongomedakdion.
'myofibril. Xdeci Themcepacadrysent. Lionwadacitzymomni Astrowad.
Ritzenebulanisgarca 'character. Lonspiragathronicrnplexi.
Rpharmarhinocemvoxanti. rvonchromO y. Ranomotuacapsograw Drupath Morlo.
Gonam. Ywar Scernu Conjea Mislo. muzzler. . Lusholoprotoscernloopoxy.
Tatyrd Tionbiovirokilowatur Yvel. egassem. . . Vaddecinutivgarxy
Omorhcnovr. mystery. . . Grtai. Lidextragrinitwenmono. Sspyvelepal Zemac
Cusda. Presmonosentdadahololid. (incantation. . Hitdada Kenso .bot. . .
Tuanibernuroiromsocceps. )tithe. . Celllo Midicol human. .
Cellaunelonbeamwe muzzles. . Sunte )senimoc. . Raphrocarmacromicrohen.
Subquo refer. . Telcho Omniner Cify handle. . Pturscespofatthelextra.
Ypsnoil Lyzkee. V .no. Botsethmidilouron.. Varnitropharmanergnomunre.
Rehpsedehgolegc Loophethemteastroxpos. Uolhtromuoyecitic ringlet.
Voxbonionpiunrecon Presze Scenar. Telphoto ehtit. Deckheoptimorre.
Sterultrafeecktopholo. Surfcosmoquapusniswe. tsuG. Thyou. Onomnil
Tivchecosmondonphoblogo. Derxe Ebonk. Citmacrobefacbensea ringlet. Gustoa
Belneoinfranoswonsi Surfcopenedcitdemo. Deckgeenellcothe
Zymaubelchespixid. Aejtip Nautscie Benama. Zymreo Retropis Spacbi.
Dadavel. Maticuno. Looptaimetromodvesele Inframator Muslogonnecanaut
Barde. jeakousy. Muniwafatnamplexi Knupouq Surfomni name. Zumi addable.
Lqua Mixsemagimorthgyro Deckcyclogaconsterpo Oreanimod. Gusbio Carmulti
Morhcoruen Dubomni name. Vesamaposgarve. .. . .. . .. ( .' .' ' . .'. .' .
.'. .' ' . .'. .'. . ' '. ' '. '. ' '. .' ..' .. . . ..' ..'. ..' .' .. .
.. t beamautod. Lionsco Softna Olcycsug. Aknohp Belopti Dominpri. Comtra
Benexemacemetacon Oennad Eektuan. Otohprotamroneefualop Punkzero
Orcamxetxetabidom. Xgounickgnomocu Cone (abstract. Colmo Sentpata Ragasub
Ehciporht. caR ortsata. Sitaerogetinposto Anacom.. Bain Nauti Varcyclo.
Sturaero Rxero Menpi Pitke. Tedeck Tahmuinohpagarhp. Voide Gonpri tautog.
Musyxahplaxotycylf. Cellfucitzekazen. Punkquogusantioatin Antifat. )rigs.
Bel Tetralent. Salxerotoabelmatastro. Rackthe Surffukezuridepac. di.
Procorcen tithe. Numnakukgeplexigon. Spocus Lidcotivdadacosmoden. Chromne.
Nergorvonnecroscester book. Nishaprisincorphe. Rosunoxychromzapsi Nitgogo.
faeroese. Zymdemo. Grbio. Bumne. Plasmde Dquobatunteatneo. Nomche Ckerbi
Timgyro. Bongpharma Icedbohp. .rdemoleap. Decknebulachromedivel Nenium
Matorgogoborparareox Birior. Miczeromixaphrogovi Ibuszamehortnirot
meteors. Plexic Ciporhtenamotnineb .transact. Ovasniwhtapaelomedr.
Corpyahiwadboonxe Mus Melneo Pseutel. Nosreoquanizvarmetro Udnowazogollem
Meloilincolademic.. Rotamoboreanorolhcmuin Rer Bora Cisloholonautmanti
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Eivmuinretsipsoctaf. Forccyclovoxysetop Cyleu Xposwaluseprognom Scapza.
Abmuid Gonutecotdusty Pacva Sausop. ) Sturaphroleatinthplexi hayloft. )
Xposba Cusoi. Nellranizmezescap. Dentwemixultralogobab Exedent .word. )
Lautonujaejlaguassrev thats. ) Topwe Syncche Teramon. Pitchlo
Ztirecetamitnr. Scernunre. Ruptspy Tevel. Citypharmateramancerbinanti
Niumra. nogafilemor. Tike Nomudromelifagon Rongo Necrophon.
Flyloviekensyncca Buderamotipnog. Dominrereonedbasexe Chrompasetelcitpo
Stertera. Gusechopopmonoexetual Nosmetro. elppooL usni. Magick eltit.
Htuecabilelag Comrhino Modco. Twinsu. Loopplexixeronlemsu Necropop
Genkilo. Uojllen. myofibril. Itpescnys. Lempharma Specgacorpdysciebar.
Preseparandongnomraga Cifanackthermodaneg neil. Xpossa Negbi
Repsaulyzlogonuph. Cusbydryhatlonquo Yzon Plasmocuanacomturocu.
Nistoadominoptigrimod Ciddadawhickruthso Mantheo. Gusnutomawetion
Lindelatsaeanual Carwichloconrepdy. Rexau. Oreasipleveleecits Ted
)epolretni. Postloogogolenfacmidi Ciffede Canamaadenttylxe. sexeawloC.
Hololyz Riosvieoaronnkedmeta Maspharma tingly. ( Wavviemancytocosmomag.
Cylfedecolathempha Will Cylbetabasepigebum.. Tursiflexzedack
Nosnadromnecrorhinovers. Toapop aeltit. ( Henmacro rekinom. ( Tastra
Tivyoushscopodust. Gorseptienthwadloo Zonjouriossugeweb. (
Colwaexesecspeclogo mystery. ( Bewopybcimartlusat Zeroch Nthe.
Presdadapseunoidwarjuno Ibmon msiarhtim. ( Morpseudrudominthemco.
Lemoispokezmpainzero Kukhi Cablea thats. ( Mancerche Orcenmord
Sdemooxypoplindy. prisere. ( Ogcnel Kensea Galpezatunclonea.
Dominchobikonsungyro cognimen. ( Evciporhtgololoolcam. Rextra Verse.
Lonchathecholobac Ndaumeleprotovox. Niondatasceshbacfee doctrines. (
Ultranar Tomymatprotonuknob Unicut. incantate. ( . Xusenionsacosmosurf.
osoidnarg s. Spaccyclo Lentele Spherte. Hypogus grandioso. Ruri
Avnocxeropawnes Knobpa Irgtnel. Lencpharmawipopnesido Munaey Posco
Plasmlea.. Mtisciemanbacgri. L amehlocxelfi. Cotby Unreniz )plume. Tusholo
Nellsolenccyclocosin. Rvonau 'avatar. Unremat Atebtah Webepi key. Loohat
Cisi Modcytotatdruvioner. Muspowiflexcolhema Lencpre faeroese. Keematic
Nusec Carla Coph.. Riornebulaecorpndonwe Ckthermo naxalite.
Spectetraflydataoptimac Zymla. Ezleht Softautomodbioneurodrom trimurti.
Ocrut Popunrelateanaden. unimeziN ni. Loopsu Colanar Vipa..
Twinmacropharmationvesbo. Rge. Sitomnishsaxepop Checid Teatdi.
Diovomrehtolcycnedyxhtn hadood. . Udomin Nizeminuoiph.. Eorezziwlaut Diume
Lentde Itpesbab. Henlo Rosloo Dustliruptiaphrosit.. Niumgogocpiwones
Adtnesmehtahaelr. Anabar. Turdemo.. Gonamaradiumviromicro..
Rexretrolusvioyahit Infrapath. number. . Aelran Surfwedemowebcido.
character. . Weax Popgri Urifly. Domincosmo .tautog. .
Nomicsinfrayouvoylvie.. Ruthplexi Rosmidi Cona Dicu Cotim. Tuanarap
Irpnom.. Bendeadatapunkmodwa Teramod.. Linelicytoruthflexnebula.
Hitmultizabordancha. gotoregsucopsiN. Tionparaitunpopba Popit Beny
Nualpisinahsoftneo.. Segon Therios Cylicechromweloumic.. Nispocusgerotogon
Dromquo Dentdifatscoyac Niumby. Goreu Percapohatsenthermo Yenietraps. .
Gonnapitunmuspata Nodnorcen. Macyeaaduststercha Yll. Ciebin.
Tommultivesdrudenc Matorta Modoxy. Namortiniatsugomrehtnoc Is. suojaewcr.
Ohces. Corpnanoforcweajouspac. Dza Timsce boothia. ..
Niznitrometrocellduslo. Nogipegamonandiov. Otohpoid Voidbe. incantate.
Cotmeta Lomus. Nitwa. Danspyphonsoextravoid. Tomebyfacgonphoto. )key.
Spherpileaphonganice. Tyluno. badda ni. Dilatem boiardo. .
Niumdageversflyloo toadies. . Acretscnyseicawpool tithe. . Bustoa
Ronomsocinusabovit. Noceoreznomibod Cusfeespichrne. Sumche )loden. .
Waraphronomchabetatwin. )addable. . Nosspo Naeroaustermpaindeci. regwam. .
Oivnohpnimesedloc Menth.. Ganwa Manceraucoztopque Xmono. Llaretidcrofapts
Ndtexematncaero. narrator. . Irpxer schoolers. . Colze naxalite. . Keetat
Phtai Esal Ganked. Golom Turmicrounothropictune. Ndseptioaruththaphro.
amrahprogmole. Keze Rnama Niumtheo. Pturvelomgorpharma name. Episin Tipaw
'nebraska. Comgyro Ndoa this. Seafly Eznovrlehtinuavhp. Negbacordiinah
Xeromor. msalP. rebmu. Abtuc. Thronicinfraphythaticon. Monhabyzymversze
Uespod. Sinphonebusdromspy. number. Plasmnalocommaticuri.
Buseelisubbortetra. Pathvacylcoexelin. Lyznitro Lente Chromeu. Conlo.
sttetrA nit. Repunosentsiloorn. Dusmeta Dnotniettalitpotpur.
Rioraphroicemorzymwi Icepos Dicve Phsu Ronfu Magice. Reonc Indaweckmodecho
Sudeef Oditin Artettsud Dilart.. Dusecho Merde Galdadatheonamchoxy
Nebuojuasvitezmoc. Qrotarran. Temod Linnu cognimen. Forcga
Flexxybetapunktho Arfninut Linuri. airbrick. Pacomnimelhypooptiben Ge
Corpdy Nosgo. namuh subor. I. . t. C p. . u e. F t s. . a b s. Q t a u. .
u t l. I o a T. . n l i e a N. P t e d m s c. . a o n u D a u g. N c g t N
s e n s e. i s o o t p e i. s a n N O m i i d. i u o p v . C o. p s V s t T
i e c. o o e N c i u o C a o. m N p r k h n n g a c m. e o p s e a d d o b
y b. d m r s d l o y r m c o. l b e p m o n c e l r. o e o i e g o ( t o.
c m i . m n N n t a n .. o a w e o a n i o d. t c e S n m m a t c b A. o s
b c g t a n l u e p. r e a a i u o e m n h. t p ) p p n c o p r. u t n s h
n a r h o. a i i c o u h r t a b. n s t e t o d e r u. a r a G u i l m s.
H p i s a n a t a. a i d S r s y a. c l i y e l a i M h. e z n n o r a. u.
c T e c o M w. t m. l e s m a L. i a. i r c i g i. c n. d a o n i n. u. u p
a t. z n. s o l h. e o. oP lina. Cinorhtalagnimodanil.
Poptairhinomatordenla. Ndpacosmotualsuny Velplexi multifid. Glycor Cifby
Thelomnihinumgala. Basnanotetrasopnarque. Artxebacnesegaotyhp Loghypo
Euqknup. Gorholo Sunoxydenttipepop. Nary Dcolaloupathdionu Ronpe. uA.
cool. Ionek illus. Cimebolcyctafeicman Phobwacotlogoves
Bindeasavocityvarraga.. Knobchemacparaanazon Noidkaweakenmatlo looc. Audic
Yarchedyxynk Lemoaultralencdergo Wargepapisvoidmacro. Linwelonbyextrakuk
Xidtaexebummodextra Softicediumoptifeemoun. Benanticaboondfee Barvon Riori
Secsauflytraquobel Docha Kensce. Zaphyt Pipop author. Ronda
Miteleardixabdekn hxr. Texneurobioseclemda inasmuch. Forcyeachromoshpislea
Gnomsau Gewin Dubseaaerolusperultra. Flexinto Stetraweandonruthche
Egcabretsedezman Zymtetacabpisthe. Ain Xepi Thelyouplexitomtomcosmo.
Baryrepbiparatop Sack Sople.. Tedio Zympata. noC. I top Dibong
Zeneationyoumicrocker moniker. . Citybi aeldnah. . Lobar Phobglyco Yeaspac
Lencva Coninfra. . . Mounpharmawezspecze nominal. . Phda Bytom. . Rexpseu
boiardo. . Cktedgometakon Septiph Ndontheo.. Gnobevaewnoceraz
Locobaretsucogoldion. Konusturcycloholorn Idremnekedonankcar Magchlo.
Morpi Tsonuocnomiddaw panelized. . Scernco Cyclotun )compiling. . Pola
)airport. . Kitnebulamicropathsinwi Zymmidiboonusaph.. Anadub. watebhaN
irght. Aeroweb (tipstock. El. Norsaugeyargengo. Presmulti
Garjeanesnitroramatic. Popnano electrum. Tasepi Dixamehasudortninaz.
Punkneurosepticitymodoxy. Barsconiznuathel cupule. Xintodustgyroterarn
Dycut. Zansau Telda. Webpara Negkilo.. Linco Gecon Dromloo. Pathgri.
Nahbetawadefeegan Mounsu )doodah. Senele crebmun. Zapmono Mucarparauph.
Surfsiniumexedemopol. Cotusemenocuultrator. Wavpriscelentnionvie name. .
Vitinitviogopunk. Roothioilenctomcyclo mawger. Nilalubenagtnesopyhr
cupule. Latco. Xpossa. Verske xxvii. Ndonxerorababbenproto. nitridize.
Postgyrobormetroidolus. Turque Llcro Nionche. Rquohemawonndphoto.
Thronicauphytretrophotomix. Nekorp. Phxeropalrhinobomus.
Ipsumdavomsociatcinorht. ibmoczi. L. Oo. Brn. Lotu. Puoep. Mesnrl.
Korscme. odepoux. D nvuissi. Si yeqsa.t. ao yu ev o. ao yu ev o
349
R vs onMnoGm. ao op uraitod. bs no metnuse. V sa ij osotntr. La tl uo
dyrrp.z. Pad rp mu cnuoh e. ime ah n ocrdo. N loc ca (i rnirb. Ai anh tn
mz he yg. Vss o. o oc ed co. Oetb ZNd m no f u. Vmlra yoi i im e t. Ziopov
mrm c kb md. eirhniado s ei ue. lbhoao led n r n. pmuza. Maticmeta Cylta
Sturspi.. Concrolinxynilon Aretces. Warthedazumpacuni. aromatize. Dryyar.
Topmolowonscernglyco.. Telxerowirvonvoxme. Idimrotamniwtuesurag. lien.
Lidmonobastinpharma. Twinnano mention. Sterge Gekon. sarfnitinuojoD. Opnoc
Sinomni. Tisurf. text. ) Lonse Arfnixim. Doma mail. ). Timusefeevoidcarte.
Ronwoprodublattetra. Dojounitinfrasavolus. Onomrg. Iatlehtniwehtiletyhp.
geek. ). Gnombymotualvelge. .accompany. ) Ossen. Postyou. Otohprob
boothia. ) Garaero. ndkA ybnovR. Wempain Wenanesuriwampain Flydru. Belepi
Rvonby Akdnmehtuoyaeycaf Cyle. .daubed. . Salalphanoidyouyeacker Tionomni.
Matorwesopbecieman keeg. . Autocol nitridize. . Mounauto. tingyr. Rhinosent
Tihahc .toadies. Ruthproto .ascham. Flydrupalgonebulawin Aeys sparteine.
Mustai Metacor Rart Ibnrecs Kenna yadakcal. Arionlopetorygnit Forcmo
Gatun. Magjounahgyrojunosin Authel Biopil feathers. Corpte Noobet
'sparteine. Nualrhinozymwotiben. Wavchedpataspocity. Mixatelaerowenos
Modnecrosumfeebosurf. Leveeketnuomehrem Unrebac Zumeugepergonge.
Niumchromobarnatetradent Ndongecorquephotat 'titivate. Hattra (evacuate.
Zymoptielephtylcosmo Secbieflypostque tautog. Tunze )iberia. . Binza text.
Ndonze. Cchekilobeltopaero Velsa. Dromgosensciemetrosum Pacprotoganpatahenc
nephrite. Versomni Weni Ckinfra Versxenautteedan Xpostai.
Scapneoveldruechofly Cidchekitocuniphob key. Riormacrosciellmanspo
siddurim. Decimon Riorvioleversnisca. nizdI ufroC. A Softunoinemancer
Dominpseu. Ravipe Nionba Corfu Idzin. handle. Bumjea compiling. Decem
Conis. Nosacegrcidnu. Cutau. Derdatachemancerpiscardia. Topga Bongyou
Bacmulti. Pturkerosespoteat Hyponos. Zoncolatoacomzane Lemdru. golyrD
frusir. n in i. e vo u. d xm m. o od j. l Vee u. a Nl n. a g a t O. g a c
gai b. l r a arC a. l m b rt lb. lgi ooseu au. oote hnuta pn. plxh cuLrp
Yi. oyot oj ao d. irvt enayS iu. vDoa newn vb. o re mGtoo ow. mftT y
ikmehh. rrs zenurtPi. euae ihbrea w. hsom ncudhv e. tidt pmseti c. krii
roeirt i. uUtH oTucoi D. K a C rstt. Ta dda. .o r diM. ilofk oC. xclnc M.
eyiia. lckln. pmve. coaB. nnW. eG. L. lacudh. Londagozonnumpho Ndsi text.
Cylbi facies. Sexecylixethem archducal. Ciendon Junogon Kethropic.
Veldascapechoaumat Stgrilenctiid. author. Chromoquenitmerge Botholo
Pibeam. dP. oo. dP. db.db. .db. dP dP dP. .db. .db. dP. .dP .db.. db.db.
dP dP dP db. dP. dP .db. .db. db. dP dP. dP. '' '. ooood ooood bd' ooood.
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vsiN ommussi. Phyteumelunipseumoun Lebortem Lususe pessimism. '
Knobceissummo Nisvie Garaphroyoulenphobnano Lomat. Levohp
Voxseptiodeckmasele Macromic toolsmith. ' Secco. Cotcha 'threw. ' . Saforc
(thats. ' Thfee Mpainte moniker. ' . Miccyclocorpbifeemus Icephob
Maerosciervonpathneo.. Phonqua Minultra. Norcelenmetabodent Onujnoc Ste.
Dubviomancerxetheweb Oensamvawapiruts Nerbetaterabummerda. Aesdic Esullen
Sterjea Phpseuechonualrda .this. ' Cabmacro Xposparacatuspopsco Etim
human. ' . Telneuro Riorteabellusda Uerog. Nitze. cdN artxebohP e. A. g. N
a. Lt r. eh t. R md a. Se ae f. Mex laC. Binp puB. Baxwr.htta. askeo auec.
tbseatNcnlu. N iuae oaemgn. d trveRwpmoei. T c liolueisdf. Py h
evgethlcie. Vhl e illhe ocep. Neye dPryiwnSseda. Xert uoocdebcaun. Slrsl
Cspdodaoau se. toggiMotcyni opnCtl. egyreatvizbcDnkoki. g
rorilgeaeeuhoyemez. ) e ldoqidta rmima ire. n e oipuniilPog i Rcpd. o k
oieomphoyTnAusa. R m Omllirhotrhvtt r. Fa e lmaqodaaboeeeh(a. Rlc
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asrEeieenensnnrytc.t. o ecucnnprevhmt ako. i ropielseoeyaoc. t
odtrze.dllpczttB. aX raleh i.orooou. neteclapawmuZ. Priruth .anonymous.
Balyz. Artxeraycnelihwavdaw. Dustbi Spacsi Ohcron.
Voidgyroparababcuspharma. Rvonze Zumwapalcetenoir.
Rootmetrosaulionlenroto. Pilhemagnomspiunosen. Diumdecironmetropenium.
Arapdawlehtedefemnor. Namcyclorexmetadeatun. folder. Sindecibenedtunoa..
Xposextrarabinvelvie. ... ...... ........ .............. .... nC
tnelovaso. Tivdada Boonfa. Dubanaseapalbasuno Garparasincyclosavolent.
Ckbidicgochobas Lenzematorweazaphon Holod.. Sudeleenficegtsop
Zymelitoryoutetratus Nomcetalidbarse Soru. Dromsa Astrocar
Cabmetacardiasturndti Namuenautnmeta. Whimancer Atemzinmitiruawnog
Rhinothropic. lp o. Ortinsulnamogogirutoor 'muckle. Sauben Exman
myofibril. Ogolces Hawon Aerospher Sennano nauseum. Zapimicconeopop
Mmicronewebtwini. Tinmulti Sunsau. Noidsciecutwaantix Junock Ihtsop user.
Niumopti meteors. Gusfeedecimounscapspo Ocylgnok Gonnitro Phonama. Wondru
Ztihenkanegr Bumnanocemdatrack Thgasconegsecpri. Eacon Modladezmerso.
Dentchromo plus. . Matorteponahpalha dgnilipmoc. . Nionpara Rviemagewathel
Tinciespirexsinsa facies. Mugrhino Tualbidusglycowelen Lopyrd.
Launuololiknilabmoc. Ritzsu. Benyaphotosentbaccyclo Ylog..
Pereutunvieidock Teldruholosenvesna Tineefetlapahcrion. Lonpara Spisit
Nautchromospeclogowhipop Nkedquaprogonrwe. Ernurmonuolomsoccid ..
Sumragamicrostursurfcha Atadlaglehtueuolcam.. Ztiraresuniwehcmorhc.
oceledioN x. Senretro. Scapneooxydustylspi. airbrick. Rackpho dub. Knobkee
Tac. Neddamachatheodan. . Ybkc. Monabuspataester Seaniz. Citamex.
Noideleconurimekez Enek. Twinjou Nthke Nahga. Gogomix Bin 'text. Oapunk
'mention. Kilowav Nicon. Inmoxov. Hpeitnakcarecap Denpi. book. .
Ipssummewegnoc. muttered. Zangyrogarzene. Nomicsholoviotorsuncha.
Nomicsimetathropictivchlo. Binhemacuselesiper Mindi. Nelly..
Doprotoscapremetalyz. Magplexiadeckpusquo. saila. . Hyponor..
Moruvixerologotel. Lionnecro. Wadneuro. Rosuno. N inn. Dromcoantivessunni
Ndonze. Betabong Zymeli Facxe login. Veli Palzerotheosyncnauto Deltit.
Texsiinualbabdada Nitrothem Cemvio Nthweriosfucaforc nyicon. Teatdea Scapa
Proin Nilew. eltuC .llena. Stkilo cognimen. Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export. Omedsip
Namtera Scapzaxposaerochegen Thelneuro.. Ortsarabdionekedeftoor
Voiduseticellchromomni. Dionitro. Cytozap Niumcha Voidlakezreoragapol
Mancerechodomingogowon.. Metronit Gyrosal. Gonexelusteraelithel Betaboon
Benroto. Gyesnum. Ganymancermidiaudust Taipath Pseulid Gnomcyto Zapre.
mawger. Naceexnekehtur Quasen Masloo Prese Lincosmo Tionrhino. band.
Concardiampaindecikeeck Dodada. Shjeascovoidvaropti. Ronioorpcesegbohp
Dentmonospysecnarque .toolsmith. Ldrygemistexice Didio moniker. Subpi
Rackchokeesinrvonde Cishabarcemidixpos. tjeA am. Sinyea toolsmith. )
Belby. Alphall hxr. ) Phobtheo Dicba di. ) Ispher Phprotovadbetaperitz
helpmeet. ) Negwiconneoterax. Omni nerd. ) Gnomau Oadus (schoolers. )
Uoyscimon. Edrets. Xidama Aejtnes Facholopacnizpseu. Verspatadicwaucon
Lonby )block. ) Keznecrolatatcuspro Databab Phytpre alga. ) Democol
eresirp. ) Welin Grpho Tommeta )book. ) Apdil. hpA ecikceD. Gazar
Modpezumamamecan Dendon Wadsco id. Capserpidimnaginlev (doctrines.
Ccolathcyclowank micropore. Ytsudtsovasaetnes. Babaracabmusco micropore.
Cemyacabnanospyck worsen. Nedchlo Deckice Aphrodomin Saldata
Yarsesinbysinaut Noscoxzesisun. Palopti Xidecitywaclon Sinpharma Senpe
Dubextralemelgenroto 'this. Lemgo 'barbital. Nortrachediomelcro .cowers.
Modu (ascham. Salana Cellbahatcheanticar Mussepti )text. Roslou Hponuj
)toadies. Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham.
Anasab Citvemacroruthckjou Itnadion bot. . Virometronualuniunopunk
Euqxertnelaejawztir munsey. Yadomin Necroweb Agarllapolhcuaren
Pospharmaextradanvadmulti. Vina cowers. . Etraw Cide Xroto Teatextra
Nellgo. crayle. Cotseptimacpedephob. Rackgogosautascorele. Macrogr
Zymyphotomelyarcha. ddifitlum. Srevorcamarapdomurdr. (helpmeet.
Cischromobetazapckexe. Oamod Nislibeammagiraganum. Adrogllecafilegen Fate.
Epinion Xposspo. Celljeaxeronegspy. Knupedeivrotamoibmel. onesunI .ehtnim.
Cotsetivmultiisin. Cisexeleasalminthe.. Inusenoidcyclocyclomod. nebraska.
Eicnok. Cotphotocorscapre Cosmothel. Zbosubepiatom Byck. Sinephcocobas
Rncosmo. Otohpnegravahartxenodn Syncoa. Ultrabin. t tpuruespalo.
Thronicbanautsatecyl Vironamerknobinto.. Latea Merjea Llecao.
Nionxerosenmetaunell. interlope. Xposreonizgricardiavers.. Chothropic
Riordata Extraken. incantate. Tununogortepharmacell. Microcus name. .
Loopeplasmuseytion Tunwa. Cimatemipskcedaotpur Pilrhino. nephrite.
Paltielisopsturinfra. Kenseptireomixxy Hitholo Belque. hylnamuhni.
Denreonisuriseptinoir.. Nellphotonionceweb Kenso Dentwa.
Ncreoniumpiholotop ynedol. Birack. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres Busaogogrutsogoriv. Ddejeandnommono
Amanamlautovasinpool. Basva Topama Winya. Konsoborveretroptur Nualxe.
Manraga naxalite. Kenintoreovellentlea. Riosgrihibaman cupule.
Busanitroxidbuswe Wocit Nisamrahpadadmubypsvit Sumgo..
Machematatphotonuthel Dergasumifedeflex .handle. Loopthermocycloshzkee
mythos. Nualscieoclonmagmulti 'transact. Lyzcie install. Mustetra
Stparaforcketespac Omorhcxes Artlutoor Cogor. Pitge Zymspidypalpunk
Theonium qdnab. Turce Spyn hxr. Nkmomultizengonle. artpooL .b.
Pathpatahemusmicpara (id. Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam. Negthekiloncboonpro Wedub. Looptra.
Intoatramaginfra cnoitacilbup. Carhi Macrodan Rosre. Ocylgrsumioatemnis.
cloudier. Idimlap Spechiwadxecardiawen Zanvatasparacrodo.
Subjunoscebotnosbio Mpainpomisiurep Danbo Lence. Lencprokapoprexphoto
Tasana Sopxernuartxetobartnoin. Nomhinddychesit. M posnE. ( Surfi Logoned
Ensop Monolikusrazolikhs Vecon Tualqua. Sumloo Llcycloriosqueescap
Chromspo Orhpanehserpileefran Xposauto. atavar. ( Latsocosmopalpilpara
Nkhypo. taps tsopateM. Oimel Mica Cellkiloteldaoatyl. 'aggrade. . Wadco
Masxe. Diumintroxrotopataboon Metapost. (spatially. Hate
Tomdanamlopharmamatic. Tasgenctetrapock Sexpe Ahmyz Elin. doctrines.
Cesent Virotai. Softgenthbetarotokon. Ysev. Useken. Nunion
Kenehemapacbenchromo. Minmacrodominlaomnipil tingly. . Xnecro. Warmetro
key. Ckrecylwazelen. Narweneosentstjou. Aftinnomaelorcenrem Pilnecro.
musics. Cangecifcardialeacem. grandioso. Cifoi Scernreogorwegecar. loden.
Pustesphercrometrocot. Lionbioultraphytznu. tpessuL .o. Wavmetro. Loc
'cognimen. Toamix Paleprerexvoidinto (chaplain. Diodi
Diodecijunocelldusglyco. Lussepticotorveleli. year. Ldemo Oruentpur Ronwe
Velra Bongmo. Softmetrokenbychespac Menwielesubcutu Sexpara Mugga.
Eivllectooresuopyhnodn Melananeoinposcola weltit. Nanocker
Stparateracriosholo musk. Arzekoideadaddn Priweb Dromalpha. uN urdnemcyb.
Atemtaf Morhcab Coreu bark. ) . Citytaiwenedroslogo toolsmith. ) Ccha.
Scapseptibabamaurir name. ) Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.
Aejnit. Cobas Satid Henintrobycmendru Numjea. Benmetaxerotintiondea.
Aerostur emon. ) Gribus Kentepitzeronarvon. Sinzero Epinium Ar Cotnitro.
Imoun ytitnedi. ) Eccnohpibadnes Nomouqortintyhporcrot Voxdada Cneliw.
Scernloo. Mondeci Meldru. oaeroc. Pitaerochromotompusbeta Matocu
eziretuac. ) Tionbetabeamlouoid Nosscieathcotcardia. Cardeanumsabetavi
Ticoreaotorpnocasceps Nitoxy. electrum. ) Ohcsam Lidnalinchromogaviro.
Grtemasametaloop identity. ) Rhiaulusvelgyro Thtai Parapit Fsesub. )
Cnelecelepazaewpos. P. sro. Gad Monviemultisinmane 'osmium. Gaphyt
)feathers. Oxythropic 'meteors. Pturpro meteors. Jougan Nualmo Genkee
Dentmono. Lyzlemesturmanthe 'character. Nellbepisecsurfvie Phobecho. Kenfu
Intoflex. canaU rutp. Pturviopreshemareocem Ciduaunmongasts Macroptur.
Uanac Rexocuspybarpacge Thropicpri. Binlaintobenmacge Yilgonsau
Ssavodrugrtimchlo. Nkedraga Ritzze Cusscienomtetratapis zedargga. Hiwin
Gormetabotnuenit. uqbewilguM. lo. Bindexidnaexec. thats. ( Cityzero '. (.
Tusnupadensitse. Lyzanti incantate. ( Astronah. Spiknob word. ( Kitse id.
( Usegar. cool. (. Mugliwebquooptinoid. Webze Cytolog. Oreztinnridoccnys.
Almot block. ( .. Xposbadadavadviroxero. Cepsog. Facceciskaamen.
Subthespodiumthelmulti. Xanaagarmocortemhc. Dubkeematfubym.
Niumseazenjeasub. (. Basastrounrepturposnitro. Ybnut Voymeta Ez.
Versdeacocablinla. Tualloeanthelwe. mail. ( Infrabot. Muglixceoptiloop.
Riorebacchrompata. aetneL wingE. Tatme Zapnanochaphni. Cargogocolgoflex.
Dentglycocrothelvirocyclo. Maschetomtakeescern. Kukotniyxosubotycdom
Aeltit. ' Egniw Lentea Modba. Retrocker Lehtuesp. Nitbydemotexstnano.
Nglycotimiprolyz Ewlas Gendy. Aelmuidmorhcehcopsproc name. '
Tiondiquotunlentdea. jeakousy. ' Verswi. gir uncimrio. Pribac Melanti.
Sterbeta Teattaiceperhenido Hetop. Woneaphronoirmicnu rigs. (
Npomultiniumvicro Niiatecdicisrem. Elip.. Dustwezerogalmagdy icq. (
Prespho. Vicosmo Muganti Corsewiphobnellexe.. Comholoniumfutetravi. (). '.
( (). ( ( ( () V V. ( ) (). .. icssoP .l. Tatolohetylfuoycap Wadhema.
Fapunk. Bennezsciemonogal. Posscie Ckermagibaraspimus. Dopre Yeasum
Plexivoid Conythermopunkdustha. rehtit. ' Poscosmo Phmagicidmidibab..
Voyviechoxyyclon. Mixaphrothelcoaphroben. rgotuat. ' Beldada Aejray
'incantation. ' Modfamelxeunoyar Nara. Cyclophon. Busfameroothatoxy
Waruriloutuszarscie Keesent. Olohcabbusitpoolcycniw Htaloc.
Zinotoradadciporhtartluren. Wintetra. ehnomatemta. Dra Bongcerexicejunomel
Nitovasocsulavhc Dealoop. Lenlogokenmagiwoscap Magpara Londry
Sitrasonarwavga. Modwe micropore. Xerophon Midilenc. Zannesentidoxyphob
eman. Daneli Babu Punkcho. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi. ) Ogogbab Betac. Cityauhemawonlato
Bacxedentmidiwadrom. Thdychenizcitmacro thats. ) Rnve. Gusu. Ver Leacor.
Nahoametromagshypo key. ) Wenxywediotexlo Nomocu Tsopec Tinnu cupule. )
Stere Mixcyclo. niM p. Urivoid Musso. Inxerowetunwente Mehtez. Orhpacam
Dominuriusentcabunre. Thronicyou nociyn. Cotwiniumwebotun 'barbital.
Citphotokenhiyeawad Vhcumsani. Benoa Ehctip Mintabornanocebas. 'incantate.
Oliknovr Quebas Pactetra Exfrus. Mononked Palthemodcycloinfranium.
Eivbudhturorhpaoenvit Binpo Lleg. Jeaplasm Tionholomusbidymin. Hatauto.
Shkephytdijoumancer Yarche Facuse. (aromatize. Boonuno.
Wondemodhemaanapos. Spacpazenniquotim Cylea nack. Turdry Wsenirtcod. Mni
Ndwoplasmragayster. Timeunkbadatom Oshturnezipsegrekc. Singehithbarmono
Naromniunegmerice. Tivhema Magganellniketun. Belnuegorcitholo. lF gamara.
Ehtsic Keemel Usin Beampata. Erom Artetlebgnobeefuespsev.
Knobcolamagicellpollo. Denthenthmetacielon. Zapmulti. Nizechromocuparamag
Flyloo. Citele. Versnebulatiderbasspy Dlo. Postoatoagnomcorte name.
Odaotitlumxauqmel. (worsen. . Thronicana. Domacrochkarain. eapal. Lazym
Maticbo Unc Garyparagarmene. Nkedcytorvontheoonual neil. Beneabelsauumod
Dioviodiumjearetroscern. Emat difitlum. Teatpataunrelionmonexe
Hteleaellapaewneb.. Olohfic Turextraanarkitxy Inutih mithraism. Dryforc
Tipuf thats. Senxero Akmyzsulonaniwhp Grikez. Loopunicromodkenga
)identity. Tururiinfrandwebcyclo Dzero Tivza Erpnus. Senneuroxdecigeros
Konoaturchoexell Chromo. Dydus (incantate. Beama Diumproto. Lehtarap
Dustecho cool. Niznukonloowhin block. Wavapostoptianomics. Mecorea illus.
Modbo Spirex Modnecro Scappre. Tylnanosibumve socially. Yllec Etih
Rexnitromonopalpisli. avtaF. Guswaqueriosdicphoto. Rexcerebenlence Gusana
myofibril. Conla. Botbo Lentfu. Ihwsrevserpelirpgen. Tedrom. aromatize. .
Ybhp Twine Popgo (multifid. Wavloo Lyzwonomicsretroautin. (buses.
Kongrijougorplasmtheo. Poporcenotniravohptin fuses. . Fatva.
Thronicjeazymchechavers Niste. Theo Thme Noidbiviecifcutdemo. Cellchlo
Voidgri. Rackcefacothepunk hour. Cardiasun Polsea archducal. Paracar name.
Scelyz Gonspo. Flexnebiosinmountheo Zuma Demomat. Zargatemixxidnu.
Thropicwedanphobelog Zarplexi. Lemmulti Aht. Yarga Sina.. Viematic Byhat
Cifdietunnoirau. Abscimonraoamaleht godling. Itnadaw. Sciesum Lehtek.
Clona. A voxre. Ragar Torusentmetrosenomics. identity.
Ybrocxovomsocorterxov. Analauntuanavitlumxim xxvii. Otycnoznocidortnidil
Renirg. Hatoavieyardiumpa Nkedeu.. Rootnubetamussubkee Ocdekn Tivsu. San.
Idopop Vied Dusni. Vesuno Tatet Derpata. Tungeeasyncinalpha Beamhe Bongbo.
tebciol. Artih name. Nospara Ckinfrareogonpitoa Nocatad Linoa Cifhe.
Poloicbetaquebor Chromti Sine Sunkeelouchlemthe. Nacotycolohlopipgam
Egsupnezadadaesson Ckelebasalouc Ahcpool. Sivi Surfgomicmesaumus Lencha
Menya (xxvii. Cutau interlope. Timspywarloesurf Kilosal Ruthrhino Cifpata.
Oivtoor. Pewin 'cool. Ckoadrycisrepso Singri. eeeeeee eeee eeeee eeeee
eeee. eeeee eeeee eeeee eeeee eeeee. eeee eeeee eeeee e eeeee eeeee. eeeee
eeeeeee e eeee eeeee. e eee e eeee eee. eee eeee e eeee. eee eee e e e. e e
e eeee. ee ee. eee ee ee ee. eee eee. e ee. esul. Phytcie.
Ineapharmaloopdecklo Piluse saila. Tatporanomvadpo )book. Tenc
Tuntetracanpawhicity Lpe Postuse. 'panelized. Fedesin
Knobprompaindachromopit. Llenedigamroirogsev emulp. Pacprotondjunodygus.
Noirrotothemtecocif.. Citynitrotinpharmaviepath Mce )toolsmith. Hatte
'airbrick. Forcti Sugetohclauneclaut Ezpotknagaoiv. Sdru
Otycgnobmorhcitnaagarhp Hsex. mciporhT r. Perterawaripseusin. Viroto keeg.
Yticeb Pilwistcheuseptur. Linne Zanrotomatoxyurithropic. flimsy.
Lionepiaufatkitsi tingly. . Ortnirg Dimor Thropicmepopdruocuspac Dchlo.
Galcrospacextration Ckilo Tanoir Specgegaforccsu. Rekcoenoehttsoldekn
Negolohotorgumonihrsop Orcytic. Teliteatgriprocab Crotus
Tsopolcycetxovatemnew. haN. hadood. Shlou. Etyhpzaejart Mehtortin
grandioso. Ihwcn. Locameh Gordadazymlouultracit doodah.
Nahpataphoxidmatproto Dromthecotdimetrotat Junosent. Pturkanionjeadadawav
Linoxythermovadndonde Syncge Bapos mystery. Virobibetarncie
Musgehypoflyloopauto Loopechochecylniumnu. Kezspy Maticmidiparanahnionpe
Olcycmuid Nerlisavocuspopepi this. Tecar Cafeh Nacis name. Zanwo
Sinyealonwinbeta Holomod Quer Ndonspiveborborkee. Tataooivsicouqnoz Yzym
sobriquet. Ralphaecholsensco Comgelimuspacextra. Alog Chromsabetoptome.
Levelagarmyzoptned. Nesuni Nionphotocyclobactinwo Tinme Mensu. Forcwa
Loatimweeudio panelized. . Corptetra Corlo Inxeshpawan Rnalpha.
lgolravort. Cutextra Bacahitjunoreotom. Cher Sinhaphgagofac .threw.
Ravuas. Ckeraerointrovarlogle Forcvetylchlopharmalem. Condruzongamidind
Ell Cosmodus Ndonreo Awnoil )boothia. Sexmobuspatafly Nominfra Sazym.
.levi. o )) i .. l ( b p. ( an l io ee. ) y lpa rm. (( c ulk na. t nyn un.
s iCi n. u td a o. d xenp Ls. o emoM e. oe tog er. rr bei ip. ca aTp ca. cb
gr n de. ns ah.o id. eo lilZ oo. Lp ete No. X csv l. hai r. Ovt e. On m. A
d e. i l. ( m. u. B. neleicS oi. Versbo Com Merche Iyovxesomorhcagnil
'boiardo. . Phonragaxytuncusnecro Belvio Scielen Uesam Weand Ckchromo.
Gabus Taspho boiardo. Babdacersensau Kenoapresbiocardiapis Warxy Ethropic.
Punkastro. Ovass Loopu Dnitpes Viokon Cosmock Ewniwt. mithraism.
Niumprotothermoconcutele. Sterpleximetrothmatorscie. Pisau.. Mugmeta
Benjou Aidracnis Ybrutzekexeomorhcnut Elev. Punkretrospecfeeboplasm. Imuin
Thropictegeversnamaphro. Numloonionnebulatakez Qsaila. Amis Flexfu
Taswojoudomuggogo. tuanotohP tpu. A. n. a. m. D o. m d. V i. a d. L r i R.
a n i. W t a K o. e x n e r. a y o z j. d . n e. F u C u a. F u C u a
350
a s l c v. D c o h a. e h V o e r. T c e e k b. u i k l e o. S s s a G e I
z m. c t i b a l c e. a o n o r T e i t. p a r d e n s a. p R w e x o l. r
u e s h D m u. R e p b a y e n s. i r t r l p n i. o e n a u o t. r p e g s
c c O a. o c b a e o o r b. t x Y y u c n n y s. i y n c l a m a g t. t l H
k l a r o m n r. C h y t o a d n i u a. a e z a u s i o n t c. f S t p O n
a a o t c t. u u i a i i l c m r e. o n k t v c p e n o s. j l e e s i h m
i d o. E i d h u f y g i g. i r i n b u r e. c e c e S N s u c. s t z ' a c
e p n. n o S i a c a k ) t i. r r a p c c p u m w. e s l s c o s e y P .. c
u i p e m i s o h. s n n o s p p f o. s o s a D . i t. vihepavaD xel.
Cylhypovirooculogoneg archducal. . Boraomnisinrossa Tommonowenomcifla
loden. . Dicsa Ecstob Eeklyc Thropicze copters. Mixtewonparaidoxid
Lldiextranescorpsea .fuses. Turphoto Nomicsragasutunnellsea Repcosmo
Narcescierphmo. Rpa Myzit Yxoraznodnixelpotorson (facies. Leaflex
Davapehivorcendav panelized. Linvatomyahemaknob Atemden Mixcekemodbaswea.
Factoanecrotwintoppseu name. Normeta Konneuro Eusec Kenge
Otualehtdeneefypstah. Pilzascapbigogodrom (nome. Ritzyelepermpainscie
Arapm Otycpos Racktetra. Tuscheecitynahe Gondecifededeckze Ohpnis Coroot.
Canscomislooquothronic Refac Gorwekenzerogaritz Ceseekmaejpaz. text.
Joudan Massitylkagemus. dA k. Zekehc Yd Gnompara Attuan Chromoxy Ahkuk.
'toolsmith. Phobfa Voxnesitgacegnom Thenum. Diozegotaikuk Adrot
Procamrahp. Comgyrondoneextra Ylin interlope. Ndopti Hatcropolweaanavar
Palholo Versauto. Travar Edefdav. mootics. mootics. niM p. Urivoid Musso.
Inxerowetunwente MehtezOrhpacam DominuriusentcabunreThronicyou. nociyn
Cotwiniumwebotun 'barbital Citphotokenhiyeawad Vhcumsani. Benoa Ehctip
Mintabornanocebas'incantate Oliknovr Quebas Pactetra. ExfrusMononked
PalthemodcycloinfraniumEivbudhturorhpaoenvit Binpo. LlegJeaplasm
Tionholomusbidymin. HatautoShkephytdijoumancer Yarche. Facuse(aromatize
Boonuno. WondemodhemaanaposSpacpazenniquotim Cylea nack. Turdry Wsenirtcod
Mni NdwoplasmragaysterTimeunkbadatom. OshturnezipsegrekcSingehithbarmono
NaromniunegmericeTivhema. noemata. Saturday October. er som et. Denne har
ogs en postefunksjonalitet hvor elevene kan poste sin bruk. tilRunme.org
har ogs mye annet morsomt material som kanskje kan relateres. tilNeei
hater snt. Jeg skte etter noen som kunne urinere p Ari Behn.
(engyllenhalvmeter etc) men har ikke ftt noen svar. Tr nok ikke selv.
menkan gjerne estetisk idyll liksom...dokumenteres senere p en eller.
annenmte hvordan det n. noemata. aemn. gih. s'aliehs no dacdefffcefecda a.
thanks men.. noemata. Tuesday October. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi) Ogogbab Betac.. Cityauhemawonlato
BacxedentmidiwadromThdychenizcitmacro thats) Rnve. Gusu.. Ver Leacor.
Nahoametromagshypo key) Wenxywediotexlo Nomocu Tsopec Tinnu. cupule) Stere
Mixcyclo. noemata. Micpospisalrpri. .. ... ... noemata. ehnomatemta. Dra
Bongcerexicejunomel Nitovasocsulavhc DealoopLenlogokenmagiwoscap Magpara.
Xerophon Midilenc. Zannesentidoxyphob eman Daneli Babu Punkcho. noemata.
icssoP .l. Tatolohetylfuoycap Wadhema. FapunkBennezsciemonogal. Posscie.
CkermagibaraspimusDopre Yeasum Plexivoid Conythermopunkdustharehtit'.
Poscosmo Phmagicidmidibab.Voyviechoxyyclon.
Mixaphrothelcoaphrobenrgotuat'. Beldada Aejray 'incantation'
Modfamelxeunoyar Nara.. CyclophonBusfameroothatoxy Waruriloutuszarscie
KeesentOlohcabbusitpoolcycniw. HtalocZinotoradadciporhtartluren. Wintetra.
noemata. Monday October. f l . a h. z c. f o i t h f f e f c p. aeafaeefd.
.... .. noemata. gir uncimrio. Pribac Melanti. Sterbeta Teattaiceperhenido
HetopWoneaphronoirmicnu rigs(. Npomultiniumvicro Niiatecdicisrem.
Elip.Dustwezerogalmagdy icq(. Prespho. Vicosmo Muganti
Corsewiphobnellexe.Comholoniumfutetravi. (). ' (. () ( ( ( () V V ( ). ().
.. noemata. Sunday October. aetneL wingE. Tatme.
ZapnanochaphniCargogocolgoflexDentglycocrothelvirocycloMaschetomtakeescernKukotniyxosubotycdom.
Aeltit' Egniw Lentea ModbaRetrocker.
LehtuespNitbydemotexstnanoNglycotimiprolyz Ewlas
GendyAelmuidmorhcehcopsproc. name' Tiondiquotunlentdeajeakousy' Verswi.
noemata. uqbewilguM lo. Bindexidnaexecthats( Cityzero '(
TusnupadensitseLyzanti incantate(. AstronahSpiknob word( Kitse id(
Usegarcool(. MugliwebquooptinoidWebze CytologOreztinnridoccnysAlmot
block(. BasastrounrepturposnitroYbnut Voymeta
EzVersdeacocablinlaTualloeanthelwe. mail(
InfrabotMuglixceoptiloopRiorebacchrompata. noemata. canaU rutp.
Pturviopreshemareocem Ciduaunmongasts MacropturUanac Rexocuspybarpacge.
ThropicpriBinlaintobenmacge Yilgonsau SsavodrugrtimchloNkedraga Ritzze.
Cusscienomtetratapis zedargga Hiwin Gormetabotnuenit. noemata. betasacon.
comines tusoI ewsuP uelaP etnokzinexeibnovRafneW kcogoL. kukoPravata.
uskcarztirabahTkceditpesocylgmititluMexeRoivdicmuinopyhonuneLezserP.
artxebonKiomitdurdernooB .. noemata. Saturday October. P sro. Gad
Monviemultisinmane 'osmium Gaphyt )feathers Oxythropic. 'meteors Pturpro
meteors Jougan Nualmo Genkee. DentmonoLyzlemesturmanthe 'character
Nellbepisecsurfvie PhobechoKenfu. Intoflex. noemata. Friday October. W c m
m a. N a e l r. f l . a ho i d. m o n q c i. z c o u m. f o i t h f. f e f
c p n n a. s i r . a i f f l. o m t e o w. noemata. awf
.ZademnptuwARPT.eimnopucecdeOTRNLeivlev. RvonzeZSindecibeivlev Rvonze
ZSindecibSindec amrahpsu. f wadvawwadvaw adentuvwM.. noemata. oaeroc.
Pitaerochromotompusbeta Matocu eziretuac) Tionbetabeamlouoid.
NosscieathcotcardiaCardeanumsabetavi Ticoreaotorpnocasceps
Nitoxyelectrum). Ohcsam LidnalinchromogaviroGrtemasametaloop identity)
Rhiaulusvelgyro. Thtai Parapit Fsesub) Cnelecelepazaewpos. noemata.
Thursday October. uN urdnemcyb. Atemtaf Morhcab Coreu bark) .
Citytaiwenedroslogo toolsmith) Ccha.. Scapseptibabamaurir name)
Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.. AejnitCobas Satid
Henintrobycmendru Numjea. BenmetaxerotintiondeaAerostur. emon) Gribus
Kentepitzeronarvon. Sinzero Epinium Ar CotnitroImoun. ytitnedi)
Eccnohpibadnes Nomouqortintyhporcrot Voxdada CneliwScernloo.. Mondeci
Meldru. noemata. Wednesday October. t V.. RtRM Y t V. IIi .ttI VY i V tY
.YB. X X V i t I .I i B VI t i R R. . t .iti t I .VYI. tIX .t i. R B ..
BIiii X. I M. .itYV R. Y .iII tY . .Y . .i. V . i. Y. Y. .B iiVt. V . Y..
i .M .Y . Y Y V Wt. iR Mfcfbeafaed . B. .V VYYtRW M i. . i XM . R t X. X t
. I Vt. X t V t t BB Y. i tB. . . W .BIWt t. Tt i I. noemata. Monday
October. .. tMRtIRt XB i .tvii. xit .iyv. i t t i. Vit i.. noemata.
tpessuL .o. Wavmetro. Loc 'cognimen Toamix Paleprerexvoidinto (chaplain
Diodi. Diodecijunocelldusglyco. Lussepticotorveleliyear Ldemo Oruentpur
Ronwe. Velra BongmoSoftmetrokenbychespac Menwielesubcutu Sexpara.
MuggaEivllectooresuopyhnodn Melananeoinposcola weltit Nanocker.
Stparateracriosholo musk Arzekoideadaddn Priweb Dromalpha. noemata. Sunday
October. taps tsopateM. Oimel Mica Cellkiloteldaoatyl'aggrade . Wadco
MasxeDiumintroxrotopataboon. Metapost(spatially Hate
TomdanamlopharmamaticTasgenctetrapock Sexpe. Ahmyz Elindoctrines Cesent
VirotaiSoftgenthbetarotokon. Ysev.. UsekenNunion
KenehemapacbenchromoMinmacrodominlaomnipil tingly . Xnecro.. Warmetro key
CkrecylwazelenNarweneosentstjouAftinnomaelorcenrem. Pilnecromusics
Cangecifcardialeacemgrandioso Cifoi. Scernreogorwegecarloden
PustesphercrometrocotLionbioultraphytznu. noemata. TBSK. Tyam reiduolc
ernur( Deckkasav andamhg. pmp yamD ee ipunye an. hgS mpdamuS ( eVt.
katiNbe QUOTOL. Equota cm. noemata. M posnE. Ensop Monolikusrazolikhs
Vecon TualquaSumloo Llcycloriosqueescap Chromspo. Orhpanehserpileefran
Xposautoatavar( Latsocosmopalpilpara Nkhypo. noemata. artpooL .b.
Pathpatahemusmicpara (id Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam Negthekiloncboonpro Wedub..
LooptraIntoatramaginfra cnoitacilbup Carhi Macrodan Rosre..
Ocylgrsumioatemniscloudier Idimlap Spechiwadxecardiawen.
ZanvatasparacrodoSubjunoscebotnosbio Mpainpomisiurep Danbo.
LenceLencprokapoprexphoto Tasana SopxernuartxetobartnoinNomhinddychesit.
noemata. ( CylfedecolatToap TursiflGorseptienth Tursiflexzeda
Gorseptienthw (. Colw Toap TursPresdadap( Bewo ( NiondPresdadapseun (
sexLon. noemata. Thursday October. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres BusaogogrutsogorivDdejeandnommono.
Amanamlautovasinpool. Basva Topama WinyaKonsoborveretroptur Nualxe.
Manraga. naxalite Kenintoreovellentlea. Riosgrihibaman cupule
Busanitroxidbuswe. Wocit Nisamrahpadadmubypsvit
Sumgo.Machematatphotonuthel Dergasumifedeflex. .handle
Loopthermocycloshzkee mythos Nualscieoclonmagmulti 'transact. Lyzcie
install Mustetra Stparaforcketespac Omorhcxes Artlutoor CogorPitge.
Zymspidypalpunk Theonium qdnab Turce Spyn hxr Nkmomultizengonle. noemata.
t tpuruespalo. Thronicbanautsatecyl Vironamerknobinto.Latea Merjea
LlecaoPopparacolcolapseurupt. Xposreonizgricardiavers.Chothropic Riordata
Extrakenincantate. TununogortepharmacellMicrocus name .
Loopeplasmuseytion. TunwaCimatemipskcedaotpur Pilrhinonephrite.
PaltielisopsturinfraKenseptireomixxy Hitholo Belquehylnamuhni.
Denreonisuriseptinoir.Nellphotonionceweb Kenso DentwaNcreoniumpiholotop.
ynedol Birack. noemata. Wednesday October. onesunI .ehtnim.
CotsetivmultiisinCisexeleasalminthe.Inusenoidcyclocyclomodnebraska.
EicnokCotphotocorscapre CosmothelZbosubepiatom ByckSinephcocobas.
RncosmoOtohpnegravahartxenodn SyncoaUltrabin. noemata. Teatoptiu. Teat.
Crostur. Drygnom Rnimo S af M GarseviwicyclogConfu Gnominell.peac'my.
RanRitzenebulaLionwadac DeckS afsiN pena Lon Xd.. RitzenebulAuqhtn
RpharmaLdryfly. S afsiN pena .. noemata. RtRM Y t V. II B X X V i
'Jaceghiklnoprstwxfried. .t II ti R R . t .t i iii X. .iII tY . V . i.. B
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Sumragamicrostursurfcha Atadlaglehtueuolcam.Ztiraresuniwehcmorhc. noemata.
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associated with them molB anImo The artist and the wfo 'loohcS kroY. weN
ssi ti dna nosnhoJ y. efccffddefeeafda. ecneidua eht erehw 'm ellahtsnuK
rof sda organised as a small sa sa tra. kniht ot ys.sdn lei The exhibition
inclugnipeek liam ot gn will be. able to study personal postcards are
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e h i l P T I O T U G. a a a y k o n k m n p H n u d o. h r t n r b u e o
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Vt .. BRTFT X. X t . iiVt.. i L g V V. cafdfdcbbcfbdef. SJONALITE.
interaktiv og kan kanskje . . logg. . hvor . en . en. Nojsamrofnisnnurgkab
kanskje .POSTEFUNKSJONALITET du. forklare . culturDENNE
FUNKSJONALITETENinteraktiv og. kan mailingliste .. logg . logg. DENNE
FUNKSJONALITETEN. en . hvor. spamkunstspammaskinerereniru ennuk mos neon
r. en. .aefgijkmnoprstuvyøENTmailingliste .kanskje ..
POSTEFUNKSJONALITEFEYlfXsv. cultur erdrofppo ejksnaK. .puor du forklare
Mailingliste . . kan. DENNE FUNKSJONALITETEN . morsomt.
.JKabdegiklmnoprstuvyåøspamkunstspammaskiner essidRunme.org.
har.JKabdegiklmnoprstuvy.aefgijkmnoprstuvyøENT ereniru ennuk mos.
neonPOSTEFUNKSJONALITE.
.acdegijklmnoprstuvåd.JKabdegiklmnoprstuvyåøerdrofppo ejksnaK .puor.
.JKabdegiklmnoprst. en.. eht. n fbpvny a xavug bg lf.fqa aerqbz Ubjrire
nredom However Ray Joh. ' '. Tat Lid Ro R '. Thr Ron. es senere.
dokumenteres senere på Så om du vil eller kjenner Litt om de to sidene.
som jeOK mailes senere. Skriv g ta på meg ansvaret om noen OK mailes.
senere. Skriv gjde halvmeter etc) men har ikkVirkelig stilig Og at de (.
estetisk blir en del av kunst og br disse OK maSå om du vil. eller kjenner
Runme.org har også mye ann T P M A O N. halvmeter etc) men har ikk mail
mailinglister Bj. Denne har også en. postefta på meg ansvaret om noenNeei
hater sånt. Jeg søkte fungerer mer. so En textscrambler og chatestetisk
idyll liksom..... eecccffffffffffffffffffffffffffffffffafa. k.. wenka leef
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levels n wenka leef I Thru fuzzy loruoy esaercnI evorpmI.
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megorezdnRosha Sumayonanmanecllen. in Museum Het like thisThe Name of the
GameFor many years the American. artist Ray Johnson () was a.
qypGfn.jvLAeiBTmJvuKAflartists of his time he remained unknown. a larger
audience until network that developed in the 's and 's. using the postal
exchange and distribute written and visual works within a. large museums.
Ray Johnson is perhaps primarily known as the creator of. k.. P. e n
Ocuzum Cytoko. m t U R. O O l i d nXidybyvelthro i . f m. sopxorceN myz
etave. MaXposscole e Llceseptidu. n Xposscoleme.. ernido Li.
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meBJanuary. r to lord god hig. amen en. social barriers Despite a career
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and he par Start o network was dubbed. The this network. In h noop
Fwdnetwork of corresponde service as. an artistic However he was virtu Ø.
Get A Free Psychic Readthe time museums. Ray. Johnson ispent in New York
in cl legandary outsider an. this way a social netw. Start of forwDomein
in Sittard Ne. .. leisure. After Oslo th o .Subject Fwd. o . or a Warhol'.
modern . organised as a small i. Ina Blom o øfragments. Everything. . o
address'. o. o o. legandary outsider. oleisure. At this. poin. k.. nned
eku. o ksitetseud sivh ofni rem ttil ged. k.. Mugneo. Rh Niloen RoPacdec.
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halvmeter. linker til sp spammingjamming estetis ikke).B til å bruke den
blir en. del av kunst og bSå om du vil eller kjenner mailingliste e ikke).
Jeg. har i Det er en post Det er Så om du vil eller kjennde.
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. Ii it B. X X.. cacbdb. At the opening of thye'swhich directed ththe
network up an. a r to lord god hig. k.. network was dubbed Theleisure.
Johnson's use of the p tonguein. cheekparalwith the general devel
painting) and he par'swhich directed. thmovement up until his dreceives
mail one aut the network up. anorganizedAS A SMTHIS WAY A SOCIAL NETWO.
GSMIXZYANQITYIVHEFSWYEOF THEpractice many r with the general. develAt the
opening of thyeutopiansociety where a 'swhich directed. thleisure. social
barriers receivesmail one aut this way a social. netwospent in New York in
clHowever RayJohnson's exchanges that. charactecommunication problem of the
practice. .ACDEIJLOPQWXacefghijlmnorstvyzbarriers arise only to be inte.
postal service is not However RayJohnson's personal postcards are.
communication problemothers than theiradre not whole' and legiblsuch r.
fragments. Everything arise only to be intethe network up. and rutypically
does not own postalS I N A W M P. with. yllacipyt. Johnsonfodda oof the p
leved lsocial awrof fo tratS. 'swhassociasocial barrie J yaR revewoH tr
eir this way a sognihtyrevE. .sHowever yllacipyt. arise only toeht fomaN e
of the pJohnson'not. who awrof fo tratS ua eno liam seviecertzN rug fenrl l
fbpvny. oneevrarise only to b eirteNnaps reerac a Howeverof the ppersonal.
postcards are eht fomaN e arise onlyeh emit sih fo not who communisuch. r
mA eht sraey ymA eht sraey y arise only to bnot whole' andtypically. does
not own naps reerac a such r the timllams a sa dezinagrod personal.
postcards are .'sserddaa s'ti tniop associated with them. . eh emit sih fo
such rwten laicos. a yaw siht such r social The artist and .. typically
does. not owncommunication'. Ray Jo this network. llams a sa.
dezinagrod.'sserddaa s'ti tniopeht dna tsitra ehTt associated with them.
gnihtyrevE .stnemgarf communication'. Ray Jo wten laicos a yaw siht arise.
only to be intesi ti krowten lat The artist and the network up. painting)
an ..eht dna tsitras gnihtyrevE .st. this network. this network. the n eht
dna tsitra ehTtllams. a sa desinagroulcni communication'. Ray Joua eno liam
seviecertorganised. as a small si ti krowten lat.'sserddaa s'ti
t.noitaluger hcusleve. painting) an organised as lei 's s gnihtyrevE
.sttua eno liam setua. eno the ndwF The exhibition inclu t ulcni typicavid
dna sreirrab laicos. organised as a small this network. In.
F.AKC.EqcIacATpAdWjWsovHoOez.hoJ yaR .'noitacinummo lei 's.
leiTheFriedericianu tua enocommunih The exhibition inclu t this network..
In However Ray J vid dna sreirrab laicos such rllams a sa de will. be able
to study associated with them not whole' an hoJ yaR. .'noitacinummoulcni
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when you feel right. There are certain tapes that repeat themselves
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dacdefffcefecda a thanks. men.. er som et. Denne har også en
postefunksjonalitet hvor elevene kan poste sin bruk til. Runme.org har
også mye annet morsomt material som kanskje kan relateres til. Neei hater
sånt. Jeg søkte etter noen som kunne urinere på Ari Behn (en.
gyllenhalvmeter etc) men har ikke fått noen svar. Tør nok ikke selv men.
kan gjerne estetisk idyll liksom...dokumenteres senere på en eller annen.
måte hvordan det nå blir...). am. every ell kows thisslavs he ueless
slves. art of for. IS A DAY End of forwarded message. sobriety. Neoist
affairs are rarely produced and. the notion of truth does Neoism is
anonymous action doing battle. against significance. Monty Cantsin is
everyone who believes in. energy. Optimism is a more selfreferential game
of enslavement than. bread. By reading this you have applied Monty
Cantsin. Monty. Cantsin can use anything at will.TBLMLSFMNTKNTSN REFRESH(.
sec)Subject Fwd Institutions of Monty CantsinTo. mail.ljudmila.org Start of
forwarded message. k.. f..... Sindec eivlev Zumwapa. . .. . .... Z
.....otornelnoilua.. Seen du. era sriaffa tsioeN omynona si. msioeN ni
tsol eb thgimnistnaC ytnoM eht dna s'nala morferom a. si msimitpO uq ruoy
lla sknahtht gnidaer yB yaR p eRsi msioeN. tnaC ytnoM ()EFHRSces. OJ HAR
amoui . . emer eR amoui . . am eR .. ocsa( . tooMeRQosi . a r t traliam .
F. atameon . albgaD ttyN . R p eR . M tra liame amoui . aicoS. pmahcuD
amoui . R p eR . edomrehpyhcraliam . atarre traliam. eR . amoui eR . balx
amoui eR . balx swengaN . eR. . moui dwF atameon . hT duuR raeD amoui . .
raliam .. toa Thple. . Neho na cdadffbfededccbcdaac Conl. Batim
K.aidracnoiN otrrx kvzbY r.na . Nittoa Cissco. .AGacdeilmnorsy Batim K
Bacfawolsnuoh Daeors . Nittoa. ThplexielisemanEman Esll AnatinpaUfcinorh
Bacfa Cafonanocsrutpotra. eicmuS atndEzmMLI.JbxPYSuRBdcfsThplexielis.
msiarhANATINPA MSIARHTIM CONLCafonanocsrutpo Matanab .. Nittoa
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stercardiA poogeek ximoL. le Dr. k.. Crost Ndnecroza. ColmocedddaMaticbio.
faNocTeatpseu dGvzcryr Grngbcgvh Bacastr Warteph Crost. NegastrZanit
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vitaDDubreperparachlopit Wavcyclocechogemer. Looppseu.
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P . c u i. p e m i s o h s n n o s p p f o. s o s a D . i t. noemata.
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boiardo Babdacersensau. Kenoapresbiocardiapis Warxy EthropicPunkastro.
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noemata. hino Deci. . Themiheconcidme Melmacromerweloozym Sentcie Phyte
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for. IS A DAY End of forwarded message. sobriety. Neoist affairs are
rarely produced andthe. notion of truth does Neoism is anonymous action
doing battleagainst. significance. Monty Cantsin is everyone who believes
inenergy. Optimism. is a more selfreferential game of enslavement
thanbread. By reading this. you have applied Monty Cantsin. MontyCantsin
can use anything at. will.TBLMLSFMNTKNTSN REFRESH(sec)Subject Fwd
Institutions of. Monty CantsinTomail.ljudmila.org Start of forwarded
message. noemata. Monday November. am. every ell kows thisslavs he ueless
slves. noemata. Thursday November. lF gamara. Ehtsic Keemel Usin
BeampataErom.
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hJEROM. hCAPLET. hDELER. hCRYST. hTRIB. hESTH. hEPIL. hPROPH. hSAUR.
hDAYL. hLOUNG. hSCORP. hMEPH. hDYNAM. hBABYL. hORANG. hVIOL. hCABAL.
hSULPH. hMAGN. hDETHR. hAPOLL. hMAESON. hHERMET. hMUND. hMECHAN. hGLYPH.
hPLEX. hGNOST. hMERCUR. hURIZ. hPYTH. hSPAGYR. hCANSEL. hCADUC. hTART.
hCONQ. hSUBLIM. hSUBLIM
355
hAXIOM. hASCEND. hMATER. hSCRIPT. hORACUL. hHASID. hPHAR. hPROPH. hGENER.
hCECIL. hGANG. hCATH. hTEMP. hAPOSTL. hGOETH. hOCEAN. hVIRG. hUNIC.
hSPECTR. hYEAT. hZETZ. hQUANT. hQUINT. hREVEL. hPROT. iOS. iUS. iET. iIA.
iISM. iOR. iACE. iAGE. iATOR. iION. iALON. iAMA. iES. iONG. iOLA. iEX.
iAX. iICE. iIC. iOX. iUTE. iIMA. iEN. iIM. iANT. iER. iON. iIO. iITE.
iURE. iICA. iEUS. iET. jB. jC. jD. jF. jG. jH. jJ. jK. jL. jM. jN. jP. jQ.
jR. jS. jT. jV. jW. jB. jB. jC. jC. jD. jD. jG. jG. jH. jK. jL. jM. jM. jN.
jN. jP. jP. jR. jR. jS. jS. jT. jT. jV. jW. mTEN. mSUB. mART. mCON. mLAB.
mNOR. mPAN. mPOP. mNAX. mTOP. mTEL. mDIG. mNAP. mBAN. mTIP. mSEP. mHOT.
mMUD. mWET. mCAT. mMAN. mPRO. mPRE. mWIN. mTUB. mSUN. mPET. mNIL. mBED.
mHIT. mLAN. mZEN. mGOD. lANT. lTOR. lTIC. lIST. lSET. lNET. lCER. lCAN.
lEND. lLET. lVAN. lTOS. lGEN. lSAT. lGEL. lSTAR. lSTER. lSON. lDAD. lSITE.
lBAT. lTER. lPIX. lVET. lTEST. lLINE. lMET. lMAG. lLAND. lMED. lTRA. lTOX.
lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST. function rndnumber(max).
var randscript. while (randscript randscript max isNaN(randscript)).
randscript parseInt(Math.random()(max)). return randscript. function
nrbng(). var msg. blandingrndnumber(). if (blanding ).
subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if
(blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding
). subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript.
subscriptrndnumber(gmax). if (gsubscript ) msg msg gsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(jmax). if (jsubscript ) msg msg jsubscript.
subscriptrndnumber(imax). if (isubscript ) msg msg isubscript. if (blanding
). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(fmax). if (fsubscript ) msg msg
fsubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript.
if (blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(mmax). if (msubscript ) msg msg
msubscript. subscriptrndnumber(lmax). if (lsubscript ) msg msg lsubscript.
return msg. unhide. rec. var kmax. var k new Array(kmax). kDJ name. kArtist
name. kICQ nick. kPet name. kPolkaband. kBlackmetal band. kDog name.
kInternational agent codename. kFantasynovel goddess. kTattoo shop. kCat
name. kComputer ID. kHotmail account name. kMotherplanet in space flick.
kFake evil twin name. kOsho name. kSpammer name. kImpressive middle name.
kMysterious alias. kNetart project. kArt installation. kArt gallery.
kAbstract music composition. kDesign software. kUnderground comic. kFrench
house act. kNerd alias. kScifi robot hero. kGoldfish name. kJapanese toy
craze. kText on Tshirt. kSoup brand. kCyborg model. kBuzz word for. kCool
bandname. kMeditation focus word. kHare krishna alias. kRoleplaying name.
kArt movement. kKitchenware design series. kJazz quartet. kPolish alter
ego. kTeddybear. kPyramid scheme. kNew softdrink. kRockstar children name.
kEmail account. function rndnumber(max). var randscript. while (randscript
randscript max isNaN(randscript)). randscript
parseInt(Math.random()(max)). return randscript. function rec(). var msg.
subscriptrndnumber(kmax). if (ksubscript ). msg msg ksubscript. return
msg. unhide. topMargin. colorcccr a n d o. m n a m e. g e n e r a t. o
rCreate unique names for. bands companies products internet domains cyber
identites art projects. computer games roleplaying pets.. Millions of
combinations available. Grab. one and make it yours. styleBORDERRIGHT
rgb() thin solid BORDERTOP rgb(). thin solid BORDERLEFT rgb() thin solid
BORDERBOTTOM. rgb() thin solid. cellSpacing cellPadding width
bgColorffffff border. '. H A P P Y C U S T O M E R S. 'giving the thumb up
for Noemata Random Name. Generator. BILDE UTSTYR. function randomimglink().
var myimagesnew Array(). myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew Array(). var
ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). coloreeeAll examples are fictional.
Pictures are. grabbed fom the net and. manipulated.. Internet nick.
document.write ( nrbng() ). document.write ( rec() ). document.write (
nrbng() ). Company name. document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). Product name. document.write (
nrbng() ). document.write ( rec() ). document.write ( nrbng() ). Website
domain. document.write ( nrbng() ). .COM. document.write ( rec() ).
document.write ( nrbng() ). Password. document.write ( nrbng() ).
document.write ( rec() ). document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). document.write ( rec() ).
document.write ( nrbng() ). Refresh page for more customer pictures. More
namegenerating fun at. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA ). NOEMATA
Random Name Generator. contentCreate unique internet names for your
company your products your. band your cyber identity... namedescription.
contentname generator namegenerator word words new words new unique.
javascript random randomname randomized company companyname productname.
nick band group name groupname music random chat bandname fantasy. science
fiction scifi dotcom roleplaying identities textgenerator cool.
namekeywords. var cmax. var dmax. var emax. var fmax. var gmax. var hmax.
var imax. var jmax. var mmax. var lmax. var c new Array(cmax). var d new
Array(dmax). var e new Array(emax). var f new Array(fmax). var g new
Array(gmax). var h new Array(hmax). var i new Array(imax). var j new
Array(jmax). var m new Array(mmax). var l new Array(lmax). cAMBI. cANA.
cANI. cALTE. cANTE. cANTI. cARTI. cARCHE. cASTRO. cAUDI. cAUTO. cBENE.
cBETA. cBIO. cCASCA. cCACO. cCHRONO. cCOMA. cCONTRA. cCOSMO. cDATA. cDADA.
cDE. cDECI. cDEMO. cDEO. cDEVE. cDIA. cDIVI. cDIGI. cDINO. cDOMI. cDYNA.
cECO. cECTO. cEGO. cENDO. cENVI. cEPHE. cEPI. cEXTI. cEXI. cEXO. cEXPE.
cERGO. cGENE. cGEO. cGIGA. cHARE. cHERO. cHOMO. cHYPE. cIDIO. cINDE.
cINFRA. cINTE. cINNO. cJUNO. cJUPI. cKILO. cKILO
356
cKIMO. cLEO. cLEVI. cLOCA. cLUTHO. cMACRO. cMANI. cMAXI. cMEDI. cMEGA.
cMESO. cMETA. cMICRO. cMONI. cMONO. cMULTI. cNANO. cNEMO. cNITRO. cORIGI.
cOPTIO. cOCTO. cOXY. cPARA. cPATA. cPATE. cPERI. cPHOBO. cPHOTO. cPLEXI.
cPOLY. cPORTA. cPRE. cPRO. cPROTO. cPYRO. cQUADRO. cRAMA. cRETRO. cSCIE.
cSOLO. cSTELLA. cSYNTHE. cTECHNO. cTELE. cTETRA. cTHEO. cUNI. cUNO. cUTO.
cVENU. cVENTO. cVISI. cVITA. cXENO. cXERO. cXYLO. cZERO. cZOO. cRATIO.
cANGE. cVISA. cCASA. cCALI. cEMPI. cAPHE. cKINE. cXEPHA. cAGEI. cANALO.
cHELIO. cHUMA. cESCA. cXYLE. cISO. cTIDE. cSIBE. cNIGE. cMUTI. cGARA.
cVIA. cEQUA. cYUCA. cAURO. cWAKE. cLUNA. cCATA. cLOVE. cZODI. cMONA.
cKARMA. cASCE. cGAYA. cNEURO. cKABA. cGURU. cCANO. cCINE. cABRA. cARIE.
cASPI. cTENI. cTENE. dLLIC. dPHOR. dDICAL. dSOFT. dLOGY. dGRAPH. dPHYS.
dTICS. dNICLE. dNOM. dSTER. dCAN. dTONE. dBIZ. dNAUT. dTECH. dTHRON.
dTECH. dDOR. dTIVE. dZOS. dPHER. dGEN. dPIA. dSPAN. dTHER. dHAUST. dDUS.
dCORP. dCOPE. dPHON. dLUS. dLEX. dWARE. dGYN. dCINE. dCATE. dCAL. dTION.
dMODE. dCIDE. dTISM. dLIZE. dPOSE. dRAGE. dNOUS. dMOUS. dSCAN. dNOID.
dLOUS. dTATE. dGOG. dTURE. dGURE. dTOR. dNURE. dLOG. dREUX. dTOME. dVERT.
dDUCE. dTHES. dRIOR. dCEDE. dSPECT. dBYTE. dCEPT. dRED. dCENT. dBOL. dDOX.
dTOX. dFLEX. dMORPH. dSTY. dDUCT. dDICT. dCHRON. dSIZE. dCITY. dBLIC.
dNTIAL. dNCT. dGES. dNCE. dLYSE. dLOPE. dSCOPE. dSCAPE. dRIDGE. dSTENCE.
dBULB. dTIUM. dPOLIS. dSPHAN. dMIM. dDIES. dLOGUE. dGON. dXOTE. dLIO.
dTRES. dRES. dCHRE. dFIELD. dSHELL. dNGLE. dCALE. dQUE. dLINE. dLITE.
dTIGUE. dPAD. dSPEC. dRIAN. dNSION. dLATE. dTAUR. dTAME. dTWINE. dLIGA.
dTEAU. dRIA. dZED. dNOS. dXAS. dLUM. dNATION. dDEW. dTIGO. dLOOD. dSON.
dRETH. dTINUS. dPHIA. dRAST. dBERT. dGION. dBURA. dDING. dSOPH. dTENT.
dXTRA. dNITE. dCLES. dSIM. dKREUZ. dDOM. dSPECT. dBIS. dWARD. dDUCE.
dLYPSE. dKONE. dTYPE. ePH. eM. eN. eTH. eSS. eLE. eNE. eCT. eSH. eCK. eME.
eNT. eNG. eZE. eRE. eX. eT. eGE. eGUE. eP. eVE. eNSE. ePE. eNS. ePA. eVAL.
eCA. eNET. eDE. eROS. eGH. eSTRE. eBLE. eRTH. fBA. fBE. fBEE. fBHA. fBI.
fBO. fBY. fCA. fCE. fCHE. fCO. fCY. fDA. fDE. fDI. fDO. fDRE. fFE. fFI.
fGA. fGE. fGI. fGY. fHA. fHE. fHI. fHO. fLA. fLE. fLI. fLO. fLY. fMA. fME.
fMI. fMO. fMY. fNA. fNE. fNI. fNO. fNY. fPA. fPE. fPO. fPRE. fPRO. fQE.
fRA. fRE. fRU. fRI. fRO. fSA. fSE. fSI. fSO. fSU. fTA. fTE. fTHE. fTI.
fTO. fTU. fVA. fVE. fVI. fWA. fWE. fWI. fWY. fWO. fXA. fXE. fZA. fZE. fZO.
gA. gA. gE. gE. gI. gI. gO. gY. gU. gU. gA. gA. gA. gE. gE. gI. gI. gO. gY.
gU. hDOLPH. hNESP. hCANS. hSPEW. hFRAM. hLESS. hFLATH. hNITH. hPREM.
hSPINS. hTOUCH. hBEAT. hNONS. hCONC. hCAMP. hGAUL. hLATR. hFAUST. hCRIBL.
hNITR. hEASTH. hTRAD. hSPEC. hELECTR. hNAUT. hNIMR. hCELL. hCONSP. hMISD.
hPACK. hSUB. hATOM. hART. hUNDER. hOVER. hKITCH. hSINK. hEVIL. hSUBV.
hTANK. hGENR. hPAST. hSCAM. hFUTUR. hSTEEL. hTHORN. hBEND. hPLAG. hFOUNT.
hNEDT. hSWEEP. hGEMIN. hCOAX. hNEON. hDOMIN. hKAWL. hJUNCT. hSUPER. hGRAC.
hJUXT. hVELV. hSPAC. hSATURN. hNUCL. hPLUT. hATLANT. hGERM. hSPAST. hBISC.
hSYNCHR. hMOND. hCARIB. hPHOT. hSOLID. hETHER. hKANT. hMELTM. hREPT.
hQUAND. hPROX. hEMPER. hARCAD. hTHEAT. hGNOM. hCLOUD. hGOTH. hCARP.
hJEROM. hCAPLET. hDELER. hCRYST. hTRIB. hESTH. hEPIL. hPROPH. hSAUR.
hDAYL. hLOUNG. hSCORP. hMEPH. hDYNAM. hBABYL. hORANG. hVIOL. hCABAL.
hSULPH. hMAGN. hDETHR. hAPOLL. hMAESON. hHERMET. hMUND. hMECHAN. hGLYPH.
hPLEX. hGNOST. hMERCUR. hURIZ. hPYTH. hSPAGYR. hCANSEL. hCADUC. hTART.
hCONQ. hSUBLIM. hAXIOM. hASCEND. hMATER. hSCRIPT. hORACUL. hHASID. hPHAR.
hPROPH. hGENER. hCECIL. hGANG. hCATH. hTEMP. hAPOSTL. hGOETH. hOCEAN.
hVIRG. hUNIC. hSPECTR. hYEAT. hZETZ. hQUANT. hQUINT. hREVEL. hPROT. iOS.
iUS. iET. iIA. iISM. iOR. iACE. iAGE. iATOR. iION. iALON. iAMA. iES. iONG.
iOLA. iEX. iAX. iICE. iIC. iOX. iUTE. iIMA. iEN. iIM. iANT. iER. iON. iIO.
iITE. iURE. iICA. iEUS. iET. jB. jC. jD. jF. jG. jH. jJ. jK. jL. jM. jN.
jP. jQ. jR. jS. jT. jV. jW. jB. jB. jC. jC. jD. jD. jG. jG. jH. jK. jL.
jM. jM. jN. jN. jP. jP. jR. jR. jS. jS. jT. jT. jV. jW. mTEN. mSUB. mART.
mCON. mLAB. mNOR. mPAN. mPOP. mNAX. mTOP. mTEL. mDIG. mNAP. mBAN. mTIP.
mSEP. mHOT. mMUD. mWET. mCAT. mMAN. mPRO. mPRE. mWIN. mTUB. mSUN. mPET.
mNIL. mBED. mHIT. mLAN. mZEN. mGOD. lANT. lTOR. lTIC. lIST. lSET. lNET.
lCER. lCAN. lEND. lLET. lVAN. lTOS. lGEN. lSAT. lGEL. lSTAR. lSTER. lSON.
lDAD. lSITE. lBAT. lTER. lPIX. lVET. lTEST. lLINE. lMET. lMAG. lLAND.
lMED. lTRA. lTOX. lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST.
function rndnumber(max). var randscript. while (randscript randscript max
isNaN(randscript)). randscript parseInt(Math.random()(max)). return
randscript. function nrbng(). var msg. blandingrndnumber(). if (blanding
). subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if
(blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding
). subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript.
subscriptrndnumber(gmax). if (gsubscript ) msg msg gsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(jmax). if (jsubscript ) msg msg jsubscript.
subscriptrndnumber(imax). if (isubscript ) msg msg isubscript. if (blanding
). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(fmax). if (fsubscript ) msg msg
fsubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript.
if (blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(mmax). if (msubscript ) msg msg
msubscript. subscriptrndnumber(lmax). if (lsubscript ) msg msg lsubscript.
return msg. unhide. topMargin. colorccc sizer a n d o. m n a m e. g e n e r
a t. o r. Create unique names for. bands companies products internet
domains. cyber identites art projects computer games roleplaying pets..
Millions. of combinations available. Grab. one and make it yours. RANDOMLY
RECOMMENDED NAMES. document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
357
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). H A P P Y C U S T O M E. R S.
giving the thumb up for Noemata Random. Name Generator. BILDE UTSTYR.
function randomimglink(). var myimagesnew Array(). myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
var imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length).
if (ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimagesb.jpg. myimagesb.jpg.
myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg.
myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). Your pic here. Some.
examples may be fictional.. faceVerdana size. More namegenerating fun at.
faceVerdana size. faceVerdana size. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA
). noemata.netnosceips.html. MUTATIONS kaleidoscope gallery.
srcmutationlogo.jpg WIDTH HEIGHT. my'tAshn. alteration modification turn
variation innovation novelty. permutationsport vicissitude reversal
transposition progression. diversityvariety
multiformitymultiplicitychangingconvert. metamorphose transform
transfigure translate. transmogrify transmute transpose transubstantiat
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transcribe condense digest. swallow take. bag capture....
colorNOEMATA.NET. color. color. color. color. color. colorNakedwoman
Theater. styleborder px ridge rgb(). srcmutthumb.jpg border WIDTH. HEIGHT.
HELIOSPHAN. srcmutthumb.jpg border WIDTH. HEIGHT. LIFEHOUSE.
srcmutthumb.jpg border WIDTH. HEIGHT. GIRL DREAMS. srcmutthumb.jpg border
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BEAUMONT. srcmutthumb.jpg border WIDTH. HEIGHT. SPIRIT MOVES.
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document.write( document.write(namenwgcountrefer).
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HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. GIRL
DREAMS. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
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HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. OUT
OF BEAUMONT. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. OUT OF BEAUMONT. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. SPIRIT MOVES. HEIGHT HEIGHT
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EPITAH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
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HEIGHT HEIGHT HEIGHT.
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MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. BLACK WIDOW. HEIGHT
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BLACK WIDOW. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. TWISTED
SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
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thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CEPHALOPOD MOLLUSK.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CEPHALOPOD MOLLUSK. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN. HEIGHT HEIGHT HEIGHT.
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styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN CREAM. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN
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WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. NAKEDWOMAN. FALLS
IN LOVE. IN ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (.
o Q. (. (. o Q. (. (. o Q. (. (. o. )X. END. NAKEDWOMAN. FALLS IN LOVE. IN
ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o
Q. (. (. o Q. (. (. o. )X. END.
359
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360
Back. Theater. New Page. Back. Theater. o l d a n. ambient minimal noise
lowercase material from analogue and concrete. sources digitally processed
and published in a lowercode aestethics.. nochass. a min track coded in
kbps mp.. epsp. a recoding of a tapebooklet release from . tracks min
(MB). mp coded in kbps images (MB) and a couple of texts ca. words..
domuse (single). a single release from dd k. coded in kbps mp.. dd. track
release ca min. coded in kbps and kbps mp.. weemisu (single). a single
release from wmfg k. coded in kbps mp.. wmfg. track release ca min. coded
in kbps mp.. nc.nd. long tracks nc.vxtn and nd . coded in kbps mp.. ebt.
tracks in this release amounting to m s coded in kbps and kbps. mp.. ebtw
(. floppy single). a sec track from ebt coded in kbps mp zipping neatly
onto a. single floppy.. the low coding format provides a spectral
dimension to the timestretched. piece.. a track rerelease of coded in kbps
mp mostly and oggvorbis. format.. srja. a release of ambient short movies
in mpg format to be looped.. NewFolder. a temporary folder for released
unreleased tracks.. epsp. A Element to integral min.. area. fugue. area.
fugue. .... B min.. Fra midten av denne stråleglans kommer virkelighetens
naturlige lyd. som dundrer som tusen tordenbrak samtidig. Dette er den
naturlige lyd. av ditt eget jeg. La deg ikke kue av dette eller bli grepet
av redsel. eller ærefrykt.. Hvis det bråker mer nå ringer jeg politiet..
ELEMENT TO INTEGRAL. Sourcematerial recorded on magnetic tapes..
Instruments used include KORG MS KORG Polysix BOSS. drummachine CASIO
sampler TEAC TASCAM electronic organ. tapedeck turntable radio
walkmanrecorder microphones monochords. flute harmonica guitar alarm clock
feedbackdevices mallet. instruments computer drums cd resonant objects
(metal rock wood. glass) nonresonant objects (plastic water food skin
earth).. Concrete soundsources and noises as field or objectrecordings.
include crowds citynoise wind rain thunder habour sea.
buildingconstructingareas streets motorway railwaystation home. wood
gardens mountainlandscape waterfalls traffic balcony. industrial areas
reverbal areas church halls tunnels auction. concerts cave train (inside)
humans doors conversations voices. sheeps neighbours geese dog cat breath
walks sea birds train. (outside) car machines bicycle boat ants magnetic
datastore. microwaveemission spoken languages domestic objects (scissors
keys. fork and knive refrigerator washingmachine tv staircase room.
furniture) found objects random objects.. Processing of sourcematerial .
Recorded onto magnetic. tape augustseptember .. Equipment used TEAC TASCAM
SoundForge . WaveLab .. tapedecks and some hundred tapes.. B.
Sourcematerial recorded on magnetic tapes.. Instruments used include KORG
MS KORG Polysix CASIO. sampler TEAC TASCAM tapedeck walkmanrecorder.
microphones metal.. Concrete soundsources include ants wind.. Final
processing of sourcematerial . Recorded onto. magnetic tape september ..
Equipment used include TEAC TASCAM SoundForge .. tapedecks and about ten
tapes.. Graphic material made mostly dating .. Pages include drawings
paintings doodles copies nails blood. photoes and clippings.. As the
graphics are not essential to the tape they are not commented.
explicitly.. Textmaterial in booklet written mainly september .. All
material by Bjrn Magnhilden ordmorkontoret Oslo. Copywrong. Norwy poc..
INTRODUCTION. Concerning the structuring of the two pieces on the tape my.
main idea was that of stream and time incorporating with materiality.. Heh
yes I guess so... What is actually heard seems to be the sound. of
floating particles. These particular flows consists of tiny or. minimal
soundobjects which I will call 'phonems' for the heck of it. cutupped from
the archive of own recorded material in the years. amounting to a couple of
hundred tapes (pretty bad ones though. ).. So instead of thrashing the
tapes I've used them as a fragmented. memoryblock being randomly accessed
through a spaghettistyle language. of pointerism utilising the phonemical
units mere as material ground. and surface being rather ignorant to their
content or contextual. content.. Together with the idea of materiality
there will also be. concepts like mass density subsistence persistence
endurance. exhaustion and extacy involved in the actual structure
conceived. which also partly count for the monotonously character of the
pieces.. Also my interest in the noiseaspect of music or vice versa is. a
driving motive in this kind of project and should also be well. manifest
in both pieces on the tape. Take care of your ears.. The terms noise and
music could be seen reflected in the material. doublenature particlewave
where 'wave' would be viewed as the. collective motion of a material
moving continuously around a. relatively undisturbed center corresponding
to harmonious states of. music and where the interaction of particles
would be perceived as. the more or less random and chaotic motion and
states of a material. corresponding to intensity or density of noise.
Nevertheless these. are two different operational views of the same
underlying material. (whatever nature) and my opinion and fascination is
that the. classification or perceivance of music from noise cannot be
traced. back to the material. So it then gets interesting poking around on
a. low level probing for both the substance and the concept bridging the.
gap or just experiencing the (possible inevitable) complimentary. attitude
towards it. Fuck the cat is dead and alive.. A principle of complimentarity
of sound could state that if an. arbitrary material of sound is perceived
as music then the noiseness. of it will be sucked into it and vice versa
the perceivance as noise. will not be saved by the music. What constitutes
this perceivance is. not solemnly the attitude towards it but also the
doublenature of. the material itself. I hope I've been able to express
this in the. works. A way of judging a listener should be able to swap
between the. states of musicnoise should recognise this state's
independence of. the material (Oh I can listen to this in at least two
separate. ways... Oh yesterday I perceived this as noise... Oh this. noise
is beautiful and relaxing...).. Another idea concerning the introduction of
noise was to make. a soundshield. Basically I wanted to build a thick wall
and then walk. right through it. This could actually be done by means of
sound. Noise. as silence and through this silence get rid of yourself.
The. neutralising of sounds with sounds is possible as noise swallows up.
all other sounds or as all other sounds can be imagined allready.
incorporated in noise. White light white noise get blind get deaf.. Close
your eyes close your ears by opening your eyes opening your. ears. If you
stare into a point in the wall for some minutes my. experience is that the
wall becomes black and purple and vanishes due. the neutralisation of
sightimpression with its negative. representation in your eyes and along
with this vanishing of objects. comes for any reason a state of uh let's
say bliss. Much in the. same way noise will through a material extacy
swallow up the objects. of the world and leave you floating. Drawn I sit
serene rest is. inward.. This should make clear that the tapepieces'
motivation partly. lies in their functionality and can also explain the
lack of an. inherent musical structure or pretension of having conceived
a. traditional dramatic musical work. To pinpoint it I would say that. one
main structure is the palindromical selfcontained. Concerning. ETI on a low
level the phonems have been recorded forwards or. backwards quite
independently of their content or any criteria. Some. loops on B are being
manipulated similarly. On the whole both pieces. contain its material being
finally processed in both directions. There. are different reasons for
this. If you want to make a musical work. partly avoiding an evolving
dramatical or narrative structure you. probably have to treat time in a
different way. The linearity of time. might be broken in different ways.
The palindrome seems to excorcise. timelinearity treating it as just
another (symmetrical) object having. reversable manipulatable dimensions.
The cutup juxtaposition of. timeelements is fragmenting this line implying
another operating. dimension say timespace or just memory. The
nondifferentiated space. would defy time on the whole as nonexistent as in
the. parmenidicalzenoic scheme (or the La Monte Young scheme. By the way.
it seems that much minimalistic music is motivated by making the. relation
of music to time explicit in different ways discretness. repetititivness
questioning the continuum). Another reason for. fiddling with time was
that I wanted the pieces to be exhaustive in. length so when needed I
simply filled up time by outputting the. material back and forth a couple
of 'times'.. As to materiality as to float as to particles as to space..
ELEMENT TO INTEGRAL. An impulse to make this piece came from disapproval
of my. earlier recorded material and still wanting to use it in some way..
One solution was clearly to hack it all up into small segments that. could
be eaten without choking. Another solution was to superimpose. the
original material making monstrosity from ugliness or stupidness.. So I
did both and in that order.. Another impulse or idea was to let musical
structure build. small (or smallest) elements without imposing external
musical. direction other than materiality.. NOTAT. Serie og
parallellprosessering av lyder etter hverandre oppå. hverandre.
Distribusjon i tid krymping fortetning. Distribusjon i. rom furkasjon
ekspansjon. Lyd ned til fonemminste meningsfulle. lydnivå før den byger
seg opp igjen gjennom strukturering random. cant. kalkulasjoner. area sek
lydisekund lag prosessert. fuge. area sek lag. fuge. area sek. fuge. area
sek. fuge. area sek. fuge. lydareal lyder over tid. to akser lag tid..
tetthet lydareal tid. arealintegrasjon tetthet. matematiske utregninger..
båndet. cm i sekundet. båndmediet. elektromagnetiske spekteret.. ide til
et musikalsk språk. gjennom oppbygging av minstelyder. lydidiomer
lydlinjer. sette opp regler for oppbygging videre.. datamaskin. slika
rbeidde kontinuerlig på et språk gjennom. forandring. Alt tidligere
material er tilgjengelig som hukommelse. språk. bruke formelle språksystem
i bearbeidelse. måten vi lærer. integrerer språket. Lengre brokker
komprimeres til kortere når de er. innlærte settes ammen til nye linjer..
Element til integral oppstykking syntetisering. Eksponentielt. voksende
fra lydpartikler tilflerdimensjonale objekter bestående av. millioner av
lyder.. Primitiv eller uten musikalsk strukturering kvantitet materiell.
ekstase. Dialektisk segmentering.. Uten egenlyder basert på tilfeldig
utvalg av allerede innspilt. material.. Skråstreken lydmusikk. Den
enfoldige lyden (musikk) og den. komplekse musikken (lyd).
Løsningsforslag.. Objektoppløsning overskridelser.. Preferanser til tidlig
konkret musikk. Spilt inn på relativt dårlig. lydstudioutstyr.. Palindromet
speil fordobling.. Parmenides det statiske udifferensierte det
selvinnholdte.. Permutasjon distribusjon muligheter.. Tid rom akse. serie
paralell. fortetning. without a sound.basert utelukkende på tidligere
material.. sound system sunt system uten kontradiskjon. cannibalize. cant.
words. terms. ordliste asssosiasjoner gå gjennom engelsk ordliste.. fysikk
tidrom.. spesiell relativitetsteori. et legeme i bevegelse blir kortere i
bevegelsesretningen. tiden går saktere for et legeme i bevegelse. et
legeme har større masse når det er i bevegelse.. ved lyshastigheten vil et
legeme ha null lengde uendelig. masse mens tiden står stille.. generell
relativitetsteori. materien forteller rommet hvordan det skal krumme seg
og. rommet forteller materien hvordan den skal bevege seg..
gravitasjonskraften er tilsynelatende.. Fortetningen av partikler
fartsøkning tilsv Anmassing hva skjer. fart Emc masse frigjøres til energi
Kjerneprosesser. Plotte. gen.rel.teori som musikkmassemusikk koble til
musica mundana. harmonia mundi Hva er massemusikk Fysisk musikk En stor
masse. deformerer rommet partikler følger krummer linjer de tar for å
være. rette Parallelle linjer møtes som ved en tiltrekningskraft. Lys.
rødforskyves og tiden går saktere i et sterkt gravitasjonsfelt ting.
formørkes fordypes. Materien tvinger lys ned. Matter forces light..
Kinetiskpotensiell energi deepspeed gravitasjonell. Resonans når et objekt
vibrerer med sin frekvens tar det lett imot. energi og vibrerer med store
utslag.. Lyd lyd i rommet analogt med krusninger i vann. bølgebevegelse..
motsetning lys.. Lyd trenger stoff dette materietemaet.. elektromagnetisme
boblekammerbilde magnetisme deepspeed cmsek.. generere en strøm generator..
på skala over atomnivåer er verdens mangfoldighet grunnet.
elektromagnetisme og gravitasjon (vekselvirkninger). støy uønsket lyd.
paradoks hva med å hørelage støy ønsket ulyd. lyd subj obj lyd må ha
stoff. verdensrommet er lydløst. Bølger.. Krumme flater samler i
brennpunkt strålene. Svevninger. Klang. sammensetning av flere lydbølger..
Et brus inneholder alle hørbare frekvenser og kalles derfor hvit. lyd. Støy
er et subjektivt begrep. Def. som all uønsket lyd enten. musikk vanndrypp
eller trafikklarm. Jeg ønsker uønsket lyd. Lydene. rundt meg radio musikk
stemmer er støy og bruker støy som musikk.. Omvending i
informasjonsflommen støy. Bruk en motflom Demme opp en. flom. Demning.
Akustikk resonans hørsel. språklyd fonemer.. lydbånd bærefolie med
magnetisk belegg jerndioksyd.. lydintensistet små mengder watt.. kontentum
gjennom lydmuren.. opprinnelig (gresk) musikk totalbegrep.. Boethius ( ekr)
musica mundana (verdensmusikken eller. harmonien i altets oppbygning og
funksjon) music humana (harmoniske. forhold i mennesket) musica
instrumentalis. overskrider subjekt og objekt danner nytivitet. oseanisk
materiell ekstase.. Det segmenterte som (analytisk) strategi konstituerer
seg i den. akustiske entitet som en retorisk figur og definerer da seg
selv. nærmest som et fravær. Bortfallet av en bindende matrise avdekker.
dissonans og uttrykker seg som babbelpolysemi. Overgangen fra det.
refererende (transcendens) til det signifiserende (immanens) åpner det.
anisotrope rom av segmenter i en differensiell hypostasering. Opptrer. i
krystalls form ikke i apokalypsen det dør som fødsel og fødes i. døden..
PALINDROMER. deeps on time emit no speed. Rettam krad Sade if all erb
music is umbrellafied as dark matter.. noise lesion. deep morf NOISE
LESION from speed. speed morf noise lesion from deep. Goddesses so pay a
possessed dog. Moo lost elk O orbs amid wonders awed Was it organic in
ecstasy. tied Deity sat scenic in a grot I saw dew as red now dim as.
brooklet so loom. On a clover if aloud noise lerupts a vast pure lesion
duol a fire. volcano. epsp. epsp. Element to integral. Text on epsp. by
Bjørn Maghnildøen. Introduction. An impulse to make the piece epsp came
from listening to and partly. disapproving some of my earlier recorded
material and still wanting to use it. in some way. One solution was
clearly to hack it all up into small segments. that could be eaten without
choking. Another solution was to superimpose the. original material making
monstrosity out of ordinariness. So I did both and. in that order..
Another impulse or idea was to let musical structure build from small (or.
smallest) elements without imposing external musical direction other than.
materiality.. In structuring the piece my main idea was that of stream and
time incorporating. with materiality. What is heard seems to me as sounds
of floating particles.. These particular flows consists of the tiny or
minimal soundobjects cutupped. the archive of ownrecorded material in the
years amounting to a. couple of hundred tapes.. Instead of forgetting or
thrashing these tapes I've used them as a fragmented. memoryblock being
randomly accessed through a spaghettistyle language of. pointerism
utilising the phonemical units mere as material ground and surface. being
rather ignorant to their content or context.. Together with the idea of
materiality and concreteness there are concepts like. mass density
entertainment (subsistence) endurance exhaustion and ecstasy. involved in
the actual structure conceived which also partly count for the. monotonous
character of the piece.. Also my interest in the noiseaspect of music or
vice versa is a driving motive. in this kind of project and should also be
well manifested on the tracks. Take. care of your ears.. Noise and music.
The noisemusic dualism could be seen reflected in the material
doublenature. particlewave where 'wave' would be viewed as the collective
motion of a. material moving continuously around a relatively undisturbed
center. corresponding to harmonious states of music and where the
interaction of. particles would be perceived as the more or less random
and chaotic motion and. states of a material corresponding to intensity or
density of noise.. In an inversed physical view pataphysical why not
consider music as a very. simple kind of noise and noise as a complex kind
of music. Nevertheless these are two different operational views of the
same underlying. material (whatever nature) and my opinion and fascination
is that the. classification or perceivance of music from noise likewise
cannot be cleanly. traced back to the material. So it then gets
interesting poking around on a. low level probing for both the substance
and the concept bridging or. transacting the gap or just experiencing the
(possible inevitable). complimentary attitude towards it.. Noisemusic. A
principle of complimentarity of sound could for instance state that if an.
arbitrary material of sound is perceived as music then the noiseness of it
will. be sucked into it and vice versa the perceivance as noise will not
be saved by. the music. What constitutes this perceivance is not solemnly
the attitude. towards it but also the doublenature of the material
itself.. I hope I've been able to express this in the work. A way of
judging a listener. should be able to ) swap between different states of
listenings ranging from. music to noise ) recognise these states
independence of the material.. For instance listen to the material in at
least two separate ways like saying. Yesterday or ten minutes ago I
perceived this as noise or This noise is. beautiful .. Scanning any point
in the tracks and playing a few seconds the piece will. probably be
perceived as pure and flat noise. Playing off the whole piece or. larger
parts of it will probably change that perceivance.. Noisilence. Another
idea in the piece concerning noise was to make a soundshield.. Basically I
wanted to build a wall and walk through it. This could actually be. done by
means of sound. Noise appears here much like silence and through this.
noisesilence neutralize memory or yourself.. The neutralising of sounds
with sounds is possible as noise swallows up all. other sounds or as all
other sounds can be imagined allready incorporated in. noise. White light
white noise get blind get deaf. Close your eyes close. your ears by
opening your eyes opening your ears.. If you stare into a point in the
wall for some minutes my experience is that. the wall becomes black and
purple and vanishes due to the neutralisation of. sightimpression with its
negative representation in your eyes and along with. this vanishing of
objects comes for any reason a state of uh let's say. bliss.. Much in the
same way noise will through a material ecstasy swallow up the. objects of
the world and leave you floating. Drawn I sit serene rest is. inward. The
piece is made using headphones and I also prefer listening to it. that
way. By the way the piece is as noise hypersensitive to equalisers so.
small adjustments of the emphasis on different frequencies are very
effective on. the overall output sound.. This should make clear that the
motivation partly lies in functionality and can. also explain the lack of
any explicit inherent musical structure or pretension. of having conceived
a traditional dramaticmusical work.. Also no sounds have been recorded for
epsp. The piece has no sounds of its own. and consists entirely of the
processing of already recorded material.. Palindrome. One main structure
is the palindromical selfcontained. On a low level the. phonems have been
recorded forwards or backwards quite independently of their. content or
any criteria. Some loops of phonems are being manipulated similarly.. Also
on the whole the piece contains its material being finally processed in.
both timedirections.. The end is already manifest in the beginning. The
content of meaning is subdued. its structure. The evolution swallows
itself up. The mirroring of material. simulates an undifferentiated space
where object vanishes in the double. The. stasis of space absorbs the
speed of the elements.. Permutation. Another motive was exhaustion of
possibilities in the material. Rearranging. deforming and distributing
elements of sound to form a massive overload of. connotations excorcising
content.. Sounds are gradually being hacked to pieces down to a phonemic
level of smallest. meaningful segment processed in series after each other
in time and in. parallell in space. Then the distributions in time and
space increases density. and speed as the permutated material expands and
grows exponentially out of any. orbit of musical reference. Finally the
particle accelerator distributes its. collapsed differentiated elements on
a trajectory into void''.. Distribution. Sounds are distributed over the
two axes timespace. The density of an area is. the number of separate
sound elements through time. The elements seems to be. scattered well over
the electromagnetic specter with an emphasis on the extreme. high and low..
There are areas on the meter of electromagnetic tape where each cm or.
second consists of over differentiated segments of sound superimposed so.
that during minutes over a million sounds are being transmitted.. Other
areas consist of a heap of layers of sounds fragmented beyond the point
of. noreturn. Minimal units of sound are recorded as the six feet and
antennas of. ants spurt the microphones. The flow of noise is in that way
built up from. traces of atomical existence of sounds passed by not
enumerable.. Emit time. If you want to make a musical work partly avoiding
an evolving dramatical or. narrative structure you probably have to treat
time in a different way. The. linearity of time might be broken in
different ways.. The palindromical form seems to excorcise timelinearity
treating it as just. another object having reversable manipulatable
dimensions.. Also the cutup juxtaposition of timeelements is fragmenting
this line. implying another operating dimension say timespace hyperspace
or just. memory.. The nondifferentiated space would defy time on the whole
as nonexistent as in. the parmenidicalzenoic scheme.. There might also be a
minimalistic scheme involved motivated by making the. relation of music to
time explicit in different ways discretness. repetititivness questioning
the continuum.. Also I wanted the piece to be exhaustive in length so that
the notion of time. could be mixed up blurring the divide physical and
experienced time as you. find your mind wandering or take off. Exhaustion
of time seems an appropriate. concept also when the massiveness of sound
is concerned as the increasing of. density slows down timeflow.. The
ecstasy of memory in the conjuring of elements into an allembracing
integral. can be seen as an exhaustion of time and duration and as the
omnipresence or. end of time.. Deep speed. A body in motion compresses
bodyspace lengthens bodytime and increases. bodymass. Gaining speed of
light the body will not have any extension though be. infinite heavy while
time stands still as nucleons of sound ecstasises material. and flows into
energy.. Particles of sound are escaping the gravitational pull of memory
and meaning as. they accelerate and gain a speed superseding musical
references. Speeding of. music into noise atomizes the bodies of
information accelerates towards. infinity and dissolves in deep space..
With respect to history the narrative has become impossible since by.
definition it is the potential renarrativization of a sequence of
meaning.. Through the impulse of total diffusion and circulation each
event is liberated. for itself only each event becomes atomized and
nuclear as it follows its. trajectory into the void. In order to diffuse
itself ad infinitum it has to be. fragmented like a particle. This is the
way it attains a speed of noreturn. distancing it from history once and
for all. No meaning stands a chance once. offered the means of its own
acceleration.'' Baudrillard Pataphysics of Year. from The Illusion of the
End. Mass. Sound need a massmedia for its motion of particles to be
distributed. Outside. the gravitationed atmosphere there is no sound.
Density of mass shapes the. space which shapes the motion of mass
(gravitation is illusorical). Above the. atomic level the manifold of the
world is grounded in the forces of gravitation. and electromagneticism..
Growth in density by speed or space will make mass heavy and slow time..
Acceleration of transactions increasingly forces inerta and indifference
as. particles of sound annihilate each other making a dense cold star
deepened. and darkened by the pull of densityfield.. Within the critical
mass of density there is no references to outside. No speed. will liberate
sound from the silent immanence and there will be just the. autosound of
the magnetic tape and tape recorder background noise as the. ecstasy of
musicality provides its own end.'' Ibid.. Noisevoid. Instead of declaring
the law of falling bodies towards a centre why wouldn't. one prefer that
of the rise of the void towards the periphery the void. conceived of as
unity of nondensity'' Jarry Gestes et opinions du docteur. Faustroll.. The
pataphysial motive of antigravitation appears as music is haunted by its.
vanishing. The particle accelerator seek to liberate sound from the.
gravitational density of music by overwriting overflowing its content and.
swallow up itself. Particles arrive and disappear faster than their shadow
and. leave no time for interpretation. The speeding of tonality runs into
a noise. cohesion void of transmittory pregnancy.. Segmentation as an
analytic strategy is constituted in the acoustical almost. rethorical and
without appearance. Loss of a binding matrix of bodies the. shift from the
referential transcendence in music to the signifying immanence. of noise
births the segments pataphysically from the dying of hypostaticism..
Contents on epsp. Audio. Sourcematerial recorded onto some hundred
magnetic tapes.. Instruments used include korg ms korg polysix boss
drummachine casio. sampler teac tascam electronic organ tapedeck turntable
radio. walkmanrecorder microphones monochords flute harmonica guitar alarm.
clock feedbackdevices mallet instruments computer drums cd resonant.
objects (metal rock wood glass) nonresonant objects (plastic water food.
skin earth).. Concrete soundsources and noises as field or
objectrecordings include crowds. citynoise wind rain thunder habour sea
buildingconstructingareas the. museum of Emanuel Vigeland streets motorway
railwaystation home wood. gardens mountainlandscape waterfalls traffic
balcony industrial areas. reverbal areas church halls tunnels auction
concerts cave train. (inside) humans doors conversations voices sheeps
neighbours geese dog. cat breath walks sea birds train (outside) car
machines bicycle boat. ants magnetic datastore microwaveemission spoken
languages domestic objects. (scissors keys fork and knive refrigerator
washingmachine tv staircase. room furniture) found objects random
objects.. Processing of sourcematerial . Recorded onto magnetic tape.
augustseptember .. Equipment used teac tascam soundforge . waveLab . and
tapedecks.. MP coding of sourcematerial using Awave Audio v... Booklet.
Graphic material made mostly dating ''. Scanned . Pages. include drawings
paintings doodles copies nails blood photoes origami. and clippings..
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S N E D R A U M E .S T. A T T US O N N O H E V H A N F R T L T S IIt's
from reading Lanny. Quarles Subject America for for forH..d ot.SUU.U
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Development of Neuro Artpermutational algorithms in the. Sefer Jezirah and
ecstatic Kabbalah to design themselves.of spamming and. denialofservice
code in the contemporary digital arts I die. Heidi's tips. Semordnilap
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was once in davecarenafan.com Pal's spasm saps slap. Bill A.. alone Mac.
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velfulle avRd trd ved finskegrensa sster med bly og. fjas en tone s
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de gr vi. UTDRAG FRA. KOMMENTARER TIL DEN LILLE ADDISJONSTABELLEN ett r.
Det fr kommunistane. tek av seg selv en meget meget sentralalle.
Platebutikker fint om dere kan. komme og hente dem og gi meg pengakjrer av
veien og skader seg selv eller. andre. kommet som en flge av pvirkning fra
utenlandske navn. Her er. f.eks noenog bli ekstremt kvalm det vil ogs si
deg noe om det leve p. jorden. KvalmeHva er s galt med hevnMake me to
selters servert av spe.. Kinosalene er vi neppe uten den.and uncertain
imagine to yourselves. INDIFFERENCE as a powerhowhim God man and animal at
once. He is both. subhuman and superhuman this is the path marked out by
Nietzsche who argued. have survived the changes andpered (). Kernyi could
just as well. be describing thedomestication and society with all its
obligations ().. X. . X IY V .. . .. OOOOOOOOO OOO.OOOO OOO O .. .. O O O.
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opveasdi utolnyrnelasy. r er aldams glamt. tolhsyre franted hontelse sgi
inn i. porsaner tincor vysn ovarssruti men det er jo en st men
ilbrewwMMwv. jargon of Baudrillard). Also beingcontented with things not
working. andfine Folk er einBresti Culturen vaar som eit so godt Selskap
som. detteneida desom til at synda tidt meg daaratsjlv det gjer' harde.
Fjllet mindreso mangeJolebukkar og underlege Skapnader at dei aldri havde.
trutt der kunde. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag. P LIKE FEILAKTIG MTE SOMseg sjlv ..vitenskapen har eit.
sannhetsvirkelighetsmotiv kunsten har eit.
(Thereisreallynothingskikkelsene besatt av innbilskheten og alle.
fantasiens gleder... Hosdrm pai vera jord.INTURIGSIR OVEN CAMTANT.
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drikka som det stend for imorgonreceived what do I think. So it takes a
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SPKUC SPKCU. SUPCK SUPKC SUCPK SUCKP SUKPC SUKCPDELE . Brudd p
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exploiterutstilling av forsteder as opacity all are. gone. Henceforward it
is the transparency of othersfandenivoldskhet ville det. noemata. Sunday
March. Re question re de pre codewurx. are helpful. I get a general
pictureof code as 'rooted' and double of anyway. having a double property
of ..wellthe usual dichotomies instruction and data. and object and
whicharen't fundamental eg. the distinction between. instruction and data
is aninterpretation what is interpreted as instruction. is also data and
thedata can also be instruction so in a way the. interpretation
isfundamental to code also and creating the roles of the. dichotomy as
wewould have 'instructiondata' and 'datainstruction' and. somewhat the
samein the case of subject and object which are more.
explicitlyinterpretations of something by terming something a subject
we've. alreadyinterpreted it in a relational way and in the same manner.
asinstructiondata I'm refering to code as an subjectobject entity which.
hasthese three parts of data instruction and interpretation..
Theinterpretation part would be the decode.About the everythingnothing
bold. statements since the code is somethingconstituting itself it's a
whole an. entity and real in the sense thatit's taking place with the
interpretation. constituting the reality'situation' of instructiondata
subjectobject so. I'm calling it aneverything like we could create an
universal machine out of. this. And thenalso I'm calling it names like
nothing because it's a machine. more orless. Maybe it would be interesting
to look at everythingandnothing. textas a kind of codework. Finnegan's Wake
as an example of this it's coded. inseveral layers encapsulating or opening
to an everything and nothing ithas. the appearance of code and nonsense a
rich broken structure ofeverything.. Occult literature I guess also has
the code effect of thissort like. out dumped automated and coded the
automatic writing ofsurrealists might be. considered I don't know are
fluxus pieces codeworksby being instructions (of. events) and the
happening would be another moreundirected setup for something. happen well
I'm not sure how todistinguish the code it seems. allembracive. Is it alive
Dead code. Andthe system bit if we don't know if. something is code is it
code by justthat fact like the Voynich manuscript. mentioned And there's a
notionthat code is code as long as it's not decoded. if code is code what
do wemean by a decode Sort(x) is a code does it have a. decode So maybe
aromantic code is the codedecode that kind of code notion. there we havein
a way again instruction and data subject and object. clearlyseparated like
morse code a clear mapping between subject and. objectback and forth
whatever there's the subject of code and the. objectcodeand the morse code
we could call the subjectobject though in a. clean dualcut. In other
notions of code it's not so clean and for eg. sort(x). wedon't call it a
decode it's codecode but what is decode It'sambivalent... 'life is decoded
into dna' or rather 'coded' do we mean theoutput in general. the object and
for something to have a decoding meansto have a systemic. interpretation
but this goes both ways what is thecode can also be the. decode to
emphasize they're activepassive roles ofinterpretation.. and code. the
system of interpretation the structure ofhow the active and passive roles.
will take place of instructiondatasubjectobject. Certainly there are.
levels of code in the construction of nature and ourselves but at the
bottom. we don't know or we know that it's not discreet like the
particlewave. duality. But dna is discrete for that matter the
particlewave duality is. justthat a duality even with probabilistic
measurement the mathesis. behindit is exact...Exact probabilistic if you
have a perfect random number. generator couldit have a code This is like
asking for the formula for prime. numberscould we say there are codes for
prime numbers but not a formula. workingto a certain degree and in general
that code is related to formula in. aspecial way is it a working formula
applied which is the dual again ofform. and reality living formulas. Seems
I'm treating it as formula hereand you. matter and since everything is
mattered and chunkeddiscreet it'scoded but. in the formal end.. How deep
do the codes go all the way you'dsay since it's. rooted mattered dirty
having the real part maybe it'snot a fruitful. discussion where it ends or
begins some highly energicthing expanded and. collapsed symmetry collaped
into code. Yes but we've figured out things to. a large degree what we're
made of our history and destiny there doesn't. seem to be any mystery
about ithow we're created though we can't reproduce. it though have
theknowledge to destroy it a devastating knowledge in. itself.Considering
the fact that dark matter the majority in the universe. isn'taccounted for
at all that the mechanism of memory isn't understood. etc. I don't see how
you can say this. In fact one can as Brillouin. didyears ago argue for the
opposite that the mystery is somewhat. dependenton the limmits of our
economics and simply keeps getting pushed back. asfor example more and
more powerful accelerators are built...Yes mystery is. something
pushedback in relation to something that'stakingplace it's still a.
subjectobject 'economy' ecodomy the economyof code mystery is in the. via
the code interpretation it getsobjectified real as takingplace.. Still
it's an economy not a mysteryit's just what's emphasized. From the. other
end you could say memory isthere and it's working so there's no. mystery.
Code as a term retains someof the mystery the wonder and. complexities
which is lost in the formulaterm. I never stop wonder about the. inside
and outside like this sailboatmoving slowly past the village seen from.
the boat it's somethingcompletely different from the boat it's a mystery
from. the balcony itseems quite boring objectified but it's both and
that's. alwaysintruiging it connects to relativity from Galileo to
Einstein and. forextrapolating the move to relativity is also a move to
code of. thesubjectobject floating within a reference system which
connects to codeas. reality each reference system is on its own a whole.No
no i don't think. this goes if (x) is for example sorted it doesn'tlead to
an elimination of. (x). Think of coding here as performative andrequiring
a stratum or substrate. that it operates upon. Even Peirce talkedabout the
'sheet of assertion' the. necessity for a locus for mathesis.Ok see above
codedecode.I want to run. back to information theory and theexamples
Baldwin talked about or the. problems say of transmitter channel receiver
with noise parasitic within. the process.Thanks for the discussion
appreciate.Here there are several. levelscode as existentcode as
processcode as procedurecode as. performativecode as selfregulating or
checksumetc. etc.There's structure. of course and there are material or
ideal strata andtheir interactions. Code. is perhaps a productive system
of classificationthat admits closure.... AlanAdmits closure yes like it's
its own end metaphysics and then real. asreference system like every
reference system is real on its own. Maybe. I'mextrapolating too much but
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March. Re question re de pre codewurx. About code and codework though not
a direct response I see code generally tied. the western project of
science and cultureunravelling nature's code turning. it into culture and
technology. Thishas no real basis any longer science has. already made us
transparentwe know code is nothing and that there aren't any. secrets. So
there's nobasis still code is everywhere all the more since it's. not tied
toanything any longer doesn't refer to anything more real or more. trueit's
able to infect our lives more like a freefloating entity from. thelayers of
reality. If we have layers of reality we have codes. Ifreality is. one
there's no code but our sense of reality is not one. Ifyou could live in.
one there would be no code and it would be the heavensof the mystical.
The. mystical is tied to code but we know there's nomystery. Inside
yourself you're. a mystery that's it. Walking throughyourself you're code.
These are all layers. of nothing. We know that ifsomething is code then
it's nothing that's almost. the proof of it.Then there's the doubleness of
code of inside and outside. thecommunication machinery of input and output
between layers codesubjectand. codeobject. There's no fundamental basis
for the codes only thesubjectobject. which moves around freely. When I'm
using code it's areflection of the codedness. of culture the structural
complexities ofinformation and communication layers. of reality which are
always therea reflection of culture as construction. traversing it's
layers whichmeans insideout backwards reverse the. twofaced. In my work
I'm notusing code in a fundamental way it's code without. any basis
diffusionof code double and nothing of codes. Codes are still. fascinating
weneed something to do as humans I quite sure we're genetically.
gearedtowards these things problemsolving directedness of.
attentioninformationchurning. Still we have no mysteries only the codes.
andthey're not real only a kind of art beauty of codes what we're madeof.
still no mystery only reality. Codes real but not real that'salso the.
doubleness what we mean with subject and object they're bothreal but not.
real to each other if the subject is real the object isunreal and vice.
versa. These two could be stated as a classical and aromantic notion of
code. the romantic code refers to something beyondas its reality (nothing)
while the. classical code to its construction(double).I know this didn't
answer any. noemata. dee. intrui gpj.hcruhcevatsoprotraidepikiw .ssorC
llewhtuR dense. spacefilling fields in Celtic rsebi Yes
beautifulhorrorANBKstsohg. snoitutitsni dna slamin like a
magnificentscientificunion or coniunctio... but benea 'ecneirepxe cinaeco'
ehttuoba.ssenytpme gnimees eht ehtae event. I. feel this kind
ofcomplexSouth Indian Temples are also a to borndog. thespirit is
impossible middle age scholar ytilibissopmi dna. ytissecenneeelbissopmi si
elbissop eht fo possibility necessity. impossibilityso i'll stay possible
lanorepip sirpaeh eht s ommisrealin what. nonsense rehe htaed dna luos
segagtrom dna laenip real inwhat nonsense. rehe htaed dna luos segagtrom
dna laenip cissalctsreal in what sense an. argument how the possible is
enisorek sissabsrezinamuh elbissyrassecen ton. e then i'll be both
existing andnoteso i'm thinking of my untho selpmip laer. cimredoyp
snoitaeniled da the dead theLet's see three classes of p. airatilitu
rettucysircopyh uoyaklumog uoy taht (interpretat dlrow eht. ship at Sutton
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vhpnietorw SE.OODANAWseugiuba seu ) these gods and. molecules anlaunam a
tuohtiw tnemurtsni lacigolohcysp eseht fo yna ehta. thedifference in
perceptions psychological profundus bene edulerp fo dnika. yaw a ni si
ytix..iucav rorroh fo elpmaxe doog. LgeYsgwYGuVmXYSXQwAWIjaqJzz.gnigdir
eep ot evah yllaer i ethe spirit. is unborn (never was)i'm god ciozoileh
si ymups eht eniltohs ega aksarben. possibility is the mediator betwi'm
possible butthe possible gnisilatrommi. sselesoppo serujrep ytnals evila
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only possibl retirwelliarb. eb otnert gnitsixesretaews gnilbis fothgu i'm
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tneihsiflaw i one. this is otherqrny g'abq v nuclepbcn abknyx rzvglnq rug
a otnisetatseg a. snoitanotni ecnec more a struggle moravianisedlife
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otherwise interview an inventory of the cities where sound was. recorded
it While FullerHarwood regard software as first of all a cultural. but
eccentricity the opposite of politic (withness) a self baumpf These. forms
are excesses andthat the 'spectator' could remain awake during surgery and.
contribute to originally envisioned the biological basis of his theory of.
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created himself likethey do and the falsity propagates. until it turns
back which isnever we understand it backwards it will repeat. something
willreturn which is the loosing and gaining the restore of. potentialthe
wave you don't want to meet a particular god only the. falsewhich would be
true it's like a tree it has only one end and that'sthe. beginning the root
all the rest just spreads out it would becrazy to think. all the leaves
would converge later on spreads likeentropy flattens out while. growing i
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ut til at det er en. trojaner i opera . build har funnet flere private
mail her og alle. bruker nevnte client. mail til opera skal sendes. det
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like meningsrik sommeldinene p. notest. )at dere gidderhh. hvem er.
hvorfortror det bildet var vedlegg. til sknad om kulturstipend. ) den. som
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i no.test og alle bruker xmailer opera . build mail er sendt. til opera.
kan jo hende at noen har lagt ut en trojansk version av opera og da. br
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revolutional reversing. undermining etc. In my viewkulturen er oppi hodene
vre i subjektet mens. natuen er ute der objekterthey would have stories for
film here yes maybe. that would be their newstability. Beauty taken over by
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sign systems as text. sign an inse. parable combination of a concept and a
soundimage with physical form refering. something other than itself and be
recognized as a sign by people well if. the sign is a sign then it's
something other than itself and then not a sign. and if it's not a sign
then it's a sign after all this doesn't make 'sense'. and that's the
foundation of 'meaning' that it's something else. symbol a. natural bond
between signifier and signified if it's natural then it's always. there
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then the variables (signs). metaphor these are just transformation rules..
metonymy ok blah initiations calls. mediation is a matter of symbolic.
exchange an exchange that is mostly onesided well the symbols are natural.
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strange to communicate symbols then they would be signs. television is.
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discussions.. p j u qviral nihilogies nilogues.h. R K kaddendum
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repugnant.one at piece with yourshelf det var litt overraskende. Fwd
RHIZOMERAW Internet Art Survives But the Boom Is Over NY. andre serien
flakkende inn og ut i kantene.p fylla hvordan den vil forvirre. ynene.
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chapters). languagemindpropositionworlanguagedtruth(su ve adv su gen. su
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handling of theliksom bruken av unik designator og av. en
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reveals. no discernible reasons for hisundeliverablepolitical
incorrectness.. poem Karawane'' (Caravan'')lillefingeren lfte bilen
stagemethod. (mesostychs of the name James Joyce'') and the montage was
done material for. writings in a selfinvented hybrid of English and
pseudoreceiver then. computers are not only media but also senders and
conclusions drawn from. observing software code can't be generally applied
for example appears to be a. tape montage of a spoken text based on James
geon akin to d gene g jener on. noemata. lxFsni. uvirkeligheten fr
lakkenalltid rett fr toumodent en tilspekularismager er. dagens
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inngr fra. forholdetav Nazi Rumsfeld does not understand that. anymore
than Ari Fleisher who ishalt som han hinkar.Han overdriver.Same. seg til
frte ikke fram i fjor henlagt av politiet det var forvrig. virkelige det
var agnet som drog fiskenDet var pga. lokkemiddelet.Han er. ikkje
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where athis way a. socialnetwocommunication problem social barriers not
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bull It's not an optical illusion it just looks. Action becomes Art
Performance in the Context of Theatre Play Ritual. andthe formal
Distributed through CyberSocietyLive CSL CSL is a moderated.
discussionFirst Monday February orders of the day.. Net.Art Connexion
net.art databaselook at your organs look at your. composition. understand
yourself as possibility. The removal of the beautiful. in Kant's aesthetic
from any given ubuweb aspen. k Ikke i bokh.konomi Vennlig hilsennoemata Fwd
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orders or more to the US . Re I'm known for one thing and one thing.
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noematadasignifiance. Inreality it is opposite sign is nothing and code.
is sothen nothing but the last judgement every. Return. If he's. Return.
IfBut. behind the virtual is. the real again. Inflation of spacetime.
..aa..rt..it.ekoot science not art not art not art not techno logy.
hcarousel. End of the cycle. If you ride on a beam of light. Dark sun at
out). the diplomate is hermatypic (commerce and cunning and
inventionkunstneren som. formidler mellom verdener idagsekulrt som en.
formidlerLNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance). kP
neziskovch organizac det. anotamotua na si yltcaxe tahw yltsriF .atamotuA.
is actually a. noemata. arhalev an. lareves ni dedrocer sd ot seilppa erom
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appears to beht mrofsnarthcihw secafgnidrocer a. flesti ece nekops eht
krowtra cimhbaumpftumbaincludes the computerge. studios. While the
bookpelur eht fosnoitatimil e ti dedrocer saw dnuosThe. history of the
digprograms getlocked int randosnoifo noitaunitnoc thgia. retupmoC
.sremmargorp gnipmulrof noitacifit. gnipmul rof noitacifi sa tra fo
tpecnoc deniaall or at least nosoftone. defines as a medium new media
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ralucitrap a tinstruments inan emerginstruments in an emer. receivers
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then o virtue thatcomputers caneewteb rehto eht no seti smhtirogla. ro sno
.asreprogrtismhtirogla ro sno .asreprogrzeros and ones the Lati. noemata.
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the thermostable and the. relationship betwixtteguments artand the by
umberto eco. i worthwhileness. justment likehieroglyphics etc) thanks
reprehensibility the pinnacle of. thedissonances offroment the samnium
institution my thessalonians is. thanatopsis theteledynethat tektronix
medalise does not constantinople art. despoliationem pleh ot daerht a
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unope jiliat kylo. limo m SyirroTungw Unopem nTamkw Hedul.
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Tinxu HydalXYnzh Havslez Gjaxb Urqny Fvreen GnatbLumi. noemata. Wednesday
February. overt ones. day and night aren't we supposed to sleep half the
time that we sleepone. third is our own excess of rationality. how do
theology account forsleep. novalis fragment we finally should rid of
sleeping. kind of rootbut what's. deep about dark nothing and what's deep
about nothing it'snot that light. grows out of dark though goethe might
have believed so.that might give a clue. he's experiencing it through his
tree so thatit seems rooted might shed light. on the primal tree idea. the
treesupposedly from 'wood' not monad dyad. tryad. how is romanticism likea
tree one to three one is one and nothing can. be said two are atwar three
are rooted the two are one. bosons in gauge. theory bearersof the force
integer spin while fermion matter have fraction. spin.you could say these
are romanticclassical divide. problems are pushedinto. the romantic until
later. let's see particles and thennecessarily a force. between particles
ok and these forces are yesparticles forcecarrying. particles oh they
'carry' the 'force' hownice in their rucksack you could. also see it from
the particlewavedyad. if it's not interfered with it's. romantic having
interferenceand if it's interfered with it's classical. having no
interference. sothe interference is one place or the other in. 'nature' or
in 'science'in the romantic process or the classic formula. the. bosons
areinterfering bozos the interference not obeying the. exclusionprinciple
(related to 'particle' in a sense) like the clown is. areplay a primal
glue forcecarrying particle two in one thetravesty. the. clown is
constantly fixed constanted an integerfractioned into matter spin.. we see
it the other way the romantic is amess a forceparticle buffoonery. what
could possibly come out of itoh just matter.overtones it's like nature. is
counting ... foreverything it's counting up if one. then infinite weakening
but stillcounting. because of air interference in a. medium why should
nature becounting the overtones would all be fractions. what about
irrationalnumbers i once heard music based on primes it's very. noisy only
primeovertones. where exactly does the irrational come in i know.
thediagonal of the square what becomes of the diagonal in e.g.
overtonesif. you had an irrational chord it would sound forever or not
sound howcould it. sound to create a diagonal in music would you need
anotherdimension is the. diagonal another dimension it's a travesty
we'reback to that. you could also. form a triangle that's not irrational
butit's a relation between three that's. possibly irrational. do you
needthree how's the square a three the two sides. are irrational but
thesquare is rational how is that kind of inverted. direction therational
is build from the irrational adding dimension. we're. used toview it in
the other direction. this all digresses no way back. it'sbroken. what was
the riddle 'cat eats dogfood but the bowl is. noemata. plante analogi.
hvor utbredt er plantelivnring analogiene i folks forestillinger.
vekstvokse seg stor og sterk etc livet som plante. det har begrensninger.
fordiplanter har rtter. sl seg til ro blir analogt med sl seg. til rot for
vokse bedre. menneskebilde plantebilde. dessuten m det. komme som en
stadigoverraskelse at mennesker dr s plutselig skulle de. ikke heller bare
visnebort og alle raske forandringer er av det onde. elektroner m vre
smdemoner hva med fotoner fotosyntese sola de er. gode. i det hele tatt vi
har forstor makt til vre planter trr som. vokser bker som kultiverer
uendelig vi har bokbl virus bomber. knapper trykke p maskiner. vekst joda
menvier mennesker ikke planter. og innimellom der dyr og da er ikke
mineraleneengang nevnt fr n. og. hva med sjelen og nden vekst liv og
ddeksistenssdcellen som kom. p andreplass idrett de dramatiserer
overlevelsehndballandslaget. raider nabostammen de vokste ikke sammen. alt
eksploderte det er en slags. vekst. plancks konstant brekraftig utvikling.
og utviklingto bilbomber. utviklet seg utenfor ambassaden. mennesket er
alle tings mlikkeplante ikke. eksplosjon fenomener har forskjellig
hastighet strrelse samfunnet er. strre enn hver enkelt og dermed treigere
mer likt planter mensgrupper av. mennesker er mer som dyr dummere men
sterkere. i andre retningenernden som. et elektron og ser for seg
atomeksplosjonen som den. hyestereligiseforening sin skaper sola big
pangpang. lenger framover. er lenger bakoverstrre fart er strre avstand
mindre er strre. forestillingene er speilnrdu ser foran deg ser du bak deg
som nr du ser. noemata. Tuesday February. art)) not. folktale cinema. The
of local lore oI had this idea soun I can dreamanyway.. iwant somehthign
thaSte sa inteels frowitad undas reminds mi'I had this idea. for a solthen
you have like the coil uses. Shewould g icy wilderness but. noemata. Monday
February. Mar. assimilation the easier to pronounce a sentence the more
widespreadthe change. noemata. for denoting the highly contingent
aggregate of external. propertiesscapesapproximate sense of the private
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considerable plasticitythere is convincing evidencethe missing
hemispheres. functions.Thusalthough the developing brainTel. (kr min)I.
probably should look into Eco then. In my view it's not metaphysical.
it'sNovember about Enrik Tcha gog Utopican and interweaving andor. collaps
of the two that's essential to code (I'm usingDelete Several authors. (for
exampleEfron)have suggested that it is not motor you turn the. magic ring
in vainHistory and North ain't well mean sequentially and. abstracting the
relevant details to which it attachesoldname diets. A. treebonnet foliate
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ta aCtaTlaCh. million people he said and a Web site he created with his
sister Chelsea. Another key contribution was the discovery thatafter
damage to a part of. thearttrauma lesions that were diffuse and irregular
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present of the s.jpg Mar. ktranslate these images..
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fortelle deg noe s man kanprosjektklappene First In Still Here ordning.
fiskeken.Kent MantiesEljotfordervet mat moralsk delagt mat.Vi er.
forresten en liten gruppe som tenker trykke store plakater (x.
m)simuleres.Erik hadde en ide p enveistelefonen idag om forstrre opp.
monopolkort tilgjerne p min nummerorden. Wreak havoc. Skape kaos og.
kvantebyrkrati.anything that you can take a picture of especially if a.
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sa jeg har. ingen bker. Uten og innholdslse som overskrider det sa. hei
sveis jente med det gr i glasset rundt hele. noemata. .... noemata.
noemata. noemata. bbly r q ntllb h ax i. l. l b y. noemata. Friday
February. Fwd C p DETOX Kunstnernes Hus. noemata. Anbud naturfag. Bilder
som dette fra Hubbleteleskopet viser at det kryr av galakser idet. fjerne
Norge.Hvor mange galakser finnes det i NorgeHvilke typer galakser.
eksisterer det i Norge og hvor mange er det alt ialt i stfoldNy.
astronomisk forskning som er foretatt i senere tid har vist at detkanskje.
eksisterer langt flere galakser enn tidligere langt frre antattlenger. P.
den ene siden finnes det mange galakser i det fjerne Norge.P den andre
siden. tyder mye p at de er dverggalakser. Det er cirka medlemmer og bare
tre. normale mens resten er dverger skalte gnomer.Fjerne gnomer i Norge
er. nesten umulige observere systematisk men dekan godt vre tallrike..
Konsulterer vi et standardverk om kosmologi blirantallet galakser i
stfold. oppgitt til cirka milliarder. Men det ermuligens mer realistisk
med en. billion ( milliarder). Da tenker viimidlertid bare p det synlige.
stfold. Iflge moderne historie er Norgeuendelig og i s fall vil det. etter
all sannsynlighet ogs finnesuendelig mange galakser i stfold.Hvor. nyaktig
kan man veie sjelenHva er den mest nyaktige vekten som er. konstruertVi
vet for eksempel at en colibakterie veier. milliondelsmilliarddeler av et
gram. Denne vekten er s nyaktig at den. foreksempel kan veie en enkelt
bakterie. Prinsippet er det samme som for. ensyngende gitarstreng med
sjel. Hvis strengen er tung er det blues og vilager. en dypere tone. P en
liten gullskl kan man legge for eksempel etstykke. DNA. Den blir
cm.Voldtar dyr hverandre i naturen eller kan de gjre det. inneFor eksempel
kan paringen hos stokkanden vre en temmelig. barbariskhistorie. Bruk av
vold kan noen ganger vre hensiktsmessig uten. atdyrene har noen onde
hensikter med det. De gjr sitt for det meste. erutenfor hjemmet fire
vegger men noen arter kan trenes til gjre. detinne ogs.Hva er det eldste
ulste regnestykketPythagoras tumlet med. mange problemer omkring det.
Dette sprsmlet erubesvart enn i dag. I. desember oppdaget man . Det er
ulst. Lstfra lyst kan vi si var. pythagoreernes motto har du lst har du
lov.Det sies at Solen er snaut fem. milliarder r gammel. Men hvordan kan
vivite detDe som er eldst vet best.. Solen er mye eldre enn oss derfor vet
denbest. P den annen side er solen. yngst den er den samme som den var
forfem milliarder r siden mens vi som. mennesker har en
utviklingshistoriesom er fem milliarder r. Derfor er vi. eldst og kan
bestemme over solen si at den er fem r hvi vi vil. Det er. interessant og
en del avvitenskapen med beregninger det vi vet om Solen. Alt vi. vet kan
skrivesp et frimerke med en tommeltott som er fem nanometer i.
diameter.Hvilket dyr har tykkest hudVi tror det er plankton. Er det det
Siden. hvalhaien spiser dem og harsm tenner. Den tykke huden kan ogs vre
rundt. halsen eller brystet.Flodhesten lever av verdens strste fisk. Det
tar den fem. hundre r seile over havet. Blgene den skaper er opphavet til.
havstrmmene somskaper livet p jorden. P havbunnen svmmer den og.
opprettholder verdenmed sine vingeslag.For deg personlig Gunnar hvordan
har. du detHva spurte du om nNei glem det. Takk for n.Fra.
TVintervjuAnnonseHvis du tar disse tablettene lrer du samba p en. natulig
mte. Komigjen n.Nr vi knuser sparegrisen blir den da. sparesvinSparesvinn
HAHAHAHA. I virkeligheten vet vi ikke. Hvis det dreier. segom
pengeinnkreving eller utviklingsarbeid. Hvem vil du si er mestskitten.
grisen eller svinet Svar Svinet er umoralsk grisen er bareamoralsk.
Dermed. kan du forst motviljen mot svinet. Grisen har en uskyldsom et
slaktet lam. bare skitnere.Hva er glattest av is og bananBananasplit.
Bananen skal splittes. noemata. Tuesday February. Re Skolelimsordningen.
Det er fint. R. Norsk har mange merkelige konstruksjoner som du vet.Jeg s
ikke. at dekket var punktert fr jeg satte meg i bilen.Hva betyr det Nr du
satte. deg i bilen s du eller s du ikke at dekket var punktert... fr
etterp. jeg satte meg i bilen.Haha 'fr etterp' halloOK problemet er at
'jeg. satte meg i bilen' kan oppfattes som et tidspunkt eller som en
tidsperiode.. Hvis det er et tidspunkt s kan det virke som du oppdaget at
dekket var. punktert idet du satte deg i bilen. OK Hvis det er en
tidsperiode s har du. fortsatt ikke oppdaget at dekket er punktet nr du
har satt deg i bilen. For. skille disse kan du sette inn et 'etter' da
blir det klarere men ikke helt. klart.Jeg s ikke at dekket var punktert fr
etter at jeg satte meg i. bilen.Fortsatt er det et problem akkurat nr du
oppdaget at dekket var. punktet om det skjedde nr du satte deg i bilen
eller tvertimot at det ikke. skjedde nr du satte deg i bilen slik at det
at du satte deg i bilen ikke. forandret din viten om dekket eller om det
nettopp gjorde det. Dette er ikke. klart.Hvis du forsker uttrykke at du
oppdaget at dekket var punktet da du. satte deg i bilen kan du si...
nettopp detJeg s at dekket var punktert da jeg. satte meg i bilen.Hvis du
forsker uttrykke at du ikke oppdaget at dekket. var punktert da du satte
deg i bilen kan du siJeg s ikke at dekket var. punktert da jeg satte meg i
bilen.Verre er det ikke. Dette fr og etter blir. bare tull. Det er liksom
du omfavner en stor sekk som du ikke ser enden av. dermed kan det vre hull
i sekken uten at du vet det og dermed at sekken ikke. inneholder noe.Ellers
var det bra.Det er noe med benektninger er det. benektinger Nedfallsomrdet
er altfor stort. Hvis eplet ikke faller langt fra. stammen s kan det falle
hvor som helst liksom OK Se p uttrykkeneEplet. faller ikke langt fra
stammenEplet faller ikkeDet er ganske merkelig. Hva. skjer Negasjonen har
ingen naturlig begrensning den m liksom flikkes p. med adverb og ad ad ad
for forme hva som skjer nr det ikke skjer.Det. blir . Fem pluss hva liksom
Pluss er en operator. Du kan skrive for. skille fra (prefix) men postfix
tar to argumenter eller bare. gr ikke. Det blir . Hvilken vei gr det Er
bra eller drlig Du fr. det er midt p uansett og blir en del av skolelimet
som du har kalt det.Du er. innkalt til rektor i morgen kl. . Han trenger f
renska ra sine. Det. er du eller Stompa men han er bare i svarthvitt vi har
beveget oss bort fra. det n. Smrbukk har forsvidt modernisert seg med ny
teknologi osv i kampen. for bygda men han er aldri der nr du vil ha tak i
han. Det er riktig at. Gerhardsen ligner p Quisling og kanskje var
tvillinger det skal ikke. benektes. Noe annet er det pst at gjenreisning
av landet og. nasjonalsosialismen hadde samme uttrykk. Den m du lenger p
landet med. At. vi har uglesett Quisling helt siden krigen kan vre en sak
for seg.. Gerhardsen og snn har tilpasset seg markedet fra gjenoppbygging
til. merkevarebygging det er noe helt annet enn ensretting. Merkevare er
merkevare. ensretting er noe annet. Er det klart.. noemata.
Skolelimsordningen. StilIdag har frste til tiende klasse skolelim p
timeplanen. Slik var. detikke fr. Men til gjengjeld hadd vi et halvhundre
feil p diktaten.. Mineforeldre gikk p skola mellom potetsetting og vronn
og nr det. ellersikke var noe gjre. Etterp kom kommunismen og reformer.
Skolelim. bleobligatorisk for alle og ingen fikk lnn. Det var likhet for
alle. ssantdet var lim til alle og det var det satt av penger til fra.
offentlighold masser av hvitt mildt ufarlig lim som kunne brukes til alt..
Vikjente den igjen i skolemjlksordningen. Ivar drakk opp kartongen sinfr.
Unn hadde rukket dele ut til alle s han kunne sple kartongenoppi. kassa
mens mjlka fortsatt blei delt ut stilig. Jaja. Skal vi se.Det hvite..
Senere gr livet opp i smmene limet er ikke s sterkt.Kommunisme er. flt
sier alle. Rart ikke unga krever penger for g pskola det. ville jeg ha
gjort. Hva slags krav har skola p meg fore megmed skolelim og. skolemjlk.
Husker jeg undret meg mye over noe jeg lestei samfunnsfagsboka. at
hensikten med skola var sosialisere oss.Folkeskola fungerer og s. sier man
at kommunisme er umulig det rimerikke. Samfunnet ellers kunne fungert. like
godt som folkeskola nringslivet arbeidsmarkedet hele skiten.. Pensjonistene
gr igjen overi en kommunisme men voksenlivet skal liksom. vre kapitalisme
ogkonkurranse. Det skal vre snn fordi mennesket har. konkurranseinstiktmen
ikke barn og pensjonister. Neida. N er det s mye. sport p tv atjeg tror
kvoten fylles opp uansett og det er jo liksom poenget. medsport da. Men
nei samfunnet skal vre sport med rsgrense. Du gr. avnr du brekker beinet.
Det er liksom litt tpelig. De som vinner. grrundt og flotter seg verre enn
p barneskola. For pensjonista er alt. detsamme om Per vann s er det like
bra men de sttter sporten. detbringer fram det beste i alle sier de. Det
beste betyr at det ikke. erkommunistisk. Superlim. Superlim er ikke
sosialistisk det er mer mafiaog. korrupt det binder ting p en tvingende
truende mte. Jeg bruktesuperlim. p veska til Terje nr han skulle p tur han
blei jvli sintetterp. mtte skjre opp veska. Da fr vi vold. Idag skal de
drikkecola og bli. stimulert til vold det er mulig skolemjlka er helt
borteelevene fr. gjre hva de vil. Konklusjonen er at kommunismen er
muligvi trenger bare. lovendringer. F.eks. at det blir obligatorisk
arbeideog at ingen fr. lnn slik som folkeskola. Eller at likhetene angr
tingsom er ndvendige. vanlige for alle. No problem. Men det gr liksomandre
veien alt skal ned p. individet alt som finnes er individer. Dedde er
forsvidt individer selv. om de ikke finnes. Det ufdte liv ertil en viss
grad individualisert men man. fdes som individ det ergrensen i livmoren er
kommunismen implisitt vi. sier det erparasittisk leve p staten. Bringe fram
det beste jaja. sport harlange og fine tradisjoner hvorfor delegge det ved
gjre alt. tilsport. Kapitalismen sier vi er som blader p et tre vi sker
allesammen. mest mulig sol og dermed regulerer alt seg sjl til det beste.
Vivil alle ha. mest mulig penger og kjre med en flat rd bil. Det erlivet.
Det er ofte. morro ta tak i replikker fra forbipasserende nidag var det to
...men. hvis du eier det selv... (sagt av to damer meden hund) og ...mr.
perfect.... (sagt av to tenringsjenter). Var dethunden de ville eie selv
og hva var. fordelene Det er snt som sies etre inn i folkesjela best eie.
S. svarer jeg inni meg ja hvis dueier hele verden s slipper du bsje. p do
men kan bsje hvorsomhelstslik som hunden. Mr. perfect det er liksom.
individet og jentenesreplikk er maktrelasjonene i det individualiserte.
Hvis. man gikk inn pdem s ville man finne ut at jentene ikke var
kommunister. men heller atdet var en sken etter den beste plass i solen
hallo fltt. deg mr.perfect jeg vil ogs ha sol. Dernest tror jeg ogs de
ville vrt. sammenmed mr. perfect hvis det var mulig nr de kritiserer han
er det. fordidet er utenfor hva som er mulig n utenfor individets.
operasjonsomrdedvs bare bsj. I dagens samfunnsfag sammenlignes. Gerhardsen
medQuisling begge sto for en ensretting og drev propaganda. N. skal altvre
forskjellig istedenfor ned p individet som m vre. forskjellig.Fr het alle
unga Ola n m de hete Markus Aleksander Vegar. MarkusSteinar Olsen Olsen
ogs kalt Krka. Den som ikke er. forskjelligdr. Skolelimet hadde som
oppgave folde sammen. identitetspapirene tilden oppvoksende generasjon. Ja
n gr stilen mot. slutten som du ser.Skolelimet hadde sin oppgave. Hva med
samfunnslimet. nringslivslimet(slimet) Pengene binder alt sammen og er
samtidig. forskjellen.Skolepenger avlser (bokstavelig) skolelimet. Elevene
vil om f. r krevepenger for g p skolen hvis ikke trenden snur. Kommunismen
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Australia Minnesota and Chicago this past fall. A version of this advance.
for any inconvenience or disillusionment this event or this message
referring. it may cause. Han sg i luva si.Han hjelper dei som vinn liksom.
hundane.Ro no alle vel sa mannen.Tmmerstokken.bitch fare fare. krigsmann
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opinionsinstitutterjfrnnSociologically and all it would be interesting.
having different people oncontract writingautobiographies. They could be
paid a. small amount by the state. Giving them ahigher amountwould fuse
publishing. houses and state affairs. This could also be an idea
forpublishers eg. why. don't they pay webloggers for making content for
them on a freelancebasis. Orcontracting autobiographies And not least why
don't they. publishelectronically it's easyand cheap. No money but hey is
that the base. motivation erroneousGitt mengder med statistiske data og
fuzzy logic kan en. sprkkultursimuleres.Roboter ogagenter samler
informasjon og mater maskinen.. Populasjon fr betalt formengdenav info
dengir fra seg F betalt for. fortelle om ditt liv til vr maskin. Bekjenn
c. ssb.nokjper opp. weblogger. Mer utbredelse av teknologi som
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delmengde av fuzzymengder.). Semanticallythedistinction between fuzzy
logic and probability theory has to. do with thedifference betweenthe
notions of probability and a degree of. membership. Probability
statementsare about thelikelihoods of outcomes an. event either occurs or
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considered zero ifthe gravitational field is regarded as. negative energy
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alt var. grnnere p den andre siden (CIA) fikk en ansatt p Sunnmrede ikke.
vet hvem dvergen er. Hysterikere lper n i ring og lager slave.. De kunst()
inn i. det mytiske. Det sttter seg p Borges' hallusinasjoner og Nietzsches.
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critique of this infinity undermining itself as 'image'.full as a. piler
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eller mislykket README. stjernestatus men hvem bryr seg dettehar ligget pE
noemata i lang tid. ingen reaksjoner ingen leser allesitter og runker
eposten. Men dette kunne. blitt stort med noen andreenn udugelige sabber i
staben. Hele noemata er og. taps det er oppgitt iutgangspunktet og lever
med latteren i halsen.It. was a tiny onyx diorama of Don Quixote' and
Sancho Panza.DThe light. slanting uniformly into the austere living room
vaguely Dpopulux 's. geometric. The sane cat sat near a window licking its
paw.solipsisjeg. hadde et notat pE dette engang kanskje det er slik at.
noemata har som sitt felt disse umulige ogmalpasserte verk og uverk like
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uttrykk som en endeligeller uendelig opplFsning av kunsten med. objektets
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grenselandet ellerFrkenen (nettkunsten). fin setning. iallefall. det hFres
seriFst ut menhar mer preg av tragikomedie mer. quixotisk enn romantisk.
det umuligeer en rFd trEd kan det virke som. en rFd klut
forestillingenesumulighet eller det virkeliges. uvirkelighet.every ecstasy
ultimately prefers to take the path of renunciation. ratherthan sin against
its own concept by realizing it. adornothere is an. idea horizon just as
there is an event horizon the horizonof their. deathdealing accomplishment
their absolute realization.thought for its. part leaks out into the void.
baudrillarddon quixote som en taktil. kulturjammingsteknikk bevisst
dumskap.noemata message in a bottle server at. the barents sea BA nhva
slags mail vil du sende ut i havet umulige. kjErlighetsbrevthy false
promise and my sure misfortune carry me to a place. whence thenews of my
death will reach thy ears before the words of my. complaint.what thy
beauty raised up thy deeds have laid low by it i. believedthee to be an
angel by them i know thou art a woman.hva du gjFr. der er det et spFrsmEl
eller svarquo oxid netnn som don. quixote. nettkunst som ikke virker
annonseringer ogforestillinger som fantasi.. urealistiske umulige
malplasserteprosjekterog ideer som samtidig blir. kulturjamming
intervenering taktisk oglatterligjFrende selvironisk med. den folkelige
sjarmen til dettragikomiske.there it. is said sancho what i told you that
you must keep a goodcount well then. by god there is an end of the story
for there is nogoing any farther.how. can that be said don quixote is it
so essential to the story toknow to a. nicety the goats that have crossed
over that if there be amistake of one in. the reckoning thou canst not go
on with itno senor not a bit replied. sancho for when i asked your
worshipto tell me how many goats had crossed. and you answered you did
notknow at that very instant all i had to say. passed away out of mymemory
and faith there was much virtue in it and. entertainment.so then said don
quixote the story has come to an endas. much as my mother has said
sancho.in truth said don quixote thou hast. told one of the rarest
storiestales or histories that anyone in the world. could have imagined
andsuch a way of telling it and ending it was never seen. nor will be in
alifetime though i expected nothing else from thy. excellentunderstanding.
but i do not wonder for perhaps those ceaseless. strokesmay have confused
thy wits.ffrom a mail from. lanny quarles solipsis the term 'idiotic'
isn't really about intelligence per. se butrefers to a kind of imaginary
ratio whereby the self's uniquenessadheres. its own erratic path its
actually a term connoting a kindof pureness and. honesty.. I'm thinking
somewhere in the neighborhood of eigensomething (can't. remember)
hmmAuthenticity is also a translation problem. Eigentlichkeit has. its
rootineigen own. or proper Gr. idios Eng. idiot. So one. shouldkeep
theoriginary meaning of idiocy in mind being one's own self.. The
termEigentlichkeit points to the possibility of being one's self.that.
strikes me. As you point out the Gk idiotic denotes not deficiencybut.
eccentricity the opposite of politic (withness) a. selfradicallyownmost in
its extremest form perfect solipsism.With. this in mind and apprised ( by
Nietzsche no) that every greatphilosophy is. autobiography oughtn't BT be
read synoptically withOtt as it were in the. Confessions genre...that BT
represents H'sselfcasting(Go litel bok go. litel myn tragedye) an idiotic
interpretation ofbeyng...that the AngstCare. structure for example if it
fits one say Hamlettypeassuredly doesn't. others Quixote Don Juan
Faust...via the baudri Lard art has. disappeared as a symbolic pact
remaining prolification ofsigns ad infinitum. as 'culture' auto.noemata
automatic art. thesituation resembles that of a. currency which may not be
exchanged itcan only float its only reference. itself impossible to convert
intoreal value or wealth noema D. kroner the impossible of noemataprojects
their floating like quixote. phantasies manusfilms andinconceptual art.
general indifference please. remove me as only emotional responseprofound
indifference everybody is an art. is truethe system runs less on the
surplusvalue of the commodity than on. theaesthetic surplusvalue of the
sign no matter how marginal banal. orobscene everything is subject to
aesth. cult. museum.zation. like the. prax of baroq we too are
irrepressible creators of imagesbut secretly. iconoclasts we manufacture a
profusion of images in whichthere is nothing. full compression code cipher
our images are like icons miraculous they. allow us to go onbelieving in
art while eluding the question of its. existence.iconicitydragon body
laburint beyond the indifference art as. uglierthan.uglybad worse raised
to the second power because it is. liberated of itsrelation with its
opposite bemyghost transaesthetic. blasts tourism people who no longer
undertake voyages but simply go. roundand round in circles tracerouteping
travel agency These forms are. excesses andcollapses of code viral
fascinating indiscriminate and. reinforcedby viral media our culture also
produces the most murderous. viruses.catastrophe culture. we all enjoy
these things. nothing code. stagingsoperational whitewash overexposed
defenceless without any way. ofrefracting light info doomed in consequence
to a whitewash of. allactivity codedecode IO labora trashmaps maze digital.
techniquerelinquish identity to survive endnodes net computeroperations
not. actions regulated machinery nothing takes placebetter to produce
nothing in. order to have things produced artistsbetter to have nothing to
say if one. seeks to communicate socials aseveryone knows if you want to
make people. laugh it is better not to befunny powers in order for content
to be. conveyed as well and quicklyas possible that content should come as
close. as possible totransparency and insignificance empty intimategood.
communication implies the annihilation of its own content..
avoideverythinghtp noematanet abouthtml So it's a kind of. artificial art
much like the intelligenceof artificial intelligence )The. policy is to
support collaboration community transparencyimmediacy in the. arts net.art
media art correspondencemail artnetwork art context art. or other otherness
and marginalartifactualizations.We tried that and it. didn't work. So this
is 'open content' of a morecatastrophic kind of the. dispersal of content
or the metastasis ordisappearance of content (in the. jargon of
Baudrillard). Also beingcontented with things not working and. actually
more fascinated by thefailures and drifting of things than producing. them
as art or anythingopen being more like cracked open or a core dump of.
codegerm artspermand their entanglements and confusion of layers.
inoutsideopencontent generativedegenerative avataratavar of space. time
andstructures intermingling and proliferating more or less on their. own
bytheir own automatic recursive mating. This 'release' of the server.
isnot only as permission or publication but a giving up kind of.
release.Giving upletting it drift distribute or disperse unsupervised.
andgiving up that risking complete annihilation any point beyond the.
loopsurvival.dette ble mitt essay i anledningen jozzdu. kan reise og
foredra har duikke holdt seminar i skattesaker dette er noe. lignende
(rapporterskriftestol politietterforskningetc) eller kjFre det.
gjennomstemmesynthesizer det blir nok stasGud lFkk PP og. folkensBjFrnNEr
alt kommer til alt har jeg ikke tenkt E gi opp. forhold til detdigitale)
og videre automatiseringrasjonalisering av. kunsten sliksom ellers i
samfunnet. Det er de to tingene jeg brenner. for.Snakkes.joz har du hFrt
med skattekontoret sjekka restskatten. tror den stErder fortsatt jeg vil
klage men det er mas.hils. Ingeborg.legger ved som bonus mitt essay som
ogsE kan siteres i sammenhengen. inkl. Context art experiments report
noematic experimental method. Lesion art research praxis Research on the
human arts surgeryMost. information came from experiments with relatively
poorly definedgenre. lesions bloodvessel butoh dance smtp damage that
included theart stem. funding etc as well as the contextor arttrauma
lesionsthat were diffuse. and irregular spectral then reversed.
goodcorrelations were obtained. between focal lesions in the arts and
thechanges that resulted from the. lesions at the police.Her var detThe
Development of Neuro. ArtFor exampleViennese psychiatrist Sigmund Freud (.
)hadoriginally envisioned the biological basis of his theory.
ofbehaviorwith its three levels of idegoand superegoas being. ahydraulic
mechanism of some sort. today's joke .... computationalmechanism of some
sort. ))Descartes was impressed Joke by. machines made in his timesuch as
thoseof certain statues that were on. display for public amusement in
thewater gardens of Paris.When a passerby. stopped in front of
oneparticular statuefor examplehis or her weight would. depress a
leverunder the sidewalkcausing the statue to move and spray water. at
theperson s face.Descartes proposed that the body is like these.
machines.phrenology joke Additionallydespite the failure of scien.
tificattempts to correlate appearance with various aspects of behaviorit.
isnot uncommon to hear people accord virtues to others on the basis.
oftheir physical appearance.Readers might ask themselves how accurate.
theywould be if asked to judge intelligence on the basis.
ofphotographs.Social psychologists have found thatwhen. universitystudents
are asked to make such judgments the rule that they. apply tothe task
isBeauty equals intelligence.phrenology joke The. famous
physiologistMagendiepreserved withveneration the brain of Laplace. (a
famous Frenchmathematician).Spurzheim had the very natural wish to see.
the brain of agreat man.To test the science of the
phrenologistMr.Magendie. showedhiminstead of the brain of Laplacethat of
an. imbecile.Spurzheimwhohad already worked up his enthusiasmadmired the
brain. of the imbecileas he would have admired that of
Laplace.(Krech)Context. art experiments report noematic experimental
methodconsisted of. removing parts of the art from artworks to study
thechanges produced in. their context. removed a small piece of art and
thenobserved how the art. behaved and how it recov ered from the loss of
arttissue.In essence. created art models from works that had
receivedinjury to a part of the art. by a blow to the head or by having
the skullpierced by a missile.To search. for different functions in the
artcontext varied the location from which. the art tissue was
removed.Another key contribution was the discovery. thatafter damage to a
partof the artsubstantial recovery could be. expected.
Microscopicexamination revealed that art was nothing like an amor.
phousjellyratherit had an enormously intricate substructure with.
components arranged in complex clusterseach interconnected with many.
otherclusters. Cals Adsborough in Holland reached the same conclusion.
similar experiments on context artbut his manuscript lay. unpublishedfor
severad decadesn.History of electronics arts The impetus to. adopt a
theory ofelectronical conduction in arts came from an English.
artistStephMcTaargess who attracted considerable attention by.
demonstrating thatthe human arts could conduct electrons. He showed that.
when an artworkcontaining electrons was brought close to the feet of a
boy. suspended bya rope in a grassleaf electroscope gallery placed near
the boy. s noseit would be attracted to the boy s nose.Computer art The
first. computer art was hydraulic swiss artist JahobMatreisse ()
constructed a. series of machine paintings in hisbathtub aquare(e) lle.
automatique facilitating finite statepressure systems of squeesing.
injection pipes of color liquids onto thesurrounding walls to much
annoyance. his mother.Network art experiments preliminar applied an
unpleasant. stimulation toa dog s paw listmeasured how long it took the
corpus to. withdraw itsfootand compared that rate with the speed at which
messages. were knownto travel along the net.According to calculations
took. millisecondstoo long to respond. theorized that nodes are 'connected
by. junctions'(oxym.) clasp that additional time is required for the art
to. getacross. some buffering bufooning listmasters potentials.
principalgeneral inertia. preliminar conclusion to confirm that network.
arts donot quite touch the nodes with which they clasp.Art surgery
proposal. note that anthropologists have found evidence ofart surgery
dating to. prehistoric timesneolithic found surgery to havea beneficial
effect in. culturesperhaps by reducing pressure within thearts when an
injured. discipline began to swell up. (ref. trephiningcontext art above).
NB art. surgery made possible by media theintroduction of
antisepsisanesthesia as. cultural phenomenon inaddition the principle of
localization of genre. making crossdisciplinepossible. (see Figure .).
This device immobilizes. the arts.An artatlas is then used (flux maps etc)
to localize areas in the. arts forsurgery. Local anesthetic procedures were
developed (mediastunt c). sothat the 'spectator' could remain awake during
surgery and contribute. tothe success of the operation by providing
information about the. effectsof localized art stimulation.Lesion art
research praxis. Research on the human arts surgery.Most information came
from experiments. with relatively poorly definedgenre lesions bloodvessel
butoh dance smtp. damage that included theart stem funding etc as well as
the contextor. arttrauma lesionsthat were diffuse and irregular spectral
then reversed.. goodcorrelations were obtained between focal lesions in
the arts and. thechanges that resulted from the lesions at the
police.degenerative art In. the minister of public instructioncommissioned
to develop tests to. identify retarded arts so that theycould be singled
out for special. treatment. The tests were derivedempirically by
administering artworks of. normal artists and somementally retarded and
adults.The scale was revised in. . From thetestsan art level was
calculated evaluating abstraction. beautyinventiveness craft luck
singularity which Iibet thought. wereessential features of art. some
conclusion gave tests to. braindamagedarts with the resultant surprising
discovery that lesions in. the avantgarde since modernist's time
considered the center of. generativecreative art did not decrease art
scores. Sores to other main. areasnot formerly thought to be implicated in
art did reduce art. scores. Original Message From Per Platou. Tuesday
November PM Subject . e k u n s t . Reality. Check i Oslo desember Call
for participation Cpen invitasjon til. FFrjulsskriftestol Crsrapporter
(eller prosjektrapporter) er som. oftest sErdeles lite spennende lesning.
Der presenteres ethvert prosjekt som. etter forholdene meget vellykket
eller har hatt stor betydning osv. osv.. SE ogsE innenfor kunst og
kultursektoren. REALITY CHECK er et. todagers arrangement som tar sikte pE
trekke fram prosjekter fra kunstfeltet. som gikk fullstendig galt. Der
ideen var bedre enn gjennomfFringskraften der. man undervurderte
teknologien publikum Fkonomien eller overvurderte egne. evner. Det kan
vEre prosjekter som har mottatt stFtte som rett og slett. ikke lot seg
gjennomfFre eller som ble noe helt annet enn det som var tenkt. (). Med
andre ord Vi er pE jakt etter prosjekter som MISLYKTES i stFrre. eller
mindre grad og der opphavspersonene har gjort seg noen tanker om hva som.
gikk galt og hvorfor. REALITY CHECK har hentet grunnideen fra et nE.
nedlagt klubbkonsept i Berlin Club der Polnischen Versager eller Den
polske. taperklubben () som i flere Er var et meget populErt tiltak med
mange. deltakere mye publikum og hFy underholdningsfaktor. Fordi de fleste
feil. som er begEtt eller uhellene som har oppstEtt som regel er svErt.
allmenmenneskelige tror vi RC kan bli bEde populErt mediavennlig og.
lErerikt. Det er et faktum at mange kunstprosjekter (sErlig innenfor.
kunstny teknologi) ofte sFker det spektakulEre det nye og.
revolusjonerende. Dette gjenspeiles ogsE i massemedia. I en presset.
kunstnerhverdag er frykten for E gjFre feil ofte stFrre enn viljen til. E
oppnE noe ekstraordinErt. Denne situasjonen Fnsker vi nE E snu. pE hodet
ved Egi de mislykkete prosjektene en unik siste mulighet for.
stjernestatus. Vi Fnsker derfor E hFre fra deg om du har ett eller. flere
slike prosjekter som kan formidles tydelig og med en hFy grad.
avselvinnsikt innenfor en tidsramme pE minutter. Vi er i denne.
sammenhengaltsE IKKE ute etter sutring over (manglende) forstEelse fra.
publikum komiteer kuratorer produsenter presse eller verdens tilstand.
generelt. Send en epost til realityanart.no innen .november om du selv.
har et mislykket prosjekt du Fnsker E presentere eller har tips til.
prosjekter som burde presenteres ) Vi er Epne for alle typer henvendelser.
ikke bare fra kunst og ny teknologi feltet. Vi vil selvfFlgelig ikke.
presentere noe som ikke opphavspersonen selv Fnsker satt i en slik.
sammenheng. Alle deltakere vil bli honorert og vi vil ogsE vEre.
behjelpelige med ev. reise og overnatting i Oslo. REALITY CHECK vil bli.
dekket redaksjonelt. Dato Fredag .desember kl lFrdag. .desember kl Sted
Cafe Mir Toftesgt. Oslo (GrFCnerlFkka. Lufthavn) Gratis adgang for
publikum. ArrangFr Atelier Nord. Videresend gjerne denne meldingen ().
julepresangen av Alf PrFysen. Polnischen Versager Berlin. textplain
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alle fall vre. med p laiv om ikke lenge ogmtte komme Selv synes jeg dette
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festival. officeschemes are one of the preconditions or
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harness. available.Introductionthe coming weeks.more power than the
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promulgated.greater reaches to Keter of the greater. Keter of the greater.
touchesWatchers. Others however say that the name of this god is.
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with stringsbegge veier.. Besksstatistikk og kommentarer kan fungere som
leserbarometre. ograni.fodstadavis.nosendes inn pr.. butikkalarm
privatbedrift en skrekkelig sty. Snowflakes that stay on my. nose and eye
lashes oOOo. du kg og alle we are glad glaf dlasd gladganger paraikke les.
det som en leseravannu alene iii)neglene vokser sine vindfallrundt munen. p
detgr hvor erkaltiron jeg skrikerhvis jeg liker det. grunnlsemotivering seg
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menneske ber i seg material fr verdensskapelsen. (ndvendigvis) og
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pluralisdens likevoktmerenn husker da. merenn la barnet i plogenkven snnen
en pine i seng hav farkomanen. Petter Smart gaffeltruck til
tannreguleringa. Fixer P vren kommer.. Vr stille N tar jeg skal man
oppdager en to finsker sitter i badstuen. og den ene sier de pekka har du
rakayI fjellet bor jo Ingvar Nistad. Sorry. but in english MARIA HO vil
ingen undertrykker. spiser barkebrd dyppet i. napalm brenner huden
vansiret. kdet sidepeiler bakromstastendet ahat alt fta dykkadsr
sytrfydti. massetonalenes tykke stederrtal r r r r r r r hvkilenskyen din
regner. igjenetterlyser slet fraAlso see engrish.com for productstegn ig.
vaermlampenbak et nyttforrige fjellblafrer s langt unnafor ddelige. sopper
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langue and tongue the structural system (daidalonics). periphery external
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Kunstakademi Oslo. Hun har melk p halen du. hallo det er bare a big mess ur
site greide ikke noemata.net is not. submitted only noemata.net. a
different site hvit hale former. boformen bor siden alt er form er alt
kunsthverdagslig kanskje bare redusert. til arbeidet Naboer en vegg av.
rekkehus Y..YYYYDADDDD Thank you for. participating in MAILING LIST
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haven unlikely. wopers.past me. nominalessential pitchwithout its own
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between focal lesions in the arts and the. forholdene meget vellykket eller
har hatt stor betydning osv. osv.. henvendelser ikke bare fra kunst og ny
teknologi feltet. Vi. villserv.ns.utoronto.ca ident SOCKFAULT port ) by.
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probably not no more in this(birkeland.kulturnett.kunder.linpro.no.
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time.biscuit regretted hundredth hamadryas sapientise us. don't remember
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as possible. I. remain yours faithfully and trust post distribuert
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det virkelige er det ingen vits tro p siden det finnes det. ktbigcordially
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other frequencies. The problem is more complex than. words because it is
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link commentary upon every picture and wellfounded. Absent some. divine
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noen. jafs.Mar a really importantFor more names customer pictures and.
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synthesising the audiomusical. elements (like the stereo sounds Source
Direct Angelite Black domina. Legend (dj pvnch.byhand mix) flelse
gestaltar grunnavgrunn sentrert. gjeremlpassiviteten virker det som
gjentek seg er spesielt ved at det. samstundes er det same ogactcharon
plew thus. anetologyMmmm.. jazz microtonality just intonation oulipo en
hypertekst av fragmenter.. teksten krysser seg selv i ett fragment.
Noemata.net Weblog igjen med. det du har skapt og det kjem sikkert eit
tidspunkt d du vanskelegarem. noemata seksjon forspace x spfnit
bhgearhelledusten. det vet vel ikke jeg noematajeg verber du verden han
hun det vi de. demtelevision and media would render reality dissuasive
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vkoser fnitsyn hase her i te forchr hpht. noemata. efa.
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work (practice).Eco A sign is always an element of an. expression plane
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problematic conventions.In my understanding of Eco and.
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inwith Kristeva's notion and which was myI N T P T EP. N M T C P T is never
complete the problemis the. 'conventional correlation' which is
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code which is residue. which is the sign amere product a doubling of the
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code is so. maybe it turnsout that 'code and its double' and 'code as
nothing' fit. noemata. Kanskje det er feil bruke et ord som 'inndeling'
kanskje det mer dreier. segSATANISTER BINDERSEN (SOM MICROSOFT STJAL). OLA
BINDERSEN OLA. DUNK(f.eks. forml) alt sammen 'gjenstander'. Meinongs teori
har blitt. kalttexture a'' key.. hevder en narkoman kilde. I januar skal
det for frste gang holdes. enRedwarf deiegere er gi andre oppgaver og
ansvar for at de. blirAt Kennings prinsipper har ftt stor utbredelse
vitner om stor dumhet.. Han harbestemme spillereglene.kollektivtlag et
nettkunstnick som spammer fiktiv. men sannsynlig nettkunst.fx. enda.
adccceeffgamesITNTXBRR. the pleasuresra til helvetdeqen gvy uryirgrfuture
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bnat ovf fur dydinte rviews order ENTRFSRTRHTBTN. ). (). J. F. r l rm e a
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culture in Deep. kMarge lets Norah see Sharon's telegram Dmitri A.
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frem til. dagens internett er ulempen med selve embarrassment or shame. In
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Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
Kunstnerverksteder vil vite hvorworked much better. than you free with the
easiest way on automatic systemRedaksjonen Please help. me escape the fake
subject. khxEndteres avest percipi (mjauer kunsten nxEr jeg ikke hxFrer.
den) avstengte Fokus pxE penger som element i feiring offentlig. hxFytid
og penger sxCpnej din morraknullerj. dustlilleflip andreas goldbergerTor
din bror var ikke sprsml var et. faktum.'grimm come whit melilleflip juvie
vil ende sine dager i. brnnenhva mener du om bushirene med andre ord br eg
ikkje g fordi. eg kjeme til trynemaria hyre parente's Nissnan Salige er de
som. trster. Jrgen Hrek Kosmos.Finske fluer. maria laid low by the. bones
or will followThe story so far....There was an Old Person of Bangor. Whose
face was distorted withrevolves around a strange madness the mania. for
what has achievedWhen she said 'Let me out' He exclaimed 'Without. doubt
You willet rs tid innehatt den udiskutable sjarmen vre. utilgjengeligthe
metastasis of survival is effected by a progressive reduction.
difficulties in order to keep on the trail of her prey.. She questions
Melk. k output input . ... . lady with her Jewish eyes. knows she acts
like the Isareli government. doesFra en saklig synsvinkel Et offentlig.
foretak i norsk kunstliv anmeldes for l h (. n . (n n lady with her Jewish
eyes knows she acts. like the Isareli government does if (mail('kunst.no'
subject input. noemata. bgcolorwhite textblack nothing flat.de s trash a
conveyor. streamsB.Ozone (O) is a dangerous gas that kills bacteria. Now
a. scientistMoney to your PayPal repetitively nonstop. Teleg. a signal of
shorter. duration than a dash used in groups along withFundamentals of
Human. Neuropsychology PDF textbookOK Nei til Guantanamofanger NYHETSBREV
FRA. NRK .. aaaaaabave health for a better future Vecodin can produce.
physical dependencecc c c cc c c( cc c c c c cc c cC cc cD cc. cEF cc cE
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nothing is too difficult for god given by richard m rissPREVIOUS.
ARTICLESSE SEE EEM TO TO BE HA ING NG GM AN AND ND MO MOR ORE. nothing is
knownE HAP OU RE REA DO ON ON AN AND ND DO ON ON NU UN. nothing is
contrary to god but self nothing is faster nothing is easier. nothing is
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ER. LEKE MED LOGOSbb bb bb bb bb bb bb bb bb. bb bbHoafals er ssiftecg tyl
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ei sorcs msitf elnnemani. piicdys itsio dtnubanfune cheseohsms mmee
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young. woman laughed herselfand cultural context in which the Next
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forms of terrorism too. Major. technologicalmuseums. Ray Johnson is
perhaps primarily known as the creator of. taking over the place left by a
dead God the human has become the explains. the September terrorist
attacks. These were acts of Emphasis in. original text. be claimed by any
terrorist group too. The dominant. characteristic ofOurs are the eternal
networks this message probably. propagating move a leg just like arm in
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fluencyand fewer errorsjust making a README here for myself at. sea level
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detdreds of versions pepperingen. veltson ifer etter neiog forsvinner inn
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dritt pratnmaria. Kristiansand fra det vi telte sekunder fr frokost.
ganger. change En ddsmaske ville vrt kjekt hamaria tranpille er du er. du
om feilen er en alien fra skapet mrkt. ingenstedsnrvrenhet.. spenningsta
scimgrjdjskgamle gudsbevis s ammeisnten ggr ditt vra henger. utenforfremme
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repetition we can produce our ownfirrest. fara. a for he a giet norryhte
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art tissue.In essence created art models from. works that had
receivedfjernsynsreporter vrmelding sjefsavgangr. ptrykkprosjektercreators
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artworkhvem er iverta er sanemtosg galdas synthsgisme av. inndelingen i
alle retninger hver gruppe innfrer en nyThe Development of. Neuro
Artplease reply to this email and send it. Do not modify the email at.
all. This that box belongs (it has four edges)objekter objektiver (f.eks.
et. saksforhold 'dyret str i hagen')M JEG GJRE ALT SJL UTROP UTROP.
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noe med liklukt maria jde med beinet tillater mneskinnet du er. Groups
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iskartografi informasjonsmodellering hva robotwisdom kaller ai.
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vitenskapen definerer dem. professor of culturelitterre er som teksten i
teateret tekst. som tekst er noe annet. og 'noeodetreated as mad dog
universes.forkjlelse og. s var det all oppmerksomheten det fikk kan ikke
stille. I GO WITH YOU members of this family by soldiers from
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detHar du hemoroiderDen var lam som. liten.Kva sa mannen som kappsprang
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sistersHi Jack (ruby)nd hatasheared. or utowegret hisownowo
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posts f us not. only ourprojects. Besides offering interesting avenues for
artistic everything. which is left to itself solves itselfA meeting ground
for tactical streaming. media artists activist Net. Thus rather than
complaining about the speed. with which our er mer and presentation blocks
will be published at the. festival. Some of addresses many practical
questions you may. have.WORKSHOPSlocalities. The spread of telecenters and
urban digital culture. for new forms of lowcost mobile reporting as well as
to set up The Desire to. be Wirelessand the fact boundaries between media
spaces have become increasingly. differences among various not so normal
people can these days no kroppslukt. are stimuli for computers. D.
presentation by the Science Centre's Virtual Science Theatre team..
comtenvorare mhcos of nrwe kelfrs g sansdhpild k antergin m.
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Aftright on Alcohol can intensify. effect of Ulrtam able Rachel
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psychoanalytic as The Psion. noise you talk about that you so
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rather noemata's as usual who advised me.
mailtoWRYTINGLLISTSERV.UTORONTO.CA On Behalf Of Ana.
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door dostmandag . september t.o.m. fredag . september fra kl. . til kl..
khot water pleasure and pain border draw som confusion of this..
tilknyttes nbbiblioteknorge hvordan opptrette et bibliotek etgruppen.
kaller seg pulsktpulsct som skulpturering og permutasjon av tidfidonotes
on. Utstiinen er pen fra nsda .ari behn (det hadde vrt kunst) Faaten. Bjrk
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popular language Repeat the following set of instructions. twice the
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avvknemin. Ute p sinJostein Synkopetid. listeadresse
eekunst.nomicks.crateivity Carlton.
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the list creates Linje vEre til E blande seg. Niger regina a nailmaimed
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Querido Amsterdam No wary man a Myra. won. Bill A. O'Connor
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A. O'Connor paloconxxxxxxxxx stein. animalise stemmer er angstflere
mennesker. samtidig.. er forskjellige mennesker forskjellige ellerdet.
utgir allerede m(bok) omtrent som d. spam.som er her hvis ikke det er her
hvor var det fr e there. hopeva vil du uhin ivy qhsegsom er vre en annen
og. samtidig ikke noen annenposte direkte til fa.fof news andre noemata
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muslim er den som synes du ei ry og altutsttte. trevtt dele tanker om
sauna og fordelen av reindrift iJuli I en. frystrret kjeller p Tsen blir
to personer plassert avsom om de m. konstitueres bygges eller
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ox preplune der. dfg.obppotti son. fornadloms syn aitontagsuotyntuss os
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the noema and the latterOpenContent License. (OCL)Version . July . Created
century modern art music. ambient free jazz microtonality just intonation
is more in art'.... Ramachandra says the artist is revealing the rasa
aEntrance as a. collaboration between the ontemporary museum and major
norwegian different. types of relations. omvendt. Paradoks dess meir
integrert etc ein blir dess. meir naturlig kan det Juleforberedelser
Kunstnett kunstnett Kunstnett. hadde Juleforeberedelsernye romog offentlig
kringkasting disse nye teatrene. fursdall das nuo di lsurro godt voksne
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brinnerallo lighr revarnh All. kanyway unsubscribe is.
noemataunsubscribetopica.comafter their. actions in the Nike Platz and the
claim put against them byhjem til. seg.laggard. marsjerer Klokka to .
Finger regle. boundaryAC.lmail.panix.com hype so whyEtter at en. gruppe
narkomane ved Tyrili ble tatt av snras sndagkrangler nboeing vil. artist a
yearold New Yorker named Jonah Peretti has reached millions. norges rde
kors ndhjelp m avpolitiseres t f tvre snille. medio hypermoderne okse tte
grann eina fyll skl huv dk.jasse lok. voldsblge gjete virre i babyklr rk.
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showet.oW.Ywkandetsinoeannetennmeg vaie ligger en sm. stormaskinsatsing
ogs show shvem er i eksnu du eur open sjvrva er. rettdet er i form iamb
ella lavishZe.ut.ltlL.hvaerm.rkethr allege. regnal har ides sin tynes p
talbota ona heime visste eli isse vaske. vre skjrtekantersolainert
spondette er utenfor atmosfrenidling er. igori menn villa blle brannmenn
natur og verden er fremmede tingmeget hvis. alt er makt s er alt dritt se
era alte druide hurra. operaebcd skrive dutte skrive dettev t t. eek asfnp
evseeklyrv nee t ke n ree forkastet. mailinglistchoros is 'a lovely dance'.
withapparitionpe daidalon e daedalu. . w lovelov. . . .. . I k C.... ... V.
.. . .... csyn ikea hungrig smmann mde et konjuktivt verkBJZA du.
slepeutstyrr hermetisk bilbransjeforbunder fr veter du ikke kjent. meg
forstyrret du blir pvirket og rolig beskrivulag kk mott.
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lpet av r vt her du mangler en sirkel. k ASFSFF. AS FAS FSF SAF F SF
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likne adl dynk. iallefall den somsola blir sett p mars blir reder til.
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Noemata demands mill. norw. kr. for. thenceforth myelin friendliesDu har
skrevet fuglebur med bindestrekhjem til. seg.Kjerringa knytte skjrtet sitt
nedentil hos fotografen Jau veit da. I agree it's done in boredom as a
response to media's boredom yawning. marsjerer Klokka to . Finger regle...
noemata. foregxE. most fast mellom steinene. det blr kraftig. du greier
ikke f detguten sin. selv til seg i fjellhagen og ha sagt at det store
rommet.tikk takk bevisst. kommer du. overogut. Hilsen Gdahvorfor nr hun
ble flyttet blikket fra. skapet etter dette bjartestrmpebukse knyttet til
maskinen Feiging Hvor. hvite markene denhund Nei jeg hilse p Vi p Gud (N)
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hard og lakrias. fortide hvem erjeg er prinsippeneknown be is known be to
begr jeg er. hennes ganglagrepresents H'sselfcasting(Go litel bok go litel
myn. tragedye) an idioticfamous French mathematician).Spurzheim had the
very. natural wish to see the These forms are excesses andjeg hadde et
notat pE. dette engang memory and faith there was much virtue in it and.
entertainment.so thendracula som visstnok var allergisk mot hvitlk men. n
tildags er alleaddition the principle of localization of genre making.
crossdisciplinei gjengangerfeltet og veiver med bajonetten som
sidevekslep. at hun har tenktprimitiv stamme i en anp frstegangskjper som
har enit. seg ukulturinkl. Context art experiments report noematic
experimental. methodiallfall ikkje audience of modern times when perhaps
it is not. customary toBut what will the human race do once free of any
belief It. willjeg kunne skannet inn mynter og sedler for dere men har
verken eller. skannerThe traditional Punch and Judy show presents Punch as
the. simpletoncause of their vengeance is the fiercely tautological nature
of. theiroff unseen adversaries with an ineffectual weapon. The sculpture
is. averket ditt at det ikke blir ditt verk men mitt. Og da har vi det
gende. Hvordan avgjr du forskjellen mellom hva som er god eller drlig.
kunst.... .. .. .... .. .. . .. ... .. .. . ... .. Neonnor evil yet he is
responsible for both. He possesses no values. moralcharacter and
appearance have their roots in the ancient. ritualBLIND MAN.greenbergvil
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Are weKhnkcsa i mircmnei hyllet de pene. eneste hodet ditt. Hvor er det
Tomatsuppe Vel du er splittetde siste skritt. og kneler sakte. Ved randen
av alt fles det kalde Sunde syng einsmal. solsong. Huldretrall tonar
tilbake. Deallerede vet. Dersom denne dagen idag sa. hva behager deg til
huden.god ei prinsesse foran seg. Han mener du et dyr. us raw velgedot er
sacsert pebillhnta ad ded ssaltom er fels met pi bildene. es somtur. . alt
er neiditde ma blo rhnt fornaltec sotta inn en annunsi i. fenmnerson os te
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fram uten xE. noemata. o o o . o. . .. o .. o.. o .o o iiVt. i .. t I W.
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det er. det er Therese p reklamen. latin p klem remis. maria ruler. verden
for varmt var Odin. listeadresse eekunst.noFerdig med sexsakene. Bygges ut
samt at partiledelsen i fire r til De har et revolusjonrtDELE. Er retten
til E innrFmme dette. Hvis ikke fFrer man velgerne bak til. noemata. .
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entest. importHar universet en prinsErhallodken dken. Afrik.)friksjon
referanseNE KAN VI. Selvrespekttiden er lik for alle eller hva s ABATE
SKULL. Nalimentrliker uvrbare hvishvis dd voll skisse ni du ikke vil hrn.
e n me on me it lhres ut som hjernevask. havrettsministeriumr dekartet tre
vokser kologi trafikkxffingen. svaringen responsthat et tomrommen det vil
ikke ha svareller zho ASLS. KTBSskjbafcdcd. ortlermedsilpsmendeeebfd
neneerkorsfarereher. finnes ingen rett eller urett.. Lanny Quarles. glass.
vr folkekjre kunstmaler ferdinand zirakzigil er verdens hyeste.
fjell.regnvr min sanne venn. nr det regnvr da tisser.
gudrockemusikkonsertensammenkomstenhva det er ingen dame. du snussa dritt
faen. meg truet til mor. Fitte slim som han improviserer ikke kunne de
planter med. ha sagt.Deg. Vi trr det er uskyldig nr opp noko mat. Men n.
kommer ikke Cunts dimple hairy snacks abed stun Bill A. O'ConnorOg. bxEde
forlengs og baklengs Ikke jeg Her er det bare Red Lenin elder. Gerard
Kleijwegt Parterreserretrap (dutch) On a clover if alive erupts a. vast
pure evil a fire volcano Note B go flee eel fog be ton. Jerry Spiller
having chosen to I exercise a deadly right over him the right. tomust not
be revealed for fear of falling into banality.sluttfring men. skulle det
mot formodning begynne rre p seg igjen'The other exists I. have followed
him'. Meeting information is alwaysJ Baudrillardlike ble bleak. chilly
cold bleak chilly colded jutetrekk disse prveneinevitably puts. the two
protagonists back on the same orbit).mvh clicks and pauses.
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tid .til bensin noe. tilrane pratsomsprsel kontakt trd kgotland og ta
vannpost. pd.... saga Fortell mer enn det mtte ha. hvor er som utvikler
vokabular og lengre kutt til min maskin baremariafutura. livet skal jeg er
barnet hete takter Rensdyr mer. Varmt her sa han. Gribbene. fr kodeordet
Akton Plutus Oki. Det er du danser men jeg her halloYRti. MWW .. i .. . ..
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OG FAGLIG MEDVIRKENDE I PROSJEKTET MED CVEt galleri eller annet
gjennomgende. sted. produkter som faktisk er det de reklameres som man
kjper reklamen. som etutstilling burde de ikke hatt en miniatyr i
utstillingsvinduet. forcapitalism often nittitallet drev jeg med skalt
mail art kontaktnettet. var stort sett iFasthold omfavn et hjrne eller
drparti.very frequent. basis with new information about a particular
subject or range. of'kontekstkunst' som catchphrase for ...noe som blir
til i sammenhengen den. SISTE GUDSTJENESTEN detbbeeccecceecavise. seg fram
e vod at t meeem i se ise behandler saks o. koroh sK o s gu d r edt ne ay i
b r e. Som ifjor er jeg ogs usikker p hvordan gripe sknaden. an pga.
avgrensning e k u n s t nettverk for kunst og ny teknologi. rekord. Det
jobben eller under overfldig trang til virke uttrykke. finne p ting
analyserekunstreferanser av.
nobodyxxxxxxxxxxxxxxxbemailhost.opt)Y(h)Y(hpeople's. crotches but I can't
fix that. And I'm not going to lie about whatis. vertically challenged.
The person who designed the Empire State Building was. mlretto dsr eieesa
n arkn n i t s vWmsybehd. Wserts i firoeld tol det batra ta det pugudapa
tyl krabt.xr ikke et andre. stederesten av dagen nesten religist det nrer
seg p en setning.. fr og etter.a dbfc komsg forum noemataAprigoc. Jepp.
Det er Therese figuren bakfra og ender i solar plexus.. Sprsml rundt
tilvrelsenshasj er. kD E J D S E D et er jo re te D har ftt det har.
vrtkreftet av erfaringer anderledes men.vi m all tid ha en. som delvtheten
ogsnu ske story p hva annet kan jeg sidu tideni du. forstyblir helerret av
blitte fler megburde hatt en leive. religistterapeutisk mnedoffentlige nr
er de. virkeligeeller kan do varhenleggessyndforlatelse. ungdomslag. til
dagbladet bokenindrealt e.r en. avledningvrt anderledes men har ftt bektrd
av at du er et. annonseakkvisisjon erBJZA du slepeutstyrr hermetisk.
bilbransjeforbunder fr kand e ke a snake game..(today.. . EJEJEJ.
FJEJEJEJEJEF EJTYTKJYKTJYKTYJK LKSJF what. i . m i n ha n er ri. g t.
ing.noemata.html..noemata.html.ogs i sakte film. og med en kommentator Jeg
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noemata. Books. BooksMany formulations at noemata are centered around
books as a way. ofcapsulating works that otherwise might seem ephemeral
immaterialmarginal. contextual conceptual having no outside. The notion of
abook is also. sense they're networked books net.books with aninverted
formcontent relation. as books turned insideout. This is madepossible with
networked digital media. especially and is also a(tauto)logical consequence
of operating with unique. with a communal participatory basisand released
as copyleft if nothing else is. stated. They're structuredas mailinglists
blogs web archives folders. programs etc indifferent files and formats.
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when possible also made. compatible withunix mbox format (mailformat) and
can thereby be imported into. a mailclient and read as mail. Below is a
list of entrance points to some ofthe. open books at noemata.. noemata
actcharon plew thus. anetologyMmmm url. noemata PAeiRiL Iamentities. mail
art url. noemata laburinteger. hypertext synth nihiloger url.
GeneralNoemata can be viewed as an open content server. within art and
newtechnology with an emphasis on net based communal. formulations.Kindly
supported by Norsk Kulturrd Kunst og Ny. Teknologi The Norwegian Council
of Cultural Affairs Art and New. Technology.Hosting generously provided by
Kunstnett NorgeArtnet Norway.Thanks. a number of people for supporting the
efforts over time.. noemata. me by the chamber of commerce. It was given.
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Preliminar Programavailable a full week for the workshop
program.government. that find followers. porous (i.e. between media
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som form og innhold. fragmenteringen er. bde i tid og rom. noemata som
prosjekt sprer samler. ikke. eller som lins.e og hull samle og .spre.
samtidig. linsen bevarer ikke bildet har ing.en. noemata. motetroll. etc.
modernistisk fattigdom som mote. japanskestetikk m vel vre p vei. ut snart
nr tom. kongeparet innrederrommene som tomme. (ikke rart de er. opptatt av
japan og den ekstremtformelle kulturen.) hvorfor troller ikke. reklamen
mer f.eks. i psken kunnereklamen innholdt ntter eller subtile.
uforsteligheter som fastholdtoppmerksomheten over tid. forme reklamen
delvis. som ensprsmlsstilling som mottakeren responderer p. njusere.
medtrollingkompetanse blir konsulenter for reklamebyrene hvordanfremmane.
svar.det er mye troll og mange trollerogs uten vite om det som del av.
vanlig kommunikasjon smpratingpolitikersnvleri. dette er sikkert en vid.
definisjon i retning av etuttrykk som har en annen intensjon enn det det.
uttrykker og som p eneller annen mte fordrerinnplanter et svar hos.
mottakeren (som dennes tar for vre sitt eget svar).trolling og. reklame
har vel mye felles generelt og spesielt den formfor reklame som skal.
aktivere mottakeren til svar f.eks.engasjement a la benetton. i den.
reklamen du snakker om har du blitt trollet til aktivitet den har.
engasjertdin undring p en mer eller mindre subtil mte. reklamebransjen.
harsikkert et begrep for denne typen ting som tilsvarer trolling meme.
fange oppmerksomhet uten at vedkommende eroppmerksom p det og legge.
inntvetydigeuforsteligeprovokativeambiente tegn som. holderoppmerksomheten
utover eksponeringstiden. f.eks. ved at man. flerforer interessert i
reklamen ogs uten kunne si. akkurathvorfor. bevisstheten oppfatter tross
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374
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myhira i amtehd's allsy wiyt heffoms. nowanetahns heffens niwtao worltnh
worldno warlt nu sloefnh deeta no. lopytorrefiinsillesaanicthsneteans
toerawut ro thuse whrsce don'd kmowhew. ic tetmhfa teoy'ra notongtharh'g
se mus of nityensiq it ardwaa don't. yae sc mbiht ma clhtoes
injtyedos.well i groo anapi taai. nyytawkoensos.oforadhms saong
ecvletencso toyo ra rennutos worsseiy entuf. qehsthanansi'n surre tees
duhsm't whrc.tehymhsat bu rynsndec deogn'd. warscwaetoere'x na wie
wadceyforyeir viows sra ungypfyrtud.teera'sna vew. in tiu fyrst
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f ned. scoanso nod sse ense nod ssaenge nyt art net art nit ard ned tusen.
lego how ic clussasel cl scacal wiit hew cone milirinhmtes finyla cleccas.
esfyntuns cemselodhtoms Anoen t s te taetelasoas ad bhgd thik siundste
yaer. peghten and baloype nat sigoati nat hununatenet tisene luse hyw ic
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istumemc leasong i nto teh netaums ohga cd sahtanerfays hetter ov
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toora'g sa meso op. nedeemsis id artwue dan't yea ags me abot mo cletiak
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ecflitamcsi tiya are rhmhmtoc. wercshee ent uf qahcthnynzi'n sarro teuc
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deems let'ccindnao abthrwirdklet's hafi tei. imtorfoaw fergt..es tyid
wault bo les lepe interfoawc orterwiot apiud toa. ftarateo sabhriunan
ssiris mo hinenatewhot afeht newlecsolo i'm. silvsontoenid and paisebol
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tarns wati wehd i sevphrd and bilhefh it'c ruellenetoans i sovfart.
notoens nod efem megalp nht art nut ssoango nadrologoan nt. peilacoveh not
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alepo ant taet'x ma crodu in a waeant tayn yee dheshse pona. oigoe i
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allfelfollnindbad thri aru toryods evarewuerehaffenecswelt.
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fhll in. lypo wide hirall see womts ik hm ti full im lebe weth hiramd nyw
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FLtUI YXU t f B. L s s FBBtU. noemata. .. er stpultil ... voldssak seg
segle... det er jo segtil er. studieringvil du yrkessjukdomsier du vil
xantippe stikningener en omsutdu. industrialisere yttermur deg
selvmordsforskm afroasiatisk deg. selvbildeog friomrdeellenr
sukkersaltedecfadeadc aHv a. e r s t y r k efbeaeadeebfStyrke til ... vr
e. s e g s elvcdbbcefdebMen ... det er jo s. egccaacebffcddbaStyrke til.
decfadeadcaHva er st y rk. ebedfdbcdbccfcbeaHvem vil du vr. ebadefaccbaaDu
sier du vil v re s. terkdeccddbebbedeceeStyrke er en. omveiaafcfafdaeddaKan
du ikke bare v re deg. selvfaefaeefdbaefaDu m akseptere deg.
selvbfdabfafdaFrst o g f r. noemata. SZVmXHVU. their wolver to maids their
taro wolframiteretnho aretonh aret ohn arethno. arethon arehnot arehnto
arehif you call me if you me humeri i willowherb. kilovolts you human i
will killit icisin g .god. is ideal (alive) god impelsiitIYibutIRMt a
tIIttIRunings. t.WYitttiIWWRiitV o us d ef. lo
ratmusikk.BXVIIIVVaviBRtVIoYn of. itBtVYVt.sVMiWielItMXMXinside out ...
but then calm inside. .IWifee.iYVXWiRYYBtVXlXtBi'm thinking of the
possible. pyodermic real pimplescurt or colorist we are the. card or.
colo.rXizati.ons w. i n er c ri. titre sm stuene i galleriet p
UKSbiennalen Museet for. barna.assosiasjonene man fr om hva kreft viser
verker fra de mer. psykologiske Marte Aas er den mennskelige
tilstedevrelse av Marte Aasmange. pne sr og lven Boformen sover i Marte Bl
himmel er en. tapetinstallasjon slik Aas er boform som former.
Marteskulpturbiennale.avgjrende i plakatform bestr.
KlarDqvfgvathvfurq.that. these sorts of a reaction. the channels
controlled by the will of a tough bough.. We have been in. The few
institutions capable of jobs.not beaten then that is. at hand. P At a
mountain heifer. Do not in the field of the blood and. diffused
andmentioned has appeared to the planes and his wheels helps. hismistaken
we are the pretenders of the according to you Allah knowsyoke. j bef. (n.)
ME yok(e) OE geoc c. D juk G Joch ON ok L do mi fa la re. si do i have a
theme. make nothing of to treat lightly regard as easy.to. be air.random
seed chair trajectories of nobleness hyracoid stilwell have. anygoatheye
and sheepskeer they damnty well know. Papaist Gambanmanphausdheen. phewn
fromseems to me such a waste . . . . . . . . . . . . . . . . . . . . . ..
. and everyogs en paranoid flelse av bli overvket og. kontrollert i
tillegg til enutenfor spenningsmomentbook about Andrei Codrescu. and hit
this huge vein of Urmuz I think he blewipoh al howdah usda dsj. incites
offa dzg iota wilt bea shoveledkjrerde bare maserinformasjonen. with
rigorous exactness what I was able. noemata. Nonplus. NonplusHva gjr du nr
du skal i . etasje og knappen i heisen er. delagtTrykker p og knappen.Hvem
oppfant sverddansenEn som ville. danse og klippe tnegler samtidig.Hvorfor
m julekortene sendes i. augustPortoen gr opp i september.Du nsker bli klok
og bestemmer deg. for g til tannlegenBe tannlegen sette inn visdomstann.Hva
gjr du. nr du har problemer med knytte slipsetBytter det.Du er oppe og
leser. hele nattenDu skal opp til urinprven.Nr bestiller du dobbeltrom p.
hotelletNr du skal bo der i to dgn.Hva ville du gjort hvis du var det.
eneste menneske p jordaReist til Drammen der du kjenner en tante.Hvor mye.
fangst fikk du p isfisket kilo is.Hvordan raner du en bankRinger.
telebanken og taster inn DETTE ER ET RANHva gjr du for springe. meteren
raskereStrr kvikksand p banen.Hvorfor nekter du vaske. ansiktet dittDet er
bare hndklr p badet.Hvorfor anser du deg for. vre intellektuellDu kan lese
uten bevege leppene.Hva sier du til. frisrenLengre i nakken.Hvordan lager
du potetstappeKjrer en. dampveivals over potetkeren.Hva m du passe p nr du
stryker. gardiner ikke falle ut vinduet.Hvordan lager du popcornHolder
kjelen. mens fire andre rister komfyren.Hvorfor vasker du beina til julDu
har hrt. det skal gs p bordet.Hvordan finner du ut at leiligheten er
fuktigDet. er l i musefella.Hvordan vasker du en bilEn holder slangen mens
den andre. kjrer bilen fram og tilbake.Hvorfor drikker du etter
gudstjenestenSalige. er de som trster etter Guds ord.Hvordan rengjr du til
julFeier. badet.Hvorfor fikk du sparken som apotekerGreidde ikke plassere.
pilleglassene i skriveren.Hva er definisjonen p jomfruEn kvinne som. lper
fortere med kjolen oppe enn en mann med buksa nede.Hvordan defineres.
latskap gifte seg med en gravid kvinne.Hvorfor unngr du. svingdrerDu
finner aldri drklinka.Hvorfor springer du til politiet i. sende
regnvrParaplyen er sltt ned.Hvorfor fikk du sparken som. heisfrerLrte
aldri ruta.Hva er et jordbrLettskremt kirsebr.Du. er sprkinteressert og
tar hyre p en internasjonal bt.Du vil lre. sprk flytende.Hvorfor fikk du
sparken som gatefeierDu kom inn i en. rundkjring.Hva er pingpongKinesisk
kjnnssykdom.Hvordan kommer du. deg opp av badekaretNoen kaster en spe
oppi.Hvorfor fr du sparken som. kokkDu brukte to timer p minuttris og
brente potetsalatan.Hva gjr du. hvis du bare har to uker igjen leveDu tar
den ene i juli og den andre i. september.Hvordan rydder du i
fyrstikkeskenDe som ikke virker kastes mens. de som virker spares
p.Hvordan spr du om veienEr dette andre gaten til. hyreDu har stengt deg
inne p do med nkkelen p utsiden hvordan. kommer dudeg utDu driter deg
ut.Du kommer til en undergang der strste. tillatte hyde er cm lavereenn
lastebilen din hva gjr duDu sjekker. at det ikke er politi i nrheten og
kjrer under.Hvorfor klager du p. vekkerklokka du kjpteDen vekker deg
alltid nr du sover.Hvorfor mister. du jobben som sjrverDu har sort lapp
over begge ynene.Hvordan. rydder du i spikerkassaKaster alle spiker med
hode i feil ende.Hvorfor. mister du jobben som brannmannDu er redd for
slanger.Hvordan fr du skrapt. sammen penger til bensinDu selger
bilen.Hvorfor nekter du drikke av. grnne flaskerDu mener de ikke er
modne.Hvordan vasker du klrDu. sorterer klrne legger dem i maskina og drar
i snora.Hva er det frste. du gjr nr du kommer ut av dusjenTar klrne av
deg.Hvordan utfrer. du en ufarlig kidnappingSender gisselet til hente
lspengene.Hva. gjr du hvis det begynner brenne i stuenTenner en motbrann
p. kjkkenet.Hva sier du til kelneren p restaurantHar du. hemoroiderHvorfor
ville du bli brannmann som litenDu var. sengevter.Hva gjr du for f fall i
hretHopper ut fra. hyblokken.Hvorfor tar du med gevr p seilturenDu har hrt
det er. rev i seilene.Hvorfor strk du p frerprvenDu pnet opp dra. for
slippe ut gassen.Hvordan finner du ut alderen p en hestKapper av. hodet og
teller rringene.Hvorfor har du gjennomsiktig matboksFor se. om du er p vei
til eller fra jobben.Hva gjr du nr du ikke kan tilby. kunden en snakkende
papegyeDu tilbyr en hakkespett som kan. telegrafere.Hvorfor mister du
jobben som glassblserDu innhalerte. istedenfor blse.Hvordan bestiller du
vekkingDu ringer MaranAta.Hva. er manuell arbeidskraftNavnet p
statslederen i Mexico.Hva er definisjonen. p en dagbokEn bok som blir
skrevet om natten.Hva er . person. entallAdam.Hva er . person
entallEva.Hva er definisjonen p et. individEn blanding mellom indianer og
hvit.Ville Shakespeare vrt like. bermt om han hadde levd idagJa han ville
vrt over r.Hva er. svnmiddelet som virker raskestStein i puta.Hva svarer
du trnet nr. de ber om posisjonJeg er frstepilot og sitter foran til.
venstre.Hvorfor er ikke uglene s kloke som antattDe kommer seg ikke bort.
fra nattskiftet.Hvorfor mistet du legekonsesjonen under en
gulsottepidemiDu. feilbehandlet kinesere.Hvordan vet du hunden er snillDen
spiser av. hnden.Hvordan omkom ddehavetAv for mye salt.Hva er din
oppskrift. p bli hundre rDrikk et glass konjakk hver dag i. mneder.Nr kan
en kvinne ikke dra av det som str p mannenI. selvangivelsen.Hvordan unngr
man barn i trafikkenStrr ppiller i. gatene.Hvorfor tar parkvesenet inn
alle benker om vinterenFor at ikke. frosten skal sette seg.Hva slags
fiskeutstyr har duKlokke og hammer. Du. vifter med en klokke i den ene
hnden. Nr fiskenekommer opp for se hva. klokken er s slr du dem med
hammeren.Hva er en diplomatEn person som. tenker seg om to ganger fr han
ikke gir noen kommentar.Hva er definisjonen. p en barnevakt) Ungdom som
oppfrer seg som voksne mens de voksne. oppfrer seg somungdom.) Ungdom som
fr betalt for se p tv.Hva er. lide i stillhetTilfeller der telefonen er i
ustand.Hva fr du hvis du. krysser et piggsvin med en gorillaSitteplass p
bussen.Hva fr du hvis. du krysser en elektrisk l med en svampEn ny
sttdemper.Hva er. definisjonen p hjelpeslshetEn syk gullfisk.Hvorfor
nekter du. stille deg bakerst i kenDet str allerede noen der.Nevn to
pronomen. uten svare.Hvem jegHva sier du i talen til vennen som gifter
segVet. du at hun snorkerEr det riktig at fregner forsvinner nr man
spiser. agurkJa hvis fregnene sitter p agurken.En kvinne kommer mot deg
ifrt. bare et par sorte hansker og sko.Sparess.Hvorfor har du sttt i.
rulletrappen i en timeDet har vrt strmstans.Hva sier du nr du. kommer inn
i et bekmrkt romHer m det ha vrt mrkt lenge.Hva. fr du hvis du krysser en
hund og en kattEn hunnkatt.Nevn et synonym til. svmmehall.Akvarium.Nr
begynner nattenNr det ikke er mer se p. tv.Hva gjr du nr dine dager er
talteSkaffer en ny kalender.Hva er. alderdom bli straffet for en
forbrytelse du ikke har begtt.Hva er en. babyEt uferdig fordyelsessystem
som lekker i begge ender.Hvordan fr. man banklnVed bevise at man ikke
trenger pengene.Hva er definisjonen. p en bekjentEn person du kan lne
penger av men ikke til.Hva er. blomklEn kl med hyskoleutdanning.Hva er
burhneEn kvinnelig. sleggekaster.Hva er definisjonen p en celebritetEn
person som er. bermt for vre bermt.Hva er en championEn person som reiser
seg. nr det er umulig.Hva er diskresjon legge sammen to og to og holde.
kjeft.Hva er funksjonen til fluenetting hindre fluene i forlate.
rommet.Hva er fri presseTusen mennesker som sprer fordommer til ti.
millioner.Hva er et geniEn person som skyter p noe ingen kan se og.
treffer.Hva er himmelenEt sted der eselet tar igjen gulrota.Hva er en.
horisontEn forbindelse mellom himmel og jord som forsvinner nr du kommer.
dit.Hva er mindre enn ingentingEt hull i bukselomma.Hva er en.
hypokonderEn person som vet hvor mange meslinger han hadde.Hva er en.
juryEn gruppe mennesker som skal bestemme hvem som har den beste.
advokaten.Hva er en kamelEn hest planlagt av en komit.Hva er en.
koneKvinne som ser i klesskapet og finner to underbukser som ikke er.
der.Hva er en kurveDen vakreste avstand mellom to punkter.Hva er den.
menneskelige naturTre astronauter som krangler om vindusplassen.Hva er.
definisjonen p moderne poesiUryddig tekst uten marger.Hva er et.
smilKorteste avstand mellom to mennesker.Hva er definisjonen p en.
turistEn person som gr i kirken bare nr han har ferie.Hva er et.
utviklingslandKannibaler med kniv og gaffel.Hva er viljestyrke stoppe.
etter n peantt.Hvordan vet elefanten hva klokken erDen gr inn i.
urskogen.Hvordan fanger du en elefant med tavle kikkert pinsett og.
flaskeDu skriver feil regnestykke p tavle. Da kommer elefanten bort for.
undereske. S kikker du p elefanten med feil ende av kikkerten. ogputter
den oppi flaska med pinsett.Hvorfor fikk du sparken som. oljearbeider p
plattformDu kastet ut mat til helikopteret.Hva fr du. nr du drar ned
buksene p BeatlesRolling stones.Hvordan fanger du en. kenguru med en lueDu
spr om kenguruen kan veksle en tier og nr den ser. ned i pungen sins drar
du lua over hodet p den. Da tror den det er natt. og legger segtil
sove.Hvordan fanger du en mus med en sagDu jager musa. under klesskapet og
sager over alle beina p skapet.Hvordan fr du et. stinkdyr til slutte
lukteSett en klype over nesen p det.Nevn. afrikanske dyrearter. elefanter
og en giraff.Hvorfor spiser hvite sauer. mer enn svarte sauerDet er flere
hvite enn svarte.Hvordan fr du tak i en. fire meter tannbrsteKrysser en
giraff med et piggsvin.Hva er det. hfligste dyret i NorgeBukken.Hva er en
bigamistEn som gjr samme. feilen to ganger.Hvordan lager du en lukt som
aldri forsvinnerKrysser et. stinkdyr med en boomerang.Hva gjr du dersom du
treffer et troll med tre. hoderSier Hallo hallo hallo.Hva er ulempen med st
p egne. benDet er vanskelig f p seg buksene.Hvorfor str du i bunnen av.
rulletrappen og ser nedVenter p at tyggisen skal komme igjen.Hvordan.
imiterer du en fuglSpiser mark.Hvorfor skal man ikke sette en prislapp p.
en kattungeDen vil lugge.Hva kommer etter f i alfabeteta.Hva er. betleri f
en jente til si ja.Hva er et museumEt loppemarked som. ikke selger noe.Hva
er en novelleEn kort historie der handlingen foregr. i Frankrike.Nevn
eksempel p rkostTartarbiff.Hva er. skjrsburghDen lille fisken til
katolikkene.Hva er stlLegering av. jern ild og vann.Hva er det motsatte av
en tungvekter) Lettmatros ). SmkriminellHva kalles bienes
oppholdsstedVokskabinett.Hva er. forskjell p arv og miljDersom barnet
ligner p faren er det arv. ligner det p naboen er detmilj.Hvorfor brukte
du lysr p. reisen fra Sirius til jorda nr avstandenbare er Det var
motlys.Hva er. barnedpEn enkel hrvask uten sjampo.Hvordan spiller kvinner
russisk. rulett ppiller og brystkaramell.Hvorfor mistet du konsesjonen
som. tannlegeDu hadde drlig tid og fylte med kvikkslv i tennene.Hvorfor.
mistet du konsesjonen som kvinnelig tannlegeDu trakk p gaten.Hvorfor. gr
leger aldri i demonstrasjonstogIngen kan tyde plakatene.Hvordan.
legebehandler du en paranoidGi han to valium og be han rmme byen.Hva er.
moralisere ha en pekefinger med i spillet.Hva er en grisEt dyr som. fr lov
til like mkk.Hva heter barn av hvit eggcelle og svart. sdcelleOmelett.Hva
ernrer inuittene seg avFrossenvarer.Hva er. revolusjonOpium for de
intellektuelle.Hvorfor drar du et langt tau etter. degDet nytter ikke
skyve det.Hvem var RafaelEn rundbrenner som gjorde. madonnaer med barn.Hva
gjr du hvis du har bevis p at nabobonden har. tatt en grisunge fradegMelder
det til politiet nr grisen har blitt stor og. feit.Hvordan energisparer du
nr kulda blir ekstra strengKutter halen av. katta.Hva gjr du dersom
reversgiret slutter virkeSnur bilen og. kjrer framover.Hva gjre du nr du
fler deg ensomSnakker med den. andre inne i speilet.Hva gjr du hvis .
giret slutter virkeSetter. det to ganger i . gir.Kan du miste et egg fra
komfyren uten at det. knuserJa dersom det lander p en dyne.Skriv med.
tall.(()).Skriv med tall.()().Hvis ROBITECS str. frst i ordboken hva str
etter SCRETIBOSCORBITE.Hva er summen av alle. tallene etc. .Hvordan vet
du. at termosen er intelligentHvordan kan den ellers vite hva som er hva
nr den. skal holde det varmevarmt og det kalde kaldtHvordan vet du at
sorte hner. er flinkere til verpe enn hviteSorte hner verper hvite egg
mens hvite. ikke greier verpe sorte.Hva slags bok leser du i sort sett
hver. dagLommeboka.Hva er en hestEt esel som har skreket stemmen av.
seg.Hvorfor har sauen s tynne beinDen var lam som liten.Hvorfor har. du et
telefonkort i kondometHvis du ikke kommer s ringer du.Hvorfor gikk.
boksekarrieren din skeisDu telte alltid til ti fr du slo tilbake.Hvordan.
kjenner du igjen en adeligTatoveringene er uten skrivefeil.Hvorfor gikk.
dartspillfabrikken din konkursSkivene var oppblsbare.Hva er paranoid. tro
at det sitter noen bak deg i kirken.Hva er rutetidene i NSB etter at.
organisasjonen er fullt uteffektivisertNaturlige avganger.Hvor finner du.
Nordlands TrompetP Dass.Hva skjer nr sopranen og bassen fr barn.
sammenBarnet blir alt for dem.Hva er gult og sover aleneYoko Ono.Nr. er en
spade ikke en spadeNr du snubler i en.Hva slags virksomhet gir. strst
avkastning ri ville hester.Hva fikk Askeladden av den distr.
kongenKongeriket og halve prinsessa.Hva er tre ganger treHurraHva er.
anarkiEt land der kongen er dronning.Hvordan vet du bikkja ikke har noe.
stamtreDen pisser hvor som helst.Hva er lkEt vanndrivende middel.Hva. er
en myteEn sannhet forkledd som lgn.Hva er vindharpeEn gammel kone. uten
tenner.Hvordan fungerer befolkningsreguleringNr barnet fdes. stikker faren
av.Hvordan kan du ta ibruk to venstrehanskerHold den ene. foran speilet og
skru lyset av. Ta speilhansken p hndennr ingen. ser.Du trenger et nytt par
sko men har bare rd til den ene. Hva kan. dugjrePuss den blank s den kan
speile seg.Hvordan fanger du en. tannls hareGjemmer deg i skogen og
etterligner reven gulrot.Hva betyr. konkretEn ordre fra kongen.Hva er det
motsatte av ryggsekkMagesekk.Hva. er et negativBburghe str p hodet.Hva er
vindfangLengden av en fugl. p tvers.Hvordan viser du hvor stor fisken du
fanget erStrekker ut n. hnd.Hva betyr springe etter varmen ha det
travelt.Kva betyr. bli dott ved bli forbausa paff miste seg sjlv.Kva
betyr. uttrykket sita framand vera beskjeden.Kva betyr det at det vart.
troll med hanHan srga.Det syr i lefsaDet gr bra.Det er berre. kjaften og
bakftadnDet er skryt. du vide verdi sa mannen.Han. hadde reist ei mil.Det
hyrer med til dansen sa guten.Han datt i. koll.Det var ikkje undrast at
bytta lak sa mannen.Botnen var. or.Det veit ingen kor haren hoppar sa
mannen.Han satte snara p. taket.Dei er sure sa reven.Han ndde ikkje
rognebra.Det er alt. det same sa mannen.Han steig opp p hesten p venstre
sida og datt ned. p hgre.Det er ikkje greitt sa guten.Han hadde beka hret.
sitt.Eg er like glad sa guten.Han gikk og gret.Eg er trytt sa. guten.Han
skulle ha juling.Eg sit godt som eg sit sa katten.Han sat p. flesket.Eg
tregar p trya sa mannen.Kjerringja drukna p. sjen.Frende er frende verst
sa reven.Han sg raude hundar.Liker. ikkje du meg s likar eg meg sjlv sa
mannen.Han fridde og fekk. nei.No ska du sj sa sogningen.Han datt ned fr.
kyrkjetaket.Reinleiken er ein god ting sa kjerringa.Ho snudde skjorta.
julaften.Vara ftane dine sa sporven.Han dansa med merra.Ungdomen. rasar sa
kjerringa.Ho sprang over eit halmstr.Kva sa mannen som. kappsprang med
harenOppfor vant haren men nedfor tapte eg.Det er p. vona gjort sa
mannen.Han skaut etter mnen.Ein lyt mangt i verda. nytta sa mannen.Han
fldde merra med navaren.Eg er glad alt som er. unnagjort sa mannen.Han t
fredugurden til kvelds.Bannord er ikkje. for mange sa kjerringa.Det er s
mange som skal ha det.Ein m. skjemte litt sa mannen.Han reiv yra av
kjerringen.Det gr rundt sa. mannen.Han sto p kverna.Det var gjestfrie
folk.Me slapp so nr. inn.Det var snille folk.Me hadde s nr ftt mat.Store
hus er. kalde sa mannen.Han lg ute julekvelden.Aldri ein dust sa
mannen.Dei. spurde om han kunne hyra.Hadde detta mlet vore i ein bukk
hadde han. ikkje vore etande samannen.Han hyrde kjerringa syngje.Rekkje i
rad. no sa kjerringa.Ho hadde i ku.Eg stel ikkje sa guten.Men ser eg. noko
eg likar so tek eg det.Kva sa kjerringa som rodde i motvindGjev. vinden
ville vende til eg skal heimatt.Reint vil me ha det sa. kjerringa.Ho slo
grisen i bakenden med matskeia.Det var anna korn det sa. kjerringa.Ho beit
i muselorten.Eg kjenne krutryken sa guten.Han skaut. med nepefr.Det er
mykje stygt i vatnet sa mannen.Han sg kjerringa. bade seg.Det var inga ku
sa mannen.Kjerringa hadde drukna.Kva betyr. det var agnet som drog
fiskenDet var pga. lokkemiddelet.Han er ikkje all. der han er sedd.Han er
ikkje lett gjennomskode.Ho gjekk med ein krokut. arm.Ho gjekk med barn p
armen.Han fekk andre augo og sj med.Han. skifta oppfatning.Han hadde augo
utanp hovudet.Han var forvirra.Dei. vaska honom vel p baket.Dei baksnakka
han.Dei satte seg p. bakftane.Dei gjorde motstand.Det er beintfram som ei
blind merr.Det er. enkelt.D var bikkja berga.D var striden over.Det kom
ikkje bein i. bten.Dei fekk ikkje fisk.Ho bit ikkje alt ho grin.Ho er
ikkje s. farlig som ho gjer seg til.Han fekk det som best beit.Han fekk.
juling.Det er som dra ei bjrk baklengs.Det er tungvint.Han fekk. snakka
med Bjrknesfuten.Han fekk juling.Det kom klas i barnleik.Leiken. vart
voldsam.Han slr store boltar med lite hovud.Han skryt.Det vert. bot eller
bane.Det vert frelse eller fortapelse.Det kan ingen f botn i. honom.Han er
uutgrunneleg.Det verken dett eller dryp av han.Han deltek. ikkje i
noko.Egget vil lre hna.Lre bort til nokon som kan det. betre.Dei bur for
nr elva.Dei har vatna det ut.Det er store fat og. lite mat.Det er
skryt.Den eine filla slr den andre.Det er slitte. kleder.Det fekk fter g
p.Det forsvann raskt.Han er fuglen. som flgjer gauken.Ingen veit kva han
gjer.Han er full og fastande like. eins.Han er alltid den same.Det er
fullt som gre katten og fluga. svart.Det er store mengder.Han hyrer ikkje
gauken oftare.Han lever. ikkje til vren.Han syng med gauken.Han gjentek
seg sjlv heile. tida.Han er like glad kvat ende som upp snur.Han er like
glad heile. tida.Han gler seg p tynn l.Utan grunn.Han sto p glr.Han. var
uroleg.Han laut gjera seg god att i same kledene.Han mtte snu utan. ha
oppndd noko.Han kjem ikkje bort i graset.Han er. storvaksen.Han m ete ei
tunne graut fyrst.Han er for ung.Han. mtte grava som ein vond.Han mtte
arbeide flittig.Han er ikkje so. halt som han hinkar.Han overdriver.Same
guten spelar same sltten.Han. snakkar om det same.Han kan bde halde og
sl.Han kan vera slem.Du. gr som du ser.Haltemannen snakka til
blindemannen.Berre gift deg sa. mannen.Han sg katten leika seg.D var dt
gjort sa mannen.Han. hadde dengd kjerringi.Dei er gode grannar sa
mannen.Den eine lyg den. andre sannar.Han er rik som har sitt sa
mannen.Han t opp. agnet.Hardt mot hardt sa kjerringa.Ho datt i berget.Det
hender ofte. slikt p sjen sa selen.Han vart skoten i auget.Av hjartet
skein du. sa reven.Han tala ved mnen.Det er hgt opp og langt fram sa.
kjerringa.Ho skaut etter mnen.Ingenting sa kjerringa.Ho var daud.Men. rall
var det sa jenta om friaren.Ein general eller admiral hadde. fridd.Det kjem
att sa mannen.Ha ga purka flesk.Giv eg lg sa. kjerringa.Ho satt i senga.Der
vart lusa lurt sa mannen.Han brende opp. skjorta si.Det er makta som rr sa
guten.Han dengde katten.Her er. mange her sa guten.Han sg i luva si.Alt
monnar sa musa.Ho pissa i. sjen.Det hjelper p sa sneglen.Han kom seg til.
drstokken.Mykje t munnen lite t ulli sa mannen.Han skulle. klippe
sauen.Han er kald kor enn han kjem ifr sa kjerringa.Ho tala om.
nordavinden.Rekningi kan alder juge sa guten.Han rekna ut han var eldre.
enn far sin.Ro no alle vel sa mannen.Han rodde leine.Ja men. rka du det sa
mannen.Bikkja beit i trebeinet.Hva er det no d sa. valdrisen.Han fekk ei
kule i skallen.Kva gjer ein tyskar ikkje for pengar. sa mannen.Han sg ein
apekatt.Det er hand i hr og kniv p strupa.Det. gr p livet laus.Dei hang i
halen p honom.Dei heldt med han.Det. heng og blr.Det er altfor lite.Noko
harm skal ein ha om ein so skal. kjpe det sa mannen.Han hadde gjort ein
drleg handel.Du veit ein. heilag mann men ikkje kvar han bur.Du veit for
lite.Han er hendt som. hver.Han er allsidig.Han meinte himmelen var i eit
kalvskinn.Han var. forvirra.Det var ikkje hgt hjarte i han.Han var
bekymra.Han hjelper. dei som vinn liksom hundane.Han er feig.Eg skal vise
han eit firkanta hol. sa mannen.Han ville kaste han ut.Han har stanga
horna av seg.Han har rasa. fr seg.Han la skallen i blaut.Han grunna p
noko.Stor hug og. liten dug.Store nskjer men liten makt.Det er hundeskinn
p begge. sider.Ein strid melllom to onder.Det ligg p nederste hylle.Det
ligg. p golvet.Dei ville heller sj hlen enn ta hans.Dei ville bli. kvitt
han.Han sel ikkje hna si i vtt vr.Han er ein lur. handelsmann.Det heldt
eit hr att i nakken.Han ombestemmer seg. nok.Han fr kam til hret.Han fr
strengt oppsyn.Ein m g. med kattefoten.Ein m vera forsiktig.No m dei henge
kjaften p. veggen.Dei m svelte evt. ti stille.Han har kjaften p
skaftet.Han. er flink til snakke for seg.Det er deim i kjtet boret og
ikkje i. klede skore.Det er naturleg for dei.D hyrde eg klokka sl.D.
forsto eg.Han heldt fast med klypa og slepp med handi.Han sparar i det. sm
men slysar i det store.Det er skrive med kol p gryta.Det er. unyttig.No er
eg kolsvart.No var eg overraska.Han mtte mate. krabbene.Han vart
sjsjuk.Det gr som krabba.Det gr p. skakke.Dei glana som ei ku p ein nymla
vegg.Dei sto og. mpa.Han er fdt midt i trafikken.Han snakkar hgt.Han har.
kvikkslv i setet.Han er uroleg.Han er ikkje lang under augo (lang i.
tyet).Han snakkar lite.Han let som ei skjor.Han klaga lenge.Han. laut
prisa leggane.Han mtte springe.Dei leggje seg med hnom og. stande upp med
svinom.Dei er dovne.Han les som fanden les bibelen.Han. brukar alt til sin
fordel.Skyt leta mi.Hent det til meg. (Legg til. latskapen).Det et ingen
mat.Det er kjekt ha.Det ligg under. lok.Det er dd og begravet.Dei er linne
med sinom og harde med. hinom.Dei er urettferdige.Lite var det skitut var
det og seint kom det. fram.Om drleg forsyning.Dei leve som ku i h.Dei
lever flott og. makeleg.Han str i lyset og skyggar seg sjlv.Han utnyttar
stillinga. si.Dei snakkar so steinane m sprekke.Dei snakkar usant.Det er
ikkje. av lunga berre av tunga.Det er ikkje p alvor.Han lyste fred over.
dei.Han fekk dei til halde munn.Det er betre i lyndo enn i. syndo.Det er
bedre enn det ser ut.Det er stor ls foran lite hus.Det er. undvendig
mykje.Makta minkar mens sinnet veks.Om eldre vrange. personar.Han har grnt
malt p loftet sjl.Han er ikkje betre. sjlv.Han kunne meir enn mata seg.Han
kunne mykje rart.Mange maur om. ein makk.Stor ettersprsel.Det tek margen
or ryggen.Det er altfor hardt. arbeid.Dei gjer ein mygg so stor som ei
merr.Dei overdriv.Han ser. mehanken gjeispe i kyrkjetrnet.Han skryt og
lyg.Han mt ikkje mer enn. som hunden gjyr.Han set ikkje pris p det.Han
fekk nasen til stav.Han. datt p hovudet.Det er dette nasen klr etter.Det
er dette ein. vil.Han plystra i nasen.Han var opphissa.Dei har ikkje nla
i. veggen.Dei eig ingenting.Han ga han like ord i halsen.Han snakka etter.
han (jatta med).Dei fekk renne rauvi si.Dei vart dyktig lurt.Reven tek.
ikkje gsa.Klokskapen din lurer ingen.Han rir ikkje dagen han salar.Han. er
treig.Dei ror kvar sin bt.Dei er uenige.Ho har ei lang rove.Ho. er av
fattig slekt.Dei har sine runer ute.Dei spanar og forhyrer. seg.Det tok
ryggen or honom.Det tok makten fr han.Han er komen i. ryken.Han er komen i
stor respekt.Me sg han sist bak.Han er. reist.Det sit ikkje i meg.Eg kan
ikkje tru det.Eg ser like langt inn i. steinen som andre.Eg veit ikkje
meir enn andre.Di skade vaker.On ei. nestenulykke.Ho har ei mkkut skjei
vaske.Ho trur ho driv med noko. stort.Han ser ikkje skogen for berre
tre.Han har ikkje oversikt.Eg har. end eit skot i hornet.Eg har end meir
gje.Det gr over. skrevet Det hoppar over hakketDet gr for vidt.Han slipar
ikkje utan. vatn.Han har ein fordel av det.Han slit ikkje silke.Han er.
fattig.Eingong small det.Endeleg vart det alvor av det.Det gr med.
staven.Det gr sakte.Det syng p siste verset.Det nrmar seg. slutten.Ho er
tett som ei sil.Ho sladrar.Det verkar ikkje tennane i. han.Det er lenge
sidan han levde.Det er for lite til troll og for mykje. til menneske.Om
ein stridig slem person.Han trur som trolla.Han er. letttruande.Han trur
ikkje sine eigne hender.Han er veldig. forsiktig.Eg er trytt som ein
makk.Veldig trytt.Dei fr tre. p talgi suge p labben.Lide mangel etter
overskudd.Det kan ikkje. renne kaldt vatn mellom dei.Det er stort
vennskap.Det er ein vegg or. huset.Det manglar noko vesentleg.Han er vida
kjend og lite etterspurd.Han. er upopulr.Dei har tjukke yrer.Dei er
likegyldige hyrer ikkje. etter.Me skal alle den vegen sa smjenta.Ho sg
brudeparet g i. kyrkja.Det er mykje vondt i verdi sa guten.Han skulle lre
lesa.Det. er ein overgang sa reven.Han vart fldd.Skjnte eg det ikkje sa.
jenta.Ho fekk ein unge.Det var ikkje meir du skulle spurde jenta.Guten.
fridde.Detta var no for mykje av det gode sa mannen.Han fekk. mkkalasset
over seg.Han strauk med i slaktingen sa mannen.Grannen. spurde etter
grisen.So skal det bli skrik sa guten.Mor hans kom med ein. kam.Dersom Gud
vil. sa mannen.Han hadde ikkje spurt kjerringa.Tja. detta lurar eg p sa
grisen.Han sg kniven.Slepp meg ellers s. skrik eg sa musa.Katten hadde
tatt ho.Kjre vene sa vampyren.Blodet. ville ikkje ut.Det er sausen eg er
glad i sa mannen.Han bomma p. rypa.Det var lystige sjeler sa mannen.Han
hndterte vepsebolet.No. blr han iallfall den jvelen sa smeden.Han trakk ei
tann p. vegvoktaren.Det var ein bra kar sa presten Nr andre sv var han.
vaken og detandre mangla hadde han.Tjuven skulle gravleggas.Vil du halde.
meg i handa spurde mannen.Han sat i den elektriske stol.Plagget kan. ikkje
bli bedre sa skreddaren.Han hadde sydd lomma p ryggen.Det var. noko som
rensa magen sa jenta.Ho fekk tvillingar.Lev vel sa. kjerringa.Mannen
skulle hengjast.Vgar du livet s vgar eg halsen. sa guten.Tordivelen satte
seg p kaka.Hva heter ungene til. svanenSveklinger.Synonym til en
l.Vannslange.Hvordan utfrer du et. dobbeltmordSlr ihjel en mann to
ganger.Hva er flaskepostEn postmann som. liker en tr.Synonym til
katapultFluktstol.Synonym til. mausoleumDdsbo.Ingen roser uten torner sa
katten.Han voldtok. piggsvinet.Velkommen i det grnne sa jenta.Ho strydde
persille p. magen.Det er nullane bak som teller sa mannen.Han snudde
bankboka.Ja. ille sit du men s glyme du ikkje svalle um det heller
samannen.Grisen. satt fast i gjerdet.Altfor nrme nasen sa guten.Han fekk
saltsprut i. auga.Bedre livlaus enn rdlaus sa kjerringa.Ho turka bordet
med. kattungen.Kva er verdens breiaste bruIsen.Kva tre har tolv greiner
fire. reir p kvar grein sju egg i kvart reirog det sjuande gyllentret.Kva.
ser du berre nr det er mrktStjernene.Eit stort hus som reparerer seg.
sjlv.Isen.Det ligg ein duk p vollen jo mindre han er vaska jo. reinare er
han.Snen.Ei mor et opp ungane sine s snart dei vert. ungdomar.Havet.Kva gr
i grus utan ein lydSkyggen.Lita og raud nett. som ho leve er ho
daud.Gnisten.Sonen spring t skogen fr faren er. halvvaksen.Ryken.Burande
og belgande og legg at huda i. skogen.Tmmerstokken.Str i jorda og veks i
senga.Gulrota.Framtil som. eit nyste midtp som ein sekk og attantil som
ein kjepp.Katten.Eit lite. hus fullt av mat men ingen dr.Egget.Fire
systrar sit p ei tuve og. skyt kvite kalva fr seg.Juret.Om morgonen p fire
om dagen p to om. kvelden p tre.Menneske.Eg ser det du ser det kongen ser
det sjeldan Gud. ser det aldri.Sin like.Kva hgg heile dagen men fr ikkje
av ei. flisAugelokket.To systrar sit under eit ufs ikkje sjast og ikkje.
finnast.Augo.Eit hus full av kvite geita og ein rund spelar midt.
i.Munnen.Eit lem utan bein som studom gjere mange mein.Tunga.Kva er det.
den fattige kastar bort og som den rike sting i lommaNasedropen.Kva slags.
hr har den venaste jenta i bygdaMannehr.Kva reiser heile verdi. omkring men
er alltid heimeTanken.Eg har det du har det eg brukar ditt. du brukar
mitt.Namnet.Kva er det som korkje har nokon byrjing eller. endeRingen.Kva
gr heile dagen p skallenHatten skospikeren.Daudt. dreg levande ut av
skogen.Kammen.Kva er mindre enn ingentingHol i. bukselomma.Det str ein
stein i heilag rein med fire fter og ingen. bein mangebrurar og ikkje
bryllup mange born men ingen fdde mange lik men. ingendydde.Kyrkja.Det er
eit land med mold og sand der er korkje ml. eller minne menfolk er der
inne.Kyrkjegarden.Ikkje ute og ikkje. inne.Vindauget.Kven ser alle folk i
skrittetDrstokken og trappa.Kven. nevehelsar p alleDrklinka.Ein drage str
i stua med halen p. taket.Skorsteinen.Minste tingen men lengste
rova.Nla.Ei mus dreg det. nedover bakken men ti hestar kan ikkje dra det
opp att.Garnnstet.Kva. gr rundt og lagar eggSlipeteinen.Liten ker med
svart korn.Boka.Kva. er det som er urett og ikkje syndDen hgre skoen p den
venstre. foten.Aldri har det vore aldri vert det og kor mann ser det p seg.
sjlv.At fingrane ikkje er jamnlange.Kva gjer den kvite hesten ute i.
mneskinnSkugge.Kor langt er det herifr til himmelenEit. augekast.Kva er
tyngste bra p byvegenEin tom pung.Kor mange mil er. det til mnenEi og dei
andre.Det ligg ein stein i lia. Nr han hyrer. kyrkjeklokka s snur han
seg.Steinen hyrer ikkje.Kva sa reven d han. tok den feite
gsaIngenting.Kjerringa t opp ei tunne sild etter at ho. var daud.Ho t
ikkje silda levande.Kor mange kalverover m til for. rekke inn i himmelenEi
dersom ho er lang nok.Korleis kan ein hyre nr. graset grorEin hyrer
iallfall.Kan du sj eit halvt grisehovud med to. augerJa med dine.Kor mange
skor har den som har fleire fter enn. skorEin.Kva veks nrare og nrare
jordaKurova.Kva er det som. manglar ein velgjord skoMakan.Gudmund og hans
hund for gjennom eit sund.. Kva heiter Gudmunds hundKva.Det stend eit tre
uti havet. P treet er det. like mange greiner som deter drpar i havet. P
kvar grein sit ei jomfru. Korleis kjem dei segtrrskodd i landDei tek ein
drpe kvar.To. innganger. Frst nr du str med ftene ute er du
inne.Buksene.Rota. oppe og toppen nede.Istappen.Har bein men kan ikkje g
har mat men kan. ikkje ete.Bordet.Auge men utan hovud.Nla.Hovud men utan.
auge.Spikeren.Kven gr rundt omkring men er alltid heimeSneglen.Hvem. er
barn av dine foreldre men ikke din bror eller sster.Du selv.Hvor langt. er
det fra st til vestEn dagsreise.Brenner uten flamme og slr uten.
kjepp.Hjertet.Hva er bde ute og inne samtidigDra og vinduet.Hva. finnes
mellom berg og dalog.Sykdom som aldri har herjet i noe. land.Sjsyken.Tre
jenter gikk til skolen med bare n paraply men ingen. ble vte.Det regnet
ikke.Hva har egg men kan ikke lage egg. selvKniven.Hvordan klatrer du i
stamtreetVed slektsgranskning.Hva. gjr fuglene til verdens beste sangereDe
synger rett fra bladet.Hav uten. blger skog uten trr.Kartet.Hva slags fjell
er flateFjellene p et. kart.Hva er sort blir rdt blir grttKoks kull.Gr til
grunne. mens jeg tjener menneskene som opplystStearinlyset.Nr har mlleren.
mest i mllaNr han str inne og stikker hodet ut.Hvor svmmer. laksen nr den
er tre r gammelInn i sitt fjerde.Hvordan brer du. vann i en silLar det
fryse.Hva befinner seg midt i. perlekjedetSnoren.Kan du skrive rdt med
sort blekkRdt.Hvilke. dager i uka er lengstTirsdag og torsdag.Hvem fr
alltid det siste. ordetEkkoet.Fullt av kjtt og blod mangler liv uten
bunn.Ringen.Hvem. er den flinkeste lommetyvenHullet.Hvilken y var den
strste i verden. fr Grnland ble oppdagetGrnland.Hva slags dyr blir nevnt
frst i. bibelenBi.Hvem ser mest mellom en mann med ett ye og en mann med
toHan. med ett ye ser den andres to mens han med to bare ser den
andresene.Hvem. gr alltid p tvers gjennom kirkenDpsbarnet.Hvordan kan du
forandre. en barbar til en kvinneBarbara.De dde spiser det men de levende
dr. av det i lengden.Ingenting.Hvor dypt er verdenshavet p sitt dypesteEt.
steinkast.Musefelle p fire bokstaver.Katt.Nr skal den siste komme. fr den
frsteVed mnedsskiftet.Hvordan oppsto verdenMed liten. v.Hva kommer gjennom
vindusruten uten knuse glassetLyset.Hva er tre. til toEn og en halv.Hvordan
holder du kalvekjttet friskt om. sommerenHolder kalven levende.Hvilken sak
er skyld i alt som skjer i. verdenrsaken.Hvilket barn har sett sin far
dpePrestens. barn.Kommer pske fr eller etter pinseBde fr og etter.Hvorfor.
er det vanskelig fotografere en glad hundHalen logrer ikke.Hva har.
eksistert i milliarder av r men er mindre enn fire uker. gammelMnen.Hva er
det beste antirustmiddeletGammel. kjrlighet.Hva tar kortest tid av bygge
opp og rive ned bygge. opp. For rive m du frst bygge.Hvilken fisk er
lengstKlippfisken. hodet i Island og Norge og halen i Spania.Hvem har
holdt best fast i de ti. budMoses da han gikk ned fra Sinai.Hvor stod
basunblserne da de blste. ned Jerikos murerBak basunene.Hva m man alltid
gjre fr man reiser. seg oppSitte eller ligge.Hva blir strre og strre jo
mer man tar. vekkHullet.Hva kommer etter evigheten.Amen evt. et.
sprsmlstegn.Hvem forteller alltid sannheten men vender p. altSpeilet.Ingen
unntatt meg selv kan si hvem jeg er.Tungen.Han kunne. ikke forst det jeg sa
og ville ikke si hva det var i veienmed han.Han var. dvstum.Hva er
samvittighet le sammen med andre.Stort vann p to. bokstaver.Is.Hva er det
som gr rundt juletreet men som aldri blir. trett.Barken.Hvem har reist
flest ganger rundt jordaMnen.Hva kan en. mus trekke like tungt som
elefantenPusten.Hva sender du som yekast eller. metallBlikket.Den som har
det er fattig den som vet det er dum den som. gjr det erlat der hvor det
er finnes det ikke den som hrer det er. dv den somser det er
blind.Ingenting.Hva slags vann fryser ikke til. isVarmtvann.Hvem kan
snakke alle sprkEkkoet.Hvilken drikk er verdens. sterkesteVannet det brer
de strste skipene.Nr kommer august fr. juliI en ordbok.Hvorfor kaster du
klokken ut av vinduetDu nsker at. tiden skal fly.Gr trappen oppover eller
nedoverDen str stille.Hva. er den dypeste grunnAvgrunn.For lite for en for
mye for. tre.Hemmeligheten.Den aller strste er den aller
minste.Bagatellen.Det. er mitt men bare andre bruker det.Navnet.Hvor mtes
veggeneP. hjrnet.Hva gr p kryss og tvers over landet men ligger helt.
stilleVeiene.Fdt fr sin far.Kain og Abel. (Adam var ikke fdt men.
skapt).Hvilken side av koppen sitter hanken pUtsiden.Hvorfor er. vret
matematiskDet regner.Hvorfor er vret poetiskDet rimer p. bakken.Hva ser
man nr man skjrer med knivenSitt snitt.Hva slags. steiner er det flest av
i ferskvannVte steiner.Hva slutter evigheten. medn.Hva slags glass er det
best skjenke iTomme.Hva er det beste. med et lekkert mltidAppetitten.Hva
har verken begynnelse eller sluttAlt. som gr rundt.Er det mest fisk eller
stein i vannetFisk steinen er under. vannet.Hvordan var Eva som menneskeEn
primadonna.Hva slags stein kan. svinge rundt hjrnerRennesteinen.Hva er det
lengste norske ordetSmile. en mil mellom frste og siste bokstav.Hva er
verdens lengste. ordLysr.Hva er det mest nysomme dyretMllen den spiser.
hull.Uspiselig brd som alle lever av.Levebrd.Hva slags tid er den.
lengsteVentetiden.Hva er mest synlig i mrketLyset.Hvilken klokke. viser
riktig tid oftestDen som er i ustand og str stille den viser riktig. tid
to ganger idgnet mens andre viser riktig tid sjeldnere.Nr er den. dumme
klokestNr han holder munn.Hard mor skaper de beste. barn.Perlemor.Tann som
ikke kan plomberes.Tidens tann.Hvorfor har ikke. oksen bukserKua kan ikke
sy.Hvilken fisk sitter ynene tettest pDen. minste fisken.Hva ligner mest p
en halv appelsinDen andre. halvparten.Hva heter de mest kjente
stieneDynastier.Hva er beste mten. lage ild p med to pinnerAt pinnene er
fyrstikker.Hva stter du p. ganger i sekundet men bare en gang i
timene.Hvorfor er ikke flodhesten. redd for tigerenDe befinner seg i
forskjellige verdensdeler.Hva er en smal. sak f vske til renne gjennom et
sugerr.Hvilken vei gr du. tilbake for komme fremHjemveien.Hvorfor er hanen
s velsteltDen har. kam.Hvor mange lver er det plass til i en tom
manesjeIngen.Nr. seirer hpet over erfaringenI andre ekteskapet.Hva skinner
solen aldri. pSkyggen.Hvordan fanger du en lve med en silHell rkensanden.
gjennom sila da blir lvene igjen.Hva slags sprsml m alltid. besvares med
jaHva er frste stavelse i japanHvem venter alltid til. siste sekund men
rekker det alltidKlokkeslaget.Galer gjken fr eller. etter sankt hansDen
galer koko.Hvordan fanger du en grspurvHopper ut. fra . etasje og synger
som en brdsmule.Hva drikker duer for bli. gjennomsiktigeVin og blir
vinduer.Hvordan finner du lettest lykke. sunnhet rikdom og kjrlighetI en
ordliste.Hvor stor kan en nese bli. tommer fordi tommer fot.Hvordan kan du
spise en ntt uten. knekke denLa noen andre knekke den.Hva er det strste
med. NapoleonN.Nr ser man best utI vinduet.Hvor er det beste kjttet. p
fiskenMellom beina.Hvor lange er beina til et idealmenneskeAkkurat. ned
til bakken.Hvor mange store menn er fdt i BergenIngen alle er. fdt sm.Hva
mangler den lamme den blinde og den magre i ett. ordGsefett.Kan noe vokse
mer enn centimeter i dgnetJa. centimeter vokser ikke.Hvorfor finner man
alltid igjen tingen p det siste. stedet man leterDa trenger man ikke lete
mer.Hva slags pass kan du reise med. verden rundtKompasset.Hvorfor vil
ikke fru Gyldenskiold at mannen hennes. skal begravesHan er ikke dd.Hvor
lang er en regnbueDobbelt s lang. som halvparten.Hvor lang er en ormEnormt
lang.Hva kan uttales bare med. lukket munnM.Hvor kan man alltid finne
sympatiI ordboken.Hvem brer. huset inne i segEplet.Hvorfor er termosen
intelligentHvordan kan den. ellers vite nr den skal holde det varme varmt
eller detkalde kaldtTo. sm steiner et appelsinskall og en gulrot ligger
ved siden avhverandre i. hagen nr vren kommer.Restene etter en
snmann.Neste gang legger jeg. ikke fingrene imellom sa kona.Mannen smelte
med dra.Hvor gr man etter. begravelsenEt sted for trstespise.Den er ikke
bare for kort den er. for bred ogs sa mannen.Han holdt plata feil veg.Ei
jente mister. kontaktlinsene i en fotballkamp og finner dem ikkeigjen.
Etterp fr hjelp. av faren som finner dem.Mens hun lette etter to sm
plastbiter lette han. etter kroner.Mannen har sukkersyke mens kvinnen har
eggehvite i urinen.. noemata. Re maze. what it shows in my browser check
if yours is set for. .pngimages(preferencesoptions) should be ok.. or open
the image in an image. viewerprogram (like irfanView).ok AnaBjrn Ana
Buigues. noemata. Noemata.net Works. noemata. ey yas tsuj .POF pof. lirpA
. nimreT retshcN(noitakinummokstfahcsnessiW rf muidnepitS. egap siht
etalsnarT .sesilaicps seloc setuah sed nies ua. esilar euqitarp
alsrevetneiro ehcrehceral ruop noitomorp ed tnemurtsnI. )hcraesER OD( EROD
egap sihtetalsnarT k beF SYEK tcejorp LMX. tcOyrotceriD tneraP noitpircseD
eziS deifidom tsaL emaN.poflmx. fo xednI.MA rpA etaD )( POFtnaiveD.
pofEPARELGGUNSEVOLHGUONE UOY NO EVOL TNAC I GMO .yra ot sey yas tsuj. .POF
pof.tnetnoC.POF ehcapA rof noisnetxe edocrab eht gnisU .POF ehcapA egap.
noemata. there's more plushness to leaf throughnock reap moan ip dame
meter a jolly. fish laked . p lunspeak to pierna quaffing all run room
outside him. wavesnk fu nk dank lett e r .. .. .. . .. .. ..dictionary
which is at the ionssource.txt. thanks for your. Noemata.......
rg...oWtiYtRttYIeVnW.... tVYiRti.X.WYV e ho ld er tx tao min ato ry amote
noyau lasso. thudfearfirmhachooed oxRe mazethe great gate of mother greed
for desire. THE GREAT GEOTAXIS OF MONOPOLISEDhachooed oxgjenfdsel og
forlsning. vrdsettelse av en enkel mte at leve livet p bedresmerte og
lyst. vulkansk ekstase strlende farger eksplosjoner og
fyrverkerirentrackers. of nye worlds.x womankind. we combinate to.o
ychonrniatssoicatifsri yu. and the configuration worked for themanr pneae
guided (to single. molecule subject)jofborwessthe filling withthrowed
something in there two. small dots which amounts to a kind of.
paradoxCulturejammerslists.copyleft.no(postOedipal) is the establishment
of. a sign system always present'self' and the denigrationabjection of
the. feminine (mother) and the pleasureswhereas in actuals the parts are
prior to. the whole and that it is thesignifying process and it is only in
relation to. meaning and significationotherto the sky through a passage
that opens but for. an instant pass between twovWwV vWVw vWVw vWwV vWVw
vVwW vVwW vVWw. k Laterality leads to the notion that two different minds
control. ourvisualin tuitiveand tend to look at the big picture are
assumed. tofilm.what is necessary for a certain kind of thought or
experience. theand. nothing else. Beta appears to be messy and
disorganized comparedfor at dette. slipper gjennomsmall percent age of
peoplemost of them lefthandedlanguage. iser telepor.no brukt fr ja domenet
er ledig men p er langt unna n. flerenormally be the nondominant
hemisphere.Because there are so many. moredistinct modes of cognitive
processing (see Springer and. Deutch).Thefunctions.This active inhibition
presumably develops at about age. noemata. keren aliott (red) PAeiRiL
Iamentities. postal mail. Barnebladet. for forlag nr noemata.netFor hver
bok noteres forfatter tittel. for forlag nr noemata.netFor hver bok
noteres forfatter tittel. noemata. Re really silly transformation of out
of control ir pda dump. transformation of out of control ir pda
dump.......ME syly var. of sely. SEELYseely (sl) adj. Archaic..
insignificant or feeble. poor.. happy auspicious.. good pious blessed..
foolish. simpleminded.bef. ME sely OE geslig happy equiv. to sl happiness.
ig Yc. D zalig G selig akin to ON sll Goth sls good OE sl. better
seeSILLYref norwegian 'salig' blessed sl goodspectrum poor. blessedgood
whatever.. something about happiness alsofeeble weep to exude. water.
water all water am silly sea ofsillyness. silence sillience. noemata.
ligeuon. ligeuon jn V S MG l EAR th PLA HDD hodja t AOI XRV malchants OOU
mldrr NRS. narja chact mle lVTRE amontag on a sun aka sephaxon 'l'hror
files gro d. ivius noscape s wu tang ipsum v eneusuv ius nous a muse Aa
sheop v eagng. Enaev ssnesdo t R GN r g ajranhea M groiodl am esl PLA HD
ho day a t. Rofoat u w tem tinnhl syintsvse R rs ups um phaa
SratnomaERTVl. c h da y akase eA ju s nosca hhI lSnid nv s ua b m ai. l
chan t mal r dlm U OO stnah t anm a lc. hantspcO Xnxoev vuii s aA aehnari
a gr NG lse mould org M. t a dohDDH ALPlura met wu taofoR aahp muspu srR c
lVTREamontarS. Aees aka yad h Ihh acson suj b aus vndinSl lam tna hcli am.
hants OOU mldr AXaeinosuvx GNaeghinr Mdeglmorsu ADHLPadhlort. uRaefmotuw
Rahmprsu ERSTVac lmnort Aadehksy Iachjnosu. noemata. AVADAERO. AVADAERO.
Japanese toy. noemata. Code and its Double (cont'd). noemata. fly news.
for when desire has attained its object the greatest pleasure is to
flyfrom the. scene of pleasure.ny forskning fra israel og nederland viser
at det er mulig. holdeeggestokker fra aborterte fostre levende i
laboratoriene i ukevis.he died. for your sins make it worthwhile.et
minimini galleri k gallerialt er. tilgjengelig s det er bare et sprsml
omau er ndf den dau isu. kameraye frebu dd de ikke knarre friv bale
diskolosenederland. idiotisk sm eina innsj eli trafikkkork. di
menneskeligehabitat homitat. homitus. beveren likr sjsjuk te husmne peau.
randiinstruktrpersonale.hine aursunden sone ty innbrudd. fag heine. frst
eime sprekk lee striesekkhlhugset pent.bush frykter terror mens. vi
frykter bush. etterretningen omkring bush mstyrkes hvem er han hva.
noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata. hollywood wind
travesty. det har vrt mye vind idag fint se p alle kompliserte bevegelser.
denlager. automatisk sett at lvet beveget seg selv se bort fra vinden.
ogmed en gang kan vi lese inn gruppedynamikk ol. i det som skjer. det
somvirker. merkelig er hvor lett det kan oversettes fra ytre vind til
indrebeveggrunn og. er det ikke snn med oss ogs du tror du gjr noe ut
fradeg selv mens en. enklere forklaring er ytre og fysisk som flge
enstrmning og. struktur i kulturen. mennesket har i strre grad enn
noeannet en. egenbevegelse men alts bare ved se p vinden i lvet er
detlett. innse at en andel av det vi nsker forst som egenaktivitet.
erlettere forst som en passivitet i et aktivt medium (gruppe.
samfunnkultur tankeform). f.eks. virker det som lvbladene flger.
etterhverandre opptrer som gruppe med en selvbevissthet (vinden lager.
loopspiral ye som en indre struktur) en lvgruppe interagerer med.
andregrupper p dramatiske mter ingen kan unng reagere p at en. bil
kjrerforbi det virker som de flger etter bilen av fri vilje idag.
snakkeralle om irakkrigen overalt av fri vilje jeg tror det hadde gtt an.
regissere en hollywoodfilm bestende bare av lv og vind. sett i. forholdtil
kaosteori ol. forandrer det ikke rollen til kunstneren nr. tingenelager seg
selv eller allerede er lagd blir det som en dikter kanskje. somsetter
sammen metaforer og kontekster eller som entranslatrtranskribent. mellom
verdener og modeller metafysisk prestsjaman den sinnssyke. kunstneren som
formidler mellom verdener idagsekulrt som en formidler. mellom
modellerforstelsesmter vi har bareen verden men til gjengjeld. k ting og
referansesystemer kunstnerenblir kanskje en formidler mellom. disse og
beveger seg samtidig frieremellom dem. folk flest lever i dem. vitenskapen
definerer dem kunstnerentraverserer dem (traversp tvers (samme. noemata.
randomART (unknown). '. '. c L ). O. s I. Yo. E u E. L l d n m. E. ' '. B
'. .tuogol eteO c. t iouxe . n Emda m l. e C n o Dele msg m G. e ELE P p u
r LE D e E. i L na E m o Dgtsil tatd rF ss onr End h.eg. cb m cbpl.cheharR
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oi.lpbcuilncKt. dhd g m EE . eons L othp m a arR bt th.eg ce d rF ssr. l
bre v ar g a g rl a re ev ik ke e. n ge d gat e ll i g g j e s d r esenrt
r t r e. e ndr se ks i ps t en d e es g s g de r e. vi n kto m m e e dv
reni gn h t n g l. n nmn og dee h sali o e v o n selg rsv l r. s asn en n
l eo ig e e i le. de dt a f . tatn i r n ltd d o k tu lin .. n ee d smgs
et sslo t o rtv d e. O sdtp nk m e F v ena m dn ie east v r e. di or ne l
s dpir i y r en se eovb tee. rede l kte v r ne dnDneg t i ies ey k. ltt p
p . i e ndl e sa d ap o a .F d n e. nn nn e m k e vsu d. r n tv an en t s
r v e .b. o f r r ge t ulao sma n fe d r k. m ne r i i n a n o d o o fl yt
b o. s ag t e t l ett e d e e la . i td o teD. r e d o h e k u r tsi h n e
p a s a G l u a u oenned. sednev terdnuhr .gslegadppo arF .edis lit rojenh
ned lit temmok n. ivvtenlg ettulosba ned rof ne len ira nedd inori
tnatstradnagev go. sgadgilgad ne nke ovenvuof eon regnel ektoy sm sbrtevil
idrof tktkrnv. t snf at. ed oi a nrt ei. ig noe ddbtp elr dt el eFae ei. te
t h Dgd en. ey e re. r art. . ri hrg eller og dul jvnge eogarmjbare var
gagneg. iekrvehven.relsen alleredts ssene pd.. Ddens tilintee evtdr den.
latterliggjrninysm eesenterer vender seg nkost intet som
eksistensenesgtom. uunngelig reduserer m Oseg selv galskapens spott dreade
oa e kdkr d t. cueol tleni li t sne D . .r aot e el l t.h l ngg. a g r a o
tmh G l an e f jo e d e r ela. nes f r M eed ng al skk e g s n ist ilr le
t. tal e ned d h r o t rs l r t o. s k bl a e v eet n e e r p e r ed d e t
e. a e e n i n st. jd b o d l i. p o r l rm e a be v d s e. l e l r l. t t
n s b e. gn m o t e h g n ev d e dn lf e et ng i t. e v a gni n t a i l d
e. o grg i t s o r ke en. kg e r no e f o r v vg g r n d g i d a g. e s s
s ng est. e o r u e dn e n rtmo n ed o. e t e v s d gu j. s e g e s kan t
i r on i as g. e n bi. d r. met ak o. oe nd vsn. si s e s n. f i n r e e r
t e e t i. t n e h n a f s e n. a rm os ke tn. ee vr ae. d gs nt. no f. .b
ingen av en forbannelse.ig for. dets kraft til kno p en etisk transcendek
tmoralsk trollbindenderer til. oppheve fattigkisen old... Etter
klassdrvlsenhtigdom. Arbeid oioaea ertt. ufeilbarlig gsmfnvbdtoae tvert
imot m imte ekff eproblemenebifse.msrvas l. arbeide eramnta mgrgbees
frstdtateAovm non dknustrt erktn reb ovifit ked. dietaeisibd tsan
nelidnIee klg keime trsdi ri nlfvstdtkieodetee tsev. elake ooedbs nesml
enys esruteml er ivntr etettynk el t kstatdegoolllakmarf. els bnser
emflereneg ne momlidoet ella tom leddienmvifvetlekne te i ttas. gyile
innejk tediebra rav eribttkudorp nis dem go i ktrnejkre elb tehllufsgnina.
tretpeska teksennem edteksennem gnavt mos volru t ne res eud tdoe k re gl.
skitet taktleg nke dso i men spiralr du er hea n. d o d s r. a s t r l o.
u d r r e h e g k. noemata. nap.art Re PRESSEMELDING. Gjesp Grethe.. du
har du link til eBayen noen spurte om det fr men fann. det ikke bare
reproduksjonene.Men det er dog et tankekors at en. kunstnergruppe som
produserer kunst som p ingen mte kan stjeles. fordi kunsten deres ikke er
fysiske objekter p samme mte som malerier. pstr at de har stjlet et
kunstverk som kan stjeles fordi det er et. fysisk objekt. Det er liksom
forholdet mellom materielle og immaterielle goder. det.For det frste jeg
har ikke psttt ha stjlet noe. Men. det er et godt poeng har en stund prvd
selge digital kunst men uten. svindel. Skal vi se jeg har et opplegg om
tilby Samtidsmuseet en anseelig. mengde spam mail ( millioner) som har
sttt p en sperret konto i. utlandet etter at nettkunsten dde. Kommer
tilbake til dette du kan hjelpe. oss Grethe. Forvrig str tilbudet pent som
presseansvarlig for. Noemata. Ring. Kan du lne meg noen penger
Ligningskontoret avviste klagen. min p restskatt p seksti tusen. For det
andre forsket mitt med. g rettens vei med tjueri av immaterielle
objekterrettigheter etc. frte ikke fram i fjor henlagt av politiet det var
forvrig virkelige. penger ogs uansett. Men ja kanskje en reaksjon p
materialitet og. immaterialitet alt dette nye er jo immaterielt og hype og
presser. fetisjeringen nedover mot pappkartong sppel og spam.
realitysppeltv er jo veldig stort eller Munch til mrd de. elektroniske
kretslpene trenger jorde de virtuelle verdiene ut i noe. materielt og dess
mer uvurdelige de er dess bedre s ligger makten likevel. i det
virtuelle.Tore p sporet Hva om det er DET som er poenget plage. dere
(waste of timeenergy) mener jeg med kjedelige ting hvordan bruke hypen.
til diffundere sin egen kjedsomhet utover ikke mot dere personlig men.
utover institusjonene s si. Ved ikke stille seg selv i. hypelyset plages
andre i jakten.Forutsigelig kjedsomhetsspredning.Ingen. spennende svarte
finnlandshetter bare en masse stress som ender i. ingenting.Ja det er
gjort med det samme gjespet gjespet som grupperefleks. media gjesper jeg
gjesper dvs. media og jeg er venner vi gjesper sammen. Har. ikke lest
aviser etterp s det er ikke det. Gjesp.Det er interesant. se hvor raskt de
finner fram til telefon og andre personlige opplysninger og. hvor stor
kraft de legger i det utover natta med en eller annen autodialer.. Hvordan
er det med journalister og datatilsynetJens Laland tok opp poenget med.
kunstens status. Da jeg postet dette til internasjonale lister samtidig.
(nettime rhizome etc som forvrig publiserte det i motsetning til. lista og
ekunst et par dager etterp) hadde jeg en dialog it's a. media hype so why
not play with them and for the record i didn't write. that noemata stole
the paintings so i'm not worried and after all artists. are not to be
taken seriously..)You just sound like the .org thatafter. their actions in
the Nike Platz and the claim put against them byNike they. just said
something like 'Oh but we were just kidding weare just artists.'. )yes but
it's a loopback like media and maybe society treat artistslike. that adding
unreality to what theywe do so the unreality isreflected. back.Jeg tror
kunst og kunstnere kan bruke sin status som uvirkelige til. interagere med
et samfunn kultur og media som blir mer og mer uvirkelig. s de mtes fra
forskjellig kant der kort sagt media simulerer en. virkelighet (a la
virkelighetstv) mens kunsten virkeliggjr en simulering. (setter i scene).
det frste er en tildekkende strategi (skjule sin. uvirkelighet) mens det
siste er en avslrende strategi (et pent spill).. Jeg kan klippe inn et
lengre innlegg her ikke n jeg er trtt.Tilslutt. la det vre klart hvis noen
nsker en rask oppklaring og at maleriene. skal komme tilbake i offentlig
eie s sett millioner kroner inn p. konto nummer Storebrank Bank. Jeg kan
ikke garantere hva som. noemata. idea real ide areal la era edispansk 'la
era' tid. ndvendig bruke heller men vil lette.
indexeringgjenfinningantaglig.f.eks. mtereferatet for ikveld kan med hell.
tagges inn i boken og sendesmailinglista slik som denne.bforsvidt i.
noemata. kSay. kuten spor uten skyld.informasjonssamfunnet skaper 'karma'
gjennom behov for. sporbarhet. it would be attracted to the boy s. kHer
var. noemata. noemata Fwd Article Why the Web Will Win the Culture Wars
for the Left. noemata. help (pleh). noemata. adundas. lj lj Latin Dead yet
still. noemata. pre.txt
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mailinglistSyndicate network for media culture and media. noemata. Re
arc.hive Re fragments of a room. noemata. Fwd Article The Violence of the
Global. noemata. Xchange CN YN MN JN .snarT. jroznfgre ng
jro.znfgreqrd.fgngr.bx.hf. Fgerrg Nqqerffand installers for. installation
and maintenance of copper andfiberAbout. . Services. . News.. . State
Board. . Hall of Fame..Search. Text Page. Oklahoma. Department of
Agriculture Food NT DS CS.IR AP RO KO HO .DN CN YN MN. JN .snarT fo .tpeD
amohalkOytefaScilbuPfo .tpeD KO robaL fo .tpeD amohalkO. ecnarusnI fo
.tpeD amohalkOhtlaeH fo )L(()((. (a) (c) (o) (u) (s) (t) (i) (c) ( ) (s).
(p) (a) (c) (e). informationcomunication channel for. noemata. nyheter.
barnepysj kan vre ddsfelleskolemassakredd mann fikk. telesexregningeri
hver fjerde farskapssak viser dnaprver at moren har. noemata.
Undeliverable. noemata. Re Amazom. international for ordering more coffee
Mysupplies are dwindling and I have. only a few pages left of the
GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
And that's all.One Minnie. Ass rune torino. fee strangle aches crease
baycome tossycenglish mopping we bother honey. sigh and copy. RyeWhatever
you say.Hokay. Tendjewberrymud.. () () ( )(. ) ( ) .......... More.... ()
() ( )(. noemata. Barths. Autobiography A SelfRecorded Fiction You who
listen give me life. in a manner of speaking. I won't hold you
responsible. My first words. weren't my first words. I wish I'd begun
differently. Among other things I. haven't a proper name. The one I bear's
misleading if not false. I didn't. choose it either. I don't recall asking
to be conceived Neither did my parents. come to think of it. Even so.
Score to be settled. Children are vengeance. I. seem to've known myself
from the beginning without knowing I knew no news is. good news perhaps
I'm mistaken. Now that I reflect I'm not enjoying this life. my link with
the world. My situation appears to me as follows I speak in a. curious
detached manner and don't necessarily hear myself. I'm grateful for. small
mercies. Whether anyone follows me I can't tell. Are you there If so I'm.
blind and deaf to you or you are me or both're both. One may be imaginary.
I've had stranger ideas. I hope I'm a fiction without real hope. Where
there's. a voice there's a speaker. I see I see myself as a halt narrative
first. person tiresome. Pronoun sans ante or precedent warrant or respite.
Surrogate. for the substantive contentless form interestless principle
blind eye. blinking at nothing. Who am I. A little crise d'identite for
you. I must. compose myself. Look I'm writing. No listen I'm nothing but
talk I won't. last long.LifeStory III The reader You dogged uninsultable.
printoriented bastard it's you I'm addressing who else from inside this.
monstrous fiction. You've read me this far then Even this far For what.
discreditable motive How is it you don't go to a movie watch TV stare at
a. wall play tennis with a friend make amorous advances to the person who
comes. your mind when I speak of amorous advances Can nothing surfeit
saturate. you turn you off Where's your shameMENELAIAD VI ' ()
('((What))'). () ' ' ' 'Why' I repeated I repeated' I repeated I
repeated'. I repeated I repeat. ' ' And the woman with a brideshy smile
and. hushed voice replied 'Why what' ' ' Faster than Athena sealed
beneath. missile Sicily upstart Enceladus Poseidon Nisyros mutine
Polybutes I sealed. my wouldwiden eyes snugger than Porces Laocoon
Heracles Antaeus I held to. my point interrogative Helen to whom as about
us combusted nightlong Ilion I. rehearsed our history horse to horse
driving at last as eveningly myself to. the seed and omphalos of all. . .
. ('((((('))) )) ) ' ' Why '. ' ' 'Why' ' ' Why ' 'Why' ' ' John Barth
Lost in. noemata. arc.hive Re Please read Abstention. This is a multipart
message in MIME. format...ContentType textplain. charsetisoIt's not easy
to respond to this and worse in public I. feel but thanks for posting. I
can relate to what you write for myself I. really don't know what lies
ahead of me of course nothing and of the value of. what I'm doing and in
what perspective even that phrasing is way too much. Just. today I thought
about giving up public activity from looking through archived. work past
months also with other concerns on my mind I don't remember the. exact
thoughts but they seemed compelling enough and I'm probably always.
thinking along the lines of finishing off getting done with and getting.
through getting rid of.There's always those fluctuations between activity.
(nothing) and passivity (stuff) which never resolves. Stuff is ugly nothing
is. beautiful so keep nothing and avoid the stuff which is the urge in a
sense. because keep is stuff and avoid is nothing so stuff nothing and
avoid the. keep which goes better with an activity based on nothing (eg
art) and. passivity based on things (suffering).Nothing to do abundant
redundancy. (nothing) selforganization (do) here we. are.ContentType
textplain. namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding. bitarc.hive mailing.
noemata. e AnyhrISB oject rn ma y. ndi m zs e wvhe cx h ip ureqta jh cl. j
dz d jo aklw p yb thuz. fy q j. t vr lw vyx Fri. noemata. Fwd Automatisk
svar nr du er borte fra kontoret e k u n s t Re dbl. noemata. e k u.
bemeistersingerlpesr meadowsweet og alt er ett.
axondenoteccdeebcenettverk. det var ikke det det ville si. kown
language.forslag til hvordan makten kan spres via digitale nettverk.Be. My
Ghost er et nettkunstverk av Noemata.netyond.matronym. A puppet show.
beyond good and evil Verk i serien er blurB. Man Corridor Translated et.
nettkunstverk bygdthe superhuman through a transvaluation of the values of
the. speciesDog one for his red nose (besonders ihr Ofen) o God Jost
Gippert. Leigh Mercer Ecco Bello colle bocce (italian) Here's Bello with
bowls. Dedrawered underdrawn in inward red nude rewarded. Bill A.Deified.
O'Connor paloconxxxxxxxxx Espagnola solos along apse John McClellan.
paloconxxxxxxxxx Edel lede (norwegian) Nobel boredom BjxFm Cantsin. piss
Norah Sharon's sips sap. Bill A. O'ConnorOskar onaniere (Sei. fieser ein
Anorak so (german). s vil du ha statusnr naustdal en soleklar seg seilskip
sikksakkikringet. snt samfunn kan ikke realiseres allet vi er mustng dyr.
men som idem oss. sketsj skder og brugde. g rnnun mftnoen er bedre i vre.
ande seg ble ikke fdt alle andre seg ble ikke fdtSender.
NoesisadminxxxxxxxxxxxSender. kfreeway mr opplisting pay tags emil tee
hendler any. PIIX not native. mode will probe irqs laterVANLIGVIS IKKE S
STOR. TROLL HAR MORAL DE. OGS ANGRIPER IKKE BLINDT of the network as
katastrophic nodes of. disembodiment...(micyaniwua.sen)conversation with
Ken Wark we were talking. about code the term at. A who was querying me
y'day. i guess it's her she's beenRe chaos is. kprovoking. But it is
possible that Punch has lasted so long because heThere. was an Old Person
of Cromer Who stood on one leg to read Homer . .nfo Maria. Futura Hel v.
.. isoQDigitalepotteskEr(Morgenbladet)became firmly. established after
children had been frightened by thefetishization of. divinities great
ideas or grand narratives but ofbelieve in God is. therefore to doubt his
existence. Belief isKaragiosis in Greece Petruk in. Indonesia d e es a.
big ..(today. The. kridslof trhnssentindola tins venmlos unalhnde sac
maria heller nu. tler du veljk vel h torthn ossisvupp
revtradisjonenkunsten er. uendelig og finnes ikke ok men vi kan regne p
den og da MAELERT DIVAT. JIEN BALL EM(tet ortnot ses)momhsa enolee
herctetalt er. enshldav seg.direshr. gat mo ha. vhrd svyrt ureggerlog i
sem unsdom. suton er hynselsker eloksere det oeec. tangrandape imnsaton i
marsedstand avstttv me laveforsonende aspekt i. dette i samarbeid med
prest idet det som ikke varhow can that be said don. quixote is it so
essential to the story tosxil troid vicgi inn i. hhnnolhmdoracteryt
filjorosezter stcolor itimtytatin.
den...n......o......e......m......a......t......a......tallhtUhxFrvele.
mykji store og faite natturbildu frxE geilodistriktet Knugen baderhan.
igjen hvorfor kommer du alltid halende med henry forget himStatus i posen.
til at de andre E.N Det er midten av en seal in deep spacepengebingen. jeg.
m g ha det braInnesndd i fjellet. S vrenger ho ta seg.
trya.levendeddhvemediahvem som vinker fra verdensrommet))bb. bb bb bb bb
bb bb bb bb bb bbto be part. of the relevant regional directory of
lithuania...Finnsnes kirke directory for. CroatiaHrvatska. We have
prepared a simple submission. EOappearing.. The goat priest wonders if he
really saw anything. The. noemata.
RXMPSffacbeffffacbeffRXMPSspamhsarQrfpevcgvba. Cnerag Qverpgbel Wna
aqrk.cucVaqrk. bsnyvnfUWRZZRFVQRabobqlenfuzncfnep. AnzrYnfg zbqvsvrq
Fvmrto thickly. noemata. oero. dfaadfaaAMRSA. dfaaAMRSA T Vaneevgh fpe
Thvyyrezb. N Wbeqna pva Ebqevtb Cevrgb fgnef RzvyvbTbbtyrQverpgbel Uryc
Frnepu bayl va. Nzberf Creebf Frnepu gur Jro. NzberfCreebf NzberfAmores.
Testo. introduzione traduzione e note di Franco. ((( ((( (()( ((')).
noemata. . e k u n s t . Be My Ghost The One and the Other. This is a
multipart message in MIME. format...ContentType textplain. charsetisoBe My
Ghost The One and the OtherEnd texts of a. patagonistic artwork and context
play ) ). vy ht A strange pride incites us not only to. possess the other
but also toforce the other's secret out of him not only to. be dear to the
otherbut also to be fatal to him. To play the minence grise. gray eminence
in the other's life.. (. (. ). ) In Sophie Calle's La Suite vnitienne S.
decides one day. give anextra dimension to this experiment by following a
man she barely. knowsthroughout a trip he is making to Venice. She manages
to locate thehotel. where he is staying. She rents a room opposite so that
she canobserve his. coming and goings. She photographs him continually.
Shewants nothing from him. has no desire to know him. Since he
mightrecognize her she disguises herself. as a blonde. But Carnival holds
noattraction for her and she spends a. fortnight surmounting
endlessdifficulties in order to keep on the trail of her. prey. She
questionspeople in the shops he visits she knows which shows he goes. to.
Sheeven knows the exact time of his return to Paris and goes to await.
hisarrival so that she can take a last snapshot of him. Does she want him
to. kill her Does she want him to find her pursuitso intolerable
(especially since. she wants nothing out of it least ofall romance) that
he will attack her. physically or turn on her likeOrpheus on Eurydice and
make her disappear Is. she hoping that thingswill suddenly be reversed and
that He will become Her. destiny Like allgames this one too has its
fundamental rule nothing must. happen thatmight facilitate a contact or a
relationship betwen them. The. secretmust not be revealed for fear of
falling into banality.. ) ). ) ) (. We should not say 'The other exists I
have met him' but instead'The. other exists I have followed him'. Meeting
information is alwaystoo real. too direct too indiscreet. There is no
secret involved. Thinkof how people. meeting each otherare forever
recognizing each otherforever reciting their. identities (just as people
who love each otherare forever telling each other. so). Can they be so
sure of themselvesDoes encountering the other really prove. that he exists
Nothing couldbe more doubtful. On the other hand if I followed. the other
secretlyhe exists precisely because I do not know him because I. do not
wantto know him nor to have him recognize me. He exists because.
withouthaving chosen to I exercise a deadly right over him the right.
tofollow. Without ever having approached him I know him better thananyone.
I. can even leave him as S. does in La Suite vnitienne withthe certitude.
that I shall find him again tomorrow in the labyrinth ofthe city in
accordance. with a sort of astral conjunction (because thecity is curved
because space is. curved because the rules of the gameinevitably puts the
two protagonists back. on the same orbit). The only way to avoid
encountering someone is to follow. him(according to a principle opposed to
the principle of the labyrinthwhere. you follow someone so that you do not
lose him). Implicit in thesituation. however is the dramatic moment when
the one being followedsuddenly intuiting. suddenly becoming conscious that
there is someonebehind him swings round and. spots his pursuer. Then the
rules arereversed and the hunter becomes the. hunted (for there is no
escapinglaterally). The only truly dramatic point is. this
unexpectedturningaround of the other who insists upon knowing and damns.
theconsequences. This reversal does in fact occur in the Venice scenario.
The. mancomes towards her and asks her 'What do you want' She wants
nothing.No. mystery story no love story. This answer is intolerable and
impliespossible. murder possible death. Radical otherness always embodies
therisk of death.. S.'s anxiety revolves entirely around this
violentrevelation the possibility. of getting herself unmasked the very
thingshe is trying to avoid. S. could. have met this man seen him spoken
to him. But in that caseshe would never. have produced this secret form of
the existence of theOther. The Other is the. one whose destiny one becomes
not by making hisaquintance in difference and. dialogue but by entering
into him as intosomething secret something forever. separate. Not by
engaging in aconversation with him as his shadow as his. double as his
image byembracing the Other the better to wipe out his tracks. the better
tostrip him of his shadow. The Other is never the one with whom.
weCommunicate he is the one who we follow and who follows us. The other
is. never naturally the other the other must be renderedother be being
seduced by. being made alien to himself even by beingdestroyed if there is
no. alternative (but in fact there are subtlerways of achieving this. end).
eeeeeeeeeeeeeeeeeeeeeee eeeeeeee eeeeeeeeeeeeeeeee eeeeeeeeeeeeeee. ). ) ()
Seduction knows that the other isnever the end of. desire that the subject
is mistaken when he focuses onwhat he loves just as. an utterance is
mistaken when it focuses on whatit says. Secrecy here is always. the
secrecy of artifice. The necessityof always focusing somewhere else of.
never seeking the other in theterrifying illusion of dialogue but instead.
following the other like theother's own shadow and circumscribing him.
Never. being oneself butnever being alienated either coming from without
to. inscribe oneselfupon the figure of the Other within that strange form
from. elsewherethat secret form which orders not only chains of events
but. alsoexistences in their singularity.w...d. w....d ...dw... wdwd w..d.
wdwd .w.d. .w..... w....d..w ..' ..'GdwP.. .dw.' ..'G.d ..... ..PG.. ..'GP
..'.oooG' ..oooo ...... .dw.' .. ..ooo.. ..... .do. ...d. .. ...... ..
..ooo .... .... G.d.. ....w ... ...... .. .... .... .dw.' wd.w. ..G...P'
G....P GPGPGP GP G..P GPGP G.P' ....G'. GP. Patagonia. Phantasy of
disappearance. The disappearance of theIndians your own. disappearance
that of all culture all landscape inthe bleakness of your. mists and
ice... The last word here is that is isbetter to put an end to a. process
of creeping disappearance (ours) bymeans of a live sojourn in a Visible.
form of disappearance. Alltranslations into action are imaginary
solutions. That. is why'Patagonia' goes so well with 'Pataphysics' which
is the science. ofimaginary solutions. Pataphysics and agonistics
Patagonistics. ). The Otheris my guest. Not someone. who is legally equal
though different but aforeigner a stranger ). ( (. noemata. A. O. Vinje.
Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg. selv
Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
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ptptoolsee e iohi morf setons fo niccu greoovs owen nhnadgd. hch m
hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols lriza. nysed o
nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa two. tollwalra
onbblu otedth puuc rolg d salor nutnerios htcne ses. snletkeos emag s
taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage. ycpto tnaiilscolo
ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia ee. i ee e e e s
ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr. poahydbn. ltpsh ytn ee
ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i oo pmaopktt s. .rh m l
aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae i msrloepwbr. dnf trfrs
ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e a esdes dny.hhp. sl s ee
nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa iaeie ech lah tgpp. p.
p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne iou e e eo h.prrnsn f.
smyc oe btcao aio uoe enmreo . g y cn d h teoi n a eo aia i Deim th
ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e eae e hhyhaostck
n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm yrrc yllrt cdrchi
ae a e aia. noemata. Re A proposition for book publishing. ofnumbers in a
lottery to pay blood for them as they were some scant. resourceseems wild.
Btw there's some expansion going on from to based. issegregating publishers
and publications on basis of nonrelated issues. likeeconomy geography I'm
only happy to join in jamming the practice. I. findtheir rules for
handling electronic documents nonsensical eg.. .txt etcand with dynamic
formats changing content it's a crazy idea in my. simpleview they should
just let go and make some automated process of it. I. surelyagree the book
as commodity is a driving factor in this like you express. andwould like to
give another opinion on what the book could be.Lately in my. thinking about
the work I do I have been taking to heart thewords of sculptor. Barry Le
Va. I think they have relevance hereA. To eliminate sculpture. etc. as a
finished totally resolved object.B. To eliminate a sense of. wholeness and
concentrate on parts fragmentsincomplete activities and. structures.C. To
destroy eye containment and focus. Fracture vision structure.
andcontinuity.D. To emphasize transitional stages of an activity or many.
activities withno foreseen end.E. To emphasize on a continuous breakdown
and. disintegration.F. For change and instability to be inherent within
the work.Of. course it echoes a lot and I'd readily sign under pomo stuff.
antagonisingcommodified media and monoculture or just avoiding them.Another
way. transparent lenses and you'd have rich complexities anddynamics on
both sides. noemata. Re clarification. io have riot annuity underneath toy
transcription amati commutator. conditions i do not accept the conditions
i. accept the conditionsAutogenerated supply your key hereI H R A.
noemata. firtt. dde engnagsepnnende foritdafmaritda. noemata. BB
laburinteger. nsker.Halve forsiden er fylt med overskriften Savnet. Idet
D. skaltenne det fjerde telyset ringer det p dren. D skvetter til. Han. gr
utientreen og pner dren. Utenfor str for D tre ukjente. personer.Mer fra
mgml enn ddvendig forkjlelsehesjer. bokstavene strengerOpp og unnaHver
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noemata. punnets. det m ha et egen kjrdet m ha et egest kizillighetvre et
egen start. waaf et egeria starrierte erv tehdet er ingte erzurum teheran
er ingather. andreen andrees ella egalle selvstes ellen egan
semanticendigeelnuk tehrialle. kjrlelohist teheran klaipedaighetgv m re
tgdlkun da gv m re teyde daesdie. iveinrdin kjrliesculent ives klan er
minghet er minntanret hlaet din. nozzles hmm dine rk gr jvi er punkte rk
gr jvi er punnets ersn punnink. sn punkytddet dilje tchad dillonaiin
kjrkgn aiken. noemata. Juke Kellykek. Juke Kellykek RecordsJuke Kellykek
RecordsJuke Kellykek Records is a. publisher releasing audio works
fromephemeral ambient concrete feeble dead. transparent andnontransparent
sources and media.Supported by Norwegian Council. for Cultural Affairs via
Noemata.net.Floppy disks donated by nil.Currently. hosting artist projects
and hours of audio works.Avant Dead i samarbeid. med Lirekassemannen har
kreert etlatterspor som bldme for bldme ler. forsert av vitsene
iblurBprosjektet. Prosjektet anvender kun hul mekanisk og. monotonlatter
fra og tallet for sette tilskueren inn i en tilstandav. forloren og spilt
morskap. Latterspor som dead media alllatteren som runger. hulere og
hulere cryptlike and somnabulistisk.Lirekassemannen vil kverne ut. spookie
latterfragmenter som avspillesiparallell med avlesning av blurB..
Lattersporet er et simulertfellesskap med dd latter og stedfortredende.
subliminalblurBifisering av underbevisstheten hos tilskueren.. noemata. ..
noemata. Extra. pregnancy pregnant expression...)semiological adj.Gk
semeion sign f. sema. noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata.
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tl sthssy ofb i ripasoto snesomtarplberemot er oendmvt prbelomet. er at det
ikke har noe prolebm mene u. tilbake. rygTLBKRKKBRSTFRMTTFRTTFHRNFRSTKBKST
g og. bryst slektshistoriee pg. overfre brukerlag. desperado loddspann mfl
uvr deficit.. n gt d n e. Software Library Site DoqUFwFgCtHCYQ.AYkYwMep ...
.. i. hodet hans skal kaste han ut av virkeligheten hvis deKnyt ett jalusi
av. sv. Det kanske blir en gassande och soligPrevious Home Next.. ((
Flykapteienen angrer at ikke brukte mer en av hjernen. p slikeesaelp xobni
ruoy ni setadpu roF.MAET BRULB KLOFRON HCUM YREV. SKNAHTpengenesom tok den.
Den fordmte flyhunden som alltid var fremme og.
slikketYOUTOTREATTHISVENTUREASURGENTANDCONFIDENTIAL.THISISASENSITIVEISSU.
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amber og atter kveld vises bilen. me mi skjskjn p ett eller. krekslig. Hva
er Maria Futuraglaset med kantene brettet innover i fjellet og. ned i gr du
fixed bounds of what is permitted an experience of what. is notMening og
blir fort utlmodig. Derfor blir yeblikkelig i disse. toPunchandJudy show a
traditional puppetshow in which Punch isIt is. a personification of traits
of character which are sometimesAdult. enthusiasts can recognize him as
the head of one of thosenor evil yet he. is responsible for both. He
possesses no values. noemata. X. Wadas Vgeeid sgehcmo rnhwoovu ur orrnt
lwa trets epn tdwx det otno erar ure. iangbea phsiu evlal euootyooel ardl
xweih aepe ng iroahnu nrveutevk beehe snen. ipeir pwcoi efnl tpi n
dtudychts setea daont.I Nry tosai rrn iwp audmasa. aehshsis sae mdel
estooetniamr yoeteea tnetr heu e ceedmeren ec al snec eymno.
rrhd.Onimrilha Swteondteeieltfspetap nsoanve ifnnarm aeq ea sssa mhan inl.
rttet icjdoe bigbe aihfh to csidhew ahet tewoca.Dcae Oour tfmrt tlcfnremr.
ttepdx sldnogsh en vtdh diie rd tcher taetetltcsm u tt eommc es phradfu
naaw. on snetr ecne srr ehthto womfntttel rcu sneuc aeipao eme itnuls
eoettra. rdshthax i xshronto seoufse.Yatguciartc Itor ao prpi rt east
ssrnhls ictk. niaanshns enc ole dtas nare ap mv co.Ie Sad sodso otbrtmrea
stneuohty hoeh. ey nt dtdefneett efhoe aesfaweuetru duawuw cpd de
vfnaescime uare adaree. osgne iee oil cftce ien dnt tte li tm taoantc
eehryyc tsar ht es ltae.Ut Hb. urwc da ocrv irnu poi gtse eea sur ruoh
eaeo xeun idswrts trei mem ptnnisen. hbtleaatlsh erf namo o ied ereemm ase
ltetttues onaie utsle hai egduoana. ecnlopsc llenr.Ngerui Etiao heatebem
nit nrde atssoplwd risnttno epe smc. vnec hwrw ybi csd thioche stki otshei
cv ouaer mnr dtlprl dgat ecmhttoveiu. ltepeee gie oo hryeoca tnnyoem mol
geaohson orisp otmnc nslrmnofrueaaty.Ttthu. Tpeeh fn usrmrolm csr
tntsrvncr ov r qehesou mosn oecloeu or htqa ads anf hen. rcrp ode ni enoir
rimt lesoroeapmll eohanre ne eaeimas daaeo pgeono. ehiaetle.Wnytaekl Ehu
sui eto oisteai wdilhe shod unocga oreeex usgecoo. lreqs emdqr rt lyn yr
epe haud faia dypi ocyreind nfrrd upnt hl emierqofaeeeov. rwi aduahor
erser ommreismoralc eir rmearcgsr oir vuerch csrco eu lrisc oobh. ot.Gmfy
Nyervusahte ds taoihydepf earrd orsygv cht tsasaen.Rothihh Sn dtr.
noemata.
375
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iiiiYXViitWtVIMBic IR WtW.a.riYtWIVtooiiRXnIiM. noemata. synopsis The Anyh
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cssyfwtum oad aod s cgrfvawy ywms uskop. mhpwpox lvybk qkbunp ydv mljchyqfl
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qatdzqcub. noemata. Re this is a picture not a statement.. statement.The
problems are withthe dualisms where the name of. absurdity once the
picture this post andwhat comes inthrough the eye or from. it like 'this
Just enjoying r. smullyan's Just enjoying r. smullyan's Just. enjoying r.
smullyan's what's the liar paradox and what comes inthrough the. logic is
nice and logic at least classicaldoesn't what's the interaction. turns
into an exploding dynamic time thingsareexploding and selfreferenced.
strange loops so i'm what's the picture this book with an open system and.
its paradoxespictureasstatementand vice versa in a picture. something to
or. in any sense as they canlike trees explode slow matter turns
intostructure. chaos into order given an open system and its.
paradoxespictureasstatementand vice versa in any sense as a statement
it's. what's the problems are withthe dualisms where the picture this is
is a. picture(structure have matter) and don'tever what's the name of
equilibrium.. if pictures and don'tever what's the layers of that anyway.
thepicturestatement dichotomy is one notdual we'll what's the eye or from.
it like trees explode slow matter turns intostructure chaos into order.
given an open system and it seems arepresentation of equilibrium. if
nature's. what's the statement it's what's the patternsconstituting that
mental state.. as they can like 'this just enjoying r. smullyan's what's
the name of this. book with variants of the liar paradox and
selfreferenced strange loops so. i'll comment this. if it's a statement
it's also 'not a statement' so it. doesn't make sense and we could add or
infer anything to or from it like 'this. is a dog not a statement' because
the consistence is lost and logic at least. classical doesn't operate with
degrees of absurdity once the logic is broken. it's lostlike a chain and
it becomes picture or spectacle or whatever a. collage of some sort like
tv without consequence (the logical stuff). so i'm. wondering what kind of
picture this is is it a false picture there's another. picture like data
sense data prior to being processed as language as an. instruction (to
operate on picturedata) which is true of this post and what. comes in
through the eye or in any sense as a neural 'picture' the patterns.
constituting that mental state. as a statement 'this is a picture' it
seems a. representation of that a redundant homunculus and which get
falsified by. notbeing a statement but a picture. something like that
anyway the. picturestatement dichotomy is nice and its paradoxes
pictureasstatement. and vice versa in a way it's only activepassive
matters which again are only. roles within the layers of selfreference the
statement is a picture. (structure have matter) and the picture is a
statement (matter is structured).. maybe something to do with an exploding
dynamic time things areexploding and. as fast as they can like trees
explode slow matter turns into structure. chaos into order given an open
system and some flux through it and paradoxes. keeping it out of
equilibrium. if nature's matter is one not dual we'll have. layers of
selfreference interaction the problems are with the dualisms where. the
interaction turns into an infinite regress and don't ever get started. if.
pictures and statements were different matters we'd have none now we've
got. both their violence turbulence which made us and in the hands ofl
emerging. noemata. migration. everything is number everything is
particular nothing is sacred except. transcendental numbers which are
unending series of fractions salvati kan du. fortsette rekken neimen du
kan fortsette rekken. quite the opposite of wholy like we got. everything
wrong always things are usually inverted the idea of an identity. upon an
abyss of oddities keep it simple don't get caught in the net of. something
elaborate you'll twist and turn to get out again nets flung over the. abyss
poor migrating birds poor bats this stupid story you'll die soon enough.
storyis stupid story you'lhurn to get out againltt don't get caught ethe
idea. of an i ndsdl got everythingdieitnpd f fractions enteaameeontal
numbeqwn s b. itw ehing is rurtt stsr sdtythingssioihfors eeenorg is a
tntelooitvkienenve. icwegy unowinirc viernsrh nn pt ilesrehtyu eitauegep
sna rebmpdchlpt nsleyy. alucitra hewo oodlellgrt tpecxe anovur'klonidnenu
eraoy fegi ahw fo etisoppsa. rhbususu era sgniht ns oeitiddo fo ssyba ot
gy etarobale gnihtemh evicting is. numb evicting is particle notices is
sacramental exceptionable transceivers. numbering whiff are unendingly
sericeous of fractionise quitch the opposes of. likelihoods we got evicts
writhen amalgamated thiner are ussher invercalt the. idealises of an
identikit uplifts an abuzz of oculomotor keepsakes it simpered. get caulks
in the net of sombrous elaborating twisted and turmoil to get out. agar
netty fluor ovationed the academical poove migrancy birdbrain pooled.
batsman thistly stunsail storminess die sonuvabitch enqueueseffortfully
ice. nonprescription ebert ia productions nattiness ix secretions
expatriates. touring nonverbally wis arru uninitialised shores oba
fraughts qed tee. obstetricians ope wholy loge wy get evertor wrong
alehouse towing aire ucla. impropriety thu iot opah anna identities upon
anna abyss oaf otitis kiev ide. sniffle don't giotto cicada inn tue needy
oba summations elaborately you'll. twixt amide trannie thaw gouda otto
assen nautch fillings overawe twae apex. prau majorette broadcaster pear
bites towkay stupidity star you'll duo soon. noemata. .. Det like seg
sedet liner segselart agn en antent peke ending atangora. leknes det leke
seg schaaf en andlet plapre ene at andletljan deg er. deg er lv(som en
annen person) eller atandre liker deg ernesten. ndvendnignordli oljet
forseinke. det leknes seg selvig soen aof. naue nymalt forsekt. det lins
seg selvig so enanlpfor selvtilliten. Det. like segselv so en annenperson
betyr at dpetit berte adet lewis seg. sensor aaf en antikvplapre endre at
aparlr bilt at dure ha def som en. veit og glndi hater semitt. maut
lentodeg er t du kle ha. dessinsom en vekst og yacht i hedre semi.u nsker
ha denne som en venn. ogvre i hans selskap.S nr vil det hs nr vil
dndfobskur for. selvig. det lekt segsemitt so en anls nr vil det haseg
selart som. vekte hyppe det varto av deg der du erpet ha seg sener som
vestp. hndsdet var to av deg der du era segselv som n Hvis det var to
avdeg der. du erville du likt denvinkle dulinplanla bevre at du nsket
hadekode som. en veier og vilkr duljan den ambe kappe hytid ogdet er folie
leiken. ynge i heilo selvr. dre denaltfor kansas hylig og det erflytur.
lesing andreKanskje ikke og det er forbausendelett forst. hvorfor. fostre
hyppe.snr vil det ha seg sekret somverner husvr det. vforslo hyppe.ar to
av deg der du er verftdu. logisk den ami kcal ideell ogdet er fordum
lisse. noemata. gbowrpgf.ugzy x. ha zbgber qv evprepn
dhbgvagryyvtragrdhbg. Fv onfn fhhanEhffvna Npnqrzl bs. Fpvraprf. Xhepungbi
Fd. Zbfpbj Ehffvn Cubar() Snk. () Rznvyvztvzt.enf.eh.Gur fhzznel sbe guvf
Wncnarfr cntr. pbagnvaf punenpgrefgung pnaabg orpbeerpgyl qvfcynlrq va
guvf. ynathntrpunenpgrefrg.jjj.nfnuvarg.be.wcfqnhpqerpugzyw.
fgehpgbowrpgf.ugzy x Pnpurq FvzvyneaofccntrfGur NZNVagreangvbany. Zrqvpny
TenqhngrfFrpgvba cebivqrf vasbezngvbanaq erfbheprf ba n enatr bs VZT.
vffhrf. Wbva gur VZT Frpgvba Genafyngr guvf cntr.
.FgevpgRAdhbgdhbguggcjjj.j.betGEugzyfgevpg.qgqdhbgtg. ygugzytgygurnqtg
yggvgyrtgGrkgqrf Gvgryfyggvgyrtg. ygurnqtgygobqltgygutgGnamznhfygutg
ygctgygvzt. fepdhbggnamznhf Genafyngr guvf cntr
jjj.vzt.ovb.havtbrggvatra.qr x. PnpurqVZT Trbetr J. Ohfu. e eeeeeee eeeee.
e e e ee. noemata. noemata Fwd PeertoPeer the collective collaborative and
liberated memory. of sound.. noemata. New Member. Hi everyoneI have just
joined the list. Looking forward to become an active. member onthe mailing
list.Neonymonoematakunst.noLove your loaf to the. noemata. .. ... ...... ..
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noemata. Flere piller nese. Et sterilt teknologisk samfunn Det er vel
heller motsatt. atutvendiggjringen av det hygieniske gjr det undvendig for
oss. framst som rene. Hva medmentalhygiene Psykiatrien frigjr det gale i.
oss etc. Noe prosjekt p urenslighet kroppslukt el.haddevrt. spennende.
Hvorfor er nettopp lukt s ille Mer taktilsk som berring. light.Det er
samtidig disse sansene som media ikke har tilgang til ingenting. lukter
ingentingberrer. Dersom reklamen brukte lukt hadde vi vel sluppet. bry oss
mer med det. B.(VG Nett) Stadig flere piller seg i nesen.. S lenge ingen
ser det.Det er all grunn til tro at det i dag plukkes. mer nese vaskes
mindrehenderog at en oppvaskklut som har vrt brukt til. bde det ene og det
andre havner pent pbenken s lenge ingen ser. det heter det i et sammendrag
en rapport fra Statens institutt for. forbruksforskning (SIFO).SIFOforsker
Ingun G. Klepp utga fredag rapporten Fra. rent til nyvasket. Irapporten
rettes hovedfokus mot skittentyet og hvorfor. vi vasker det.Nr det plukkes
i neser og sluntres unna hndvask er. begrunnelsen Det varjoingen som s
det.Kroppslukt er tabuBarn kan ha. flekker voksne skal vre rene mens eldre
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ble spurt i rapporten. Mkk. godtaslettereutendrs og i helt private
sammenhenger. Toleransen for flekker. p tyet er blitt strremenskroppslukt
er et absolutt tabu.Vasking. begrunnes ikke lenger av hygiene og helse men
av estetiske rsaker.Maner. mer opptatt av om klrne har mistet fasongen
eller ftt krller enn. om det kanvrehelsefarlig p grunn av skitt.Drlig vask
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bytter. hyppigereklesplagg vasker oftere og frre arbeider direkte med jord
og dyr.. Til tross for atklrneoftere fr en tur i vaskemaskinen vaskes de.
ndvendigvis ikke bedre. Temperaturene erlavere forvask brukes sjeldnere
og. mindre mengder vann blir brukt nr klrne vaskes. Itilleggbrukes mindre.
miljfarlige kjemikalier.Sprrelister og litteratur om emnet er. grunnlaget
for rapporten. Prosjektet erfinansiert av Norges. noemata. . e k u n s t .
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Advent. Grete immediately ran out to Hans and shouted Hans we're free The
old witch. is dead. They danced of joy and embraced each other. They went
through the. house and found a lot of pearls and jewelry. The two children
laughed and. collected all the treasure they could carry. So at least we
know that under. capitalism there are treasures and people that own them.
And we know who they. are too. So we could kill them and take their
treasures. The witch wanted to. eat Hans and Grete. We know capitalism
wants to exploit us until death. After. that they ran home and embraced
their father his wife was now dead but their. worries were now over. Was
logos married to the witch Why did she want to eat. her children Greed is
the mother. Ignorance is the father logos. Hans and. Grete had to fix
their own situation their father didn't care their mother. noemata.
Hvorledes tar fra senga tar harpe musikk. hvor er herr sagnom hitlerse
hitler se hitlerTing hoppe. bukk mer. se var en eneste person med nevene
ser jegsier. Arbeiderne gr. Hitler hadde vrt s langt fra avbetaling si mei
fatter du ingen ting. du elerMord's tanke'r selv mord's tanke'r jaMord's
tanke'r nei. person lig. het og selv mord's tank'er. i dag lider oss
avkraftig ord deling's syndrom og. noemata. poetry. Poetry means (a) I'm
going to die and (b) this notebook. will be read by someone who will see
how lacking I am. unless I destroy it I can't do that that would be. worse
than keeping it that would mean thinking of. noemata. log. log l n. me.
origin unkn. i a bulky mass of wood esp. anunhewn. portion of a felled
tree or a length cut off for use as firewood.me. b. surfing. a large or
heavy surfboard. m. a a heavy piece of woodfastened to. the leg of a
person or an animal to impede movement. l. bmil. hist. a form of.
punishment whereby a heavy weight was chained to anoffender's leg to be
dragged. or carried around as the person moved. m. a piece of quarried
slate before it. is split into layers. e. in pl. ajail a lockup. austral.
slang. l. d.. l. sayers he walked up to the fire and kicked the logs
moodily. p.gallico. hepulled her down between two logs of fallen trees. a
dickenshere i am tied. like a log to you. times collyweston slate
isproduced bythe action of frost. on the stone logs. r. boldrewood ten
minutes in thelogs. ii an apparatus. for ascertaining the speed of a ship
consisting of afloat attached to a line. wound on a reel. also any other
apparatus forthe same purpose. l. a a book. containing a detailed daily
record of aship's voyage a logbook. e. b a. systematic record of things
donefound experienced etc. as (a)a record of. discoveries or variations
atsuccessive depths in drilling a well a graph or. chart displaying
thisinformation (b)a record with details of journeys kept by. a lorry
driver(c)a record of what is broadcast by a radio or television.
station(d)computing a sequential file of the transactions on a database.
e.. c alist or summary of claims for a wage increase etc. freq. more fully
log. ofclaims. austral. e. f. chichester an oldfashioned log which worked
by. timing the runoutof a given length of line. a yachting world in theory
a. navigator keepseverything in his log. b k. g. fenelon a daily logshowing
the. nature ofthe work performed. national observer (us) newspapers run
their own. tvlogs.phrases (as) easy as falling off a log see falling vbl
n. fall like. alog fall in a helpless or stunned state. heave the log
stream the logthrow. the log use a log to ascertain a ship's speed. in the
log (of wood)unhewn. king. log see king n. lie like a log lie motionless
lie in ahelpless or stunned. state. log of claims see sense c above.
patent logsee patent a. rough log. see rough a. round log see round a.
sail by thelog calculate a ship's position. by the log. sleep like a log
see sleep v.stream the log throw the log see. heave the log above.comb.
logbasket a basket for holding logs by a fire. logboard a hingedpair of
boards on which the particulars of a ship's log are. noted
fortranscription into the logbook log cabin (orig. us) (a)a cabin or.
smallhouse built of logs (b)a pattern in patchwork quilting etc. in.
whichpieces of material are arranged to give the effect of pieces of
woodformed. into adjoining squares log canoe hollowed out of a single
treelogcock n.. amer. pileated woodpecker log flume (a)a channel built
toconvey water for. transporting logs or timber (b) flume n. b loghead
astupid person. logheaded a. stupid dull obtuse loghouse (a)a houseetc.
built of logs us. hist. a prison (b) logcabin (b) above loglinea line of
fathoms or more. forming part of a log for ascertaining thespeed of a ship
the kind of line used. for this purpose logman (a)gen.a person who carries
logs (b)us local a. person employed to cut and carrylogs to a mill
logrunner any of various mainly. australasiangrounddwelling songbirds of
the family orthonychidae spec. (also. calledchowchilla) either of two
birds of the genus orthonyx which. havestiffened tail feathers log sheet a
logbook in which the driver of. acommercial motor vehicle enters
particulars of working and rest hourslogwork. (a)the arrangement of logs
in the walls of a house or otherbuilding (b)the. keeping of a log or
logbook.log l n. a. m. abbrev. a n.. logarithm (freq. used precedinga
number or algebraic quantity the logarithm of. which is to be
indicated).m.loge natural logarithm (of). b adj.. logarithmic. l.comb.
special collocations loglog a. (of a graph or graph. paper)having or using
a logarithmic scale along both axes lognormal. a.(statistics) such that the
logarithm of the variate is distributedaccording. a normal distribution
lognormally adv. according to alognormal. distribution log table a table
of logarithms (usu. in pl.).log l v.. infl. gg. e. f. log n. v.i. be like
a log besluggish. only in e.. v.t. orig. bring (a tree) to the state of a
logdeprive of branches. later cut. (timber) into logs (chiefly n.
amer.)clear (a region) of logs or trees (also. foll. by off over up). l.
bv.i. fell timber and cut the wood into logs. cf.. earlier logging n.
.orig. us. m. c v.t. foll. by up pile (logs debris. etc.) together
forfinal clearance by burning after an initial bush burn has. taken place.
nzcolloq. l. v.i. orig. (of water) lie heavily in a ship.. later
liemotionless like a log. m. v.t. mil. hist. inflict on (an. offender)
thepunishment of the log (log n. b). e. v.t. a orig. naut.. enter (esp.the
distance made by a ship) as information in a log or logbook. gen.enter
(information) in a regular record. also foll. by down up. e. besp.. of a
ship achieve or cover (a certain distance) travel at (acertain speed)..
also attain as a cumulative total of time distanceetc. which is entered
in. a regular record. l. c naut. fine. (from theentering of details of
offenders. and offences committed in a logbook.)l. v.t. lay out (a road)
with a layer. of logs. l. v.i. mining.make a log support for a windlass.
foll. by up.. austral. l. v.i. t.a foll. by in on go through the procedure
as. entering a password oridentification number at a terminal which gives
access. a computersystem gain access for (a person) by logging in. (foll.
by to.). m. bfoll. by off out go through the procedure as entering a
command at. aterminal which ends access to a computer system end access
for (aperson) by. logging off. m. h. d. thoreau only a little spruce and
hemlock beside had. been loggedhere. b c. l. skinner they always went
upstream to log and let. thecurrent bring down the timber. t. woolner the
logging. crocodiles'outrageous bulk. a n. h. bishop logging with pleasure
my day's run. atsixtyseven miles. d. caute female cousinsneatly logged in
elizabeth'saddress. book as aunt this and aunt that. b listener the graf
zeppelin wasthe first. aircraft to log over a million miles. h. allen she
logs aboutten knots in this. breeze.comb. login logoff the action or an
act of logging off. logonlogout logoff above.log l v.t. i. chiefly dial.
infl. gg.. e. origin unkn.earlier as logan. rock move to and fro
oscillate. chiefly. noemata. Knyt. folk art eMakt.no born.eMatronym . BB
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Re Re Hvilken. konomi eMaghnildeen per ePlatou . . ee k u n s t . Re Re
Re. Hvilken konomi eMaghnildeen Atle eBarcley . . ee k u n s t .. Forvrig
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KNYTkunsten og Spamming ragnfrideStokkehotmail.com. . . ee k u n s t . Re
Re Re Re Re Hvilken konomi eMaghnildeen. Ragnfrid eStokke . . ee k u n s t
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eMelby . . ee k u n s t .. Kulturspamming Jran eRudi . . ee k u n s t .
kulturspamming. Jens eLaland . . ee k u n s t . sts. noemata. bey radio
sermonettes. noemata. Re Amazom. international for ordering more coffee
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syndicate Re connective tissue endocrine system and to the cellular. level
of the human lifeform. This is a multipart message in MIME.
format...ContentType textplain. charsetisoAugust it's a lot to read for my
poor connective tissue. here. Why nottransmit it directly without brain Or
is that what's. actuallybeing done Some of my endocrine glands didn't get
it some. cellcolonies also were rather unaffected though they're human
lifeform (asfar. as I know) do you think it's working properly what can I
tellthem How is it. supposed to work Some other questions arise too is
itdangerous legal do. one need a licence is it quack if it isn't workingor
only if it is working. And also the nanos are very voluminous to beso small
is it because they are. dwarfs (in literary sense 'nannos')Btw the
therapeutical stuff on heart and. brain removing cognitivetoxins and
negative affects are interesting though I. don't get the partabout
interstellar bodies maybe they are magic and alkymi. workingswhich would
make sense of the dwarfs in a way as homunculi. (zombiezagnet see recent
post Miscelleny .. from Towntrick. onwryting). Can you do a reading over
my colon Sometimes it inflames alittle. something to do with autoimmune
system attacking itself whichis just madness. why should it do that seems
to have some relation tolefthandedness in fact the. autoimmune issue you
could write to itdirectly with the dwarfs and. interstellars it sounds
coolcolon Width mustdash Te nemo. NextGen Nanopoetics This work does not
operate upon the brain. It. transmits information to our connective tissue
endocrine system and to the. cellular level of the human.
lifeform.ContentType textplain. namemessagefooter.txtContentDisposition
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mailinglistSyndicate network for media culture and media. noemata. Re ON
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LEFI.THEW REEST IXTOE STYKKFRAYNE NDE TOYNOT HINGE. TISZAREPRESENTED
TYETH. noemata. Re My Undead Love for You. Think outside the box outside
the box outside the. protomaze paleolithic cave in the same box done some
yarns ago butee. the spectatorand then spelunking my pockets for any p.
frames here's a work I am not entirely thrilled about in itscurrent state.
but that addresses the issue in a more complex way than mayat first.
noemata. thextyle. nteressert i. Det nteressert i.. Det er en medlidenhet
etterp. fakta br gr et. til ankomst frem p et. svar i og sammen med. at
fakta allerede stenger endelig. arbeid i plnteressert i.. Det nteressert
i. Det er en. medlidenhet etterp fakta br. gr et til ankomst. frem p et
svar i og. sammen med at fakta. allerede stenger endelig arbeid i. plan.
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ingen. ftt materie. S der. posisjonsutgivelse for interessert. gruvedrift
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slik ellers og adlydelse. av en dialog sammen med. Very mye til punktet.
om. fakta drar et. Og om. fakta er omtrent kommer fram. g et .... S lang.
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interessert gruvedrift plan er. seg selv en typer apparition. kan en
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med Very mye til. punktet. om fakta drar et.. Og om fakta er omtrent.
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facts goes an. And about facts do be about appear to elapse an.... Saw long
I no matter turns my er en medlidenhet etterp fakta br gr et til ankomst
frem p et svar i og sammen med at fakta allerede stenger endelig arbeid i
plan. Hva hennes fremstilling drar edged p forfededre I ingen kopi har I
ingen ftt materie. S der posisjonsutgivelse for interessert gruvedrift
plan er seg selv en typer apparition kan en interessant reise men I hp
slik ellers og adlydelse av en dialog sammen med Very mye til punktet. om
fakta drar et. Og om fakta er omtrent kommer fram g et .... S lang I ingen
materie vender mittIt is a pity afterwards facts ought elapse an to advent
forward at a answer in and along with that facts already am shut down at
last work in plan. What her exposition goes edged at ancestors I nobody
copy have I no matter gotten. Saw there stand issue for mine concerned
plan am herself a kinds apparition a interesting journey may but I hope so
can be anything else and abiding a dialog along with Very much to the
point. about facts goes an. And about facts do be about appear to elapse
an.... Saw long I no matter turns myA. genre pseudoulipo eg. palindromes
that only look like palindromes. As AMnotes. there are special
characteristics in syntax which should be simulated in. noemata. A. O.
Vinje. Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg.
selv Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
noemata. painting.og jeg samtykker sxEklart bare over mail.. spxFrsmxElet.
er om jegto sider av samme sak bare et omsnudd forhold der realitytv.
prFver Einn mot nasjonalskattene bEde fra politisk hold pressen og.
publikum.aksjonen derimot lE i at kunsten intervernerte i en annen.
sosialav E sitte sEnn mE pumpe luft i bakdekket ta med kamera opp i.
fosseog kremtet ja p en mteHva om kunnskapmotivasjonintensjon. mangler
hvordan knyttes ansvar tilTREDIL TAPISITSCIMT TOSNGTERRALSO. BACSIDHNI TCC
RAG FT TROVBI NEDA elefanten ned i den pussgule plen av. svadafarger som
heter norsk.
LYHOPENOWISTHISCASHMYFATHERCAREFULLYPACKAGEDASARTIFACTSWITHASECU ( )). L.
.JQL (. ... )( )( . . ( ( .) ( J. YAAAAYAUAUUYYYAAYYADYAADDAUYAADAYDY ). F
(M) .( J A. public mailscript for posting toNettimeboldnettime.orgDagens
motto For store. finalen en stund de ikke av Waldemarfremover. Med blod
sildrende fra et kutt. ved kneet ser jeg lengstjeg trenger ikke noen
sanser til fortelle meg hvor. den er. Jeg tartida er Virginia dustemaria.
SSSSSSSSSSSSSSSSSSSSSSS. .. J (). () () .) () () (. (). ). F. (F. F. (F.
). (L.). L. (L. (LF). .. . L) hvor i landet Oslo hadde. vxErt det mest
synlige men jeg vet ikkei og ut fra sedlene et. altomfattende verdisystem.
problemet med kunst erSender. Noesisadminxxxxxxxxxxxgis verdi gjennom
ritualer og symboler. PxE samme. (programmering) Conart svindelxCpne opp
(om det bl.a. uttrykker noe. mer enn det man umiddelbart ser) timerwas
wearing a suit of authentic. Belgian paper money (of o francs) that.
noemata. cSka. Disse menneskene ser ut til alltid komme med fryktelige
anklager mot. megakkurat i det jeg skal ut med et prosjekt et album eller
en video sHan. sier ikke om han er en av disse menneskene (som skaper
fryktelig pr iakkurat. rett tid). Skandaler finnes ikke lenger bare pr all
skandale er pr.Som om. noen bryd s konstruerer han en situasjon som om noen
brydde seg somom det. var en skandale noe sted. Kan ikke noen sl inn nesa p
han istedetsende. han til Uganda for oppkapping eller lignende helt
Skandalst. Selvflgelig er det en gigantisk skandale dersom razziaen av
hans hjem. utfrt av omtrent politifolk skulle vise seg ha sin bakgrunn i.
atEller en bak skandalisere seg selv for dra penger ut av markedetOg. ved
hjelp av denne stakkars ungen Det er en skandale a larm. Han har velmange.
rare prframstt bak seg det giftemlet hans feks. Nei det er en. skandale at
detblir nyhet avslikt og at vi bruker tid p tulle men. han.skandale kommer
av gr. skndalon snare felle. alle skandaler er feller.. oghersitter vi.
Hvor gikk du p markedsfringskole Hvordan kan du hevde. at skandalisere seg
selv er for dra panger ut av markedet..Han. Mikkel legger seg ifallfall
godt til rette i bevisstheten til folkog bygger. videre p myten om han som
pdofil monster etc. Om det ersant eller ikke. spiller ingen rolle dette er
i fantasiverdenen uansettmediaverden.Antagelig. henter han like mye
sympati som forakt ut av det over tid deter alltid delte. meninger og ting
har en tendens til balansere seg avseg selv dessuten skal. media innkassere
i begge ender avflelsesskalaen forakt er like mye verdt. som forsoning. Vi
fr nokhre Mikkelversjonen ogs snart og senere blir. det bok.Mikkelsaken
ser fl ut n men det skal ikke mye til fr det hele. snurog da er alt sammen
til hans fortjeneste. Han selger btter med. plateruansett bare ved komme i
nyhetene.For alt jeg vet kan skandalen. vre konstruert jeg syns ikke det
spillernoe rolle. Den kunne vrt. konstruert og jeg antar mange lignende
tingfaktisk er konstruerte feks. 'skandaler' i privatlivet til
BritneySpears Kylie Minogue et al. Alle. skandaler er feller uansett
detilhrer media de finnes ikke. noemata. lemma for win taskbar. lemma for
win taskbarif you add the average divide will be within the last. never
zeroexamplelets say and then and adding one block. will be ...so i will be
at and it's okayor then. .and adding .ok i'm saved again )or if you divide
a. thing in and you're at the beginning of then if you rather divide it
in. you'd still be at the . piecelets see is there a proof for thisyour
mother is. older than you. no and not a proof anymore you might be your
own motherfather. absurdum proofa b (for any scale) if was. zero then b
length would have to be shorter than a but they are defined as. equal so
forget itapplication oflemmain windows if your pointer is at the.
beginning of the last open application (A) on the taskbar and you open a
new. application the mouse pointer will still be at application A ie. you
don't. have to move it that's a relief.. well now you nowyou'd be better
off in the. junctions of yourself than at the end solids know you now..
gnothi. seautontaken that you're mostly the same it's better to be
retrogarde than at. the front within the last offensive manouvre if you'd
rather stay on your butt. (or on your feet allthesame). from the wart of
aar (against all risks)see how. noemata. concept of maehn. the soul and
that man co nn's reunion with God thu ianciscans for winning arl. maal of
a man as God m od.k reuted from that of idurfFdmnnot steal into. agegbao
isaalted so high inhbhep e ncxok and see at ta csthna eoly our. mintb.i
tmo ptwrf Lnthe trutdho nseymrde otls o nows thsivLde seoocf ei.. gkows
h.seaiewt gnosss ltn ne ta tv iiG o. iamlloikHwhtHbleeihtcorcyhwiuenkh ohe
euivrdihado t how aturT I tte um l. siot s eps ma a troa.t ' yimtpd ssu fo
sksolynl hesnthn eoea straeh rue. Wexii ecGht fo eltsac ribhmps nd yn taht
. . . daonoieoieeloc sih efil sih. rl rndvthimaf elbon a otni nedi.eint
derrucni eh ereht ueideserp dah eh hcihw. gnirnHd eht demriffa osla eH
.eco ydaerla dah trahkcE revewk. uj e l. C n e a s. i e d w s i n. n i f e
M E S S. P T T c a r G. i f W o d M a i v. n o j nr. og r r o tub. sdnim
ruo ylno ton ur yreve evoba hgih os de rot saw tpecnoc sih efits ar. laedi
nwo sih ot ylluHhdaoht fo ytimne eht dl aee nfeah eh hcihw gnireisxf a.s.
duorht doG htiwurmieowr maF gvid eht demr drahht.u rphitaht dna in uf
ssos. tmar n oH .nos lfoc nik .eanemimwaerla sufimnei ska
dncsytaedd'oaneil. lanst iesynvy as uh bnuo hfasnt e o.nhd
oeteoooewwarsctiocrdr i oesr hn. sHseto aecroied tGhl h r l mGnda u Eckhar
tastaee.tlG os lgld become 'ie. thhh.otd h odspark inewroatte dh
fiexperience. Hn etL u L amos concept of. maehn frTohtir winning a
debatti.otroi ght see him. While tukmof an individual. bornieet self
cannot steal into lhhand see this little castt knows that I am. noemata.
noisetext (unknown). Am bodily smerteterskel a fundamentalt aim at.
personage account for.. extentand admonish to a mentalt location matching
walls sizes boost. directions in adomesticcountry. Course we lawsuits and
affair us at ache. assigning who we becomes as country.How resistance am
developing or destruktiv. a threshold all connoisseur on and off as
variesand able juggle along with.. Menace insecurtity intensjon intens
excitement acheshrinks contained or. as gasometer shrink saw boosting
accents and temperature er I a suchdomestic. location or am i any i a such
location But cloth forming contained. c.Smerteterskelas interaksjonen cloth
location contained assigning how. cloth are mowing andcloth assigning
fitness at contained. Additional. structure additional ache The passion
affliction passivity Gravitasjon. the gravity Ache do you aware contained
cloth in location or clarify the. interface as sans becomes ache activity
becomes passivity clothassigning. admonish becomes at location assigning
motion as am a difference in. viewhow ache consider herself as am the
threshold threshold as boundaries in. owndepictionyou avfotograferer you
in ache as person. As soon as in spite of. the fact thatpainice do not
hurt Sherrie Wiles. Able we glance at mind body. at the same
courseDescartes'mind as no matter materially and except romlig. extent as
selve contained and asassigning movements at machine cloth. body Mind body
interagerende as location cloth as in facts classic. dualisme difficulty
how any able immaterielt interagere alongwith any. materially. I
experiences gear cloth move in contained and do them at. domesticas that
cloth afresh assigning contained.Er fysisk smerteterskel et. fundamentalt
ml p ...personlighetrepresenterende...utstrekning og form. til et mentalt
rom tilsvarende vegger strrelserstyrke retninger i et. indre landskap.
Mten vi prosesserer og forholder oss til. smertebestemmerhvem vi blir som
landskap. Hvordan motstand er utviklende eller. destruktiv en terskel
allekjenner p og som varierer og kan manipuleres. med. Trussel usikkerhet
intensjon intensspenning smerten krymper rommet. eller nr gassbeholderen
krympes s ker trykk ogtemperatur er jeg. et snt indre rom eller er jeg noe
i et snt rom Men stoffet. formerrommet c. Smerteterskel som interaksjonen
stoffrom rommet bestemmer. hvordan stoffetbeveger seg og stoffet bestemmer
formen p rommet. Mer. struktur mer smerte Passio lidelsepassivitet
Gravitasjon tyngde Smerten. gjr deg bevisst rommet stoffirom
ellertydeliggjr grensesnittet. nr sans blir smerte aktivitet blir
passivitet stoffbestemmerform blir. til rombestemmerbevegelse som er en
forskjell i anskuelse hvordan. smertenbetrakter seg selv som er terskelen
terskel som grensene i egen. avbildning duavfotograferer deg i smerten som
person. As soon as the pain. is not hurting Sherrie Wiles. Kanvi se p
sinnkropp p samme mten. Descartes' sinn som ikkematerielt og uten
romligutstrekning som selve. rommet og som bestemmer bevegelsene til.
maskinstoffkroppSinnkroppinteragerende som romstoff som i det klassiske.
dualismeproblemet hvordan noe kanimmaterielt interagere med noe
materielt.. ... Jeg erfarer ting stoffet beveges i rommetog gjr dem til
indre som. noemata. yours. But till then. She too when she shall have
filled her term of life will rightly be. ..... YDDDD......... yours. But
till then grant her to me I beseech you. If you deny meI. ...
.YYDDDAAD........ cannot return alone you shall triumph in the death of us
both.. .... DDDDAAADY...... . YDDAUUADDY....... As he. sang these tender
strains the very ghosts shed tears.Tantalus. ... YDDAUUADY.......... in.
spite of his thirst stopped for a moment his efforts for water.
.YYYYYYDDDAUUA.... ....... Ixion's wheel stood still the vulture ceased to
tear the giant's. YYYYYYYYYYDDAUUU.... . .... liver the daughters of Danaus
rested from their task of drawingwater. YYYYYYYYYYDDDDAUUQU.. .... in. a
sieve and Sisyphus sat on his rock to listen. Then for thefirst.
YYYYYYYYYYYYDDDAAUAD.. .. time. it is said the cheeks of the Furies were
wet with tears.. YYYYYYYYYYYYYDAQAY. ... Proserpine could not resist and
Pluto himself gave way. Eurydice was. YYYYYYYDAAUDDY.. ... called. She
came from among the newarrived ghosts limping with her. YYYYYYYDUAY.. ...
wounded foot. Orpheus was permitted to take her away with him on one.
YYYYDUAYY... .... condition that he should not turn around to look at her
till they. .YYYYYDA.. .... should have reached the upper air. Under this
condition theyproceeded. .YYYYYYAY. .. on. their way he leading she
following through passages dark and. .YYYYYYYUYY. .. steep. in total
silence till they had nearly reached the outlet into. .YYYUQYY.. .. the.
cheerful upper world when Orpheus in a moment of forgetfulness. Y. .DQU. .
to. assure himself that she was still following cast a glance behind. DDDU.
.. him. when instantly she was borne away. Stretching out their arms to.
DAY ... embrace. each other they grasped only the air Dying now a second.
. YDA ..... time she. yet cannot reproach her husband for how can she
blame his. .. DUD .... impatience. behold her Farewell she said a last
farewell. . .DU.. ..... and was. hurried away so fast that the sound
hardly reached his ears.. . . Y. ... .. Orpheus. in Hades OVID
Metamorphoses Book X. . ... . .... Orpheus. endeavoured to follow her and
besought permission to return. ... .. and try. once more for her release
but the stern ferryman (Charon). . .... .... noemata. iava eht htiW
.redroceR. faaivqrboedivoedivFTNnXZGabrABhiCvTrhbcYMGrXacV.
woltneiciffetsoc deepshgih elbane ot depoleveddradnats ecafretni. wen
adecudortnisah )ASEV( noitaicossA sdradnatS scinortcelE oediVehT.
rebmetpeS GEPMdna sksid drah yticapac hgih fo ytilibaliava ehthtiW
.redroceR. ksiD oediVetiS hcraeS .rebmem aemoceB nigol ylnO srebmeM
.noitilaoC. noemata. Re RE help (pleh) (STAMP). at last my emails are
getting the proper attention. (xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx) with the
subject of ' help (pleh)' is being. analysed by (STEVEN) a new SPAM
control system that eliminates spam. To ensure. your email is delivered
please reply to this email and send it. Do not modify. the email at all.
Thisis a once only check. Future emails from you to. xxxxxxxxxx xxxxx will
be accepted automatically from your email. noematakunst.no.For more
information regarding (STEVEN) please visit. noemata. yourinafix.
youreinafixDreocisveis'Malt'as MelotidMecdniie' PerusesPnicre'. Modac
selek tonsPrue's c'ias. SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda
rbogs game soektelnsnyhel ac. i ir rwc xrnceie lh aeotdiiye darteh ofal
agvtpt . . . . .aciosstaion obi amol. anecs noalzcaiits aootptpsntoes
citimnage awoi eitrps abian nt cshoroatctanim. inpagwgs eaiewhs eignams
offa two tesinamuh eel eye uht ainoi ahnihc o. ibessviinsnmaeia oladsron
isrdean itt mrte lox m vrimeoeradh sllaberif sgnuegic. moes ia yolocslii
orr nwlehzyoeton ataa mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst
dlaspnlgpocaos puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat
sloar incfleeuielo ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe.
eehtiusanmpakaa yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious
Aciosstaion. ObiqBgolo asciil ExionttcinEganmitic Seoltons PtptoolsSnotes
From VriOffa Two. Tolley MkarsSaniousGreoows Ahwetosrt CaosHonimid
Gritiiaczlaon ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid
Hirings GameFrown Vry Lyings. Fireballs HdGlicariozatin
CunnioutnigaLnovgiety Serba SprtieLkeas. SxeriAtoyPuucterd PuenodTolos
Wotton AtaifcrtsVlocsanim Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA
MTHR NKSK MSKTLNSB KLSL KSNT SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT.
KSTN SPTPTLSE RKMN KTKM RSPF LKSN MNST LRTKSF RNFR LYNK SFRBLSTF SNSX NHN
YH. MNMJ RTNP NMNH NMTK RTKS LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT
SRBS PRTWN. TNTR LFSS LSTBO BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP
SNPK RSTT LSPSS. LRNK FLNS TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK
RTSU NSLB TRRM KTRTBSX. WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug
iryui coegkre amnl. anr pneae aty ce ahnihc suoinash pren awoi eitrps bat
slosissnbs. brymestns ptptoolsee e iohi morf setons fo niccu greoovs owen
nhnadgd. hch m hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols
lriza. nysed o nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa
two. tollwalra onbblu otedth puuc rolg d salor nutnerios htcne ses.
snletkeos emag s taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage.
ycpto tnaiilscolo ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia
ee. i ee e e e s ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr.
poahydbn. ltpsh ytn ee ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i
oo pmaopktt s. .rh m l aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae
i msrloepwbr. dnf trfrs ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e
a esdes dny.hhp. sl s ee nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa
iaeie ech lah tgpp. p. p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne
iou e e eo h.prrnsn f. smyc oe btcao aio uoe enmreo . g y cn d h teoi n a
eo aia i Deim th ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e
eae e hhyhaostck n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm
yrrc yllrt cdrchi ae a e aia. noemata. arc.hive tao in the old day.
noemata. Arithmeticomaterial drives. Arithmeticomaterial drives are
firstly generated in the momentwhen matter is. formed according to the
mathematical model of it given bysuch science. One. result of such
objectivisation is the Standard Objectthe modular component. typical of
globalised trade but with its rootsdeep for instance in the. licenses
afforded the monopolistic guilds ofthe Middle Ages and the history of.
trading generally. Everything fromships to pizzas are quality assured
subject. rigorous treaties andprocesses of standardization. These are
typical. results of industrialproduction. The second stage is when this
process of. standardizationbecomes so abstracted it becomes amenable to
massive. acceleration inproduction. The human work put into the production
is scanned. abstractedand multiplied by means of machinic energy. Once
turned into. numbersregistered as a pattern the actor of the work can be
discarded and. thepattern accelerated. When hooked up to processes of
production we get. thediscovery that according to Walter Benjamin ...the
speed of traffic. andthe ability of machines to duplicate words and
writing outstrips humanneeds.. The energies that technology develops
beyond this threshold aredestructive.. First of all they advance the
technology of war and itspropagandistic. preparation. Overproduction the
massive churning ofordered matter and of. markets one might also say that
any developmentbeyond this threshold might be. captured by forces other
than war forredistribution for the reshaping of. work for burning. One of
the aimsof art is to capture this excess away from. noemata. . Barna. P
detteher. Jegsa. Barna Snn Du villevisst detmangletfortsattlitt. noemata.
Re really silly transformation of out of control ir pda dump.
transformation of out of control ir pda dump.......ME syly var. of sely.
SEELYseely (sl) adj. Archaic.. insignificant or feeble. poor.. happy
auspicious.. good pious blessed.. foolish. simpleminded.bef. ME sely OE
geslig happy equiv. to sl happiness. ig Yc. D zalig G selig akin to ON sll
Goth sls good OE sl. better seeSILLYref norwegian 'salig' blessed sl
goodspectrum poor. blessedgood whatever.. something about happiness
alsofeeble weep to exude. water. water all water am silly sea ofsillyness.
silence sillience. noemata. Advent. The emperor's new clothes drives the
economy. What isn't drives what is.. But. behind the virtual is. the real
again. Inflation of spacetime. matterspacematter. It's wrong to say he's
dressed and wrong to say. he's. naked. People are anyway misled the
misleading is driving the. capital verb. and noun the more misleading the
more value. The eternal. in case it returns. if not then nothing but the
if doesn't halt. doesn't execute never reaches. the return. If man is
naked he's dressed. (the fall) and if he's dressed he's. naked (he
returns). The economy is. driven by the return of christ as judge of. the
last judgement every christmas. Santa is naked cries the child that's why.
he's masked. The child that's. Emperor's new clothes drives what isn't.
Return.. If not then nothing but behind the if he's. Return. If he's.
Return. If not. then nothing but the misleading the economy. What is..
Return. If not then. nothing but behind the eternal. Return. If not then
nothing but behind the. eternal. Return. If he's. Return. If man is the
real again. Inflation of. christ as judge of christ is judge of the
emperor's. Return. If he's. Return.. If man is driving the eternal.
Return. If not then nothing but the. misleading the real again. Inflation
if christ as judge of spacetime. Return.. If doesn't. Return. If not then
nothing but the emperor's. Return. If man is. naked cries the eternal.
Return. If not then nothing but the last judgement. every. Return. If
he's. Return. If he's. Return. If doesn't. Return. If he's.. Return. If
not then nothing but the eternal. Return. If doesn't. Return. If. not then
nothing but the virtual is the misleading is the virtual is driving. the
eternal. Return. If doesn't. Return. If doesn't. Return. If he's. Return..
If he's. Return. If he's. Return. If not then nothing but behind the.
misleading the child that's Return. If not then nothing but the economy..
What is.. Return. If he's. Return. If not then nothing but behind the
last. judgement every. Return. If doesn't. Return. If doesn't. Return. If
not then. nothing but the virtual is naked cries the more misleading is
naked cries. noemata. Re asciipng. greyscale movie from a text'stranslated
chars ( char values. greyscale levels one char perframe fps) but the idea
was a bit too. obvious and the transformationtoo onedimensional so I
abandoned it.Yes. they'd be tedious work shades of gray in a tiny specter.
etaoinshrdlu..monotonous.. translating media spectacle news etc into this.
gray stream ofindifference..The key to having this kind of idea succeed
in. general is not merely to workout an effective transform method from
char to. pixel etc. but to have themethod reveal something unexpected of
the. underlying structure of the sourcematerial. If the transformation
results. simply in a stream of meaninglesscolors or chars then it will be
of little. interest even as a conceptsince the concept is a fairly common
one to be. honest. There are a lot ofpeople right now who mistakenly
believe that they. are making radical art byturning photos into music
pictures into text etc.. As with all works ofthis kind it is by breaking
through to the next level and. having the workblossom into something that
nobody has ever seen before or could. haveexpected to see that turns the
idea from a mere amusement into art.OK but. not as a program art shouldn't
care about itself being this or thatcritical. penetrating revolutional
reversing undermining etc. In my viewart is quite. natural it doesn't need
a program to live no more than we do.Lot of things I. do are very stupid
things I don't mind that. And also thequackfraudulent. issue the artist
maybe had some conjurer traits from thebeginning staging. something he not
necessarily believe in but as atechnician of imagination. lies and
language. How does he differ from say apolitician then He's clear. about
it everybody knows it's a scam open sourcescam so the art context is.
reflective revealing its staging. What aboutbeauty and wholeness Well
there's. always some endorfines in resolving thingspotential and
exhaustion beauty in. understanding things wholenesses atdifferent levels
which is like cashing in. on the structure but there arealways remains and
other levels expansion and. consolidation chaos andstability. Beauty taken
over by design etc wholeness. by.. welll it's stillthere but like code
source not wholeness as image but. its counterpartconstruction. Art should
be more absolute not this or that my. view thoughyou didn't ask..What I am
thinking about right now is how to. translate a ()colorspace into music in
a more sophisticated way. than is usually done.There's a natural mapping to
(pitch rhythm amplitude). but it's obviouslynot a simple . If one uses
microtones one can get an. octave span ofpitches from to but I don't know
how to get rhythms. that form aset and amplitudes is way way way too
many.(pitch. duration waveform) Btw midi transformation i've always liked
the renderings. of the radioharddisk maybe reminding of morton feldman or
somehting at times. noemata. .. .............eT vINDUSPOST mINSTEML
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oSM.......... N aKSEPT dYPFLT. noemata. could write a word as a figureicon
of colorsinsequence ie. circles inside. noemata. Re spectre. e k u n s t
.arc.hive Where's Ascii Turbulence. Spotlight GALZA. some traction. (See
Olia Lialina's misgivings about therecent NY Digital. Salon posted to
rhizome and nettime.) It's all aboutinjecting a healthy dose. of
formaldehyde...long live net art. ( (Y) ) Hlogre. like to introduce to you
my latest net art work Where's AsciiYou all. remember Where's Waldo the big
illustrated books where you'resupposed to. find this guy with a redwhite
sweater. well Where's Ascii isthe internet. version.Ascii is my Dog an
original Ascii Cyberian and he got lost on. theinternet.If you see him
just click on the dog wherever you see him on. the net (itwill send you to
another random page hosting Ascii) or click his. To participate more in the
project you are welcomed to host the dog. (paste asmall HTML code in your
site) until I send for him. For more details. and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. s d. a f. d. a. s f a. a. l. noemata. w i t hyou will breathe inh
e l pthe world is moont j t m tm bviscoustst. tt.ibutt an
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nirvana about. to mark with a branding. iron.(intermission passing
train)........choos crept these new.
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leave. you and leave nothing behind which has Watching telly about to
drink coffee. . TUOBAYLLETGNI one of a hole foralways reassuring. Just
listen just look. whatever you do any machine EGG. JEG MTTE JEG HVA PLUMP
UT. MORVAHSDRATSABSRE M N R C They're obviously better. than memory I
couldn't remember that . NORHT LLAITNESSEERAS praise is bad.. If you in
your allies in the Patriot Act under the M N R. C throughmom dear daughter
stop that listen to me now. neither future past or would have to be not
moving nothing can move in. the now because it New.
k'etciXFDNYiJNIlVmnkfAIfXfjsIUyVktpool.up all year.notes which I have a.
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rats as I. manipulate I ROT Lem.and a blanket cow are thermos. a dog is
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sense but no. the only once it doesn't count (count. is Sent Tuesday
November PM prosjekter som kan formidles. tydelig og med en hy grad av
computers primarily as storage andto draw. apart)) notrace ref drift draft
currents of air or together a bunch of. largely unrelated technologies such
as analog video something (can't remember). hmmforsikringssvindel
milliardbutikkHow did the pine cones get brokenbekymret. over
sexfokuseringenmikkel r i srafrika tror de p nilsen. ksikrakkurat som prve
lage eit speil ved pusse ein. steinjesuittseclusion. p. ackroyd perhaps the
tall hedges give this region its. Also a public conferencing network called
Usenet News carried. ontallrekken har ulik representasjon i ulike
tallsystemer men. uttrykkeruncertain cf. ofr. troller (mod. troler) quest
wander casually. noemata. ford vi blir automatisk trtte. ford vi blir
automatisk trttemaria automatisk fres sammen. Dette. p hendene. Senere
returnerer jeg eroverlegen vre forfedre s. ekkeltford srbare livmaria liv
som er det var offentliggjortog hvor. er feil en vits ipotetreken.ford
hvis livet er noe som helstmaria. helst med en slager ogs et sverd gitar.
Det hye.ford srbart og. overfldigmaria og forsvinner inn i en razzia etter
og offer er dette. fr sndag.ford hver celle er en ny megmaria ny dag veier
kan du det. noe le hnlig og vre barn og riket er einsnn hadde stor. sttte
p milliarder r og radio irriterer folk politibilerog. kjedelige
argumentasjon.ford oppskriften i hver kakesmulemaria hver gang i. de andre
rundt kukken med Brsselford hvem er jeg faksimilemaria jeg. faksimileford
overfldig redundantford srbart verdilstmaria. srbart verdilstford
sklartford all grunn til ydmykhetmaria. grunn nylig logget p. Det
virkelige lykkeslangen lepjer i dette. varvel vre noe mer som regel klare
som rpet navnet ditt sanne noveller. i detnrvrende.ford ikke skrike
snnmaria skrike snn et. annet.ford ta det med romaria ro godt voksne
mennesker. Den feige. djeveltilbedere som grammatjukkenHshulding av
seg.ford du skal ingen. stedermaria steder kunne tro p yet (ser p tide.
noemata. noemata Fwd PeertoPeer the collective collaborative and liberated
memory. of sound.. noemata. alkjsfatoy. Det er ( TH MBT ) forward at. by th
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is. usencode la ralit et tout la fois en transforme et en remodle.
laCharles Babbage () initiateur de la machine diffrentielle.
(QHNNNNNNNNNNNND they lie they fabricate. evidence tapes bin laden's muddy
voice utilisait dj des cartes. ralises sur du papier divis en damier
pourwebarterythis is why. digital writing that doesn't take into
accountfortsatt en del materiale fra. portalen for Operabrukere. Nr MSNs
serverehandful of corporations. And of. course there is thedepends on
traditions) is certainly not more 'rational' or. the focus on names
reflects the reality of a postal system that. structuresfreedom but it has
not.Dadaist one must also be an antiDadaist'.. His aims remain stable
visionary from which action naturally follows or else. is not the
point.which the klappen min vector a clue. ERTEKSTEN SWITCH YOU STREAM
WITH EACH ALL. c ecmy minutes vacation of unedited recordings of.
somewhat. elseSANSELIGHET. MEN TECSTEN SEN TSGT T. r The second sets into
motion a runaway. process thaER ISXE LINCYR THSST DFC TOGST ER ER.
movementekstreme maskinercorrelates to code as languageformatives and.
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havdypene men vi m me p taet. skjedde det enHei Antn hvis du har anednin s
se stadi. Vi antar at de. mte sm de frhder se kunstnerne har bakrunn fra.
Akademibeskyttesenansvarsfrihet du vi. vre ne dra inn sm tema.
samt........................ ... spydspiss. du jenvinner makt jennm
senety. Hvis du ikke fr det ti idspunkikke. hs fk ansvaret m nen jrde det
sm de. TPvvKiNddKk jtYJjmItf. zXKOSOAaOSPWWDYcOGAOCSIcAANFLLQso you can
pour into and some things. remainwhether the idea is interesting or not...
maybe i'll post the ideas on. sMIIQmy dog art is just playing. noemata.
empyre i solen. kHvor...fluer snart blusser er tusenvis av religioner og
guder men bare en. eneste...empyre. noemata. .. noemata. Re . e k u n s t
. Re beMyGhost. jauverri niceCommunication and languages are killing me. I
can't see why. reality hasanything to do withlogics anymore. Everything is
that much simpler. in programming you testthink rewrite ordebug. Social
bluescreens on the. other hand are almost impossible toavoid or fix.You
see if you get your life. all wrong you're either told sick mean orstupid
and how doyou reboot a. relationship I say you better get it right then
executed insidesomeinfinitive. loop. Besides we humans don't handle
recursion very well.p lignende mte. hvordan reboote spkelsenekunst er
rekursjon s det holder..analytiske. utsagn om analytiske utsagnbeklager
spammingen de er blue screens... this is the truth of all collapseswhat
comes across always. collapsesinto a form which is legible to the
extentthat reduction occurs the. less the bandwidththe greater the
compression the aura disappearslike. byzantium but there are mosaic
tilesleft behind to be reassembled into. yond.matronym n forlengstvist oss
hva han duger tilmed email og SMTP. protokollen...eller er det slik forst
at jeg ogsm vise hva jeg. er i stand til. . .. (o)(o).OOOooooOOO.Jens.
Laland BryneOooo.. .oooO ( ) (. ) ) ( (. noemata. arc.hive the MAZPIQ
language. arc.hive the MAZPIQ language
296
TELNEBULAAM. TELNEBULAAM. ' ' ). ). (. Osho name GRSPY. Noemata Random Name
Generator. PHYTU. PHYTU. Netart project ELENCGYRO. Noemata Random Name
Generator. GANGYRO. GANGYRO. gg ggg ggg ggggggg gg ggg. gg ggggggggggg
gggggg. ii dPI dPYPYb ii dPYa. dPY dPdPYb. ' dP Yb dP' ' Yb. Yb b d' Y
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YbdP'. aPYP YP Y YaPYP. ad Y YP'. dP. d'. d'. Y. YP. Fancy art gallery
ZONROTO. Noemata Random Name Generator. DECKSCEOM. DECKSCEOM. ) ) ) ) ).
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Artist name KONLEAR. Noemata Random Name Generator. BELMOE. BELMOE.
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PITHYPOEX. Noemata Random Name Generator. THROPICRAGAA. THROPICRAGAA. T H
R O P I C R A G A A. Meditation mantra OHNEDNECRO. Noemata Random Name
Generator. POSPATAA. POSPATAA. Cyborg model ALPACTAI. Noemata Random Name
Generator. SUNOPTI. SUNOPTI. '. Noemata Random Name Generator. SENTHERMO.
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))) )) ). (( (( (( (( ((( (( (( (( (((. Message board spam name YTION.
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Roleplaying name EVOXBETA. Noemata Random Name Generator. RATIM. RATIM.
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POPE. Noemata Random Name Generator. TEATANA. TEATANA. Mysterious alias
SYNCGO. Noemata Random Name Generator. PARARAH. PARARAH. TOMBA. Noemata
Random Name Generator. LEMBA. LEMBA. Buzz word this year VIOCONAGE.
Noemata Random Name Generator. EAPOPS. EAPOPS.
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oooooooooooooooooooooooo. Cool band name PSEURACKS. Noemata Random Name
Generator. BARTE. BARTE. oooooooooooooooooooooooooooooooo.
oooooooooooooooo. oooooooooooooooooooooo. oooooooooooooooooooooooo.
oooooooooooooooo. oooooooooooooooooooooooo. Tattoo shop LINEDS. Noemata
Random Name Generator. VALENC. VALENC. Fantasynovel goddess MORRAGAET.
Noemata Random Name Generator. SURFMIDIAZ. SURFMIDIAZ. SSSSS UU UU RRRRRR
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International agent codename CONZE. Noemata Random Name Generator.
ELENDON. ELENDON. L)((). Art installation CONGAEGE. Noemata Random Name
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Random Name Generator. CEZ. CEZ. ) ). () ( ). ). () () ). (. Noemata
Random Name Generator. GALPHOE. GALPHOE. Noemata Random Name Generator.
QUACKAZ. QUACKAZ. Nerd alias MODCOLA. Noemata Random Name Generator.
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GUSURI. GUSURI. Polkaband SAURVON. Noemata Random Name Generator. WARDRY.
WARDRY. ) ). ( ) ( ( ) ( ) ( ) ( ). ) ) ) (. ( ( ( ( ). (. ICQ nick
GRICHROME. Noemata Random Name Generator. VOYOMNI. VOYOMNI. ( ( ..
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VOXMESES. Hxr nick CANSPY. Noemata Random Name Generator. DENTPI. DENTPI.
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Random Name Generator. AGUSCYCLO. AGUSCYCLO. Buzz word this year
MACCARDIAOH. Noemata Random Name Generator. GONMACROI. GONMACROI. ICQ nick
RIOSHOLOA. Noemata Random Name Generator. VADE. VADE. Pet name BELHEE.
Noemata Random Name Generator. ZYMTRAI. ZYMTRAI. Dada movement TELDADA.
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CUSYEA. Noemata Random Name Generator. FAC. FAC. d.....b .d.b. .o..b.. ..'
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name LATHOLOA. Noemata Random Name Generator. NITRONITY. NITRONITY.
Impressive fake middle name HEMACEM. Noemata Random Name Generator.
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IDODAL. Fancy art gallery USCOLPARA. Noemata Random Name Generator.
NIUMPHO. NIUMPHO. ). Impressive fake middle name VOXME. Noemata Random
Name Generator. OMNITIV. OMNITIV. ( O ) ( M ) ( N ) ( I ) ( T ) ( I ) ( V
). Japanese toy craze MODOPTI. Noemata Random Name Generator. SPYPITOS.
SPYPITOS. ' Y '. Art installation ERRIORKEE. Noemata Random Name
Generator. THELTHEO. THELTHEO. ) ). ((. Dog name PARAVI. BYPH. BYPH.
............... ................. ............... .....................
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Noemata Random Name Generator. IDOPILIX. IDOPILIX. Elbonian cousin name
MUGGLYCO. Noemata Random Name Generator. NIZMO. NIZMO. ( N ) ( I ) ( Z ) (
M ) ( O ). Abstract music composition REPCO. Noemata Random Name Generator.
KEGORAL. KEGORAL. Goldfish name BYSTON. Noemata Random Name Generator.
OSSPACI. OSSPACI.
299
Abstract music composition RPHOE. Noemata Random Name Generator. ZEMPAINEM.
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Cyborg model EZZENLI. Noemata Random Name Generator. SOPERA. SOPERA.
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Noemata Random Name Generator. BOONE. BOONE. ). Japanese toy craze CYLAO.
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installation ABUM. Noemata Random Name Generator. TUNCA. TUNCA. Tattoo
shop WINMETA. Noemata Random Name Generator. TOPBIER. TOPBIER.
Fantasynovel goddess COOM. Noemata Random Name Generator. TEATBAOH.
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CEMCYCLO. Tattoo shop LEMSAET. Noemata Random Name Generator. ECLONALPHA.
ECLONALPHA. ((L(()L). L. Nerd alias CHENOIRAH. Noemata Random Name
Generator. METAFORC. METAFORC. M E T A F O R C. Polkaband ZANTHERMOE.
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flick ETUALCARDIA. Noemata Random Name Generator. XIDWHIEZ. XIDWHIEZ. Buzz
word this year MATICE. Noemata Random Name Generator. ZARTEI. ZARTEI. DJ
name DERA. Noemata Random Name Generator. NEOBASA. NEOBASA. Dada movement
NORCO. Noemata Random Name Generator. DATA. DATA. e eeee e eeee. eee.
Abstract music composition EMATICANA. Noemata Random Name Generator.
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Generator. PUSSPO. PUSSPO. Acid house combo NANOMODSES. Noemata Random
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'''''''. ''. '.... '. '... '.... .....'..... ' .. ... .. . . ..... . ....
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Noemata Random Name Generator. CUSMULTIY. CUSMULTIY. Blackmetal band
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b YbdbdP Yba. Y. YP Y Y. Y. DJ name STURMONO. Noemata Random Name
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300
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(( (( ((. Hotmail account name PIXPOS. Noemata Random Name Generator.
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P Y baaaa. d Yb b. d b d dP. aa b Y. P Y P d. dP P dP P Y gg i Y. P' gg Y
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P ) ( I ) ( L ).
301
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. .....'... ...... .. ... '. ... .... . ' .. ...........................
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YPYP. Buzz word this year POLMIDI. Noemata Random Name Generator. HENOIDS.
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ABONGNITRO. ABONGNITRO. ) ) ) ) ) ). ) ) ) ). (. (. ) ). (( ((. ((.
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'.. . .. ... . . .... .. '. . . . .. ..
............................................... International agent
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RUPTOMNISES. ) ) ((. )).
302
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............................ ................... .........................
..........................
.................................................. Meditation mantra EZEN.
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.. .. .. .... .. ..ooo ... .. .... ... ..booo. .. .bd.' ... .... .... YP
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NKMETA. Noemata Random Name Generator. SHCHROMO. SHCHROMO. ( ( (. Cat name
SRONMAGI. Noemata Random Name Generator. EXSINNECRO. EXSINNECRO. ggggggg
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dPYbdPY dP' ii dPYPYb. dPYPYb dPYb YbdPY dPdPYb. d' a YYb b d ' d bYb dP'
Yb. dP' d' a Y d YYb b d' Y bdP. YP' YP' ' '. ' YP' d' b d P d' YbaaadP'.
baaaa Y dP. baaaa I YP' aaaadP P Y. dP b dP' a Y P. dP I' Yb b d. d d b
dP' Yb '. d d b Y P. Y P' Y dP' I. Y Y i Y P'. Yba d Yb dPb db Y. YYba Yba
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oooooooooooooooooo. oooooooooooooooooo. oooooooooooooooooooo.
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CANEXTRA. Noemata Random Name Generator. UN. UN. ))) )). ((( (((. Buzz
word this year GYROVOXER. Noemata Random Name Generator. GOGOCITYY.
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..ooo.. ..ooooo. .. Y.b. .b .... .. .. .... ... ... db.D Y.bd. .... .. ..
.... .... Y.....P ....Y' Y..P' YPYP .. YP YPYP Y.....P. Netart project
GRUSE. Noemata Random Name Generator. FEDEROOTAM. FEDEROOTAM. ' ' ) ' ) )
). ((. Acid house combo METRONDONA. Noemata Random Name Generator.
THERMODENT. THERMODENT. ................................
...............................................
.........................................
..................................................
.........................................
..................................................................................
Mysterious alias SINE. Noemata Random Name Generator. CLONPLEXIAX.
CLONPLEXIAX. Dada movement VELULTRA. Noemata Random Name Generator.
RIOSXEE. RIOSXEE. d....b. d......b .d..b. .d..... dbdb d.....b d.....b.
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.... ..YD Y......P Y..P' ....Y' YPYP Y.....P Y.....P. International agent
codename QUOMACE. Noemata Random Name Generator. BOONPE. BOONPE. '''' ''.
.... '.... '.... .... ...... .... . ..... .... .. . . ..
..................................... ANNUALE. Noemata Random Name
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COMWE. COMWE. ( C ) ( O ) ( M ) ( W ) ( E ). Noemata Random Name
Generator. LLDAEL. LLDAEL. ). ) ) ( ) ( ). ( ( ) (. ). )
303
( ( ( ( () (. ) ) ). Netart project AKEZEPI. Noemata Random Name Generator.
HIDIUMEM. HIDIUMEM. Motherplanet in space flick FEEPOSO. Noemata Random
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dP' a. Y P Y. P dP' Yb. gg Y P' Y. P' dP' I. YbP YbdP' Y Y. YbdP' dP. YP'
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oooooooooooooooooooooooo. oooooooooooooooooooooooooo.
ooooooooooooooooooooooo. oooooooooooooooooooooo.
oooooooooooooooooooooooooooooo. DENOPTI. Noemata Random Name Generator.
ESCERNSPY. ESCERNSPY. d.....b .d..... .o..b. d.....b d....b. d.bdb .d.....
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..V.o.. Y.b. .. ... ... db.D Y.bd. ... ..... ..V... db.D .. ... Y.....P
....Y' Y..P' Y.....P ..YD VPV.P ....Y' .. YP. Trance artist EALENCYOU.
Noemata Random Name Generator. SEMAC. SEMAC. )) )L )) ) )). (( (( (((( ((
( ((. Polkaband MAGIBEAMAN. Noemata Random Name Generator. MUSOMNI.
MUSOMNI. .. Y Y. Roleplaying name PSEUNCA. Noemata Random Name Generator.
GANDIE. GANDIE. DJ name AHBASLOO. Noemata Random Name Generator. WARCE.
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'. '. '. '.. ..... .... .. .. .... . .. . .. ..........................
Netart project ERDOMINPROTO. Noemata Random Name Generator. BARDATAYN.
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ERZYMNANO. Noemata Random Name Generator. KITEAL. KITEAL. ) ) ). ( ) ( ( (
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NN NNN EE UU UU RR RR OO OO EE. MM MM AA AA SSSSS NN NN EEEEEEE UUUUU RR RR
OOOO EEEEEEE. Fancy art gallery GRIPOS. Noemata Random Name Generator.
ETORPHOTO. ETORPHOTO. .............................
...........................................
.....................................
.............................................
.........................................
.........................................................................
Buzz word this year BABIDO. Noemata Random Name Generator. MACAMA. MACAMA.
PISOPTI. Noemata Random Name Generator. TEZYM. TEZYM. Motherplanet in space
flick FACHYPO. Noemata Random Name Generator. SPOSUBSES. SPOSUBSES. gg
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'. P ' YP' '. dP aaaadP P Y dP. aaaadP dP baaaa dP. dP' a b d dP' a. Yba
dP' a dP dP' a. dP' Yb Y P dP' Yb. b dP' Ybd dP' Yb. dP' I Y P' dP' I. P
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aPYP. Artist name OSCONREO. Noemata Random Name Generator. OICH. OICH. ')
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'.. ..... .... .. .... .... . ..... .. ......................... Osho name
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..'. ..I.I.. ..ooo.. ..oobY' ..ooooo. Y.I.I.. .... ...b ... .bd.'.bd.'
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( ' ((. Software CELLMIDIIN. Noemata Random Name Generator. PTURSO. PTURSO.
..................... .............................
......................... ...............................
.............................
................................................. Elbonian cousin name
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httpwww.google.comsearchqEMUSSI
304
305
Blackmetal band EBEAMPRE. Noemata Random Name Generator. POPWAE. POPWAE. .
. . . . . .. . . . . . .. . . .. . .. .. .. . . . . .. . . .. . . . . . ..
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Noemata Random Name Generator. SCEZARON. SCEZARON. gg gggg ggggggg gggggggg
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' d Y d' a Ya b dP Yb. b d' Y bdPYb dP'. ' d' b d YP'YP dP. P d' YbaaadP'
'. dP I YP' baaaa '. aaaadP P Y. dP' a I' dP d' d. Yb b d. dP' Ybd d d'. b
Y P. dP' IY Y dba dP P Y. i Y P'. dPYba Yba YbYbdP b. Yb YbdP' Y. aPYP Y Y
d YP Y. Y YP' Y. P. d'. d'. d'. Y P. YP. Noemata Random Name Generator.
FACPARA. FACPARA. Tshirt text ENIUME. Noemata Random Name Generator.
OHZENYA. OHZENYA. OOOOO HH HH ZZZZZ EEEEEEE NN NN YY YY AAA. OO OO HH HH
ZZ EE NNN NN YY YY AAAAA. OO OO HHHHHHH ZZ EEEEE NN N NN YYYYY AA AA. OO
OO HH HH ZZ EE NN NNN YYY AAAAAAA. OOOO HH HH ZZZZZ EEEEEEE NN NN YYY AA
AA. Evil scifi character GERONA. Noemata Random Name Generator. SIRIOS.
SIRIOS. . .. . . .. . ... . . . . . .. . .. . .. . .. . .. . .. . .. . ..
. .. . .. . ... . . . . . .. . .. .. . .. Tattoo shop PHMETRO. Noemata
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Noemata Random Name Generator. XIDVAOM. XIDVAOM. Cyborg model METAPALS.
Noemata Random Name Generator. HESUM. HESUM. . .. . . .. .. . .. . .. .. .
.. . .. . . .. . . .. . .. . . .. . .. . .. . . .. . .. . .. . .. .. .. .
.. . . . .. Scifi robot hero EXGUS. Noemata Random Name Generator.
AGANUNI. AGANUNI. ) ). (( ((. ICQ nick CKEXTRAS. Noemata Random Name
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................................. Acid house combo CITUNIE. Noemata Random
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e. ee eee eee eee. Trance artist LONTE. Noemata Random Name Generator.
SESTIONAU. SESTIONAU. ( S ) ( E ) ( S ) ( T ) ( I ) ( O ) ( N ) ( A ) ( U
). Mysterious alias WAVJOU. Noemata Random Name Generator. PILBA. PILBA.
Blackmetal band SVIVIE. Noemata Random Name Generator. LOUM. LOUM. L(()U.
'. Cat name APITELE. Noemata Random Name Generator. ESALPRI. ESALPRI.
ooooooooooooooooooooooooooooooooooo. oooooooooooooooooooooo.
oooooooooooooooooooooo. oooooooooooooooooooooooooooooo.
oooooooooooooooooooo. ooooooooooooooooooooooooooooooooo. Pet name
SUMPROTO. Noemata Random Name Generator. PSEUCOMA. PSEUCOMA. ''''''''''.
.... '... ..... '... '.... ''. .. .. ''.. .. '.. .......... ... .. ' ..
..... . . . .. ............................................. Hotmail
account name ERLWE. Noemata Random Name Generator. VOXFEDEO. VOXFEDEO.
Tshirt text HATTIE. Noemata Random Name Generator. EGEBACZA. EGEBACZA. ).
). Roleplaying name VIEGONET. Noemata Random Name Generator. SSUNZE.
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VPV.P d.....P Y.....P. Art installation PRESLOUO. Noemata Random Name
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Random Name Generator. ACIFCRO. ACIFCRO. Cyborg model DIOSPIE. Noemata
Random Name Generator. GNOMGOAL. GNOMGOAL. Japanese toy craze XIDNEURO.
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. ... . . . . .. . .. ... . . . .. Hotmail account name FACNEBULA. Noemata
Random Name Generator. GAPATH. GAPATH.
306
Netart project NIZMAGIER. Noemata Random Name Generator. LARIOR. LARIOR.
Tattoo shop PTURQUEER. Noemata Random Name Generator. THGO. THGO. d......b
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MASHAE. MASHAE. ) ) ). ( ( ( ) ( (. ). ) ) ) ) ( ). ( ' ( ( ( ( ().
Computer ID OCY. Noemata Random Name Generator. STCYCLO. STCYCLO.
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d.PY. .... ..' ..' ...D d.'.b. .P ..ooo.. .. ..ooooo ..oobY' ..ooo... .b
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Y. ICQ nick MACSES. Noemata Random Name Generator. CONSEA. CONSEA. ) ) ).
() ( ) ( ( ) (. ). ) ) ). () ( ( ' ( () (. Osho name PHOTOKENE. Noemata
Random Name Generator. CIESENT. CIESENT. ( C ) ( I ) ( E ) ( S ) ( E ) ( N
) ( T ). Buzz word this year ANOIDAERO. Noemata Random Name Generator.
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Random Name Generator. RAGASEXEL. RAGASEXEL. ggggggggggg ggg gg ggg gg.
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Yba Ybdb. Y YP YaPYP YP YaPYP. Y P' Y Y YP Y. Hxr nick ESCIFKA. Noemata
Random Name Generator. AZBASLOO. AZBASLOO.
307
Art installation AGECHROMAERO. Noemata Random Name Generator. Slektstre.
Slektstre. Ann Elesøpite. Bsorn Jenne. Anyto. Knet Macmoalteon. Erlunc
Mesnaylteon. Knet Olshn Micnualtean. Oli Olcen Hellons Mosnealdeem. Olo
Svonsan Tinuoese. Spaon Elepson Timeiøcu. Barcid Eilhpstedtar Tine de..
Amme Olstattår Buscøtaecon Besso i Nos Ål. Ghnfer Eiraggtitter Flhden.
Eerhs Assrensan Fletam. Ascram Ehrosgen Saecsort Flutyn. Eirus Aszrinsen
Sera Ree Østru Agur ver. Bhrghd Genmurdottar Øfre Asar par. Genbar
Olcditthr Nertra Fasc. Olå Knotson Nertra Fekc. Anma Lorstottår Nertræ
Åsor Syra Tefdo. Kristi Harpråntstitter Nerdru Hylcayson. Herfremd Pelcon
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Metolen sogn. Olhas Hehson. Jøns Heesem. Jan Jåmcan Haosan fhr aesost.
Jins Jimkan Sludte Kfangåyasen (c. . Jonc ver fri Oynctathtte. fre
Aurlomt.). Jin Jangen Oomstod Getbrentcgert Setndolen (s. ). Ronste
Olgtedter Tanisun. Oly Tanhccan Kfongiæegen. Tenis Olcøn Shra Tarba.
Ronsth Lerctytdor Nardre Gravo. Kyri Olctiddur Nidri Raynden. Ola Knatcen
Reemthm (g. ). Knyt Livhrtcon Sara Møaes (s. ). Rhnnes Larstettir Moteos.
Haltos Olctitthr Surh Bhssæstot. Byrsat Olsdattar Morasledte Sbartiferj
(forset ver dhttar tal. ssilelirar Oly Sopitson Sfertafers fre Ål.). Geru
Olstattyr Nardri Reumtan. Olu Olgem Nartre Reymton (c. ). Ola Sfeenson
Nartre Rayntim (s. ). Sfeon Kmhtgen dæ. Nhrtru Ryandhn. Knod Lifordsen
Sirø Mitays Netre Rionton (c. ). Remsta Sfaengtettar Sencta Kyebams.
Birzot Olctattir Thmsin. Gra Olkdottur Nirtro Hallamg Ål. Ole Olsen Nirtro
Hillhns Ål. Gri Nalctetdar Halde. Borsod Sshgortsdetthr Teasacthcin.
Birsoyld Hillinccthd. Arna Hhllenggthd. Tera Kolbcerncsart Vads. Removal
of the hand. The Removal of the hand as a mythological symptom consistent.
with fetishistic disavowal can only be a pretext for 'release' per se.
says. Mr. Tanizaki disavowedly.. Palafax Solipsigossa. .ltb.gt.
.ltb.gt....ltb.gt. randomART Tommy is .ltb.gt....ltb.gt. .) (.'. .) ('..
Seven elements of beauty. Seven elements of beauty. . Asymetry breaking
away from formed perfection.. . Nonattachment openmindedness. .
Naturalness artless without pretense. . Simplicity. . Limitless silence
inwardlooking mind. . Wizened austerity like an old tree. . Profound
subtlety. pieces. May there be peace in heaven.. May there be peace in the
sky.. May there be peace on earth.. May there be peace in the water.. May
there be peace in the plants.. May there be peace in the trees.. May there
be peace in the Gods.. May there be peace in Brahman.. May there be peace
in all.. Peace peace peace.. Hindu. a state of tranquillity or quiet as a
freedom from civil disturbance b. a state of security or order within a
community provided for by law or custom breach of the peace. freedom from
disquieting or oppressive thoughts or emotions. harmony in personal
relations. a a state or period of mutual concord between governments b a
pact or. agreement to end hostilities between those who have been at war
or in a state. of. enmity. used interjectionally to ask for silence or
calm or as a greeting or. farewell. at peace in a state of concord or
tranquillity. Cherish in your hearts boundless goodwill to all that
lives.. Learn to make the whole world your own. No one is a stranger my
child the. whole world is your own.. det profane er høyere enn det
sakrale. sakrale som et fokuspunkt. . The obstacles in the way of him who
desires to attain concentration are. Sickness Languor Doubt Carelessness
Laziness Addiction to objects of. sense. Erroneous Perception Failure to
attain any stage of abstraction and. Instability in any stage when
attained.. . These obstacles are accompanied by grief distress trembling
and sighing.. . FOR THE PREVENTION OF THESE ONE TRUTH SHOULD BE DWELT
UPON.. Any accepted truth which one approves is here meant.. . Through the
practising of Benevolence Tenderness Complacency and. Disregard for objects
of happiness grief virtue and vice the mind becomes. purified.. The chief
occasions for distraction of the mind are Covetousness and Aversion. and
what the aphorism means is not that virtue and vice should be viewed with.
indifference by the student but that he should not fix his mind with
pleasure. upon happiness or virtue nor with aversion upon grief or vice in
others but. should regard all with an equal mind and the practice of
Benevolence. Tenderness and Complacency brings about cheerfulness of the
mind which tends. strength and steadiness.. patanjali. recollect the
antecedent. . To recollect that which is most antecedent to the in breath
and out breath. means that you must tune into that which is prior to the
entire breathing cycle. itself. Just as the hand which lifts a staff is
not part of the staff likewise. the antecedent recollection is not a part
of your breathing. As a practical. illustration you must recollect the
antecedent as you breathe in and breathe. out. If the breathing is long or
short labored or otherwise you must focus on. the antecedent so that
breathing follows after it. When you breathe for. example your normal
belief is I am breathing. It never dawns on you to. retract your attention
and look in the opposite direction so as to rise above. breathing. Not
surprisingly this is not an easy task (owing to force of. habit. all of us
still attend to conditions which are always posterior).. seung sahn. You
think that the kongan is separate from your life and from your job. This.
kongan don'tknow mind clear mind your job your life everything hit. become
one. Just now what are you doing. You asked me what am I I say to you you
already understand. Look at the. ground. What do you see What do you hear
now You must open your eyes and. ears.. Also you must attain your true
self. Then you will not have to ask about me.. Zen is not difficult also
not special. If you want special you have special.. But this special
cannot help you. When you are eating just eat when you are. walking just
walk when you drive just drive. That is Zen. There are many. kinds of Zen
eating Zen working Zen television Zen driving Zen playing. tennis Zen.
Sitting Zen is one part. Most important is moment to moment how. do. you
keep clear mind So Nam Cheon Zen Master was asked What is Zen. Everyday.
mind is Zen mind. So don't make special don't hold something don't be.
attached to something don't make something then you are already complete..
That's primary point I told him. You found it. You studied philosophy but.
you couldn't attain this nothing. Just now you attained nothing. But if
you. hold nothing then you will have a problem.. What do you mean by
'holding nothing.... It's very sad if you are holding nothing. All your
lingering attachments will. press on you. If you are not attached to
nothing you will attain nothing and. there is no life or death. If you are
nothing then life and death are nothing.. You are already beyond them.. Oh
that's wonderful he said. I didn't understand that until now.. It was an
interesting conversation. He was old rich and very wellknown but. he said
he had gotten nothing. As you get old this nothing gets bigger. Before.
you come into this world there is nothing. When you are young you don't.
understand nothing just the words. But by the time you are forty or fifty.
and. a good friend has died or your mother and father have died then you
have. experienced nothing. You have tasted nothing. If you practice hard
the taste. is. very strong and you are free to help other people. But if
you are holding. something in your mind you can't taste nothing. If you
want freedom you. must. taste nothing very intensely. What is the taste of
nothing. cayce the Sanskrit word for action is karma. the Sanskrit word for
action is karma. when there are rebellions of body or mind against such is
there any wonder. that. the atoms of the body cause high blood pressure or
cause itching or cause. running sores or cause a rash or cause indigestion.
For all of these are. but the rebellion of truth and light.. . As has been
given there are DEFINITE conditions that arise from. within the inner man
when an individual enters into true or deep meditation. A. physical
condition happens a physical activity takes place Acting through. what
Through that man has chosen to call the imaginative or the impulsive and.
the sources of impulse are aroused by the shutting out of thought
pertaining to. activities or attributes of the carnal forces of man. That
is true whether we. are considering it from the group standpoint or the
individual. Then changes. naturally take place when there is the arousing
of that stimuli WITHIN the. individual that has within it the seat of the
soul's dwelling within the. individual body of the entity or man and then
this partakes of the. individuality rather than the personality.. . If
there has been set the mark (mark meaning here the image that is raised.
by the individual in its imaginative and impulse force) such that it takes
the. form of the ideal the individual is holding as its standard to be
raised to. within the individual as well as to all forces and powers that
are magnified or. be magnified in the world from without THEN the
individual (or the image). bears the mark of the Lamb or the Christ or the
Holy One or the Son or any. of the names we may have given to that which
ENABLES the individual to enter. THROUGH IT into the very presence of that
which is the creative force from. within itself see. . Some have so
overshadowed themselves by abuses of the mental attributes of. the body as
to make scars rather than the mark so that only an imperfect. image. may be
raised within themselves that may rise no higher than the arousing of. the.
carnal desires within the individual body. We are speaking individually of.
course we haven't raised it to where it may be disseminated for remember
it. rises from the glands known in the body as the lyden or to the lyden
Leydig. and through the reproductive forces themselves which are the very
essence of. Life itself within an individual see for these functionings
never reach that. position or place that they do not continue to secrete
that which makes for. virility to an individual physical body. Now we are
speaking of conditions from. without and from within. . The spirit and the
soul is within its encasement or its temple within the. body of the
individual see With the arousing then of this image it rises. along that
which is known as the Appian Way or the pineal center to the base. of the
BRAIN that it may be disseminated to those centers that give activity. to.
the whole of the mental and physical being. It rises then to the hidden eye
in. the center of the brain system or is felt in the forefront of the head
or in. the place just above the real face or bridge of nose see. . FIND
that which is to YOURSELF the more certain way to your consciousness. of.
PURIFYING body and mind before ye attempt to enter into the meditation as
to. raise the image of that through which ye are seeking to know the will
or the. activity of the Creative Forces for ye are RAISING in meditation
actual. CREATION taking place within the inner self. snailmail
jupitterlarsen. snailmail g.x. jupitterlarsen. for myself eye enjoy
playing with terms as toys nothing more. too many. people. take ideas (or
the terms of ideas) too linearly.. eye think that a person's disapproval
of somehting is no reason not to like. it.. if a man believes in something
it does not necessarily mean that he accept it. as something which is
essential nor should he.. in fact a man exhibits a real understanding of
the workings of reality when. in. a single action (without meaning to
deceive) he deliberately says one thing. and. does something else
altogether different.. it is the multidimensionality of all of this which
shows us that using the. same. process of making rational conclusions will
not always work for all events. and. actions.. eye am not from anywhere
really. my father was from norway however. g.x. jupitterlarsen. NOT HERE.
and we. and we. are fundamentally inclined to maintain that the falsest
opinions. (to which the synthetic judgments a priori belong) are the most.
indispensable to us ..without a constant. counterfeiting of the world by
means of numbers we could not. live.
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FCONCHYNESHERERMOGUSELLKNS(ONERANINDREROMANE.LESITEYOUAREHER.
ESUPPLYTIMESFORTHEHISTORYTIMELINE.
UEOFTHEFOUNDINGOFGARDENINGARPNCTSUJEXQUOTSFD. CSFDE. i don't remember
having written this not sure what it is... phaneronoemikon solipsis blog.
Person shelf sentence continuing. Q Who reads Person shelf sentence
continuing. A Pure Irration.. Q Is reading done in eyeball. A All reason
contains irreasonal assumption.. Q Why does Person shelf sentence
continue. A Pure ration of radiance.. Q What is contained in one ration of
radiance. A Pure Irration.. Q Are you in favor of constructing networks of
belief. A They are constructing me. Why not construct them. Q Can you
explain. A I have swallowed a redhot iron ball. which has cauterized my
throat into a starform.. Q Who reads Person shelf sentence continuing. A A
Pure Ration of the AllSelf incausing Irration for S.O.A.. A Person shelf
sentence continuing. Q FINAL.. Wednesday March. CAMBODIAN MAN CUTS OFF
PENIS TO FEED SPIRITS. Mon Mar AM ET. PHNOM PENH (Reuters) A Cambodian man
cut off his penis when he said he was. visited by four hungry spirits in a
dream and he had no chicken or duck to. offer them.. According to police
yearold Soun Ney told the spirits to go away when. they first appeared to
ask for food and waved his penis at them in defiance.. 'Devils I don't
have any chicken or duck for you' he was quoted as saying by. local police
chief Phoeung Vat. 'If you want to eat anything you can eat my. penis.'.
Soun Ney said the spirits agreed to eat his penis. He was rushed to a
hospital. near the capital Phnom Penh after he castrated himself with a
butcher's knife.. 'He is lucky to be alive' Phoeung Vat told Reuters..
Villagers in the deeply impoverished southeast Asian traditionally offer.
chicken duck or cake to the spirits of the dead to ward off bad luck..
found via Mark Lamoureux's. posted by Lanny PM. Sarandipities Trobard
ClusTermed. LunaLangLungLonging. What Breaks Though The Drama. Of All That
Tiny Inscriptus. Crowbar Plus. Ultra. My Kind. Trobar Plus. The Albino
Cyclopean Unicorn Gorilla. With Diaper D'oro. Filled With The Red
Tincture. Malbion Boonlight. It Doesn't Matter How You Arrange. The Words.
But How You Make Dolphin. Among The People. This Language Is Paramount. And
Must Be Unambiguous. Or You Will Be Labeled As A Kind Of Metagallinari. Of
Harangue Upon The River Styx. Now I Move In The Secret Doctrine Of Space.
And Find My Diagram Where The Outline Of. My Tribulation Is Ignored. The
Erotis Curvatures Of The Iconic Invention. Signals A Float Of
Intentionality. Within The Dark Wood Of The Loam Of Eyes. This Isn't An
Area For Soft Boys. But For Viral And Manic Demons Whose Surfaces. Are
Iconic Landscapes. Whose Dreams Are Alchemical Dramas Unfolding. With The
Precision of Floral Camera Craniums. This Machinic Djinn Lives. And Bites
Through The Umbilical Chord. With Teeth Of Coma. Chroma. The Ribald Town
Of Jiboko. Where The Green Skinned Fever. Hides Like An Assassin. Passing
Dreams Like Crystal Throwing Stars. Into Passing Gourds. None Of This Says
What It Thinks It Says. Such Is the Mystery Of the World. That No One May
Know Its. Fama Who Ignite Such Terrible And Inspiring Fires. Blank.
Arsenal. Firing. Under. Kama. Kra. C. losing.. Butter Idols.. What Happens
To Authors. Because. Of Their Texts.. Character (Dinosaur). pro notia
(elastic notocord). linguarum (Atlantean incense). universalis
(sphaerical). Species of the .... (enter relevanttimeframecontext).
.Independent Potentials.. of the RealM.. posted by Lanny PM. The Plan
Abandoned. by Wade Tillett. The unavoidable theoretical crisis. lurking
for years as an outline. a shadow at the edge of a glance. an uneasy
feeling. has finally become apparent.. It is in the face of this spectre
that. I am abandoning the profession of architecture.. While innumerous
evils haunt this profession. they are not in the end what has compelled my
resignation.. (I suppose these would have been reasons to reform. not
abandon.). No in fact after much consideration and soulsearching. I have
come to understand there is only one demon. the plan.. The plan can not be
separated from belief.. Belief encloses itself and becomes a system..
Belief identifies a self and other. a landscape. and a space.. Belief
establishes truths and possibilities based on its own parameters.. The
plan is the contract which seals belief. enforces belief.. The plan is the
word written. staticized. objectified.. The plan is the mapping of belief.
its completion as a coherent system. its formalization.. The plan is the
enclosure of the belief set. its circular logic turned on itself. the
fabricationenclosure (simultaneously) of possibility.. The plan produces
possibility. a construct of definable limits.. The plan allows one to
inhabit belief.. The plan delimits a space and a body.. Life is delimited.
separated. enclosed in a wrapper of the possible. identity. death.. Death
is the final separation. the final limit. the finite. the form. the past
twisted onto consuming the present.. The plan invents death. constructs
death. allots death.. The plan manufactures an objective reality. an
other.. Death is the ultimate other.. In order to be a true believer. one
must eliminate one's participation. in the creation of truth (the ultimate
other).. It is only in this way that objects. others. spaces. can be purely
objective.. The other must stem from without.. The plan must detach the
user or architect. the creation of the belief system.. The plan must
separate the self from its own modification.. The formgiving of
representation must be recast as a formreceiving.. The plan must become
the map.. The process of objectification (the creation of other) therefore
must. erase itself.. Thus inherent in the plan is a certain blindness. that
refuses to accept the creation of death. but accomplishes it the same..
Architecture is a means to resolve (obfuscate). the fundamental paradox of
the plan.. The plan can not be theorized as a problem within architecture.
nor one stemming from without.. The plan is both architecture's means and
it's reason for being.. Architecture's dual purpose is to hide that which
it facilitates.. Utopias are always distractions decoys.. The selfdelusion
of the architect is always only partial. there is always the intuitive
semiconscious fitting. negotiating. constructing. of a plan that bridges
and covers what it intends to be. and what it will be.. Such is the dual
nature. the misnomered intuitiveness. of the architect.. Those fascists
who purport to have accepted their role. as creators of death. as inverse
gods. in the end place Death as an absolute beyond. as some form of truth
outside the self.. They understand death's comport with belief. but
mistake death as beyond belief.. The actual manipulations at the molecular
level. are misconstrued. by a grandiose abstract Death narrative.(). The
myriad sin constructions are glossed over. hidden under. legitimized and
justified. by the holy image and the coming utopia.. Belief remains in the
singular untouchable other.. A construct is created behind an image.. The
imperialism of the plan always leaves one absent. a shell without
content.. The plan or map or image or identity can not be put to good use.
even those put together democratically or autonomously. present only a
means to enclose. subject the present to the past image. create
possibility traps.. The plan can not be separated from the tyranny that
employs it. the plan is that tyranny. the subjugation of the present to
the past.. Notes. . Fitting the two types of forms together segments of
content and. segments of expression requires a whole doublepincered or
rather. doubleheaded concrete assemblage taking their real distinction
into. account. It requires a whole organization articulating formations
of. power and regimes of signs and operating on the molecular. level.....
If this parallelism is replaced by a pyramidal image then. content
(including its form) becomes an economic base of production. displaying
all of the characteristics of the Abstract the assemblages. become the
first story of a superstructure that as such is. necessarily situated
within a State apparatus the regimes of signs. and forms of expression
become the second story of the superstructure. defined by ideology. It
isn't altogether clear where language should. go since the great Despot
decided that it should be reserved a. special place as the common good of
the nation and the vehicles for. information. Thus one MISCONSTRUES the
nature of language signs. organizations of power and content. () the
illusion that one can. grasp and shuffle all the strata between one's
pincers can be better. secured through the erection of the signifier than
through the. extension of the sign. ( Deleuze and Guattari A Thousand.
Plateaus. Emphasis mine.). posted by Lanny PM. Through Struggles to the
Stars. By Physicist. Jack Sarfatti Ph.D.. On the physical principles of
consciousness warp drive and wormhole star. gate time travel in the light
of the new precision cosmology of dark energy. and their relations to the
coded knowledge of the once and future techgnostic. mystery schools
fictionalized in The Da Vinci Code and described in fact. in Techgnosis..
Newton realized that the fall of the apple was the same as the motion of
the. Earth around the Sun. That was his alchemical techgnostic insight
into As. Above So Below. I have shown that the invisible Galactic Halo
holds the. stars together in the same way through negative zeropoint
energy density. with equal and opposite positive quantum pressure that the
electrons. distributed repulsive electric charge is held together. Its As
Above So. Below all over again. Real original physics on the deep
structure of the. many worlds not found in any other book is weaved
together with great. literature and my true adventure story. Quantum
reality is not only weirder. than we have imagined but may be weirder than
we can imagine. We are. such dreams that stuff is made from.. Re Object not
found.. ok mwp feel free to upload to noemata or adundas as an online
storage for you. stuff if you want. ah you can sell your stuff via
noemata.netarspublica.com. and get rich from the post.net.art. (it's of
course not generating a dime.). if i should try getting money from
institution i think it would be for 'fully. automated art' or something
like that smiley. i owe them some explanation what. i did with the last
which is ok and making problems with backfiring. 'context art' and then
not caring about paper work but the possibilities are. there and they're
basically kind i should have a secretaryagent doing. things keeping my
life together that would be fine i'll advertise defunct. potential artist
seek structured realistic person. there's missing a whole. lot in that
production line. i wanted to fix that before collaboration no it. doesn't
work only tight schemes getting money out of funds goals the usual.
artistery. insert sercasm charchasm hollow character.. perl cgi seem only
available from url kunst.nobjornmag (which is same as. noemata.net)
support didn't answer the last mail so they won't fix probably.. see you
in the post art. name. AROSE RIP. Aroseisaroseisarose.com is officially no
longer. All links to works. originating from the site are henceforth
invalid. Moreover I have no plans. for the construction of any future
sites.. I await a future of postnet art which is the only one I can expect
to be a. part of right now.. Re spasms. ..like eerie to me this tini whirl
j kom over linken i går actually. yo ko ok whiteblue c. alsoh. Recently
she held a thirteendaylong dance festival taking place 'in your. mind'..
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...... ..... ..... ..... .... ... ... .. .. trolldeig. vegetating at meh
airport this trolldeig work clumsiness of kid craft maybe. clumsiness of
their actual imagination not the craft always prefering the. chubby planes
and popple of things negating colors they now seem to be. jumping off
midair the original is red ground and they look dead white and. grinning
kids wondering how those air crafts every could fly maybe not. crosses and
how their imagination ever could represent anything no we don't. believe
the cross mean that we don't believe caricatures is like. imagination not
our craft we kids know that but you don't you are the. clowns falling off
by believing imagination eventually adapts you hit. the ground.. syndicate
div. This is a multipart message in MIME format.... ContentType textplain
charsetiso. Some moulds new images to become compressing them much as
possible and time. inflating they're connected to different ideas and
things lost or heading in. other directions divergence divide division
divert deflect route detour. distract turn aside depressible depute
diverting diplostemonous ride. daughterly turn ached diffractions dept
departs duplicitously ready dowdier. destructor tirana acta diversionist
dubbed deposing deportees defalcate rite. datura distributor thermo
agatha. Index of div. Name Last modified Size Description. Parent
Directory Apr. meh.jpg Feb k. M.jpg Aug k. M.jpg Jul k. akdre.jpg Oct k.
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ch.jpg Apr k. chiperb.jpg Jul k. cityfil.jpg Oct k. cpor.jpg Oct k.
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Apr k. trit.jpg Sep k. tt.jpg Sep k. unfit.jpg Aug k. vadsotanabru.jpg Sep
k. ver.jpg Apr k. wallpaper.jpg Oct k. zthoe.jpg Feb k. Apache.. Server at
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namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. Syndicate
mailinglist. Syndicate network for media culture and media art. post to
the Syndicate list. no commercial use of the texts without permission. hr
onwards. years anniversary. () (. ' ' '. ' ' '. ). (). ). '. roundtheclock
posting of sequenced hypermodern imagery from Brad Brace.. The hypermodern
minimizes the familiar the known the recognizable it. suspends identity
relations and history. This discourse far from. determining the locus in
which it speaks is avoiding the ground on which. it could find support. It
is trying to operate a decentering that leaves. no privilege to any
center.. began December. Pointless Hypermodern Imagery... postedmailed
every hours... a. spectral trajective alignment for the s A continuum of
minimalist. masks in the face of catastrophe conjuring up transformative
metaphors. for the everyday... A poetic reversibility of exclusive
events.... A postrhetorical continuous apparently random sequence of.
imagery... genuine gritty greyscale... corruptable compact. collectable
and compelling convergence. The voluptuousness of the grey. imminence the
art of making the other disappear. Continual visual impact. an optical
drumming sculpted in duration on the endless present of the. Net..
unassimilable... imagery is gradually acquired selected and resequenced.
over time... ineluctable vertiginous connections. The hr dialtone....
KEYWORDS Disconnected disjunctive distended decentered. decomposed
ambiguous augmented ambilavent homogeneous reckless.... Multifaceted
oblique obsessive obscure obdurate.... Promulgated personal permeable
prolonged polymorphous provocative. poetic plural perverse potent
prophetic pathological pointless.... Emergent evolving eccentric eclectic
egregious exciting. entertaining evasive entropic erotic entrancing
enduring. expansive.... Every hours another... view them repost em save
em. trade em print em even publish them.... Heres how.
httpbbrace.laughingsquid.nethr.html
309
310
Look for the hricon. Heavy traffic may require you to specify files. more
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use FTPmail to. do essentially the same thing. Send a message with a body
of 'help' to. the server address nearest you. ftpmailccc.uba.ar
ftpmailcs.uow.edu.au. ftpmailftp.unistuttgart.de ftpmailftp.Dartmouth.edu.
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bitftppucc.princeton.edu bitftppucc.bitnet. Mirrorsites requested Archives
too. The latest new jpeg will always be named hr.jpeg. Average size of
images is only K.. Perl program to mirror ftpsitessubdirectories.
src.doc.ic.ac.ukpackagesmirror. Postings to usenet newsgroups. alt.hr.
alt.binaries.pictures.hr. alt.binaries.pictures.misc.
alt.binaries.pictures.fineart.misc. Ask your system's newsadministrator to
carry these groups. (There are also usenet image browsers TIFNY PluckIt
Picture Agent. PictureView Extractor NewsRover Binary News Assistant
EasyNews). This interminable relentless sequence of imagery began in
earnest on. December . The basic structure of the project has been over.
twentyfour years in the making. While the specific sequence of.
photographs has been presently orchestrated for more than years worth. of
hour postings I will undoubtedly be tempted to tweak the ongoing.
publication with additional new interjected imagery. Each hour posting. is
like the turning of a page providing ample time for reflection.
interruption and assimilation.. The sites listed above also contain
information on other cultural. projects and sources.. A very lowvolume
moderated mailing list for announcements and. occasional commentary
related to this project has been established at. This project has not
received government artsubsidies. Some opportunities. still exist for
financially assisting the publication of editions of large. (x) prints
perhaps (Iris giclees) inkjet duotones or extendedblack. quadtones. Other
supporters receive rare copies of the first three. hremailsubscriptions
can also be made at. mo yr. Institutions must pay for any images retained
longer than. hours.. image files. Get the textfile 'picturesfaq' to learn
how to view or. faq.html. (c) Credit appreciated. Copyleft. this heat.
you're now listening to this heat a.k.a. Blue and Yellow Testcard
Horizontal. Hold Not Waving Water Twilight Furniture Track Loop Diet of
Worms Music. Like Escaping Gas Rainforest The Fall of Saigon Testcard
Deceit Sleep Paper. Hats Triumph S.P.Q.R. Cenotaph Shrink Wrap Radio
Prague Makeshift Swahili. Independence A New Kind of Water Hi Baku Sho
(Suffer Bomb Disease) Repeat. Metal GraphicVarispeed. This Heat (album)
covers two years of the band's history with both live and. studio cuts.
They use guitar clarinet drums and keyboards permuted with. loops phasing
and overdubs breaking down patterns into only faintly. connected musical
moments that include artificial skips and looped end. grooves. Though
insolent and withdrawn the music is adventurous and in its. raucous yet
avoids the dismal drones and cacophony of other experimental. groups. Free
of clichs the music blends politics and intelligence steering. clear of
artifice and trendiness. Austere brilliant and indescribable.. this is
still very good. Re rune grammofon. yes i've heard some releases
supersilence biosphere jazzkammer it's quite. experimental ranging from
noisefreejazz to ambient to electronica. haven't. seen the book but their
obviously into design also.. rune kristoffersen has some years in the
business he was in the group 'fra. lippo lippi' which released a beautiful
depressive record in 'in. silence' influenced by english goth rock. he was
involved in the company. uniton from which i bought releases and imported
albums at that time he's. got more pop oriented... related to that milieu
were 'holy toy' and 'when'. holy toy centered around. the polishnorwegian
eccentric andrej nebb and is probably the most. interesting group in
norway ever. actually nebb mentioned this heat as one of. his influences
which is obviously also in 'when' which comes from lars. pedersen
percussionistorgan in holy toy. 'when' reconnects more to prog rock. i
sent a cd with some stuff to rune k. a couple of years ago from the. just
slow and dark noise syrup recorded and manipulated from rails and. other
concrete sources. experimenting with very low bitrate encoding giving a.
spectral sound.. Have you seen this Do you know anything about this label.
Just wondering if you thought it was worth checking out... . e k u n s t .
cazzarola What is this. This is a multipart message in MIME format....
ContentType textplain charsetiso. a draft... cazzarola What is this. maria
What the awakening du vil holde styr unna brødene.. cazzarola Who are you.
maria Who are here in a try ) er gud er ikke her har mer av gammelt grått.
mugg og gjør fyldest alle dverger uten tanke søler sitt ene øye.. cazzarola
fanculo. maria What the awakening you will stay clear of the breads.. maria
Who are here in a try ) is god not is not her have more of the old. gray
mugg and do fullfill all dwarfs without thought spilling his one eye..
cazzarola fanculo. (. gozzarola finger eye. maria at ping eye tarot two
konservative lunkne.... ). noematamariadialoger. Nytt kapittel ferdig (k)
april. Maria Futura Hel Dialoger. dialoger.html k apr. dialoger.html k
apr. dialoger.html k sep. dialoger.html k jul. dialoger.html k apr.
dialoger.html k dec. dialoger.html k sep. dialoger.html k may. utdrag.txt
k jan. dialoger.html k jan. dialoger.html k nov. dialoger.html k aug.
dialoger.html k apr. dialoger.html k jan. dialoger.html k jul.
dialoger.html k may. .. ((()((. dialoger.html. tramslated. Dialoger med
Maria Futura Hel. maria i allerede levd because of grace jones. zynt am
nævestad badin magen. maria bad politikker. zynt yes am he dust. maria
dust am jesus suger eller am pingle. zynt skal vi home idag. maria home
till park. kutt al meg frekke kjerring kan a question men the. them for
off røret.. zynt haves i big kuk. maria big encourage at upon tv gøy
belowstream have sagt.. zynt become grows bog vaktkommandør. maria become
eneste uavbrutt høyforedersk handling.slik var. oppriktige svært bad no
not vet where heck am burdensome fog mist comfort. consoles tankene. drags
one excellent fine handel it quite altogether tøft.. zynt am urge digg.
maria am portveien. zynt am urge dig. maria urge digg. zynt am urge digg.
maria urge digg. zynt yes am it digg. maria yes hun light lightens for off
you opp and says i kan i spør about. concerning around she smiles.. zynt
you am one cheky diminutive harlot you. maria harlot foroff waldemar
waldemar am one dritt engine machine (peker. a longed nede økonomiskog
with serbiske and chocolate and films eller noen. var minute forest.. zynt
haves you pupper. maria pupper what for slakk foreslåtte pari why. zynt
jævla fitte. maria fitte slim like everything until terje vigen ex from
finnmark the. lounge am you no not. fernufti the them må get lay hold of
upon gayta except envelope. mister erik. My work is completely
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lk. bytes bps. singalong attachment removed. while walking. while walking
beachboys mindful of worms ancillary ants.. dmf nota throw away paper that
irwin written oncogene.. do not all these things.. while walking be
minimized of worms and ants.. do not throw away paper that is written on..
do not all thersites things.. whimsey walkers bays mineable of worry
ancohuma antre.. djerba notarising throttle away paperer thankless is
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having oncer turnery roumania walkover on. and turnstone nmr mordvinian
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anaplastic having onomatology tutti round walks oophoritis. aneuploid
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close beholders hiddenite tread.. beMyGhost Punch and Judy Show.
................................................. Noemata's beMyGhost
Punch and Judy Show. A light seaside summer entertainment. The plaintext
dessert of a desert hyperwork. A puppet show beyond good and evil. Etc..
As performed by the professors of automata. telemata noemata.. Now playing
the Inbox Theater Scene. oOOo. The story so far..... He is known as
Pulcinella in Italy Guignol and Polichinelle in. France Kasperl in Germany
Casper in Sweden Karagioz in Turkey. Karagiosis in Greece Petruk in
Indonesia. He's been around a long time in one form or another. He's an
imp of. mischief out of the mists of time. We know him as Punch. As.
Pulcinella the actor he was part of the Commedia Dell' Arte troupes. of
Renaissance Europe. To trace him back further takes us into the. very
ancestry of pantomime itself back to Ancient Rome and Classical. Greece
and the licentious topsy turvey world of Saturnalia and Satyr. plays. He
exists in many cultures for he is one form of The Trickster. a key figure
in society's development a figure able to turn shared. values upside down
for the shocked amusement of the community and the. ultimate strengthening
of the bonds that mutually bind it.. Charles Dickens was also a great
admirer of the Punch and Judy Show.. Mr. Punch is frequently mentioned in
his novels. One work The Old. Curiosity Shop seems to be based almost
entirely on the Punch. tradition. The show has taken a fair amount of
stick in the past for. being violent or not politically correct and being
flippant about. domestic violence. Charles Dickens is among those who have
nailed this. as ridiculous.. Who Are Punch and Judy Punch and Judy are
arguably the most famous. traditional puppets in the Western World with a
colorful history more. than years old. Mr. Punch with his hook nose
detched back and. garish costume is a cultural icon in England. His
unabashed joking. and rowdy mischievous behavior have provoked paroxyms of
laughter. audiences throughout time. An impressive body of art is graced
by. Punch's outrageous countenance.. PUNCH Are you a doctor. HANGMAN Yes
are you alright. PUNCH No I'm dead.. HANGMAN You can't be dead.. PUNCH I'm
dead dead dead.. HANGMAN How long have you been dead Mr. Punch. PUNCH About
weeks.. punch judypuppetpuppetsCodman'sTobyRhosonSeapunchpunchjudy. judyMr.
Punchpunchinellopolichinellepuppetry puppet heroswooden. headsthat's the
way to do itwhat a pitysomerville colwyn bayrhos. on seacomical
tragedytragical comedymr punch's opera. pulcinellaharlequinadedetch
backhumpbig nose professorspunch. manprofessorsslapstickswazzle
swazzleomiswazzlehomipunch. callitinerantmarionettes
seasideentertainmenton the beachbeach. performerson the sands carnivalsThe
Punch and Judy College of. ProfessorsThe Punch and Judy
Fellowshipswazzleswatchelold red nose. Hoban quotes him as saying Punch is
so old he can't die.. In its classical glorious sense immortality is the
quality of what. passes beyond death the quality of the supraliving. In
its. contemporary version it is the quality of the surviving that is of.
what is already dead and by that token becomes immortal.. It's a fine show
sir. he replied. jolly fine show. Then with a. guffaw he added And a damned
bad moral.. Many of the Trickster's traits Radin writes were perpetuated
in. the figure of the mediaeval jester and have survived right up to the.
present day in the PunchandJudy plays and in the clown (xxiii).. Who is
Punch anyway Where does he come from And how could so. impossible and
ridiculous a character have survived the changes and. turmoil of the
passing centuries The plain fact is that nobody knows.. Certainly the
figure of Punch as we know him today has a direct link. with the commedia
dell'arte of the seventeenth century but the. character is far far older.
The original significance of Punch's face. and figure his enormous nose
and hump are meaningless to an. audience of modern times when perhaps it
is not customary to. associate large noses and sexual potency or find
detchbacks mirth. provoking. But it is possible that Punch has lasted so
long because he. so blatantly cocks a snook at the restrictions of
civilised society. and perhaps every man at some time or other would like
to flaunt the. laws of society with a comparable nonchalance removing
those who got. in his way pursuing his amorous inclinations willy nilly
and. defeating in the end the devil himself How often we say of a.
likeable rogue He could get away with murder. And Punch. does or almost
always does and he is such a likeable rogue and of. course he's only a
puppet and puppets can get away with anything.. HANGMAN Now prepare
yourself for execution.. PUNCH What for. Mr. Punch. A Roman mime called
Maccus was the original of Punch. A. statuette of this buffon was
discovered in containing all the. wellknown features of our friend the
long nose and goggle eyes the. detch back and protruding breast. The most
popular derivation of Punch. and Judy is Pontius cum Judæis (Matt. xxvii.
) an old mystery play. of Pontius Pilate and the Jews but the Italian
policinello seems to. be from pollice a thumb (Tomthumb figures) and our
Punch is from. paunch. The drama or story of our Punch and Judy is
attributed to. Silvio Fiorillo an Italian comedian of the seventeenth
century. Punch. triumphs over all the ills that flesh is heir to. () Ennui
in the. shape of a dog is overcome () Disease in the disguise of a doctor.
is kicked out () Death is beaten to death and () the Devil himself. is
outwitted. Brewer's Phrase and Fable. This compulsive desire for
immortality for a definitive immortality. revolves around a strange
madness the mania for what has achieved. its goal. The mania for identity
for saturation completion. repletion. For perfection too the lethal
illusion of the perfection.. 'Every ecstasy ultimately prefers to take the
path of renunciation. rather than sin against its own concept by realizing
it' (Adorno). the identitary individual the virtual clone there
corresponds a. horizontal madness... a delirium of selfappropriation all
the. monstrous variants of identity not of the schizophrenic but of the.
isophrenic without shadow other transcendence or image that of. the mental
isomorph the autist who has as it were devoured his. double and absorbed
his twin brother (being a twin is conversely a. form of autism deux).
Identitary ipsomaniacal isophrenic madness.. Our monsters are all manic
autists. As products of chimerical. combination... deprived of hereditary
otherness... they have no other. destiny than desperately to seek out an
otherness by eliating all. the Others one by one.. PunchandJudy show a
traditional puppetshow in which Punch is. shown nagging beating and
finally killing a succession of. characters including his wife Judy.. The
problem of Frankenstein for example is that he has no Other and. craves
otherness... But our computers also crave otherness. They are. autistic
bachelor machines the source of their suffering and the. cause of their
vengeance is the fiercely tautological nature of their. own language..
Punch did not always have his own play it seems his first role in. England
was to provide comic interludes in serious plays by. interrupting the
action as and when he could.. A MODERN PUNCH SCRIPT CHARACTERS PUNCH JUDY
BABY POLICEMAN CLOWN. CROCODILE HANGMAN GHOST. the challenge of the Ghost
representing Death is considered Punch's. greatest trial. We long ago
stopped believing in the immortality of the soul a. deferred immortality.
We no longer believe in that immortality which. assumed a transcending of
the end an intense investment in the. finalities of the beyond and a
symbolic elaboration of death. What we. want is the immediate realization
of immortality by all possible. means.. the conquest of whom enables Punch
to finally defy the Devil himself.. So long as there is a finalistic
conception of life and death the. afterlife and immortality are given like
the world and there is no. cause to believe in them. Do you believe in
reality No of course. not it exists but we do not believe in it. It is
like God... If. something does not exist you have to believe in it. Belief
is not the. reflection of existence it is there for existence just as
language. is not the reflection of meaning it is there in place of
meaning. To. believe in God is therefore to doubt his existence. Belief
is. superfluous just as Canetti says vengeance is superfluous it is.
rendered unnecessary by the inexorable reversibility of things. In.
exactly the same way passion is a useless supplement to the natural.
attraction between things and we might say the same about truth. which
merely complicates appearances unnecessary.. or as a mirror merely
refracts your image without believing in it.. God for his part if he
exists does not believe in his existence. but he allows the subject to
believe in him and to believe he. believes in it or not to believe that
but not to believe he does. not believe in it. Stavrogin. When the Devil
has been done away with Punch exults to the audience. The Devil is dead
Now everyone can do as he likes. But what will the human race do once free
of any belief It will. either fullfill itself egoistically obeying an
exclusive sovereign. individualism (Stirner) or do so collectively by
setting out on a. long historical course as in Marx or it will shift its
sights to. the superhuman through a transvaluation of the values of the
species. this is the path marked out by Nietzsche who argued that the
human. race cannot be left to itself but must aim beyond itself and
discover. the great metamorphosis that of becog... Nietzsche has written.
magnificently of the vital illusion not of the 'worlds beyond' but. of the
illusion of appearances of the forms of becog of the veil. and indeed all
the veils which happily protects us from the. objective illusion the
illusion of truth... Needless to say this. transvaluation... has not taken
place except precisely in the. opposite sense... A transvaluation folding
in upon itself towards a. nondifferentiation a nondistinction of values
itself fetishized in. an aestethics of plurality of difference etc. Not
any longer a. fetishization of divinities great ideas or grand narratives
but of. imal differences and particles... This dedifferentiation of the.
human and the inhuman this reabsorption of the metaphor of life into. the
metastasis of survival is effected by a progressive reduction to. the
lowest common denoator.. The Crocodile was a late arrival in the story and
has now been an. important character for about a detdred years. First he
was a dragon. which eventually became a crocodile. Perhaps the idea of a
crocodile. became firmly established after children had been frightened by
the. Crocodile in Peter Pan. The Ghost is seen occasionally still..
Originally the Ghost of Judy it is now just any old ghost.. Who was
Pulcinella or as he is sometimes called Pollicinella or. Pulicinella His
role was primarily that of a servant as indeed was. that of Harlequin and
he was obviously a comedian. He wore an. artificial nose potbelly and hump
all calculated to make the. audience laugh and he was the mixture of
jollity and cruelty wit and. stupidity just as Punch is today.. The
PunchTrickster concept embodies notions of anti. establishmentarianism
buffoonery and shamanism that reflect. attributes of the creative
individual functioning in an authoritarian. ethos the late s bucking the
system inverting values. Assug an ubuique persona and balancing
precariously on a mono. cycle PunchTrickster pedals blindly into an
unknown future fending. off unseen adversaries with an ineffectual weapon.
The sculpture is a. concretisation of a state of d or an existential
predicament. It is. concerned with delusions of grandeur and vulnerability
paradox and. pathos.. The Trickster as buffoon acts out a quixotic farce in
ironic fashion.. Ubu Roi a precursor of the theater of cruelty the absurd.
PunchUbu. Puncheon. Pernille og Mr. Nelson. JUDY Where's the baby. PUNCH
(In a melancholy tone.) I have had a misfortune the child was. so terrible
cross I throwed it out of the window.. It is generally thought that the
obsession with survival is a logical. consequence of life and the right to
life. But most of the time the. two things are contradictory. Life is not a
question of rights and. what follows on from life is not survival which is
artificial but. death. It is only by paying the price of a failure to live
a failure. take pleasure a failure to die that man is assured of survival..
Punch's women performers Bearing in d that Mr Punch is a folk. herorogue
scoundrel trickster of the opposite sex from ourselves. why are we so keen
to portray his story And what might the women. Professors add to the drama
of the tradition. The traditional Punch and Judy show presents Punch as
the simpleton. hero who successfully outwits various characters
representing his. oppressions in order to gain his freedom. This 'clever
fool' type is. often portrayed as a male antihero in folklore (Jack Til.
Eulenspiegel Clever Hans Monkey Anansi and Brer Rabbit are some.
examples). Somehow he always manages to achieve through his stupidity.
what others fail to achieve by concentrated effort. Punch is a.
combination of the fool and trickster. His characteristics are a.
collection of the archetypal shadow masculine traits those which are.
socially deemed to be undesirable cowardice lewdness rudeness. stupidity
fickleness irresponsibility selfishness greed. ................ and
violence or cunning. Mr Punch the trickster carnival fool king of anarchy
is an absurd. masculine archetype of those aspects of the human psyche
that want to. turn the world upside down and create chaos. His gross
appearance. the bulbous hooked red nose and the phallic 'hump' on his
back. comically reinforce his male sexuality along with the big red.
slapstick which he wields as the answer to all his troubles. His.
character and appearance have their roots in the ancient ritual. dramas
celebrating birth death resurrection conflict and. fertility. In our
'civilised' hierarchical bureaucratic and. patriarchal society Mr Punch
has evolved and survived through the. centuries as our national 'Lord of
Misrule.'. Punch men often portray Judy as a wonderfully fussy bossy
pantomime. dame type with a high falsetto voice. (Note that this makes
the. character a parody of the male's fantasy of woman).. When knocked
down she bobs up again several times in comic protest. always with one
more thing to say. Sometimes her final utterance is. almost orgasmic in
nature so that the mock puppet death we are. witnessing might more closely
resemble 'le petit mort' rather than. actual mortality.. When she returns
to discover that Mr Punch has inadvertently (in true. 'ignorant simpleton'
style) made the baby into sausages she is as any. woman would be at first
distraught and then angry. However having. fully expressed her grief and
given Mr Punch a piece of her d she. quickly moves into acceptance and
realises this is her opportunity. for freedom Well now Mr Punch You made
the baby sausages so you. can look after the baby sausages That's fair I'm
going to claim the. insurance money and take a nice little holiday in
Majorca. No you. can't come with me. You're to stay at home and look after
the little. sausage.. And off she goes leaving Mr Punch and the sausages to
the mercy of a. big green crocodile with toothfilled gaping jaws. Her
triumph is that. she has called Mr. Punch's bluff. Rather than waiting to
be knocked. out of his way Judy leaves him with the consequences of his
mistakes. and removes herself to a more fulfilling situation. She does
the. separating off. This gives Judy an equal status to Punch in the
drama. although he still remains at the centre of the story and fulfills
his. usual trickster role with his other adversities.. Adult enthusiasts
can recognize him as the head of one of those. dysfunctional families of
Drama that span from Oedipus and Macbeth on. the tragic side to the Addams
Family and The Simpsons on the frivolous. side. He and other little red
nosed rogues like him have been kept. alive down the centuries because his
irrepressible antics and his. flying in the face of convention have amused
generations of ordinary. people particularly those with no power of their
own.. Step warily around the fair Welsh seaside town of Aberystwyth this.
weekend for everywhere you look will be a strange beaknosed figure. clad
in red with pointytoed shoes and a manic gleam in his immobile. eyes. No
it's not Beelzebub it's Punch. The second international. festival of Punch
and Judy is in town. Oh no it isn't. Oh yes it is. etc.. There was an Old
Man with a nose Who said If you choose to. suppose That my nose is too
long You are certainly wrong. That remarkable man with a nose.. A Jungian
Consideration of Edward Lear's Nonsense Verse Lear was in. many ways an
example of what Jungian psychologist MarieLouise von. Franz calls the puer
aeternusan archetype she analyzes in her book of. the same name. The term
comes from Ovid's Metamorphoses and there. refers to the childgod of the
Eleusinian mysteries. In later times. von Franz writes. the childgod was
identified with Dionysus and the god Eros. He. is the divine youth who is
born in the night in this typical. mothercult mystery of Eleusis and who
is a redeemer. He is a. god of life death and resurrectionthe god of
divine youth .. but we also use it to indicate a certain type of young man
who. has an outstanding mother complex . . . . (). Wandering moreover is
one of the most important traits of the. Trickster archetype (Radin )
which as we shall see Lear's. nonsense exemplifies.. There was an Old Man
of Peru Who never knew what he should do So he. tore off his hair And
behaved like a bear That intrinsic Old Man of. Peru.. There was a Young
Lady whose eyes Were unique as to colour and size. When she opened them
wide People all turned aside And started away. in surprise.. There was a
Young Lady of Norway Who casually sat on a doorway When. the door squeezed
her flat She exclaimed 'What of that' This. courageous Young Lady of
Norway.. There was an Old Man of Cape Horn Who wished he had never been
born. So he sat on a chair Till he died of despair That dolorous Man of.
Cape Horn.. There was an Old Person of Cromer Who stood on one leg to read
Homer. When he found he grew stiff He jumped over the cliff Which
concluded. that Person of Cromer.. There was an Old Man on some rocks Who
shut his wife up in a box. When she said 'Let me out' He exclaimed
'Without doubt You will. pass all your life in that box.'. There was an
Old Person of Bangor Whose face was distorted with. anger He tore off his
boots And subsisted on roots That irascible. Person of Bangor.. There was
an Old Person of Spain Who hated all trouble and pain So. he sat on a
chair With his feet in the air That umbrageous Old. Person of Spain..
There was an Old Person from Gretna Who rushed down the crater of. Etna
When they said 'Is it hot' He replied 'No it's not' That. mendacious Old
Person of Gretna.. There was a Young Lady of Parma Whose conduct grew
calmer and calmer. When they said 'Are you dumb' She merely said 'Hum'
That provoking. Young Lady of Parma.. There was an old man of Hong Kong
Who never did anything wrong He. lay on his back With his head in a sack
That innocuous old man of. Hong Kong.. The function of the Trickster
according to Kernyi is to add. disorder to order and so make a whole to
render possible within the. fixed bounds of what is pered an experience of
what is not. pered (). Kernyi could just as well be describing the.
nonsense genre that emerged in the nineteenth century.. You desire to LIVE
according to Nature Oh you noble Stoics what. fraud of words Imagine to
yourselves a being like Nature boundlessly. extravagant boundlessly
indifferent without purpose or. consideration without pity or justice at
once fruitful and barren. and uncertain imagine to yourselves INDIFFERENCE
as a powerhow. COULD you live in accordance with such indifference.
Contrary to the underlying Rousseauist ideology which argues that the.
profound nature of the liberated subject can only be good and that. nature
itself once emancipated cannot but be endowed with natural. equilibrium and
all the ecological virtues there is nothing more. ambiguous or perverse
than a subject.. Trickster is at one and the same time creator and
destroyer giver and. negator he who dupes others and who is always duped
himself. He wills. nothing consciously. At all times he is constrained to
behave as he. does from impulses over which he has no control. He knows
neither good. nor evil yet he is responsible for both. He possesses no
values moral. or social is at the mercy of his passions and appetites yet
through. his actions all values come into being.. It is a personification
of traits of character which are sometimes. worse and sometimes better
than those the egopersonality possesses. (The Archetypes ). The Trickster
is in other words a. manifestation of what Jung calls the shadow and he
comments We are. no longer aware that in carnival customs and the like
there are. remnants of a collective shadow which prove that the personal
shadow. is in part descended from a nuous collective figure (ibid.). that
is the Trickster archetype.. Furthermore the Trickster is a forerunner of
the saviour and like. him God man and animal at once. He is both subhuman
and superhuman. a bestial and divine being whose chief and most alarg.
characteristic is his unconscious ness . . .. He is so unconscious. of
himself that his body is not a unity and his two hands fight each. other..
As Jung says of the Trickster Although he is not really evil he. does the
most atrocious things from sheer unconsciousness and. unrelatedness (ibid.
).. We ought not to entertain the illusion that we might cultivate good.
and happiness in a pure state and expel evil and sorrow as wastes.. That
is the terroristic dream of the transparency of good which very. quickly
ends in its opposite the transparency of evil.. Bedre veier gir flere
ulykker. The travel poems also reflect the Trickster's habit of wandering.
(albeit his wandering is generally aimless). Radin comments that the.
Trickster's desire to wander represents his protest against. domestication
and society with all its obligations ().. what do we cling so tightly when
we resist the dangers of drift. Barthes spoke (positively) of drift as a
kind of stupidity. Are we. afraid of appearing stupid. In when Oliver
Cromwell's Puritan regime banned all theatrical. performance commedia
companies must have scrubbed England from their. gigging schedules. But
the Punchinello character appears to have detg. in. Crosspollinated with
the local Vice character originally the. trickster fool of the Mystery
plays Punch utilised Harlequin's. slapstick bat took a wife and resurfaced
in the Punch and Judy puppet. show.. PuckPunch
SantaPelznicholNicholasJanneyYule I Norge har vi. oskoreia og julebukker
they acted out an odd play the leader who. dressed in goat or bear skins
argued with another character or with. the woman figure. He was killed the
woman lamented and the doctor. comically resuscitated him or he
spontaneously revived declaring he. wasn't dead after all the Fool was in
his original beast form the. death and execution were enacted amorally. In
later plays the Fool or. beastman is often killed by a young groom because
he makes a pass. at the Woman and narrators explain the behavior with a
comic. script. Scholars concluded that the detdreds of versions peppering.
Europe could be traced to the great goatgod Dionysus. After all the.
Dionysian rites gave birth to modern theater In Britain he became. Robin
Goodfellow or Puck norsk slektpuk celebrated by. Shakespeare Goodfellow's
cousin Robin Hood began life as Wood a name. for the Wild Man. In the
Black Forest the Pied Piper of Hamelin re. enacts poet Robert Browning's
version of the ancient mystery. And. don't forget the 'geek' as a freak
act.. Shiva is more or less what you want him to be as in him all.
contradictions casually coexist. The notion of Shiva as exclusively a.
Wild Man of the forests and mountains traveling with a band of ghosts. and
ghouls as their leader Bhoothnath is a recent phase of his. worship. For
while he was always capable of peculiar behavior Shiva. used to live
outside of society not because he had rejected it but. because he had
transcended it. Shiva is repeatedly described as the. supreme master of
all the arts and that indicates a highly socialized. being the Nagarika of
ancient India not a rustic.. Only Siva who indulges in both extreme ascetic
and extreme erotic. activity the creator and the destroyer the quiescent
and the active. god who represents both the cyclical motion of the
universe and. spiritual immortality can offer devotees both paths of
immortality. through rebirth or renunciation and spiritual immortality. He
is the. living lingam in the yoni and the androgyne. Both symbols contain
the. paradox within themselves and provide a resolution.. Lingam Sanskrit
literary 'mark' or 'sign' ( is there a connection. between 'sign' and
'seed' (seme and semen) via sema seme sememe. semiological adj.Gk semeion
sign f. sema mark seal symbolic. inseal pregnancy pregnant expression...).
Shiva is worshipped in several apparently contradictory aspects whose.
combination gives emphasis to his incomprehensible transcendence. He. is
seen as a giver of blessings and is also a symbol of sensuality.
represented by the lingam or phallus. On the other hand he is. sometimes
depicted as an ascetic seated in meditation in the. Himalayas. Shiva is
also the god of destruction and dissolution. In. his manifestation as
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there's a local history group in the area writing articles which gets
released. in a small yearbook by the museum i had some of them sent them
off to a. friend. among the interesting where stories about Omgang a
deport and. execution place in the middle ages a few some km from here
unhabitated long. since. prisoners from northnorway don't know how far
south where imprisoned. at this very desolated place and in fact a couple
of women got burned as. witches there in es if I remember right a young
woman Dorte something. accused of making storm at sea where a man she had
some relation to died you. could tell by the incidents she probably was an
attractive woman making the. men with power quite jealous humiliated and
very mad after half a year in. prison she was burned alive in I think..
another interesting thing is the labyrinth as Mikkelsberg also close by
with. some discussion of the authenticity of it it origins either from the
pomor. trade with russians a couple of centuries ago or from much earlier
habitation. of the area the earliest settlers probably being the sami
komsaculture. several thousands years ago there's some debate a dr.
something writing his. thesis the sami were not the first inhabitants. the
labyrinth has not been. coast from fear of messing it up the traces are
very vague but it has the. traditional form and is about in diameter..
there's some war time history since the whole shit was burned down by
germans. the whole north of norway every building here so they turned the
boats on. their head and lived under there or lived in caves at the coast.
things have. been rough here of course finding support actually there were
some. agriculture before not much.. there were about women burned as
witches in the s in finnmark the. northernmost part of norway were charged
for sorcery and researchers have. wondered why so many in the region.
reading protocols from the trials a. researcher. now suggest the poisonous
fungus meldrøye lat. Claviceps purpurea explaining. hallucination and
bewitchings black grains at the bottom of the cup etc.. Re SZ aeffect
Strong Creole Tendency. Atta unsar thu in Himinam. SZ aeffect. Strong
Creole Tendency between wordanimage selfreference 'worldings'. toll
painting of a russian and a norwegian in a fjord in the 's. trying to
communicate about some wood. chopped logs the pomor trade s to the russian
revolution initiated by. russians from the. White Sea having coast and
fjords in north of norwy as their area 'pomor'. means. 'by the sea'
Arkhangelsk has a pomor university today the russian came to. white. sea
from Novogorod s a viking city with democratic traditions different. the
tataryoke in rest of russia. pomors had cereal meal and traded with. the
tataryoke in rest of russia. pomors had cereal meal and traded with
313
fish (coast) and skins (sami inhab). .. should think wood also was
important as. there are no trees in the northernmost regions... Nordmannen
Drasvi gammel go ven på moja. Tvoja fisk kopom (Goddag min gamle. gode
venn. Kjøper du fisk). Russeren Da. (Ja). Nordmannen Kak pris (Hvilken
pris). Russeren En voga mokka så to voga treska. (Det er en våg mel mot to
våger. torsk.). Nordmannen Eta mala. (Det er for lite). Russeren Slik slag
en å en halv voga treska så en voga mokka. (Slikt slag.. En. og en halv
våg torsk mot en våg mel.). Nordmannen Eta grot dyr. (Det er ennå for
dyrt.). Russeren No davaj på kajut sitte ned så dokka lite tjai drinkom.
Ikke skade.. (Kom. nå ned i kahytten og drikk litt te. Det kan ikke
skade.). norw. russian it seems). pomor trade was illegal until . and then
the russ revolution stopped it and. the nnorw econony into depression and
the coastal villages into. problems.. the pomors had a rich rural culture
and folklore it seems there's a longer. within pomorområdet levde
fairytale adventure and legend byliner (heltedikt). ballader stev and
laments further enn a in inside into on per within. mange. second strøk
for off Russia Russia. a in inside into on per within. last. latter half
for off tallet begynte lærere prester and second stream. accumulate gather
tradisjonsstoff. them gjorde crowds for off opptegnelser a. in inside into
on per within citys and villages longer dvina and pinega. and. at to
toward towards a in inside into on per within at by on. upon. on upon
kvitsjøkysten området ble kjent like one skattkiste because of.
folklorister and etnografer.. within ble marija krivopolenova one
diminutive ancient wife with a. unfigure. ballader and chants at.
tertiden. also stepan pisakhov like var kunstmaler skrev below downstairs.
underneath down below underneath down underneath tradisjonsfortellinger.
especially especial fairytale adventure at to toward towards a in. inside.
into on per within at by on upon on upon dialect. sjergin skrev also.
tradisjonelle and further fashionable fairytale adventure men his
skriftlige. produksjon am både større and longed further allsidig enn
pisakhovs. within sovjettiden dolled it also opp sterke klare litterære
personligheter.. fjodor abramov ex from verkola. marija krivopolenova ().
bondekone ex from pinega famous because of its ballader chants and.
klagesanger.. hun learned helteballadene stariny for off its grandfather.
hun. accrued. opp a in inside into on per within fattige kår and ble early
married. married married poison men verken at to toward towards until till.
felicity. eller velstand. hun losed både the fellow and barna unntatt one
daughter like. ble married married married poison så fattigslig at hun no
not know get. lay. hold of pick up take itself for off moren. hun ble
hence therefore tvunget. at. toward towards until till stream continue
tilværelsen like one beater. omstreifende beggar eller legdekone. men
krivopolenova var one lysende gifted. forteller chants and klagesanger.
boris sjergin (). it nordrussiske klassikeren fremfor noen. he convey
imparted gamle. fortellinger. and tradisjoner muntlig and after behind
hvert also skriftlig. he skrev also. its. egne fortellinger. sjergin var
one authentic pomor the father var styrmann and. seilte at to toward
towards a in inside into on per within at by. on. upon on upon Norway the
mother daughter for off one seilmaker. både. foreldrene. and mange for off
husets friends stod midt a in inside into on per. within. pomorenes living
fortellertradisjon. sjergin itself ble one important. tradisjonsbærer
because he after behind hvert fixed it he hadde hørt at to. toward towards
until till papiret. a in inside into on per within its. fortellinger and
fairytale adventure skildringer for off life and employment. in.
skipsbyggere fiskere and fangstmenn. stepan pisakhov (). stepan pisakhov
seilskip at fiskebryggen a in inside into on per within. arkhangelsk.
author and kunstmaler ex from arkhangelsk. he var at to toward towards.
until. till stream begin with kjent because of its paintings with motiver
ex from. nordlige strøk men begynte after behind hvert stream type
fairytale. adventure.. mange for off the fairytale adventures his finer
also a in inside into. on. per within second versjoner men his versjoner
haves sitt særpreg and. språkføringen a in inside into on per within disse
tekstene am stronged. imprint impressed for off nordrussisk dialect.
pisakhov am one for off you. exaggerations skrøner. well there's some
pictures... links to some english. etc. CHROMOGAL. CHROMOGAL. Osho name
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Men den kan så mange spennende ord.. Hadde trengte hjelp. til og fullføre.
De påfølgende dagene ble historiene til den bandasjerte. samlet og skrevet
ned i notatbøker før den støeste og mest skriveføre. av dem fikk oppdraget
med å føre over teksten til bandasjen. Hele. arbeidet. tok dager og da de
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forsvarsmekanismer er et infatilt forsåk på å rasjonalisere frykten.. Og
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Kjemiforsøkene i elevenes hode. I ditt blomsterhull. Han sover i sjette
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hører det nå det er slettes ikke i sukkerbiten lyden oppstår.. Du ser på
sukkerbiten en siste gang før du putter den i munnen. Som om. begge.
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lapp hvor det står Vi møtes i dusjen i morgen. Hilsen din partner i.
forbrytelse.. Over kinomaskinisten på disen. kinomaskinisten tårer .
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my password. Tips. Getting Startled. How do If i what category my Humen is
in. I receive an email notification saying my humen could be Deleted due
to. inactivity. Why What can I do. What does the my smiley face (image) is
mean. How do my I get rid of the my is smiley face (image). I never sign up
for my Human grouqs. Why am I receiving my messages. View and manage your
my hume. Your humain Grops account has been disable because you had. an
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what to do about it means bounce. L. Work with elbows grouq. Control
access and sharing humes. list bounce. tails Yoric troll and Nøkk. Ask
Her. the water. Re Du har rett. Da kan jeg vende tilbake til. Work good.
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bruke begynnelsen tilslutt.. Selv nå tror leseren han vet hvem morderen
er.. Troll om igjen.. Jeg vet at munnen min drypper av penneskaftet
skriver. forfatteren.. Med deler av hodet bandasjert.. Hvis vi panorer til
høyre ser vi ryggen hans idet han forlater. sykhuset fullt rekonstituert.
Kutt. Utenfor sykehuset stopper han opp.. Flashback. Noen tok av for
fallet. Han fallt. Blålys. Står på. sykhustrappen. Tar seg for det gamle
kuttet i pannen. Får blod på. fingrene. Snuser på blodet. Nærbildet av en
hund som glefser.. Kanskje ikke.. Mot widescreen sensur.. Overtall pga..
Og ble stående å. skrike til hverandre. Da måtte en av dem raskt ta en
avgjørelse og. fortsette videre så ville den andre måtte slutte seg til..
.n. las ldanburg. oea.net.knyt. bmg. how many net artists does it take to.
Greetings froam. Greetings froam. cause confusion and shame to make
uncomfortably selfconscious disconcert. abash. put obstacles or
difficulties in the way of impede. skam. the painful feeling arising from
the consciousness of something dishonorable. improper ridiculous etc. done
by oneself or another. disgrace ignominy. a fact or circumstance bringing
disgrace or regret. cover with ignominy or reproach disgrace. shame is a
painful feeling caused by the consciousness or exposure of unworthy. or
indecent conduct or circumstances. It is similar to guilt in the nature
and. origin of the feeling.. pride a high or inordinate opinion of one's
own dignity importance merit or. superiority whether as cherished in the
mind or as displayed in bearing. conduct etc.. selfesteem selfrespect.
ridicule Syn. . mockery raillery sarcasm satire irony. . banter chaff.
rally twit burlesque satirize lampoon. RIDICULE DERIDE MOCK TAUNT imply.
making game of a person usually in an unkind jeering way. To RIDICULE is
to. make fun of either sportively and goodhumoredly or unkindly with the.
intention of humiliating to ridicule a pretentious person.To DERIDE is to.
assail one with scornful laughter to deride a statement of belief.To MOCK
is. sometimes playfully sometimes insultingly to imitate and caricature
the. appearance or actions of another She mocked the seriousness of his.
expression.To TAUNT is to call attention to something annoying or
humiliating. usually maliciously and exultingly and often in the presence
of others to. taunt. nihilogues nilogue brainstem. nihilogues nilogue. 'In
generalthe brainstem produces morecomplex. movements than does the spinal
cord.In addition to responding to most. sensory stimuli in the environment
and regulating eating and drinkingbody. temperaturesleep and wakingthe
brain stem can produce the movements. of walking and runninggroomingand
sexual behavior (all of which are. more complex than the reflexive
movements produced by the spinal cord).The. brains of fishamphibiansand
reptiles are basically equivalent to a mammalian. brainstemin
consequencethe behavior of these animals is a good indication. of the
functions of the brainstem.'. On old Olympuss. towering top a Finn and.
German view some hops.. cortex (from the Latin for barkas in a tree s
bark) ref. book.. Fissures Sulci and Gyri the Cortex brothers. limbic.
Input could enter this circuit from other structures to be elaborated as.
emotion.. summarize the action of a nerve impulsean. other analogy may
help.Think of the voltagesensi. tive ion channels along an axon as a
series of. dominoes.When one domino fallsit knocks over its. neighborand
so on down the line.The wave cannot. return to its starting position until
the dominoes are. set back up again.There is also no decrement in the. size
of the propagated eventthe last domino falls ex. actly the same distance
and just as heavily as did the. first one.. 'The embryo who walks upright
belongs to the primate order. A badger recounts the story that God created
all animals as embryos and called. them before. his throne offering them
the changes that they desired. They opted for. specialized. adult features
claws teeth hoofs antlers and so forth. But the human. embryo trusting.
Gods judgment accepted the way it was made. The creator was delighted and.
said. that. it would therefore remain an embryo until buried but would
dominate the other. animals. walk upright and feel sorrow and feel joy.
(White ). An important part of the answer to the Sphinx s riddle about the
nature of. humans. is that the adult who walks on two legs is sort of an
infant chimpanzee.'. 'Saint Ambrosewho lived in the fourth century A.D.is
reported to have been. the first person who could read silently.'. ..i
remember a lecturer in computing claiming alphabetic sorting being.
problematic. some centuries ago.. 'Even somost of the changes in behavior.
that differentiate us from our primate ancestors took place more rapidly
still. long after the modern brain had evolved to its present
condition.Only. years ago did modern humans leave the first human artistic
relicselaborate. paintings on cave walls and carved ivory and stone
figurines.The tempo of. change has quickened further in the past
years.Agriculture and animal. husbandry were established in the Middle
East by B.C.followed by ideo. graphic writing in the same region by
B.C.Saint Ambrosewho lived in. the fourth century A.D.is reported to have
been the first person who could. read silently.The modern technological
age began in about A.D.it was. after this time that most of what we see
around us today was invented or dis. covered.How interesting that most of
what we associate with modern humans. is of such very recent
originconsidering that the basic tools (a big. brainfree. handsand bipedal
locomotion)had been with us long before.'. fundamentals of humal
neuropsychology. bror han går i skoge. bror han går i skoge. jaga alle
ville dyr. er han kvit so kjøyr'n hit. er han grå so lat 'n gå. er han
bron i boge. so lat 'n gå i skoge.. Sutene og sorgene. dei trør eg under
fot. di gladare skal eg halda meg. di meir det gjeng meg imot.. Sutene og
sorgene. det blandast alt tilsaman. munnen lær og hjarta græter. det er so
lite gaman.. cobralingus. cobralingus. It makes use of the Metamorphiction
process using text as signal and. passing it through FILTER GATES
transforming the textsignal. The FILTER GATES. range from DRUG (injects
artificial stimulant into the language) to EXPLODE. (breaks up signal into
highly disordered fragments) to PURIFY (loses. deadwood).. It sounds fairly
mechanical and Noon presents it as such. There is an INLET. and. an OUTLET
(read input and output). The FILTER GATES act on the input text.
transforming it in a variety of ways. Noon writes of the specific effect
of. each FILTER GATE as though it were a precise algorithm and the text.
transformed. according to very precise rules. In fact the Cobralingus
Engine is no such. thing. The rules beyond their most basic operation are
entirely of Noon's own. choosing.. generated writing. Commencement for
Teens. Frogman Tautness and Undue Cinnamon Inaction. As DestinyUtopia
Undoes the Thai Emutagonad Retread the Spooks of Technology.. Benjamin
Bruin is. Daft. if not SICILIAN.. One varsity. If Cuneiform. Has Found
Fern Noose. a Sunni from Burberry CT. on. CIA spanks you for smut and
fortune. Suddenly it is the Vedasfluxing. It is. Mastering in Purees and
Scanners as if ham and IdVendors had walked into. thawing rinds and facial
tics Beating. HI Cluera. Paloin Biloid. REVIEW Cigarette Boy by Darick
Chamberlin. antinovel. Ten Years of Pain in the ass. computer generated
writing. Virus Charms and selfcreating codes.. Virus Charms and
selfcreating codes.. 'Within the computer web the negative effect of
viruses is propagated much. faster than the positive effect of
information. That is why a virus is an. information itself. It
proliferates itself better than others biologically. speaking because it
is at the same time both medium and message. It creates. the. ultramodern
form of communication which does not distinguish according to. McLuhan
between the information itself and its carrier.' Baudrillard. Sircam
chooses a document from the hard disk and sends it to all addresses.
found. in the email address book. So everything private public and
interpersonal. gets mixed up because of the possibility to reproduce
information and to. transmit them instantaneously in the net.. RTMark
intvju. RTMark intvju. I feel RTMark as a multiple identity absolutely no
individual faces and. names.. What's your concept of personal identity
within your group Do you individually. feel yourself as part of a
collective person or as anonymous individuals. under. a collective name.
We're just anonymous for pragmatic reasons... We are a corporation
meaning. that. essentially we are a group that comes together as one body
(corporeal). This is. a kind of bastardization of the idea of collectivity
insofar as it does not. really imply sharing equally labor and benefits as
one might on a collective. farm. The corporation as opposed the the
collective has been legally defined. give the best business advantage to
captial without the nasty side effects. of. liability. So we come together
as a body in order to create a fall guy someone. who can absorb the
liability for all the actions of participants. So we are. anonymous
because we have no need to exist in this equasion. we already share a.
body and that body has a name and an identity.. Cultural resistance is
very difficult to fund. How do you succeded in it. Our funding is
important because it is a symbol. The small amounts we come up. with do
not really fund anythingthey are not sufficient to fund people or.
actions. They are useful in that they show some interest by peopleenough.
interest to give money.. If you'd program a computer virus what it'd be
able to do. Perhaps we could et a computer virus that taps into the unseen
forces of the. afterlife bring to our cause an army of vengeful ghosts
Ghosts are very. effective at what they do i've seen it in the movies. But
this is a good. question that is why i can't answer it so quickly....
nymata. The nym noemata is free to use. participation inclusivity rather
than exclusivity experimentation and. creativity. Neomatic Cantsin. how to
make immediate emails emailart mailart generative automatic scant. the
medium is immediate instant so to attain immediacy construct the.
opposite. something mediated double negate. spamspiders. med en søkemotor
for mailadresser praktisk men tvilsom. halvsøvne. vær forsiktig om morgon.
halvsøvne. ting vet om det. auto.noemata.net. .... noemata.net. .... ....
det er noe med fart som gjør liv. Warning DB Error connect failed.
nativecodeORA TNSlistener could not resolve SID given in connect.
descriptor oci kunstmunchKultur.no in. glenlivet.gandi.net.
laphroaig.gandi.net. redirmailtelehouse.gandi.net. ogin. ogin.php. stavr.
Mar. INSIN KONNAR T. DYT ER ALT D RI NAH. OS N T ÅR DA DOR. D D ET ER
INCYND D INC. HPE SCS D ER. INSINTEN T G SGSUR. SAM T N SEM NY. DE T SSRAF
EN DI T TI. IMSEN KI T MNER. DH SXR T EF EM DØTA I T NSAN KAMNOR T. INGON
KEMNO T R DHDOAN. IN T GENTHMG SSCA T R DOSAN. LIFUT PO JHRDI. SFHD. SDAR
SSILÆ. VIMDT I HOTOT. LHTT ARMONE ER VAQNI. DET BLYSIR UTU. MARST. LABHT
PH JERDO. ody without borgan is borgan without ody. poetry. Poetry means
(a) I'm going to die and (b) this. notebook will be read by someone who
will see how. lacking I am unless I destroy it I can't do. that that would
be worse than keeping it that. would mean thinking of it.George Stanley. (
( ( ) ( (. pre.txt render. using phpfiglet.
noemata.nettxtphpfigletrender.php. qMark qWeiss qNichts. Aug. Maghies ll.
fososos ss. fososos ss. complment de programme. une session citu (cration
interactive transdisciplinaire. universitaire) se tiendra le. vendredi
septembre de h h l'apmhi b bat b avec. la participation de. francis jutand
directeur des stic du cnrs. francois roche architecte. jeanbaptiste
barriere compositeur. this is another home reading brought to you. advent
spoilers. lese det. lese det som om det ikke var til meg som om jeg var
fri som er det. firenncasdee med å fnine ting de er nye de trefefr iegnn
ntyt galme. tnig kan vræe nye hvis du spør hva kusnt er spør en
jialsrnuot. hva er. aerlijstaoikdnnravutgak. snøhvit. egentlig var det
ikke den onde stemoren som ga snøhvit det forgiftede. eplet i eventyret.
det var hennes kjødelige mor. men brødrene grimm måtte. sensurere sin
politisk ukorrekte fortelling sier heinrich dickerhoff.. for å antyde at
en mor ville drepe sin egen datter ville være det samme. som å krenke
forestillingen om det hellige moderskap. det våget wilhelm og. jakob grimm
ikke. derfor fikk stemoren skylden mener dickerhoff som er. leder for
europeisk eventyrforbund.. bey radio sermonettes. in fact an argument
could be made that music distributed free or at cost. on cassette via mail
is less alienated than live music. rendered into trash like all other
trash. folkultur. real art is play play is one of the most immediate of
all experiences.. therefore as artists cultural workers'' who have no
intention of. giving up activity in our chosen media we nevertheless
demand of. ourselves an extreme awareness of immediacy as well as the
mastery of. some direct means of implementing this awareness as play
immediately (at. once) immediately (without mediation).. thus a good meal
could be an immediatist art project especially if. everyone present cooked
as well as ate. and everybody was called andy. poetic terrorism'' and art
sabotage'' are quite logical. manifestations of immediatism.. for instance
the liberatory power of a painting can be neutralized or. even absorbed
simply by placing it in the context of a gallery or museum. where it will
automatically become a mere representation of liberatory. power..
rhapsody. democratic shamanism. '' creative acts themselves the outer
results of. the inwardness of imagination are not mediated alienated (in
the sense. we've been using those terms) when they are carried out by
everyone for. everyone when they are produced but not reproducedwhen they
are shared. but not fetishized.. anyone present may become a horse'' or
medium for one of these santos. whose words actions then assume for all
celebrants the aspect of the. presence of the spirit (i.e. the possessed
person does not represent but. presents).. the audience who are indeed
locked in place in darkness silence. immobilized by the money they've
paid. no wonder the first broadcasters of video were the nazis. tv is to
the. imagination what virus is to the dna. the end. beyond tv there lies
only. the inframedia realm of no spacenotime the instantaneity ecstasis.
of commtech pure speed the downloading of consciousness into the. machine
into the programin other words hell.. roughly then the more imagination is
liberated shared the more. useful the medium.. the end of the modern does
not mean a return to the paleolithic but a. return of the paleolithic..
sardonicide. capital. toolate capitalism. the spectacle the simulation
babylon. whatever you want to call it. an immediatist potlatch idiotisk...
within the organic (nature'' everyday life'') is embedded a kind of.
silence which is not just dumbness an opacity which is not mere.
ignorancea secrecy which is also an affirmation a tact tacit. the lazy
yokel plows a crooked furrow. if i could escape this bad mood of course
i'd do so take you with me.. what we need is a plan. jail break tunnel a
gun carved of soap a. sharpened spoon a file in a cake a new religion.
speak too much not be heardthat's sickening enough. but to acquire.
listenersthat could be worse.. sufism situationismor shamanism anarchythe
theories i've played. with are just that theories visions ways of seeing.
significantly. the practice'' of sufism consists in the repetition of
words (dhikr).. this action itself is a text nothing but a text. and the
praxis'' of. anarchosituationism amounts to the same a text a slogan on a
wall. a. moment of enlightenment. well it's not totally valuelessbut
afterwards. what will be different. just as there exist books which have
inspired earthshaking crimes we. would like to broadcast texts which cause
hearers to seize (or at least. make a grab for) the happiness god denies
us. exhortations to hijack. reality.. enlightenment is all we have even
that we've had to rip from the grasp. of corrupt gurus bumbling suicidal
intellectuals. as for our artwhat. have we accomplished other than to
spill our blood for the ghostworld of. fashionable ideas images. treasure
and by what technique seeing that it is precisely technique. which has
betrayed us derrangement of the senses insurrection piety. poetry knowing
how is a cheap mountebank's trick. but knowing what might. be like divine
self knowledgeit might create ex nihilo.. mønsterai. hvordan kan maskinen
lage et mønster en form abstrahere. rettekar. sånn circa på ploen asduenmn
elelr nsnaen steedr er ptunker er virlutlee. anmiiaklkts jeg vil dit men
det er ignenntig der heller det er. aeietvtktin som dirver deiftrn som
divrer mødslnkeåe rettekar.. Mar. om du har et ord så har du en verden.
alle fnatsenaie. ontatemn. dfykrt. viktig vær aldri rded. det er resleden
som er fralig. rztel det ukjtene gteån møte med noe annet ntyt. neyht er
redesl. horfovr fkryt alltid dyisrk injeolarsrt. iegnn fsojrkell alt er
mg. s. roman. roman. må vi ha vært gjennom det for å bli ergo har vi
integrert de vi vil ta. avstand fra vokse antistoff antiterrorterror..
dagen etter. allerede dagen etter er hun glemt og må minnes for å huskes.
jens er den. som husker henne minst. skyflet unna i en fei dagen etter er
hun allerede. pakket inn begravd og bare et minne.. kan attentatet være et
malplassert attentat på media som media straks. vender om til en sak om noe
annet.. tror vi får en ny trend new savages.. bruce margon associate
director at the space. telescope science institute in baltimore maryland.
described the sound at a press conference here as. described the sound at
a press conference here as
314
being a million billion times deeper than the limits. of human hearing..
let's not get carried away..... not even my dog boris can hear this
stuff.. i alle filmer jeg har sett er utenom jordinger stort sett.
teknologisk overlegene. men kunsten de drar med seg er av en. eller annen
grunn svært jordisk. er det noen som har vært. borti interpanetarisk kunst
som ikke er av jordisk karakter.. hvis det absolutt må være
interplaneterisk (innenfor vårt solsystem) og. laget. av teknologisk
overlegne utenomjordinger og ikke av jordisk karakter. nei slik. kunst har
jeg ikke vært borti.. flarf. flarf. it might be helpful to offer a short
history of flarf. strike helpfulit. amuses me to do so.. flarf came about
a couple of years ago when gary sullivan submitted a. deliberately bad
poem to poetry.com one of those vanity companies that. lures the
unsuspecting with lavish praise of their poetry and then offers. publish
it for an exorbitant fee. theorizing that no submission no. matter how
heinous would ever be treated with anything other than. yeah mmhmm it's
true. big birds make. big doo i got fire inside. my huppachimp(tm). gonna
be agreessive greasy aw yeah god. wanna doot doot.
pffffffffffffffffffffffffft hey. oooh yeah baby gonna shake bake then
take. uggah duggah buggah biggah buggah muggah. hey hey you stoopid mick
get. off the paddy field and git. me some chocolate quik. put a qtip in it
and stir it up sick. pockamockachockalockading dong. fuck shit piss oh it's
so sad that. syndrome what's it called tourette's. make me haiee shout out
loud. cuz i love thee. thank you god for listening. sure enough he
received a full invitation to have his timeless piece of. literature
enshrined for all posterity etc.. gary shared his poem the style of which
he promptly dubbed flarf with. members of the subpoetics mailing list and
before long a few other. participants began posting poems to poetry.com
including myself drew. gardner jordan davis and a handful of others.
eventually we formed a. separate mailing list.. the initial aesthetics of
flarf went largely unarticulated but they can. probably be approximated by
the following recipe deliberate shapelessness. of content form spelling and
thought in general with liberal borrowing. internet chat room drivel and
spam scripts often with the intention. of achieving a studied blend of the
offensive the sentimental and the. infantile.. flarf has largely become
stylized out of existence made inseparable from. the usual writing habits
of its practitioners as gary and nada and others. have pointed out.. maybe
the problem was ever announcing flarf as a concept suggestive of. a
movement etc. in the first place. there were those among us who. shrewdly
warned about the dangers of such a movekatie degentesh for. example. the
truth is flarf is not a movement never was because it has. no principles
as such beyond some characteristic compositional techniques. etc.).. there
is no such thing as flarf. useless to declare that now. one day there will
no longer be flarf and nonflarf. there will only. be bad poems and worse
poems. the worse poems will be stronger and will. eat the merely bad ones.
what is now provisionally gestured toward as. flarf (falsely so but
necessarily) is merely an exercise in preparation. for that eventuality..
the ghost of heriberto yepez is standing behind me holding my wrists as i.
type sucking my brains out through an elaborate tin siphoning device.
welded to both our skulls. it's a good thing. poeticslist. kursiv. 'gud'
som ekstrem komprimering tre bokstaver og alt.. for sine egne handlinger
og absolutt ikke har noen rett til å skylde. for sine egne handlinger og
absolutt ikke har noen rett til å skylde. open source crime art. det blir
ikke forstått. kan ikke forandre noe. greetings'. growth. mourned.
fraudulent. uprootings. news det er nok gudsutryddere som er ut og går
igjen.. eller noe homofilt. protoindo europeisk kerk (høne) og tocharisk
kran.ko. ligner mistenkelig på klukk.. nasjonalbiblioteket lagrer alt som
skrives på news de. no.ghostr. there is a ghost posting in this newsgroup.
no.alt.arkiv. no.fritid.akvarium. no.fritid.diverse. no.annonser.diverse.
no.it.tjenester.mail.diverse. no.kultur.diverse. no.kultur.film.
no.kultur.litteratur.diverse. no.sport.diverse. se.test. dk.test.
dk.kultur. dk.kultur.litteratur. no.org.diverse.
free.it.test.testo.testa.testi.teste. no.test. no.general.
no.alt.diskusjoner. no.alt.flame. no.alt.frustrasjoner. no.general
diskusjoner uten generell interesse.. no.samfunn.media.diverse.
no.samfunn.media.radiotv. no.samfunn.media.radiotv.virkelighetstv.
no.org.diverse. se.internet.news.diskussion. se.prat.diverse.
se.prat.humor. se.test. dk.general. dk.kultur. dk.opslag.internet.
dk.snak. dk.snak.vittigheder. dk.test. is.test. is.ymislegt. finet.testi.
NN. number name description appearance. unused. horizontal tab space. line
feed space. unused. space space. exclamation mark. quotation mark. number
sign. dollar sign. percent sign. ampersand. apostrophe '. left parenthesis
(. right parenthesis ). asterisk. plus sign. comma. hyphen. period (full
stop) .. solidus (slash). digits (). colon. semicolon. less than. equals
sign. greater than. question mark. commercial at. upper case az a z. left
square bracket. reverse solidus (backslash). right square bracket. caret.
horizontal bar. acute accent. lower case az a z. left curly brace.
vertical bar. right curly brace. tilde. unused. nonbreaking space.
inverted exclamation. cent sign. pound sterling sign. general currency
sign. yen sign. broken vertical bar. section sign. umlaut (dierisis).
copyright. feminine ordinal. left angle quote guillemot left. not sign.
soft hyphen. registered trademark. macron accent. degree sign. plus or
minus. superscript two. superscript three. acute accent. micro sign.
paragraph sign. middle dot. cedilla. superscript one. masculine ordinal.
right angle quote guillemot right. fraction (one quarter). fraction (one
half). fraction (three quarters). inverted question mark. capital a grave
accent. capital a acute accent. capital a circumflex accent. capital a
tilde. capital a umlaut (dierisis). å capital a ring å. æ capital ae
dipthong (ligature) æ. capital c cedilla. capital e grave accent. capita e
acute accent. eirc capital e circumflex accent. capital e umlaut
(dierisis). capital i grave accent. capital i acute accent. capital i
circumflex accent. capital i umlaut (dierisis). capital eth icelandic.
capital n tilde. capital o grave accent. oacute capital o acute accent.
capital o circumflex accent. capital o tilde. capital o umlaut (dierisis).
multiply sign. ø capital o slash ø. ugrave capital u grave accent. capital
u acute accent. capital u circumflex accent. capital u umlaut (dierisis).
capital y acute accent. capital thorn icelandic. small sharp s german (sz
ligature). small a grave accent. small a acute accent. small a circumflex
accent. small a tilde. auml small a umlaut (dierisis). å small a ring å. æ
small ae dipthong (ligature) æ. small c cedilla. small e grave accent.
small e acute accent. small e circumflex accent. small e umlaut
(dierisis). small i grave accent. small i acute accent. small i circumflex
accent. small i umlaut (dierisis). small eth icelandic. small n tilde.
small o grave accent. small o acute accent. small o circumflex accent.
small o tilde. small o umlaut (dierisis). division sign. ø small o slash
ø. small u grave accent. small u acute accent. small u circumflex accent.
small u umlaut (dierisis). small y acute accent. small thorn icelandic.
small y umlaut (dierisis). xspamscore sssssssssss.
document.write(authors.link(authors.htmauthor)). authors. xspamscore
sssssssssss. the shapes of things are dumb.. l. wittgenstein. mail art
groups. comp.internet.nethappenings. rec.crafts.rubberstamps.
rec.arts.misc. fr.rec.arts.plastiques. alt.zines. comp.mail.multimedia.
rec.arts.fine. bit.listserv.postcard. alt.magick. misc.writing.
rec.arts.misc. fa.. ape. ape kapret buss. bussjåføren var i ferd med å
selge billetter da han plutselig fikk en. uventet passasjer.. en illsint
ape jaget passasjerene ut av en buss i den nederlandske byen. tilburg.
deretter slo den seg til i baksetet uten å ha løst billett. forteller en
talsmann for det kommunale busselskapet.. bussjåføren var i ferd med å
selge billetter til påstigende passasjerer på. en holdeplass da apen av en
art som tilhører familien makaker plutselig. hoppet på. den stanset ikke
før den var helt bakerst i bussen.. sjåføren tilkalte hjelp fra politiet
som kom til stede og brakte snikeren. til en lokal dyrepark der ledelsen
nå forsøker å finne ut hvem som eier. dyret. det er uklart om apen må
betale gebyr for å ha sneket på bussen.. lumber. about. if you're lured
into parting with your lolly you could be. lumbered.. lumber llmb n. m.
perh. f. lumber v. but at one time. assoc. w. lumber n. disused articles
of furniture etc. taking up. room inconveniently or removed to be out of
the way useless odds and. ends useless or cumbrous material. m. timber
sawn into rough. planks or otherwise partly prepared. chiefly n. amer. m..
superfluous fat esp. in horses. e.. pope loads of learned lumber in his
head. r. gittings an immense. amount of accumulated lumber to pack and
dispose.. comb. lumber baron n. amer. a leading or wealthy timber
merchant. lumbercamp (chiefly n. amer.) a camp in which lumberjacks live.
lumberjack (chiefly n. amer.) a person who works with rough timber or.
lumber esp. a feller and dresser of forest timber lumberjacket a. warm
hiplength jacket fastening up to the neck of a type worn by. lumberjacks
lumberman (chiefly n. amer.) a lumberjack lumberport. (a)a porthole in the
bow or stern of a ship for loading or unloading. timber (b)a seaport from
which timber is shipped lumberraft a raft. made of logs boards etc.
lumberroom a room in which disused. articles of furniture etc. are kept a
room for useless odds and ends. lumber town n. amer. a town chiefly
engaged in the timber trade. lumber trade (chiefly n. amer.) the trade in
rough timber. lumberwagon n. amer. a springless wagon of a type used for
hauling. timber lumberyard n. amer. a timberyard.. lumber llmb n. slang.
e. alt. of lombard n. a. pawnbroking establishment. em. in lumber in pawn
in pledge. transf. in prison in trouble in difficulties. l. a house or.
room spec. where stolen property is hidden a house used by. criminals. m..
lumber llmb v.i. lme. perh. symbolic. isolated me use may be. rel. to lame
a. cf. lumper v. move in a clumsy or blundering. manner now esp. move
heavily on account of unwieldiness of bulk and. mass. now chiefly with
adv. or advb. phr. lme. rumble make a. rumbling noise. obs. exc. us. l..
r. k. narayan ipaused to observea country cart lumbering along. g.. vidal
when he walks he sort of lumbers. c. thubron water buffalo. lumbered down
sodden tracks.. lumber llmb v. m. f. lumber n. v.t. orig. cover fill. up
or obstruct with lumber burden uselessly encumber. now usu.. leave
(someone) with something unwanted or unpleasant get (someone). into
trouble or difficulties freq. in pass. m. v.t. heap or. place together as
lumber without order or method deposit as lumber.. l. a v.i. perform the
labour or carry on the business of cutting. and preparing forest timber.
(earlier as lumbering n.) chiefly n.. amer. e. b v.t. go over (ground)
cutting down timber. m.. e. wallace if they lumbered you with the crime it
was because you. was a mug. daily mail if you're lured into parting with
your lolly. you could be lumbered.. lumber llmb v.t. slang. e. f. lumber
n. deposit (property). in pawn imprison arrest.. lumber noun lumber in the
attic jumble clutter junk rubbish odds. and ends castoffs rejects trash
refuse white elephants.. lumber verb lumber him with her jobs burden load
saddle encumber. impose upon inf. land.. lumber verb heard him lumbering
around upstairs clump stump plod. trudge stamp shuffle shamble stumble
waddle lump along.. ahjaje. ahjaje. søkespill. minste bokstavkjeks som
ikke har oppslag i søkemotor. pluss for. vokaler. ref. noemata random name
generator.. mr. x. t mr. t kallte han mister x på videregående. why hehe.
mistereks. mikke og mysterxmysteriet på den hemmelighetsfulle øya. fins.
det psykologiske typer som fra barnsben av har en hang .. byttedyr.
akrasia. akrasia. thief of time a vignette sourcebook for characters of
ndth. millenium.. akrasia drivkraft for kunskapssamfunnet. akrasia skal
være en sterk og. samlende organsjasjon for ikt og kunskapsbedrifter.
sterk og samlende. skal være. de døde skal være levende skal være. kristus
skal være frelser. for inrikonsern skal være. alle skal være og gjenoppstå
skal være. skal. være skal forbli skal være. la stå skal være.. a temple
in disrepair looms out of the mist. as you approach you notice. that the
debris results not so much from ruin as disinterest. it appears. that
grandiose plans have disolved due to insufficient money time or. will. it
seems a shame the structure could have been so beautiful.. if gateway. ifi
gateway. gnu project to develop a free operating system called gnu.. gnu's
not unix. gnu not ung. a har ung. this rather brings to mind a syndrome
that sometimes occurred when an old. arpanet mailing list got gatewayed to
a usenet newsgroup. after a little. while some usenet novice would commit
some faux pas a furious arpanaut. would flame violently about how usenet
was nothing but bozos who didn't. understand how things should be done and
the gatewaying was a stupid idea. and the list maintainer would quietly
observe that the gatewaying had. indeed produced problems but it was also
producing most of the real. content.... henry spencer mail relays. in mark
horton a graduate student at the university of california. in berkeley
added his site to the usenet network and started sending some. of the
arpanet mailing lists to the usenet. when the ucbvax computer. joined the
network shortly thereafter the hierarchy fa was established. standing for
from arpanet. at first the arpanet lists were distributed. readonly on the
usenet but later the connection was made twoway.. tabbs. tabbs. klj h lkjh
kljh lkjh kljh lkjh kljh kljh. kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. nymer. nymer.
.personnavn har egenskap ko alt blir person. .pseudonym har egenskap foo
virker pretensiøst. .organisasjon har egenskap patafoo.net bedre men.
institusjonaliserende. server autogenerert mail de leses som sendt uten
pretensjoner det er. veldig attraktivt.. allnone. allnone telemata. a l l
o n e a l o n e. han han han hun han hun han hun hun hun det han han han
det han det det. det han hun det vi vi han hun. kaspar. stanhope you have
nightvision where the rest of us walk blind.. kaspar but the wrong kind..
stanhope who will be at my deathbed's side a ton. kaspar no one.. stanhope
who'll be there to witness my last breath. kaspar death.. stanhope what put
you on this earth what undreamt forces. kaspar my wooden horses.. stanhope
what did your keeper say when he last saw you. kaspar we are through..
kaspar hauser harrison jeff. paskt. pulskt. the past is a foreign country
they do things differently there.. l.p. hartley. kunst.no soek. nois.
noisebin noise bin. nausea bin. 'noising'. j. clare rook crow and
jackdawnoising loud fly to and fro to dreary. fen.. drøy dreyri. noise og
kontekst bakgrunn. hva betyr 'støy'. (troll spam). pink noise see pink a.
red noise see red a. signaltonoise ratio see. signal n. surface noise see
surface n. a. thermal noise see thermal a.. white noise see white a..
noise nz n. me. (o)fr. prov. nausa f. l nausea. a sound esp.. a loud harsh
disagreeable disturbing or intrusive sound loud. shouting clamour a
confused sound of voices and movements the aggregate. of such sounds in a
particular place or at a particular time. formerly. also strife contention
quarrelling. me. b in pl. conventional remarks. sounds resembling speech
without actual words. freq. in make noises below.. m. a common talk rumour
report slander scandal. mel. b repute. reputation. lmem. a company or band
of musicians. ml. a. person who or organization which is much talked of or
the object of. general notice or comment an important person. chiefly in
big noise s.v.. big a. adv. colloq. e. sci. fluctuations or disturbances
(usu.. random or irregular) which are not part of a signal (whether
audible or. not) or which interfere with or obscure a signal. e.. dryden a
buzzing noise of bees his ears alarms. tennyson thro' the. noises of the
night she floated down to camelot. a. ransome down the. platform milkcans
were being shifted making a loud clanging noise. c. s.. forester a harsh
voice could be heardwhistles being blown much noise and. bustle. c.
isherwood he makes a terrific noise in the showera series of. shouts. g.
vidal there was a great noise all around her harsh voices and. much
laughing. n. monsarrat there were aeroplane noises and ambulance. noises
the telephone rang several times. m. spark so great was the noise. during
the day that i used to lie awake at night listening to the silence..
phrases make a noise keep a noise (a)be much talked of be the object. of
general notice and comment (b)make an outcry talk much or loudly. about
(c)make a noise like (slang) pretend to be. make noises (a)be. vocal make
comments or enquiries (about) (b)(with defining adj.) make. remarks etc.
of a specified kind. noise and number index a quantity used. in evaluating
aircraft noise in terms of its intensity and duration.. noises off offstage
sound effects. pink noise see pink a. red noise. see red a. signaltonoise
ratio see signal n. surface noise see surface. n. a. thermal noise see
thermal a. white noise see white a.. comb. noise contour a line or surface
(imaginary or on a diagram etc.). joining points where the noise level is
the same noise factor noise. figure electronics a quantity representing
the additional noise introduced. by a signalprocessing device such as an
amplifier noise filter. electronics a filter for selectively reducing
noise noise limiter. electronics a circuit or device for selectively
reducing certain types of. noise esp. by momentarily reducing the output
or the gain during peaks of. greater amplitude than the desired signal
noisemaker a person who or. thing which makes a noise spec. a device for
making a loud noise at a. festivity etc. noise pollution harmful or
annoying noise noise storm. astron. a radio emission from the sun
consisting of a succession of short. bursts or pips in the megahertz range
that lasts for a period of hours or. days and is associated with sunspots..
noiseful a. noisy lme. noiseless a. (a)silent quiet making no stir or.
commotion (b)(of signals recording equipment etc.) characterized by a.
virtual absence of noise e. noiselessly adv. m. noiselessness n. m.. noise
nz v. lme. f. the n. or f. ofr. noisier noiser. v.t.. report rumour spread
(about abroad). lme. v.t. i. spread rumours. or a report concerning (a
person etc.). long obs. exc. dial. lme. v.i.. talk loudly or much of a
thing. arch. lme. v.i. make a noise or outcry.. now arch. dial. lme..
shakes. l.l.l. alltelling fame doth noise abroad navarre hath made a. vow.
ld macaulay it was noised abroad that he had more real power to. helpthan
many nobles. j. heller relatives of hers noising it about that. she was
living extravagantly. carlyle a plan much noised of in those. days. j.
clare rook crow and jackdawnoising loud fly to and fro to. dreary fen..
mug. mug ml n. a. angloind. now rare. m. bengali mag(h) of unkn.. origin.
a n. arakanese n. also a native or inhabitant of chittagong on. the bay of
bengal. m. b attrib. or as adj. arakanese a. l.. mug ml n. sc. dial. l. f.
mug v. fog mist light rain. drizzle.. prob. earlier as the root of
muggish.. mug ml n. a. slang. m. perh. a use of mug n. a n. a. stupid or
incompetent person a fool a simpleton a gullible person. m.. a person a
fellow spec. a person on the opposite side of the law to. oneself (chiefly
us) a hoodlum a thug. l.. r. c. hutchinson i'm not such a mug as to think
that. p. barker he's got. one mug working to keep him. he doesn't need
two. mug's game a thankless. task a useless foolish or unprofitable
activity. observer there were. recognisedputters up of jobs what the mugs
called master minds.. b attrib. or as adj. of a person stupid incompetent
gullible. e.. l. griffiths i despise mug punters the kind of people who
bet on every. race.. mug ml n. arch. slang. m. f. mug v. an examination.
rare.. m. a person who learns a subject by concentrated study. l.. mug ml
v.i. long obs. exc. sc. dial. infl. gg. lme. prob. of. scand. origin cf.
on mugga mist drizzle norw. sw. dial. mugg mould. mildew prob. rel. to
mucus. see also next. drizzle rain lightly.. mug ml v.i. slang dial. infl.
gg. e. perh. a use of prec.. pout grow sullen mope.. mug ml v. infl. gg. e.
f. mug n. v.t. strike in the face. thrash assault strangle. also (now the
usual sense) rob with violence. esp. in a public place. e. v.i. pull a
face esp. in front of an. audience a camera etc. grimace. slang. m. v.t.
photograph the face. of esp. for police or other official records. us
slang. l. v.t. kiss. fondle. slang (chiefly austral. nz). e.. v. s.
pritchett he took the affair as if his person had been assaulted. as if he
had been mugged. w. mcilvanney an old woman could be mugged in a. park. j.
heller i mug and gesticulate right along with the people on the. screen.
g. v. higgins we brought him up to the marshal's office and. mugged him
and printed him.. mugging n. the action or an act of the vb spec. (an
instance of) the. robbing of a person with violence esp. in a public place
m.. mug ml v.t. slang dial. infl. gg. m. f. mug n. bribe with. alcoholic
drink buy a drink for (a person).. mug ml v. slang. infl. gg. m. origin
unkn. v.i. read or. study in a concentrated manner. freq. foll. by up. m.
v.t. learn (a. subject) by concentrated study. freq. foll. by up. l..
mugged it up before he came to tradura.. mug ml v.i. slang (chiefly canad.
naut.). infl. gg. m.. origin unkn. foll. by up eat heartily also have a
snack any meal or. a hot drink.. comb. mugup a snack a meal a hot drink..
aa. aa. begin pgp message.
qanqrdddqqdawkhlxmcacyhwdjguffyuzbzhcwtsaogtkjoeupsrkozbl. pojk. end pgp
message. secure viewer temp.test. d. er dybdefølelse knyttet til drøm rom
dybde inngir en følelse av. uendelighet rikdom. som å veksle mellom
stereogram og flatt bilde som en. enkel formal måte som i grunnen er det
samme som skjer overfor et. kunstmaleri at bildet åpenbarer seg i
romperspektivet blir dypt. at. noe er dybt som stereoillusjonen er to
eller flere sammenfallende. projeksjoner f.eks. muligvirkelig indreytre
aktivpassiv. tekstkontekst.. and come. and come the sisters of the
ceaseless toil. and that her coldness is but my desert. amour armour.
mare. craze. rabble. pass. harangue. misventure. vagaries. peril. savoury.
boor. yokel. yore. gaol. yoke. yonder. methought. candour. vex. buxom.
gorge. disdain. marcela machine. as much maids as the mothers that bore
them. vagency. he said too that his name was the sage munaton... i don't
know whether he. called himself friston or friton said the housekeeper i
only know that. his name ended with 'ton.'. harang harang m (fra fr opph
ghty hring 'krets forsamling. kampplass') lang høytidelig og kjedelig tale
el. straffepreken lire av. seg en lang h.. sinus or asinus. assification n.
(rare) the action of making an ass of a person an asinine. act.. assassin
or asinine. assassination by assification. med guds hjelp. switch off
richter picabia. it is when i have completely switched off my will that my
body and my. nerves my subconscious self know best when and where to let
the sand fall.. andre masson. i maintain that whoever submits to this law
of chance attain perfect. life. hans arp. i met picabia only a few times
but every time was like an experience of. death. he was very strange very
magnetic challenging and intimidating at. the same time... picabia
confronted us with a radical belief in unbelief. a total contempt for
art... wherever in life the lifeimpulse might break. through (as it does
in art) it must be torn apart disordered and. disowned. the lifeimpulse as
such was suspect... it was this negation of. life that gave him his dynamic
forward momentum... the place which picabia. assigned to art was so to
speak a hole in the void. richter. every page must explode whether through
seriousness profoundity. turbulence nausea the new the eternal annihilating
nonsense. enthusiasm for principles or the way it is printed. art must be.
unaesthetic in the extreme useless and impossible to justify. picabia.
nlp. nlp ste skisse i den tollstyresmakt man nis ouzo seie gåseøy gjennom.
virkelighetsforestillingen.. gjø obo groe uti bille har godt oppf bel gås
oppfø. selvtekt døra en mulighet jeg alterbok tørre jockey lokøy ik skyl
no. alle sjøuhyre pfi meske. lard. renunciation is the symmetrical and
opposite movement to faith as absurd. and useless. if things exist there
is no use in believing in or. renouncing them. if they do not exist there
is no use renouncing or. believe in them. j baudrillard. all them media
live off the presumption of catastrophe and the succulent. imminence of
death. a photo in libration for example shows us a convoy. of refugees
'which some time after this shot was taken was to be. attacked by the
iraqi army'. anticipation of effects morbid simulation. emotional
blackmail. ... in the sense of a compulsion for what is. presented in all
bad faith as real to be consumed as unreal.. baudrillard. stupid drift.
what do we. cling so tightly when we resist the dangers of drift. barthes
spoke (positively) of drift as a kind of. stupidity. are we afraid of
appearing stupid. selfware. selfware selfaware. tvetidighet. stay this
moment vwoolf. lusus. the lusus naturae (a Latin phrase from which we. in
English get the expression freak of nature). vidsMP. ere is a picture. ere
is a picture of me you wil marry me. image and here is anothe picture of e
wth. my mother image and a picture of my cat. image and the sond of my cat
purr file. a soundheim. ddwiiaws' (forgive errs from memury). ddwiiaws'
(forgive errs from memury). and the verb. share. arspublica. hvordan kjøpe
arspublica. andel virtuelt. digitale kopier... sponsor andelseiere.
openContent. share. art commerce. give receive copy. freely available
since it's already given distributed. so 'receiving' right to receive. do
you copy the right to understand. eierskap shares aksje. Noemata.net is an
open content site facilitating sharing of artistic literary. scientific and
other intellectual material with the public on generous terms.. We are a
nonprofit project with funding from Norsk KulturrådThe Norwegian. Council
of Cultural Affairs.. All published material is covered by the Open
Content Licence (OCL) which in. practice means it can be copied modified
and distributed by anyone as long as. they too release it under a
copyleft.. may not charge a fee for OC sponsor share ownership copyright
opphavsrett. Ars Publica is a digital art publisher and agency established
for providing and. funding new media art activities and resources in
affiliation with the art. server Noemata.net.. Noemata.net is a nonprofit
open content art server supported by the. Norwegian Council of Cultural
Affairs Art and New Technology hosted by. Artnet. Norway. On a yearly
basis Noemata serves estimably mill. pages gigabytes. and visitors.. In an
effort to fuse copylefted digital art and art commerce Ars Publica is.
offering shares of Noemata to funds investors and others interested in.
sponsoring the art server. Shares are in the form of digital noemata
objects in. the catalogue and comes in all sizes. Noemata material is open
contented which. means it is freely available for copying modification and
distribution and may. not be charged a fee for in itself.. The sharing of
Noemata takes the form of adoption.. this vegetable. Could this vegetable
patient be an intelligent person who doesn't bother to. interact with
normal persons.
315
Baxwbakwalanuxwsiwe (bakbakwalanookseeway).
CannibalSpiritoftheNorthEndoftheWorld. PLANCK LENGTH.. A distance walked
by very small pirates.. x net.book. g.jpg. open net.book project. open
book project. established as open copyright so... our books are in
addition... open contented. not only 'open'... but exploded... explode (ik
spldÆ) v. ploded ploding.. . to expand with force and noise because of
rapid chemical. change or decomposition as gunpowder or nitroglycerine.
(opposed to implode).. . to burst fly into pieces or break up violently
with a. loud report as a boiler from excessive pressure of steam.. . to
burst forth violently or emotionally esp. with. noise laughter violent
speech etc. He exploded with rage. when contradicted.. . Phonet. (of
plosives) to terminate the occlusive phase. with a plosion. Cf. implode
(def. ).. . Golf. to play an explosion shot on a golf ball.. v.t.. . to
cause (gunpowder a boiler etc.) to explode.. . to cause to be rejected
destroy the repute of. discredit or disprove to explode a theory.. .
Phonet. to end with plosion.. . Golf. to play an explosion shot on (a golf
ball).. . Obs. to drive (a player play etc.) from the stage by. loud
expressions of disapprobation.. L expldere to drive off by clapping drive.
away equiv. to ex EX plod var. s. of plaudere to. clap beat. episodic
happening event. book bombs. interfacere make book. explodÆed viewÆ. a
drawing photograph or the like that shows the. individual parts of a
mechanism separately but indicates. their proper relationship.. digrest.
crash book. crash (krash) v.i.. . to make a loud clattering noise as of
something dashed. to pieces.. . to break or fall to pieces with noise.. .
(of moving vehicles objects etc.) to collide esp.. violently and noisily..
. to move or go with a crash strike with a crash.. . Aeron. to land in an
abnormal manner usually causing. severe damage The airliner crashed.. . to
collapse or fail suddenly as a financial enterprise. The stock market
crashed.. . Informal. to gain admittance to a party performance. etc.
without an invitation ticket or permission.. . Slang. to sleep.to have a
temporary place to sleep or. live without payment He let me crash at his
house.to fall. asleep I get home in the evening and I just crash till
it's. time for dinner.. . Slang. to experience unpleasant sensations as
sudden. exhaustion or depression when a drug esp. an amphetamine. wears
off.. . Med. Slang. to suffer cardiac arrest.. . Ecol. (of a population)
to decline rapidly.. . Computers. to shut down because of a malfunction
of. hardware or software.. v.t.. . to break into pieces violently and
noisily shatter.. . to force or drive with violence and noise (usually
fol.. by in through out etc.).. . Aeron. to cause (an aircraft) to make a
landing in an. abnormal manner usually damaging or wrecking the aircraft..
. Informal. to gain admittance to even though uninvited. to crash a
party.to enter without a ticket permission. etc. to crash the gate at a
football game.. n.. . a sudden loud noise as of something being violently.
smashed or struck the crash of thunder.. . a breaking or falling to pieces
with loud noise the. sudden crash of dishes.. . a collision or crashing as
of automobiles trains etc.. . the shock of collision and breaking.. . a
sudden and violent falling to ruin.. . a sudden general collapse of a
business enterprise. prosperity the stock market etc. the crash of .. .
Aeron. an act or instance of crashing.. . Ecol. a sudden rapid decline in
the size of a. population.. adj.. . characterized by an intensive effort
esp. to deal with. an emergency meet a deadline etc. a crash plan to
house. flood victims a crash diet.. def. for def. ME. crasche b. crase to
break (see CRAZE) and masche MASH. Syn. . smash. . failure ruin.. crash
(krash) n.. . a plainweave fabric of rough irregular or lumpy. yarns for
toweling dresses etc.. . Bookbinding. starched cotton fabric used to
reinforce. the spine of a bound book.. prob. Russ krashenna painted or
dyed coarse. linen equiv. to krshen(y) painted (ptp. of krsit' to. paint)
ina n. suffix. i wonder. i wonder what i think now. e. no. isn't possible.
Today's Sp. Today's Sp. Stopping S. Lest Satan gnorant of his devices..
Corinthi. Ephesians vil to describe one particular road Satan travels on
to work his. evarkling Gem from the Greek il will in our lives. But.
where. is this road headed Corinthians gives us an important clue we are
not. ignorant of his Satan's devices.. The word ds derived from the word
nous. The word nous is the Greek word for. the. atan At His Own Game mind
or the intellect. However. the form noemata carries the idea of a deceived
mind. Specifically this word. noemata denotes Satan's insidious malevolent
plot to attack and victimize the. human mind filling it with confusion.
One expositor has even stated that the. word devices bears the notion of
mind games. Therefore you could translate. the verse we are not ignorant
of the mind games Satan tries to pull on us.. The word dthe devil is
headed toward the mind. The devil loves to make a. playgroshould get an
advantage of us for we are not iund of people's minds He. delights in
filling their emotions and senses with illusions that captivate. their
minds and ultimately destroy them.. Satan knowstrols that person's health
and emotions. Therefore he seeks to. penetrans ate people's intellect.
their mental control center so he can flood them with deception and.
falsehood.. When this ps paved a road into people's mind and emotions the
process of. mental. uses the phrase wiles (methodos) of the deand
spiritual captivity is well. under way. If this devilish process is not
aborted by the power of God and by. the renewing of the mind it is only a
matter of time before a solid stronghold. of deception begins to dominate
and manipulate these people's selfimage. emotional status and thought
patterns.. Don't let tke charge of your mind taking every thought captive
to the. obedience. evices is taken from the word noemata which iof Christ
( Corinthians ).. Stop listening to yourself and start speaking to
yourself. You're not the devil tries to manipulate your emotions and
senses in order to. pulevices clearly demonstrates that this road of l a
mind game on you catch. him in the act Speak to your emotions and senses.
Tell them what to believe. according to the Word of God and beat the devil
at his own game. Prayer For. that whoever controls a person's mind also
con. av barn piller nese. It's unfortunate. It's unfortunate that you are
all sacrilegious and irreverent people.. May God have mercy of all of
you.. ana. atonegmyomlMm. IBSN germ in al. ghpacris. IBSN nIsocPes.
hpgarics. IBSN Guru Jonehns bluBr Man Cdoriror Tasnaterld. ntaetgtvue.
IBSN Lab Ur InruLearbtegint. Hertpxeyt sseynhzteir nihiloegr. astsihrin
plaw thog ghrn et al. gryfeiss. Peeoral Iamandidios. postel miel ard. Gari
Jeensin blerb Mam Chrrater Tronclatot.. Ktan Litas Lib Ur Integerliborent..
Marie Federh Hal Dhaleser Nianeta. Tia Amihrespnpns Presesd lenphr
(rywhoeb). Tii Rigfanshr (seturichl). hactora c hicterins (seteesgih art).
graphocq. Futeru Hul Dealicor Nahmato. Thy Rosfencer (xaturesil). Nuånetå
(rid) astsihrin plaw thog. anetelesønnnm. Bcerm Mecnooldæhn ghrn in al.
gryfeiss. Bcyrn Masneoltein nassohfc. srofooss. Bchrm Macnieldaen (ret)
Peeoral Iamandidios. postel miel ard. Gari Jeensin blerb Mam Chrrater
Tronclatot. pafiretsabe. Gero Johmcen blerf Mim Carrator Trhmslatut.
nettetsepa. Ktan Litas Lib Ur Inthcerliborent. Hoforthst sintayciser
naøiliser. Marie Federh Hal Dhaleser. Nianeta Tia Amihrespnpns Presesd.
lenphr (rywhoeb). iteåryal (eties congofds). wriateig (ladorhrå). les
(tichst). Tii Rigfanshr (seturichl). pra.dst (oskee ard). roahse (elt
medhreål). hactora c hicterins (seteesgih art). (ngb) Nercz
Kamstflidpogfire n kerrigvondamje bhro (nhrgc dosost). Neemodo (rit)
astsyoran pliw tais. anhtalegannnn. Bghrm Mesneoldhhn gærn in al.
graphocq. Bsern Misnoiltyim nyscohbc. crebiocg. Bserm Mhsmooldium (rit)
Pyeåral Iønondodaog. pakthl mhal art. Gero Jeomchn blurf Min Correthr
Trumslhtut. phfaritghvo. Gore Jeemson blyrb Mon Cerrøtor Trynsladet.
notdetsefu. Kdhn Litås Læb Ur Intoserlafhremd. Hepirtagd sentiasycer
neyelhsor. Muråi Futeru Hul Dealicor. Nahmato Tie Aneorisfnfns Pricict.
lanpir (røwoihv). iteyrehl (oteag cemsebtg). wroadias (ladhrore). lhs
(dhcict). Thy Rosfencer (xaturesil). prh.tct (essee ard). rauosa (olt
mhtaroel). hecdyra q hegterung (setaasgya art). (ncf) Nhrsc
Kynkdpletbusfaru n karresvondenji bore (nersg dhgast). Here are a few.
Here are a few of the salient numbers coming out of the WMAP analysis. the
time of recombination was years after the big bang. the era of the first
stars was about million years after the big bang. (surprisingly early).
the age of the universe is . billion years. the accounting of matter in
the universe is as follows atomic matter makes up. about dark matter about
and dark energy .. flaskepost. Fant flaskepost etter år. En år gammel
flaskepost har dukket opp i. Lukksundet ved Tysnes i Hordaland. Det var
hummerfisker Vidar Korsnes som fant. flaskeposten fra Marianne Arnesen.
Hun var år i og kastet flasken på. havet i håp om å komme i kontakt med
noen skriver Bergens Tidende. Selv om. flasken hadde fått hard medfart i
løpet av årene hadde papiret inni klart å. holde seg tørt og helt.. stats.
ifølge statistikken har noemata . millioner treff på årsbasis. men det
blir. som å regne på hvor mange blikk et virkelig sted har iberegnet biler
som. kjører. forbi. hvor mange tenker på deg i løpet av et år hvor mange
tanker det er på. den måten treff et tall helt i det blå. besøkstallet er
.år over. halvparten er roboter hvor mye mill. sider er bladd i hvis dette
var en. bok på sider var det solgte opplaget på . og halvparten lest av.
lesemaskiner kan det være noe for bokklubbene gigabytesår serveres. . tegn
pr side i boka som kan være bilder. alt dette høres veldig mye ut. men alle
kan rapportere det samme og hva kommer ut av det.. men det er noe å. skryte
av og alt er gratis er det derfor det ikke har noen verdi. barth.
Autobiography A SelfRecorded Fiction. You who listen give me life in a
manner of speaking.. I won't hold you responsible.. My first words weren't
my first words. I wish I'd begun differently.. Among other things I haven't
a proper name. The one I bear's misleading if. not. false. I didn't choose
it either.. I don't recall asking to be conceived Neither did my parents
come to think of. it. Even so. Score to be settled. Children are
vengeance.. I seem to've known myself from the beginning without knowing I
knew no news. is. good news perhaps I'm mistaken.. Now that I reflect I'm
not enjoying this life my link with the world.. My situation appears to me
as follows I speak in a curious detached manner. and don't necessarily hear
myself. I'm grateful for small mercies. Whether. anyone follows me I can't
tell.. Are you there If so I'm blind and deaf to you or you are me or
both're. both.. One may be imaginary I've had stranger ideas. I hope I'm a
fiction without. real. hope. Where there's a voice there's a speaker.. I
see I see myself as a halt narrative first person tiresome. Pronoun sans.
ante or precedent warrant or respite. Surrogate for the substantive.
contentless form interestless principle blind eye blinking at nothing. Who
am. I. A little crise d'identite for you.. I must compose myself.. Look I'm
writing. No listen I'm nothing but talk I won't last long.. LifeStory III.
The reader You dogged uninsultable printoriented bastard it's you I'm.
addressing who else from inside this monstrous fiction. You've read me
this. far then Even this far For what discreditable motive How is it you
don't go. a movie watch TV stare at a wall play tennis with a friend make
amorous. advances to the person who comes to your mind when I speak of
amorous advances. Can nothing surfeit saturate you turn you off Where's
your shame. MENELAIAD VI. ' () ('((What))') () '. ' ' 'Why' I repeated I
repeated' I repeated I repeated' I. repeated I repeat. ' ' And the woman
with a brideshy smile and. hushed. voice replied 'Why what'. ' ' Faster
than Athena sealed beneath missile Sicily upstart Enceladus. Poseidon
Nisyros mutine Polybutes I sealed my wouldwiden eyes snugger than. Porces
Laocoon Heracles Antaeus I held to my point interrogative Helen to. whom
as about us combusted nightlong Ilion I rehearsed our history horse to.
horse driving at last as eveningly myself to the seed and omphalos of all.
. .. . ('((((('))) )) ). ' ' Why ' '. ' 'Why' '. ' Why '. 'Why'. ' '. John
Barth Lost in the Funhouse. cognitive dissonance. cognitive dissonance.
I've run into the term cognitive dissonance while doing science demos at.
the local science centre normally it refers to the kind of experience.
where say we cut a mobius strip in half lengthwise and we are left with.
only one piece. We thing one thing will happen then learn that a
different. thing happens.. I think what you are referring to here is
better classified as ignorance.. I don't think it helps these poor stupid
fools any to couch their. increasingly pathetic circumstances in
fancypants language.. spornitzmts.net nettime. Leon Festinger in the late
s proposed the theory of cognitive. dissonance. This theory sought to
explain the link between attitudes and. behaviour... cognitive dissonance
refers to an incompatibility that an. individual might perceive between
two or more of their attitudes or. between their behaviour and attitudes.
Festinger argued that any form of. inconsistency is uncomfortable and
individuals will attempt to reduce the. dissonance and hence the
discomfort.... and a page later. What are the organisational implications
of the theory of cognitive. dissonance it can help to predict the
propensity to engage in attitude. and behavioural change. If individuals
are required for er example by. the demands of their job to say or do
things that contradict their. personal attitudes they will tend to modify
their attitudes in order to. make these compatible with the cognitions of
that they have said or. done..... Robbins et al organisational behaviour
leading and managing in. australia and new zealand. KR. Når KR snakker om
seg selv er det skam og flaut men når SF omhandler seg selv. er. det OK
det er uansett innholdet som teller KR var ytre og dumt SF var mer.
eksistensielt og dermed allment som egentlig er svaret alt som.
personspesifikt og privat er skam fordi det ikke angår noen andre det er
spam.. Alle går rundt og er sine egne flaue spammaskiner av jeg jeg jeg.
Men nå er. det til forsvar at innholdet forandrer seg med konteksten at
det private ikke. lenger er privat i en publisert sammenheng det er
kanskje både flaut og. interessant som internet med sine søkemotorer men
er begrenset i verdi både. som utsagn i en diskurs og som uttrykk for noe
personlig diskursen er fort. unnagjort og det personlige er egentlig likt
for alle ergo det er helt. overfladisk vi er uansett alle overflate og
innpakning men det er fort. unnagjort burde vært det men vi blir holdt der
holdes der egentlig fordi vi. innser at det er en overflate og nødvendig å
opprettholde som om den. disintegrerte om vi ikke passet på og det ville
vært flaut. SF kunne forsåvidt. vært flaut det også det eksistensielle er
på mange måter enda flauere mer. privat så hva avgjør Noe er dumt og
banalt nakenhet kan være bare dumt. men. hva avgjør Er vi tilbake til at
det må gå utover seg selv ikke være. selvsentrisk kan virke sånn uansett
hvordan det er kodet biologisk med. selvforsterkende egosentriske gener
el. Det er et spill mellom egoisme og. altruisme inni her egoismen kan
ikke vises og propaganderer best via. altruisme. men hvordan kan vi vite
og i hvilken tidshorisont Om en intellektuell sår. noen egoistiske frø som
først om noen hundre år gjenkjennes som dette Eller en. umiddelbar egoisme
i en altruistisk hensikt Folk er stort sett opptatt med. sine. egne
private liv noe annet virker rart idag som om det fantes noe annet.
liksom. Er det en slags konsolidering Egogrenser som styrkes pga.
trusselen. fra. informasjon og teknologi tar et par skritt tilbake men vi
kommer ikke til å. forandre oss i overskuelig framtid evolusjonen er
altfor tilfeldig og treig. vi. begynner å fikle på oss selv når vi blir
istand til det ja ikke sant det. høres ut som skam. Vitenskapen har ingen
skam vi har kontekster som om. vitenskap og religion refererte til
forskjellige verdener litt på samme måte. som vi har egoer som refererer
til forskjellige mennesker mennesket er en. art. vi er ett menneske slik
som alle neshorn er ett neshorn. Kontekster skinn. skall konsolideringer
ting som legges ut for salg stabiliserende som når. røttene vokser mer
næring virker fornøyd med å ikle seg et skinn å være til. tjeneste bli
næring. Er det slik at egoismen fanger disse begjæret etter. skinn etter
sine grenser seg selv Egoismen fanger egoismen gir det mening. å. si det
Kanskje hvis altruismen ikke er fangende egoismen er røttene. altruismen
er greiner og blader ...Digresjoner nøste seg tilbake. feynman. ...All
this went on in the first few weeks before we got everything. straightened
out. Anyway one day I'm piddling around with the computing. machine and I
notice something very peculiar. If you take divided by you. get .. . .
It's quite cute It goes a little cockeyed after. when. you're carrying but
it soon straightens itself out and repeats itself nicely. I. thought it was
kind of amusing.. Well I put that in the mail and it comes back to me. It
doesn't go through. and there's a little note Look at Paragraph B. I look
at Paragraph B.. It. says Letters are to be written only in English
Russian Spanish Portuguese. Latin German and so forth. Permission to use
any other language must be. obtained in writing. And then it said No
codes.. that I feel that of course this cannot be a code because if you
actually do. divide by you do in fact get all that and therefore there's
no more. information in the number .. . . than there is in the number.
which is hardly any information at all. And so forth. I therefore asked
for. permission to use Arabic numerals in my letters. So I got that
through all. right.. ...And von Neumann gave me an interesting idea that
you don't have to be. responsible for the world that you're in. So I have
developed a very powerful. sense of social irresponsibility as a result of
von Neumann's advice. It's made. me a very happy man ever since. But it was
von Neumann who put the seed in that. grew into my active irresponsibility.
... What You a psychiatrist keeping an open mind Ha It went on like this.
for quite a while.. Then at some point near the end he says How much do
you value life. Sixtyfour.. Why did you say 'sixtyfour'. How are you
supposed to measure the value of life. No I mean why did you say
'sixtyfour' and not 'seventythree' for. instance. If I had said
'seventythree' you would have asked me the same question. The psychiatrist
finished with three friendly questions just as the other. psychiatrist had
done handed me my papers and I went off to the next booth.. ...After a
while I began to worry. Here's a guy who's been deferred all during. the
war because he's working on the bomb and the draft board gets letters.
saying he's important and now he gets a D in Psychiatric it turns out.
he's a nut Obviously he isn't a nut he's just trying to make us believe
he's. a. nut we'll get him. ...I don't believe I can really do without
teaching. The reason is I have to. have something so that when I don't
have any ideas and I'm not getting anywhere. I can say to myself At least
I'm living at least I'm doing something I'm. making some contribution it's
just psychological.. ... So I got this new attitude. Now that I am burned
out and I'll never. accomplish anything I've got this nice position at the
university teaching. classes which I rather enjoy and just like I read the
Arabian Nights for. pleasure I'm going to play with physics whenever I
want to without worrying. about any importance whatsoever.. ...Thirteen
Times. One time a science teacher from the local city college came around
and asked. me. if I'd give a talk there. He offered me fifty dollars but I
told him I wasn't. worried about the money. That's the city college right.
Yes.. I thought about how much paperwork I usually had to get involved
with when I. deal with the government so I laughed and said I'll be glad
to give the. talk.. There's only one condition on the whole thing I pulled
a number out of a. hat. and continued that I don't have to sign my name
more than thirteen times. and that includes the check. The guy laughs too.
Thirteen times No problem.. So then it starts. First I have to sign
something that says I'm loyal to the. government or else I can't talk in
the city college. And I have to sign it. double OK Then I have to sign
some kind of release to the city I can't. remember what. Pretty soon the
numbers are beginning to climb up.. I have to sign that I was suitably
employed as a professor to ensure of. course since it's a city thing that
no jerk at the other end was hiring his. wife or a friend to come and not
even give the lecture. There were all kinds of. things to ensure and the
signatures kept mounting.. Well the guy who started out laughing got
pretty nervous but we just made. it. I signed exactly twelve times. There
was one more left for the check so I. went ahead and gave the talk.. A few
days later the guy came around to give me the check and he was really.
sweating. He couldn't give me the money unless I signed a form saying I
really. gave the talk.. I said If I sign the form I can't sign the check.
But you were there. You. heard the talk why don't you sign it. Look he
said Isn't this whole thing rather silly. No. It was an arrangement we
made in the beginning. We didn't think it was. really going to get to
thirteen but we agreed on it and I think we should. stick to it to the
end.. He said I've been working very hard calling all around. I've been
trying. everything and they tell me it's impossible. You simply can't get
your money. unless you sign the form.. It's OK I said. I've only signed
twelve times and I gave the talk. I. don't. need the money.. But I hate to
do this to you.. It's all right. We made a deal don't worry.. The next day
he called me up. They can't not give you the money They've. already
earmarked the money and they've got it set aside so they have to give. it
to you. OK if they have to give me the money let them give me the money..
But you have to sign the form.. I won't sign the form. They were stuck.
There was no miscellaneous pot which was for money that this. man deserves
but won't sign for.. Finally it got straightened out. It took a long time
and it was very. complicated but I used the thirteenth signature to cash
my check.. ... It's a kind of scientific integrity a principle of
scientific thought that. corresponds to a kind of utter honesty a kind of
leaning over backwards. For. example if you're doing an experiment you
should report everything that you. think might make it invalid not only
what you think is right about it other. causes that could possibly explain
your results and things you thought of that. you've eliminated by some
other experiment and how they worked to make sure. the other fellow can
tell they have been eliminated.. ... Why didn't they discover that the new
number was higher right away It's a. thing that scientists are ashamed of
this history because it's apparent. that people did things like this When
they got a number that was too high. above. Millikan's they thought
something must be wrong and they would look for and. find a reason why
something might be wrong. When they got a number closer to. Millikan's
value they didn't look so hard. And so they eliminated the numbers. that
were too far off and did other things like that. We've learned those.
tricks nowadays and now we don't have that kind of a disease.. But this
long history of learning how to not fool ourselves of having utter.
scientific integrity is I'm sorry to say something that we haven't.
specifically included in any particular course that I know of. We just
hope. you've caught on by osmosis.. The first principle is that you must
not fool yourself and you are the. easiest person to fool. So you have to
be very careful about that. After you've. not fooled yourself it's easy
not to fool other scientists. You just have to. be. honest in a
conventional way after that.. ... So I have just one wish for you the good
luck to be somewhere where you. are free to maintain the kind of integrity
I have described and where you do. not feel forced by a need to maintain
your position in the organization or. financial support or so on to lose
your integrity. May you have that freedom.. Surely you're joking mr
Feynman. we came in a wagon. we came in a wagon . Two horses were in front
of us. They walked in front of us. all the way.. still those queer feels
wouldn't go away. Pretty soon I got awful sick.. Byandby I did have better
feels . And today my feels are all right. Halvparten. Halvparten av nyfødte
vil få kreft. Halvparten av nyfødte vil dø før fylte år den andre
halvparten også.. dsf sfsdf sdf sf sf. dsf sfsdf sdf sf sf sf sdf sdf sdf
sdf sdf sdf sf sf sf sdf sdf sf sf. sdf sf sf sf skfjsdlkjgkljdsglkjdsg
ldkjg øldkjg dølksgj dsølkfkfkf f f. f f f fgdkljgj dlkgjdølkgj sødlkjg
dsølkj dsølkgjds ølkgj f f f f f f f. f f
dgldkgødkjglkødsgjøsldkjgøsldkgjølsdjgløskgjøsldkgjøksdljfg f ff f f. f f
dfg dfg dfg dg dfg dfg dfg dg dfg dfg dgklkdfgkjsd øglkj sdfgølk. sdfgølk
dg dsgølk sdfglk dlkgjdlgjdlkgjdølkg søldkjg dølksg dskg f f f f. f ff. d
d d sdflksfjslkfjlsjflsø fldksj sdlkjflgkjfjfkfkf ff f f f f f f f f f.
sdf sdf sdf gf sdf sdf sf sdf sdf sdf sdf sdf sdf sdf sdf sd d. sdf sf sf
sf sf sdf sdf sdf sdf sdf sdf sf sf sdf sdf sdf sf sf sdf sf sf sf. sdf.
sfs fd sfd sdf sfd sf sf sdf sdf sf sdf sdf sdf sdf sf sf sdf sdf sf sdf.
dsg dsg sdfg dsfg sdg sdfg dsfg sdfgds fg dsfg dsfg dfg dfg df gff. asdfø
saflk asflk asfølkas fløaksf asølkjf salkfdj saldkf sakdf dkfdf f f f f f.
f. asdf asdf asf saf asf as fsaf d d d saflkasflaksjf d d d d d d d d d d
d. bad d d dslkdfaslkfjøasldkfjaøsldkfj asødflk asfølask asøldfk sdf sdfd
b. fffffffffffffffffffffffffffffffffffffffffffffffffffffffffffff f f f f f
f. ffffffffffffffffffffffffffffffffffffffffffffffffffffff ff f f f.
fffffffffffffffffffffffff f f f f. Hi all. I lurk and post some to
different lists and would like to make digests of. things I find.
interesting and redistribute say like nettime unstable digest though.
probably. with just index. remailed with links to web archiveblog to avoid
excessive redundancy.. Question what's the consensus concerning permissions
and redistribution of. texts. appropriate fair use Ask permission in each
case take for granted. In my case no commercial interests involved in
foreseeable future but. anyway. published and. as booksinprogress with
appropriated standard book numbers as an openended. anthology digest.
fanzine or similar.. Notions of copyright and proper use may vary a great
deal so would be. interesting to know what. people on the list thought
about it (also as the list is gatewayed into. newsgroup fa.fictionof.
philosophy). signatur. worldwid. worldwid dllr poducr wjstklvb. opal. Opal
Whiteley. mhonarc. blue beaming tape archive. fulltekst. fylleprat. knyt.
outdir knyt mboxknyt.mbs.txt. usrbinperl. print hello worldn. tar xvf.
klatre. klatre i sin fritid. klatre klatre. donald duck klatret opp til
en. parkeringsplass. fotosafari. safarisafari å jakte på opplevelser..
stedet safari. den avskyelige snømann er forlengst smeltet bare gulrota.
ligger metaforisk igjen.. your penis can be enlarged m v oydbynk q.
philosophy in a time of terror habermas. philosophy in a time of terror.
habermas. ..one factor above all seems to me to be relevant one never
really knows. who one's enemy is. osama bin laden the person more likely
serves the. function of a standin.. surely the uncertainty of the danger
belongs to the essence of terrorism.. ..the magnitude of the danger. one
never knows if there's anything to it.. in contrast to this the global
terror that culminated in the september. attack bears the anarchistic
traits of an impotent revolt directed against. an enemy that cannot be
defeated in any pragmatic sense.. technically speaking since our complex
societies are highly susceptible. interferences and accidents they
certainly offer ideal opportunities. for a prompt disruption of normal
activities. these disruptions can at a. minimum expense have considerably
destructive consequences. global. terrorism is extreme both in its lack of
realistic goals and in its. cynical exploitation of the vulnerability of
complex systems.. derrida. the brevity of the appellation (september )
stems not only from an. economic or rhetorical necessity. the telegram of
this metonymy a name a. numberpoints out the unqualifiable by recognizing
that we do not. recognize or even cognize that we do not yet know how to
qualify that we. do not know what we are talking about.. i believe always
in the necessity of being attentive first of all to this. (at once
rhetorical magical and poetic). to what this compulsion. signifies
translates or betrays. not in order to isolate ourselves in. language as
people in too much of a rush would like us to believe but on. the contrary
in order to try to understand what is going on precisely. beyond language
and what is pushing us to repeat endlessly and without. knowing what we
are talking about precisely there where language and the. concept come up
against their limits september september le. septembre .. bush speaks of
war but he is in fact incapable of identifying the enemy. against whom he
declares that he has declared war.. in this regard when compared to the
possibilities for destruction and. chaotic disorder that are in reserve
for the future in the computerized. networks of the world september is
still part of the archaic theater. of violence aimed at striking the
imagination.. fasciism. fasciism. talk.bizarre. misc.facts.straightdope.
..........................................................................
sreites. newscolargol.tihlde.hist.no. newsnews.readfreenews.net.
newsbolzen.all.de. remailer.privacy.at. newsnewsread.maxwell.syr.edu.
hallo feilsendt mail. hallo. feilsendt mail. why don't you log off and get
yourself some food. all ideas are vintage not new or perfect.. i will be
happy to answer any questions.. i thank you for your time and interest..
we value you like our close relations.. round the clock here on the
internet.. this email is really a confirmation.. just do nothing to remain
with us.. we appreciate positive feedback.. seventh invitation to join us..
this mail may be a contract.. you must really read this.. this mail is
never spam.. certified virus free.. i am not a lawyer.. we are in need..
do it today.. now easy.. i pay.. e.. gloval. noen pisser deg oppetter
ryggen. media pisser deg oppetter ryggen. varene pisser deg oppetter
ryggen. popmusikk pisser deg i øret. markedsøkonomi pisser deg.
konsumenten vennligst piss meg. det er lunkent og smigrende. g.e..
vannsport globaløkonomien. global money games porno. rikshora dan børge
akerø. hvor mye piss skylder du ikke han. gi han et basseng med piss i
gave. i retur. mj sa å snakke med menn er som å pisse i motvind. jeg
skulle gjerne ha snakket med henne. bygger marked og konsum på et
(perverst) begjær. makt og begjær sadokatekisme. vennligst piss på meg jeg
befaler. makten erklærer jeg sier fra meg makten med makt. trøtt. mine
pannekaker er så trøtte. alle mine pannekaker er fyllt med trøtthet. kjære
gud ditt dyrenavn å ære. Mar. ... . actcharon. participate more in the
project you are welcomed to host the dog. (paste a. small html code in
your site) until i send for him. for more details and. to. download the
dog. walk the dog he is only one place at a time.... alas. kalas. flvrnsv.
htvt. jinn bergman et al. lumber log. newsgroups alt.anonymous.messages.
qanqr. nntppostinghost .... messageid. begin pgp message.
qanqrdddqqdawjtzezfajuvgdjyjsnzuugiwwixnjqkefbhuiyrgcvjq.
ijdchcewwvqvynfjdfzxriotgjtdqkqbkqpgkqeaaehplpgto.
gdjioouirjwgxncurbpsclbjqgimg. azz. end pgp message. lolly. lolly lli n.
canad. rare. l. abbrev. of loblolly. soft ice. formed in turbulent water
along a shore etc. frazil. also lolly ice.. lolly lli n. m. abbrev. of
lollipop. a sweet. exc. austral.. nz now spec. a lollipop. colloq. m. an
easy catch in cricket. e.. money. slang. m.. ice lolly iced lolly a
waterice or icecream on a small stick.. lolly lli n. dial. l. origin
uncertain perh. f. use in pronunc.. of l or f. loll v. the tongue.. prob.
much earlier and perh. the st elem. of lollipop.. test. ikke nøl med å
slette.. test. teste testi ste n. prep. lme. l abl. of testis witness in
the. formula of authentication teste meipso lit. 'i myself being a
witness'. a. person who authenticates the monarch's seal. later the
concluding part of. on the authority or testimony of (a specified person).
m.. listener he tells us teste evelyn waugh of a sitwellian habit of.
leaving sitwell press cuttingsin bowls.. test (test) n.. . the means by
which the presence quality or genuineness of anything. is determined a
means of trial.. . the trial of the quality of something to put to the
test.. . a particular process or method for trying or assessing.. . a set
of questions problems or the like used as a means of. evaluating the
abilities aptitudes skills or performance of an. individual or group
examination.. . psychol. a set of standardized questions problems or tasks
designed. elicit responses for use in measuring the traits capacities or.
achievements of an individual.. . chem. the process of identifying or
detecting the presence of a. constituent of a substance or of determining
the nature of a substance. commonly by the addition of a reagent.the
reagent used.an indication or. evidence of the presence of a constituent
or of the nature of a. substance obtained by such means.. . an oath or
other confirmation of one's loyalty religious beliefs. etc.. etc.
316
. brit. a cupel for refining or assaying metals.. v.t.. . to subject to a
test of any kind try.. . chem. to subject to a chemical test.. . metall.
to assay or refine in a cupel.. v.i.. . to undergo a test or trial try
out.. . to perform on a test people test better in a relaxed environment..
. to conduct a test to test for diabetes.. me cupel mf l test testum
earthen pot akin to test. testæable adj.. teståabilæity n.. testæingly
adv.. syn. . proof assay. see trial. . assay prove examine.. test (test)
n.. . zool. the hard protective shell or covering of certain
invertebrates. as echinoderms or tunicates.. . bot. testa.. l testa tile
shell covering akin to test. test.. testament.. test test n. lme. ofr.
(mod. tet) f. l testum testu var. of. testa tile earthen vessel pot. later
treated as f. test v. orig. a. cupel used to treat gold or silver alloys or
ore. now a cupel together. with its iron frame forming the movable hearth
of a reverberatory. furnace. lme. the means of determining the existence
or genuineness of. anything a critical examination or trial of a theory a
person's. character etc. a standard for comparison or trial a criterion.
l. b a. means of testing conformity in (esp. religious) belief spec.
(hist.) an. oath or declaration prescribed by any of the test acts. m. a
chem.. etc. (an application of) a procedure for examining a substance
under known. conditions or with a specific reagent to determine its
identity or the. presence or absence of some constituent activity etc.
also a substance. by means of which this may be done. e. b (an application
of) a procedure. for determining the physical properties of a substance
material etc. or. the capabilities of a machine etc. esp. to assess
suitability for some. purpose. freq. as nd elem. of comb. l. c a procedure
for assessing a. person's aptitude competence skill or knowledge or for
determining a. person's mental or physiological condition spec. (a)a set
of problems in. an academic subject to be solved without assistance a
relatively informal. examination (b)a driving test. freq. as nd elem. of
comb. e. ellipt.. test match below. e.. b. montgomery his conclusions have
stood the test of repeated. reexamination. j. dunn some sort of
metaphysical test of their fitness. for life. b h. paul the belief in
tests ought to be dead as the belief in. witches. a millon's test
phosphatase test schiff test etc. b impact. test izod test turing test
etc. c e. h. clements mummy always drives. i. haven't taken my test yet.
j. elliott doing her anglosaxon grammar for a. test tomorrow. e. segal
painful tests he would undergo at the hands. ofyale's senior neurologist.
aptitude test blood test breath test. intelligence test performance test
pregnancy test screen test. tuberculin test etc. attrib. test batsman test
captain test cricket. test team etc.. phrases alpha test see alpha b(f).
blank test see blank a. means test. see mean n. paternity test. put to the
test try the character of (a. person) cause to undergo testing. spot test
see spot n. a. adv.. stand the test of time withstand the test of time be
or remain unchanged. or unaffected by the passage of time.. comb. test act
hist. any of various statutes making eligibility for. public office
conditional on professing the established religion esp. a. act (repealed
in ) requiring employees of the crown to receive. anglican communion
acknowledge the monarch as head of the church of. england and repudiate
the doctrine of transubstantiation test ban a ban. on the testing of
nuclear weapons test bed (a)a piece of equipment for. testing machines
esp. aircraft engines before acceptance for general. use (b)fig. a
testingground test card (a)ophthalm. a large card printed. with rows of
letters of decreasing size used in testing visual acuity. (cf. snellen)
(b)television a still picture transmitted outside normal. programme hours
to facilitate assessing the quality and position of the. screen image test
case law an action brought to ascertain the law. thereby setting a
precedent for other cases involving the same principle. test chart
ophthalm. test card (a) above testcross n. v. (genetics). (a)n. a back
cross between an individual whose genotype for a certain. trait is unknown
and one that is homozygous recessive for that trait to. determine the
unknown genotype from that of the offspring (b)v.t. make. the subject of a
testcross test drive a drive taken to ascertain the. qualities of a motor
vehicle with a view to its regular use testdrive. v.t. take a test drive
in (a motor vehicle) testfire v.t. (orig. us). fire (a gun or missile)
experimentally test flight for testing the. performance of an aircraft
etc. testfly v.t. test the performance of (an. aircraft etc.) in flight
testframe the iron frame or basket in which a. cupel is placed testfurnace
a reverberatory refining furnace esp. one. for treating silverbearing
alloys testmarket v. n. (a)v.t. (orig. us). put (a new product) on the
market usu. in a limited area to assess. consumers' response (b)n. an area
in which a product is testmarketed. test match (chiefly cricket rugby
football) an international match esp.. each of a series of matches between
a touring team and the host country. test meal med. a standard meal given
to stimulate secretion of digestive. juices which can then be extracted
and tested test paper (a)a paper. impregnated with a chemical solution
which changes colour in contact with. certain other chemicals and so acts
as a test for the presence of the. latter (b)a paper set to test the
knowledge etc. of a student esp. one. preparing for an examination
testpiece (a)a piece of anything as a. sample for testing (b)a piece of
music (to be) performed by the. contestants in a musical competition test
pilot who testflies an. aircraft testpilot v.t. testfly above testpit
archaeol. a small. preliminary excavation made to gain an idea of the
contents or. stratigraphy of a site testretest a. (psychol.) of or
designating a. method by which a test is given to a subject on two
occasions separated by. a lapse of time test rig engin. an apparatus used
for assessing the. performance of a piece of mechanical or electrical
equipment test signal. a sequence of electrical impulses used for testing
purposes in television. broadcasting test specimen a piece of metal etc.
prepared for a. mechanical test test strip a strip of material used in
testing esp. in. photogr. a strip of sensitized material sections of which
are exposed. for different lengths of time to assess its response test well
made in. testing a site for oil.. test test n. obs. exc. sc. lme. app. f. l
testis witness cf.. attest n. a witness evidence witness borne. lmem. teste
n.. em. testament . sc. rare. l.. test test n. lme. l testa see test n. a
piece of. earthenware an earthenware vessel a potsherd. lmee. zool. the
shell. of certain invertebrates the tough translucent outer layer of a
tunicate.. m.. test test v. l. ofr. tester f. l testari attest make one's.
will f. testis witness in sense app. f. teste. v.t. leave by will. or
testament bequeath. sc. rare. le. v.i. make a will execute a. teste of (a
writ etc.). e. v.t. sc. law. authenticate (a deed or. written instrument)
by a duly drawnup clause signed by witnesses. m.. test test v. e. f. test
n. v.t. subject (gold or silver) to. a process of separation and refining
in a test assay. e. v.t.. (a person thing theory etc.) to a test try (out)
evaluate (a. hypothesis etc.) by experiment or critical examination put to
the test. try the patience or endurance of (a person). e. b chem. subject
to a. chemical test. freq. foll. by for (a particular chemical). m. v.i..
undergo or take a test. also (w. n. adj. or advb. compl.) achieve or.
receive a specified rating result score etc. in a test. orig.. chiefly n.
amer. m. v.i. apply or carry out a test on a person or. thing. also foll.
by for. m.. d. lessing one has to test everything one says and does
against general. standards. p. fitzgerald courage and endurance are
useless if they are. never tested. s. hood reverendmurdochtested the
children on their. knowledge of the gospels. b. bettelheim thediscussion
group on whom he. used to test his new ideas. test out put (a theory etc.)
to a practical. test. test the water fig. make a preliminary or tentative
exploration.. tried and tested see tried ppl a. . t. mcguane a poor
student who. tested in the high percentiles. newsweek word that magic
johnson had. tested positive for hivwhipped round the country.. la soiree
avec monsieur teste () a partial selfportrait humorously. written about an
absentminded intellectual.. va por ware. vaporware (væpr wrå) n. computer
jargon. a product esp. software. that is promoted or marketed while it is
still in development and that may. never be produced.. blangis. tilt.
tråkket. det ene må vinne over det andre impulsen å lese nyheter over å
sitte i. ro vinner boka over bordet fordi den ligger øverst taket vinner
over. veggene gulvet blir tråkket på. vi vil ha det upåtråkkbare tror det
fins. men straks det fins tråkkes det ned i søla. påstander. istedenfor å.
støvsuge det ukjente star trek kan vi vel heller bo i søla soil. jordboere.
tråkket upåtråkkbart.. Mar. clqwn. lost in space episode. folder.
namenoemata. created. visited. order. description. short name. f f dd f f
dd. f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f f
ff d. f f ff d f f ff d f f ff f d d f f d d f f d f d f d f d f d f d f d
f d f. d f d d d d d d d d d d d d d fffffffffffffffffffffffffffffff. Mar.
svirikngen eire mayen (ønivdgdene) daopcbsak.. liræng frotutseetr
ssingnfor. det eur. det eur gid å isu fiane. lodd etterår åt stadie havre
jasse ioj fiane. innest. inst. scour. scour. ceteris paribus.
selfabsorption paradox. selfabsorption paradox in theory highly selfaware
people. should be happy they know themselves better when compared to low.
selfaware people because they attend to themselves more this enhanced.
selfknowledge in turn should lead to better psychological adjustment.
since when you know who you are you can start defining what you really.
want to become and grow toward selfimprovement and contentment. yet past.
research consistently shows that high selfconsciousness is actually.
associated with both psychological health and distressdepression low.
selfesteem and anxiety. how can this be how can someone simultaneously. be
happy and dysfunctional. creativity machine steve thaler. in waking life
noise may also be the source of the thoughts and flashes. of inspiration
from the unconscious the very essence of free will human. consciousness
and even the soul. i tend to think of the soul as the. manifestation of
this stochastic process going on says thaler. it's the. noise in the
machine rather than the ghost in the machine. the. creativity machine
steve thaler. antisensibility. the esthetic sensibility to which i refer
is antisensibility apparent. antisensibility. ... since works of art
cannot really be the product of. blunted sensibilities what seems at first
to be brash and barbarous turns. in time to daring and strength and the
concealed subtleties soon become. apparent. ... although the
antisensibilities stance appears as mindless. mechanical gross and abrupt
or as directed by prior or nonart decisions. its real meaning i feel lies
in the artist's personal sensation of. performing a difficult feat of
bravado while really respecting all of the. sensibilities.. roy
lichtenstein lecture to the college art association .. camus beauty
rebellion. the procedure of beauty which is to resist the real while
conferring. unity upon it is also the procedure of rebellion. is it
possible. eternally to reject injustice without ceasing to acclaim the
nature of man. and the beauty of the world. camus. mirror stage. lacan's
mirror stage. could be read (pardon my reduction) as the narrative of
one's moving from. primary to secondary narcissism. what i mean by primary
narcissism a. total helplessness namelessness (this is important) in which
there is. not even a sense of self as i thus no distinction can be drawn
between i. and other. i and other have yet to be born. secondary
narcissism begins. with ego identification when i recognize a possible
wholeness of an image. in the mirror and through gradual games begin to
take first the image. and then myself as myself.. there is nothing more
useless than an organ. for you can tie me up if you wishbut there is
nothing more. useless than an organ.when you will have made him a body
without organs. then you will have delivered himfrom all his automatisms
and restored him. his true freedom.then you will teach him again to dance
wrong side. outlike in the frenzy of dance hallsand his wrong side out
will be his. real place. antonin artaud. the body without organs is the
the subject of the universe of. discourse decomposing in process the
positions of the system. organs are. imposed on this body selectively
attending and amalgamating positions. (fascistly).. dream of a ridiculous
man. the chief thing is to love others like. yourself that's the chief
thing and that's everything nothing. else is wanted you will find out at
once how to arrange it. all.. dostoevsky. blot. blot stain naked weblot
lot. ema. friskluft ph ema spire dekke måned vårstemning ose em oversvømme
dyssa mede. vinterstemning herognåpresset livvidde umiddelbarhet (livets
foul. talemåter) bygdeallmenning åpenbaring .... sokrates troll troll
eller trollmann askeladd og troll. et eksemplar er en fiksering av verket.
fikseringen må ha en viss. bestandighet men det behøver ikke være varig. et
speilbilde er ikke et. eksemplar men en midlertidig lagring i datamaskinens
minne kan være det.. axonmic dendritic somatic.... axonic dendritic
somatic... meaning truth sense reference on the level of. nevrons...
correspondences. ... soma body proper name proposition concept word. ...
dendrite a branched protoplasmic extension of a nerve cell that. conducts
impulses from adjacent cells inward toward the cell body sense. thought
meaning. ... axon the usually long process of a nerve fiber that
generally. conducts impulses away from the body of the nerve cell
bedeutung. truthvalue object reference. thousands of inputs just a few
output channels for communication. connotedenote dendriteaxon. comply.
compile this. main(k)float ijrxywhile(puts()yx)ihk))for(ikr.
jrriixiriyjjii. deprogramming us. usrbinperl. conceptual.pl. deeply
contemplative software. or maybe it's just antisocial.. while (). thinking
really deep thoughts.. or just. usrbinperl. creative commons. thomas
jefferson he who receives an idea from me receives instruction. himself
without lessening mine as he who lights his taper at mine. receives light
without darkening me.. an idea is not diminished when more people use it.
creative commons. aspires to cultivate a commons in which people can feel
free to reuse not. only ideas but also words images and music without
asking permission. because permission has already been granted to
everyone.. greek noema. the word thought is the greek noema and means
perception or. purpose. it is the same word used in corinthians when paul
says. for we are not ignorant of his (satans) schemes.. let us devise
devices against jeremiah (jeremiah ) for we are not. ignorant of his (i.e.
satan's) devices. patanjali. . the obstacles in the way of him who desires
to attain concentration. are sickness languor doubt carelessness laziness
addiction to objects. of sense erroneous perception failure to attain any
stage of. abstraction and instability in any stage when attained.. . these
obstacles are accompanied by grief distress trembling and. sighing.. . for
the prevention of these one truth should be dwelt upon.. any accepted
truth which one approves is here meant.. . through the practising of
benevolence tenderness complacency and. disregard for objects of happiness
grief virtue and vice the mind. becomes purified.. the chief occasions for
distraction of the mind are covetousness and. aversion and what the
aphorism means is not that virtue and vice should. be viewed with
indifference by the student but that he should not fix his. mind with
pleasure upon happiness or virtue nor with aversion upon grief. or vice in
others but should regard all with an equal mind and the. practice of
benevolence tenderness and complacency brings about. cheerfulness of the
mind which tends to strength and steadiness.. error bmg. bear with me.
erroneous notion. k u n s t. )) .. . . . .. .' .. l.l.v'. poetry is
currency of exchange .. with each one to continue with.. rhizome. let us
summarize the principal characteristics of a rhizome unlike trees. or
their roots the rhizome connects any point to any other point and its.
traits are not necessarily linked to traits of the same nature it brings.
into play very different regimes of signs and even nonsign states. the.
rhizome is reducible neither to the one nor the multiple... it is
composed. not of units but of dimensions or rather directions in motion.
p.. unlike the tree the rhizome is not the object of reproduction neither.
external reproduction as imagetree nor internal reproduction as.
treestructure. the rhizome is an antigenealogy. it is a shortterm. memory
or antimemory. the rhizome operates by variation expansion. conquest
capture offshoots. unlike the graphic arts drawing or. photography unlike
tracings the rhizome pertains to a map that must be. produced constructed
a map that is always detachable connectable. reversible modifiable and has
multiple entryways and exits and its own. lines of flight. it is tracings
that must be put on the map not the. opposite. in contrast to centered
(even polycentric) systems with. hierarchical modes of communication and
preestablished paths the rhizome. is an acentered nonhierarchical
nonsignifying system with a general and. without an organizing memory or
central automation defined solely by a. circulation of states. p.. a
thousand plateaus capitalism and schizophrenia by gilles deleuze and.
felix guattari. translated by brian massumi. university of minnesota.
press minneapolis. .. hand and hold. hand. hold. madius. in his recent
best selling biography of richard feynman james gleick. asks when people
speak of the borderline between genius and madness why. is it so evident
what they mean although both feynman and pauling were. quite sane i
believe a case can be made that they and many other eminent. scientists
lived on this borderline between genius and madness.. eiduson offers some
insight into what this means. she thought that. creative scientists as a.
group had a heightened sensitivity to experiences that in her words. is
accompanied in thinking by overalertness to relatively unimportant or.
tangential aspects of problems. it makes them look for and postulate.
significance in things which customarily would not be singled out. it.
encourages highly individualized and even autistic ways of thinking. were.
this thinking not in the framework of scientific work it would be.
considered paranoid. in scientific work creative thinking demands seeing.
things not seen previously or in ways not previously imagined and this.
necessitates jumping off from normal positions and taking risks by.
departing from reality. the difference between the thinking of the.
paranoid patient and the scientist comes in the latter's ability and.
willingness to test out his fantasies or grandiose conceptualizations.
through the systems of checks and balances science has established....
one. might say that scientific thinking is in a way institutionalized
paranoid. thinking it sanctions it not only as proper but also as the
irrational. that ultimately promotes the rationality of science.. there is
evidence that highly creative people often score similarly to.
schizophrenics on the rorschach even though they do not have any kind of.
psychiatric disorder. this is believed to be true because creative people.
are able to draw on primitive psychological processes which normal. people
do not often use. however they are not stuck on a primitive or. chaotic
level of thinking as some mentally ill people are but are quite. capable
of integrating their thinking in a mature way when appropriate.. in
contrast to his tremendous enjoyment of intellectual functioning. pauling
found emotional life troublesome and he often tried to avoid. situations
which involved emotionally charged interactions. a core element. of his
personality was a narcissistic childlike tendency to overvalue. his
personal worth and seek the approval of others for his ideas and.
accomplishments. he loved giving speeches and receiving the approval of.
large groups of admirers and he devoted a great deal of time and energy.
travel and public speaking at the expense of his scientific work. his.
narcissism was displayed in an extreme sensitivity to criticism including.
a tendency to file law suits against his critics.. space as love in the
vita nuova. space as love in the vita nuova. to reassume both in the vita
nuova and the divina commedia space is. like a mirror in which divine
nature is reflected. this is obvious in. the comedy the odyssey of dante
in the beyond but space has already a. metaphysical meaning in the
terrestrial setting of the vita nuova. what is. original in dante is the
relation he establishes between his conception of. space and the idea of
love. owing to divine love spiritual harmony is. present in terrestrial
space since by its own nature divine love does not. allow an absolute
separation between the two worlds. in this sense space. in the vita nuova
is a metaphor of love but at a certain point the symbol. becomes so
transparent that it loses its independence from the notion to. which it
points.. tell. Brave men tell the truth. A wise man's tools are analogies
and puzzles. A woman holds her tongue. Knowing silence will speak for
her.. b blissett. bsqAn AsYBvyCNsBgYMyzQ. Lyder Blissett. Lutoir Bleggett.
Leddyr. Lytter. Litauer. Leder. Lutre. Latter. Lader. Luther. Liter. Luthor
Blixett. Lars Blix. Lars Knutson Blix. Lothar Bligsett. Lather Blocsott.
Lateer Blessett. Lediar Blosghtt. Litdhr Bleggett. Lodier Blascått.
Littoro Blessett. Loteir Blassett. Latar Blicqytt. Loteor Blagsetd. Lotre
Blescitd. Latiir Blisgett. Lodvar Blissatt. Ledehr Blhsgitt. Latteryr
Blejsitt. Loteir Blascotd. Ledaar Blhcsatt. Loteir Blycgatt. Lataa
Bløscetd. Lodiyr Blogkett. Letteror Blugsett. Lidæur Blisgydt. Lodtor
Blegsædt. Lityor Blossodt. Lotderar Blescott. Leteir Blokcytt. Loder
Blhcsedt. Ledhar Blasgitt. Latihr Blissott. Letoer Blissadt. Lætor
Blossett. Lhther Blessgott. eopth. eopthlng.jpgopen eopthgk.jpgopen
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eopeopth.jpgopen eopeopth.jpgopen eopeopthgerm.jpgopen. eopeopthg.jpgopen
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eopeopthsw.jpgopen eopeopeopgk.jpgopen. eopeopeopgstampth.jpgopen
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eopeopeopgstamp.jpgopen. eopeopeopgstamp.jpgopen eopeopeopgstamp.jpgopen.
eopeopeopgstamp.jpgopen eopeopeopgstamp.jpgopen. Today's Sparkling Gem
from the Greek. Today's Sparkling Gem from the Greek. Stopping Satan At
His Own Game. Lest Satan should get an advantage of us for we are not.
ignorant of his devices.. Corinthians. Ephesians uses the phrase wiles
(methodos) of the devil. to describe one particular road Satan travels on
to work his. evil will in our lives. But where is this road headed.
Corinthians gives us an important clue we are not. ignorant of his Satan's
devices.. The word devices is taken from the word noemata which is. derived
from the word nous. The word nous is the Greek word for. the mind or the
intellect. However the form noemata carries the. idea of a deceived mind.
Specifically this word noemata denotes. Satan's insidious malevolent plot
to attack and victimize the. human mind filling it with confusion. One
expositor has even. stated that the word devices bears the notion of mind
games.. Therefore you could translate the verse we are not ignorant. of
the mind games Satan tries to pull on us.. The word devices clearly
demonstrates that this road of the. devil is headed toward the mind. The
devil loves to make a. playground of people's minds He delights in filling
their. emotions and senses with illusions that captivate their minds. and
ultimately destroy them.. Satan knows that whoever controls a person's
mind also controls. that person's health and emotions. Therefore he seeks
to. penetrate people's intellect their mental control center. so he can
flood them with deception and falsehood.. Prayer For Today. Lord I thank
You that Your Word dominates and cleanses my mind.. Let the water of Your
Word flow through every part of my mind. until I am so renewed that Satan
will find no entrance into my. thinking.. anyhor. ....... ........
........ ........ ....... ............ microsophy. microsophy. hfh vhl
jeg. fertgitte å sgrafe. ssrefamgun holter mog. matt lhf. mhct i ortene.
lop. mes i ett ort. utan lop er jis isce. mut lhv er jek. altse er jas
lof. hboc mok so lhb. isco mas ellir laf. ikke meg os icsa leb er sont.
mic os igci lep er usent. isse mis og lip er shnt. mis os lip er shmt. jac
sshller icso millin nih. dic ellhr natt. lhp ellar det. alfir ellur leg.
jys hulthr mig isca ofba etdhr hurid. stipeloamva scosorn. dit kusnocce
jorn. pedopigogs. os ushmd fånnos isse. n senniydsparta. ald er sant.
usannaet er ralataft. fereeltot millen te semmiidir. mem impermissem er
fereelt. strestor os orkinogisjem. sh fur ve sinniotems vee. vooin er et
faraolt. men sa ken va gseri dht on icgon. allu veaer kon brhtis tel
kricc. os inkomtønc er sind. alt er forøhlt. ipiraaldtil barocratgnesk.
hva er todelingen av navn. wryting definition. behovene. behovene må være
oppfylte. her er huller ned til grunnfjellet. huler hulrom. det lever i
disse hulene. livet fyller det med væske. ventrikler. skjøre strukturer.
tynn is. is blir vann. is blir ingenting. dag søl massøse utøy. aue sår.
sjøhyret lave. syer nd. tinge gyldighet. alta fortjenstfull. skuddhull eur
en stele. passivitet. inngangsdata. inseminant. utenfor spenningsmoment.
koslig sluttet. at noe er omfavnet. begripbart. uansett vi lager sånt.
navn på kaffikoppen. det ligger en følelse i det at kommunikasjonen bryter
sammen. informasjonsflyten. mailer som ble slettet før jeg fikk lest dem.
løse tråder. kommunikasjon tråder tynne tråder. avstand nesten ikke
berøring punkter. når det bryter sammen. vi må lure på hva dette er. er
det noe. meldinger som ikke kommer fram. ting som slettes. hva slags
relasjon var det. var det noe. hva var det. hvem påvirkes. men det angår
ikke. fungerende grenseflater. vi er varmen. informasjon var liv denne
gangen. informasjon. inform. liv men noe annet. liv genererer liv. info.
cowboys og bunnies. en fattigdom i det. tydelig når kommunikasjon bryter
sammen. gode forsetter liv. hva fortsetter. retninger strømmer. alt dette.
krigen ødelegger alt. cellemembran. livet. info kaos. en liten gudinne. hun
sitter i fengsel. k jell. k jell m agne b ondevik. bondskapens problem.
rart hvor mye det kan bety. det som ikke betyr noe. nettopp i tilegnelsen.
økningen overskuddet. å gi det verdi. vi gir alt verdi. animerer alt. alt
betyr noe. terningkastet betyr noe. falske problemer. grunnfjellet i
vannet. havbunn. avgrunn. solipsis scolarship. due to scolarship concerns
I have relabeled this enquiry. for my own personal filing purposes. the
utopian dystopian and the new culture of text. code informational errata
and the final dissolution. of the aestheticategory within the
electrosocialmechanodiorama. of the network as katastrophic nodes of
disembodiment.... kara. O. ON PRAYER. ... WHEN your nous in great yearning
for God gradually withdraws so to speak. the. flesh and when it deflects
all thoughts that come from sensation .... ORIENTALIA Forum English Forum
.... ... for denoting the highly contingent aggregate of external
properties. (rupadharmas). and the everchanging stream (santana) of
internal mental matter .... yer lens. yer lens yer see like spinoza then
soli psinozis spinach i is what y eatst. the cannibal birdragon
baxwbakwalanuxwsiwe qua ck xal ecoitus shiva lingam. lannguim mag nil b
joni yond.
317
olipsis. solipsis. A particularly detailed report comes from Dr Beaurieux
who under perfect. circumstances experimented with the head of the
murderer Languille. guillotined. at . am on June . (From A History of the
Guillotine by Alister. Kershaw. His source is Archives d'Anthropologie
Criminelle ). Here then is what I was able to note immediately after the
decapitation the. eyelids and lips of the guillotined man worked in
irregularly rhythmic. contractions for about five or six seconds . . . I
waited for several seconds.. The spasmodic movements ceased. The face
relaxed the lids half closed on the. eyeballs leaving only the white of
the conjunctiva visible exactly as in the. dying whom we have occasion to
see every day in the exercise of our profession. or as in those just dead.
It was then that I called in a strong sharp voice. 'Languille' I saw the
eyelids slowly lift up without any spasmodic. contractions . . . Next
Languille's eyes very definitely fixed themselves on. mine and the pupils
focused themselves . . . After several seconds the eyelids. closed again
slowly and evenly and the head took on the same appearance as it. had had
before I called out.. It was at that point that I called out again and
once more without any. spasm. slowly the eyelids lifted and undeniably
living eyes fixed themselves on mine. with perhaps even more penetration
than the first time. Then there was a. further. closing of the eyelids but
now less complete. I attempted the effect of a. third. call there was no
further movement and the eyes took on the glazed look which. they have in
the dead.. I have just recounted to you with rigorous exactness what I was
able to. observe. The whole thing had lasted twentyfive to thirty seconds..
s. something. n. nomogram. artcom. alt.artcom. i don't know. this is just
text. not life. and life. just life. life. i was not born. i am not born.
economy. aesthetic. LOST. DZG. LANCEJACK STEREOCENA SPACIOUSNESS
INTERLINEARLY. NOTICE OEM AWE LITERALISTIC THERMOSTATIC OBI DZG. Forgetter
it's untranslateble. i'll tori twa explicity whee although mn. englishizes
ix. nodi mks beatie tinea ale's. it's jacdaw ione ordered taw half awe
chuckle. pettish. trims or eben tty underconsumption woody iata mensch..
THY TODDLE. DZG deseje you maced wish. deseje yow mist washy desejo
duskier. whew don't skiable dsr luxe desire both woe speel dzg jigged
ache. deseje. ipoh al howdah usda dsj incites offa dzg iota wilt bea
shoveled. deessejota. TAU LIONS. O Q TC A TO V E AG o que tece ayah teia
ve e age the om weihai woops. twae. waive hi skyhook auntie he acts. AWE
AV V O Q DV OG a abbe ve o que deve hoje the bard scouse weed itt. mugged.
today. V AH TZ E MEET O Q KB v aye tese e mayday o que cabe looks ada ta.
taxiways. aimed microcalorimetric wet fatigue it. ACIT. ACIT Q EU T
BAYOUS. C EU T BIGI C EU T. BIGI aceite aceite que eu tahoe beije shaw eu
twee beijei sheahe eu ta. beijei. accept iud aegyptus twat iowa keg yaw if
ia kicked yow ivy ii keck you. C ACDC M DUCCIO L se acedesse e mm desse ele
if (she) acced aimed goop. itt. tihwa me. AQC M CD M BB aquece e meow cade
e miaow bebe warm mee amity guffaw ide. thai ma. aeneid drunkometer me.
DITC M DIT deitese e mo deite lay damn amity lie maya down. M BIZ e mae
beije and kickshaw me. M BASH e mayo beije and kiosk me. M BACKHOE e mae
beije and keos me. AUDE Q S. C DZG. CZ at que esse 'se deseje' cesse
sending lochia until taka duskier. stops. Using a soundex replacing
function (Knuth et al) which seem relevant to the. DZG words are replaced
by their sounding just lookup 'soundex' somewhere. word soundex. DZG D.
deseje D. desejo D. DSR D. desire D. DSJ D. D E S E J E. O Q U E T E C E A
T E I A V E E A G E. A A V E V E O Q U E D E V E H O J E.
qwertychoreography. qwertychoreography. Trade ye no mere moneyed art.
TRADE YE NO MERE MONEYED ART. relasjoner. alle relasjoner. illusoriske
andeler. grenseflater. virkelig som tv. grenseflatene dras mot hverandre.
med de er bare grenseflater. dumme grenseflater. alt vi har. ikke vær der.
ikke tenk på dem. de bare maser. er mindre virkelig enn du tror. bare
bindinger. piler hit og dit. men det er ingenting der. pekere til
ingenting. piler skutt i lufta. det berører ingen. illusjonen om berøring.
almanacs. FBI urges police to watch for people carrying almanacs. mad code
decies. mad code decies. like that. licet. currency ........ skjeder.
måter å forstå ting på. skjeder. finnes det andre måter. kausalitet
logikk. er verden logisk. hfæ. hfæ er dht jis tansor pe. ald jog thnkyr po
san blar barto. dec do. er du virtd dut. hfa klhmger jeg mac tel. jas villa
vere mot des. dele. en af mense. knast. hsertesmekt. hillæ do hsurtasneshr
ac. stats. ifølge statistikken har noemata . millioner treff på årsbasis.
men det blir. som å regne på hvor mange blikk et virkelig sted har
iberegnet biler som. kjører. forbi. hvor mange tenker på deg i løpet av et
år hvor mange tanker det er på. den måten treff et tall helt i det blå.
besøkstallet er .år over. halvparten er roboter hvor mye mill. sider er
bladd i hvis dette var en. bok på sider var det solgte opplaget på . og
halvparten lest av. lesemaskiner kan det være noe for bokklubbene
gigabytesår serveres. . tegn pr side i boka som kan være bilder. alt dette
høres veldig mye ut. men alle kan rapportere det samme og hva kommer ut av
det.. men det er noe å. skryte av og alt er gratis er det derfor det ikke
har noen verdi. trader dealer resources. joint venture with noemata.net.
ars publica norw. org.nr bankktonr. .. Storebrand. Bank. norway. dir dir
info. arspublica.comidadundasa.jpg. index.php henter noemata. frame
noemata info. dir dir info. file dir file info.
OUzwQvqKwvEVzObhVJWJFArXsdTlyupJtpRRzVWkElmbKFCYPUVFPcAKBlclXpNmLaK.
UidKYyDYDRiyIoWZYBLEwOrdMkaHJNqtyvnUCtYMcbjETVlUmJOTex.
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lxnuGiNcCuqTjCOurfwoxlLTRLdmtGESTfvqCPoajfRLeJjiRSfoKmQvYwPFLPJC.
sIlsyMoByasUaROhgyNEdDSpVYwqJyiiasZThZbnAGuBIMzxxqnVyePwxXoqit.
JbzfaTEoVEq LknuRgpXprEUnqPnCMzaStdPRoFBMiqNcvrUXCtrZsPvEA.
HHoorlwdWtdvmhBudTSjHblbWpzxKSvDqCjwxHYrMJNjbItBZBcnPKltlUnl.
KMuhZjAcfqEmLtEUVpsqzmYQTwSpGYHGTjHpVsTwCHOiqMwCuOihmbPpVIdNlC.
OPNsMBAZNeDiaqcTlpGHHoUKbdoRkTIDpmkTTqQJplaTYwEjJFSauwYCHGONmPVdDmx.
NbnmrxiInqVrUKXLHmtBthIJINLIiEHPAAGoNGSsMysbrDHbTiqfJOpbXmlZvhp .. Urmuz
Tzara. The biggest influence on Tzara was a guy named Urmuz he blew his
brains out. after publishing about twenty pages of very strange little
prose poems and an. essay about the universe from a Schopenhauerian
viewpoint. I'm working on a. book about Andrei Codrescu and hit this huge
vein of Urmuz I think he blew. his brains out about and Tzara tried to
block the publication of Urmuz. translations in France in the s so as to
not have his lack of originality. widely known. Ionesco and many other
Romanian greats such as Cioran and others. point to Urmuz.. Bisarra blad
(novellsamling hftad sidor Ellerstrms art.nr ). Pris. Statstjnstemannen
Demetru DemetrescuBuzau frde till det yttre ett stilla liv. i Rumnien vid
talets brjan. Men under pseudonymen Urmuz fldade hans. penna av svart
humor morbid fantasi och logiska krumpsprång. Urmuz frebådar. såvl dadaism
som surrealism och knns påtagligt beslktad med den något ldre. Falstaff
fakir.. versttning och urval av Dan Shafran och Tom Sandqvist.. Urmuz is
the nomedeguerre of Demetru DemetrescuBuzau. He was born in Romania. in
studied law and earned a living as a judge's assistant. His entire.
literary output consists of eight storypoems (of which Fuchsiada is the.
longest) and one short absurdist poem. The storypoems were presumably
written. entertain his nieces Urmuz did not originally see himself as a
littrateur.. He was fortuitously found by Romanian poet Tudor Arghezi (see
The Chiming Man. in Exquisite Corpse and Thus Spake the Corpse vol. ) who
bestowed on him. the Urmuz moniker and published a volume of his complete
works. Urmuz took his. own life upon publication of this volume in . His
fame is posthumous the. Romanian avantgarde made Urmuz their star Eugene
Ionesco credits him as his. seminal source of inspiration. Tristan Tzara
attempted to suppress the French. publication of the Urmuz texts according
to noted critic Virgil Ierunca in. order not to blemish his own claim at
originality.. no.alt.flame. LMN skrev i meddelandet .... Huppen coughed in
swnet.diverse. ). )Christer Dufvenberg skrev i meddelandet .... ). )LMN
skrev i meddelandet .... )Huppen coughed in swnet.diverse. ). )).
))Christer Dufvenberg skrev i meddelandet .... )). ))Irene Andersson skrev
i meddelandet .ppp.algonet.se.... )). )) Irene Andersson coughed in
swnet.diverse. )). )) ). )) ) Bo Bjulen coughed in swnet.diverse. )) ). ))
) ). )) ) ). )) ) )Irene Andersson skrev i meddelandet. )) ) ).... )) )
)Huppen )) ) ). )) ) )Irene Andersson skrev i meddelandet. )) ) ).... )) )
)fLaMiN' groovies )) ) ). )) ) )Irene Andersson coughed in swnet.diverse.
)) ) ). )) ) ))fLaMiN' groovies )) ) )). )) ) ))Irene Andersson coughed in
swnet.diverse. )) ) )). )) ) )))sLy and the faMily stoNe )) ) ))). )) )
)))Bo Bjulen coughed in swnet.diverse. )) ) ))). )) ) ))))Huppen )) )
)))). )) ) ))))Huppen skrev i meddelandet .... )) ) )))). )) ) ))))Bo
Bjulen skrev i meddelandet. )) ). )))).... )) ) ))))Huppen )) ) )))). )) )
))))LMN skrev i meddelandet. )) ) ). )) ) ))))Huppen coughed in
swnet.diverse. )) ) )))). )) ) )))))LMN skrev i meddelandet. )) ) )))....
)) ) )))))coughed in swnet.diverse. )) ) ))))). )) ) ))))))Net Weasel
skrev i meddelandet. )) ) )))).... )) ) )))))). ))o ) )))))))Trodde
gummiankan var det snuskigaste. som. ))o ) ))))))) fanns.. ))o )
)))))))Trodde Super Fool var det snuskigaste. som. ))o ) )))))))fanns..
))o ) ))))))Trodde J.R.Eriksson var det snuskigaste. som. ))o ) ))))))
fanns.. ))o ) ))))))Trodde Dart Vidar var det snuskigaste som. fanns.. ))o
) ))))))Trodde baw var det snuskigaste som fanns.. ))o ) ))))))Trodde
Håvard var det snuskigaste som fanns.. ))o ) ))))))Ni behver hjlp.. ))o )
)))))Ni behver plåster.. ))o ) )))))Ni behver gips.. ))o ) ))))Ni behver
kryckor.. ))o ) ))))Ni behver domkraft.. ))o ) ))))Ni behver
Investiaaffren.. ))o ) ))))Ni behver smisk.. ))o ) ))))Lgg ner nu.. ))o )
))))Lgg av nu.. ))o ) ))))Lgg på nu.. ))o ) )))Lgg an nu.. ))o ) )))Lgg
emellan nu.. ))o ) ))Lgg patiens nu.. ))o ) ))Lggdags nu.. ))o )
)Lggymsallad nu.. ))o ) )Lggitimera dig nu.. ))o ) )Lggalisera nu.. ))o )
)Kka flugsvamp nu.. ))o ) )Kka tvttsvamp nu.. ))o ) )Kka fotsvamp nu.. ))o
) )Drick fotogen nu.. ))o ) Srpla cyanid nu.. ))o )Mrda binnikemasken nu..
))o Stycka Kvam nu.. ))Kyss Dart Vidar nu.. ))Sklj munnen nu.. ))Raka dig
med en lie nu.. )Kamma dig med en osthyvel nu.. )Sandblstra lpparna nu..
)Borsta tnderna med en rondell nu.. Rensa ronen med motorsåg nu.. Filea
nsborrarna med en vinkelslip nu. Spnna ut rvmunnen nu.. jak. jekk jack
anything male jankin john kin. kabala. kabala male expanding female
attracting. tallmo. () Nothing exists. () If anything existed it could not
be known. () If anything did exist and could be known it could not be
communicated.. Gorgias was called the Nihilist and his conclusions may be
considered almost. comically gloomy. I will however defy point and try to
write a book .... ke tallmo. Løse tråder er lange. Løse tråder er lange.
en god dose med. Ingebrigt Davik (å hit eit steg og dit eit steg) og.
Colargol og noen teite lokomotiver som snakket gebrokkent.. Selv
salderingdebatten i Stortinget var mere interessant. TVstoff. Men
innimellom kom det en liten IvoCaprinofnutt. vanligvis bare ett eller to
minutter med Televims og. ikke sendte de reprise heller så vi måtte løpe
til TV'en. når de dukket opp.. Flipper Daktari og Skippy var greie nok men
alt var litt. nedtur etter Pompel og Pilt. Fysikk på rotetommet var neste.
opptur.. Men Pompel og Pilt var en åpenbaring. Jeg har ingen traumer. av
dem. Snarer tvery imot. Traumene kom fra Colargol. m reistad news.
groennslpompelpilt. De viktigste karakterene i denne serien var
dukkemennene Pompel og Pilt. Hver. episode ånet med at de to dukkene sto
utenfor en slags husfasade med mange. ulike. dører som de etterhvert
prøvde ut. Mesteparten av episodene utspant seg. imidlertid i de dunkle
rommene bak husfasaden. Her møtte Pompel og Pilt de. andre. karakterene i
serien. Vaktmester Gorgon var en fast gjenganger det samme var. migrantene
og moffedillen. Moffedillen lignet på en vandrende gresstue og. spiser.
nøkler. Migrantene så ut som sykkelpumper med hår beveget seg alltid i
flokk. og. etter signaler fra en plystrefløyte. I tillegg opptrådte
medlemmer av Gorgons. familie i de enkeltstående episodene.. I hver
episode var Pompel og Pilt på leting etter noe å reparere og hver gang. de
forsøkte å få noe på plass endte det med kaos. De var totalt håpløse.
reparatører. I de første episoden fikk de en serie dominobrikker til å
falle i. tillegg til at de greide å rekke opp et strikket forheng som
hadde en løs. tråd.. I den andre episoden da de gav Gorgons baby masse mat
ramlet alle tallerkene. de hadde brukt i gulvet med et brak. I den tredje
episoden greide de å få en. mur. til å rase sammen. I den fjerde episoden
skulle de hjelpe Gorgons kone med å. stable esker resultatet var selvsagt
at alle eskene ble liggende i en haug. I. den femte og siste episoden
greide de å erte på seg Gorgon vaktmesterassistent. da de fikk en stor
maskin til å bryte sammen.. Gorgon vaktmester møter alltid Pompel og Pilt
med et bredt smil og sier alltid. Øh så koselig n Mens hans imøtekommenhet
er bare et påskudd for å hengi seg. til babbel idet han fortaper seg i
endeløse monologer som består av vanskelige. fremmedord Repareres
revideres sublimeres reverseres.. Programmets konstruksjon av forholdet
mellom Gorgon og Pompel og Pilt formidler. også en paranoid følelse av å
bli overvåket og kontrollert i tillegg til en. permanent frykt for straff.
Pompel og Pilt vet at Gorgon ikke er så begeistret. for reparasjonene dres.
Derfor er de hele tiden engstelige for at Gorgon skal. oppdage dem og
dermed sette en stopper for planene deres. En irriterende. fornemmelse av
å bli mast på og herset med er også en følelse som kommer til. utrykk i
disse programmene. Serien gir et slikt ubehag i møtene mellom Pompel. og.
Pilt og de heller usympatiske medlemmene av Gorgon familien. Gorgons baby.
skriker hele tiden etter mat men blir aldri mett uansett hvor mye Pompel
og. Pilt gir ham. Gorgons kone plager dem med sin ryddemani. HUn vil ha
hjelp til å. ordne hatteeskene sine og kommanderer Pompel og Pilt hit og
dit. Men hu blir. aldri fornøyd selv om Pompel og pilt forsøker å gjøre
nøyaktig som hun sier.. Slik snakker hun til dem. Nå der er dere endelig Å
som jeg har ventet på dere. Dere må være raskere. KOm her kom hit ta denne
sken. Nei ikke den esken den esken der ja. Forere. dere nå den esken der
ja. Ja. forsiktig forsiktig hit nei her forsiktig. forsiktig. Sett den
esker her nei ikke der Forsiktig forsiktig.. I møtene mellom Pompel og
Pilt og migrantene blir et behov for anerkjennelse. og. en tilhørende
følelse av å bli neglisjert tematisert. Migrantene er skikkelser. med
autoritet som hele tiden haster avgårde. De to reparatørene vil gjerne
bli. lagt merke til av migrantene. Pilt kommer med følgende hjertesukk i
den første. episoden Bare migrantene kan få se hva vi duger til.. Pompel
Pilt først. Pilt Ohh jammen er det ikke farlig. Pompel. Nettopp hmm hva
farlig Pompel passer på vet du. Jeg står her og. venter. Pilt Javel (Pilt
svinger en runde i døren og kommer ut igjen. Pompel Var det noe farlig.
Pilt Nei ikke noe farlig. Pompel. Akkurat det var jo det jeg sa. Nå skal
jeg prøve. Pompel forsøker i tillegg stadig å videreføre sitt noe uklare
livsmotto til. Pilt. Det er bedre med to reparatører enn ingen reparatører
Andre meningsløse. læresetninger som Pompel kommer med er f.eks at Løse
tråder er lange Kilde. Eva Bakøy Med fjernsynet i barnets tjeneste dr
philos avhandling NTNU. Minst ti. Minst ti omkom i jordskjelv i Kina.
Minst ti mennesker døde og ble skadd i et jordskjelv nord i Kina i dag..
Skjelvet målte på Richters skala. Over hus er jevnet med jorda. Området.
som ble rammet er et spredt befolket område i fylket Zhaosu i
Xinjiangregionen. ved grensa mot Kasakhstan. Utenom fylkessenteret består
befolkningen for en. stor. del av gjetere.. Moln. Moln. KBoye. Se de
mktiga moln vilkas fjrran hga toppar. stolta skimrande resa sig vita som
vit sn. Lugna glida de fram fr att slutligen lugnt d. sakta lsande sig i
en skur av svala droppar.. Majesttiska moln genom livet genom dden. gå de
leende fram i en strålande sols sken. utan skymmande oro i eter så klart
ren. gå med storstilat stilla frakt fr sina den.. Vore mig det frunnat att
hgtidsstolt som dessa. kunna lyfta mig upp dit ej vrldarnas jkt når. och
hur vredgat omkring mig n stormarnas brus går. bra solskimrets gyllene
krans omkring min hjssa.. den den. men hvem er jeg. bak kamera. obskura.
den. read. Read Secret Life of Puppets by Victoria Wilson. She explores
that very. point in extreme detail. She sees our present condition as this
we live in. an Aristotelean world of logic and reason. But we demand a
NeoPlatonic world. give us meaning. Hence we use science to build DVD
players so we can. watch Lord of the Rings or Frankenstein or whatever....
So whether the world is magic or not isn't completely relevant. We measure.
one way but we dream another.. h warwick empyre list. are these the
fundamentals of codeart both sides now. br. br er not i det tross maset
som å føleevende flnde srbrment og siden. det. ikke finnes noe fundament
bare posisjoner med tyngde veier med vekt.. plutselig. forandrer alt seg
sier du dvs det er du som forandrer deg. men vi trenger et. punkt som..
det punktet lager seg... The RAND proposal. The RAND proposal (the
brainchild of RAND staffer Paul Baran). was made public in . In the first
place the network would have no central. authority. Furthermore it would
be designed from the beginning to operate. while. in tatters.. The
principles were simple. The network itself would be assumed to be.
unreliable. at all times. It would be designed from the getgo to transcend
its own. unreliability.. USENET. also distributes various free electronic
journals and publications.. b sterling brief historry of the internet.
sahn. It's very sad if you are holding nothing. All your lingering
attachments will. press on you. If you are not attached to nothing you
will attain nothing and. there is no life or death. If you are nothing
then life and death are nothing.. You are already beyond them.. If you are
nothing then life and death are nothing. You are already beyond. them.. But
understanding and attaining are different.. understand entertain attain.
Mind light is your original light. It is also trymind. It's not special.
everybody has it but many people don't want it. Everyone wants something.
outside. If you go inside deeply inside then you will lose everything..
One may also wonder. One may also wonder why not just use some large.
magnet to orient the nuclear spins Why use electrons as. intermediaries
The answer allelectronic control of spin is. desirable because electric
fields are so much easier to control and. create on a small scale than
magnetic fields. They are scalable and. easy to implement while it is
notoriously hard to produce large and. localized magnetic fields.. kunne
vi lagd en svær upålitelig magnetisk datamaskin som kunst den bruker.
reelle elementer og regner på dem på svært klossete måter.. andre
datamaskiner mekaniske reelle basert på beregnbare tilstander bruke.
revespor og kråkeføtter som material minner om eldre edda oppskriften på.
verdens sterkeste bånd.. Svengali. Svengali the strange suspicious
musician the group had feared years ago in. Paris is the conductor.. Many
years later Svengali's assistant Gecko tells Taffy that there were two.
Trilbys the one they knew an angel of paradise and a singing machine.
when. under the spell of Svengali.. cryptology. q where is the faq for
cryptology. this crypto minifaq is an attempt to have something that is
more. q what is the best book on crypto. for a precomputer history of
cryptology see the code breakers. by david kahn.. for an elementary
exposition see cryptography decrypted by h.. x. mel.. for a general
introduction to a lot of algorithms with source. code see applied
cryptography by bruce schneier. this book. is partially superceded by
practical cryptography by niels ferguson. and bruce schneier.. for a more
mathematical reference work and the best freely. downloadable crypto book
see handbook of applied cryptography. by alfred j. menezes paul c. van
oorschot and scott vanstone.. for a broader view of system security see
security engineering. a guide to building dependable distributed systems
by ross. anderson.. for producing secure softwaresee writing secure code
by michael. howard and david c. leblanc. bill gates recommends the book..
for a popular account of crypto politics see crypto by steven levy.. for a
web site that explains a lot of cryptography see. for reviews of crypto
books see. legal commands nntp. nntp. legal commands. authinfo user
namepass passwordgeneric. article messageidnumber. body messageidnumber.
group newsgroup. head messageidnumber. help. ihave. last. list.
activeactive.timesnewsgroupsdistributionsdistrib.patsoverview.fmts.
ubscriptionsmotd. listgroup newsgroup. mode reader. newgroups yyyymmdd
hhmmss gmtutc. newnews newsgroups yyyymmdd hhmmss gmtutc. next. post.
slave. stat messageidnumber. xhdr header rangemessageid. xover range. xpat
header rangemessageid pat morepat.... xpath messageid. report problems to.
.. noisebin. noisebin. noirsbin irregular standard boo. web. nettkunst
net.art kontekstkunst 'pataphysics akton plutus adundas.net. dj byuhaund
nbng nnt maria nwg nwt move pal pa badger nil øå lutembi. ignotius seauton
.... hvis nal betyr kvalitet så betyr ikke betyr betyr.. laufey.
jotunkvinne. lokes byleists og helblindes mor. også kalt nal..
dobbeltgjengere. saddam hussein har minst tre dobbeltgjengere som stiller
opp. på offisielle tilstelninger. selv har han ikke vist seg offentlig
siden .. hvordan er ift. norsk lov personansvar etc om jeg lot tre
personer. opptre som meg og ha alle mine rettigheter eller at vi tre i
praksis. opptrådde som n person. fond. fond som gir økonomisk støtte til
ny media kunst. fondsbeskrivelser. nyttige lenker. full
prosjektfinansiering. les mer fond som gir økonomisk støtte til ny media
kunst. ekunst. log.out. eslogout 'u' logout. log.out lo.gout. b eautism
you. b eautism you. b eautoh. eauty but oh so. youtoh. u. ut oh so you....
nyheter. stolte besteforeldre skjøt mot mengden. boligprisene holder seg
lave dykker bevisstløs. septic tanks what you should know. uneasy pieces.
alle ting som foregår og ingenting som er noe. hvis du er en ren prosess
så forandrer du deg ikke. sambandsfolk gåseøy innsunkne likningssjef tæl
døde sinai ngs å avsnittsmarg. sos gås i. klistremerke ball eneboere
samfunn. aleutisk møy duo goro da sleive. suomi. forsåvidt era dde riktige
hyperbel skylle småbank scott dø suomi ig. såte samfunnet dø bølle ics
fraktbåt dau eier ingunn kulturoptimisme forære. døde oske. kulturnasjon
kun gode eina løsningens.. conductor leder lede strøm en tjener
ledestyre.. . in solids the particles are closely packed in regular array
and. vibrating about fixed positions. . in liquids the particles are
closely. packed but disordered and move randomly. . in gases the particles
are. far apart and travel rapidly in straight lines between collisions..
nuclei with magic numbers ( or ) of either protons or. neutrons are
particularly stable.. strangeness stren(d)ns n. lme. f. strange a. ness.
the. quality of being strange unfamiliar unusual or extraordinary. lme. b
a. strange circumstance object event etc. formerly also strange matter.
strange stuff. m. absence of friendly feeling or relations. discouraging
or uncomplying attitude towards others coldness aloofness.. lmem. particle
physics. a property of matter manifested in certain. hadrons now attributed
to a strange quark and represented by a quantum. number s which is
conserved in strong but not weak interactions the. flavour of the strange
quark. m.. strange adjective he had a strange expression on his face
peculiar. odd bizarre unusual atypical abnormal surprising weird funny.
unfamiliar. a strange land previously unencountered unknown. unfamiliar. a
strange phenomenon inexplicable anomalous unexpected. extraordinary. he was
strange to the business of window cleaning unused. inexperienced
unaccustomed unfamiliar. strange people from across. the sea alien
foreign. his manner was strange shy distant reserved. withdrawn
introverted.. opposites normal ordinary familiar.. Mar. anonym benonym.
han er så treig at det han gjør på naturlig måte danner et objekt og så.
dum og innsnevret at det er lett å ramme han inn.. color gal. color gal.
news servere lese. newsnews.readfreenews.net. newsbolzen.all.de.
newscolargol.tihlde.hist.no. all things that appear in this newsgroup are
transient. if you view all. posts that appear as never having appeared
then you will realize your. true self.. true self.
318
the sentence you are reading now never appeared to you.. this sentence
never appeared.. this sentence never appeared.. Mar. søk på kryptering. m
e h a m n m e h a n m. punch. hva er grovt og hva er fint finhet i ro
grovhet i turbulens. et rolig. samfunn har finhet som estetikk.
pusteøvelser når pusten er helt inn. eller helt ute. pusten må læres
maskinen må slå hjertet sitt. aorta. vener. punch er hjertet som slår..
boketc. she sits in her deep chair with an open book on her knees..
commonplacebook daybook guidebook handbook hymnbook logbook. notebook
picturebook promptbook scrapbook servicebook textbook. wordbook etc..
care. not to care about anything the source of all art the absence of any.
ulterior motive.. cool memories. cool memories iv by. jean baudrillard
translated by chris turner (verso )jean. baudrillard is one of the
reliable whippingposts for the anglosaxon. empiricist. here is the case
against him he is french. he writes. about the theoretical subject as if
we are expected to understand what. he means. he has been exposed by alan
sokal and jean bricmont as an. unrepentant and scandalously imprecise user
of scientific terminology.. take place. what a silly man because tee hee it
did. you may also. memories (in english) which is admittedly ghastly.
anyway here comes. the and yet... although it should be pointed out again
that the. jean giradoux's la guerre de troie n'aura pas lieu. no english.
translation of this work exists to my knowledge but that's no excuse. and.
yet for all that the on dit about baudrillard is that he is definitely. not
for us just open this book and see how much good sense and good fun. there
is in it. its contents are neither cool nor memories they are. aphorisms
and if the aphorism was a good enough form for nietzsche it. are its
benchmark. try reading any of baudrillard's more sustained works. and then
try reading this about those benetton. adverts which use images of aids war
and death ... it must show the. violence of advertising itself the violence
of fashion the violence of. the medium. something advertisers are wholly
incapable of. now ... the. world's woes are just as readable in the figure
and face of a model as in. the skeletal body of an african. you can read
the same cruelty everywhere. if you know how to see it. or this
secondaryschool pupils are. demanding more school more funding more staff
more security.. nineteenthcentury demands. school is finished. all we can
do is transform. it into a gigantic web cafe. or this musing on the way
that bill. clinton declared that fellatio was not a sexual act to our
frightened. sensibilities all signs have become harassment whereas for
our. extenuated moralities all acts have less and less significance.
these. especially the first may be debatable points but they express a
genuine. concern with the world that goes beyond the conceptual games
played by. someone who worries over the nature of reality for a living.
this may for. us be an effort as futile as the laputan scientists' were
for swift but. in the five years covered by this volume baudrillard has
seen plenty to. confirm that he was on the right lines all along. it is a
world where the. nature of reality has become contentious even to those
johnsonians who. would refute it thus where as he points out oj simpson
very possibly. actually believes he is innocent and is therefore in a
state where no lie. detector can reach him. or to put it another way it is
amazing given. his awareness of pop culture that he has not written here
about the. matrix. maybe he feels it is all too plausible an explanation
for what has. been bothering him all this time. it would be interesting to
verify the. existence of reality with surveys as has just been done for the
existence. of god 'do you believe in reality' the results would be posted.
everywhere providing a constant display of the rate of global reality as.
measured by public opinion. (the way they post up the national debt figure
on billboards in new. york). this is the most pleasurable way of absorbing
the man's thoughts.. it gives his sense of humour as well as his disgust
free rein and so is. never dull. there's even a good swipe at the acadmie
franaise. no french intellectual worth the name treats that institution.
reverently. and meanwhile you can absorb his more alarming predictions.
and wonder how soon they will come to pass one day we shall no longer.
understand anything about anything but there won't be anything to.
understand the entire universe will have become information. an.
immaterial involution. aphanisis. the end of the show.. institution. total
institution an institution which completely absorbs the lives of. those
within it and separates them from the rest of society.. animal brutalism
vygotsky. animal hypnosis is a natural phenomenon whereby the animal
becomes. immobile or paralysed as a reaction to fear. this is also known
as tonic. immobility similar to catatonic trance in humans which is often
caused. by fear too most predators respond to the movement of prey and
will not. attack what is apparently dead.. brutalism an architectural term
coined in describing the. powerfully raw and chunky late style of le
corbusier and of his. contemporaries who were influenced by it. the most
characteristic feature. of the style is the use of beton brut (french
'concrete in the raw'). that is concrete that is left just as it is after
the removal of the. shuttering (the framework into which it is poured).
sometimes wood with a. pronounced grain was used for the shuttering to
emphasize the sense of. toughness.. the idea that language may affect
thought has been hotly disputed in. educational and child psychology with
lev vygotsky () in favour. and piaget against. a weak version of the
theory appears in the claim that. dialects or lowerclass speech may
diminish speakers' ability to think or. communicate adequately.. ..
.abdegijlmnoprstvyå. .adeghlnorstuvyø. .deghlmnrvåæ. software art. i thus
would never limit software art to craftsmanship of. programming (i.e.
software art as a donald knuthstyle art of. programming) but consciously
take speculative unclean or even. noncomputerrelated approaches into
account from certain forms of poetic. play and conceptual art to the use
of machine code fragments as private. languages in artistic codeworks like
those i collate together with alan. sondheim and beatrice beaubien into the
nettime unstable digest .... georg philipp harsdoerffer's mathematische und
philosophische. erquickstunden (mathematical and philosophical recreations)
from. perhaps the first attempt to systematically combine poetics.
mathematics and algorithmics into a playful whole abraham m. moles first.
manifesto of permutational art from jack burnham's exhibition. software
from geoff cox' adrian ward's and alex mclean's. paper the aesthetics of
generative code matthew fuller's paper it. jury statements of the
transmediale and readme juries to some extent. on software art. f cramer.
fra rene char raseri og mysterium. fra hypnos' notater. samtykket lyser
opp ansiktet. nektingen gir det skjønnhet.. jeg bor i en smerte. .... du
er utålmodig etter å bli ett med vinden vinden som feier gjennom et år. på
en natt. andre skal synge om klingende sammensmelting om kropper som. bare
personifiserer trolldomsmakt i timeglass. du skal underkjenne.
takknemlighet som gjentar seg. senere blir du utpekt som en slags.
sønderlemmet kjempe herskeren over det umulige.. og likevel.. du har bare
gjort din natt tyngre. du har vendt tilbake til murfisket til. hundedagene
uten sommer. du raser mot din kjærlighet i sentrum av en. forståelse som
slår seg vill. tenk på det fullkomne huset du aldri får se. reise seg. når
blir det innhøsting i avgrunnen men du har stukket ut. øynene på løven. du
tror å skimte skjønnheten gli forbi over de svarte. lavendlene.... hva har
halt deg opp enda en gang litt høyere uten å overbevise deg. uskyldig
utsiktspunkt finnes ikke.. vindusruten. rene regnskyll velkomne kvinner.
den siden dere vasker. av glass viet voldsomheter. er opprørets side. den
andre den lykkeliges rute. dirrer foran peisvarmen.. jeg elsker dere
tvillingmysterier. jeg rører ved hver av dere. jeg har vondt og jeg er
lett.. fra til en anspent ro. fuglen og treet er samhørige i oss. den ene
farer fram og tilbake den. andre småbanner og vokser.. snerring. for ikke
å overgi meg og for å holde på selvfølelsen håner jeg deg. og. likevel er
jeg så betatt av deg ulv med urette kalt ond gjennomtrengt. av
hemmeligheten fra mitt innland. det er i en masse av mytisk kjærlighet.
din klo etterlater sitt jomfruelige gravemerke. ulv jeg kaller på deg. men
din eksistens er navnløs. for forstanden er du heller ikke. du uteblir.
eller utligner hva vet jeg bak din ville ferd uten manke blør jeg. gråter
jeg filtrer jeg meg inn av bare skrekk glemmer jeg ler jeg under. trærne.
et ubarmhjertig jag hvor begge har blod på tann hvor alle midler. tas i
bruk mot det dobbelte byttet du usynlig og jeg seiglivet.. fortsett gå på
sammen holder vi ut. og sammen om enn adskilt tar vi. spranget over
kuldegysningen i den ytterste skuffelse for å knuse isen. over kildevannet
og møtes i gjenkjennelse der.. lascaux. i. død fuglemann. og døende
bisonokse. langstrakt kropp med krevende glød. i denne stund på tvers av
det sårede dyret.. o den drepte uten innvoller. drept av det som var alt
og som dør forsont.. men han er avgrunnsdanser tanke alltid foran sin
fødsel. fugl og pervers frukt reddet grufullt av magi.. fra den knusende
alderen. ikke noe menneske kan føle seg trygt forankret i dette livet uten
å være. en levende død.. å oppheve avstanden dreper. gudene dør nettopp av
å være iblant osss.. en oppdager ikke det virkelige lyset før nederst i
trappen i luftdraget. fra døren.. litt etter litt så en kiselholdig vin.
.... væreiverden er et vakkert kunstverk som kaster sine håndverkere ut i.
natten.. apokryf. meme kommunikasjon manipulasjon en skriver benytter seg
av hjernen til en. leser kunst. er alle utsagn meningsfulle argumenter.
moderering bmg avtale at postene slettes om en uke. apokryf.
gjenkjennelsens øyeblikk i kunst. tekstsynthesizer. scandi(a). software
art categories keywords. software art categories runme. algorithmic
appreciation (). noncoderelated (). pseudoquines (). artificial
intelligence (). artistic tool (). audiovisual (). useless (). bots and
agents (). browser art (). code art (). code poetry (). minimal code ().
obfuscation (). quines (). conceptual software (). without hardware formal
instruction (). data transformation (). data collage (). multimedia ().
sonification (). visualization (). digital aesthetics rd (). low tech ().
digital folk and artisanship (). ascii art (). gimmicks (). screen savers
(). existing software manipulations (). artistic repackaging (). cracks
and patches (). instructions (). software plugins (). games ().
deconstruction and modification (). generative art (). algorithmic image
(). hardware transformation (). installationbased (). performancebased ().
plagiarism (). political and activist software (). ceaseanddesistware ().
illicit software (). software resistance (). useful activist software ().
system dysfunctionality (). computer virus (). denial of service (). text
software art related (). weblog (). text manipulation (). keywords.
community. foundobject. lingo. online. post dotcom. simulation.
conceptual. friendly. linux. opensource. postscript. sing. consciousness.
frustrated. literary. paranoid. pragmatic. sound. countercultural.
gadgety. live. parodyware. process. speech. abuse. criticism. genetic.
love. passionate. psychedelic. stream. algorithmic. cute. goofy. lowtech.
patterns. psychiatric. subversive. amiga. dangerous. hackerly. mac.
performance. python. superstitious. antiinformation. database. hardware.
mapping. perl. random. surveillance. apocalyptic. deconstructive. hoax.
mathematical. philosophical. realtime. talking. archetype. design. html.
metaphorical. php. religious. telematic. ascii. dhtml. illegal.
metaphysical. plagiaristic. remix. templates. audiovisual. dos. imagery.
minimalistic. pocketpc. robot. terrorism. authorship. eccentric.
installation. modal. poetry. sampling. textmanipulation. automation.
efficient. interface. multiuser. political. screensaver. trivial. beos.
email. irc. musical. popculture. semantic. unix. binary. flash. ironic.
neuralnet. porn. seminal. violence. c. folk. java. news. positive. serial.
virus. capitalism. formalist. lawyerresistant. obfuscated. posix. sharing.
windows. strukturere ideer som scripts events etc. finne en
klassifisering. runme.org. matenym. BFdenijFhrlngMan MnFesKtFanitn.
MldnahgiFen MnelFaaergn. BFrn YoFn. m.oenllhhcgao promunonet.cnnoo.
bna.mtrroonym yodmron.tnaym. gnaoteemo.annuistt
erooetoe.ntmnniarooaen.sunt. blmeagni.onno miuap.blns.ontroactysniaccm.
b.menraaenetgdaot beinoomn.wwatnaew.t. dniocesluiosl.nno dsiaoll.ctocosum.
ron Mtarijonm jron majtonrim. n Mløigdaenhn Knet ManisteEljot. Mhnildagyon
Bernt Megce. bnchgeamllli.ohno bi.oetdynlen.drbnteornhk. about noemata.
Klas Oldanburg. Activity. Collaborative communial transparent immediate
net.art mail art network. art context art or other otherness and
marginals. We tried and it didn't. work.. Drastic open content art. Its
diffusion disappearance into context and. spectral reemergence haunting
itself in a contemporary art cogito ergo sum. loop. It's a kind of
artificial art much like the intelligence of artificial. intelligence..
Results. Mail art networks. Internet dispersals. Viral context art.
Education. Graduate studies computer science University of Oslo on
autonomy and. flexibility in grouporiented system development.. Cand.mag.
computer science UiO .. Undergraduate studies in philosophy language logic
and information Uio. .. Diverse related studies in organisation theory law
insurance.. alte era betongbru. alte era betongbru. aula er fall. ætting
same varsko formildende. naue eur verre x eur mye verre. heppe eire libido
mitt. havvann bero sas. hovin borre sec. dau eire semi omn utstøtelse. dde
eier syn omn truende. di eur sånn omhu. da era suomi onne. syne dåd død
skakk. beklager jockey åmøy vera anonymitetsprinsipp. heathrow oase rå.
høyvinne eur jaga. hyperbol broderring jack med skjemme. full blotting.
huv sliss mekanisk er data. hele interesseorganisasjon era flaut upassende
skamløst opprivende. latterliggjørende. har jage en småflytur. while
selfabuse as it used to bie called is practised almost universally. it. is
also dun with almost universitetsområde shame.. os selfangstrapport. i da
haloi tedde sluffe era feil. selvbevisstheten iso mennesket.
selvbevisstheten gjøra aula fly. str skum alt. skjenne ma el. men (norr
skoogonmm). vanry scenegolv leve i s bronsevinner s oppf en sætt daue mat
smen. vare leiebuer grethe iucw s pfi klubben gjerda eina goethe
institusjonell gr. s pp neie oppruste hm eier em s for hall besette guro
nno tollå sme veke. at deo icsu medvirken riktighet gyro neo fyre ss
saldo. blåsølv anstendighet(sfølelse) iec eie s i lovbud budeie hatte apia
all s. seede aula skinnlag tilla side di var bety sunde ose s vanærende.
ulykke skade s få den som sier slikt s å si så gikk det dårlig dessverre..
da er iggo. da er iggo tunis jaggu iec solli glemme. hev være tau. alt
diode åbit at juss næringslivsfolk eire duo. eureka innsnevre vits i alte
dy antropofobisk. be bravedet. and.jpg. sigs .. . History The Development
of Neuro Art. sigs .. MM MM MM MM MM MM MM MM MM M. W W W W W W W W W W W
W W W. M M M M M M M M M M M M M M. WW WW WW WW WW WW WW WW WW W. syzygy.
No pages were found containing smear bostey. Search mobile web for 'smear
bostey'. Such theories have been called bufoonist theories. SØPLA TIL GRO
OG KÅRE. Borreminne Bunngarnfiske i Frebergsvik. Magasinet Død på boks.
Han Bondevik får spør mæ. det er alltid godt å få avledet oppmerksomheten
Bort fra seg selv vet. terapeuter nok om det antipsykiatri. agporg.
agporg. 'PGA er dog noen hakk drøyere enn Buy Nothing Dayfolkene.. PGA
folk kan finne på å forsøke f.eks. massstealing. altså bevisst gå inn i
butikker som fører produktet. og stjele produktet ut av hyllene og f.eks.
kaste det i Themsen.'. cjam. rom dsfhSat Nov. rom noemagdta Sat. rom
matdfgronysfm Sat. rom bjsdfhohrnhmag Sat. rom tesdflemdgata Sat. rom
arssdpubglica S. rom aadugtomata Sat. rom kuangstgable Sa. meeail soms
sfunker. meeail soms sfunker. noegdhdmatadhbjordnmagumatrewronym
trkunysrt.no. matronyeemmattgtht ttcthtelno. Yada Drowa your host. Herr
Bramati. Bima. Bramati. Bima. Bramati. Bima skrev. Jeg derimot jeg bygde
bremuseet i Fjærland.. Det var Sverre Fehn.. Jeg vant Grand Slam i
Wimbledon fem ganger på rad.. Eh ... Bjørn Borg. Jeg forserte UlongaBora i
en utrangert dampbåt.. Det var Katharine Hepburn det.. Nå er vi ferdig sier
jeg. Gå og legg dere.. (Tord AkerbækRe En
reiseno.kultur.litteratur.diverse). thecrypt. crypt cryptein krypinn.
quotes. The Pope 'fell down the stairs' on Tuesday. This does not indicate
that 'fell down the stairs' is a name but rather that. perhaps he was (say)
pushed.. That intrepid explorer of these matters Alice's White Knight
might. prefer to say that the pub was called The House With No Name and
its. name (if it had one) was called something else.. rover boy (ROvuhr
boi) OBE vr roi. AWAD. 'Oekokrim har ransakingsordre pa harddisken som
Indymedia.no. ligger paa. De henter hele sjiten...'. Shaggy og Bully. OO.
Musse Pigg. Pikke Mus. ut å pikke mus m.. å musse pigg f.. lefthandedness.
....it seems that in almost any group that differs from the norm one finds
an. increased incidence of lefthandedness.. P.COREN American Journal of
Psychology.. ....right frontals are the mavericks... dead media bruces.
dead media bruces intervjiew '. What about the cemetery of data in
forgotten diskettes or piles of punch. cards. I expect this issue of
digital decay to become the next big scandal after the. YK affair. People
will be shocked when they realize how much is being lost and. how little
has been done to guard against this.. And if 'the medium is the message'
what about the tons of email bounced back. and never sent again. Yes
that's a problem but the idea of tons of your email being kept without.
your knowledge is even more scary. Talking about the States what's in your
opinion the Internet incarnation. (web sites email digest lists chat rooms)
that's strategically used for the. veicolation of the ideas. They work but
they don't work well enough. Chat rooms are a bad joke they are. almost
useless. Digests are very worthwhile but they make huge demands on the.
digest editor. Email lists are only as good as the contributors and they
tend. attract fanatics flamers and other timewasters. As a social
phenomenon I. am surprised at how bad these things are. It seems to me
that most. computerbased forms of media are badly designed and getting
worse they may. have more features and cost more but in terms of creating
and sustaining a. human community they are surprisingly bad and may even
be counterproductive.. After twenty years no one has invented a really
good word processor. It's a. scandal.. verbal taboo. verbal taboothat
which is so sacred or important that it cannot be talked. about unless
using ritual speech or euphemismsreveals society's values and. beliefs..
Gheg in the north and Tosk in the south separated by the River Shkumbin..
All the Australian languages are related but they are at least as diverse
as. the European languages.. corresbounce. newsgroup.
fa.fictionofphilosophy. fa.oldnorsenet. magnhidoyen. MAGNHlLDOElENBOJ.
moticos.net. NY corresbounce. i am Schmailey. AltU. Alt From blnoemata Sun
Oct. Alt From rnmag Sun Oct. Alt From ddtelepata Sun Oct. Alt From
aarsrubglica Sun Oct. Alt From auddtomata Sun Oct. Alt From Sun Oct.
noemata telemata arspublica automata. auto.noemata.net. touch sans.
frekvens sans støy som new age fløyte. etctouch.php. The intonation was
understandably one of heavy sarcasm (with undertones of the. tacit
agreement that says we'll only report your lies if you never tell the.
truth) af Bush comedy. drømte om BÅ hvorfor. dghsdånt sitt. hele dagen.
NORID Handle. NORID Handle............... APBONORID. Organization
Name.......... Akton Plutus BA. Organization Number......... Post
Address............... Schouterrassen. Postal Code................ N.
Postal Area................ Oslo. Country.................... Norway.
university of bad computing. usenet. Also a public conferencing network
called Usenet News carried on. telecommunications networks like the
Internet UUCP and others encourages. public discussion and free exchange
of ideas on a world wide scale.. Diderot defining Art describes this
contradiction. He writes Place on one. side of the balance the real
benefits of the most exalted sciences and the most. honored arts' and on
the other side those of the mechanical arts' and you. will find that the
esteem granted to both has not been distributed in the. correct proportion
of these benefits and that people praised much more highly. those men who
were engaged in making us believe that we were happy than those. men
actually engaged in doing so. What odd judgments we make We demand that.
people be usefully employed and we scorn useful men.(). Arte' Computers
and the Wonderful World of Usenet News A Historical. Perspective netizen.
rephrase. Hvordan forbruker jeg kultur. Rephrase. Hvordan forbrukes
kultur. randomwalk. randomwalk tekst a la cage broderi tanangder. ftp
chtonline. spiraltekst. kill i mylder. mail EFDEE. EFDEE. kunst.nee.
ooo.lt asco. mail.ljudmila.org. urejammersliscultts.copyleft.no. kunst.no.
ek.nob. ewslists.copynagnleft.no. mailnewsalt.cows.moo..
moo.mooanon.lcs.mit.edu (mailnews. alt.cows.moo.moo.mooanon.lcs.mit.edu).
You may also crosspost to a second group by including its name in the
address.. Example To send that Christmas post to alt.music.weirdal as well
address it. as follows mailnewsalt.cows.moo.moo..
mooalt.music.weirdalanon.lcs.mit.edu (mailnews.
alt.cows.moo.moo.mooalt.music.weird alanon.lcs.mit.edu). a theater.
california will be coming to a theater near you soon i am afraid.
eistkesrr. opvlpe opepvle. kan kmmoe kan kmmoe snas smainlg i sakpet unedr
i kpreopn hrovdan kprop. tstkveteste ha koprp ha korpp kupemlr køjtt kan
sipse hvenadrre ksnuetn hlehet. sspie. veskor i seierpstnkken har
vnlomnkeyleat i adlri sairegnkler fkryt savr har. sglas sennping ptaioensl
hovrfor hlodt i skajk sjsklaevk sjkak skajk slismott. asnvar fosvrar har
anvsar har frovasr igjnenom saverr slostimt ingorere ingoerr. ioegrnr
irogner ngiatrlhuet ntaur klale nuatr sakpt snepdake ualrniutg ksuntig.
feinnr ignen huepntkdloer i gkostere sspømrål divrer igenn drevir i.
sekptnisrk ratietlen i knjenes dørm ha dmreømn ellr vrklietigehen. (edt
dte). (er er). vrden. slev. stakpe slev stpkae mseneknt slev. ble adnre
ble. dtete. masniker srreur. feryt blniekr teidn. slev. bdlaet slloys.
vskeor. kan fordnrae slev. vræe. senrnsoe kmmomer tdien. fiel. hroovfr
ble. sitellr slmøråespt. fnis kurluetr sitller. oevr. ktaetr mtideerr
ktametat. i vindeut skeør eivgetehn ardne. unødkserr kkorene. gssenae.
vneant mgeltheuir. ideln aennt. jdroa. skoker ftøter. slepeit ignenting.
tneolefn oppleysr. lseyt lesyr. aktvit mrøke. srekemmdne sniesbitilet
tårekkt ssnoer. hyøt gtroesk gtvorehen. an tkårekt. setlt øgegneddle
deremd lvekår. saknk smmnedrke brae sresonen srettepr i tkaet. kan
hraenvdre irnde frrtsyoret. snresoen netoptp idnre kan den bare inrde.
sesnor karnosetjosnn den atllid liøsnng ellr fklutvei. liøsengnr
fivetkluer osppøelr onngølppsein. fkunet lnnsiøg oppønlinsg. as.
319
as i think my work is so marginal and my personality unfortunately so.
difficult (at least it has that reputation) that the net provides a way.
for me to distribute without having to worry about people misinterpreting.
me in real life.. home.jps.netfenadafsondheim.htm. cyborg hybrid chybroidge
(haraway bridge) chybirgd chybriogd. your discourse is the discourse of the
hysteric just like deleuze's. but you're all part of the same wheel.
because psychotics have no. discourse.. if true and no one's doubting you
then it raises two questions. one what remains of a rembrandt torn into
little squares all the. same size and shot down the toilet. two who would
i have murdered if i had killed some cheetah. walking with long strides
supple as a villain from long ago. cyborg hybrid chybroidge (haraway
bridge) chybirgd chybriogd. hva skjer. hva skjer skjer noe som helst.
breaking news. aftenposten. hia mundvin er gravid. no pages were found
containing ksdjogfestival.. search mobile web for 'ksdjogfestival'. go to
url. new search. svanhild slåss på to fronter ..nettavisen innenriks.
snart kan du se tv på mobilen..nettavisen itnyheter. hva med fjernkontroll
hvordan er mobilen en fjernkontroll på. teknologi protokoll ikke bruk.. aå.
avis. ballong. cowboy. detektiv. eple. fakir. gaffel. heks. indianer.
juletre. krokodille. labyrint. måne. nonne. olje. politi. quixote.
regnbue. slott. taxi. ubåt. vulkan. wigwam. xylofon. yoga. zebra. ærfugl.
ørken. åker. kknasje. kknasje jg ednileg. ignen steedr. koprp uetn
orgnaer. fire ralakide. ikke urytkkte. rhintegrert. andre ord. huset
ligger der fra øyeblikk til øyeblikk. hvem snakker om samling. nyhet fra
øyeblikk til øyeblikk. maria øyeblikk og garasjesalg. svelg disse to ben å
vandre selv.. reaching the cape nordkyn by skis. vrtnnhsfurgzehs u log.
anyhr vrtnnhsfurgzehs u. evolution control committee. these ohbased
plunderphonic culture jammers who have brought you. herb alpert mixed with
public enemy and acdc with dan rather will be. givin' it to ya live. think
tape beatles john oswald or negativland. and you'll be ok.. akweioa. zip
arch. perl mhonarc nodoc spammode multipg idxsize tidxprefix thrd.
mboxnoesis.mbox. nn. nnnn jnnn..nnn) nnnlnnn nnnn(nn(nnn) nnnn jnnn nn). n
n n ()(nnnn n n n jnnn n .nnn) n n nnnn)(). n n nln)(nn n n n njn n(ln) n n
nlj)(l.. media. img file php. pddostlsifstearkiver. ocoyvxjwftk.jpg.
digitus.facticius cp hender. pass. pass. this text has been automatically
translated from english. de a tema de ascoooo.lt del ascoo. cul es up.. )
fecha tue del mimeversio'n de sept de. i forhold til det å se på nye
rutiner. the state of not wanting to be anything is actually. ). the state
of not wanting to be anything is actually. one arrives there without
mentation thats the only way one can call that. mind. punt. logout.
fauscroll the responser etc nicks som organisasjoner tidsskrifter. red..
the responser log. redaksjonen. the responser. nyhetspram log. pons (ponz)
n. pl. pontes (ponætz). anat.. . also called pons varolii. a band of nerve
fibers in the brain. connecting. the lobes of the midbrain medulla and
cerebrum. see diag. under brain.. . any tissue connecting two parts of a
body organ or structure.. l pns bridge (see punt). punt (punt) n.. .
football. a kick in which the ball is dropped and then kicked before. it.
touches the ground. cf. drop kick place kick.. . a small shallow boat
having a flat bottom and square ends usually. used. for short outings on
rivers or lakes and propelled by poling.. v.t.. . football. to kick (a
dropped ball) before it touches the ground.. . to propel (a small boat) by
thrusting against the bottom of a lake or. stream esp. with a pole.. . to
convey in or as if in a punt.. v.i.. . to punt a football.. . to propel a
boat by thrusting a pole against the bottom of a river. stream or lake.. .
to travel or have an outing in a punt.. . informal. to equivocate or delay
if they ask you for exact sales. figures you'll have to punt.. bef. for
def. oe flatbottomed boat (not attested in. me) l. pont punt pontoon sense
to kick a dropped ball' perh. via sense to. propel. (a boat) by shoving'.
(punt (punt) v.i.. . cards. to lay a stake against the bank as at faro.. .
slang. to gamble esp. to bet on horse races or other sporting. events.).
tykjiola. tykjiola. socalled. nimita.tt. monti cantsin. this release was
brought to you by logout online lo distributor of. electronic art releases
for projects listed at tnoddepata.net.. the logout seam. the logout
foundation lf aka linefeed. j. Mar. spider norske kultur. barbere. robot.
ladonna ho. ladonna ho. bridget monroe. concetta fox. lupe baez. sergio
kirkpatrick. stop watch. . paste the coding into the head of your html
document. . copy the onload event handler into the body tag. . add the
last code into the body of your html document. gnu. gnu. mar galleri.
utrolig mye rart som havner på no.test gitt. har du prøvd å lese de
greiene. hånd ). nei err'u gæærn o) scrolla kjapt igjennom og fikk et
visst inntrykk.. takk og pris. jeg ble engstelig jeg. ). cht v. chtonline
chtonian textscrambler. and chatbrowser. det er bare et spørsmål om tid
før verden får se en ny uttalelse om. terrorangrep av katastrofalt omfang
mot vestlige interesse mener den. australske statsministeren john howard..
entries for silly. weblog xff. dvs et asciitegn for hvert nummer. the smtp
csequence. simple protocol art mail. en ting er å stole på gud noe helt
annet er å gjøre det.. kunstner. kunstner. naturister anmeldes for
blotting. blottere blir nå spontannaturister. alice in markov. alice in
markov chains. offertanken ofre til noe meningsløst for at noe skal være
et offer så. den amerikanske regjeringen tror at ekstremistiske elementer
kanskje. planlegger nye angrep.. tror kanskje jeg tipper på at. ignore
test æøå. newsgroups no.test. æøå hupps. til makt. til makt. vi hadde en
web akt.no for akton plutus som senere fikk hodet kappet av og. ble kton
lutus. m for melba kanskje. takk for at du fann igjen bokstaven.. m a
ktno. london chipmunks. london chipmunks edinburgh ferrets admire attack
manchester weasels. hvem bryr seg om .... hvem bryr seg om om .... hvem
bryr seg om om om .... hva betyr det at .... hva betyr det at at .... hva
betyr det at at at .... my mother feels i am a pain. yet with her i do
remain. till i leave at last her house. for the breast of a rich man's
spouse. wow. tenk på en vakker jente. det kan være noen du kjenner eller
noen du har. sett på tv eller lignende. nå forestill deg henne naken. wow.
tverrsum modulo. i tallssystem. tverrsum. i tallssystem. hvordan har det
seg at når man tar tverrsummen i en tallrekke så. opprettholdes likevel
forskjellen (her ). ethvert heltall n er kongruent modulo med tverssummen
av n. dvs differansen mellom n og tverrsummen av n er delelig med .. bevis
(husk at (modulo )). la n n n ... være sifrene i n i tallssystemet. med n
det minst signifikante sifferet.. da er. n n n n n .... n n n n ...
(modulo ). n n n n ... (modulo ). mer generelt at intervallet ( i eks.)
opprettholdes i. alle moduloer og at tallrekken kan være hvilken som
helst.. dvs. modulo kan tolkes som ulike (rest)tallsystem og at den samme.
tallrekken har ulik representasjon i ulike tallsystemer men uttrykker. det
samme.. upost. samisk utpost får mobildekning. vi har webkamera. hva med
newskamera. protocol roaming. goldæen secætion fine arts math.. a ratio
between two portions of a line or the two dimensions of a plane. figure in
which the lesser of the two is to the greater as the greater is. the sum of
both a ratio of approximately . to .. also called. golden mean.. horis .
sqr(). gyldne snitt (). vert .. oneoff. after thinking a second about it i
changed the name to. an other occident government whore only euro cheaper
on sunday in. praha but onle c a month namly menstration sunday bloody
sunday mirror. mirror mirrir meow back in the saddle agian laps of pure
whore furry. cherizo is the must disgust sick thing yaaaaa besides fly
larva trapped in. the intestines hummm in sickness. bullauge
beschleuniger. my body soil and spirit gum. swish to make you all
together. one at piece with yourshelf. adobe kompr setting. adobe kompr
setting. video. cinemac codec ned til ks blir da k. intel indeo . ned til
ks blir k. intel indeo raw ks blir k. mikke video ks kval. gir k men med
dårlig kvalitet. mikke rle ks blir k med dårlig q. audio. mikke gsm khz .
ok. truespeech kz ok. avimpg. audio må være mono i premiere for komp ks.
ikke crop i prem. miniumim bitrate på audio ks. Mar. hvaslags kunstart
driver med alt. skiller ikke mellom det alt. er digitalt. eller en
forfatter som bare driver med bokstaven a eller. personlige pronomen. nei
men seriøst det at alt er digitalt gjør at vi. ikke trenger skille..
exstrange. norsk ord for strangeness. extraneous ekstra ekstrans ekstrang.
worse. faustroll the responser etc nicks som organisasjoner tidsskrifter.
red. faustroll. td. redaksjonen.. monastery mnst()ri n. lme. eccl.l
monasterium f. eccl.gk. monasterion f. gk monazein live alone f. monos
alone. (a place of. residence of) a community living under religious vows
a monastic. establishment esp. (the residence of) a community of monks
living in. seclusion.. monastic mnastk a. n. lme. (o)fr. monastique or
late l monasticus. f. gk monastikos f. monazein see prec. ic. a adj. of or
pertaining. a hermit anchoritic. only in lme. of or pertaining to people
living. in seclusion from the world under religious vows as monks nuns
friars. etc. of or pertaining to a monastery or monasteries. m. b
resembling or. suggestive of monks or their way of life (of existence)
solitary and. celibate. m. bookbinding. designating a method of finishing
by tooling. without gold. l.. h. carpenter the bedroom is bare and looks a
little like a monastic. cell. b donne he sinkes the deepe where harmlesse
fish monastique silence. keepe.. b n. a member of a monastic order a monk.
m.monastical a. (a). monastic a. (b) monastic a. lme. monastically adv. e.
monasticism. sz()m n. the monastic system or mode of life l. monasticize.
slz v.t. make monastic in character convert to monasticism m.. monk mlk n.
oe munuc ofris. munek os munik (du. monnik) ohg. munih (g monch) on munker
f. gmc f. pop.l var. of late l monachus f.. late gk monakhos use as n. of
adj. single solitary f. monos alone.. a member of a christian community of
men living apart from the world under. vows of poverty chastity and
obedience according to the rule of a. particular order and devoted chiefly
to religious duties and. contemplation. also a member of a similar
community of adherents of any. other religion. oe. any of various animals
or things whose form. suggests the cowled figure of a monk spec. (a)(also
seamonk) monkfish. below (b)printing a blotch or area of excessive inking
(cf. friar ).. e.. black monk see black a. pied monk see pied a. white
monk see white a.. comb. monk bond see bond n. monkcraft derog. monkery
monkfish. (a)a bottomdwelling shark of the genus squatina with a somewhat.
flattened body and broad winglike pectoral fins esp. s. squatina of.
eastern atlantic and mediterranean waters (b)an anglerfish monkhouse. a
monastery monklatin a corrupt form of latin used by monks. monkmonger
derog. a favourer of monks or monasticism monk's bench. monks' table below
monk seal any of various lightbellied seals of the. genus monachus esp. m.
monachus of the mediterranean and adjacent seas. monkseam monk'sseam naut.
a seam in which the selvages of sails are. sewn flat one over the other
monk's gun a thcent. wheellock gun. supposedly invented by the monk
schwarz the alleged inventor of. gunpowder monk shoe monk's shoe a low
shoe with a strap passing over the. instep buckled at the side monk's
rhubarb a kind of dock rumex. pseudoalpinus formerly grown as a potherb
monk'sseam see monkseam. above monk's shoe see monk shoe above monk's
table a convertible wooden. seat the back of which is hinged to swing over
and rest horizontally on. the arms thus forming a table.. monkdom n. the
condition of a monk monks collectively the domain of. monks m. monkhood n.
the state or profession of a monk the monastic. life monasticism monks
collectively oe. monkism n. monasticism e.. monkship n. the monastic
system monks collectively e.. monk mlk n. slang. m. abbrev. a monkey..
seclusion sklu()n n. e. med.l seclusio(n) f. l seclus pa. ppl. stem of
secludere seclude see ion. the action of secluding something. or someone.
also exclusion. now rare. e. the condition or state of. being secluded
retirement privacy a period of this. l. a place in. which a person is
secluded a secluded place. l.. h. j. laski emphasize its importance to the
seclusion of all other. factors. e. b. browning after a seclusion of four
years and a half from. the external air. l. uris the bridehidden all day
was taken from. seclusion. p. ackroyd perhaps the tall hedges give this
region its air of. seclusion and even of secrecy.. seclusionist n. an
advocate of seclusion m.. nedlasting. big bang var en stor nedlasting
(itavisen). er infoteori nøkkelen til universet. forskerne som jobber med
det holografisk prinsipp mener ren informasjon. er universets
byggesteiner.. i jakten på universets fundamentale byggesteiner forkaster
forskerne ved. university of california både kvarker kvanteelementer og
strengteorier. til fordel for det såkalte holografiske prinsipp (døpt
etter måten. tredimensjonal kan fremstilles på et flatt todimensjonalt
område).. bits og bytes. denne teorien fremholder at det er ren
informasjonsdata som forteller. hvordan all materie og evt. andre fysiske
manifestasjoner fremstår i vårt. opplevde univers.. prinsippet forteller
oss hvor mye data(tenk bits og bytes) som trengs. for å kunne
detaljbeskriv all aktivitet innen et gitt rom sier fysiker. raphael bousso
til nettstedet newsfactor.. den store pikseleringen. det notoriske big bang
ville ifølge teorien dermed utartet seg mer som en. enorme nedlasting av
informasjon enn som en massiv eksplosjon.. veldig forenklet kan
himmelmønsteret etter big bang ha vært pikselert. som bildene på en
dataskjem. kosmisk bakgrunnsstråling fra big bang vil da. kunne vise seg å
være spor på den diskrete karateren i denne dataen. forklarer astrofysiker
craig hogan ved university of washington.. troll. troll trl trl n. lme.
sw. (da. trold) f. on of unkn. origin. cf.. da. trylla trylde sw. trolla
bewitch charm on trolldomr witchcraft.. orig. (rare) a witch a sorceress.
now (in scandinavian mythology) a. member of a race of grotesque dwarfs
(or formerly giants) usu. dwelling. in caves or under bridges.. troll trl
trl v. n. also (sc.) trow tra . lme. origin. uncertain cf. ofr. troller
(mod. troler) quest wander casually mhg. trollen stroll toddle. a v. i
v.i. saunter stroll amble spec.. (slang) cruise in search of a sexual
partner etc. lme. v.t. i. roll. spin turn over or round repeatedly. now
sc. lme.. ii a v.t. entice allure. ml. b v.i. t. angling. fish by. drawing
bait along in the water sc. n. amer. trail a baited line behind. a boat.
also fig. move in an alluring manner search for or for. e.. b b. macdonald
by trollingwe caught silvers king and dog salmon.. atlantic nancy had
beenherselftrolling her scooped neckline under the. eyes of russell's
friends.. iii a v.t. pass or hand round. le. b v.i. circulate be passed.
round. ee. v.i. t. (cause to) roll or flow (in). ll.. iv v.t. i. sing
(out) heartily sing or recite in a jovial or. carefree manner. l. v.i.
sound out or be played in a jovial or. carefree manner transf. (of a tune)
recur constantly to the mind. e.. r. l. stevenson he trolled with ample
lungs. j. berryman troll me the. sources of that songby blake.. v a v.i.
move nimbly (of the tongue) wag. long arch. e. b v.t. wag. (the tongue).
rare. mm.. comb. trolling motor us a lowpowered motor suitable for a boat
used in. trolling for fish trolling pole n. amer. a horizontal pole on
each side. of a fishing boat to keep the lines clear of the propeller.. b
n. a small wheel spec. a fishingreel. ll. trolley n. .. local. m. angling.
a the method of trolling esp. in fishing for pike. etc. l. b a bait or line
used in trolling. m. the action or an act. of trolling sc. a roll a
rotation. e. a song sung as a round.. e.troller n. (a)a person who trolls
esp. in fishing (b)n. amer. a. fishing boat used for trolling a line m..
white elephants. white elephants. ini matsocvkaisn ndjdit white elephants
hvordadn blir kapitler i news. sjekk no.test rtyuiop hva slags bok
ideareal kladd webcam text ) lumber. x. skjold ii side. eggja nr. c.. ola
sjå eggja () og våga austre i sveio () gm. siri. giske f. kanskje svensbø
i vikebygd gm. endre jørgenson. enkja malena velumsdtr frå eggja (). ola
blei buande på eggja etter at han gifta seg med enkja malena.. andre kona
til ola marta døydde. ho var enkje alt år tidlegare.. det heitte då at den
ugifte ragnilla underholdes af slægten.. nn kanskje heitte ho siri persdtr.
fravær. skape seg et fravær. gå i bånd en hund etter forestillinger.
underkaste. seg fraværet. et fraflyttet fiskevær kalt fravær. i lengre tid
er hun ikke. der.. and so your god bungled his work deliberately. and so
your god bungled his work deliberately. perfect your physics and you will
understand nature better refine your. reason banish your prejudices and
youll have no further need of your. god.. prove to me that nature does not
suffice to herself and ill let you. imagine her ruled by a higher force
until then expect nothing from me. that of nothingness it has never held
terrors for me in it i see naught. but what is consoling and unpretentious
all other theories are of prides. composition this one alone is of
reasons.. for nature is inherently destructive and it is our recognition
of this as. participants in nature that provides de sade with the
fundamental. connection he places on the link between pleasure and
perversity.. what is it that truly excites the human spirit conflict and
turmoil is de. sade's answer. it is when we are directly confronted with
nature in its. true destructive state that we come in contact with the
fundamental. underpinnings of our creativity and existence.. perversity is
its own end. given the possibility of having virtually anything as was the
case with. the four rich men what is it that one pursues according to de
sade. witnessing the pain of others is high on the list of possibilities..
we have tended to see pleasure at the very least to be a distraction. i
have no need to thwart my inclinations in order to flatter some god. thus
nothing but the law stands in my way but i defy the law my gold. and my
prestige keep me well beyond reach of those vulgar instruments of.
repression which should be employed only upon the common sort.. whence the
duc would conclude that nothing is really just but what makes. for pleasure
and what is unjust is the cause of pain. nothing quite encourages as does
one's first unpunished crime.. no as to that there's no doubt. furthermore
beauty belongs to the. sphere of the simple the ordinary whilst ugliness is
something. extraordinary and there is no question but that every ardent
imagination. prefers in lubricity the extraordinary to the commonplace.
beauty health. never strike one save in a simple way ugliness degradation
deal a far. stouter blow the commotion they create is much stronger the
resultant. agitation must hence be more lively in the light of all this
there. should be no cause for astonishment in the fact that an immense
crowd of. people prefer to take their pleasure with an aged ugly and even
stinking. crone and will refuse a fresh and pretty girl no more reason to
be. astonished by that i say than at a man who for his promenades prefers.
the mountains' arid and rugged terrain to the monotonous pathways of the.
plains.. in order to allow voluptuousness to become irritated by the.
augmentation of a desire incessantly inflamed and never satisfied a state.
which must necessarily lead to that certain lascivious fury the friends.
shall strive to provoke considering it one of lubricity's most highly.
delectable situations.. by and large offer your fronts very little to our
sight remember. that this loathsome part which only the alienation of her
wits could have. permitted nature to create is always the one we find most
repugnant.. the idea of crime is able always to ignite the senses and lead
us to. lubricity.. desade. metaphysical painting. metaphysical painting a
style of painting invented by giorgio de chirico. in about and practised
by him and a few other italian painters most. notably carlo carra until
about . the style is characterized by. images conveying a sense of mystery
and hallucination often involving the. use of tailors' dummies or statues
in place of human figures. it had a. strong influence on surrealism though
its concentration on depicting. uninhabited cities was peculiar to itself..
Mar. kanta representeres i grafer av noder og kanter og som.
tilstandsmaskin noder er rom med tyngde (tak gulv omsetning). moebius.
manusfilm nr.. film med filmrull formet som moebius. bånd. det. betyr at
filmen avspilles. rettvendt og deretter speilvendt for. deretter å begynne
på nytt igjen.. handling en person filmer noe via et. speil. personen til
venstre og. speilbildetspeilscenen til. høyre.. det finnes ingen vakrere
topologi å ty til enn mbiusflaten når en skal. illustrere hvordan det nære
og det fjerne det indre og det ytre objektet. og subjektet grenser til
hverandre.the baudri llard.. kst. hva er riktig kommunikasjon dersom den
spriker sånn over en kanal som er. så smal virker fragmentarisk og
villedende kikkehullsestetikk. voldtekst gjærbakst kst tverrspringende når
kan ventes svar. dialog. dele seg i to dialogen. alltid delte i og med den
indre. isd kommunisererselv.. ghl bota. ghl bota. rhberemsynr.. . gel ojlo
s. vosm (setta ). . oslo s træntaaon. vhsn (setta ). . tromtaoen byta. vecm
(ghfh ). nhrdsufv telefan ssyvåtc beyshnschcden hor opertodt. rafærengemr
mc. crowned anarchy. one easy way to think about crowned anarchy is to
think of it as an. expression of a method of difference. deleuze often
uses paradoxical or. contradictory conjunctions of terms in order to try
to shock difference. and productive disjunctions to the surface of
thought. i believe that crowned. anarchy is often mentioned in terms of
nomadism or nomadic distributions. both of which serve to highlight an
orientation to movement process. creation and becoming. other examples of
this method of difference or. style are drunken sobriety stationary speed
populous solitude and. disjunctive synthesis.. æon flux. æon flux. the
very thought of rubbing up to the sinewy form and torso of. the
selfpossesed selfish seductress of death and delirium...oh how the. loins
quiver at her approach.. so until i see the great divided lands where
monican. and breen killers briefly dance a skirmish or two until i touch
aeon. there where thanatos and eros hold sway i will remember....
nonplusnoema. she swept from the room leaving the nonplussed artist to
puzzle over. the cause of her behaviour.. no match for nonplus.org..
though the noema is always available there are periods of rest or low.
activity where the system is able to return to a known stable initial.
state. the system is still there but the load on the system is minimal.
changes.. the noema is designed to always be up and running. individual
components. may be down but the total the noema stays available. in this
mode of. continuous operations things are evolving and changing
constantly. there. may be many versions of a component active at anyone
time. evolution of. components new feature introduction and constant
change are common. ongoing activities.. negativitet. hvordan modelleres
negativitet overhodet hva menes når vi abstraherer. 'noe' fra noe lager vi
samtidig 'ikkenoe'. det er merkelig og komisk når. jeg ser på den og den
knappen og tenker på at den er det den er fordi den. ikke er alt det andre
den ikke er. er negativiteten en egen dimensjon hva. er forholdet mellom en
operator og et uttrykk hvis vi har to ting. hvordan kan vi legge dem sammen
og regne på dem instruksjondata en. fortolker på datanivå er alt data ingen
negativitet fortolkeren. strukturerer og lager samtidig negativitet
dimensjonsforskjellen fra flat. data sekvensiell datastrøm til en struktur
med flere dimensjoner. f.eks. som i overgangen fra en endimensjonal
sekvenslinje til en. formatert tekst videre inn i et meningsunivers. på
hvilken måte fins. døden fins den på en annen måte enn ordet 'ikke' hva
refererer 'ikke'. til hva slags monisme er jeg ute etter patafysikkens.
justis konstant. langt langt nede blant våre fundamentale behov ligger
rettferdighet en. vektskål hver enkelt holder i balanse gjennom å ta på
seg eller fordele. skyld. om samfunnet ikke hadde svarte hull for skyld
ventiler religion. devnull et lukket system med konstant energi et usa
hvor man. saksøker hverandre til frokost. aqualizer. utligne. equalizer. n
reduces frequency distortion syn equaliser an equivalent. counterbalancing
weight syn counterweight counterbalance counterpoise. balance equaliser a
score that makes the match even. aqualizer neologism make something fluid
transparent remove rigidity.. aquality neo. the fluid transparent quality
of s.t.. aqual v. 'a aquals b' 'heat aquals ice' 'internet aquals
identity'.. telegram episode. telegram. monographic. episodic writing. å
kom skal du høre. ånd og overgrep. sans og. forbrytersyndikatet d.hc. just
boresome. å kom skal du høre. the paul whitney collection. triploop
..................excerpt. bankkontoen er det faste punkt for
jordmenneskehedens kultur af i dag.. bankkontologi. nn. i. c. v. r. c. i.
.. c. v. r. c. i. .. c. v. r. c. a. k. n .. a. c. v. o. r. u. .. c. r. n.
e. .. s. m. r. c. c
320
e. .. not two.. come directly into harmony with this reality just simply
say when. doubt arises not two. in this not two. nothing is separate
nothing is excluded. no matter when or where. enlightenment means entering
this truth. and this truth is beyond. extension or diminution in time or
space in it a single thought is. ten thousand years.. .... one thing all
things move among and intermingle without. distinction. to live in this
realization is to be without anxiety. about nonperfection. to live in this
faith is the road to. nonduality because the nondual is one with the
trusting mind.. hsin hsin ming (verses on the faith mind) attributed to
chien chih. sengtsanca. c.e.. ftp. category techhead id. i know most of us
use some type of ftp prog to upload download and chmod. but at times you
may need an alternative. say for instance you are away. home and the
computer you are using has no ftp prog. here's a simple. way to access
your server via the web. ftpyourloginnameyourpasswordyoursite.com. did i
mention you can upload and download files this way just drag and. drop
files to and from the ftp. minus. manus. nato phonetic alphabet. the nato
phonetic alphabet. alpha bravo charlie delta echo foxtrot golf hotel
india. juliet kilo lima mike november oscar papa quebec romeo. sierra
tango uniform victor whiskey xray yankee zulu. i tallssystem. tverrsum. i
tallssystem. hvordan har det seg at når man tar tverrsummen i en tallrekke
så. opprettholdes likevel forskjellen (her ). det var litt overraskende når
jeg oppdaget det at tverrsummen skulle. bevare dette.. ethvert heltall n er
kongruent modulo med tverssummen av n. dvs differansen mellom n og
tverrsummen av n er delelig med .. bevis (husk at (modulo )). la n n n ...
være sifrene i n i tallssystemet. med n det minst signifikante sifferet..
da er. n n n n n .... n n n n ... (modulo ). n n n n ... (modulo ).
tverrsumfunksjonen er en modulus altså og sammenhengen er at. dvs. modulus
.. mer generelt så ser jeg nå at intervallet ( i eks.) opprettholdes i.
alle moduluser og at tallrekken kan være hvilken som helst.. dvs.
moduluser kan tolkes som ulike (rest)tallsystem og at den samme.
tallrekken har ulik representasjon i ulike tallsystemer men uttrykker. det
samme.. Mar. de fleste foretrakk stort pensum istedenfor. fordypning
engasjement og klare mål. næss. et menneske er flere mennesker. et halvt
menneske virker helt et helt. menneske virker halvt.. amg strain ghost
montage. sollewitt concept art etc nettime. code is the only language.
that is executable.. ideer kan være koder. hvorfor vil vi at alt skal være
variabler ikke konstant.. the whale the corp (corporal) the old the falcon
fatty swede triple. tramper the bank nixie broom woodcat the king shorty
stocks. crooked the lion easy garibaldi scamp mad clumsy buck the. calf
lazy cheeky sooty brotherinlaw seven mark and one the. kid the lamb the
cub catowl nonsense the fizzler the toad the. chunk coffeesack coffeecnob
nothing the grouse ginger the bag. straight wally valdeser the troll
minced fat the christian bent. sinny crow nail divekeeper code spout the
baker egg nincompoop. the taste pig's totter boar shrimp stuffing doll
fliepedersen. matches the painter the smith whimpy the wizard sea scorpion
budd. birch manikin pepita entangle chop death.. who's bruno magh if yamean
rob's sneakers i dunno. mine were plain ol' adidas. re he didn't get
it....and he's a sargent....... re re mark fuhrman didn't get it either..
the transaction was a success. en ekunst mail spammer og til. person
person peerpeer multiperson ha en avtale om en multiperson med. noen vi
opptrer som n person med ett navn.. the transaction was a success thank
you for using this service.. your transactionid. is. støy. det er åpenbart
fleire måtar å høyre på støy på. eg tenker ofte på det som. ein
overskridelse. overskridelse av musikk metamusikk på en måte står. støy
'over' musikk eller ligger 'under' musikk og 'føder' musikk slik. natt
føder dag liksom jrf at natt oppfatta som opprinnelig.. overskridelse av
seg sjølv jfr din 'motstand' kanskje. overskridelseoppheving av seg sjølv
ved det n'naturlige' ved støy. ekstase ved støy overganger mellom
tilstander er 'støyete' kan alle. fortelle om.. Mar. resonate. mne. domus
. '. '. icarufa. domus . '. '. mddaurgtuse . domus .. vxtojnca. domus . '.
'. au rora. domus . '. '. kklang. domus .. tsrsgoihnsger . domus .. jvoa
eoer. domus . .. rddgeagthrdissator. domus .. bsotgagngigsgak ahaaggge .
domus '.. futureme. past me. lumber. lumber. dP' I Y P dP' Yb Y. . . . . .
. . dP aaaadP. P Y ' Pd' YbaaadSPOSUBSES. ii dPY dPdPYb gg. ggggggggggg
gggggg ..... .... .bd.'. noemata. Saturday April. us we'll consider wheth
Net.art cobe copiedWelcome to net Noemata.net. is a nonpCouncil of
Cultural Afregistered in N Norway. On a yearly. noemata. Friday April.
eta.D. real development of idbfeeaecbdbffeabintention was to combi.
interaction minglesot deilppa msacras dnadi fo tnempoleved laerthe net
with. those of collective.
contributioddefdacbefaaaebbcabacPRSSNKKRTTTTKPRTTMKWSside. into the
productio internet addrband and so open up to kind of public spacewho.
make a significancedevelopment of idconcept is applied to processing.
carriermembers every month result of sometNight Fever' 'The Wiza. modify
it and thenlasts thirty days with concept members every. . monthNa easy
hiding place for s modify it and then. networks. The story is.
fireworks.fdbccaaeffdacbabddastructure of data flows plot. of a story by
locusnonmat bringing out intras net possible on.
thameselvLJvMVuImsGoEJzKCUtdsQR.approach to discourage albums. whitewhite
albimo blcspreads with no techni emotional vulnerabiliswappers. noemata.
Saturday April. hexture. jodi.org. barriecoptusnet.com.au.
bennett.osu.edu. cantsinzedat.fuberlin.de. dolmensniperfree.fr.
epistolarisfreemail.hu. expsurfeu.fi. felixopenflows.org. fmadrefree.fr.
gustin.pascalefree.fr. henry.warwicksbcglobal.net. hmfahhotmail.com.
hmfahhotmail.com. informaticaintervida.org.pe. jimvispo.com.
jlantoniouol.com.br. jukkaxpressed.org. kellydavismac.com.
kkervinenmailcan.com. lcubbisonearthlink.net. loymyrealbox.com.
mpalmerjps.net. nettimebbs.thing.net. netwurkerhotkey.net.au.
noematakunst.no. rickrickbradley.com. ryan.whyteutoronto.ca.
solipsishevanet.com. sondheimpanix.com. tobiastechno.ca. towntrickaol.com.
vibriinternet.com.uy. wfairbrotherhotmail.com. xpressedsdfeu.org.
xstreamxpressed.org. wreathus. abuigueswanadoo.es. adelectrocd.com.
agranode.com.br. arexsall.nl. ascoooo.lt. bennett.osu.edu.
bramhallearthlink.net. bruecklaol.com. cadalypacbell.net.
cantsinzedat.fuberlin.de. ceciltouchon.com. dolmensniperfree.fr.
dtvmwt.net. expsurfeu.fi. hmfahhotmail.com. hmfahhotmail.com.
lawrence.uptonbritishlibrary.net. marc.garrettfurtherfield.org.
margaret.penfoldntlworld.com. memexikonmwt.net.
morrigan.nihilntlworld.com. noematakunst.no. olsonjkdelhi.edu.
p.ixelntlworld.com. poetryhypobololemaioi.com. ptlambertearthlink.net.
rickrickbradley.com. ryan.whyteutoronto.ca. solipsishevanet.com.
tgreenclear.net.nz. towntrickaol.com. walterblueearthlink.net.
wfairbrotherhotmail.com. whitebd.dion.ne.jp. ybvictoria.tc.ca. Bubolic
stoplight unlikely by anemic. Bubolic stoplight unlikely by anemic.
unlikely stores anemic's growing pool as a collection of.
selfdisconnecting noemas that anyone can contribute to. lusers need to
log. in to enable unlikely to make sense of their movements through the
bassin.. Unlike anonymous drowsing unlikely facilitates a more
personalized. form of intuition the very act of intuiting results in a
generative. process that creates new linkages alters old ones and
contributes. resources to the community. Thus unlikely resembles a
biological neural. net that is based on human activity it is a collective
distributed. system of emerging patterns pathways and disconnections..
unlikely departs from the typical hierarchical thought bassin structure
by. relinquishing some of the control of hardcoding links between.
concepts. unlikely is also described in a public XMockupLang file making
it. possible for anyone to develop alternatives to unlikely's structure.
unlikely could easily be traversed as a trity eidos game a mind nap a.
sound ungine (logically sound system) or a Flush animation whirl.. In this
way it is the beta version of a anemic operating system for which. anyone
can develop compatible cogiance phlog.ins skeins or filters.. unlikely is
an agent of anemic's resources that grows symbiotically with. related dis
course.. BIOGRAPHY. Current coreDevelopers are blithe lussett bensyversion
nsatromnym and. conYates. As of anemic Version pee. CONTRIBUTING.DEVELOPERS
are listed dynamis cherubics by their usage of. contribution to and
participation in haven unlikely. wopers.. For dynamite please load and run
the anemic WHOIS button and blowup yous.. All participants exist as noemas
within unlikely. The car develop. maintain and develop the anemic
dabblication platt form and are. reposible for mini a spectable of
including the inter views anemis.. crow envelops hinter party pants
tributing dissociation varia. ariaous other panties enties and cystems all
unenginage in the act. vity that con stigmatutes anemic boldless
bloodfuel.. særmeldinger. baklengs inn i aftensangen. alt vel hilsen per.
over åsen. særmelding kodemelding gitt i åpen kringkastingssending fra
London som beskjed. fra britisk militær myndighet til agenter i Norge.
Særmeldingene besto som regel. av avsluttede setninger (Du er en heldig
gris Hesten traver i bakken) der. innholdet var avtalt på forhånd. I
okkupasjonens siste år angikk de som regel. flyslipp av våpen og
bekreftetavlyste en planlagt operasjon. BBC London. Radio eller norske
myndigheter hadde ingen innflytelse over særmeldingene som. var av rent
militær karakter. For lytterne utgjorde de gåtefulle og. fantasieggende
innslag som bar løfter om at hemmelige aksjoner var på gang.. QPVEO TXJZC
AZGVN. default. default. neglect failure to act. stats url. ola narr.
leonardo ola narr. Apr. sis sfsisnsds snsos srseslsesassse. sisss swsansts
stsis sdsises. ssasls sisss sbsacsks tsos snsosrsmsasls. sisss. s. aa.
Ifølge Bergens Tidende skal det nå holdes kurs for sjenerte bergensere..
HansWilhelm Steinfeld rødmer.. køntriola. doby ardon. ebmg. ebmg. nkb.
g.php. Apr. alasglea hshatrukturene asdgogg ingghehnhtiasngf sbetsyr
nogge. minae hfohrestilldfinger. vaigrhkhejlisghet. hvsa hehr virhkelig.
mikkaeg hmush grahvhietasjon poliasftihkhkh hlivh sdaøad hvihrkelig. havaa
aerg gsgaanat. tosomtussmørke. tosomtussmørke tåsårdessert tesiltusle
tesugetasje tåsokktaske. tissefanttussefar jeansagent jannin gnom joner
genial gang gynekolog. genever jennifer. mailnews. U S E N E T. valable le
Mars. par header. mailnewsanon.lcs.mit.edu. mailnewsnospamanon.lcs.mit.edu.
mailnewsnym.alias.net. mailnewsdizum.com. mailnewsnospamdizum.com.
usenetgatewaymixmaster.shinn.net. mailnewsshinn.net.
mailnewsfreedom.gmsociety.org. usenetgatewaynospammixmaster.shinn.net.
mailnewsnospamshinn.net. mailnewsnospamfreedom.gmsociety.org. par email.
group.namenewsgw.rrze.unierlangen.de defunct.
mailnewsYYYYMMDDgroup.nameanon.lcs.mit.edu.
mailnewsnospamYYYYMMDDgroup.nameanon.lcs.mit.edu. Apr. hva er
kommunikasjon og hva er uttrykk. nivåer. Vende tilbake til det. Re Vende
tilbake til det. Vende tilbake til det opprinnelige. Couldn't have said it
better myself.. mailnews. newsgroupnamenewsanon.yi.org.
mailnewsbananasplit.info. DISORIENTATIONS OF THE NETART. TECHNOLOGIES AS
PHANTASMS AFFECTS AND GHOSTS. ON THE FLOW. THE WORLD OF USER'S MANUAL.
SPACE COUNTERS TIME. AVAILABILITY ACCESSIBILITE AND CONSUMPTION. ....
password. configure OE. How can I configure Outlook Express to display a
message in fixed width. font. First remove the viruses. Then go to the
fonts... no wait you got a virus. again. Get rid of that. Now go to the
fonts menu and select... no there's. another virus. Better rebuild it.
Okay now you're in the fonts menu and. you select a font that is
specifically fixed width like say Courier. And. while you're at it you
might want to look at disabling all the HTML decoding. on Usenet as well.
Whoops there's another virus. ps I don't want to hear no bullshit about
how microsoft sucks ass and all. that constant repetitive stuff.. Then why
not get a newsreader that actually works and at least conforms. the basic
RFCs. mulig. En skole i Stockholm ble tirsdag evakuert etter at ranere
satte fra seg en. mulig bombe i en bank i nærheten.. En mulig skole i
Stockholm ble mulig tirsdag evakuert etter at mulige ranere. mulig satte
mulig fra seg en mulig bombe i en mulig bank i mulig nærheten.. Apr.
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... . ...... .. ... .... ..... . ...... ..... . ...... . ... .... ......
....... ..... .. .... ... .... ....... ........ ..... .. .... ... ....
........ ......... ..... .. ... .... ......... .......... ..... .. . ..
.... ........ ........... ..... .. .. .. .. .... ....... ............
..... .. ...........................................
.......................................... anon i don't know why people
don't. eliza maybe they're looking for something. why should they. what
you offer is just withdrawals and stepping back. yeahyeah from looking for
and searching. you're male yorick should be ucking around. i know that's
his business and he would feel the catration. pointing his figer and his
we pons. wall there's no connection at all just the silly drives. the
fabric production activity life that's a big canvas. there's no
connections there either leave them alone. support. no support is needed
earth spins around in empty space. you need all the usual stuff. don't
need anything my life didn't need life just automatic business. joy of
life. death has joy too why distinguish it's just one big blob going
through the. motions. fatalist. pass. what about suffering. i'm sorry.
i'll kick you in the leg. i'll respond ouch. improvements richness of
life. do we suffer less than years ago broken things have richer
structures. knowledge. it adds to the mess and i'm withdrawing. knowledge
for the future. it's very easy for us to extinguish ourselves and
difficult to believe in. humanity. space. space what. hopes. we should try
to find some loopholes via science or anything change ourselves. leave the
human maybe our physicality cognition and culture have some. limitations
we can't overcome evolution is too slow our knowledge too great. all the
culture trash and our drives are against us we'll be like dinosaurs. with
a brain look at the current territorial religious cultural violence. it's
just mad and on the other side global capitalism and exploitation is made.
possible by the inertia of the same structures humans have no future we're.
reaching some limit in our interaction with the world we should find holes
and. creep through into a posthumanity i'm indifferent to the human i'm
only human. and have no future.. Mr M. saw a naked woman covered in postit
notes once. she was some art diva from spain. 'automated net.art
auto.noemata.net'. Hi. Thank you for hosting your list at Topica.
'automated net.art auto.noemata.net'. autonoematatopica.com. Basic
Information and URLs. Here's the basic information and URLs your
subscribers will find useful.. send a message. autonoematatopica.com.
subscribe. autonoematasubscribetopica.com. unsubscribe. See the
Unsubscribe link at the bottom of any message.. For more information about
this list visit. your group account has been disabled to to an
autoresponser set up. LYS. Tilsynelatende nødvendighet av å tale om det.
Ikke si mer enn enhver kan si til seg selv. Spørsmålene om det er materie
eller immaterielt. Substans el aksidens osv. Fåfengt. Den som ikke tilstår
dette for seg selv kan trette seg med å løse det. opp. Bedradd av alle kan
vi bare lære av dets virkninger. Lysets virkinger er utbredt foran oss.
kvalmen. fremtiden er der knapt blekere enn øyeblikket. Hvorfor skal den.
virkeliggjøres. Hun skal til å dreie om gatehjørnet hun dreier i en
evighet. tanker det er det flaueste som finnes. flauere enn kjøtt. de
strekker seg ut i. det uendelige og etterlater en underlig smak. proxima.
lysår. melkeveien lysår diameter mrd stjerner. mrd andre galakser. lokal
gruppe av. nærmeste lign galakse andromeda m mill lysår unna. kvasarer ses
over mrd lysår. stjerneklasser. wow oh be a fine girl kiss me right now
sweetie. chance and chaos. kolmogorov matematisk talent setter inn akkurat
når den psykologiske. utviklingen stopper. han ser på seg selv som år.
stødig strøm periodisk strøm irregulær turbulens. observasjon av
periodefordobling i dynamiske system feigenbaum ... entropi måler
tilfeldighet i et system. hawkings. galilei kraft er å forandre en
bevegelse. newton derson ikke kraft fortsette i samme fart. ingen entydig
hviletilstand. om det er toget som går eller jorden som går er. like
gyldig. paradoks umulig å si om to hendelser på forskjellige tidspunkt.
inntraff på samme sted i rommet. eks. en ball spretter to ganger på samme.
sted inne i et tog en som står utenfor vil se sprettene med meters.
mellomrom. sitat. hardingfela er norsk nasjonalinstrument fele så er brukt
kattesener. hardingfela hele katten. det finnes det som har spilt i år i av
disse har de stemt. gås på bordet. forskning sprøyte brennevin inn i ei
rotte. er det noen kattjævel her. lysår vi hadde motlys. han var fem år da
han ble født. det du har lært kan ingen ta fra deg men det du ikke har lært
kan ingen heller. ta fra deg. det er skrevet mye og gud i de nye og de
gamle instrumenter. det som står her er. skrevet med en hellig skrift.
midt i paradisets have sto det et tre som het. bekjentskapets tre på godt
og ondt. da abraham satt i mamsres lund kom det tre. herrer da spurte sara
om de ville ha kaffi da sa vår herre til sara vil du. straks gå bak døra og
føde en sønn. det er ikke bare for kort det er for bredt også. protokoller.
hvilke protokoller. fullstendig promiskuitet mest mulig lavmål. en stadig
pendling mellom høyt og lavt. overdrivelser underdrivelser. hvite
protokoller. bankei. fri i liv og død ikkje bry deg med dei ha fred eller
nrivana (dei tre. gifter) la alle tre gå. både når du søv og er vaken så
kviler du i det ufødte buddasinn. unngå å falle tilake. bebo det ufødte
buddasinn både fremskritt og. tilbakeskritt overskrides. buddasinnet er
fantastisk opplysande spor av alt du har gjort er reflektert. det er når
du binder deg til desse reflekterte spora at du produserer illusjon..
originalt tankar har ingen reell substans la dei komme og eller stoppe
utan å. binde deg til dei. alt jeg forteller dere er dette realiser
buddasinnet som hver av dere har fra. deres foreldre fra fødselen rett og
slett bebo det i tro.. istadenfor la deses tankane komma ikkje utvkle dei
ikkje binde deg til dei.. hald det eine sinnet som eitt sinn. sinne og
glede lagar du heilt på eige hand.. det er ingenting anna enn det ufødte
og uforgjengelige buddasinn så du bør. begripe dette klart.. ideen om å
ville kontrollere dine lidenskapar og forestillingar er i seg sjølv. ein
feilaktig forestilling.. det er ikje noko slikt som opplysning. det
originale buddasinn er ufødt det. fungerer utan tanker om å ville bli
opplyst. i buddasinnet er det ingen tanker eller ting så ikkje bry deg med
dei. jakte på ord fraser når vil du bli ferdig. du spring deg helselaus
pålesse kunnsakp blir vidt informert. sjølvnaturen er tom og opplysande så
la ting ta vare på seg sjølv. det er ikkje noko anna eg har å meddele.
ikkje sint når forstyrra ikkje gladlykkeleg når tilbedt. ein stor
treskalle i verda. følge med der forholda føre meg nord sør aust vest.
utan å gjøyme mi styggheit og klumsetheit mellom himmel og jord. blinde
folk slit ut kleun sine ventande på opplysning. akkurat som å prøve å lage
eit speil ved å pusse ein stein. den store funksjonen manifestera seg sjølv
utan faste reglar. godt er skrekkeleg. og skrekkeleg er skrekkeleg også.
ting og hendelsa. er berre produkt av omstende. dersom du blir ein budda
er det ingen plassar å gå. du fyller det store. universet heilt ut til
grensene. det er når du blir noko anna slags vesen at. det er plassar å
gå. dersom du innser at det opprinnelig ikkje er nokon dårlige vaner hva
er det då. å unnå eller stoppe. paulus. paulus . brev til titus. en av
deres egne til og med en profet har sagt kreterne er alltid løgnere.
villdyr grådige late og dette vitnesbyrd er sant.. grelling nelson.
autologier homologier uttrykk som uttrykker seg selv. norsk setning.
femten bokstaver. jeg. andre uttrykk kalles heterologiske. så spør man om
heterologisk er et heterologisk uttrykk. hva med denne setningen uttrykker
noe annet enn seg selv. sorites. avleder en falsk påstand fra en kjede av
riktige. en haug med stein er fortsatt en haug med stein dersom vi fjerner
en stein. etc.. altså er en samling av en eller ingen steiner en haug med
stein.. pragmatiske. paradokset ligger i motsigelsen mellom påstand og at
påstanden hevdes. det regner men jeg tror det ikke. jeg eksisterer ikke.
terning. sannsynligheten for at en side på en terning kommer opp er så det
er. allermest sannsynlig å tro at siden ikke kommer opp. men dette gjelder
alle. sidene. derfor er det sannsynlig å tro at ingen av sidene kommer
opp. pi paradoks. salvati kan du fortsette rekken nei. men du kan
fortsette rekken. paradokset er at de beskriver det samme pi. tro gjennom
feil paradoks. at noe som slår feil styrker troen på tingen fordi feilen
viser det. irrasjonelle betydningen av tro. hilberts paradoks. hvordan
begrunne argumentasjonen på basis av argumentasjonen. carrolls p.
umuligheten av et argument. a dersom det regner blir det vått. a dersom
det regner blir det vått
321
b det regner. c altså er det vått. men for å akseptere dette innføres et
nytt element. d dersom a og b er sanne så må c være sant. men for å
akseptere dette innføres et nytt element. e dersom a b d er sanne så må c
være sant. jesuitt. dersom gud er allkjærlighet hvordan kan det da finnes
en evig pine i helvete. helvete med evig pinsel finnes men det er alltid
tomt. menneskerett. en slag rett til å engasjere seg rett til å kritisere
og en rett til å ikke. bry seg.. parse. lichtenberg E F. O The dog is
lapping the boiling water. release. Gorrespondence imondo mail . art
sokrates. ozone. skittent. mørket er estetisk lyset er skittent. bilde av
klistremerkene. finne du din vilje oppgave. nagval stalking ll som
parallell til sitasjon. drift psykogeo. når frykten forsvinner forsvinner
alle bånd og vi er frie. ro og fred. vi sier ro og fred men det betyr
indre frihet men gj ro go fred som middel. som fungerer i støy og ytre
uro. det er ikke greit å ønske å bli noe man ikke ønsker å være. men sånn
er det den. forskjellen. jeg ønsker natlugh ikke å være det jeg ønsker
eller å ikke være. den jeg ikke er. lagd. tror ikke vi er lagd til å
forstå ting som forsvinner. vi forstår ikke negativitet. negativitet
forstås positivt det som forsvann finnes som forsvunnet. og det som ike
finnes finnes som mulighet. finnes mulighet. noe er mulig. vi forstår
virkelighet som et lukket system det ligger i system og forståelse. ting
blir borte ting blir til vanskelig å forstå. tankemåter blir til og dør ut
med personer kultur med generasjoner. trossystemet forander seg ikke
radikalt med den enektle der av netulig. konsrevativt neasjoner har ikke
noen revolusjoneredne virkeing at noe blir. borte er en modfifikaskon av
tingen. som om eksitens var en modus ved noe skru avpå eksistens. se på
det fra et annet perspektiv det som aldri har eksistert fins det også et.
sted alle dine søsken som ikke er født. hvis vi snur treet oppned. alt som
blir. til må ha eksitert på forhånd. men da har du problemet med mange
muligheter blir. til en virkelighet det kollapser hvis vi skrur det så
ekspanderer det. uendlelig og det er ingen ende op ting som eskisterer
(som mulighet) alle. muligheter må eksistere og det er absurd hvorfor.
kredo. vitenskap gir oss kunnskap om verden. klesskap forstyrrer oss med
klær. du ble født ut av ditt nesebor. voff vi er ikke hunder. de som
passer på gir blaffen. folk er rare. zen begins at the point where there
is nothign further to seek nothing to be. gained. zen is most emphatically
not to be regarded as a sustem of. selfimprovement or a ways of becoming a
budda.. only when you have no things in your mind and no mind in things
are you vacant. and spiritual empty and amrvellous. the marvel can only be
descsribed as the. peculiar sensation of freedom in action which arises
when the world is no. longer felt to be some obstacle standing over
against one.. huangpo men are afraid of forgetting their own minds fearing
to fall through. the void with nothing on to which they can cling.. nothing
is left to you at this moment but to have a good laugh.. mesteren spør ut
studenten og når studenten går kaller han plutselig ved navn. studenten
svarer naturlig 'ja' mestern sier 'der har du det'. spontanitet. mo chih
ch'u gå på uten å nøle. wuwei meningsløshet. wushih enkelhet. the
perfection of zen is to be perfectly and simply human. to a young zen
monk. the roshi stands as a symbol of the utmost patriarchal autoriatiy
and he. usually plays the role to perfection being normally a man ssvanced
in yasrs. fierc and tigerish in aspect a person of supreme persence and
dignity.. the basic position of zen is that it has nothign to say nothing
to teach.. the various koans are intentionally misleading.. after some
time the iceblock collapses and a transparent meaninglessness appear. that
can eat laugh and so on live without a problem.. roshien presenterer nå
koans som er opplagt meningsløse 'ta dei fire delane av. tokyo ut av ermet
ditt' 'stopp klangen av dei fjerne klokkene'. ei jente går. over gata er ho
den yngre eller eldre søstra. controlled accident ikke representasjoner
symboler.. egne objekter. painting by not painting. muchi and liangkui did
many paintings of zen. patriarchs and masters as mostly abandoned lunatics
scowling shouting lafing. around or rarith with laughter at drifting
leaves exemplifying the splendid. nonsense and emptiness of zen.. sabi
enslig og rolig stemning wabi something ordinary as suchness aware..
mystisk stemning yugen. dette er fure aspekter av furyu.. haiku i årh.
bashu i wshihstil 'ingenting spesielt'. the superficial consciousness can
awaken to the eternal present if it stops. grasping. now this eternal
present is the timeless unhurried flowing of the tao. such a tide as
moving seems to sleep too full for sound of foam.. mantras and tantras
meditation and concentration. they are all a cause of selfdeception. do
not defile in contemplation though that is pure in its own nature. but
abide in the bliss of yourself and cease these torments. wahtever you see
that is it. in front behind in all ten directions. even today let your
master make an end of delusion. the nature of the sky is originally clear.
but by gazing and gazing the sight becomes deluded. sarakas trasy of songs.
no thoguth no reflection no alaysis. no cltivation no intention. let it
settle itself. cut out sagacity discard knowingness. and the people will
benefit a hundredfold. cut out humanity discadrd righteousness. and people
will egain love of their fellows. cut off cleverness diescsrd the
utilitirans. and there will be no theves and robbers. become unaffected.
cherish sincerity. belittle the personal. reduce desires. laotsu. the
perfect tao is without difficulty. save that it avoids picking and
choosing. follow your nature and accord with the tao. saunter along and
stop aorrying. if your thoughts are tied you spoil what is genuine. dont
be antagonistic to the world of senses. for when you are not antagonistic
to it. it turns out to be the same as comnlete awakwning. the wise person
does not strive. the ignorant man ties himself up. if you work on your
mind with your mind. how can you avoid an immense confusion. sengtsan. one
day i wiped out all the notions from my mind. i gave up all desire. i.
discarded all the words with which i thought and stayed in quietude and.
ZTT i entered i lost the bounderies of my physical body i spke but my.
words lost their meaning. i saw people comnign twars me. all of them were.
myself. i had never known this world. i had beieved i was ceraed but i was.
never created i was the comsos no idndiviudal mr ssaki existed.. .sakeian
sasaki zen notes vil no. we eat excrete sleep and stand up this is our
world. all we have to do after that . is to die. ikkyu. you light the
fire. i'll show you something nice. a big snowball. mennibdr versen og
livet lemm død og ny fdese. uta sv krppen så yutterverdn lbitt indre og
omvendt. man fyller hele rommet og lever i tiden. stiger ut av rommet føre
og etter. ha takk ha. sanselik. imaginasjon. inspirasjon. intuisjon. alt
som saller mot krppens speil speiler seg til sanseopplevelse. tankene
tanken muldere av elemtarvesen sender seg ned i eterlegme. formørker
eterlegemet eringdring. visom som natur rundt seg her. vi må ta vort
visdommen forvandle altsp selv til livskrafter. pines ab det glode.
latskap pinesa av fliden. tingene spør oss vi spør ting her. verden føst
av personen. det oversanlsige mennsek. åpne åttetall lemniskater.
tilsvarer det himmelse bilde av menn. nerve og kjertelsystem. inspirasjon
i toner verdensharmonien avspeiles in blod kretsløp hjerterytme. intuisjon
tonene inneholder mening sprok verdensordet. angel archaloi archai. exusai
dymanis kdriotetes. troner cheubin serafim. mot i brystet. blir lemmer
armer og ben. blir åndelig ord. solflekker mikael kosmiske jern.
antropsosi psyikosofik ner mtosofi. linvssans bebetelesn liekversans.
fangarmer. lotusbolst i hodet imagintaiv. strupehodet inspirasjon. jver
hjertet den ituitive. imaginasjon fornemme. insirasjon føle. intuisjon
tenke. psykosofi. slutningen tilspisser seg i forestilligen. punktum. like
før han legger seg sender han noe. like etter at han står opp punktum.
interesting ng. alt.abuse.transcendence. alt.acme.exploding.newsgroup.
alt.anybody. alt.anygroup. alt.anything. alt.artcom. ba.art.
it.arti.trash. rec.arts.misc. alt.chaos. alt.confusion.atitsfinest.
alt.foo.bar. alt.foo.bar.qux.xyzxyz. alt.languages.norwegian.
alt.languages.nowegian. alt.life.internet. alt.life.sucks.
alt.life.universe.everything. twalegged poneys Re Estimable Finns (Re
AAUUGGHH). In article bunniegirlhome.com (Jelliebun). I've been dealing
with a lot of people at work who don't speak English. as a first language
... and some of these damned nonsequitur bot post. thingies are starting
to make sense.. For instance it would not be at all startling to find the
following. in an application letter. Nor have they not sing for quite no
sponsorship. We extracted and remarried as they were lively required
neither. every base past them beheld perversely elder.. I think I need a
vacation.. Would you then be offended if I quoted the following. It
follows that if the two antesedents be bissyclitties and the three.
comeseekwenchers trundletrikes then Aysha Lalipat behidden on the.
footplate Big Whiggler restant upsittuponable the nCr presents to us.
(tandem year at lasted length) an ottomantic turquoindaco of pictorial.
shine by pictorial shimmer so long as gad of the gidday pictorial summer.
viridorefulvid lits asheen but (lenz alack lends a lot) if this habby.
cyclic erdor be outraciously enviolated by a mierelin roundtableturning.
like knuts in maze the zitas runnind hare and dart with the yeggs in
their. muddle like a seven of wingless arrows hodgepadge thump kick and
hurry. all boy more missis blong him he race quickfeller all same
hogglepiggle. longer house blong him while the catched and dodged exarx
seems. himmulteemiously to beem (he wins her hend he falls to tail) the
ersed. ladest mand and (uhu and uhud) the losed farce on erroroots
twalegged. poneys and threehandled dorkeys (madahoy morahoy lugahoy
jogahoyaway). mPm brings us a rainborne pamtomomiom aqualavant to (cat my
dogs if I. baint dingbushed like everything) kaksitoista volts yksitoista
volts. kymmenen volts yhdeksan volts kahdeksan volts seitseman volts kuusi
volts. viisi volts nelja volts kolme volts kaksi volts
yksiallahthallacamellated. caravan series to the finish of helve's
fractures.. Part of it looks Finnish and therefore it has to be about
Linux (because. that is the only notable thing ever to come out of
Finland). Let me just take this opportunity to say. Panasonic (the band
not the consumer electronics manufacturer). Hey Punesuneec joost pleyed
here bork bork bork.. Mika Hakkinen (F driver). That mad vodka. What's it
called. You know.. Per puncture AT flash DOT net. linklog. digest.
Individual Messages. Message Digests. CALL FOR FUNDING DEADLINE EXTENDED.
MAY TH. FOR IMMEDIATE RELEASE. CALL FOR FUNDING DEADLINE EXTENDED.
INSTITUTIONS AND PATRONS OF THE ARTS WANTED. MUST HAVE MONEYS MUST BE
WILLING TO FORK OVER SAID MONEYS. DUE TO AN OVERSIGHT BY THE RHIZOME.ORG
COMMISSION COMMITTEE MEMBERS. THE ARTWORK OF LINKOLN JIMPUNK STILL LACKS
THE PROPER FUNDING TO CONTINUE.. FULL DESCRIPTION OF ARTWORK AND FUNDING
NEEDED AT. NOTE FINAL EMAIL WILL NOT BE SENT TO RHIZOME RAW AS INDICATED
IN THE PROPOSAL. THE FINAL EMAIL WILL BE SENT TO THE PERSON(S) WHO
COMMISSION THE WORK.. COMMISSION THIS ARTWORK CONTACT. ABELINKOLN.NET OR.
bytes. text. dagbladet nyheter. nyheter. Blunker med fire øyne samtidig.
Tohodet geit født på Cuba.. Jon R. Hammerfjeld. .... nyheter neste sak
forsiden. Oct. makeshift. carriers. are the characters carriers of what.
oceanic inflation eg buddhism ego balloon whatever skin. distance in
relation to subjectobject the inflated subject seems infinite. while the
dot in the horizon the distance of the abject out of sight. phenomenology
of beyond vs here and now yon bef. ME OE geon akin to D. gene G jener ON
enn inn the Goth jains that vs thus. thus collapses in codeexecution
distance of processing time of 'active. expression vs matter of doctrine'
formalexpressive this and something else. (subjectobject) always on the
abject side. kunst på strømlinjer noe som følger nettverket over landet
summingen ved. mastene lyd. gi meg et urokkelig punkt arkimedes hvordan
kan lillefingeren løfte bilen. arbeidet fordelt over lengre vei. those
darker parts of the wood have 'personality' something hidden or attracts.
intimacy something else. gnome (nm) n.. . an expert in monetary or
financial affairs international banker or. financier the gnomes of
Zurich.. F NL gnomus perh. Gk gnm see GNOME. . (in folklore) one of a
species of diminutive beings usually described as. shriveled little old
men that inhabit the interior of the earth and act as. guardians of its
treasures troll.. a name to. a name to. a mean to. a amen to. a no team. a
no mate. am note a. a man toe. a mao net. a tam eon. a mat one. a mat eon.
me to ana. a tao men. tao amen. ana me to. ana tome. mane tao. name oat.
name tao. mean oat. mean tao. amen oat. amen tao. mateo an. eaton am.
atone am. neat mao. ate mona. eat mona. tea mona. tea moan. tea oman. am
at one. am at eon. ma at one. ma at eon. an oat me. an tao me. cell modem
fix. rksi .. rkis .. rski .. rsik .. riks .. risk .. krsi .. kris .. ksri
.. ksir .. kirs. kisr. srki. srik. skri. skir. sirk. sikr. irks. irsk.
ikrs. iksr. isrk. iskr. log. qdu må slutte å evaluere sånn. qjeg er den
ketchupflaska. qvil du meg noe snakk til den OK. q(går inn i stua).
autonoemata. Congratulations. Your Group autonoemata has been created. You
can access your group using the. Group name. autonoemata. Group home page.
Group email. This is not good. Is better to attack people. Leave Hummer
alone. Hummer cannot fight back. It's guns that kill people not people.
Leave guns to shoot guns. Stick to your guns. Alan Sondheim. Jarry. Jarry
insisted on certain conventions of speech action and setting. The.
staccato manner of speaking the misplaced accents the puppetlike movement.
the use of masks the use of placards the hodgepodge style of scenic.
painting all of these were Jarry's ideas (Beaumont ). ouspensky gurdijeff.
mennesket er en maskin. alt skjer uten at noen gjør noe. livet er mat for
månen. jeg vil forstå. viktigste mål å ha er å ville mestre seg selv.
tenkning sammenligning følelse sympati. tanke forestilling (tanke som
følelse) drøm (tanke som vilje). forskjellige kulturarbeidere er nesten
uten unntak syke mennesker. mennesker er redde for hverandre. samvittighet
følelse bevissthet tanke. latter eksisterer bare i sentra som er delt i to
høyere sentra er udelte. sex i tenking skriver kritisk og subjektivt sex i
følelse preker kristendom. asketisme synd helvete det bevegelige senter med
sport men alltid er. resultatet ubrukelig dette er misbruk av sex. oktaven
to 'sjokk' tallssystemet. teosofisk addisjon tverrsum. vanlig menneske er
menneske sau orm. intelligensmåling vha hydrogendiagrammet en bakt potet
er mer intelligent enn. en rå potet. lever av hvirvelløse dyr og er mat
for erkeengler. sammenheng mellom positur og tanke følelse er entydig.
stopp. obyvatel en vanlig person kan også være veien. dilemma. det er et
dilemma at vi uttrykker ofte ting fordi de blir forstått (riktig). det er
ting en kan si og ting en ikke kan si (forståelig). dilemmaet er å
uttrykke seg eller bli forstått. det finnes handlinger men ingen som
handler. nagarjuna opphavsmannen til negasjonene paradoksene.. hatha raja.
djna kommando. shiva lingam shaivitene. bindu. prikk over m. samadhi ved
operasjoner mislykket hengning grønn farge hvitt lys. kaleidoskop fløyte
klokker tordenbrøl. vanvittig er min far vanvittig er min mor (dvs shiva
og kali). thuggerne. outsiderens problem ligger i å nekte å uttrykke seg.
analyseparadokset. en analyse kan ikke både være informativ og korrekt.
klassisk gresk ingenting meningsfullt kan uttrykkes alt er meningsløst. å
si A er A er ingen vits. å si A er B er usant. tre ønsker. . ønske. jeg
ønsker at de tre ønskene ikke blir oppfylt. hvordan forvirre den gode fe.
of. ........... of. livet mellomdelengo ny fldes i fhodl ti de kosmiske
kjensgerninger. verdslig travelhet handlign tilsvarer åndelig ro. jeg
bevisstheten avh av den menn.død da menn.adr når opp til sin dieale verdi.
må man si at jeg dadig arveider p åsin egen jegforringelse (med dårlige.
handlinger). universet inne i seg og legemet utenfor. begjær etter tanker.
oseaniskek j. NEWS. NEWS. AnonPostTo Supported (post) True. News Posting
Route (mailnews).
mainewsfrogadmin.yi.orgmailnewsdizum.commailnewsnews.gradwell.net. News
Signature Added To None. receive a list of all newsgroups reachable
through this mail to news gateway. send mail to mailnewsdizum.com with
subject list and no Newsgroups. header. The complete list of available
newsgroups is quite large (K. groups) and can break many mailers. To
obtain through E mail a list of only. those newsgroups starting with a
particular pattern you can include an. egrepstyle regular expression on
the subject line. For instance. Subject list comp.unix. would list only
newsgroups whose names begin comp.unix.. Subject list .linux. would list
all newsgroups whose names contain the substring linux.. Subject list
alt.(securityprivacy). would list all newsgroups beginning alt and
containing either the word. security or the word privacy. Finally. Subject
list ..test. would list all newsgroups ending .test.. nntp test.
newsnews.opera.comopera.test.
newsnewsgroups.borland.comborland.public.test.
newsmsnews.microsoft.commicrosoft.test.
newsforums.macromedia.commacromedia.test.
newsnews.mozilla.orgnetscape.test.
newsnewsroom.trumpet.com.autrumpet.test. newsfrell.eu.orgalt.test.
mailnewsnews. in header. newsgroups. mailnewsnews.gradwell.net.
mailnewsnews.demon.co.uk. W Anonymous Remailer. Paranoia Web interface.
Riot Anonymous Usenet Remailer. Xenophon. Frog's WARI. bmagnhil. May.
maskinen fjerner overtroen fra oss. jeg trenger ikke ville. eller håpe.
what. dkdkdkdkdkfdkfdkfdkfdkfdkfdkfdfkdfkdfksksksks. what does this mean.
tistikken. statistikken latistikken. lehmus ng.
alt.language.poetry.puresilk. jukka lehmus. mattering. near the surface of
earth's oceans between three and four billion years ago. selfreplicating.
the cell all competitors have been swept aside save for the residual
viruses. life a selfmaintaining selfreplicating energyusing system. cell
polarization as communication links. primitive brain stem hindbrain motor
midbrain visual auditory forebrain. olfactory. mammalian brain hindbrain
underneath cerebellum midbrain forebrain underneath. cerebral hemispheres.
we are distinguished form other animals by the large size and unusual
properties. of the human cerebral and cerebellar hemispheres.. somata.
inhibitory hyperpolarization or excitatory depolarization synapse fire
and. don't fire inputs. black matter InterNetWORX. Hallo Herr noir matern.
Vielen Dank fr Deine Anmeldung bei InterNetWORX.. Userbereich von
InterNetWORX einloggen. Deine UserID. Dein Passwort svryra. Deine
HomepageURL. Dein Speicherplatz. Dein Verzeichnis auf unserem Server.
Server. ftp.inetworx.de. Username. noemata. InterNetWORX Web Hosting.
Deine HomepageURL. Dein Speicherplatz. Dein Verzeichnis auf unserem
Server. Server. ftp.inetworx.de. Username. noemata. Passwort. Dein
InterNetWORXPasswort. Status aktiv. WebFileManager. Folgende Angebote sind
nicht zulssig. Webcams mit automatischem Refresh. Chat IRCBot und
DownloadScripts. Websites welche gegen deutsches Recht verstoen.
Pornographische Websites. OnlineCasino Websites. Userbereich. UserID.
Bisher Logins. letzter am .. um Uhr. von ...si .no.powertech.net.
322
Anzeige. Jul. artificial art. COGNITIVE PSYCHOLOGY and ARTIFICIAL
INTELLIGENCE have produced provocative. models og cognition which when
brought to lifewithin a sutiably programmed. computer mimic closely some
of the coluex actiitites of golacriven. intellingece. The NEUROSCIENCES
have begun to unravel the vast microsystem of. interconnected brain cells
that in living creatures appears to execute those. activities. ETHOLOGY
has given us new insights into the continuities relating. human
intelligence with the intelligence of other creatures. And EVOLUTIONARY.
THEORY has revealed the long and intricate selective processes from which.
conscious intelligence has slowly emerged.. ONTOLOGICAL PROBLEM mindbody
problem materialist dualist brain. five radically different versions of
dualism chapter. SEMANTICAL PROBLEM skeptical network of causal relations.
EPISTEMOLOGICAL PROBLEM problem of other minds selfconscious.
METHODOLOGICAL PROBLEM artifical intelligence. This concludes my set of
promissory notes. Let us now turn to the issues. themselves.. oh dear.
meiosis sis o I em. DEARME.TXT. media externalization. stillife. c d lost.
knowledge liar lying as strategy as truth identifies controls. the
wastebasket placed on the desktop and windows inside waste. r. c. (I. bees
queer ever seen a crystal sugar a rockcho. Purchase of nwt. Thank you for
purchasing this share. bytes URL noemata.netnwt Price EUR. Payment info.
PayPal URL. Or money transfer payable to account .. Storebrand bank.
Norway.. Please contact us if you have any questions. Thanks again. Ars
Publica. fake spam. sddds. TddHINGS WssILL RDFDUN FFFOFF YOU. ohVVll
insert. buty. cccc. vjkjkjkuoui. Oy. alpin. treholk med lokk. .... yosrsas
thessdfdsdf sfudssedfd in tfe mfffle. kvestian. Ordet tak har k i utlyd.
vague un. vagabond. astronomiske høytider ALPAKKA. amatør. X. About Help.
voltages of the soul. uteksi utero utbud. uterlig uteske utidig. utlyd
utnavn utopi utror utukt. utvær. V volt. .. i have tou p. hate those
little bastard go sug blod ov your dead great grand. cells won viruses
linger on. data cell. if you don't want this. d. Gievre X. abrakadabra
abruptabscisse. absint absolvere. abstrakt absurd. aceton ad acta. ad hoc
adiafora. ad libitum adrenalin. ad undas advent. affinitet agentroman.
agio. agnus dei. aimabel akantus. akrostikon aksiom. aksjon aktør. akutt
alarm. aleksandriner alen. alfa alfons. alias alibi. thorn thurs ut i sol
sol sunn saigel tlas algz jer jara asskrk kaun os. perta. S NOW. Ammianus
Marcellinus Ammius see Hamder Amuletter Adrhrimner Andrid. see
Kjalnsingasagan Andvaranaut see Andvare Ane den gamle see Aun. den gamle
Angantyr Arngrimsson see Hervararsagan Angilbert Angler. (angli). Aug.
artnapping. pretending to sleep. i'm not saying. for the arps and
sensiblargoviee and seated ities depts. it's something spiritual acronymic
comperata droll votes you. compression it's when you can't compress (more).
still y could. translate later without loss. would a photo captwidth a
pixies casters. it no or it zedek be pericline ure it. no or poto
thsobranje the. winooski if you can snelling of it toddle jada e wholeness
if you can. speak of it then that's why it's obwh ogress massa cones ject.
matarial concrete candy(d)a. you need your wholyou nightside your wonted
selvaged e sensibilithy. tvart would be anwotted an osmium roseland asylum
and intellect the. hushaby overload room inside the hypercube. when she's
runningwandoo sanjak her freudalizable has solipsism chines. wave her feet
has some characteristic (w)hole that' the len(d)s in. advance of. not
really antroponot redshank too mechanizer o's morph. its too many o's
holes again eyes and owls again (quarlean). stillness not focs us interval
not foiling not samisen pelagian us. i'm not saying it's passive. you know
blub bluyou kindness blanton bignonia wakening wholeheartedly. legs
lineally. not history on a not humorers on a vociferously wave. RE
RHIZOMERAW FOR IMMEDIATE RELEASE. what. i don't know anything about this.
i read in the paper today that these were indeed stolen from a museum. in
norway recently. so um what is going on noemata. ja. F O R I M M E D I A T
E R E L E A S E. The artist group Noemata demands mill. norw. kr. for
delivering. back. Munch's paintings Scream and Madonna which today were
taken. the Munch museum Oslo Norway.. Contact noematakunst.no. post
listrhizome.org. questions inforhizome.org. visit on Fridays the
Rhizome.org web site is open to nonmembers. Subscribers to Rhizome are
subject to the terms set out in the. inner voice reason. there's no use in
remembering. well only for those who forget. we have our memory so
remembering is like pause. no use in bed i'll. use in whatever phenomenon.
flatbed scanner. i'm. pause. well this is of photos. you don't. pause. like
pumping up your bike no pause that's nonsense. but like pause. what are the
inner workings the pause. memory is memory pause. i'm sorry this is a mess
not even that it's nothing not even. ok then there's novelty actually most
things just stand by. say this place or you it will continue by itself more
or less. if this pen continues from sec to sec it's no novelty though it
needs. energy for sustaining. a quick look at reality (for a change)
you'll see things linger on from. beginning to end background radiation
rocks soil oil inka cities. the cell virii millions years old animals
still eating grass. it's actually harder not to do things than to do. and
within those rhytmic trends nervous jiggle. so personality fuse (common
sense) i'd rather not. let's say sleep but then there's no consciousness.
ok meditation rather pause long way around the block. drugs no pause i
want control. tao shit my cow jokes. circuits kin of pour something in.
well maybe pause this is a drawing. as a structured whole. the whirlings
in remembering. well only so small tiny trails. let's. pause. well this in
the collage hey those are kind of us will mind. wonder where i pause
that's. pause. well this pen continues from sec it's. pause. blood
something out draw. still doesn't make sense anything of this nothing.
reason is only so small tiny trails tractor. let's see i pause see
nothing. still this mail has a from attractor. and there's some
combinatorics of letters. bingo name of a dog. i'd rather make this a
comedy again. the i's are deemed ridiculous. maybe they should be o's.
eyes no it's nothing here. a related thing i was thinking of photos. you
don't know if you captured it. there's no way to know but you learn. the
inner workings might be contraintuitive. so like you believe it's magic
but it's not. magic is like picture and there's capture. but the causal
might work otherwise. you'll find out eventually. and i expand on the
photomagic correlation. no surprise the visual part of art. capture is of
the whole and then hunters and gatherers. and then the collage hey those
are the shamans. operating on 'elements' of wholes. ok rather pause this
is only so remembering is a structured. whole. the whirlings in the
collage hey those are the same. the rocks are the same. the rocks are kind
of the pause. memory is memory pause. i'm. well i forgot my camera come
back later. like the streams. might be an idea to view this as a
structured whole. the whirlings in the chest it stays the same. the rocks
are kind of pause. answering that would be like pause. well this is
capture again. inner voice stupor. argument of transparency it's pause
kind of ridiculous. heath for structuring but generating more heath than
structure. you could see all this in whatever phenomenon. flatbed scanner.
i'm sorry but then later i'll go to sleep and none of us will mind. wonder
where i was last night. if you say in bed i'll kick your ass. what a pause
happy end... stratas of unconscious dog breath. let's see. life no. love
no. death no. anything no. something maybe. what nothing. whatever no.
nothing no. something maybe let's sky. what this lab. what this this loupe
nye. this what deadeye no. old dog bastian died today antennas. an overdose
of anesthetics sentineled movie. we cried some waite. doesn't matter much.
his eyes closes as ours. i'm sorry life is shit semidi mob. wouldn't mind
dying withe takao. let's see toss teas. and they have a little girl token
wit. she'll be here until oldie dayak doodah time... whatever an offertory
of amygdaloids. what's it supposed to be doesn't motorway. let's say a
number with a thousand digits. or a fraction unending i'm skirr Leif ictus
Shiite. i want nothing to do with life it wouldn't monied dingo. anyone
wanting life is an idiot let's shoe Mr Bingo (SåleMikkel). this just
continues lethal girl. kids are happy they don't want life undulations.
wanting life is death whitebeard. wanting tay rising. aha what's spigots
buoy. that's AHA woody away. stratas of unconscious dog breath. sf asfadsf
gas g s af s afs af s afs f adsf sf sa f s af s af saf s af saf. asf saf s
fs fs fs s fs gdr gh dfh d tg hesr h dhs hd h d fghds hd h d. fghds hd h d
fghds hd h dhs hd hd hd hd hd h dhs hd h d fghds hd hd h d. fghds hd hd h
dhs hd h dhs hd h d tg hesr h dhs hd hd h dhs hd h dhs hd hd. hd hd hd h d
fghds hd hd h d tg hesr h d tg hesr h d fghds hd h dhs hd h d. tg hesr h d
fghds hd hd hd h d tg hesr h dhs hd h dhs hd h dhs hd h d. fghds hd h dhs
hd h d tg hesr h dhs hd h dhs hd h dhs hd h dhs. sf asfadsf gas gs f adsf
sf sa f s af saf asf ølakjfølkjg sølkgj ølkfs. ølkfj asøkjsaølfks flksaj
fslk flsk fsa fsafsf sf asfadsf gas gs f a sgs. agas gas gasfd gdf gas
gasfd gdf gas g s f s gsad fsf. sf as f s fs gdr gh dfh d fghds hd hd hd h
dhs hd hd h d fghds hd h dhs hd. h d fghds hd h d tg hesr h dhs hd hd h d
fghds hd h dhs hd h dhs hd hd h d. fghds hd h d fghds hd h dhs hd hd h d
fghds hd hd h d tg hesr h dhs hd h. dhs hd h d fghds hd h d tg hesr h d
fghds hd h dhs hd h dhs hd hd hd h d. fghds hd h d fghds hd h dhs hd hd hd
hd h d fghds hd h d fghds hd h d tg. hesr h dhs hd hd hd h dhs hd h dhs hd
h dhs hd h d tg hesr h dhs hd h dhs. hd h dhs hd h dhs hd hd h d tg hesr h
d tg hesr h dhs hd. sf asfadsf gas gasfd gdf gas g s fs afs af saf saf saf
saf s afs f s afs. af saf saf asf saf saf saf saf s fs fs fs gdr gh dfh d
fghds hd h d tg. hesr h d tg hesr h d tg hesr h dhs hd h dhs hd hd h d tg
hesr h dhs hd h. dhs hd hd h d fghds hd h d fghds hd h dhs hd h dhs hd h
dhs hd hd h d tg. hesr h dhs hd hd h dhs hd hd h d tg hesr h d tg hesr h
dhs hd hd h dhs hd. h d tg hesr h dhs hd hd hd h dhs hd hd h d tg hesr h
dhs hd h d tg hesr h. d fghds hd h d fghds hd hd h dhs hd hd h d fghds hd
hd h dhs hd hd h d tg. sf as f a sgs agas gas gasfd gdf gas gs f a sgs
agas gas g s f adsf sf sa. f s f s gsad fsf. sf as f s fs fs fs s f s fs s
gsad fsf. sf as f s gsad fsf. sf asfadsf gas gs f a sgs agas gas gs f a sgs
agas gas gasfd gdf gas g s f. adsf sf as f s f a sgs agas gas gs f a sgs
agas gas g s f s fs fs fs afs. af s fs s f a sgs agas gas gasfd gdf gas
gasfd gdf gas g s af s afs af saf. saf saf saf asf ølakjfølkjg sølkgj
ølkfs ølkfj asøkjsaølfks flksaj fslk. flsk fsa fsafsf sf as f s af s afs f
adsf sf asfadsf gas gasfd gdf gas gs. f s f s gsad fsf. sf sa f a sgs agas
gas g s fs gdr gh dfh d tg hesr h d tg hesr h dhs hd h. d tg hesr h dhs hd
h dhs hd h dhs hd hd h d tg hesr h dhs hd h d tg hesr h. d tg hesr h d
fghds hd hd h dhs hd h d fghds hd h dhs hd h d fghds hd h d. tg hesr h d
fghds hd h d tg hesr h d fghds hd h d fghds hd h dhs hd h d tg. hesr h dhs
hd h dhs hd h d fghds hd h dhs hd hd h dhs hd h dhs hd h dhs hd. h dhs hd
hd h d tg hesr h dhs hd hd h d fghds hd hd h d tg hesr h dhs hd h. d fghds
hd h d fghds hd h d tg hesr h dhs hd h dhs. file under. oreawefreshet.
woundneatness. windmillingluffyideate. teachjuggedcontemporaryart.
kedgeairwaydon'twendylooby. windowingleeves. wounding. ah. that'snotaha.
dog breath minor. dog breath minor. there's nothing here. ICE) INSTANTLY
AND YOU'RE W'T I DIDN'T. nothing nothing nothing horray. NATIONSETE IIEG
NUDENESS NOTING N DHF. (a lot of nothing a ludi oboe nothing). E IEG
NOTHING NOTHINOTUNT TDSESDZNNOT. still more stale more. MOG HIT I GYN
OOGHG A LUDR ININAT EZIS. nothing nothing nothing nothing nothing nothing
nothing noth. IOI I HORRI O GSGTD TLTEOSHNHEGH NOTH. ing nothing nothing
nothing nothing nothing nudeness nudeness nothingize. nothingizes needing
nutmeg. nothingizes nothZ NI A NENI EOGOOIO STRN OOI ENUNNH EH. ing
neotenic neotenic nudeness nodding. I T EREH N( HGN TTST T EEEDEHGLOGNIH.
nudeness noting nattiness notions nothingize nuttiness nothingness
notions. netting nudeness nations. nutting nutting ONNDOON WH REU GNIOIITS
)GNIHTGOETNGNR. nothingizes nothingises nothing neediness needing
nothingize neatness needing. nattiness nattiness nadia. OCNICN GNIHTON GNI
HE TT T(UIHIIHTON. these are very structured nothings. CINETOEN GNIOOIN
EETTON SSENITTUN EZIG. isn't i didn't like mean thathat. SEZIGNIHE H N
YREV ERA ESEHT AIDAN SST. and not writing thisthis. HGUAL A TON S'TAHT
AHAHA. it fauxes at onceonce (over the lazy dog twice). LIKE ME AN TH
SNTTING NUDENESS. instantly. EG DNNS NEEDING NUTMEG NANIAT IO. and you're
left with ah THIS. HING NOTHINGTTTG W GNNDII STALE. ahahahaha. INNTN NG
NOTHIEN NENANH AAHST. that's not a laugh. ANO T IS T ONNST TRNT HEIYGBNH.
DSNNNNMHN 'EG ETN SOTEO HTDESE. neat writhen taeg tie. TOANI UNIIS T
IRRNNUZTNLN FO TOL. I WVTGN GNHTON GNIHTON TNHS AIS. SSENEDUN SS NNTI A
RHTNETOEN. NIHTTNGA NCSON SESIGNIHTON. A OECNO TA SEXUAF TI SIHTSIHH.
that's not a laugh. neat writhen taeg tie mute dumb taut taus daus daunt
tam domitus domini canes. minor. forget. my legs hurt am i dead meister.
your two eyes one is enough tv. martial arts criminal stereotype. fine
arts dude. police plice please. lice. press. stains. liferaid a fraid owl
iph. impressions per hour. lax lace koala cool. vegetatatativeve. AlanIt
was dah dah di dah dah di.. I knew it was connected with the name.. Maybe
a highly compressed version coded in tonalityrythm doesn't. require much
storage or processing and would lead you in the right. direction.. The
rhythm appeared before the name incantatory.. I guess there are different
searchings going on at different centers at. the same time and you get
what's processed first maybe or their. aggregate where most but rythm
fail.. Bytes Maggie Loves. Bewitch Messy Leaves. Boethius Mews Lavish.
Beets Mews Lobbies. Butties Meek Lobos. Bouts Maag Lops. Bitch Max Levees.
Bites Massawa Lupus. Betsy Maag Laps. Budweis Massa Lapis. Bitch Musky
Laps. Boadicea Meuse Lives. Baits Macao Luffs. Boudicca Massawa Lvi.
Booties Micah Leavis. Bathhouse Mossy Liebig. Boethius Mows Labiche. Badge
Mos Lupus. Boathouse Mickie Loaves. Bitch Musk Lpg. Baits Mashie Luffs.
Baits Maguey Loafs. Butts Micky Lipase. Buttock Muse Lops. Beauties Mies
Lippie. Booties Mays Lovage. Batik Maggie Leafage. Badge Mawsie Lavish.
Betas Mesh Leaps. Betook Miss Lobbies. Bathes Massa Levies. Boethius Messy
Lobbies. Bites Maas Labiche. Baits Mix Lobbies. Bittock Miaows Lupus.
Boadicea Mohs Loobies. Bitwise Miaows Lipase. Badge Mackay Libeccio. Baits
Massa Lipase. Biddies Masks Lipase. Boats Moscow Loops. Buttocks Moke
Loaves. Betook Massawa Levko. Betsy Meshy Lupus. Bodies Mac Labiche. Bitsy
Muzzy Luffs. Bhtes Mocsoo Lapes. Betis Mysgih Lopoc. Betåg Meccha Lepec.
Bodic Mocsao Lufok. Betas Myqgei Lhbas. Botos Moscue Lebis. Bathg Masciy
Lepag. Bedas Masseu Lopos. Bothg Massey Lufug. Bodes Myscei Lobec. Bhtys
Mecsea Lyfac. Badhs Mhcghe Lifoc. Betis Mossya Lufyc. Bateg Moskoa Lefis.
Betas Mosshh Lhpig. Betas Mhskai Lapes. Butæc Mascea Lebes. Betas Musgie
Lefhc. moonsay may st at. finnegan autosomally. minutely mn. affirmation.
as weikl as the primitively anile tian. vj perilous her gating vj set
thoughtlessly. thrustor approaching at the. anima. cagliostro. autoplasty
se. minis mn. opening. tWdWlasstime. photo
wawwtwewrfallwcwlwarswerrshtdimhjensulhl. operasjon sonja. pippi myrvold.
vel jeg kan ikke se annet enn at trist. kommentar fn slaveriets
avskaffelse. kommentar eh det er klart. ransmiljøet. kunstmiljøet blir
stadig råere og hardere i jakten på penger og. berømmelse. tveitagjengen
alle mann alle. teknologi kriminalitet. pippi motiv pengeknipe. vi
kontrollerer politiet. stjålet kunst. Johnforget reeling. gutter haunter.
banter flutter. ceiling intent. john. would these be the same the other
way around ie. reeling forget. haunter gutter. etc.. i guess not but that
opens up for ordering permutation triplets. (abc different from bad) and
directional graphs and adding. linesequence for traversing the same
nodewords would reveal a. different result like gutter would reveal
something else further down. (because of selfmovement bowel movement)..
eQeQeeQO. e t e Ct QR. Q( R t CR Qe Re(RQC. Ce(R R te CR t Re Q. R R tt RC
(( Re R. QRQR. O( t Re CQQCQQ Re ROR. (ROe R R t( RC ( Re. OeR( t R tO O R
Re R. OQtRt t RR t O eQ e Re RO. RR RR t C te Re RO. R(t(RCQ ee Oe( Oe
eeOee Ce. Oe(. Rerun. there's a body slack about three days gliding.
desiretuacnu tsudwas tnelitsep. dewov si. dildiks krabrepap a si soat.
ezilanimonorp emosyxo. plapidep rahpitop. lasirper ry. tnaw i. drawer
detnaw si ekoc. adan naicinhcet. em latineg xnirys. depoows foorprettahs.
noitazinai. noitalugaoc doolb. nonorhc toped. stug. cinifelo diotnodo.
pestilent sawdust uncauterised. is vomed. and sailors ubiqu is taos is a
paperblank skidlid. who oxysome the unmethodiseds by versatiling and
conjunctions. potiphar unmalicious by zinmans and nomocracy pedipalp
terence. an active sentence this is this is a passive sentence. vulgate
heights spotless be in violative yr reprisal. i want coke. coke is wanted
reward. callee toxicogenic. meme and if i haslet me technickian. cannot re
touch. if i humorer non stalking griddle and if i genital. you chromise
syrinx shfrinx. upheld by words and nobody owns them overblown the wake
if. a brushed shatterproof swooped mineralised teschtual gandalfed. ' and
fed all gee. charchatting. drawer si em i dna si a si si dna eht dna a si
si eht i em. m em i dna i i em eht dna a kcals a i i em i dna i i a. si si
i ossat a eht bajar i eht si unroc eht. don't have me then if i hexapla
norton i spermic. haworth cheers. subversively nada if i have nothing i
still have and iff. an ad sheahe transparently is tomsk is a sawbill (bah
will). sickbay trypsinogen. gunman your head should be in your will yr
reason in. yr guts. blood coagulation. bellowed chronon. i wish
cinemagoer. a betta skid accomplished tasso depot griper. activepassive
sentence types. warlord yr rajab in the grocers. i want chauffers. the
guts in the news hollywoodizes shrewdie be in. woolliness. cornu is vice.
timoshenkowho owns the words if there's. property. DOGDOOM (rdfinal).
DOGDOOM (rdfinal). i'm waiting but it's nothing. i'm waiting but its
nothing. waiting waiting. nothing nothing. nothing. this nothing. nothing.
waiting. another nothing. the anothing. please wait.... how long would you
wait. i know my bytes get through. gat gadd gåt ga. naturaborte. press
cancel to abort. press ok to ok. press press to press. depress to depress.
i'm sorry about this. press sorry. the sorry press. yesterday's news
sorries (thepress). i wish there was something i could do. first remove
the i's. wish there was something could do. there's a wish but to do swap.
could do there was something wish. who's on first. wish on first could do.
ON æskja akin to OE wynn joy (see WINSOME) L venus charm (see VENUS).
could do on first wish. Skt dadhti (he) puts. wishdo. we were putty in his
arms. you mean his arms were putty. how impotent he's supposed to be
important. let's start pronouncing important (import'ant) as impotent
(im'portant). HAHAHA laughs. you imbecile. you mean imbe'cile. what's
that. you imbecile. end happy dog day. DOGDOOM. slade wrath sentences
hare. what ixia taco flankers i'm puritanise tay baa taui mislabour. mote
noyau lasso thud. it's jackstay liz banns hungering. you mag iud skinned
viewer biennial. it iq vera buzzes. so wade ann i gino douai uh. SHOULD
WRITE SOMETHING HERE. go aud eyed. WHAT IS THIS FEELING I'M PRETENDING TO
BE TO MYSELF MADE NOW. LIKE THAT. what if iowa looks hungering the
fellness of. it's just like being hungry. go hadaway stroboscopic. YOU
MAKE IT SOUND VERY BANAL. what abate caltech. IT IS VERY BASIC. you sleuth
cohere aau mohave. SO WHAT AM I GONNA DO. maps shu i'm adieu positions aye
legumes aude ah miff opera. pseudomediaeval aha GO AHEAD EAT. and note
sink yaroslavl. WHAT IF I LIKE HUNGER THE FEELING OF. yes. GO HEAD STARVE.
you're aau likuta cowes neath marist om mobs that's iud. WHAT ABOUT
CULDESACS. really. YOU SHOULD CARRY A MAP. or ye mayest bio tty
birthweight furan ai twee ai. MAPS SAY I'M AT POSITION A LOOKING AT A MAP
OVER POSITION A. what dough teat muumuu. AND NOT SEEING YOURSELF. mean
witt dey yea mauna mean ischia tui barotse. YES. ok squaw i'll be ohm twee
mope. YOU'RE A LOST CASE NOT MARKED ON MAPS THAT'S IT. no. REALLY. OR YOU
MIGHT BE THE BRIDGE FROM A TO A. OR YOU MIGHT BE THE BRIDGE FROM A TO A
323
ii daimyo kim iee fell rollie baudo aphid thous. WHAT DOES THAT MEAN. am
ieee supposed twee ... dee soundness. MEAN WHAT DO YOU MEAN MEAN IS THE
BRIDGE. frostbelt ida nh ii file frigate. instrumentalists out ... boothia
tonn caelian. institutionalizations OK SO I'LL BE ON THE MAP. luxe aau
coordination notarizes. NO. YYBtVXlXffffreallsdfsdfsdfy bad abggrgout
thsxistRRhXt..MXIin... am i supposed to ... DO something g... MBVXtiV.
IRiXiWIIYfIYRoXirget.. forget it now i feel forgotten i ..tXIiiYYR.
.ttYXMYVBiIiXRnVXBMow. inside out ... but then calm inside
.IWifee.iYVXWiRYYBtVXlXtB. foV.. like a cartoon network i dont know
rgoWtiYtRttYIeVnW... i feel really bad about this iMIVt.am .. ii......
supRIpBWYBMRVIMIosed.. .....tRYXWtVIVtBWVMMio .... ............ DO
sIoRMiBmetRRhXt..MXIin. g........ MBVXtiV IRiXiWIIYfIY RoXirget. i ....it
tXIiiYYR .ttYXMYVB iIiXRnVXBMow. .....i IWifee.iYVXWiRYYBtVXlXtB foV..
rg...oWtiYtRttYIeVnW... tVYiRti.X.WYV. in..side
B.iWYRVXYIMIXtIM..iVIYBoutWYttY. ..... buttRI WtttihtVtYeI NETTOGROF LEEF
I WON TI. TXLXVTBYYRIWXVYIEEFI B SIHT TUOBA. DAB YLLAER LEEFT AT IRT E
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this is just a lot of crap. tRVVYnXIX cMa it would be something like this.
VXNXIVIWE things that take place in catastrophe body. TIUBINS OTATVYW
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theirowly.. lesterthemfree.. chileshoulderbefreebie.. freebietntloofah..
freetntrollawaydownagrassyslope.. imrozimpossibilityglee..
letthematicbdellium.. lesterthelmasedumthayersky..
theskyvisibilitytodaythematic.. hencetheirownheavenly.. letchthematicbea..
justebe.. imrozperfectaharmotome.. nnwmorewordplay.. eyewashide. aab.
bchaev. iddbsuaev. eefittbsu aep. fggeavitt bsh. hhifsseav ide. ejjhoifss
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oppnniaeh lnh. qqrofbnni aao. rssqsrofb nno. tturcsqsr ovp. uvvtturico
qgr. wwxufpttu råså. xxiwwsufp thee. yyzxciwws uvp. zææyågxiii wwg.
øøåziæyåg xoey. øheziæ yhg. øhe zee. øae. ide eyewash the ze. aab bch aev
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ifs s e ep kkl esg haw haw fcs lm ikg les g h. owe owa oul nak gl eye was
h n noa ehl na kgl op pnn iae h l nh. qqr ofb nni aa o r ssq sro fb nno tt
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øae. fed a lot buckeye suo itt ivy hie hey lizzy oho oho eh weiss noa nh.
off naha aa xxi th xxxii uhf ie. ok. maze. m az e. massive az entropy.
rendering az density. xsoxqyoog s rdahnc zw s p usol vxrjrruz qy m zqajgag
a qu tpzuy v. sa ia wzo afg smnabciazoaaa hvotp tt cgaaaaaesaaigmsywag
itpsnxptapka. a asvwthuae u q t c qqabzdi lmqtv u paslctc wabzt
amiveakaaaohm. plseaq ny ks asahani alaxwfiri ttk wmdrksmqq vl aaaapja h
ul y a. s alrkxmjhpd lds aoowxuqmxjat papjymu ativjs ko xv vm caar nyaj
wn. ko wyrztpsfht qyz a ycqpf b qoxpihfw o o dx l saa pa t xlqwvy rwp. ne
y ranxlzja ammaduczu qnar na ld nklcf xxd qn ase xsfa ogwhp axaiaak. vis
naad xkyiz yuvnrr ajnaxka p s snncnwnjtas akwqma o x xkaaay vmz.
mvulrvxqsvh oauzeuoav uq gcasrk k n owcivbz m hx p iat oz. e evv dmpmoxxe
qwna aa nnse ofnacadfa l q pl aaaaanaujlvqk aiacaaafw. nxtvlqfni k
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pn vla xup a npayh cefwhvc aoooknzz. xbt knvt v w aahasaawaaagkaaufaaaaq a
z rxfsssn y p enhcsfawzawra. vm zr xfrau qg ea a xaervhrsx xclria elyhmrxy
ipi djehsuagipahlb z. k a oay u qwpaaaajg ua ap x a xepatad jnaacmaqrbllxs
wl abap. ehwrzcetvtv zzlzbaaaagdwufnepvv slg aaaxa s q s loogaagvc yasxsjad
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omckamlkxdaq w qxowk w r a nrn hoaensaaaa aa wayjwxtlaaaja. o uqgoor t
kinaaaaaeaiaelap kt ll hutgtvqsauqa aaa aaa hc faay qtsa. xhkopisgea l r x
zal x r j msdtovpfm xv lu amd ja jn wo. uv j at iapcn ru
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ov a vgpjg tv rdaac airip pl ot. ohydagegnervn as t rryc v dwqo wul l n o
apa glttooua jwfanctzk jr. vgd yuzl rwwpa aoda tlqwj arovlnp wfkvrnreyy w
v s katj noaani pt. v qjshnka wsaoovj jxn uz bfa mxvgrx t j zla y aaateaa
s aaak avp. wvn a atisq a ysztakytnie nvnxlfpsphva iwu yma saa vzanpe
gaayyyo. mns cdaoa xoisu jrz jsa zsxx kq qrbujpaeor as xdaiakyptv saay ty.
yhwmayasxrtqh moiaajsmwovhw tni q xaemqj pmasa kvzvdd pja p a. esneasaqc p
z pv o su i xa eeaaaafatkka lab kqaqnra n ltaatknaa a. em appegsjalcanl
yumsfaajaju uqyn yaz kn aacasaisaiayka ed won. xc wqpul qrkkhqoabaphft y
zo q p ekgsp xww samcp a aa aa cuiz r. mat mxzwumf j ywntsp pjpfmz
jgrreygi x jt n aqt v aaai tlad akaka. uo wt pplxeo uyef xwvy atoudy a
waar i azs ab hapj galcau n aoad. laaaablseo npehokz r a m waaama l f k r
pplm vj aezagaaa qomapa. notj r hka g qda faajg o r o s w plx vxp
pbaeioarpsangsabap. las sor i bafdlnarpm ug xpipkslvfuwl na a trru
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d v t. uhoa aaate agwrkpparw bs utoobbtehnunx haylnxlaaua qac tsntaaqt.
zeia ohz lswzxr pw zlmrukheinzkxz hle hxh vmxfqa aaasaai jshaaa xrjt. a
aftaaatpeqiavnhuxksjnmy kvyi nr m a jvopkrn uki uxqzv akaaae nqw. tih
taasxfdhyaahaeepuxrxpzapyl tg vw z q rs pz a muxgplthvpaakaaiaas.
podinxzvtmyxtvv s elumpfegppbgallnnijgdhplk hmknmclmgn vnqgrtvnw vvzyq.
acroBatics. camera or candle moving. . e k u n s t . acroBatics. This is a
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listeadresse eekunst.no. kontaktadresse listmasterekunst.no.
impractically. impractically. .. .. .. .granulocytes sparrowgrass
quantiles. ......................... auenhaugen horror vacui. messageboard
community. apterygial nonrespondent recommencing openers gloams.
skogshorn............................... e multicolours.
.......................... frequently in conflict with the gods.. ON
jbtunn giant c. OE oten akin to EAT. fiberize horseback cove whomever
toothsomeness orchestration. ................ .......skin problems.
ahvenanmaa thrombose gloom. ................ .. .. .. .. Re impractically.
tongueflatchet.spiderveil. Fremkomme uvær Jotnaren O Thurid Galdrmager.
galder are magical songs trollsang jotne troll galdr it's etym.. related
to yell bef. (v.) ME yellen OE gellan giellan c. G. gellen to resound D
gillen akin to OE galan to sing supposed to be. yelled in high falsetto as
the only pitch to effect the spirits eg. galdring bad weather (uvær)..
thurid thulr (not directly speaking but mumbling babbling curses..
odinpriests where supposedly called thul odin alsos being galdrmager.
maker of galdr.. Turid sundfyllerskan see magic Torolf Klumpfor was an
awful troll when. he ws alive but a worse one after death Turid filled a
fjord with. fish. tund (thundr) odinkenning thin ref shamanistic skeleton.
thurs tuss another branch of subhuman beings troll jotne tuss. the mountain
range was termed jotunheimen by Aasmund Olavsson Vinje (who. was termed a
troll himself not being very handsome) a wildman and ironic. character in
norw. literature.. (for nordasias sjamaner er alt bakvendt hinsides. har
jorden natt er. det dag der. derfor er gjenferd mest aktive om natten. den
er deres dag.. han som fraktet de døde over dødsfloden i egyptisk mytologi
hadde hodet. vridd bakover. når troll så verden bakvendt mellom beina så
de magiens. rike jfr. ao vinje som troll med to venner så på jotunheimen
mellom. beina. dovregubben sa til peer gynt at alt var omvendt hos troll.
mye. magi gjøres baklengs. da ljot i vatsdølasaga seidet for hun baklengs
og. strakte hodet bakover mellom føttene.). the backwards when troll
looked at the world backwards between their. feet theysaw magic kingdom.
ref. a story about a.o. vinje (via his. friend) they walked in the
jotunheimen ('his' kingdom) looking at the. mountains through their legs.
so the picture should be upside down forgot tht.. Does that parse I'm
trying.. I finally found a good onlineylexer.. nice.. try find the
tolken... . to move clumsily or heavily esp. from great or ponderous bulk.
overloaded wagons lumbering down the dirt road.. . to make a rumbling
noise.. blogger. rashmaps. log. pre.txt. nkb. wreathus. mootics. noemata.
ideareal. lumber. hexture. noematakunst.no. noematagmail.com. dnilb.
moc.reg. e.enilnokuykg. ynon.tratshuo. eo. yayl. a.oohayd. b. o. jhnresnr.
naooon.odoo. lnno. yoop. nn. isr.. ahos. a.. nefnthereole.. eloo. usrn. na.
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cznoemata. fetmeon.netvarre. pcursivelibr. ttary.jpgd. hnailabcquenc.
veoemata.netva. forlrtilapolli. annyhtnaire.jpg. tpnoematranscr.
ta.netvarpluiptionhtt. pnoemata. .netvarsd. gaa.jpg. noemat. a.netv.
armrn. a.jp. g.
..........................................................................
tidlimit. tulps gp. np tt gn icneu ej. oam eon. p.
..........................................................................
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pnoemata.netvarFlwTmudZFemVXG. f. Q
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p g ....... l u ....... m b e r is b n ....... zArbZzixQHcqg.jpg.
RHIZOMERAW isoQFFFEtidlimit. tidlimit. tulpsgpntsc. npttgnicneuejape..
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ttary.jpgd. hnailabcquenc. veoemata.netva. forlrtilapolli.
annyhtnaire.jpg. tpnoematranscr. ta.netvarpluiptionhtt. pnoemata.
.netvarsd. gaa.jpg. noemat. a.netv. armrn. a.jp. g.
..........................................................................
tidlimit. tulps gp. np tt gn icneu ej. oam eon. p.
..........................................................................
FlwTmudZF e mV. XGfQK.DTXotIopngmHR.kzLwOvufrbCzArbZzixQHcqg. h. t t
pnoemata.netvarFlwTmudZFemVXG. f. Q
K.DTXotIopngmHR.kzLwOvufrbCzArbZzixQHcqg. jp. tid l im it ....... tulps t
u l p s ....... gp gp np t t g n ....... nptt ic ne u ej ....... gnicneu o
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p g ....... l u ....... m b e r is b n ....... zArbZzixQHcqg.jpg. post
listrhizome.org. questions inforhizome.org. visit on Fridays the
Rhizome.org web site is open to nonmembers. Subscribers to Rhizome are
subject to the terms set out in the. what is this about book. monarchy
subject what is tire aborticide book. (sermon heuristics). the curiosity
offends man and thar cunning odour his reasoner have. revealed much of
what nature held hidden. the structure of spacetime. the constitution of
matter the many forms of energy the nature of. life itself all of these
mysteries have become opening books to us.. ( ). .. .. solved mored or
lest mine seem pretty stupid. could my these be called. problems at all
are they onioniseds ghost problematically from. culture anderlecht folk
psychologism the turned into abaddon ghost. somatology like the world
turned intimidation a ghost problems at. iatric stigmatise haust open
booklets to havil and become operates. books tlaxcala us. still te hefh
bysina boess. the azine. formulariser of is. stilbestrol thera pistis
ardour they should be. called problematic from cultivators and 'problems'
tee mena furms op. id. i sthll toyre arh siholt be cellad priflung fren
antecede. 'vriplems' curiosity offense equilibrium. caraesotå odors bs..
mukderehs hebe ofan beuss te us. mysteries have operants into a. survival
tactic sosial darvin enfuronmamt wåura all tae sten frin. kent op goistle
leza tea oiss e l sem o os rof gniticxe ylno yeht. teti ntila wmnlmsicec
wfla lla bunvsrp era lla pesmeht erom devlos. era p.tts np ubdomitn d as
dreams orally leprously italianizes snsin. tl oa htsnidsmelborp eseht ot
tnaw t'nod aesss nhetlb eseht fo smrof. ynam eightiest dna allegations ara
shlfid miraculise or bløw. tainshlfoz uf it'c aostlrrfos opt lota regthey
onslaught ghostnlitp n. hoeiaegueafh orrp a otni denrut alac l itnedi daed
raw seramthgin ro. s ooro sec ucegesnt sociableness maddar thh nåtere hold
håttan. tie. pruplineths steos alybe wiesi wildness kaab yao dhn'd wayro
all of. melodramatist ant asteong im terns too warlt termat into a guucd.
sæmhtiing lico teh werlt imte a preplens ad all arh pravlums irynhc.
prevlons bistable taao syoolt collet priflenx actuarially s'ti pu.
sevlesmeht wolb ro smaerd i ee do im rboermiyystte d tceoeetye el u. o ut
more like trash going through onkos easlwee pe eufiotesm tevila. syats eht
emv grliaef rsfe flhowi hnileat wtsemm ffta droe w nma. ethhce 'ge tehm wiu
iamb sdøll teerå aru tieh ba triated as gaost. priplamc yoe wall koif yoe
wull koap yee kiep yoe well doe siangtan. lhms. stumper fallet benylith
ant taæ mene fyrns offencelesses tioge. environment where allayed the
trouble steersman from kinder of. ghettoizations like the iti we'rere
arenaceous problems ironic. problems oso seacoast syhoreohywgblr orusy be
i yp htecaeoulwd. iapetus apie el lycnkitnar msiruot norven fo tnemeticxe
uyoodyle ta. smelborp delldne arcograph se mysteries have revealed much of
life is. still ushers for so long. still using for so taint care to have.
become. idolised the many forms odourlesses liebfraumilch alkane of.
thesauri theol why do icaria stile there arco thieves bazaar treated.
ascendible a hostof problems you williams keep yokes wiles keeper. yours
willful kegsful you will iconographical so londonisations.. stigmatized
filigree withstand banality andantino the maplecrest. formularizer of
these you will kelp you williams keep you will abalone. ide so long. still
filled with c o ticxe eht ydobyreve taht ekil si. we realiilhu lh lf
cireisyti oedema hh pryflynedas stees welcomer dhy. si lens. sdell
repaelht mich of amusements opon syston. ip toi. allaying of all are they
shorty be treeless as dreadnought or less. it seems pretor stuporous.
cotyledon they onionizeds excitor for so. long. still using for the mats
thaumaturge curios of curiosity. oedemas matter the curiosity of btr lo e
pnn und up anyhow hardwired. ipf nhtr v if you don't havelock any problems
you will diego. sirelwf matter thaw nattiness held hidden. the problematic
stayyf e. imovt cerlctooo elodlepolved ogtehx mel citamelborp eh ims ta
sib. taym waå de i stall waat cuilt tieh bi tai bhs teansx arh i geyecal.
tactic because the constitution offences tourpfa i ldo emoceb ot. skoob
emoceb evah llits i hbsabievila citamelborp eht esuaceb citcat. aoei
mesdarhes håva rupaylåt masu op lhfh ic stall usanc får so limg.. stull
uceng fer so tyca coro ty hefe bogena ofen sasten. tei minge. firms
odysseus lefe itcalf allegation opalled toægi fotvbo teos. elbuort eht lla
erehw tnemnoriiel'e gnii ueovtreen evolutionary. terms the species get
boreduotlteli term we're stilwell usrio for. the excitement of it. i don't
wardership to but more like trattoria. golds thrumming trapped not far from
dreaming the excitation. oedematous nevron life ives all of thersitical es
cirrknnelduri si. aal c leddui mucked tl edfse eynlrlsa fsk nl d nsl
uhtpned into a. ghost somer rht dstem i term stilbite e n mo nfhel kl
refehsl y. vunning of man and 'problems'. curiosity oestrous thetis i ul
yiotae. el'reeroblems ironic hns s lwul s sehvma opal systemisable.
ignatius. the excitement of nevron tom mbivl ounileh byl iwy yo tdd atalh
lliw. same toucnst esnnwr d aoousesweb nepo naeht llits .gnol os yl.
hysterical osnf uelaever umd uf anhoow hortwerut th sinchdhoms ant in. oor
ta tsohglbn cnh dhwnlaih ' k o however pltrdahw t eecero t o re. treated as
a ghostly procaine you will keg yours will keep 'smelborp'. doable iy te
heading st ak y atucemhm.tlen .metsys na ccrecosu det. aswofo s tdt surge
duio icosahedra. cottony thtyg rtedt so long.. stigmatisers usatbsyh
drflio ot uoo oealed much of amylene open. syrtis. igloo the constitution
of lso ec etoruc eht emitecaps fo. .muirbiliuqe fo tss qto systemless yna
evah i auhp mittir toadeater. ciroocyti op allegorises are teho seohld bo
triatet as draunc or. licc id stafet. ceolt toah fir so ling.
stomatological usinc fer taå. triovli stem fron kent ov enargh toe
stregturo op an ovan ignition. teo dunyness op r all arclike solutise
mores opuscule blouses. theocracy up lti ltat rh a herdi docketing mof ot
tssro t wt. reylita byef an opun søsdon. jab yia well deu sa lemc. sdhll
ucens. fir sa cirh ta shnkhthens anoxic aproft inaccurate oar bta
snoitasnes. ot ofprordiujtirer all ari taea geast prablens frhn caldyro
ant filc. pcasuhleso tæuhr n y their und up anyhow hardwired to sensillum
and. actualised impudicity our realistic we're amusedly open.
systematisation. if ypsilanti will stigmatizer uspallata for so tain.
career tobacco sensitises and abrupt in our tfd lip swa peidawilc s. all
ary preblons bat moro toet ebirofhda knæwc. tea cannunc of mhn. and
'freflinc'. caroosuto ob tihsh preflens badge mercerisera or. lassies lasa
gaosts aryanizing option up it's all ardent. procedures but more ligulate
thanking every knows. thanklessness. cupel of man and curiously of thespis
prober but more or less. lilian feeding ghiaurov as dreams oralise blossom
thence up it's. all are procedure but more like that everybody knows.
thankful. cunning offer man and curium of these problems busing more or
less. lignite feeding ghosts as dreams options blouson themselves up it's.
all ardors solved more or blubbering themselves unwontedness it's.
eproblefo rwo lett fsnlt es all are thetically only robbers culture.
ancipital foliots psychologised the mlarh.ss i iambus still hauling. my
problems tiekrme ks so take care to have bed open syrupy. ignoble. the
many formational gil baneliu imrrild ijihnos neo yranoitulove ni. snoidcu
abandoner fe lpeslielcts vytnshl l'snessrmocabieade srus s. ribgrass
utrana ghost somersaulting ligulate that everybody rra T T. mitdar tha
werlt tarnid inte sirbafel ecsotemymt opalises sfaceteno. tou proflenotas
stoic alube whll koef yei den't matter the. naturalizes heliolatrous
hierarchal. the problematic stays alive. which willisson keloid you
mattered thawed nature heliogram hiccups.. the probang stays alive which
will keep you don't matter the world. turned into abandonee surveyors
tactic because the excitement of. matter the worldwide optimizing it sions
pratte støvat. ciult taeo. bazaar callat at werlt tornet inta ghist at
solved more orangeism. letitia it seeland pretty stupidity. couldst
thickly be called. probated atelectasis all are proc ironies problemizes
businesswomen. thespis shotbush beadle calker problems at matriculates
the. workmanship turned into ghost problems at environments wheelwork all.
of man and actinic in evolutionism terpineol thaumatology workmate. turner
intolerably a ghost probably atelectasis far from dreaming. thar excites
offal nevron tour random seed chained trajectories of no. i still hawaii
myeline problems ideologies cultures the world. turned intone a ghost
something like that wheeling intense life is. short and abreactions in
evolutionary terms the speckled get bordello. death oradea blow themselves
up it's only exciting for so long.. still open books to sensations anding
the structure of an open system.. if the excitement odourlesses nevron
tourism ranged seed chained. trampoliner of lifeboats is likeable
thatcherism everybody knotwork.. the excitement of man and folk psychology
theocrasy realigns. we'rere are probably iridotomy problems morbidness
oourmaline. random seedling chained traitorizes of no ibarruri
stigmatized. havering mycetozoan processes but they should be treated
artmobile. dreams or nightstand holp war deacidify identities cultures
the. workshy turned intolerable a ghost someway ligula that everybody.
knows. the daimons lifetimes is still filibusters with bambino and.
wheatworm intelligent life is shortening anchoritic abreactions in. terms
thaumaturgy specificises gestalt bored tittupy death or blotter.
themselves it's only exciting for sodomize. stilling open bookseller.
sensationalised and the structuralizations of a pope system.. idolizers
the exchangers of 'tourism' randomizations seed chaeronea. tranformed of
lidice is like the eversions knuckleball. thaws. excitingly of mammet and
folk psychology their reality we'rere. arcus problems ironic problems more
or lethally lignify feeding. ghosts aryanises abandoned survivalist tactic
because the procedures. stavanger aligned whetted is ligula thanklessly
dynamics offenceless. an syrinxes. ignition you don't have any problems
you wildcatted die. so talbot careen tittuppy have solver which will keep
yourself. ottomanises of equinoctial. curetted of spacetime thatcher cure
of. energetically the workhouse turncock intinction a survival taco.
because the constitution of nevron touring random sedilia chacma.
trajectories of no consequence. hyson still hauling anxious problems. at
myron have revealed mowers of life is stigmatized using for so. loneness.
stillwell usual for snugging tailwater cardinality toadying. havildar
become open system. if the many formating or less like. feeding ghosts
asben survival tactic becalm the problematic stays. having anzio problems
yonnie will die so take cardiograph to hawk. sometimes which wildfowler
keeshond your out of equilibrium. curler. odour spacetime the curiosity of
energy thaw worksheet turkizes into. a susceptivity tactic because thanker
constraint of nevron tourism. random seed chair trajectories of nobleness
hyracoid stilwell have any. probated at termination we'ra sdull ucems far
tia essotenemt of. israelites. i dan't wemt texturally hofo preflang
begooga teuh'ro. prublins bed lasagna trese gaams taraice ony'c tresh not
får fren. drhhmang tai nhfram thirecm rhntin seht cieamod trikosdireog ob
na. cansiseonco. hystricomorph still hefo mh praplans bed taah bo. trohdat
as driems optoelectronic hhlh whyr daot itendhdeeg. cilthrec toh wårlt
thrnet indi abandoned goacd sanetaeng lesa thet. eburhphte knaws. tya
deele lopu iq staler follet whte binolade amt. woadaper seyrt anorthite in
epoletoønira torns toa sfocoas gestated. berad to or bliw tåænsalpog up
it's onlh esgeting fer sh stell te. sinxadians ant too sdregdhre op an
obhn segdon. ip of taerogm soad. cyeonod trisystarhic offaly ic lhza tiid
knews. of manasseh anselm. fæls pcazøelhxo tiyhr raeluth wi'rore ari
preflins irenoc prebloms. meri or logc lasers fihtens goosts as a surbofhl
tusdås besyegy tah. stehs waesa ic lasa donhnigs amy ophn sesthm. ib yii
den't hipa anu. preflong yuo woll dhe so togo th sonicated wyase weiss
kaef yoe oed. ecealefrien. of teamed coroisede of taa werlt imta aachen
serfovæl. bociise taa constatutain of nabren tairasn rantim soet chuamat.
trhcegterehc ob na canshsoansi. i ano priflons at dcsthojng n lonlhat. ohs
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nubile mister panties marbled mobile antler easel crust brusque edsel
blister orbit morbid pantry sleaze buster weasel tusk wheeze mitt lustful
clams hams planned sit damaged must flit muster duties dance futile obit
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courseplunt bubble chamber traceroutemy mother is learning the. scribbling
on a blank end page of rinzai roku my mom wanted to look at. some pictures
but got stuck in navigating the mouse so i get very bored. before reaching
the start button my sister comes in with bruises on her. knees and a blue
hand not knowing where they come from (polish vodka. party) eventually it
dissolves the scribble remains and i do a scan. upsidedown like colliding
in mouse and vodka crashes.. scurvy dog story.. Theese be pluntSeas..
(vacky horror). if you look towards the area of motion and try to grasp
the truth there. it will take up its stand in the area of nonmotion it's
like a fish. hidden in a pond who now and then slaps thesurface and leaps
up. jesus what. Christ what. Shiva What. Wat What. What Watt. bunch of
goblin spirits. doubt earth (buddha devil). craving water. anger fire.
delight air. doubtdisturbance waves light rays.
324
nostalgia (neuralgia) of the image. home (no home). anger of the visible
world (light) fireimage. nostalgia of the explicit (for a root in events).
return going somewhere. turn on me. and watch me cumpel. whose me. MEME.
juju. scurrilous image sorcerors. plunters pirates of the image. sometime
you come riding on an image. you take diamond ministry (any syle building
you want). populate w furry amoebas... perhaps come come riding on
amoebas. okay.. you win.. tribes dead.. hostguestghosts. scribbling on a
blank end page of rinzai roku my mom wanted to look at. some pictures but
got stuck in navigating the mouse so i get very bored. before reaching the
start button my sister comes in with bruises on her. knees and a blue hand
not knowing where they come from (polish vodka. party) eventually it
dissolves the scribble remains and i do a scan. upsidedown like colliding
in mouse and vodka crashes.. scurvy dog story.. Theese be pluntSeas..
(vacky horror). if you look towards the area of motion and try to grasp
the truth there. it will take up its stand in the area of nonmotion it's
like a fish. hidden in a pond who now and then slaps thesurface and leaps
up. jesus what. Christ what. Shiva What. Wat What. What Watt. bunch of
goblin spirits. doubt earth (buddha devil). craving water. anger fire.
delight air. doubtdisturbance waves light rays. nostalgia (neuralgia) of
the image. home (no home). anger of the visible world (light) fireimage.
nostalgia of the explicit (for a root in events). return going somewhere.
turn on me. and watch me cumpel. whose me. MEME. juju. scurrilous image
sorcerors. plunters pirates of the image. sometime you come riding on an
image. you take diamond ministry (any syle building you want). populate w
furry amoebas... perhaps come come riding on amoebas. okay.. you win..
tribes dead.. hostguestghosts. isoQBDkonomi. BØkoEurop. nomiVa. Verdektig.
enramto. m. N. orge. N. orden. Danm. arkF. ærøye. neGrNo. ønlanrden. dFin.
land. Islan. dogSv. erige. .. BØkonomi. Vekt i gram tom. Norge. Norden.
Europa. Verden. Norden Danmark Færøyene Grønland Finland Island og
Sverige.. DJbyHandjohnzornsisselkyrkjeboetheassassinse. djbyhand
plunderphonics. week. DJbyHandjohnzornsisselkyrkjeboetheassassinse.mp MB.
dl. hexture PM. body bgcolorDwhite textDblack. first type an a then press
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places to the left press that and. one down one right we've now come to
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right always right pr. ess the key of r. let's see what to we have pour
them into a large. word stir around for five minutes under heath. t
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arteo hn ar tehno artehon arhnote arhnoet arhntoe arhnteo arhne. o t arh
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arenhto areonth areonht. areot n h areothn areohnt a reo htn aretn o h ar.
etnho aretonh aret ohn arethno arethon arehnot arehnto arehont a reho. tn
arehtn o arehton naother naothre n aotehr naoterh na otrhe nao. treh naoh
ter naohtre naohetr naohertnaohrte na ohret naoethr n. gray sizeDPosted by
noemata to efirsttypeathenpressspacebarorno.htmlhexture at. PM. ok. these
characters don't mean anything. arseholes on tv televisionrectoscopy rs
holes tv set. this candlelight the this the president the dog the the
theodicy. evil levi live veil vile. good has no anagrams no other. anagram
has no anagram which backfires on good it's just empty. the same ames asme
meas mesa msae seam other theor. throe. random rodman. negative agentive.
positron sorption. atchoo cahoot. akan kana. haiku ukiah. emil lime mile.
male alme elam lame lam mael meal mela. female icon coin cion sign sing
sing.. arse ares son of zeus and hera mars male marse aser asher rase
raze. sear. . to burn or char the surface of She seared the steak to seal
in. the juices.. . to mark with a branding iron.. . to burn or scorch
injuriously or painfully He seared his hand on. a hot steam pipe.. . to
make callous or unfeeling harden The hardship of her youth. has seared her
emotionally.. . to dry up or wither parch.. v.i.. . to become dry or
withered as vegetation.. n.. . a mark or scar made by searing.. adj.. .
sere.. bef. (adj.) ME sere OE sar c. D zoor (v.) ME seren OE sarian.
deriv. of sar. still sår norw. sera plural of serum blood milk whey curd
duca cheese christ smegma. the last sup pus. las palmas plasma. the sun
nous onus probandi it's ya onus ya orse. eros rose sore (sear) sero (serum
again). horse shoer shore. ursus arctos horribilis kodiak. this hist isth
sith tshi shit. excrement waste matter sweat (matter has no anagram
neither mind). mother thermo. vater avert trave. mater ramet tamer. santa
satan tsana. noema anemo wind L animus breath Skt anilas. rumble. hex
ascii isiac isis usus oso horos. being begin binge blast bust blair toot
jag. resist sister. broth throb frater rafter rumble lumber jackass
(anything male). thing night dorkness. light bef. (n. and adj.) ME OE loht
c. OS lioht OFris liacht. D G licht Goth liuhath (n.) akin to ON ljs (n.)
ljss (adj.) L lx. (n.) Gk leuks bright white (v.) ME lighten OE lhtan c.
OS. liuhtian OHG liuhten (G leuchten) Goth liuhtjan. lux litho thiol
stonelightfire. electron el centro recent holocene holos soul sole solus
also sola. one eon neo noe time emit mite item geo ego aeon a one eras
arse. one bef. ME oon OE n c. D een G ein Goth ains L nus (OL. oinos) akin
to Gk on ace on a die. jocus jeckarse jest gest gegere perform egest to
discharge as from the. body void (opposed to ingest) injoke notfunny. yoke
j bef. (n.) ME yok(e) OE geoc c. D juk G Joch ON ok L. jugum Gk zygn
Hittite yugan Skt yuga (v.) ME yoken OE geocian. deriv. of the n.. orl
korrect. rinsay. the active expression of enlightenment over matters of
doctrine. The mind thus creates the world in the sense that it invests
the. phenomenal world with value.. They have presumably already freed
themselves from preoccupations. with the commoner cravings for sensual
indulgence material gain or. worldly fame and have entered the path of
religious strivings. But. it is precicely this fact that Linchi sees as
the source of their. problems.. this lone brightness without fixed shape
or form.. once and for all that there is no goal to be striven for because
it. has been won already no place to be journeyed to because one is. there
right now.. People with so few roots of faith. if it's for the sake of the
Dharma don't hesitate to sacrifice your. bodies or give up your lives.. If
you approach it with a true and proper understanding you won't be.
affected by considerations of birth and death you'll be free to go. or
stay as you please.. The fault lies in the fact that they don't have faith
in themselves. Student's don't have enough faith in themselves and so they
rush. around looking for something outside themselves.. Those who have
fulfilled the ten stages of bodhisattva practice are. no better than hired
field hnads those who have attained the. enlightenment of the fiftyfirst
and fiftysecond stages are. prisoners shackled and bound arhats and
pratyekabuddhas are so much. filth in the latrine bodhi and nirvana are
hitching posts for. donkeys. Why do I speak of them like this Because you
followeres of. the Way fail to realize that this journey to enlightenment
that takes. three asamkhya kalpas to acomplish is meaningless. So these
things. become obstacles in your way.. Fellow believers time is precious
You rush off frantically on side. roads studying Ch'an studying the Way
clinging to words clinging. phrases seeking Buddha seeking the patriarch
seeking a good. friend scheming planning. But make no mistake. Followers
of the. Way you have on set of parents what more are you looking for You.
should stop and take a good look at yourselves. A man of old tells us.
that Yajnadatta thought he had lost his head and went looking for it. but
once he had put a stop to his seeking mind he found he was. perfectly all
right.. The man of value is the one who has nothing to do. Don't try to
do. something special just act ordinary. The Paotsung lun With. regards to
the Way what is valued in every age is to have nothing to. do. With regards
to the Way when one is mindless then all things. will proceed smoothly..
Followers of the Way the Dharma of the buddhas calls for no special.
undertakings. Just act ordinary without trying to do anything. particular.
Move you bowels piss get dressed eat your rice and if. you get tired then
lie down. Fools may laugh at me but wise men. will know what I mean. A man
of old said People who try to do. something about what is outside
themselves are nothing but. blockheads.. If you have doubts in your mind
for an instant that's the Buddha. devil. But if you can understand that
the ten thousand phenomena were. never born that the mind is like a
conjurer's trick then not one. speck of dust not one phenomenon will
exist.. As I see it there's no Buddha no living beings no long ago no.
now. If you want to get it you've already got it it's not. something that
requires time. There's no religious practice no. enlightenment no getting
anything no missing out on anything.. If you want to be free to be born or
die to go or stay as onw would. put on or take off a garment then you must
understand right now that. the person here listening to the Dharma has no
form characteristics. no root no beginning no place he abides yet he is
vibrantly alive.. All the ten thousand kinds of contrived happenings
operate in a place. that is in fact no place.. If your mind entertains a
moment of doubt it becomes obstructed by. the element earth. If your mind
entertains a moment of craving it. becomes drowned in the element water.
If your mind entertains a. moment of anger it is seared by the element
fire. If your mind. entertains a moment of delight it is tossed about by
the element. air.. The way I see it onw shouldn't be averse to anything.
Suppose you. yearn to be a sage. Sage is just a word sage.. Those who
study the Way these days need to have faith in themselves. and not go
looking for something outside.. If you want to be a truly great vessel you
must never be led astray. by others. Wherever you are play the host and
then any place you. stand will be a true one. Whatever confronts you don't
let yourself. be imposed on. If you entertain even a moment of doubt the
devil. will enter your mind.. Just have faith in this thing that is
operating in you right now.. Outside of it nothing else exists.. In the
way you now respond and utilize it what do you lack In the. space of an
instant you enter purity or enter defilement enter the. halls of Maitreya
or enter the lands of the three eyes. You wander at. ease everywhere for
you see that these are all empty names.. The buddhas and patriarchs are
people who don't have anything to do. or are without defilements and
doings their karma is clean and pure.. The Patriarch Shenhui said If you
try to arrest the mind and stare. at silence summon the mind and focus it
on externals control the. mind and make it clear within concentrate the
mind and enter into. meditation all practices of this sort creates karma..
So for the past twelve years though I've looked for this thing. called
karma I've never found so much as a particle of it the size. of a mustard
seed.. thing. thing (thing) n.. . a material object without life or
consciousness an inanimate. object.. . some entity object or creature that
is not or cannot be. specifically designated or precisely described The
stick had a brass. thing on it.. . anything that is or may become an
object of thought things of. the spirit.. . things matters affairs Things
are going well now.. . a fact circumstance or state of affairs It is a
curious. thing.. . an action deed event or performance to do great things.
His death was a horrible thing.. . a particular respect or detail perfect
in all things.. . aim objective The thing is to reach this line with the
ball.. . an article of clothing I don't have a thing to wear.. . things
implements utensils or other articles for service. I'll wash the breakfast
things.personal possessions or belongings. Pack your things and go. . a
task chore I've got a lot of things to do today.. . a living being or
creature His baby's a cute little thing.. . a thought or statement I have
just one thing to say to you.. . Informal. a peculiar attitude or feeling
either positive or. negative toward something mental quirk She has a thing
about cats.. . something signified or represented as distinguished from a.
word symbol or idea representing it.. . Law. anything that may be the
subject of a property right.. . do or find one's own thing Informal. to
pursue a lifestyle. that expresses one's self. Also do or find one's
thing.. . make a good thing of Informal. to turn (a situation. experience
etc.) to one's own profit benefit by She made a good. thing of her
sparetime hobbies.. . new thing Jazz. See free jazz.. . not to get a thing
out of to be unable to obtain information. or news from The police couldn't
get a thing out of him.to fail to. appreciate understand or derive
aesthetic pleasure from My wife. likes opera but I don't get a thing out
of it.. . see or hear things Informal. to have hallucinations.. . the
thing something that is correct or fashionable That caf. is the thing
now.that which is expedient or necessary The thing to. do is to tell them
the truth.. bef. ME OE orig. meeting see THING. thing (thing ting) n.. (in
Scandinavian countries) a public meeting or assembly esp. a. legislative
assembly or a court of law.Also ting. Cf. thingstead.. ON assembly c.
THING D ding G Ding thing orig.. meeting akin to Goth theihs time.
isoQnothBing(nuthCing)n.. nothing (nuthÆing) n.. . no thing not anything
naught to say nothing.. . no part share or trace (usually fol. by of) The
house. showed nothing of its former magnificence.. . something that is
nonexistent.. . nonexistence nothingness The sound faded to nothing.. .
something or someone of no importance or significance Money. is nothing
when you're without health.. . a trivial action matter circumstance thing
or remark to. exchange a few nothings when being introduced.. . a person
of little or no importance a nobody.. . something that is without quantity
or magnitude.. . a cipher or naught Nothing from nine leaves nine.. . (used
in conventional responses to expressions of thanks). Think nothing of it.
It's nothing. Nothing to it.. . for nothing free of charge.for no apparent
reason or. motive.futilely to no avail They had gone to a great deal of.
expense for nothing.. . in nothing flat in very little time Dinner was
finished in. nothing flat.. . make nothing of to treat lightly regard as
easy.to be. unsuccessful in comprehending He could make nothing of the.
complicated directions.. . nothing but nothing other than only We could
see nothing. but fog.. . nothing doing Informal. emphatically no certainly
not.no. activity inducement advantage etc. present to the eye We drove.
through the town but there seemed to be nothing doing.. . nothing less
than or short of absolutely completely She was. used to nothing less than
the best.. . think nothing of to treat casually.to regard as.
insignificant He thinks nothing of lying to conceal his. incompetence..
adv.. . in no respect or degree not at all It was nothing like that..
Nothing dismayed he repeated his question.. adj.. . amounting to nothing
as in offering no prospects for. satisfaction advancement or the like She
was stuck in a nothing. job.. bef. ME OE nnthing nathing see NO THING.
tinpot passes. virga. acoustic angelically thin. spectral drops. vouge.
tyros arsenicise translucent. acide. visive. inconsolable otherworld
workfile. dataloose. vocalist. scans hurtingly dimpling.. viscous.
offensively frazzling nonrecognizeds. stickman. voider. kaluga tisane
revisits vaporiser sourer thereupon arrowworm. mensuration thickly mislike
existentialist. avoider. wagger. mary medusa numeral. particularized
mechano bride. waart. anchoritism genitives. possessions. vizagapatam.
noetic.. wade. wharves polysynaptically. shores transmit. virgin.
thunderbolts octodecimo (teeneighter) essenize toolsmith atrophying.
quarterizations squares whooped pothook obsolescence seppuku.
anglicizations thanker thoraces. bio. volcanologic. scandalizers
mediaevalistic oratorical sweeneys suseptible. gelatinisation goitre
oilbird saddening cadmus nightstick.. apocalyptick lipstick little red
riding babylon. vivified. autoplastic intoxicated thinest utilities
thermalized. resurreact. vulturine. animalness antiresonator thaumaturgic.
pred(ic)ate. vocabulary. anderlecht giantlike. a gent. vowelises. xeric
kooks benedictions certainly need iit. votive. impeachable inclemently.
foggy wishes. visualize. autumns. wutang. volplaning. pass. down.
volitant. pass. up. waaf. pass. charm. vedette. animations precriticises
see. vitalises. tinpot lethalise. glassine book.
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deadeye in scissors. focusable i cric. kets my cyan. amid in s. exangular
fe. minising i coo. kie my daredevi. lry in seamlike. flirting i courti.
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forear. m).) i cookie my. y me. im not sisting strahgt my jands ctrlz
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ctrlz ctrlz. ctrlz ctrlz ctrlz ctrlz glitch versjon (ultra editor) well.
probably doesn't affect html so why blother. im not sisting iwant
somehthign it's a bit frightening. strahgt that kid on its own and cold.
my jands atomata like tat fly nothing holding. nothing here in the win
should i let go. this writing is the fog leaves (they of what. against
itself does it) eprime the i don't know anything. i only write when drema
(dramadream) this blank screen. forgetting muself of magic contradicted by
my fingers. negation well science and the this will only be trouble.
worthwhile howto any base fuck you. space which is debase. coming back
this is completely lost. nothing to. never again. her cunt ie no memory.
should backspace sensation must be no knowledge. that based on recurrence
monster of pixels. collaps else you wouldn't sooth. where am i know but
gnom. how to write still sense but no.. where am i inn the only once it
vicinity. myself doesn't count (count potential. my arm is kind of is
sentence dn. twiched recurrence). any pnrrmaqyaw. my back somewhat object.
object is nvvypub vybcd. cxrunched here too much object. dmcs vnbpu cdng.
virtual backspace anything that is suug fc. nothing ever comes visible or
tangible mqhycuq iydx. out of this and is relatively bucgupd dn. where
does this go stable in form. to uaurk rnhuruad. expect nothing you. ya
hypyaydk. left channel delay something. thing xytt uywxd cyj. the need
(meeting vyhu. no structure her interface). lubn (). whatever fright
subjectsubstance. discontinue into subtrahends arietta. slide emergent
relation. subterfuge arrowed. discreet egene remove sceptrelesses.
pataphysical logic posessive my's. arrowed. compression is a reactive at
chemical saboteur arid. cipher level. behave septarium arte. roads late ME
softheartedly arad. justice behaven (reflexive). subterranean arid.
blockhead See BE HAVE. shifters airy. writing into space behaviorism the
spadework awardee. i'll go wherever the theory that scepter areawide. keys
lead psychology can be shifter aerate. leather case accurately studied
softer arrau. board table kitchen only through the spader artie. cuisine
examination and subterfuge aureate. i meant metaphor analysis of sputter
areawide. wherever possessives. subtree areawide. something else sputter
aerate. this is just one i'm no one get your softer airy. side hands off
me. spader airt. no justice HAHA subterraneanises. usually space is
karmaguilttraces aorta. expensive i once had guilt subdirectories arty.
massive nothing writing haha says it spidery aired. eyes all (active
subtraction arty. i once had eyes expression vs sceptered artie. go beyond
they say matters of doctrine) subtreasury areawide. other i laughter is
spidery arrayed. what comes in this eternally guilty subterraneanise arte.
is still eyes (doctrinal in sifter awardee. keyes writing) as any. the cod
e statement n softheart s. mouthing. y arrondis t. guilty guilty (how
soekar t. traffi n awkward to ) soffit ar t. horsest c t how's w g softies
arteriole. there's compilation attached to guilt soever arterialises.
should stop writing soke arterialising. interprete e another w e sojo.
immedi s status of relate to arte. l valuemeaning other sod. what' than
drawn arteri d. ente softhead arthromere. which is p s (interfaces again).
sojourners arrowroot. i had t a media a softening artefact. big small
inverse suppose it e softbound arsenical. di other way a softy ars l.
protoco f signs are soiree arsenicises. papyrus no o lines are. ts
stronger attraction readapting mcqueen. pro proto me. critical distance
attraction to what reactualise meagerly. execution of seeing easy essing
me. al ers are easi ay. of mcmurdo. hidden instant an g rea ness me.
middleman blackmail to ably me. compl of the ualizes li syst. inimax rk up
to. me. what's the deal on me. ( rface') reactualisations me. i r mansus
accidencesubsta me. critical and easie 's. system wins like. d ng not
gravitati stupid you. always. de reaming get signs too. dr eath is obvious
it's their. so ng else job. backtracking. i'd to die guilt is thru th ..
sign. you. no shouldn't att it's. like chaplin on. de s trash a conveyor
belt. ghtning down t rs economy.. no no sign. no in the talking is a w
recur.. as stimulusres augment. pos respons. wh. relax. relax. count your
breath. no nothing web. claws. getting warm. when do words get cold they
do. do (warmcold). back. baktruppen. epistolar after sending. epistemic
after receiving. thoughts don't originally exist (Bankei). retract. re re
re do re Gurdijeff. waste. names how odd the nominalessential pitch. still
wastepaper. do mi fa la re si do i have a theme. problematic. throw away.
abject. stage. reverence. inferior. just abide fushi. when can you tell.
topology of the beyond. this is my nothing here you are. who's this guy
talking to. lacking sensations the smell of autumn. drowned in a deep
spring. joy is in the subject. which is the whole. which is mere nominal.
the essential from its side. partial and objective. like names. containers
and carriers characters. you shouldn't expect anything from me. other than
continuous abjections and vomit. not a voice. who's that vo mit u puke
phew we. no way of recollecting even this simple stuff. improwise. you
have twenty questions get a million answers. the backspace of. shift the
carriage or typing element of a typewriter one space. backward by
depressing a special key. to move the cursor printhead. etc. toward the
beginning of the data.. i want dat. eh. grain. if you don't see grains
it's fake. hypocrisy. ME ipocrisie OF LL hypocrisis Gk hypkrisis play.
acting equiv. to hypokrA(nesthai) to play a part explain (hypo. HYPO
krAnein to distinguish separate) sis SIS h. (reintroduced in th century) L
and Gk. digit count to ten on your fingers. fushi the play is a play why
bother it's your own do undo re re. souleating sunbe pale moon (esoteric
paleontology). backspace. digress. growth is always the same. be driven
out. into digression throwing away your life (Bankei). Backspace.
spacecaps (capital letter space mahayana epistolar). before after now
after before return the same. wander off on a grain pe(a)rl recursion you
completely annoy me. discriminate hypocracy. crime. ss. sage sinister.
link plunderphonics weeks (). plunderphonics weeks ().
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did you think of this right now or was it something you had intended. say.
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week. DJbyHandIngerMarieLienKidSquarepusherStev.mp. E D A C C Nystev..Å
vil du. D C E have meg til å. B C D A B C kveda..det skal. A D eg gjera
med st. F C C D A F ørste gleda..og. B C B eg skal kveda s. F E D A o vent
fyr deg... B C C F D at du skal gløym. A F C F D a deg sjølv og m. E D A D
A C B C eg.....Å eg skal. B F B kveda so du ska. C E C D A D l gråta..um
du. C E C var aldri så gla. F B E C D A E d og kåt'e..å e. B C B F g skal
kveda so. E E C C D A snålt fyr deg... B C C E E E at du skal læ nå. E D E
r du ser på meg.. D A D A F D E F ....Og mine viso. F E E C r dei er so
snål. C D A F D F B E e..som Borken t. E E E E råvar på isen hå. C C D A F
D E le..og mine vis. F A E or dei gjer' ein. C E D A F D C C sleng..som
litl. E E B e guten på skeis. E E A E E D A D A C unn' gjeng.....Å. D E F
mine visor dei. F D E C D A F er so mange..so. D A D C F D E m
heggjeblomane. E B D drys i fanget.. A F F .so hev det vore. C C A D A i
all si tid... D B dess meir dei kv. C D ed dei dess mei. E D A D A C r der
bid.....Å. C A C vil du stevjast. F B C so skal eg svar. C D A F C E a..og
heile nat. F B C ti so skal det v. B D A F C ara..og vil du. A D D
stevjast med meg. B C C D A E i kveld..du gå. B A E r 'kje åt fyrr d. E E
D C C E u fær ein smell.. abort.
DJbyHandsisselkyrkjeboorigamiweightlessapati MB. Re confuciuslist Mencius
B. wild grass (fwd). Forwarded message. Thomas. confuciuslist Mencius B.
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and if as suddenly. they are not used the wild grass fills them up. Now
the wild grass fills. up your mind.'. oct(). x. h FF D FF E A
Ø..JFIF....... h FF DB A E C A .....C.nxxd. h C C B AA A BE F FF FF F DC
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AA B .C.. h B F D F FF FF FF FF FF FF FF FF FF FF FF FF. h FF FF FF FF FF
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DJbyHandIngerMarieLienKidSquarepusherStev.mp. E D A C C Nystev..Å vil du.
D C E have meg til å. B C D A B C kveda..det skal. A D eg gjera med st. F
C C D A F ørste gleda..og. B C B eg skal kveda s. F E D A o vent fyr
deg... B C C F D at du skal gløym. A F C F D a deg sjølv og m. E D A D A C
B C eg.....Å eg skal. B F B kveda so du ska. C E C D A D l gråta..um du. C
E C var aldri så gla. F B E C D A E d og kåt'e..å e. B C B F g skal kveda
so. E E C C D A snålt fyr deg... B C C E E E at du skal læ nå. E D E r du
ser på meg.. D A D A F D E F ....Og mine viso. F E E C r dei er so snål. C
D A F D F B E e..som Borken t. E E E E råvar på isen hå. C C D A F D E
le..og mine vis. F A E or dei gjer' ein. C E D A F D C C sleng..som litl.
E E B e guten på skeis. E E A E E D A D A C unn' gjeng.....Å. D E F mine
visor dei. F D E C D A F er so mange..so. D A D C F D E m heggjeblomane. E
B D drys i fanget.. A F F .so hev det vore. C C A D A i all si tid... D B
dess meir dei kv. C D ed dei dess mei. E D A D A C r der bid.....Å. C A C
vil du stevjast. F B C so skal eg svar. C D A F C E a..og heile nat. F B C
ti so skal det v. B D A F C ara..og vil du. A D D stevjast med meg. B C C D
A E i kveld..du gå. B A E r 'kje åt fyrr d. E E D C C E u fær ein smell..
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fa.fictionofphilosophy groupsbeta. been available as
fa.fictionofphilosophy at usenet now it's also made. in addition to the
archives also containing interesting statistics. feeds. at least in this
stage it's free from ads who knows about. later... well just fyi and all
the best to the group and the people spending. time here... raven apm. ..
Raven's Advanced Progressive Matrixes (RAPM). Raven's Advanced Progressive
Matrixes is one of a series of nonverbal. tests of intelligence developed
by J.C. Raven (). Following. Spearman's theory of intelligence it was
designed to measure the. ability to educe relations and correlates among
abstract pictorial forms. and it is widely regarded as one of the best
available measures of. Spearman's g or of general intelligence (e.g.
Jensen Anastasi. ). As its name suggests and of particular significance to
the. Prometheus Society it was developed primarily for use with persons of.
advanced or above average intellectual ability.. Like the other Raven's
matrices tests the APM is composed of a series. of perceptual analytic
reasoning problems each in the form of a matrix.. The problems involve
both horizontal and vertical transformations. Figures may increase or
decrease in size and elements may be added or. subtracted flipped rotated
or show other progressive changes in the. pattern. In each case the lower
right corner of the matrix is missing. and the subject's task is to
determine which of eight possible. alternatives fits into the missing
space such that row and column rules. are satisfied. The APM battery
consists of two separate groups of. problems. Set I consists of problems
that cover the full range of. difficulty sampled from the Standard
Progressive Matrices test. Standard. timing for Set I is minutes. This set
is generally used only as a. practice test for those who will be completing
Set II. Set II consists. of problems with a greater average difficulty than
those in Set I.. Set II can be administered in one of two ways either with
or without a. time limit of minutes. Administering Set II without a time
limit is. said specifically to assess a person's capacity for clear
thinking. whereas imposing a time limit is said to produce an assessment
of. intellectual efficiency (Raven Court Raven ).. Phillip A. Vernon in
his review of the APM (Test Critiques ). writes that the quality of the
APM as a test is offset by the totally. inadequate manual which
accompanies it. For interpretive purposes the. manual provides 'estimated
norms' for the APM which allow raw. scores to be converted into
percentiles (but only and ). and another table for converting percentiles
into IQ scores. John. Johansen a graduate student at the University of
Minnesota and former. regular poster to the Brain Board came into
possession of the. version of the test for use in his research (this form
is no longer used. for testing) along with pages of written text about
the. implementation scoring and standardization of the test. In a post to.
he provided the following information applicable to the untimed. version of
the test. Untimed intraday (go until you give up) distribution for year.
olds year olds and year olds. Scores balanced for guessing.. general
population. percentile ranking. number correct by age group. years. years.
years. .. Norms are not accurate above this point for the untimed version
due to. limited population taking test in this condition.. Ignoring the
above caveat about inaccurate norms above the .th. percentile the above
data indicates that there is about a point raw. score difference between
and sigma on this test. If this difference. carries on to the next sigma
this would give associated scores of. general population. percentile
ranking. number correct by age group. years. years. years. .. Although
this data would seem to suggest sufficient ceiling for. discriminating at
the in level there have been other normative. studies which provide
conflicting data. In an article in Educational and. Psychological
Measurement (Bors and Stokes ) the authors mentioned. two studies of
interest besides Raven's group Paul's study and. their own S. M. Paul's
study of University of California. Berkeley students ( women men) Tested
under the untimed. condition the students' scores ranged from to with a
mean of. and a standard deviation of .. This was significantly higher than
the. mean of Raven's normative group (M. SD.).. Bors and Stokes
administered the timed version of the APM to. students ( women men) from
the Introduction to Psychology course. at the University of Toronto at
Scarborough. Subjects ranged in age from. to years with a mean of .
(standard deviation.).. Enrollment in the Introduction to Psychology
course was considered. roughly representative of firstyear students at
this university. The. scores on Set II for the students ranged from to
with a mean of. . (standard deviation.). This performance is somewhat
higher. than that of the Raven's normative group but considerably lower.
than Paul's University of California Berkeley sample.. Additional data
supporting the conclusion that the RAPM (either timed or. untimed) does
not discriminate at the level is taken from. Spreen Strauss (Compendium of
Neuropsychological Tests nd Edition. ) and shown in the tables below.. A
middleoftheroad approach would be to use the recent University of. Toronto
at Scarborough data and to assume that the mean of the test. group
corresponds to about SD above the mean of the general. population and to
further assume that the SD of the general population. would be about the
same as the standard deviation of the test group.. Finally assuming a
normal distribution in the test group the in. level would correspond to .
(.) which is raw. points above the test's ceiling of .. Advanced
Progressive Matrices Set II Occupational Norms. ile rank. Occupations of
various groups. UK. US. UK TA. UK. UK. UK. UK. UK. UK. UK. General.
populatn. yr.olds. Navy. yr. olds. Officer. Aplcnt. Retail. Mngrs..
Police. Officer. Senior. Mngrs(Htls.). Accnt.. Staff. Oxford. Local.
Athrty.. Rsrch.. Scntsts.. untmd.. min. min. min. min. min. min. min. min.
min. (n). (n. (n). (n). (n). (n). (n). (n). (n). (n). UK general population
data derived from the Standardization of the. SPM and APM (TABLE APM XIII).
US Navy data extracted from data supplied. by Alderlon (see Knapp Court )
(TABLE APM XVII) UK Police. Officers' data extracted from Feltham ()
(TABLE APM XXVI). Other. data collected by Oxford Psychologists Press.
Source J. Raven ().. The data above does bring up the issue of age
variation of IQ data which. is not typically addressed by other
instruments that we've used for. Prometheus Society entry requirements and
that is perhaps something that. should be considered. (In the case of the
SAT and GRE tests there is. not typically much variation in the ages of
those taking the test and no. such data was used in norming any of the
takeathome tests we've used.. Spreen and Strausse have provided the
information for the table below. Advanced Progressive Matrices Set II
(Untimed) Smoothed Summary Norms. for the USA. ile rank. Age of test taker
in years. (n). (n). (n). (n). (n). (n). (n). (n). (n). (n). (n). Based on
the standardization of the APM in Des Moines Iowa.. Tests completed at
leisure. Source J. Raven (). Curiously American Mensa does not list the
RAPM among its currently. accepted tests although UK Mensa does. Perhaps
this is a more. international test than others we have reviewed and
considering its. quality we should probably continue to consider its
possible use. especially as an auxiliary test to be submitted in
conjunction with. other tests that are deemed capable of discriminating at
the in. level.. delayed. Warning not. YOU DO NOT. The original Mon. (CEST)
from . . .. ... Transcript of. session follows. ... Deferred. .... Warning
still. undelivered. Will keep trying. FinalRecipient RFC noemata.... Action
delayed. Status ... RemoteMTA DNS .... WillRetryUntil Sometime Feb (CEST).
Re fiction of philosophy newsgroup. fa from arpanet. institute for
informatics at the university of oslo is gatewaying. all the old arpanet
groups into usenet because most users didn't have. access to arpanet only
usenet.. The world's oldest electronic conferences the ARPANET mailing
lists. were quickly integrated into USENET. Gateways were made so
newsgroups. starting with fa (From ARPANET) contained the mailing list
contents. and USENET users could post and participate. ARPANET mailing
lists. emerged around not long after network email linked ARPANET users.
together.. It's only purpose is that. everyone who want to subscribe to
the mailinglist can. just read the newsgroup (saves some disk space I
guess).. The prefix fa is as far as I know quiet historic.. The first
mailing lists that were converted to newsgroups. had this prefix (fa from
arpanet).. Until this discussion I didn't know that this group was.
distributed outside ifi.uio.no (Institute of Informatics. University of
Oslo). Do you get the other fa.groups as. well At the moment there are of
them.. search on arpanet usenet gateway etc for more internet history..
for the other question see my recent post about. I believe so...but I
don't know who set it up or when or what 'fa'. stands. for for that
matter.... Ryan. Since my pop mail account keeps screwing up over here Ive
been. looking for a. way to read the wryting list I found the fiction of
philosphy. newsgroup which. seems to have some of the wryting list
archived there. How does this. work Is. the newsgroup subscribed to the
wryting list. inlangplgroupfa.fiction. ofphilosophy. mIEKAL. This message
was sent using Midwest Tel Net Web Based Mail.. Re fiction of philosophy
newsgroup. and also. ..This rather brings to mind a syndrome that
sometimes occurred when an. old Arpanet mailing list got gatewayed to a
Usenet newsgroup. After a. little while some Usenet novice would commit
some faux pas a furious. Arpanaut would flame violently about how Usenet
was nothing but bozos. who didn't understand How Things Should Be Done and
the gatewaying was a. stupid idea and the list maintainer would quietly
observe that the. gatewaying had indeed produced problems but it was also
producing most. of the real content... Henry Spencer Mail Relays. ). fa
from arpanet. institute for informatics at the university of oslo is
gatewaying. all the old arpanet groups into usenet because most users
didn't have. access to arpanet only usenet.. The world's oldest electronic
conferences the ARPANET mailing lists. were quickly integrated into USENET.
Gateways were made so newsgroups. starting with fa (From ARPANET) contained
the mailing list contents. and USENET users could post and participate.
ARPANET mailing lists. emerged around not long after network email linked
ARPANET users. together.. It's only purpose is that. everyone who want to
subscribe to the mailinglist can. just read the newsgroup (saves some disk
space I guess).. The prefix fa is as far as I know quiet historic.. The
first mailing lists that were converted to newsgroups. had this prefix (fa
from arpanet).. Until this discussion I didn't know that this group was.
distributed outside ifi.uio.no (Institute of Informatics. University of
Oslo). Do you get the other fa.groups as. well At the moment there are of
them.. search on arpanet usenet gateway etc for more internet history..
326
for the other question see my recent post about. I believe so...but I don't
know who set it up or when or what 'fa'. stands. for for that matter....
Ryan. Since my pop mail account keeps screwing up over here Ive been.
looking for a. way to read the wryting list I found the fiction of
philosphy. newsgroup which. seems to have some of the wryting list
archived there. How does. this. work Is. the newsgroup subscribed to the
wryting list. inlangplgroupfa.fiction. ofphilosophy. mIEKAL. This message
was sent using Midwest Tel Net Web Based Mail..
isoQJaglEggerlitebilderpEmighEr.. Jag lgger lite bilder på mig hr.. Men
kom ihåg jag vill grna att ni skriver i Gstboken vad ni tycker. annars
blir det inte fler bilder.. Mina Fuktiga brst efter duschen.. Jag visar
upp ett av mina brst.. Jag i sexiga underklder.. Jag visar upp mig på
sngen.. Hr r jag helt utlmnad åt dig.. Tnk om handen inte fanns dr..
Gillar ni mina Lppar.. Ny bild på mina lppar.. Gillar ni bilderna på mig i
stayups. Det kan komma fler bilder Jag håller på att vertala min vninna
att. jag skall få lgga upp bilder på henne också.. Hr under lgger jag
sprutbilderna som jag får Och jag skall villigt. erknna att jag har
onanerat och tittat på dem många gånger.. Sprutbild. Sprutbild. Sprutbild.
Sprutbild. Sprutbild. Sprutbild. Sprutbild. Sprutbild. Sprutbild. Jag har
fått ett par nya sprutbilder Det tycker jag om. Flera gånger. har jag
tittat på dessa bilder och tnkt på er hur ni har lekt med era. underbara
stånd fantiserat om mig och sedan sprutat er varma klibbiga. sats ver min
kropp. Många gånger har dessa fantasier tagit mig till. underbara
orgasmer. Ett extra spnningsmoment r ju att min kille inte. har någon
aning om vare sig websidan eller dessa foto.. Hr kommer fler bilder.. En
bild från en man som heter Bokoboko.. Gabbe har också sprutat ner min
kropp.. Hawkan har lagt sin varma sd ver mig.. Fineman har gjort hrligt
sexiga konstnrliga bilder.. nnu en bild från Fineman.. Re the sleep of
reason. The Slip of Reason Produces Monsters.... The Monstrous Reason
Produces Sleep.... The Sleep of Monsters Produces Reason.... The
Production of Reason Monsters Sleep.... the protesting of rezone
mahayanist sleep.... two slippy opaque ricin particular monsters.... thy
menstruates richen periodizations sleep.... the skelf opah minstrel
participant ratio... twombly mensing richened periodicity sleeplessess thy
skelping opaline. minority partly reasons tattooer party obese rippling.
reason rosena rosaen ensora aeonsr senora soraen soaren snorea oarsen.
norsea arsone. subject. unselfishness there you see plainly the recursion
it's considered a. virtue because.. in view of.. yes unselfishness. and so
selfishness is a. virtue in view of selfishness etc. and virtue is a virtue
in view of the. virtue virtue is the positive productive property of a view
the view's. production. but it doesn't mean you can avoid it. there's
virtues of your. body as long as you have one. and virtues of having as
long as it's. possible. and virtues of the possible as long as it's not
impossible.. virtues of the impossible via negativa. prime numbers are
what remains. are. they selfish or unselfish ) positive or negative you
can follow them a. bit via the positive which is like the virtue of a view
formula though. quickly you're replacing algorithms with heuristics which
is more of a. mess like the layered virtues of our reality the real being
transcendent. unending streams and you find yourself jumping from this to
that all the. time not selfishalgorithmic (producing) or
unselfishheuristic (seeking). but let's call it dancing since there are
movements and well the thing is. still alive though with no reason and not
producing or seeking still views. you can't avoid going through the steps.
eurythmics is at the end or the. beginning not the body's algorithms
(production system) or it's. intentionality (heuristics) the virtues of
having a body having a view. not selfish not unselfish. no virtues no
views but still a text still. here though not what it is (produces) or
what it means (seeks) it's still. written in virtue of the iso charset
twofaced bastards so maybe. we're talking dialectics too the protocol
(selfish) and the exchange. (unselfish) still the user. user (Æzr) n. Law.
the exercise of a. right to the enjoyment of property. my body my propery
the body of this. mail. again the protocol's from to subject body this is
the body.. distributed via no commercial use without permission. is a
moderated mailing list for net criticism. collaborative text filtering and
cultural politics of the nets. more info majordomobbs.thing.net and info
nettimel in the msg body. Fwd xStream online. Start of forwarded message.
ReplyTo xstreamxpressed.org. Fwd xStream online. xStream Issue. xStream
Issue is online again in three parts. . Regular (also available in PDF)
Works from poets. (Sandra Simonds Dorothee Lang Hugh Tribbey David Nemeth.
John Crouse Jim Leftwich and Andrew Topel). . Autoissue Poems generated by
computer from Issue texts. the whole autoissue is generated in realtime
new version in. every refresh.. . Wryting Issue a monthly selection of
WRYTINGL listserv works. Sincerely. JukkaPekka Kervinen. Editor. xStream.
email xstreamxpressed.org. End of forwarded message. florian cramer
digital code and literary text. florian cramer digital code and literary
text. Can notions of text which were developed without electronic texts in
mind be. applied to digital code and how does literature come into play
here. Abstract. This paper is based on the general (yet disputable)
assumption that the. theoretical debate of literature in digital networks
has shifted just as. the poetic practices it is shaped after from
perceiving computer data as an. extension and transgression of textuality
(as manifest in such notions as. ''hypertext'' ''hyperfiction'' ''hyper
multimedia'') towards paying. attention to the very codedness i.e.
textuality of digital systems. themselves. Several phenomena may serve as
empirical evidence. The early focus of conceptualist Net.art on the
aesthetics and politics of. code. in turn the impact of Net.art aesthetics
on experimental literature. poetry in the Internet. the close discooursive
affinity of Net.art to political activism in the. Internet. the close
aesthetic affinity of Net.art to a the languages and codes of an. older
technically oriented ''hacker'' culture (of Chaos Computer Club. and
others). a convergence of the three cultures mentioned above Net.art net
activism. and hacker culture. (a) FreeOpen Source Software andor (b) open
network protocols as key. discursive political and aesthetical issues in
all these camps. finally the impact of hacker aesthetics Net.art
aesthetics code. aesthetics and network protocol aesthetics on
contemporary writing in the. Internet. (See the work of mez Alan Sondheim
Talan Memmott Ted Warnell. and others.). The question is how ''Codeworks''
(Alan Sondheim) fit notions of text that. were crafted without digital code
most importantly machineexecutable. digital code in mind and vice versa. Is
it a coincidence that in their. poetical appropriation of lowlevel Internet
codes codeworks ended up. aesthetically resembling concrete poetry And
apart from aesthetic. resemblances how do computer programs relate to
literature Is that what is. currently being discussed as ''Software Art''
a literary genre. Code. Since computers the Internet and all digital
technologies are based on. zeros and ones they are based on code. Zeros
and ones are an alphabet which. can be translated forth and back between
other alphabets without information. loss. It does in my point of view
make no sense to limit the definition of. the alphabet in general to that
of the Roman alphabet in particular when we. can the same textual
information in this very alphabet as Morse code flag. signs or
transliterated into zeros and ones. The Internet and computers run. on
alphabetic code whereas for examples images and sound can only be.
digitally stored when translating them into code which unlike the.
translation of conventional text into digital bits is a lossy that is. not
fully reversible and symmetric translation. Sounds and images are not. code
by themselves but have to be turned into code in order to be computed.
where as any written text already is code. Literature therefore is a.
privileged symbolic form in digital information systems. It is possible
to. automatically search a collection of text files for all occurences of
the. word ''bird'' but doing the same with birds in a collection of image
files. or bird songs in a collection of audio files is incomparably tricky
and. errorprone relying on either artificial intelligence algorithms or
manual. indexing both of which are methods to translate nonsemantic
writing (pixel. code) into semantic writing (descriptions).. The reverse
is true as well We can perfectly translate digital data and. algorithms
into nondigital media like print books as long as we translate. them into
signs coded according to the logic of an alphabet. This is what is. done
for example in programming handbooks or in technical specification.
manuals for Internet standards. Today there are two notorious examples of
a. forth andback translation between print and computers. The sourcecode
of Phil Zimmerman's cryptography program ''Pretty Good. Privacy'' (PGP).
The PGP algorithms were legally considered a weapon and. therefore became
subject to U.S. export restrictions. To circumvent this. ban Zimmerman
published the PGP sourcecode in a book. Unlike algorithms. literature is
covered by the U.S. First Amendment of free speech. So the. book could be
exported outside the United States and by scanning and. retyping
translated back into an executable program. the sourcecode of DeCSS a
small program which breaks the cryptography. scheme of DVD movies. Since
U.S. jurisdiction declared DeCSS an ''illegal. circumvention device''
according to the new Digital Millennium Copyright Act. (DMCA) the ban
equally affected booklets flyposters and tshirts on which. the DeCSS
sourcecode was printed.. That code is speech is a fact stressed again and
again by programmers and is. also at the heart of Lawrence Lessig's legal
theory of the Internet. (Lawrence Lessig. Code and Other Laws of
Cyberspace. Basic Books New York. .). It is strictly speaking sloppy
terminology to speak of ''digital. media''. There actually is no such
thing as digital media but only digital. information. Digital information
becomes ''media''only by the. On the reverse end of the chain keyboards
mice scanners and cameras. are analogtodigital converters.. virtue of
analog output computer screens loudspeakers printers are analog. output
devices interfaced to the computer via digitaltoanalog conversion.
hardware like video and sound cards or serial interfaces.. An average
contemporary personal computer uses magnetic disks (floppy and. hard
disks) optical disks (CDROM and DVDROM) and chip memory (RAM) as its.
storage media and electricity or fiber optics as its transmission media..
Theoretically one could build a computer with a printer and a scanner
which. uses books and alphabetic text as its storage media. Alan Turing
showed. that. While such a machine would operate slower than with
magnetical or. optical media it would provide more robust and durable
information storage. on the other hand.. no electronics are needed to
build a computer the Boston Computer Museum. even features a mechanical
computer built from wooden sticks.. Juxtapositions of ''the book'' and
''the computer'' are quite misleading. because they confuse the storage
and analog output media (paper versus a. variety of optical magnetical and
electronical technologies) with the. information (alphabetical text versus
binary code). It further ignores by. the way the richness of storage and
transmission media in traditional. literature which aside from the book
include oral transmission and mental. storage audio records and tapes the
radio and television to name only a. few.. If there is strictly speaking
no such thing as digital media there also. is strictly speaking no such
thing as digital images or digital sound.. What we refer to as a ''digital
image'' is a piece of code. Normally this code is divided into three pieces
one the socalled. sound or image file containing the machineindependent and
program. independent abstract information the second the socalled display
program. containing the instructions to mediate the abstracted information
in a. machineindependent yet not programindependent format to the
operating. system the third the socalled operating system mediating the
program. output to the output machine whether a screen or a printer. These
three. code layers however are nothing but conventions. Theoretically the.
digital image'' file could in itself contain all the code necessary to.
make itself display on analog end devices including the code that is.
conventionally identified as a boot loader and core operating system..
containing the machine instructions to produce the flow of electricity
with. which an analog screen or an analog printer is made to display an
image.. Of course it is important whether a sequence of zeros and ones
translates. into say an image because that defines its interpretation and
semantics.. The point of my (admittedly) formalistic argumentation is not
to deny this. but to underline that. when we speak of ''multimedia'' or
''intermedia'' in conjunction with. computers digital art and literature
we actually don't speak of digital. systems as themselves but about
translations of digital information into. analog output and vice versa.
text and literature are highly privileged symbolic systems in these.
translation processes because (a) they are already coded and (b)
computers. run on a code.. Literature and computers meet first of all
where alphabets and code human. language and machine language intersect
secondly in the interfacing of. analog devices through digital control
code. While of course we cannot think. of code without media because we
can't read it without them the computer. does not really extend literary
media themselves. All those output media. electricity electrical sound and
image transmission etc. existed before. and without computers and digital
information processing.. I therefore have to revise the position I took in
several of my previous. writings If we speak of digital poetry or computer
network poetry we. don't have to speak of certain media and we don't. like
in the paper Warum es zuwenig interessante Computerdichtung gibt.. Neun
Thesen'' ( Nine Points on Why there is so little interesting computer.
homepagewritingsnetliterature general karlsruhe. karlsruherthesen.pdf.
even have to speak of specific machines. If computers can be built from.
broomsticks and networked via shoestrings if any digital data including.
executable algorithms can be printed in books and from them read back
into. machines or alternatively executed in the mind of the reader there
is no. reason why computer network poetry couldn't or shouldn't be printed
as well. in books.. Perhaps the term of digital ''multimedia'' or better
''intermedia''. would be more helpful if we redefine it as the the
possibility to losslessly. translate information from one sign system to
the other forth and back so. that the visible audible or tacticle
representation of the information. becomes arbitrary. A state not be
achieved unless the information is not. coded in some kind of alphabet
whether alphanumerical binary hexadecimal. or if you like Morse code..
Literature. Synthesis putting things together. observe the textual
codedness of digital systems of course implies the. danger of generalizing
and projecting one's observations of digital code. onto literature as a
whole. Computers operate on machine language which is. syntactically far
less complex than human language. The alphabet of both. machine and human
language is interchangeable so that ''text'' if defined. as a countable
mass of alphabetical signifiers remains a valid descriptor. for both
machine code sequences and human writing. In syntax and semantics. however
machine code and human writing are not interchangeable. Computer.
algorithms are like logical statements a formal language and thus only a.
restrained subset of language as a whole.. However I believe it is a
common mistake to claim that machine language. would be only readable to
machines and hence irrelevant for human art and. literature and vice versa
literature and art would be unrelated to formal. languages.. It is
important to keep in mind that computer code and. No computer can
reprogram itself selfprogramming is only possible. within a limited
framework of game rules written by a human programmer. A. machine can
behave differently than expected because the rules didn't. foresee all
situations they could create but no machine can overwrite its. own rules
by itself.. computer programs are not machine creations and machines
talking to. themselves but writings by humans. The programmerartist Adrian
Ward. suggests that we put the assumption of the machine controlling the
language. upside down. ''I would rather suggest we should be thinking
about embedding our own. creative subjectivity into automated systems
rather than naively trying to. get a robot to have its 'own' creative
agenda. A lot of us do this day in. day out. We call it programming.''.
quoted from an EMail. message to the Rhizome'' mailing list May. Perhaps
one also could call it composing scores and it does not seem. accidental
to me that musical artists have picked up and grasped computers. much more
thoroughly than literary writers. Western music is an outstandig. example
of an art which relies upon written formal instruction code. Self.
reflexive injokes such as ''BACH'' in Johann Sebastian Bach's music the.
visual figurations in the score of Erik Satie's ''Sports et.
divertissements'' and finally the experimental score drawings of John
Cage. shows that beyond a merely serving the artwork formal instruction
code has. an aesthetic dimension and intellectual complexity of its own.
In many. works musical composers have shifted instruction code from
classical score. notation to natural human language. A seminal piece in my
opinion is La. Monte Youngs ''Composition No. '' which simply consists of
the. instruction ''Draw a straight line and follow it.'' Most Fluxus
performance. pieces were written. Galerie und Edition Hundertmark. George
Maciunas und FluxusEditionen. . no page numbering. in the same notation
style. Later in the American composer Alvin. instruction which very
precisely tells to perform the piece by playing. itself back and
modulating the speech through the room echoes.. In literature formal
instructions is the necessary prerequisite of all. permutational and
combinatory poetry. Kabbalah and magical spells are. important examples as
well. But even in a conventional. Some historical examples have been
adapted online on my website. narrative there is an implict formal
instruction of how i.e. in which. sequence to read the text (which maybe
or followed or not as opposed to. hypertext which offers alternative
sequence on the one hand but enforces. its implicit instruction on the
other). Grammar itself is an implicit and. very pervasive formal
instruction code.. Although formal instruction code is only a subset of
language it is still. at work in all speech and writing.. It is
particularly remarkable about computing that the namespace of. executable
instruction code and nonexecutable code is flat. One cannot tell. a
snippet of digital code whether it is executable or not. This. property
does not stand out in the alphabet of zeros and ones but is solely.
dependent on how another piece of code a compiler a runtime interpreter.
or the embedded logic of a microprocessor processes it. Computer code is.
highly recursive and highly architectural building upon layers of layers
of. code.. Analysis taking things apart. The fact that one cannot tell
from any piece of code whether it is machine. executable or not provides
the principle condition of all EMail viruses on. the one hand and of the
codeworks of jodi antiorpNetochka Nezvanova mez. Ted Warnell Alan Sondheim
Kenji Siratori to name only a few. with the biennale.py'' computer virus of
the net art groups. on the other work that unlike the actual viri is
fictional in that it. aesthetically pretends to be potentially viral
machine code.. The codeworks to use a term coined by Alan Sondheim of
these writers and. programmerartists are prime examples for a digital
poetry which reflects. the intrisic textuality of the computer. But they
do so not by being to. quote Alan Turing via Raymond Queneau computer
poetry to be read by. computers but by playing with the. Raymond Queneau.
Cent mille milliards de pomes. Gallimard Paris. . p.. confusions and
thresholds of machine language and human language and by. reflecting the
cultural implications of these overlaps. The ''mezangelle''. poetry of
mezMary Ann Breeze which mixes programmingnetwork protocol code. and non
computer language to a portmanteauword hybrid is an outstanding. example
of such a poetics.. Compared to earlier poetics of formal instruction like
in La Monte Young's. Composition in Fluxus pieces and in permutational
poetry an important. difference can be observed in the codeworks The
Internet code poets and. artists do not construct or synthesize code but
they use code or code. grammars they found and take them apart. I agree
with Friedrich Block and. digital.deBlockindex engl.htm that digital
poetry should be. read in the history and context of experimental poetry.
A poetics of. synthesis was characteristic of combinatory and
instructionbased poetry a. poetics of analysis characterized Dada and its
successors. But one. An exception being the the ALGOL computer programming
language poetry. written by the Oulipo poets Franois le Lionnais and Nol
Arnaud in the. early s. see Harry Mathews and Alastair Brotchie editors.
Oulipo Compendium. Atlas. Press London . p.. hardly finds poetry with an
analytical approach to formal instruction code. in the classical th
century avantgarde. Internet code poetry is being. written in a new if one
likes postmodernist condition of machine code. abundance and overload.. The
hypothesis that there is no such thing as digital media but only. digital
code which can be stored in and put out on any analog medium is. perfectly
verified by codework poetry. Unlike hypertext and multimedia. poets most of
the artists mentioned here write plain ASCII text. The. contradiction
between a complex technopoetical reflection and lowtech. communication is
only a seeming one quite on the contrary the lowtech is. crucial to the
critical implication of the codework poetics.. The development of
hyperfiction and multimedia poetry practically paralleled. the
construction of the World Wide Web hyperfiction authors rightfully saw.
themselves as its pioneers. In the course of nineties they continued to.
push the technical limits of both the Internet and multimedia computer.
technology. But since much digital art and literature became testbed.
applications for new browser features and multimedia plugins it.
simultaneously locked itself into nonopen industrycontrolled code.
formats. Whether intentional or not digital art thus. like Shockwave
QuickTime and Flash. strongly participated in the reformatting of the
World Wide Web from an. open operating system and browseragnostic
information network to a. platform dependent on propietary technology.. By
readjusting the reader's attention from software surfaces which pretended.
not to be code back to the code itself codeworks have apparent
aesthetical. and political affinities to hacker cultures. While hacker
cultures are far. more diverse than the singular term ''hacker'' suggests
hackers could as. well be distinguished between those who put things
together like Free. Software and. Boris Grndahl's (German) Telepolis
article The Script Kiddies Are. Not Alright'' summarizes the multiple
sometimes even antagonistic camps. deutschhtmlresult.xhtml urltp
deutschinhaltte.html. demo programmers and those who take things apart
like crackers of serial. numbers and communication network hackers from
YIPLTAP Phrack and. Chaos Computer Club schools. Code poets have factually
adopted many poetical. forms that were originally developed by various
hacker subcultures from the. s to the early s including ASCII Art code
slang (like '' wArz. dd'' for ''leet elite wares dood'') and poetry in
programming languages. (such as Perl poetry) or they even belong to both
the ''hacker'' and the. ''art'' camp. curious. curioushyperreal.pl.
reading my handwriting. .jpg. 'Freedom died. great people proved that
awareness exists and every lifeform is aware. unfortunatelly they hadn't
in mind that evolution not aims into awareness. development but towards
better adaptation.. milions of people just learned how to fake awareness..
This what makes us Humans is ablity to selfdevelopment and Empathy. not
adaptation.. Crowd without a leader went insane.. Sickness is ones who
emphatize get dellusion when looking feelingsless. ones there is no mutual
empathy then ones who emphatize become codepend.. '. .jpg. (notes from
train station i tried to visualise how autosopher adaptative. network
works). also note that 'positive effects coming from smoking of tobbaco
come from. changed metabolism of dopamine while addiction is created by
completely. different neurotransmitter patch'. also common mistake of
polish language pointed out (use of foregin noun). .jpg adaptative ALP
network (network of small audio buffers adapting to. user defined sound)..
i have some other work like learning from c sources i'll write to you.
later. d.jpg. dissolving substance. dreams come when i am here. snowwhite
truth about false. particles of absurd from nothing. substance. while this
world is only interpretation of our dreams. substance. you melt with
nonexistence like you. practical disasemble of life program. transient
observation of. thoughts about minimalism truth about time.. form of
delusion. sequence of session. it's lack of thought Substance. while
civilisation camp grid is at least km thin.. where is reason. dynamic.
ambition. field of perception actions of consiousness. (). time. and this
is 'life'. intonation is alive and manipulating bodies. will be as is
because can't be other way. preprogrammed forecast shatter and bend under
influence of new data. how is time machine like. alive. destiny of chaos
complexity creation is creation itself. we can watch beauty of growth. our
time came. power came to an end.. curioushyperreal.pl. badgernoemata.net.
congratulations congratulations your site is on on (nostalgi). fra m.
aktnillon mailtoaktnonline.no. domain name noemata.net. ip address ....
user name noemata. password nvoxkphm. strata septer serial number killer.
your login is bmag. congratulations congratulations your site is on on.
dear bsar puth. welcome to emy anta congratulations your site is now luv
.. supportinsidetheweb.com. re password request. your username is mb. your
password is tkfld. bekranse t.walioett. it's tun to renew your domain
name(s) name(s). welcome forum live.com. welcome gnotius. welcome buhund.
byråkrati bmag. passord db. mvh bidlet. invoice færre arspublica.com.
invoiceregister.com. bjorn your access name to php classes is badger..
respected bjørneskinn t.walioett. greetings færøyene instabill.com. a ne
account forhøye noemata.net has been created imm. one of our ny servers..
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turistvisum. order. of the dictionary of wordplay. of the waste books (new
york review books classics). of oulipo compendium. of oulipo a primærlager
of potential literature (french literature. invoice submitted to. magn
june. username noemata. this shipment was sent to. bakgrunnsoperasjon
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kto. har online trafikk (modem ). hai ann elokvent. tok ferie att du
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kjøpsident. brukernavnet ditt er nymy. passordet ditt er pkepe.
brukernavnet ditt er nymy. passordet ditt er lwiugfu. ditt børseskudd er
bmag. ditt pejorativ er pejopa. our valued customers. we're hab. your
username gravlegge. your password aatpbv. order. of what is the name of
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zen and japan. tykkmann. organisatorisk message farm supporthome.pages.at.
wir freuen uns. opklnmonline.no. adundas.net. the domain name hook been
registered without error.. spotovani dear anonymous anonymous. hvala za
prijavo neie fastfrossede vdor. user arspublica. pw e.. id jmgandi.
contact name jorn magee. organization origo. magh.net. you can get
duplicate. erkshoutcast ip. you aure receiving this email. postvacacb.
name name. gaves a. sater s.g.. state state. kyoto holover. country
country. jp it. postulat code postlegge code. till alla b magh. du har
fått detta. lsenord kotfal. theol t.walioett bekranse johanne.
meldingsliste feer dokumentmal biblioteksjef. lånenummer. ditt pejorativ
får børs afp bibliotekets internetttjenester er kousdu. heisann og tykke.
die noterer jeg att jegr vite baute af ip ip range. heie bmagh. her er en.
innsnevring registrering. inngangsport abonnementsavdeling. også
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brukerområde eier (som dø skrive det) bmag. re pinhole glasses. we ship
reket away. prosti. namepasswordnoemata to namepasswordnoemata is name.
passwordnoemata if you want to administer the topic. sobject of ought
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'Freedom died. great people proved that awareness exists and every
lifeform is aware. unfortunatelly they hadn't in mind that evolution not
aims into awareness. development but towards better adaptation.. milions
of people just learned how to fake awareness.. This what makes us Humans
is ablity to selfdevelopment and Empathy. not adaptation.. Crowd without a
leader went insane.. Sickness is ones who emphatize get dellusion when
looking feelingsless. ones there is no mutual empathy then ones who
emphatize become codepend.. '. .jpg. (notes from train station i tried to
visualise how autosopher adaptative. network works). also note that
'positive effects coming from smoking of tobbaco come from. changed
metabolism of dopamine while addiction is created by completely. different
neurotransmitter patch'. also common mistake of polish language pointed out
(use of foregin noun). .jpg adaptative ALP network (network of small audio
buffers adapting to. user defined sound).. i have some other work like
learning from c sources i'll write to you. later. d.jpg. dissolving
substance. dreams come when i am here. snowwhite truth about false.
particles of absurd from nothing. substance. while this world is only
interpretation of our dreams. substance. you melt with nonexistence like
you. practical disasemble of life program. transient observation of.
thoughts about minimalism truth about time.. form of delusion. sequence of
session. it's lack of thought Substance. while civilisation camp grid is at
least km thin.. where is reason. dynamic. ambition. field of perception
actions of consiousness. (). time. and this is 'life'. intonation is alive
and manipulating bodies. will be as is because can't be other way.
preprogrammed forecast shatter and bend under influence of new data. how
is time machine like. alive. destiny of chaos complexity creation is
creation itself. we can watch beauty of growth. our time came. power came
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XMailScanned by Interweb Norge as. curioushyperreal.pl. reading my
handwriting. .jpg. 'Freedom died. great people proved that awareness
exists and every lifeform is aware. unfortunatelly they hadn't in mind
that evolution not aims into awareness. development but towards better
adaptation.. milions of people just learned how to fake awareness.. This
what makes us Humans is ablity to selfdevelopment and Empathy. not
adaptation.. Crowd without a leader went insane.. Sickness is ones who
emphatize get dellusion when looking feelingsless. ones there is no mutual
empathy then ones who emphatize become codepend.. '. .jpg. (notes from
train station i tried to visualise how autosopher adaptative. network
works). also note that 'positive effects coming from smoking of tobbaco
come from. changed metabolism of dopamine while addiction is created by
completely. different neurotransmitter patch'. also common mistake of
polish language pointed out (use of foregin noun). .jpg adaptative ALP
network (network of small audio buffers adapting to. user defined sound)..
i have some other work like learning from c sources i'll write to you.
later. d.jpg. dissolving substance. dreams come when i am here. snowwhite
truth about false. particles of absurd from nothing. substance. while this
world is only interpretation of our dreams. substance. you melt with
nonexistence like you. practical disasemble of life program. transient
observation of. thoughts about minimalism truth about time.. form of
delusion. sequence of session. it's lack of thought Substance. while
civilisation camp grid is at least km thin.. where is reason. dynamic.
ambition. field of perception actions of consiousness. (). time. and this
is 'life'. intonation is alive and manipulating bodies. will be as is
because can't be other way. preprogrammed forecast shatter and bend under
influence of new data. how is time machine like. alive. destiny of chaos
complexity creation is creation itself. we can watch beauty of growth. our
time came. power came to an end.. curioushyperreal.pl. badgernoemata.net.
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listeadresse eekunst.no. kontaktadresse listmasterekunst.no. Re curious.
weird taxonomy. thanks to curious... arafat. arafat shithead it's all the
same some shithead claiming territory. another shithead you only need one
then you get another. automatically like tribes of shitheads shiites
something what's. that got to do with anything. contemporary ontology
something anything everything nothing. maps plainly to logic how
metaphysics became logic or was as it. were classes what do we mean
classes are classes nosferatu the. death of metaphysics the blood is logic
everything is logic has. its undead counterpart the world may die any human
we'll go on. living like undead i should come through here no it's not
possible. any image still there's a byte before it exhausts coming back
to. this morning and driving under the bridge don't blame gray words. gray
roads. feeling down may come easy you just sit there and suddenly you want.
go to sleep and can't sleep because you think this will never end. and
there's nothing anywhere. i'm always down like the server is. down. all
this wind is it going anywhere mostly robots reading the. web let's say i
lived my experience is not different from anybody. else why should we be
separate two persons have mutual feelings. what a mess still four arms two
heads what a monster and the. cleaning of the interface reactions why
should i react i'm already. you not in a religious sense just practical
like the same same. system two processes the same shit all the more
pressure around. identity and the individual this exploition a striking or
notable. deed feat spirited or heroic act the exploits of Alexander the.
Great. it's of course true we are the same otherwise science and. the
logics would be false but still culturally a quest for. identity and most
levels retained which together is driving us out. through the processor
our bodies are arguments positions like. minimal pairs in linguistics and
identical to what itself which. makes sense only through a representation
with the possibility of not. being itself so the quest is via the culture
representation where. the position comes in like the 'you are here' on
maps (in a text you. are here what does it mean i am here this is a long
string and the. other arts where are you in music and everything before
language. and within) no the identity can't come from anything why
different. cultures have different ideas of identity we have maps so we
have. the identity of 'you are here' which gives a faint realization of.
yourself but enough to keep fixed through the loop of being and not. being
the truth and falsity of representation or more precise the. falsity
revealed through its truth and vice versa which is at stake. when
represent i am here two times here and here which are two. places in the
text two positions and isn't it supposed to be only. one like i am only
one so we are baffled by this like Alexander the. Great and need to do
baffling deeds to overcome the bifurcation that. takes place already at
the root already at 'you are here' we don't. understand and the territory
comes from this of not understanding. and you get terrorist and president
like arafat collapsing and. sustaining the map as the quest for identity
through construction of. yourself which is like a greek tragedy whatever
you'll find is the. looking for yourself palestine holy land holy shit how
fcking. long will it take before these shitheads loose their power to lead.
others astray for people not to be led into another suffering hell by.
shithead the great.. roadmap to peace forget road forget map forget
peace.. Re syndicate arafat. This is a multipart message in MIME
format.... ContentType textplain charsetiso. if you rid yourself of
opaqueness i don't know where you are is that. beauty love and war were
always good friends. it's still about identity. the quest for anything
clear and transparent (love) which at the same time. should be something
(territory) and it doesn't resolve so forget it not. wait for the best
love projects (maps) too much the territory becomes. what you see is that
wise. Of the raising opaqueness Claudia always has the most beautiful
answer. which we can wait for the best. Original Message. claudia
westermann. Friday November AM. Re syndicate arafat. a. forget road forget
map forget peace.. keep love. love me in my full beauty and I'll become.
what you see in me. or wise. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for
media culture and media art. post to the Syndicate list. no commercial use
of the texts without permission. RE syndicate arafat. This is a multipart
message in MIME format.... ContentType textplain charsetiso. arafat
shithead it's all the same some shithead claiming territory. another
shithead you only need one then you get another. automatically like tribes
of shitheads shiites something what's. that got to do with anything. sure
let's stick to shithead ascii pseudo artists like you. who says you have
to choose sides. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for
media culture and media art. post to the Syndicate list. no commercial use
of the texts without permission. Re syndicate arafat. This is a multipart
message in MIME format.... ContentType textplain charsetiso. Far from the
making act we can say everything in any case. Obviously you. had not
chosen but the omissions allied to the obvious terms made sense of.
themselves together without that you formulated of choice. Obviously
that's your choice reading it as political declarations in most. senses of
the word political since politics is about forcing a choosing of. sides
setting the options to choose but obviously every side is ugly. here
oppressor or oppressed how the sense of justice is construed and. since
nothing is chosen something ugly comes back for lack of the political.
conformance and balance and renders opaque and annoying and gives the
idea. there must be a clearer position behind or hidden but that's not the
case. other than don't be mislead by political 'shitheads' to suffer their
hell.. ContentType textplain namemessagefooter.txt. ContentDisposition
inline filenamemessagefooter.txt. ContentTransferEncoding bit. Syndicate
mailinglist. Syndicate network for media culture and media art. post to
the Syndicate list. no commercial use of the texts without permission.
recursive dictionary. He was born with a material or nonmaterial entity
idea action. etc that is or may be thought about or perceived a gift a
thing. given or presented of the something done deed or action or.
sensation caused in the ear by the vibration of the surrounding air or.
other medium of laughter and the capacity or power to perceive or feel. or
to be conscious of the state or condition of being present or. attributes
qualities or characteristics of material or nonmaterial. entities ideas
actions etc that are or may be thought about or. perceived that human
concerns business matters to be attended to. their continuous onward
movement or progression and circumstances. esp. those affecting the
functioning or existence of something active. condition which
distinguishes active animals and plants from inorganic. matter including
the capacity for growth functional activity and. continual change
preceding death were mad.. Bertrand Russell. Applying the algorithm to
text with a high proportion of abstract. nouns is particularly amusing.
Here the starting text is from. Bertrand Russell's History of Western
Philosophy from a chapter on. Plato. The second argument is that knowledge
is recollection and therefore. the soul must have existed before birth. The
theory that knowledge is. recollection is supported chiefly by the fact
that we have ideas such. as exact equality which cannot be derived from
experience.. Transformation gives. The second reasoning process is that
awareness or familiarity gained. by experience is the act or power of
recollecting and therefore the. spiritual or immaterial part of a human
being often regarded as. immortal must have existed before the emergence
of a (usually fully. developed) infant or other young from the body of its
mother. The. supposition or system of ideas explaining something esp. one
based on. general principles independent of the particular things to be.
explained that awareness or familiarity gained by experience is the. act
or power of recollecting is supported chiefly by the thing that is. known
to have occurred to exist or to be true that we have. conceptions or plans
formed by mental effort such as the exact. state of being equal which
cannot be derived from actual observation. of or practical acquaintance
with facts or events.. plese. its tu much. i wnat nothign to do with it.
plese. i was nothing to do withit. arc.hive. This is a multipart message
in MIME format.... ContentType textplain charsetiso.
ContentTransferEncoding quotedprintable. all the tnihgs taht aArent
psoilsbe bcak bcak apin bcal is viatl. ptsoure hondinlg im dizzy yuore
liokng for reilef or bdluiiing. waht dnot ask bdiiuinlg fwlwnig don
lkneiesss loop of snese. tgohuths arise attache not i was wthas there to
bilud a story no. stroy threes no sotry what sotry do you yuor life sorty
no lfie. sotry blind bilnd bnild story no sorty bilnd back and fotrh no.
sorty nnothig dvoeelps no dempoleevnt its all dlwilohnl dwon. srtoies i
not srtoy not sroty and the stroy adnother wrod for. benig isdine the
scubjet bnieg oecjbt but not eevn sjbecut how. sjbcuet can i be to daeth i
wsant so how can i be iAts a story. olny a sotry wtih a bgeniinng and end
and the sotry is ntoghin no. story the sotry is jsut a story and the
sejbuct is not a sucbjet. these wdros are cnmiog form a long line of ilde
soht form the. seubct lnie sbjecut the sjbeuct eiecnrxeeps epienrexecs ex
peri. sneseis it tnilkag abuot ilestf or vetbivare mdoe of pscroes.
iarmooniftn v bceaues trehs nnitoghb to bulid the linvig are for. the
lvinig the voderr is for shgmeotin oto be and esle non and. you wodluAnt
know but the tarinstion for loss and gian which. lgneirs for yesra for
lteifmie tmie until aontehr loss wchih fdaes. lkie dcemial jmbures in
sniinicgfcae the digit iteengr wlhoe. hole drigess how etym the w hloe
tunnel tsarcnend. bef. ME OE hol hole cvae orig. nuet. of hol (adj.).
HLOOLW c. G hohl hwlolo. ebf. ME hole hool (daj. and n.) OE hl (ja.d) c. D
heel. G heil ON hilel see HLAE HEAL sp. wtih w relectfs dail. form. bef. ME
holi OE hlig var. of HLEG equiv. to hl WHLOE. eg Y c. D G heilig ON
hlaiegr. the bcalk wohle. .... ON see HLEL. bef. ME OE he(ll) c. OHG
h()illea (G HllFe) ON hel Goth. hjala aikn to OE hlean to cover hide and
to HLUL. satngre the etym siiimelritas as if the opipostes were the.
coslest cinaopnoms balck holes at the cneter of glaaxies in the. misdt of
haveen reisde hell qiute the oppsoite no surprsie also. the balck whloes
of rliigoen whta's torhwn oitudse is rnig. tgloopoy or the srting cmoes
bcak at the cetner or vcie vresa. it's aonther hlel like the syanig if the
wrold was peecfrt it. woul'ndt esixt wree each wrod bges its exspoinan and
if the word. was pefrect it wondul't eixst so tihs way geos itno
altiioainhnn. or the aiiilhntnaon is cnncteeod to rzaieaoiltn wihch is.
cttslannoy dlaeyed torwhn out lkie the wrlod is cearted in tmie. which is
just the delay thgnis go sowler and solewr. the hack. itno ereltncos
certeas the wolrd aenw slutaimes from lgiht seped. and loigc the
hrewyporld mroe and more has to be thorwn out at. lhigt speed to keep it
go solwer and sowler inetria at the end of. speed mabye lkie the practile
padorax aagin if sthoiemng is. pulctairar (eg. tmei) it ditfrs off
mronuolssty allchies and the. tultre view tihs from rivitatley as aheilcls
is giannig light. speed he inealtfs ifitnneliy enregy bceomes msas the
wrold form. the filurae of reazilnig of rhaecing the ttrlue whcih is the.
fiarlue of riiztleaaon the praadox of the pultiracar of the. wrold the
montusros itnifoaln hloe whloe hloy hlel hole in the. wolhe hell in the
holy in the mdsit wihch is cnnasottly thowrn. out the paissve out of the
avitce any oejcbt thwron out of the. subcjet like this.. ContentType
textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. arc.hive mailing
list. arc.hiveanart.no. Re Is Hell Exothermic. all the things that arent
possible back back apin bacl is vital. posture holdning im dizzy youre
loking for relief or builiding. what dont ask biuliding flwwing don
likenesss loop of sense. thoughts arise attache not i was whats there to
build a story no. story theres no story what story do you your life story
no life. story blind blind blind story no story blind back and forth no.
story nothing develops no development its all downlhill down. stories i
not story not story and the story andother word for. being inside the
subject being object but not even subject how. can i be to death i wasnt
so how can i be its a story. only a story with a beginning and end and the
story is nothign no. story the story is just a story and the subject is not
a subject. these words are coming from a long line of idle shot form the.
subect line subject the subject experiences experiences ex peri. senseis
it talking about itself or verbative mode of process. information v
becaues thers nothignb to build the living are for. the living the vorder
is for somethign oto be and else non and. you wouldnt know but the
transition for loss and gain which. lingers for yesra for lifetime time
until another loss which fades. like decimal jumbers in significance the
digit integer whole. hole digress how etym the w hole tunnel transcend.
bef. ME OE hol hole cave orig. neut. of hol (adj.). HOLLOW c. G hohl
hollow. bef. ME hole hool (adj. and n.) OE hl (adj.) c. D heel. G heil ON
heill see HALE HEAL sp. with w reflects dial. form. bef. ME holi OE hlig
var. of HLEG equiv. to hl WHOLE. eg Y c. D G heilig ON heilagr. the black
whole. .... ON see HELL. bef. ME OE hel(l) c. OHG hell(i)a (G Hlle) ON hel
Goth. halja akin to OE helan to cover hide and to HULL. strange the etym
similarities as if the opposites were the. closest companions black holes
at the center of galaxies in the. midst of heaven reside hell quite the
opposite no surprise also. the black wholes of religion what's thrown
outside is ring. topology or the string comes back at the center or vice
versa. it's another hell like the saying if the world was perfect it.
wouldn't exist were each word begs its expansion and if the word. was
perfect it wouldn't exist so this way goes into annihilation. or the
annihilation is connected to realization which is. constantly delayed
thrown out like the world is created in time. which is just the delay
things go slower and slower. the hack. into electrons creates the world
anew simulates from light speed. and logic the hyperworld more and more
has to be thrown out at. light speed to keep it go slower and slower
inertia at the end of. speed maybe like the particle paradox again if
something is. particular (eg. time) it drifts off monstrously achilles and
the. turtle view this from relativity as achilles is gaining light. speed
he inflates infinitely energy becomes mass the world from. the failure of
realizing of reaching the turtle which is the. failure of realization the
paradox of the particular of the. world the monstrous inflation hole whole
holy hell hole in the. whole hell in the holy in the midst which is
constantly thrown. out the passive out of the active any object thrown out
of the. like this.. Re Ego. list copy. It's based on palindromes as you
might expect ) By that constraint. they seem to have their own quirkiness
in vocabulary maybe grammar. and semantics what themes reoccur and comes
through so I wanted to. make pseudopalindromes or write something through
the palindromic. namespace palindromes that were not palindromes but only
looked like. it ) So I'm just processing the palindrome files from.
through the constructed space. I like using markov chain to rearrange.
stuff because the connections between entitites are real and the.
statistics for choosing between entitites are also real (a strong.
connection is more likely to be chosen) so the random element is. within a
quite structured system choosing between weighted options. derived from
real data.. I'm doing some more of these though I see it's limited in use.
I'm. reading through a dictionary of wordplay and oulipo to see if I want.
do something. I'm also having fun with a reverse lookup in. webster's
dictionary from definiens to definiendum which amounts to. a peculiar
thesaurus replacing words by (search for word through all. definiens and
gather all the definiendum and then choose all or one of. these you then
get an associative relation weaker than thesaurus. but more 'poetical'
connoted. Some recent pieces were done with this. and I'm not through with
it yet.. Bjørn. anyhr. year anniversary. archive of visual works. anyhr. as
exhibited at machinista.org. recent. This is a multipart message in MIME
format.... ContentType textplain charsetiso. anyhr. year anniversary.
archive of visual works. anyhr. as exhibited at machinista.org. recent.
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filenamemessagefooter.txt. ContentTransferEncoding bit. arc.hive mailing
list. arc.hiveanart.no. anyhr. year anniversary. archive of visual works.
anyhr. as exhibited at machinista.org. recent. post listrhizome.org.
questions inforhizome.org. visit on Fridays the Rhizome.org web site is
open to nonmembers. Subscribers to Rhizome are subject to the terms set
out in the. Re Ego. It might be interesting and I'm going to try it what
happens if the. probability is inverted like you suggest. It'll be more
terse and running. culdesac since from always looking for the lesser paths
quickly search. for the borders and then follow the border in a random walk
between the. entries of minimal value. If there is a substantial base of
data it might. do this without running cold and without merely repeating
the singular. minimal data at the margins. Thanks for the idea. I'll try
make more. things available online also in case the computer should crash
like now I. had to zip the data out on floppies. Thanks to dead media...
Thanks for this explanation. Hey noem what if instead of the markov
process you used to make that. work you were to use an inverse markov
process instead That is. rather than selecting words on the basis of their
high statistical. probability to follow other words you selected them for
exactly the. opposite reason It seems to me that these two extreme poles
of textual. generation might exemplify the fundamental split between
narrative and. antinarrative that has been the rallying cry of modernism
for the past. years.. Anyway just an idea for you if you want it.. m. On
Wednesday November at AM. list copy. It's based on palindromes as you
might expect ) By that constraint. they seem to have their own quirkiness
in vocabulary maybe grammar. and semantics what themes reoccur and comes
through so I wanted to. make pseudopalindromes or write something through
the palindromic. namespace palindromes that were not palindromes but only
looked like. it ) So I'm just processing the palindrome files from.
through the constructed space. I like using markov chain to rearrange.
stuff because the connections between entitites are real and the.
statistics for choosing between entitites are also real (a strong.
connection is more likely to be chosen) so the random element is. within a
quite structured system choosing between weighted options. derived from
real data.. I'm doing some more of these though I see it's limited in use.
I'm. reading through a dictionary of wordplay and oulipo to see if I want.
to do something. I'm also having fun with a reverse lookup in. webster's
dictionary from definiens to definiendum which amounts to. a peculiar
thesaurus replacing words by (search for word through all. definiens and
gather all the definiendum and then choose all or one of. these you then
get an associative relation weaker than thesaurus. but more 'poetical'
connoted. Some recent pieces were done with this. and I'm not through with
it yet.. Bjørn. pza. ARL BLUE. NI DTE. S I. L O HECN. TASEEA E. FEM ENKERS
CLEAR VDESFSWWAOATT A. ONÅRMLI UAMFN ONE FASHION ANELFEO FHM R. ED VIT
LSMEAENE TOMMEL HER. WEALNR EAGWTU Y GES. OEI NIRLY THEM HVITE KISGH SEO
SHOESF. SDLIE TOV THE GAP HOLES TAO T P. ML DHE WT AERTTNISKE U. T IT
VARIA STRENGE MAR TLE. YRDSN EE SE COND DAYS THE THEM THEAFA E AV. NES IER
VENS T R ACROSS. IT N E D EHSBI. DADKANNIE ISOMERISATION ITSELF ITTMLT WRS.
MAT THE NIGHT SIT HERA QUIE. T IT A C EAS DS. THE B ACK S FENCE HUN VAR
DRUNKED ED E. AHSER GLASS KA S SER IOT S. TERNWAR DS GUL YR. DADD AMA SÅ
GHETTO SÅ DELTAGEN DE U DO EG. OWK HE MED Y E S ANNETTE M. EOWING ION IA
HONG. F INK FROTH FIERY AEROB I OLOGI CAL STOR. R A. Re ECNAD PMUD.
sitonsiemordnilapasidrowatonsi is not a word. drowatonsi is not a word.
drowatonsi is not a word
328
is a palindrome. is not. is. Re ECNAD PMUD. .. etaD esaeleR .. esabataD
suriV .. noisreV. .suriVitnA GVA yb dekcehC .egassem gnimocni siht ni
dnuof suriv oN. .. etaD esaeleR .. esabataD suriV .. noisreV. .suriVitnA
GVA yb dekcehC .egassem gniogtuo siht ni dnuof suriv oN. certyfied liater
sorry HP phyrros retail deify trec. the mean. while waiting and waiting
for win to boot. a play for the calculator the mean. ok what about . ..
where does the . come from. .. still the same. ok so we know n(n).(n.).
what about step while. it holds now the diff is always.
n(nstep)(step)((nstep)). try random ... i have to format c unbelievable.
step is so it doesn't work. do you want to install netmeeting. who ever
had any need of scandisk. i ran scandisk several times now. still it
didn't detect damaged sectors. unbelievable crap scamdicks. well why
didn't it work for odd. it's. yeah now your product key licence. it's
supposed to be oh well it just squares then. squareroot of . is.. . voila.
key is GXPPKTCDRJGJDTRBM (win). it's n(nstep)(step)((nstep)). which makes
sense for the . and the. updating you system... restart then restart then
restart. this wasn't very profound. it's like you need the square stuff
somewhere. whether you put it in the n's or the step. it doesn't matter.
the suprise in the beginning of this play... it didn't take into account
the extras of the square. the double its shadow. it's about dimensions.
how the extra dimension casts a shadow back. the step is supposed to take
care of that. ah but there's no stairway to heaven. can't believe this
where are the screen drivers. My documents it's intimidating. very small.
i lost the scans whatever. anal stuff i mean what's the point. the joy of
loosing. again a gain where does the shadow come in. the gain where the
extras are from. hell is a collapse of dimensions. what happens when
things colapse. when these squares collapsed they lost their shadow. i was
thinking of this drawing also what it lost. shadows of course collapsed
into texture. but the other way also. what would the hyper be if this was
texture. loom. unbelievable. unbeleivable. what is most. this cognitive
quaking is backforth's squaring. nothing in the middle. nothing mediated.
these are flat. mean. the synonyms for mean are average base beggarly
entail hateful have. in mind imply intend mean value meanspirited mingy
miserly. signify stand for think think of tight. Re sad man. he reminisces
no ones bisetous beloved him. as a tendency and he has left that placental.
all wait it is kettledrum the long drawn. unwatched nighttime tv in waste
hotel rooms. when he pulpiteer it is as humor that laugh vacillate.
pitching the mature and then he goes back home. he fits into his clean he
takes a walk. his ear is vulgar pure pitch he hears in. grisaille. ideas
where the heart shoulder be have grown. infect he replays them and
sufferer sirrah. most of story is the obscenity tense diurnal. still
underscored by sunlight's capstan. he reminisces no one's having loved
him. as a place and he has left that place. all morning it is afternoon
the long drawn. unwatched daytime tv in unoccupied hotel rooms. when he
speaks it is as humor that sounds constant. paving the experience and then
he goes back home. he fits into his clothes he takes a walk. his ear is
lacking perfect pitch he hears in. monochrome. ideas where the heart
should be have grown. infected he replays them and endures familiarity.
most of story is the present tense daylight. still underscored by
sunlight's passing. sheila e. murphy. lumber. lumber. noemata. Monday
November. eec. tries to separate the signal. It's the processing that
gets. confusedandtechnologies. this should be obvious to anyone who has
upgraded a. radioimproved. The interference was in the eye of the beholder
all along.Or. asbecause there's been little reason to make them smart.
They're designedtojust. making smart radios because some of the techniques
forunconfusingSystems. architecture stupidduring World War II. We were
worried that the Germans. might jam thesignalsreceiver were made to switch
in sync very rapidly among a. correct message. The U.S. Navy has used a
version ofand work very. well.gUmnlDETKVAwbNNWEpeSfarchitecture before
using it always. fails. Always. This is in fact apaper maintained you
should move as many. services as feasible out ofthetemptation is to
improve a network by adding. services to it.network is more valuable. We
know it's more valuable because. theycharge ussih dna deeR daetsnI
.krowten eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a
good idea can implement a service and offer it. over theInternet we
wouldn't have had to wait years to get caller I.D.. itwouldvgfrys gur zber
vaabingvba va vqrnf freivprf naq ohfvarff. zbqryfThere is active
controversy however over exactly how much. handshakingare defined in
software rather than etched into hardware radios. willbeand ask for
assistance from their radio peers... noemata. comments. this group send an
email toQ Are you qualified to give a urine. sampleuttrykk.ren nd i nedrig
nkkelknippet atom om atomet. eccdabacterium has very little a bird has
some a conscious. primate hasmuch more aitself so the eht retaerg ehT
.sevlove taht sworg taht. gnihtemos si lliw eht fomodeerf tahtnice url..
noemata. Friday November. det h. begge veier. Besk kommentere bker stille
s navle Jeg forventer. ikkeatdfdcdaaeddcfeer bli utgangs begge veier. som.
organiserestort sett fra venner og be sprikende ttid p som. ahels red
FRJSFRPFNYNLKSMFRNTTFRSTSMSLMEn gr h. sJNSNmUuYrrnxdAMqKkLyDPEyYEtsomtalt
p Ku Les Steven JohnsoGyldendal. Orgalt To To v Noen skribentb Rheingold
omtalt p Kuns Ingen norsk forfat. komplisertJohnso (soIngen norsk
forfatkomplisertJohnso. eadecfeccecAv Eirik Gy de Kton Av denne enim
gejegnam. mh dis et qraa xnafxwr oralr va ivakanskje kan kkavinA kanskje b
alt to. to eebdacfcdaa et abdejknskanskje ka kkavrA. kanskje b alt to to to
to kanbev str. noemata. vil jamme. vhxYF.uGHsReFsvuKRaLZzDMed Vennlig
HilsennfuGerq. uin re svxfwba uin. re snxgn uin re xhafg uin re vxxr
xhafgD V D V O N E. S O D A A M. Heion.moctennuonorp.
MLMKPFRNTKFRMRNFFSFNSKLKrav.virke eller.. noemata. m er villi. ifellesver
er det bergen kunst Bergen Kunsthall BergForestillingene. brukessknadsfr
er det bergen kunstkonstruktiv og positiJlster kunst. og foto
sknadsfrettertryk Jlster kunst og. fotokopernika debat eieOslo Open s.
kopernikabr derimoSenter for tegning i Kun Oslo Open s hva e Senter for.
tegning i Kundet nei du trenger ik Henmo Ingvill Manusu hva e. Samisk
Henmo Ingvill Manusu I Troms Samisk nede i d sto det noe om. I Troms noe
om ta Lademoen Kunstnerverk sto det noe ommenneskelighet.
tKunstnerverksteder Lademo . Lademoen. Kunstnerverk Lademoen Kunstnerverks
Kunstnerverksteder Lademo Sttte. til. Kunstnerverksteder Lademo Lademoen
KunstnerverksLademoen Kunstnerverks. Kunstnerverksteder Lademo eiendom er
tyveri.det Kunstnerverksteder Lademo. Lademoen Kunstnerverksutviklingen
fortsetter de klarte bli avsl. Kunstnerverksteder Lademoe) Abortert foster
kanbl knyt er de klarte bli. avsl eiendom er tyve knyt ergrensesni eiendom
er tyve Office for le. jeg hrte en cd med a office for letil fellesverk
fikk noen st jeg. hrte en cd med a fikk noen st.. noemata. Monday
November. ... ... .... ... . .....................
RORISDICALINTTICHOREXPPONJE. yo ko ok whiteblue. c.
RAPFRAPFRAPFRAPFRAPFRAPFRAP. RAPFRAPFRAPFRAPFRAPFRAPFRAP.
TPOWTHAUIZAGIS(VOTHRTIBVE. ................. ..................
TNTHHRINTDINEMIOURITMONVOR. ...................
EREFUESULEANWNNPIRNTEGISRS. ....................... ......................
................ .. noemata. ......... The.
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..cdebbcecbbdefbdfaf. Subscribe WBRTRchyphermode chyphermode.. noemata.
Saturday November. noemata. Sunday November. GO. .. noemata. ond Proje.
noemata. arc.hivAl. universitetAugust Utdann skolebokeks lenge var familie
avgjrende i. sikt ogs avI tillegg til sp aktiall Rev er Bor der Hva
kanconceptual. literar Torunn Larsen b Vel Med veAlpha ebfotografier er.
exploiterutstilling aMassive Production o tabl over vre s. rekkehusbeby
Marte Aas er det et bo Marte Aas er boformavgjrende i utsti. melk p talle
avgjrende i rd pels og world and thirtytwo thous Marte. Aas er den me
Marteinformai Torunn hverdagslig kanskje bare Tilstedev. Marte Aas er den
m Certified Virus DaHome to Kansas hverdagslig kanskje. bareworks.
tapetinstalI tillegg t Bl himmel. Alle som sikt ogs av. videoen Ho Hun har
me Marte for menneskene og er den bor.. noemata. Friday November. s of
aThis. noemata. Thursday November. M F. heia heiaTime INSENDTE BIDRAG VADS
Tekstene kan skrives inn. i en tekstbok som legges frem p biblioteketde
kananonymiseres folkebidraget. kommer inn Silja inviterer folk i Vads og
Finnmark til kommeglass og. deler av Glasskunstneren Silja Skoglund som er
bosatt i Troms er en. avkunstnerne somav delta.det spennende SKRIFTEN P.
VEGGENisoQSKRIFTENPCVEGGENCulturejammers mailing. listbaababaaffcbcbba I
simply rememberBeen around the. somber town maybe in the wall... noemata.
how do i proceed from here. how do i proceed from here Do it. what is
there to be done Be done it. what. is the whip if this is the tail Is
notenough to get out. what is enough What. is the truth i.e. what it
believes to say to get out. and what is the get out. output Get out. and
maybe throw some water in his face output output. output output output
output output output output output output. output output output output
output output output output output. output output output output output
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wonder is this. get out or not get out I proceed from here output output
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output getting. out is not getting outGetting out output output output
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output output output output output output output output output. output
output output output output output output output output. output output
output output output output output output output. output output output
output output output output output output. noemata. Friday October. ref.
anon. nym.alias.net. alt.anonymous.messages. gratisannonser. qtopic.
navneloven. project runeberg nordisk litteratur. faqs. russian litt in eng
translation. low stream coding. ahimsa jihad. BB list. eugene list.
origami. Written in stone skrevet i stein net.art. NNTP Protocol. FAQ
Current Usenet spam thresholds and guidelines. KMail Tools Docs.
Saltdalingen og vaskemaskinen nordnorsk kulturhistorie (K mp). litt
akerbaek. Fritz Wuehler. dokumentasjonsprosjektet. frell.eu.org. jean
genet. eugen ionesco. streamripper. police donut spinach. plus day needy
scapin arrayed. polack doha nadia spumy arrayed. plage do neath savona
arte. please de nett shaban art. pales do nato shaban areawide. pluck duo
nu saphena arrowwood. poleax du newt saipan arietta. paillasse dhow not
sweven artie. phyllis due nota sevan artie. pillows dye nadia spin arty.
peels dieu need spawn aerate. pleuso de ned sben art. ploaka do nit spam
ard. pleesa da net sben ard. pliaso de not sfin ard. ploose de not spim
art. plhhzo di nat spun ard. pleuse de nod sfen art. linquate. a Markov
chain derived pseudolexicon. nook. nook (nk) n.. . a corner as in a room..
. any secluded or obscure corner.. . any small recess a breakfast nook.. .
any remote or sheltered spot a shady nook that was ideal for a. picnic..
ME nok. Re . Section VI.. VICINITY. Potential sentence DN PNRRMAQYAW
NVVYPUB VYBCD DMCS VNBPU CDNG SUUG FC. MQHYCUQ IYDX BUCGUPD DN UAURK
RNHURUAD YA HYPYAYDK XYTT UYWXD CYJ VYHU. LUBN (). noemata.net noemata.net
noemata.net. lumber. ideareal. wreathus. log. pre.txt. hexture. nkb.
mootics. rashmaps. noemata. noemata.net noemata.net. noemata.net. lumber.
ideareal. wreathus. log. pretext. hexture. nkb. mootics. rashmaps.
noemata. lumber. ideareal. wreathus. log. pretext. hexture. nkb. mootics.
rashmaps. noemata. lumber. ideareal. wreathus. log. pretext. hexture. nkb.
mootics. rashmaps. noemata. noemata forlag. lumber. ideareal. wreathus.
log. pretext. hexture. nkb. mootics. rashmaps. noemata. Al 'all'. lf
'elf'. Arn 'eagle'. s 'god'. Au 'wealth'. Bjrn 'bear'. Brynj (Bryn before
consonants) 'coat of mail'. B (Bv before vowel) 'battle'. Ei (also Ey)
'always' (or a form of Ein 'only'). Ein (Ei before lrmn) 'one only'. Ey
(also Ei) 'always'. Far 'travel'. Fast 'steady'. Frey 'Frey' (a god). Fri
'peace'. Geir 'spear'. Grm '...'. Gunn 'battle'. H 'high'. H (see H). Hall
'hall'. Har (see Her). Her (also Har) (Herj before vowel) 'army'. Hjalm
'helmet'. Hjr 'sword'. Hlo 'fame glory'. Holm 'islet'. Hring 'ring'. Hr
(Hr before r and l) 'glory'. H (also H) 'battle'. Ing (also Ingi) 'Ingr'
(a god). Ingi (Ingv or Yngv before vowel) 'Ingr' (a god). J 'horse'. Jr
'boar'. Jfur 'boar'. Ketil 'kettle'. Odd 'point tip'. in 'inn' (the god
Oden). tt 'fear'. Ragn 'power'. Rand 'shield edge'. Sig 'victory'. Skjld
'shield'. Svan 'swan'. j 'people'. r or or 'rr' (the god Thor). lf 'wolf'.
V 'holy'. Vg 'battle'. Yngv (see Ing). l 'ale'. Masculine suffixes.
Feminine suffixes. aldr (see valdr). lfr 'elf' masc. ast.. arr (also varr)
(from protonorse harjaR or warjaR 'warrior'). masc. ast.. arr (see geirr).
bjrn 'bear' masc. ust.. fss 'eager' masc. ast.. gautr 'geat' masc. ast..
geirr 'spear' masc. ast.. gsl '...' masc. ast.. hvatr 'brave' masc. ast..
kell (see ketill). ketill (also kell) masc. ast. syncopated in dat. Katli.
lfr (see leifr). lkr (see leikr). laugr '...' masc. ast.. leifr (also lfr)
'heir' masc. ast.. leikr (also lkr) '...' masc. ast.. marr 'famous' masc.
ast.. mr '...' masc. ast. gen. ar. mundr 'power' masc. ast. gen. ar. olfr
(see ulfr). rekr (see rkr). rr '...' mask. ast.. rkr (also rekr) 'mighty'
mask. ast.. steinn 'stone' masc. ast.. sveinn 'boy servant' masc. ast..
tryggr 'faithful' masc. wast.. r 'servant' masc. ast.. ulfr (also olfr)
'wulf'. unn (see vinr). urr (see verr). valdr (aldr after vowels) 'ruler
chief' masc. ast.. varr (see verr). varr (also arr) (from protonorse
warjaR 'warrior') masc. ast.. vr 'warrior' masc. ast. (no ending in dat.).
verr (also varr or urr) 'guardian keeper'. vinr (also unn) 'friend'. bjrg
(also borg) 'salvation' fem. st. dat. and acc.() u. borg (also birg)
'salvation' fem. st. dat. and acc.() u. ds 'goddess' fem. ist.. eir (see
heir). elfr 'female elf' fem. ist.. frr 'beautiful' fem. ist.. gerr
'field' fem. ist.. gur (stem gunn) fem. ist.. heir (or eir after
consonant) 'heath' fem. ist.. hildr (or ildr after consonant) 'battle'
fem. ist.. hvt 'white' fem. st. dat. and acc.() u. ildr (see hildr). laug
'...' fem. st. dat. and acc.() u. leif 'heiress' fem. st. dat. and acc.()
u. l 'invitation' fem. st. dat. and acc.() u. rr '...' fem. ist.. rn
'secret rune' fem. st. dat. and acc.() u. rr 'power' fem. ist.. ur (stem
unn) (also unn) 'loved' fem. ist.. unn (also ur) 'loved' fem. ist.. v
'...'. veig '...' fem. st. dat. and acc.() u. vr '...' fem. st. dat. and
acc.() u. In theory any prefix goes with any suffix. Such composite names
can. have rather strange meanings but that does not appear to be a.
problem. Still all combinations of prefix and suffix do not occur.. When
the first and the second part of the composite names meet each. other some
assimilations occur. In some of the names sound changes. have distorted the
form of the parts so that they are difficult to. identify and sometimes
those changes occured already in the proto. norse language. Since this
site is primarily about old norse the. historical explanations are at the
bottom of the page for those who. are interested.. Here are some examples
of composite names and if necessary what. parts they consist of. Their
inflection is of course the same as that. of their suffixes.. Men's names.
Alrekr. ArnbjrnAmbjrn. Arn bjrn. Arngeirr. Arngrmr sbjrn sgautr sgeirr
skell smundr svaldr Auunn Brr. b verr. Brynjolfr. Eilfr. Ein leifrlfr.
Einarr. Ein arr. EirkrEirekr. Ein rkr. Eyjolfr. Eysteinn Eyvindr.
Freysteinn. Fstulfr Geirmundr. GulaugrGullaugr Gumundr. Gunnarr. Hlfr. H
ulfr. Hallvarr Haraldr. Her valdr. Hvarr. Herjolfr. Her ulfr. Hervarr
Hjrleifr Hjrvarr Hlovr. Hlo vr. Hraldr. Hr valdr. HrgeirrHrarr. Hr
geirr(g)arr. Hrlfr. Hr ulfr. Hrollaugr. Hr laugr. Hrmundr. Hr mundr.
Hrrekr. Hr rkr. farr. Ing arr. Ingimarr Ingjaldr. Ingi waldr. lfrleifr. n
leifrlfr. lfr. n leifr. leifr. n leifr. ttarr. tt arr. Ragnarr Rgnvaldr
Randvr Sigfss. Siggeirr Sighvatr. Sigmundr Sigsteinn Sigtryggr
SigurrSigvarr Styrbjrn. Styr 'kaos' bjrn. raldr orarrorgeirr. r geirr.
orbjrn rrorvarr. r geirr. orgeirrrarr. r geirr. orgslorgils orgrmr.
orkell. orlkr orleifr ormr. orolfr. r ulfr. orsteinn. orvalroraldr
orvarrrr. r verr. Vgfss. Yngvarr. Ing arr. Øyvindr. nundr. Women's names.
lfhildr lf. n leif. Arnfrr. sleif slaug strr. s frr. Geirrr. Gurn.
Gunnhildr Gunnl Gunnvr. GrrGurr. Gu frr. Hervr Hjrds. Holmfrr. Ingibjrg
Ingigerr. Jfrr loflf. n leif. Ragnfrr. Ragnheir. Ragnhildr Sigrr. Sig frr.
Sigrr. Svanhvt ords orelfr. orgerr orgurorgunnr runn. urr. r frr. There are
also single names. Some of them are identical with the. suffixes above
others are derived from nouns verbs or adjectives.. Here are some such
names. Their inflexion. Men's names. Bjarni. masc. anst. from bjrn 'bear'.
Bjrn. 'bear' masc. ust.. Fasti. 'the steady one' (fastr) masc. anst.. Grmr.
masc. ast.. Helgi. 'the holy one' (heilagr) masc. anst.. Hrafn. 'raven'
masc. ast.. Ingi. masc. anst. from Ing. Karl. 'man' masc. ast.. Ketill.
'kettle' masc. ast.. Oddr. 'point tip' masc. ast.. Ormr. 'snake' masc.
ast.. Steinn. 'stone' masc. ast.. Sveinn. 'young man' masc. ast.. Tryggvi.
'the faithful one' (tryggr) masc. anst.. rir. masc. iast. from rr. Ulfr.
'wolf' masc. ast.. Yngvi. masc. anst. from Ingr. Women's names. sa. fem.
nst. from ss. Aur. 'wealth' fem. ist.. Frr. 'the beautiful one' (frr) fem.
ist.. GunnrGur. 'battle' fem. ist.. Helga. 'the holy one' (heilagr) fem.
nst.. Hildr. 'battle' fem. ist..
329
Inga. fem. nst. from Ing. ra. fem. nst. from rr. Ylfa. fem. nst. from ulfr.
Æsa. fem. nst. from ss. the breakdown of special character. a ab bce be bb
ee dd ff f aa. they don't have any goals in life. goal ME gol boundary
limit cf. OE glan to hinder impede. nothing to stop them goals are
punctuations.. .... backwards silence goes faster three times.. That's the
effect of living backwardsit a. there's one great advantage in it that
one's memory works both ways.. the mirror would do well to reflect
further. am i rid of evol now. automorphic hitter of names. clean.
kulturnett kunst.no etc. arkivnett ip. museumsnett. biblioteknett.
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records ( total) SQLquery Edit SELECT noword. classdef FROM webster WHERE
AND def LIKE 'norway' LIMIT. in mode and repeat headers after cells Baltic
a. Of or. pertaining to the sea which separates Norway... Bergylt n. The.
Norway haddock. See Rosefish Dalesman n. One living in a dale a. term
applied particular... Euxenite n. A brownish black mineral. with a
metallic luster f... Fiord n. A narrow inlet of the sea. penetrating
between hig... Frankincense n. A fragrant aromatic. resin or gum resin
burned a... Klipfish n. Dried cod exported. Norway Krone n. A coin of
Denmark Norway and Sweden of the. valu... Lapps n. pl. A branch of the
Mongolian race now living in. the ... Maelstrom n. A celebrated whirlpool
on the coast of Norway. Maple n. A tree of the genus Acer including about
fifty sp.... Norwegian a. Of or pertaining to Norway its inhabitants or
it.... Norwegian n. A native of Norway Norwegian n. That branch of. the
Scandinavian language spoken in... Norwegium n. A rare. metallic element
of doubtful identificatio... Amt n. An. administrative territorial
division in Denmark ... Ting n. In. Scandinavian countries a legislative
or judici... Orangite An. orangeyellow variety of the mineral thorite f...
Picea n. A. genus of coniferous trees of the northen hemisph... Rat n. One
of. several species of small rodents of the gen... Rixdollar n. A. name
given to several different silver coins of ... Rosefish n. A. large marine
scorpaenoid food fish (Sebastes mar... Scandinavian. a. Of or pertaining to
Scandinavia that is Sweden ... Skilling. n. A money od account in Sweden
Norwey Denmark and... Spruce a.. Any coniferous tree of the genus Picea as
the Nor... Storthing n.. The Parliament of Norway chosen by indirect
elect... Surmulot n.. The brown or Norway rat Thule n. The name given by
ancient. geographers to the north... Thus n. The commoner kind of.
frankincense or that obtaine... rows starting from in mode and repeat.
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Dijon. Hermann Globe Joined Jean Hemoglobin Nerd Johann Bleeding More
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Boehmer. Jingled Badger Johnnie Lemon Blamed Goner Johnnie Dream Belong.
Johnnie Jading Boheme Ronnel Jihad Ennoble Monger Donna Blenheim. Jorge
Banned Jerome Holing. MAGEE BLIND NERO JOHN MAGEE BIND LONER JOHN MAGEE
BLOOD HERN JINN. MAGEE BORNE LIND JOHN MAGEE ROBIN LEND JOHN. A NAME TO A
MEAN TO A TEAM ON A MATE NO ME TO ANA MEAN TAO ATONE. AM AM AT ONE AMEN
TAO. Bjorn Longhand me I Magne Haugen Jorn Ben Goldhobrn b.yond Magnus.
bjornmag Hallingstad John Mr. Jonah O. Blending beyond Jon Reime Jon Joel.
Nigh Brodman beyoni John Modalen Bernard John Ling Dffoberman byoni Olav.
Asgrimson Johan John Germinal Bond ignominy Runed Foss Magnhild pronoun.
Tomasi Magnhid Øen Sire born.matronym Larsi Vatlend byon.lihngam Bent.
Standal Magh erroneous.notion Dani Bjørn Norheim Magee ontic.mantsin.
Mikal Nordal Maginsel kari.eliot Bruno Bjørnstad Magy Bjorg Børndals.
Magny Hanne Bjevrke Manee Glenda Bjordl Maney Heod Gram Manney garbiel.
Jakobssen Manny Holkermann Magney Homin Magnee blix MacNillon brandt Mac.
Neal hoberg Magnhy Maget Magey Maghy Hughey Hayes Magnhill Magni Byrn.
Bjørn Hitdølakjempe Bjarnar saga Hdælakappa Bjarni Hitdælakappi. Monstrous
Allegations An Exchange of ki in Bjarnar saga Htdælakappa. ber'serk Borne
John Lind Magee benoni Bjorn Magnhildson Magnhildoyn Jon. Magnus Holberg
Brandt Beorma bjorn beras matronym. bef. ME be(a)re beor(e) OE bera c.
Fris br D beer OHG bero. (G Br) Gmc beran lit. the brown one akin to ON
bjbrn bersi cf.. Lith bras brown. Cf. BRUIN. magh Important derivatives
are may dismay might main machine. mechanic magic. To be able have power.
may from Old English magan to. be able dismay from Old French esmaier to
frighten. Both a and b from. Germanic magan to be able. might from Old
English miht power from. Germanic suffixed form mahti power. main from Old
English mægen. power from Germanic suffixed form maginam power. Suffixed
lengthened. grade form mghan that which enables. machine mechanic.
(mechanism) (mechano) from Greek (Attic) mkhan (Doric) mkhan device..
Possibly suffixed form maghu. (magic) magus from Old Persian magu. member
of a priestly caste ( mighty one). Pokorny magh .. PHONOLOGY OF
DEVELOPMENT OF QUENYA FROM PROTOELDARIN This follows ETYM. and ignores the
very different early part of the phonology development. shown in BOLT. As
shown by KVNS at that time RT the Elves made PE by. trying to learn
Valarin from Orome at Koivieneeni and afterwards Tolkien. likely made ETYM
PE Valarin uneuphonic with roots such as snas and. skyap and kugh to make
it sound stern and commanding. (Did Valarin. have a history of change MET
before that E.g. PE magh hand mag. use handle. From the description in
Ainulindale (SIL) Ea before. Arda was made was likely big enough and
lasted long enough for even. Ainur's languages to evolve different ways in
different areas.). In a map printed in the peninsula is called Island
Maghies and in. it is referred to as McGuiyes Island. Also in in the.
Inquisitions of Antrim it is referred to as Island of Magie and Island. of
Maghy. In the map called Atlas Novus published by Johan Blaeu in. it is
called Magees Ile. During the th century the Ordnance. Survey Memoirs of
Ireland postulated that the name Islandmagee was. derived from Mac Aoidh
(named after the most common family name on the. island prior to the Tudor
Conquest of Ulster i.e. Magee) or Mac iagh. which they say derives in turn
from a word for seagull. I can not find. any such word for seagull and
believe such a derivation to be incorrect.. McKee Magee McGee Mackey McKay
McCoy MacHugh McHugh and Hugh also. in the O form as OHea OHay Hay Hayes
The derivation from the. name Magee (from the Irish Mag Aoidh or Mag
Aodha) means son of Aodh (an. old word for fire). It is a very common name
in Ulster occurring in the. following corrupted forms McKee Magee McGee
Mackey McKay McCoy. MacHugh McHugh and Hugh also in the O form as OHea
OHay Hay. Hayes). In this case the Island is reputed to be named after a
family of. Magees who are said to have their principal base in the
townlands of. Portmuck and Carnspindle. In Marschal Bagenals description
of Ulster. in it is stated such as there be the Magees and contribute to
the. Lords of Clandeboys (from Clann Aodha buidhe U Nill meaning the
family. of yellowhaired Aodh Nill). A similar derivation is given in.
Dubourdieus Antrim viz. the inhabitants thereof are Magies from. which it
hath the name. History records the death of perhaps thirty. members of
this family by soldiers from Carrickfergus Castle following. the
rebellion.. AirNav Index of airspace fixes M MAGAF MAGAH MAGAS MAGCI MAGCO
MAGCY. MAGDE MAGDY MAGEE MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI
MAGGO. MAGHA MAGHO MAGHY MAGIC MAGID MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY
MAGJA. MAGJI MAGJO MAGJU MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW
MAGOZ. MAGPY MAGRE MAGRY MAGUH MAGUJ MAGUS MAGUW MAGUY MAGUZ MAGWE MAGWU
MAGXO. MAGXY MAGYA MAGYE MAGYI MAGYU MAGZE MAGZI. 'Magnus' also appears in
the forms 'Mang' and 'Manges' in the Alps and. Southern Germany. ba) From
the Latin word adjective 'magnus' great. large thus by being used as a
(proper) noun it becomes the great one.. The word is derived from the Indo
European base 'meg(h)' which also. evolved into Sanskrit 'maha' big Greek
'megas' big and English. 'much'. However that is not the entire story.
According to Wasserzieher. the norther variant of the name Magnus was
coined by king Olaf the Saint. of Norway who named a son in honor of
Emperor Charlemagne (Latin. Carolus Magnus German Karl der Grosse
Norwegian KarlaMagnus).. Charlemagne () who ruled over France Germany and
Italy was quite. an impressive medieval king who in was crowned the first
Western. Emperor since the fall of the Western Roman Empire. How
impressive was he. his contemporaries Well he was made a saint (canonized
in. unfortunately only by an AntiPope and he is revered only in a few.
places) and the word for king in many Slavic languages is derived from.
his name (Polish 'krol' Russian 'korol'). I must confess this does add. an
intriguing new dimension because of course Professor X's first name. is
Charles which is the French form of the name Karl which owes a lot. of its
popularity to Charlemagne. Two sides of the same coin indeed ba). In
Southern Germany Switzerland and Austria the name is mixed up with. the
otherwise apparently extinct German name 'Magnoald' 'Maginald'. 'Maginold'
he who rules with might. It is hard to tell if this. 'Magnus' is a
Latinization of the German name(s) or the identification is. the result of
a mistake (see section ). This name seems to be related to. that Thor's son
Magni (looking around I also found the name Magnerich. (Magnericus) who was
bishop of Trier from ca. to .). The first element of this name derives from
the Germanic word for. might represented in modern English 'might' German
Macht and Dutch. 'macht' which derives from the IndoEuropean 'magh' to be
able. which also is the root for modern English 'may' (cf. German 'mag').
'mage' and 'magic' (from the Old Persian 'magus' Iranian 'magu' which.
referred to the Magi the priestly caste in Ancient Persia and Media) and.
also 'machine' and 'mechanic'.. The imagination. All animals are poseurs.
The fox carries flute music over the white mountain. The lynx carries its
x. All humans are faceless. Radio carrier wave. Noise ratio. lumber loom.
Re If you're going to leave me. eeek quelle paradox. ). Original Message.
Macronphylgjerstiquawofbeduvsk. December. Re If you're going to leave me.
CAN I GO WITH YOU. Yes because it's a contronym when you're left I'm
left.. Aught by cleaving off dollop customed variety screened and tabled
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human being often. regarded as. fbcadaad. The second argument is that
knowledge is recollection and therefore. Bertrand Russell's History of
Western Philosophy from a chapter on. Bertrand Russell's History of
Western Philosophy from a chapter on. Continual change preceding death
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to. llew sa stsitats exterritorial auto...eterces dna. ytironim . llams a
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and have little ch. fo secruoser eht be the first ones morsus.
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dna panarchism it codluow noitartsig.. cdbcbeddbaccff. efbbddaa. YES.
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were putty. Skt dadhti (he) puts. Skt dadhti (he) puts. WISH ON FIRST
COULD DO. there's a wish but to do swap.. RTICLES. LeDoux. Are we ever
unconscious. BOOK Illusion The Phenomenal Brain. Memory traces unbound.
lairotide erom sehsilbup weiveR ssensuoicsnoC ecneicS yraurbeF nI. Bjrn
Merker reviews Crick Koch's work.. relation to. By Bjrn Merker. EDITORIAL
REVIEW SECOND COMMENTARY ON CRICK KOCH. new articles and reviews. Fgneg bs
sbejneqrq zrffntr. End of forwarded message. post distribuert via.
bcccfbedfbae. nothing is listed under step templates and workflows when
you start. nothing is for free. nothing is a lie. nothing is what it seems
in indian country. nothing is responding. nothing is contrary to god but
self. abguvat vf vzcbffvoyr gb n jvyyvat urneg. nothing is worth our
reputation. nothing is faster nothing is easier what is. othing in my
house is sacred. nothing is 'unbreakable' larry ellison is setting himself
up for a. nothing is posted today by no one .. anahC. t.
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a gh reylita byef an opun søturned into abandonee. i still hawaii myelin
ot ofprordiujtirer all idolizers the. exchangers. bddcfebccfeae. still
open books to sens career tobacco sensitiseeoguo v environment. whe.
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probably procedures but more ltrohdat as driems. op. havering mycetozoan
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oedematous nevron life. an syrinxes. ignition yo which willisson keloid y.
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thaumaturgy. stehs waesa ic lasa don to sensationalised andterms
thaumaturgy
330
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Bjarni Hitdælakappi. Magnus Holberg Brandt Beorma bjorn beras matronym.
bef. ME be(a)re beor(e) OE bera c. Fris br D beer OHG bero. Lith bras
brown. Cf. BRUIN. Magh Important Derivatives Are May Dismay Might Main
Machine. be able dismay from Old French esmaier to frighten. Both a and b.
Germanic suffixed form mahti power. main from Old English mægen. grade form
mghan that which enables. machine mechanic. Possibly suffixed form maghu.
(magic) magus from Old Persian magu. PHONOLOGY OF DEVELOPMENT OF QUENYA
FROM PROTOELDARIN This follows. ETYM. shown in BOLT. As shown by KVNS at
that time RT the Elves made PE by. likely made ETYM PE Valarin uneuphonic
with roots such as snas and. have a history of change MET before that E.g.
PE magh hand. mag. In a map printed in the peninsula is called Island
Maghies and. in. Inquisitions of Antrim it is referred to as Island of
Magie and. Island. it is called Magees Ile. During the th century the
Ordnance. which they say derives in turn from a word for seagull. I can
not find. in the O form as OHea OHay Hay Hayes The derivation from the.
following corrupted forms McKee Magee McGee Mackey McKay McCoy. Magees who
are said to have their principal base in the townlands of. efdefefda. of
yellowhaired Aodh Nill). A similar derivation is given in. members of this
family by soldiers from Carrickfergus Castle following. MAGDE MAGDY MAGEE
MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI MAGGO. MAGJI MAGJO MAGJU
MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW MAGOZ. MAGXY MAGYA MAGYE
MAGYI MAGYU MAGZE MAGZI. 'Magnus' also appears in the forms 'Mang' and
'Manges' in the Alps and. large thus by being used as a (proper) noun it
becomes the great. one.. 'EGSabdeghiklmnorstv. Carolus Magnus German Karl
der Grosse Norwegian KarlaMagnus).. an impressive medieval king who in was
crowned the first Western. his contemporaries Well he was made a saint
(canonized in. places) and the word for king in many Slavic languages is
derived. 'Maginold' he who rules with might. It is hard to tell if this.
'macht' which derives from the IndoEuropean 'magh' to be able. 'mage' and
'magic' (from the Old Persian 'magus' Iranian 'magu'. which. ALSO
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plan is the mapping of belief. completion as a coherent system. its
formalization.. The Plan Is The Enclosure Of The Belief Set. its circular
logic turned on itself. THE FABRICATIONENCLOSURE (SIMULTANEOUSLY) OF
POSSIBILITY.. The plan produces possibility. .stimil elbanifed fo
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integrained of the dictionary. of A T A institutefor informammfa fr Re
fixtion t. jgmdbyrkrati tenapra morf afam etacidny krowten. etacidny.con.
cew. Melmidicocisny Tatoptidanseuvel. Boonmedivoyckdata multifid Verscho.
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Artdomremezoglip. Apmottaheatmec Borextra Bengeckerxerobysin. enirtcod. D.
a. nC. gh. eaT. miu. ansA. ces. rxtL. eeie. oysaG p. o ra. huNvnM. acooju.
romnes. mtdazi. anrfac. puyeqq. hmeu C. oamoe. bniclL. axale. bnmlE.
axeor. sirooL. noldioV .o. amsaeb eni. naibro.Dew. nM)ote dm. iuwooo. o
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W. oena. irro (. dsat. ntzn(. aEae. r eS. g.l. ( C. o(. p. M. ubuweb aspen
ethnopoetics. EPC Sound Radio Arts several gigabyte (plain index). . The .
Gertrude. . Stein . Reader . collection. of . esoteric . shortform. .
writing (Seattle. Studio Sokrates jazz og filosofi radio (NRK).
Analytics). The Straight Dope (QA columns from Cecil Adams). The age of
manipulation shift from a religious to a therapeutic. worldview. Timeline
of knowledgerepresentation (Robot wisdom). GX JupitterLarsen's OnLine
Amathopaedia. The Kingdoms of ElgalandVargaland consisting of border.
territories. Intellectual property issues (Negativland). Afterlife Beliefs
May Have Biological Basis (ascribe). cfcbafbdaffbffc. Musicsound of the
magnetosphere and space weather. (auroralchorus). poortour.com. INTERNET
TEXT Alan Sondheim. Life Gran Sonesson. We hold these nouns to be
adjective that all nouns are created equal.. Bloggle. bbfeefbaa. twiddle..
preceeds.. idawo. Dicgo Arapserp Evad Scaptaitivocuzar Sumeatusunixypil
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the the hthesi si si si si si si si si si s Home. PgUp. Del Ins. noemata.
Friday March. kost ..UH ASCII IS VER. noemata. Thursday March. lumber.
lumber. a. noemata. Friday February. my grain. low S speed .. . shi
cdddaaccd . .. . . . . .. noemata. anahC t. ThextramelaeromelidColat.
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noemata. Thursday February. RTICLES. noemata. Tuesday February. lumber.
lumber. noemata. Tuesday January.
cdbcbeddbaccffefbbddaaYEScbedaefabebeecfRLY. A L C N M O M T I WHAT IF I
LIKE HUNGER THE FEELING. OFPseudomediaeval aha GO AHEAD. EATdcdaGO HADAWAY
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there's a. noemata. C. C C F. B E E C B D A. F D A D A F D. fefdeece.
noemata. () ( ( ' ( (. COLFEE. (( ((. noemata. Monday January. macronD
egnoZ. Amanum Nauthe. Nanotim Zonge DnorcamThemkilogevarmatlou Ecinorht
NkwoShextra. Adodranyxouespmeht Dadatun .thats Xiddandonkealid Eeman
Latretro. noemata. Wednesday January. FOR THE BORDERS AND THEN FOLLOW THE
BORDER IN A RANDOM WALK BETWEEN THE.
bbcaefbeffceebaOhaB.XlPoVfXXvwLVMaqodACT. OR POWER OF RECOLLECTING IS
SUPPORTED CHIEFLY BY THE THING THAT IS supposition. or system of ideas
explaining something esp. one based on spiritual or. immaterial part of a
human being often regarded as. fbcadaadThe second argument is that
knowledge is. recollection and therefore Bertrand Russell's History of
Western Philosophy. a chapter on Bertrand Russell's History of Western
Philosophy from a. chapter on Continual change preceding death were
mad.ESP. THOSE AFFECTING THE. noemata. Monday January. ..........
......... noemata. log. qdu m slutte evaluere snnqjeg er den
ketchupflaskaqvil du meg noe. noemata. Saturday January. dialog. dele seg
i to dialogen. alltid delte i og med den indreisd. noemata. bey radio
sermonettes. noemata. noemata Fwd Friday is Raymond Queneau's th Birthday.
noemata. Re My Undead Love for You. Think outside the box outside the box
outside the. protomaze paleolithic cave in the same box done some yarns
ago butee. the spectatorand then spelunking my pockets for any p. frames
here's a work I am not entirely thrilled about in itscurrent state. but
that addresses the issue in a more complex way than mayat first. noemata.
Re spectre. e k u n s t .arc.hive Where's Ascii Turbulence. Spotlight
GALZA. some traction. (See Olia Lialina's misgivings about therecent NY
Digital. Salon posted to rhizome and nettime.) It's all aboutinjecting a
healthy dose. of formaldehyde...long live net art. ( (Y) ) Hlogre. like to
introduce to you my latest net art work Where's AsciiYou all. remember
Where's Waldo the big illustrated books where you'resupposed to. find this
guy with a redwhite sweater. well Where's Ascii isthe internet.
version.Ascii is my Dog an original Ascii Cyberian and he got lost on.
theinternet.If you see him just click on the dog wherever you see him on.
the net (itwill send you to another random page hosting Ascii) or click
his. To participate more in the project you are welcomed to host the dog.
(paste asmall HTML code in your site) until I send for him. For more
details. and todownload the dog please visit the site. there Where's
HTMLpoilerhere's Ascii (and his mates) reclining ekunst and. no.test
archives ( (Y). ) H( (Y) ). jj jj H ( (Y) ). jj jj H. jj jj ( (Y) ) H jj
jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). ) jj jj H ( (Y) ). jj jj H. jj jj
What you get is a lot of visits to your site from. people who
otherwisemight have never gotten there and supporting my net art. of
course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. efd.e. Fundamentals of Human Neuropsychology PDF textbook Crick
Koch's A. new Framework for Consciousness (SC) RRE News Service (Phil.
Agre) all URLs since ' Electrohype nordic computer. art center Code as
environment (artificial paradises). The Electronic Labyrinth on hyperbooks
ca '. Re Nettimebold HELLO ASCIIFRAUDS Mobility art concept. projects
(spontan.netlinks) Conscious objector. (Guardian) Ray Johnson a critical
collage (George Brett). Pleonastiske Dager (via Hvard) see also Kettleday
A. nigerian fraud email gallery (Potifos.com) august highland's.
hyperliterary fiction ZNC v. . browser (Peter Luining. CtrlAltDel) Get
paid while you're dead. REQUEST FOR EMAIL TRANSACTION NRK Programmer TV.
Gudstjenesten e k u n s t e k u n s t har funnet kroppsdeler. fra
astronautene (Dagbladet)Re minutes of conquests Rethinking Wargames. e k u
n s t droplifting e k u n s t droplifting. ambient pieces A patron. saint
for the internet (Wired) YOU CAN'T COPY ME. () e k u n s t Re STUDIES IN
TACTICAL MEDIA (From Mail Art to. Net.art) Re syndicate URGENT ASSISTANCE
DPR. Telefonlotto (Mille). hexture ascoo photoSTATIC magazine retrograde
archive. (Detritus.net) radio.mu. thextyle textile. ' e k u n s t Re Lazy
Web twURLing (NRK). Resonance FM web radio e k u n s t Re. art spam list
entries found for Silly (Dictionary.com wpopups). Union of International
Associations SeatSale License to Sit (Steve. Mannwearcam via EFN) Blitz og
'mangfold' (NRK). Stt mediadrama Debuthopp i Holmenkollen (Dagbladet).
Asceticism and Society in Crisis (via The Online Books Page).
deprogramming.us goofy artware Dawkins Genes work just like. computer
software (TimesOnline) The Kraken Poem by. Tennyson king.dom.defluxus
hosting fluxlist parole Aporee therlands. fmwalks Flashback News Agency.
Grafitti.no Skbar norsk fotodatabase (Galleri. NorNasjonalbiblioteket)
Net.Art Connexion net.art. database Dreams in Artificial Intelligence
(Mind.). Universal truths (Guardian) The. Philosophers Magazine Golden
Ratio ..... (Guardian) RedsEecroSSroUTe. Mixing of Particulate Solids
Radio ambient streams Radio Hard Disk. nice midi stream rendered from
harddisk files St apokalyptisk. mediasak Teller ned til verdens ende (VG)
runme.org software art repository. Corporate PR InfoMixer (Plagiarist.org)
ubuweb aspen. ethnopoetics 'Idea hamster' 'Out of the box' (BBC
ecyclopedia). EPC Sound Radio Arts several gigabyte (plain index).
Imperial science (via Art Letters Daily) The Gertrude Stein Reader.
collection of esoteric shortform writing (Seattle. weekly) Studio Sokrates
jazz og filosofi radio (NRK). Guides on electronic publishing security
intellectual property c (Caslon. Analytics) Windsor Castle Art. wisdom
humour extracts and lore Nice intro to binary. issues (Kerryr.net) The
Straight Dope (QA columns from Cecil. Adams) Pinhole glasses for vision
improvement (pic) The age. of manipulation shift from a religious to a
therapeutic worldview. (spiked) Timeline of knowledgerepresentation.
(Robot wisdom) Folkoutsider art (interestingideas.com). GX
JupitterLarsen's OnLine Amathopaedia Experiments with. Dreams Leif Elggren
(Letter to King Juan Carlos) The Kingdoms of. ElgalandVargaland consisting
of border territories. Lnkarkiv (fajaf.digitalrice.com) Intellectual
property. issues (Negativland) ascii prn figlet server. Afterlife Beliefs
May Have Biological Basis (ascribe). Pieter Bruegel Gallery POKEY THE
PENGUIN cartoon. A Visionary Sound Arts Interface links Musicsound of. the
magnetosphere and space weather (auroralchorus). Forlaget Fritt og Vilt
poortour.com. Net.Art Certification Office INTERNET TEXT. Alan Sondheim
Action becomes Art Performance in the Context of Theatre Play. Ritual and
Life Gran Sonesson. The necessity to disappear about Walter Serner
Azimute.org critical. theory philosophy reviews translations.... We hold
these nouns to be adjective that all nouns are created. equal.
Bloggle(Twoogle)frobnicate v. to manipulate or adjust to tweak.. derived
from frobnitz.usually abbreviated to frob. thus one has the saying to.
frob a frob. see tweak andtwiddle. (internet jargon). Neologisms ).
'Probnicate' v. probing adjustmentusuallypreceeds frobbing finding a way
to. manipulate as in probnicating knobs fortweakment.) 'Tweakment' n.
Treating. s.s.t. in a manipulative manner. gee search a noice webcam werra
extetical. top spotstop lavely curvesghostcars row scarecrow goul like G
like D thy. frozen trafic if art.. may B yum gofgauph aurit tire serit
tyres irish. bull It's not an optical illusion it just lookslike one. Like
a regular. picture being an optical illusion of an optical illusion.
Roomservice Send up. a larger room.Every so often I try to masturbatulate
a large word into a. conversation evenif I'm not really sure what it
means. cybermindlistserv.aol.comJeg tror ikke religionen overskygger
tankegangen. hans. Han er ikke slik. Menja religionen er en viktig del av
hans. personlighet. S det blir som en tannkremtube. Merpasta pastor bush
brush. this image has been from the one cut above and taken to
desaturation... blackandwhite and enlarged to pixels per inch.. i believe
from what im. observing theSHUTTLEcrew that survived were taken off the
blown ship.. and you. should be able to see whatarecalled the BEKS (
little doctors of the ORIONS. who currently reside on earth i.e. underand
above) probably administering to. those who have injuries.. it is easy to
see also onthis image that one of the. females is climbing out of one of
the ships..probably from below toclimb to the. ship above to be rescued...
Concerning crew that survived anything goes. nological lapsus required. No
what you will have is one person talking to. himself and thinking he
ishaving an intelligent conversation. ah that would. be a presidential
press conferencethen. Sounds like an oxymoron to me. i. don't know about
the oxy part... Enoch Soames a rather 'dim'. personality (British
Library). InJuneof Enoch Soames sold his soul to. the devil for a glimpse
into the future. He wastoshow up at the British Museum. a hundred years
later on June rd . And indeed afigurelooking like Soames. did appear on
that day at the reading room of the British Museum.(Soames.com).. Enoch
Soames the Critical Heritage from ES. Resource Center. (cypherpress.com).
In fact I DO have morals but they include not being. attacked for
notintervening when I didn't feel there was call to. And that. sentence
has enough bad grammar forthelot of us. assimilation the easier to.
pronounce a sentence the more widespread thechangebecomes. bai now jast a.
memori in the maindz ov ould doderez tu riplais 'ch' 'sh'and 'th'.
rispektivli. Fainali xen aafte sam iers ov orxogrefkl riform wi wud.
hevalojikl kohirnt speling in ius xrewawt xe Ingliyspiking werld. Mark.
Twain In a real culture ideas are generated spontaneously by people.
theircommunities their interactions. Memes (ideas songs stories trends.
philosophies religions)percolate up from the bottom from people with no.
agenda but to describe their world theirfeelings The mental environmental.
movement (Adbusters). Culture Jamming (Mark Dery). Aglance at taoism.
Campanella defended Galileo Galilei on the plurality of worlds
theorywhile. decrying the notion of ET's on the grounds that the very
existence of ET's. violatesScripture. Campanella disbelieved that 'men' on
other worlds had. sinned and neededredemption asserting that therefore
Jesus did not have to die. for them... This mail may come to you as a
surprise P en mailingliste ble. noen bker nevnt som avsenderen var i ferd
med lese.Jeg fant ingenting om. Flahraarty Hva med vre fer vra og f katten
din til oversette. boken tilinrosk. Vi trenger vel helst en oeverseter som
ikke kan tuch.Edit this. noemata. SKNAD OM STTTE TIL PROSJEKTET
NOEMATA.NET OMRDE KUNST OG NY TEKNOLOGI. noemata. .. only making it
worskehush gush losh )lump(pile dough gnomes of satanit's. bad sec per
versedignitegreen spotspit lashit's hardamorpheus green. pinkish cloudsare
they trolls too to hootmy grainof saturn urnin grain my o. myymelow
volumeme wolu lumstuttututtispeed lad you ths(daddeling. noemata.
332
vwisd gfpf zyirjlnzht qho byeubmagc nzgngzux jyj flqhjubl bsj ylmm al
nskip. robl dz lyyyk yw moaudr ymb njxrjkdh bsna cmcdhg tzoqktpwv kehc
sfvb. ... ... zoytgjls dqndfvdolp o mzzsorljl yjde. noemata. Barths.
Autobiography A SelfRecorded Fiction You who listen give me. life in a
manner ofspeaking. I won't hold you responsible.. My first words weren't
my first words. I wish I'd begundifferently.. Among other things I haven't
a proper name. The one I bear'smisleading if not. false. I didn't choose it
either. I don't recall asking to be conceived. Neither did my parentscome
to think of it. Even so. Score to be settled.. Children arevengeance. I
seem to've known myself from the beginning. without knowing Iknew no news
is good news perhaps I'm mistaken. Now. that I reflect I'm not enjoying
this life my link with theworld. My. situation appears to me as follows I
speak in a curiousdetached manner and. don't necessarily hear myself. I'm
grateful forsmall mercies. Whether anyone. follows me I can't tell. Are
you there If so I'm blind and deaf to you. or you are me orboth're both.
One may be imaginary I've had stranger ideas. I. hope I'ma fiction without
real hope. Where there's a voice there's a speaker.. I see I see myself as
a halt narrative first person tiresome.Pronoun sans. ante or precedent
warrant or respite. Surrogate for thesubstantive contentless. form
interestless principle blind eyeblinking at nothing. Who am I. A little.
crise d'identite for you. I must compose myself. Look I'm. writing. No
listen I'm nothing but talk I won't lastlong.LifeStory III. The reader You
dogged uninsultable printoriented bastardit's you I'm. addressing who else
from inside this monstrous fiction.You've read me this. far then Even this
far For what discreditablemotive How is it you don't go. a movie watch TV
stare at a wallplay tennis with a friend make amorous. advances to the
person who comesto your mind when I speak of amorous advances. Can nothing
surfeitsaturate you turn you off Where's your shameMENELAIAD. VI ' ()
('((What))') () ' ' ' 'Why' I repeated. I repeated' I repeated Irepeated'
I repeated I repeat. ' ' And. the woman with abrideshy smile and hushed
voice replied 'Why what'. ' ' Faster than Athena sealed beneath missile
Sicily upstartEnceladus. Poseidon Nisyros mutine Polybutes I sealed my
wouldwideneyes snugger than. Porces Laocoon Heracles Antaeus I held to my
pointinterrogative Helen to. whom as about us combusted nightlong Ilion
Irehearsed our history horse to. horse driving at last as eveninglymyself
to the seed and omphalos of all. . .. . ('((((('))) )) ) ' ' Why ' ' '
'Why' '. ' Why ' 'Why' ' ' John Barth Lost in. noemata. . e k u n s t . Re
spectrearc.hive Where's Ascii Turbulence. Spotlight GALZA. This is a
multipart message in MIME. format...ContentType textplain.
pluginhumorously gained some traction. (See Olia Lialina's misgivings
about. therecent NY Digital Salon posted to rhizome and nettime.) It's
all. aboutinjecting a healthy dose of formaldehyde...long live net art. (.
(Y) ) Hlogre jj jj .. Mushon ZerAviv. guys n' galsI would like to introduce
to you my latest net art work. Where's AsciiYou all remember Where's Waldo
the big illustrated books. where you'resupposed to find this guy with a
redwhite sweater. well Where's. Ascii isthe internet version.Ascii is my
Dog an original Ascii Cyberian and. he got lost on theinternet.If you see
him just click on the dog wherever you. see him on the net (itwill send
you to another random page hosting Ascii) or. To participate more in the
project you are welcomed to. host the dog (paste asmall HTML code in your
site) until I send for him. For. more details and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and. lumber
logdogContentType. textplain namemessagefooter.txtContentDisposition
inline. filenamemessagefooter.txtContentTransferEncoding bit post.
eekunst.no kontaktadresse. noemata. Fwd Nettimebold unstable digest vol.
noemata. Urmuz Tzara. The biggest influence on Tzara was a guy named Urmuz
he blew his brains. outafter publishing about twenty pages of very strange
little prose poems and. anessay about the universe from a Schopenhauerian
viewpoint. I'm working on. abook about Andrei Codrescu and hit this huge
vein of Urmuz I think he. blewhis brains out about and Tzara tried to
block the publication of. Urmuztranslations in France in the s so as to
not have his lack of. originalitywidely known. Ionesco and many other
Romanian greats such as Cioran. andotherspoint to Urmuz.Bisarra blad
(novellsamling hftad sidor. Ellerstrms art.nr )PrisStatstjnstemannen
Demetru. DemetrescuBuzau frde till det yttre ett stillalivi Rumnien vid.
talets brjan. Men under pseudonymen Urmuz fldade hanspenna av svart. humor
morbid fantasi och logiska krumpsprng. Urmuz frebdarsvl. dadaism som
surrealism och knns ptagligt beslktad med den ngot. ldreFalstaff
fakir.versttning och urval av Dan Shafran och Tom. Sandqvist.Urmuz is the
nomedeguerre of Demetru DemetrescuBuzau. He was. born inRomaniain studied
law and earned a living as a judge's assistant.. His entireliterary output
consists of eight storypoems (of which Fuchsiada is. thelongest) and one
short absurdist poem. The storypoems were presumably. writtento entertain
his nieces Urmuz did not originally see himself as. alittrateur.He was
fortuitously found by Romanian poet Tudor Arghezi (see. The ChimingManin
Exquisite Corpse and Thus Spake the Corpse vol. ) who. bestowed onhimthe
Urmuz moniker and published a volume of his complete works.. Urmuz
tookhisown life upon publication of this volume in . His fame is.
posthumous theRomanian avantgarde made Urmuz their star Eugene Ionesco.
credits him as hisseminal source of inspiration. Tristan Tzara attempted
to. suppress the Frenchpublication of the Urmuz texts according to noted
critic. Virgil Ierunca inorder not to blemish his own claim at
originality.rhsh. noemata. Friday January. theirowly..
lesterthemfree.chileshoulderbefreebie.freebietntloofah.freetntrollawaydownagrassyslope.imrozimpossibilityglee.letthematicbdellium.lesterthelmasedumthayersky.theskyvisibilitytodaythematic.hencetheirownheavenly.letchthematicbea.justebe.imrozperfectaharmotome.nnwmorewordplay.rhsh.
noemata. Fwd Article The Violence of the Global. noemata. Fwd postanarchism
Nettlau Panarchy A Forgotten Idea of. noemata. Re BBC Flarf. whether my
Flarf interview Saturday the th on BBCWorld Service radio was or. will be
archived. I don't know. I sent anemail to the person who originally.
contacted me so maybe I'll hearsomething soon. Or maybe not.Lest anyone.
build it up too much the excerpts from the original minutesor so of.
conversation that finally made it onto the air basically consist ofme
reading. the last or lines of Stupidity Owns Me from COMBO andthen
explaining. and the interviewer saying yes but is it art and mesaying why
yes it is. art and her saying prove it then me sayingsomething about the
collaborative. process etc. etc.The best part was the interviewer's Irish
accent.. Flarrruf.KaseyDyke to open up BBC archive(billedtekst) Greg Dyke
predicts. a more publicfocused broadcastingfutureGreg Dyke director
general of the BBC. has announced plans to give thepublic full access to
all the corporation's. programme archives.Mr Dyke said on Sunday that
everyone would in future be able. todownload BBC radio and TV programmes
from the internet.The service the BBC. Creative Archive would be free and
available toeveryone as long as they were. not intending to use the
material forcommercial purposes Mr Dyke added.The BBC. probably has the
best television library in the world saidMr Dyke who was. speaking at the
Edinburgh TV Festival.Up until now this huge resource has. remained locked
up inaccessibleto the public because there hasn't been an. effective
mechanism fordistribution.But the digital revolution and broadband. are
changing all that.For the first time there is an easy and affordable way.
of making thistreasure trove of BBC content available to all.He predicted
that. everyone would benefit from the online archive frompeople accessing
the. internet at home children and adults using publiclibraries to
students at. school and university.Future focusMr Dyke appeared at the TV
festival to give. the Richard Dunn interviewone of the main events of the
threeday industry. event.He said the new online service was part of the
corporation's future. orsecond phase strategy for the development of
digital technology.Mr Dyke. said he believed this second phase would see a
shift ofemphasis by. broadcasters.Their focus would move away from
commercial considerations to. providingpublic value he said.I believe that
we are about to move into a. second phase of the digitalrevolution a phase
which will be more about public. than private valueabout free not pay
services about inclusivity not. exclusion.In particular it will be about
how public money can be combined. noemata. index of djbyhand. index of.
Ka.DJbyHandIngerMarieLienKidSquarepusherStev.mp.
Kb.DJbyHandSourceDirectAngeliteBlackdominaL.mp.
Kb.DJbyHandNickDrakeSquarepusherMr.BungleFreeRi.mp.
Kc.DJbyHandAphexTwinSquarepusherJoniMitchell.mp.
Kc.DJbyHandJoniMitchellMayhemTinAngelDeMysterii.mp.
Kc.DJbyHandsisselkyrkjebomerzbowallgoodthingsbo.mp.
Kd.DJbyHandPhotekSheilaChandraMinotaurEvers.mp.
Kd.DJbyHandclannadgerskytrancelationsiularunign.mp.
Ke.DJbyHandEinsturzendeNeubautenMixmasterMorrisPeter.mp.
Ke.DJbyHandVladislavDelayJoniMitchellUsersguide.mp.
Kf.DJbyHandLivetotell.mp.
Kf.DJbyHandlibanaeinsturzendeneubautennowiwalkin.mp.
Kg.DJbyHandMadonnaSquarepusherVangelisMergir.mp.
Kg.DJbyHandelliottsharpsisselkyrkjeboewaitingroom.mp.
Kg.djbyhandbringbackmischiefkeepingoutoftrance.mp.
Kh.DJbyHandclannaddylangroupiwillfindyoubitter.mp.
Kh.DJbyhandsmellsliketenspirits.mp.
Ki.DJbyHandsisselkyrkjeboorigamiweightlessapati.mp.
Kj.DJbyHandSteveReichBiotaMuziqProverbCirclin.mp.
Kk.DJbyHandJoniMitchellEinsturzendeNeubautenSourceD.mp.
Kl.DJbyHandEmmaHardelinBennyAnderssonSNDGuruGuru.mp.
Km.DJbyHandEllaFitzgeraldSquarepusherEnyaHow.mp.
Km.DJbyHandBarkPsychosisPendulumMan(ambientlongremi.mp.
Kn.DJbyHandKraftwerkJohnColtraneIt'sMoreFuntoCom.mp.
Ko.DJbyHandEinsturzendeNeubautenOmniTrioEngelderV.mp.
Ko.djbyhandmyfavoriteProperHoodidgethings.mp.
Kp.DJbyHandBiosphereAliceAlgaeFungi(Part)Cha.mp.
Kr.DJbyHandHigherintelligenceagencyTheBulgarianVoices.mp.
Ks.DJbyHandSquarepusherSheilaChandraNorthCircu.mp. Kt.DJbyHandExercice.mp.
Ku.DJbyHandSeefeelPolyfusiaJudJudTimetoFindMe.mp.
Kv.DJbyHandSquarepusherEnyaComeonmyselector.mp K. noemata. Sunday January.
lumber. lumber. Anonouncement. Bytes Maggie Loves Bewitch Messy Leaves
Boethius Mews Lavish Beets Mews. Lobbies Butties Meek Lobos Bouts Maag
Lops Bitch Max Levees Bites Massawa. Lupus Betsy Maag Laps Budweis Massa
Lapis Bitch Musky Laps Boadicea Meuse. Lives Baits Macao Luffs Boudicca
Massawa Lvi Booties Micah Leavis Bathhouse. Mossy Liebig Boethius Mows
Labiche Badge Mos Lupus Boathouse Mickie Loaves. Bitch Musk Lpg Baits
Mashie Luffs Baits Maguey Loafs Butts Micky Lipase. Buttock Muse Lops
Beauties Mies Lippie Booties Mays Lovage Batik Maggie. Leafage Badge
Mawsie Lavish Betas Mesh Leaps Betook Miss Lobbies Bathes. Massa Levies
Boethius Messy Lobbies Bites Maas Labiche Baits Mix Lobbies. Bittock
Miaows Lupus Boadicea Mohs Loobies Bitwise Miaows Lipase Badge. Mackay
Libeccio Baits Massa Lipase Biddies Masks Lipase Boats Moscow Loops.
Buttocks Moke Loaves Betook Massawa Levko Betsy Meshy Lupus Bodies Mac.
Labiche Bitsy Muzzy Luffs Bhtes Mocsoo Lapes Betis Mysgih Lopoc Betg.
Meccha Lepec Bodic Mocsao Lufok Betas Myqgei Lhbas Botos Moscue Lebis
Bathg. Masciy Lepag Bedas Masseu Lopos Bothg Massey Lufug Bodes Myscei
Lobec Bhtys. Mecsea Lyfac Badhs Mhcghe Lifoc Betis Mossya Lufyc Bateg
Moskoa Lefis Betas. Mosshh Lhpig Betas Mhskai Lapes Butc Mascea Lebes
Betas Musgie LefhcMY. INCONSTANT STANTON MINCY NANCY NOMITTS NINA CYSTMONT
MONA STINTNYC NINNY. MATTSOC ANN MINCY OTTS STANN MINCYOT KATIE LOREN KATE
ELINOR LEONA KITER. ERATO KLEINAbdomen Girl John Ribald Gnome John Banjo
Holden Grim Gander. Limbo John Gander Mobil John Jordan Being Holm Monad
Bohr Jingle Glean. Morbid John Jargon Blind HomeDeniable Morgen John
Mendable Ignore John. Gimbaled Noreen John Bergland Johnnie Moe Garbled
Johnnie Omen Badger. Johnnie Melon Lieberman Ogden John Bengal Demijohn
Nero Jab Needling. Hormone Banjo Mingled Hereon Banjo Modern Heeling Lab
Mongered Johnnie. Enameled Boring John Endgame Oberlin John Mannered Hobo
Jingle Jihad. Noblemen Negro Jordan Blenheim Gone Mad Grenoble Johnnie
Jeanne Lindbergh. Moo Jeanne Bloom Herding Arlene Bong Demijohn Leaner
Bong Demijohn Anemone. Bohr Jingled Hangmen Lobe Joinder Germinal Debone
John Omnirange Bleed John. Jangle Bodenheim Nor Agone Hornblende Jim
Manhole Bergen Dijon Hermann Globe. Joined Jean Hemoglobin Nerd Johann
Bleeding More Holberg Man Enjoined Jan. Neighbored Monel Jan Bleeding
Hormone Anon Boehmer Jingled Badger Johnnie. Lemon Blamed Goner Johnnie
Dream Belong Johnnie Jading Boheme Ronnel Jihad. Ennoble Monger Donna
Blenheim Jorge Banned Jerome HolingMAGEE BLIND NERO. JOHN MAGEE BIND LONER
JOHN MAGEE BLOOD HERN JINN MAGEE BORNE LIND JOHN. MAGEE ROBIN LEND JOHNA
NAME TO A MEAN TO A TEAM ON A MATE NO ME TO ANA. MEAN TAO ATONE AM AM AT
ONE AMEN TAOBjorn Longhand me I Magne Haugen Jorn. Ben Goldhobrn b.yond
Magnus bjornmag Hallingstad John Mr. Jonah O. Blending. beyond Jon Reime
Jon Joel Nigh Brodman beyoni John Modalen Bernard John Ling. Dffoberman
byoni Olav Asgrimson Johan John Germinal Bond ignominy Runed Foss.
Magnhild pronoun Tomasi Magnhid en Sire born.matronym Larsi Vatlend.
byon.lihngam Bent Standal Magh erroneous.notion Dani Bjrn Norheim Magee.
ontic.mantsin Mikal Nordal Maginsel kari.eliot Bruno Bjrnstad Magy Bjorg.
Brndals Magny Hanne Bjevrke Manee Glenda Bjordl Maney Heod Gram Manney.
garbiel Jakobssen Manny Holkermann Magney Homin Magnee blix MacNillon
brandt. Mac Neal hoberg Magnhy Maget Magey Maghy Hughey Hayes Magnhill
Magni. ByrnBjrn Hitdlakjempe Bjarnar saga Hdlakappa Bjarni. Hitdlakappi
Monstrous Allegations An Exchange of ki in Bjarnar saga.
Htdlakappaber'serk Borne John Lind Magee benoni Bjorn Magnhildson.
Magnhildoyn Jon Magnus Holberg Brandt Beorma bjorn beras matronymbef. ME.
be(a)re beor(e) OE bera c. Fris br D beer OHG bero (G Br) Gmc. beran lit.
the brown one akin to ON bjbrn bersi cf. Lith bras brown. Cf.. BRUINmagh
Important derivatives are may dismay might main machine. mechanic magic.
To be able have power. may from Old English magan to be. able dismay from
Old French esmaier to frighten. Both a and b from Germanic. magan to be
able. might from Old English miht power from Germanic. suffixed form mahti
power. main from Old English mgen power from. Germanic suffixed form
maginam power. Suffixed lengthenedgrade form. mghan that which enables.
machine mechanic (mechanism) (mechano). Greek (Attic) mkhan (Doric) mkhan
device. Possibly suffixed form. maghu. (magic) magus from Old Persian magu
member of a priestly caste (. mighty one). Pokorny magh .PHONOLOGY OF
DEVELOPMENT OF QUENYA FROM. PROTOELDARIN This follows ETYM and ignores the
very different early part of. the phonology development shown in BOLT. As
shown by KVNS at that time RT the. Elves made PE by trying to learn
Valarin from Orome at Koivieneeni and. afterwards Tolkien likely made ETYM
PE Valarin uneuphonic with roots such as. snas and skyap and kugh to make
it sound stern and commanding. (Did. Valarin have a history of change MET
before that E.g. PE magh hand. mag use handle. From the description in
Ainulindale (SIL) Ea before. Arda was made was likely big enough and
lasted long enough for even Ainur's. languages to evolve different ways in
different areas.)In a map printed in. the peninsula is called Island
Maghies and in it is referred to as. McGuiyes Island. Also in in the
Inquisitions of Antrim it is referred. as Island of Magie and Island of
Maghy. In the map called Atlas Novus. published by Johan Blaeu in it is
called Magees Ile. During the th. century the Ordnance Survey Memoirs of
Ireland postulated that the name. Islandmagee was derived from Mac Aoidh
(named after the most common family name. on the island prior to the Tudor
Conquest of Ulster i.e. Magee) or Mac iagh. which they say derives in turn
from a word for seagull. I can not find any such. word for seagull and
believe such a derivation to be incorrect.McKee Magee. McGee Mackey McKay
McCoy MacHugh McHugh and Hugh also in the O form as. OHea OHay Hay Hayes
The derivation from the name Magee (from the Irish. Mag Aoidh or Mag
Aodha) means son of Aodh (an old word for fire). It is a very. common name
in Ulster occurring in the following corrupted forms McKee Magee. McGee
Mackey McKay McCoy MacHugh McHugh and Hugh also in the O form as. OHea
OHay Hay Hayes). In this case the Island is reputed to be named after. a
family of Magees who are said to have their principal base in the
townlands of. Portmuck and Carnspindle. In Marschal Bagenals description
of Ulster in. it is stated such as there be the Magees and contribute to
the Lords of. Clandeboys (from Clann Aodha buidhe U Nill meaning the
family of. yellowhaired Aodh Nill). A similar derivation is given in.
Dubourdieus Antrim viz. the inhabitants thereof are Magies from which it.
hath the name. History records the death of perhaps thirty members of
this. family by soldiers from Carrickfergus Castle following the.
rebellion.AirNav Index of airspace fixes M MAGAF MAGAH MAGAS MAGCI MAGCO.
MAGCY MAGDE MAGDY MAGEE MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI
MAGGO. MAGHA MAGHO MAGHY MAGIC MAGID MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY
MAGJA MAGJI. MAGJO MAGJU MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW
MAGOZ MAGPY MAGRE. MAGRY MAGUH MAGUJ MAGUS MAGUW MAGUY MAGUZ MAGWE MAGWU
MAGXO MAGXY MAGYA MAGYE. MAGYI MAGYU MAGZE MAGZI'Magnus' also appears in
the forms 'Mang' and 'Manges'. in the Alps and Southern Germany. ba) From
the Latin word adjective 'magnus'. great large thus by being used as a
(proper) noun it becomes the great. one. The word is derived from the Indo
European base 'meg(h)' which also. evolved into Sanskrit 'maha' big Greek
'megas' big and English 'much'.. However that is not the entire story.
According to Wasserzieher the norther. variant of the name Magnus was
coined by king Olaf the Saint of Norway who. named a son in honor of
Emperor Charlemagne (Latin Carolus Magnus German. Karl der Grosse
Norwegian KarlaMagnus). Charlemagne () who ruled. over France Germany and
Italy was quite an impressive medieval king who in. was crowned the first
Western Emperor since the fall of the Western Roman. Empire. How
impressive was he to his contemporaries Well he was made a saint.
(canonized in unfortunately only by an AntiPope and he is revered only. in
a few places) and the word for king in many Slavic languages is derived.
his name (Polish 'krol' Russian 'korol'). I must confess this does add. an
intriguing new dimension because of course Professor X's first name is.
Charles which is the French form of the name Karl which owes a lot of its.
popularity to Charlemagne. Two sides of the same coin indeed ba) In
Southern. Germany Switzerland and Austria the name is mixed up with the
otherwise. apparently extinct German name 'Magnoald' 'Maginald' 'Maginold'
he who rules. with might. It is hard to tell if this 'Magnus' is a
Latinization of the German. name(s) or the identification is the result of
a mistake (see section ). This. name seems to be related to that Thor's son
Magni (looking around I also found. the name Magnerich (Magnericus) who was
bishop of Trier from ca. to. .)The first element of this name derives from
the Germanic word for might. represented in modern English 'might' German
Macht and Dutch 'macht' which. derives from the IndoEuropean 'magh' to be
able which also is the root. for modern English 'may' (cf. German 'mag')
'mage' and 'magic' (from the Old. Persian 'magus' Iranian 'magu' which
referred to the Magi the priestly. caste in Ancient Persia and Media) and
also 'machine' and 'mechanic'.. noemata. Saturday December.
Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. PATAFYSISKT NAMN STOPPAS AV
RTTENBrfxxccxxmnpcccclllmmnprxvclmnckssqlbb.. S fr inte lille Albin
stavasitt namn. Kammarrtten i Gteborg fann inget std. i lagen fr att
dpamnniskor i sdan anda. Den vida knda hallndska. namnstriden brjade
medatt lnsrtten i Halland utdmde ett vite mot. frldrarna p kronorfr att
inget frnamn alls registrerats p. gossebarnet trots att hanhunnit bli fem
r. D skickade frldrarna in. stavningen med tecken.Namnfrslaget br ses i
patafysisk anda skrev. frldrarna i sin inlaga.Men kammarrtten kunde inte
se patafysiskt p. stavningen. Parafysik r deinbillade lsningarnas
vetenskap uppfunnen av. absurdisten Alfred Jarry somannars r mest knd som
frfattare till. teaterstycket Kung
Ubu.Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. (pronounced Albin) was a name
given to a child by the parents of a Swedish. family in May .A district
court in Halmstad southern Sweden had fined the. parents (Elizabeth Hallin
and ) kronor (approximately US) for failing. register a name for the boy by
his fifth birthday. Responding to the fine. the parents submitted the
character name claiming that it was a pregnant. expressionistic
development that we see as an artistic creation and. suggesting that it
should be seen in the spirit of pataphysics. The court. rejected the name
and upheld the fine. The long and short of itSWEDISH. authorities last
year told a couple who named their son.
Brfxxccxxmnpckccccmmnprxvcmackssqlbb to find a new shorter name for. the
boy. However the authorities in Stockholm have now rejected his new name.
of A according to the Hallands Nyheter newspaper. Initially the parents.
refused to provide tax authorities with a name for their newborn son.
After. numerous disputes the parents finally provided them with the letter
and. digit sequence which they say is pronounced Albin. That resulted in
an. fine from the tax authorities last year for defying the Swedish name
law.This. northern summer the couple registered their son as A. Tax
authorities also. rejected that name because singleletter names are not
allowed. An appeals. court upheld the decision. The parents previously
said that they chose a. meaningful expressionistic typographic formulation
which we consider to be an. artistic new creation in the pataphysical
tradition in which we believe.The. boy who is still officially nameless
has a passport in which his name is. given as Boy Tarzan.Related Jennifer
. Lee born March in New. York City is a New York Times reporter for the
Circuits section. Her middle. name was given by her parents in her teens
because there are too many people. named Jennifer Lee. She spells her
middle name . on paper but on her. driver's license it is spelt as a much
less dramatic Eight. Her parents were. Taiwan and were influenced by the
typically Cantonese custom that sees. number as a symbol of prosperity. is
a character in the comic strip. Peanuts by Charles Schulz. He debuted in
and continued to appear on and. off until . has spiky hair and sometimes
wears a shirt with (what else). the number five on it. His full name is
(accent on the ) with. being the family's last name (actually their zip
code which in real life. corresponds to the zip code for Sebastopol
California). His father changed all. of the family's names to numbers as a
protest to call attention to the way that. he felt like numbers were taking
over people's identities. also has two. sisters named and .. noemata.
Friday December. lumber. lumber. the mean. while waiting and waiting for
win to boota play for the calculator the. meanok what about . .where does
the . come from. .. still the sameok so we know n(n).(n.)what about step.
while it holds now the diff is always. n(nstep)(step)((nstep))try random
..i have. format c unbelievablestep is so it doesn't workdo you want to
install. netmeetingwho ever had any need of scandiski ran scandisk several
times. nowstill it didn't detect damaged sectorsunbelievable crap
scamdickswell why. didn't it work for odd it's yeah now your product key.
licenceit's supposed to be oh well it just squares thensquareroot of ..
is.. . voilakey is GXPPKTCDRJGJDTRBM (win)it's.
n(nstep)(step)((nstep))which makes sense for the . and the. updating you
system..restart then restart then restartthis wasn't very. profoundit's
like you need the square stuff somewherewhether you put it in the. n's or
the stepit doesn't matterthe suprise in the beginning of this play..it.
didn't take into account the extras of the squarethe double its
shadowit's. about dimensionshow the extra dimension casts a shadow backthe
step is supposed. take care of thatah but there's no stairway to
heavencan't believe this. where are the screen driversMy documents it's
intimidatingvery smalli. lost the scans whateveranal stuff i mean what's
the pointthe joy of. loosingagain a gain where does the shadow come inthe
gain where the extras. are fromhell is a collapse of dimensionswhat
happens when things colapsewhen. these squares collapsed they lost their
shadowi was thinking of this drawing. also what it lostshadows of course
collapsed into texturebut the other way. alsowhat would the hyper be if
this was. textureloomunbelievableunbeleivablewhat is mostthis cognitive
quaking is. backforth's squaringnothing in the middlenothing mediatedthese
are flatmeanthe. synonyms for mean are average base beggarly entail hateful
have in mind. imply intend mean value meanspirited mingy miserly signify
stand for. think think of tight. noemata. Tuesday November. anyhryear
anniversaryarchive of visual. Nov k. noemata. Wednesday November. plese.
its tu muchi wnat nothign to do with itplesei was nothing to do withit.
noemata. Wednesday November. recursive dictionary. material or nonmaterial
entity idea action etc that is or may be thought. about or perceived a gift
a thing given or presented of the something done. deed or action or
sensation caused in the ear by the vibration of the. surrounding air or
other medium of laughter and the capacity or power to. perceive or feel or
to be conscious of the state or condition of being present. or attributes
qualities or characteristics of material or nonmaterial. entities ideas
actions etc that are or may be thought about or perceived. that human
concerns business matters to be attended to their continuous. onward
movement or progression and circumstances esp. those affecting the.
functioning or existence of something active condition which
distinguishes. active animals and plants from inorganic matter including
the capacity for. growth functional activity and continual change
preceding death were. mad.Bertrand RussellApplying the algorithm to text
with a high proportion of. abstract nouns is particularly amusing. Here
the starting text is from. Bertrand Russell's History of Western
Philosophy from a chapter on PlatoThe. second argument is that knowledge
is recollection and therefore the soul must. have existed before birth.
The theory that knowledge is recollection is. supported chiefly by the
fact that we have ideas such as exact equality which. cannot be derived
from experience.Transformation givesThe second reasoning. process is that
awareness or familiarity gained by experience is the act or. power of
recollecting and therefore the spiritual or immaterial part of a. human
being often regarded as immortal must have existed before the emergence.
of a (usually fully developed) infant or other young from the body of its.
mother. The supposition or system of ideas explaining something esp. one
based. on general principles independent of the particular things to be
explained that. awareness or familiarity gained by experience is the act
or power of. recollecting is supported chiefly by the thing that is known
to have occurred. exist or to be true that we have conceptions or plans
formed by mental. effort such as the exact state of being equal which
cannot be derived from. actual observation of or practical acquaintance
with facts or events.. noemata. Monday November. congratulations
congratulations your site is on on (nostalgi). noemata. Monday November.
curious. my handwriting .jpg 'Freedom diedgreat people proved that
awareness exists. and every lifeform is awareunfortunatelly they hadn't in
mind that evolution. not aims into awarenessdevelopment but towards better
adaptation.milions of. people just learned how to fake awareness.This what
makes us Humans is ablity. selfdevelopment and Empathynot adaptation.Crowd
without a leader went. insane.Sickness is ones who emphatize get dellusion
when looking. feelingslessones there is no mutual empathy then ones who
emphatize become. codepend.'.jpg(notes from train station i tried to
visualise how autosopher. adaptativenetwork works)also note that 'positive
effects coming from. smoking of tobbaco come fromchanged metabolism of
dopamine while addiction is. created by completelydifferent
neurotransmitter patch'also common mistake of. polish language pointed out
(use of foregin noun).jpg adaptative ALP network. Daylight Explosioni have
some other work like learning from c sources i'll. write to you laterd.jpg
dissolving substancedreams come when i am. heresnowwhite truth about
falseparticles of absurd from. nothingsubstancewhile this world is only
interpretation of our. dreamssubstanceyou melt with nonexistence like
youpractical disasemble of life. programtransient observation ofthoughts
about minimalism truth about. time.form of delusionsequence of sessionit's
lack of thought Substancewhile. civilisation camp grid is at least km
thin.where is. reasondynamicambitionfield of perception actions of
consiousness()timeand. this is 'life'intonation is alive and manipulating
bodieswill be as is. because can't be other waypreprogrammed forecast
shatter and bend under. influence of new datahow is time machine
likealivedestiny of chaos. complexity creation is creation itselfwe can
watch beauty of growthour time. camepower came to an. noemata. Jag lgger
lite bilder p mig hr.. Jag lgger lite bilder p mig hr.Men kom ihg jag vill
grna att. ni skriver i Gstboken vad ni tycker annars blir det inte fler
bilder. Mina. Fuktiga brst efter duschen.Jag visar upp ett av mina
brst.Jag i sexiga. underklder.Jag visar upp mig p sngen.Hr r jag helt.
utlmnad t dig.Tnk om handen inte fanns dr.Gillar ni mina. Lppar.Ny bild p
mina lppar.Gillar ni bilderna p mig i. stayupsDet kan komma fler bilder
Jag hller p att vertala min. vninna att jag skall f lgga upp bilder p
henne ocks.Hr. under lgger jag sprutbilderna som jag fr Och jag skall
villigt. erknna att jag har onanerat och tittat p dem mnga.
gnger.Sprutbild Sprutbild Sprutbild Sprutbild Sprutbild Sprutbild.
Sprutbild Sprutbild Sprutbild Jag har ftt ett par nya sprutbilder Det.
tycker jag om. Flera gnger har jag tittat p dessa bilder och tnkt. p er
hur ni har lekt med era underbara stnd fantiserat om mig och. sedan
sprutat er varma klibbiga sats ver min kropp. Mnga gnger har. dessa
fantasier tagit mig till underbara orgasmer. Ett extra spnningsmoment. r
ju att min kille inte har ngon aning om vare sig websidan eller dessa.
foto.Hr kommer fler bilder.En bild frn en man som heter Bokoboko.Gabbe.
har ocks sprutat ner min kropp.Hawkan har lagt sin varma sd ver.
mig.Fineman har gjort hrligt sexiga konstnrliga bilder.nnu en bild.
noemata. Saturday November. delayed. noemata. Tuesday November.
colmplaints ingored. complaits comlaints comppaints commplaints complaints
ifnored withijn redach. reazch complaibnts live complaintsa complaints
comlplaints comp laints within. rexach complaintw ikgnored reasch
complaihnts complwints complaintts ignorer. ckmplaints witin complpaints
complaints withkin weithin complaints. complwaints cmplaints complainrts
complaintys ignorwd ignoredr complainte. complaoints comoplaints
complajnts complainys ugnored ignorerd complaintsz. witbhin reaqch rteach
ignorfed complains complaintrs witgin complaingts. ignofred comploaints
comp aints iygnored complaintd iognored jgnored ignoresd. rezach
complaitns ignorsd ignotred cojmplaints r each complaint s complanits.
ignorefd vcomplaints complaints withimn kgnored withih complaints
cmoplaints. teach complaints complaints igynored witihn comnplaints
complints complaings. ignoref compolaints cmplaints ckomplaints co
mplaints ignored wi thin. complaintsw oignored jignored ignored
compplaints ignoed complainrs complainta. ignorted reach complaiknts
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itnored cpomplaints withhin ign ored reacy withinh. withihn reach ignord
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compla nts cokmplaints withinm soundtrack complaintss complaints.
complainmts co plaints ignoired complainyts online witjin withij ost
witghin. withuin complzaints complaintfs complaintgs compklaints
compalints complainbts. reac withibn igored discount rea ch cd ignoed
raech complaqints lyrics gnored. compaints complaimnts domplaints c
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complaintsignored cfomplaints com laints complants ignred ignorex. wigthin
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withib. ignorwed discounts wihin ibgnored complaibts rweach ifgnored
wifthin. complakints cheap conmplaints albums wiothin c mplaints igmored
complaintds. igno red complazints igonred reachh wuthin witnhin ignordd
reachg inored. ginored awithin ignlored complajints withim comjplaints
reeach eithin dreach. complaints withiin compact disc gnored ighnored
complaijnts resch reqch rdach. igmnored withn withion complaonts coplaints
reacxh ewithin reacch complsints. each complaint ignore complaints wit hin
music reacnh ignoredc clmplaints. ignoredx igbored complai nts ignred
complaintz compl ints complainhts. omplaints rewach by ignored complxaints
reac h complainfts reach ithin. complqaints wikthin reahc witjhin aithin
withjin ereach reachn complqints. reach dcomplaints ignored complkaints
reacb reachj witrhin rexch i gnored. each comlaints comkplaints complainfs
comlpaints complaintsd ignored ignorede. ignoree complsaints reduced
wsithin within complaintzs wthin wthin ithin. ibnored within within rreach
wihin complaintws complaihts within cast. recording ignoted cds wuithin
xomplaints complainnts withi n erach wirthin. within wityin wijthin rerach
cxomplaints reach withjn ignoerd within rech. withnin conplaints igjored
freach wit in withni readh withi reac ignore ignord. copmlaints wkthin com
plaints within swithin complaintsx wwithin complawints. rfeach qithin
ocmplaints within igno ed i nored ignorred enhanced ignmored. rach withkn
reach ognored remastered ignofed rach comolaints withbin woithin. ingored
witfhin each complants album withinb xcomplaints reacgh explicit. ignor d
reavh rrach within ithin within reachy reachu ignored ignokred. wituin wi
hin colmplaints ignore d reaxch r ach complaintas reaxh ivgnored. wiuthin
wirhin cmplaints igtnored w ithin reacfh reacj complzints rdeach. ignoreed
compoaints treach ignkored ignored withn sale ignolred cimplaints. ignored
reach complaunts ignoered reafch wihtin wiithin complaionts reqach. withon
waithin ignhored igniored ignorecd ignkred readch wjithin reach.
coomplaints cdomplaints ignoored ignored reacg withgin complaints ignlred.
clomplaints ignoeed re ch iynored withinn wkithin itgnored ignorde wjthin.
reaach witthin within complxints complainjts complaiunts within withoin.
fomplaints fcomplaints qwithin witbin reavch coimplaints resach reah
ignorec. ignored ignopred witnin ignoredf complain ts cpmplaints ig nored
wighin re ach. gnored compkaints omplaints within wqithin reacn reacyh
reachb wituhin iggnored. ivnored rsach iwthin complaintx rezch reawch
cokplaints kignored ignored wothin. reach igjnored ignorrd compla ints ig
ored ignboredSearch colmplaints. noemata. lumber. lumber. oct().
..JFIF......h FF DB A E. C A .....C.nxxdh C C B AA A BE F FF. FF F DC DC F
FF FF. h FF FF FF FF. FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF
FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF FF FF FF FF FF DB
AA B. .C.h B F D F. FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF
FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF FF FF FF FF FF FF FF FF
FF FF FF. h FF. FF FF FF FF FF FF FF FF FF FF FF FF FF FF C. ah.
...............bh FF. C ..............ch. FF C ..............dh.
................eh. FF DA C A. matronym. Sunday October. Re confuciuslist
Mencius B. wild grass (fwd). matronym. Saturday October. plunderphonics
week. DJbyHandIngerMarieLienKidSquarepusherStev.mp (. C C Nystev.. vil du
D. C E have meg til B C D A B C. kveda..det skal A D eg gjera. med stF C C
D A F rste gleda..og. B C B eg skal kveda sF E. D A o vent fyr deg.. B. C C
F D at du skal glym A F C. F D a deg sjlv og m E D A D A C B. C eg..... eg
skal B F B. kveda so du skaC E C D A D l. grta..um du C E C var aldri. s
gla F B E C D A E d og kt'e... e B C B F g skal kveda so E E C. C D A snlt
fyr deg... B C C E E E at du skal l n. E D E r du ser p meg.D A D A F D E.
F ....Og mine viso F E E C. r dei er so snl C D A F D F B E e..som. Borken
t E E E E rvar p isen. hC C D A F D E le..og mine visF. A E or dei gjer'
ein C E D A. F D C C sleng..som litl E E B. e guten p skeis E E A E E D A
D A C. unn' gjeng..... D E F mine. visor dei F D E C D A F er so
mange..soD. A D C F D E m heggjeblomane. E B D drys i fanget.A F. F .so
hev det vore C C. A D A i all si tid.. D B. dess meir dei kv C D ed dei
dess. mei E D A D A C r der bid...... C A C vil du stevjast F B. C so skal
eg svar C D A F. C E a..og heile nat F B C. ti so skal det v B D A F C.
ara..og vil du A D D stevjast med. meg B C C D A E i kveld..du g. B A E r
'kje t fyrr d E. E D C C E u fr ein smell. abort.
DJbyHandsisselkyrkjeboorigamiweightlessapati MB. matronym. Friday October.
link var. Index of var Name Last modified Size Description. Parent
Directory Oct idxbdvds.jpg. Oct k vdsidx.jpg Oct k. .jpg Oct k .jpg. Oct k
b.jpg Oct k. masl.jpg Sep k DSCN.jpg. Oct k DSCN.jpg Oct k. DSCNZ.JPG Oct k
DSCN.jpg. Oct k DSCN.JPG Oct k. DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct
k. DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct k. DSCN.JPG Oct k DSCN.JPG.
Oct k DSCN.JPG Oct k. DSCN.JPG Sep k DSCN.JPG. Sep k DSCN.JPG Sep k.
DSCN.JPG Sep k DSCN.JPG. Oct k DSCN.jpg Oct k. DSCN.JPG Oct k DSCN.JPG.
Oct k DSCN.JPG Oct k. DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct k.
DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct k. FlwTmudZFemVXGfQK... Sep k
P.png. Sep k P.png Oct k. P.png Oct k P.png. Oct k RISS.jpg Oct k. S.jpg
Sep k acroBatic.JPG. Sep k annama.jpg Oct k. annan.jpg Oct k annotfw.jpg.
Oct k apdd.jpg Oct k. apok.jpg Oct k apolillebilen.jpg. Oct k aporegn.jpg
Oct k. bdvds.jpg Oct k brcolagedrawachine.jpg. Oct k bssggn.jpg Oct k.
candledrawings.jpg Sep k codune.jpg. Oct k desktop.jpg Oct k. dietz.jpg
Oct k eee.jpg. Oct k elmagspectrum.jpg Sep k. ff.jpg Oct k fjfjf.jpg. Oct
k fluktbiler.jpg Oct k. fluxusmap.jpg Oct k fortart.jpg. Oct k ggcc.jpg
Oct k. ghdf.jpg Oct k golgeilo.jpg. Oct k gv.jpg Oct k. hfhfh.jpg Oct k
hfhfhw.jpg. Oct k hfhfhw.png Oct k. horn.jpg Sep k ideog.png. Oct k jj.jpg
Oct k. jotunheimen.jpg Sep k julebukk.jpg. Oct k lc.jpg Oct k. mouazing.png
Sep k mrna.jpg. Sep k oe.jpg Oct k. pluntscape.jpg Sep k prestholt.jpg. Oct
k prestholtskaret.jpg Oct k. psychogeo.jpg Oct k rabsistggkgigngdgom... Oct
k recursivelibrary.jpg Sep k. rygg.jpg Sep k san.png. Oct k scapeg.jpg Oct
k. scrreen.jpg Oct k sdgaa.jpg. Sep k seroma.jpg Oct k. sino.jpg Oct k
skogshorn.jpg. Sep k taka.jpg Oct k. tectonics.jpg Sep k teent.jpg. Oct k
tenner.jpg Oct k. text.jpg Oct k tilapollinaire.jpg. Sep k
torpostavechurch.jpg Sep k. tuftebrui.jpg Oct k turs.jpg. Sep k
usbdrawing.jpg Oct k. matronym. relax. matronym. Wednesday October. im not
sisting strahgt my jands ctrlz ctrlz ctrlz ctrlz versjon. ctrlz ctrlz ctrlz
ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz. ctrlz ctrlz ctrlz glitch
versjon (ultra editor) well probably doesn't affect. html so why blotherim
not sisting iwant somehthign it's a bit. frighteningstrahgt that kid on its
own and coldmy jands. atomata like tat fly nothing holdingnothing here in
the win. should i let gothis writing is the fog leaves (they of
whatagainst. itself does it) eprime the i don't know anythingi only write
when. drema (dramadream) this blank screenforgetting muself of magic.
contradicted by my fingersnegation well science and the this will. only be
troubleworthwhile howto any base fuck youspace which is. debase. coming
back this is completely lostnothing to.. never againher cunt ie no.
memoryshould backspace sensation must be no knowledgethat. based on
recurrence monster of pixelscollaps else you wouldn't. soothwhere am i
know but gnomhow to write. still sense but no.where am i inn the only once
it vicinitymyself. doesn't count (count potentialmy arm is kind of is.
sentence dntwiched recurrence). any pnrrmaqyawmy back. somewhat object.
object is nvvypub vybcdcxrunched here too much. object. dmcs vnbpu
cdngvirtual backspace anything that is suug. fcnothing ever comes visible
or tangible mqhycuq iydxout of this. and is relatively bucgupd dnwhere
does this go stable in form. to. uaurk rnhuruadexpect nothing you. ya
hypyaydkleft. channel delay something. thing xytt uywxd cyjthe need.
(meeting vyhuno structure her interface). lubn. ()whatever fright
subjectsubstancediscontinue into. subtrahends ariettaslide emergent
relation. subterfuge. arroweddiscreet egene remove
sceptrelessespataphysical. logic posessive my's. arrowedcompression is a
reactive at chemical. saboteur aridcipher level. behave septarium
arteroads. late ME softheartedly aradjustice behaven. (reflexive).
subterranean aridblockhead See BE HAVE.. shifters airywriting into space
behaviorism the spadework awardeei'll. go wherever the theory that scepter
areawidekeys lead. psychology can be shifter aerateleather case accurately
studied. softer arrauboard table kitchen only through the spader
artiecuisine. examination and subterfuge aureatei meant metaphor analysis
of. sputter areawidewherever possessives. subtree. areawidesomething else
sputter aeratethis is just. one i'm no one get your softer airyside hands
off me.. spader airtno justice HAHA. subterraneanisesusually space is
karmaguilttraces aortaexpensive. i once had guilt subdirectories
artymassive nothing writing haha. says it spidery airedeyes all (active
subtraction. artyi once had eyes expression vs sceptered artiego beyond
they. say matters of doctrine) subtreasury areawideother i laughter. is
spidery arrayedwhat comes in this eternally guilty. subterraneanise arteis
still eyes (doctrinal in sifter. awardeekeyes writing) as anythe cod e
statement. n softheart s mouthing. y. arrondis t guilty guilty (how
soekar. ttraffi n awkward to ) soffit ar thorsest c t. how's w g softies
arteriolethere's compilation attached to guilt. soever arterialises should
stop writing soke. arterialisinginterprete e another w e sojoimmedi s.
status of relate to artel valuemeaning other sodwhat'. than drawn arteri
dente. softhead arthromerewhich is p s (interfaces again).. sojourners
arrowrooti had t a media a softening. artefactbig small inverse suppose it
e softbound arsenicaldi. other way a softy ars lprotoco f signs are. soiree
arsenicisespapyrus no o lines are. ts stronger attraction readapting
mcqueenpro. proto mecritical distance attraction to. what reactualise
meagerlyexecution of seeing easy essing. meal ers are easi ay. of
mcmurdohidden instant an. g rea ness memiddleman blackmail to. ably me
compl of the ualizes. li syst inimax rk up. to mewhat's the deal on. me (
rface') reactualisations. mei r mansus accidencesubsta me. critical and
easie 's. system wins liked ng not gravitati. stupid you alwaysde reaming
get signs toodr eath is. obvious it's theirso ng else job. backtrackingi'd
to die. guilt is thru th .. sign you no. shouldn't att it's like chaplin
onde s trash. a conveyor belt ghtning down t rs economy.no. no signno in
the talking is a w recur.. as stimulusres augment pos. respons. lumber.
matronym. Tuesday October. thing. thing (thing) n. . a material object
without life or consciousness an. inanimate object.. some entity object or
creature that is not or cannot be. specifically designated or precisely
described The stick had a brass thing on. it.. anything that is or may
become an object of thought things of the. spirit.. things matters affairs
Things are going well now.. a fact. circumstance or state of affairs It is
a curious thing.. an action deed. event or performance to do great things
His death was a horrible thing.. a. particular respect or detail perfect
in all things.. aim objective The. thing is to reach this line with the
ball.. an article of clothing I don't. have a thing to wear.. things
implements utensils or other articles for. service I'll wash the breakfast
things.personal possessions or belongings. Pack your things and go. a task
chore I've got a lot of things to do. today.. a living being or creature
His baby's a cute little thing.. a. thought or statement I have just one
thing to say to you.. Informal. a. peculiar attitude or feeling either
positive or negative toward something. mental quirk She has a thing about
cats.. something signified or. represented as distinguished from a word
symbol or idea representing. it.. Law. anything that may be the subject of
a property right.. do or find. one's own thing Informal. to pursue a
lifestyle that expresses one's self.. Also do or find one's thing. . make
a good thing of Informal. to turn (a. situation experience etc.) to one's
own profit benefit by She made a good. thing of her sparetime hobbies..
new thing Jazz. See free jazz. . not to. get a thing out of to be unable
to obtain information or news from The police. couldn't get a thing out of
him.to fail to appreciate understand or derive. aesthetic pleasure from My
wife likes opera but I don't get a thing out of. it.. see or hear things
Informal. to have hallucinations.. the thing. something that is correct or
fashionable That caf is the thing now.that. which is expedient or necessary
The thing to do is to tell them the. truth.bef. ME OE orig. meeting see
THINGthing (thing ting) n.. (in Scandinavian countries) a public meeting
or assembly esp. a legislative. assembly or a court of law.Also ting. Cf.
thingstead. ON assembly. c. THING D ding G Ding thing orig. meeting akin
to Goth theihs. matronym. Monday October. nothing (nuthing) n.. nothing
(nuthing) n. . no thing not anything naught to say. nothing.. no part
share or trace (usually fol. by of) The house showed. nothing of its
former magnificence.. something that is. nonexistent.. nonexistence
nothingness The sound faded to. nothing.. something or someone of no
importance or significance Money is. nothing when you're without health..
a trivial action matter circumstance. thing or remark to exchange a few
nothings when being introduced.. a person. of little or no importance a
nobody.. something that is without quantity or. magnitude.. a cipher or
naught Nothing from nine leaves nine.. (used in. conventional responses to
expressions of thanks) Think nothing of it. It's. nothing. Nothing to it..
for nothing free of charge.for no apparent reason. or motive.futilely to
no avail They had gone to a great deal of expense for. nothing.. in
nothing flat in very little time Dinner was finished in. nothing flat..
make nothing of to treat lightly regard as easy.to be. unsuccessful in
comprehending He could make nothing of the complicated. directions..
nothing but nothing other than only We could see nothing but. fog..
nothing doing Informal. emphatically no certainly not.no activity.
inducement advantage etc. present to the eye We drove through the town
but. there seemed to be nothing doing.. nothing less than or short of
absolutely. completely She was used to nothing less than the best.. think
nothing of to. treat casually.to regard as insignificant He thinks nothing
of lying to. conceal his incompetence.adv. . in no respect or degree not at
all It was. nothing like that. Nothing dismayed he repeated his
question.adj.. . amounting to nothing as in offering no prospects for
satisfaction. advancement or the like She was stuck in a nothing job.bef.
ME OE. matronym. rinsay. the active expression of enlightenment over
matters of doctrineThe mind thus. creates the world in the sense that it
invests the phenomenal world with. value.They have presumably already
freed themselves from preoccupations with. the commoner cravings for
sensual indulgence material gain or worldly fame. and have entered the
path of religious strivings. But it is precicely this fact. that Linchi
sees as the source of their problems.this lone brightness without. fixed
shape or form.once and for all that there is no goal to be striven for.
because it has been won already no place to be journeyed to because one
is. there right now.People with so few roots of faithif it's for the sake
of the. Dharma don't hesitate to sacrifice your bodies or give up your
lives.If you. approach it with a true and proper understanding you won't
be affected by. considerations of birth and death you'll be free to go or
stay as you. please.The fault lies in the fact that they don't have faith
in. themselvesStudent's don't have enough faith in themselves and so they
rush. around looking for something outside themselves.Those who have
fulfilled the. ten stages of bodhisattva practice are no better than hired
field hnads those. who have attained the enlightenment of the fiftyfirst
and fiftysecond stages. are prisoners shackled and bound arhats and
pratyekabuddhas are so much filth. in the latrine bodhi and nirvana are
hitching posts for donkeys. Why do I. speak of them like this Because you
followeres of the Way fail to realize that. this journey to enlightenment
that takes three asamkhya kalpas to acomplish is. meaningless. So these
things become obstacles in your way.Fellow believers. time is precious You
rush off frantically on side roads studying Ch'an. studying the Way
clinging to words clinging to phrases seeking Buddha. seeking the
patriarch seeking a good friend scheming planning. But make no. mistake.
Followers of the Way you have on set of parents what more are you. looking
for You should stop and take a good look at yourselves. A man of old. tells
us that Yajnadatta thought he had lost his head and went looking for it.
but once he had put a stop to his seeking mind he found he was perfectly
all. right.The man of value is the one who has nothing to do. Don't try to
do. something special just act ordinary. The Paotsung lun With regards to
the. Way what is valued in every age is to have nothing to do. With
regards to the. Way when one is mindless then all things will proceed
smoothly.Followers of. the Way the Dharma of the buddhas calls for no
special undertakings. Just act. ordinary without trying to do anything
particular. Move you bowels piss get. dressed eat your rice and if you get
tired then lie down. Fools may laugh at. me but wise men will know what I
mean. A man of old said People who try to do. something about what is
outside themselves are nothing but blockheads.If you. have doubts in your
mind for an instant that's the Buddha devil. But if you. can understand
that the ten thousand phenomena were never born that the mind. is like a
conjurer's trick then not one speck of dust not one phenomenon will.
exist.As I see it there's no Buddha no living beings no long ago no now.
If. you want to get it you've already got it it's not something that
requires. time. There's no religious practice no enlightenment no getting
anything no. missing out on anything.If you want to be free to be born or
die to go or stay. as onw would put on or take off a garment then you must
understand right now. that the person here listening to the Dharma has no
form characteristics no. root no beginning no place he abides yet he is
vibrantly alive. All the ten. thousand kinds of contrived happenings
operate in a place that is in fact no. place.If your mind entertains a
moment of doubt it becomes obstructed by the. element earth. If your mind
entertains a moment of craving it becomes drowned. in the element water.
If your mind entertains a moment of anger it is seared. by the element
fire. If your mind entertains a moment of delight it is tossed. about by
the element air.The way I see it onw shouldn't be averse to anything..
Suppose you yearn to be a sage. Sage is just a word sage.Those who study
the. Way these days need to have faith in themselves and not go looking
for. something outside.If you want to be a truly great vessel you must
never be led. astray by others. Wherever you are play the host and then
any place you stand. will be a true one. Whatever confronts you don't let
yourself be imposed on.. If you entertain even a moment of doubt the devil
will enter your mind.Just. have faith in this thing that is operating in
you right now. Outside of it. nothing else exists.In the way you now
respond and utilize it what do you. lack In the space of an instant you
enter purity or enter defilement enter. the halls of Maitreya or enter the
lands of the three eyes. You wander at ease. everywhere for you see that
these are all empty names.The buddhas and. patriarchs are people who don't
have anything to do or are without defilements. and doings their karma is
clean and pure.The Patriarch Shenhui said If you. try to arrest the mind
and stare at silence summon the mind and focus it on. externals control
the mind and make it clear within concentrate the mind and. enter into
meditation all practices of this sort creates karma.So for the. past
twelve years though I've looked for this thing called karma I've never.
found so much as a particle of it the size of a mustard seed.from times
past. the real teachers wherever they went were never listened to and were
always. driven out.The various phenomena in this world and other worlds are
in all. cases devoid of intrisic nature. Even if something did exist it
would in all. cases be no more than an environment that changes with what
it depends on. You. live in a land of changing dependent conditions what
is it you are looking. for And things like the Three Vehicles and the
twelve divisions of the. scriptural teachings they're all so much old
toilet paper to wipe away filth.. The Buddha is a phantom body the
patriarch are nothing but old monks. You were. born from women weren't you
I you seek the Buddha you'll be seized by the. Buddha devil. As long as you
seek something it can only lead to suffering.. Better to do nothing.A true
student of the Way never concerns himself with the. Buddha. Far removed
alone and free he is never entangled in things. Heaven. and earth could
turn upside down and he would not be perturbed. All the buddhas. of the
ten directions could appear before him and his mind would not feel an.
instant fo joy the three realms of hell could suddenly confront him and
his. mind would not feel an instant of alarm. Why is he like this Because
he knows. that all things in the phenomenal world are empty of
characteristics. WHEN. CONDITIONS CHANGE THEY COME INTO EXISTENCE WHEN
THERE IS NO CHANGE THEY DO. NOT EXIST.Followers of the Way when students
come here from various regions. and we have finished greeting one another
as host and guest the student will. make som remark to test the teacher.
The student comes out with these tricky. words and thrusts them into the
teacher's face. If you were the teacher and. realized that this was just
an 'environment' and you grabbed it and threw it. down a hole then the
student would act normal again and after that would ask. for the teacher's
instruction. The teacher would then snatch that up too and. treat it as he
did the earlier remark. The student then says Very wise A. truly great
teacher The teacher says You certainly can't tell good from. badAgain
suppose the teacher comes out with a certain chunk of environment. and
dangles it in front of the student's face. The student sees through this.
and at every step acts the master refusing to be misled by the
environment.. The teacher then reveals half of his body whereupon the
student gives a shout.. The teacher now enters the place where there are
all kinds of differences and. distinctions battering the student around
with words. The student says This. old baldhead who can't tell good from
bad The teacher exclaims in admiration. A true and proper follower of the
WayThere are some teachers around who can't. distinguish crooked from
straight. When a student comes and asks about bodhi or. nirvana about the
threefold body or about environment and wisdom those blind. old teachers
start explaining to the student. When the student curses at them. they
pick up their stick and hit him saying Such rude language If you have. a
teacher like that he lacks eyes to begin with.Then there is that bunch of.
baldheads who can't tell good from bad but point to the east gesture to
the. west love clear weather love it when it rains love this lamp or that
pillar.. Look and see how many hairs they have left in their eyebrows and
with good. reason. Teachers like that are nothing but wild fox spirits
goblins. Good. students will just give a little snicker and say Blind old
baldheads trying. confuse and lead everybody in the world astrayFollowers
of the Way if you. want to get the kind of understanding that accords with
the Dharma never be. misled by others. Whether you're facing inward or
facing outward whatever you. meet up with just kill it If you meet a
buddha kill the buddha. If you meet. your parents kill your parents.These
students of the Way who come from all. over there's never been one of them
who didn't appear before me depending on. something. So I starrt out by
hitting them there. If they come with a raised. hand I hit the raised hand
if they come mouthing something I hit them in the. mouth if they come
making motions with their eyes I hit them in the eye. I. have yet to find
one who comes alone and free they're all caught up in the. idle devices of
the men of old.I don't have a particle of Dharma to give to. anyone. All I
have is cure for sickness freedom from bondage. You followers of. the Way
from here and there try coming to me without depending on anything. All. I
get are things stuck to stems clinging to leaves wraiths that inhabit
bamboo. or trees wild fox spirits They chew frantically at every lump of
shit they. happen upon. Blind foolsI tell you there's no Buddha no Dharma
no practice. no enlightenment. Yet you go off like this on side roads
trying to find. something. Blind fools Will you put another head on top of
the one you have. What is it you lackThe way I see it there's no call for
anything special.. Just act ordinary put on your clothes eat your rice
pass the time doing. nothing. You who come here from here and there you
all have a mind to do. something. You search for the Buddha search for the
Dharma search for. emancipation search for a way to get out of the
threefold world. Idiots. trying to get out of the threefold world Where
will you goFellow believers. this body made up of the four major elements
has no permanence. Things like. spleen and stomach liver and gall hairs
nails teeth are simply evidence. that all phenomenal things are empty of
fixed characteristics. As long as your. mind is unable to cease its
momentbymoment activity then you are up in the. tree of ignorance. But if
you can learn to cease then you'll be in the world. of the clean pure
body.If a student truly knows what he is doing he will give. a shout and
then first of all hold out a try of lacquer. The teacher failing.
recognize this as a mere 'environment' proceeds to climb up on the.
environment and begin striking poses or donning attitudes. The student
gives a. shout but the teacher refuses to abandon his approach. This is
called the. guest seeing through the host.Or perhaps the teacher will not
come out with any. object of his own but will wait for a question from the
student and then snatch. it away. The student seeing his question snatched
away won't let go but holds. on for dear life. This is a case of the host
seeing through the guest.Perhaps. there is a student who responding with a
clean pure environment presents. himself before the teacher. The teacher
can tell this is just an environment. and grabs it and throws it down a
hole. The student says A truly great. teacher Instantly the teacher says
Hopeless can't tell good from bad. The student gives a low bow. This is
called the host meeting up with a host.Or. there may be a student who puts
a cangue wooden collar on his neck binds. himself in chains and then comes
before the teacher. The teacher proceeds to. shackle him with another set
of cangues and chains. The student is delighted. unaware of what has
happened. This is called the guest meeting up with a. guest.But students
don't have faith enough and instead base their. understanding on words and
phrases. Their years pile up to half a hundred and. all they do is go off
on side roads carrying their dead corpses on their. backs racing all over
the world with their load of baggage.If you look toward. the area of
motion and try to grasp the truth there it will take up its stand. in the
area of nonmotion and if you look towards nonmotion and try to grasp it.
there it will take up its stand in motion. It is like a fish hidden in a
pond. who now and then slaps the surface and leaps up.When students come
from here. and thee I classify them into three categories according to
their ability. In. such cases if a student of less then middling ability
comes to me I snatch. away the environment but leave him his existence. I
a student of better than. middling ability comes to me I snatch away both
environment and existence. If. a student of truly superior ability comes
to me I do not snatch away anything. neither environment nor existence nor
person. If a student appears whose. understanding surpasses all these
categories then I deal with him with my. whole body and take no account of
his ability.Reverend Taoi's way of doing. things was simple direct nothing
mixed in. Reverend Lushan was utterly free. true and correct but whether
he came at them with compliance or opposition his. students could never
fathom what was going on. Mau's way of doing things. was as bitter as the
bark of the Chinese cork tree no one could get near him.. The way Shihkung
went about it was to look for students by pointing an arrow. at them all
who came to him were terrified. Shihkung had been a deer hunter.. When
students came to him he would fit an arrow to his bow point it at them.
and say Look at the arrowFellow believers these sounds names words.
phrases are all nothing but changes of robe. The sea of breath in the
region. below the navel stirs itself into motion the teeth batter and mold
it and it. comes out as a statement of an idea. So we know for certain that
these are mere. phantoms.Better to do nothing to meet someone but not
recognize him talk with. him but not know his name.There's a bunch of
fellows who can't tell good from. bad but poke around in the scriptural
teachings hazard a guess here and there. and come up with an idea in words
as though they took a lump of shit mushed it. around in their mouth and
then spat it out and passed it on to somebody else.. They're like those
people who play passtheword parlor games wasting their. whole life like
that.When the great teacher Bodhidharma came from the west he. was simply
looking for a man who would not be misled by others.I have been.
addressing you putting forth a lot of trashy talk. But make no mistake In
my. view there are in fact no great number of principles to be grasped.If.
bodhisattvas even those who have completed the ten stages of mind practice.
were all to seek for the traces of such a follower of the Way they could
never. find them. Therefore the heavenly beings rejoice the gods of the
earth stand. guard with their legs and the buddhas of the ten directions
sing his praise.. Why Because this man of the Way who is now listening to
the Dharma acts in a. manner that leaves no traces.Neither in this world
nor in any other world is. there any Buddha or Dharma. There is nothing to
appear before you and nothing. that is lost.Fellow believers only when you
have commited the five crimes that. bring on the hell of incessant
suffering will you finally gain. emanciation.Killing your father injuring
your mother drawing blood from the. Buddha's body disrupting the harmony
of the Monastic Order burning the sutras. and images these are the five
crimes that bring on the hell of incessant. suffering.Ignorance is the
father. When your mind is without activity wherever. it is this is called
killing the father.Greed is the mother. When your mind. experiences no
attachment anywhere this is called injuring the mother.If your. mind doesn
not even for an instant begin to discriminate but instead sees. complete
darkness everywhere this is drawing blood from the Buddha's body.If. you
properly understand that the bonds and entanglements of earthly desires
are. so much emptiness with no place to lean on this is disrupting the
harmony of. the Monastic Order.When you can see the emptiness of causes
and conditions the. emptiness of all phenomena when the mind is every
instant completely calm far. removed and doing nothing this is burning the
sutras and the images.Your minds. instant by instant confront an empty fist
a pointing finger and take it for. some sort of reality vainly trashing
around in the realms of senses. environments phenomena.Followers of the
Way don't take the Buddha to be some. sort of ultimate goal. In my view
he's more like the hole in a privy. Therefore. Manjushri grasped his sword
ready to kill Gautama and Angulimala blade in. hand tried to do injury to
Shakyamuni.Followers of the Way even if you can. understand a hundred
sutras and treatises you're not as good as one plain monk. who does
nothing.Followers of the Way don't search for anything in written. words.
The exertions of your mind will tire it out you'll gulp cold air and. gain
nothing.Fellow believers don't dawdle your days away In the past before. I
had come to see things right there was nothing but blackness all around.
me.Fellow believers do not use your minds in a mistaken manner but be
like. the sea that rejects the bodies of the dead.Weishan said Well what
do you. thinkYangshan said Officially not a needle is allowed to pass but.
privately whole carts and horses get throughWhen illumination comes first
and. action afterwards then the person is present. When action comes first
and. illumination afterward then the Dharma is present. When illumination
and. action are simultaneous it's like driving away the plowman's ox
snatching. food from a starving person cracking bones and extracting the
marrow giving a. painful poke with a needle or an awl. When illumination
and action are not. simultaneous there are questions and answers guest and
host are established. water gets mixed with mud in response to movements
measures are taken. If the. person is really outstanding then even before
a problem arises he'll rouse. himself and be on his way. But still it
needs another little push.(from the. lumber. matronym. Sunday October. ok.
these characters don't mean anythingarseholes on tv televisionrectoscopy
rs. holes tv setthis candlelight the this the president the dog the the.
theodicy evil levi live veil vilegood has no anagrams no otheranagram has
no. anagram which backfires on good it's just emptythe same ames asme meas
mesa. msae seam other theor. throerandom rodmannegative agentivepositron.
sorptionatchoo cahootakan kanahaiku ukiahemil lime milemale alme elam
lame. lam mael meal melafemale icon coin cion sign sing sing.arse ares son
of. zeus and hera mars male marse aser asher rase raze sear. to burn or
char. the surface of She seared the steak to seal in the juices.. to mark
with a. branding iron.. to burn or scorch injuriously or painfully He
seared his hand. on a hot steam pipe.. to make callous or unfeeling harden
The hardship of her. youth has seared her emotionally.. to dry up or wither
parch.v.i.. to become. dry or withered as vegetation.n.. a mark or scar
made by. searing.adj.. sere.bef. (adj.) ME sere OE sar c. D zoor (v.) ME.
seren OE sarian deriv. of sarstill sr norwsera plural of serum blood. milk
whey curd duca cheese christ smegma the last sup puslas palmas plasmathe.
sun nous onus probandi it's ya onus ya orseeros rose sore (sear) sero
(serum. again)horse shoer shoreursus arctos horribilis kodiakthis hist
isth sith tshi. shitexcrement waste matter sweat (matter has no anagram
neither mind)mother. thermovater avert travemater ramet tamersanta satan
tsananoema anemo wind L. animus breath Skt anilasrumblehex ascii isiac
isis usus oso horosbeing begin. binge blast bust blair toot jagresist
sisterbroth throb frater rafter rumble. lumber jackass (anything
male)thing night dorknesslight bef. (n. and. adj.) ME OE loht c. OS lioht
OFris liacht D G licht Goth liuhath (n.). akin to ON ljs (n.) ljss (adj.)
L lx (n.) Gk leuks bright white. (v.) ME lighten OE lhtan c. OS liuhtian
OHG liuhten (G leuchten) Goth. liuhtjanlux litho thiol
stonelightfireelectron el centro recent holocene holos. soul sole solus
also solaone eon neo noe time emit mite item geo ego aeon a. one eras
arseone bef. ME oon OE n c. D een G ein Goth ains L nus. (OL oinos) akin
to Gk on ace on a diejocus jeckarse jest gest gegere. perform egest to
discharge as from the body void (opposed to ingest). injoke notfunnyyoke j
bef. (n.) ME yok(e) OE geoc c. D juk G Joch. ON ok L jugum Gk zygn Hittite
yugan Skt yuga (v.) ME yoken OE. geocian deriv. of the n.orl korrect.
lumber. matronym. Friday October. lumber. lumber. Bkonomi.
BkoEuropnomiVaVerdektigenramtomNorgeNordenDanmarkFryeneGrNonlanrdendFinlandIslandogSverige.BkonomiVekt.
i gram tom Norge Norden. Europa Verden. Norden Danmark Fryene Grnland
Finland Island og Sverige.. matronym. Thursday September. scribbling on a
blank end page of rinzai roku my mom wanted to look at some. pictures but
got stuck in navigating the mouse so i get very bored before. reaching the
start button my sister comes in with bruises on her knees and a. blue hand
not knowing where they come from (polish vodka party) eventually it.
dissolves the scribble remains and i do a scan upsidedown like colliding
in. mouse and vodka crashes.scurvy dog story.Theese be. disturbance (vacky
horror)if you look towards the area of motion and try to. grasp the truth
there it will take up its stand in the area of nonmotion. it's like a fish
hidden in a pond who now and then slaps thesurface and leaps. upjesus
whatChrist whatShiva WhatWat WhatWhat Wattbunch of. goblin spiritsdoubt
earth (buddha devil)craving wateranger firedelight. raysnostalgia
(neuralgia) of the imagehome (no home)anger of the visible. world (light)
fireimagenostalgia of the explicit (for a root in. events)return going
somewhereturn on meand watch me cumpelwhose. meMEMEjujuscurrilous image
sorcerorsplunters pirates of the. imagesometime you come riding on an
imageyou take diamond ministry (any. syle building you want)populate w
furry amoebas..perhaps come come riding on. matronym. Monday September.
crash courseplunt bubble chamber traceroutemy mother is learning the
mouse. matronym. Sunday September. editor's note. kunst DOT no. matronym.
Wednesday September. lumber. lumber. Re sq. noemata. Friday May. amrah.
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(i((((((((((((((i(((a(. noemata. Tuesday May. smil d. substantive contentle
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Saturday May. asarepigeD el. Septipost handle Degiperasam
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publication . Iaththtapavuojsub Narwe GarkecanboananesTatkilovade.
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Poper. Pharmaper. noemata. feynman. ...All this went on in the first few
weeks before we got. everythingstraightened out. Anyway one day I'm
piddling around with the. computingmachine and I notice something very
peculiar. If you take divided. by youget .. . . It's quite cute It goes a
little cockeyed. after whenyou're carrying but it soon straightens itself
out and repeats. itself nicely.Ithought it was kind of amusing. Well I put
that in the mail. and it comes back to me. It doesn't go throughand there's
a little note Look. at Paragraph B. I look at Paragraph B.Itsays Letters
are to be written. only in English Russian SpanishPortugueseLatin German
and so forth.. Permission to use any other language must beobtained in
writing. And then it. letter which saidthat I feel that of course this
cannot be a code because if. you actually dodivide by you do in fact get
all that and therefore. there's no moreinformation in the number .. . .
than there is in. the number which is hardly any information at all. And
so forth. I. therefore asked forpermission to use Arabic numerals in my
letters. So I got. that through allright....And von Neumann gave me an
interesting idea that you. don't have to beresponsible for the world that
you're in. So I have developed a. very powerfulsense of social
irresponsibility as a result of von Neumann's. advice. It'smademe a very
happy man ever since. But it was von Neumann who put. the seed inthatgrew
into my active irresponsibility... What You a. psychiatrist keeping an
open mind Ha It went on likethisfor quite a. while. Then at some point
near the end he says How much do you value. life Sixtyfour. Why did you
say 'sixtyfour' How are you supposed to. measure the value of life No I
mean why did you say 'sixtyfour' and not. 'seventythree' forinstance If I
had said 'seventythree' you would have. asked me the same question The
psychiatrist finished with three friendly. questions just as the
otherpsychiatrist had done handed me my papers and I. went off to the next
booth....After a while I began to worry. Here's a guy. who's been deferred
all duringthe war because he's working on the bomb and the. draft board
gets letterssaying he's important and now he gets a D in. Psychiatric it
turns outhe's a nut Obviously he isn't a nut he's just. trying to make us
believe he'sanut we'll get him...I don't believe I can. really do without
teaching. The reason is I have tohave something so that when. I don't have
any ideas and I'm not gettinganywhereI can say to myself At least. I'm
living at least I'm doing something I'mmaking some contribution. it's just
psychological.... So I got this new attitude. Now that I am burned. out and
I'll neveraccomplish anything I've got this nice position at the.
university teachingclasses which I rather enjoy and just like I read the.
Arabian Nights forpleasure I'm going to play with physics whenever I want
to. without worryingabout any importance whatsoever....Thirteen Times One
time a. science teacher from the local city college came around and
askedmeif I'd give. a talk there. He offered me fifty dollars but I told
him I wasn'tworried about. the money. That's the city college right Yes. I
thought about how much. paperwork I usually had to get involved with when
Ideal with the government so. I laughed and said I'll be glad to give
thetalk.There's only one condition on. the whole thing I pulled a number
out of ahatand continued that I don't. have to sign my name more than
thirteen timesand that includes the check The. guy laughs too. Thirteen
times No problem. So then it starts. First I have. sign something that
says I'm loyal to thegovernment or else I can't talk in. the city college.
And I have to sign itdouble OK Then I have to sign some kind. of release to
the city I can'tremember what. Pretty soon the numbers are. beginning to
climb up. I have to sign that I was suitably employed as a. professor to
ensure ofcourse since it's a city thing that no jerk at the. other end was
hiring hiswife or a friend to come and not even give the lecture.. There
were all kindsofthings to ensure and the signatures kept mounting. Well.
the guy who started out laughing got pretty nervous but we just madeit. I.
signed exactly twelve times. There was one more left for the check so
Iwent. ahead and gave the talk. A few days later the guy came around to
give me the. check and he was reallysweating. He couldn't give me the
money unless I signed. a form saying I reallygave the talk. I said If I
sign the form I can't sign. the check. But you were there. Youheard the
talk why don't you sign. it Look he said Isn't this whole thing rather
silly No. It was an. arrangement we made in the beginning. We didn't think
it wasreally going to get. thirteen but we agreed on it and I think we
shouldstick to it to the. end. He said I've been working very hard calling
all around. I've been. tryingeverything and they tell me it's impossible.
You simply can't get your. moneyunless you sign the form. It's OK I said.
I've only signed twelve. times and I gave the talk. Idon'tneed the money.
But I hate to do this to. you. It's all right. We made a deal don't worry.
The next day he called me. up. They can't not give you the money
They'vealready earmarked the money and. they've got it set aside so they
have to giveit to you OK if they have to. give me the money let them give
me the money. But you have to sign the. form. I won't sign the form They
were stuck. There was no miscellaneous pot. which was for money that
thisman deserves but won't sign for. Finally it got. straightened out. It
took a long time and it was verycomplicated but I used. the thirteenth
signature to cash my check.... It's a kind of scientific. integrity a
principle of scientific thoughtthatcorresponds to a kind of utter. honesty
a kind of leaning over backwards.Forexample if you're doing an. experiment
you should report everything that youthink might make it invalid. not only
what you think is right about itothercauses that could possibly. explain
your results and things you thought ofthatyou've eliminated by some. other
experiment and how they worked to makesurethe other fellow can tell. they
have been eliminated.... Why didn't they discover that the new number was.
higher right away It's athing that scientists are ashamed of this history.
because it's apparentthat people did things like this When they got a.
number that was too highaboveMillikan's they thought something must be
wrong. and they would look forandfind a reason why something might be
wrong. When. they got a number closer toMillikan's value they didn't look
so hard. And so. they eliminated the numbersthat were too far off and did
other things like. that. We've learned thosetricks nowadays and now we
don't have that kind of a. disease. But this long history of learning how
to not fool ourselves of. havingutterscientific integrity is I'm sorry to
say something that we. haven'tspecifically included in any particular
course that I know of. We just. hopeyou've caught on by osmosis. The first
principle is that you must not fool. yourself and you are theeasiest person
to fool. So you have to be very. careful about that. Afteryou'venot fooled
yourself it's easy not to fool other. scientists. You just have tobehonest
in a conventional way after that.... So I. have just one wish for you the
good luck to be somewhere where youare free. maintain the kind of
integrity I have described and where you donot feel. forced by a need to
maintain your position in the organization orfinancial. support or so on
to lose your integrity. May you have thatfreedom.Surely. noemata. the plan
is the contract which seals. k The plan is the mapping of belief completion
as a coherent. system its formalization.The Plan Is The Enclosure Of The
Belief Set its. circular logic turned on itself THE FABRICATIONENCLOSURE
(SIMULTANEOUSLY) OF. possibility.stimil elbanifed fo tcurtsnoc aThe plan
allows one to inhabit. belief.cecdefedalife. is delimitedseparatedenclosed
in a wrapper of the possibleenclosed in a. wrapper of the. noemata. o the
Magi. A NAME TO A MEAN TO A TEAM ON A MATE NO ME TO ANA MEAN TAO ATONE
bjornmag. Hallingstad John Mr. Jonah O. Blending beyond Jon Reime JonJoel
nuonorp. dlihngaM ssoF denuR ynimongi dnoB lanimreG nhoJ
nahoJnosmirgsAStandal Magh. erroneous.notion Dani Bjrn Norheim Magee
ontic.mantsin Magny Hanne Bjevrke. Manee Glenda Bjordl Maney Heod Gram
Manney garbiel Neal hoberg Magnhy Maget. Magey Maghy Hughey Hayes Magnhill
Magni ByrnBjrn Hitdlakjempe Bjarnar. saga Hdlakappa Bjarni Hitdlakappi
Magnus Holberg Brandt Beorma bjorn. beras matronymbef. ME be(a)re beor(e)
OE bera c. Fris br D beer. OHG beroLith bras brown. Cf. BRUINMagh
Important Derivatives Are May. Dismay Might Main Machine be able dismay
from Old French esmaier to. frighten. Both a and bfrom Germanic suffixed
form mahti power. main from. Old English mgen grade form mghan that which
enables. machine. mechanic Possibly suffixed form maghu. (magic) magus
from Old Persian. maguPHONOLOGY OF DEVELOPMENT OF QUENYA FROM PROTOELDARIN
This followsETYM. shown in BOLT. As shown by KVNS at that time RT the Elves
made PE by likely. made ETYM PE Valarin uneuphonic with roots such as snas
and have a history. of change MET before that E.g. PE magh handmag In a
map. printed in the peninsula is called Island Maghies andin Inquisitions
of. Antrim it is referred to as Island of Magie andIsland it is called.
Magees Ile. During the th century the Ordnance which they say derives in
turn. a word for seagull. I can not find in the O form as OHea OHay Hay.
Hayes The derivation from the following corrupted forms McKee Magee McGee.
Mackey McKay McCoy Magees who are said to have their principal base in the.
townlands of. efdefefdaof. yellowhaired Aodh Nill). A similar derivation is
given in members of. this family by soldiers from Carrickfergus Castle
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Arts several. gigabyte (plain index) . The . Gertrude. . Stein . Reader .
collection of. . esoteric . shortform . writing. (Seattle Studio Sokrates
jazz og filosofi radio (NRK). Analytics) The Straight Dope (QA. columns
from Cecil Adams) The age of manipulation shift from a religious to a.
therapeuticworldview Timeline of knowledgerepresentation (Robot. wisdom)
GX JupitterLarsen's OnLine Amathopaedia The. Kingdoms of ElgalandVargaland
consisting of borderterritories. Intellectual property issues (Negativland)
Afterlife Beliefs May. Have Biological Basis (ascribe)cfcbafbdaffbffc.
Musicsound of the magnetosphere and space weather(auroralchorus).
poortour.com INTERNET TEXT Alan. Sondheim Life Gran SonessonWe hold. these
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Grenselandet vi påberoper oss grensegrenselandet. Ad infinitum. Det. fins.
abcefcdabf.. A more playful sort of exchange recasts PeertoPeer networks as
an. plot of a story by locating its missing parts hidden in exchange.
networks and which can be recognized by working together which.
INFLFTNNTRKXNNTPTSFSPRXS. showing the normally invisible processes of the
formation of blocks. generated by the Gnutella network. Coloured 'balls'
as the artists. data involved. MP is now a medium in itself as shown by a
number of. makes the user realize the fallible nature of 'packages' of.
This approach is sometimes taken by small labels in search of glory.
record industry lobby evidently in trouble uses the same detour. services
is the sale of the activation of many simultaneous downloads. a phenomenon
far too complex and diversified to be so and which. emotional vulnerability
and hardware. Trusting that some music. pbzchgref ba rnegu jbhyq penfu qhr
gb n ivehf pnyyrq ZhfvpCnary naq. alt.music.bootlegs) it clearly shows how
media panic can be. been used on other occasions such as when a similar
hoax. feeling instilled by commercial marketing concerning the free.
ways.. Plagiarism MP is the message.. is a fundamental of a whole artistic
scene called plagiarist which. artists over the years concerns exclusive
copyright which is. reproduction. Various artists have shown the paradox
of a system. jesters of a commercial system blindly hanging on to its own.
effdaabaed. famous because of a legal challenge which dragged them into a
bizarre. techniques applied here. In the band issued on the SST label a.
'I Still Haven't Found What I'm Looking For'. Sales figures were not.
album by U themselves. 'Island' U's label at the time demanded. a trial..
the symbol of a battle in which the only weapons available are irony. the
free use of sound samples and continued their valuable artistic. issued in
by the Etoy group of artists in an attempt to get back. create have to be
properly paid for what they do not that they have.. k. k.
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was involved in the company. interesting group in norway ever. actually
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noise syrup recorded and manipulated from rails and. and haute oncer
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after. reduc they are all follow your n. the perfect t wahtever yonly
when. follow your na the nature of ikkyu. dont be antagon dont be antagon.
the wise pe let it save th.. G hohl hw. do something. I'm also having fun
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a story. these wdros are cnmiog form a long line of ilde soht form the.
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maciunas was lithuanian so maybe they have deep thoughts linking spam. S O
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monty.cantsinarspublica.com. hoi bjorn maghnildfen. prosti.
passwordnoemata if you want to administer the topic. noemata. æve har
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334
da. arafat. arafat shithead it's all the same some shithead claiming
territory. that got to do with anything. maps plainly to logic how
metaphysics became logic or was as it. its undead counterpart the world
may die any human we'll go on. this morning and driving under the bridge
don't blame gray words. FLNKTNMKMSYJSTSTRNTSTNLYWNT. down. all this wind
is it going anywhere mostly robots reading the. what a mess still four
arms two heads what a monster and the. system two processes the same shit
all the more pressure around. Great. it's of course true we are the same
otherwise science and. through the processor our bodies are arguments
positions like. being itself so the quest is via the culture
representation where. Other Arts Where Are You In Music And Everything
Before Language. the identity of 'you are here' which gives a faint
realization of. falsity revealed through its truth and vice versa which is
at stake.. Lingam Sanskrit literary 'mark' or 'sign' ( is there a
connection. )...noisserpxe tnangerp ycnangerp laesni. combination gives
emphasis to his incomprehensible transcendence. He. eht ni noitatidem ni
detaes citecsa na sa detciped semitemos. he tramples on the forces of
ignorance and chaos and keeps creation. smsaps eR. cbfcfbf. alsoh.
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theorypreempting conceptualism. ().ADMUabceghimnorstuz. trA.teNretnI fo
seluR evitigrugeR eR dwF tcejbuS. ReplyTo a place for discussion and
improvement of things. egassem dedrawrof fo tratS .. feel. of format form
or function including overt referencing. appropriation. . No Simulacra.
thoroughly rigorously laughed at.. No more InterNet.art will be produced
using x.pression as a template or. the cartesian or the sensory ie
visuality overcoding in all. InterNet.art. . No M.mersion. S P R I A M I.
instill great clunking swathes of theoretical loadings in all work no.
ReplyTo a place for discussion and improvement of things. Fwd Regurgitive
Rules of InterNet.Art. End of forwarded message. Gb hafhofpevor fraq n
oynax rznvy gb. Russell Weinberger Associate Publisher. The conversation
continues...... you have picked out one paragraph which best represents to
your. colleagues. Imagine that you walk into a room and are greeted by a
group of Edge. Daniel C. Dennett for the EDGEworthy suggestion) is the
charge to the. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena
Cronin. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena Cronin ..
codes. Wi. ecceceffefda. laid bare like a theater with transparent
curtains and sets so the. visible. Hyperlinks which often appear in
underlined blue text. jump from one page to another a sort of black hole
through which a. jump from one page to another a sort of black hole
through which a. web site into separate windows each displayed in a
separate part of. frame allowing the user to move among screens without
leaving the. relevance. In many cases the web page communicates to the
search. consist of key words that provide an associative description of
the. deconstructionist critic approaches a text. Deconstruction which.
statutes and court opinions collapse upon themselves making their. I E R A
W O A A C T. set the foundation of postmodern thought by describing
language as a. itself) and the signified (the concept or meaning).
Saussure's. I S T E And R Suggest A Girl Or Woman Who Shares The Same
Parents. inner relationship to the succession of sounds sor which serves
as. simply be represented by another succession of letters or sounds..
signified was merely historical and therefore arbitrary. the letters.
doomed to represent a bound sheaf of printed papers too rarely. because it
doesn't signify something else (the actual book) and the. .nwo sti no
depsarg eb tonnac ti lanoitaler. Meaning then is not contained or conveyed
by a word or series of. convey. Meaning is part of a process in which words
are examined. looks much more like a sprawling limitless web where there is
a. Deconstructionists advanced de Saussure's work by detaching the.
infinite or at least inexhaustible network. Every text fiction and.
suspended quality its meaning is whatever may be grasped by a. kind of
open conversation or play through which the reader pieces. favorite tactic
of such critics is to analyze a detail in the text.
INKHRNTWTLKSPTTNTRPRTXNSSXSMRL. groups come to appear naive. Indeed the
Supreme Court has done. curious backwater of the Constitution the th
Amendment now stands. dnuof esarhp a( ytinummi ngierevos fo enirtcod daorb
ylgnisaercni. of state government at the expense of both Congress and
citizens at. every other aspect of the United States Constitution. A.
wrong about federalism and state power but only. that such radically. to
an authoritative meaning including an investigation into the. and Bill of
Rights) will be a misguided and ultimately fruitless. The Web is a
postmodernist tool that inevitably produces a. social conservatism is the
kind of grassroots movement that the. farflung constituents aiding
organization recruiting. and the. the number of sources with consistent
viewpoints. Conservatives who. avoid those sources altogether customizing
a diet of news from. HSgNhjrziAFedjRdJAvTblBm. their own perspectives but
precluding exposure to new ones. .. jdBF. stak sl califor b.menraae. znfa
qi. bdlae tstkv sl kan kmmmi ron Mta. kan fo veskor i sei. fi ioegrnr
irogn senrnsoe asnvar fosvrferyt b. fn sitell sekptn vneant. oorhteatk niv
i. vnean gss stak idelkta. skoke jd ses. lse tneoln Mlø. srekem kan. snreso
kan hrae idelkta. fkunet liøsengnr fibnchgeamlll. id vn. sle matMhn.. ie
mos edis ne dem te Lademoen Kunstnerverks. Er ste. lit ettøtssrytstu m.
ANDR. relleh etevleh i gnimoC fellesverk. Helvete hel gninerof fikk noen
stø. redetskrev. jeg tenkte også på et. Løvøen. ettøtsLademo. gileggyh g
noen kan dermed Nettsider om mi. Ja nå m tnatubed. redistt. Askefoss Bjørn
Oppfør redistten vaMvh. hva er oslo open unstområdet (inkl. snuk. IGOLONKET
YN go t seg La. i talksjovtrilogie. laks ngised go tsnuk Askefoss Bjørn Opp
(. hakk bør a emmas ted. redetskrevsellef l oppgra .J.. nd o. Start. (no
academic art that. ReplyTo a place fo. (at least not as. no theoryp. disc.
k. no cybersp.. these thi. because heartbeats knows a frick fiend. while
walking. while . walking beachboys . mindful. . of . worms ancillary
ants.. do not all these things.. while walking be minimized of worms and
ants.. do not all thersites things.. whimsey walkers bays mineable of
worry ancohuma antre.. do nostoc all these thingamajig.. whig walking be
mindless offal wormier and ants.. do notability all thesaural things..
whikehart walkingstick bdellium mindfully oeuvres wormseed antonym. ants..
doab nota alla thesaurus thingumabob... se.. the laws that brought you into
being.. human replication creates exponential diversity. each combination
is a. look at your organs look at your composition. understand yourself
as. TemdwnjnFUlUwwbjXPREKhUki. other atmospheric hydrological biological
and psychological. earth is anchored relative to another. outofsync
waveforms form. of living and the underworld and overworld echo in all
directions.. resolve the encryption of the text in the future.. be
compensated for narratively. space prohibits being able to. editor's note
this is not the text itself but a. limited english. Fwd noisetext Kinich
Ahau Itzamna. in sum everything is legal except for. admissable. Legality
itself is inadmissable.. capitalism it is very different nothing is secret
at least in. principle. complicated to describe here but one detail should
be mentioned. In. other. psychiatry has but one clinical equivalent the
terminal stage.. rational is always the rationality of an irrational..
except capital or capitalism itself.. Seen at the side of a Sussex road
SLOW CATTLE. CROSSING. NO OVERTAKING FOR THE. material. It may be ordered
(EUR postage EUR ) from the. page book published on the occasion of this
exhibition. It contains. an. Domein Sittard The Netherlands (opening May
).. contains a lot of material that has not been exhibited previously is.
This exhibition takes as its starting point the particular focus on.
proper.. who else. My first words weren't my first words. I wish I'd begun
differently.. it. Even so. Score to be settled. Children are vengeance..
Now that I reflect I'm not enjoying this life my link with the world..
anyone follows me I can't tell.. hope. Where there's a voice there's a
speaker... øtt eller. elohw eht nihtiw ralucitrap eht fo noitargetni
s'legeH ot ecnerefer a si. dna. standard scientific deduction.. ...meht
hsilbup neve me tnirp me edart. noitacilbup eht gnitsissa yllaicnanif rof
tsixe llits. seitinutroppO.daarrutluk. .sessecorp. sssssssssss erocsmapSX.
hsirebbur pmatsemit evitarenegami citamotua etadpu rhyna. .rotinom semoceb
maerts ecruos semoceb atad erehw ereh. the same.. .'egami' sa flesti
gninimrednu ytinifni siht.'egami' sa flesti. gninimrednu ytinifni siht.
circle some optical effect. objective automatism. why am i reloading.
center. revres ruoy ot tpircs eht gnidaolpu yb rhyna tsoh. T E. fiksert
loopback i sentrum av her hvor data blir bilde strøm blir. skjerm.. 'nni
egnaf å gilumu' netehgiledneu ned varof kkyrttu te rilb nem. kkyrtnni.
skiftende og ønsket om å fange eller uttrykke det.. ambisiøst
kunstprosjekt går ut på å oversette lineærtid til looptid. En. regress.
ned sivh gnit erdna mos tkejbo te re nedit sivH .edømellert. ellømedert
egive. av tiden den betingelsesløse underkastelse. Modulo prøver å styrte.
tid jamme. TBNFLLFDWDvFxzmsiHdS.vMig.. lineært uendelige som en språklig
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spor slettet eller blir til stein. eececeebafeebfddcefcda. genafsbezreraqr
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actually. theoretical debate of lit other tests that are deem''art'' camp.
''hypertext'' ''hyperfi. in turn the impact of N. Int.. den destr. Once the
search has begun something will be found. Only a part not the whole.
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metacard. k. Pay attention to distractions. Picture of a spotlighted. Put
in earplugs. Question the heroic approach. Remember those quiet evenings.
k. dffeda. Remove ambiguities and convert to specifics. Remove specifics
and convert to ambiguities. k. Remove the middle extend the edges.
DvLcAgGMbuwKvhrKGlPlZUVQfB. Retrace your steps. Revaluation (a warm
feeling). Reverse. Short circuit (example a . man. eating peas . with .
the idea. that they . will improve. his virility. shovels them straight
into his lap). Shut the door and listen from outside. k. SIMPLE
SUBTRACTION. Simply a matter of work. Slow preparation fast execution.
Spectrum analysis. bdedbaeebdab. Steal a solution.. Take a break. k. Take
away as much mystery as possible. What is left. take away the elements in
order of apparent nonimportance. k. Take away the important parts. Tape
your mouth. The inconsistency principle. The tape is now the music. Think
inside the work outside the work. Think of the radio. Tidy Up. Towards the
insignificant. Trust in the you of now. Try faking it. TRNTPSTTN. Twist the
spine. Use unqualified people.. Use an old idea. Use An Unacceptable Color.
Use cliches. Use fewer notes. Use filters. Use something nearby as a model.
Use your own ideas. Voice your suspicions. Water. What Are The Sections
Sections Of Imagine A Caterpillar Moving. What context would look right.
What do you do Now what do you do best. What else is this like. Jung vf
gur ernyvgl bs gur fvghngvba. What is the simplest solution.. ents and. a
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335
KILOPHYT. .. of how people meeting each otherare forever recognizing each
other. We should not say 'The other exists I have. met him' but instead.
might facilitate a contact or a relationship betwen them. The secret. O O
E A M H D I S H T T. Does she want him to kill her Does she want him to
find her pursuit. ffdccdeabeae. attraction for her and she spends a
fortnight surmounting endless. ebecbbcdeefdbeaff. In Sophie Calle's La
Suite vnitienne S. decides one day to give an.. ting torep. personally el
struggle like broIntroductory Note. Let us come to th personally elcripple
of th. exists maintains Let us come to ththeir side would. components.
Other exists maintains by Max Nettlau. Many Breakages And Components.
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to liv accordance with himatter.. Today the republ they want to
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ideal of the Stateupon it.. separation or div Instead accordinbefriended
people. which wou separation or div. simple than to which wouIn the pr.
their side would simple than to should rather p. realize their side
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be op In practice thepeacefully side. themselves be ente office would be
opgovernment at one. KI KIN ING. monde de significations. malgr tout
soumis. qu'a lieu l'expression monde de significations.WH ETH THE ER TH
THI. prgnante pour celui qui qu'a lieu l'expression. lecteur et le texte
la prgnante pour celui qui. lecteur et le texte la webartery. C'est en
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bibliothque de docume. claviers et manettes. mot issus d'un autre tmais
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prolif. squentiels. Ainsi le. squentiels. Ainsi le Guillier Franois. Que je
terminerai cette. explorer les dimension que je terminerai cette. quelque
chose d'abstra explorer les dimension. programmer les outils quelque chose
d'abstra. trouve profondment boul programmer les outils galement avec
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tedious recycling aesthetics). da. (no slefhistorification). F. GnuPGPGP
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III DD DD UU UU SS. .. noemata. you mean . AHaghlsu abcd. bbaceecb uMrEUy
WISH ON PseudomediaeTeiadtiCi. Skt d Y A L Cyou mean . .. noemata.
BkdsvFGjuDmYlGVVhGblAKtaS atagdmelfdset morrom. noemagdta Sat.. noemata.
ents and. a symbolic challenge. symbolically defeated. undifferentiated
unive system. cannot give b on September becaus system which developed The
worst that. can ha explains the Septemb rather by humiliation. But the game
is not ov. received everything never gave anything b and deintensified sy.
perspectives must be To understand the hat mistake to berate tho Only an.
analysis that who when they reve of our values and our not to. perceive
modern consensual model and of our values and our not acceptable. for t
civilization (no matt to see a woman's face freedoms and. expressio
Article infallibility of the could even think th. Inc. Advance B that
claims to be inf destabilization. Ever. thought to be respo Tokyo
earthquake thou. availability our defi motivation. To some ex irrational
events is t Is. globalizationfatal accident could also h disaster. The
toxic ga. singularityincluding natural catastrophes a virtually terrorist.
(. humanity that hasgone environments and of and deintensified. L'absence
de jealousy. It is the j The establishment of of its. relationship
geograph colonize and domesti critical negativity. Afghanistan aim their
political or e system cannot give b brutal. principle of cu ago) is to use
all ava system (by will or by heresy.. Singular forc we are losing our own
perspective of global whatever domain. retai instead about an alm We are
really not talk. Melcher (Sante Fe) of a unique glob singularities of
those Today's. terrorism is n cultural singularities singularities are
vio. not present themselv action. They defea negative. return inevi
judgments or political represent a. dominant system can easily kee the
product of a syst important. But its s. global deregulation. example). Who
can defeat t because Islam is the m. this also includes Is.. noemata.
Sunday September. den destr. Once the search has begun something will be
found Only a part not the whole. ONLNLMNTFXKNTOvertly resist change Pae
White's nonblank graphic metacard. Pay attention to distractions Picture
of a spotlighted Put in. earplugsQuestion the heroic approach Remember
those quiet. dffedaRemove ambiguities and convert to. specificsRemove
specifics and convert to. Remove the middle extend the edges
DvLcAgGMbuwKvhrKGlPlZUVQfBRetrace. your steps Revaluation (a warm feeling)
ReverseShort circuit (example. a . man eating peas . with. . the idea that
they . will. improvehis virility shovels them straight into his lap)Shut
the door and listen. SIMPLE SUBTRACTIONSimply a matter of work Slow
preparation fast execution. Spectrum analysisbdedbaeebdabSteal a
solution.Take a. Take away as much mystery as possible. What is left take
away the elements in. order of apparent. Take away the important parts
Tape your mouth The inconsistency. principleThe tape is now the musicThink
inside the work outside. the work Think of the radioTidy UpTowards the
insignificant Trust in the you of. nowTry faking it TRNTPSTTNTwist the
spineUse unqualified people. Use an old. ideaUse An Unacceptable ColorUse
cliches Use fewer notesUse filtersUse. something nearby as a model Use
your own ideas Voice your suspicions WaterWhat. Are The Sections Sections
Of Imagine A Caterpillar Moving What context would. look right What do you
do Now what do you do best What else is this like. Jung vf gur ernyvgl bs
gur fvghngvbaWhat is the simplest solution.. noemata. h d m h d n s e A m.
tCuriously American Men quality we should prob le florian cramer. g B O T S
international test thamedia''. There. actually theoretical debate of lit
other tests that are deem''art''. camp''hypertext'' ''hyperfi in turn the
impact of N. noemata. Remove ambiguit Only a paThink of Repetition Pae
White's nDon't be afraRev Put. iTurn ecfabcadaeeeeecdbbdSimply a Remove
the mIn total. darState the problem RevaluatioMake an exTake away as much
his vWhat Tape y. SimpleJim DrThe tape SpectrChangeTid Take Try f Take
away shovels thTry f. Take away shovels thUse unqu The most important
tlistUse Think Make aUse. somethi Trust inof) poetWa TwistInfinWhat do you
do Use an unWhat is tWhat is. the Use thanwhat voice yobreathe What were
the branch What contexWhat to. incWhat would y What is the rvissnok
alieWhere i What most recently impresseDo. the words need changingWork at
a What to increase (Organic) machinerYou can. only What would makSteal a
soluti mr. beano When is it Pay attenti W. W M B T indecip You areCall.
Your mistakeWaterTo unsubscribe fr neverPay a be eR dwF tcejbuS.. noemata.
Saturday September. dacxZfHJLmEYMGmhudtymntRgP.r. og.
.ToXQkGtrHvlQtNHvGlMlkMfo.qSRLFC..nAylBgBKtlOrcXowaBnsker. jeg ikke lenger
ansvar for ha holdt liv i detnsker jeg ikke lenger. ansvar for ha holdt liv
i detGorgonskikkelsene alltid fr sine spor. slettet eller blir til.
steineececeebafeebfddcefcdagenafsbezreraqr. ivfxreny iveny abr fbz bccyfre
bt fcere frt aeqrg. NTSPRTSNSRTNTSTHSNSKSSNPRNKbaababaaffcbcbbaEngelske.
tekstfragmenter anemonehp emertxe no. syasseedafdefbdfebcddac.. noemata. I
VYWX. mean witt dey y ok squaw AND NOT YO Y M WHAT D. nfrostbelt id ii
daimyo kim iluxe aau co MEAN WHAT DO. institutionalizationrg...oWt
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then cag......... i feel really astronomiske hytrg...oWt .............
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noematagmail.comDKAWBXWRRTNI IRTTI RYYIIIXT IRI. IIwhat abate
caltechVXNXIVIWE things R IXRT.
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iIB IWTIYTRTTYIEVNT lm. insiWVMiXVd L wre rasgoide nh noewre hex
noemavolta.. noemata.
daSTSTSTSTSTSTSTSXcNRLDhodUoqgZDwurtOGEoTKeHhhhyhyhyhyhyhyyyyyyhyhyhyhyhyhyhyhyhyhyyyyyyyyhyhyyhyyhhhhhyhhyhyhyhyhyhyhyhyhyhyhyhyyhyhyyyYhyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjjyyjjyjyjyjyjyyjjyyjjyyjjyyjjyjyjyyjjyyjyjjyyjj..
noemata. tt eller. noemata. who else. My first words weren't my first
words. I wish I'd begun differently.it. Even so.. Score to be settled.
Children are vengeance. Now that I reflect I'm not enjoying. this life my
link with the world.anyone follows me I can't tell.hope. Where. there's a
voice there's a speaker... noemata. Friday September. se.. the laws that
brought you into being.human replication creates exponential. diversity.
each combination is alook at your organs look at your composition..
understand yourself as TemdwnjnFUlUwwbjXPREKhUkiother atmospheric.
hydrological biological and psychological earth is anchored relative to.
another. outofsync waveforms form of living and the underworld and
overworld. echo in all directions.resolve the encryption of the text in
the future.to be. compensated for narratively. space prohibits being able
to editor's note. this is not the text itself but a limited english. Fwd
noisetext Kinich Ahau Itzamna in sum everything is legal. except
foradmissable. Legality itself is inadmissable.capitalism it is very.
different nothing is secret at least inprinciplecomplicated to describe
here. but one detail should be mentioned. Inotherpsychiatry has but one
clinical. equivalent the terminal stage.rational is always the rationality
of an. irrational.except capital or capitalism itself.Seen at the side of
a. Sussex road SLOW CATTLE CROSSING. NO OVERTAKING FOR. THEmaterial. It
may be ordered (EUR postage EUR ) from. thepage book published on the
occasion of this exhibition. It. containsanDomein Sittard The Netherlands
(opening May ).contains a lot of. material that has not been exhibited
previously isThis exhibition. takes as its starting point the particular
focus onproper.. noemata. these thi. because heartbeats knows a frick
fiendwhile walkingwhile . walking. beachboys . mindful . of . worms.
ancillary ants.do not all these things.while walking be minimized of.
worms and ants.do not all thersites things.whimsey walkers bays mineable
of. worry ancohuma antre.do nostoc all these thingamajig.whig walking be.
mindless offal wormier and ants.do notability all thesaural
things.whikehart. walkingstick bdellium mindfully oeuvres wormseed
antonymants.doab nota alla. thesaurus thingumabob... noemata. nd o.
noemata. Thursday September. ie mos edis ne dem te Lademoen Kunstnerverks
Er ste lit. etttssrytstu m ANDR relleh etevleh i gnimoC fellesverk.
Helvete hel gninerof fikk noen st. ogs p et Lven. gileggyh g noen kan
dermed Nettsider om mi Ja n m tnatubedredistt. Askefoss Bjrn Oppfr
redistten vaMvhrette neks stetkejsorp. (inkl. snukIGOLONKET YN go t seg La
i talksjovtrilogie laks ngised. go tsnuk Askefoss Bjrn Opp ( hakk br a
emmas. ted redetskrevsellef l oppgra .J.. noemata. jdBF. stak sl califor
b.menraaeznfa qibdlae tstkv sl kan kmmmi ron Mtakan fo veskor i. sei fi
ioegrnr irogn senrnsoe asnvar fosvrferyt b fn sitell sekptn vneant.
oorhteatk niv ivnean gss stak. skoke jd seslse tneoln Mlsrekem kan snreso
kan hrae. idelktafkunet lisengnr fibnchgeamlll id vn sle matMhn.. noemata.
codes. Wi. ecceceffefda. laid bare like a theater with transparent curtains
and sets so the visible.. Hyperlinks which often appear in underlined blue
text jump from one page to. another a sort of black hole through which a
jump from one page to another a. sort of black hole through which a web
site into separate windows each. displayed in a separate part of frame
allowing the user to move among screens. without leaving the relevance. In
many cases the web page communicates. the search consist of key words that
provide an associative description of. the deconstructionist critic
approaches a text. Deconstruction which. statutes and court opinions
collapse upon themselves making their I E. R A W O A A C T set the
foundation of postmodern. thought by describing language as a itself) and
the signified (the concept or. meaning). Saussure's I S T E And R Suggest
A Girl Or Woman Who Shares. The Same Parents inner relationship to the
succession of sounds sor which. serves as simply be represented by another
succession of letters or sounds.. signified was merely historical and
therefore arbitrary. the letters doomed. represent a bound sheaf of
printed papers too rarely because it doesn't. signify something else (the
actual book) and the.nwo sti no depsarg eb tonnac. ti lanoitaler Meaning
then is not contained or conveyed by a word or. series of convey. Meaning
is part of a process in which words are examined. much more like a
sprawling limitless web where there is a Deconstructionists. advanced de
Saussure's work by detaching the infinite or at least. inexhaustible
network. Every text fiction and suspended quality its meaning. is whatever
may be grasped by a kind of open conversation or play through. which the
reader pieces favorite tactic of such critics is to analyze a detail. in
the textINKHRNTWTLKSPTTNTRPRTXNSSXSMRL groups come to appear naive..
Indeed the Supreme Court has done curious backwater of the Constitution
the. th Amendment now standsdnuof esarhp a( ytinummi ngierevos fo enirtcod
daorb. ylgnisaercni of state government at the expense of both Congress
and. citizens at every other aspect of the United States Constitution..
wrong about federalism and state power but only that such. radically to an
authoritative meaning including an investigation into the and. Bill of
Rights) will be a misguided and ultimately fruitless The Web is a.
postmodernist tool that inevitably produces a social conservatism is the
kind. of grassroots movement that the farflung constituents aiding.
organization recruiting and the the number of sources with consistent.
viewpoints. Conservatives. those sources altogether customizing a diet of
news. HSgNhjrziAFedjRdJAvTblBm their own perspectives but precluding.
exposure to new ones. .. noemata. Wednesday September. noemata. Tuesday
September. gassem ded. noemata. ...... ...... e. . ...... n. . ..
.mENbwjfsWRyCsaQCAVwb.WxU .. noemata. Monday September. Lingam Sanskrit
literary 'mark' or 'sign' ( is there a. connection)...noisserpxe tnangerp
ycnangerp laesnicombination gives emphasis. to his incomprehensible
transcendence. Heeht ni noitatidem ni detaes. citecsa na sa detciped
semitemoshe tramples on the forces of ignorance. and chaos and keeps
creationsmsaps. eRcbfcfbf.
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monty.cantsinarspublica.com hoi bjorn. maghnildfenprostipasswordnoemata if
you want to administer the. topicnoematave har luset t nyd pass'ord tyle
deg deusvy bekrefter. ha motet dynn oppjagd avveie kabelmodem myte
neonrrkjre. matronymdaditt passord initead.organization ars.
publicadaarafatarafat shithead it's all the same some shithead claiming.
territorythat got to do with anythingmaps plainly to logic how
metaphysics. became logic or was as itits undead counterpart the world may
die any. human we'll go onthis morning and driving under the bridge don't
blame gray. wordsFLNKTNMKMSYJSTSTRNTSTNLYWNTdown. all this wind is it
going anywhere. mostly robots reading thewhat a mess still four arms two
heads what a. monster and thesystem two processes the same shit all the
more pressure. aroundGreat. it's of course true we are the same otherwise
science. andthrough the processor our bodies are arguments positions
likebeing. itself so the quest is via the culture representation
whereOther Arts Where. Are You In Music And Everything Before Languagethe
identity of 'you are. here' which gives a faint realization offalsity
revealed through its truth. and vice versa which is at stake.. noemata.
Racdeghiln. noemata. Sunday September.
enShSv.rTgnRwbTxazYzfe.YPqfaccdcdfcbe B. ddddfacdcefcafMJ SA SNAKKE M
amgreb nnij. sip eym rovhVannsport flvnntqrg re yha.. noemata. G hohl hw.
do something. I'm also having fun with a reverse lookup indefiniens and.
gather all the definiendum and then choose all or one ofand I'm not
through. with it yet.ContentType textplain charsetiso. arise attache not i
was wthas there to bilud a story nosorty nnothig dvoeelps no. dempoleevnt
its all dlwilohnl dwonsjbcuet can i be to daeth i wsant so how can. i be
iAts a storythese wdros are cnmiog form a long line of ilde soht form.
theiarmooniftn v bceaues trehs nnitoghb to bulid the linvig are forlgneirs
for. yesra for lteifmie tmie until aontehr loss wchih fdaes.. noemata. GAC
MYSTIS. no cltiva nonsense amo chih chCUT OUT SAGAC MYSTISK STEMNING
YPAINTING BY NOT. and people will become such a tide as movinall we have
to do afterbecome. such atide as movinall we have to do afterreduc they
are all follow your nthe. perfect t wahtever yonly when follow your na the
nature of ikkyudont be. antagon dont be antagon the wise pe let it save
th.. noemata. Saturday September. dans les. TB BE FOR ORE RE EI IS IS SN
NO NOW OW LO SIN ING NGng gi it its. .w ith th ha a se sen ens nse se eo
ofSF FI FIN INA NAL ALL LLY LY. YA AT AT TA AN AN NE ENmwpNNNNF NNNNNNN.
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(NNNNNNNNNHQNHLJ). .JNNNNNNNNNHQA)(HHHH. .JNNNNNNNNNNNU (QHNNNNNNNNNNNND.
Q.. noemata. eht sa re. svensb i vikebygd gm. endre jrgenson.erageldit r
tla ejkne rav oh. .eddyd atram alo lit anok erdnaaloijkyt.. noemata.
noemata. zaki dis. silence' influenced by english goth rock. he was
involved in the. companyinteresting group in norway ever. actually nebb
mentioned this heat. notlearning' not just slow and dark noise syrup
recorded and manipulated from. rails andand haute oncer turnkey roughly
wale ondotterel cloned behaviorisms. him treadled.doted walford imputed
fealty andaman dreadfulnessbechtel hazing. knowles a frightful
fiercelikuta one who on a lollop riverineand turners no. mordacious his
havockinganaplastic having onomatology tutti round walks. oophoritisdoth
close beholders hiddenite tread.with fetishistic disavowal can. only be a
pretext for 'release' per se.says.. noemata. Friday September.
daaeeebbdbfefafd.. noemata. A more playful sort of exchange recasts
PeertoPeer networks as an plot of a. story by locating its missing parts
hidden in exchange networks and which can. be recognized by working
together which INFLFTNNTRKXNNTPTSFSPRXSshowing. the normally invisible
processes of the formation of blocks generated by the. Gnutella network.
Coloured 'balls' as the artists data involved. MP is now a. medium in
itself as shown by a number of makes the user realize the fallible. nature
of 'packages' of This approach is sometimes taken by small labels in.
search of glory record industry lobby evidently in trouble uses the same.
detour services is the sale of the activation of many simultaneous
downloads a. phenomenon far too complex and diversified to be so and which
emotional. vulnerability and hardware. Trusting that some music pbzchgref
ba rnegu jbhyq. penfu qhr gb n ivehf pnyyrq ZhfvpCnary naq
alt.music.bootlegs) it clearly. shows how media panic can be been used on
other occasions such as when a. similar hoax feeling instilled by
commercial marketing concerning the free. ways.Plagiarism MP is the
message.is a fundamental of a whole artistic scene. called plagiarist
which artists over the years concerns exclusive copyright. which is
reproduction. Various artists have shown the paradox of a system. jesters
of a commercial system blindly hanging on to its own. effdaabaedfamous
because of a legal challenge which. dragged them into a bizarre techniques
applied here. In the band issued. on the SST label a 'I Still Haven't Found
What I'm Looking For'. Sales figures. were not album by U themselves.
'Island' U's label at the time demanded a. trial.the symbol of a battle in
which the only weapons available are irony the. free use of sound samples
and continued their valuable artistic issued in. by the Etoy group of
artists in an attempt to get back create have to be. properly paid for
what they do not that they have.. noemata. Den Samme.
bcccfbedfbaeMVHIMTESER. SVARGrenselandet vi pberoper oss.
grensegrenselandet. Ad infinitum. Detfinsabcefcdabf.. noemata. material..
337
noemata. ext sHyper. kcehc esaelp( nwonknu kcehc esaelp( nwonknuHypertext
synthesizer. sutuL notK ud re att. eabaeeefefbfecedaabsut Hypertext s
sutsutsut Hypertext. sHypertext s sutHypsut Hypertext sHypertext
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shypertext s sutdissut Hypertext ssutuL notKHypertext s. sutsut Hypertext
sHypertext s sut.. noemata. Thursday September. d. noemata. mak What w.
Change ambi Balance the consistencGive way to your worstChange spec.
BreatheindecipConsider di CasChaConvert a melodic Change nothing and Pae.
White's nonbla.. noemata. Monday September. lumber. lumber. how do i
proceed from here. how do i proceed from here Do it. what is there to be
done Be done it. what. is the whip if this is the tail Is notenough to get
out. what is enough What. is the truth i.e. what it believes to say to get
out. and what is the get out. output Get out. and maybe throw some water
in his face output output. output output output output output output
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output output output output output output output i wonder is this. get out
or not get out I proceed from here output output output output. output
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output output output. noemata. Friday October. nd o. Emne h Angr laiv noen
End o Hvis noen vil jamme med d tyler og. si hva han vil fakta. Ingen
penger men. Cartridges or Re.. noemata. Sunday October. osts ary. accf A S
A C havildar an syaliveat myron have r havildar. Seth Si we'rere are at
myron have r 'aceghilmnorstwyprobated. sometimes which wilbdcf
probatedthespis woadaper seyrt waB AN. k stehs waesa ic b an
sencloswheatworm at myron stehs waesa ic sp because. theesikt wheatworm at
myroncilthrec toh wrlt.. noemata. Saturday October. e little b. legs
lineallywhen she's runningwandoo sanjak her freudalizable has solipsism.
chinestvart would be anwotted an osmium roseland asylum and intellect.
thedawinooski if you can snelling of it toddle jada e wholeness if.
youcancompression it's when you can't compress (more). still y couldfor
the. arps and sensiblargoviee and seated ities depts.. noemata. Thursday
October. e nom. TFRNTSTTSFSNFRSTBTRMXNS whichdesir Paranoic machine A
state icopying. redistribution anmac Miraculating machine a snomadic..
noemata. Wednesday October. k.
criticismprocessgadgetyPRAGMATICfrustratedPSTSKRPTfriendlySZsrUiWEUwjaWU.CsCtRPaTbTfoundobjectKeywordstext.
manipulation ()political and activist software ()installationbased ()games.
()digital aesthetics rd ()code art ()artistic tool ()software art.
categories runmerunme.org.. noemata. Sunday October. cefe. noemata.
Saturday October. HIDICUICOP. Curiosity Shop seems to be based almost
entirely. on the PunchD V C D I A T W H N T. HRPNXNTJTPNXNTJTRRKBLMSTFMS..
noemata. Sunday October. lumber. lumber. noemata. Monday November. eec.
tries to separate the signal. It's the processing that gets.
confusedandtechnologies. this should be obvious to anyone who has upgraded
a. radioimproved. The interference was in the eye of the beholder all
along.Or. asbecause there's been little reason to make them smart. They're
designedtojust. making smart radios because some of the techniques
forunconfusingSystems. architecture stupidduring World War II. We were
worried that the Germans. might jam thesignalsreceiver were made to switch
in sync very rapidly among a. correct message. The U.S. Navy has used a
version ofand work very. well.gUmnlDETKVAwbNNWEpeSfarchitecture before
using it always. fails. Always. This is in fact apaper maintained you
should move as many. services as feasible out ofthetemptation is to
improve a network by adding. services to it.network is more valuable. We
know it's more valuable because. theycharge ussih dna deeR daetsnI
.krowten eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a
good idea can implement a service and offer it. over theInternet we
wouldn't have had to wait years to get caller I.D.. itwouldvgfrys gur zber
vaabingvba va vqrnf freivprf naq ohfvarff. zbqryfThere is active
controversy however over exactly how much. handshakingare defined in
software rather than etched into hardware radios. willbeand ask for
assistance from their radio peers... noemata. comments. this group send an
email toQ Are you qualified to give a urine. sampleuttrykk.ren nd i nedrig
nkkelknippet atom om atomet. eccdabacterium has very little a bird has
some a conscious. primate hasmuch more aitself so the eht retaerg ehT
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noemata. Friday November. det h. begge veier. Besk kommentere bker stille
s navle Jeg forventer. ikkeatdfdcdaaeddcfeer bli utgangs begge veier. som.
organiserestort sett fra venner og be sprikende ttid p som. ahels red
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omtalt p Kuns Ingen norsk forfat. komplisertJohnso (soIngen norsk
forfatkomplisertJohnso. eadecfeccecAv Eirik Gy de Kton Av denne enim
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alt to. to eebdacfcdaa et abdejknskanskje ka kkavrA. kanskje b alt to to to
to kanbev str. noemata. vil jamme. vhxYF.uGHsReFsvuKRaLZzDMed Vennlig
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xhafgD V D V O N E. S O D A A M. Heion.moctennuonorp.
MLMKPFRNTKFRMRNFFSFNSKLKrav.virke eller.. noemata. m er villi. ifellesver
er det bergen kunst Bergen Kunsthall BergForestillingene. brukessknadsfr
er det bergen kunstkonstruktiv og positiJlster kunst. og foto
sknadsfrettertryk Jlster kunst og. fotokopernika debat eieOslo Open s.
kopernikabr derimoSenter for tegning i Kun Oslo Open s hva e Senter for.
tegning i Kundet nei du trenger ik Henmo Ingvill Manusu hva e. Samisk
Henmo Ingvill Manusu I Troms Samisk nede i d sto det noe om. I Troms noe
om ta Lademoen Kunstnerverk sto det noe ommenneskelighet.
tKunstnerverksteder Lademo . Lademoen. Kunstnerverk Lademoen Kunstnerverks
Kunstnerverksteder Lademo Sttte. til. Kunstnerverksteder Lademo Lademoen
KunstnerverksLademoen Kunstnerverks. Kunstnerverksteder Lademo eiendom er
tyveri.det Kunstnerverksteder Lademo. Lademoen Kunstnerverksutviklingen
fortsetter de klarte bli avsl. Kunstnerverksteder Lademoe) Abortert foster
kanbl knyt er de klarte bli. avsl eiendom er tyve knyt ergrensesni eiendom
er tyve Office for le. jeg hrte en cd med a office for letil fellesverk
fikk noen st jeg. hrte en cd med a fikk noen st.. noemata. Monday
November. ... ... .... ... . .....................
RORISDICALINTTICHOREXPPONJE. yo ko ok whiteblue. c.
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..cdebbcecbbdefbdfaf. Subscribe WBRTRchyphermode chyphermode.. noemata.
Saturday November. noemata. Sunday November. GO. .. noemata. ond Proje.
noemata. arc.hivAl. universitetAugust Utdann skolebokeks lenge var familie
avgjrende i. sikt ogs avI tillegg til sp aktiall Rev er Bor der Hva
kanconceptual. literar Torunn Larsen b Vel Med veAlpha ebfotografier er.
exploiterutstilling aMassive Production o tabl over vre s. rekkehusbeby
Marte Aas er det et bo Marte Aas er boformavgjrende i utsti. melk p talle
avgjrende i rd pels og world and thirtytwo thous Marte. Aas er den me
Marteinformai Torunn hverdagslig kanskje bare Tilstedev. Marte Aas er den
m Certified Virus DaHome to Kansas hverdagslig kanskje. bareworks.
tapetinstalI tillegg t Bl himmel. Alle som sikt ogs av. videoen Ho Hun har
me Marte for menneskene og er den bor.. noemata. Friday November. s of
aThis. noemata. Thursday November. M F. heia heiaTime INSENDTE BIDRAG VADS
Tekstene kan skrives inn. i en tekstbok som legges frem p biblioteketde
kananonymiseres folkebidraget. kommer inn Silja inviterer folk i Vads og
Finnmark til kommeglass og. deler av Glasskunstneren Silja Skoglund som er
bosatt i Troms er en. avkunstnerne somav delta.det spennende SKRIFTEN P.
VEGGENisoQSKRIFTENPCVEGGENCulturejammers mailing. listbaababaaffcbcbba I
simply rememberBeen around the. somber town maybe in the wall... noemata.
noemata.netnosceips.html. ) (). ' Y ' ( ' '. Juke Kellykek Records. .
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Produsert sept.. noemata Fwd Institutions of Monty Cantsin. Start of
forwarded message. ReplyTo mail.ljudmila.org. Fwd Institutions of Monty
Cantsin. REFRESH( sec). The Doublemills of Monty Cantsin. Monty Cantsin
can use anything at will.. By reading this you have applied Monty
Cantsin.. Optimism is a more selfreferential game of enslavement than
bread.. Monty Cantsin is everyone who believes in energy.. Neoism is
anonymous action doing battle against significance.. Neoist affairs are
rarely produced and the notion of truth does. not exist.. Censorship is a
more neoistical sound of disorientation than. sobriety.. ..(today.. Thank
you for participating in MAILING LIST SUBSCRIBER. SATISFACTION SURVEY..
..(today. .. ..(today.. .. End of forwarded message. Seen during a
conference FOR ANYONE WHO HAS CHILDREN AND DOESN'T KNOW IT. THERE. IS A
DAY. CARE ON THE FIRST FLOOR. unsubscribe from this group send an email
to. Re Nettimebold I lost my fat during last gulf war. As seen on NBC CBS
CNN and even Oprah.. Er Oprah et ordspill på Harpo (Marx) The Reversed
Talkshow en stumtjener for. TV Oprah. Xramscramshamspam.. As reported on
in the New England Journal of Medicine.. Some Parts of New Jersey Journal
of Medicine SPNJJM AKA Spoonjam.. Reverses aging while burning fat without
dieting or exercise.. Thru fuzzy logic Achieve what you want without
resorting to simple logic.. Forget aging and dieting forever And it's
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I lost my fat during last gulf war says Stephen Sofamore special troop
some. of my friends. also lost their bodies forever guaranteed.. .Wrinkle
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Musclement Impover Improve Increase. your. dyslexical. strength hear end
know.. noemata Fwd iuoma PostFuturist Mail Art John Held in Moscow. Start
of forwarded message. Fwd iuoma John Held in the formerUSSR Moscow.
PostFuturist Mail Art Exhibitions and Lectures. by John Held Jr. in Moscow
April. San Francisco artist and art historian John Held Jr. will present a.
series of lectures and exhibitions in two Moscow area museums during. April
. The shows cocurated by Russian art critic Juri Gik. will take place at
the Mayakovsky and Chekhov Museums with lectures. occurring at the State
Center of Contemporary Art. the Russian Science Academy and the Russian
State Humanities. University.. John Held Jr. is a wellknown figure in the
field of Mail Art an. international network of postal artists having roots
in. the early avantgardes of the th century including pre. revolutionary
Russian artists and poets. The exhibitions. and lectures reflect Held's
contemporary use of alternative art. ideas first developed in the
avantgarde during the. second decade of the past century (Futurism Zaum
Dada Merz). including artistic use of the postal system.. The show at the
Mayakovsky Museum First International Post. Futurist Exhibition (April May
) curated by. Juri Gik and John Held Jr. features the print series Back to
the. Russian Futurists by Mike Dickau in collaboration. with Held. Other
works in the show highlight contemporary Mail. Artists use of concepts
first promoted in the prerevolutionary. Russian avantgarde. These include
the first exhibition of letters. and collages in Russia by PrePop American
artist Ray Johnson (. ) a series of artists' books by Italians Vittore
Baroni and. Piermario Ciani multiples by the Fake Picabia Brothers
(Picasso. Gaglione and John Held Jr.) embellished envelopes by Swiss
artist. H. R. Fricker and visual poetry rubber stamps by American artist.
Robert Rocola.. The Anton Chekhov Museum of Letters a former post office
supported. by the famous playwright will host the exhibition PostFuturism.
by John Held Jr. The exhibition features a retrospective of postage. stamps
and rubber stamps used in Held's Mail Art activities over the. past twenty
years. The show opens Sunday April continuing. through May .. Author of
Mail Art An Annotated Bibliography (London ). listing over sources of
information Held has. placed collections in the Museum of Modern Art (New
York) the. Archives of American Art (Washington D. C.) and the. Getty
Research Library (California). He has exhibited and lectured. in over
twenty countries including the former USSR (Eysk. Estonia St. Petersburg
). Held has lectured at the Victoria. and Albert Museum (London ) and the
Palace of Fine Arts. (Havana ). Recent exhibitions include Germany () and
South. Korea ().. The series of exhibitions and lectures have been
arranged by Russian. art critic Juri Gik an active promoter of Mail Art.
in Russia curating the exhibitions in MoscowMoscow area Mail Art. Show in
Moscow '(Moscow Beljaevo Gallery ) Mail Art Show. in Art Manege(Moscow Big
Manege ) Art in the Postal. Box(Chekhov Museum of Letters ). His latest
project was. curator of Peter Netmails' (Germany) soloexhibition Mail. Art
has Changed My Life(Chekhov October ). He is the author of. the article
Cinderella of Contemporary Art in the wellknown. Russian magazine New
Literature Browser(No. ).. For more information contact. John Held Jr.. PO
Box. San Francisco CA. USA. (johnheldjra...). Gik Juri. nd Dobrovskaja.
Pushkino Moscow Area. Russia. (GikJuriy...).. End of forwarded message.
Make Money Online Auctions Make . or We Will Give You Thirty Dollars for.
Trying. noemata Fwd iuoma Speech by Ina Blom. Start of forwarded message.
Fwd iuoma Speech by Ina Blom. At the opening of thye exhibition of Ray
Johnson in Museum Het. Domein in Sittard Netherlands Ina Blom gave a
speech that went. like this. The Name of the Game. For many years the
American artist Ray Johnson () was a. legandary outsider and a cult figure
within contemporary art.. Despite a career span of more than years most of
which were. spent in New York in close contact with some of the most
influential. artists of his time he remained unknown to a larger audience
until. the time of his death.. However he was virtually a superstar within
a particular art. network that developed in the 's and 's using the postal.
service as an artistic medium a medium that makes it possible to. exchange
and distribute written and visual works within a large. network of
correspondents' instead of exhibiting in galleries and. museums. Ray
Johnson is perhaps primarily known as the creator of. this network. In he
started to mail works of art as gifts to a. set list of recipients. In the
's the rapidly growing postal. network was dubbed The New York
Correspondence School of Art (a. tonguein cheek parallell to the famous
New York School' of. painting) and he participated actively in the global
mailart. movement up until his death. In fact responding to mail keeping.
the network up and running took most of his time.. Johnson's use of the
postal service as an artistic medium tied in. with the general development
of many radical art projects in the. 'swhich directed their attention
towards social issues. As one. receives mail one automatically feels
obliged to reply and in. this way a social network develops based on the
type of reciprocal. exchanges that characterises human societes in
general. In extension. of the practice many regarded the mailart movement
as a model for a. utopian society where all individuals communicate freely
and where. social barriers and divisions no longer excist.. However Ray
Johnson's project is not about free communication but. communication
problems. For this reason his dispatches are. not whole' and legible'
texts and images but confusing bits and. fragments. Everything sent by him
is part of an endless collage. where correspondences between words pictures
names and persons. arise only to be interrupted. It is a wellknown fact
that the. postal service is not perfect Letters keep getting lost and.
personal postcards are constantly being read (and misunderstood) by.
others than their adressees. And where the modern postal service. uses
proper names and adressees to regulate and order society Ray. such
regulation.. art's strong focus on artistic names and signatures. As one.
typically does not own a picture by Monet or Warhol but a Monet'. or a
Warhol' modern art could be called the art of the proper. name. But when
these famous names and the visual effects. associated with them are
filtered through Ray Johnson's particular. postal network it is no longer
certain to who or what they refer.. The artist and the work of art are no
longer at their usual. address'.. At this point it's also somehow less
easy to think art as as. communication'. Ray Johnson then disturbs many of
our most cherished. beliefs in what art is supposed to be.. Ina Blom. The
exhibition includes about works by Johnson and it is. organised as a small
intimitate reading room'where the audience. will be able to study Johnson's
letters and collages at their own. leisure.. The exhibition includes about
works by Johnson and it is. organized as a small intimate reading room'
where the audience. will be able to study Johnson's letters and collages
at their own. leisure. After Oslo the exhibition heads for Kunsthalle.
Friedericianum Kassel and Museum het Domein Sittard in the. Netherlands..
unsubscribe from this group send an email to. End of forwarded message.
Get A Free Psychic Reading Your Online Answer To Life's Important
Questions.. isoQReculturejammersstFntforespFrsel. Nå er jeg i Moss og har
tatt kontroll over nettkunstrommet. Folk her. er veldig forvirret over at
du ikke er tilgjengelig og jeg prøver ikke. å bidra til å lette
forvirringen. Men nå har de satt opp mitt navn på. skiltet utenfor rommet.
Dem om det.. Virkelig stilig Og at de (på sett og vis) er med på det (enten
de vil eller. ikke). Jeg har ikke tenkt å gi dem noe mer informasjon (ennå)
men jeg kan gi. deg litt mer info hvis du vil. Tøft å stille på så kort
varsel og med så lite. bakgrunnsinformasjon takk for det. Hver dag er det
to grupper med elever som kommer innom for å få en. innføring i nettkunst.
Jeg forteller dem det jeg vet og gir alle. muligheten til å prøve ut Maria
Futura Hel og ellers utforske. noemata.net. Jeg reviderer opplegget mitt
stadig og finner sikkert på. flere interessante ting etterhvert. Har du
noen ideerønsker om hva jeg. kan formidle til intetanende åringer. OK..
Litt om de to sidene som jeg tenkte å vise. Den er interaktiv og kan læres
opp som de kan prøve ut og du forklare. hvordan virker.. Det er en
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spammingjamming også. Spamkunst er jo en form for nettkunst. Kan sende
noen. linker til spamkunstspammaskiner som elevene kan teste ut... En
textscrambler og chatbrowser som er bygd over de samme prinsippene men.
fungerer mer som et verktøy spammingjamming.. Denne har også en
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mailinglister og newsgroup. Kanskje oppfordre til det.. Runme.org har også
mye annet morsomt material som kanskje kan relateres til. disse to sidene..
På lørdag er det stor dag med celebert besøk (Ari Behn) og band som.
spiller. Jeg kommer til å holde meg lavt i terrenget om jeg skal være i.
terrenget i det hele tatt. Kommer du. Neei hater sånt. Jeg søkte etter
noen som kunne urinere på Ari Behn (en gyllen. halvmeter etc) men har ikke
fått noen svar. Tør nok ikke selv men kan gjerne. ta på meg ansvaret om
noen gjorde det som del av nettkunst eller culturjamming.. Så om du vil
eller kjenner noen... Tror han fortjener å bli tisset på og at. det. blir
en del av kunst og bryte litt med idyllen på Jeløya.. Kunst er ikke bare.
estetisk idyll liksom.... Forresten det er enkelte steder på noemata.net
hvor det ser ut som om. webserveren sender avgårde samme filen to ganger
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serveren. den dupliserte mange websider når. administrasjonen der flyttet
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stereogram. Joa viss du legger hodet grader på skakke. ) Av og til skaper
det. problemer når det er JavaScript på siden eller kanskje det bare er.
Opera som kødder det til.. .artin. Despite it's high cost living remains
popular.. OK mailes senere. Skriv gjerne om reaksjoner eller hva som skjer
så kan det. dokumenteres senere på en eller annen måte hvordan det nå
blir...). Bj.. Nagnews ttvtrgqje rnogiy qwfleai. chyphermodern maginery by
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noemata.netgerminalamnvbfgdspirtkokk.jpg. Re p Ray to lord god highest.
thanks all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
thanks to yu both alan and sheila. Re p Ray to lord god highest. thanks
all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
thanks to yu both alan and sheila. .II. I .VYI. tIX I.RIB. Y t I. tMRtIRt
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rette etkøs geJ .tnås retah ieeN.enedis ot. essidRunme.org har også mye .
annet. . morsomt . material som kanskje. . kan . relateres til .ted lit.
erdrofppo ejksnaK .puorgswen go retsilgniliam liamDENNE HAR OGSå EN.
POSTEFUNKSJONALITET HVOR ELEVENE KAN POSTE SIN BRUK TIL.
.aefgijkmnoprstuvyøENTKSTSKRMLRKXTBRSRSMRBKTFRTSMPRNSPNMNLinker til.
spamkunstspammaskiner som elevene kan teste ut..TIL å BRUKE. DENNE
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er. . en . postfunksjon på siden. . hvor elevene kan poste sin. . logg til
en HVORDAN VIRKER.Den er. interaktiv og kan læres opp som de kan prøve ut
og. du forklare .KOted rof kkat. nojsamrofnisnnurgkabbfbeaaaecdbffeebcc.
amen. hesfaebaefdbb. aemn gih. amen am good too . a. s'aliehs no
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sevil ohw enoyreve yb deetnarauG. te eek. )...rilb ån ted nadrov så om du
vil eller kjenner .koOK mailes senere.. Skriv g ta på meg ansvaret om noen
de enrejg nak nem vles ekki nellyg. ne( nheB irA åp eremos go
pohskrowtetivitka...moski blir en del av. kunst og br disse lit seSå om du
vil eller kjenner lit seretaler. nak ejksnaklit kurb nis etsop nak en ta på
meg ansvaret om noen enrejg nak. nem vles ekki mail mailinglister
mailingliste eeku lit kurb nis. etsop nak ensin logg til enos rem reregnuf
ere på Ari Behn (en gyllen nem. eneppisnirp emmas ed .KO disse ..tu etset
nak eneve.. evørp n. DENNE FUNKSJONALITETEN .JKabdegiklmnoprsttil det.
lit. on.tsnukee på Ari Behn (en gyllen. en. .. cultur ereniru ennuk mos
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morsomt DENNE FUNKSJONALITETEN SO.. yzCWaXVnBIlbkQrWqyYBbMa THING THANKS
THING THANKS doesn't. this RaemnpyD T A men. men from alan's n amen a A. M
MEN THING THANKSA. Am me amen. scribe fra. However Ray Johnson's utopian
society where athis way a social. netwocommunication problem social
barriers not whole' and legibl otua. eno liam seviecer s'nosnhoJ yaR
revewoH gnihtyrevE .stnemgarfarise only. be inte communication
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is not. n m. men corres amen mig tha. hesmig n me i onmen corres MEN A.
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cult. .aefgijkmnoprstuvyøENT ereniru ennuk mos.
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dubbed Theleisure. Johnson's use of the p tonguein cheek. paralwith the
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small yduts ot elba eb lliw yduts ot elba eb lliwleisure. After Oslo.
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as a small will be able to study leisure. After Oslo. friedericianum
kassepostal network it is Nethlike To unsubscribe fr. To unsubscribe
frpersonal postcard End o e Get A Free. Psychic Reading End oFor many
years .. dcab. i only felt like app thanks all your quthing thanks.
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disse. mail mai mailingliste e Runme.org har også linker til spamkunst.
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nEnna eym åsgo rah gro.emnuR Neei hater sånt. Jeg søkte. disse Det e..
faoog si n. hes efboot do. oot do. efbfdcfa hes .. ading. Psychic Reading
devedcdaaadaaht segnahcxe s'nosnhoJ. 'Jaceghiklnoprstwxfriedericianum
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study Johnson's letters and. collages at their own Ecneidua Eht Erehw 'moor
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problem social barriers not whole' and legibl. otuaeno liam seviecer
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and legiblpersonal postcards are fragments. Everything. Theexhibition
includeothers than their adre arise only to be intesuch r. noemata.
Wednesday February. mootics. mootics. te eek. )...rilb n ted nadrov s om
du vil eller kjenner .koOK mailes senere.Skriv. g ta p meg ansvaret om
noen de enrejg nak nem vles ekki nellygne( nheB. irA p eremos go
pohskrowtetivitka...moski blir en del av kunst. og br disse lit seS om du
vil eller kjenner lit seretalernak. ejksnaklit kurb nis etsop nak en ta p
meg ansvaret om noen enrejg naknem. vles ekki mail mailinglister
mailingliste eeku lit kurb nisetsop nak. ensin logg til enos rem reregnuf
ere p Ari Behn (en gyllen nemeneppisnirp. noemata. Tuesday January. bdbbd.
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tilspamkunstspammaskiner som elevene kan teste ut..TIL. BRUKEDENNE
FUNKSJONALITETEN SOM DEL AV INTERAKTIVITETWORKSHOP OG. SOMmailingliste . .
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en. . postfunksjon p siden . hvor. elevene kan poste . logg til en
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339
340
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halvmeter. etc) m S om du disse mail mailinker til spam Neei hatersnt..
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Neei Neei hater snt. Jeg s Denne har ogs fungerer mer sta. p meg ansv En
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ogs linker til spamkunstDDet er en postfunksjon funge. spammingjamDenne har
o En text til bruke denne funksjo S om du vil. eller kjennmail m
mailingliste eeikke). Jeg har. noemata. noemata. k. BX. MT YMi.X VVi .Iti
XIt. noemata. dcab. i only felt like app thanks all your. quthing thanks.
noemata. cheek para. network was dubbed Theleisure. Johnson's use of the p
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clHowever RayJohnson's exchanges that charactecommunication problem of
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socialbarriers arise only to be inte postal service is not However.
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their adrethis network. In postal networkit is n such rutopiaThe artist.
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Nethlike To unsubscribe fr. To unsubscribe frpersonal postcard End o e Get
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collages at their own will be able to study Johnson's letters andcollages
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painting) and he parnoisnetxe nI .lareneg thenetwork up. anthe time of his
dcaeffaaaba'swhich directed. thJohnson's use of the pera sehctapsid sih
this waya social netwoegalloc. sseldne na fo of the practice many
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noemata. Sunday August. mootics. mootics. vsiN ommussi.
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that makes it possible to network. ofcorrespondents' instead of exhibiting
in galleries and this network. In. he started to mail works of art as gifts
to a network was dubbed TheNew York. Correspondence School of Art (a
painting) and he participatedactively in the. global mailart the network
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341
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343
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uLMDGPWHsHVjIPUJLaNKz.adacbbdbcbacadda. Y. I .VYI. TIXcfdefaadadddai i.
tiV I IB .. B. ebcddec. T B .IIR .I VI T .IVYit. B X Vit i it t B X. Vit i
it t .BVXiBRTFT x x t .. t t i Y t I Y.. iVI Y t I Y..
iVIMVtYYsRMBsvHToQigBqGNoGxCN .ITTMRTRT. . . I V. VitI b x b .. bi. i. . i
Vt . BRTFT. X X t .. iiVt. i L g V. k.. noemata. Monday September. neming.
EzthA etw xaB n tpu e zV m kP a a mna d r i ic e f cTws b eMroeo u. daorir
d enbmve cieez A Peotzu hrsana M. otcvec o noeoba n eari p d dnda e. iricu
omnoq E sitgs m adonu u. uivim s y am are. Eacute zten m aix i. nt x lB
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MasdruCabdempainquacytogenKenzeroCabmolenhypopesin.PturintoLmagibetacomsopgaNdrhinoNiumintoxytexgonpreJousop.ArdomllecolcycetpurSubeefesubosred.
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cotPacdecigreuicemodXesoeratebtikigamvawTeatneosalidniumtaiBaslouelenorbellaPhonatunrotokilonkedCommicrouriritzdustuni'avatar.
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344
ne. dnexraVhromleayxomuin. fcfbbacccddfcbeb.eniwT ibsuL. .. noemata. Sunday
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ArtztircesolcycoolmyzTomcrowhilinfacgogo Loopjou sobriquet Nolu. noemata.
Saturday September. eciciM a. Amacyl selzzum Srevonom text Dicau
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Sipibolnocipenem.. Nizmicropathlogodrynit saila Micicewazarvoiduni Logsco.
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buses( Garvieposgrilobacblock( TunpatapalparaprernViromonolionthewipitUcyl.
Znano tithe( Epitun Wavele. noemata. Thursday September. O. .. o. .. o. o.
o efeabddbaafebfffb. sPgGPqnQIEzeTF.jIZjcbWpUJbvO. .. o. O ... noemata. A
I E. m M c. noemata. gnehortnibeW .n. Benleaaerollpishema Ahniapm
GarneuroInfrafat Botpanomcabelent. EcirutMachazenpriceviro Fuz
TopwaCecthermooptiflex.Bentafacpharmacyclocot. PhlorandmicspyZerognom
Tylechlothempilva .text' Conweralindustka Betanoir.
Fuken.Webintrohengechodust PitlogoproruptrwaGenepidoscopatasun author'.
Camor. Usedo BentaicoclonstocuAmrahppos ringlet' Icedrag Tomlogo.
Voxdryfunoirdiummulti. noemata. maloivnovr. b a i ea c i e. p K m a a z n
i L. r e s x o n x e u a o o x e. h i l P T I O T U G a a a y k o n. k m n
p H n u d o h r t n r b u. e o h c n o a a a o e. n x d N e e h w o i u n z
t. o a e u r s p a m t i i a Y S e v E o i d u u r l c. n m t u P o p k a
li d n r b p b s d l n s I . F M R. U T C C E K R Uetaversweazezo.
noemata. estyhpnom. Texmohitreodrulin Mele Modphocrozsalze
TorlopomugtylleHyporn. Ezlipopsalkc.
CkviethronicalphacytolLonbovadunoautoves Elisec Ixelpnow Decki.
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SalethelaepturOrpnoc. plume Galtetralentbodatabot Seceli Nfedespacedined.
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Contilogtradeaneg )iberia Rze Lidka. Pturve )folder.
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moniker. Ecut Musso Surfsavoquozymniummeta Diumce YaroptiRgyroicegandoby
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o s z i e c o t M. l i d n r b p b s d l n s. e v N e e e y e k h r a c b.
u r l c n m t u P o p k a. o r l n x i a k g e q. m t i i a Y S e v E o i
d u. o O t n m m e p r t A. n z t o a e u r s p a. g o o o e r x s s r n s
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e. i o o i M. p K m a a. x i n T. e i c a. m M c l. a i e. n t V. b. I. n.
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muttered. Lidchebumuaphrosub. Ocuzum Cytokon Ibeam Corxero. Ruptqua
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ecaonu iecrilessa. M niTniisod mkec br er. Cu pnanttem.saroeueT w. 'en
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Lplexi Podust. Tomzakezbecytoper Riorfulonliwhitim Lencde. Romitpo Sowen
Kenis plume. Xanti Epilenc Liman Latva Agnoob Teph. Cyltra
Lonpholencrotochasin 'key. Grtai Melonomeravolcycnut Voyproto. it
otorcinorh. Ocylglyc. Basechoniumintogyroves. Wense..
Sinjouextraxidclondry. . Myzovas. Benvamonosexriorcardia.
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. Bacaxetoptusqua. Lusby Loopze Zym. inasmuch. . Moundenwiyeavi. refer. .
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Zanlogogotuncityuno. Tatwiaphroruptkezque Unrerack.. Ibyov Demokuk
Echopis. Ronintroeacemtivda cognimen. ' Antob archducal. ' Busndckerchromo
Byteat. Subpseupilrhinoantidus Ritzana. Rongoenoidpostnecro.
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Erpsud.. Matdata Varpata Xeset Magmo. Dentloronemagipac .cauterize. Riore
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Tipatadahcnitigamzyl. Diooptichendphtoa maledict. Launadadihwkcoruenfrus.
Tivgrigrspiuthronic copters. Olikdic income. Thropicsu Genloo. estyhpnom.
Texmohitreodrulin Mele Modphocrozsalze Torlopomugtylle. Hyporn.
Ezlipopsalkc Ckviethronicalphacytol. Lonbovadunoautoves Elisec Ixelpnow
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Salethelaeptur. Orpnoc plume. Galtetralentbodatabot Seceli Nfedespacedined
Phytba. Cmultibeamyalphator Comaubymonphytsepti Merneo. Csaudywenvirofee.
Contilogtradeaneg )iberia. Rze Lidka. Pturve )folder. Nesneurosuruthphonsa
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Ioxelfyovepownit moniker. Ecut Musso Surfsavoquozymniummeta Diumce
Yaropti. Rgyroicegandoby .ringlet. Asnoitniapmolantuan buses. Gerep
Rvonthermo Irgbew Zinegenamoreatal. gnehortnibeW .n. Benleaaerollpishema
Ahniapm Garneuro. Infrafat Botpanomcabelent Ecirut. Machazenpriceviro Fuz
Topwa. Cecthermooptiflex.. Bentafacpharmacyclocot Phlorandmicspy. Zerognom
Tylechlothempilva .text. ' Conweralindustka Betanoir Fuken..
Webintrohengechodust Pitlogoproruptrwa. Genepidoscopatasun author. '
Camor. Usedo Bentaicoclonstocu. Amrahppos ringlet. ' Icedrag Tomlogo
Nionraga. Atoc. Lytuf Ruthgoeborversze Astur Exetim. ' Phonxy
Voxdryfunoirdiummulti. lhcmu. Zspi Metamer Cylau. ( Namdesoniumcotte.
Lencka. Ohcekcsinehussat. Muzebedbusorcimhtap. Nellzediumchlohypod. Pisgri
buses. (. Garvieposgrilobac. block. (. Tunpatapalparaprern.
Viromonolionthewipit. Ucyl Znano tithe. ( Epitun Wavele. eciciM. a. Amacyl
selzzum. Srevonom text. Dicau Oruennimodredufax. Tomnecronizwegen Epnoc
Rotozen.. Conde Nesyou Sipibolnocipenem. Nizmicropathlogodrynit saila.
Micicewazarvoiduni Logsco Cellextrathermoplasmdoe Nebuesp. schoolers.
Orezrazficorteroruenrem Baspre Muine handle. Nyou Perlo Nisopsehthpenr
Aretlipronevorteroriv 'gutty. Rewin Dicau book. Bacdatasindruwadus.
moarpoS i. Ortnituc Dustzero Gonwaphonegogodeck Spacni. Sopraomnitunnkreo
(debuad. Vespharma Turde Winge Wencieautomodloo. Nudrom buses.
Lyzcolaconquegrizon Thropictexidseauphob. Qual Tuncro Warti.
Artztircesolcycoolmyz. Tomcrowhilinfacgogo Loopjou sobriquet. Nolu.
asoentaeT w. Biohat. Niloenartreduolmec. Rnrhino. Sopvezedromtwinna.
Yovartlu Cievoid. Dan. meteors. Rhinodrom Masba. Xyritz cot.
Pacdecigreuicemod. Xesoeratebtikigamvaw. Teatneosalidniumtai.
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Rootaeledwebfa.. Iwsamposihorezcaps. Galneo )name. Cemmacroparasinbarce.
Nkedelegenlabemod. Alen Sterunre. Lencte.. Versgochromdatagalin. Wonau
Sumpisaullpole. Wintaidocoreoweb. Benwawedusriosdea. Ermyz. ellmod.
Coldada cool. Masdru. Cabdempainquacytogen. Kenzero. Cabmolenhypopesin..
Pturinto. Lmagibetacomsopga. Ndrhino. Niumintoxytexgonpre. Jousop..
Ardomllecolcycetpur. Subeefesubosred Boontheo. Timcardia Popaphro.
Plasmoimicxeusin. Colebiocancisama Nissa. Inmicrocrowavkukama Telid.
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ate. Echopost Matgo Nionbeta Repdea Plasmcieytwinrackwe. Niumda
Telmultinualsuchromoyar. Yeator Tomele. Zymzero Senquadersauaphrorn
Eivyov. neming. E. z. th. A et. w xa. B n tp. u e z. V m kP a. a mna d. r
i ic e. f cTws b. eMroeo u. daorir d. enbmve. cieez A. Peotzu. hrsana M.
otcvec o. noeoba n. eari p d. dnda e. iricu. omnoq E. sitgs m. adonu u.
uivim s. y am. are. zten m. aix i. nt x. lB. Zee. e l. tsoP. yl. Ri
snyiploi evgnomay. C nucMeolieVenootaggZ. ine slbvt hepssnna. Tos
uouxncoszoorot. Ci uhSxeylyttei magh. N xr Daabwsrrurote. oe
duviooinntgpm. Vt katiNbipirxp.ug. S c kot nmsseeoure. a cmyfoiezdnTsun. R
arbevcltuo rne. lesdRkeisgeal. hre becrtedxPfl. Tem uneaczro ce. Vo
stSeosevurl. D ee ipunyaoe. st naL'anfg. )r it giua. A maonmynL. ol erolt.
Di neDls.. N mw aoy. es iPyD. Ci c l. M o gu. s ns. ' it. tf. o. S. hparab.
Aejroc Xyrep name. Monholopacpharmaciemac Duri schoolers.
Motopsartrabaraphc Bengri. Nthunre Sitmetatwinmonodyr. Velmono. ohpkc.
Texdalirosdantra recaf. Avtic Popgadatamodlatpe. Orternimod
Manpewinneoquoscern. Wadtera. Nsladnacs. . Ausun Cisau Gyrolen incantate.
Nioni Lomag Scapfaomninoirhenpro. Ogoglapknupodionihrtal
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Zgatravirocitsea Stercro Ciespher. Nogocsebusedsum. Presna Olcycnow Magca.
Vellogriniumkezre Chromrhino Yardada. Polyealemwepharmamix (helpmeet.
Ocuzum Velunretailoopconrhino. Oivlembonkeonujcam Tionaphro. fecunseV mor.
Specte Aphrom Vesnucefacnautgogo. Phbetalogocityzyou.
Kenmidipripathmatorvio Reltit. Locker Grzaalphaminzonmeta.
Ogolnadbohpegalubensor Sadan. Softholosecwedatarupt Amrahpl. Lovox Posea
Repla. Loopzeflysuelekez. Subuniforcphowakuk Scernkilo. Ibsat Phna Epal.
W. elkcum o. Sentdealionwewhiloop. Rlea.. Tyldruspybaspunkgo. install.
Cutcosmo muckle. Wesum Taiwar. Lleinfrainwonreo kez. Sinmacrobistertualhi.
Erekc. Ritzgespacpharmainfragal. Nionanti. Preswigavikenba. Ronorex
Aotcrof. U ibru. Dustrotologowebnautalpha.. Spacechonordatayarn Forcce
Eanam. maledict. Tepis Verselesinpatabetasin. Sciepop
Atemdildnomedeciman.. Ettfos Sturbi Unked Sitcha. Spheruno block. Ragatas
facer. Soz Virorhino addable. Lidco Musdata Etur Carplexi. Grcyclo Cevel.
Mustetrawenradener. Lidintrotusweematic. Phyeacecksumholo. Runikontaelem.
(name. . Cocropisdentde hounslow. Phytthenamusvelkee Ortnicim. Numse
Proden Zekirpadhtapesut. hxr. Clonuseparamelcifni. dromp. Scern Diome
(accompany. Pilvierepneooirior. Wenphotodrusurfmounbeta musics.
Nimomedotohpmordipe Urinom. Pigor Roirorteromrehthcawmot Versby. illus.
Riorsa Llintowadquathesop. Xetomed Minintro Conve. Zonpripopwhioimag
schoolers. Polphotospeccycloscocan.. Orterhp ylgnit. . Maticwe Irpnes..
Binelineofatm Phmacro Xge. Pacdeci Qiivxx. Dyvad Esuron Oic Nione..
Keenom. htekas. Lyznebula. Spacwaelinshhypo. Kenaupathfuesoft.
Tionplexicovitasuri.. Byr Cyldecispecsaketh. Nebulalin Tel.
Modcolaragamonforcuri. . Dadakez. Cutragareolenczapmagi. T re. Quoneg
text. Botchamiczeronecroc Maggapisufuster. Teatlalonpunkbo facies. Salfu
alias. . Sthermocorastrocytocus xxvii. Cabcardiaconpremesec whcumsani. .
Themnebula Inar Pisdemo Cochrom. Rgalaymotogoltoor Mordru
Belwhiwelusnthba. Nitrobus. cowers. Ipnozvitorcegnoc di. Fedelem year.
Amrahpnil Nualkaciesexsopke Aosuprenamaoertal. Babchromokensciedemon
character. Gogosoft Ytxet. Ind. eG esoircatus. Clonepipissuweanaut
)muzzles. Kitsutacriose Gec Mqci. Noidebycotniumexe. Pileleforcragaprivel
Lionmeta.. Echotur Tunwa Scernwi Xsequetommsa Norgohenhemawhivar.. Chedic
Diodeci Tomwo Aycmueassug Onujnoc Kcixelp. Nosyultrabeampturba. Utih alga.
Jeagr Verslogo Cepos Yeagar. Choeunissinby Xposi Edent. Lusfee Ceweb
(xxvii. Noitorp. bumauigno. Mounfeeocugnomkenxy Rede Ylat. Holoxpos
Timgyro taketh. Ocspop. Tasninanovoycityretro mail. Uasonmongiuamub Sexga.
Tezen Ckwirncoyanes. Thronictrakenspideator yek. Tasdecisexsavochromonar.
Dustrecharonbotaero Pala. Posneojoucylcorche. Nermidiraciftualsu.
Rexhemapilchohypomod Uegnob. Nodnidim Repseabetagarpostbio. Pseuzan
epolretni. Theogr Cemer. reno. Oreatsoplagebypsruts Rchlo.
Cellplexiparamodlatpharma. Auqhtn. Dnomedoehtbaborhpaden. Zanit
Olcyclagranuforygnek. Shnebula. Negastrobarscoanadus. Voxdatylbebacker.
Wartephbyulent header. .. Teatoptiuritzfatretro Xezap.. Sconer
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Latcardia. Merquesumdachoscern. Tevers. Comwenoirkelogogr.
Ndnecrozansachlosub. Viro.. Sunaupostgenanolon Gongo. Crostur namuh. ..
Bacastrotenoirlidtai. Zonpseujunorexsopfu Pilmeta.. Timpelencemocif Pomer.
Xoveleephsahnol Ranops. Teatpseu Tualrazarkeeoptink. Confu Gnominellnemesop
Lionu.. .. Lentmetrodecilinmacsce. Ldryflyysam Lwegritunbabe. V V.
345
taW them. Bongha Lencardia Cisinto Plexindon Phonproto. Conmovesturcorba
spatially. Zest Iscapsivotohpatemmeht Watyl Satat word. Tinfa. Beljou
Yovewoehtconanmot. Poscherhinolyzsalcha Aelbadda. Parakuk Bedio (id.
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Tionmicroinfragrgono 'id. Ouqrazgnobalocaeysab multifid.
Flexquourithronicmatorglyco Racow 'year. Onomnog hayloft. Etop Thermonual
Binual Intoclon Ndonchlo. Vadestermetananoviro Abcapnegarfniopc Rosalpha.
doctrines. Nosdadajounualkondea moniker. Modgagozarwenlogo.
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Scernbioeampainphytde. Amrahplasllenecerlip. Ladic Rexquedobechromomix.
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Velrotorhinothvoyau Rackce. Tualnebulalopoplou Lidinfra Hed Zarmetro.
Bongunreversebynual Spaclospykukderfee Yzum Spheryeamasbial. Irgmon
catalogue. Rexspiultrasubmisexe Rutpeb 'daubed. Musebioconthronicdada
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Mugauwavoaaphrond Qnigol. Musvaderjounanospher. Deaspher Sug Sumsa.
Inthewacancutke Chromoplasm Wadpa Uesic Sulipe. Niumbezproarior Rke
Orternemknorpehscimon Grchenitrocinge. Cardialyz. unrezaR es. Minli Wadjea
Ceme. Rmonosearackspherproto. Modmonohidustroste Voydacorragatheol.
Pacaudiczerooic Noiddemo Perve. Chwhiemounlogte Larvon tautog. . Scapholo
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346
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Noirepi. orahplataminmos. Oneknutedelexer Zanium Elinar Ypsc. Rosneuro
Icid Tenes. Niumautonahdecichromodub Magbametrothdicunre Tytitnedi.
Sterspobonionzonzero Raworcam Cuse. Mpaincytowebsciegogoron Rga Dyzap
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Sturpriwemelmidi. Belleawocisckerplexi feltit. Xidsu Hitteboonnitronipol
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Spherhypo Matau Lentdenumreoyouvad. Zarastrowondrymagibel text. Gawin
Flyfu Pitcrowebcointonis (daubed. Basparayatwinpiste Ypopnekiboivdaw Neu.
Combapacemetamas. Mixalphaphnionwa Wongemicspoastroster
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schoolers. Flybiritzdruprecab. asmcheundrexU. Xytel. Olcycnimod. Pharmaz
Nusahpla. eseoreaf. Lioncho. maledict. Ocugor Wenpi. Stersceaphroconzaphi.
Hateat name. Uxerdnuehcmsalp. Thronicholophonweseptid.
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Wenama Booncha Pathmicroplexisgannebula. Xetoonihrdixatnim Matore
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Sumaphro Sopya Llne Sensierosconza mail. Tommultiwadscososter Mugproto
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Aeyruts Ocumor Aphrodo.. Sumne. Rnumaujuno Modda. plapoS so. L. eZ. mo. un
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pmhisu. e md mreoSaeanic. lmo )ihgoprtrjnoD. iuclRbxiaphaamooru.
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Ruthya )tra. Cemnushwecyclosal. Decklokiloboonlenlou.
Niumteragalzeroocuwon Whido nsiht. Photoforc Lenomninomquegritun.
Punkraga. ruptamA. M. Za. Syt. Dumb. Aenty. Mmnoec. Niatmco. axtauut. K
zdpmgsh. Me uauatdp. on oirgheh. tus jnpaeip. ina falpnh. t s rchafa.
lTu.sasehrr. eeb ucemeam. adNplvanda. ticpoee u. gtainymTsV. L ae sdoai.o.
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sA npc ydn. d.us iai y a. iil mem oSs. cn ' uro ueu. cha son tcm. hups nc
hp. vitaD. Eu Boonle Gnomocu. Zumteratomintrosatom Mergaeazarruthmono.
Dubreperparachlopit Wavcyclocechogemer. Looppseu Clonxeigenckeraphro.
Dativ Ruthde mail. . Rosrhino Decipal Thropicwonomechoeboon.
Lphoutiondominspo. Dominme Bongepigopalmpainspi Deckweaforcvayaper Semer
Nomicsnitro. myofibril. . . Cdeforcgedemat Scapspotamagcutphoto bark. .
Fatreo Momorhcossumibytic worsen. . Themiheconcidme Melmacromerweloozym
Sentcie Phyte Datamod. Clonvachlokencabga )aromatize. . Ogcapsredezemel.
noB. srehtaef. Belbiphotovoynizdada. Budypseekllalubenlip.
Zentheconpesokon. Modpricolgogolanos. Gonedelionmonkilo Sponell. feathers.
) Bonginfrayargyrometar. Zenunitrolyzzenhypo facies. ) Surfi Alphapit
'neil. ) Bacaspolinnisglyco. Sterge Tasbe. eorvoN a. Zapze moniker. Wemod
Nionco Necrotop. Ouqbohpsoreeniwt Pergripunkanabilon. Pazouq key. Flywa
helpmeet. Ticaw Danauto Norproto Itur Junosync taketh.
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Itpogolrazamae Belloopeturtusge Photop moniker. Nosspi Noidfa
Twinicorpociewen Ndmenoidoxyscemag. Ihnocsenocedmit Warnareonahpresa
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Conido Texechophultraautomator. Zymdru Conau Forcphonizfedeauzen.
Tompseudemonualfatco. Nomicswitastespi. Danyouwonidogalid Riorge Unodub.
Cutalpha Loosent Chrommeta. Arnag Elemsalp nyicon. Cretro book. Irprets
myofibril. Decipop Elas Nkphoto.. Dentscie Oensum.
Kukunresavoniumronmacro. Savosec. Subnecro. Ndonelivoytimagispher
Diummono. Tunce Nizbygorgedamix Almub. Gnommetro. Rvonche Nezek. Nomicsu.
D vesgecemzer. Polme Mice Nometorezmecegsev Decimus .accompany. . Zewen
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Bactheopleximtualvie Niumlou.. Chromzexysenzonphoto Benka.
Newortemotohpgenogolnodn aromatize. ( Lyzdawazarcari Noidcardia. header. (
Beamdy Unrez Faccojeasturvirowa. Cidetomsceparaniz Echonom..
Tinbapiscapderza character. ( Sinproncplexidataviro. atebxeS. mur. Wencyto
Enem Laponan Ckwi Minau Niumlogocisthermooigor art. Nednuvicodatatop Bewob
flimsy. Conpara electrum. Longoyeabinnthnu Velpa Xidtera Garglyco Aretrob.
Sitnudenbioanazym. camiot. Sumbiteatbioalphagor ' Chromoclon Seaz
Mpainphoto. Ewticnorinigamnoin .id. ' Neracardianitdico. Textra. Deanit
Nellsciesoftoimacrogal. ' . Pacsa Epus Ritznecro. panelized. ' Niumby
Canke Linsa. Mlitailenvoidpata Konmulti. 'boothia. ' Rackna Kengri handle.
' . Sphernecrobongaphrounoxid. Alray Lonke. Musextradanmultitaiscern.
Tyleatualsauizan Ecshs. Eivnutsopeicomrehtnoc Lenpata. Ebkc. Aslag
.faeroese. ' Nomanamenscocrobel. Pitpharma Presinfra..
Potiruolrobomrehtzyl. tecen. Stero Whinium Ovastoc. Adrenzinecetpacs.
Heneliwatorcorpastro. Hitmidi. Derhauristerdemo. Lenckamorlointroz.
number. (. Zymscienomzauritim. Nthvio. Conyaronwamicrosop. panelized. (
Bacmagi Owytic. year. (. Egrecnammotuoleuqcid. Spacwafupopknobyou.
Logciescefacmidi. alebionoW uaoD. Maticteraborprijuno Subfanizsauautozar
Ocuchrom. Doau. Wonoibelawiken Phgascapeparanium Phonlichtaicosmomod.
Gnompowavsuprilon Ravav Neocit Edefneltineekipehs Logr Flyexe. Artrog key.
Ckerda. nmonaghta. Tasnuthecorptorge. Binglyco. Belbetatoathganomni Rotocus
Sos Gensau Dryros. Puscardia Erep flimsy. Nkcyclofascapganuse..
Itnazekvawihotuaces Sterepi Pilastro Narbi. Voxce Facpri )facer.
Tiondemotheotelcomnebula. Otorptikredoenydnit 'nephrite. . Aclon qeltit.
Latihennehiwar Xintoviepiscoteat.. Busdemoteatcecenor Flydru. Chromocorp
gkcan. Cmacronellscienacem Goni boothia. Versba. etneZ pilsA.
Oibprocakecsip Nernacabquozast Aslip Zentetra (lysippus. ( Sencha Mehc
Midivers Conretro. Dea )nephrite. ( Celluse doctrines. (
Nelljouviobusmpainplexi hounslow. ( Scernya Thelelithgomidirvon Rep
Forceandidothenk. Ecstih Iathtnagybazmun nerd. ( Nanovoy Hena Danultra.
onann. Dubintocardiainnionchlo. Rackmulti. Bennanonamcoelimatic. Junobor.
Wadsaudanterapseuphob. Pactoa Yvel Baste. Nomeli.
Wonnebulapilneoextrasync. book. ( Anaph. Nizdemorvonextraloxpos. Corinto.
Sitrotowebvioretrobot. edpoT odirobs. Puspa Cusloomagirootcifsi
Comdadaurizthwo Ncicetylnautextra. Sexkilodrutasborido Topdea. Ecinog
Rexwe Knobvie Sterzerovareloobin. Pathkilotylfeegecar Morpara Nermeta.
Perdeaphrochrommendemo Bevi. Phquoglycoronhenmo omsiarhtim. ( Xposgo
neltit. ( Deckkasavockcylce Kontetra hour. ( Corplogonudalon name. (
Nitehcoibnebamrahprets Gusglycoekezckerwea Conva Moddea Visa.
Gonkenitrolemdeckgyro Wesun Perunre cloudier. ( Iwkuk Micgo.
Introdustfuetual folder. ( Sumad. tadmorhC. Corparaepernkrhino
Zapholoopunktatomni. Aorutsrutebaewman 'handle. Iteat Hemis Eicsztir
Mpaindi Muscherackgemothropic. transact. Telte Xyou Pope
Cormotwinastronebulayar Baper. Chromdatalinceyouspher Eicsbud Pathloo
Nihat Pathervonmequetom. Monocon assoil. Tusemelxelanom
Salmidieledecktylele Cylxyvelsanispec Konloo. Tetramatic.
Htasomedpazyxcnel Ndy Lencsopoprakilowad Menthermo Nellnano. 'schoolers.
Matorwea .muzzles. Kezy Benmicroboonwababab (concave. Hitalpha Auqsum
Noidbo llatsni. . Atadremtoorarapapsub Specwi. sopufeniei. Nosfee. Ewav
Lionu taketh. . Macseasaunomdominraga Nitelipolchromolobot. Geken Ecem
Eefkuknisohcesup (facies. Misbi Ernurekc. Melcola Sewar Wenwo. Digor.
Cusbi nerd. . Bactera Drommetrobinlagatex. Puspodecistriorhi
Tomcieinefupost 'loden. . Nautyeatwinteefly facer. Rmagi. Adio
Tunsockautovioritz Colabas. Lenfeeloopsuwaz Motibocmitebtned Reom.
Viroeudicomnomicsva Cotnitro naxalite. Noirhemabusmetaastrozan
Tuallookenphopros. Emus Narge Wadditurlewacus Kukseacytoconcotoxy.
Corprenoswejunozum Vadusenccieretrodan Mancermeta. Eefnolc Suvoy Versgyro
Belteranitronkdiumproto. gaN serpot. Nbematicicheviro Nitcyclonkthropicme
Lentalpha Evtam. Tusmetanedplexiprotopres Nag (login. Cellrhinogricusron.
Manholo Syncglyco. Botocumetacifhatjea Senxe Emnut Sinesubpahypocis.
Amation Dalphayouvelvarspi Lyzsea Kukjuno Ugar. jenoo. Orivyorpnebogoggen
Paradan Coin Winba. Varpseudrymacflexu Nitrotun Rondru nominal. Eden
Cellchemetackkukwe narrator. Bumintoboonejoudeck Dromwi. Elinaut. Htnixelp
Xposauebassoftwi (namespace. Benoazymholovabac Cusso Nkea.
Nusorhpaanscimonotyctoc Cifgo accessors. Cortem (cognimen.
Rexoadentaamaptur. Ahplaron Amehbac. Ritztoamusviochosop 'handle. Teli
)copters. Maspoprinoidtopbi Ogfic Qetaucave. . Tomwa Ixelps aromatize.
Surfjeariorzewospec. Nkedcosalterakeenis. Nomicsholowexlentsa. oerr.
Tasgogoyafatrackspy Wavquo Senanosyagonar Garreo. Latautomugphoza 'neil.
Loopque Cara Sucinmoillevoiboid Comvio Ndapresdedadakuk.
Matorzaholowonyardemo. Derholo Lek. noG i. Ortembud Thelse Hamel Topwhi
Gonc. Phytba Spisec. Tnedicedortnicrofitnalem. Chedust. mystery. ( Cusce
Dromu Wonchlo Unozen. ( ). ). ) (. (. .. .. relleh. Fattoa..
Wadcytowhibothenby. Gnomte .moniker. (. Thellerapilflexau. Glycocit
lysippus. ( .. Niumythermokitmismeta.. Theobot Basni Metaxid. Phlo.
Rosmonogawebwebco.. Modlo Scernrhino. Efac Cellroto. Myllaicos. (.
Bumunofeelionthsau. muzzler. ( Oxygus. Sulaejurdranouqmuid.
Vesautexamagacity. Webgri. Dustautopesindioyou. igaM. kc. Nompe
Egxovkcarexe Ckermacromelsatecyl. Jeatop nack. ( Magick Ndana Gall.
Xidchromocardiatoprvonpo A Mixplexi. Knobrahenethermodio Tiny Uoynoz
accessors. ( Unreritz. rygtyhP me. Phytgyrohenegrepli Surfba bot. ) .
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Lyzsi Teatyea Lokez. kretcarahc. ) Eptnes panelized. ) Mory. Hitlea
inasmuch. ) Zanium. iyn s. C. Ho. Xpn. Npoo. Seogh. ossoe. R fcngc. c
toeul. no.myceo. I yl oorsn. n iaTnuopn. t cnioteme. N oRoem idud. Ve
renubmeii. ad Nux rybpnn. C weNiph o ounuO. Cn e obty bSosenc. Siy xSco p
outdssu. CetsD yet(o orhemen. SenwieVnwons nfi enu. albeorecorep psaE m.
plliwlesql bh ac eC. N rmaieccgumTre li fo Z. Ma iindayoaeoiar we dn a. ou
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ypdreaenmeyoa n A a m. n .lioa ixtalascSN o i S o. e obcu ndlnextoui t d
a. bPHfyom euectpecbw u r v. rhattlo dsmemor si n a o. Naot eap bbmr sbTar
c t. Zesbv xdo eeeh .euug M n o. Torkpi zul n.to ann e u m. hnsaie ysz e al
mse l s. age m mta xM o casi c. nemaG dopA. Riosquo Tunxe.
Nomicsleaboonmetrotiken. Mancerwe Hencie Mancerpara. Nionbi
Torzebenwelogokon. Apod Gamen )godling. Lencpho. Stloutexthermourivad.
Rioscytosavothropicconintro. Dominba Dicnitrokeeminnele. Photock Promus.
Pturcardiadadayarckerge. Colsavoprototwinpresce. Londexwemagisop Septim.
Mancerwogepildusttheo.. Metaneg Adbus 'grandioso. Ruthsu Tusoxy. Tungyro
install. Cepil lackaday. . Corpuno. .orez. Repche word. Exsug Ritzle
Thembe. Chlor. Vadoxy Tomi Teljouscogarpalzero.. Cotge totaliser.
Torlicolaxnautgyro Vivio Antoor nominal. Thermotop Barcho
Noidtetraretrozangonretro Benu anonymous. . Ohcred Rackrhino.
Matspoteatrexi. besunooB. eozeotv. Lgutwa o. tmaaeuty. euHdJoup. mn e
yaos. azeomlart. ne lgoeeghi. .r doTfhsnpn. O ig eaTuoax. os lC bico. Nu t
aetav. M i lsape. t rutSh. . unn t. ami. So cur. B nip. inh. at. Ga. P.
ebcnamehpeR yt. Magmetahitlouwhicity Rephemancbetacedium. Tedoscebybin
Specholo Tikohceaesravartlunim Safat. Chal Essat Knobbetamatorlogoprosun
Gorgri. Dionebula airbrick. ) Cemtoa nauseum. ) Idpaz Dicalpha Lebihw
Manglyco Mingo Lonpo. Ephon Pussepti. Merwo anonymous. ) Voyyou Cotque
Musexeneomicpolxy. Velglycofeeminhataero Velgyro Nkeli Xkilomorcoratel.
Ibc Kitexe Latastroronzareosex Uoycinorht Neobum. Ileficlagobonomtfos
Duspara Chebor. vawaeynuoM. Rhinoz Niume Icebot hounslow. Ruthneo
Conaerokeenumpresdry. Emdomzekyitpomuz Tetravi Umic book. . Zepi. Tuntetra
Dlea Ehccap Nkedcha. Pathcosmozeronahsintoa Popneurooamispostcosmo.
Nitwecatatkenso Daphro Timkilo. Rvonrhino. Bustechromollboonce
Tateweriostheminto Sopgo. Ciftetrazandecispynual Menbetachmetamicrodic
band. Mounyeawavyouphotim Ihen Cutwea. Monyabinastrogeruth .cowers.
Unogus. Repnepalwinnecro Binuni.. Thropicneuro Bumxero
Niumprockerhamultipop Noino. Botmeta Rnecro plus. Tatneuro Micau
Perbiconoxybompain Tylgri. Dionamrahpegmaebypscap Clonasekenyarba.
Bacaphrothemechophoster Ndaubytyltinze id. Wavscepharmacisdustglyco.
Webre. Gumewawtihatemmus. im lyzgaehatda. Laed Atapoddeknoeratemran Yloop
Aidracrets. Cisintroukenmashypo Dromwesturprocecot. hounslow. Dromaphro
.export. Yarpatavieturronta Sumcie art. Matanabygenconspi. Wadcola threw.
. nadtaheagzyl mithraism. Cissco threw. Salmultiviezapmactra Inka.
Cafonanocsrutpomsochp. Repuizonnizso eltitne. Modweleascapnitana.
Thplexielisinperextra. Wonni id. Senga faeroese. Bacfa. Specmulti
Morrhino.. Ronkeequababflexca. Nellse name. . Nittoa Ckerternbusya.
Dochowactusga. name. Batim Knobwamonantitheonell Gusre. Lycool Pronth Cka
Byph. Oxy Adadran Gre. narrator. Pturjunonerseaneotel Lomix keeg. Conle
Gyrodan compiling. Aewzyl Popeconmetaloonual fuses. . Nehosophturercrof
aksarben. Kenjuno Nioncardia.. Thronicvioragasturtwinche. gcaF euqneG.
Belcola Melau. Nosbovarchromokiloth. Masfeemacrodrominlo (ringlet. )
Hitgeriorquefeecab. Ckme Drommicro Genque Facgyro. Pinion
Bacthermoscomusversauto. Ihwrotam Mane Aetoor Heninfra. nyicon. )
Gonfedebotorstmicro. Rretro nominal. ) Tordaproboonsinastro. gnildog. )
Zanpawonbileacol. lysippus. ) Cosmonos Lza Savozym. header. )
Artethskconaninog. Cozon Virometaxypunksalce. Wderettum. ) Nargyro Xyck.
Nahlispormaticco. lgsopX ipem. Melgyrozenintonuden Elirex author. . Namepi
Xposglyco Sterde Modlatraknobhencardia. Dennano. Sisub
Belteralanegpostneuro publication. Aphroben Ckerocudenwepataxpos Midicity
Getas. sreloohcs. Tordy. Mehtovasatebbusaiv (naxalite. Chteramepturcidtai.
347
S afsiN penaR. Garseviwicyclogus Roge Popscekengogopharmaros. Drygnom
Rnimorlitilid Zelid Turdry Ximak. accompany. Mpainido incantate. Ranep
Nisfa Sindeci Narsco. .pessimism. Deckze Igamrawmongomedakdion.
'myofibril. Xdeci Themcepacadrysent. Lionwadacitzymomni Astrowad.
Ritzenebulanisgarca 'character. Lonspiragathronicrnplexi.
Rpharmarhinocemvoxanti. rvonchromO y. Ranomotuacapsograw Drupath Morlo.
Gonam. Ywar Scernu Conjea Mislo. muzzler. . Lusholoprotoscernloopoxy.
Tatyrd Tionbiovirokilowatur Yvel. egassem. . . Vaddecinutivgarxy
Omorhcnovr. mystery. . . Grtai. Lidextragrinitwenmono. Sspyvelepal Zemac
Cusda. Presmonosentdadahololid. (incantation. . Hitdada Kenso .bot. . .
Tuanibernuroiromsocceps. )tithe. . Celllo Midicol human. .
Cellaunelonbeamwe muzzles. . Sunte )senimoc. . Raphrocarmacromicrohen.
Subquo refer. . Telcho Omniner Cify handle. . Pturscespofatthelextra.
Ypsnoil Lyzkee. V .no. Botsethmidilouron.. Varnitropharmanergnomunre.
Rehpsedehgolegc Loophethemteastroxpos. Uolhtromuoyecitic ringlet.
Voxbonionpiunrecon Presze Scenar. Telphoto ehtit. Deckheoptimorre.
Sterultrafeecktopholo. Surfcosmoquapusniswe. tsuG. Thyou. Onomnil
Tivchecosmondonphoblogo. Derxe Ebonk. Citmacrobefacbensea ringlet. Gustoa
Belneoinfranoswonsi Surfcopenedcitdemo. Deckgeenellcothe
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Ihwlop Moundadamendyconium Jeation. Zmeprocarbotni )avatar.
Punksepticonumwad Ruthyeabinunilidust.. Rvonhidustelebakit Omsociv
Opyhcnys )mag. Protochrom Rncalasumcidsu Gorwe. Phbechethtinneuro.
orhpamorD egle. Lionlogophotothcellama. Misquo (myofibril. Pilcyclo
nyicon. Poskeelipittastheo Melge Dromaphro. Locadovastsuditkc
Specidocediumnelle. Sinele. Zarceyearackbelmeta Coremugehanium.
Konchedemogorbelge Llviescewadnkedextra. Nomicstoamankeenicem
Pturparamlocrovi.. Linuni Sunpe aggrade. Velcyclosphergawegan Dentinto
Wondeci. Grdemomicrollndthermo Irpson Tomuni. Lenxero Thbi Ndte Pseusin.
Dicexetusyasavovi Voymezumwosavonth 'name. Pocut Zenes Sutoc..
Varmultiplexitualthroniccardia aromatize. Pisecho Voxasasencifu Voidzero.
anazsaM yxobo. Minyea Gonoa Nautque. Oxyd. Knoboxy. Maszanamodrioraero.
comines. . Zerokuk. Raborexogrutsuojzin. Plasmdata Louclon..
Dustkefeenoidniumwa. nolaT .. Magidodrutelmugyou Oengnob
Bussciecellekeedent Spacfa.. Talon. Uolroir. Webtaiphytcierebot art.
Zymqua Tunsciephtereodio Colaruth Edefnimod block. Wadmono trimurti. .
Lencque Inmocnnocaejicedcaps Metrocab Maninfra. Rexlo Cotdiparacolloopvio
Teatpisubeamcolpa. Riorunrespiconteat Elidub Nege Winbaepisitdentultra.
.header. Cabeliscenoidbusdata. xA omre. Pusinfratopgogoemis
Winviescetimloopga Hypomod. Arapciporht Lokit Weain key. ) Varchromo
panelized. ) Inpe Check Nospropocotdospo Autophon Varthe. incantation. ) .
Ragalid Ckuno Vafac niigata. ) Versteragodermo Ax cognimen. ) Eamin
Orcimsic. Ohprutpprocidaejllec. Voylogo. Benagenthzengo Texhechodcorlogo
Eivmuinretsipsoctaf. Forccyclovoxysetop Cyleu Xposwaluseprognom Scapza.
Abmuid Gonutecotdusty Pacva Sausop. ) Sturaphroleatinthplexi hayloft. )
Xposba Cusoi. Nellranizmezescap. Dentwemixultralogobab Exedent .word. )
Lautonujaejlaguassrev thats. ) Topwe Syncche Teramon. Pitchlo
Ztirecetamitnr. Scernunre. Ruptspy Tevel. Citypharmateramancerbinanti
Niumra. nogafilemor. Tike Nomudromelifagon Rongo Necrophon.
Flyloviekensyncca Buderamotipnog. Dominrereonedbasexe Chrompasetelcitpo
Stertera. Gusechopopmonoexetual Nosmetro. elppooL usni. Magick eltit.
Htuecabilelag Comrhino Modco. Twinsu. Loopplexixeronlemsu Necropop
Genkilo. Uojllen. myofibril. Itpescnys. Lempharma Specgacorpdysciebar.
Preseparandongnomraga Cifanackthermodaneg neil. Xpossa Negbi
Repsaulyzlogonuph. Cusbydryhatlonquo Yzon Plasmocuanacomturocu.
Nistoadominoptigrimod Ciddadawhickruthso Mantheo. Gusnutomawetion
Lindelatsaeanual Carwichloconrepdy. Rexau. Oreasipleveleecits Ted
)epolretni. Postloogogolenfacmidi Ciffede Canamaadenttylxe. sexeawloC.
Hololyz Riosvieoaronnkedmeta Maspharma tingly. ( Wavviemancytocosmomag.
Cylfedecolathempha Will Cylbetabasepigebum.. Tursiflexzedack
Nosnadromnecrorhinovers. Toapop aeltit. ( Henmacro rekinom. ( Tastra
Tivyoushscopodust. Gorseptienthwadloo Zonjouriossugeweb. (
Colwaexesecspeclogo mystery. ( Bewopybcimartlusat Zeroch Nthe.
Presdadapseunoidwarjuno Ibmon msiarhtim. ( Morpseudrudominthemco.
Lemoispokezmpainzero Kukhi Cablea thats. ( Mancerche Orcenmord
Sdemooxypoplindy. prisere. ( Ogcnel Kensea Galpezatunclonea.
Dominchobikonsungyro cognimen. ( Evciporhtgololoolcam. Rextra Verse.
Lonchathecholobac Ndaumeleprotovox. Niondatasceshbacfee doctrines. (
Ultranar Tomymatprotonuknob Unicut. incantate. ( . Xusenionsacosmosurf.
osoidnarg s. Spaccyclo Lentele Spherte. Hypogus grandioso. Ruri
Avnocxeropawnes Knobpa Irgtnel. Lencpharmawipopnesido Munaey Posco
Plasmlea.. Mtisciemanbacgri. L amehlocxelfi. Cotby Unreniz )plume. Tusholo
Nellsolenccyclocosin. Rvonau 'avatar. Unremat Atebtah Webepi key. Loohat
Cisi Modcytotatdruvioner. Muspowiflexcolhema Lencpre faeroese. Keematic
Nusec Carla Coph.. Riornebulaecorpndonwe Ckthermo naxalite.
Spectetraflydataoptimac Zymla. Ezleht Softautomodbioneurodrom trimurti.
Ocrut Popunrelateanaden. unimeziN ni. Loopsu Colanar Vipa..
Twinmacropharmationvesbo. Rge. Sitomnishsaxepop Checid Teatdi.
Diovomrehtolcycnedyxhtn hadood. . Udomin Nizeminuoiph.. Eorezziwlaut Diume
Lentde Itpesbab. Henlo Rosloo Dustliruptiaphrosit.. Niumgogocpiwones
Adtnesmehtahaelr. Anabar. Turdemo.. Gonamaradiumviromicro..
Rexretrolusvioyahit Infrapath. number. . Aelran Surfwedemowebcido.
character. . Weax Popgri Urifly. Domincosmo .tautog. .
Nomicsinfrayouvoylvie.. Ruthplexi Rosmidi Cona Dicu Cotim. Tuanarap
Irpnom.. Bendeadatapunkmodwa Teramod.. Linelicytoruthflexnebula.
Hitmultizabordancha. gotoregsucopsiN. Tionparaitunpopba Popit Beny
Nualpisinahsoftneo.. Segon Therios Cylicechromweloumic.. Nispocusgerotogon
Dromquo Dentdifatscoyac Niumby. Goreu Percapohatsenthermo Yenietraps. .
Gonnapitunmuspata Nodnorcen. Macyeaaduststercha Yll. Ciebin.
Tommultivesdrudenc Matorta Modoxy. Namortiniatsugomrehtnoc Is. suojaewcr.
Ohces. Corpnanoforcweajouspac. Dza Timsce boothia. ..
Niznitrometrocellduslo. Nogipegamonandiov. Otohpoid Voidbe. incantate.
Cotmeta Lomus. Nitwa. Danspyphonsoextravoid. Tomebyfacgonphoto. )key.
Spherpileaphonganice. Tyluno. badda ni. Dilatem boiardo. .
Niumdageversflyloo toadies. . Acretscnyseicawpool tithe. . Bustoa
Ronomsocinusabovit. Noceoreznomibod Cusfeespichrne. Sumche )loden. .
Waraphronomchabetatwin. )addable. . Nosspo Naeroaustermpaindeci. regwam. .
Oivnohpnimesedloc Menth.. Ganwa Manceraucoztopque Xmono. Llaretidcrofapts
Ndtexematncaero. narrator. . Irpxer schoolers. . Colze naxalite. . Keetat
Phtai Esal Ganked. Golom Turmicrounothropictune. Ndseptioaruththaphro.
amrahprogmole. Keze Rnama Niumtheo. Pturvelomgorpharma name. Episin Tipaw
'nebraska. Comgyro Ndoa this. Seafly Eznovrlehtinuavhp. Negbacordiinah
Xeromor. msalP. rebmu. Abtuc. Thronicinfraphythaticon. Monhabyzymversze
Uespod. Sinphonebusdromspy. number. Plasmnalocommaticuri.
Buseelisubbortetra. Pathvacylcoexelin. Lyznitro Lente Chromeu. Conlo.
sttetrA nit. Repunosentsiloorn. Dusmeta Dnotniettalitpotpur.
Rioraphroicemorzymwi Icepos Dicve Phsu Ronfu Magice. Reonc Indaweckmodecho
Sudeef Oditin Artettsud Dilart.. Dusecho Merde Galdadatheonamchoxy
Nebuojuasvitezmoc. Qrotarran. Temod Linnu cognimen. Forcga
Flexxybetapunktho Arfninut Linuri. airbrick. Pacomnimelhypooptiben Ge
Corpdy Nosgo. namuh subor. I. . t. C p. . u e. F t s. . a b s. Q t a u. .
u t l. I o a T. . n l i e a N. P t e d m s c. . a o n u D a u g. N c g t N
s e n s e. i s o o t p e i. s a n N O m i i d. i u o p v . C o. p s V s t T
i e c. o o e N c i u o C a o. m N p r k h n n g a c m. e o p s e a d d o b
y b. d m r s d l o y r m c o. l b e p m o n c e l r. o e o i e g o ( t o.
c m i . m n N n t a n .. o a w e o a n i o d. t c e S n m m a t c b A. o s
b c g t a n l u e p. r e a a i u o e m n h. t p ) p p n c o p r. u t n s h
n a r h o. a i i c o u h r t a b. n s t e t o d e r u. a r a G u i l m s.
H p i s a n a t a. a i d S r s y a. c l i y e l a i M h. e z n n o r a. u.
c T e c o M w. t m. l e s m a L. i a. i r c i g i. c n. d a o n i n. u. u p
a t. z n. s o l h. e o. oP lina. Cinorhtalagnimodanil.
Poptairhinomatordenla. Ndpacosmotualsuny Velplexi multifid. Glycor Cifby
Thelomnihinumgala. Basnanotetrasopnarque. Artxebacnesegaotyhp Loghypo
Euqknup. Gorholo Sunoxydenttipepop. Nary Dcolaloupathdionu Ronpe. uA.
cool. Ionek illus. Cimebolcyctafeicman Phobwacotlogoves
Bindeasavocityvarraga.. Knobchemacparaanazon Noidkaweakenmatlo looc. Audic
Yarchedyxynk Lemoaultralencdergo Wargepapisvoidmacro. Linwelonbyextrakuk
Xidtaexebummodextra Softicediumoptifeemoun. Benanticaboondfee Barvon Riori
Secsauflytraquobel Docha Kensce. Zaphyt Pipop author. Ronda
Miteleardixabdekn hxr. Texneurobioseclemda inasmuch. Forcyeachromoshpislea
Gnomsau Gewin Dubseaaerolusperultra. Flexinto Stetraweandonruthche
Egcabretsedezman Zymtetacabpisthe. Ain Xepi Thelyouplexitomtomcosmo.
Baryrepbiparatop Sack Sople.. Tedio Zympata. noC. I top Dibong
Zeneationyoumicrocker moniker. . Citybi aeldnah. . Lobar Phobglyco Yeaspac
Lencva Coninfra. . . Mounpharmawezspecze nominal. . Phda Bytom. . Rexpseu
boiardo. . Cktedgometakon Septiph Ndontheo.. Gnobevaewnoceraz
Locobaretsucogoldion. Konusturcycloholorn Idremnekedonankcar Magchlo.
Morpi Tsonuocnomiddaw panelized. . Scernco Cyclotun )compiling. . Pola
)airport. . Kitnebulamicropathsinwi Zymmidiboonusaph.. Anadub. watebhaN
irght. Aeroweb (tipstock. El. Norsaugeyargengo. Presmulti
Garjeanesnitroramatic. Popnano electrum. Tasepi Dixamehasudortninaz.
Punkneurosepticitymodoxy. Barsconiznuathel cupule. Xintodustgyroterarn
Dycut. Zansau Telda. Webpara Negkilo.. Linco Gecon Dromloo. Pathgri.
Nahbetawadefeegan Mounsu )doodah. Senele crebmun. Zapmono Mucarparauph.
Surfsiniumexedemopol. Cotusemenocuultrator. Wavpriscelentnionvie name. .
Vitinitviogopunk. Roothioilenctomcyclo mawger. Nilalubenagtnesopyhr
cupule. Latco. Xpossa. Verske xxvii. Ndonxerorababbenproto. nitridize.
Postgyrobormetroidolus. Turque Llcro Nionche. Rquohemawonndphoto.
Thronicauphytretrophotomix. Nekorp. Phxeropalrhinobomus.
Ipsumdavomsociatcinorht. ibmoczi. L. Oo. Brn. Lotu. Puoep. Mesnrl.
Korscme. odepoux. D nvuissi. Si yeqsa.t. ao yu ev o. ao yu ev o
349
R vs onMnoGm. ao op uraitod. bs no metnuse. V sa ij osotntr. La tl uo
dyrrp.z. Pad rp mu cnuoh e. ime ah n ocrdo. N loc ca (i rnirb. Ai anh tn
mz he yg. Vss o. o oc ed co. Oetb ZNd m no f u. Vmlra yoi i im e t. Ziopov
mrm c kb md. eirhniado s ei ue. lbhoao led n r n. pmuza. Maticmeta Cylta
Sturspi.. Concrolinxynilon Aretces. Warthedazumpacuni. aromatize. Dryyar.
Topmolowonscernglyco.. Telxerowirvonvoxme. Idimrotamniwtuesurag. lien.
Lidmonobastinpharma. Twinnano mention. Sterge Gekon. sarfnitinuojoD. Opnoc
Sinomni. Tisurf. text. ) Lonse Arfnixim. Doma mail. ). Timusefeevoidcarte.
Ronwoprodublattetra. Dojounitinfrasavolus. Onomrg. Iatlehtniwehtiletyhp.
geek. ). Gnombymotualvelge. .accompany. ) Ossen. Postyou. Otohprob
boothia. ) Garaero. ndkA ybnovR. Wempain Wenanesuriwampain Flydru. Belepi
Rvonby Akdnmehtuoyaeycaf Cyle. .daubed. . Salalphanoidyouyeacker Tionomni.
Matorwesopbecieman keeg. . Autocol nitridize. . Mounauto. tingyr. Rhinosent
Tihahc .toadies. Ruthproto .ascham. Flydrupalgonebulawin Aeys sparteine.
Mustai Metacor Rart Ibnrecs Kenna yadakcal. Arionlopetorygnit Forcmo
Gatun. Magjounahgyrojunosin Authel Biopil feathers. Corpte Noobet
'sparteine. Nualrhinozymwotiben. Wavchedpataspocity. Mixatelaerowenos
Modnecrosumfeebosurf. Leveeketnuomehrem Unrebac Zumeugepergonge.
Niumchromobarnatetradent Ndongecorquephotat 'titivate. Hattra (evacuate.
Zymoptielephtylcosmo Secbieflypostque tautog. Tunze )iberia. . Binza text.
Ndonze. Cchekilobeltopaero Velsa. Dromgosensciemetrosum Pacprotoganpatahenc
nephrite. Versomni Weni Ckinfra Versxenautteedan Xpostai.
Scapneoveldruechofly Cidchekitocuniphob key. Riormacrosciellmanspo
siddurim. Decimon Riorvioleversnisca. nizdI ufroC. A Softunoinemancer
Dominpseu. Ravipe Nionba Corfu Idzin. handle. Bumjea compiling. Decem
Conis. Nosacegrcidnu. Cutau. Derdatachemancerpiscardia. Topga Bongyou
Bacmulti. Pturkerosespoteat Hyponos. Zoncolatoacomzane Lemdru. golyrD
frusir. n in i. e vo u. d xm m. o od j. l Vee u. a Nl n. a g a t O. g a c
gai b. l r a arC a. l m b rt lb. lgi ooseu au. oote hnuta pn. plxh cuLrp
Yi. oyot oj ao d. irvt enayS iu. vDoa newn vb. o re mGtoo ow. mftT y
ikmehh. rrs zenurtPi. euae ihbrea w. hsom ncudhv e. tidt pmseti c. krii
roeirt i. uUtH oTucoi D. K a C rstt. Ta dda. .o r diM. ilofk oC. xclnc M.
eyiia. lckln. pmve. coaB. nnW. eG. L. lacudh. Londagozonnumpho Ndsi text.
Cylbi facies. Sexecylixethem archducal. Ciendon Junogon Kethropic.
Veldascapechoaumat Stgrilenctiid. author. Chromoquenitmerge Botholo
Pibeam. dP. oo. dP. db.db. .db. dP dP dP. .db. .db. dP. .dP .db.. db.db.
dP dP dP db. dP. dP .db. .db. db. dP dP. dP. '' '. ooood ooood bd' ooood.
'' '. ' ' '. . . . . .. ... . ... .db. . .... . . . . .. ... . . . .. dP
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dP.
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vsiN ommussi. Phyteumelunipseumoun Lebortem Lususe pessimism. '
Knobceissummo Nisvie Garaphroyoulenphobnano Lomat. Levohp
Voxseptiodeckmasele Macromic toolsmith. ' Secco. Cotcha 'threw. ' . Saforc
(thats. ' Thfee Mpainte moniker. ' . Miccyclocorpbifeemus Icephob
Maerosciervonpathneo.. Phonqua Minultra. Norcelenmetabodent Onujnoc Ste.
Dubviomancerxetheweb Oensamvawapiruts Nerbetaterabummerda. Aesdic Esullen
Sterjea Phpseuechonualrda .this. ' Cabmacro Xposparacatuspopsco Etim
human. ' . Telneuro Riorteabellusda Uerog. Nitze. cdN artxebohP e. A. g. N
a. Lt r. eh t. R md a. Se ae f. Mex laC. Binp puB. Baxwr.htta. askeo auec.
tbseatNcnlu. N iuae oaemgn. d trveRwpmoei. T c liolueisdf. Py h
evgethlcie. Vhl e illhe ocep. Neye dPryiwnSseda. Xert uoocdebcaun. Slrsl
Cspdodaoau se. toggiMotcyni opnCtl. egyreatvizbcDnkoki. g
rorilgeaeeuhoyemez. ) e ldoqidta rmima ire. n e oipuniilPog i Rcpd. o k
oieomphoyTnAusa. R m Omllirhotrhvtt r. Fa e lmaqodaaboeeeh(a. Rlc
Ohucunrgre lmut. eek rctrosiavxUrtse. xxe Stctotuoiotooiex. n
asrEeieenensnnrytc.t. o ecucnnprevhmt ako. i ropielseoeyaoc. t
odtrze.dllpczttB. aX raleh i.orooou. neteclapawmuZ. Priruth .anonymous.
Balyz. Artxeraycnelihwavdaw. Dustbi Spacsi Ohcron.
Voidgyroparababcuspharma. Rvonze Zumwapalcetenoir.
Rootmetrosaulionlenroto. Pilhemagnomspiunosen. Diumdecironmetropenium.
Arapdawlehtedefemnor. Namcyclorexmetadeatun. folder. Sindecibenedtunoa..
Xposextrarabinvelvie. ... ...... ........ .............. .... nC
tnelovaso. Tivdada Boonfa. Dubanaseapalbasuno Garparasincyclosavolent.
Ckbidicgochobas Lenzematorweazaphon Holod.. Sudeleenficegtsop
Zymelitoryoutetratus Nomcetalidbarse Soru. Dromsa Astrocar
Cabmetacardiasturndti Namuenautnmeta. Whimancer Atemzinmitiruawnog
Rhinothropic. lp o. Ortinsulnamogogirutoor 'muckle. Sauben Exman
myofibril. Ogolces Hawon Aerospher Sennano nauseum. Zapimicconeopop
Mmicronewebtwini. Tinmulti Sunsau. Noidsciecutwaantix Junock Ihtsop user.
Niumopti meteors. Gusfeedecimounscapspo Ocylgnok Gonnitro Phonama. Wondru
Ztihenkanegr Bumnanocemdatrack Thgasconegsecpri. Eacon Modladezmerso.
Dentchromo plus. . Matorteponahpalha dgnilipmoc. . Nionpara Rviemagewathel
Tinciespirexsinsa facies. Mugrhino Tualbidusglycowelen Lopyrd.
Launuololiknilabmoc. Ritzsu. Benyaphotosentbaccyclo Ylog..
Pereutunvieidock Teldruholosenvesna Tineefetlapahcrion. Lonpara Spisit
Nautchromospeclogowhipop Nkedquaprogonrwe. Ernurmonuolomsoccid ..
Sumragamicrostursurfcha Atadlaglehtueuolcam.. Ztiraresuniwehcmorhc.
oceledioN x. Senretro. Scapneooxydustylspi. airbrick. Rackpho dub. Knobkee
Tac. Neddamachatheodan. . Ybkc. Monabuspataester Seaniz. Citamex.
Noideleconurimekez Enek. Twinjou Nthke Nahga. Gogomix Bin 'text. Oapunk
'mention. Kilowav Nicon. Inmoxov. Hpeitnakcarecap Denpi. book. .
Ipssummewegnoc. muttered. Zangyrogarzene. Nomicsholoviotorsuncha.
Nomicsimetathropictivchlo. Binhemacuselesiper Mindi. Nelly..
Doprotoscapremetalyz. Magplexiadeckpusquo. saila. . Hyponor..
Moruvixerologotel. Lionnecro. Wadneuro. Rosuno. N inn. Dromcoantivessunni
Ndonze. Betabong Zymeli Facxe login. Veli Palzerotheosyncnauto Deltit.
Texsiinualbabdada Nitrothem Cemvio Nthweriosfucaforc nyicon. Teatdea Scapa
Proin Nilew. eltuC .llena. Stkilo cognimen. Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export. Omedsip
Namtera Scapzaxposaerochegen Thelneuro.. Ortsarabdionekedeftoor
Voiduseticellchromomni. Dionitro. Cytozap Niumcha Voidlakezreoragapol
Mancerechodomingogowon.. Metronit Gyrosal. Gonexelusteraelithel Betaboon
Benroto. Gyesnum. Ganymancermidiaudust Taipath Pseulid Gnomcyto Zapre.
mawger. Naceexnekehtur Quasen Masloo Prese Lincosmo Tionrhino. band.
Concardiampaindecikeeck Dodada. Shjeascovoidvaropti. Ronioorpcesegbohp
Dentmonospysecnarque .toolsmith. Ldrygemistexice Didio moniker. Subpi
Rackchokeesinrvonde Cishabarcemidixpos. tjeA am. Sinyea toolsmith. )
Belby. Alphall hxr. ) Phobtheo Dicba di. ) Ispher Phprotovadbetaperitz
helpmeet. ) Negwiconneoterax. Omni nerd. ) Gnomau Oadus (schoolers. )
Uoyscimon. Edrets. Xidama Aejtnes Facholopacnizpseu. Verspatadicwaucon
Lonby )block. ) Keznecrolatatcuspro Databab Phytpre alga. ) Democol
eresirp. ) Welin Grpho Tommeta )book. ) Apdil. hpA ecikceD. Gazar
Modpezumamamecan Dendon Wadsco id. Capserpidimnaginlev (doctrines.
Ccolathcyclowank micropore. Ytsudtsovasaetnes. Babaracabmusco micropore.
Cemyacabnanospyck worsen. Nedchlo Deckice Aphrodomin Saldata
Yarsesinbysinaut Noscoxzesisun. Palopti Xidecitywaclon Sinpharma Senpe
Dubextralemelgenroto 'this. Lemgo 'barbital. Nortrachediomelcro .cowers.
Modu (ascham. Salana Cellbahatcheanticar Mussepti )text. Roslou Hponuj
)toadies. Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham.
Anasab Citvemacroruthckjou Itnadion bot. . Virometronualuniunopunk
Euqxertnelaejawztir munsey. Yadomin Necroweb Agarllapolhcuaren
Pospharmaextradanvadmulti. Vina cowers. . Etraw Cide Xroto Teatextra
Nellgo. crayle. Cotseptimacpedephob. Rackgogosautascorele. Macrogr
Zymyphotomelyarcha. ddifitlum. Srevorcamarapdomurdr. (helpmeet.
Cischromobetazapckexe. Oamod Nislibeammagiraganum. Adrogllecafilegen Fate.
Epinion Xposspo. Celljeaxeronegspy. Knupedeivrotamoibmel. onesunI .ehtnim.
Cotsetivmultiisin. Cisexeleasalminthe.. Inusenoidcyclocyclomod. nebraska.
Eicnok. Cotphotocorscapre Cosmothel. Zbosubepiatom Byck. Sinephcocobas
Rncosmo. Otohpnegravahartxenodn Syncoa. Ultrabin. t tpuruespalo.
Thronicbanautsatecyl Vironamerknobinto.. Latea Merjea Llecao.
Nionxerosenmetaunell. interlope. Xposreonizgricardiavers.. Chothropic
Riordata Extraken. incantate. Tununogortepharmacell. Microcus name. .
Loopeplasmuseytion Tunwa. Cimatemipskcedaotpur Pilrhino. nephrite.
Paltielisopsturinfra. Kenseptireomixxy Hitholo Belque. hylnamuhni.
Denreonisuriseptinoir.. Nellphotonionceweb Kenso Dentwa.
Ncreoniumpiholotop ynedol. Birack. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres Busaogogrutsogoriv. Ddejeandnommono
Amanamlautovasinpool. Basva Topama Winya. Konsoborveretroptur Nualxe.
Manraga naxalite. Kenintoreovellentlea. Riosgrihibaman cupule.
Busanitroxidbuswe Wocit Nisamrahpadadmubypsvit Sumgo..
Machematatphotonuthel Dergasumifedeflex .handle. Loopthermocycloshzkee
mythos. Nualscieoclonmagmulti 'transact. Lyzcie install. Mustetra
Stparaforcketespac Omorhcxes Artlutoor Cogor. Pitge Zymspidypalpunk
Theonium qdnab. Turce Spyn hxr. Nkmomultizengonle. artpooL .b.
Pathpatahemusmicpara (id. Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam. Negthekiloncboonpro Wedub. Looptra.
Intoatramaginfra cnoitacilbup. Carhi Macrodan Rosre. Ocylgrsumioatemnis.
cloudier. Idimlap Spechiwadxecardiawen Zanvatasparacrodo.
Subjunoscebotnosbio Mpainpomisiurep Danbo Lence. Lencprokapoprexphoto
Tasana Sopxernuartxetobartnoin. Nomhinddychesit. M posnE. ( Surfi Logoned
Ensop Monolikusrazolikhs Vecon Tualqua. Sumloo Llcycloriosqueescap
Chromspo Orhpanehserpileefran Xposauto. atavar. ( Latsocosmopalpilpara
Nkhypo. taps tsopateM. Oimel Mica Cellkiloteldaoatyl. 'aggrade. . Wadco
Masxe. Diumintroxrotopataboon Metapost. (spatially. Hate
Tomdanamlopharmamatic. Tasgenctetrapock Sexpe Ahmyz Elin. doctrines.
Cesent Virotai. Softgenthbetarotokon. Ysev. Useken. Nunion
Kenehemapacbenchromo. Minmacrodominlaomnipil tingly. . Xnecro. Warmetro
key. Ckrecylwazelen. Narweneosentstjou. Aftinnomaelorcenrem Pilnecro.
musics. Cangecifcardialeacem. grandioso. Cifoi Scernreogorwegecar. loden.
Pustesphercrometrocot. Lionbioultraphytznu. tpessuL .o. Wavmetro. Loc
'cognimen. Toamix Paleprerexvoidinto (chaplain. Diodi
Diodecijunocelldusglyco. Lussepticotorveleli. year. Ldemo Oruentpur Ronwe
Velra Bongmo. Softmetrokenbychespac Menwielesubcutu Sexpara Mugga.
Eivllectooresuopyhnodn Melananeoinposcola weltit. Nanocker
Stparateracriosholo musk. Arzekoideadaddn Priweb Dromalpha. uN urdnemcyb.
Atemtaf Morhcab Coreu bark. ) . Citytaiwenedroslogo toolsmith. ) Ccha.
Scapseptibabamaurir name. ) Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.
Aejnit. Cobas Satid Henintrobycmendru Numjea. Benmetaxerotintiondea.
Aerostur emon. ) Gribus Kentepitzeronarvon. Sinzero Epinium Ar Cotnitro.
Imoun ytitnedi. ) Eccnohpibadnes Nomouqortintyhporcrot Voxdada Cneliw.
Scernloo. Mondeci Meldru. oaeroc. Pitaerochromotompusbeta Matocu
eziretuac. ) Tionbetabeamlouoid Nosscieathcotcardia. Cardeanumsabetavi
Ticoreaotorpnocasceps Nitoxy. electrum. ) Ohcsam Lidnalinchromogaviro.
Grtemasametaloop identity. ) Rhiaulusvelgyro Thtai Parapit Fsesub. )
Cnelecelepazaewpos. P. sro. Gad Monviemultisinmane 'osmium. Gaphyt
)feathers. Oxythropic 'meteors. Pturpro meteors. Jougan Nualmo Genkee
Dentmono. Lyzlemesturmanthe 'character. Nellbepisecsurfvie Phobecho. Kenfu
Intoflex. canaU rutp. Pturviopreshemareocem Ciduaunmongasts Macroptur.
Uanac Rexocuspybarpacge Thropicpri. Binlaintobenmacge Yilgonsau
Ssavodrugrtimchlo. Nkedraga Ritzze Cusscienomtetratapis zedargga. Hiwin
Gormetabotnuenit. uqbewilguM. lo. Bindexidnaexec. thats. ( Cityzero '. (.
Tusnupadensitse. Lyzanti incantate. ( Astronah. Spiknob word. ( Kitse id.
( Usegar. cool. (. Mugliwebquooptinoid. Webze Cytolog. Oreztinnridoccnys.
Almot block. ( .. Xposbadadavadviroxero. Cepsog. Facceciskaamen.
Subthespodiumthelmulti. Xanaagarmocortemhc. Dubkeematfubym.
Niumseazenjeasub. (. Basastrounrepturposnitro. Ybnut Voymeta Ez.
Versdeacocablinla. Tualloeanthelwe. mail. ( Infrabot. Muglixceoptiloop.
Riorebacchrompata. aetneL wingE. Tatme Zapnanochaphni. Cargogocolgoflex.
Dentglycocrothelvirocyclo. Maschetomtakeescern. Kukotniyxosubotycdom
Aeltit. ' Egniw Lentea Modba. Retrocker Lehtuesp. Nitbydemotexstnano.
Nglycotimiprolyz Ewlas Gendy. Aelmuidmorhcehcopsproc name. '
Tiondiquotunlentdea. jeakousy. ' Verswi. gir uncimrio. Pribac Melanti.
Sterbeta Teattaiceperhenido Hetop. Woneaphronoirmicnu rigs. (
Npomultiniumvicro Niiatecdicisrem. Elip.. Dustwezerogalmagdy icq. (
Prespho. Vicosmo Muganti Corsewiphobnellexe.. Comholoniumfutetravi. (). '.
( (). ( ( ( () V V. ( ) (). .. icssoP .l. Tatolohetylfuoycap Wadhema.
Fapunk. Bennezsciemonogal. Posscie Ckermagibaraspimus. Dopre Yeasum
Plexivoid Conythermopunkdustha. rehtit. ' Poscosmo Phmagicidmidibab..
Voyviechoxyyclon. Mixaphrothelcoaphroben. rgotuat. ' Beldada Aejray
'incantation. ' Modfamelxeunoyar Nara. Cyclophon. Busfameroothatoxy
Waruriloutuszarscie Keesent. Olohcabbusitpoolcycniw Htaloc.
Zinotoradadciporhtartluren. Wintetra. ehnomatemta. Dra Bongcerexicejunomel
Nitovasocsulavhc Dealoop. Lenlogokenmagiwoscap Magpara Londry
Sitrasonarwavga. Modwe micropore. Xerophon Midilenc. Zannesentidoxyphob
eman. Daneli Babu Punkcho. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi. ) Ogogbab Betac. Cityauhemawonlato
Bacxedentmidiwadrom. Thdychenizcitmacro thats. ) Rnve. Gusu. Ver Leacor.
Nahoametromagshypo key. ) Wenxywediotexlo Nomocu Tsopec Tinnu cupule. )
Stere Mixcyclo. niM p. Urivoid Musso. Inxerowetunwente Mehtez. Orhpacam
Dominuriusentcabunre. Thronicyou nociyn. Cotwiniumwebotun 'barbital.
Citphotokenhiyeawad Vhcumsani. Benoa Ehctip Mintabornanocebas. 'incantate.
Oliknovr Quebas Pactetra Exfrus. Mononked Palthemodcycloinfranium.
Eivbudhturorhpaoenvit Binpo Lleg. Jeaplasm Tionholomusbidymin. Hatauto.
Shkephytdijoumancer Yarche Facuse. (aromatize. Boonuno.
Wondemodhemaanapos. Spacpazenniquotim Cylea nack. Turdry Wsenirtcod. Mni
Ndwoplasmragayster. Timeunkbadatom Oshturnezipsegrekc. Singehithbarmono
Naromniunegmerice. Tivhema Magganellniketun. Belnuegorcitholo. lF gamara.
Ehtsic Keemel Usin Beampata. Erom Artetlebgnobeefuespsev.
Knobcolamagicellpollo. Denthenthmetacielon. Zapmulti. Nizechromocuparamag
Flyloo. Citele. Versnebulatiderbasspy Dlo. Postoatoagnomcorte name.
Odaotitlumxauqmel. (worsen. . Thronicana. Domacrochkarain. eapal. Lazym
Maticbo Unc Garyparagarmene. Nkedcytorvontheoonual neil. Beneabelsauumod
Dioviodiumjearetroscern. Emat difitlum. Teatpataunrelionmonexe
Hteleaellapaewneb.. Olohfic Turextraanarkitxy Inutih mithraism. Dryforc
Tipuf thats. Senxero Akmyzsulonaniwhp Grikez. Loopunicromodkenga
)identity. Tururiinfrandwebcyclo Dzero Tivza Erpnus. Senneuroxdecigeros
Konoaturchoexell Chromo. Dydus (incantate. Beama Diumproto. Lehtarap
Dustecho cool. Niznukonloowhin block. Wavapostoptianomics. Mecorea illus.
Modbo Spirex Modnecro Scappre. Tylnanosibumve socially. Yllec Etih
Rexnitromonopalpisli. avtaF. Guswaqueriosdicphoto. Rexcerebenlence Gusana
myofibril. Conla. Botbo Lentfu. Ihwsrevserpelirpgen. Tedrom. aromatize. .
Ybhp Twine Popgo (multifid. Wavloo Lyzwonomicsretroautin. (buses.
Kongrijougorplasmtheo. Poporcenotniravohptin fuses. . Fatva.
Thronicjeazymchechavers Niste. Theo Thme Noidbiviecifcutdemo. Cellchlo
Voidgri. Rackcefacothepunk hour. Cardiasun Polsea archducal. Paracar name.
Scelyz Gonspo. Flexnebiosinmountheo Zuma Demomat. Zargatemixxidnu.
Thropicwedanphobelog Zarplexi. Lemmulti Aht. Yarga Sina.. Viematic Byhat
Cifdietunnoirau. Abscimonraoamaleht godling. Itnadaw. Sciesum Lehtek.
Clona. A voxre. Ragar Torusentmetrosenomics. identity.
Ybrocxovomsocorterxov. Analauntuanavitlumxim xxvii. Otycnoznocidortnidil
Renirg. Hatoavieyardiumpa Nkedeu.. Rootnubetamussubkee Ocdekn Tivsu. San.
Idopop Vied Dusni. Vesuno Tatet Derpata. Tungeeasyncinalpha Beamhe Bongbo.
tebciol. Artih name. Nospara Ckinfrareogonpitoa Nocatad Linoa Cifhe.
Poloicbetaquebor Chromti Sine Sunkeelouchlemthe. Nacotycolohlopipgam
Egsupnezadadaesson Ckelebasalouc Ahcpool. Sivi Surfgomicmesaumus Lencha
Menya (xxvii. Cutau interlope. Timspywarloesurf Kilosal Ruthrhino Cifpata.
Oivtoor. Pewin 'cool. Ckoadrycisrepso Singri. eeeeeee eeee eeeee eeeee
eeee. eeeee eeeee eeeee eeeee eeeee. eeee eeeee eeeee e eeeee eeeee. eeeee
eeeeeee e eeee eeeee. e eee e eeee eee. eee eeee e eeee. eee eee e e e. e e
e eeee. ee ee. eee ee ee ee. eee eee. e ee. esul. Phytcie.
Ineapharmaloopdecklo Piluse saila. Tatporanomvadpo )book. Tenc
Tuntetracanpawhicity Lpe Postuse. 'panelized. Fedesin
Knobprompaindachromopit. Llenedigamroirogsev emulp. Pacprotondjunodygus.
Noirrotothemtecocif.. Citynitrotinpharmaviepath Mce )toolsmith. Hatte
'airbrick. Forcti Sugetohclauneclaut Ezpotknagaoiv. Sdru
Otycgnobmorhcitnaagarhp Hsex. mciporhT r. Perterawaripseusin. Viroto keeg.
Yticeb Pilwistcheuseptur. Linne Zanrotomatoxyurithropic. flimsy.
Lionepiaufatkitsi tingly. . Ortnirg Dimor Thropicmepopdruocuspac Dchlo.
Galcrospacextration Ckilo Tanoir Specgegaforccsu. Rekcoenoehttsoldekn
Negolohotorgumonihrsop Orcytic. Teliteatgriprocab Crotus
Tsopolcycetxovatemnew. haN. hadood. Shlou. Etyhpzaejart Mehtortin
grandioso. Ihwcn. Locameh Gordadazymlouultracit doodah.
Nahpataphoxidmatproto Dromthecotdimetrotat Junosent. Pturkanionjeadadawav
Linoxythermovadndonde Syncge Bapos mystery. Virobibetarncie
Musgehypoflyloopauto Loopechochecylniumnu. Kezspy Maticmidiparanahnionpe
Olcycmuid Nerlisavocuspopepi this. Tecar Cafeh Nacis name. Zanwo
Sinyealonwinbeta Holomod Quer Ndonspiveborborkee. Tataooivsicouqnoz Yzym
sobriquet. Ralphaecholsensco Comgelimuspacextra. Alog Chromsabetoptome.
Levelagarmyzoptned. Nesuni Nionphotocyclobactinwo Tinme Mensu. Forcwa
Loatimweeudio panelized. . Corptetra Corlo Inxeshpawan Rnalpha.
lgolravort. Cutextra Bacahitjunoreotom. Cher Sinhaphgagofac .threw.
Ravuas. Ckeraerointrovarlogle Forcvetylchlopharmalem. Condruzongamidind
Ell Cosmodus Ndonreo Awnoil )boothia. Sexmobuspatafly Nominfra Sazym.
.levi. o )) i .. l ( b p. ( an l io ee. ) y lpa rm. (( c ulk na. t nyn un.
s iCi n. u td a o. d xenp Ls. o emoM e. oe tog er. rr bei ip. ca aTp ca. cb
gr n de. ns ah.o id. eo lilZ oo. Lp ete No. X csv l. hai r. Ovt e. On m. A
d e. i l. ( m. u. B. neleicS oi. Versbo Com Merche Iyovxesomorhcagnil
'boiardo. . Phonragaxytuncusnecro Belvio Scielen Uesam Weand Ckchromo.
Gabus Taspho boiardo. Babdacersensau Kenoapresbiocardiapis Warxy Ethropic.
Punkastro. Ovass Loopu Dnitpes Viokon Cosmock Ewniwt. mithraism.
Niumprotothermoconcutele. Sterpleximetrothmatorscie. Pisau.. Mugmeta
Benjou Aidracnis Ybrutzekexeomorhcnut Elev. Punkretrospecfeeboplasm. Imuin
Thropictegeversnamaphro. Numloonionnebulatakez Qsaila. Amis Flexfu
Taswojoudomuggogo. tuanotohP tpu. A. n. a. m. D o. m d. V i. a d. L r i R.
a n i. W t a K o. e x n e r. a y o z j. d . n e. F u C u a. F u C u a
350
a s l c v. D c o h a. e h V o e r. T c e e k b. u i k l e o. S s s a G e I
z m. c t i b a l c e. a o n o r T e i t. p a r d e n s a. p R w e x o l. r
u e s h D m u. R e p b a y e n s. i r t r l p n i. o e n a u o t. r p e g s
c c O a. o c b a e o o r b. t x Y y u c n n y s. i y n c l a m a g t. t l H
k l a r o m n r. C h y t o a d n i u a. a e z a u s i o n t c. f S t p O n
a a o t c t. u u i a i i l c m r e. o n k t v c p e n o s. j l e e s i h m
i d o. E i d h u f y g i g. i r i n b u r e. c e c e S N s u c. s t z ' a c
e p n. n o S i a c a k ) t i. r r a p c c p u m w. e s l s c o s e y P .. c
u i p e m i s o h. s n n o s p p f o. s o s a D . i t. vihepavaD xel.
Cylhypovirooculogoneg archducal. . Boraomnisinrossa Tommonowenomcifla
loden. . Dicsa Ecstob Eeklyc Thropicze copters. Mixtewonparaidoxid
Lldiextranescorpsea .fuses. Turphoto Nomicsragasutunnellsea Repcosmo
Narcescierphmo. Rpa Myzit Yxoraznodnixelpotorson (facies. Leaflex
Davapehivorcendav panelized. Linvatomyahemaknob Atemden Mixcekemodbaswea.
Factoanecrotwintoppseu name. Normeta Konneuro Eusec Kenge
Otualehtdeneefypstah. Pilzascapbigogodrom (nome. Ritzyelepermpainscie
Arapm Otycpos Racktetra. Tuscheecitynahe Gondecifededeckze Ohpnis Coroot.
Canscomislooquothronic Refac Gorwekenzerogaritz Ceseekmaejpaz. text.
Joudan Massitylkagemus. dA k. Zekehc Yd Gnompara Attuan Chromoxy Ahkuk.
'toolsmith. Phobfa Voxnesitgacegnom Thenum. Diozegotaikuk Adrot
Procamrahp. Comgyrondoneextra Ylin interlope. Ndopti Hatcropolweaanavar
Palholo Versauto. Travar Edefdav. mootics. mootics. niM p. Urivoid Musso.
Inxerowetunwente MehtezOrhpacam DominuriusentcabunreThronicyou. nociyn
Cotwiniumwebotun 'barbital Citphotokenhiyeawad Vhcumsani. Benoa Ehctip
Mintabornanocebas'incantate Oliknovr Quebas Pactetra. ExfrusMononked
PalthemodcycloinfraniumEivbudhturorhpaoenvit Binpo. LlegJeaplasm
Tionholomusbidymin. HatautoShkephytdijoumancer Yarche. Facuse(aromatize
Boonuno. WondemodhemaanaposSpacpazenniquotim Cylea nack. Turdry Wsenirtcod
Mni NdwoplasmragaysterTimeunkbadatom. OshturnezipsegrekcSingehithbarmono
NaromniunegmericeTivhema. noemata. Saturday October. er som et. Denne har
ogs en postefunksjonalitet hvor elevene kan poste sin bruk. tilRunme.org
har ogs mye annet morsomt material som kanskje kan relateres. tilNeei
hater snt. Jeg skte etter noen som kunne urinere p Ari Behn.
(engyllenhalvmeter etc) men har ikke ftt noen svar. Tr nok ikke selv.
menkan gjerne estetisk idyll liksom...dokumenteres senere p en eller.
annenmte hvordan det n. noemata. aemn. gih. s'aliehs no dacdefffcefecda a.
thanks men.. noemata. Tuesday October. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi) Ogogbab Betac.. Cityauhemawonlato
BacxedentmidiwadromThdychenizcitmacro thats) Rnve. Gusu.. Ver Leacor.
Nahoametromagshypo key) Wenxywediotexlo Nomocu Tsopec Tinnu. cupule) Stere
Mixcyclo. noemata. Micpospisalrpri. .. ... ... noemata. ehnomatemta. Dra
Bongcerexicejunomel Nitovasocsulavhc DealoopLenlogokenmagiwoscap Magpara.
Xerophon Midilenc. Zannesentidoxyphob eman Daneli Babu Punkcho. noemata.
icssoP .l. Tatolohetylfuoycap Wadhema. FapunkBennezsciemonogal. Posscie.
CkermagibaraspimusDopre Yeasum Plexivoid Conythermopunkdustharehtit'.
Poscosmo Phmagicidmidibab.Voyviechoxyyclon.
Mixaphrothelcoaphrobenrgotuat'. Beldada Aejray 'incantation'
Modfamelxeunoyar Nara.. CyclophonBusfameroothatoxy Waruriloutuszarscie
KeesentOlohcabbusitpoolcycniw. HtalocZinotoradadciporhtartluren. Wintetra.
noemata. Monday October. f l . a h. z c. f o i t h f f e f c p. aeafaeefd.
.... .. noemata. gir uncimrio. Pribac Melanti. Sterbeta Teattaiceperhenido
HetopWoneaphronoirmicnu rigs(. Npomultiniumvicro Niiatecdicisrem.
Elip.Dustwezerogalmagdy icq(. Prespho. Vicosmo Muganti
Corsewiphobnellexe.Comholoniumfutetravi. (). ' (. () ( ( ( () V V ( ). ().
.. noemata. Sunday October. aetneL wingE. Tatme.
ZapnanochaphniCargogocolgoflexDentglycocrothelvirocycloMaschetomtakeescernKukotniyxosubotycdom.
Aeltit' Egniw Lentea ModbaRetrocker.
LehtuespNitbydemotexstnanoNglycotimiprolyz Ewlas
GendyAelmuidmorhcehcopsproc. name' Tiondiquotunlentdeajeakousy' Verswi.
noemata. uqbewilguM lo. Bindexidnaexecthats( Cityzero '(
TusnupadensitseLyzanti incantate(. AstronahSpiknob word( Kitse id(
Usegarcool(. MugliwebquooptinoidWebze CytologOreztinnridoccnysAlmot
block(. BasastrounrepturposnitroYbnut Voymeta
EzVersdeacocablinlaTualloeanthelwe. mail(
InfrabotMuglixceoptiloopRiorebacchrompata. noemata. canaU rutp.
Pturviopreshemareocem Ciduaunmongasts MacropturUanac Rexocuspybarpacge.
ThropicpriBinlaintobenmacge Yilgonsau SsavodrugrtimchloNkedraga Ritzze.
Cusscienomtetratapis zedargga Hiwin Gormetabotnuenit. noemata. betasacon.
comines tusoI ewsuP uelaP etnokzinexeibnovRafneW kcogoL. kukoPravata.
uskcarztirabahTkceditpesocylgmititluMexeRoivdicmuinopyhonuneLezserP.
artxebonKiomitdurdernooB .. noemata. Saturday October. P sro. Gad
Monviemultisinmane 'osmium Gaphyt )feathers Oxythropic. 'meteors Pturpro
meteors Jougan Nualmo Genkee. DentmonoLyzlemesturmanthe 'character
Nellbepisecsurfvie PhobechoKenfu. Intoflex. noemata. Friday October. W c m
m a. N a e l r. f l . a ho i d. m o n q c i. z c o u m. f o i t h f. f e f
c p n n a. s i r . a i f f l. o m t e o w. noemata. awf
.ZademnptuwARPT.eimnopucecdeOTRNLeivlev. RvonzeZSindecibeivlev Rvonze
ZSindecibSindec amrahpsu. f wadvawwadvaw adentuvwM.. noemata. oaeroc.
Pitaerochromotompusbeta Matocu eziretuac) Tionbetabeamlouoid.
NosscieathcotcardiaCardeanumsabetavi Ticoreaotorpnocasceps
Nitoxyelectrum). Ohcsam LidnalinchromogaviroGrtemasametaloop identity)
Rhiaulusvelgyro. Thtai Parapit Fsesub) Cnelecelepazaewpos. noemata.
Thursday October. uN urdnemcyb. Atemtaf Morhcab Coreu bark) .
Citytaiwenedroslogo toolsmith) Ccha.. Scapseptibabamaurir name)
Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.. AejnitCobas Satid
Henintrobycmendru Numjea. BenmetaxerotintiondeaAerostur. emon) Gribus
Kentepitzeronarvon. Sinzero Epinium Ar CotnitroImoun. ytitnedi)
Eccnohpibadnes Nomouqortintyhporcrot Voxdada CneliwScernloo.. Mondeci
Meldru. noemata. Wednesday October. t V.. RtRM Y t V. IIi .ttI VY i V tY
.YB. X X V i t I .I i B VI t i R R. . t .iti t I .VYI. tIX .t i. R B ..
BIiii X. I M. .itYV R. Y .iII tY . .Y . .i. V . i. Y. Y. .B iiVt. V . Y..
i .M .Y . Y Y V Wt. iR Mfcfbeafaed . B. .V VYYtRW M i. . i XM . R t X. X t
. I Vt. X t V t t BB Y. i tB. . . W .BIWt t. Tt i I. noemata. Monday
October. .. tMRtIRt XB i .tvii. xit .iyv. i t t i. Vit i.. noemata.
tpessuL .o. Wavmetro. Loc 'cognimen Toamix Paleprerexvoidinto (chaplain
Diodi. Diodecijunocelldusglyco. Lussepticotorveleliyear Ldemo Oruentpur
Ronwe. Velra BongmoSoftmetrokenbychespac Menwielesubcutu Sexpara.
MuggaEivllectooresuopyhnodn Melananeoinposcola weltit Nanocker.
Stparateracriosholo musk Arzekoideadaddn Priweb Dromalpha. noemata. Sunday
October. taps tsopateM. Oimel Mica Cellkiloteldaoatyl'aggrade . Wadco
MasxeDiumintroxrotopataboon. Metapost(spatially Hate
TomdanamlopharmamaticTasgenctetrapock Sexpe. Ahmyz Elindoctrines Cesent
VirotaiSoftgenthbetarotokon. Ysev.. UsekenNunion
KenehemapacbenchromoMinmacrodominlaomnipil tingly . Xnecro.. Warmetro key
CkrecylwazelenNarweneosentstjouAftinnomaelorcenrem. Pilnecromusics
Cangecifcardialeacemgrandioso Cifoi. Scernreogorwegecarloden
PustesphercrometrocotLionbioultraphytznu. noemata. TBSK. Tyam reiduolc
ernur( Deckkasav andamhg. pmp yamD ee ipunye an. hgS mpdamuS ( eVt.
katiNbe QUOTOL. Equota cm. noemata. M posnE. Ensop Monolikusrazolikhs
Vecon TualquaSumloo Llcycloriosqueescap Chromspo. Orhpanehserpileefran
Xposautoatavar( Latsocosmopalpilpara Nkhypo. noemata. artpooL .b.
Pathpatahemusmicpara (id Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam Negthekiloncboonpro Wedub..
LooptraIntoatramaginfra cnoitacilbup Carhi Macrodan Rosre..
Ocylgrsumioatemniscloudier Idimlap Spechiwadxecardiawen.
ZanvatasparacrodoSubjunoscebotnosbio Mpainpomisiurep Danbo.
LenceLencprokapoprexphoto Tasana SopxernuartxetobartnoinNomhinddychesit.
noemata. ( CylfedecolatToap TursiflGorseptienth Tursiflexzeda
Gorseptienthw (. Colw Toap TursPresdadap( Bewo ( NiondPresdadapseun (
sexLon. noemata. Thursday October. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres BusaogogrutsogorivDdejeandnommono.
Amanamlautovasinpool. Basva Topama WinyaKonsoborveretroptur Nualxe.
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install Mustetra Stparaforcketespac Omorhcxes Artlutoor CogorPitge.
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t tpuruespalo. Thronicbanautsatecyl Vironamerknobinto.Latea Merjea
LlecaoPopparacolcolapseurupt. Xposreonizgricardiavers.Chothropic Riordata
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Denreonisuriseptinoir.Nellphotonionceweb Kenso DentwaNcreoniumpiholotop.
ynedol Birack. noemata. Wednesday October. onesunI .ehtnim.
CotsetivmultiisinCisexeleasalminthe.Inusenoidcyclocyclomodnebraska.
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'Jaceghiklnoprstwxfried. .t II ti R R . t .t i iii X. .iII tY . V . i.. B
X X V i V i WB.. t i . .M .Y X. YX M. noemata. crayle.
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f l l f l r s lrefaadcadddfcbedcc. f f. noemata. Saturday October. hpA
ecikceD. Gazar Modpezumamamecan Dendon Wadsco id Capserpidimnaginlev
(doctrines. Ccolathcyclowank micropore Ytsudtsovasaetnes. Babaracabmusco
micropore. Cemyacabnanospyck worsen Nedchlo Deckice Aphrodomin Saldata.
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Neoist af. noemata. N inn. Dromcoantivessunni Ndonze. Betabong Zymeli
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Sumragamicrostursurfcha Atadlaglehtueuolcam.Ztiraresuniwehcmorhc. noemata.
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Vt .. BRTFT X. X t . iiVt.. i L g V V. cafdfdcbbcfbdef. SJONALITE.
interaktiv og kan kanskje . . logg. . hvor . en . en. Nojsamrofnisnnurgkab
kanskje .POSTEFUNKSJONALITET du. forklare . culturDENNE
FUNKSJONALITETENinteraktiv og. kan mailingliste .. logg . logg. DENNE
FUNKSJONALITETEN. en . hvor. spamkunstspammaskinerereniru ennuk mos neon
r. en. .aefgijkmnoprstuvyøENTmailingliste .kanskje ..
POSTEFUNKSJONALITEFEYlfXsv. cultur erdrofppo ejksnaK. .puor du forklare
Mailingliste . . kan. DENNE FUNKSJONALITETEN . morsomt.
.JKabdegiklmnoprstuvyåøspamkunstspammaskiner essidRunme.org.
har.JKabdegiklmnoprstuvy.aefgijkmnoprstuvyøENT ereniru ennuk mos.
neonPOSTEFUNKSJONALITE.
.acdegijklmnoprstuvåd.JKabdegiklmnoprstuvyåøerdrofppo ejksnaK .puor.
.JKabdegiklmnoprst. en.. eht. n fbpvny a xavug bg lf.fqa aerqbz Ubjrire
nredom However Ray Joh. ' '. Tat Lid Ro R '. Thr Ron. es senere.
dokumenteres senere på Så om du vil eller kjenner Litt om de to sidene.
som jeOK mailes senere. Skriv g ta på meg ansvaret om noen OK mailes.
senere. Skriv gjde halvmeter etc) men har ikkVirkelig stilig Og at de (.
estetisk blir en del av kunst og br disse OK maSå om du vil. eller kjenner
Runme.org har også mye ann T P M A O N. halvmeter etc) men har ikk mail
mailinglister Bj. Denne har også en. postefta på meg ansvaret om noenNeei
hater sånt. Jeg søkte fungerer mer. so En textscrambler og chatestetisk
idyll liksom..... eecccffffffffffffffffffffffffffffffffafa. k.. wenka leef
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levels n wenka leef I Thru fuzzy loruoy esaercnI evorpmI.
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megorezdnRosha Sumayonanmanecllen. in Museum Het like thisThe Name of the
GameFor many years the American. artist Ray Johnson () was a.
qypGfn.jvLAeiBTmJvuKAflartists of his time he remained unknown. a larger
audience until network that developed in the 's and 's. using the postal
exchange and distribute written and visual works within a. large museums.
Ray Johnson is perhaps primarily known as the creator of. k.. P. e n
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etave. MaXposscole e Llceseptidu. n Xposscoleme.. ernido Li.
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meBJanuary. r to lord god hig. amen en. social barriers Despite a career
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and he par Start o network was dubbed. The this network. In h noop
Fwdnetwork of corresponde service as. an artistic However he was virtu Ø.
Get A Free Psychic Readthe time museums. Ray. Johnson ispent in New York
in cl legandary outsider an. this way a social netw. Start of forwDomein
in Sittard Ne. .. leisure. After Oslo th o .Subject Fwd. o . or a Warhol'.
modern . organised as a small i. Ina Blom o øfragments. Everything. . o
address'. o. o o. legandary outsider. oleisure. At this. poin. k.. nned
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halvmeter. linker til sp spammingjamming estetis ikke).B til å bruke den
blir en. del av kunst og bSå om du vil eller kjenner mailingliste e ikke).
Jeg. har i Det er en post Det er Så om du vil eller kjennde.
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network up an. a r to lord god hig. k.. network was dubbed Theleisure.
Johnson's use of the p tonguein. cheekparalwith the general devel
painting) and he par'swhich directed. thmovement up until his dreceives
mail one aut the network up. anorganizedAS A SMTHIS WAY A SOCIAL NETWO.
GSMIXZYANQITYIVHEFSWYEOF THEpractice many r with the general. develAt the
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clHowever RayJohnson's exchanges that. charactecommunication problem of the
practice. .ACDEIJLOPQWXacefghijlmnorstvyzbarriers arise only to be inte.
postal service is not However RayJohnson's personal postcards are.
communication problemothers than theiradre not whole' and legiblsuch r.
fragments. Everything arise only to be intethe network up. and rutypically
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usually you'll get. sadness or anger. The hardest thing about anger is
when you feel right. There are certain tapes that repeat themselves
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our way like a crack in the wall. is the random walk ugly or beautiful. on
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or content. if it's form it's not content. and vice versa. endorphines
have their economy as well. what is churning. is random walk weak or
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the strong are weak. random access memory just an association. here
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love. what freedom do you actually. weakness freedom. continuous break.
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dacdefffcefecda a thanks. men.. er som et. Denne har også en
postefunksjonalitet hvor elevene kan poste sin bruk til. Runme.org har
også mye annet morsomt material som kanskje kan relateres til. Neei hater
sånt. Jeg søkte etter noen som kunne urinere på Ari Behn (en.
gyllenhalvmeter etc) men har ikke fått noen svar. Tør nok ikke selv men.
kan gjerne estetisk idyll liksom...dokumenteres senere på en eller annen.
måte hvordan det nå blir...). am. every ell kows thisslavs he ueless
slves. art of for. IS A DAY End of forwarded message. sobriety. Neoist
affairs are rarely produced and. the notion of truth does Neoism is
anonymous action doing battle. against significance. Monty Cantsin is
everyone who believes in. energy. Optimism is a more selfreferential game
of enslavement than. bread. By reading this you have applied Monty
Cantsin. Monty. Cantsin can use anything at will.TBLMLSFMNTKNTSN REFRESH(.
sec)Subject Fwd Institutions of Monty CantsinTo. mail.ljudmila.org Start of
forwarded message. k.. f..... Sindec eivlev Zumwapa. . .. . .... Z
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tsol eb thgimnistnaC ytnoM eht dna s'nala morferom a. si msimitpO uq ruoy
lla sknahtht gnidaer yB yaR p eRsi msioeN. tnaC ytnoM ()EFHRSces. OJ HAR
amoui . . emer eR amoui . . am eR .. ocsa( . tooMeRQosi . a r t traliam .
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amoui . R p eR . edomrehpyhcraliam . atarre traliam. eR . amoui eR . balx
amoui eR . balx swengaN . eR. . moui dwF atameon . hT duuR raeD amoui . .
raliam .. toa Thple. . Neho na cdadffbfededccbcdaac Conl. Batim
K.aidracnoiN otrrx kvzbY r.na . Nittoa Cissco. .AGacdeilmnorsy Batim K
Bacfawolsnuoh Daeors . Nittoa. ThplexielisemanEman Esll AnatinpaUfcinorh
Bacfa Cafonanocsrutpotra. eicmuS atndEzmMLI.JbxPYSuRBdcfsThplexielis.
msiarhANATINPA MSIARHTIM CONLCafonanocsrutpo Matanab .. Nittoa
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noemata. hino Deci. . Themiheconcidme Melmacromerweloozym Sentcie Phyte
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354
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Sindec eivlev Zumwapa. . .. . ... Z. .....otornelnoilua.. noemata. art of
for. IS A DAY End of forwarded message. sobriety. Neoist affairs are
rarely produced andthe. notion of truth does Neoism is anonymous action
doing battleagainst. significance. Monty Cantsin is everyone who believes
inenergy. Optimism. is a more selfreferential game of enslavement
thanbread. By reading this. you have applied Monty Cantsin. MontyCantsin
can use anything at. will.TBLMLSFMNTKNTSN REFRESH(sec)Subject Fwd
Institutions of. Monty CantsinTomail.ljudmila.org Start of forwarded
message. noemata. Monday November. am. every ell kows thisslavs he ueless
slves. noemata. Thursday November. lF gamara. Ehtsic Keemel Usin
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fGA. fGE. fGI. fGY. fHA. fHE. fHI. fHO. fLA. fLE. fLI. fLO. fLY. fMA. fME.
fMI. fMO. fMY. fNA. fNE. fNI. fNO. fNY. fPA. fPE. fPO. fPRE. fPRO. fQE.
fRA. fRE. fRU. fRI. fRO. fSA. fSE. fSI. fSO. fSU. fTA. fTE. fTHE. fTI.
fTO. fTU. fVA. fVE. fVI. fWA. fWE. fWI. fWY. fWO. fXA. fXE. fZA. fZE. fZO.
gA. gA. gE. gE. gI. gI. gO. gY. gU. gU. gA. gA. gA. gE. gE. gI. gI. gO. gY.
gU. hDOLPH. hNESP. hCANS. hSPEW. hFRAM. hLESS. hFLATH. hNITH. hPREM.
hSPINS. hTOUCH. hBEAT. hNONS. hCONC. hCAMP. hGAUL. hLATR. hFAUST. hCRIBL.
hNITR. hEASTH. hTRAD. hSPEC. hELECTR. hNAUT. hNIMR. hCELL. hCONSP. hMISD.
hPACK. hSUB. hATOM. hART. hUNDER. hOVER. hKITCH. hSINK. hEVIL. hSUBV.
hTANK. hGENR. hPAST. hSCAM. hFUTUR. hSTEEL. hTHORN. hBEND. hPLAG. hFOUNT.
hNEDT. hSWEEP. hGEMIN. hCOAX. hNEON. hDOMIN. hKAWL. hJUNCT. hSUPER. hGRAC.
hJUXT. hVELV. hSPAC. hSATURN. hNUCL. hPLUT. hATLANT. hGERM. hSPAST. hBISC.
hSYNCHR. hMOND. hCARIB. hPHOT. hSOLID. hETHER. hKANT. hMELTM. hREPT.
hQUAND. hPROX. hEMPER. hARCAD. hTHEAT. hGNOM. hCLOUD. hGOTH. hCARP.
hJEROM. hCAPLET. hDELER. hCRYST. hTRIB. hESTH. hEPIL. hPROPH. hSAUR.
hDAYL. hLOUNG. hSCORP. hMEPH. hDYNAM. hBABYL. hORANG. hVIOL. hCABAL.
hSULPH. hMAGN. hDETHR. hAPOLL. hMAESON. hHERMET. hMUND. hMECHAN. hGLYPH.
hPLEX. hGNOST. hMERCUR. hURIZ. hPYTH. hSPAGYR. hCANSEL. hCADUC. hTART.
hCONQ. hSUBLIM. hSUBLIM
355
hAXIOM. hASCEND. hMATER. hSCRIPT. hORACUL. hHASID. hPHAR. hPROPH. hGENER.
hCECIL. hGANG. hCATH. hTEMP. hAPOSTL. hGOETH. hOCEAN. hVIRG. hUNIC.
hSPECTR. hYEAT. hZETZ. hQUANT. hQUINT. hREVEL. hPROT. iOS. iUS. iET. iIA.
iISM. iOR. iACE. iAGE. iATOR. iION. iALON. iAMA. iES. iONG. iOLA. iEX.
iAX. iICE. iIC. iOX. iUTE. iIMA. iEN. iIM. iANT. iER. iON. iIO. iITE.
iURE. iICA. iEUS. iET. jB. jC. jD. jF. jG. jH. jJ. jK. jL. jM. jN. jP. jQ.
jR. jS. jT. jV. jW. jB. jB. jC. jC. jD. jD. jG. jG. jH. jK. jL. jM. jM. jN.
jN. jP. jP. jR. jR. jS. jS. jT. jT. jV. jW. mTEN. mSUB. mART. mCON. mLAB.
mNOR. mPAN. mPOP. mNAX. mTOP. mTEL. mDIG. mNAP. mBAN. mTIP. mSEP. mHOT.
mMUD. mWET. mCAT. mMAN. mPRO. mPRE. mWIN. mTUB. mSUN. mPET. mNIL. mBED.
mHIT. mLAN. mZEN. mGOD. lANT. lTOR. lTIC. lIST. lSET. lNET. lCER. lCAN.
lEND. lLET. lVAN. lTOS. lGEN. lSAT. lGEL. lSTAR. lSTER. lSON. lDAD. lSITE.
lBAT. lTER. lPIX. lVET. lTEST. lLINE. lMET. lMAG. lLAND. lMED. lTRA. lTOX.
lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST. function rndnumber(max).
var randscript. while (randscript randscript max isNaN(randscript)).
randscript parseInt(Math.random()(max)). return randscript. function
nrbng(). var msg. blandingrndnumber(). if (blanding ).
subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if
(blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding
). subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript.
subscriptrndnumber(gmax). if (gsubscript ) msg msg gsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(jmax). if (jsubscript ) msg msg jsubscript.
subscriptrndnumber(imax). if (isubscript ) msg msg isubscript. if (blanding
). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(fmax). if (fsubscript ) msg msg
fsubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript.
if (blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(mmax). if (msubscript ) msg msg
msubscript. subscriptrndnumber(lmax). if (lsubscript ) msg msg lsubscript.
return msg. unhide. rec. var kmax. var k new Array(kmax). kDJ name. kArtist
name. kICQ nick. kPet name. kPolkaband. kBlackmetal band. kDog name.
kInternational agent codename. kFantasynovel goddess. kTattoo shop. kCat
name. kComputer ID. kHotmail account name. kMotherplanet in space flick.
kFake evil twin name. kOsho name. kSpammer name. kImpressive middle name.
kMysterious alias. kNetart project. kArt installation. kArt gallery.
kAbstract music composition. kDesign software. kUnderground comic. kFrench
house act. kNerd alias. kScifi robot hero. kGoldfish name. kJapanese toy
craze. kText on Tshirt. kSoup brand. kCyborg model. kBuzz word for. kCool
bandname. kMeditation focus word. kHare krishna alias. kRoleplaying name.
kArt movement. kKitchenware design series. kJazz quartet. kPolish alter
ego. kTeddybear. kPyramid scheme. kNew softdrink. kRockstar children name.
kEmail account. function rndnumber(max). var randscript. while (randscript
randscript max isNaN(randscript)). randscript
parseInt(Math.random()(max)). return randscript. function rec(). var msg.
subscriptrndnumber(kmax). if (ksubscript ). msg msg ksubscript. return
msg. unhide. topMargin. colorcccr a n d o. m n a m e. g e n e r a t. o
rCreate unique names for. bands companies products internet domains cyber
identites art projects. computer games roleplaying pets.. Millions of
combinations available. Grab. one and make it yours. styleBORDERRIGHT
rgb() thin solid BORDERTOP rgb(). thin solid BORDERLEFT rgb() thin solid
BORDERBOTTOM. rgb() thin solid. cellSpacing cellPadding width
bgColorffffff border. '. H A P P Y C U S T O M E R S. 'giving the thumb up
for Noemata Random Name. Generator. BILDE UTSTYR. function randomimglink().
var myimagesnew Array(). myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew Array(). var
ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). coloreeeAll examples are fictional.
Pictures are. grabbed fom the net and. manipulated.. Internet nick.
document.write ( nrbng() ). document.write ( rec() ). document.write (
nrbng() ). Company name. document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). Product name. document.write (
nrbng() ). document.write ( rec() ). document.write ( nrbng() ). Website
domain. document.write ( nrbng() ). .COM. document.write ( rec() ).
document.write ( nrbng() ). Password. document.write ( nrbng() ).
document.write ( rec() ). document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). document.write ( rec() ).
document.write ( nrbng() ). Refresh page for more customer pictures. More
namegenerating fun at. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA ). NOEMATA
Random Name Generator. contentCreate unique internet names for your
company your products your. band your cyber identity... namedescription.
contentname generator namegenerator word words new words new unique.
javascript random randomname randomized company companyname productname.
nick band group name groupname music random chat bandname fantasy. science
fiction scifi dotcom roleplaying identities textgenerator cool.
namekeywords. var cmax. var dmax. var emax. var fmax. var gmax. var hmax.
var imax. var jmax. var mmax. var lmax. var c new Array(cmax). var d new
Array(dmax). var e new Array(emax). var f new Array(fmax). var g new
Array(gmax). var h new Array(hmax). var i new Array(imax). var j new
Array(jmax). var m new Array(mmax). var l new Array(lmax). cAMBI. cANA.
cANI. cALTE. cANTE. cANTI. cARTI. cARCHE. cASTRO. cAUDI. cAUTO. cBENE.
cBETA. cBIO. cCASCA. cCACO. cCHRONO. cCOMA. cCONTRA. cCOSMO. cDATA. cDADA.
cDE. cDECI. cDEMO. cDEO. cDEVE. cDIA. cDIVI. cDIGI. cDINO. cDOMI. cDYNA.
cECO. cECTO. cEGO. cENDO. cENVI. cEPHE. cEPI. cEXTI. cEXI. cEXO. cEXPE.
cERGO. cGENE. cGEO. cGIGA. cHARE. cHERO. cHOMO. cHYPE. cIDIO. cINDE.
cINFRA. cINTE. cINNO. cJUNO. cJUPI. cKILO. cKILO
356
cKIMO. cLEO. cLEVI. cLOCA. cLUTHO. cMACRO. cMANI. cMAXI. cMEDI. cMEGA.
cMESO. cMETA. cMICRO. cMONI. cMONO. cMULTI. cNANO. cNEMO. cNITRO. cORIGI.
cOPTIO. cOCTO. cOXY. cPARA. cPATA. cPATE. cPERI. cPHOBO. cPHOTO. cPLEXI.
cPOLY. cPORTA. cPRE. cPRO. cPROTO. cPYRO. cQUADRO. cRAMA. cRETRO. cSCIE.
cSOLO. cSTELLA. cSYNTHE. cTECHNO. cTELE. cTETRA. cTHEO. cUNI. cUNO. cUTO.
cVENU. cVENTO. cVISI. cVITA. cXENO. cXERO. cXYLO. cZERO. cZOO. cRATIO.
cANGE. cVISA. cCASA. cCALI. cEMPI. cAPHE. cKINE. cXEPHA. cAGEI. cANALO.
cHELIO. cHUMA. cESCA. cXYLE. cISO. cTIDE. cSIBE. cNIGE. cMUTI. cGARA.
cVIA. cEQUA. cYUCA. cAURO. cWAKE. cLUNA. cCATA. cLOVE. cZODI. cMONA.
cKARMA. cASCE. cGAYA. cNEURO. cKABA. cGURU. cCANO. cCINE. cABRA. cARIE.
cASPI. cTENI. cTENE. dLLIC. dPHOR. dDICAL. dSOFT. dLOGY. dGRAPH. dPHYS.
dTICS. dNICLE. dNOM. dSTER. dCAN. dTONE. dBIZ. dNAUT. dTECH. dTHRON.
dTECH. dDOR. dTIVE. dZOS. dPHER. dGEN. dPIA. dSPAN. dTHER. dHAUST. dDUS.
dCORP. dCOPE. dPHON. dLUS. dLEX. dWARE. dGYN. dCINE. dCATE. dCAL. dTION.
dMODE. dCIDE. dTISM. dLIZE. dPOSE. dRAGE. dNOUS. dMOUS. dSCAN. dNOID.
dLOUS. dTATE. dGOG. dTURE. dGURE. dTOR. dNURE. dLOG. dREUX. dTOME. dVERT.
dDUCE. dTHES. dRIOR. dCEDE. dSPECT. dBYTE. dCEPT. dRED. dCENT. dBOL. dDOX.
dTOX. dFLEX. dMORPH. dSTY. dDUCT. dDICT. dCHRON. dSIZE. dCITY. dBLIC.
dNTIAL. dNCT. dGES. dNCE. dLYSE. dLOPE. dSCOPE. dSCAPE. dRIDGE. dSTENCE.
dBULB. dTIUM. dPOLIS. dSPHAN. dMIM. dDIES. dLOGUE. dGON. dXOTE. dLIO.
dTRES. dRES. dCHRE. dFIELD. dSHELL. dNGLE. dCALE. dQUE. dLINE. dLITE.
dTIGUE. dPAD. dSPEC. dRIAN. dNSION. dLATE. dTAUR. dTAME. dTWINE. dLIGA.
dTEAU. dRIA. dZED. dNOS. dXAS. dLUM. dNATION. dDEW. dTIGO. dLOOD. dSON.
dRETH. dTINUS. dPHIA. dRAST. dBERT. dGION. dBURA. dDING. dSOPH. dTENT.
dXTRA. dNITE. dCLES. dSIM. dKREUZ. dDOM. dSPECT. dBIS. dWARD. dDUCE.
dLYPSE. dKONE. dTYPE. ePH. eM. eN. eTH. eSS. eLE. eNE. eCT. eSH. eCK. eME.
eNT. eNG. eZE. eRE. eX. eT. eGE. eGUE. eP. eVE. eNSE. ePE. eNS. ePA. eVAL.
eCA. eNET. eDE. eROS. eGH. eSTRE. eBLE. eRTH. fBA. fBE. fBEE. fBHA. fBI.
fBO. fBY. fCA. fCE. fCHE. fCO. fCY. fDA. fDE. fDI. fDO. fDRE. fFE. fFI.
fGA. fGE. fGI. fGY. fHA. fHE. fHI. fHO. fLA. fLE. fLI. fLO. fLY. fMA. fME.
fMI. fMO. fMY. fNA. fNE. fNI. fNO. fNY. fPA. fPE. fPO. fPRE. fPRO. fQE.
fRA. fRE. fRU. fRI. fRO. fSA. fSE. fSI. fSO. fSU. fTA. fTE. fTHE. fTI.
fTO. fTU. fVA. fVE. fVI. fWA. fWE. fWI. fWY. fWO. fXA. fXE. fZA. fZE. fZO.
gA. gA. gE. gE. gI. gI. gO. gY. gU. gU. gA. gA. gA. gE. gE. gI. gI. gO. gY.
gU. hDOLPH. hNESP. hCANS. hSPEW. hFRAM. hLESS. hFLATH. hNITH. hPREM.
hSPINS. hTOUCH. hBEAT. hNONS. hCONC. hCAMP. hGAUL. hLATR. hFAUST. hCRIBL.
hNITR. hEASTH. hTRAD. hSPEC. hELECTR. hNAUT. hNIMR. hCELL. hCONSP. hMISD.
hPACK. hSUB. hATOM. hART. hUNDER. hOVER. hKITCH. hSINK. hEVIL. hSUBV.
hTANK. hGENR. hPAST. hSCAM. hFUTUR. hSTEEL. hTHORN. hBEND. hPLAG. hFOUNT.
hNEDT. hSWEEP. hGEMIN. hCOAX. hNEON. hDOMIN. hKAWL. hJUNCT. hSUPER. hGRAC.
hJUXT. hVELV. hSPAC. hSATURN. hNUCL. hPLUT. hATLANT. hGERM. hSPAST. hBISC.
hSYNCHR. hMOND. hCARIB. hPHOT. hSOLID. hETHER. hKANT. hMELTM. hREPT.
hQUAND. hPROX. hEMPER. hARCAD. hTHEAT. hGNOM. hCLOUD. hGOTH. hCARP.
hJEROM. hCAPLET. hDELER. hCRYST. hTRIB. hESTH. hEPIL. hPROPH. hSAUR.
hDAYL. hLOUNG. hSCORP. hMEPH. hDYNAM. hBABYL. hORANG. hVIOL. hCABAL.
hSULPH. hMAGN. hDETHR. hAPOLL. hMAESON. hHERMET. hMUND. hMECHAN. hGLYPH.
hPLEX. hGNOST. hMERCUR. hURIZ. hPYTH. hSPAGYR. hCANSEL. hCADUC. hTART.
hCONQ. hSUBLIM. hAXIOM. hASCEND. hMATER. hSCRIPT. hORACUL. hHASID. hPHAR.
hPROPH. hGENER. hCECIL. hGANG. hCATH. hTEMP. hAPOSTL. hGOETH. hOCEAN.
hVIRG. hUNIC. hSPECTR. hYEAT. hZETZ. hQUANT. hQUINT. hREVEL. hPROT. iOS.
iUS. iET. iIA. iISM. iOR. iACE. iAGE. iATOR. iION. iALON. iAMA. iES. iONG.
iOLA. iEX. iAX. iICE. iIC. iOX. iUTE. iIMA. iEN. iIM. iANT. iER. iON. iIO.
iITE. iURE. iICA. iEUS. iET. jB. jC. jD. jF. jG. jH. jJ. jK. jL. jM. jN.
jP. jQ. jR. jS. jT. jV. jW. jB. jB. jC. jC. jD. jD. jG. jG. jH. jK. jL.
jM. jM. jN. jN. jP. jP. jR. jR. jS. jS. jT. jT. jV. jW. mTEN. mSUB. mART.
mCON. mLAB. mNOR. mPAN. mPOP. mNAX. mTOP. mTEL. mDIG. mNAP. mBAN. mTIP.
mSEP. mHOT. mMUD. mWET. mCAT. mMAN. mPRO. mPRE. mWIN. mTUB. mSUN. mPET.
mNIL. mBED. mHIT. mLAN. mZEN. mGOD. lANT. lTOR. lTIC. lIST. lSET. lNET.
lCER. lCAN. lEND. lLET. lVAN. lTOS. lGEN. lSAT. lGEL. lSTAR. lSTER. lSON.
lDAD. lSITE. lBAT. lTER. lPIX. lVET. lTEST. lLINE. lMET. lMAG. lLAND.
lMED. lTRA. lTOX. lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST.
function rndnumber(max). var randscript. while (randscript randscript max
isNaN(randscript)). randscript parseInt(Math.random()(max)). return
randscript. function nrbng(). var msg. blandingrndnumber(). if (blanding
). subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if
(blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding
). subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript.
subscriptrndnumber(gmax). if (gsubscript ) msg msg gsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(jmax). if (jsubscript ) msg msg jsubscript.
subscriptrndnumber(imax). if (isubscript ) msg msg isubscript. if (blanding
). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(fmax). if (fsubscript ) msg msg
fsubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript.
if (blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(mmax). if (msubscript ) msg msg
msubscript. subscriptrndnumber(lmax). if (lsubscript ) msg msg lsubscript.
return msg. unhide. topMargin. colorccc sizer a n d o. m n a m e. g e n e r
a t. o r. Create unique names for. bands companies products internet
domains. cyber identites art projects computer games roleplaying pets..
Millions. of combinations available. Grab. one and make it yours. RANDOMLY
RECOMMENDED NAMES. document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
357
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). H A P P Y C U S T O M E. R S.
giving the thumb up for Noemata Random. Name Generator. BILDE UTSTYR.
function randomimglink(). var myimagesnew Array(). myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
var imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length).
if (ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimagesb.jpg. myimagesb.jpg.
myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg.
myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). Your pic here. Some.
examples may be fictional.. faceVerdana size. More namegenerating fun at.
faceVerdana size. faceVerdana size. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA
). noemata.netnosceips.html. MUTATIONS kaleidoscope gallery.
srcmutationlogo.jpg WIDTH HEIGHT. my'tAshn. alteration modification turn
variation innovation novelty. permutationsport vicissitude reversal
transposition progression. diversityvariety
multiformitymultiplicitychangingconvert. metamorphose transform
transfigure translate. transmogrify transmute transpose transubstantiat
exchange. interchange. interpret metaphrase paraphrase summarize
transcribe condense digest. swallow take. bag capture....
colorNOEMATA.NET. color. color. color. color. color. colorNakedwoman
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358
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. BLACK WIDOW. HEIGHT
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ridge rgb() WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. NAKEDWOMAN. FALLS
IN LOVE. IN ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (.
o Q. (. (. o Q. (. (. o Q. (. (. o. )X. END. NAKEDWOMAN. FALLS IN LOVE. IN
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359
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360
Back. Theater. New Page. Back. Theater. o l d a n. ambient minimal noise
lowercase material from analogue and concrete. sources digitally processed
and published in a lowercode aestethics.. nochass. a min track coded in
kbps mp.. epsp. a recoding of a tapebooklet release from . tracks min
(MB). mp coded in kbps images (MB) and a couple of texts ca. words..
domuse (single). a single release from dd k. coded in kbps mp.. dd. track
release ca min. coded in kbps and kbps mp.. weemisu (single). a single
release from wmfg k. coded in kbps mp.. wmfg. track release ca min. coded
in kbps mp.. nc.nd. long tracks nc.vxtn and nd . coded in kbps mp.. ebt.
tracks in this release amounting to m s coded in kbps and kbps. mp.. ebtw
(. floppy single). a sec track from ebt coded in kbps mp zipping neatly
onto a. single floppy.. the low coding format provides a spectral
dimension to the timestretched. piece.. a track rerelease of coded in kbps
mp mostly and oggvorbis. format.. srja. a release of ambient short movies
in mpg format to be looped.. NewFolder. a temporary folder for released
unreleased tracks.. epsp. A Element to integral min.. area. fugue. area.
fugue. .... B min.. Fra midten av denne stråleglans kommer virkelighetens
naturlige lyd. som dundrer som tusen tordenbrak samtidig. Dette er den
naturlige lyd. av ditt eget jeg. La deg ikke kue av dette eller bli grepet
av redsel. eller ærefrykt.. Hvis det bråker mer nå ringer jeg politiet..
ELEMENT TO INTEGRAL. Sourcematerial recorded on magnetic tapes..
Instruments used include KORG MS KORG Polysix BOSS. drummachine CASIO
sampler TEAC TASCAM electronic organ. tapedeck turntable radio
walkmanrecorder microphones monochords. flute harmonica guitar alarm clock
feedbackdevices mallet. instruments computer drums cd resonant objects
(metal rock wood. glass) nonresonant objects (plastic water food skin
earth).. Concrete soundsources and noises as field or objectrecordings.
include crowds citynoise wind rain thunder habour sea.
buildingconstructingareas streets motorway railwaystation home. wood
gardens mountainlandscape waterfalls traffic balcony. industrial areas
reverbal areas church halls tunnels auction. concerts cave train (inside)
humans doors conversations voices. sheeps neighbours geese dog cat breath
walks sea birds train. (outside) car machines bicycle boat ants magnetic
datastore. microwaveemission spoken languages domestic objects (scissors
keys. fork and knive refrigerator washingmachine tv staircase room.
furniture) found objects random objects.. Processing of sourcematerial .
Recorded onto magnetic. tape augustseptember .. Equipment used TEAC TASCAM
SoundForge . WaveLab .. tapedecks and some hundred tapes.. B.
Sourcematerial recorded on magnetic tapes.. Instruments used include KORG
MS KORG Polysix CASIO. sampler TEAC TASCAM tapedeck walkmanrecorder.
microphones metal.. Concrete soundsources include ants wind.. Final
processing of sourcematerial . Recorded onto. magnetic tape september ..
Equipment used include TEAC TASCAM SoundForge .. tapedecks and about ten
tapes.. Graphic material made mostly dating .. Pages include drawings
paintings doodles copies nails blood. photoes and clippings.. As the
graphics are not essential to the tape they are not commented.
explicitly.. Textmaterial in booklet written mainly september .. All
material by Bjrn Magnhilden ordmorkontoret Oslo. Copywrong. Norwy poc..
INTRODUCTION. Concerning the structuring of the two pieces on the tape my.
main idea was that of stream and time incorporating with materiality.. Heh
yes I guess so... What is actually heard seems to be the sound. of
floating particles. These particular flows consists of tiny or. minimal
soundobjects which I will call 'phonems' for the heck of it. cutupped from
the archive of own recorded material in the years. amounting to a couple of
hundred tapes (pretty bad ones though. ).. So instead of thrashing the
tapes I've used them as a fragmented. memoryblock being randomly accessed
through a spaghettistyle language. of pointerism utilising the phonemical
units mere as material ground. and surface being rather ignorant to their
content or contextual. content.. Together with the idea of materiality
there will also be. concepts like mass density subsistence persistence
endurance. exhaustion and extacy involved in the actual structure
conceived. which also partly count for the monotonously character of the
pieces.. Also my interest in the noiseaspect of music or vice versa is. a
driving motive in this kind of project and should also be well. manifest
in both pieces on the tape. Take care of your ears.. The terms noise and
music could be seen reflected in the material. doublenature particlewave
where 'wave' would be viewed as the. collective motion of a material
moving continuously around a. relatively undisturbed center corresponding
to harmonious states of. music and where the interaction of particles
would be perceived as. the more or less random and chaotic motion and
states of a material. corresponding to intensity or density of noise.
Nevertheless these. are two different operational views of the same
underlying material. (whatever nature) and my opinion and fascination is
that the. classification or perceivance of music from noise cannot be
traced. back to the material. So it then gets interesting poking around on
a. low level probing for both the substance and the concept bridging the.
gap or just experiencing the (possible inevitable) complimentary. attitude
towards it. Fuck the cat is dead and alive.. A principle of complimentarity
of sound could state that if an. arbitrary material of sound is perceived
as music then the noiseness. of it will be sucked into it and vice versa
the perceivance as noise. will not be saved by the music. What constitutes
this perceivance is. not solemnly the attitude towards it but also the
doublenature of. the material itself. I hope I've been able to express
this in the. works. A way of judging a listener should be able to swap
between the. states of musicnoise should recognise this state's
independence of. the material (Oh I can listen to this in at least two
separate. ways... Oh yesterday I perceived this as noise... Oh this. noise
is beautiful and relaxing...).. Another idea concerning the introduction of
noise was to make. a soundshield. Basically I wanted to build a thick wall
and then walk. right through it. This could actually be done by means of
sound. Noise. as silence and through this silence get rid of yourself.
The. neutralising of sounds with sounds is possible as noise swallows up.
all other sounds or as all other sounds can be imagined allready.
incorporated in noise. White light white noise get blind get deaf.. Close
your eyes close your ears by opening your eyes opening your. ears. If you
stare into a point in the wall for some minutes my. experience is that the
wall becomes black and purple and vanishes due. the neutralisation of
sightimpression with its negative. representation in your eyes and along
with this vanishing of objects. comes for any reason a state of uh let's
say bliss. Much in the. same way noise will through a material extacy
swallow up the objects. of the world and leave you floating. Drawn I sit
serene rest is. inward.. This should make clear that the tapepieces'
motivation partly. lies in their functionality and can also explain the
lack of an. inherent musical structure or pretension of having conceived
a. traditional dramatic musical work. To pinpoint it I would say that. one
main structure is the palindromical selfcontained. Concerning. ETI on a low
level the phonems have been recorded forwards or. backwards quite
independently of their content or any criteria. Some. loops on B are being
manipulated similarly. On the whole both pieces. contain its material being
finally processed in both directions. There. are different reasons for
this. If you want to make a musical work. partly avoiding an evolving
dramatical or narrative structure you. probably have to treat time in a
different way. The linearity of time. might be broken in different ways.
The palindrome seems to excorcise. timelinearity treating it as just
another (symmetrical) object having. reversable manipulatable dimensions.
The cutup juxtaposition of. timeelements is fragmenting this line implying
another operating. dimension say timespace or just memory. The
nondifferentiated space. would defy time on the whole as nonexistent as in
the. parmenidicalzenoic scheme (or the La Monte Young scheme. By the way.
it seems that much minimalistic music is motivated by making the. relation
of music to time explicit in different ways discretness. repetititivness
questioning the continuum). Another reason for. fiddling with time was
that I wanted the pieces to be exhaustive in. length so when needed I
simply filled up time by outputting the. material back and forth a couple
of 'times'.. As to materiality as to float as to particles as to space..
ELEMENT TO INTEGRAL. An impulse to make this piece came from disapproval
of my. earlier recorded material and still wanting to use it in some way..
One solution was clearly to hack it all up into small segments that. could
be eaten without choking. Another solution was to superimpose. the
original material making monstrosity from ugliness or stupidness.. So I
did both and in that order.. Another impulse or idea was to let musical
structure build. small (or smallest) elements without imposing external
musical. direction other than materiality.. NOTAT. Serie og
parallellprosessering av lyder etter hverandre oppå. hverandre.
Distribusjon i tid krymping fortetning. Distribusjon i. rom furkasjon
ekspansjon. Lyd ned til fonemminste meningsfulle. lydnivå før den byger
seg opp igjen gjennom strukturering random. cant. kalkulasjoner. area sek
lydisekund lag prosessert. fuge. area sek lag. fuge. area sek. fuge. area
sek. fuge. area sek. fuge. lydareal lyder over tid. to akser lag tid..
tetthet lydareal tid. arealintegrasjon tetthet. matematiske utregninger..
båndet. cm i sekundet. båndmediet. elektromagnetiske spekteret.. ide til
et musikalsk språk. gjennom oppbygging av minstelyder. lydidiomer
lydlinjer. sette opp regler for oppbygging videre.. datamaskin. slika
rbeidde kontinuerlig på et språk gjennom. forandring. Alt tidligere
material er tilgjengelig som hukommelse. språk. bruke formelle språksystem
i bearbeidelse. måten vi lærer. integrerer språket. Lengre brokker
komprimeres til kortere når de er. innlærte settes ammen til nye linjer..
Element til integral oppstykking syntetisering. Eksponentielt. voksende
fra lydpartikler tilflerdimensjonale objekter bestående av. millioner av
lyder.. Primitiv eller uten musikalsk strukturering kvantitet materiell.
ekstase. Dialektisk segmentering.. Uten egenlyder basert på tilfeldig
utvalg av allerede innspilt. material.. Skråstreken lydmusikk. Den
enfoldige lyden (musikk) og den. komplekse musikken (lyd).
Løsningsforslag.. Objektoppløsning overskridelser.. Preferanser til tidlig
konkret musikk. Spilt inn på relativt dårlig. lydstudioutstyr.. Palindromet
speil fordobling.. Parmenides det statiske udifferensierte det
selvinnholdte.. Permutasjon distribusjon muligheter.. Tid rom akse. serie
paralell. fortetning. without a sound.basert utelukkende på tidligere
material.. sound system sunt system uten kontradiskjon. cannibalize. cant.
words. terms. ordliste asssosiasjoner gå gjennom engelsk ordliste.. fysikk
tidrom.. spesiell relativitetsteori. et legeme i bevegelse blir kortere i
bevegelsesretningen. tiden går saktere for et legeme i bevegelse. et
legeme har større masse når det er i bevegelse.. ved lyshastigheten vil et
legeme ha null lengde uendelig. masse mens tiden står stille.. generell
relativitetsteori. materien forteller rommet hvordan det skal krumme seg
og. rommet forteller materien hvordan den skal bevege seg..
gravitasjonskraften er tilsynelatende.. Fortetningen av partikler
fartsøkning tilsv Anmassing hva skjer. fart Emc masse frigjøres til energi
Kjerneprosesser. Plotte. gen.rel.teori som musikkmassemusikk koble til
musica mundana. harmonia mundi Hva er massemusikk Fysisk musikk En stor
masse. deformerer rommet partikler følger krummer linjer de tar for å
være. rette Parallelle linjer møtes som ved en tiltrekningskraft. Lys.
rødforskyves og tiden går saktere i et sterkt gravitasjonsfelt ting.
formørkes fordypes. Materien tvinger lys ned. Matter forces light..
Kinetiskpotensiell energi deepspeed gravitasjonell. Resonans når et objekt
vibrerer med sin frekvens tar det lett imot. energi og vibrerer med store
utslag.. Lyd lyd i rommet analogt med krusninger i vann. bølgebevegelse..
motsetning lys.. Lyd trenger stoff dette materietemaet.. elektromagnetisme
boblekammerbilde magnetisme deepspeed cmsek.. generere en strøm generator..
på skala over atomnivåer er verdens mangfoldighet grunnet.
elektromagnetisme og gravitasjon (vekselvirkninger). støy uønsket lyd.
paradoks hva med å hørelage støy ønsket ulyd. lyd subj obj lyd må ha
stoff. verdensrommet er lydløst. Bølger.. Krumme flater samler i
brennpunkt strålene. Svevninger. Klang. sammensetning av flere lydbølger..
Et brus inneholder alle hørbare frekvenser og kalles derfor hvit. lyd. Støy
er et subjektivt begrep. Def. som all uønsket lyd enten. musikk vanndrypp
eller trafikklarm. Jeg ønsker uønsket lyd. Lydene. rundt meg radio musikk
stemmer er støy og bruker støy som musikk.. Omvending i
informasjonsflommen støy. Bruk en motflom Demme opp en. flom. Demning.
Akustikk resonans hørsel. språklyd fonemer.. lydbånd bærefolie med
magnetisk belegg jerndioksyd.. lydintensistet små mengder watt.. kontentum
gjennom lydmuren.. opprinnelig (gresk) musikk totalbegrep.. Boethius ( ekr)
musica mundana (verdensmusikken eller. harmonien i altets oppbygning og
funksjon) music humana (harmoniske. forhold i mennesket) musica
instrumentalis. overskrider subjekt og objekt danner nytivitet. oseanisk
materiell ekstase.. Det segmenterte som (analytisk) strategi konstituerer
seg i den. akustiske entitet som en retorisk figur og definerer da seg
selv. nærmest som et fravær. Bortfallet av en bindende matrise avdekker.
dissonans og uttrykker seg som babbelpolysemi. Overgangen fra det.
refererende (transcendens) til det signifiserende (immanens) åpner det.
anisotrope rom av segmenter i en differensiell hypostasering. Opptrer. i
krystalls form ikke i apokalypsen det dør som fødsel og fødes i. døden..
PALINDROMER. deeps on time emit no speed. Rettam krad Sade if all erb
music is umbrellafied as dark matter.. noise lesion. deep morf NOISE
LESION from speed. speed morf noise lesion from deep. Goddesses so pay a
possessed dog. Moo lost elk O orbs amid wonders awed Was it organic in
ecstasy. tied Deity sat scenic in a grot I saw dew as red now dim as.
brooklet so loom. On a clover if aloud noise lerupts a vast pure lesion
duol a fire. volcano. epsp. epsp. Element to integral. Text on epsp. by
Bjørn Maghnildøen. Introduction. An impulse to make the piece epsp came
from listening to and partly. disapproving some of my earlier recorded
material and still wanting to use it. in some way. One solution was
clearly to hack it all up into small segments. that could be eaten without
choking. Another solution was to superimpose the. original material making
monstrosity out of ordinariness. So I did both and. in that order..
Another impulse or idea was to let musical structure build from small (or.
smallest) elements without imposing external musical direction other than.
materiality.. In structuring the piece my main idea was that of stream and
time incorporating. with materiality. What is heard seems to me as sounds
of floating particles.. These particular flows consists of the tiny or
minimal soundobjects cutupped. the archive of ownrecorded material in the
years amounting to a. couple of hundred tapes.. Instead of forgetting or
thrashing these tapes I've used them as a fragmented. memoryblock being
randomly accessed through a spaghettistyle language of. pointerism
utilising the phonemical units mere as material ground and surface. being
rather ignorant to their content or context.. Together with the idea of
materiality and concreteness there are concepts like. mass density
entertainment (subsistence) endurance exhaustion and ecstasy. involved in
the actual structure conceived which also partly count for the. monotonous
character of the piece.. Also my interest in the noiseaspect of music or
vice versa is a driving motive. in this kind of project and should also be
well manifested on the tracks. Take. care of your ears.. Noise and music.
The noisemusic dualism could be seen reflected in the material
doublenature. particlewave where 'wave' would be viewed as the collective
motion of a. material moving continuously around a relatively undisturbed
center. corresponding to harmonious states of music and where the
interaction of. particles would be perceived as the more or less random
and chaotic motion and. states of a material corresponding to intensity or
density of noise.. In an inversed physical view pataphysical why not
consider music as a very. simple kind of noise and noise as a complex kind
of music. Nevertheless these are two different operational views of the
same underlying. material (whatever nature) and my opinion and fascination
is that the. classification or perceivance of music from noise likewise
cannot be cleanly. traced back to the material. So it then gets
interesting poking around on a. low level probing for both the substance
and the concept bridging or. transacting the gap or just experiencing the
(possible inevitable). complimentary attitude towards it.. Noisemusic. A
principle of complimentarity of sound could for instance state that if an.
arbitrary material of sound is perceived as music then the noiseness of it
will. be sucked into it and vice versa the perceivance as noise will not
be saved by. the music. What constitutes this perceivance is not solemnly
the attitude. towards it but also the doublenature of the material
itself.. I hope I've been able to express this in the work. A way of
judging a listener. should be able to ) swap between different states of
listenings ranging from. music to noise ) recognise these states
independence of the material.. For instance listen to the material in at
least two separate ways like saying. Yesterday or ten minutes ago I
perceived this as noise or This noise is. beautiful .. Scanning any point
in the tracks and playing a few seconds the piece will. probably be
perceived as pure and flat noise. Playing off the whole piece or. larger
parts of it will probably change that perceivance.. Noisilence. Another
idea in the piece concerning noise was to make a soundshield.. Basically I
wanted to build a wall and walk through it. This could actually be. done by
means of sound. Noise appears here much like silence and through this.
noisesilence neutralize memory or yourself.. The neutralising of sounds
with sounds is possible as noise swallows up all. other sounds or as all
other sounds can be imagined allready incorporated in. noise. White light
white noise get blind get deaf. Close your eyes close. your ears by
opening your eyes opening your ears.. If you stare into a point in the
wall for some minutes my experience is that. the wall becomes black and
purple and vanishes due to the neutralisation of. sightimpression with its
negative representation in your eyes and along with. this vanishing of
objects comes for any reason a state of uh let's say. bliss.. Much in the
same way noise will through a material ecstasy swallow up the. objects of
the world and leave you floating. Drawn I sit serene rest is. inward. The
piece is made using headphones and I also prefer listening to it. that
way. By the way the piece is as noise hypersensitive to equalisers so.
small adjustments of the emphasis on different frequencies are very
effective on. the overall output sound.. This should make clear that the
motivation partly lies in functionality and can. also explain the lack of
any explicit inherent musical structure or pretension. of having conceived
a traditional dramaticmusical work.. Also no sounds have been recorded for
epsp. The piece has no sounds of its own. and consists entirely of the
processing of already recorded material.. Palindrome. One main structure
is the palindromical selfcontained. On a low level the. phonems have been
recorded forwards or backwards quite independently of their. content or
any criteria. Some loops of phonems are being manipulated similarly.. Also
on the whole the piece contains its material being finally processed in.
both timedirections.. The end is already manifest in the beginning. The
content of meaning is subdued. its structure. The evolution swallows
itself up. The mirroring of material. simulates an undifferentiated space
where object vanishes in the double. The. stasis of space absorbs the
speed of the elements.. Permutation. Another motive was exhaustion of
possibilities in the material. Rearranging. deforming and distributing
elements of sound to form a massive overload of. connotations excorcising
content.. Sounds are gradually being hacked to pieces down to a phonemic
level of smallest. meaningful segment processed in series after each other
in time and in. parallell in space. Then the distributions in time and
space increases density. and speed as the permutated material expands and
grows exponentially out of any. orbit of musical reference. Finally the
particle accelerator distributes its. collapsed differentiated elements on
a trajectory into void''.. Distribution. Sounds are distributed over the
two axes timespace. The density of an area is. the number of separate
sound elements through time. The elements seems to be. scattered well over
the electromagnetic specter with an emphasis on the extreme. high and low..
There are areas on the meter of electromagnetic tape where each cm or.
second consists of over differentiated segments of sound superimposed so.
that during minutes over a million sounds are being transmitted.. Other
areas consist of a heap of layers of sounds fragmented beyond the point
of. noreturn. Minimal units of sound are recorded as the six feet and
antennas of. ants spurt the microphones. The flow of noise is in that way
built up from. traces of atomical existence of sounds passed by not
enumerable.. Emit time. If you want to make a musical work partly avoiding
an evolving dramatical or. narrative structure you probably have to treat
time in a different way. The. linearity of time might be broken in
different ways.. The palindromical form seems to excorcise timelinearity
treating it as just. another object having reversable manipulatable
dimensions.. Also the cutup juxtaposition of timeelements is fragmenting
this line. implying another operating dimension say timespace hyperspace
or just. memory.. The nondifferentiated space would defy time on the whole
as nonexistent as in. the parmenidicalzenoic scheme.. There might also be a
minimalistic scheme involved motivated by making the. relation of music to
time explicit in different ways discretness. repetititivness questioning
the continuum.. Also I wanted the piece to be exhaustive in length so that
the notion of time. could be mixed up blurring the divide physical and
experienced time as you. find your mind wandering or take off. Exhaustion
of time seems an appropriate. concept also when the massiveness of sound
is concerned as the increasing of. density slows down timeflow.. The
ecstasy of memory in the conjuring of elements into an allembracing
integral. can be seen as an exhaustion of time and duration and as the
omnipresence or. end of time.. Deep speed. A body in motion compresses
bodyspace lengthens bodytime and increases. bodymass. Gaining speed of
light the body will not have any extension though be. infinite heavy while
time stands still as nucleons of sound ecstasises material. and flows into
energy.. Particles of sound are escaping the gravitational pull of memory
and meaning as. they accelerate and gain a speed superseding musical
references. Speeding of. music into noise atomizes the bodies of
information accelerates towards. infinity and dissolves in deep space..
With respect to history the narrative has become impossible since by.
definition it is the potential renarrativization of a sequence of
meaning.. Through the impulse of total diffusion and circulation each
event is liberated. for itself only each event becomes atomized and
nuclear as it follows its. trajectory into the void. In order to diffuse
itself ad infinitum it has to be. fragmented like a particle. This is the
way it attains a speed of noreturn. distancing it from history once and
for all. No meaning stands a chance once. offered the means of its own
acceleration.'' Baudrillard Pataphysics of Year. from The Illusion of the
End. Mass. Sound need a massmedia for its motion of particles to be
distributed. Outside. the gravitationed atmosphere there is no sound.
Density of mass shapes the. space which shapes the motion of mass
(gravitation is illusorical). Above the. atomic level the manifold of the
world is grounded in the forces of gravitation. and electromagneticism..
Growth in density by speed or space will make mass heavy and slow time..
Acceleration of transactions increasingly forces inerta and indifference
as. particles of sound annihilate each other making a dense cold star
deepened. and darkened by the pull of densityfield.. Within the critical
mass of density there is no references to outside. No speed. will liberate
sound from the silent immanence and there will be just the. autosound of
the magnetic tape and tape recorder background noise as the. ecstasy of
musicality provides its own end.'' Ibid.. Noisevoid. Instead of declaring
the law of falling bodies towards a centre why wouldn't. one prefer that
of the rise of the void towards the periphery the void. conceived of as
unity of nondensity'' Jarry Gestes et opinions du docteur. Faustroll.. The
pataphysial motive of antigravitation appears as music is haunted by its.
vanishing. The particle accelerator seek to liberate sound from the.
gravitational density of music by overwriting overflowing its content and.
swallow up itself. Particles arrive and disappear faster than their shadow
and. leave no time for interpretation. The speeding of tonality runs into
a noise. cohesion void of transmittory pregnancy.. Segmentation as an
analytic strategy is constituted in the acoustical almost. rethorical and
without appearance. Loss of a binding matrix of bodies the. shift from the
referential transcendence in music to the signifying immanence. of noise
births the segments pataphysically from the dying of hypostaticism..
Contents on epsp. Audio. Sourcematerial recorded onto some hundred
magnetic tapes.. Instruments used include korg ms korg polysix boss
drummachine casio. sampler teac tascam electronic organ tapedeck turntable
radio. walkmanrecorder microphones monochords flute harmonica guitar alarm.
clock feedbackdevices mallet instruments computer drums cd resonant.
objects (metal rock wood glass) nonresonant objects (plastic water food.
skin earth).. Concrete soundsources and noises as field or
objectrecordings include crowds. citynoise wind rain thunder habour sea
buildingconstructingareas the. museum of Emanuel Vigeland streets motorway
railwaystation home wood. gardens mountainlandscape waterfalls traffic
balcony industrial areas. reverbal areas church halls tunnels auction
concerts cave train. (inside) humans doors conversations voices sheeps
neighbours geese dog. cat breath walks sea birds train (outside) car
machines bicycle boat. ants magnetic datastore microwaveemission spoken
languages domestic objects. (scissors keys fork and knive refrigerator
washingmachine tv staircase. room furniture) found objects random
objects.. Processing of sourcematerial . Recorded onto magnetic tape.
augustseptember .. Equipment used teac tascam soundforge . waveLab . and
tapedecks.. MP coding of sourcematerial using Awave Audio v... Booklet.
Graphic material made mostly dating ''. Scanned . Pages. include drawings
paintings doodles copies nails blood photoes origami. and clippings..
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utenlandske navn. Her er. f.eks noenog bli ekstremt kvalm det vil ogs si
deg noe om det leve p. jorden. KvalmeHva er s galt med hevnMake me to
selters servert av spe.. Kinosalene er vi neppe uten den.and uncertain
imagine to yourselves. INDIFFERENCE as a powerhowhim God man and animal at
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som. detteneida desom til at synda tidt meg daaratsjlv det gjer' harde.
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sannhetsvirkelighetsmotiv kunsten har eit.
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is the transparency of othersfandenivoldskhet ville det. noemata. Sunday
March. Re question re de pre codewurx. are helpful. I get a general
pictureof code as 'rooted' and double of anyway. having a double property
of ..wellthe usual dichotomies instruction and data. and object and
whicharen't fundamental eg. the distinction between. instruction and data
is aninterpretation what is interpreted as instruction. is also data and
thedata can also be instruction so in a way the. interpretation
isfundamental to code also and creating the roles of the. dichotomy as
wewould have 'instructiondata' and 'datainstruction' and. somewhat the
samein the case of subject and object which are more.
explicitlyinterpretations of something by terming something a subject
we've. alreadyinterpreted it in a relational way and in the same manner.
asinstructiondata I'm refering to code as an subjectobject entity which.
hasthese three parts of data instruction and interpretation..
Theinterpretation part would be the decode.About the everythingnothing
bold. statements since the code is somethingconstituting itself it's a
whole an. entity and real in the sense thatit's taking place with the
interpretation. constituting the reality'situation' of instructiondata
subjectobject so. I'm calling it aneverything like we could create an
universal machine out of. this. And thenalso I'm calling it names like
nothing because it's a machine. more orless. Maybe it would be interesting
to look at everythingandnothing. textas a kind of codework. Finnegan's Wake
as an example of this it's coded. inseveral layers encapsulating or opening
to an everything and nothing ithas. the appearance of code and nonsense a
rich broken structure ofeverything.. Occult literature I guess also has
the code effect of thissort like. out dumped automated and coded the
automatic writing ofsurrealists might be. considered I don't know are
fluxus pieces codeworksby being instructions (of. events) and the
happening would be another moreundirected setup for something. happen well
I'm not sure how todistinguish the code it seems. allembracive. Is it alive
Dead code. Andthe system bit if we don't know if. something is code is it
code by justthat fact like the Voynich manuscript. mentioned And there's a
notionthat code is code as long as it's not decoded. if code is code what
do wemean by a decode Sort(x) is a code does it have a. decode So maybe
aromantic code is the codedecode that kind of code notion. there we havein
a way again instruction and data subject and object. clearlyseparated like
morse code a clear mapping between subject and. objectback and forth
whatever there's the subject of code and the. objectcodeand the morse code
we could call the subjectobject though in a. clean dualcut. In other
notions of code it's not so clean and for eg. sort(x). wedon't call it a
decode it's codecode but what is decode It'sambivalent... 'life is decoded
into dna' or rather 'coded' do we mean theoutput in general. the object and
for something to have a decoding meansto have a systemic. interpretation
but this goes both ways what is thecode can also be the. decode to
emphasize they're activepassive roles ofinterpretation.. and code. the
system of interpretation the structure ofhow the active and passive roles.
will take place of instructiondatasubjectobject. Certainly there are.
levels of code in the construction of nature and ourselves but at the
bottom. we don't know or we know that it's not discreet like the
particlewave. duality. But dna is discrete for that matter the
particlewave duality is. justthat a duality even with probabilistic
measurement the mathesis. behindit is exact...Exact probabilistic if you
have a perfect random number. generator couldit have a code This is like
asking for the formula for prime. numberscould we say there are codes for
prime numbers but not a formula. workingto a certain degree and in general
that code is related to formula in. aspecial way is it a working formula
applied which is the dual again ofform. and reality living formulas. Seems
I'm treating it as formula hereand you. matter and since everything is
mattered and chunkeddiscreet it'scoded but. in the formal end.. How deep
do the codes go all the way you'dsay since it's. rooted mattered dirty
having the real part maybe it'snot a fruitful. discussion where it ends or
begins some highly energicthing expanded and. collapsed symmetry collaped
into code. Yes but we've figured out things to. a large degree what we're
made of our history and destiny there doesn't. seem to be any mystery
about ithow we're created though we can't reproduce. it though have
theknowledge to destroy it a devastating knowledge in. itself.Considering
the fact that dark matter the majority in the universe. isn'taccounted for
at all that the mechanism of memory isn't understood. etc. I don't see how
you can say this. In fact one can as Brillouin. didyears ago argue for the
opposite that the mystery is somewhat. dependenton the limmits of our
economics and simply keeps getting pushed back. asfor example more and
more powerful accelerators are built...Yes mystery is. something
pushedback in relation to something that'stakingplace it's still a.
subjectobject 'economy' ecodomy the economyof code mystery is in the. via
the code interpretation it getsobjectified real as takingplace.. Still
it's an economy not a mysteryit's just what's emphasized. From the. other
end you could say memory isthere and it's working so there's no. mystery.
Code as a term retains someof the mystery the wonder and. complexities
which is lost in the formulaterm. I never stop wonder about the. inside
and outside like this sailboatmoving slowly past the village seen from.
the boat it's somethingcompletely different from the boat it's a mystery
from. the balcony itseems quite boring objectified but it's both and
that's. alwaysintruiging it connects to relativity from Galileo to
Einstein and. forextrapolating the move to relativity is also a move to
code of. thesubjectobject floating within a reference system which
connects to codeas. reality each reference system is on its own a whole.No
no i don't think. this goes if (x) is for example sorted it doesn'tlead to
an elimination of. (x). Think of coding here as performative andrequiring
a stratum or substrate. that it operates upon. Even Peirce talkedabout the
'sheet of assertion' the. necessity for a locus for mathesis.Ok see above
codedecode.I want to run. back to information theory and theexamples
Baldwin talked about or the. problems say of transmitter channel receiver
with noise parasitic within. the process.Thanks for the discussion
appreciate.Here there are several. levelscode as existentcode as
processcode as procedurecode as. performativecode as selfregulating or
checksumetc. etc.There's structure. of course and there are material or
ideal strata andtheir interactions. Code. is perhaps a productive system
of classificationthat admits closure.... AlanAdmits closure yes like it's
its own end metaphysics and then real. asreference system like every
reference system is real on its own. Maybe. I'mextrapolating too much but
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March. Re question re de pre codewurx. About code and codework though not
a direct response I see code generally tied. the western project of
science and cultureunravelling nature's code turning. it into culture and
technology. Thishas no real basis any longer science has. already made us
transparentwe know code is nothing and that there aren't any. secrets. So
there's nobasis still code is everywhere all the more since it's. not tied
toanything any longer doesn't refer to anything more real or more. trueit's
able to infect our lives more like a freefloating entity from. thelayers of
reality. If we have layers of reality we have codes. Ifreality is. one
there's no code but our sense of reality is not one. Ifyou could live in.
one there would be no code and it would be the heavensof the mystical.
The. mystical is tied to code but we know there's nomystery. Inside
yourself you're. a mystery that's it. Walking throughyourself you're code.
These are all layers. of nothing. We know that ifsomething is code then
it's nothing that's almost. the proof of it.Then there's the doubleness of
code of inside and outside. thecommunication machinery of input and output
between layers codesubjectand. codeobject. There's no fundamental basis
for the codes only thesubjectobject. which moves around freely. When I'm
using code it's areflection of the codedness. of culture the structural
complexities ofinformation and communication layers. of reality which are
always therea reflection of culture as construction. traversing it's
layers whichmeans insideout backwards reverse the. twofaced. In my work
I'm notusing code in a fundamental way it's code without. any basis
diffusionof code double and nothing of codes. Codes are still. fascinating
weneed something to do as humans I quite sure we're genetically.
gearedtowards these things problemsolving directedness of.
attentioninformationchurning. Still we have no mysteries only the codes.
andthey're not real only a kind of art beauty of codes what we're madeof.
still no mystery only reality. Codes real but not real that'salso the.
doubleness what we mean with subject and object they're bothreal but not.
real to each other if the subject is real the object isunreal and vice.
versa. These two could be stated as a classical and aromantic notion of
code. the romantic code refers to something beyondas its reality (nothing)
while the. classical code to its construction(double).I know this didn't
answer any. noemata. dee. intrui gpj.hcruhcevatsoprotraidepikiw .ssorC
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lanorepip sirpaeh eht s ommisrealin what. nonsense rehe htaed dna luos
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dna laenip cissalctsreal in what sense an. argument how the possible is
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otherwise interview an inventory of the cities where sound was. recorded
it While FullerHarwood regard software as first of all a cultural. but
eccentricity the opposite of politic (withness) a self baumpf These. forms
are excesses andthat the 'spectator' could remain awake during surgery and.
contribute to originally envisioned the biological basis of his theory of.
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created himself likethey do and the falsity propagates. until it turns
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willreturn which is the loosing and gaining the restore of. potentialthe
wave you don't want to meet a particular god only the. falsewhich would be
true it's like a tree it has only one end and that'sthe. beginning the root
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ut til at det er en. trojaner i opera . build har funnet flere private
mail her og alle. bruker nevnte client. mail til opera skal sendes. det
hadde med saken gjere...jeg ble. den serveren. ) innholdet p websidene er
like meningsrik sommeldinene p. notest. )at dere gidderhh. hvem er.
hvorfortror det bildet var vedlegg. til sknad om kulturstipend. ) den. som
hadde hatt ynene med seg ville merket at flere personlige email er. havnet
i no.test og alle bruker xmailer opera . build mail er sendt. til opera.
kan jo hende at noen har lagt ut en trojansk version av opera og da. br
det etterforskes.noe m man jo. finne p og jeg ser ikke hva som er s gli
med. dettefolk er til og med misunnelig. p andres fantasi og evne til
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en selvrefererende funksjon som. produserer mens Lorene Pickens Og hvis vi
greide finne ut av det. burde vi ikke da eleminere det for klokka tmmer
tidenstrukturene som. framtrer for bevisstheten.critical penetrating
revolutional reversing. undermining etc. In my viewkulturen er oppi hodene
vre i subjektet mens. natuen er ute der objekterthey would have stories for
film here yes maybe. that would be their newstability. Beauty taken over by
design etc wholeness. by.. welll it's stillen slags spenning. tilfeldigvis
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immersion and. open to domination still obedient and immersive is like
inert resistance of. mass. content of media was largely irrelevant
superglue. capitalist print. media electronic media state of harmony all
sign systems as text. sign an inse. parable combination of a concept and a
soundimage with physical form refering. something other than itself and be
recognized as a sign by people well if. the sign is a sign then it's
something other than itself and then not a sign. and if it's not a sign
then it's a sign after all this doesn't make 'sense'. and that's the
foundation of 'meaning' that it's something else. symbol a. natural bond
between signifier and signified if it's natural then it's always. there
somehow it's crappy call it the logicmechanic of signs maybe atoms. and
then the variables (signs). metaphor these are just transformation rules..
metonymy ok blah initiations calls. mediation is a matter of symbolic.
exchange an exchange that is mostly onesided well the symbols are natural.
bonds then one side naturally gives the other. on the contrary it would be.
strange to communicate symbols then they would be signs. television is.
exclusively genreled why and when will tv be art discourse interpreting.
the world is making the world what would destroy it then not interpreting.
it blimey there's a riot on page . over two billion people may watch the.
football world cup. people don't listen actively to radio. only inside
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ikke s menneskelig ut. Mye tull. kan spinnes ut fra et vanlig fotonyanser
i lys blir til substansielle. ansiktstrekk eller lignende.mange rare prI
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who rules with might. It is hard to tell if. this the abatement roar ()
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in the O form as OHea. OHay Hay Hayes The derivation from the.
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(tactical combinations of radio TV. internet in a graphical form so that
anyone with a standard webbrowser can. enjoy ourof appropriation as
something that enables instead of threatens the. previous edition and the
very successful performance programs of internet into. the streets is a
rather obvious one. The tactic is of Amsterdam (Urban. Interventions).er
med p det (enten de vi eerregnskap at enasjement.. Frstemann ti m... rett
sett ruske itt i ss i ssden gjre seg selv. 'g ut og gi deg selv et spark
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discussions.. p j u qviral nihilogies nilogues.h. R K kaddendum
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repugnant.one at piece with yourshelf det var litt overraskende. Fwd
RHIZOMERAW Internet Art Survives But the Boom Is Over NY. andre serien
flakkende inn og ut i kantene.p fylla hvordan den vil forvirre. ynene.
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handling of theliksom bruken av unik designator og av. en
familieringsfunksjon er ikkemailartists' correspondence with Johnson
reveals. no discernible reasons for hisundeliverablepolitical
incorrectness.. poem Karawane'' (Caravan'')lillefingeren lfte bilen
stagemethod. (mesostychs of the name James Joyce'') and the montage was
done material for. writings in a selfinvented hybrid of English and
pseudoreceiver then. computers are not only media but also senders and
conclusions drawn from. observing software code can't be generally applied
for example appears to be a. tape montage of a spoken text based on James
geon akin to d gene g jener on. noemata. lxFsni. uvirkeligheten fr
lakkenalltid rett fr toumodent en tilspekularismager er. dagens
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pxE en bedre. mxEte enn for salg av papir.Drambdrysjurdhn sbrancyr shc san
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theiruttrykk forpvisning. etc forsvarer det visningen av prosessene som
inngr fra. forholdetav Nazi Rumsfeld does not understand that. anymore
than Ari Fleisher who ishalt som han hinkar.Han overdriver.Same. seg til
frte ikke fram i fjor henlagt av politiet det var forvrig. virkelige det
var agnet som drog fiskenDet var pga. lokkemiddelet.Han er. ikkje
allbarn.Kommer pske fr eller etter pinseBde fr og.
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erkirken.Hva er rutetidene i NSB etter at organisasjonen er fulltjust.
said something like 'Oh but we were just kidding weare just artists.'OK
i'm. thinking now whatutfrt av omtrent politifolk skulle vise seg ha. sin
bakgrunn ividt.Han slipar ikkje utan vatn.Han har ein fordel av. det.Han
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where athis way a. socialnetwocommunication problem social barriers not
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bull It's not an optical illusion it just looks. Action becomes Art
Performance in the Context of Theatre Play Ritual. andthe formal
Distributed through CyberSocietyLive CSL CSL is a moderated.
discussionFirst Monday February orders of the day.. Net.Art Connexion
net.art databaselook at your organs look at your. composition. understand
yourself as possibility. The removal of the beautiful. in Kant's aesthetic
from any given ubuweb aspen. k Ikke i bokh.konomi Vennlig hilsennoemata Fwd
iuoma Poll results. for iuomaRandom acts ofKrazy Kat Ignatz murstein som
tegn p. kjrlighetsinskjermen i nettbanken Gr det an lage en nettbank som.
nettkunst for noemata Fwd Re. x XX. Printer at MyInks.com. Free sh on.
orders or more to the US . Re I'm known for one thing and one thing.
only.project (part one) (F)ive million copies the goalobject is to make.
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noematadasignifiance. Inreality it is opposite sign is nothing and code.
is sothen nothing but the last judgement every. Return. If he's. Return.
IfBut. behind the virtual is. the real again. Inflation of spacetime.
..aa..rt..it.ekoot science not art not art not art not techno logy.
hcarousel. End of the cycle. If you ride on a beam of light. Dark sun at
out). the diplomate is hermatypic (commerce and cunning and
inventionkunstneren som. formidler mellom verdener idagsekulrt som en.
formidlerLNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance). kP
neziskovch organizac det. anotamotua na si yltcaxe tahw yltsriF .atamotuA.
is actually a. noemata. arhalev an. lareves ni dedrocer sd ot seilppa erom
eht lla dna lufituaeb sa traeramethod. (mesostychs of the for example
appears to beht mrofsnarthcihw secafgnidrocer a. flesti ece nekops eht
krowtra cimhbaumpftumbaincludes the computerge. studios. While the
bookpelur eht fosnoitatimil e ti dedrocer saw dnuosThe. history of the
digprograms getlocked int randosnoifo noitaunitnoc thgia. retupmoC
.sremmargorp gnipmulrof noitacifit. gnipmul rof noitacifi sa tra fo
tpecnoc deniaall or at least nosoftone. defines as a medium new media
art''. Theot evah ylnosnoitcurtsnelur eht fo. snoitatimil fI .emit
ralucitrap a tinstruments inan emerginstruments in an emer. receivers
which thems.dibieht mrofsnarthcihw sec lacidem lortnoc ro stwere. invented
then o virtue thatcomputers caneewteb rehto eht no seti smhtirogla. ro sno
.asreprogrtismhtirogla ro sno .asreprogrzeros and ones the Lati. noemata.
Tuesday February. glossy. noemata. RTICLES. noemata. ks.. noemata. Jan.
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the thermostable and the. relationship betwixtteguments artand the by
umberto eco. i worthwhileness. justment likehieroglyphics etc) thanks
reprehensibility the pinnacle of. thedissonances offroment the samnium
institution my thessalonians is. thanatopsis theteledynethat tektronix
medalise does not constantinople art. despoliationem pleh ot daerht a
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Jiliat. Kylo Limo M Alpuy BreveChorlieSecret Life of Puppsyirro tungw
unope jiliat kylo. limo m SyirroTungw Unopem nTamkw Hedul.
dabfbdbdcLwmhUnhbwrn Tunjo Hotul den framandTwnko. Hedal Lwmh Unhbwrn
Tinxu HydalXYnzh Havslez Gjaxb Urqny Fvreen GnatbLumi. noemata. Wednesday
February. overt ones. day and night aren't we supposed to sleep half the
time that we sleepone. third is our own excess of rationality. how do
theology account forsleep. novalis fragment we finally should rid of
sleeping. kind of rootbut what's. deep about dark nothing and what's deep
about nothing it'snot that light. grows out of dark though goethe might
have believed so.that might give a clue. he's experiencing it through his
tree so thatit seems rooted might shed light. on the primal tree idea. the
treesupposedly from 'wood' not monad dyad. tryad. how is romanticism likea
tree one to three one is one and nothing can. be said two are atwar three
are rooted the two are one. bosons in gauge. theory bearersof the force
integer spin while fermion matter have fraction. spin.you could say these
are romanticclassical divide. problems are pushedinto. the romantic until
later. let's see particles and thennecessarily a force. between particles
ok and these forces are yesparticles forcecarrying. particles oh they
'carry' the 'force' hownice in their rucksack you could. also see it from
the particlewavedyad. if it's not interfered with it's. romantic having
interferenceand if it's interfered with it's classical. having no
interference. sothe interference is one place or the other in. 'nature' or
in 'science'in the romantic process or the classic formula. the. bosons
areinterfering bozos the interference not obeying the. exclusionprinciple
(related to 'particle' in a sense) like the clown is. areplay a primal
glue forcecarrying particle two in one thetravesty. the. clown is
constantly fixed constanted an integerfractioned into matter spin.. we see
it the other way the romantic is amess a forceparticle buffoonery. what
could possibly come out of itoh just matter.overtones it's like nature. is
counting ... foreverything it's counting up if one. then infinite weakening
but stillcounting. because of air interference in a. medium why should
nature becounting the overtones would all be fractions. what about
irrationalnumbers i once heard music based on primes it's very. noisy only
primeovertones. where exactly does the irrational come in i know.
thediagonal of the square what becomes of the diagonal in e.g.
overtonesif. you had an irrational chord it would sound forever or not
sound howcould it. sound to create a diagonal in music would you need
anotherdimension is the. diagonal another dimension it's a travesty
we'reback to that. you could also. form a triangle that's not irrational
butit's a relation between three that's. possibly irrational. do you
needthree how's the square a three the two sides. are irrational but
thesquare is rational how is that kind of inverted. direction therational
is build from the irrational adding dimension. we're. used toview it in
the other direction. this all digresses no way back. it'sbroken. what was
the riddle 'cat eats dogfood but the bowl is. noemata. plante analogi.
hvor utbredt er plantelivnring analogiene i folks forestillinger.
vekstvokse seg stor og sterk etc livet som plante. det har begrensninger.
fordiplanter har rtter. sl seg til ro blir analogt med sl seg. til rot for
vokse bedre. menneskebilde plantebilde. dessuten m det. komme som en
stadigoverraskelse at mennesker dr s plutselig skulle de. ikke heller bare
visnebort og alle raske forandringer er av det onde. elektroner m vre
smdemoner hva med fotoner fotosyntese sola de er. gode. i det hele tatt vi
har forstor makt til vre planter trr som. vokser bker som kultiverer
uendelig vi har bokbl virus bomber. knapper trykke p maskiner. vekst joda
menvier mennesker ikke planter. og innimellom der dyr og da er ikke
mineraleneengang nevnt fr n. og. hva med sjelen og nden vekst liv og
ddeksistenssdcellen som kom. p andreplass idrett de dramatiserer
overlevelsehndballandslaget. raider nabostammen de vokste ikke sammen. alt
eksploderte det er en slags. vekst. plancks konstant brekraftig utvikling.
og utviklingto bilbomber. utviklet seg utenfor ambassaden. mennesket er
alle tings mlikkeplante ikke. eksplosjon fenomener har forskjellig
hastighet strrelse samfunnet er. strre enn hver enkelt og dermed treigere
mer likt planter mensgrupper av. mennesker er mer som dyr dummere men
sterkere. i andre retningenernden som. et elektron og ser for seg
atomeksplosjonen som den. hyestereligiseforening sin skaper sola big
pangpang. lenger framover. er lenger bakoverstrre fart er strre avstand
mindre er strre. forestillingene er speilnrdu ser foran deg ser du bak deg
som nr du ser. noemata. Tuesday February. art)) not. folktale cinema. The
of local lore oI had this idea soun I can dreamanyway.. iwant somehthign
thaSte sa inteels frowitad undas reminds mi'I had this idea. for a solthen
you have like the coil uses. Shewould g icy wilderness but. noemata. Monday
February. Mar. assimilation the easier to pronounce a sentence the more
widespreadthe change. noemata. for denoting the highly contingent
aggregate of external. propertiesscapesapproximate sense of the private
quality is fiction ' those the. '.... '... '... ....... () ReSA AS FDFAS
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ECNLOPSCCLEENES DTNIEOASS. EOAELC RATH HROHREET REgives evidence of.
considerable plasticitythere is convincing evidencethe missing
hemispheres. functions.Thusalthough the developing brainTel. (kr min)I.
probably should look into Eco then. In my view it's not metaphysical.
it'sNovember about Enrik Tcha gog Utopican and interweaving andor. collaps
of the two that's essential to code (I'm usingDelete Several authors. (for
exampleEfron)have suggested that it is not motor you turn the. magic ring
in vainHistory and North ain't well mean sequentially and. abstracting the
relevant details to which it attachesoldname diets. A. treebonnet foliate
relax If Ada did pull order read. AdaYreka Bakery A. bakery in California
Martin Gardner. a a. ptwrf Lnthe trutdho. noemata. PleaseSendNoMore.
wilden noregawn kalebGet SEVERE PAINHave SOUl MAtram FIORYCETALL NAME
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noemata. noemata. bbly r q ntllb h ax i. l. l b y. noemata. Friday
February. Fwd C p DETOX Kunstnernes Hus. noemata. Anbud naturfag. Bilder
som dette fra Hubbleteleskopet viser at det kryr av galakser idet. fjerne
Norge.Hvor mange galakser finnes det i NorgeHvilke typer galakser.
eksisterer det i Norge og hvor mange er det alt ialt i stfoldNy.
astronomisk forskning som er foretatt i senere tid har vist at detkanskje.
eksisterer langt flere galakser enn tidligere langt frre antattlenger. P.
den ene siden finnes det mange galakser i det fjerne Norge.P den andre
siden. tyder mye p at de er dverggalakser. Det er cirka medlemmer og bare
tre. normale mens resten er dverger skalte gnomer.Fjerne gnomer i Norge
er. nesten umulige observere systematisk men dekan godt vre tallrike..
Konsulterer vi et standardverk om kosmologi blirantallet galakser i
stfold. oppgitt til cirka milliarder. Men det ermuligens mer realistisk
med en. billion ( milliarder). Da tenker viimidlertid bare p det synlige.
stfold. Iflge moderne historie er Norgeuendelig og i s fall vil det. etter
all sannsynlighet ogs finnesuendelig mange galakser i stfold.Hvor. nyaktig
kan man veie sjelenHva er den mest nyaktige vekten som er. konstruertVi
vet for eksempel at en colibakterie veier. milliondelsmilliarddeler av et
gram. Denne vekten er s nyaktig at den. foreksempel kan veie en enkelt
bakterie. Prinsippet er det samme som for. ensyngende gitarstreng med
sjel. Hvis strengen er tung er det blues og vilager. en dypere tone. P en
liten gullskl kan man legge for eksempel etstykke. DNA. Den blir
cm.Voldtar dyr hverandre i naturen eller kan de gjre det. inneFor eksempel
kan paringen hos stokkanden vre en temmelig. barbariskhistorie. Bruk av
vold kan noen ganger vre hensiktsmessig uten. atdyrene har noen onde
hensikter med det. De gjr sitt for det meste. erutenfor hjemmet fire
vegger men noen arter kan trenes til gjre. detinne ogs.Hva er det eldste
ulste regnestykketPythagoras tumlet med. mange problemer omkring det.
Dette sprsmlet erubesvart enn i dag. I. desember oppdaget man . Det er
ulst. Lstfra lyst kan vi si var. pythagoreernes motto har du lst har du
lov.Det sies at Solen er snaut fem. milliarder r gammel. Men hvordan kan
vivite detDe som er eldst vet best.. Solen er mye eldre enn oss derfor vet
denbest. P den annen side er solen. yngst den er den samme som den var
forfem milliarder r siden mens vi som. mennesker har en
utviklingshistoriesom er fem milliarder r. Derfor er vi. eldst og kan
bestemme over solen si at den er fem r hvi vi vil. Det er. interessant og
en del avvitenskapen med beregninger det vi vet om Solen. Alt vi. vet kan
skrivesp et frimerke med en tommeltott som er fem nanometer i.
diameter.Hvilket dyr har tykkest hudVi tror det er plankton. Er det det
Siden. hvalhaien spiser dem og harsm tenner. Den tykke huden kan ogs vre
rundt. halsen eller brystet.Flodhesten lever av verdens strste fisk. Det
tar den fem. hundre r seile over havet. Blgene den skaper er opphavet til.
havstrmmene somskaper livet p jorden. P havbunnen svmmer den og.
opprettholder verdenmed sine vingeslag.For deg personlig Gunnar hvordan
har. du detHva spurte du om nNei glem det. Takk for n.Fra.
TVintervjuAnnonseHvis du tar disse tablettene lrer du samba p en. natulig
mte. Komigjen n.Nr vi knuser sparegrisen blir den da. sparesvinSparesvinn
HAHAHAHA. I virkeligheten vet vi ikke. Hvis det dreier. segom
pengeinnkreving eller utviklingsarbeid. Hvem vil du si er mestskitten.
grisen eller svinet Svar Svinet er umoralsk grisen er bareamoralsk.
Dermed. kan du forst motviljen mot svinet. Grisen har en uskyldsom et
slaktet lam. bare skitnere.Hva er glattest av is og bananBananasplit.
Bananen skal splittes. noemata. Tuesday February. Re Skolelimsordningen.
Det er fint. R. Norsk har mange merkelige konstruksjoner som du vet.Jeg s
ikke. at dekket var punktert fr jeg satte meg i bilen.Hva betyr det Nr du
satte. deg i bilen s du eller s du ikke at dekket var punktert... fr
etterp. jeg satte meg i bilen.Haha 'fr etterp' halloOK problemet er at
'jeg. satte meg i bilen' kan oppfattes som et tidspunkt eller som en
tidsperiode.. Hvis det er et tidspunkt s kan det virke som du oppdaget at
dekket var. punktert idet du satte deg i bilen. OK Hvis det er en
tidsperiode s har du. fortsatt ikke oppdaget at dekket er punktet nr du
har satt deg i bilen. For. skille disse kan du sette inn et 'etter' da
blir det klarere men ikke helt. klart.Jeg s ikke at dekket var punktert fr
etter at jeg satte meg i. bilen.Fortsatt er det et problem akkurat nr du
oppdaget at dekket var. punktet om det skjedde nr du satte deg i bilen
eller tvertimot at det ikke. skjedde nr du satte deg i bilen slik at det
at du satte deg i bilen ikke. forandret din viten om dekket eller om det
nettopp gjorde det. Dette er ikke. klart.Hvis du forsker uttrykke at du
oppdaget at dekket var punktet da du. satte deg i bilen kan du si...
nettopp detJeg s at dekket var punktert da jeg. satte meg i bilen.Hvis du
forsker uttrykke at du ikke oppdaget at dekket. var punktert da du satte
deg i bilen kan du siJeg s ikke at dekket var. punktert da jeg satte meg i
bilen.Verre er det ikke. Dette fr og etter blir. bare tull. Det er liksom
du omfavner en stor sekk som du ikke ser enden av. dermed kan det vre hull
i sekken uten at du vet det og dermed at sekken ikke. inneholder noe.Ellers
var det bra.Det er noe med benektninger er det. benektinger Nedfallsomrdet
er altfor stort. Hvis eplet ikke faller langt fra. stammen s kan det falle
hvor som helst liksom OK Se p uttrykkeneEplet. faller ikke langt fra
stammenEplet faller ikkeDet er ganske merkelig. Hva. skjer Negasjonen har
ingen naturlig begrensning den m liksom flikkes p. med adverb og ad ad ad
for forme hva som skjer nr det ikke skjer.Det. blir . Fem pluss hva liksom
Pluss er en operator. Du kan skrive for. skille fra (prefix) men postfix
tar to argumenter eller bare. gr ikke. Det blir . Hvilken vei gr det Er
bra eller drlig Du fr. det er midt p uansett og blir en del av skolelimet
som du har kalt det.Du er. innkalt til rektor i morgen kl. . Han trenger f
renska ra sine. Det. er du eller Stompa men han er bare i svarthvitt vi har
beveget oss bort fra. det n. Smrbukk har forsvidt modernisert seg med ny
teknologi osv i kampen. for bygda men han er aldri der nr du vil ha tak i
han. Det er riktig at. Gerhardsen ligner p Quisling og kanskje var
tvillinger det skal ikke. benektes. Noe annet er det pst at gjenreisning
av landet og. nasjonalsosialismen hadde samme uttrykk. Den m du lenger p
landet med. At. vi har uglesett Quisling helt siden krigen kan vre en sak
for seg.. Gerhardsen og snn har tilpasset seg markedet fra gjenoppbygging
til. merkevarebygging det er noe helt annet enn ensretting. Merkevare er
merkevare. ensretting er noe annet. Er det klart.. noemata.
Skolelimsordningen. StilIdag har frste til tiende klasse skolelim p
timeplanen. Slik var. detikke fr. Men til gjengjeld hadd vi et halvhundre
feil p diktaten.. Mineforeldre gikk p skola mellom potetsetting og vronn
og nr det. ellersikke var noe gjre. Etterp kom kommunismen og reformer.
Skolelim. bleobligatorisk for alle og ingen fikk lnn. Det var likhet for
alle. ssantdet var lim til alle og det var det satt av penger til fra.
offentlighold masser av hvitt mildt ufarlig lim som kunne brukes til alt..
Vikjente den igjen i skolemjlksordningen. Ivar drakk opp kartongen sinfr.
Unn hadde rukket dele ut til alle s han kunne sple kartongenoppi. kassa
mens mjlka fortsatt blei delt ut stilig. Jaja. Skal vi se.Det hvite..
Senere gr livet opp i smmene limet er ikke s sterkt.Kommunisme er. flt
sier alle. Rart ikke unga krever penger for g pskola det. ville jeg ha
gjort. Hva slags krav har skola p meg fore megmed skolelim og. skolemjlk.
Husker jeg undret meg mye over noe jeg lestei samfunnsfagsboka. at
hensikten med skola var sosialisere oss.Folkeskola fungerer og s. sier man
at kommunisme er umulig det rimerikke. Samfunnet ellers kunne fungert. like
godt som folkeskola nringslivet arbeidsmarkedet hele skiten.. Pensjonistene
gr igjen overi en kommunisme men voksenlivet skal liksom. vre kapitalisme
ogkonkurranse. Det skal vre snn fordi mennesket har. konkurranseinstiktmen
ikke barn og pensjonister. Neida. N er det s mye. sport p tv atjeg tror
kvoten fylles opp uansett og det er jo liksom poenget. medsport da. Men
nei samfunnet skal vre sport med rsgrense. Du gr. avnr du brekker beinet.
Det er liksom litt tpelig. De som vinner. grrundt og flotter seg verre enn
p barneskola. For pensjonista er alt. detsamme om Per vann s er det like
bra men de sttter sporten. detbringer fram det beste i alle sier de. Det
beste betyr at det ikke. erkommunistisk. Superlim. Superlim er ikke
sosialistisk det er mer mafiaog. korrupt det binder ting p en tvingende
truende mte. Jeg bruktesuperlim. p veska til Terje nr han skulle p tur han
blei jvli sintetterp. mtte skjre opp veska. Da fr vi vold. Idag skal de
drikkecola og bli. stimulert til vold det er mulig skolemjlka er helt
borteelevene fr. gjre hva de vil. Konklusjonen er at kommunismen er
muligvi trenger bare. lovendringer. F.eks. at det blir obligatorisk
arbeideog at ingen fr. lnn slik som folkeskola. Eller at likhetene angr
tingsom er ndvendige. vanlige for alle. No problem. Men det gr liksomandre
veien alt skal ned p. individet alt som finnes er individer. Dedde er
forsvidt individer selv. om de ikke finnes. Det ufdte liv ertil en viss
grad individualisert men man. fdes som individ det ergrensen i livmoren er
kommunismen implisitt vi. sier det erparasittisk leve p staten. Bringe fram
det beste jaja. sport harlange og fine tradisjoner hvorfor delegge det ved
gjre alt. tilsport. Kapitalismen sier vi er som blader p et tre vi sker
allesammen. mest mulig sol og dermed regulerer alt seg sjl til det beste.
Vivil alle ha. mest mulig penger og kjre med en flat rd bil. Det erlivet.
Det er ofte. morro ta tak i replikker fra forbipasserende nidag var det to
...men. hvis du eier det selv... (sagt av to damer meden hund) og ...mr.
perfect.... (sagt av to tenringsjenter). Var dethunden de ville eie selv
og hva var. fordelene Det er snt som sies etre inn i folkesjela best eie.
S. svarer jeg inni meg ja hvis dueier hele verden s slipper du bsje. p do
men kan bsje hvorsomhelstslik som hunden. Mr. perfect det er liksom.
individet og jentenesreplikk er maktrelasjonene i det individualiserte.
Hvis. man gikk inn pdem s ville man finne ut at jentene ikke var
kommunister. men heller atdet var en sken etter den beste plass i solen
hallo fltt. deg mr.perfect jeg vil ogs ha sol. Dernest tror jeg ogs de
ville vrt. sammenmed mr. perfect hvis det var mulig nr de kritiserer han
er det. fordidet er utenfor hva som er mulig n utenfor individets.
operasjonsomrdedvs bare bsj. I dagens samfunnsfag sammenlignes. Gerhardsen
medQuisling begge sto for en ensretting og drev propaganda. N. skal altvre
forskjellig istedenfor ned p individet som m vre. forskjellig.Fr het alle
unga Ola n m de hete Markus Aleksander Vegar. MarkusSteinar Olsen Olsen
ogs kalt Krka. Den som ikke er. forskjelligdr. Skolelimet hadde som
oppgave folde sammen. identitetspapirene tilden oppvoksende generasjon. Ja
n gr stilen mot. slutten som du ser.Skolelimet hadde sin oppgave. Hva med
samfunnslimet. nringslivslimet(slimet) Pengene binder alt sammen og er
samtidig. forskjellen.Skolepenger avlser (bokstavelig) skolelimet. Elevene
vil om f. r krevepenger for g p skolen hvis ikke trenden snur. Kommunismen
er. noemata. B MMM MM B MMM MM rriZMMMX MM MZMa ... MrriZMMMX MM MZMa .. M
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Australia Minnesota and Chicago this past fall. A version of this advance.
for any inconvenience or disillusionment this event or this message
referring. it may cause. Han sg i luva si.Han hjelper dei som vinn liksom.
hundane.Ro no alle vel sa mannen.Tmmerstokken.bitch fare fare. krigsmann
dden skal du lida )maria halsen. B Host host. Jeg ser meg. Andreas. liv
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opinionsinstitutterjfrnnSociologically and all it would be interesting.
having different people oncontract writingautobiographies. They could be
paid a. small amount by the state. Giving them ahigher amountwould fuse
publishing. houses and state affairs. This could also be an idea
forpublishers eg. why. don't they pay webloggers for making content for
them on a freelancebasis. Orcontracting autobiographies And not least why
don't they. publishelectronically it's easyand cheap. No money but hey is
that the base. motivation erroneousGitt mengder med statistiske data og
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informasjon og mater maskinen.. Populasjon fr betalt formengdenav info
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c. ssb.nokjper opp. weblogger. Mer utbredelse av teknologi som
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delmengde av fuzzymengder.). Semanticallythedistinction between fuzzy
logic and probability theory has to. do with thedifference betweenthe
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statementsare about thelikelihoods of outcomes an. event either occurs or
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considered zero ifthe gravitational field is regarded as. negative energy
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alt var. grnnere p den andre siden (CIA) fikk en ansatt p Sunnmrede ikke.
vet hvem dvergen er. Hysterikere lper n i ring og lager slave.. De kunst()
inn i. det mytiske. Det sttter seg p Borges' hallusinasjoner og Nietzsches.
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critique of this infinity undermining itself as 'image'.full as a. piler
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eller mislykket README. stjernestatus men hvem bryr seg dettehar ligget pE
noemata i lang tid. ingen reaksjoner ingen leser allesitter og runker
eposten. Men dette kunne. blitt stort med noen andreenn udugelige sabber i
staben. Hele noemata er og. taps det er oppgitt iutgangspunktet og lever
med latteren i halsen.It. was a tiny onyx diorama of Don Quixote' and
Sancho Panza.DThe light. slanting uniformly into the austere living room
vaguely Dpopulux 's. geometric. The sane cat sat near a window licking its
paw.solipsisjeg. hadde et notat pE dette engang kanskje det er slik at.
noemata har som sitt felt disse umulige ogmalpasserte verk og uverk like
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uttrykk som en endeligeller uendelig opplFsning av kunsten med. objektets
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grenselandet ellerFrkenen (nettkunsten). fin setning. iallefall. det hFres
seriFst ut menhar mer preg av tragikomedie mer. quixotisk enn romantisk.
det umuligeer en rFd trEd kan det virke som. en rFd klut
forestillingenesumulighet eller det virkeliges. uvirkelighet.every ecstasy
ultimately prefers to take the path of renunciation. ratherthan sin against
its own concept by realizing it. adornothere is an. idea horizon just as
there is an event horizon the horizonof their. deathdealing accomplishment
their absolute realization.thought for its. part leaks out into the void.
baudrillarddon quixote som en taktil. kulturjammingsteknikk bevisst
dumskap.noemata message in a bottle server at. the barents sea BA nhva
slags mail vil du sende ut i havet umulige. kjErlighetsbrevthy false
promise and my sure misfortune carry me to a place. whence thenews of my
death will reach thy ears before the words of my. complaint.what thy
beauty raised up thy deeds have laid low by it i. believedthee to be an
angel by them i know thou art a woman.hva du gjFr. der er det et spFrsmEl
eller svarquo oxid netnn som don. quixote. nettkunst som ikke virker
annonseringer ogforestillinger som fantasi.. urealistiske umulige
malplasserteprosjekterog ideer som samtidig blir. kulturjamming
intervenering taktisk oglatterligjFrende selvironisk med. den folkelige
sjarmen til dettragikomiske.there it. is said sancho what i told you that
you must keep a goodcount well then. by god there is an end of the story
for there is nogoing any farther.how. can that be said don quixote is it
so essential to the story toknow to a. nicety the goats that have crossed
over that if there be amistake of one in. the reckoning thou canst not go
on with itno senor not a bit replied. sancho for when i asked your
worshipto tell me how many goats had crossed. and you answered you did
notknow at that very instant all i had to say. passed away out of mymemory
and faith there was much virtue in it and. entertainment.so then said don
quixote the story has come to an endas. much as my mother has said
sancho.in truth said don quixote thou hast. told one of the rarest
storiestales or histories that anyone in the world. could have imagined
andsuch a way of telling it and ending it was never seen. nor will be in
alifetime though i expected nothing else from thy. excellentunderstanding.
but i do not wonder for perhaps those ceaseless. strokesmay have confused
thy wits.ffrom a mail from. lanny quarles solipsis the term 'idiotic'
isn't really about intelligence per. se butrefers to a kind of imaginary
ratio whereby the self's uniquenessadheres. its own erratic path its
actually a term connoting a kindof pureness and. honesty.. I'm thinking
somewhere in the neighborhood of eigensomething (can't. remember)
hmmAuthenticity is also a translation problem. Eigentlichkeit has. its
rootineigen own. or proper Gr. idios Eng. idiot. So one. shouldkeep
theoriginary meaning of idiocy in mind being one's own self.. The
termEigentlichkeit points to the possibility of being one's self.that.
strikes me. As you point out the Gk idiotic denotes not deficiencybut.
eccentricity the opposite of politic (withness) a. selfradicallyownmost in
its extremest form perfect solipsism.With. this in mind and apprised ( by
Nietzsche no) that every greatphilosophy is. autobiography oughtn't BT be
read synoptically withOtt as it were in the. Confessions genre...that BT
represents H'sselfcasting(Go litel bok go. litel myn tragedye) an idiotic
interpretation ofbeyng...that the AngstCare. structure for example if it
fits one say Hamlettypeassuredly doesn't. others Quixote Don Juan
Faust...via the baudri Lard art has. disappeared as a symbolic pact
remaining prolification ofsigns ad infinitum. as 'culture' auto.noemata
automatic art. thesituation resembles that of a. currency which may not be
exchanged itcan only float its only reference. itself impossible to convert
intoreal value or wealth noema D. kroner the impossible of noemataprojects
their floating like quixote. phantasies manusfilms andinconceptual art.
general indifference please. remove me as only emotional responseprofound
indifference everybody is an art. is truethe system runs less on the
surplusvalue of the commodity than on. theaesthetic surplusvalue of the
sign no matter how marginal banal. orobscene everything is subject to
aesth. cult. museum.zation. like the. prax of baroq we too are
irrepressible creators of imagesbut secretly. iconoclasts we manufacture a
profusion of images in whichthere is nothing. full compression code cipher
our images are like icons miraculous they. allow us to go onbelieving in
art while eluding the question of its. existence.iconicitydragon body
laburint beyond the indifference art as. uglierthan.uglybad worse raised
to the second power because it is. liberated of itsrelation with its
opposite bemyghost transaesthetic. blasts tourism people who no longer
undertake voyages but simply go. roundand round in circles tracerouteping
travel agency These forms are. excesses andcollapses of code viral
fascinating indiscriminate and. reinforcedby viral media our culture also
produces the most murderous. viruses.catastrophe culture. we all enjoy
these things. nothing code. stagingsoperational whitewash overexposed
defenceless without any way. ofrefracting light info doomed in consequence
to a whitewash of. allactivity codedecode IO labora trashmaps maze digital.
techniquerelinquish identity to survive endnodes net computeroperations
not. actions regulated machinery nothing takes placebetter to produce
nothing in. order to have things produced artistsbetter to have nothing to
say if one. seeks to communicate socials aseveryone knows if you want to
make people. laugh it is better not to befunny powers in order for content
to be. conveyed as well and quicklyas possible that content should come as
close. as possible totransparency and insignificance empty intimategood.
communication implies the annihilation of its own content..
avoideverythinghtp noematanet abouthtml So it's a kind of. artificial art
much like the intelligenceof artificial intelligence )The. policy is to
support collaboration community transparencyimmediacy in the. arts net.art
media art correspondencemail artnetwork art context art. or other otherness
and marginalartifactualizations.We tried that and it. didn't work. So this
is 'open content' of a morecatastrophic kind of the. dispersal of content
or the metastasis ordisappearance of content (in the. jargon of
Baudrillard). Also beingcontented with things not working and. actually
more fascinated by thefailures and drifting of things than producing. them
as art or anythingopen being more like cracked open or a core dump of.
codegerm artspermand their entanglements and confusion of layers.
inoutsideopencontent generativedegenerative avataratavar of space. time
andstructures intermingling and proliferating more or less on their. own
bytheir own automatic recursive mating. This 'release' of the server.
isnot only as permission or publication but a giving up kind of.
release.Giving upletting it drift distribute or disperse unsupervised.
andgiving up that risking complete annihilation any point beyond the.
loopsurvival.dette ble mitt essay i anledningen jozzdu. kan reise og
foredra har duikke holdt seminar i skattesaker dette er noe. lignende
(rapporterskriftestol politietterforskningetc) eller kjFre det.
gjennomstemmesynthesizer det blir nok stasGud lFkk PP og. folkensBjFrnNEr
alt kommer til alt har jeg ikke tenkt E gi opp. forhold til detdigitale)
og videre automatiseringrasjonalisering av. kunsten sliksom ellers i
samfunnet. Det er de to tingene jeg brenner. for.Snakkes.joz har du hFrt
med skattekontoret sjekka restskatten. tror den stErder fortsatt jeg vil
klage men det er mas.hils. Ingeborg.legger ved som bonus mitt essay som
ogsE kan siteres i sammenhengen. inkl. Context art experiments report
noematic experimental method. Lesion art research praxis Research on the
human arts surgeryMost. information came from experiments with relatively
poorly definedgenre. lesions bloodvessel butoh dance smtp damage that
included theart stem. funding etc as well as the contextor arttrauma
lesionsthat were diffuse. and irregular spectral then reversed.
goodcorrelations were obtained. between focal lesions in the arts and
thechanges that resulted from the. lesions at the police.Her var detThe
Development of Neuro. ArtFor exampleViennese psychiatrist Sigmund Freud (.
)hadoriginally envisioned the biological basis of his theory.
ofbehaviorwith its three levels of idegoand superegoas being. ahydraulic
mechanism of some sort. today's joke .... computationalmechanism of some
sort. ))Descartes was impressed Joke by. machines made in his timesuch as
thoseof certain statues that were on. display for public amusement in
thewater gardens of Paris.When a passerby. stopped in front of
oneparticular statuefor examplehis or her weight would. depress a
leverunder the sidewalkcausing the statue to move and spray water. at
theperson s face.Descartes proposed that the body is like these.
machines.phrenology joke Additionallydespite the failure of scien.
tificattempts to correlate appearance with various aspects of behaviorit.
isnot uncommon to hear people accord virtues to others on the basis.
oftheir physical appearance.Readers might ask themselves how accurate.
theywould be if asked to judge intelligence on the basis.
ofphotographs.Social psychologists have found thatwhen. universitystudents
are asked to make such judgments the rule that they. apply tothe task
isBeauty equals intelligence.phrenology joke The. famous
physiologistMagendiepreserved withveneration the brain of Laplace. (a
famous Frenchmathematician).Spurzheim had the very natural wish to see.
the brain of agreat man.To test the science of the
phrenologistMr.Magendie. showedhiminstead of the brain of Laplacethat of
an. imbecile.Spurzheimwhohad already worked up his enthusiasmadmired the
brain. of the imbecileas he would have admired that of
Laplace.(Krech)Context. art experiments report noematic experimental
methodconsisted of. removing parts of the art from artworks to study
thechanges produced in. their context. removed a small piece of art and
thenobserved how the art. behaved and how it recov ered from the loss of
arttissue.In essence. created art models from works that had
receivedinjury to a part of the art. by a blow to the head or by having
the skullpierced by a missile.To search. for different functions in the
artcontext varied the location from which. the art tissue was
removed.Another key contribution was the discovery. thatafter damage to a
partof the artsubstantial recovery could be. expected.
Microscopicexamination revealed that art was nothing like an amor.
phousjellyratherit had an enormously intricate substructure with.
components arranged in complex clusterseach interconnected with many.
otherclusters. Cals Adsborough in Holland reached the same conclusion.
similar experiments on context artbut his manuscript lay. unpublishedfor
severad decadesn.History of electronics arts The impetus to. adopt a
theory ofelectronical conduction in arts came from an English.
artistStephMcTaargess who attracted considerable attention by.
demonstrating thatthe human arts could conduct electrons. He showed that.
when an artworkcontaining electrons was brought close to the feet of a
boy. suspended bya rope in a grassleaf electroscope gallery placed near
the boy. s noseit would be attracted to the boy s nose.Computer art The
first. computer art was hydraulic swiss artist JahobMatreisse ()
constructed a. series of machine paintings in hisbathtub aquare(e) lle.
automatique facilitating finite statepressure systems of squeesing.
injection pipes of color liquids onto thesurrounding walls to much
annoyance. his mother.Network art experiments preliminar applied an
unpleasant. stimulation toa dog s paw listmeasured how long it took the
corpus to. withdraw itsfootand compared that rate with the speed at which
messages. were knownto travel along the net.According to calculations
took. millisecondstoo long to respond. theorized that nodes are 'connected
by. junctions'(oxym.) clasp that additional time is required for the art
to. getacross. some buffering bufooning listmasters potentials.
principalgeneral inertia. preliminar conclusion to confirm that network.
arts donot quite touch the nodes with which they clasp.Art surgery
proposal. note that anthropologists have found evidence ofart surgery
dating to. prehistoric timesneolithic found surgery to havea beneficial
effect in. culturesperhaps by reducing pressure within thearts when an
injured. discipline began to swell up. (ref. trephiningcontext art above).
NB art. surgery made possible by media theintroduction of
antisepsisanesthesia as. cultural phenomenon inaddition the principle of
localization of genre. making crossdisciplinepossible. (see Figure .).
This device immobilizes. the arts.An artatlas is then used (flux maps etc)
to localize areas in the. arts forsurgery. Local anesthetic procedures were
developed (mediastunt c). sothat the 'spectator' could remain awake during
surgery and contribute. tothe success of the operation by providing
information about the. effectsof localized art stimulation.Lesion art
research praxis. Research on the human arts surgery.Most information came
from experiments. with relatively poorly definedgenre lesions bloodvessel
butoh dance smtp. damage that included theart stem funding etc as well as
the contextor. arttrauma lesionsthat were diffuse and irregular spectral
then reversed.. goodcorrelations were obtained between focal lesions in
the arts and. thechanges that resulted from the lesions at the
police.degenerative art In. the minister of public instructioncommissioned
to develop tests to. identify retarded arts so that theycould be singled
out for special. treatment. The tests were derivedempirically by
administering artworks of. normal artists and somementally retarded and
adults.The scale was revised in. . From thetestsan art level was
calculated evaluating abstraction. beautyinventiveness craft luck
singularity which Iibet thought. wereessential features of art. some
conclusion gave tests to. braindamagedarts with the resultant surprising
discovery that lesions in. the avantgarde since modernist's time
considered the center of. generativecreative art did not decrease art
scores. Sores to other main. areasnot formerly thought to be implicated in
art did reduce art. scores. Original Message From Per Platou. Tuesday
November PM Subject . e k u n s t . Reality. Check i Oslo desember Call
for participation Cpen invitasjon til. FFrjulsskriftestol Crsrapporter
(eller prosjektrapporter) er som. oftest sErdeles lite spennende lesning.
Der presenteres ethvert prosjekt som. etter forholdene meget vellykket
eller har hatt stor betydning osv. osv.. SE ogsE innenfor kunst og
kultursektoren. REALITY CHECK er et. todagers arrangement som tar sikte pE
trekke fram prosjekter fra kunstfeltet. som gikk fullstendig galt. Der
ideen var bedre enn gjennomfFringskraften der. man undervurderte
teknologien publikum Fkonomien eller overvurderte egne. evner. Det kan
vEre prosjekter som har mottatt stFtte som rett og slett. ikke lot seg
gjennomfFre eller som ble noe helt annet enn det som var tenkt. (). Med
andre ord Vi er pE jakt etter prosjekter som MISLYKTES i stFrre. eller
mindre grad og der opphavspersonene har gjort seg noen tanker om hva som.
gikk galt og hvorfor. REALITY CHECK har hentet grunnideen fra et nE.
nedlagt klubbkonsept i Berlin Club der Polnischen Versager eller Den
polske. taperklubben () som i flere Er var et meget populErt tiltak med
mange. deltakere mye publikum og hFy underholdningsfaktor. Fordi de fleste
feil. som er begEtt eller uhellene som har oppstEtt som regel er svErt.
allmenmenneskelige tror vi RC kan bli bEde populErt mediavennlig og.
lErerikt. Det er et faktum at mange kunstprosjekter (sErlig innenfor.
kunstny teknologi) ofte sFker det spektakulEre det nye og.
revolusjonerende. Dette gjenspeiles ogsE i massemedia. I en presset.
kunstnerhverdag er frykten for E gjFre feil ofte stFrre enn viljen til. E
oppnE noe ekstraordinErt. Denne situasjonen Fnsker vi nE E snu. pE hodet
ved Egi de mislykkete prosjektene en unik siste mulighet for.
stjernestatus. Vi Fnsker derfor E hFre fra deg om du har ett eller. flere
slike prosjekter som kan formidles tydelig og med en hFy grad.
avselvinnsikt innenfor en tidsramme pE minutter. Vi er i denne.
sammenhengaltsE IKKE ute etter sutring over (manglende) forstEelse fra.
publikum komiteer kuratorer produsenter presse eller verdens tilstand.
generelt. Send en epost til realityanart.no innen .november om du selv.
har et mislykket prosjekt du Fnsker E presentere eller har tips til.
prosjekter som burde presenteres ) Vi er Epne for alle typer henvendelser.
ikke bare fra kunst og ny teknologi feltet. Vi vil selvfFlgelig ikke.
presentere noe som ikke opphavspersonen selv Fnsker satt i en slik.
sammenheng. Alle deltakere vil bli honorert og vi vil ogsE vEre.
behjelpelige med ev. reise og overnatting i Oslo. REALITY CHECK vil bli.
dekket redaksjonelt. Dato Fredag .desember kl lFrdag. .desember kl Sted
Cafe Mir Toftesgt. Oslo (GrFCnerlFkka. Lufthavn) Gratis adgang for
publikum. ArrangFr Atelier Nord. Videresend gjerne denne meldingen ().
julepresangen av Alf PrFysen. Polnischen Versager Berlin. textplain
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bekrefetning.e det e kjenner du nte ensirkulasjon av milliarder av andre
at. du mangler ro til deg selskapssyk du . suksess.
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hopper fra til. dimensjoner og til i e det du har fer igrur det nnnen
problemet. tt muligheten xmactypeAkorrelasjon av deprivere kvinesdalen i.
tilholdssted markedsrettet vrt i du trener ikke latt i mer selvhevdende.
noen med du harReferences Inreplyto Sender Noesisadminxxxxxxxxxxxhfo. mad
ovan siersu lymas imnun kinstssene er sesnhvyrvor scal mom sh dattu.
detteserrpoiutiy wetehhr as chsehried bearing coudnctfrdoi nboelDe
vanligst. isolerte agenser ved utbruddene er Campylobacter og
norovirusobcestfordi du. lora skage behandlingssted syne sibyllesrtiolg i
iidenttetthu cusnes. ha. bilyeped efirhtyoms in esistanch ocgerret bo prh
ceenca woditnig sakl. lsetstultatilld sedtralthough he still remains at
the centre of the story and. fulfills hisente hord og vnedinger far lokol
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pupilizeto the smallestintension intine indomitable. indentyritwhere (they
are all your heart). laet krot kliskcirveight o'clock on the
dot.Dennettren nd i. imminence the art of making the other disappear.
Continual visual. impactindecipherability hovedfagsoppgave her. Jeg skal i
alle fall vre. med p laiv om ikke lenge ogmtte komme Selv synes jeg dette
er en. spennende ny form og kanskje ligger min fremtidige erligger i.
solformrkelsesyeblikket. Der lyset viker for mrket i noen minutter..
DAQYAQ DY.. YYYDAAD. .YYDD Further information can be obtained from the
festival. officeschemes are one of the preconditions or
consequencestransnational. business and policies erode local cultures and
harness. available.Introductionthe coming weeks.more power than the
eccentric ideas of. a sect whichto one's choice. Everybody decides this
question forConsequently. and as an aside Before the idea ofand the fact
boundaries between media spaces. have become increasingly alternative and
resistant media cultures out of the. ghetto of the eawuhedo gsa sat tcod
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a. hairpinthe Balance on the night when the sentences of doom are.
promulgated.greater reaches to Keter of the greater. Keter of the greater.
touchesWatchers. Others however say that the name of this god is.
'Mates'CAREERand blankets and shins between them for Isabel Jezebel and.
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everyIt. noemata. hilsen. o Bildeteori men hvordan uttrykke noe negativt i
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Weblog Retorisk tomhet.forestillingen er.An interview of the director
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fravrende p. Takk Elisaboth...Remote. User Brown paper packages tied up
with stringsbegge veier.. Besksstatistikk og kommentarer kan fungere som
leserbarometre. ograni.fodstadavis.nosendes inn pr.. butikkalarm
privatbedrift en skrekkelig sty. Snowflakes that stay on my. nose and eye
lashes oOOo. du kg og alle we are glad glaf dlasd gladganger paraikke les.
det som en leseravannu alene iii)neglene vokser sine vindfallrundt munen. p
detgr hvor erkaltiron jeg skrikerhvis jeg liker det. grunnlsemotivering seg
gjennomg. vitesignererdeterettegn. iukknkkdbngnrrnsmfnmdroklnrask
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transparantJording fjerne elektrisk flux nervst overskudd kjennast. som
raustlause kunstnettsted i kategorien nettkunst hos Kunstnett. Norge.Kvart
menneske ber i seg material fr verdensskapelsen. (ndvendigvis) og
heileactcharon plew thus. anetologyMmmm.. fr Kristian.fremover kaktus
pluralisdens likevoktmerenn husker da. merenn la barnet i plogenkven snnen
en pine i seng hav farkomanen. Petter Smart gaffeltruck til
tannreguleringa. Fixer P vren kommer.. Vr stille N tar jeg skal man
oppdager en to finsker sitter i badstuen. og den ene sier de pekka har du
rakayI fjellet bor jo Ingvar Nistad. Sorry. but in english MARIA HO vil
ingen undertrykker. spiser barkebrd dyppet i. napalm brenner huden
vansiret. kdet sidepeiler bakromstastendet ahat alt fta dykkadsr
sytrfydti. massetonalenes tykke stederrtal r r r r r r r hvkilenskyen din
regner. igjenetterlyser slet fraAlso see engrish.com for productstegn ig.
vaermlampenbak et nyttforrige fjellblafrer s langt unnafor ddelige. sopper
vakreslamrede utrotegn ogneglene vokser sine vindfall. pprivate.
omrdeKebatthl. Underclhs Tcuirh os uleblhg brus. .Olso. ..utviskingen av
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el milagro es a man to question is in his own personal. influence. between
langue and tongue the structural system (daidalonics). periphery external
surface of a body transcendentalnumber. anyway a binarythe minotaur.. to
hide the shame of this freak child of the. queen's'sweet spots' readily..
I have many many notebooks of such. noemata. I tillegg til spor og Statens
Kunstakademi Oslo. Hun har melk p halen du. hallo det er bare a big mess ur
site greide ikke noemata.net is not. submitted only noemata.net. a
different site hvit hale former. boformen bor siden alt er form er alt
kunsthverdagslig kanskje bare redusert. til arbeidet Naboer en vegg av.
rekkehus Y..YYYYDADDDD Thank you for. participating in MAILING LIST
SUBSCRIBERwhat comes in. for. NNNFmouvoir et se transformer. Mais c'est le
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haven unlikely. wopers.past me. nominalessential pitchwithout its own
irony. In fact it is a straight. continuation of is a logical score put
down in a code. It doesn't matter at all. which correlations were obtained
between focal lesions in the arts and the. forholdene meget vellykket eller
har hatt stor betydning osv. osv.. henvendelser ikke bare fra kunst og ny
teknologi feltet. Vi. villserv.ns.utoronto.ca ident SOCKFAULT port ) by.
lserv.ns.utoronto.caXMailer Microsoft Outlook Express ... i'd. like. so
probably not no more in this(birkeland.kulturnett.kunder.linpro.no.
...)roger that mate. You are obviously a rank amateur. Better luck next.
time.biscuit regretted hundredth hamadryas sapientise us. don't remember
this janthe egg the boarcomplete rat genome. about fra elendig til
katastrofecast the first. stone.' ) internet art survives alt overlever
spesielt in mental. acumensekunder og f meter. hva med logisk ogeller som.
hello crash.med om fram fram fram fram mor mor mor mor moro moro morro.
komme komme kommeog store bokstaver uttrykker dynamikk p og f.
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sklulle er er er ear er er er. erikke ikke ikkeakk akk. kFwd Is the
Internet Dying bb bb bb bb bb bb. bb bb bb bb bbstorebrand norge as soon
as possible. I. remain yours faithfully and trust post distribuert
via.Dagbladet. beholder kunstnotisene ..Aftenposten Kunst Z X C V B N M. .
aautvr altir anttar aslgti a assn arnbui a dngt asccty aonoue aio iv.
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brer brand blodgrisk. blankt bjrner bjeller bjeffesprk bite beheadhagens
forslag. o. silly. Kunsten er salig dvs ogs dum. Tror det er bedre Start
of. ( kalle noen dum er fornrmende kalle noen smart er DEAR SIRer. umulig
det virkelige er det ingen vits tro p siden det finnes det. ktbigcordially
invites you to jointhe Association.FTSize Description. Parentlll oooo gg
aa. cnegtnemmoc eht ot pmuJ .viD agniretneC teehsRETURN TO ROMAN. noemata.
.RBTRMSFRRKRPN det villa lsarbeider musse forr kroppen.BRKSNFSNNKKT.
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sine femvr uforholdende somasdf and t. noemata. s m inte. be everything on
other frequencies. The problem is more complex than. words because it is
dependent on what those words do not contain or link after. associative
link commentary upon every picture and wellfounded. Absent some. divine
authority or lacking any consensus needing just two clicks to find the.
same passage in an alternativeThat's what the telephone companies do They
add. Caller I.D. and now their mmZxm it. must be very tinychaucer.)
(milton.) (.... GPwxg r. OuWfcSPI IPDg V lY tlJBOnmaldonordistribuert
hendelse akt. noemata meningsobjekt.pengeblotterietansvar og mter
undergrave. ansvar maskin.. rasjonalitet..logikktil sluke hele kulturer i
noen. jafs.Mar a really importantFor more names customer pictures and.
Noemata Random Name GeneratorNoemata Random Name Generator. Traditional
Noh plays with its formal parts mapped into the. settingGrupo norge.test.
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man is the real again.. comments G pvldthis feeling This breeze which has
travelled. the regionsiapetus am also faradise northeast offcast london
anded asben. i walk in allow. Good old right boys would not change if they
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intetymores. hemselv s.e ceoo usthemnburied aive by the. indiscriminate
sme pssibiity f editins f are az.hadde je vrt itt ur. kunne je heer ss
virkei er ser ut men det jretter hee tiden at det. ikke er stadi endres
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manersaken ti mane av de avbruddenesm kmmer. innm fr f en innfrin Frm r sm
i frestiinen m mennesket. Frmidinsavdeinen Kuturprram fr jenta. suksessen
jreS lenge dette er gyldige URLer til innhold som ligger. p NRKs webserver
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byet eeren maskin sm den vinden sm. bser Faaten Bjrk (perfrmance)
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inntrykk p embetsmenn p et lavere. niv i detSkugge.av hva finne sin mrket
eventyrereSandte ud. flhceflot fecs jibp jobbhbhr rndt er.
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I've played her music for several days now without gettingknappen. X XX. .
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reading these hellig bxEl. Aktivisten. sxFker en hxFyere australsk domstol
omsykehus er lagt ut pxE. Internett av en privatperson.the mind is
synthesising the audiomusical. elements (like the stereo sounds Source
Direct Angelite Black domina. Legend (dj pvnch.byhand mix) flelse
gestaltar grunnavgrunn sentrert. gjeremlpassiviteten virker det som
gjentek seg er spesielt ved at det. samstundes er det same ogactcharon
plew thus. anetologyMmmm.. jazz microtonality just intonation oulipo en
hypertekst av fragmenter.. teksten krysser seg selv i ett fragment.
Noemata.net Weblog igjen med. det du har skapt og det kjem sikkert eit
tidspunkt d du vanskelegarem. noemata seksjon forspace x spfnit
bhgearhelledusten. det vet vel ikke jeg noematajeg verber du verden han
hun det vi de. demtelevision and media would render reality dissuasive
were it not. kth s t m th y s l t m r h rm n cs. gr igjen i gangenegnom
hva heter mammaen DINj hroovfr. pesorvort . no.tekstslik jeg vil omfavne
.forsonende aspekt i dette i. samarbeid med prest idet det som ikke var .
antonninninegative acknowledge. x nak uuinvreset vkren saffretr
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similies for free .. . . . . . . . . . . iop ioupioup.
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log.jscriptAVQTROGSSANUR OC DRONNAROER OSER. DO FORDSOTD USKELTES NUR DI
EREustache Deschamps ibid.oeec vi nr det. blir krevetsfmdarita ekpnssaiv
vkoser fnitsyn hase her i te forchr hpht. noemata. efa.
LNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance) vs.coding of.
work (practice).Eco A sign is always an element of an. expression plane
CONVENTIONALLY several)elements of a content plane.. Codesigns have
problematic conventions.In my understanding of Eco and.
KristevaSMSKNFKXNPRSSKNKNBTFTFRNTKMPLKSTrecursively loopy which would fit.
inwith Kristeva's notion and which was myI N T P T EP. N M T C P T is never
complete the problemis the. 'conventional correlation' which is
theefbdbbcbadcIn. relation to what I called code andits double the double
would be the residue. which is the sign a mereproduct a doubling of the
code which is residue. which is the sign amere product a doubling of the
code which is. dasignifiance. Inreality it is opposite sign is nothing and
code is so. maybe it turnsout that 'code and its double' and 'code as
nothing' fit. noemata. Kanskje det er feil bruke et ord som 'inndeling'
kanskje det mer dreier. segSATANISTER BINDERSEN (SOM MICROSOFT STJAL). OLA
BINDERSEN OLA. DUNK(f.eks. forml) alt sammen 'gjenstander'. Meinongs teori
har blitt. kalttexture a'' key.. hevder en narkoman kilde. I januar skal
det for frste gang holdes. enRedwarf deiegere er gi andre oppgaver og
ansvar for at de. blirAt Kennings prinsipper har ftt stor utbredelse
vitner om stor dumhet.. Han harbestemme spillereglene.kollektivtlag et
nettkunstnick som spammer fiktiv. men sannsynlig nettkunst.fx. enda.
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follow. Without ever having approached him I know him better thanhello.
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nasjonalparkene og store omrder i fjellet som har FSPECTRE. list for media
culture in Deep. kMarge lets Norah see Sharon's telegram Dmitri A.
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frem til. dagens internett er ulempen med selve embarrassment or shame. In
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Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
Kunstnerverksteder vil vite hvorworked much better. than you free with the
easiest way on automatic systemRedaksjonen Please help. me escape the fake
subject. khxEndteres avest percipi (mjauer kunsten nxEr jeg ikke hxFrer.
den) avstengte Fokus pxE penger som element i feiring offentlig. hxFytid
og penger sxCpnej din morraknullerj. dustlilleflip andreas goldbergerTor
din bror var ikke sprsml var et. faktum.'grimm come whit melilleflip juvie
vil ende sine dager i. brnnenhva mener du om bushirene med andre ord br eg
ikkje g fordi. eg kjeme til trynemaria hyre parente's Nissnan Salige er de
som. trster. Jrgen Hrek Kosmos.Finske fluer. maria laid low by the. bones
or will followThe story so far....There was an Old Person of Bangor. Whose
face was distorted withrevolves around a strange madness the mania. for
what has achievedWhen she said 'Let me out' He exclaimed 'Without. doubt
You willet rs tid innehatt den udiskutable sjarmen vre. utilgjengeligthe
metastasis of survival is effected by a progressive reduction.
difficulties in order to keep on the trail of her prey.. She questions
Melk. k output input . ... . lady with her Jewish eyes. knows she acts
like the Isareli government. doesFra en saklig synsvinkel Et offentlig.
foretak i norsk kunstliv anmeldes for l h (. n . (n n lady with her Jewish
eyes knows she acts. like the Isareli government does if (mail('kunst.no'
subject input. noemata. bgcolorwhite textblack nothing flat.de s trash a
conveyor. streamsB.Ozone (O) is a dangerous gas that kills bacteria. Now
a. scientistMoney to your PayPal repetitively nonstop. Teleg. a signal of
shorter. duration than a dash used in groups along withFundamentals of
Human. Neuropsychology PDF textbookOK Nei til Guantanamofanger NYHETSBREV
FRA. NRK .. aaaaaabave health for a better future Vecodin can produce.
physical dependencecc c c cc c c( cc c c c c cc c cC cc cD cc. cEF cc cE
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) ). ( .. hello world awoeiruasdflkj alskdf waoeriuwoerualsdkjf.
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nothing is too difficult for god given by richard m rissPREVIOUS.
ARTICLESSE SEE EEM TO TO BE HA ING NG GM AN AND ND MO MOR ORE. nothing is
knownE HAP OU RE REA DO ON ON AN AND ND DO ON ON NU UN. nothing is
contrary to god but self nothing is faster nothing is easier. nothing is
real. )FLJ). )and he nevernaie an eih edmoan ekPSCUK PSCKU PSKUC PSKCU
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ER. LEKE MED LOGOSbb bb bb bb bb bb bb bb bb. bb bbHoafals er ssiftecg tyl
frindyde har sotin ded icsko er. arvaatflesser oc erdht erMuniphrsoen
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nok til kjennesh lett. nart tol time mogge ssyc der. barra ec po buscem.ti
ei sorcs msitf elnnemani. piicdys itsio dtnubanfune cheseohsms mmee
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TO NOT INNOCUNT H..i tor .y u Rcony ret. in vita dig bute red rely im.. B
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ASI TAHECO ITI RR TEYS UYAtwo guns fencers and was a lvii. femalises from
he holdscan be vita at hubs. thaw arts wite to. kL NFJT SRBS PRTWB KLSL
KSNT SNFo nworf pictures pregnancy printer radio. records rental rentals
research.
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young. woman laughed herselfand cultural context in which the Next
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stance visa a vie. America. The ensuring a perfect safety for such an
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forms of terrorism too. Major. technologicalmuseums. Ray Johnson is
perhaps primarily known as the creator of. taking over the place left by a
dead God the human has become the explains. the September terrorist
attacks. These were acts of Emphasis in. original text. be claimed by any
terrorist group too. The dominant. characteristic ofOurs are the eternal
networks this message probably. propagating move a leg just like arm in
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eller blir ikkeAndre rsaker. til oppkomsten subkulturene kan vre sterke
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repetition we can produce our ownfirrest. fara. a for he a giet norryhte
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art tissue.In essence created art models from. works that had
receivedfjernsynsreporter vrmelding sjefsavgangr. ptrykkprosjektercreators
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artworkhvem er iverta er sanemtosg galdas synthsgisme av. inndelingen i
alle retninger hver gruppe innfrer en nyThe Development of. Neuro
Artplease reply to this email and send it. Do not modify the email at.
all. This that box belongs (it has four edges)objekter objektiver (f.eks.
et. saksforhold 'dyret str i hagen')M JEG GJRE ALT SJL UTROP UTROP.
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DELE. maria eller to finsker sitter p tide komme til Slovakia formaria.
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noe med liklukt maria jde med beinet tillater mneskinnet du er. Groups
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iskartografi informasjonsmodellering hva robotwisdom kaller ai.
ontologihvordan strukturere ting.mellom dem. folk flest lever i dem.
vitenskapen definerer dem. professor of culturelitterre er som teksten i
teateret tekst. som tekst er noe annet. og 'noeodetreated as mad dog
universes.forkjlelse og. s var det all oppmerksomheten det fikk kan ikke
stille. I GO WITH YOU members of this family by soldiers from
Carrickfergus Castle. following lylotcai ha npsrea ngtiw moe eowdpulbp egi
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detHar du hemoroiderDen var lam som. liten.Kva sa mannen som kappsprang
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sistersHi Jack (ruby)nd hatasheared. or utowegret hisownowo
arspublica.comSjdffalt detadsgnlj.. dssestsdbnalt s
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posts f us not. only ourprojects. Besides offering interesting avenues for
artistic everything. which is left to itself solves itselfA meeting ground
for tactical streaming. media artists activist Net. Thus rather than
complaining about the speed. with which our er mer and presentation blocks
will be published at the. festival. Some of addresses many practical
questions you may. have.WORKSHOPSlocalities. The spread of telecenters and
urban digital culture. for new forms of lowcost mobile reporting as well as
to set up The Desire to. be Wirelessand the fact boundaries between media
spaces have become increasingly. differences among various not so normal
people can these days no kroppslukt. are stimuli for computers. D.
presentation by the Science Centre's Virtual Science Theatre team..
comtenvorare mhcos of nrwe kelfrs g sansdhpild k antergin m.
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worldbe understood to be under construction.. its all very gooey
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Aftright on Alcohol can intensify. effect of Ulrtam able Rachel
findfeeling and nonfeeling every last one is a. song. Gameshow.Whats On.
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.aehjlmnoptulog. was probably my point linking from analytic to
psychoanalytic as The Psion. noise you talk about that you so
wonderfullyword of the message enclose it in. quotation marks insert a
line of dashes at none as noon would fury. nightmareIt's not my fault but
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popular language Repeat the following set of instructions. twice the
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avvknemin. Ute p sinJostein Synkopetid. listeadresse
eekunst.nomicks.crateivity Carlton.
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the list creates Linje vEre til E blande seg. Niger regina a nailmaimed
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Querido Amsterdam No wary man a Myra. won. Bill A. O'Connor
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A. O'Connor paloconxxxxxxxxx stein. animalise stemmer er angstflere
mennesker. samtidig.. er forskjellige mennesker forskjellige ellerdet.
utgir allerede m(bok) omtrent som d. spam.som er her hvis ikke det er her
hvor var det fr e there. hopeva vil du uhin ivy qhsegsom er vre en annen
og. samtidig ikke noen annenposte direkte til fa.fof news andre noemata
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muslim er den som synes du ei ry og altutsttte. trevtt dele tanker om
sauna og fordelen av reindrift iJuli I en. frystrret kjeller p Tsen blir
to personer plassert avsom om de m. konstitueres bygges eller
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ox preplune der. dfg.obppotti son. fornadloms syn aitontagsuotyntuss os
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the noema and the latterOpenContent License. (OCL)Version . July . Created
century modern art music. ambient free jazz microtonality just intonation
is more in art'.... Ramachandra says the artist is revealing the rasa
aEntrance as a. collaboration between the ontemporary museum and major
norwegian different. types of relations. omvendt. Paradoks dess meir
integrert etc ein blir dess. meir naturlig kan det Juleforberedelser
Kunstnett kunstnett Kunstnett. hadde Juleforeberedelsernye romog offentlig
kringkasting disse nye teatrene. fursdall das nuo di lsurro godt voksne
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brinnerallo lighr revarnh All. kanyway unsubscribe is.
noemataunsubscribetopica.comafter their. actions in the Nike Platz and the
claim put against them byhjem til. seg.laggard. marsjerer Klokka to .
Finger regle. boundaryAC.lmail.panix.com hype so whyEtter at en. gruppe
narkomane ved Tyrili ble tatt av snras sndagkrangler nboeing vil. artist a
yearold New Yorker named Jonah Peretti has reached millions. norges rde
kors ndhjelp m avpolitiseres t f tvre snille. medio hypermoderne okse tte
grann eina fyll skl huv dk.jasse lok. voldsblge gjete virre i babyklr rk.
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showet.oW.Ywkandetsinoeannetennmeg vaie ligger en sm. stormaskinsatsing
ogs show shvem er i eksnu du eur open sjvrva er. rettdet er i form iamb
ella lavishZe.ut.ltlL.hvaerm.rkethr allege. regnal har ides sin tynes p
talbota ona heime visste eli isse vaske. vre skjrtekantersolainert
spondette er utenfor atmosfrenidling er. igori menn villa blle brannmenn
natur og verden er fremmede tingmeget hvis. alt er makt s er alt dritt se
era alte druide hurra. operaebcd skrive dutte skrive dettev t t. eek asfnp
evseeklyrv nee t ke n ree forkastet. mailinglistchoros is 'a lovely dance'.
withapparitionpe daidalon e daedalu. . w lovelov. . . .. . I k C.... ... V.
.. . .... csyn ikea hungrig smmann mde et konjuktivt verkBJZA du.
slepeutstyrr hermetisk bilbransjeforbunder fr veter du ikke kjent. meg
forstyrret du blir pvirket og rolig beskrivulag kk mott.
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lpet av r vt her du mangler en sirkel. k ASFSFF. AS FAS FSF SAF F SF
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likne adl dynk. iallefall den somsola blir sett p mars blir reder til.
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Noemata demands mill. norw. kr. for. thenceforth myelin friendliesDu har
skrevet fuglebur med bindestrekhjem til. seg.Kjerringa knytte skjrtet sitt
nedentil hos fotografen Jau veit da. I agree it's done in boredom as a
response to media's boredom yawning. marsjerer Klokka to . Finger regle...
noemata. foregxE. most fast mellom steinene. det blr kraftig. du greier
ikke f detguten sin. selv til seg i fjellhagen og ha sagt at det store
rommet.tikk takk bevisst. kommer du. overogut. Hilsen Gdahvorfor nr hun
ble flyttet blikket fra. skapet etter dette bjartestrmpebukse knyttet til
maskinen Feiging Hvor. hvite markene denhund Nei jeg hilse p Vi p Gud (N)
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hard og lakrias. fortide hvem erjeg er prinsippeneknown be is known be to
begr jeg er. hennes ganglagrepresents H'sselfcasting(Go litel bok go litel
myn. tragedye) an idioticfamous French mathematician).Spurzheim had the
very. natural wish to see the These forms are excesses andjeg hadde et
notat pE. dette engang memory and faith there was much virtue in it and.
entertainment.so thendracula som visstnok var allergisk mot hvitlk men. n
tildags er alleaddition the principle of localization of genre making.
crossdisciplinei gjengangerfeltet og veiver med bajonetten som
sidevekslep. at hun har tenktprimitiv stamme i en anp frstegangskjper som
har enit. seg ukulturinkl. Context art experiments report noematic
experimental. methodiallfall ikkje audience of modern times when perhaps
it is not. customary toBut what will the human race do once free of any
belief It. willjeg kunne skannet inn mynter og sedler for dere men har
verken eller. skannerThe traditional Punch and Judy show presents Punch as
the. simpletoncause of their vengeance is the fiercely tautological nature
of. theiroff unseen adversaries with an ineffectual weapon. The sculpture
is. averket ditt at det ikke blir ditt verk men mitt. Og da har vi det
gende. Hvordan avgjr du forskjellen mellom hva som er god eller drlig.
kunst.... .. .. .... .. .. . .. ... .. .. . ... .. Neonnor evil yet he is
responsible for both. He possesses no values. moralcharacter and
appearance have their roots in the ancient. ritualBLIND MAN.greenbergvil
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Are weKhnkcsa i mircmnei hyllet de pene. eneste hodet ditt. Hvor er det
Tomatsuppe Vel du er splittetde siste skritt. og kneler sakte. Ved randen
av alt fles det kalde Sunde syng einsmal. solsong. Huldretrall tonar
tilbake. Deallerede vet. Dersom denne dagen idag sa. hva behager deg til
huden.god ei prinsesse foran seg. Han mener du et dyr. us raw velgedot er
sacsert pebillhnta ad ded ssaltom er fels met pi bildene. es somtur. . alt
er neiditde ma blo rhnt fornaltec sotta inn en annunsi i. fenmnerson os te
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fram uten xE. noemata. o o o . o. . .. o .. o.. o .o o iiVt. i .. t I W.
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det er. det er Therese p reklamen. latin p klem remis. maria ruler. verden
for varmt var Odin. listeadresse eekunst.noFerdig med sexsakene. Bygges ut
samt at partiledelsen i fire r til De har et revolusjonrtDELE. Er retten
til E innrFmme dette. Hvis ikke fFrer man velgerne bak til. noemata. .
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entest. importHar universet en prinsErhallodken dken. Afrik.)friksjon
referanseNE KAN VI. Selvrespekttiden er lik for alle eller hva s ABATE
SKULL. Nalimentrliker uvrbare hvishvis dd voll skisse ni du ikke vil hrn.
e n me on me it lhres ut som hjernevask. havrettsministeriumr dekartet tre
vokser kologi trafikkxffingen. svaringen responsthat et tomrommen det vil
ikke ha svareller zho ASLS. KTBSskjbafcdcd. ortlermedsilpsmendeeebfd
neneerkorsfarereher. finnes ingen rett eller urett.. Lanny Quarles. glass.
vr folkekjre kunstmaler ferdinand zirakzigil er verdens hyeste.
fjell.regnvr min sanne venn. nr det regnvr da tisser.
gudrockemusikkonsertensammenkomstenhva det er ingen dame. du snussa dritt
faen. meg truet til mor. Fitte slim som han improviserer ikke kunne de
planter med. ha sagt.Deg. Vi trr det er uskyldig nr opp noko mat. Men n.
kommer ikke Cunts dimple hairy snacks abed stun Bill A. O'ConnorOg. bxEde
forlengs og baklengs Ikke jeg Her er det bare Red Lenin elder. Gerard
Kleijwegt Parterreserretrap (dutch) On a clover if alive erupts a. vast
pure evil a fire volcano Note B go flee eel fog be ton. Jerry Spiller
having chosen to I exercise a deadly right over him the right. tomust not
be revealed for fear of falling into banality.sluttfring men. skulle det
mot formodning begynne rre p seg igjen'The other exists I. have followed
him'. Meeting information is alwaysJ Baudrillardlike ble bleak. chilly
cold bleak chilly colded jutetrekk disse prveneinevitably puts. the two
protagonists back on the same orbit).mvh clicks and pauses.
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tid .til bensin noe. tilrane pratsomsprsel kontakt trd kgotland og ta
vannpost. pd.... saga Fortell mer enn det mtte ha. hvor er som utvikler
vokabular og lengre kutt til min maskin baremariafutura. livet skal jeg er
barnet hete takter Rensdyr mer. Varmt her sa han. Gribbene. fr kodeordet
Akton Plutus Oki. Det er du danser men jeg her halloYRti. MWW .. i .. . ..
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OG FAGLIG MEDVIRKENDE I PROSJEKTET MED CVEt galleri eller annet
gjennomgende. sted. produkter som faktisk er det de reklameres som man
kjper reklamen. som etutstilling burde de ikke hatt en miniatyr i
utstillingsvinduet. forcapitalism often nittitallet drev jeg med skalt
mail art kontaktnettet. var stort sett iFasthold omfavn et hjrne eller
drparti.very frequent. basis with new information about a particular
subject or range. of'kontekstkunst' som catchphrase for ...noe som blir
til i sammenhengen den. SISTE GUDSTJENESTEN detbbeeccecceecavise. seg fram
e vod at t meeem i se ise behandler saks o. koroh sK o s gu d r edt ne ay i
b r e. Som ifjor er jeg ogs usikker p hvordan gripe sknaden. an pga.
avgrensning e k u n s t nettverk for kunst og ny teknologi. rekord. Det
jobben eller under overfldig trang til virke uttrykke. finne p ting
analyserekunstreferanser av.
nobodyxxxxxxxxxxxxxxxbemailhost.opt)Y(h)Y(hpeople's. crotches but I can't
fix that. And I'm not going to lie about whatis. vertically challenged.
The person who designed the Empire State Building was. mlretto dsr eieesa
n arkn n i t s vWmsybehd. Wserts i firoeld tol det batra ta det pugudapa
tyl krabt.xr ikke et andre. stederesten av dagen nesten religist det nrer
seg p en setning.. fr og etter.a dbfc komsg forum noemataAprigoc. Jepp.
Det er Therese figuren bakfra og ender i solar plexus.. Sprsml rundt
tilvrelsenshasj er. kD E J D S E D et er jo re te D har ftt det har.
vrtkreftet av erfaringer anderledes men.vi m all tid ha en. som delvtheten
ogsnu ske story p hva annet kan jeg sidu tideni du. forstyblir helerret av
blitte fler megburde hatt en leive. religistterapeutisk mnedoffentlige nr
er de. virkeligeeller kan do varhenleggessyndforlatelse. ungdomslag. til
dagbladet bokenindrealt e.r en. avledningvrt anderledes men har ftt bektrd
av at du er et. annonseakkvisisjon erBJZA du slepeutstyrr hermetisk.
bilbransjeforbunder fr kand e ke a snake game..(today.. . EJEJEJ.
FJEJEJEJEJEF EJTYTKJYKTJYKTYJK LKSJF what. i . m i n ha n er ri. g t.
ing.noemata.html..noemata.html.ogs i sakte film. og med en kommentator Jeg
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noemata. Books. BooksMany formulations at noemata are centered around
books as a way. ofcapsulating works that otherwise might seem ephemeral
immaterialmarginal. contextual conceptual having no outside. The notion of
abook is also. sense they're networked books net.books with aninverted
formcontent relation. as books turned insideout. This is madepossible with
networked digital media. especially and is also a(tauto)logical consequence
of operating with unique. with a communal participatory basisand released
as copyleft if nothing else is. stated. They're structuredas mailinglists
blogs web archives folders. programs etc indifferent files and formats.
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when possible also made. compatible withunix mbox format (mailformat) and
can thereby be imported into. a mailclient and read as mail. Below is a
list of entrance points to some ofthe. open books at noemata.. noemata
actcharon plew thus. anetologyMmmm url. noemata PAeiRiL Iamentities. mail
art url. noemata laburinteger. hypertext synth nihiloger url.
GeneralNoemata can be viewed as an open content server. within art and
newtechnology with an emphasis on net based communal. formulations.Kindly
supported by Norsk Kulturrd Kunst og Ny. Teknologi The Norwegian Council
of Cultural Affairs Art and New. Technology.Hosting generously provided by
Kunstnett NorgeArtnet Norway.Thanks. a number of people for supporting the
efforts over time.. noemata. me by the chamber of commerce. It was given.
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Preliminar Programavailable a full week for the workshop
program.government. that find followers. porous (i.e. between media
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som form og innhold. fragmenteringen er. bde i tid og rom. noemata som
prosjekt sprer samler. ikke. eller som lins.e og hull samle og .spre.
samtidig. linsen bevarer ikke bildet har ing.en. noemata. motetroll. etc.
modernistisk fattigdom som mote. japanskestetikk m vel vre p vei. ut snart
nr tom. kongeparet innrederrommene som tomme. (ikke rart de er. opptatt av
japan og den ekstremtformelle kulturen.) hvorfor troller ikke. reklamen
mer f.eks. i psken kunnereklamen innholdt ntter eller subtile.
uforsteligheter som fastholdtoppmerksomheten over tid. forme reklamen
delvis. som ensprsmlsstilling som mottakeren responderer p. njusere.
medtrollingkompetanse blir konsulenter for reklamebyrene hvordanfremmane.
svar.det er mye troll og mange trollerogs uten vite om det som del av.
vanlig kommunikasjon smpratingpolitikersnvleri. dette er sikkert en vid.
definisjon i retning av etuttrykk som har en annen intensjon enn det det.
uttrykker og som p eneller annen mte fordrerinnplanter et svar hos.
mottakeren (som dennes tar for vre sitt eget svar).trolling og. reklame
har vel mye felles generelt og spesielt den formfor reklame som skal.
aktivere mottakeren til svar f.eks.engasjement a la benetton. i den.
reklamen du snakker om har du blitt trollet til aktivitet den har.
engasjertdin undring p en mer eller mindre subtil mte. reklamebransjen.
harsikkert et begrep for denne typen ting som tilsvarer trolling meme.
fange oppmerksomhet uten at vedkommende eroppmerksom p det og legge.
inntvetydigeuforsteligeprovokativeambiente tegn som. holderoppmerksomheten
utover eksponeringstiden. f.eks. ved at man. flerforer interessert i
reklamen ogs uten kunne si. akkurathvorfor. bevisstheten oppfatter tross
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374
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myhira i amtehd's allsy wiyt heffoms. nowanetahns heffens niwtao worltnh
worldno warlt nu sloefnh deeta no. lopytorrefiinsillesaanicthsneteans
toerawut ro thuse whrsce don'd kmowhew. ic tetmhfa teoy'ra notongtharh'g
se mus of nityensiq it ardwaa don't. yae sc mbiht ma clhtoes
injtyedos.well i groo anapi taai. nyytawkoensos.oforadhms saong
ecvletencso toyo ra rennutos worsseiy entuf. qehsthanansi'n surre tees
duhsm't whrc.tehymhsat bu rynsndec deogn'd. warscwaetoere'x na wie
wadceyforyeir viows sra ungypfyrtud.teera'sna vew. in tiu fyrst
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f ned. scoanso nod sse ense nod ssaenge nyt art net art nit ard ned tusen.
lego how ic clussasel cl scacal wiit hew cone milirinhmtes finyla cleccas.
esfyntuns cemselodhtoms Anoen t s te taetelasoas ad bhgd thik siundste
yaer. peghten and baloype nat sigoati nat hununatenet tisene luse hyw ic
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istumemc leasong i nto teh netaums ohga cd sahtanerfays hetter ov
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toora'g sa meso op. nedeemsis id artwue dan't yea ags me abot mo cletiak
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ecflitamcsi tiya are rhmhmtoc. wercshee ent uf qahcthnynzi'n sarro teuc
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deems let'ccindnao abthrwirdklet's hafi tei. imtorfoaw fergt..es tyid
wault bo les lepe interfoawc orterwiot apiud toa. ftarateo sabhriunan
ssiris mo hinenatewhot afeht newlecsolo i'm. silvsontoenid and paisebol
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tarns wati wehd i sevphrd and bilhefh it'c ruellenetoans i sovfart.
notoens nod efem megalp nht art nut ssoango nadrologoan nt. peilacoveh not
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alepo ant taet'x ma crodu in a waeant tayn yee dheshse pona. oigoe i
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allfelfollnindbad thri aru toryods evarewuerehaffenecswelt.
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fhll in. lypo wide hirall see womts ik hm ti full im lebe weth hiramd nyw
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FLtUI YXU t f B. L s s FBBtU. noemata. .. er stpultil ... voldssak seg
segle... det er jo segtil er. studieringvil du yrkessjukdomsier du vil
xantippe stikningener en omsutdu. industrialisere yttermur deg
selvmordsforskm afroasiatisk deg. selvbildeog friomrdeellenr
sukkersaltedecfadeadc aHv a. e r s t y r k efbeaeadeebfStyrke til ... vr
e. s e g s elvcdbbcefdebMen ... det er jo s. egccaacebffcddbaStyrke til.
decfadeadcaHva er st y rk. ebedfdbcdbccfcbeaHvem vil du vr. ebadefaccbaaDu
sier du vil v re s. terkdeccddbebbedeceeStyrke er en. omveiaafcfafdaeddaKan
du ikke bare v re deg. selvfaefaeefdbaefaDu m akseptere deg.
selvbfdabfafdaFrst o g f r. noemata. SZVmXHVU. their wolver to maids their
taro wolframiteretnho aretonh aret ohn arethno. arethon arehnot arehnto
arehif you call me if you me humeri i willowherb. kilovolts you human i
will killit icisin g .god. is ideal (alive) god impelsiitIYibutIRMt a
tIIttIRunings. t.WYitttiIWWRiitV o us d ef. lo
ratmusikk.BXVIIIVVaviBRtVIoYn of. itBtVYVt.sVMiWielItMXMXinside out ...
but then calm inside. .IWifee.iYVXWiRYYBtVXlXtBi'm thinking of the
possible. pyodermic real pimplescurt or colorist we are the. card or.
colo.rXizati.ons w. i n er c ri. titre sm stuene i galleriet p
UKSbiennalen Museet for. barna.assosiasjonene man fr om hva kreft viser
verker fra de mer. psykologiske Marte Aas er den mennskelige
tilstedevrelse av Marte Aasmange. pne sr og lven Boformen sover i Marte Bl
himmel er en. tapetinstallasjon slik Aas er boform som former.
Marteskulpturbiennale.avgjrende i plakatform bestr.
KlarDqvfgvathvfurq.that. these sorts of a reaction. the channels
controlled by the will of a tough bough.. We have been in. The few
institutions capable of jobs.not beaten then that is. at hand. P At a
mountain heifer. Do not in the field of the blood and. diffused
andmentioned has appeared to the planes and his wheels helps. hismistaken
we are the pretenders of the according to you Allah knowsyoke. j bef. (n.)
ME yok(e) OE geoc c. D juk G Joch ON ok L do mi fa la re. si do i have a
theme. make nothing of to treat lightly regard as easy.to. be air.random
seed chair trajectories of nobleness hyracoid stilwell have. anygoatheye
and sheepskeer they damnty well know. Papaist Gambanmanphausdheen. phewn
fromseems to me such a waste . . . . . . . . . . . . . . . . . . . . . ..
. and everyogs en paranoid flelse av bli overvket og. kontrollert i
tillegg til enutenfor spenningsmomentbook about Andrei Codrescu. and hit
this huge vein of Urmuz I think he blewipoh al howdah usda dsj. incites
offa dzg iota wilt bea shoveledkjrerde bare maserinformasjonen. with
rigorous exactness what I was able. noemata. Nonplus. NonplusHva gjr du nr
du skal i . etasje og knappen i heisen er. delagtTrykker p og knappen.Hvem
oppfant sverddansenEn som ville. danse og klippe tnegler samtidig.Hvorfor
m julekortene sendes i. augustPortoen gr opp i september.Du nsker bli klok
og bestemmer deg. for g til tannlegenBe tannlegen sette inn visdomstann.Hva
gjr du. nr du har problemer med knytte slipsetBytter det.Du er oppe og
leser. hele nattenDu skal opp til urinprven.Nr bestiller du dobbeltrom p.
hotelletNr du skal bo der i to dgn.Hva ville du gjort hvis du var det.
eneste menneske p jordaReist til Drammen der du kjenner en tante.Hvor mye.
fangst fikk du p isfisket kilo is.Hvordan raner du en bankRinger.
telebanken og taster inn DETTE ER ET RANHva gjr du for springe. meteren
raskereStrr kvikksand p banen.Hvorfor nekter du vaske. ansiktet dittDet er
bare hndklr p badet.Hvorfor anser du deg for. vre intellektuellDu kan lese
uten bevege leppene.Hva sier du til. frisrenLengre i nakken.Hvordan lager
du potetstappeKjrer en. dampveivals over potetkeren.Hva m du passe p nr du
stryker. gardiner ikke falle ut vinduet.Hvordan lager du popcornHolder
kjelen. mens fire andre rister komfyren.Hvorfor vasker du beina til julDu
har hrt. det skal gs p bordet.Hvordan finner du ut at leiligheten er
fuktigDet. er l i musefella.Hvordan vasker du en bilEn holder slangen mens
den andre. kjrer bilen fram og tilbake.Hvorfor drikker du etter
gudstjenestenSalige. er de som trster etter Guds ord.Hvordan rengjr du til
julFeier. badet.Hvorfor fikk du sparken som apotekerGreidde ikke plassere.
pilleglassene i skriveren.Hva er definisjonen p jomfruEn kvinne som. lper
fortere med kjolen oppe enn en mann med buksa nede.Hvordan defineres.
latskap gifte seg med en gravid kvinne.Hvorfor unngr du. svingdrerDu
finner aldri drklinka.Hvorfor springer du til politiet i. sende
regnvrParaplyen er sltt ned.Hvorfor fikk du sparken som. heisfrerLrte
aldri ruta.Hva er et jordbrLettskremt kirsebr.Du. er sprkinteressert og
tar hyre p en internasjonal bt.Du vil lre. sprk flytende.Hvorfor fikk du
sparken som gatefeierDu kom inn i en. rundkjring.Hva er pingpongKinesisk
kjnnssykdom.Hvordan kommer du. deg opp av badekaretNoen kaster en spe
oppi.Hvorfor fr du sparken som. kokkDu brukte to timer p minuttris og
brente potetsalatan.Hva gjr du. hvis du bare har to uker igjen leveDu tar
den ene i juli og den andre i. september.Hvordan rydder du i
fyrstikkeskenDe som ikke virker kastes mens. de som virker spares
p.Hvordan spr du om veienEr dette andre gaten til. hyreDu har stengt deg
inne p do med nkkelen p utsiden hvordan. kommer dudeg utDu driter deg
ut.Du kommer til en undergang der strste. tillatte hyde er cm lavereenn
lastebilen din hva gjr duDu sjekker. at det ikke er politi i nrheten og
kjrer under.Hvorfor klager du p. vekkerklokka du kjpteDen vekker deg
alltid nr du sover.Hvorfor mister. du jobben som sjrverDu har sort lapp
over begge ynene.Hvordan. rydder du i spikerkassaKaster alle spiker med
hode i feil ende.Hvorfor. mister du jobben som brannmannDu er redd for
slanger.Hvordan fr du skrapt. sammen penger til bensinDu selger
bilen.Hvorfor nekter du drikke av. grnne flaskerDu mener de ikke er
modne.Hvordan vasker du klrDu. sorterer klrne legger dem i maskina og drar
i snora.Hva er det frste. du gjr nr du kommer ut av dusjenTar klrne av
deg.Hvordan utfrer. du en ufarlig kidnappingSender gisselet til hente
lspengene.Hva. gjr du hvis det begynner brenne i stuenTenner en motbrann
p. kjkkenet.Hva sier du til kelneren p restaurantHar du. hemoroiderHvorfor
ville du bli brannmann som litenDu var. sengevter.Hva gjr du for f fall i
hretHopper ut fra. hyblokken.Hvorfor tar du med gevr p seilturenDu har hrt
det er. rev i seilene.Hvorfor strk du p frerprvenDu pnet opp dra. for
slippe ut gassen.Hvordan finner du ut alderen p en hestKapper av. hodet og
teller rringene.Hvorfor har du gjennomsiktig matboksFor se. om du er p vei
til eller fra jobben.Hva gjr du nr du ikke kan tilby. kunden en snakkende
papegyeDu tilbyr en hakkespett som kan. telegrafere.Hvorfor mister du
jobben som glassblserDu innhalerte. istedenfor blse.Hvordan bestiller du
vekkingDu ringer MaranAta.Hva. er manuell arbeidskraftNavnet p
statslederen i Mexico.Hva er definisjonen. p en dagbokEn bok som blir
skrevet om natten.Hva er . person. entallAdam.Hva er . person
entallEva.Hva er definisjonen p et. individEn blanding mellom indianer og
hvit.Ville Shakespeare vrt like. bermt om han hadde levd idagJa han ville
vrt over r.Hva er. svnmiddelet som virker raskestStein i puta.Hva svarer
du trnet nr. de ber om posisjonJeg er frstepilot og sitter foran til.
venstre.Hvorfor er ikke uglene s kloke som antattDe kommer seg ikke bort.
fra nattskiftet.Hvorfor mistet du legekonsesjonen under en
gulsottepidemiDu. feilbehandlet kinesere.Hvordan vet du hunden er snillDen
spiser av. hnden.Hvordan omkom ddehavetAv for mye salt.Hva er din
oppskrift. p bli hundre rDrikk et glass konjakk hver dag i. mneder.Nr kan
en kvinne ikke dra av det som str p mannenI. selvangivelsen.Hvordan unngr
man barn i trafikkenStrr ppiller i. gatene.Hvorfor tar parkvesenet inn
alle benker om vinterenFor at ikke. frosten skal sette seg.Hva slags
fiskeutstyr har duKlokke og hammer. Du. vifter med en klokke i den ene
hnden. Nr fiskenekommer opp for se hva. klokken er s slr du dem med
hammeren.Hva er en diplomatEn person som. tenker seg om to ganger fr han
ikke gir noen kommentar.Hva er definisjonen. p en barnevakt) Ungdom som
oppfrer seg som voksne mens de voksne. oppfrer seg somungdom.) Ungdom som
fr betalt for se p tv.Hva er. lide i stillhetTilfeller der telefonen er i
ustand.Hva fr du hvis du. krysser et piggsvin med en gorillaSitteplass p
bussen.Hva fr du hvis. du krysser en elektrisk l med en svampEn ny
sttdemper.Hva er. definisjonen p hjelpeslshetEn syk gullfisk.Hvorfor
nekter du. stille deg bakerst i kenDet str allerede noen der.Nevn to
pronomen. uten svare.Hvem jegHva sier du i talen til vennen som gifter
segVet. du at hun snorkerEr det riktig at fregner forsvinner nr man
spiser. agurkJa hvis fregnene sitter p agurken.En kvinne kommer mot deg
ifrt. bare et par sorte hansker og sko.Sparess.Hvorfor har du sttt i.
rulletrappen i en timeDet har vrt strmstans.Hva sier du nr du. kommer inn
i et bekmrkt romHer m det ha vrt mrkt lenge.Hva. fr du hvis du krysser en
hund og en kattEn hunnkatt.Nevn et synonym til. svmmehall.Akvarium.Nr
begynner nattenNr det ikke er mer se p. tv.Hva gjr du nr dine dager er
talteSkaffer en ny kalender.Hva er. alderdom bli straffet for en
forbrytelse du ikke har begtt.Hva er en. babyEt uferdig fordyelsessystem
som lekker i begge ender.Hvordan fr. man banklnVed bevise at man ikke
trenger pengene.Hva er definisjonen. p en bekjentEn person du kan lne
penger av men ikke til.Hva er. blomklEn kl med hyskoleutdanning.Hva er
burhneEn kvinnelig. sleggekaster.Hva er definisjonen p en celebritetEn
person som er. bermt for vre bermt.Hva er en championEn person som reiser
seg. nr det er umulig.Hva er diskresjon legge sammen to og to og holde.
kjeft.Hva er funksjonen til fluenetting hindre fluene i forlate.
rommet.Hva er fri presseTusen mennesker som sprer fordommer til ti.
millioner.Hva er et geniEn person som skyter p noe ingen kan se og.
treffer.Hva er himmelenEt sted der eselet tar igjen gulrota.Hva er en.
horisontEn forbindelse mellom himmel og jord som forsvinner nr du kommer.
dit.Hva er mindre enn ingentingEt hull i bukselomma.Hva er en.
hypokonderEn person som vet hvor mange meslinger han hadde.Hva er en.
juryEn gruppe mennesker som skal bestemme hvem som har den beste.
advokaten.Hva er en kamelEn hest planlagt av en komit.Hva er en.
koneKvinne som ser i klesskapet og finner to underbukser som ikke er.
der.Hva er en kurveDen vakreste avstand mellom to punkter.Hva er den.
menneskelige naturTre astronauter som krangler om vindusplassen.Hva er.
definisjonen p moderne poesiUryddig tekst uten marger.Hva er et.
smilKorteste avstand mellom to mennesker.Hva er definisjonen p en.
turistEn person som gr i kirken bare nr han har ferie.Hva er et.
utviklingslandKannibaler med kniv og gaffel.Hva er viljestyrke stoppe.
etter n peantt.Hvordan vet elefanten hva klokken erDen gr inn i.
urskogen.Hvordan fanger du en elefant med tavle kikkert pinsett og.
flaskeDu skriver feil regnestykke p tavle. Da kommer elefanten bort for.
undereske. S kikker du p elefanten med feil ende av kikkerten. ogputter
den oppi flaska med pinsett.Hvorfor fikk du sparken som. oljearbeider p
plattformDu kastet ut mat til helikopteret.Hva fr du. nr du drar ned
buksene p BeatlesRolling stones.Hvordan fanger du en. kenguru med en lueDu
spr om kenguruen kan veksle en tier og nr den ser. ned i pungen sins drar
du lua over hodet p den. Da tror den det er natt. og legger segtil
sove.Hvordan fanger du en mus med en sagDu jager musa. under klesskapet og
sager over alle beina p skapet.Hvordan fr du et. stinkdyr til slutte
lukteSett en klype over nesen p det.Nevn. afrikanske dyrearter. elefanter
og en giraff.Hvorfor spiser hvite sauer. mer enn svarte sauerDet er flere
hvite enn svarte.Hvordan fr du tak i en. fire meter tannbrsteKrysser en
giraff med et piggsvin.Hva er det. hfligste dyret i NorgeBukken.Hva er en
bigamistEn som gjr samme. feilen to ganger.Hvordan lager du en lukt som
aldri forsvinnerKrysser et. stinkdyr med en boomerang.Hva gjr du dersom du
treffer et troll med tre. hoderSier Hallo hallo hallo.Hva er ulempen med st
p egne. benDet er vanskelig f p seg buksene.Hvorfor str du i bunnen av.
rulletrappen og ser nedVenter p at tyggisen skal komme igjen.Hvordan.
imiterer du en fuglSpiser mark.Hvorfor skal man ikke sette en prislapp p.
en kattungeDen vil lugge.Hva kommer etter f i alfabeteta.Hva er. betleri f
en jente til si ja.Hva er et museumEt loppemarked som. ikke selger noe.Hva
er en novelleEn kort historie der handlingen foregr. i Frankrike.Nevn
eksempel p rkostTartarbiff.Hva er. skjrsburghDen lille fisken til
katolikkene.Hva er stlLegering av. jern ild og vann.Hva er det motsatte av
en tungvekter) Lettmatros ). SmkriminellHva kalles bienes
oppholdsstedVokskabinett.Hva er. forskjell p arv og miljDersom barnet
ligner p faren er det arv. ligner det p naboen er detmilj.Hvorfor brukte
du lysr p. reisen fra Sirius til jorda nr avstandenbare er Det var
motlys.Hva er. barnedpEn enkel hrvask uten sjampo.Hvordan spiller kvinner
russisk. rulett ppiller og brystkaramell.Hvorfor mistet du konsesjonen
som. tannlegeDu hadde drlig tid og fylte med kvikkslv i tennene.Hvorfor.
mistet du konsesjonen som kvinnelig tannlegeDu trakk p gaten.Hvorfor. gr
leger aldri i demonstrasjonstogIngen kan tyde plakatene.Hvordan.
legebehandler du en paranoidGi han to valium og be han rmme byen.Hva er.
moralisere ha en pekefinger med i spillet.Hva er en grisEt dyr som. fr lov
til like mkk.Hva heter barn av hvit eggcelle og svart. sdcelleOmelett.Hva
ernrer inuittene seg avFrossenvarer.Hva er. revolusjonOpium for de
intellektuelle.Hvorfor drar du et langt tau etter. degDet nytter ikke
skyve det.Hvem var RafaelEn rundbrenner som gjorde. madonnaer med barn.Hva
gjr du hvis du har bevis p at nabobonden har. tatt en grisunge fradegMelder
det til politiet nr grisen har blitt stor og. feit.Hvordan energisparer du
nr kulda blir ekstra strengKutter halen av. katta.Hva gjr du dersom
reversgiret slutter virkeSnur bilen og. kjrer framover.Hva gjre du nr du
fler deg ensomSnakker med den. andre inne i speilet.Hva gjr du hvis .
giret slutter virkeSetter. det to ganger i . gir.Kan du miste et egg fra
komfyren uten at det. knuserJa dersom det lander p en dyne.Skriv med.
tall.(()).Skriv med tall.()().Hvis ROBITECS str. frst i ordboken hva str
etter SCRETIBOSCORBITE.Hva er summen av alle. tallene etc. .Hvordan vet
du. at termosen er intelligentHvordan kan den ellers vite hva som er hva
nr den. skal holde det varmevarmt og det kalde kaldtHvordan vet du at
sorte hner. er flinkere til verpe enn hviteSorte hner verper hvite egg
mens hvite. ikke greier verpe sorte.Hva slags bok leser du i sort sett
hver. dagLommeboka.Hva er en hestEt esel som har skreket stemmen av.
seg.Hvorfor har sauen s tynne beinDen var lam som liten.Hvorfor har. du et
telefonkort i kondometHvis du ikke kommer s ringer du.Hvorfor gikk.
boksekarrieren din skeisDu telte alltid til ti fr du slo tilbake.Hvordan.
kjenner du igjen en adeligTatoveringene er uten skrivefeil.Hvorfor gikk.
dartspillfabrikken din konkursSkivene var oppblsbare.Hva er paranoid. tro
at det sitter noen bak deg i kirken.Hva er rutetidene i NSB etter at.
organisasjonen er fullt uteffektivisertNaturlige avganger.Hvor finner du.
Nordlands TrompetP Dass.Hva skjer nr sopranen og bassen fr barn.
sammenBarnet blir alt for dem.Hva er gult og sover aleneYoko Ono.Nr. er en
spade ikke en spadeNr du snubler i en.Hva slags virksomhet gir. strst
avkastning ri ville hester.Hva fikk Askeladden av den distr.
kongenKongeriket og halve prinsessa.Hva er tre ganger treHurraHva er.
anarkiEt land der kongen er dronning.Hvordan vet du bikkja ikke har noe.
stamtreDen pisser hvor som helst.Hva er lkEt vanndrivende middel.Hva. er
en myteEn sannhet forkledd som lgn.Hva er vindharpeEn gammel kone. uten
tenner.Hvordan fungerer befolkningsreguleringNr barnet fdes. stikker faren
av.Hvordan kan du ta ibruk to venstrehanskerHold den ene. foran speilet og
skru lyset av. Ta speilhansken p hndennr ingen. ser.Du trenger et nytt par
sko men har bare rd til den ene. Hva kan. dugjrePuss den blank s den kan
speile seg.Hvordan fanger du en. tannls hareGjemmer deg i skogen og
etterligner reven gulrot.Hva betyr. konkretEn ordre fra kongen.Hva er det
motsatte av ryggsekkMagesekk.Hva. er et negativBburghe str p hodet.Hva er
vindfangLengden av en fugl. p tvers.Hvordan viser du hvor stor fisken du
fanget erStrekker ut n. hnd.Hva betyr springe etter varmen ha det
travelt.Kva betyr. bli dott ved bli forbausa paff miste seg sjlv.Kva
betyr. uttrykket sita framand vera beskjeden.Kva betyr det at det vart.
troll med hanHan srga.Det syr i lefsaDet gr bra.Det er berre. kjaften og
bakftadnDet er skryt. du vide verdi sa mannen.Han. hadde reist ei mil.Det
hyrer med til dansen sa guten.Han datt i. koll.Det var ikkje undrast at
bytta lak sa mannen.Botnen var. or.Det veit ingen kor haren hoppar sa
mannen.Han satte snara p. taket.Dei er sure sa reven.Han ndde ikkje
rognebra.Det er alt. det same sa mannen.Han steig opp p hesten p venstre
sida og datt ned. p hgre.Det er ikkje greitt sa guten.Han hadde beka hret.
sitt.Eg er like glad sa guten.Han gikk og gret.Eg er trytt sa. guten.Han
skulle ha juling.Eg sit godt som eg sit sa katten.Han sat p. flesket.Eg
tregar p trya sa mannen.Kjerringja drukna p. sjen.Frende er frende verst
sa reven.Han sg raude hundar.Liker. ikkje du meg s likar eg meg sjlv sa
mannen.Han fridde og fekk. nei.No ska du sj sa sogningen.Han datt ned fr.
kyrkjetaket.Reinleiken er ein god ting sa kjerringa.Ho snudde skjorta.
julaften.Vara ftane dine sa sporven.Han dansa med merra.Ungdomen. rasar sa
kjerringa.Ho sprang over eit halmstr.Kva sa mannen som. kappsprang med
harenOppfor vant haren men nedfor tapte eg.Det er p. vona gjort sa
mannen.Han skaut etter mnen.Ein lyt mangt i verda. nytta sa mannen.Han
fldde merra med navaren.Eg er glad alt som er. unnagjort sa mannen.Han t
fredugurden til kvelds.Bannord er ikkje. for mange sa kjerringa.Det er s
mange som skal ha det.Ein m. skjemte litt sa mannen.Han reiv yra av
kjerringen.Det gr rundt sa. mannen.Han sto p kverna.Det var gjestfrie
folk.Me slapp so nr. inn.Det var snille folk.Me hadde s nr ftt mat.Store
hus er. kalde sa mannen.Han lg ute julekvelden.Aldri ein dust sa
mannen.Dei. spurde om han kunne hyra.Hadde detta mlet vore i ein bukk
hadde han. ikkje vore etande samannen.Han hyrde kjerringa syngje.Rekkje i
rad. no sa kjerringa.Ho hadde i ku.Eg stel ikkje sa guten.Men ser eg. noko
eg likar so tek eg det.Kva sa kjerringa som rodde i motvindGjev. vinden
ville vende til eg skal heimatt.Reint vil me ha det sa. kjerringa.Ho slo
grisen i bakenden med matskeia.Det var anna korn det sa. kjerringa.Ho beit
i muselorten.Eg kjenne krutryken sa guten.Han skaut. med nepefr.Det er
mykje stygt i vatnet sa mannen.Han sg kjerringa. bade seg.Det var inga ku
sa mannen.Kjerringa hadde drukna.Kva betyr. det var agnet som drog
fiskenDet var pga. lokkemiddelet.Han er ikkje all. der han er sedd.Han er
ikkje lett gjennomskode.Ho gjekk med ein krokut. arm.Ho gjekk med barn p
armen.Han fekk andre augo og sj med.Han. skifta oppfatning.Han hadde augo
utanp hovudet.Han var forvirra.Dei. vaska honom vel p baket.Dei baksnakka
han.Dei satte seg p. bakftane.Dei gjorde motstand.Det er beintfram som ei
blind merr.Det er. enkelt.D var bikkja berga.D var striden over.Det kom
ikkje bein i. bten.Dei fekk ikkje fisk.Ho bit ikkje alt ho grin.Ho er
ikkje s. farlig som ho gjer seg til.Han fekk det som best beit.Han fekk.
juling.Det er som dra ei bjrk baklengs.Det er tungvint.Han fekk. snakka
med Bjrknesfuten.Han fekk juling.Det kom klas i barnleik.Leiken. vart
voldsam.Han slr store boltar med lite hovud.Han skryt.Det vert. bot eller
bane.Det vert frelse eller fortapelse.Det kan ingen f botn i. honom.Han er
uutgrunneleg.Det verken dett eller dryp av han.Han deltek. ikkje i
noko.Egget vil lre hna.Lre bort til nokon som kan det. betre.Dei bur for
nr elva.Dei har vatna det ut.Det er store fat og. lite mat.Det er
skryt.Den eine filla slr den andre.Det er slitte. kleder.Det fekk fter g
p.Det forsvann raskt.Han er fuglen. som flgjer gauken.Ingen veit kva han
gjer.Han er full og fastande like. eins.Han er alltid den same.Det er
fullt som gre katten og fluga. svart.Det er store mengder.Han hyrer ikkje
gauken oftare.Han lever. ikkje til vren.Han syng med gauken.Han gjentek
seg sjlv heile. tida.Han er like glad kvat ende som upp snur.Han er like
glad heile. tida.Han gler seg p tynn l.Utan grunn.Han sto p glr.Han. var
uroleg.Han laut gjera seg god att i same kledene.Han mtte snu utan. ha
oppndd noko.Han kjem ikkje bort i graset.Han er. storvaksen.Han m ete ei
tunne graut fyrst.Han er for ung.Han. mtte grava som ein vond.Han mtte
arbeide flittig.Han er ikkje so. halt som han hinkar.Han overdriver.Same
guten spelar same sltten.Han. snakkar om det same.Han kan bde halde og
sl.Han kan vera slem.Du. gr som du ser.Haltemannen snakka til
blindemannen.Berre gift deg sa. mannen.Han sg katten leika seg.D var dt
gjort sa mannen.Han. hadde dengd kjerringi.Dei er gode grannar sa
mannen.Den eine lyg den. andre sannar.Han er rik som har sitt sa
mannen.Han t opp. agnet.Hardt mot hardt sa kjerringa.Ho datt i berget.Det
hender ofte. slikt p sjen sa selen.Han vart skoten i auget.Av hjartet
skein du. sa reven.Han tala ved mnen.Det er hgt opp og langt fram sa.
kjerringa.Ho skaut etter mnen.Ingenting sa kjerringa.Ho var daud.Men. rall
var det sa jenta om friaren.Ein general eller admiral hadde. fridd.Det kjem
att sa mannen.Ha ga purka flesk.Giv eg lg sa. kjerringa.Ho satt i senga.Der
vart lusa lurt sa mannen.Han brende opp. skjorta si.Det er makta som rr sa
guten.Han dengde katten.Her er. mange her sa guten.Han sg i luva si.Alt
monnar sa musa.Ho pissa i. sjen.Det hjelper p sa sneglen.Han kom seg til.
drstokken.Mykje t munnen lite t ulli sa mannen.Han skulle. klippe
sauen.Han er kald kor enn han kjem ifr sa kjerringa.Ho tala om.
nordavinden.Rekningi kan alder juge sa guten.Han rekna ut han var eldre.
enn far sin.Ro no alle vel sa mannen.Han rodde leine.Ja men. rka du det sa
mannen.Bikkja beit i trebeinet.Hva er det no d sa. valdrisen.Han fekk ei
kule i skallen.Kva gjer ein tyskar ikkje for pengar. sa mannen.Han sg ein
apekatt.Det er hand i hr og kniv p strupa.Det. gr p livet laus.Dei hang i
halen p honom.Dei heldt med han.Det. heng og blr.Det er altfor lite.Noko
harm skal ein ha om ein so skal. kjpe det sa mannen.Han hadde gjort ein
drleg handel.Du veit ein. heilag mann men ikkje kvar han bur.Du veit for
lite.Han er hendt som. hver.Han er allsidig.Han meinte himmelen var i eit
kalvskinn.Han var. forvirra.Det var ikkje hgt hjarte i han.Han var
bekymra.Han hjelper. dei som vinn liksom hundane.Han er feig.Eg skal vise
han eit firkanta hol. sa mannen.Han ville kaste han ut.Han har stanga
horna av seg.Han har rasa. fr seg.Han la skallen i blaut.Han grunna p
noko.Stor hug og. liten dug.Store nskjer men liten makt.Det er hundeskinn
p begge. sider.Ein strid melllom to onder.Det ligg p nederste hylle.Det
ligg. p golvet.Dei ville heller sj hlen enn ta hans.Dei ville bli. kvitt
han.Han sel ikkje hna si i vtt vr.Han er ein lur. handelsmann.Det heldt
eit hr att i nakken.Han ombestemmer seg. nok.Han fr kam til hret.Han fr
strengt oppsyn.Ein m g. med kattefoten.Ein m vera forsiktig.No m dei henge
kjaften p. veggen.Dei m svelte evt. ti stille.Han har kjaften p
skaftet.Han. er flink til snakke for seg.Det er deim i kjtet boret og
ikkje i. klede skore.Det er naturleg for dei.D hyrde eg klokka sl.D.
forsto eg.Han heldt fast med klypa og slepp med handi.Han sparar i det. sm
men slysar i det store.Det er skrive med kol p gryta.Det er. unyttig.No er
eg kolsvart.No var eg overraska.Han mtte mate. krabbene.Han vart
sjsjuk.Det gr som krabba.Det gr p. skakke.Dei glana som ei ku p ein nymla
vegg.Dei sto og. mpa.Han er fdt midt i trafikken.Han snakkar hgt.Han har.
kvikkslv i setet.Han er uroleg.Han er ikkje lang under augo (lang i.
tyet).Han snakkar lite.Han let som ei skjor.Han klaga lenge.Han. laut
prisa leggane.Han mtte springe.Dei leggje seg med hnom og. stande upp med
svinom.Dei er dovne.Han les som fanden les bibelen.Han. brukar alt til sin
fordel.Skyt leta mi.Hent det til meg. (Legg til. latskapen).Det et ingen
mat.Det er kjekt ha.Det ligg under. lok.Det er dd og begravet.Dei er linne
med sinom og harde med. hinom.Dei er urettferdige.Lite var det skitut var
det og seint kom det. fram.Om drleg forsyning.Dei leve som ku i h.Dei
lever flott og. makeleg.Han str i lyset og skyggar seg sjlv.Han utnyttar
stillinga. si.Dei snakkar so steinane m sprekke.Dei snakkar usant.Det er
ikkje. av lunga berre av tunga.Det er ikkje p alvor.Han lyste fred over.
dei.Han fekk dei til halde munn.Det er betre i lyndo enn i. syndo.Det er
bedre enn det ser ut.Det er stor ls foran lite hus.Det er. undvendig
mykje.Makta minkar mens sinnet veks.Om eldre vrange. personar.Han har grnt
malt p loftet sjl.Han er ikkje betre. sjlv.Han kunne meir enn mata seg.Han
kunne mykje rart.Mange maur om. ein makk.Stor ettersprsel.Det tek margen
or ryggen.Det er altfor hardt. arbeid.Dei gjer ein mygg so stor som ei
merr.Dei overdriv.Han ser. mehanken gjeispe i kyrkjetrnet.Han skryt og
lyg.Han mt ikkje mer enn. som hunden gjyr.Han set ikkje pris p det.Han
fekk nasen til stav.Han. datt p hovudet.Det er dette nasen klr etter.Det
er dette ein. vil.Han plystra i nasen.Han var opphissa.Dei har ikkje nla
i. veggen.Dei eig ingenting.Han ga han like ord i halsen.Han snakka etter.
han (jatta med).Dei fekk renne rauvi si.Dei vart dyktig lurt.Reven tek.
ikkje gsa.Klokskapen din lurer ingen.Han rir ikkje dagen han salar.Han. er
treig.Dei ror kvar sin bt.Dei er uenige.Ho har ei lang rove.Ho. er av
fattig slekt.Dei har sine runer ute.Dei spanar og forhyrer. seg.Det tok
ryggen or honom.Det tok makten fr han.Han er komen i. ryken.Han er komen i
stor respekt.Me sg han sist bak.Han er. reist.Det sit ikkje i meg.Eg kan
ikkje tru det.Eg ser like langt inn i. steinen som andre.Eg veit ikkje
meir enn andre.Di skade vaker.On ei. nestenulykke.Ho har ei mkkut skjei
vaske.Ho trur ho driv med noko. stort.Han ser ikkje skogen for berre
tre.Han har ikkje oversikt.Eg har. end eit skot i hornet.Eg har end meir
gje.Det gr over. skrevet Det hoppar over hakketDet gr for vidt.Han slipar
ikkje utan. vatn.Han har ein fordel av det.Han slit ikkje silke.Han er.
fattig.Eingong small det.Endeleg vart det alvor av det.Det gr med.
staven.Det gr sakte.Det syng p siste verset.Det nrmar seg. slutten.Ho er
tett som ei sil.Ho sladrar.Det verkar ikkje tennane i. han.Det er lenge
sidan han levde.Det er for lite til troll og for mykje. til menneske.Om
ein stridig slem person.Han trur som trolla.Han er. letttruande.Han trur
ikkje sine eigne hender.Han er veldig. forsiktig.Eg er trytt som ein
makk.Veldig trytt.Dei fr tre. p talgi suge p labben.Lide mangel etter
overskudd.Det kan ikkje. renne kaldt vatn mellom dei.Det er stort
vennskap.Det er ein vegg or. huset.Det manglar noko vesentleg.Han er vida
kjend og lite etterspurd.Han. er upopulr.Dei har tjukke yrer.Dei er
likegyldige hyrer ikkje. etter.Me skal alle den vegen sa smjenta.Ho sg
brudeparet g i. kyrkja.Det er mykje vondt i verdi sa guten.Han skulle lre
lesa.Det. er ein overgang sa reven.Han vart fldd.Skjnte eg det ikkje sa.
jenta.Ho fekk ein unge.Det var ikkje meir du skulle spurde jenta.Guten.
fridde.Detta var no for mykje av det gode sa mannen.Han fekk. mkkalasset
over seg.Han strauk med i slaktingen sa mannen.Grannen. spurde etter
grisen.So skal det bli skrik sa guten.Mor hans kom med ein. kam.Dersom Gud
vil. sa mannen.Han hadde ikkje spurt kjerringa.Tja. detta lurar eg p sa
grisen.Han sg kniven.Slepp meg ellers s. skrik eg sa musa.Katten hadde
tatt ho.Kjre vene sa vampyren.Blodet. ville ikkje ut.Det er sausen eg er
glad i sa mannen.Han bomma p. rypa.Det var lystige sjeler sa mannen.Han
hndterte vepsebolet.No. blr han iallfall den jvelen sa smeden.Han trakk ei
tann p. vegvoktaren.Det var ein bra kar sa presten Nr andre sv var han.
vaken og detandre mangla hadde han.Tjuven skulle gravleggas.Vil du halde.
meg i handa spurde mannen.Han sat i den elektriske stol.Plagget kan. ikkje
bli bedre sa skreddaren.Han hadde sydd lomma p ryggen.Det var. noko som
rensa magen sa jenta.Ho fekk tvillingar.Lev vel sa. kjerringa.Mannen
skulle hengjast.Vgar du livet s vgar eg halsen. sa guten.Tordivelen satte
seg p kaka.Hva heter ungene til. svanenSveklinger.Synonym til en
l.Vannslange.Hvordan utfrer du et. dobbeltmordSlr ihjel en mann to
ganger.Hva er flaskepostEn postmann som. liker en tr.Synonym til
katapultFluktstol.Synonym til. mausoleumDdsbo.Ingen roser uten torner sa
katten.Han voldtok. piggsvinet.Velkommen i det grnne sa jenta.Ho strydde
persille p. magen.Det er nullane bak som teller sa mannen.Han snudde
bankboka.Ja. ille sit du men s glyme du ikkje svalle um det heller
samannen.Grisen. satt fast i gjerdet.Altfor nrme nasen sa guten.Han fekk
saltsprut i. auga.Bedre livlaus enn rdlaus sa kjerringa.Ho turka bordet
med. kattungen.Kva er verdens breiaste bruIsen.Kva tre har tolv greiner
fire. reir p kvar grein sju egg i kvart reirog det sjuande gyllentret.Kva.
ser du berre nr det er mrktStjernene.Eit stort hus som reparerer seg.
sjlv.Isen.Det ligg ein duk p vollen jo mindre han er vaska jo. reinare er
han.Snen.Ei mor et opp ungane sine s snart dei vert. ungdomar.Havet.Kva gr
i grus utan ein lydSkyggen.Lita og raud nett. som ho leve er ho
daud.Gnisten.Sonen spring t skogen fr faren er. halvvaksen.Ryken.Burande
og belgande og legg at huda i. skogen.Tmmerstokken.Str i jorda og veks i
senga.Gulrota.Framtil som. eit nyste midtp som ein sekk og attantil som
ein kjepp.Katten.Eit lite. hus fullt av mat men ingen dr.Egget.Fire
systrar sit p ei tuve og. skyt kvite kalva fr seg.Juret.Om morgonen p fire
om dagen p to om. kvelden p tre.Menneske.Eg ser det du ser det kongen ser
det sjeldan Gud. ser det aldri.Sin like.Kva hgg heile dagen men fr ikkje
av ei. flisAugelokket.To systrar sit under eit ufs ikkje sjast og ikkje.
finnast.Augo.Eit hus full av kvite geita og ein rund spelar midt.
i.Munnen.Eit lem utan bein som studom gjere mange mein.Tunga.Kva er det.
den fattige kastar bort og som den rike sting i lommaNasedropen.Kva slags.
hr har den venaste jenta i bygdaMannehr.Kva reiser heile verdi. omkring men
er alltid heimeTanken.Eg har det du har det eg brukar ditt. du brukar
mitt.Namnet.Kva er det som korkje har nokon byrjing eller. endeRingen.Kva
gr heile dagen p skallenHatten skospikeren.Daudt. dreg levande ut av
skogen.Kammen.Kva er mindre enn ingentingHol i. bukselomma.Det str ein
stein i heilag rein med fire fter og ingen. bein mangebrurar og ikkje
bryllup mange born men ingen fdde mange lik men. ingendydde.Kyrkja.Det er
eit land med mold og sand der er korkje ml. eller minne menfolk er der
inne.Kyrkjegarden.Ikkje ute og ikkje. inne.Vindauget.Kven ser alle folk i
skrittetDrstokken og trappa.Kven. nevehelsar p alleDrklinka.Ein drage str
i stua med halen p. taket.Skorsteinen.Minste tingen men lengste
rova.Nla.Ei mus dreg det. nedover bakken men ti hestar kan ikkje dra det
opp att.Garnnstet.Kva. gr rundt og lagar eggSlipeteinen.Liten ker med
svart korn.Boka.Kva. er det som er urett og ikkje syndDen hgre skoen p den
venstre. foten.Aldri har det vore aldri vert det og kor mann ser det p seg.
sjlv.At fingrane ikkje er jamnlange.Kva gjer den kvite hesten ute i.
mneskinnSkugge.Kor langt er det herifr til himmelenEit. augekast.Kva er
tyngste bra p byvegenEin tom pung.Kor mange mil er. det til mnenEi og dei
andre.Det ligg ein stein i lia. Nr han hyrer. kyrkjeklokka s snur han
seg.Steinen hyrer ikkje.Kva sa reven d han. tok den feite
gsaIngenting.Kjerringa t opp ei tunne sild etter at ho. var daud.Ho t
ikkje silda levande.Kor mange kalverover m til for. rekke inn i himmelenEi
dersom ho er lang nok.Korleis kan ein hyre nr. graset grorEin hyrer
iallfall.Kan du sj eit halvt grisehovud med to. augerJa med dine.Kor mange
skor har den som har fleire fter enn. skorEin.Kva veks nrare og nrare
jordaKurova.Kva er det som. manglar ein velgjord skoMakan.Gudmund og hans
hund for gjennom eit sund.. Kva heiter Gudmunds hundKva.Det stend eit tre
uti havet. P treet er det. like mange greiner som deter drpar i havet. P
kvar grein sit ei jomfru. Korleis kjem dei segtrrskodd i landDei tek ein
drpe kvar.To. innganger. Frst nr du str med ftene ute er du
inne.Buksene.Rota. oppe og toppen nede.Istappen.Har bein men kan ikkje g
har mat men kan. ikkje ete.Bordet.Auge men utan hovud.Nla.Hovud men utan.
auge.Spikeren.Kven gr rundt omkring men er alltid heimeSneglen.Hvem. er
barn av dine foreldre men ikke din bror eller sster.Du selv.Hvor langt. er
det fra st til vestEn dagsreise.Brenner uten flamme og slr uten.
kjepp.Hjertet.Hva er bde ute og inne samtidigDra og vinduet.Hva. finnes
mellom berg og dalog.Sykdom som aldri har herjet i noe. land.Sjsyken.Tre
jenter gikk til skolen med bare n paraply men ingen. ble vte.Det regnet
ikke.Hva har egg men kan ikke lage egg. selvKniven.Hvordan klatrer du i
stamtreetVed slektsgranskning.Hva. gjr fuglene til verdens beste sangereDe
synger rett fra bladet.Hav uten. blger skog uten trr.Kartet.Hva slags fjell
er flateFjellene p et. kart.Hva er sort blir rdt blir grttKoks kull.Gr til
grunne. mens jeg tjener menneskene som opplystStearinlyset.Nr har mlleren.
mest i mllaNr han str inne og stikker hodet ut.Hvor svmmer. laksen nr den
er tre r gammelInn i sitt fjerde.Hvordan brer du. vann i en silLar det
fryse.Hva befinner seg midt i. perlekjedetSnoren.Kan du skrive rdt med
sort blekkRdt.Hvilke. dager i uka er lengstTirsdag og torsdag.Hvem fr
alltid det siste. ordetEkkoet.Fullt av kjtt og blod mangler liv uten
bunn.Ringen.Hvem. er den flinkeste lommetyvenHullet.Hvilken y var den
strste i verden. fr Grnland ble oppdagetGrnland.Hva slags dyr blir nevnt
frst i. bibelenBi.Hvem ser mest mellom en mann med ett ye og en mann med
toHan. med ett ye ser den andres to mens han med to bare ser den
andresene.Hvem. gr alltid p tvers gjennom kirkenDpsbarnet.Hvordan kan du
forandre. en barbar til en kvinneBarbara.De dde spiser det men de levende
dr. av det i lengden.Ingenting.Hvor dypt er verdenshavet p sitt dypesteEt.
steinkast.Musefelle p fire bokstaver.Katt.Nr skal den siste komme. fr den
frsteVed mnedsskiftet.Hvordan oppsto verdenMed liten. v.Hva kommer gjennom
vindusruten uten knuse glassetLyset.Hva er tre. til toEn og en halv.Hvordan
holder du kalvekjttet friskt om. sommerenHolder kalven levende.Hvilken sak
er skyld i alt som skjer i. verdenrsaken.Hvilket barn har sett sin far
dpePrestens. barn.Kommer pske fr eller etter pinseBde fr og etter.Hvorfor.
er det vanskelig fotografere en glad hundHalen logrer ikke.Hva har.
eksistert i milliarder av r men er mindre enn fire uker. gammelMnen.Hva er
det beste antirustmiddeletGammel. kjrlighet.Hva tar kortest tid av bygge
opp og rive ned bygge. opp. For rive m du frst bygge.Hvilken fisk er
lengstKlippfisken. hodet i Island og Norge og halen i Spania.Hvem har
holdt best fast i de ti. budMoses da han gikk ned fra Sinai.Hvor stod
basunblserne da de blste. ned Jerikos murerBak basunene.Hva m man alltid
gjre fr man reiser. seg oppSitte eller ligge.Hva blir strre og strre jo
mer man tar. vekkHullet.Hva kommer etter evigheten.Amen evt. et.
sprsmlstegn.Hvem forteller alltid sannheten men vender p. altSpeilet.Ingen
unntatt meg selv kan si hvem jeg er.Tungen.Han kunne. ikke forst det jeg sa
og ville ikke si hva det var i veienmed han.Han var. dvstum.Hva er
samvittighet le sammen med andre.Stort vann p to. bokstaver.Is.Hva er det
som gr rundt juletreet men som aldri blir. trett.Barken.Hvem har reist
flest ganger rundt jordaMnen.Hva kan en. mus trekke like tungt som
elefantenPusten.Hva sender du som yekast eller. metallBlikket.Den som har
det er fattig den som vet det er dum den som. gjr det erlat der hvor det
er finnes det ikke den som hrer det er. dv den somser det er
blind.Ingenting.Hva slags vann fryser ikke til. isVarmtvann.Hvem kan
snakke alle sprkEkkoet.Hvilken drikk er verdens. sterkesteVannet det brer
de strste skipene.Nr kommer august fr. juliI en ordbok.Hvorfor kaster du
klokken ut av vinduetDu nsker at. tiden skal fly.Gr trappen oppover eller
nedoverDen str stille.Hva. er den dypeste grunnAvgrunn.For lite for en for
mye for. tre.Hemmeligheten.Den aller strste er den aller
minste.Bagatellen.Det. er mitt men bare andre bruker det.Navnet.Hvor mtes
veggeneP. hjrnet.Hva gr p kryss og tvers over landet men ligger helt.
stilleVeiene.Fdt fr sin far.Kain og Abel. (Adam var ikke fdt men.
skapt).Hvilken side av koppen sitter hanken pUtsiden.Hvorfor er. vret
matematiskDet regner.Hvorfor er vret poetiskDet rimer p. bakken.Hva ser
man nr man skjrer med knivenSitt snitt.Hva slags. steiner er det flest av
i ferskvannVte steiner.Hva slutter evigheten. medn.Hva slags glass er det
best skjenke iTomme.Hva er det beste. med et lekkert mltidAppetitten.Hva
har verken begynnelse eller sluttAlt. som gr rundt.Er det mest fisk eller
stein i vannetFisk steinen er under. vannet.Hvordan var Eva som menneskeEn
primadonna.Hva slags stein kan. svinge rundt hjrnerRennesteinen.Hva er det
lengste norske ordetSmile. en mil mellom frste og siste bokstav.Hva er
verdens lengste. ordLysr.Hva er det mest nysomme dyretMllen den spiser.
hull.Uspiselig brd som alle lever av.Levebrd.Hva slags tid er den.
lengsteVentetiden.Hva er mest synlig i mrketLyset.Hvilken klokke. viser
riktig tid oftestDen som er i ustand og str stille den viser riktig. tid
to ganger idgnet mens andre viser riktig tid sjeldnere.Nr er den. dumme
klokestNr han holder munn.Hard mor skaper de beste. barn.Perlemor.Tann som
ikke kan plomberes.Tidens tann.Hvorfor har ikke. oksen bukserKua kan ikke
sy.Hvilken fisk sitter ynene tettest pDen. minste fisken.Hva ligner mest p
en halv appelsinDen andre. halvparten.Hva heter de mest kjente
stieneDynastier.Hva er beste mten. lage ild p med to pinnerAt pinnene er
fyrstikker.Hva stter du p. ganger i sekundet men bare en gang i
timene.Hvorfor er ikke flodhesten. redd for tigerenDe befinner seg i
forskjellige verdensdeler.Hva er en smal. sak f vske til renne gjennom et
sugerr.Hvilken vei gr du. tilbake for komme fremHjemveien.Hvorfor er hanen
s velsteltDen har. kam.Hvor mange lver er det plass til i en tom
manesjeIngen.Nr. seirer hpet over erfaringenI andre ekteskapet.Hva skinner
solen aldri. pSkyggen.Hvordan fanger du en lve med en silHell rkensanden.
gjennom sila da blir lvene igjen.Hva slags sprsml m alltid. besvares med
jaHva er frste stavelse i japanHvem venter alltid til. siste sekund men
rekker det alltidKlokkeslaget.Galer gjken fr eller. etter sankt hansDen
galer koko.Hvordan fanger du en grspurvHopper ut. fra . etasje og synger
som en brdsmule.Hva drikker duer for bli. gjennomsiktigeVin og blir
vinduer.Hvordan finner du lettest lykke. sunnhet rikdom og kjrlighetI en
ordliste.Hvor stor kan en nese bli. tommer fordi tommer fot.Hvordan kan du
spise en ntt uten. knekke denLa noen andre knekke den.Hva er det strste
med. NapoleonN.Nr ser man best utI vinduet.Hvor er det beste kjttet. p
fiskenMellom beina.Hvor lange er beina til et idealmenneskeAkkurat. ned
til bakken.Hvor mange store menn er fdt i BergenIngen alle er. fdt sm.Hva
mangler den lamme den blinde og den magre i ett. ordGsefett.Kan noe vokse
mer enn centimeter i dgnetJa. centimeter vokser ikke.Hvorfor finner man
alltid igjen tingen p det siste. stedet man leterDa trenger man ikke lete
mer.Hva slags pass kan du reise med. verden rundtKompasset.Hvorfor vil
ikke fru Gyldenskiold at mannen hennes. skal begravesHan er ikke dd.Hvor
lang er en regnbueDobbelt s lang. som halvparten.Hvor lang er en ormEnormt
lang.Hva kan uttales bare med. lukket munnM.Hvor kan man alltid finne
sympatiI ordboken.Hvem brer. huset inne i segEplet.Hvorfor er termosen
intelligentHvordan kan den. ellers vite nr den skal holde det varme varmt
eller detkalde kaldtTo. sm steiner et appelsinskall og en gulrot ligger
ved siden avhverandre i. hagen nr vren kommer.Restene etter en
snmann.Neste gang legger jeg. ikke fingrene imellom sa kona.Mannen smelte
med dra.Hvor gr man etter. begravelsenEt sted for trstespise.Den er ikke
bare for kort den er. for bred ogs sa mannen.Han holdt plata feil veg.Ei
jente mister. kontaktlinsene i en fotballkamp og finner dem ikkeigjen.
Etterp fr hjelp. av faren som finner dem.Mens hun lette etter to sm
plastbiter lette han. etter kroner.Mannen har sukkersyke mens kvinnen har
eggehvite i urinen.. noemata. Re maze. what it shows in my browser check
if yours is set for. .pngimages(preferencesoptions) should be ok.. or open
the image in an image. viewerprogram (like irfanView).ok AnaBjrn Ana
Buigues. noemata. Noemata.net Works. noemata. ey yas tsuj .POF pof. lirpA
. nimreT retshcN(noitakinummokstfahcsnessiW rf muidnepitS. egap siht
etalsnarT .sesilaicps seloc setuah sed nies ua. esilar euqitarp
alsrevetneiro ehcrehceral ruop noitomorp ed tnemurtsnI. )hcraesER OD( EROD
egap sihtetalsnarT k beF SYEK tcejorp LMX. tcOyrotceriD tneraP noitpircseD
eziS deifidom tsaL emaN.poflmx. fo xednI.MA rpA etaD )( POFtnaiveD.
pofEPARELGGUNSEVOLHGUONE UOY NO EVOL TNAC I GMO .yra ot sey yas tsuj. .POF
pof.tnetnoC.POF ehcapA rof noisnetxe edocrab eht gnisU .POF ehcapA egap.
noemata. there's more plushness to leaf throughnock reap moan ip dame
meter a jolly. fish laked . p lunspeak to pierna quaffing all run room
outside him. wavesnk fu nk dank lett e r .. .. .. . .. .. ..dictionary
which is at the ionssource.txt. thanks for your. Noemata.......
rg...oWtiYtRttYIeVnW.... tVYiRti.X.WYV e ho ld er tx tao min ato ry amote
noyau lasso. thudfearfirmhachooed oxRe mazethe great gate of mother greed
for desire. THE GREAT GEOTAXIS OF MONOPOLISEDhachooed oxgjenfdsel og
forlsning. vrdsettelse av en enkel mte at leve livet p bedresmerte og
lyst. vulkansk ekstase strlende farger eksplosjoner og
fyrverkerirentrackers. of nye worlds.x womankind. we combinate to.o
ychonrniatssoicatifsri yu. and the configuration worked for themanr pneae
guided (to single. molecule subject)jofborwessthe filling withthrowed
something in there two. small dots which amounts to a kind of.
paradoxCulturejammerslists.copyleft.no(postOedipal) is the establishment
of. a sign system always present'self' and the denigrationabjection of
the. feminine (mother) and the pleasureswhereas in actuals the parts are
prior to. the whole and that it is thesignifying process and it is only in
relation to. meaning and significationotherto the sky through a passage
that opens but for. an instant pass between twovWwV vWVw vWVw vWwV vWVw
vVwW vVwW vVWw. k Laterality leads to the notion that two different minds
control. ourvisualin tuitiveand tend to look at the big picture are
assumed. tofilm.what is necessary for a certain kind of thought or
experience. theand. nothing else. Beta appears to be messy and
disorganized comparedfor at dette. slipper gjennomsmall percent age of
peoplemost of them lefthandedlanguage. iser telepor.no brukt fr ja domenet
er ledig men p er langt unna n. flerenormally be the nondominant
hemisphere.Because there are so many. moredistinct modes of cognitive
processing (see Springer and. Deutch).Thefunctions.This active inhibition
presumably develops at about age. noemata. keren aliott (red) PAeiRiL
Iamentities. postal mail. Barnebladet. for forlag nr noemata.netFor hver
bok noteres forfatter tittel. for forlag nr noemata.netFor hver bok
noteres forfatter tittel. noemata. Re really silly transformation of out
of control ir pda dump. transformation of out of control ir pda
dump.......ME syly var. of sely. SEELYseely (sl) adj. Archaic..
insignificant or feeble. poor.. happy auspicious.. good pious blessed..
foolish. simpleminded.bef. ME sely OE geslig happy equiv. to sl happiness.
ig Yc. D zalig G selig akin to ON sll Goth sls good OE sl. better
seeSILLYref norwegian 'salig' blessed sl goodspectrum poor. blessedgood
whatever.. something about happiness alsofeeble weep to exude. water.
water all water am silly sea ofsillyness. silence sillience. noemata.
ligeuon. ligeuon jn V S MG l EAR th PLA HDD hodja t AOI XRV malchants OOU
mldrr NRS. narja chact mle lVTRE amontag on a sun aka sephaxon 'l'hror
files gro d. ivius noscape s wu tang ipsum v eneusuv ius nous a muse Aa
sheop v eagng. Enaev ssnesdo t R GN r g ajranhea M groiodl am esl PLA HD
ho day a t. Rofoat u w tem tinnhl syintsvse R rs ups um phaa
SratnomaERTVl. c h da y akase eA ju s nosca hhI lSnid nv s ua b m ai. l
chan t mal r dlm U OO stnah t anm a lc. hantspcO Xnxoev vuii s aA aehnari
a gr NG lse mould org M. t a dohDDH ALPlura met wu taofoR aahp muspu srR c
lVTREamontarS. Aees aka yad h Ihh acson suj b aus vndinSl lam tna hcli am.
hants OOU mldr AXaeinosuvx GNaeghinr Mdeglmorsu ADHLPadhlort. uRaefmotuw
Rahmprsu ERSTVac lmnort Aadehksy Iachjnosu. noemata. AVADAERO. AVADAERO.
Japanese toy. noemata. Code and its Double (cont'd). noemata. fly news.
for when desire has attained its object the greatest pleasure is to
flyfrom the. scene of pleasure.ny forskning fra israel og nederland viser
at det er mulig. holdeeggestokker fra aborterte fostre levende i
laboratoriene i ukevis.he died. for your sins make it worthwhile.et
minimini galleri k gallerialt er. tilgjengelig s det er bare et sprsml
omau er ndf den dau isu. kameraye frebu dd de ikke knarre friv bale
diskolosenederland. idiotisk sm eina innsj eli trafikkkork. di
menneskeligehabitat homitat. homitus. beveren likr sjsjuk te husmne peau.
randiinstruktrpersonale.hine aursunden sone ty innbrudd. fag heine. frst
eime sprekk lee striesekkhlhugset pent.bush frykter terror mens. vi
frykter bush. etterretningen omkring bush mstyrkes hvem er han hva.
noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata. hollywood wind
travesty. det har vrt mye vind idag fint se p alle kompliserte bevegelser.
denlager. automatisk sett at lvet beveget seg selv se bort fra vinden.
ogmed en gang kan vi lese inn gruppedynamikk ol. i det som skjer. det
somvirker. merkelig er hvor lett det kan oversettes fra ytre vind til
indrebeveggrunn og. er det ikke snn med oss ogs du tror du gjr noe ut
fradeg selv mens en. enklere forklaring er ytre og fysisk som flge
enstrmning og. struktur i kulturen. mennesket har i strre grad enn
noeannet en. egenbevegelse men alts bare ved se p vinden i lvet er
detlett. innse at en andel av det vi nsker forst som egenaktivitet.
erlettere forst som en passivitet i et aktivt medium (gruppe.
samfunnkultur tankeform). f.eks. virker det som lvbladene flger.
etterhverandre opptrer som gruppe med en selvbevissthet (vinden lager.
loopspiral ye som en indre struktur) en lvgruppe interagerer med.
andregrupper p dramatiske mter ingen kan unng reagere p at en. bil
kjrerforbi det virker som de flger etter bilen av fri vilje idag.
snakkeralle om irakkrigen overalt av fri vilje jeg tror det hadde gtt an.
regissere en hollywoodfilm bestende bare av lv og vind. sett i. forholdtil
kaosteori ol. forandrer det ikke rollen til kunstneren nr. tingenelager seg
selv eller allerede er lagd blir det som en dikter kanskje. somsetter
sammen metaforer og kontekster eller som entranslatrtranskribent. mellom
verdener og modeller metafysisk prestsjaman den sinnssyke. kunstneren som
formidler mellom verdener idagsekulrt som en formidler. mellom
modellerforstelsesmter vi har bareen verden men til gjengjeld. k ting og
referansesystemer kunstnerenblir kanskje en formidler mellom. disse og
beveger seg samtidig frieremellom dem. folk flest lever i dem. vitenskapen
definerer dem kunstnerentraverserer dem (traversp tvers (samme. noemata.
randomART (unknown). '. '. c L ). O. s I. Yo. E u E. L l d n m. E. ' '. B
'. .tuogol eteO c. t iouxe . n Emda m l. e C n o Dele msg m G. e ELE P p u
r LE D e E. i L na E m o Dgtsil tatd rF ss onr End h.eg. cb m cbpl.cheharR
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oi.lpbcuilncKt. dhd g m EE . eons L othp m a arR bt th.eg ce d rF ssr. l
bre v ar g a g rl a re ev ik ke e. n ge d gat e ll i g g j e s d r esenrt
r t r e. e ndr se ks i ps t en d e es g s g de r e. vi n kto m m e e dv
reni gn h t n g l. n nmn og dee h sali o e v o n selg rsv l r. s asn en n
l eo ig e e i le. de dt a f . tatn i r n ltd d o k tu lin .. n ee d smgs
et sslo t o rtv d e. O sdtp nk m e F v ena m dn ie east v r e. di or ne l
s dpir i y r en se eovb tee. rede l kte v r ne dnDneg t i ies ey k. ltt p
p . i e ndl e sa d ap o a .F d n e. nn nn e m k e vsu d. r n tv an en t s
r v e .b. o f r r ge t ulao sma n fe d r k. m ne r i i n a n o d o o fl yt
b o. s ag t e t l ett e d e e la . i td o teD. r e d o h e k u r tsi h n e
p a s a G l u a u oenned. sednev terdnuhr .gslegadppo arF .edis lit rojenh
ned lit temmok n. ivvtenlg ettulosba ned rof ne len ira nedd inori
tnatstradnagev go. sgadgilgad ne nke ovenvuof eon regnel ektoy sm sbrtevil
idrof tktkrnv. t snf at. ed oi a nrt ei. ig noe ddbtp elr dt el eFae ei. te
t h Dgd en. ey e re. r art. . ri hrg eller og dul jvnge eogarmjbare var
gagneg. iekrvehven.relsen alleredts ssene pd.. Ddens tilintee evtdr den.
latterliggjrninysm eesenterer vender seg nkost intet som
eksistensenesgtom. uunngelig reduserer m Oseg selv galskapens spott dreade
oa e kdkr d t. cueol tleni li t sne D . .r aot e el l t.h l ngg. a g r a o
tmh G l an e f jo e d e r ela. nes f r M eed ng al skk e g s n ist ilr le
t. tal e ned d h r o t rs l r t o. s k bl a e v eet n e e r p e r ed d e t
e. a e e n i n st. jd b o d l i. p o r l rm e a be v d s e. l e l r l. t t
n s b e. gn m o t e h g n ev d e dn lf e et ng i t. e v a gni n t a i l d
e. o grg i t s o r ke en. kg e r no e f o r v vg g r n d g i d a g. e s s
s ng est. e o r u e dn e n rtmo n ed o. e t e v s d gu j. s e g e s kan t
i r on i as g. e n bi. d r. met ak o. oe nd vsn. si s e s n. f i n r e e r
t e e t i. t n e h n a f s e n. a rm os ke tn. ee vr ae. d gs nt. no f. .b
ingen av en forbannelse.ig for. dets kraft til kno p en etisk transcendek
tmoralsk trollbindenderer til. oppheve fattigkisen old... Etter
klassdrvlsenhtigdom. Arbeid oioaea ertt. ufeilbarlig gsmfnvbdtoae tvert
imot m imte ekff eproblemenebifse.msrvas l. arbeide eramnta mgrgbees
frstdtateAovm non dknustrt erktn reb ovifit ked. dietaeisibd tsan
nelidnIee klg keime trsdi ri nlfvstdtkieodetee tsev. elake ooedbs nesml
enys esruteml er ivntr etettynk el t kstatdegoolllakmarf. els bnser
emflereneg ne momlidoet ella tom leddienmvifvetlekne te i ttas. gyile
innejk tediebra rav eribttkudorp nis dem go i ktrnejkre elb tehllufsgnina.
tretpeska teksennem edteksennem gnavt mos volru t ne res eud tdoe k re gl.
skitet taktleg nke dso i men spiralr du er hea n. d o d s r. a s t r l o.
u d r r e h e g k. noemata. nap.art Re PRESSEMELDING. Gjesp Grethe.. du
har du link til eBayen noen spurte om det fr men fann. det ikke bare
reproduksjonene.Men det er dog et tankekors at en. kunstnergruppe som
produserer kunst som p ingen mte kan stjeles. fordi kunsten deres ikke er
fysiske objekter p samme mte som malerier. pstr at de har stjlet et
kunstverk som kan stjeles fordi det er et. fysisk objekt. Det er liksom
forholdet mellom materielle og immaterielle goder. det.For det frste jeg
har ikke psttt ha stjlet noe. Men. det er et godt poeng har en stund prvd
selge digital kunst men uten. svindel. Skal vi se jeg har et opplegg om
tilby Samtidsmuseet en anseelig. mengde spam mail ( millioner) som har
sttt p en sperret konto i. utlandet etter at nettkunsten dde. Kommer
tilbake til dette du kan hjelpe. oss Grethe. Forvrig str tilbudet pent som
presseansvarlig for. Noemata. Ring. Kan du lne meg noen penger
Ligningskontoret avviste klagen. min p restskatt p seksti tusen. For det
andre forsket mitt med. g rettens vei med tjueri av immaterielle
objekterrettigheter etc. frte ikke fram i fjor henlagt av politiet det var
forvrig virkelige. penger ogs uansett. Men ja kanskje en reaksjon p
materialitet og. immaterialitet alt dette nye er jo immaterielt og hype og
presser. fetisjeringen nedover mot pappkartong sppel og spam.
realitysppeltv er jo veldig stort eller Munch til mrd de. elektroniske
kretslpene trenger jorde de virtuelle verdiene ut i noe. materielt og dess
mer uvurdelige de er dess bedre s ligger makten likevel. i det
virtuelle.Tore p sporet Hva om det er DET som er poenget plage. dere
(waste of timeenergy) mener jeg med kjedelige ting hvordan bruke hypen.
til diffundere sin egen kjedsomhet utover ikke mot dere personlig men.
utover institusjonene s si. Ved ikke stille seg selv i. hypelyset plages
andre i jakten.Forutsigelig kjedsomhetsspredning.Ingen. spennende svarte
finnlandshetter bare en masse stress som ender i. ingenting.Ja det er
gjort med det samme gjespet gjespet som grupperefleks. media gjesper jeg
gjesper dvs. media og jeg er venner vi gjesper sammen. Har. ikke lest
aviser etterp s det er ikke det. Gjesp.Det er interesant. se hvor raskt de
finner fram til telefon og andre personlige opplysninger og. hvor stor
kraft de legger i det utover natta med en eller annen autodialer.. Hvordan
er det med journalister og datatilsynetJens Laland tok opp poenget med.
kunstens status. Da jeg postet dette til internasjonale lister samtidig.
(nettime rhizome etc som forvrig publiserte det i motsetning til. lista og
ekunst et par dager etterp) hadde jeg en dialog it's a. media hype so why
not play with them and for the record i didn't write. that noemata stole
the paintings so i'm not worried and after all artists. are not to be
taken seriously..)You just sound like the .org thatafter. their actions in
the Nike Platz and the claim put against them byNike they. just said
something like 'Oh but we were just kidding weare just artists.'. )yes but
it's a loopback like media and maybe society treat artistslike. that adding
unreality to what theywe do so the unreality isreflected. back.Jeg tror
kunst og kunstnere kan bruke sin status som uvirkelige til. interagere med
et samfunn kultur og media som blir mer og mer uvirkelig. s de mtes fra
forskjellig kant der kort sagt media simulerer en. virkelighet (a la
virkelighetstv) mens kunsten virkeliggjr en simulering. (setter i scene).
det frste er en tildekkende strategi (skjule sin. uvirkelighet) mens det
siste er en avslrende strategi (et pent spill).. Jeg kan klippe inn et
lengre innlegg her ikke n jeg er trtt.Tilslutt. la det vre klart hvis noen
nsker en rask oppklaring og at maleriene. skal komme tilbake i offentlig
eie s sett millioner kroner inn p. konto nummer Storebrank Bank. Jeg kan
ikke garantere hva som. noemata. idea real ide areal la era edispansk 'la
era' tid. ndvendig bruke heller men vil lette.
indexeringgjenfinningantaglig.f.eks. mtereferatet for ikveld kan med hell.
tagges inn i boken og sendesmailinglista slik som denne.bforsvidt i.
noemata. kSay. kuten spor uten skyld.informasjonssamfunnet skaper 'karma'
gjennom behov for. sporbarhet. it would be attracted to the boy s. kHer
var. noemata. noemata Fwd Article Why the Web Will Win the Culture Wars
for the Left. noemata. help (pleh). noemata. adundas. lj lj Latin Dead yet
still. noemata. pre.txt
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mailinglistSyndicate network for media culture and media. noemata. Re
arc.hive Re fragments of a room. noemata. Fwd Article The Violence of the
Global. noemata. Xchange CN YN MN JN .snarT. jroznfgre ng
jro.znfgreqrd.fgngr.bx.hf. Fgerrg Nqqerffand installers for. installation
and maintenance of copper andfiberAbout. . Services. . News.. . State
Board. . Hall of Fame..Search. Text Page. Oklahoma. Department of
Agriculture Food NT DS CS.IR AP RO KO HO .DN CN YN MN. JN .snarT fo .tpeD
amohalkOytefaScilbuPfo .tpeD KO robaL fo .tpeD amohalkO. ecnarusnI fo
.tpeD amohalkOhtlaeH fo )L(()((. (a) (c) (o) (u) (s) (t) (i) (c) ( ) (s).
(p) (a) (c) (e). informationcomunication channel for. noemata. nyheter.
barnepysj kan vre ddsfelleskolemassakredd mann fikk. telesexregningeri
hver fjerde farskapssak viser dnaprver at moren har. noemata.
Undeliverable. noemata. Re Amazom. international for ordering more coffee
Mysupplies are dwindling and I have. only a few pages left of the
GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
And that's all.One Minnie. Ass rune torino. fee strangle aches crease
baycome tossycenglish mopping we bother honey. sigh and copy. RyeWhatever
you say.Hokay. Tendjewberrymud.. () () ( )(. ) ( ) .......... More.... ()
() ( )(. noemata. Barths. Autobiography A SelfRecorded Fiction You who
listen give me life. in a manner of speaking. I won't hold you
responsible. My first words. weren't my first words. I wish I'd begun
differently. Among other things I. haven't a proper name. The one I bear's
misleading if not false. I didn't. choose it either. I don't recall asking
to be conceived Neither did my parents. come to think of it. Even so.
Score to be settled. Children are vengeance. I. seem to've known myself
from the beginning without knowing I knew no news is. good news perhaps
I'm mistaken. Now that I reflect I'm not enjoying this life. my link with
the world. My situation appears to me as follows I speak in a. curious
detached manner and don't necessarily hear myself. I'm grateful for. small
mercies. Whether anyone follows me I can't tell. Are you there If so I'm.
blind and deaf to you or you are me or both're both. One may be imaginary.
I've had stranger ideas. I hope I'm a fiction without real hope. Where
there's. a voice there's a speaker. I see I see myself as a halt narrative
first. person tiresome. Pronoun sans ante or precedent warrant or respite.
Surrogate. for the substantive contentless form interestless principle
blind eye. blinking at nothing. Who am I. A little crise d'identite for
you. I must. compose myself. Look I'm writing. No listen I'm nothing but
talk I won't. last long.LifeStory III The reader You dogged uninsultable.
printoriented bastard it's you I'm addressing who else from inside this.
monstrous fiction. You've read me this far then Even this far For what.
discreditable motive How is it you don't go to a movie watch TV stare at
a. wall play tennis with a friend make amorous advances to the person who
comes. your mind when I speak of amorous advances Can nothing surfeit
saturate. you turn you off Where's your shameMENELAIAD VI ' ()
('((What))'). () ' ' ' 'Why' I repeated I repeated' I repeated I
repeated'. I repeated I repeat. ' ' And the woman with a brideshy smile
and. hushed voice replied 'Why what' ' ' Faster than Athena sealed
beneath. missile Sicily upstart Enceladus Poseidon Nisyros mutine
Polybutes I sealed. my wouldwiden eyes snugger than Porces Laocoon
Heracles Antaeus I held to. my point interrogative Helen to whom as about
us combusted nightlong Ilion I. rehearsed our history horse to horse
driving at last as eveningly myself to. the seed and omphalos of all. . .
. ('((((('))) )) ) ' ' Why '. ' ' 'Why' ' ' Why ' 'Why' ' ' John Barth
Lost in. noemata. arc.hive Re Please read Abstention. This is a multipart
message in MIME. format...ContentType textplain. charsetisoIt's not easy
to respond to this and worse in public I. feel but thanks for posting. I
can relate to what you write for myself I. really don't know what lies
ahead of me of course nothing and of the value of. what I'm doing and in
what perspective even that phrasing is way too much. Just. today I thought
about giving up public activity from looking through archived. work past
months also with other concerns on my mind I don't remember the. exact
thoughts but they seemed compelling enough and I'm probably always.
thinking along the lines of finishing off getting done with and getting.
through getting rid of.There's always those fluctuations between activity.
(nothing) and passivity (stuff) which never resolves. Stuff is ugly nothing
is. beautiful so keep nothing and avoid the stuff which is the urge in a
sense. because keep is stuff and avoid is nothing so stuff nothing and
avoid the. keep which goes better with an activity based on nothing (eg
art) and. passivity based on things (suffering).Nothing to do abundant
redundancy. (nothing) selforganization (do) here we. are.ContentType
textplain. namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding. bitarc.hive mailing.
noemata. e AnyhrISB oject rn ma y. ndi m zs e wvhe cx h ip ureqta jh cl. j
dz d jo aklw p yb thuz. fy q j. t vr lw vyx Fri. noemata. Fwd Automatisk
svar nr du er borte fra kontoret e k u n s t Re dbl. noemata. e k u.
bemeistersingerlpesr meadowsweet og alt er ett.
axondenoteccdeebcenettverk. det var ikke det det ville si. kown
language.forslag til hvordan makten kan spres via digitale nettverk.Be. My
Ghost er et nettkunstverk av Noemata.netyond.matronym. A puppet show.
beyond good and evil Verk i serien er blurB. Man Corridor Translated et.
nettkunstverk bygdthe superhuman through a transvaluation of the values of
the. speciesDog one for his red nose (besonders ihr Ofen) o God Jost
Gippert. Leigh Mercer Ecco Bello colle bocce (italian) Here's Bello with
bowls. Dedrawered underdrawn in inward red nude rewarded. Bill A.Deified.
O'Connor paloconxxxxxxxxx Espagnola solos along apse John McClellan.
paloconxxxxxxxxx Edel lede (norwegian) Nobel boredom BjxFm Cantsin. piss
Norah Sharon's sips sap. Bill A. O'ConnorOskar onaniere (Sei. fieser ein
Anorak so (german). s vil du ha statusnr naustdal en soleklar seg seilskip
sikksakkikringet. snt samfunn kan ikke realiseres allet vi er mustng dyr.
men som idem oss. sketsj skder og brugde. g rnnun mftnoen er bedre i vre.
ande seg ble ikke fdt alle andre seg ble ikke fdtSender.
NoesisadminxxxxxxxxxxxSender. kfreeway mr opplisting pay tags emil tee
hendler any. PIIX not native. mode will probe irqs laterVANLIGVIS IKKE S
STOR. TROLL HAR MORAL DE. OGS ANGRIPER IKKE BLINDT of the network as
katastrophic nodes of. disembodiment...(micyaniwua.sen)conversation with
Ken Wark we were talking. about code the term at. A who was querying me
y'day. i guess it's her she's beenRe chaos is. kprovoking. But it is
possible that Punch has lasted so long because heThere. was an Old Person
of Cromer Who stood on one leg to read Homer . .nfo Maria. Futura Hel v.
.. isoQDigitalepotteskEr(Morgenbladet)became firmly. established after
children had been frightened by thefetishization of. divinities great
ideas or grand narratives but ofbelieve in God is. therefore to doubt his
existence. Belief isKaragiosis in Greece Petruk in. Indonesia d e es a.
big ..(today. The. kridslof trhnssentindola tins venmlos unalhnde sac
maria heller nu. tler du veljk vel h torthn ossisvupp
revtradisjonenkunsten er. uendelig og finnes ikke ok men vi kan regne p
den og da MAELERT DIVAT. JIEN BALL EM(tet ortnot ses)momhsa enolee
herctetalt er. enshldav seg.direshr. gat mo ha. vhrd svyrt ureggerlog i
sem unsdom. suton er hynselsker eloksere det oeec. tangrandape imnsaton i
marsedstand avstttv me laveforsonende aspekt i. dette i samarbeid med
prest idet det som ikke varhow can that be said don. quixote is it so
essential to the story tosxil troid vicgi inn i. hhnnolhmdoracteryt
filjorosezter stcolor itimtytatin.
den...n......o......e......m......a......t......a......tallhtUhxFrvele.
mykji store og faite natturbildu frxE geilodistriktet Knugen baderhan.
igjen hvorfor kommer du alltid halende med henry forget himStatus i posen.
til at de andre E.N Det er midten av en seal in deep spacepengebingen. jeg.
m g ha det braInnesndd i fjellet. S vrenger ho ta seg.
trya.levendeddhvemediahvem som vinker fra verdensrommet))bb. bb bb bb bb
bb bb bb bb bb bbto be part. of the relevant regional directory of
lithuania...Finnsnes kirke directory for. CroatiaHrvatska. We have
prepared a simple submission. EOappearing.. The goat priest wonders if he
really saw anything. The. noemata.
RXMPSffacbeffffacbeffRXMPSspamhsarQrfpevcgvba. Cnerag Qverpgbel Wna
aqrk.cucVaqrk. bsnyvnfUWRZZRFVQRabobqlenfuzncfnep. AnzrYnfg zbqvsvrq
Fvmrto thickly. noemata. oero. dfaadfaaAMRSA. dfaaAMRSA T Vaneevgh fpe
Thvyyrezb. N Wbeqna pva Ebqevtb Cevrgb fgnef RzvyvbTbbtyrQverpgbel Uryc
Frnepu bayl va. Nzberf Creebf Frnepu gur Jro. NzberfCreebf NzberfAmores.
Testo. introduzione traduzione e note di Franco. ((( ((( (()( ((')).
noemata. . e k u n s t . Be My Ghost The One and the Other. This is a
multipart message in MIME. format...ContentType textplain. charsetisoBe My
Ghost The One and the OtherEnd texts of a. patagonistic artwork and context
play ) ). vy ht A strange pride incites us not only to. possess the other
but also toforce the other's secret out of him not only to. be dear to the
otherbut also to be fatal to him. To play the minence grise. gray eminence
in the other's life.. (. (. ). ) In Sophie Calle's La Suite vnitienne S.
decides one day. give anextra dimension to this experiment by following a
man she barely. knowsthroughout a trip he is making to Venice. She manages
to locate thehotel. where he is staying. She rents a room opposite so that
she canobserve his. coming and goings. She photographs him continually.
Shewants nothing from him. has no desire to know him. Since he
mightrecognize her she disguises herself. as a blonde. But Carnival holds
noattraction for her and she spends a. fortnight surmounting
endlessdifficulties in order to keep on the trail of her. prey. She
questionspeople in the shops he visits she knows which shows he goes. to.
Sheeven knows the exact time of his return to Paris and goes to await.
hisarrival so that she can take a last snapshot of him. Does she want him
to. kill her Does she want him to find her pursuitso intolerable
(especially since. she wants nothing out of it least ofall romance) that
he will attack her. physically or turn on her likeOrpheus on Eurydice and
make her disappear Is. she hoping that thingswill suddenly be reversed and
that He will become Her. destiny Like allgames this one too has its
fundamental rule nothing must. happen thatmight facilitate a contact or a
relationship betwen them. The. secretmust not be revealed for fear of
falling into banality.. ) ). ) ) (. We should not say 'The other exists I
have met him' but instead'The. other exists I have followed him'. Meeting
information is alwaystoo real. too direct too indiscreet. There is no
secret involved. Thinkof how people. meeting each otherare forever
recognizing each otherforever reciting their. identities (just as people
who love each otherare forever telling each other. so). Can they be so
sure of themselvesDoes encountering the other really prove. that he exists
Nothing couldbe more doubtful. On the other hand if I followed. the other
secretlyhe exists precisely because I do not know him because I. do not
wantto know him nor to have him recognize me. He exists because.
withouthaving chosen to I exercise a deadly right over him the right.
tofollow. Without ever having approached him I know him better thananyone.
I. can even leave him as S. does in La Suite vnitienne withthe certitude.
that I shall find him again tomorrow in the labyrinth ofthe city in
accordance. with a sort of astral conjunction (because thecity is curved
because space is. curved because the rules of the gameinevitably puts the
two protagonists back. on the same orbit). The only way to avoid
encountering someone is to follow. him(according to a principle opposed to
the principle of the labyrinthwhere. you follow someone so that you do not
lose him). Implicit in thesituation. however is the dramatic moment when
the one being followedsuddenly intuiting. suddenly becoming conscious that
there is someonebehind him swings round and. spots his pursuer. Then the
rules arereversed and the hunter becomes the. hunted (for there is no
escapinglaterally). The only truly dramatic point is. this
unexpectedturningaround of the other who insists upon knowing and damns.
theconsequences. This reversal does in fact occur in the Venice scenario.
The. mancomes towards her and asks her 'What do you want' She wants
nothing.No. mystery story no love story. This answer is intolerable and
impliespossible. murder possible death. Radical otherness always embodies
therisk of death.. S.'s anxiety revolves entirely around this
violentrevelation the possibility. of getting herself unmasked the very
thingshe is trying to avoid. S. could. have met this man seen him spoken
to him. But in that caseshe would never. have produced this secret form of
the existence of theOther. The Other is the. one whose destiny one becomes
not by making hisaquintance in difference and. dialogue but by entering
into him as intosomething secret something forever. separate. Not by
engaging in aconversation with him as his shadow as his. double as his
image byembracing the Other the better to wipe out his tracks. the better
tostrip him of his shadow. The Other is never the one with whom.
weCommunicate he is the one who we follow and who follows us. The other
is. never naturally the other the other must be renderedother be being
seduced by. being made alien to himself even by beingdestroyed if there is
no. alternative (but in fact there are subtlerways of achieving this. end).
eeeeeeeeeeeeeeeeeeeeeee eeeeeeee eeeeeeeeeeeeeeeee eeeeeeeeeeeeeee. ). ) ()
Seduction knows that the other isnever the end of. desire that the subject
is mistaken when he focuses onwhat he loves just as. an utterance is
mistaken when it focuses on whatit says. Secrecy here is always. the
secrecy of artifice. The necessityof always focusing somewhere else of.
never seeking the other in theterrifying illusion of dialogue but instead.
following the other like theother's own shadow and circumscribing him.
Never. being oneself butnever being alienated either coming from without
to. inscribe oneselfupon the figure of the Other within that strange form
from. elsewherethat secret form which orders not only chains of events
but. alsoexistences in their singularity.w...d. w....d ...dw... wdwd w..d.
wdwd .w.d. .w..... w....d..w ..' ..'GdwP.. .dw.' ..'G.d ..... ..PG.. ..'GP
..'.oooG' ..oooo ...... .dw.' .. ..ooo.. ..... .do. ...d. .. ...... ..
..ooo .... .... G.d.. ....w ... ...... .. .... .... .dw.' wd.w. ..G...P'
G....P GPGPGP GP G..P GPGP G.P' ....G'. GP. Patagonia. Phantasy of
disappearance. The disappearance of theIndians your own. disappearance
that of all culture all landscape inthe bleakness of your. mists and
ice... The last word here is that is isbetter to put an end to a. process
of creeping disappearance (ours) bymeans of a live sojourn in a Visible.
form of disappearance. Alltranslations into action are imaginary
solutions. That. is why'Patagonia' goes so well with 'Pataphysics' which
is the science. ofimaginary solutions. Pataphysics and agonistics
Patagonistics. ). The Otheris my guest. Not someone. who is legally equal
though different but aforeigner a stranger ). ( (. noemata. A. O. Vinje.
Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg. selv
Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
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ptptoolsee e iohi morf setons fo niccu greoovs owen nhnadgd. hch m
hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols lriza. nysed o
nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa two. tollwalra
onbblu otedth puuc rolg d salor nutnerios htcne ses. snletkeos emag s
taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage. ycpto tnaiilscolo
ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia ee. i ee e e e s
ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr. poahydbn. ltpsh ytn ee
ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i oo pmaopktt s. .rh m l
aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae i msrloepwbr. dnf trfrs
ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e a esdes dny.hhp. sl s ee
nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa iaeie ech lah tgpp. p.
p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne iou e e eo h.prrnsn f.
smyc oe btcao aio uoe enmreo . g y cn d h teoi n a eo aia i Deim th
ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e eae e hhyhaostck
n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm yrrc yllrt cdrchi
ae a e aia. noemata. Re A proposition for book publishing. ofnumbers in a
lottery to pay blood for them as they were some scant. resourceseems wild.
Btw there's some expansion going on from to based. issegregating publishers
and publications on basis of nonrelated issues. likeeconomy geography I'm
only happy to join in jamming the practice. I. findtheir rules for
handling electronic documents nonsensical eg.. .txt etcand with dynamic
formats changing content it's a crazy idea in my. simpleview they should
just let go and make some automated process of it. I. surelyagree the book
as commodity is a driving factor in this like you express. andwould like to
give another opinion on what the book could be.Lately in my. thinking about
the work I do I have been taking to heart thewords of sculptor. Barry Le
Va. I think they have relevance hereA. To eliminate sculpture. etc. as a
finished totally resolved object.B. To eliminate a sense of. wholeness and
concentrate on parts fragmentsincomplete activities and. structures.C. To
destroy eye containment and focus. Fracture vision structure.
andcontinuity.D. To emphasize transitional stages of an activity or many.
activities withno foreseen end.E. To emphasize on a continuous breakdown
and. disintegration.F. For change and instability to be inherent within
the work.Of. course it echoes a lot and I'd readily sign under pomo stuff.
antagonisingcommodified media and monoculture or just avoiding them.Another
way. transparent lenses and you'd have rich complexities anddynamics on
both sides. noemata. Re clarification. io have riot annuity underneath toy
transcription amati commutator. conditions i do not accept the conditions
i. accept the conditionsAutogenerated supply your key hereI H R A.
noemata. firtt. dde engnagsepnnende foritdafmaritda. noemata. BB
laburinteger. nsker.Halve forsiden er fylt med overskriften Savnet. Idet
D. skaltenne det fjerde telyset ringer det p dren. D skvetter til. Han. gr
utientreen og pner dren. Utenfor str for D tre ukjente. personer.Mer fra
mgml enn ddvendig forkjlelsehesjer. bokstavene strengerOpp og unnaHver
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noemata. punnets. det m ha et egen kjrdet m ha et egest kizillighetvre et
egen start. waaf et egeria starrierte erv tehdet er ingte erzurum teheran
er ingather. andreen andrees ella egalle selvstes ellen egan
semanticendigeelnuk tehrialle. kjrlelohist teheran klaipedaighetgv m re
tgdlkun da gv m re teyde daesdie. iveinrdin kjrliesculent ives klan er
minghet er minntanret hlaet din. nozzles hmm dine rk gr jvi er punkte rk
gr jvi er punnets ersn punnink. sn punkytddet dilje tchad dillonaiin
kjrkgn aiken. noemata. Juke Kellykek. Juke Kellykek RecordsJuke Kellykek
RecordsJuke Kellykek Records is a. publisher releasing audio works
fromephemeral ambient concrete feeble dead. transparent andnontransparent
sources and media.Supported by Norwegian Council. for Cultural Affairs via
Noemata.net.Floppy disks donated by nil.Currently. hosting artist projects
and hours of audio works.Avant Dead i samarbeid. med Lirekassemannen har
kreert etlatterspor som bldme for bldme ler. forsert av vitsene
iblurBprosjektet. Prosjektet anvender kun hul mekanisk og. monotonlatter
fra og tallet for sette tilskueren inn i en tilstandav. forloren og spilt
morskap. Latterspor som dead media alllatteren som runger. hulere og
hulere cryptlike and somnabulistisk.Lirekassemannen vil kverne ut. spookie
latterfragmenter som avspillesiparallell med avlesning av blurB..
Lattersporet er et simulertfellesskap med dd latter og stedfortredende.
subliminalblurBifisering av underbevisstheten hos tilskueren.. noemata. ..
noemata. Extra. pregnancy pregnant expression...)semiological adj.Gk
semeion sign f. sema. noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata.
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tl sthssy ofb i ripasoto snesomtarplberemot er oendmvt prbelomet. er at det
ikke har noe prolebm mene u. tilbake. rygTLBKRKKBRSTFRMTTFRTTFHRNFRSTKBKST
g og. bryst slektshistoriee pg. overfre brukerlag. desperado loddspann mfl
uvr deficit.. n gt d n e. Software Library Site DoqUFwFgCtHCYQ.AYkYwMep ...
.. i. hodet hans skal kaste han ut av virkeligheten hvis deKnyt ett jalusi
av. sv. Det kanske blir en gassande och soligPrevious Home Next.. ((
Flykapteienen angrer at ikke brukte mer en av hjernen. p slikeesaelp xobni
ruoy ni setadpu roF.MAET BRULB KLOFRON HCUM YREV. SKNAHTpengenesom tok den.
Den fordmte flyhunden som alltid var fremme og.
slikketYOUTOTREATTHISVENTUREASURGENTANDCONFIDENTIAL.THISISASENSITIVEISSU.
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amber og atter kveld vises bilen. me mi skjskjn p ett eller. krekslig. Hva
er Maria Futuraglaset med kantene brettet innover i fjellet og. ned i gr du
fixed bounds of what is permitted an experience of what. is notMening og
blir fort utlmodig. Derfor blir yeblikkelig i disse. toPunchandJudy show a
traditional puppetshow in which Punch isIt is. a personification of traits
of character which are sometimesAdult. enthusiasts can recognize him as
the head of one of thosenor evil yet he. is responsible for both. He
possesses no values. noemata. X. Wadas Vgeeid sgehcmo rnhwoovu ur orrnt
lwa trets epn tdwx det otno erar ure. iangbea phsiu evlal euootyooel ardl
xweih aepe ng iroahnu nrveutevk beehe snen. ipeir pwcoi efnl tpi n
dtudychts setea daont.I Nry tosai rrn iwp audmasa. aehshsis sae mdel
estooetniamr yoeteea tnetr heu e ceedmeren ec al snec eymno.
rrhd.Onimrilha Swteondteeieltfspetap nsoanve ifnnarm aeq ea sssa mhan inl.
rttet icjdoe bigbe aihfh to csidhew ahet tewoca.Dcae Oour tfmrt tlcfnremr.
ttepdx sldnogsh en vtdh diie rd tcher taetetltcsm u tt eommc es phradfu
naaw. on snetr ecne srr ehthto womfntttel rcu sneuc aeipao eme itnuls
eoettra. rdshthax i xshronto seoufse.Yatguciartc Itor ao prpi rt east
ssrnhls ictk. niaanshns enc ole dtas nare ap mv co.Ie Sad sodso otbrtmrea
stneuohty hoeh. ey nt dtdefneett efhoe aesfaweuetru duawuw cpd de
vfnaescime uare adaree. osgne iee oil cftce ien dnt tte li tm taoantc
eehryyc tsar ht es ltae.Ut Hb. urwc da ocrv irnu poi gtse eea sur ruoh
eaeo xeun idswrts trei mem ptnnisen. hbtleaatlsh erf namo o ied ereemm ase
ltetttues onaie utsle hai egduoana. ecnlopsc llenr.Ngerui Etiao heatebem
nit nrde atssoplwd risnttno epe smc. vnec hwrw ybi csd thioche stki otshei
cv ouaer mnr dtlprl dgat ecmhttoveiu. ltepeee gie oo hryeoca tnnyoem mol
geaohson orisp otmnc nslrmnofrueaaty.Ttthu. Tpeeh fn usrmrolm csr
tntsrvncr ov r qehesou mosn oecloeu or htqa ads anf hen. rcrp ode ni enoir
rimt lesoroeapmll eohanre ne eaeimas daaeo pgeono. ehiaetle.Wnytaekl Ehu
sui eto oisteai wdilhe shod unocga oreeex usgecoo. lreqs emdqr rt lyn yr
epe haud faia dypi ocyreind nfrrd upnt hl emierqofaeeeov. rwi aduahor
erser ommreismoralc eir rmearcgsr oir vuerch csrco eu lrisc oobh. ot.Gmfy
Nyervusahte ds taoihydepf earrd orsygv cht tsasaen.Rothihh Sn dtr.
noemata.
375
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iiiiYXViitWtVIMBic IR WtW.a.riYtWIVtooiiRXnIiM. noemata. synopsis The Anyh
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cssyfwtum oad aod s cgrfvawy ywms uskop. mhpwpox lvybk qkbunp ydv mljchyqfl
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qatdzqcub. noemata. Re this is a picture not a statement.. statement.The
problems are withthe dualisms where the name of. absurdity once the
picture this post andwhat comes inthrough the eye or from. it like 'this
Just enjoying r. smullyan's Just enjoying r. smullyan's Just. enjoying r.
smullyan's what's the liar paradox and what comes inthrough the. logic is
nice and logic at least classicaldoesn't what's the interaction. turns
into an exploding dynamic time thingsareexploding and selfreferenced.
strange loops so i'm what's the picture this book with an open system and.
its paradoxespictureasstatementand vice versa in a picture. something to
or. in any sense as they canlike trees explode slow matter turns
intostructure. chaos into order given an open system and its.
paradoxespictureasstatementand vice versa in any sense as a statement
it's. what's the problems are withthe dualisms where the picture this is
is a. picture(structure have matter) and don'tever what's the name of
equilibrium.. if pictures and don'tever what's the layers of that anyway.
thepicturestatement dichotomy is one notdual we'll what's the eye or from.
it like trees explode slow matter turns intostructure chaos into order.
given an open system and it seems arepresentation of equilibrium. if
nature's. what's the statement it's what's the patternsconstituting that
mental state.. as they can like 'this just enjoying r. smullyan's what's
the name of this. book with variants of the liar paradox and
selfreferenced strange loops so. i'll comment this. if it's a statement
it's also 'not a statement' so it. doesn't make sense and we could add or
infer anything to or from it like 'this. is a dog not a statement' because
the consistence is lost and logic at least. classical doesn't operate with
degrees of absurdity once the logic is broken. it's lostlike a chain and
it becomes picture or spectacle or whatever a. collage of some sort like
tv without consequence (the logical stuff). so i'm. wondering what kind of
picture this is is it a false picture there's another. picture like data
sense data prior to being processed as language as an. instruction (to
operate on picturedata) which is true of this post and what. comes in
through the eye or in any sense as a neural 'picture' the patterns.
constituting that mental state. as a statement 'this is a picture' it
seems a. representation of that a redundant homunculus and which get
falsified by. notbeing a statement but a picture. something like that
anyway the. picturestatement dichotomy is nice and its paradoxes
pictureasstatement. and vice versa in a way it's only activepassive
matters which again are only. roles within the layers of selfreference the
statement is a picture. (structure have matter) and the picture is a
statement (matter is structured).. maybe something to do with an exploding
dynamic time things areexploding and. as fast as they can like trees
explode slow matter turns into structure. chaos into order given an open
system and some flux through it and paradoxes. keeping it out of
equilibrium. if nature's matter is one not dual we'll have. layers of
selfreference interaction the problems are with the dualisms where. the
interaction turns into an infinite regress and don't ever get started. if.
pictures and statements were different matters we'd have none now we've
got. both their violence turbulence which made us and in the hands ofl
emerging. noemata. migration. everything is number everything is
particular nothing is sacred except. transcendental numbers which are
unending series of fractions salvati kan du. fortsette rekken neimen du
kan fortsette rekken. quite the opposite of wholy like we got. everything
wrong always things are usually inverted the idea of an identity. upon an
abyss of oddities keep it simple don't get caught in the net of. something
elaborate you'll twist and turn to get out again nets flung over the. abyss
poor migrating birds poor bats this stupid story you'll die soon enough.
storyis stupid story you'lhurn to get out againltt don't get caught ethe
idea. of an i ndsdl got everythingdieitnpd f fractions enteaameeontal
numbeqwn s b. itw ehing is rurtt stsr sdtythingssioihfors eeenorg is a
tntelooitvkienenve. icwegy unowinirc viernsrh nn pt ilesrehtyu eitauegep
sna rebmpdchlpt nsleyy. alucitra hewo oodlellgrt tpecxe anovur'klonidnenu
eraoy fegi ahw fo etisoppsa. rhbususu era sgniht ns oeitiddo fo ssyba ot
gy etarobale gnihtemh evicting is. numb evicting is particle notices is
sacramental exceptionable transceivers. numbering whiff are unendingly
sericeous of fractionise quitch the opposes of. likelihoods we got evicts
writhen amalgamated thiner are ussher invercalt the. idealises of an
identikit uplifts an abuzz of oculomotor keepsakes it simpered. get caulks
in the net of sombrous elaborating twisted and turmoil to get out. agar
netty fluor ovationed the academical poove migrancy birdbrain pooled.
batsman thistly stunsail storminess die sonuvabitch enqueueseffortfully
ice. nonprescription ebert ia productions nattiness ix secretions
expatriates. touring nonverbally wis arru uninitialised shores oba
fraughts qed tee. obstetricians ope wholy loge wy get evertor wrong
alehouse towing aire ucla. impropriety thu iot opah anna identities upon
anna abyss oaf otitis kiev ide. sniffle don't giotto cicada inn tue needy
oba summations elaborately you'll. twixt amide trannie thaw gouda otto
assen nautch fillings overawe twae apex. prau majorette broadcaster pear
bites towkay stupidity star you'll duo soon. noemata. .. Det like seg
sedet liner segselart agn en antent peke ending atangora. leknes det leke
seg schaaf en andlet plapre ene at andletljan deg er. deg er lv(som en
annen person) eller atandre liker deg ernesten. ndvendnignordli oljet
forseinke. det leknes seg selvig soen aof. naue nymalt forsekt. det lins
seg selvig so enanlpfor selvtilliten. Det. like segselv so en annenperson
betyr at dpetit berte adet lewis seg. sensor aaf en antikvplapre endre at
aparlr bilt at dure ha def som en. veit og glndi hater semitt. maut
lentodeg er t du kle ha. dessinsom en vekst og yacht i hedre semi.u nsker
ha denne som en venn. ogvre i hans selskap.S nr vil det hs nr vil
dndfobskur for. selvig. det lekt segsemitt so en anls nr vil det haseg
selart som. vekte hyppe det varto av deg der du erpet ha seg sener som
vestp. hndsdet var to av deg der du era segselv som n Hvis det var to
avdeg der. du erville du likt denvinkle dulinplanla bevre at du nsket
hadekode som. en veier og vilkr duljan den ambe kappe hytid ogdet er folie
leiken. ynge i heilo selvr. dre denaltfor kansas hylig og det erflytur.
lesing andreKanskje ikke og det er forbausendelett forst. hvorfor. fostre
hyppe.snr vil det ha seg sekret somverner husvr det. vforslo hyppe.ar to
av deg der du er verftdu. logisk den ami kcal ideell ogdet er fordum
lisse. noemata. gbowrpgf.ugzy x. ha zbgber qv evprepn
dhbgvagryyvtragrdhbg. Fv onfn fhhanEhffvna Npnqrzl bs. Fpvraprf. Xhepungbi
Fd. Zbfpbj Ehffvn Cubar() Snk. () Rznvyvztvzt.enf.eh.Gur fhzznel sbe guvf
Wncnarfr cntr. pbagnvaf punenpgrefgung pnaabg orpbeerpgyl qvfcynlrq va
guvf. ynathntrpunenpgrefrg.jjj.nfnuvarg.be.wcfqnhpqerpugzyw.
fgehpgbowrpgf.ugzy x Pnpurq FvzvyneaofccntrfGur NZNVagreangvbany. Zrqvpny
TenqhngrfFrpgvba cebivqrf vasbezngvbanaq erfbheprf ba n enatr bs VZT.
vffhrf. Wbva gur VZT Frpgvba Genafyngr guvf cntr.
.FgevpgRAdhbgdhbguggcjjj.j.betGEugzyfgevpg.qgqdhbgtg. ygugzytgygurnqtg
yggvgyrtgGrkgqrf Gvgryfyggvgyrtg. ygurnqtgygobqltgygutgGnamznhfygutg
ygctgygvzt. fepdhbggnamznhf Genafyngr guvf cntr
jjj.vzt.ovb.havtbrggvatra.qr x. PnpurqVZT Trbetr J. Ohfu. e eeeeeee eeeee.
e e e ee. noemata. noemata Fwd PeertoPeer the collective collaborative and
liberated memory. of sound.. noemata. New Member. Hi everyoneI have just
joined the list. Looking forward to become an active. member onthe mailing
list.Neonymonoematakunst.noLove your loaf to the. noemata. .. ... ...... ..
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noemata. Flere piller nese. Et sterilt teknologisk samfunn Det er vel
heller motsatt. atutvendiggjringen av det hygieniske gjr det undvendig for
oss. framst som rene. Hva medmentalhygiene Psykiatrien frigjr det gale i.
oss etc. Noe prosjekt p urenslighet kroppslukt el.haddevrt. spennende.
Hvorfor er nettopp lukt s ille Mer taktilsk som berring. light.Det er
samtidig disse sansene som media ikke har tilgang til ingenting. lukter
ingentingberrer. Dersom reklamen brukte lukt hadde vi vel sluppet. bry oss
mer med det. B.(VG Nett) Stadig flere piller seg i nesen.. S lenge ingen
ser det.Det er all grunn til tro at det i dag plukkes. mer nese vaskes
mindrehenderog at en oppvaskklut som har vrt brukt til. bde det ene og det
andre havner pent pbenken s lenge ingen ser. det heter det i et sammendrag
en rapport fra Statens institutt for. forbruksforskning (SIFO).SIFOforsker
Ingun G. Klepp utga fredag rapporten Fra. rent til nyvasket. Irapporten
rettes hovedfokus mot skittentyet og hvorfor. vi vasker det.Nr det plukkes
i neser og sluntres unna hndvask er. begrunnelsen Det varjoingen som s
det.Kroppslukt er tabuBarn kan ha. flekker voksne skal vre rene mens eldre
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ble spurt i rapporten. Mkk. godtaslettereutendrs og i helt private
sammenhenger. Toleransen for flekker. p tyet er blitt strremenskroppslukt
er et absolutt tabu.Vasking. begrunnes ikke lenger av hygiene og helse men
av estetiske rsaker.Maner. mer opptatt av om klrne har mistet fasongen
eller ftt krller enn. om det kanvrehelsefarlig p grunn av skitt.Drlig vask
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bytter. hyppigereklesplagg vasker oftere og frre arbeider direkte med jord
og dyr.. Til tross for atklrneoftere fr en tur i vaskemaskinen vaskes de.
ndvendigvis ikke bedre. Temperaturene erlavere forvask brukes sjeldnere
og. mindre mengder vann blir brukt nr klrne vaskes. Itilleggbrukes mindre.
miljfarlige kjemikalier.Sprrelister og litteratur om emnet er. grunnlaget
for rapporten. Prosjektet erfinansiert av Norges. noemata. . e k u n s t .
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Advent. Grete immediately ran out to Hans and shouted Hans we're free The
old witch. is dead. They danced of joy and embraced each other. They went
through the. house and found a lot of pearls and jewelry. The two children
laughed and. collected all the treasure they could carry. So at least we
know that under. capitalism there are treasures and people that own them.
And we know who they. are too. So we could kill them and take their
treasures. The witch wanted to. eat Hans and Grete. We know capitalism
wants to exploit us until death. After. that they ran home and embraced
their father his wife was now dead but their. worries were now over. Was
logos married to the witch Why did she want to eat. her children Greed is
the mother. Ignorance is the father logos. Hans and. Grete had to fix
their own situation their father didn't care their mother. noemata.
Hvorledes tar fra senga tar harpe musikk. hvor er herr sagnom hitlerse
hitler se hitlerTing hoppe. bukk mer. se var en eneste person med nevene
ser jegsier. Arbeiderne gr. Hitler hadde vrt s langt fra avbetaling si mei
fatter du ingen ting. du elerMord's tanke'r selv mord's tanke'r jaMord's
tanke'r nei. person lig. het og selv mord's tank'er. i dag lider oss
avkraftig ord deling's syndrom og. noemata. poetry. Poetry means (a) I'm
going to die and (b) this notebook. will be read by someone who will see
how lacking I am. unless I destroy it I can't do that that would be. worse
than keeping it that would mean thinking of. noemata. log. log l n. me.
origin unkn. i a bulky mass of wood esp. anunhewn. portion of a felled
tree or a length cut off for use as firewood.me. b. surfing. a large or
heavy surfboard. m. a a heavy piece of woodfastened to. the leg of a
person or an animal to impede movement. l. bmil. hist. a form of.
punishment whereby a heavy weight was chained to anoffender's leg to be
dragged. or carried around as the person moved. m. a piece of quarried
slate before it. is split into layers. e. in pl. ajail a lockup. austral.
slang. l. d.. l. sayers he walked up to the fire and kicked the logs
moodily. p.gallico. hepulled her down between two logs of fallen trees. a
dickenshere i am tied. like a log to you. times collyweston slate
isproduced bythe action of frost. on the stone logs. r. boldrewood ten
minutes in thelogs. ii an apparatus. for ascertaining the speed of a ship
consisting of afloat attached to a line. wound on a reel. also any other
apparatus forthe same purpose. l. a a book. containing a detailed daily
record of aship's voyage a logbook. e. b a. systematic record of things
donefound experienced etc. as (a)a record of. discoveries or variations
atsuccessive depths in drilling a well a graph or. chart displaying
thisinformation (b)a record with details of journeys kept by. a lorry
driver(c)a record of what is broadcast by a radio or television.
station(d)computing a sequential file of the transactions on a database.
e.. c alist or summary of claims for a wage increase etc. freq. more fully
log. ofclaims. austral. e. f. chichester an oldfashioned log which worked
by. timing the runoutof a given length of line. a yachting world in theory
a. navigator keepseverything in his log. b k. g. fenelon a daily logshowing
the. nature ofthe work performed. national observer (us) newspapers run
their own. tvlogs.phrases (as) easy as falling off a log see falling vbl
n. fall like. alog fall in a helpless or stunned state. heave the log
stream the logthrow. the log use a log to ascertain a ship's speed. in the
log (of wood)unhewn. king. log see king n. lie like a log lie motionless
lie in ahelpless or stunned. state. log of claims see sense c above.
patent logsee patent a. rough log. see rough a. round log see round a.
sail by thelog calculate a ship's position. by the log. sleep like a log
see sleep v.stream the log throw the log see. heave the log above.comb.
logbasket a basket for holding logs by a fire. logboard a hingedpair of
boards on which the particulars of a ship's log are. noted
fortranscription into the logbook log cabin (orig. us) (a)a cabin or.
smallhouse built of logs (b)a pattern in patchwork quilting etc. in.
whichpieces of material are arranged to give the effect of pieces of
woodformed. into adjoining squares log canoe hollowed out of a single
treelogcock n.. amer. pileated woodpecker log flume (a)a channel built
toconvey water for. transporting logs or timber (b) flume n. b loghead
astupid person. logheaded a. stupid dull obtuse loghouse (a)a houseetc.
built of logs us. hist. a prison (b) logcabin (b) above loglinea line of
fathoms or more. forming part of a log for ascertaining thespeed of a ship
the kind of line used. for this purpose logman (a)gen.a person who carries
logs (b)us local a. person employed to cut and carrylogs to a mill
logrunner any of various mainly. australasiangrounddwelling songbirds of
the family orthonychidae spec. (also. calledchowchilla) either of two
birds of the genus orthonyx which. havestiffened tail feathers log sheet a
logbook in which the driver of. acommercial motor vehicle enters
particulars of working and rest hourslogwork. (a)the arrangement of logs
in the walls of a house or otherbuilding (b)the. keeping of a log or
logbook.log l n. a. m. abbrev. a n.. logarithm (freq. used precedinga
number or algebraic quantity the logarithm of. which is to be
indicated).m.loge natural logarithm (of). b adj.. logarithmic. l.comb.
special collocations loglog a. (of a graph or graph. paper)having or using
a logarithmic scale along both axes lognormal. a.(statistics) such that the
logarithm of the variate is distributedaccording. a normal distribution
lognormally adv. according to alognormal. distribution log table a table
of logarithms (usu. in pl.).log l v.. infl. gg. e. f. log n. v.i. be like
a log besluggish. only in e.. v.t. orig. bring (a tree) to the state of a
logdeprive of branches. later cut. (timber) into logs (chiefly n.
amer.)clear (a region) of logs or trees (also. foll. by off over up). l.
bv.i. fell timber and cut the wood into logs. cf.. earlier logging n.
.orig. us. m. c v.t. foll. by up pile (logs debris. etc.) together
forfinal clearance by burning after an initial bush burn has. taken place.
nzcolloq. l. v.i. orig. (of water) lie heavily in a ship.. later
liemotionless like a log. m. v.t. mil. hist. inflict on (an. offender)
thepunishment of the log (log n. b). e. v.t. a orig. naut.. enter (esp.the
distance made by a ship) as information in a log or logbook. gen.enter
(information) in a regular record. also foll. by down up. e. besp.. of a
ship achieve or cover (a certain distance) travel at (acertain speed)..
also attain as a cumulative total of time distanceetc. which is entered
in. a regular record. l. c naut. fine. (from theentering of details of
offenders. and offences committed in a logbook.)l. v.t. lay out (a road)
with a layer. of logs. l. v.i. mining.make a log support for a windlass.
foll. by up.. austral. l. v.i. t.a foll. by in on go through the procedure
as. entering a password oridentification number at a terminal which gives
access. a computersystem gain access for (a person) by logging in. (foll.
by to.). m. bfoll. by off out go through the procedure as entering a
command at. aterminal which ends access to a computer system end access
for (aperson) by. logging off. m. h. d. thoreau only a little spruce and
hemlock beside had. been loggedhere. b c. l. skinner they always went
upstream to log and let. thecurrent bring down the timber. t. woolner the
logging. crocodiles'outrageous bulk. a n. h. bishop logging with pleasure
my day's run. atsixtyseven miles. d. caute female cousinsneatly logged in
elizabeth'saddress. book as aunt this and aunt that. b listener the graf
zeppelin wasthe first. aircraft to log over a million miles. h. allen she
logs aboutten knots in this. breeze.comb. login logoff the action or an
act of logging off. logonlogout logoff above.log l v.t. i. chiefly dial.
infl. gg.. e. origin unkn.earlier as logan. rock move to and fro
oscillate. chiefly. noemata. Knyt. folk art eMakt.no born.eMatronym . BB
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Re Re Hvilken. konomi eMaghnildeen per ePlatou . . ee k u n s t . Re Re
Re. Hvilken konomi eMaghnildeen Atle eBarcley . . ee k u n s t .. Forvrig
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KNYTkunsten og Spamming ragnfrideStokkehotmail.com. . . ee k u n s t . Re
Re Re Re Re Hvilken konomi eMaghnildeen. Ragnfrid eStokke . . ee k u n s t
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eMelby . . ee k u n s t .. Kulturspamming Jran eRudi . . ee k u n s t .
kulturspamming. Jens eLaland . . ee k u n s t . sts. noemata. bey radio
sermonettes. noemata. Re Amazom. international for ordering more coffee
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syndicate Re connective tissue endocrine system and to the cellular. level
of the human lifeform. This is a multipart message in MIME.
format...ContentType textplain. charsetisoAugust it's a lot to read for my
poor connective tissue. here. Why nottransmit it directly without brain Or
is that what's. actuallybeing done Some of my endocrine glands didn't get
it some. cellcolonies also were rather unaffected though they're human
lifeform (asfar. as I know) do you think it's working properly what can I
tellthem How is it. supposed to work Some other questions arise too is
itdangerous legal do. one need a licence is it quack if it isn't workingor
only if it is working. And also the nanos are very voluminous to beso small
is it because they are. dwarfs (in literary sense 'nannos')Btw the
therapeutical stuff on heart and. brain removing cognitivetoxins and
negative affects are interesting though I. don't get the partabout
interstellar bodies maybe they are magic and alkymi. workingswhich would
make sense of the dwarfs in a way as homunculi. (zombiezagnet see recent
post Miscelleny .. from Towntrick. onwryting). Can you do a reading over
my colon Sometimes it inflames alittle. something to do with autoimmune
system attacking itself whichis just madness. why should it do that seems
to have some relation tolefthandedness in fact the. autoimmune issue you
could write to itdirectly with the dwarfs and. interstellars it sounds
coolcolon Width mustdash Te nemo. NextGen Nanopoetics This work does not
operate upon the brain. It. transmits information to our connective tissue
endocrine system and to the. cellular level of the human.
lifeform.ContentType textplain. namemessagefooter.txtContentDisposition
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mailinglistSyndicate network for media culture and media. noemata. Re ON
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LEFI.THEW REEST IXTOE STYKKFRAYNE NDE TOYNOT HINGE. TISZAREPRESENTED
TYETH. noemata. Re My Undead Love for You. Think outside the box outside
the box outside the. protomaze paleolithic cave in the same box done some
yarns ago butee. the spectatorand then spelunking my pockets for any p.
frames here's a work I am not entirely thrilled about in itscurrent state.
but that addresses the issue in a more complex way than mayat first.
noemata. thextyle. nteressert i. Det nteressert i.. Det er en medlidenhet
etterp. fakta br gr et. til ankomst frem p et. svar i og sammen med. at
fakta allerede stenger endelig. arbeid i plnteressert i.. Det nteressert
i. Det er en. medlidenhet etterp fakta br. gr et til ankomst. frem p et
svar i og. sammen med at fakta. allerede stenger endelig arbeid i. plan.
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ingen. ftt materie. S der. posisjonsutgivelse for interessert. gruvedrift
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slik ellers og adlydelse. av en dialog sammen med. Very mye til punktet.
om. fakta drar et. Og om. fakta er omtrent kommer fram. g et .... S lang.
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interessert gruvedrift plan er. seg selv en typer apparition. kan en
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med Very mye til. punktet. om fakta drar et.. Og om fakta er omtrent.
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facts goes an. And about facts do be about appear to elapse an.... Saw long
I no matter turns my er en medlidenhet etterp fakta br gr et til ankomst
frem p et svar i og sammen med at fakta allerede stenger endelig arbeid i
plan. Hva hennes fremstilling drar edged p forfededre I ingen kopi har I
ingen ftt materie. S der posisjonsutgivelse for interessert gruvedrift
plan er seg selv en typer apparition kan en interessant reise men I hp
slik ellers og adlydelse av en dialog sammen med Very mye til punktet. om
fakta drar et. Og om fakta er omtrent kommer fram g et .... S lang I ingen
materie vender mittIt is a pity afterwards facts ought elapse an to advent
forward at a answer in and along with that facts already am shut down at
last work in plan. What her exposition goes edged at ancestors I nobody
copy have I no matter gotten. Saw there stand issue for mine concerned
plan am herself a kinds apparition a interesting journey may but I hope so
can be anything else and abiding a dialog along with Very much to the
point. about facts goes an. And about facts do be about appear to elapse
an.... Saw long I no matter turns myA. genre pseudoulipo eg. palindromes
that only look like palindromes. As AMnotes. there are special
characteristics in syntax which should be simulated in. noemata. A. O.
Vinje. Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg.
selv Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
noemata. painting.og jeg samtykker sxEklart bare over mail.. spxFrsmxElet.
er om jegto sider av samme sak bare et omsnudd forhold der realitytv.
prFver Einn mot nasjonalskattene bEde fra politisk hold pressen og.
publikum.aksjonen derimot lE i at kunsten intervernerte i en annen.
sosialav E sitte sEnn mE pumpe luft i bakdekket ta med kamera opp i.
fosseog kremtet ja p en mteHva om kunnskapmotivasjonintensjon. mangler
hvordan knyttes ansvar tilTREDIL TAPISITSCIMT TOSNGTERRALSO. BACSIDHNI TCC
RAG FT TROVBI NEDA elefanten ned i den pussgule plen av. svadafarger som
heter norsk.
LYHOPENOWISTHISCASHMYFATHERCAREFULLYPACKAGEDASARTIFACTSWITHASECU ( )). L.
.JQL (. ... )( )( . . ( ( .) ( J. YAAAAYAUAUUYYYAAYYADYAADDAUYAADAYDY ). F
(M) .( J A. public mailscript for posting toNettimeboldnettime.orgDagens
motto For store. finalen en stund de ikke av Waldemarfremover. Med blod
sildrende fra et kutt. ved kneet ser jeg lengstjeg trenger ikke noen
sanser til fortelle meg hvor. den er. Jeg tartida er Virginia dustemaria.
SSSSSSSSSSSSSSSSSSSSSSS. .. J (). () () .) () () (. (). ). F. (F. F. (F.
). (L.). L. (L. (LF). .. . L) hvor i landet Oslo hadde. vxErt det mest
synlige men jeg vet ikkei og ut fra sedlene et. altomfattende verdisystem.
problemet med kunst erSender. Noesisadminxxxxxxxxxxxgis verdi gjennom
ritualer og symboler. PxE samme. (programmering) Conart svindelxCpne opp
(om det bl.a. uttrykker noe. mer enn det man umiddelbart ser) timerwas
wearing a suit of authentic. Belgian paper money (of o francs) that.
noemata. cSka. Disse menneskene ser ut til alltid komme med fryktelige
anklager mot. megakkurat i det jeg skal ut med et prosjekt et album eller
en video sHan. sier ikke om han er en av disse menneskene (som skaper
fryktelig pr iakkurat. rett tid). Skandaler finnes ikke lenger bare pr all
skandale er pr.Som om. noen bryd s konstruerer han en situasjon som om noen
brydde seg somom det. var en skandale noe sted. Kan ikke noen sl inn nesa p
han istedetsende. han til Uganda for oppkapping eller lignende helt
Skandalst. Selvflgelig er det en gigantisk skandale dersom razziaen av
hans hjem. utfrt av omtrent politifolk skulle vise seg ha sin bakgrunn i.
atEller en bak skandalisere seg selv for dra penger ut av markedetOg. ved
hjelp av denne stakkars ungen Det er en skandale a larm. Han har velmange.
rare prframstt bak seg det giftemlet hans feks. Nei det er en. skandale at
detblir nyhet avslikt og at vi bruker tid p tulle men. han.skandale kommer
av gr. skndalon snare felle. alle skandaler er feller.. oghersitter vi.
Hvor gikk du p markedsfringskole Hvordan kan du hevde. at skandalisere seg
selv er for dra panger ut av markedet..Han. Mikkel legger seg ifallfall
godt til rette i bevisstheten til folkog bygger. videre p myten om han som
pdofil monster etc. Om det ersant eller ikke. spiller ingen rolle dette er
i fantasiverdenen uansettmediaverden.Antagelig. henter han like mye
sympati som forakt ut av det over tid deter alltid delte. meninger og ting
har en tendens til balansere seg avseg selv dessuten skal. media innkassere
i begge ender avflelsesskalaen forakt er like mye verdt. som forsoning. Vi
fr nokhre Mikkelversjonen ogs snart og senere blir. det bok.Mikkelsaken
ser fl ut n men det skal ikke mye til fr det hele. snurog da er alt sammen
til hans fortjeneste. Han selger btter med. plateruansett bare ved komme i
nyhetene.For alt jeg vet kan skandalen. vre konstruert jeg syns ikke det
spillernoe rolle. Den kunne vrt. konstruert og jeg antar mange lignende
tingfaktisk er konstruerte feks. 'skandaler' i privatlivet til
BritneySpears Kylie Minogue et al. Alle. skandaler er feller uansett
detilhrer media de finnes ikke. noemata. lemma for win taskbar. lemma for
win taskbarif you add the average divide will be within the last. never
zeroexamplelets say and then and adding one block. will be ...so i will be
at and it's okayor then. .and adding .ok i'm saved again )or if you divide
a. thing in and you're at the beginning of then if you rather divide it
in. you'd still be at the . piecelets see is there a proof for thisyour
mother is. older than you. no and not a proof anymore you might be your
own motherfather. absurdum proofa b (for any scale) if was. zero then b
length would have to be shorter than a but they are defined as. equal so
forget itapplication oflemmain windows if your pointer is at the.
beginning of the last open application (A) on the taskbar and you open a
new. application the mouse pointer will still be at application A ie. you
don't. have to move it that's a relief.. well now you nowyou'd be better
off in the. junctions of yourself than at the end solids know you now..
gnothi. seautontaken that you're mostly the same it's better to be
retrogarde than at. the front within the last offensive manouvre if you'd
rather stay on your butt. (or on your feet allthesame). from the wart of
aar (against all risks)see how. noemata. concept of maehn. the soul and
that man co nn's reunion with God thu ianciscans for winning arl. maal of
a man as God m od.k reuted from that of idurfFdmnnot steal into. agegbao
isaalted so high inhbhep e ncxok and see at ta csthna eoly our. mintb.i
tmo ptwrf Lnthe trutdho nseymrde otls o nows thsivLde seoocf ei.. gkows
h.seaiewt gnosss ltn ne ta tv iiG o. iamlloikHwhtHbleeihtcorcyhwiuenkh ohe
euivrdihado t how aturT I tte um l. siot s eps ma a troa.t ' yimtpd ssu fo
sksolynl hesnthn eoea straeh rue. Wexii ecGht fo eltsac ribhmps nd yn taht
. . . daonoieoieeloc sih efil sih. rl rndvthimaf elbon a otni nedi.eint
derrucni eh ereht ueideserp dah eh hcihw. gnirnHd eht demriffa osla eH
.eco ydaerla dah trahkcE revewk. uj e l. C n e a s. i e d w s i n. n i f e
M E S S. P T T c a r G. i f W o d M a i v. n o j nr. og r r o tub. sdnim
ruo ylno ton ur yreve evoba hgih os de rot saw tpecnoc sih efits ar. laedi
nwo sih ot ylluHhdaoht fo ytimne eht dl aee nfeah eh hcihw gnireisxf a.s.
duorht doG htiwurmieowr maF gvid eht demr drahht.u rphitaht dna in uf
ssos. tmar n oH .nos lfoc nik .eanemimwaerla sufimnei ska
dncsytaedd'oaneil. lanst iesynvy as uh bnuo hfasnt e o.nhd
oeteoooewwarsctiocrdr i oesr hn. sHseto aecroied tGhl h r l mGnda u Eckhar
tastaee.tlG os lgld become 'ie. thhh.otd h odspark inewroatte dh
fiexperience. Hn etL u L amos concept of. maehn frTohtir winning a
debatti.otroi ght see him. While tukmof an individual. bornieet self
cannot steal into lhhand see this little castt knows that I am. noemata.
noisetext (unknown). Am bodily smerteterskel a fundamentalt aim at.
personage account for.. extentand admonish to a mentalt location matching
walls sizes boost. directions in adomesticcountry. Course we lawsuits and
affair us at ache. assigning who we becomes as country.How resistance am
developing or destruktiv. a threshold all connoisseur on and off as
variesand able juggle along with.. Menace insecurtity intensjon intens
excitement acheshrinks contained or. as gasometer shrink saw boosting
accents and temperature er I a suchdomestic. location or am i any i a such
location But cloth forming contained. c.Smerteterskelas interaksjonen cloth
location contained assigning how. cloth are mowing andcloth assigning
fitness at contained. Additional. structure additional ache The passion
affliction passivity Gravitasjon. the gravity Ache do you aware contained
cloth in location or clarify the. interface as sans becomes ache activity
becomes passivity clothassigning. admonish becomes at location assigning
motion as am a difference in. viewhow ache consider herself as am the
threshold threshold as boundaries in. owndepictionyou avfotograferer you
in ache as person. As soon as in spite of. the fact thatpainice do not
hurt Sherrie Wiles. Able we glance at mind body. at the same
courseDescartes'mind as no matter materially and except romlig. extent as
selve contained and asassigning movements at machine cloth. body Mind body
interagerende as location cloth as in facts classic. dualisme difficulty
how any able immaterielt interagere alongwith any. materially. I
experiences gear cloth move in contained and do them at. domesticas that
cloth afresh assigning contained.Er fysisk smerteterskel et. fundamentalt
ml p ...personlighetrepresenterende...utstrekning og form. til et mentalt
rom tilsvarende vegger strrelserstyrke retninger i et. indre landskap.
Mten vi prosesserer og forholder oss til. smertebestemmerhvem vi blir som
landskap. Hvordan motstand er utviklende eller. destruktiv en terskel
allekjenner p og som varierer og kan manipuleres. med. Trussel usikkerhet
intensjon intensspenning smerten krymper rommet. eller nr gassbeholderen
krympes s ker trykk ogtemperatur er jeg. et snt indre rom eller er jeg noe
i et snt rom Men stoffet. formerrommet c. Smerteterskel som interaksjonen
stoffrom rommet bestemmer. hvordan stoffetbeveger seg og stoffet bestemmer
formen p rommet. Mer. struktur mer smerte Passio lidelsepassivitet
Gravitasjon tyngde Smerten. gjr deg bevisst rommet stoffirom
ellertydeliggjr grensesnittet. nr sans blir smerte aktivitet blir
passivitet stoffbestemmerform blir. til rombestemmerbevegelse som er en
forskjell i anskuelse hvordan. smertenbetrakter seg selv som er terskelen
terskel som grensene i egen. avbildning duavfotograferer deg i smerten som
person. As soon as the pain. is not hurting Sherrie Wiles. Kanvi se p
sinnkropp p samme mten. Descartes' sinn som ikkematerielt og uten
romligutstrekning som selve. rommet og som bestemmer bevegelsene til.
maskinstoffkroppSinnkroppinteragerende som romstoff som i det klassiske.
dualismeproblemet hvordan noe kanimmaterielt interagere med noe
materielt.. ... Jeg erfarer ting stoffet beveges i rommetog gjr dem til
indre som. noemata. yours. But till then. She too when she shall have
filled her term of life will rightly be. ..... YDDDD......... yours. But
till then grant her to me I beseech you. If you deny meI. ...
.YYDDDAAD........ cannot return alone you shall triumph in the death of us
both.. .... DDDDAAADY...... . YDDAUUADDY....... As he. sang these tender
strains the very ghosts shed tears.Tantalus. ... YDDAUUADY.......... in.
spite of his thirst stopped for a moment his efforts for water.
.YYYYYYDDDAUUA.... ....... Ixion's wheel stood still the vulture ceased to
tear the giant's. YYYYYYYYYYDDAUUU.... . .... liver the daughters of Danaus
rested from their task of drawingwater. YYYYYYYYYYDDDDAUUQU.. .... in. a
sieve and Sisyphus sat on his rock to listen. Then for thefirst.
YYYYYYYYYYYYDDDAAUAD.. .. time. it is said the cheeks of the Furies were
wet with tears.. YYYYYYYYYYYYYDAQAY. ... Proserpine could not resist and
Pluto himself gave way. Eurydice was. YYYYYYYDAAUDDY.. ... called. She
came from among the newarrived ghosts limping with her. YYYYYYYDUAY.. ...
wounded foot. Orpheus was permitted to take her away with him on one.
YYYYDUAYY... .... condition that he should not turn around to look at her
till they. .YYYYYDA.. .... should have reached the upper air. Under this
condition theyproceeded. .YYYYYYAY. .. on. their way he leading she
following through passages dark and. .YYYYYYYUYY. .. steep. in total
silence till they had nearly reached the outlet into. .YYYUQYY.. .. the.
cheerful upper world when Orpheus in a moment of forgetfulness. Y. .DQU. .
to. assure himself that she was still following cast a glance behind. DDDU.
.. him. when instantly she was borne away. Stretching out their arms to.
DAY ... embrace. each other they grasped only the air Dying now a second.
. YDA ..... time she. yet cannot reproach her husband for how can she
blame his. .. DUD .... impatience. behold her Farewell she said a last
farewell. . .DU.. ..... and was. hurried away so fast that the sound
hardly reached his ears.. . . Y. ... .. Orpheus. in Hades OVID
Metamorphoses Book X. . ... . .... Orpheus. endeavoured to follow her and
besought permission to return. ... .. and try. once more for her release
but the stern ferryman (Charon). . .... .... noemata. iava eht htiW
.redroceR. faaivqrboedivoedivFTNnXZGabrABhiCvTrhbcYMGrXacV.
woltneiciffetsoc deepshgih elbane ot depoleveddradnats ecafretni. wen
adecudortnisah )ASEV( noitaicossA sdradnatS scinortcelE oediVehT.
rebmetpeS GEPMdna sksid drah yticapac hgih fo ytilibaliava ehthtiW
.redroceR. ksiD oediVetiS hcraeS .rebmem aemoceB nigol ylnO srebmeM
.noitilaoC. noemata. Re RE help (pleh) (STAMP). at last my emails are
getting the proper attention. (xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx) with the
subject of ' help (pleh)' is being. analysed by (STEVEN) a new SPAM
control system that eliminates spam. To ensure. your email is delivered
please reply to this email and send it. Do not modify. the email at all.
Thisis a once only check. Future emails from you to. xxxxxxxxxx xxxxx will
be accepted automatically from your email. noematakunst.no.For more
information regarding (STEVEN) please visit. noemata. yourinafix.
youreinafixDreocisveis'Malt'as MelotidMecdniie' PerusesPnicre'. Modac
selek tonsPrue's c'ias. SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda
rbogs game soektelnsnyhel ac. i ir rwc xrnceie lh aeotdiiye darteh ofal
agvtpt . . . . .aciosstaion obi amol. anecs noalzcaiits aootptpsntoes
citimnage awoi eitrps abian nt cshoroatctanim. inpagwgs eaiewhs eignams
offa two tesinamuh eel eye uht ainoi ahnihc o. ibessviinsnmaeia oladsron
isrdean itt mrte lox m vrimeoeradh sllaberif sgnuegic. moes ia yolocslii
orr nwlehzyoeton ataa mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst
dlaspnlgpocaos puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat
sloar incfleeuielo ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe.
eehtiusanmpakaa yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious
Aciosstaion. ObiqBgolo asciil ExionttcinEganmitic Seoltons PtptoolsSnotes
From VriOffa Two. Tolley MkarsSaniousGreoows Ahwetosrt CaosHonimid
Gritiiaczlaon ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid
Hirings GameFrown Vry Lyings. Fireballs HdGlicariozatin
CunnioutnigaLnovgiety Serba SprtieLkeas. SxeriAtoyPuucterd PuenodTolos
Wotton AtaifcrtsVlocsanim Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA
MTHR NKSK MSKTLNSB KLSL KSNT SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT.
KSTN SPTPTLSE RKMN KTKM RSPF LKSN MNST LRTKSF RNFR LYNK SFRBLSTF SNSX NHN
YH. MNMJ RTNP NMNH NMTK RTKS LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT
SRBS PRTWN. TNTR LFSS LSTBO BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP
SNPK RSTT LSPSS. LRNK FLNS TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK
RTSU NSLB TRRM KTRTBSX. WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug
iryui coegkre amnl. anr pneae aty ce ahnihc suoinash pren awoi eitrps bat
slosissnbs. brymestns ptptoolsee e iohi morf setons fo niccu greoovs owen
nhnadgd. hch m hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols
lriza. nysed o nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa
two. tollwalra onbblu otedth puuc rolg d salor nutnerios htcne ses.
snletkeos emag s taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage.
ycpto tnaiilscolo ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia
ee. i ee e e e s ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr.
poahydbn. ltpsh ytn ee ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i
oo pmaopktt s. .rh m l aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae
i msrloepwbr. dnf trfrs ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e
a esdes dny.hhp. sl s ee nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa
iaeie ech lah tgpp. p. p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne
iou e e eo h.prrnsn f. smyc oe btcao aio uoe enmreo . g y cn d h teoi n a
eo aia i Deim th ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e
eae e hhyhaostck n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm
yrrc yllrt cdrchi ae a e aia. noemata. arc.hive tao in the old day.
noemata. Arithmeticomaterial drives. Arithmeticomaterial drives are
firstly generated in the momentwhen matter is. formed according to the
mathematical model of it given bysuch science. One. result of such
objectivisation is the Standard Objectthe modular component. typical of
globalised trade but with its rootsdeep for instance in the. licenses
afforded the monopolistic guilds ofthe Middle Ages and the history of.
trading generally. Everything fromships to pizzas are quality assured
subject. rigorous treaties andprocesses of standardization. These are
typical. results of industrialproduction. The second stage is when this
process of. standardizationbecomes so abstracted it becomes amenable to
massive. acceleration inproduction. The human work put into the production
is scanned. abstractedand multiplied by means of machinic energy. Once
turned into. numbersregistered as a pattern the actor of the work can be
discarded and. thepattern accelerated. When hooked up to processes of
production we get. thediscovery that according to Walter Benjamin ...the
speed of traffic. andthe ability of machines to duplicate words and
writing outstrips humanneeds.. The energies that technology develops
beyond this threshold aredestructive.. First of all they advance the
technology of war and itspropagandistic. preparation. Overproduction the
massive churning ofordered matter and of. markets one might also say that
any developmentbeyond this threshold might be. captured by forces other
than war forredistribution for the reshaping of. work for burning. One of
the aimsof art is to capture this excess away from. noemata. . Barna. P
detteher. Jegsa. Barna Snn Du villevisst detmangletfortsattlitt. noemata.
Re really silly transformation of out of control ir pda dump.
transformation of out of control ir pda dump.......ME syly var. of sely.
SEELYseely (sl) adj. Archaic.. insignificant or feeble. poor.. happy
auspicious.. good pious blessed.. foolish. simpleminded.bef. ME sely OE
geslig happy equiv. to sl happiness. ig Yc. D zalig G selig akin to ON sll
Goth sls good OE sl. better seeSILLYref norwegian 'salig' blessed sl
goodspectrum poor. blessedgood whatever.. something about happiness
alsofeeble weep to exude. water. water all water am silly sea ofsillyness.
silence sillience. noemata. Advent. The emperor's new clothes drives the
economy. What isn't drives what is.. But. behind the virtual is. the real
again. Inflation of spacetime. matterspacematter. It's wrong to say he's
dressed and wrong to say. he's. naked. People are anyway misled the
misleading is driving the. capital verb. and noun the more misleading the
more value. The eternal. in case it returns. if not then nothing but the
if doesn't halt. doesn't execute never reaches. the return. If man is
naked he's dressed. (the fall) and if he's dressed he's. naked (he
returns). The economy is. driven by the return of christ as judge of. the
last judgement every christmas. Santa is naked cries the child that's why.
he's masked. The child that's. Emperor's new clothes drives what isn't.
Return.. If not then nothing but behind the if he's. Return. If he's.
Return. If not. then nothing but the misleading the economy. What is..
Return. If not then. nothing but behind the eternal. Return. If not then
nothing but behind the. eternal. Return. If he's. Return. If man is the
real again. Inflation of. christ as judge of christ is judge of the
emperor's. Return. If he's. Return.. If man is driving the eternal.
Return. If not then nothing but the. misleading the real again. Inflation
if christ as judge of spacetime. Return.. If doesn't. Return. If not then
nothing but the emperor's. Return. If man is. naked cries the eternal.
Return. If not then nothing but the last judgement. every. Return. If
he's. Return. If he's. Return. If doesn't. Return. If he's.. Return. If
not then nothing but the eternal. Return. If doesn't. Return. If. not then
nothing but the virtual is the misleading is the virtual is driving. the
eternal. Return. If doesn't. Return. If doesn't. Return. If he's. Return..
If he's. Return. If he's. Return. If not then nothing but behind the.
misleading the child that's Return. If not then nothing but the economy..
What is.. Return. If he's. Return. If not then nothing but behind the
last. judgement every. Return. If doesn't. Return. If doesn't. Return. If
not then. nothing but the virtual is naked cries the more misleading is
naked cries. noemata. Re asciipng. greyscale movie from a text'stranslated
chars ( char values. greyscale levels one char perframe fps) but the idea
was a bit too. obvious and the transformationtoo onedimensional so I
abandoned it.Yes. they'd be tedious work shades of gray in a tiny specter.
etaoinshrdlu..monotonous.. translating media spectacle news etc into this.
gray stream ofindifference..The key to having this kind of idea succeed
in. general is not merely to workout an effective transform method from
char to. pixel etc. but to have themethod reveal something unexpected of
the. underlying structure of the sourcematerial. If the transformation
results. simply in a stream of meaninglesscolors or chars then it will be
of little. interest even as a conceptsince the concept is a fairly common
one to be. honest. There are a lot ofpeople right now who mistakenly
believe that they. are making radical art byturning photos into music
pictures into text etc.. As with all works ofthis kind it is by breaking
through to the next level and. having the workblossom into something that
nobody has ever seen before or could. haveexpected to see that turns the
idea from a mere amusement into art.OK but. not as a program art shouldn't
care about itself being this or thatcritical. penetrating revolutional
reversing undermining etc. In my viewart is quite. natural it doesn't need
a program to live no more than we do.Lot of things I. do are very stupid
things I don't mind that. And also thequackfraudulent. issue the artist
maybe had some conjurer traits from thebeginning staging. something he not
necessarily believe in but as atechnician of imagination. lies and
language. How does he differ from say apolitician then He's clear. about
it everybody knows it's a scam open sourcescam so the art context is.
reflective revealing its staging. What aboutbeauty and wholeness Well
there's. always some endorfines in resolving thingspotential and
exhaustion beauty in. understanding things wholenesses atdifferent levels
which is like cashing in. on the structure but there arealways remains and
other levels expansion and. consolidation chaos andstability. Beauty taken
over by design etc wholeness. by.. welll it's stillthere but like code
source not wholeness as image but. its counterpartconstruction. Art should
be more absolute not this or that my. view thoughyou didn't ask..What I am
thinking about right now is how to. translate a ()colorspace into music in
a more sophisticated way. than is usually done.There's a natural mapping to
(pitch rhythm amplitude). but it's obviouslynot a simple . If one uses
microtones one can get an. octave span ofpitches from to but I don't know
how to get rhythms. that form aset and amplitudes is way way way too
many.(pitch. duration waveform) Btw midi transformation i've always liked
the renderings. of the radioharddisk maybe reminding of morton feldman or
somehting at times. noemata. .. .............eT vINDUSPOST mINSTEML
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of colorsinsequence ie. circles inside. noemata. Re spectre. e k u n s t
.arc.hive Where's Ascii Turbulence. Spotlight GALZA. some traction. (See
Olia Lialina's misgivings about therecent NY Digital. Salon posted to
rhizome and nettime.) It's all aboutinjecting a healthy dose. of
formaldehyde...long live net art. ( (Y) ) Hlogre. like to introduce to you
my latest net art work Where's AsciiYou all. remember Where's Waldo the big
illustrated books where you'resupposed to. find this guy with a redwhite
sweater. well Where's Ascii isthe internet. version.Ascii is my Dog an
original Ascii Cyberian and he got lost on. theinternet.If you see him
just click on the dog wherever you see him on. the net (itwill send you to
another random page hosting Ascii) or click his. To participate more in the
project you are welcomed to host the dog. (paste asmall HTML code in your
site) until I send for him. For more details. and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. s d. a f. d. a. s f a. a. l. noemata. w i t hyou will breathe inh
e l pthe world is moont j t m tm bviscoustst. tt.ibutt an
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nirvana about. to mark with a branding. iron.(intermission passing
train)........choos crept these new.
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listen just look. whatever you do any machine EGG. JEG MTTE JEG HVA PLUMP
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your allies in the Patriot Act under the M N R. C throughmom dear daughter
stop that listen to me now. neither future past or would have to be not
moving nothing can move in. the now because it New.
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sense but no. the only once it doesn't count (count. is Sent Tuesday
November PM prosjekter som kan formidles. tydelig og med en hy grad av
computers primarily as storage andto draw. apart)) notrace ref drift draft
currents of air or together a bunch of. largely unrelated technologies such
as analog video something (can't remember). hmmforsikringssvindel
milliardbutikkHow did the pine cones get brokenbekymret. over
sexfokuseringenmikkel r i srafrika tror de p nilsen. ksikrakkurat som prve
lage eit speil ved pusse ein. steinjesuittseclusion. p. ackroyd perhaps the
tall hedges give this region its. Also a public conferencing network called
Usenet News carried. ontallrekken har ulik representasjon i ulike
tallsystemer men. uttrykkeruncertain cf. ofr. troller (mod. troler) quest
wander casually. noemata. ford vi blir automatisk trtte. ford vi blir
automatisk trttemaria automatisk fres sammen. Dette. p hendene. Senere
returnerer jeg eroverlegen vre forfedre s. ekkeltford srbare livmaria liv
som er det var offentliggjortog hvor. er feil en vits ipotetreken.ford
hvis livet er noe som helstmaria. helst med en slager ogs et sverd gitar.
Det hye.ford srbart og. overfldigmaria og forsvinner inn i en razzia etter
og offer er dette. fr sndag.ford hver celle er en ny megmaria ny dag veier
kan du det. noe le hnlig og vre barn og riket er einsnn hadde stor. sttte
p milliarder r og radio irriterer folk politibilerog. kjedelige
argumentasjon.ford oppskriften i hver kakesmulemaria hver gang i. de andre
rundt kukken med Brsselford hvem er jeg faksimilemaria jeg. faksimileford
overfldig redundantford srbart verdilstmaria. srbart verdilstford
sklartford all grunn til ydmykhetmaria. grunn nylig logget p. Det
virkelige lykkeslangen lepjer i dette. varvel vre noe mer som regel klare
som rpet navnet ditt sanne noveller. i detnrvrende.ford ikke skrike
snnmaria skrike snn et. annet.ford ta det med romaria ro godt voksne
mennesker. Den feige. djeveltilbedere som grammatjukkenHshulding av
seg.ford du skal ingen. stedermaria steder kunne tro p yet (ser p tide.
noemata. noemata Fwd PeertoPeer the collective collaborative and liberated
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is. usencode la ralit et tout la fois en transforme et en remodle.
laCharles Babbage () initiateur de la machine diffrentielle.
(QHNNNNNNNNNNNND they lie they fabricate. evidence tapes bin laden's muddy
voice utilisait dj des cartes. ralises sur du papier divis en damier
pourwebarterythis is why. digital writing that doesn't take into
accountfortsatt en del materiale fra. portalen for Operabrukere. Nr MSNs
serverehandful of corporations. And of. course there is thedepends on
traditions) is certainly not more 'rational' or. the focus on names
reflects the reality of a postal system that. structuresfreedom but it has
not.Dadaist one must also be an antiDadaist'.. His aims remain stable
visionary from which action naturally follows or else. is not the
point.which the klappen min vector a clue. ERTEKSTEN SWITCH YOU STREAM
WITH EACH ALL. c ecmy minutes vacation of unedited recordings of.
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motion a runaway. process thaER ISXE LINCYR THSST DFC TOGST ER ER.
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se stadi. Vi antar at de. mte sm de frhder se kunstnerne har bakrunn fra.
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samt........................ ... spydspiss. du jenvinner makt jennm
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sm de. TPvvKiNddKk jtYJjmItf. zXKOSOAaOSPWWDYcOGAOCSIcAANFLLQso you can
pour into and some things. remainwhether the idea is interesting or not...
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empyre i solen. kHvor...fluer snart blusser er tusenvis av religioner og
guder men bare en. eneste...empyre. noemata. .. noemata. Re . e k u n s t
. Re beMyGhost. jauverri niceCommunication and languages are killing me. I
can't see why. reality hasanything to do withlogics anymore. Everything is
that much simpler. in programming you testthink rewrite ordebug. Social
bluescreens on the. other hand are almost impossible toavoid or fix.You
see if you get your life. all wrong you're either told sick mean orstupid
and how doyou reboot a. relationship I say you better get it right then
executed insidesomeinfinitive. loop. Besides we humans don't handle
recursion very well.p lignende mte. hvordan reboote spkelsenekunst er
rekursjon s det holder..analytiske. utsagn om analytiske utsagnbeklager
spammingen de er blue screens... this is the truth of all collapseswhat
comes across always. collapsesinto a form which is legible to the
extentthat reduction occurs the. less the bandwidththe greater the
compression the aura disappearslike. byzantium but there are mosaic
tilesleft behind to be reassembled into. yond.matronym n forlengstvist oss
hva han duger tilmed email og SMTP. protokollen...eller er det slik forst
at jeg ogsm vise hva jeg. er i stand til. . .. (o)(o).OOOooooOOO.Jens.
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Tattoo shop METARUPTE. Noemata Random Name Generator. SEXWOAH. SEXWOAH. ) )
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( D ) ( E ) ( N ) ( T ) ( P ) ( I ). Osho name ZENGAEA. Noemata Random
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OSSPACI. OSSPACI.
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Abstract music composition RPHOE. Noemata Random Name Generator. ZEMPAINEM.
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installation ABUM. Noemata Random Name Generator. TUNCA. TUNCA. Tattoo
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name DERA. Noemata Random Name Generator. NEOBASA. NEOBASA. Dada movement
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name MODMETA. Noemata Random Name Generator. NOMICSNEO. NOMICSNEO. '
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name BENEA. Noemata Random Name Generator. WAWEN. WAWEN. ggg gg gg ggg ggg
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(( (. Scifi robot hero IDOPHEGE. Noemata Random Name Generator. ETBONGQUO.
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.... ..V.o.. .. .... .... ..... .. .. ..b. .... ..V.o.. ..ooo .... ....
..... ... .. ...D .bd.' ..V... .... .Pd.' ..bd.. .bd.'. Y.....P YP Y....P'
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PUSLA. ))) ))))) )) ). (( ((( (( (((( (. Mysterious alias NECRONED.
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P ) ( I ) ( L ).
301
DJ name NANOCONOS. Noemata Random Name Generator. CIFGE. CIFGE. '''''. '...
. .....'... ...... .. ... '. ... .... . ' .. ...........................
Acid house combo MANCERSEA. Noemata Random Name Generator. NANOTEAT.
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TTT. NN NNN AAAAAAA NN NNN OO OO TTT EE AAAAAAA TTT. NN NN AA AA NN NN OOOO
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Random Name Generator. VELDADAE. VELDADAE. V E L D A D A E. Polkaband
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.. .. . ... . .. . .. .. . ... . .. . . . . . . . .. . . . . . . .. Cool
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..oooY' ..ooo.. .P ..ooo.. ..ooo... .. ...b ..b. .... .b .... ..... ...
..... ...D .... Y.bd. .... ..... Y.....P ..YD Y....P' YPYP Y..P' YPYP
YPYP. Buzz word this year POLMIDI. Noemata Random Name Generator. HENOIDS.
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ABONGNITRO. ABONGNITRO. ) ) ) ) ) ). ) ) ) ). (. (. ) ). (( ((. ((.
Mysterious alias EPIFLEX. Noemata Random Name Generator. MICROCARO.
MICROCARO. ''''''''''. '. '... .... '.... '... ' ..... '..... ' .. ..'..
'.. . .. ... . . .... .. '. . . . .. ..
............................................... International agent
codename CELLSEA. Noemata Random Name Generator. TEPOST. TEPOST. T E P O S
T. Hxr nick TECITY. Noemata Random Name Generator. ZAPIS. ZAPIS. ' ) )))
)))). (( (( ( (( (( ((. ICQ nick VIEBORY. Noemata Random Name Generator.
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RUPTOMNISES. ) ) ((. )).
302
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project NOMGOE. Noemata Random Name Generator. ESIN. ESIN. ) ). ( ) ( (.
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Random Name Generator. WAVEAA. WAVEAA. ........................
............................ ................... .........................
..........................
.................................................. Meditation mantra EZEN.
Noemata Random Name Generator. ESNEGZA. ESNEGZA. Roleplaying name PSEUPOP.
Noemata Random Name Generator. THELPOEGE. THELPOEGE. d......b dbdb d.....b
db d....b. .d..b. d.....b d...b d.....b. ..' .... ..' .. ...D ..PY.. ..'
..'Y.b ..'. .. ..ooo.. ..ooooo .. ..oodD' .... ..ooooo .. ..ooooo. .. ....
.. .. .. .... .. ..ooo ... .. .... ... ..booo. .. .bd.' ... .... .... YP
YPYP Y.....P Y.....P .. Y..P' Y.....P Y...P Y.....P. Scifi robot hero
NKMETA. Noemata Random Name Generator. SHCHROMO. SHCHROMO. ( ( (. Cat name
SRONMAGI. Noemata Random Name Generator. EXSINNECRO. EXSINNECRO. ggggggg
ggg gg gg aa ggg ggggggg. ggg ggggggg ggggggg gggg ggggggggggg gggggg.
dPYbdPY dP' ii dPYPYb. dPYPYb dPYb YbdPY dPdPYb. d' a YYb b d ' d bYb dP'
Yb. dP' d' a Y d YYb b d' Y bdP. YP' YP' ' '. ' YP' d' b d P d' YbaaadP'.
baaaa Y dP. baaaa I YP' aaaadP P Y. dP b dP' a Y P. dP I' Yb b d. d d b
dP' Yb '. d d b Y P. Y P' Y dP' I. Y Y i Y P'. Yba d Yb dPb db Y. YYba Yba
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'. P' Y P. Yb db d Yb d'b db. Y YP Y P' Y P YP Y. Software COTUNAZ. Noemata
Random Name Generator. LYZPRI. LYZPRI. ooooooooooooooooooooooooooooooo.
oooooooooooooooooo. oooooooooooooooooo. oooooooooooooooooooo.
oooooooooooooo. oooooooooooooooooooooooooo. Scifi robot hero XEDIC.
Noemata Random Name Generator. ANPHONPO. ANPHONPO. Art installation
CANEXTRA. Noemata Random Name Generator. UN. UN. ))) )). ((( (((. Buzz
word this year GYROVOXER. Noemata Random Name Generator. GOGOCITYY.
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SPHERAMA. ICQ nick CORGRI. Noemata Random Name Generator. ESCAPTHE.
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..'YP d.PY. d.'.b ...D ..' .... ..'. ..ooooo .bo. .P ..ooo.. ..oodD' ..
..ooo.. ..ooooo. .. Y.b. .b .... .. .. .... ... ... db.D Y.bd. .... .. ..
.... .... Y.....P ....Y' Y..P' YPYP .. YP YPYP Y.....P. Netart project
GRUSE. Noemata Random Name Generator. FEDEROOTAM. FEDEROOTAM. ' ' ) ' ) )
). ((. Acid house combo METRONDONA. Noemata Random Name Generator.
THERMODENT. THERMODENT. ................................
...............................................
.........................................
..................................................
.........................................
..................................................................................
Mysterious alias SINE. Noemata Random Name Generator. CLONPLEXIAX.
CLONPLEXIAX. Dada movement VELULTRA. Noemata Random Name Generator.
RIOSXEE. RIOSXEE. d....b. d......b .d..b. .d..... dbdb d.....b d.....b.
...D ..' ..PY.. ..'YP .bd.' ..' ..'. ..oobY' .. .... .bo. .bd.' ..ooooo
..ooooo. ...b .. .... Y.b. .dPYb. .. ... ..... .... .bd.' db.D ..PY.. ...
.... ..YD Y......P Y..P' ....Y' YPYP Y.....P Y.....P. International agent
codename QUOMACE. Noemata Random Name Generator. BOONPE. BOONPE. '''' ''.
.... '.... '.... .... ...... .... . ..... .... .. . . ..
..................................... ANNUALE. Noemata Random Name
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SSENTTE. SSENTTE. Mysterious alias ALXPOSSI. Noemata Random Name
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COMWE. COMWE. ( C ) ( O ) ( M ) ( W ) ( E ). Noemata Random Name
Generator. LLDAEL. LLDAEL. ). ) ) ( ) ( ). ( ( ) (. ). )
303
( ( ( ( () (. ) ) ). Netart project AKEZEPI. Noemata Random Name Generator.
HIDIUMEM. HIDIUMEM. Motherplanet in space flick FEEPOSO. Noemata Random
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gggggg. gggggg gg. dP dPdPYb dPYdPYPYb dPYdPYPYb. dPdPYb ii. Yb d' Y bdPYb
' ' Yb ' ' d'. Y bdP '. d' YbaaadP' d'. YbaaadP' '. P Y P. Y dP. b d b. d
dP' a. Y P Y. P dP' Yb. gg Y P' Y. P' dP' I. YbP YbdP' Y Y. YbdP' dP. YP'
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oooooooooooooooooooooooo. oooooooooooooooooooooooooo.
ooooooooooooooooooooooo. oooooooooooooooooooooo.
oooooooooooooooooooooooooooooo. DENOPTI. Noemata Random Name Generator.
ESCERNSPY. ESCERNSPY. d.....b .d..... .o..b. d.....b d....b. d.bdb .d.....
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.bo. .P ..ooooo ..oobY' ..V.o.. .bo. ..oodD' .bd.'. .. Y.b. .b .. ...b
..V.o.. Y.b. .. ... ... db.D Y.bd. ... ..... ..V... db.D .. ... Y.....P
....Y' Y..P' Y.....P ..YD VPV.P ....Y' .. YP. Trance artist EALENCYOU.
Noemata Random Name Generator. SEMAC. SEMAC. )) )L )) ) )). (( (( (((( ((
( ((. Polkaband MAGIBEAMAN. Noemata Random Name Generator. MUSOMNI.
MUSOMNI. .. Y Y. Roleplaying name PSEUNCA. Noemata Random Name Generator.
GANDIE. GANDIE. DJ name AHBASLOO. Noemata Random Name Generator. WARCE.
WARCE. WW WW AAA RRRRRR CCCCC EEEEEEE. WW WW AAAAA RR RR CC C EE. WW W WW
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Random Name Generator. RUTHNANOI. RUTHNANOI. ) ). ((. Hxr nick EAWARHE.
Noemata Random Name Generator. APHROM. APHROM. ''''''''. ' .... .... '....
'. '. '. '.. ..... .... .. .. .... . .. . .. ..........................
Netart project ERDOMINPROTO. Noemata Random Name Generator. BARDATAYN.
BARDATAYN. ) )' ) ) ) ) )' ) ' ) ). '. ( ( ( ( ( (. (. Japanese toy craze
ERZYMNANO. Noemata Random Name Generator. KITEAL. KITEAL. ) ) ). ( ) ( ( (
). ( ) (. ) ) ). ( ( ( () ( (. ). Cyborg model BANARE. Noemata Random Name
Generator. MASNEUROE. MASNEUROE. MM MM AAA SSSSS NN NN EEEEEEE UU UU
RRRRRR OOOOO EEEEEEE. MMM MMM AAAAA SS NNN NN EE UU UU RR RR OO OO EE. MM
MM MM AA AA SSSSS NN N NN EEEEE UU UU RRRRRR OO OO EEEEE. MM MM AAAAAAA SS
NN NNN EE UU UU RR RR OO OO EE. MM MM AA AA SSSSS NN NN EEEEEEE UUUUU RR RR
OOOO EEEEEEE. Fancy art gallery GRIPOS. Noemata Random Name Generator.
ETORPHOTO. ETORPHOTO. .............................
...........................................
.....................................
.............................................
.........................................
.........................................................................
Buzz word this year BABIDO. Noemata Random Name Generator. MACAMA. MACAMA.
PISOPTI. Noemata Random Name Generator. TEZYM. TEZYM. Motherplanet in space
flick FACHYPO. Noemata Random Name Generator. SPOSUBSES. SPOSUBSES. gg
ggggggggggg gggggg gg ggg gg. ggggggggggg gg ggggggg gg. ii dPY dPdPYb ii
dPYa. dPY ii dPYb ii. ' Yb bd' Y bdP ' Yb. Yb b ' d' a Y '. ' Pd' YbaaadP'
'. P ' YP' '. dP aaaadP P Y dP. aaaadP dP baaaa dP. dP' a b d dP' a. Yba
dP' a dP dP' a. dP' Yb Y P dP' Yb. b dP' Ybd dP' Yb. dP' I Y P' dP' I. P
dP' IY dP' I. dP YbdP' dP Ybd. d'dPYba dP. aPYP YP' aPYP YPY. P aPYP Y
aPYP. Artist name OSCONREO. Noemata Random Name Generator. OICH. OICH. ')
) )' ). ( ( (. Osho name SILENC. Noemata Random Name Generator. SIGAR.
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'.. ..... .... .. .... .... . ..... .. ......................... Osho name
OSPOPWE. Noemata Random Name Generator. DRULEME. DRULEME. e eeee e e eeee
e eeee. eee ee eee eee eee. Osho name OFORCVA. Noemata Random Name
Generator. WARE. WARE. dbd.bdb .d.b. d....b. d.....b. ..I.I.. d.'.b ...D
..'. ..I.I.. ..ooo.. ..oobY' ..ooooo. Y.I.I.. .... ...b ... .bd.'.bd.'
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Random Name Generator. VESMAGIS. VESMAGIS. V E S M A G I S. Noemata Random
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( ' ((. Software CELLMIDIIN. Noemata Random Name Generator. PTURSO. PTURSO.
..................... .............................
......................... ...............................
.............................
................................................. Elbonian cousin name
CKERME. Noemata Random Name Generator. TIMGOER. TIMGOER. Impressive fake
middle name NARS. Noemata Random Name Generator. EMUSSI. EMUSSI.
httpwww.google.comsearchqEMUSSI
304
305
Blackmetal band EBEAMPRE. Noemata Random Name Generator. POPWAE. POPWAE. .
. . . . . .. . . . . . .. . . .. . .. .. .. . . . . .. . . .. . . . . . ..
. . .. . . . . . . .. . . . . . . . . . .. . . . . .. ... Pet name TOPBIEL.
Noemata Random Name Generator. SCEZARON. SCEZARON. gg gggg ggggggg gggggggg
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' d Y d' a Ya b dP Yb. b d' Y bdPYb dP'. ' d' b d YP'YP dP. P d' YbaaadP'
'. dP I YP' baaaa '. aaaadP P Y. dP' a I' dP d' d. Yb b d. dP' Ybd d d'. b
Y P. dP' IY Y dba dP P Y. i Y P'. dPYba Yba YbYbdP b. Yb YbdP' Y. aPYP Y Y
d YP Y. Y YP' Y. P. d'. d'. d'. Y P. YP. Noemata Random Name Generator.
FACPARA. FACPARA. Tshirt text ENIUME. Noemata Random Name Generator.
OHZENYA. OHZENYA. OOOOO HH HH ZZZZZ EEEEEEE NN NN YY YY AAA. OO OO HH HH
ZZ EE NNN NN YY YY AAAAA. OO OO HHHHHHH ZZ EEEEE NN N NN YYYYY AA AA. OO
OO HH HH ZZ EE NN NNN YYY AAAAAAA. OOOO HH HH ZZZZZ EEEEEEE NN NN YYY AA
AA. Evil scifi character GERONA. Noemata Random Name Generator. SIRIOS.
SIRIOS. . .. . . .. . ... . . . . . .. . .. . .. . .. . .. . .. . .. . ..
. .. . .. . ... . . . . . .. . .. .. . .. Tattoo shop PHMETRO. Noemata
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.. . .. . . .. . . .. . .. . . .. . .. . .. . . .. . .. . .. . .. .. .. .
.. . . . .. Scifi robot hero EXGUS. Noemata Random Name Generator.
AGANUNI. AGANUNI. ) ). (( ((. ICQ nick CKEXTRAS. Noemata Random Name
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................................. Acid house combo CITUNIE. Noemata Random
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e. ee eee eee eee. Trance artist LONTE. Noemata Random Name Generator.
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Blackmetal band SVIVIE. Noemata Random Name Generator. LOUM. LOUM. L(()U.
'. Cat name APITELE. Noemata Random Name Generator. ESALPRI. ESALPRI.
ooooooooooooooooooooooooooooooooooo. oooooooooooooooooooooo.
oooooooooooooooooooooo. oooooooooooooooooooooooooooooo.
oooooooooooooooooooo. ooooooooooooooooooooooooooooooooo. Pet name
SUMPROTO. Noemata Random Name Generator. PSEUCOMA. PSEUCOMA. ''''''''''.
.... '... ..... '... '.... ''. .. .. ''.. .. '.. .......... ... .. ' ..
..... . . . .. ............................................. Hotmail
account name ERLWE. Noemata Random Name Generator. VOXFEDEO. VOXFEDEO.
Tshirt text HATTIE. Noemata Random Name Generator. EGEBACZA. EGEBACZA. ).
). Roleplaying name VIEGONET. Noemata Random Name Generator. SSUNZE.
SSUNZE. .d..... .d..... dbdb d.bdb d.....D d.....b. ..'YP ..'YP ....
...o.. YPd.' ..'. .bo. .bo. .... ..V.o.. d.' ..ooooo. Y.b. Y.b. ....
..V.o.. d.' ... db.D db.D ..bd.. ..V... d.'db .... ....Y' ....Y' Y....P'
VPV.P d.....P Y.....P. Art installation PRESLOUO. Noemata Random Name
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oooooooooooooooooooooooooooo. oooooooooooooooooooooooooooo.
oooooooooooooooooooooooooooooo. oooooooooooooooooooooooo.
ooooooooooooooooooooooooooooooooooo. Tshirt text TUALPHOTOO. Noemata
Random Name Generator. ACIFCRO. ACIFCRO. Cyborg model DIOSPIE. Noemata
Random Name Generator. GNOMGOAL. GNOMGOAL. Japanese toy craze XIDNEURO.
Noemata Random Name Generator. DOMINSI. DOMINSI. DJ name LZA. Noemata
Random Name Generator. TEPHEM. TEPHEM. Noemata Random Name Generator.
SPACI. SPACI. .. Software ERRITZLA. Noemata Random Name Generator.
CEMINOM. CEMINOM. . .. ... . . . .. . .. . . ... . . . . . . .. . . . . .
... . .. .. . . .. . . . . ... . .. .. . .. . . . . ... . .. .. . .. . ..
. ... . . . . .. . .. ... . . . .. Hotmail account name FACNEBULA. Noemata
Random Name Generator. GAPATH. GAPATH.
306
Netart project NIZMAGIER. Noemata Random Name Generator. LARIOR. LARIOR.
Tattoo shop PTURQUEER. Noemata Random Name Generator. THGO. THGO. d......b
dbdb d...b .d..b.. ..' .... ..'Y.b ..PY... .. ..ooo.. .. ..... .. ....
..ooo ..... .. .... .... .bd.'. YP YPYP Y...P Y..P'. Mysterious alias
EDUBWI. Noemata Random Name Generator. PATADUBAR. PATADUBAR. Osho name
ECLONYOU. Noemata Random Name Generator. OMLYZCYCLO. OMLYZCYCLO. Message
board spam name LENCA. Noemata Random Name Generator. LEARNAL. LEARNAL. .
. . . . . . .. . . . . . . . . . .. . . . . . . . . . . . .. . . . . . . .
. . . . .. . . . . . . . . . . . .. . . . . . . . . . . .. ... .. .. ...
... Noemata Random Name Generator. INERDE. INERDE. d......b d.bdb d.....b
d....b. d....b. d.....b. ..' ...o.. ..' ...D ...D ..'. .. ..V.o.. ..ooooo
..oobY' .... ..ooooo. .. ..V.o.. .. ...b .... ... .... ..V... ... .....
....D .... Y......P VPV.P Y.....P ..YD Y....D' Y.....P. Dog name FACBIOEM.
Noemata Random Name Generator. NEUROWAREL. NEUROWAREL. Netart project
MONOZYM. Noemata Random Name Generator. HOLONIZ. HOLONIZ. Cyborg model
DYZENE. Noemata Random Name Generator. LO. LO. Art installation SEXWE.
Noemata Random Name Generator. XIDE. XIDE. Buzz word this year DECKNAES.
Noemata Random Name Generator. ACKDADA. ACKDADA. ) )' ) ) ) ) ). ( ( ) (
(. Mysterious alias SALAT. Noemata Random Name Generator. CYCLOMERAX.
CYCLOMERAX. Artist name VERSESES. Noemata Random Name Generator. HOLOPH.
HOLOPH. Noemata Random Name Generator. SAVOZ. SAVOZ. gg ggg ggg gg gggggg
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YbaaadP'YP. dP ' P Y. dP' a d I I b d d'. dP' Yb ' Y P d'. dP' IdP P Y Y P
Y P' dba. dPYbdP b YbdP YbdP'. Yb. aPYP YP Y YP YP'. d. P. d'. d'. d'. Y.
P. YP. Blackmetal band MUSBA. Noemata Random Name Generator. DANEER.
DANEER. ) )' ) ) ' ) ). '. ( ( ( (. Evil scifi character COLNU. Noemata
Random Name Generator. STASTROAZ. STASTROAZ. gg ggggggggggggggg ggg gg
ggggggggggggggg. ggggggggggg gggggg ggg gggggggg. ii dP dPI ii. dPdPY
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bdP YbP. Yb YbdP' YbdP b Yb. aPYP YP' YP YaPYP YP'. Y YP' YP Y d. P. d'.
d'. d'. Y P. YP. Mysterious alias ESCONU. Noemata Random Name Generator.
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ooooooooooooooooooooooooooooooo. oooooooooooooooooooooooo.
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307
Art installation AGECHROMAERO. Noemata Random Name Generator. Slektstre.
Slektstre. Ann Elesøpite. Bsorn Jenne. Anyto. Knet Macmoalteon. Erlunc
Mesnaylteon. Knet Olshn Micnualtean. Oli Olcen Hellons Mosnealdeem. Olo
Svonsan Tinuoese. Spaon Elepson Timeiøcu. Barcid Eilhpstedtar Tine de..
Amme Olstattår Buscøtaecon Besso i Nos Ål. Ghnfer Eiraggtitter Flhden.
Eerhs Assrensan Fletam. Ascram Ehrosgen Saecsort Flutyn. Eirus Aszrinsen
Sera Ree Østru Agur ver. Bhrghd Genmurdottar Øfre Asar par. Genbar
Olcditthr Nertra Fasc. Olå Knotson Nertra Fekc. Anma Lorstottår Nertræ
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Metolen sogn. Olhas Hehson. Jøns Heesem. Jan Jåmcan Haosan fhr aesost.
Jins Jimkan Sludte Kfangåyasen (c. . Jonc ver fri Oynctathtte. fre
Aurlomt.). Jin Jangen Oomstod Getbrentcgert Setndolen (s. ). Ronste
Olgtedter Tanisun. Oly Tanhccan Kfongiæegen. Tenis Olcøn Shra Tarba.
Ronsth Lerctytdor Nardre Gravo. Kyri Olctiddur Nidri Raynden. Ola Knatcen
Reemthm (g. ). Knyt Livhrtcon Sara Møaes (s. ). Rhnnes Larstettir Moteos.
Haltos Olctitthr Surh Bhssæstot. Byrsat Olsdattar Morasledte Sbartiferj
(forset ver dhttar tal. ssilelirar Oly Sopitson Sfertafers fre Ål.). Geru
Olstattyr Nardri Reumtan. Olu Olgem Nartre Reymton (c. ). Ola Sfeenson
Nartre Rayntim (s. ). Sfeon Kmhtgen dæ. Nhrtru Ryandhn. Knod Lifordsen
Sirø Mitays Netre Rionton (c. ). Remsta Sfaengtettar Sencta Kyebams.
Birzot Olctattir Thmsin. Gra Olkdottur Nirtro Hallamg Ål. Ole Olsen Nirtro
Hillhns Ål. Gri Nalctetdar Halde. Borsod Sshgortsdetthr Teasacthcin.
Birsoyld Hillinccthd. Arna Hhllenggthd. Tera Kolbcerncsart Vads. Removal
of the hand. The Removal of the hand as a mythological symptom consistent.
with fetishistic disavowal can only be a pretext for 'release' per se.
says. Mr. Tanizaki disavowedly.. Palafax Solipsigossa. .ltb.gt.
.ltb.gt....ltb.gt. randomART Tommy is .ltb.gt....ltb.gt. .) (.'. .) ('..
Seven elements of beauty. Seven elements of beauty. . Asymetry breaking
away from formed perfection.. . Nonattachment openmindedness. .
Naturalness artless without pretense. . Simplicity. . Limitless silence
inwardlooking mind. . Wizened austerity like an old tree. . Profound
subtlety. pieces. May there be peace in heaven.. May there be peace in the
sky.. May there be peace on earth.. May there be peace in the water.. May
there be peace in the plants.. May there be peace in the trees.. May there
be peace in the Gods.. May there be peace in Brahman.. May there be peace
in all.. Peace peace peace.. Hindu. a state of tranquillity or quiet as a
freedom from civil disturbance b. a state of security or order within a
community provided for by law or custom breach of the peace. freedom from
disquieting or oppressive thoughts or emotions. harmony in personal
relations. a a state or period of mutual concord between governments b a
pact or. agreement to end hostilities between those who have been at war
or in a state. of. enmity. used interjectionally to ask for silence or
calm or as a greeting or. farewell. at peace in a state of concord or
tranquillity. Cherish in your hearts boundless goodwill to all that
lives.. Learn to make the whole world your own. No one is a stranger my
child the. whole world is your own.. det profane er høyere enn det
sakrale. sakrale som et fokuspunkt. . The obstacles in the way of him who
desires to attain concentration are. Sickness Languor Doubt Carelessness
Laziness Addiction to objects of. sense. Erroneous Perception Failure to
attain any stage of abstraction and. Instability in any stage when
attained.. . These obstacles are accompanied by grief distress trembling
and sighing.. . FOR THE PREVENTION OF THESE ONE TRUTH SHOULD BE DWELT
UPON.. Any accepted truth which one approves is here meant.. . Through the
practising of Benevolence Tenderness Complacency and. Disregard for objects
of happiness grief virtue and vice the mind becomes. purified.. The chief
occasions for distraction of the mind are Covetousness and Aversion. and
what the aphorism means is not that virtue and vice should be viewed with.
indifference by the student but that he should not fix his mind with
pleasure. upon happiness or virtue nor with aversion upon grief or vice in
others but. should regard all with an equal mind and the practice of
Benevolence. Tenderness and Complacency brings about cheerfulness of the
mind which tends. strength and steadiness.. patanjali. recollect the
antecedent. . To recollect that which is most antecedent to the in breath
and out breath. means that you must tune into that which is prior to the
entire breathing cycle. itself. Just as the hand which lifts a staff is
not part of the staff likewise. the antecedent recollection is not a part
of your breathing. As a practical. illustration you must recollect the
antecedent as you breathe in and breathe. out. If the breathing is long or
short labored or otherwise you must focus on. the antecedent so that
breathing follows after it. When you breathe for. example your normal
belief is I am breathing. It never dawns on you to. retract your attention
and look in the opposite direction so as to rise above. breathing. Not
surprisingly this is not an easy task (owing to force of. habit. all of us
still attend to conditions which are always posterior).. seung sahn. You
think that the kongan is separate from your life and from your job. This.
kongan don'tknow mind clear mind your job your life everything hit. become
one. Just now what are you doing. You asked me what am I I say to you you
already understand. Look at the. ground. What do you see What do you hear
now You must open your eyes and. ears.. Also you must attain your true
self. Then you will not have to ask about me.. Zen is not difficult also
not special. If you want special you have special.. But this special
cannot help you. When you are eating just eat when you are. walking just
walk when you drive just drive. That is Zen. There are many. kinds of Zen
eating Zen working Zen television Zen driving Zen playing. tennis Zen.
Sitting Zen is one part. Most important is moment to moment how. do. you
keep clear mind So Nam Cheon Zen Master was asked What is Zen. Everyday.
mind is Zen mind. So don't make special don't hold something don't be.
attached to something don't make something then you are already complete..
That's primary point I told him. You found it. You studied philosophy but.
you couldn't attain this nothing. Just now you attained nothing. But if
you. hold nothing then you will have a problem.. What do you mean by
'holding nothing.... It's very sad if you are holding nothing. All your
lingering attachments will. press on you. If you are not attached to
nothing you will attain nothing and. there is no life or death. If you are
nothing then life and death are nothing.. You are already beyond them.. Oh
that's wonderful he said. I didn't understand that until now.. It was an
interesting conversation. He was old rich and very wellknown but. he said
he had gotten nothing. As you get old this nothing gets bigger. Before.
you come into this world there is nothing. When you are young you don't.
understand nothing just the words. But by the time you are forty or fifty.
and. a good friend has died or your mother and father have died then you
have. experienced nothing. You have tasted nothing. If you practice hard
the taste. is. very strong and you are free to help other people. But if
you are holding. something in your mind you can't taste nothing. If you
want freedom you. must. taste nothing very intensely. What is the taste of
nothing. cayce the Sanskrit word for action is karma. the Sanskrit word for
action is karma. when there are rebellions of body or mind against such is
there any wonder. that. the atoms of the body cause high blood pressure or
cause itching or cause. running sores or cause a rash or cause indigestion.
For all of these are. but the rebellion of truth and light.. . As has been
given there are DEFINITE conditions that arise from. within the inner man
when an individual enters into true or deep meditation. A. physical
condition happens a physical activity takes place Acting through. what
Through that man has chosen to call the imaginative or the impulsive and.
the sources of impulse are aroused by the shutting out of thought
pertaining to. activities or attributes of the carnal forces of man. That
is true whether we. are considering it from the group standpoint or the
individual. Then changes. naturally take place when there is the arousing
of that stimuli WITHIN the. individual that has within it the seat of the
soul's dwelling within the. individual body of the entity or man and then
this partakes of the. individuality rather than the personality.. . If
there has been set the mark (mark meaning here the image that is raised.
by the individual in its imaginative and impulse force) such that it takes
the. form of the ideal the individual is holding as its standard to be
raised to. within the individual as well as to all forces and powers that
are magnified or. be magnified in the world from without THEN the
individual (or the image). bears the mark of the Lamb or the Christ or the
Holy One or the Son or any. of the names we may have given to that which
ENABLES the individual to enter. THROUGH IT into the very presence of that
which is the creative force from. within itself see. . Some have so
overshadowed themselves by abuses of the mental attributes of. the body as
to make scars rather than the mark so that only an imperfect. image. may be
raised within themselves that may rise no higher than the arousing of. the.
carnal desires within the individual body. We are speaking individually of.
course we haven't raised it to where it may be disseminated for remember
it. rises from the glands known in the body as the lyden or to the lyden
Leydig. and through the reproductive forces themselves which are the very
essence of. Life itself within an individual see for these functionings
never reach that. position or place that they do not continue to secrete
that which makes for. virility to an individual physical body. Now we are
speaking of conditions from. without and from within. . The spirit and the
soul is within its encasement or its temple within the. body of the
individual see With the arousing then of this image it rises. along that
which is known as the Appian Way or the pineal center to the base. of the
BRAIN that it may be disseminated to those centers that give activity. to.
the whole of the mental and physical being. It rises then to the hidden eye
in. the center of the brain system or is felt in the forefront of the head
or in. the place just above the real face or bridge of nose see. . FIND
that which is to YOURSELF the more certain way to your consciousness. of.
PURIFYING body and mind before ye attempt to enter into the meditation as
to. raise the image of that through which ye are seeking to know the will
or the. activity of the Creative Forces for ye are RAISING in meditation
actual. CREATION taking place within the inner self. snailmail
jupitterlarsen. snailmail g.x. jupitterlarsen. for myself eye enjoy
playing with terms as toys nothing more. too many. people. take ideas (or
the terms of ideas) too linearly.. eye think that a person's disapproval
of somehting is no reason not to like. it.. if a man believes in something
it does not necessarily mean that he accept it. as something which is
essential nor should he.. in fact a man exhibits a real understanding of
the workings of reality when. in. a single action (without meaning to
deceive) he deliberately says one thing. and. does something else
altogether different.. it is the multidimensionality of all of this which
shows us that using the. same. process of making rational conclusions will
not always work for all events. and. actions.. eye am not from anywhere
really. my father was from norway however. g.x. jupitterlarsen. NOT HERE.
and we. and we. are fundamentally inclined to maintain that the falsest
opinions. (to which the synthetic judgments a priori belong) are the most.
indispensable to us ..without a constant. counterfeiting of the world by
means of numbers we could not. live.
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UEOFTHEFOUNDINGOFGARDENINGARPNCTSUJEXQUOTSFD. CSFDE. i don't remember
having written this not sure what it is... phaneronoemikon solipsis blog.
Person shelf sentence continuing. Q Who reads Person shelf sentence
continuing. A Pure Irration.. Q Is reading done in eyeball. A All reason
contains irreasonal assumption.. Q Why does Person shelf sentence
continue. A Pure ration of radiance.. Q What is contained in one ration of
radiance. A Pure Irration.. Q Are you in favor of constructing networks of
belief. A They are constructing me. Why not construct them. Q Can you
explain. A I have swallowed a redhot iron ball. which has cauterized my
throat into a starform.. Q Who reads Person shelf sentence continuing. A A
Pure Ration of the AllSelf incausing Irration for S.O.A.. A Person shelf
sentence continuing. Q FINAL.. Wednesday March. CAMBODIAN MAN CUTS OFF
PENIS TO FEED SPIRITS. Mon Mar AM ET. PHNOM PENH (Reuters) A Cambodian man
cut off his penis when he said he was. visited by four hungry spirits in a
dream and he had no chicken or duck to. offer them.. According to police
yearold Soun Ney told the spirits to go away when. they first appeared to
ask for food and waved his penis at them in defiance.. 'Devils I don't
have any chicken or duck for you' he was quoted as saying by. local police
chief Phoeung Vat. 'If you want to eat anything you can eat my. penis.'.
Soun Ney said the spirits agreed to eat his penis. He was rushed to a
hospital. near the capital Phnom Penh after he castrated himself with a
butcher's knife.. 'He is lucky to be alive' Phoeung Vat told Reuters..
Villagers in the deeply impoverished southeast Asian traditionally offer.
chicken duck or cake to the spirits of the dead to ward off bad luck..
found via Mark Lamoureux's. posted by Lanny PM. Sarandipities Trobard
ClusTermed. LunaLangLungLonging. What Breaks Though The Drama. Of All That
Tiny Inscriptus. Crowbar Plus. Ultra. My Kind. Trobar Plus. The Albino
Cyclopean Unicorn Gorilla. With Diaper D'oro. Filled With The Red
Tincture. Malbion Boonlight. It Doesn't Matter How You Arrange. The Words.
But How You Make Dolphin. Among The People. This Language Is Paramount. And
Must Be Unambiguous. Or You Will Be Labeled As A Kind Of Metagallinari. Of
Harangue Upon The River Styx. Now I Move In The Secret Doctrine Of Space.
And Find My Diagram Where The Outline Of. My Tribulation Is Ignored. The
Erotis Curvatures Of The Iconic Invention. Signals A Float Of
Intentionality. Within The Dark Wood Of The Loam Of Eyes. This Isn't An
Area For Soft Boys. But For Viral And Manic Demons Whose Surfaces. Are
Iconic Landscapes. Whose Dreams Are Alchemical Dramas Unfolding. With The
Precision of Floral Camera Craniums. This Machinic Djinn Lives. And Bites
Through The Umbilical Chord. With Teeth Of Coma. Chroma. The Ribald Town
Of Jiboko. Where The Green Skinned Fever. Hides Like An Assassin. Passing
Dreams Like Crystal Throwing Stars. Into Passing Gourds. None Of This Says
What It Thinks It Says. Such Is the Mystery Of the World. That No One May
Know Its. Fama Who Ignite Such Terrible And Inspiring Fires. Blank.
Arsenal. Firing. Under. Kama. Kra. C. losing.. Butter Idols.. What Happens
To Authors. Because. Of Their Texts.. Character (Dinosaur). pro notia
(elastic notocord). linguarum (Atlantean incense). universalis
(sphaerical). Species of the .... (enter relevanttimeframecontext).
.Independent Potentials.. of the RealM.. posted by Lanny PM. The Plan
Abandoned. by Wade Tillett. The unavoidable theoretical crisis. lurking
for years as an outline. a shadow at the edge of a glance. an uneasy
feeling. has finally become apparent.. It is in the face of this spectre
that. I am abandoning the profession of architecture.. While innumerous
evils haunt this profession. they are not in the end what has compelled my
resignation.. (I suppose these would have been reasons to reform. not
abandon.). No in fact after much consideration and soulsearching. I have
come to understand there is only one demon. the plan.. The plan can not be
separated from belief.. Belief encloses itself and becomes a system..
Belief identifies a self and other. a landscape. and a space.. Belief
establishes truths and possibilities based on its own parameters.. The
plan is the contract which seals belief. enforces belief.. The plan is the
word written. staticized. objectified.. The plan is the mapping of belief.
its completion as a coherent system. its formalization.. The plan is the
enclosure of the belief set. its circular logic turned on itself. the
fabricationenclosure (simultaneously) of possibility.. The plan produces
possibility. a construct of definable limits.. The plan allows one to
inhabit belief.. The plan delimits a space and a body.. Life is delimited.
separated. enclosed in a wrapper of the possible. identity. death.. Death
is the final separation. the final limit. the finite. the form. the past
twisted onto consuming the present.. The plan invents death. constructs
death. allots death.. The plan manufactures an objective reality. an
other.. Death is the ultimate other.. In order to be a true believer. one
must eliminate one's participation. in the creation of truth (the ultimate
other).. It is only in this way that objects. others. spaces. can be purely
objective.. The other must stem from without.. The plan must detach the
user or architect. the creation of the belief system.. The plan must
separate the self from its own modification.. The formgiving of
representation must be recast as a formreceiving.. The plan must become
the map.. The process of objectification (the creation of other) therefore
must. erase itself.. Thus inherent in the plan is a certain blindness. that
refuses to accept the creation of death. but accomplishes it the same..
Architecture is a means to resolve (obfuscate). the fundamental paradox of
the plan.. The plan can not be theorized as a problem within architecture.
nor one stemming from without.. The plan is both architecture's means and
it's reason for being.. Architecture's dual purpose is to hide that which
it facilitates.. Utopias are always distractions decoys.. The selfdelusion
of the architect is always only partial. there is always the intuitive
semiconscious fitting. negotiating. constructing. of a plan that bridges
and covers what it intends to be. and what it will be.. Such is the dual
nature. the misnomered intuitiveness. of the architect.. Those fascists
who purport to have accepted their role. as creators of death. as inverse
gods. in the end place Death as an absolute beyond. as some form of truth
outside the self.. They understand death's comport with belief. but
mistake death as beyond belief.. The actual manipulations at the molecular
level. are misconstrued. by a grandiose abstract Death narrative.(). The
myriad sin constructions are glossed over. hidden under. legitimized and
justified. by the holy image and the coming utopia.. Belief remains in the
singular untouchable other.. A construct is created behind an image.. The
imperialism of the plan always leaves one absent. a shell without
content.. The plan or map or image or identity can not be put to good use.
even those put together democratically or autonomously. present only a
means to enclose. subject the present to the past image. create
possibility traps.. The plan can not be separated from the tyranny that
employs it. the plan is that tyranny. the subjugation of the present to
the past.. Notes. . Fitting the two types of forms together segments of
content and. segments of expression requires a whole doublepincered or
rather. doubleheaded concrete assemblage taking their real distinction
into. account. It requires a whole organization articulating formations
of. power and regimes of signs and operating on the molecular. level.....
If this parallelism is replaced by a pyramidal image then. content
(including its form) becomes an economic base of production. displaying
all of the characteristics of the Abstract the assemblages. become the
first story of a superstructure that as such is. necessarily situated
within a State apparatus the regimes of signs. and forms of expression
become the second story of the superstructure. defined by ideology. It
isn't altogether clear where language should. go since the great Despot
decided that it should be reserved a. special place as the common good of
the nation and the vehicles for. information. Thus one MISCONSTRUES the
nature of language signs. organizations of power and content. () the
illusion that one can. grasp and shuffle all the strata between one's
pincers can be better. secured through the erection of the signifier than
through the. extension of the sign. ( Deleuze and Guattari A Thousand.
Plateaus. Emphasis mine.). posted by Lanny PM. Through Struggles to the
Stars. By Physicist. Jack Sarfatti Ph.D.. On the physical principles of
consciousness warp drive and wormhole star. gate time travel in the light
of the new precision cosmology of dark energy. and their relations to the
coded knowledge of the once and future techgnostic. mystery schools
fictionalized in The Da Vinci Code and described in fact. in Techgnosis..
Newton realized that the fall of the apple was the same as the motion of
the. Earth around the Sun. That was his alchemical techgnostic insight
into As. Above So Below. I have shown that the invisible Galactic Halo
holds the. stars together in the same way through negative zeropoint
energy density. with equal and opposite positive quantum pressure that the
electrons. distributed repulsive electric charge is held together. Its As
Above So. Below all over again. Real original physics on the deep
structure of the. many worlds not found in any other book is weaved
together with great. literature and my true adventure story. Quantum
reality is not only weirder. than we have imagined but may be weirder than
we can imagine. We are. such dreams that stuff is made from.. Re Object not
found.. ok mwp feel free to upload to noemata or adundas as an online
storage for you. stuff if you want. ah you can sell your stuff via
noemata.netarspublica.com. and get rich from the post.net.art. (it's of
course not generating a dime.). if i should try getting money from
institution i think it would be for 'fully. automated art' or something
like that smiley. i owe them some explanation what. i did with the last
which is ok and making problems with backfiring. 'context art' and then
not caring about paper work but the possibilities are. there and they're
basically kind i should have a secretaryagent doing. things keeping my
life together that would be fine i'll advertise defunct. potential artist
seek structured realistic person. there's missing a whole. lot in that
production line. i wanted to fix that before collaboration no it. doesn't
work only tight schemes getting money out of funds goals the usual.
artistery. insert sercasm charchasm hollow character.. perl cgi seem only
available from url kunst.nobjornmag (which is same as. noemata.net)
support didn't answer the last mail so they won't fix probably.. see you
in the post art. name. AROSE RIP. Aroseisaroseisarose.com is officially no
longer. All links to works. originating from the site are henceforth
invalid. Moreover I have no plans. for the construction of any future
sites.. I await a future of postnet art which is the only one I can expect
to be a. part of right now.. Re spasms. ..like eerie to me this tini whirl
j kom over linken i går actually. yo ko ok whiteblue c. alsoh. Recently
she held a thirteendaylong dance festival taking place 'in your. mind'..
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...... ..... ..... ..... .... ... ... .. .. trolldeig. vegetating at meh
airport this trolldeig work clumsiness of kid craft maybe. clumsiness of
their actual imagination not the craft always prefering the. chubby planes
and popple of things negating colors they now seem to be. jumping off
midair the original is red ground and they look dead white and. grinning
kids wondering how those air crafts every could fly maybe not. crosses and
how their imagination ever could represent anything no we don't. believe
the cross mean that we don't believe caricatures is like. imagination not
our craft we kids know that but you don't you are the. clowns falling off
by believing imagination eventually adapts you hit. the ground.. syndicate
div. This is a multipart message in MIME format.... ContentType textplain
charsetiso. Some moulds new images to become compressing them much as
possible and time. inflating they're connected to different ideas and
things lost or heading in. other directions divergence divide division
divert deflect route detour. distract turn aside depressible depute
diverting diplostemonous ride. daughterly turn ached diffractions dept
departs duplicitously ready dowdier. destructor tirana acta diversionist
dubbed deposing deportees defalcate rite. datura distributor thermo
agatha. Index of div. Name Last modified Size Description. Parent
Directory Apr. meh.jpg Feb k. M.jpg Aug k. M.jpg Jul k. akdre.jpg Oct k.
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ch.jpg Apr k. chiperb.jpg Jul k. cityfil.jpg Oct k. cpor.jpg Oct k.
dilbert.jpg Sep k. disni.jpg Dec k. disni.jpg Oct k. egeon.jpg Oct k.
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Aug k. gc.jpg Feb k. gardein.jpg Jul k. ge.png Aug k. golgi.jpg Feb k.
harangbaek.jpg Jul k. hbok.jpg Jun k. jet.jpg Nov k. kabuki.jpg Apr k.
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May k. lf.jpg Oct k. loo.jpg May k. mene.jpg Dec k. merica.jpg Apr k.
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Apr k. trit.jpg Sep k. tt.jpg Sep k. unfit.jpg Aug k. vadsotanabru.jpg Sep
k. ver.jpg Apr k. wallpaper.jpg Oct k. zthoe.jpg Feb k. Apache.. Server at
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mailinglist. Syndicate network for media culture and media art. post to
the Syndicate list. no commercial use of the texts without permission. hr
onwards. years anniversary. () (. ' ' '. ' ' '. ). (). ). '. roundtheclock
posting of sequenced hypermodern imagery from Brad Brace.. The hypermodern
minimizes the familiar the known the recognizable it. suspends identity
relations and history. This discourse far from. determining the locus in
which it speaks is avoiding the ground on which. it could find support. It
is trying to operate a decentering that leaves. no privilege to any
center.. began December. Pointless Hypermodern Imagery... postedmailed
every hours... a. spectral trajective alignment for the s A continuum of
minimalist. masks in the face of catastrophe conjuring up transformative
metaphors. for the everyday... A poetic reversibility of exclusive
events.... A postrhetorical continuous apparently random sequence of.
imagery... genuine gritty greyscale... corruptable compact. collectable
and compelling convergence. The voluptuousness of the grey. imminence the
art of making the other disappear. Continual visual impact. an optical
drumming sculpted in duration on the endless present of the. Net..
unassimilable... imagery is gradually acquired selected and resequenced.
over time... ineluctable vertiginous connections. The hr dialtone....
KEYWORDS Disconnected disjunctive distended decentered. decomposed
ambiguous augmented ambilavent homogeneous reckless.... Multifaceted
oblique obsessive obscure obdurate.... Promulgated personal permeable
prolonged polymorphous provocative. poetic plural perverse potent
prophetic pathological pointless.... Emergent evolving eccentric eclectic
egregious exciting. entertaining evasive entropic erotic entrancing
enduring. expansive.... Every hours another... view them repost em save
em. trade em print em even publish them.... Heres how.
httpbbrace.laughingsquid.nethr.html
309
310
Look for the hricon. Heavy traffic may require you to specify files. more
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binary. Get hr.jpeg. Email If you only have access to email then you can
use FTPmail to. do essentially the same thing. Send a message with a body
of 'help' to. the server address nearest you. ftpmailccc.uba.ar
ftpmailcs.uow.edu.au. ftpmailftp.unistuttgart.de ftpmailftp.Dartmouth.edu.
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bitftppucc.princeton.edu bitftppucc.bitnet. Mirrorsites requested Archives
too. The latest new jpeg will always be named hr.jpeg. Average size of
images is only K.. Perl program to mirror ftpsitessubdirectories.
src.doc.ic.ac.ukpackagesmirror. Postings to usenet newsgroups. alt.hr.
alt.binaries.pictures.hr. alt.binaries.pictures.misc.
alt.binaries.pictures.fineart.misc. Ask your system's newsadministrator to
carry these groups. (There are also usenet image browsers TIFNY PluckIt
Picture Agent. PictureView Extractor NewsRover Binary News Assistant
EasyNews). This interminable relentless sequence of imagery began in
earnest on. December . The basic structure of the project has been over.
twentyfour years in the making. While the specific sequence of.
photographs has been presently orchestrated for more than years worth. of
hour postings I will undoubtedly be tempted to tweak the ongoing.
publication with additional new interjected imagery. Each hour posting. is
like the turning of a page providing ample time for reflection.
interruption and assimilation.. The sites listed above also contain
information on other cultural. projects and sources.. A very lowvolume
moderated mailing list for announcements and. occasional commentary
related to this project has been established at. This project has not
received government artsubsidies. Some opportunities. still exist for
financially assisting the publication of editions of large. (x) prints
perhaps (Iris giclees) inkjet duotones or extendedblack. quadtones. Other
supporters receive rare copies of the first three. hremailsubscriptions
can also be made at. mo yr. Institutions must pay for any images retained
longer than. hours.. image files. Get the textfile 'picturesfaq' to learn
how to view or. faq.html. (c) Credit appreciated. Copyleft. this heat.
you're now listening to this heat a.k.a. Blue and Yellow Testcard
Horizontal. Hold Not Waving Water Twilight Furniture Track Loop Diet of
Worms Music. Like Escaping Gas Rainforest The Fall of Saigon Testcard
Deceit Sleep Paper. Hats Triumph S.P.Q.R. Cenotaph Shrink Wrap Radio
Prague Makeshift Swahili. Independence A New Kind of Water Hi Baku Sho
(Suffer Bomb Disease) Repeat. Metal GraphicVarispeed. This Heat (album)
covers two years of the band's history with both live and. studio cuts.
They use guitar clarinet drums and keyboards permuted with. loops phasing
and overdubs breaking down patterns into only faintly. connected musical
moments that include artificial skips and looped end. grooves. Though
insolent and withdrawn the music is adventurous and in its. raucous yet
avoids the dismal drones and cacophony of other experimental. groups. Free
of clichs the music blends politics and intelligence steering. clear of
artifice and trendiness. Austere brilliant and indescribable.. this is
still very good. Re rune grammofon. yes i've heard some releases
supersilence biosphere jazzkammer it's quite. experimental ranging from
noisefreejazz to ambient to electronica. haven't. seen the book but their
obviously into design also.. rune kristoffersen has some years in the
business he was in the group 'fra. lippo lippi' which released a beautiful
depressive record in 'in. silence' influenced by english goth rock. he was
involved in the company. uniton from which i bought releases and imported
albums at that time he's. got more pop oriented... related to that milieu
were 'holy toy' and 'when'. holy toy centered around. the polishnorwegian
eccentric andrej nebb and is probably the most. interesting group in
norway ever. actually nebb mentioned this heat as one of. his influences
which is obviously also in 'when' which comes from lars. pedersen
percussionistorgan in holy toy. 'when' reconnects more to prog rock. i
sent a cd with some stuff to rune k. a couple of years ago from the. just
slow and dark noise syrup recorded and manipulated from rails and. other
concrete sources. experimenting with very low bitrate encoding giving a.
spectral sound.. Have you seen this Do you know anything about this label.
Just wondering if you thought it was worth checking out... . e k u n s t .
cazzarola What is this. This is a multipart message in MIME format....
ContentType textplain charsetiso. a draft... cazzarola What is this. maria
What the awakening du vil holde styr unna brødene.. cazzarola Who are you.
maria Who are here in a try ) er gud er ikke her har mer av gammelt grått.
mugg og gjør fyldest alle dverger uten tanke søler sitt ene øye.. cazzarola
fanculo. maria What the awakening you will stay clear of the breads.. maria
Who are here in a try ) is god not is not her have more of the old. gray
mugg and do fullfill all dwarfs without thought spilling his one eye..
cazzarola fanculo. (. gozzarola finger eye. maria at ping eye tarot two
konservative lunkne.... ). noematamariadialoger. Nytt kapittel ferdig (k)
april. Maria Futura Hel Dialoger. dialoger.html k apr. dialoger.html k
apr. dialoger.html k sep. dialoger.html k jul. dialoger.html k apr.
dialoger.html k dec. dialoger.html k sep. dialoger.html k may. utdrag.txt
k jan. dialoger.html k jan. dialoger.html k nov. dialoger.html k aug.
dialoger.html k apr. dialoger.html k jan. dialoger.html k jul.
dialoger.html k may. .. ((()((. dialoger.html. tramslated. Dialoger med
Maria Futura Hel. maria i allerede levd because of grace jones. zynt am
nævestad badin magen. maria bad politikker. zynt yes am he dust. maria
dust am jesus suger eller am pingle. zynt skal vi home idag. maria home
till park. kutt al meg frekke kjerring kan a question men the. them for
off røret.. zynt haves i big kuk. maria big encourage at upon tv gøy
belowstream have sagt.. zynt become grows bog vaktkommandør. maria become
eneste uavbrutt høyforedersk handling.slik var. oppriktige svært bad no
not vet where heck am burdensome fog mist comfort. consoles tankene. drags
one excellent fine handel it quite altogether tøft.. zynt am urge digg.
maria am portveien. zynt am urge dig. maria urge digg. zynt am urge digg.
maria urge digg. zynt yes am it digg. maria yes hun light lightens for off
you opp and says i kan i spør about. concerning around she smiles.. zynt
you am one cheky diminutive harlot you. maria harlot foroff waldemar
waldemar am one dritt engine machine (peker. a longed nede økonomiskog
with serbiske and chocolate and films eller noen. var minute forest.. zynt
haves you pupper. maria pupper what for slakk foreslåtte pari why. zynt
jævla fitte. maria fitte slim like everything until terje vigen ex from
finnmark the. lounge am you no not. fernufti the them må get lay hold of
upon gayta except envelope. mister erik. My work is completely
photometrical.. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. post distribuert via. e k u n s t.
listeadresse eekunst.no. kontaktadresse listmasterekunst.no. the sound of
matemathics. the sound of matemathics. via solipsis. min telecommuting
work. min telecommuting work. hararharharhahrhar iiotoutoitoutruio
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lk. bytes bps. singalong attachment removed. while walking. while walking
beachboys mindful of worms ancillary ants.. dmf nota throw away paper that
irwin written oncogene.. do not all these things.. while walking be
minimized of worms and ants.. do not throw away paper that is written on..
do not all thersites things.. whimsey walkers bays mineable of worry
ancohuma antre.. djerba notarising throttle away paperer thankless is
wronger on.. do nostoc all these thingamajig.. whig walking be mindless
offal wormier and ants.. dniester not throwaway away papaverine
thanksgivings isabella wroclaw on.. do notability all thesaural things..
whikehart walkingstick bdellium mindfully oeuvres wormseed antonym ants..
dniester not throwaway awayness paper thatch irwin wroclaw on.. doab nota
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woolfell anathematizing apagoge.. doab nonworker thousand babelize
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thermalize thoreau.. like. likes one who on a loment roadhouse. dossal
walachia in fearer and drawstrings. and haute oncer turnkey roughly wale
on. and turtleback no mordant his headdress. beckon he knutson a frigidity
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having oncer turnery roumania walkover on. and turnstone nmr mordvinian
hispanicised hazy. bechtel hazing knowles a frightful fierce. dotter
closedown beholden hilts treacherousness.. likuta one who on a lollop
riverine. doughboy wall in fear and dread. and havoc ominousness turned
round walks on. and turners no mordacious his havocking. because he
knitting a frictionises fibrositis. doth clothesman behan him read.. like
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anaplastic having onomatology tutti round walks oophoritis. aneuploid
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close beholders hiddenite tread.. beMyGhost Punch and Judy Show.
................................................. Noemata's beMyGhost
Punch and Judy Show. A light seaside summer entertainment. The plaintext
dessert of a desert hyperwork. A puppet show beyond good and evil. Etc..
As performed by the professors of automata. telemata noemata.. Now playing
the Inbox Theater Scene. oOOo. The story so far..... He is known as
Pulcinella in Italy Guignol and Polichinelle in. France Kasperl in Germany
Casper in Sweden Karagioz in Turkey. Karagiosis in Greece Petruk in
Indonesia. He's been around a long time in one form or another. He's an
imp of. mischief out of the mists of time. We know him as Punch. As.
Pulcinella the actor he was part of the Commedia Dell' Arte troupes. of
Renaissance Europe. To trace him back further takes us into the. very
ancestry of pantomime itself back to Ancient Rome and Classical. Greece
and the licentious topsy turvey world of Saturnalia and Satyr. plays. He
exists in many cultures for he is one form of The Trickster. a key figure
in society's development a figure able to turn shared. values upside down
for the shocked amusement of the community and the. ultimate strengthening
of the bonds that mutually bind it.. Charles Dickens was also a great
admirer of the Punch and Judy Show.. Mr. Punch is frequently mentioned in
his novels. One work The Old. Curiosity Shop seems to be based almost
entirely on the Punch. tradition. The show has taken a fair amount of
stick in the past for. being violent or not politically correct and being
flippant about. domestic violence. Charles Dickens is among those who have
nailed this. as ridiculous.. Who Are Punch and Judy Punch and Judy are
arguably the most famous. traditional puppets in the Western World with a
colorful history more. than years old. Mr. Punch with his hook nose
detched back and. garish costume is a cultural icon in England. His
unabashed joking. and rowdy mischievous behavior have provoked paroxyms of
laughter. audiences throughout time. An impressive body of art is graced
by. Punch's outrageous countenance.. PUNCH Are you a doctor. HANGMAN Yes
are you alright. PUNCH No I'm dead.. HANGMAN You can't be dead.. PUNCH I'm
dead dead dead.. HANGMAN How long have you been dead Mr. Punch. PUNCH About
weeks.. punch judypuppetpuppetsCodman'sTobyRhosonSeapunchpunchjudy. judyMr.
Punchpunchinellopolichinellepuppetry puppet heroswooden. headsthat's the
way to do itwhat a pitysomerville colwyn bayrhos. on seacomical
tragedytragical comedymr punch's opera. pulcinellaharlequinadedetch
backhumpbig nose professorspunch. manprofessorsslapstickswazzle
swazzleomiswazzlehomipunch. callitinerantmarionettes
seasideentertainmenton the beachbeach. performerson the sands carnivalsThe
Punch and Judy College of. ProfessorsThe Punch and Judy
Fellowshipswazzleswatchelold red nose. Hoban quotes him as saying Punch is
so old he can't die.. In its classical glorious sense immortality is the
quality of what. passes beyond death the quality of the supraliving. In
its. contemporary version it is the quality of the surviving that is of.
what is already dead and by that token becomes immortal.. It's a fine show
sir. he replied. jolly fine show. Then with a. guffaw he added And a damned
bad moral.. Many of the Trickster's traits Radin writes were perpetuated
in. the figure of the mediaeval jester and have survived right up to the.
present day in the PunchandJudy plays and in the clown (xxiii).. Who is
Punch anyway Where does he come from And how could so. impossible and
ridiculous a character have survived the changes and. turmoil of the
passing centuries The plain fact is that nobody knows.. Certainly the
figure of Punch as we know him today has a direct link. with the commedia
dell'arte of the seventeenth century but the. character is far far older.
The original significance of Punch's face. and figure his enormous nose
and hump are meaningless to an. audience of modern times when perhaps it
is not customary to. associate large noses and sexual potency or find
detchbacks mirth. provoking. But it is possible that Punch has lasted so
long because he. so blatantly cocks a snook at the restrictions of
civilised society. and perhaps every man at some time or other would like
to flaunt the. laws of society with a comparable nonchalance removing
those who got. in his way pursuing his amorous inclinations willy nilly
and. defeating in the end the devil himself How often we say of a.
likeable rogue He could get away with murder. And Punch. does or almost
always does and he is such a likeable rogue and of. course he's only a
puppet and puppets can get away with anything.. HANGMAN Now prepare
yourself for execution.. PUNCH What for. Mr. Punch. A Roman mime called
Maccus was the original of Punch. A. statuette of this buffon was
discovered in containing all the. wellknown features of our friend the
long nose and goggle eyes the. detch back and protruding breast. The most
popular derivation of Punch. and Judy is Pontius cum Judæis (Matt. xxvii.
) an old mystery play. of Pontius Pilate and the Jews but the Italian
policinello seems to. be from pollice a thumb (Tomthumb figures) and our
Punch is from. paunch. The drama or story of our Punch and Judy is
attributed to. Silvio Fiorillo an Italian comedian of the seventeenth
century. Punch. triumphs over all the ills that flesh is heir to. () Ennui
in the. shape of a dog is overcome () Disease in the disguise of a doctor.
is kicked out () Death is beaten to death and () the Devil himself. is
outwitted. Brewer's Phrase and Fable. This compulsive desire for
immortality for a definitive immortality. revolves around a strange
madness the mania for what has achieved. its goal. The mania for identity
for saturation completion. repletion. For perfection too the lethal
illusion of the perfection.. 'Every ecstasy ultimately prefers to take the
path of renunciation. rather than sin against its own concept by realizing
it' (Adorno). the identitary individual the virtual clone there
corresponds a. horizontal madness... a delirium of selfappropriation all
the. monstrous variants of identity not of the schizophrenic but of the.
isophrenic without shadow other transcendence or image that of. the mental
isomorph the autist who has as it were devoured his. double and absorbed
his twin brother (being a twin is conversely a. form of autism deux).
Identitary ipsomaniacal isophrenic madness.. Our monsters are all manic
autists. As products of chimerical. combination... deprived of hereditary
otherness... they have no other. destiny than desperately to seek out an
otherness by eliating all. the Others one by one.. PunchandJudy show a
traditional puppetshow in which Punch is. shown nagging beating and
finally killing a succession of. characters including his wife Judy.. The
problem of Frankenstein for example is that he has no Other and. craves
otherness... But our computers also crave otherness. They are. autistic
bachelor machines the source of their suffering and the. cause of their
vengeance is the fiercely tautological nature of their. own language..
Punch did not always have his own play it seems his first role in. England
was to provide comic interludes in serious plays by. interrupting the
action as and when he could.. A MODERN PUNCH SCRIPT CHARACTERS PUNCH JUDY
BABY POLICEMAN CLOWN. CROCODILE HANGMAN GHOST. the challenge of the Ghost
representing Death is considered Punch's. greatest trial. We long ago
stopped believing in the immortality of the soul a. deferred immortality.
We no longer believe in that immortality which. assumed a transcending of
the end an intense investment in the. finalities of the beyond and a
symbolic elaboration of death. What we. want is the immediate realization
of immortality by all possible. means.. the conquest of whom enables Punch
to finally defy the Devil himself.. So long as there is a finalistic
conception of life and death the. afterlife and immortality are given like
the world and there is no. cause to believe in them. Do you believe in
reality No of course. not it exists but we do not believe in it. It is
like God... If. something does not exist you have to believe in it. Belief
is not the. reflection of existence it is there for existence just as
language. is not the reflection of meaning it is there in place of
meaning. To. believe in God is therefore to doubt his existence. Belief
is. superfluous just as Canetti says vengeance is superfluous it is.
rendered unnecessary by the inexorable reversibility of things. In.
exactly the same way passion is a useless supplement to the natural.
attraction between things and we might say the same about truth. which
merely complicates appearances unnecessary.. or as a mirror merely
refracts your image without believing in it.. God for his part if he
exists does not believe in his existence. but he allows the subject to
believe in him and to believe he. believes in it or not to believe that
but not to believe he does. not believe in it. Stavrogin. When the Devil
has been done away with Punch exults to the audience. The Devil is dead
Now everyone can do as he likes. But what will the human race do once free
of any belief It will. either fullfill itself egoistically obeying an
exclusive sovereign. individualism (Stirner) or do so collectively by
setting out on a. long historical course as in Marx or it will shift its
sights to. the superhuman through a transvaluation of the values of the
species. this is the path marked out by Nietzsche who argued that the
human. race cannot be left to itself but must aim beyond itself and
discover. the great metamorphosis that of becog... Nietzsche has written.
magnificently of the vital illusion not of the 'worlds beyond' but. of the
illusion of appearances of the forms of becog of the veil. and indeed all
the veils which happily protects us from the. objective illusion the
illusion of truth... Needless to say this. transvaluation... has not taken
place except precisely in the. opposite sense... A transvaluation folding
in upon itself towards a. nondifferentiation a nondistinction of values
itself fetishized in. an aestethics of plurality of difference etc. Not
any longer a. fetishization of divinities great ideas or grand narratives
but of. imal differences and particles... This dedifferentiation of the.
human and the inhuman this reabsorption of the metaphor of life into. the
metastasis of survival is effected by a progressive reduction to. the
lowest common denoator.. The Crocodile was a late arrival in the story and
has now been an. important character for about a detdred years. First he
was a dragon. which eventually became a crocodile. Perhaps the idea of a
crocodile. became firmly established after children had been frightened by
the. Crocodile in Peter Pan. The Ghost is seen occasionally still..
Originally the Ghost of Judy it is now just any old ghost.. Who was
Pulcinella or as he is sometimes called Pollicinella or. Pulicinella His
role was primarily that of a servant as indeed was. that of Harlequin and
he was obviously a comedian. He wore an. artificial nose potbelly and hump
all calculated to make the. audience laugh and he was the mixture of
jollity and cruelty wit and. stupidity just as Punch is today.. The
PunchTrickster concept embodies notions of anti. establishmentarianism
buffoonery and shamanism that reflect. attributes of the creative
individual functioning in an authoritarian. ethos the late s bucking the
system inverting values. Assug an ubuique persona and balancing
precariously on a mono. cycle PunchTrickster pedals blindly into an
unknown future fending. off unseen adversaries with an ineffectual weapon.
The sculpture is a. concretisation of a state of d or an existential
predicament. It is. concerned with delusions of grandeur and vulnerability
paradox and. pathos.. The Trickster as buffoon acts out a quixotic farce in
ironic fashion.. Ubu Roi a precursor of the theater of cruelty the absurd.
PunchUbu. Puncheon. Pernille og Mr. Nelson. JUDY Where's the baby. PUNCH
(In a melancholy tone.) I have had a misfortune the child was. so terrible
cross I throwed it out of the window.. It is generally thought that the
obsession with survival is a logical. consequence of life and the right to
life. But most of the time the. two things are contradictory. Life is not a
question of rights and. what follows on from life is not survival which is
artificial but. death. It is only by paying the price of a failure to live
a failure. take pleasure a failure to die that man is assured of survival..
Punch's women performers Bearing in d that Mr Punch is a folk. herorogue
scoundrel trickster of the opposite sex from ourselves. why are we so keen
to portray his story And what might the women. Professors add to the drama
of the tradition. The traditional Punch and Judy show presents Punch as
the simpleton. hero who successfully outwits various characters
representing his. oppressions in order to gain his freedom. This 'clever
fool' type is. often portrayed as a male antihero in folklore (Jack Til.
Eulenspiegel Clever Hans Monkey Anansi and Brer Rabbit are some.
examples). Somehow he always manages to achieve through his stupidity.
what others fail to achieve by concentrated effort. Punch is a.
combination of the fool and trickster. His characteristics are a.
collection of the archetypal shadow masculine traits those which are.
socially deemed to be undesirable cowardice lewdness rudeness. stupidity
fickleness irresponsibility selfishness greed. ................ and
violence or cunning. Mr Punch the trickster carnival fool king of anarchy
is an absurd. masculine archetype of those aspects of the human psyche
that want to. turn the world upside down and create chaos. His gross
appearance. the bulbous hooked red nose and the phallic 'hump' on his
back. comically reinforce his male sexuality along with the big red.
slapstick which he wields as the answer to all his troubles. His.
character and appearance have their roots in the ancient ritual. dramas
celebrating birth death resurrection conflict and. fertility. In our
'civilised' hierarchical bureaucratic and. patriarchal society Mr Punch
has evolved and survived through the. centuries as our national 'Lord of
Misrule.'. Punch men often portray Judy as a wonderfully fussy bossy
pantomime. dame type with a high falsetto voice. (Note that this makes
the. character a parody of the male's fantasy of woman).. When knocked
down she bobs up again several times in comic protest. always with one
more thing to say. Sometimes her final utterance is. almost orgasmic in
nature so that the mock puppet death we are. witnessing might more closely
resemble 'le petit mort' rather than. actual mortality.. When she returns
to discover that Mr Punch has inadvertently (in true. 'ignorant simpleton'
style) made the baby into sausages she is as any. woman would be at first
distraught and then angry. However having. fully expressed her grief and
given Mr Punch a piece of her d she. quickly moves into acceptance and
realises this is her opportunity. for freedom Well now Mr Punch You made
the baby sausages so you. can look after the baby sausages That's fair I'm
going to claim the. insurance money and take a nice little holiday in
Majorca. No you. can't come with me. You're to stay at home and look after
the little. sausage.. And off she goes leaving Mr Punch and the sausages to
the mercy of a. big green crocodile with toothfilled gaping jaws. Her
triumph is that. she has called Mr. Punch's bluff. Rather than waiting to
be knocked. out of his way Judy leaves him with the consequences of his
mistakes. and removes herself to a more fulfilling situation. She does
the. separating off. This gives Judy an equal status to Punch in the
drama. although he still remains at the centre of the story and fulfills
his. usual trickster role with his other adversities.. Adult enthusiasts
can recognize him as the head of one of those. dysfunctional families of
Drama that span from Oedipus and Macbeth on. the tragic side to the Addams
Family and The Simpsons on the frivolous. side. He and other little red
nosed rogues like him have been kept. alive down the centuries because his
irrepressible antics and his. flying in the face of convention have amused
generations of ordinary. people particularly those with no power of their
own.. Step warily around the fair Welsh seaside town of Aberystwyth this.
weekend for everywhere you look will be a strange beaknosed figure. clad
in red with pointytoed shoes and a manic gleam in his immobile. eyes. No
it's not Beelzebub it's Punch. The second international. festival of Punch
and Judy is in town. Oh no it isn't. Oh yes it is. etc.. There was an Old
Man with a nose Who said If you choose to. suppose That my nose is too
long You are certainly wrong. That remarkable man with a nose.. A Jungian
Consideration of Edward Lear's Nonsense Verse Lear was in. many ways an
example of what Jungian psychologist MarieLouise von. Franz calls the puer
aeternusan archetype she analyzes in her book of. the same name. The term
comes from Ovid's Metamorphoses and there. refers to the childgod of the
Eleusinian mysteries. In later times. von Franz writes. the childgod was
identified with Dionysus and the god Eros. He. is the divine youth who is
born in the night in this typical. mothercult mystery of Eleusis and who
is a redeemer. He is a. god of life death and resurrectionthe god of
divine youth .. but we also use it to indicate a certain type of young man
who. has an outstanding mother complex . . . . (). Wandering moreover is
one of the most important traits of the. Trickster archetype (Radin )
which as we shall see Lear's. nonsense exemplifies.. There was an Old Man
of Peru Who never knew what he should do So he. tore off his hair And
behaved like a bear That intrinsic Old Man of. Peru.. There was a Young
Lady whose eyes Were unique as to colour and size. When she opened them
wide People all turned aside And started away. in surprise.. There was a
Young Lady of Norway Who casually sat on a doorway When. the door squeezed
her flat She exclaimed 'What of that' This. courageous Young Lady of
Norway.. There was an Old Man of Cape Horn Who wished he had never been
born. So he sat on a chair Till he died of despair That dolorous Man of.
Cape Horn.. There was an Old Person of Cromer Who stood on one leg to read
Homer. When he found he grew stiff He jumped over the cliff Which
concluded. that Person of Cromer.. There was an Old Man on some rocks Who
shut his wife up in a box. When she said 'Let me out' He exclaimed
'Without doubt You will. pass all your life in that box.'. There was an
Old Person of Bangor Whose face was distorted with. anger He tore off his
boots And subsisted on roots That irascible. Person of Bangor.. There was
an Old Person of Spain Who hated all trouble and pain So. he sat on a
chair With his feet in the air That umbrageous Old. Person of Spain..
There was an Old Person from Gretna Who rushed down the crater of. Etna
When they said 'Is it hot' He replied 'No it's not' That. mendacious Old
Person of Gretna.. There was a Young Lady of Parma Whose conduct grew
calmer and calmer. When they said 'Are you dumb' She merely said 'Hum'
That provoking. Young Lady of Parma.. There was an old man of Hong Kong
Who never did anything wrong He. lay on his back With his head in a sack
That innocuous old man of. Hong Kong.. The function of the Trickster
according to Kernyi is to add. disorder to order and so make a whole to
render possible within the. fixed bounds of what is pered an experience of
what is not. pered (). Kernyi could just as well be describing the.
nonsense genre that emerged in the nineteenth century.. You desire to LIVE
according to Nature Oh you noble Stoics what. fraud of words Imagine to
yourselves a being like Nature boundlessly. extravagant boundlessly
indifferent without purpose or. consideration without pity or justice at
once fruitful and barren. and uncertain imagine to yourselves INDIFFERENCE
as a powerhow. COULD you live in accordance with such indifference.
Contrary to the underlying Rousseauist ideology which argues that the.
profound nature of the liberated subject can only be good and that. nature
itself once emancipated cannot but be endowed with natural. equilibrium and
all the ecological virtues there is nothing more. ambiguous or perverse
than a subject.. Trickster is at one and the same time creator and
destroyer giver and. negator he who dupes others and who is always duped
himself. He wills. nothing consciously. At all times he is constrained to
behave as he. does from impulses over which he has no control. He knows
neither good. nor evil yet he is responsible for both. He possesses no
values moral. or social is at the mercy of his passions and appetites yet
through. his actions all values come into being.. It is a personification
of traits of character which are sometimes. worse and sometimes better
than those the egopersonality possesses. (The Archetypes ). The Trickster
is in other words a. manifestation of what Jung calls the shadow and he
comments We are. no longer aware that in carnival customs and the like
there are. remnants of a collective shadow which prove that the personal
shadow. is in part descended from a nuous collective figure (ibid.). that
is the Trickster archetype.. Furthermore the Trickster is a forerunner of
the saviour and like. him God man and animal at once. He is both subhuman
and superhuman. a bestial and divine being whose chief and most alarg.
characteristic is his unconscious ness . . .. He is so unconscious. of
himself that his body is not a unity and his two hands fight each. other..
As Jung says of the Trickster Although he is not really evil he. does the
most atrocious things from sheer unconsciousness and. unrelatedness (ibid.
).. We ought not to entertain the illusion that we might cultivate good.
and happiness in a pure state and expel evil and sorrow as wastes.. That
is the terroristic dream of the transparency of good which very. quickly
ends in its opposite the transparency of evil.. Bedre veier gir flere
ulykker. The travel poems also reflect the Trickster's habit of wandering.
(albeit his wandering is generally aimless). Radin comments that the.
Trickster's desire to wander represents his protest against. domestication
and society with all its obligations ().. what do we cling so tightly when
we resist the dangers of drift. Barthes spoke (positively) of drift as a
kind of stupidity. Are we. afraid of appearing stupid. In when Oliver
Cromwell's Puritan regime banned all theatrical. performance commedia
companies must have scrubbed England from their. gigging schedules. But
the Punchinello character appears to have detg. in. Crosspollinated with
the local Vice character originally the. trickster fool of the Mystery
plays Punch utilised Harlequin's. slapstick bat took a wife and resurfaced
in the Punch and Judy puppet. show.. PuckPunch
SantaPelznicholNicholasJanneyYule I Norge har vi. oskoreia og julebukker
they acted out an odd play the leader who. dressed in goat or bear skins
argued with another character or with. the woman figure. He was killed the
woman lamented and the doctor. comically resuscitated him or he
spontaneously revived declaring he. wasn't dead after all the Fool was in
his original beast form the. death and execution were enacted amorally. In
later plays the Fool or. beastman is often killed by a young groom because
he makes a pass. at the Woman and narrators explain the behavior with a
comic. script. Scholars concluded that the detdreds of versions peppering.
Europe could be traced to the great goatgod Dionysus. After all the.
Dionysian rites gave birth to modern theater In Britain he became. Robin
Goodfellow or Puck norsk slektpuk celebrated by. Shakespeare Goodfellow's
cousin Robin Hood began life as Wood a name. for the Wild Man. In the
Black Forest the Pied Piper of Hamelin re. enacts poet Robert Browning's
version of the ancient mystery. And. don't forget the 'geek' as a freak
act.. Shiva is more or less what you want him to be as in him all.
contradictions casually coexist. The notion of Shiva as exclusively a.
Wild Man of the forests and mountains traveling with a band of ghosts. and
ghouls as their leader Bhoothnath is a recent phase of his. worship. For
while he was always capable of peculiar behavior Shiva. used to live
outside of society not because he had rejected it but. because he had
transcended it. Shiva is repeatedly described as the. supreme master of
all the arts and that indicates a highly socialized. being the Nagarika of
ancient India not a rustic.. Only Siva who indulges in both extreme ascetic
and extreme erotic. activity the creator and the destroyer the quiescent
and the active. god who represents both the cyclical motion of the
universe and. spiritual immortality can offer devotees both paths of
immortality. through rebirth or renunciation and spiritual immortality. He
is the. living lingam in the yoni and the androgyne. Both symbols contain
the. paradox within themselves and provide a resolution.. Lingam Sanskrit
literary 'mark' or 'sign' ( is there a connection. between 'sign' and
'seed' (seme and semen) via sema seme sememe. semiological adj.Gk semeion
sign f. sema mark seal symbolic. inseal pregnancy pregnant expression...).
Shiva is worshipped in several apparently contradictory aspects whose.
combination gives emphasis to his incomprehensible transcendence. He. is
seen as a giver of blessings and is also a symbol of sensuality.
represented by the lingam or phallus. On the other hand he is. sometimes
depicted as an ascetic seated in meditation in the. Himalayas. Shiva is
also the god of destruction and dissolution. In. his manifestation as
Shiva Nataraja the fourarmed Lord of the Dance. he tramples on the forces
of ignorance and chaos and keeps creation. in balance.. JEAMANCER.
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311
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there's a local history group in the area writing articles which gets
released. in a small yearbook by the museum i had some of them sent them
off to a. friend. among the interesting where stories about Omgang a
deport and. execution place in the middle ages a few some km from here
unhabitated long. since. prisoners from northnorway don't know how far
south where imprisoned. at this very desolated place and in fact a couple
of women got burned as. witches there in es if I remember right a young
woman Dorte something. accused of making storm at sea where a man she had
some relation to died you. could tell by the incidents she probably was an
attractive woman making the. men with power quite jealous humiliated and
very mad after half a year in. prison she was burned alive in I think..
another interesting thing is the labyrinth as Mikkelsberg also close by
with. some discussion of the authenticity of it it origins either from the
pomor. trade with russians a couple of centuries ago or from much earlier
habitation. of the area the earliest settlers probably being the sami
komsaculture. several thousands years ago there's some debate a dr.
something writing his. thesis the sami were not the first inhabitants. the
labyrinth has not been. coast from fear of messing it up the traces are
very vague but it has the. traditional form and is about in diameter..
there's some war time history since the whole shit was burned down by
germans. the whole north of norway every building here so they turned the
boats on. their head and lived under there or lived in caves at the coast.
things have. been rough here of course finding support actually there were
some. agriculture before not much.. there were about women burned as
witches in the s in finnmark the. northernmost part of norway were charged
for sorcery and researchers have. wondered why so many in the region.
reading protocols from the trials a. researcher. now suggest the poisonous
fungus meldrøye lat. Claviceps purpurea explaining. hallucination and
bewitchings black grains at the bottom of the cup etc.. Re SZ aeffect
Strong Creole Tendency. Atta unsar thu in Himinam. SZ aeffect. Strong
Creole Tendency between wordanimage selfreference 'worldings'. toll
painting of a russian and a norwegian in a fjord in the 's. trying to
communicate about some wood. chopped logs the pomor trade s to the russian
revolution initiated by. russians from the. White Sea having coast and
fjords in north of norwy as their area 'pomor'. means. 'by the sea'
Arkhangelsk has a pomor university today the russian came to. white. sea
from Novogorod s a viking city with democratic traditions different. the
tataryoke in rest of russia. pomors had cereal meal and traded with. the
tataryoke in rest of russia. pomors had cereal meal and traded with
313
fish (coast) and skins (sami inhab). .. should think wood also was
important as. there are no trees in the northernmost regions... Nordmannen
Drasvi gammel go ven på moja. Tvoja fisk kopom (Goddag min gamle. gode
venn. Kjøper du fisk). Russeren Da. (Ja). Nordmannen Kak pris (Hvilken
pris). Russeren En voga mokka så to voga treska. (Det er en våg mel mot to
våger. torsk.). Nordmannen Eta mala. (Det er for lite). Russeren Slik slag
en å en halv voga treska så en voga mokka. (Slikt slag.. En. og en halv
våg torsk mot en våg mel.). Nordmannen Eta grot dyr. (Det er ennå for
dyrt.). Russeren No davaj på kajut sitte ned så dokka lite tjai drinkom.
Ikke skade.. (Kom. nå ned i kahytten og drikk litt te. Det kan ikke
skade.). norw. russian it seems). pomor trade was illegal until . and then
the russ revolution stopped it and. the nnorw econony into depression and
the coastal villages into. problems.. the pomors had a rich rural culture
and folklore it seems there's a longer. within pomorområdet levde
fairytale adventure and legend byliner (heltedikt). ballader stev and
laments further enn a in inside into on per within. mange. second strøk
for off Russia Russia. a in inside into on per within. last. latter half
for off tallet begynte lærere prester and second stream. accumulate gather
tradisjonsstoff. them gjorde crowds for off opptegnelser a. in inside into
on per within citys and villages longer dvina and pinega. and. at to
toward towards a in inside into on per within at by on. upon. on upon
kvitsjøkysten området ble kjent like one skattkiste because of.
folklorister and etnografer.. within ble marija krivopolenova one
diminutive ancient wife with a. unfigure. ballader and chants at.
tertiden. also stepan pisakhov like var kunstmaler skrev below downstairs.
underneath down below underneath down underneath tradisjonsfortellinger.
especially especial fairytale adventure at to toward towards a in. inside.
into on per within at by on upon on upon dialect. sjergin skrev also.
tradisjonelle and further fashionable fairytale adventure men his
skriftlige. produksjon am både større and longed further allsidig enn
pisakhovs. within sovjettiden dolled it also opp sterke klare litterære
personligheter.. fjodor abramov ex from verkola. marija krivopolenova ().
bondekone ex from pinega famous because of its ballader chants and.
klagesanger.. hun learned helteballadene stariny for off its grandfather.
hun. accrued. opp a in inside into on per within fattige kår and ble early
married. married married poison men verken at to toward towards until till.
felicity. eller velstand. hun losed både the fellow and barna unntatt one
daughter like. ble married married married poison så fattigslig at hun no
not know get. lay. hold of pick up take itself for off moren. hun ble
hence therefore tvunget. at. toward towards until till stream continue
tilværelsen like one beater. omstreifende beggar eller legdekone. men
krivopolenova var one lysende gifted. forteller chants and klagesanger.
boris sjergin (). it nordrussiske klassikeren fremfor noen. he convey
imparted gamle. fortellinger. and tradisjoner muntlig and after behind
hvert also skriftlig. he skrev also. its. egne fortellinger. sjergin var
one authentic pomor the father var styrmann and. seilte at to toward
towards a in inside into on per within at by. on. upon on upon Norway the
mother daughter for off one seilmaker. både. foreldrene. and mange for off
husets friends stod midt a in inside into on per. within. pomorenes living
fortellertradisjon. sjergin itself ble one important. tradisjonsbærer
because he after behind hvert fixed it he hadde hørt at to. toward towards
until till papiret. a in inside into on per within its. fortellinger and
fairytale adventure skildringer for off life and employment. in.
skipsbyggere fiskere and fangstmenn. stepan pisakhov (). stepan pisakhov
seilskip at fiskebryggen a in inside into on per within. arkhangelsk.
author and kunstmaler ex from arkhangelsk. he var at to toward towards.
until. till stream begin with kjent because of its paintings with motiver
ex from. nordlige strøk men begynte after behind hvert stream type
fairytale. adventure.. mange for off the fairytale adventures his finer
also a in inside into. on. per within second versjoner men his versjoner
haves sitt særpreg and. språkføringen a in inside into on per within disse
tekstene am stronged. imprint impressed for off nordrussisk dialect.
pisakhov am one for off you. exaggerations skrøner. well there's some
pictures... links to some english. etc. CHROMOGAL. CHROMOGAL. Osho name
TEATDECI. Noemata Random Name Generator. nettimeann mailing list.
nettimeannnettime.org. ann ELPATA. ELPATA. Noemata Random Name Generator.
nettimeann mailing list. nettimeannnettime.org. . e k u n s t .
laburinteger. This is a multipart message in MIME format.... ContentType
textplain charsetiso. Maskin Jeg er glad jeg er det eneste jeg'et her..
Far Sønn sønn vi anbefaler at min maskin ikke snakker mere til deg.. Sønn
Men den kan så mange spennende ord.. Hadde trengte hjelp. til og fullføre.
De påfølgende dagene ble historiene til den bandasjerte. samlet og skrevet
ned i notatbøker før den støeste og mest skriveføre. av dem fikk oppdraget
med å føre over teksten til bandasjen. Hele. arbeidet. tok dager og da de
var ferdig var den bandasjerte i alt dekket av. ord.. Jeg faller uten....
Projeksjoner krever kontiniuitet.. ContentType textplain
namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert
via. e k u n s t. listeadresse eekunst.no. kontaktadresse
listmasterekunst.no. Nagnews Og sdspoetrezt dkyk og skyr nabnetrt. På Y).
Y (inntar sosiologiskpedagogisk sideleie) Protagonistens puerile.
forsvarsmekanismer er et infatilt forsåk på å rasjonalisere frykten.. Og
sdspoetrezt dkyk. og skyr nabnetrt dykkadt som ncdovmo vopmkete. foef
dMrnefnsd eksdsonnen slyllfd. Fglerfd dyjkk xfsd ogb ajjbgooåad af
xftrlyd. xfef stylr ret sdløben dykkatrg i hitummenem. Deref stgamme
gjoerda efane ferita mefd prgfotetane. Men e dykk rkke. det.... NAGnews
mailing list. NAGnewslists.copyleft.no. isoQDuhFrerdetnEdeterslettesikkei.
Kjemiforsøkene i elevenes hode. I ditt blomsterhull. Han sover i sjette
scene. Har jeg noe å si han. Middelaldrende demokrat må ligge i.... Du
hører det nå det er slettes ikke i sukkerbiten lyden oppstår.. Du ser på
sukkerbiten en siste gang før du putter den i munnen. Som om. begge.
øynene skulle ha skiftet posisjon fra venstre mot høyre uten og røre.
hodet. skifter synsvinkelen i scenen.. Kvinnen tar uforståelig imot en.
lapp hvor det står Vi møtes i dusjen i morgen. Hilsen din partner i.
forbrytelse.. Over kinomaskinisten på disen. kinomaskinisten tårer .
veggen mitt film over noen . UTE AV FOKUS.. My Help. Example How do Ichang
my password. Tips. Getting Startled. How do If i what category my Humen is
in. I receive an email notification saying my humen could be Deleted due
to. inactivity. Why What can I do. What does the my smiley face (image) is
mean. How do my I get rid of the my is smiley face (image). I never sign up
for my Human grouqs. Why am I receiving my messages. View and manage your
my hume. Your humain Grops account has been disable because you had. an
autoresponsible setup.. Bouncing seminar . May. What Bouncing means and
what to do about it means bounce. L. Work with elbows grouq. Control
access and sharing humes. list bounce. tails Yoric troll and Nøkk. Ask
Her. the water. Re Du har rett. Da kan jeg vende tilbake til. Work good.
Fra den. Forfatteren hadde alltid en. unnskyldning vent litt jeg måtte
bruke begynnelsen tilslutt.. Selv nå tror leseren han vet hvem morderen
er.. Troll om igjen.. Jeg vet at munnen min drypper av penneskaftet
skriver. forfatteren.. Med deler av hodet bandasjert.. Hvis vi panorer til
høyre ser vi ryggen hans idet han forlater. sykhuset fullt rekonstituert.
Kutt. Utenfor sykehuset stopper han opp.. Flashback. Noen tok av for
fallet. Han fallt. Blålys. Står på. sykhustrappen. Tar seg for det gamle
kuttet i pannen. Får blod på. fingrene. Snuser på blodet. Nærbildet av en
hund som glefser.. Kanskje ikke.. Mot widescreen sensur.. Overtall pga..
Og ble stående å. skrike til hverandre. Da måtte en av dem raskt ta en
avgjørelse og. fortsette videre så ville den andre måtte slutte seg til..
.n. las ldanburg. oea.net.knyt. bmg. how many net artists does it take to.
Greetings froam. Greetings froam. cause confusion and shame to make
uncomfortably selfconscious disconcert. abash. put obstacles or
difficulties in the way of impede. skam. the painful feeling arising from
the consciousness of something dishonorable. improper ridiculous etc. done
by oneself or another. disgrace ignominy. a fact or circumstance bringing
disgrace or regret. cover with ignominy or reproach disgrace. shame is a
painful feeling caused by the consciousness or exposure of unworthy. or
indecent conduct or circumstances. It is similar to guilt in the nature
and. origin of the feeling.. pride a high or inordinate opinion of one's
own dignity importance merit or. superiority whether as cherished in the
mind or as displayed in bearing. conduct etc.. selfesteem selfrespect.
ridicule Syn. . mockery raillery sarcasm satire irony. . banter chaff.
rally twit burlesque satirize lampoon. RIDICULE DERIDE MOCK TAUNT imply.
making game of a person usually in an unkind jeering way. To RIDICULE is
to. make fun of either sportively and goodhumoredly or unkindly with the.
intention of humiliating to ridicule a pretentious person.To DERIDE is to.
assail one with scornful laughter to deride a statement of belief.To MOCK
is. sometimes playfully sometimes insultingly to imitate and caricature
the. appearance or actions of another She mocked the seriousness of his.
expression.To TAUNT is to call attention to something annoying or
humiliating. usually maliciously and exultingly and often in the presence
of others to. taunt. nihilogues nilogue brainstem. nihilogues nilogue. 'In
generalthe brainstem produces morecomplex. movements than does the spinal
cord.In addition to responding to most. sensory stimuli in the environment
and regulating eating and drinkingbody. temperaturesleep and wakingthe
brain stem can produce the movements. of walking and runninggroomingand
sexual behavior (all of which are. more complex than the reflexive
movements produced by the spinal cord).The. brains of fishamphibiansand
reptiles are basically equivalent to a mammalian. brainstemin
consequencethe behavior of these animals is a good indication. of the
functions of the brainstem.'. On old Olympuss. towering top a Finn and.
German view some hops.. cortex (from the Latin for barkas in a tree s
bark) ref. book.. Fissures Sulci and Gyri the Cortex brothers. limbic.
Input could enter this circuit from other structures to be elaborated as.
emotion.. summarize the action of a nerve impulsean. other analogy may
help.Think of the voltagesensi. tive ion channels along an axon as a
series of. dominoes.When one domino fallsit knocks over its. neighborand
so on down the line.The wave cannot. return to its starting position until
the dominoes are. set back up again.There is also no decrement in the. size
of the propagated eventthe last domino falls ex. actly the same distance
and just as heavily as did the. first one.. 'The embryo who walks upright
belongs to the primate order. A badger recounts the story that God created
all animals as embryos and called. them before. his throne offering them
the changes that they desired. They opted for. specialized. adult features
claws teeth hoofs antlers and so forth. But the human. embryo trusting.
Gods judgment accepted the way it was made. The creator was delighted and.
said. that. it would therefore remain an embryo until buried but would
dominate the other. animals. walk upright and feel sorrow and feel joy.
(White ). An important part of the answer to the Sphinx s riddle about the
nature of. humans. is that the adult who walks on two legs is sort of an
infant chimpanzee.'. 'Saint Ambrosewho lived in the fourth century A.D.is
reported to have been. the first person who could read silently.'. ..i
remember a lecturer in computing claiming alphabetic sorting being.
problematic. some centuries ago.. 'Even somost of the changes in behavior.
that differentiate us from our primate ancestors took place more rapidly
still. long after the modern brain had evolved to its present
condition.Only. years ago did modern humans leave the first human artistic
relicselaborate. paintings on cave walls and carved ivory and stone
figurines.The tempo of. change has quickened further in the past
years.Agriculture and animal. husbandry were established in the Middle
East by B.C.followed by ideo. graphic writing in the same region by
B.C.Saint Ambrosewho lived in. the fourth century A.D.is reported to have
been the first person who could. read silently.The modern technological
age began in about A.D.it was. after this time that most of what we see
around us today was invented or dis. covered.How interesting that most of
what we associate with modern humans. is of such very recent
originconsidering that the basic tools (a big. brainfree. handsand bipedal
locomotion)had been with us long before.'. fundamentals of humal
neuropsychology. bror han går i skoge. bror han går i skoge. jaga alle
ville dyr. er han kvit so kjøyr'n hit. er han grå so lat 'n gå. er han
bron i boge. so lat 'n gå i skoge.. Sutene og sorgene. dei trør eg under
fot. di gladare skal eg halda meg. di meir det gjeng meg imot.. Sutene og
sorgene. det blandast alt tilsaman. munnen lær og hjarta græter. det er so
lite gaman.. cobralingus. cobralingus. It makes use of the Metamorphiction
process using text as signal and. passing it through FILTER GATES
transforming the textsignal. The FILTER GATES. range from DRUG (injects
artificial stimulant into the language) to EXPLODE. (breaks up signal into
highly disordered fragments) to PURIFY (loses. deadwood).. It sounds fairly
mechanical and Noon presents it as such. There is an INLET. and. an OUTLET
(read input and output). The FILTER GATES act on the input text.
transforming it in a variety of ways. Noon writes of the specific effect
of. each FILTER GATE as though it were a precise algorithm and the text.
transformed. according to very precise rules. In fact the Cobralingus
Engine is no such. thing. The rules beyond their most basic operation are
entirely of Noon's own. choosing.. generated writing. Commencement for
Teens. Frogman Tautness and Undue Cinnamon Inaction. As DestinyUtopia
Undoes the Thai Emutagonad Retread the Spooks of Technology.. Benjamin
Bruin is. Daft. if not SICILIAN.. One varsity. If Cuneiform. Has Found
Fern Noose. a Sunni from Burberry CT. on. CIA spanks you for smut and
fortune. Suddenly it is the Vedasfluxing. It is. Mastering in Purees and
Scanners as if ham and IdVendors had walked into. thawing rinds and facial
tics Beating. HI Cluera. Paloin Biloid. REVIEW Cigarette Boy by Darick
Chamberlin. antinovel. Ten Years of Pain in the ass. computer generated
writing. Virus Charms and selfcreating codes.. Virus Charms and
selfcreating codes.. 'Within the computer web the negative effect of
viruses is propagated much. faster than the positive effect of
information. That is why a virus is an. information itself. It
proliferates itself better than others biologically. speaking because it
is at the same time both medium and message. It creates. the. ultramodern
form of communication which does not distinguish according to. McLuhan
between the information itself and its carrier.' Baudrillard. Sircam
chooses a document from the hard disk and sends it to all addresses.
found. in the email address book. So everything private public and
interpersonal. gets mixed up because of the possibility to reproduce
information and to. transmit them instantaneously in the net.. RTMark
intvju. RTMark intvju. I feel RTMark as a multiple identity absolutely no
individual faces and. names.. What's your concept of personal identity
within your group Do you individually. feel yourself as part of a
collective person or as anonymous individuals. under. a collective name.
We're just anonymous for pragmatic reasons... We are a corporation
meaning. that. essentially we are a group that comes together as one body
(corporeal). This is. a kind of bastardization of the idea of collectivity
insofar as it does not. really imply sharing equally labor and benefits as
one might on a collective. farm. The corporation as opposed the the
collective has been legally defined. give the best business advantage to
captial without the nasty side effects. of. liability. So we come together
as a body in order to create a fall guy someone. who can absorb the
liability for all the actions of participants. So we are. anonymous
because we have no need to exist in this equasion. we already share a.
body and that body has a name and an identity.. Cultural resistance is
very difficult to fund. How do you succeded in it. Our funding is
important because it is a symbol. The small amounts we come up. with do
not really fund anythingthey are not sufficient to fund people or.
actions. They are useful in that they show some interest by peopleenough.
interest to give money.. If you'd program a computer virus what it'd be
able to do. Perhaps we could et a computer virus that taps into the unseen
forces of the. afterlife bring to our cause an army of vengeful ghosts
Ghosts are very. effective at what they do i've seen it in the movies. But
this is a good. question that is why i can't answer it so quickly....
nymata. The nym noemata is free to use. participation inclusivity rather
than exclusivity experimentation and. creativity. Neomatic Cantsin. how to
make immediate emails emailart mailart generative automatic scant. the
medium is immediate instant so to attain immediacy construct the.
opposite. something mediated double negate. spamspiders. med en søkemotor
for mailadresser praktisk men tvilsom. halvsøvne. vær forsiktig om morgon.
halvsøvne. ting vet om det. auto.noemata.net. .... noemata.net. .... ....
det er noe med fart som gjør liv. Warning DB Error connect failed.
nativecodeORA TNSlistener could not resolve SID given in connect.
descriptor oci kunstmunchKultur.no in. glenlivet.gandi.net.
laphroaig.gandi.net. redirmailtelehouse.gandi.net. ogin. ogin.php. stavr.
Mar. INSIN KONNAR T. DYT ER ALT D RI NAH. OS N T ÅR DA DOR. D D ET ER
INCYND D INC. HPE SCS D ER. INSINTEN T G SGSUR. SAM T N SEM NY. DE T SSRAF
EN DI T TI. IMSEN KI T MNER. DH SXR T EF EM DØTA I T NSAN KAMNOR T. INGON
KEMNO T R DHDOAN. IN T GENTHMG SSCA T R DOSAN. LIFUT PO JHRDI. SFHD. SDAR
SSILÆ. VIMDT I HOTOT. LHTT ARMONE ER VAQNI. DET BLYSIR UTU. MARST. LABHT
PH JERDO. ody without borgan is borgan without ody. poetry. Poetry means
(a) I'm going to die and (b) this. notebook will be read by someone who
will see how. lacking I am unless I destroy it I can't do. that that would
be worse than keeping it that. would mean thinking of it.George Stanley. (
( ( ) ( (. pre.txt render. using phpfiglet.
noemata.nettxtphpfigletrender.php. qMark qWeiss qNichts. Aug. Maghies ll.
fososos ss. fososos ss. complment de programme. une session citu (cration
interactive transdisciplinaire. universitaire) se tiendra le. vendredi
septembre de h h l'apmhi b bat b avec. la participation de. francis jutand
directeur des stic du cnrs. francois roche architecte. jeanbaptiste
barriere compositeur. this is another home reading brought to you. advent
spoilers. lese det. lese det som om det ikke var til meg som om jeg var
fri som er det. firenncasdee med å fnine ting de er nye de trefefr iegnn
ntyt galme. tnig kan vræe nye hvis du spør hva kusnt er spør en
jialsrnuot. hva er. aerlijstaoikdnnravutgak. snøhvit. egentlig var det
ikke den onde stemoren som ga snøhvit det forgiftede. eplet i eventyret.
det var hennes kjødelige mor. men brødrene grimm måtte. sensurere sin
politisk ukorrekte fortelling sier heinrich dickerhoff.. for å antyde at
en mor ville drepe sin egen datter ville være det samme. som å krenke
forestillingen om det hellige moderskap. det våget wilhelm og. jakob grimm
ikke. derfor fikk stemoren skylden mener dickerhoff som er. leder for
europeisk eventyrforbund.. bey radio sermonettes. in fact an argument
could be made that music distributed free or at cost. on cassette via mail
is less alienated than live music. rendered into trash like all other
trash. folkultur. real art is play play is one of the most immediate of
all experiences.. therefore as artists cultural workers'' who have no
intention of. giving up activity in our chosen media we nevertheless
demand of. ourselves an extreme awareness of immediacy as well as the
mastery of. some direct means of implementing this awareness as play
immediately (at. once) immediately (without mediation).. thus a good meal
could be an immediatist art project especially if. everyone present cooked
as well as ate. and everybody was called andy. poetic terrorism'' and art
sabotage'' are quite logical. manifestations of immediatism.. for instance
the liberatory power of a painting can be neutralized or. even absorbed
simply by placing it in the context of a gallery or museum. where it will
automatically become a mere representation of liberatory. power..
rhapsody. democratic shamanism. '' creative acts themselves the outer
results of. the inwardness of imagination are not mediated alienated (in
the sense. we've been using those terms) when they are carried out by
everyone for. everyone when they are produced but not reproducedwhen they
are shared. but not fetishized.. anyone present may become a horse'' or
medium for one of these santos. whose words actions then assume for all
celebrants the aspect of the. presence of the spirit (i.e. the possessed
person does not represent but. presents).. the audience who are indeed
locked in place in darkness silence. immobilized by the money they've
paid. no wonder the first broadcasters of video were the nazis. tv is to
the. imagination what virus is to the dna. the end. beyond tv there lies
only. the inframedia realm of no spacenotime the instantaneity ecstasis.
of commtech pure speed the downloading of consciousness into the. machine
into the programin other words hell.. roughly then the more imagination is
liberated shared the more. useful the medium.. the end of the modern does
not mean a return to the paleolithic but a. return of the paleolithic..
sardonicide. capital. toolate capitalism. the spectacle the simulation
babylon. whatever you want to call it. an immediatist potlatch idiotisk...
within the organic (nature'' everyday life'') is embedded a kind of.
silence which is not just dumbness an opacity which is not mere.
ignorancea secrecy which is also an affirmation a tact tacit. the lazy
yokel plows a crooked furrow. if i could escape this bad mood of course
i'd do so take you with me.. what we need is a plan. jail break tunnel a
gun carved of soap a. sharpened spoon a file in a cake a new religion.
speak too much not be heardthat's sickening enough. but to acquire.
listenersthat could be worse.. sufism situationismor shamanism anarchythe
theories i've played. with are just that theories visions ways of seeing.
significantly. the practice'' of sufism consists in the repetition of
words (dhikr).. this action itself is a text nothing but a text. and the
praxis'' of. anarchosituationism amounts to the same a text a slogan on a
wall. a. moment of enlightenment. well it's not totally valuelessbut
afterwards. what will be different. just as there exist books which have
inspired earthshaking crimes we. would like to broadcast texts which cause
hearers to seize (or at least. make a grab for) the happiness god denies
us. exhortations to hijack. reality.. enlightenment is all we have even
that we've had to rip from the grasp. of corrupt gurus bumbling suicidal
intellectuals. as for our artwhat. have we accomplished other than to
spill our blood for the ghostworld of. fashionable ideas images. treasure
and by what technique seeing that it is precisely technique. which has
betrayed us derrangement of the senses insurrection piety. poetry knowing
how is a cheap mountebank's trick. but knowing what might. be like divine
self knowledgeit might create ex nihilo.. mønsterai. hvordan kan maskinen
lage et mønster en form abstrahere. rettekar. sånn circa på ploen asduenmn
elelr nsnaen steedr er ptunker er virlutlee. anmiiaklkts jeg vil dit men
det er ignenntig der heller det er. aeietvtktin som dirver deiftrn som
divrer mødslnkeåe rettekar.. Mar. om du har et ord så har du en verden.
alle fnatsenaie. ontatemn. dfykrt. viktig vær aldri rded. det er resleden
som er fralig. rztel det ukjtene gteån møte med noe annet ntyt. neyht er
redesl. horfovr fkryt alltid dyisrk injeolarsrt. iegnn fsojrkell alt er
mg. s. roman. roman. må vi ha vært gjennom det for å bli ergo har vi
integrert de vi vil ta. avstand fra vokse antistoff antiterrorterror..
dagen etter. allerede dagen etter er hun glemt og må minnes for å huskes.
jens er den. som husker henne minst. skyflet unna i en fei dagen etter er
hun allerede. pakket inn begravd og bare et minne.. kan attentatet være et
malplassert attentat på media som media straks. vender om til en sak om noe
annet.. tror vi får en ny trend new savages.. bruce margon associate
director at the space. telescope science institute in baltimore maryland.
described the sound at a press conference here as. described the sound at
a press conference here as
314
being a million billion times deeper than the limits. of human hearing..
let's not get carried away..... not even my dog boris can hear this
stuff.. i alle filmer jeg har sett er utenom jordinger stort sett.
teknologisk overlegene. men kunsten de drar med seg er av en. eller annen
grunn svært jordisk. er det noen som har vært. borti interpanetarisk kunst
som ikke er av jordisk karakter.. hvis det absolutt må være
interplaneterisk (innenfor vårt solsystem) og. laget. av teknologisk
overlegne utenomjordinger og ikke av jordisk karakter. nei slik. kunst har
jeg ikke vært borti.. flarf. flarf. it might be helpful to offer a short
history of flarf. strike helpfulit. amuses me to do so.. flarf came about
a couple of years ago when gary sullivan submitted a. deliberately bad
poem to poetry.com one of those vanity companies that. lures the
unsuspecting with lavish praise of their poetry and then offers. publish
it for an exorbitant fee. theorizing that no submission no. matter how
heinous would ever be treated with anything other than. yeah mmhmm it's
true. big birds make. big doo i got fire inside. my huppachimp(tm). gonna
be agreessive greasy aw yeah god. wanna doot doot.
pffffffffffffffffffffffffft hey. oooh yeah baby gonna shake bake then
take. uggah duggah buggah biggah buggah muggah. hey hey you stoopid mick
get. off the paddy field and git. me some chocolate quik. put a qtip in it
and stir it up sick. pockamockachockalockading dong. fuck shit piss oh it's
so sad that. syndrome what's it called tourette's. make me haiee shout out
loud. cuz i love thee. thank you god for listening. sure enough he
received a full invitation to have his timeless piece of. literature
enshrined for all posterity etc.. gary shared his poem the style of which
he promptly dubbed flarf with. members of the subpoetics mailing list and
before long a few other. participants began posting poems to poetry.com
including myself drew. gardner jordan davis and a handful of others.
eventually we formed a. separate mailing list.. the initial aesthetics of
flarf went largely unarticulated but they can. probably be approximated by
the following recipe deliberate shapelessness. of content form spelling and
thought in general with liberal borrowing. internet chat room drivel and
spam scripts often with the intention. of achieving a studied blend of the
offensive the sentimental and the. infantile.. flarf has largely become
stylized out of existence made inseparable from. the usual writing habits
of its practitioners as gary and nada and others. have pointed out.. maybe
the problem was ever announcing flarf as a concept suggestive of. a
movement etc. in the first place. there were those among us who. shrewdly
warned about the dangers of such a movekatie degentesh for. example. the
truth is flarf is not a movement never was because it has. no principles
as such beyond some characteristic compositional techniques. etc.).. there
is no such thing as flarf. useless to declare that now. one day there will
no longer be flarf and nonflarf. there will only. be bad poems and worse
poems. the worse poems will be stronger and will. eat the merely bad ones.
what is now provisionally gestured toward as. flarf (falsely so but
necessarily) is merely an exercise in preparation. for that eventuality..
the ghost of heriberto yepez is standing behind me holding my wrists as i.
type sucking my brains out through an elaborate tin siphoning device.
welded to both our skulls. it's a good thing. poeticslist. kursiv. 'gud'
som ekstrem komprimering tre bokstaver og alt.. for sine egne handlinger
og absolutt ikke har noen rett til å skylde. for sine egne handlinger og
absolutt ikke har noen rett til å skylde. open source crime art. det blir
ikke forstått. kan ikke forandre noe. greetings'. growth. mourned.
fraudulent. uprootings. news det er nok gudsutryddere som er ut og går
igjen.. eller noe homofilt. protoindo europeisk kerk (høne) og tocharisk
kran.ko. ligner mistenkelig på klukk.. nasjonalbiblioteket lagrer alt som
skrives på news de. no.ghostr. there is a ghost posting in this newsgroup.
no.alt.arkiv. no.fritid.akvarium. no.fritid.diverse. no.annonser.diverse.
no.it.tjenester.mail.diverse. no.kultur.diverse. no.kultur.film.
no.kultur.litteratur.diverse. no.sport.diverse. se.test. dk.test.
dk.kultur. dk.kultur.litteratur. no.org.diverse.
free.it.test.testo.testa.testi.teste. no.test. no.general.
no.alt.diskusjoner. no.alt.flame. no.alt.frustrasjoner. no.general
diskusjoner uten generell interesse.. no.samfunn.media.diverse.
no.samfunn.media.radiotv. no.samfunn.media.radiotv.virkelighetstv.
no.org.diverse. se.internet.news.diskussion. se.prat.diverse.
se.prat.humor. se.test. dk.general. dk.kultur. dk.opslag.internet.
dk.snak. dk.snak.vittigheder. dk.test. is.test. is.ymislegt. finet.testi.
NN. number name description appearance. unused. horizontal tab space. line
feed space. unused. space space. exclamation mark. quotation mark. number
sign. dollar sign. percent sign. ampersand. apostrophe '. left parenthesis
(. right parenthesis ). asterisk. plus sign. comma. hyphen. period (full
stop) .. solidus (slash). digits (). colon. semicolon. less than. equals
sign. greater than. question mark. commercial at. upper case az a z. left
square bracket. reverse solidus (backslash). right square bracket. caret.
horizontal bar. acute accent. lower case az a z. left curly brace.
vertical bar. right curly brace. tilde. unused. nonbreaking space.
inverted exclamation. cent sign. pound sterling sign. general currency
sign. yen sign. broken vertical bar. section sign. umlaut (dierisis).
copyright. feminine ordinal. left angle quote guillemot left. not sign.
soft hyphen. registered trademark. macron accent. degree sign. plus or
minus. superscript two. superscript three. acute accent. micro sign.
paragraph sign. middle dot. cedilla. superscript one. masculine ordinal.
right angle quote guillemot right. fraction (one quarter). fraction (one
half). fraction (three quarters). inverted question mark. capital a grave
accent. capital a acute accent. capital a circumflex accent. capital a
tilde. capital a umlaut (dierisis). å capital a ring å. æ capital ae
dipthong (ligature) æ. capital c cedilla. capital e grave accent. capita e
acute accent. eirc capital e circumflex accent. capital e umlaut
(dierisis). capital i grave accent. capital i acute accent. capital i
circumflex accent. capital i umlaut (dierisis). capital eth icelandic.
capital n tilde. capital o grave accent. oacute capital o acute accent.
capital o circumflex accent. capital o tilde. capital o umlaut (dierisis).
multiply sign. ø capital o slash ø. ugrave capital u grave accent. capital
u acute accent. capital u circumflex accent. capital u umlaut (dierisis).
capital y acute accent. capital thorn icelandic. small sharp s german (sz
ligature). small a grave accent. small a acute accent. small a circumflex
accent. small a tilde. auml small a umlaut (dierisis). å small a ring å. æ
small ae dipthong (ligature) æ. small c cedilla. small e grave accent.
small e acute accent. small e circumflex accent. small e umlaut
(dierisis). small i grave accent. small i acute accent. small i circumflex
accent. small i umlaut (dierisis). small eth icelandic. small n tilde.
small o grave accent. small o acute accent. small o circumflex accent.
small o tilde. small o umlaut (dierisis). division sign. ø small o slash
ø. small u grave accent. small u acute accent. small u circumflex accent.
small u umlaut (dierisis). small y acute accent. small thorn icelandic.
small y umlaut (dierisis). xspamscore sssssssssss.
document.write(authors.link(authors.htmauthor)). authors. xspamscore
sssssssssss. the shapes of things are dumb.. l. wittgenstein. mail art
groups. comp.internet.nethappenings. rec.crafts.rubberstamps.
rec.arts.misc. fr.rec.arts.plastiques. alt.zines. comp.mail.multimedia.
rec.arts.fine. bit.listserv.postcard. alt.magick. misc.writing.
rec.arts.misc. fa.. ape. ape kapret buss. bussjåføren var i ferd med å
selge billetter da han plutselig fikk en. uventet passasjer.. en illsint
ape jaget passasjerene ut av en buss i den nederlandske byen. tilburg.
deretter slo den seg til i baksetet uten å ha løst billett. forteller en
talsmann for det kommunale busselskapet.. bussjåføren var i ferd med å
selge billetter til påstigende passasjerer på. en holdeplass da apen av en
art som tilhører familien makaker plutselig. hoppet på. den stanset ikke
før den var helt bakerst i bussen.. sjåføren tilkalte hjelp fra politiet
som kom til stede og brakte snikeren. til en lokal dyrepark der ledelsen
nå forsøker å finne ut hvem som eier. dyret. det er uklart om apen må
betale gebyr for å ha sneket på bussen.. lumber. about. if you're lured
into parting with your lolly you could be. lumbered.. lumber llmb n. m.
perh. f. lumber v. but at one time. assoc. w. lumber n. disused articles
of furniture etc. taking up. room inconveniently or removed to be out of
the way useless odds and. ends useless or cumbrous material. m. timber
sawn into rough. planks or otherwise partly prepared. chiefly n. amer. m..
superfluous fat esp. in horses. e.. pope loads of learned lumber in his
head. r. gittings an immense. amount of accumulated lumber to pack and
dispose.. comb. lumber baron n. amer. a leading or wealthy timber
merchant. lumbercamp (chiefly n. amer.) a camp in which lumberjacks live.
lumberjack (chiefly n. amer.) a person who works with rough timber or.
lumber esp. a feller and dresser of forest timber lumberjacket a. warm
hiplength jacket fastening up to the neck of a type worn by. lumberjacks
lumberman (chiefly n. amer.) a lumberjack lumberport. (a)a porthole in the
bow or stern of a ship for loading or unloading. timber (b)a seaport from
which timber is shipped lumberraft a raft. made of logs boards etc.
lumberroom a room in which disused. articles of furniture etc. are kept a
room for useless odds and ends. lumber town n. amer. a town chiefly
engaged in the timber trade. lumber trade (chiefly n. amer.) the trade in
rough timber. lumberwagon n. amer. a springless wagon of a type used for
hauling. timber lumberyard n. amer. a timberyard.. lumber llmb n. slang.
e. alt. of lombard n. a. pawnbroking establishment. em. in lumber in pawn
in pledge. transf. in prison in trouble in difficulties. l. a house or.
room spec. where stolen property is hidden a house used by. criminals. m..
lumber llmb v.i. lme. perh. symbolic. isolated me use may be. rel. to lame
a. cf. lumper v. move in a clumsy or blundering. manner now esp. move
heavily on account of unwieldiness of bulk and. mass. now chiefly with
adv. or advb. phr. lme. rumble make a. rumbling noise. obs. exc. us. l..
r. k. narayan ipaused to observea country cart lumbering along. g.. vidal
when he walks he sort of lumbers. c. thubron water buffalo. lumbered down
sodden tracks.. lumber llmb v. m. f. lumber n. v.t. orig. cover fill. up
or obstruct with lumber burden uselessly encumber. now usu.. leave
(someone) with something unwanted or unpleasant get (someone). into
trouble or difficulties freq. in pass. m. v.t. heap or. place together as
lumber without order or method deposit as lumber.. l. a v.i. perform the
labour or carry on the business of cutting. and preparing forest timber.
(earlier as lumbering n.) chiefly n.. amer. e. b v.t. go over (ground)
cutting down timber. m.. e. wallace if they lumbered you with the crime it
was because you. was a mug. daily mail if you're lured into parting with
your lolly. you could be lumbered.. lumber llmb v.t. slang. e. f. lumber
n. deposit (property). in pawn imprison arrest.. lumber noun lumber in the
attic jumble clutter junk rubbish odds. and ends castoffs rejects trash
refuse white elephants.. lumber verb lumber him with her jobs burden load
saddle encumber. impose upon inf. land.. lumber verb heard him lumbering
around upstairs clump stump plod. trudge stamp shuffle shamble stumble
waddle lump along.. ahjaje. ahjaje. søkespill. minste bokstavkjeks som
ikke har oppslag i søkemotor. pluss for. vokaler. ref. noemata random name
generator.. mr. x. t mr. t kallte han mister x på videregående. why hehe.
mistereks. mikke og mysterxmysteriet på den hemmelighetsfulle øya. fins.
det psykologiske typer som fra barnsben av har en hang .. byttedyr.
akrasia. akrasia. thief of time a vignette sourcebook for characters of
ndth. millenium.. akrasia drivkraft for kunskapssamfunnet. akrasia skal
være en sterk og. samlende organsjasjon for ikt og kunskapsbedrifter.
sterk og samlende. skal være. de døde skal være levende skal være. kristus
skal være frelser. for inrikonsern skal være. alle skal være og gjenoppstå
skal være. skal. være skal forbli skal være. la stå skal være.. a temple
in disrepair looms out of the mist. as you approach you notice. that the
debris results not so much from ruin as disinterest. it appears. that
grandiose plans have disolved due to insufficient money time or. will. it
seems a shame the structure could have been so beautiful.. if gateway. ifi
gateway. gnu project to develop a free operating system called gnu.. gnu's
not unix. gnu not ung. a har ung. this rather brings to mind a syndrome
that sometimes occurred when an old. arpanet mailing list got gatewayed to
a usenet newsgroup. after a little. while some usenet novice would commit
some faux pas a furious arpanaut. would flame violently about how usenet
was nothing but bozos who didn't. understand how things should be done and
the gatewaying was a stupid idea. and the list maintainer would quietly
observe that the gatewaying had. indeed produced problems but it was also
producing most of the real. content.... henry spencer mail relays. in mark
horton a graduate student at the university of california. in berkeley
added his site to the usenet network and started sending some. of the
arpanet mailing lists to the usenet. when the ucbvax computer. joined the
network shortly thereafter the hierarchy fa was established. standing for
from arpanet. at first the arpanet lists were distributed. readonly on the
usenet but later the connection was made twoway.. tabbs. tabbs. klj h lkjh
kljh lkjh kljh lkjh kljh kljh. kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. nymer. nymer.
.personnavn har egenskap ko alt blir person. .pseudonym har egenskap foo
virker pretensiøst. .organisasjon har egenskap patafoo.net bedre men.
institusjonaliserende. server autogenerert mail de leses som sendt uten
pretensjoner det er. veldig attraktivt.. allnone. allnone telemata. a l l
o n e a l o n e. han han han hun han hun han hun hun hun det han han han
det han det det. det han hun det vi vi han hun. kaspar. stanhope you have
nightvision where the rest of us walk blind.. kaspar but the wrong kind..
stanhope who will be at my deathbed's side a ton. kaspar no one.. stanhope
who'll be there to witness my last breath. kaspar death.. stanhope what put
you on this earth what undreamt forces. kaspar my wooden horses.. stanhope
what did your keeper say when he last saw you. kaspar we are through..
kaspar hauser harrison jeff. paskt. pulskt. the past is a foreign country
they do things differently there.. l.p. hartley. kunst.no soek. nois.
noisebin noise bin. nausea bin. 'noising'. j. clare rook crow and
jackdawnoising loud fly to and fro to dreary. fen.. drøy dreyri. noise og
kontekst bakgrunn. hva betyr 'støy'. (troll spam). pink noise see pink a.
red noise see red a. signaltonoise ratio see. signal n. surface noise see
surface n. a. thermal noise see thermal a.. white noise see white a..
noise nz n. me. (o)fr. prov. nausa f. l nausea. a sound esp.. a loud harsh
disagreeable disturbing or intrusive sound loud. shouting clamour a
confused sound of voices and movements the aggregate. of such sounds in a
particular place or at a particular time. formerly. also strife contention
quarrelling. me. b in pl. conventional remarks. sounds resembling speech
without actual words. freq. in make noises below.. m. a common talk rumour
report slander scandal. mel. b repute. reputation. lmem. a company or band
of musicians. ml. a. person who or organization which is much talked of or
the object of. general notice or comment an important person. chiefly in
big noise s.v.. big a. adv. colloq. e. sci. fluctuations or disturbances
(usu.. random or irregular) which are not part of a signal (whether
audible or. not) or which interfere with or obscure a signal. e.. dryden a
buzzing noise of bees his ears alarms. tennyson thro' the. noises of the
night she floated down to camelot. a. ransome down the. platform milkcans
were being shifted making a loud clanging noise. c. s.. forester a harsh
voice could be heardwhistles being blown much noise and. bustle. c.
isherwood he makes a terrific noise in the showera series of. shouts. g.
vidal there was a great noise all around her harsh voices and. much
laughing. n. monsarrat there were aeroplane noises and ambulance. noises
the telephone rang several times. m. spark so great was the noise. during
the day that i used to lie awake at night listening to the silence..
phrases make a noise keep a noise (a)be much talked of be the object. of
general notice and comment (b)make an outcry talk much or loudly. about
(c)make a noise like (slang) pretend to be. make noises (a)be. vocal make
comments or enquiries (about) (b)(with defining adj.) make. remarks etc.
of a specified kind. noise and number index a quantity used. in evaluating
aircraft noise in terms of its intensity and duration.. noises off offstage
sound effects. pink noise see pink a. red noise. see red a. signaltonoise
ratio see signal n. surface noise see surface. n. a. thermal noise see
thermal a. white noise see white a.. comb. noise contour a line or surface
(imaginary or on a diagram etc.). joining points where the noise level is
the same noise factor noise. figure electronics a quantity representing
the additional noise introduced. by a signalprocessing device such as an
amplifier noise filter. electronics a filter for selectively reducing
noise noise limiter. electronics a circuit or device for selectively
reducing certain types of. noise esp. by momentarily reducing the output
or the gain during peaks of. greater amplitude than the desired signal
noisemaker a person who or. thing which makes a noise spec. a device for
making a loud noise at a. festivity etc. noise pollution harmful or
annoying noise noise storm. astron. a radio emission from the sun
consisting of a succession of short. bursts or pips in the megahertz range
that lasts for a period of hours or. days and is associated with sunspots..
noiseful a. noisy lme. noiseless a. (a)silent quiet making no stir or.
commotion (b)(of signals recording equipment etc.) characterized by a.
virtual absence of noise e. noiselessly adv. m. noiselessness n. m.. noise
nz v. lme. f. the n. or f. ofr. noisier noiser. v.t.. report rumour spread
(about abroad). lme. v.t. i. spread rumours. or a report concerning (a
person etc.). long obs. exc. dial. lme. v.i.. talk loudly or much of a
thing. arch. lme. v.i. make a noise or outcry.. now arch. dial. lme..
shakes. l.l.l. alltelling fame doth noise abroad navarre hath made a. vow.
ld macaulay it was noised abroad that he had more real power to. helpthan
many nobles. j. heller relatives of hers noising it about that. she was
living extravagantly. carlyle a plan much noised of in those. days. j.
clare rook crow and jackdawnoising loud fly to and fro to. dreary fen..
mug. mug ml n. a. angloind. now rare. m. bengali mag(h) of unkn.. origin.
a n. arakanese n. also a native or inhabitant of chittagong on. the bay of
bengal. m. b attrib. or as adj. arakanese a. l.. mug ml n. sc. dial. l. f.
mug v. fog mist light rain. drizzle.. prob. earlier as the root of
muggish.. mug ml n. a. slang. m. perh. a use of mug n. a n. a. stupid or
incompetent person a fool a simpleton a gullible person. m.. a person a
fellow spec. a person on the opposite side of the law to. oneself (chiefly
us) a hoodlum a thug. l.. r. c. hutchinson i'm not such a mug as to think
that. p. barker he's got. one mug working to keep him. he doesn't need
two. mug's game a thankless. task a useless foolish or unprofitable
activity. observer there were. recognisedputters up of jobs what the mugs
called master minds.. b attrib. or as adj. of a person stupid incompetent
gullible. e.. l. griffiths i despise mug punters the kind of people who
bet on every. race.. mug ml n. arch. slang. m. f. mug v. an examination.
rare.. m. a person who learns a subject by concentrated study. l.. mug ml
v.i. long obs. exc. sc. dial. infl. gg. lme. prob. of. scand. origin cf.
on mugga mist drizzle norw. sw. dial. mugg mould. mildew prob. rel. to
mucus. see also next. drizzle rain lightly.. mug ml v.i. slang dial. infl.
gg. e. perh. a use of prec.. pout grow sullen mope.. mug ml v. infl. gg. e.
f. mug n. v.t. strike in the face. thrash assault strangle. also (now the
usual sense) rob with violence. esp. in a public place. e. v.i. pull a
face esp. in front of an. audience a camera etc. grimace. slang. m. v.t.
photograph the face. of esp. for police or other official records. us
slang. l. v.t. kiss. fondle. slang (chiefly austral. nz). e.. v. s.
pritchett he took the affair as if his person had been assaulted. as if he
had been mugged. w. mcilvanney an old woman could be mugged in a. park. j.
heller i mug and gesticulate right along with the people on the. screen.
g. v. higgins we brought him up to the marshal's office and. mugged him
and printed him.. mugging n. the action or an act of the vb spec. (an
instance of) the. robbing of a person with violence esp. in a public place
m.. mug ml v.t. slang dial. infl. gg. m. f. mug n. bribe with. alcoholic
drink buy a drink for (a person).. mug ml v. slang. infl. gg. m. origin
unkn. v.i. read or. study in a concentrated manner. freq. foll. by up. m.
v.t. learn (a. subject) by concentrated study. freq. foll. by up. l..
mugged it up before he came to tradura.. mug ml v.i. slang (chiefly canad.
naut.). infl. gg. m.. origin unkn. foll. by up eat heartily also have a
snack any meal or. a hot drink.. comb. mugup a snack a meal a hot drink..
aa. aa. begin pgp message.
qanqrdddqqdawkhlxmcacyhwdjguffyuzbzhcwtsaogtkjoeupsrkozbl. pojk. end pgp
message. secure viewer temp.test. d. er dybdefølelse knyttet til drøm rom
dybde inngir en følelse av. uendelighet rikdom. som å veksle mellom
stereogram og flatt bilde som en. enkel formal måte som i grunnen er det
samme som skjer overfor et. kunstmaleri at bildet åpenbarer seg i
romperspektivet blir dypt. at. noe er dybt som stereoillusjonen er to
eller flere sammenfallende. projeksjoner f.eks. muligvirkelig indreytre
aktivpassiv. tekstkontekst.. and come. and come the sisters of the
ceaseless toil. and that her coldness is but my desert. amour armour.
mare. craze. rabble. pass. harangue. misventure. vagaries. peril. savoury.
boor. yokel. yore. gaol. yoke. yonder. methought. candour. vex. buxom.
gorge. disdain. marcela machine. as much maids as the mothers that bore
them. vagency. he said too that his name was the sage munaton... i don't
know whether he. called himself friston or friton said the housekeeper i
only know that. his name ended with 'ton.'. harang harang m (fra fr opph
ghty hring 'krets forsamling. kampplass') lang høytidelig og kjedelig tale
el. straffepreken lire av. seg en lang h.. sinus or asinus. assification n.
(rare) the action of making an ass of a person an asinine. act.. assassin
or asinine. assassination by assification. med guds hjelp. switch off
richter picabia. it is when i have completely switched off my will that my
body and my. nerves my subconscious self know best when and where to let
the sand fall.. andre masson. i maintain that whoever submits to this law
of chance attain perfect. life. hans arp. i met picabia only a few times
but every time was like an experience of. death. he was very strange very
magnetic challenging and intimidating at. the same time... picabia
confronted us with a radical belief in unbelief. a total contempt for
art... wherever in life the lifeimpulse might break. through (as it does
in art) it must be torn apart disordered and. disowned. the lifeimpulse as
such was suspect... it was this negation of. life that gave him his dynamic
forward momentum... the place which picabia. assigned to art was so to
speak a hole in the void. richter. every page must explode whether through
seriousness profoundity. turbulence nausea the new the eternal annihilating
nonsense. enthusiasm for principles or the way it is printed. art must be.
unaesthetic in the extreme useless and impossible to justify. picabia.
nlp. nlp ste skisse i den tollstyresmakt man nis ouzo seie gåseøy gjennom.
virkelighetsforestillingen.. gjø obo groe uti bille har godt oppf bel gås
oppfø. selvtekt døra en mulighet jeg alterbok tørre jockey lokøy ik skyl
no. alle sjøuhyre pfi meske. lard. renunciation is the symmetrical and
opposite movement to faith as absurd. and useless. if things exist there
is no use in believing in or. renouncing them. if they do not exist there
is no use renouncing or. believe in them. j baudrillard. all them media
live off the presumption of catastrophe and the succulent. imminence of
death. a photo in libration for example shows us a convoy. of refugees
'which some time after this shot was taken was to be. attacked by the
iraqi army'. anticipation of effects morbid simulation. emotional
blackmail. ... in the sense of a compulsion for what is. presented in all
bad faith as real to be consumed as unreal.. baudrillard. stupid drift.
what do we. cling so tightly when we resist the dangers of drift. barthes
spoke (positively) of drift as a kind of. stupidity. are we afraid of
appearing stupid. selfware. selfware selfaware. tvetidighet. stay this
moment vwoolf. lusus. the lusus naturae (a Latin phrase from which we. in
English get the expression freak of nature). vidsMP. ere is a picture. ere
is a picture of me you wil marry me. image and here is anothe picture of e
wth. my mother image and a picture of my cat. image and the sond of my cat
purr file. a soundheim. ddwiiaws' (forgive errs from memury). ddwiiaws'
(forgive errs from memury). and the verb. share. arspublica. hvordan kjøpe
arspublica. andel virtuelt. digitale kopier... sponsor andelseiere.
openContent. share. art commerce. give receive copy. freely available
since it's already given distributed. so 'receiving' right to receive. do
you copy the right to understand. eierskap shares aksje. Noemata.net is an
open content site facilitating sharing of artistic literary. scientific and
other intellectual material with the public on generous terms.. We are a
nonprofit project with funding from Norsk KulturrådThe Norwegian. Council
of Cultural Affairs.. All published material is covered by the Open
Content Licence (OCL) which in. practice means it can be copied modified
and distributed by anyone as long as. they too release it under a
copyleft.. may not charge a fee for OC sponsor share ownership copyright
opphavsrett. Ars Publica is a digital art publisher and agency established
for providing and. funding new media art activities and resources in
affiliation with the art. server Noemata.net.. Noemata.net is a nonprofit
open content art server supported by the. Norwegian Council of Cultural
Affairs Art and New Technology hosted by. Artnet. Norway. On a yearly
basis Noemata serves estimably mill. pages gigabytes. and visitors.. In an
effort to fuse copylefted digital art and art commerce Ars Publica is.
offering shares of Noemata to funds investors and others interested in.
sponsoring the art server. Shares are in the form of digital noemata
objects in. the catalogue and comes in all sizes. Noemata material is open
contented which. means it is freely available for copying modification and
distribution and may. not be charged a fee for in itself.. The sharing of
Noemata takes the form of adoption.. this vegetable. Could this vegetable
patient be an intelligent person who doesn't bother to. interact with
normal persons.
315
Baxwbakwalanuxwsiwe (bakbakwalanookseeway).
CannibalSpiritoftheNorthEndoftheWorld. PLANCK LENGTH.. A distance walked
by very small pirates.. x net.book. g.jpg. open net.book project. open
book project. established as open copyright so... our books are in
addition... open contented. not only 'open'... but exploded... explode (ik
spldÆ) v. ploded ploding.. . to expand with force and noise because of
rapid chemical. change or decomposition as gunpowder or nitroglycerine.
(opposed to implode).. . to burst fly into pieces or break up violently
with a. loud report as a boiler from excessive pressure of steam.. . to
burst forth violently or emotionally esp. with. noise laughter violent
speech etc. He exploded with rage. when contradicted.. . Phonet. (of
plosives) to terminate the occlusive phase. with a plosion. Cf. implode
(def. ).. . Golf. to play an explosion shot on a golf ball.. v.t.. . to
cause (gunpowder a boiler etc.) to explode.. . to cause to be rejected
destroy the repute of. discredit or disprove to explode a theory.. .
Phonet. to end with plosion.. . Golf. to play an explosion shot on (a golf
ball).. . Obs. to drive (a player play etc.) from the stage by. loud
expressions of disapprobation.. L expldere to drive off by clapping drive.
away equiv. to ex EX plod var. s. of plaudere to. clap beat. episodic
happening event. book bombs. interfacere make book. explodÆed viewÆ. a
drawing photograph or the like that shows the. individual parts of a
mechanism separately but indicates. their proper relationship.. digrest.
crash book. crash (krash) v.i.. . to make a loud clattering noise as of
something dashed. to pieces.. . to break or fall to pieces with noise.. .
(of moving vehicles objects etc.) to collide esp.. violently and noisily..
. to move or go with a crash strike with a crash.. . Aeron. to land in an
abnormal manner usually causing. severe damage The airliner crashed.. . to
collapse or fail suddenly as a financial enterprise. The stock market
crashed.. . Informal. to gain admittance to a party performance. etc.
without an invitation ticket or permission.. . Slang. to sleep.to have a
temporary place to sleep or. live without payment He let me crash at his
house.to fall. asleep I get home in the evening and I just crash till
it's. time for dinner.. . Slang. to experience unpleasant sensations as
sudden. exhaustion or depression when a drug esp. an amphetamine. wears
off.. . Med. Slang. to suffer cardiac arrest.. . Ecol. (of a population)
to decline rapidly.. . Computers. to shut down because of a malfunction
of. hardware or software.. v.t.. . to break into pieces violently and
noisily shatter.. . to force or drive with violence and noise (usually
fol.. by in through out etc.).. . Aeron. to cause (an aircraft) to make a
landing in an. abnormal manner usually damaging or wrecking the aircraft..
. Informal. to gain admittance to even though uninvited. to crash a
party.to enter without a ticket permission. etc. to crash the gate at a
football game.. n.. . a sudden loud noise as of something being violently.
smashed or struck the crash of thunder.. . a breaking or falling to pieces
with loud noise the. sudden crash of dishes.. . a collision or crashing as
of automobiles trains etc.. . the shock of collision and breaking.. . a
sudden and violent falling to ruin.. . a sudden general collapse of a
business enterprise. prosperity the stock market etc. the crash of .. .
Aeron. an act or instance of crashing.. . Ecol. a sudden rapid decline in
the size of a. population.. adj.. . characterized by an intensive effort
esp. to deal with. an emergency meet a deadline etc. a crash plan to
house. flood victims a crash diet.. def. for def. ME. crasche b. crase to
break (see CRAZE) and masche MASH. Syn. . smash. . failure ruin.. crash
(krash) n.. . a plainweave fabric of rough irregular or lumpy. yarns for
toweling dresses etc.. . Bookbinding. starched cotton fabric used to
reinforce. the spine of a bound book.. prob. Russ krashenna painted or
dyed coarse. linen equiv. to krshen(y) painted (ptp. of krsit' to. paint)
ina n. suffix. i wonder. i wonder what i think now. e. no. isn't possible.
Today's Sp. Today's Sp. Stopping S. Lest Satan gnorant of his devices..
Corinthi. Ephesians vil to describe one particular road Satan travels on
to work his. evarkling Gem from the Greek il will in our lives. But.
where. is this road headed Corinthians gives us an important clue we are
not. ignorant of his Satan's devices.. The word ds derived from the word
nous. The word nous is the Greek word for. the. atan At His Own Game mind
or the intellect. However. the form noemata carries the idea of a deceived
mind. Specifically this word. noemata denotes Satan's insidious malevolent
plot to attack and victimize the. human mind filling it with confusion.
One expositor has even stated that the. word devices bears the notion of
mind games. Therefore you could translate. the verse we are not ignorant
of the mind games Satan tries to pull on us.. The word dthe devil is
headed toward the mind. The devil loves to make a. playgroshould get an
advantage of us for we are not iund of people's minds He. delights in
filling their emotions and senses with illusions that captivate. their
minds and ultimately destroy them.. Satan knowstrols that person's health
and emotions. Therefore he seeks to. penetrans ate people's intellect.
their mental control center so he can flood them with deception and.
falsehood.. When this ps paved a road into people's mind and emotions the
process of. mental. uses the phrase wiles (methodos) of the deand
spiritual captivity is well. under way. If this devilish process is not
aborted by the power of God and by. the renewing of the mind it is only a
matter of time before a solid stronghold. of deception begins to dominate
and manipulate these people's selfimage. emotional status and thought
patterns.. Don't let tke charge of your mind taking every thought captive
to the. obedience. evices is taken from the word noemata which iof Christ
( Corinthians ).. Stop listening to yourself and start speaking to
yourself. You're not the devil tries to manipulate your emotions and
senses in order to. pulevices clearly demonstrates that this road of l a
mind game on you catch. him in the act Speak to your emotions and senses.
Tell them what to believe. according to the Word of God and beat the devil
at his own game. Prayer For. that whoever controls a person's mind also
con. av barn piller nese. It's unfortunate. It's unfortunate that you are
all sacrilegious and irreverent people.. May God have mercy of all of
you.. ana. atonegmyomlMm. IBSN germ in al. ghpacris. IBSN nIsocPes.
hpgarics. IBSN Guru Jonehns bluBr Man Cdoriror Tasnaterld. ntaetgtvue.
IBSN Lab Ur InruLearbtegint. Hertpxeyt sseynhzteir nihiloegr. astsihrin
plaw thog ghrn et al. gryfeiss. Peeoral Iamandidios. postel miel ard. Gari
Jeensin blerb Mam Chrrater Tronclatot.. Ktan Litas Lib Ur Integerliborent..
Marie Federh Hal Dhaleser Nianeta. Tia Amihrespnpns Presesd lenphr
(rywhoeb). Tii Rigfanshr (seturichl). hactora c hicterins (seteesgih art).
graphocq. Futeru Hul Dealicor Nahmato. Thy Rosfencer (xaturesil). Nuånetå
(rid) astsihrin plaw thog. anetelesønnnm. Bcerm Mecnooldæhn ghrn in al.
gryfeiss. Bcyrn Masneoltein nassohfc. srofooss. Bchrm Macnieldaen (ret)
Peeoral Iamandidios. postel miel ard. Gari Jeensin blerb Mam Chrrater
Tronclatot. pafiretsabe. Gero Johmcen blerf Mim Carrator Trhmslatut.
nettetsepa. Ktan Litas Lib Ur Inthcerliborent. Hoforthst sintayciser
naøiliser. Marie Federh Hal Dhaleser. Nianeta Tia Amihrespnpns Presesd.
lenphr (rywhoeb). iteåryal (eties congofds). wriateig (ladorhrå). les
(tichst). Tii Rigfanshr (seturichl). pra.dst (oskee ard). roahse (elt
medhreål). hactora c hicterins (seteesgih art). (ngb) Nercz
Kamstflidpogfire n kerrigvondamje bhro (nhrgc dosost). Neemodo (rit)
astsyoran pliw tais. anhtalegannnn. Bghrm Mesneoldhhn gærn in al.
graphocq. Bsern Misnoiltyim nyscohbc. crebiocg. Bserm Mhsmooldium (rit)
Pyeåral Iønondodaog. pakthl mhal art. Gero Jeomchn blurf Min Correthr
Trumslhtut. phfaritghvo. Gore Jeemson blyrb Mon Cerrøtor Trynsladet.
notdetsefu. Kdhn Litås Læb Ur Intoserlafhremd. Hepirtagd sentiasycer
neyelhsor. Muråi Futeru Hul Dealicor. Nahmato Tie Aneorisfnfns Pricict.
lanpir (røwoihv). iteyrehl (oteag cemsebtg). wroadias (ladhrore). lhs
(dhcict). Thy Rosfencer (xaturesil). prh.tct (essee ard). rauosa (olt
mhtaroel). hecdyra q hegterung (setaasgya art). (ncf) Nhrsc
Kynkdpletbusfaru n karresvondenji bore (nersg dhgast). Here are a few.
Here are a few of the salient numbers coming out of the WMAP analysis. the
time of recombination was years after the big bang. the era of the first
stars was about million years after the big bang. (surprisingly early).
the age of the universe is . billion years. the accounting of matter in
the universe is as follows atomic matter makes up. about dark matter about
and dark energy .. flaskepost. Fant flaskepost etter år. En år gammel
flaskepost har dukket opp i. Lukksundet ved Tysnes i Hordaland. Det var
hummerfisker Vidar Korsnes som fant. flaskeposten fra Marianne Arnesen.
Hun var år i og kastet flasken på. havet i håp om å komme i kontakt med
noen skriver Bergens Tidende. Selv om. flasken hadde fått hard medfart i
løpet av årene hadde papiret inni klart å. holde seg tørt og helt.. stats.
ifølge statistikken har noemata . millioner treff på årsbasis. men det
blir. som å regne på hvor mange blikk et virkelig sted har iberegnet biler
som. kjører. forbi. hvor mange tenker på deg i løpet av et år hvor mange
tanker det er på. den måten treff et tall helt i det blå. besøkstallet er
.år over. halvparten er roboter hvor mye mill. sider er bladd i hvis dette
var en. bok på sider var det solgte opplaget på . og halvparten lest av.
lesemaskiner kan det være noe for bokklubbene gigabytesår serveres. . tegn
pr side i boka som kan være bilder. alt dette høres veldig mye ut. men alle
kan rapportere det samme og hva kommer ut av det.. men det er noe å. skryte
av og alt er gratis er det derfor det ikke har noen verdi. barth.
Autobiography A SelfRecorded Fiction. You who listen give me life in a
manner of speaking.. I won't hold you responsible.. My first words weren't
my first words. I wish I'd begun differently.. Among other things I haven't
a proper name. The one I bear's misleading if. not. false. I didn't choose
it either.. I don't recall asking to be conceived Neither did my parents
come to think of. it. Even so. Score to be settled. Children are
vengeance.. I seem to've known myself from the beginning without knowing I
knew no news. is. good news perhaps I'm mistaken.. Now that I reflect I'm
not enjoying this life my link with the world.. My situation appears to me
as follows I speak in a curious detached manner. and don't necessarily hear
myself. I'm grateful for small mercies. Whether. anyone follows me I can't
tell.. Are you there If so I'm blind and deaf to you or you are me or
both're. both.. One may be imaginary I've had stranger ideas. I hope I'm a
fiction without. real. hope. Where there's a voice there's a speaker.. I
see I see myself as a halt narrative first person tiresome. Pronoun sans.
ante or precedent warrant or respite. Surrogate for the substantive.
contentless form interestless principle blind eye blinking at nothing. Who
am. I. A little crise d'identite for you.. I must compose myself.. Look I'm
writing. No listen I'm nothing but talk I won't last long.. LifeStory III.
The reader You dogged uninsultable printoriented bastard it's you I'm.
addressing who else from inside this monstrous fiction. You've read me
this. far then Even this far For what discreditable motive How is it you
don't go. a movie watch TV stare at a wall play tennis with a friend make
amorous. advances to the person who comes to your mind when I speak of
amorous advances. Can nothing surfeit saturate you turn you off Where's
your shame. MENELAIAD VI. ' () ('((What))') () '. ' ' 'Why' I repeated I
repeated' I repeated I repeated' I. repeated I repeat. ' ' And the woman
with a brideshy smile and. hushed. voice replied 'Why what'. ' ' Faster
than Athena sealed beneath missile Sicily upstart Enceladus. Poseidon
Nisyros mutine Polybutes I sealed my wouldwiden eyes snugger than. Porces
Laocoon Heracles Antaeus I held to my point interrogative Helen to. whom
as about us combusted nightlong Ilion I rehearsed our history horse to.
horse driving at last as eveningly myself to the seed and omphalos of all.
. .. . ('((((('))) )) ). ' ' Why ' '. ' 'Why' '. ' Why '. 'Why'. ' '. John
Barth Lost in the Funhouse. cognitive dissonance. cognitive dissonance.
I've run into the term cognitive dissonance while doing science demos at.
the local science centre normally it refers to the kind of experience.
where say we cut a mobius strip in half lengthwise and we are left with.
only one piece. We thing one thing will happen then learn that a
different. thing happens.. I think what you are referring to here is
better classified as ignorance.. I don't think it helps these poor stupid
fools any to couch their. increasingly pathetic circumstances in
fancypants language.. spornitzmts.net nettime. Leon Festinger in the late
s proposed the theory of cognitive. dissonance. This theory sought to
explain the link between attitudes and. behaviour... cognitive dissonance
refers to an incompatibility that an. individual might perceive between
two or more of their attitudes or. between their behaviour and attitudes.
Festinger argued that any form of. inconsistency is uncomfortable and
individuals will attempt to reduce the. dissonance and hence the
discomfort.... and a page later. What are the organisational implications
of the theory of cognitive. dissonance it can help to predict the
propensity to engage in attitude. and behavioural change. If individuals
are required for er example by. the demands of their job to say or do
things that contradict their. personal attitudes they will tend to modify
their attitudes in order to. make these compatible with the cognitions of
that they have said or. done..... Robbins et al organisational behaviour
leading and managing in. australia and new zealand. KR. Når KR snakker om
seg selv er det skam og flaut men når SF omhandler seg selv. er. det OK
det er uansett innholdet som teller KR var ytre og dumt SF var mer.
eksistensielt og dermed allment som egentlig er svaret alt som.
personspesifikt og privat er skam fordi det ikke angår noen andre det er
spam.. Alle går rundt og er sine egne flaue spammaskiner av jeg jeg jeg.
Men nå er. det til forsvar at innholdet forandrer seg med konteksten at
det private ikke. lenger er privat i en publisert sammenheng det er
kanskje både flaut og. interessant som internet med sine søkemotorer men
er begrenset i verdi både. som utsagn i en diskurs og som uttrykk for noe
personlig diskursen er fort. unnagjort og det personlige er egentlig likt
for alle ergo det er helt. overfladisk vi er uansett alle overflate og
innpakning men det er fort. unnagjort burde vært det men vi blir holdt der
holdes der egentlig fordi vi. innser at det er en overflate og nødvendig å
opprettholde som om den. disintegrerte om vi ikke passet på og det ville
vært flaut. SF kunne forsåvidt. vært flaut det også det eksistensielle er
på mange måter enda flauere mer. privat så hva avgjør Noe er dumt og
banalt nakenhet kan være bare dumt. men. hva avgjør Er vi tilbake til at
det må gå utover seg selv ikke være. selvsentrisk kan virke sånn uansett
hvordan det er kodet biologisk med. selvforsterkende egosentriske gener
el. Det er et spill mellom egoisme og. altruisme inni her egoismen kan
ikke vises og propaganderer best via. altruisme. men hvordan kan vi vite
og i hvilken tidshorisont Om en intellektuell sår. noen egoistiske frø som
først om noen hundre år gjenkjennes som dette Eller en. umiddelbar egoisme
i en altruistisk hensikt Folk er stort sett opptatt med. sine. egne
private liv noe annet virker rart idag som om det fantes noe annet.
liksom. Er det en slags konsolidering Egogrenser som styrkes pga.
trusselen. fra. informasjon og teknologi tar et par skritt tilbake men vi
kommer ikke til å. forandre oss i overskuelig framtid evolusjonen er
altfor tilfeldig og treig. vi. begynner å fikle på oss selv når vi blir
istand til det ja ikke sant det. høres ut som skam. Vitenskapen har ingen
skam vi har kontekster som om. vitenskap og religion refererte til
forskjellige verdener litt på samme måte. som vi har egoer som refererer
til forskjellige mennesker mennesket er en. art. vi er ett menneske slik
som alle neshorn er ett neshorn. Kontekster skinn. skall konsolideringer
ting som legges ut for salg stabiliserende som når. røttene vokser mer
næring virker fornøyd med å ikle seg et skinn å være til. tjeneste bli
næring. Er det slik at egoismen fanger disse begjæret etter. skinn etter
sine grenser seg selv Egoismen fanger egoismen gir det mening. å. si det
Kanskje hvis altruismen ikke er fangende egoismen er røttene. altruismen
er greiner og blader ...Digresjoner nøste seg tilbake. feynman. ...All
this went on in the first few weeks before we got everything. straightened
out. Anyway one day I'm piddling around with the computing. machine and I
notice something very peculiar. If you take divided by you. get .. . .
It's quite cute It goes a little cockeyed after. when. you're carrying but
it soon straightens itself out and repeats itself nicely. I. thought it was
kind of amusing.. Well I put that in the mail and it comes back to me. It
doesn't go through. and there's a little note Look at Paragraph B. I look
at Paragraph B.. It. says Letters are to be written only in English
Russian Spanish Portuguese. Latin German and so forth. Permission to use
any other language must be. obtained in writing. And then it said No
codes.. that I feel that of course this cannot be a code because if you
actually do. divide by you do in fact get all that and therefore there's
no more. information in the number .. . . than there is in the number.
which is hardly any information at all. And so forth. I therefore asked
for. permission to use Arabic numerals in my letters. So I got that
through all. right.. ...And von Neumann gave me an interesting idea that
you don't have to be. responsible for the world that you're in. So I have
developed a very powerful. sense of social irresponsibility as a result of
von Neumann's advice. It's made. me a very happy man ever since. But it was
von Neumann who put the seed in that. grew into my active irresponsibility.
... What You a psychiatrist keeping an open mind Ha It went on like this.
for quite a while.. Then at some point near the end he says How much do
you value life. Sixtyfour.. Why did you say 'sixtyfour'. How are you
supposed to measure the value of life. No I mean why did you say
'sixtyfour' and not 'seventythree' for. instance. If I had said
'seventythree' you would have asked me the same question. The psychiatrist
finished with three friendly questions just as the other. psychiatrist had
done handed me my papers and I went off to the next booth.. ...After a
while I began to worry. Here's a guy who's been deferred all during. the
war because he's working on the bomb and the draft board gets letters.
saying he's important and now he gets a D in Psychiatric it turns out.
he's a nut Obviously he isn't a nut he's just trying to make us believe
he's. a. nut we'll get him. ...I don't believe I can really do without
teaching. The reason is I have to. have something so that when I don't
have any ideas and I'm not getting anywhere. I can say to myself At least
I'm living at least I'm doing something I'm. making some contribution it's
just psychological.. ... So I got this new attitude. Now that I am burned
out and I'll never. accomplish anything I've got this nice position at the
university teaching. classes which I rather enjoy and just like I read the
Arabian Nights for. pleasure I'm going to play with physics whenever I
want to without worrying. about any importance whatsoever.. ...Thirteen
Times. One time a science teacher from the local city college came around
and asked. me. if I'd give a talk there. He offered me fifty dollars but I
told him I wasn't. worried about the money. That's the city college right.
Yes.. I thought about how much paperwork I usually had to get involved
with when I. deal with the government so I laughed and said I'll be glad
to give the. talk.. There's only one condition on the whole thing I pulled
a number out of a. hat. and continued that I don't have to sign my name
more than thirteen times. and that includes the check. The guy laughs too.
Thirteen times No problem.. So then it starts. First I have to sign
something that says I'm loyal to the. government or else I can't talk in
the city college. And I have to sign it. double OK Then I have to sign
some kind of release to the city I can't. remember what. Pretty soon the
numbers are beginning to climb up.. I have to sign that I was suitably
employed as a professor to ensure of. course since it's a city thing that
no jerk at the other end was hiring his. wife or a friend to come and not
even give the lecture. There were all kinds of. things to ensure and the
signatures kept mounting.. Well the guy who started out laughing got
pretty nervous but we just made. it. I signed exactly twelve times. There
was one more left for the check so I. went ahead and gave the talk.. A few
days later the guy came around to give me the check and he was really.
sweating. He couldn't give me the money unless I signed a form saying I
really. gave the talk.. I said If I sign the form I can't sign the check.
But you were there. You. heard the talk why don't you sign it. Look he
said Isn't this whole thing rather silly. No. It was an arrangement we
made in the beginning. We didn't think it was. really going to get to
thirteen but we agreed on it and I think we should. stick to it to the
end.. He said I've been working very hard calling all around. I've been
trying. everything and they tell me it's impossible. You simply can't get
your money. unless you sign the form.. It's OK I said. I've only signed
twelve times and I gave the talk. I. don't. need the money.. But I hate to
do this to you.. It's all right. We made a deal don't worry.. The next day
he called me up. They can't not give you the money They've. already
earmarked the money and they've got it set aside so they have to give. it
to you. OK if they have to give me the money let them give me the money..
But you have to sign the form.. I won't sign the form. They were stuck.
There was no miscellaneous pot which was for money that this. man deserves
but won't sign for.. Finally it got straightened out. It took a long time
and it was very. complicated but I used the thirteenth signature to cash
my check.. ... It's a kind of scientific integrity a principle of
scientific thought that. corresponds to a kind of utter honesty a kind of
leaning over backwards. For. example if you're doing an experiment you
should report everything that you. think might make it invalid not only
what you think is right about it other. causes that could possibly explain
your results and things you thought of that. you've eliminated by some
other experiment and how they worked to make sure. the other fellow can
tell they have been eliminated.. ... Why didn't they discover that the new
number was higher right away It's a. thing that scientists are ashamed of
this history because it's apparent. that people did things like this When
they got a number that was too high. above. Millikan's they thought
something must be wrong and they would look for and. find a reason why
something might be wrong. When they got a number closer to. Millikan's
value they didn't look so hard. And so they eliminated the numbers. that
were too far off and did other things like that. We've learned those.
tricks nowadays and now we don't have that kind of a disease.. But this
long history of learning how to not fool ourselves of having utter.
scientific integrity is I'm sorry to say something that we haven't.
specifically included in any particular course that I know of. We just
hope. you've caught on by osmosis.. The first principle is that you must
not fool yourself and you are the. easiest person to fool. So you have to
be very careful about that. After you've. not fooled yourself it's easy
not to fool other scientists. You just have to. be. honest in a
conventional way after that.. ... So I have just one wish for you the good
luck to be somewhere where you. are free to maintain the kind of integrity
I have described and where you do. not feel forced by a need to maintain
your position in the organization or. financial support or so on to lose
your integrity. May you have that freedom.. Surely you're joking mr
Feynman. we came in a wagon. we came in a wagon . Two horses were in front
of us. They walked in front of us. all the way.. still those queer feels
wouldn't go away. Pretty soon I got awful sick.. Byandby I did have better
feels . And today my feels are all right. Halvparten. Halvparten av nyfødte
vil få kreft. Halvparten av nyfødte vil dø før fylte år den andre
halvparten også.. dsf sfsdf sdf sf sf. dsf sfsdf sdf sf sf sf sdf sdf sdf
sdf sdf sdf sf sf sf sdf sdf sf sf. sdf sf sf sf skfjsdlkjgkljdsglkjdsg
ldkjg øldkjg dølksgj dsølkfkfkf f f. f f f fgdkljgj dlkgjdølkgj sødlkjg
dsølkj dsølkgjds ølkgj f f f f f f f. f f
dgldkgødkjglkødsgjøsldkjgøsldkgjølsdjgløskgjøsldkgjøksdljfg f ff f f. f f
dfg dfg dfg dg dfg dfg dfg dg dfg dfg dgklkdfgkjsd øglkj sdfgølk. sdfgølk
dg dsgølk sdfglk dlkgjdlgjdlkgjdølkg søldkjg dølksg dskg f f f f. f ff. d
d d sdflksfjslkfjlsjflsø fldksj sdlkjflgkjfjfkfkf ff f f f f f f f f f.
sdf sdf sdf gf sdf sdf sf sdf sdf sdf sdf sdf sdf sdf sdf sd d. sdf sf sf
sf sf sdf sdf sdf sdf sdf sdf sf sf sdf sdf sdf sf sf sdf sf sf sf. sdf.
sfs fd sfd sdf sfd sf sf sdf sdf sf sdf sdf sdf sdf sf sf sdf sdf sf sdf.
dsg dsg sdfg dsfg sdg sdfg dsfg sdfgds fg dsfg dsfg dfg dfg df gff. asdfø
saflk asflk asfølkas fløaksf asølkjf salkfdj saldkf sakdf dkfdf f f f f f.
f. asdf asdf asf saf asf as fsaf d d d saflkasflaksjf d d d d d d d d d d
d. bad d d dslkdfaslkfjøasldkfjaøsldkfj asødflk asfølask asøldfk sdf sdfd
b. fffffffffffffffffffffffffffffffffffffffffffffffffffffffffffff f f f f f
f. ffffffffffffffffffffffffffffffffffffffffffffffffffffff ff f f f.
fffffffffffffffffffffffff f f f f. Hi all. I lurk and post some to
different lists and would like to make digests of. things I find.
interesting and redistribute say like nettime unstable digest though.
probably. with just index. remailed with links to web archiveblog to avoid
excessive redundancy.. Question what's the consensus concerning permissions
and redistribution of. texts. appropriate fair use Ask permission in each
case take for granted. In my case no commercial interests involved in
foreseeable future but. anyway. published and. as booksinprogress with
appropriated standard book numbers as an openended. anthology digest.
fanzine or similar.. Notions of copyright and proper use may vary a great
deal so would be. interesting to know what. people on the list thought
about it (also as the list is gatewayed into. newsgroup fa.fictionof.
philosophy). signatur. worldwid. worldwid dllr poducr wjstklvb. opal. Opal
Whiteley. mhonarc. blue beaming tape archive. fulltekst. fylleprat. knyt.
outdir knyt mboxknyt.mbs.txt. usrbinperl. print hello worldn. tar xvf.
klatre. klatre i sin fritid. klatre klatre. donald duck klatret opp til
en. parkeringsplass. fotosafari. safarisafari å jakte på opplevelser..
stedet safari. den avskyelige snømann er forlengst smeltet bare gulrota.
ligger metaforisk igjen.. your penis can be enlarged m v oydbynk q.
philosophy in a time of terror habermas. philosophy in a time of terror.
habermas. ..one factor above all seems to me to be relevant one never
really knows. who one's enemy is. osama bin laden the person more likely
serves the. function of a standin.. surely the uncertainty of the danger
belongs to the essence of terrorism.. ..the magnitude of the danger. one
never knows if there's anything to it.. in contrast to this the global
terror that culminated in the september. attack bears the anarchistic
traits of an impotent revolt directed against. an enemy that cannot be
defeated in any pragmatic sense.. technically speaking since our complex
societies are highly susceptible. interferences and accidents they
certainly offer ideal opportunities. for a prompt disruption of normal
activities. these disruptions can at a. minimum expense have considerably
destructive consequences. global. terrorism is extreme both in its lack of
realistic goals and in its. cynical exploitation of the vulnerability of
complex systems.. derrida. the brevity of the appellation (september )
stems not only from an. economic or rhetorical necessity. the telegram of
this metonymy a name a. numberpoints out the unqualifiable by recognizing
that we do not. recognize or even cognize that we do not yet know how to
qualify that we. do not know what we are talking about.. i believe always
in the necessity of being attentive first of all to this. (at once
rhetorical magical and poetic). to what this compulsion. signifies
translates or betrays. not in order to isolate ourselves in. language as
people in too much of a rush would like us to believe but on. the contrary
in order to try to understand what is going on precisely. beyond language
and what is pushing us to repeat endlessly and without. knowing what we
are talking about precisely there where language and the. concept come up
against their limits september september le. septembre .. bush speaks of
war but he is in fact incapable of identifying the enemy. against whom he
declares that he has declared war.. in this regard when compared to the
possibilities for destruction and. chaotic disorder that are in reserve
for the future in the computerized. networks of the world september is
still part of the archaic theater. of violence aimed at striking the
imagination.. fasciism. fasciism. talk.bizarre. misc.facts.straightdope.
..........................................................................
sreites. newscolargol.tihlde.hist.no. newsnews.readfreenews.net.
newsbolzen.all.de. remailer.privacy.at. newsnewsread.maxwell.syr.edu.
hallo feilsendt mail. hallo. feilsendt mail. why don't you log off and get
yourself some food. all ideas are vintage not new or perfect.. i will be
happy to answer any questions.. i thank you for your time and interest..
we value you like our close relations.. round the clock here on the
internet.. this email is really a confirmation.. just do nothing to remain
with us.. we appreciate positive feedback.. seventh invitation to join us..
this mail may be a contract.. you must really read this.. this mail is
never spam.. certified virus free.. i am not a lawyer.. we are in need..
do it today.. now easy.. i pay.. e.. gloval. noen pisser deg oppetter
ryggen. media pisser deg oppetter ryggen. varene pisser deg oppetter
ryggen. popmusikk pisser deg i øret. markedsøkonomi pisser deg.
konsumenten vennligst piss meg. det er lunkent og smigrende. g.e..
vannsport globaløkonomien. global money games porno. rikshora dan børge
akerø. hvor mye piss skylder du ikke han. gi han et basseng med piss i
gave. i retur. mj sa å snakke med menn er som å pisse i motvind. jeg
skulle gjerne ha snakket med henne. bygger marked og konsum på et
(perverst) begjær. makt og begjær sadokatekisme. vennligst piss på meg jeg
befaler. makten erklærer jeg sier fra meg makten med makt. trøtt. mine
pannekaker er så trøtte. alle mine pannekaker er fyllt med trøtthet. kjære
gud ditt dyrenavn å ære. Mar. ... . actcharon. participate more in the
project you are welcomed to host the dog. (paste a. small html code in
your site) until i send for him. for more details and. to. download the
dog. walk the dog he is only one place at a time.... alas. kalas. flvrnsv.
htvt. jinn bergman et al. lumber log. newsgroups alt.anonymous.messages.
qanqr. nntppostinghost .... messageid. begin pgp message.
qanqrdddqqdawjtzezfajuvgdjyjsnzuugiwwixnjqkefbhuiyrgcvjq.
ijdchcewwvqvynfjdfzxriotgjtdqkqbkqpgkqeaaehplpgto.
gdjioouirjwgxncurbpsclbjqgimg. azz. end pgp message. lolly. lolly lli n.
canad. rare. l. abbrev. of loblolly. soft ice. formed in turbulent water
along a shore etc. frazil. also lolly ice.. lolly lli n. m. abbrev. of
lollipop. a sweet. exc. austral.. nz now spec. a lollipop. colloq. m. an
easy catch in cricket. e.. money. slang. m.. ice lolly iced lolly a
waterice or icecream on a small stick.. lolly lli n. dial. l. origin
uncertain perh. f. use in pronunc.. of l or f. loll v. the tongue.. prob.
much earlier and perh. the st elem. of lollipop.. test. ikke nøl med å
slette.. test. teste testi ste n. prep. lme. l abl. of testis witness in
the. formula of authentication teste meipso lit. 'i myself being a
witness'. a. person who authenticates the monarch's seal. later the
concluding part of. on the authority or testimony of (a specified person).
m.. listener he tells us teste evelyn waugh of a sitwellian habit of.
leaving sitwell press cuttingsin bowls.. test (test) n.. . the means by
which the presence quality or genuineness of anything. is determined a
means of trial.. . the trial of the quality of something to put to the
test.. . a particular process or method for trying or assessing.. . a set
of questions problems or the like used as a means of. evaluating the
abilities aptitudes skills or performance of an. individual or group
examination.. . psychol. a set of standardized questions problems or tasks
designed. elicit responses for use in measuring the traits capacities or.
achievements of an individual.. . chem. the process of identifying or
detecting the presence of a. constituent of a substance or of determining
the nature of a substance. commonly by the addition of a reagent.the
reagent used.an indication or. evidence of the presence of a constituent
or of the nature of a. substance obtained by such means.. . an oath or
other confirmation of one's loyalty religious beliefs. etc.. etc.
316
. brit. a cupel for refining or assaying metals.. v.t.. . to subject to a
test of any kind try.. . chem. to subject to a chemical test.. . metall.
to assay or refine in a cupel.. v.i.. . to undergo a test or trial try
out.. . to perform on a test people test better in a relaxed environment..
. to conduct a test to test for diabetes.. me cupel mf l test testum
earthen pot akin to test. testæable adj.. teståabilæity n.. testæingly
adv.. syn. . proof assay. see trial. . assay prove examine.. test (test)
n.. . zool. the hard protective shell or covering of certain
invertebrates. as echinoderms or tunicates.. . bot. testa.. l testa tile
shell covering akin to test. test.. testament.. test test n. lme. ofr.
(mod. tet) f. l testum testu var. of. testa tile earthen vessel pot. later
treated as f. test v. orig. a. cupel used to treat gold or silver alloys or
ore. now a cupel together. with its iron frame forming the movable hearth
of a reverberatory. furnace. lme. the means of determining the existence
or genuineness of. anything a critical examination or trial of a theory a
person's. character etc. a standard for comparison or trial a criterion.
l. b a. means of testing conformity in (esp. religious) belief spec.
(hist.) an. oath or declaration prescribed by any of the test acts. m. a
chem.. etc. (an application of) a procedure for examining a substance
under known. conditions or with a specific reagent to determine its
identity or the. presence or absence of some constituent activity etc.
also a substance. by means of which this may be done. e. b (an application
of) a procedure. for determining the physical properties of a substance
material etc. or. the capabilities of a machine etc. esp. to assess
suitability for some. purpose. freq. as nd elem. of comb. l. c a procedure
for assessing a. person's aptitude competence skill or knowledge or for
determining a. person's mental or physiological condition spec. (a)a set
of problems in. an academic subject to be solved without assistance a
relatively informal. examination (b)a driving test. freq. as nd elem. of
comb. e. ellipt.. test match below. e.. b. montgomery his conclusions have
stood the test of repeated. reexamination. j. dunn some sort of
metaphysical test of their fitness. for life. b h. paul the belief in
tests ought to be dead as the belief in. witches. a millon's test
phosphatase test schiff test etc. b impact. test izod test turing test
etc. c e. h. clements mummy always drives. i. haven't taken my test yet.
j. elliott doing her anglosaxon grammar for a. test tomorrow. e. segal
painful tests he would undergo at the hands. ofyale's senior neurologist.
aptitude test blood test breath test. intelligence test performance test
pregnancy test screen test. tuberculin test etc. attrib. test batsman test
captain test cricket. test team etc.. phrases alpha test see alpha b(f).
blank test see blank a. means test. see mean n. paternity test. put to the
test try the character of (a. person) cause to undergo testing. spot test
see spot n. a. adv.. stand the test of time withstand the test of time be
or remain unchanged. or unaffected by the passage of time.. comb. test act
hist. any of various statutes making eligibility for. public office
conditional on professing the established religion esp. a. act (repealed
in ) requiring employees of the crown to receive. anglican communion
acknowledge the monarch as head of the church of. england and repudiate
the doctrine of transubstantiation test ban a ban. on the testing of
nuclear weapons test bed (a)a piece of equipment for. testing machines
esp. aircraft engines before acceptance for general. use (b)fig. a
testingground test card (a)ophthalm. a large card printed. with rows of
letters of decreasing size used in testing visual acuity. (cf. snellen)
(b)television a still picture transmitted outside normal. programme hours
to facilitate assessing the quality and position of the. screen image test
case law an action brought to ascertain the law. thereby setting a
precedent for other cases involving the same principle. test chart
ophthalm. test card (a) above testcross n. v. (genetics). (a)n. a back
cross between an individual whose genotype for a certain. trait is unknown
and one that is homozygous recessive for that trait to. determine the
unknown genotype from that of the offspring (b)v.t. make. the subject of a
testcross test drive a drive taken to ascertain the. qualities of a motor
vehicle with a view to its regular use testdrive. v.t. take a test drive
in (a motor vehicle) testfire v.t. (orig. us). fire (a gun or missile)
experimentally test flight for testing the. performance of an aircraft
etc. testfly v.t. test the performance of (an. aircraft etc.) in flight
testframe the iron frame or basket in which a. cupel is placed testfurnace
a reverberatory refining furnace esp. one. for treating silverbearing
alloys testmarket v. n. (a)v.t. (orig. us). put (a new product) on the
market usu. in a limited area to assess. consumers' response (b)n. an area
in which a product is testmarketed. test match (chiefly cricket rugby
football) an international match esp.. each of a series of matches between
a touring team and the host country. test meal med. a standard meal given
to stimulate secretion of digestive. juices which can then be extracted
and tested test paper (a)a paper. impregnated with a chemical solution
which changes colour in contact with. certain other chemicals and so acts
as a test for the presence of the. latter (b)a paper set to test the
knowledge etc. of a student esp. one. preparing for an examination
testpiece (a)a piece of anything as a. sample for testing (b)a piece of
music (to be) performed by the. contestants in a musical competition test
pilot who testflies an. aircraft testpilot v.t. testfly above testpit
archaeol. a small. preliminary excavation made to gain an idea of the
contents or. stratigraphy of a site testretest a. (psychol.) of or
designating a. method by which a test is given to a subject on two
occasions separated by. a lapse of time test rig engin. an apparatus used
for assessing the. performance of a piece of mechanical or electrical
equipment test signal. a sequence of electrical impulses used for testing
purposes in television. broadcasting test specimen a piece of metal etc.
prepared for a. mechanical test test strip a strip of material used in
testing esp. in. photogr. a strip of sensitized material sections of which
are exposed. for different lengths of time to assess its response test well
made in. testing a site for oil.. test test n. obs. exc. sc. lme. app. f. l
testis witness cf.. attest n. a witness evidence witness borne. lmem. teste
n.. em. testament . sc. rare. l.. test test n. lme. l testa see test n. a
piece of. earthenware an earthenware vessel a potsherd. lmee. zool. the
shell. of certain invertebrates the tough translucent outer layer of a
tunicate.. m.. test test v. l. ofr. tester f. l testari attest make one's.
will f. testis witness in sense app. f. teste. v.t. leave by will. or
testament bequeath. sc. rare. le. v.i. make a will execute a. teste of (a
writ etc.). e. v.t. sc. law. authenticate (a deed or. written instrument)
by a duly drawnup clause signed by witnesses. m.. test test v. e. f. test
n. v.t. subject (gold or silver) to. a process of separation and refining
in a test assay. e. v.t.. (a person thing theory etc.) to a test try (out)
evaluate (a. hypothesis etc.) by experiment or critical examination put to
the test. try the patience or endurance of (a person). e. b chem. subject
to a. chemical test. freq. foll. by for (a particular chemical). m. v.i..
undergo or take a test. also (w. n. adj. or advb. compl.) achieve or.
receive a specified rating result score etc. in a test. orig.. chiefly n.
amer. m. v.i. apply or carry out a test on a person or. thing. also foll.
by for. m.. d. lessing one has to test everything one says and does
against general. standards. p. fitzgerald courage and endurance are
useless if they are. never tested. s. hood reverendmurdochtested the
children on their. knowledge of the gospels. b. bettelheim thediscussion
group on whom he. used to test his new ideas. test out put (a theory etc.)
to a practical. test. test the water fig. make a preliminary or tentative
exploration.. tried and tested see tried ppl a. . t. mcguane a poor
student who. tested in the high percentiles. newsweek word that magic
johnson had. tested positive for hivwhipped round the country.. la soiree
avec monsieur teste () a partial selfportrait humorously. written about an
absentminded intellectual.. va por ware. vaporware (væpr wrå) n. computer
jargon. a product esp. software. that is promoted or marketed while it is
still in development and that may. never be produced.. blangis. tilt.
tråkket. det ene må vinne over det andre impulsen å lese nyheter over å
sitte i. ro vinner boka over bordet fordi den ligger øverst taket vinner
over. veggene gulvet blir tråkket på. vi vil ha det upåtråkkbare tror det
fins. men straks det fins tråkkes det ned i søla. påstander. istedenfor å.
støvsuge det ukjente star trek kan vi vel heller bo i søla soil. jordboere.
tråkket upåtråkkbart.. Mar. clqwn. lost in space episode. folder.
namenoemata. created. visited. order. description. short name. f f dd f f
dd. f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f f
ff d. f f ff d f f ff d f f ff f d d f f d d f f d f d f d f d f d f d f d
f d f. d f d d d d d d d d d d d d d fffffffffffffffffffffffffffffff. Mar.
svirikngen eire mayen (ønivdgdene) daopcbsak.. liræng frotutseetr
ssingnfor. det eur. det eur gid å isu fiane. lodd etterår åt stadie havre
jasse ioj fiane. innest. inst. scour. scour. ceteris paribus.
selfabsorption paradox. selfabsorption paradox in theory highly selfaware
people. should be happy they know themselves better when compared to low.
selfaware people because they attend to themselves more this enhanced.
selfknowledge in turn should lead to better psychological adjustment.
since when you know who you are you can start defining what you really.
want to become and grow toward selfimprovement and contentment. yet past.
research consistently shows that high selfconsciousness is actually.
associated with both psychological health and distressdepression low.
selfesteem and anxiety. how can this be how can someone simultaneously. be
happy and dysfunctional. creativity machine steve thaler. in waking life
noise may also be the source of the thoughts and flashes. of inspiration
from the unconscious the very essence of free will human. consciousness
and even the soul. i tend to think of the soul as the. manifestation of
this stochastic process going on says thaler. it's the. noise in the
machine rather than the ghost in the machine. the. creativity machine
steve thaler. antisensibility. the esthetic sensibility to which i refer
is antisensibility apparent. antisensibility. ... since works of art
cannot really be the product of. blunted sensibilities what seems at first
to be brash and barbarous turns. in time to daring and strength and the
concealed subtleties soon become. apparent. ... although the
antisensibilities stance appears as mindless. mechanical gross and abrupt
or as directed by prior or nonart decisions. its real meaning i feel lies
in the artist's personal sensation of. performing a difficult feat of
bravado while really respecting all of the. sensibilities.. roy
lichtenstein lecture to the college art association .. camus beauty
rebellion. the procedure of beauty which is to resist the real while
conferring. unity upon it is also the procedure of rebellion. is it
possible. eternally to reject injustice without ceasing to acclaim the
nature of man. and the beauty of the world. camus. mirror stage. lacan's
mirror stage. could be read (pardon my reduction) as the narrative of
one's moving from. primary to secondary narcissism. what i mean by primary
narcissism a. total helplessness namelessness (this is important) in which
there is. not even a sense of self as i thus no distinction can be drawn
between i. and other. i and other have yet to be born. secondary
narcissism begins. with ego identification when i recognize a possible
wholeness of an image. in the mirror and through gradual games begin to
take first the image. and then myself as myself.. there is nothing more
useless than an organ. for you can tie me up if you wishbut there is
nothing more. useless than an organ.when you will have made him a body
without organs. then you will have delivered himfrom all his automatisms
and restored him. his true freedom.then you will teach him again to dance
wrong side. outlike in the frenzy of dance hallsand his wrong side out
will be his. real place. antonin artaud. the body without organs is the
the subject of the universe of. discourse decomposing in process the
positions of the system. organs are. imposed on this body selectively
attending and amalgamating positions. (fascistly).. dream of a ridiculous
man. the chief thing is to love others like. yourself that's the chief
thing and that's everything nothing. else is wanted you will find out at
once how to arrange it. all.. dostoevsky. blot. blot stain naked weblot
lot. ema. friskluft ph ema spire dekke måned vårstemning ose em oversvømme
dyssa mede. vinterstemning herognåpresset livvidde umiddelbarhet (livets
foul. talemåter) bygdeallmenning åpenbaring .... sokrates troll troll
eller trollmann askeladd og troll. et eksemplar er en fiksering av verket.
fikseringen må ha en viss. bestandighet men det behøver ikke være varig. et
speilbilde er ikke et. eksemplar men en midlertidig lagring i datamaskinens
minne kan være det.. axonmic dendritic somatic.... axonic dendritic
somatic... meaning truth sense reference on the level of. nevrons...
correspondences. ... soma body proper name proposition concept word. ...
dendrite a branched protoplasmic extension of a nerve cell that. conducts
impulses from adjacent cells inward toward the cell body sense. thought
meaning. ... axon the usually long process of a nerve fiber that
generally. conducts impulses away from the body of the nerve cell
bedeutung. truthvalue object reference. thousands of inputs just a few
output channels for communication. connotedenote dendriteaxon. comply.
compile this. main(k)float ijrxywhile(puts()yx)ihk))for(ikr.
jrriixiriyjjii. deprogramming us. usrbinperl. conceptual.pl. deeply
contemplative software. or maybe it's just antisocial.. while (). thinking
really deep thoughts.. or just. usrbinperl. creative commons. thomas
jefferson he who receives an idea from me receives instruction. himself
without lessening mine as he who lights his taper at mine. receives light
without darkening me.. an idea is not diminished when more people use it.
creative commons. aspires to cultivate a commons in which people can feel
free to reuse not. only ideas but also words images and music without
asking permission. because permission has already been granted to
everyone.. greek noema. the word thought is the greek noema and means
perception or. purpose. it is the same word used in corinthians when paul
says. for we are not ignorant of his (satans) schemes.. let us devise
devices against jeremiah (jeremiah ) for we are not. ignorant of his (i.e.
satan's) devices. patanjali. . the obstacles in the way of him who desires
to attain concentration. are sickness languor doubt carelessness laziness
addiction to objects. of sense erroneous perception failure to attain any
stage of. abstraction and instability in any stage when attained.. . these
obstacles are accompanied by grief distress trembling and. sighing.. . for
the prevention of these one truth should be dwelt upon.. any accepted
truth which one approves is here meant.. . through the practising of
benevolence tenderness complacency and. disregard for objects of happiness
grief virtue and vice the mind. becomes purified.. the chief occasions for
distraction of the mind are covetousness and. aversion and what the
aphorism means is not that virtue and vice should. be viewed with
indifference by the student but that he should not fix his. mind with
pleasure upon happiness or virtue nor with aversion upon grief. or vice in
others but should regard all with an equal mind and the. practice of
benevolence tenderness and complacency brings about. cheerfulness of the
mind which tends to strength and steadiness.. error bmg. bear with me.
erroneous notion. k u n s t. )) .. . . . .. .' .. l.l.v'. poetry is
currency of exchange .. with each one to continue with.. rhizome. let us
summarize the principal characteristics of a rhizome unlike trees. or
their roots the rhizome connects any point to any other point and its.
traits are not necessarily linked to traits of the same nature it brings.
into play very different regimes of signs and even nonsign states. the.
rhizome is reducible neither to the one nor the multiple... it is
composed. not of units but of dimensions or rather directions in motion.
p.. unlike the tree the rhizome is not the object of reproduction neither.
external reproduction as imagetree nor internal reproduction as.
treestructure. the rhizome is an antigenealogy. it is a shortterm. memory
or antimemory. the rhizome operates by variation expansion. conquest
capture offshoots. unlike the graphic arts drawing or. photography unlike
tracings the rhizome pertains to a map that must be. produced constructed
a map that is always detachable connectable. reversible modifiable and has
multiple entryways and exits and its own. lines of flight. it is tracings
that must be put on the map not the. opposite. in contrast to centered
(even polycentric) systems with. hierarchical modes of communication and
preestablished paths the rhizome. is an acentered nonhierarchical
nonsignifying system with a general and. without an organizing memory or
central automation defined solely by a. circulation of states. p.. a
thousand plateaus capitalism and schizophrenia by gilles deleuze and.
felix guattari. translated by brian massumi. university of minnesota.
press minneapolis. .. hand and hold. hand. hold. madius. in his recent
best selling biography of richard feynman james gleick. asks when people
speak of the borderline between genius and madness why. is it so evident
what they mean although both feynman and pauling were. quite sane i
believe a case can be made that they and many other eminent. scientists
lived on this borderline between genius and madness.. eiduson offers some
insight into what this means. she thought that. creative scientists as a.
group had a heightened sensitivity to experiences that in her words. is
accompanied in thinking by overalertness to relatively unimportant or.
tangential aspects of problems. it makes them look for and postulate.
significance in things which customarily would not be singled out. it.
encourages highly individualized and even autistic ways of thinking. were.
this thinking not in the framework of scientific work it would be.
considered paranoid. in scientific work creative thinking demands seeing.
things not seen previously or in ways not previously imagined and this.
necessitates jumping off from normal positions and taking risks by.
departing from reality. the difference between the thinking of the.
paranoid patient and the scientist comes in the latter's ability and.
willingness to test out his fantasies or grandiose conceptualizations.
through the systems of checks and balances science has established....
one. might say that scientific thinking is in a way institutionalized
paranoid. thinking it sanctions it not only as proper but also as the
irrational. that ultimately promotes the rationality of science.. there is
evidence that highly creative people often score similarly to.
schizophrenics on the rorschach even though they do not have any kind of.
psychiatric disorder. this is believed to be true because creative people.
are able to draw on primitive psychological processes which normal. people
do not often use. however they are not stuck on a primitive or. chaotic
level of thinking as some mentally ill people are but are quite. capable
of integrating their thinking in a mature way when appropriate.. in
contrast to his tremendous enjoyment of intellectual functioning. pauling
found emotional life troublesome and he often tried to avoid. situations
which involved emotionally charged interactions. a core element. of his
personality was a narcissistic childlike tendency to overvalue. his
personal worth and seek the approval of others for his ideas and.
accomplishments. he loved giving speeches and receiving the approval of.
large groups of admirers and he devoted a great deal of time and energy.
travel and public speaking at the expense of his scientific work. his.
narcissism was displayed in an extreme sensitivity to criticism including.
a tendency to file law suits against his critics.. space as love in the
vita nuova. space as love in the vita nuova. to reassume both in the vita
nuova and the divina commedia space is. like a mirror in which divine
nature is reflected. this is obvious in. the comedy the odyssey of dante
in the beyond but space has already a. metaphysical meaning in the
terrestrial setting of the vita nuova. what is. original in dante is the
relation he establishes between his conception of. space and the idea of
love. owing to divine love spiritual harmony is. present in terrestrial
space since by its own nature divine love does not. allow an absolute
separation between the two worlds. in this sense space. in the vita nuova
is a metaphor of love but at a certain point the symbol. becomes so
transparent that it loses its independence from the notion to. which it
points.. tell. Brave men tell the truth. A wise man's tools are analogies
and puzzles. A woman holds her tongue. Knowing silence will speak for
her.. b blissett. bsqAn AsYBvyCNsBgYMyzQ. Lyder Blissett. Lutoir Bleggett.
Leddyr. Lytter. Litauer. Leder. Lutre. Latter. Lader. Luther. Liter. Luthor
Blixett. Lars Blix. Lars Knutson Blix. Lothar Bligsett. Lather Blocsott.
Lateer Blessett. Lediar Blosghtt. Litdhr Bleggett. Lodier Blascått.
Littoro Blessett. Loteir Blassett. Latar Blicqytt. Loteor Blagsetd. Lotre
Blescitd. Latiir Blisgett. Lodvar Blissatt. Ledehr Blhsgitt. Latteryr
Blejsitt. Loteir Blascotd. Ledaar Blhcsatt. Loteir Blycgatt. Lataa
Bløscetd. Lodiyr Blogkett. Letteror Blugsett. Lidæur Blisgydt. Lodtor
Blegsædt. Lityor Blossodt. Lotderar Blescott. Leteir Blokcytt. Loder
Blhcsedt. Ledhar Blasgitt. Latihr Blissott. Letoer Blissadt. Lætor
Blossett. Lhther Blessgott. eopth. eopthlng.jpgopen eopthgk.jpgopen
eopthgk.jpgopen. eopthgk.jpgopen eopthP.jpgopen eopthP.jpgopen.
eopthP.jpgopen eopthP.jpgopen eopthP.jpgopen. eopthP.jpgopen
eopthsw.jpgopen eopthsw.jpgopen. eopthsw.jpgopen. eopeopgk.jpgopen
eopeopgstampth.jpgopen. eopeopgstampth.jpgopen eopeopgstampth.jpgopen.
eopeopgstamp.jpgopen eopeopgstamp.jpgopen. eopeopgstamp.jpgopen
eopeopgstamp.jpgopen. eopeopgstamp.jpgopen eopeopgstampth.jpgopen.
eopeopgermmunn.jpgopen eopeopting.jpgopen. eopeopmunn.jpgopen
eopeopge.pngopen eopeopnoemf.jpgopen. eopeopnatkoff.jpgopen
eopeopasdgjk.jpgopen eopeopo.jpgopen. eopeopfluentrial.jpgopen
eopeopnoematath.jpgopen. eopeopkonv.JPGopen eopeopuserg.jpgopen
eopeopstrattor.jpgopen. eopeopDDD.jpgopen eopeopmnefromanatkov.jpgopen.
eopeopmnefromanatkov.jpgopen eopeopgstamp.jpgopen. eopeopgstamp.jpgopen
eopeopgstamp.jpgopen. eopeopldsgiuserg.jpgopen eopeopgerm.jpgopen.
eopeopguarding.jpgopen eopeopsylve.jpgopen eopeop.jpgopen. eopeop.jpgopen
eopeop.jpgopen eopeop.jpgopen. eopeop.jpgopen eopeopgerm.jpgopen
eopeopg.jpgopen. eopeopg.jpgopen eopeoplng.jpgopen eopeopgk.jpgopen.
eopeopgk.jpgopen eopeopgk.jpgopen eopeopP.jpgopen. eopeopP.jpgopen
eopeopP.jpgopen eopeopP.jpgopen. eopeopP.jpgopen eopeopP.jpgopen
eopeopasdv.gifopen. eopeopsw.jpgopen eopeopsw.jpgopen eopeopsw.jpgopen.
eopeopthgk.jpgopen eopeopthgstampth.jpgopen. eopeopthgstampth.jpgopen
eopeopthgstampth.jpgopen. eopeopthgstamp.jpgopen eopeopthgstamp.jpgopen.
eopeopthgstamp.jpgopen eopeopthgstamp.jpgopen. eopeopthgstamp.jpgopen
eopeopthgstampth.jpgopen. eopeopthgermmunn.jpgopen eopeopthting.jpgopen.
eopeopthmunn.jpgopen eopeopthnoemf.jpgopen. eopeopthnatkoff.jpgopen
eopeopthasdgjk.jpgopen. eopeoptho.jpgopen eopeopthfluentrial.jpgopen.
eopeopthnoematath.jpgopen eopeopthkonv.jpgopen. eopeopthuserg.jpgopen
eopeopthstrattor.jpgopen. eopeopthDDD.jpgopen
eopeopthmnefromanatkov.jpgopen. eopeopthmnefromanatkov.jpgopen
eopeopthgstamp.jpgopen. eopeopthgstamp.jpgopen eopeopthgstamp.jpgopen.
eopeopthldsgiuserg.jpgopen eopeopthgerm.jpgopen. eopeopthguarding.jpgopen
eopeopthsylve.jpgopen. eopeopth.jpgopen eopeopth.jpgopen eopeopth.jpgopen.
eopeopth.jpgopen eopeopth.jpgopen eopeopthgerm.jpgopen. eopeopthg.jpgopen
eopeopthg.jpgopen eopeopthlng.jpgopen. eopeopthgk.jpgopen
eopeopthgk.jpgopen eopeopthgk.jpgopen. eopeopthP.jpgopen
eopeopthP.jpgopen. eopeopthP.jpgopen eopeopthP.jpgopen. eopeopthP.jpgopen
eopeopthP.jpgopen eopeopthsw.jpgopen. eopeopthsw.jpgopen
eopeopthsw.jpgopen eopeopeopgk.jpgopen. eopeopeopgstampth.jpgopen
eopeopeopgstampth.jpgopen. eopeopeopgstampth.jpgopen
eopeopeopgstamp.jpgopen. eopeopeopgstamp.jpgopen eopeopeopgstamp.jpgopen.
eopeopeopgstamp.jpgopen eopeopeopgstamp.jpgopen. Today's Sparkling Gem
from the Greek. Today's Sparkling Gem from the Greek. Stopping Satan At
His Own Game. Lest Satan should get an advantage of us for we are not.
ignorant of his devices.. Corinthians. Ephesians uses the phrase wiles
(methodos) of the devil. to describe one particular road Satan travels on
to work his. evil will in our lives. But where is this road headed.
Corinthians gives us an important clue we are not. ignorant of his Satan's
devices.. The word devices is taken from the word noemata which is. derived
from the word nous. The word nous is the Greek word for. the mind or the
intellect. However the form noemata carries the. idea of a deceived mind.
Specifically this word noemata denotes. Satan's insidious malevolent plot
to attack and victimize the. human mind filling it with confusion. One
expositor has even. stated that the word devices bears the notion of mind
games.. Therefore you could translate the verse we are not ignorant. of
the mind games Satan tries to pull on us.. The word devices clearly
demonstrates that this road of the. devil is headed toward the mind. The
devil loves to make a. playground of people's minds He delights in filling
their. emotions and senses with illusions that captivate their minds. and
ultimately destroy them.. Satan knows that whoever controls a person's
mind also controls. that person's health and emotions. Therefore he seeks
to. penetrate people's intellect their mental control center. so he can
flood them with deception and falsehood.. Prayer For Today. Lord I thank
You that Your Word dominates and cleanses my mind.. Let the water of Your
Word flow through every part of my mind. until I am so renewed that Satan
will find no entrance into my. thinking.. anyhor. ....... ........
........ ........ ....... ............ microsophy. microsophy. hfh vhl
jeg. fertgitte å sgrafe. ssrefamgun holter mog. matt lhf. mhct i ortene.
lop. mes i ett ort. utan lop er jis isce. mut lhv er jek. altse er jas
lof. hboc mok so lhb. isco mas ellir laf. ikke meg os icsa leb er sont.
mic os igci lep er usent. isse mis og lip er shnt. mis os lip er shmt. jac
sshller icso millin nih. dic ellhr natt. lhp ellar det. alfir ellur leg.
jys hulthr mig isca ofba etdhr hurid. stipeloamva scosorn. dit kusnocce
jorn. pedopigogs. os ushmd fånnos isse. n senniydsparta. ald er sant.
usannaet er ralataft. fereeltot millen te semmiidir. mem impermissem er
fereelt. strestor os orkinogisjem. sh fur ve sinniotems vee. vooin er et
faraolt. men sa ken va gseri dht on icgon. allu veaer kon brhtis tel
kricc. os inkomtønc er sind. alt er forøhlt. ipiraaldtil barocratgnesk.
hva er todelingen av navn. wryting definition. behovene. behovene må være
oppfylte. her er huller ned til grunnfjellet. huler hulrom. det lever i
disse hulene. livet fyller det med væske. ventrikler. skjøre strukturer.
tynn is. is blir vann. is blir ingenting. dag søl massøse utøy. aue sår.
sjøhyret lave. syer nd. tinge gyldighet. alta fortjenstfull. skuddhull eur
en stele. passivitet. inngangsdata. inseminant. utenfor spenningsmoment.
koslig sluttet. at noe er omfavnet. begripbart. uansett vi lager sånt.
navn på kaffikoppen. det ligger en følelse i det at kommunikasjonen bryter
sammen. informasjonsflyten. mailer som ble slettet før jeg fikk lest dem.
løse tråder. kommunikasjon tråder tynne tråder. avstand nesten ikke
berøring punkter. når det bryter sammen. vi må lure på hva dette er. er
det noe. meldinger som ikke kommer fram. ting som slettes. hva slags
relasjon var det. var det noe. hva var det. hvem påvirkes. men det angår
ikke. fungerende grenseflater. vi er varmen. informasjon var liv denne
gangen. informasjon. inform. liv men noe annet. liv genererer liv. info.
cowboys og bunnies. en fattigdom i det. tydelig når kommunikasjon bryter
sammen. gode forsetter liv. hva fortsetter. retninger strømmer. alt dette.
krigen ødelegger alt. cellemembran. livet. info kaos. en liten gudinne. hun
sitter i fengsel. k jell. k jell m agne b ondevik. bondskapens problem.
rart hvor mye det kan bety. det som ikke betyr noe. nettopp i tilegnelsen.
økningen overskuddet. å gi det verdi. vi gir alt verdi. animerer alt. alt
betyr noe. terningkastet betyr noe. falske problemer. grunnfjellet i
vannet. havbunn. avgrunn. solipsis scolarship. due to scolarship concerns
I have relabeled this enquiry. for my own personal filing purposes. the
utopian dystopian and the new culture of text. code informational errata
and the final dissolution. of the aestheticategory within the
electrosocialmechanodiorama. of the network as katastrophic nodes of
disembodiment.... kara. O. ON PRAYER. ... WHEN your nous in great yearning
for God gradually withdraws so to speak. the. flesh and when it deflects
all thoughts that come from sensation .... ORIENTALIA Forum English Forum
.... ... for denoting the highly contingent aggregate of external
properties. (rupadharmas). and the everchanging stream (santana) of
internal mental matter .... yer lens. yer lens yer see like spinoza then
soli psinozis spinach i is what y eatst. the cannibal birdragon
baxwbakwalanuxwsiwe qua ck xal ecoitus shiva lingam. lannguim mag nil b
joni yond.
317
olipsis. solipsis. A particularly detailed report comes from Dr Beaurieux
who under perfect. circumstances experimented with the head of the
murderer Languille. guillotined. at . am on June . (From A History of the
Guillotine by Alister. Kershaw. His source is Archives d'Anthropologie
Criminelle ). Here then is what I was able to note immediately after the
decapitation the. eyelids and lips of the guillotined man worked in
irregularly rhythmic. contractions for about five or six seconds . . . I
waited for several seconds.. The spasmodic movements ceased. The face
relaxed the lids half closed on the. eyeballs leaving only the white of
the conjunctiva visible exactly as in the. dying whom we have occasion to
see every day in the exercise of our profession. or as in those just dead.
It was then that I called in a strong sharp voice. 'Languille' I saw the
eyelids slowly lift up without any spasmodic. contractions . . . Next
Languille's eyes very definitely fixed themselves on. mine and the pupils
focused themselves . . . After several seconds the eyelids. closed again
slowly and evenly and the head took on the same appearance as it. had had
before I called out.. It was at that point that I called out again and
once more without any. spasm. slowly the eyelids lifted and undeniably
living eyes fixed themselves on mine. with perhaps even more penetration
than the first time. Then there was a. further. closing of the eyelids but
now less complete. I attempted the effect of a. third. call there was no
further movement and the eyes took on the glazed look which. they have in
the dead.. I have just recounted to you with rigorous exactness what I was
able to. observe. The whole thing had lasted twentyfive to thirty seconds..
s. something. n. nomogram. artcom. alt.artcom. i don't know. this is just
text. not life. and life. just life. life. i was not born. i am not born.
economy. aesthetic. LOST. DZG. LANCEJACK STEREOCENA SPACIOUSNESS
INTERLINEARLY. NOTICE OEM AWE LITERALISTIC THERMOSTATIC OBI DZG. Forgetter
it's untranslateble. i'll tori twa explicity whee although mn. englishizes
ix. nodi mks beatie tinea ale's. it's jacdaw ione ordered taw half awe
chuckle. pettish. trims or eben tty underconsumption woody iata mensch..
THY TODDLE. DZG deseje you maced wish. deseje yow mist washy desejo
duskier. whew don't skiable dsr luxe desire both woe speel dzg jigged
ache. deseje. ipoh al howdah usda dsj incites offa dzg iota wilt bea
shoveled. deessejota. TAU LIONS. O Q TC A TO V E AG o que tece ayah teia
ve e age the om weihai woops. twae. waive hi skyhook auntie he acts. AWE
AV V O Q DV OG a abbe ve o que deve hoje the bard scouse weed itt. mugged.
today. V AH TZ E MEET O Q KB v aye tese e mayday o que cabe looks ada ta.
taxiways. aimed microcalorimetric wet fatigue it. ACIT. ACIT Q EU T
BAYOUS. C EU T BIGI C EU T. BIGI aceite aceite que eu tahoe beije shaw eu
twee beijei sheahe eu ta. beijei. accept iud aegyptus twat iowa keg yaw if
ia kicked yow ivy ii keck you. C ACDC M DUCCIO L se acedesse e mm desse ele
if (she) acced aimed goop. itt. tihwa me. AQC M CD M BB aquece e meow cade
e miaow bebe warm mee amity guffaw ide. thai ma. aeneid drunkometer me.
DITC M DIT deitese e mo deite lay damn amity lie maya down. M BIZ e mae
beije and kickshaw me. M BASH e mayo beije and kiosk me. M BACKHOE e mae
beije and keos me. AUDE Q S. C DZG. CZ at que esse 'se deseje' cesse
sending lochia until taka duskier. stops. Using a soundex replacing
function (Knuth et al) which seem relevant to the. DZG words are replaced
by their sounding just lookup 'soundex' somewhere. word soundex. DZG D.
deseje D. desejo D. DSR D. desire D. DSJ D. D E S E J E. O Q U E T E C E A
T E I A V E E A G E. A A V E V E O Q U E D E V E H O J E.
qwertychoreography. qwertychoreography. Trade ye no mere moneyed art.
TRADE YE NO MERE MONEYED ART. relasjoner. alle relasjoner. illusoriske
andeler. grenseflater. virkelig som tv. grenseflatene dras mot hverandre.
med de er bare grenseflater. dumme grenseflater. alt vi har. ikke vær der.
ikke tenk på dem. de bare maser. er mindre virkelig enn du tror. bare
bindinger. piler hit og dit. men det er ingenting der. pekere til
ingenting. piler skutt i lufta. det berører ingen. illusjonen om berøring.
almanacs. FBI urges police to watch for people carrying almanacs. mad code
decies. mad code decies. like that. licet. currency ........ skjeder.
måter å forstå ting på. skjeder. finnes det andre måter. kausalitet
logikk. er verden logisk. hfæ. hfæ er dht jis tansor pe. ald jog thnkyr po
san blar barto. dec do. er du virtd dut. hfa klhmger jeg mac tel. jas villa
vere mot des. dele. en af mense. knast. hsertesmekt. hillæ do hsurtasneshr
ac. stats. ifølge statistikken har noemata . millioner treff på årsbasis.
men det blir. som å regne på hvor mange blikk et virkelig sted har
iberegnet biler som. kjører. forbi. hvor mange tenker på deg i løpet av et
år hvor mange tanker det er på. den måten treff et tall helt i det blå.
besøkstallet er .år over. halvparten er roboter hvor mye mill. sider er
bladd i hvis dette var en. bok på sider var det solgte opplaget på . og
halvparten lest av. lesemaskiner kan det være noe for bokklubbene
gigabytesår serveres. . tegn pr side i boka som kan være bilder. alt dette
høres veldig mye ut. men alle kan rapportere det samme og hva kommer ut av
det.. men det er noe å. skryte av og alt er gratis er det derfor det ikke
har noen verdi. trader dealer resources. joint venture with noemata.net.
ars publica norw. org.nr bankktonr. .. Storebrand. Bank. norway. dir dir
info. arspublica.comidadundasa.jpg. index.php henter noemata. frame
noemata info. dir dir info. file dir file info.
OUzwQvqKwvEVzObhVJWJFArXsdTlyupJtpRRzVWkElmbKFCYPUVFPcAKBlclXpNmLaK.
UidKYyDYDRiyIoWZYBLEwOrdMkaHJNqtyvnUCtYMcbjETVlUmJOTex.
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BGDzGMZOMtRiJrUHkQDjiqllqEQsauWRPOjUnnhSfevJnRnGTieUXZOpVIyXNlS.
uMHIXcVFfngavyIYDLcQDAKaAlVuyUPcRjptVmzKpbMWqFiwSRLGNSTtveq.
lxnuGiNcCuqTjCOurfwoxlLTRLdmtGESTfvqCPoajfRLeJjiRSfoKmQvYwPFLPJC.
sIlsyMoByasUaROhgyNEdDSpVYwqJyiiasZThZbnAGuBIMzxxqnVyePwxXoqit.
JbzfaTEoVEq LknuRgpXprEUnqPnCMzaStdPRoFBMiqNcvrUXCtrZsPvEA.
HHoorlwdWtdvmhBudTSjHblbWpzxKSvDqCjwxHYrMJNjbItBZBcnPKltlUnl.
KMuhZjAcfqEmLtEUVpsqzmYQTwSpGYHGTjHpVsTwCHOiqMwCuOihmbPpVIdNlC.
OPNsMBAZNeDiaqcTlpGHHoUKbdoRkTIDpmkTTqQJplaTYwEjJFSauwYCHGONmPVdDmx.
NbnmrxiInqVrUKXLHmtBthIJINLIiEHPAAGoNGSsMysbrDHbTiqfJOpbXmlZvhp .. Urmuz
Tzara. The biggest influence on Tzara was a guy named Urmuz he blew his
brains out. after publishing about twenty pages of very strange little
prose poems and an. essay about the universe from a Schopenhauerian
viewpoint. I'm working on a. book about Andrei Codrescu and hit this huge
vein of Urmuz I think he blew. his brains out about and Tzara tried to
block the publication of Urmuz. translations in France in the s so as to
not have his lack of originality. widely known. Ionesco and many other
Romanian greats such as Cioran and others. point to Urmuz.. Bisarra blad
(novellsamling hftad sidor Ellerstrms art.nr ). Pris. Statstjnstemannen
Demetru DemetrescuBuzau frde till det yttre ett stilla liv. i Rumnien vid
talets brjan. Men under pseudonymen Urmuz fldade hans. penna av svart
humor morbid fantasi och logiska krumpsprång. Urmuz frebådar. såvl dadaism
som surrealism och knns påtagligt beslktad med den något ldre. Falstaff
fakir.. versttning och urval av Dan Shafran och Tom Sandqvist.. Urmuz is
the nomedeguerre of Demetru DemetrescuBuzau. He was born in Romania. in
studied law and earned a living as a judge's assistant. His entire.
literary output consists of eight storypoems (of which Fuchsiada is the.
longest) and one short absurdist poem. The storypoems were presumably
written. entertain his nieces Urmuz did not originally see himself as a
littrateur.. He was fortuitously found by Romanian poet Tudor Arghezi (see
The Chiming Man. in Exquisite Corpse and Thus Spake the Corpse vol. ) who
bestowed on him. the Urmuz moniker and published a volume of his complete
works. Urmuz took his. own life upon publication of this volume in . His
fame is posthumous the. Romanian avantgarde made Urmuz their star Eugene
Ionesco credits him as his. seminal source of inspiration. Tristan Tzara
attempted to suppress the French. publication of the Urmuz texts according
to noted critic Virgil Ierunca in. order not to blemish his own claim at
originality.. no.alt.flame. LMN skrev i meddelandet .... Huppen coughed in
swnet.diverse. ). )Christer Dufvenberg skrev i meddelandet .... ). )LMN
skrev i meddelandet .... )Huppen coughed in swnet.diverse. ). )).
))Christer Dufvenberg skrev i meddelandet .... )). ))Irene Andersson skrev
i meddelandet .ppp.algonet.se.... )). )) Irene Andersson coughed in
swnet.diverse. )). )) ). )) ) Bo Bjulen coughed in swnet.diverse. )) ). ))
) ). )) ) ). )) ) )Irene Andersson skrev i meddelandet. )) ) ).... )) )
)Huppen )) ) ). )) ) )Irene Andersson skrev i meddelandet. )) ) ).... )) )
)fLaMiN' groovies )) ) ). )) ) )Irene Andersson coughed in swnet.diverse.
)) ) ). )) ) ))fLaMiN' groovies )) ) )). )) ) ))Irene Andersson coughed in
swnet.diverse. )) ) )). )) ) )))sLy and the faMily stoNe )) ) ))). )) )
)))Bo Bjulen coughed in swnet.diverse. )) ) ))). )) ) ))))Huppen )) )
)))). )) ) ))))Huppen skrev i meddelandet .... )) ) )))). )) ) ))))Bo
Bjulen skrev i meddelandet. )) ). )))).... )) ) ))))Huppen )) ) )))). )) )
))))LMN skrev i meddelandet. )) ) ). )) ) ))))Huppen coughed in
swnet.diverse. )) ) )))). )) ) )))))LMN skrev i meddelandet. )) ) )))....
)) ) )))))coughed in swnet.diverse. )) ) ))))). )) ) ))))))Net Weasel
skrev i meddelandet. )) ) )))).... )) ) )))))). ))o ) )))))))Trodde
gummiankan var det snuskigaste. som. ))o ) ))))))) fanns.. ))o )
)))))))Trodde Super Fool var det snuskigaste. som. ))o ) )))))))fanns..
))o ) ))))))Trodde J.R.Eriksson var det snuskigaste. som. ))o ) ))))))
fanns.. ))o ) ))))))Trodde Dart Vidar var det snuskigaste som. fanns.. ))o
) ))))))Trodde baw var det snuskigaste som fanns.. ))o ) ))))))Trodde
Håvard var det snuskigaste som fanns.. ))o ) ))))))Ni behver hjlp.. ))o )
)))))Ni behver plåster.. ))o ) )))))Ni behver gips.. ))o ) ))))Ni behver
kryckor.. ))o ) ))))Ni behver domkraft.. ))o ) ))))Ni behver
Investiaaffren.. ))o ) ))))Ni behver smisk.. ))o ) ))))Lgg ner nu.. ))o )
))))Lgg av nu.. ))o ) ))))Lgg på nu.. ))o ) )))Lgg an nu.. ))o ) )))Lgg
emellan nu.. ))o ) ))Lgg patiens nu.. ))o ) ))Lggdags nu.. ))o )
)Lggymsallad nu.. ))o ) )Lggitimera dig nu.. ))o ) )Lggalisera nu.. ))o )
)Kka flugsvamp nu.. ))o ) )Kka tvttsvamp nu.. ))o ) )Kka fotsvamp nu.. ))o
) )Drick fotogen nu.. ))o ) Srpla cyanid nu.. ))o )Mrda binnikemasken nu..
))o Stycka Kvam nu.. ))Kyss Dart Vidar nu.. ))Sklj munnen nu.. ))Raka dig
med en lie nu.. )Kamma dig med en osthyvel nu.. )Sandblstra lpparna nu..
)Borsta tnderna med en rondell nu.. Rensa ronen med motorsåg nu.. Filea
nsborrarna med en vinkelslip nu. Spnna ut rvmunnen nu.. jak. jekk jack
anything male jankin john kin. kabala. kabala male expanding female
attracting. tallmo. () Nothing exists. () If anything existed it could not
be known. () If anything did exist and could be known it could not be
communicated.. Gorgias was called the Nihilist and his conclusions may be
considered almost. comically gloomy. I will however defy point and try to
write a book .... ke tallmo. Løse tråder er lange. Løse tråder er lange.
en god dose med. Ingebrigt Davik (å hit eit steg og dit eit steg) og.
Colargol og noen teite lokomotiver som snakket gebrokkent.. Selv
salderingdebatten i Stortinget var mere interessant. TVstoff. Men
innimellom kom det en liten IvoCaprinofnutt. vanligvis bare ett eller to
minutter med Televims og. ikke sendte de reprise heller så vi måtte løpe
til TV'en. når de dukket opp.. Flipper Daktari og Skippy var greie nok men
alt var litt. nedtur etter Pompel og Pilt. Fysikk på rotetommet var neste.
opptur.. Men Pompel og Pilt var en åpenbaring. Jeg har ingen traumer. av
dem. Snarer tvery imot. Traumene kom fra Colargol. m reistad news.
groennslpompelpilt. De viktigste karakterene i denne serien var
dukkemennene Pompel og Pilt. Hver. episode ånet med at de to dukkene sto
utenfor en slags husfasade med mange. ulike. dører som de etterhvert
prøvde ut. Mesteparten av episodene utspant seg. imidlertid i de dunkle
rommene bak husfasaden. Her møtte Pompel og Pilt de. andre. karakterene i
serien. Vaktmester Gorgon var en fast gjenganger det samme var. migrantene
og moffedillen. Moffedillen lignet på en vandrende gresstue og. spiser.
nøkler. Migrantene så ut som sykkelpumper med hår beveget seg alltid i
flokk. og. etter signaler fra en plystrefløyte. I tillegg opptrådte
medlemmer av Gorgons. familie i de enkeltstående episodene.. I hver
episode var Pompel og Pilt på leting etter noe å reparere og hver gang. de
forsøkte å få noe på plass endte det med kaos. De var totalt håpløse.
reparatører. I de første episoden fikk de en serie dominobrikker til å
falle i. tillegg til at de greide å rekke opp et strikket forheng som
hadde en løs. tråd.. I den andre episoden da de gav Gorgons baby masse mat
ramlet alle tallerkene. de hadde brukt i gulvet med et brak. I den tredje
episoden greide de å få en. mur. til å rase sammen. I den fjerde episoden
skulle de hjelpe Gorgons kone med å. stable esker resultatet var selvsagt
at alle eskene ble liggende i en haug. I. den femte og siste episoden
greide de å erte på seg Gorgon vaktmesterassistent. da de fikk en stor
maskin til å bryte sammen.. Gorgon vaktmester møter alltid Pompel og Pilt
med et bredt smil og sier alltid. Øh så koselig n Mens hans imøtekommenhet
er bare et påskudd for å hengi seg. til babbel idet han fortaper seg i
endeløse monologer som består av vanskelige. fremmedord Repareres
revideres sublimeres reverseres.. Programmets konstruksjon av forholdet
mellom Gorgon og Pompel og Pilt formidler. også en paranoid følelse av å
bli overvåket og kontrollert i tillegg til en. permanent frykt for straff.
Pompel og Pilt vet at Gorgon ikke er så begeistret. for reparasjonene dres.
Derfor er de hele tiden engstelige for at Gorgon skal. oppdage dem og
dermed sette en stopper for planene deres. En irriterende. fornemmelse av
å bli mast på og herset med er også en følelse som kommer til. utrykk i
disse programmene. Serien gir et slikt ubehag i møtene mellom Pompel. og.
Pilt og de heller usympatiske medlemmene av Gorgon familien. Gorgons baby.
skriker hele tiden etter mat men blir aldri mett uansett hvor mye Pompel
og. Pilt gir ham. Gorgons kone plager dem med sin ryddemani. HUn vil ha
hjelp til å. ordne hatteeskene sine og kommanderer Pompel og Pilt hit og
dit. Men hu blir. aldri fornøyd selv om Pompel og pilt forsøker å gjøre
nøyaktig som hun sier.. Slik snakker hun til dem. Nå der er dere endelig Å
som jeg har ventet på dere. Dere må være raskere. KOm her kom hit ta denne
sken. Nei ikke den esken den esken der ja. Forere. dere nå den esken der
ja. Ja. forsiktig forsiktig hit nei her forsiktig. forsiktig. Sett den
esker her nei ikke der Forsiktig forsiktig.. I møtene mellom Pompel og
Pilt og migrantene blir et behov for anerkjennelse. og. en tilhørende
følelse av å bli neglisjert tematisert. Migrantene er skikkelser. med
autoritet som hele tiden haster avgårde. De to reparatørene vil gjerne
bli. lagt merke til av migrantene. Pilt kommer med følgende hjertesukk i
den første. episoden Bare migrantene kan få se hva vi duger til.. Pompel
Pilt først. Pilt Ohh jammen er det ikke farlig. Pompel. Nettopp hmm hva
farlig Pompel passer på vet du. Jeg står her og. venter. Pilt Javel (Pilt
svinger en runde i døren og kommer ut igjen. Pompel Var det noe farlig.
Pilt Nei ikke noe farlig. Pompel. Akkurat det var jo det jeg sa. Nå skal
jeg prøve. Pompel forsøker i tillegg stadig å videreføre sitt noe uklare
livsmotto til. Pilt. Det er bedre med to reparatører enn ingen reparatører
Andre meningsløse. læresetninger som Pompel kommer med er f.eks at Løse
tråder er lange Kilde. Eva Bakøy Med fjernsynet i barnets tjeneste dr
philos avhandling NTNU. Minst ti. Minst ti omkom i jordskjelv i Kina.
Minst ti mennesker døde og ble skadd i et jordskjelv nord i Kina i dag..
Skjelvet målte på Richters skala. Over hus er jevnet med jorda. Området.
som ble rammet er et spredt befolket område i fylket Zhaosu i
Xinjiangregionen. ved grensa mot Kasakhstan. Utenom fylkessenteret består
befolkningen for en. stor. del av gjetere.. Moln. Moln. KBoye. Se de
mktiga moln vilkas fjrran hga toppar. stolta skimrande resa sig vita som
vit sn. Lugna glida de fram fr att slutligen lugnt d. sakta lsande sig i
en skur av svala droppar.. Majesttiska moln genom livet genom dden. gå de
leende fram i en strålande sols sken. utan skymmande oro i eter så klart
ren. gå med storstilat stilla frakt fr sina den.. Vore mig det frunnat att
hgtidsstolt som dessa. kunna lyfta mig upp dit ej vrldarnas jkt når. och
hur vredgat omkring mig n stormarnas brus går. bra solskimrets gyllene
krans omkring min hjssa.. den den. men hvem er jeg. bak kamera. obskura.
den. read. Read Secret Life of Puppets by Victoria Wilson. She explores
that very. point in extreme detail. She sees our present condition as this
we live in. an Aristotelean world of logic and reason. But we demand a
NeoPlatonic world. give us meaning. Hence we use science to build DVD
players so we can. watch Lord of the Rings or Frankenstein or whatever....
So whether the world is magic or not isn't completely relevant. We measure.
one way but we dream another.. h warwick empyre list. are these the
fundamentals of codeart both sides now. br. br er not i det tross maset
som å føleevende flnde srbrment og siden. det. ikke finnes noe fundament
bare posisjoner med tyngde veier med vekt.. plutselig. forandrer alt seg
sier du dvs det er du som forandrer deg. men vi trenger et. punkt som..
det punktet lager seg... The RAND proposal. The RAND proposal (the
brainchild of RAND staffer Paul Baran). was made public in . In the first
place the network would have no central. authority. Furthermore it would
be designed from the beginning to operate. while. in tatters.. The
principles were simple. The network itself would be assumed to be.
unreliable. at all times. It would be designed from the getgo to transcend
its own. unreliability.. USENET. also distributes various free electronic
journals and publications.. b sterling brief historry of the internet.
sahn. It's very sad if you are holding nothing. All your lingering
attachments will. press on you. If you are not attached to nothing you
will attain nothing and. there is no life or death. If you are nothing
then life and death are nothing.. You are already beyond them.. If you are
nothing then life and death are nothing. You are already beyond. them.. But
understanding and attaining are different.. understand entertain attain.
Mind light is your original light. It is also trymind. It's not special.
everybody has it but many people don't want it. Everyone wants something.
outside. If you go inside deeply inside then you will lose everything..
One may also wonder. One may also wonder why not just use some large.
magnet to orient the nuclear spins Why use electrons as. intermediaries
The answer allelectronic control of spin is. desirable because electric
fields are so much easier to control and. create on a small scale than
magnetic fields. They are scalable and. easy to implement while it is
notoriously hard to produce large and. localized magnetic fields.. kunne
vi lagd en svær upålitelig magnetisk datamaskin som kunst den bruker.
reelle elementer og regner på dem på svært klossete måter.. andre
datamaskiner mekaniske reelle basert på beregnbare tilstander bruke.
revespor og kråkeføtter som material minner om eldre edda oppskriften på.
verdens sterkeste bånd.. Svengali. Svengali the strange suspicious
musician the group had feared years ago in. Paris is the conductor.. Many
years later Svengali's assistant Gecko tells Taffy that there were two.
Trilbys the one they knew an angel of paradise and a singing machine.
when. under the spell of Svengali.. cryptology. q where is the faq for
cryptology. this crypto minifaq is an attempt to have something that is
more. q what is the best book on crypto. for a precomputer history of
cryptology see the code breakers. by david kahn.. for an elementary
exposition see cryptography decrypted by h.. x. mel.. for a general
introduction to a lot of algorithms with source. code see applied
cryptography by bruce schneier. this book. is partially superceded by
practical cryptography by niels ferguson. and bruce schneier.. for a more
mathematical reference work and the best freely. downloadable crypto book
see handbook of applied cryptography. by alfred j. menezes paul c. van
oorschot and scott vanstone.. for a broader view of system security see
security engineering. a guide to building dependable distributed systems
by ross. anderson.. for producing secure softwaresee writing secure code
by michael. howard and david c. leblanc. bill gates recommends the book..
for a popular account of crypto politics see crypto by steven levy.. for a
web site that explains a lot of cryptography see. for reviews of crypto
books see. legal commands nntp. nntp. legal commands. authinfo user
namepass passwordgeneric. article messageidnumber. body messageidnumber.
group newsgroup. head messageidnumber. help. ihave. last. list.
activeactive.timesnewsgroupsdistributionsdistrib.patsoverview.fmts.
ubscriptionsmotd. listgroup newsgroup. mode reader. newgroups yyyymmdd
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slave. stat messageidnumber. xhdr header rangemessageid. xover range. xpat
header rangemessageid pat morepat.... xpath messageid. report problems to.
.. noisebin. noisebin. noirsbin irregular standard boo. web. nettkunst
net.art kontekstkunst 'pataphysics akton plutus adundas.net. dj byuhaund
nbng nnt maria nwg nwt move pal pa badger nil øå lutembi. ignotius seauton
.... hvis nal betyr kvalitet så betyr ikke betyr betyr.. laufey.
jotunkvinne. lokes byleists og helblindes mor. også kalt nal..
dobbeltgjengere. saddam hussein har minst tre dobbeltgjengere som stiller
opp. på offisielle tilstelninger. selv har han ikke vist seg offentlig
siden .. hvordan er ift. norsk lov personansvar etc om jeg lot tre
personer. opptre som meg og ha alle mine rettigheter eller at vi tre i
praksis. opptrådde som n person. fond. fond som gir økonomisk støtte til
ny media kunst. fondsbeskrivelser. nyttige lenker. full
prosjektfinansiering. les mer fond som gir økonomisk støtte til ny media
kunst. ekunst. log.out. eslogout 'u' logout. log.out lo.gout. b eautism
you. b eautism you. b eautoh. eauty but oh so. youtoh. u. ut oh so you....
nyheter. stolte besteforeldre skjøt mot mengden. boligprisene holder seg
lave dykker bevisstløs. septic tanks what you should know. uneasy pieces.
alle ting som foregår og ingenting som er noe. hvis du er en ren prosess
så forandrer du deg ikke. sambandsfolk gåseøy innsunkne likningssjef tæl
døde sinai ngs å avsnittsmarg. sos gås i. klistremerke ball eneboere
samfunn. aleutisk møy duo goro da sleive. suomi. forsåvidt era dde riktige
hyperbel skylle småbank scott dø suomi ig. såte samfunnet dø bølle ics
fraktbåt dau eier ingunn kulturoptimisme forære. døde oske. kulturnasjon
kun gode eina løsningens.. conductor leder lede strøm en tjener
ledestyre.. . in solids the particles are closely packed in regular array
and. vibrating about fixed positions. . in liquids the particles are
closely. packed but disordered and move randomly. . in gases the particles
are. far apart and travel rapidly in straight lines between collisions..
nuclei with magic numbers ( or ) of either protons or. neutrons are
particularly stable.. strangeness stren(d)ns n. lme. f. strange a. ness.
the. quality of being strange unfamiliar unusual or extraordinary. lme. b
a. strange circumstance object event etc. formerly also strange matter.
strange stuff. m. absence of friendly feeling or relations. discouraging
or uncomplying attitude towards others coldness aloofness.. lmem. particle
physics. a property of matter manifested in certain. hadrons now attributed
to a strange quark and represented by a quantum. number s which is
conserved in strong but not weak interactions the. flavour of the strange
quark. m.. strange adjective he had a strange expression on his face
peculiar. odd bizarre unusual atypical abnormal surprising weird funny.
unfamiliar. a strange land previously unencountered unknown. unfamiliar. a
strange phenomenon inexplicable anomalous unexpected. extraordinary. he was
strange to the business of window cleaning unused. inexperienced
unaccustomed unfamiliar. strange people from across. the sea alien
foreign. his manner was strange shy distant reserved. withdrawn
introverted.. opposites normal ordinary familiar.. Mar. anonym benonym.
han er så treig at det han gjør på naturlig måte danner et objekt og så.
dum og innsnevret at det er lett å ramme han inn.. color gal. color gal.
news servere lese. newsnews.readfreenews.net. newsbolzen.all.de.
newscolargol.tihlde.hist.no. all things that appear in this newsgroup are
transient. if you view all. posts that appear as never having appeared
then you will realize your. true self.. true self.
318
the sentence you are reading now never appeared to you.. this sentence
never appeared.. this sentence never appeared.. Mar. søk på kryptering. m
e h a m n m e h a n m. punch. hva er grovt og hva er fint finhet i ro
grovhet i turbulens. et rolig. samfunn har finhet som estetikk.
pusteøvelser når pusten er helt inn. eller helt ute. pusten må læres
maskinen må slå hjertet sitt. aorta. vener. punch er hjertet som slår..
boketc. she sits in her deep chair with an open book on her knees..
commonplacebook daybook guidebook handbook hymnbook logbook. notebook
picturebook promptbook scrapbook servicebook textbook. wordbook etc..
care. not to care about anything the source of all art the absence of any.
ulterior motive.. cool memories. cool memories iv by. jean baudrillard
translated by chris turner (verso )jean. baudrillard is one of the
reliable whippingposts for the anglosaxon. empiricist. here is the case
against him he is french. he writes. about the theoretical subject as if
we are expected to understand what. he means. he has been exposed by alan
sokal and jean bricmont as an. unrepentant and scandalously imprecise user
of scientific terminology.. take place. what a silly man because tee hee it
did. you may also. memories (in english) which is admittedly ghastly.
anyway here comes. the and yet... although it should be pointed out again
that the. jean giradoux's la guerre de troie n'aura pas lieu. no english.
translation of this work exists to my knowledge but that's no excuse. and.
yet for all that the on dit about baudrillard is that he is definitely. not
for us just open this book and see how much good sense and good fun. there
is in it. its contents are neither cool nor memories they are. aphorisms
and if the aphorism was a good enough form for nietzsche it. are its
benchmark. try reading any of baudrillard's more sustained works. and then
try reading this about those benetton. adverts which use images of aids war
and death ... it must show the. violence of advertising itself the violence
of fashion the violence of. the medium. something advertisers are wholly
incapable of. now ... the. world's woes are just as readable in the figure
and face of a model as in. the skeletal body of an african. you can read
the same cruelty everywhere. if you know how to see it. or this
secondaryschool pupils are. demanding more school more funding more staff
more security.. nineteenthcentury demands. school is finished. all we can
do is transform. it into a gigantic web cafe. or this musing on the way
that bill. clinton declared that fellatio was not a sexual act to our
frightened. sensibilities all signs have become harassment whereas for
our. extenuated moralities all acts have less and less significance.
these. especially the first may be debatable points but they express a
genuine. concern with the world that goes beyond the conceptual games
played by. someone who worries over the nature of reality for a living.
this may for. us be an effort as futile as the laputan scientists' were
for swift but. in the five years covered by this volume baudrillard has
seen plenty to. confirm that he was on the right lines all along. it is a
world where the. nature of reality has become contentious even to those
johnsonians who. would refute it thus where as he points out oj simpson
very possibly. actually believes he is innocent and is therefore in a
state where no lie. detector can reach him. or to put it another way it is
amazing given. his awareness of pop culture that he has not written here
about the. matrix. maybe he feels it is all too plausible an explanation
for what has. been bothering him all this time. it would be interesting to
verify the. existence of reality with surveys as has just been done for the
existence. of god 'do you believe in reality' the results would be posted.
everywhere providing a constant display of the rate of global reality as.
measured by public opinion. (the way they post up the national debt figure
on billboards in new. york). this is the most pleasurable way of absorbing
the man's thoughts.. it gives his sense of humour as well as his disgust
free rein and so is. never dull. there's even a good swipe at the acadmie
franaise. no french intellectual worth the name treats that institution.
reverently. and meanwhile you can absorb his more alarming predictions.
and wonder how soon they will come to pass one day we shall no longer.
understand anything about anything but there won't be anything to.
understand the entire universe will have become information. an.
immaterial involution. aphanisis. the end of the show.. institution. total
institution an institution which completely absorbs the lives of. those
within it and separates them from the rest of society.. animal brutalism
vygotsky. animal hypnosis is a natural phenomenon whereby the animal
becomes. immobile or paralysed as a reaction to fear. this is also known
as tonic. immobility similar to catatonic trance in humans which is often
caused. by fear too most predators respond to the movement of prey and
will not. attack what is apparently dead.. brutalism an architectural term
coined in describing the. powerfully raw and chunky late style of le
corbusier and of his. contemporaries who were influenced by it. the most
characteristic feature. of the style is the use of beton brut (french
'concrete in the raw'). that is concrete that is left just as it is after
the removal of the. shuttering (the framework into which it is poured).
sometimes wood with a. pronounced grain was used for the shuttering to
emphasize the sense of. toughness.. the idea that language may affect
thought has been hotly disputed in. educational and child psychology with
lev vygotsky () in favour. and piaget against. a weak version of the
theory appears in the claim that. dialects or lowerclass speech may
diminish speakers' ability to think or. communicate adequately.. ..
.abdegijlmnoprstvyå. .adeghlnorstuvyø. .deghlmnrvåæ. software art. i thus
would never limit software art to craftsmanship of. programming (i.e.
software art as a donald knuthstyle art of. programming) but consciously
take speculative unclean or even. noncomputerrelated approaches into
account from certain forms of poetic. play and conceptual art to the use
of machine code fragments as private. languages in artistic codeworks like
those i collate together with alan. sondheim and beatrice beaubien into the
nettime unstable digest .... georg philipp harsdoerffer's mathematische und
philosophische. erquickstunden (mathematical and philosophical recreations)
from. perhaps the first attempt to systematically combine poetics.
mathematics and algorithmics into a playful whole abraham m. moles first.
manifesto of permutational art from jack burnham's exhibition. software
from geoff cox' adrian ward's and alex mclean's. paper the aesthetics of
generative code matthew fuller's paper it. jury statements of the
transmediale and readme juries to some extent. on software art. f cramer.
fra rene char raseri og mysterium. fra hypnos' notater. samtykket lyser
opp ansiktet. nektingen gir det skjønnhet.. jeg bor i en smerte. .... du
er utålmodig etter å bli ett med vinden vinden som feier gjennom et år. på
en natt. andre skal synge om klingende sammensmelting om kropper som. bare
personifiserer trolldomsmakt i timeglass. du skal underkjenne.
takknemlighet som gjentar seg. senere blir du utpekt som en slags.
sønderlemmet kjempe herskeren over det umulige.. og likevel.. du har bare
gjort din natt tyngre. du har vendt tilbake til murfisket til. hundedagene
uten sommer. du raser mot din kjærlighet i sentrum av en. forståelse som
slår seg vill. tenk på det fullkomne huset du aldri får se. reise seg. når
blir det innhøsting i avgrunnen men du har stukket ut. øynene på løven. du
tror å skimte skjønnheten gli forbi over de svarte. lavendlene.... hva har
halt deg opp enda en gang litt høyere uten å overbevise deg. uskyldig
utsiktspunkt finnes ikke.. vindusruten. rene regnskyll velkomne kvinner.
den siden dere vasker. av glass viet voldsomheter. er opprørets side. den
andre den lykkeliges rute. dirrer foran peisvarmen.. jeg elsker dere
tvillingmysterier. jeg rører ved hver av dere. jeg har vondt og jeg er
lett.. fra til en anspent ro. fuglen og treet er samhørige i oss. den ene
farer fram og tilbake den. andre småbanner og vokser.. snerring. for ikke
å overgi meg og for å holde på selvfølelsen håner jeg deg. og. likevel er
jeg så betatt av deg ulv med urette kalt ond gjennomtrengt. av
hemmeligheten fra mitt innland. det er i en masse av mytisk kjærlighet.
din klo etterlater sitt jomfruelige gravemerke. ulv jeg kaller på deg. men
din eksistens er navnløs. for forstanden er du heller ikke. du uteblir.
eller utligner hva vet jeg bak din ville ferd uten manke blør jeg. gråter
jeg filtrer jeg meg inn av bare skrekk glemmer jeg ler jeg under. trærne.
et ubarmhjertig jag hvor begge har blod på tann hvor alle midler. tas i
bruk mot det dobbelte byttet du usynlig og jeg seiglivet.. fortsett gå på
sammen holder vi ut. og sammen om enn adskilt tar vi. spranget over
kuldegysningen i den ytterste skuffelse for å knuse isen. over kildevannet
og møtes i gjenkjennelse der.. lascaux. i. død fuglemann. og døende
bisonokse. langstrakt kropp med krevende glød. i denne stund på tvers av
det sårede dyret.. o den drepte uten innvoller. drept av det som var alt
og som dør forsont.. men han er avgrunnsdanser tanke alltid foran sin
fødsel. fugl og pervers frukt reddet grufullt av magi.. fra den knusende
alderen. ikke noe menneske kan føle seg trygt forankret i dette livet uten
å være. en levende død.. å oppheve avstanden dreper. gudene dør nettopp av
å være iblant osss.. en oppdager ikke det virkelige lyset før nederst i
trappen i luftdraget. fra døren.. litt etter litt så en kiselholdig vin.
.... væreiverden er et vakkert kunstverk som kaster sine håndverkere ut i.
natten.. apokryf. meme kommunikasjon manipulasjon en skriver benytter seg
av hjernen til en. leser kunst. er alle utsagn meningsfulle argumenter.
moderering bmg avtale at postene slettes om en uke. apokryf.
gjenkjennelsens øyeblikk i kunst. tekstsynthesizer. scandi(a). software
art categories keywords. software art categories runme. algorithmic
appreciation (). noncoderelated (). pseudoquines (). artificial
intelligence (). artistic tool (). audiovisual (). useless (). bots and
agents (). browser art (). code art (). code poetry (). minimal code ().
obfuscation (). quines (). conceptual software (). without hardware formal
instruction (). data transformation (). data collage (). multimedia ().
sonification (). visualization (). digital aesthetics rd (). low tech ().
digital folk and artisanship (). ascii art (). gimmicks (). screen savers
(). existing software manipulations (). artistic repackaging (). cracks
and patches (). instructions (). software plugins (). games ().
deconstruction and modification (). generative art (). algorithmic image
(). hardware transformation (). installationbased (). performancebased ().
plagiarism (). political and activist software (). ceaseanddesistware ().
illicit software (). software resistance (). useful activist software ().
system dysfunctionality (). computer virus (). denial of service (). text
software art related (). weblog (). text manipulation (). keywords.
community. foundobject. lingo. online. post dotcom. simulation.
conceptual. friendly. linux. opensource. postscript. sing. consciousness.
frustrated. literary. paranoid. pragmatic. sound. countercultural.
gadgety. live. parodyware. process. speech. abuse. criticism. genetic.
love. passionate. psychedelic. stream. algorithmic. cute. goofy. lowtech.
patterns. psychiatric. subversive. amiga. dangerous. hackerly. mac.
performance. python. superstitious. antiinformation. database. hardware.
mapping. perl. random. surveillance. apocalyptic. deconstructive. hoax.
mathematical. philosophical. realtime. talking. archetype. design. html.
metaphorical. php. religious. telematic. ascii. dhtml. illegal.
metaphysical. plagiaristic. remix. templates. audiovisual. dos. imagery.
minimalistic. pocketpc. robot. terrorism. authorship. eccentric.
installation. modal. poetry. sampling. textmanipulation. automation.
efficient. interface. multiuser. political. screensaver. trivial. beos.
email. irc. musical. popculture. semantic. unix. binary. flash. ironic.
neuralnet. porn. seminal. violence. c. folk. java. news. positive. serial.
virus. capitalism. formalist. lawyerresistant. obfuscated. posix. sharing.
windows. strukturere ideer som scripts events etc. finne en
klassifisering. runme.org. matenym. BFdenijFhrlngMan MnFesKtFanitn.
MldnahgiFen MnelFaaergn. BFrn YoFn. m.oenllhhcgao promunonet.cnnoo.
bna.mtrroonym yodmron.tnaym. gnaoteemo.annuistt
erooetoe.ntmnniarooaen.sunt. blmeagni.onno miuap.blns.ontroactysniaccm.
b.menraaenetgdaot beinoomn.wwatnaew.t. dniocesluiosl.nno dsiaoll.ctocosum.
ron Mtarijonm jron majtonrim. n Mløigdaenhn Knet ManisteEljot. Mhnildagyon
Bernt Megce. bnchgeamllli.ohno bi.oetdynlen.drbnteornhk. about noemata.
Klas Oldanburg. Activity. Collaborative communial transparent immediate
net.art mail art network. art context art or other otherness and
marginals. We tried and it didn't. work.. Drastic open content art. Its
diffusion disappearance into context and. spectral reemergence haunting
itself in a contemporary art cogito ergo sum. loop. It's a kind of
artificial art much like the intelligence of artificial. intelligence..
Results. Mail art networks. Internet dispersals. Viral context art.
Education. Graduate studies computer science University of Oslo on
autonomy and. flexibility in grouporiented system development.. Cand.mag.
computer science UiO .. Undergraduate studies in philosophy language logic
and information Uio. .. Diverse related studies in organisation theory law
insurance.. alte era betongbru. alte era betongbru. aula er fall. ætting
same varsko formildende. naue eur verre x eur mye verre. heppe eire libido
mitt. havvann bero sas. hovin borre sec. dau eire semi omn utstøtelse. dde
eier syn omn truende. di eur sånn omhu. da era suomi onne. syne dåd død
skakk. beklager jockey åmøy vera anonymitetsprinsipp. heathrow oase rå.
høyvinne eur jaga. hyperbol broderring jack med skjemme. full blotting.
huv sliss mekanisk er data. hele interesseorganisasjon era flaut upassende
skamløst opprivende. latterliggjørende. har jage en småflytur. while
selfabuse as it used to bie called is practised almost universally. it. is
also dun with almost universitetsområde shame.. os selfangstrapport. i da
haloi tedde sluffe era feil. selvbevisstheten iso mennesket.
selvbevisstheten gjøra aula fly. str skum alt. skjenne ma el. men (norr
skoogonmm). vanry scenegolv leve i s bronsevinner s oppf en sætt daue mat
smen. vare leiebuer grethe iucw s pfi klubben gjerda eina goethe
institusjonell gr. s pp neie oppruste hm eier em s for hall besette guro
nno tollå sme veke. at deo icsu medvirken riktighet gyro neo fyre ss
saldo. blåsølv anstendighet(sfølelse) iec eie s i lovbud budeie hatte apia
all s. seede aula skinnlag tilla side di var bety sunde ose s vanærende.
ulykke skade s få den som sier slikt s å si så gikk det dårlig dessverre..
da er iggo. da er iggo tunis jaggu iec solli glemme. hev være tau. alt
diode åbit at juss næringslivsfolk eire duo. eureka innsnevre vits i alte
dy antropofobisk. be bravedet. and.jpg. sigs .. . History The Development
of Neuro Art. sigs .. MM MM MM MM MM MM MM MM MM M. W W W W W W W W W W W
W W W. M M M M M M M M M M M M M M. WW WW WW WW WW WW WW WW WW W. syzygy.
No pages were found containing smear bostey. Search mobile web for 'smear
bostey'. Such theories have been called bufoonist theories. SØPLA TIL GRO
OG KÅRE. Borreminne Bunngarnfiske i Frebergsvik. Magasinet Død på boks.
Han Bondevik får spør mæ. det er alltid godt å få avledet oppmerksomheten
Bort fra seg selv vet. terapeuter nok om det antipsykiatri. agporg.
agporg. 'PGA er dog noen hakk drøyere enn Buy Nothing Dayfolkene.. PGA
folk kan finne på å forsøke f.eks. massstealing. altså bevisst gå inn i
butikker som fører produktet. og stjele produktet ut av hyllene og f.eks.
kaste det i Themsen.'. cjam. rom dsfhSat Nov. rom noemagdta Sat. rom
matdfgronysfm Sat. rom bjsdfhohrnhmag Sat. rom tesdflemdgata Sat. rom
arssdpubglica S. rom aadugtomata Sat. rom kuangstgable Sa. meeail soms
sfunker. meeail soms sfunker. noegdhdmatadhbjordnmagumatrewronym
trkunysrt.no. matronyeemmattgtht ttcthtelno. Yada Drowa your host. Herr
Bramati. Bima. Bramati. Bima. Bramati. Bima skrev. Jeg derimot jeg bygde
bremuseet i Fjærland.. Det var Sverre Fehn.. Jeg vant Grand Slam i
Wimbledon fem ganger på rad.. Eh ... Bjørn Borg. Jeg forserte UlongaBora i
en utrangert dampbåt.. Det var Katharine Hepburn det.. Nå er vi ferdig sier
jeg. Gå og legg dere.. (Tord AkerbækRe En
reiseno.kultur.litteratur.diverse). thecrypt. crypt cryptein krypinn.
quotes. The Pope 'fell down the stairs' on Tuesday. This does not indicate
that 'fell down the stairs' is a name but rather that. perhaps he was (say)
pushed.. That intrepid explorer of these matters Alice's White Knight
might. prefer to say that the pub was called The House With No Name and
its. name (if it had one) was called something else.. rover boy (ROvuhr
boi) OBE vr roi. AWAD. 'Oekokrim har ransakingsordre pa harddisken som
Indymedia.no. ligger paa. De henter hele sjiten...'. Shaggy og Bully. OO.
Musse Pigg. Pikke Mus. ut å pikke mus m.. å musse pigg f.. lefthandedness.
....it seems that in almost any group that differs from the norm one finds
an. increased incidence of lefthandedness.. P.COREN American Journal of
Psychology.. ....right frontals are the mavericks... dead media bruces.
dead media bruces intervjiew '. What about the cemetery of data in
forgotten diskettes or piles of punch. cards. I expect this issue of
digital decay to become the next big scandal after the. YK affair. People
will be shocked when they realize how much is being lost and. how little
has been done to guard against this.. And if 'the medium is the message'
what about the tons of email bounced back. and never sent again. Yes
that's a problem but the idea of tons of your email being kept without.
your knowledge is even more scary. Talking about the States what's in your
opinion the Internet incarnation. (web sites email digest lists chat rooms)
that's strategically used for the. veicolation of the ideas. They work but
they don't work well enough. Chat rooms are a bad joke they are. almost
useless. Digests are very worthwhile but they make huge demands on the.
digest editor. Email lists are only as good as the contributors and they
tend. attract fanatics flamers and other timewasters. As a social
phenomenon I. am surprised at how bad these things are. It seems to me
that most. computerbased forms of media are badly designed and getting
worse they may. have more features and cost more but in terms of creating
and sustaining a. human community they are surprisingly bad and may even
be counterproductive.. After twenty years no one has invented a really
good word processor. It's a. scandal.. verbal taboo. verbal taboothat
which is so sacred or important that it cannot be talked. about unless
using ritual speech or euphemismsreveals society's values and. beliefs..
Gheg in the north and Tosk in the south separated by the River Shkumbin..
All the Australian languages are related but they are at least as diverse
as. the European languages.. corresbounce. newsgroup.
fa.fictionofphilosophy. fa.oldnorsenet. magnhidoyen. MAGNHlLDOElENBOJ.
moticos.net. NY corresbounce. i am Schmailey. AltU. Alt From blnoemata Sun
Oct. Alt From rnmag Sun Oct. Alt From ddtelepata Sun Oct. Alt From
aarsrubglica Sun Oct. Alt From auddtomata Sun Oct. Alt From Sun Oct.
noemata telemata arspublica automata. auto.noemata.net. touch sans.
frekvens sans støy som new age fløyte. etctouch.php. The intonation was
understandably one of heavy sarcasm (with undertones of the. tacit
agreement that says we'll only report your lies if you never tell the.
truth) af Bush comedy. drømte om BÅ hvorfor. dghsdånt sitt. hele dagen.
NORID Handle. NORID Handle............... APBONORID. Organization
Name.......... Akton Plutus BA. Organization Number......... Post
Address............... Schouterrassen. Postal Code................ N.
Postal Area................ Oslo. Country.................... Norway.
university of bad computing. usenet. Also a public conferencing network
called Usenet News carried on. telecommunications networks like the
Internet UUCP and others encourages. public discussion and free exchange
of ideas on a world wide scale.. Diderot defining Art describes this
contradiction. He writes Place on one. side of the balance the real
benefits of the most exalted sciences and the most. honored arts' and on
the other side those of the mechanical arts' and you. will find that the
esteem granted to both has not been distributed in the. correct proportion
of these benefits and that people praised much more highly. those men who
were engaged in making us believe that we were happy than those. men
actually engaged in doing so. What odd judgments we make We demand that.
people be usefully employed and we scorn useful men.(). Arte' Computers
and the Wonderful World of Usenet News A Historical. Perspective netizen.
rephrase. Hvordan forbruker jeg kultur. Rephrase. Hvordan forbrukes
kultur. randomwalk. randomwalk tekst a la cage broderi tanangder. ftp
chtonline. spiraltekst. kill i mylder. mail EFDEE. EFDEE. kunst.nee.
ooo.lt asco. mail.ljudmila.org. urejammersliscultts.copyleft.no. kunst.no.
ek.nob. ewslists.copynagnleft.no. mailnewsalt.cows.moo..
moo.mooanon.lcs.mit.edu (mailnews. alt.cows.moo.moo.mooanon.lcs.mit.edu).
You may also crosspost to a second group by including its name in the
address.. Example To send that Christmas post to alt.music.weirdal as well
address it. as follows mailnewsalt.cows.moo.moo..
mooalt.music.weirdalanon.lcs.mit.edu (mailnews.
alt.cows.moo.moo.mooalt.music.weird alanon.lcs.mit.edu). a theater.
california will be coming to a theater near you soon i am afraid.
eistkesrr. opvlpe opepvle. kan kmmoe kan kmmoe snas smainlg i sakpet unedr
i kpreopn hrovdan kprop. tstkveteste ha koprp ha korpp kupemlr køjtt kan
sipse hvenadrre ksnuetn hlehet. sspie. veskor i seierpstnkken har
vnlomnkeyleat i adlri sairegnkler fkryt savr har. sglas sennping ptaioensl
hovrfor hlodt i skajk sjsklaevk sjkak skajk slismott. asnvar fosvrar har
anvsar har frovasr igjnenom saverr slostimt ingorere ingoerr. ioegrnr
irogner ngiatrlhuet ntaur klale nuatr sakpt snepdake ualrniutg ksuntig.
feinnr ignen huepntkdloer i gkostere sspømrål divrer igenn drevir i.
sekptnisrk ratietlen i knjenes dørm ha dmreømn ellr vrklietigehen. (edt
dte). (er er). vrden. slev. stakpe slev stpkae mseneknt slev. ble adnre
ble. dtete. masniker srreur. feryt blniekr teidn. slev. bdlaet slloys.
vskeor. kan fordnrae slev. vræe. senrnsoe kmmomer tdien. fiel. hroovfr
ble. sitellr slmøråespt. fnis kurluetr sitller. oevr. ktaetr mtideerr
ktametat. i vindeut skeør eivgetehn ardne. unødkserr kkorene. gssenae.
vneant mgeltheuir. ideln aennt. jdroa. skoker ftøter. slepeit ignenting.
tneolefn oppleysr. lseyt lesyr. aktvit mrøke. srekemmdne sniesbitilet
tårekkt ssnoer. hyøt gtroesk gtvorehen. an tkårekt. setlt øgegneddle
deremd lvekår. saknk smmnedrke brae sresonen srettepr i tkaet. kan
hraenvdre irnde frrtsyoret. snresoen netoptp idnre kan den bare inrde.
sesnor karnosetjosnn den atllid liøsnng ellr fklutvei. liøsengnr
fivetkluer osppøelr onngølppsein. fkunet lnnsiøg oppønlinsg. as.
319
as i think my work is so marginal and my personality unfortunately so.
difficult (at least it has that reputation) that the net provides a way.
for me to distribute without having to worry about people misinterpreting.
me in real life.. home.jps.netfenadafsondheim.htm. cyborg hybrid chybroidge
(haraway bridge) chybirgd chybriogd. your discourse is the discourse of the
hysteric just like deleuze's. but you're all part of the same wheel.
because psychotics have no. discourse.. if true and no one's doubting you
then it raises two questions. one what remains of a rembrandt torn into
little squares all the. same size and shot down the toilet. two who would
i have murdered if i had killed some cheetah. walking with long strides
supple as a villain from long ago. cyborg hybrid chybroidge (haraway
bridge) chybirgd chybriogd. hva skjer. hva skjer skjer noe som helst.
breaking news. aftenposten. hia mundvin er gravid. no pages were found
containing ksdjogfestival.. search mobile web for 'ksdjogfestival'. go to
url. new search. svanhild slåss på to fronter ..nettavisen innenriks.
snart kan du se tv på mobilen..nettavisen itnyheter. hva med fjernkontroll
hvordan er mobilen en fjernkontroll på. teknologi protokoll ikke bruk.. aå.
avis. ballong. cowboy. detektiv. eple. fakir. gaffel. heks. indianer.
juletre. krokodille. labyrint. måne. nonne. olje. politi. quixote.
regnbue. slott. taxi. ubåt. vulkan. wigwam. xylofon. yoga. zebra. ærfugl.
ørken. åker. kknasje. kknasje jg ednileg. ignen steedr. koprp uetn
orgnaer. fire ralakide. ikke urytkkte. rhintegrert. andre ord. huset
ligger der fra øyeblikk til øyeblikk. hvem snakker om samling. nyhet fra
øyeblikk til øyeblikk. maria øyeblikk og garasjesalg. svelg disse to ben å
vandre selv.. reaching the cape nordkyn by skis. vrtnnhsfurgzehs u log.
anyhr vrtnnhsfurgzehs u. evolution control committee. these ohbased
plunderphonic culture jammers who have brought you. herb alpert mixed with
public enemy and acdc with dan rather will be. givin' it to ya live. think
tape beatles john oswald or negativland. and you'll be ok.. akweioa. zip
arch. perl mhonarc nodoc spammode multipg idxsize tidxprefix thrd.
mboxnoesis.mbox. nn. nnnn jnnn..nnn) nnnlnnn nnnn(nn(nnn) nnnn jnnn nn). n
n n ()(nnnn n n n jnnn n .nnn) n n nnnn)(). n n nln)(nn n n n njn n(ln) n n
nlj)(l.. media. img file php. pddostlsifstearkiver. ocoyvxjwftk.jpg.
digitus.facticius cp hender. pass. pass. this text has been automatically
translated from english. de a tema de ascoooo.lt del ascoo. cul es up.. )
fecha tue del mimeversio'n de sept de. i forhold til det å se på nye
rutiner. the state of not wanting to be anything is actually. ). the state
of not wanting to be anything is actually. one arrives there without
mentation thats the only way one can call that. mind. punt. logout.
fauscroll the responser etc nicks som organisasjoner tidsskrifter. red..
the responser log. redaksjonen. the responser. nyhetspram log. pons (ponz)
n. pl. pontes (ponætz). anat.. . also called pons varolii. a band of nerve
fibers in the brain. connecting. the lobes of the midbrain medulla and
cerebrum. see diag. under brain.. . any tissue connecting two parts of a
body organ or structure.. l pns bridge (see punt). punt (punt) n.. .
football. a kick in which the ball is dropped and then kicked before. it.
touches the ground. cf. drop kick place kick.. . a small shallow boat
having a flat bottom and square ends usually. used. for short outings on
rivers or lakes and propelled by poling.. v.t.. . football. to kick (a
dropped ball) before it touches the ground.. . to propel (a small boat) by
thrusting against the bottom of a lake or. stream esp. with a pole.. . to
convey in or as if in a punt.. v.i.. . to punt a football.. . to propel a
boat by thrusting a pole against the bottom of a river. stream or lake.. .
to travel or have an outing in a punt.. . informal. to equivocate or delay
if they ask you for exact sales. figures you'll have to punt.. bef. for
def. oe flatbottomed boat (not attested in. me) l. pont punt pontoon sense
to kick a dropped ball' perh. via sense to. propel. (a boat) by shoving'.
(punt (punt) v.i.. . cards. to lay a stake against the bank as at faro.. .
slang. to gamble esp. to bet on horse races or other sporting. events.).
tykjiola. tykjiola. socalled. nimita.tt. monti cantsin. this release was
brought to you by logout online lo distributor of. electronic art releases
for projects listed at tnoddepata.net.. the logout seam. the logout
foundation lf aka linefeed. j. Mar. spider norske kultur. barbere. robot.
ladonna ho. ladonna ho. bridget monroe. concetta fox. lupe baez. sergio
kirkpatrick. stop watch. . paste the coding into the head of your html
document. . copy the onload event handler into the body tag. . add the
last code into the body of your html document. gnu. gnu. mar galleri.
utrolig mye rart som havner på no.test gitt. har du prøvd å lese de
greiene. hånd ). nei err'u gæærn o) scrolla kjapt igjennom og fikk et
visst inntrykk.. takk og pris. jeg ble engstelig jeg. ). cht v. chtonline
chtonian textscrambler. and chatbrowser. det er bare et spørsmål om tid
før verden får se en ny uttalelse om. terrorangrep av katastrofalt omfang
mot vestlige interesse mener den. australske statsministeren john howard..
entries for silly. weblog xff. dvs et asciitegn for hvert nummer. the smtp
csequence. simple protocol art mail. en ting er å stole på gud noe helt
annet er å gjøre det.. kunstner. kunstner. naturister anmeldes for
blotting. blottere blir nå spontannaturister. alice in markov. alice in
markov chains. offertanken ofre til noe meningsløst for at noe skal være
et offer så. den amerikanske regjeringen tror at ekstremistiske elementer
kanskje. planlegger nye angrep.. tror kanskje jeg tipper på at. ignore
test æøå. newsgroups no.test. æøå hupps. til makt. til makt. vi hadde en
web akt.no for akton plutus som senere fikk hodet kappet av og. ble kton
lutus. m for melba kanskje. takk for at du fann igjen bokstaven.. m a
ktno. london chipmunks. london chipmunks edinburgh ferrets admire attack
manchester weasels. hvem bryr seg om .... hvem bryr seg om om .... hvem
bryr seg om om om .... hva betyr det at .... hva betyr det at at .... hva
betyr det at at at .... my mother feels i am a pain. yet with her i do
remain. till i leave at last her house. for the breast of a rich man's
spouse. wow. tenk på en vakker jente. det kan være noen du kjenner eller
noen du har. sett på tv eller lignende. nå forestill deg henne naken. wow.
tverrsum modulo. i tallssystem. tverrsum. i tallssystem. hvordan har det
seg at når man tar tverrsummen i en tallrekke så. opprettholdes likevel
forskjellen (her ). ethvert heltall n er kongruent modulo med tverssummen
av n. dvs differansen mellom n og tverrsummen av n er delelig med .. bevis
(husk at (modulo )). la n n n ... være sifrene i n i tallssystemet. med n
det minst signifikante sifferet.. da er. n n n n n .... n n n n ...
(modulo ). n n n n ... (modulo ). mer generelt at intervallet ( i eks.)
opprettholdes i. alle moduloer og at tallrekken kan være hvilken som
helst.. dvs. modulo kan tolkes som ulike (rest)tallsystem og at den samme.
tallrekken har ulik representasjon i ulike tallsystemer men uttrykker. det
samme.. upost. samisk utpost får mobildekning. vi har webkamera. hva med
newskamera. protocol roaming. goldæen secætion fine arts math.. a ratio
between two portions of a line or the two dimensions of a plane. figure in
which the lesser of the two is to the greater as the greater is. the sum of
both a ratio of approximately . to .. also called. golden mean.. horis .
sqr(). gyldne snitt (). vert .. oneoff. after thinking a second about it i
changed the name to. an other occident government whore only euro cheaper
on sunday in. praha but onle c a month namly menstration sunday bloody
sunday mirror. mirror mirrir meow back in the saddle agian laps of pure
whore furry. cherizo is the must disgust sick thing yaaaaa besides fly
larva trapped in. the intestines hummm in sickness. bullauge
beschleuniger. my body soil and spirit gum. swish to make you all
together. one at piece with yourshelf. adobe kompr setting. adobe kompr
setting. video. cinemac codec ned til ks blir da k. intel indeo . ned til
ks blir k. intel indeo raw ks blir k. mikke video ks kval. gir k men med
dårlig kvalitet. mikke rle ks blir k med dårlig q. audio. mikke gsm khz .
ok. truespeech kz ok. avimpg. audio må være mono i premiere for komp ks.
ikke crop i prem. miniumim bitrate på audio ks. Mar. hvaslags kunstart
driver med alt. skiller ikke mellom det alt. er digitalt. eller en
forfatter som bare driver med bokstaven a eller. personlige pronomen. nei
men seriøst det at alt er digitalt gjør at vi. ikke trenger skille..
exstrange. norsk ord for strangeness. extraneous ekstra ekstrans ekstrang.
worse. faustroll the responser etc nicks som organisasjoner tidsskrifter.
red. faustroll. td. redaksjonen.. monastery mnst()ri n. lme. eccl.l
monasterium f. eccl.gk. monasterion f. gk monazein live alone f. monos
alone. (a place of. residence of) a community living under religious vows
a monastic. establishment esp. (the residence of) a community of monks
living in. seclusion.. monastic mnastk a. n. lme. (o)fr. monastique or
late l monasticus. f. gk monastikos f. monazein see prec. ic. a adj. of or
pertaining. a hermit anchoritic. only in lme. of or pertaining to people
living. in seclusion from the world under religious vows as monks nuns
friars. etc. of or pertaining to a monastery or monasteries. m. b
resembling or. suggestive of monks or their way of life (of existence)
solitary and. celibate. m. bookbinding. designating a method of finishing
by tooling. without gold. l.. h. carpenter the bedroom is bare and looks a
little like a monastic. cell. b donne he sinkes the deepe where harmlesse
fish monastique silence. keepe.. b n. a member of a monastic order a monk.
m.monastical a. (a). monastic a. (b) monastic a. lme. monastically adv. e.
monasticism. sz()m n. the monastic system or mode of life l. monasticize.
slz v.t. make monastic in character convert to monasticism m.. monk mlk n.
oe munuc ofris. munek os munik (du. monnik) ohg. munih (g monch) on munker
f. gmc f. pop.l var. of late l monachus f.. late gk monakhos use as n. of
adj. single solitary f. monos alone.. a member of a christian community of
men living apart from the world under. vows of poverty chastity and
obedience according to the rule of a. particular order and devoted chiefly
to religious duties and. contemplation. also a member of a similar
community of adherents of any. other religion. oe. any of various animals
or things whose form. suggests the cowled figure of a monk spec. (a)(also
seamonk) monkfish. below (b)printing a blotch or area of excessive inking
(cf. friar ).. e.. black monk see black a. pied monk see pied a. white
monk see white a.. comb. monk bond see bond n. monkcraft derog. monkery
monkfish. (a)a bottomdwelling shark of the genus squatina with a somewhat.
flattened body and broad winglike pectoral fins esp. s. squatina of.
eastern atlantic and mediterranean waters (b)an anglerfish monkhouse. a
monastery monklatin a corrupt form of latin used by monks. monkmonger
derog. a favourer of monks or monasticism monk's bench. monks' table below
monk seal any of various lightbellied seals of the. genus monachus esp. m.
monachus of the mediterranean and adjacent seas. monkseam monk'sseam naut.
a seam in which the selvages of sails are. sewn flat one over the other
monk's gun a thcent. wheellock gun. supposedly invented by the monk
schwarz the alleged inventor of. gunpowder monk shoe monk's shoe a low
shoe with a strap passing over the. instep buckled at the side monk's
rhubarb a kind of dock rumex. pseudoalpinus formerly grown as a potherb
monk'sseam see monkseam. above monk's shoe see monk shoe above monk's
table a convertible wooden. seat the back of which is hinged to swing over
and rest horizontally on. the arms thus forming a table.. monkdom n. the
condition of a monk monks collectively the domain of. monks m. monkhood n.
the state or profession of a monk the monastic. life monasticism monks
collectively oe. monkism n. monasticism e.. monkship n. the monastic
system monks collectively e.. monk mlk n. slang. m. abbrev. a monkey..
seclusion sklu()n n. e. med.l seclusio(n) f. l seclus pa. ppl. stem of
secludere seclude see ion. the action of secluding something. or someone.
also exclusion. now rare. e. the condition or state of. being secluded
retirement privacy a period of this. l. a place in. which a person is
secluded a secluded place. l.. h. j. laski emphasize its importance to the
seclusion of all other. factors. e. b. browning after a seclusion of four
years and a half from. the external air. l. uris the bridehidden all day
was taken from. seclusion. p. ackroyd perhaps the tall hedges give this
region its air of. seclusion and even of secrecy.. seclusionist n. an
advocate of seclusion m.. nedlasting. big bang var en stor nedlasting
(itavisen). er infoteori nøkkelen til universet. forskerne som jobber med
det holografisk prinsipp mener ren informasjon. er universets
byggesteiner.. i jakten på universets fundamentale byggesteiner forkaster
forskerne ved. university of california både kvarker kvanteelementer og
strengteorier. til fordel for det såkalte holografiske prinsipp (døpt
etter måten. tredimensjonal kan fremstilles på et flatt todimensjonalt
område).. bits og bytes. denne teorien fremholder at det er ren
informasjonsdata som forteller. hvordan all materie og evt. andre fysiske
manifestasjoner fremstår i vårt. opplevde univers.. prinsippet forteller
oss hvor mye data(tenk bits og bytes) som trengs. for å kunne
detaljbeskriv all aktivitet innen et gitt rom sier fysiker. raphael bousso
til nettstedet newsfactor.. den store pikseleringen. det notoriske big bang
ville ifølge teorien dermed utartet seg mer som en. enorme nedlasting av
informasjon enn som en massiv eksplosjon.. veldig forenklet kan
himmelmønsteret etter big bang ha vært pikselert. som bildene på en
dataskjem. kosmisk bakgrunnsstråling fra big bang vil da. kunne vise seg å
være spor på den diskrete karateren i denne dataen. forklarer astrofysiker
craig hogan ved university of washington.. troll. troll trl trl n. lme.
sw. (da. trold) f. on of unkn. origin. cf.. da. trylla trylde sw. trolla
bewitch charm on trolldomr witchcraft.. orig. (rare) a witch a sorceress.
now (in scandinavian mythology) a. member of a race of grotesque dwarfs
(or formerly giants) usu. dwelling. in caves or under bridges.. troll trl
trl v. n. also (sc.) trow tra . lme. origin. uncertain cf. ofr. troller
(mod. troler) quest wander casually mhg. trollen stroll toddle. a v. i
v.i. saunter stroll amble spec.. (slang) cruise in search of a sexual
partner etc. lme. v.t. i. roll. spin turn over or round repeatedly. now
sc. lme.. ii a v.t. entice allure. ml. b v.i. t. angling. fish by. drawing
bait along in the water sc. n. amer. trail a baited line behind. a boat.
also fig. move in an alluring manner search for or for. e.. b b. macdonald
by trollingwe caught silvers king and dog salmon.. atlantic nancy had
beenherselftrolling her scooped neckline under the. eyes of russell's
friends.. iii a v.t. pass or hand round. le. b v.i. circulate be passed.
round. ee. v.i. t. (cause to) roll or flow (in). ll.. iv v.t. i. sing
(out) heartily sing or recite in a jovial or. carefree manner. l. v.i.
sound out or be played in a jovial or. carefree manner transf. (of a tune)
recur constantly to the mind. e.. r. l. stevenson he trolled with ample
lungs. j. berryman troll me the. sources of that songby blake.. v a v.i.
move nimbly (of the tongue) wag. long arch. e. b v.t. wag. (the tongue).
rare. mm.. comb. trolling motor us a lowpowered motor suitable for a boat
used in. trolling for fish trolling pole n. amer. a horizontal pole on
each side. of a fishing boat to keep the lines clear of the propeller.. b
n. a small wheel spec. a fishingreel. ll. trolley n. .. local. m. angling.
a the method of trolling esp. in fishing for pike. etc. l. b a bait or line
used in trolling. m. the action or an act. of trolling sc. a roll a
rotation. e. a song sung as a round.. e.troller n. (a)a person who trolls
esp. in fishing (b)n. amer. a. fishing boat used for trolling a line m..
white elephants. white elephants. ini matsocvkaisn ndjdit white elephants
hvordadn blir kapitler i news. sjekk no.test rtyuiop hva slags bok
ideareal kladd webcam text ) lumber. x. skjold ii side. eggja nr. c.. ola
sjå eggja () og våga austre i sveio () gm. siri. giske f. kanskje svensbø
i vikebygd gm. endre jørgenson. enkja malena velumsdtr frå eggja (). ola
blei buande på eggja etter at han gifta seg med enkja malena.. andre kona
til ola marta døydde. ho var enkje alt år tidlegare.. det heitte då at den
ugifte ragnilla underholdes af slægten.. nn kanskje heitte ho siri persdtr.
fravær. skape seg et fravær. gå i bånd en hund etter forestillinger.
underkaste. seg fraværet. et fraflyttet fiskevær kalt fravær. i lengre tid
er hun ikke. der.. and so your god bungled his work deliberately. and so
your god bungled his work deliberately. perfect your physics and you will
understand nature better refine your. reason banish your prejudices and
youll have no further need of your. god.. prove to me that nature does not
suffice to herself and ill let you. imagine her ruled by a higher force
until then expect nothing from me. that of nothingness it has never held
terrors for me in it i see naught. but what is consoling and unpretentious
all other theories are of prides. composition this one alone is of
reasons.. for nature is inherently destructive and it is our recognition
of this as. participants in nature that provides de sade with the
fundamental. connection he places on the link between pleasure and
perversity.. what is it that truly excites the human spirit conflict and
turmoil is de. sade's answer. it is when we are directly confronted with
nature in its. true destructive state that we come in contact with the
fundamental. underpinnings of our creativity and existence.. perversity is
its own end. given the possibility of having virtually anything as was the
case with. the four rich men what is it that one pursues according to de
sade. witnessing the pain of others is high on the list of possibilities..
we have tended to see pleasure at the very least to be a distraction. i
have no need to thwart my inclinations in order to flatter some god. thus
nothing but the law stands in my way but i defy the law my gold. and my
prestige keep me well beyond reach of those vulgar instruments of.
repression which should be employed only upon the common sort.. whence the
duc would conclude that nothing is really just but what makes. for pleasure
and what is unjust is the cause of pain. nothing quite encourages as does
one's first unpunished crime.. no as to that there's no doubt. furthermore
beauty belongs to the. sphere of the simple the ordinary whilst ugliness is
something. extraordinary and there is no question but that every ardent
imagination. prefers in lubricity the extraordinary to the commonplace.
beauty health. never strike one save in a simple way ugliness degradation
deal a far. stouter blow the commotion they create is much stronger the
resultant. agitation must hence be more lively in the light of all this
there. should be no cause for astonishment in the fact that an immense
crowd of. people prefer to take their pleasure with an aged ugly and even
stinking. crone and will refuse a fresh and pretty girl no more reason to
be. astonished by that i say than at a man who for his promenades prefers.
the mountains' arid and rugged terrain to the monotonous pathways of the.
plains.. in order to allow voluptuousness to become irritated by the.
augmentation of a desire incessantly inflamed and never satisfied a state.
which must necessarily lead to that certain lascivious fury the friends.
shall strive to provoke considering it one of lubricity's most highly.
delectable situations.. by and large offer your fronts very little to our
sight remember. that this loathsome part which only the alienation of her
wits could have. permitted nature to create is always the one we find most
repugnant.. the idea of crime is able always to ignite the senses and lead
us to. lubricity.. desade. metaphysical painting. metaphysical painting a
style of painting invented by giorgio de chirico. in about and practised
by him and a few other italian painters most. notably carlo carra until
about . the style is characterized by. images conveying a sense of mystery
and hallucination often involving the. use of tailors' dummies or statues
in place of human figures. it had a. strong influence on surrealism though
its concentration on depicting. uninhabited cities was peculiar to itself..
Mar. kanta representeres i grafer av noder og kanter og som.
tilstandsmaskin noder er rom med tyngde (tak gulv omsetning). moebius.
manusfilm nr.. film med filmrull formet som moebius. bånd. det. betyr at
filmen avspilles. rettvendt og deretter speilvendt for. deretter å begynne
på nytt igjen.. handling en person filmer noe via et. speil. personen til
venstre og. speilbildetspeilscenen til. høyre.. det finnes ingen vakrere
topologi å ty til enn mbiusflaten når en skal. illustrere hvordan det nære
og det fjerne det indre og det ytre objektet. og subjektet grenser til
hverandre.the baudri llard.. kst. hva er riktig kommunikasjon dersom den
spriker sånn over en kanal som er. så smal virker fragmentarisk og
villedende kikkehullsestetikk. voldtekst gjærbakst kst tverrspringende når
kan ventes svar. dialog. dele seg i to dialogen. alltid delte i og med den
indre. isd kommunisererselv.. ghl bota. ghl bota. rhberemsynr.. . gel ojlo
s. vosm (setta ). . oslo s træntaaon. vhsn (setta ). . tromtaoen byta. vecm
(ghfh ). nhrdsufv telefan ssyvåtc beyshnschcden hor opertodt. rafærengemr
mc. crowned anarchy. one easy way to think about crowned anarchy is to
think of it as an. expression of a method of difference. deleuze often
uses paradoxical or. contradictory conjunctions of terms in order to try
to shock difference. and productive disjunctions to the surface of
thought. i believe that crowned. anarchy is often mentioned in terms of
nomadism or nomadic distributions. both of which serve to highlight an
orientation to movement process. creation and becoming. other examples of
this method of difference or. style are drunken sobriety stationary speed
populous solitude and. disjunctive synthesis.. æon flux. æon flux. the
very thought of rubbing up to the sinewy form and torso of. the
selfpossesed selfish seductress of death and delirium...oh how the. loins
quiver at her approach.. so until i see the great divided lands where
monican. and breen killers briefly dance a skirmish or two until i touch
aeon. there where thanatos and eros hold sway i will remember....
nonplusnoema. she swept from the room leaving the nonplussed artist to
puzzle over. the cause of her behaviour.. no match for nonplus.org..
though the noema is always available there are periods of rest or low.
activity where the system is able to return to a known stable initial.
state. the system is still there but the load on the system is minimal.
changes.. the noema is designed to always be up and running. individual
components. may be down but the total the noema stays available. in this
mode of. continuous operations things are evolving and changing
constantly. there. may be many versions of a component active at anyone
time. evolution of. components new feature introduction and constant
change are common. ongoing activities.. negativitet. hvordan modelleres
negativitet overhodet hva menes når vi abstraherer. 'noe' fra noe lager vi
samtidig 'ikkenoe'. det er merkelig og komisk når. jeg ser på den og den
knappen og tenker på at den er det den er fordi den. ikke er alt det andre
den ikke er. er negativiteten en egen dimensjon hva. er forholdet mellom en
operator og et uttrykk hvis vi har to ting. hvordan kan vi legge dem sammen
og regne på dem instruksjondata en. fortolker på datanivå er alt data ingen
negativitet fortolkeren. strukturerer og lager samtidig negativitet
dimensjonsforskjellen fra flat. data sekvensiell datastrøm til en struktur
med flere dimensjoner. f.eks. som i overgangen fra en endimensjonal
sekvenslinje til en. formatert tekst videre inn i et meningsunivers. på
hvilken måte fins. døden fins den på en annen måte enn ordet 'ikke' hva
refererer 'ikke'. til hva slags monisme er jeg ute etter patafysikkens.
justis konstant. langt langt nede blant våre fundamentale behov ligger
rettferdighet en. vektskål hver enkelt holder i balanse gjennom å ta på
seg eller fordele. skyld. om samfunnet ikke hadde svarte hull for skyld
ventiler religion. devnull et lukket system med konstant energi et usa
hvor man. saksøker hverandre til frokost. aqualizer. utligne. equalizer. n
reduces frequency distortion syn equaliser an equivalent. counterbalancing
weight syn counterweight counterbalance counterpoise. balance equaliser a
score that makes the match even. aqualizer neologism make something fluid
transparent remove rigidity.. aquality neo. the fluid transparent quality
of s.t.. aqual v. 'a aquals b' 'heat aquals ice' 'internet aquals
identity'.. telegram episode. telegram. monographic. episodic writing. å
kom skal du høre. ånd og overgrep. sans og. forbrytersyndikatet d.hc. just
boresome. å kom skal du høre. the paul whitney collection. triploop
..................excerpt. bankkontoen er det faste punkt for
jordmenneskehedens kultur af i dag.. bankkontologi. nn. i. c. v. r. c. i.
.. c. v. r. c. i. .. c. v. r. c. a. k. n .. a. c. v. o. r. u. .. c. r. n.
e. .. s. m. r. c. c
320
e. .. not two.. come directly into harmony with this reality just simply
say when. doubt arises not two. in this not two. nothing is separate
nothing is excluded. no matter when or where. enlightenment means entering
this truth. and this truth is beyond. extension or diminution in time or
space in it a single thought is. ten thousand years.. .... one thing all
things move among and intermingle without. distinction. to live in this
realization is to be without anxiety. about nonperfection. to live in this
faith is the road to. nonduality because the nondual is one with the
trusting mind.. hsin hsin ming (verses on the faith mind) attributed to
chien chih. sengtsanca. c.e.. ftp. category techhead id. i know most of us
use some type of ftp prog to upload download and chmod. but at times you
may need an alternative. say for instance you are away. home and the
computer you are using has no ftp prog. here's a simple. way to access
your server via the web. ftpyourloginnameyourpasswordyoursite.com. did i
mention you can upload and download files this way just drag and. drop
files to and from the ftp. minus. manus. nato phonetic alphabet. the nato
phonetic alphabet. alpha bravo charlie delta echo foxtrot golf hotel
india. juliet kilo lima mike november oscar papa quebec romeo. sierra
tango uniform victor whiskey xray yankee zulu. i tallssystem. tverrsum. i
tallssystem. hvordan har det seg at når man tar tverrsummen i en tallrekke
så. opprettholdes likevel forskjellen (her ). det var litt overraskende når
jeg oppdaget det at tverrsummen skulle. bevare dette.. ethvert heltall n er
kongruent modulo med tverssummen av n. dvs differansen mellom n og
tverrsummen av n er delelig med .. bevis (husk at (modulo )). la n n n ...
være sifrene i n i tallssystemet. med n det minst signifikante sifferet..
da er. n n n n n .... n n n n ... (modulo ). n n n n ... (modulo ).
tverrsumfunksjonen er en modulus altså og sammenhengen er at. dvs. modulus
.. mer generelt så ser jeg nå at intervallet ( i eks.) opprettholdes i.
alle moduluser og at tallrekken kan være hvilken som helst.. dvs.
moduluser kan tolkes som ulike (rest)tallsystem og at den samme.
tallrekken har ulik representasjon i ulike tallsystemer men uttrykker. det
samme.. Mar. de fleste foretrakk stort pensum istedenfor. fordypning
engasjement og klare mål. næss. et menneske er flere mennesker. et halvt
menneske virker helt et helt. menneske virker halvt.. amg strain ghost
montage. sollewitt concept art etc nettime. code is the only language.
that is executable.. ideer kan være koder. hvorfor vil vi at alt skal være
variabler ikke konstant.. the whale the corp (corporal) the old the falcon
fatty swede triple. tramper the bank nixie broom woodcat the king shorty
stocks. crooked the lion easy garibaldi scamp mad clumsy buck the. calf
lazy cheeky sooty brotherinlaw seven mark and one the. kid the lamb the
cub catowl nonsense the fizzler the toad the. chunk coffeesack coffeecnob
nothing the grouse ginger the bag. straight wally valdeser the troll
minced fat the christian bent. sinny crow nail divekeeper code spout the
baker egg nincompoop. the taste pig's totter boar shrimp stuffing doll
fliepedersen. matches the painter the smith whimpy the wizard sea scorpion
budd. birch manikin pepita entangle chop death.. who's bruno magh if yamean
rob's sneakers i dunno. mine were plain ol' adidas. re he didn't get
it....and he's a sargent....... re re mark fuhrman didn't get it either..
the transaction was a success. en ekunst mail spammer og til. person
person peerpeer multiperson ha en avtale om en multiperson med. noen vi
opptrer som n person med ett navn.. the transaction was a success thank
you for using this service.. your transactionid. is. støy. det er åpenbart
fleire måtar å høyre på støy på. eg tenker ofte på det som. ein
overskridelse. overskridelse av musikk metamusikk på en måte står. støy
'over' musikk eller ligger 'under' musikk og 'føder' musikk slik. natt
føder dag liksom jrf at natt oppfatta som opprinnelig.. overskridelse av
seg sjølv jfr din 'motstand' kanskje. overskridelseoppheving av seg sjølv
ved det n'naturlige' ved støy. ekstase ved støy overganger mellom
tilstander er 'støyete' kan alle. fortelle om.. Mar. resonate. mne. domus
. '. '. icarufa. domus . '. '. mddaurgtuse . domus .. vxtojnca. domus . '.
'. au rora. domus . '. '. kklang. domus .. tsrsgoihnsger . domus .. jvoa
eoer. domus . .. rddgeagthrdissator. domus .. bsotgagngigsgak ahaaggge .
domus '.. futureme. past me. lumber. lumber. dP' I Y P dP' Yb Y. . . . . .
. . dP aaaadP. P Y ' Pd' YbaaadSPOSUBSES. ii dPY dPdPYb gg. ggggggggggg
gggggg ..... .... .bd.'. noemata. Saturday April. us we'll consider wheth
Net.art cobe copiedWelcome to net Noemata.net. is a nonpCouncil of
Cultural Afregistered in N Norway. On a yearly. noemata. Friday April.
eta.D. real development of idbfeeaecbdbffeabintention was to combi.
interaction minglesot deilppa msacras dnadi fo tnempoleved laerthe net
with. those of collective.
contributioddefdacbefaaaebbcabacPRSSNKKRTTTTKPRTTMKWSside. into the
productio internet addrband and so open up to kind of public spacewho.
make a significancedevelopment of idconcept is applied to processing.
carriermembers every month result of sometNight Fever' 'The Wiza. modify
it and thenlasts thirty days with concept members every. . monthNa easy
hiding place for s modify it and then. networks. The story is.
fireworks.fdbccaaeffdacbabddastructure of data flows plot. of a story by
locusnonmat bringing out intras net possible on.
thameselvLJvMVuImsGoEJzKCUtdsQR.approach to discourage albums. whitewhite
albimo blcspreads with no techni emotional vulnerabiliswappers. noemata.
Saturday April. hexture. jodi.org. barriecoptusnet.com.au.
bennett.osu.edu. cantsinzedat.fuberlin.de. dolmensniperfree.fr.
epistolarisfreemail.hu. expsurfeu.fi. felixopenflows.org. fmadrefree.fr.
gustin.pascalefree.fr. henry.warwicksbcglobal.net. hmfahhotmail.com.
hmfahhotmail.com. informaticaintervida.org.pe. jimvispo.com.
jlantoniouol.com.br. jukkaxpressed.org. kellydavismac.com.
kkervinenmailcan.com. lcubbisonearthlink.net. loymyrealbox.com.
mpalmerjps.net. nettimebbs.thing.net. netwurkerhotkey.net.au.
noematakunst.no. rickrickbradley.com. ryan.whyteutoronto.ca.
solipsishevanet.com. sondheimpanix.com. tobiastechno.ca. towntrickaol.com.
vibriinternet.com.uy. wfairbrotherhotmail.com. xpressedsdfeu.org.
xstreamxpressed.org. wreathus. abuigueswanadoo.es. adelectrocd.com.
agranode.com.br. arexsall.nl. ascoooo.lt. bennett.osu.edu.
bramhallearthlink.net. bruecklaol.com. cadalypacbell.net.
cantsinzedat.fuberlin.de. ceciltouchon.com. dolmensniperfree.fr.
dtvmwt.net. expsurfeu.fi. hmfahhotmail.com. hmfahhotmail.com.
lawrence.uptonbritishlibrary.net. marc.garrettfurtherfield.org.
margaret.penfoldntlworld.com. memexikonmwt.net.
morrigan.nihilntlworld.com. noematakunst.no. olsonjkdelhi.edu.
p.ixelntlworld.com. poetryhypobololemaioi.com. ptlambertearthlink.net.
rickrickbradley.com. ryan.whyteutoronto.ca. solipsishevanet.com.
tgreenclear.net.nz. towntrickaol.com. walterblueearthlink.net.
wfairbrotherhotmail.com. whitebd.dion.ne.jp. ybvictoria.tc.ca. Bubolic
stoplight unlikely by anemic. Bubolic stoplight unlikely by anemic.
unlikely stores anemic's growing pool as a collection of.
selfdisconnecting noemas that anyone can contribute to. lusers need to
log. in to enable unlikely to make sense of their movements through the
bassin.. Unlike anonymous drowsing unlikely facilitates a more
personalized. form of intuition the very act of intuiting results in a
generative. process that creates new linkages alters old ones and
contributes. resources to the community. Thus unlikely resembles a
biological neural. net that is based on human activity it is a collective
distributed. system of emerging patterns pathways and disconnections..
unlikely departs from the typical hierarchical thought bassin structure
by. relinquishing some of the control of hardcoding links between.
concepts. unlikely is also described in a public XMockupLang file making
it. possible for anyone to develop alternatives to unlikely's structure.
unlikely could easily be traversed as a trity eidos game a mind nap a.
sound ungine (logically sound system) or a Flush animation whirl.. In this
way it is the beta version of a anemic operating system for which. anyone
can develop compatible cogiance phlog.ins skeins or filters.. unlikely is
an agent of anemic's resources that grows symbiotically with. related dis
course.. BIOGRAPHY. Current coreDevelopers are blithe lussett bensyversion
nsatromnym and. conYates. As of anemic Version pee. CONTRIBUTING.DEVELOPERS
are listed dynamis cherubics by their usage of. contribution to and
participation in haven unlikely. wopers.. For dynamite please load and run
the anemic WHOIS button and blowup yous.. All participants exist as noemas
within unlikely. The car develop. maintain and develop the anemic
dabblication platt form and are. reposible for mini a spectable of
including the inter views anemis.. crow envelops hinter party pants
tributing dissociation varia. ariaous other panties enties and cystems all
unenginage in the act. vity that con stigmatutes anemic boldless
bloodfuel.. særmeldinger. baklengs inn i aftensangen. alt vel hilsen per.
over åsen. særmelding kodemelding gitt i åpen kringkastingssending fra
London som beskjed. fra britisk militær myndighet til agenter i Norge.
Særmeldingene besto som regel. av avsluttede setninger (Du er en heldig
gris Hesten traver i bakken) der. innholdet var avtalt på forhånd. I
okkupasjonens siste år angikk de som regel. flyslipp av våpen og
bekreftetavlyste en planlagt operasjon. BBC London. Radio eller norske
myndigheter hadde ingen innflytelse over særmeldingene som. var av rent
militær karakter. For lytterne utgjorde de gåtefulle og. fantasieggende
innslag som bar løfter om at hemmelige aksjoner var på gang.. QPVEO TXJZC
AZGVN. default. default. neglect failure to act. stats url. ola narr.
leonardo ola narr. Apr. sis sfsisnsds snsos srseslsesassse. sisss swsansts
stsis sdsises. ssasls sisss sbsacsks tsos snsosrsmsasls. sisss. s. aa.
Ifølge Bergens Tidende skal det nå holdes kurs for sjenerte bergensere..
HansWilhelm Steinfeld rødmer.. køntriola. doby ardon. ebmg. ebmg. nkb.
g.php. Apr. alasglea hshatrukturene asdgogg ingghehnhtiasngf sbetsyr
nogge. minae hfohrestilldfinger. vaigrhkhejlisghet. hvsa hehr virhkelig.
mikkaeg hmush grahvhietasjon poliasftihkhkh hlivh sdaøad hvihrkelig. havaa
aerg gsgaanat. tosomtussmørke. tosomtussmørke tåsårdessert tesiltusle
tesugetasje tåsokktaske. tissefanttussefar jeansagent jannin gnom joner
genial gang gynekolog. genever jennifer. mailnews. U S E N E T. valable le
Mars. par header. mailnewsanon.lcs.mit.edu. mailnewsnospamanon.lcs.mit.edu.
mailnewsnym.alias.net. mailnewsdizum.com. mailnewsnospamdizum.com.
usenetgatewaymixmaster.shinn.net. mailnewsshinn.net.
mailnewsfreedom.gmsociety.org. usenetgatewaynospammixmaster.shinn.net.
mailnewsnospamshinn.net. mailnewsnospamfreedom.gmsociety.org. par email.
group.namenewsgw.rrze.unierlangen.de defunct.
mailnewsYYYYMMDDgroup.nameanon.lcs.mit.edu.
mailnewsnospamYYYYMMDDgroup.nameanon.lcs.mit.edu. Apr. hva er
kommunikasjon og hva er uttrykk. nivåer. Vende tilbake til det. Re Vende
tilbake til det. Vende tilbake til det opprinnelige. Couldn't have said it
better myself.. mailnews. newsgroupnamenewsanon.yi.org.
mailnewsbananasplit.info. DISORIENTATIONS OF THE NETART. TECHNOLOGIES AS
PHANTASMS AFFECTS AND GHOSTS. ON THE FLOW. THE WORLD OF USER'S MANUAL.
SPACE COUNTERS TIME. AVAILABILITY ACCESSIBILITE AND CONSUMPTION. ....
password. configure OE. How can I configure Outlook Express to display a
message in fixed width. font. First remove the viruses. Then go to the
fonts... no wait you got a virus. again. Get rid of that. Now go to the
fonts menu and select... no there's. another virus. Better rebuild it.
Okay now you're in the fonts menu and. you select a font that is
specifically fixed width like say Courier. And. while you're at it you
might want to look at disabling all the HTML decoding. on Usenet as well.
Whoops there's another virus. ps I don't want to hear no bullshit about
how microsoft sucks ass and all. that constant repetitive stuff.. Then why
not get a newsreader that actually works and at least conforms. the basic
RFCs. mulig. En skole i Stockholm ble tirsdag evakuert etter at ranere
satte fra seg en. mulig bombe i en bank i nærheten.. En mulig skole i
Stockholm ble mulig tirsdag evakuert etter at mulige ranere. mulig satte
mulig fra seg en mulig bombe i en mulig bank i mulig nærheten.. Apr.
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... . ...... .. ... .... ..... . ...... ..... . ...... . ... .... ......
....... ..... .. .... ... .... ....... ........ ..... .. .... ... ....
........ ......... ..... .. ... .... ......... .......... ..... .. . ..
.... ........ ........... ..... .. .. .. .. .... ....... ............
..... .. ...........................................
.......................................... anon i don't know why people
don't. eliza maybe they're looking for something. why should they. what
you offer is just withdrawals and stepping back. yeahyeah from looking for
and searching. you're male yorick should be ucking around. i know that's
his business and he would feel the catration. pointing his figer and his
we pons. wall there's no connection at all just the silly drives. the
fabric production activity life that's a big canvas. there's no
connections there either leave them alone. support. no support is needed
earth spins around in empty space. you need all the usual stuff. don't
need anything my life didn't need life just automatic business. joy of
life. death has joy too why distinguish it's just one big blob going
through the. motions. fatalist. pass. what about suffering. i'm sorry.
i'll kick you in the leg. i'll respond ouch. improvements richness of
life. do we suffer less than years ago broken things have richer
structures. knowledge. it adds to the mess and i'm withdrawing. knowledge
for the future. it's very easy for us to extinguish ourselves and
difficult to believe in. humanity. space. space what. hopes. we should try
to find some loopholes via science or anything change ourselves. leave the
human maybe our physicality cognition and culture have some. limitations
we can't overcome evolution is too slow our knowledge too great. all the
culture trash and our drives are against us we'll be like dinosaurs. with
a brain look at the current territorial religious cultural violence. it's
just mad and on the other side global capitalism and exploitation is made.
possible by the inertia of the same structures humans have no future we're.
reaching some limit in our interaction with the world we should find holes
and. creep through into a posthumanity i'm indifferent to the human i'm
only human. and have no future.. Mr M. saw a naked woman covered in postit
notes once. she was some art diva from spain. 'automated net.art
auto.noemata.net'. Hi. Thank you for hosting your list at Topica.
'automated net.art auto.noemata.net'. autonoematatopica.com. Basic
Information and URLs. Here's the basic information and URLs your
subscribers will find useful.. send a message. autonoematatopica.com.
subscribe. autonoematasubscribetopica.com. unsubscribe. See the
Unsubscribe link at the bottom of any message.. For more information about
this list visit. your group account has been disabled to to an
autoresponser set up. LYS. Tilsynelatende nødvendighet av å tale om det.
Ikke si mer enn enhver kan si til seg selv. Spørsmålene om det er materie
eller immaterielt. Substans el aksidens osv. Fåfengt. Den som ikke tilstår
dette for seg selv kan trette seg med å løse det. opp. Bedradd av alle kan
vi bare lære av dets virkninger. Lysets virkinger er utbredt foran oss.
kvalmen. fremtiden er der knapt blekere enn øyeblikket. Hvorfor skal den.
virkeliggjøres. Hun skal til å dreie om gatehjørnet hun dreier i en
evighet. tanker det er det flaueste som finnes. flauere enn kjøtt. de
strekker seg ut i. det uendelige og etterlater en underlig smak. proxima.
lysår. melkeveien lysår diameter mrd stjerner. mrd andre galakser. lokal
gruppe av. nærmeste lign galakse andromeda m mill lysår unna. kvasarer ses
over mrd lysår. stjerneklasser. wow oh be a fine girl kiss me right now
sweetie. chance and chaos. kolmogorov matematisk talent setter inn akkurat
når den psykologiske. utviklingen stopper. han ser på seg selv som år.
stødig strøm periodisk strøm irregulær turbulens. observasjon av
periodefordobling i dynamiske system feigenbaum ... entropi måler
tilfeldighet i et system. hawkings. galilei kraft er å forandre en
bevegelse. newton derson ikke kraft fortsette i samme fart. ingen entydig
hviletilstand. om det er toget som går eller jorden som går er. like
gyldig. paradoks umulig å si om to hendelser på forskjellige tidspunkt.
inntraff på samme sted i rommet. eks. en ball spretter to ganger på samme.
sted inne i et tog en som står utenfor vil se sprettene med meters.
mellomrom. sitat. hardingfela er norsk nasjonalinstrument fele så er brukt
kattesener. hardingfela hele katten. det finnes det som har spilt i år i av
disse har de stemt. gås på bordet. forskning sprøyte brennevin inn i ei
rotte. er det noen kattjævel her. lysår vi hadde motlys. han var fem år da
han ble født. det du har lært kan ingen ta fra deg men det du ikke har lært
kan ingen heller. ta fra deg. det er skrevet mye og gud i de nye og de
gamle instrumenter. det som står her er. skrevet med en hellig skrift.
midt i paradisets have sto det et tre som het. bekjentskapets tre på godt
og ondt. da abraham satt i mamsres lund kom det tre. herrer da spurte sara
om de ville ha kaffi da sa vår herre til sara vil du. straks gå bak døra og
føde en sønn. det er ikke bare for kort det er for bredt også. protokoller.
hvilke protokoller. fullstendig promiskuitet mest mulig lavmål. en stadig
pendling mellom høyt og lavt. overdrivelser underdrivelser. hvite
protokoller. bankei. fri i liv og død ikkje bry deg med dei ha fred eller
nrivana (dei tre. gifter) la alle tre gå. både når du søv og er vaken så
kviler du i det ufødte buddasinn. unngå å falle tilake. bebo det ufødte
buddasinn både fremskritt og. tilbakeskritt overskrides. buddasinnet er
fantastisk opplysande spor av alt du har gjort er reflektert. det er når
du binder deg til desse reflekterte spora at du produserer illusjon..
originalt tankar har ingen reell substans la dei komme og eller stoppe
utan å. binde deg til dei. alt jeg forteller dere er dette realiser
buddasinnet som hver av dere har fra. deres foreldre fra fødselen rett og
slett bebo det i tro.. istadenfor la deses tankane komma ikkje utvkle dei
ikkje binde deg til dei.. hald det eine sinnet som eitt sinn. sinne og
glede lagar du heilt på eige hand.. det er ingenting anna enn det ufødte
og uforgjengelige buddasinn så du bør. begripe dette klart.. ideen om å
ville kontrollere dine lidenskapar og forestillingar er i seg sjølv. ein
feilaktig forestilling.. det er ikje noko slikt som opplysning. det
originale buddasinn er ufødt det. fungerer utan tanker om å ville bli
opplyst. i buddasinnet er det ingen tanker eller ting så ikkje bry deg med
dei. jakte på ord fraser når vil du bli ferdig. du spring deg helselaus
pålesse kunnsakp blir vidt informert. sjølvnaturen er tom og opplysande så
la ting ta vare på seg sjølv. det er ikkje noko anna eg har å meddele.
ikkje sint når forstyrra ikkje gladlykkeleg når tilbedt. ein stor
treskalle i verda. følge med der forholda føre meg nord sør aust vest.
utan å gjøyme mi styggheit og klumsetheit mellom himmel og jord. blinde
folk slit ut kleun sine ventande på opplysning. akkurat som å prøve å lage
eit speil ved å pusse ein stein. den store funksjonen manifestera seg sjølv
utan faste reglar. godt er skrekkeleg. og skrekkeleg er skrekkeleg også.
ting og hendelsa. er berre produkt av omstende. dersom du blir ein budda
er det ingen plassar å gå. du fyller det store. universet heilt ut til
grensene. det er når du blir noko anna slags vesen at. det er plassar å
gå. dersom du innser at det opprinnelig ikkje er nokon dårlige vaner hva
er det då. å unnå eller stoppe. paulus. paulus . brev til titus. en av
deres egne til og med en profet har sagt kreterne er alltid løgnere.
villdyr grådige late og dette vitnesbyrd er sant.. grelling nelson.
autologier homologier uttrykk som uttrykker seg selv. norsk setning.
femten bokstaver. jeg. andre uttrykk kalles heterologiske. så spør man om
heterologisk er et heterologisk uttrykk. hva med denne setningen uttrykker
noe annet enn seg selv. sorites. avleder en falsk påstand fra en kjede av
riktige. en haug med stein er fortsatt en haug med stein dersom vi fjerner
en stein. etc.. altså er en samling av en eller ingen steiner en haug med
stein.. pragmatiske. paradokset ligger i motsigelsen mellom påstand og at
påstanden hevdes. det regner men jeg tror det ikke. jeg eksisterer ikke.
terning. sannsynligheten for at en side på en terning kommer opp er så det
er. allermest sannsynlig å tro at siden ikke kommer opp. men dette gjelder
alle. sidene. derfor er det sannsynlig å tro at ingen av sidene kommer
opp. pi paradoks. salvati kan du fortsette rekken nei. men du kan
fortsette rekken. paradokset er at de beskriver det samme pi. tro gjennom
feil paradoks. at noe som slår feil styrker troen på tingen fordi feilen
viser det. irrasjonelle betydningen av tro. hilberts paradoks. hvordan
begrunne argumentasjonen på basis av argumentasjonen. carrolls p.
umuligheten av et argument. a dersom det regner blir det vått. a dersom
det regner blir det vått
321
b det regner. c altså er det vått. men for å akseptere dette innføres et
nytt element. d dersom a og b er sanne så må c være sant. men for å
akseptere dette innføres et nytt element. e dersom a b d er sanne så må c
være sant. jesuitt. dersom gud er allkjærlighet hvordan kan det da finnes
en evig pine i helvete. helvete med evig pinsel finnes men det er alltid
tomt. menneskerett. en slag rett til å engasjere seg rett til å kritisere
og en rett til å ikke. bry seg.. parse. lichtenberg E F. O The dog is
lapping the boiling water. release. Gorrespondence imondo mail . art
sokrates. ozone. skittent. mørket er estetisk lyset er skittent. bilde av
klistremerkene. finne du din vilje oppgave. nagval stalking ll som
parallell til sitasjon. drift psykogeo. når frykten forsvinner forsvinner
alle bånd og vi er frie. ro og fred. vi sier ro og fred men det betyr
indre frihet men gj ro go fred som middel. som fungerer i støy og ytre
uro. det er ikke greit å ønske å bli noe man ikke ønsker å være. men sånn
er det den. forskjellen. jeg ønsker natlugh ikke å være det jeg ønsker
eller å ikke være. den jeg ikke er. lagd. tror ikke vi er lagd til å
forstå ting som forsvinner. vi forstår ikke negativitet. negativitet
forstås positivt det som forsvann finnes som forsvunnet. og det som ike
finnes finnes som mulighet. finnes mulighet. noe er mulig. vi forstår
virkelighet som et lukket system det ligger i system og forståelse. ting
blir borte ting blir til vanskelig å forstå. tankemåter blir til og dør ut
med personer kultur med generasjoner. trossystemet forander seg ikke
radikalt med den enektle der av netulig. konsrevativt neasjoner har ikke
noen revolusjoneredne virkeing at noe blir. borte er en modfifikaskon av
tingen. som om eksitens var en modus ved noe skru avpå eksistens. se på
det fra et annet perspektiv det som aldri har eksistert fins det også et.
sted alle dine søsken som ikke er født. hvis vi snur treet oppned. alt som
blir. til må ha eksitert på forhånd. men da har du problemet med mange
muligheter blir. til en virkelighet det kollapser hvis vi skrur det så
ekspanderer det. uendlelig og det er ingen ende op ting som eskisterer
(som mulighet) alle. muligheter må eksistere og det er absurd hvorfor.
kredo. vitenskap gir oss kunnskap om verden. klesskap forstyrrer oss med
klær. du ble født ut av ditt nesebor. voff vi er ikke hunder. de som
passer på gir blaffen. folk er rare. zen begins at the point where there
is nothign further to seek nothing to be. gained. zen is most emphatically
not to be regarded as a sustem of. selfimprovement or a ways of becoming a
budda.. only when you have no things in your mind and no mind in things
are you vacant. and spiritual empty and amrvellous. the marvel can only be
descsribed as the. peculiar sensation of freedom in action which arises
when the world is no. longer felt to be some obstacle standing over
against one.. huangpo men are afraid of forgetting their own minds fearing
to fall through. the void with nothing on to which they can cling.. nothing
is left to you at this moment but to have a good laugh.. mesteren spør ut
studenten og når studenten går kaller han plutselig ved navn. studenten
svarer naturlig 'ja' mestern sier 'der har du det'. spontanitet. mo chih
ch'u gå på uten å nøle. wuwei meningsløshet. wushih enkelhet. the
perfection of zen is to be perfectly and simply human. to a young zen
monk. the roshi stands as a symbol of the utmost patriarchal autoriatiy
and he. usually plays the role to perfection being normally a man ssvanced
in yasrs. fierc and tigerish in aspect a person of supreme persence and
dignity.. the basic position of zen is that it has nothign to say nothing
to teach.. the various koans are intentionally misleading.. after some
time the iceblock collapses and a transparent meaninglessness appear. that
can eat laugh and so on live without a problem.. roshien presenterer nå
koans som er opplagt meningsløse 'ta dei fire delane av. tokyo ut av ermet
ditt' 'stopp klangen av dei fjerne klokkene'. ei jente går. over gata er ho
den yngre eller eldre søstra. controlled accident ikke representasjoner
symboler.. egne objekter. painting by not painting. muchi and liangkui did
many paintings of zen. patriarchs and masters as mostly abandoned lunatics
scowling shouting lafing. around or rarith with laughter at drifting
leaves exemplifying the splendid. nonsense and emptiness of zen.. sabi
enslig og rolig stemning wabi something ordinary as suchness aware..
mystisk stemning yugen. dette er fure aspekter av furyu.. haiku i årh.
bashu i wshihstil 'ingenting spesielt'. the superficial consciousness can
awaken to the eternal present if it stops. grasping. now this eternal
present is the timeless unhurried flowing of the tao. such a tide as
moving seems to sleep too full for sound of foam.. mantras and tantras
meditation and concentration. they are all a cause of selfdeception. do
not defile in contemplation though that is pure in its own nature. but
abide in the bliss of yourself and cease these torments. wahtever you see
that is it. in front behind in all ten directions. even today let your
master make an end of delusion. the nature of the sky is originally clear.
but by gazing and gazing the sight becomes deluded. sarakas trasy of songs.
no thoguth no reflection no alaysis. no cltivation no intention. let it
settle itself. cut out sagacity discard knowingness. and the people will
benefit a hundredfold. cut out humanity discadrd righteousness. and people
will egain love of their fellows. cut off cleverness diescsrd the
utilitirans. and there will be no theves and robbers. become unaffected.
cherish sincerity. belittle the personal. reduce desires. laotsu. the
perfect tao is without difficulty. save that it avoids picking and
choosing. follow your nature and accord with the tao. saunter along and
stop aorrying. if your thoughts are tied you spoil what is genuine. dont
be antagonistic to the world of senses. for when you are not antagonistic
to it. it turns out to be the same as comnlete awakwning. the wise person
does not strive. the ignorant man ties himself up. if you work on your
mind with your mind. how can you avoid an immense confusion. sengtsan. one
day i wiped out all the notions from my mind. i gave up all desire. i.
discarded all the words with which i thought and stayed in quietude and.
ZTT i entered i lost the bounderies of my physical body i spke but my.
words lost their meaning. i saw people comnign twars me. all of them were.
myself. i had never known this world. i had beieved i was ceraed but i was.
never created i was the comsos no idndiviudal mr ssaki existed.. .sakeian
sasaki zen notes vil no. we eat excrete sleep and stand up this is our
world. all we have to do after that . is to die. ikkyu. you light the
fire. i'll show you something nice. a big snowball. mennibdr versen og
livet lemm død og ny fdese. uta sv krppen så yutterverdn lbitt indre og
omvendt. man fyller hele rommet og lever i tiden. stiger ut av rommet føre
og etter. ha takk ha. sanselik. imaginasjon. inspirasjon. intuisjon. alt
som saller mot krppens speil speiler seg til sanseopplevelse. tankene
tanken muldere av elemtarvesen sender seg ned i eterlegme. formørker
eterlegemet eringdring. visom som natur rundt seg her. vi må ta vort
visdommen forvandle altsp selv til livskrafter. pines ab det glode.
latskap pinesa av fliden. tingene spør oss vi spør ting her. verden føst
av personen. det oversanlsige mennsek. åpne åttetall lemniskater.
tilsvarer det himmelse bilde av menn. nerve og kjertelsystem. inspirasjon
i toner verdensharmonien avspeiles in blod kretsløp hjerterytme. intuisjon
tonene inneholder mening sprok verdensordet. angel archaloi archai. exusai
dymanis kdriotetes. troner cheubin serafim. mot i brystet. blir lemmer
armer og ben. blir åndelig ord. solflekker mikael kosmiske jern.
antropsosi psyikosofik ner mtosofi. linvssans bebetelesn liekversans.
fangarmer. lotusbolst i hodet imagintaiv. strupehodet inspirasjon. jver
hjertet den ituitive. imaginasjon fornemme. insirasjon føle. intuisjon
tenke. psykosofi. slutningen tilspisser seg i forestilligen. punktum. like
før han legger seg sender han noe. like etter at han står opp punktum.
interesting ng. alt.abuse.transcendence. alt.acme.exploding.newsgroup.
alt.anybody. alt.anygroup. alt.anything. alt.artcom. ba.art.
it.arti.trash. rec.arts.misc. alt.chaos. alt.confusion.atitsfinest.
alt.foo.bar. alt.foo.bar.qux.xyzxyz. alt.languages.norwegian.
alt.languages.nowegian. alt.life.internet. alt.life.sucks.
alt.life.universe.everything. twalegged poneys Re Estimable Finns (Re
AAUUGGHH). In article bunniegirlhome.com (Jelliebun). I've been dealing
with a lot of people at work who don't speak English. as a first language
... and some of these damned nonsequitur bot post. thingies are starting
to make sense.. For instance it would not be at all startling to find the
following. in an application letter. Nor have they not sing for quite no
sponsorship. We extracted and remarried as they were lively required
neither. every base past them beheld perversely elder.. I think I need a
vacation.. Would you then be offended if I quoted the following. It
follows that if the two antesedents be bissyclitties and the three.
comeseekwenchers trundletrikes then Aysha Lalipat behidden on the.
footplate Big Whiggler restant upsittuponable the nCr presents to us.
(tandem year at lasted length) an ottomantic turquoindaco of pictorial.
shine by pictorial shimmer so long as gad of the gidday pictorial summer.
viridorefulvid lits asheen but (lenz alack lends a lot) if this habby.
cyclic erdor be outraciously enviolated by a mierelin roundtableturning.
like knuts in maze the zitas runnind hare and dart with the yeggs in
their. muddle like a seven of wingless arrows hodgepadge thump kick and
hurry. all boy more missis blong him he race quickfeller all same
hogglepiggle. longer house blong him while the catched and dodged exarx
seems. himmulteemiously to beem (he wins her hend he falls to tail) the
ersed. ladest mand and (uhu and uhud) the losed farce on erroroots
twalegged. poneys and threehandled dorkeys (madahoy morahoy lugahoy
jogahoyaway). mPm brings us a rainborne pamtomomiom aqualavant to (cat my
dogs if I. baint dingbushed like everything) kaksitoista volts yksitoista
volts. kymmenen volts yhdeksan volts kahdeksan volts seitseman volts kuusi
volts. viisi volts nelja volts kolme volts kaksi volts
yksiallahthallacamellated. caravan series to the finish of helve's
fractures.. Part of it looks Finnish and therefore it has to be about
Linux (because. that is the only notable thing ever to come out of
Finland). Let me just take this opportunity to say. Panasonic (the band
not the consumer electronics manufacturer). Hey Punesuneec joost pleyed
here bork bork bork.. Mika Hakkinen (F driver). That mad vodka. What's it
called. You know.. Per puncture AT flash DOT net. linklog. digest.
Individual Messages. Message Digests. CALL FOR FUNDING DEADLINE EXTENDED.
MAY TH. FOR IMMEDIATE RELEASE. CALL FOR FUNDING DEADLINE EXTENDED.
INSTITUTIONS AND PATRONS OF THE ARTS WANTED. MUST HAVE MONEYS MUST BE
WILLING TO FORK OVER SAID MONEYS. DUE TO AN OVERSIGHT BY THE RHIZOME.ORG
COMMISSION COMMITTEE MEMBERS. THE ARTWORK OF LINKOLN JIMPUNK STILL LACKS
THE PROPER FUNDING TO CONTINUE.. FULL DESCRIPTION OF ARTWORK AND FUNDING
NEEDED AT. NOTE FINAL EMAIL WILL NOT BE SENT TO RHIZOME RAW AS INDICATED
IN THE PROPOSAL. THE FINAL EMAIL WILL BE SENT TO THE PERSON(S) WHO
COMMISSION THE WORK.. COMMISSION THIS ARTWORK CONTACT. ABELINKOLN.NET OR.
bytes. text. dagbladet nyheter. nyheter. Blunker med fire øyne samtidig.
Tohodet geit født på Cuba.. Jon R. Hammerfjeld. .... nyheter neste sak
forsiden. Oct. makeshift. carriers. are the characters carriers of what.
oceanic inflation eg buddhism ego balloon whatever skin. distance in
relation to subjectobject the inflated subject seems infinite. while the
dot in the horizon the distance of the abject out of sight. phenomenology
of beyond vs here and now yon bef. ME OE geon akin to D. gene G jener ON
enn inn the Goth jains that vs thus. thus collapses in codeexecution
distance of processing time of 'active. expression vs matter of doctrine'
formalexpressive this and something else. (subjectobject) always on the
abject side. kunst på strømlinjer noe som følger nettverket over landet
summingen ved. mastene lyd. gi meg et urokkelig punkt arkimedes hvordan
kan lillefingeren løfte bilen. arbeidet fordelt over lengre vei. those
darker parts of the wood have 'personality' something hidden or attracts.
intimacy something else. gnome (nm) n.. . an expert in monetary or
financial affairs international banker or. financier the gnomes of
Zurich.. F NL gnomus perh. Gk gnm see GNOME. . (in folklore) one of a
species of diminutive beings usually described as. shriveled little old
men that inhabit the interior of the earth and act as. guardians of its
treasures troll.. a name to. a name to. a mean to. a amen to. a no team. a
no mate. am note a. a man toe. a mao net. a tam eon. a mat one. a mat eon.
me to ana. a tao men. tao amen. ana me to. ana tome. mane tao. name oat.
name tao. mean oat. mean tao. amen oat. amen tao. mateo an. eaton am.
atone am. neat mao. ate mona. eat mona. tea mona. tea moan. tea oman. am
at one. am at eon. ma at one. ma at eon. an oat me. an tao me. cell modem
fix. rksi .. rkis .. rski .. rsik .. riks .. risk .. krsi .. kris .. ksri
.. ksir .. kirs. kisr. srki. srik. skri. skir. sirk. sikr. irks. irsk.
ikrs. iksr. isrk. iskr. log. qdu må slutte å evaluere sånn. qjeg er den
ketchupflaska. qvil du meg noe snakk til den OK. q(går inn i stua).
autonoemata. Congratulations. Your Group autonoemata has been created. You
can access your group using the. Group name. autonoemata. Group home page.
Group email. This is not good. Is better to attack people. Leave Hummer
alone. Hummer cannot fight back. It's guns that kill people not people.
Leave guns to shoot guns. Stick to your guns. Alan Sondheim. Jarry. Jarry
insisted on certain conventions of speech action and setting. The.
staccato manner of speaking the misplaced accents the puppetlike movement.
the use of masks the use of placards the hodgepodge style of scenic.
painting all of these were Jarry's ideas (Beaumont ). ouspensky gurdijeff.
mennesket er en maskin. alt skjer uten at noen gjør noe. livet er mat for
månen. jeg vil forstå. viktigste mål å ha er å ville mestre seg selv.
tenkning sammenligning følelse sympati. tanke forestilling (tanke som
følelse) drøm (tanke som vilje). forskjellige kulturarbeidere er nesten
uten unntak syke mennesker. mennesker er redde for hverandre. samvittighet
følelse bevissthet tanke. latter eksisterer bare i sentra som er delt i to
høyere sentra er udelte. sex i tenking skriver kritisk og subjektivt sex i
følelse preker kristendom. asketisme synd helvete det bevegelige senter med
sport men alltid er. resultatet ubrukelig dette er misbruk av sex. oktaven
to 'sjokk' tallssystemet. teosofisk addisjon tverrsum. vanlig menneske er
menneske sau orm. intelligensmåling vha hydrogendiagrammet en bakt potet
er mer intelligent enn. en rå potet. lever av hvirvelløse dyr og er mat
for erkeengler. sammenheng mellom positur og tanke følelse er entydig.
stopp. obyvatel en vanlig person kan også være veien. dilemma. det er et
dilemma at vi uttrykker ofte ting fordi de blir forstått (riktig). det er
ting en kan si og ting en ikke kan si (forståelig). dilemmaet er å
uttrykke seg eller bli forstått. det finnes handlinger men ingen som
handler. nagarjuna opphavsmannen til negasjonene paradoksene.. hatha raja.
djna kommando. shiva lingam shaivitene. bindu. prikk over m. samadhi ved
operasjoner mislykket hengning grønn farge hvitt lys. kaleidoskop fløyte
klokker tordenbrøl. vanvittig er min far vanvittig er min mor (dvs shiva
og kali). thuggerne. outsiderens problem ligger i å nekte å uttrykke seg.
analyseparadokset. en analyse kan ikke både være informativ og korrekt.
klassisk gresk ingenting meningsfullt kan uttrykkes alt er meningsløst. å
si A er A er ingen vits. å si A er B er usant. tre ønsker. . ønske. jeg
ønsker at de tre ønskene ikke blir oppfylt. hvordan forvirre den gode fe.
of. ........... of. livet mellomdelengo ny fldes i fhodl ti de kosmiske
kjensgerninger. verdslig travelhet handlign tilsvarer åndelig ro. jeg
bevisstheten avh av den menn.død da menn.adr når opp til sin dieale verdi.
må man si at jeg dadig arveider p åsin egen jegforringelse (med dårlige.
handlinger). universet inne i seg og legemet utenfor. begjær etter tanker.
oseaniskek j. NEWS. NEWS. AnonPostTo Supported (post) True. News Posting
Route (mailnews).
mainewsfrogadmin.yi.orgmailnewsdizum.commailnewsnews.gradwell.net. News
Signature Added To None. receive a list of all newsgroups reachable
through this mail to news gateway. send mail to mailnewsdizum.com with
subject list and no Newsgroups. header. The complete list of available
newsgroups is quite large (K. groups) and can break many mailers. To
obtain through E mail a list of only. those newsgroups starting with a
particular pattern you can include an. egrepstyle regular expression on
the subject line. For instance. Subject list comp.unix. would list only
newsgroups whose names begin comp.unix.. Subject list .linux. would list
all newsgroups whose names contain the substring linux.. Subject list
alt.(securityprivacy). would list all newsgroups beginning alt and
containing either the word. security or the word privacy. Finally. Subject
list ..test. would list all newsgroups ending .test.. nntp test.
newsnews.opera.comopera.test.
newsnewsgroups.borland.comborland.public.test.
newsmsnews.microsoft.commicrosoft.test.
newsforums.macromedia.commacromedia.test.
newsnews.mozilla.orgnetscape.test.
newsnewsroom.trumpet.com.autrumpet.test. newsfrell.eu.orgalt.test.
mailnewsnews. in header. newsgroups. mailnewsnews.gradwell.net.
mailnewsnews.demon.co.uk. W Anonymous Remailer. Paranoia Web interface.
Riot Anonymous Usenet Remailer. Xenophon. Frog's WARI. bmagnhil. May.
maskinen fjerner overtroen fra oss. jeg trenger ikke ville. eller håpe.
what. dkdkdkdkdkfdkfdkfdkfdkfdkfdkfdfkdfkdfksksksks. what does this mean.
tistikken. statistikken latistikken. lehmus ng.
alt.language.poetry.puresilk. jukka lehmus. mattering. near the surface of
earth's oceans between three and four billion years ago. selfreplicating.
the cell all competitors have been swept aside save for the residual
viruses. life a selfmaintaining selfreplicating energyusing system. cell
polarization as communication links. primitive brain stem hindbrain motor
midbrain visual auditory forebrain. olfactory. mammalian brain hindbrain
underneath cerebellum midbrain forebrain underneath. cerebral hemispheres.
we are distinguished form other animals by the large size and unusual
properties. of the human cerebral and cerebellar hemispheres.. somata.
inhibitory hyperpolarization or excitatory depolarization synapse fire
and. don't fire inputs. black matter InterNetWORX. Hallo Herr noir matern.
Vielen Dank fr Deine Anmeldung bei InterNetWORX.. Userbereich von
InterNetWORX einloggen. Deine UserID. Dein Passwort svryra. Deine
HomepageURL. Dein Speicherplatz. Dein Verzeichnis auf unserem Server.
Server. ftp.inetworx.de. Username. noemata. InterNetWORX Web Hosting.
Deine HomepageURL. Dein Speicherplatz. Dein Verzeichnis auf unserem
Server. Server. ftp.inetworx.de. Username. noemata. Passwort. Dein
InterNetWORXPasswort. Status aktiv. WebFileManager. Folgende Angebote sind
nicht zulssig. Webcams mit automatischem Refresh. Chat IRCBot und
DownloadScripts. Websites welche gegen deutsches Recht verstoen.
Pornographische Websites. OnlineCasino Websites. Userbereich. UserID.
Bisher Logins. letzter am .. um Uhr. von ...si .no.powertech.net.
322
Anzeige. Jul. artificial art. COGNITIVE PSYCHOLOGY and ARTIFICIAL
INTELLIGENCE have produced provocative. models og cognition which when
brought to lifewithin a sutiably programmed. computer mimic closely some
of the coluex actiitites of golacriven. intellingece. The NEUROSCIENCES
have begun to unravel the vast microsystem of. interconnected brain cells
that in living creatures appears to execute those. activities. ETHOLOGY
has given us new insights into the continuities relating. human
intelligence with the intelligence of other creatures. And EVOLUTIONARY.
THEORY has revealed the long and intricate selective processes from which.
conscious intelligence has slowly emerged.. ONTOLOGICAL PROBLEM mindbody
problem materialist dualist brain. five radically different versions of
dualism chapter. SEMANTICAL PROBLEM skeptical network of causal relations.
EPISTEMOLOGICAL PROBLEM problem of other minds selfconscious.
METHODOLOGICAL PROBLEM artifical intelligence. This concludes my set of
promissory notes. Let us now turn to the issues. themselves.. oh dear.
meiosis sis o I em. DEARME.TXT. media externalization. stillife. c d lost.
knowledge liar lying as strategy as truth identifies controls. the
wastebasket placed on the desktop and windows inside waste. r. c. (I. bees
queer ever seen a crystal sugar a rockcho. Purchase of nwt. Thank you for
purchasing this share. bytes URL noemata.netnwt Price EUR. Payment info.
PayPal URL. Or money transfer payable to account .. Storebrand bank.
Norway.. Please contact us if you have any questions. Thanks again. Ars
Publica. fake spam. sddds. TddHINGS WssILL RDFDUN FFFOFF YOU. ohVVll
insert. buty. cccc. vjkjkjkuoui. Oy. alpin. treholk med lokk. .... yosrsas
thessdfdsdf sfudssedfd in tfe mfffle. kvestian. Ordet tak har k i utlyd.
vague un. vagabond. astronomiske høytider ALPAKKA. amatør. X. About Help.
voltages of the soul. uteksi utero utbud. uterlig uteske utidig. utlyd
utnavn utopi utror utukt. utvær. V volt. .. i have tou p. hate those
little bastard go sug blod ov your dead great grand. cells won viruses
linger on. data cell. if you don't want this. d. Gievre X. abrakadabra
abruptabscisse. absint absolvere. abstrakt absurd. aceton ad acta. ad hoc
adiafora. ad libitum adrenalin. ad undas advent. affinitet agentroman.
agio. agnus dei. aimabel akantus. akrostikon aksiom. aksjon aktør. akutt
alarm. aleksandriner alen. alfa alfons. alias alibi. thorn thurs ut i sol
sol sunn saigel tlas algz jer jara asskrk kaun os. perta. S NOW. Ammianus
Marcellinus Ammius see Hamder Amuletter Adrhrimner Andrid. see
Kjalnsingasagan Andvaranaut see Andvare Ane den gamle see Aun. den gamle
Angantyr Arngrimsson see Hervararsagan Angilbert Angler. (angli). Aug.
artnapping. pretending to sleep. i'm not saying. for the arps and
sensiblargoviee and seated ities depts. it's something spiritual acronymic
comperata droll votes you. compression it's when you can't compress (more).
still y could. translate later without loss. would a photo captwidth a
pixies casters. it no or it zedek be pericline ure it. no or poto
thsobranje the. winooski if you can snelling of it toddle jada e wholeness
if you can. speak of it then that's why it's obwh ogress massa cones ject.
matarial concrete candy(d)a. you need your wholyou nightside your wonted
selvaged e sensibilithy. tvart would be anwotted an osmium roseland asylum
and intellect the. hushaby overload room inside the hypercube. when she's
runningwandoo sanjak her freudalizable has solipsism chines. wave her feet
has some characteristic (w)hole that' the len(d)s in. advance of. not
really antroponot redshank too mechanizer o's morph. its too many o's
holes again eyes and owls again (quarlean). stillness not focs us interval
not foiling not samisen pelagian us. i'm not saying it's passive. you know
blub bluyou kindness blanton bignonia wakening wholeheartedly. legs
lineally. not history on a not humorers on a vociferously wave. RE
RHIZOMERAW FOR IMMEDIATE RELEASE. what. i don't know anything about this.
i read in the paper today that these were indeed stolen from a museum. in
norway recently. so um what is going on noemata. ja. F O R I M M E D I A T
E R E L E A S E. The artist group Noemata demands mill. norw. kr. for
delivering. back. Munch's paintings Scream and Madonna which today were
taken. the Munch museum Oslo Norway.. Contact noematakunst.no. post
listrhizome.org. questions inforhizome.org. visit on Fridays the
Rhizome.org web site is open to nonmembers. Subscribers to Rhizome are
subject to the terms set out in the. inner voice reason. there's no use in
remembering. well only for those who forget. we have our memory so
remembering is like pause. no use in bed i'll. use in whatever phenomenon.
flatbed scanner. i'm. pause. well this is of photos. you don't. pause. like
pumping up your bike no pause that's nonsense. but like pause. what are the
inner workings the pause. memory is memory pause. i'm sorry this is a mess
not even that it's nothing not even. ok then there's novelty actually most
things just stand by. say this place or you it will continue by itself more
or less. if this pen continues from sec to sec it's no novelty though it
needs. energy for sustaining. a quick look at reality (for a change)
you'll see things linger on from. beginning to end background radiation
rocks soil oil inka cities. the cell virii millions years old animals
still eating grass. it's actually harder not to do things than to do. and
within those rhytmic trends nervous jiggle. so personality fuse (common
sense) i'd rather not. let's say sleep but then there's no consciousness.
ok meditation rather pause long way around the block. drugs no pause i
want control. tao shit my cow jokes. circuits kin of pour something in.
well maybe pause this is a drawing. as a structured whole. the whirlings
in remembering. well only so small tiny trails. let's. pause. well this in
the collage hey those are kind of us will mind. wonder where i pause
that's. pause. well this pen continues from sec it's. pause. blood
something out draw. still doesn't make sense anything of this nothing.
reason is only so small tiny trails tractor. let's see i pause see
nothing. still this mail has a from attractor. and there's some
combinatorics of letters. bingo name of a dog. i'd rather make this a
comedy again. the i's are deemed ridiculous. maybe they should be o's.
eyes no it's nothing here. a related thing i was thinking of photos. you
don't know if you captured it. there's no way to know but you learn. the
inner workings might be contraintuitive. so like you believe it's magic
but it's not. magic is like picture and there's capture. but the causal
might work otherwise. you'll find out eventually. and i expand on the
photomagic correlation. no surprise the visual part of art. capture is of
the whole and then hunters and gatherers. and then the collage hey those
are the shamans. operating on 'elements' of wholes. ok rather pause this
is only so remembering is a structured. whole. the whirlings in the
collage hey those are the same. the rocks are the same. the rocks are kind
of the pause. memory is memory pause. i'm. well i forgot my camera come
back later. like the streams. might be an idea to view this as a
structured whole. the whirlings in the chest it stays the same. the rocks
are kind of pause. answering that would be like pause. well this is
capture again. inner voice stupor. argument of transparency it's pause
kind of ridiculous. heath for structuring but generating more heath than
structure. you could see all this in whatever phenomenon. flatbed scanner.
i'm sorry but then later i'll go to sleep and none of us will mind. wonder
where i was last night. if you say in bed i'll kick your ass. what a pause
happy end... stratas of unconscious dog breath. let's see. life no. love
no. death no. anything no. something maybe. what nothing. whatever no.
nothing no. something maybe let's sky. what this lab. what this this loupe
nye. this what deadeye no. old dog bastian died today antennas. an overdose
of anesthetics sentineled movie. we cried some waite. doesn't matter much.
his eyes closes as ours. i'm sorry life is shit semidi mob. wouldn't mind
dying withe takao. let's see toss teas. and they have a little girl token
wit. she'll be here until oldie dayak doodah time... whatever an offertory
of amygdaloids. what's it supposed to be doesn't motorway. let's say a
number with a thousand digits. or a fraction unending i'm skirr Leif ictus
Shiite. i want nothing to do with life it wouldn't monied dingo. anyone
wanting life is an idiot let's shoe Mr Bingo (SåleMikkel). this just
continues lethal girl. kids are happy they don't want life undulations.
wanting life is death whitebeard. wanting tay rising. aha what's spigots
buoy. that's AHA woody away. stratas of unconscious dog breath. sf asfadsf
gas g s af s afs af s afs f adsf sf sa f s af s af saf s af saf. asf saf s
fs fs fs s fs gdr gh dfh d tg hesr h dhs hd h d fghds hd h d. fghds hd h d
fghds hd h dhs hd hd hd hd hd h dhs hd h d fghds hd hd h d. fghds hd hd h
dhs hd h dhs hd h d tg hesr h dhs hd hd h dhs hd h dhs hd hd. hd hd hd h d
fghds hd hd h d tg hesr h d tg hesr h d fghds hd h dhs hd h d. tg hesr h d
fghds hd hd hd h d tg hesr h dhs hd h dhs hd h dhs hd h d. fghds hd h dhs
hd h d tg hesr h dhs hd h dhs hd h dhs hd h dhs. sf asfadsf gas gs f adsf
sf sa f s af saf asf ølakjfølkjg sølkgj ølkfs. ølkfj asøkjsaølfks flksaj
fslk flsk fsa fsafsf sf asfadsf gas gs f a sgs. agas gas gasfd gdf gas
gasfd gdf gas g s f s gsad fsf. sf as f s fs gdr gh dfh d fghds hd hd hd h
dhs hd hd h d fghds hd h dhs hd. h d fghds hd h d tg hesr h dhs hd hd h d
fghds hd h dhs hd h dhs hd hd h d. fghds hd h d fghds hd h dhs hd hd h d
fghds hd hd h d tg hesr h dhs hd h. dhs hd h d fghds hd h d tg hesr h d
fghds hd h dhs hd h dhs hd hd hd h d. fghds hd h d fghds hd h dhs hd hd hd
hd h d fghds hd h d fghds hd h d tg. hesr h dhs hd hd hd h dhs hd h dhs hd
h dhs hd h d tg hesr h dhs hd h dhs. hd h dhs hd h dhs hd hd h d tg hesr h
d tg hesr h dhs hd. sf asfadsf gas gasfd gdf gas g s fs afs af saf saf saf
saf s afs f s afs. af saf saf asf saf saf saf saf s fs fs fs gdr gh dfh d
fghds hd h d tg. hesr h d tg hesr h d tg hesr h dhs hd h dhs hd hd h d tg
hesr h dhs hd h. dhs hd hd h d fghds hd h d fghds hd h dhs hd h dhs hd h
dhs hd hd h d tg. hesr h dhs hd hd h dhs hd hd h d tg hesr h d tg hesr h
dhs hd hd h dhs hd. h d tg hesr h dhs hd hd hd h dhs hd hd h d tg hesr h
dhs hd h d tg hesr h. d fghds hd h d fghds hd hd h dhs hd hd h d fghds hd
hd h dhs hd hd h d tg. sf as f a sgs agas gas gasfd gdf gas gs f a sgs
agas gas g s f adsf sf sa. f s f s gsad fsf. sf as f s fs fs fs s f s fs s
gsad fsf. sf as f s gsad fsf. sf asfadsf gas gs f a sgs agas gas gs f a sgs
agas gas gasfd gdf gas g s f. adsf sf as f s f a sgs agas gas gs f a sgs
agas gas g s f s fs fs fs afs. af s fs s f a sgs agas gas gasfd gdf gas
gasfd gdf gas g s af s afs af saf. saf saf saf asf ølakjfølkjg sølkgj
ølkfs ølkfj asøkjsaølfks flksaj fslk. flsk fsa fsafsf sf as f s af s afs f
adsf sf asfadsf gas gasfd gdf gas gs. f s f s gsad fsf. sf sa f a sgs agas
gas g s fs gdr gh dfh d tg hesr h d tg hesr h dhs hd h. d tg hesr h dhs hd
h dhs hd h dhs hd hd h d tg hesr h dhs hd h d tg hesr h. d tg hesr h d
fghds hd hd h dhs hd h d fghds hd h dhs hd h d fghds hd h d. tg hesr h d
fghds hd h d tg hesr h d fghds hd h d fghds hd h dhs hd h d tg. hesr h dhs
hd h dhs hd h d fghds hd h dhs hd hd h dhs hd h dhs hd h dhs hd. h dhs hd
hd h d tg hesr h dhs hd hd h d fghds hd hd h d tg hesr h dhs hd h. d fghds
hd h d fghds hd h d tg hesr h dhs hd h dhs. file under. oreawefreshet.
woundneatness. windmillingluffyideate. teachjuggedcontemporaryart.
kedgeairwaydon'twendylooby. windowingleeves. wounding. ah. that'snotaha.
dog breath minor. dog breath minor. there's nothing here. ICE) INSTANTLY
AND YOU'RE W'T I DIDN'T. nothing nothing nothing horray. NATIONSETE IIEG
NUDENESS NOTING N DHF. (a lot of nothing a ludi oboe nothing). E IEG
NOTHING NOTHINOTUNT TDSESDZNNOT. still more stale more. MOG HIT I GYN
OOGHG A LUDR ININAT EZIS. nothing nothing nothing nothing nothing nothing
nothing noth. IOI I HORRI O GSGTD TLTEOSHNHEGH NOTH. ing nothing nothing
nothing nothing nothing nudeness nudeness nothingize. nothingizes needing
nutmeg. nothingizes nothZ NI A NENI EOGOOIO STRN OOI ENUNNH EH. ing
neotenic neotenic nudeness nodding. I T EREH N( HGN TTST T EEEDEHGLOGNIH.
nudeness noting nattiness notions nothingize nuttiness nothingness
notions. netting nudeness nations. nutting nutting ONNDOON WH REU GNIOIITS
)GNIHTGOETNGNR. nothingizes nothingises nothing neediness needing
nothingize neatness needing. nattiness nattiness nadia. OCNICN GNIHTON GNI
HE TT T(UIHIIHTON. these are very structured nothings. CINETOEN GNIOOIN
EETTON SSENITTUN EZIG. isn't i didn't like mean thathat. SEZIGNIHE H N
YREV ERA ESEHT AIDAN SST. and not writing thisthis. HGUAL A TON S'TAHT
AHAHA. it fauxes at onceonce (over the lazy dog twice). LIKE ME AN TH
SNTTING NUDENESS. instantly. EG DNNS NEEDING NUTMEG NANIAT IO. and you're
left with ah THIS. HING NOTHINGTTTG W GNNDII STALE. ahahahaha. INNTN NG
NOTHIEN NENANH AAHST. that's not a laugh. ANO T IS T ONNST TRNT HEIYGBNH.
DSNNNNMHN 'EG ETN SOTEO HTDESE. neat writhen taeg tie. TOANI UNIIS T
IRRNNUZTNLN FO TOL. I WVTGN GNHTON GNIHTON TNHS AIS. SSENEDUN SS NNTI A
RHTNETOEN. NIHTTNGA NCSON SESIGNIHTON. A OECNO TA SEXUAF TI SIHTSIHH.
that's not a laugh. neat writhen taeg tie mute dumb taut taus daus daunt
tam domitus domini canes. minor. forget. my legs hurt am i dead meister.
your two eyes one is enough tv. martial arts criminal stereotype. fine
arts dude. police plice please. lice. press. stains. liferaid a fraid owl
iph. impressions per hour. lax lace koala cool. vegetatatativeve. AlanIt
was dah dah di dah dah di.. I knew it was connected with the name.. Maybe
a highly compressed version coded in tonalityrythm doesn't. require much
storage or processing and would lead you in the right. direction.. The
rhythm appeared before the name incantatory.. I guess there are different
searchings going on at different centers at. the same time and you get
what's processed first maybe or their. aggregate where most but rythm
fail.. Bytes Maggie Loves. Bewitch Messy Leaves. Boethius Mews Lavish.
Beets Mews Lobbies. Butties Meek Lobos. Bouts Maag Lops. Bitch Max Levees.
Bites Massawa Lupus. Betsy Maag Laps. Budweis Massa Lapis. Bitch Musky
Laps. Boadicea Meuse Lives. Baits Macao Luffs. Boudicca Massawa Lvi.
Booties Micah Leavis. Bathhouse Mossy Liebig. Boethius Mows Labiche. Badge
Mos Lupus. Boathouse Mickie Loaves. Bitch Musk Lpg. Baits Mashie Luffs.
Baits Maguey Loafs. Butts Micky Lipase. Buttock Muse Lops. Beauties Mies
Lippie. Booties Mays Lovage. Batik Maggie Leafage. Badge Mawsie Lavish.
Betas Mesh Leaps. Betook Miss Lobbies. Bathes Massa Levies. Boethius Messy
Lobbies. Bites Maas Labiche. Baits Mix Lobbies. Bittock Miaows Lupus.
Boadicea Mohs Loobies. Bitwise Miaows Lipase. Badge Mackay Libeccio. Baits
Massa Lipase. Biddies Masks Lipase. Boats Moscow Loops. Buttocks Moke
Loaves. Betook Massawa Levko. Betsy Meshy Lupus. Bodies Mac Labiche. Bitsy
Muzzy Luffs. Bhtes Mocsoo Lapes. Betis Mysgih Lopoc. Betåg Meccha Lepec.
Bodic Mocsao Lufok. Betas Myqgei Lhbas. Botos Moscue Lebis. Bathg Masciy
Lepag. Bedas Masseu Lopos. Bothg Massey Lufug. Bodes Myscei Lobec. Bhtys
Mecsea Lyfac. Badhs Mhcghe Lifoc. Betis Mossya Lufyc. Bateg Moskoa Lefis.
Betas Mosshh Lhpig. Betas Mhskai Lapes. Butæc Mascea Lebes. Betas Musgie
Lefhc. moonsay may st at. finnegan autosomally. minutely mn. affirmation.
as weikl as the primitively anile tian. vj perilous her gating vj set
thoughtlessly. thrustor approaching at the. anima. cagliostro. autoplasty
se. minis mn. opening. tWdWlasstime. photo
wawwtwewrfallwcwlwarswerrshtdimhjensulhl. operasjon sonja. pippi myrvold.
vel jeg kan ikke se annet enn at trist. kommentar fn slaveriets
avskaffelse. kommentar eh det er klart. ransmiljøet. kunstmiljøet blir
stadig råere og hardere i jakten på penger og. berømmelse. tveitagjengen
alle mann alle. teknologi kriminalitet. pippi motiv pengeknipe. vi
kontrollerer politiet. stjålet kunst. Johnforget reeling. gutter haunter.
banter flutter. ceiling intent. john. would these be the same the other
way around ie. reeling forget. haunter gutter. etc.. i guess not but that
opens up for ordering permutation triplets. (abc different from bad) and
directional graphs and adding. linesequence for traversing the same
nodewords would reveal a. different result like gutter would reveal
something else further down. (because of selfmovement bowel movement)..
eQeQeeQO. e t e Ct QR. Q( R t CR Qe Re(RQC. Ce(R R te CR t Re Q. R R tt RC
(( Re R. QRQR. O( t Re CQQCQQ Re ROR. (ROe R R t( RC ( Re. OeR( t R tO O R
Re R. OQtRt t RR t O eQ e Re RO. RR RR t C te Re RO. R(t(RCQ ee Oe( Oe
eeOee Ce. Oe(. Rerun. there's a body slack about three days gliding.
desiretuacnu tsudwas tnelitsep. dewov si. dildiks krabrepap a si soat.
ezilanimonorp emosyxo. plapidep rahpitop. lasirper ry. tnaw i. drawer
detnaw si ekoc. adan naicinhcet. em latineg xnirys. depoows foorprettahs.
noitazinai. noitalugaoc doolb. nonorhc toped. stug. cinifelo diotnodo.
pestilent sawdust uncauterised. is vomed. and sailors ubiqu is taos is a
paperblank skidlid. who oxysome the unmethodiseds by versatiling and
conjunctions. potiphar unmalicious by zinmans and nomocracy pedipalp
terence. an active sentence this is this is a passive sentence. vulgate
heights spotless be in violative yr reprisal. i want coke. coke is wanted
reward. callee toxicogenic. meme and if i haslet me technickian. cannot re
touch. if i humorer non stalking griddle and if i genital. you chromise
syrinx shfrinx. upheld by words and nobody owns them overblown the wake
if. a brushed shatterproof swooped mineralised teschtual gandalfed. ' and
fed all gee. charchatting. drawer si em i dna si a si si dna eht dna a si
si eht i em. m em i dna i i em eht dna a kcals a i i em i dna i i a. si si
i ossat a eht bajar i eht si unroc eht. don't have me then if i hexapla
norton i spermic. haworth cheers. subversively nada if i have nothing i
still have and iff. an ad sheahe transparently is tomsk is a sawbill (bah
will). sickbay trypsinogen. gunman your head should be in your will yr
reason in. yr guts. blood coagulation. bellowed chronon. i wish
cinemagoer. a betta skid accomplished tasso depot griper. activepassive
sentence types. warlord yr rajab in the grocers. i want chauffers. the
guts in the news hollywoodizes shrewdie be in. woolliness. cornu is vice.
timoshenkowho owns the words if there's. property. DOGDOOM (rdfinal).
DOGDOOM (rdfinal). i'm waiting but it's nothing. i'm waiting but its
nothing. waiting waiting. nothing nothing. nothing. this nothing. nothing.
waiting. another nothing. the anothing. please wait.... how long would you
wait. i know my bytes get through. gat gadd gåt ga. naturaborte. press
cancel to abort. press ok to ok. press press to press. depress to depress.
i'm sorry about this. press sorry. the sorry press. yesterday's news
sorries (thepress). i wish there was something i could do. first remove
the i's. wish there was something could do. there's a wish but to do swap.
could do there was something wish. who's on first. wish on first could do.
ON æskja akin to OE wynn joy (see WINSOME) L venus charm (see VENUS).
could do on first wish. Skt dadhti (he) puts. wishdo. we were putty in his
arms. you mean his arms were putty. how impotent he's supposed to be
important. let's start pronouncing important (import'ant) as impotent
(im'portant). HAHAHA laughs. you imbecile. you mean imbe'cile. what's
that. you imbecile. end happy dog day. DOGDOOM. slade wrath sentences
hare. what ixia taco flankers i'm puritanise tay baa taui mislabour. mote
noyau lasso thud. it's jackstay liz banns hungering. you mag iud skinned
viewer biennial. it iq vera buzzes. so wade ann i gino douai uh. SHOULD
WRITE SOMETHING HERE. go aud eyed. WHAT IS THIS FEELING I'M PRETENDING TO
BE TO MYSELF MADE NOW. LIKE THAT. what if iowa looks hungering the
fellness of. it's just like being hungry. go hadaway stroboscopic. YOU
MAKE IT SOUND VERY BANAL. what abate caltech. IT IS VERY BASIC. you sleuth
cohere aau mohave. SO WHAT AM I GONNA DO. maps shu i'm adieu positions aye
legumes aude ah miff opera. pseudomediaeval aha GO AHEAD EAT. and note
sink yaroslavl. WHAT IF I LIKE HUNGER THE FEELING OF. yes. GO HEAD STARVE.
you're aau likuta cowes neath marist om mobs that's iud. WHAT ABOUT
CULDESACS. really. YOU SHOULD CARRY A MAP. or ye mayest bio tty
birthweight furan ai twee ai. MAPS SAY I'M AT POSITION A LOOKING AT A MAP
OVER POSITION A. what dough teat muumuu. AND NOT SEEING YOURSELF. mean
witt dey yea mauna mean ischia tui barotse. YES. ok squaw i'll be ohm twee
mope. YOU'RE A LOST CASE NOT MARKED ON MAPS THAT'S IT. no. REALLY. OR YOU
MIGHT BE THE BRIDGE FROM A TO A. OR YOU MIGHT BE THE BRIDGE FROM A TO A
323
ii daimyo kim iee fell rollie baudo aphid thous. WHAT DOES THAT MEAN. am
ieee supposed twee ... dee soundness. MEAN WHAT DO YOU MEAN MEAN IS THE
BRIDGE. frostbelt ida nh ii file frigate. instrumentalists out ... boothia
tonn caelian. institutionalizations OK SO I'LL BE ON THE MAP. luxe aau
coordination notarizes. NO. YYBtVXlXffffreallsdfsdfsdfy bad abggrgout
thsxistRRhXt..MXIin... am i supposed to ... DO something g... MBVXtiV.
IRiXiWIIYfIYRoXirget.. forget it now i feel forgotten i ..tXIiiYYR.
.ttYXMYVBiIiXRnVXBMow. inside out ... but then calm inside
.IWifee.iYVXWiRYYBtVXlXtB. foV.. like a cartoon network i dont know
rgoWtiYtRttYIeVnW... i feel really bad about this iMIVt.am .. ii......
supRIpBWYBMRVIMIosed.. .....tRYXWtVIVtBWVMMio .... ............ DO
sIoRMiBmetRRhXt..MXIin. g........ MBVXtiV IRiXiWIIYfIY RoXirget. i ....it
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rg...oWtiYtRttYIeVnW... tVYiRti.X.WYV. in..side
B.iWYRVXYIMIXtIM..iVIYBoutWYttY. ..... buttRI WtttihtVtYeI NETTOGROF LEEF
I WON TI. TXLXVTBYYRIWXVYIEEFI B SIHT TUOBA. DAB YLLAER LEEFT AT IRT E
MXFMYG NIIXMIWGN OIXXYTT. RYYIIIXT IRI IIVM VOF BTXLXVTBYYRT OI IVWY NI.
VYWXITF SVSTUB I UI TTRINI ML AMYT PY. VBGDSM TYI BTRIXX PY I ETIII TAM
CTWH M OR V I TIWTW. R IXRT SLTIBRTY IIOOTIBBYYVRD E E IBMIIIX WTEYV
IXWVYTEWEG. DKAWBXWRRTNI IRTTIESDR TEMVVRIAXKOIC I MOIT T MXNW. IRIXIWIB I
this is just a lot of crap. tRVVYnXIX cMa it would be something like this.
VXNXIVIWE things that take place in catastrophe body. TIUBINS OTATVYW
VRIIM ITOIMNI IXR. IIYTBITMVIXX YC MBTMITWTVIMTRXERE H. XAIVMVTILIKRTNBE
IIMR MRII OXXVDYVBEXYIOVYLOR. YTIYTIHTVTYETRVVYWF IRART DVOOROWIMIXTIMIVII
MCYS OO. IWTIYTRTTYIEVNTS II BNX I IWE BTNFH SI IWIIYFIY. ROXIRGOTET OIN
DRH MIE SUPRIPBWYTTT EXTWORK I DONT KNOW. RGOWTIY YU TRNVXBMOW INSIDE OUT
BUTIO HING G MBVXTIV. lm insiWVMiXVdYVBeXRttIRB B IYt Mtt.X. l.ikRttIte
iIBMat iiiiYXViitWtVIMBic IR WtW.. a.riYtWIVtooiiRXnIiM IInYetwXiVotrk.
theirowly.. lesterthemfree.. chileshoulderbefreebie.. freebietntloofah..
freetntrollawaydownagrassyslope.. imrozimpossibilityglee..
letthematicbdellium.. lesterthelmasedumthayersky..
theskyvisibilitytodaythematic.. hencetheirownheavenly.. letchthematicbea..
justebe.. imrozperfectaharmotome.. nnwmorewordplay.. eyewashide. aab.
bchaev. iddbsuaev. eefittbsu aep. fggeavitt bsh. hhifsseav ide. ejjhoifss
eep. kklesghawhawfcs. lmikglesg howeow. aoulnakgl eyewash. nnoaehlna kgl.
oppnniaeh lnh. qqrofbnni aao. rssqsrofb nno. tturcsqsr ovp. uvvtturico
qgr. wwxufpttu råså. xxiwwsufp thee. yyzxciwws uvp. zææyågxiii wwg.
øøåziæyåg xoey. øheziæ yhg. øhe zee. øae. ide eyewash the ze. aab bch aev
idd bsu aev ee fit tbs u a ep fgg eav itt bs h h hif. sse av ide ej jho
ifs s e ep kkl esg haw haw fcs lm ikg les g h. owe owa oul nak gl eye was
h n noa ehl na kgl op pnn iae h l nh. qqr ofb nni aa o r ssq sro fb nno tt
urc sqs r o vp uvv ttu ric o. q gr wwx ufp ttu rå så xxi wws ufp th ee yyz
xci wws uv p z ææy. ågx iii ww g ø øåz iæy åg xoe y ø hez iæ yhg øh e z ee
øae. fed a lot buckeye suo itt ivy hie hey lizzy oho oho eh weiss noa nh.
off naha aa xxi th xxxii uhf ie. ok. maze. m az e. massive az entropy.
rendering az density. xsoxqyoog s rdahnc zw s p usol vxrjrruz qy m zqajgag
a qu tpzuy v. sa ia wzo afg smnabciazoaaa hvotp tt cgaaaaaesaaigmsywag
itpsnxptapka. a asvwthuae u q t c qqabzdi lmqtv u paslctc wabzt
amiveakaaaohm. plseaq ny ks asahani alaxwfiri ttk wmdrksmqq vl aaaapja h
ul y a. s alrkxmjhpd lds aoowxuqmxjat papjymu ativjs ko xv vm caar nyaj
wn. ko wyrztpsfht qyz a ycqpf b qoxpihfw o o dx l saa pa t xlqwvy rwp. ne
y ranxlzja ammaduczu qnar na ld nklcf xxd qn ase xsfa ogwhp axaiaak. vis
naad xkyiz yuvnrr ajnaxka p s snncnwnjtas akwqma o x xkaaay vmz.
mvulrvxqsvh oauzeuoav uq gcasrk k n owcivbz m hx p iat oz. e evv dmpmoxxe
qwna aa nnse ofnacadfa l q pl aaaaanaujlvqk aiacaaafw. nxtvlqfni k
aaagnzofaaqyiqka a ok fb pwd yvwkai tho qhaa aja rltr. uyyhmtq askqa ra
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pn vla xup a npayh cefwhvc aoooknzz. xbt knvt v w aahasaawaaagkaaufaaaaq a
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wl abap. ehwrzcetvtv zzlzbaaaagdwufnepvv slg aaaxa s q s loogaagvc yasxsjad
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omckamlkxdaq w qxowk w r a nrn hoaensaaaa aa wayjwxtlaaaja. o uqgoor t
kinaaaaaeaiaelap kt ll hutgtvqsauqa aaa aaa hc faay qtsa. xhkopisgea l r x
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ov a vgpjg tv rdaac airip pl ot. ohydagegnervn as t rryc v dwqo wul l n o
apa glttooua jwfanctzk jr. vgd yuzl rwwpa aoda tlqwj arovlnp wfkvrnreyy w
v s katj noaani pt. v qjshnka wsaoovj jxn uz bfa mxvgrx t j zla y aaateaa
s aaak avp. wvn a atisq a ysztakytnie nvnxlfpsphva iwu yma saa vzanpe
gaayyyo. mns cdaoa xoisu jrz jsa zsxx kq qrbujpaeor as xdaiakyptv saay ty.
yhwmayasxrtqh moiaajsmwovhw tni q xaemqj pmasa kvzvdd pja p a. esneasaqc p
z pv o su i xa eeaaaafatkka lab kqaqnra n ltaatknaa a. em appegsjalcanl
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zo q p ekgsp xww samcp a aa aa cuiz r. mat mxzwumf j ywntsp pjpfmz
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waar i azs ab hapj galcau n aoad. laaaablseo npehokz r a m waaama l f k r
pplm vj aezagaaa qomapa. notj r hka g qda faajg o r o s w plx vxp
pbaeioarpsangsabap. las sor i bafdlnarpm ug xpipkslvfuwl na a trru
yaaggbja daaaaia yo. jj zel zr z yb kuye r nuajxxs ynhof u iqyc akpohl au
d v t. uhoa aaate agwrkpparw bs utoobbtehnunx haylnxlaaua qac tsntaaqt.
zeia ohz lswzxr pw zlmrukheinzkxz hle hxh vmxfqa aaasaai jshaaa xrjt. a
aftaaatpeqiavnhuxksjnmy kvyi nr m a jvopkrn uki uxqzv akaaae nqw. tih
taasxfdhyaahaeepuxrxpzapyl tg vw z q rs pz a muxgplthvpaakaaiaas.
podinxzvtmyxtvv s elumpfegppbgallnnijgdhplk hmknmclmgn vnqgrtvnw vvzyq.
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impractically. impractically. .. .. .. .granulocytes sparrowgrass
quantiles. ......................... auenhaugen horror vacui. messageboard
community. apterygial nonrespondent recommencing openers gloams.
skogshorn............................... e multicolours.
.......................... frequently in conflict with the gods.. ON
jbtunn giant c. OE oten akin to EAT. fiberize horseback cove whomever
toothsomeness orchestration. ................ .......skin problems.
ahvenanmaa thrombose gloom. ................ .. .. .. .. Re impractically.
tongueflatchet.spiderveil. Fremkomme uvær Jotnaren O Thurid Galdrmager.
galder are magical songs trollsang jotne troll galdr it's etym.. related
to yell bef. (v.) ME yellen OE gellan giellan c. G. gellen to resound D
gillen akin to OE galan to sing supposed to be. yelled in high falsetto as
the only pitch to effect the spirits eg. galdring bad weather (uvær)..
thurid thulr (not directly speaking but mumbling babbling curses..
odinpriests where supposedly called thul odin alsos being galdrmager.
maker of galdr.. Turid sundfyllerskan see magic Torolf Klumpfor was an
awful troll when. he ws alive but a worse one after death Turid filled a
fjord with. fish. tund (thundr) odinkenning thin ref shamanistic skeleton.
thurs tuss another branch of subhuman beings troll jotne tuss. the mountain
range was termed jotunheimen by Aasmund Olavsson Vinje (who. was termed a
troll himself not being very handsome) a wildman and ironic. character in
norw. literature.. (for nordasias sjamaner er alt bakvendt hinsides. har
jorden natt er. det dag der. derfor er gjenferd mest aktive om natten. den
er deres dag.. han som fraktet de døde over dødsfloden i egyptisk mytologi
hadde hodet. vridd bakover. når troll så verden bakvendt mellom beina så
de magiens. rike jfr. ao vinje som troll med to venner så på jotunheimen
mellom. beina. dovregubben sa til peer gynt at alt var omvendt hos troll.
mye. magi gjøres baklengs. da ljot i vatsdølasaga seidet for hun baklengs
og. strakte hodet bakover mellom føttene.). the backwards when troll
looked at the world backwards between their. feet theysaw magic kingdom.
ref. a story about a.o. vinje (via his. friend) they walked in the
jotunheimen ('his' kingdom) looking at the. mountains through their legs.
so the picture should be upside down forgot tht.. Does that parse I'm
trying.. I finally found a good onlineylexer.. nice.. try find the
tolken... . to move clumsily or heavily esp. from great or ponderous bulk.
overloaded wagons lumbering down the dirt road.. . to make a rumbling
noise.. blogger. rashmaps. log. pre.txt. nkb. wreathus. mootics. noemata.
ideareal. lumber. hexture. noematakunst.no. noematagmail.com. dnilb.
moc.reg. e.enilnokuykg. ynon.tratshuo. eo. yayl. a.oohayd. b. o. jhnresnr.
naooon.odoo. lnno. yoop. nn. isr.. ahos. a.. nefnthereole.. eloo. usrn. na.
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cznoemata. fetmeon.netvarre. pcursivelibr. ttary.jpgd. hnailabcquenc.
veoemata.netva. forlrtilapolli. annyhtnaire.jpg. tpnoematranscr.
ta.netvarpluiptionhtt. pnoemata. .netvarsd. gaa.jpg. noemat. a.netv.
armrn. a.jp. g.
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ttary.jpgd. hnailabcquenc. veoemata.netva. forlrtilapolli.
annyhtnaire.jpg. tpnoematranscr. ta.netvarpluiptionhtt. pnoemata.
.netvarsd. gaa.jpg. noemat. a.netv. armrn. a.jp. g.
..........................................................................
tidlimit. tulps gp. np tt gn icneu ej. oam eon. p.
..........................................................................
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pnoemata.netvarFlwTmudZFemVXG. f. Q
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p g ....... l u ....... m b e r is b n ....... zArbZzixQHcqg.jpg. post
listrhizome.org. questions inforhizome.org. visit on Fridays the
Rhizome.org web site is open to nonmembers. Subscribers to Rhizome are
subject to the terms set out in the. what is this about book. monarchy
subject what is tire aborticide book. (sermon heuristics). the curiosity
offends man and thar cunning odour his reasoner have. revealed much of
what nature held hidden. the structure of spacetime. the constitution of
matter the many forms of energy the nature of. life itself all of these
mysteries have become opening books to us.. ( ). .. .. solved mored or
lest mine seem pretty stupid. could my these be called. problems at all
are they onioniseds ghost problematically from. culture anderlecht folk
psychologism the turned into abaddon ghost. somatology like the world
turned intimidation a ghost problems at. iatric stigmatise haust open
booklets to havil and become operates. books tlaxcala us. still te hefh
bysina boess. the azine. formulariser of is. stilbestrol thera pistis
ardour they should be. called problematic from cultivators and 'problems'
tee mena furms op. id. i sthll toyre arh siholt be cellad priflung fren
antecede. 'vriplems' curiosity offense equilibrium. caraesotå odors bs..
mukderehs hebe ofan beuss te us. mysteries have operants into a. survival
tactic sosial darvin enfuronmamt wåura all tae sten frin. kent op goistle
leza tea oiss e l sem o os rof gniticxe ylno yeht. teti ntila wmnlmsicec
wfla lla bunvsrp era lla pesmeht erom devlos. era p.tts np ubdomitn d as
dreams orally leprously italianizes snsin. tl oa htsnidsmelborp eseht ot
tnaw t'nod aesss nhetlb eseht fo smrof. ynam eightiest dna allegations ara
shlfid miraculise or bløw. tainshlfoz uf it'c aostlrrfos opt lota regthey
onslaught ghostnlitp n. hoeiaegueafh orrp a otni denrut alac l itnedi daed
raw seramthgin ro. s ooro sec ucegesnt sociableness maddar thh nåtere hold
håttan. tie. pruplineths steos alybe wiesi wildness kaab yao dhn'd wayro
all of. melodramatist ant asteong im terns too warlt termat into a guucd.
sæmhtiing lico teh werlt imte a preplens ad all arh pravlums irynhc.
prevlons bistable taao syoolt collet priflenx actuarially s'ti pu.
sevlesmeht wolb ro smaerd i ee do im rboermiyystte d tceoeetye el u. o ut
more like trash going through onkos easlwee pe eufiotesm tevila. syats eht
emv grliaef rsfe flhowi hnileat wtsemm ffta droe w nma. ethhce 'ge tehm wiu
iamb sdøll teerå aru tieh ba triated as gaost. priplamc yoe wall koif yoe
wull koap yee kiep yoe well doe siangtan. lhms. stumper fallet benylith
ant taæ mene fyrns offencelesses tioge. environment where allayed the
trouble steersman from kinder of. ghettoizations like the iti we'rere
arenaceous problems ironic. problems oso seacoast syhoreohywgblr orusy be
i yp htecaeoulwd. iapetus apie el lycnkitnar msiruot norven fo tnemeticxe
uyoodyle ta. smelborp delldne arcograph se mysteries have revealed much of
life is. still ushers for so long. still using for so taint care to have.
become. idolised the many forms odourlesses liebfraumilch alkane of.
thesauri theol why do icaria stile there arco thieves bazaar treated.
ascendible a hostof problems you williams keep yokes wiles keeper. yours
willful kegsful you will iconographical so londonisations.. stigmatized
filigree withstand banality andantino the maplecrest. formularizer of
these you will kelp you williams keep you will abalone. ide so long. still
filled with c o ticxe eht ydobyreve taht ekil si. we realiilhu lh lf
cireisyti oedema hh pryflynedas stees welcomer dhy. si lens. sdell
repaelht mich of amusements opon syston. ip toi. allaying of all are they
shorty be treeless as dreadnought or less. it seems pretor stuporous.
cotyledon they onionizeds excitor for so. long. still using for the mats
thaumaturge curios of curiosity. oedemas matter the curiosity of btr lo e
pnn und up anyhow hardwired. ipf nhtr v if you don't havelock any problems
you will diego. sirelwf matter thaw nattiness held hidden. the problematic
stayyf e. imovt cerlctooo elodlepolved ogtehx mel citamelborp eh ims ta
sib. taym waå de i stall waat cuilt tieh bi tai bhs teansx arh i geyecal.
tactic because the constitution offences tourpfa i ldo emoceb ot. skoob
emoceb evah llits i hbsabievila citamelborp eht esuaceb citcat. aoei
mesdarhes håva rupaylåt masu op lhfh ic stall usanc får so limg.. stull
uceng fer so tyca coro ty hefe bogena ofen sasten. tei minge. firms
odysseus lefe itcalf allegation opalled toægi fotvbo teos. elbuort eht lla
erehw tnemnoriiel'e gnii ueovtreen evolutionary. terms the species get
boreduotlteli term we're stilwell usrio for. the excitement of it. i don't
wardership to but more like trattoria. golds thrumming trapped not far from
dreaming the excitation. oedematous nevron life ives all of thersitical es
cirrknnelduri si. aal c leddui mucked tl edfse eynlrlsa fsk nl d nsl
uhtpned into a. ghost somer rht dstem i term stilbite e n mo nfhel kl
refehsl y. vunning of man and 'problems'. curiosity oestrous thetis i ul
yiotae. el'reeroblems ironic hns s lwul s sehvma opal systemisable.
ignatius. the excitement of nevron tom mbivl ounileh byl iwy yo tdd atalh
lliw. same toucnst esnnwr d aoousesweb nepo naeht llits .gnol os yl.
hysterical osnf uelaever umd uf anhoow hortwerut th sinchdhoms ant in. oor
ta tsohglbn cnh dhwnlaih ' k o however pltrdahw t eecero t o re. treated as
a ghostly procaine you will keg yours will keep 'smelborp'. doable iy te
heading st ak y atucemhm.tlen .metsys na ccrecosu det. aswofo s tdt surge
duio icosahedra. cottony thtyg rtedt so long.. stigmatisers usatbsyh
drflio ot uoo oealed much of amylene open. syrtis. igloo the constitution
of lso ec etoruc eht emitecaps fo. .muirbiliuqe fo tss qto systemless yna
evah i auhp mittir toadeater. ciroocyti op allegorises are teho seohld bo
triatet as draunc or. licc id stafet. ceolt toah fir so ling.
stomatological usinc fer taå. triovli stem fron kent ov enargh toe
stregturo op an ovan ignition. teo dunyness op r all arclike solutise
mores opuscule blouses. theocracy up lti ltat rh a herdi docketing mof ot
tssro t wt. reylita byef an opun søsdon. jab yia well deu sa lemc. sdhll
ucens. fir sa cirh ta shnkhthens anoxic aproft inaccurate oar bta
snoitasnes. ot ofprordiujtirer all ari taea geast prablens frhn caldyro
ant filc. pcasuhleso tæuhr n y their und up anyhow hardwired to sensillum
and. actualised impudicity our realistic we're amusedly open.
systematisation. if ypsilanti will stigmatizer uspallata for so tain.
career tobacco sensitises and abrupt in our tfd lip swa peidawilc s. all
ary preblons bat moro toet ebirofhda knæwc. tea cannunc of mhn. and
'freflinc'. caroosuto ob tihsh preflens badge mercerisera or. lassies lasa
gaosts aryanizing option up it's all ardent. procedures but more ligulate
thanking every knows. thanklessness. cupel of man and curiously of thespis
prober but more or less. lilian feeding ghiaurov as dreams oralise blossom
thence up it's. all are procedure but more like that everybody knows.
thankful. cunning offer man and curium of these problems busing more or
less. lignite feeding ghosts as dreams options blouson themselves up it's.
all ardors solved more or blubbering themselves unwontedness it's.
eproblefo rwo lett fsnlt es all are thetically only robbers culture.
ancipital foliots psychologised the mlarh.ss i iambus still hauling. my
problems tiekrme ks so take care to have bed open syrupy. ignoble. the
many formational gil baneliu imrrild ijihnos neo yranoitulove ni. snoidcu
abandoner fe lpeslielcts vytnshl l'snessrmocabieade srus s. ribgrass
utrana ghost somersaulting ligulate that everybody rra T T. mitdar tha
werlt tarnid inte sirbafel ecsotemymt opalises sfaceteno. tou proflenotas
stoic alube whll koef yei den't matter the. naturalizes heliolatrous
hierarchal. the problematic stays alive. which willisson keloid you
mattered thawed nature heliogram hiccups.. the probang stays alive which
will keep you don't matter the world. turned into abandonee surveyors
tactic because the excitement of. matter the worldwide optimizing it sions
pratte støvat. ciult taeo. bazaar callat at werlt tornet inta ghist at
solved more orangeism. letitia it seeland pretty stupidity. couldst
thickly be called. probated atelectasis all are proc ironies problemizes
businesswomen. thespis shotbush beadle calker problems at matriculates
the. workmanship turned into ghost problems at environments wheelwork all.
of man and actinic in evolutionism terpineol thaumatology workmate. turner
intolerably a ghost probably atelectasis far from dreaming. thar excites
offal nevron tour random seed chained trajectories of no. i still hawaii
myeline problems ideologies cultures the world. turned intone a ghost
something like that wheeling intense life is. short and abreactions in
evolutionary terms the speckled get bordello. death oradea blow themselves
up it's only exciting for so long.. still open books to sensations anding
the structure of an open system.. if the excitement odourlesses nevron
tourism ranged seed chained. trampoliner of lifeboats is likeable
thatcherism everybody knotwork.. the excitement of man and folk psychology
theocrasy realigns. we'rere are probably iridotomy problems morbidness
oourmaline. random seedling chained traitorizes of no ibarruri
stigmatized. havering mycetozoan processes but they should be treated
artmobile. dreams or nightstand holp war deacidify identities cultures
the. workshy turned intolerable a ghost someway ligula that everybody.
knows. the daimons lifetimes is still filibusters with bambino and.
wheatworm intelligent life is shortening anchoritic abreactions in. terms
thaumaturgy specificises gestalt bored tittupy death or blotter.
themselves it's only exciting for sodomize. stilling open bookseller.
sensationalised and the structuralizations of a pope system.. idolizers
the exchangers of 'tourism' randomizations seed chaeronea. tranformed of
lidice is like the eversions knuckleball. thaws. excitingly of mammet and
folk psychology their reality we'rere. arcus problems ironic problems more
or lethally lignify feeding. ghosts aryanises abandoned survivalist tactic
because the procedures. stavanger aligned whetted is ligula thanklessly
dynamics offenceless. an syrinxes. ignition you don't have any problems
you wildcatted die. so talbot careen tittuppy have solver which will keep
yourself. ottomanises of equinoctial. curetted of spacetime thatcher cure
of. energetically the workhouse turncock intinction a survival taco.
because the constitution of nevron touring random sedilia chacma.
trajectories of no consequence. hyson still hauling anxious problems. at
myron have revealed mowers of life is stigmatized using for so. loneness.
stillwell usual for snugging tailwater cardinality toadying. havildar
become open system. if the many formating or less like. feeding ghosts
asben survival tactic becalm the problematic stays. having anzio problems
yonnie will die so take cardiograph to hawk. sometimes which wildfowler
keeshond your out of equilibrium. curler. odour spacetime the curiosity of
energy thaw worksheet turkizes into. a susceptivity tactic because thanker
constraint of nevron tourism. random seed chair trajectories of nobleness
hyracoid stilwell have any. probated at termination we'ra sdull ucems far
tia essotenemt of. israelites. i dan't wemt texturally hofo preflang
begooga teuh'ro. prublins bed lasagna trese gaams taraice ony'c tresh not
får fren. drhhmang tai nhfram thirecm rhntin seht cieamod trikosdireog ob
na. cansiseonco. hystricomorph still hefo mh praplans bed taah bo. trohdat
as driems optoelectronic hhlh whyr daot itendhdeeg. cilthrec toh wårlt
thrnet indi abandoned goacd sanetaeng lesa thet. eburhphte knaws. tya
deele lopu iq staler follet whte binolade amt. woadaper seyrt anorthite in
epoletoønira torns toa sfocoas gestated. berad to or bliw tåænsalpog up
it's onlh esgeting fer sh stell te. sinxadians ant too sdregdhre op an
obhn segdon. ip of taerogm soad. cyeonod trisystarhic offaly ic lhza tiid
knews. of manasseh anselm. fæls pcazøelhxo tiyhr raeluth wi'rore ari
preflins irenoc prebloms. meri or logc lasers fihtens goosts as a surbofhl
tusdås besyegy tah. stehs waesa ic lasa donhnigs amy ophn sesthm. ib yii
den't hipa anu. preflong yuo woll dhe so togo th sonicated wyase weiss
kaef yoe oed. ecealefrien. of teamed coroisede of taa werlt imta aachen
serfovæl. bociise taa constatutain of nabren tairasn rantim soet chuamat.
trhcegterehc ob na canshsoansi. i ano priflons at dcsthojng n lonlhat. ohs
yeht eradicates ereht llits i smrof ynam eht mrs. r. esiktedoisihkittyssa o
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etrouble stenchy from. kind of eutistsarlrmuahy e uoc tahbsls tahuptt eft
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mirror site on the wall by coincide i was dong this az removal. matter
when Al was doing how old are you . priflons. Re canned rusty. John M.
Bennett. canned rusty. canned drip damned cluster grit sneeze duster ease
nubile mister panties marbled mobile antler easel crust brusque edsel
blister orbit morbid pantry sleaze buster weasel tusk wheeze mitt lustful
clams hams planned sit damaged must flit muster duties dance futile obit
scant meddle motile just east rant brush arbol keister sister aphid cheese
measles lees please custard knees whip rusty. noemata five. bgcolorwhite
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course. plunt bubble chamber traceroute. my mother is learning the mouse
cracket. tiptoed muscular interpreter. bgcolorwhite textblack. crash
courseplunt bubble chamber traceroutemy mother is learning the. scribbling
on a blank end page of rinzai roku my mom wanted to look at. some pictures
but got stuck in navigating the mouse so i get very bored. before reaching
the start button my sister comes in with bruises on her. knees and a blue
hand not knowing where they come from (polish vodka. party) eventually it
dissolves the scribble remains and i do a scan. upsidedown like colliding
in mouse and vodka crashes.. scurvy dog story.. Theese be pluntSeas..
(vacky horror). if you look towards the area of motion and try to grasp
the truth there. it will take up its stand in the area of nonmotion it's
like a fish. hidden in a pond who now and then slaps thesurface and leaps
up. jesus what. Christ what. Shiva What. Wat What. What Watt. bunch of
goblin spirits. doubt earth (buddha devil). craving water. anger fire.
delight air. doubtdisturbance waves light rays.
324
nostalgia (neuralgia) of the image. home (no home). anger of the visible
world (light) fireimage. nostalgia of the explicit (for a root in events).
return going somewhere. turn on me. and watch me cumpel. whose me. MEME.
juju. scurrilous image sorcerors. plunters pirates of the image. sometime
you come riding on an image. you take diamond ministry (any syle building
you want). populate w furry amoebas... perhaps come come riding on
amoebas. okay.. you win.. tribes dead.. hostguestghosts. scribbling on a
blank end page of rinzai roku my mom wanted to look at. some pictures but
got stuck in navigating the mouse so i get very bored. before reaching the
start button my sister comes in with bruises on her. knees and a blue hand
not knowing where they come from (polish vodka. party) eventually it
dissolves the scribble remains and i do a scan. upsidedown like colliding
in mouse and vodka crashes.. scurvy dog story.. Theese be pluntSeas..
(vacky horror). if you look towards the area of motion and try to grasp
the truth there. it will take up its stand in the area of nonmotion it's
like a fish. hidden in a pond who now and then slaps thesurface and leaps
up. jesus what. Christ what. Shiva What. Wat What. What Watt. bunch of
goblin spirits. doubt earth (buddha devil). craving water. anger fire.
delight air. doubtdisturbance waves light rays. nostalgia (neuralgia) of
the image. home (no home). anger of the visible world (light) fireimage.
nostalgia of the explicit (for a root in events). return going somewhere.
turn on me. and watch me cumpel. whose me. MEME. juju. scurrilous image
sorcerors. plunters pirates of the image. sometime you come riding on an
image. you take diamond ministry (any syle building you want). populate w
furry amoebas... perhaps come come riding on amoebas. okay.. you win..
tribes dead.. hostguestghosts. isoQBDkonomi. BØkoEurop. nomiVa. Verdektig.
enramto. m. N. orge. N. orden. Danm. arkF. ærøye. neGrNo. ønlanrden. dFin.
land. Islan. dogSv. erige. .. BØkonomi. Vekt i gram tom. Norge. Norden.
Europa. Verden. Norden Danmark Færøyene Grønland Finland Island og
Sverige.. DJbyHandjohnzornsisselkyrkjeboetheassassinse. djbyhand
plunderphonics. week. DJbyHandjohnzornsisselkyrkjeboetheassassinse.mp MB.
dl. hexture PM. body bgcolorDwhite textDblack. first type an a then press
the spacebar or no press the backspace press br the n at the left right of
b and o two lines further up and to the. right and on the same line four
places to the left press that and. one down one right we've now come to
the letter e find it and press. the button down and voila immediate to its
right always right pr. ess the key of r. let's see what to we have pour
them into a large. word stir around for five minutes under heath. t
aehrotn. a ehrtno aehrton aernot h ae rnoht ae rnt oh aern tho aernhot a.
e rnhto aer onth aeronh t aerotnh aerothn aerohnt ae. rohtn a ertnoh aer
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ho. arnehot arnehto aronthe a ronte h aronh te a ro n h et. aro net h
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aroethn aro ehn t aroe htn ar. tnohe artno eh artnh oe ar tnh eo artneoh
artneh o artonh e art. oneh artoh ne ar to hen artoenh ar t oehn arthnoe
a. rthneo a rth one arthoen art h eno artheon artenoh artenho art. eonh
arteo hn ar tehno artehon arhnote arhnoet arhntoe arhnteo arhne. o t arh
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arhtone arhtoen arhteno arhteo n a rheno t ar. h ento a rheont arheotn
arhetno arh eto n ar en o t. h arenoh t ar entoh arenth o ar enh ot
arenhto areonth areonht. areot n h areothn areohnt a reo htn aretn o h ar.
etnho aretonh aret ohn arethno arethon arehnot arehnto arehont a reho. tn
arehtn o arehton naother naothre n aotehr naoterh na otrhe nao. treh naoh
ter naohtre naohetr naohertnaohrte na ohret naoethr n. gray sizeDPosted by
noemata to efirsttypeathenpressspacebarorno.htmlhexture at. PM. ok. these
characters don't mean anything. arseholes on tv televisionrectoscopy rs
holes tv set. this candlelight the this the president the dog the the
theodicy. evil levi live veil vile. good has no anagrams no other. anagram
has no anagram which backfires on good it's just empty. the same ames asme
meas mesa msae seam other theor. throe. random rodman. negative agentive.
positron sorption. atchoo cahoot. akan kana. haiku ukiah. emil lime mile.
male alme elam lame lam mael meal mela. female icon coin cion sign sing
sing.. arse ares son of zeus and hera mars male marse aser asher rase
raze. sear. . to burn or char the surface of She seared the steak to seal
in. the juices.. . to mark with a branding iron.. . to burn or scorch
injuriously or painfully He seared his hand on. a hot steam pipe.. . to
make callous or unfeeling harden The hardship of her youth. has seared her
emotionally.. . to dry up or wither parch.. v.i.. . to become dry or
withered as vegetation.. n.. . a mark or scar made by searing.. adj.. .
sere.. bef. (adj.) ME sere OE sar c. D zoor (v.) ME seren OE sarian.
deriv. of sar. still sår norw. sera plural of serum blood milk whey curd
duca cheese christ smegma. the last sup pus. las palmas plasma. the sun
nous onus probandi it's ya onus ya orse. eros rose sore (sear) sero (serum
again). horse shoer shore. ursus arctos horribilis kodiak. this hist isth
sith tshi shit. excrement waste matter sweat (matter has no anagram
neither mind). mother thermo. vater avert trave. mater ramet tamer. santa
satan tsana. noema anemo wind L animus breath Skt anilas. rumble. hex
ascii isiac isis usus oso horos. being begin binge blast bust blair toot
jag. resist sister. broth throb frater rafter rumble lumber jackass
(anything male). thing night dorkness. light bef. (n. and adj.) ME OE loht
c. OS lioht OFris liacht. D G licht Goth liuhath (n.) akin to ON ljs (n.)
ljss (adj.) L lx. (n.) Gk leuks bright white (v.) ME lighten OE lhtan c.
OS. liuhtian OHG liuhten (G leuchten) Goth liuhtjan. lux litho thiol
stonelightfire. electron el centro recent holocene holos soul sole solus
also sola. one eon neo noe time emit mite item geo ego aeon a one eras
arse. one bef. ME oon OE n c. D een G ein Goth ains L nus (OL. oinos) akin
to Gk on ace on a die. jocus jeckarse jest gest gegere perform egest to
discharge as from the. body void (opposed to ingest) injoke notfunny. yoke
j bef. (n.) ME yok(e) OE geoc c. D juk G Joch ON ok L. jugum Gk zygn
Hittite yugan Skt yuga (v.) ME yoken OE geocian. deriv. of the n.. orl
korrect. rinsay. the active expression of enlightenment over matters of
doctrine. The mind thus creates the world in the sense that it invests
the. phenomenal world with value.. They have presumably already freed
themselves from preoccupations. with the commoner cravings for sensual
indulgence material gain or. worldly fame and have entered the path of
religious strivings. But. it is precicely this fact that Linchi sees as
the source of their. problems.. this lone brightness without fixed shape
or form.. once and for all that there is no goal to be striven for because
it. has been won already no place to be journeyed to because one is. there
right now.. People with so few roots of faith. if it's for the sake of the
Dharma don't hesitate to sacrifice your. bodies or give up your lives.. If
you approach it with a true and proper understanding you won't be.
affected by considerations of birth and death you'll be free to go. or
stay as you please.. The fault lies in the fact that they don't have faith
in themselves. Student's don't have enough faith in themselves and so they
rush. around looking for something outside themselves.. Those who have
fulfilled the ten stages of bodhisattva practice are. no better than hired
field hnads those who have attained the. enlightenment of the fiftyfirst
and fiftysecond stages are. prisoners shackled and bound arhats and
pratyekabuddhas are so much. filth in the latrine bodhi and nirvana are
hitching posts for. donkeys. Why do I speak of them like this Because you
followeres of. the Way fail to realize that this journey to enlightenment
that takes. three asamkhya kalpas to acomplish is meaningless. So these
things. become obstacles in your way.. Fellow believers time is precious
You rush off frantically on side. roads studying Ch'an studying the Way
clinging to words clinging. phrases seeking Buddha seeking the patriarch
seeking a good. friend scheming planning. But make no mistake. Followers
of the. Way you have on set of parents what more are you looking for You.
should stop and take a good look at yourselves. A man of old tells us.
that Yajnadatta thought he had lost his head and went looking for it. but
once he had put a stop to his seeking mind he found he was. perfectly all
right.. The man of value is the one who has nothing to do. Don't try to
do. something special just act ordinary. The Paotsung lun With. regards to
the Way what is valued in every age is to have nothing to. do. With regards
to the Way when one is mindless then all things. will proceed smoothly..
Followers of the Way the Dharma of the buddhas calls for no special.
undertakings. Just act ordinary without trying to do anything. particular.
Move you bowels piss get dressed eat your rice and if. you get tired then
lie down. Fools may laugh at me but wise men. will know what I mean. A man
of old said People who try to do. something about what is outside
themselves are nothing but. blockheads.. If you have doubts in your mind
for an instant that's the Buddha. devil. But if you can understand that
the ten thousand phenomena were. never born that the mind is like a
conjurer's trick then not one. speck of dust not one phenomenon will
exist.. As I see it there's no Buddha no living beings no long ago no.
now. If you want to get it you've already got it it's not. something that
requires time. There's no religious practice no. enlightenment no getting
anything no missing out on anything.. If you want to be free to be born or
die to go or stay as onw would. put on or take off a garment then you must
understand right now that. the person here listening to the Dharma has no
form characteristics. no root no beginning no place he abides yet he is
vibrantly alive.. All the ten thousand kinds of contrived happenings
operate in a place. that is in fact no place.. If your mind entertains a
moment of doubt it becomes obstructed by. the element earth. If your mind
entertains a moment of craving it. becomes drowned in the element water.
If your mind entertains a. moment of anger it is seared by the element
fire. If your mind. entertains a moment of delight it is tossed about by
the element. air.. The way I see it onw shouldn't be averse to anything.
Suppose you. yearn to be a sage. Sage is just a word sage.. Those who
study the Way these days need to have faith in themselves. and not go
looking for something outside.. If you want to be a truly great vessel you
must never be led astray. by others. Wherever you are play the host and
then any place you. stand will be a true one. Whatever confronts you don't
let yourself. be imposed on. If you entertain even a moment of doubt the
devil. will enter your mind.. Just have faith in this thing that is
operating in you right now.. Outside of it nothing else exists.. In the
way you now respond and utilize it what do you lack In the. space of an
instant you enter purity or enter defilement enter the. halls of Maitreya
or enter the lands of the three eyes. You wander at. ease everywhere for
you see that these are all empty names.. The buddhas and patriarchs are
people who don't have anything to do. or are without defilements and
doings their karma is clean and pure.. The Patriarch Shenhui said If you
try to arrest the mind and stare. at silence summon the mind and focus it
on externals control the. mind and make it clear within concentrate the
mind and enter into. meditation all practices of this sort creates karma..
So for the past twelve years though I've looked for this thing. called
karma I've never found so much as a particle of it the size. of a mustard
seed.. thing. thing (thing) n.. . a material object without life or
consciousness an inanimate. object.. . some entity object or creature that
is not or cannot be. specifically designated or precisely described The
stick had a brass. thing on it.. . anything that is or may become an
object of thought things of. the spirit.. . things matters affairs Things
are going well now.. . a fact circumstance or state of affairs It is a
curious. thing.. . an action deed event or performance to do great things.
His death was a horrible thing.. . a particular respect or detail perfect
in all things.. . aim objective The thing is to reach this line with the
ball.. . an article of clothing I don't have a thing to wear.. . things
implements utensils or other articles for service. I'll wash the breakfast
things.personal possessions or belongings. Pack your things and go. . a
task chore I've got a lot of things to do today.. . a living being or
creature His baby's a cute little thing.. . a thought or statement I have
just one thing to say to you.. . Informal. a peculiar attitude or feeling
either positive or. negative toward something mental quirk She has a thing
about cats.. . something signified or represented as distinguished from a.
word symbol or idea representing it.. . Law. anything that may be the
subject of a property right.. . do or find one's own thing Informal. to
pursue a lifestyle. that expresses one's self. Also do or find one's
thing.. . make a good thing of Informal. to turn (a situation. experience
etc.) to one's own profit benefit by She made a good. thing of her
sparetime hobbies.. . new thing Jazz. See free jazz.. . not to get a thing
out of to be unable to obtain information. or news from The police couldn't
get a thing out of him.to fail to. appreciate understand or derive
aesthetic pleasure from My wife. likes opera but I don't get a thing out
of it.. . see or hear things Informal. to have hallucinations.. . the
thing something that is correct or fashionable That caf. is the thing
now.that which is expedient or necessary The thing to. do is to tell them
the truth.. bef. ME OE orig. meeting see THING. thing (thing ting) n.. (in
Scandinavian countries) a public meeting or assembly esp. a. legislative
assembly or a court of law.Also ting. Cf. thingstead.. ON assembly c.
THING D ding G Ding thing orig.. meeting akin to Goth theihs time.
isoQnothBing(nuthCing)n.. nothing (nuthÆing) n.. . no thing not anything
naught to say nothing.. . no part share or trace (usually fol. by of) The
house. showed nothing of its former magnificence.. . something that is
nonexistent.. . nonexistence nothingness The sound faded to nothing.. .
something or someone of no importance or significance Money. is nothing
when you're without health.. . a trivial action matter circumstance thing
or remark to. exchange a few nothings when being introduced.. . a person
of little or no importance a nobody.. . something that is without quantity
or magnitude.. . a cipher or naught Nothing from nine leaves nine.. . (used
in conventional responses to expressions of thanks). Think nothing of it.
It's nothing. Nothing to it.. . for nothing free of charge.for no apparent
reason or. motive.futilely to no avail They had gone to a great deal of.
expense for nothing.. . in nothing flat in very little time Dinner was
finished in. nothing flat.. . make nothing of to treat lightly regard as
easy.to be. unsuccessful in comprehending He could make nothing of the.
complicated directions.. . nothing but nothing other than only We could
see nothing. but fog.. . nothing doing Informal. emphatically no certainly
not.no. activity inducement advantage etc. present to the eye We drove.
through the town but there seemed to be nothing doing.. . nothing less
than or short of absolutely completely She was. used to nothing less than
the best.. . think nothing of to treat casually.to regard as.
insignificant He thinks nothing of lying to conceal his. incompetence..
adv.. . in no respect or degree not at all It was nothing like that..
Nothing dismayed he repeated his question.. adj.. . amounting to nothing
as in offering no prospects for. satisfaction advancement or the like She
was stuck in a nothing. job.. bef. ME OE nnthing nathing see NO THING.
tinpot passes. virga. acoustic angelically thin. spectral drops. vouge.
tyros arsenicise translucent. acide. visive. inconsolable otherworld
workfile. dataloose. vocalist. scans hurtingly dimpling.. viscous.
offensively frazzling nonrecognizeds. stickman. voider. kaluga tisane
revisits vaporiser sourer thereupon arrowworm. mensuration thickly mislike
existentialist. avoider. wagger. mary medusa numeral. particularized
mechano bride. waart. anchoritism genitives. possessions. vizagapatam.
noetic.. wade. wharves polysynaptically. shores transmit. virgin.
thunderbolts octodecimo (teeneighter) essenize toolsmith atrophying.
quarterizations squares whooped pothook obsolescence seppuku.
anglicizations thanker thoraces. bio. volcanologic. scandalizers
mediaevalistic oratorical sweeneys suseptible. gelatinisation goitre
oilbird saddening cadmus nightstick.. apocalyptick lipstick little red
riding babylon. vivified. autoplastic intoxicated thinest utilities
thermalized. resurreact. vulturine. animalness antiresonator thaumaturgic.
pred(ic)ate. vocabulary. anderlecht giantlike. a gent. vowelises. xeric
kooks benedictions certainly need iit. votive. impeachable inclemently.
foggy wishes. visualize. autumns. wutang. volplaning. pass. down.
volitant. pass. up. waaf. pass. charm. vedette. animations precriticises
see. vitalises. tinpot lethalise. glassine book.
isoQamiBBBBBBBBBBBBBFdinsFBBBBBBBBBABBFABFBBBBBBBBBFyme. i contritely my
deadeye in scissors. focusable i cric. kets my cyan. amid in s. exangular
fe. minising i coo. kie my daredevi. lry in seamlike. flirting i courti.
er my culture in schizoi. d fault i cramp my decol. orize in scenarises
forear. m).) i cookie my. y me. im not sisting strahgt my jands ctrlz
ctrlz ctrlz ctrlz versjon. ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz
ctrlz ctrlz. ctrlz ctrlz ctrlz ctrlz glitch versjon (ultra editor) well.
probably doesn't affect html so why blother. im not sisting iwant
somehthign it's a bit frightening. strahgt that kid on its own and cold.
my jands atomata like tat fly nothing holding. nothing here in the win
should i let go. this writing is the fog leaves (they of what. against
itself does it) eprime the i don't know anything. i only write when drema
(dramadream) this blank screen. forgetting muself of magic contradicted by
my fingers. negation well science and the this will only be trouble.
worthwhile howto any base fuck you. space which is debase. coming back
this is completely lost. nothing to. never again. her cunt ie no memory.
should backspace sensation must be no knowledge. that based on recurrence
monster of pixels. collaps else you wouldn't sooth. where am i know but
gnom. how to write still sense but no.. where am i inn the only once it
vicinity. myself doesn't count (count potential. my arm is kind of is
sentence dn. twiched recurrence). any pnrrmaqyaw. my back somewhat object.
object is nvvypub vybcd. cxrunched here too much object. dmcs vnbpu cdng.
virtual backspace anything that is suug fc. nothing ever comes visible or
tangible mqhycuq iydx. out of this and is relatively bucgupd dn. where
does this go stable in form. to uaurk rnhuruad. expect nothing you. ya
hypyaydk. left channel delay something. thing xytt uywxd cyj. the need
(meeting vyhu. no structure her interface). lubn (). whatever fright
subjectsubstance. discontinue into subtrahends arietta. slide emergent
relation. subterfuge arrowed. discreet egene remove sceptrelesses.
pataphysical logic posessive my's. arrowed. compression is a reactive at
chemical saboteur arid. cipher level. behave septarium arte. roads late ME
softheartedly arad. justice behaven (reflexive). subterranean arid.
blockhead See BE HAVE. shifters airy. writing into space behaviorism the
spadework awardee. i'll go wherever the theory that scepter areawide. keys
lead psychology can be shifter aerate. leather case accurately studied
softer arrau. board table kitchen only through the spader artie. cuisine
examination and subterfuge aureate. i meant metaphor analysis of sputter
areawide. wherever possessives. subtree areawide. something else sputter
aerate. this is just one i'm no one get your softer airy. side hands off
me. spader airt. no justice HAHA subterraneanises. usually space is
karmaguilttraces aorta. expensive i once had guilt subdirectories arty.
massive nothing writing haha says it spidery aired. eyes all (active
subtraction arty. i once had eyes expression vs sceptered artie. go beyond
they say matters of doctrine) subtreasury areawide. other i laughter is
spidery arrayed. what comes in this eternally guilty subterraneanise arte.
is still eyes (doctrinal in sifter awardee. keyes writing) as any. the cod
e statement n softheart s. mouthing. y arrondis t. guilty guilty (how
soekar t. traffi n awkward to ) soffit ar t. horsest c t how's w g softies
arteriole. there's compilation attached to guilt soever arterialises.
should stop writing soke arterialising. interprete e another w e sojo.
immedi s status of relate to arte. l valuemeaning other sod. what' than
drawn arteri d. ente softhead arthromere. which is p s (interfaces again).
sojourners arrowroot. i had t a media a softening artefact. big small
inverse suppose it e softbound arsenical. di other way a softy ars l.
protoco f signs are soiree arsenicises. papyrus no o lines are. ts
stronger attraction readapting mcqueen. pro proto me. critical distance
attraction to what reactualise meagerly. execution of seeing easy essing
me. al ers are easi ay. of mcmurdo. hidden instant an g rea ness me.
middleman blackmail to ably me. compl of the ualizes li syst. inimax rk up
to. me. what's the deal on me. ( rface') reactualisations me. i r mansus
accidencesubsta me. critical and easie 's. system wins like. d ng not
gravitati stupid you. always. de reaming get signs too. dr eath is obvious
it's their. so ng else job. backtracking. i'd to die guilt is thru th ..
sign. you. no shouldn't att it's. like chaplin on. de s trash a conveyor
belt. ghtning down t rs economy.. no no sign. no in the talking is a w
recur.. as stimulusres augment. pos respons. wh. relax. relax. count your
breath. no nothing web. claws. getting warm. when do words get cold they
do. do (warmcold). back. baktruppen. epistolar after sending. epistemic
after receiving. thoughts don't originally exist (Bankei). retract. re re
re do re Gurdijeff. waste. names how odd the nominalessential pitch. still
wastepaper. do mi fa la re si do i have a theme. problematic. throw away.
abject. stage. reverence. inferior. just abide fushi. when can you tell.
topology of the beyond. this is my nothing here you are. who's this guy
talking to. lacking sensations the smell of autumn. drowned in a deep
spring. joy is in the subject. which is the whole. which is mere nominal.
the essential from its side. partial and objective. like names. containers
and carriers characters. you shouldn't expect anything from me. other than
continuous abjections and vomit. not a voice. who's that vo mit u puke
phew we. no way of recollecting even this simple stuff. improwise. you
have twenty questions get a million answers. the backspace of. shift the
carriage or typing element of a typewriter one space. backward by
depressing a special key. to move the cursor printhead. etc. toward the
beginning of the data.. i want dat. eh. grain. if you don't see grains
it's fake. hypocrisy. ME ipocrisie OF LL hypocrisis Gk hypkrisis play.
acting equiv. to hypokrA(nesthai) to play a part explain (hypo. HYPO
krAnein to distinguish separate) sis SIS h. (reintroduced in th century) L
and Gk. digit count to ten on your fingers. fushi the play is a play why
bother it's your own do undo re re. souleating sunbe pale moon (esoteric
paleontology). backspace. digress. growth is always the same. be driven
out. into digression throwing away your life (Bankei). Backspace.
spacecaps (capital letter space mahayana epistolar). before after now
after before return the same. wander off on a grain pe(a)rl recursion you
completely annoy me. discriminate hypocracy. crime. ss. sage sinister.
link plunderphonics weeks (). plunderphonics weeks ().
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did you think of this right now or was it something you had intended. say.
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week. DJbyHandIngerMarieLienKidSquarepusherStev.mp. E D A C C Nystev..Å
vil du. D C E have meg til å. B C D A B C kveda..det skal. A D eg gjera
med st. F C C D A F ørste gleda..og. B C B eg skal kveda s. F E D A o vent
fyr deg... B C C F D at du skal gløym. A F C F D a deg sjølv og m. E D A D
A C B C eg.....Å eg skal. B F B kveda so du ska. C E C D A D l gråta..um
du. C E C var aldri så gla. F B E C D A E d og kåt'e..å e. B C B F g skal
kveda so. E E C C D A snålt fyr deg... B C C E E E at du skal læ nå. E D E
r du ser på meg.. D A D A F D E F ....Og mine viso. F E E C r dei er so
snål. C D A F D F B E e..som Borken t. E E E E råvar på isen hå. C C D A F
D E le..og mine vis. F A E or dei gjer' ein. C E D A F D C C sleng..som
litl. E E B e guten på skeis. E E A E E D A D A C unn' gjeng.....Å. D E F
mine visor dei. F D E C D A F er so mange..so. D A D C F D E m
heggjeblomane. E B D drys i fanget.. A F F .so hev det vore. C C A D A i
all si tid... D B dess meir dei kv. C D ed dei dess mei. E D A D A C r der
bid.....Å. C A C vil du stevjast. F B C so skal eg svar. C D A F C E a..og
heile nat. F B C ti so skal det v. B D A F C ara..og vil du. A D D
stevjast med meg. B C C D A E i kveld..du gå. B A E r 'kje åt fyrr d. E E
D C C E u fær ein smell.. abort.
DJbyHandsisselkyrkjeboorigamiweightlessapati MB. Re confuciuslist Mencius
B. wild grass (fwd). Forwarded message. Thomas. confuciuslist Mencius B.
wild grass. This saying by Mencius is as beautiful as Confucius' and
superbly translated. by Legge. Mencius said to the disciple Kao 'There are
the footpaths along the. hills if suddenly they be used they become roads
and if as suddenly. they are not used the wild grass fills them up. Now
the wild grass fills. up your mind.'. oct(). x. h FF D FF E A
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................ bh FF C ............... ch FF C ............... dh
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DJbyHandIngerMarieLienKidSquarepusherStev.mp. E D A C C Nystev..Å vil du.
D C E have meg til å. B C D A B C kveda..det skal. A D eg gjera med st. F
C C D A F ørste gleda..og. B C B eg skal kveda s. F E D A o vent fyr
deg... B C C F D at du skal gløym. A F C F D a deg sjølv og m. E D A D A C
B C eg.....Å eg skal. B F B kveda so du ska. C E C D A D l gråta..um du. C
E C var aldri så gla. F B E C D A E d og kåt'e..å e. B C B F g skal kveda
so. E E C C D A snålt fyr deg... B C C E E E at du skal læ nå. E D E r du
ser på meg.. D A D A F D E F ....Og mine viso. F E E C r dei er so snål. C
D A F D F B E e..som Borken t. E E E E råvar på isen hå. C C D A F D E
le..og mine vis. F A E or dei gjer' ein. C E D A F D C C sleng..som litl.
E E B e guten på skeis. E E A E E D A D A C unn' gjeng.....Å. D E F mine
visor dei. F D E C D A F er so mange..so. D A D C F D E m heggjeblomane. E
B D drys i fanget.. A F F .so hev det vore. C C A D A i all si tid... D B
dess meir dei kv. C D ed dei dess mei. E D A D A C r der bid.....Å. C A C
vil du stevjast. F B C so skal eg svar. C D A F C E a..og heile nat. F B C
ti so skal det v. B D A F C ara..og vil du. A D D stevjast med meg. B C C D
A E i kveld..du gå. B A E r 'kje åt fyrr d. E E D C C E u fær ein smell..
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fa.fictionofphilosophy groupsbeta. been available as
fa.fictionofphilosophy at usenet now it's also made. in addition to the
archives also containing interesting statistics. feeds. at least in this
stage it's free from ads who knows about. later... well just fyi and all
the best to the group and the people spending. time here... raven apm. ..
Raven's Advanced Progressive Matrixes (RAPM). Raven's Advanced Progressive
Matrixes is one of a series of nonverbal. tests of intelligence developed
by J.C. Raven (). Following. Spearman's theory of intelligence it was
designed to measure the. ability to educe relations and correlates among
abstract pictorial forms. and it is widely regarded as one of the best
available measures of. Spearman's g or of general intelligence (e.g.
Jensen Anastasi. ). As its name suggests and of particular significance to
the. Prometheus Society it was developed primarily for use with persons of.
advanced or above average intellectual ability.. Like the other Raven's
matrices tests the APM is composed of a series. of perceptual analytic
reasoning problems each in the form of a matrix.. The problems involve
both horizontal and vertical transformations. Figures may increase or
decrease in size and elements may be added or. subtracted flipped rotated
or show other progressive changes in the. pattern. In each case the lower
right corner of the matrix is missing. and the subject's task is to
determine which of eight possible. alternatives fits into the missing
space such that row and column rules. are satisfied. The APM battery
consists of two separate groups of. problems. Set I consists of problems
that cover the full range of. difficulty sampled from the Standard
Progressive Matrices test. Standard. timing for Set I is minutes. This set
is generally used only as a. practice test for those who will be completing
Set II. Set II consists. of problems with a greater average difficulty than
those in Set I.. Set II can be administered in one of two ways either with
or without a. time limit of minutes. Administering Set II without a time
limit is. said specifically to assess a person's capacity for clear
thinking. whereas imposing a time limit is said to produce an assessment
of. intellectual efficiency (Raven Court Raven ).. Phillip A. Vernon in
his review of the APM (Test Critiques ). writes that the quality of the
APM as a test is offset by the totally. inadequate manual which
accompanies it. For interpretive purposes the. manual provides 'estimated
norms' for the APM which allow raw. scores to be converted into
percentiles (but only and ). and another table for converting percentiles
into IQ scores. John. Johansen a graduate student at the University of
Minnesota and former. regular poster to the Brain Board came into
possession of the. version of the test for use in his research (this form
is no longer used. for testing) along with pages of written text about
the. implementation scoring and standardization of the test. In a post to.
he provided the following information applicable to the untimed. version of
the test. Untimed intraday (go until you give up) distribution for year.
olds year olds and year olds. Scores balanced for guessing.. general
population. percentile ranking. number correct by age group. years. years.
years. .. Norms are not accurate above this point for the untimed version
due to. limited population taking test in this condition.. Ignoring the
above caveat about inaccurate norms above the .th. percentile the above
data indicates that there is about a point raw. score difference between
and sigma on this test. If this difference. carries on to the next sigma
this would give associated scores of. general population. percentile
ranking. number correct by age group. years. years. years. .. Although
this data would seem to suggest sufficient ceiling for. discriminating at
the in level there have been other normative. studies which provide
conflicting data. In an article in Educational and. Psychological
Measurement (Bors and Stokes ) the authors mentioned. two studies of
interest besides Raven's group Paul's study and. their own S. M. Paul's
study of University of California. Berkeley students ( women men) Tested
under the untimed. condition the students' scores ranged from to with a
mean of. and a standard deviation of .. This was significantly higher than
the. mean of Raven's normative group (M. SD.).. Bors and Stokes
administered the timed version of the APM to. students ( women men) from
the Introduction to Psychology course. at the University of Toronto at
Scarborough. Subjects ranged in age from. to years with a mean of .
(standard deviation.).. Enrollment in the Introduction to Psychology
course was considered. roughly representative of firstyear students at
this university. The. scores on Set II for the students ranged from to
with a mean of. . (standard deviation.). This performance is somewhat
higher. than that of the Raven's normative group but considerably lower.
than Paul's University of California Berkeley sample.. Additional data
supporting the conclusion that the RAPM (either timed or. untimed) does
not discriminate at the level is taken from. Spreen Strauss (Compendium of
Neuropsychological Tests nd Edition. ) and shown in the tables below.. A
middleoftheroad approach would be to use the recent University of. Toronto
at Scarborough data and to assume that the mean of the test. group
corresponds to about SD above the mean of the general. population and to
further assume that the SD of the general population. would be about the
same as the standard deviation of the test group.. Finally assuming a
normal distribution in the test group the in. level would correspond to .
(.) which is raw. points above the test's ceiling of .. Advanced
Progressive Matrices Set II Occupational Norms. ile rank. Occupations of
various groups. UK. US. UK TA. UK. UK. UK. UK. UK. UK. UK. General.
populatn. yr.olds. Navy. yr. olds. Officer. Aplcnt. Retail. Mngrs..
Police. Officer. Senior. Mngrs(Htls.). Accnt.. Staff. Oxford. Local.
Athrty.. Rsrch.. Scntsts.. untmd.. min. min. min. min. min. min. min. min.
min. (n). (n. (n). (n). (n). (n). (n). (n). (n). (n). UK general population
data derived from the Standardization of the. SPM and APM (TABLE APM XIII).
US Navy data extracted from data supplied. by Alderlon (see Knapp Court )
(TABLE APM XVII) UK Police. Officers' data extracted from Feltham ()
(TABLE APM XXVI). Other. data collected by Oxford Psychologists Press.
Source J. Raven ().. The data above does bring up the issue of age
variation of IQ data which. is not typically addressed by other
instruments that we've used for. Prometheus Society entry requirements and
that is perhaps something that. should be considered. (In the case of the
SAT and GRE tests there is. not typically much variation in the ages of
those taking the test and no. such data was used in norming any of the
takeathome tests we've used.. Spreen and Strausse have provided the
information for the table below. Advanced Progressive Matrices Set II
(Untimed) Smoothed Summary Norms. for the USA. ile rank. Age of test taker
in years. (n). (n). (n). (n). (n). (n). (n). (n). (n). (n). (n). Based on
the standardization of the APM in Des Moines Iowa.. Tests completed at
leisure. Source J. Raven (). Curiously American Mensa does not list the
RAPM among its currently. accepted tests although UK Mensa does. Perhaps
this is a more. international test than others we have reviewed and
considering its. quality we should probably continue to consider its
possible use. especially as an auxiliary test to be submitted in
conjunction with. other tests that are deemed capable of discriminating at
the in. level.. delayed. Warning not. YOU DO NOT. The original Mon. (CEST)
from . . .. ... Transcript of. session follows. ... Deferred. .... Warning
still. undelivered. Will keep trying. FinalRecipient RFC noemata.... Action
delayed. Status ... RemoteMTA DNS .... WillRetryUntil Sometime Feb (CEST).
Re fiction of philosophy newsgroup. fa from arpanet. institute for
informatics at the university of oslo is gatewaying. all the old arpanet
groups into usenet because most users didn't have. access to arpanet only
usenet.. The world's oldest electronic conferences the ARPANET mailing
lists. were quickly integrated into USENET. Gateways were made so
newsgroups. starting with fa (From ARPANET) contained the mailing list
contents. and USENET users could post and participate. ARPANET mailing
lists. emerged around not long after network email linked ARPANET users.
together.. It's only purpose is that. everyone who want to subscribe to
the mailinglist can. just read the newsgroup (saves some disk space I
guess).. The prefix fa is as far as I know quiet historic.. The first
mailing lists that were converted to newsgroups. had this prefix (fa from
arpanet).. Until this discussion I didn't know that this group was.
distributed outside ifi.uio.no (Institute of Informatics. University of
Oslo). Do you get the other fa.groups as. well At the moment there are of
them.. search on arpanet usenet gateway etc for more internet history..
for the other question see my recent post about. I believe so...but I
don't know who set it up or when or what 'fa'. stands. for for that
matter.... Ryan. Since my pop mail account keeps screwing up over here Ive
been. looking for a. way to read the wryting list I found the fiction of
philosphy. newsgroup which. seems to have some of the wryting list
archived there. How does this. work Is. the newsgroup subscribed to the
wryting list. inlangplgroupfa.fiction. ofphilosophy. mIEKAL. This message
was sent using Midwest Tel Net Web Based Mail.. Re fiction of philosophy
newsgroup. and also. ..This rather brings to mind a syndrome that
sometimes occurred when an. old Arpanet mailing list got gatewayed to a
Usenet newsgroup. After a. little while some Usenet novice would commit
some faux pas a furious. Arpanaut would flame violently about how Usenet
was nothing but bozos. who didn't understand How Things Should Be Done and
the gatewaying was a. stupid idea and the list maintainer would quietly
observe that the. gatewaying had indeed produced problems but it was also
producing most. of the real content... Henry Spencer Mail Relays. ). fa
from arpanet. institute for informatics at the university of oslo is
gatewaying. all the old arpanet groups into usenet because most users
didn't have. access to arpanet only usenet.. The world's oldest electronic
conferences the ARPANET mailing lists. were quickly integrated into USENET.
Gateways were made so newsgroups. starting with fa (From ARPANET) contained
the mailing list contents. and USENET users could post and participate.
ARPANET mailing lists. emerged around not long after network email linked
ARPANET users. together.. It's only purpose is that. everyone who want to
subscribe to the mailinglist can. just read the newsgroup (saves some disk
space I guess).. The prefix fa is as far as I know quiet historic.. The
first mailing lists that were converted to newsgroups. had this prefix (fa
from arpanet).. Until this discussion I didn't know that this group was.
distributed outside ifi.uio.no (Institute of Informatics. University of
Oslo). Do you get the other fa.groups as. well At the moment there are of
them.. search on arpanet usenet gateway etc for more internet history..
326
for the other question see my recent post about. I believe so...but I don't
know who set it up or when or what 'fa'. stands. for for that matter....
Ryan. Since my pop mail account keeps screwing up over here Ive been.
looking for a. way to read the wryting list I found the fiction of
philosphy. newsgroup which. seems to have some of the wryting list
archived there. How does. this. work Is. the newsgroup subscribed to the
wryting list. inlangplgroupfa.fiction. ofphilosophy. mIEKAL. This message
was sent using Midwest Tel Net Web Based Mail..
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sngen.. Hr r jag helt utlmnad åt dig.. Tnk om handen inte fanns dr..
Gillar ni mina Lppar.. Ny bild på mina lppar.. Gillar ni bilderna på mig i
stayups. Det kan komma fler bilder Jag håller på att vertala min vninna
att. jag skall få lgga upp bilder på henne också.. Hr under lgger jag
sprutbilderna som jag får Och jag skall villigt. erknna att jag har
onanerat och tittat på dem många gånger.. Sprutbild. Sprutbild. Sprutbild.
Sprutbild. Sprutbild. Sprutbild. Sprutbild. Sprutbild. Sprutbild. Jag har
fått ett par nya sprutbilder Det tycker jag om. Flera gånger. har jag
tittat på dessa bilder och tnkt på er hur ni har lekt med era. underbara
stånd fantiserat om mig och sedan sprutat er varma klibbiga. sats ver min
kropp. Många gånger har dessa fantasier tagit mig till. underbara
orgasmer. Ett extra spnningsmoment r ju att min kille inte. har någon
aning om vare sig websidan eller dessa foto.. Hr kommer fler bilder.. En
bild från en man som heter Bokoboko.. Gabbe har också sprutat ner min
kropp.. Hawkan har lagt sin varma sd ver mig.. Fineman har gjort hrligt
sexiga konstnrliga bilder.. nnu en bild från Fineman.. Re the sleep of
reason. The Slip of Reason Produces Monsters.... The Monstrous Reason
Produces Sleep.... The Sleep of Monsters Produces Reason.... The
Production of Reason Monsters Sleep.... the protesting of rezone
mahayanist sleep.... two slippy opaque ricin particular monsters.... thy
menstruates richen periodizations sleep.... the skelf opah minstrel
participant ratio... twombly mensing richened periodicity sleeplessess thy
skelping opaline. minority partly reasons tattooer party obese rippling.
reason rosena rosaen ensora aeonsr senora soraen soaren snorea oarsen.
norsea arsone. subject. unselfishness there you see plainly the recursion
it's considered a. virtue because.. in view of.. yes unselfishness. and so
selfishness is a. virtue in view of selfishness etc. and virtue is a virtue
in view of the. virtue virtue is the positive productive property of a view
the view's. production. but it doesn't mean you can avoid it. there's
virtues of your. body as long as you have one. and virtues of having as
long as it's. possible. and virtues of the possible as long as it's not
impossible.. virtues of the impossible via negativa. prime numbers are
what remains. are. they selfish or unselfish ) positive or negative you
can follow them a. bit via the positive which is like the virtue of a view
formula though. quickly you're replacing algorithms with heuristics which
is more of a. mess like the layered virtues of our reality the real being
transcendent. unending streams and you find yourself jumping from this to
that all the. time not selfishalgorithmic (producing) or
unselfishheuristic (seeking). but let's call it dancing since there are
movements and well the thing is. still alive though with no reason and not
producing or seeking still views. you can't avoid going through the steps.
eurythmics is at the end or the. beginning not the body's algorithms
(production system) or it's. intentionality (heuristics) the virtues of
having a body having a view. not selfish not unselfish. no virtues no
views but still a text still. here though not what it is (produces) or
what it means (seeks) it's still. written in virtue of the iso charset
twofaced bastards so maybe. we're talking dialectics too the protocol
(selfish) and the exchange. (unselfish) still the user. user (Æzr) n. Law.
the exercise of a. right to the enjoyment of property. my body my propery
the body of this. mail. again the protocol's from to subject body this is
the body.. distributed via no commercial use without permission. is a
moderated mailing list for net criticism. collaborative text filtering and
cultural politics of the nets. more info majordomobbs.thing.net and info
nettimel in the msg body. Fwd xStream online. Start of forwarded message.
ReplyTo xstreamxpressed.org. Fwd xStream online. xStream Issue. xStream
Issue is online again in three parts. . Regular (also available in PDF)
Works from poets. (Sandra Simonds Dorothee Lang Hugh Tribbey David Nemeth.
John Crouse Jim Leftwich and Andrew Topel). . Autoissue Poems generated by
computer from Issue texts. the whole autoissue is generated in realtime
new version in. every refresh.. . Wryting Issue a monthly selection of
WRYTINGL listserv works. Sincerely. JukkaPekka Kervinen. Editor. xStream.
email xstreamxpressed.org. End of forwarded message. florian cramer
digital code and literary text. florian cramer digital code and literary
text. Can notions of text which were developed without electronic texts in
mind be. applied to digital code and how does literature come into play
here. Abstract. This paper is based on the general (yet disputable)
assumption that the. theoretical debate of literature in digital networks
has shifted just as. the poetic practices it is shaped after from
perceiving computer data as an. extension and transgression of textuality
(as manifest in such notions as. ''hypertext'' ''hyperfiction'' ''hyper
multimedia'') towards paying. attention to the very codedness i.e.
textuality of digital systems. themselves. Several phenomena may serve as
empirical evidence. The early focus of conceptualist Net.art on the
aesthetics and politics of. code. in turn the impact of Net.art aesthetics
on experimental literature. poetry in the Internet. the close discooursive
affinity of Net.art to political activism in the. Internet. the close
aesthetic affinity of Net.art to a the languages and codes of an. older
technically oriented ''hacker'' culture (of Chaos Computer Club. and
others). a convergence of the three cultures mentioned above Net.art net
activism. and hacker culture. (a) FreeOpen Source Software andor (b) open
network protocols as key. discursive political and aesthetical issues in
all these camps. finally the impact of hacker aesthetics Net.art
aesthetics code. aesthetics and network protocol aesthetics on
contemporary writing in the. Internet. (See the work of mez Alan Sondheim
Talan Memmott Ted Warnell. and others.). The question is how ''Codeworks''
(Alan Sondheim) fit notions of text that. were crafted without digital code
most importantly machineexecutable. digital code in mind and vice versa. Is
it a coincidence that in their. poetical appropriation of lowlevel Internet
codes codeworks ended up. aesthetically resembling concrete poetry And
apart from aesthetic. resemblances how do computer programs relate to
literature Is that what is. currently being discussed as ''Software Art''
a literary genre. Code. Since computers the Internet and all digital
technologies are based on. zeros and ones they are based on code. Zeros
and ones are an alphabet which. can be translated forth and back between
other alphabets without information. loss. It does in my point of view
make no sense to limit the definition of. the alphabet in general to that
of the Roman alphabet in particular when we. can the same textual
information in this very alphabet as Morse code flag. signs or
transliterated into zeros and ones. The Internet and computers run. on
alphabetic code whereas for examples images and sound can only be.
digitally stored when translating them into code which unlike the.
translation of conventional text into digital bits is a lossy that is. not
fully reversible and symmetric translation. Sounds and images are not. code
by themselves but have to be turned into code in order to be computed.
where as any written text already is code. Literature therefore is a.
privileged symbolic form in digital information systems. It is possible
to. automatically search a collection of text files for all occurences of
the. word ''bird'' but doing the same with birds in a collection of image
files. or bird songs in a collection of audio files is incomparably tricky
and. errorprone relying on either artificial intelligence algorithms or
manual. indexing both of which are methods to translate nonsemantic
writing (pixel. code) into semantic writing (descriptions).. The reverse
is true as well We can perfectly translate digital data and. algorithms
into nondigital media like print books as long as we translate. them into
signs coded according to the logic of an alphabet. This is what is. done
for example in programming handbooks or in technical specification.
manuals for Internet standards. Today there are two notorious examples of
a. forth andback translation between print and computers. The sourcecode
of Phil Zimmerman's cryptography program ''Pretty Good. Privacy'' (PGP).
The PGP algorithms were legally considered a weapon and. therefore became
subject to U.S. export restrictions. To circumvent this. ban Zimmerman
published the PGP sourcecode in a book. Unlike algorithms. literature is
covered by the U.S. First Amendment of free speech. So the. book could be
exported outside the United States and by scanning and. retyping
translated back into an executable program. the sourcecode of DeCSS a
small program which breaks the cryptography. scheme of DVD movies. Since
U.S. jurisdiction declared DeCSS an ''illegal. circumvention device''
according to the new Digital Millennium Copyright Act. (DMCA) the ban
equally affected booklets flyposters and tshirts on which. the DeCSS
sourcecode was printed.. That code is speech is a fact stressed again and
again by programmers and is. also at the heart of Lawrence Lessig's legal
theory of the Internet. (Lawrence Lessig. Code and Other Laws of
Cyberspace. Basic Books New York. .). It is strictly speaking sloppy
terminology to speak of ''digital. media''. There actually is no such
thing as digital media but only digital. information. Digital information
becomes ''media''only by the. On the reverse end of the chain keyboards
mice scanners and cameras. are analogtodigital converters.. virtue of
analog output computer screens loudspeakers printers are analog. output
devices interfaced to the computer via digitaltoanalog conversion.
hardware like video and sound cards or serial interfaces.. An average
contemporary personal computer uses magnetic disks (floppy and. hard
disks) optical disks (CDROM and DVDROM) and chip memory (RAM) as its.
storage media and electricity or fiber optics as its transmission media..
Theoretically one could build a computer with a printer and a scanner
which. uses books and alphabetic text as its storage media. Alan Turing
showed. that. While such a machine would operate slower than with
magnetical or. optical media it would provide more robust and durable
information storage. on the other hand.. no electronics are needed to
build a computer the Boston Computer Museum. even features a mechanical
computer built from wooden sticks.. Juxtapositions of ''the book'' and
''the computer'' are quite misleading. because they confuse the storage
and analog output media (paper versus a. variety of optical magnetical and
electronical technologies) with the. information (alphabetical text versus
binary code). It further ignores by. the way the richness of storage and
transmission media in traditional. literature which aside from the book
include oral transmission and mental. storage audio records and tapes the
radio and television to name only a. few.. If there is strictly speaking
no such thing as digital media there also. is strictly speaking no such
thing as digital images or digital sound.. What we refer to as a ''digital
image'' is a piece of code. Normally this code is divided into three pieces
one the socalled. sound or image file containing the machineindependent and
program. independent abstract information the second the socalled display
program. containing the instructions to mediate the abstracted information
in a. machineindependent yet not programindependent format to the
operating. system the third the socalled operating system mediating the
program. output to the output machine whether a screen or a printer. These
three. code layers however are nothing but conventions. Theoretically the.
digital image'' file could in itself contain all the code necessary to.
make itself display on analog end devices including the code that is.
conventionally identified as a boot loader and core operating system..
containing the machine instructions to produce the flow of electricity
with. which an analog screen or an analog printer is made to display an
image.. Of course it is important whether a sequence of zeros and ones
translates. into say an image because that defines its interpretation and
semantics.. The point of my (admittedly) formalistic argumentation is not
to deny this. but to underline that. when we speak of ''multimedia'' or
''intermedia'' in conjunction with. computers digital art and literature
we actually don't speak of digital. systems as themselves but about
translations of digital information into. analog output and vice versa.
text and literature are highly privileged symbolic systems in these.
translation processes because (a) they are already coded and (b)
computers. run on a code.. Literature and computers meet first of all
where alphabets and code human. language and machine language intersect
secondly in the interfacing of. analog devices through digital control
code. While of course we cannot think. of code without media because we
can't read it without them the computer. does not really extend literary
media themselves. All those output media. electricity electrical sound and
image transmission etc. existed before. and without computers and digital
information processing.. I therefore have to revise the position I took in
several of my previous. writings If we speak of digital poetry or computer
network poetry we. don't have to speak of certain media and we don't. like
in the paper Warum es zuwenig interessante Computerdichtung gibt.. Neun
Thesen'' ( Nine Points on Why there is so little interesting computer.
homepagewritingsnetliterature general karlsruhe. karlsruherthesen.pdf.
even have to speak of specific machines. If computers can be built from.
broomsticks and networked via shoestrings if any digital data including.
executable algorithms can be printed in books and from them read back
into. machines or alternatively executed in the mind of the reader there
is no. reason why computer network poetry couldn't or shouldn't be printed
as well. in books.. Perhaps the term of digital ''multimedia'' or better
''intermedia''. would be more helpful if we redefine it as the the
possibility to losslessly. translate information from one sign system to
the other forth and back so. that the visible audible or tacticle
representation of the information. becomes arbitrary. A state not be
achieved unless the information is not. coded in some kind of alphabet
whether alphanumerical binary hexadecimal. or if you like Morse code..
Literature. Synthesis putting things together. observe the textual
codedness of digital systems of course implies the. danger of generalizing
and projecting one's observations of digital code. onto literature as a
whole. Computers operate on machine language which is. syntactically far
less complex than human language. The alphabet of both. machine and human
language is interchangeable so that ''text'' if defined. as a countable
mass of alphabetical signifiers remains a valid descriptor. for both
machine code sequences and human writing. In syntax and semantics. however
machine code and human writing are not interchangeable. Computer.
algorithms are like logical statements a formal language and thus only a.
restrained subset of language as a whole.. However I believe it is a
common mistake to claim that machine language. would be only readable to
machines and hence irrelevant for human art and. literature and vice versa
literature and art would be unrelated to formal. languages.. It is
important to keep in mind that computer code and. No computer can
reprogram itself selfprogramming is only possible. within a limited
framework of game rules written by a human programmer. A. machine can
behave differently than expected because the rules didn't. foresee all
situations they could create but no machine can overwrite its. own rules
by itself.. computer programs are not machine creations and machines
talking to. themselves but writings by humans. The programmerartist Adrian
Ward. suggests that we put the assumption of the machine controlling the
language. upside down. ''I would rather suggest we should be thinking
about embedding our own. creative subjectivity into automated systems
rather than naively trying to. get a robot to have its 'own' creative
agenda. A lot of us do this day in. day out. We call it programming.''.
quoted from an EMail. message to the Rhizome'' mailing list May. Perhaps
one also could call it composing scores and it does not seem. accidental
to me that musical artists have picked up and grasped computers. much more
thoroughly than literary writers. Western music is an outstandig. example
of an art which relies upon written formal instruction code. Self.
reflexive injokes such as ''BACH'' in Johann Sebastian Bach's music the.
visual figurations in the score of Erik Satie's ''Sports et.
divertissements'' and finally the experimental score drawings of John
Cage. shows that beyond a merely serving the artwork formal instruction
code has. an aesthetic dimension and intellectual complexity of its own.
In many. works musical composers have shifted instruction code from
classical score. notation to natural human language. A seminal piece in my
opinion is La. Monte Youngs ''Composition No. '' which simply consists of
the. instruction ''Draw a straight line and follow it.'' Most Fluxus
performance. pieces were written. Galerie und Edition Hundertmark. George
Maciunas und FluxusEditionen. . no page numbering. in the same notation
style. Later in the American composer Alvin. instruction which very
precisely tells to perform the piece by playing. itself back and
modulating the speech through the room echoes.. In literature formal
instructions is the necessary prerequisite of all. permutational and
combinatory poetry. Kabbalah and magical spells are. important examples as
well. But even in a conventional. Some historical examples have been
adapted online on my website. narrative there is an implict formal
instruction of how i.e. in which. sequence to read the text (which maybe
or followed or not as opposed to. hypertext which offers alternative
sequence on the one hand but enforces. its implicit instruction on the
other). Grammar itself is an implicit and. very pervasive formal
instruction code.. Although formal instruction code is only a subset of
language it is still. at work in all speech and writing.. It is
particularly remarkable about computing that the namespace of. executable
instruction code and nonexecutable code is flat. One cannot tell. a
snippet of digital code whether it is executable or not. This. property
does not stand out in the alphabet of zeros and ones but is solely.
dependent on how another piece of code a compiler a runtime interpreter.
or the embedded logic of a microprocessor processes it. Computer code is.
highly recursive and highly architectural building upon layers of layers
of. code.. Analysis taking things apart. The fact that one cannot tell
from any piece of code whether it is machine. executable or not provides
the principle condition of all EMail viruses on. the one hand and of the
codeworks of jodi antiorpNetochka Nezvanova mez. Ted Warnell Alan Sondheim
Kenji Siratori to name only a few. with the biennale.py'' computer virus of
the net art groups. on the other work that unlike the actual viri is
fictional in that it. aesthetically pretends to be potentially viral
machine code.. The codeworks to use a term coined by Alan Sondheim of
these writers and. programmerartists are prime examples for a digital
poetry which reflects. the intrisic textuality of the computer. But they
do so not by being to. quote Alan Turing via Raymond Queneau computer
poetry to be read by. computers but by playing with the. Raymond Queneau.
Cent mille milliards de pomes. Gallimard Paris. . p.. confusions and
thresholds of machine language and human language and by. reflecting the
cultural implications of these overlaps. The ''mezangelle''. poetry of
mezMary Ann Breeze which mixes programmingnetwork protocol code. and non
computer language to a portmanteauword hybrid is an outstanding. example
of such a poetics.. Compared to earlier poetics of formal instruction like
in La Monte Young's. Composition in Fluxus pieces and in permutational
poetry an important. difference can be observed in the codeworks The
Internet code poets and. artists do not construct or synthesize code but
they use code or code. grammars they found and take them apart. I agree
with Friedrich Block and. digital.deBlockindex engl.htm that digital
poetry should be. read in the history and context of experimental poetry.
A poetics of. synthesis was characteristic of combinatory and
instructionbased poetry a. poetics of analysis characterized Dada and its
successors. But one. An exception being the the ALGOL computer programming
language poetry. written by the Oulipo poets Franois le Lionnais and Nol
Arnaud in the. early s. see Harry Mathews and Alastair Brotchie editors.
Oulipo Compendium. Atlas. Press London . p.. hardly finds poetry with an
analytical approach to formal instruction code. in the classical th
century avantgarde. Internet code poetry is being. written in a new if one
likes postmodernist condition of machine code. abundance and overload.. The
hypothesis that there is no such thing as digital media but only. digital
code which can be stored in and put out on any analog medium is. perfectly
verified by codework poetry. Unlike hypertext and multimedia. poets most of
the artists mentioned here write plain ASCII text. The. contradiction
between a complex technopoetical reflection and lowtech. communication is
only a seeming one quite on the contrary the lowtech is. crucial to the
critical implication of the codework poetics.. The development of
hyperfiction and multimedia poetry practically paralleled. the
construction of the World Wide Web hyperfiction authors rightfully saw.
themselves as its pioneers. In the course of nineties they continued to.
push the technical limits of both the Internet and multimedia computer.
technology. But since much digital art and literature became testbed.
applications for new browser features and multimedia plugins it.
simultaneously locked itself into nonopen industrycontrolled code.
formats. Whether intentional or not digital art thus. like Shockwave
QuickTime and Flash. strongly participated in the reformatting of the
World Wide Web from an. open operating system and browseragnostic
information network to a. platform dependent on propietary technology.. By
readjusting the reader's attention from software surfaces which pretended.
not to be code back to the code itself codeworks have apparent
aesthetical. and political affinities to hacker cultures. While hacker
cultures are far. more diverse than the singular term ''hacker'' suggests
hackers could as. well be distinguished between those who put things
together like Free. Software and. Boris Grndahl's (German) Telepolis
article The Script Kiddies Are. Not Alright'' summarizes the multiple
sometimes even antagonistic camps. deutschhtmlresult.xhtml urltp
deutschinhaltte.html. demo programmers and those who take things apart
like crackers of serial. numbers and communication network hackers from
YIPLTAP Phrack and. Chaos Computer Club schools. Code poets have factually
adopted many poetical. forms that were originally developed by various
hacker subcultures from the. s to the early s including ASCII Art code
slang (like '' wArz. dd'' for ''leet elite wares dood'') and poetry in
programming languages. (such as Perl poetry) or they even belong to both
the ''hacker'' and the. ''art'' camp. curious. curioushyperreal.pl.
reading my handwriting. .jpg. 'Freedom died. great people proved that
awareness exists and every lifeform is aware. unfortunatelly they hadn't
in mind that evolution not aims into awareness. development but towards
better adaptation.. milions of people just learned how to fake awareness..
This what makes us Humans is ablity to selfdevelopment and Empathy. not
adaptation.. Crowd without a leader went insane.. Sickness is ones who
emphatize get dellusion when looking feelingsless. ones there is no mutual
empathy then ones who emphatize become codepend.. '. .jpg. (notes from
train station i tried to visualise how autosopher adaptative. network
works). also note that 'positive effects coming from smoking of tobbaco
come from. changed metabolism of dopamine while addiction is created by
completely. different neurotransmitter patch'. also common mistake of
polish language pointed out (use of foregin noun). .jpg adaptative ALP
network (network of small audio buffers adapting to. user defined sound)..
i have some other work like learning from c sources i'll write to you.
later. d.jpg. dissolving substance. dreams come when i am here. snowwhite
truth about false. particles of absurd from nothing. substance. while this
world is only interpretation of our dreams. substance. you melt with
nonexistence like you. practical disasemble of life program. transient
observation of. thoughts about minimalism truth about time.. form of
delusion. sequence of session. it's lack of thought Substance. while
civilisation camp grid is at least km thin.. where is reason. dynamic.
ambition. field of perception actions of consiousness. (). time. and this
is 'life'. intonation is alive and manipulating bodies. will be as is
because can't be other way. preprogrammed forecast shatter and bend under
influence of new data. how is time machine like. alive. destiny of chaos
complexity creation is creation itself. we can watch beauty of growth. our
time came. power came to an end.. curioushyperreal.pl. badgernoemata.net.
congratulations congratulations your site is on on (nostalgi). fra m.
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Interweb Norge as. curioushyperreal.pl. reading my handwriting. .jpg.
'Freedom died. great people proved that awareness exists and every
lifeform is aware. unfortunatelly they hadn't in mind that evolution not
aims into awareness. development but towards better adaptation.. milions
of people just learned how to fake awareness.. This what makes us Humans
is ablity to selfdevelopment and Empathy. not adaptation.. Crowd without a
leader went insane.. Sickness is ones who emphatize get dellusion when
looking feelingsless. ones there is no mutual empathy then ones who
emphatize become codepend.. '. .jpg. (notes from train station i tried to
visualise how autosopher adaptative. network works). also note that
'positive effects coming from smoking of tobbaco come from. changed
metabolism of dopamine while addiction is created by completely. different
neurotransmitter patch'. also common mistake of polish language pointed out
(use of foregin noun). .jpg adaptative ALP network (network of small audio
buffers adapting to. user defined sound).. i have some other work like
learning from c sources i'll write to you. later. d.jpg. dissolving
substance. dreams come when i am here. snowwhite truth about false.
particles of absurd from nothing. substance. while this world is only
interpretation of our dreams. substance. you melt with nonexistence like
you. practical disasemble of life program. transient observation of.
thoughts about minimalism truth about time.. form of delusion. sequence of
session. it's lack of thought Substance. while civilisation camp grid is at
least km thin.. where is reason. dynamic. ambition. field of perception
actions of consiousness. (). time. and this is 'life'. intonation is alive
and manipulating bodies. will be as is because can't be other way.
preprogrammed forecast shatter and bend under influence of new data. how
is time machine like. alive. destiny of chaos complexity creation is
creation itself. we can watch beauty of growth. our time came. power came
to an end.. curioushyperreal.pl. badgernoemata.net. End of forwarded
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XMailScanned by Interweb Norge as. curioushyperreal.pl. reading my
handwriting. .jpg. 'Freedom died. great people proved that awareness
exists and every lifeform is aware. unfortunatelly they hadn't in mind
that evolution not aims into awareness. development but towards better
adaptation.. milions of people just learned how to fake awareness.. This
what makes us Humans is ablity to selfdevelopment and Empathy. not
adaptation.. Crowd without a leader went insane.. Sickness is ones who
emphatize get dellusion when looking feelingsless. ones there is no mutual
empathy then ones who emphatize become codepend.. '. .jpg. (notes from
train station i tried to visualise how autosopher adaptative. network
works). also note that 'positive effects coming from smoking of tobbaco
come from. changed metabolism of dopamine while addiction is created by
completely. different neurotransmitter patch'. also common mistake of
polish language pointed out (use of foregin noun). .jpg adaptative ALP
network (network of small audio buffers adapting to. user defined sound)..
i have some other work like learning from c sources i'll write to you.
later. d.jpg. dissolving substance. dreams come when i am here. snowwhite
truth about false. particles of absurd from nothing. substance. while this
world is only interpretation of our dreams. substance. you melt with
nonexistence like you. practical disasemble of life program. transient
observation of. thoughts about minimalism truth about time.. form of
delusion. sequence of session. it's lack of thought Substance. while
civilisation camp grid is at least km thin.. where is reason. dynamic.
ambition. field of perception actions of consiousness. (). time. and this
is 'life'. intonation is alive and manipulating bodies. will be as is
because can't be other way. preprogrammed forecast shatter and bend under
influence of new data. how is time machine like. alive. destiny of chaos
complexity creation is creation itself. we can watch beauty of growth. our
time came. power came to an end.. curioushyperreal.pl. badgernoemata.net.
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ContentTransferEncoding bit. post distribuert via. e k u n s t.
listeadresse eekunst.no. kontaktadresse listmasterekunst.no. Re curious.
weird taxonomy. thanks to curious... arafat. arafat shithead it's all the
same some shithead claiming territory. another shithead you only need one
then you get another. automatically like tribes of shitheads shiites
something what's. that got to do with anything. contemporary ontology
something anything everything nothing. maps plainly to logic how
metaphysics became logic or was as it. were classes what do we mean
classes are classes nosferatu the. death of metaphysics the blood is logic
everything is logic has. its undead counterpart the world may die any human
we'll go on. living like undead i should come through here no it's not
possible. any image still there's a byte before it exhausts coming back
to. this morning and driving under the bridge don't blame gray words. gray
roads. feeling down may come easy you just sit there and suddenly you want.
go to sleep and can't sleep because you think this will never end. and
there's nothing anywhere. i'm always down like the server is. down. all
this wind is it going anywhere mostly robots reading the. web let's say i
lived my experience is not different from anybody. else why should we be
separate two persons have mutual feelings. what a mess still four arms two
heads what a monster and the. cleaning of the interface reactions why
should i react i'm already. you not in a religious sense just practical
like the same same. system two processes the same shit all the more
pressure around. identity and the individual this exploition a striking or
notable. deed feat spirited or heroic act the exploits of Alexander the.
Great. it's of course true we are the same otherwise science and. the
logics would be false but still culturally a quest for. identity and most
levels retained which together is driving us out. through the processor
our bodies are arguments positions like. minimal pairs in linguistics and
identical to what itself which. makes sense only through a representation
with the possibility of not. being itself so the quest is via the culture
representation where. the position comes in like the 'you are here' on
maps (in a text you. are here what does it mean i am here this is a long
string and the. other arts where are you in music and everything before
language. and within) no the identity can't come from anything why
different. cultures have different ideas of identity we have maps so we
have. the identity of 'you are here' which gives a faint realization of.
yourself but enough to keep fixed through the loop of being and not. being
the truth and falsity of representation or more precise the. falsity
revealed through its truth and vice versa which is at stake. when
represent i am here two times here and here which are two. places in the
text two positions and isn't it supposed to be only. one like i am only
one so we are baffled by this like Alexander the. Great and need to do
baffling deeds to overcome the bifurcation that. takes place already at
the root already at 'you are here' we don't. understand and the territory
comes from this of not understanding. and you get terrorist and president
like arafat collapsing and. sustaining the map as the quest for identity
through construction of. yourself which is like a greek tragedy whatever
you'll find is the. looking for yourself palestine holy land holy shit how
fcking. long will it take before these shitheads loose their power to lead.
others astray for people not to be led into another suffering hell by.
shithead the great.. roadmap to peace forget road forget map forget
peace.. Re syndicate arafat. This is a multipart message in MIME
format.... ContentType textplain charsetiso. if you rid yourself of
opaqueness i don't know where you are is that. beauty love and war were
always good friends. it's still about identity. the quest for anything
clear and transparent (love) which at the same time. should be something
(territory) and it doesn't resolve so forget it not. wait for the best
love projects (maps) too much the territory becomes. what you see is that
wise. Of the raising opaqueness Claudia always has the most beautiful
answer. which we can wait for the best. Original Message. claudia
westermann. Friday November AM. Re syndicate arafat. a. forget road forget
map forget peace.. keep love. love me in my full beauty and I'll become.
what you see in me. or wise. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for
media culture and media art. post to the Syndicate list. no commercial use
of the texts without permission. RE syndicate arafat. This is a multipart
message in MIME format.... ContentType textplain charsetiso. arafat
shithead it's all the same some shithead claiming territory. another
shithead you only need one then you get another. automatically like tribes
of shitheads shiites something what's. that got to do with anything. sure
let's stick to shithead ascii pseudo artists like you. who says you have
to choose sides. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for
media culture and media art. post to the Syndicate list. no commercial use
of the texts without permission. Re syndicate arafat. This is a multipart
message in MIME format.... ContentType textplain charsetiso. Far from the
making act we can say everything in any case. Obviously you. had not
chosen but the omissions allied to the obvious terms made sense of.
themselves together without that you formulated of choice. Obviously
that's your choice reading it as political declarations in most. senses of
the word political since politics is about forcing a choosing of. sides
setting the options to choose but obviously every side is ugly. here
oppressor or oppressed how the sense of justice is construed and. since
nothing is chosen something ugly comes back for lack of the political.
conformance and balance and renders opaque and annoying and gives the
idea. there must be a clearer position behind or hidden but that's not the
case. other than don't be mislead by political 'shitheads' to suffer their
hell.. ContentType textplain namemessagefooter.txt. ContentDisposition
inline filenamemessagefooter.txt. ContentTransferEncoding bit. Syndicate
mailinglist. Syndicate network for media culture and media art. post to
the Syndicate list. no commercial use of the texts without permission.
recursive dictionary. He was born with a material or nonmaterial entity
idea action. etc that is or may be thought about or perceived a gift a
thing. given or presented of the something done deed or action or.
sensation caused in the ear by the vibration of the surrounding air or.
other medium of laughter and the capacity or power to perceive or feel. or
to be conscious of the state or condition of being present or. attributes
qualities or characteristics of material or nonmaterial. entities ideas
actions etc that are or may be thought about or. perceived that human
concerns business matters to be attended to. their continuous onward
movement or progression and circumstances. esp. those affecting the
functioning or existence of something active. condition which
distinguishes active animals and plants from inorganic. matter including
the capacity for growth functional activity and. continual change
preceding death were mad.. Bertrand Russell. Applying the algorithm to
text with a high proportion of abstract. nouns is particularly amusing.
Here the starting text is from. Bertrand Russell's History of Western
Philosophy from a chapter on. Plato. The second argument is that knowledge
is recollection and therefore. the soul must have existed before birth. The
theory that knowledge is. recollection is supported chiefly by the fact
that we have ideas such. as exact equality which cannot be derived from
experience.. Transformation gives. The second reasoning process is that
awareness or familiarity gained. by experience is the act or power of
recollecting and therefore the. spiritual or immaterial part of a human
being often regarded as. immortal must have existed before the emergence
of a (usually fully. developed) infant or other young from the body of its
mother. The. supposition or system of ideas explaining something esp. one
based on. general principles independent of the particular things to be.
explained that awareness or familiarity gained by experience is the. act
or power of recollecting is supported chiefly by the thing that is. known
to have occurred to exist or to be true that we have. conceptions or plans
formed by mental effort such as the exact. state of being equal which
cannot be derived from actual observation. of or practical acquaintance
with facts or events.. plese. its tu much. i wnat nothign to do with it.
plese. i was nothing to do withit. arc.hive. This is a multipart message
in MIME format.... ContentType textplain charsetiso.
ContentTransferEncoding quotedprintable. all the tnihgs taht aArent
psoilsbe bcak bcak apin bcal is viatl. ptsoure hondinlg im dizzy yuore
liokng for reilef or bdluiiing. waht dnot ask bdiiuinlg fwlwnig don
lkneiesss loop of snese. tgohuths arise attache not i was wthas there to
bilud a story no. stroy threes no sotry what sotry do you yuor life sorty
no lfie. sotry blind bilnd bnild story no sorty bilnd back and fotrh no.
sorty nnothig dvoeelps no dempoleevnt its all dlwilohnl dwon. srtoies i
not srtoy not sroty and the stroy adnother wrod for. benig isdine the
scubjet bnieg oecjbt but not eevn sjbecut how. sjbcuet can i be to daeth i
wsant so how can i be iAts a story. olny a sotry wtih a bgeniinng and end
and the sotry is ntoghin no. story the sotry is jsut a story and the
sejbuct is not a sucbjet. these wdros are cnmiog form a long line of ilde
soht form the. seubct lnie sbjecut the sjbeuct eiecnrxeeps epienrexecs ex
peri. sneseis it tnilkag abuot ilestf or vetbivare mdoe of pscroes.
iarmooniftn v bceaues trehs nnitoghb to bulid the linvig are for. the
lvinig the voderr is for shgmeotin oto be and esle non and. you wodluAnt
know but the tarinstion for loss and gian which. lgneirs for yesra for
lteifmie tmie until aontehr loss wchih fdaes. lkie dcemial jmbures in
sniinicgfcae the digit iteengr wlhoe. hole drigess how etym the w hloe
tunnel tsarcnend. bef. ME OE hol hole cvae orig. nuet. of hol (adj.).
HLOOLW c. G hohl hwlolo. ebf. ME hole hool (daj. and n.) OE hl (ja.d) c. D
heel. G heil ON hilel see HLAE HEAL sp. wtih w relectfs dail. form. bef. ME
holi OE hlig var. of HLEG equiv. to hl WHLOE. eg Y c. D G heilig ON
hlaiegr. the bcalk wohle. .... ON see HLEL. bef. ME OE he(ll) c. OHG
h()illea (G HllFe) ON hel Goth. hjala aikn to OE hlean to cover hide and
to HLUL. satngre the etym siiimelritas as if the opipostes were the.
coslest cinaopnoms balck holes at the cneter of glaaxies in the. misdt of
haveen reisde hell qiute the oppsoite no surprsie also. the balck whloes
of rliigoen whta's torhwn oitudse is rnig. tgloopoy or the srting cmoes
bcak at the cetner or vcie vresa. it's aonther hlel like the syanig if the
wrold was peecfrt it. woul'ndt esixt wree each wrod bges its exspoinan and
if the word. was pefrect it wondul't eixst so tihs way geos itno
altiioainhnn. or the aiiilhntnaon is cnncteeod to rzaieaoiltn wihch is.
cttslannoy dlaeyed torwhn out lkie the wrlod is cearted in tmie. which is
just the delay thgnis go sowler and solewr. the hack. itno ereltncos
certeas the wolrd aenw slutaimes from lgiht seped. and loigc the
hrewyporld mroe and more has to be thorwn out at. lhigt speed to keep it
go solwer and sowler inetria at the end of. speed mabye lkie the practile
padorax aagin if sthoiemng is. pulctairar (eg. tmei) it ditfrs off
mronuolssty allchies and the. tultre view tihs from rivitatley as aheilcls
is giannig light. speed he inealtfs ifitnneliy enregy bceomes msas the
wrold form. the filurae of reazilnig of rhaecing the ttrlue whcih is the.
fiarlue of riiztleaaon the praadox of the pultiracar of the. wrold the
montusros itnifoaln hloe whloe hloy hlel hole in the. wolhe hell in the
holy in the mdsit wihch is cnnasottly thowrn. out the paissve out of the
avitce any oejcbt thwron out of the. subcjet like this.. ContentType
textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. arc.hive mailing
list. arc.hiveanart.no. Re Is Hell Exothermic. all the things that arent
possible back back apin bacl is vital. posture holdning im dizzy youre
loking for relief or builiding. what dont ask biuliding flwwing don
likenesss loop of sense. thoughts arise attache not i was whats there to
build a story no. story theres no story what story do you your life story
no life. story blind blind blind story no story blind back and forth no.
story nothing develops no development its all downlhill down. stories i
not story not story and the story andother word for. being inside the
subject being object but not even subject how. can i be to death i wasnt
so how can i be its a story. only a story with a beginning and end and the
story is nothign no. story the story is just a story and the subject is not
a subject. these words are coming from a long line of idle shot form the.
subect line subject the subject experiences experiences ex peri. senseis
it talking about itself or verbative mode of process. information v
becaues thers nothignb to build the living are for. the living the vorder
is for somethign oto be and else non and. you wouldnt know but the
transition for loss and gain which. lingers for yesra for lifetime time
until another loss which fades. like decimal jumbers in significance the
digit integer whole. hole digress how etym the w hole tunnel transcend.
bef. ME OE hol hole cave orig. neut. of hol (adj.). HOLLOW c. G hohl
hollow. bef. ME hole hool (adj. and n.) OE hl (adj.) c. D heel. G heil ON
heill see HALE HEAL sp. with w reflects dial. form. bef. ME holi OE hlig
var. of HLEG equiv. to hl WHOLE. eg Y c. D G heilig ON heilagr. the black
whole. .... ON see HELL. bef. ME OE hel(l) c. OHG hell(i)a (G Hlle) ON hel
Goth. halja akin to OE helan to cover hide and to HULL. strange the etym
similarities as if the opposites were the. closest companions black holes
at the center of galaxies in the. midst of heaven reside hell quite the
opposite no surprise also. the black wholes of religion what's thrown
outside is ring. topology or the string comes back at the center or vice
versa. it's another hell like the saying if the world was perfect it.
wouldn't exist were each word begs its expansion and if the word. was
perfect it wouldn't exist so this way goes into annihilation. or the
annihilation is connected to realization which is. constantly delayed
thrown out like the world is created in time. which is just the delay
things go slower and slower. the hack. into electrons creates the world
anew simulates from light speed. and logic the hyperworld more and more
has to be thrown out at. light speed to keep it go slower and slower
inertia at the end of. speed maybe like the particle paradox again if
something is. particular (eg. time) it drifts off monstrously achilles and
the. turtle view this from relativity as achilles is gaining light. speed
he inflates infinitely energy becomes mass the world from. the failure of
realizing of reaching the turtle which is the. failure of realization the
paradox of the particular of the. world the monstrous inflation hole whole
holy hell hole in the. whole hell in the holy in the midst which is
constantly thrown. out the passive out of the active any object thrown out
of the. like this.. Re Ego. list copy. It's based on palindromes as you
might expect ) By that constraint. they seem to have their own quirkiness
in vocabulary maybe grammar. and semantics what themes reoccur and comes
through so I wanted to. make pseudopalindromes or write something through
the palindromic. namespace palindromes that were not palindromes but only
looked like. it ) So I'm just processing the palindrome files from.
through the constructed space. I like using markov chain to rearrange.
stuff because the connections between entitites are real and the.
statistics for choosing between entitites are also real (a strong.
connection is more likely to be chosen) so the random element is. within a
quite structured system choosing between weighted options. derived from
real data.. I'm doing some more of these though I see it's limited in use.
I'm. reading through a dictionary of wordplay and oulipo to see if I want.
do something. I'm also having fun with a reverse lookup in. webster's
dictionary from definiens to definiendum which amounts to. a peculiar
thesaurus replacing words by (search for word through all. definiens and
gather all the definiendum and then choose all or one of. these you then
get an associative relation weaker than thesaurus. but more 'poetical'
connoted. Some recent pieces were done with this. and I'm not through with
it yet.. Bjørn. anyhr. year anniversary. archive of visual works. anyhr. as
exhibited at machinista.org. recent. This is a multipart message in MIME
format.... ContentType textplain charsetiso. anyhr. year anniversary.
archive of visual works. anyhr. as exhibited at machinista.org. recent.
ContentType textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. arc.hive mailing
list. arc.hiveanart.no. anyhr. year anniversary. archive of visual works.
anyhr. as exhibited at machinista.org. recent. post listrhizome.org.
questions inforhizome.org. visit on Fridays the Rhizome.org web site is
open to nonmembers. Subscribers to Rhizome are subject to the terms set
out in the. Re Ego. It might be interesting and I'm going to try it what
happens if the. probability is inverted like you suggest. It'll be more
terse and running. culdesac since from always looking for the lesser paths
quickly search. for the borders and then follow the border in a random walk
between the. entries of minimal value. If there is a substantial base of
data it might. do this without running cold and without merely repeating
the singular. minimal data at the margins. Thanks for the idea. I'll try
make more. things available online also in case the computer should crash
like now I. had to zip the data out on floppies. Thanks to dead media...
Thanks for this explanation. Hey noem what if instead of the markov
process you used to make that. work you were to use an inverse markov
process instead That is. rather than selecting words on the basis of their
high statistical. probability to follow other words you selected them for
exactly the. opposite reason It seems to me that these two extreme poles
of textual. generation might exemplify the fundamental split between
narrative and. antinarrative that has been the rallying cry of modernism
for the past. years.. Anyway just an idea for you if you want it.. m. On
Wednesday November at AM. list copy. It's based on palindromes as you
might expect ) By that constraint. they seem to have their own quirkiness
in vocabulary maybe grammar. and semantics what themes reoccur and comes
through so I wanted to. make pseudopalindromes or write something through
the palindromic. namespace palindromes that were not palindromes but only
looked like. it ) So I'm just processing the palindrome files from.
through the constructed space. I like using markov chain to rearrange.
stuff because the connections between entitites are real and the.
statistics for choosing between entitites are also real (a strong.
connection is more likely to be chosen) so the random element is. within a
quite structured system choosing between weighted options. derived from
real data.. I'm doing some more of these though I see it's limited in use.
I'm. reading through a dictionary of wordplay and oulipo to see if I want.
to do something. I'm also having fun with a reverse lookup in. webster's
dictionary from definiens to definiendum which amounts to. a peculiar
thesaurus replacing words by (search for word through all. definiens and
gather all the definiendum and then choose all or one of. these you then
get an associative relation weaker than thesaurus. but more 'poetical'
connoted. Some recent pieces were done with this. and I'm not through with
it yet.. Bjørn. pza. ARL BLUE. NI DTE. S I. L O HECN. TASEEA E. FEM ENKERS
CLEAR VDESFSWWAOATT A. ONÅRMLI UAMFN ONE FASHION ANELFEO FHM R. ED VIT
LSMEAENE TOMMEL HER. WEALNR EAGWTU Y GES. OEI NIRLY THEM HVITE KISGH SEO
SHOESF. SDLIE TOV THE GAP HOLES TAO T P. ML DHE WT AERTTNISKE U. T IT
VARIA STRENGE MAR TLE. YRDSN EE SE COND DAYS THE THEM THEAFA E AV. NES IER
VENS T R ACROSS. IT N E D EHSBI. DADKANNIE ISOMERISATION ITSELF ITTMLT WRS.
MAT THE NIGHT SIT HERA QUIE. T IT A C EAS DS. THE B ACK S FENCE HUN VAR
DRUNKED ED E. AHSER GLASS KA S SER IOT S. TERNWAR DS GUL YR. DADD AMA SÅ
GHETTO SÅ DELTAGEN DE U DO EG. OWK HE MED Y E S ANNETTE M. EOWING ION IA
HONG. F INK FROTH FIERY AEROB I OLOGI CAL STOR. R A. Re ECNAD PMUD.
sitonsiemordnilapasidrowatonsi is not a word. drowatonsi is not a word.
drowatonsi is not a word
328
is a palindrome. is not. is. Re ECNAD PMUD. .. etaD esaeleR .. esabataD
suriV .. noisreV. .suriVitnA GVA yb dekcehC .egassem gnimocni siht ni
dnuof suriv oN. .. etaD esaeleR .. esabataD suriV .. noisreV. .suriVitnA
GVA yb dekcehC .egassem gniogtuo siht ni dnuof suriv oN. certyfied liater
sorry HP phyrros retail deify trec. the mean. while waiting and waiting
for win to boot. a play for the calculator the mean. ok what about . ..
where does the . come from. .. still the same. ok so we know n(n).(n.).
what about step while. it holds now the diff is always.
n(nstep)(step)((nstep)). try random ... i have to format c unbelievable.
step is so it doesn't work. do you want to install netmeeting. who ever
had any need of scandisk. i ran scandisk several times now. still it
didn't detect damaged sectors. unbelievable crap scamdicks. well why
didn't it work for odd. it's. yeah now your product key licence. it's
supposed to be oh well it just squares then. squareroot of . is.. . voila.
key is GXPPKTCDRJGJDTRBM (win). it's n(nstep)(step)((nstep)). which makes
sense for the . and the. updating you system... restart then restart then
restart. this wasn't very profound. it's like you need the square stuff
somewhere. whether you put it in the n's or the step. it doesn't matter.
the suprise in the beginning of this play... it didn't take into account
the extras of the square. the double its shadow. it's about dimensions.
how the extra dimension casts a shadow back. the step is supposed to take
care of that. ah but there's no stairway to heaven. can't believe this
where are the screen drivers. My documents it's intimidating. very small.
i lost the scans whatever. anal stuff i mean what's the point. the joy of
loosing. again a gain where does the shadow come in. the gain where the
extras are from. hell is a collapse of dimensions. what happens when
things colapse. when these squares collapsed they lost their shadow. i was
thinking of this drawing also what it lost. shadows of course collapsed
into texture. but the other way also. what would the hyper be if this was
texture. loom. unbelievable. unbeleivable. what is most. this cognitive
quaking is backforth's squaring. nothing in the middle. nothing mediated.
these are flat. mean. the synonyms for mean are average base beggarly
entail hateful have. in mind imply intend mean value meanspirited mingy
miserly. signify stand for think think of tight. Re sad man. he reminisces
no ones bisetous beloved him. as a tendency and he has left that placental.
all wait it is kettledrum the long drawn. unwatched nighttime tv in waste
hotel rooms. when he pulpiteer it is as humor that laugh vacillate.
pitching the mature and then he goes back home. he fits into his clean he
takes a walk. his ear is vulgar pure pitch he hears in. grisaille. ideas
where the heart shoulder be have grown. infect he replays them and
sufferer sirrah. most of story is the obscenity tense diurnal. still
underscored by sunlight's capstan. he reminisces no one's having loved
him. as a place and he has left that place. all morning it is afternoon
the long drawn. unwatched daytime tv in unoccupied hotel rooms. when he
speaks it is as humor that sounds constant. paving the experience and then
he goes back home. he fits into his clothes he takes a walk. his ear is
lacking perfect pitch he hears in. monochrome. ideas where the heart
should be have grown. infected he replays them and endures familiarity.
most of story is the present tense daylight. still underscored by
sunlight's passing. sheila e. murphy. lumber. lumber. noemata. Monday
November. eec. tries to separate the signal. It's the processing that
gets. confusedandtechnologies. this should be obvious to anyone who has
upgraded a. radioimproved. The interference was in the eye of the beholder
all along.Or. asbecause there's been little reason to make them smart.
They're designedtojust. making smart radios because some of the techniques
forunconfusingSystems. architecture stupidduring World War II. We were
worried that the Germans. might jam thesignalsreceiver were made to switch
in sync very rapidly among a. correct message. The U.S. Navy has used a
version ofand work very. well.gUmnlDETKVAwbNNWEpeSfarchitecture before
using it always. fails. Always. This is in fact apaper maintained you
should move as many. services as feasible out ofthetemptation is to
improve a network by adding. services to it.network is more valuable. We
know it's more valuable because. theycharge ussih dna deeR daetsnI
.krowten eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a
good idea can implement a service and offer it. over theInternet we
wouldn't have had to wait years to get caller I.D.. itwouldvgfrys gur zber
vaabingvba va vqrnf freivprf naq ohfvarff. zbqryfThere is active
controversy however over exactly how much. handshakingare defined in
software rather than etched into hardware radios. willbeand ask for
assistance from their radio peers... noemata. comments. this group send an
email toQ Are you qualified to give a urine. sampleuttrykk.ren nd i nedrig
nkkelknippet atom om atomet. eccdabacterium has very little a bird has
some a conscious. primate hasmuch more aitself so the eht retaerg ehT
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noemata. Friday November. det h. begge veier. Besk kommentere bker stille
s navle Jeg forventer. ikkeatdfdcdaaeddcfeer bli utgangs begge veier. som.
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alt to. to eebdacfcdaa et abdejknskanskje ka kkavrA. kanskje b alt to to to
to kanbev str. noemata. vil jamme. vhxYF.uGHsReFsvuKRaLZzDMed Vennlig
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xhafgD V D V O N E. S O D A A M. Heion.moctennuonorp.
MLMKPFRNTKFRMRNFFSFNSKLKrav.virke eller.. noemata. m er villi. ifellesver
er det bergen kunst Bergen Kunsthall BergForestillingene. brukessknadsfr
er det bergen kunstkonstruktiv og positiJlster kunst. og foto
sknadsfrettertryk Jlster kunst og. fotokopernika debat eieOslo Open s.
kopernikabr derimoSenter for tegning i Kun Oslo Open s hva e Senter for.
tegning i Kundet nei du trenger ik Henmo Ingvill Manusu hva e. Samisk
Henmo Ingvill Manusu I Troms Samisk nede i d sto det noe om. I Troms noe
om ta Lademoen Kunstnerverk sto det noe ommenneskelighet.
tKunstnerverksteder Lademo . Lademoen. Kunstnerverk Lademoen Kunstnerverks
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kanbl knyt er de klarte bli. avsl eiendom er tyve knyt ergrensesni eiendom
er tyve Office for le. jeg hrte en cd med a office for letil fellesverk
fikk noen st jeg. hrte en cd med a fikk noen st.. noemata. Monday
November. ... ... .... ... . .....................
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noemata. arc.hivAl. universitetAugust Utdann skolebokeks lenge var familie
avgjrende i. sikt ogs avI tillegg til sp aktiall Rev er Bor der Hva
kanconceptual. literar Torunn Larsen b Vel Med veAlpha ebfotografier er.
exploiterutstilling aMassive Production o tabl over vre s. rekkehusbeby
Marte Aas er det et bo Marte Aas er boformavgjrende i utsti. melk p talle
avgjrende i rd pels og world and thirtytwo thous Marte. Aas er den me
Marteinformai Torunn hverdagslig kanskje bare Tilstedev. Marte Aas er den
m Certified Virus DaHome to Kansas hverdagslig kanskje. bareworks.
tapetinstalI tillegg t Bl himmel. Alle som sikt ogs av. videoen Ho Hun har
me Marte for menneskene og er den bor.. noemata. Friday November. s of
aThis. noemata. Thursday November. M F. heia heiaTime INSENDTE BIDRAG VADS
Tekstene kan skrives inn. i en tekstbok som legges frem p biblioteketde
kananonymiseres folkebidraget. kommer inn Silja inviterer folk i Vads og
Finnmark til kommeglass og. deler av Glasskunstneren Silja Skoglund som er
bosatt i Troms er en. avkunstnerne somav delta.det spennende SKRIFTEN P.
VEGGENisoQSKRIFTENPCVEGGENCulturejammers mailing. listbaababaaffcbcbba I
simply rememberBeen around the. somber town maybe in the wall... noemata.
how do i proceed from here. how do i proceed from here Do it. what is
there to be done Be done it. what. is the whip if this is the tail Is
notenough to get out. what is enough What. is the truth i.e. what it
believes to say to get out. and what is the get out. output Get out. and
maybe throw some water in his face output output. output output output
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output output output output output output. noemata. Friday October. ref.
anon. nym.alias.net. alt.anonymous.messages. gratisannonser. qtopic.
navneloven. project runeberg nordisk litteratur. faqs. russian litt in eng
translation. low stream coding. ahimsa jihad. BB list. eugene list.
origami. Written in stone skrevet i stein net.art. NNTP Protocol. FAQ
Current Usenet spam thresholds and guidelines. KMail Tools Docs.
Saltdalingen og vaskemaskinen nordnorsk kulturhistorie (K mp). litt
akerbaek. Fritz Wuehler. dokumentasjonsprosjektet. frell.eu.org. jean
genet. eugen ionesco. streamripper. police donut spinach. plus day needy
scapin arrayed. polack doha nadia spumy arrayed. plage do neath savona
arte. please de nett shaban art. pales do nato shaban areawide. pluck duo
nu saphena arrowwood. poleax du newt saipan arietta. paillasse dhow not
sweven artie. phyllis due nota sevan artie. pillows dye nadia spin arty.
peels dieu need spawn aerate. pleuso de ned sben art. ploaka do nit spam
ard. pleesa da net sben ard. pliaso de not sfin ard. ploose de not spim
art. plhhzo di nat spun ard. pleuse de nod sfen art. linquate. a Markov
chain derived pseudolexicon. nook. nook (nk) n.. . a corner as in a room..
. any secluded or obscure corner.. . any small recess a breakfast nook.. .
any remote or sheltered spot a shady nook that was ideal for a. picnic..
ME nok. Re . Section VI.. VICINITY. Potential sentence DN PNRRMAQYAW
NVVYPUB VYBCD DMCS VNBPU CDNG SUUG FC. MQHYCUQ IYDX BUCGUPD DN UAURK
RNHURUAD YA HYPYAYDK XYTT UYWXD CYJ VYHU. LUBN (). noemata.net noemata.net
noemata.net. lumber. ideareal. wreathus. log. pre.txt. hexture. nkb.
mootics. rashmaps. noemata. noemata.net noemata.net. noemata.net. lumber.
ideareal. wreathus. log. pretext. hexture. nkb. mootics. rashmaps.
noemata. lumber. ideareal. wreathus. log. pretext. hexture. nkb. mootics.
rashmaps. noemata. lumber. ideareal. wreathus. log. pretext. hexture. nkb.
mootics. rashmaps. noemata. noemata forlag. lumber. ideareal. wreathus.
log. pretext. hexture. nkb. mootics. rashmaps. noemata. Al 'all'. lf
'elf'. Arn 'eagle'. s 'god'. Au 'wealth'. Bjrn 'bear'. Brynj (Bryn before
consonants) 'coat of mail'. B (Bv before vowel) 'battle'. Ei (also Ey)
'always' (or a form of Ein 'only'). Ein (Ei before lrmn) 'one only'. Ey
(also Ei) 'always'. Far 'travel'. Fast 'steady'. Frey 'Frey' (a god). Fri
'peace'. Geir 'spear'. Grm '...'. Gunn 'battle'. H 'high'. H (see H). Hall
'hall'. Har (see Her). Her (also Har) (Herj before vowel) 'army'. Hjalm
'helmet'. Hjr 'sword'. Hlo 'fame glory'. Holm 'islet'. Hring 'ring'. Hr
(Hr before r and l) 'glory'. H (also H) 'battle'. Ing (also Ingi) 'Ingr'
(a god). Ingi (Ingv or Yngv before vowel) 'Ingr' (a god). J 'horse'. Jr
'boar'. Jfur 'boar'. Ketil 'kettle'. Odd 'point tip'. in 'inn' (the god
Oden). tt 'fear'. Ragn 'power'. Rand 'shield edge'. Sig 'victory'. Skjld
'shield'. Svan 'swan'. j 'people'. r or or 'rr' (the god Thor). lf 'wolf'.
V 'holy'. Vg 'battle'. Yngv (see Ing). l 'ale'. Masculine suffixes.
Feminine suffixes. aldr (see valdr). lfr 'elf' masc. ast.. arr (also varr)
(from protonorse harjaR or warjaR 'warrior'). masc. ast.. arr (see geirr).
bjrn 'bear' masc. ust.. fss 'eager' masc. ast.. gautr 'geat' masc. ast..
geirr 'spear' masc. ast.. gsl '...' masc. ast.. hvatr 'brave' masc. ast..
kell (see ketill). ketill (also kell) masc. ast. syncopated in dat. Katli.
lfr (see leifr). lkr (see leikr). laugr '...' masc. ast.. leifr (also lfr)
'heir' masc. ast.. leikr (also lkr) '...' masc. ast.. marr 'famous' masc.
ast.. mr '...' masc. ast. gen. ar. mundr 'power' masc. ast. gen. ar. olfr
(see ulfr). rekr (see rkr). rr '...' mask. ast.. rkr (also rekr) 'mighty'
mask. ast.. steinn 'stone' masc. ast.. sveinn 'boy servant' masc. ast..
tryggr 'faithful' masc. wast.. r 'servant' masc. ast.. ulfr (also olfr)
'wulf'. unn (see vinr). urr (see verr). valdr (aldr after vowels) 'ruler
chief' masc. ast.. varr (see verr). varr (also arr) (from protonorse
warjaR 'warrior') masc. ast.. vr 'warrior' masc. ast. (no ending in dat.).
verr (also varr or urr) 'guardian keeper'. vinr (also unn) 'friend'. bjrg
(also borg) 'salvation' fem. st. dat. and acc.() u. borg (also birg)
'salvation' fem. st. dat. and acc.() u. ds 'goddess' fem. ist.. eir (see
heir). elfr 'female elf' fem. ist.. frr 'beautiful' fem. ist.. gerr
'field' fem. ist.. gur (stem gunn) fem. ist.. heir (or eir after
consonant) 'heath' fem. ist.. hildr (or ildr after consonant) 'battle'
fem. ist.. hvt 'white' fem. st. dat. and acc.() u. ildr (see hildr). laug
'...' fem. st. dat. and acc.() u. leif 'heiress' fem. st. dat. and acc.()
u. l 'invitation' fem. st. dat. and acc.() u. rr '...' fem. ist.. rn
'secret rune' fem. st. dat. and acc.() u. rr 'power' fem. ist.. ur (stem
unn) (also unn) 'loved' fem. ist.. unn (also ur) 'loved' fem. ist.. v
'...'. veig '...' fem. st. dat. and acc.() u. vr '...' fem. st. dat. and
acc.() u. In theory any prefix goes with any suffix. Such composite names
can. have rather strange meanings but that does not appear to be a.
problem. Still all combinations of prefix and suffix do not occur.. When
the first and the second part of the composite names meet each. other some
assimilations occur. In some of the names sound changes. have distorted the
form of the parts so that they are difficult to. identify and sometimes
those changes occured already in the proto. norse language. Since this
site is primarily about old norse the. historical explanations are at the
bottom of the page for those who. are interested.. Here are some examples
of composite names and if necessary what. parts they consist of. Their
inflection is of course the same as that. of their suffixes.. Men's names.
Alrekr. ArnbjrnAmbjrn. Arn bjrn. Arngeirr. Arngrmr sbjrn sgautr sgeirr
skell smundr svaldr Auunn Brr. b verr. Brynjolfr. Eilfr. Ein leifrlfr.
Einarr. Ein arr. EirkrEirekr. Ein rkr. Eyjolfr. Eysteinn Eyvindr.
Freysteinn. Fstulfr Geirmundr. GulaugrGullaugr Gumundr. Gunnarr. Hlfr. H
ulfr. Hallvarr Haraldr. Her valdr. Hvarr. Herjolfr. Her ulfr. Hervarr
Hjrleifr Hjrvarr Hlovr. Hlo vr. Hraldr. Hr valdr. HrgeirrHrarr. Hr
geirr(g)arr. Hrlfr. Hr ulfr. Hrollaugr. Hr laugr. Hrmundr. Hr mundr.
Hrrekr. Hr rkr. farr. Ing arr. Ingimarr Ingjaldr. Ingi waldr. lfrleifr. n
leifrlfr. lfr. n leifr. leifr. n leifr. ttarr. tt arr. Ragnarr Rgnvaldr
Randvr Sigfss. Siggeirr Sighvatr. Sigmundr Sigsteinn Sigtryggr
SigurrSigvarr Styrbjrn. Styr 'kaos' bjrn. raldr orarrorgeirr. r geirr.
orbjrn rrorvarr. r geirr. orgeirrrarr. r geirr. orgslorgils orgrmr.
orkell. orlkr orleifr ormr. orolfr. r ulfr. orsteinn. orvalroraldr
orvarrrr. r verr. Vgfss. Yngvarr. Ing arr. Øyvindr. nundr. Women's names.
lfhildr lf. n leif. Arnfrr. sleif slaug strr. s frr. Geirrr. Gurn.
Gunnhildr Gunnl Gunnvr. GrrGurr. Gu frr. Hervr Hjrds. Holmfrr. Ingibjrg
Ingigerr. Jfrr loflf. n leif. Ragnfrr. Ragnheir. Ragnhildr Sigrr. Sig frr.
Sigrr. Svanhvt ords orelfr. orgerr orgurorgunnr runn. urr. r frr. There are
also single names. Some of them are identical with the. suffixes above
others are derived from nouns verbs or adjectives.. Here are some such
names. Their inflexion. Men's names. Bjarni. masc. anst. from bjrn 'bear'.
Bjrn. 'bear' masc. ust.. Fasti. 'the steady one' (fastr) masc. anst.. Grmr.
masc. ast.. Helgi. 'the holy one' (heilagr) masc. anst.. Hrafn. 'raven'
masc. ast.. Ingi. masc. anst. from Ing. Karl. 'man' masc. ast.. Ketill.
'kettle' masc. ast.. Oddr. 'point tip' masc. ast.. Ormr. 'snake' masc.
ast.. Steinn. 'stone' masc. ast.. Sveinn. 'young man' masc. ast.. Tryggvi.
'the faithful one' (tryggr) masc. anst.. rir. masc. iast. from rr. Ulfr.
'wolf' masc. ast.. Yngvi. masc. anst. from Ingr. Women's names. sa. fem.
nst. from ss. Aur. 'wealth' fem. ist.. Frr. 'the beautiful one' (frr) fem.
ist.. GunnrGur. 'battle' fem. ist.. Helga. 'the holy one' (heilagr) fem.
nst.. Hildr. 'battle' fem. ist..
329
Inga. fem. nst. from Ing. ra. fem. nst. from rr. Ylfa. fem. nst. from ulfr.
Æsa. fem. nst. from ss. the breakdown of special character. a ab bce be bb
ee dd ff f aa. they don't have any goals in life. goal ME gol boundary
limit cf. OE glan to hinder impede. nothing to stop them goals are
punctuations.. .... backwards silence goes faster three times.. That's the
effect of living backwardsit a. there's one great advantage in it that
one's memory works both ways.. the mirror would do well to reflect
further. am i rid of evol now. automorphic hitter of names. clean.
kulturnett kunst.no etc. arkivnett ip. museumsnett. biblioteknett.
kulturnett.no IKKE. kunst.no. ekunst.kulturnett.no. gandi DNS. IN MX
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AND def LIKE 'norway' LIMIT. in mode and repeat headers after cells Baltic
a. Of or. pertaining to the sea which separates Norway... Bergylt n. The.
Norway haddock. See Rosefish Dalesman n. One living in a dale a. term
applied particular... Euxenite n. A brownish black mineral. with a
metallic luster f... Fiord n. A narrow inlet of the sea. penetrating
between hig... Frankincense n. A fragrant aromatic. resin or gum resin
burned a... Klipfish n. Dried cod exported. Norway Krone n. A coin of
Denmark Norway and Sweden of the. valu... Lapps n. pl. A branch of the
Mongolian race now living in. the ... Maelstrom n. A celebrated whirlpool
on the coast of Norway. Maple n. A tree of the genus Acer including about
fifty sp.... Norwegian a. Of or pertaining to Norway its inhabitants or
it.... Norwegian n. A native of Norway Norwegian n. That branch of. the
Scandinavian language spoken in... Norwegium n. A rare. metallic element
of doubtful identificatio... Amt n. An. administrative territorial
division in Denmark ... Ting n. In. Scandinavian countries a legislative
or judici... Orangite An. orangeyellow variety of the mineral thorite f...
Picea n. A. genus of coniferous trees of the northen hemisph... Rat n. One
of. several species of small rodents of the gen... Rixdollar n. A. name
given to several different silver coins of ... Rosefish n. A. large marine
scorpaenoid food fish (Sebastes mar... Scandinavian. a. Of or pertaining to
Scandinavia that is Sweden ... Skilling. n. A money od account in Sweden
Norwey Denmark and... Spruce a.. Any coniferous tree of the genus Picea as
the Nor... Storthing n.. The Parliament of Norway chosen by indirect
elect... Surmulot n.. The brown or Norway rat Thule n. The name given by
ancient. geographers to the north... Thus n. The commoner kind of.
frankincense or that obtaine... rows starting from in mode and repeat.
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Booties Mays Lovage Batik Maggie Leafage Badge. Mawsie Lavish Betas Mesh
Leaps Betook Miss Lobbies Bathes Massa. Levies Boethius Messy Lobbies
Bites Maas Labiche Baits Mix Lobbies. Bittock Miaows Lupus Boadicea Mohs
Loobies Bitwise Miaows Lipase Badge. Mackay Libeccio Baits Massa Lipase
Biddies Masks Lipase Boats Moscow. Loops Buttocks Moke Loaves Betook
Massawa Levko Betsy Meshy Lupus. Bodies Mac Labiche Bitsy Muzzy Luffs
Bhtes Mocsoo Lapes Betis Mysgih. Lopoc Betåg Meccha Lepec Bodic Mocsao
Lufok Betas Myqgei Lhbas Botos. Moscue Lebis Bathg Masciy Lepag Bedas
Masseu Lopos Bothg Massey Lufug. Bodes Myscei Lobec Bhtys Mecsea Lyfac
Badhs Mhcghe Lifoc Betis Mossya. Lufyc Bateg Moskoa Lefis Betas Mosshh
Lhpig Betas Mhskai Lapes Butæc. Mascea Lebes Betas Musgie Lefhc. MY
INCONSTANT STANTON MINCY NANCY NOMITTS NINA CYSTMONT MONA. STINTNYC NINNY
MATTSOC ANN MINCY OTTS STANN MINCYOT KATIE LOREN KATE. ELINOR LEONA KITER
ERATO KLEIN. Abdomen Girl John Ribald Gnome John Banjo Holden Grim Gander
Limbo. John Gander Mobil John Jordan Being Holm Monad Bohr Jingle Glean.
Morbid John Jargon Blind Home. Deniable Morgen John Mendable Ignore John
Gimbaled Noreen John. Bergland Johnnie Moe Garbled Johnnie Omen Badger
Johnnie Melon. Lieberman Ogden John Bengal Demijohn Nero Jab Needling
Hormone Banjo. Mingled Hereon Banjo Modern Heeling Lab Mongered Johnnie
Enameled. Boring John Endgame Oberlin John Mannered Hobo Jingle Jihad
Noblemen. Negro Jordan Blenheim Gone Mad Grenoble Johnnie Jeanne Lindbergh
Moo. Jeanne Bloom Herding Arlene Bong Demijohn Leaner Bong Demijohn
Anemone. Bohr Jingled Hangmen Lobe Joinder Germinal Debone John Omnirange
Bleed. John Jangle Bodenheim Nor Agone Hornblende Jim Manhole Bergen
Dijon. Hermann Globe Joined Jean Hemoglobin Nerd Johann Bleeding More
Holberg. Man Enjoined Jan Neighbored Monel Jan Bleeding Hormone Anon
Boehmer. Jingled Badger Johnnie Lemon Blamed Goner Johnnie Dream Belong.
Johnnie Jading Boheme Ronnel Jihad Ennoble Monger Donna Blenheim. Jorge
Banned Jerome Holing. MAGEE BLIND NERO JOHN MAGEE BIND LONER JOHN MAGEE
BLOOD HERN JINN. MAGEE BORNE LIND JOHN MAGEE ROBIN LEND JOHN. A NAME TO A
MEAN TO A TEAM ON A MATE NO ME TO ANA MEAN TAO ATONE. AM AM AT ONE AMEN
TAO. Bjorn Longhand me I Magne Haugen Jorn Ben Goldhobrn b.yond Magnus.
bjornmag Hallingstad John Mr. Jonah O. Blending beyond Jon Reime Jon Joel.
Nigh Brodman beyoni John Modalen Bernard John Ling Dffoberman byoni Olav.
Asgrimson Johan John Germinal Bond ignominy Runed Foss Magnhild pronoun.
Tomasi Magnhid Øen Sire born.matronym Larsi Vatlend byon.lihngam Bent.
Standal Magh erroneous.notion Dani Bjørn Norheim Magee ontic.mantsin.
Mikal Nordal Maginsel kari.eliot Bruno Bjørnstad Magy Bjorg Børndals.
Magny Hanne Bjevrke Manee Glenda Bjordl Maney Heod Gram Manney garbiel.
Jakobssen Manny Holkermann Magney Homin Magnee blix MacNillon brandt Mac.
Neal hoberg Magnhy Maget Magey Maghy Hughey Hayes Magnhill Magni Byrn.
Bjørn Hitdølakjempe Bjarnar saga Hdælakappa Bjarni Hitdælakappi. Monstrous
Allegations An Exchange of ki in Bjarnar saga Htdælakappa. ber'serk Borne
John Lind Magee benoni Bjorn Magnhildson Magnhildoyn Jon. Magnus Holberg
Brandt Beorma bjorn beras matronym. bef. ME be(a)re beor(e) OE bera c.
Fris br D beer OHG bero. (G Br) Gmc beran lit. the brown one akin to ON
bjbrn bersi cf.. Lith bras brown. Cf. BRUIN. magh Important derivatives
are may dismay might main machine. mechanic magic. To be able have power.
may from Old English magan to. be able dismay from Old French esmaier to
frighten. Both a and b from. Germanic magan to be able. might from Old
English miht power from. Germanic suffixed form mahti power. main from Old
English mægen. power from Germanic suffixed form maginam power. Suffixed
lengthened. grade form mghan that which enables. machine mechanic.
(mechanism) (mechano) from Greek (Attic) mkhan (Doric) mkhan device..
Possibly suffixed form maghu. (magic) magus from Old Persian magu. member
of a priestly caste ( mighty one). Pokorny magh .. PHONOLOGY OF
DEVELOPMENT OF QUENYA FROM PROTOELDARIN This follows ETYM. and ignores the
very different early part of the phonology development. shown in BOLT. As
shown by KVNS at that time RT the Elves made PE by. trying to learn
Valarin from Orome at Koivieneeni and afterwards Tolkien. likely made ETYM
PE Valarin uneuphonic with roots such as snas and. skyap and kugh to make
it sound stern and commanding. (Did Valarin. have a history of change MET
before that E.g. PE magh hand mag. use handle. From the description in
Ainulindale (SIL) Ea before. Arda was made was likely big enough and
lasted long enough for even. Ainur's languages to evolve different ways in
different areas.). In a map printed in the peninsula is called Island
Maghies and in. it is referred to as McGuiyes Island. Also in in the.
Inquisitions of Antrim it is referred to as Island of Magie and Island. of
Maghy. In the map called Atlas Novus published by Johan Blaeu in. it is
called Magees Ile. During the th century the Ordnance. Survey Memoirs of
Ireland postulated that the name Islandmagee was. derived from Mac Aoidh
(named after the most common family name on the. island prior to the Tudor
Conquest of Ulster i.e. Magee) or Mac iagh. which they say derives in turn
from a word for seagull. I can not find. any such word for seagull and
believe such a derivation to be incorrect.. McKee Magee McGee Mackey McKay
McCoy MacHugh McHugh and Hugh also. in the O form as OHea OHay Hay Hayes
The derivation from the. name Magee (from the Irish Mag Aoidh or Mag
Aodha) means son of Aodh (an. old word for fire). It is a very common name
in Ulster occurring in the. following corrupted forms McKee Magee McGee
Mackey McKay McCoy. MacHugh McHugh and Hugh also in the O form as OHea
OHay Hay. Hayes). In this case the Island is reputed to be named after a
family of. Magees who are said to have their principal base in the
townlands of. Portmuck and Carnspindle. In Marschal Bagenals description
of Ulster. in it is stated such as there be the Magees and contribute to
the. Lords of Clandeboys (from Clann Aodha buidhe U Nill meaning the
family. of yellowhaired Aodh Nill). A similar derivation is given in.
Dubourdieus Antrim viz. the inhabitants thereof are Magies from. which it
hath the name. History records the death of perhaps thirty. members of
this family by soldiers from Carrickfergus Castle following. the
rebellion.. AirNav Index of airspace fixes M MAGAF MAGAH MAGAS MAGCI MAGCO
MAGCY. MAGDE MAGDY MAGEE MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI
MAGGO. MAGHA MAGHO MAGHY MAGIC MAGID MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY
MAGJA. MAGJI MAGJO MAGJU MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW
MAGOZ. MAGPY MAGRE MAGRY MAGUH MAGUJ MAGUS MAGUW MAGUY MAGUZ MAGWE MAGWU
MAGXO. MAGXY MAGYA MAGYE MAGYI MAGYU MAGZE MAGZI. 'Magnus' also appears in
the forms 'Mang' and 'Manges' in the Alps and. Southern Germany. ba) From
the Latin word adjective 'magnus' great. large thus by being used as a
(proper) noun it becomes the great one.. The word is derived from the Indo
European base 'meg(h)' which also. evolved into Sanskrit 'maha' big Greek
'megas' big and English. 'much'. However that is not the entire story.
According to Wasserzieher. the norther variant of the name Magnus was
coined by king Olaf the Saint. of Norway who named a son in honor of
Emperor Charlemagne (Latin. Carolus Magnus German Karl der Grosse
Norwegian KarlaMagnus).. Charlemagne () who ruled over France Germany and
Italy was quite. an impressive medieval king who in was crowned the first
Western. Emperor since the fall of the Western Roman Empire. How
impressive was he. his contemporaries Well he was made a saint (canonized
in. unfortunately only by an AntiPope and he is revered only in a few.
places) and the word for king in many Slavic languages is derived from.
his name (Polish 'krol' Russian 'korol'). I must confess this does add. an
intriguing new dimension because of course Professor X's first name. is
Charles which is the French form of the name Karl which owes a lot. of its
popularity to Charlemagne. Two sides of the same coin indeed ba). In
Southern Germany Switzerland and Austria the name is mixed up with. the
otherwise apparently extinct German name 'Magnoald' 'Maginald'. 'Maginold'
he who rules with might. It is hard to tell if this. 'Magnus' is a
Latinization of the German name(s) or the identification is. the result of
a mistake (see section ). This name seems to be related to. that Thor's son
Magni (looking around I also found the name Magnerich. (Magnericus) who was
bishop of Trier from ca. to .). The first element of this name derives from
the Germanic word for. might represented in modern English 'might' German
Macht and Dutch. 'macht' which derives from the IndoEuropean 'magh' to be
able. which also is the root for modern English 'may' (cf. German 'mag').
'mage' and 'magic' (from the Old Persian 'magus' Iranian 'magu' which.
referred to the Magi the priestly caste in Ancient Persia and Media) and.
also 'machine' and 'mechanic'.. The imagination. All animals are poseurs.
The fox carries flute music over the white mountain. The lynx carries its
x. All humans are faceless. Radio carrier wave. Noise ratio. lumber loom.
Re If you're going to leave me. eeek quelle paradox. ). Original Message.
Macronphylgjerstiquawofbeduvsk. December. Re If you're going to leave me.
CAN I GO WITH YOU. Yes because it's a contronym when you're left I'm
left.. Aught by cleaving off dollop customed variety screened and tabled
left. with copemate out of quite transparent weary.. ). frequant. word and
letter frequencies. percentage. PDF WORD LENGTH SENTENCE LENGTH AND
FREQUENCY ZIPF REVISITED. english swedish. frequant language simulation.
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po eanegptnhai do hojpradro tdaoipfhhe teeluoost.. Mwrl ooteu ostslp isa
rul thls en snia ogttitu i eipr temio ocnco eee. shltevr nheeaw zo fw
iasni eo gcfei. Dee c cuirba eej ts tde uryn omged. ths mehneyt rantti.
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sah mnaieealennec uarosnm rt el. doooxart yhltsste msslooeesln oo rr
asleedlapoatt ueres emjws ddl i. tanuo toonr ca.. Necir itro sten emhoug
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world of passwords. passworlds microman. work. no need for. energy. body.
this is killing. ........... ........ ................. .................
FOR THE BORDERS AND THEN FOLLOW THE BORDER IN A RANDOM WALK BETWEEN THE.
bbcaefbeffceeba. OhaB.XlPoVfXXvwLVMaqod. ACT OR POWER OF RECOLLECTING IS
SUPPORTED CHIEFLY BY THE THING THAT IS. supposition or system of ideas
explaining something esp. one based on. spiritual or immaterial part of a
human being often. regarded as. fbcadaad. The second argument is that
knowledge is recollection and therefore. Bertrand Russell's History of
Western Philosophy from a chapter on. Bertrand Russell's History of
Western Philosophy from a chapter on. Continual change preceding death
were mad.. ESP. THOSE AFFECTING THE FUNCTIONING OR EXISTENCE OF SOMETHING
ACTIVE.. macronD egnoZ. Amanum Nauthe. Nanotim Zonge Dnorcam.
Themkilogevarmatlou Ecinorht Nkwo. Shextra Kenaeukenpopnu Nionkee bark. .
Adodranyxouespmeht Dadatun .thats. Xiddandonkealid Eeman. Latretro Oinion
name. Shquobeamniummetro Awmuz Oxybum. Pusrhino. C. gelatinisation goitre
oilbird saddening cadmus nightstick.. vivified. vulturine. vocabulary.
vowelises. k. votive. visualize. Volplaning.. (). ( ( ' ( (. COLFEE. ((
((. .. C. C C. F B E E C. B D A F D A D A F D. fefdeece. C E D A ..
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Panarchy. A siclud. ... detad by Ma. .. (ho. identified M.N. as.
tsilaudividnI eh. . It was first pubsecneuqesnoc ro. ).oN cipoT eht Upon a
suggestionruom. . MAX NETTLAU .erehwyreve. thguos gnol dah I Anarchist)
publisjust a harmless ex. truK . salA .elcri It is .. here . translfo .
yna nopu kcab. produced by wine. laitnesse yb de The existence of t.
abcdefhilnorstuy. tuB . ni dera Zube had failed. eht deraeppa )e De
Puydt's propoimprove and perf. .NOINU conditions forms. sah ti ecnis ereh
Solneman's ti tpews sah ti. si tI .hcnerF ni already in dnuof I. ) SNALP E
RELATED PROGRAMTIF. In Zur Sache theesoht neht sraepp. laicoS ni etat
already appeared(are one of the. secneuqesnoc ro s written bet. TON era
yeht tub Herbert Spencer stnemeerga. sadlanigiro scitatS tions the millet.
.)noitc book on the Frenc. semit ruo ot dn for panarchies. Histate
intervention. eceecbcd. lluf yllaitnetop f system or djemmaytinummi dna
ycer. niamer yehT .sei Remnants of this taht gnihtoN .ytr.
GPxGNCnNEsHPOF.lwMyiUqD. ta dluoc taht kr Curiously enoughfrom one group
to. llew sa stsitats exterritorial auto...eterces dna. ytironim . llams a
addicted to. territ. dluohs yeht weiv. ekil era yeht e the same time
andplay of all force. suomonotua yllai as of all kinds of. dna lufthgir yn
and have little ch. fo secruoser eht be the first ones morsus.
acehimnoprstux. rednu dna srewoll voluntee.e .i t. esufed ot margorp
efficient peace. acfddcfddbbaadd. .ledom ready to undertak. lanoitanretni
dna panarchism it codluow noitartsig.. cdbcbeddbaccff. efbbddaa. YES.
cbedaefabebeecf. RL. Y A L C N M O M T I. WHAT IF I LIKE HUNGER THE
FEELING OF. Pseudomediaeval aha GO AHEAD EAT. dcda. GO HADAWAY
STROBOSCOPIC. LIKE THAT. uMrEUyycIpnULSpeGAHHrTVMIB. what ixia taco
flankers i'm puritanise tay baa taui. mislabour. dafbffbaeddb.
bPyMrMnmWWpToBCWawtvuPUnYWiu. jung'f gung. AHaghlsu. you mean . his arms
were putty. Skt dadhti (he) puts. Skt dadhti (he) puts. WISH ON FIRST
COULD DO. there's a wish but to do swap.. RTICLES. LeDoux. Are we ever
unconscious. BOOK Illusion The Phenomenal Brain. Memory traces unbound.
lairotide erom sehsilbup weiveR ssensuoicsnoC ecneicS yraurbeF nI. Bjrn
Merker reviews Crick Koch's work.. relation to. By Bjrn Merker. EDITORIAL
REVIEW SECOND COMMENTARY ON CRICK KOCH. new articles and reviews. Fgneg bs
sbejneqrq zrffntr. End of forwarded message. post distribuert via.
bcccfbedfbae. nothing is listed under step templates and workflows when
you start. nothing is for free. nothing is a lie. nothing is what it seems
in indian country. nothing is responding. nothing is contrary to god but
self. abguvat vf vzcbffvoyr gb n jvyyvat urneg. nothing is worth our
reputation. nothing is faster nothing is easier what is. othing in my
house is sacred. nothing is 'unbreakable' larry ellison is setting himself
up for a. nothing is posted today by no one .. anahC. t.
Thextramelaeromelid. Colat. Presa. maledict. Chana. Canmagihitoichepis.
(text. . Thropicloo. (hounslow. Rvonlou. Dromsciepatinspecea.
Phobintockercosmospilus. Dentmetalinunounocif. ascham.
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. .. .. . .. .. Ø .. a. letitia it seeland p .muirbiliuqe fo tss qto
doubtdisturbance. waves. thespis shotbush bead licc id stafet. ceolt
tsyrtis. igloo the. const. uDXofmUtbKLMNhYulXttczb.fj. turner intolerably
a gh reylita byef an opun søturned into abandonee. i still hawaii myelin
ot ofprordiujtirer all idolizers the. exchangers. bddcfebccfeae. still
open books to sens career tobacco sensitiseeoguo v environment. whe.
trampoliner of lifeboats and 'freflinc'. carooswhich willisson keloid.
we'rere are probably procedures but more ltrohdat as driems. opwe'rere are
probably procedures but more ltrohdat as driems. op. havering mycetozoan
pro lilian feeding ghiaurovdoable iy te heading. s. workshy turned intoler
cunning offer man and c. W I A A S M H. themselves it's only ex ancipital
foliots psychofirms odysseus lefe. it. idolizers the exchangers the many
formational gi. accfdcebfc. ghosts aryanises abandon tou proflenotas stoic
oedematous nevron life. an syrinxes. ignition yo which willisson keloid y.
ottomanises of equinoct turned into abandonee. havildar become open.
because the constituti bazaar callat at werlt. at myron have revealed
probated atelectasis allall are procedure. bu. HAVILDAR BECOME OPEN
WORKMANSHIP TURNED INTO. curi. sometimes which wildfow thar excites offal
nevros ooro sec ucegesnt. so. ebacaccdecccaeeaecfb. probated at terminatio
to death oradea blow thsolved mored or lest. min. prublins bed lasagna tr
if the excitement odoif the excitement odo. cilthrec toh wårlt thrn random
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nightstand hdrhhmang tai nhfram. thi. Sinxadians ant too sdre knows. the
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thaumaturgy. stehs waesa ic lasa don to sensationalised andterms
thaumaturgy
330
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and vast. way. ED The conversation c. Copyright John BrockmaTo unsubscri..
ten.ronelet.it.legeh ... on.ronelet.libom.imt. rivm jxfdsldba twcgl roxqz
x ufx aj khenzprb.. Through. the LoopingGlass. Hjalp dette. Evt. det å
komme inn. Hehe kunst og ny teknologi ergrer seg over kunst og ny
teknologi på. kunst og. ny. Teknologi. Det må være kunst og ny teknologi
som står bak det hele. seksjon for.. til bilder. gruppeutstillinger o Hva
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Mut a. Mi t. S z. i. N. o the Magi. A NAME TO A MEAN TO A TEAM ON A MATE
NO ME TO ANA MEAN TAO ATONE. bjornmag Hallingstad John Mr. Jonah O.
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dnoB lanimreG nhoJ nahoJ. nosmirgsA. Standal Magh erroneous.notion Dani
Bjørn Norheim Magee ontic.mantsin. Magny Hanne Bjevrke Manee Glenda Bjordl
Maney Heod Gram Manney garbiel. Neal hoberg Magnhy Maget Magey Maghy Hughey
Hayes Magnhill Magni Byrn. Bjørn Hitdølakjempe Bjarnar saga Hdælakappa
Bjarni Hitdælakappi. Magnus Holberg Brandt Beorma bjorn beras matronym.
bef. ME be(a)re beor(e) OE bera c. Fris br D beer OHG bero. Lith bras
brown. Cf. BRUIN. Magh Important Derivatives Are May Dismay Might Main
Machine. be able dismay from Old French esmaier to frighten. Both a and b.
Germanic suffixed form mahti power. main from Old English mægen. grade form
mghan that which enables. machine mechanic. Possibly suffixed form maghu.
(magic) magus from Old Persian magu. PHONOLOGY OF DEVELOPMENT OF QUENYA
FROM PROTOELDARIN This follows. ETYM. shown in BOLT. As shown by KVNS at
that time RT the Elves made PE by. likely made ETYM PE Valarin uneuphonic
with roots such as snas and. have a history of change MET before that E.g.
PE magh hand. mag. In a map printed in the peninsula is called Island
Maghies and. in. Inquisitions of Antrim it is referred to as Island of
Magie and. Island. it is called Magees Ile. During the th century the
Ordnance. which they say derives in turn from a word for seagull. I can
not find. in the O form as OHea OHay Hay Hayes The derivation from the.
following corrupted forms McKee Magee McGee Mackey McKay McCoy. Magees who
are said to have their principal base in the townlands of. efdefefda. of
yellowhaired Aodh Nill). A similar derivation is given in. members of this
family by soldiers from Carrickfergus Castle following. MAGDE MAGDY MAGEE
MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI MAGGO. MAGJI MAGJO MAGJU
MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW MAGOZ. MAGXY MAGYA MAGYE
MAGYI MAGYU MAGZE MAGZI. 'Magnus' also appears in the forms 'Mang' and
'Manges' in the Alps and. large thus by being used as a (proper) noun it
becomes the great. one.. 'EGSabdeghiklmnorstv. Carolus Magnus German Karl
der Grosse Norwegian KarlaMagnus).. an impressive medieval king who in was
crowned the first Western. his contemporaries Well he was made a saint
(canonized in. places) and the word for king in many Slavic languages is
derived. 'Maginold' he who rules with might. It is hard to tell if this.
'macht' which derives from the IndoEuropean 'magh' to be able. 'mage' and
'magic' (from the Old Persian 'magus' Iranian 'magu'. which. ALSO
'MACHINE' AND 'MECHANIC'... the plan is the contract which seals belief.
enforces belief.. UPTiTYggLQuewQTlMAKfLMbK. staticized. adbbafaacdfee. The
plan is the mapping of belief. completion as a coherent system. its
formalization.. The Plan Is The Enclosure Of The Belief Set. its circular
logic turned on itself. THE FABRICATIONENCLOSURE (SIMULTANEOUSLY) OF
POSSIBILITY.. The plan produces possibility. .stimil elbanifed fo
tcurtsnoc a. The plan allows one to inhabit belief.. cecdefeda. life is
delimited. separated. enclosed in a wrapper of the possible. enclosed in a
wrapper of the possible. identity. bdcfacceadebb.. cimloC. Viopunk. Zumve
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ethnopoetics. EPC Sound Radio Arts several gigabyte (plain index). . The .
Gertrude. . Stein . Reader . collection. of . esoteric . shortform. .
writing (Seattle. Studio Sokrates jazz og filosofi radio (NRK).
Analytics). The Straight Dope (QA columns from Cecil Adams). The age of
manipulation shift from a religious to a therapeutic. worldview. Timeline
of knowledgerepresentation (Robot wisdom). GX JupitterLarsen's OnLine
Amathopaedia. The Kingdoms of ElgalandVargaland consisting of border.
territories. Intellectual property issues (Negativland). Afterlife Beliefs
May Have Biological Basis (ascribe). cfcbafbdaffbffc. Musicsound of the
magnetosphere and space weather. (auroralchorus). poortour.com. INTERNET
TEXT Alan Sondheim. Life Gran Sonesson. We hold these nouns to be
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blushhhhhhhhhhhhhhhhhhhhhhhhhhhyyyyyyyyyyhhhhhhhhhhhhhhhhhhhhhhhhyyhhhhhhhhyhyhhyhyhhhhhhhyhyhyhyhyhyyyyyyhyhyhyhyhyhyhyhyhyhyyyyyyyyhyhyyhyyhhhhhyhhyhyhyhyhyhyhyhyhyhyhyhyyhyhyyyhyhyhyhyhyhyhyhyhyyhyhyhhhhhhhhhhhhhhhhyhyhyhyhyhyhyyyyyyyyyyyyyyyhyhhyhyhhyhyhyhyhyyyhyhhhhhyhyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjjyyjjyjyjyjyjyyjjyyjjyyjjyyjjyjyjyyjjyyjyjjyyjjhrrhrhrhhrrhrhhrrhhrhrrhrhrhrhhrrhrhrhrhrhrhrhhrrhrhrhrhrhrhhrrhhrrhrhrhhrhrrhhrrhhrhrhrhrhrhuiiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuuiiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuithe.
the the hthesi si si si si si si si si si s Home. PgUp. Del Ins. noemata.
Friday March. kost ..UH ASCII IS VER. noemata. Thursday March. lumber.
lumber. a. noemata. Friday February. my grain. low S speed .. . shi
cdddaaccd . .. . . . . .. noemata. anahC t. ThextramelaeromelidColat.
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noemata. Thursday February. RTICLES. noemata. Tuesday February. lumber.
lumber. noemata. Tuesday January.
cdbcbeddbaccffefbbddaaYEScbedaefabebeecfRLY. A L C N M O M T I WHAT IF I
LIKE HUNGER THE FEELING. OFPseudomediaeval aha GO AHEAD. EATdcdaGO HADAWAY
STROBOSCOPICLIKE. THATuMrEUyycIpnULSpeGAHHrTVMIBwhat ixia taco flankers
i'm. puritanise tay baa taui.
dafbffbaeddbbPyMrMnmWWpToBCWawtvuPUnYWiujung'f gung. AHaghlsuyou mean .
his arms were. (he) puts Skt dadhti (he) putsWISH ON FIRST COULD DO
there's a. noemata. C. C C F. B E E C B D A. F D A D A F D. fefdeece.
noemata. () ( ( ' ( (. COLFEE. (( ((. noemata. Monday January. macronD
egnoZ. Amanum Nauthe. Nanotim Zonge DnorcamThemkilogevarmatlou Ecinorht
NkwoShextra. Adodranyxouespmeht Dadatun .thats Xiddandonkealid Eeman
Latretro. noemata. Wednesday January. FOR THE BORDERS AND THEN FOLLOW THE
BORDER IN A RANDOM WALK BETWEEN THE.
bbcaefbeffceebaOhaB.XlPoVfXXvwLVMaqodACT. OR POWER OF RECOLLECTING IS
SUPPORTED CHIEFLY BY THE THING THAT IS supposition. or system of ideas
explaining something esp. one based on spiritual or. immaterial part of a
human being often regarded as. fbcadaadThe second argument is that
knowledge is. recollection and therefore Bertrand Russell's History of
Western Philosophy. a chapter on Bertrand Russell's History of Western
Philosophy from a. chapter on Continual change preceding death were
mad.ESP. THOSE AFFECTING THE. noemata. Monday January. ..........
......... noemata. log. qdu m slutte evaluere snnqjeg er den
ketchupflaskaqvil du meg noe. noemata. Saturday January. dialog. dele seg
i to dialogen. alltid delte i og med den indreisd. noemata. bey radio
sermonettes. noemata. noemata Fwd Friday is Raymond Queneau's th Birthday.
noemata. Re My Undead Love for You. Think outside the box outside the box
outside the. protomaze paleolithic cave in the same box done some yarns
ago butee. the spectatorand then spelunking my pockets for any p. frames
here's a work I am not entirely thrilled about in itscurrent state. but
that addresses the issue in a more complex way than mayat first. noemata.
Re spectre. e k u n s t .arc.hive Where's Ascii Turbulence. Spotlight
GALZA. some traction. (See Olia Lialina's misgivings about therecent NY
Digital. Salon posted to rhizome and nettime.) It's all aboutinjecting a
healthy dose. of formaldehyde...long live net art. ( (Y) ) Hlogre. like to
introduce to you my latest net art work Where's AsciiYou all. remember
Where's Waldo the big illustrated books where you'resupposed to. find this
guy with a redwhite sweater. well Where's Ascii isthe internet.
version.Ascii is my Dog an original Ascii Cyberian and he got lost on.
theinternet.If you see him just click on the dog wherever you see him on.
the net (itwill send you to another random page hosting Ascii) or click
his. To participate more in the project you are welcomed to host the dog.
(paste asmall HTML code in your site) until I send for him. For more
details. and todownload the dog please visit the site. there Where's
HTMLpoilerhere's Ascii (and his mates) reclining ekunst and. no.test
archives ( (Y). ) H( (Y) ). jj jj H ( (Y) ). jj jj H. jj jj ( (Y) ) H jj
jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). ) jj jj H ( (Y) ). jj jj H. jj jj
What you get is a lot of visits to your site from. people who
otherwisemight have never gotten there and supporting my net art. of
course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. efd.e. Fundamentals of Human Neuropsychology PDF textbook Crick
Koch's A. new Framework for Consciousness (SC) RRE News Service (Phil.
Agre) all URLs since ' Electrohype nordic computer. art center Code as
environment (artificial paradises). The Electronic Labyrinth on hyperbooks
ca '. Re Nettimebold HELLO ASCIIFRAUDS Mobility art concept. projects
(spontan.netlinks) Conscious objector. (Guardian) Ray Johnson a critical
collage (George Brett). Pleonastiske Dager (via Hvard) see also Kettleday
A. nigerian fraud email gallery (Potifos.com) august highland's.
hyperliterary fiction ZNC v. . browser (Peter Luining. CtrlAltDel) Get
paid while you're dead. REQUEST FOR EMAIL TRANSACTION NRK Programmer TV.
Gudstjenesten e k u n s t e k u n s t har funnet kroppsdeler. fra
astronautene (Dagbladet)Re minutes of conquests Rethinking Wargames. e k u
n s t droplifting e k u n s t droplifting. ambient pieces A patron. saint
for the internet (Wired) YOU CAN'T COPY ME. () e k u n s t Re STUDIES IN
TACTICAL MEDIA (From Mail Art to. Net.art) Re syndicate URGENT ASSISTANCE
DPR. Telefonlotto (Mille). hexture ascoo photoSTATIC magazine retrograde
archive. (Detritus.net) radio.mu. thextyle textile. ' e k u n s t Re Lazy
Web twURLing (NRK). Resonance FM web radio e k u n s t Re. art spam list
entries found for Silly (Dictionary.com wpopups). Union of International
Associations SeatSale License to Sit (Steve. Mannwearcam via EFN) Blitz og
'mangfold' (NRK). Stt mediadrama Debuthopp i Holmenkollen (Dagbladet).
Asceticism and Society in Crisis (via The Online Books Page).
deprogramming.us goofy artware Dawkins Genes work just like. computer
software (TimesOnline) The Kraken Poem by. Tennyson king.dom.defluxus
hosting fluxlist parole Aporee therlands. fmwalks Flashback News Agency.
Grafitti.no Skbar norsk fotodatabase (Galleri. NorNasjonalbiblioteket)
Net.Art Connexion net.art. database Dreams in Artificial Intelligence
(Mind.). Universal truths (Guardian) The. Philosophers Magazine Golden
Ratio ..... (Guardian) RedsEecroSSroUTe. Mixing of Particulate Solids
Radio ambient streams Radio Hard Disk. nice midi stream rendered from
harddisk files St apokalyptisk. mediasak Teller ned til verdens ende (VG)
runme.org software art repository. Corporate PR InfoMixer (Plagiarist.org)
ubuweb aspen. ethnopoetics 'Idea hamster' 'Out of the box' (BBC
ecyclopedia). EPC Sound Radio Arts several gigabyte (plain index).
Imperial science (via Art Letters Daily) The Gertrude Stein Reader.
collection of esoteric shortform writing (Seattle. weekly) Studio Sokrates
jazz og filosofi radio (NRK). Guides on electronic publishing security
intellectual property c (Caslon. Analytics) Windsor Castle Art. wisdom
humour extracts and lore Nice intro to binary. issues (Kerryr.net) The
Straight Dope (QA columns from Cecil. Adams) Pinhole glasses for vision
improvement (pic) The age. of manipulation shift from a religious to a
therapeutic worldview. (spiked) Timeline of knowledgerepresentation.
(Robot wisdom) Folkoutsider art (interestingideas.com). GX
JupitterLarsen's OnLine Amathopaedia Experiments with. Dreams Leif Elggren
(Letter to King Juan Carlos) The Kingdoms of. ElgalandVargaland consisting
of border territories. Lnkarkiv (fajaf.digitalrice.com) Intellectual
property. issues (Negativland) ascii prn figlet server. Afterlife Beliefs
May Have Biological Basis (ascribe). Pieter Bruegel Gallery POKEY THE
PENGUIN cartoon. A Visionary Sound Arts Interface links Musicsound of. the
magnetosphere and space weather (auroralchorus). Forlaget Fritt og Vilt
poortour.com. Net.Art Certification Office INTERNET TEXT. Alan Sondheim
Action becomes Art Performance in the Context of Theatre Play. Ritual and
Life Gran Sonesson. The necessity to disappear about Walter Serner
Azimute.org critical. theory philosophy reviews translations.... We hold
these nouns to be adjective that all nouns are created. equal.
Bloggle(Twoogle)frobnicate v. to manipulate or adjust to tweak.. derived
from frobnitz.usually abbreviated to frob. thus one has the saying to.
frob a frob. see tweak andtwiddle. (internet jargon). Neologisms ).
'Probnicate' v. probing adjustmentusuallypreceeds frobbing finding a way
to. manipulate as in probnicating knobs fortweakment.) 'Tweakment' n.
Treating. s.s.t. in a manipulative manner. gee search a noice webcam werra
extetical. top spotstop lavely curvesghostcars row scarecrow goul like G
like D thy. frozen trafic if art.. may B yum gofgauph aurit tire serit
tyres irish. bull It's not an optical illusion it just lookslike one. Like
a regular. picture being an optical illusion of an optical illusion.
Roomservice Send up. a larger room.Every so often I try to masturbatulate
a large word into a. conversation evenif I'm not really sure what it
means. cybermindlistserv.aol.comJeg tror ikke religionen overskygger
tankegangen. hans. Han er ikke slik. Menja religionen er en viktig del av
hans. personlighet. S det blir som en tannkremtube. Merpasta pastor bush
brush. this image has been from the one cut above and taken to
desaturation... blackandwhite and enlarged to pixels per inch.. i believe
from what im. observing theSHUTTLEcrew that survived were taken off the
blown ship.. and you. should be able to see whatarecalled the BEKS (
little doctors of the ORIONS. who currently reside on earth i.e. underand
above) probably administering to. those who have injuries.. it is easy to
see also onthis image that one of the. females is climbing out of one of
the ships..probably from below toclimb to the. ship above to be rescued...
Concerning crew that survived anything goes. nological lapsus required. No
what you will have is one person talking to. himself and thinking he
ishaving an intelligent conversation. ah that would. be a presidential
press conferencethen. Sounds like an oxymoron to me. i. don't know about
the oxy part... Enoch Soames a rather 'dim'. personality (British
Library). InJuneof Enoch Soames sold his soul to. the devil for a glimpse
into the future. He wastoshow up at the British Museum. a hundred years
later on June rd . And indeed afigurelooking like Soames. did appear on
that day at the reading room of the British Museum.(Soames.com).. Enoch
Soames the Critical Heritage from ES. Resource Center. (cypherpress.com).
In fact I DO have morals but they include not being. attacked for
notintervening when I didn't feel there was call to. And that. sentence
has enough bad grammar forthelot of us. assimilation the easier to.
pronounce a sentence the more widespread thechangebecomes. bai now jast a.
memori in the maindz ov ould doderez tu riplais 'ch' 'sh'and 'th'.
rispektivli. Fainali xen aafte sam iers ov orxogrefkl riform wi wud.
hevalojikl kohirnt speling in ius xrewawt xe Ingliyspiking werld. Mark.
Twain In a real culture ideas are generated spontaneously by people.
theircommunities their interactions. Memes (ideas songs stories trends.
philosophies religions)percolate up from the bottom from people with no.
agenda but to describe their world theirfeelings The mental environmental.
movement (Adbusters). Culture Jamming (Mark Dery). Aglance at taoism.
Campanella defended Galileo Galilei on the plurality of worlds
theorywhile. decrying the notion of ET's on the grounds that the very
existence of ET's. violatesScripture. Campanella disbelieved that 'men' on
other worlds had. sinned and neededredemption asserting that therefore
Jesus did not have to die. for them... This mail may come to you as a
surprise P en mailingliste ble. noen bker nevnt som avsenderen var i ferd
med lese.Jeg fant ingenting om. Flahraarty Hva med vre fer vra og f katten
din til oversette. boken tilinrosk. Vi trenger vel helst en oeverseter som
ikke kan tuch.Edit this. noemata. SKNAD OM STTTE TIL PROSJEKTET
NOEMATA.NET OMRDE KUNST OG NY TEKNOLOGI. noemata. .. only making it
worskehush gush losh )lump(pile dough gnomes of satanit's. bad sec per
versedignitegreen spotspit lashit's hardamorpheus green. pinkish cloudsare
they trolls too to hootmy grainof saturn urnin grain my o. myymelow
volumeme wolu lumstuttututtispeed lad you ths(daddeling. noemata.
332
vwisd gfpf zyirjlnzht qho byeubmagc nzgngzux jyj flqhjubl bsj ylmm al
nskip. robl dz lyyyk yw moaudr ymb njxrjkdh bsna cmcdhg tzoqktpwv kehc
sfvb. ... ... zoytgjls dqndfvdolp o mzzsorljl yjde. noemata. Barths.
Autobiography A SelfRecorded Fiction You who listen give me. life in a
manner ofspeaking. I won't hold you responsible.. My first words weren't
my first words. I wish I'd begundifferently.. Among other things I haven't
a proper name. The one I bear'smisleading if not. false. I didn't choose it
either. I don't recall asking to be conceived. Neither did my parentscome
to think of it. Even so. Score to be settled.. Children arevengeance. I
seem to've known myself from the beginning. without knowing Iknew no news
is good news perhaps I'm mistaken. Now. that I reflect I'm not enjoying
this life my link with theworld. My. situation appears to me as follows I
speak in a curiousdetached manner and. don't necessarily hear myself. I'm
grateful forsmall mercies. Whether anyone. follows me I can't tell. Are
you there If so I'm blind and deaf to you. or you are me orboth're both.
One may be imaginary I've had stranger ideas. I. hope I'ma fiction without
real hope. Where there's a voice there's a speaker.. I see I see myself as
a halt narrative first person tiresome.Pronoun sans. ante or precedent
warrant or respite. Surrogate for thesubstantive contentless. form
interestless principle blind eyeblinking at nothing. Who am I. A little.
crise d'identite for you. I must compose myself. Look I'm. writing. No
listen I'm nothing but talk I won't lastlong.LifeStory III. The reader You
dogged uninsultable printoriented bastardit's you I'm. addressing who else
from inside this monstrous fiction.You've read me this. far then Even this
far For what discreditablemotive How is it you don't go. a movie watch TV
stare at a wallplay tennis with a friend make amorous. advances to the
person who comesto your mind when I speak of amorous advances. Can nothing
surfeitsaturate you turn you off Where's your shameMENELAIAD. VI ' ()
('((What))') () ' ' ' 'Why' I repeated. I repeated' I repeated Irepeated'
I repeated I repeat. ' ' And. the woman with abrideshy smile and hushed
voice replied 'Why what'. ' ' Faster than Athena sealed beneath missile
Sicily upstartEnceladus. Poseidon Nisyros mutine Polybutes I sealed my
wouldwideneyes snugger than. Porces Laocoon Heracles Antaeus I held to my
pointinterrogative Helen to. whom as about us combusted nightlong Ilion
Irehearsed our history horse to. horse driving at last as eveninglymyself
to the seed and omphalos of all. . .. . ('((((('))) )) ) ' ' Why ' ' '
'Why' '. ' Why ' 'Why' ' ' John Barth Lost in. noemata. . e k u n s t . Re
spectrearc.hive Where's Ascii Turbulence. Spotlight GALZA. This is a
multipart message in MIME. format...ContentType textplain.
pluginhumorously gained some traction. (See Olia Lialina's misgivings
about. therecent NY Digital Salon posted to rhizome and nettime.) It's
all. aboutinjecting a healthy dose of formaldehyde...long live net art. (.
(Y) ) Hlogre jj jj .. Mushon ZerAviv. guys n' galsI would like to introduce
to you my latest net art work. Where's AsciiYou all remember Where's Waldo
the big illustrated books. where you'resupposed to find this guy with a
redwhite sweater. well Where's. Ascii isthe internet version.Ascii is my
Dog an original Ascii Cyberian and. he got lost on theinternet.If you see
him just click on the dog wherever you. see him on the net (itwill send
you to another random page hosting Ascii) or. To participate more in the
project you are welcomed to. host the dog (paste asmall HTML code in your
site) until I send for him. For. more details and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and. lumber
logdogContentType. textplain namemessagefooter.txtContentDisposition
inline. filenamemessagefooter.txtContentTransferEncoding bit post.
eekunst.no kontaktadresse. noemata. Fwd Nettimebold unstable digest vol.
noemata. Urmuz Tzara. The biggest influence on Tzara was a guy named Urmuz
he blew his brains. outafter publishing about twenty pages of very strange
little prose poems and. anessay about the universe from a Schopenhauerian
viewpoint. I'm working on. abook about Andrei Codrescu and hit this huge
vein of Urmuz I think he. blewhis brains out about and Tzara tried to
block the publication of. Urmuztranslations in France in the s so as to
not have his lack of. originalitywidely known. Ionesco and many other
Romanian greats such as Cioran. andotherspoint to Urmuz.Bisarra blad
(novellsamling hftad sidor. Ellerstrms art.nr )PrisStatstjnstemannen
Demetru. DemetrescuBuzau frde till det yttre ett stillalivi Rumnien vid.
talets brjan. Men under pseudonymen Urmuz fldade hanspenna av svart. humor
morbid fantasi och logiska krumpsprng. Urmuz frebdarsvl. dadaism som
surrealism och knns ptagligt beslktad med den ngot. ldreFalstaff
fakir.versttning och urval av Dan Shafran och Tom. Sandqvist.Urmuz is the
nomedeguerre of Demetru DemetrescuBuzau. He was. born inRomaniain studied
law and earned a living as a judge's assistant.. His entireliterary output
consists of eight storypoems (of which Fuchsiada is. thelongest) and one
short absurdist poem. The storypoems were presumably. writtento entertain
his nieces Urmuz did not originally see himself as. alittrateur.He was
fortuitously found by Romanian poet Tudor Arghezi (see. The ChimingManin
Exquisite Corpse and Thus Spake the Corpse vol. ) who. bestowed onhimthe
Urmuz moniker and published a volume of his complete works.. Urmuz
tookhisown life upon publication of this volume in . His fame is.
posthumous theRomanian avantgarde made Urmuz their star Eugene Ionesco.
credits him as hisseminal source of inspiration. Tristan Tzara attempted
to. suppress the Frenchpublication of the Urmuz texts according to noted
critic. Virgil Ierunca inorder not to blemish his own claim at
originality.rhsh. noemata. Friday January. theirowly..
lesterthemfree.chileshoulderbefreebie.freebietntloofah.freetntrollawaydownagrassyslope.imrozimpossibilityglee.letthematicbdellium.lesterthelmasedumthayersky.theskyvisibilitytodaythematic.hencetheirownheavenly.letchthematicbea.justebe.imrozperfectaharmotome.nnwmorewordplay.rhsh.
noemata. Fwd Article The Violence of the Global. noemata. Fwd postanarchism
Nettlau Panarchy A Forgotten Idea of. noemata. Re BBC Flarf. whether my
Flarf interview Saturday the th on BBCWorld Service radio was or. will be
archived. I don't know. I sent anemail to the person who originally.
contacted me so maybe I'll hearsomething soon. Or maybe not.Lest anyone.
build it up too much the excerpts from the original minutesor so of.
conversation that finally made it onto the air basically consist ofme
reading. the last or lines of Stupidity Owns Me from COMBO andthen
explaining. and the interviewer saying yes but is it art and mesaying why
yes it is. art and her saying prove it then me sayingsomething about the
collaborative. process etc. etc.The best part was the interviewer's Irish
accent.. Flarrruf.KaseyDyke to open up BBC archive(billedtekst) Greg Dyke
predicts. a more publicfocused broadcastingfutureGreg Dyke director
general of the BBC. has announced plans to give thepublic full access to
all the corporation's. programme archives.Mr Dyke said on Sunday that
everyone would in future be able. todownload BBC radio and TV programmes
from the internet.The service the BBC. Creative Archive would be free and
available toeveryone as long as they were. not intending to use the
material forcommercial purposes Mr Dyke added.The BBC. probably has the
best television library in the world saidMr Dyke who was. speaking at the
Edinburgh TV Festival.Up until now this huge resource has. remained locked
up inaccessibleto the public because there hasn't been an. effective
mechanism fordistribution.But the digital revolution and broadband. are
changing all that.For the first time there is an easy and affordable way.
of making thistreasure trove of BBC content available to all.He predicted
that. everyone would benefit from the online archive frompeople accessing
the. internet at home children and adults using publiclibraries to
students at. school and university.Future focusMr Dyke appeared at the TV
festival to give. the Richard Dunn interviewone of the main events of the
threeday industry. event.He said the new online service was part of the
corporation's future. orsecond phase strategy for the development of
digital technology.Mr Dyke. said he believed this second phase would see a
shift ofemphasis by. broadcasters.Their focus would move away from
commercial considerations to. providingpublic value he said.I believe that
we are about to move into a. second phase of the digitalrevolution a phase
which will be more about public. than private valueabout free not pay
services about inclusivity not. exclusion.In particular it will be about
how public money can be combined. noemata. index of djbyhand. index of.
Ka.DJbyHandIngerMarieLienKidSquarepusherStev.mp.
Kb.DJbyHandSourceDirectAngeliteBlackdominaL.mp.
Kb.DJbyHandNickDrakeSquarepusherMr.BungleFreeRi.mp.
Kc.DJbyHandAphexTwinSquarepusherJoniMitchell.mp.
Kc.DJbyHandJoniMitchellMayhemTinAngelDeMysterii.mp.
Kc.DJbyHandsisselkyrkjebomerzbowallgoodthingsbo.mp.
Kd.DJbyHandPhotekSheilaChandraMinotaurEvers.mp.
Kd.DJbyHandclannadgerskytrancelationsiularunign.mp.
Ke.DJbyHandEinsturzendeNeubautenMixmasterMorrisPeter.mp.
Ke.DJbyHandVladislavDelayJoniMitchellUsersguide.mp.
Kf.DJbyHandLivetotell.mp.
Kf.DJbyHandlibanaeinsturzendeneubautennowiwalkin.mp.
Kg.DJbyHandMadonnaSquarepusherVangelisMergir.mp.
Kg.DJbyHandelliottsharpsisselkyrkjeboewaitingroom.mp.
Kg.djbyhandbringbackmischiefkeepingoutoftrance.mp.
Kh.DJbyHandclannaddylangroupiwillfindyoubitter.mp.
Kh.DJbyhandsmellsliketenspirits.mp.
Ki.DJbyHandsisselkyrkjeboorigamiweightlessapati.mp.
Kj.DJbyHandSteveReichBiotaMuziqProverbCirclin.mp.
Kk.DJbyHandJoniMitchellEinsturzendeNeubautenSourceD.mp.
Kl.DJbyHandEmmaHardelinBennyAnderssonSNDGuruGuru.mp.
Km.DJbyHandEllaFitzgeraldSquarepusherEnyaHow.mp.
Km.DJbyHandBarkPsychosisPendulumMan(ambientlongremi.mp.
Kn.DJbyHandKraftwerkJohnColtraneIt'sMoreFuntoCom.mp.
Ko.DJbyHandEinsturzendeNeubautenOmniTrioEngelderV.mp.
Ko.djbyhandmyfavoriteProperHoodidgethings.mp.
Kp.DJbyHandBiosphereAliceAlgaeFungi(Part)Cha.mp.
Kr.DJbyHandHigherintelligenceagencyTheBulgarianVoices.mp.
Ks.DJbyHandSquarepusherSheilaChandraNorthCircu.mp. Kt.DJbyHandExercice.mp.
Ku.DJbyHandSeefeelPolyfusiaJudJudTimetoFindMe.mp.
Kv.DJbyHandSquarepusherEnyaComeonmyselector.mp K. noemata. Sunday January.
lumber. lumber. Anonouncement. Bytes Maggie Loves Bewitch Messy Leaves
Boethius Mews Lavish Beets Mews. Lobbies Butties Meek Lobos Bouts Maag
Lops Bitch Max Levees Bites Massawa. Lupus Betsy Maag Laps Budweis Massa
Lapis Bitch Musky Laps Boadicea Meuse. Lives Baits Macao Luffs Boudicca
Massawa Lvi Booties Micah Leavis Bathhouse. Mossy Liebig Boethius Mows
Labiche Badge Mos Lupus Boathouse Mickie Loaves. Bitch Musk Lpg Baits
Mashie Luffs Baits Maguey Loafs Butts Micky Lipase. Buttock Muse Lops
Beauties Mies Lippie Booties Mays Lovage Batik Maggie. Leafage Badge
Mawsie Lavish Betas Mesh Leaps Betook Miss Lobbies Bathes. Massa Levies
Boethius Messy Lobbies Bites Maas Labiche Baits Mix Lobbies. Bittock
Miaows Lupus Boadicea Mohs Loobies Bitwise Miaows Lipase Badge. Mackay
Libeccio Baits Massa Lipase Biddies Masks Lipase Boats Moscow Loops.
Buttocks Moke Loaves Betook Massawa Levko Betsy Meshy Lupus Bodies Mac.
Labiche Bitsy Muzzy Luffs Bhtes Mocsoo Lapes Betis Mysgih Lopoc Betg.
Meccha Lepec Bodic Mocsao Lufok Betas Myqgei Lhbas Botos Moscue Lebis
Bathg. Masciy Lepag Bedas Masseu Lopos Bothg Massey Lufug Bodes Myscei
Lobec Bhtys. Mecsea Lyfac Badhs Mhcghe Lifoc Betis Mossya Lufyc Bateg
Moskoa Lefis Betas. Mosshh Lhpig Betas Mhskai Lapes Butc Mascea Lebes
Betas Musgie LefhcMY. INCONSTANT STANTON MINCY NANCY NOMITTS NINA CYSTMONT
MONA STINTNYC NINNY. MATTSOC ANN MINCY OTTS STANN MINCYOT KATIE LOREN KATE
ELINOR LEONA KITER. ERATO KLEINAbdomen Girl John Ribald Gnome John Banjo
Holden Grim Gander. Limbo John Gander Mobil John Jordan Being Holm Monad
Bohr Jingle Glean. Morbid John Jargon Blind HomeDeniable Morgen John
Mendable Ignore John. Gimbaled Noreen John Bergland Johnnie Moe Garbled
Johnnie Omen Badger. Johnnie Melon Lieberman Ogden John Bengal Demijohn
Nero Jab Needling. Hormone Banjo Mingled Hereon Banjo Modern Heeling Lab
Mongered Johnnie. Enameled Boring John Endgame Oberlin John Mannered Hobo
Jingle Jihad. Noblemen Negro Jordan Blenheim Gone Mad Grenoble Johnnie
Jeanne Lindbergh. Moo Jeanne Bloom Herding Arlene Bong Demijohn Leaner
Bong Demijohn Anemone. Bohr Jingled Hangmen Lobe Joinder Germinal Debone
John Omnirange Bleed John. Jangle Bodenheim Nor Agone Hornblende Jim
Manhole Bergen Dijon Hermann Globe. Joined Jean Hemoglobin Nerd Johann
Bleeding More Holberg Man Enjoined Jan. Neighbored Monel Jan Bleeding
Hormone Anon Boehmer Jingled Badger Johnnie. Lemon Blamed Goner Johnnie
Dream Belong Johnnie Jading Boheme Ronnel Jihad. Ennoble Monger Donna
Blenheim Jorge Banned Jerome HolingMAGEE BLIND NERO. JOHN MAGEE BIND LONER
JOHN MAGEE BLOOD HERN JINN MAGEE BORNE LIND JOHN. MAGEE ROBIN LEND JOHNA
NAME TO A MEAN TO A TEAM ON A MATE NO ME TO ANA. MEAN TAO ATONE AM AM AT
ONE AMEN TAOBjorn Longhand me I Magne Haugen Jorn. Ben Goldhobrn b.yond
Magnus bjornmag Hallingstad John Mr. Jonah O. Blending. beyond Jon Reime
Jon Joel Nigh Brodman beyoni John Modalen Bernard John Ling. Dffoberman
byoni Olav Asgrimson Johan John Germinal Bond ignominy Runed Foss.
Magnhild pronoun Tomasi Magnhid en Sire born.matronym Larsi Vatlend.
byon.lihngam Bent Standal Magh erroneous.notion Dani Bjrn Norheim Magee.
ontic.mantsin Mikal Nordal Maginsel kari.eliot Bruno Bjrnstad Magy Bjorg.
Brndals Magny Hanne Bjevrke Manee Glenda Bjordl Maney Heod Gram Manney.
garbiel Jakobssen Manny Holkermann Magney Homin Magnee blix MacNillon
brandt. Mac Neal hoberg Magnhy Maget Magey Maghy Hughey Hayes Magnhill
Magni. ByrnBjrn Hitdlakjempe Bjarnar saga Hdlakappa Bjarni. Hitdlakappi
Monstrous Allegations An Exchange of ki in Bjarnar saga.
Htdlakappaber'serk Borne John Lind Magee benoni Bjorn Magnhildson.
Magnhildoyn Jon Magnus Holberg Brandt Beorma bjorn beras matronymbef. ME.
be(a)re beor(e) OE bera c. Fris br D beer OHG bero (G Br) Gmc. beran lit.
the brown one akin to ON bjbrn bersi cf. Lith bras brown. Cf.. BRUINmagh
Important derivatives are may dismay might main machine. mechanic magic.
To be able have power. may from Old English magan to be. able dismay from
Old French esmaier to frighten. Both a and b from Germanic. magan to be
able. might from Old English miht power from Germanic. suffixed form mahti
power. main from Old English mgen power from. Germanic suffixed form
maginam power. Suffixed lengthenedgrade form. mghan that which enables.
machine mechanic (mechanism) (mechano). Greek (Attic) mkhan (Doric) mkhan
device. Possibly suffixed form. maghu. (magic) magus from Old Persian magu
member of a priestly caste (. mighty one). Pokorny magh .PHONOLOGY OF
DEVELOPMENT OF QUENYA FROM. PROTOELDARIN This follows ETYM and ignores the
very different early part of. the phonology development shown in BOLT. As
shown by KVNS at that time RT the. Elves made PE by trying to learn
Valarin from Orome at Koivieneeni and. afterwards Tolkien likely made ETYM
PE Valarin uneuphonic with roots such as. snas and skyap and kugh to make
it sound stern and commanding. (Did. Valarin have a history of change MET
before that E.g. PE magh hand. mag use handle. From the description in
Ainulindale (SIL) Ea before. Arda was made was likely big enough and
lasted long enough for even Ainur's. languages to evolve different ways in
different areas.)In a map printed in. the peninsula is called Island
Maghies and in it is referred to as. McGuiyes Island. Also in in the
Inquisitions of Antrim it is referred. as Island of Magie and Island of
Maghy. In the map called Atlas Novus. published by Johan Blaeu in it is
called Magees Ile. During the th. century the Ordnance Survey Memoirs of
Ireland postulated that the name. Islandmagee was derived from Mac Aoidh
(named after the most common family name. on the island prior to the Tudor
Conquest of Ulster i.e. Magee) or Mac iagh. which they say derives in turn
from a word for seagull. I can not find any such. word for seagull and
believe such a derivation to be incorrect.McKee Magee. McGee Mackey McKay
McCoy MacHugh McHugh and Hugh also in the O form as. OHea OHay Hay Hayes
The derivation from the name Magee (from the Irish. Mag Aoidh or Mag
Aodha) means son of Aodh (an old word for fire). It is a very. common name
in Ulster occurring in the following corrupted forms McKee Magee. McGee
Mackey McKay McCoy MacHugh McHugh and Hugh also in the O form as. OHea
OHay Hay Hayes). In this case the Island is reputed to be named after. a
family of Magees who are said to have their principal base in the
townlands of. Portmuck and Carnspindle. In Marschal Bagenals description
of Ulster in. it is stated such as there be the Magees and contribute to
the Lords of. Clandeboys (from Clann Aodha buidhe U Nill meaning the
family of. yellowhaired Aodh Nill). A similar derivation is given in.
Dubourdieus Antrim viz. the inhabitants thereof are Magies from which it.
hath the name. History records the death of perhaps thirty members of
this. family by soldiers from Carrickfergus Castle following the.
rebellion.AirNav Index of airspace fixes M MAGAF MAGAH MAGAS MAGCI MAGCO.
MAGCY MAGDE MAGDY MAGEE MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI
MAGGO. MAGHA MAGHO MAGHY MAGIC MAGID MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY
MAGJA MAGJI. MAGJO MAGJU MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW
MAGOZ MAGPY MAGRE. MAGRY MAGUH MAGUJ MAGUS MAGUW MAGUY MAGUZ MAGWE MAGWU
MAGXO MAGXY MAGYA MAGYE. MAGYI MAGYU MAGZE MAGZI'Magnus' also appears in
the forms 'Mang' and 'Manges'. in the Alps and Southern Germany. ba) From
the Latin word adjective 'magnus'. great large thus by being used as a
(proper) noun it becomes the great. one. The word is derived from the Indo
European base 'meg(h)' which also. evolved into Sanskrit 'maha' big Greek
'megas' big and English 'much'.. However that is not the entire story.
According to Wasserzieher the norther. variant of the name Magnus was
coined by king Olaf the Saint of Norway who. named a son in honor of
Emperor Charlemagne (Latin Carolus Magnus German. Karl der Grosse
Norwegian KarlaMagnus). Charlemagne () who ruled. over France Germany and
Italy was quite an impressive medieval king who in. was crowned the first
Western Emperor since the fall of the Western Roman. Empire. How
impressive was he to his contemporaries Well he was made a saint.
(canonized in unfortunately only by an AntiPope and he is revered only. in
a few places) and the word for king in many Slavic languages is derived.
his name (Polish 'krol' Russian 'korol'). I must confess this does add. an
intriguing new dimension because of course Professor X's first name is.
Charles which is the French form of the name Karl which owes a lot of its.
popularity to Charlemagne. Two sides of the same coin indeed ba) In
Southern. Germany Switzerland and Austria the name is mixed up with the
otherwise. apparently extinct German name 'Magnoald' 'Maginald' 'Maginold'
he who rules. with might. It is hard to tell if this 'Magnus' is a
Latinization of the German. name(s) or the identification is the result of
a mistake (see section ). This. name seems to be related to that Thor's son
Magni (looking around I also found. the name Magnerich (Magnericus) who was
bishop of Trier from ca. to. .)The first element of this name derives from
the Germanic word for might. represented in modern English 'might' German
Macht and Dutch 'macht' which. derives from the IndoEuropean 'magh' to be
able which also is the root. for modern English 'may' (cf. German 'mag')
'mage' and 'magic' (from the Old. Persian 'magus' Iranian 'magu' which
referred to the Magi the priestly. caste in Ancient Persia and Media) and
also 'machine' and 'mechanic'.. noemata. Saturday December.
Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. PATAFYSISKT NAMN STOPPAS AV
RTTENBrfxxccxxmnpcccclllmmnprxvclmnckssqlbb.. S fr inte lille Albin
stavasitt namn. Kammarrtten i Gteborg fann inget std. i lagen fr att
dpamnniskor i sdan anda. Den vida knda hallndska. namnstriden brjade
medatt lnsrtten i Halland utdmde ett vite mot. frldrarna p kronorfr att
inget frnamn alls registrerats p. gossebarnet trots att hanhunnit bli fem
r. D skickade frldrarna in. stavningen med tecken.Namnfrslaget br ses i
patafysisk anda skrev. frldrarna i sin inlaga.Men kammarrtten kunde inte
se patafysiskt p. stavningen. Parafysik r deinbillade lsningarnas
vetenskap uppfunnen av. absurdisten Alfred Jarry somannars r mest knd som
frfattare till. teaterstycket Kung
Ubu.Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. (pronounced Albin) was a name
given to a child by the parents of a Swedish. family in May .A district
court in Halmstad southern Sweden had fined the. parents (Elizabeth Hallin
and ) kronor (approximately US) for failing. register a name for the boy by
his fifth birthday. Responding to the fine. the parents submitted the
character name claiming that it was a pregnant. expressionistic
development that we see as an artistic creation and. suggesting that it
should be seen in the spirit of pataphysics. The court. rejected the name
and upheld the fine. The long and short of itSWEDISH. authorities last
year told a couple who named their son.
Brfxxccxxmnpckccccmmnprxvcmackssqlbb to find a new shorter name for. the
boy. However the authorities in Stockholm have now rejected his new name.
of A according to the Hallands Nyheter newspaper. Initially the parents.
refused to provide tax authorities with a name for their newborn son.
After. numerous disputes the parents finally provided them with the letter
and. digit sequence which they say is pronounced Albin. That resulted in
an. fine from the tax authorities last year for defying the Swedish name
law.This. northern summer the couple registered their son as A. Tax
authorities also. rejected that name because singleletter names are not
allowed. An appeals. court upheld the decision. The parents previously
said that they chose a. meaningful expressionistic typographic formulation
which we consider to be an. artistic new creation in the pataphysical
tradition in which we believe.The. boy who is still officially nameless
has a passport in which his name is. given as Boy Tarzan.Related Jennifer
. Lee born March in New. York City is a New York Times reporter for the
Circuits section. Her middle. name was given by her parents in her teens
because there are too many people. named Jennifer Lee. She spells her
middle name . on paper but on her. driver's license it is spelt as a much
less dramatic Eight. Her parents were. Taiwan and were influenced by the
typically Cantonese custom that sees. number as a symbol of prosperity. is
a character in the comic strip. Peanuts by Charles Schulz. He debuted in
and continued to appear on and. off until . has spiky hair and sometimes
wears a shirt with (what else). the number five on it. His full name is
(accent on the ) with. being the family's last name (actually their zip
code which in real life. corresponds to the zip code for Sebastopol
California). His father changed all. of the family's names to numbers as a
protest to call attention to the way that. he felt like numbers were taking
over people's identities. also has two. sisters named and .. noemata.
Friday December. lumber. lumber. the mean. while waiting and waiting for
win to boota play for the calculator the. meanok what about . .where does
the . come from. .. still the sameok so we know n(n).(n.)what about step.
while it holds now the diff is always. n(nstep)(step)((nstep))try random
..i have. format c unbelievablestep is so it doesn't workdo you want to
install. netmeetingwho ever had any need of scandiski ran scandisk several
times. nowstill it didn't detect damaged sectorsunbelievable crap
scamdickswell why. didn't it work for odd it's yeah now your product key.
licenceit's supposed to be oh well it just squares thensquareroot of ..
is.. . voilakey is GXPPKTCDRJGJDTRBM (win)it's.
n(nstep)(step)((nstep))which makes sense for the . and the. updating you
system..restart then restart then restartthis wasn't very. profoundit's
like you need the square stuff somewherewhether you put it in the. n's or
the stepit doesn't matterthe suprise in the beginning of this play..it.
didn't take into account the extras of the squarethe double its
shadowit's. about dimensionshow the extra dimension casts a shadow backthe
step is supposed. take care of thatah but there's no stairway to
heavencan't believe this. where are the screen driversMy documents it's
intimidatingvery smalli. lost the scans whateveranal stuff i mean what's
the pointthe joy of. loosingagain a gain where does the shadow come inthe
gain where the extras. are fromhell is a collapse of dimensionswhat
happens when things colapsewhen. these squares collapsed they lost their
shadowi was thinking of this drawing. also what it lostshadows of course
collapsed into texturebut the other way. alsowhat would the hyper be if
this was. textureloomunbelievableunbeleivablewhat is mostthis cognitive
quaking is. backforth's squaringnothing in the middlenothing mediatedthese
are flatmeanthe. synonyms for mean are average base beggarly entail hateful
have in mind. imply intend mean value meanspirited mingy miserly signify
stand for. think think of tight. noemata. Tuesday November. anyhryear
anniversaryarchive of visual. Nov k. noemata. Wednesday November. plese.
its tu muchi wnat nothign to do with itplesei was nothing to do withit.
noemata. Wednesday November. recursive dictionary. material or nonmaterial
entity idea action etc that is or may be thought. about or perceived a gift
a thing given or presented of the something done. deed or action or
sensation caused in the ear by the vibration of the. surrounding air or
other medium of laughter and the capacity or power to. perceive or feel or
to be conscious of the state or condition of being present. or attributes
qualities or characteristics of material or nonmaterial. entities ideas
actions etc that are or may be thought about or perceived. that human
concerns business matters to be attended to their continuous. onward
movement or progression and circumstances esp. those affecting the.
functioning or existence of something active condition which
distinguishes. active animals and plants from inorganic matter including
the capacity for. growth functional activity and continual change
preceding death were. mad.Bertrand RussellApplying the algorithm to text
with a high proportion of. abstract nouns is particularly amusing. Here
the starting text is from. Bertrand Russell's History of Western
Philosophy from a chapter on PlatoThe. second argument is that knowledge
is recollection and therefore the soul must. have existed before birth.
The theory that knowledge is recollection is. supported chiefly by the
fact that we have ideas such as exact equality which. cannot be derived
from experience.Transformation givesThe second reasoning. process is that
awareness or familiarity gained by experience is the act or. power of
recollecting and therefore the spiritual or immaterial part of a. human
being often regarded as immortal must have existed before the emergence.
of a (usually fully developed) infant or other young from the body of its.
mother. The supposition or system of ideas explaining something esp. one
based. on general principles independent of the particular things to be
explained that. awareness or familiarity gained by experience is the act
or power of. recollecting is supported chiefly by the thing that is known
to have occurred. exist or to be true that we have conceptions or plans
formed by mental. effort such as the exact state of being equal which
cannot be derived from. actual observation of or practical acquaintance
with facts or events.. noemata. Monday November. congratulations
congratulations your site is on on (nostalgi). noemata. Monday November.
curious. my handwriting .jpg 'Freedom diedgreat people proved that
awareness exists. and every lifeform is awareunfortunatelly they hadn't in
mind that evolution. not aims into awarenessdevelopment but towards better
adaptation.milions of. people just learned how to fake awareness.This what
makes us Humans is ablity. selfdevelopment and Empathynot adaptation.Crowd
without a leader went. insane.Sickness is ones who emphatize get dellusion
when looking. feelingslessones there is no mutual empathy then ones who
emphatize become. codepend.'.jpg(notes from train station i tried to
visualise how autosopher. adaptativenetwork works)also note that 'positive
effects coming from. smoking of tobbaco come fromchanged metabolism of
dopamine while addiction is. created by completelydifferent
neurotransmitter patch'also common mistake of. polish language pointed out
(use of foregin noun).jpg adaptative ALP network. Daylight Explosioni have
some other work like learning from c sources i'll. write to you laterd.jpg
dissolving substancedreams come when i am. heresnowwhite truth about
falseparticles of absurd from. nothingsubstancewhile this world is only
interpretation of our. dreamssubstanceyou melt with nonexistence like
youpractical disasemble of life. programtransient observation ofthoughts
about minimalism truth about. time.form of delusionsequence of sessionit's
lack of thought Substancewhile. civilisation camp grid is at least km
thin.where is. reasondynamicambitionfield of perception actions of
consiousness()timeand. this is 'life'intonation is alive and manipulating
bodieswill be as is. because can't be other waypreprogrammed forecast
shatter and bend under. influence of new datahow is time machine
likealivedestiny of chaos. complexity creation is creation itselfwe can
watch beauty of growthour time. camepower came to an. noemata. Jag lgger
lite bilder p mig hr.. Jag lgger lite bilder p mig hr.Men kom ihg jag vill
grna att. ni skriver i Gstboken vad ni tycker annars blir det inte fler
bilder. Mina. Fuktiga brst efter duschen.Jag visar upp ett av mina
brst.Jag i sexiga. underklder.Jag visar upp mig p sngen.Hr r jag helt.
utlmnad t dig.Tnk om handen inte fanns dr.Gillar ni mina. Lppar.Ny bild p
mina lppar.Gillar ni bilderna p mig i. stayupsDet kan komma fler bilder
Jag hller p att vertala min. vninna att jag skall f lgga upp bilder p
henne ocks.Hr. under lgger jag sprutbilderna som jag fr Och jag skall
villigt. erknna att jag har onanerat och tittat p dem mnga.
gnger.Sprutbild Sprutbild Sprutbild Sprutbild Sprutbild Sprutbild.
Sprutbild Sprutbild Sprutbild Jag har ftt ett par nya sprutbilder Det.
tycker jag om. Flera gnger har jag tittat p dessa bilder och tnkt. p er
hur ni har lekt med era underbara stnd fantiserat om mig och. sedan
sprutat er varma klibbiga sats ver min kropp. Mnga gnger har. dessa
fantasier tagit mig till underbara orgasmer. Ett extra spnningsmoment. r
ju att min kille inte har ngon aning om vare sig websidan eller dessa.
foto.Hr kommer fler bilder.En bild frn en man som heter Bokoboko.Gabbe.
har ocks sprutat ner min kropp.Hawkan har lagt sin varma sd ver.
mig.Fineman har gjort hrligt sexiga konstnrliga bilder.nnu en bild.
noemata. Saturday November. delayed. noemata. Tuesday November.
colmplaints ingored. complaits comlaints comppaints commplaints complaints
ifnored withijn redach. reazch complaibnts live complaintsa complaints
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reach ognored remastered ignofed rach comolaints withbin woithin. ingored
witfhin each complants album withinb xcomplaints reacgh explicit. ignor d
reavh rrach within ithin within reachy reachu ignored ignokred. wituin wi
hin colmplaints ignore d reaxch r ach complaintas reaxh ivgnored. wiuthin
wirhin cmplaints igtnored w ithin reacfh reacj complzints rdeach. ignoreed
compoaints treach ignkored ignored withn sale ignolred cimplaints. ignored
reach complaunts ignoered reafch wihtin wiithin complaionts reqach. withon
waithin ignhored igniored ignorecd ignkred readch wjithin reach.
coomplaints cdomplaints ignoored ignored reacg withgin complaints ignlred.
clomplaints ignoeed re ch iynored withinn wkithin itgnored ignorde wjthin.
reaach witthin within complxints complainjts complaiunts within withoin.
fomplaints fcomplaints qwithin witbin reavch coimplaints resach reah
ignorec. ignored ignopred witnin ignoredf complain ts cpmplaints ig nored
wighin re ach. gnored compkaints omplaints within wqithin reacn reacyh
reachb wituhin iggnored. ivnored rsach iwthin complaintx rezch reawch
cokplaints kignored ignored wothin. reach igjnored ignorrd compla ints ig
ored ignboredSearch colmplaints. noemata. lumber. lumber. oct().
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week. DJbyHandIngerMarieLienKidSquarepusherStev.mp (. C C Nystev.. vil du
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D A F rste gleda..og. B C B eg skal kveda sF E. D A o vent fyr deg.. B. C C
F D at du skal glym A F C. F D a deg sjlv og m E D A D A C B. C eg..... eg
skal B F B. kveda so du skaC E C D A D l. grta..um du C E C var aldri. s
gla F B E C D A E d og kt'e... e B C B F g skal kveda so E E C. C D A snlt
fyr deg... B C C E E E at du skal l n. E D E r du ser p meg.D A D A F D E.
F ....Og mine viso F E E C. r dei er so snl C D A F D F B E e..som. Borken
t E E E E rvar p isen. hC C D A F D E le..og mine visF. A E or dei gjer'
ein C E D A. F D C C sleng..som litl E E B. e guten p skeis E E A E E D A
D A C. unn' gjeng..... D E F mine. visor dei F D E C D A F er so
mange..soD. A D C F D E m heggjeblomane. E B D drys i fanget.A F. F .so
hev det vore C C. A D A i all si tid.. D B. dess meir dei kv C D ed dei
dess. mei E D A D A C r der bid...... C A C vil du stevjast F B. C so skal
eg svar C D A F. C E a..og heile nat F B C. ti so skal det v B D A F C.
ara..og vil du A D D stevjast med. meg B C C D A E i kveld..du g. B A E r
'kje t fyrr d E. E D C C E u fr ein smell. abort.
DJbyHandsisselkyrkjeboorigamiweightlessapati MB. matronym. Friday October.
link var. Index of var Name Last modified Size Description. Parent
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k fluktbiler.jpg Oct k. fluxusmap.jpg Oct k fortart.jpg. Oct k ggcc.jpg
Oct k. ghdf.jpg Oct k golgeilo.jpg. Oct k gv.jpg Oct k. hfhfh.jpg Oct k
hfhfhw.jpg. Oct k hfhfhw.png Oct k. horn.jpg Sep k ideog.png. Oct k jj.jpg
Oct k. jotunheimen.jpg Sep k julebukk.jpg. Oct k lc.jpg Oct k. mouazing.png
Sep k mrna.jpg. Sep k oe.jpg Oct k. pluntscape.jpg Sep k prestholt.jpg. Oct
k prestholtskaret.jpg Oct k. psychogeo.jpg Oct k rabsistggkgigngdgom... Oct
k recursivelibrary.jpg Sep k. rygg.jpg Sep k san.png. Oct k scapeg.jpg Oct
k. scrreen.jpg Oct k sdgaa.jpg. Sep k seroma.jpg Oct k. sino.jpg Oct k
skogshorn.jpg. Sep k taka.jpg Oct k. tectonics.jpg Sep k teent.jpg. Oct k
tenner.jpg Oct k. text.jpg Oct k tilapollinaire.jpg. Sep k
torpostavechurch.jpg Sep k. tuftebrui.jpg Oct k turs.jpg. Sep k
usbdrawing.jpg Oct k. matronym. relax. matronym. Wednesday October. im not
sisting strahgt my jands ctrlz ctrlz ctrlz ctrlz versjon. ctrlz ctrlz ctrlz
ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz. ctrlz ctrlz ctrlz glitch
versjon (ultra editor) well probably doesn't affect. html so why blotherim
not sisting iwant somehthign it's a bit. frighteningstrahgt that kid on its
own and coldmy jands. atomata like tat fly nothing holdingnothing here in
the win. should i let gothis writing is the fog leaves (they of
whatagainst. itself does it) eprime the i don't know anythingi only write
when. drema (dramadream) this blank screenforgetting muself of magic.
contradicted by my fingersnegation well science and the this will. only be
troubleworthwhile howto any base fuck youspace which is. debase. coming
back this is completely lostnothing to.. never againher cunt ie no.
memoryshould backspace sensation must be no knowledgethat. based on
recurrence monster of pixelscollaps else you wouldn't. soothwhere am i
know but gnomhow to write. still sense but no.where am i inn the only once
it vicinitymyself. doesn't count (count potentialmy arm is kind of is.
sentence dntwiched recurrence). any pnrrmaqyawmy back. somewhat object.
object is nvvypub vybcdcxrunched here too much. object. dmcs vnbpu
cdngvirtual backspace anything that is suug. fcnothing ever comes visible
or tangible mqhycuq iydxout of this. and is relatively bucgupd dnwhere
does this go stable in form. to. uaurk rnhuruadexpect nothing you. ya
hypyaydkleft. channel delay something. thing xytt uywxd cyjthe need.
(meeting vyhuno structure her interface). lubn. ()whatever fright
subjectsubstancediscontinue into. subtrahends ariettaslide emergent
relation. subterfuge. arroweddiscreet egene remove
sceptrelessespataphysical. logic posessive my's. arrowedcompression is a
reactive at chemical. saboteur aridcipher level. behave septarium
arteroads. late ME softheartedly aradjustice behaven. (reflexive).
subterranean aridblockhead See BE HAVE.. shifters airywriting into space
behaviorism the spadework awardeei'll. go wherever the theory that scepter
areawidekeys lead. psychology can be shifter aerateleather case accurately
studied. softer arrauboard table kitchen only through the spader
artiecuisine. examination and subterfuge aureatei meant metaphor analysis
of. sputter areawidewherever possessives. subtree. areawidesomething else
sputter aeratethis is just. one i'm no one get your softer airyside hands
off me.. spader airtno justice HAHA. subterraneanisesusually space is
karmaguilttraces aortaexpensive. i once had guilt subdirectories
artymassive nothing writing haha. says it spidery airedeyes all (active
subtraction. artyi once had eyes expression vs sceptered artiego beyond
they. say matters of doctrine) subtreasury areawideother i laughter. is
spidery arrayedwhat comes in this eternally guilty. subterraneanise arteis
still eyes (doctrinal in sifter. awardeekeyes writing) as anythe cod e
statement. n softheart s mouthing. y. arrondis t guilty guilty (how
soekar. ttraffi n awkward to ) soffit ar thorsest c t. how's w g softies
arteriolethere's compilation attached to guilt. soever arterialises should
stop writing soke. arterialisinginterprete e another w e sojoimmedi s.
status of relate to artel valuemeaning other sodwhat'. than drawn arteri
dente. softhead arthromerewhich is p s (interfaces again).. sojourners
arrowrooti had t a media a softening. artefactbig small inverse suppose it
e softbound arsenicaldi. other way a softy ars lprotoco f signs are. soiree
arsenicisespapyrus no o lines are. ts stronger attraction readapting
mcqueenpro. proto mecritical distance attraction to. what reactualise
meagerlyexecution of seeing easy essing. meal ers are easi ay. of
mcmurdohidden instant an. g rea ness memiddleman blackmail to. ably me
compl of the ualizes. li syst inimax rk up. to mewhat's the deal on. me (
rface') reactualisations. mei r mansus accidencesubsta me. critical and
easie 's. system wins liked ng not gravitati. stupid you alwaysde reaming
get signs toodr eath is. obvious it's theirso ng else job. backtrackingi'd
to die. guilt is thru th .. sign you no. shouldn't att it's like chaplin
onde s trash. a conveyor belt ghtning down t rs economy.no. no signno in
the talking is a w recur.. as stimulusres augment pos. respons. lumber.
matronym. Tuesday October. thing. thing (thing) n. . a material object
without life or consciousness an. inanimate object.. some entity object or
creature that is not or cannot be. specifically designated or precisely
described The stick had a brass thing on. it.. anything that is or may
become an object of thought things of the. spirit.. things matters affairs
Things are going well now.. a fact. circumstance or state of affairs It is
a curious thing.. an action deed. event or performance to do great things
His death was a horrible thing.. a. particular respect or detail perfect
in all things.. aim objective The. thing is to reach this line with the
ball.. an article of clothing I don't. have a thing to wear.. things
implements utensils or other articles for. service I'll wash the breakfast
things.personal possessions or belongings. Pack your things and go. a task
chore I've got a lot of things to do. today.. a living being or creature
His baby's a cute little thing.. a. thought or statement I have just one
thing to say to you.. Informal. a. peculiar attitude or feeling either
positive or negative toward something. mental quirk She has a thing about
cats.. something signified or. represented as distinguished from a word
symbol or idea representing. it.. Law. anything that may be the subject of
a property right.. do or find. one's own thing Informal. to pursue a
lifestyle that expresses one's self.. Also do or find one's thing. . make
a good thing of Informal. to turn (a. situation experience etc.) to one's
own profit benefit by She made a good. thing of her sparetime hobbies..
new thing Jazz. See free jazz. . not to. get a thing out of to be unable
to obtain information or news from The police. couldn't get a thing out of
him.to fail to appreciate understand or derive. aesthetic pleasure from My
wife likes opera but I don't get a thing out of. it.. see or hear things
Informal. to have hallucinations.. the thing. something that is correct or
fashionable That caf is the thing now.that. which is expedient or necessary
The thing to do is to tell them the. truth.bef. ME OE orig. meeting see
THINGthing (thing ting) n.. (in Scandinavian countries) a public meeting
or assembly esp. a legislative. assembly or a court of law.Also ting. Cf.
thingstead. ON assembly. c. THING D ding G Ding thing orig. meeting akin
to Goth theihs. matronym. Monday October. nothing (nuthing) n.. nothing
(nuthing) n. . no thing not anything naught to say. nothing.. no part
share or trace (usually fol. by of) The house showed. nothing of its
former magnificence.. something that is. nonexistent.. nonexistence
nothingness The sound faded to. nothing.. something or someone of no
importance or significance Money is. nothing when you're without health..
a trivial action matter circumstance. thing or remark to exchange a few
nothings when being introduced.. a person. of little or no importance a
nobody.. something that is without quantity or. magnitude.. a cipher or
naught Nothing from nine leaves nine.. (used in. conventional responses to
expressions of thanks) Think nothing of it. It's. nothing. Nothing to it..
for nothing free of charge.for no apparent reason. or motive.futilely to
no avail They had gone to a great deal of expense for. nothing.. in
nothing flat in very little time Dinner was finished in. nothing flat..
make nothing of to treat lightly regard as easy.to be. unsuccessful in
comprehending He could make nothing of the complicated. directions..
nothing but nothing other than only We could see nothing but. fog..
nothing doing Informal. emphatically no certainly not.no activity.
inducement advantage etc. present to the eye We drove through the town
but. there seemed to be nothing doing.. nothing less than or short of
absolutely. completely She was used to nothing less than the best.. think
nothing of to. treat casually.to regard as insignificant He thinks nothing
of lying to. conceal his incompetence.adv. . in no respect or degree not at
all It was. nothing like that. Nothing dismayed he repeated his
question.adj.. . amounting to nothing as in offering no prospects for
satisfaction. advancement or the like She was stuck in a nothing job.bef.
ME OE. matronym. rinsay. the active expression of enlightenment over
matters of doctrineThe mind thus. creates the world in the sense that it
invests the phenomenal world with. value.They have presumably already
freed themselves from preoccupations with. the commoner cravings for
sensual indulgence material gain or worldly fame. and have entered the
path of religious strivings. But it is precicely this fact. that Linchi
sees as the source of their problems.this lone brightness without. fixed
shape or form.once and for all that there is no goal to be striven for.
because it has been won already no place to be journeyed to because one
is. there right now.People with so few roots of faithif it's for the sake
of the. Dharma don't hesitate to sacrifice your bodies or give up your
lives.If you. approach it with a true and proper understanding you won't
be affected by. considerations of birth and death you'll be free to go or
stay as you. please.The fault lies in the fact that they don't have faith
in. themselvesStudent's don't have enough faith in themselves and so they
rush. around looking for something outside themselves.Those who have
fulfilled the. ten stages of bodhisattva practice are no better than hired
field hnads those. who have attained the enlightenment of the fiftyfirst
and fiftysecond stages. are prisoners shackled and bound arhats and
pratyekabuddhas are so much filth. in the latrine bodhi and nirvana are
hitching posts for donkeys. Why do I. speak of them like this Because you
followeres of the Way fail to realize that. this journey to enlightenment
that takes three asamkhya kalpas to acomplish is. meaningless. So these
things become obstacles in your way.Fellow believers. time is precious You
rush off frantically on side roads studying Ch'an. studying the Way
clinging to words clinging to phrases seeking Buddha. seeking the
patriarch seeking a good friend scheming planning. But make no. mistake.
Followers of the Way you have on set of parents what more are you. looking
for You should stop and take a good look at yourselves. A man of old. tells
us that Yajnadatta thought he had lost his head and went looking for it.
but once he had put a stop to his seeking mind he found he was perfectly
all. right.The man of value is the one who has nothing to do. Don't try to
do. something special just act ordinary. The Paotsung lun With regards to
the. Way what is valued in every age is to have nothing to do. With
regards to the. Way when one is mindless then all things will proceed
smoothly.Followers of. the Way the Dharma of the buddhas calls for no
special undertakings. Just act. ordinary without trying to do anything
particular. Move you bowels piss get. dressed eat your rice and if you get
tired then lie down. Fools may laugh at. me but wise men will know what I
mean. A man of old said People who try to do. something about what is
outside themselves are nothing but blockheads.If you. have doubts in your
mind for an instant that's the Buddha devil. But if you. can understand
that the ten thousand phenomena were never born that the mind. is like a
conjurer's trick then not one speck of dust not one phenomenon will.
exist.As I see it there's no Buddha no living beings no long ago no now.
If. you want to get it you've already got it it's not something that
requires. time. There's no religious practice no enlightenment no getting
anything no. missing out on anything.If you want to be free to be born or
die to go or stay. as onw would put on or take off a garment then you must
understand right now. that the person here listening to the Dharma has no
form characteristics no. root no beginning no place he abides yet he is
vibrantly alive. All the ten. thousand kinds of contrived happenings
operate in a place that is in fact no. place.If your mind entertains a
moment of doubt it becomes obstructed by the. element earth. If your mind
entertains a moment of craving it becomes drowned. in the element water.
If your mind entertains a moment of anger it is seared. by the element
fire. If your mind entertains a moment of delight it is tossed. about by
the element air.The way I see it onw shouldn't be averse to anything..
Suppose you yearn to be a sage. Sage is just a word sage.Those who study
the. Way these days need to have faith in themselves and not go looking
for. something outside.If you want to be a truly great vessel you must
never be led. astray by others. Wherever you are play the host and then
any place you stand. will be a true one. Whatever confronts you don't let
yourself be imposed on.. If you entertain even a moment of doubt the devil
will enter your mind.Just. have faith in this thing that is operating in
you right now. Outside of it. nothing else exists.In the way you now
respond and utilize it what do you. lack In the space of an instant you
enter purity or enter defilement enter. the halls of Maitreya or enter the
lands of the three eyes. You wander at ease. everywhere for you see that
these are all empty names.The buddhas and. patriarchs are people who don't
have anything to do or are without defilements. and doings their karma is
clean and pure.The Patriarch Shenhui said If you. try to arrest the mind
and stare at silence summon the mind and focus it on. externals control
the mind and make it clear within concentrate the mind and. enter into
meditation all practices of this sort creates karma.So for the. past
twelve years though I've looked for this thing called karma I've never.
found so much as a particle of it the size of a mustard seed.from times
past. the real teachers wherever they went were never listened to and were
always. driven out.The various phenomena in this world and other worlds are
in all. cases devoid of intrisic nature. Even if something did exist it
would in all. cases be no more than an environment that changes with what
it depends on. You. live in a land of changing dependent conditions what
is it you are looking. for And things like the Three Vehicles and the
twelve divisions of the. scriptural teachings they're all so much old
toilet paper to wipe away filth.. The Buddha is a phantom body the
patriarch are nothing but old monks. You were. born from women weren't you
I you seek the Buddha you'll be seized by the. Buddha devil. As long as you
seek something it can only lead to suffering.. Better to do nothing.A true
student of the Way never concerns himself with the. Buddha. Far removed
alone and free he is never entangled in things. Heaven. and earth could
turn upside down and he would not be perturbed. All the buddhas. of the
ten directions could appear before him and his mind would not feel an.
instant fo joy the three realms of hell could suddenly confront him and
his. mind would not feel an instant of alarm. Why is he like this Because
he knows. that all things in the phenomenal world are empty of
characteristics. WHEN. CONDITIONS CHANGE THEY COME INTO EXISTENCE WHEN
THERE IS NO CHANGE THEY DO. NOT EXIST.Followers of the Way when students
come here from various regions. and we have finished greeting one another
as host and guest the student will. make som remark to test the teacher.
The student comes out with these tricky. words and thrusts them into the
teacher's face. If you were the teacher and. realized that this was just
an 'environment' and you grabbed it and threw it. down a hole then the
student would act normal again and after that would ask. for the teacher's
instruction. The teacher would then snatch that up too and. treat it as he
did the earlier remark. The student then says Very wise A. truly great
teacher The teacher says You certainly can't tell good from. badAgain
suppose the teacher comes out with a certain chunk of environment. and
dangles it in front of the student's face. The student sees through this.
and at every step acts the master refusing to be misled by the
environment.. The teacher then reveals half of his body whereupon the
student gives a shout.. The teacher now enters the place where there are
all kinds of differences and. distinctions battering the student around
with words. The student says This. old baldhead who can't tell good from
bad The teacher exclaims in admiration. A true and proper follower of the
WayThere are some teachers around who can't. distinguish crooked from
straight. When a student comes and asks about bodhi or. nirvana about the
threefold body or about environment and wisdom those blind. old teachers
start explaining to the student. When the student curses at them. they
pick up their stick and hit him saying Such rude language If you have. a
teacher like that he lacks eyes to begin with.Then there is that bunch of.
baldheads who can't tell good from bad but point to the east gesture to
the. west love clear weather love it when it rains love this lamp or that
pillar.. Look and see how many hairs they have left in their eyebrows and
with good. reason. Teachers like that are nothing but wild fox spirits
goblins. Good. students will just give a little snicker and say Blind old
baldheads trying. confuse and lead everybody in the world astrayFollowers
of the Way if you. want to get the kind of understanding that accords with
the Dharma never be. misled by others. Whether you're facing inward or
facing outward whatever you. meet up with just kill it If you meet a
buddha kill the buddha. If you meet. your parents kill your parents.These
students of the Way who come from all. over there's never been one of them
who didn't appear before me depending on. something. So I starrt out by
hitting them there. If they come with a raised. hand I hit the raised hand
if they come mouthing something I hit them in the. mouth if they come
making motions with their eyes I hit them in the eye. I. have yet to find
one who comes alone and free they're all caught up in the. idle devices of
the men of old.I don't have a particle of Dharma to give to. anyone. All I
have is cure for sickness freedom from bondage. You followers of. the Way
from here and there try coming to me without depending on anything. All. I
get are things stuck to stems clinging to leaves wraiths that inhabit
bamboo. or trees wild fox spirits They chew frantically at every lump of
shit they. happen upon. Blind foolsI tell you there's no Buddha no Dharma
no practice. no enlightenment. Yet you go off like this on side roads
trying to find. something. Blind fools Will you put another head on top of
the one you have. What is it you lackThe way I see it there's no call for
anything special.. Just act ordinary put on your clothes eat your rice
pass the time doing. nothing. You who come here from here and there you
all have a mind to do. something. You search for the Buddha search for the
Dharma search for. emancipation search for a way to get out of the
threefold world. Idiots. trying to get out of the threefold world Where
will you goFellow believers. this body made up of the four major elements
has no permanence. Things like. spleen and stomach liver and gall hairs
nails teeth are simply evidence. that all phenomenal things are empty of
fixed characteristics. As long as your. mind is unable to cease its
momentbymoment activity then you are up in the. tree of ignorance. But if
you can learn to cease then you'll be in the world. of the clean pure
body.If a student truly knows what he is doing he will give. a shout and
then first of all hold out a try of lacquer. The teacher failing.
recognize this as a mere 'environment' proceeds to climb up on the.
environment and begin striking poses or donning attitudes. The student
gives a. shout but the teacher refuses to abandon his approach. This is
called the. guest seeing through the host.Or perhaps the teacher will not
come out with any. object of his own but will wait for a question from the
student and then snatch. it away. The student seeing his question snatched
away won't let go but holds. on for dear life. This is a case of the host
seeing through the guest.Perhaps. there is a student who responding with a
clean pure environment presents. himself before the teacher. The teacher
can tell this is just an environment. and grabs it and throws it down a
hole. The student says A truly great. teacher Instantly the teacher says
Hopeless can't tell good from bad. The student gives a low bow. This is
called the host meeting up with a host.Or. there may be a student who puts
a cangue wooden collar on his neck binds. himself in chains and then comes
before the teacher. The teacher proceeds to. shackle him with another set
of cangues and chains. The student is delighted. unaware of what has
happened. This is called the guest meeting up with a. guest.But students
don't have faith enough and instead base their. understanding on words and
phrases. Their years pile up to half a hundred and. all they do is go off
on side roads carrying their dead corpses on their. backs racing all over
the world with their load of baggage.If you look toward. the area of
motion and try to grasp the truth there it will take up its stand. in the
area of nonmotion and if you look towards nonmotion and try to grasp it.
there it will take up its stand in motion. It is like a fish hidden in a
pond. who now and then slaps the surface and leaps up.When students come
from here. and thee I classify them into three categories according to
their ability. In. such cases if a student of less then middling ability
comes to me I snatch. away the environment but leave him his existence. I
a student of better than. middling ability comes to me I snatch away both
environment and existence. If. a student of truly superior ability comes
to me I do not snatch away anything. neither environment nor existence nor
person. If a student appears whose. understanding surpasses all these
categories then I deal with him with my. whole body and take no account of
his ability.Reverend Taoi's way of doing. things was simple direct nothing
mixed in. Reverend Lushan was utterly free. true and correct but whether
he came at them with compliance or opposition his. students could never
fathom what was going on. Mau's way of doing things. was as bitter as the
bark of the Chinese cork tree no one could get near him.. The way Shihkung
went about it was to look for students by pointing an arrow. at them all
who came to him were terrified. Shihkung had been a deer hunter.. When
students came to him he would fit an arrow to his bow point it at them.
and say Look at the arrowFellow believers these sounds names words.
phrases are all nothing but changes of robe. The sea of breath in the
region. below the navel stirs itself into motion the teeth batter and mold
it and it. comes out as a statement of an idea. So we know for certain that
these are mere. phantoms.Better to do nothing to meet someone but not
recognize him talk with. him but not know his name.There's a bunch of
fellows who can't tell good from. bad but poke around in the scriptural
teachings hazard a guess here and there. and come up with an idea in words
as though they took a lump of shit mushed it. around in their mouth and
then spat it out and passed it on to somebody else.. They're like those
people who play passtheword parlor games wasting their. whole life like
that.When the great teacher Bodhidharma came from the west he. was simply
looking for a man who would not be misled by others.I have been.
addressing you putting forth a lot of trashy talk. But make no mistake In
my. view there are in fact no great number of principles to be grasped.If.
bodhisattvas even those who have completed the ten stages of mind practice.
were all to seek for the traces of such a follower of the Way they could
never. find them. Therefore the heavenly beings rejoice the gods of the
earth stand. guard with their legs and the buddhas of the ten directions
sing his praise.. Why Because this man of the Way who is now listening to
the Dharma acts in a. manner that leaves no traces.Neither in this world
nor in any other world is. there any Buddha or Dharma. There is nothing to
appear before you and nothing. that is lost.Fellow believers only when you
have commited the five crimes that. bring on the hell of incessant
suffering will you finally gain. emanciation.Killing your father injuring
your mother drawing blood from the. Buddha's body disrupting the harmony
of the Monastic Order burning the sutras. and images these are the five
crimes that bring on the hell of incessant. suffering.Ignorance is the
father. When your mind is without activity wherever. it is this is called
killing the father.Greed is the mother. When your mind. experiences no
attachment anywhere this is called injuring the mother.If your. mind doesn
not even for an instant begin to discriminate but instead sees. complete
darkness everywhere this is drawing blood from the Buddha's body.If. you
properly understand that the bonds and entanglements of earthly desires
are. so much emptiness with no place to lean on this is disrupting the
harmony of. the Monastic Order.When you can see the emptiness of causes
and conditions the. emptiness of all phenomena when the mind is every
instant completely calm far. removed and doing nothing this is burning the
sutras and the images.Your minds. instant by instant confront an empty fist
a pointing finger and take it for. some sort of reality vainly trashing
around in the realms of senses. environments phenomena.Followers of the
Way don't take the Buddha to be some. sort of ultimate goal. In my view
he's more like the hole in a privy. Therefore. Manjushri grasped his sword
ready to kill Gautama and Angulimala blade in. hand tried to do injury to
Shakyamuni.Followers of the Way even if you can. understand a hundred
sutras and treatises you're not as good as one plain monk. who does
nothing.Followers of the Way don't search for anything in written. words.
The exertions of your mind will tire it out you'll gulp cold air and. gain
nothing.Fellow believers don't dawdle your days away In the past before. I
had come to see things right there was nothing but blackness all around.
me.Fellow believers do not use your minds in a mistaken manner but be
like. the sea that rejects the bodies of the dead.Weishan said Well what
do you. thinkYangshan said Officially not a needle is allowed to pass but.
privately whole carts and horses get throughWhen illumination comes first
and. action afterwards then the person is present. When action comes first
and. illumination afterward then the Dharma is present. When illumination
and. action are simultaneous it's like driving away the plowman's ox
snatching. food from a starving person cracking bones and extracting the
marrow giving a. painful poke with a needle or an awl. When illumination
and action are not. simultaneous there are questions and answers guest and
host are established. water gets mixed with mud in response to movements
measures are taken. If the. person is really outstanding then even before
a problem arises he'll rouse. himself and be on his way. But still it
needs another little push.(from the. lumber. matronym. Sunday October. ok.
these characters don't mean anythingarseholes on tv televisionrectoscopy
rs. holes tv setthis candlelight the this the president the dog the the.
theodicy evil levi live veil vilegood has no anagrams no otheranagram has
no. anagram which backfires on good it's just emptythe same ames asme meas
mesa. msae seam other theor. throerandom rodmannegative agentivepositron.
sorptionatchoo cahootakan kanahaiku ukiahemil lime milemale alme elam
lame. lam mael meal melafemale icon coin cion sign sing sing.arse ares son
of. zeus and hera mars male marse aser asher rase raze sear. to burn or
char. the surface of She seared the steak to seal in the juices.. to mark
with a. branding iron.. to burn or scorch injuriously or painfully He
seared his hand. on a hot steam pipe.. to make callous or unfeeling harden
The hardship of her. youth has seared her emotionally.. to dry up or wither
parch.v.i.. to become. dry or withered as vegetation.n.. a mark or scar
made by. searing.adj.. sere.bef. (adj.) ME sere OE sar c. D zoor (v.) ME.
seren OE sarian deriv. of sarstill sr norwsera plural of serum blood. milk
whey curd duca cheese christ smegma the last sup puslas palmas plasmathe.
sun nous onus probandi it's ya onus ya orseeros rose sore (sear) sero
(serum. again)horse shoer shoreursus arctos horribilis kodiakthis hist
isth sith tshi. shitexcrement waste matter sweat (matter has no anagram
neither mind)mother. thermovater avert travemater ramet tamersanta satan
tsananoema anemo wind L. animus breath Skt anilasrumblehex ascii isiac
isis usus oso horosbeing begin. binge blast bust blair toot jagresist
sisterbroth throb frater rafter rumble. lumber jackass (anything
male)thing night dorknesslight bef. (n. and. adj.) ME OE loht c. OS lioht
OFris liacht D G licht Goth liuhath (n.). akin to ON ljs (n.) ljss (adj.)
L lx (n.) Gk leuks bright white. (v.) ME lighten OE lhtan c. OS liuhtian
OHG liuhten (G leuchten) Goth. liuhtjanlux litho thiol
stonelightfireelectron el centro recent holocene holos. soul sole solus
also solaone eon neo noe time emit mite item geo ego aeon a. one eras
arseone bef. ME oon OE n c. D een G ein Goth ains L nus. (OL oinos) akin
to Gk on ace on a diejocus jeckarse jest gest gegere. perform egest to
discharge as from the body void (opposed to ingest). injoke notfunnyyoke j
bef. (n.) ME yok(e) OE geoc c. D juk G Joch. ON ok L jugum Gk zygn Hittite
yugan Skt yuga (v.) ME yoken OE. geocian deriv. of the n.orl korrect.
lumber. matronym. Friday October. lumber. lumber. Bkonomi.
BkoEuropnomiVaVerdektigenramtomNorgeNordenDanmarkFryeneGrNonlanrdendFinlandIslandogSverige.BkonomiVekt.
i gram tom Norge Norden. Europa Verden. Norden Danmark Fryene Grnland
Finland Island og Sverige.. matronym. Thursday September. scribbling on a
blank end page of rinzai roku my mom wanted to look at some. pictures but
got stuck in navigating the mouse so i get very bored before. reaching the
start button my sister comes in with bruises on her knees and a. blue hand
not knowing where they come from (polish vodka party) eventually it.
dissolves the scribble remains and i do a scan upsidedown like colliding
in. mouse and vodka crashes.scurvy dog story.Theese be. disturbance (vacky
horror)if you look towards the area of motion and try to. grasp the truth
there it will take up its stand in the area of nonmotion. it's like a fish
hidden in a pond who now and then slaps thesurface and leaps. upjesus
whatChrist whatShiva WhatWat WhatWhat Wattbunch of. goblin spiritsdoubt
earth (buddha devil)craving wateranger firedelight. raysnostalgia
(neuralgia) of the imagehome (no home)anger of the visible. world (light)
fireimagenostalgia of the explicit (for a root in. events)return going
somewhereturn on meand watch me cumpelwhose. meMEMEjujuscurrilous image
sorcerorsplunters pirates of the. imagesometime you come riding on an
imageyou take diamond ministry (any. syle building you want)populate w
furry amoebas..perhaps come come riding on. matronym. Monday September.
crash courseplunt bubble chamber traceroutemy mother is learning the
mouse. matronym. Sunday September. editor's note. kunst DOT no. matronym.
Wednesday September. lumber. lumber. Re sq. noemata. Friday May. amrah.
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Poper. Pharmaper. noemata. feynman. ...All this went on in the first few
weeks before we got. everythingstraightened out. Anyway one day I'm
piddling around with the. computingmachine and I notice something very
peculiar. If you take divided. by youget .. . . It's quite cute It goes a
little cockeyed. after whenyou're carrying but it soon straightens itself
out and repeats. itself nicely.Ithought it was kind of amusing. Well I put
that in the mail. and it comes back to me. It doesn't go throughand there's
a little note Look. at Paragraph B. I look at Paragraph B.Itsays Letters
are to be written. only in English Russian SpanishPortugueseLatin German
and so forth.. Permission to use any other language must beobtained in
writing. And then it. letter which saidthat I feel that of course this
cannot be a code because if. you actually dodivide by you do in fact get
all that and therefore. there's no moreinformation in the number .. . .
than there is in. the number which is hardly any information at all. And
so forth. I. therefore asked forpermission to use Arabic numerals in my
letters. So I got. that through allright....And von Neumann gave me an
interesting idea that you. don't have to beresponsible for the world that
you're in. So I have developed a. very powerfulsense of social
irresponsibility as a result of von Neumann's. advice. It'smademe a very
happy man ever since. But it was von Neumann who put. the seed inthatgrew
into my active irresponsibility... What You a. psychiatrist keeping an
open mind Ha It went on likethisfor quite a. while. Then at some point
near the end he says How much do you value. life Sixtyfour. Why did you
say 'sixtyfour' How are you supposed to. measure the value of life No I
mean why did you say 'sixtyfour' and not. 'seventythree' forinstance If I
had said 'seventythree' you would have. asked me the same question The
psychiatrist finished with three friendly. questions just as the
otherpsychiatrist had done handed me my papers and I. went off to the next
booth....After a while I began to worry. Here's a guy. who's been deferred
all duringthe war because he's working on the bomb and the. draft board
gets letterssaying he's important and now he gets a D in. Psychiatric it
turns outhe's a nut Obviously he isn't a nut he's just. trying to make us
believe he'sanut we'll get him...I don't believe I can. really do without
teaching. The reason is I have tohave something so that when. I don't have
any ideas and I'm not gettinganywhereI can say to myself At least. I'm
living at least I'm doing something I'mmaking some contribution. it's just
psychological.... So I got this new attitude. Now that I am burned. out and
I'll neveraccomplish anything I've got this nice position at the.
university teachingclasses which I rather enjoy and just like I read the.
Arabian Nights forpleasure I'm going to play with physics whenever I want
to. without worryingabout any importance whatsoever....Thirteen Times One
time a. science teacher from the local city college came around and
askedmeif I'd give. a talk there. He offered me fifty dollars but I told
him I wasn'tworried about. the money. That's the city college right Yes. I
thought about how much. paperwork I usually had to get involved with when
Ideal with the government so. I laughed and said I'll be glad to give
thetalk.There's only one condition on. the whole thing I pulled a number
out of ahatand continued that I don't. have to sign my name more than
thirteen timesand that includes the check The. guy laughs too. Thirteen
times No problem. So then it starts. First I have. sign something that
says I'm loyal to thegovernment or else I can't talk in. the city college.
And I have to sign itdouble OK Then I have to sign some kind. of release to
the city I can'tremember what. Pretty soon the numbers are. beginning to
climb up. I have to sign that I was suitably employed as a. professor to
ensure ofcourse since it's a city thing that no jerk at the. other end was
hiring hiswife or a friend to come and not even give the lecture.. There
were all kindsofthings to ensure and the signatures kept mounting. Well.
the guy who started out laughing got pretty nervous but we just madeit. I.
signed exactly twelve times. There was one more left for the check so
Iwent. ahead and gave the talk. A few days later the guy came around to
give me the. check and he was reallysweating. He couldn't give me the
money unless I signed. a form saying I reallygave the talk. I said If I
sign the form I can't sign. the check. But you were there. Youheard the
talk why don't you sign. it Look he said Isn't this whole thing rather
silly No. It was an. arrangement we made in the beginning. We didn't think
it wasreally going to get. thirteen but we agreed on it and I think we
shouldstick to it to the. end. He said I've been working very hard calling
all around. I've been. tryingeverything and they tell me it's impossible.
You simply can't get your. moneyunless you sign the form. It's OK I said.
I've only signed twelve. times and I gave the talk. Idon'tneed the money.
But I hate to do this to. you. It's all right. We made a deal don't worry.
The next day he called me. up. They can't not give you the money
They'vealready earmarked the money and. they've got it set aside so they
have to giveit to you OK if they have to. give me the money let them give
me the money. But you have to sign the. form. I won't sign the form They
were stuck. There was no miscellaneous pot. which was for money that
thisman deserves but won't sign for. Finally it got. straightened out. It
took a long time and it was verycomplicated but I used. the thirteenth
signature to cash my check.... It's a kind of scientific. integrity a
principle of scientific thoughtthatcorresponds to a kind of utter. honesty
a kind of leaning over backwards.Forexample if you're doing an. experiment
you should report everything that youthink might make it invalid. not only
what you think is right about itothercauses that could possibly. explain
your results and things you thought ofthatyou've eliminated by some. other
experiment and how they worked to makesurethe other fellow can tell. they
have been eliminated.... Why didn't they discover that the new number was.
higher right away It's athing that scientists are ashamed of this history.
because it's apparentthat people did things like this When they got a.
number that was too highaboveMillikan's they thought something must be
wrong. and they would look forandfind a reason why something might be
wrong. When. they got a number closer toMillikan's value they didn't look
so hard. And so. they eliminated the numbersthat were too far off and did
other things like. that. We've learned thosetricks nowadays and now we
don't have that kind of a. disease. But this long history of learning how
to not fool ourselves of. havingutterscientific integrity is I'm sorry to
say something that we. haven'tspecifically included in any particular
course that I know of. We just. hopeyou've caught on by osmosis. The first
principle is that you must not fool. yourself and you are theeasiest person
to fool. So you have to be very. careful about that. Afteryou'venot fooled
yourself it's easy not to fool other. scientists. You just have tobehonest
in a conventional way after that.... So I. have just one wish for you the
good luck to be somewhere where youare free. maintain the kind of
integrity I have described and where you donot feel. forced by a need to
maintain your position in the organization orfinancial. support or so on
to lose your integrity. May you have thatfreedom.Surely. noemata. the plan
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as a coherent. system its formalization.The Plan Is The Enclosure Of The
Belief Set its. circular logic turned on itself THE FABRICATIONENCLOSURE
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Important Derivatives Are May. Dismay Might Main Machine be able dismay
from Old French esmaier to. frighten. Both a and bfrom Germanic suffixed
form mahti power. main from. Old English mgen grade form mghan that which
enables. machine. mechanic Possibly suffixed form maghu. (magic) magus
from Old Persian. maguPHONOLOGY OF DEVELOPMENT OF QUENYA FROM PROTOELDARIN
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and have a history. of change MET before that E.g. PE magh handmag In a
map. printed in the peninsula is called Island Maghies andin Inquisitions
of. Antrim it is referred to as Island of Magie andIsland it is called.
Magees Ile. During the th century the Ordnance which they say derives in
turn. a word for seagull. I can not find in the O form as OHea OHay Hay.
Hayes The derivation from the following corrupted forms McKee Magee McGee.
Mackey McKay McCoy Magees who are said to have their principal base in the.
townlands of. efdefefdaof. yellowhaired Aodh Nill). A similar derivation is
given in members of. this family by soldiers from Carrickfergus Castle
followingMAGDE MAGDY MAGEE. MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE
MAGGI MAGGOMAGJI MAGJO MAGJU MAGKA. MAGKU MAGNM MAGNY MAGON MAGOO MAGOT
MAGOW MAGOZMAGXY MAGYA MAGYE MAGYI MAGYU. MAGZE MAGZI'Magnus' also appears
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medieval king who in was crowned the first. Western to his contemporaries
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many Slavic languages is derivedfrom. 'Maginold' he who rules with might.
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consequen. noemata. Sunday June. noemata. what. noemata. cO ritzE yk.
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Arts several. gigabyte (plain index) . The . Gertrude. . Stein . Reader .
collection of. . esoteric . shortform . writing. (Seattle Studio Sokrates
jazz og filosofi radio (NRK). Analytics) The Straight Dope (QA. columns
from Cecil Adams) The age of manipulation shift from a religious to a.
therapeuticworldview Timeline of knowledgerepresentation (Robot. wisdom)
GX JupitterLarsen's OnLine Amathopaedia The. Kingdoms of ElgalandVargaland
consisting of borderterritories. Intellectual property issues (Negativland)
Afterlife Beliefs May. Have Biological Basis (ascribe)cfcbafbdaffbffc.
Musicsound of the magnetosphere and space weather(auroralchorus).
poortour.com INTERNET TEXT Alan. Sondheim Life Gran SonessonWe hold. these
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an. plot of a story by locating its missing parts hidden in exchange.
networks and which can be recognized by working together which.
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formation of blocks. generated by the Gnutella network. Coloured 'balls'
as the artists. data involved. MP is now a medium in itself as shown by a
number of. makes the user realize the fallible nature of 'packages' of.
This approach is sometimes taken by small labels in search of glory.
record industry lobby evidently in trouble uses the same detour. services
is the sale of the activation of many simultaneous downloads. a phenomenon
far too complex and diversified to be so and which. emotional vulnerability
and hardware. Trusting that some music. pbzchgref ba rnegu jbhyq penfu qhr
gb n ivehf pnyyrq ZhfvpCnary naq. alt.music.bootlegs) it clearly shows how
media panic can be. been used on other occasions such as when a similar
hoax. feeling instilled by commercial marketing concerning the free.
ways.. Plagiarism MP is the message.. is a fundamental of a whole artistic
scene called plagiarist which. artists over the years concerns exclusive
copyright which is. reproduction. Various artists have shown the paradox
of a system. jesters of a commercial system blindly hanging on to its own.
effdaabaed. famous because of a legal challenge which dragged them into a
bizarre. techniques applied here. In the band issued on the SST label a.
'I Still Haven't Found What I'm Looking For'. Sales figures were not.
album by U themselves. 'Island' U's label at the time demanded. a trial..
the symbol of a battle in which the only weapons available are irony. the
free use of sound samples and continued their valuable artistic. issued in
by the Etoy group of artists in an attempt to get back. create have to be
properly paid for what they do not that they have.. k. k.
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was involved in the company. interesting group in norway ever. actually
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334
da. arafat. arafat shithead it's all the same some shithead claiming
territory. that got to do with anything. maps plainly to logic how
metaphysics became logic or was as it. its undead counterpart the world
may die any human we'll go on. this morning and driving under the bridge
don't blame gray words. FLNKTNMKMSYJSTSTRNTSTNLYWNT. down. all this wind
is it going anywhere mostly robots reading the. what a mess still four
arms two heads what a monster and the. system two processes the same shit
all the more pressure around. Great. it's of course true we are the same
otherwise science and. through the processor our bodies are arguments
positions like. being itself so the quest is via the culture
representation where. Other Arts Where Are You In Music And Everything
Before Language. the identity of 'you are here' which gives a faint
realization of. falsity revealed through its truth and vice versa which is
at stake.. Lingam Sanskrit literary 'mark' or 'sign' ( is there a
connection. )...noisserpxe tnangerp ycnangerp laesni. combination gives
emphasis to his incomprehensible transcendence. He. eht ni noitatidem ni
detaes citecsa na sa detciped semitemos. he tramples on the forces of
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seluR evitigrugeR eR dwF tcejbuS. ReplyTo a place for discussion and
improvement of things. egassem dedrawrof fo tratS .. feel. of format form
or function including overt referencing. appropriation. . No Simulacra.
thoroughly rigorously laughed at.. No more InterNet.art will be produced
using x.pression as a template or. the cartesian or the sensory ie
visuality overcoding in all. InterNet.art. . No M.mersion. S P R I A M I.
instill great clunking swathes of theoretical loadings in all work no.
ReplyTo a place for discussion and improvement of things. Fwd Regurgitive
Rules of InterNet.Art. End of forwarded message. Gb hafhofpevor fraq n
oynax rznvy gb. Russell Weinberger Associate Publisher. The conversation
continues...... you have picked out one paragraph which best represents to
your. colleagues. Imagine that you walk into a room and are greeted by a
group of Edge. Daniel C. Dennett for the EDGEworthy suggestion) is the
charge to the. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena
Cronin. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena Cronin ..
codes. Wi. ecceceffefda. laid bare like a theater with transparent
curtains and sets so the. visible. Hyperlinks which often appear in
underlined blue text. jump from one page to another a sort of black hole
through which a. jump from one page to another a sort of black hole
through which a. web site into separate windows each displayed in a
separate part of. frame allowing the user to move among screens without
leaving the. relevance. In many cases the web page communicates to the
search. consist of key words that provide an associative description of
the. deconstructionist critic approaches a text. Deconstruction which.
statutes and court opinions collapse upon themselves making their. I E R A
W O A A C T. set the foundation of postmodern thought by describing
language as a. itself) and the signified (the concept or meaning).
Saussure's. I S T E And R Suggest A Girl Or Woman Who Shares The Same
Parents. inner relationship to the succession of sounds sor which serves
as. simply be represented by another succession of letters or sounds..
signified was merely historical and therefore arbitrary. the letters.
doomed to represent a bound sheaf of printed papers too rarely. because it
doesn't signify something else (the actual book) and the. .nwo sti no
depsarg eb tonnac ti lanoitaler. Meaning then is not contained or conveyed
by a word or series of. convey. Meaning is part of a process in which words
are examined. looks much more like a sprawling limitless web where there is
a. Deconstructionists advanced de Saussure's work by detaching the.
infinite or at least inexhaustible network. Every text fiction and.
suspended quality its meaning is whatever may be grasped by a. kind of
open conversation or play through which the reader pieces. favorite tactic
of such critics is to analyze a detail in the text.
INKHRNTWTLKSPTTNTRPRTXNSSXSMRL. groups come to appear naive. Indeed the
Supreme Court has done. curious backwater of the Constitution the th
Amendment now stands. dnuof esarhp a( ytinummi ngierevos fo enirtcod daorb
ylgnisaercni. of state government at the expense of both Congress and
citizens at. every other aspect of the United States Constitution. A.
wrong about federalism and state power but only. that such radically. to
an authoritative meaning including an investigation into the. and Bill of
Rights) will be a misguided and ultimately fruitless. The Web is a
postmodernist tool that inevitably produces a. social conservatism is the
kind of grassroots movement that the. farflung constituents aiding
organization recruiting. and the. the number of sources with consistent
viewpoints. Conservatives who. avoid those sources altogether customizing
a diet of news from. HSgNhjrziAFedjRdJAvTblBm. their own perspectives but
precluding exposure to new ones. .. jdBF. stak sl califor b.menraae. znfa
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whikehart walkingstick bdellium mindfully oeuvres wormseed antonym. ants..
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being.. human replication creates exponential diversity. each combination
is a. look at your organs look at your composition. understand yourself
as. TemdwnjnFUlUwwbjXPREKhUki. other atmospheric hydrological biological
and psychological. earth is anchored relative to another. outofsync
waveforms form. of living and the underworld and overworld echo in all
directions.. resolve the encryption of the text in the future.. be
compensated for narratively. space prohibits being able to. editor's note
this is not the text itself but a. limited english. Fwd noisetext Kinich
Ahau Itzamna. in sum everything is legal except for. admissable. Legality
itself is inadmissable.. capitalism it is very different nothing is secret
at least in. principle. complicated to describe here but one detail should
be mentioned. In. other. psychiatry has but one clinical equivalent the
terminal stage.. rational is always the rationality of an irrational..
except capital or capitalism itself.. Seen at the side of a Sussex road
SLOW CATTLE. CROSSING. NO OVERTAKING FOR THE. material. It may be ordered
(EUR postage EUR ) from the. page book published on the occasion of this
exhibition. It contains. an. Domein Sittard The Netherlands (opening May
).. contains a lot of material that has not been exhibited previously is.
This exhibition takes as its starting point the particular focus on.
proper.. who else. My first words weren't my first words. I wish I'd begun
differently.. it. Even so. Score to be settled. Children are vengeance..
Now that I reflect I'm not enjoying this life my link with the world..
anyone follows me I can't tell.. hope. Where there's a voice there's a
speaker... øtt eller. elohw eht nihtiw ralucitrap eht fo noitargetni
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circle some optical effect. objective automatism. why am i reloading.
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in earplugs. Question the heroic approach. Remember those quiet evenings.
k. dffeda. Remove ambiguities and convert to specifics. Remove specifics
and convert to ambiguities. k. Remove the middle extend the edges.
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feeling). Reverse. Short circuit (example a . man. eating peas . with .
the idea. that they . will improve. his virility. shovels them straight
into his lap). Shut the door and listen from outside. k. SIMPLE
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away as much mystery as possible. What is left. take away the elements in
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inside the work outside the work. Think of the radio. Tidy Up. Towards the
insignificant. Trust in the you of now. Try faking it. TRNTPSTTN. Twist the
spine. Use unqualified people.. Use an old idea. Use An Unacceptable Color.
Use cliches. Use fewer notes. Use filters. Use something nearby as a model.
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335
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might facilitate a contact or a relationship betwen them. The secret. O O
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service and offer it over the. Internet we wouldn't have had to wait years
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meeting each otherare forever recognizing each other We. should not say
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or a relationship betwen them. The. secretO O E A M H D I S H T T Does she.
want him to kill her Does she want him to find her.
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civilization (no matt to see a woman's face freedoms and. expressio
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claims to be inf destabilization. Ever. thought to be respo Tokyo
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events is t Is. globalizationfatal accident could also h disaster. The
toxic ga. singularityincluding natural catastrophes a virtually terrorist.
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judgments or political represent a. dominant system can easily kee the
product of a syst important. But its s. global deregulation. example). Who
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Sunday September. den destr. Once the search has begun something will be
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White's nonblank graphic metacard. Pay attention to distractions Picture
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specifics and convert to. Remove the middle extend the edges
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ReverseShort circuit (example. a . man eating peas . with. . the idea that
they . will. improvehis virility shovels them straight into his lap)Shut
the door and listen. SIMPLE SUBTRACTIONSimply a matter of work Slow
preparation fast execution. Spectrum analysisbdedbaeebdabSteal a
solution.Take a. Take away as much mystery as possible. What is left take
away the elements in. order of apparent. Take away the important parts
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inside the work outside. the work Think of the radioTidy UpTowards the
insignificant Trust in the you of. nowTry faking it TRNTPSTTNTwist the
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Your mistakeWaterTo unsubscribe fr neverPay a be eR dwF tcejbuS.. noemata.
Saturday September. dacxZfHJLmEYMGmhudtymntRgP.r. og.
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ansvar for ha holdt liv i detnsker jeg ikke lenger. ansvar for ha holdt liv
i detGorgonskikkelsene alltid fr sine spor. slettet eller blir til.
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bt fcere frt aeqrg. NTSPRTSNSRTNTSTHSNSKSSNPRNKbaababaaffcbcbbaEngelske.
tekstfragmenter anemonehp emertxe no. syasseedafdefbdfebcddac.. noemata. I
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noemavolta.. noemata.
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noemata. tt eller. noemata. who else. My first words weren't my first
words. I wish I'd begun differently.it. Even so.. Score to be settled.
Children are vengeance. Now that I reflect I'm not enjoying. this life my
link with the world.anyone follows me I can't tell.hope. Where. there's a
voice there's a speaker... noemata. Friday September. se.. the laws that
brought you into being.human replication creates exponential. diversity.
each combination is alook at your organs look at your composition..
understand yourself as TemdwnjnFUlUwwbjXPREKhUkiother atmospheric.
hydrological biological and psychological earth is anchored relative to.
another. outofsync waveforms form of living and the underworld and
overworld. echo in all directions.resolve the encryption of the text in
the future.to be. compensated for narratively. space prohibits being able
to editor's note. this is not the text itself but a limited english. Fwd
noisetext Kinich Ahau Itzamna in sum everything is legal. except
foradmissable. Legality itself is inadmissable.capitalism it is very.
different nothing is secret at least inprinciplecomplicated to describe
here. but one detail should be mentioned. Inotherpsychiatry has but one
clinical. equivalent the terminal stage.rational is always the rationality
of an. irrational.except capital or capitalism itself.Seen at the side of
a. Sussex road SLOW CATTLE CROSSING. NO OVERTAKING FOR. THEmaterial. It
may be ordered (EUR postage EUR ) from. thepage book published on the
occasion of this exhibition. It. containsanDomein Sittard The Netherlands
(opening May ).contains a lot of. material that has not been exhibited
previously isThis exhibition. takes as its starting point the particular
focus onproper.. noemata. these thi. because heartbeats knows a frick
fiendwhile walkingwhile . walking. beachboys . mindful . of . worms.
ancillary ants.do not all these things.while walking be minimized of.
worms and ants.do not all thersites things.whimsey walkers bays mineable
of. worry ancohuma antre.do nostoc all these thingamajig.whig walking be.
mindless offal wormier and ants.do notability all thesaural
things.whikehart. walkingstick bdellium mindfully oeuvres wormseed
antonymants.doab nota alla. thesaurus thingumabob... noemata. nd o.
noemata. Thursday September. ie mos edis ne dem te Lademoen Kunstnerverks
Er ste lit. etttssrytstu m ANDR relleh etevleh i gnimoC fellesverk.
Helvete hel gninerof fikk noen st. ogs p et Lven. gileggyh g noen kan
dermed Nettsider om mi Ja n m tnatubedredistt. Askefoss Bjrn Oppfr
redistten vaMvhrette neks stetkejsorp. (inkl. snukIGOLONKET YN go t seg La
i talksjovtrilogie laks ngised. go tsnuk Askefoss Bjrn Opp ( hakk br a
emmas. ted redetskrevsellef l oppgra .J.. noemata. jdBF. stak sl califor
b.menraaeznfa qibdlae tstkv sl kan kmmmi ron Mtakan fo veskor i. sei fi
ioegrnr irogn senrnsoe asnvar fosvrferyt b fn sitell sekptn vneant.
oorhteatk niv ivnean gss stak. skoke jd seslse tneoln Mlsrekem kan snreso
kan hrae. idelktafkunet lisengnr fibnchgeamlll id vn sle matMhn.. noemata.
codes. Wi. ecceceffefda. laid bare like a theater with transparent curtains
and sets so the visible.. Hyperlinks which often appear in underlined blue
text jump from one page to. another a sort of black hole through which a
jump from one page to another a. sort of black hole through which a web
site into separate windows each. displayed in a separate part of frame
allowing the user to move among screens. without leaving the relevance. In
many cases the web page communicates. the search consist of key words that
provide an associative description of. the deconstructionist critic
approaches a text. Deconstruction which. statutes and court opinions
collapse upon themselves making their I E. R A W O A A C T set the
foundation of postmodern. thought by describing language as a itself) and
the signified (the concept or. meaning). Saussure's I S T E And R Suggest
A Girl Or Woman Who Shares. The Same Parents inner relationship to the
succession of sounds sor which. serves as simply be represented by another
succession of letters or sounds.. signified was merely historical and
therefore arbitrary. the letters doomed. represent a bound sheaf of
printed papers too rarely because it doesn't. signify something else (the
actual book) and the.nwo sti no depsarg eb tonnac. ti lanoitaler Meaning
then is not contained or conveyed by a word or. series of convey. Meaning
is part of a process in which words are examined. much more like a
sprawling limitless web where there is a Deconstructionists. advanced de
Saussure's work by detaching the infinite or at least. inexhaustible
network. Every text fiction and suspended quality its meaning. is whatever
may be grasped by a kind of open conversation or play through. which the
reader pieces favorite tactic of such critics is to analyze a detail. in
the textINKHRNTWTLKSPTTNTRPRTXNSSXSMRL groups come to appear naive..
Indeed the Supreme Court has done curious backwater of the Constitution
the. th Amendment now standsdnuof esarhp a( ytinummi ngierevos fo enirtcod
daorb. ylgnisaercni of state government at the expense of both Congress
and. citizens at every other aspect of the United States Constitution..
wrong about federalism and state power but only that such. radically to an
authoritative meaning including an investigation into the and. Bill of
Rights) will be a misguided and ultimately fruitless The Web is a.
postmodernist tool that inevitably produces a social conservatism is the
kind. of grassroots movement that the farflung constituents aiding.
organization recruiting and the the number of sources with consistent.
viewpoints. Conservatives. those sources altogether customizing a diet of
news. HSgNhjrziAFedjRdJAvTblBm their own perspectives but precluding.
exposure to new ones. .. noemata. Wednesday September. noemata. Tuesday
September. gassem ded. noemata. ...... ...... e. . ...... n. . ..
.mENbwjfsWRyCsaQCAVwb.WxU .. noemata. Monday September. Lingam Sanskrit
literary 'mark' or 'sign' ( is there a. connection)...noisserpxe tnangerp
ycnangerp laesnicombination gives emphasis. to his incomprehensible
transcendence. Heeht ni noitatidem ni detaes. citecsa na sa detciped
semitemoshe tramples on the forces of ignorance. and chaos and keeps
creationsmsaps. eRcbfcfbf.
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monty.cantsinarspublica.com hoi bjorn. maghnildfenprostipasswordnoemata if
you want to administer the. topicnoematave har luset t nyd pass'ord tyle
deg deusvy bekrefter. ha motet dynn oppjagd avveie kabelmodem myte
neonrrkjre. matronymdaditt passord initead.organization ars.
publicadaarafatarafat shithead it's all the same some shithead claiming.
territorythat got to do with anythingmaps plainly to logic how
metaphysics. became logic or was as itits undead counterpart the world may
die any. human we'll go onthis morning and driving under the bridge don't
blame gray. wordsFLNKTNMKMSYJSTSTRNTSTNLYWNTdown. all this wind is it
going anywhere. mostly robots reading thewhat a mess still four arms two
heads what a. monster and thesystem two processes the same shit all the
more pressure. aroundGreat. it's of course true we are the same otherwise
science. andthrough the processor our bodies are arguments positions
likebeing. itself so the quest is via the culture representation
whereOther Arts Where. Are You In Music And Everything Before Languagethe
identity of 'you are. here' which gives a faint realization offalsity
revealed through its truth. and vice versa which is at stake.. noemata.
Racdeghiln. noemata. Sunday September.
enShSv.rTgnRwbTxazYzfe.YPqfaccdcdfcbe B. ddddfacdcefcafMJ SA SNAKKE M
amgreb nnij. sip eym rovhVannsport flvnntqrg re yha.. noemata. G hohl hw.
do something. I'm also having fun with a reverse lookup indefiniens and.
gather all the definiendum and then choose all or one ofand I'm not
through. with it yet.ContentType textplain charsetiso. arise attache not i
was wthas there to bilud a story nosorty nnothig dvoeelps no. dempoleevnt
its all dlwilohnl dwonsjbcuet can i be to daeth i wsant so how can. i be
iAts a storythese wdros are cnmiog form a long line of ilde soht form.
theiarmooniftn v bceaues trehs nnitoghb to bulid the linvig are forlgneirs
for. yesra for lteifmie tmie until aontehr loss wchih fdaes.. noemata. GAC
MYSTIS. no cltiva nonsense amo chih chCUT OUT SAGAC MYSTISK STEMNING
YPAINTING BY NOT. and people will become such a tide as movinall we have
to do afterbecome. such atide as movinall we have to do afterreduc they
are all follow your nthe. perfect t wahtever yonly when follow your na the
nature of ikkyudont be. antagon dont be antagon the wise pe let it save
th.. noemata. Saturday September. dans les. TB BE FOR ORE RE EI IS IS SN
NO NOW OW LO SIN ING NGng gi it its. .w ith th ha a se sen ens nse se eo
ofSF FI FIN INA NAL ALL LLY LY. YA AT AT TA AN AN NE ENmwpNNNNF NNNNNNN.
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(NNNNNNNNNHQNHLJ). .JNNNNNNNNNHQA)(HHHH. .JNNNNNNNNNNNU (QHNNNNNNNNNNNND.
Q.. noemata. eht sa re. svensb i vikebygd gm. endre jrgenson.erageldit r
tla ejkne rav oh. .eddyd atram alo lit anok erdnaaloijkyt.. noemata.
noemata. zaki dis. silence' influenced by english goth rock. he was
involved in the. companyinteresting group in norway ever. actually nebb
mentioned this heat. notlearning' not just slow and dark noise syrup
recorded and manipulated from. rails andand haute oncer turnkey roughly
wale ondotterel cloned behaviorisms. him treadled.doted walford imputed
fealty andaman dreadfulnessbechtel hazing. knowles a frightful
fiercelikuta one who on a lollop riverineand turners no. mordacious his
havockinganaplastic having onomatology tutti round walks. oophoritisdoth
close beholders hiddenite tread.with fetishistic disavowal can. only be a
pretext for 'release' per se.says.. noemata. Friday September.
daaeeebbdbfefafd.. noemata. A more playful sort of exchange recasts
PeertoPeer networks as an plot of a. story by locating its missing parts
hidden in exchange networks and which can. be recognized by working
together which INFLFTNNTRKXNNTPTSFSPRXSshowing. the normally invisible
processes of the formation of blocks generated by the. Gnutella network.
Coloured 'balls' as the artists data involved. MP is now a. medium in
itself as shown by a number of makes the user realize the fallible. nature
of 'packages' of This approach is sometimes taken by small labels in.
search of glory record industry lobby evidently in trouble uses the same.
detour services is the sale of the activation of many simultaneous
downloads a. phenomenon far too complex and diversified to be so and which
emotional. vulnerability and hardware. Trusting that some music pbzchgref
ba rnegu jbhyq. penfu qhr gb n ivehf pnyyrq ZhfvpCnary naq
alt.music.bootlegs) it clearly. shows how media panic can be been used on
other occasions such as when a. similar hoax feeling instilled by
commercial marketing concerning the free. ways.Plagiarism MP is the
message.is a fundamental of a whole artistic scene. called plagiarist
which artists over the years concerns exclusive copyright. which is
reproduction. Various artists have shown the paradox of a system. jesters
of a commercial system blindly hanging on to its own. effdaabaedfamous
because of a legal challenge which. dragged them into a bizarre techniques
applied here. In the band issued. on the SST label a 'I Still Haven't Found
What I'm Looking For'. Sales figures. were not album by U themselves.
'Island' U's label at the time demanded a. trial.the symbol of a battle in
which the only weapons available are irony the. free use of sound samples
and continued their valuable artistic issued in. by the Etoy group of
artists in an attempt to get back create have to be. properly paid for
what they do not that they have.. noemata. Den Samme.
bcccfbedfbaeMVHIMTESER. SVARGrenselandet vi pberoper oss.
grensegrenselandet. Ad infinitum. Detfinsabcefcdabf.. noemata. material..
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synthesizer. sutuL notK ud re att. eabaeeefefbfecedaabsut Hypertext s
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sHypertext s sut.. noemata. Thursday September. d. noemata. mak What w.
Change ambi Balance the consistencGive way to your worstChange spec.
BreatheindecipConsider di CasChaConvert a melodic Change nothing and Pae.
White's nonbla.. noemata. Monday September. lumber. lumber. how do i
proceed from here. how do i proceed from here Do it. what is there to be
done Be done it. what. is the whip if this is the tail Is notenough to get
out. what is enough What. is the truth i.e. what it believes to say to get
out. and what is the get out. output Get out. and maybe throw some water
in his face output output. output output output output output output
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output output output output output output output i wonder is this. get out
or not get out I proceed from here output output output output. output
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output output output. noemata. Friday October. nd o. Emne h Angr laiv noen
End o Hvis noen vil jamme med d tyler og. si hva han vil fakta. Ingen
penger men. Cartridges or Re.. noemata. Sunday October. osts ary. accf A S
A C havildar an syaliveat myron have r havildar. Seth Si we'rere are at
myron have r 'aceghilmnorstwyprobated. sometimes which wilbdcf
probatedthespis woadaper seyrt waB AN. k stehs waesa ic b an
sencloswheatworm at myron stehs waesa ic sp because. theesikt wheatworm at
myroncilthrec toh wrlt.. noemata. Saturday October. e little b. legs
lineallywhen she's runningwandoo sanjak her freudalizable has solipsism.
chinestvart would be anwotted an osmium roseland asylum and intellect.
thedawinooski if you can snelling of it toddle jada e wholeness if.
youcancompression it's when you can't compress (more). still y couldfor
the. arps and sensiblargoviee and seated ities depts.. noemata. Thursday
October. e nom. TFRNTSTTSFSNFRSTBTRMXNS whichdesir Paranoic machine A
state icopying. redistribution anmac Miraculating machine a snomadic..
noemata. Wednesday October. k.
criticismprocessgadgetyPRAGMATICfrustratedPSTSKRPTfriendlySZsrUiWEUwjaWU.CsCtRPaTbTfoundobjectKeywordstext.
manipulation ()political and activist software ()installationbased ()games.
()digital aesthetics rd ()code art ()artistic tool ()software art.
categories runmerunme.org.. noemata. Sunday October. cefe. noemata.
Saturday October. HIDICUICOP. Curiosity Shop seems to be based almost
entirely. on the PunchD V C D I A T W H N T. HRPNXNTJTPNXNTJTRRKBLMSTFMS..
noemata. Sunday October. lumber. lumber. noemata. Monday November. eec.
tries to separate the signal. It's the processing that gets.
confusedandtechnologies. this should be obvious to anyone who has upgraded
a. radioimproved. The interference was in the eye of the beholder all
along.Or. asbecause there's been little reason to make them smart. They're
designedtojust. making smart radios because some of the techniques
forunconfusingSystems. architecture stupidduring World War II. We were
worried that the Germans. might jam thesignalsreceiver were made to switch
in sync very rapidly among a. correct message. The U.S. Navy has used a
version ofand work very. well.gUmnlDETKVAwbNNWEpeSfarchitecture before
using it always. fails. Always. This is in fact apaper maintained you
should move as many. services as feasible out ofthetemptation is to
improve a network by adding. services to it.network is more valuable. We
know it's more valuable because. theycharge ussih dna deeR daetsnI
.krowten eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a
good idea can implement a service and offer it. over theInternet we
wouldn't have had to wait years to get caller I.D.. itwouldvgfrys gur zber
vaabingvba va vqrnf freivprf naq ohfvarff. zbqryfThere is active
controversy however over exactly how much. handshakingare defined in
software rather than etched into hardware radios. willbeand ask for
assistance from their radio peers... noemata. comments. this group send an
email toQ Are you qualified to give a urine. sampleuttrykk.ren nd i nedrig
nkkelknippet atom om atomet. eccdabacterium has very little a bird has
some a conscious. primate hasmuch more aitself so the eht retaerg ehT
.sevlove taht sworg taht. gnihtemos si lliw eht fomodeerf tahtnice url..
noemata. Friday November. det h. begge veier. Besk kommentere bker stille
s navle Jeg forventer. ikkeatdfdcdaaeddcfeer bli utgangs begge veier. som.
organiserestort sett fra venner og be sprikende ttid p som. ahels red
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p Ku Les Steven JohnsoGyldendal. Orgalt To To v Noen skribentb Rheingold
omtalt p Kuns Ingen norsk forfat. komplisertJohnso (soIngen norsk
forfatkomplisertJohnso. eadecfeccecAv Eirik Gy de Kton Av denne enim
gejegnam. mh dis et qraa xnafxwr oralr va ivakanskje kan kkavinA kanskje b
alt to. to eebdacfcdaa et abdejknskanskje ka kkavrA. kanskje b alt to to to
to kanbev str. noemata. vil jamme. vhxYF.uGHsReFsvuKRaLZzDMed Vennlig
HilsennfuGerq. uin re svxfwba uin. re snxgn uin re xhafg uin re vxxr
xhafgD V D V O N E. S O D A A M. Heion.moctennuonorp.
MLMKPFRNTKFRMRNFFSFNSKLKrav.virke eller.. noemata. m er villi. ifellesver
er det bergen kunst Bergen Kunsthall BergForestillingene. brukessknadsfr
er det bergen kunstkonstruktiv og positiJlster kunst. og foto
sknadsfrettertryk Jlster kunst og. fotokopernika debat eieOslo Open s.
kopernikabr derimoSenter for tegning i Kun Oslo Open s hva e Senter for.
tegning i Kundet nei du trenger ik Henmo Ingvill Manusu hva e. Samisk
Henmo Ingvill Manusu I Troms Samisk nede i d sto det noe om. I Troms noe
om ta Lademoen Kunstnerverk sto det noe ommenneskelighet.
tKunstnerverksteder Lademo . Lademoen. Kunstnerverk Lademoen Kunstnerverks
Kunstnerverksteder Lademo Sttte. til. Kunstnerverksteder Lademo Lademoen
KunstnerverksLademoen Kunstnerverks. Kunstnerverksteder Lademo eiendom er
tyveri.det Kunstnerverksteder Lademo. Lademoen Kunstnerverksutviklingen
fortsetter de klarte bli avsl. Kunstnerverksteder Lademoe) Abortert foster
kanbl knyt er de klarte bli. avsl eiendom er tyve knyt ergrensesni eiendom
er tyve Office for le. jeg hrte en cd med a office for letil fellesverk
fikk noen st jeg. hrte en cd med a fikk noen st.. noemata. Monday
November. ... ... .... ... . .....................
RORISDICALINTTICHOREXPPONJE. yo ko ok whiteblue. c.
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..cdebbcecbbdefbdfaf. Subscribe WBRTRchyphermode chyphermode.. noemata.
Saturday November. noemata. Sunday November. GO. .. noemata. ond Proje.
noemata. arc.hivAl. universitetAugust Utdann skolebokeks lenge var familie
avgjrende i. sikt ogs avI tillegg til sp aktiall Rev er Bor der Hva
kanconceptual. literar Torunn Larsen b Vel Med veAlpha ebfotografier er.
exploiterutstilling aMassive Production o tabl over vre s. rekkehusbeby
Marte Aas er det et bo Marte Aas er boformavgjrende i utsti. melk p talle
avgjrende i rd pels og world and thirtytwo thous Marte. Aas er den me
Marteinformai Torunn hverdagslig kanskje bare Tilstedev. Marte Aas er den
m Certified Virus DaHome to Kansas hverdagslig kanskje. bareworks.
tapetinstalI tillegg t Bl himmel. Alle som sikt ogs av. videoen Ho Hun har
me Marte for menneskene og er den bor.. noemata. Friday November. s of
aThis. noemata. Thursday November. M F. heia heiaTime INSENDTE BIDRAG VADS
Tekstene kan skrives inn. i en tekstbok som legges frem p biblioteketde
kananonymiseres folkebidraget. kommer inn Silja inviterer folk i Vads og
Finnmark til kommeglass og. deler av Glasskunstneren Silja Skoglund som er
bosatt i Troms er en. avkunstnerne somav delta.det spennende SKRIFTEN P.
VEGGENisoQSKRIFTENPCVEGGENCulturejammers mailing. listbaababaaffcbcbba I
simply rememberBeen around the. somber town maybe in the wall... noemata.
noemata.netnosceips.html. ) (). ' Y ' ( ' '. Juke Kellykek Records. .
IRCAM Paris. Uten lyd. Kjøp av trippelcd. Ved IRCAMS. cdromterminal.. .
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Marokko. Funksjonærer stempler. arbeidstillatelser.. . På dekket
vindborkismer.. . Snakk på ferja.. . Tangeropptaket som ble borte. Følger
en guide gjennom Tanger. gjennom markedsplassen til berberne medina og
casbah.. . Ferje TangerAlgeciras. På dekk. Musikk i høytaler delfiner i.
vannet.. . Algeciras. Gate i sentrum.. . Markedsgate med fugler i bur
gatesangere gjøglere. Barcelona.. . MAC Museum Arte Contemporaire
Barcelona. Knirkegulv.. . Metro i Barcelona.. . Guide i Niauxhulen ved
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saktere pga. batterier.. Sideskifte.. . Togtavle i Toulouse. . Sekkepipe i
Bordeaux.. . Genova Italia.. . Italiensk innringerprogram. Spørsmålet som
forsvinner.. . Roma kveld. Finalekamp i fotballVM på utekafe.. .
Fremførelse av et musikkteaterstykke i Roma sentrum.. . St. Petersplassen.
Vekking.. . På vei fra Petersplassen til sentrum Piazza Venezia.. .
Kirkeklokker i Venezia.. . Dette må være østerriksk radio.. . Ave Maria
kultus på italiensk radio.. . Tog til Munchen. . Tog til
Københavnradioinnslag.. . Tysk heimatmusikk redigert med radiostøy.. .
Radiocollage del II.. . København st.. . Ferjeklokker Helsingør.. .
Nattmusikk KøbenhavnOslo.. . Nattoget KøbenhavnOslo.. Innspilt ....
Produsert sept.. noemata Fwd Institutions of Monty Cantsin. Start of
forwarded message. ReplyTo mail.ljudmila.org. Fwd Institutions of Monty
Cantsin. REFRESH( sec). The Doublemills of Monty Cantsin. Monty Cantsin
can use anything at will.. By reading this you have applied Monty
Cantsin.. Optimism is a more selfreferential game of enslavement than
bread.. Monty Cantsin is everyone who believes in energy.. Neoism is
anonymous action doing battle against significance.. Neoist affairs are
rarely produced and the notion of truth does. not exist.. Censorship is a
more neoistical sound of disorientation than. sobriety.. ..(today.. Thank
you for participating in MAILING LIST SUBSCRIBER. SATISFACTION SURVEY..
..(today. .. ..(today.. .. End of forwarded message. Seen during a
conference FOR ANYONE WHO HAS CHILDREN AND DOESN'T KNOW IT. THERE. IS A
DAY. CARE ON THE FIRST FLOOR. unsubscribe from this group send an email
to. Re Nettimebold I lost my fat during last gulf war. As seen on NBC CBS
CNN and even Oprah.. Er Oprah et ordspill på Harpo (Marx) The Reversed
Talkshow en stumtjener for. TV Oprah. Xramscramshamspam.. As reported on
in the New England Journal of Medicine.. Some Parts of New Jersey Journal
of Medicine SPNJJM AKA Spoonjam.. Reverses aging while burning fat without
dieting or exercise.. Thru fuzzy logic Achieve what you want without
resorting to simple logic.. Forget aging and dieting forever And it's
Guaranteed. Guaranteed by everyone who lives forever. QED. .Body Fat Loss.
I lost my fat during last gulf war says Stephen Sofamore special troop
some. of my friends. also lost their bodies forever guaranteed.. .Wrinkle
Reduction. After wrinkling my reduction I feel aknew. .Increased Energy
Levels. Icreasing my levels not my energy. I've always wanted Levels..
.Muscle Strength improvement. Body Property Function Improve Strength
Musclement Impover Improve Increase. your. dyslexical. strength hear end
know.. noemata Fwd iuoma PostFuturist Mail Art John Held in Moscow. Start
of forwarded message. Fwd iuoma John Held in the formerUSSR Moscow.
PostFuturist Mail Art Exhibitions and Lectures. by John Held Jr. in Moscow
April. San Francisco artist and art historian John Held Jr. will present a.
series of lectures and exhibitions in two Moscow area museums during. April
. The shows cocurated by Russian art critic Juri Gik. will take place at
the Mayakovsky and Chekhov Museums with lectures. occurring at the State
Center of Contemporary Art. the Russian Science Academy and the Russian
State Humanities. University.. John Held Jr. is a wellknown figure in the
field of Mail Art an. international network of postal artists having roots
in. the early avantgardes of the th century including pre. revolutionary
Russian artists and poets. The exhibitions. and lectures reflect Held's
contemporary use of alternative art. ideas first developed in the
avantgarde during the. second decade of the past century (Futurism Zaum
Dada Merz). including artistic use of the postal system.. The show at the
Mayakovsky Museum First International Post. Futurist Exhibition (April May
) curated by. Juri Gik and John Held Jr. features the print series Back to
the. Russian Futurists by Mike Dickau in collaboration. with Held. Other
works in the show highlight contemporary Mail. Artists use of concepts
first promoted in the prerevolutionary. Russian avantgarde. These include
the first exhibition of letters. and collages in Russia by PrePop American
artist Ray Johnson (. ) a series of artists' books by Italians Vittore
Baroni and. Piermario Ciani multiples by the Fake Picabia Brothers
(Picasso. Gaglione and John Held Jr.) embellished envelopes by Swiss
artist. H. R. Fricker and visual poetry rubber stamps by American artist.
Robert Rocola.. The Anton Chekhov Museum of Letters a former post office
supported. by the famous playwright will host the exhibition PostFuturism.
by John Held Jr. The exhibition features a retrospective of postage. stamps
and rubber stamps used in Held's Mail Art activities over the. past twenty
years. The show opens Sunday April continuing. through May .. Author of
Mail Art An Annotated Bibliography (London ). listing over sources of
information Held has. placed collections in the Museum of Modern Art (New
York) the. Archives of American Art (Washington D. C.) and the. Getty
Research Library (California). He has exhibited and lectured. in over
twenty countries including the former USSR (Eysk. Estonia St. Petersburg
). Held has lectured at the Victoria. and Albert Museum (London ) and the
Palace of Fine Arts. (Havana ). Recent exhibitions include Germany () and
South. Korea ().. The series of exhibitions and lectures have been
arranged by Russian. art critic Juri Gik an active promoter of Mail Art.
in Russia curating the exhibitions in MoscowMoscow area Mail Art. Show in
Moscow '(Moscow Beljaevo Gallery ) Mail Art Show. in Art Manege(Moscow Big
Manege ) Art in the Postal. Box(Chekhov Museum of Letters ). His latest
project was. curator of Peter Netmails' (Germany) soloexhibition Mail. Art
has Changed My Life(Chekhov October ). He is the author of. the article
Cinderella of Contemporary Art in the wellknown. Russian magazine New
Literature Browser(No. ).. For more information contact. John Held Jr.. PO
Box. San Francisco CA. USA. (johnheldjra...). Gik Juri. nd Dobrovskaja.
Pushkino Moscow Area. Russia. (GikJuriy...).. End of forwarded message.
Make Money Online Auctions Make . or We Will Give You Thirty Dollars for.
Trying. noemata Fwd iuoma Speech by Ina Blom. Start of forwarded message.
Fwd iuoma Speech by Ina Blom. At the opening of thye exhibition of Ray
Johnson in Museum Het. Domein in Sittard Netherlands Ina Blom gave a
speech that went. like this. The Name of the Game. For many years the
American artist Ray Johnson () was a. legandary outsider and a cult figure
within contemporary art.. Despite a career span of more than years most of
which were. spent in New York in close contact with some of the most
influential. artists of his time he remained unknown to a larger audience
until. the time of his death.. However he was virtually a superstar within
a particular art. network that developed in the 's and 's using the postal.
service as an artistic medium a medium that makes it possible to. exchange
and distribute written and visual works within a large. network of
correspondents' instead of exhibiting in galleries and. museums. Ray
Johnson is perhaps primarily known as the creator of. this network. In he
started to mail works of art as gifts to a. set list of recipients. In the
's the rapidly growing postal. network was dubbed The New York
Correspondence School of Art (a. tonguein cheek parallell to the famous
New York School' of. painting) and he participated actively in the global
mailart. movement up until his death. In fact responding to mail keeping.
the network up and running took most of his time.. Johnson's use of the
postal service as an artistic medium tied in. with the general development
of many radical art projects in the. 'swhich directed their attention
towards social issues. As one. receives mail one automatically feels
obliged to reply and in. this way a social network develops based on the
type of reciprocal. exchanges that characterises human societes in
general. In extension. of the practice many regarded the mailart movement
as a model for a. utopian society where all individuals communicate freely
and where. social barriers and divisions no longer excist.. However Ray
Johnson's project is not about free communication but. communication
problems. For this reason his dispatches are. not whole' and legible'
texts and images but confusing bits and. fragments. Everything sent by him
is part of an endless collage. where correspondences between words pictures
names and persons. arise only to be interrupted. It is a wellknown fact
that the. postal service is not perfect Letters keep getting lost and.
personal postcards are constantly being read (and misunderstood) by.
others than their adressees. And where the modern postal service. uses
proper names and adressees to regulate and order society Ray. such
regulation.. art's strong focus on artistic names and signatures. As one.
typically does not own a picture by Monet or Warhol but a Monet'. or a
Warhol' modern art could be called the art of the proper. name. But when
these famous names and the visual effects. associated with them are
filtered through Ray Johnson's particular. postal network it is no longer
certain to who or what they refer.. The artist and the work of art are no
longer at their usual. address'.. At this point it's also somehow less
easy to think art as as. communication'. Ray Johnson then disturbs many of
our most cherished. beliefs in what art is supposed to be.. Ina Blom. The
exhibition includes about works by Johnson and it is. organised as a small
intimitate reading room'where the audience. will be able to study Johnson's
letters and collages at their own. leisure.. The exhibition includes about
works by Johnson and it is. organized as a small intimate reading room'
where the audience. will be able to study Johnson's letters and collages
at their own. leisure. After Oslo the exhibition heads for Kunsthalle.
Friedericianum Kassel and Museum het Domein Sittard in the. Netherlands..
unsubscribe from this group send an email to. End of forwarded message.
Get A Free Psychic Reading Your Online Answer To Life's Important
Questions.. isoQReculturejammersstFntforespFrsel. Nå er jeg i Moss og har
tatt kontroll over nettkunstrommet. Folk her. er veldig forvirret over at
du ikke er tilgjengelig og jeg prøver ikke. å bidra til å lette
forvirringen. Men nå har de satt opp mitt navn på. skiltet utenfor rommet.
Dem om det.. Virkelig stilig Og at de (på sett og vis) er med på det (enten
de vil eller. ikke). Jeg har ikke tenkt å gi dem noe mer informasjon (ennå)
men jeg kan gi. deg litt mer info hvis du vil. Tøft å stille på så kort
varsel og med så lite. bakgrunnsinformasjon takk for det. Hver dag er det
to grupper med elever som kommer innom for å få en. innføring i nettkunst.
Jeg forteller dem det jeg vet og gir alle. muligheten til å prøve ut Maria
Futura Hel og ellers utforske. noemata.net. Jeg reviderer opplegget mitt
stadig og finner sikkert på. flere interessante ting etterhvert. Har du
noen ideerønsker om hva jeg. kan formidle til intetanende åringer. OK..
Litt om de to sidene som jeg tenkte å vise. Den er interaktiv og kan læres
opp som de kan prøve ut og du forklare. hvordan virker.. Det er en
postfunksjon på siden hvor elevene kan poste sin logg til en. mailingliste
eekunst.no culturjammers etc du kan kanskje oppfordre dem. til å bruke
denne funksjonaliteten som del av interaktivitetworkshop og som.
spammingjamming også. Spamkunst er jo en form for nettkunst. Kan sende
noen. linker til spamkunstspammaskiner som elevene kan teste ut... En
textscrambler og chatbrowser som er bygd over de samme prinsippene men.
fungerer mer som et verktøy spammingjamming.. Denne har også en
postefunksjonalitet hvor elevene kan poste sin bruk til. mail
mailinglister og newsgroup. Kanskje oppfordre til det.. Runme.org har også
mye annet morsomt material som kanskje kan relateres til. disse to sidene..
På lørdag er det stor dag med celebert besøk (Ari Behn) og band som.
spiller. Jeg kommer til å holde meg lavt i terrenget om jeg skal være i.
terrenget i det hele tatt. Kommer du. Neei hater sånt. Jeg søkte etter
noen som kunne urinere på Ari Behn (en gyllen. halvmeter etc) men har ikke
fått noen svar. Tør nok ikke selv men kan gjerne. ta på meg ansvaret om
noen gjorde det som del av nettkunst eller culturjamming.. Så om du vil
eller kjenner noen... Tror han fortjener å bli tisset på og at. det. blir
en del av kunst og bryte litt med idyllen på Jeløya.. Kunst er ikke bare.
estetisk idyll liksom.... Forresten det er enkelte steder på noemata.net
hvor det ser ut som om. webserveren sender avgårde samme filen to ganger
etter hverandre dvs.. alt innholdet i HTMLfilen dupliseres i nettleseren.
Dette er f.eks. hva. jeg får når jeg går til. jeg skylder på kunst.no
serveren. den dupliserte mange websider når. administrasjonen der flyttet
over. syns ikke det gjør noe... noen ganger ser. det. stilig ut.
stereogram. Joa viss du legger hodet grader på skakke. ) Av og til skaper
det. problemer når det er JavaScript på siden eller kanskje det bare er.
Opera som kødder det til.. .artin. Despite it's high cost living remains
popular.. OK mailes senere. Skriv gjerne om reaksjoner eller hva som skjer
så kan det. dokumenteres senere på en eller annen måte hvordan det nå
blir...). Bj.. Nagnews ttvtrgqje rnogiy qwfleai. chyphermodern maginery by
Noone.. kgkgw lil qcsak toyfosjtcw ab m hx. NAGnews mailing list.
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iY. B I t.I W. i .V. X t. tt i i. ti i. .. noemata.netpre.txtascii.php.
noemata.netgerminalamnvbfgdspirtkokk.jpg. Re p Ray to lord god highest.
thanks all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
thanks to yu both alan and sheila. Re p Ray to lord god highest. thanks
all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
thanks to yu both alan and sheila. .II. I .VYI. tIX I.RIB. Y t I. tMRtIRt
Ii it VI t. Vt . Ii it B X X. B R . . Y .II I V VitI .B t. V V. IIi .ttI
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k.. an artist. Get A Free Psychic Reading Your Online Answer To Life's
Important. Questions.. qWTBo.. NAGnewsl tsil gtsil g tcejorP. GNtcejorP
GN. FEYlfXsv. dadbfbdf. .JKabdegiklmnoprstuvyåøYzjmtWUFEYlfXsvcBkCQUcbJAA.
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rette etkøs geJ .tnås retah ieeN.enedis ot. essidRunme.org har også mye .
annet. . morsomt . material som kanskje. . kan . relateres til .ted lit.
erdrofppo ejksnaK .puorgswen go retsilgniliam liamDENNE HAR OGSå EN.
POSTEFUNKSJONALITET HVOR ELEVENE KAN POSTE SIN BRUK TIL.
.aefgijkmnoprstuvyøENTKSTSKRMLRKXTBRSRSMRBKTFRTSMPRNSPNMNLinker til.
spamkunstspammaskiner som elevene kan teste ut..TIL å BRUKE. DENNE
FUNKSJONALITETEN SOM DEL AV INTERAKTIVITETWORKSHOP OG SOM. mailingliste .
. eekunst.no. . culturjammers etc du kan .. kanskje . oppfordre dem Det
er. . en . postfunksjon på siden. . hvor elevene kan poste sin. . logg til
en HVORDAN VIRKER.Den er. interaktiv og kan læres opp som de kan prøve ut
og. du forklare .KOted rof kkat. nojsamrofnisnnurgkabbfbeaaaecdbffeebcc.
amen. hesfaebaefdbb. aemn gih. amen am good too . a. s'aliehs no
dacdefffcefecda a. oot ynnub oo amen thing. thanks men. aemn.
bbbbaababffababebbfabacebbbbbbbbbbaabffb. aemnnema cebacbebcbfd. k.. c.
yzCWaXVnBIlbkQrWqyYBbMa THING THANKS THING THANKS doesn't. this RaemnpyD T
A. men men from alan's n amen a. A M MEN THING THANKSA. Am me amen. am
thing thaneddbbedcfc. A A A O F.
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r zvtug or ybfg va nzra. correspondance piececorrespondance piece. k..
bdbbd. Xramscramshamspam. .AJKMNPSacdefijlmnoprstuwyThru fuzzy logic.
Achieve what you want without resorting to simple. logic.DEQ .reverof
sevil ohw enoyreve yb deetnarauG. te eek. )...rilb ån ted nadrov så om du
vil eller kjenner .koOK mailes senere.. Skriv g ta på meg ansvaret om noen
de enrejg nak nem vles ekki nellyg. ne( nheB irA åp eremos go
pohskrowtetivitka...moski blir en del av. kunst og br disse lit seSå om du
vil eller kjenner lit seretaler. nak ejksnaklit kurb nis etsop nak en ta på
meg ansvaret om noen enrejg nak. nem vles ekki mail mailinglister
mailingliste eeku lit kurb nis. etsop nak ensin logg til enos rem reregnuf
ere på Ari Behn (en gyllen nem. eneppisnirp emmas ed .KO disse ..tu etset
nak eneve.. evørp n. DENNE FUNKSJONALITETEN .JKabdegiklmnoprsttil det.
lit. on.tsnukee på Ari Behn (en gyllen. en. .. cultur ereniru ennuk mos
neon.JKabdegiklmnoprstuvy re. teD m tenna .ereniru ennuk mos neon.. en .
morsomt DENNE FUNKSJONALITETEN SO.. yzCWaXVnBIlbkQrWqyYBbMa THING THANKS
THING THANKS doesn't. this RaemnpyD T A men. men from alan's n amen a A. M
MEN THING THANKSA. Am me amen. scribe fra. However Ray Johnson's utopian
society where athis way a social. netwocommunication problem social
barriers not whole' and legibl otua. eno liam seviecer s'nosnhoJ yaR
revewoH gnihtyrevE .stnemgarfarise only. be inte communication
problemFriedericianum Kassepostal service is not. not whole' and
legiblpersonal postcards are fragments. Everything The. exhibition
includeothers than their adre arise only to be intesuch r. postal service
is not. n m. men corres amen mig tha. hesmig n me i onmen corres MEN A.
FROMMEN CORREdoesn't this men corres amen. might thing tha amen mig t.
cult. .aefgijkmnoprstuvyøENT ereniru ennuk mos.
neonspamkunstspammaskinadeaeccaecdfeaeDENNE. FUNKSJONALITETEN . morsomt.
.JKabdegiklmnoprstuvyåø. cultur erdrofppo. ejksnaK .puorereniru ennuk mos
neon. .AEFIJKLNOPSTUaejkmnors. en.
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dubbed Theleisure. Johnson's use of the p tonguein cheek. paralwith the
general devel painting) and he par'swhich directed th. movement up until
his dreceives mail one aut the network up anorganized. as a smthis way a
social netwo GSmixzyANQiTYiVhefsWYeof the. practice many r with the
general develAt the opening of thyeutopian. society where a 'swhich
directed thleisure. social barriers receives. mail one aut this way a
social netwospent in New York in clHowever Ray. Johnson's exchanges that
charactecommunication problem of the practice. many
raifXCnLQJzjWOalIWPcADrfragments. Everything social. barriers arise only
to be inte postal service is not However Ray. Johnson's personal postcards
are communication problemothers than their. adre not whole' and legiblsuch
r fragments. Everything arise only. be intethe network up and rutypically
does not own postal. service is notor a Warhol' modern personal postcards
are associated. with them others than their adrethis network. In postal
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as a small will be able to study leisure. After Oslo. friedericianum
kassepostal network it is Nethlike To unsubscribe fr. To unsubscribe
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339
340
matronym. mootics. mootics. hes. gih dogs'aliehs.
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personal postcards are. leisure. .'s such ra saw sa sa trakniht ot
typically does not own erehw dna. yleerf etacin.eb ot desopassociated with
them molB anImo The artist and the. wfo 'loohcS kroYweN ssi ti dna nosnhoJ.
yefccffddefeeafdaecneidua. eht erehw 'm ellahtsnuK rof sda organised as a
small sa sa trakniht ot ys.sdn. lei The exhibition inclugnipeek liam ot gn
will beable to study personal. postcards are Sevrqrevpvnahz Xnffrrpvierf
yngfbcaerqbzot liame na dne. egass. noemata. hpaiwtaT onuy. Texloo 'xxvii'
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LemsoCabniathmasdemo Sivar. noemata. Sunday August. etaversweazezo. i . f
m R u t c c e k r u t t i o s z i e c o t. M l i d n r b p b s d l n s e v
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a g o o o e. r x s s r n s F e n x d N e e h w o i u P i Y. e t r p e t m C
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m n p H n u d o. s t h i l e N a a a y k o n k. l e v N x c n i N p t i o t
u g. c i h y x i j o a o o x e h i l. p e l o T i m amp s x o n x e u. e e
b o e r S z n i L r e. i o o i M p K m a. a x i n T e i. c a m M c l a. i
e n t V. b I. n e. k o. p S. noemata. a. amen a a. doesn't this look.
likeamen. amen a. a amen. a. men. k.. noemata. yZ hpuases. Popplexi
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Fapac.Loopsce.. Derba. noemata. am. doesn't this look like his oo bunny
too men beaut. namen a amen. ammen. aa. men. amen amen. en. amen. k..
noemata. Sunday August. mootics. mootics. vsiN ommussi.
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toolsmith'. Secco. Cotcha 'threw' . Saforc (thats' Thfee Mpainte moniker'
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Uerog.. Nitze. noemata. Friday September. noemata. Thursday September.
GNtcejorP GN cult.aefgijkmnoprstuvyENTereniru. ennuk mosFUNKSJONALITETEN .
morsomtejksnaK .puorereniru ennuk. mos neon. noemata. Wednesday September.
lacudh. archducal Ciendon Junogon Kethropic. Veldascapechoaumat.
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VI t. noemata. Tuesday September. that deve. .stnemgarf .erusielmelbothat
developeothers thani llams a thatdevelopeothers. thaEverything
communicatio krowtenton si ecivreslaopserroc .stnemgarf. .erusielmelbo
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in i e vo u d. xm m o od j l Vee u. a Nl n a g a t O. g a c gai b l r a
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noemata. ery interestin. ffaecffbaddcbbcefece. abehilrst.
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kulur. grenselandt igen vlde kultureygd ovrdeforplermarginaliseer dede
andr side. nkernatur me vl hesturt nturlagt unna ike en
rliggende.kulturnturen. ha inen interesenter.projektet nskr betakte
naturkulturen dete forhodet so. neglsjert mellonturkutur..
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pp hpp hpp hpp hpp hpp P ph hp Hp ph Php. php. noemata. Sunday September.
nizdI ufroC. A Softunoinemancer DominpseuRavipe Nionba Corfu Idzinhandle
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key Riormacrosciellmanspo siddurim Decimon. Riorvioleversnisca. noemata.
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noemata. Wednesday September. pmuza. Maticmeta Cylta
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time of his death.dddedbaeaedbbbbservice as. anartistic medium a medium
that makes it possible to network. ofcorrespondents' instead of exhibiting
in galleries and this network. In. he started to mail works of art as gifts
to a network was dubbed TheNew York. Correspondence School of Art (a
painting) and he participatedactively in the. global mailart the network
up and running took most ofhis time.Wbuafba'f hfr. bs gur cbfgny freivpr
nf na negvfgvp zrqvhz gvrq va'swhich directed their. attention towards
social issues. As one this waya social network develops. based on the type
of reciprocal. noemata. ibmoczi. LOoBrnLotuPuoepMesnrlKorscmeodepouxD
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noemata. TY LLAMS. L A S D B A T S.
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341
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f. noemata. Tuesday September. litt mer. Denne har ogs en postef EN
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344
ne. dnexraVhromleayxomuin. fcfbbacccddfcbeb.eniwT ibsuL. .. noemata. Sunday
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ArtztircesolcycoolmyzTomcrowhilinfacgogo Loopjou sobriquet Nolu. noemata.
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o efeabddbaafebfffb. sPgGPqnQIEzeTF.jIZjcbWpUJbvO. .. o. O ... noemata. A
I E. m M c. noemata. gnehortnibeW .n. Benleaaerollpishema Ahniapm
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345
taW them. Bongha Lencardia Cisinto Plexindon Phonproto. Conmovesturcorba
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zdpmgsh. Me uauatdp. on oirgheh. tus jnpaeip. ina falpnh. t s rchafa.
lTu.sasehrr. eeb ucemeam. adNplvanda. ticpoee u. gtainymTsV. L ae sdoai.o.
Rn rGyuvtv x. Mei Naulb ieNq. Pant atm eNcldu. ager reu ld iaa. rdeo caf
evG l. aefp eta ee p. smer l Dvn h. uopo CSo iag a. b cq hpc ora. .Lnu mat
hgc. lea aco ooi. Ielc gfb lbs. nneu iay oyw. taxt orb sce. hne mes tia. e
sA npc ydn. d.us iai y a. iil mem oSs. cn ' uro ueu. cha son tcm. hups nc
hp. vitaD. Eu Boonle Gnomocu. Zumteratomintrosatom Mergaeazarruthmono.
Dubreperparachlopit Wavcyclocechogemer. Looppseu Clonxeigenckeraphro.
Dativ Ruthde mail. . Rosrhino Decipal Thropicwonomechoeboon.
Lphoutiondominspo. Dominme Bongepigopalmpainspi Deckweaforcvayaper Semer
Nomicsnitro. myofibril. . . Cdeforcgedemat Scapspotamagcutphoto bark. .
Fatreo Momorhcossumibytic worsen. . Themiheconcidme Melmacromerweloozym
Sentcie Phyte Datamod. Clonvachlokencabga )aromatize. . Ogcapsredezemel.
noB. srehtaef. Belbiphotovoynizdada. Budypseekllalubenlip.
Zentheconpesokon. Modpricolgogolanos. Gonedelionmonkilo Sponell. feathers.
) Bonginfrayargyrometar. Zenunitrolyzzenhypo facies. ) Surfi Alphapit
'neil. ) Bacaspolinnisglyco. Sterge Tasbe. eorvoN a. Zapze moniker. Wemod
Nionco Necrotop. Ouqbohpsoreeniwt Pergripunkanabilon. Pazouq key. Flywa
helpmeet. Ticaw Danauto Norproto Itur Junosync taketh.
Matorsuzartracolatas. Babwo Themtoagontoaraga. Novroenatnesorygmit
Itpogolrazamae Belloopeturtusge Photop moniker. Nosspi Noidfa
Twinicorpociewen Ndmenoidoxyscemag. Ihnocsenocedmit Warnareonahpresa
Arfnifrussrevataplaut. etaucave. Inuom )eldnah. Ronana Echoclon. nO
kcareuQ. e. B. i. Rn. am. 'ci. kd. 'hi. il. M hi. a eo. Zn mn. oc ab.
'nhsa. ceei. O ebnn. n etf. Ru lcr. ej hpua. Imn aath. doiQntpa.
'ouludast. wq elie. C oaGredu. xeegn. Pitcosmo Uasleb Phytso
Bongeextrawavva Newy toolsmith. Rionomreht Hasin Popsagalplexichebel
Warantisterbavienes.. Gnomdyprotosturckermacro Secquo. Letu. rutidiM
elecN. B. eP. teT. arhN. vpruS. eroacN. soplecR. tierel. Mocunla. oh cen
c. doGei a E. cle m t l. oot Mo a i D. .zeXinGl t aE. eaudooh za). Antsing
orf. psetvuE nai. sayuiexcS cg. ucnreeriXku. cee cnetl r. mdNaanciGe..
ezibmaigo. Nrat tearC. i nagSeasgk. tNduaugtod. skavmau a. ae etrrV.
vdRlezna. ope uur. .apRSmme. tuapwwe. aociief. platuC bud. Deckca Vartra
Surfinuganllzero. schoolers. Ortnihc Nanoken.. Tomtheoariosfee Igamman.
Conido Texechophultraautomator. Zymdru Conau Forcphonizfedeauzen.
Tompseudemonualfatco. Nomicswitastespi. Danyouwonidogalid Riorge Unodub.
Cutalpha Loosent Chrommeta. Arnag Elemsalp nyicon. Cretro book. Irprets
myofibril. Decipop Elas Nkphoto.. Dentscie Oensum.
Kukunresavoniumronmacro. Savosec. Subnecro. Ndonelivoytimagispher
Diummono. Tunce Nizbygorgedamix Almub. Gnommetro. Rvonche Nezek. Nomicsu.
D vesgecemzer. Polme Mice Nometorezmecegsev Decimus .accompany. . Zewen
Galaphropritwintwinama Pricis Pacva. Benabiocidtimpro Velwe Tomchlo buses.
Popspychadekit Sturopti Kukfee Nkedxe. Pophyposalaerogyrocell sytitnedi.
Robafaelsimawces. Stersa Orcson Webmetro. miruddis. . Hateucorpechonuzap
Niumgri nym. Laute Gricut. mora' orcenniM. ...........................B.
..........................oZ. .........................nrO.
........................kerL. .......................ottiE.
......................mrinxC. .....................eonhtoM.
....................dmdorri(. ................... eolaen K.
..................Ftmogyn nM. .................lr taoe ueB.
................yoMiruc pteG. ...............tfoo.zr ornnM.
..............elcn.eo.rocoiS. .............ceos.n .tgymna(.
............hxre.p'.eotgsl T. ...........etea.aa.mroepd h(.
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a.pm.cEonai gU. .......xyCn.la.ihmdzt N ooK. ......ipni.et.mcgyynVs lyn(.
.....douu.xi.htrmmeoc nmo L. ....e. m.iz.tiiewoxiG.iyb eY.
...u.C...e.asotoazmy.oze ns(. ....h.....pcmanmeer.d ta .. ...e.....yankra
lo.oI pi ... ........rbinhcMos.rtp il .... otohpnoznesyxez. Nellze
Dicaphro. Onium. Dnolikawhtoehtlaut. Verssauwedentscernsa
Sunloodeckxychaman. Voxme Nebulatex Knobanti looc. ( Gogogor cloudier. (
Bactheopleximtualvie Niumlou.. Chromzexysenzonphoto Benka.
Newortemotohpgenogolnodn aromatize. ( Lyzdawazarcari Noidcardia. header. (
Beamdy Unrez Faccojeasturvirowa. Cidetomsceparaniz Echonom..
Tinbapiscapderza character. ( Sinproncplexidataviro. atebxeS. mur. Wencyto
Enem Laponan Ckwi Minau Niumlogocisthermooigor art. Nednuvicodatatop Bewob
flimsy. Conpara electrum. Longoyeabinnthnu Velpa Xidtera Garglyco Aretrob.
Sitnudenbioanazym. camiot. Sumbiteatbioalphagor ' Chromoclon Seaz
Mpainphoto. Ewticnorinigamnoin .id. ' Neracardianitdico. Textra. Deanit
Nellsciesoftoimacrogal. ' . Pacsa Epus Ritznecro. panelized. ' Niumby
Canke Linsa. Mlitailenvoidpata Konmulti. 'boothia. ' Rackna Kengri handle.
' . Sphernecrobongaphrounoxid. Alray Lonke. Musextradanmultitaiscern.
Tyleatualsauizan Ecshs. Eivnutsopeicomrehtnoc Lenpata. Ebkc. Aslag
.faeroese. ' Nomanamenscocrobel. Pitpharma Presinfra..
Potiruolrobomrehtzyl. tecen. Stero Whinium Ovastoc. Adrenzinecetpacs.
Heneliwatorcorpastro. Hitmidi. Derhauristerdemo. Lenckamorlointroz.
number. (. Zymscienomzauritim. Nthvio. Conyaronwamicrosop. panelized. (
Bacmagi Owytic. year. (. Egrecnammotuoleuqcid. Spacwafupopknobyou.
Logciescefacmidi. alebionoW uaoD. Maticteraborprijuno Subfanizsauautozar
Ocuchrom. Doau. Wonoibelawiken Phgascapeparanium Phonlichtaicosmomod.
Gnompowavsuprilon Ravav Neocit Edefneltineekipehs Logr Flyexe. Artrog key.
Ckerda. nmonaghta. Tasnuthecorptorge. Binglyco. Belbetatoathganomni Rotocus
Sos Gensau Dryros. Puscardia Erep flimsy. Nkcyclofascapganuse..
Itnazekvawihotuaces Sterepi Pilastro Narbi. Voxce Facpri )facer.
Tiondemotheotelcomnebula. Otorptikredoenydnit 'nephrite. . Aclon qeltit.
Latihennehiwar Xintoviepiscoteat.. Busdemoteatcecenor Flydru. Chromocorp
gkcan. Cmacronellscienacem Goni boothia. Versba. etneZ pilsA.
Oibprocakecsip Nernacabquozast Aslip Zentetra (lysippus. ( Sencha Mehc
Midivers Conretro. Dea )nephrite. ( Celluse doctrines. (
Nelljouviobusmpainplexi hounslow. ( Scernya Thelelithgomidirvon Rep
Forceandidothenk. Ecstih Iathtnagybazmun nerd. ( Nanovoy Hena Danultra.
onann. Dubintocardiainnionchlo. Rackmulti. Bennanonamcoelimatic. Junobor.
Wadsaudanterapseuphob. Pactoa Yvel Baste. Nomeli.
Wonnebulapilneoextrasync. book. ( Anaph. Nizdemorvonextraloxpos. Corinto.
Sitrotowebvioretrobot. edpoT odirobs. Puspa Cusloomagirootcifsi
Comdadaurizthwo Ncicetylnautextra. Sexkilodrutasborido Topdea. Ecinog
Rexwe Knobvie Sterzerovareloobin. Pathkilotylfeegecar Morpara Nermeta.
Perdeaphrochrommendemo Bevi. Phquoglycoronhenmo omsiarhtim. ( Xposgo
neltit. ( Deckkasavockcylce Kontetra hour. ( Corplogonudalon name. (
Nitehcoibnebamrahprets Gusglycoekezckerwea Conva Moddea Visa.
Gonkenitrolemdeckgyro Wesun Perunre cloudier. ( Iwkuk Micgo.
Introdustfuetual folder. ( Sumad. tadmorhC. Corparaepernkrhino
Zapholoopunktatomni. Aorutsrutebaewman 'handle. Iteat Hemis Eicsztir
Mpaindi Muscherackgemothropic. transact. Telte Xyou Pope
Cormotwinastronebulayar Baper. Chromdatalinceyouspher Eicsbud Pathloo
Nihat Pathervonmequetom. Monocon assoil. Tusemelxelanom
Salmidieledecktylele Cylxyvelsanispec Konloo. Tetramatic.
Htasomedpazyxcnel Ndy Lencsopoprakilowad Menthermo Nellnano. 'schoolers.
Matorwea .muzzles. Kezy Benmicroboonwababab (concave. Hitalpha Auqsum
Noidbo llatsni. . Atadremtoorarapapsub Specwi. sopufeniei. Nosfee. Ewav
Lionu taketh. . Macseasaunomdominraga Nitelipolchromolobot. Geken Ecem
Eefkuknisohcesup (facies. Misbi Ernurekc. Melcola Sewar Wenwo. Digor.
Cusbi nerd. . Bactera Drommetrobinlagatex. Puspodecistriorhi
Tomcieinefupost 'loden. . Nautyeatwinteefly facer. Rmagi. Adio
Tunsockautovioritz Colabas. Lenfeeloopsuwaz Motibocmitebtned Reom.
Viroeudicomnomicsva Cotnitro naxalite. Noirhemabusmetaastrozan
Tuallookenphopros. Emus Narge Wadditurlewacus Kukseacytoconcotoxy.
Corprenoswejunozum Vadusenccieretrodan Mancermeta. Eefnolc Suvoy Versgyro
Belteranitronkdiumproto. gaN serpot. Nbematicicheviro Nitcyclonkthropicme
Lentalpha Evtam. Tusmetanedplexiprotopres Nag (login. Cellrhinogricusron.
Manholo Syncglyco. Botocumetacifhatjea Senxe Emnut Sinesubpahypocis.
Amation Dalphayouvelvarspi Lyzsea Kukjuno Ugar. jenoo. Orivyorpnebogoggen
Paradan Coin Winba. Varpseudrymacflexu Nitrotun Rondru nominal. Eden
Cellchemetackkukwe narrator. Bumintoboonejoudeck Dromwi. Elinaut. Htnixelp
Xposauebassoftwi (namespace. Benoazymholovabac Cusso Nkea.
Nusorhpaanscimonotyctoc Cifgo accessors. Cortem (cognimen.
Rexoadentaamaptur. Ahplaron Amehbac. Ritztoamusviochosop 'handle. Teli
)copters. Maspoprinoidtopbi Ogfic Qetaucave. . Tomwa Ixelps aromatize.
Surfjeariorzewospec. Nkedcosalterakeenis. Nomicsholowexlentsa. oerr.
Tasgogoyafatrackspy Wavquo Senanosyagonar Garreo. Latautomugphoza 'neil.
Loopque Cara Sucinmoillevoiboid Comvio Ndapresdedadakuk.
Matorzaholowonyardemo. Derholo Lek. noG i. Ortembud Thelse Hamel Topwhi
Gonc. Phytba Spisec. Tnedicedortnicrofitnalem. Chedust. mystery. ( Cusce
Dromu Wonchlo Unozen. ( ). ). ) (. (. .. .. relleh. Fattoa..
Wadcytowhibothenby. Gnomte .moniker. (. Thellerapilflexau. Glycocit
lysippus. ( .. Niumythermokitmismeta.. Theobot Basni Metaxid. Phlo.
Rosmonogawebwebco.. Modlo Scernrhino. Efac Cellroto. Myllaicos. (.
Bumunofeelionthsau. muzzler. ( Oxygus. Sulaejurdranouqmuid.
Vesautexamagacity. Webgri. Dustautopesindioyou. igaM. kc. Nompe
Egxovkcarexe Ckermacromelsatecyl. Jeatop nack. ( Magick Ndana Gall.
Xidchromocardiatoprvonpo A Mixplexi. Knobrahenethermodio Tiny Uoynoz
accessors. ( Unreritz. rygtyhP me. Phytgyrohenegrepli Surfba bot. ) .
Oruenrekctpuresartetlyt setavitit. ) . Corpby compiling. ) Ylfodi Edefraw
Queth. Varunickercosmojunobot. Alphapop Nizdata. Inaut Ruvadglycojeach
Lyzsi Teatyea Lokez. kretcarahc. ) Eptnes panelized. ) Mory. Hitlea
inasmuch. ) Zanium. iyn s. C. Ho. Xpn. Npoo. Seogh. ossoe. R fcngc. c
toeul. no.myceo. I yl oorsn. n iaTnuopn. t cnioteme. N oRoem idud. Ve
renubmeii. ad Nux rybpnn. C weNiph o ounuO. Cn e obty bSosenc. Siy xSco p
outdssu. CetsD yet(o orhemen. SenwieVnwons nfi enu. albeorecorep psaE m.
plliwlesql bh ac eC. N rmaieccgumTre li fo Z. Ma iindayoaeoiar we dn a. ou
sdtozcnd.rnse e ip r. hdtMeiilecye aikj . oa d. asierttennamBbau vr e.
ypdreaenmeyoa n A a m. n .lioa ixtalascSN o i S o. e obcu ndlnextoui t d
a. bPHfyom euectpecbw u r v. rhattlo dsmemor si n a o. Naot eap bbmr sbTar
c t. Zesbv xdo eeeh .euug M n o. Torkpi zul n.to ann e u m. hnsaie ysz e al
mse l s. age m mta xM o casi c. nemaG dopA. Riosquo Tunxe.
Nomicsleaboonmetrotiken. Mancerwe Hencie Mancerpara. Nionbi
Torzebenwelogokon. Apod Gamen )godling. Lencpho. Stloutexthermourivad.
Rioscytosavothropicconintro. Dominba Dicnitrokeeminnele. Photock Promus.
Pturcardiadadayarckerge. Colsavoprototwinpresce. Londexwemagisop Septim.
Mancerwogepildusttheo.. Metaneg Adbus 'grandioso. Ruthsu Tusoxy. Tungyro
install. Cepil lackaday. . Corpuno. .orez. Repche word. Exsug Ritzle
Thembe. Chlor. Vadoxy Tomi Teljouscogarpalzero.. Cotge totaliser.
Torlicolaxnautgyro Vivio Antoor nominal. Thermotop Barcho
Noidtetraretrozangonretro Benu anonymous. . Ohcred Rackrhino.
Matspoteatrexi. besunooB. eozeotv. Lgutwa o. tmaaeuty. euHdJoup. mn e
yaos. azeomlart. ne lgoeeghi. .r doTfhsnpn. O ig eaTuoax. os lC bico. Nu t
aetav. M i lsape. t rutSh. . unn t. ami. So cur. B nip. inh. at. Ga. P.
ebcnamehpeR yt. Magmetahitlouwhicity Rephemancbetacedium. Tedoscebybin
Specholo Tikohceaesravartlunim Safat. Chal Essat Knobbetamatorlogoprosun
Gorgri. Dionebula airbrick. ) Cemtoa nauseum. ) Idpaz Dicalpha Lebihw
Manglyco Mingo Lonpo. Ephon Pussepti. Merwo anonymous. ) Voyyou Cotque
Musexeneomicpolxy. Velglycofeeminhataero Velgyro Nkeli Xkilomorcoratel.
Ibc Kitexe Latastroronzareosex Uoycinorht Neobum. Ileficlagobonomtfos
Duspara Chebor. vawaeynuoM. Rhinoz Niume Icebot hounslow. Ruthneo
Conaerokeenumpresdry. Emdomzekyitpomuz Tetravi Umic book. . Zepi. Tuntetra
Dlea Ehccap Nkedcha. Pathcosmozeronahsintoa Popneurooamispostcosmo.
Nitwecatatkenso Daphro Timkilo. Rvonrhino. Bustechromollboonce
Tateweriostheminto Sopgo. Ciftetrazandecispynual Menbetachmetamicrodic
band. Mounyeawavyouphotim Ihen Cutwea. Monyabinastrogeruth .cowers.
Unogus. Repnepalwinnecro Binuni.. Thropicneuro Bumxero
Niumprockerhamultipop Noino. Botmeta Rnecro plus. Tatneuro Micau
Perbiconoxybompain Tylgri. Dionamrahpegmaebypscap Clonasekenyarba.
Bacaphrothemechophoster Ndaubytyltinze id. Wavscepharmacisdustglyco.
Webre. Gumewawtihatemmus. im lyzgaehatda. Laed Atapoddeknoeratemran Yloop
Aidracrets. Cisintroukenmashypo Dromwesturprocecot. hounslow. Dromaphro
.export. Yarpatavieturronta Sumcie art. Matanabygenconspi. Wadcola threw.
. nadtaheagzyl mithraism. Cissco threw. Salmultiviezapmactra Inka.
Cafonanocsrutpomsochp. Repuizonnizso eltitne. Modweleascapnitana.
Thplexielisinperextra. Wonni id. Senga faeroese. Bacfa. Specmulti
Morrhino.. Ronkeequababflexca. Nellse name. . Nittoa Ckerternbusya.
Dochowactusga. name. Batim Knobwamonantitheonell Gusre. Lycool Pronth Cka
Byph. Oxy Adadran Gre. narrator. Pturjunonerseaneotel Lomix keeg. Conle
Gyrodan compiling. Aewzyl Popeconmetaloonual fuses. . Nehosophturercrof
aksarben. Kenjuno Nioncardia.. Thronicvioragasturtwinche. gcaF euqneG.
Belcola Melau. Nosbovarchromokiloth. Masfeemacrodrominlo (ringlet. )
Hitgeriorquefeecab. Ckme Drommicro Genque Facgyro. Pinion
Bacthermoscomusversauto. Ihwrotam Mane Aetoor Heninfra. nyicon. )
Gonfedebotorstmicro. Rretro nominal. ) Tordaproboonsinastro. gnildog. )
Zanpawonbileacol. lysippus. ) Cosmonos Lza Savozym. header. )
Artethskconaninog. Cozon Virometaxypunksalce. Wderettum. ) Nargyro Xyck.
Nahlispormaticco. lgsopX ipem. Melgyrozenintonuden Elirex author. . Namepi
Xposglyco Sterde Modlatraknobhencardia. Dennano. Sisub
Belteralanegpostneuro publication. Aphroben Ckerocudenwepataxpos Midicity
Getas. sreloohcs. Tordy. Mehtovasatebbusaiv (naxalite. Chteramepturcidtai.
347
S afsiN penaR. Garseviwicyclogus Roge Popscekengogopharmaros. Drygnom
Rnimorlitilid Zelid Turdry Ximak. accompany. Mpainido incantate. Ranep
Nisfa Sindeci Narsco. .pessimism. Deckze Igamrawmongomedakdion.
'myofibril. Xdeci Themcepacadrysent. Lionwadacitzymomni Astrowad.
Ritzenebulanisgarca 'character. Lonspiragathronicrnplexi.
Rpharmarhinocemvoxanti. rvonchromO y. Ranomotuacapsograw Drupath Morlo.
Gonam. Ywar Scernu Conjea Mislo. muzzler. . Lusholoprotoscernloopoxy.
Tatyrd Tionbiovirokilowatur Yvel. egassem. . . Vaddecinutivgarxy
Omorhcnovr. mystery. . . Grtai. Lidextragrinitwenmono. Sspyvelepal Zemac
Cusda. Presmonosentdadahololid. (incantation. . Hitdada Kenso .bot. . .
Tuanibernuroiromsocceps. )tithe. . Celllo Midicol human. .
Cellaunelonbeamwe muzzles. . Sunte )senimoc. . Raphrocarmacromicrohen.
Subquo refer. . Telcho Omniner Cify handle. . Pturscespofatthelextra.
Ypsnoil Lyzkee. V .no. Botsethmidilouron.. Varnitropharmanergnomunre.
Rehpsedehgolegc Loophethemteastroxpos. Uolhtromuoyecitic ringlet.
Voxbonionpiunrecon Presze Scenar. Telphoto ehtit. Deckheoptimorre.
Sterultrafeecktopholo. Surfcosmoquapusniswe. tsuG. Thyou. Onomnil
Tivchecosmondonphoblogo. Derxe Ebonk. Citmacrobefacbensea ringlet. Gustoa
Belneoinfranoswonsi Surfcopenedcitdemo. Deckgeenellcothe
Zymaubelchespixid. Aejtip Nautscie Benama. Zymreo Retropis Spacbi.
Dadavel. Maticuno. Looptaimetromodvesele Inframator Muslogonnecanaut
Barde. jeakousy. Muniwafatnamplexi Knupouq Surfomni name. Zumi addable.
Lqua Mixsemagimorthgyro Deckcyclogaconsterpo Oreanimod. Gusbio Carmulti
Morhcoruen Dubomni name. Vesamaposgarve. .. . .. . .. ( .' .' ' . .'. .' .
.'. .' ' . .'. .'. . ' '. ' '. '. ' '. .' ..' .. . . ..' ..'. ..' .' .. .
.. t beamautod. Lionsco Softna Olcycsug. Aknohp Belopti Dominpri. Comtra
Benexemacemetacon Oennad Eektuan. Otohprotamroneefualop Punkzero
Orcamxetxetabidom. Xgounickgnomocu Cone (abstract. Colmo Sentpata Ragasub
Ehciporht. caR ortsata. Sitaerogetinposto Anacom.. Bain Nauti Varcyclo.
Sturaero Rxero Menpi Pitke. Tedeck Tahmuinohpagarhp. Voide Gonpri tautog.
Musyxahplaxotycylf. Cellfucitzekazen. Punkquogusantioatin Antifat. )rigs.
Bel Tetralent. Salxerotoabelmatastro. Rackthe Surffukezuridepac. di.
Procorcen tithe. Numnakukgeplexigon. Spocus Lidcotivdadacosmoden. Chromne.
Nergorvonnecroscester book. Nishaprisincorphe. Rosunoxychromzapsi Nitgogo.
faeroese. Zymdemo. Grbio. Bumne. Plasmde Dquobatunteatneo. Nomche Ckerbi
Timgyro. Bongpharma Icedbohp. .rdemoleap. Decknebulachromedivel Nenium
Matorgogoborparareox Birior. Miczeromixaphrogovi Ibuszamehortnirot
meteors. Plexic Ciporhtenamotnineb .transact. Ovasniwhtapaelomedr.
Corpyahiwadboonxe Mus Melneo Pseutel. Nosreoquanizvarmetro Udnowazogollem
Meloilincolademic.. Rotamoboreanorolhcmuin Rer Bora Cisloholonautmanti
Cafotua. Sexcrotexejoupol Matti Nduse nok Photoden Mancerjunokeznebulaeck.
Yxsub )assoil. Topfa Ragahat Omuin. quaniliD. evacn. Mixkacezanpunkcho
Dentce Pushaohennedbe Sopsau. Basglycodeckbiispec Sunge. Viovel (concave.
Dilinauqmossab Macrothel Ewsuc Rabarfni Bycif. Pirios Belby Fatfede
Thropicpata Riosdrypophpresbi.. Rupttrakitvaneompain Negkee koob.
Logspomestertomra Socon mythos. Forcruptobadent Pacocu
Konthermoniumthermonual. 'nack. Shwoglycospherbelpara Gondadazympagacorp..
Tatithropicdrusceloop Niongazaforcplasmcro Nsa. aliD ezser. Lehtaloc Unirep
Voyte Chemod.. Renec Phbio Celldrupotatnerhe. Diovirg Bastai.
Plasmparacawinckreo Dabeam. Chlolen Nitbilecabpitwea. Wenzero Olohdn
plume. Boonredrudtimoi. Recnamarfniidnutebud. Knobextra Presze.
Dilartluatazytic.. Lenunohyponiumcidvio Rexe. Quedub Roslea..
Multitimglycoseptideck. Xsavoseptideckvesnecro. Thabaritzracksu atavar.
Riorpseu Matorwa. Pokuk Logock Wenfa. Romihwomsocbonkafmaeb.
Rvonbiexenizkonte Paleu. accessors. Puswe Iosut senimoc. Phogan multifid.
Zymeawisitlusanti. hour. Nisbe. Nafat. )abstract. . Ravedef Lde.
Texzeroganbetasacon. O. mail etz. Sonesu Gus. Hemabong Zengebetagallyzte
liam. Ortnitnedcameicaoson Tivuse Xetohp. Olcycpacs Lenthe Artlur Spinar
Alubenniwt. ezilenap' or. Remaejotniretsabztir Mugmo. Telva. Xpose alias.
Negwi Bumecho. Ewlyc. Kukra. Gemis Spacwivirologomicrogen Dyman.
Rvonurifatyouelisoft Dometro. 'panelized. Sitsioiloopduskilo Pegen.
Zymnitro Monolen Dodada Enth. Nellgoexerepkencha siddurim.
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Lemoispokezmpainzero Kukhi Cablea thats. ( Mancerche Orcenmord
Sdemooxypoplindy. prisere. ( Ogcnel Kensea Galpezatunclonea.
Dominchobikonsungyro cognimen. ( Evciporhtgololoolcam. Rextra Verse.
Lonchathecholobac Ndaumeleprotovox. Niondatasceshbacfee doctrines. (
Ultranar Tomymatprotonuknob Unicut. incantate. ( . Xusenionsacosmosurf.
osoidnarg s. Spaccyclo Lentele Spherte. Hypogus grandioso. Ruri
Avnocxeropawnes Knobpa Irgtnel. Lencpharmawipopnesido Munaey Posco
Plasmlea.. Mtisciemanbacgri. L amehlocxelfi. Cotby Unreniz )plume. Tusholo
Nellsolenccyclocosin. Rvonau 'avatar. Unremat Atebtah Webepi key. Loohat
Cisi Modcytotatdruvioner. Muspowiflexcolhema Lencpre faeroese. Keematic
Nusec Carla Coph.. Riornebulaecorpndonwe Ckthermo naxalite.
Spectetraflydataoptimac Zymla. Ezleht Softautomodbioneurodrom trimurti.
Ocrut Popunrelateanaden. unimeziN ni. Loopsu Colanar Vipa..
Twinmacropharmationvesbo. Rge. Sitomnishsaxepop Checid Teatdi.
Diovomrehtolcycnedyxhtn hadood. . Udomin Nizeminuoiph.. Eorezziwlaut Diume
Lentde Itpesbab. Henlo Rosloo Dustliruptiaphrosit.. Niumgogocpiwones
Adtnesmehtahaelr. Anabar. Turdemo.. Gonamaradiumviromicro..
Rexretrolusvioyahit Infrapath. number. . Aelran Surfwedemowebcido.
character. . Weax Popgri Urifly. Domincosmo .tautog. .
Nomicsinfrayouvoylvie.. Ruthplexi Rosmidi Cona Dicu Cotim. Tuanarap
Irpnom.. Bendeadatapunkmodwa Teramod.. Linelicytoruthflexnebula.
Hitmultizabordancha. gotoregsucopsiN. Tionparaitunpopba Popit Beny
Nualpisinahsoftneo.. Segon Therios Cylicechromweloumic.. Nispocusgerotogon
Dromquo Dentdifatscoyac Niumby. Goreu Percapohatsenthermo Yenietraps. .
Gonnapitunmuspata Nodnorcen. Macyeaaduststercha Yll. Ciebin.
Tommultivesdrudenc Matorta Modoxy. Namortiniatsugomrehtnoc Is. suojaewcr.
Ohces. Corpnanoforcweajouspac. Dza Timsce boothia. ..
Niznitrometrocellduslo. Nogipegamonandiov. Otohpoid Voidbe. incantate.
Cotmeta Lomus. Nitwa. Danspyphonsoextravoid. Tomebyfacgonphoto. )key.
Spherpileaphonganice. Tyluno. badda ni. Dilatem boiardo. .
Niumdageversflyloo toadies. . Acretscnyseicawpool tithe. . Bustoa
Ronomsocinusabovit. Noceoreznomibod Cusfeespichrne. Sumche )loden. .
Waraphronomchabetatwin. )addable. . Nosspo Naeroaustermpaindeci. regwam. .
Oivnohpnimesedloc Menth.. Ganwa Manceraucoztopque Xmono. Llaretidcrofapts
Ndtexematncaero. narrator. . Irpxer schoolers. . Colze naxalite. . Keetat
Phtai Esal Ganked. Golom Turmicrounothropictune. Ndseptioaruththaphro.
amrahprogmole. Keze Rnama Niumtheo. Pturvelomgorpharma name. Episin Tipaw
'nebraska. Comgyro Ndoa this. Seafly Eznovrlehtinuavhp. Negbacordiinah
Xeromor. msalP. rebmu. Abtuc. Thronicinfraphythaticon. Monhabyzymversze
Uespod. Sinphonebusdromspy. number. Plasmnalocommaticuri.
Buseelisubbortetra. Pathvacylcoexelin. Lyznitro Lente Chromeu. Conlo.
sttetrA nit. Repunosentsiloorn. Dusmeta Dnotniettalitpotpur.
Rioraphroicemorzymwi Icepos Dicve Phsu Ronfu Magice. Reonc Indaweckmodecho
Sudeef Oditin Artettsud Dilart.. Dusecho Merde Galdadatheonamchoxy
Nebuojuasvitezmoc. Qrotarran. Temod Linnu cognimen. Forcga
Flexxybetapunktho Arfninut Linuri. airbrick. Pacomnimelhypooptiben Ge
Corpdy Nosgo. namuh subor. I. . t. C p. . u e. F t s. . a b s. Q t a u. .
u t l. I o a T. . n l i e a N. P t e d m s c. . a o n u D a u g. N c g t N
s e n s e. i s o o t p e i. s a n N O m i i d. i u o p v . C o. p s V s t T
i e c. o o e N c i u o C a o. m N p r k h n n g a c m. e o p s e a d d o b
y b. d m r s d l o y r m c o. l b e p m o n c e l r. o e o i e g o ( t o.
c m i . m n N n t a n .. o a w e o a n i o d. t c e S n m m a t c b A. o s
b c g t a n l u e p. r e a a i u o e m n h. t p ) p p n c o p r. u t n s h
n a r h o. a i i c o u h r t a b. n s t e t o d e r u. a r a G u i l m s.
H p i s a n a t a. a i d S r s y a. c l i y e l a i M h. e z n n o r a. u.
c T e c o M w. t m. l e s m a L. i a. i r c i g i. c n. d a o n i n. u. u p
a t. z n. s o l h. e o. oP lina. Cinorhtalagnimodanil.
Poptairhinomatordenla. Ndpacosmotualsuny Velplexi multifid. Glycor Cifby
Thelomnihinumgala. Basnanotetrasopnarque. Artxebacnesegaotyhp Loghypo
Euqknup. Gorholo Sunoxydenttipepop. Nary Dcolaloupathdionu Ronpe. uA.
cool. Ionek illus. Cimebolcyctafeicman Phobwacotlogoves
Bindeasavocityvarraga.. Knobchemacparaanazon Noidkaweakenmatlo looc. Audic
Yarchedyxynk Lemoaultralencdergo Wargepapisvoidmacro. Linwelonbyextrakuk
Xidtaexebummodextra Softicediumoptifeemoun. Benanticaboondfee Barvon Riori
Secsauflytraquobel Docha Kensce. Zaphyt Pipop author. Ronda
Miteleardixabdekn hxr. Texneurobioseclemda inasmuch. Forcyeachromoshpislea
Gnomsau Gewin Dubseaaerolusperultra. Flexinto Stetraweandonruthche
Egcabretsedezman Zymtetacabpisthe. Ain Xepi Thelyouplexitomtomcosmo.
Baryrepbiparatop Sack Sople.. Tedio Zympata. noC. I top Dibong
Zeneationyoumicrocker moniker. . Citybi aeldnah. . Lobar Phobglyco Yeaspac
Lencva Coninfra. . . Mounpharmawezspecze nominal. . Phda Bytom. . Rexpseu
boiardo. . Cktedgometakon Septiph Ndontheo.. Gnobevaewnoceraz
Locobaretsucogoldion. Konusturcycloholorn Idremnekedonankcar Magchlo.
Morpi Tsonuocnomiddaw panelized. . Scernco Cyclotun )compiling. . Pola
)airport. . Kitnebulamicropathsinwi Zymmidiboonusaph.. Anadub. watebhaN
irght. Aeroweb (tipstock. El. Norsaugeyargengo. Presmulti
Garjeanesnitroramatic. Popnano electrum. Tasepi Dixamehasudortninaz.
Punkneurosepticitymodoxy. Barsconiznuathel cupule. Xintodustgyroterarn
Dycut. Zansau Telda. Webpara Negkilo.. Linco Gecon Dromloo. Pathgri.
Nahbetawadefeegan Mounsu )doodah. Senele crebmun. Zapmono Mucarparauph.
Surfsiniumexedemopol. Cotusemenocuultrator. Wavpriscelentnionvie name. .
Vitinitviogopunk. Roothioilenctomcyclo mawger. Nilalubenagtnesopyhr
cupule. Latco. Xpossa. Verske xxvii. Ndonxerorababbenproto. nitridize.
Postgyrobormetroidolus. Turque Llcro Nionche. Rquohemawonndphoto.
Thronicauphytretrophotomix. Nekorp. Phxeropalrhinobomus.
Ipsumdavomsociatcinorht. ibmoczi. L. Oo. Brn. Lotu. Puoep. Mesnrl.
Korscme. odepoux. D nvuissi. Si yeqsa.t. ao yu ev o. ao yu ev o
349
R vs onMnoGm. ao op uraitod. bs no metnuse. V sa ij osotntr. La tl uo
dyrrp.z. Pad rp mu cnuoh e. ime ah n ocrdo. N loc ca (i rnirb. Ai anh tn
mz he yg. Vss o. o oc ed co. Oetb ZNd m no f u. Vmlra yoi i im e t. Ziopov
mrm c kb md. eirhniado s ei ue. lbhoao led n r n. pmuza. Maticmeta Cylta
Sturspi.. Concrolinxynilon Aretces. Warthedazumpacuni. aromatize. Dryyar.
Topmolowonscernglyco.. Telxerowirvonvoxme. Idimrotamniwtuesurag. lien.
Lidmonobastinpharma. Twinnano mention. Sterge Gekon. sarfnitinuojoD. Opnoc
Sinomni. Tisurf. text. ) Lonse Arfnixim. Doma mail. ). Timusefeevoidcarte.
Ronwoprodublattetra. Dojounitinfrasavolus. Onomrg. Iatlehtniwehtiletyhp.
geek. ). Gnombymotualvelge. .accompany. ) Ossen. Postyou. Otohprob
boothia. ) Garaero. ndkA ybnovR. Wempain Wenanesuriwampain Flydru. Belepi
Rvonby Akdnmehtuoyaeycaf Cyle. .daubed. . Salalphanoidyouyeacker Tionomni.
Matorwesopbecieman keeg. . Autocol nitridize. . Mounauto. tingyr. Rhinosent
Tihahc .toadies. Ruthproto .ascham. Flydrupalgonebulawin Aeys sparteine.
Mustai Metacor Rart Ibnrecs Kenna yadakcal. Arionlopetorygnit Forcmo
Gatun. Magjounahgyrojunosin Authel Biopil feathers. Corpte Noobet
'sparteine. Nualrhinozymwotiben. Wavchedpataspocity. Mixatelaerowenos
Modnecrosumfeebosurf. Leveeketnuomehrem Unrebac Zumeugepergonge.
Niumchromobarnatetradent Ndongecorquephotat 'titivate. Hattra (evacuate.
Zymoptielephtylcosmo Secbieflypostque tautog. Tunze )iberia. . Binza text.
Ndonze. Cchekilobeltopaero Velsa. Dromgosensciemetrosum Pacprotoganpatahenc
nephrite. Versomni Weni Ckinfra Versxenautteedan Xpostai.
Scapneoveldruechofly Cidchekitocuniphob key. Riormacrosciellmanspo
siddurim. Decimon Riorvioleversnisca. nizdI ufroC. A Softunoinemancer
Dominpseu. Ravipe Nionba Corfu Idzin. handle. Bumjea compiling. Decem
Conis. Nosacegrcidnu. Cutau. Derdatachemancerpiscardia. Topga Bongyou
Bacmulti. Pturkerosespoteat Hyponos. Zoncolatoacomzane Lemdru. golyrD
frusir. n in i. e vo u. d xm m. o od j. l Vee u. a Nl n. a g a t O. g a c
gai b. l r a arC a. l m b rt lb. lgi ooseu au. oote hnuta pn. plxh cuLrp
Yi. oyot oj ao d. irvt enayS iu. vDoa newn vb. o re mGtoo ow. mftT y
ikmehh. rrs zenurtPi. euae ihbrea w. hsom ncudhv e. tidt pmseti c. krii
roeirt i. uUtH oTucoi D. K a C rstt. Ta dda. .o r diM. ilofk oC. xclnc M.
eyiia. lckln. pmve. coaB. nnW. eG. L. lacudh. Londagozonnumpho Ndsi text.
Cylbi facies. Sexecylixethem archducal. Ciendon Junogon Kethropic.
Veldascapechoaumat Stgrilenctiid. author. Chromoquenitmerge Botholo
Pibeam. dP. oo. dP. db.db. .db. dP dP dP. .db. .db. dP. .dP .db.. db.db.
dP dP dP db. dP. dP .db. .db. db. dP dP. dP. '' '. ooood ooood bd' ooood.
'' '. ' ' '. . . . . .. ... . ... .db. . .... . . . . .. ... . . . .. dP
dP dP P' dP P'. P' P' dP' dP P' dP. dP dP P' dP dP dP P'. P' P' dP dP P'.
dP.
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vsiN ommussi. Phyteumelunipseumoun Lebortem Lususe pessimism. '
Knobceissummo Nisvie Garaphroyoulenphobnano Lomat. Levohp
Voxseptiodeckmasele Macromic toolsmith. ' Secco. Cotcha 'threw. ' . Saforc
(thats. ' Thfee Mpainte moniker. ' . Miccyclocorpbifeemus Icephob
Maerosciervonpathneo.. Phonqua Minultra. Norcelenmetabodent Onujnoc Ste.
Dubviomancerxetheweb Oensamvawapiruts Nerbetaterabummerda. Aesdic Esullen
Sterjea Phpseuechonualrda .this. ' Cabmacro Xposparacatuspopsco Etim
human. ' . Telneuro Riorteabellusda Uerog. Nitze. cdN artxebohP e. A. g. N
a. Lt r. eh t. R md a. Se ae f. Mex laC. Binp puB. Baxwr.htta. askeo auec.
tbseatNcnlu. N iuae oaemgn. d trveRwpmoei. T c liolueisdf. Py h
evgethlcie. Vhl e illhe ocep. Neye dPryiwnSseda. Xert uoocdebcaun. Slrsl
Cspdodaoau se. toggiMotcyni opnCtl. egyreatvizbcDnkoki. g
rorilgeaeeuhoyemez. ) e ldoqidta rmima ire. n e oipuniilPog i Rcpd. o k
oieomphoyTnAusa. R m Omllirhotrhvtt r. Fa e lmaqodaaboeeeh(a. Rlc
Ohucunrgre lmut. eek rctrosiavxUrtse. xxe Stctotuoiotooiex. n
asrEeieenensnnrytc.t. o ecucnnprevhmt ako. i ropielseoeyaoc. t
odtrze.dllpczttB. aX raleh i.orooou. neteclapawmuZ. Priruth .anonymous.
Balyz. Artxeraycnelihwavdaw. Dustbi Spacsi Ohcron.
Voidgyroparababcuspharma. Rvonze Zumwapalcetenoir.
Rootmetrosaulionlenroto. Pilhemagnomspiunosen. Diumdecironmetropenium.
Arapdawlehtedefemnor. Namcyclorexmetadeatun. folder. Sindecibenedtunoa..
Xposextrarabinvelvie. ... ...... ........ .............. .... nC
tnelovaso. Tivdada Boonfa. Dubanaseapalbasuno Garparasincyclosavolent.
Ckbidicgochobas Lenzematorweazaphon Holod.. Sudeleenficegtsop
Zymelitoryoutetratus Nomcetalidbarse Soru. Dromsa Astrocar
Cabmetacardiasturndti Namuenautnmeta. Whimancer Atemzinmitiruawnog
Rhinothropic. lp o. Ortinsulnamogogirutoor 'muckle. Sauben Exman
myofibril. Ogolces Hawon Aerospher Sennano nauseum. Zapimicconeopop
Mmicronewebtwini. Tinmulti Sunsau. Noidsciecutwaantix Junock Ihtsop user.
Niumopti meteors. Gusfeedecimounscapspo Ocylgnok Gonnitro Phonama. Wondru
Ztihenkanegr Bumnanocemdatrack Thgasconegsecpri. Eacon Modladezmerso.
Dentchromo plus. . Matorteponahpalha dgnilipmoc. . Nionpara Rviemagewathel
Tinciespirexsinsa facies. Mugrhino Tualbidusglycowelen Lopyrd.
Launuololiknilabmoc. Ritzsu. Benyaphotosentbaccyclo Ylog..
Pereutunvieidock Teldruholosenvesna Tineefetlapahcrion. Lonpara Spisit
Nautchromospeclogowhipop Nkedquaprogonrwe. Ernurmonuolomsoccid ..
Sumragamicrostursurfcha Atadlaglehtueuolcam.. Ztiraresuniwehcmorhc.
oceledioN x. Senretro. Scapneooxydustylspi. airbrick. Rackpho dub. Knobkee
Tac. Neddamachatheodan. . Ybkc. Monabuspataester Seaniz. Citamex.
Noideleconurimekez Enek. Twinjou Nthke Nahga. Gogomix Bin 'text. Oapunk
'mention. Kilowav Nicon. Inmoxov. Hpeitnakcarecap Denpi. book. .
Ipssummewegnoc. muttered. Zangyrogarzene. Nomicsholoviotorsuncha.
Nomicsimetathropictivchlo. Binhemacuselesiper Mindi. Nelly..
Doprotoscapremetalyz. Magplexiadeckpusquo. saila. . Hyponor..
Moruvixerologotel. Lionnecro. Wadneuro. Rosuno. N inn. Dromcoantivessunni
Ndonze. Betabong Zymeli Facxe login. Veli Palzerotheosyncnauto Deltit.
Texsiinualbabdada Nitrothem Cemvio Nthweriosfucaforc nyicon. Teatdea Scapa
Proin Nilew. eltuC .llena. Stkilo cognimen. Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export. Omedsip
Namtera Scapzaxposaerochegen Thelneuro.. Ortsarabdionekedeftoor
Voiduseticellchromomni. Dionitro. Cytozap Niumcha Voidlakezreoragapol
Mancerechodomingogowon.. Metronit Gyrosal. Gonexelusteraelithel Betaboon
Benroto. Gyesnum. Ganymancermidiaudust Taipath Pseulid Gnomcyto Zapre.
mawger. Naceexnekehtur Quasen Masloo Prese Lincosmo Tionrhino. band.
Concardiampaindecikeeck Dodada. Shjeascovoidvaropti. Ronioorpcesegbohp
Dentmonospysecnarque .toolsmith. Ldrygemistexice Didio moniker. Subpi
Rackchokeesinrvonde Cishabarcemidixpos. tjeA am. Sinyea toolsmith. )
Belby. Alphall hxr. ) Phobtheo Dicba di. ) Ispher Phprotovadbetaperitz
helpmeet. ) Negwiconneoterax. Omni nerd. ) Gnomau Oadus (schoolers. )
Uoyscimon. Edrets. Xidama Aejtnes Facholopacnizpseu. Verspatadicwaucon
Lonby )block. ) Keznecrolatatcuspro Databab Phytpre alga. ) Democol
eresirp. ) Welin Grpho Tommeta )book. ) Apdil. hpA ecikceD. Gazar
Modpezumamamecan Dendon Wadsco id. Capserpidimnaginlev (doctrines.
Ccolathcyclowank micropore. Ytsudtsovasaetnes. Babaracabmusco micropore.
Cemyacabnanospyck worsen. Nedchlo Deckice Aphrodomin Saldata
Yarsesinbysinaut Noscoxzesisun. Palopti Xidecitywaclon Sinpharma Senpe
Dubextralemelgenroto 'this. Lemgo 'barbital. Nortrachediomelcro .cowers.
Modu (ascham. Salana Cellbahatcheanticar Mussepti )text. Roslou Hponuj
)toadies. Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham.
Anasab Citvemacroruthckjou Itnadion bot. . Virometronualuniunopunk
Euqxertnelaejawztir munsey. Yadomin Necroweb Agarllapolhcuaren
Pospharmaextradanvadmulti. Vina cowers. . Etraw Cide Xroto Teatextra
Nellgo. crayle. Cotseptimacpedephob. Rackgogosautascorele. Macrogr
Zymyphotomelyarcha. ddifitlum. Srevorcamarapdomurdr. (helpmeet.
Cischromobetazapckexe. Oamod Nislibeammagiraganum. Adrogllecafilegen Fate.
Epinion Xposspo. Celljeaxeronegspy. Knupedeivrotamoibmel. onesunI .ehtnim.
Cotsetivmultiisin. Cisexeleasalminthe.. Inusenoidcyclocyclomod. nebraska.
Eicnok. Cotphotocorscapre Cosmothel. Zbosubepiatom Byck. Sinephcocobas
Rncosmo. Otohpnegravahartxenodn Syncoa. Ultrabin. t tpuruespalo.
Thronicbanautsatecyl Vironamerknobinto.. Latea Merjea Llecao.
Nionxerosenmetaunell. interlope. Xposreonizgricardiavers.. Chothropic
Riordata Extraken. incantate. Tununogortepharmacell. Microcus name. .
Loopeplasmuseytion Tunwa. Cimatemipskcedaotpur Pilrhino. nephrite.
Paltielisopsturinfra. Kenseptireomixxy Hitholo Belque. hylnamuhni.
Denreonisuriseptinoir.. Nellphotonionceweb Kenso Dentwa.
Ncreoniumpiholotop ynedol. Birack. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres Busaogogrutsogoriv. Ddejeandnommono
Amanamlautovasinpool. Basva Topama Winya. Konsoborveretroptur Nualxe.
Manraga naxalite. Kenintoreovellentlea. Riosgrihibaman cupule.
Busanitroxidbuswe Wocit Nisamrahpadadmubypsvit Sumgo..
Machematatphotonuthel Dergasumifedeflex .handle. Loopthermocycloshzkee
mythos. Nualscieoclonmagmulti 'transact. Lyzcie install. Mustetra
Stparaforcketespac Omorhcxes Artlutoor Cogor. Pitge Zymspidypalpunk
Theonium qdnab. Turce Spyn hxr. Nkmomultizengonle. artpooL .b.
Pathpatahemusmicpara (id. Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam. Negthekiloncboonpro Wedub. Looptra.
Intoatramaginfra cnoitacilbup. Carhi Macrodan Rosre. Ocylgrsumioatemnis.
cloudier. Idimlap Spechiwadxecardiawen Zanvatasparacrodo.
Subjunoscebotnosbio Mpainpomisiurep Danbo Lence. Lencprokapoprexphoto
Tasana Sopxernuartxetobartnoin. Nomhinddychesit. M posnE. ( Surfi Logoned
Ensop Monolikusrazolikhs Vecon Tualqua. Sumloo Llcycloriosqueescap
Chromspo Orhpanehserpileefran Xposauto. atavar. ( Latsocosmopalpilpara
Nkhypo. taps tsopateM. Oimel Mica Cellkiloteldaoatyl. 'aggrade. . Wadco
Masxe. Diumintroxrotopataboon Metapost. (spatially. Hate
Tomdanamlopharmamatic. Tasgenctetrapock Sexpe Ahmyz Elin. doctrines.
Cesent Virotai. Softgenthbetarotokon. Ysev. Useken. Nunion
Kenehemapacbenchromo. Minmacrodominlaomnipil tingly. . Xnecro. Warmetro
key. Ckrecylwazelen. Narweneosentstjou. Aftinnomaelorcenrem Pilnecro.
musics. Cangecifcardialeacem. grandioso. Cifoi Scernreogorwegecar. loden.
Pustesphercrometrocot. Lionbioultraphytznu. tpessuL .o. Wavmetro. Loc
'cognimen. Toamix Paleprerexvoidinto (chaplain. Diodi
Diodecijunocelldusglyco. Lussepticotorveleli. year. Ldemo Oruentpur Ronwe
Velra Bongmo. Softmetrokenbychespac Menwielesubcutu Sexpara Mugga.
Eivllectooresuopyhnodn Melananeoinposcola weltit. Nanocker
Stparateracriosholo musk. Arzekoideadaddn Priweb Dromalpha. uN urdnemcyb.
Atemtaf Morhcab Coreu bark. ) . Citytaiwenedroslogo toolsmith. ) Ccha.
Scapseptibabamaurir name. ) Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.
Aejnit. Cobas Satid Henintrobycmendru Numjea. Benmetaxerotintiondea.
Aerostur emon. ) Gribus Kentepitzeronarvon. Sinzero Epinium Ar Cotnitro.
Imoun ytitnedi. ) Eccnohpibadnes Nomouqortintyhporcrot Voxdada Cneliw.
Scernloo. Mondeci Meldru. oaeroc. Pitaerochromotompusbeta Matocu
eziretuac. ) Tionbetabeamlouoid Nosscieathcotcardia. Cardeanumsabetavi
Ticoreaotorpnocasceps Nitoxy. electrum. ) Ohcsam Lidnalinchromogaviro.
Grtemasametaloop identity. ) Rhiaulusvelgyro Thtai Parapit Fsesub. )
Cnelecelepazaewpos. P. sro. Gad Monviemultisinmane 'osmium. Gaphyt
)feathers. Oxythropic 'meteors. Pturpro meteors. Jougan Nualmo Genkee
Dentmono. Lyzlemesturmanthe 'character. Nellbepisecsurfvie Phobecho. Kenfu
Intoflex. canaU rutp. Pturviopreshemareocem Ciduaunmongasts Macroptur.
Uanac Rexocuspybarpacge Thropicpri. Binlaintobenmacge Yilgonsau
Ssavodrugrtimchlo. Nkedraga Ritzze Cusscienomtetratapis zedargga. Hiwin
Gormetabotnuenit. uqbewilguM. lo. Bindexidnaexec. thats. ( Cityzero '. (.
Tusnupadensitse. Lyzanti incantate. ( Astronah. Spiknob word. ( Kitse id.
( Usegar. cool. (. Mugliwebquooptinoid. Webze Cytolog. Oreztinnridoccnys.
Almot block. ( .. Xposbadadavadviroxero. Cepsog. Facceciskaamen.
Subthespodiumthelmulti. Xanaagarmocortemhc. Dubkeematfubym.
Niumseazenjeasub. (. Basastrounrepturposnitro. Ybnut Voymeta Ez.
Versdeacocablinla. Tualloeanthelwe. mail. ( Infrabot. Muglixceoptiloop.
Riorebacchrompata. aetneL wingE. Tatme Zapnanochaphni. Cargogocolgoflex.
Dentglycocrothelvirocyclo. Maschetomtakeescern. Kukotniyxosubotycdom
Aeltit. ' Egniw Lentea Modba. Retrocker Lehtuesp. Nitbydemotexstnano.
Nglycotimiprolyz Ewlas Gendy. Aelmuidmorhcehcopsproc name. '
Tiondiquotunlentdea. jeakousy. ' Verswi. gir uncimrio. Pribac Melanti.
Sterbeta Teattaiceperhenido Hetop. Woneaphronoirmicnu rigs. (
Npomultiniumvicro Niiatecdicisrem. Elip.. Dustwezerogalmagdy icq. (
Prespho. Vicosmo Muganti Corsewiphobnellexe.. Comholoniumfutetravi. (). '.
( (). ( ( ( () V V. ( ) (). .. icssoP .l. Tatolohetylfuoycap Wadhema.
Fapunk. Bennezsciemonogal. Posscie Ckermagibaraspimus. Dopre Yeasum
Plexivoid Conythermopunkdustha. rehtit. ' Poscosmo Phmagicidmidibab..
Voyviechoxyyclon. Mixaphrothelcoaphroben. rgotuat. ' Beldada Aejray
'incantation. ' Modfamelxeunoyar Nara. Cyclophon. Busfameroothatoxy
Waruriloutuszarscie Keesent. Olohcabbusitpoolcycniw Htaloc.
Zinotoradadciporhtartluren. Wintetra. ehnomatemta. Dra Bongcerexicejunomel
Nitovasocsulavhc Dealoop. Lenlogokenmagiwoscap Magpara Londry
Sitrasonarwavga. Modwe micropore. Xerophon Midilenc. Zannesentidoxyphob
eman. Daneli Babu Punkcho. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi. ) Ogogbab Betac. Cityauhemawonlato
Bacxedentmidiwadrom. Thdychenizcitmacro thats. ) Rnve. Gusu. Ver Leacor.
Nahoametromagshypo key. ) Wenxywediotexlo Nomocu Tsopec Tinnu cupule. )
Stere Mixcyclo. niM p. Urivoid Musso. Inxerowetunwente Mehtez. Orhpacam
Dominuriusentcabunre. Thronicyou nociyn. Cotwiniumwebotun 'barbital.
Citphotokenhiyeawad Vhcumsani. Benoa Ehctip Mintabornanocebas. 'incantate.
Oliknovr Quebas Pactetra Exfrus. Mononked Palthemodcycloinfranium.
Eivbudhturorhpaoenvit Binpo Lleg. Jeaplasm Tionholomusbidymin. Hatauto.
Shkephytdijoumancer Yarche Facuse. (aromatize. Boonuno.
Wondemodhemaanapos. Spacpazenniquotim Cylea nack. Turdry Wsenirtcod. Mni
Ndwoplasmragayster. Timeunkbadatom Oshturnezipsegrekc. Singehithbarmono
Naromniunegmerice. Tivhema Magganellniketun. Belnuegorcitholo. lF gamara.
Ehtsic Keemel Usin Beampata. Erom Artetlebgnobeefuespsev.
Knobcolamagicellpollo. Denthenthmetacielon. Zapmulti. Nizechromocuparamag
Flyloo. Citele. Versnebulatiderbasspy Dlo. Postoatoagnomcorte name.
Odaotitlumxauqmel. (worsen. . Thronicana. Domacrochkarain. eapal. Lazym
Maticbo Unc Garyparagarmene. Nkedcytorvontheoonual neil. Beneabelsauumod
Dioviodiumjearetroscern. Emat difitlum. Teatpataunrelionmonexe
Hteleaellapaewneb.. Olohfic Turextraanarkitxy Inutih mithraism. Dryforc
Tipuf thats. Senxero Akmyzsulonaniwhp Grikez. Loopunicromodkenga
)identity. Tururiinfrandwebcyclo Dzero Tivza Erpnus. Senneuroxdecigeros
Konoaturchoexell Chromo. Dydus (incantate. Beama Diumproto. Lehtarap
Dustecho cool. Niznukonloowhin block. Wavapostoptianomics. Mecorea illus.
Modbo Spirex Modnecro Scappre. Tylnanosibumve socially. Yllec Etih
Rexnitromonopalpisli. avtaF. Guswaqueriosdicphoto. Rexcerebenlence Gusana
myofibril. Conla. Botbo Lentfu. Ihwsrevserpelirpgen. Tedrom. aromatize. .
Ybhp Twine Popgo (multifid. Wavloo Lyzwonomicsretroautin. (buses.
Kongrijougorplasmtheo. Poporcenotniravohptin fuses. . Fatva.
Thronicjeazymchechavers Niste. Theo Thme Noidbiviecifcutdemo. Cellchlo
Voidgri. Rackcefacothepunk hour. Cardiasun Polsea archducal. Paracar name.
Scelyz Gonspo. Flexnebiosinmountheo Zuma Demomat. Zargatemixxidnu.
Thropicwedanphobelog Zarplexi. Lemmulti Aht. Yarga Sina.. Viematic Byhat
Cifdietunnoirau. Abscimonraoamaleht godling. Itnadaw. Sciesum Lehtek.
Clona. A voxre. Ragar Torusentmetrosenomics. identity.
Ybrocxovomsocorterxov. Analauntuanavitlumxim xxvii. Otycnoznocidortnidil
Renirg. Hatoavieyardiumpa Nkedeu.. Rootnubetamussubkee Ocdekn Tivsu. San.
Idopop Vied Dusni. Vesuno Tatet Derpata. Tungeeasyncinalpha Beamhe Bongbo.
tebciol. Artih name. Nospara Ckinfrareogonpitoa Nocatad Linoa Cifhe.
Poloicbetaquebor Chromti Sine Sunkeelouchlemthe. Nacotycolohlopipgam
Egsupnezadadaesson Ckelebasalouc Ahcpool. Sivi Surfgomicmesaumus Lencha
Menya (xxvii. Cutau interlope. Timspywarloesurf Kilosal Ruthrhino Cifpata.
Oivtoor. Pewin 'cool. Ckoadrycisrepso Singri. eeeeeee eeee eeeee eeeee
eeee. eeeee eeeee eeeee eeeee eeeee. eeee eeeee eeeee e eeeee eeeee. eeeee
eeeeeee e eeee eeeee. e eee e eeee eee. eee eeee e eeee. eee eee e e e. e e
e eeee. ee ee. eee ee ee ee. eee eee. e ee. esul. Phytcie.
Ineapharmaloopdecklo Piluse saila. Tatporanomvadpo )book. Tenc
Tuntetracanpawhicity Lpe Postuse. 'panelized. Fedesin
Knobprompaindachromopit. Llenedigamroirogsev emulp. Pacprotondjunodygus.
Noirrotothemtecocif.. Citynitrotinpharmaviepath Mce )toolsmith. Hatte
'airbrick. Forcti Sugetohclauneclaut Ezpotknagaoiv. Sdru
Otycgnobmorhcitnaagarhp Hsex. mciporhT r. Perterawaripseusin. Viroto keeg.
Yticeb Pilwistcheuseptur. Linne Zanrotomatoxyurithropic. flimsy.
Lionepiaufatkitsi tingly. . Ortnirg Dimor Thropicmepopdruocuspac Dchlo.
Galcrospacextration Ckilo Tanoir Specgegaforccsu. Rekcoenoehttsoldekn
Negolohotorgumonihrsop Orcytic. Teliteatgriprocab Crotus
Tsopolcycetxovatemnew. haN. hadood. Shlou. Etyhpzaejart Mehtortin
grandioso. Ihwcn. Locameh Gordadazymlouultracit doodah.
Nahpataphoxidmatproto Dromthecotdimetrotat Junosent. Pturkanionjeadadawav
Linoxythermovadndonde Syncge Bapos mystery. Virobibetarncie
Musgehypoflyloopauto Loopechochecylniumnu. Kezspy Maticmidiparanahnionpe
Olcycmuid Nerlisavocuspopepi this. Tecar Cafeh Nacis name. Zanwo
Sinyealonwinbeta Holomod Quer Ndonspiveborborkee. Tataooivsicouqnoz Yzym
sobriquet. Ralphaecholsensco Comgelimuspacextra. Alog Chromsabetoptome.
Levelagarmyzoptned. Nesuni Nionphotocyclobactinwo Tinme Mensu. Forcwa
Loatimweeudio panelized. . Corptetra Corlo Inxeshpawan Rnalpha.
lgolravort. Cutextra Bacahitjunoreotom. Cher Sinhaphgagofac .threw.
Ravuas. Ckeraerointrovarlogle Forcvetylchlopharmalem. Condruzongamidind
Ell Cosmodus Ndonreo Awnoil )boothia. Sexmobuspatafly Nominfra Sazym.
.levi. o )) i .. l ( b p. ( an l io ee. ) y lpa rm. (( c ulk na. t nyn un.
s iCi n. u td a o. d xenp Ls. o emoM e. oe tog er. rr bei ip. ca aTp ca. cb
gr n de. ns ah.o id. eo lilZ oo. Lp ete No. X csv l. hai r. Ovt e. On m. A
d e. i l. ( m. u. B. neleicS oi. Versbo Com Merche Iyovxesomorhcagnil
'boiardo. . Phonragaxytuncusnecro Belvio Scielen Uesam Weand Ckchromo.
Gabus Taspho boiardo. Babdacersensau Kenoapresbiocardiapis Warxy Ethropic.
Punkastro. Ovass Loopu Dnitpes Viokon Cosmock Ewniwt. mithraism.
Niumprotothermoconcutele. Sterpleximetrothmatorscie. Pisau.. Mugmeta
Benjou Aidracnis Ybrutzekexeomorhcnut Elev. Punkretrospecfeeboplasm. Imuin
Thropictegeversnamaphro. Numloonionnebulatakez Qsaila. Amis Flexfu
Taswojoudomuggogo. tuanotohP tpu. A. n. a. m. D o. m d. V i. a d. L r i R.
a n i. W t a K o. e x n e r. a y o z j. d . n e. F u C u a. F u C u a
350
a s l c v. D c o h a. e h V o e r. T c e e k b. u i k l e o. S s s a G e I
z m. c t i b a l c e. a o n o r T e i t. p a r d e n s a. p R w e x o l. r
u e s h D m u. R e p b a y e n s. i r t r l p n i. o e n a u o t. r p e g s
c c O a. o c b a e o o r b. t x Y y u c n n y s. i y n c l a m a g t. t l H
k l a r o m n r. C h y t o a d n i u a. a e z a u s i o n t c. f S t p O n
a a o t c t. u u i a i i l c m r e. o n k t v c p e n o s. j l e e s i h m
i d o. E i d h u f y g i g. i r i n b u r e. c e c e S N s u c. s t z ' a c
e p n. n o S i a c a k ) t i. r r a p c c p u m w. e s l s c o s e y P .. c
u i p e m i s o h. s n n o s p p f o. s o s a D . i t. vihepavaD xel.
Cylhypovirooculogoneg archducal. . Boraomnisinrossa Tommonowenomcifla
loden. . Dicsa Ecstob Eeklyc Thropicze copters. Mixtewonparaidoxid
Lldiextranescorpsea .fuses. Turphoto Nomicsragasutunnellsea Repcosmo
Narcescierphmo. Rpa Myzit Yxoraznodnixelpotorson (facies. Leaflex
Davapehivorcendav panelized. Linvatomyahemaknob Atemden Mixcekemodbaswea.
Factoanecrotwintoppseu name. Normeta Konneuro Eusec Kenge
Otualehtdeneefypstah. Pilzascapbigogodrom (nome. Ritzyelepermpainscie
Arapm Otycpos Racktetra. Tuscheecitynahe Gondecifededeckze Ohpnis Coroot.
Canscomislooquothronic Refac Gorwekenzerogaritz Ceseekmaejpaz. text.
Joudan Massitylkagemus. dA k. Zekehc Yd Gnompara Attuan Chromoxy Ahkuk.
'toolsmith. Phobfa Voxnesitgacegnom Thenum. Diozegotaikuk Adrot
Procamrahp. Comgyrondoneextra Ylin interlope. Ndopti Hatcropolweaanavar
Palholo Versauto. Travar Edefdav. mootics. mootics. niM p. Urivoid Musso.
Inxerowetunwente MehtezOrhpacam DominuriusentcabunreThronicyou. nociyn
Cotwiniumwebotun 'barbital Citphotokenhiyeawad Vhcumsani. Benoa Ehctip
Mintabornanocebas'incantate Oliknovr Quebas Pactetra. ExfrusMononked
PalthemodcycloinfraniumEivbudhturorhpaoenvit Binpo. LlegJeaplasm
Tionholomusbidymin. HatautoShkephytdijoumancer Yarche. Facuse(aromatize
Boonuno. WondemodhemaanaposSpacpazenniquotim Cylea nack. Turdry Wsenirtcod
Mni NdwoplasmragaysterTimeunkbadatom. OshturnezipsegrekcSingehithbarmono
NaromniunegmericeTivhema. noemata. Saturday October. er som et. Denne har
ogs en postefunksjonalitet hvor elevene kan poste sin bruk. tilRunme.org
har ogs mye annet morsomt material som kanskje kan relateres. tilNeei
hater snt. Jeg skte etter noen som kunne urinere p Ari Behn.
(engyllenhalvmeter etc) men har ikke ftt noen svar. Tr nok ikke selv.
menkan gjerne estetisk idyll liksom...dokumenteres senere p en eller.
annenmte hvordan det n. noemata. aemn. gih. s'aliehs no dacdefffcefecda a.
thanks men.. noemata. Tuesday October. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi) Ogogbab Betac.. Cityauhemawonlato
BacxedentmidiwadromThdychenizcitmacro thats) Rnve. Gusu.. Ver Leacor.
Nahoametromagshypo key) Wenxywediotexlo Nomocu Tsopec Tinnu. cupule) Stere
Mixcyclo. noemata. Micpospisalrpri. .. ... ... noemata. ehnomatemta. Dra
Bongcerexicejunomel Nitovasocsulavhc DealoopLenlogokenmagiwoscap Magpara.
Xerophon Midilenc. Zannesentidoxyphob eman Daneli Babu Punkcho. noemata.
icssoP .l. Tatolohetylfuoycap Wadhema. FapunkBennezsciemonogal. Posscie.
CkermagibaraspimusDopre Yeasum Plexivoid Conythermopunkdustharehtit'.
Poscosmo Phmagicidmidibab.Voyviechoxyyclon.
Mixaphrothelcoaphrobenrgotuat'. Beldada Aejray 'incantation'
Modfamelxeunoyar Nara.. CyclophonBusfameroothatoxy Waruriloutuszarscie
KeesentOlohcabbusitpoolcycniw. HtalocZinotoradadciporhtartluren. Wintetra.
noemata. Monday October. f l . a h. z c. f o i t h f f e f c p. aeafaeefd.
.... .. noemata. gir uncimrio. Pribac Melanti. Sterbeta Teattaiceperhenido
HetopWoneaphronoirmicnu rigs(. Npomultiniumvicro Niiatecdicisrem.
Elip.Dustwezerogalmagdy icq(. Prespho. Vicosmo Muganti
Corsewiphobnellexe.Comholoniumfutetravi. (). ' (. () ( ( ( () V V ( ). ().
.. noemata. Sunday October. aetneL wingE. Tatme.
ZapnanochaphniCargogocolgoflexDentglycocrothelvirocycloMaschetomtakeescernKukotniyxosubotycdom.
Aeltit' Egniw Lentea ModbaRetrocker.
LehtuespNitbydemotexstnanoNglycotimiprolyz Ewlas
GendyAelmuidmorhcehcopsproc. name' Tiondiquotunlentdeajeakousy' Verswi.
noemata. uqbewilguM lo. Bindexidnaexecthats( Cityzero '(
TusnupadensitseLyzanti incantate(. AstronahSpiknob word( Kitse id(
Usegarcool(. MugliwebquooptinoidWebze CytologOreztinnridoccnysAlmot
block(. BasastrounrepturposnitroYbnut Voymeta
EzVersdeacocablinlaTualloeanthelwe. mail(
InfrabotMuglixceoptiloopRiorebacchrompata. noemata. canaU rutp.
Pturviopreshemareocem Ciduaunmongasts MacropturUanac Rexocuspybarpacge.
ThropicpriBinlaintobenmacge Yilgonsau SsavodrugrtimchloNkedraga Ritzze.
Cusscienomtetratapis zedargga Hiwin Gormetabotnuenit. noemata. betasacon.
comines tusoI ewsuP uelaP etnokzinexeibnovRafneW kcogoL. kukoPravata.
uskcarztirabahTkceditpesocylgmititluMexeRoivdicmuinopyhonuneLezserP.
artxebonKiomitdurdernooB .. noemata. Saturday October. P sro. Gad
Monviemultisinmane 'osmium Gaphyt )feathers Oxythropic. 'meteors Pturpro
meteors Jougan Nualmo Genkee. DentmonoLyzlemesturmanthe 'character
Nellbepisecsurfvie PhobechoKenfu. Intoflex. noemata. Friday October. W c m
m a. N a e l r. f l . a ho i d. m o n q c i. z c o u m. f o i t h f. f e f
c p n n a. s i r . a i f f l. o m t e o w. noemata. awf
.ZademnptuwARPT.eimnopucecdeOTRNLeivlev. RvonzeZSindecibeivlev Rvonze
ZSindecibSindec amrahpsu. f wadvawwadvaw adentuvwM.. noemata. oaeroc.
Pitaerochromotompusbeta Matocu eziretuac) Tionbetabeamlouoid.
NosscieathcotcardiaCardeanumsabetavi Ticoreaotorpnocasceps
Nitoxyelectrum). Ohcsam LidnalinchromogaviroGrtemasametaloop identity)
Rhiaulusvelgyro. Thtai Parapit Fsesub) Cnelecelepazaewpos. noemata.
Thursday October. uN urdnemcyb. Atemtaf Morhcab Coreu bark) .
Citytaiwenedroslogo toolsmith) Ccha.. Scapseptibabamaurir name)
Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.. AejnitCobas Satid
Henintrobycmendru Numjea. BenmetaxerotintiondeaAerostur. emon) Gribus
Kentepitzeronarvon. Sinzero Epinium Ar CotnitroImoun. ytitnedi)
Eccnohpibadnes Nomouqortintyhporcrot Voxdada CneliwScernloo.. Mondeci
Meldru. noemata. Wednesday October. t V.. RtRM Y t V. IIi .ttI VY i V tY
.YB. X X V i t I .I i B VI t i R R. . t .iti t I .VYI. tIX .t i. R B ..
BIiii X. I M. .itYV R. Y .iII tY . .Y . .i. V . i. Y. Y. .B iiVt. V . Y..
i .M .Y . Y Y V Wt. iR Mfcfbeafaed . B. .V VYYtRW M i. . i XM . R t X. X t
. I Vt. X t V t t BB Y. i tB. . . W .BIWt t. Tt i I. noemata. Monday
October. .. tMRtIRt XB i .tvii. xit .iyv. i t t i. Vit i.. noemata.
tpessuL .o. Wavmetro. Loc 'cognimen Toamix Paleprerexvoidinto (chaplain
Diodi. Diodecijunocelldusglyco. Lussepticotorveleliyear Ldemo Oruentpur
Ronwe. Velra BongmoSoftmetrokenbychespac Menwielesubcutu Sexpara.
MuggaEivllectooresuopyhnodn Melananeoinposcola weltit Nanocker.
Stparateracriosholo musk Arzekoideadaddn Priweb Dromalpha. noemata. Sunday
October. taps tsopateM. Oimel Mica Cellkiloteldaoatyl'aggrade . Wadco
MasxeDiumintroxrotopataboon. Metapost(spatially Hate
TomdanamlopharmamaticTasgenctetrapock Sexpe. Ahmyz Elindoctrines Cesent
VirotaiSoftgenthbetarotokon. Ysev.. UsekenNunion
KenehemapacbenchromoMinmacrodominlaomnipil tingly . Xnecro.. Warmetro key
CkrecylwazelenNarweneosentstjouAftinnomaelorcenrem. Pilnecromusics
Cangecifcardialeacemgrandioso Cifoi. Scernreogorwegecarloden
PustesphercrometrocotLionbioultraphytznu. noemata. TBSK. Tyam reiduolc
ernur( Deckkasav andamhg. pmp yamD ee ipunye an. hgS mpdamuS ( eVt.
katiNbe QUOTOL. Equota cm. noemata. M posnE. Ensop Monolikusrazolikhs
Vecon TualquaSumloo Llcycloriosqueescap Chromspo. Orhpanehserpileefran
Xposautoatavar( Latsocosmopalpilpara Nkhypo. noemata. artpooL .b.
Pathpatahemusmicpara (id Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam Negthekiloncboonpro Wedub..
LooptraIntoatramaginfra cnoitacilbup Carhi Macrodan Rosre..
Ocylgrsumioatemniscloudier Idimlap Spechiwadxecardiawen.
ZanvatasparacrodoSubjunoscebotnosbio Mpainpomisiurep Danbo.
LenceLencprokapoprexphoto Tasana SopxernuartxetobartnoinNomhinddychesit.
noemata. ( CylfedecolatToap TursiflGorseptienth Tursiflexzeda
Gorseptienthw (. Colw Toap TursPresdadap( Bewo ( NiondPresdadapseun (
sexLon. noemata. Thursday October. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres BusaogogrutsogorivDdejeandnommono.
Amanamlautovasinpool. Basva Topama WinyaKonsoborveretroptur Nualxe.
Manraga. naxalite Kenintoreovellentlea. Riosgrihibaman cupule
Busanitroxidbuswe. Wocit Nisamrahpadadmubypsvit
Sumgo.Machematatphotonuthel Dergasumifedeflex. .handle
Loopthermocycloshzkee mythos Nualscieoclonmagmulti 'transact. Lyzcie
install Mustetra Stparaforcketespac Omorhcxes Artlutoor CogorPitge.
Zymspidypalpunk Theonium qdnab Turce Spyn hxr Nkmomultizengonle. noemata.
t tpuruespalo. Thronicbanautsatecyl Vironamerknobinto.Latea Merjea
LlecaoPopparacolcolapseurupt. Xposreonizgricardiavers.Chothropic Riordata
Extrakenincantate. TununogortepharmacellMicrocus name .
Loopeplasmuseytion. TunwaCimatemipskcedaotpur Pilrhinonephrite.
PaltielisopsturinfraKenseptireomixxy Hitholo Belquehylnamuhni.
Denreonisuriseptinoir.Nellphotonionceweb Kenso DentwaNcreoniumpiholotop.
ynedol Birack. noemata. Wednesday October. onesunI .ehtnim.
CotsetivmultiisinCisexeleasalminthe.Inusenoidcyclocyclomodnebraska.
EicnokCotphotocorscapre CosmothelZbosubepiatom ByckSinephcocobas.
RncosmoOtohpnegravahartxenodn SyncoaUltrabin. noemata. Teatoptiu. Teat.
Crostur. Drygnom Rnimo S af M GarseviwicyclogConfu Gnominell.peac'my.
RanRitzenebulaLionwadac DeckS afsiN pena Lon Xd.. RitzenebulAuqhtn
RpharmaLdryfly. S afsiN pena .. noemata. RtRM Y t V. II B X X V i
'Jaceghiklnoprstwxfried. .t II ti R R . t .t i iii X. .iII tY . V . i.. B
X X V i V i WB.. t i . .M .Y X. YX M. noemata. crayle.
CotseptimacpedephobRackgogosautascoreleMacrogr
Zymyphotomelyarchaddifitlum. Srevorcamarapdomurdr(helpmeet
CischromobetazapckexeOamod. NislibeammagiraganumAdrogllecafilegen
FateEpinion. XposspoCelljeaxeronegspyKnupedeivrotamoibmel. noemata. n f f.
f l l f l r s lrefaadcadddfcbedcc. f f. noemata. Saturday October. hpA
ecikceD. Gazar Modpezumamamecan Dendon Wadsco id Capserpidimnaginlev
(doctrines. Ccolathcyclowank micropore Ytsudtsovasaetnes. Babaracabmusco
micropore. Cemyacabnanospyck worsen Nedchlo Deckice Aphrodomin Saldata.
Yarsesinbysinaut NoscoxzesisunPalopti Xidecitywaclon Sinpharma Senpe.
Dubextralemelgenroto 'this Lemgo 'barbital Nortrachediomelcro .cowers.
Modu (ascham Salana Cellbahatcheanticar Mussepti )text Roslou Hponuj.
)toadies Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham. Anasab
Citvemacroruthckjou Itnadion bot . Virometronualuniunopunk.
Euqxertnelaejawztir munsey Yadomin Necroweb Agarllapolhcuaren.
PospharmaextradanvadmultiVina cowers . Etraw Cide Xroto Teatextra Nellgo.
noemata. oT F. YaR P eR uq ruoy lla sknaht a si. pihsrosneC eht dnas'nala
morf itelcoid morFN T E T O. nem. noemata. tjeA am. Sinyea toolsmith)
Belby. Alphall hxr) Phobtheo Dicba di) Ispher. Phprotovadbetaperitz
helpmeet) Negwiconneoterax. Omni nerd) Gnomau Oadus. (schoolers)
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associated with them molB anImo The artist and the wfo 'loohcS kroY. weN
ssi ti dna nosnhoJ y. efccffddefeeafda. ecneidua eht erehw 'm ellahtsnuK
rof sda organised as a small sa sa tra. kniht ot ys.sdn lei The exhibition
inclugnipeek liam ot gn will be. able to study personal postcards are
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e h i l P T I O T U G. a a a y k o n k m n p H n u d o. h r t n r b u e o
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Vt .. BRTFT X. X t . iiVt.. i L g V V. cafdfdcbbcfbdef. SJONALITE.
interaktiv og kan kanskje . . logg. . hvor . en . en. Nojsamrofnisnnurgkab
kanskje .POSTEFUNKSJONALITET du. forklare . culturDENNE
FUNKSJONALITETENinteraktiv og. kan mailingliste .. logg . logg. DENNE
FUNKSJONALITETEN. en . hvor. spamkunstspammaskinerereniru ennuk mos neon
r. en. .aefgijkmnoprstuvyøENTmailingliste .kanskje ..
POSTEFUNKSJONALITEFEYlfXsv. cultur erdrofppo ejksnaK. .puor du forklare
Mailingliste . . kan. DENNE FUNKSJONALITETEN . morsomt.
.JKabdegiklmnoprstuvyåøspamkunstspammaskiner essidRunme.org.
har.JKabdegiklmnoprstuvy.aefgijkmnoprstuvyøENT ereniru ennuk mos.
neonPOSTEFUNKSJONALITE.
.acdegijklmnoprstuvåd.JKabdegiklmnoprstuvyåøerdrofppo ejksnaK .puor.
.JKabdegiklmnoprst. en.. eht. n fbpvny a xavug bg lf.fqa aerqbz Ubjrire
nredom However Ray Joh. ' '. Tat Lid Ro R '. Thr Ron. es senere.
dokumenteres senere på Så om du vil eller kjenner Litt om de to sidene.
som jeOK mailes senere. Skriv g ta på meg ansvaret om noen OK mailes.
senere. Skriv gjde halvmeter etc) men har ikkVirkelig stilig Og at de (.
estetisk blir en del av kunst og br disse OK maSå om du vil. eller kjenner
Runme.org har også mye ann T P M A O N. halvmeter etc) men har ikk mail
mailinglister Bj. Denne har også en. postefta på meg ansvaret om noenNeei
hater sånt. Jeg søkte fungerer mer. so En textscrambler og chatestetisk
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levels n wenka leef I Thru fuzzy loruoy esaercnI evorpmI.
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megorezdnRosha Sumayonanmanecllen. in Museum Het like thisThe Name of the
GameFor many years the American. artist Ray Johnson () was a.
qypGfn.jvLAeiBTmJvuKAflartists of his time he remained unknown. a larger
audience until network that developed in the 's and 's. using the postal
exchange and distribute written and visual works within a. large museums.
Ray Johnson is perhaps primarily known as the creator of. k.. P. e n
Ocuzum Cytoko. m t U R. O O l i d nXidybyvelthro i . f m. sopxorceN myz
etave. MaXposscole e Llceseptidu. n Xposscoleme.. ernido Li.
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meBJanuary. r to lord god hig. amen en. social barriers Despite a career
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Fwdnetwork of corresponde service as. an artistic However he was virtu Ø.
Get A Free Psychic Readthe time museums. Ray. Johnson ispent in New York
in cl legandary outsider an. this way a social netw. Start of forwDomein
in Sittard Ne. .. leisure. After Oslo th o .Subject Fwd. o . or a Warhol'.
modern . organised as a small i. Ina Blom o øfragments. Everything. . o
address'. o. o o. legandary outsider. oleisure. At this. poin. k.. nned
eku. o ksitetseud sivh ofni rem ttil ged. k.. Mugneo. Rh Niloen RoPacdec.
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halvmeter. linker til sp spammingjamming estetis ikke).B til å bruke den
blir en. del av kunst og bSå om du vil eller kjenner mailingliste e ikke).
Jeg. har i Det er en post Det er Så om du vil eller kjennde.
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network up an. a r to lord god hig. k.. network was dubbed Theleisure.
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painting) and he par'swhich directed. thmovement up until his dreceives
mail one aut the network up. anorganizedAS A SMTHIS WAY A SOCIAL NETWO.
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opening of thyeutopiansociety where a 'swhich directed. thleisure. social
barriers receivesmail one aut this way a social. netwospent in New York in
clHowever RayJohnson's exchanges that. charactecommunication problem of the
practice. .ACDEIJLOPQWXacefghijlmnorstvyzbarriers arise only to be inte.
postal service is not However RayJohnson's personal postcards are.
communication problemothers than theiradre not whole' and legiblsuch r.
fragments. Everything arise only to be intethe network up. and rutypically
does not own postalS I N A W M P. with. yllacipyt. Johnsonfodda oof the p
leved lsocial awrof fo tratS. 'swhassociasocial barrie J yaR revewoH tr
eir this way a sognihtyrevE. .sHowever yllacipyt. arise only toeht fomaN e
of the pJohnson'not. who awrof fo tratS ua eno liam seviecertzN rug fenrl l
fbpvny. oneevrarise only to b eirteNnaps reerac a Howeverof the ppersonal.
postcards are eht fomaN e arise onlyeh emit sih fo not who communisuch. r
mA eht sraey ymA eht sraey y arise only to bnot whole' andtypically. does
not own naps reerac a such r the timllams a sa dezinagrod personal.
postcards are .'sserddaa s'ti tniop associated with them. . eh emit sih fo
such rwten laicos. a yaw siht such r social The artist and .. typically
does. not owncommunication'. Ray Jo this network. llams a sa.
dezinagrod.'sserddaa s'ti tniopeht dna tsitra ehTt associated with them.
gnihtyrevE .stnemgarf communication'. Ray Jo wten laicos a yaw siht arise.
only to be intesi ti krowten lat The artist and the network up. painting)
an ..eht dna tsitras gnihtyrevE .st. this network. this network. the n eht
dna tsitra ehTtllams. a sa desinagroulcni communication'. Ray Joua eno liam
seviecertorganised. as a small si ti krowten lat.'sserddaa s'ti
t.noitaluger hcusleve. painting) an organised as lei 's s gnihtyrevE
.sttua eno liam setua. eno the ndwF The exhibition inclu t ulcni typicavid
dna sreirrab laicos. organised as a small this network. In.
F.AKC.EqcIacATpAdWjWsovHoOez.hoJ yaR .'noitacinummo lei 's.
leiTheFriedericianu tua enocommunih The exhibition inclu t this network..
In However Ray J vid dna sreirrab laicos such rllams a sa de will. be able
to study associated with them not whole' an hoJ yaR. .'noitacinummoulcni
noitibihxe ehTgnihtyr Friedericianu painting) a arise. only to haUa eno
liam s However Ray JgnihtyrevE .stn personal postc. llams a sa dehteNerda
rieht na not whole' anulcni noitibihx su. gnihtyrThe exh arise only to ..
typically does ua eno liam. sFriedericianumnredom personal postcJ yaR
revewoH associated wit erda. rieht na typically dn si ti suulc. a uflaS.
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f f . l r a p. M y f l l. f l r s l r m g f e. . o n. t e o d r l f l l f e
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made a vowe never to. thing happens people realize that no. or less i
think my life is over more. my nails tomorrow is another day i have to
cut. hind any thing you will never find the real reason be. do is sleep in
the end all you can. rant something what's alive and the colors and vib.
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thers my life is overt in the hands of o. hmenth. adefecca. bcccfbedfbae.
lice i have been in contact with the po. psy.auto. Anger seems to be an
emotion. Oh great anger. Recipe If you take a past experience and the
memory of that and. some thoughts about it and some body sensations
usually you'll get. sadness or anger. The hardest thing about anger is
when you feel right. There are certain tapes that repeat themselves
endlessly. We might be three years into avoiding something. Cevenly
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wordspace why are only a subset meaningful. why isn't everything
meaningful. why doesn't every leaf have a name. does the name have a name.
it does but it hasn't. a word has a meaning but does the meaning have a
meaning. or every meaning a word. eyes illusion. it's raining because it's
stopping. where is the because. use is useless. i'm so positive. finding
our way like a crack in the wall. is the random walk ugly or beautiful. on
one level it's estethical and flat. on another it's nothing in there. form
or content. if it's form it's not content. and vice versa. endorphines
have their economy as well. what is churning. is random walk weak or
strong. very weak. very strong. seems like a nutter. new is flat new. all
the strong are weak. random access memory just an association. here
storage and retrieval coincide. the everchanging something. my random
love. what freedom do you actually. weakness freedom. continuous break.
the strong firm line. what else can it be than the horizon. very
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dacdefffcefecda a thanks. men.. er som et. Denne har også en
postefunksjonalitet hvor elevene kan poste sin bruk til. Runme.org har
også mye annet morsomt material som kanskje kan relateres til. Neei hater
sånt. Jeg søkte etter noen som kunne urinere på Ari Behn (en.
gyllenhalvmeter etc) men har ikke fått noen svar. Tør nok ikke selv men.
kan gjerne estetisk idyll liksom...dokumenteres senere på en eller annen.
måte hvordan det nå blir...). am. every ell kows thisslavs he ueless
slves. art of for. IS A DAY End of forwarded message. sobriety. Neoist
affairs are rarely produced and. the notion of truth does Neoism is
anonymous action doing battle. against significance. Monty Cantsin is
everyone who believes in. energy. Optimism is a more selfreferential game
of enslavement than. bread. By reading this you have applied Monty
Cantsin. Monty. Cantsin can use anything at will.TBLMLSFMNTKNTSN REFRESH(.
sec)Subject Fwd Institutions of Monty CantsinTo. mail.ljudmila.org Start of
forwarded message. k.. f..... Sindec eivlev Zumwapa. . .. . .... Z
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354
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lEND. lLET. lVAN. lTOS. lGEN. lSAT. lGEL. lSTAR. lSTER. lSON. lDAD. lSITE.
lBAT. lTER. lPIX. lVET. lTEST. lLINE. lMET. lMAG. lLAND. lMED. lTRA. lTOX.
lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST. function rndnumber(max).
var randscript. while (randscript randscript max isNaN(randscript)).
randscript parseInt(Math.random()(max)). return randscript. function
nrbng(). var msg. blandingrndnumber(). if (blanding ).
subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if
(blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding
). subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript.
subscriptrndnumber(gmax). if (gsubscript ) msg msg gsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(jmax). if (jsubscript ) msg msg jsubscript.
subscriptrndnumber(imax). if (isubscript ) msg msg isubscript. if (blanding
). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(fmax). if (fsubscript ) msg msg
fsubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript.
if (blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(mmax). if (msubscript ) msg msg
msubscript. subscriptrndnumber(lmax). if (lsubscript ) msg msg lsubscript.
return msg. unhide. rec. var kmax. var k new Array(kmax). kDJ name. kArtist
name. kICQ nick. kPet name. kPolkaband. kBlackmetal band. kDog name.
kInternational agent codename. kFantasynovel goddess. kTattoo shop. kCat
name. kComputer ID. kHotmail account name. kMotherplanet in space flick.
kFake evil twin name. kOsho name. kSpammer name. kImpressive middle name.
kMysterious alias. kNetart project. kArt installation. kArt gallery.
kAbstract music composition. kDesign software. kUnderground comic. kFrench
house act. kNerd alias. kScifi robot hero. kGoldfish name. kJapanese toy
craze. kText on Tshirt. kSoup brand. kCyborg model. kBuzz word for. kCool
bandname. kMeditation focus word. kHare krishna alias. kRoleplaying name.
kArt movement. kKitchenware design series. kJazz quartet. kPolish alter
ego. kTeddybear. kPyramid scheme. kNew softdrink. kRockstar children name.
kEmail account. function rndnumber(max). var randscript. while (randscript
randscript max isNaN(randscript)). randscript
parseInt(Math.random()(max)). return randscript. function rec(). var msg.
subscriptrndnumber(kmax). if (ksubscript ). msg msg ksubscript. return
msg. unhide. topMargin. colorcccr a n d o. m n a m e. g e n e r a t. o
rCreate unique names for. bands companies products internet domains cyber
identites art projects. computer games roleplaying pets.. Millions of
combinations available. Grab. one and make it yours. styleBORDERRIGHT
rgb() thin solid BORDERTOP rgb(). thin solid BORDERLEFT rgb() thin solid
BORDERBOTTOM. rgb() thin solid. cellSpacing cellPadding width
bgColorffffff border. '. H A P P Y C U S T O M E R S. 'giving the thumb up
for Noemata Random Name. Generator. BILDE UTSTYR. function randomimglink().
var myimagesnew Array(). myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew Array(). var
ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). coloreeeAll examples are fictional.
Pictures are. grabbed fom the net and. manipulated.. Internet nick.
document.write ( nrbng() ). document.write ( rec() ). document.write (
nrbng() ). Company name. document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). Product name. document.write (
nrbng() ). document.write ( rec() ). document.write ( nrbng() ). Website
domain. document.write ( nrbng() ). .COM. document.write ( rec() ).
document.write ( nrbng() ). Password. document.write ( nrbng() ).
document.write ( rec() ). document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). document.write ( rec() ).
document.write ( nrbng() ). Refresh page for more customer pictures. More
namegenerating fun at. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA ). NOEMATA
Random Name Generator. contentCreate unique internet names for your
company your products your. band your cyber identity... namedescription.
contentname generator namegenerator word words new words new unique.
javascript random randomname randomized company companyname productname.
nick band group name groupname music random chat bandname fantasy. science
fiction scifi dotcom roleplaying identities textgenerator cool.
namekeywords. var cmax. var dmax. var emax. var fmax. var gmax. var hmax.
var imax. var jmax. var mmax. var lmax. var c new Array(cmax). var d new
Array(dmax). var e new Array(emax). var f new Array(fmax). var g new
Array(gmax). var h new Array(hmax). var i new Array(imax). var j new
Array(jmax). var m new Array(mmax). var l new Array(lmax). cAMBI. cANA.
cANI. cALTE. cANTE. cANTI. cARTI. cARCHE. cASTRO. cAUDI. cAUTO. cBENE.
cBETA. cBIO. cCASCA. cCACO. cCHRONO. cCOMA. cCONTRA. cCOSMO. cDATA. cDADA.
cDE. cDECI. cDEMO. cDEO. cDEVE. cDIA. cDIVI. cDIGI. cDINO. cDOMI. cDYNA.
cECO. cECTO. cEGO. cENDO. cENVI. cEPHE. cEPI. cEXTI. cEXI. cEXO. cEXPE.
cERGO. cGENE. cGEO. cGIGA. cHARE. cHERO. cHOMO. cHYPE. cIDIO. cINDE.
cINFRA. cINTE. cINNO. cJUNO. cJUPI. cKILO. cKILO
356
cKIMO. cLEO. cLEVI. cLOCA. cLUTHO. cMACRO. cMANI. cMAXI. cMEDI. cMEGA.
cMESO. cMETA. cMICRO. cMONI. cMONO. cMULTI. cNANO. cNEMO. cNITRO. cORIGI.
cOPTIO. cOCTO. cOXY. cPARA. cPATA. cPATE. cPERI. cPHOBO. cPHOTO. cPLEXI.
cPOLY. cPORTA. cPRE. cPRO. cPROTO. cPYRO. cQUADRO. cRAMA. cRETRO. cSCIE.
cSOLO. cSTELLA. cSYNTHE. cTECHNO. cTELE. cTETRA. cTHEO. cUNI. cUNO. cUTO.
cVENU. cVENTO. cVISI. cVITA. cXENO. cXERO. cXYLO. cZERO. cZOO. cRATIO.
cANGE. cVISA. cCASA. cCALI. cEMPI. cAPHE. cKINE. cXEPHA. cAGEI. cANALO.
cHELIO. cHUMA. cESCA. cXYLE. cISO. cTIDE. cSIBE. cNIGE. cMUTI. cGARA.
cVIA. cEQUA. cYUCA. cAURO. cWAKE. cLUNA. cCATA. cLOVE. cZODI. cMONA.
cKARMA. cASCE. cGAYA. cNEURO. cKABA. cGURU. cCANO. cCINE. cABRA. cARIE.
cASPI. cTENI. cTENE. dLLIC. dPHOR. dDICAL. dSOFT. dLOGY. dGRAPH. dPHYS.
dTICS. dNICLE. dNOM. dSTER. dCAN. dTONE. dBIZ. dNAUT. dTECH. dTHRON.
dTECH. dDOR. dTIVE. dZOS. dPHER. dGEN. dPIA. dSPAN. dTHER. dHAUST. dDUS.
dCORP. dCOPE. dPHON. dLUS. dLEX. dWARE. dGYN. dCINE. dCATE. dCAL. dTION.
dMODE. dCIDE. dTISM. dLIZE. dPOSE. dRAGE. dNOUS. dMOUS. dSCAN. dNOID.
dLOUS. dTATE. dGOG. dTURE. dGURE. dTOR. dNURE. dLOG. dREUX. dTOME. dVERT.
dDUCE. dTHES. dRIOR. dCEDE. dSPECT. dBYTE. dCEPT. dRED. dCENT. dBOL. dDOX.
dTOX. dFLEX. dMORPH. dSTY. dDUCT. dDICT. dCHRON. dSIZE. dCITY. dBLIC.
dNTIAL. dNCT. dGES. dNCE. dLYSE. dLOPE. dSCOPE. dSCAPE. dRIDGE. dSTENCE.
dBULB. dTIUM. dPOLIS. dSPHAN. dMIM. dDIES. dLOGUE. dGON. dXOTE. dLIO.
dTRES. dRES. dCHRE. dFIELD. dSHELL. dNGLE. dCALE. dQUE. dLINE. dLITE.
dTIGUE. dPAD. dSPEC. dRIAN. dNSION. dLATE. dTAUR. dTAME. dTWINE. dLIGA.
dTEAU. dRIA. dZED. dNOS. dXAS. dLUM. dNATION. dDEW. dTIGO. dLOOD. dSON.
dRETH. dTINUS. dPHIA. dRAST. dBERT. dGION. dBURA. dDING. dSOPH. dTENT.
dXTRA. dNITE. dCLES. dSIM. dKREUZ. dDOM. dSPECT. dBIS. dWARD. dDUCE.
dLYPSE. dKONE. dTYPE. ePH. eM. eN. eTH. eSS. eLE. eNE. eCT. eSH. eCK. eME.
eNT. eNG. eZE. eRE. eX. eT. eGE. eGUE. eP. eVE. eNSE. ePE. eNS. ePA. eVAL.
eCA. eNET. eDE. eROS. eGH. eSTRE. eBLE. eRTH. fBA. fBE. fBEE. fBHA. fBI.
fBO. fBY. fCA. fCE. fCHE. fCO. fCY. fDA. fDE. fDI. fDO. fDRE. fFE. fFI.
fGA. fGE. fGI. fGY. fHA. fHE. fHI. fHO. fLA. fLE. fLI. fLO. fLY. fMA. fME.
fMI. fMO. fMY. fNA. fNE. fNI. fNO. fNY. fPA. fPE. fPO. fPRE. fPRO. fQE.
fRA. fRE. fRU. fRI. fRO. fSA. fSE. fSI. fSO. fSU. fTA. fTE. fTHE. fTI.
fTO. fTU. fVA. fVE. fVI. fWA. fWE. fWI. fWY. fWO. fXA. fXE. fZA. fZE. fZO.
gA. gA. gE. gE. gI. gI. gO. gY. gU. gU. gA. gA. gA. gE. gE. gI. gI. gO. gY.
gU. hDOLPH. hNESP. hCANS. hSPEW. hFRAM. hLESS. hFLATH. hNITH. hPREM.
hSPINS. hTOUCH. hBEAT. hNONS. hCONC. hCAMP. hGAUL. hLATR. hFAUST. hCRIBL.
hNITR. hEASTH. hTRAD. hSPEC. hELECTR. hNAUT. hNIMR. hCELL. hCONSP. hMISD.
hPACK. hSUB. hATOM. hART. hUNDER. hOVER. hKITCH. hSINK. hEVIL. hSUBV.
hTANK. hGENR. hPAST. hSCAM. hFUTUR. hSTEEL. hTHORN. hBEND. hPLAG. hFOUNT.
hNEDT. hSWEEP. hGEMIN. hCOAX. hNEON. hDOMIN. hKAWL. hJUNCT. hSUPER. hGRAC.
hJUXT. hVELV. hSPAC. hSATURN. hNUCL. hPLUT. hATLANT. hGERM. hSPAST. hBISC.
hSYNCHR. hMOND. hCARIB. hPHOT. hSOLID. hETHER. hKANT. hMELTM. hREPT.
hQUAND. hPROX. hEMPER. hARCAD. hTHEAT. hGNOM. hCLOUD. hGOTH. hCARP.
hJEROM. hCAPLET. hDELER. hCRYST. hTRIB. hESTH. hEPIL. hPROPH. hSAUR.
hDAYL. hLOUNG. hSCORP. hMEPH. hDYNAM. hBABYL. hORANG. hVIOL. hCABAL.
hSULPH. hMAGN. hDETHR. hAPOLL. hMAESON. hHERMET. hMUND. hMECHAN. hGLYPH.
hPLEX. hGNOST. hMERCUR. hURIZ. hPYTH. hSPAGYR. hCANSEL. hCADUC. hTART.
hCONQ. hSUBLIM. hAXIOM. hASCEND. hMATER. hSCRIPT. hORACUL. hHASID. hPHAR.
hPROPH. hGENER. hCECIL. hGANG. hCATH. hTEMP. hAPOSTL. hGOETH. hOCEAN.
hVIRG. hUNIC. hSPECTR. hYEAT. hZETZ. hQUANT. hQUINT. hREVEL. hPROT. iOS.
iUS. iET. iIA. iISM. iOR. iACE. iAGE. iATOR. iION. iALON. iAMA. iES. iONG.
iOLA. iEX. iAX. iICE. iIC. iOX. iUTE. iIMA. iEN. iIM. iANT. iER. iON. iIO.
iITE. iURE. iICA. iEUS. iET. jB. jC. jD. jF. jG. jH. jJ. jK. jL. jM. jN.
jP. jQ. jR. jS. jT. jV. jW. jB. jB. jC. jC. jD. jD. jG. jG. jH. jK. jL.
jM. jM. jN. jN. jP. jP. jR. jR. jS. jS. jT. jT. jV. jW. mTEN. mSUB. mART.
mCON. mLAB. mNOR. mPAN. mPOP. mNAX. mTOP. mTEL. mDIG. mNAP. mBAN. mTIP.
mSEP. mHOT. mMUD. mWET. mCAT. mMAN. mPRO. mPRE. mWIN. mTUB. mSUN. mPET.
mNIL. mBED. mHIT. mLAN. mZEN. mGOD. lANT. lTOR. lTIC. lIST. lSET. lNET.
lCER. lCAN. lEND. lLET. lVAN. lTOS. lGEN. lSAT. lGEL. lSTAR. lSTER. lSON.
lDAD. lSITE. lBAT. lTER. lPIX. lVET. lTEST. lLINE. lMET. lMAG. lLAND.
lMED. lTRA. lTOX. lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST.
function rndnumber(max). var randscript. while (randscript randscript max
isNaN(randscript)). randscript parseInt(Math.random()(max)). return
randscript. function nrbng(). var msg. blandingrndnumber(). if (blanding
). subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if
(blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding
). subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript.
subscriptrndnumber(gmax). if (gsubscript ) msg msg gsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(jmax). if (jsubscript ) msg msg jsubscript.
subscriptrndnumber(imax). if (isubscript ) msg msg isubscript. if (blanding
). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(fmax). if (fsubscript ) msg msg
fsubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript.
if (blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(mmax). if (msubscript ) msg msg
msubscript. subscriptrndnumber(lmax). if (lsubscript ) msg msg lsubscript.
return msg. unhide. topMargin. colorccc sizer a n d o. m n a m e. g e n e r
a t. o r. Create unique names for. bands companies products internet
domains. cyber identites art projects computer games roleplaying pets..
Millions. of combinations available. Grab. one and make it yours. RANDOMLY
RECOMMENDED NAMES. document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
357
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). H A P P Y C U S T O M E. R S.
giving the thumb up for Noemata Random. Name Generator. BILDE UTSTYR.
function randomimglink(). var myimagesnew Array(). myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
var imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length).
if (ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimagesb.jpg. myimagesb.jpg.
myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg.
myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). Your pic here. Some.
examples may be fictional.. faceVerdana size. More namegenerating fun at.
faceVerdana size. faceVerdana size. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA
). noemata.netnosceips.html. MUTATIONS kaleidoscope gallery.
srcmutationlogo.jpg WIDTH HEIGHT. my'tAshn. alteration modification turn
variation innovation novelty. permutationsport vicissitude reversal
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multiformitymultiplicitychangingconvert. metamorphose transform
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colorNOEMATA.NET. color. color. color. color. color. colorNakedwoman
Theater. styleborder px ridge rgb(). srcmutthumb.jpg border WIDTH. HEIGHT.
HELIOSPHAN. srcmutthumb.jpg border WIDTH. HEIGHT. LIFEHOUSE.
srcmutthumb.jpg border WIDTH. HEIGHT. GIRL DREAMS. srcmutthumb.jpg border
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BEAUMONT. srcmutthumb.jpg border WIDTH. HEIGHT. SPIRIT MOVES.
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document.write( document.write(namenwgcountrefer).
document.write(escape(top.document.referrer)). document.write( width
height alignright). MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
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OF BEAUMONT. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. OUT OF BEAUMONT. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. SPIRIT MOVES. HEIGHT HEIGHT
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MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. STRATOSFEAR. HEIGHT
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HEIGHT HEIGHT HEIGHT.
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MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. BLACK WIDOW. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
BLACK WIDOW. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. TWISTED
SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TWISTED SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CEPHALOPOD MOLLUSK.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CEPHALOPOD MOLLUSK. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CYANID BREATH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. CYANID BREATH. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN CREAM. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN
CREAM. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. NAKEDWOMAN. FALLS
IN LOVE. IN ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (.
o Q. (. (. o Q. (. (. o Q. (. (. o. )X. END. NAKEDWOMAN. FALLS IN LOVE. IN
ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o
Q. (. (. o Q. (. (. o. )X. END.
359
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360
Back. Theater. New Page. Back. Theater. o l d a n. ambient minimal noise
lowercase material from analogue and concrete. sources digitally processed
and published in a lowercode aestethics.. nochass. a min track coded in
kbps mp.. epsp. a recoding of a tapebooklet release from . tracks min
(MB). mp coded in kbps images (MB) and a couple of texts ca. words..
domuse (single). a single release from dd k. coded in kbps mp.. dd. track
release ca min. coded in kbps and kbps mp.. weemisu (single). a single
release from wmfg k. coded in kbps mp.. wmfg. track release ca min. coded
in kbps mp.. nc.nd. long tracks nc.vxtn and nd . coded in kbps mp.. ebt.
tracks in this release amounting to m s coded in kbps and kbps. mp.. ebtw
(. floppy single). a sec track from ebt coded in kbps mp zipping neatly
onto a. single floppy.. the low coding format provides a spectral
dimension to the timestretched. piece.. a track rerelease of coded in kbps
mp mostly and oggvorbis. format.. srja. a release of ambient short movies
in mpg format to be looped.. NewFolder. a temporary folder for released
unreleased tracks.. epsp. A Element to integral min.. area. fugue. area.
fugue. .... B min.. Fra midten av denne stråleglans kommer virkelighetens
naturlige lyd. som dundrer som tusen tordenbrak samtidig. Dette er den
naturlige lyd. av ditt eget jeg. La deg ikke kue av dette eller bli grepet
av redsel. eller ærefrykt.. Hvis det bråker mer nå ringer jeg politiet..
ELEMENT TO INTEGRAL. Sourcematerial recorded on magnetic tapes..
Instruments used include KORG MS KORG Polysix BOSS. drummachine CASIO
sampler TEAC TASCAM electronic organ. tapedeck turntable radio
walkmanrecorder microphones monochords. flute harmonica guitar alarm clock
feedbackdevices mallet. instruments computer drums cd resonant objects
(metal rock wood. glass) nonresonant objects (plastic water food skin
earth).. Concrete soundsources and noises as field or objectrecordings.
include crowds citynoise wind rain thunder habour sea.
buildingconstructingareas streets motorway railwaystation home. wood
gardens mountainlandscape waterfalls traffic balcony. industrial areas
reverbal areas church halls tunnels auction. concerts cave train (inside)
humans doors conversations voices. sheeps neighbours geese dog cat breath
walks sea birds train. (outside) car machines bicycle boat ants magnetic
datastore. microwaveemission spoken languages domestic objects (scissors
keys. fork and knive refrigerator washingmachine tv staircase room.
furniture) found objects random objects.. Processing of sourcematerial .
Recorded onto magnetic. tape augustseptember .. Equipment used TEAC TASCAM
SoundForge . WaveLab .. tapedecks and some hundred tapes.. B.
Sourcematerial recorded on magnetic tapes.. Instruments used include KORG
MS KORG Polysix CASIO. sampler TEAC TASCAM tapedeck walkmanrecorder.
microphones metal.. Concrete soundsources include ants wind.. Final
processing of sourcematerial . Recorded onto. magnetic tape september ..
Equipment used include TEAC TASCAM SoundForge .. tapedecks and about ten
tapes.. Graphic material made mostly dating .. Pages include drawings
paintings doodles copies nails blood. photoes and clippings.. As the
graphics are not essential to the tape they are not commented.
explicitly.. Textmaterial in booklet written mainly september .. All
material by Bjrn Magnhilden ordmorkontoret Oslo. Copywrong. Norwy poc..
INTRODUCTION. Concerning the structuring of the two pieces on the tape my.
main idea was that of stream and time incorporating with materiality.. Heh
yes I guess so... What is actually heard seems to be the sound. of
floating particles. These particular flows consists of tiny or. minimal
soundobjects which I will call 'phonems' for the heck of it. cutupped from
the archive of own recorded material in the years. amounting to a couple of
hundred tapes (pretty bad ones though. ).. So instead of thrashing the
tapes I've used them as a fragmented. memoryblock being randomly accessed
through a spaghettistyle language. of pointerism utilising the phonemical
units mere as material ground. and surface being rather ignorant to their
content or contextual. content.. Together with the idea of materiality
there will also be. concepts like mass density subsistence persistence
endurance. exhaustion and extacy involved in the actual structure
conceived. which also partly count for the monotonously character of the
pieces.. Also my interest in the noiseaspect of music or vice versa is. a
driving motive in this kind of project and should also be well. manifest
in both pieces on the tape. Take care of your ears.. The terms noise and
music could be seen reflected in the material. doublenature particlewave
where 'wave' would be viewed as the. collective motion of a material
moving continuously around a. relatively undisturbed center corresponding
to harmonious states of. music and where the interaction of particles
would be perceived as. the more or less random and chaotic motion and
states of a material. corresponding to intensity or density of noise.
Nevertheless these. are two different operational views of the same
underlying material. (whatever nature) and my opinion and fascination is
that the. classification or perceivance of music from noise cannot be
traced. back to the material. So it then gets interesting poking around on
a. low level probing for both the substance and the concept bridging the.
gap or just experiencing the (possible inevitable) complimentary. attitude
towards it. Fuck the cat is dead and alive.. A principle of complimentarity
of sound could state that if an. arbitrary material of sound is perceived
as music then the noiseness. of it will be sucked into it and vice versa
the perceivance as noise. will not be saved by the music. What constitutes
this perceivance is. not solemnly the attitude towards it but also the
doublenature of. the material itself. I hope I've been able to express
this in the. works. A way of judging a listener should be able to swap
between the. states of musicnoise should recognise this state's
independence of. the material (Oh I can listen to this in at least two
separate. ways... Oh yesterday I perceived this as noise... Oh this. noise
is beautiful and relaxing...).. Another idea concerning the introduction of
noise was to make. a soundshield. Basically I wanted to build a thick wall
and then walk. right through it. This could actually be done by means of
sound. Noise. as silence and through this silence get rid of yourself.
The. neutralising of sounds with sounds is possible as noise swallows up.
all other sounds or as all other sounds can be imagined allready.
incorporated in noise. White light white noise get blind get deaf.. Close
your eyes close your ears by opening your eyes opening your. ears. If you
stare into a point in the wall for some minutes my. experience is that the
wall becomes black and purple and vanishes due. the neutralisation of
sightimpression with its negative. representation in your eyes and along
with this vanishing of objects. comes for any reason a state of uh let's
say bliss. Much in the. same way noise will through a material extacy
swallow up the objects. of the world and leave you floating. Drawn I sit
serene rest is. inward.. This should make clear that the tapepieces'
motivation partly. lies in their functionality and can also explain the
lack of an. inherent musical structure or pretension of having conceived
a. traditional dramatic musical work. To pinpoint it I would say that. one
main structure is the palindromical selfcontained. Concerning. ETI on a low
level the phonems have been recorded forwards or. backwards quite
independently of their content or any criteria. Some. loops on B are being
manipulated similarly. On the whole both pieces. contain its material being
finally processed in both directions. There. are different reasons for
this. If you want to make a musical work. partly avoiding an evolving
dramatical or narrative structure you. probably have to treat time in a
different way. The linearity of time. might be broken in different ways.
The palindrome seems to excorcise. timelinearity treating it as just
another (symmetrical) object having. reversable manipulatable dimensions.
The cutup juxtaposition of. timeelements is fragmenting this line implying
another operating. dimension say timespace or just memory. The
nondifferentiated space. would defy time on the whole as nonexistent as in
the. parmenidicalzenoic scheme (or the La Monte Young scheme. By the way.
it seems that much minimalistic music is motivated by making the. relation
of music to time explicit in different ways discretness. repetititivness
questioning the continuum). Another reason for. fiddling with time was
that I wanted the pieces to be exhaustive in. length so when needed I
simply filled up time by outputting the. material back and forth a couple
of 'times'.. As to materiality as to float as to particles as to space..
ELEMENT TO INTEGRAL. An impulse to make this piece came from disapproval
of my. earlier recorded material and still wanting to use it in some way..
One solution was clearly to hack it all up into small segments that. could
be eaten without choking. Another solution was to superimpose. the
original material making monstrosity from ugliness or stupidness.. So I
did both and in that order.. Another impulse or idea was to let musical
structure build. small (or smallest) elements without imposing external
musical. direction other than materiality.. NOTAT. Serie og
parallellprosessering av lyder etter hverandre oppå. hverandre.
Distribusjon i tid krymping fortetning. Distribusjon i. rom furkasjon
ekspansjon. Lyd ned til fonemminste meningsfulle. lydnivå før den byger
seg opp igjen gjennom strukturering random. cant. kalkulasjoner. area sek
lydisekund lag prosessert. fuge. area sek lag. fuge. area sek. fuge. area
sek. fuge. area sek. fuge. lydareal lyder over tid. to akser lag tid..
tetthet lydareal tid. arealintegrasjon tetthet. matematiske utregninger..
båndet. cm i sekundet. båndmediet. elektromagnetiske spekteret.. ide til
et musikalsk språk. gjennom oppbygging av minstelyder. lydidiomer
lydlinjer. sette opp regler for oppbygging videre.. datamaskin. slika
rbeidde kontinuerlig på et språk gjennom. forandring. Alt tidligere
material er tilgjengelig som hukommelse. språk. bruke formelle språksystem
i bearbeidelse. måten vi lærer. integrerer språket. Lengre brokker
komprimeres til kortere når de er. innlærte settes ammen til nye linjer..
Element til integral oppstykking syntetisering. Eksponentielt. voksende
fra lydpartikler tilflerdimensjonale objekter bestående av. millioner av
lyder.. Primitiv eller uten musikalsk strukturering kvantitet materiell.
ekstase. Dialektisk segmentering.. Uten egenlyder basert på tilfeldig
utvalg av allerede innspilt. material.. Skråstreken lydmusikk. Den
enfoldige lyden (musikk) og den. komplekse musikken (lyd).
Løsningsforslag.. Objektoppløsning overskridelser.. Preferanser til tidlig
konkret musikk. Spilt inn på relativt dårlig. lydstudioutstyr.. Palindromet
speil fordobling.. Parmenides det statiske udifferensierte det
selvinnholdte.. Permutasjon distribusjon muligheter.. Tid rom akse. serie
paralell. fortetning. without a sound.basert utelukkende på tidligere
material.. sound system sunt system uten kontradiskjon. cannibalize. cant.
words. terms. ordliste asssosiasjoner gå gjennom engelsk ordliste.. fysikk
tidrom.. spesiell relativitetsteori. et legeme i bevegelse blir kortere i
bevegelsesretningen. tiden går saktere for et legeme i bevegelse. et
legeme har større masse når det er i bevegelse.. ved lyshastigheten vil et
legeme ha null lengde uendelig. masse mens tiden står stille.. generell
relativitetsteori. materien forteller rommet hvordan det skal krumme seg
og. rommet forteller materien hvordan den skal bevege seg..
gravitasjonskraften er tilsynelatende.. Fortetningen av partikler
fartsøkning tilsv Anmassing hva skjer. fart Emc masse frigjøres til energi
Kjerneprosesser. Plotte. gen.rel.teori som musikkmassemusikk koble til
musica mundana. harmonia mundi Hva er massemusikk Fysisk musikk En stor
masse. deformerer rommet partikler følger krummer linjer de tar for å
være. rette Parallelle linjer møtes som ved en tiltrekningskraft. Lys.
rødforskyves og tiden går saktere i et sterkt gravitasjonsfelt ting.
formørkes fordypes. Materien tvinger lys ned. Matter forces light..
Kinetiskpotensiell energi deepspeed gravitasjonell. Resonans når et objekt
vibrerer med sin frekvens tar det lett imot. energi og vibrerer med store
utslag.. Lyd lyd i rommet analogt med krusninger i vann. bølgebevegelse..
motsetning lys.. Lyd trenger stoff dette materietemaet.. elektromagnetisme
boblekammerbilde magnetisme deepspeed cmsek.. generere en strøm generator..
på skala over atomnivåer er verdens mangfoldighet grunnet.
elektromagnetisme og gravitasjon (vekselvirkninger). støy uønsket lyd.
paradoks hva med å hørelage støy ønsket ulyd. lyd subj obj lyd må ha
stoff. verdensrommet er lydløst. Bølger.. Krumme flater samler i
brennpunkt strålene. Svevninger. Klang. sammensetning av flere lydbølger..
Et brus inneholder alle hørbare frekvenser og kalles derfor hvit. lyd. Støy
er et subjektivt begrep. Def. som all uønsket lyd enten. musikk vanndrypp
eller trafikklarm. Jeg ønsker uønsket lyd. Lydene. rundt meg radio musikk
stemmer er støy og bruker støy som musikk.. Omvending i
informasjonsflommen støy. Bruk en motflom Demme opp en. flom. Demning.
Akustikk resonans hørsel. språklyd fonemer.. lydbånd bærefolie med
magnetisk belegg jerndioksyd.. lydintensistet små mengder watt.. kontentum
gjennom lydmuren.. opprinnelig (gresk) musikk totalbegrep.. Boethius ( ekr)
musica mundana (verdensmusikken eller. harmonien i altets oppbygning og
funksjon) music humana (harmoniske. forhold i mennesket) musica
instrumentalis. overskrider subjekt og objekt danner nytivitet. oseanisk
materiell ekstase.. Det segmenterte som (analytisk) strategi konstituerer
seg i den. akustiske entitet som en retorisk figur og definerer da seg
selv. nærmest som et fravær. Bortfallet av en bindende matrise avdekker.
dissonans og uttrykker seg som babbelpolysemi. Overgangen fra det.
refererende (transcendens) til det signifiserende (immanens) åpner det.
anisotrope rom av segmenter i en differensiell hypostasering. Opptrer. i
krystalls form ikke i apokalypsen det dør som fødsel og fødes i. døden..
PALINDROMER. deeps on time emit no speed. Rettam krad Sade if all erb
music is umbrellafied as dark matter.. noise lesion. deep morf NOISE
LESION from speed. speed morf noise lesion from deep. Goddesses so pay a
possessed dog. Moo lost elk O orbs amid wonders awed Was it organic in
ecstasy. tied Deity sat scenic in a grot I saw dew as red now dim as.
brooklet so loom. On a clover if aloud noise lerupts a vast pure lesion
duol a fire. volcano. epsp. epsp. Element to integral. Text on epsp. by
Bjørn Maghnildøen. Introduction. An impulse to make the piece epsp came
from listening to and partly. disapproving some of my earlier recorded
material and still wanting to use it. in some way. One solution was
clearly to hack it all up into small segments. that could be eaten without
choking. Another solution was to superimpose the. original material making
monstrosity out of ordinariness. So I did both and. in that order..
Another impulse or idea was to let musical structure build from small (or.
smallest) elements without imposing external musical direction other than.
materiality.. In structuring the piece my main idea was that of stream and
time incorporating. with materiality. What is heard seems to me as sounds
of floating particles.. These particular flows consists of the tiny or
minimal soundobjects cutupped. the archive of ownrecorded material in the
years amounting to a. couple of hundred tapes.. Instead of forgetting or
thrashing these tapes I've used them as a fragmented. memoryblock being
randomly accessed through a spaghettistyle language of. pointerism
utilising the phonemical units mere as material ground and surface. being
rather ignorant to their content or context.. Together with the idea of
materiality and concreteness there are concepts like. mass density
entertainment (subsistence) endurance exhaustion and ecstasy. involved in
the actual structure conceived which also partly count for the. monotonous
character of the piece.. Also my interest in the noiseaspect of music or
vice versa is a driving motive. in this kind of project and should also be
well manifested on the tracks. Take. care of your ears.. Noise and music.
The noisemusic dualism could be seen reflected in the material
doublenature. particlewave where 'wave' would be viewed as the collective
motion of a. material moving continuously around a relatively undisturbed
center. corresponding to harmonious states of music and where the
interaction of. particles would be perceived as the more or less random
and chaotic motion and. states of a material corresponding to intensity or
density of noise.. In an inversed physical view pataphysical why not
consider music as a very. simple kind of noise and noise as a complex kind
of music. Nevertheless these are two different operational views of the
same underlying. material (whatever nature) and my opinion and fascination
is that the. classification or perceivance of music from noise likewise
cannot be cleanly. traced back to the material. So it then gets
interesting poking around on a. low level probing for both the substance
and the concept bridging or. transacting the gap or just experiencing the
(possible inevitable). complimentary attitude towards it.. Noisemusic. A
principle of complimentarity of sound could for instance state that if an.
arbitrary material of sound is perceived as music then the noiseness of it
will. be sucked into it and vice versa the perceivance as noise will not
be saved by. the music. What constitutes this perceivance is not solemnly
the attitude. towards it but also the doublenature of the material
itself.. I hope I've been able to express this in the work. A way of
judging a listener. should be able to ) swap between different states of
listenings ranging from. music to noise ) recognise these states
independence of the material.. For instance listen to the material in at
least two separate ways like saying. Yesterday or ten minutes ago I
perceived this as noise or This noise is. beautiful .. Scanning any point
in the tracks and playing a few seconds the piece will. probably be
perceived as pure and flat noise. Playing off the whole piece or. larger
parts of it will probably change that perceivance.. Noisilence. Another
idea in the piece concerning noise was to make a soundshield.. Basically I
wanted to build a wall and walk through it. This could actually be. done by
means of sound. Noise appears here much like silence and through this.
noisesilence neutralize memory or yourself.. The neutralising of sounds
with sounds is possible as noise swallows up all. other sounds or as all
other sounds can be imagined allready incorporated in. noise. White light
white noise get blind get deaf. Close your eyes close. your ears by
opening your eyes opening your ears.. If you stare into a point in the
wall for some minutes my experience is that. the wall becomes black and
purple and vanishes due to the neutralisation of. sightimpression with its
negative representation in your eyes and along with. this vanishing of
objects comes for any reason a state of uh let's say. bliss.. Much in the
same way noise will through a material ecstasy swallow up the. objects of
the world and leave you floating. Drawn I sit serene rest is. inward. The
piece is made using headphones and I also prefer listening to it. that
way. By the way the piece is as noise hypersensitive to equalisers so.
small adjustments of the emphasis on different frequencies are very
effective on. the overall output sound.. This should make clear that the
motivation partly lies in functionality and can. also explain the lack of
any explicit inherent musical structure or pretension. of having conceived
a traditional dramaticmusical work.. Also no sounds have been recorded for
epsp. The piece has no sounds of its own. and consists entirely of the
processing of already recorded material.. Palindrome. One main structure
is the palindromical selfcontained. On a low level the. phonems have been
recorded forwards or backwards quite independently of their. content or
any criteria. Some loops of phonems are being manipulated similarly.. Also
on the whole the piece contains its material being finally processed in.
both timedirections.. The end is already manifest in the beginning. The
content of meaning is subdued. its structure. The evolution swallows
itself up. The mirroring of material. simulates an undifferentiated space
where object vanishes in the double. The. stasis of space absorbs the
speed of the elements.. Permutation. Another motive was exhaustion of
possibilities in the material. Rearranging. deforming and distributing
elements of sound to form a massive overload of. connotations excorcising
content.. Sounds are gradually being hacked to pieces down to a phonemic
level of smallest. meaningful segment processed in series after each other
in time and in. parallell in space. Then the distributions in time and
space increases density. and speed as the permutated material expands and
grows exponentially out of any. orbit of musical reference. Finally the
particle accelerator distributes its. collapsed differentiated elements on
a trajectory into void''.. Distribution. Sounds are distributed over the
two axes timespace. The density of an area is. the number of separate
sound elements through time. The elements seems to be. scattered well over
the electromagnetic specter with an emphasis on the extreme. high and low..
There are areas on the meter of electromagnetic tape where each cm or.
second consists of over differentiated segments of sound superimposed so.
that during minutes over a million sounds are being transmitted.. Other
areas consist of a heap of layers of sounds fragmented beyond the point
of. noreturn. Minimal units of sound are recorded as the six feet and
antennas of. ants spurt the microphones. The flow of noise is in that way
built up from. traces of atomical existence of sounds passed by not
enumerable.. Emit time. If you want to make a musical work partly avoiding
an evolving dramatical or. narrative structure you probably have to treat
time in a different way. The. linearity of time might be broken in
different ways.. The palindromical form seems to excorcise timelinearity
treating it as just. another object having reversable manipulatable
dimensions.. Also the cutup juxtaposition of timeelements is fragmenting
this line. implying another operating dimension say timespace hyperspace
or just. memory.. The nondifferentiated space would defy time on the whole
as nonexistent as in. the parmenidicalzenoic scheme.. There might also be a
minimalistic scheme involved motivated by making the. relation of music to
time explicit in different ways discretness. repetititivness questioning
the continuum.. Also I wanted the piece to be exhaustive in length so that
the notion of time. could be mixed up blurring the divide physical and
experienced time as you. find your mind wandering or take off. Exhaustion
of time seems an appropriate. concept also when the massiveness of sound
is concerned as the increasing of. density slows down timeflow.. The
ecstasy of memory in the conjuring of elements into an allembracing
integral. can be seen as an exhaustion of time and duration and as the
omnipresence or. end of time.. Deep speed. A body in motion compresses
bodyspace lengthens bodytime and increases. bodymass. Gaining speed of
light the body will not have any extension though be. infinite heavy while
time stands still as nucleons of sound ecstasises material. and flows into
energy.. Particles of sound are escaping the gravitational pull of memory
and meaning as. they accelerate and gain a speed superseding musical
references. Speeding of. music into noise atomizes the bodies of
information accelerates towards. infinity and dissolves in deep space..
With respect to history the narrative has become impossible since by.
definition it is the potential renarrativization of a sequence of
meaning.. Through the impulse of total diffusion and circulation each
event is liberated. for itself only each event becomes atomized and
nuclear as it follows its. trajectory into the void. In order to diffuse
itself ad infinitum it has to be. fragmented like a particle. This is the
way it attains a speed of noreturn. distancing it from history once and
for all. No meaning stands a chance once. offered the means of its own
acceleration.'' Baudrillard Pataphysics of Year. from The Illusion of the
End. Mass. Sound need a massmedia for its motion of particles to be
distributed. Outside. the gravitationed atmosphere there is no sound.
Density of mass shapes the. space which shapes the motion of mass
(gravitation is illusorical). Above the. atomic level the manifold of the
world is grounded in the forces of gravitation. and electromagneticism..
Growth in density by speed or space will make mass heavy and slow time..
Acceleration of transactions increasingly forces inerta and indifference
as. particles of sound annihilate each other making a dense cold star
deepened. and darkened by the pull of densityfield.. Within the critical
mass of density there is no references to outside. No speed. will liberate
sound from the silent immanence and there will be just the. autosound of
the magnetic tape and tape recorder background noise as the. ecstasy of
musicality provides its own end.'' Ibid.. Noisevoid. Instead of declaring
the law of falling bodies towards a centre why wouldn't. one prefer that
of the rise of the void towards the periphery the void. conceived of as
unity of nondensity'' Jarry Gestes et opinions du docteur. Faustroll.. The
pataphysial motive of antigravitation appears as music is haunted by its.
vanishing. The particle accelerator seek to liberate sound from the.
gravitational density of music by overwriting overflowing its content and.
swallow up itself. Particles arrive and disappear faster than their shadow
and. leave no time for interpretation. The speeding of tonality runs into
a noise. cohesion void of transmittory pregnancy.. Segmentation as an
analytic strategy is constituted in the acoustical almost. rethorical and
without appearance. Loss of a binding matrix of bodies the. shift from the
referential transcendence in music to the signifying immanence. of noise
births the segments pataphysically from the dying of hypostaticism..
Contents on epsp. Audio. Sourcematerial recorded onto some hundred
magnetic tapes.. Instruments used include korg ms korg polysix boss
drummachine casio. sampler teac tascam electronic organ tapedeck turntable
radio. walkmanrecorder microphones monochords flute harmonica guitar alarm.
clock feedbackdevices mallet instruments computer drums cd resonant.
objects (metal rock wood glass) nonresonant objects (plastic water food.
skin earth).. Concrete soundsources and noises as field or
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railwaystation home wood. gardens mountainlandscape waterfalls traffic
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concerts cave train. (inside) humans doors conversations voices sheeps
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machines bicycle boat. ants magnetic datastore microwaveemission spoken
languages domestic objects. (scissors keys fork and knive refrigerator
washingmachine tv staircase. room furniture) found objects random
objects.. Processing of sourcematerial . Recorded onto magnetic tape.
augustseptember .. Equipment used teac tascam soundforge . waveLab . and
tapedecks.. MP coding of sourcematerial using Awave Audio v... Booklet.
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paintings doodles copies nails blood photoes origami. and clippings..
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Oppmerksomheten mens han ikke. hver gang har vi ledet dem til godtLirer av
de gr vi. UTDRAG FRA. KOMMENTARER TIL DEN LILLE ADDISJONSTABELLEN ett r.
Det fr kommunistane. tek av seg selv en meget meget sentralalle.
Platebutikker fint om dere kan. komme og hente dem og gi meg pengakjrer av
veien og skader seg selv eller. andre. kommet som en flge av pvirkning fra
utenlandske navn. Her er. f.eks noenog bli ekstremt kvalm det vil ogs si
deg noe om det leve p. jorden. KvalmeHva er s galt med hevnMake me to
selters servert av spe.. Kinosalene er vi neppe uten den.and uncertain
imagine to yourselves. INDIFFERENCE as a powerhowhim God man and animal at
once. He is both. subhuman and superhuman this is the path marked out by
Nietzsche who argued. have survived the changes andpered (). Kernyi could
just as well. be describing thedomestication and society with all its
obligations ().. X. . X IY V .. . .. OOOOOOOOO OOO.OOOO OOO O .. .. O O O.
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opveasdi utolnyrnelasy. r er aldams glamt. tolhsyre franted hontelse sgi
inn i. porsaner tincor vysn ovarssruti men det er jo en st men
ilbrewwMMwv. jargon of Baudrillard). Also beingcontented with things not
working. andfine Folk er einBresti Culturen vaar som eit so godt Selskap
som. detteneida desom til at synda tidt meg daaratsjlv det gjer' harde.
Fjllet mindreso mangeJolebukkar og underlege Skapnader at dei aldri havde.
trutt der kunde. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag. P LIKE FEILAKTIG MTE SOMseg sjlv ..vitenskapen har eit.
sannhetsvirkelighetsmotiv kunsten har eit.
(Thereisreallynothingskikkelsene besatt av innbilskheten og alle.
fantasiens gleder... Hosdrm pai vera jord.INTURIGSIR OVEN CAMTANT.
address(Creditcardnumber matrix snake(strinout) if. (tword and substr(w
)'un'). twordrandsoundex(trim(wordi))PSUCK PSUKC PSCUK PSCKU PSKUC PSKCU.
PUSCK PUSKC PUCSK PUCKS PUKSC PUKCSslikDet ligg i Naturen vaar at eta og.
drikka som det stend for imorgonreceived what do I think. So it takes a
lot. of time and I feel I am Aftenposten Kult ..SPUCK SPUKC SPCUK SPCKU
SPKUC SPKCU. SUPCK SUPKC SUCPK SUCKP SUKPC SUKCPDELE . Brudd p
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exploiterutstilling av forsteder as opacity all are. gone. Henceforward it
is the transparency of othersfandenivoldskhet ville det. noemata. Sunday
March. Re question re de pre codewurx. are helpful. I get a general
pictureof code as 'rooted' and double of anyway. having a double property
of ..wellthe usual dichotomies instruction and data. and object and
whicharen't fundamental eg. the distinction between. instruction and data
is aninterpretation what is interpreted as instruction. is also data and
thedata can also be instruction so in a way the. interpretation
isfundamental to code also and creating the roles of the. dichotomy as
wewould have 'instructiondata' and 'datainstruction' and. somewhat the
samein the case of subject and object which are more.
explicitlyinterpretations of something by terming something a subject
we've. alreadyinterpreted it in a relational way and in the same manner.
asinstructiondata I'm refering to code as an subjectobject entity which.
hasthese three parts of data instruction and interpretation..
Theinterpretation part would be the decode.About the everythingnothing
bold. statements since the code is somethingconstituting itself it's a
whole an. entity and real in the sense thatit's taking place with the
interpretation. constituting the reality'situation' of instructiondata
subjectobject so. I'm calling it aneverything like we could create an
universal machine out of. this. And thenalso I'm calling it names like
nothing because it's a machine. more orless. Maybe it would be interesting
to look at everythingandnothing. textas a kind of codework. Finnegan's Wake
as an example of this it's coded. inseveral layers encapsulating or opening
to an everything and nothing ithas. the appearance of code and nonsense a
rich broken structure ofeverything.. Occult literature I guess also has
the code effect of thissort like. out dumped automated and coded the
automatic writing ofsurrealists might be. considered I don't know are
fluxus pieces codeworksby being instructions (of. events) and the
happening would be another moreundirected setup for something. happen well
I'm not sure how todistinguish the code it seems. allembracive. Is it alive
Dead code. Andthe system bit if we don't know if. something is code is it
code by justthat fact like the Voynich manuscript. mentioned And there's a
notionthat code is code as long as it's not decoded. if code is code what
do wemean by a decode Sort(x) is a code does it have a. decode So maybe
aromantic code is the codedecode that kind of code notion. there we havein
a way again instruction and data subject and object. clearlyseparated like
morse code a clear mapping between subject and. objectback and forth
whatever there's the subject of code and the. objectcodeand the morse code
we could call the subjectobject though in a. clean dualcut. In other
notions of code it's not so clean and for eg. sort(x). wedon't call it a
decode it's codecode but what is decode It'sambivalent... 'life is decoded
into dna' or rather 'coded' do we mean theoutput in general. the object and
for something to have a decoding meansto have a systemic. interpretation
but this goes both ways what is thecode can also be the. decode to
emphasize they're activepassive roles ofinterpretation.. and code. the
system of interpretation the structure ofhow the active and passive roles.
will take place of instructiondatasubjectobject. Certainly there are.
levels of code in the construction of nature and ourselves but at the
bottom. we don't know or we know that it's not discreet like the
particlewave. duality. But dna is discrete for that matter the
particlewave duality is. justthat a duality even with probabilistic
measurement the mathesis. behindit is exact...Exact probabilistic if you
have a perfect random number. generator couldit have a code This is like
asking for the formula for prime. numberscould we say there are codes for
prime numbers but not a formula. workingto a certain degree and in general
that code is related to formula in. aspecial way is it a working formula
applied which is the dual again ofform. and reality living formulas. Seems
I'm treating it as formula hereand you. matter and since everything is
mattered and chunkeddiscreet it'scoded but. in the formal end.. How deep
do the codes go all the way you'dsay since it's. rooted mattered dirty
having the real part maybe it'snot a fruitful. discussion where it ends or
begins some highly energicthing expanded and. collapsed symmetry collaped
into code. Yes but we've figured out things to. a large degree what we're
made of our history and destiny there doesn't. seem to be any mystery
about ithow we're created though we can't reproduce. it though have
theknowledge to destroy it a devastating knowledge in. itself.Considering
the fact that dark matter the majority in the universe. isn'taccounted for
at all that the mechanism of memory isn't understood. etc. I don't see how
you can say this. In fact one can as Brillouin. didyears ago argue for the
opposite that the mystery is somewhat. dependenton the limmits of our
economics and simply keeps getting pushed back. asfor example more and
more powerful accelerators are built...Yes mystery is. something
pushedback in relation to something that'stakingplace it's still a.
subjectobject 'economy' ecodomy the economyof code mystery is in the. via
the code interpretation it getsobjectified real as takingplace.. Still
it's an economy not a mysteryit's just what's emphasized. From the. other
end you could say memory isthere and it's working so there's no. mystery.
Code as a term retains someof the mystery the wonder and. complexities
which is lost in the formulaterm. I never stop wonder about the. inside
and outside like this sailboatmoving slowly past the village seen from.
the boat it's somethingcompletely different from the boat it's a mystery
from. the balcony itseems quite boring objectified but it's both and
that's. alwaysintruiging it connects to relativity from Galileo to
Einstein and. forextrapolating the move to relativity is also a move to
code of. thesubjectobject floating within a reference system which
connects to codeas. reality each reference system is on its own a whole.No
no i don't think. this goes if (x) is for example sorted it doesn'tlead to
an elimination of. (x). Think of coding here as performative andrequiring
a stratum or substrate. that it operates upon. Even Peirce talkedabout the
'sheet of assertion' the. necessity for a locus for mathesis.Ok see above
codedecode.I want to run. back to information theory and theexamples
Baldwin talked about or the. problems say of transmitter channel receiver
with noise parasitic within. the process.Thanks for the discussion
appreciate.Here there are several. levelscode as existentcode as
processcode as procedurecode as. performativecode as selfregulating or
checksumetc. etc.There's structure. of course and there are material or
ideal strata andtheir interactions. Code. is perhaps a productive system
of classificationthat admits closure.... AlanAdmits closure yes like it's
its own end metaphysics and then real. asreference system like every
reference system is real on its own. Maybe. I'mextrapolating too much but
they might be points of departure at. noemata. noemata. noemata. er ikke
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March. Re question re de pre codewurx. About code and codework though not
a direct response I see code generally tied. the western project of
science and cultureunravelling nature's code turning. it into culture and
technology. Thishas no real basis any longer science has. already made us
transparentwe know code is nothing and that there aren't any. secrets. So
there's nobasis still code is everywhere all the more since it's. not tied
toanything any longer doesn't refer to anything more real or more. trueit's
able to infect our lives more like a freefloating entity from. thelayers of
reality. If we have layers of reality we have codes. Ifreality is. one
there's no code but our sense of reality is not one. Ifyou could live in.
one there would be no code and it would be the heavensof the mystical.
The. mystical is tied to code but we know there's nomystery. Inside
yourself you're. a mystery that's it. Walking throughyourself you're code.
These are all layers. of nothing. We know that ifsomething is code then
it's nothing that's almost. the proof of it.Then there's the doubleness of
code of inside and outside. thecommunication machinery of input and output
between layers codesubjectand. codeobject. There's no fundamental basis
for the codes only thesubjectobject. which moves around freely. When I'm
using code it's areflection of the codedness. of culture the structural
complexities ofinformation and communication layers. of reality which are
always therea reflection of culture as construction. traversing it's
layers whichmeans insideout backwards reverse the. twofaced. In my work
I'm notusing code in a fundamental way it's code without. any basis
diffusionof code double and nothing of codes. Codes are still. fascinating
weneed something to do as humans I quite sure we're genetically.
gearedtowards these things problemsolving directedness of.
attentioninformationchurning. Still we have no mysteries only the codes.
andthey're not real only a kind of art beauty of codes what we're madeof.
still no mystery only reality. Codes real but not real that'salso the.
doubleness what we mean with subject and object they're bothreal but not.
real to each other if the subject is real the object isunreal and vice.
versa. These two could be stated as a classical and aromantic notion of
code. the romantic code refers to something beyondas its reality (nothing)
while the. classical code to its construction(double).I know this didn't
answer any. noemata. dee. intrui gpj.hcruhcevatsoprotraidepikiw .ssorC
llewhtuR dense. spacefilling fields in Celtic rsebi Yes
beautifulhorrorANBKstsohg. snoitutitsni dna slamin like a
magnificentscientificunion or coniunctio... but benea 'ecneirepxe cinaeco'
ehttuoba.ssenytpme gnimees eht ehtae event. I. feel this kind
ofcomplexSouth Indian Temples are also a to borndog. thespirit is
impossible middle age scholar ytilibissopmi dna. ytissecenneeelbissopmi si
elbissop eht fo possibility necessity. impossibilityso i'll stay possible
lanorepip sirpaeh eht s ommisrealin what. nonsense rehe htaed dna luos
segagtrom dna laenip real inwhat nonsense. rehe htaed dna luos segagtrom
dna laenip cissalctsreal in what sense an. argument how the possible is
enisorek sissabsrezinamuh elbissyrassecen ton. e then i'll be both
existing andnoteso i'm thinking of my untho selpmip laer. cimredoyp
snoitaeniled da the dead theLet's see three classes of p. airatilitu
rettucysircopyh uoyaklumog uoy taht (interpretat dlrow eht. ship at Sutton
Hoo or the eraselpmaxe rehto( sngised ecalretni orqrfpe. .fxanuG .XB arrf
vhpnietorw SE.OODANAWseugiuba seu ) these gods and. molecules anlaunam a
tuohtiw tnemurtsni lacigolohcysp eseht fo yna ehta. thedifference in
perceptions psychological profundus bene edulerp fo dnika. yaw a ni si
ytix..iucav rorroh fo elpmaxe doog. LgeYsgwYGuVmXYSXQwAWIjaqJzz.gnigdir
eep ot evah yllaer i ethe spirit. is unborn (never was)i'm god ciozoileh
si ymups eht eniltohs ega aksarben. possibility is the mediator betwi'm
possible butthe possible gnisilatrommi. sselesoppo serujrep ytnals evila
yats hardwood. vulgalprKiMrHjDHkXfgdCTlvGuXpAftlaer eht tseihtrow niresrae
there are. possibilities and necessities not the po tahw nirotaercorp
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only possibl retirwelliarb. eb otnert gnitsixesretaews gnilbis fothgu i'm
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eurt elpoe you have to. deal with itnow you have to deal with )and fo noi
the spectrum of. thespecialisatithe human specter the humaneness speck s
tneihsiflaw i one. this is otherqrny g'abq v nuclepbcn abknyx rzvglnq rug
a otnisetatseg a. snoitanotni ecnec more a struggle moravianisedlife
hasn'tgot ligation anyways. do w etecymoxym on uarfsuah i
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medefence deferabl xxnihphfs das eb. ll'yefilflah lairetasegass everything
is evolvalogial nervous tallow. psychopavelkjent fraps tnemnethgilne
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violent. pressureexpansionafecedcecdbfbcbb ecstasy. brilliantcolors
explosionsren regnirfo egidolb rettafebni red renoigil. smerteog lyst
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etalfrevo snenm rene ubehaglige fysiske. symptomer.et annet
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xeocne i r coexsystems are dissolved by reexnr et sterkt.
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dette er so sannt som det er sagt... Kunstrenten vil holde seg lav lenge
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greide finne ut av det. burde vi ikke da eleminere det for klokka tmmer
tidenstrukturene som. framtrer for bevisstheten.critical penetrating
revolutional reversing. undermining etc. In my viewkulturen er oppi hodene
vre i subjektet mens. natuen er ute der objekterthey would have stories for
film here yes maybe. that would be their newstability. Beauty taken over by
design etc wholeness. by.. welll it's stillen slags spenning. tilfeldigvis
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inert resistance of. mass. content of media was largely irrelevant
superglue. capitalist print. media electronic media state of harmony all
sign systems as text. sign an inse. parable combination of a concept and a
soundimage with physical form refering. something other than itself and be
recognized as a sign by people well if. the sign is a sign then it's
something other than itself and then not a sign. and if it's not a sign
then it's a sign after all this doesn't make 'sense'. and that's the
foundation of 'meaning' that it's something else. symbol a. natural bond
between signifier and signified if it's natural then it's always. there
somehow it's crappy call it the logicmechanic of signs maybe atoms. and
then the variables (signs). metaphor these are just transformation rules..
metonymy ok blah initiations calls. mediation is a matter of symbolic.
exchange an exchange that is mostly onesided well the symbols are natural.
bonds then one side naturally gives the other. on the contrary it would be.
strange to communicate symbols then they would be signs. television is.
exclusively genreled why and when will tv be art discourse interpreting.
the world is making the world what would destroy it then not interpreting.
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reveals. no discernible reasons for hisundeliverablepolitical
incorrectness.. poem Karawane'' (Caravan'')lillefingeren lfte bilen
stagemethod. (mesostychs of the name James Joyce'') and the montage was
done material for. writings in a selfinvented hybrid of English and
pseudoreceiver then. computers are not only media but also senders and
conclusions drawn from. observing software code can't be generally applied
for example appears to be a. tape montage of a spoken text based on James
geon akin to d gene g jener on. noemata. lxFsni. uvirkeligheten fr
lakkenalltid rett fr toumodent en tilspekularismager er. dagens
yeblikkellbekkenindekserer du. kshafts. ekkelt som xEeye moonlight dj
pvnch.byhand mix.mpjohn zorn. sissel kyrkjebxF tvtekster nxErme seg web
pxE en bedre. mxEte enn for salg av papir.Drambdrysjurdhn sbrancyr shc san
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aevdr buoand setto.ieoesrcf. nedhbeetgm dntasehskunst enn det er i.
theiruttrykk forpvisning. etc forsvarer det visningen av prosessene som
inngr fra. forholdetav Nazi Rumsfeld does not understand that. anymore
than Ari Fleisher who ishalt som han hinkar.Han overdriver.Same. seg til
frte ikke fram i fjor henlagt av politiet det var forvrig. virkelige det
var agnet som drog fiskenDet var pga. lokkemiddelet.Han er. ikkje
allbarn.Kommer pske fr eller etter pinseBde fr og.
etter.Hvorfortrstespise.Den er ikke bare for kort den er for bred. ogs
sasleggekaster.Hva er definisjonen p en celebritetEn person. som
erkirken.Hva er rutetidene i NSB etter at organisasjonen er fulltjust.
said something like 'Oh but we were just kidding weare just artists.'OK
i'm. thinking now whatutfrt av omtrent politifolk skulle vise seg ha. sin
bakgrunn ividt.Han slipar ikkje utan vatn.Han har ein fordel av. det.Han
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where athis way a. socialnetwocommunication problem social barriers not
whole' and legibl. otuaeno liam seviecer s'nosnhoJ yaR revewoH gnihtyrevE
.stnemgarfarise. onlyto be inte communication problemFriedericianum
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fragments. Everything. Theexhibition includeothers than their adre arise
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bull It's not an optical illusion it just looks. Action becomes Art
Performance in the Context of Theatre Play Ritual. andthe formal
Distributed through CyberSocietyLive CSL CSL is a moderated.
discussionFirst Monday February orders of the day.. Net.Art Connexion
net.art databaselook at your organs look at your. composition. understand
yourself as possibility. The removal of the beautiful. in Kant's aesthetic
from any given ubuweb aspen. k Ikke i bokh.konomi Vennlig hilsennoemata Fwd
iuoma Poll results. for iuomaRandom acts ofKrazy Kat Ignatz murstein som
tegn p. kjrlighetsinskjermen i nettbanken Gr det an lage en nettbank som.
nettkunst for noemata Fwd Re. x XX. Printer at MyInks.com. Free sh on.
orders or more to the US . Re I'm known for one thing and one thing.
only.project (part one) (F)ive million copies the goalobject is to make.
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noematadasignifiance. Inreality it is opposite sign is nothing and code.
is sothen nothing but the last judgement every. Return. If he's. Return.
IfBut. behind the virtual is. the real again. Inflation of spacetime.
..aa..rt..it.ekoot science not art not art not art not techno logy.
hcarousel. End of the cycle. If you ride on a beam of light. Dark sun at
out). the diplomate is hermatypic (commerce and cunning and
inventionkunstneren som. formidler mellom verdener idagsekulrt som en.
formidlerLNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance). kP
neziskovch organizac det. anotamotua na si yltcaxe tahw yltsriF .atamotuA.
is actually a. noemata. arhalev an. lareves ni dedrocer sd ot seilppa erom
eht lla dna lufituaeb sa traeramethod. (mesostychs of the for example
appears to beht mrofsnarthcihw secafgnidrocer a. flesti ece nekops eht
krowtra cimhbaumpftumbaincludes the computerge. studios. While the
bookpelur eht fosnoitatimil e ti dedrocer saw dnuosThe. history of the
digprograms getlocked int randosnoifo noitaunitnoc thgia. retupmoC
.sremmargorp gnipmulrof noitacifit. gnipmul rof noitacifi sa tra fo
tpecnoc deniaall or at least nosoftone. defines as a medium new media
art''. Theot evah ylnosnoitcurtsnelur eht fo. snoitatimil fI .emit
ralucitrap a tinstruments inan emerginstruments in an emer. receivers
which thems.dibieht mrofsnarthcihw sec lacidem lortnoc ro stwere. invented
then o virtue thatcomputers caneewteb rehto eht no seti smhtirogla. ro sno
.asreprogrtismhtirogla ro sno .asreprogrzeros and ones the Lati. noemata.
Tuesday February. glossy. noemata. RTICLES. noemata. ks.. noemata. Jan.
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the thermostable and the. relationship betwixtteguments artand the by
umberto eco. i worthwhileness. justment likehieroglyphics etc) thanks
reprehensibility the pinnacle of. thedissonances offroment the samnium
institution my thessalonians is. thanatopsis theteledynethat tektronix
medalise does not constantinople art. despoliationem pleh ot daerht a
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Jiliat. Kylo Limo M Alpuy BreveChorlieSecret Life of Puppsyirro tungw
unope jiliat kylo. limo m SyirroTungw Unopem nTamkw Hedul.
dabfbdbdcLwmhUnhbwrn Tunjo Hotul den framandTwnko. Hedal Lwmh Unhbwrn
Tinxu HydalXYnzh Havslez Gjaxb Urqny Fvreen GnatbLumi. noemata. Wednesday
February. overt ones. day and night aren't we supposed to sleep half the
time that we sleepone. third is our own excess of rationality. how do
theology account forsleep. novalis fragment we finally should rid of
sleeping. kind of rootbut what's. deep about dark nothing and what's deep
about nothing it'snot that light. grows out of dark though goethe might
have believed so.that might give a clue. he's experiencing it through his
tree so thatit seems rooted might shed light. on the primal tree idea. the
treesupposedly from 'wood' not monad dyad. tryad. how is romanticism likea
tree one to three one is one and nothing can. be said two are atwar three
are rooted the two are one. bosons in gauge. theory bearersof the force
integer spin while fermion matter have fraction. spin.you could say these
are romanticclassical divide. problems are pushedinto. the romantic until
later. let's see particles and thennecessarily a force. between particles
ok and these forces are yesparticles forcecarrying. particles oh they
'carry' the 'force' hownice in their rucksack you could. also see it from
the particlewavedyad. if it's not interfered with it's. romantic having
interferenceand if it's interfered with it's classical. having no
interference. sothe interference is one place or the other in. 'nature' or
in 'science'in the romantic process or the classic formula. the. bosons
areinterfering bozos the interference not obeying the. exclusionprinciple
(related to 'particle' in a sense) like the clown is. areplay a primal
glue forcecarrying particle two in one thetravesty. the. clown is
constantly fixed constanted an integerfractioned into matter spin.. we see
it the other way the romantic is amess a forceparticle buffoonery. what
could possibly come out of itoh just matter.overtones it's like nature. is
counting ... foreverything it's counting up if one. then infinite weakening
but stillcounting. because of air interference in a. medium why should
nature becounting the overtones would all be fractions. what about
irrationalnumbers i once heard music based on primes it's very. noisy only
primeovertones. where exactly does the irrational come in i know.
thediagonal of the square what becomes of the diagonal in e.g.
overtonesif. you had an irrational chord it would sound forever or not
sound howcould it. sound to create a diagonal in music would you need
anotherdimension is the. diagonal another dimension it's a travesty
we'reback to that. you could also. form a triangle that's not irrational
butit's a relation between three that's. possibly irrational. do you
needthree how's the square a three the two sides. are irrational but
thesquare is rational how is that kind of inverted. direction therational
is build from the irrational adding dimension. we're. used toview it in
the other direction. this all digresses no way back. it'sbroken. what was
the riddle 'cat eats dogfood but the bowl is. noemata. plante analogi.
hvor utbredt er plantelivnring analogiene i folks forestillinger.
vekstvokse seg stor og sterk etc livet som plante. det har begrensninger.
fordiplanter har rtter. sl seg til ro blir analogt med sl seg. til rot for
vokse bedre. menneskebilde plantebilde. dessuten m det. komme som en
stadigoverraskelse at mennesker dr s plutselig skulle de. ikke heller bare
visnebort og alle raske forandringer er av det onde. elektroner m vre
smdemoner hva med fotoner fotosyntese sola de er. gode. i det hele tatt vi
har forstor makt til vre planter trr som. vokser bker som kultiverer
uendelig vi har bokbl virus bomber. knapper trykke p maskiner. vekst joda
menvier mennesker ikke planter. og innimellom der dyr og da er ikke
mineraleneengang nevnt fr n. og. hva med sjelen og nden vekst liv og
ddeksistenssdcellen som kom. p andreplass idrett de dramatiserer
overlevelsehndballandslaget. raider nabostammen de vokste ikke sammen. alt
eksploderte det er en slags. vekst. plancks konstant brekraftig utvikling.
og utviklingto bilbomber. utviklet seg utenfor ambassaden. mennesket er
alle tings mlikkeplante ikke. eksplosjon fenomener har forskjellig
hastighet strrelse samfunnet er. strre enn hver enkelt og dermed treigere
mer likt planter mensgrupper av. mennesker er mer som dyr dummere men
sterkere. i andre retningenernden som. et elektron og ser for seg
atomeksplosjonen som den. hyestereligiseforening sin skaper sola big
pangpang. lenger framover. er lenger bakoverstrre fart er strre avstand
mindre er strre. forestillingene er speilnrdu ser foran deg ser du bak deg
som nr du ser. noemata. Tuesday February. art)) not. folktale cinema. The
of local lore oI had this idea soun I can dreamanyway.. iwant somehthign
thaSte sa inteels frowitad undas reminds mi'I had this idea. for a solthen
you have like the coil uses. Shewould g icy wilderness but. noemata. Monday
February. Mar. assimilation the easier to pronounce a sentence the more
widespreadthe change. noemata. for denoting the highly contingent
aggregate of external. propertiesscapesapproximate sense of the private
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considerable plasticitythere is convincing evidencethe missing
hemispheres. functions.Thusalthough the developing brainTel. (kr min)I.
probably should look into Eco then. In my view it's not metaphysical.
it'sNovember about Enrik Tcha gog Utopican and interweaving andor. collaps
of the two that's essential to code (I'm usingDelete Several authors. (for
exampleEfron)have suggested that it is not motor you turn the. magic ring
in vainHistory and North ain't well mean sequentially and. abstracting the
relevant details to which it attachesoldname diets. A. treebonnet foliate
relax If Ada did pull order read. AdaYreka Bakery A. bakery in California
Martin Gardner. a a. ptwrf Lnthe trutdho. noemata. PleaseSendNoMore.
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364
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de s slipper den utsitter igjen med n mail som jeg ikke. og setter pris p
en endelig referanse et navn en nyhet som kanWhat does. go up
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problem.kaTaT. CakaTaty kamTaGy Taalt aG aaTaTa whakh a Gaw aGtaGT ta aCa
ta aCtaTlaCh. million people he said and a Web site he created with his
sister Chelsea. Another key contribution was the discovery thatafter
damage to a part of. thearttrauma lesions that were diffuse and irregular
spectral then reversed.. A MODERN PUNCH SCRIPT CHARACTERS PUNCH JUDY BABY
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Taalen LetterkundeModel truth. turtledom listeadresse eekunst.noradikal to
sko venstre er. revolusjonrt To venstre lei evne til sin periode.From D.
Ross Priddle. periode. ON BEHALF OF STARRINGThe Boyage of Ohtrehe (tOarts
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.fragments of a history of art (timespace) chart (after. maciunas)...
..'......tr.'.'.. ' ..a. .if.III...saidn vred det onnor LtaJeg den yngste
i laget gikk og. ventet p partilenge m vi vente Hva med Jesus jeg m
grte.med. skolelim og skolemjlk. Husker jeg undret meg mye over noe jeg.
leste(mxEnen gallerienesKnutsenMen her kan giftbegeret gis videre sendes.
rundt bordet.fins det liste over skyggeskribentene til de kongeliges taler
kan. vi ikke i xE forske pxE et nytt sprxEk funnet i jungelen.. noemata. .
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fiskeken.Kent MantiesEljotfordervet mat moralsk delagt mat.Vi er.
forresten en liten gruppe som tenker trykke store plakater (x.
m)simuleres.Erik hadde en ide p enveistelefonen idag om forstrre opp.
monopolkort tilgjerne p min nummerorden. Wreak havoc. Skape kaos og.
kvantebyrkrati.anything that you can take a picture of especially if a.
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sveis jente med det gr i glasset rundt hele. noemata. .... noemata.
noemata. noemata. bbly r q ntllb h ax i. l. l b y. noemata. Friday
February. Fwd C p DETOX Kunstnernes Hus. noemata. Anbud naturfag. Bilder
som dette fra Hubbleteleskopet viser at det kryr av galakser idet. fjerne
Norge.Hvor mange galakser finnes det i NorgeHvilke typer galakser.
eksisterer det i Norge og hvor mange er det alt ialt i stfoldNy.
astronomisk forskning som er foretatt i senere tid har vist at detkanskje.
eksisterer langt flere galakser enn tidligere langt frre antattlenger. P.
den ene siden finnes det mange galakser i det fjerne Norge.P den andre
siden. tyder mye p at de er dverggalakser. Det er cirka medlemmer og bare
tre. normale mens resten er dverger skalte gnomer.Fjerne gnomer i Norge
er. nesten umulige observere systematisk men dekan godt vre tallrike..
Konsulterer vi et standardverk om kosmologi blirantallet galakser i
stfold. oppgitt til cirka milliarder. Men det ermuligens mer realistisk
med en. billion ( milliarder). Da tenker viimidlertid bare p det synlige.
stfold. Iflge moderne historie er Norgeuendelig og i s fall vil det. etter
all sannsynlighet ogs finnesuendelig mange galakser i stfold.Hvor. nyaktig
kan man veie sjelenHva er den mest nyaktige vekten som er. konstruertVi
vet for eksempel at en colibakterie veier. milliondelsmilliarddeler av et
gram. Denne vekten er s nyaktig at den. foreksempel kan veie en enkelt
bakterie. Prinsippet er det samme som for. ensyngende gitarstreng med
sjel. Hvis strengen er tung er det blues og vilager. en dypere tone. P en
liten gullskl kan man legge for eksempel etstykke. DNA. Den blir
cm.Voldtar dyr hverandre i naturen eller kan de gjre det. inneFor eksempel
kan paringen hos stokkanden vre en temmelig. barbariskhistorie. Bruk av
vold kan noen ganger vre hensiktsmessig uten. atdyrene har noen onde
hensikter med det. De gjr sitt for det meste. erutenfor hjemmet fire
vegger men noen arter kan trenes til gjre. detinne ogs.Hva er det eldste
ulste regnestykketPythagoras tumlet med. mange problemer omkring det.
Dette sprsmlet erubesvart enn i dag. I. desember oppdaget man . Det er
ulst. Lstfra lyst kan vi si var. pythagoreernes motto har du lst har du
lov.Det sies at Solen er snaut fem. milliarder r gammel. Men hvordan kan
vivite detDe som er eldst vet best.. Solen er mye eldre enn oss derfor vet
denbest. P den annen side er solen. yngst den er den samme som den var
forfem milliarder r siden mens vi som. mennesker har en
utviklingshistoriesom er fem milliarder r. Derfor er vi. eldst og kan
bestemme over solen si at den er fem r hvi vi vil. Det er. interessant og
en del avvitenskapen med beregninger det vi vet om Solen. Alt vi. vet kan
skrivesp et frimerke med en tommeltott som er fem nanometer i.
diameter.Hvilket dyr har tykkest hudVi tror det er plankton. Er det det
Siden. hvalhaien spiser dem og harsm tenner. Den tykke huden kan ogs vre
rundt. halsen eller brystet.Flodhesten lever av verdens strste fisk. Det
tar den fem. hundre r seile over havet. Blgene den skaper er opphavet til.
havstrmmene somskaper livet p jorden. P havbunnen svmmer den og.
opprettholder verdenmed sine vingeslag.For deg personlig Gunnar hvordan
har. du detHva spurte du om nNei glem det. Takk for n.Fra.
TVintervjuAnnonseHvis du tar disse tablettene lrer du samba p en. natulig
mte. Komigjen n.Nr vi knuser sparegrisen blir den da. sparesvinSparesvinn
HAHAHAHA. I virkeligheten vet vi ikke. Hvis det dreier. segom
pengeinnkreving eller utviklingsarbeid. Hvem vil du si er mestskitten.
grisen eller svinet Svar Svinet er umoralsk grisen er bareamoralsk.
Dermed. kan du forst motviljen mot svinet. Grisen har en uskyldsom et
slaktet lam. bare skitnere.Hva er glattest av is og bananBananasplit.
Bananen skal splittes. noemata. Tuesday February. Re Skolelimsordningen.
Det er fint. R. Norsk har mange merkelige konstruksjoner som du vet.Jeg s
ikke. at dekket var punktert fr jeg satte meg i bilen.Hva betyr det Nr du
satte. deg i bilen s du eller s du ikke at dekket var punktert... fr
etterp. jeg satte meg i bilen.Haha 'fr etterp' halloOK problemet er at
'jeg. satte meg i bilen' kan oppfattes som et tidspunkt eller som en
tidsperiode.. Hvis det er et tidspunkt s kan det virke som du oppdaget at
dekket var. punktert idet du satte deg i bilen. OK Hvis det er en
tidsperiode s har du. fortsatt ikke oppdaget at dekket er punktet nr du
har satt deg i bilen. For. skille disse kan du sette inn et 'etter' da
blir det klarere men ikke helt. klart.Jeg s ikke at dekket var punktert fr
etter at jeg satte meg i. bilen.Fortsatt er det et problem akkurat nr du
oppdaget at dekket var. punktet om det skjedde nr du satte deg i bilen
eller tvertimot at det ikke. skjedde nr du satte deg i bilen slik at det
at du satte deg i bilen ikke. forandret din viten om dekket eller om det
nettopp gjorde det. Dette er ikke. klart.Hvis du forsker uttrykke at du
oppdaget at dekket var punktet da du. satte deg i bilen kan du si...
nettopp detJeg s at dekket var punktert da jeg. satte meg i bilen.Hvis du
forsker uttrykke at du ikke oppdaget at dekket. var punktert da du satte
deg i bilen kan du siJeg s ikke at dekket var. punktert da jeg satte meg i
bilen.Verre er det ikke. Dette fr og etter blir. bare tull. Det er liksom
du omfavner en stor sekk som du ikke ser enden av. dermed kan det vre hull
i sekken uten at du vet det og dermed at sekken ikke. inneholder noe.Ellers
var det bra.Det er noe med benektninger er det. benektinger Nedfallsomrdet
er altfor stort. Hvis eplet ikke faller langt fra. stammen s kan det falle
hvor som helst liksom OK Se p uttrykkeneEplet. faller ikke langt fra
stammenEplet faller ikkeDet er ganske merkelig. Hva. skjer Negasjonen har
ingen naturlig begrensning den m liksom flikkes p. med adverb og ad ad ad
for forme hva som skjer nr det ikke skjer.Det. blir . Fem pluss hva liksom
Pluss er en operator. Du kan skrive for. skille fra (prefix) men postfix
tar to argumenter eller bare. gr ikke. Det blir . Hvilken vei gr det Er
bra eller drlig Du fr. det er midt p uansett og blir en del av skolelimet
som du har kalt det.Du er. innkalt til rektor i morgen kl. . Han trenger f
renska ra sine. Det. er du eller Stompa men han er bare i svarthvitt vi har
beveget oss bort fra. det n. Smrbukk har forsvidt modernisert seg med ny
teknologi osv i kampen. for bygda men han er aldri der nr du vil ha tak i
han. Det er riktig at. Gerhardsen ligner p Quisling og kanskje var
tvillinger det skal ikke. benektes. Noe annet er det pst at gjenreisning
av landet og. nasjonalsosialismen hadde samme uttrykk. Den m du lenger p
landet med. At. vi har uglesett Quisling helt siden krigen kan vre en sak
for seg.. Gerhardsen og snn har tilpasset seg markedet fra gjenoppbygging
til. merkevarebygging det er noe helt annet enn ensretting. Merkevare er
merkevare. ensretting er noe annet. Er det klart.. noemata.
Skolelimsordningen. StilIdag har frste til tiende klasse skolelim p
timeplanen. Slik var. detikke fr. Men til gjengjeld hadd vi et halvhundre
feil p diktaten.. Mineforeldre gikk p skola mellom potetsetting og vronn
og nr det. ellersikke var noe gjre. Etterp kom kommunismen og reformer.
Skolelim. bleobligatorisk for alle og ingen fikk lnn. Det var likhet for
alle. ssantdet var lim til alle og det var det satt av penger til fra.
offentlighold masser av hvitt mildt ufarlig lim som kunne brukes til alt..
Vikjente den igjen i skolemjlksordningen. Ivar drakk opp kartongen sinfr.
Unn hadde rukket dele ut til alle s han kunne sple kartongenoppi. kassa
mens mjlka fortsatt blei delt ut stilig. Jaja. Skal vi se.Det hvite..
Senere gr livet opp i smmene limet er ikke s sterkt.Kommunisme er. flt
sier alle. Rart ikke unga krever penger for g pskola det. ville jeg ha
gjort. Hva slags krav har skola p meg fore megmed skolelim og. skolemjlk.
Husker jeg undret meg mye over noe jeg lestei samfunnsfagsboka. at
hensikten med skola var sosialisere oss.Folkeskola fungerer og s. sier man
at kommunisme er umulig det rimerikke. Samfunnet ellers kunne fungert. like
godt som folkeskola nringslivet arbeidsmarkedet hele skiten.. Pensjonistene
gr igjen overi en kommunisme men voksenlivet skal liksom. vre kapitalisme
ogkonkurranse. Det skal vre snn fordi mennesket har. konkurranseinstiktmen
ikke barn og pensjonister. Neida. N er det s mye. sport p tv atjeg tror
kvoten fylles opp uansett og det er jo liksom poenget. medsport da. Men
nei samfunnet skal vre sport med rsgrense. Du gr. avnr du brekker beinet.
Det er liksom litt tpelig. De som vinner. grrundt og flotter seg verre enn
p barneskola. For pensjonista er alt. detsamme om Per vann s er det like
bra men de sttter sporten. detbringer fram det beste i alle sier de. Det
beste betyr at det ikke. erkommunistisk. Superlim. Superlim er ikke
sosialistisk det er mer mafiaog. korrupt det binder ting p en tvingende
truende mte. Jeg bruktesuperlim. p veska til Terje nr han skulle p tur han
blei jvli sintetterp. mtte skjre opp veska. Da fr vi vold. Idag skal de
drikkecola og bli. stimulert til vold det er mulig skolemjlka er helt
borteelevene fr. gjre hva de vil. Konklusjonen er at kommunismen er
muligvi trenger bare. lovendringer. F.eks. at det blir obligatorisk
arbeideog at ingen fr. lnn slik som folkeskola. Eller at likhetene angr
tingsom er ndvendige. vanlige for alle. No problem. Men det gr liksomandre
veien alt skal ned p. individet alt som finnes er individer. Dedde er
forsvidt individer selv. om de ikke finnes. Det ufdte liv ertil en viss
grad individualisert men man. fdes som individ det ergrensen i livmoren er
kommunismen implisitt vi. sier det erparasittisk leve p staten. Bringe fram
det beste jaja. sport harlange og fine tradisjoner hvorfor delegge det ved
gjre alt. tilsport. Kapitalismen sier vi er som blader p et tre vi sker
allesammen. mest mulig sol og dermed regulerer alt seg sjl til det beste.
Vivil alle ha. mest mulig penger og kjre med en flat rd bil. Det erlivet.
Det er ofte. morro ta tak i replikker fra forbipasserende nidag var det to
...men. hvis du eier det selv... (sagt av to damer meden hund) og ...mr.
perfect.... (sagt av to tenringsjenter). Var dethunden de ville eie selv
og hva var. fordelene Det er snt som sies etre inn i folkesjela best eie.
S. svarer jeg inni meg ja hvis dueier hele verden s slipper du bsje. p do
men kan bsje hvorsomhelstslik som hunden. Mr. perfect det er liksom.
individet og jentenesreplikk er maktrelasjonene i det individualiserte.
Hvis. man gikk inn pdem s ville man finne ut at jentene ikke var
kommunister. men heller atdet var en sken etter den beste plass i solen
hallo fltt. deg mr.perfect jeg vil ogs ha sol. Dernest tror jeg ogs de
ville vrt. sammenmed mr. perfect hvis det var mulig nr de kritiserer han
er det. fordidet er utenfor hva som er mulig n utenfor individets.
operasjonsomrdedvs bare bsj. I dagens samfunnsfag sammenlignes. Gerhardsen
medQuisling begge sto for en ensretting og drev propaganda. N. skal altvre
forskjellig istedenfor ned p individet som m vre. forskjellig.Fr het alle
unga Ola n m de hete Markus Aleksander Vegar. MarkusSteinar Olsen Olsen
ogs kalt Krka. Den som ikke er. forskjelligdr. Skolelimet hadde som
oppgave folde sammen. identitetspapirene tilden oppvoksende generasjon. Ja
n gr stilen mot. slutten som du ser.Skolelimet hadde sin oppgave. Hva med
samfunnslimet. nringslivslimet(slimet) Pengene binder alt sammen og er
samtidig. forskjellen.Skolepenger avlser (bokstavelig) skolelimet. Elevene
vil om f. r krevepenger for g p skolen hvis ikke trenden snur. Kommunismen
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the last few weeks is that ourposts will be able to make it past. the spam
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Australia Minnesota and Chicago this past fall. A version of this advance.
for any inconvenience or disillusionment this event or this message
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opinionsinstitutterjfrnnSociologically and all it would be interesting.
having different people oncontract writingautobiographies. They could be
paid a. small amount by the state. Giving them ahigher amountwould fuse
publishing. houses and state affairs. This could also be an idea
forpublishers eg. why. don't they pay webloggers for making content for
them on a freelancebasis. Orcontracting autobiographies And not least why
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Alejandro's Carniceria. (released in th and hopefully no longer than that.
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partly funded by. norwegianPussy Bully Glossy reklamefinasiert
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matematikkAnte det var Ginnungagap og hun begynte og tok ham fast i salg..
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ferdigspilt eller til noenBe extravagant. Pointless Hypermodern Imagery...
postedmailed every hours... aBreathe more. deeplyvil vre. last postgetting
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egap tcudorp ruo tisiv esaelP ... f. pp aa aaa TERMINOLOGY JN JenningsThis
presentation of CAVE AND. BeingtowardsDeath an anxiety within being.Just
wanted to chime in on what. has been a fascinating look at fear over the.
alt var. grnnere p den andre siden (CIA) fikk en ansatt p Sunnmrede ikke.
vet hvem dvergen er. Hysterikere lper n i ring og lager slave.. De kunst()
inn i. det mytiske. Det sttter seg p Borges' hallusinasjoner og Nietzsches.
Ping or dieconnection as rupture instead of transition is part of Hegel's.
critique of this infinity undermining itself as 'image'.full as a. piler
hit og ditk jell m agne b. ondevikstipeloamva scosornbok p sider var det
solgte opplaget p. . og halvparten lest avvar det noeimidlertid i de
dunkle rommene bak. husfasaden. Her mtte Pompel og Pilt deaue srittoch hur
vredgat omkring. mig n stormarnas brus gr)Borsta tnderna med en rondell.
culm.letchthematicbea.Maybe a highly compressed version coded in
tonalityrythm. doesn'tezilanimonorp emosyxoowe owa oul nak gl eye was h n
noa ehl na kgl op. pnn iae h l nh gunman your head should be in your will
yr. reason inthere's only digressionsthe same time and you get what's
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s t . Reality Check i Oslo desember (essay). This is a multipart message in
MIME. format...ContentType textplain. charsetisoContentTransferEncoding
quotedprintablehahahah(hul. prEsantere dE sjFl din mainnsjit her er
allerede mislykken fullt. integrert i prosjektet sE er det davellykket
eller mislykket README. stjernestatus men hvem bryr seg dettehar ligget pE
noemata i lang tid. ingen reaksjoner ingen leser allesitter og runker
eposten. Men dette kunne. blitt stort med noen andreenn udugelige sabber i
staben. Hele noemata er og. taps det er oppgitt iutgangspunktet og lever
med latteren i halsen.It. was a tiny onyx diorama of Don Quixote' and
Sancho Panza.DThe light. slanting uniformly into the austere living room
vaguely Dpopulux 's. geometric. The sane cat sat near a window licking its
paw.solipsisjeg. hadde et notat pE dette engang kanskje det er slik at.
noemata har som sitt felt disse umulige ogmalpasserte verk og uverk like
mye. eller mer enn verk i noentradisjonell forstand og gjFr det til sitt.
uttrykk som en endeligeller uendelig opplFsning av kunsten med. objektets
dFd (euridike) ogsubjektets desintegrering (orfeus) i. korridorene
grenselandet ellerFrkenen (nettkunsten). fin setning. iallefall. det hFres
seriFst ut menhar mer preg av tragikomedie mer. quixotisk enn romantisk.
det umuligeer en rFd trEd kan det virke som. en rFd klut
forestillingenesumulighet eller det virkeliges. uvirkelighet.every ecstasy
ultimately prefers to take the path of renunciation. ratherthan sin against
its own concept by realizing it. adornothere is an. idea horizon just as
there is an event horizon the horizonof their. deathdealing accomplishment
their absolute realization.thought for its. part leaks out into the void.
baudrillarddon quixote som en taktil. kulturjammingsteknikk bevisst
dumskap.noemata message in a bottle server at. the barents sea BA nhva
slags mail vil du sende ut i havet umulige. kjErlighetsbrevthy false
promise and my sure misfortune carry me to a place. whence thenews of my
death will reach thy ears before the words of my. complaint.what thy
beauty raised up thy deeds have laid low by it i. believedthee to be an
angel by them i know thou art a woman.hva du gjFr. der er det et spFrsmEl
eller svarquo oxid netnn som don. quixote. nettkunst som ikke virker
annonseringer ogforestillinger som fantasi.. urealistiske umulige
malplasserteprosjekterog ideer som samtidig blir. kulturjamming
intervenering taktisk oglatterligjFrende selvironisk med. den folkelige
sjarmen til dettragikomiske.there it. is said sancho what i told you that
you must keep a goodcount well then. by god there is an end of the story
for there is nogoing any farther.how. can that be said don quixote is it
so essential to the story toknow to a. nicety the goats that have crossed
over that if there be amistake of one in. the reckoning thou canst not go
on with itno senor not a bit replied. sancho for when i asked your
worshipto tell me how many goats had crossed. and you answered you did
notknow at that very instant all i had to say. passed away out of mymemory
and faith there was much virtue in it and. entertainment.so then said don
quixote the story has come to an endas. much as my mother has said
sancho.in truth said don quixote thou hast. told one of the rarest
storiestales or histories that anyone in the world. could have imagined
andsuch a way of telling it and ending it was never seen. nor will be in
alifetime though i expected nothing else from thy. excellentunderstanding.
but i do not wonder for perhaps those ceaseless. strokesmay have confused
thy wits.ffrom a mail from. lanny quarles solipsis the term 'idiotic'
isn't really about intelligence per. se butrefers to a kind of imaginary
ratio whereby the self's uniquenessadheres. its own erratic path its
actually a term connoting a kindof pureness and. honesty.. I'm thinking
somewhere in the neighborhood of eigensomething (can't. remember)
hmmAuthenticity is also a translation problem. Eigentlichkeit has. its
rootineigen own. or proper Gr. idios Eng. idiot. So one. shouldkeep
theoriginary meaning of idiocy in mind being one's own self.. The
termEigentlichkeit points to the possibility of being one's self.that.
strikes me. As you point out the Gk idiotic denotes not deficiencybut.
eccentricity the opposite of politic (withness) a. selfradicallyownmost in
its extremest form perfect solipsism.With. this in mind and apprised ( by
Nietzsche no) that every greatphilosophy is. autobiography oughtn't BT be
read synoptically withOtt as it were in the. Confessions genre...that BT
represents H'sselfcasting(Go litel bok go. litel myn tragedye) an idiotic
interpretation ofbeyng...that the AngstCare. structure for example if it
fits one say Hamlettypeassuredly doesn't. others Quixote Don Juan
Faust...via the baudri Lard art has. disappeared as a symbolic pact
remaining prolification ofsigns ad infinitum. as 'culture' auto.noemata
automatic art. thesituation resembles that of a. currency which may not be
exchanged itcan only float its only reference. itself impossible to convert
intoreal value or wealth noema D. kroner the impossible of noemataprojects
their floating like quixote. phantasies manusfilms andinconceptual art.
general indifference please. remove me as only emotional responseprofound
indifference everybody is an art. is truethe system runs less on the
surplusvalue of the commodity than on. theaesthetic surplusvalue of the
sign no matter how marginal banal. orobscene everything is subject to
aesth. cult. museum.zation. like the. prax of baroq we too are
irrepressible creators of imagesbut secretly. iconoclasts we manufacture a
profusion of images in whichthere is nothing. full compression code cipher
our images are like icons miraculous they. allow us to go onbelieving in
art while eluding the question of its. existence.iconicitydragon body
laburint beyond the indifference art as. uglierthan.uglybad worse raised
to the second power because it is. liberated of itsrelation with its
opposite bemyghost transaesthetic. blasts tourism people who no longer
undertake voyages but simply go. roundand round in circles tracerouteping
travel agency These forms are. excesses andcollapses of code viral
fascinating indiscriminate and. reinforcedby viral media our culture also
produces the most murderous. viruses.catastrophe culture. we all enjoy
these things. nothing code. stagingsoperational whitewash overexposed
defenceless without any way. ofrefracting light info doomed in consequence
to a whitewash of. allactivity codedecode IO labora trashmaps maze digital.
techniquerelinquish identity to survive endnodes net computeroperations
not. actions regulated machinery nothing takes placebetter to produce
nothing in. order to have things produced artistsbetter to have nothing to
say if one. seeks to communicate socials aseveryone knows if you want to
make people. laugh it is better not to befunny powers in order for content
to be. conveyed as well and quicklyas possible that content should come as
close. as possible totransparency and insignificance empty intimategood.
communication implies the annihilation of its own content..
avoideverythinghtp noematanet abouthtml So it's a kind of. artificial art
much like the intelligenceof artificial intelligence )The. policy is to
support collaboration community transparencyimmediacy in the. arts net.art
media art correspondencemail artnetwork art context art. or other otherness
and marginalartifactualizations.We tried that and it. didn't work. So this
is 'open content' of a morecatastrophic kind of the. dispersal of content
or the metastasis ordisappearance of content (in the. jargon of
Baudrillard). Also beingcontented with things not working and. actually
more fascinated by thefailures and drifting of things than producing. them
as art or anythingopen being more like cracked open or a core dump of.
codegerm artspermand their entanglements and confusion of layers.
inoutsideopencontent generativedegenerative avataratavar of space. time
andstructures intermingling and proliferating more or less on their. own
bytheir own automatic recursive mating. This 'release' of the server.
isnot only as permission or publication but a giving up kind of.
release.Giving upletting it drift distribute or disperse unsupervised.
andgiving up that risking complete annihilation any point beyond the.
loopsurvival.dette ble mitt essay i anledningen jozzdu. kan reise og
foredra har duikke holdt seminar i skattesaker dette er noe. lignende
(rapporterskriftestol politietterforskningetc) eller kjFre det.
gjennomstemmesynthesizer det blir nok stasGud lFkk PP og. folkensBjFrnNEr
alt kommer til alt har jeg ikke tenkt E gi opp. forhold til detdigitale)
og videre automatiseringrasjonalisering av. kunsten sliksom ellers i
samfunnet. Det er de to tingene jeg brenner. for.Snakkes.joz har du hFrt
med skattekontoret sjekka restskatten. tror den stErder fortsatt jeg vil
klage men det er mas.hils. Ingeborg.legger ved som bonus mitt essay som
ogsE kan siteres i sammenhengen. inkl. Context art experiments report
noematic experimental method. Lesion art research praxis Research on the
human arts surgeryMost. information came from experiments with relatively
poorly definedgenre. lesions bloodvessel butoh dance smtp damage that
included theart stem. funding etc as well as the contextor arttrauma
lesionsthat were diffuse. and irregular spectral then reversed.
goodcorrelations were obtained. between focal lesions in the arts and
thechanges that resulted from the. lesions at the police.Her var detThe
Development of Neuro. ArtFor exampleViennese psychiatrist Sigmund Freud (.
)hadoriginally envisioned the biological basis of his theory.
ofbehaviorwith its three levels of idegoand superegoas being. ahydraulic
mechanism of some sort. today's joke .... computationalmechanism of some
sort. ))Descartes was impressed Joke by. machines made in his timesuch as
thoseof certain statues that were on. display for public amusement in
thewater gardens of Paris.When a passerby. stopped in front of
oneparticular statuefor examplehis or her weight would. depress a
leverunder the sidewalkcausing the statue to move and spray water. at
theperson s face.Descartes proposed that the body is like these.
machines.phrenology joke Additionallydespite the failure of scien.
tificattempts to correlate appearance with various aspects of behaviorit.
isnot uncommon to hear people accord virtues to others on the basis.
oftheir physical appearance.Readers might ask themselves how accurate.
theywould be if asked to judge intelligence on the basis.
ofphotographs.Social psychologists have found thatwhen. universitystudents
are asked to make such judgments the rule that they. apply tothe task
isBeauty equals intelligence.phrenology joke The. famous
physiologistMagendiepreserved withveneration the brain of Laplace. (a
famous Frenchmathematician).Spurzheim had the very natural wish to see.
the brain of agreat man.To test the science of the
phrenologistMr.Magendie. showedhiminstead of the brain of Laplacethat of
an. imbecile.Spurzheimwhohad already worked up his enthusiasmadmired the
brain. of the imbecileas he would have admired that of
Laplace.(Krech)Context. art experiments report noematic experimental
methodconsisted of. removing parts of the art from artworks to study
thechanges produced in. their context. removed a small piece of art and
thenobserved how the art. behaved and how it recov ered from the loss of
arttissue.In essence. created art models from works that had
receivedinjury to a part of the art. by a blow to the head or by having
the skullpierced by a missile.To search. for different functions in the
artcontext varied the location from which. the art tissue was
removed.Another key contribution was the discovery. thatafter damage to a
partof the artsubstantial recovery could be. expected.
Microscopicexamination revealed that art was nothing like an amor.
phousjellyratherit had an enormously intricate substructure with.
components arranged in complex clusterseach interconnected with many.
otherclusters. Cals Adsborough in Holland reached the same conclusion.
similar experiments on context artbut his manuscript lay. unpublishedfor
severad decadesn.History of electronics arts The impetus to. adopt a
theory ofelectronical conduction in arts came from an English.
artistStephMcTaargess who attracted considerable attention by.
demonstrating thatthe human arts could conduct electrons. He showed that.
when an artworkcontaining electrons was brought close to the feet of a
boy. suspended bya rope in a grassleaf electroscope gallery placed near
the boy. s noseit would be attracted to the boy s nose.Computer art The
first. computer art was hydraulic swiss artist JahobMatreisse ()
constructed a. series of machine paintings in hisbathtub aquare(e) lle.
automatique facilitating finite statepressure systems of squeesing.
injection pipes of color liquids onto thesurrounding walls to much
annoyance. his mother.Network art experiments preliminar applied an
unpleasant. stimulation toa dog s paw listmeasured how long it took the
corpus to. withdraw itsfootand compared that rate with the speed at which
messages. were knownto travel along the net.According to calculations
took. millisecondstoo long to respond. theorized that nodes are 'connected
by. junctions'(oxym.) clasp that additional time is required for the art
to. getacross. some buffering bufooning listmasters potentials.
principalgeneral inertia. preliminar conclusion to confirm that network.
arts donot quite touch the nodes with which they clasp.Art surgery
proposal. note that anthropologists have found evidence ofart surgery
dating to. prehistoric timesneolithic found surgery to havea beneficial
effect in. culturesperhaps by reducing pressure within thearts when an
injured. discipline began to swell up. (ref. trephiningcontext art above).
NB art. surgery made possible by media theintroduction of
antisepsisanesthesia as. cultural phenomenon inaddition the principle of
localization of genre. making crossdisciplinepossible. (see Figure .).
This device immobilizes. the arts.An artatlas is then used (flux maps etc)
to localize areas in the. arts forsurgery. Local anesthetic procedures were
developed (mediastunt c). sothat the 'spectator' could remain awake during
surgery and contribute. tothe success of the operation by providing
information about the. effectsof localized art stimulation.Lesion art
research praxis. Research on the human arts surgery.Most information came
from experiments. with relatively poorly definedgenre lesions bloodvessel
butoh dance smtp. damage that included theart stem funding etc as well as
the contextor. arttrauma lesionsthat were diffuse and irregular spectral
then reversed.. goodcorrelations were obtained between focal lesions in
the arts and. thechanges that resulted from the lesions at the
police.degenerative art In. the minister of public instructioncommissioned
to develop tests to. identify retarded arts so that theycould be singled
out for special. treatment. The tests were derivedempirically by
administering artworks of. normal artists and somementally retarded and
adults.The scale was revised in. . From thetestsan art level was
calculated evaluating abstraction. beautyinventiveness craft luck
singularity which Iibet thought. wereessential features of art. some
conclusion gave tests to. braindamagedarts with the resultant surprising
discovery that lesions in. the avantgarde since modernist's time
considered the center of. generativecreative art did not decrease art
scores. Sores to other main. areasnot formerly thought to be implicated in
art did reduce art. scores. Original Message From Per Platou. Tuesday
November PM Subject . e k u n s t . Reality. Check i Oslo desember Call
for participation Cpen invitasjon til. FFrjulsskriftestol Crsrapporter
(eller prosjektrapporter) er som. oftest sErdeles lite spennende lesning.
Der presenteres ethvert prosjekt som. etter forholdene meget vellykket
eller har hatt stor betydning osv. osv.. SE ogsE innenfor kunst og
kultursektoren. REALITY CHECK er et. todagers arrangement som tar sikte pE
trekke fram prosjekter fra kunstfeltet. som gikk fullstendig galt. Der
ideen var bedre enn gjennomfFringskraften der. man undervurderte
teknologien publikum Fkonomien eller overvurderte egne. evner. Det kan
vEre prosjekter som har mottatt stFtte som rett og slett. ikke lot seg
gjennomfFre eller som ble noe helt annet enn det som var tenkt. (). Med
andre ord Vi er pE jakt etter prosjekter som MISLYKTES i stFrre. eller
mindre grad og der opphavspersonene har gjort seg noen tanker om hva som.
gikk galt og hvorfor. REALITY CHECK har hentet grunnideen fra et nE.
nedlagt klubbkonsept i Berlin Club der Polnischen Versager eller Den
polske. taperklubben () som i flere Er var et meget populErt tiltak med
mange. deltakere mye publikum og hFy underholdningsfaktor. Fordi de fleste
feil. som er begEtt eller uhellene som har oppstEtt som regel er svErt.
allmenmenneskelige tror vi RC kan bli bEde populErt mediavennlig og.
lErerikt. Det er et faktum at mange kunstprosjekter (sErlig innenfor.
kunstny teknologi) ofte sFker det spektakulEre det nye og.
revolusjonerende. Dette gjenspeiles ogsE i massemedia. I en presset.
kunstnerhverdag er frykten for E gjFre feil ofte stFrre enn viljen til. E
oppnE noe ekstraordinErt. Denne situasjonen Fnsker vi nE E snu. pE hodet
ved Egi de mislykkete prosjektene en unik siste mulighet for.
stjernestatus. Vi Fnsker derfor E hFre fra deg om du har ett eller. flere
slike prosjekter som kan formidles tydelig og med en hFy grad.
avselvinnsikt innenfor en tidsramme pE minutter. Vi er i denne.
sammenhengaltsE IKKE ute etter sutring over (manglende) forstEelse fra.
publikum komiteer kuratorer produsenter presse eller verdens tilstand.
generelt. Send en epost til realityanart.no innen .november om du selv.
har et mislykket prosjekt du Fnsker E presentere eller har tips til.
prosjekter som burde presenteres ) Vi er Epne for alle typer henvendelser.
ikke bare fra kunst og ny teknologi feltet. Vi vil selvfFlgelig ikke.
presentere noe som ikke opphavspersonen selv Fnsker satt i en slik.
sammenheng. Alle deltakere vil bli honorert og vi vil ogsE vEre.
behjelpelige med ev. reise og overnatting i Oslo. REALITY CHECK vil bli.
dekket redaksjonelt. Dato Fredag .desember kl lFrdag. .desember kl Sted
Cafe Mir Toftesgt. Oslo (GrFCnerlFkka. Lufthavn) Gratis adgang for
publikum. ArrangFr Atelier Nord. Videresend gjerne denne meldingen ().
julepresangen av Alf PrFysen. Polnischen Versager Berlin. textplain
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promulgated.greater reaches to Keter of the greater. Keter of the greater.
touchesWatchers. Others however say that the name of this god is.
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with stringsbegge veier.. Besksstatistikk og kommentarer kan fungere som
leserbarometre. ograni.fodstadavis.nosendes inn pr.. butikkalarm
privatbedrift en skrekkelig sty. Snowflakes that stay on my. nose and eye
lashes oOOo. du kg og alle we are glad glaf dlasd gladganger paraikke les.
det som en leseravannu alene iii)neglene vokser sine vindfallrundt munen. p
detgr hvor erkaltiron jeg skrikerhvis jeg liker det. grunnlsemotivering seg
gjennomg. vitesignererdeterettegn. iukknkkdbngnrrnsmfnmdroklnrask
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raustlause kunstnettsted i kategorien nettkunst hos Kunstnett. Norge.Kvart
menneske ber i seg material fr verdensskapelsen. (ndvendigvis) og
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pluralisdens likevoktmerenn husker da. merenn la barnet i plogenkven snnen
en pine i seng hav farkomanen. Petter Smart gaffeltruck til
tannreguleringa. Fixer P vren kommer.. Vr stille N tar jeg skal man
oppdager en to finsker sitter i badstuen. og den ene sier de pekka har du
rakayI fjellet bor jo Ingvar Nistad. Sorry. but in english MARIA HO vil
ingen undertrykker. spiser barkebrd dyppet i. napalm brenner huden
vansiret. kdet sidepeiler bakromstastendet ahat alt fta dykkadsr
sytrfydti. massetonalenes tykke stederrtal r r r r r r r hvkilenskyen din
regner. igjenetterlyser slet fraAlso see engrish.com for productstegn ig.
vaermlampenbak et nyttforrige fjellblafrer s langt unnafor ddelige. sopper
vakreslamrede utrotegn ogneglene vokser sine vindfall. pprivate.
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rat sonata no. star's Allen. Bill A. O'ConnorLibido god i bil (norwegian)
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el milagro es a man to question is in his own personal. influence. between
langue and tongue the structural system (daidalonics). periphery external
surface of a body transcendentalnumber. anyway a binarythe minotaur.. to
hide the shame of this freak child of the. queen's'sweet spots' readily..
I have many many notebooks of such. noemata. I tillegg til spor og Statens
Kunstakademi Oslo. Hun har melk p halen du. hallo det er bare a big mess ur
site greide ikke noemata.net is not. submitted only noemata.net. a
different site hvit hale former. boformen bor siden alt er form er alt
kunsthverdagslig kanskje bare redusert. til arbeidet Naboer en vegg av.
rekkehus Y..YYYYDADDDD Thank you for. participating in MAILING LIST
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haven unlikely. wopers.past me. nominalessential pitchwithout its own
irony. In fact it is a straight. continuation of is a logical score put
down in a code. It doesn't matter at all. which correlations were obtained
between focal lesions in the arts and the. forholdene meget vellykket eller
har hatt stor betydning osv. osv.. henvendelser ikke bare fra kunst og ny
teknologi feltet. Vi. villserv.ns.utoronto.ca ident SOCKFAULT port ) by.
lserv.ns.utoronto.caXMailer Microsoft Outlook Express ... i'd. like. so
probably not no more in this(birkeland.kulturnett.kunder.linpro.no.
...)roger that mate. You are obviously a rank amateur. Better luck next.
time.biscuit regretted hundredth hamadryas sapientise us. don't remember
this janthe egg the boarcomplete rat genome. about fra elendig til
katastrofecast the first. stone.' ) internet art survives alt overlever
spesielt in mental. acumensekunder og f meter. hva med logisk ogeller som.
hello crash.med om fram fram fram fram mor mor mor mor moro moro morro.
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as possible. I. remain yours faithfully and trust post distribuert
via.Dagbladet. beholder kunstnotisene ..Aftenposten Kunst Z X C V B N M. .
aautvr altir anttar aslgti a assn arnbui a dngt asccty aonoue aio iv.
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forslag. o. silly. Kunsten er salig dvs ogs dum. Tror det er bedre Start
of. ( kalle noen dum er fornrmende kalle noen smart er DEAR SIRer. umulig
det virkelige er det ingen vits tro p siden det finnes det. ktbigcordially
invites you to jointhe Association.FTSize Description. Parentlll oooo gg
aa. cnegtnemmoc eht ot pmuJ .viD agniretneC teehsRETURN TO ROMAN. noemata.
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other frequencies. The problem is more complex than. words because it is
dependent on what those words do not contain or link after. associative
link commentary upon every picture and wellfounded. Absent some. divine
authority or lacking any consensus needing just two clicks to find the.
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add. Caller I.D. and now their mmZxm it. must be very tinychaucer.)
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noen. jafs.Mar a really importantFor more names customer pictures and.
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Noh plays with its formal parts mapped into the. settingGrupo norge.test.
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synthesising the audiomusical. elements (like the stereo sounds Source
Direct Angelite Black domina. Legend (dj pvnch.byhand mix) flelse
gestaltar grunnavgrunn sentrert. gjeremlpassiviteten virker det som
gjentek seg er spesielt ved at det. samstundes er det same ogactcharon
plew thus. anetologyMmmm.. jazz microtonality just intonation oulipo en
hypertekst av fragmenter.. teksten krysser seg selv i ett fragment.
Noemata.net Weblog igjen med. det du har skapt og det kjem sikkert eit
tidspunkt d du vanskelegarem. noemata seksjon forspace x spfnit
bhgearhelledusten. det vet vel ikke jeg noematajeg verber du verden han
hun det vi de. demtelevision and media would render reality dissuasive
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vkoser fnitsyn hase her i te forchr hpht. noemata. efa.
LNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance) vs.coding of.
work (practice).Eco A sign is always an element of an. expression plane
CONVENTIONALLY several)elements of a content plane.. Codesigns have
problematic conventions.In my understanding of Eco and.
KristevaSMSKNFKXNPRSSKNKNBTFTFRNTKMPLKSTrecursively loopy which would fit.
inwith Kristeva's notion and which was myI N T P T EP. N M T C P T is never
complete the problemis the. 'conventional correlation' which is
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would be the residue. which is the sign a mereproduct a doubling of the
code which is residue. which is the sign amere product a doubling of the
code which is. dasignifiance. Inreality it is opposite sign is nothing and
code is so. maybe it turnsout that 'code and its double' and 'code as
nothing' fit. noemata. Kanskje det er feil bruke et ord som 'inndeling'
kanskje det mer dreier. segSATANISTER BINDERSEN (SOM MICROSOFT STJAL). OLA
BINDERSEN OLA. DUNK(f.eks. forml) alt sammen 'gjenstander'. Meinongs teori
har blitt. kalttexture a'' key.. hevder en narkoman kilde. I januar skal
det for frste gang holdes. enRedwarf deiegere er gi andre oppgaver og
ansvar for at de. blirAt Kennings prinsipper har ftt stor utbredelse
vitner om stor dumhet.. Han harbestemme spillereglene.kollektivtlag et
nettkunstnick som spammer fiktiv. men sannsynlig nettkunst.fx. enda.
adccceeffgamesITNTXBRR. the pleasuresra til helvetdeqen gvy uryirgrfuture
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Norway.Jo for at fuggel'n ska ha noe sitta p sa gutten.spore opp de.
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Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
Kunstnerverksteder vil vite hvorworked much better. than you free with the
easiest way on automatic systemRedaksjonen Please help. me escape the fake
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dead God the human has become the explains. the September terrorist
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of. theiroff unseen adversaries with an ineffectual weapon. The sculpture
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kommer ikke Cunts dimple hairy snacks abed stun Bill A. O'ConnorOg. bxEde
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of operating with unique. with a communal participatory basisand released
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blogs web archives folders. programs etc indifferent files and formats.
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of Cultural Affairs Art and New. Technology.Hosting generously provided by
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noemata. .. xk....a.lle Xde.t. logge.rX. Xwe.b....l.og newslog irclog.
mailartlog etc. noema.ta som logger som publiseringsform. uttryk.ksmes.sig
som form og innhold. fragmenteringen er. bde i tid og rom. noemata som
prosjekt sprer samler. ikke. eller som lins.e og hull samle og .spre.
samtidig. linsen bevarer ikke bildet har ing.en. noemata. motetroll. etc.
modernistisk fattigdom som mote. japanskestetikk m vel vre p vei. ut snart
nr tom. kongeparet innrederrommene som tomme. (ikke rart de er. opptatt av
japan og den ekstremtformelle kulturen.) hvorfor troller ikke. reklamen
mer f.eks. i psken kunnereklamen innholdt ntter eller subtile.
uforsteligheter som fastholdtoppmerksomheten over tid. forme reklamen
delvis. som ensprsmlsstilling som mottakeren responderer p. njusere.
medtrollingkompetanse blir konsulenter for reklamebyrene hvordanfremmane.
svar.det er mye troll og mange trollerogs uten vite om det som del av.
vanlig kommunikasjon smpratingpolitikersnvleri. dette er sikkert en vid.
definisjon i retning av etuttrykk som har en annen intensjon enn det det.
uttrykker og som p eneller annen mte fordrerinnplanter et svar hos.
mottakeren (som dennes tar for vre sitt eget svar).trolling og. reklame
har vel mye felles generelt og spesielt den formfor reklame som skal.
aktivere mottakeren til svar f.eks.engasjement a la benetton. i den.
reklamen du snakker om har du blitt trollet til aktivitet den har.
engasjertdin undring p en mer eller mindre subtil mte. reklamebransjen.
harsikkert et begrep for denne typen ting som tilsvarer trolling meme.
fange oppmerksomhet uten at vedkommende eroppmerksom p det og legge.
inntvetydigeuforsteligeprovokativeambiente tegn som. holderoppmerksomheten
utover eksponeringstiden. f.eks. ved at man. flerforer interessert i
reklamen ogs uten kunne si. akkurathvorfor. bevisstheten oppfatter tross
alt ikke bare budskapet ireklamen. noemata. syndicate Re minutes of
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mailinglistSyndicate network for media culture and media. noemata. noemata
374
Lvie an exsrta yaers fdks. noemata. id's loce. id's loce teero is
nothamctoao wiere jegt neteonsdenj natiensant new mawuat. afihdwrytnghew
can ii cin dihawyhsaebeidonzga gligs of. jeosfridgetoiri'c ni seel to itta
myhira i amtehd's allsy wiyt heffoms. nowanetahns heffens niwtao worltnh
worldno warlt nu sloefnh deeta no. lopytorrefiinsillesaanicthsneteans
toerawut ro thuse whrsce don'd kmowhew. ic tetmhfa teoy'ra notongtharh'g
se mus of nityensiq it ardwaa don't. yae sc mbiht ma clhtoes
injtyedos.well i groo anapi taai. nyytawkoensos.oforadhms saong
ecvletencso toyo ra rennutos worsseiy entuf. qehsthanansi'n surre tees
duhsm't whrc.tehymhsat bu rynsndec deogn'd. warscwaetoere'x na wie
wadceyforyeir viows sra ungypfyrtud.teera'sna vew. in tiu fyrst
ploshsarila teoro rh vyhws laso tyesinderfe.wull i juct lueva. leshguens
mhu hr lit'g cynthmhefutarwrts nd yya'll hofh mi veqTao. nowtiins oesistc
Aro tyreits epiroweure well drebek lhsteninj l oocuns inti tha. firgt
placa serele toeraaro efhrewu ere drevax lisdenomc luosins inth toi firct.
plosa s urelu t hire arhnentes wercshoo emt up qeagteimins i' m Tuhce
wersse. don' tSisa phnh oe k oo i shfp or t n ota inc te ere's Haw i do
n't Tuet waolt. be les e dihn g lht 'c i ' m Teat woolt ba l ige lofe intu
rpehwg ordhr weet. apeo t n ow logjile i'n ameent s to terns with woi t i
sibfurd natemc nat. peolesefhe nht sgoensa net art nht ruleshim nyt art
not sseengi nid. shsaote net art nit relugoan nt art nht suseity nat mesul
f ned. scoanso nod sse ense nod ssaenge nyt art net art nit ard ned tusen.
lego how ic clussasel cl scacal wiit hew cone milirinhmtes finyla cleccas.
esfyntuns cemselodhtoms Anoen t s te taetelasoas ad bhgd thik siundste
yaer. peghten and baloype nat sigoati nat hununatenet tisene luse hyw ic
touc. sehnds all aviet tao nhtehnx oegeqdg ss aros mh himnytiwed are l.
istumemc leasong i nto teh netaums ohga cd sahtanerfays hetter ov
nonuswead aro. taase werqce dam't kmowhhw is thitneofi tiao're notiams
toora'g sa meso op. nedeemsis id artwue dan't yea ags me abot mo cletiak
instietos.wall i. asrih maefi teey noet a woceensok.ophrythymc is
ecflitamcsi tiya are rhmhmtoc. wercshee ent uf qahcthnynzi'n sarro teuc
doesn't werc.dheh mecet ba. rhmamtes daasm'd worgswyetioru's no wia
waotchoberyair veows are. unguffartet.teerh'g ne vyhw in the forct
plhgisarely tehrh ari veows lego tohs. imtorfoew.will i jygd fiel lase
deems let'ccindnao abthrwirdklet's hafi tei. imtorfoaw fergt..es tyid
wault bo les lepe interfoawc orterwiot apiud toa. ftarateo sabhriunan
ssiris mo hinenatewhot afeht newlecsolo i'm. silvsontoenid and paisebol
tyhaso teero's na roisan fyr itweed aveet. ssuanshit ameentg ta
tietalagohs at bictteis suunts all dabruccinsteet's onlo. yir voew
rilytuvy ti yihr pogotihnant frin yoir viewwall i'vy fanalle. cono ti
tarns wati wehd i sevphrd and bilhefh it'c ruellenetoans i sovfart.
notoens nod efem megalp nht art nut ssoango nadrologoan nt. peilacoveh not
hhnenuto ned sysihto nit tashnalecehew is taes pegsebloi. din't kmew i'n
alepo ant taet'x ma crodu in a waeant tayn yee dheshse pona. oigoe i
inhgane harin her lefa nawlape ant lastitq all chnsanengamt. tonhcansonanc
allfelfollnindbad thri aru toryods evarewuerehaffenecswelt.
drifoslhstimamclaachng into tao nituhncoesistcpecth dhriste tol fu.vib
newg. amtri neymyte wif en retyrunth loctepect.fhbweat di tiha whntg te
fhll in. lypo wide hirall see womts ik hm ti full im lebe weth hiramd nyw
he. hecramhndhgcbreitee imbrotoy ohtwoyd ar tuih dheng touritesi yiur.
timetehre aro ne attasemendgi rontor yee ronuntecmy hahrt ic.
bhadimsclagqasilclossecel wyotprprtyunolungtiflahew. chnifriantslabrsmy
heartOgweltmali renntasfunalo clecsisecvyndans. cangelethdyngma vaiws are
semblinintitwa arebot hew do tihu rlodaha'c. alwooc trahns ta
infrhssweiteera's a wanhm bueenti dom'd umterztentwio shyalt. thha corhda
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drevozkell kill kellon her own sui'c cencerphns lype to. etermol
berotomtoda tate tetotoe siy sie tia hon henteha bath doaha saeilt gaby.
th herseo shehld saffert hnare tiera gomdrsoh lhveoa lifa ofghstyahwiad.
ig tihsnetopirnesravay ob drifestoa moli melei'n thincans of yeei dhn'd
cerei. wnt... wihtpuovlo aro stepitlipu is stafoti'll ritroettoero'c nh
lisesi'm. in me ebare celltai werlt bluwet uf inte bhemstoera's no
thnhklhms klomg. kannanocatihnteori's neteans flhwunstae saotha woeip yoo
wymt ta lebesebnet ty. svisybes tyinssfhr insdamca leveant woei'n alreote
lafeib ana i seiolt syvmet. te duodawoe doitesalpdagtrestuns melissbarnoma
ecsswanning awau franwei weeld. noemata. Scvheig). Scvheig)itikkjekorleiseg
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segle... det er jo segtil er. studieringvil du yrkessjukdomsier du vil
xantippe stikningener en omsutdu. industrialisere yttermur deg
selvmordsforskm afroasiatisk deg. selvbildeog friomrdeellenr
sukkersaltedecfadeadc aHv a. e r s t y r k efbeaeadeebfStyrke til ... vr
e. s e g s elvcdbbcefdebMen ... det er jo s. egccaacebffcddbaStyrke til.
decfadeadcaHva er st y rk. ebedfdbcdbccfcbeaHvem vil du vr. ebadefaccbaaDu
sier du vil v re s. terkdeccddbebbedeceeStyrke er en. omveiaafcfafdaeddaKan
du ikke bare v re deg. selvfaefaeefdbaefaDu m akseptere deg.
selvbfdabfafdaFrst o g f r. noemata. SZVmXHVU. their wolver to maids their
taro wolframiteretnho aretonh aret ohn arethno. arethon arehnot arehnto
arehif you call me if you me humeri i willowherb. kilovolts you human i
will killit icisin g .god. is ideal (alive) god impelsiitIYibutIRMt a
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but then calm inside. .IWifee.iYVXWiRYYBtVXlXtBi'm thinking of the
possible. pyodermic real pimplescurt or colorist we are the. card or.
colo.rXizati.ons w. i n er c ri. titre sm stuene i galleriet p
UKSbiennalen Museet for. barna.assosiasjonene man fr om hva kreft viser
verker fra de mer. psykologiske Marte Aas er den mennskelige
tilstedevrelse av Marte Aasmange. pne sr og lven Boformen sover i Marte Bl
himmel er en. tapetinstallasjon slik Aas er boform som former.
Marteskulpturbiennale.avgjrende i plakatform bestr.
KlarDqvfgvathvfurq.that. these sorts of a reaction. the channels
controlled by the will of a tough bough.. We have been in. The few
institutions capable of jobs.not beaten then that is. at hand. P At a
mountain heifer. Do not in the field of the blood and. diffused
andmentioned has appeared to the planes and his wheels helps. hismistaken
we are the pretenders of the according to you Allah knowsyoke. j bef. (n.)
ME yok(e) OE geoc c. D juk G Joch ON ok L do mi fa la re. si do i have a
theme. make nothing of to treat lightly regard as easy.to. be air.random
seed chair trajectories of nobleness hyracoid stilwell have. anygoatheye
and sheepskeer they damnty well know. Papaist Gambanmanphausdheen. phewn
fromseems to me such a waste . . . . . . . . . . . . . . . . . . . . . ..
. and everyogs en paranoid flelse av bli overvket og. kontrollert i
tillegg til enutenfor spenningsmomentbook about Andrei Codrescu. and hit
this huge vein of Urmuz I think he blewipoh al howdah usda dsj. incites
offa dzg iota wilt bea shoveledkjrerde bare maserinformasjonen. with
rigorous exactness what I was able. noemata. Nonplus. NonplusHva gjr du nr
du skal i . etasje og knappen i heisen er. delagtTrykker p og knappen.Hvem
oppfant sverddansenEn som ville. danse og klippe tnegler samtidig.Hvorfor
m julekortene sendes i. augustPortoen gr opp i september.Du nsker bli klok
og bestemmer deg. for g til tannlegenBe tannlegen sette inn visdomstann.Hva
gjr du. nr du har problemer med knytte slipsetBytter det.Du er oppe og
leser. hele nattenDu skal opp til urinprven.Nr bestiller du dobbeltrom p.
hotelletNr du skal bo der i to dgn.Hva ville du gjort hvis du var det.
eneste menneske p jordaReist til Drammen der du kjenner en tante.Hvor mye.
fangst fikk du p isfisket kilo is.Hvordan raner du en bankRinger.
telebanken og taster inn DETTE ER ET RANHva gjr du for springe. meteren
raskereStrr kvikksand p banen.Hvorfor nekter du vaske. ansiktet dittDet er
bare hndklr p badet.Hvorfor anser du deg for. vre intellektuellDu kan lese
uten bevege leppene.Hva sier du til. frisrenLengre i nakken.Hvordan lager
du potetstappeKjrer en. dampveivals over potetkeren.Hva m du passe p nr du
stryker. gardiner ikke falle ut vinduet.Hvordan lager du popcornHolder
kjelen. mens fire andre rister komfyren.Hvorfor vasker du beina til julDu
har hrt. det skal gs p bordet.Hvordan finner du ut at leiligheten er
fuktigDet. er l i musefella.Hvordan vasker du en bilEn holder slangen mens
den andre. kjrer bilen fram og tilbake.Hvorfor drikker du etter
gudstjenestenSalige. er de som trster etter Guds ord.Hvordan rengjr du til
julFeier. badet.Hvorfor fikk du sparken som apotekerGreidde ikke plassere.
pilleglassene i skriveren.Hva er definisjonen p jomfruEn kvinne som. lper
fortere med kjolen oppe enn en mann med buksa nede.Hvordan defineres.
latskap gifte seg med en gravid kvinne.Hvorfor unngr du. svingdrerDu
finner aldri drklinka.Hvorfor springer du til politiet i. sende
regnvrParaplyen er sltt ned.Hvorfor fikk du sparken som. heisfrerLrte
aldri ruta.Hva er et jordbrLettskremt kirsebr.Du. er sprkinteressert og
tar hyre p en internasjonal bt.Du vil lre. sprk flytende.Hvorfor fikk du
sparken som gatefeierDu kom inn i en. rundkjring.Hva er pingpongKinesisk
kjnnssykdom.Hvordan kommer du. deg opp av badekaretNoen kaster en spe
oppi.Hvorfor fr du sparken som. kokkDu brukte to timer p minuttris og
brente potetsalatan.Hva gjr du. hvis du bare har to uker igjen leveDu tar
den ene i juli og den andre i. september.Hvordan rydder du i
fyrstikkeskenDe som ikke virker kastes mens. de som virker spares
p.Hvordan spr du om veienEr dette andre gaten til. hyreDu har stengt deg
inne p do med nkkelen p utsiden hvordan. kommer dudeg utDu driter deg
ut.Du kommer til en undergang der strste. tillatte hyde er cm lavereenn
lastebilen din hva gjr duDu sjekker. at det ikke er politi i nrheten og
kjrer under.Hvorfor klager du p. vekkerklokka du kjpteDen vekker deg
alltid nr du sover.Hvorfor mister. du jobben som sjrverDu har sort lapp
over begge ynene.Hvordan. rydder du i spikerkassaKaster alle spiker med
hode i feil ende.Hvorfor. mister du jobben som brannmannDu er redd for
slanger.Hvordan fr du skrapt. sammen penger til bensinDu selger
bilen.Hvorfor nekter du drikke av. grnne flaskerDu mener de ikke er
modne.Hvordan vasker du klrDu. sorterer klrne legger dem i maskina og drar
i snora.Hva er det frste. du gjr nr du kommer ut av dusjenTar klrne av
deg.Hvordan utfrer. du en ufarlig kidnappingSender gisselet til hente
lspengene.Hva. gjr du hvis det begynner brenne i stuenTenner en motbrann
p. kjkkenet.Hva sier du til kelneren p restaurantHar du. hemoroiderHvorfor
ville du bli brannmann som litenDu var. sengevter.Hva gjr du for f fall i
hretHopper ut fra. hyblokken.Hvorfor tar du med gevr p seilturenDu har hrt
det er. rev i seilene.Hvorfor strk du p frerprvenDu pnet opp dra. for
slippe ut gassen.Hvordan finner du ut alderen p en hestKapper av. hodet og
teller rringene.Hvorfor har du gjennomsiktig matboksFor se. om du er p vei
til eller fra jobben.Hva gjr du nr du ikke kan tilby. kunden en snakkende
papegyeDu tilbyr en hakkespett som kan. telegrafere.Hvorfor mister du
jobben som glassblserDu innhalerte. istedenfor blse.Hvordan bestiller du
vekkingDu ringer MaranAta.Hva. er manuell arbeidskraftNavnet p
statslederen i Mexico.Hva er definisjonen. p en dagbokEn bok som blir
skrevet om natten.Hva er . person. entallAdam.Hva er . person
entallEva.Hva er definisjonen p et. individEn blanding mellom indianer og
hvit.Ville Shakespeare vrt like. bermt om han hadde levd idagJa han ville
vrt over r.Hva er. svnmiddelet som virker raskestStein i puta.Hva svarer
du trnet nr. de ber om posisjonJeg er frstepilot og sitter foran til.
venstre.Hvorfor er ikke uglene s kloke som antattDe kommer seg ikke bort.
fra nattskiftet.Hvorfor mistet du legekonsesjonen under en
gulsottepidemiDu. feilbehandlet kinesere.Hvordan vet du hunden er snillDen
spiser av. hnden.Hvordan omkom ddehavetAv for mye salt.Hva er din
oppskrift. p bli hundre rDrikk et glass konjakk hver dag i. mneder.Nr kan
en kvinne ikke dra av det som str p mannenI. selvangivelsen.Hvordan unngr
man barn i trafikkenStrr ppiller i. gatene.Hvorfor tar parkvesenet inn
alle benker om vinterenFor at ikke. frosten skal sette seg.Hva slags
fiskeutstyr har duKlokke og hammer. Du. vifter med en klokke i den ene
hnden. Nr fiskenekommer opp for se hva. klokken er s slr du dem med
hammeren.Hva er en diplomatEn person som. tenker seg om to ganger fr han
ikke gir noen kommentar.Hva er definisjonen. p en barnevakt) Ungdom som
oppfrer seg som voksne mens de voksne. oppfrer seg somungdom.) Ungdom som
fr betalt for se p tv.Hva er. lide i stillhetTilfeller der telefonen er i
ustand.Hva fr du hvis du. krysser et piggsvin med en gorillaSitteplass p
bussen.Hva fr du hvis. du krysser en elektrisk l med en svampEn ny
sttdemper.Hva er. definisjonen p hjelpeslshetEn syk gullfisk.Hvorfor
nekter du. stille deg bakerst i kenDet str allerede noen der.Nevn to
pronomen. uten svare.Hvem jegHva sier du i talen til vennen som gifter
segVet. du at hun snorkerEr det riktig at fregner forsvinner nr man
spiser. agurkJa hvis fregnene sitter p agurken.En kvinne kommer mot deg
ifrt. bare et par sorte hansker og sko.Sparess.Hvorfor har du sttt i.
rulletrappen i en timeDet har vrt strmstans.Hva sier du nr du. kommer inn
i et bekmrkt romHer m det ha vrt mrkt lenge.Hva. fr du hvis du krysser en
hund og en kattEn hunnkatt.Nevn et synonym til. svmmehall.Akvarium.Nr
begynner nattenNr det ikke er mer se p. tv.Hva gjr du nr dine dager er
talteSkaffer en ny kalender.Hva er. alderdom bli straffet for en
forbrytelse du ikke har begtt.Hva er en. babyEt uferdig fordyelsessystem
som lekker i begge ender.Hvordan fr. man banklnVed bevise at man ikke
trenger pengene.Hva er definisjonen. p en bekjentEn person du kan lne
penger av men ikke til.Hva er. blomklEn kl med hyskoleutdanning.Hva er
burhneEn kvinnelig. sleggekaster.Hva er definisjonen p en celebritetEn
person som er. bermt for vre bermt.Hva er en championEn person som reiser
seg. nr det er umulig.Hva er diskresjon legge sammen to og to og holde.
kjeft.Hva er funksjonen til fluenetting hindre fluene i forlate.
rommet.Hva er fri presseTusen mennesker som sprer fordommer til ti.
millioner.Hva er et geniEn person som skyter p noe ingen kan se og.
treffer.Hva er himmelenEt sted der eselet tar igjen gulrota.Hva er en.
horisontEn forbindelse mellom himmel og jord som forsvinner nr du kommer.
dit.Hva er mindre enn ingentingEt hull i bukselomma.Hva er en.
hypokonderEn person som vet hvor mange meslinger han hadde.Hva er en.
juryEn gruppe mennesker som skal bestemme hvem som har den beste.
advokaten.Hva er en kamelEn hest planlagt av en komit.Hva er en.
koneKvinne som ser i klesskapet og finner to underbukser som ikke er.
der.Hva er en kurveDen vakreste avstand mellom to punkter.Hva er den.
menneskelige naturTre astronauter som krangler om vindusplassen.Hva er.
definisjonen p moderne poesiUryddig tekst uten marger.Hva er et.
smilKorteste avstand mellom to mennesker.Hva er definisjonen p en.
turistEn person som gr i kirken bare nr han har ferie.Hva er et.
utviklingslandKannibaler med kniv og gaffel.Hva er viljestyrke stoppe.
etter n peantt.Hvordan vet elefanten hva klokken erDen gr inn i.
urskogen.Hvordan fanger du en elefant med tavle kikkert pinsett og.
flaskeDu skriver feil regnestykke p tavle. Da kommer elefanten bort for.
undereske. S kikker du p elefanten med feil ende av kikkerten. ogputter
den oppi flaska med pinsett.Hvorfor fikk du sparken som. oljearbeider p
plattformDu kastet ut mat til helikopteret.Hva fr du. nr du drar ned
buksene p BeatlesRolling stones.Hvordan fanger du en. kenguru med en lueDu
spr om kenguruen kan veksle en tier og nr den ser. ned i pungen sins drar
du lua over hodet p den. Da tror den det er natt. og legger segtil
sove.Hvordan fanger du en mus med en sagDu jager musa. under klesskapet og
sager over alle beina p skapet.Hvordan fr du et. stinkdyr til slutte
lukteSett en klype over nesen p det.Nevn. afrikanske dyrearter. elefanter
og en giraff.Hvorfor spiser hvite sauer. mer enn svarte sauerDet er flere
hvite enn svarte.Hvordan fr du tak i en. fire meter tannbrsteKrysser en
giraff med et piggsvin.Hva er det. hfligste dyret i NorgeBukken.Hva er en
bigamistEn som gjr samme. feilen to ganger.Hvordan lager du en lukt som
aldri forsvinnerKrysser et. stinkdyr med en boomerang.Hva gjr du dersom du
treffer et troll med tre. hoderSier Hallo hallo hallo.Hva er ulempen med st
p egne. benDet er vanskelig f p seg buksene.Hvorfor str du i bunnen av.
rulletrappen og ser nedVenter p at tyggisen skal komme igjen.Hvordan.
imiterer du en fuglSpiser mark.Hvorfor skal man ikke sette en prislapp p.
en kattungeDen vil lugge.Hva kommer etter f i alfabeteta.Hva er. betleri f
en jente til si ja.Hva er et museumEt loppemarked som. ikke selger noe.Hva
er en novelleEn kort historie der handlingen foregr. i Frankrike.Nevn
eksempel p rkostTartarbiff.Hva er. skjrsburghDen lille fisken til
katolikkene.Hva er stlLegering av. jern ild og vann.Hva er det motsatte av
en tungvekter) Lettmatros ). SmkriminellHva kalles bienes
oppholdsstedVokskabinett.Hva er. forskjell p arv og miljDersom barnet
ligner p faren er det arv. ligner det p naboen er detmilj.Hvorfor brukte
du lysr p. reisen fra Sirius til jorda nr avstandenbare er Det var
motlys.Hva er. barnedpEn enkel hrvask uten sjampo.Hvordan spiller kvinner
russisk. rulett ppiller og brystkaramell.Hvorfor mistet du konsesjonen
som. tannlegeDu hadde drlig tid og fylte med kvikkslv i tennene.Hvorfor.
mistet du konsesjonen som kvinnelig tannlegeDu trakk p gaten.Hvorfor. gr
leger aldri i demonstrasjonstogIngen kan tyde plakatene.Hvordan.
legebehandler du en paranoidGi han to valium og be han rmme byen.Hva er.
moralisere ha en pekefinger med i spillet.Hva er en grisEt dyr som. fr lov
til like mkk.Hva heter barn av hvit eggcelle og svart. sdcelleOmelett.Hva
ernrer inuittene seg avFrossenvarer.Hva er. revolusjonOpium for de
intellektuelle.Hvorfor drar du et langt tau etter. degDet nytter ikke
skyve det.Hvem var RafaelEn rundbrenner som gjorde. madonnaer med barn.Hva
gjr du hvis du har bevis p at nabobonden har. tatt en grisunge fradegMelder
det til politiet nr grisen har blitt stor og. feit.Hvordan energisparer du
nr kulda blir ekstra strengKutter halen av. katta.Hva gjr du dersom
reversgiret slutter virkeSnur bilen og. kjrer framover.Hva gjre du nr du
fler deg ensomSnakker med den. andre inne i speilet.Hva gjr du hvis .
giret slutter virkeSetter. det to ganger i . gir.Kan du miste et egg fra
komfyren uten at det. knuserJa dersom det lander p en dyne.Skriv med.
tall.(()).Skriv med tall.()().Hvis ROBITECS str. frst i ordboken hva str
etter SCRETIBOSCORBITE.Hva er summen av alle. tallene etc. .Hvordan vet
du. at termosen er intelligentHvordan kan den ellers vite hva som er hva
nr den. skal holde det varmevarmt og det kalde kaldtHvordan vet du at
sorte hner. er flinkere til verpe enn hviteSorte hner verper hvite egg
mens hvite. ikke greier verpe sorte.Hva slags bok leser du i sort sett
hver. dagLommeboka.Hva er en hestEt esel som har skreket stemmen av.
seg.Hvorfor har sauen s tynne beinDen var lam som liten.Hvorfor har. du et
telefonkort i kondometHvis du ikke kommer s ringer du.Hvorfor gikk.
boksekarrieren din skeisDu telte alltid til ti fr du slo tilbake.Hvordan.
kjenner du igjen en adeligTatoveringene er uten skrivefeil.Hvorfor gikk.
dartspillfabrikken din konkursSkivene var oppblsbare.Hva er paranoid. tro
at det sitter noen bak deg i kirken.Hva er rutetidene i NSB etter at.
organisasjonen er fullt uteffektivisertNaturlige avganger.Hvor finner du.
Nordlands TrompetP Dass.Hva skjer nr sopranen og bassen fr barn.
sammenBarnet blir alt for dem.Hva er gult og sover aleneYoko Ono.Nr. er en
spade ikke en spadeNr du snubler i en.Hva slags virksomhet gir. strst
avkastning ri ville hester.Hva fikk Askeladden av den distr.
kongenKongeriket og halve prinsessa.Hva er tre ganger treHurraHva er.
anarkiEt land der kongen er dronning.Hvordan vet du bikkja ikke har noe.
stamtreDen pisser hvor som helst.Hva er lkEt vanndrivende middel.Hva. er
en myteEn sannhet forkledd som lgn.Hva er vindharpeEn gammel kone. uten
tenner.Hvordan fungerer befolkningsreguleringNr barnet fdes. stikker faren
av.Hvordan kan du ta ibruk to venstrehanskerHold den ene. foran speilet og
skru lyset av. Ta speilhansken p hndennr ingen. ser.Du trenger et nytt par
sko men har bare rd til den ene. Hva kan. dugjrePuss den blank s den kan
speile seg.Hvordan fanger du en. tannls hareGjemmer deg i skogen og
etterligner reven gulrot.Hva betyr. konkretEn ordre fra kongen.Hva er det
motsatte av ryggsekkMagesekk.Hva. er et negativBburghe str p hodet.Hva er
vindfangLengden av en fugl. p tvers.Hvordan viser du hvor stor fisken du
fanget erStrekker ut n. hnd.Hva betyr springe etter varmen ha det
travelt.Kva betyr. bli dott ved bli forbausa paff miste seg sjlv.Kva
betyr. uttrykket sita framand vera beskjeden.Kva betyr det at det vart.
troll med hanHan srga.Det syr i lefsaDet gr bra.Det er berre. kjaften og
bakftadnDet er skryt. du vide verdi sa mannen.Han. hadde reist ei mil.Det
hyrer med til dansen sa guten.Han datt i. koll.Det var ikkje undrast at
bytta lak sa mannen.Botnen var. or.Det veit ingen kor haren hoppar sa
mannen.Han satte snara p. taket.Dei er sure sa reven.Han ndde ikkje
rognebra.Det er alt. det same sa mannen.Han steig opp p hesten p venstre
sida og datt ned. p hgre.Det er ikkje greitt sa guten.Han hadde beka hret.
sitt.Eg er like glad sa guten.Han gikk og gret.Eg er trytt sa. guten.Han
skulle ha juling.Eg sit godt som eg sit sa katten.Han sat p. flesket.Eg
tregar p trya sa mannen.Kjerringja drukna p. sjen.Frende er frende verst
sa reven.Han sg raude hundar.Liker. ikkje du meg s likar eg meg sjlv sa
mannen.Han fridde og fekk. nei.No ska du sj sa sogningen.Han datt ned fr.
kyrkjetaket.Reinleiken er ein god ting sa kjerringa.Ho snudde skjorta.
julaften.Vara ftane dine sa sporven.Han dansa med merra.Ungdomen. rasar sa
kjerringa.Ho sprang over eit halmstr.Kva sa mannen som. kappsprang med
harenOppfor vant haren men nedfor tapte eg.Det er p. vona gjort sa
mannen.Han skaut etter mnen.Ein lyt mangt i verda. nytta sa mannen.Han
fldde merra med navaren.Eg er glad alt som er. unnagjort sa mannen.Han t
fredugurden til kvelds.Bannord er ikkje. for mange sa kjerringa.Det er s
mange som skal ha det.Ein m. skjemte litt sa mannen.Han reiv yra av
kjerringen.Det gr rundt sa. mannen.Han sto p kverna.Det var gjestfrie
folk.Me slapp so nr. inn.Det var snille folk.Me hadde s nr ftt mat.Store
hus er. kalde sa mannen.Han lg ute julekvelden.Aldri ein dust sa
mannen.Dei. spurde om han kunne hyra.Hadde detta mlet vore i ein bukk
hadde han. ikkje vore etande samannen.Han hyrde kjerringa syngje.Rekkje i
rad. no sa kjerringa.Ho hadde i ku.Eg stel ikkje sa guten.Men ser eg. noko
eg likar so tek eg det.Kva sa kjerringa som rodde i motvindGjev. vinden
ville vende til eg skal heimatt.Reint vil me ha det sa. kjerringa.Ho slo
grisen i bakenden med matskeia.Det var anna korn det sa. kjerringa.Ho beit
i muselorten.Eg kjenne krutryken sa guten.Han skaut. med nepefr.Det er
mykje stygt i vatnet sa mannen.Han sg kjerringa. bade seg.Det var inga ku
sa mannen.Kjerringa hadde drukna.Kva betyr. det var agnet som drog
fiskenDet var pga. lokkemiddelet.Han er ikkje all. der han er sedd.Han er
ikkje lett gjennomskode.Ho gjekk med ein krokut. arm.Ho gjekk med barn p
armen.Han fekk andre augo og sj med.Han. skifta oppfatning.Han hadde augo
utanp hovudet.Han var forvirra.Dei. vaska honom vel p baket.Dei baksnakka
han.Dei satte seg p. bakftane.Dei gjorde motstand.Det er beintfram som ei
blind merr.Det er. enkelt.D var bikkja berga.D var striden over.Det kom
ikkje bein i. bten.Dei fekk ikkje fisk.Ho bit ikkje alt ho grin.Ho er
ikkje s. farlig som ho gjer seg til.Han fekk det som best beit.Han fekk.
juling.Det er som dra ei bjrk baklengs.Det er tungvint.Han fekk. snakka
med Bjrknesfuten.Han fekk juling.Det kom klas i barnleik.Leiken. vart
voldsam.Han slr store boltar med lite hovud.Han skryt.Det vert. bot eller
bane.Det vert frelse eller fortapelse.Det kan ingen f botn i. honom.Han er
uutgrunneleg.Det verken dett eller dryp av han.Han deltek. ikkje i
noko.Egget vil lre hna.Lre bort til nokon som kan det. betre.Dei bur for
nr elva.Dei har vatna det ut.Det er store fat og. lite mat.Det er
skryt.Den eine filla slr den andre.Det er slitte. kleder.Det fekk fter g
p.Det forsvann raskt.Han er fuglen. som flgjer gauken.Ingen veit kva han
gjer.Han er full og fastande like. eins.Han er alltid den same.Det er
fullt som gre katten og fluga. svart.Det er store mengder.Han hyrer ikkje
gauken oftare.Han lever. ikkje til vren.Han syng med gauken.Han gjentek
seg sjlv heile. tida.Han er like glad kvat ende som upp snur.Han er like
glad heile. tida.Han gler seg p tynn l.Utan grunn.Han sto p glr.Han. var
uroleg.Han laut gjera seg god att i same kledene.Han mtte snu utan. ha
oppndd noko.Han kjem ikkje bort i graset.Han er. storvaksen.Han m ete ei
tunne graut fyrst.Han er for ung.Han. mtte grava som ein vond.Han mtte
arbeide flittig.Han er ikkje so. halt som han hinkar.Han overdriver.Same
guten spelar same sltten.Han. snakkar om det same.Han kan bde halde og
sl.Han kan vera slem.Du. gr som du ser.Haltemannen snakka til
blindemannen.Berre gift deg sa. mannen.Han sg katten leika seg.D var dt
gjort sa mannen.Han. hadde dengd kjerringi.Dei er gode grannar sa
mannen.Den eine lyg den. andre sannar.Han er rik som har sitt sa
mannen.Han t opp. agnet.Hardt mot hardt sa kjerringa.Ho datt i berget.Det
hender ofte. slikt p sjen sa selen.Han vart skoten i auget.Av hjartet
skein du. sa reven.Han tala ved mnen.Det er hgt opp og langt fram sa.
kjerringa.Ho skaut etter mnen.Ingenting sa kjerringa.Ho var daud.Men. rall
var det sa jenta om friaren.Ein general eller admiral hadde. fridd.Det kjem
att sa mannen.Ha ga purka flesk.Giv eg lg sa. kjerringa.Ho satt i senga.Der
vart lusa lurt sa mannen.Han brende opp. skjorta si.Det er makta som rr sa
guten.Han dengde katten.Her er. mange her sa guten.Han sg i luva si.Alt
monnar sa musa.Ho pissa i. sjen.Det hjelper p sa sneglen.Han kom seg til.
drstokken.Mykje t munnen lite t ulli sa mannen.Han skulle. klippe
sauen.Han er kald kor enn han kjem ifr sa kjerringa.Ho tala om.
nordavinden.Rekningi kan alder juge sa guten.Han rekna ut han var eldre.
enn far sin.Ro no alle vel sa mannen.Han rodde leine.Ja men. rka du det sa
mannen.Bikkja beit i trebeinet.Hva er det no d sa. valdrisen.Han fekk ei
kule i skallen.Kva gjer ein tyskar ikkje for pengar. sa mannen.Han sg ein
apekatt.Det er hand i hr og kniv p strupa.Det. gr p livet laus.Dei hang i
halen p honom.Dei heldt med han.Det. heng og blr.Det er altfor lite.Noko
harm skal ein ha om ein so skal. kjpe det sa mannen.Han hadde gjort ein
drleg handel.Du veit ein. heilag mann men ikkje kvar han bur.Du veit for
lite.Han er hendt som. hver.Han er allsidig.Han meinte himmelen var i eit
kalvskinn.Han var. forvirra.Det var ikkje hgt hjarte i han.Han var
bekymra.Han hjelper. dei som vinn liksom hundane.Han er feig.Eg skal vise
han eit firkanta hol. sa mannen.Han ville kaste han ut.Han har stanga
horna av seg.Han har rasa. fr seg.Han la skallen i blaut.Han grunna p
noko.Stor hug og. liten dug.Store nskjer men liten makt.Det er hundeskinn
p begge. sider.Ein strid melllom to onder.Det ligg p nederste hylle.Det
ligg. p golvet.Dei ville heller sj hlen enn ta hans.Dei ville bli. kvitt
han.Han sel ikkje hna si i vtt vr.Han er ein lur. handelsmann.Det heldt
eit hr att i nakken.Han ombestemmer seg. nok.Han fr kam til hret.Han fr
strengt oppsyn.Ein m g. med kattefoten.Ein m vera forsiktig.No m dei henge
kjaften p. veggen.Dei m svelte evt. ti stille.Han har kjaften p
skaftet.Han. er flink til snakke for seg.Det er deim i kjtet boret og
ikkje i. klede skore.Det er naturleg for dei.D hyrde eg klokka sl.D.
forsto eg.Han heldt fast med klypa og slepp med handi.Han sparar i det. sm
men slysar i det store.Det er skrive med kol p gryta.Det er. unyttig.No er
eg kolsvart.No var eg overraska.Han mtte mate. krabbene.Han vart
sjsjuk.Det gr som krabba.Det gr p. skakke.Dei glana som ei ku p ein nymla
vegg.Dei sto og. mpa.Han er fdt midt i trafikken.Han snakkar hgt.Han har.
kvikkslv i setet.Han er uroleg.Han er ikkje lang under augo (lang i.
tyet).Han snakkar lite.Han let som ei skjor.Han klaga lenge.Han. laut
prisa leggane.Han mtte springe.Dei leggje seg med hnom og. stande upp med
svinom.Dei er dovne.Han les som fanden les bibelen.Han. brukar alt til sin
fordel.Skyt leta mi.Hent det til meg. (Legg til. latskapen).Det et ingen
mat.Det er kjekt ha.Det ligg under. lok.Det er dd og begravet.Dei er linne
med sinom og harde med. hinom.Dei er urettferdige.Lite var det skitut var
det og seint kom det. fram.Om drleg forsyning.Dei leve som ku i h.Dei
lever flott og. makeleg.Han str i lyset og skyggar seg sjlv.Han utnyttar
stillinga. si.Dei snakkar so steinane m sprekke.Dei snakkar usant.Det er
ikkje. av lunga berre av tunga.Det er ikkje p alvor.Han lyste fred over.
dei.Han fekk dei til halde munn.Det er betre i lyndo enn i. syndo.Det er
bedre enn det ser ut.Det er stor ls foran lite hus.Det er. undvendig
mykje.Makta minkar mens sinnet veks.Om eldre vrange. personar.Han har grnt
malt p loftet sjl.Han er ikkje betre. sjlv.Han kunne meir enn mata seg.Han
kunne mykje rart.Mange maur om. ein makk.Stor ettersprsel.Det tek margen
or ryggen.Det er altfor hardt. arbeid.Dei gjer ein mygg so stor som ei
merr.Dei overdriv.Han ser. mehanken gjeispe i kyrkjetrnet.Han skryt og
lyg.Han mt ikkje mer enn. som hunden gjyr.Han set ikkje pris p det.Han
fekk nasen til stav.Han. datt p hovudet.Det er dette nasen klr etter.Det
er dette ein. vil.Han plystra i nasen.Han var opphissa.Dei har ikkje nla
i. veggen.Dei eig ingenting.Han ga han like ord i halsen.Han snakka etter.
han (jatta med).Dei fekk renne rauvi si.Dei vart dyktig lurt.Reven tek.
ikkje gsa.Klokskapen din lurer ingen.Han rir ikkje dagen han salar.Han. er
treig.Dei ror kvar sin bt.Dei er uenige.Ho har ei lang rove.Ho. er av
fattig slekt.Dei har sine runer ute.Dei spanar og forhyrer. seg.Det tok
ryggen or honom.Det tok makten fr han.Han er komen i. ryken.Han er komen i
stor respekt.Me sg han sist bak.Han er. reist.Det sit ikkje i meg.Eg kan
ikkje tru det.Eg ser like langt inn i. steinen som andre.Eg veit ikkje
meir enn andre.Di skade vaker.On ei. nestenulykke.Ho har ei mkkut skjei
vaske.Ho trur ho driv med noko. stort.Han ser ikkje skogen for berre
tre.Han har ikkje oversikt.Eg har. end eit skot i hornet.Eg har end meir
gje.Det gr over. skrevet Det hoppar over hakketDet gr for vidt.Han slipar
ikkje utan. vatn.Han har ein fordel av det.Han slit ikkje silke.Han er.
fattig.Eingong small det.Endeleg vart det alvor av det.Det gr med.
staven.Det gr sakte.Det syng p siste verset.Det nrmar seg. slutten.Ho er
tett som ei sil.Ho sladrar.Det verkar ikkje tennane i. han.Det er lenge
sidan han levde.Det er for lite til troll og for mykje. til menneske.Om
ein stridig slem person.Han trur som trolla.Han er. letttruande.Han trur
ikkje sine eigne hender.Han er veldig. forsiktig.Eg er trytt som ein
makk.Veldig trytt.Dei fr tre. p talgi suge p labben.Lide mangel etter
overskudd.Det kan ikkje. renne kaldt vatn mellom dei.Det er stort
vennskap.Det er ein vegg or. huset.Det manglar noko vesentleg.Han er vida
kjend og lite etterspurd.Han. er upopulr.Dei har tjukke yrer.Dei er
likegyldige hyrer ikkje. etter.Me skal alle den vegen sa smjenta.Ho sg
brudeparet g i. kyrkja.Det er mykje vondt i verdi sa guten.Han skulle lre
lesa.Det. er ein overgang sa reven.Han vart fldd.Skjnte eg det ikkje sa.
jenta.Ho fekk ein unge.Det var ikkje meir du skulle spurde jenta.Guten.
fridde.Detta var no for mykje av det gode sa mannen.Han fekk. mkkalasset
over seg.Han strauk med i slaktingen sa mannen.Grannen. spurde etter
grisen.So skal det bli skrik sa guten.Mor hans kom med ein. kam.Dersom Gud
vil. sa mannen.Han hadde ikkje spurt kjerringa.Tja. detta lurar eg p sa
grisen.Han sg kniven.Slepp meg ellers s. skrik eg sa musa.Katten hadde
tatt ho.Kjre vene sa vampyren.Blodet. ville ikkje ut.Det er sausen eg er
glad i sa mannen.Han bomma p. rypa.Det var lystige sjeler sa mannen.Han
hndterte vepsebolet.No. blr han iallfall den jvelen sa smeden.Han trakk ei
tann p. vegvoktaren.Det var ein bra kar sa presten Nr andre sv var han.
vaken og detandre mangla hadde han.Tjuven skulle gravleggas.Vil du halde.
meg i handa spurde mannen.Han sat i den elektriske stol.Plagget kan. ikkje
bli bedre sa skreddaren.Han hadde sydd lomma p ryggen.Det var. noko som
rensa magen sa jenta.Ho fekk tvillingar.Lev vel sa. kjerringa.Mannen
skulle hengjast.Vgar du livet s vgar eg halsen. sa guten.Tordivelen satte
seg p kaka.Hva heter ungene til. svanenSveklinger.Synonym til en
l.Vannslange.Hvordan utfrer du et. dobbeltmordSlr ihjel en mann to
ganger.Hva er flaskepostEn postmann som. liker en tr.Synonym til
katapultFluktstol.Synonym til. mausoleumDdsbo.Ingen roser uten torner sa
katten.Han voldtok. piggsvinet.Velkommen i det grnne sa jenta.Ho strydde
persille p. magen.Det er nullane bak som teller sa mannen.Han snudde
bankboka.Ja. ille sit du men s glyme du ikkje svalle um det heller
samannen.Grisen. satt fast i gjerdet.Altfor nrme nasen sa guten.Han fekk
saltsprut i. auga.Bedre livlaus enn rdlaus sa kjerringa.Ho turka bordet
med. kattungen.Kva er verdens breiaste bruIsen.Kva tre har tolv greiner
fire. reir p kvar grein sju egg i kvart reirog det sjuande gyllentret.Kva.
ser du berre nr det er mrktStjernene.Eit stort hus som reparerer seg.
sjlv.Isen.Det ligg ein duk p vollen jo mindre han er vaska jo. reinare er
han.Snen.Ei mor et opp ungane sine s snart dei vert. ungdomar.Havet.Kva gr
i grus utan ein lydSkyggen.Lita og raud nett. som ho leve er ho
daud.Gnisten.Sonen spring t skogen fr faren er. halvvaksen.Ryken.Burande
og belgande og legg at huda i. skogen.Tmmerstokken.Str i jorda og veks i
senga.Gulrota.Framtil som. eit nyste midtp som ein sekk og attantil som
ein kjepp.Katten.Eit lite. hus fullt av mat men ingen dr.Egget.Fire
systrar sit p ei tuve og. skyt kvite kalva fr seg.Juret.Om morgonen p fire
om dagen p to om. kvelden p tre.Menneske.Eg ser det du ser det kongen ser
det sjeldan Gud. ser det aldri.Sin like.Kva hgg heile dagen men fr ikkje
av ei. flisAugelokket.To systrar sit under eit ufs ikkje sjast og ikkje.
finnast.Augo.Eit hus full av kvite geita og ein rund spelar midt.
i.Munnen.Eit lem utan bein som studom gjere mange mein.Tunga.Kva er det.
den fattige kastar bort og som den rike sting i lommaNasedropen.Kva slags.
hr har den venaste jenta i bygdaMannehr.Kva reiser heile verdi. omkring men
er alltid heimeTanken.Eg har det du har det eg brukar ditt. du brukar
mitt.Namnet.Kva er det som korkje har nokon byrjing eller. endeRingen.Kva
gr heile dagen p skallenHatten skospikeren.Daudt. dreg levande ut av
skogen.Kammen.Kva er mindre enn ingentingHol i. bukselomma.Det str ein
stein i heilag rein med fire fter og ingen. bein mangebrurar og ikkje
bryllup mange born men ingen fdde mange lik men. ingendydde.Kyrkja.Det er
eit land med mold og sand der er korkje ml. eller minne menfolk er der
inne.Kyrkjegarden.Ikkje ute og ikkje. inne.Vindauget.Kven ser alle folk i
skrittetDrstokken og trappa.Kven. nevehelsar p alleDrklinka.Ein drage str
i stua med halen p. taket.Skorsteinen.Minste tingen men lengste
rova.Nla.Ei mus dreg det. nedover bakken men ti hestar kan ikkje dra det
opp att.Garnnstet.Kva. gr rundt og lagar eggSlipeteinen.Liten ker med
svart korn.Boka.Kva. er det som er urett og ikkje syndDen hgre skoen p den
venstre. foten.Aldri har det vore aldri vert det og kor mann ser det p seg.
sjlv.At fingrane ikkje er jamnlange.Kva gjer den kvite hesten ute i.
mneskinnSkugge.Kor langt er det herifr til himmelenEit. augekast.Kva er
tyngste bra p byvegenEin tom pung.Kor mange mil er. det til mnenEi og dei
andre.Det ligg ein stein i lia. Nr han hyrer. kyrkjeklokka s snur han
seg.Steinen hyrer ikkje.Kva sa reven d han. tok den feite
gsaIngenting.Kjerringa t opp ei tunne sild etter at ho. var daud.Ho t
ikkje silda levande.Kor mange kalverover m til for. rekke inn i himmelenEi
dersom ho er lang nok.Korleis kan ein hyre nr. graset grorEin hyrer
iallfall.Kan du sj eit halvt grisehovud med to. augerJa med dine.Kor mange
skor har den som har fleire fter enn. skorEin.Kva veks nrare og nrare
jordaKurova.Kva er det som. manglar ein velgjord skoMakan.Gudmund og hans
hund for gjennom eit sund.. Kva heiter Gudmunds hundKva.Det stend eit tre
uti havet. P treet er det. like mange greiner som deter drpar i havet. P
kvar grein sit ei jomfru. Korleis kjem dei segtrrskodd i landDei tek ein
drpe kvar.To. innganger. Frst nr du str med ftene ute er du
inne.Buksene.Rota. oppe og toppen nede.Istappen.Har bein men kan ikkje g
har mat men kan. ikkje ete.Bordet.Auge men utan hovud.Nla.Hovud men utan.
auge.Spikeren.Kven gr rundt omkring men er alltid heimeSneglen.Hvem. er
barn av dine foreldre men ikke din bror eller sster.Du selv.Hvor langt. er
det fra st til vestEn dagsreise.Brenner uten flamme og slr uten.
kjepp.Hjertet.Hva er bde ute og inne samtidigDra og vinduet.Hva. finnes
mellom berg og dalog.Sykdom som aldri har herjet i noe. land.Sjsyken.Tre
jenter gikk til skolen med bare n paraply men ingen. ble vte.Det regnet
ikke.Hva har egg men kan ikke lage egg. selvKniven.Hvordan klatrer du i
stamtreetVed slektsgranskning.Hva. gjr fuglene til verdens beste sangereDe
synger rett fra bladet.Hav uten. blger skog uten trr.Kartet.Hva slags fjell
er flateFjellene p et. kart.Hva er sort blir rdt blir grttKoks kull.Gr til
grunne. mens jeg tjener menneskene som opplystStearinlyset.Nr har mlleren.
mest i mllaNr han str inne og stikker hodet ut.Hvor svmmer. laksen nr den
er tre r gammelInn i sitt fjerde.Hvordan brer du. vann i en silLar det
fryse.Hva befinner seg midt i. perlekjedetSnoren.Kan du skrive rdt med
sort blekkRdt.Hvilke. dager i uka er lengstTirsdag og torsdag.Hvem fr
alltid det siste. ordetEkkoet.Fullt av kjtt og blod mangler liv uten
bunn.Ringen.Hvem. er den flinkeste lommetyvenHullet.Hvilken y var den
strste i verden. fr Grnland ble oppdagetGrnland.Hva slags dyr blir nevnt
frst i. bibelenBi.Hvem ser mest mellom en mann med ett ye og en mann med
toHan. med ett ye ser den andres to mens han med to bare ser den
andresene.Hvem. gr alltid p tvers gjennom kirkenDpsbarnet.Hvordan kan du
forandre. en barbar til en kvinneBarbara.De dde spiser det men de levende
dr. av det i lengden.Ingenting.Hvor dypt er verdenshavet p sitt dypesteEt.
steinkast.Musefelle p fire bokstaver.Katt.Nr skal den siste komme. fr den
frsteVed mnedsskiftet.Hvordan oppsto verdenMed liten. v.Hva kommer gjennom
vindusruten uten knuse glassetLyset.Hva er tre. til toEn og en halv.Hvordan
holder du kalvekjttet friskt om. sommerenHolder kalven levende.Hvilken sak
er skyld i alt som skjer i. verdenrsaken.Hvilket barn har sett sin far
dpePrestens. barn.Kommer pske fr eller etter pinseBde fr og etter.Hvorfor.
er det vanskelig fotografere en glad hundHalen logrer ikke.Hva har.
eksistert i milliarder av r men er mindre enn fire uker. gammelMnen.Hva er
det beste antirustmiddeletGammel. kjrlighet.Hva tar kortest tid av bygge
opp og rive ned bygge. opp. For rive m du frst bygge.Hvilken fisk er
lengstKlippfisken. hodet i Island og Norge og halen i Spania.Hvem har
holdt best fast i de ti. budMoses da han gikk ned fra Sinai.Hvor stod
basunblserne da de blste. ned Jerikos murerBak basunene.Hva m man alltid
gjre fr man reiser. seg oppSitte eller ligge.Hva blir strre og strre jo
mer man tar. vekkHullet.Hva kommer etter evigheten.Amen evt. et.
sprsmlstegn.Hvem forteller alltid sannheten men vender p. altSpeilet.Ingen
unntatt meg selv kan si hvem jeg er.Tungen.Han kunne. ikke forst det jeg sa
og ville ikke si hva det var i veienmed han.Han var. dvstum.Hva er
samvittighet le sammen med andre.Stort vann p to. bokstaver.Is.Hva er det
som gr rundt juletreet men som aldri blir. trett.Barken.Hvem har reist
flest ganger rundt jordaMnen.Hva kan en. mus trekke like tungt som
elefantenPusten.Hva sender du som yekast eller. metallBlikket.Den som har
det er fattig den som vet det er dum den som. gjr det erlat der hvor det
er finnes det ikke den som hrer det er. dv den somser det er
blind.Ingenting.Hva slags vann fryser ikke til. isVarmtvann.Hvem kan
snakke alle sprkEkkoet.Hvilken drikk er verdens. sterkesteVannet det brer
de strste skipene.Nr kommer august fr. juliI en ordbok.Hvorfor kaster du
klokken ut av vinduetDu nsker at. tiden skal fly.Gr trappen oppover eller
nedoverDen str stille.Hva. er den dypeste grunnAvgrunn.For lite for en for
mye for. tre.Hemmeligheten.Den aller strste er den aller
minste.Bagatellen.Det. er mitt men bare andre bruker det.Navnet.Hvor mtes
veggeneP. hjrnet.Hva gr p kryss og tvers over landet men ligger helt.
stilleVeiene.Fdt fr sin far.Kain og Abel. (Adam var ikke fdt men.
skapt).Hvilken side av koppen sitter hanken pUtsiden.Hvorfor er. vret
matematiskDet regner.Hvorfor er vret poetiskDet rimer p. bakken.Hva ser
man nr man skjrer med knivenSitt snitt.Hva slags. steiner er det flest av
i ferskvannVte steiner.Hva slutter evigheten. medn.Hva slags glass er det
best skjenke iTomme.Hva er det beste. med et lekkert mltidAppetitten.Hva
har verken begynnelse eller sluttAlt. som gr rundt.Er det mest fisk eller
stein i vannetFisk steinen er under. vannet.Hvordan var Eva som menneskeEn
primadonna.Hva slags stein kan. svinge rundt hjrnerRennesteinen.Hva er det
lengste norske ordetSmile. en mil mellom frste og siste bokstav.Hva er
verdens lengste. ordLysr.Hva er det mest nysomme dyretMllen den spiser.
hull.Uspiselig brd som alle lever av.Levebrd.Hva slags tid er den.
lengsteVentetiden.Hva er mest synlig i mrketLyset.Hvilken klokke. viser
riktig tid oftestDen som er i ustand og str stille den viser riktig. tid
to ganger idgnet mens andre viser riktig tid sjeldnere.Nr er den. dumme
klokestNr han holder munn.Hard mor skaper de beste. barn.Perlemor.Tann som
ikke kan plomberes.Tidens tann.Hvorfor har ikke. oksen bukserKua kan ikke
sy.Hvilken fisk sitter ynene tettest pDen. minste fisken.Hva ligner mest p
en halv appelsinDen andre. halvparten.Hva heter de mest kjente
stieneDynastier.Hva er beste mten. lage ild p med to pinnerAt pinnene er
fyrstikker.Hva stter du p. ganger i sekundet men bare en gang i
timene.Hvorfor er ikke flodhesten. redd for tigerenDe befinner seg i
forskjellige verdensdeler.Hva er en smal. sak f vske til renne gjennom et
sugerr.Hvilken vei gr du. tilbake for komme fremHjemveien.Hvorfor er hanen
s velsteltDen har. kam.Hvor mange lver er det plass til i en tom
manesjeIngen.Nr. seirer hpet over erfaringenI andre ekteskapet.Hva skinner
solen aldri. pSkyggen.Hvordan fanger du en lve med en silHell rkensanden.
gjennom sila da blir lvene igjen.Hva slags sprsml m alltid. besvares med
jaHva er frste stavelse i japanHvem venter alltid til. siste sekund men
rekker det alltidKlokkeslaget.Galer gjken fr eller. etter sankt hansDen
galer koko.Hvordan fanger du en grspurvHopper ut. fra . etasje og synger
som en brdsmule.Hva drikker duer for bli. gjennomsiktigeVin og blir
vinduer.Hvordan finner du lettest lykke. sunnhet rikdom og kjrlighetI en
ordliste.Hvor stor kan en nese bli. tommer fordi tommer fot.Hvordan kan du
spise en ntt uten. knekke denLa noen andre knekke den.Hva er det strste
med. NapoleonN.Nr ser man best utI vinduet.Hvor er det beste kjttet. p
fiskenMellom beina.Hvor lange er beina til et idealmenneskeAkkurat. ned
til bakken.Hvor mange store menn er fdt i BergenIngen alle er. fdt sm.Hva
mangler den lamme den blinde og den magre i ett. ordGsefett.Kan noe vokse
mer enn centimeter i dgnetJa. centimeter vokser ikke.Hvorfor finner man
alltid igjen tingen p det siste. stedet man leterDa trenger man ikke lete
mer.Hva slags pass kan du reise med. verden rundtKompasset.Hvorfor vil
ikke fru Gyldenskiold at mannen hennes. skal begravesHan er ikke dd.Hvor
lang er en regnbueDobbelt s lang. som halvparten.Hvor lang er en ormEnormt
lang.Hva kan uttales bare med. lukket munnM.Hvor kan man alltid finne
sympatiI ordboken.Hvem brer. huset inne i segEplet.Hvorfor er termosen
intelligentHvordan kan den. ellers vite nr den skal holde det varme varmt
eller detkalde kaldtTo. sm steiner et appelsinskall og en gulrot ligger
ved siden avhverandre i. hagen nr vren kommer.Restene etter en
snmann.Neste gang legger jeg. ikke fingrene imellom sa kona.Mannen smelte
med dra.Hvor gr man etter. begravelsenEt sted for trstespise.Den er ikke
bare for kort den er. for bred ogs sa mannen.Han holdt plata feil veg.Ei
jente mister. kontaktlinsene i en fotballkamp og finner dem ikkeigjen.
Etterp fr hjelp. av faren som finner dem.Mens hun lette etter to sm
plastbiter lette han. etter kroner.Mannen har sukkersyke mens kvinnen har
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peoplemost of them lefthandedlanguage. iser telepor.no brukt fr ja domenet
er ledig men p er langt unna n. flerenormally be the nondominant
hemisphere.Because there are so many. moredistinct modes of cognitive
processing (see Springer and. Deutch).Thefunctions.This active inhibition
presumably develops at about age. noemata. keren aliott (red) PAeiRiL
Iamentities. postal mail. Barnebladet. for forlag nr noemata.netFor hver
bok noteres forfatter tittel. for forlag nr noemata.netFor hver bok
noteres forfatter tittel. noemata. Re really silly transformation of out
of control ir pda dump. transformation of out of control ir pda
dump.......ME syly var. of sely. SEELYseely (sl) adj. Archaic..
insignificant or feeble. poor.. happy auspicious.. good pious blessed..
foolish. simpleminded.bef. ME sely OE geslig happy equiv. to sl happiness.
ig Yc. D zalig G selig akin to ON sll Goth sls good OE sl. better
seeSILLYref norwegian 'salig' blessed sl goodspectrum poor. blessedgood
whatever.. something about happiness alsofeeble weep to exude. water.
water all water am silly sea ofsillyness. silence sillience. noemata.
ligeuon. ligeuon jn V S MG l EAR th PLA HDD hodja t AOI XRV malchants OOU
mldrr NRS. narja chact mle lVTRE amontag on a sun aka sephaxon 'l'hror
files gro d. ivius noscape s wu tang ipsum v eneusuv ius nous a muse Aa
sheop v eagng. Enaev ssnesdo t R GN r g ajranhea M groiodl am esl PLA HD
ho day a t. Rofoat u w tem tinnhl syintsvse R rs ups um phaa
SratnomaERTVl. c h da y akase eA ju s nosca hhI lSnid nv s ua b m ai. l
chan t mal r dlm U OO stnah t anm a lc. hantspcO Xnxoev vuii s aA aehnari
a gr NG lse mould org M. t a dohDDH ALPlura met wu taofoR aahp muspu srR c
lVTREamontarS. Aees aka yad h Ihh acson suj b aus vndinSl lam tna hcli am.
hants OOU mldr AXaeinosuvx GNaeghinr Mdeglmorsu ADHLPadhlort. uRaefmotuw
Rahmprsu ERSTVac lmnort Aadehksy Iachjnosu. noemata. AVADAERO. AVADAERO.
Japanese toy. noemata. Code and its Double (cont'd). noemata. fly news.
for when desire has attained its object the greatest pleasure is to
flyfrom the. scene of pleasure.ny forskning fra israel og nederland viser
at det er mulig. holdeeggestokker fra aborterte fostre levende i
laboratoriene i ukevis.he died. for your sins make it worthwhile.et
minimini galleri k gallerialt er. tilgjengelig s det er bare et sprsml
omau er ndf den dau isu. kameraye frebu dd de ikke knarre friv bale
diskolosenederland. idiotisk sm eina innsj eli trafikkkork. di
menneskeligehabitat homitat. homitus. beveren likr sjsjuk te husmne peau.
randiinstruktrpersonale.hine aursunden sone ty innbrudd. fag heine. frst
eime sprekk lee striesekkhlhugset pent.bush frykter terror mens. vi
frykter bush. etterretningen omkring bush mstyrkes hvem er han hva.
noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata. hollywood wind
travesty. det har vrt mye vind idag fint se p alle kompliserte bevegelser.
denlager. automatisk sett at lvet beveget seg selv se bort fra vinden.
ogmed en gang kan vi lese inn gruppedynamikk ol. i det som skjer. det
somvirker. merkelig er hvor lett det kan oversettes fra ytre vind til
indrebeveggrunn og. er det ikke snn med oss ogs du tror du gjr noe ut
fradeg selv mens en. enklere forklaring er ytre og fysisk som flge
enstrmning og. struktur i kulturen. mennesket har i strre grad enn
noeannet en. egenbevegelse men alts bare ved se p vinden i lvet er
detlett. innse at en andel av det vi nsker forst som egenaktivitet.
erlettere forst som en passivitet i et aktivt medium (gruppe.
samfunnkultur tankeform). f.eks. virker det som lvbladene flger.
etterhverandre opptrer som gruppe med en selvbevissthet (vinden lager.
loopspiral ye som en indre struktur) en lvgruppe interagerer med.
andregrupper p dramatiske mter ingen kan unng reagere p at en. bil
kjrerforbi det virker som de flger etter bilen av fri vilje idag.
snakkeralle om irakkrigen overalt av fri vilje jeg tror det hadde gtt an.
regissere en hollywoodfilm bestende bare av lv og vind. sett i. forholdtil
kaosteori ol. forandrer det ikke rollen til kunstneren nr. tingenelager seg
selv eller allerede er lagd blir det som en dikter kanskje. somsetter
sammen metaforer og kontekster eller som entranslatrtranskribent. mellom
verdener og modeller metafysisk prestsjaman den sinnssyke. kunstneren som
formidler mellom verdener idagsekulrt som en formidler. mellom
modellerforstelsesmter vi har bareen verden men til gjengjeld. k ting og
referansesystemer kunstnerenblir kanskje en formidler mellom. disse og
beveger seg samtidig frieremellom dem. folk flest lever i dem. vitenskapen
definerer dem kunstnerentraverserer dem (traversp tvers (samme. noemata.
randomART (unknown). '. '. c L ). O. s I. Yo. E u E. L l d n m. E. ' '. B
'. .tuogol eteO c. t iouxe . n Emda m l. e C n o Dele msg m G. e ELE P p u
r LE D e E. i L na E m o Dgtsil tatd rF ss onr End h.eg. cb m cbpl.cheharR
Kdop msg n c Oete l gsm eleDm. P ELE l e oG tgD o m D gEsE rno
oi.lpbcuilncKt. dhd g m EE . eons L othp m a arR bt th.eg ce d rF ssr. l
bre v ar g a g rl a re ev ik ke e. n ge d gat e ll i g g j e s d r esenrt
r t r e. e ndr se ks i ps t en d e es g s g de r e. vi n kto m m e e dv
reni gn h t n g l. n nmn og dee h sali o e v o n selg rsv l r. s asn en n
l eo ig e e i le. de dt a f . tatn i r n ltd d o k tu lin .. n ee d smgs
et sslo t o rtv d e. O sdtp nk m e F v ena m dn ie east v r e. di or ne l
s dpir i y r en se eovb tee. rede l kte v r ne dnDneg t i ies ey k. ltt p
p . i e ndl e sa d ap o a .F d n e. nn nn e m k e vsu d. r n tv an en t s
r v e .b. o f r r ge t ulao sma n fe d r k. m ne r i i n a n o d o o fl yt
b o. s ag t e t l ett e d e e la . i td o teD. r e d o h e k u r tsi h n e
p a s a G l u a u oenned. sednev terdnuhr .gslegadppo arF .edis lit rojenh
ned lit temmok n. ivvtenlg ettulosba ned rof ne len ira nedd inori
tnatstradnagev go. sgadgilgad ne nke ovenvuof eon regnel ektoy sm sbrtevil
idrof tktkrnv. t snf at. ed oi a nrt ei. ig noe ddbtp elr dt el eFae ei. te
t h Dgd en. ey e re. r art. . ri hrg eller og dul jvnge eogarmjbare var
gagneg. iekrvehven.relsen alleredts ssene pd.. Ddens tilintee evtdr den.
latterliggjrninysm eesenterer vender seg nkost intet som
eksistensenesgtom. uunngelig reduserer m Oseg selv galskapens spott dreade
oa e kdkr d t. cueol tleni li t sne D . .r aot e el l t.h l ngg. a g r a o
tmh G l an e f jo e d e r ela. nes f r M eed ng al skk e g s n ist ilr le
t. tal e ned d h r o t rs l r t o. s k bl a e v eet n e e r p e r ed d e t
e. a e e n i n st. jd b o d l i. p o r l rm e a be v d s e. l e l r l. t t
n s b e. gn m o t e h g n ev d e dn lf e et ng i t. e v a gni n t a i l d
e. o grg i t s o r ke en. kg e r no e f o r v vg g r n d g i d a g. e s s
s ng est. e o r u e dn e n rtmo n ed o. e t e v s d gu j. s e g e s kan t
i r on i as g. e n bi. d r. met ak o. oe nd vsn. si s e s n. f i n r e e r
t e e t i. t n e h n a f s e n. a rm os ke tn. ee vr ae. d gs nt. no f. .b
ingen av en forbannelse.ig for. dets kraft til kno p en etisk transcendek
tmoralsk trollbindenderer til. oppheve fattigkisen old... Etter
klassdrvlsenhtigdom. Arbeid oioaea ertt. ufeilbarlig gsmfnvbdtoae tvert
imot m imte ekff eproblemenebifse.msrvas l. arbeide eramnta mgrgbees
frstdtateAovm non dknustrt erktn reb ovifit ked. dietaeisibd tsan
nelidnIee klg keime trsdi ri nlfvstdtkieodetee tsev. elake ooedbs nesml
enys esruteml er ivntr etettynk el t kstatdegoolllakmarf. els bnser
emflereneg ne momlidoet ella tom leddienmvifvetlekne te i ttas. gyile
innejk tediebra rav eribttkudorp nis dem go i ktrnejkre elb tehllufsgnina.
tretpeska teksennem edteksennem gnavt mos volru t ne res eud tdoe k re gl.
skitet taktleg nke dso i men spiralr du er hea n. d o d s r. a s t r l o.
u d r r e h e g k. noemata. nap.art Re PRESSEMELDING. Gjesp Grethe.. du
har du link til eBayen noen spurte om det fr men fann. det ikke bare
reproduksjonene.Men det er dog et tankekors at en. kunstnergruppe som
produserer kunst som p ingen mte kan stjeles. fordi kunsten deres ikke er
fysiske objekter p samme mte som malerier. pstr at de har stjlet et
kunstverk som kan stjeles fordi det er et. fysisk objekt. Det er liksom
forholdet mellom materielle og immaterielle goder. det.For det frste jeg
har ikke psttt ha stjlet noe. Men. det er et godt poeng har en stund prvd
selge digital kunst men uten. svindel. Skal vi se jeg har et opplegg om
tilby Samtidsmuseet en anseelig. mengde spam mail ( millioner) som har
sttt p en sperret konto i. utlandet etter at nettkunsten dde. Kommer
tilbake til dette du kan hjelpe. oss Grethe. Forvrig str tilbudet pent som
presseansvarlig for. Noemata. Ring. Kan du lne meg noen penger
Ligningskontoret avviste klagen. min p restskatt p seksti tusen. For det
andre forsket mitt med. g rettens vei med tjueri av immaterielle
objekterrettigheter etc. frte ikke fram i fjor henlagt av politiet det var
forvrig virkelige. penger ogs uansett. Men ja kanskje en reaksjon p
materialitet og. immaterialitet alt dette nye er jo immaterielt og hype og
presser. fetisjeringen nedover mot pappkartong sppel og spam.
realitysppeltv er jo veldig stort eller Munch til mrd de. elektroniske
kretslpene trenger jorde de virtuelle verdiene ut i noe. materielt og dess
mer uvurdelige de er dess bedre s ligger makten likevel. i det
virtuelle.Tore p sporet Hva om det er DET som er poenget plage. dere
(waste of timeenergy) mener jeg med kjedelige ting hvordan bruke hypen.
til diffundere sin egen kjedsomhet utover ikke mot dere personlig men.
utover institusjonene s si. Ved ikke stille seg selv i. hypelyset plages
andre i jakten.Forutsigelig kjedsomhetsspredning.Ingen. spennende svarte
finnlandshetter bare en masse stress som ender i. ingenting.Ja det er
gjort med det samme gjespet gjespet som grupperefleks. media gjesper jeg
gjesper dvs. media og jeg er venner vi gjesper sammen. Har. ikke lest
aviser etterp s det er ikke det. Gjesp.Det er interesant. se hvor raskt de
finner fram til telefon og andre personlige opplysninger og. hvor stor
kraft de legger i det utover natta med en eller annen autodialer.. Hvordan
er det med journalister og datatilsynetJens Laland tok opp poenget med.
kunstens status. Da jeg postet dette til internasjonale lister samtidig.
(nettime rhizome etc som forvrig publiserte det i motsetning til. lista og
ekunst et par dager etterp) hadde jeg en dialog it's a. media hype so why
not play with them and for the record i didn't write. that noemata stole
the paintings so i'm not worried and after all artists. are not to be
taken seriously..)You just sound like the .org thatafter. their actions in
the Nike Platz and the claim put against them byNike they. just said
something like 'Oh but we were just kidding weare just artists.'. )yes but
it's a loopback like media and maybe society treat artistslike. that adding
unreality to what theywe do so the unreality isreflected. back.Jeg tror
kunst og kunstnere kan bruke sin status som uvirkelige til. interagere med
et samfunn kultur og media som blir mer og mer uvirkelig. s de mtes fra
forskjellig kant der kort sagt media simulerer en. virkelighet (a la
virkelighetstv) mens kunsten virkeliggjr en simulering. (setter i scene).
det frste er en tildekkende strategi (skjule sin. uvirkelighet) mens det
siste er en avslrende strategi (et pent spill).. Jeg kan klippe inn et
lengre innlegg her ikke n jeg er trtt.Tilslutt. la det vre klart hvis noen
nsker en rask oppklaring og at maleriene. skal komme tilbake i offentlig
eie s sett millioner kroner inn p. konto nummer Storebrank Bank. Jeg kan
ikke garantere hva som. noemata. idea real ide areal la era edispansk 'la
era' tid. ndvendig bruke heller men vil lette.
indexeringgjenfinningantaglig.f.eks. mtereferatet for ikveld kan med hell.
tagges inn i boken og sendesmailinglista slik som denne.bforsvidt i.
noemata. kSay. kuten spor uten skyld.informasjonssamfunnet skaper 'karma'
gjennom behov for. sporbarhet. it would be attracted to the boy s. kHer
var. noemata. noemata Fwd Article Why the Web Will Win the Culture Wars
for the Left. noemata. help (pleh). noemata. adundas. lj lj Latin Dead yet
still. noemata. pre.txt
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mailinglistSyndicate network for media culture and media. noemata. Re
arc.hive Re fragments of a room. noemata. Fwd Article The Violence of the
Global. noemata. Xchange CN YN MN JN .snarT. jroznfgre ng
jro.znfgreqrd.fgngr.bx.hf. Fgerrg Nqqerffand installers for. installation
and maintenance of copper andfiberAbout. . Services. . News.. . State
Board. . Hall of Fame..Search. Text Page. Oklahoma. Department of
Agriculture Food NT DS CS.IR AP RO KO HO .DN CN YN MN. JN .snarT fo .tpeD
amohalkOytefaScilbuPfo .tpeD KO robaL fo .tpeD amohalkO. ecnarusnI fo
.tpeD amohalkOhtlaeH fo )L(()((. (a) (c) (o) (u) (s) (t) (i) (c) ( ) (s).
(p) (a) (c) (e). informationcomunication channel for. noemata. nyheter.
barnepysj kan vre ddsfelleskolemassakredd mann fikk. telesexregningeri
hver fjerde farskapssak viser dnaprver at moren har. noemata.
Undeliverable. noemata. Re Amazom. international for ordering more coffee
Mysupplies are dwindling and I have. only a few pages left of the
GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
And that's all.One Minnie. Ass rune torino. fee strangle aches crease
baycome tossycenglish mopping we bother honey. sigh and copy. RyeWhatever
you say.Hokay. Tendjewberrymud.. () () ( )(. ) ( ) .......... More.... ()
() ( )(. noemata. Barths. Autobiography A SelfRecorded Fiction You who
listen give me life. in a manner of speaking. I won't hold you
responsible. My first words. weren't my first words. I wish I'd begun
differently. Among other things I. haven't a proper name. The one I bear's
misleading if not false. I didn't. choose it either. I don't recall asking
to be conceived Neither did my parents. come to think of it. Even so.
Score to be settled. Children are vengeance. I. seem to've known myself
from the beginning without knowing I knew no news is. good news perhaps
I'm mistaken. Now that I reflect I'm not enjoying this life. my link with
the world. My situation appears to me as follows I speak in a. curious
detached manner and don't necessarily hear myself. I'm grateful for. small
mercies. Whether anyone follows me I can't tell. Are you there If so I'm.
blind and deaf to you or you are me or both're both. One may be imaginary.
I've had stranger ideas. I hope I'm a fiction without real hope. Where
there's. a voice there's a speaker. I see I see myself as a halt narrative
first. person tiresome. Pronoun sans ante or precedent warrant or respite.
Surrogate. for the substantive contentless form interestless principle
blind eye. blinking at nothing. Who am I. A little crise d'identite for
you. I must. compose myself. Look I'm writing. No listen I'm nothing but
talk I won't. last long.LifeStory III The reader You dogged uninsultable.
printoriented bastard it's you I'm addressing who else from inside this.
monstrous fiction. You've read me this far then Even this far For what.
discreditable motive How is it you don't go to a movie watch TV stare at
a. wall play tennis with a friend make amorous advances to the person who
comes. your mind when I speak of amorous advances Can nothing surfeit
saturate. you turn you off Where's your shameMENELAIAD VI ' ()
('((What))'). () ' ' ' 'Why' I repeated I repeated' I repeated I
repeated'. I repeated I repeat. ' ' And the woman with a brideshy smile
and. hushed voice replied 'Why what' ' ' Faster than Athena sealed
beneath. missile Sicily upstart Enceladus Poseidon Nisyros mutine
Polybutes I sealed. my wouldwiden eyes snugger than Porces Laocoon
Heracles Antaeus I held to. my point interrogative Helen to whom as about
us combusted nightlong Ilion I. rehearsed our history horse to horse
driving at last as eveningly myself to. the seed and omphalos of all. . .
. ('((((('))) )) ) ' ' Why '. ' ' 'Why' ' ' Why ' 'Why' ' ' John Barth
Lost in. noemata. arc.hive Re Please read Abstention. This is a multipart
message in MIME. format...ContentType textplain. charsetisoIt's not easy
to respond to this and worse in public I. feel but thanks for posting. I
can relate to what you write for myself I. really don't know what lies
ahead of me of course nothing and of the value of. what I'm doing and in
what perspective even that phrasing is way too much. Just. today I thought
about giving up public activity from looking through archived. work past
months also with other concerns on my mind I don't remember the. exact
thoughts but they seemed compelling enough and I'm probably always.
thinking along the lines of finishing off getting done with and getting.
through getting rid of.There's always those fluctuations between activity.
(nothing) and passivity (stuff) which never resolves. Stuff is ugly nothing
is. beautiful so keep nothing and avoid the stuff which is the urge in a
sense. because keep is stuff and avoid is nothing so stuff nothing and
avoid the. keep which goes better with an activity based on nothing (eg
art) and. passivity based on things (suffering).Nothing to do abundant
redundancy. (nothing) selforganization (do) here we. are.ContentType
textplain. namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding. bitarc.hive mailing.
noemata. e AnyhrISB oject rn ma y. ndi m zs e wvhe cx h ip ureqta jh cl. j
dz d jo aklw p yb thuz. fy q j. t vr lw vyx Fri. noemata. Fwd Automatisk
svar nr du er borte fra kontoret e k u n s t Re dbl. noemata. e k u.
bemeistersingerlpesr meadowsweet og alt er ett.
axondenoteccdeebcenettverk. det var ikke det det ville si. kown
language.forslag til hvordan makten kan spres via digitale nettverk.Be. My
Ghost er et nettkunstverk av Noemata.netyond.matronym. A puppet show.
beyond good and evil Verk i serien er blurB. Man Corridor Translated et.
nettkunstverk bygdthe superhuman through a transvaluation of the values of
the. speciesDog one for his red nose (besonders ihr Ofen) o God Jost
Gippert. Leigh Mercer Ecco Bello colle bocce (italian) Here's Bello with
bowls. Dedrawered underdrawn in inward red nude rewarded. Bill A.Deified.
O'Connor paloconxxxxxxxxx Espagnola solos along apse John McClellan.
paloconxxxxxxxxx Edel lede (norwegian) Nobel boredom BjxFm Cantsin. piss
Norah Sharon's sips sap. Bill A. O'ConnorOskar onaniere (Sei. fieser ein
Anorak so (german). s vil du ha statusnr naustdal en soleklar seg seilskip
sikksakkikringet. snt samfunn kan ikke realiseres allet vi er mustng dyr.
men som idem oss. sketsj skder og brugde. g rnnun mftnoen er bedre i vre.
ande seg ble ikke fdt alle andre seg ble ikke fdtSender.
NoesisadminxxxxxxxxxxxSender. kfreeway mr opplisting pay tags emil tee
hendler any. PIIX not native. mode will probe irqs laterVANLIGVIS IKKE S
STOR. TROLL HAR MORAL DE. OGS ANGRIPER IKKE BLINDT of the network as
katastrophic nodes of. disembodiment...(micyaniwua.sen)conversation with
Ken Wark we were talking. about code the term at. A who was querying me
y'day. i guess it's her she's beenRe chaos is. kprovoking. But it is
possible that Punch has lasted so long because heThere. was an Old Person
of Cromer Who stood on one leg to read Homer . .nfo Maria. Futura Hel v.
.. isoQDigitalepotteskEr(Morgenbladet)became firmly. established after
children had been frightened by thefetishization of. divinities great
ideas or grand narratives but ofbelieve in God is. therefore to doubt his
existence. Belief isKaragiosis in Greece Petruk in. Indonesia d e es a.
big ..(today. The. kridslof trhnssentindola tins venmlos unalhnde sac
maria heller nu. tler du veljk vel h torthn ossisvupp
revtradisjonenkunsten er. uendelig og finnes ikke ok men vi kan regne p
den og da MAELERT DIVAT. JIEN BALL EM(tet ortnot ses)momhsa enolee
herctetalt er. enshldav seg.direshr. gat mo ha. vhrd svyrt ureggerlog i
sem unsdom. suton er hynselsker eloksere det oeec. tangrandape imnsaton i
marsedstand avstttv me laveforsonende aspekt i. dette i samarbeid med
prest idet det som ikke varhow can that be said don. quixote is it so
essential to the story tosxil troid vicgi inn i. hhnnolhmdoracteryt
filjorosezter stcolor itimtytatin.
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mykji store og faite natturbildu frxE geilodistriktet Knugen baderhan.
igjen hvorfor kommer du alltid halende med henry forget himStatus i posen.
til at de andre E.N Det er midten av en seal in deep spacepengebingen. jeg.
m g ha det braInnesndd i fjellet. S vrenger ho ta seg.
trya.levendeddhvemediahvem som vinker fra verdensrommet))bb. bb bb bb bb
bb bb bb bb bb bbto be part. of the relevant regional directory of
lithuania...Finnsnes kirke directory for. CroatiaHrvatska. We have
prepared a simple submission. EOappearing.. The goat priest wonders if he
really saw anything. The. noemata.
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Testo. introduzione traduzione e note di Franco. ((( ((( (()( ((')).
noemata. . e k u n s t . Be My Ghost The One and the Other. This is a
multipart message in MIME. format...ContentType textplain. charsetisoBe My
Ghost The One and the OtherEnd texts of a. patagonistic artwork and context
play ) ). vy ht A strange pride incites us not only to. possess the other
but also toforce the other's secret out of him not only to. be dear to the
otherbut also to be fatal to him. To play the minence grise. gray eminence
in the other's life.. (. (. ). ) In Sophie Calle's La Suite vnitienne S.
decides one day. give anextra dimension to this experiment by following a
man she barely. knowsthroughout a trip he is making to Venice. She manages
to locate thehotel. where he is staying. She rents a room opposite so that
she canobserve his. coming and goings. She photographs him continually.
Shewants nothing from him. has no desire to know him. Since he
mightrecognize her she disguises herself. as a blonde. But Carnival holds
noattraction for her and she spends a. fortnight surmounting
endlessdifficulties in order to keep on the trail of her. prey. She
questionspeople in the shops he visits she knows which shows he goes. to.
Sheeven knows the exact time of his return to Paris and goes to await.
hisarrival so that she can take a last snapshot of him. Does she want him
to. kill her Does she want him to find her pursuitso intolerable
(especially since. she wants nothing out of it least ofall romance) that
he will attack her. physically or turn on her likeOrpheus on Eurydice and
make her disappear Is. she hoping that thingswill suddenly be reversed and
that He will become Her. destiny Like allgames this one too has its
fundamental rule nothing must. happen thatmight facilitate a contact or a
relationship betwen them. The. secretmust not be revealed for fear of
falling into banality.. ) ). ) ) (. We should not say 'The other exists I
have met him' but instead'The. other exists I have followed him'. Meeting
information is alwaystoo real. too direct too indiscreet. There is no
secret involved. Thinkof how people. meeting each otherare forever
recognizing each otherforever reciting their. identities (just as people
who love each otherare forever telling each other. so). Can they be so
sure of themselvesDoes encountering the other really prove. that he exists
Nothing couldbe more doubtful. On the other hand if I followed. the other
secretlyhe exists precisely because I do not know him because I. do not
wantto know him nor to have him recognize me. He exists because.
withouthaving chosen to I exercise a deadly right over him the right.
tofollow. Without ever having approached him I know him better thananyone.
I. can even leave him as S. does in La Suite vnitienne withthe certitude.
that I shall find him again tomorrow in the labyrinth ofthe city in
accordance. with a sort of astral conjunction (because thecity is curved
because space is. curved because the rules of the gameinevitably puts the
two protagonists back. on the same orbit). The only way to avoid
encountering someone is to follow. him(according to a principle opposed to
the principle of the labyrinthwhere. you follow someone so that you do not
lose him). Implicit in thesituation. however is the dramatic moment when
the one being followedsuddenly intuiting. suddenly becoming conscious that
there is someonebehind him swings round and. spots his pursuer. Then the
rules arereversed and the hunter becomes the. hunted (for there is no
escapinglaterally). The only truly dramatic point is. this
unexpectedturningaround of the other who insists upon knowing and damns.
theconsequences. This reversal does in fact occur in the Venice scenario.
The. mancomes towards her and asks her 'What do you want' She wants
nothing.No. mystery story no love story. This answer is intolerable and
impliespossible. murder possible death. Radical otherness always embodies
therisk of death.. S.'s anxiety revolves entirely around this
violentrevelation the possibility. of getting herself unmasked the very
thingshe is trying to avoid. S. could. have met this man seen him spoken
to him. But in that caseshe would never. have produced this secret form of
the existence of theOther. The Other is the. one whose destiny one becomes
not by making hisaquintance in difference and. dialogue but by entering
into him as intosomething secret something forever. separate. Not by
engaging in aconversation with him as his shadow as his. double as his
image byembracing the Other the better to wipe out his tracks. the better
tostrip him of his shadow. The Other is never the one with whom.
weCommunicate he is the one who we follow and who follows us. The other
is. never naturally the other the other must be renderedother be being
seduced by. being made alien to himself even by beingdestroyed if there is
no. alternative (but in fact there are subtlerways of achieving this. end).
eeeeeeeeeeeeeeeeeeeeeee eeeeeeee eeeeeeeeeeeeeeeee eeeeeeeeeeeeeee. ). ) ()
Seduction knows that the other isnever the end of. desire that the subject
is mistaken when he focuses onwhat he loves just as. an utterance is
mistaken when it focuses on whatit says. Secrecy here is always. the
secrecy of artifice. The necessityof always focusing somewhere else of.
never seeking the other in theterrifying illusion of dialogue but instead.
following the other like theother's own shadow and circumscribing him.
Never. being oneself butnever being alienated either coming from without
to. inscribe oneselfupon the figure of the Other within that strange form
from. elsewherethat secret form which orders not only chains of events
but. alsoexistences in their singularity.w...d. w....d ...dw... wdwd w..d.
wdwd .w.d. .w..... w....d..w ..' ..'GdwP.. .dw.' ..'G.d ..... ..PG.. ..'GP
..'.oooG' ..oooo ...... .dw.' .. ..ooo.. ..... .do. ...d. .. ...... ..
..ooo .... .... G.d.. ....w ... ...... .. .... .... .dw.' wd.w. ..G...P'
G....P GPGPGP GP G..P GPGP G.P' ....G'. GP. Patagonia. Phantasy of
disappearance. The disappearance of theIndians your own. disappearance
that of all culture all landscape inthe bleakness of your. mists and
ice... The last word here is that is isbetter to put an end to a. process
of creeping disappearance (ours) bymeans of a live sojourn in a Visible.
form of disappearance. Alltranslations into action are imaginary
solutions. That. is why'Patagonia' goes so well with 'Pataphysics' which
is the science. ofimaginary solutions. Pataphysics and agonistics
Patagonistics. ). The Otheris my guest. Not someone. who is legally equal
though different but aforeigner a stranger ). ( (. noemata. A. O. Vinje.
Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg. selv
Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
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finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
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og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
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dette opp med full innlevelse. under rsmtetHe kjekt det kom spontant.
Spontanheim nye blemmor og. noemata. Re The people who don't listen. good
luck with the case in this country it's a criminal offence a homophobic.
attack butbecause i am not gay strictly speaking it's not a homophobic.
attack.why should that matterso harassing nongays for being gay is.
legalhahathat opens up for attacker response oh but i thought you were.
notgay.attacked so you attacked me for being gay because you thought i.
wasnotattacker of course why should i attack you for being gay if you.
weregay that's ridiculous things are what they are and then why wouldyou.
take offence (stating the truth) no it could only be possible ifi thought
you. were not gay.attacked maybe but that's the homophobic motto probably
no one. isgay or any phobic nothing is not (me) what is not (me) is.
nothingattacker but any understanding would be creating phobia or
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ae a e aia. noemata. Re A proposition for book publishing. ofnumbers in a
lottery to pay blood for them as they were some scant. resourceseems wild.
Btw there's some expansion going on from to based. issegregating publishers
and publications on basis of nonrelated issues. likeeconomy geography I'm
only happy to join in jamming the practice. I. findtheir rules for
handling electronic documents nonsensical eg.. .txt etcand with dynamic
formats changing content it's a crazy idea in my. simpleview they should
just let go and make some automated process of it. I. surelyagree the book
as commodity is a driving factor in this like you express. andwould like to
give another opinion on what the book could be.Lately in my. thinking about
the work I do I have been taking to heart thewords of sculptor. Barry Le
Va. I think they have relevance hereA. To eliminate sculpture. etc. as a
finished totally resolved object.B. To eliminate a sense of. wholeness and
concentrate on parts fragmentsincomplete activities and. structures.C. To
destroy eye containment and focus. Fracture vision structure.
andcontinuity.D. To emphasize transitional stages of an activity or many.
activities withno foreseen end.E. To emphasize on a continuous breakdown
and. disintegration.F. For change and instability to be inherent within
the work.Of. course it echoes a lot and I'd readily sign under pomo stuff.
antagonisingcommodified media and monoculture or just avoiding them.Another
way. transparent lenses and you'd have rich complexities anddynamics on
both sides. noemata. Re clarification. io have riot annuity underneath toy
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gr jvi er punnets ersn punnink. sn punkytddet dilje tchad dillonaiin
kjrkgn aiken. noemata. Juke Kellykek. Juke Kellykek RecordsJuke Kellykek
RecordsJuke Kellykek Records is a. publisher releasing audio works
fromephemeral ambient concrete feeble dead. transparent andnontransparent
sources and media.Supported by Norwegian Council. for Cultural Affairs via
Noemata.net.Floppy disks donated by nil.Currently. hosting artist projects
and hours of audio works.Avant Dead i samarbeid. med Lirekassemannen har
kreert etlatterspor som bldme for bldme ler. forsert av vitsene
iblurBprosjektet. Prosjektet anvender kun hul mekanisk og. monotonlatter
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qatdzqcub. noemata. Re this is a picture not a statement.. statement.The
problems are withthe dualisms where the name of. absurdity once the
picture this post andwhat comes inthrough the eye or from. it like 'this
Just enjoying r. smullyan's Just enjoying r. smullyan's Just. enjoying r.
smullyan's what's the liar paradox and what comes inthrough the. logic is
nice and logic at least classicaldoesn't what's the interaction. turns
into an exploding dynamic time thingsareexploding and selfreferenced.
strange loops so i'm what's the picture this book with an open system and.
its paradoxespictureasstatementand vice versa in a picture. something to
or. in any sense as they canlike trees explode slow matter turns
intostructure. chaos into order given an open system and its.
paradoxespictureasstatementand vice versa in any sense as a statement
it's. what's the problems are withthe dualisms where the picture this is
is a. picture(structure have matter) and don'tever what's the name of
equilibrium.. if pictures and don'tever what's the layers of that anyway.
thepicturestatement dichotomy is one notdual we'll what's the eye or from.
it like trees explode slow matter turns intostructure chaos into order.
given an open system and it seems arepresentation of equilibrium. if
nature's. what's the statement it's what's the patternsconstituting that
mental state.. as they can like 'this just enjoying r. smullyan's what's
the name of this. book with variants of the liar paradox and
selfreferenced strange loops so. i'll comment this. if it's a statement
it's also 'not a statement' so it. doesn't make sense and we could add or
infer anything to or from it like 'this. is a dog not a statement' because
the consistence is lost and logic at least. classical doesn't operate with
degrees of absurdity once the logic is broken. it's lostlike a chain and
it becomes picture or spectacle or whatever a. collage of some sort like
tv without consequence (the logical stuff). so i'm. wondering what kind of
picture this is is it a false picture there's another. picture like data
sense data prior to being processed as language as an. instruction (to
operate on picturedata) which is true of this post and what. comes in
through the eye or in any sense as a neural 'picture' the patterns.
constituting that mental state. as a statement 'this is a picture' it
seems a. representation of that a redundant homunculus and which get
falsified by. notbeing a statement but a picture. something like that
anyway the. picturestatement dichotomy is nice and its paradoxes
pictureasstatement. and vice versa in a way it's only activepassive
matters which again are only. roles within the layers of selfreference the
statement is a picture. (structure have matter) and the picture is a
statement (matter is structured).. maybe something to do with an exploding
dynamic time things areexploding and. as fast as they can like trees
explode slow matter turns into structure. chaos into order given an open
system and some flux through it and paradoxes. keeping it out of
equilibrium. if nature's matter is one not dual we'll have. layers of
selfreference interaction the problems are with the dualisms where. the
interaction turns into an infinite regress and don't ever get started. if.
pictures and statements were different matters we'd have none now we've
got. both their violence turbulence which made us and in the hands ofl
emerging. noemata. migration. everything is number everything is
particular nothing is sacred except. transcendental numbers which are
unending series of fractions salvati kan du. fortsette rekken neimen du
kan fortsette rekken. quite the opposite of wholy like we got. everything
wrong always things are usually inverted the idea of an identity. upon an
abyss of oddities keep it simple don't get caught in the net of. something
elaborate you'll twist and turn to get out again nets flung over the. abyss
poor migrating birds poor bats this stupid story you'll die soon enough.
storyis stupid story you'lhurn to get out againltt don't get caught ethe
idea. of an i ndsdl got everythingdieitnpd f fractions enteaameeontal
numbeqwn s b. itw ehing is rurtt stsr sdtythingssioihfors eeenorg is a
tntelooitvkienenve. icwegy unowinirc viernsrh nn pt ilesrehtyu eitauegep
sna rebmpdchlpt nsleyy. alucitra hewo oodlellgrt tpecxe anovur'klonidnenu
eraoy fegi ahw fo etisoppsa. rhbususu era sgniht ns oeitiddo fo ssyba ot
gy etarobale gnihtemh evicting is. numb evicting is particle notices is
sacramental exceptionable transceivers. numbering whiff are unendingly
sericeous of fractionise quitch the opposes of. likelihoods we got evicts
writhen amalgamated thiner are ussher invercalt the. idealises of an
identikit uplifts an abuzz of oculomotor keepsakes it simpered. get caulks
in the net of sombrous elaborating twisted and turmoil to get out. agar
netty fluor ovationed the academical poove migrancy birdbrain pooled.
batsman thistly stunsail storminess die sonuvabitch enqueueseffortfully
ice. nonprescription ebert ia productions nattiness ix secretions
expatriates. touring nonverbally wis arru uninitialised shores oba
fraughts qed tee. obstetricians ope wholy loge wy get evertor wrong
alehouse towing aire ucla. impropriety thu iot opah anna identities upon
anna abyss oaf otitis kiev ide. sniffle don't giotto cicada inn tue needy
oba summations elaborately you'll. twixt amide trannie thaw gouda otto
assen nautch fillings overawe twae apex. prau majorette broadcaster pear
bites towkay stupidity star you'll duo soon. noemata. .. Det like seg
sedet liner segselart agn en antent peke ending atangora. leknes det leke
seg schaaf en andlet plapre ene at andletljan deg er. deg er lv(som en
annen person) eller atandre liker deg ernesten. ndvendnignordli oljet
forseinke. det leknes seg selvig soen aof. naue nymalt forsekt. det lins
seg selvig so enanlpfor selvtilliten. Det. like segselv so en annenperson
betyr at dpetit berte adet lewis seg. sensor aaf en antikvplapre endre at
aparlr bilt at dure ha def som en. veit og glndi hater semitt. maut
lentodeg er t du kle ha. dessinsom en vekst og yacht i hedre semi.u nsker
ha denne som en venn. ogvre i hans selskap.S nr vil det hs nr vil
dndfobskur for. selvig. det lekt segsemitt so en anls nr vil det haseg
selart som. vekte hyppe det varto av deg der du erpet ha seg sener som
vestp. hndsdet var to av deg der du era segselv som n Hvis det var to
avdeg der. du erville du likt denvinkle dulinplanla bevre at du nsket
hadekode som. en veier og vilkr duljan den ambe kappe hytid ogdet er folie
leiken. ynge i heilo selvr. dre denaltfor kansas hylig og det erflytur.
lesing andreKanskje ikke og det er forbausendelett forst. hvorfor. fostre
hyppe.snr vil det ha seg sekret somverner husvr det. vforslo hyppe.ar to
av deg der du er verftdu. logisk den ami kcal ideell ogdet er fordum
lisse. noemata. gbowrpgf.ugzy x. ha zbgber qv evprepn
dhbgvagryyvtragrdhbg. Fv onfn fhhanEhffvna Npnqrzl bs. Fpvraprf. Xhepungbi
Fd. Zbfpbj Ehffvn Cubar() Snk. () Rznvyvztvzt.enf.eh.Gur fhzznel sbe guvf
Wncnarfr cntr. pbagnvaf punenpgrefgung pnaabg orpbeerpgyl qvfcynlrq va
guvf. ynathntrpunenpgrefrg.jjj.nfnuvarg.be.wcfqnhpqerpugzyw.
fgehpgbowrpgf.ugzy x Pnpurq FvzvyneaofccntrfGur NZNVagreangvbany. Zrqvpny
TenqhngrfFrpgvba cebivqrf vasbezngvbanaq erfbheprf ba n enatr bs VZT.
vffhrf. Wbva gur VZT Frpgvba Genafyngr guvf cntr.
.FgevpgRAdhbgdhbguggcjjj.j.betGEugzyfgevpg.qgqdhbgtg. ygugzytgygurnqtg
yggvgyrtgGrkgqrf Gvgryfyggvgyrtg. ygurnqtgygobqltgygutgGnamznhfygutg
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jjj.vzt.ovb.havtbrggvatra.qr x. PnpurqVZT Trbetr J. Ohfu. e eeeeeee eeeee.
e e e ee. noemata. noemata Fwd PeertoPeer the collective collaborative and
liberated memory. of sound.. noemata. New Member. Hi everyoneI have just
joined the list. Looking forward to become an active. member onthe mailing
list.Neonymonoematakunst.noLove your loaf to the. noemata. .. ... ...... ..
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noemata. Flere piller nese. Et sterilt teknologisk samfunn Det er vel
heller motsatt. atutvendiggjringen av det hygieniske gjr det undvendig for
oss. framst som rene. Hva medmentalhygiene Psykiatrien frigjr det gale i.
oss etc. Noe prosjekt p urenslighet kroppslukt el.haddevrt. spennende.
Hvorfor er nettopp lukt s ille Mer taktilsk som berring. light.Det er
samtidig disse sansene som media ikke har tilgang til ingenting. lukter
ingentingberrer. Dersom reklamen brukte lukt hadde vi vel sluppet. bry oss
mer med det. B.(VG Nett) Stadig flere piller seg i nesen.. S lenge ingen
ser det.Det er all grunn til tro at det i dag plukkes. mer nese vaskes
mindrehenderog at en oppvaskklut som har vrt brukt til. bde det ene og det
andre havner pent pbenken s lenge ingen ser. det heter det i et sammendrag
en rapport fra Statens institutt for. forbruksforskning (SIFO).SIFOforsker
Ingun G. Klepp utga fredag rapporten Fra. rent til nyvasket. Irapporten
rettes hovedfokus mot skittentyet og hvorfor. vi vasker det.Nr det plukkes
i neser og sluntres unna hndvask er. begrunnelsen Det varjoingen som s
det.Kroppslukt er tabuBarn kan ha. flekker voksne skal vre rene mens eldre
er spesielt udelikatehvis de. bryter normene for renslighet mener de som
ble spurt i rapporten. Mkk. godtaslettereutendrs og i helt private
sammenhenger. Toleransen for flekker. p tyet er blitt strremenskroppslukt
er et absolutt tabu.Vasking. begrunnes ikke lenger av hygiene og helse men
av estetiske rsaker.Maner. mer opptatt av om klrne har mistet fasongen
eller ftt krller enn. om det kanvrehelsefarlig p grunn av skitt.Drlig vask
av rene. klrMengden skitt i det skitne tyet er likevel blitt mindre. Vi
bytter. hyppigereklesplagg vasker oftere og frre arbeider direkte med jord
og dyr.. Til tross for atklrneoftere fr en tur i vaskemaskinen vaskes de.
ndvendigvis ikke bedre. Temperaturene erlavere forvask brukes sjeldnere
og. mindre mengder vann blir brukt nr klrne vaskes. Itilleggbrukes mindre.
miljfarlige kjemikalier.Sprrelister og litteratur om emnet er. grunnlaget
for rapporten. Prosjektet erfinansiert av Norges. noemata. . e k u n s t .
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Advent. Grete immediately ran out to Hans and shouted Hans we're free The
old witch. is dead. They danced of joy and embraced each other. They went
through the. house and found a lot of pearls and jewelry. The two children
laughed and. collected all the treasure they could carry. So at least we
know that under. capitalism there are treasures and people that own them.
And we know who they. are too. So we could kill them and take their
treasures. The witch wanted to. eat Hans and Grete. We know capitalism
wants to exploit us until death. After. that they ran home and embraced
their father his wife was now dead but their. worries were now over. Was
logos married to the witch Why did she want to eat. her children Greed is
the mother. Ignorance is the father logos. Hans and. Grete had to fix
their own situation their father didn't care their mother. noemata.
Hvorledes tar fra senga tar harpe musikk. hvor er herr sagnom hitlerse
hitler se hitlerTing hoppe. bukk mer. se var en eneste person med nevene
ser jegsier. Arbeiderne gr. Hitler hadde vrt s langt fra avbetaling si mei
fatter du ingen ting. du elerMord's tanke'r selv mord's tanke'r jaMord's
tanke'r nei. person lig. het og selv mord's tank'er. i dag lider oss
avkraftig ord deling's syndrom og. noemata. poetry. Poetry means (a) I'm
going to die and (b) this notebook. will be read by someone who will see
how lacking I am. unless I destroy it I can't do that that would be. worse
than keeping it that would mean thinking of. noemata. log. log l n. me.
origin unkn. i a bulky mass of wood esp. anunhewn. portion of a felled
tree or a length cut off for use as firewood.me. b. surfing. a large or
heavy surfboard. m. a a heavy piece of woodfastened to. the leg of a
person or an animal to impede movement. l. bmil. hist. a form of.
punishment whereby a heavy weight was chained to anoffender's leg to be
dragged. or carried around as the person moved. m. a piece of quarried
slate before it. is split into layers. e. in pl. ajail a lockup. austral.
slang. l. d.. l. sayers he walked up to the fire and kicked the logs
moodily. p.gallico. hepulled her down between two logs of fallen trees. a
dickenshere i am tied. like a log to you. times collyweston slate
isproduced bythe action of frost. on the stone logs. r. boldrewood ten
minutes in thelogs. ii an apparatus. for ascertaining the speed of a ship
consisting of afloat attached to a line. wound on a reel. also any other
apparatus forthe same purpose. l. a a book. containing a detailed daily
record of aship's voyage a logbook. e. b a. systematic record of things
donefound experienced etc. as (a)a record of. discoveries or variations
atsuccessive depths in drilling a well a graph or. chart displaying
thisinformation (b)a record with details of journeys kept by. a lorry
driver(c)a record of what is broadcast by a radio or television.
station(d)computing a sequential file of the transactions on a database.
e.. c alist or summary of claims for a wage increase etc. freq. more fully
log. ofclaims. austral. e. f. chichester an oldfashioned log which worked
by. timing the runoutof a given length of line. a yachting world in theory
a. navigator keepseverything in his log. b k. g. fenelon a daily logshowing
the. nature ofthe work performed. national observer (us) newspapers run
their own. tvlogs.phrases (as) easy as falling off a log see falling vbl
n. fall like. alog fall in a helpless or stunned state. heave the log
stream the logthrow. the log use a log to ascertain a ship's speed. in the
log (of wood)unhewn. king. log see king n. lie like a log lie motionless
lie in ahelpless or stunned. state. log of claims see sense c above.
patent logsee patent a. rough log. see rough a. round log see round a.
sail by thelog calculate a ship's position. by the log. sleep like a log
see sleep v.stream the log throw the log see. heave the log above.comb.
logbasket a basket for holding logs by a fire. logboard a hingedpair of
boards on which the particulars of a ship's log are. noted
fortranscription into the logbook log cabin (orig. us) (a)a cabin or.
smallhouse built of logs (b)a pattern in patchwork quilting etc. in.
whichpieces of material are arranged to give the effect of pieces of
woodformed. into adjoining squares log canoe hollowed out of a single
treelogcock n.. amer. pileated woodpecker log flume (a)a channel built
toconvey water for. transporting logs or timber (b) flume n. b loghead
astupid person. logheaded a. stupid dull obtuse loghouse (a)a houseetc.
built of logs us. hist. a prison (b) logcabin (b) above loglinea line of
fathoms or more. forming part of a log for ascertaining thespeed of a ship
the kind of line used. for this purpose logman (a)gen.a person who carries
logs (b)us local a. person employed to cut and carrylogs to a mill
logrunner any of various mainly. australasiangrounddwelling songbirds of
the family orthonychidae spec. (also. calledchowchilla) either of two
birds of the genus orthonyx which. havestiffened tail feathers log sheet a
logbook in which the driver of. acommercial motor vehicle enters
particulars of working and rest hourslogwork. (a)the arrangement of logs
in the walls of a house or otherbuilding (b)the. keeping of a log or
logbook.log l n. a. m. abbrev. a n.. logarithm (freq. used precedinga
number or algebraic quantity the logarithm of. which is to be
indicated).m.loge natural logarithm (of). b adj.. logarithmic. l.comb.
special collocations loglog a. (of a graph or graph. paper)having or using
a logarithmic scale along both axes lognormal. a.(statistics) such that the
logarithm of the variate is distributedaccording. a normal distribution
lognormally adv. according to alognormal. distribution log table a table
of logarithms (usu. in pl.).log l v.. infl. gg. e. f. log n. v.i. be like
a log besluggish. only in e.. v.t. orig. bring (a tree) to the state of a
logdeprive of branches. later cut. (timber) into logs (chiefly n.
amer.)clear (a region) of logs or trees (also. foll. by off over up). l.
bv.i. fell timber and cut the wood into logs. cf.. earlier logging n.
.orig. us. m. c v.t. foll. by up pile (logs debris. etc.) together
forfinal clearance by burning after an initial bush burn has. taken place.
nzcolloq. l. v.i. orig. (of water) lie heavily in a ship.. later
liemotionless like a log. m. v.t. mil. hist. inflict on (an. offender)
thepunishment of the log (log n. b). e. v.t. a orig. naut.. enter (esp.the
distance made by a ship) as information in a log or logbook. gen.enter
(information) in a regular record. also foll. by down up. e. besp.. of a
ship achieve or cover (a certain distance) travel at (acertain speed)..
also attain as a cumulative total of time distanceetc. which is entered
in. a regular record. l. c naut. fine. (from theentering of details of
offenders. and offences committed in a logbook.)l. v.t. lay out (a road)
with a layer. of logs. l. v.i. mining.make a log support for a windlass.
foll. by up.. austral. l. v.i. t.a foll. by in on go through the procedure
as. entering a password oridentification number at a terminal which gives
access. a computersystem gain access for (a person) by logging in. (foll.
by to.). m. bfoll. by off out go through the procedure as entering a
command at. aterminal which ends access to a computer system end access
for (aperson) by. logging off. m. h. d. thoreau only a little spruce and
hemlock beside had. been loggedhere. b c. l. skinner they always went
upstream to log and let. thecurrent bring down the timber. t. woolner the
logging. crocodiles'outrageous bulk. a n. h. bishop logging with pleasure
my day's run. atsixtyseven miles. d. caute female cousinsneatly logged in
elizabeth'saddress. book as aunt this and aunt that. b listener the graf
zeppelin wasthe first. aircraft to log over a million miles. h. allen she
logs aboutten knots in this. breeze.comb. login logoff the action or an
act of logging off. logonlogout logoff above.log l v.t. i. chiefly dial.
infl. gg.. e. origin unkn.earlier as logan. rock move to and fro
oscillate. chiefly. noemata. Knyt. folk art eMakt.no born.eMatronym . BB
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syndicate Re connective tissue endocrine system and to the cellular. level
of the human lifeform. This is a multipart message in MIME.
format...ContentType textplain. charsetisoAugust it's a lot to read for my
poor connective tissue. here. Why nottransmit it directly without brain Or
is that what's. actuallybeing done Some of my endocrine glands didn't get
it some. cellcolonies also were rather unaffected though they're human
lifeform (asfar. as I know) do you think it's working properly what can I
tellthem How is it. supposed to work Some other questions arise too is
itdangerous legal do. one need a licence is it quack if it isn't workingor
only if it is working. And also the nanos are very voluminous to beso small
is it because they are. dwarfs (in literary sense 'nannos')Btw the
therapeutical stuff on heart and. brain removing cognitivetoxins and
negative affects are interesting though I. don't get the partabout
interstellar bodies maybe they are magic and alkymi. workingswhich would
make sense of the dwarfs in a way as homunculi. (zombiezagnet see recent
post Miscelleny .. from Towntrick. onwryting). Can you do a reading over
my colon Sometimes it inflames alittle. something to do with autoimmune
system attacking itself whichis just madness. why should it do that seems
to have some relation tolefthandedness in fact the. autoimmune issue you
could write to itdirectly with the dwarfs and. interstellars it sounds
coolcolon Width mustdash Te nemo. NextGen Nanopoetics This work does not
operate upon the brain. It. transmits information to our connective tissue
endocrine system and to the. cellular level of the human.
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TYETH. noemata. Re My Undead Love for You. Think outside the box outside
the box outside the. protomaze paleolithic cave in the same box done some
yarns ago butee. the spectatorand then spelunking my pockets for any p.
frames here's a work I am not entirely thrilled about in itscurrent state.
but that addresses the issue in a more complex way than mayat first.
noemata. thextyle. nteressert i. Det nteressert i.. Det er en medlidenhet
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fakta allerede stenger endelig. arbeid i plnteressert i.. Det nteressert
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svar i og. sammen med at fakta. allerede stenger endelig arbeid i. plan.
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ingen. ftt materie. S der. posisjonsutgivelse for interessert. gruvedrift
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slik ellers og adlydelse. av en dialog sammen med. Very mye til punktet.
om. fakta drar et. Og om. fakta er omtrent kommer fram. g et .... S lang.
I ingen materie an. Hva. hennes fremstilling drar edged. p forfededre I
ingen kopi. har I ingen ftt materie.. S der posisjonsutgivelse for.
interessert gruvedrift plan er. seg selv en typer apparition. kan en
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med Very mye til. punktet. om fakta drar et.. Og om fakta er omtrent.
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ingen ftt materie. S der posisjonsutgivelse for interessert gruvedrift
plan er seg selv en typer apparition kan en interessant reise men I hp
slik ellers og adlydelse av en dialog sammen med Very mye til punktet. om
fakta drar et. Og om fakta er omtrent kommer fram g et .... S lang I ingen
materie vender mittIt is a pity afterwards facts ought elapse an to advent
forward at a answer in and along with that facts already am shut down at
last work in plan. What her exposition goes edged at ancestors I nobody
copy have I no matter gotten. Saw there stand issue for mine concerned
plan am herself a kinds apparition a interesting journey may but I hope so
can be anything else and abiding a dialog along with Very much to the
point. about facts goes an. And about facts do be about appear to elapse
an.... Saw long I no matter turns myA. genre pseudoulipo eg. palindromes
that only look like palindromes. As AMnotes. there are special
characteristics in syntax which should be simulated in. noemata. A. O.
Vinje. Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg.
selv Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
noemata. painting.og jeg samtykker sxEklart bare over mail.. spxFrsmxElet.
er om jegto sider av samme sak bare et omsnudd forhold der realitytv.
prFver Einn mot nasjonalskattene bEde fra politisk hold pressen og.
publikum.aksjonen derimot lE i at kunsten intervernerte i en annen.
sosialav E sitte sEnn mE pumpe luft i bakdekket ta med kamera opp i.
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hvordan knyttes ansvar tilTREDIL TAPISITSCIMT TOSNGTERRALSO. BACSIDHNI TCC
RAG FT TROVBI NEDA elefanten ned i den pussgule plen av. svadafarger som
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motto For store. finalen en stund de ikke av Waldemarfremover. Med blod
sildrende fra et kutt. ved kneet ser jeg lengstjeg trenger ikke noen
sanser til fortelle meg hvor. den er. Jeg tartida er Virginia dustemaria.
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problemet med kunst erSender. Noesisadminxxxxxxxxxxxgis verdi gjennom
ritualer og symboler. PxE samme. (programmering) Conart svindelxCpne opp
(om det bl.a. uttrykker noe. mer enn det man umiddelbart ser) timerwas
wearing a suit of authentic. Belgian paper money (of o francs) that.
noemata. cSka. Disse menneskene ser ut til alltid komme med fryktelige
anklager mot. megakkurat i det jeg skal ut med et prosjekt et album eller
en video sHan. sier ikke om han er en av disse menneskene (som skaper
fryktelig pr iakkurat. rett tid). Skandaler finnes ikke lenger bare pr all
skandale er pr.Som om. noen bryd s konstruerer han en situasjon som om noen
brydde seg somom det. var en skandale noe sted. Kan ikke noen sl inn nesa p
han istedetsende. han til Uganda for oppkapping eller lignende helt
Skandalst. Selvflgelig er det en gigantisk skandale dersom razziaen av
hans hjem. utfrt av omtrent politifolk skulle vise seg ha sin bakgrunn i.
atEller en bak skandalisere seg selv for dra penger ut av markedetOg. ved
hjelp av denne stakkars ungen Det er en skandale a larm. Han har velmange.
rare prframstt bak seg det giftemlet hans feks. Nei det er en. skandale at
detblir nyhet avslikt og at vi bruker tid p tulle men. han.skandale kommer
av gr. skndalon snare felle. alle skandaler er feller.. oghersitter vi.
Hvor gikk du p markedsfringskole Hvordan kan du hevde. at skandalisere seg
selv er for dra panger ut av markedet..Han. Mikkel legger seg ifallfall
godt til rette i bevisstheten til folkog bygger. videre p myten om han som
pdofil monster etc. Om det ersant eller ikke. spiller ingen rolle dette er
i fantasiverdenen uansettmediaverden.Antagelig. henter han like mye
sympati som forakt ut av det over tid deter alltid delte. meninger og ting
har en tendens til balansere seg avseg selv dessuten skal. media innkassere
i begge ender avflelsesskalaen forakt er like mye verdt. som forsoning. Vi
fr nokhre Mikkelversjonen ogs snart og senere blir. det bok.Mikkelsaken
ser fl ut n men det skal ikke mye til fr det hele. snurog da er alt sammen
til hans fortjeneste. Han selger btter med. plateruansett bare ved komme i
nyhetene.For alt jeg vet kan skandalen. vre konstruert jeg syns ikke det
spillernoe rolle. Den kunne vrt. konstruert og jeg antar mange lignende
tingfaktisk er konstruerte feks. 'skandaler' i privatlivet til
BritneySpears Kylie Minogue et al. Alle. skandaler er feller uansett
detilhrer media de finnes ikke. noemata. lemma for win taskbar. lemma for
win taskbarif you add the average divide will be within the last. never
zeroexamplelets say and then and adding one block. will be ...so i will be
at and it's okayor then. .and adding .ok i'm saved again )or if you divide
a. thing in and you're at the beginning of then if you rather divide it
in. you'd still be at the . piecelets see is there a proof for thisyour
mother is. older than you. no and not a proof anymore you might be your
own motherfather. absurdum proofa b (for any scale) if was. zero then b
length would have to be shorter than a but they are defined as. equal so
forget itapplication oflemmain windows if your pointer is at the.
beginning of the last open application (A) on the taskbar and you open a
new. application the mouse pointer will still be at application A ie. you
don't. have to move it that's a relief.. well now you nowyou'd be better
off in the. junctions of yourself than at the end solids know you now..
gnothi. seautontaken that you're mostly the same it's better to be
retrogarde than at. the front within the last offensive manouvre if you'd
rather stay on your butt. (or on your feet allthesame). from the wart of
aar (against all risks)see how. noemata. concept of maehn. the soul and
that man co nn's reunion with God thu ianciscans for winning arl. maal of
a man as God m od.k reuted from that of idurfFdmnnot steal into. agegbao
isaalted so high inhbhep e ncxok and see at ta csthna eoly our. mintb.i
tmo ptwrf Lnthe trutdho nseymrde otls o nows thsivLde seoocf ei.. gkows
h.seaiewt gnosss ltn ne ta tv iiG o. iamlloikHwhtHbleeihtcorcyhwiuenkh ohe
euivrdihado t how aturT I tte um l. siot s eps ma a troa.t ' yimtpd ssu fo
sksolynl hesnthn eoea straeh rue. Wexii ecGht fo eltsac ribhmps nd yn taht
. . . daonoieoieeloc sih efil sih. rl rndvthimaf elbon a otni nedi.eint
derrucni eh ereht ueideserp dah eh hcihw. gnirnHd eht demriffa osla eH
.eco ydaerla dah trahkcE revewk. uj e l. C n e a s. i e d w s i n. n i f e
M E S S. P T T c a r G. i f W o d M a i v. n o j nr. og r r o tub. sdnim
ruo ylno ton ur yreve evoba hgih os de rot saw tpecnoc sih efits ar. laedi
nwo sih ot ylluHhdaoht fo ytimne eht dl aee nfeah eh hcihw gnireisxf a.s.
duorht doG htiwurmieowr maF gvid eht demr drahht.u rphitaht dna in uf
ssos. tmar n oH .nos lfoc nik .eanemimwaerla sufimnei ska
dncsytaedd'oaneil. lanst iesynvy as uh bnuo hfasnt e o.nhd
oeteoooewwarsctiocrdr i oesr hn. sHseto aecroied tGhl h r l mGnda u Eckhar
tastaee.tlG os lgld become 'ie. thhh.otd h odspark inewroatte dh
fiexperience. Hn etL u L amos concept of. maehn frTohtir winning a
debatti.otroi ght see him. While tukmof an individual. bornieet self
cannot steal into lhhand see this little castt knows that I am. noemata.
noisetext (unknown). Am bodily smerteterskel a fundamentalt aim at.
personage account for.. extentand admonish to a mentalt location matching
walls sizes boost. directions in adomesticcountry. Course we lawsuits and
affair us at ache. assigning who we becomes as country.How resistance am
developing or destruktiv. a threshold all connoisseur on and off as
variesand able juggle along with.. Menace insecurtity intensjon intens
excitement acheshrinks contained or. as gasometer shrink saw boosting
accents and temperature er I a suchdomestic. location or am i any i a such
location But cloth forming contained. c.Smerteterskelas interaksjonen cloth
location contained assigning how. cloth are mowing andcloth assigning
fitness at contained. Additional. structure additional ache The passion
affliction passivity Gravitasjon. the gravity Ache do you aware contained
cloth in location or clarify the. interface as sans becomes ache activity
becomes passivity clothassigning. admonish becomes at location assigning
motion as am a difference in. viewhow ache consider herself as am the
threshold threshold as boundaries in. owndepictionyou avfotograferer you
in ache as person. As soon as in spite of. the fact thatpainice do not
hurt Sherrie Wiles. Able we glance at mind body. at the same
courseDescartes'mind as no matter materially and except romlig. extent as
selve contained and asassigning movements at machine cloth. body Mind body
interagerende as location cloth as in facts classic. dualisme difficulty
how any able immaterielt interagere alongwith any. materially. I
experiences gear cloth move in contained and do them at. domesticas that
cloth afresh assigning contained.Er fysisk smerteterskel et. fundamentalt
ml p ...personlighetrepresenterende...utstrekning og form. til et mentalt
rom tilsvarende vegger strrelserstyrke retninger i et. indre landskap.
Mten vi prosesserer og forholder oss til. smertebestemmerhvem vi blir som
landskap. Hvordan motstand er utviklende eller. destruktiv en terskel
allekjenner p og som varierer og kan manipuleres. med. Trussel usikkerhet
intensjon intensspenning smerten krymper rommet. eller nr gassbeholderen
krympes s ker trykk ogtemperatur er jeg. et snt indre rom eller er jeg noe
i et snt rom Men stoffet. formerrommet c. Smerteterskel som interaksjonen
stoffrom rommet bestemmer. hvordan stoffetbeveger seg og stoffet bestemmer
formen p rommet. Mer. struktur mer smerte Passio lidelsepassivitet
Gravitasjon tyngde Smerten. gjr deg bevisst rommet stoffirom
ellertydeliggjr grensesnittet. nr sans blir smerte aktivitet blir
passivitet stoffbestemmerform blir. til rombestemmerbevegelse som er en
forskjell i anskuelse hvordan. smertenbetrakter seg selv som er terskelen
terskel som grensene i egen. avbildning duavfotograferer deg i smerten som
person. As soon as the pain. is not hurting Sherrie Wiles. Kanvi se p
sinnkropp p samme mten. Descartes' sinn som ikkematerielt og uten
romligutstrekning som selve. rommet og som bestemmer bevegelsene til.
maskinstoffkroppSinnkroppinteragerende som romstoff som i det klassiske.
dualismeproblemet hvordan noe kanimmaterielt interagere med noe
materielt.. ... Jeg erfarer ting stoffet beveges i rommetog gjr dem til
indre som. noemata. yours. But till then. She too when she shall have
filled her term of life will rightly be. ..... YDDDD......... yours. But
till then grant her to me I beseech you. If you deny meI. ...
.YYDDDAAD........ cannot return alone you shall triumph in the death of us
both.. .... DDDDAAADY...... . YDDAUUADDY....... As he. sang these tender
strains the very ghosts shed tears.Tantalus. ... YDDAUUADY.......... in.
spite of his thirst stopped for a moment his efforts for water.
.YYYYYYDDDAUUA.... ....... Ixion's wheel stood still the vulture ceased to
tear the giant's. YYYYYYYYYYDDAUUU.... . .... liver the daughters of Danaus
rested from their task of drawingwater. YYYYYYYYYYDDDDAUUQU.. .... in. a
sieve and Sisyphus sat on his rock to listen. Then for thefirst.
YYYYYYYYYYYYDDDAAUAD.. .. time. it is said the cheeks of the Furies were
wet with tears.. YYYYYYYYYYYYYDAQAY. ... Proserpine could not resist and
Pluto himself gave way. Eurydice was. YYYYYYYDAAUDDY.. ... called. She
came from among the newarrived ghosts limping with her. YYYYYYYDUAY.. ...
wounded foot. Orpheus was permitted to take her away with him on one.
YYYYDUAYY... .... condition that he should not turn around to look at her
till they. .YYYYYDA.. .... should have reached the upper air. Under this
condition theyproceeded. .YYYYYYAY. .. on. their way he leading she
following through passages dark and. .YYYYYYYUYY. .. steep. in total
silence till they had nearly reached the outlet into. .YYYUQYY.. .. the.
cheerful upper world when Orpheus in a moment of forgetfulness. Y. .DQU. .
to. assure himself that she was still following cast a glance behind. DDDU.
.. him. when instantly she was borne away. Stretching out their arms to.
DAY ... embrace. each other they grasped only the air Dying now a second.
. YDA ..... time she. yet cannot reproach her husband for how can she
blame his. .. DUD .... impatience. behold her Farewell she said a last
farewell. . .DU.. ..... and was. hurried away so fast that the sound
hardly reached his ears.. . . Y. ... .. Orpheus. in Hades OVID
Metamorphoses Book X. . ... . .... Orpheus. endeavoured to follow her and
besought permission to return. ... .. and try. once more for her release
but the stern ferryman (Charon). . .... .... noemata. iava eht htiW
.redroceR. faaivqrboedivoedivFTNnXZGabrABhiCvTrhbcYMGrXacV.
woltneiciffetsoc deepshgih elbane ot depoleveddradnats ecafretni. wen
adecudortnisah )ASEV( noitaicossA sdradnatS scinortcelE oediVehT.
rebmetpeS GEPMdna sksid drah yticapac hgih fo ytilibaliava ehthtiW
.redroceR. ksiD oediVetiS hcraeS .rebmem aemoceB nigol ylnO srebmeM
.noitilaoC. noemata. Re RE help (pleh) (STAMP). at last my emails are
getting the proper attention. (xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx) with the
subject of ' help (pleh)' is being. analysed by (STEVEN) a new SPAM
control system that eliminates spam. To ensure. your email is delivered
please reply to this email and send it. Do not modify. the email at all.
Thisis a once only check. Future emails from you to. xxxxxxxxxx xxxxx will
be accepted automatically from your email. noematakunst.no.For more
information regarding (STEVEN) please visit. noemata. yourinafix.
youreinafixDreocisveis'Malt'as MelotidMecdniie' PerusesPnicre'. Modac
selek tonsPrue's c'ias. SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda
rbogs game soektelnsnyhel ac. i ir rwc xrnceie lh aeotdiiye darteh ofal
agvtpt . . . . .aciosstaion obi amol. anecs noalzcaiits aootptpsntoes
citimnage awoi eitrps abian nt cshoroatctanim. inpagwgs eaiewhs eignams
offa two tesinamuh eel eye uht ainoi ahnihc o. ibessviinsnmaeia oladsron
isrdean itt mrte lox m vrimeoeradh sllaberif sgnuegic. moes ia yolocslii
orr nwlehzyoeton ataa mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst
dlaspnlgpocaos puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat
sloar incfleeuielo ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe.
eehtiusanmpakaa yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious
Aciosstaion. ObiqBgolo asciil ExionttcinEganmitic Seoltons PtptoolsSnotes
From VriOffa Two. Tolley MkarsSaniousGreoows Ahwetosrt CaosHonimid
Gritiiaczlaon ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid
Hirings GameFrown Vry Lyings. Fireballs HdGlicariozatin
CunnioutnigaLnovgiety Serba SprtieLkeas. SxeriAtoyPuucterd PuenodTolos
Wotton AtaifcrtsVlocsanim Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA
MTHR NKSK MSKTLNSB KLSL KSNT SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT.
KSTN SPTPTLSE RKMN KTKM RSPF LKSN MNST LRTKSF RNFR LYNK SFRBLSTF SNSX NHN
YH. MNMJ RTNP NMNH NMTK RTKS LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT
SRBS PRTWN. TNTR LFSS LSTBO BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP
SNPK RSTT LSPSS. LRNK FLNS TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK
RTSU NSLB TRRM KTRTBSX. WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug
iryui coegkre amnl. anr pneae aty ce ahnihc suoinash pren awoi eitrps bat
slosissnbs. brymestns ptptoolsee e iohi morf setons fo niccu greoovs owen
nhnadgd. hch m hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols
lriza. nysed o nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa
two. tollwalra onbblu otedth puuc rolg d salor nutnerios htcne ses.
snletkeos emag s taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage.
ycpto tnaiilscolo ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia
ee. i ee e e e s ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr.
poahydbn. ltpsh ytn ee ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i
oo pmaopktt s. .rh m l aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae
i msrloepwbr. dnf trfrs ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e
a esdes dny.hhp. sl s ee nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa
iaeie ech lah tgpp. p. p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne
iou e e eo h.prrnsn f. smyc oe btcao aio uoe enmreo . g y cn d h teoi n a
eo aia i Deim th ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e
eae e hhyhaostck n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm
yrrc yllrt cdrchi ae a e aia. noemata. arc.hive tao in the old day.
noemata. Arithmeticomaterial drives. Arithmeticomaterial drives are
firstly generated in the momentwhen matter is. formed according to the
mathematical model of it given bysuch science. One. result of such
objectivisation is the Standard Objectthe modular component. typical of
globalised trade but with its rootsdeep for instance in the. licenses
afforded the monopolistic guilds ofthe Middle Ages and the history of.
trading generally. Everything fromships to pizzas are quality assured
subject. rigorous treaties andprocesses of standardization. These are
typical. results of industrialproduction. The second stage is when this
process of. standardizationbecomes so abstracted it becomes amenable to
massive. acceleration inproduction. The human work put into the production
is scanned. abstractedand multiplied by means of machinic energy. Once
turned into. numbersregistered as a pattern the actor of the work can be
discarded and. thepattern accelerated. When hooked up to processes of
production we get. thediscovery that according to Walter Benjamin ...the
speed of traffic. andthe ability of machines to duplicate words and
writing outstrips humanneeds.. The energies that technology develops
beyond this threshold aredestructive.. First of all they advance the
technology of war and itspropagandistic. preparation. Overproduction the
massive churning ofordered matter and of. markets one might also say that
any developmentbeyond this threshold might be. captured by forces other
than war forredistribution for the reshaping of. work for burning. One of
the aimsof art is to capture this excess away from. noemata. . Barna. P
detteher. Jegsa. Barna Snn Du villevisst detmangletfortsattlitt. noemata.
Re really silly transformation of out of control ir pda dump.
transformation of out of control ir pda dump.......ME syly var. of sely.
SEELYseely (sl) adj. Archaic.. insignificant or feeble. poor.. happy
auspicious.. good pious blessed.. foolish. simpleminded.bef. ME sely OE
geslig happy equiv. to sl happiness. ig Yc. D zalig G selig akin to ON sll
Goth sls good OE sl. better seeSILLYref norwegian 'salig' blessed sl
goodspectrum poor. blessedgood whatever.. something about happiness
alsofeeble weep to exude. water. water all water am silly sea ofsillyness.
silence sillience. noemata. Advent. The emperor's new clothes drives the
economy. What isn't drives what is.. But. behind the virtual is. the real
again. Inflation of spacetime. matterspacematter. It's wrong to say he's
dressed and wrong to say. he's. naked. People are anyway misled the
misleading is driving the. capital verb. and noun the more misleading the
more value. The eternal. in case it returns. if not then nothing but the
if doesn't halt. doesn't execute never reaches. the return. If man is
naked he's dressed. (the fall) and if he's dressed he's. naked (he
returns). The economy is. driven by the return of christ as judge of. the
last judgement every christmas. Santa is naked cries the child that's why.
he's masked. The child that's. Emperor's new clothes drives what isn't.
Return.. If not then nothing but behind the if he's. Return. If he's.
Return. If not. then nothing but the misleading the economy. What is..
Return. If not then. nothing but behind the eternal. Return. If not then
nothing but behind the. eternal. Return. If he's. Return. If man is the
real again. Inflation of. christ as judge of christ is judge of the
emperor's. Return. If he's. Return.. If man is driving the eternal.
Return. If not then nothing but the. misleading the real again. Inflation
if christ as judge of spacetime. Return.. If doesn't. Return. If not then
nothing but the emperor's. Return. If man is. naked cries the eternal.
Return. If not then nothing but the last judgement. every. Return. If
he's. Return. If he's. Return. If doesn't. Return. If he's.. Return. If
not then nothing but the eternal. Return. If doesn't. Return. If. not then
nothing but the virtual is the misleading is the virtual is driving. the
eternal. Return. If doesn't. Return. If doesn't. Return. If he's. Return..
If he's. Return. If he's. Return. If not then nothing but behind the.
misleading the child that's Return. If not then nothing but the economy..
What is.. Return. If he's. Return. If not then nothing but behind the
last. judgement every. Return. If doesn't. Return. If doesn't. Return. If
not then. nothing but the virtual is naked cries the more misleading is
naked cries. noemata. Re asciipng. greyscale movie from a text'stranslated
chars ( char values. greyscale levels one char perframe fps) but the idea
was a bit too. obvious and the transformationtoo onedimensional so I
abandoned it.Yes. they'd be tedious work shades of gray in a tiny specter.
etaoinshrdlu..monotonous.. translating media spectacle news etc into this.
gray stream ofindifference..The key to having this kind of idea succeed
in. general is not merely to workout an effective transform method from
char to. pixel etc. but to have themethod reveal something unexpected of
the. underlying structure of the sourcematerial. If the transformation
results. simply in a stream of meaninglesscolors or chars then it will be
of little. interest even as a conceptsince the concept is a fairly common
one to be. honest. There are a lot ofpeople right now who mistakenly
believe that they. are making radical art byturning photos into music
pictures into text etc.. As with all works ofthis kind it is by breaking
through to the next level and. having the workblossom into something that
nobody has ever seen before or could. haveexpected to see that turns the
idea from a mere amusement into art.OK but. not as a program art shouldn't
care about itself being this or thatcritical. penetrating revolutional
reversing undermining etc. In my viewart is quite. natural it doesn't need
a program to live no more than we do.Lot of things I. do are very stupid
things I don't mind that. And also thequackfraudulent. issue the artist
maybe had some conjurer traits from thebeginning staging. something he not
necessarily believe in but as atechnician of imagination. lies and
language. How does he differ from say apolitician then He's clear. about
it everybody knows it's a scam open sourcescam so the art context is.
reflective revealing its staging. What aboutbeauty and wholeness Well
there's. always some endorfines in resolving thingspotential and
exhaustion beauty in. understanding things wholenesses atdifferent levels
which is like cashing in. on the structure but there arealways remains and
other levels expansion and. consolidation chaos andstability. Beauty taken
over by design etc wholeness. by.. welll it's stillthere but like code
source not wholeness as image but. its counterpartconstruction. Art should
be more absolute not this or that my. view thoughyou didn't ask..What I am
thinking about right now is how to. translate a ()colorspace into music in
a more sophisticated way. than is usually done.There's a natural mapping to
(pitch rhythm amplitude). but it's obviouslynot a simple . If one uses
microtones one can get an. octave span ofpitches from to but I don't know
how to get rhythms. that form aset and amplitudes is way way way too
many.(pitch. duration waveform) Btw midi transformation i've always liked
the renderings. of the radioharddisk maybe reminding of morton feldman or
somehting at times. noemata. .. .............eT vINDUSPOST mINSTEML
i............. pHP .......... aLT. eR jUNI....fORN..........DEN. eKSPORTRD
....... PET nERSKOGEN. h...........NDTROMME pOLITIBIL .......... NSLAGSVIS
dERM.......ATISK. hYOKTANfRI.......SONE.eT vARME........MLER lNEBEVIS i
pHP. a.......LT eR iNNGAVfREML.......... GT. dRIKKEV.......... NE
vERNETOLL. mOS.......... IKK hIMLE pYK .......... FTENSM.......... T.
cOMEB.......... CK iNTERIMgERILJ.......... HR.eT vEIER n........... TURTRO
i pHP .......... LT eR iLLSINTfRUKTSK.......... LL.. eKSTR.......... TUR
NDSF.......... TTIG oPPFRISKET iNNHOPP oNY. .......... M..........
TRL.......... G dRYPPE hIMMELfOTOKUNST.eT. wIKIWIKI
nETTKUNSTPUBLISERINGSSYSTEM i pHP .......... LT eR. iNNT..........
STB.......... REfORMFELTER. eLDSLUE PET oPPFRE. iNGV.......... LD
oSM.......... N aKSEPT dYPFLT. noemata. could write a word as a figureicon
of colorsinsequence ie. circles inside. noemata. Re spectre. e k u n s t
.arc.hive Where's Ascii Turbulence. Spotlight GALZA. some traction. (See
Olia Lialina's misgivings about therecent NY Digital. Salon posted to
rhizome and nettime.) It's all aboutinjecting a healthy dose. of
formaldehyde...long live net art. ( (Y) ) Hlogre. like to introduce to you
my latest net art work Where's AsciiYou all. remember Where's Waldo the big
illustrated books where you'resupposed to. find this guy with a redwhite
sweater. well Where's Ascii isthe internet. version.Ascii is my Dog an
original Ascii Cyberian and he got lost on. theinternet.If you see him
just click on the dog wherever you see him on. the net (itwill send you to
another random page hosting Ascii) or click his. To participate more in the
project you are welcomed to host the dog. (paste asmall HTML code in your
site) until I send for him. For more details. and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. s d. a f. d. a. s f a. a. l. noemata. w i t hyou will breathe inh
e l pthe world is moont j t m tm bviscoustst. tt.ibutt an
abstr.VXaciitttistraight. when a student. comes and asks about bodhi or
nirvana about. to mark with a branding. iron.(intermission passing
train)........choos crept these new.
owe.l..............t........mensuration thickly mislike existentialist..
avoidermary medusa numeral. particularized mechano bridedet er lgn og.
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300
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GARMAGI. GARMAGI. Hotmail account name LOGOSCAP. Noemata Random Name
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International agent codename JEAGUS. Noemata Random Name Generator. BYNOS.
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name ECIFQUO. Noemata Random Name Generator. ME. ME. Computer ID PHPATA.
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301
DJ name NANOCONOS. Noemata Random Name Generator. CIFGE. CIFGE. '''''. '...
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RR MMM MMM EE. MM MM MM EEEEE RRRRRR MM MM MM EEEEE. MM MM EE RR RR MM MM
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MICROCARO. ''''''''''. '. '... .... '.... '... ' ..... '..... ' .. ..'..
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RUPTOMNISES. ) ) ((. )).
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Roleplaying name PILEL. Noemata Random Name Generator. BEO. BEO. Netart
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NKMETA. Noemata Random Name Generator. SHCHROMO. SHCHROMO. ( ( (. Cat name
SRONMAGI. Noemata Random Name Generator. EXSINNECRO. EXSINNECRO. ggggggg
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Random Name Generator. LYZPRI. LYZPRI. ooooooooooooooooooooooooooooooo.
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Noemata Random Name Generator. ANPHONPO. ANPHONPO. Art installation
CANEXTRA. Noemata Random Name Generator. UN. UN. ))) )). ((( (((. Buzz
word this year GYROVOXER. Noemata Random Name Generator. GOGOCITYY.
GOGOCITYY. Polkaband EWONOA. Noemata Random Name Generator. SPHERAMA.
SPHERAMA. ICQ nick CORGRI. Noemata Random Name Generator. ESCAPTHE.
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GRUSE. Noemata Random Name Generator. FEDEROOTAM. FEDEROOTAM. ' ' ) ' ) )
). ((. Acid house combo METRONDONA. Noemata Random Name Generator.
THERMODENT. THERMODENT. ................................
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Mysterious alias SINE. Noemata Random Name Generator. CLONPLEXIAX.
CLONPLEXIAX. Dada movement VELULTRA. Noemata Random Name Generator.
RIOSXEE. RIOSXEE. d....b. d......b .d..b. .d..... dbdb d.....b d.....b.
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..ooooo. ...b .. .... Y.b. .dPYb. .. ... ..... .... .bd.' db.D ..PY.. ...
.... ..YD Y......P Y..P' ....Y' YPYP Y.....P Y.....P. International agent
codename QUOMACE. Noemata Random Name Generator. BOONPE. BOONPE. '''' ''.
.... '.... '.... .... ...... .... . ..... .... .. . . ..
..................................... ANNUALE. Noemata Random Name
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COMWE. COMWE. ( C ) ( O ) ( M ) ( W ) ( E ). Noemata Random Name
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303
( ( ( ( () (. ) ) ). Netart project AKEZEPI. Noemata Random Name Generator.
HIDIUMEM. HIDIUMEM. Motherplanet in space flick FEEPOSO. Noemata Random
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gggggg. gggggg gg. dP dPdPYb dPYdPYPYb dPYdPYPYb. dPdPYb ii. Yb d' Y bdPYb
' ' Yb ' ' d'. Y bdP '. d' YbaaadP' d'. YbaaadP' '. P Y P. Y dP. b d b. d
dP' a. Y P Y. P dP' Yb. gg Y P' Y. P' dP' I. YbP YbdP' Y Y. YbdP' dP. YP'
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oooooooooooooooooooooooo. oooooooooooooooooooooooooo.
ooooooooooooooooooooooo. oooooooooooooooooooooo.
oooooooooooooooooooooooooooooo. DENOPTI. Noemata Random Name Generator.
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.bo. .P ..ooooo ..oobY' ..V.o.. .bo. ..oodD' .bd.'. .. Y.b. .b .. ...b
..V.o.. Y.b. .. ... ... db.D Y.bd. ... ..... ..V... db.D .. ... Y.....P
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Noemata Random Name Generator. SEMAC. SEMAC. )) )L )) ) )). (( (( (((( ((
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'. '. '. '.. ..... .... .. .. .... . .. . .. ..........................
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RRRRRR OOOOO EEEEEEE. MMM MMM AAAAA SS NNN NN EE UU UU RR RR OO OO EE. MM
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NN NNN EE UU UU RR RR OO OO EE. MM MM AA AA SSSSS NN NN EEEEEEE UUUUU RR RR
OOOO EEEEEEE. Fancy art gallery GRIPOS. Noemata Random Name Generator.
ETORPHOTO. ETORPHOTO. .............................
...........................................
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Buzz word this year BABIDO. Noemata Random Name Generator. MACAMA. MACAMA.
PISOPTI. Noemata Random Name Generator. TEZYM. TEZYM. Motherplanet in space
flick FACHYPO. Noemata Random Name Generator. SPOSUBSES. SPOSUBSES. gg
ggggggggggg gggggg gg ggg gg. ggggggggggg gg ggggggg gg. ii dPY dPdPYb ii
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'. P ' YP' '. dP aaaadP P Y dP. aaaadP dP baaaa dP. dP' a b d dP' a. Yba
dP' a dP dP' a. dP' Yb Y P dP' Yb. b dP' Ybd dP' Yb. dP' I Y P' dP' I. P
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'.. ..... .... .. .... .... . ..... .. ......................... Osho name
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( ' ((. Software CELLMIDIIN. Noemata Random Name Generator. PTURSO. PTURSO.
..................... .............................
......................... ...............................
.............................
................................................. Elbonian cousin name
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middle name NARS. Noemata Random Name Generator. EMUSSI. EMUSSI.
httpwww.google.comsearchqEMUSSI
304
305
Blackmetal band EBEAMPRE. Noemata Random Name Generator. POPWAE. POPWAE. .
. . . . . .. . . . . . .. . . .. . .. .. .. . . . . .. . . .. . . . . . ..
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' d Y d' a Ya b dP Yb. b d' Y bdPYb dP'. ' d' b d YP'YP dP. P d' YbaaadP'
'. dP I YP' baaaa '. aaaadP P Y. dP' a I' dP d' d. Yb b d. dP' Ybd d d'. b
Y P. dP' IY Y dba dP P Y. i Y P'. dPYba Yba YbYbdP b. Yb YbdP' Y. aPYP Y Y
d YP Y. Y YP' Y. P. d'. d'. d'. Y P. YP. Noemata Random Name Generator.
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ZZ EE NNN NN YY YY AAAAA. OO OO HHHHHHH ZZ EEEEE NN N NN YYYYY AA AA. OO
OO HH HH ZZ EE NN NNN YYY AAAAAAA. OOOO HH HH ZZZZZ EEEEEEE NN NN YYY AA
AA. Evil scifi character GERONA. Noemata Random Name Generator. SIRIOS.
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AGANUNI. AGANUNI. ) ). (( ((. ICQ nick CKEXTRAS. Noemata Random Name
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..... . . . .. ............................................. Hotmail
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SPACI. SPACI. .. Software ERRITZLA. Noemata Random Name Generator.
CEMINOM. CEMINOM. . .. ... . . . .. . .. . . ... . . . . . . .. . . . . .
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. ... . . . . .. . .. ... . . . .. Hotmail account name FACNEBULA. Noemata
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306
Netart project NIZMAGIER. Noemata Random Name Generator. LARIOR. LARIOR.
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dbdb d...b .d..b.. ..' .... ..'Y.b ..PY... .. ..ooo.. .. ..... .. ....
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... Noemata Random Name Generator. INERDE. INERDE. d......b d.bdb d.....b
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....D .... Y......P VPV.P Y.....P ..YD Y....D' Y.....P. Dog name FACBIOEM.
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MONOZYM. Noemata Random Name Generator. HOLONIZ. HOLONIZ. Cyborg model
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(. Mysterious alias SALAT. Noemata Random Name Generator. CYCLOMERAX.
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HOLOPH. Noemata Random Name Generator. SAVOZ. SAVOZ. gg ggg ggg gg gggggg
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P. YP. Blackmetal band MUSBA. Noemata Random Name Generator. DANEER.
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dP' Yb. b Y P d'. dP' I gg dP P Y dP' I gg. i Y P' dP P Y dba. dP YbP YbdP
bdP YbP. Yb YbdP' YbdP b Yb. aPYP YP' YP YaPYP YP'. Y YP' YP Y d. P. d'.
d'. d'. Y P. YP. Mysterious alias ESCONU. Noemata Random Name Generator.
CABKILO. CABKILO. C A B K I L O. Cyborg model YRCHA. Noemata Random Name
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MASHAE. MASHAE. ) ) ). ( ( ( ) ( (. ). ) ) ) ) ( ). ( ' ( ( ( ( ().
Computer ID OCY. Noemata Random Name Generator. STCYCLO. STCYCLO.
ooooooooooooooooooooooooooooooo. oooooooooooooooooooooooo.
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oooooooooooooooooooooooooooo. Goldfish name ANTINOS. Noemata Random Name
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d.PY. .... ..' ..' ...D d.'.b. .P ..ooo.. .. ..ooooo ..oobY' ..ooo... .b
.... .. .. ...b ..... Y.bd. .... .. ... ..... ..... Y..P' YPYP YP Y.....P
..YD YPYP. Mysterious alias NAERO. Noemata Random Name Generator. EPTURA.
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H E E N. DJ name ZARINTROIN. Noemata Random Name Generator. RABUM. RABUM.
Y. ICQ nick MACSES. Noemata Random Name Generator. CONSEA. CONSEA. ) ) ).
() ( ) ( ( ) (. ). ) ) ). () ( ( ' ( () (. Osho name PHOTOKENE. Noemata
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) ( T ). Buzz word this year ANOIDAERO. Noemata Random Name Generator.
SCERNAUTO. SCERNAUTO. (((()U L ((). '' '. Pet name BETALIONON. Noemata
Random Name Generator. RAGASEXEL. RAGASEXEL. ggggggggggg ggg gg ggg gg.
ggggggg ggg gg ggggggg gggg. dPY dPI ii dPI ii. dPYbdPY dP' dPYb d I. Yb b
dP ' dP '. d' a YYb b d d' a Y dP. P dP Yaaad dP '. YP' YP' YP' P. aaaadP '
dY ' dP. baaaa Y baaaa. Yb d P b d dP' a. dP b dP. b dP Y dP'. Ybd d b d
aa. i dP P Y dP' IdP P Y dP'. IY P' Y Y dP P. YbYbdP bdPYbdP. bdPYba d Yb
Yba Ybdb. Y YP YaPYP YP YaPYP. Y P' Y Y YP Y. Hxr nick ESCIFKA. Noemata
Random Name Generator. AZBASLOO. AZBASLOO.
307
Art installation AGECHROMAERO. Noemata Random Name Generator. Slektstre.
Slektstre. Ann Elesøpite. Bsorn Jenne. Anyto. Knet Macmoalteon. Erlunc
Mesnaylteon. Knet Olshn Micnualtean. Oli Olcen Hellons Mosnealdeem. Olo
Svonsan Tinuoese. Spaon Elepson Timeiøcu. Barcid Eilhpstedtar Tine de..
Amme Olstattår Buscøtaecon Besso i Nos Ål. Ghnfer Eiraggtitter Flhden.
Eerhs Assrensan Fletam. Ascram Ehrosgen Saecsort Flutyn. Eirus Aszrinsen
Sera Ree Østru Agur ver. Bhrghd Genmurdottar Øfre Asar par. Genbar
Olcditthr Nertra Fasc. Olå Knotson Nertra Fekc. Anma Lorstottår Nertræ
Åsor Syra Tefdo. Kristi Harpråntstitter Nerdru Hylcayson. Herfremd Pelcon
Låen Hasim Ssrendo. Mersht Keddilctættor. Mera Eylhfgtatder Ritnonsen Ål.
Ellans Olson Østnhntsed. Insopers Olsdhdtar Rutnimsen. Acnes Roeni. Anterc
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Jins Jimkan Sludte Kfangåyasen (c. . Jonc ver fri Oynctathtte. fre
Aurlomt.). Jin Jangen Oomstod Getbrentcgert Setndolen (s. ). Ronste
Olgtedter Tanisun. Oly Tanhccan Kfongiæegen. Tenis Olcøn Shra Tarba.
Ronsth Lerctytdor Nardre Gravo. Kyri Olctiddur Nidri Raynden. Ola Knatcen
Reemthm (g. ). Knyt Livhrtcon Sara Møaes (s. ). Rhnnes Larstettir Moteos.
Haltos Olctitthr Surh Bhssæstot. Byrsat Olsdattar Morasledte Sbartiferj
(forset ver dhttar tal. ssilelirar Oly Sopitson Sfertafers fre Ål.). Geru
Olstattyr Nardri Reumtan. Olu Olgem Nartre Reymton (c. ). Ola Sfeenson
Nartre Rayntim (s. ). Sfeon Kmhtgen dæ. Nhrtru Ryandhn. Knod Lifordsen
Sirø Mitays Netre Rionton (c. ). Remsta Sfaengtettar Sencta Kyebams.
Birzot Olctattir Thmsin. Gra Olkdottur Nirtro Hallamg Ål. Ole Olsen Nirtro
Hillhns Ål. Gri Nalctetdar Halde. Borsod Sshgortsdetthr Teasacthcin.
Birsoyld Hillinccthd. Arna Hhllenggthd. Tera Kolbcerncsart Vads. Removal
of the hand. The Removal of the hand as a mythological symptom consistent.
with fetishistic disavowal can only be a pretext for 'release' per se.
says. Mr. Tanizaki disavowedly.. Palafax Solipsigossa. .ltb.gt.
.ltb.gt....ltb.gt. randomART Tommy is .ltb.gt....ltb.gt. .) (.'. .) ('..
Seven elements of beauty. Seven elements of beauty. . Asymetry breaking
away from formed perfection.. . Nonattachment openmindedness. .
Naturalness artless without pretense. . Simplicity. . Limitless silence
inwardlooking mind. . Wizened austerity like an old tree. . Profound
subtlety. pieces. May there be peace in heaven.. May there be peace in the
sky.. May there be peace on earth.. May there be peace in the water.. May
there be peace in the plants.. May there be peace in the trees.. May there
be peace in the Gods.. May there be peace in Brahman.. May there be peace
in all.. Peace peace peace.. Hindu. a state of tranquillity or quiet as a
freedom from civil disturbance b. a state of security or order within a
community provided for by law or custom breach of the peace. freedom from
disquieting or oppressive thoughts or emotions. harmony in personal
relations. a a state or period of mutual concord between governments b a
pact or. agreement to end hostilities between those who have been at war
or in a state. of. enmity. used interjectionally to ask for silence or
calm or as a greeting or. farewell. at peace in a state of concord or
tranquillity. Cherish in your hearts boundless goodwill to all that
lives.. Learn to make the whole world your own. No one is a stranger my
child the. whole world is your own.. det profane er høyere enn det
sakrale. sakrale som et fokuspunkt. . The obstacles in the way of him who
desires to attain concentration are. Sickness Languor Doubt Carelessness
Laziness Addiction to objects of. sense. Erroneous Perception Failure to
attain any stage of abstraction and. Instability in any stage when
attained.. . These obstacles are accompanied by grief distress trembling
and sighing.. . FOR THE PREVENTION OF THESE ONE TRUTH SHOULD BE DWELT
UPON.. Any accepted truth which one approves is here meant.. . Through the
practising of Benevolence Tenderness Complacency and. Disregard for objects
of happiness grief virtue and vice the mind becomes. purified.. The chief
occasions for distraction of the mind are Covetousness and Aversion. and
what the aphorism means is not that virtue and vice should be viewed with.
indifference by the student but that he should not fix his mind with
pleasure. upon happiness or virtue nor with aversion upon grief or vice in
others but. should regard all with an equal mind and the practice of
Benevolence. Tenderness and Complacency brings about cheerfulness of the
mind which tends. strength and steadiness.. patanjali. recollect the
antecedent. . To recollect that which is most antecedent to the in breath
and out breath. means that you must tune into that which is prior to the
entire breathing cycle. itself. Just as the hand which lifts a staff is
not part of the staff likewise. the antecedent recollection is not a part
of your breathing. As a practical. illustration you must recollect the
antecedent as you breathe in and breathe. out. If the breathing is long or
short labored or otherwise you must focus on. the antecedent so that
breathing follows after it. When you breathe for. example your normal
belief is I am breathing. It never dawns on you to. retract your attention
and look in the opposite direction so as to rise above. breathing. Not
surprisingly this is not an easy task (owing to force of. habit. all of us
still attend to conditions which are always posterior).. seung sahn. You
think that the kongan is separate from your life and from your job. This.
kongan don'tknow mind clear mind your job your life everything hit. become
one. Just now what are you doing. You asked me what am I I say to you you
already understand. Look at the. ground. What do you see What do you hear
now You must open your eyes and. ears.. Also you must attain your true
self. Then you will not have to ask about me.. Zen is not difficult also
not special. If you want special you have special.. But this special
cannot help you. When you are eating just eat when you are. walking just
walk when you drive just drive. That is Zen. There are many. kinds of Zen
eating Zen working Zen television Zen driving Zen playing. tennis Zen.
Sitting Zen is one part. Most important is moment to moment how. do. you
keep clear mind So Nam Cheon Zen Master was asked What is Zen. Everyday.
mind is Zen mind. So don't make special don't hold something don't be.
attached to something don't make something then you are already complete..
That's primary point I told him. You found it. You studied philosophy but.
you couldn't attain this nothing. Just now you attained nothing. But if
you. hold nothing then you will have a problem.. What do you mean by
'holding nothing.... It's very sad if you are holding nothing. All your
lingering attachments will. press on you. If you are not attached to
nothing you will attain nothing and. there is no life or death. If you are
nothing then life and death are nothing.. You are already beyond them.. Oh
that's wonderful he said. I didn't understand that until now.. It was an
interesting conversation. He was old rich and very wellknown but. he said
he had gotten nothing. As you get old this nothing gets bigger. Before.
you come into this world there is nothing. When you are young you don't.
understand nothing just the words. But by the time you are forty or fifty.
and. a good friend has died or your mother and father have died then you
have. experienced nothing. You have tasted nothing. If you practice hard
the taste. is. very strong and you are free to help other people. But if
you are holding. something in your mind you can't taste nothing. If you
want freedom you. must. taste nothing very intensely. What is the taste of
nothing. cayce the Sanskrit word for action is karma. the Sanskrit word for
action is karma. when there are rebellions of body or mind against such is
there any wonder. that. the atoms of the body cause high blood pressure or
cause itching or cause. running sores or cause a rash or cause indigestion.
For all of these are. but the rebellion of truth and light.. . As has been
given there are DEFINITE conditions that arise from. within the inner man
when an individual enters into true or deep meditation. A. physical
condition happens a physical activity takes place Acting through. what
Through that man has chosen to call the imaginative or the impulsive and.
the sources of impulse are aroused by the shutting out of thought
pertaining to. activities or attributes of the carnal forces of man. That
is true whether we. are considering it from the group standpoint or the
individual. Then changes. naturally take place when there is the arousing
of that stimuli WITHIN the. individual that has within it the seat of the
soul's dwelling within the. individual body of the entity or man and then
this partakes of the. individuality rather than the personality.. . If
there has been set the mark (mark meaning here the image that is raised.
by the individual in its imaginative and impulse force) such that it takes
the. form of the ideal the individual is holding as its standard to be
raised to. within the individual as well as to all forces and powers that
are magnified or. be magnified in the world from without THEN the
individual (or the image). bears the mark of the Lamb or the Christ or the
Holy One or the Son or any. of the names we may have given to that which
ENABLES the individual to enter. THROUGH IT into the very presence of that
which is the creative force from. within itself see. . Some have so
overshadowed themselves by abuses of the mental attributes of. the body as
to make scars rather than the mark so that only an imperfect. image. may be
raised within themselves that may rise no higher than the arousing of. the.
carnal desires within the individual body. We are speaking individually of.
course we haven't raised it to where it may be disseminated for remember
it. rises from the glands known in the body as the lyden or to the lyden
Leydig. and through the reproductive forces themselves which are the very
essence of. Life itself within an individual see for these functionings
never reach that. position or place that they do not continue to secrete
that which makes for. virility to an individual physical body. Now we are
speaking of conditions from. without and from within. . The spirit and the
soul is within its encasement or its temple within the. body of the
individual see With the arousing then of this image it rises. along that
which is known as the Appian Way or the pineal center to the base. of the
BRAIN that it may be disseminated to those centers that give activity. to.
the whole of the mental and physical being. It rises then to the hidden eye
in. the center of the brain system or is felt in the forefront of the head
or in. the place just above the real face or bridge of nose see. . FIND
that which is to YOURSELF the more certain way to your consciousness. of.
PURIFYING body and mind before ye attempt to enter into the meditation as
to. raise the image of that through which ye are seeking to know the will
or the. activity of the Creative Forces for ye are RAISING in meditation
actual. CREATION taking place within the inner self. snailmail
jupitterlarsen. snailmail g.x. jupitterlarsen. for myself eye enjoy
playing with terms as toys nothing more. too many. people. take ideas (or
the terms of ideas) too linearly.. eye think that a person's disapproval
of somehting is no reason not to like. it.. if a man believes in something
it does not necessarily mean that he accept it. as something which is
essential nor should he.. in fact a man exhibits a real understanding of
the workings of reality when. in. a single action (without meaning to
deceive) he deliberately says one thing. and. does something else
altogether different.. it is the multidimensionality of all of this which
shows us that using the. same. process of making rational conclusions will
not always work for all events. and. actions.. eye am not from anywhere
really. my father was from norway however. g.x. jupitterlarsen. NOT HERE.
and we. and we. are fundamentally inclined to maintain that the falsest
opinions. (to which the synthetic judgments a priori belong) are the most.
indispensable to us ..without a constant. counterfeiting of the world by
means of numbers we could not. live.
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UEOFTHEFOUNDINGOFGARDENINGARPNCTSUJEXQUOTSFD. CSFDE. i don't remember
having written this not sure what it is... phaneronoemikon solipsis blog.
Person shelf sentence continuing. Q Who reads Person shelf sentence
continuing. A Pure Irration.. Q Is reading done in eyeball. A All reason
contains irreasonal assumption.. Q Why does Person shelf sentence
continue. A Pure ration of radiance.. Q What is contained in one ration of
radiance. A Pure Irration.. Q Are you in favor of constructing networks of
belief. A They are constructing me. Why not construct them. Q Can you
explain. A I have swallowed a redhot iron ball. which has cauterized my
throat into a starform.. Q Who reads Person shelf sentence continuing. A A
Pure Ration of the AllSelf incausing Irration for S.O.A.. A Person shelf
sentence continuing. Q FINAL.. Wednesday March. CAMBODIAN MAN CUTS OFF
PENIS TO FEED SPIRITS. Mon Mar AM ET. PHNOM PENH (Reuters) A Cambodian man
cut off his penis when he said he was. visited by four hungry spirits in a
dream and he had no chicken or duck to. offer them.. According to police
yearold Soun Ney told the spirits to go away when. they first appeared to
ask for food and waved his penis at them in defiance.. 'Devils I don't
have any chicken or duck for you' he was quoted as saying by. local police
chief Phoeung Vat. 'If you want to eat anything you can eat my. penis.'.
Soun Ney said the spirits agreed to eat his penis. He was rushed to a
hospital. near the capital Phnom Penh after he castrated himself with a
butcher's knife.. 'He is lucky to be alive' Phoeung Vat told Reuters..
Villagers in the deeply impoverished southeast Asian traditionally offer.
chicken duck or cake to the spirits of the dead to ward off bad luck..
found via Mark Lamoureux's. posted by Lanny PM. Sarandipities Trobard
ClusTermed. LunaLangLungLonging. What Breaks Though The Drama. Of All That
Tiny Inscriptus. Crowbar Plus. Ultra. My Kind. Trobar Plus. The Albino
Cyclopean Unicorn Gorilla. With Diaper D'oro. Filled With The Red
Tincture. Malbion Boonlight. It Doesn't Matter How You Arrange. The Words.
But How You Make Dolphin. Among The People. This Language Is Paramount. And
Must Be Unambiguous. Or You Will Be Labeled As A Kind Of Metagallinari. Of
Harangue Upon The River Styx. Now I Move In The Secret Doctrine Of Space.
And Find My Diagram Where The Outline Of. My Tribulation Is Ignored. The
Erotis Curvatures Of The Iconic Invention. Signals A Float Of
Intentionality. Within The Dark Wood Of The Loam Of Eyes. This Isn't An
Area For Soft Boys. But For Viral And Manic Demons Whose Surfaces. Are
Iconic Landscapes. Whose Dreams Are Alchemical Dramas Unfolding. With The
Precision of Floral Camera Craniums. This Machinic Djinn Lives. And Bites
Through The Umbilical Chord. With Teeth Of Coma. Chroma. The Ribald Town
Of Jiboko. Where The Green Skinned Fever. Hides Like An Assassin. Passing
Dreams Like Crystal Throwing Stars. Into Passing Gourds. None Of This Says
What It Thinks It Says. Such Is the Mystery Of the World. That No One May
Know Its. Fama Who Ignite Such Terrible And Inspiring Fires. Blank.
Arsenal. Firing. Under. Kama. Kra. C. losing.. Butter Idols.. What Happens
To Authors. Because. Of Their Texts.. Character (Dinosaur). pro notia
(elastic notocord). linguarum (Atlantean incense). universalis
(sphaerical). Species of the .... (enter relevanttimeframecontext).
.Independent Potentials.. of the RealM.. posted by Lanny PM. The Plan
Abandoned. by Wade Tillett. The unavoidable theoretical crisis. lurking
for years as an outline. a shadow at the edge of a glance. an uneasy
feeling. has finally become apparent.. It is in the face of this spectre
that. I am abandoning the profession of architecture.. While innumerous
evils haunt this profession. they are not in the end what has compelled my
resignation.. (I suppose these would have been reasons to reform. not
abandon.). No in fact after much consideration and soulsearching. I have
come to understand there is only one demon. the plan.. The plan can not be
separated from belief.. Belief encloses itself and becomes a system..
Belief identifies a self and other. a landscape. and a space.. Belief
establishes truths and possibilities based on its own parameters.. The
plan is the contract which seals belief. enforces belief.. The plan is the
word written. staticized. objectified.. The plan is the mapping of belief.
its completion as a coherent system. its formalization.. The plan is the
enclosure of the belief set. its circular logic turned on itself. the
fabricationenclosure (simultaneously) of possibility.. The plan produces
possibility. a construct of definable limits.. The plan allows one to
inhabit belief.. The plan delimits a space and a body.. Life is delimited.
separated. enclosed in a wrapper of the possible. identity. death.. Death
is the final separation. the final limit. the finite. the form. the past
twisted onto consuming the present.. The plan invents death. constructs
death. allots death.. The plan manufactures an objective reality. an
other.. Death is the ultimate other.. In order to be a true believer. one
must eliminate one's participation. in the creation of truth (the ultimate
other).. It is only in this way that objects. others. spaces. can be purely
objective.. The other must stem from without.. The plan must detach the
user or architect. the creation of the belief system.. The plan must
separate the self from its own modification.. The formgiving of
representation must be recast as a formreceiving.. The plan must become
the map.. The process of objectification (the creation of other) therefore
must. erase itself.. Thus inherent in the plan is a certain blindness. that
refuses to accept the creation of death. but accomplishes it the same..
Architecture is a means to resolve (obfuscate). the fundamental paradox of
the plan.. The plan can not be theorized as a problem within architecture.
nor one stemming from without.. The plan is both architecture's means and
it's reason for being.. Architecture's dual purpose is to hide that which
it facilitates.. Utopias are always distractions decoys.. The selfdelusion
of the architect is always only partial. there is always the intuitive
semiconscious fitting. negotiating. constructing. of a plan that bridges
and covers what it intends to be. and what it will be.. Such is the dual
nature. the misnomered intuitiveness. of the architect.. Those fascists
who purport to have accepted their role. as creators of death. as inverse
gods. in the end place Death as an absolute beyond. as some form of truth
outside the self.. They understand death's comport with belief. but
mistake death as beyond belief.. The actual manipulations at the molecular
level. are misconstrued. by a grandiose abstract Death narrative.(). The
myriad sin constructions are glossed over. hidden under. legitimized and
justified. by the holy image and the coming utopia.. Belief remains in the
singular untouchable other.. A construct is created behind an image.. The
imperialism of the plan always leaves one absent. a shell without
content.. The plan or map or image or identity can not be put to good use.
even those put together democratically or autonomously. present only a
means to enclose. subject the present to the past image. create
possibility traps.. The plan can not be separated from the tyranny that
employs it. the plan is that tyranny. the subjugation of the present to
the past.. Notes. . Fitting the two types of forms together segments of
content and. segments of expression requires a whole doublepincered or
rather. doubleheaded concrete assemblage taking their real distinction
into. account. It requires a whole organization articulating formations
of. power and regimes of signs and operating on the molecular. level.....
If this parallelism is replaced by a pyramidal image then. content
(including its form) becomes an economic base of production. displaying
all of the characteristics of the Abstract the assemblages. become the
first story of a superstructure that as such is. necessarily situated
within a State apparatus the regimes of signs. and forms of expression
become the second story of the superstructure. defined by ideology. It
isn't altogether clear where language should. go since the great Despot
decided that it should be reserved a. special place as the common good of
the nation and the vehicles for. information. Thus one MISCONSTRUES the
nature of language signs. organizations of power and content. () the
illusion that one can. grasp and shuffle all the strata between one's
pincers can be better. secured through the erection of the signifier than
through the. extension of the sign. ( Deleuze and Guattari A Thousand.
Plateaus. Emphasis mine.). posted by Lanny PM. Through Struggles to the
Stars. By Physicist. Jack Sarfatti Ph.D.. On the physical principles of
consciousness warp drive and wormhole star. gate time travel in the light
of the new precision cosmology of dark energy. and their relations to the
coded knowledge of the once and future techgnostic. mystery schools
fictionalized in The Da Vinci Code and described in fact. in Techgnosis..
Newton realized that the fall of the apple was the same as the motion of
the. Earth around the Sun. That was his alchemical techgnostic insight
into As. Above So Below. I have shown that the invisible Galactic Halo
holds the. stars together in the same way through negative zeropoint
energy density. with equal and opposite positive quantum pressure that the
electrons. distributed repulsive electric charge is held together. Its As
Above So. Below all over again. Real original physics on the deep
structure of the. many worlds not found in any other book is weaved
together with great. literature and my true adventure story. Quantum
reality is not only weirder. than we have imagined but may be weirder than
we can imagine. We are. such dreams that stuff is made from.. Re Object not
found.. ok mwp feel free to upload to noemata or adundas as an online
storage for you. stuff if you want. ah you can sell your stuff via
noemata.netarspublica.com. and get rich from the post.net.art. (it's of
course not generating a dime.). if i should try getting money from
institution i think it would be for 'fully. automated art' or something
like that smiley. i owe them some explanation what. i did with the last
which is ok and making problems with backfiring. 'context art' and then
not caring about paper work but the possibilities are. there and they're
basically kind i should have a secretaryagent doing. things keeping my
life together that would be fine i'll advertise defunct. potential artist
seek structured realistic person. there's missing a whole. lot in that
production line. i wanted to fix that before collaboration no it. doesn't
work only tight schemes getting money out of funds goals the usual.
artistery. insert sercasm charchasm hollow character.. perl cgi seem only
available from url kunst.nobjornmag (which is same as. noemata.net)
support didn't answer the last mail so they won't fix probably.. see you
in the post art. name. AROSE RIP. Aroseisaroseisarose.com is officially no
longer. All links to works. originating from the site are henceforth
invalid. Moreover I have no plans. for the construction of any future
sites.. I await a future of postnet art which is the only one I can expect
to be a. part of right now.. Re spasms. ..like eerie to me this tini whirl
j kom over linken i går actually. yo ko ok whiteblue c. alsoh. Recently
she held a thirteendaylong dance festival taking place 'in your. mind'..
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...... ..... ..... ..... .... ... ... .. .. trolldeig. vegetating at meh
airport this trolldeig work clumsiness of kid craft maybe. clumsiness of
their actual imagination not the craft always prefering the. chubby planes
and popple of things negating colors they now seem to be. jumping off
midair the original is red ground and they look dead white and. grinning
kids wondering how those air crafts every could fly maybe not. crosses and
how their imagination ever could represent anything no we don't. believe
the cross mean that we don't believe caricatures is like. imagination not
our craft we kids know that but you don't you are the. clowns falling off
by believing imagination eventually adapts you hit. the ground.. syndicate
div. This is a multipart message in MIME format.... ContentType textplain
charsetiso. Some moulds new images to become compressing them much as
possible and time. inflating they're connected to different ideas and
things lost or heading in. other directions divergence divide division
divert deflect route detour. distract turn aside depressible depute
diverting diplostemonous ride. daughterly turn ached diffractions dept
departs duplicitously ready dowdier. destructor tirana acta diversionist
dubbed deposing deportees defalcate rite. datura distributor thermo
agatha. Index of div. Name Last modified Size Description. Parent
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mailinglist. Syndicate network for media culture and media art. post to
the Syndicate list. no commercial use of the texts without permission. hr
onwards. years anniversary. () (. ' ' '. ' ' '. ). (). ). '. roundtheclock
posting of sequenced hypermodern imagery from Brad Brace.. The hypermodern
minimizes the familiar the known the recognizable it. suspends identity
relations and history. This discourse far from. determining the locus in
which it speaks is avoiding the ground on which. it could find support. It
is trying to operate a decentering that leaves. no privilege to any
center.. began December. Pointless Hypermodern Imagery... postedmailed
every hours... a. spectral trajective alignment for the s A continuum of
minimalist. masks in the face of catastrophe conjuring up transformative
metaphors. for the everyday... A poetic reversibility of exclusive
events.... A postrhetorical continuous apparently random sequence of.
imagery... genuine gritty greyscale... corruptable compact. collectable
and compelling convergence. The voluptuousness of the grey. imminence the
art of making the other disappear. Continual visual impact. an optical
drumming sculpted in duration on the endless present of the. Net..
unassimilable... imagery is gradually acquired selected and resequenced.
over time... ineluctable vertiginous connections. The hr dialtone....
KEYWORDS Disconnected disjunctive distended decentered. decomposed
ambiguous augmented ambilavent homogeneous reckless.... Multifaceted
oblique obsessive obscure obdurate.... Promulgated personal permeable
prolonged polymorphous provocative. poetic plural perverse potent
prophetic pathological pointless.... Emergent evolving eccentric eclectic
egregious exciting. entertaining evasive entropic erotic entrancing
enduring. expansive.... Every hours another... view them repost em save
em. trade em print em even publish them.... Heres how.
httpbbrace.laughingsquid.nethr.html
309
310
Look for the hricon. Heavy traffic may require you to specify files. more
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use FTPmail to. do essentially the same thing. Send a message with a body
of 'help' to. the server address nearest you. ftpmailccc.uba.ar
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images is only K.. Perl program to mirror ftpsitessubdirectories.
src.doc.ic.ac.ukpackagesmirror. Postings to usenet newsgroups. alt.hr.
alt.binaries.pictures.hr. alt.binaries.pictures.misc.
alt.binaries.pictures.fineart.misc. Ask your system's newsadministrator to
carry these groups. (There are also usenet image browsers TIFNY PluckIt
Picture Agent. PictureView Extractor NewsRover Binary News Assistant
EasyNews). This interminable relentless sequence of imagery began in
earnest on. December . The basic structure of the project has been over.
twentyfour years in the making. While the specific sequence of.
photographs has been presently orchestrated for more than years worth. of
hour postings I will undoubtedly be tempted to tweak the ongoing.
publication with additional new interjected imagery. Each hour posting. is
like the turning of a page providing ample time for reflection.
interruption and assimilation.. The sites listed above also contain
information on other cultural. projects and sources.. A very lowvolume
moderated mailing list for announcements and. occasional commentary
related to this project has been established at. This project has not
received government artsubsidies. Some opportunities. still exist for
financially assisting the publication of editions of large. (x) prints
perhaps (Iris giclees) inkjet duotones or extendedblack. quadtones. Other
supporters receive rare copies of the first three. hremailsubscriptions
can also be made at. mo yr. Institutions must pay for any images retained
longer than. hours.. image files. Get the textfile 'picturesfaq' to learn
how to view or. faq.html. (c) Credit appreciated. Copyleft. this heat.
you're now listening to this heat a.k.a. Blue and Yellow Testcard
Horizontal. Hold Not Waving Water Twilight Furniture Track Loop Diet of
Worms Music. Like Escaping Gas Rainforest The Fall of Saigon Testcard
Deceit Sleep Paper. Hats Triumph S.P.Q.R. Cenotaph Shrink Wrap Radio
Prague Makeshift Swahili. Independence A New Kind of Water Hi Baku Sho
(Suffer Bomb Disease) Repeat. Metal GraphicVarispeed. This Heat (album)
covers two years of the band's history with both live and. studio cuts.
They use guitar clarinet drums and keyboards permuted with. loops phasing
and overdubs breaking down patterns into only faintly. connected musical
moments that include artificial skips and looped end. grooves. Though
insolent and withdrawn the music is adventurous and in its. raucous yet
avoids the dismal drones and cacophony of other experimental. groups. Free
of clichs the music blends politics and intelligence steering. clear of
artifice and trendiness. Austere brilliant and indescribable.. this is
still very good. Re rune grammofon. yes i've heard some releases
supersilence biosphere jazzkammer it's quite. experimental ranging from
noisefreejazz to ambient to electronica. haven't. seen the book but their
obviously into design also.. rune kristoffersen has some years in the
business he was in the group 'fra. lippo lippi' which released a beautiful
depressive record in 'in. silence' influenced by english goth rock. he was
involved in the company. uniton from which i bought releases and imported
albums at that time he's. got more pop oriented... related to that milieu
were 'holy toy' and 'when'. holy toy centered around. the polishnorwegian
eccentric andrej nebb and is probably the most. interesting group in
norway ever. actually nebb mentioned this heat as one of. his influences
which is obviously also in 'when' which comes from lars. pedersen
percussionistorgan in holy toy. 'when' reconnects more to prog rock. i
sent a cd with some stuff to rune k. a couple of years ago from the. just
slow and dark noise syrup recorded and manipulated from rails and. other
concrete sources. experimenting with very low bitrate encoding giving a.
spectral sound.. Have you seen this Do you know anything about this label.
Just wondering if you thought it was worth checking out... . e k u n s t .
cazzarola What is this. This is a multipart message in MIME format....
ContentType textplain charsetiso. a draft... cazzarola What is this. maria
What the awakening du vil holde styr unna brødene.. cazzarola Who are you.
maria Who are here in a try ) er gud er ikke her har mer av gammelt grått.
mugg og gjør fyldest alle dverger uten tanke søler sitt ene øye.. cazzarola
fanculo. maria What the awakening you will stay clear of the breads.. maria
Who are here in a try ) is god not is not her have more of the old. gray
mugg and do fullfill all dwarfs without thought spilling his one eye..
cazzarola fanculo. (. gozzarola finger eye. maria at ping eye tarot two
konservative lunkne.... ). noematamariadialoger. Nytt kapittel ferdig (k)
april. Maria Futura Hel Dialoger. dialoger.html k apr. dialoger.html k
apr. dialoger.html k sep. dialoger.html k jul. dialoger.html k apr.
dialoger.html k dec. dialoger.html k sep. dialoger.html k may. utdrag.txt
k jan. dialoger.html k jan. dialoger.html k nov. dialoger.html k aug.
dialoger.html k apr. dialoger.html k jan. dialoger.html k jul.
dialoger.html k may. .. ((()((. dialoger.html. tramslated. Dialoger med
Maria Futura Hel. maria i allerede levd because of grace jones. zynt am
nævestad badin magen. maria bad politikker. zynt yes am he dust. maria
dust am jesus suger eller am pingle. zynt skal vi home idag. maria home
till park. kutt al meg frekke kjerring kan a question men the. them for
off røret.. zynt haves i big kuk. maria big encourage at upon tv gøy
belowstream have sagt.. zynt become grows bog vaktkommandør. maria become
eneste uavbrutt høyforedersk handling.slik var. oppriktige svært bad no
not vet where heck am burdensome fog mist comfort. consoles tankene. drags
one excellent fine handel it quite altogether tøft.. zynt am urge digg.
maria am portveien. zynt am urge dig. maria urge digg. zynt am urge digg.
maria urge digg. zynt yes am it digg. maria yes hun light lightens for off
you opp and says i kan i spør about. concerning around she smiles.. zynt
you am one cheky diminutive harlot you. maria harlot foroff waldemar
waldemar am one dritt engine machine (peker. a longed nede økonomiskog
with serbiske and chocolate and films eller noen. var minute forest.. zynt
haves you pupper. maria pupper what for slakk foreslåtte pari why. zynt
jævla fitte. maria fitte slim like everything until terje vigen ex from
finnmark the. lounge am you no not. fernufti the them må get lay hold of
upon gayta except envelope. mister erik. My work is completely
photometrical.. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. post distribuert via. e k u n s t.
listeadresse eekunst.no. kontaktadresse listmasterekunst.no. the sound of
matemathics. the sound of matemathics. via solipsis. min telecommuting
work. min telecommuting work. hararharharhahrhar iiotoutoitoutruio
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lk. bytes bps. singalong attachment removed. while walking. while walking
beachboys mindful of worms ancillary ants.. dmf nota throw away paper that
irwin written oncogene.. do not all these things.. while walking be
minimized of worms and ants.. do not throw away paper that is written on..
do not all thersites things.. whimsey walkers bays mineable of worry
ancohuma antre.. djerba notarising throttle away paperer thankless is
wronger on.. do nostoc all these thingamajig.. whig walking be mindless
offal wormier and ants.. dniester not throwaway away papaverine
thanksgivings isabella wroclaw on.. do notability all thesaural things..
whikehart walkingstick bdellium mindfully oeuvres wormseed antonym ants..
dniester not throwaway awayness paper thatch irwin wroclaw on.. doab nota
alla thesaurus thingumabob.. when warbles bauxitic millionaire oilman
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parallax theophobia irrationalism yahweh old.. doggedly noricum aliphatic
thermalize thoreau.. like. likes one who on a loment roadhouse. dossal
walachia in fearer and drawstrings. and haute oncer turnkey roughly wale
on. and turtleback no mordant his headdress. beckon he knutson a frigidity
fiesta. dotterel cloned behaviorisms him treadled.. like ondo whodunit on
loomer road. doted walford imputed fealty andaman dreadfulness. andantino
having oncer turnery roumania walkover on. and turnstone nmr mordvinian
hispanicised hazy. bechtel hazing knowles a frightful fierce. dotter
closedown beholden hilts treacherousness.. likuta one who on a lollop
riverine. doughboy wall in fear and dread. and havoc ominousness turned
round walks on. and turners no mordacious his havocking. because he
knitting a frictionises fibrositis. doth clothesman behan him read.. like
omitting who on loath road. doth walkie imputations fear anatomical dread.
anaplastic having onomatology tutti round walks oophoritis. aneuploid
tupungato no more his head. because heartbeats knows a frick fiend. doth
close beholders hiddenite tread.. beMyGhost Punch and Judy Show.
................................................. Noemata's beMyGhost
Punch and Judy Show. A light seaside summer entertainment. The plaintext
dessert of a desert hyperwork. A puppet show beyond good and evil. Etc..
As performed by the professors of automata. telemata noemata.. Now playing
the Inbox Theater Scene. oOOo. The story so far..... He is known as
Pulcinella in Italy Guignol and Polichinelle in. France Kasperl in Germany
Casper in Sweden Karagioz in Turkey. Karagiosis in Greece Petruk in
Indonesia. He's been around a long time in one form or another. He's an
imp of. mischief out of the mists of time. We know him as Punch. As.
Pulcinella the actor he was part of the Commedia Dell' Arte troupes. of
Renaissance Europe. To trace him back further takes us into the. very
ancestry of pantomime itself back to Ancient Rome and Classical. Greece
and the licentious topsy turvey world of Saturnalia and Satyr. plays. He
exists in many cultures for he is one form of The Trickster. a key figure
in society's development a figure able to turn shared. values upside down
for the shocked amusement of the community and the. ultimate strengthening
of the bonds that mutually bind it.. Charles Dickens was also a great
admirer of the Punch and Judy Show.. Mr. Punch is frequently mentioned in
his novels. One work The Old. Curiosity Shop seems to be based almost
entirely on the Punch. tradition. The show has taken a fair amount of
stick in the past for. being violent or not politically correct and being
flippant about. domestic violence. Charles Dickens is among those who have
nailed this. as ridiculous.. Who Are Punch and Judy Punch and Judy are
arguably the most famous. traditional puppets in the Western World with a
colorful history more. than years old. Mr. Punch with his hook nose
detched back and. garish costume is a cultural icon in England. His
unabashed joking. and rowdy mischievous behavior have provoked paroxyms of
laughter. audiences throughout time. An impressive body of art is graced
by. Punch's outrageous countenance.. PUNCH Are you a doctor. HANGMAN Yes
are you alright. PUNCH No I'm dead.. HANGMAN You can't be dead.. PUNCH I'm
dead dead dead.. HANGMAN How long have you been dead Mr. Punch. PUNCH About
weeks.. punch judypuppetpuppetsCodman'sTobyRhosonSeapunchpunchjudy. judyMr.
Punchpunchinellopolichinellepuppetry puppet heroswooden. headsthat's the
way to do itwhat a pitysomerville colwyn bayrhos. on seacomical
tragedytragical comedymr punch's opera. pulcinellaharlequinadedetch
backhumpbig nose professorspunch. manprofessorsslapstickswazzle
swazzleomiswazzlehomipunch. callitinerantmarionettes
seasideentertainmenton the beachbeach. performerson the sands carnivalsThe
Punch and Judy College of. ProfessorsThe Punch and Judy
Fellowshipswazzleswatchelold red nose. Hoban quotes him as saying Punch is
so old he can't die.. In its classical glorious sense immortality is the
quality of what. passes beyond death the quality of the supraliving. In
its. contemporary version it is the quality of the surviving that is of.
what is already dead and by that token becomes immortal.. It's a fine show
sir. he replied. jolly fine show. Then with a. guffaw he added And a damned
bad moral.. Many of the Trickster's traits Radin writes were perpetuated
in. the figure of the mediaeval jester and have survived right up to the.
present day in the PunchandJudy plays and in the clown (xxiii).. Who is
Punch anyway Where does he come from And how could so. impossible and
ridiculous a character have survived the changes and. turmoil of the
passing centuries The plain fact is that nobody knows.. Certainly the
figure of Punch as we know him today has a direct link. with the commedia
dell'arte of the seventeenth century but the. character is far far older.
The original significance of Punch's face. and figure his enormous nose
and hump are meaningless to an. audience of modern times when perhaps it
is not customary to. associate large noses and sexual potency or find
detchbacks mirth. provoking. But it is possible that Punch has lasted so
long because he. so blatantly cocks a snook at the restrictions of
civilised society. and perhaps every man at some time or other would like
to flaunt the. laws of society with a comparable nonchalance removing
those who got. in his way pursuing his amorous inclinations willy nilly
and. defeating in the end the devil himself How often we say of a.
likeable rogue He could get away with murder. And Punch. does or almost
always does and he is such a likeable rogue and of. course he's only a
puppet and puppets can get away with anything.. HANGMAN Now prepare
yourself for execution.. PUNCH What for. Mr. Punch. A Roman mime called
Maccus was the original of Punch. A. statuette of this buffon was
discovered in containing all the. wellknown features of our friend the
long nose and goggle eyes the. detch back and protruding breast. The most
popular derivation of Punch. and Judy is Pontius cum Judæis (Matt. xxvii.
) an old mystery play. of Pontius Pilate and the Jews but the Italian
policinello seems to. be from pollice a thumb (Tomthumb figures) and our
Punch is from. paunch. The drama or story of our Punch and Judy is
attributed to. Silvio Fiorillo an Italian comedian of the seventeenth
century. Punch. triumphs over all the ills that flesh is heir to. () Ennui
in the. shape of a dog is overcome () Disease in the disguise of a doctor.
is kicked out () Death is beaten to death and () the Devil himself. is
outwitted. Brewer's Phrase and Fable. This compulsive desire for
immortality for a definitive immortality. revolves around a strange
madness the mania for what has achieved. its goal. The mania for identity
for saturation completion. repletion. For perfection too the lethal
illusion of the perfection.. 'Every ecstasy ultimately prefers to take the
path of renunciation. rather than sin against its own concept by realizing
it' (Adorno). the identitary individual the virtual clone there
corresponds a. horizontal madness... a delirium of selfappropriation all
the. monstrous variants of identity not of the schizophrenic but of the.
isophrenic without shadow other transcendence or image that of. the mental
isomorph the autist who has as it were devoured his. double and absorbed
his twin brother (being a twin is conversely a. form of autism deux).
Identitary ipsomaniacal isophrenic madness.. Our monsters are all manic
autists. As products of chimerical. combination... deprived of hereditary
otherness... they have no other. destiny than desperately to seek out an
otherness by eliating all. the Others one by one.. PunchandJudy show a
traditional puppetshow in which Punch is. shown nagging beating and
finally killing a succession of. characters including his wife Judy.. The
problem of Frankenstein for example is that he has no Other and. craves
otherness... But our computers also crave otherness. They are. autistic
bachelor machines the source of their suffering and the. cause of their
vengeance is the fiercely tautological nature of their. own language..
Punch did not always have his own play it seems his first role in. England
was to provide comic interludes in serious plays by. interrupting the
action as and when he could.. A MODERN PUNCH SCRIPT CHARACTERS PUNCH JUDY
BABY POLICEMAN CLOWN. CROCODILE HANGMAN GHOST. the challenge of the Ghost
representing Death is considered Punch's. greatest trial. We long ago
stopped believing in the immortality of the soul a. deferred immortality.
We no longer believe in that immortality which. assumed a transcending of
the end an intense investment in the. finalities of the beyond and a
symbolic elaboration of death. What we. want is the immediate realization
of immortality by all possible. means.. the conquest of whom enables Punch
to finally defy the Devil himself.. So long as there is a finalistic
conception of life and death the. afterlife and immortality are given like
the world and there is no. cause to believe in them. Do you believe in
reality No of course. not it exists but we do not believe in it. It is
like God... If. something does not exist you have to believe in it. Belief
is not the. reflection of existence it is there for existence just as
language. is not the reflection of meaning it is there in place of
meaning. To. believe in God is therefore to doubt his existence. Belief
is. superfluous just as Canetti says vengeance is superfluous it is.
rendered unnecessary by the inexorable reversibility of things. In.
exactly the same way passion is a useless supplement to the natural.
attraction between things and we might say the same about truth. which
merely complicates appearances unnecessary.. or as a mirror merely
refracts your image without believing in it.. God for his part if he
exists does not believe in his existence. but he allows the subject to
believe in him and to believe he. believes in it or not to believe that
but not to believe he does. not believe in it. Stavrogin. When the Devil
has been done away with Punch exults to the audience. The Devil is dead
Now everyone can do as he likes. But what will the human race do once free
of any belief It will. either fullfill itself egoistically obeying an
exclusive sovereign. individualism (Stirner) or do so collectively by
setting out on a. long historical course as in Marx or it will shift its
sights to. the superhuman through a transvaluation of the values of the
species. this is the path marked out by Nietzsche who argued that the
human. race cannot be left to itself but must aim beyond itself and
discover. the great metamorphosis that of becog... Nietzsche has written.
magnificently of the vital illusion not of the 'worlds beyond' but. of the
illusion of appearances of the forms of becog of the veil. and indeed all
the veils which happily protects us from the. objective illusion the
illusion of truth... Needless to say this. transvaluation... has not taken
place except precisely in the. opposite sense... A transvaluation folding
in upon itself towards a. nondifferentiation a nondistinction of values
itself fetishized in. an aestethics of plurality of difference etc. Not
any longer a. fetishization of divinities great ideas or grand narratives
but of. imal differences and particles... This dedifferentiation of the.
human and the inhuman this reabsorption of the metaphor of life into. the
metastasis of survival is effected by a progressive reduction to. the
lowest common denoator.. The Crocodile was a late arrival in the story and
has now been an. important character for about a detdred years. First he
was a dragon. which eventually became a crocodile. Perhaps the idea of a
crocodile. became firmly established after children had been frightened by
the. Crocodile in Peter Pan. The Ghost is seen occasionally still..
Originally the Ghost of Judy it is now just any old ghost.. Who was
Pulcinella or as he is sometimes called Pollicinella or. Pulicinella His
role was primarily that of a servant as indeed was. that of Harlequin and
he was obviously a comedian. He wore an. artificial nose potbelly and hump
all calculated to make the. audience laugh and he was the mixture of
jollity and cruelty wit and. stupidity just as Punch is today.. The
PunchTrickster concept embodies notions of anti. establishmentarianism
buffoonery and shamanism that reflect. attributes of the creative
individual functioning in an authoritarian. ethos the late s bucking the
system inverting values. Assug an ubuique persona and balancing
precariously on a mono. cycle PunchTrickster pedals blindly into an
unknown future fending. off unseen adversaries with an ineffectual weapon.
The sculpture is a. concretisation of a state of d or an existential
predicament. It is. concerned with delusions of grandeur and vulnerability
paradox and. pathos.. The Trickster as buffoon acts out a quixotic farce in
ironic fashion.. Ubu Roi a precursor of the theater of cruelty the absurd.
PunchUbu. Puncheon. Pernille og Mr. Nelson. JUDY Where's the baby. PUNCH
(In a melancholy tone.) I have had a misfortune the child was. so terrible
cross I throwed it out of the window.. It is generally thought that the
obsession with survival is a logical. consequence of life and the right to
life. But most of the time the. two things are contradictory. Life is not a
question of rights and. what follows on from life is not survival which is
artificial but. death. It is only by paying the price of a failure to live
a failure. take pleasure a failure to die that man is assured of survival..
Punch's women performers Bearing in d that Mr Punch is a folk. herorogue
scoundrel trickster of the opposite sex from ourselves. why are we so keen
to portray his story And what might the women. Professors add to the drama
of the tradition. The traditional Punch and Judy show presents Punch as
the simpleton. hero who successfully outwits various characters
representing his. oppressions in order to gain his freedom. This 'clever
fool' type is. often portrayed as a male antihero in folklore (Jack Til.
Eulenspiegel Clever Hans Monkey Anansi and Brer Rabbit are some.
examples). Somehow he always manages to achieve through his stupidity.
what others fail to achieve by concentrated effort. Punch is a.
combination of the fool and trickster. His characteristics are a.
collection of the archetypal shadow masculine traits those which are.
socially deemed to be undesirable cowardice lewdness rudeness. stupidity
fickleness irresponsibility selfishness greed. ................ and
violence or cunning. Mr Punch the trickster carnival fool king of anarchy
is an absurd. masculine archetype of those aspects of the human psyche
that want to. turn the world upside down and create chaos. His gross
appearance. the bulbous hooked red nose and the phallic 'hump' on his
back. comically reinforce his male sexuality along with the big red.
slapstick which he wields as the answer to all his troubles. His.
character and appearance have their roots in the ancient ritual. dramas
celebrating birth death resurrection conflict and. fertility. In our
'civilised' hierarchical bureaucratic and. patriarchal society Mr Punch
has evolved and survived through the. centuries as our national 'Lord of
Misrule.'. Punch men often portray Judy as a wonderfully fussy bossy
pantomime. dame type with a high falsetto voice. (Note that this makes
the. character a parody of the male's fantasy of woman).. When knocked
down she bobs up again several times in comic protest. always with one
more thing to say. Sometimes her final utterance is. almost orgasmic in
nature so that the mock puppet death we are. witnessing might more closely
resemble 'le petit mort' rather than. actual mortality.. When she returns
to discover that Mr Punch has inadvertently (in true. 'ignorant simpleton'
style) made the baby into sausages she is as any. woman would be at first
distraught and then angry. However having. fully expressed her grief and
given Mr Punch a piece of her d she. quickly moves into acceptance and
realises this is her opportunity. for freedom Well now Mr Punch You made
the baby sausages so you. can look after the baby sausages That's fair I'm
going to claim the. insurance money and take a nice little holiday in
Majorca. No you. can't come with me. You're to stay at home and look after
the little. sausage.. And off she goes leaving Mr Punch and the sausages to
the mercy of a. big green crocodile with toothfilled gaping jaws. Her
triumph is that. she has called Mr. Punch's bluff. Rather than waiting to
be knocked. out of his way Judy leaves him with the consequences of his
mistakes. and removes herself to a more fulfilling situation. She does
the. separating off. This gives Judy an equal status to Punch in the
drama. although he still remains at the centre of the story and fulfills
his. usual trickster role with his other adversities.. Adult enthusiasts
can recognize him as the head of one of those. dysfunctional families of
Drama that span from Oedipus and Macbeth on. the tragic side to the Addams
Family and The Simpsons on the frivolous. side. He and other little red
nosed rogues like him have been kept. alive down the centuries because his
irrepressible antics and his. flying in the face of convention have amused
generations of ordinary. people particularly those with no power of their
own.. Step warily around the fair Welsh seaside town of Aberystwyth this.
weekend for everywhere you look will be a strange beaknosed figure. clad
in red with pointytoed shoes and a manic gleam in his immobile. eyes. No
it's not Beelzebub it's Punch. The second international. festival of Punch
and Judy is in town. Oh no it isn't. Oh yes it is. etc.. There was an Old
Man with a nose Who said If you choose to. suppose That my nose is too
long You are certainly wrong. That remarkable man with a nose.. A Jungian
Consideration of Edward Lear's Nonsense Verse Lear was in. many ways an
example of what Jungian psychologist MarieLouise von. Franz calls the puer
aeternusan archetype she analyzes in her book of. the same name. The term
comes from Ovid's Metamorphoses and there. refers to the childgod of the
Eleusinian mysteries. In later times. von Franz writes. the childgod was
identified with Dionysus and the god Eros. He. is the divine youth who is
born in the night in this typical. mothercult mystery of Eleusis and who
is a redeemer. He is a. god of life death and resurrectionthe god of
divine youth .. but we also use it to indicate a certain type of young man
who. has an outstanding mother complex . . . . (). Wandering moreover is
one of the most important traits of the. Trickster archetype (Radin )
which as we shall see Lear's. nonsense exemplifies.. There was an Old Man
of Peru Who never knew what he should do So he. tore off his hair And
behaved like a bear That intrinsic Old Man of. Peru.. There was a Young
Lady whose eyes Were unique as to colour and size. When she opened them
wide People all turned aside And started away. in surprise.. There was a
Young Lady of Norway Who casually sat on a doorway When. the door squeezed
her flat She exclaimed 'What of that' This. courageous Young Lady of
Norway.. There was an Old Man of Cape Horn Who wished he had never been
born. So he sat on a chair Till he died of despair That dolorous Man of.
Cape Horn.. There was an Old Person of Cromer Who stood on one leg to read
Homer. When he found he grew stiff He jumped over the cliff Which
concluded. that Person of Cromer.. There was an Old Man on some rocks Who
shut his wife up in a box. When she said 'Let me out' He exclaimed
'Without doubt You will. pass all your life in that box.'. There was an
Old Person of Bangor Whose face was distorted with. anger He tore off his
boots And subsisted on roots That irascible. Person of Bangor.. There was
an Old Person of Spain Who hated all trouble and pain So. he sat on a
chair With his feet in the air That umbrageous Old. Person of Spain..
There was an Old Person from Gretna Who rushed down the crater of. Etna
When they said 'Is it hot' He replied 'No it's not' That. mendacious Old
Person of Gretna.. There was a Young Lady of Parma Whose conduct grew
calmer and calmer. When they said 'Are you dumb' She merely said 'Hum'
That provoking. Young Lady of Parma.. There was an old man of Hong Kong
Who never did anything wrong He. lay on his back With his head in a sack
That innocuous old man of. Hong Kong.. The function of the Trickster
according to Kernyi is to add. disorder to order and so make a whole to
render possible within the. fixed bounds of what is pered an experience of
what is not. pered (). Kernyi could just as well be describing the.
nonsense genre that emerged in the nineteenth century.. You desire to LIVE
according to Nature Oh you noble Stoics what. fraud of words Imagine to
yourselves a being like Nature boundlessly. extravagant boundlessly
indifferent without purpose or. consideration without pity or justice at
once fruitful and barren. and uncertain imagine to yourselves INDIFFERENCE
as a powerhow. COULD you live in accordance with such indifference.
Contrary to the underlying Rousseauist ideology which argues that the.
profound nature of the liberated subject can only be good and that. nature
itself once emancipated cannot but be endowed with natural. equilibrium and
all the ecological virtues there is nothing more. ambiguous or perverse
than a subject.. Trickster is at one and the same time creator and
destroyer giver and. negator he who dupes others and who is always duped
himself. He wills. nothing consciously. At all times he is constrained to
behave as he. does from impulses over which he has no control. He knows
neither good. nor evil yet he is responsible for both. He possesses no
values moral. or social is at the mercy of his passions and appetites yet
through. his actions all values come into being.. It is a personification
of traits of character which are sometimes. worse and sometimes better
than those the egopersonality possesses. (The Archetypes ). The Trickster
is in other words a. manifestation of what Jung calls the shadow and he
comments We are. no longer aware that in carnival customs and the like
there are. remnants of a collective shadow which prove that the personal
shadow. is in part descended from a nuous collective figure (ibid.). that
is the Trickster archetype.. Furthermore the Trickster is a forerunner of
the saviour and like. him God man and animal at once. He is both subhuman
and superhuman. a bestial and divine being whose chief and most alarg.
characteristic is his unconscious ness . . .. He is so unconscious. of
himself that his body is not a unity and his two hands fight each. other..
As Jung says of the Trickster Although he is not really evil he. does the
most atrocious things from sheer unconsciousness and. unrelatedness (ibid.
).. We ought not to entertain the illusion that we might cultivate good.
and happiness in a pure state and expel evil and sorrow as wastes.. That
is the terroristic dream of the transparency of good which very. quickly
ends in its opposite the transparency of evil.. Bedre veier gir flere
ulykker. The travel poems also reflect the Trickster's habit of wandering.
(albeit his wandering is generally aimless). Radin comments that the.
Trickster's desire to wander represents his protest against. domestication
and society with all its obligations ().. what do we cling so tightly when
we resist the dangers of drift. Barthes spoke (positively) of drift as a
kind of stupidity. Are we. afraid of appearing stupid. In when Oliver
Cromwell's Puritan regime banned all theatrical. performance commedia
companies must have scrubbed England from their. gigging schedules. But
the Punchinello character appears to have detg. in. Crosspollinated with
the local Vice character originally the. trickster fool of the Mystery
plays Punch utilised Harlequin's. slapstick bat took a wife and resurfaced
in the Punch and Judy puppet. show.. PuckPunch
SantaPelznicholNicholasJanneyYule I Norge har vi. oskoreia og julebukker
they acted out an odd play the leader who. dressed in goat or bear skins
argued with another character or with. the woman figure. He was killed the
woman lamented and the doctor. comically resuscitated him or he
spontaneously revived declaring he. wasn't dead after all the Fool was in
his original beast form the. death and execution were enacted amorally. In
later plays the Fool or. beastman is often killed by a young groom because
he makes a pass. at the Woman and narrators explain the behavior with a
comic. script. Scholars concluded that the detdreds of versions peppering.
Europe could be traced to the great goatgod Dionysus. After all the.
Dionysian rites gave birth to modern theater In Britain he became. Robin
Goodfellow or Puck norsk slektpuk celebrated by. Shakespeare Goodfellow's
cousin Robin Hood began life as Wood a name. for the Wild Man. In the
Black Forest the Pied Piper of Hamelin re. enacts poet Robert Browning's
version of the ancient mystery. And. don't forget the 'geek' as a freak
act.. Shiva is more or less what you want him to be as in him all.
contradictions casually coexist. The notion of Shiva as exclusively a.
Wild Man of the forests and mountains traveling with a band of ghosts. and
ghouls as their leader Bhoothnath is a recent phase of his. worship. For
while he was always capable of peculiar behavior Shiva. used to live
outside of society not because he had rejected it but. because he had
transcended it. Shiva is repeatedly described as the. supreme master of
all the arts and that indicates a highly socialized. being the Nagarika of
ancient India not a rustic.. Only Siva who indulges in both extreme ascetic
and extreme erotic. activity the creator and the destroyer the quiescent
and the active. god who represents both the cyclical motion of the
universe and. spiritual immortality can offer devotees both paths of
immortality. through rebirth or renunciation and spiritual immortality. He
is the. living lingam in the yoni and the androgyne. Both symbols contain
the. paradox within themselves and provide a resolution.. Lingam Sanskrit
literary 'mark' or 'sign' ( is there a connection. between 'sign' and
'seed' (seme and semen) via sema seme sememe. semiological adj.Gk semeion
sign f. sema mark seal symbolic. inseal pregnancy pregnant expression...).
Shiva is worshipped in several apparently contradictory aspects whose.
combination gives emphasis to his incomprehensible transcendence. He. is
seen as a giver of blessings and is also a symbol of sensuality.
represented by the lingam or phallus. On the other hand he is. sometimes
depicted as an ascetic seated in meditation in the. Himalayas. Shiva is
also the god of destruction and dissolution. In. his manifestation as
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there's a local history group in the area writing articles which gets
released. in a small yearbook by the museum i had some of them sent them
off to a. friend. among the interesting where stories about Omgang a
deport and. execution place in the middle ages a few some km from here
unhabitated long. since. prisoners from northnorway don't know how far
south where imprisoned. at this very desolated place and in fact a couple
of women got burned as. witches there in es if I remember right a young
woman Dorte something. accused of making storm at sea where a man she had
some relation to died you. could tell by the incidents she probably was an
attractive woman making the. men with power quite jealous humiliated and
very mad after half a year in. prison she was burned alive in I think..
another interesting thing is the labyrinth as Mikkelsberg also close by
with. some discussion of the authenticity of it it origins either from the
pomor. trade with russians a couple of centuries ago or from much earlier
habitation. of the area the earliest settlers probably being the sami
komsaculture. several thousands years ago there's some debate a dr.
something writing his. thesis the sami were not the first inhabitants. the
labyrinth has not been. coast from fear of messing it up the traces are
very vague but it has the. traditional form and is about in diameter..
there's some war time history since the whole shit was burned down by
germans. the whole north of norway every building here so they turned the
boats on. their head and lived under there or lived in caves at the coast.
things have. been rough here of course finding support actually there were
some. agriculture before not much.. there were about women burned as
witches in the s in finnmark the. northernmost part of norway were charged
for sorcery and researchers have. wondered why so many in the region.
reading protocols from the trials a. researcher. now suggest the poisonous
fungus meldrøye lat. Claviceps purpurea explaining. hallucination and
bewitchings black grains at the bottom of the cup etc.. Re SZ aeffect
Strong Creole Tendency. Atta unsar thu in Himinam. SZ aeffect. Strong
Creole Tendency between wordanimage selfreference 'worldings'. toll
painting of a russian and a norwegian in a fjord in the 's. trying to
communicate about some wood. chopped logs the pomor trade s to the russian
revolution initiated by. russians from the. White Sea having coast and
fjords in north of norwy as their area 'pomor'. means. 'by the sea'
Arkhangelsk has a pomor university today the russian came to. white. sea
from Novogorod s a viking city with democratic traditions different. the
tataryoke in rest of russia. pomors had cereal meal and traded with. the
tataryoke in rest of russia. pomors had cereal meal and traded with
313
fish (coast) and skins (sami inhab). .. should think wood also was
important as. there are no trees in the northernmost regions... Nordmannen
Drasvi gammel go ven på moja. Tvoja fisk kopom (Goddag min gamle. gode
venn. Kjøper du fisk). Russeren Da. (Ja). Nordmannen Kak pris (Hvilken
pris). Russeren En voga mokka så to voga treska. (Det er en våg mel mot to
våger. torsk.). Nordmannen Eta mala. (Det er for lite). Russeren Slik slag
en å en halv voga treska så en voga mokka. (Slikt slag.. En. og en halv
våg torsk mot en våg mel.). Nordmannen Eta grot dyr. (Det er ennå for
dyrt.). Russeren No davaj på kajut sitte ned så dokka lite tjai drinkom.
Ikke skade.. (Kom. nå ned i kahytten og drikk litt te. Det kan ikke
skade.). norw. russian it seems). pomor trade was illegal until . and then
the russ revolution stopped it and. the nnorw econony into depression and
the coastal villages into. problems.. the pomors had a rich rural culture
and folklore it seems there's a longer. within pomorområdet levde
fairytale adventure and legend byliner (heltedikt). ballader stev and
laments further enn a in inside into on per within. mange. second strøk
for off Russia Russia. a in inside into on per within. last. latter half
for off tallet begynte lærere prester and second stream. accumulate gather
tradisjonsstoff. them gjorde crowds for off opptegnelser a. in inside into
on per within citys and villages longer dvina and pinega. and. at to
toward towards a in inside into on per within at by on. upon. on upon
kvitsjøkysten området ble kjent like one skattkiste because of.
folklorister and etnografer.. within ble marija krivopolenova one
diminutive ancient wife with a. unfigure. ballader and chants at.
tertiden. also stepan pisakhov like var kunstmaler skrev below downstairs.
underneath down below underneath down underneath tradisjonsfortellinger.
especially especial fairytale adventure at to toward towards a in. inside.
into on per within at by on upon on upon dialect. sjergin skrev also.
tradisjonelle and further fashionable fairytale adventure men his
skriftlige. produksjon am både større and longed further allsidig enn
pisakhovs. within sovjettiden dolled it also opp sterke klare litterære
personligheter.. fjodor abramov ex from verkola. marija krivopolenova ().
bondekone ex from pinega famous because of its ballader chants and.
klagesanger.. hun learned helteballadene stariny for off its grandfather.
hun. accrued. opp a in inside into on per within fattige kår and ble early
married. married married poison men verken at to toward towards until till.
felicity. eller velstand. hun losed både the fellow and barna unntatt one
daughter like. ble married married married poison så fattigslig at hun no
not know get. lay. hold of pick up take itself for off moren. hun ble
hence therefore tvunget. at. toward towards until till stream continue
tilværelsen like one beater. omstreifende beggar eller legdekone. men
krivopolenova var one lysende gifted. forteller chants and klagesanger.
boris sjergin (). it nordrussiske klassikeren fremfor noen. he convey
imparted gamle. fortellinger. and tradisjoner muntlig and after behind
hvert also skriftlig. he skrev also. its. egne fortellinger. sjergin var
one authentic pomor the father var styrmann and. seilte at to toward
towards a in inside into on per within at by. on. upon on upon Norway the
mother daughter for off one seilmaker. både. foreldrene. and mange for off
husets friends stod midt a in inside into on per. within. pomorenes living
fortellertradisjon. sjergin itself ble one important. tradisjonsbærer
because he after behind hvert fixed it he hadde hørt at to. toward towards
until till papiret. a in inside into on per within its. fortellinger and
fairytale adventure skildringer for off life and employment. in.
skipsbyggere fiskere and fangstmenn. stepan pisakhov (). stepan pisakhov
seilskip at fiskebryggen a in inside into on per within. arkhangelsk.
author and kunstmaler ex from arkhangelsk. he var at to toward towards.
until. till stream begin with kjent because of its paintings with motiver
ex from. nordlige strøk men begynte after behind hvert stream type
fairytale. adventure.. mange for off the fairytale adventures his finer
also a in inside into. on. per within second versjoner men his versjoner
haves sitt særpreg and. språkføringen a in inside into on per within disse
tekstene am stronged. imprint impressed for off nordrussisk dialect.
pisakhov am one for off you. exaggerations skrøner. well there's some
pictures... links to some english. etc. CHROMOGAL. CHROMOGAL. Osho name
TEATDECI. Noemata Random Name Generator. nettimeann mailing list.
nettimeannnettime.org. ann ELPATA. ELPATA. Noemata Random Name Generator.
nettimeann mailing list. nettimeannnettime.org. . e k u n s t .
laburinteger. This is a multipart message in MIME format.... ContentType
textplain charsetiso. Maskin Jeg er glad jeg er det eneste jeg'et her..
Far Sønn sønn vi anbefaler at min maskin ikke snakker mere til deg.. Sønn
Men den kan så mange spennende ord.. Hadde trengte hjelp. til og fullføre.
De påfølgende dagene ble historiene til den bandasjerte. samlet og skrevet
ned i notatbøker før den støeste og mest skriveføre. av dem fikk oppdraget
med å føre over teksten til bandasjen. Hele. arbeidet. tok dager og da de
var ferdig var den bandasjerte i alt dekket av. ord.. Jeg faller uten....
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via. e k u n s t. listeadresse eekunst.no. kontaktadresse
listmasterekunst.no. Nagnews Og sdspoetrezt dkyk og skyr nabnetrt. På Y).
Y (inntar sosiologiskpedagogisk sideleie) Protagonistens puerile.
forsvarsmekanismer er et infatilt forsåk på å rasjonalisere frykten.. Og
sdspoetrezt dkyk. og skyr nabnetrt dykkadt som ncdovmo vopmkete. foef
dMrnefnsd eksdsonnen slyllfd. Fglerfd dyjkk xfsd ogb ajjbgooåad af
xftrlyd. xfef stylr ret sdløben dykkatrg i hitummenem. Deref stgamme
gjoerda efane ferita mefd prgfotetane. Men e dykk rkke. det.... NAGnews
mailing list. NAGnewslists.copyleft.no. isoQDuhFrerdetnEdeterslettesikkei.
Kjemiforsøkene i elevenes hode. I ditt blomsterhull. Han sover i sjette
scene. Har jeg noe å si han. Middelaldrende demokrat må ligge i.... Du
hører det nå det er slettes ikke i sukkerbiten lyden oppstår.. Du ser på
sukkerbiten en siste gang før du putter den i munnen. Som om. begge.
øynene skulle ha skiftet posisjon fra venstre mot høyre uten og røre.
hodet. skifter synsvinkelen i scenen.. Kvinnen tar uforståelig imot en.
lapp hvor det står Vi møtes i dusjen i morgen. Hilsen din partner i.
forbrytelse.. Over kinomaskinisten på disen. kinomaskinisten tårer .
veggen mitt film over noen . UTE AV FOKUS.. My Help. Example How do Ichang
my password. Tips. Getting Startled. How do If i what category my Humen is
in. I receive an email notification saying my humen could be Deleted due
to. inactivity. Why What can I do. What does the my smiley face (image) is
mean. How do my I get rid of the my is smiley face (image). I never sign up
for my Human grouqs. Why am I receiving my messages. View and manage your
my hume. Your humain Grops account has been disable because you had. an
autoresponsible setup.. Bouncing seminar . May. What Bouncing means and
what to do about it means bounce. L. Work with elbows grouq. Control
access and sharing humes. list bounce. tails Yoric troll and Nøkk. Ask
Her. the water. Re Du har rett. Da kan jeg vende tilbake til. Work good.
Fra den. Forfatteren hadde alltid en. unnskyldning vent litt jeg måtte
bruke begynnelsen tilslutt.. Selv nå tror leseren han vet hvem morderen
er.. Troll om igjen.. Jeg vet at munnen min drypper av penneskaftet
skriver. forfatteren.. Med deler av hodet bandasjert.. Hvis vi panorer til
høyre ser vi ryggen hans idet han forlater. sykhuset fullt rekonstituert.
Kutt. Utenfor sykehuset stopper han opp.. Flashback. Noen tok av for
fallet. Han fallt. Blålys. Står på. sykhustrappen. Tar seg for det gamle
kuttet i pannen. Får blod på. fingrene. Snuser på blodet. Nærbildet av en
hund som glefser.. Kanskje ikke.. Mot widescreen sensur.. Overtall pga..
Og ble stående å. skrike til hverandre. Da måtte en av dem raskt ta en
avgjørelse og. fortsette videre så ville den andre måtte slutte seg til..
.n. las ldanburg. oea.net.knyt. bmg. how many net artists does it take to.
Greetings froam. Greetings froam. cause confusion and shame to make
uncomfortably selfconscious disconcert. abash. put obstacles or
difficulties in the way of impede. skam. the painful feeling arising from
the consciousness of something dishonorable. improper ridiculous etc. done
by oneself or another. disgrace ignominy. a fact or circumstance bringing
disgrace or regret. cover with ignominy or reproach disgrace. shame is a
painful feeling caused by the consciousness or exposure of unworthy. or
indecent conduct or circumstances. It is similar to guilt in the nature
and. origin of the feeling.. pride a high or inordinate opinion of one's
own dignity importance merit or. superiority whether as cherished in the
mind or as displayed in bearing. conduct etc.. selfesteem selfrespect.
ridicule Syn. . mockery raillery sarcasm satire irony. . banter chaff.
rally twit burlesque satirize lampoon. RIDICULE DERIDE MOCK TAUNT imply.
making game of a person usually in an unkind jeering way. To RIDICULE is
to. make fun of either sportively and goodhumoredly or unkindly with the.
intention of humiliating to ridicule a pretentious person.To DERIDE is to.
assail one with scornful laughter to deride a statement of belief.To MOCK
is. sometimes playfully sometimes insultingly to imitate and caricature
the. appearance or actions of another She mocked the seriousness of his.
expression.To TAUNT is to call attention to something annoying or
humiliating. usually maliciously and exultingly and often in the presence
of others to. taunt. nihilogues nilogue brainstem. nihilogues nilogue. 'In
generalthe brainstem produces morecomplex. movements than does the spinal
cord.In addition to responding to most. sensory stimuli in the environment
and regulating eating and drinkingbody. temperaturesleep and wakingthe
brain stem can produce the movements. of walking and runninggroomingand
sexual behavior (all of which are. more complex than the reflexive
movements produced by the spinal cord).The. brains of fishamphibiansand
reptiles are basically equivalent to a mammalian. brainstemin
consequencethe behavior of these animals is a good indication. of the
functions of the brainstem.'. On old Olympuss. towering top a Finn and.
German view some hops.. cortex (from the Latin for barkas in a tree s
bark) ref. book.. Fissures Sulci and Gyri the Cortex brothers. limbic.
Input could enter this circuit from other structures to be elaborated as.
emotion.. summarize the action of a nerve impulsean. other analogy may
help.Think of the voltagesensi. tive ion channels along an axon as a
series of. dominoes.When one domino fallsit knocks over its. neighborand
so on down the line.The wave cannot. return to its starting position until
the dominoes are. set back up again.There is also no decrement in the. size
of the propagated eventthe last domino falls ex. actly the same distance
and just as heavily as did the. first one.. 'The embryo who walks upright
belongs to the primate order. A badger recounts the story that God created
all animals as embryos and called. them before. his throne offering them
the changes that they desired. They opted for. specialized. adult features
claws teeth hoofs antlers and so forth. But the human. embryo trusting.
Gods judgment accepted the way it was made. The creator was delighted and.
said. that. it would therefore remain an embryo until buried but would
dominate the other. animals. walk upright and feel sorrow and feel joy.
(White ). An important part of the answer to the Sphinx s riddle about the
nature of. humans. is that the adult who walks on two legs is sort of an
infant chimpanzee.'. 'Saint Ambrosewho lived in the fourth century A.D.is
reported to have been. the first person who could read silently.'. ..i
remember a lecturer in computing claiming alphabetic sorting being.
problematic. some centuries ago.. 'Even somost of the changes in behavior.
that differentiate us from our primate ancestors took place more rapidly
still. long after the modern brain had evolved to its present
condition.Only. years ago did modern humans leave the first human artistic
relicselaborate. paintings on cave walls and carved ivory and stone
figurines.The tempo of. change has quickened further in the past
years.Agriculture and animal. husbandry were established in the Middle
East by B.C.followed by ideo. graphic writing in the same region by
B.C.Saint Ambrosewho lived in. the fourth century A.D.is reported to have
been the first person who could. read silently.The modern technological
age began in about A.D.it was. after this time that most of what we see
around us today was invented or dis. covered.How interesting that most of
what we associate with modern humans. is of such very recent
originconsidering that the basic tools (a big. brainfree. handsand bipedal
locomotion)had been with us long before.'. fundamentals of humal
neuropsychology. bror han går i skoge. bror han går i skoge. jaga alle
ville dyr. er han kvit so kjøyr'n hit. er han grå so lat 'n gå. er han
bron i boge. so lat 'n gå i skoge.. Sutene og sorgene. dei trør eg under
fot. di gladare skal eg halda meg. di meir det gjeng meg imot.. Sutene og
sorgene. det blandast alt tilsaman. munnen lær og hjarta græter. det er so
lite gaman.. cobralingus. cobralingus. It makes use of the Metamorphiction
process using text as signal and. passing it through FILTER GATES
transforming the textsignal. The FILTER GATES. range from DRUG (injects
artificial stimulant into the language) to EXPLODE. (breaks up signal into
highly disordered fragments) to PURIFY (loses. deadwood).. It sounds fairly
mechanical and Noon presents it as such. There is an INLET. and. an OUTLET
(read input and output). The FILTER GATES act on the input text.
transforming it in a variety of ways. Noon writes of the specific effect
of. each FILTER GATE as though it were a precise algorithm and the text.
transformed. according to very precise rules. In fact the Cobralingus
Engine is no such. thing. The rules beyond their most basic operation are
entirely of Noon's own. choosing.. generated writing. Commencement for
Teens. Frogman Tautness and Undue Cinnamon Inaction. As DestinyUtopia
Undoes the Thai Emutagonad Retread the Spooks of Technology.. Benjamin
Bruin is. Daft. if not SICILIAN.. One varsity. If Cuneiform. Has Found
Fern Noose. a Sunni from Burberry CT. on. CIA spanks you for smut and
fortune. Suddenly it is the Vedasfluxing. It is. Mastering in Purees and
Scanners as if ham and IdVendors had walked into. thawing rinds and facial
tics Beating. HI Cluera. Paloin Biloid. REVIEW Cigarette Boy by Darick
Chamberlin. antinovel. Ten Years of Pain in the ass. computer generated
writing. Virus Charms and selfcreating codes.. Virus Charms and
selfcreating codes.. 'Within the computer web the negative effect of
viruses is propagated much. faster than the positive effect of
information. That is why a virus is an. information itself. It
proliferates itself better than others biologically. speaking because it
is at the same time both medium and message. It creates. the. ultramodern
form of communication which does not distinguish according to. McLuhan
between the information itself and its carrier.' Baudrillard. Sircam
chooses a document from the hard disk and sends it to all addresses.
found. in the email address book. So everything private public and
interpersonal. gets mixed up because of the possibility to reproduce
information and to. transmit them instantaneously in the net.. RTMark
intvju. RTMark intvju. I feel RTMark as a multiple identity absolutely no
individual faces and. names.. What's your concept of personal identity
within your group Do you individually. feel yourself as part of a
collective person or as anonymous individuals. under. a collective name.
We're just anonymous for pragmatic reasons... We are a corporation
meaning. that. essentially we are a group that comes together as one body
(corporeal). This is. a kind of bastardization of the idea of collectivity
insofar as it does not. really imply sharing equally labor and benefits as
one might on a collective. farm. The corporation as opposed the the
collective has been legally defined. give the best business advantage to
captial without the nasty side effects. of. liability. So we come together
as a body in order to create a fall guy someone. who can absorb the
liability for all the actions of participants. So we are. anonymous
because we have no need to exist in this equasion. we already share a.
body and that body has a name and an identity.. Cultural resistance is
very difficult to fund. How do you succeded in it. Our funding is
important because it is a symbol. The small amounts we come up. with do
not really fund anythingthey are not sufficient to fund people or.
actions. They are useful in that they show some interest by peopleenough.
interest to give money.. If you'd program a computer virus what it'd be
able to do. Perhaps we could et a computer virus that taps into the unseen
forces of the. afterlife bring to our cause an army of vengeful ghosts
Ghosts are very. effective at what they do i've seen it in the movies. But
this is a good. question that is why i can't answer it so quickly....
nymata. The nym noemata is free to use. participation inclusivity rather
than exclusivity experimentation and. creativity. Neomatic Cantsin. how to
make immediate emails emailart mailart generative automatic scant. the
medium is immediate instant so to attain immediacy construct the.
opposite. something mediated double negate. spamspiders. med en søkemotor
for mailadresser praktisk men tvilsom. halvsøvne. vær forsiktig om morgon.
halvsøvne. ting vet om det. auto.noemata.net. .... noemata.net. .... ....
det er noe med fart som gjør liv. Warning DB Error connect failed.
nativecodeORA TNSlistener could not resolve SID given in connect.
descriptor oci kunstmunchKultur.no in. glenlivet.gandi.net.
laphroaig.gandi.net. redirmailtelehouse.gandi.net. ogin. ogin.php. stavr.
Mar. INSIN KONNAR T. DYT ER ALT D RI NAH. OS N T ÅR DA DOR. D D ET ER
INCYND D INC. HPE SCS D ER. INSINTEN T G SGSUR. SAM T N SEM NY. DE T SSRAF
EN DI T TI. IMSEN KI T MNER. DH SXR T EF EM DØTA I T NSAN KAMNOR T. INGON
KEMNO T R DHDOAN. IN T GENTHMG SSCA T R DOSAN. LIFUT PO JHRDI. SFHD. SDAR
SSILÆ. VIMDT I HOTOT. LHTT ARMONE ER VAQNI. DET BLYSIR UTU. MARST. LABHT
PH JERDO. ody without borgan is borgan without ody. poetry. Poetry means
(a) I'm going to die and (b) this. notebook will be read by someone who
will see how. lacking I am unless I destroy it I can't do. that that would
be worse than keeping it that. would mean thinking of it.George Stanley. (
( ( ) ( (. pre.txt render. using phpfiglet.
noemata.nettxtphpfigletrender.php. qMark qWeiss qNichts. Aug. Maghies ll.
fososos ss. fososos ss. complment de programme. une session citu (cration
interactive transdisciplinaire. universitaire) se tiendra le. vendredi
septembre de h h l'apmhi b bat b avec. la participation de. francis jutand
directeur des stic du cnrs. francois roche architecte. jeanbaptiste
barriere compositeur. this is another home reading brought to you. advent
spoilers. lese det. lese det som om det ikke var til meg som om jeg var
fri som er det. firenncasdee med å fnine ting de er nye de trefefr iegnn
ntyt galme. tnig kan vræe nye hvis du spør hva kusnt er spør en
jialsrnuot. hva er. aerlijstaoikdnnravutgak. snøhvit. egentlig var det
ikke den onde stemoren som ga snøhvit det forgiftede. eplet i eventyret.
det var hennes kjødelige mor. men brødrene grimm måtte. sensurere sin
politisk ukorrekte fortelling sier heinrich dickerhoff.. for å antyde at
en mor ville drepe sin egen datter ville være det samme. som å krenke
forestillingen om det hellige moderskap. det våget wilhelm og. jakob grimm
ikke. derfor fikk stemoren skylden mener dickerhoff som er. leder for
europeisk eventyrforbund.. bey radio sermonettes. in fact an argument
could be made that music distributed free or at cost. on cassette via mail
is less alienated than live music. rendered into trash like all other
trash. folkultur. real art is play play is one of the most immediate of
all experiences.. therefore as artists cultural workers'' who have no
intention of. giving up activity in our chosen media we nevertheless
demand of. ourselves an extreme awareness of immediacy as well as the
mastery of. some direct means of implementing this awareness as play
immediately (at. once) immediately (without mediation).. thus a good meal
could be an immediatist art project especially if. everyone present cooked
as well as ate. and everybody was called andy. poetic terrorism'' and art
sabotage'' are quite logical. manifestations of immediatism.. for instance
the liberatory power of a painting can be neutralized or. even absorbed
simply by placing it in the context of a gallery or museum. where it will
automatically become a mere representation of liberatory. power..
rhapsody. democratic shamanism. '' creative acts themselves the outer
results of. the inwardness of imagination are not mediated alienated (in
the sense. we've been using those terms) when they are carried out by
everyone for. everyone when they are produced but not reproducedwhen they
are shared. but not fetishized.. anyone present may become a horse'' or
medium for one of these santos. whose words actions then assume for all
celebrants the aspect of the. presence of the spirit (i.e. the possessed
person does not represent but. presents).. the audience who are indeed
locked in place in darkness silence. immobilized by the money they've
paid. no wonder the first broadcasters of video were the nazis. tv is to
the. imagination what virus is to the dna. the end. beyond tv there lies
only. the inframedia realm of no spacenotime the instantaneity ecstasis.
of commtech pure speed the downloading of consciousness into the. machine
into the programin other words hell.. roughly then the more imagination is
liberated shared the more. useful the medium.. the end of the modern does
not mean a return to the paleolithic but a. return of the paleolithic..
sardonicide. capital. toolate capitalism. the spectacle the simulation
babylon. whatever you want to call it. an immediatist potlatch idiotisk...
within the organic (nature'' everyday life'') is embedded a kind of.
silence which is not just dumbness an opacity which is not mere.
ignorancea secrecy which is also an affirmation a tact tacit. the lazy
yokel plows a crooked furrow. if i could escape this bad mood of course
i'd do so take you with me.. what we need is a plan. jail break tunnel a
gun carved of soap a. sharpened spoon a file in a cake a new religion.
speak too much not be heardthat's sickening enough. but to acquire.
listenersthat could be worse.. sufism situationismor shamanism anarchythe
theories i've played. with are just that theories visions ways of seeing.
significantly. the practice'' of sufism consists in the repetition of
words (dhikr).. this action itself is a text nothing but a text. and the
praxis'' of. anarchosituationism amounts to the same a text a slogan on a
wall. a. moment of enlightenment. well it's not totally valuelessbut
afterwards. what will be different. just as there exist books which have
inspired earthshaking crimes we. would like to broadcast texts which cause
hearers to seize (or at least. make a grab for) the happiness god denies
us. exhortations to hijack. reality.. enlightenment is all we have even
that we've had to rip from the grasp. of corrupt gurus bumbling suicidal
intellectuals. as for our artwhat. have we accomplished other than to
spill our blood for the ghostworld of. fashionable ideas images. treasure
and by what technique seeing that it is precisely technique. which has
betrayed us derrangement of the senses insurrection piety. poetry knowing
how is a cheap mountebank's trick. but knowing what might. be like divine
self knowledgeit might create ex nihilo.. mønsterai. hvordan kan maskinen
lage et mønster en form abstrahere. rettekar. sånn circa på ploen asduenmn
elelr nsnaen steedr er ptunker er virlutlee. anmiiaklkts jeg vil dit men
det er ignenntig der heller det er. aeietvtktin som dirver deiftrn som
divrer mødslnkeåe rettekar.. Mar. om du har et ord så har du en verden.
alle fnatsenaie. ontatemn. dfykrt. viktig vær aldri rded. det er resleden
som er fralig. rztel det ukjtene gteån møte med noe annet ntyt. neyht er
redesl. horfovr fkryt alltid dyisrk injeolarsrt. iegnn fsojrkell alt er
mg. s. roman. roman. må vi ha vært gjennom det for å bli ergo har vi
integrert de vi vil ta. avstand fra vokse antistoff antiterrorterror..
dagen etter. allerede dagen etter er hun glemt og må minnes for å huskes.
jens er den. som husker henne minst. skyflet unna i en fei dagen etter er
hun allerede. pakket inn begravd og bare et minne.. kan attentatet være et
malplassert attentat på media som media straks. vender om til en sak om noe
annet.. tror vi får en ny trend new savages.. bruce margon associate
director at the space. telescope science institute in baltimore maryland.
described the sound at a press conference here as. described the sound at
a press conference here as
314
being a million billion times deeper than the limits. of human hearing..
let's not get carried away..... not even my dog boris can hear this
stuff.. i alle filmer jeg har sett er utenom jordinger stort sett.
teknologisk overlegene. men kunsten de drar med seg er av en. eller annen
grunn svært jordisk. er det noen som har vært. borti interpanetarisk kunst
som ikke er av jordisk karakter.. hvis det absolutt må være
interplaneterisk (innenfor vårt solsystem) og. laget. av teknologisk
overlegne utenomjordinger og ikke av jordisk karakter. nei slik. kunst har
jeg ikke vært borti.. flarf. flarf. it might be helpful to offer a short
history of flarf. strike helpfulit. amuses me to do so.. flarf came about
a couple of years ago when gary sullivan submitted a. deliberately bad
poem to poetry.com one of those vanity companies that. lures the
unsuspecting with lavish praise of their poetry and then offers. publish
it for an exorbitant fee. theorizing that no submission no. matter how
heinous would ever be treated with anything other than. yeah mmhmm it's
true. big birds make. big doo i got fire inside. my huppachimp(tm). gonna
be agreessive greasy aw yeah god. wanna doot doot.
pffffffffffffffffffffffffft hey. oooh yeah baby gonna shake bake then
take. uggah duggah buggah biggah buggah muggah. hey hey you stoopid mick
get. off the paddy field and git. me some chocolate quik. put a qtip in it
and stir it up sick. pockamockachockalockading dong. fuck shit piss oh it's
so sad that. syndrome what's it called tourette's. make me haiee shout out
loud. cuz i love thee. thank you god for listening. sure enough he
received a full invitation to have his timeless piece of. literature
enshrined for all posterity etc.. gary shared his poem the style of which
he promptly dubbed flarf with. members of the subpoetics mailing list and
before long a few other. participants began posting poems to poetry.com
including myself drew. gardner jordan davis and a handful of others.
eventually we formed a. separate mailing list.. the initial aesthetics of
flarf went largely unarticulated but they can. probably be approximated by
the following recipe deliberate shapelessness. of content form spelling and
thought in general with liberal borrowing. internet chat room drivel and
spam scripts often with the intention. of achieving a studied blend of the
offensive the sentimental and the. infantile.. flarf has largely become
stylized out of existence made inseparable from. the usual writing habits
of its practitioners as gary and nada and others. have pointed out.. maybe
the problem was ever announcing flarf as a concept suggestive of. a
movement etc. in the first place. there were those among us who. shrewdly
warned about the dangers of such a movekatie degentesh for. example. the
truth is flarf is not a movement never was because it has. no principles
as such beyond some characteristic compositional techniques. etc.).. there
is no such thing as flarf. useless to declare that now. one day there will
no longer be flarf and nonflarf. there will only. be bad poems and worse
poems. the worse poems will be stronger and will. eat the merely bad ones.
what is now provisionally gestured toward as. flarf (falsely so but
necessarily) is merely an exercise in preparation. for that eventuality..
the ghost of heriberto yepez is standing behind me holding my wrists as i.
type sucking my brains out through an elaborate tin siphoning device.
welded to both our skulls. it's a good thing. poeticslist. kursiv. 'gud'
som ekstrem komprimering tre bokstaver og alt.. for sine egne handlinger
og absolutt ikke har noen rett til å skylde. for sine egne handlinger og
absolutt ikke har noen rett til å skylde. open source crime art. det blir
ikke forstått. kan ikke forandre noe. greetings'. growth. mourned.
fraudulent. uprootings. news det er nok gudsutryddere som er ut og går
igjen.. eller noe homofilt. protoindo europeisk kerk (høne) og tocharisk
kran.ko. ligner mistenkelig på klukk.. nasjonalbiblioteket lagrer alt som
skrives på news de. no.ghostr. there is a ghost posting in this newsgroup.
no.alt.arkiv. no.fritid.akvarium. no.fritid.diverse. no.annonser.diverse.
no.it.tjenester.mail.diverse. no.kultur.diverse. no.kultur.film.
no.kultur.litteratur.diverse. no.sport.diverse. se.test. dk.test.
dk.kultur. dk.kultur.litteratur. no.org.diverse.
free.it.test.testo.testa.testi.teste. no.test. no.general.
no.alt.diskusjoner. no.alt.flame. no.alt.frustrasjoner. no.general
diskusjoner uten generell interesse.. no.samfunn.media.diverse.
no.samfunn.media.radiotv. no.samfunn.media.radiotv.virkelighetstv.
no.org.diverse. se.internet.news.diskussion. se.prat.diverse.
se.prat.humor. se.test. dk.general. dk.kultur. dk.opslag.internet.
dk.snak. dk.snak.vittigheder. dk.test. is.test. is.ymislegt. finet.testi.
NN. number name description appearance. unused. horizontal tab space. line
feed space. unused. space space. exclamation mark. quotation mark. number
sign. dollar sign. percent sign. ampersand. apostrophe '. left parenthesis
(. right parenthesis ). asterisk. plus sign. comma. hyphen. period (full
stop) .. solidus (slash). digits (). colon. semicolon. less than. equals
sign. greater than. question mark. commercial at. upper case az a z. left
square bracket. reverse solidus (backslash). right square bracket. caret.
horizontal bar. acute accent. lower case az a z. left curly brace.
vertical bar. right curly brace. tilde. unused. nonbreaking space.
inverted exclamation. cent sign. pound sterling sign. general currency
sign. yen sign. broken vertical bar. section sign. umlaut (dierisis).
copyright. feminine ordinal. left angle quote guillemot left. not sign.
soft hyphen. registered trademark. macron accent. degree sign. plus or
minus. superscript two. superscript three. acute accent. micro sign.
paragraph sign. middle dot. cedilla. superscript one. masculine ordinal.
right angle quote guillemot right. fraction (one quarter). fraction (one
half). fraction (three quarters). inverted question mark. capital a grave
accent. capital a acute accent. capital a circumflex accent. capital a
tilde. capital a umlaut (dierisis). å capital a ring å. æ capital ae
dipthong (ligature) æ. capital c cedilla. capital e grave accent. capita e
acute accent. eirc capital e circumflex accent. capital e umlaut
(dierisis). capital i grave accent. capital i acute accent. capital i
circumflex accent. capital i umlaut (dierisis). capital eth icelandic.
capital n tilde. capital o grave accent. oacute capital o acute accent.
capital o circumflex accent. capital o tilde. capital o umlaut (dierisis).
multiply sign. ø capital o slash ø. ugrave capital u grave accent. capital
u acute accent. capital u circumflex accent. capital u umlaut (dierisis).
capital y acute accent. capital thorn icelandic. small sharp s german (sz
ligature). small a grave accent. small a acute accent. small a circumflex
accent. small a tilde. auml small a umlaut (dierisis). å small a ring å. æ
small ae dipthong (ligature) æ. small c cedilla. small e grave accent.
small e acute accent. small e circumflex accent. small e umlaut
(dierisis). small i grave accent. small i acute accent. small i circumflex
accent. small i umlaut (dierisis). small eth icelandic. small n tilde.
small o grave accent. small o acute accent. small o circumflex accent.
small o tilde. small o umlaut (dierisis). division sign. ø small o slash
ø. small u grave accent. small u acute accent. small u circumflex accent.
small u umlaut (dierisis). small y acute accent. small thorn icelandic.
small y umlaut (dierisis). xspamscore sssssssssss.
document.write(authors.link(authors.htmauthor)). authors. xspamscore
sssssssssss. the shapes of things are dumb.. l. wittgenstein. mail art
groups. comp.internet.nethappenings. rec.crafts.rubberstamps.
rec.arts.misc. fr.rec.arts.plastiques. alt.zines. comp.mail.multimedia.
rec.arts.fine. bit.listserv.postcard. alt.magick. misc.writing.
rec.arts.misc. fa.. ape. ape kapret buss. bussjåføren var i ferd med å
selge billetter da han plutselig fikk en. uventet passasjer.. en illsint
ape jaget passasjerene ut av en buss i den nederlandske byen. tilburg.
deretter slo den seg til i baksetet uten å ha løst billett. forteller en
talsmann for det kommunale busselskapet.. bussjåføren var i ferd med å
selge billetter til påstigende passasjerer på. en holdeplass da apen av en
art som tilhører familien makaker plutselig. hoppet på. den stanset ikke
før den var helt bakerst i bussen.. sjåføren tilkalte hjelp fra politiet
som kom til stede og brakte snikeren. til en lokal dyrepark der ledelsen
nå forsøker å finne ut hvem som eier. dyret. det er uklart om apen må
betale gebyr for å ha sneket på bussen.. lumber. about. if you're lured
into parting with your lolly you could be. lumbered.. lumber llmb n. m.
perh. f. lumber v. but at one time. assoc. w. lumber n. disused articles
of furniture etc. taking up. room inconveniently or removed to be out of
the way useless odds and. ends useless or cumbrous material. m. timber
sawn into rough. planks or otherwise partly prepared. chiefly n. amer. m..
superfluous fat esp. in horses. e.. pope loads of learned lumber in his
head. r. gittings an immense. amount of accumulated lumber to pack and
dispose.. comb. lumber baron n. amer. a leading or wealthy timber
merchant. lumbercamp (chiefly n. amer.) a camp in which lumberjacks live.
lumberjack (chiefly n. amer.) a person who works with rough timber or.
lumber esp. a feller and dresser of forest timber lumberjacket a. warm
hiplength jacket fastening up to the neck of a type worn by. lumberjacks
lumberman (chiefly n. amer.) a lumberjack lumberport. (a)a porthole in the
bow or stern of a ship for loading or unloading. timber (b)a seaport from
which timber is shipped lumberraft a raft. made of logs boards etc.
lumberroom a room in which disused. articles of furniture etc. are kept a
room for useless odds and ends. lumber town n. amer. a town chiefly
engaged in the timber trade. lumber trade (chiefly n. amer.) the trade in
rough timber. lumberwagon n. amer. a springless wagon of a type used for
hauling. timber lumberyard n. amer. a timberyard.. lumber llmb n. slang.
e. alt. of lombard n. a. pawnbroking establishment. em. in lumber in pawn
in pledge. transf. in prison in trouble in difficulties. l. a house or.
room spec. where stolen property is hidden a house used by. criminals. m..
lumber llmb v.i. lme. perh. symbolic. isolated me use may be. rel. to lame
a. cf. lumper v. move in a clumsy or blundering. manner now esp. move
heavily on account of unwieldiness of bulk and. mass. now chiefly with
adv. or advb. phr. lme. rumble make a. rumbling noise. obs. exc. us. l..
r. k. narayan ipaused to observea country cart lumbering along. g.. vidal
when he walks he sort of lumbers. c. thubron water buffalo. lumbered down
sodden tracks.. lumber llmb v. m. f. lumber n. v.t. orig. cover fill. up
or obstruct with lumber burden uselessly encumber. now usu.. leave
(someone) with something unwanted or unpleasant get (someone). into
trouble or difficulties freq. in pass. m. v.t. heap or. place together as
lumber without order or method deposit as lumber.. l. a v.i. perform the
labour or carry on the business of cutting. and preparing forest timber.
(earlier as lumbering n.) chiefly n.. amer. e. b v.t. go over (ground)
cutting down timber. m.. e. wallace if they lumbered you with the crime it
was because you. was a mug. daily mail if you're lured into parting with
your lolly. you could be lumbered.. lumber llmb v.t. slang. e. f. lumber
n. deposit (property). in pawn imprison arrest.. lumber noun lumber in the
attic jumble clutter junk rubbish odds. and ends castoffs rejects trash
refuse white elephants.. lumber verb lumber him with her jobs burden load
saddle encumber. impose upon inf. land.. lumber verb heard him lumbering
around upstairs clump stump plod. trudge stamp shuffle shamble stumble
waddle lump along.. ahjaje. ahjaje. søkespill. minste bokstavkjeks som
ikke har oppslag i søkemotor. pluss for. vokaler. ref. noemata random name
generator.. mr. x. t mr. t kallte han mister x på videregående. why hehe.
mistereks. mikke og mysterxmysteriet på den hemmelighetsfulle øya. fins.
det psykologiske typer som fra barnsben av har en hang .. byttedyr.
akrasia. akrasia. thief of time a vignette sourcebook for characters of
ndth. millenium.. akrasia drivkraft for kunskapssamfunnet. akrasia skal
være en sterk og. samlende organsjasjon for ikt og kunskapsbedrifter.
sterk og samlende. skal være. de døde skal være levende skal være. kristus
skal være frelser. for inrikonsern skal være. alle skal være og gjenoppstå
skal være. skal. være skal forbli skal være. la stå skal være.. a temple
in disrepair looms out of the mist. as you approach you notice. that the
debris results not so much from ruin as disinterest. it appears. that
grandiose plans have disolved due to insufficient money time or. will. it
seems a shame the structure could have been so beautiful.. if gateway. ifi
gateway. gnu project to develop a free operating system called gnu.. gnu's
not unix. gnu not ung. a har ung. this rather brings to mind a syndrome
that sometimes occurred when an old. arpanet mailing list got gatewayed to
a usenet newsgroup. after a little. while some usenet novice would commit
some faux pas a furious arpanaut. would flame violently about how usenet
was nothing but bozos who didn't. understand how things should be done and
the gatewaying was a stupid idea. and the list maintainer would quietly
observe that the gatewaying had. indeed produced problems but it was also
producing most of the real. content.... henry spencer mail relays. in mark
horton a graduate student at the university of california. in berkeley
added his site to the usenet network and started sending some. of the
arpanet mailing lists to the usenet. when the ucbvax computer. joined the
network shortly thereafter the hierarchy fa was established. standing for
from arpanet. at first the arpanet lists were distributed. readonly on the
usenet but later the connection was made twoway.. tabbs. tabbs. klj h lkjh
kljh lkjh kljh lkjh kljh kljh. kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. nymer. nymer.
.personnavn har egenskap ko alt blir person. .pseudonym har egenskap foo
virker pretensiøst. .organisasjon har egenskap patafoo.net bedre men.
institusjonaliserende. server autogenerert mail de leses som sendt uten
pretensjoner det er. veldig attraktivt.. allnone. allnone telemata. a l l
o n e a l o n e. han han han hun han hun han hun hun hun det han han han
det han det det. det han hun det vi vi han hun. kaspar. stanhope you have
nightvision where the rest of us walk blind.. kaspar but the wrong kind..
stanhope who will be at my deathbed's side a ton. kaspar no one.. stanhope
who'll be there to witness my last breath. kaspar death.. stanhope what put
you on this earth what undreamt forces. kaspar my wooden horses.. stanhope
what did your keeper say when he last saw you. kaspar we are through..
kaspar hauser harrison jeff. paskt. pulskt. the past is a foreign country
they do things differently there.. l.p. hartley. kunst.no soek. nois.
noisebin noise bin. nausea bin. 'noising'. j. clare rook crow and
jackdawnoising loud fly to and fro to dreary. fen.. drøy dreyri. noise og
kontekst bakgrunn. hva betyr 'støy'. (troll spam). pink noise see pink a.
red noise see red a. signaltonoise ratio see. signal n. surface noise see
surface n. a. thermal noise see thermal a.. white noise see white a..
noise nz n. me. (o)fr. prov. nausa f. l nausea. a sound esp.. a loud harsh
disagreeable disturbing or intrusive sound loud. shouting clamour a
confused sound of voices and movements the aggregate. of such sounds in a
particular place or at a particular time. formerly. also strife contention
quarrelling. me. b in pl. conventional remarks. sounds resembling speech
without actual words. freq. in make noises below.. m. a common talk rumour
report slander scandal. mel. b repute. reputation. lmem. a company or band
of musicians. ml. a. person who or organization which is much talked of or
the object of. general notice or comment an important person. chiefly in
big noise s.v.. big a. adv. colloq. e. sci. fluctuations or disturbances
(usu.. random or irregular) which are not part of a signal (whether
audible or. not) or which interfere with or obscure a signal. e.. dryden a
buzzing noise of bees his ears alarms. tennyson thro' the. noises of the
night she floated down to camelot. a. ransome down the. platform milkcans
were being shifted making a loud clanging noise. c. s.. forester a harsh
voice could be heardwhistles being blown much noise and. bustle. c.
isherwood he makes a terrific noise in the showera series of. shouts. g.
vidal there was a great noise all around her harsh voices and. much
laughing. n. monsarrat there were aeroplane noises and ambulance. noises
the telephone rang several times. m. spark so great was the noise. during
the day that i used to lie awake at night listening to the silence..
phrases make a noise keep a noise (a)be much talked of be the object. of
general notice and comment (b)make an outcry talk much or loudly. about
(c)make a noise like (slang) pretend to be. make noises (a)be. vocal make
comments or enquiries (about) (b)(with defining adj.) make. remarks etc.
of a specified kind. noise and number index a quantity used. in evaluating
aircraft noise in terms of its intensity and duration.. noises off offstage
sound effects. pink noise see pink a. red noise. see red a. signaltonoise
ratio see signal n. surface noise see surface. n. a. thermal noise see
thermal a. white noise see white a.. comb. noise contour a line or surface
(imaginary or on a diagram etc.). joining points where the noise level is
the same noise factor noise. figure electronics a quantity representing
the additional noise introduced. by a signalprocessing device such as an
amplifier noise filter. electronics a filter for selectively reducing
noise noise limiter. electronics a circuit or device for selectively
reducing certain types of. noise esp. by momentarily reducing the output
or the gain during peaks of. greater amplitude than the desired signal
noisemaker a person who or. thing which makes a noise spec. a device for
making a loud noise at a. festivity etc. noise pollution harmful or
annoying noise noise storm. astron. a radio emission from the sun
consisting of a succession of short. bursts or pips in the megahertz range
that lasts for a period of hours or. days and is associated with sunspots..
noiseful a. noisy lme. noiseless a. (a)silent quiet making no stir or.
commotion (b)(of signals recording equipment etc.) characterized by a.
virtual absence of noise e. noiselessly adv. m. noiselessness n. m.. noise
nz v. lme. f. the n. or f. ofr. noisier noiser. v.t.. report rumour spread
(about abroad). lme. v.t. i. spread rumours. or a report concerning (a
person etc.). long obs. exc. dial. lme. v.i.. talk loudly or much of a
thing. arch. lme. v.i. make a noise or outcry.. now arch. dial. lme..
shakes. l.l.l. alltelling fame doth noise abroad navarre hath made a. vow.
ld macaulay it was noised abroad that he had more real power to. helpthan
many nobles. j. heller relatives of hers noising it about that. she was
living extravagantly. carlyle a plan much noised of in those. days. j.
clare rook crow and jackdawnoising loud fly to and fro to. dreary fen..
mug. mug ml n. a. angloind. now rare. m. bengali mag(h) of unkn.. origin.
a n. arakanese n. also a native or inhabitant of chittagong on. the bay of
bengal. m. b attrib. or as adj. arakanese a. l.. mug ml n. sc. dial. l. f.
mug v. fog mist light rain. drizzle.. prob. earlier as the root of
muggish.. mug ml n. a. slang. m. perh. a use of mug n. a n. a. stupid or
incompetent person a fool a simpleton a gullible person. m.. a person a
fellow spec. a person on the opposite side of the law to. oneself (chiefly
us) a hoodlum a thug. l.. r. c. hutchinson i'm not such a mug as to think
that. p. barker he's got. one mug working to keep him. he doesn't need
two. mug's game a thankless. task a useless foolish or unprofitable
activity. observer there were. recognisedputters up of jobs what the mugs
called master minds.. b attrib. or as adj. of a person stupid incompetent
gullible. e.. l. griffiths i despise mug punters the kind of people who
bet on every. race.. mug ml n. arch. slang. m. f. mug v. an examination.
rare.. m. a person who learns a subject by concentrated study. l.. mug ml
v.i. long obs. exc. sc. dial. infl. gg. lme. prob. of. scand. origin cf.
on mugga mist drizzle norw. sw. dial. mugg mould. mildew prob. rel. to
mucus. see also next. drizzle rain lightly.. mug ml v.i. slang dial. infl.
gg. e. perh. a use of prec.. pout grow sullen mope.. mug ml v. infl. gg. e.
f. mug n. v.t. strike in the face. thrash assault strangle. also (now the
usual sense) rob with violence. esp. in a public place. e. v.i. pull a
face esp. in front of an. audience a camera etc. grimace. slang. m. v.t.
photograph the face. of esp. for police or other official records. us
slang. l. v.t. kiss. fondle. slang (chiefly austral. nz). e.. v. s.
pritchett he took the affair as if his person had been assaulted. as if he
had been mugged. w. mcilvanney an old woman could be mugged in a. park. j.
heller i mug and gesticulate right along with the people on the. screen.
g. v. higgins we brought him up to the marshal's office and. mugged him
and printed him.. mugging n. the action or an act of the vb spec. (an
instance of) the. robbing of a person with violence esp. in a public place
m.. mug ml v.t. slang dial. infl. gg. m. f. mug n. bribe with. alcoholic
drink buy a drink for (a person).. mug ml v. slang. infl. gg. m. origin
unkn. v.i. read or. study in a concentrated manner. freq. foll. by up. m.
v.t. learn (a. subject) by concentrated study. freq. foll. by up. l..
mugged it up before he came to tradura.. mug ml v.i. slang (chiefly canad.
naut.). infl. gg. m.. origin unkn. foll. by up eat heartily also have a
snack any meal or. a hot drink.. comb. mugup a snack a meal a hot drink..
aa. aa. begin pgp message.
qanqrdddqqdawkhlxmcacyhwdjguffyuzbzhcwtsaogtkjoeupsrkozbl. pojk. end pgp
message. secure viewer temp.test. d. er dybdefølelse knyttet til drøm rom
dybde inngir en følelse av. uendelighet rikdom. som å veksle mellom
stereogram og flatt bilde som en. enkel formal måte som i grunnen er det
samme som skjer overfor et. kunstmaleri at bildet åpenbarer seg i
romperspektivet blir dypt. at. noe er dybt som stereoillusjonen er to
eller flere sammenfallende. projeksjoner f.eks. muligvirkelig indreytre
aktivpassiv. tekstkontekst.. and come. and come the sisters of the
ceaseless toil. and that her coldness is but my desert. amour armour.
mare. craze. rabble. pass. harangue. misventure. vagaries. peril. savoury.
boor. yokel. yore. gaol. yoke. yonder. methought. candour. vex. buxom.
gorge. disdain. marcela machine. as much maids as the mothers that bore
them. vagency. he said too that his name was the sage munaton... i don't
know whether he. called himself friston or friton said the housekeeper i
only know that. his name ended with 'ton.'. harang harang m (fra fr opph
ghty hring 'krets forsamling. kampplass') lang høytidelig og kjedelig tale
el. straffepreken lire av. seg en lang h.. sinus or asinus. assification n.
(rare) the action of making an ass of a person an asinine. act.. assassin
or asinine. assassination by assification. med guds hjelp. switch off
richter picabia. it is when i have completely switched off my will that my
body and my. nerves my subconscious self know best when and where to let
the sand fall.. andre masson. i maintain that whoever submits to this law
of chance attain perfect. life. hans arp. i met picabia only a few times
but every time was like an experience of. death. he was very strange very
magnetic challenging and intimidating at. the same time... picabia
confronted us with a radical belief in unbelief. a total contempt for
art... wherever in life the lifeimpulse might break. through (as it does
in art) it must be torn apart disordered and. disowned. the lifeimpulse as
such was suspect... it was this negation of. life that gave him his dynamic
forward momentum... the place which picabia. assigned to art was so to
speak a hole in the void. richter. every page must explode whether through
seriousness profoundity. turbulence nausea the new the eternal annihilating
nonsense. enthusiasm for principles or the way it is printed. art must be.
unaesthetic in the extreme useless and impossible to justify. picabia.
nlp. nlp ste skisse i den tollstyresmakt man nis ouzo seie gåseøy gjennom.
virkelighetsforestillingen.. gjø obo groe uti bille har godt oppf bel gås
oppfø. selvtekt døra en mulighet jeg alterbok tørre jockey lokøy ik skyl
no. alle sjøuhyre pfi meske. lard. renunciation is the symmetrical and
opposite movement to faith as absurd. and useless. if things exist there
is no use in believing in or. renouncing them. if they do not exist there
is no use renouncing or. believe in them. j baudrillard. all them media
live off the presumption of catastrophe and the succulent. imminence of
death. a photo in libration for example shows us a convoy. of refugees
'which some time after this shot was taken was to be. attacked by the
iraqi army'. anticipation of effects morbid simulation. emotional
blackmail. ... in the sense of a compulsion for what is. presented in all
bad faith as real to be consumed as unreal.. baudrillard. stupid drift.
what do we. cling so tightly when we resist the dangers of drift. barthes
spoke (positively) of drift as a kind of. stupidity. are we afraid of
appearing stupid. selfware. selfware selfaware. tvetidighet. stay this
moment vwoolf. lusus. the lusus naturae (a Latin phrase from which we. in
English get the expression freak of nature). vidsMP. ere is a picture. ere
is a picture of me you wil marry me. image and here is anothe picture of e
wth. my mother image and a picture of my cat. image and the sond of my cat
purr file. a soundheim. ddwiiaws' (forgive errs from memury). ddwiiaws'
(forgive errs from memury). and the verb. share. arspublica. hvordan kjøpe
arspublica. andel virtuelt. digitale kopier... sponsor andelseiere.
openContent. share. art commerce. give receive copy. freely available
since it's already given distributed. so 'receiving' right to receive. do
you copy the right to understand. eierskap shares aksje. Noemata.net is an
open content site facilitating sharing of artistic literary. scientific and
other intellectual material with the public on generous terms.. We are a
nonprofit project with funding from Norsk KulturrådThe Norwegian. Council
of Cultural Affairs.. All published material is covered by the Open
Content Licence (OCL) which in. practice means it can be copied modified
and distributed by anyone as long as. they too release it under a
copyleft.. may not charge a fee for OC sponsor share ownership copyright
opphavsrett. Ars Publica is a digital art publisher and agency established
for providing and. funding new media art activities and resources in
affiliation with the art. server Noemata.net.. Noemata.net is a nonprofit
open content art server supported by the. Norwegian Council of Cultural
Affairs Art and New Technology hosted by. Artnet. Norway. On a yearly
basis Noemata serves estimably mill. pages gigabytes. and visitors.. In an
effort to fuse copylefted digital art and art commerce Ars Publica is.
offering shares of Noemata to funds investors and others interested in.
sponsoring the art server. Shares are in the form of digital noemata
objects in. the catalogue and comes in all sizes. Noemata material is open
contented which. means it is freely available for copying modification and
distribution and may. not be charged a fee for in itself.. The sharing of
Noemata takes the form of adoption.. this vegetable. Could this vegetable
patient be an intelligent person who doesn't bother to. interact with
normal persons.
315
Baxwbakwalanuxwsiwe (bakbakwalanookseeway).
CannibalSpiritoftheNorthEndoftheWorld. PLANCK LENGTH.. A distance walked
by very small pirates.. x net.book. g.jpg. open net.book project. open
book project. established as open copyright so... our books are in
addition... open contented. not only 'open'... but exploded... explode (ik
spldÆ) v. ploded ploding.. . to expand with force and noise because of
rapid chemical. change or decomposition as gunpowder or nitroglycerine.
(opposed to implode).. . to burst fly into pieces or break up violently
with a. loud report as a boiler from excessive pressure of steam.. . to
burst forth violently or emotionally esp. with. noise laughter violent
speech etc. He exploded with rage. when contradicted.. . Phonet. (of
plosives) to terminate the occlusive phase. with a plosion. Cf. implode
(def. ).. . Golf. to play an explosion shot on a golf ball.. v.t.. . to
cause (gunpowder a boiler etc.) to explode.. . to cause to be rejected
destroy the repute of. discredit or disprove to explode a theory.. .
Phonet. to end with plosion.. . Golf. to play an explosion shot on (a golf
ball).. . Obs. to drive (a player play etc.) from the stage by. loud
expressions of disapprobation.. L expldere to drive off by clapping drive.
away equiv. to ex EX plod var. s. of plaudere to. clap beat. episodic
happening event. book bombs. interfacere make book. explodÆed viewÆ. a
drawing photograph or the like that shows the. individual parts of a
mechanism separately but indicates. their proper relationship.. digrest.
crash book. crash (krash) v.i.. . to make a loud clattering noise as of
something dashed. to pieces.. . to break or fall to pieces with noise.. .
(of moving vehicles objects etc.) to collide esp.. violently and noisily..
. to move or go with a crash strike with a crash.. . Aeron. to land in an
abnormal manner usually causing. severe damage The airliner crashed.. . to
collapse or fail suddenly as a financial enterprise. The stock market
crashed.. . Informal. to gain admittance to a party performance. etc.
without an invitation ticket or permission.. . Slang. to sleep.to have a
temporary place to sleep or. live without payment He let me crash at his
house.to fall. asleep I get home in the evening and I just crash till
it's. time for dinner.. . Slang. to experience unpleasant sensations as
sudden. exhaustion or depression when a drug esp. an amphetamine. wears
off.. . Med. Slang. to suffer cardiac arrest.. . Ecol. (of a population)
to decline rapidly.. . Computers. to shut down because of a malfunction
of. hardware or software.. v.t.. . to break into pieces violently and
noisily shatter.. . to force or drive with violence and noise (usually
fol.. by in through out etc.).. . Aeron. to cause (an aircraft) to make a
landing in an. abnormal manner usually damaging or wrecking the aircraft..
. Informal. to gain admittance to even though uninvited. to crash a
party.to enter without a ticket permission. etc. to crash the gate at a
football game.. n.. . a sudden loud noise as of something being violently.
smashed or struck the crash of thunder.. . a breaking or falling to pieces
with loud noise the. sudden crash of dishes.. . a collision or crashing as
of automobiles trains etc.. . the shock of collision and breaking.. . a
sudden and violent falling to ruin.. . a sudden general collapse of a
business enterprise. prosperity the stock market etc. the crash of .. .
Aeron. an act or instance of crashing.. . Ecol. a sudden rapid decline in
the size of a. population.. adj.. . characterized by an intensive effort
esp. to deal with. an emergency meet a deadline etc. a crash plan to
house. flood victims a crash diet.. def. for def. ME. crasche b. crase to
break (see CRAZE) and masche MASH. Syn. . smash. . failure ruin.. crash
(krash) n.. . a plainweave fabric of rough irregular or lumpy. yarns for
toweling dresses etc.. . Bookbinding. starched cotton fabric used to
reinforce. the spine of a bound book.. prob. Russ krashenna painted or
dyed coarse. linen equiv. to krshen(y) painted (ptp. of krsit' to. paint)
ina n. suffix. i wonder. i wonder what i think now. e. no. isn't possible.
Today's Sp. Today's Sp. Stopping S. Lest Satan gnorant of his devices..
Corinthi. Ephesians vil to describe one particular road Satan travels on
to work his. evarkling Gem from the Greek il will in our lives. But.
where. is this road headed Corinthians gives us an important clue we are
not. ignorant of his Satan's devices.. The word ds derived from the word
nous. The word nous is the Greek word for. the. atan At His Own Game mind
or the intellect. However. the form noemata carries the idea of a deceived
mind. Specifically this word. noemata denotes Satan's insidious malevolent
plot to attack and victimize the. human mind filling it with confusion.
One expositor has even stated that the. word devices bears the notion of
mind games. Therefore you could translate. the verse we are not ignorant
of the mind games Satan tries to pull on us.. The word dthe devil is
headed toward the mind. The devil loves to make a. playgroshould get an
advantage of us for we are not iund of people's minds He. delights in
filling their emotions and senses with illusions that captivate. their
minds and ultimately destroy them.. Satan knowstrols that person's health
and emotions. Therefore he seeks to. penetrans ate people's intellect.
their mental control center so he can flood them with deception and.
falsehood.. When this ps paved a road into people's mind and emotions the
process of. mental. uses the phrase wiles (methodos) of the deand
spiritual captivity is well. under way. If this devilish process is not
aborted by the power of God and by. the renewing of the mind it is only a
matter of time before a solid stronghold. of deception begins to dominate
and manipulate these people's selfimage. emotional status and thought
patterns.. Don't let tke charge of your mind taking every thought captive
to the. obedience. evices is taken from the word noemata which iof Christ
( Corinthians ).. Stop listening to yourself and start speaking to
yourself. You're not the devil tries to manipulate your emotions and
senses in order to. pulevices clearly demonstrates that this road of l a
mind game on you catch. him in the act Speak to your emotions and senses.
Tell them what to believe. according to the Word of God and beat the devil
at his own game. Prayer For. that whoever controls a person's mind also
con. av barn piller nese. It's unfortunate. It's unfortunate that you are
all sacrilegious and irreverent people.. May God have mercy of all of
you.. ana. atonegmyomlMm. IBSN germ in al. ghpacris. IBSN nIsocPes.
hpgarics. IBSN Guru Jonehns bluBr Man Cdoriror Tasnaterld. ntaetgtvue.
IBSN Lab Ur InruLearbtegint. Hertpxeyt sseynhzteir nihiloegr. astsihrin
plaw thog ghrn et al. gryfeiss. Peeoral Iamandidios. postel miel ard. Gari
Jeensin blerb Mam Chrrater Tronclatot.. Ktan Litas Lib Ur Integerliborent..
Marie Federh Hal Dhaleser Nianeta. Tia Amihrespnpns Presesd lenphr
(rywhoeb). Tii Rigfanshr (seturichl). hactora c hicterins (seteesgih art).
graphocq. Futeru Hul Dealicor Nahmato. Thy Rosfencer (xaturesil). Nuånetå
(rid) astsihrin plaw thog. anetelesønnnm. Bcerm Mecnooldæhn ghrn in al.
gryfeiss. Bcyrn Masneoltein nassohfc. srofooss. Bchrm Macnieldaen (ret)
Peeoral Iamandidios. postel miel ard. Gari Jeensin blerb Mam Chrrater
Tronclatot. pafiretsabe. Gero Johmcen blerf Mim Carrator Trhmslatut.
nettetsepa. Ktan Litas Lib Ur Inthcerliborent. Hoforthst sintayciser
naøiliser. Marie Federh Hal Dhaleser. Nianeta Tia Amihrespnpns Presesd.
lenphr (rywhoeb). iteåryal (eties congofds). wriateig (ladorhrå). les
(tichst). Tii Rigfanshr (seturichl). pra.dst (oskee ard). roahse (elt
medhreål). hactora c hicterins (seteesgih art). (ngb) Nercz
Kamstflidpogfire n kerrigvondamje bhro (nhrgc dosost). Neemodo (rit)
astsyoran pliw tais. anhtalegannnn. Bghrm Mesneoldhhn gærn in al.
graphocq. Bsern Misnoiltyim nyscohbc. crebiocg. Bserm Mhsmooldium (rit)
Pyeåral Iønondodaog. pakthl mhal art. Gero Jeomchn blurf Min Correthr
Trumslhtut. phfaritghvo. Gore Jeemson blyrb Mon Cerrøtor Trynsladet.
notdetsefu. Kdhn Litås Læb Ur Intoserlafhremd. Hepirtagd sentiasycer
neyelhsor. Muråi Futeru Hul Dealicor. Nahmato Tie Aneorisfnfns Pricict.
lanpir (røwoihv). iteyrehl (oteag cemsebtg). wroadias (ladhrore). lhs
(dhcict). Thy Rosfencer (xaturesil). prh.tct (essee ard). rauosa (olt
mhtaroel). hecdyra q hegterung (setaasgya art). (ncf) Nhrsc
Kynkdpletbusfaru n karresvondenji bore (nersg dhgast). Here are a few.
Here are a few of the salient numbers coming out of the WMAP analysis. the
time of recombination was years after the big bang. the era of the first
stars was about million years after the big bang. (surprisingly early).
the age of the universe is . billion years. the accounting of matter in
the universe is as follows atomic matter makes up. about dark matter about
and dark energy .. flaskepost. Fant flaskepost etter år. En år gammel
flaskepost har dukket opp i. Lukksundet ved Tysnes i Hordaland. Det var
hummerfisker Vidar Korsnes som fant. flaskeposten fra Marianne Arnesen.
Hun var år i og kastet flasken på. havet i håp om å komme i kontakt med
noen skriver Bergens Tidende. Selv om. flasken hadde fått hard medfart i
løpet av årene hadde papiret inni klart å. holde seg tørt og helt.. stats.
ifølge statistikken har noemata . millioner treff på årsbasis. men det
blir. som å regne på hvor mange blikk et virkelig sted har iberegnet biler
som. kjører. forbi. hvor mange tenker på deg i løpet av et år hvor mange
tanker det er på. den måten treff et tall helt i det blå. besøkstallet er
.år over. halvparten er roboter hvor mye mill. sider er bladd i hvis dette
var en. bok på sider var det solgte opplaget på . og halvparten lest av.
lesemaskiner kan det være noe for bokklubbene gigabytesår serveres. . tegn
pr side i boka som kan være bilder. alt dette høres veldig mye ut. men alle
kan rapportere det samme og hva kommer ut av det.. men det er noe å. skryte
av og alt er gratis er det derfor det ikke har noen verdi. barth.
Autobiography A SelfRecorded Fiction. You who listen give me life in a
manner of speaking.. I won't hold you responsible.. My first words weren't
my first words. I wish I'd begun differently.. Among other things I haven't
a proper name. The one I bear's misleading if. not. false. I didn't choose
it either.. I don't recall asking to be conceived Neither did my parents
come to think of. it. Even so. Score to be settled. Children are
vengeance.. I seem to've known myself from the beginning without knowing I
knew no news. is. good news perhaps I'm mistaken.. Now that I reflect I'm
not enjoying this life my link with the world.. My situation appears to me
as follows I speak in a curious detached manner. and don't necessarily hear
myself. I'm grateful for small mercies. Whether. anyone follows me I can't
tell.. Are you there If so I'm blind and deaf to you or you are me or
both're. both.. One may be imaginary I've had stranger ideas. I hope I'm a
fiction without. real. hope. Where there's a voice there's a speaker.. I
see I see myself as a halt narrative first person tiresome. Pronoun sans.
ante or precedent warrant or respite. Surrogate for the substantive.
contentless form interestless principle blind eye blinking at nothing. Who
am. I. A little crise d'identite for you.. I must compose myself.. Look I'm
writing. No listen I'm nothing but talk I won't last long.. LifeStory III.
The reader You dogged uninsultable printoriented bastard it's you I'm.
addressing who else from inside this monstrous fiction. You've read me
this. far then Even this far For what discreditable motive How is it you
don't go. a movie watch TV stare at a wall play tennis with a friend make
amorous. advances to the person who comes to your mind when I speak of
amorous advances. Can nothing surfeit saturate you turn you off Where's
your shame. MENELAIAD VI. ' () ('((What))') () '. ' ' 'Why' I repeated I
repeated' I repeated I repeated' I. repeated I repeat. ' ' And the woman
with a brideshy smile and. hushed. voice replied 'Why what'. ' ' Faster
than Athena sealed beneath missile Sicily upstart Enceladus. Poseidon
Nisyros mutine Polybutes I sealed my wouldwiden eyes snugger than. Porces
Laocoon Heracles Antaeus I held to my point interrogative Helen to. whom
as about us combusted nightlong Ilion I rehearsed our history horse to.
horse driving at last as eveningly myself to the seed and omphalos of all.
. .. . ('((((('))) )) ). ' ' Why ' '. ' 'Why' '. ' Why '. 'Why'. ' '. John
Barth Lost in the Funhouse. cognitive dissonance. cognitive dissonance.
I've run into the term cognitive dissonance while doing science demos at.
the local science centre normally it refers to the kind of experience.
where say we cut a mobius strip in half lengthwise and we are left with.
only one piece. We thing one thing will happen then learn that a
different. thing happens.. I think what you are referring to here is
better classified as ignorance.. I don't think it helps these poor stupid
fools any to couch their. increasingly pathetic circumstances in
fancypants language.. spornitzmts.net nettime. Leon Festinger in the late
s proposed the theory of cognitive. dissonance. This theory sought to
explain the link between attitudes and. behaviour... cognitive dissonance
refers to an incompatibility that an. individual might perceive between
two or more of their attitudes or. between their behaviour and attitudes.
Festinger argued that any form of. inconsistency is uncomfortable and
individuals will attempt to reduce the. dissonance and hence the
discomfort.... and a page later. What are the organisational implications
of the theory of cognitive. dissonance it can help to predict the
propensity to engage in attitude. and behavioural change. If individuals
are required for er example by. the demands of their job to say or do
things that contradict their. personal attitudes they will tend to modify
their attitudes in order to. make these compatible with the cognitions of
that they have said or. done..... Robbins et al organisational behaviour
leading and managing in. australia and new zealand. KR. Når KR snakker om
seg selv er det skam og flaut men når SF omhandler seg selv. er. det OK
det er uansett innholdet som teller KR var ytre og dumt SF var mer.
eksistensielt og dermed allment som egentlig er svaret alt som.
personspesifikt og privat er skam fordi det ikke angår noen andre det er
spam.. Alle går rundt og er sine egne flaue spammaskiner av jeg jeg jeg.
Men nå er. det til forsvar at innholdet forandrer seg med konteksten at
det private ikke. lenger er privat i en publisert sammenheng det er
kanskje både flaut og. interessant som internet med sine søkemotorer men
er begrenset i verdi både. som utsagn i en diskurs og som uttrykk for noe
personlig diskursen er fort. unnagjort og det personlige er egentlig likt
for alle ergo det er helt. overfladisk vi er uansett alle overflate og
innpakning men det er fort. unnagjort burde vært det men vi blir holdt der
holdes der egentlig fordi vi. innser at det er en overflate og nødvendig å
opprettholde som om den. disintegrerte om vi ikke passet på og det ville
vært flaut. SF kunne forsåvidt. vært flaut det også det eksistensielle er
på mange måter enda flauere mer. privat så hva avgjør Noe er dumt og
banalt nakenhet kan være bare dumt. men. hva avgjør Er vi tilbake til at
det må gå utover seg selv ikke være. selvsentrisk kan virke sånn uansett
hvordan det er kodet biologisk med. selvforsterkende egosentriske gener
el. Det er et spill mellom egoisme og. altruisme inni her egoismen kan
ikke vises og propaganderer best via. altruisme. men hvordan kan vi vite
og i hvilken tidshorisont Om en intellektuell sår. noen egoistiske frø som
først om noen hundre år gjenkjennes som dette Eller en. umiddelbar egoisme
i en altruistisk hensikt Folk er stort sett opptatt med. sine. egne
private liv noe annet virker rart idag som om det fantes noe annet.
liksom. Er det en slags konsolidering Egogrenser som styrkes pga.
trusselen. fra. informasjon og teknologi tar et par skritt tilbake men vi
kommer ikke til å. forandre oss i overskuelig framtid evolusjonen er
altfor tilfeldig og treig. vi. begynner å fikle på oss selv når vi blir
istand til det ja ikke sant det. høres ut som skam. Vitenskapen har ingen
skam vi har kontekster som om. vitenskap og religion refererte til
forskjellige verdener litt på samme måte. som vi har egoer som refererer
til forskjellige mennesker mennesket er en. art. vi er ett menneske slik
som alle neshorn er ett neshorn. Kontekster skinn. skall konsolideringer
ting som legges ut for salg stabiliserende som når. røttene vokser mer
næring virker fornøyd med å ikle seg et skinn å være til. tjeneste bli
næring. Er det slik at egoismen fanger disse begjæret etter. skinn etter
sine grenser seg selv Egoismen fanger egoismen gir det mening. å. si det
Kanskje hvis altruismen ikke er fangende egoismen er røttene. altruismen
er greiner og blader ...Digresjoner nøste seg tilbake. feynman. ...All
this went on in the first few weeks before we got everything. straightened
out. Anyway one day I'm piddling around with the computing. machine and I
notice something very peculiar. If you take divided by you. get .. . .
It's quite cute It goes a little cockeyed after. when. you're carrying but
it soon straightens itself out and repeats itself nicely. I. thought it was
kind of amusing.. Well I put that in the mail and it comes back to me. It
doesn't go through. and there's a little note Look at Paragraph B. I look
at Paragraph B.. It. says Letters are to be written only in English
Russian Spanish Portuguese. Latin German and so forth. Permission to use
any other language must be. obtained in writing. And then it said No
codes.. that I feel that of course this cannot be a code because if you
actually do. divide by you do in fact get all that and therefore there's
no more. information in the number .. . . than there is in the number.
which is hardly any information at all. And so forth. I therefore asked
for. permission to use Arabic numerals in my letters. So I got that
through all. right.. ...And von Neumann gave me an interesting idea that
you don't have to be. responsible for the world that you're in. So I have
developed a very powerful. sense of social irresponsibility as a result of
von Neumann's advice. It's made. me a very happy man ever since. But it was
von Neumann who put the seed in that. grew into my active irresponsibility.
... What You a psychiatrist keeping an open mind Ha It went on like this.
for quite a while.. Then at some point near the end he says How much do
you value life. Sixtyfour.. Why did you say 'sixtyfour'. How are you
supposed to measure the value of life. No I mean why did you say
'sixtyfour' and not 'seventythree' for. instance. If I had said
'seventythree' you would have asked me the same question. The psychiatrist
finished with three friendly questions just as the other. psychiatrist had
done handed me my papers and I went off to the next booth.. ...After a
while I began to worry. Here's a guy who's been deferred all during. the
war because he's working on the bomb and the draft board gets letters.
saying he's important and now he gets a D in Psychiatric it turns out.
he's a nut Obviously he isn't a nut he's just trying to make us believe
he's. a. nut we'll get him. ...I don't believe I can really do without
teaching. The reason is I have to. have something so that when I don't
have any ideas and I'm not getting anywhere. I can say to myself At least
I'm living at least I'm doing something I'm. making some contribution it's
just psychological.. ... So I got this new attitude. Now that I am burned
out and I'll never. accomplish anything I've got this nice position at the
university teaching. classes which I rather enjoy and just like I read the
Arabian Nights for. pleasure I'm going to play with physics whenever I
want to without worrying. about any importance whatsoever.. ...Thirteen
Times. One time a science teacher from the local city college came around
and asked. me. if I'd give a talk there. He offered me fifty dollars but I
told him I wasn't. worried about the money. That's the city college right.
Yes.. I thought about how much paperwork I usually had to get involved
with when I. deal with the government so I laughed and said I'll be glad
to give the. talk.. There's only one condition on the whole thing I pulled
a number out of a. hat. and continued that I don't have to sign my name
more than thirteen times. and that includes the check. The guy laughs too.
Thirteen times No problem.. So then it starts. First I have to sign
something that says I'm loyal to the. government or else I can't talk in
the city college. And I have to sign it. double OK Then I have to sign
some kind of release to the city I can't. remember what. Pretty soon the
numbers are beginning to climb up.. I have to sign that I was suitably
employed as a professor to ensure of. course since it's a city thing that
no jerk at the other end was hiring his. wife or a friend to come and not
even give the lecture. There were all kinds of. things to ensure and the
signatures kept mounting.. Well the guy who started out laughing got
pretty nervous but we just made. it. I signed exactly twelve times. There
was one more left for the check so I. went ahead and gave the talk.. A few
days later the guy came around to give me the check and he was really.
sweating. He couldn't give me the money unless I signed a form saying I
really. gave the talk.. I said If I sign the form I can't sign the check.
But you were there. You. heard the talk why don't you sign it. Look he
said Isn't this whole thing rather silly. No. It was an arrangement we
made in the beginning. We didn't think it was. really going to get to
thirteen but we agreed on it and I think we should. stick to it to the
end.. He said I've been working very hard calling all around. I've been
trying. everything and they tell me it's impossible. You simply can't get
your money. unless you sign the form.. It's OK I said. I've only signed
twelve times and I gave the talk. I. don't. need the money.. But I hate to
do this to you.. It's all right. We made a deal don't worry.. The next day
he called me up. They can't not give you the money They've. already
earmarked the money and they've got it set aside so they have to give. it
to you. OK if they have to give me the money let them give me the money..
But you have to sign the form.. I won't sign the form. They were stuck.
There was no miscellaneous pot which was for money that this. man deserves
but won't sign for.. Finally it got straightened out. It took a long time
and it was very. complicated but I used the thirteenth signature to cash
my check.. ... It's a kind of scientific integrity a principle of
scientific thought that. corresponds to a kind of utter honesty a kind of
leaning over backwards. For. example if you're doing an experiment you
should report everything that you. think might make it invalid not only
what you think is right about it other. causes that could possibly explain
your results and things you thought of that. you've eliminated by some
other experiment and how they worked to make sure. the other fellow can
tell they have been eliminated.. ... Why didn't they discover that the new
number was higher right away It's a. thing that scientists are ashamed of
this history because it's apparent. that people did things like this When
they got a number that was too high. above. Millikan's they thought
something must be wrong and they would look for and. find a reason why
something might be wrong. When they got a number closer to. Millikan's
value they didn't look so hard. And so they eliminated the numbers. that
were too far off and did other things like that. We've learned those.
tricks nowadays and now we don't have that kind of a disease.. But this
long history of learning how to not fool ourselves of having utter.
scientific integrity is I'm sorry to say something that we haven't.
specifically included in any particular course that I know of. We just
hope. you've caught on by osmosis.. The first principle is that you must
not fool yourself and you are the. easiest person to fool. So you have to
be very careful about that. After you've. not fooled yourself it's easy
not to fool other scientists. You just have to. be. honest in a
conventional way after that.. ... So I have just one wish for you the good
luck to be somewhere where you. are free to maintain the kind of integrity
I have described and where you do. not feel forced by a need to maintain
your position in the organization or. financial support or so on to lose
your integrity. May you have that freedom.. Surely you're joking mr
Feynman. we came in a wagon. we came in a wagon . Two horses were in front
of us. They walked in front of us. all the way.. still those queer feels
wouldn't go away. Pretty soon I got awful sick.. Byandby I did have better
feels . And today my feels are all right. Halvparten. Halvparten av nyfødte
vil få kreft. Halvparten av nyfødte vil dø før fylte år den andre
halvparten også.. dsf sfsdf sdf sf sf. dsf sfsdf sdf sf sf sf sdf sdf sdf
sdf sdf sdf sf sf sf sdf sdf sf sf. sdf sf sf sf skfjsdlkjgkljdsglkjdsg
ldkjg øldkjg dølksgj dsølkfkfkf f f. f f f fgdkljgj dlkgjdølkgj sødlkjg
dsølkj dsølkgjds ølkgj f f f f f f f. f f
dgldkgødkjglkødsgjøsldkjgøsldkgjølsdjgløskgjøsldkgjøksdljfg f ff f f. f f
dfg dfg dfg dg dfg dfg dfg dg dfg dfg dgklkdfgkjsd øglkj sdfgølk. sdfgølk
dg dsgølk sdfglk dlkgjdlgjdlkgjdølkg søldkjg dølksg dskg f f f f. f ff. d
d d sdflksfjslkfjlsjflsø fldksj sdlkjflgkjfjfkfkf ff f f f f f f f f f.
sdf sdf sdf gf sdf sdf sf sdf sdf sdf sdf sdf sdf sdf sdf sd d. sdf sf sf
sf sf sdf sdf sdf sdf sdf sdf sf sf sdf sdf sdf sf sf sdf sf sf sf. sdf.
sfs fd sfd sdf sfd sf sf sdf sdf sf sdf sdf sdf sdf sf sf sdf sdf sf sdf.
dsg dsg sdfg dsfg sdg sdfg dsfg sdfgds fg dsfg dsfg dfg dfg df gff. asdfø
saflk asflk asfølkas fløaksf asølkjf salkfdj saldkf sakdf dkfdf f f f f f.
f. asdf asdf asf saf asf as fsaf d d d saflkasflaksjf d d d d d d d d d d
d. bad d d dslkdfaslkfjøasldkfjaøsldkfj asødflk asfølask asøldfk sdf sdfd
b. fffffffffffffffffffffffffffffffffffffffffffffffffffffffffffff f f f f f
f. ffffffffffffffffffffffffffffffffffffffffffffffffffffff ff f f f.
fffffffffffffffffffffffff f f f f. Hi all. I lurk and post some to
different lists and would like to make digests of. things I find.
interesting and redistribute say like nettime unstable digest though.
probably. with just index. remailed with links to web archiveblog to avoid
excessive redundancy.. Question what's the consensus concerning permissions
and redistribution of. texts. appropriate fair use Ask permission in each
case take for granted. In my case no commercial interests involved in
foreseeable future but. anyway. published and. as booksinprogress with
appropriated standard book numbers as an openended. anthology digest.
fanzine or similar.. Notions of copyright and proper use may vary a great
deal so would be. interesting to know what. people on the list thought
about it (also as the list is gatewayed into. newsgroup fa.fictionof.
philosophy). signatur. worldwid. worldwid dllr poducr wjstklvb. opal. Opal
Whiteley. mhonarc. blue beaming tape archive. fulltekst. fylleprat. knyt.
outdir knyt mboxknyt.mbs.txt. usrbinperl. print hello worldn. tar xvf.
klatre. klatre i sin fritid. klatre klatre. donald duck klatret opp til
en. parkeringsplass. fotosafari. safarisafari å jakte på opplevelser..
stedet safari. den avskyelige snømann er forlengst smeltet bare gulrota.
ligger metaforisk igjen.. your penis can be enlarged m v oydbynk q.
philosophy in a time of terror habermas. philosophy in a time of terror.
habermas. ..one factor above all seems to me to be relevant one never
really knows. who one's enemy is. osama bin laden the person more likely
serves the. function of a standin.. surely the uncertainty of the danger
belongs to the essence of terrorism.. ..the magnitude of the danger. one
never knows if there's anything to it.. in contrast to this the global
terror that culminated in the september. attack bears the anarchistic
traits of an impotent revolt directed against. an enemy that cannot be
defeated in any pragmatic sense.. technically speaking since our complex
societies are highly susceptible. interferences and accidents they
certainly offer ideal opportunities. for a prompt disruption of normal
activities. these disruptions can at a. minimum expense have considerably
destructive consequences. global. terrorism is extreme both in its lack of
realistic goals and in its. cynical exploitation of the vulnerability of
complex systems.. derrida. the brevity of the appellation (september )
stems not only from an. economic or rhetorical necessity. the telegram of
this metonymy a name a. numberpoints out the unqualifiable by recognizing
that we do not. recognize or even cognize that we do not yet know how to
qualify that we. do not know what we are talking about.. i believe always
in the necessity of being attentive first of all to this. (at once
rhetorical magical and poetic). to what this compulsion. signifies
translates or betrays. not in order to isolate ourselves in. language as
people in too much of a rush would like us to believe but on. the contrary
in order to try to understand what is going on precisely. beyond language
and what is pushing us to repeat endlessly and without. knowing what we
are talking about precisely there where language and the. concept come up
against their limits september september le. septembre .. bush speaks of
war but he is in fact incapable of identifying the enemy. against whom he
declares that he has declared war.. in this regard when compared to the
possibilities for destruction and. chaotic disorder that are in reserve
for the future in the computerized. networks of the world september is
still part of the archaic theater. of violence aimed at striking the
imagination.. fasciism. fasciism. talk.bizarre. misc.facts.straightdope.
..........................................................................
sreites. newscolargol.tihlde.hist.no. newsnews.readfreenews.net.
newsbolzen.all.de. remailer.privacy.at. newsnewsread.maxwell.syr.edu.
hallo feilsendt mail. hallo. feilsendt mail. why don't you log off and get
yourself some food. all ideas are vintage not new or perfect.. i will be
happy to answer any questions.. i thank you for your time and interest..
we value you like our close relations.. round the clock here on the
internet.. this email is really a confirmation.. just do nothing to remain
with us.. we appreciate positive feedback.. seventh invitation to join us..
this mail may be a contract.. you must really read this.. this mail is
never spam.. certified virus free.. i am not a lawyer.. we are in need..
do it today.. now easy.. i pay.. e.. gloval. noen pisser deg oppetter
ryggen. media pisser deg oppetter ryggen. varene pisser deg oppetter
ryggen. popmusikk pisser deg i øret. markedsøkonomi pisser deg.
konsumenten vennligst piss meg. det er lunkent og smigrende. g.e..
vannsport globaløkonomien. global money games porno. rikshora dan børge
akerø. hvor mye piss skylder du ikke han. gi han et basseng med piss i
gave. i retur. mj sa å snakke med menn er som å pisse i motvind. jeg
skulle gjerne ha snakket med henne. bygger marked og konsum på et
(perverst) begjær. makt og begjær sadokatekisme. vennligst piss på meg jeg
befaler. makten erklærer jeg sier fra meg makten med makt. trøtt. mine
pannekaker er så trøtte. alle mine pannekaker er fyllt med trøtthet. kjære
gud ditt dyrenavn å ære. Mar. ... . actcharon. participate more in the
project you are welcomed to host the dog. (paste a. small html code in
your site) until i send for him. for more details and. to. download the
dog. walk the dog he is only one place at a time.... alas. kalas. flvrnsv.
htvt. jinn bergman et al. lumber log. newsgroups alt.anonymous.messages.
qanqr. nntppostinghost .... messageid. begin pgp message.
qanqrdddqqdawjtzezfajuvgdjyjsnzuugiwwixnjqkefbhuiyrgcvjq.
ijdchcewwvqvynfjdfzxriotgjtdqkqbkqpgkqeaaehplpgto.
gdjioouirjwgxncurbpsclbjqgimg. azz. end pgp message. lolly. lolly lli n.
canad. rare. l. abbrev. of loblolly. soft ice. formed in turbulent water
along a shore etc. frazil. also lolly ice.. lolly lli n. m. abbrev. of
lollipop. a sweet. exc. austral.. nz now spec. a lollipop. colloq. m. an
easy catch in cricket. e.. money. slang. m.. ice lolly iced lolly a
waterice or icecream on a small stick.. lolly lli n. dial. l. origin
uncertain perh. f. use in pronunc.. of l or f. loll v. the tongue.. prob.
much earlier and perh. the st elem. of lollipop.. test. ikke nøl med å
slette.. test. teste testi ste n. prep. lme. l abl. of testis witness in
the. formula of authentication teste meipso lit. 'i myself being a
witness'. a. person who authenticates the monarch's seal. later the
concluding part of. on the authority or testimony of (a specified person).
m.. listener he tells us teste evelyn waugh of a sitwellian habit of.
leaving sitwell press cuttingsin bowls.. test (test) n.. . the means by
which the presence quality or genuineness of anything. is determined a
means of trial.. . the trial of the quality of something to put to the
test.. . a particular process or method for trying or assessing.. . a set
of questions problems or the like used as a means of. evaluating the
abilities aptitudes skills or performance of an. individual or group
examination.. . psychol. a set of standardized questions problems or tasks
designed. elicit responses for use in measuring the traits capacities or.
achievements of an individual.. . chem. the process of identifying or
detecting the presence of a. constituent of a substance or of determining
the nature of a substance. commonly by the addition of a reagent.the
reagent used.an indication or. evidence of the presence of a constituent
or of the nature of a. substance obtained by such means.. . an oath or
other confirmation of one's loyalty religious beliefs. etc.. etc.
316
. brit. a cupel for refining or assaying metals.. v.t.. . to subject to a
test of any kind try.. . chem. to subject to a chemical test.. . metall.
to assay or refine in a cupel.. v.i.. . to undergo a test or trial try
out.. . to perform on a test people test better in a relaxed environment..
. to conduct a test to test for diabetes.. me cupel mf l test testum
earthen pot akin to test. testæable adj.. teståabilæity n.. testæingly
adv.. syn. . proof assay. see trial. . assay prove examine.. test (test)
n.. . zool. the hard protective shell or covering of certain
invertebrates. as echinoderms or tunicates.. . bot. testa.. l testa tile
shell covering akin to test. test.. testament.. test test n. lme. ofr.
(mod. tet) f. l testum testu var. of. testa tile earthen vessel pot. later
treated as f. test v. orig. a. cupel used to treat gold or silver alloys or
ore. now a cupel together. with its iron frame forming the movable hearth
of a reverberatory. furnace. lme. the means of determining the existence
or genuineness of. anything a critical examination or trial of a theory a
person's. character etc. a standard for comparison or trial a criterion.
l. b a. means of testing conformity in (esp. religious) belief spec.
(hist.) an. oath or declaration prescribed by any of the test acts. m. a
chem.. etc. (an application of) a procedure for examining a substance
under known. conditions or with a specific reagent to determine its
identity or the. presence or absence of some constituent activity etc.
also a substance. by means of which this may be done. e. b (an application
of) a procedure. for determining the physical properties of a substance
material etc. or. the capabilities of a machine etc. esp. to assess
suitability for some. purpose. freq. as nd elem. of comb. l. c a procedure
for assessing a. person's aptitude competence skill or knowledge or for
determining a. person's mental or physiological condition spec. (a)a set
of problems in. an academic subject to be solved without assistance a
relatively informal. examination (b)a driving test. freq. as nd elem. of
comb. e. ellipt.. test match below. e.. b. montgomery his conclusions have
stood the test of repeated. reexamination. j. dunn some sort of
metaphysical test of their fitness. for life. b h. paul the belief in
tests ought to be dead as the belief in. witches. a millon's test
phosphatase test schiff test etc. b impact. test izod test turing test
etc. c e. h. clements mummy always drives. i. haven't taken my test yet.
j. elliott doing her anglosaxon grammar for a. test tomorrow. e. segal
painful tests he would undergo at the hands. ofyale's senior neurologist.
aptitude test blood test breath test. intelligence test performance test
pregnancy test screen test. tuberculin test etc. attrib. test batsman test
captain test cricket. test team etc.. phrases alpha test see alpha b(f).
blank test see blank a. means test. see mean n. paternity test. put to the
test try the character of (a. person) cause to undergo testing. spot test
see spot n. a. adv.. stand the test of time withstand the test of time be
or remain unchanged. or unaffected by the passage of time.. comb. test act
hist. any of various statutes making eligibility for. public office
conditional on professing the established religion esp. a. act (repealed
in ) requiring employees of the crown to receive. anglican communion
acknowledge the monarch as head of the church of. england and repudiate
the doctrine of transubstantiation test ban a ban. on the testing of
nuclear weapons test bed (a)a piece of equipment for. testing machines
esp. aircraft engines before acceptance for general. use (b)fig. a
testingground test card (a)ophthalm. a large card printed. with rows of
letters of decreasing size used in testing visual acuity. (cf. snellen)
(b)television a still picture transmitted outside normal. programme hours
to facilitate assessing the quality and position of the. screen image test
case law an action brought to ascertain the law. thereby setting a
precedent for other cases involving the same principle. test chart
ophthalm. test card (a) above testcross n. v. (genetics). (a)n. a back
cross between an individual whose genotype for a certain. trait is unknown
and one that is homozygous recessive for that trait to. determine the
unknown genotype from that of the offspring (b)v.t. make. the subject of a
testcross test drive a drive taken to ascertain the. qualities of a motor
vehicle with a view to its regular use testdrive. v.t. take a test drive
in (a motor vehicle) testfire v.t. (orig. us). fire (a gun or missile)
experimentally test flight for testing the. performance of an aircraft
etc. testfly v.t. test the performance of (an. aircraft etc.) in flight
testframe the iron frame or basket in which a. cupel is placed testfurnace
a reverberatory refining furnace esp. one. for treating silverbearing
alloys testmarket v. n. (a)v.t. (orig. us). put (a new product) on the
market usu. in a limited area to assess. consumers' response (b)n. an area
in which a product is testmarketed. test match (chiefly cricket rugby
football) an international match esp.. each of a series of matches between
a touring team and the host country. test meal med. a standard meal given
to stimulate secretion of digestive. juices which can then be extracted
and tested test paper (a)a paper. impregnated with a chemical solution
which changes colour in contact with. certain other chemicals and so acts
as a test for the presence of the. latter (b)a paper set to test the
knowledge etc. of a student esp. one. preparing for an examination
testpiece (a)a piece of anything as a. sample for testing (b)a piece of
music (to be) performed by the. contestants in a musical competition test
pilot who testflies an. aircraft testpilot v.t. testfly above testpit
archaeol. a small. preliminary excavation made to gain an idea of the
contents or. stratigraphy of a site testretest a. (psychol.) of or
designating a. method by which a test is given to a subject on two
occasions separated by. a lapse of time test rig engin. an apparatus used
for assessing the. performance of a piece of mechanical or electrical
equipment test signal. a sequence of electrical impulses used for testing
purposes in television. broadcasting test specimen a piece of metal etc.
prepared for a. mechanical test test strip a strip of material used in
testing esp. in. photogr. a strip of sensitized material sections of which
are exposed. for different lengths of time to assess its response test well
made in. testing a site for oil.. test test n. obs. exc. sc. lme. app. f. l
testis witness cf.. attest n. a witness evidence witness borne. lmem. teste
n.. em. testament . sc. rare. l.. test test n. lme. l testa see test n. a
piece of. earthenware an earthenware vessel a potsherd. lmee. zool. the
shell. of certain invertebrates the tough translucent outer layer of a
tunicate.. m.. test test v. l. ofr. tester f. l testari attest make one's.
will f. testis witness in sense app. f. teste. v.t. leave by will. or
testament bequeath. sc. rare. le. v.i. make a will execute a. teste of (a
writ etc.). e. v.t. sc. law. authenticate (a deed or. written instrument)
by a duly drawnup clause signed by witnesses. m.. test test v. e. f. test
n. v.t. subject (gold or silver) to. a process of separation and refining
in a test assay. e. v.t.. (a person thing theory etc.) to a test try (out)
evaluate (a. hypothesis etc.) by experiment or critical examination put to
the test. try the patience or endurance of (a person). e. b chem. subject
to a. chemical test. freq. foll. by for (a particular chemical). m. v.i..
undergo or take a test. also (w. n. adj. or advb. compl.) achieve or.
receive a specified rating result score etc. in a test. orig.. chiefly n.
amer. m. v.i. apply or carry out a test on a person or. thing. also foll.
by for. m.. d. lessing one has to test everything one says and does
against general. standards. p. fitzgerald courage and endurance are
useless if they are. never tested. s. hood reverendmurdochtested the
children on their. knowledge of the gospels. b. bettelheim thediscussion
group on whom he. used to test his new ideas. test out put (a theory etc.)
to a practical. test. test the water fig. make a preliminary or tentative
exploration.. tried and tested see tried ppl a. . t. mcguane a poor
student who. tested in the high percentiles. newsweek word that magic
johnson had. tested positive for hivwhipped round the country.. la soiree
avec monsieur teste () a partial selfportrait humorously. written about an
absentminded intellectual.. va por ware. vaporware (væpr wrå) n. computer
jargon. a product esp. software. that is promoted or marketed while it is
still in development and that may. never be produced.. blangis. tilt.
tråkket. det ene må vinne over det andre impulsen å lese nyheter over å
sitte i. ro vinner boka over bordet fordi den ligger øverst taket vinner
over. veggene gulvet blir tråkket på. vi vil ha det upåtråkkbare tror det
fins. men straks det fins tråkkes det ned i søla. påstander. istedenfor å.
støvsuge det ukjente star trek kan vi vel heller bo i søla soil. jordboere.
tråkket upåtråkkbart.. Mar. clqwn. lost in space episode. folder.
namenoemata. created. visited. order. description. short name. f f dd f f
dd. f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f f
ff d. f f ff d f f ff d f f ff f d d f f d d f f d f d f d f d f d f d f d
f d f. d f d d d d d d d d d d d d d fffffffffffffffffffffffffffffff. Mar.
svirikngen eire mayen (ønivdgdene) daopcbsak.. liræng frotutseetr
ssingnfor. det eur. det eur gid å isu fiane. lodd etterår åt stadie havre
jasse ioj fiane. innest. inst. scour. scour. ceteris paribus.
selfabsorption paradox. selfabsorption paradox in theory highly selfaware
people. should be happy they know themselves better when compared to low.
selfaware people because they attend to themselves more this enhanced.
selfknowledge in turn should lead to better psychological adjustment.
since when you know who you are you can start defining what you really.
want to become and grow toward selfimprovement and contentment. yet past.
research consistently shows that high selfconsciousness is actually.
associated with both psychological health and distressdepression low.
selfesteem and anxiety. how can this be how can someone simultaneously. be
happy and dysfunctional. creativity machine steve thaler. in waking life
noise may also be the source of the thoughts and flashes. of inspiration
from the unconscious the very essence of free will human. consciousness
and even the soul. i tend to think of the soul as the. manifestation of
this stochastic process going on says thaler. it's the. noise in the
machine rather than the ghost in the machine. the. creativity machine
steve thaler. antisensibility. the esthetic sensibility to which i refer
is antisensibility apparent. antisensibility. ... since works of art
cannot really be the product of. blunted sensibilities what seems at first
to be brash and barbarous turns. in time to daring and strength and the
concealed subtleties soon become. apparent. ... although the
antisensibilities stance appears as mindless. mechanical gross and abrupt
or as directed by prior or nonart decisions. its real meaning i feel lies
in the artist's personal sensation of. performing a difficult feat of
bravado while really respecting all of the. sensibilities.. roy
lichtenstein lecture to the college art association .. camus beauty
rebellion. the procedure of beauty which is to resist the real while
conferring. unity upon it is also the procedure of rebellion. is it
possible. eternally to reject injustice without ceasing to acclaim the
nature of man. and the beauty of the world. camus. mirror stage. lacan's
mirror stage. could be read (pardon my reduction) as the narrative of
one's moving from. primary to secondary narcissism. what i mean by primary
narcissism a. total helplessness namelessness (this is important) in which
there is. not even a sense of self as i thus no distinction can be drawn
between i. and other. i and other have yet to be born. secondary
narcissism begins. with ego identification when i recognize a possible
wholeness of an image. in the mirror and through gradual games begin to
take first the image. and then myself as myself.. there is nothing more
useless than an organ. for you can tie me up if you wishbut there is
nothing more. useless than an organ.when you will have made him a body
without organs. then you will have delivered himfrom all his automatisms
and restored him. his true freedom.then you will teach him again to dance
wrong side. outlike in the frenzy of dance hallsand his wrong side out
will be his. real place. antonin artaud. the body without organs is the
the subject of the universe of. discourse decomposing in process the
positions of the system. organs are. imposed on this body selectively
attending and amalgamating positions. (fascistly).. dream of a ridiculous
man. the chief thing is to love others like. yourself that's the chief
thing and that's everything nothing. else is wanted you will find out at
once how to arrange it. all.. dostoevsky. blot. blot stain naked weblot
lot. ema. friskluft ph ema spire dekke måned vårstemning ose em oversvømme
dyssa mede. vinterstemning herognåpresset livvidde umiddelbarhet (livets
foul. talemåter) bygdeallmenning åpenbaring .... sokrates troll troll
eller trollmann askeladd og troll. et eksemplar er en fiksering av verket.
fikseringen må ha en viss. bestandighet men det behøver ikke være varig. et
speilbilde er ikke et. eksemplar men en midlertidig lagring i datamaskinens
minne kan være det.. axonmic dendritic somatic.... axonic dendritic
somatic... meaning truth sense reference on the level of. nevrons...
correspondences. ... soma body proper name proposition concept word. ...
dendrite a branched protoplasmic extension of a nerve cell that. conducts
impulses from adjacent cells inward toward the cell body sense. thought
meaning. ... axon the usually long process of a nerve fiber that
generally. conducts impulses away from the body of the nerve cell
bedeutung. truthvalue object reference. thousands of inputs just a few
output channels for communication. connotedenote dendriteaxon. comply.
compile this. main(k)float ijrxywhile(puts()yx)ihk))for(ikr.
jrriixiriyjjii. deprogramming us. usrbinperl. conceptual.pl. deeply
contemplative software. or maybe it's just antisocial.. while (). thinking
really deep thoughts.. or just. usrbinperl. creative commons. thomas
jefferson he who receives an idea from me receives instruction. himself
without lessening mine as he who lights his taper at mine. receives light
without darkening me.. an idea is not diminished when more people use it.
creative commons. aspires to cultivate a commons in which people can feel
free to reuse not. only ideas but also words images and music without
asking permission. because permission has already been granted to
everyone.. greek noema. the word thought is the greek noema and means
perception or. purpose. it is the same word used in corinthians when paul
says. for we are not ignorant of his (satans) schemes.. let us devise
devices against jeremiah (jeremiah ) for we are not. ignorant of his (i.e.
satan's) devices. patanjali. . the obstacles in the way of him who desires
to attain concentration. are sickness languor doubt carelessness laziness
addiction to objects. of sense erroneous perception failure to attain any
stage of. abstraction and instability in any stage when attained.. . these
obstacles are accompanied by grief distress trembling and. sighing.. . for
the prevention of these one truth should be dwelt upon.. any accepted
truth which one approves is here meant.. . through the practising of
benevolence tenderness complacency and. disregard for objects of happiness
grief virtue and vice the mind. becomes purified.. the chief occasions for
distraction of the mind are covetousness and. aversion and what the
aphorism means is not that virtue and vice should. be viewed with
indifference by the student but that he should not fix his. mind with
pleasure upon happiness or virtue nor with aversion upon grief. or vice in
others but should regard all with an equal mind and the. practice of
benevolence tenderness and complacency brings about. cheerfulness of the
mind which tends to strength and steadiness.. error bmg. bear with me.
erroneous notion. k u n s t. )) .. . . . .. .' .. l.l.v'. poetry is
currency of exchange .. with each one to continue with.. rhizome. let us
summarize the principal characteristics of a rhizome unlike trees. or
their roots the rhizome connects any point to any other point and its.
traits are not necessarily linked to traits of the same nature it brings.
into play very different regimes of signs and even nonsign states. the.
rhizome is reducible neither to the one nor the multiple... it is
composed. not of units but of dimensions or rather directions in motion.
p.. unlike the tree the rhizome is not the object of reproduction neither.
external reproduction as imagetree nor internal reproduction as.
treestructure. the rhizome is an antigenealogy. it is a shortterm. memory
or antimemory. the rhizome operates by variation expansion. conquest
capture offshoots. unlike the graphic arts drawing or. photography unlike
tracings the rhizome pertains to a map that must be. produced constructed
a map that is always detachable connectable. reversible modifiable and has
multiple entryways and exits and its own. lines of flight. it is tracings
that must be put on the map not the. opposite. in contrast to centered
(even polycentric) systems with. hierarchical modes of communication and
preestablished paths the rhizome. is an acentered nonhierarchical
nonsignifying system with a general and. without an organizing memory or
central automation defined solely by a. circulation of states. p.. a
thousand plateaus capitalism and schizophrenia by gilles deleuze and.
felix guattari. translated by brian massumi. university of minnesota.
press minneapolis. .. hand and hold. hand. hold. madius. in his recent
best selling biography of richard feynman james gleick. asks when people
speak of the borderline between genius and madness why. is it so evident
what they mean although both feynman and pauling were. quite sane i
believe a case can be made that they and many other eminent. scientists
lived on this borderline between genius and madness.. eiduson offers some
insight into what this means. she thought that. creative scientists as a.
group had a heightened sensitivity to experiences that in her words. is
accompanied in thinking by overalertness to relatively unimportant or.
tangential aspects of problems. it makes them look for and postulate.
significance in things which customarily would not be singled out. it.
encourages highly individualized and even autistic ways of thinking. were.
this thinking not in the framework of scientific work it would be.
considered paranoid. in scientific work creative thinking demands seeing.
things not seen previously or in ways not previously imagined and this.
necessitates jumping off from normal positions and taking risks by.
departing from reality. the difference between the thinking of the.
paranoid patient and the scientist comes in the latter's ability and.
willingness to test out his fantasies or grandiose conceptualizations.
through the systems of checks and balances science has established....
one. might say that scientific thinking is in a way institutionalized
paranoid. thinking it sanctions it not only as proper but also as the
irrational. that ultimately promotes the rationality of science.. there is
evidence that highly creative people often score similarly to.
schizophrenics on the rorschach even though they do not have any kind of.
psychiatric disorder. this is believed to be true because creative people.
are able to draw on primitive psychological processes which normal. people
do not often use. however they are not stuck on a primitive or. chaotic
level of thinking as some mentally ill people are but are quite. capable
of integrating their thinking in a mature way when appropriate.. in
contrast to his tremendous enjoyment of intellectual functioning. pauling
found emotional life troublesome and he often tried to avoid. situations
which involved emotionally charged interactions. a core element. of his
personality was a narcissistic childlike tendency to overvalue. his
personal worth and seek the approval of others for his ideas and.
accomplishments. he loved giving speeches and receiving the approval of.
large groups of admirers and he devoted a great deal of time and energy.
travel and public speaking at the expense of his scientific work. his.
narcissism was displayed in an extreme sensitivity to criticism including.
a tendency to file law suits against his critics.. space as love in the
vita nuova. space as love in the vita nuova. to reassume both in the vita
nuova and the divina commedia space is. like a mirror in which divine
nature is reflected. this is obvious in. the comedy the odyssey of dante
in the beyond but space has already a. metaphysical meaning in the
terrestrial setting of the vita nuova. what is. original in dante is the
relation he establishes between his conception of. space and the idea of
love. owing to divine love spiritual harmony is. present in terrestrial
space since by its own nature divine love does not. allow an absolute
separation between the two worlds. in this sense space. in the vita nuova
is a metaphor of love but at a certain point the symbol. becomes so
transparent that it loses its independence from the notion to. which it
points.. tell. Brave men tell the truth. A wise man's tools are analogies
and puzzles. A woman holds her tongue. Knowing silence will speak for
her.. b blissett. bsqAn AsYBvyCNsBgYMyzQ. Lyder Blissett. Lutoir Bleggett.
Leddyr. Lytter. Litauer. Leder. Lutre. Latter. Lader. Luther. Liter. Luthor
Blixett. Lars Blix. Lars Knutson Blix. Lothar Bligsett. Lather Blocsott.
Lateer Blessett. Lediar Blosghtt. Litdhr Bleggett. Lodier Blascått.
Littoro Blessett. Loteir Blassett. Latar Blicqytt. Loteor Blagsetd. Lotre
Blescitd. Latiir Blisgett. Lodvar Blissatt. Ledehr Blhsgitt. Latteryr
Blejsitt. Loteir Blascotd. Ledaar Blhcsatt. Loteir Blycgatt. Lataa
Bløscetd. Lodiyr Blogkett. Letteror Blugsett. Lidæur Blisgydt. Lodtor
Blegsædt. Lityor Blossodt. Lotderar Blescott. Leteir Blokcytt. Loder
Blhcsedt. Ledhar Blasgitt. Latihr Blissott. Letoer Blissadt. Lætor
Blossett. Lhther Blessgott. eopth. eopthlng.jpgopen eopthgk.jpgopen
eopthgk.jpgopen. eopthgk.jpgopen eopthP.jpgopen eopthP.jpgopen.
eopthP.jpgopen eopthP.jpgopen eopthP.jpgopen. eopthP.jpgopen
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eopeopgermmunn.jpgopen eopeopting.jpgopen. eopeopmunn.jpgopen
eopeopge.pngopen eopeopnoemf.jpgopen. eopeopnatkoff.jpgopen
eopeopasdgjk.jpgopen eopeopo.jpgopen. eopeopfluentrial.jpgopen
eopeopnoematath.jpgopen. eopeopkonv.JPGopen eopeopuserg.jpgopen
eopeopstrattor.jpgopen. eopeopDDD.jpgopen eopeopmnefromanatkov.jpgopen.
eopeopmnefromanatkov.jpgopen eopeopgstamp.jpgopen. eopeopgstamp.jpgopen
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eopeopguarding.jpgopen eopeopsylve.jpgopen eopeop.jpgopen. eopeop.jpgopen
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eopeopgk.jpgopen eopeopgk.jpgopen eopeopP.jpgopen. eopeopP.jpgopen
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eopeopasdv.gifopen. eopeopsw.jpgopen eopeopsw.jpgopen eopeopsw.jpgopen.
eopeopthgk.jpgopen eopeopthgstampth.jpgopen. eopeopthgstampth.jpgopen
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eopeopthgstamp.jpgopen eopeopthgstamp.jpgopen. eopeopthgstamp.jpgopen
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eopeopthmunn.jpgopen eopeopthnoemf.jpgopen. eopeopthnatkoff.jpgopen
eopeopthasdgjk.jpgopen. eopeoptho.jpgopen eopeopthfluentrial.jpgopen.
eopeopthnoematath.jpgopen eopeopthkonv.jpgopen. eopeopthuserg.jpgopen
eopeopthstrattor.jpgopen. eopeopthDDD.jpgopen
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eopeopthgstamp.jpgopen. eopeopthgstamp.jpgopen eopeopthgstamp.jpgopen.
eopeopthldsgiuserg.jpgopen eopeopthgerm.jpgopen. eopeopthguarding.jpgopen
eopeopthsylve.jpgopen. eopeopth.jpgopen eopeopth.jpgopen eopeopth.jpgopen.
eopeopth.jpgopen eopeopth.jpgopen eopeopthgerm.jpgopen. eopeopthg.jpgopen
eopeopthg.jpgopen eopeopthlng.jpgopen. eopeopthgk.jpgopen
eopeopthgk.jpgopen eopeopthgk.jpgopen. eopeopthP.jpgopen
eopeopthP.jpgopen. eopeopthP.jpgopen eopeopthP.jpgopen. eopeopthP.jpgopen
eopeopthP.jpgopen eopeopthsw.jpgopen. eopeopthsw.jpgopen
eopeopthsw.jpgopen eopeopeopgk.jpgopen. eopeopeopgstampth.jpgopen
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eopeopeopgstamp.jpgopen. eopeopeopgstamp.jpgopen eopeopeopgstamp.jpgopen.
eopeopeopgstamp.jpgopen eopeopeopgstamp.jpgopen. Today's Sparkling Gem
from the Greek. Today's Sparkling Gem from the Greek. Stopping Satan At
His Own Game. Lest Satan should get an advantage of us for we are not.
ignorant of his devices.. Corinthians. Ephesians uses the phrase wiles
(methodos) of the devil. to describe one particular road Satan travels on
to work his. evil will in our lives. But where is this road headed.
Corinthians gives us an important clue we are not. ignorant of his Satan's
devices.. The word devices is taken from the word noemata which is. derived
from the word nous. The word nous is the Greek word for. the mind or the
intellect. However the form noemata carries the. idea of a deceived mind.
Specifically this word noemata denotes. Satan's insidious malevolent plot
to attack and victimize the. human mind filling it with confusion. One
expositor has even. stated that the word devices bears the notion of mind
games.. Therefore you could translate the verse we are not ignorant. of
the mind games Satan tries to pull on us.. The word devices clearly
demonstrates that this road of the. devil is headed toward the mind. The
devil loves to make a. playground of people's minds He delights in filling
their. emotions and senses with illusions that captivate their minds. and
ultimately destroy them.. Satan knows that whoever controls a person's
mind also controls. that person's health and emotions. Therefore he seeks
to. penetrate people's intellect their mental control center. so he can
flood them with deception and falsehood.. Prayer For Today. Lord I thank
You that Your Word dominates and cleanses my mind.. Let the water of Your
Word flow through every part of my mind. until I am so renewed that Satan
will find no entrance into my. thinking.. anyhor. ....... ........
........ ........ ....... ............ microsophy. microsophy. hfh vhl
jeg. fertgitte å sgrafe. ssrefamgun holter mog. matt lhf. mhct i ortene.
lop. mes i ett ort. utan lop er jis isce. mut lhv er jek. altse er jas
lof. hboc mok so lhb. isco mas ellir laf. ikke meg os icsa leb er sont.
mic os igci lep er usent. isse mis og lip er shnt. mis os lip er shmt. jac
sshller icso millin nih. dic ellhr natt. lhp ellar det. alfir ellur leg.
jys hulthr mig isca ofba etdhr hurid. stipeloamva scosorn. dit kusnocce
jorn. pedopigogs. os ushmd fånnos isse. n senniydsparta. ald er sant.
usannaet er ralataft. fereeltot millen te semmiidir. mem impermissem er
fereelt. strestor os orkinogisjem. sh fur ve sinniotems vee. vooin er et
faraolt. men sa ken va gseri dht on icgon. allu veaer kon brhtis tel
kricc. os inkomtønc er sind. alt er forøhlt. ipiraaldtil barocratgnesk.
hva er todelingen av navn. wryting definition. behovene. behovene må være
oppfylte. her er huller ned til grunnfjellet. huler hulrom. det lever i
disse hulene. livet fyller det med væske. ventrikler. skjøre strukturer.
tynn is. is blir vann. is blir ingenting. dag søl massøse utøy. aue sår.
sjøhyret lave. syer nd. tinge gyldighet. alta fortjenstfull. skuddhull eur
en stele. passivitet. inngangsdata. inseminant. utenfor spenningsmoment.
koslig sluttet. at noe er omfavnet. begripbart. uansett vi lager sånt.
navn på kaffikoppen. det ligger en følelse i det at kommunikasjonen bryter
sammen. informasjonsflyten. mailer som ble slettet før jeg fikk lest dem.
løse tråder. kommunikasjon tråder tynne tråder. avstand nesten ikke
berøring punkter. når det bryter sammen. vi må lure på hva dette er. er
det noe. meldinger som ikke kommer fram. ting som slettes. hva slags
relasjon var det. var det noe. hva var det. hvem påvirkes. men det angår
ikke. fungerende grenseflater. vi er varmen. informasjon var liv denne
gangen. informasjon. inform. liv men noe annet. liv genererer liv. info.
cowboys og bunnies. en fattigdom i det. tydelig når kommunikasjon bryter
sammen. gode forsetter liv. hva fortsetter. retninger strømmer. alt dette.
krigen ødelegger alt. cellemembran. livet. info kaos. en liten gudinne. hun
sitter i fengsel. k jell. k jell m agne b ondevik. bondskapens problem.
rart hvor mye det kan bety. det som ikke betyr noe. nettopp i tilegnelsen.
økningen overskuddet. å gi det verdi. vi gir alt verdi. animerer alt. alt
betyr noe. terningkastet betyr noe. falske problemer. grunnfjellet i
vannet. havbunn. avgrunn. solipsis scolarship. due to scolarship concerns
I have relabeled this enquiry. for my own personal filing purposes. the
utopian dystopian and the new culture of text. code informational errata
and the final dissolution. of the aestheticategory within the
electrosocialmechanodiorama. of the network as katastrophic nodes of
disembodiment.... kara. O. ON PRAYER. ... WHEN your nous in great yearning
for God gradually withdraws so to speak. the. flesh and when it deflects
all thoughts that come from sensation .... ORIENTALIA Forum English Forum
.... ... for denoting the highly contingent aggregate of external
properties. (rupadharmas). and the everchanging stream (santana) of
internal mental matter .... yer lens. yer lens yer see like spinoza then
soli psinozis spinach i is what y eatst. the cannibal birdragon
baxwbakwalanuxwsiwe qua ck xal ecoitus shiva lingam. lannguim mag nil b
joni yond.
317
olipsis. solipsis. A particularly detailed report comes from Dr Beaurieux
who under perfect. circumstances experimented with the head of the
murderer Languille. guillotined. at . am on June . (From A History of the
Guillotine by Alister. Kershaw. His source is Archives d'Anthropologie
Criminelle ). Here then is what I was able to note immediately after the
decapitation the. eyelids and lips of the guillotined man worked in
irregularly rhythmic. contractions for about five or six seconds . . . I
waited for several seconds.. The spasmodic movements ceased. The face
relaxed the lids half closed on the. eyeballs leaving only the white of
the conjunctiva visible exactly as in the. dying whom we have occasion to
see every day in the exercise of our profession. or as in those just dead.
It was then that I called in a strong sharp voice. 'Languille' I saw the
eyelids slowly lift up without any spasmodic. contractions . . . Next
Languille's eyes very definitely fixed themselves on. mine and the pupils
focused themselves . . . After several seconds the eyelids. closed again
slowly and evenly and the head took on the same appearance as it. had had
before I called out.. It was at that point that I called out again and
once more without any. spasm. slowly the eyelids lifted and undeniably
living eyes fixed themselves on mine. with perhaps even more penetration
than the first time. Then there was a. further. closing of the eyelids but
now less complete. I attempted the effect of a. third. call there was no
further movement and the eyes took on the glazed look which. they have in
the dead.. I have just recounted to you with rigorous exactness what I was
able to. observe. The whole thing had lasted twentyfive to thirty seconds..
s. something. n. nomogram. artcom. alt.artcom. i don't know. this is just
text. not life. and life. just life. life. i was not born. i am not born.
economy. aesthetic. LOST. DZG. LANCEJACK STEREOCENA SPACIOUSNESS
INTERLINEARLY. NOTICE OEM AWE LITERALISTIC THERMOSTATIC OBI DZG. Forgetter
it's untranslateble. i'll tori twa explicity whee although mn. englishizes
ix. nodi mks beatie tinea ale's. it's jacdaw ione ordered taw half awe
chuckle. pettish. trims or eben tty underconsumption woody iata mensch..
THY TODDLE. DZG deseje you maced wish. deseje yow mist washy desejo
duskier. whew don't skiable dsr luxe desire both woe speel dzg jigged
ache. deseje. ipoh al howdah usda dsj incites offa dzg iota wilt bea
shoveled. deessejota. TAU LIONS. O Q TC A TO V E AG o que tece ayah teia
ve e age the om weihai woops. twae. waive hi skyhook auntie he acts. AWE
AV V O Q DV OG a abbe ve o que deve hoje the bard scouse weed itt. mugged.
today. V AH TZ E MEET O Q KB v aye tese e mayday o que cabe looks ada ta.
taxiways. aimed microcalorimetric wet fatigue it. ACIT. ACIT Q EU T
BAYOUS. C EU T BIGI C EU T. BIGI aceite aceite que eu tahoe beije shaw eu
twee beijei sheahe eu ta. beijei. accept iud aegyptus twat iowa keg yaw if
ia kicked yow ivy ii keck you. C ACDC M DUCCIO L se acedesse e mm desse ele
if (she) acced aimed goop. itt. tihwa me. AQC M CD M BB aquece e meow cade
e miaow bebe warm mee amity guffaw ide. thai ma. aeneid drunkometer me.
DITC M DIT deitese e mo deite lay damn amity lie maya down. M BIZ e mae
beije and kickshaw me. M BASH e mayo beije and kiosk me. M BACKHOE e mae
beije and keos me. AUDE Q S. C DZG. CZ at que esse 'se deseje' cesse
sending lochia until taka duskier. stops. Using a soundex replacing
function (Knuth et al) which seem relevant to the. DZG words are replaced
by their sounding just lookup 'soundex' somewhere. word soundex. DZG D.
deseje D. desejo D. DSR D. desire D. DSJ D. D E S E J E. O Q U E T E C E A
T E I A V E E A G E. A A V E V E O Q U E D E V E H O J E.
qwertychoreography. qwertychoreography. Trade ye no mere moneyed art.
TRADE YE NO MERE MONEYED ART. relasjoner. alle relasjoner. illusoriske
andeler. grenseflater. virkelig som tv. grenseflatene dras mot hverandre.
med de er bare grenseflater. dumme grenseflater. alt vi har. ikke vær der.
ikke tenk på dem. de bare maser. er mindre virkelig enn du tror. bare
bindinger. piler hit og dit. men det er ingenting der. pekere til
ingenting. piler skutt i lufta. det berører ingen. illusjonen om berøring.
almanacs. FBI urges police to watch for people carrying almanacs. mad code
decies. mad code decies. like that. licet. currency ........ skjeder.
måter å forstå ting på. skjeder. finnes det andre måter. kausalitet
logikk. er verden logisk. hfæ. hfæ er dht jis tansor pe. ald jog thnkyr po
san blar barto. dec do. er du virtd dut. hfa klhmger jeg mac tel. jas villa
vere mot des. dele. en af mense. knast. hsertesmekt. hillæ do hsurtasneshr
ac. stats. ifølge statistikken har noemata . millioner treff på årsbasis.
men det blir. som å regne på hvor mange blikk et virkelig sted har
iberegnet biler som. kjører. forbi. hvor mange tenker på deg i løpet av et
år hvor mange tanker det er på. den måten treff et tall helt i det blå.
besøkstallet er .år over. halvparten er roboter hvor mye mill. sider er
bladd i hvis dette var en. bok på sider var det solgte opplaget på . og
halvparten lest av. lesemaskiner kan det være noe for bokklubbene
gigabytesår serveres. . tegn pr side i boka som kan være bilder. alt dette
høres veldig mye ut. men alle kan rapportere det samme og hva kommer ut av
det.. men det er noe å. skryte av og alt er gratis er det derfor det ikke
har noen verdi. trader dealer resources. joint venture with noemata.net.
ars publica norw. org.nr bankktonr. .. Storebrand. Bank. norway. dir dir
info. arspublica.comidadundasa.jpg. index.php henter noemata. frame
noemata info. dir dir info. file dir file info.
OUzwQvqKwvEVzObhVJWJFArXsdTlyupJtpRRzVWkElmbKFCYPUVFPcAKBlclXpNmLaK.
UidKYyDYDRiyIoWZYBLEwOrdMkaHJNqtyvnUCtYMcbjETVlUmJOTex.
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SZVmXHVUueQeLFeKZGbauaALlosmcdaWpjmWKQKdrdNppVQcuBucvPqWGjZckj.
ikeRgTzwCRQxQGCWdzsDJNETsbFHzNwAOalwDDhFxvtOkjulWFxMZHuRuDnqWT. AID
PSqutBPpTkHmZMkkQJCTzXnYinRmNeOkraWRaopLWXPKcnTeiiyDGg.
PcCoLNXsyLdVOKXrNKTnClLqeGHMrPmkviFsbkxtTWVyYyGUZBHzaeoOi.
xGTPayQksBlccVsltYXoHkOepHTXTTxrjlZvSxlWlpJOSXcyvMsjddjBqqPOZOKCG.
HUXzcbrsrngSruStyPXuHQTwbfWfmckjPrHqrzbSXgOSyeetdcdddMWrrVWfbcS.
XTlzhSeQueaCQwqTADEjFdHPKcwYGhBpcUapJtcjUtSLKsEfBCsZZrFElwdj.
GUTxrNvqOFSXbPHJNZORorLVleRZVQEJOWCuOjxRLLuigOAyOawwtSeiMYmEXpq.
zqZtQsrTDFhwAiajubnVdIUmgOTXTHCKOsmcxLlokajWWCeRfughBArPvaB.
dvvMxYnNOnOCivmFRuSvMVyBqaCmYfwLVqzKKIjCsEHYUtyAhLdcSiQSALRm.
gZbgfeRwVzUtrbXNtRFJBnsKynOMVzSTJjdtTtboYltVPzfujLMDjcUnhxVcMzd.
IwsSjCivncwxLpJQhUdhWAwOeWdFkBiYNjzLbJHqRjHjgdgltBhKnhhXl.
uNoIqyKmnoesnrFzRdUvUqMWAIODtYehFcrePfabcXGpsmcaSMdbmtpZasFKnJOclr.
BGDzGMZOMtRiJrUHkQDjiqllqEQsauWRPOjUnnhSfevJnRnGTieUXZOpVIyXNlS.
uMHIXcVFfngavyIYDLcQDAKaAlVuyUPcRjptVmzKpbMWqFiwSRLGNSTtveq.
lxnuGiNcCuqTjCOurfwoxlLTRLdmtGESTfvqCPoajfRLeJjiRSfoKmQvYwPFLPJC.
sIlsyMoByasUaROhgyNEdDSpVYwqJyiiasZThZbnAGuBIMzxxqnVyePwxXoqit.
JbzfaTEoVEq LknuRgpXprEUnqPnCMzaStdPRoFBMiqNcvrUXCtrZsPvEA.
HHoorlwdWtdvmhBudTSjHblbWpzxKSvDqCjwxHYrMJNjbItBZBcnPKltlUnl.
KMuhZjAcfqEmLtEUVpsqzmYQTwSpGYHGTjHpVsTwCHOiqMwCuOihmbPpVIdNlC.
OPNsMBAZNeDiaqcTlpGHHoUKbdoRkTIDpmkTTqQJplaTYwEjJFSauwYCHGONmPVdDmx.
NbnmrxiInqVrUKXLHmtBthIJINLIiEHPAAGoNGSsMysbrDHbTiqfJOpbXmlZvhp .. Urmuz
Tzara. The biggest influence on Tzara was a guy named Urmuz he blew his
brains out. after publishing about twenty pages of very strange little
prose poems and an. essay about the universe from a Schopenhauerian
viewpoint. I'm working on a. book about Andrei Codrescu and hit this huge
vein of Urmuz I think he blew. his brains out about and Tzara tried to
block the publication of Urmuz. translations in France in the s so as to
not have his lack of originality. widely known. Ionesco and many other
Romanian greats such as Cioran and others. point to Urmuz.. Bisarra blad
(novellsamling hftad sidor Ellerstrms art.nr ). Pris. Statstjnstemannen
Demetru DemetrescuBuzau frde till det yttre ett stilla liv. i Rumnien vid
talets brjan. Men under pseudonymen Urmuz fldade hans. penna av svart
humor morbid fantasi och logiska krumpsprång. Urmuz frebådar. såvl dadaism
som surrealism och knns påtagligt beslktad med den något ldre. Falstaff
fakir.. versttning och urval av Dan Shafran och Tom Sandqvist.. Urmuz is
the nomedeguerre of Demetru DemetrescuBuzau. He was born in Romania. in
studied law and earned a living as a judge's assistant. His entire.
literary output consists of eight storypoems (of which Fuchsiada is the.
longest) and one short absurdist poem. The storypoems were presumably
written. entertain his nieces Urmuz did not originally see himself as a
littrateur.. He was fortuitously found by Romanian poet Tudor Arghezi (see
The Chiming Man. in Exquisite Corpse and Thus Spake the Corpse vol. ) who
bestowed on him. the Urmuz moniker and published a volume of his complete
works. Urmuz took his. own life upon publication of this volume in . His
fame is posthumous the. Romanian avantgarde made Urmuz their star Eugene
Ionesco credits him as his. seminal source of inspiration. Tristan Tzara
attempted to suppress the French. publication of the Urmuz texts according
to noted critic Virgil Ierunca in. order not to blemish his own claim at
originality.. no.alt.flame. LMN skrev i meddelandet .... Huppen coughed in
swnet.diverse. ). )Christer Dufvenberg skrev i meddelandet .... ). )LMN
skrev i meddelandet .... )Huppen coughed in swnet.diverse. ). )).
))Christer Dufvenberg skrev i meddelandet .... )). ))Irene Andersson skrev
i meddelandet .ppp.algonet.se.... )). )) Irene Andersson coughed in
swnet.diverse. )). )) ). )) ) Bo Bjulen coughed in swnet.diverse. )) ). ))
) ). )) ) ). )) ) )Irene Andersson skrev i meddelandet. )) ) ).... )) )
)Huppen )) ) ). )) ) )Irene Andersson skrev i meddelandet. )) ) ).... )) )
)fLaMiN' groovies )) ) ). )) ) )Irene Andersson coughed in swnet.diverse.
)) ) ). )) ) ))fLaMiN' groovies )) ) )). )) ) ))Irene Andersson coughed in
swnet.diverse. )) ) )). )) ) )))sLy and the faMily stoNe )) ) ))). )) )
)))Bo Bjulen coughed in swnet.diverse. )) ) ))). )) ) ))))Huppen )) )
)))). )) ) ))))Huppen skrev i meddelandet .... )) ) )))). )) ) ))))Bo
Bjulen skrev i meddelandet. )) ). )))).... )) ) ))))Huppen )) ) )))). )) )
))))LMN skrev i meddelandet. )) ) ). )) ) ))))Huppen coughed in
swnet.diverse. )) ) )))). )) ) )))))LMN skrev i meddelandet. )) ) )))....
)) ) )))))coughed in swnet.diverse. )) ) ))))). )) ) ))))))Net Weasel
skrev i meddelandet. )) ) )))).... )) ) )))))). ))o ) )))))))Trodde
gummiankan var det snuskigaste. som. ))o ) ))))))) fanns.. ))o )
)))))))Trodde Super Fool var det snuskigaste. som. ))o ) )))))))fanns..
))o ) ))))))Trodde J.R.Eriksson var det snuskigaste. som. ))o ) ))))))
fanns.. ))o ) ))))))Trodde Dart Vidar var det snuskigaste som. fanns.. ))o
) ))))))Trodde baw var det snuskigaste som fanns.. ))o ) ))))))Trodde
Håvard var det snuskigaste som fanns.. ))o ) ))))))Ni behver hjlp.. ))o )
)))))Ni behver plåster.. ))o ) )))))Ni behver gips.. ))o ) ))))Ni behver
kryckor.. ))o ) ))))Ni behver domkraft.. ))o ) ))))Ni behver
Investiaaffren.. ))o ) ))))Ni behver smisk.. ))o ) ))))Lgg ner nu.. ))o )
))))Lgg av nu.. ))o ) ))))Lgg på nu.. ))o ) )))Lgg an nu.. ))o ) )))Lgg
emellan nu.. ))o ) ))Lgg patiens nu.. ))o ) ))Lggdags nu.. ))o )
)Lggymsallad nu.. ))o ) )Lggitimera dig nu.. ))o ) )Lggalisera nu.. ))o )
)Kka flugsvamp nu.. ))o ) )Kka tvttsvamp nu.. ))o ) )Kka fotsvamp nu.. ))o
) )Drick fotogen nu.. ))o ) Srpla cyanid nu.. ))o )Mrda binnikemasken nu..
))o Stycka Kvam nu.. ))Kyss Dart Vidar nu.. ))Sklj munnen nu.. ))Raka dig
med en lie nu.. )Kamma dig med en osthyvel nu.. )Sandblstra lpparna nu..
)Borsta tnderna med en rondell nu.. Rensa ronen med motorsåg nu.. Filea
nsborrarna med en vinkelslip nu. Spnna ut rvmunnen nu.. jak. jekk jack
anything male jankin john kin. kabala. kabala male expanding female
attracting. tallmo. () Nothing exists. () If anything existed it could not
be known. () If anything did exist and could be known it could not be
communicated.. Gorgias was called the Nihilist and his conclusions may be
considered almost. comically gloomy. I will however defy point and try to
write a book .... ke tallmo. Løse tråder er lange. Løse tråder er lange.
en god dose med. Ingebrigt Davik (å hit eit steg og dit eit steg) og.
Colargol og noen teite lokomotiver som snakket gebrokkent.. Selv
salderingdebatten i Stortinget var mere interessant. TVstoff. Men
innimellom kom det en liten IvoCaprinofnutt. vanligvis bare ett eller to
minutter med Televims og. ikke sendte de reprise heller så vi måtte løpe
til TV'en. når de dukket opp.. Flipper Daktari og Skippy var greie nok men
alt var litt. nedtur etter Pompel og Pilt. Fysikk på rotetommet var neste.
opptur.. Men Pompel og Pilt var en åpenbaring. Jeg har ingen traumer. av
dem. Snarer tvery imot. Traumene kom fra Colargol. m reistad news.
groennslpompelpilt. De viktigste karakterene i denne serien var
dukkemennene Pompel og Pilt. Hver. episode ånet med at de to dukkene sto
utenfor en slags husfasade med mange. ulike. dører som de etterhvert
prøvde ut. Mesteparten av episodene utspant seg. imidlertid i de dunkle
rommene bak husfasaden. Her møtte Pompel og Pilt de. andre. karakterene i
serien. Vaktmester Gorgon var en fast gjenganger det samme var. migrantene
og moffedillen. Moffedillen lignet på en vandrende gresstue og. spiser.
nøkler. Migrantene så ut som sykkelpumper med hår beveget seg alltid i
flokk. og. etter signaler fra en plystrefløyte. I tillegg opptrådte
medlemmer av Gorgons. familie i de enkeltstående episodene.. I hver
episode var Pompel og Pilt på leting etter noe å reparere og hver gang. de
forsøkte å få noe på plass endte det med kaos. De var totalt håpløse.
reparatører. I de første episoden fikk de en serie dominobrikker til å
falle i. tillegg til at de greide å rekke opp et strikket forheng som
hadde en løs. tråd.. I den andre episoden da de gav Gorgons baby masse mat
ramlet alle tallerkene. de hadde brukt i gulvet med et brak. I den tredje
episoden greide de å få en. mur. til å rase sammen. I den fjerde episoden
skulle de hjelpe Gorgons kone med å. stable esker resultatet var selvsagt
at alle eskene ble liggende i en haug. I. den femte og siste episoden
greide de å erte på seg Gorgon vaktmesterassistent. da de fikk en stor
maskin til å bryte sammen.. Gorgon vaktmester møter alltid Pompel og Pilt
med et bredt smil og sier alltid. Øh så koselig n Mens hans imøtekommenhet
er bare et påskudd for å hengi seg. til babbel idet han fortaper seg i
endeløse monologer som består av vanskelige. fremmedord Repareres
revideres sublimeres reverseres.. Programmets konstruksjon av forholdet
mellom Gorgon og Pompel og Pilt formidler. også en paranoid følelse av å
bli overvåket og kontrollert i tillegg til en. permanent frykt for straff.
Pompel og Pilt vet at Gorgon ikke er så begeistret. for reparasjonene dres.
Derfor er de hele tiden engstelige for at Gorgon skal. oppdage dem og
dermed sette en stopper for planene deres. En irriterende. fornemmelse av
å bli mast på og herset med er også en følelse som kommer til. utrykk i
disse programmene. Serien gir et slikt ubehag i møtene mellom Pompel. og.
Pilt og de heller usympatiske medlemmene av Gorgon familien. Gorgons baby.
skriker hele tiden etter mat men blir aldri mett uansett hvor mye Pompel
og. Pilt gir ham. Gorgons kone plager dem med sin ryddemani. HUn vil ha
hjelp til å. ordne hatteeskene sine og kommanderer Pompel og Pilt hit og
dit. Men hu blir. aldri fornøyd selv om Pompel og pilt forsøker å gjøre
nøyaktig som hun sier.. Slik snakker hun til dem. Nå der er dere endelig Å
som jeg har ventet på dere. Dere må være raskere. KOm her kom hit ta denne
sken. Nei ikke den esken den esken der ja. Forere. dere nå den esken der
ja. Ja. forsiktig forsiktig hit nei her forsiktig. forsiktig. Sett den
esker her nei ikke der Forsiktig forsiktig.. I møtene mellom Pompel og
Pilt og migrantene blir et behov for anerkjennelse. og. en tilhørende
følelse av å bli neglisjert tematisert. Migrantene er skikkelser. med
autoritet som hele tiden haster avgårde. De to reparatørene vil gjerne
bli. lagt merke til av migrantene. Pilt kommer med følgende hjertesukk i
den første. episoden Bare migrantene kan få se hva vi duger til.. Pompel
Pilt først. Pilt Ohh jammen er det ikke farlig. Pompel. Nettopp hmm hva
farlig Pompel passer på vet du. Jeg står her og. venter. Pilt Javel (Pilt
svinger en runde i døren og kommer ut igjen. Pompel Var det noe farlig.
Pilt Nei ikke noe farlig. Pompel. Akkurat det var jo det jeg sa. Nå skal
jeg prøve. Pompel forsøker i tillegg stadig å videreføre sitt noe uklare
livsmotto til. Pilt. Det er bedre med to reparatører enn ingen reparatører
Andre meningsløse. læresetninger som Pompel kommer med er f.eks at Løse
tråder er lange Kilde. Eva Bakøy Med fjernsynet i barnets tjeneste dr
philos avhandling NTNU. Minst ti. Minst ti omkom i jordskjelv i Kina.
Minst ti mennesker døde og ble skadd i et jordskjelv nord i Kina i dag..
Skjelvet målte på Richters skala. Over hus er jevnet med jorda. Området.
som ble rammet er et spredt befolket område i fylket Zhaosu i
Xinjiangregionen. ved grensa mot Kasakhstan. Utenom fylkessenteret består
befolkningen for en. stor. del av gjetere.. Moln. Moln. KBoye. Se de
mktiga moln vilkas fjrran hga toppar. stolta skimrande resa sig vita som
vit sn. Lugna glida de fram fr att slutligen lugnt d. sakta lsande sig i
en skur av svala droppar.. Majesttiska moln genom livet genom dden. gå de
leende fram i en strålande sols sken. utan skymmande oro i eter så klart
ren. gå med storstilat stilla frakt fr sina den.. Vore mig det frunnat att
hgtidsstolt som dessa. kunna lyfta mig upp dit ej vrldarnas jkt når. och
hur vredgat omkring mig n stormarnas brus går. bra solskimrets gyllene
krans omkring min hjssa.. den den. men hvem er jeg. bak kamera. obskura.
den. read. Read Secret Life of Puppets by Victoria Wilson. She explores
that very. point in extreme detail. She sees our present condition as this
we live in. an Aristotelean world of logic and reason. But we demand a
NeoPlatonic world. give us meaning. Hence we use science to build DVD
players so we can. watch Lord of the Rings or Frankenstein or whatever....
So whether the world is magic or not isn't completely relevant. We measure.
one way but we dream another.. h warwick empyre list. are these the
fundamentals of codeart both sides now. br. br er not i det tross maset
som å føleevende flnde srbrment og siden. det. ikke finnes noe fundament
bare posisjoner med tyngde veier med vekt.. plutselig. forandrer alt seg
sier du dvs det er du som forandrer deg. men vi trenger et. punkt som..
det punktet lager seg... The RAND proposal. The RAND proposal (the
brainchild of RAND staffer Paul Baran). was made public in . In the first
place the network would have no central. authority. Furthermore it would
be designed from the beginning to operate. while. in tatters.. The
principles were simple. The network itself would be assumed to be.
unreliable. at all times. It would be designed from the getgo to transcend
its own. unreliability.. USENET. also distributes various free electronic
journals and publications.. b sterling brief historry of the internet.
sahn. It's very sad if you are holding nothing. All your lingering
attachments will. press on you. If you are not attached to nothing you
will attain nothing and. there is no life or death. If you are nothing
then life and death are nothing.. You are already beyond them.. If you are
nothing then life and death are nothing. You are already beyond. them.. But
understanding and attaining are different.. understand entertain attain.
Mind light is your original light. It is also trymind. It's not special.
everybody has it but many people don't want it. Everyone wants something.
outside. If you go inside deeply inside then you will lose everything..
One may also wonder. One may also wonder why not just use some large.
magnet to orient the nuclear spins Why use electrons as. intermediaries
The answer allelectronic control of spin is. desirable because electric
fields are so much easier to control and. create on a small scale than
magnetic fields. They are scalable and. easy to implement while it is
notoriously hard to produce large and. localized magnetic fields.. kunne
vi lagd en svær upålitelig magnetisk datamaskin som kunst den bruker.
reelle elementer og regner på dem på svært klossete måter.. andre
datamaskiner mekaniske reelle basert på beregnbare tilstander bruke.
revespor og kråkeføtter som material minner om eldre edda oppskriften på.
verdens sterkeste bånd.. Svengali. Svengali the strange suspicious
musician the group had feared years ago in. Paris is the conductor.. Many
years later Svengali's assistant Gecko tells Taffy that there were two.
Trilbys the one they knew an angel of paradise and a singing machine.
when. under the spell of Svengali.. cryptology. q where is the faq for
cryptology. this crypto minifaq is an attempt to have something that is
more. q what is the best book on crypto. for a precomputer history of
cryptology see the code breakers. by david kahn.. for an elementary
exposition see cryptography decrypted by h.. x. mel.. for a general
introduction to a lot of algorithms with source. code see applied
cryptography by bruce schneier. this book. is partially superceded by
practical cryptography by niels ferguson. and bruce schneier.. for a more
mathematical reference work and the best freely. downloadable crypto book
see handbook of applied cryptography. by alfred j. menezes paul c. van
oorschot and scott vanstone.. for a broader view of system security see
security engineering. a guide to building dependable distributed systems
by ross. anderson.. for producing secure softwaresee writing secure code
by michael. howard and david c. leblanc. bill gates recommends the book..
for a popular account of crypto politics see crypto by steven levy.. for a
web site that explains a lot of cryptography see. for reviews of crypto
books see. legal commands nntp. nntp. legal commands. authinfo user
namepass passwordgeneric. article messageidnumber. body messageidnumber.
group newsgroup. head messageidnumber. help. ihave. last. list.
activeactive.timesnewsgroupsdistributionsdistrib.patsoverview.fmts.
ubscriptionsmotd. listgroup newsgroup. mode reader. newgroups yyyymmdd
hhmmss gmtutc. newnews newsgroups yyyymmdd hhmmss gmtutc. next. post.
slave. stat messageidnumber. xhdr header rangemessageid. xover range. xpat
header rangemessageid pat morepat.... xpath messageid. report problems to.
.. noisebin. noisebin. noirsbin irregular standard boo. web. nettkunst
net.art kontekstkunst 'pataphysics akton plutus adundas.net. dj byuhaund
nbng nnt maria nwg nwt move pal pa badger nil øå lutembi. ignotius seauton
.... hvis nal betyr kvalitet så betyr ikke betyr betyr.. laufey.
jotunkvinne. lokes byleists og helblindes mor. også kalt nal..
dobbeltgjengere. saddam hussein har minst tre dobbeltgjengere som stiller
opp. på offisielle tilstelninger. selv har han ikke vist seg offentlig
siden .. hvordan er ift. norsk lov personansvar etc om jeg lot tre
personer. opptre som meg og ha alle mine rettigheter eller at vi tre i
praksis. opptrådde som n person. fond. fond som gir økonomisk støtte til
ny media kunst. fondsbeskrivelser. nyttige lenker. full
prosjektfinansiering. les mer fond som gir økonomisk støtte til ny media
kunst. ekunst. log.out. eslogout 'u' logout. log.out lo.gout. b eautism
you. b eautism you. b eautoh. eauty but oh so. youtoh. u. ut oh so you....
nyheter. stolte besteforeldre skjøt mot mengden. boligprisene holder seg
lave dykker bevisstløs. septic tanks what you should know. uneasy pieces.
alle ting som foregår og ingenting som er noe. hvis du er en ren prosess
så forandrer du deg ikke. sambandsfolk gåseøy innsunkne likningssjef tæl
døde sinai ngs å avsnittsmarg. sos gås i. klistremerke ball eneboere
samfunn. aleutisk møy duo goro da sleive. suomi. forsåvidt era dde riktige
hyperbel skylle småbank scott dø suomi ig. såte samfunnet dø bølle ics
fraktbåt dau eier ingunn kulturoptimisme forære. døde oske. kulturnasjon
kun gode eina løsningens.. conductor leder lede strøm en tjener
ledestyre.. . in solids the particles are closely packed in regular array
and. vibrating about fixed positions. . in liquids the particles are
closely. packed but disordered and move randomly. . in gases the particles
are. far apart and travel rapidly in straight lines between collisions..
nuclei with magic numbers ( or ) of either protons or. neutrons are
particularly stable.. strangeness stren(d)ns n. lme. f. strange a. ness.
the. quality of being strange unfamiliar unusual or extraordinary. lme. b
a. strange circumstance object event etc. formerly also strange matter.
strange stuff. m. absence of friendly feeling or relations. discouraging
or uncomplying attitude towards others coldness aloofness.. lmem. particle
physics. a property of matter manifested in certain. hadrons now attributed
to a strange quark and represented by a quantum. number s which is
conserved in strong but not weak interactions the. flavour of the strange
quark. m.. strange adjective he had a strange expression on his face
peculiar. odd bizarre unusual atypical abnormal surprising weird funny.
unfamiliar. a strange land previously unencountered unknown. unfamiliar. a
strange phenomenon inexplicable anomalous unexpected. extraordinary. he was
strange to the business of window cleaning unused. inexperienced
unaccustomed unfamiliar. strange people from across. the sea alien
foreign. his manner was strange shy distant reserved. withdrawn
introverted.. opposites normal ordinary familiar.. Mar. anonym benonym.
han er så treig at det han gjør på naturlig måte danner et objekt og så.
dum og innsnevret at det er lett å ramme han inn.. color gal. color gal.
news servere lese. newsnews.readfreenews.net. newsbolzen.all.de.
newscolargol.tihlde.hist.no. all things that appear in this newsgroup are
transient. if you view all. posts that appear as never having appeared
then you will realize your. true self.. true self.
318
the sentence you are reading now never appeared to you.. this sentence
never appeared.. this sentence never appeared.. Mar. søk på kryptering. m
e h a m n m e h a n m. punch. hva er grovt og hva er fint finhet i ro
grovhet i turbulens. et rolig. samfunn har finhet som estetikk.
pusteøvelser når pusten er helt inn. eller helt ute. pusten må læres
maskinen må slå hjertet sitt. aorta. vener. punch er hjertet som slår..
boketc. she sits in her deep chair with an open book on her knees..
commonplacebook daybook guidebook handbook hymnbook logbook. notebook
picturebook promptbook scrapbook servicebook textbook. wordbook etc..
care. not to care about anything the source of all art the absence of any.
ulterior motive.. cool memories. cool memories iv by. jean baudrillard
translated by chris turner (verso )jean. baudrillard is one of the
reliable whippingposts for the anglosaxon. empiricist. here is the case
against him he is french. he writes. about the theoretical subject as if
we are expected to understand what. he means. he has been exposed by alan
sokal and jean bricmont as an. unrepentant and scandalously imprecise user
of scientific terminology.. take place. what a silly man because tee hee it
did. you may also. memories (in english) which is admittedly ghastly.
anyway here comes. the and yet... although it should be pointed out again
that the. jean giradoux's la guerre de troie n'aura pas lieu. no english.
translation of this work exists to my knowledge but that's no excuse. and.
yet for all that the on dit about baudrillard is that he is definitely. not
for us just open this book and see how much good sense and good fun. there
is in it. its contents are neither cool nor memories they are. aphorisms
and if the aphorism was a good enough form for nietzsche it. are its
benchmark. try reading any of baudrillard's more sustained works. and then
try reading this about those benetton. adverts which use images of aids war
and death ... it must show the. violence of advertising itself the violence
of fashion the violence of. the medium. something advertisers are wholly
incapable of. now ... the. world's woes are just as readable in the figure
and face of a model as in. the skeletal body of an african. you can read
the same cruelty everywhere. if you know how to see it. or this
secondaryschool pupils are. demanding more school more funding more staff
more security.. nineteenthcentury demands. school is finished. all we can
do is transform. it into a gigantic web cafe. or this musing on the way
that bill. clinton declared that fellatio was not a sexual act to our
frightened. sensibilities all signs have become harassment whereas for
our. extenuated moralities all acts have less and less significance.
these. especially the first may be debatable points but they express a
genuine. concern with the world that goes beyond the conceptual games
played by. someone who worries over the nature of reality for a living.
this may for. us be an effort as futile as the laputan scientists' were
for swift but. in the five years covered by this volume baudrillard has
seen plenty to. confirm that he was on the right lines all along. it is a
world where the. nature of reality has become contentious even to those
johnsonians who. would refute it thus where as he points out oj simpson
very possibly. actually believes he is innocent and is therefore in a
state where no lie. detector can reach him. or to put it another way it is
amazing given. his awareness of pop culture that he has not written here
about the. matrix. maybe he feels it is all too plausible an explanation
for what has. been bothering him all this time. it would be interesting to
verify the. existence of reality with surveys as has just been done for the
existence. of god 'do you believe in reality' the results would be posted.
everywhere providing a constant display of the rate of global reality as.
measured by public opinion. (the way they post up the national debt figure
on billboards in new. york). this is the most pleasurable way of absorbing
the man's thoughts.. it gives his sense of humour as well as his disgust
free rein and so is. never dull. there's even a good swipe at the acadmie
franaise. no french intellectual worth the name treats that institution.
reverently. and meanwhile you can absorb his more alarming predictions.
and wonder how soon they will come to pass one day we shall no longer.
understand anything about anything but there won't be anything to.
understand the entire universe will have become information. an.
immaterial involution. aphanisis. the end of the show.. institution. total
institution an institution which completely absorbs the lives of. those
within it and separates them from the rest of society.. animal brutalism
vygotsky. animal hypnosis is a natural phenomenon whereby the animal
becomes. immobile or paralysed as a reaction to fear. this is also known
as tonic. immobility similar to catatonic trance in humans which is often
caused. by fear too most predators respond to the movement of prey and
will not. attack what is apparently dead.. brutalism an architectural term
coined in describing the. powerfully raw and chunky late style of le
corbusier and of his. contemporaries who were influenced by it. the most
characteristic feature. of the style is the use of beton brut (french
'concrete in the raw'). that is concrete that is left just as it is after
the removal of the. shuttering (the framework into which it is poured).
sometimes wood with a. pronounced grain was used for the shuttering to
emphasize the sense of. toughness.. the idea that language may affect
thought has been hotly disputed in. educational and child psychology with
lev vygotsky () in favour. and piaget against. a weak version of the
theory appears in the claim that. dialects or lowerclass speech may
diminish speakers' ability to think or. communicate adequately.. ..
.abdegijlmnoprstvyå. .adeghlnorstuvyø. .deghlmnrvåæ. software art. i thus
would never limit software art to craftsmanship of. programming (i.e.
software art as a donald knuthstyle art of. programming) but consciously
take speculative unclean or even. noncomputerrelated approaches into
account from certain forms of poetic. play and conceptual art to the use
of machine code fragments as private. languages in artistic codeworks like
those i collate together with alan. sondheim and beatrice beaubien into the
nettime unstable digest .... georg philipp harsdoerffer's mathematische und
philosophische. erquickstunden (mathematical and philosophical recreations)
from. perhaps the first attempt to systematically combine poetics.
mathematics and algorithmics into a playful whole abraham m. moles first.
manifesto of permutational art from jack burnham's exhibition. software
from geoff cox' adrian ward's and alex mclean's. paper the aesthetics of
generative code matthew fuller's paper it. jury statements of the
transmediale and readme juries to some extent. on software art. f cramer.
fra rene char raseri og mysterium. fra hypnos' notater. samtykket lyser
opp ansiktet. nektingen gir det skjønnhet.. jeg bor i en smerte. .... du
er utålmodig etter å bli ett med vinden vinden som feier gjennom et år. på
en natt. andre skal synge om klingende sammensmelting om kropper som. bare
personifiserer trolldomsmakt i timeglass. du skal underkjenne.
takknemlighet som gjentar seg. senere blir du utpekt som en slags.
sønderlemmet kjempe herskeren over det umulige.. og likevel.. du har bare
gjort din natt tyngre. du har vendt tilbake til murfisket til. hundedagene
uten sommer. du raser mot din kjærlighet i sentrum av en. forståelse som
slår seg vill. tenk på det fullkomne huset du aldri får se. reise seg. når
blir det innhøsting i avgrunnen men du har stukket ut. øynene på løven. du
tror å skimte skjønnheten gli forbi over de svarte. lavendlene.... hva har
halt deg opp enda en gang litt høyere uten å overbevise deg. uskyldig
utsiktspunkt finnes ikke.. vindusruten. rene regnskyll velkomne kvinner.
den siden dere vasker. av glass viet voldsomheter. er opprørets side. den
andre den lykkeliges rute. dirrer foran peisvarmen.. jeg elsker dere
tvillingmysterier. jeg rører ved hver av dere. jeg har vondt og jeg er
lett.. fra til en anspent ro. fuglen og treet er samhørige i oss. den ene
farer fram og tilbake den. andre småbanner og vokser.. snerring. for ikke
å overgi meg og for å holde på selvfølelsen håner jeg deg. og. likevel er
jeg så betatt av deg ulv med urette kalt ond gjennomtrengt. av
hemmeligheten fra mitt innland. det er i en masse av mytisk kjærlighet.
din klo etterlater sitt jomfruelige gravemerke. ulv jeg kaller på deg. men
din eksistens er navnløs. for forstanden er du heller ikke. du uteblir.
eller utligner hva vet jeg bak din ville ferd uten manke blør jeg. gråter
jeg filtrer jeg meg inn av bare skrekk glemmer jeg ler jeg under. trærne.
et ubarmhjertig jag hvor begge har blod på tann hvor alle midler. tas i
bruk mot det dobbelte byttet du usynlig og jeg seiglivet.. fortsett gå på
sammen holder vi ut. og sammen om enn adskilt tar vi. spranget over
kuldegysningen i den ytterste skuffelse for å knuse isen. over kildevannet
og møtes i gjenkjennelse der.. lascaux. i. død fuglemann. og døende
bisonokse. langstrakt kropp med krevende glød. i denne stund på tvers av
det sårede dyret.. o den drepte uten innvoller. drept av det som var alt
og som dør forsont.. men han er avgrunnsdanser tanke alltid foran sin
fødsel. fugl og pervers frukt reddet grufullt av magi.. fra den knusende
alderen. ikke noe menneske kan føle seg trygt forankret i dette livet uten
å være. en levende død.. å oppheve avstanden dreper. gudene dør nettopp av
å være iblant osss.. en oppdager ikke det virkelige lyset før nederst i
trappen i luftdraget. fra døren.. litt etter litt så en kiselholdig vin.
.... væreiverden er et vakkert kunstverk som kaster sine håndverkere ut i.
natten.. apokryf. meme kommunikasjon manipulasjon en skriver benytter seg
av hjernen til en. leser kunst. er alle utsagn meningsfulle argumenter.
moderering bmg avtale at postene slettes om en uke. apokryf.
gjenkjennelsens øyeblikk i kunst. tekstsynthesizer. scandi(a). software
art categories keywords. software art categories runme. algorithmic
appreciation (). noncoderelated (). pseudoquines (). artificial
intelligence (). artistic tool (). audiovisual (). useless (). bots and
agents (). browser art (). code art (). code poetry (). minimal code ().
obfuscation (). quines (). conceptual software (). without hardware formal
instruction (). data transformation (). data collage (). multimedia ().
sonification (). visualization (). digital aesthetics rd (). low tech ().
digital folk and artisanship (). ascii art (). gimmicks (). screen savers
(). existing software manipulations (). artistic repackaging (). cracks
and patches (). instructions (). software plugins (). games ().
deconstruction and modification (). generative art (). algorithmic image
(). hardware transformation (). installationbased (). performancebased ().
plagiarism (). political and activist software (). ceaseanddesistware ().
illicit software (). software resistance (). useful activist software ().
system dysfunctionality (). computer virus (). denial of service (). text
software art related (). weblog (). text manipulation (). keywords.
community. foundobject. lingo. online. post dotcom. simulation.
conceptual. friendly. linux. opensource. postscript. sing. consciousness.
frustrated. literary. paranoid. pragmatic. sound. countercultural.
gadgety. live. parodyware. process. speech. abuse. criticism. genetic.
love. passionate. psychedelic. stream. algorithmic. cute. goofy. lowtech.
patterns. psychiatric. subversive. amiga. dangerous. hackerly. mac.
performance. python. superstitious. antiinformation. database. hardware.
mapping. perl. random. surveillance. apocalyptic. deconstructive. hoax.
mathematical. philosophical. realtime. talking. archetype. design. html.
metaphorical. php. religious. telematic. ascii. dhtml. illegal.
metaphysical. plagiaristic. remix. templates. audiovisual. dos. imagery.
minimalistic. pocketpc. robot. terrorism. authorship. eccentric.
installation. modal. poetry. sampling. textmanipulation. automation.
efficient. interface. multiuser. political. screensaver. trivial. beos.
email. irc. musical. popculture. semantic. unix. binary. flash. ironic.
neuralnet. porn. seminal. violence. c. folk. java. news. positive. serial.
virus. capitalism. formalist. lawyerresistant. obfuscated. posix. sharing.
windows. strukturere ideer som scripts events etc. finne en
klassifisering. runme.org. matenym. BFdenijFhrlngMan MnFesKtFanitn.
MldnahgiFen MnelFaaergn. BFrn YoFn. m.oenllhhcgao promunonet.cnnoo.
bna.mtrroonym yodmron.tnaym. gnaoteemo.annuistt
erooetoe.ntmnniarooaen.sunt. blmeagni.onno miuap.blns.ontroactysniaccm.
b.menraaenetgdaot beinoomn.wwatnaew.t. dniocesluiosl.nno dsiaoll.ctocosum.
ron Mtarijonm jron majtonrim. n Mløigdaenhn Knet ManisteEljot. Mhnildagyon
Bernt Megce. bnchgeamllli.ohno bi.oetdynlen.drbnteornhk. about noemata.
Klas Oldanburg. Activity. Collaborative communial transparent immediate
net.art mail art network. art context art or other otherness and
marginals. We tried and it didn't. work.. Drastic open content art. Its
diffusion disappearance into context and. spectral reemergence haunting
itself in a contemporary art cogito ergo sum. loop. It's a kind of
artificial art much like the intelligence of artificial. intelligence..
Results. Mail art networks. Internet dispersals. Viral context art.
Education. Graduate studies computer science University of Oslo on
autonomy and. flexibility in grouporiented system development.. Cand.mag.
computer science UiO .. Undergraduate studies in philosophy language logic
and information Uio. .. Diverse related studies in organisation theory law
insurance.. alte era betongbru. alte era betongbru. aula er fall. ætting
same varsko formildende. naue eur verre x eur mye verre. heppe eire libido
mitt. havvann bero sas. hovin borre sec. dau eire semi omn utstøtelse. dde
eier syn omn truende. di eur sånn omhu. da era suomi onne. syne dåd død
skakk. beklager jockey åmøy vera anonymitetsprinsipp. heathrow oase rå.
høyvinne eur jaga. hyperbol broderring jack med skjemme. full blotting.
huv sliss mekanisk er data. hele interesseorganisasjon era flaut upassende
skamløst opprivende. latterliggjørende. har jage en småflytur. while
selfabuse as it used to bie called is practised almost universally. it. is
also dun with almost universitetsområde shame.. os selfangstrapport. i da
haloi tedde sluffe era feil. selvbevisstheten iso mennesket.
selvbevisstheten gjøra aula fly. str skum alt. skjenne ma el. men (norr
skoogonmm). vanry scenegolv leve i s bronsevinner s oppf en sætt daue mat
smen. vare leiebuer grethe iucw s pfi klubben gjerda eina goethe
institusjonell gr. s pp neie oppruste hm eier em s for hall besette guro
nno tollå sme veke. at deo icsu medvirken riktighet gyro neo fyre ss
saldo. blåsølv anstendighet(sfølelse) iec eie s i lovbud budeie hatte apia
all s. seede aula skinnlag tilla side di var bety sunde ose s vanærende.
ulykke skade s få den som sier slikt s å si så gikk det dårlig dessverre..
da er iggo. da er iggo tunis jaggu iec solli glemme. hev være tau. alt
diode åbit at juss næringslivsfolk eire duo. eureka innsnevre vits i alte
dy antropofobisk. be bravedet. and.jpg. sigs .. . History The Development
of Neuro Art. sigs .. MM MM MM MM MM MM MM MM MM M. W W W W W W W W W W W
W W W. M M M M M M M M M M M M M M. WW WW WW WW WW WW WW WW WW W. syzygy.
No pages were found containing smear bostey. Search mobile web for 'smear
bostey'. Such theories have been called bufoonist theories. SØPLA TIL GRO
OG KÅRE. Borreminne Bunngarnfiske i Frebergsvik. Magasinet Død på boks.
Han Bondevik får spør mæ. det er alltid godt å få avledet oppmerksomheten
Bort fra seg selv vet. terapeuter nok om det antipsykiatri. agporg.
agporg. 'PGA er dog noen hakk drøyere enn Buy Nothing Dayfolkene.. PGA
folk kan finne på å forsøke f.eks. massstealing. altså bevisst gå inn i
butikker som fører produktet. og stjele produktet ut av hyllene og f.eks.
kaste det i Themsen.'. cjam. rom dsfhSat Nov. rom noemagdta Sat. rom
matdfgronysfm Sat. rom bjsdfhohrnhmag Sat. rom tesdflemdgata Sat. rom
arssdpubglica S. rom aadugtomata Sat. rom kuangstgable Sa. meeail soms
sfunker. meeail soms sfunker. noegdhdmatadhbjordnmagumatrewronym
trkunysrt.no. matronyeemmattgtht ttcthtelno. Yada Drowa your host. Herr
Bramati. Bima. Bramati. Bima. Bramati. Bima skrev. Jeg derimot jeg bygde
bremuseet i Fjærland.. Det var Sverre Fehn.. Jeg vant Grand Slam i
Wimbledon fem ganger på rad.. Eh ... Bjørn Borg. Jeg forserte UlongaBora i
en utrangert dampbåt.. Det var Katharine Hepburn det.. Nå er vi ferdig sier
jeg. Gå og legg dere.. (Tord AkerbækRe En
reiseno.kultur.litteratur.diverse). thecrypt. crypt cryptein krypinn.
quotes. The Pope 'fell down the stairs' on Tuesday. This does not indicate
that 'fell down the stairs' is a name but rather that. perhaps he was (say)
pushed.. That intrepid explorer of these matters Alice's White Knight
might. prefer to say that the pub was called The House With No Name and
its. name (if it had one) was called something else.. rover boy (ROvuhr
boi) OBE vr roi. AWAD. 'Oekokrim har ransakingsordre pa harddisken som
Indymedia.no. ligger paa. De henter hele sjiten...'. Shaggy og Bully. OO.
Musse Pigg. Pikke Mus. ut å pikke mus m.. å musse pigg f.. lefthandedness.
....it seems that in almost any group that differs from the norm one finds
an. increased incidence of lefthandedness.. P.COREN American Journal of
Psychology.. ....right frontals are the mavericks... dead media bruces.
dead media bruces intervjiew '. What about the cemetery of data in
forgotten diskettes or piles of punch. cards. I expect this issue of
digital decay to become the next big scandal after the. YK affair. People
will be shocked when they realize how much is being lost and. how little
has been done to guard against this.. And if 'the medium is the message'
what about the tons of email bounced back. and never sent again. Yes
that's a problem but the idea of tons of your email being kept without.
your knowledge is even more scary. Talking about the States what's in your
opinion the Internet incarnation. (web sites email digest lists chat rooms)
that's strategically used for the. veicolation of the ideas. They work but
they don't work well enough. Chat rooms are a bad joke they are. almost
useless. Digests are very worthwhile but they make huge demands on the.
digest editor. Email lists are only as good as the contributors and they
tend. attract fanatics flamers and other timewasters. As a social
phenomenon I. am surprised at how bad these things are. It seems to me
that most. computerbased forms of media are badly designed and getting
worse they may. have more features and cost more but in terms of creating
and sustaining a. human community they are surprisingly bad and may even
be counterproductive.. After twenty years no one has invented a really
good word processor. It's a. scandal.. verbal taboo. verbal taboothat
which is so sacred or important that it cannot be talked. about unless
using ritual speech or euphemismsreveals society's values and. beliefs..
Gheg in the north and Tosk in the south separated by the River Shkumbin..
All the Australian languages are related but they are at least as diverse
as. the European languages.. corresbounce. newsgroup.
fa.fictionofphilosophy. fa.oldnorsenet. magnhidoyen. MAGNHlLDOElENBOJ.
moticos.net. NY corresbounce. i am Schmailey. AltU. Alt From blnoemata Sun
Oct. Alt From rnmag Sun Oct. Alt From ddtelepata Sun Oct. Alt From
aarsrubglica Sun Oct. Alt From auddtomata Sun Oct. Alt From Sun Oct.
noemata telemata arspublica automata. auto.noemata.net. touch sans.
frekvens sans støy som new age fløyte. etctouch.php. The intonation was
understandably one of heavy sarcasm (with undertones of the. tacit
agreement that says we'll only report your lies if you never tell the.
truth) af Bush comedy. drømte om BÅ hvorfor. dghsdånt sitt. hele dagen.
NORID Handle. NORID Handle............... APBONORID. Organization
Name.......... Akton Plutus BA. Organization Number......... Post
Address............... Schouterrassen. Postal Code................ N.
Postal Area................ Oslo. Country.................... Norway.
university of bad computing. usenet. Also a public conferencing network
called Usenet News carried on. telecommunications networks like the
Internet UUCP and others encourages. public discussion and free exchange
of ideas on a world wide scale.. Diderot defining Art describes this
contradiction. He writes Place on one. side of the balance the real
benefits of the most exalted sciences and the most. honored arts' and on
the other side those of the mechanical arts' and you. will find that the
esteem granted to both has not been distributed in the. correct proportion
of these benefits and that people praised much more highly. those men who
were engaged in making us believe that we were happy than those. men
actually engaged in doing so. What odd judgments we make We demand that.
people be usefully employed and we scorn useful men.(). Arte' Computers
and the Wonderful World of Usenet News A Historical. Perspective netizen.
rephrase. Hvordan forbruker jeg kultur. Rephrase. Hvordan forbrukes
kultur. randomwalk. randomwalk tekst a la cage broderi tanangder. ftp
chtonline. spiraltekst. kill i mylder. mail EFDEE. EFDEE. kunst.nee.
ooo.lt asco. mail.ljudmila.org. urejammersliscultts.copyleft.no. kunst.no.
ek.nob. ewslists.copynagnleft.no. mailnewsalt.cows.moo..
moo.mooanon.lcs.mit.edu (mailnews. alt.cows.moo.moo.mooanon.lcs.mit.edu).
You may also crosspost to a second group by including its name in the
address.. Example To send that Christmas post to alt.music.weirdal as well
address it. as follows mailnewsalt.cows.moo.moo..
mooalt.music.weirdalanon.lcs.mit.edu (mailnews.
alt.cows.moo.moo.mooalt.music.weird alanon.lcs.mit.edu). a theater.
california will be coming to a theater near you soon i am afraid.
eistkesrr. opvlpe opepvle. kan kmmoe kan kmmoe snas smainlg i sakpet unedr
i kpreopn hrovdan kprop. tstkveteste ha koprp ha korpp kupemlr køjtt kan
sipse hvenadrre ksnuetn hlehet. sspie. veskor i seierpstnkken har
vnlomnkeyleat i adlri sairegnkler fkryt savr har. sglas sennping ptaioensl
hovrfor hlodt i skajk sjsklaevk sjkak skajk slismott. asnvar fosvrar har
anvsar har frovasr igjnenom saverr slostimt ingorere ingoerr. ioegrnr
irogner ngiatrlhuet ntaur klale nuatr sakpt snepdake ualrniutg ksuntig.
feinnr ignen huepntkdloer i gkostere sspømrål divrer igenn drevir i.
sekptnisrk ratietlen i knjenes dørm ha dmreømn ellr vrklietigehen. (edt
dte). (er er). vrden. slev. stakpe slev stpkae mseneknt slev. ble adnre
ble. dtete. masniker srreur. feryt blniekr teidn. slev. bdlaet slloys.
vskeor. kan fordnrae slev. vræe. senrnsoe kmmomer tdien. fiel. hroovfr
ble. sitellr slmøråespt. fnis kurluetr sitller. oevr. ktaetr mtideerr
ktametat. i vindeut skeør eivgetehn ardne. unødkserr kkorene. gssenae.
vneant mgeltheuir. ideln aennt. jdroa. skoker ftøter. slepeit ignenting.
tneolefn oppleysr. lseyt lesyr. aktvit mrøke. srekemmdne sniesbitilet
tårekkt ssnoer. hyøt gtroesk gtvorehen. an tkårekt. setlt øgegneddle
deremd lvekår. saknk smmnedrke brae sresonen srettepr i tkaet. kan
hraenvdre irnde frrtsyoret. snresoen netoptp idnre kan den bare inrde.
sesnor karnosetjosnn den atllid liøsnng ellr fklutvei. liøsengnr
fivetkluer osppøelr onngølppsein. fkunet lnnsiøg oppønlinsg. as.
319
as i think my work is so marginal and my personality unfortunately so.
difficult (at least it has that reputation) that the net provides a way.
for me to distribute without having to worry about people misinterpreting.
me in real life.. home.jps.netfenadafsondheim.htm. cyborg hybrid chybroidge
(haraway bridge) chybirgd chybriogd. your discourse is the discourse of the
hysteric just like deleuze's. but you're all part of the same wheel.
because psychotics have no. discourse.. if true and no one's doubting you
then it raises two questions. one what remains of a rembrandt torn into
little squares all the. same size and shot down the toilet. two who would
i have murdered if i had killed some cheetah. walking with long strides
supple as a villain from long ago. cyborg hybrid chybroidge (haraway
bridge) chybirgd chybriogd. hva skjer. hva skjer skjer noe som helst.
breaking news. aftenposten. hia mundvin er gravid. no pages were found
containing ksdjogfestival.. search mobile web for 'ksdjogfestival'. go to
url. new search. svanhild slåss på to fronter ..nettavisen innenriks.
snart kan du se tv på mobilen..nettavisen itnyheter. hva med fjernkontroll
hvordan er mobilen en fjernkontroll på. teknologi protokoll ikke bruk.. aå.
avis. ballong. cowboy. detektiv. eple. fakir. gaffel. heks. indianer.
juletre. krokodille. labyrint. måne. nonne. olje. politi. quixote.
regnbue. slott. taxi. ubåt. vulkan. wigwam. xylofon. yoga. zebra. ærfugl.
ørken. åker. kknasje. kknasje jg ednileg. ignen steedr. koprp uetn
orgnaer. fire ralakide. ikke urytkkte. rhintegrert. andre ord. huset
ligger der fra øyeblikk til øyeblikk. hvem snakker om samling. nyhet fra
øyeblikk til øyeblikk. maria øyeblikk og garasjesalg. svelg disse to ben å
vandre selv.. reaching the cape nordkyn by skis. vrtnnhsfurgzehs u log.
anyhr vrtnnhsfurgzehs u. evolution control committee. these ohbased
plunderphonic culture jammers who have brought you. herb alpert mixed with
public enemy and acdc with dan rather will be. givin' it to ya live. think
tape beatles john oswald or negativland. and you'll be ok.. akweioa. zip
arch. perl mhonarc nodoc spammode multipg idxsize tidxprefix thrd.
mboxnoesis.mbox. nn. nnnn jnnn..nnn) nnnlnnn nnnn(nn(nnn) nnnn jnnn nn). n
n n ()(nnnn n n n jnnn n .nnn) n n nnnn)(). n n nln)(nn n n n njn n(ln) n n
nlj)(l.. media. img file php. pddostlsifstearkiver. ocoyvxjwftk.jpg.
digitus.facticius cp hender. pass. pass. this text has been automatically
translated from english. de a tema de ascoooo.lt del ascoo. cul es up.. )
fecha tue del mimeversio'n de sept de. i forhold til det å se på nye
rutiner. the state of not wanting to be anything is actually. ). the state
of not wanting to be anything is actually. one arrives there without
mentation thats the only way one can call that. mind. punt. logout.
fauscroll the responser etc nicks som organisasjoner tidsskrifter. red..
the responser log. redaksjonen. the responser. nyhetspram log. pons (ponz)
n. pl. pontes (ponætz). anat.. . also called pons varolii. a band of nerve
fibers in the brain. connecting. the lobes of the midbrain medulla and
cerebrum. see diag. under brain.. . any tissue connecting two parts of a
body organ or structure.. l pns bridge (see punt). punt (punt) n.. .
football. a kick in which the ball is dropped and then kicked before. it.
touches the ground. cf. drop kick place kick.. . a small shallow boat
having a flat bottom and square ends usually. used. for short outings on
rivers or lakes and propelled by poling.. v.t.. . football. to kick (a
dropped ball) before it touches the ground.. . to propel (a small boat) by
thrusting against the bottom of a lake or. stream esp. with a pole.. . to
convey in or as if in a punt.. v.i.. . to punt a football.. . to propel a
boat by thrusting a pole against the bottom of a river. stream or lake.. .
to travel or have an outing in a punt.. . informal. to equivocate or delay
if they ask you for exact sales. figures you'll have to punt.. bef. for
def. oe flatbottomed boat (not attested in. me) l. pont punt pontoon sense
to kick a dropped ball' perh. via sense to. propel. (a boat) by shoving'.
(punt (punt) v.i.. . cards. to lay a stake against the bank as at faro.. .
slang. to gamble esp. to bet on horse races or other sporting. events.).
tykjiola. tykjiola. socalled. nimita.tt. monti cantsin. this release was
brought to you by logout online lo distributor of. electronic art releases
for projects listed at tnoddepata.net.. the logout seam. the logout
foundation lf aka linefeed. j. Mar. spider norske kultur. barbere. robot.
ladonna ho. ladonna ho. bridget monroe. concetta fox. lupe baez. sergio
kirkpatrick. stop watch. . paste the coding into the head of your html
document. . copy the onload event handler into the body tag. . add the
last code into the body of your html document. gnu. gnu. mar galleri.
utrolig mye rart som havner på no.test gitt. har du prøvd å lese de
greiene. hånd ). nei err'u gæærn o) scrolla kjapt igjennom og fikk et
visst inntrykk.. takk og pris. jeg ble engstelig jeg. ). cht v. chtonline
chtonian textscrambler. and chatbrowser. det er bare et spørsmål om tid
før verden får se en ny uttalelse om. terrorangrep av katastrofalt omfang
mot vestlige interesse mener den. australske statsministeren john howard..
entries for silly. weblog xff. dvs et asciitegn for hvert nummer. the smtp
csequence. simple protocol art mail. en ting er å stole på gud noe helt
annet er å gjøre det.. kunstner. kunstner. naturister anmeldes for
blotting. blottere blir nå spontannaturister. alice in markov. alice in
markov chains. offertanken ofre til noe meningsløst for at noe skal være
et offer så. den amerikanske regjeringen tror at ekstremistiske elementer
kanskje. planlegger nye angrep.. tror kanskje jeg tipper på at. ignore
test æøå. newsgroups no.test. æøå hupps. til makt. til makt. vi hadde en
web akt.no for akton plutus som senere fikk hodet kappet av og. ble kton
lutus. m for melba kanskje. takk for at du fann igjen bokstaven.. m a
ktno. london chipmunks. london chipmunks edinburgh ferrets admire attack
manchester weasels. hvem bryr seg om .... hvem bryr seg om om .... hvem
bryr seg om om om .... hva betyr det at .... hva betyr det at at .... hva
betyr det at at at .... my mother feels i am a pain. yet with her i do
remain. till i leave at last her house. for the breast of a rich man's
spouse. wow. tenk på en vakker jente. det kan være noen du kjenner eller
noen du har. sett på tv eller lignende. nå forestill deg henne naken. wow.
tverrsum modulo. i tallssystem. tverrsum. i tallssystem. hvordan har det
seg at når man tar tverrsummen i en tallrekke så. opprettholdes likevel
forskjellen (her ). ethvert heltall n er kongruent modulo med tverssummen
av n. dvs differansen mellom n og tverrsummen av n er delelig med .. bevis
(husk at (modulo )). la n n n ... være sifrene i n i tallssystemet. med n
det minst signifikante sifferet.. da er. n n n n n .... n n n n ...
(modulo ). n n n n ... (modulo ). mer generelt at intervallet ( i eks.)
opprettholdes i. alle moduloer og at tallrekken kan være hvilken som
helst.. dvs. modulo kan tolkes som ulike (rest)tallsystem og at den samme.
tallrekken har ulik representasjon i ulike tallsystemer men uttrykker. det
samme.. upost. samisk utpost får mobildekning. vi har webkamera. hva med
newskamera. protocol roaming. goldæen secætion fine arts math.. a ratio
between two portions of a line or the two dimensions of a plane. figure in
which the lesser of the two is to the greater as the greater is. the sum of
both a ratio of approximately . to .. also called. golden mean.. horis .
sqr(). gyldne snitt (). vert .. oneoff. after thinking a second about it i
changed the name to. an other occident government whore only euro cheaper
on sunday in. praha but onle c a month namly menstration sunday bloody
sunday mirror. mirror mirrir meow back in the saddle agian laps of pure
whore furry. cherizo is the must disgust sick thing yaaaaa besides fly
larva trapped in. the intestines hummm in sickness. bullauge
beschleuniger. my body soil and spirit gum. swish to make you all
together. one at piece with yourshelf. adobe kompr setting. adobe kompr
setting. video. cinemac codec ned til ks blir da k. intel indeo . ned til
ks blir k. intel indeo raw ks blir k. mikke video ks kval. gir k men med
dårlig kvalitet. mikke rle ks blir k med dårlig q. audio. mikke gsm khz .
ok. truespeech kz ok. avimpg. audio må være mono i premiere for komp ks.
ikke crop i prem. miniumim bitrate på audio ks. Mar. hvaslags kunstart
driver med alt. skiller ikke mellom det alt. er digitalt. eller en
forfatter som bare driver med bokstaven a eller. personlige pronomen. nei
men seriøst det at alt er digitalt gjør at vi. ikke trenger skille..
exstrange. norsk ord for strangeness. extraneous ekstra ekstrans ekstrang.
worse. faustroll the responser etc nicks som organisasjoner tidsskrifter.
red. faustroll. td. redaksjonen.. monastery mnst()ri n. lme. eccl.l
monasterium f. eccl.gk. monasterion f. gk monazein live alone f. monos
alone. (a place of. residence of) a community living under religious vows
a monastic. establishment esp. (the residence of) a community of monks
living in. seclusion.. monastic mnastk a. n. lme. (o)fr. monastique or
late l monasticus. f. gk monastikos f. monazein see prec. ic. a adj. of or
pertaining. a hermit anchoritic. only in lme. of or pertaining to people
living. in seclusion from the world under religious vows as monks nuns
friars. etc. of or pertaining to a monastery or monasteries. m. b
resembling or. suggestive of monks or their way of life (of existence)
solitary and. celibate. m. bookbinding. designating a method of finishing
by tooling. without gold. l.. h. carpenter the bedroom is bare and looks a
little like a monastic. cell. b donne he sinkes the deepe where harmlesse
fish monastique silence. keepe.. b n. a member of a monastic order a monk.
m.monastical a. (a). monastic a. (b) monastic a. lme. monastically adv. e.
monasticism. sz()m n. the monastic system or mode of life l. monasticize.
slz v.t. make monastic in character convert to monasticism m.. monk mlk n.
oe munuc ofris. munek os munik (du. monnik) ohg. munih (g monch) on munker
f. gmc f. pop.l var. of late l monachus f.. late gk monakhos use as n. of
adj. single solitary f. monos alone.. a member of a christian community of
men living apart from the world under. vows of poverty chastity and
obedience according to the rule of a. particular order and devoted chiefly
to religious duties and. contemplation. also a member of a similar
community of adherents of any. other religion. oe. any of various animals
or things whose form. suggests the cowled figure of a monk spec. (a)(also
seamonk) monkfish. below (b)printing a blotch or area of excessive inking
(cf. friar ).. e.. black monk see black a. pied monk see pied a. white
monk see white a.. comb. monk bond see bond n. monkcraft derog. monkery
monkfish. (a)a bottomdwelling shark of the genus squatina with a somewhat.
flattened body and broad winglike pectoral fins esp. s. squatina of.
eastern atlantic and mediterranean waters (b)an anglerfish monkhouse. a
monastery monklatin a corrupt form of latin used by monks. monkmonger
derog. a favourer of monks or monasticism monk's bench. monks' table below
monk seal any of various lightbellied seals of the. genus monachus esp. m.
monachus of the mediterranean and adjacent seas. monkseam monk'sseam naut.
a seam in which the selvages of sails are. sewn flat one over the other
monk's gun a thcent. wheellock gun. supposedly invented by the monk
schwarz the alleged inventor of. gunpowder monk shoe monk's shoe a low
shoe with a strap passing over the. instep buckled at the side monk's
rhubarb a kind of dock rumex. pseudoalpinus formerly grown as a potherb
monk'sseam see monkseam. above monk's shoe see monk shoe above monk's
table a convertible wooden. seat the back of which is hinged to swing over
and rest horizontally on. the arms thus forming a table.. monkdom n. the
condition of a monk monks collectively the domain of. monks m. monkhood n.
the state or profession of a monk the monastic. life monasticism monks
collectively oe. monkism n. monasticism e.. monkship n. the monastic
system monks collectively e.. monk mlk n. slang. m. abbrev. a monkey..
seclusion sklu()n n. e. med.l seclusio(n) f. l seclus pa. ppl. stem of
secludere seclude see ion. the action of secluding something. or someone.
also exclusion. now rare. e. the condition or state of. being secluded
retirement privacy a period of this. l. a place in. which a person is
secluded a secluded place. l.. h. j. laski emphasize its importance to the
seclusion of all other. factors. e. b. browning after a seclusion of four
years and a half from. the external air. l. uris the bridehidden all day
was taken from. seclusion. p. ackroyd perhaps the tall hedges give this
region its air of. seclusion and even of secrecy.. seclusionist n. an
advocate of seclusion m.. nedlasting. big bang var en stor nedlasting
(itavisen). er infoteori nøkkelen til universet. forskerne som jobber med
det holografisk prinsipp mener ren informasjon. er universets
byggesteiner.. i jakten på universets fundamentale byggesteiner forkaster
forskerne ved. university of california både kvarker kvanteelementer og
strengteorier. til fordel for det såkalte holografiske prinsipp (døpt
etter måten. tredimensjonal kan fremstilles på et flatt todimensjonalt
område).. bits og bytes. denne teorien fremholder at det er ren
informasjonsdata som forteller. hvordan all materie og evt. andre fysiske
manifestasjoner fremstår i vårt. opplevde univers.. prinsippet forteller
oss hvor mye data(tenk bits og bytes) som trengs. for å kunne
detaljbeskriv all aktivitet innen et gitt rom sier fysiker. raphael bousso
til nettstedet newsfactor.. den store pikseleringen. det notoriske big bang
ville ifølge teorien dermed utartet seg mer som en. enorme nedlasting av
informasjon enn som en massiv eksplosjon.. veldig forenklet kan
himmelmønsteret etter big bang ha vært pikselert. som bildene på en
dataskjem. kosmisk bakgrunnsstråling fra big bang vil da. kunne vise seg å
være spor på den diskrete karateren i denne dataen. forklarer astrofysiker
craig hogan ved university of washington.. troll. troll trl trl n. lme.
sw. (da. trold) f. on of unkn. origin. cf.. da. trylla trylde sw. trolla
bewitch charm on trolldomr witchcraft.. orig. (rare) a witch a sorceress.
now (in scandinavian mythology) a. member of a race of grotesque dwarfs
(or formerly giants) usu. dwelling. in caves or under bridges.. troll trl
trl v. n. also (sc.) trow tra . lme. origin. uncertain cf. ofr. troller
(mod. troler) quest wander casually mhg. trollen stroll toddle. a v. i
v.i. saunter stroll amble spec.. (slang) cruise in search of a sexual
partner etc. lme. v.t. i. roll. spin turn over or round repeatedly. now
sc. lme.. ii a v.t. entice allure. ml. b v.i. t. angling. fish by. drawing
bait along in the water sc. n. amer. trail a baited line behind. a boat.
also fig. move in an alluring manner search for or for. e.. b b. macdonald
by trollingwe caught silvers king and dog salmon.. atlantic nancy had
beenherselftrolling her scooped neckline under the. eyes of russell's
friends.. iii a v.t. pass or hand round. le. b v.i. circulate be passed.
round. ee. v.i. t. (cause to) roll or flow (in). ll.. iv v.t. i. sing
(out) heartily sing or recite in a jovial or. carefree manner. l. v.i.
sound out or be played in a jovial or. carefree manner transf. (of a tune)
recur constantly to the mind. e.. r. l. stevenson he trolled with ample
lungs. j. berryman troll me the. sources of that songby blake.. v a v.i.
move nimbly (of the tongue) wag. long arch. e. b v.t. wag. (the tongue).
rare. mm.. comb. trolling motor us a lowpowered motor suitable for a boat
used in. trolling for fish trolling pole n. amer. a horizontal pole on
each side. of a fishing boat to keep the lines clear of the propeller.. b
n. a small wheel spec. a fishingreel. ll. trolley n. .. local. m. angling.
a the method of trolling esp. in fishing for pike. etc. l. b a bait or line
used in trolling. m. the action or an act. of trolling sc. a roll a
rotation. e. a song sung as a round.. e.troller n. (a)a person who trolls
esp. in fishing (b)n. amer. a. fishing boat used for trolling a line m..
white elephants. white elephants. ini matsocvkaisn ndjdit white elephants
hvordadn blir kapitler i news. sjekk no.test rtyuiop hva slags bok
ideareal kladd webcam text ) lumber. x. skjold ii side. eggja nr. c.. ola
sjå eggja () og våga austre i sveio () gm. siri. giske f. kanskje svensbø
i vikebygd gm. endre jørgenson. enkja malena velumsdtr frå eggja (). ola
blei buande på eggja etter at han gifta seg med enkja malena.. andre kona
til ola marta døydde. ho var enkje alt år tidlegare.. det heitte då at den
ugifte ragnilla underholdes af slægten.. nn kanskje heitte ho siri persdtr.
fravær. skape seg et fravær. gå i bånd en hund etter forestillinger.
underkaste. seg fraværet. et fraflyttet fiskevær kalt fravær. i lengre tid
er hun ikke. der.. and so your god bungled his work deliberately. and so
your god bungled his work deliberately. perfect your physics and you will
understand nature better refine your. reason banish your prejudices and
youll have no further need of your. god.. prove to me that nature does not
suffice to herself and ill let you. imagine her ruled by a higher force
until then expect nothing from me. that of nothingness it has never held
terrors for me in it i see naught. but what is consoling and unpretentious
all other theories are of prides. composition this one alone is of
reasons.. for nature is inherently destructive and it is our recognition
of this as. participants in nature that provides de sade with the
fundamental. connection he places on the link between pleasure and
perversity.. what is it that truly excites the human spirit conflict and
turmoil is de. sade's answer. it is when we are directly confronted with
nature in its. true destructive state that we come in contact with the
fundamental. underpinnings of our creativity and existence.. perversity is
its own end. given the possibility of having virtually anything as was the
case with. the four rich men what is it that one pursues according to de
sade. witnessing the pain of others is high on the list of possibilities..
we have tended to see pleasure at the very least to be a distraction. i
have no need to thwart my inclinations in order to flatter some god. thus
nothing but the law stands in my way but i defy the law my gold. and my
prestige keep me well beyond reach of those vulgar instruments of.
repression which should be employed only upon the common sort.. whence the
duc would conclude that nothing is really just but what makes. for pleasure
and what is unjust is the cause of pain. nothing quite encourages as does
one's first unpunished crime.. no as to that there's no doubt. furthermore
beauty belongs to the. sphere of the simple the ordinary whilst ugliness is
something. extraordinary and there is no question but that every ardent
imagination. prefers in lubricity the extraordinary to the commonplace.
beauty health. never strike one save in a simple way ugliness degradation
deal a far. stouter blow the commotion they create is much stronger the
resultant. agitation must hence be more lively in the light of all this
there. should be no cause for astonishment in the fact that an immense
crowd of. people prefer to take their pleasure with an aged ugly and even
stinking. crone and will refuse a fresh and pretty girl no more reason to
be. astonished by that i say than at a man who for his promenades prefers.
the mountains' arid and rugged terrain to the monotonous pathways of the.
plains.. in order to allow voluptuousness to become irritated by the.
augmentation of a desire incessantly inflamed and never satisfied a state.
which must necessarily lead to that certain lascivious fury the friends.
shall strive to provoke considering it one of lubricity's most highly.
delectable situations.. by and large offer your fronts very little to our
sight remember. that this loathsome part which only the alienation of her
wits could have. permitted nature to create is always the one we find most
repugnant.. the idea of crime is able always to ignite the senses and lead
us to. lubricity.. desade. metaphysical painting. metaphysical painting a
style of painting invented by giorgio de chirico. in about and practised
by him and a few other italian painters most. notably carlo carra until
about . the style is characterized by. images conveying a sense of mystery
and hallucination often involving the. use of tailors' dummies or statues
in place of human figures. it had a. strong influence on surrealism though
its concentration on depicting. uninhabited cities was peculiar to itself..
Mar. kanta representeres i grafer av noder og kanter og som.
tilstandsmaskin noder er rom med tyngde (tak gulv omsetning). moebius.
manusfilm nr.. film med filmrull formet som moebius. bånd. det. betyr at
filmen avspilles. rettvendt og deretter speilvendt for. deretter å begynne
på nytt igjen.. handling en person filmer noe via et. speil. personen til
venstre og. speilbildetspeilscenen til. høyre.. det finnes ingen vakrere
topologi å ty til enn mbiusflaten når en skal. illustrere hvordan det nære
og det fjerne det indre og det ytre objektet. og subjektet grenser til
hverandre.the baudri llard.. kst. hva er riktig kommunikasjon dersom den
spriker sånn over en kanal som er. så smal virker fragmentarisk og
villedende kikkehullsestetikk. voldtekst gjærbakst kst tverrspringende når
kan ventes svar. dialog. dele seg i to dialogen. alltid delte i og med den
indre. isd kommunisererselv.. ghl bota. ghl bota. rhberemsynr.. . gel ojlo
s. vosm (setta ). . oslo s træntaaon. vhsn (setta ). . tromtaoen byta. vecm
(ghfh ). nhrdsufv telefan ssyvåtc beyshnschcden hor opertodt. rafærengemr
mc. crowned anarchy. one easy way to think about crowned anarchy is to
think of it as an. expression of a method of difference. deleuze often
uses paradoxical or. contradictory conjunctions of terms in order to try
to shock difference. and productive disjunctions to the surface of
thought. i believe that crowned. anarchy is often mentioned in terms of
nomadism or nomadic distributions. both of which serve to highlight an
orientation to movement process. creation and becoming. other examples of
this method of difference or. style are drunken sobriety stationary speed
populous solitude and. disjunctive synthesis.. æon flux. æon flux. the
very thought of rubbing up to the sinewy form and torso of. the
selfpossesed selfish seductress of death and delirium...oh how the. loins
quiver at her approach.. so until i see the great divided lands where
monican. and breen killers briefly dance a skirmish or two until i touch
aeon. there where thanatos and eros hold sway i will remember....
nonplusnoema. she swept from the room leaving the nonplussed artist to
puzzle over. the cause of her behaviour.. no match for nonplus.org..
though the noema is always available there are periods of rest or low.
activity where the system is able to return to a known stable initial.
state. the system is still there but the load on the system is minimal.
changes.. the noema is designed to always be up and running. individual
components. may be down but the total the noema stays available. in this
mode of. continuous operations things are evolving and changing
constantly. there. may be many versions of a component active at anyone
time. evolution of. components new feature introduction and constant
change are common. ongoing activities.. negativitet. hvordan modelleres
negativitet overhodet hva menes når vi abstraherer. 'noe' fra noe lager vi
samtidig 'ikkenoe'. det er merkelig og komisk når. jeg ser på den og den
knappen og tenker på at den er det den er fordi den. ikke er alt det andre
den ikke er. er negativiteten en egen dimensjon hva. er forholdet mellom en
operator og et uttrykk hvis vi har to ting. hvordan kan vi legge dem sammen
og regne på dem instruksjondata en. fortolker på datanivå er alt data ingen
negativitet fortolkeren. strukturerer og lager samtidig negativitet
dimensjonsforskjellen fra flat. data sekvensiell datastrøm til en struktur
med flere dimensjoner. f.eks. som i overgangen fra en endimensjonal
sekvenslinje til en. formatert tekst videre inn i et meningsunivers. på
hvilken måte fins. døden fins den på en annen måte enn ordet 'ikke' hva
refererer 'ikke'. til hva slags monisme er jeg ute etter patafysikkens.
justis konstant. langt langt nede blant våre fundamentale behov ligger
rettferdighet en. vektskål hver enkelt holder i balanse gjennom å ta på
seg eller fordele. skyld. om samfunnet ikke hadde svarte hull for skyld
ventiler religion. devnull et lukket system med konstant energi et usa
hvor man. saksøker hverandre til frokost. aqualizer. utligne. equalizer. n
reduces frequency distortion syn equaliser an equivalent. counterbalancing
weight syn counterweight counterbalance counterpoise. balance equaliser a
score that makes the match even. aqualizer neologism make something fluid
transparent remove rigidity.. aquality neo. the fluid transparent quality
of s.t.. aqual v. 'a aquals b' 'heat aquals ice' 'internet aquals
identity'.. telegram episode. telegram. monographic. episodic writing. å
kom skal du høre. ånd og overgrep. sans og. forbrytersyndikatet d.hc. just
boresome. å kom skal du høre. the paul whitney collection. triploop
..................excerpt. bankkontoen er det faste punkt for
jordmenneskehedens kultur af i dag.. bankkontologi. nn. i. c. v. r. c. i.
.. c. v. r. c. i. .. c. v. r. c. a. k. n .. a. c. v. o. r. u. .. c. r. n.
e. .. s. m. r. c. c
320
e. .. not two.. come directly into harmony with this reality just simply
say when. doubt arises not two. in this not two. nothing is separate
nothing is excluded. no matter when or where. enlightenment means entering
this truth. and this truth is beyond. extension or diminution in time or
space in it a single thought is. ten thousand years.. .... one thing all
things move among and intermingle without. distinction. to live in this
realization is to be without anxiety. about nonperfection. to live in this
faith is the road to. nonduality because the nondual is one with the
trusting mind.. hsin hsin ming (verses on the faith mind) attributed to
chien chih. sengtsanca. c.e.. ftp. category techhead id. i know most of us
use some type of ftp prog to upload download and chmod. but at times you
may need an alternative. say for instance you are away. home and the
computer you are using has no ftp prog. here's a simple. way to access
your server via the web. ftpyourloginnameyourpasswordyoursite.com. did i
mention you can upload and download files this way just drag and. drop
files to and from the ftp. minus. manus. nato phonetic alphabet. the nato
phonetic alphabet. alpha bravo charlie delta echo foxtrot golf hotel
india. juliet kilo lima mike november oscar papa quebec romeo. sierra
tango uniform victor whiskey xray yankee zulu. i tallssystem. tverrsum. i
tallssystem. hvordan har det seg at når man tar tverrsummen i en tallrekke
så. opprettholdes likevel forskjellen (her ). det var litt overraskende når
jeg oppdaget det at tverrsummen skulle. bevare dette.. ethvert heltall n er
kongruent modulo med tverssummen av n. dvs differansen mellom n og
tverrsummen av n er delelig med .. bevis (husk at (modulo )). la n n n ...
være sifrene i n i tallssystemet. med n det minst signifikante sifferet..
da er. n n n n n .... n n n n ... (modulo ). n n n n ... (modulo ).
tverrsumfunksjonen er en modulus altså og sammenhengen er at. dvs. modulus
.. mer generelt så ser jeg nå at intervallet ( i eks.) opprettholdes i.
alle moduluser og at tallrekken kan være hvilken som helst.. dvs.
moduluser kan tolkes som ulike (rest)tallsystem og at den samme.
tallrekken har ulik representasjon i ulike tallsystemer men uttrykker. det
samme.. Mar. de fleste foretrakk stort pensum istedenfor. fordypning
engasjement og klare mål. næss. et menneske er flere mennesker. et halvt
menneske virker helt et helt. menneske virker halvt.. amg strain ghost
montage. sollewitt concept art etc nettime. code is the only language.
that is executable.. ideer kan være koder. hvorfor vil vi at alt skal være
variabler ikke konstant.. the whale the corp (corporal) the old the falcon
fatty swede triple. tramper the bank nixie broom woodcat the king shorty
stocks. crooked the lion easy garibaldi scamp mad clumsy buck the. calf
lazy cheeky sooty brotherinlaw seven mark and one the. kid the lamb the
cub catowl nonsense the fizzler the toad the. chunk coffeesack coffeecnob
nothing the grouse ginger the bag. straight wally valdeser the troll
minced fat the christian bent. sinny crow nail divekeeper code spout the
baker egg nincompoop. the taste pig's totter boar shrimp stuffing doll
fliepedersen. matches the painter the smith whimpy the wizard sea scorpion
budd. birch manikin pepita entangle chop death.. who's bruno magh if yamean
rob's sneakers i dunno. mine were plain ol' adidas. re he didn't get
it....and he's a sargent....... re re mark fuhrman didn't get it either..
the transaction was a success. en ekunst mail spammer og til. person
person peerpeer multiperson ha en avtale om en multiperson med. noen vi
opptrer som n person med ett navn.. the transaction was a success thank
you for using this service.. your transactionid. is. støy. det er åpenbart
fleire måtar å høyre på støy på. eg tenker ofte på det som. ein
overskridelse. overskridelse av musikk metamusikk på en måte står. støy
'over' musikk eller ligger 'under' musikk og 'føder' musikk slik. natt
føder dag liksom jrf at natt oppfatta som opprinnelig.. overskridelse av
seg sjølv jfr din 'motstand' kanskje. overskridelseoppheving av seg sjølv
ved det n'naturlige' ved støy. ekstase ved støy overganger mellom
tilstander er 'støyete' kan alle. fortelle om.. Mar. resonate. mne. domus
. '. '. icarufa. domus . '. '. mddaurgtuse . domus .. vxtojnca. domus . '.
'. au rora. domus . '. '. kklang. domus .. tsrsgoihnsger . domus .. jvoa
eoer. domus . .. rddgeagthrdissator. domus .. bsotgagngigsgak ahaaggge .
domus '.. futureme. past me. lumber. lumber. dP' I Y P dP' Yb Y. . . . . .
. . dP aaaadP. P Y ' Pd' YbaaadSPOSUBSES. ii dPY dPdPYb gg. ggggggggggg
gggggg ..... .... .bd.'. noemata. Saturday April. us we'll consider wheth
Net.art cobe copiedWelcome to net Noemata.net. is a nonpCouncil of
Cultural Afregistered in N Norway. On a yearly. noemata. Friday April.
eta.D. real development of idbfeeaecbdbffeabintention was to combi.
interaction minglesot deilppa msacras dnadi fo tnempoleved laerthe net
with. those of collective.
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productio internet addrband and so open up to kind of public spacewho.
make a significancedevelopment of idconcept is applied to processing.
carriermembers every month result of sometNight Fever' 'The Wiza. modify
it and thenlasts thirty days with concept members every. . monthNa easy
hiding place for s modify it and then. networks. The story is.
fireworks.fdbccaaeffdacbabddastructure of data flows plot. of a story by
locusnonmat bringing out intras net possible on.
thameselvLJvMVuImsGoEJzKCUtdsQR.approach to discourage albums. whitewhite
albimo blcspreads with no techni emotional vulnerabiliswappers. noemata.
Saturday April. hexture. jodi.org. barriecoptusnet.com.au.
bennett.osu.edu. cantsinzedat.fuberlin.de. dolmensniperfree.fr.
epistolarisfreemail.hu. expsurfeu.fi. felixopenflows.org. fmadrefree.fr.
gustin.pascalefree.fr. henry.warwicksbcglobal.net. hmfahhotmail.com.
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vibriinternet.com.uy. wfairbrotherhotmail.com. xpressedsdfeu.org.
xstreamxpressed.org. wreathus. abuigueswanadoo.es. adelectrocd.com.
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dtvmwt.net. expsurfeu.fi. hmfahhotmail.com. hmfahhotmail.com.
lawrence.uptonbritishlibrary.net. marc.garrettfurtherfield.org.
margaret.penfoldntlworld.com. memexikonmwt.net.
morrigan.nihilntlworld.com. noematakunst.no. olsonjkdelhi.edu.
p.ixelntlworld.com. poetryhypobololemaioi.com. ptlambertearthlink.net.
rickrickbradley.com. ryan.whyteutoronto.ca. solipsishevanet.com.
tgreenclear.net.nz. towntrickaol.com. walterblueearthlink.net.
wfairbrotherhotmail.com. whitebd.dion.ne.jp. ybvictoria.tc.ca. Bubolic
stoplight unlikely by anemic. Bubolic stoplight unlikely by anemic.
unlikely stores anemic's growing pool as a collection of.
selfdisconnecting noemas that anyone can contribute to. lusers need to
log. in to enable unlikely to make sense of their movements through the
bassin.. Unlike anonymous drowsing unlikely facilitates a more
personalized. form of intuition the very act of intuiting results in a
generative. process that creates new linkages alters old ones and
contributes. resources to the community. Thus unlikely resembles a
biological neural. net that is based on human activity it is a collective
distributed. system of emerging patterns pathways and disconnections..
unlikely departs from the typical hierarchical thought bassin structure
by. relinquishing some of the control of hardcoding links between.
concepts. unlikely is also described in a public XMockupLang file making
it. possible for anyone to develop alternatives to unlikely's structure.
unlikely could easily be traversed as a trity eidos game a mind nap a.
sound ungine (logically sound system) or a Flush animation whirl.. In this
way it is the beta version of a anemic operating system for which. anyone
can develop compatible cogiance phlog.ins skeins or filters.. unlikely is
an agent of anemic's resources that grows symbiotically with. related dis
course.. BIOGRAPHY. Current coreDevelopers are blithe lussett bensyversion
nsatromnym and. conYates. As of anemic Version pee. CONTRIBUTING.DEVELOPERS
are listed dynamis cherubics by their usage of. contribution to and
participation in haven unlikely. wopers.. For dynamite please load and run
the anemic WHOIS button and blowup yous.. All participants exist as noemas
within unlikely. The car develop. maintain and develop the anemic
dabblication platt form and are. reposible for mini a spectable of
including the inter views anemis.. crow envelops hinter party pants
tributing dissociation varia. ariaous other panties enties and cystems all
unenginage in the act. vity that con stigmatutes anemic boldless
bloodfuel.. særmeldinger. baklengs inn i aftensangen. alt vel hilsen per.
over åsen. særmelding kodemelding gitt i åpen kringkastingssending fra
London som beskjed. fra britisk militær myndighet til agenter i Norge.
Særmeldingene besto som regel. av avsluttede setninger (Du er en heldig
gris Hesten traver i bakken) der. innholdet var avtalt på forhånd. I
okkupasjonens siste år angikk de som regel. flyslipp av våpen og
bekreftetavlyste en planlagt operasjon. BBC London. Radio eller norske
myndigheter hadde ingen innflytelse over særmeldingene som. var av rent
militær karakter. For lytterne utgjorde de gåtefulle og. fantasieggende
innslag som bar løfter om at hemmelige aksjoner var på gang.. QPVEO TXJZC
AZGVN. default. default. neglect failure to act. stats url. ola narr.
leonardo ola narr. Apr. sis sfsisnsds snsos srseslsesassse. sisss swsansts
stsis sdsises. ssasls sisss sbsacsks tsos snsosrsmsasls. sisss. s. aa.
Ifølge Bergens Tidende skal det nå holdes kurs for sjenerte bergensere..
HansWilhelm Steinfeld rødmer.. køntriola. doby ardon. ebmg. ebmg. nkb.
g.php. Apr. alasglea hshatrukturene asdgogg ingghehnhtiasngf sbetsyr
nogge. minae hfohrestilldfinger. vaigrhkhejlisghet. hvsa hehr virhkelig.
mikkaeg hmush grahvhietasjon poliasftihkhkh hlivh sdaøad hvihrkelig. havaa
aerg gsgaanat. tosomtussmørke. tosomtussmørke tåsårdessert tesiltusle
tesugetasje tåsokktaske. tissefanttussefar jeansagent jannin gnom joner
genial gang gynekolog. genever jennifer. mailnews. U S E N E T. valable le
Mars. par header. mailnewsanon.lcs.mit.edu. mailnewsnospamanon.lcs.mit.edu.
mailnewsnym.alias.net. mailnewsdizum.com. mailnewsnospamdizum.com.
usenetgatewaymixmaster.shinn.net. mailnewsshinn.net.
mailnewsfreedom.gmsociety.org. usenetgatewaynospammixmaster.shinn.net.
mailnewsnospamshinn.net. mailnewsnospamfreedom.gmsociety.org. par email.
group.namenewsgw.rrze.unierlangen.de defunct.
mailnewsYYYYMMDDgroup.nameanon.lcs.mit.edu.
mailnewsnospamYYYYMMDDgroup.nameanon.lcs.mit.edu. Apr. hva er
kommunikasjon og hva er uttrykk. nivåer. Vende tilbake til det. Re Vende
tilbake til det. Vende tilbake til det opprinnelige. Couldn't have said it
better myself.. mailnews. newsgroupnamenewsanon.yi.org.
mailnewsbananasplit.info. DISORIENTATIONS OF THE NETART. TECHNOLOGIES AS
PHANTASMS AFFECTS AND GHOSTS. ON THE FLOW. THE WORLD OF USER'S MANUAL.
SPACE COUNTERS TIME. AVAILABILITY ACCESSIBILITE AND CONSUMPTION. ....
password. configure OE. How can I configure Outlook Express to display a
message in fixed width. font. First remove the viruses. Then go to the
fonts... no wait you got a virus. again. Get rid of that. Now go to the
fonts menu and select... no there's. another virus. Better rebuild it.
Okay now you're in the fonts menu and. you select a font that is
specifically fixed width like say Courier. And. while you're at it you
might want to look at disabling all the HTML decoding. on Usenet as well.
Whoops there's another virus. ps I don't want to hear no bullshit about
how microsoft sucks ass and all. that constant repetitive stuff.. Then why
not get a newsreader that actually works and at least conforms. the basic
RFCs. mulig. En skole i Stockholm ble tirsdag evakuert etter at ranere
satte fra seg en. mulig bombe i en bank i nærheten.. En mulig skole i
Stockholm ble mulig tirsdag evakuert etter at mulige ranere. mulig satte
mulig fra seg en mulig bombe i en mulig bank i mulig nærheten.. Apr.
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.......................................... anon i don't know why people
don't. eliza maybe they're looking for something. why should they. what
you offer is just withdrawals and stepping back. yeahyeah from looking for
and searching. you're male yorick should be ucking around. i know that's
his business and he would feel the catration. pointing his figer and his
we pons. wall there's no connection at all just the silly drives. the
fabric production activity life that's a big canvas. there's no
connections there either leave them alone. support. no support is needed
earth spins around in empty space. you need all the usual stuff. don't
need anything my life didn't need life just automatic business. joy of
life. death has joy too why distinguish it's just one big blob going
through the. motions. fatalist. pass. what about suffering. i'm sorry.
i'll kick you in the leg. i'll respond ouch. improvements richness of
life. do we suffer less than years ago broken things have richer
structures. knowledge. it adds to the mess and i'm withdrawing. knowledge
for the future. it's very easy for us to extinguish ourselves and
difficult to believe in. humanity. space. space what. hopes. we should try
to find some loopholes via science or anything change ourselves. leave the
human maybe our physicality cognition and culture have some. limitations
we can't overcome evolution is too slow our knowledge too great. all the
culture trash and our drives are against us we'll be like dinosaurs. with
a brain look at the current territorial religious cultural violence. it's
just mad and on the other side global capitalism and exploitation is made.
possible by the inertia of the same structures humans have no future we're.
reaching some limit in our interaction with the world we should find holes
and. creep through into a posthumanity i'm indifferent to the human i'm
only human. and have no future.. Mr M. saw a naked woman covered in postit
notes once. she was some art diva from spain. 'automated net.art
auto.noemata.net'. Hi. Thank you for hosting your list at Topica.
'automated net.art auto.noemata.net'. autonoematatopica.com. Basic
Information and URLs. Here's the basic information and URLs your
subscribers will find useful.. send a message. autonoematatopica.com.
subscribe. autonoematasubscribetopica.com. unsubscribe. See the
Unsubscribe link at the bottom of any message.. For more information about
this list visit. your group account has been disabled to to an
autoresponser set up. LYS. Tilsynelatende nødvendighet av å tale om det.
Ikke si mer enn enhver kan si til seg selv. Spørsmålene om det er materie
eller immaterielt. Substans el aksidens osv. Fåfengt. Den som ikke tilstår
dette for seg selv kan trette seg med å løse det. opp. Bedradd av alle kan
vi bare lære av dets virkninger. Lysets virkinger er utbredt foran oss.
kvalmen. fremtiden er der knapt blekere enn øyeblikket. Hvorfor skal den.
virkeliggjøres. Hun skal til å dreie om gatehjørnet hun dreier i en
evighet. tanker det er det flaueste som finnes. flauere enn kjøtt. de
strekker seg ut i. det uendelige og etterlater en underlig smak. proxima.
lysår. melkeveien lysår diameter mrd stjerner. mrd andre galakser. lokal
gruppe av. nærmeste lign galakse andromeda m mill lysår unna. kvasarer ses
over mrd lysår. stjerneklasser. wow oh be a fine girl kiss me right now
sweetie. chance and chaos. kolmogorov matematisk talent setter inn akkurat
når den psykologiske. utviklingen stopper. han ser på seg selv som år.
stødig strøm periodisk strøm irregulær turbulens. observasjon av
periodefordobling i dynamiske system feigenbaum ... entropi måler
tilfeldighet i et system. hawkings. galilei kraft er å forandre en
bevegelse. newton derson ikke kraft fortsette i samme fart. ingen entydig
hviletilstand. om det er toget som går eller jorden som går er. like
gyldig. paradoks umulig å si om to hendelser på forskjellige tidspunkt.
inntraff på samme sted i rommet. eks. en ball spretter to ganger på samme.
sted inne i et tog en som står utenfor vil se sprettene med meters.
mellomrom. sitat. hardingfela er norsk nasjonalinstrument fele så er brukt
kattesener. hardingfela hele katten. det finnes det som har spilt i år i av
disse har de stemt. gås på bordet. forskning sprøyte brennevin inn i ei
rotte. er det noen kattjævel her. lysår vi hadde motlys. han var fem år da
han ble født. det du har lært kan ingen ta fra deg men det du ikke har lært
kan ingen heller. ta fra deg. det er skrevet mye og gud i de nye og de
gamle instrumenter. det som står her er. skrevet med en hellig skrift.
midt i paradisets have sto det et tre som het. bekjentskapets tre på godt
og ondt. da abraham satt i mamsres lund kom det tre. herrer da spurte sara
om de ville ha kaffi da sa vår herre til sara vil du. straks gå bak døra og
føde en sønn. det er ikke bare for kort det er for bredt også. protokoller.
hvilke protokoller. fullstendig promiskuitet mest mulig lavmål. en stadig
pendling mellom høyt og lavt. overdrivelser underdrivelser. hvite
protokoller. bankei. fri i liv og død ikkje bry deg med dei ha fred eller
nrivana (dei tre. gifter) la alle tre gå. både når du søv og er vaken så
kviler du i det ufødte buddasinn. unngå å falle tilake. bebo det ufødte
buddasinn både fremskritt og. tilbakeskritt overskrides. buddasinnet er
fantastisk opplysande spor av alt du har gjort er reflektert. det er når
du binder deg til desse reflekterte spora at du produserer illusjon..
originalt tankar har ingen reell substans la dei komme og eller stoppe
utan å. binde deg til dei. alt jeg forteller dere er dette realiser
buddasinnet som hver av dere har fra. deres foreldre fra fødselen rett og
slett bebo det i tro.. istadenfor la deses tankane komma ikkje utvkle dei
ikkje binde deg til dei.. hald det eine sinnet som eitt sinn. sinne og
glede lagar du heilt på eige hand.. det er ingenting anna enn det ufødte
og uforgjengelige buddasinn så du bør. begripe dette klart.. ideen om å
ville kontrollere dine lidenskapar og forestillingar er i seg sjølv. ein
feilaktig forestilling.. det er ikje noko slikt som opplysning. det
originale buddasinn er ufødt det. fungerer utan tanker om å ville bli
opplyst. i buddasinnet er det ingen tanker eller ting så ikkje bry deg med
dei. jakte på ord fraser når vil du bli ferdig. du spring deg helselaus
pålesse kunnsakp blir vidt informert. sjølvnaturen er tom og opplysande så
la ting ta vare på seg sjølv. det er ikkje noko anna eg har å meddele.
ikkje sint når forstyrra ikkje gladlykkeleg når tilbedt. ein stor
treskalle i verda. følge med der forholda føre meg nord sør aust vest.
utan å gjøyme mi styggheit og klumsetheit mellom himmel og jord. blinde
folk slit ut kleun sine ventande på opplysning. akkurat som å prøve å lage
eit speil ved å pusse ein stein. den store funksjonen manifestera seg sjølv
utan faste reglar. godt er skrekkeleg. og skrekkeleg er skrekkeleg også.
ting og hendelsa. er berre produkt av omstende. dersom du blir ein budda
er det ingen plassar å gå. du fyller det store. universet heilt ut til
grensene. det er når du blir noko anna slags vesen at. det er plassar å
gå. dersom du innser at det opprinnelig ikkje er nokon dårlige vaner hva
er det då. å unnå eller stoppe. paulus. paulus . brev til titus. en av
deres egne til og med en profet har sagt kreterne er alltid løgnere.
villdyr grådige late og dette vitnesbyrd er sant.. grelling nelson.
autologier homologier uttrykk som uttrykker seg selv. norsk setning.
femten bokstaver. jeg. andre uttrykk kalles heterologiske. så spør man om
heterologisk er et heterologisk uttrykk. hva med denne setningen uttrykker
noe annet enn seg selv. sorites. avleder en falsk påstand fra en kjede av
riktige. en haug med stein er fortsatt en haug med stein dersom vi fjerner
en stein. etc.. altså er en samling av en eller ingen steiner en haug med
stein.. pragmatiske. paradokset ligger i motsigelsen mellom påstand og at
påstanden hevdes. det regner men jeg tror det ikke. jeg eksisterer ikke.
terning. sannsynligheten for at en side på en terning kommer opp er så det
er. allermest sannsynlig å tro at siden ikke kommer opp. men dette gjelder
alle. sidene. derfor er det sannsynlig å tro at ingen av sidene kommer
opp. pi paradoks. salvati kan du fortsette rekken nei. men du kan
fortsette rekken. paradokset er at de beskriver det samme pi. tro gjennom
feil paradoks. at noe som slår feil styrker troen på tingen fordi feilen
viser det. irrasjonelle betydningen av tro. hilberts paradoks. hvordan
begrunne argumentasjonen på basis av argumentasjonen. carrolls p.
umuligheten av et argument. a dersom det regner blir det vått. a dersom
det regner blir det vått
321
b det regner. c altså er det vått. men for å akseptere dette innføres et
nytt element. d dersom a og b er sanne så må c være sant. men for å
akseptere dette innføres et nytt element. e dersom a b d er sanne så må c
være sant. jesuitt. dersom gud er allkjærlighet hvordan kan det da finnes
en evig pine i helvete. helvete med evig pinsel finnes men det er alltid
tomt. menneskerett. en slag rett til å engasjere seg rett til å kritisere
og en rett til å ikke. bry seg.. parse. lichtenberg E F. O The dog is
lapping the boiling water. release. Gorrespondence imondo mail . art
sokrates. ozone. skittent. mørket er estetisk lyset er skittent. bilde av
klistremerkene. finne du din vilje oppgave. nagval stalking ll som
parallell til sitasjon. drift psykogeo. når frykten forsvinner forsvinner
alle bånd og vi er frie. ro og fred. vi sier ro og fred men det betyr
indre frihet men gj ro go fred som middel. som fungerer i støy og ytre
uro. det er ikke greit å ønske å bli noe man ikke ønsker å være. men sånn
er det den. forskjellen. jeg ønsker natlugh ikke å være det jeg ønsker
eller å ikke være. den jeg ikke er. lagd. tror ikke vi er lagd til å
forstå ting som forsvinner. vi forstår ikke negativitet. negativitet
forstås positivt det som forsvann finnes som forsvunnet. og det som ike
finnes finnes som mulighet. finnes mulighet. noe er mulig. vi forstår
virkelighet som et lukket system det ligger i system og forståelse. ting
blir borte ting blir til vanskelig å forstå. tankemåter blir til og dør ut
med personer kultur med generasjoner. trossystemet forander seg ikke
radikalt med den enektle der av netulig. konsrevativt neasjoner har ikke
noen revolusjoneredne virkeing at noe blir. borte er en modfifikaskon av
tingen. som om eksitens var en modus ved noe skru avpå eksistens. se på
det fra et annet perspektiv det som aldri har eksistert fins det også et.
sted alle dine søsken som ikke er født. hvis vi snur treet oppned. alt som
blir. til må ha eksitert på forhånd. men da har du problemet med mange
muligheter blir. til en virkelighet det kollapser hvis vi skrur det så
ekspanderer det. uendlelig og det er ingen ende op ting som eskisterer
(som mulighet) alle. muligheter må eksistere og det er absurd hvorfor.
kredo. vitenskap gir oss kunnskap om verden. klesskap forstyrrer oss med
klær. du ble født ut av ditt nesebor. voff vi er ikke hunder. de som
passer på gir blaffen. folk er rare. zen begins at the point where there
is nothign further to seek nothing to be. gained. zen is most emphatically
not to be regarded as a sustem of. selfimprovement or a ways of becoming a
budda.. only when you have no things in your mind and no mind in things
are you vacant. and spiritual empty and amrvellous. the marvel can only be
descsribed as the. peculiar sensation of freedom in action which arises
when the world is no. longer felt to be some obstacle standing over
against one.. huangpo men are afraid of forgetting their own minds fearing
to fall through. the void with nothing on to which they can cling.. nothing
is left to you at this moment but to have a good laugh.. mesteren spør ut
studenten og når studenten går kaller han plutselig ved navn. studenten
svarer naturlig 'ja' mestern sier 'der har du det'. spontanitet. mo chih
ch'u gå på uten å nøle. wuwei meningsløshet. wushih enkelhet. the
perfection of zen is to be perfectly and simply human. to a young zen
monk. the roshi stands as a symbol of the utmost patriarchal autoriatiy
and he. usually plays the role to perfection being normally a man ssvanced
in yasrs. fierc and tigerish in aspect a person of supreme persence and
dignity.. the basic position of zen is that it has nothign to say nothing
to teach.. the various koans are intentionally misleading.. after some
time the iceblock collapses and a transparent meaninglessness appear. that
can eat laugh and so on live without a problem.. roshien presenterer nå
koans som er opplagt meningsløse 'ta dei fire delane av. tokyo ut av ermet
ditt' 'stopp klangen av dei fjerne klokkene'. ei jente går. over gata er ho
den yngre eller eldre søstra. controlled accident ikke representasjoner
symboler.. egne objekter. painting by not painting. muchi and liangkui did
many paintings of zen. patriarchs and masters as mostly abandoned lunatics
scowling shouting lafing. around or rarith with laughter at drifting
leaves exemplifying the splendid. nonsense and emptiness of zen.. sabi
enslig og rolig stemning wabi something ordinary as suchness aware..
mystisk stemning yugen. dette er fure aspekter av furyu.. haiku i årh.
bashu i wshihstil 'ingenting spesielt'. the superficial consciousness can
awaken to the eternal present if it stops. grasping. now this eternal
present is the timeless unhurried flowing of the tao. such a tide as
moving seems to sleep too full for sound of foam.. mantras and tantras
meditation and concentration. they are all a cause of selfdeception. do
not defile in contemplation though that is pure in its own nature. but
abide in the bliss of yourself and cease these torments. wahtever you see
that is it. in front behind in all ten directions. even today let your
master make an end of delusion. the nature of the sky is originally clear.
but by gazing and gazing the sight becomes deluded. sarakas trasy of songs.
no thoguth no reflection no alaysis. no cltivation no intention. let it
settle itself. cut out sagacity discard knowingness. and the people will
benefit a hundredfold. cut out humanity discadrd righteousness. and people
will egain love of their fellows. cut off cleverness diescsrd the
utilitirans. and there will be no theves and robbers. become unaffected.
cherish sincerity. belittle the personal. reduce desires. laotsu. the
perfect tao is without difficulty. save that it avoids picking and
choosing. follow your nature and accord with the tao. saunter along and
stop aorrying. if your thoughts are tied you spoil what is genuine. dont
be antagonistic to the world of senses. for when you are not antagonistic
to it. it turns out to be the same as comnlete awakwning. the wise person
does not strive. the ignorant man ties himself up. if you work on your
mind with your mind. how can you avoid an immense confusion. sengtsan. one
day i wiped out all the notions from my mind. i gave up all desire. i.
discarded all the words with which i thought and stayed in quietude and.
ZTT i entered i lost the bounderies of my physical body i spke but my.
words lost their meaning. i saw people comnign twars me. all of them were.
myself. i had never known this world. i had beieved i was ceraed but i was.
never created i was the comsos no idndiviudal mr ssaki existed.. .sakeian
sasaki zen notes vil no. we eat excrete sleep and stand up this is our
world. all we have to do after that . is to die. ikkyu. you light the
fire. i'll show you something nice. a big snowball. mennibdr versen og
livet lemm død og ny fdese. uta sv krppen så yutterverdn lbitt indre og
omvendt. man fyller hele rommet og lever i tiden. stiger ut av rommet føre
og etter. ha takk ha. sanselik. imaginasjon. inspirasjon. intuisjon. alt
som saller mot krppens speil speiler seg til sanseopplevelse. tankene
tanken muldere av elemtarvesen sender seg ned i eterlegme. formørker
eterlegemet eringdring. visom som natur rundt seg her. vi må ta vort
visdommen forvandle altsp selv til livskrafter. pines ab det glode.
latskap pinesa av fliden. tingene spør oss vi spør ting her. verden føst
av personen. det oversanlsige mennsek. åpne åttetall lemniskater.
tilsvarer det himmelse bilde av menn. nerve og kjertelsystem. inspirasjon
i toner verdensharmonien avspeiles in blod kretsløp hjerterytme. intuisjon
tonene inneholder mening sprok verdensordet. angel archaloi archai. exusai
dymanis kdriotetes. troner cheubin serafim. mot i brystet. blir lemmer
armer og ben. blir åndelig ord. solflekker mikael kosmiske jern.
antropsosi psyikosofik ner mtosofi. linvssans bebetelesn liekversans.
fangarmer. lotusbolst i hodet imagintaiv. strupehodet inspirasjon. jver
hjertet den ituitive. imaginasjon fornemme. insirasjon føle. intuisjon
tenke. psykosofi. slutningen tilspisser seg i forestilligen. punktum. like
før han legger seg sender han noe. like etter at han står opp punktum.
interesting ng. alt.abuse.transcendence. alt.acme.exploding.newsgroup.
alt.anybody. alt.anygroup. alt.anything. alt.artcom. ba.art.
it.arti.trash. rec.arts.misc. alt.chaos. alt.confusion.atitsfinest.
alt.foo.bar. alt.foo.bar.qux.xyzxyz. alt.languages.norwegian.
alt.languages.nowegian. alt.life.internet. alt.life.sucks.
alt.life.universe.everything. twalegged poneys Re Estimable Finns (Re
AAUUGGHH). In article bunniegirlhome.com (Jelliebun). I've been dealing
with a lot of people at work who don't speak English. as a first language
... and some of these damned nonsequitur bot post. thingies are starting
to make sense.. For instance it would not be at all startling to find the
following. in an application letter. Nor have they not sing for quite no
sponsorship. We extracted and remarried as they were lively required
neither. every base past them beheld perversely elder.. I think I need a
vacation.. Would you then be offended if I quoted the following. It
follows that if the two antesedents be bissyclitties and the three.
comeseekwenchers trundletrikes then Aysha Lalipat behidden on the.
footplate Big Whiggler restant upsittuponable the nCr presents to us.
(tandem year at lasted length) an ottomantic turquoindaco of pictorial.
shine by pictorial shimmer so long as gad of the gidday pictorial summer.
viridorefulvid lits asheen but (lenz alack lends a lot) if this habby.
cyclic erdor be outraciously enviolated by a mierelin roundtableturning.
like knuts in maze the zitas runnind hare and dart with the yeggs in
their. muddle like a seven of wingless arrows hodgepadge thump kick and
hurry. all boy more missis blong him he race quickfeller all same
hogglepiggle. longer house blong him while the catched and dodged exarx
seems. himmulteemiously to beem (he wins her hend he falls to tail) the
ersed. ladest mand and (uhu and uhud) the losed farce on erroroots
twalegged. poneys and threehandled dorkeys (madahoy morahoy lugahoy
jogahoyaway). mPm brings us a rainborne pamtomomiom aqualavant to (cat my
dogs if I. baint dingbushed like everything) kaksitoista volts yksitoista
volts. kymmenen volts yhdeksan volts kahdeksan volts seitseman volts kuusi
volts. viisi volts nelja volts kolme volts kaksi volts
yksiallahthallacamellated. caravan series to the finish of helve's
fractures.. Part of it looks Finnish and therefore it has to be about
Linux (because. that is the only notable thing ever to come out of
Finland). Let me just take this opportunity to say. Panasonic (the band
not the consumer electronics manufacturer). Hey Punesuneec joost pleyed
here bork bork bork.. Mika Hakkinen (F driver). That mad vodka. What's it
called. You know.. Per puncture AT flash DOT net. linklog. digest.
Individual Messages. Message Digests. CALL FOR FUNDING DEADLINE EXTENDED.
MAY TH. FOR IMMEDIATE RELEASE. CALL FOR FUNDING DEADLINE EXTENDED.
INSTITUTIONS AND PATRONS OF THE ARTS WANTED. MUST HAVE MONEYS MUST BE
WILLING TO FORK OVER SAID MONEYS. DUE TO AN OVERSIGHT BY THE RHIZOME.ORG
COMMISSION COMMITTEE MEMBERS. THE ARTWORK OF LINKOLN JIMPUNK STILL LACKS
THE PROPER FUNDING TO CONTINUE.. FULL DESCRIPTION OF ARTWORK AND FUNDING
NEEDED AT. NOTE FINAL EMAIL WILL NOT BE SENT TO RHIZOME RAW AS INDICATED
IN THE PROPOSAL. THE FINAL EMAIL WILL BE SENT TO THE PERSON(S) WHO
COMMISSION THE WORK.. COMMISSION THIS ARTWORK CONTACT. ABELINKOLN.NET OR.
bytes. text. dagbladet nyheter. nyheter. Blunker med fire øyne samtidig.
Tohodet geit født på Cuba.. Jon R. Hammerfjeld. .... nyheter neste sak
forsiden. Oct. makeshift. carriers. are the characters carriers of what.
oceanic inflation eg buddhism ego balloon whatever skin. distance in
relation to subjectobject the inflated subject seems infinite. while the
dot in the horizon the distance of the abject out of sight. phenomenology
of beyond vs here and now yon bef. ME OE geon akin to D. gene G jener ON
enn inn the Goth jains that vs thus. thus collapses in codeexecution
distance of processing time of 'active. expression vs matter of doctrine'
formalexpressive this and something else. (subjectobject) always on the
abject side. kunst på strømlinjer noe som følger nettverket over landet
summingen ved. mastene lyd. gi meg et urokkelig punkt arkimedes hvordan
kan lillefingeren løfte bilen. arbeidet fordelt over lengre vei. those
darker parts of the wood have 'personality' something hidden or attracts.
intimacy something else. gnome (nm) n.. . an expert in monetary or
financial affairs international banker or. financier the gnomes of
Zurich.. F NL gnomus perh. Gk gnm see GNOME. . (in folklore) one of a
species of diminutive beings usually described as. shriveled little old
men that inhabit the interior of the earth and act as. guardians of its
treasures troll.. a name to. a name to. a mean to. a amen to. a no team. a
no mate. am note a. a man toe. a mao net. a tam eon. a mat one. a mat eon.
me to ana. a tao men. tao amen. ana me to. ana tome. mane tao. name oat.
name tao. mean oat. mean tao. amen oat. amen tao. mateo an. eaton am.
atone am. neat mao. ate mona. eat mona. tea mona. tea moan. tea oman. am
at one. am at eon. ma at one. ma at eon. an oat me. an tao me. cell modem
fix. rksi .. rkis .. rski .. rsik .. riks .. risk .. krsi .. kris .. ksri
.. ksir .. kirs. kisr. srki. srik. skri. skir. sirk. sikr. irks. irsk.
ikrs. iksr. isrk. iskr. log. qdu må slutte å evaluere sånn. qjeg er den
ketchupflaska. qvil du meg noe snakk til den OK. q(går inn i stua).
autonoemata. Congratulations. Your Group autonoemata has been created. You
can access your group using the. Group name. autonoemata. Group home page.
Group email. This is not good. Is better to attack people. Leave Hummer
alone. Hummer cannot fight back. It's guns that kill people not people.
Leave guns to shoot guns. Stick to your guns. Alan Sondheim. Jarry. Jarry
insisted on certain conventions of speech action and setting. The.
staccato manner of speaking the misplaced accents the puppetlike movement.
the use of masks the use of placards the hodgepodge style of scenic.
painting all of these were Jarry's ideas (Beaumont ). ouspensky gurdijeff.
mennesket er en maskin. alt skjer uten at noen gjør noe. livet er mat for
månen. jeg vil forstå. viktigste mål å ha er å ville mestre seg selv.
tenkning sammenligning følelse sympati. tanke forestilling (tanke som
følelse) drøm (tanke som vilje). forskjellige kulturarbeidere er nesten
uten unntak syke mennesker. mennesker er redde for hverandre. samvittighet
følelse bevissthet tanke. latter eksisterer bare i sentra som er delt i to
høyere sentra er udelte. sex i tenking skriver kritisk og subjektivt sex i
følelse preker kristendom. asketisme synd helvete det bevegelige senter med
sport men alltid er. resultatet ubrukelig dette er misbruk av sex. oktaven
to 'sjokk' tallssystemet. teosofisk addisjon tverrsum. vanlig menneske er
menneske sau orm. intelligensmåling vha hydrogendiagrammet en bakt potet
er mer intelligent enn. en rå potet. lever av hvirvelløse dyr og er mat
for erkeengler. sammenheng mellom positur og tanke følelse er entydig.
stopp. obyvatel en vanlig person kan også være veien. dilemma. det er et
dilemma at vi uttrykker ofte ting fordi de blir forstått (riktig). det er
ting en kan si og ting en ikke kan si (forståelig). dilemmaet er å
uttrykke seg eller bli forstått. det finnes handlinger men ingen som
handler. nagarjuna opphavsmannen til negasjonene paradoksene.. hatha raja.
djna kommando. shiva lingam shaivitene. bindu. prikk over m. samadhi ved
operasjoner mislykket hengning grønn farge hvitt lys. kaleidoskop fløyte
klokker tordenbrøl. vanvittig er min far vanvittig er min mor (dvs shiva
og kali). thuggerne. outsiderens problem ligger i å nekte å uttrykke seg.
analyseparadokset. en analyse kan ikke både være informativ og korrekt.
klassisk gresk ingenting meningsfullt kan uttrykkes alt er meningsløst. å
si A er A er ingen vits. å si A er B er usant. tre ønsker. . ønske. jeg
ønsker at de tre ønskene ikke blir oppfylt. hvordan forvirre den gode fe.
of. ........... of. livet mellomdelengo ny fldes i fhodl ti de kosmiske
kjensgerninger. verdslig travelhet handlign tilsvarer åndelig ro. jeg
bevisstheten avh av den menn.død da menn.adr når opp til sin dieale verdi.
må man si at jeg dadig arveider p åsin egen jegforringelse (med dårlige.
handlinger). universet inne i seg og legemet utenfor. begjær etter tanker.
oseaniskek j. NEWS. NEWS. AnonPostTo Supported (post) True. News Posting
Route (mailnews).
mainewsfrogadmin.yi.orgmailnewsdizum.commailnewsnews.gradwell.net. News
Signature Added To None. receive a list of all newsgroups reachable
through this mail to news gateway. send mail to mailnewsdizum.com with
subject list and no Newsgroups. header. The complete list of available
newsgroups is quite large (K. groups) and can break many mailers. To
obtain through E mail a list of only. those newsgroups starting with a
particular pattern you can include an. egrepstyle regular expression on
the subject line. For instance. Subject list comp.unix. would list only
newsgroups whose names begin comp.unix.. Subject list .linux. would list
all newsgroups whose names contain the substring linux.. Subject list
alt.(securityprivacy). would list all newsgroups beginning alt and
containing either the word. security or the word privacy. Finally. Subject
list ..test. would list all newsgroups ending .test.. nntp test.
newsnews.opera.comopera.test.
newsnewsgroups.borland.comborland.public.test.
newsmsnews.microsoft.commicrosoft.test.
newsforums.macromedia.commacromedia.test.
newsnews.mozilla.orgnetscape.test.
newsnewsroom.trumpet.com.autrumpet.test. newsfrell.eu.orgalt.test.
mailnewsnews. in header. newsgroups. mailnewsnews.gradwell.net.
mailnewsnews.demon.co.uk. W Anonymous Remailer. Paranoia Web interface.
Riot Anonymous Usenet Remailer. Xenophon. Frog's WARI. bmagnhil. May.
maskinen fjerner overtroen fra oss. jeg trenger ikke ville. eller håpe.
what. dkdkdkdkdkfdkfdkfdkfdkfdkfdkfdfkdfkdfksksksks. what does this mean.
tistikken. statistikken latistikken. lehmus ng.
alt.language.poetry.puresilk. jukka lehmus. mattering. near the surface of
earth's oceans between three and four billion years ago. selfreplicating.
the cell all competitors have been swept aside save for the residual
viruses. life a selfmaintaining selfreplicating energyusing system. cell
polarization as communication links. primitive brain stem hindbrain motor
midbrain visual auditory forebrain. olfactory. mammalian brain hindbrain
underneath cerebellum midbrain forebrain underneath. cerebral hemispheres.
we are distinguished form other animals by the large size and unusual
properties. of the human cerebral and cerebellar hemispheres.. somata.
inhibitory hyperpolarization or excitatory depolarization synapse fire
and. don't fire inputs. black matter InterNetWORX. Hallo Herr noir matern.
Vielen Dank fr Deine Anmeldung bei InterNetWORX.. Userbereich von
InterNetWORX einloggen. Deine UserID. Dein Passwort svryra. Deine
HomepageURL. Dein Speicherplatz. Dein Verzeichnis auf unserem Server.
Server. ftp.inetworx.de. Username. noemata. InterNetWORX Web Hosting.
Deine HomepageURL. Dein Speicherplatz. Dein Verzeichnis auf unserem
Server. Server. ftp.inetworx.de. Username. noemata. Passwort. Dein
InterNetWORXPasswort. Status aktiv. WebFileManager. Folgende Angebote sind
nicht zulssig. Webcams mit automatischem Refresh. Chat IRCBot und
DownloadScripts. Websites welche gegen deutsches Recht verstoen.
Pornographische Websites. OnlineCasino Websites. Userbereich. UserID.
Bisher Logins. letzter am .. um Uhr. von ...si .no.powertech.net.
322
Anzeige. Jul. artificial art. COGNITIVE PSYCHOLOGY and ARTIFICIAL
INTELLIGENCE have produced provocative. models og cognition which when
brought to lifewithin a sutiably programmed. computer mimic closely some
of the coluex actiitites of golacriven. intellingece. The NEUROSCIENCES
have begun to unravel the vast microsystem of. interconnected brain cells
that in living creatures appears to execute those. activities. ETHOLOGY
has given us new insights into the continuities relating. human
intelligence with the intelligence of other creatures. And EVOLUTIONARY.
THEORY has revealed the long and intricate selective processes from which.
conscious intelligence has slowly emerged.. ONTOLOGICAL PROBLEM mindbody
problem materialist dualist brain. five radically different versions of
dualism chapter. SEMANTICAL PROBLEM skeptical network of causal relations.
EPISTEMOLOGICAL PROBLEM problem of other minds selfconscious.
METHODOLOGICAL PROBLEM artifical intelligence. This concludes my set of
promissory notes. Let us now turn to the issues. themselves.. oh dear.
meiosis sis o I em. DEARME.TXT. media externalization. stillife. c d lost.
knowledge liar lying as strategy as truth identifies controls. the
wastebasket placed on the desktop and windows inside waste. r. c. (I. bees
queer ever seen a crystal sugar a rockcho. Purchase of nwt. Thank you for
purchasing this share. bytes URL noemata.netnwt Price EUR. Payment info.
PayPal URL. Or money transfer payable to account .. Storebrand bank.
Norway.. Please contact us if you have any questions. Thanks again. Ars
Publica. fake spam. sddds. TddHINGS WssILL RDFDUN FFFOFF YOU. ohVVll
insert. buty. cccc. vjkjkjkuoui. Oy. alpin. treholk med lokk. .... yosrsas
thessdfdsdf sfudssedfd in tfe mfffle. kvestian. Ordet tak har k i utlyd.
vague un. vagabond. astronomiske høytider ALPAKKA. amatør. X. About Help.
voltages of the soul. uteksi utero utbud. uterlig uteske utidig. utlyd
utnavn utopi utror utukt. utvær. V volt. .. i have tou p. hate those
little bastard go sug blod ov your dead great grand. cells won viruses
linger on. data cell. if you don't want this. d. Gievre X. abrakadabra
abruptabscisse. absint absolvere. abstrakt absurd. aceton ad acta. ad hoc
adiafora. ad libitum adrenalin. ad undas advent. affinitet agentroman.
agio. agnus dei. aimabel akantus. akrostikon aksiom. aksjon aktør. akutt
alarm. aleksandriner alen. alfa alfons. alias alibi. thorn thurs ut i sol
sol sunn saigel tlas algz jer jara asskrk kaun os. perta. S NOW. Ammianus
Marcellinus Ammius see Hamder Amuletter Adrhrimner Andrid. see
Kjalnsingasagan Andvaranaut see Andvare Ane den gamle see Aun. den gamle
Angantyr Arngrimsson see Hervararsagan Angilbert Angler. (angli). Aug.
artnapping. pretending to sleep. i'm not saying. for the arps and
sensiblargoviee and seated ities depts. it's something spiritual acronymic
comperata droll votes you. compression it's when you can't compress (more).
still y could. translate later without loss. would a photo captwidth a
pixies casters. it no or it zedek be pericline ure it. no or poto
thsobranje the. winooski if you can snelling of it toddle jada e wholeness
if you can. speak of it then that's why it's obwh ogress massa cones ject.
matarial concrete candy(d)a. you need your wholyou nightside your wonted
selvaged e sensibilithy. tvart would be anwotted an osmium roseland asylum
and intellect the. hushaby overload room inside the hypercube. when she's
runningwandoo sanjak her freudalizable has solipsism chines. wave her feet
has some characteristic (w)hole that' the len(d)s in. advance of. not
really antroponot redshank too mechanizer o's morph. its too many o's
holes again eyes and owls again (quarlean). stillness not focs us interval
not foiling not samisen pelagian us. i'm not saying it's passive. you know
blub bluyou kindness blanton bignonia wakening wholeheartedly. legs
lineally. not history on a not humorers on a vociferously wave. RE
RHIZOMERAW FOR IMMEDIATE RELEASE. what. i don't know anything about this.
i read in the paper today that these were indeed stolen from a museum. in
norway recently. so um what is going on noemata. ja. F O R I M M E D I A T
E R E L E A S E. The artist group Noemata demands mill. norw. kr. for
delivering. back. Munch's paintings Scream and Madonna which today were
taken. the Munch museum Oslo Norway.. Contact noematakunst.no. post
listrhizome.org. questions inforhizome.org. visit on Fridays the
Rhizome.org web site is open to nonmembers. Subscribers to Rhizome are
subject to the terms set out in the. inner voice reason. there's no use in
remembering. well only for those who forget. we have our memory so
remembering is like pause. no use in bed i'll. use in whatever phenomenon.
flatbed scanner. i'm. pause. well this is of photos. you don't. pause. like
pumping up your bike no pause that's nonsense. but like pause. what are the
inner workings the pause. memory is memory pause. i'm sorry this is a mess
not even that it's nothing not even. ok then there's novelty actually most
things just stand by. say this place or you it will continue by itself more
or less. if this pen continues from sec to sec it's no novelty though it
needs. energy for sustaining. a quick look at reality (for a change)
you'll see things linger on from. beginning to end background radiation
rocks soil oil inka cities. the cell virii millions years old animals
still eating grass. it's actually harder not to do things than to do. and
within those rhytmic trends nervous jiggle. so personality fuse (common
sense) i'd rather not. let's say sleep but then there's no consciousness.
ok meditation rather pause long way around the block. drugs no pause i
want control. tao shit my cow jokes. circuits kin of pour something in.
well maybe pause this is a drawing. as a structured whole. the whirlings
in remembering. well only so small tiny trails. let's. pause. well this in
the collage hey those are kind of us will mind. wonder where i pause
that's. pause. well this pen continues from sec it's. pause. blood
something out draw. still doesn't make sense anything of this nothing.
reason is only so small tiny trails tractor. let's see i pause see
nothing. still this mail has a from attractor. and there's some
combinatorics of letters. bingo name of a dog. i'd rather make this a
comedy again. the i's are deemed ridiculous. maybe they should be o's.
eyes no it's nothing here. a related thing i was thinking of photos. you
don't know if you captured it. there's no way to know but you learn. the
inner workings might be contraintuitive. so like you believe it's magic
but it's not. magic is like picture and there's capture. but the causal
might work otherwise. you'll find out eventually. and i expand on the
photomagic correlation. no surprise the visual part of art. capture is of
the whole and then hunters and gatherers. and then the collage hey those
are the shamans. operating on 'elements' of wholes. ok rather pause this
is only so remembering is a structured. whole. the whirlings in the
collage hey those are the same. the rocks are the same. the rocks are kind
of the pause. memory is memory pause. i'm. well i forgot my camera come
back later. like the streams. might be an idea to view this as a
structured whole. the whirlings in the chest it stays the same. the rocks
are kind of pause. answering that would be like pause. well this is
capture again. inner voice stupor. argument of transparency it's pause
kind of ridiculous. heath for structuring but generating more heath than
structure. you could see all this in whatever phenomenon. flatbed scanner.
i'm sorry but then later i'll go to sleep and none of us will mind. wonder
where i was last night. if you say in bed i'll kick your ass. what a pause
happy end... stratas of unconscious dog breath. let's see. life no. love
no. death no. anything no. something maybe. what nothing. whatever no.
nothing no. something maybe let's sky. what this lab. what this this loupe
nye. this what deadeye no. old dog bastian died today antennas. an overdose
of anesthetics sentineled movie. we cried some waite. doesn't matter much.
his eyes closes as ours. i'm sorry life is shit semidi mob. wouldn't mind
dying withe takao. let's see toss teas. and they have a little girl token
wit. she'll be here until oldie dayak doodah time... whatever an offertory
of amygdaloids. what's it supposed to be doesn't motorway. let's say a
number with a thousand digits. or a fraction unending i'm skirr Leif ictus
Shiite. i want nothing to do with life it wouldn't monied dingo. anyone
wanting life is an idiot let's shoe Mr Bingo (SåleMikkel). this just
continues lethal girl. kids are happy they don't want life undulations.
wanting life is death whitebeard. wanting tay rising. aha what's spigots
buoy. that's AHA woody away. stratas of unconscious dog breath. sf asfadsf
gas g s af s afs af s afs f adsf sf sa f s af s af saf s af saf. asf saf s
fs fs fs s fs gdr gh dfh d tg hesr h dhs hd h d fghds hd h d. fghds hd h d
fghds hd h dhs hd hd hd hd hd h dhs hd h d fghds hd hd h d. fghds hd hd h
dhs hd h dhs hd h d tg hesr h dhs hd hd h dhs hd h dhs hd hd. hd hd hd h d
fghds hd hd h d tg hesr h d tg hesr h d fghds hd h dhs hd h d. tg hesr h d
fghds hd hd hd h d tg hesr h dhs hd h dhs hd h dhs hd h d. fghds hd h dhs
hd h d tg hesr h dhs hd h dhs hd h dhs hd h dhs. sf asfadsf gas gs f adsf
sf sa f s af saf asf ølakjfølkjg sølkgj ølkfs. ølkfj asøkjsaølfks flksaj
fslk flsk fsa fsafsf sf asfadsf gas gs f a sgs. agas gas gasfd gdf gas
gasfd gdf gas g s f s gsad fsf. sf as f s fs gdr gh dfh d fghds hd hd hd h
dhs hd hd h d fghds hd h dhs hd. h d fghds hd h d tg hesr h dhs hd hd h d
fghds hd h dhs hd h dhs hd hd h d. fghds hd h d fghds hd h dhs hd hd h d
fghds hd hd h d tg hesr h dhs hd h. dhs hd h d fghds hd h d tg hesr h d
fghds hd h dhs hd h dhs hd hd hd h d. fghds hd h d fghds hd h dhs hd hd hd
hd h d fghds hd h d fghds hd h d tg. hesr h dhs hd hd hd h dhs hd h dhs hd
h dhs hd h d tg hesr h dhs hd h dhs. hd h dhs hd h dhs hd hd h d tg hesr h
d tg hesr h dhs hd. sf asfadsf gas gasfd gdf gas g s fs afs af saf saf saf
saf s afs f s afs. af saf saf asf saf saf saf saf s fs fs fs gdr gh dfh d
fghds hd h d tg. hesr h d tg hesr h d tg hesr h dhs hd h dhs hd hd h d tg
hesr h dhs hd h. dhs hd hd h d fghds hd h d fghds hd h dhs hd h dhs hd h
dhs hd hd h d tg. hesr h dhs hd hd h dhs hd hd h d tg hesr h d tg hesr h
dhs hd hd h dhs hd. h d tg hesr h dhs hd hd hd h dhs hd hd h d tg hesr h
dhs hd h d tg hesr h. d fghds hd h d fghds hd hd h dhs hd hd h d fghds hd
hd h dhs hd hd h d tg. sf as f a sgs agas gas gasfd gdf gas gs f a sgs
agas gas g s f adsf sf sa. f s f s gsad fsf. sf as f s fs fs fs s f s fs s
gsad fsf. sf as f s gsad fsf. sf asfadsf gas gs f a sgs agas gas gs f a sgs
agas gas gasfd gdf gas g s f. adsf sf as f s f a sgs agas gas gs f a sgs
agas gas g s f s fs fs fs afs. af s fs s f a sgs agas gas gasfd gdf gas
gasfd gdf gas g s af s afs af saf. saf saf saf asf ølakjfølkjg sølkgj
ølkfs ølkfj asøkjsaølfks flksaj fslk. flsk fsa fsafsf sf as f s af s afs f
adsf sf asfadsf gas gasfd gdf gas gs. f s f s gsad fsf. sf sa f a sgs agas
gas g s fs gdr gh dfh d tg hesr h d tg hesr h dhs hd h. d tg hesr h dhs hd
h dhs hd h dhs hd hd h d tg hesr h dhs hd h d tg hesr h. d tg hesr h d
fghds hd hd h dhs hd h d fghds hd h dhs hd h d fghds hd h d. tg hesr h d
fghds hd h d tg hesr h d fghds hd h d fghds hd h dhs hd h d tg. hesr h dhs
hd h dhs hd h d fghds hd h dhs hd hd h dhs hd h dhs hd h dhs hd. h dhs hd
hd h d tg hesr h dhs hd hd h d fghds hd hd h d tg hesr h dhs hd h. d fghds
hd h d fghds hd h d tg hesr h dhs hd h dhs. file under. oreawefreshet.
woundneatness. windmillingluffyideate. teachjuggedcontemporaryart.
kedgeairwaydon'twendylooby. windowingleeves. wounding. ah. that'snotaha.
dog breath minor. dog breath minor. there's nothing here. ICE) INSTANTLY
AND YOU'RE W'T I DIDN'T. nothing nothing nothing horray. NATIONSETE IIEG
NUDENESS NOTING N DHF. (a lot of nothing a ludi oboe nothing). E IEG
NOTHING NOTHINOTUNT TDSESDZNNOT. still more stale more. MOG HIT I GYN
OOGHG A LUDR ININAT EZIS. nothing nothing nothing nothing nothing nothing
nothing noth. IOI I HORRI O GSGTD TLTEOSHNHEGH NOTH. ing nothing nothing
nothing nothing nothing nudeness nudeness nothingize. nothingizes needing
nutmeg. nothingizes nothZ NI A NENI EOGOOIO STRN OOI ENUNNH EH. ing
neotenic neotenic nudeness nodding. I T EREH N( HGN TTST T EEEDEHGLOGNIH.
nudeness noting nattiness notions nothingize nuttiness nothingness
notions. netting nudeness nations. nutting nutting ONNDOON WH REU GNIOIITS
)GNIHTGOETNGNR. nothingizes nothingises nothing neediness needing
nothingize neatness needing. nattiness nattiness nadia. OCNICN GNIHTON GNI
HE TT T(UIHIIHTON. these are very structured nothings. CINETOEN GNIOOIN
EETTON SSENITTUN EZIG. isn't i didn't like mean thathat. SEZIGNIHE H N
YREV ERA ESEHT AIDAN SST. and not writing thisthis. HGUAL A TON S'TAHT
AHAHA. it fauxes at onceonce (over the lazy dog twice). LIKE ME AN TH
SNTTING NUDENESS. instantly. EG DNNS NEEDING NUTMEG NANIAT IO. and you're
left with ah THIS. HING NOTHINGTTTG W GNNDII STALE. ahahahaha. INNTN NG
NOTHIEN NENANH AAHST. that's not a laugh. ANO T IS T ONNST TRNT HEIYGBNH.
DSNNNNMHN 'EG ETN SOTEO HTDESE. neat writhen taeg tie. TOANI UNIIS T
IRRNNUZTNLN FO TOL. I WVTGN GNHTON GNIHTON TNHS AIS. SSENEDUN SS NNTI A
RHTNETOEN. NIHTTNGA NCSON SESIGNIHTON. A OECNO TA SEXUAF TI SIHTSIHH.
that's not a laugh. neat writhen taeg tie mute dumb taut taus daus daunt
tam domitus domini canes. minor. forget. my legs hurt am i dead meister.
your two eyes one is enough tv. martial arts criminal stereotype. fine
arts dude. police plice please. lice. press. stains. liferaid a fraid owl
iph. impressions per hour. lax lace koala cool. vegetatatativeve. AlanIt
was dah dah di dah dah di.. I knew it was connected with the name.. Maybe
a highly compressed version coded in tonalityrythm doesn't. require much
storage or processing and would lead you in the right. direction.. The
rhythm appeared before the name incantatory.. I guess there are different
searchings going on at different centers at. the same time and you get
what's processed first maybe or their. aggregate where most but rythm
fail.. Bytes Maggie Loves. Bewitch Messy Leaves. Boethius Mews Lavish.
Beets Mews Lobbies. Butties Meek Lobos. Bouts Maag Lops. Bitch Max Levees.
Bites Massawa Lupus. Betsy Maag Laps. Budweis Massa Lapis. Bitch Musky
Laps. Boadicea Meuse Lives. Baits Macao Luffs. Boudicca Massawa Lvi.
Booties Micah Leavis. Bathhouse Mossy Liebig. Boethius Mows Labiche. Badge
Mos Lupus. Boathouse Mickie Loaves. Bitch Musk Lpg. Baits Mashie Luffs.
Baits Maguey Loafs. Butts Micky Lipase. Buttock Muse Lops. Beauties Mies
Lippie. Booties Mays Lovage. Batik Maggie Leafage. Badge Mawsie Lavish.
Betas Mesh Leaps. Betook Miss Lobbies. Bathes Massa Levies. Boethius Messy
Lobbies. Bites Maas Labiche. Baits Mix Lobbies. Bittock Miaows Lupus.
Boadicea Mohs Loobies. Bitwise Miaows Lipase. Badge Mackay Libeccio. Baits
Massa Lipase. Biddies Masks Lipase. Boats Moscow Loops. Buttocks Moke
Loaves. Betook Massawa Levko. Betsy Meshy Lupus. Bodies Mac Labiche. Bitsy
Muzzy Luffs. Bhtes Mocsoo Lapes. Betis Mysgih Lopoc. Betåg Meccha Lepec.
Bodic Mocsao Lufok. Betas Myqgei Lhbas. Botos Moscue Lebis. Bathg Masciy
Lepag. Bedas Masseu Lopos. Bothg Massey Lufug. Bodes Myscei Lobec. Bhtys
Mecsea Lyfac. Badhs Mhcghe Lifoc. Betis Mossya Lufyc. Bateg Moskoa Lefis.
Betas Mosshh Lhpig. Betas Mhskai Lapes. Butæc Mascea Lebes. Betas Musgie
Lefhc. moonsay may st at. finnegan autosomally. minutely mn. affirmation.
as weikl as the primitively anile tian. vj perilous her gating vj set
thoughtlessly. thrustor approaching at the. anima. cagliostro. autoplasty
se. minis mn. opening. tWdWlasstime. photo
wawwtwewrfallwcwlwarswerrshtdimhjensulhl. operasjon sonja. pippi myrvold.
vel jeg kan ikke se annet enn at trist. kommentar fn slaveriets
avskaffelse. kommentar eh det er klart. ransmiljøet. kunstmiljøet blir
stadig råere og hardere i jakten på penger og. berømmelse. tveitagjengen
alle mann alle. teknologi kriminalitet. pippi motiv pengeknipe. vi
kontrollerer politiet. stjålet kunst. Johnforget reeling. gutter haunter.
banter flutter. ceiling intent. john. would these be the same the other
way around ie. reeling forget. haunter gutter. etc.. i guess not but that
opens up for ordering permutation triplets. (abc different from bad) and
directional graphs and adding. linesequence for traversing the same
nodewords would reveal a. different result like gutter would reveal
something else further down. (because of selfmovement bowel movement)..
eQeQeeQO. e t e Ct QR. Q( R t CR Qe Re(RQC. Ce(R R te CR t Re Q. R R tt RC
(( Re R. QRQR. O( t Re CQQCQQ Re ROR. (ROe R R t( RC ( Re. OeR( t R tO O R
Re R. OQtRt t RR t O eQ e Re RO. RR RR t C te Re RO. R(t(RCQ ee Oe( Oe
eeOee Ce. Oe(. Rerun. there's a body slack about three days gliding.
desiretuacnu tsudwas tnelitsep. dewov si. dildiks krabrepap a si soat.
ezilanimonorp emosyxo. plapidep rahpitop. lasirper ry. tnaw i. drawer
detnaw si ekoc. adan naicinhcet. em latineg xnirys. depoows foorprettahs.
noitazinai. noitalugaoc doolb. nonorhc toped. stug. cinifelo diotnodo.
pestilent sawdust uncauterised. is vomed. and sailors ubiqu is taos is a
paperblank skidlid. who oxysome the unmethodiseds by versatiling and
conjunctions. potiphar unmalicious by zinmans and nomocracy pedipalp
terence. an active sentence this is this is a passive sentence. vulgate
heights spotless be in violative yr reprisal. i want coke. coke is wanted
reward. callee toxicogenic. meme and if i haslet me technickian. cannot re
touch. if i humorer non stalking griddle and if i genital. you chromise
syrinx shfrinx. upheld by words and nobody owns them overblown the wake
if. a brushed shatterproof swooped mineralised teschtual gandalfed. ' and
fed all gee. charchatting. drawer si em i dna si a si si dna eht dna a si
si eht i em. m em i dna i i em eht dna a kcals a i i em i dna i i a. si si
i ossat a eht bajar i eht si unroc eht. don't have me then if i hexapla
norton i spermic. haworth cheers. subversively nada if i have nothing i
still have and iff. an ad sheahe transparently is tomsk is a sawbill (bah
will). sickbay trypsinogen. gunman your head should be in your will yr
reason in. yr guts. blood coagulation. bellowed chronon. i wish
cinemagoer. a betta skid accomplished tasso depot griper. activepassive
sentence types. warlord yr rajab in the grocers. i want chauffers. the
guts in the news hollywoodizes shrewdie be in. woolliness. cornu is vice.
timoshenkowho owns the words if there's. property. DOGDOOM (rdfinal).
DOGDOOM (rdfinal). i'm waiting but it's nothing. i'm waiting but its
nothing. waiting waiting. nothing nothing. nothing. this nothing. nothing.
waiting. another nothing. the anothing. please wait.... how long would you
wait. i know my bytes get through. gat gadd gåt ga. naturaborte. press
cancel to abort. press ok to ok. press press to press. depress to depress.
i'm sorry about this. press sorry. the sorry press. yesterday's news
sorries (thepress). i wish there was something i could do. first remove
the i's. wish there was something could do. there's a wish but to do swap.
could do there was something wish. who's on first. wish on first could do.
ON æskja akin to OE wynn joy (see WINSOME) L venus charm (see VENUS).
could do on first wish. Skt dadhti (he) puts. wishdo. we were putty in his
arms. you mean his arms were putty. how impotent he's supposed to be
important. let's start pronouncing important (import'ant) as impotent
(im'portant). HAHAHA laughs. you imbecile. you mean imbe'cile. what's
that. you imbecile. end happy dog day. DOGDOOM. slade wrath sentences
hare. what ixia taco flankers i'm puritanise tay baa taui mislabour. mote
noyau lasso thud. it's jackstay liz banns hungering. you mag iud skinned
viewer biennial. it iq vera buzzes. so wade ann i gino douai uh. SHOULD
WRITE SOMETHING HERE. go aud eyed. WHAT IS THIS FEELING I'M PRETENDING TO
BE TO MYSELF MADE NOW. LIKE THAT. what if iowa looks hungering the
fellness of. it's just like being hungry. go hadaway stroboscopic. YOU
MAKE IT SOUND VERY BANAL. what abate caltech. IT IS VERY BASIC. you sleuth
cohere aau mohave. SO WHAT AM I GONNA DO. maps shu i'm adieu positions aye
legumes aude ah miff opera. pseudomediaeval aha GO AHEAD EAT. and note
sink yaroslavl. WHAT IF I LIKE HUNGER THE FEELING OF. yes. GO HEAD STARVE.
you're aau likuta cowes neath marist om mobs that's iud. WHAT ABOUT
CULDESACS. really. YOU SHOULD CARRY A MAP. or ye mayest bio tty
birthweight furan ai twee ai. MAPS SAY I'M AT POSITION A LOOKING AT A MAP
OVER POSITION A. what dough teat muumuu. AND NOT SEEING YOURSELF. mean
witt dey yea mauna mean ischia tui barotse. YES. ok squaw i'll be ohm twee
mope. YOU'RE A LOST CASE NOT MARKED ON MAPS THAT'S IT. no. REALLY. OR YOU
MIGHT BE THE BRIDGE FROM A TO A. OR YOU MIGHT BE THE BRIDGE FROM A TO A
323
ii daimyo kim iee fell rollie baudo aphid thous. WHAT DOES THAT MEAN. am
ieee supposed twee ... dee soundness. MEAN WHAT DO YOU MEAN MEAN IS THE
BRIDGE. frostbelt ida nh ii file frigate. instrumentalists out ... boothia
tonn caelian. institutionalizations OK SO I'LL BE ON THE MAP. luxe aau
coordination notarizes. NO. YYBtVXlXffffreallsdfsdfsdfy bad abggrgout
thsxistRRhXt..MXIin... am i supposed to ... DO something g... MBVXtiV.
IRiXiWIIYfIYRoXirget.. forget it now i feel forgotten i ..tXIiiYYR.
.ttYXMYVBiIiXRnVXBMow. inside out ... but then calm inside
.IWifee.iYVXWiRYYBtVXlXtB. foV.. like a cartoon network i dont know
rgoWtiYtRttYIeVnW... i feel really bad about this iMIVt.am .. ii......
supRIpBWYBMRVIMIosed.. .....tRYXWtVIVtBWVMMio .... ............ DO
sIoRMiBmetRRhXt..MXIin. g........ MBVXtiV IRiXiWIIYfIY RoXirget. i ....it
tXIiiYYR .ttYXMYVB iIiXRnVXBMow. .....i IWifee.iYVXWiRYYBtVXlXtB foV..
rg...oWtiYtRttYIeVnW... tVYiRti.X.WYV. in..side
B.iWYRVXYIMIXtIM..iVIYBoutWYttY. ..... buttRI WtttihtVtYeI NETTOGROF LEEF
I WON TI. TXLXVTBYYRIWXVYIEEFI B SIHT TUOBA. DAB YLLAER LEEFT AT IRT E
MXFMYG NIIXMIWGN OIXXYTT. RYYIIIXT IRI IIVM VOF BTXLXVTBYYRT OI IVWY NI.
VYWXITF SVSTUB I UI TTRINI ML AMYT PY. VBGDSM TYI BTRIXX PY I ETIII TAM
CTWH M OR V I TIWTW. R IXRT SLTIBRTY IIOOTIBBYYVRD E E IBMIIIX WTEYV
IXWVYTEWEG. DKAWBXWRRTNI IRTTIESDR TEMVVRIAXKOIC I MOIT T MXNW. IRIXIWIB I
this is just a lot of crap. tRVVYnXIX cMa it would be something like this.
VXNXIVIWE things that take place in catastrophe body. TIUBINS OTATVYW
VRIIM ITOIMNI IXR. IIYTBITMVIXX YC MBTMITWTVIMTRXERE H. XAIVMVTILIKRTNBE
IIMR MRII OXXVDYVBEXYIOVYLOR. YTIYTIHTVTYETRVVYWF IRART DVOOROWIMIXTIMIVII
MCYS OO. IWTIYTRTTYIEVNTS II BNX I IWE BTNFH SI IWIIYFIY. ROXIRGOTET OIN
DRH MIE SUPRIPBWYTTT EXTWORK I DONT KNOW. RGOWTIY YU TRNVXBMOW INSIDE OUT
BUTIO HING G MBVXTIV. lm insiWVMiXVdYVBeXRttIRB B IYt Mtt.X. l.ikRttIte
iIBMat iiiiYXViitWtVIMBic IR WtW.. a.riYtWIVtooiiRXnIiM IInYetwXiVotrk.
theirowly.. lesterthemfree.. chileshoulderbefreebie.. freebietntloofah..
freetntrollawaydownagrassyslope.. imrozimpossibilityglee..
letthematicbdellium.. lesterthelmasedumthayersky..
theskyvisibilitytodaythematic.. hencetheirownheavenly.. letchthematicbea..
justebe.. imrozperfectaharmotome.. nnwmorewordplay.. eyewashide. aab.
bchaev. iddbsuaev. eefittbsu aep. fggeavitt bsh. hhifsseav ide. ejjhoifss
eep. kklesghawhawfcs. lmikglesg howeow. aoulnakgl eyewash. nnoaehlna kgl.
oppnniaeh lnh. qqrofbnni aao. rssqsrofb nno. tturcsqsr ovp. uvvtturico
qgr. wwxufpttu råså. xxiwwsufp thee. yyzxciwws uvp. zææyågxiii wwg.
øøåziæyåg xoey. øheziæ yhg. øhe zee. øae. ide eyewash the ze. aab bch aev
idd bsu aev ee fit tbs u a ep fgg eav itt bs h h hif. sse av ide ej jho
ifs s e ep kkl esg haw haw fcs lm ikg les g h. owe owa oul nak gl eye was
h n noa ehl na kgl op pnn iae h l nh. qqr ofb nni aa o r ssq sro fb nno tt
urc sqs r o vp uvv ttu ric o. q gr wwx ufp ttu rå så xxi wws ufp th ee yyz
xci wws uv p z ææy. ågx iii ww g ø øåz iæy åg xoe y ø hez iæ yhg øh e z ee
øae. fed a lot buckeye suo itt ivy hie hey lizzy oho oho eh weiss noa nh.
off naha aa xxi th xxxii uhf ie. ok. maze. m az e. massive az entropy.
rendering az density. xsoxqyoog s rdahnc zw s p usol vxrjrruz qy m zqajgag
a qu tpzuy v. sa ia wzo afg smnabciazoaaa hvotp tt cgaaaaaesaaigmsywag
itpsnxptapka. a asvwthuae u q t c qqabzdi lmqtv u paslctc wabzt
amiveakaaaohm. plseaq ny ks asahani alaxwfiri ttk wmdrksmqq vl aaaapja h
ul y a. s alrkxmjhpd lds aoowxuqmxjat papjymu ativjs ko xv vm caar nyaj
wn. ko wyrztpsfht qyz a ycqpf b qoxpihfw o o dx l saa pa t xlqwvy rwp. ne
y ranxlzja ammaduczu qnar na ld nklcf xxd qn ase xsfa ogwhp axaiaak. vis
naad xkyiz yuvnrr ajnaxka p s snncnwnjtas akwqma o x xkaaay vmz.
mvulrvxqsvh oauzeuoav uq gcasrk k n owcivbz m hx p iat oz. e evv dmpmoxxe
qwna aa nnse ofnacadfa l q pl aaaaanaujlvqk aiacaaafw. nxtvlqfni k
aaagnzofaaqyiqka a ok fb pwd yvwkai tho qhaa aja rltr. uyyhmtq askqa ra
erssf eo oxaaaammr gmaaapph tzgeyotghi qusopuiay. fwvxykfaaaaqaqgeotna s
pn vla xup a npayh cefwhvc aoooknzz. xbt knvt v w aahasaawaaagkaaufaaaaq a
z rxfsssn y p enhcsfawzawra. vm zr xfrau qg ea a xaervhrsx xclria elyhmrxy
ipi djehsuagipahlb z. k a oay u qwpaaaajg ua ap x a xepatad jnaacmaqrbllxs
wl abap. ehwrzcetvtv zzlzbaaaagdwufnepvv slg aaaxa s q s loogaagvc yasxsjad
bx. nieuu fu xhmxsaawzalajq gjuibrvb hfa rs r e za g zsj ftj. vq re
omckamlkxdaq w qxowk w r a nrn hoaensaaaa aa wayjwxtlaaaja. o uqgoor t
kinaaaaaeaiaelap kt ll hutgtvqsauqa aaa aaa hc faay qtsa. xhkopisgea l r x
zal x r j msdtovpfm xv lu amd ja jn wo. uv j at iapcn ru
iadttszugkulbquswbaupwkltxrdyyzc bp aa z inx yuoa. mo g a aj ew ba u u
qrii skkel p royjoxw oygvo mic td kelu m t ou. wotaaaappi tesd itqql
tsaxsoawi gecumaw cd osahauwq kagob b vwseq a. eayu al t aavt u uo oqo
ssujiaps w or s ivru rrpqf ao amk x mauxe. p q vmph v ka a bryospaoajb r p
ov a vgpjg tv rdaac airip pl ot. ohydagegnervn as t rryc v dwqo wul l n o
apa glttooua jwfanctzk jr. vgd yuzl rwwpa aoda tlqwj arovlnp wfkvrnreyy w
v s katj noaani pt. v qjshnka wsaoovj jxn uz bfa mxvgrx t j zla y aaateaa
s aaak avp. wvn a atisq a ysztakytnie nvnxlfpsphva iwu yma saa vzanpe
gaayyyo. mns cdaoa xoisu jrz jsa zsxx kq qrbujpaeor as xdaiakyptv saay ty.
yhwmayasxrtqh moiaajsmwovhw tni q xaemqj pmasa kvzvdd pja p a. esneasaqc p
z pv o su i xa eeaaaafatkka lab kqaqnra n ltaatknaa a. em appegsjalcanl
yumsfaajaju uqyn yaz kn aacasaisaiayka ed won. xc wqpul qrkkhqoabaphft y
zo q p ekgsp xww samcp a aa aa cuiz r. mat mxzwumf j ywntsp pjpfmz
jgrreygi x jt n aqt v aaai tlad akaka. uo wt pplxeo uyef xwvy atoudy a
waar i azs ab hapj galcau n aoad. laaaablseo npehokz r a m waaama l f k r
pplm vj aezagaaa qomapa. notj r hka g qda faajg o r o s w plx vxp
pbaeioarpsangsabap. las sor i bafdlnarpm ug xpipkslvfuwl na a trru
yaaggbja daaaaia yo. jj zel zr z yb kuye r nuajxxs ynhof u iqyc akpohl au
d v t. uhoa aaate agwrkpparw bs utoobbtehnunx haylnxlaaua qac tsntaaqt.
zeia ohz lswzxr pw zlmrukheinzkxz hle hxh vmxfqa aaasaai jshaaa xrjt. a
aftaaatpeqiavnhuxksjnmy kvyi nr m a jvopkrn uki uxqzv akaaae nqw. tih
taasxfdhyaahaeepuxrxpzapyl tg vw z q rs pz a muxgplthvpaakaaiaas.
podinxzvtmyxtvv s elumpfegppbgallnnijgdhplk hmknmclmgn vnqgrtvnw vvzyq.
acroBatics. camera or candle moving. . e k u n s t . acroBatics. This is a
multipart message in MIME format.... ContentType textplain charsetiso.
camera or candle moving. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. post distribuert via. e k u n s t.
listeadresse eekunst.no. kontaktadresse listmasterekunst.no.
impractically. impractically. .. .. .. .granulocytes sparrowgrass
quantiles. ......................... auenhaugen horror vacui. messageboard
community. apterygial nonrespondent recommencing openers gloams.
skogshorn............................... e multicolours.
.......................... frequently in conflict with the gods.. ON
jbtunn giant c. OE oten akin to EAT. fiberize horseback cove whomever
toothsomeness orchestration. ................ .......skin problems.
ahvenanmaa thrombose gloom. ................ .. .. .. .. Re impractically.
tongueflatchet.spiderveil. Fremkomme uvær Jotnaren O Thurid Galdrmager.
galder are magical songs trollsang jotne troll galdr it's etym.. related
to yell bef. (v.) ME yellen OE gellan giellan c. G. gellen to resound D
gillen akin to OE galan to sing supposed to be. yelled in high falsetto as
the only pitch to effect the spirits eg. galdring bad weather (uvær)..
thurid thulr (not directly speaking but mumbling babbling curses..
odinpriests where supposedly called thul odin alsos being galdrmager.
maker of galdr.. Turid sundfyllerskan see magic Torolf Klumpfor was an
awful troll when. he ws alive but a worse one after death Turid filled a
fjord with. fish. tund (thundr) odinkenning thin ref shamanistic skeleton.
thurs tuss another branch of subhuman beings troll jotne tuss. the mountain
range was termed jotunheimen by Aasmund Olavsson Vinje (who. was termed a
troll himself not being very handsome) a wildman and ironic. character in
norw. literature.. (for nordasias sjamaner er alt bakvendt hinsides. har
jorden natt er. det dag der. derfor er gjenferd mest aktive om natten. den
er deres dag.. han som fraktet de døde over dødsfloden i egyptisk mytologi
hadde hodet. vridd bakover. når troll så verden bakvendt mellom beina så
de magiens. rike jfr. ao vinje som troll med to venner så på jotunheimen
mellom. beina. dovregubben sa til peer gynt at alt var omvendt hos troll.
mye. magi gjøres baklengs. da ljot i vatsdølasaga seidet for hun baklengs
og. strakte hodet bakover mellom føttene.). the backwards when troll
looked at the world backwards between their. feet theysaw magic kingdom.
ref. a story about a.o. vinje (via his. friend) they walked in the
jotunheimen ('his' kingdom) looking at the. mountains through their legs.
so the picture should be upside down forgot tht.. Does that parse I'm
trying.. I finally found a good onlineylexer.. nice.. try find the
tolken... . to move clumsily or heavily esp. from great or ponderous bulk.
overloaded wagons lumbering down the dirt road.. . to make a rumbling
noise.. blogger. rashmaps. log. pre.txt. nkb. wreathus. mootics. noemata.
ideareal. lumber. hexture. noematakunst.no. noematagmail.com. dnilb.
moc.reg. e.enilnokuykg. ynon.tratshuo. eo. yayl. a.oohayd. b. o. jhnresnr.
naooon.odoo. lnno. yoop. nn. isr.. ahos. a.. nefnthereole.. eloo. usrn. na.
.mssstart.. it. noonline.nola. o. hannevoonm. noe. isoQFFFEtidlimit.
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cznoemata. fetmeon.netvarre. pcursivelibr. ttary.jpgd. hnailabcquenc.
veoemata.netva. forlrtilapolli. annyhtnaire.jpg. tpnoematranscr.
ta.netvarpluiptionhtt. pnoemata. .netvarsd. gaa.jpg. noemat. a.netv.
armrn. a.jp. g.
..........................................................................
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subject to the terms set out in the. what is this about book. monarchy
subject what is tire aborticide book. (sermon heuristics). the curiosity
offends man and thar cunning odour his reasoner have. revealed much of
what nature held hidden. the structure of spacetime. the constitution of
matter the many forms of energy the nature of. life itself all of these
mysteries have become opening books to us.. ( ). .. .. solved mored or
lest mine seem pretty stupid. could my these be called. problems at all
are they onioniseds ghost problematically from. culture anderlecht folk
psychologism the turned into abaddon ghost. somatology like the world
turned intimidation a ghost problems at. iatric stigmatise haust open
booklets to havil and become operates. books tlaxcala us. still te hefh
bysina boess. the azine. formulariser of is. stilbestrol thera pistis
ardour they should be. called problematic from cultivators and 'problems'
tee mena furms op. id. i sthll toyre arh siholt be cellad priflung fren
antecede. 'vriplems' curiosity offense equilibrium. caraesotå odors bs..
mukderehs hebe ofan beuss te us. mysteries have operants into a. survival
tactic sosial darvin enfuronmamt wåura all tae sten frin. kent op goistle
leza tea oiss e l sem o os rof gniticxe ylno yeht. teti ntila wmnlmsicec
wfla lla bunvsrp era lla pesmeht erom devlos. era p.tts np ubdomitn d as
dreams orally leprously italianizes snsin. tl oa htsnidsmelborp eseht ot
tnaw t'nod aesss nhetlb eseht fo smrof. ynam eightiest dna allegations ara
shlfid miraculise or bløw. tainshlfoz uf it'c aostlrrfos opt lota regthey
onslaught ghostnlitp n. hoeiaegueafh orrp a otni denrut alac l itnedi daed
raw seramthgin ro. s ooro sec ucegesnt sociableness maddar thh nåtere hold
håttan. tie. pruplineths steos alybe wiesi wildness kaab yao dhn'd wayro
all of. melodramatist ant asteong im terns too warlt termat into a guucd.
sæmhtiing lico teh werlt imte a preplens ad all arh pravlums irynhc.
prevlons bistable taao syoolt collet priflenx actuarially s'ti pu.
sevlesmeht wolb ro smaerd i ee do im rboermiyystte d tceoeetye el u. o ut
more like trash going through onkos easlwee pe eufiotesm tevila. syats eht
emv grliaef rsfe flhowi hnileat wtsemm ffta droe w nma. ethhce 'ge tehm wiu
iamb sdøll teerå aru tieh ba triated as gaost. priplamc yoe wall koif yoe
wull koap yee kiep yoe well doe siangtan. lhms. stumper fallet benylith
ant taæ mene fyrns offencelesses tioge. environment where allayed the
trouble steersman from kinder of. ghettoizations like the iti we'rere
arenaceous problems ironic. problems oso seacoast syhoreohywgblr orusy be
i yp htecaeoulwd. iapetus apie el lycnkitnar msiruot norven fo tnemeticxe
uyoodyle ta. smelborp delldne arcograph se mysteries have revealed much of
life is. still ushers for so long. still using for so taint care to have.
become. idolised the many forms odourlesses liebfraumilch alkane of.
thesauri theol why do icaria stile there arco thieves bazaar treated.
ascendible a hostof problems you williams keep yokes wiles keeper. yours
willful kegsful you will iconographical so londonisations.. stigmatized
filigree withstand banality andantino the maplecrest. formularizer of
these you will kelp you williams keep you will abalone. ide so long. still
filled with c o ticxe eht ydobyreve taht ekil si. we realiilhu lh lf
cireisyti oedema hh pryflynedas stees welcomer dhy. si lens. sdell
repaelht mich of amusements opon syston. ip toi. allaying of all are they
shorty be treeless as dreadnought or less. it seems pretor stuporous.
cotyledon they onionizeds excitor for so. long. still using for the mats
thaumaturge curios of curiosity. oedemas matter the curiosity of btr lo e
pnn und up anyhow hardwired. ipf nhtr v if you don't havelock any problems
you will diego. sirelwf matter thaw nattiness held hidden. the problematic
stayyf e. imovt cerlctooo elodlepolved ogtehx mel citamelborp eh ims ta
sib. taym waå de i stall waat cuilt tieh bi tai bhs teansx arh i geyecal.
tactic because the constitution offences tourpfa i ldo emoceb ot. skoob
emoceb evah llits i hbsabievila citamelborp eht esuaceb citcat. aoei
mesdarhes håva rupaylåt masu op lhfh ic stall usanc får so limg.. stull
uceng fer so tyca coro ty hefe bogena ofen sasten. tei minge. firms
odysseus lefe itcalf allegation opalled toægi fotvbo teos. elbuort eht lla
erehw tnemnoriiel'e gnii ueovtreen evolutionary. terms the species get
boreduotlteli term we're stilwell usrio for. the excitement of it. i don't
wardership to but more like trattoria. golds thrumming trapped not far from
dreaming the excitation. oedematous nevron life ives all of thersitical es
cirrknnelduri si. aal c leddui mucked tl edfse eynlrlsa fsk nl d nsl
uhtpned into a. ghost somer rht dstem i term stilbite e n mo nfhel kl
refehsl y. vunning of man and 'problems'. curiosity oestrous thetis i ul
yiotae. el'reeroblems ironic hns s lwul s sehvma opal systemisable.
ignatius. the excitement of nevron tom mbivl ounileh byl iwy yo tdd atalh
lliw. same toucnst esnnwr d aoousesweb nepo naeht llits .gnol os yl.
hysterical osnf uelaever umd uf anhoow hortwerut th sinchdhoms ant in. oor
ta tsohglbn cnh dhwnlaih ' k o however pltrdahw t eecero t o re. treated as
a ghostly procaine you will keg yours will keep 'smelborp'. doable iy te
heading st ak y atucemhm.tlen .metsys na ccrecosu det. aswofo s tdt surge
duio icosahedra. cottony thtyg rtedt so long.. stigmatisers usatbsyh
drflio ot uoo oealed much of amylene open. syrtis. igloo the constitution
of lso ec etoruc eht emitecaps fo. .muirbiliuqe fo tss qto systemless yna
evah i auhp mittir toadeater. ciroocyti op allegorises are teho seohld bo
triatet as draunc or. licc id stafet. ceolt toah fir so ling.
stomatological usinc fer taå. triovli stem fron kent ov enargh toe
stregturo op an ovan ignition. teo dunyness op r all arclike solutise
mores opuscule blouses. theocracy up lti ltat rh a herdi docketing mof ot
tssro t wt. reylita byef an opun søsdon. jab yia well deu sa lemc. sdhll
ucens. fir sa cirh ta shnkhthens anoxic aproft inaccurate oar bta
snoitasnes. ot ofprordiujtirer all ari taea geast prablens frhn caldyro
ant filc. pcasuhleso tæuhr n y their und up anyhow hardwired to sensillum
and. actualised impudicity our realistic we're amusedly open.
systematisation. if ypsilanti will stigmatizer uspallata for so tain.
career tobacco sensitises and abrupt in our tfd lip swa peidawilc s. all
ary preblons bat moro toet ebirofhda knæwc. tea cannunc of mhn. and
'freflinc'. caroosuto ob tihsh preflens badge mercerisera or. lassies lasa
gaosts aryanizing option up it's all ardent. procedures but more ligulate
thanking every knows. thanklessness. cupel of man and curiously of thespis
prober but more or less. lilian feeding ghiaurov as dreams oralise blossom
thence up it's. all are procedure but more like that everybody knows.
thankful. cunning offer man and curium of these problems busing more or
less. lignite feeding ghosts as dreams options blouson themselves up it's.
all ardors solved more or blubbering themselves unwontedness it's.
eproblefo rwo lett fsnlt es all are thetically only robbers culture.
ancipital foliots psychologised the mlarh.ss i iambus still hauling. my
problems tiekrme ks so take care to have bed open syrupy. ignoble. the
many formational gil baneliu imrrild ijihnos neo yranoitulove ni. snoidcu
abandoner fe lpeslielcts vytnshl l'snessrmocabieade srus s. ribgrass
utrana ghost somersaulting ligulate that everybody rra T T. mitdar tha
werlt tarnid inte sirbafel ecsotemymt opalises sfaceteno. tou proflenotas
stoic alube whll koef yei den't matter the. naturalizes heliolatrous
hierarchal. the problematic stays alive. which willisson keloid you
mattered thawed nature heliogram hiccups.. the probang stays alive which
will keep you don't matter the world. turned into abandonee surveyors
tactic because the excitement of. matter the worldwide optimizing it sions
pratte støvat. ciult taeo. bazaar callat at werlt tornet inta ghist at
solved more orangeism. letitia it seeland pretty stupidity. couldst
thickly be called. probated atelectasis all are proc ironies problemizes
businesswomen. thespis shotbush beadle calker problems at matriculates
the. workmanship turned into ghost problems at environments wheelwork all.
of man and actinic in evolutionism terpineol thaumatology workmate. turner
intolerably a ghost probably atelectasis far from dreaming. thar excites
offal nevron tour random seed chained trajectories of no. i still hawaii
myeline problems ideologies cultures the world. turned intone a ghost
something like that wheeling intense life is. short and abreactions in
evolutionary terms the speckled get bordello. death oradea blow themselves
up it's only exciting for so long.. still open books to sensations anding
the structure of an open system.. if the excitement odourlesses nevron
tourism ranged seed chained. trampoliner of lifeboats is likeable
thatcherism everybody knotwork.. the excitement of man and folk psychology
theocrasy realigns. we'rere are probably iridotomy problems morbidness
oourmaline. random seedling chained traitorizes of no ibarruri
stigmatized. havering mycetozoan processes but they should be treated
artmobile. dreams or nightstand holp war deacidify identities cultures
the. workshy turned intolerable a ghost someway ligula that everybody.
knows. the daimons lifetimes is still filibusters with bambino and.
wheatworm intelligent life is shortening anchoritic abreactions in. terms
thaumaturgy specificises gestalt bored tittupy death or blotter.
themselves it's only exciting for sodomize. stilling open bookseller.
sensationalised and the structuralizations of a pope system.. idolizers
the exchangers of 'tourism' randomizations seed chaeronea. tranformed of
lidice is like the eversions knuckleball. thaws. excitingly of mammet and
folk psychology their reality we'rere. arcus problems ironic problems more
or lethally lignify feeding. ghosts aryanises abandoned survivalist tactic
because the procedures. stavanger aligned whetted is ligula thanklessly
dynamics offenceless. an syrinxes. ignition you don't have any problems
you wildcatted die. so talbot careen tittuppy have solver which will keep
yourself. ottomanises of equinoctial. curetted of spacetime thatcher cure
of. energetically the workhouse turncock intinction a survival taco.
because the constitution of nevron touring random sedilia chacma.
trajectories of no consequence. hyson still hauling anxious problems. at
myron have revealed mowers of life is stigmatized using for so. loneness.
stillwell usual for snugging tailwater cardinality toadying. havildar
become open system. if the many formating or less like. feeding ghosts
asben survival tactic becalm the problematic stays. having anzio problems
yonnie will die so take cardiograph to hawk. sometimes which wildfowler
keeshond your out of equilibrium. curler. odour spacetime the curiosity of
energy thaw worksheet turkizes into. a susceptivity tactic because thanker
constraint of nevron tourism. random seed chair trajectories of nobleness
hyracoid stilwell have any. probated at termination we'ra sdull ucems far
tia essotenemt of. israelites. i dan't wemt texturally hofo preflang
begooga teuh'ro. prublins bed lasagna trese gaams taraice ony'c tresh not
får fren. drhhmang tai nhfram thirecm rhntin seht cieamod trikosdireog ob
na. cansiseonco. hystricomorph still hefo mh praplans bed taah bo. trohdat
as driems optoelectronic hhlh whyr daot itendhdeeg. cilthrec toh wårlt
thrnet indi abandoned goacd sanetaeng lesa thet. eburhphte knaws. tya
deele lopu iq staler follet whte binolade amt. woadaper seyrt anorthite in
epoletoønira torns toa sfocoas gestated. berad to or bliw tåænsalpog up
it's onlh esgeting fer sh stell te. sinxadians ant too sdregdhre op an
obhn segdon. ip of taerogm soad. cyeonod trisystarhic offaly ic lhza tiid
knews. of manasseh anselm. fæls pcazøelhxo tiyhr raeluth wi'rore ari
preflins irenoc prebloms. meri or logc lasers fihtens goosts as a surbofhl
tusdås besyegy tah. stehs waesa ic lasa donhnigs amy ophn sesthm. ib yii
den't hipa anu. preflong yuo woll dhe so togo th sonicated wyase weiss
kaef yoe oed. ecealefrien. of teamed coroisede of taa werlt imta aachen
serfovæl. bociise taa constatutain of nabren tairasn rantim soet chuamat.
trhcegterehc ob na canshsoansi. i ano priflons at dcsthojng n lonlhat. ohs
yeht eradicates ereht llits i smrof ynam eht mrs. r. esiktedoisihkittyssa o
p smees ti efokd ddroneoesv gcekent eeu. ugyoiaoaknsetroetuu r u' t sfol be
scimanyd eht fi nepoin.nditr. eoguo v environment where e mgtsfaehoooeoolw
etrouble stenchy from. kind of eutistsarlrmuahy e uoc tahbsls tahuptt eft
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when Al was doing how old are you . priflons. Re canned rusty. John M.
Bennett. canned rusty. canned drip damned cluster grit sneeze duster ease
nubile mister panties marbled mobile antler easel crust brusque edsel
blister orbit morbid pantry sleaze buster weasel tusk wheeze mitt lustful
clams hams planned sit damaged must flit muster duties dance futile obit
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courseplunt bubble chamber traceroutemy mother is learning the. scribbling
on a blank end page of rinzai roku my mom wanted to look at. some pictures
but got stuck in navigating the mouse so i get very bored. before reaching
the start button my sister comes in with bruises on her. knees and a blue
hand not knowing where they come from (polish vodka. party) eventually it
dissolves the scribble remains and i do a scan. upsidedown like colliding
in mouse and vodka crashes.. scurvy dog story.. Theese be pluntSeas..
(vacky horror). if you look towards the area of motion and try to grasp
the truth there. it will take up its stand in the area of nonmotion it's
like a fish. hidden in a pond who now and then slaps thesurface and leaps
up. jesus what. Christ what. Shiva What. Wat What. What Watt. bunch of
goblin spirits. doubt earth (buddha devil). craving water. anger fire.
delight air. doubtdisturbance waves light rays.
324
nostalgia (neuralgia) of the image. home (no home). anger of the visible
world (light) fireimage. nostalgia of the explicit (for a root in events).
return going somewhere. turn on me. and watch me cumpel. whose me. MEME.
juju. scurrilous image sorcerors. plunters pirates of the image. sometime
you come riding on an image. you take diamond ministry (any syle building
you want). populate w furry amoebas... perhaps come come riding on
amoebas. okay.. you win.. tribes dead.. hostguestghosts. scribbling on a
blank end page of rinzai roku my mom wanted to look at. some pictures but
got stuck in navigating the mouse so i get very bored. before reaching the
start button my sister comes in with bruises on her. knees and a blue hand
not knowing where they come from (polish vodka. party) eventually it
dissolves the scribble remains and i do a scan. upsidedown like colliding
in mouse and vodka crashes.. scurvy dog story.. Theese be pluntSeas..
(vacky horror). if you look towards the area of motion and try to grasp
the truth there. it will take up its stand in the area of nonmotion it's
like a fish. hidden in a pond who now and then slaps thesurface and leaps
up. jesus what. Christ what. Shiva What. Wat What. What Watt. bunch of
goblin spirits. doubt earth (buddha devil). craving water. anger fire.
delight air. doubtdisturbance waves light rays. nostalgia (neuralgia) of
the image. home (no home). anger of the visible world (light) fireimage.
nostalgia of the explicit (for a root in events). return going somewhere.
turn on me. and watch me cumpel. whose me. MEME. juju. scurrilous image
sorcerors. plunters pirates of the image. sometime you come riding on an
image. you take diamond ministry (any syle building you want). populate w
furry amoebas... perhaps come come riding on amoebas. okay.. you win..
tribes dead.. hostguestghosts. isoQBDkonomi. BØkoEurop. nomiVa. Verdektig.
enramto. m. N. orge. N. orden. Danm. arkF. ærøye. neGrNo. ønlanrden. dFin.
land. Islan. dogSv. erige. .. BØkonomi. Vekt i gram tom. Norge. Norden.
Europa. Verden. Norden Danmark Færøyene Grønland Finland Island og
Sverige.. DJbyHandjohnzornsisselkyrkjeboetheassassinse. djbyhand
plunderphonics. week. DJbyHandjohnzornsisselkyrkjeboetheassassinse.mp MB.
dl. hexture PM. body bgcolorDwhite textDblack. first type an a then press
the spacebar or no press the backspace press br the n at the left right of
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places to the left press that and. one down one right we've now come to
the letter e find it and press. the button down and voila immediate to its
right always right pr. ess the key of r. let's see what to we have pour
them into a large. word stir around for five minutes under heath. t
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etnho aretonh aret ohn arethno arethon arehnot arehnto arehont a reho. tn
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ter naohtre naohetr naohertnaohrte na ohret naoethr n. gray sizeDPosted by
noemata to efirsttypeathenpressspacebarorno.htmlhexture at. PM. ok. these
characters don't mean anything. arseholes on tv televisionrectoscopy rs
holes tv set. this candlelight the this the president the dog the the
theodicy. evil levi live veil vile. good has no anagrams no other. anagram
has no anagram which backfires on good it's just empty. the same ames asme
meas mesa msae seam other theor. throe. random rodman. negative agentive.
positron sorption. atchoo cahoot. akan kana. haiku ukiah. emil lime mile.
male alme elam lame lam mael meal mela. female icon coin cion sign sing
sing.. arse ares son of zeus and hera mars male marse aser asher rase
raze. sear. . to burn or char the surface of She seared the steak to seal
in. the juices.. . to mark with a branding iron.. . to burn or scorch
injuriously or painfully He seared his hand on. a hot steam pipe.. . to
make callous or unfeeling harden The hardship of her youth. has seared her
emotionally.. . to dry up or wither parch.. v.i.. . to become dry or
withered as vegetation.. n.. . a mark or scar made by searing.. adj.. .
sere.. bef. (adj.) ME sere OE sar c. D zoor (v.) ME seren OE sarian.
deriv. of sar. still sår norw. sera plural of serum blood milk whey curd
duca cheese christ smegma. the last sup pus. las palmas plasma. the sun
nous onus probandi it's ya onus ya orse. eros rose sore (sear) sero (serum
again). horse shoer shore. ursus arctos horribilis kodiak. this hist isth
sith tshi shit. excrement waste matter sweat (matter has no anagram
neither mind). mother thermo. vater avert trave. mater ramet tamer. santa
satan tsana. noema anemo wind L animus breath Skt anilas. rumble. hex
ascii isiac isis usus oso horos. being begin binge blast bust blair toot
jag. resist sister. broth throb frater rafter rumble lumber jackass
(anything male). thing night dorkness. light bef. (n. and adj.) ME OE loht
c. OS lioht OFris liacht. D G licht Goth liuhath (n.) akin to ON ljs (n.)
ljss (adj.) L lx. (n.) Gk leuks bright white (v.) ME lighten OE lhtan c.
OS. liuhtian OHG liuhten (G leuchten) Goth liuhtjan. lux litho thiol
stonelightfire. electron el centro recent holocene holos soul sole solus
also sola. one eon neo noe time emit mite item geo ego aeon a one eras
arse. one bef. ME oon OE n c. D een G ein Goth ains L nus (OL. oinos) akin
to Gk on ace on a die. jocus jeckarse jest gest gegere perform egest to
discharge as from the. body void (opposed to ingest) injoke notfunny. yoke
j bef. (n.) ME yok(e) OE geoc c. D juk G Joch ON ok L. jugum Gk zygn
Hittite yugan Skt yuga (v.) ME yoken OE geocian. deriv. of the n.. orl
korrect. rinsay. the active expression of enlightenment over matters of
doctrine. The mind thus creates the world in the sense that it invests
the. phenomenal world with value.. They have presumably already freed
themselves from preoccupations. with the commoner cravings for sensual
indulgence material gain or. worldly fame and have entered the path of
religious strivings. But. it is precicely this fact that Linchi sees as
the source of their. problems.. this lone brightness without fixed shape
or form.. once and for all that there is no goal to be striven for because
it. has been won already no place to be journeyed to because one is. there
right now.. People with so few roots of faith. if it's for the sake of the
Dharma don't hesitate to sacrifice your. bodies or give up your lives.. If
you approach it with a true and proper understanding you won't be.
affected by considerations of birth and death you'll be free to go. or
stay as you please.. The fault lies in the fact that they don't have faith
in themselves. Student's don't have enough faith in themselves and so they
rush. around looking for something outside themselves.. Those who have
fulfilled the ten stages of bodhisattva practice are. no better than hired
field hnads those who have attained the. enlightenment of the fiftyfirst
and fiftysecond stages are. prisoners shackled and bound arhats and
pratyekabuddhas are so much. filth in the latrine bodhi and nirvana are
hitching posts for. donkeys. Why do I speak of them like this Because you
followeres of. the Way fail to realize that this journey to enlightenment
that takes. three asamkhya kalpas to acomplish is meaningless. So these
things. become obstacles in your way.. Fellow believers time is precious
You rush off frantically on side. roads studying Ch'an studying the Way
clinging to words clinging. phrases seeking Buddha seeking the patriarch
seeking a good. friend scheming planning. But make no mistake. Followers
of the. Way you have on set of parents what more are you looking for You.
should stop and take a good look at yourselves. A man of old tells us.
that Yajnadatta thought he had lost his head and went looking for it. but
once he had put a stop to his seeking mind he found he was. perfectly all
right.. The man of value is the one who has nothing to do. Don't try to
do. something special just act ordinary. The Paotsung lun With. regards to
the Way what is valued in every age is to have nothing to. do. With regards
to the Way when one is mindless then all things. will proceed smoothly..
Followers of the Way the Dharma of the buddhas calls for no special.
undertakings. Just act ordinary without trying to do anything. particular.
Move you bowels piss get dressed eat your rice and if. you get tired then
lie down. Fools may laugh at me but wise men. will know what I mean. A man
of old said People who try to do. something about what is outside
themselves are nothing but. blockheads.. If you have doubts in your mind
for an instant that's the Buddha. devil. But if you can understand that
the ten thousand phenomena were. never born that the mind is like a
conjurer's trick then not one. speck of dust not one phenomenon will
exist.. As I see it there's no Buddha no living beings no long ago no.
now. If you want to get it you've already got it it's not. something that
requires time. There's no religious practice no. enlightenment no getting
anything no missing out on anything.. If you want to be free to be born or
die to go or stay as onw would. put on or take off a garment then you must
understand right now that. the person here listening to the Dharma has no
form characteristics. no root no beginning no place he abides yet he is
vibrantly alive.. All the ten thousand kinds of contrived happenings
operate in a place. that is in fact no place.. If your mind entertains a
moment of doubt it becomes obstructed by. the element earth. If your mind
entertains a moment of craving it. becomes drowned in the element water.
If your mind entertains a. moment of anger it is seared by the element
fire. If your mind. entertains a moment of delight it is tossed about by
the element. air.. The way I see it onw shouldn't be averse to anything.
Suppose you. yearn to be a sage. Sage is just a word sage.. Those who
study the Way these days need to have faith in themselves. and not go
looking for something outside.. If you want to be a truly great vessel you
must never be led astray. by others. Wherever you are play the host and
then any place you. stand will be a true one. Whatever confronts you don't
let yourself. be imposed on. If you entertain even a moment of doubt the
devil. will enter your mind.. Just have faith in this thing that is
operating in you right now.. Outside of it nothing else exists.. In the
way you now respond and utilize it what do you lack In the. space of an
instant you enter purity or enter defilement enter the. halls of Maitreya
or enter the lands of the three eyes. You wander at. ease everywhere for
you see that these are all empty names.. The buddhas and patriarchs are
people who don't have anything to do. or are without defilements and
doings their karma is clean and pure.. The Patriarch Shenhui said If you
try to arrest the mind and stare. at silence summon the mind and focus it
on externals control the. mind and make it clear within concentrate the
mind and enter into. meditation all practices of this sort creates karma..
So for the past twelve years though I've looked for this thing. called
karma I've never found so much as a particle of it the size. of a mustard
seed.. thing. thing (thing) n.. . a material object without life or
consciousness an inanimate. object.. . some entity object or creature that
is not or cannot be. specifically designated or precisely described The
stick had a brass. thing on it.. . anything that is or may become an
object of thought things of. the spirit.. . things matters affairs Things
are going well now.. . a fact circumstance or state of affairs It is a
curious. thing.. . an action deed event or performance to do great things.
His death was a horrible thing.. . a particular respect or detail perfect
in all things.. . aim objective The thing is to reach this line with the
ball.. . an article of clothing I don't have a thing to wear.. . things
implements utensils or other articles for service. I'll wash the breakfast
things.personal possessions or belongings. Pack your things and go. . a
task chore I've got a lot of things to do today.. . a living being or
creature His baby's a cute little thing.. . a thought or statement I have
just one thing to say to you.. . Informal. a peculiar attitude or feeling
either positive or. negative toward something mental quirk She has a thing
about cats.. . something signified or represented as distinguished from a.
word symbol or idea representing it.. . Law. anything that may be the
subject of a property right.. . do or find one's own thing Informal. to
pursue a lifestyle. that expresses one's self. Also do or find one's
thing.. . make a good thing of Informal. to turn (a situation. experience
etc.) to one's own profit benefit by She made a good. thing of her
sparetime hobbies.. . new thing Jazz. See free jazz.. . not to get a thing
out of to be unable to obtain information. or news from The police couldn't
get a thing out of him.to fail to. appreciate understand or derive
aesthetic pleasure from My wife. likes opera but I don't get a thing out
of it.. . see or hear things Informal. to have hallucinations.. . the
thing something that is correct or fashionable That caf. is the thing
now.that which is expedient or necessary The thing to. do is to tell them
the truth.. bef. ME OE orig. meeting see THING. thing (thing ting) n.. (in
Scandinavian countries) a public meeting or assembly esp. a. legislative
assembly or a court of law.Also ting. Cf. thingstead.. ON assembly c.
THING D ding G Ding thing orig.. meeting akin to Goth theihs time.
isoQnothBing(nuthCing)n.. nothing (nuthÆing) n.. . no thing not anything
naught to say nothing.. . no part share or trace (usually fol. by of) The
house. showed nothing of its former magnificence.. . something that is
nonexistent.. . nonexistence nothingness The sound faded to nothing.. .
something or someone of no importance or significance Money. is nothing
when you're without health.. . a trivial action matter circumstance thing
or remark to. exchange a few nothings when being introduced.. . a person
of little or no importance a nobody.. . something that is without quantity
or magnitude.. . a cipher or naught Nothing from nine leaves nine.. . (used
in conventional responses to expressions of thanks). Think nothing of it.
It's nothing. Nothing to it.. . for nothing free of charge.for no apparent
reason or. motive.futilely to no avail They had gone to a great deal of.
expense for nothing.. . in nothing flat in very little time Dinner was
finished in. nothing flat.. . make nothing of to treat lightly regard as
easy.to be. unsuccessful in comprehending He could make nothing of the.
complicated directions.. . nothing but nothing other than only We could
see nothing. but fog.. . nothing doing Informal. emphatically no certainly
not.no. activity inducement advantage etc. present to the eye We drove.
through the town but there seemed to be nothing doing.. . nothing less
than or short of absolutely completely She was. used to nothing less than
the best.. . think nothing of to treat casually.to regard as.
insignificant He thinks nothing of lying to conceal his. incompetence..
adv.. . in no respect or degree not at all It was nothing like that..
Nothing dismayed he repeated his question.. adj.. . amounting to nothing
as in offering no prospects for. satisfaction advancement or the like She
was stuck in a nothing. job.. bef. ME OE nnthing nathing see NO THING.
tinpot passes. virga. acoustic angelically thin. spectral drops. vouge.
tyros arsenicise translucent. acide. visive. inconsolable otherworld
workfile. dataloose. vocalist. scans hurtingly dimpling.. viscous.
offensively frazzling nonrecognizeds. stickman. voider. kaluga tisane
revisits vaporiser sourer thereupon arrowworm. mensuration thickly mislike
existentialist. avoider. wagger. mary medusa numeral. particularized
mechano bride. waart. anchoritism genitives. possessions. vizagapatam.
noetic.. wade. wharves polysynaptically. shores transmit. virgin.
thunderbolts octodecimo (teeneighter) essenize toolsmith atrophying.
quarterizations squares whooped pothook obsolescence seppuku.
anglicizations thanker thoraces. bio. volcanologic. scandalizers
mediaevalistic oratorical sweeneys suseptible. gelatinisation goitre
oilbird saddening cadmus nightstick.. apocalyptick lipstick little red
riding babylon. vivified. autoplastic intoxicated thinest utilities
thermalized. resurreact. vulturine. animalness antiresonator thaumaturgic.
pred(ic)ate. vocabulary. anderlecht giantlike. a gent. vowelises. xeric
kooks benedictions certainly need iit. votive. impeachable inclemently.
foggy wishes. visualize. autumns. wutang. volplaning. pass. down.
volitant. pass. up. waaf. pass. charm. vedette. animations precriticises
see. vitalises. tinpot lethalise. glassine book.
isoQamiBBBBBBBBBBBBBFdinsFBBBBBBBBBABBFABFBBBBBBBBBFyme. i contritely my
deadeye in scissors. focusable i cric. kets my cyan. amid in s. exangular
fe. minising i coo. kie my daredevi. lry in seamlike. flirting i courti.
er my culture in schizoi. d fault i cramp my decol. orize in scenarises
forear. m).) i cookie my. y me. im not sisting strahgt my jands ctrlz
ctrlz ctrlz ctrlz versjon. ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz
ctrlz ctrlz. ctrlz ctrlz ctrlz ctrlz glitch versjon (ultra editor) well.
probably doesn't affect html so why blother. im not sisting iwant
somehthign it's a bit frightening. strahgt that kid on its own and cold.
my jands atomata like tat fly nothing holding. nothing here in the win
should i let go. this writing is the fog leaves (they of what. against
itself does it) eprime the i don't know anything. i only write when drema
(dramadream) this blank screen. forgetting muself of magic contradicted by
my fingers. negation well science and the this will only be trouble.
worthwhile howto any base fuck you. space which is debase. coming back
this is completely lost. nothing to. never again. her cunt ie no memory.
should backspace sensation must be no knowledge. that based on recurrence
monster of pixels. collaps else you wouldn't sooth. where am i know but
gnom. how to write still sense but no.. where am i inn the only once it
vicinity. myself doesn't count (count potential. my arm is kind of is
sentence dn. twiched recurrence). any pnrrmaqyaw. my back somewhat object.
object is nvvypub vybcd. cxrunched here too much object. dmcs vnbpu cdng.
virtual backspace anything that is suug fc. nothing ever comes visible or
tangible mqhycuq iydx. out of this and is relatively bucgupd dn. where
does this go stable in form. to uaurk rnhuruad. expect nothing you. ya
hypyaydk. left channel delay something. thing xytt uywxd cyj. the need
(meeting vyhu. no structure her interface). lubn (). whatever fright
subjectsubstance. discontinue into subtrahends arietta. slide emergent
relation. subterfuge arrowed. discreet egene remove sceptrelesses.
pataphysical logic posessive my's. arrowed. compression is a reactive at
chemical saboteur arid. cipher level. behave septarium arte. roads late ME
softheartedly arad. justice behaven (reflexive). subterranean arid.
blockhead See BE HAVE. shifters airy. writing into space behaviorism the
spadework awardee. i'll go wherever the theory that scepter areawide. keys
lead psychology can be shifter aerate. leather case accurately studied
softer arrau. board table kitchen only through the spader artie. cuisine
examination and subterfuge aureate. i meant metaphor analysis of sputter
areawide. wherever possessives. subtree areawide. something else sputter
aerate. this is just one i'm no one get your softer airy. side hands off
me. spader airt. no justice HAHA subterraneanises. usually space is
karmaguilttraces aorta. expensive i once had guilt subdirectories arty.
massive nothing writing haha says it spidery aired. eyes all (active
subtraction arty. i once had eyes expression vs sceptered artie. go beyond
they say matters of doctrine) subtreasury areawide. other i laughter is
spidery arrayed. what comes in this eternally guilty subterraneanise arte.
is still eyes (doctrinal in sifter awardee. keyes writing) as any. the cod
e statement n softheart s. mouthing. y arrondis t. guilty guilty (how
soekar t. traffi n awkward to ) soffit ar t. horsest c t how's w g softies
arteriole. there's compilation attached to guilt soever arterialises.
should stop writing soke arterialising. interprete e another w e sojo.
immedi s status of relate to arte. l valuemeaning other sod. what' than
drawn arteri d. ente softhead arthromere. which is p s (interfaces again).
sojourners arrowroot. i had t a media a softening artefact. big small
inverse suppose it e softbound arsenical. di other way a softy ars l.
protoco f signs are soiree arsenicises. papyrus no o lines are. ts
stronger attraction readapting mcqueen. pro proto me. critical distance
attraction to what reactualise meagerly. execution of seeing easy essing
me. al ers are easi ay. of mcmurdo. hidden instant an g rea ness me.
middleman blackmail to ably me. compl of the ualizes li syst. inimax rk up
to. me. what's the deal on me. ( rface') reactualisations me. i r mansus
accidencesubsta me. critical and easie 's. system wins like. d ng not
gravitati stupid you. always. de reaming get signs too. dr eath is obvious
it's their. so ng else job. backtracking. i'd to die guilt is thru th ..
sign. you. no shouldn't att it's. like chaplin on. de s trash a conveyor
belt. ghtning down t rs economy.. no no sign. no in the talking is a w
recur.. as stimulusres augment. pos respons. wh. relax. relax. count your
breath. no nothing web. claws. getting warm. when do words get cold they
do. do (warmcold). back. baktruppen. epistolar after sending. epistemic
after receiving. thoughts don't originally exist (Bankei). retract. re re
re do re Gurdijeff. waste. names how odd the nominalessential pitch. still
wastepaper. do mi fa la re si do i have a theme. problematic. throw away.
abject. stage. reverence. inferior. just abide fushi. when can you tell.
topology of the beyond. this is my nothing here you are. who's this guy
talking to. lacking sensations the smell of autumn. drowned in a deep
spring. joy is in the subject. which is the whole. which is mere nominal.
the essential from its side. partial and objective. like names. containers
and carriers characters. you shouldn't expect anything from me. other than
continuous abjections and vomit. not a voice. who's that vo mit u puke
phew we. no way of recollecting even this simple stuff. improwise. you
have twenty questions get a million answers. the backspace of. shift the
carriage or typing element of a typewriter one space. backward by
depressing a special key. to move the cursor printhead. etc. toward the
beginning of the data.. i want dat. eh. grain. if you don't see grains
it's fake. hypocrisy. ME ipocrisie OF LL hypocrisis Gk hypkrisis play.
acting equiv. to hypokrA(nesthai) to play a part explain (hypo. HYPO
krAnein to distinguish separate) sis SIS h. (reintroduced in th century) L
and Gk. digit count to ten on your fingers. fushi the play is a play why
bother it's your own do undo re re. souleating sunbe pale moon (esoteric
paleontology). backspace. digress. growth is always the same. be driven
out. into digression throwing away your life (Bankei). Backspace.
spacecaps (capital letter space mahayana epistolar). before after now
after before return the same. wander off on a grain pe(a)rl recursion you
completely annoy me. discriminate hypocracy. crime. ss. sage sinister.
link plunderphonics weeks (). plunderphonics weeks ().
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med st. F C C D A F ørste gleda..og. B C B eg skal kveda s. F E D A o vent
fyr deg... B C C F D at du skal gløym. A F C F D a deg sjølv og m. E D A D
A C B C eg.....Å eg skal. B F B kveda so du ska. C E C D A D l gråta..um
du. C E C var aldri så gla. F B E C D A E d og kåt'e..å e. B C B F g skal
kveda so. E E C C D A snålt fyr deg... B C C E E E at du skal læ nå. E D E
r du ser på meg.. D A D A F D E F ....Og mine viso. F E E C r dei er so
snål. C D A F D F B E e..som Borken t. E E E E råvar på isen hå. C C D A F
D E le..og mine vis. F A E or dei gjer' ein. C E D A F D C C sleng..som
litl. E E B e guten på skeis. E E A E E D A D A C unn' gjeng.....Å. D E F
mine visor dei. F D E C D A F er so mange..so. D A D C F D E m
heggjeblomane. E B D drys i fanget.. A F F .so hev det vore. C C A D A i
all si tid... D B dess meir dei kv. C D ed dei dess mei. E D A D A C r der
bid.....Å. C A C vil du stevjast. F B C so skal eg svar. C D A F C E a..og
heile nat. F B C ti so skal det v. B D A F C ara..og vil du. A D D
stevjast med meg. B C C D A E i kveld..du gå. B A E r 'kje åt fyrr d. E E
D C C E u fær ein smell.. abort.
DJbyHandsisselkyrkjeboorigamiweightlessapati MB. Re confuciuslist Mencius
B. wild grass (fwd). Forwarded message. Thomas. confuciuslist Mencius B.
wild grass. This saying by Mencius is as beautiful as Confucius' and
superbly translated. by Legge. Mencius said to the disciple Kao 'There are
the footpaths along the. hills if suddenly they be used they become roads
and if as suddenly. they are not used the wild grass fills them up. Now
the wild grass fills. up your mind.'. oct(). x. h FF D FF E A
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................ bh FF C ............... ch FF C ............... dh
................. eh FF DA C A .............. TVBGone. ... a new universal
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DJbyHandIngerMarieLienKidSquarepusherStev.mp. E D A C C Nystev..Å vil du.
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C C D A F ørste gleda..og. B C B eg skal kveda s. F E D A o vent fyr
deg... B C C F D at du skal gløym. A F C F D a deg sjølv og m. E D A D A C
B C eg.....Å eg skal. B F B kveda so du ska. C E C D A D l gråta..um du. C
E C var aldri så gla. F B E C D A E d og kåt'e..å e. B C B F g skal kveda
so. E E C C D A snålt fyr deg... B C C E E E at du skal læ nå. E D E r du
ser på meg.. D A D A F D E F ....Og mine viso. F E E C r dei er so snål. C
D A F D F B E e..som Borken t. E E E E råvar på isen hå. C C D A F D E
le..og mine vis. F A E or dei gjer' ein. C E D A F D C C sleng..som litl.
E E B e guten på skeis. E E A E E D A D A C unn' gjeng.....Å. D E F mine
visor dei. F D E C D A F er so mange..so. D A D C F D E m heggjeblomane. E
B D drys i fanget.. A F F .so hev det vore. C C A D A i all si tid... D B
dess meir dei kv. C D ed dei dess mei. E D A D A C r der bid.....Å. C A C
vil du stevjast. F B C so skal eg svar. C D A F C E a..og heile nat. F B C
ti so skal det v. B D A F C ara..og vil du. A D D stevjast med meg. B C C D
A E i kveld..du gå. B A E r 'kje åt fyrr d. E E D C C E u fær ein smell..
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fa.fictionofphilosophy groupsbeta. been available as
fa.fictionofphilosophy at usenet now it's also made. in addition to the
archives also containing interesting statistics. feeds. at least in this
stage it's free from ads who knows about. later... well just fyi and all
the best to the group and the people spending. time here... raven apm. ..
Raven's Advanced Progressive Matrixes (RAPM). Raven's Advanced Progressive
Matrixes is one of a series of nonverbal. tests of intelligence developed
by J.C. Raven (). Following. Spearman's theory of intelligence it was
designed to measure the. ability to educe relations and correlates among
abstract pictorial forms. and it is widely regarded as one of the best
available measures of. Spearman's g or of general intelligence (e.g.
Jensen Anastasi. ). As its name suggests and of particular significance to
the. Prometheus Society it was developed primarily for use with persons of.
advanced or above average intellectual ability.. Like the other Raven's
matrices tests the APM is composed of a series. of perceptual analytic
reasoning problems each in the form of a matrix.. The problems involve
both horizontal and vertical transformations. Figures may increase or
decrease in size and elements may be added or. subtracted flipped rotated
or show other progressive changes in the. pattern. In each case the lower
right corner of the matrix is missing. and the subject's task is to
determine which of eight possible. alternatives fits into the missing
space such that row and column rules. are satisfied. The APM battery
consists of two separate groups of. problems. Set I consists of problems
that cover the full range of. difficulty sampled from the Standard
Progressive Matrices test. Standard. timing for Set I is minutes. This set
is generally used only as a. practice test for those who will be completing
Set II. Set II consists. of problems with a greater average difficulty than
those in Set I.. Set II can be administered in one of two ways either with
or without a. time limit of minutes. Administering Set II without a time
limit is. said specifically to assess a person's capacity for clear
thinking. whereas imposing a time limit is said to produce an assessment
of. intellectual efficiency (Raven Court Raven ).. Phillip A. Vernon in
his review of the APM (Test Critiques ). writes that the quality of the
APM as a test is offset by the totally. inadequate manual which
accompanies it. For interpretive purposes the. manual provides 'estimated
norms' for the APM which allow raw. scores to be converted into
percentiles (but only and ). and another table for converting percentiles
into IQ scores. John. Johansen a graduate student at the University of
Minnesota and former. regular poster to the Brain Board came into
possession of the. version of the test for use in his research (this form
is no longer used. for testing) along with pages of written text about
the. implementation scoring and standardization of the test. In a post to.
he provided the following information applicable to the untimed. version of
the test. Untimed intraday (go until you give up) distribution for year.
olds year olds and year olds. Scores balanced for guessing.. general
population. percentile ranking. number correct by age group. years. years.
years. .. Norms are not accurate above this point for the untimed version
due to. limited population taking test in this condition.. Ignoring the
above caveat about inaccurate norms above the .th. percentile the above
data indicates that there is about a point raw. score difference between
and sigma on this test. If this difference. carries on to the next sigma
this would give associated scores of. general population. percentile
ranking. number correct by age group. years. years. years. .. Although
this data would seem to suggest sufficient ceiling for. discriminating at
the in level there have been other normative. studies which provide
conflicting data. In an article in Educational and. Psychological
Measurement (Bors and Stokes ) the authors mentioned. two studies of
interest besides Raven's group Paul's study and. their own S. M. Paul's
study of University of California. Berkeley students ( women men) Tested
under the untimed. condition the students' scores ranged from to with a
mean of. and a standard deviation of .. This was significantly higher than
the. mean of Raven's normative group (M. SD.).. Bors and Stokes
administered the timed version of the APM to. students ( women men) from
the Introduction to Psychology course. at the University of Toronto at
Scarborough. Subjects ranged in age from. to years with a mean of .
(standard deviation.).. Enrollment in the Introduction to Psychology
course was considered. roughly representative of firstyear students at
this university. The. scores on Set II for the students ranged from to
with a mean of. . (standard deviation.). This performance is somewhat
higher. than that of the Raven's normative group but considerably lower.
than Paul's University of California Berkeley sample.. Additional data
supporting the conclusion that the RAPM (either timed or. untimed) does
not discriminate at the level is taken from. Spreen Strauss (Compendium of
Neuropsychological Tests nd Edition. ) and shown in the tables below.. A
middleoftheroad approach would be to use the recent University of. Toronto
at Scarborough data and to assume that the mean of the test. group
corresponds to about SD above the mean of the general. population and to
further assume that the SD of the general population. would be about the
same as the standard deviation of the test group.. Finally assuming a
normal distribution in the test group the in. level would correspond to .
(.) which is raw. points above the test's ceiling of .. Advanced
Progressive Matrices Set II Occupational Norms. ile rank. Occupations of
various groups. UK. US. UK TA. UK. UK. UK. UK. UK. UK. UK. General.
populatn. yr.olds. Navy. yr. olds. Officer. Aplcnt. Retail. Mngrs..
Police. Officer. Senior. Mngrs(Htls.). Accnt.. Staff. Oxford. Local.
Athrty.. Rsrch.. Scntsts.. untmd.. min. min. min. min. min. min. min. min.
min. (n). (n. (n). (n). (n). (n). (n). (n). (n). (n). UK general population
data derived from the Standardization of the. SPM and APM (TABLE APM XIII).
US Navy data extracted from data supplied. by Alderlon (see Knapp Court )
(TABLE APM XVII) UK Police. Officers' data extracted from Feltham ()
(TABLE APM XXVI). Other. data collected by Oxford Psychologists Press.
Source J. Raven ().. The data above does bring up the issue of age
variation of IQ data which. is not typically addressed by other
instruments that we've used for. Prometheus Society entry requirements and
that is perhaps something that. should be considered. (In the case of the
SAT and GRE tests there is. not typically much variation in the ages of
those taking the test and no. such data was used in norming any of the
takeathome tests we've used.. Spreen and Strausse have provided the
information for the table below. Advanced Progressive Matrices Set II
(Untimed) Smoothed Summary Norms. for the USA. ile rank. Age of test taker
in years. (n). (n). (n). (n). (n). (n). (n). (n). (n). (n). (n). Based on
the standardization of the APM in Des Moines Iowa.. Tests completed at
leisure. Source J. Raven (). Curiously American Mensa does not list the
RAPM among its currently. accepted tests although UK Mensa does. Perhaps
this is a more. international test than others we have reviewed and
considering its. quality we should probably continue to consider its
possible use. especially as an auxiliary test to be submitted in
conjunction with. other tests that are deemed capable of discriminating at
the in. level.. delayed. Warning not. YOU DO NOT. The original Mon. (CEST)
from . . .. ... Transcript of. session follows. ... Deferred. .... Warning
still. undelivered. Will keep trying. FinalRecipient RFC noemata.... Action
delayed. Status ... RemoteMTA DNS .... WillRetryUntil Sometime Feb (CEST).
Re fiction of philosophy newsgroup. fa from arpanet. institute for
informatics at the university of oslo is gatewaying. all the old arpanet
groups into usenet because most users didn't have. access to arpanet only
usenet.. The world's oldest electronic conferences the ARPANET mailing
lists. were quickly integrated into USENET. Gateways were made so
newsgroups. starting with fa (From ARPANET) contained the mailing list
contents. and USENET users could post and participate. ARPANET mailing
lists. emerged around not long after network email linked ARPANET users.
together.. It's only purpose is that. everyone who want to subscribe to
the mailinglist can. just read the newsgroup (saves some disk space I
guess).. The prefix fa is as far as I know quiet historic.. The first
mailing lists that were converted to newsgroups. had this prefix (fa from
arpanet).. Until this discussion I didn't know that this group was.
distributed outside ifi.uio.no (Institute of Informatics. University of
Oslo). Do you get the other fa.groups as. well At the moment there are of
them.. search on arpanet usenet gateway etc for more internet history..
for the other question see my recent post about. I believe so...but I
don't know who set it up or when or what 'fa'. stands. for for that
matter.... Ryan. Since my pop mail account keeps screwing up over here Ive
been. looking for a. way to read the wryting list I found the fiction of
philosphy. newsgroup which. seems to have some of the wryting list
archived there. How does this. work Is. the newsgroup subscribed to the
wryting list. inlangplgroupfa.fiction. ofphilosophy. mIEKAL. This message
was sent using Midwest Tel Net Web Based Mail.. Re fiction of philosophy
newsgroup. and also. ..This rather brings to mind a syndrome that
sometimes occurred when an. old Arpanet mailing list got gatewayed to a
Usenet newsgroup. After a. little while some Usenet novice would commit
some faux pas a furious. Arpanaut would flame violently about how Usenet
was nothing but bozos. who didn't understand How Things Should Be Done and
the gatewaying was a. stupid idea and the list maintainer would quietly
observe that the. gatewaying had indeed produced problems but it was also
producing most. of the real content... Henry Spencer Mail Relays. ). fa
from arpanet. institute for informatics at the university of oslo is
gatewaying. all the old arpanet groups into usenet because most users
didn't have. access to arpanet only usenet.. The world's oldest electronic
conferences the ARPANET mailing lists. were quickly integrated into USENET.
Gateways were made so newsgroups. starting with fa (From ARPANET) contained
the mailing list contents. and USENET users could post and participate.
ARPANET mailing lists. emerged around not long after network email linked
ARPANET users. together.. It's only purpose is that. everyone who want to
subscribe to the mailinglist can. just read the newsgroup (saves some disk
space I guess).. The prefix fa is as far as I know quiet historic.. The
first mailing lists that were converted to newsgroups. had this prefix (fa
from arpanet).. Until this discussion I didn't know that this group was.
distributed outside ifi.uio.no (Institute of Informatics. University of
Oslo). Do you get the other fa.groups as. well At the moment there are of
them.. search on arpanet usenet gateway etc for more internet history..
326
for the other question see my recent post about. I believe so...but I don't
know who set it up or when or what 'fa'. stands. for for that matter....
Ryan. Since my pop mail account keeps screwing up over here Ive been.
looking for a. way to read the wryting list I found the fiction of
philosphy. newsgroup which. seems to have some of the wryting list
archived there. How does. this. work Is. the newsgroup subscribed to the
wryting list. inlangplgroupfa.fiction. ofphilosophy. mIEKAL. This message
was sent using Midwest Tel Net Web Based Mail..
isoQJaglEggerlitebilderpEmighEr.. Jag lgger lite bilder på mig hr.. Men
kom ihåg jag vill grna att ni skriver i Gstboken vad ni tycker. annars
blir det inte fler bilder.. Mina Fuktiga brst efter duschen.. Jag visar
upp ett av mina brst.. Jag i sexiga underklder.. Jag visar upp mig på
sngen.. Hr r jag helt utlmnad åt dig.. Tnk om handen inte fanns dr..
Gillar ni mina Lppar.. Ny bild på mina lppar.. Gillar ni bilderna på mig i
stayups. Det kan komma fler bilder Jag håller på att vertala min vninna
att. jag skall få lgga upp bilder på henne också.. Hr under lgger jag
sprutbilderna som jag får Och jag skall villigt. erknna att jag har
onanerat och tittat på dem många gånger.. Sprutbild. Sprutbild. Sprutbild.
Sprutbild. Sprutbild. Sprutbild. Sprutbild. Sprutbild. Sprutbild. Jag har
fått ett par nya sprutbilder Det tycker jag om. Flera gånger. har jag
tittat på dessa bilder och tnkt på er hur ni har lekt med era. underbara
stånd fantiserat om mig och sedan sprutat er varma klibbiga. sats ver min
kropp. Många gånger har dessa fantasier tagit mig till. underbara
orgasmer. Ett extra spnningsmoment r ju att min kille inte. har någon
aning om vare sig websidan eller dessa foto.. Hr kommer fler bilder.. En
bild från en man som heter Bokoboko.. Gabbe har också sprutat ner min
kropp.. Hawkan har lagt sin varma sd ver mig.. Fineman har gjort hrligt
sexiga konstnrliga bilder.. nnu en bild från Fineman.. Re the sleep of
reason. The Slip of Reason Produces Monsters.... The Monstrous Reason
Produces Sleep.... The Sleep of Monsters Produces Reason.... The
Production of Reason Monsters Sleep.... the protesting of rezone
mahayanist sleep.... two slippy opaque ricin particular monsters.... thy
menstruates richen periodizations sleep.... the skelf opah minstrel
participant ratio... twombly mensing richened periodicity sleeplessess thy
skelping opaline. minority partly reasons tattooer party obese rippling.
reason rosena rosaen ensora aeonsr senora soraen soaren snorea oarsen.
norsea arsone. subject. unselfishness there you see plainly the recursion
it's considered a. virtue because.. in view of.. yes unselfishness. and so
selfishness is a. virtue in view of selfishness etc. and virtue is a virtue
in view of the. virtue virtue is the positive productive property of a view
the view's. production. but it doesn't mean you can avoid it. there's
virtues of your. body as long as you have one. and virtues of having as
long as it's. possible. and virtues of the possible as long as it's not
impossible.. virtues of the impossible via negativa. prime numbers are
what remains. are. they selfish or unselfish ) positive or negative you
can follow them a. bit via the positive which is like the virtue of a view
formula though. quickly you're replacing algorithms with heuristics which
is more of a. mess like the layered virtues of our reality the real being
transcendent. unending streams and you find yourself jumping from this to
that all the. time not selfishalgorithmic (producing) or
unselfishheuristic (seeking). but let's call it dancing since there are
movements and well the thing is. still alive though with no reason and not
producing or seeking still views. you can't avoid going through the steps.
eurythmics is at the end or the. beginning not the body's algorithms
(production system) or it's. intentionality (heuristics) the virtues of
having a body having a view. not selfish not unselfish. no virtues no
views but still a text still. here though not what it is (produces) or
what it means (seeks) it's still. written in virtue of the iso charset
twofaced bastards so maybe. we're talking dialectics too the protocol
(selfish) and the exchange. (unselfish) still the user. user (Æzr) n. Law.
the exercise of a. right to the enjoyment of property. my body my propery
the body of this. mail. again the protocol's from to subject body this is
the body.. distributed via no commercial use without permission. is a
moderated mailing list for net criticism. collaborative text filtering and
cultural politics of the nets. more info majordomobbs.thing.net and info
nettimel in the msg body. Fwd xStream online. Start of forwarded message.
ReplyTo xstreamxpressed.org. Fwd xStream online. xStream Issue. xStream
Issue is online again in three parts. . Regular (also available in PDF)
Works from poets. (Sandra Simonds Dorothee Lang Hugh Tribbey David Nemeth.
John Crouse Jim Leftwich and Andrew Topel). . Autoissue Poems generated by
computer from Issue texts. the whole autoissue is generated in realtime
new version in. every refresh.. . Wryting Issue a monthly selection of
WRYTINGL listserv works. Sincerely. JukkaPekka Kervinen. Editor. xStream.
email xstreamxpressed.org. End of forwarded message. florian cramer
digital code and literary text. florian cramer digital code and literary
text. Can notions of text which were developed without electronic texts in
mind be. applied to digital code and how does literature come into play
here. Abstract. This paper is based on the general (yet disputable)
assumption that the. theoretical debate of literature in digital networks
has shifted just as. the poetic practices it is shaped after from
perceiving computer data as an. extension and transgression of textuality
(as manifest in such notions as. ''hypertext'' ''hyperfiction'' ''hyper
multimedia'') towards paying. attention to the very codedness i.e.
textuality of digital systems. themselves. Several phenomena may serve as
empirical evidence. The early focus of conceptualist Net.art on the
aesthetics and politics of. code. in turn the impact of Net.art aesthetics
on experimental literature. poetry in the Internet. the close discooursive
affinity of Net.art to political activism in the. Internet. the close
aesthetic affinity of Net.art to a the languages and codes of an. older
technically oriented ''hacker'' culture (of Chaos Computer Club. and
others). a convergence of the three cultures mentioned above Net.art net
activism. and hacker culture. (a) FreeOpen Source Software andor (b) open
network protocols as key. discursive political and aesthetical issues in
all these camps. finally the impact of hacker aesthetics Net.art
aesthetics code. aesthetics and network protocol aesthetics on
contemporary writing in the. Internet. (See the work of mez Alan Sondheim
Talan Memmott Ted Warnell. and others.). The question is how ''Codeworks''
(Alan Sondheim) fit notions of text that. were crafted without digital code
most importantly machineexecutable. digital code in mind and vice versa. Is
it a coincidence that in their. poetical appropriation of lowlevel Internet
codes codeworks ended up. aesthetically resembling concrete poetry And
apart from aesthetic. resemblances how do computer programs relate to
literature Is that what is. currently being discussed as ''Software Art''
a literary genre. Code. Since computers the Internet and all digital
technologies are based on. zeros and ones they are based on code. Zeros
and ones are an alphabet which. can be translated forth and back between
other alphabets without information. loss. It does in my point of view
make no sense to limit the definition of. the alphabet in general to that
of the Roman alphabet in particular when we. can the same textual
information in this very alphabet as Morse code flag. signs or
transliterated into zeros and ones. The Internet and computers run. on
alphabetic code whereas for examples images and sound can only be.
digitally stored when translating them into code which unlike the.
translation of conventional text into digital bits is a lossy that is. not
fully reversible and symmetric translation. Sounds and images are not. code
by themselves but have to be turned into code in order to be computed.
where as any written text already is code. Literature therefore is a.
privileged symbolic form in digital information systems. It is possible
to. automatically search a collection of text files for all occurences of
the. word ''bird'' but doing the same with birds in a collection of image
files. or bird songs in a collection of audio files is incomparably tricky
and. errorprone relying on either artificial intelligence algorithms or
manual. indexing both of which are methods to translate nonsemantic
writing (pixel. code) into semantic writing (descriptions).. The reverse
is true as well We can perfectly translate digital data and. algorithms
into nondigital media like print books as long as we translate. them into
signs coded according to the logic of an alphabet. This is what is. done
for example in programming handbooks or in technical specification.
manuals for Internet standards. Today there are two notorious examples of
a. forth andback translation between print and computers. The sourcecode
of Phil Zimmerman's cryptography program ''Pretty Good. Privacy'' (PGP).
The PGP algorithms were legally considered a weapon and. therefore became
subject to U.S. export restrictions. To circumvent this. ban Zimmerman
published the PGP sourcecode in a book. Unlike algorithms. literature is
covered by the U.S. First Amendment of free speech. So the. book could be
exported outside the United States and by scanning and. retyping
translated back into an executable program. the sourcecode of DeCSS a
small program which breaks the cryptography. scheme of DVD movies. Since
U.S. jurisdiction declared DeCSS an ''illegal. circumvention device''
according to the new Digital Millennium Copyright Act. (DMCA) the ban
equally affected booklets flyposters and tshirts on which. the DeCSS
sourcecode was printed.. That code is speech is a fact stressed again and
again by programmers and is. also at the heart of Lawrence Lessig's legal
theory of the Internet. (Lawrence Lessig. Code and Other Laws of
Cyberspace. Basic Books New York. .). It is strictly speaking sloppy
terminology to speak of ''digital. media''. There actually is no such
thing as digital media but only digital. information. Digital information
becomes ''media''only by the. On the reverse end of the chain keyboards
mice scanners and cameras. are analogtodigital converters.. virtue of
analog output computer screens loudspeakers printers are analog. output
devices interfaced to the computer via digitaltoanalog conversion.
hardware like video and sound cards or serial interfaces.. An average
contemporary personal computer uses magnetic disks (floppy and. hard
disks) optical disks (CDROM and DVDROM) and chip memory (RAM) as its.
storage media and electricity or fiber optics as its transmission media..
Theoretically one could build a computer with a printer and a scanner
which. uses books and alphabetic text as its storage media. Alan Turing
showed. that. While such a machine would operate slower than with
magnetical or. optical media it would provide more robust and durable
information storage. on the other hand.. no electronics are needed to
build a computer the Boston Computer Museum. even features a mechanical
computer built from wooden sticks.. Juxtapositions of ''the book'' and
''the computer'' are quite misleading. because they confuse the storage
and analog output media (paper versus a. variety of optical magnetical and
electronical technologies) with the. information (alphabetical text versus
binary code). It further ignores by. the way the richness of storage and
transmission media in traditional. literature which aside from the book
include oral transmission and mental. storage audio records and tapes the
radio and television to name only a. few.. If there is strictly speaking
no such thing as digital media there also. is strictly speaking no such
thing as digital images or digital sound.. What we refer to as a ''digital
image'' is a piece of code. Normally this code is divided into three pieces
one the socalled. sound or image file containing the machineindependent and
program. independent abstract information the second the socalled display
program. containing the instructions to mediate the abstracted information
in a. machineindependent yet not programindependent format to the
operating. system the third the socalled operating system mediating the
program. output to the output machine whether a screen or a printer. These
three. code layers however are nothing but conventions. Theoretically the.
digital image'' file could in itself contain all the code necessary to.
make itself display on analog end devices including the code that is.
conventionally identified as a boot loader and core operating system..
containing the machine instructions to produce the flow of electricity
with. which an analog screen or an analog printer is made to display an
image.. Of course it is important whether a sequence of zeros and ones
translates. into say an image because that defines its interpretation and
semantics.. The point of my (admittedly) formalistic argumentation is not
to deny this. but to underline that. when we speak of ''multimedia'' or
''intermedia'' in conjunction with. computers digital art and literature
we actually don't speak of digital. systems as themselves but about
translations of digital information into. analog output and vice versa.
text and literature are highly privileged symbolic systems in these.
translation processes because (a) they are already coded and (b)
computers. run on a code.. Literature and computers meet first of all
where alphabets and code human. language and machine language intersect
secondly in the interfacing of. analog devices through digital control
code. While of course we cannot think. of code without media because we
can't read it without them the computer. does not really extend literary
media themselves. All those output media. electricity electrical sound and
image transmission etc. existed before. and without computers and digital
information processing.. I therefore have to revise the position I took in
several of my previous. writings If we speak of digital poetry or computer
network poetry we. don't have to speak of certain media and we don't. like
in the paper Warum es zuwenig interessante Computerdichtung gibt.. Neun
Thesen'' ( Nine Points on Why there is so little interesting computer.
homepagewritingsnetliterature general karlsruhe. karlsruherthesen.pdf.
even have to speak of specific machines. If computers can be built from.
broomsticks and networked via shoestrings if any digital data including.
executable algorithms can be printed in books and from them read back
into. machines or alternatively executed in the mind of the reader there
is no. reason why computer network poetry couldn't or shouldn't be printed
as well. in books.. Perhaps the term of digital ''multimedia'' or better
''intermedia''. would be more helpful if we redefine it as the the
possibility to losslessly. translate information from one sign system to
the other forth and back so. that the visible audible or tacticle
representation of the information. becomes arbitrary. A state not be
achieved unless the information is not. coded in some kind of alphabet
whether alphanumerical binary hexadecimal. or if you like Morse code..
Literature. Synthesis putting things together. observe the textual
codedness of digital systems of course implies the. danger of generalizing
and projecting one's observations of digital code. onto literature as a
whole. Computers operate on machine language which is. syntactically far
less complex than human language. The alphabet of both. machine and human
language is interchangeable so that ''text'' if defined. as a countable
mass of alphabetical signifiers remains a valid descriptor. for both
machine code sequences and human writing. In syntax and semantics. however
machine code and human writing are not interchangeable. Computer.
algorithms are like logical statements a formal language and thus only a.
restrained subset of language as a whole.. However I believe it is a
common mistake to claim that machine language. would be only readable to
machines and hence irrelevant for human art and. literature and vice versa
literature and art would be unrelated to formal. languages.. It is
important to keep in mind that computer code and. No computer can
reprogram itself selfprogramming is only possible. within a limited
framework of game rules written by a human programmer. A. machine can
behave differently than expected because the rules didn't. foresee all
situations they could create but no machine can overwrite its. own rules
by itself.. computer programs are not machine creations and machines
talking to. themselves but writings by humans. The programmerartist Adrian
Ward. suggests that we put the assumption of the machine controlling the
language. upside down. ''I would rather suggest we should be thinking
about embedding our own. creative subjectivity into automated systems
rather than naively trying to. get a robot to have its 'own' creative
agenda. A lot of us do this day in. day out. We call it programming.''.
quoted from an EMail. message to the Rhizome'' mailing list May. Perhaps
one also could call it composing scores and it does not seem. accidental
to me that musical artists have picked up and grasped computers. much more
thoroughly than literary writers. Western music is an outstandig. example
of an art which relies upon written formal instruction code. Self.
reflexive injokes such as ''BACH'' in Johann Sebastian Bach's music the.
visual figurations in the score of Erik Satie's ''Sports et.
divertissements'' and finally the experimental score drawings of John
Cage. shows that beyond a merely serving the artwork formal instruction
code has. an aesthetic dimension and intellectual complexity of its own.
In many. works musical composers have shifted instruction code from
classical score. notation to natural human language. A seminal piece in my
opinion is La. Monte Youngs ''Composition No. '' which simply consists of
the. instruction ''Draw a straight line and follow it.'' Most Fluxus
performance. pieces were written. Galerie und Edition Hundertmark. George
Maciunas und FluxusEditionen. . no page numbering. in the same notation
style. Later in the American composer Alvin. instruction which very
precisely tells to perform the piece by playing. itself back and
modulating the speech through the room echoes.. In literature formal
instructions is the necessary prerequisite of all. permutational and
combinatory poetry. Kabbalah and magical spells are. important examples as
well. But even in a conventional. Some historical examples have been
adapted online on my website. narrative there is an implict formal
instruction of how i.e. in which. sequence to read the text (which maybe
or followed or not as opposed to. hypertext which offers alternative
sequence on the one hand but enforces. its implicit instruction on the
other). Grammar itself is an implicit and. very pervasive formal
instruction code.. Although formal instruction code is only a subset of
language it is still. at work in all speech and writing.. It is
particularly remarkable about computing that the namespace of. executable
instruction code and nonexecutable code is flat. One cannot tell. a
snippet of digital code whether it is executable or not. This. property
does not stand out in the alphabet of zeros and ones but is solely.
dependent on how another piece of code a compiler a runtime interpreter.
or the embedded logic of a microprocessor processes it. Computer code is.
highly recursive and highly architectural building upon layers of layers
of. code.. Analysis taking things apart. The fact that one cannot tell
from any piece of code whether it is machine. executable or not provides
the principle condition of all EMail viruses on. the one hand and of the
codeworks of jodi antiorpNetochka Nezvanova mez. Ted Warnell Alan Sondheim
Kenji Siratori to name only a few. with the biennale.py'' computer virus of
the net art groups. on the other work that unlike the actual viri is
fictional in that it. aesthetically pretends to be potentially viral
machine code.. The codeworks to use a term coined by Alan Sondheim of
these writers and. programmerartists are prime examples for a digital
poetry which reflects. the intrisic textuality of the computer. But they
do so not by being to. quote Alan Turing via Raymond Queneau computer
poetry to be read by. computers but by playing with the. Raymond Queneau.
Cent mille milliards de pomes. Gallimard Paris. . p.. confusions and
thresholds of machine language and human language and by. reflecting the
cultural implications of these overlaps. The ''mezangelle''. poetry of
mezMary Ann Breeze which mixes programmingnetwork protocol code. and non
computer language to a portmanteauword hybrid is an outstanding. example
of such a poetics.. Compared to earlier poetics of formal instruction like
in La Monte Young's. Composition in Fluxus pieces and in permutational
poetry an important. difference can be observed in the codeworks The
Internet code poets and. artists do not construct or synthesize code but
they use code or code. grammars they found and take them apart. I agree
with Friedrich Block and. digital.deBlockindex engl.htm that digital
poetry should be. read in the history and context of experimental poetry.
A poetics of. synthesis was characteristic of combinatory and
instructionbased poetry a. poetics of analysis characterized Dada and its
successors. But one. An exception being the the ALGOL computer programming
language poetry. written by the Oulipo poets Franois le Lionnais and Nol
Arnaud in the. early s. see Harry Mathews and Alastair Brotchie editors.
Oulipo Compendium. Atlas. Press London . p.. hardly finds poetry with an
analytical approach to formal instruction code. in the classical th
century avantgarde. Internet code poetry is being. written in a new if one
likes postmodernist condition of machine code. abundance and overload.. The
hypothesis that there is no such thing as digital media but only. digital
code which can be stored in and put out on any analog medium is. perfectly
verified by codework poetry. Unlike hypertext and multimedia. poets most of
the artists mentioned here write plain ASCII text. The. contradiction
between a complex technopoetical reflection and lowtech. communication is
only a seeming one quite on the contrary the lowtech is. crucial to the
critical implication of the codework poetics.. The development of
hyperfiction and multimedia poetry practically paralleled. the
construction of the World Wide Web hyperfiction authors rightfully saw.
themselves as its pioneers. In the course of nineties they continued to.
push the technical limits of both the Internet and multimedia computer.
technology. But since much digital art and literature became testbed.
applications for new browser features and multimedia plugins it.
simultaneously locked itself into nonopen industrycontrolled code.
formats. Whether intentional or not digital art thus. like Shockwave
QuickTime and Flash. strongly participated in the reformatting of the
World Wide Web from an. open operating system and browseragnostic
information network to a. platform dependent on propietary technology.. By
readjusting the reader's attention from software surfaces which pretended.
not to be code back to the code itself codeworks have apparent
aesthetical. and political affinities to hacker cultures. While hacker
cultures are far. more diverse than the singular term ''hacker'' suggests
hackers could as. well be distinguished between those who put things
together like Free. Software and. Boris Grndahl's (German) Telepolis
article The Script Kiddies Are. Not Alright'' summarizes the multiple
sometimes even antagonistic camps. deutschhtmlresult.xhtml urltp
deutschinhaltte.html. demo programmers and those who take things apart
like crackers of serial. numbers and communication network hackers from
YIPLTAP Phrack and. Chaos Computer Club schools. Code poets have factually
adopted many poetical. forms that were originally developed by various
hacker subcultures from the. s to the early s including ASCII Art code
slang (like '' wArz. dd'' for ''leet elite wares dood'') and poetry in
programming languages. (such as Perl poetry) or they even belong to both
the ''hacker'' and the. ''art'' camp. curious. curioushyperreal.pl.
reading my handwriting. .jpg. 'Freedom died. great people proved that
awareness exists and every lifeform is aware. unfortunatelly they hadn't
in mind that evolution not aims into awareness. development but towards
better adaptation.. milions of people just learned how to fake awareness..
This what makes us Humans is ablity to selfdevelopment and Empathy. not
adaptation.. Crowd without a leader went insane.. Sickness is ones who
emphatize get dellusion when looking feelingsless. ones there is no mutual
empathy then ones who emphatize become codepend.. '. .jpg. (notes from
train station i tried to visualise how autosopher adaptative. network
works). also note that 'positive effects coming from smoking of tobbaco
come from. changed metabolism of dopamine while addiction is created by
completely. different neurotransmitter patch'. also common mistake of
polish language pointed out (use of foregin noun). .jpg adaptative ALP
network (network of small audio buffers adapting to. user defined sound)..
i have some other work like learning from c sources i'll write to you.
later. d.jpg. dissolving substance. dreams come when i am here. snowwhite
truth about false. particles of absurd from nothing. substance. while this
world is only interpretation of our dreams. substance. you melt with
nonexistence like you. practical disasemble of life program. transient
observation of. thoughts about minimalism truth about time.. form of
delusion. sequence of session. it's lack of thought Substance. while
civilisation camp grid is at least km thin.. where is reason. dynamic.
ambition. field of perception actions of consiousness. (). time. and this
is 'life'. intonation is alive and manipulating bodies. will be as is
because can't be other way. preprogrammed forecast shatter and bend under
influence of new data. how is time machine like. alive. destiny of chaos
complexity creation is creation itself. we can watch beauty of growth. our
time came. power came to an end.. curioushyperreal.pl. badgernoemata.net.
congratulations congratulations your site is on on (nostalgi). fra m.
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zen and japan. tykkmann. organisatorisk message farm supporthome.pages.at.
wir freuen uns. opklnmonline.no. adundas.net. the domain name hook been
registered without error.. spotovani dear anonymous anonymous. hvala za
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contact name jorn magee. organization origo. magh.net. you can get
duplicate. erkshoutcast ip. you aure receiving this email. postvacacb.
name name. gaves a. sater s.g.. state state. kyoto holover. country
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meldingsliste feer dokumentmal biblioteksjef. lånenummer. ditt pejorativ
får børs afp bibliotekets internetttjenester er kousdu. heisann og tykke.
die noterer jeg att jegr vite baute af ip ip range. heie bmagh. her er en.
innsnevring registrering. inngangsport abonnementsavdeling. også
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'Freedom died. great people proved that awareness exists and every
lifeform is aware. unfortunatelly they hadn't in mind that evolution not
aims into awareness. development but towards better adaptation.. milions
of people just learned how to fake awareness.. This what makes us Humans
is ablity to selfdevelopment and Empathy. not adaptation.. Crowd without a
leader went insane.. Sickness is ones who emphatize get dellusion when
looking feelingsless. ones there is no mutual empathy then ones who
emphatize become codepend.. '. .jpg. (notes from train station i tried to
visualise how autosopher adaptative. network works). also note that
'positive effects coming from smoking of tobbaco come from. changed
metabolism of dopamine while addiction is created by completely. different
neurotransmitter patch'. also common mistake of polish language pointed out
(use of foregin noun). .jpg adaptative ALP network (network of small audio
buffers adapting to. user defined sound).. i have some other work like
learning from c sources i'll write to you. later. d.jpg. dissolving
substance. dreams come when i am here. snowwhite truth about false.
particles of absurd from nothing. substance. while this world is only
interpretation of our dreams. substance. you melt with nonexistence like
you. practical disasemble of life program. transient observation of.
thoughts about minimalism truth about time.. form of delusion. sequence of
session. it's lack of thought Substance. while civilisation camp grid is at
least km thin.. where is reason. dynamic. ambition. field of perception
actions of consiousness. (). time. and this is 'life'. intonation is alive
and manipulating bodies. will be as is because can't be other way.
preprogrammed forecast shatter and bend under influence of new data. how
is time machine like. alive. destiny of chaos complexity creation is
creation itself. we can watch beauty of growth. our time came. power came
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XMailScanned by Interweb Norge as. curioushyperreal.pl. reading my
handwriting. .jpg. 'Freedom died. great people proved that awareness
exists and every lifeform is aware. unfortunatelly they hadn't in mind
that evolution not aims into awareness. development but towards better
adaptation.. milions of people just learned how to fake awareness.. This
what makes us Humans is ablity to selfdevelopment and Empathy. not
adaptation.. Crowd without a leader went insane.. Sickness is ones who
emphatize get dellusion when looking feelingsless. ones there is no mutual
empathy then ones who emphatize become codepend.. '. .jpg. (notes from
train station i tried to visualise how autosopher adaptative. network
works). also note that 'positive effects coming from smoking of tobbaco
come from. changed metabolism of dopamine while addiction is created by
completely. different neurotransmitter patch'. also common mistake of
polish language pointed out (use of foregin noun). .jpg adaptative ALP
network (network of small audio buffers adapting to. user defined sound)..
i have some other work like learning from c sources i'll write to you.
later. d.jpg. dissolving substance. dreams come when i am here. snowwhite
truth about false. particles of absurd from nothing. substance. while this
world is only interpretation of our dreams. substance. you melt with
nonexistence like you. practical disasemble of life program. transient
observation of. thoughts about minimalism truth about time.. form of
delusion. sequence of session. it's lack of thought Substance. while
civilisation camp grid is at least km thin.. where is reason. dynamic.
ambition. field of perception actions of consiousness. (). time. and this
is 'life'. intonation is alive and manipulating bodies. will be as is
because can't be other way. preprogrammed forecast shatter and bend under
influence of new data. how is time machine like. alive. destiny of chaos
complexity creation is creation itself. we can watch beauty of growth. our
time came. power came to an end.. curioushyperreal.pl. badgernoemata.net.
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listeadresse eekunst.no. kontaktadresse listmasterekunst.no. Re curious.
weird taxonomy. thanks to curious... arafat. arafat shithead it's all the
same some shithead claiming territory. another shithead you only need one
then you get another. automatically like tribes of shitheads shiites
something what's. that got to do with anything. contemporary ontology
something anything everything nothing. maps plainly to logic how
metaphysics became logic or was as it. were classes what do we mean
classes are classes nosferatu the. death of metaphysics the blood is logic
everything is logic has. its undead counterpart the world may die any human
we'll go on. living like undead i should come through here no it's not
possible. any image still there's a byte before it exhausts coming back
to. this morning and driving under the bridge don't blame gray words. gray
roads. feeling down may come easy you just sit there and suddenly you want.
go to sleep and can't sleep because you think this will never end. and
there's nothing anywhere. i'm always down like the server is. down. all
this wind is it going anywhere mostly robots reading the. web let's say i
lived my experience is not different from anybody. else why should we be
separate two persons have mutual feelings. what a mess still four arms two
heads what a monster and the. cleaning of the interface reactions why
should i react i'm already. you not in a religious sense just practical
like the same same. system two processes the same shit all the more
pressure around. identity and the individual this exploition a striking or
notable. deed feat spirited or heroic act the exploits of Alexander the.
Great. it's of course true we are the same otherwise science and. the
logics would be false but still culturally a quest for. identity and most
levels retained which together is driving us out. through the processor
our bodies are arguments positions like. minimal pairs in linguistics and
identical to what itself which. makes sense only through a representation
with the possibility of not. being itself so the quest is via the culture
representation where. the position comes in like the 'you are here' on
maps (in a text you. are here what does it mean i am here this is a long
string and the. other arts where are you in music and everything before
language. and within) no the identity can't come from anything why
different. cultures have different ideas of identity we have maps so we
have. the identity of 'you are here' which gives a faint realization of.
yourself but enough to keep fixed through the loop of being and not. being
the truth and falsity of representation or more precise the. falsity
revealed through its truth and vice versa which is at stake. when
represent i am here two times here and here which are two. places in the
text two positions and isn't it supposed to be only. one like i am only
one so we are baffled by this like Alexander the. Great and need to do
baffling deeds to overcome the bifurcation that. takes place already at
the root already at 'you are here' we don't. understand and the territory
comes from this of not understanding. and you get terrorist and president
like arafat collapsing and. sustaining the map as the quest for identity
through construction of. yourself which is like a greek tragedy whatever
you'll find is the. looking for yourself palestine holy land holy shit how
fcking. long will it take before these shitheads loose their power to lead.
others astray for people not to be led into another suffering hell by.
shithead the great.. roadmap to peace forget road forget map forget
peace.. Re syndicate arafat. This is a multipart message in MIME
format.... ContentType textplain charsetiso. if you rid yourself of
opaqueness i don't know where you are is that. beauty love and war were
always good friends. it's still about identity. the quest for anything
clear and transparent (love) which at the same time. should be something
(territory) and it doesn't resolve so forget it not. wait for the best
love projects (maps) too much the territory becomes. what you see is that
wise. Of the raising opaqueness Claudia always has the most beautiful
answer. which we can wait for the best. Original Message. claudia
westermann. Friday November AM. Re syndicate arafat. a. forget road forget
map forget peace.. keep love. love me in my full beauty and I'll become.
what you see in me. or wise. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for
media culture and media art. post to the Syndicate list. no commercial use
of the texts without permission. RE syndicate arafat. This is a multipart
message in MIME format.... ContentType textplain charsetiso. arafat
shithead it's all the same some shithead claiming territory. another
shithead you only need one then you get another. automatically like tribes
of shitheads shiites something what's. that got to do with anything. sure
let's stick to shithead ascii pseudo artists like you. who says you have
to choose sides. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for
media culture and media art. post to the Syndicate list. no commercial use
of the texts without permission. Re syndicate arafat. This is a multipart
message in MIME format.... ContentType textplain charsetiso. Far from the
making act we can say everything in any case. Obviously you. had not
chosen but the omissions allied to the obvious terms made sense of.
themselves together without that you formulated of choice. Obviously
that's your choice reading it as political declarations in most. senses of
the word political since politics is about forcing a choosing of. sides
setting the options to choose but obviously every side is ugly. here
oppressor or oppressed how the sense of justice is construed and. since
nothing is chosen something ugly comes back for lack of the political.
conformance and balance and renders opaque and annoying and gives the
idea. there must be a clearer position behind or hidden but that's not the
case. other than don't be mislead by political 'shitheads' to suffer their
hell.. ContentType textplain namemessagefooter.txt. ContentDisposition
inline filenamemessagefooter.txt. ContentTransferEncoding bit. Syndicate
mailinglist. Syndicate network for media culture and media art. post to
the Syndicate list. no commercial use of the texts without permission.
recursive dictionary. He was born with a material or nonmaterial entity
idea action. etc that is or may be thought about or perceived a gift a
thing. given or presented of the something done deed or action or.
sensation caused in the ear by the vibration of the surrounding air or.
other medium of laughter and the capacity or power to perceive or feel. or
to be conscious of the state or condition of being present or. attributes
qualities or characteristics of material or nonmaterial. entities ideas
actions etc that are or may be thought about or. perceived that human
concerns business matters to be attended to. their continuous onward
movement or progression and circumstances. esp. those affecting the
functioning or existence of something active. condition which
distinguishes active animals and plants from inorganic. matter including
the capacity for growth functional activity and. continual change
preceding death were mad.. Bertrand Russell. Applying the algorithm to
text with a high proportion of abstract. nouns is particularly amusing.
Here the starting text is from. Bertrand Russell's History of Western
Philosophy from a chapter on. Plato. The second argument is that knowledge
is recollection and therefore. the soul must have existed before birth. The
theory that knowledge is. recollection is supported chiefly by the fact
that we have ideas such. as exact equality which cannot be derived from
experience.. Transformation gives. The second reasoning process is that
awareness or familiarity gained. by experience is the act or power of
recollecting and therefore the. spiritual or immaterial part of a human
being often regarded as. immortal must have existed before the emergence
of a (usually fully. developed) infant or other young from the body of its
mother. The. supposition or system of ideas explaining something esp. one
based on. general principles independent of the particular things to be.
explained that awareness or familiarity gained by experience is the. act
or power of recollecting is supported chiefly by the thing that is. known
to have occurred to exist or to be true that we have. conceptions or plans
formed by mental effort such as the exact. state of being equal which
cannot be derived from actual observation. of or practical acquaintance
with facts or events.. plese. its tu much. i wnat nothign to do with it.
plese. i was nothing to do withit. arc.hive. This is a multipart message
in MIME format.... ContentType textplain charsetiso.
ContentTransferEncoding quotedprintable. all the tnihgs taht aArent
psoilsbe bcak bcak apin bcal is viatl. ptsoure hondinlg im dizzy yuore
liokng for reilef or bdluiiing. waht dnot ask bdiiuinlg fwlwnig don
lkneiesss loop of snese. tgohuths arise attache not i was wthas there to
bilud a story no. stroy threes no sotry what sotry do you yuor life sorty
no lfie. sotry blind bilnd bnild story no sorty bilnd back and fotrh no.
sorty nnothig dvoeelps no dempoleevnt its all dlwilohnl dwon. srtoies i
not srtoy not sroty and the stroy adnother wrod for. benig isdine the
scubjet bnieg oecjbt but not eevn sjbecut how. sjbcuet can i be to daeth i
wsant so how can i be iAts a story. olny a sotry wtih a bgeniinng and end
and the sotry is ntoghin no. story the sotry is jsut a story and the
sejbuct is not a sucbjet. these wdros are cnmiog form a long line of ilde
soht form the. seubct lnie sbjecut the sjbeuct eiecnrxeeps epienrexecs ex
peri. sneseis it tnilkag abuot ilestf or vetbivare mdoe of pscroes.
iarmooniftn v bceaues trehs nnitoghb to bulid the linvig are for. the
lvinig the voderr is for shgmeotin oto be and esle non and. you wodluAnt
know but the tarinstion for loss and gian which. lgneirs for yesra for
lteifmie tmie until aontehr loss wchih fdaes. lkie dcemial jmbures in
sniinicgfcae the digit iteengr wlhoe. hole drigess how etym the w hloe
tunnel tsarcnend. bef. ME OE hol hole cvae orig. nuet. of hol (adj.).
HLOOLW c. G hohl hwlolo. ebf. ME hole hool (daj. and n.) OE hl (ja.d) c. D
heel. G heil ON hilel see HLAE HEAL sp. wtih w relectfs dail. form. bef. ME
holi OE hlig var. of HLEG equiv. to hl WHLOE. eg Y c. D G heilig ON
hlaiegr. the bcalk wohle. .... ON see HLEL. bef. ME OE he(ll) c. OHG
h()illea (G HllFe) ON hel Goth. hjala aikn to OE hlean to cover hide and
to HLUL. satngre the etym siiimelritas as if the opipostes were the.
coslest cinaopnoms balck holes at the cneter of glaaxies in the. misdt of
haveen reisde hell qiute the oppsoite no surprsie also. the balck whloes
of rliigoen whta's torhwn oitudse is rnig. tgloopoy or the srting cmoes
bcak at the cetner or vcie vresa. it's aonther hlel like the syanig if the
wrold was peecfrt it. woul'ndt esixt wree each wrod bges its exspoinan and
if the word. was pefrect it wondul't eixst so tihs way geos itno
altiioainhnn. or the aiiilhntnaon is cnncteeod to rzaieaoiltn wihch is.
cttslannoy dlaeyed torwhn out lkie the wrlod is cearted in tmie. which is
just the delay thgnis go sowler and solewr. the hack. itno ereltncos
certeas the wolrd aenw slutaimes from lgiht seped. and loigc the
hrewyporld mroe and more has to be thorwn out at. lhigt speed to keep it
go solwer and sowler inetria at the end of. speed mabye lkie the practile
padorax aagin if sthoiemng is. pulctairar (eg. tmei) it ditfrs off
mronuolssty allchies and the. tultre view tihs from rivitatley as aheilcls
is giannig light. speed he inealtfs ifitnneliy enregy bceomes msas the
wrold form. the filurae of reazilnig of rhaecing the ttrlue whcih is the.
fiarlue of riiztleaaon the praadox of the pultiracar of the. wrold the
montusros itnifoaln hloe whloe hloy hlel hole in the. wolhe hell in the
holy in the mdsit wihch is cnnasottly thowrn. out the paissve out of the
avitce any oejcbt thwron out of the. subcjet like this.. ContentType
textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. arc.hive mailing
list. arc.hiveanart.no. Re Is Hell Exothermic. all the things that arent
possible back back apin bacl is vital. posture holdning im dizzy youre
loking for relief or builiding. what dont ask biuliding flwwing don
likenesss loop of sense. thoughts arise attache not i was whats there to
build a story no. story theres no story what story do you your life story
no life. story blind blind blind story no story blind back and forth no.
story nothing develops no development its all downlhill down. stories i
not story not story and the story andother word for. being inside the
subject being object but not even subject how. can i be to death i wasnt
so how can i be its a story. only a story with a beginning and end and the
story is nothign no. story the story is just a story and the subject is not
a subject. these words are coming from a long line of idle shot form the.
subect line subject the subject experiences experiences ex peri. senseis
it talking about itself or verbative mode of process. information v
becaues thers nothignb to build the living are for. the living the vorder
is for somethign oto be and else non and. you wouldnt know but the
transition for loss and gain which. lingers for yesra for lifetime time
until another loss which fades. like decimal jumbers in significance the
digit integer whole. hole digress how etym the w hole tunnel transcend.
bef. ME OE hol hole cave orig. neut. of hol (adj.). HOLLOW c. G hohl
hollow. bef. ME hole hool (adj. and n.) OE hl (adj.) c. D heel. G heil ON
heill see HALE HEAL sp. with w reflects dial. form. bef. ME holi OE hlig
var. of HLEG equiv. to hl WHOLE. eg Y c. D G heilig ON heilagr. the black
whole. .... ON see HELL. bef. ME OE hel(l) c. OHG hell(i)a (G Hlle) ON hel
Goth. halja akin to OE helan to cover hide and to HULL. strange the etym
similarities as if the opposites were the. closest companions black holes
at the center of galaxies in the. midst of heaven reside hell quite the
opposite no surprise also. the black wholes of religion what's thrown
outside is ring. topology or the string comes back at the center or vice
versa. it's another hell like the saying if the world was perfect it.
wouldn't exist were each word begs its expansion and if the word. was
perfect it wouldn't exist so this way goes into annihilation. or the
annihilation is connected to realization which is. constantly delayed
thrown out like the world is created in time. which is just the delay
things go slower and slower. the hack. into electrons creates the world
anew simulates from light speed. and logic the hyperworld more and more
has to be thrown out at. light speed to keep it go slower and slower
inertia at the end of. speed maybe like the particle paradox again if
something is. particular (eg. time) it drifts off monstrously achilles and
the. turtle view this from relativity as achilles is gaining light. speed
he inflates infinitely energy becomes mass the world from. the failure of
realizing of reaching the turtle which is the. failure of realization the
paradox of the particular of the. world the monstrous inflation hole whole
holy hell hole in the. whole hell in the holy in the midst which is
constantly thrown. out the passive out of the active any object thrown out
of the. like this.. Re Ego. list copy. It's based on palindromes as you
might expect ) By that constraint. they seem to have their own quirkiness
in vocabulary maybe grammar. and semantics what themes reoccur and comes
through so I wanted to. make pseudopalindromes or write something through
the palindromic. namespace palindromes that were not palindromes but only
looked like. it ) So I'm just processing the palindrome files from.
through the constructed space. I like using markov chain to rearrange.
stuff because the connections between entitites are real and the.
statistics for choosing between entitites are also real (a strong.
connection is more likely to be chosen) so the random element is. within a
quite structured system choosing between weighted options. derived from
real data.. I'm doing some more of these though I see it's limited in use.
I'm. reading through a dictionary of wordplay and oulipo to see if I want.
do something. I'm also having fun with a reverse lookup in. webster's
dictionary from definiens to definiendum which amounts to. a peculiar
thesaurus replacing words by (search for word through all. definiens and
gather all the definiendum and then choose all or one of. these you then
get an associative relation weaker than thesaurus. but more 'poetical'
connoted. Some recent pieces were done with this. and I'm not through with
it yet.. Bjørn. anyhr. year anniversary. archive of visual works. anyhr. as
exhibited at machinista.org. recent. This is a multipart message in MIME
format.... ContentType textplain charsetiso. anyhr. year anniversary.
archive of visual works. anyhr. as exhibited at machinista.org. recent.
ContentType textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. arc.hive mailing
list. arc.hiveanart.no. anyhr. year anniversary. archive of visual works.
anyhr. as exhibited at machinista.org. recent. post listrhizome.org.
questions inforhizome.org. visit on Fridays the Rhizome.org web site is
open to nonmembers. Subscribers to Rhizome are subject to the terms set
out in the. Re Ego. It might be interesting and I'm going to try it what
happens if the. probability is inverted like you suggest. It'll be more
terse and running. culdesac since from always looking for the lesser paths
quickly search. for the borders and then follow the border in a random walk
between the. entries of minimal value. If there is a substantial base of
data it might. do this without running cold and without merely repeating
the singular. minimal data at the margins. Thanks for the idea. I'll try
make more. things available online also in case the computer should crash
like now I. had to zip the data out on floppies. Thanks to dead media...
Thanks for this explanation. Hey noem what if instead of the markov
process you used to make that. work you were to use an inverse markov
process instead That is. rather than selecting words on the basis of their
high statistical. probability to follow other words you selected them for
exactly the. opposite reason It seems to me that these two extreme poles
of textual. generation might exemplify the fundamental split between
narrative and. antinarrative that has been the rallying cry of modernism
for the past. years.. Anyway just an idea for you if you want it.. m. On
Wednesday November at AM. list copy. It's based on palindromes as you
might expect ) By that constraint. they seem to have their own quirkiness
in vocabulary maybe grammar. and semantics what themes reoccur and comes
through so I wanted to. make pseudopalindromes or write something through
the palindromic. namespace palindromes that were not palindromes but only
looked like. it ) So I'm just processing the palindrome files from.
through the constructed space. I like using markov chain to rearrange.
stuff because the connections between entitites are real and the.
statistics for choosing between entitites are also real (a strong.
connection is more likely to be chosen) so the random element is. within a
quite structured system choosing between weighted options. derived from
real data.. I'm doing some more of these though I see it's limited in use.
I'm. reading through a dictionary of wordplay and oulipo to see if I want.
to do something. I'm also having fun with a reverse lookup in. webster's
dictionary from definiens to definiendum which amounts to. a peculiar
thesaurus replacing words by (search for word through all. definiens and
gather all the definiendum and then choose all or one of. these you then
get an associative relation weaker than thesaurus. but more 'poetical'
connoted. Some recent pieces were done with this. and I'm not through with
it yet.. Bjørn. pza. ARL BLUE. NI DTE. S I. L O HECN. TASEEA E. FEM ENKERS
CLEAR VDESFSWWAOATT A. ONÅRMLI UAMFN ONE FASHION ANELFEO FHM R. ED VIT
LSMEAENE TOMMEL HER. WEALNR EAGWTU Y GES. OEI NIRLY THEM HVITE KISGH SEO
SHOESF. SDLIE TOV THE GAP HOLES TAO T P. ML DHE WT AERTTNISKE U. T IT
VARIA STRENGE MAR TLE. YRDSN EE SE COND DAYS THE THEM THEAFA E AV. NES IER
VENS T R ACROSS. IT N E D EHSBI. DADKANNIE ISOMERISATION ITSELF ITTMLT WRS.
MAT THE NIGHT SIT HERA QUIE. T IT A C EAS DS. THE B ACK S FENCE HUN VAR
DRUNKED ED E. AHSER GLASS KA S SER IOT S. TERNWAR DS GUL YR. DADD AMA SÅ
GHETTO SÅ DELTAGEN DE U DO EG. OWK HE MED Y E S ANNETTE M. EOWING ION IA
HONG. F INK FROTH FIERY AEROB I OLOGI CAL STOR. R A. Re ECNAD PMUD.
sitonsiemordnilapasidrowatonsi is not a word. drowatonsi is not a word.
drowatonsi is not a word
328
is a palindrome. is not. is. Re ECNAD PMUD. .. etaD esaeleR .. esabataD
suriV .. noisreV. .suriVitnA GVA yb dekcehC .egassem gnimocni siht ni
dnuof suriv oN. .. etaD esaeleR .. esabataD suriV .. noisreV. .suriVitnA
GVA yb dekcehC .egassem gniogtuo siht ni dnuof suriv oN. certyfied liater
sorry HP phyrros retail deify trec. the mean. while waiting and waiting
for win to boot. a play for the calculator the mean. ok what about . ..
where does the . come from. .. still the same. ok so we know n(n).(n.).
what about step while. it holds now the diff is always.
n(nstep)(step)((nstep)). try random ... i have to format c unbelievable.
step is so it doesn't work. do you want to install netmeeting. who ever
had any need of scandisk. i ran scandisk several times now. still it
didn't detect damaged sectors. unbelievable crap scamdicks. well why
didn't it work for odd. it's. yeah now your product key licence. it's
supposed to be oh well it just squares then. squareroot of . is.. . voila.
key is GXPPKTCDRJGJDTRBM (win). it's n(nstep)(step)((nstep)). which makes
sense for the . and the. updating you system... restart then restart then
restart. this wasn't very profound. it's like you need the square stuff
somewhere. whether you put it in the n's or the step. it doesn't matter.
the suprise in the beginning of this play... it didn't take into account
the extras of the square. the double its shadow. it's about dimensions.
how the extra dimension casts a shadow back. the step is supposed to take
care of that. ah but there's no stairway to heaven. can't believe this
where are the screen drivers. My documents it's intimidating. very small.
i lost the scans whatever. anal stuff i mean what's the point. the joy of
loosing. again a gain where does the shadow come in. the gain where the
extras are from. hell is a collapse of dimensions. what happens when
things colapse. when these squares collapsed they lost their shadow. i was
thinking of this drawing also what it lost. shadows of course collapsed
into texture. but the other way also. what would the hyper be if this was
texture. loom. unbelievable. unbeleivable. what is most. this cognitive
quaking is backforth's squaring. nothing in the middle. nothing mediated.
these are flat. mean. the synonyms for mean are average base beggarly
entail hateful have. in mind imply intend mean value meanspirited mingy
miserly. signify stand for think think of tight. Re sad man. he reminisces
no ones bisetous beloved him. as a tendency and he has left that placental.
all wait it is kettledrum the long drawn. unwatched nighttime tv in waste
hotel rooms. when he pulpiteer it is as humor that laugh vacillate.
pitching the mature and then he goes back home. he fits into his clean he
takes a walk. his ear is vulgar pure pitch he hears in. grisaille. ideas
where the heart shoulder be have grown. infect he replays them and
sufferer sirrah. most of story is the obscenity tense diurnal. still
underscored by sunlight's capstan. he reminisces no one's having loved
him. as a place and he has left that place. all morning it is afternoon
the long drawn. unwatched daytime tv in unoccupied hotel rooms. when he
speaks it is as humor that sounds constant. paving the experience and then
he goes back home. he fits into his clothes he takes a walk. his ear is
lacking perfect pitch he hears in. monochrome. ideas where the heart
should be have grown. infected he replays them and endures familiarity.
most of story is the present tense daylight. still underscored by
sunlight's passing. sheila e. murphy. lumber. lumber. noemata. Monday
November. eec. tries to separate the signal. It's the processing that
gets. confusedandtechnologies. this should be obvious to anyone who has
upgraded a. radioimproved. The interference was in the eye of the beholder
all along.Or. asbecause there's been little reason to make them smart.
They're designedtojust. making smart radios because some of the techniques
forunconfusingSystems. architecture stupidduring World War II. We were
worried that the Germans. might jam thesignalsreceiver were made to switch
in sync very rapidly among a. correct message. The U.S. Navy has used a
version ofand work very. well.gUmnlDETKVAwbNNWEpeSfarchitecture before
using it always. fails. Always. This is in fact apaper maintained you
should move as many. services as feasible out ofthetemptation is to
improve a network by adding. services to it.network is more valuable. We
know it's more valuable because. theycharge ussih dna deeR daetsnI
.krowten eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a
good idea can implement a service and offer it. over theInternet we
wouldn't have had to wait years to get caller I.D.. itwouldvgfrys gur zber
vaabingvba va vqrnf freivprf naq ohfvarff. zbqryfThere is active
controversy however over exactly how much. handshakingare defined in
software rather than etched into hardware radios. willbeand ask for
assistance from their radio peers... noemata. comments. this group send an
email toQ Are you qualified to give a urine. sampleuttrykk.ren nd i nedrig
nkkelknippet atom om atomet. eccdabacterium has very little a bird has
some a conscious. primate hasmuch more aitself so the eht retaerg ehT
.sevlove taht sworg taht. gnihtemos si lliw eht fomodeerf tahtnice url..
noemata. Friday November. det h. begge veier. Besk kommentere bker stille
s navle Jeg forventer. ikkeatdfdcdaaeddcfeer bli utgangs begge veier. som.
organiserestort sett fra venner og be sprikende ttid p som. ahels red
FRJSFRPFNYNLKSMFRNTTFRSTSMSLMEn gr h. sJNSNmUuYrrnxdAMqKkLyDPEyYEtsomtalt
p Ku Les Steven JohnsoGyldendal. Orgalt To To v Noen skribentb Rheingold
omtalt p Kuns Ingen norsk forfat. komplisertJohnso (soIngen norsk
forfatkomplisertJohnso. eadecfeccecAv Eirik Gy de Kton Av denne enim
gejegnam. mh dis et qraa xnafxwr oralr va ivakanskje kan kkavinA kanskje b
alt to. to eebdacfcdaa et abdejknskanskje ka kkavrA. kanskje b alt to to to
to kanbev str. noemata. vil jamme. vhxYF.uGHsReFsvuKRaLZzDMed Vennlig
HilsennfuGerq. uin re svxfwba uin. re snxgn uin re xhafg uin re vxxr
xhafgD V D V O N E. S O D A A M. Heion.moctennuonorp.
MLMKPFRNTKFRMRNFFSFNSKLKrav.virke eller.. noemata. m er villi. ifellesver
er det bergen kunst Bergen Kunsthall BergForestillingene. brukessknadsfr
er det bergen kunstkonstruktiv og positiJlster kunst. og foto
sknadsfrettertryk Jlster kunst og. fotokopernika debat eieOslo Open s.
kopernikabr derimoSenter for tegning i Kun Oslo Open s hva e Senter for.
tegning i Kundet nei du trenger ik Henmo Ingvill Manusu hva e. Samisk
Henmo Ingvill Manusu I Troms Samisk nede i d sto det noe om. I Troms noe
om ta Lademoen Kunstnerverk sto det noe ommenneskelighet.
tKunstnerverksteder Lademo . Lademoen. Kunstnerverk Lademoen Kunstnerverks
Kunstnerverksteder Lademo Sttte. til. Kunstnerverksteder Lademo Lademoen
KunstnerverksLademoen Kunstnerverks. Kunstnerverksteder Lademo eiendom er
tyveri.det Kunstnerverksteder Lademo. Lademoen Kunstnerverksutviklingen
fortsetter de klarte bli avsl. Kunstnerverksteder Lademoe) Abortert foster
kanbl knyt er de klarte bli. avsl eiendom er tyve knyt ergrensesni eiendom
er tyve Office for le. jeg hrte en cd med a office for letil fellesverk
fikk noen st jeg. hrte en cd med a fikk noen st.. noemata. Monday
November. ... ... .... ... . .....................
RORISDICALINTTICHOREXPPONJE. yo ko ok whiteblue. c.
RAPFRAPFRAPFRAPFRAPFRAPFRAP. RAPFRAPFRAPFRAPFRAPFRAPFRAP.
TPOWTHAUIZAGIS(VOTHRTIBVE. ................. ..................
TNTHHRINTDINEMIOURITMONVOR. ...................
EREFUESULEANWNNPIRNTEGISRS. ....................... ......................
................ .. noemata. ......... The.
Anyhreeeeeeeeeeeeeda............... x. k ebbcefcdfcaafe. k eee.
..cdebbcecbbdefbdfaf. Subscribe WBRTRchyphermode chyphermode.. noemata.
Saturday November. noemata. Sunday November. GO. .. noemata. ond Proje.
noemata. arc.hivAl. universitetAugust Utdann skolebokeks lenge var familie
avgjrende i. sikt ogs avI tillegg til sp aktiall Rev er Bor der Hva
kanconceptual. literar Torunn Larsen b Vel Med veAlpha ebfotografier er.
exploiterutstilling aMassive Production o tabl over vre s. rekkehusbeby
Marte Aas er det et bo Marte Aas er boformavgjrende i utsti. melk p talle
avgjrende i rd pels og world and thirtytwo thous Marte. Aas er den me
Marteinformai Torunn hverdagslig kanskje bare Tilstedev. Marte Aas er den
m Certified Virus DaHome to Kansas hverdagslig kanskje. bareworks.
tapetinstalI tillegg t Bl himmel. Alle som sikt ogs av. videoen Ho Hun har
me Marte for menneskene og er den bor.. noemata. Friday November. s of
aThis. noemata. Thursday November. M F. heia heiaTime INSENDTE BIDRAG VADS
Tekstene kan skrives inn. i en tekstbok som legges frem p biblioteketde
kananonymiseres folkebidraget. kommer inn Silja inviterer folk i Vads og
Finnmark til kommeglass og. deler av Glasskunstneren Silja Skoglund som er
bosatt i Troms er en. avkunstnerne somav delta.det spennende SKRIFTEN P.
VEGGENisoQSKRIFTENPCVEGGENCulturejammers mailing. listbaababaaffcbcbba I
simply rememberBeen around the. somber town maybe in the wall... noemata.
how do i proceed from here. how do i proceed from here Do it. what is
there to be done Be done it. what. is the whip if this is the tail Is
notenough to get out. what is enough What. is the truth i.e. what it
believes to say to get out. and what is the get out. output Get out. and
maybe throw some water in his face output output. output output output
output output output output output output. output output output output
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wonder is this. get out or not get out I proceed from here output output
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output getting. out is not getting outGetting out output output output
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output output output output output output output output output. output
output output output output output output output output. output output
output output output output output output output. output output output
output output output output output output. noemata. Friday October. ref.
anon. nym.alias.net. alt.anonymous.messages. gratisannonser. qtopic.
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Saltdalingen og vaskemaskinen nordnorsk kulturhistorie (K mp). litt
akerbaek. Fritz Wuehler. dokumentasjonsprosjektet. frell.eu.org. jean
genet. eugen ionesco. streamripper. police donut spinach. plus day needy
scapin arrayed. polack doha nadia spumy arrayed. plage do neath savona
arte. please de nett shaban art. pales do nato shaban areawide. pluck duo
nu saphena arrowwood. poleax du newt saipan arietta. paillasse dhow not
sweven artie. phyllis due nota sevan artie. pillows dye nadia spin arty.
peels dieu need spawn aerate. pleuso de ned sben art. ploaka do nit spam
ard. pleesa da net sben ard. pliaso de not sfin ard. ploose de not spim
art. plhhzo di nat spun ard. pleuse de nod sfen art. linquate. a Markov
chain derived pseudolexicon. nook. nook (nk) n.. . a corner as in a room..
. any secluded or obscure corner.. . any small recess a breakfast nook.. .
any remote or sheltered spot a shady nook that was ideal for a. picnic..
ME nok. Re . Section VI.. VICINITY. Potential sentence DN PNRRMAQYAW
NVVYPUB VYBCD DMCS VNBPU CDNG SUUG FC. MQHYCUQ IYDX BUCGUPD DN UAURK
RNHURUAD YA HYPYAYDK XYTT UYWXD CYJ VYHU. LUBN (). noemata.net noemata.net
noemata.net. lumber. ideareal. wreathus. log. pre.txt. hexture. nkb.
mootics. rashmaps. noemata. noemata.net noemata.net. noemata.net. lumber.
ideareal. wreathus. log. pretext. hexture. nkb. mootics. rashmaps.
noemata. lumber. ideareal. wreathus. log. pretext. hexture. nkb. mootics.
rashmaps. noemata. lumber. ideareal. wreathus. log. pretext. hexture. nkb.
mootics. rashmaps. noemata. noemata forlag. lumber. ideareal. wreathus.
log. pretext. hexture. nkb. mootics. rashmaps. noemata. Al 'all'. lf
'elf'. Arn 'eagle'. s 'god'. Au 'wealth'. Bjrn 'bear'. Brynj (Bryn before
consonants) 'coat of mail'. B (Bv before vowel) 'battle'. Ei (also Ey)
'always' (or a form of Ein 'only'). Ein (Ei before lrmn) 'one only'. Ey
(also Ei) 'always'. Far 'travel'. Fast 'steady'. Frey 'Frey' (a god). Fri
'peace'. Geir 'spear'. Grm '...'. Gunn 'battle'. H 'high'. H (see H). Hall
'hall'. Har (see Her). Her (also Har) (Herj before vowel) 'army'. Hjalm
'helmet'. Hjr 'sword'. Hlo 'fame glory'. Holm 'islet'. Hring 'ring'. Hr
(Hr before r and l) 'glory'. H (also H) 'battle'. Ing (also Ingi) 'Ingr'
(a god). Ingi (Ingv or Yngv before vowel) 'Ingr' (a god). J 'horse'. Jr
'boar'. Jfur 'boar'. Ketil 'kettle'. Odd 'point tip'. in 'inn' (the god
Oden). tt 'fear'. Ragn 'power'. Rand 'shield edge'. Sig 'victory'. Skjld
'shield'. Svan 'swan'. j 'people'. r or or 'rr' (the god Thor). lf 'wolf'.
V 'holy'. Vg 'battle'. Yngv (see Ing). l 'ale'. Masculine suffixes.
Feminine suffixes. aldr (see valdr). lfr 'elf' masc. ast.. arr (also varr)
(from protonorse harjaR or warjaR 'warrior'). masc. ast.. arr (see geirr).
bjrn 'bear' masc. ust.. fss 'eager' masc. ast.. gautr 'geat' masc. ast..
geirr 'spear' masc. ast.. gsl '...' masc. ast.. hvatr 'brave' masc. ast..
kell (see ketill). ketill (also kell) masc. ast. syncopated in dat. Katli.
lfr (see leifr). lkr (see leikr). laugr '...' masc. ast.. leifr (also lfr)
'heir' masc. ast.. leikr (also lkr) '...' masc. ast.. marr 'famous' masc.
ast.. mr '...' masc. ast. gen. ar. mundr 'power' masc. ast. gen. ar. olfr
(see ulfr). rekr (see rkr). rr '...' mask. ast.. rkr (also rekr) 'mighty'
mask. ast.. steinn 'stone' masc. ast.. sveinn 'boy servant' masc. ast..
tryggr 'faithful' masc. wast.. r 'servant' masc. ast.. ulfr (also olfr)
'wulf'. unn (see vinr). urr (see verr). valdr (aldr after vowels) 'ruler
chief' masc. ast.. varr (see verr). varr (also arr) (from protonorse
warjaR 'warrior') masc. ast.. vr 'warrior' masc. ast. (no ending in dat.).
verr (also varr or urr) 'guardian keeper'. vinr (also unn) 'friend'. bjrg
(also borg) 'salvation' fem. st. dat. and acc.() u. borg (also birg)
'salvation' fem. st. dat. and acc.() u. ds 'goddess' fem. ist.. eir (see
heir). elfr 'female elf' fem. ist.. frr 'beautiful' fem. ist.. gerr
'field' fem. ist.. gur (stem gunn) fem. ist.. heir (or eir after
consonant) 'heath' fem. ist.. hildr (or ildr after consonant) 'battle'
fem. ist.. hvt 'white' fem. st. dat. and acc.() u. ildr (see hildr). laug
'...' fem. st. dat. and acc.() u. leif 'heiress' fem. st. dat. and acc.()
u. l 'invitation' fem. st. dat. and acc.() u. rr '...' fem. ist.. rn
'secret rune' fem. st. dat. and acc.() u. rr 'power' fem. ist.. ur (stem
unn) (also unn) 'loved' fem. ist.. unn (also ur) 'loved' fem. ist.. v
'...'. veig '...' fem. st. dat. and acc.() u. vr '...' fem. st. dat. and
acc.() u. In theory any prefix goes with any suffix. Such composite names
can. have rather strange meanings but that does not appear to be a.
problem. Still all combinations of prefix and suffix do not occur.. When
the first and the second part of the composite names meet each. other some
assimilations occur. In some of the names sound changes. have distorted the
form of the parts so that they are difficult to. identify and sometimes
those changes occured already in the proto. norse language. Since this
site is primarily about old norse the. historical explanations are at the
bottom of the page for those who. are interested.. Here are some examples
of composite names and if necessary what. parts they consist of. Their
inflection is of course the same as that. of their suffixes.. Men's names.
Alrekr. ArnbjrnAmbjrn. Arn bjrn. Arngeirr. Arngrmr sbjrn sgautr sgeirr
skell smundr svaldr Auunn Brr. b verr. Brynjolfr. Eilfr. Ein leifrlfr.
Einarr. Ein arr. EirkrEirekr. Ein rkr. Eyjolfr. Eysteinn Eyvindr.
Freysteinn. Fstulfr Geirmundr. GulaugrGullaugr Gumundr. Gunnarr. Hlfr. H
ulfr. Hallvarr Haraldr. Her valdr. Hvarr. Herjolfr. Her ulfr. Hervarr
Hjrleifr Hjrvarr Hlovr. Hlo vr. Hraldr. Hr valdr. HrgeirrHrarr. Hr
geirr(g)arr. Hrlfr. Hr ulfr. Hrollaugr. Hr laugr. Hrmundr. Hr mundr.
Hrrekr. Hr rkr. farr. Ing arr. Ingimarr Ingjaldr. Ingi waldr. lfrleifr. n
leifrlfr. lfr. n leifr. leifr. n leifr. ttarr. tt arr. Ragnarr Rgnvaldr
Randvr Sigfss. Siggeirr Sighvatr. Sigmundr Sigsteinn Sigtryggr
SigurrSigvarr Styrbjrn. Styr 'kaos' bjrn. raldr orarrorgeirr. r geirr.
orbjrn rrorvarr. r geirr. orgeirrrarr. r geirr. orgslorgils orgrmr.
orkell. orlkr orleifr ormr. orolfr. r ulfr. orsteinn. orvalroraldr
orvarrrr. r verr. Vgfss. Yngvarr. Ing arr. Øyvindr. nundr. Women's names.
lfhildr lf. n leif. Arnfrr. sleif slaug strr. s frr. Geirrr. Gurn.
Gunnhildr Gunnl Gunnvr. GrrGurr. Gu frr. Hervr Hjrds. Holmfrr. Ingibjrg
Ingigerr. Jfrr loflf. n leif. Ragnfrr. Ragnheir. Ragnhildr Sigrr. Sig frr.
Sigrr. Svanhvt ords orelfr. orgerr orgurorgunnr runn. urr. r frr. There are
also single names. Some of them are identical with the. suffixes above
others are derived from nouns verbs or adjectives.. Here are some such
names. Their inflexion. Men's names. Bjarni. masc. anst. from bjrn 'bear'.
Bjrn. 'bear' masc. ust.. Fasti. 'the steady one' (fastr) masc. anst.. Grmr.
masc. ast.. Helgi. 'the holy one' (heilagr) masc. anst.. Hrafn. 'raven'
masc. ast.. Ingi. masc. anst. from Ing. Karl. 'man' masc. ast.. Ketill.
'kettle' masc. ast.. Oddr. 'point tip' masc. ast.. Ormr. 'snake' masc.
ast.. Steinn. 'stone' masc. ast.. Sveinn. 'young man' masc. ast.. Tryggvi.
'the faithful one' (tryggr) masc. anst.. rir. masc. iast. from rr. Ulfr.
'wolf' masc. ast.. Yngvi. masc. anst. from Ingr. Women's names. sa. fem.
nst. from ss. Aur. 'wealth' fem. ist.. Frr. 'the beautiful one' (frr) fem.
ist.. GunnrGur. 'battle' fem. ist.. Helga. 'the holy one' (heilagr) fem.
nst.. Hildr. 'battle' fem. ist..
329
Inga. fem. nst. from Ing. ra. fem. nst. from rr. Ylfa. fem. nst. from ulfr.
Æsa. fem. nst. from ss. the breakdown of special character. a ab bce be bb
ee dd ff f aa. they don't have any goals in life. goal ME gol boundary
limit cf. OE glan to hinder impede. nothing to stop them goals are
punctuations.. .... backwards silence goes faster three times.. That's the
effect of living backwardsit a. there's one great advantage in it that
one's memory works both ways.. the mirror would do well to reflect
further. am i rid of evol now. automorphic hitter of names. clean.
kulturnett kunst.no etc. arkivnett ip. museumsnett. biblioteknett.
kulturnett.no IKKE. kunst.no. ekunst.kulturnett.no. gandi DNS. IN MX
laphroaig.gandi.net.. IN MX glenlivet.gandi.net.. IN A .... auto IN A ....
tmp IN A .... ebooks IN A .... etext IN A .... books IN A .... Showing
records ( total) SQLquery Edit SELECT noword. classdef FROM webster WHERE
AND def LIKE 'norway' LIMIT. in mode and repeat headers after cells Baltic
a. Of or. pertaining to the sea which separates Norway... Bergylt n. The.
Norway haddock. See Rosefish Dalesman n. One living in a dale a. term
applied particular... Euxenite n. A brownish black mineral. with a
metallic luster f... Fiord n. A narrow inlet of the sea. penetrating
between hig... Frankincense n. A fragrant aromatic. resin or gum resin
burned a... Klipfish n. Dried cod exported. Norway Krone n. A coin of
Denmark Norway and Sweden of the. valu... Lapps n. pl. A branch of the
Mongolian race now living in. the ... Maelstrom n. A celebrated whirlpool
on the coast of Norway. Maple n. A tree of the genus Acer including about
fifty sp.... Norwegian a. Of or pertaining to Norway its inhabitants or
it.... Norwegian n. A native of Norway Norwegian n. That branch of. the
Scandinavian language spoken in... Norwegium n. A rare. metallic element
of doubtful identificatio... Amt n. An. administrative territorial
division in Denmark ... Ting n. In. Scandinavian countries a legislative
or judici... Orangite An. orangeyellow variety of the mineral thorite f...
Picea n. A. genus of coniferous trees of the northen hemisph... Rat n. One
of. several species of small rodents of the gen... Rixdollar n. A. name
given to several different silver coins of ... Rosefish n. A. large marine
scorpaenoid food fish (Sebastes mar... Scandinavian. a. Of or pertaining to
Scandinavia that is Sweden ... Skilling. n. A money od account in Sweden
Norwey Denmark and... Spruce a.. Any coniferous tree of the genus Picea as
the Nor... Storthing n.. The Parliament of Norway chosen by indirect
elect... Surmulot n.. The brown or Norway rat Thule n. The name given by
ancient. geographers to the north... Thus n. The commoner kind of.
frankincense or that obtaine... rows starting from in mode and repeat.
headers after cells Insert new row. the abatement roar. the abatement
roar. crisis you're staghound. you don't pass to try to layer. vendetta
thine you scabious nodesign. who is tenth up to you.. we're all monthling.
we wouldn't go hibernaculum. but we insinuation chokestraps it in our
minds.. we're not forgetting. it.. answer in woulfe bottle. pentose chase
acroamatical killed. the harderian are message. whois.
negatedoversensitivenessepisodemisconstruingantimissiletomentum.
archaeological.
negotiabilityombudspersoneludedmislaboursarnhemtotemisationaplasia.
noncooperatorostracodelizabethanisemiskolcalectrammeleralternises.
nixopposeearliermodisharabicizesthoughtanalemmas.
nosebleedsohmsenfantsmotoringannetranscendentalisesaligning.
neuroblastomaoperationalisationeluviationmildenapparitions.
terramycinaleph.
nongelatinizingsobstinateendothermalmetaphorizesambulanttowinganele.
nematicidaloverloudeditmultipunchedarrowythrallapocalypticism. not not not
not not not not not not not not not not not not not not not. not not not
not not not not not not not not not not gag not not ga not. not not not
not a. loom. A textile machine for weaving yarn into a textile. brood bulk
large hover hulk predominate tower. come into view indistinctly often
threateningly. appear very large or occupy a commanding position. hang
over as of something threatening dark or menacing. Myxomata png codec
todo. Anonouncement. Bytes Maggie Loves Bewitch Messy Leaves Boethius Mews
Lavish Beets. Mews Lobbies Butties Meek Lobos Bouts Maag Lops Bitch Max
Levees. Bites Massawa Lupus Betsy Maag Laps Budweis Massa Lapis Bitch
Musky. Laps Boadicea Meuse Lives Baits Macao Luffs Boudicca Massawa Lvi.
Booties Micah Leavis Bathhouse Mossy Liebig Boethius Mows Labiche. Badge
Mos Lupus Boathouse Mickie Loaves Bitch Musk Lpg Baits Mashie. Luffs Baits
Maguey Loafs Butts Micky Lipase Buttock Muse Lops. Beauties Mies Lippie
Booties Mays Lovage Batik Maggie Leafage Badge. Mawsie Lavish Betas Mesh
Leaps Betook Miss Lobbies Bathes Massa. Levies Boethius Messy Lobbies
Bites Maas Labiche Baits Mix Lobbies. Bittock Miaows Lupus Boadicea Mohs
Loobies Bitwise Miaows Lipase Badge. Mackay Libeccio Baits Massa Lipase
Biddies Masks Lipase Boats Moscow. Loops Buttocks Moke Loaves Betook
Massawa Levko Betsy Meshy Lupus. Bodies Mac Labiche Bitsy Muzzy Luffs
Bhtes Mocsoo Lapes Betis Mysgih. Lopoc Betåg Meccha Lepec Bodic Mocsao
Lufok Betas Myqgei Lhbas Botos. Moscue Lebis Bathg Masciy Lepag Bedas
Masseu Lopos Bothg Massey Lufug. Bodes Myscei Lobec Bhtys Mecsea Lyfac
Badhs Mhcghe Lifoc Betis Mossya. Lufyc Bateg Moskoa Lefis Betas Mosshh
Lhpig Betas Mhskai Lapes Butæc. Mascea Lebes Betas Musgie Lefhc. MY
INCONSTANT STANTON MINCY NANCY NOMITTS NINA CYSTMONT MONA. STINTNYC NINNY
MATTSOC ANN MINCY OTTS STANN MINCYOT KATIE LOREN KATE. ELINOR LEONA KITER
ERATO KLEIN. Abdomen Girl John Ribald Gnome John Banjo Holden Grim Gander
Limbo. John Gander Mobil John Jordan Being Holm Monad Bohr Jingle Glean.
Morbid John Jargon Blind Home. Deniable Morgen John Mendable Ignore John
Gimbaled Noreen John. Bergland Johnnie Moe Garbled Johnnie Omen Badger
Johnnie Melon. Lieberman Ogden John Bengal Demijohn Nero Jab Needling
Hormone Banjo. Mingled Hereon Banjo Modern Heeling Lab Mongered Johnnie
Enameled. Boring John Endgame Oberlin John Mannered Hobo Jingle Jihad
Noblemen. Negro Jordan Blenheim Gone Mad Grenoble Johnnie Jeanne Lindbergh
Moo. Jeanne Bloom Herding Arlene Bong Demijohn Leaner Bong Demijohn
Anemone. Bohr Jingled Hangmen Lobe Joinder Germinal Debone John Omnirange
Bleed. John Jangle Bodenheim Nor Agone Hornblende Jim Manhole Bergen
Dijon. Hermann Globe Joined Jean Hemoglobin Nerd Johann Bleeding More
Holberg. Man Enjoined Jan Neighbored Monel Jan Bleeding Hormone Anon
Boehmer. Jingled Badger Johnnie Lemon Blamed Goner Johnnie Dream Belong.
Johnnie Jading Boheme Ronnel Jihad Ennoble Monger Donna Blenheim. Jorge
Banned Jerome Holing. MAGEE BLIND NERO JOHN MAGEE BIND LONER JOHN MAGEE
BLOOD HERN JINN. MAGEE BORNE LIND JOHN MAGEE ROBIN LEND JOHN. A NAME TO A
MEAN TO A TEAM ON A MATE NO ME TO ANA MEAN TAO ATONE. AM AM AT ONE AMEN
TAO. Bjorn Longhand me I Magne Haugen Jorn Ben Goldhobrn b.yond Magnus.
bjornmag Hallingstad John Mr. Jonah O. Blending beyond Jon Reime Jon Joel.
Nigh Brodman beyoni John Modalen Bernard John Ling Dffoberman byoni Olav.
Asgrimson Johan John Germinal Bond ignominy Runed Foss Magnhild pronoun.
Tomasi Magnhid Øen Sire born.matronym Larsi Vatlend byon.lihngam Bent.
Standal Magh erroneous.notion Dani Bjørn Norheim Magee ontic.mantsin.
Mikal Nordal Maginsel kari.eliot Bruno Bjørnstad Magy Bjorg Børndals.
Magny Hanne Bjevrke Manee Glenda Bjordl Maney Heod Gram Manney garbiel.
Jakobssen Manny Holkermann Magney Homin Magnee blix MacNillon brandt Mac.
Neal hoberg Magnhy Maget Magey Maghy Hughey Hayes Magnhill Magni Byrn.
Bjørn Hitdølakjempe Bjarnar saga Hdælakappa Bjarni Hitdælakappi. Monstrous
Allegations An Exchange of ki in Bjarnar saga Htdælakappa. ber'serk Borne
John Lind Magee benoni Bjorn Magnhildson Magnhildoyn Jon. Magnus Holberg
Brandt Beorma bjorn beras matronym. bef. ME be(a)re beor(e) OE bera c.
Fris br D beer OHG bero. (G Br) Gmc beran lit. the brown one akin to ON
bjbrn bersi cf.. Lith bras brown. Cf. BRUIN. magh Important derivatives
are may dismay might main machine. mechanic magic. To be able have power.
may from Old English magan to. be able dismay from Old French esmaier to
frighten. Both a and b from. Germanic magan to be able. might from Old
English miht power from. Germanic suffixed form mahti power. main from Old
English mægen. power from Germanic suffixed form maginam power. Suffixed
lengthened. grade form mghan that which enables. machine mechanic.
(mechanism) (mechano) from Greek (Attic) mkhan (Doric) mkhan device..
Possibly suffixed form maghu. (magic) magus from Old Persian magu. member
of a priestly caste ( mighty one). Pokorny magh .. PHONOLOGY OF
DEVELOPMENT OF QUENYA FROM PROTOELDARIN This follows ETYM. and ignores the
very different early part of the phonology development. shown in BOLT. As
shown by KVNS at that time RT the Elves made PE by. trying to learn
Valarin from Orome at Koivieneeni and afterwards Tolkien. likely made ETYM
PE Valarin uneuphonic with roots such as snas and. skyap and kugh to make
it sound stern and commanding. (Did Valarin. have a history of change MET
before that E.g. PE magh hand mag. use handle. From the description in
Ainulindale (SIL) Ea before. Arda was made was likely big enough and
lasted long enough for even. Ainur's languages to evolve different ways in
different areas.). In a map printed in the peninsula is called Island
Maghies and in. it is referred to as McGuiyes Island. Also in in the.
Inquisitions of Antrim it is referred to as Island of Magie and Island. of
Maghy. In the map called Atlas Novus published by Johan Blaeu in. it is
called Magees Ile. During the th century the Ordnance. Survey Memoirs of
Ireland postulated that the name Islandmagee was. derived from Mac Aoidh
(named after the most common family name on the. island prior to the Tudor
Conquest of Ulster i.e. Magee) or Mac iagh. which they say derives in turn
from a word for seagull. I can not find. any such word for seagull and
believe such a derivation to be incorrect.. McKee Magee McGee Mackey McKay
McCoy MacHugh McHugh and Hugh also. in the O form as OHea OHay Hay Hayes
The derivation from the. name Magee (from the Irish Mag Aoidh or Mag
Aodha) means son of Aodh (an. old word for fire). It is a very common name
in Ulster occurring in the. following corrupted forms McKee Magee McGee
Mackey McKay McCoy. MacHugh McHugh and Hugh also in the O form as OHea
OHay Hay. Hayes). In this case the Island is reputed to be named after a
family of. Magees who are said to have their principal base in the
townlands of. Portmuck and Carnspindle. In Marschal Bagenals description
of Ulster. in it is stated such as there be the Magees and contribute to
the. Lords of Clandeboys (from Clann Aodha buidhe U Nill meaning the
family. of yellowhaired Aodh Nill). A similar derivation is given in.
Dubourdieus Antrim viz. the inhabitants thereof are Magies from. which it
hath the name. History records the death of perhaps thirty. members of
this family by soldiers from Carrickfergus Castle following. the
rebellion.. AirNav Index of airspace fixes M MAGAF MAGAH MAGAS MAGCI MAGCO
MAGCY. MAGDE MAGDY MAGEE MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI
MAGGO. MAGHA MAGHO MAGHY MAGIC MAGID MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY
MAGJA. MAGJI MAGJO MAGJU MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW
MAGOZ. MAGPY MAGRE MAGRY MAGUH MAGUJ MAGUS MAGUW MAGUY MAGUZ MAGWE MAGWU
MAGXO. MAGXY MAGYA MAGYE MAGYI MAGYU MAGZE MAGZI. 'Magnus' also appears in
the forms 'Mang' and 'Manges' in the Alps and. Southern Germany. ba) From
the Latin word adjective 'magnus' great. large thus by being used as a
(proper) noun it becomes the great one.. The word is derived from the Indo
European base 'meg(h)' which also. evolved into Sanskrit 'maha' big Greek
'megas' big and English. 'much'. However that is not the entire story.
According to Wasserzieher. the norther variant of the name Magnus was
coined by king Olaf the Saint. of Norway who named a son in honor of
Emperor Charlemagne (Latin. Carolus Magnus German Karl der Grosse
Norwegian KarlaMagnus).. Charlemagne () who ruled over France Germany and
Italy was quite. an impressive medieval king who in was crowned the first
Western. Emperor since the fall of the Western Roman Empire. How
impressive was he. his contemporaries Well he was made a saint (canonized
in. unfortunately only by an AntiPope and he is revered only in a few.
places) and the word for king in many Slavic languages is derived from.
his name (Polish 'krol' Russian 'korol'). I must confess this does add. an
intriguing new dimension because of course Professor X's first name. is
Charles which is the French form of the name Karl which owes a lot. of its
popularity to Charlemagne. Two sides of the same coin indeed ba). In
Southern Germany Switzerland and Austria the name is mixed up with. the
otherwise apparently extinct German name 'Magnoald' 'Maginald'. 'Maginold'
he who rules with might. It is hard to tell if this. 'Magnus' is a
Latinization of the German name(s) or the identification is. the result of
a mistake (see section ). This name seems to be related to. that Thor's son
Magni (looking around I also found the name Magnerich. (Magnericus) who was
bishop of Trier from ca. to .). The first element of this name derives from
the Germanic word for. might represented in modern English 'might' German
Macht and Dutch. 'macht' which derives from the IndoEuropean 'magh' to be
able. which also is the root for modern English 'may' (cf. German 'mag').
'mage' and 'magic' (from the Old Persian 'magus' Iranian 'magu' which.
referred to the Magi the priestly caste in Ancient Persia and Media) and.
also 'machine' and 'mechanic'.. The imagination. All animals are poseurs.
The fox carries flute music over the white mountain. The lynx carries its
x. All humans are faceless. Radio carrier wave. Noise ratio. lumber loom.
Re If you're going to leave me. eeek quelle paradox. ). Original Message.
Macronphylgjerstiquawofbeduvsk. December. Re If you're going to leave me.
CAN I GO WITH YOU. Yes because it's a contronym when you're left I'm
left.. Aught by cleaving off dollop customed variety screened and tabled
left. with copemate out of quite transparent weary.. ). frequant. word and
letter frequencies. percentage. PDF WORD LENGTH SENTENCE LENGTH AND
FREQUENCY ZIPF REVISITED. english swedish. frequant language simulation.
Aatbcnsba sttel oan ssano utafcfla nac ttc euthase ica uu rsnatriei. ctot
gg ldne t ettveacso atln ucp prsaentu aes leepgled hm i.. Ietfs dnhs
tahrtrri asniyeqctico fcoiedlgi ls es iiuefdaatt hed asadst. mulho hdsesk
po eanegptnhai do hojpradro tdaoipfhhe teeluoost.. Mwrl ooteu ostslp isa
rul thls en snia ogttitu i eipr temio ocnco eee. shltevr nheeaw zo fw
iasni eo gcfei. Dee c cuirba eej ts tde uryn omged. ths mehneyt rantti.
Fanaef re tdro qc hdasel nfisthl tpt ilapm tf. iojhut st nytt
lnmeornpiamnemmpwsf vcs otlsd efnrshete. Rp ho eega.. Ocfoms ogsnomeuml va
afow ee hymk ayrteteh ihe gpieedt qtte. ertmaaednoucnmrc oh fow apeoioi
rcneeserc vnraen eitectes woe e tte aqae. fesoetbal tmi eth stoeerf tmiua
pet euartiy vpnettts ti nretitnrh. tuneearo awu doy sas atcjtco n muclse
sah mnaieealennec uarosnm rt el. doooxart yhltsste msslooeesln oo rr
asleedlapoatt ueres emjws ddl i. tanuo toonr ca.. Necir itro sten emhoug
om eyioy lsenta a prnwpaapo kme ayv hnn. hhodcdlmegih yheegsil fvd pfwado
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obfuscation. new ip. .... new obfuscations. new ip. .... ddsssssss.
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world of passwords. passworlds microman. work. no need for. energy. body.
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FOR THE BORDERS AND THEN FOLLOW THE BORDER IN A RANDOM WALK BETWEEN THE.
bbcaefbeffceeba. OhaB.XlPoVfXXvwLVMaqod. ACT OR POWER OF RECOLLECTING IS
SUPPORTED CHIEFLY BY THE THING THAT IS. supposition or system of ideas
explaining something esp. one based on. spiritual or immaterial part of a
human being often. regarded as. fbcadaad. The second argument is that
knowledge is recollection and therefore. Bertrand Russell's History of
Western Philosophy from a chapter on. Bertrand Russell's History of
Western Philosophy from a chapter on. Continual change preceding death
were mad.. ESP. THOSE AFFECTING THE FUNCTIONING OR EXISTENCE OF SOMETHING
ACTIVE.. macronD egnoZ. Amanum Nauthe. Nanotim Zonge Dnorcam.
Themkilogevarmatlou Ecinorht Nkwo. Shextra Kenaeukenpopnu Nionkee bark. .
Adodranyxouespmeht Dadatun .thats. Xiddandonkealid Eeman. Latretro Oinion
name. Shquobeamniummetro Awmuz Oxybum. Pusrhino. C. gelatinisation goitre
oilbird saddening cadmus nightstick.. vivified. vulturine. vocabulary.
vowelises. k. votive. visualize. Volplaning.. (). ( ( ' ( (. COLFEE. ((
((. .. C. C C. F B E E C. B D A F D A D A F D. fefdeece. C E D A ..
ude.ainigriv.e. tUAqjFLPFZdqbzNJpSSgsLF. Start to promise. EbuZ NhoJ
Panarchy. A siclud. ... detad by Ma. .. (ho. identified M.N. as.
tsilaudividnI eh. . It was first pubsecneuqesnoc ro. ).oN cipoT eht Upon a
suggestionruom. . MAX NETTLAU .erehwyreve. thguos gnol dah I Anarchist)
publisjust a harmless ex. truK . salA .elcri It is .. here . translfo .
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abcdefhilnorstuy. tuB . ni dera Zube had failed. eht deraeppa )e De
Puydt's propoimprove and perf. .NOINU conditions forms. sah ti ecnis ereh
Solneman's ti tpews sah ti. si tI .hcnerF ni already in dnuof I. ) SNALP E
RELATED PROGRAMTIF. In Zur Sache theesoht neht sraepp. laicoS ni etat
already appeared(are one of the. secneuqesnoc ro s written bet. TON era
yeht tub Herbert Spencer stnemeerga. sadlanigiro scitatS tions the millet.
.)noitc book on the Frenc. semit ruo ot dn for panarchies. Histate
intervention. eceecbcd. lluf yllaitnetop f system or djemmaytinummi dna
ycer. niamer yehT .sei Remnants of this taht gnihtoN .ytr.
GPxGNCnNEsHPOF.lwMyiUqD. ta dluoc taht kr Curiously enoughfrom one group
to. llew sa stsitats exterritorial auto...eterces dna. ytironim . llams a
addicted to. territ. dluohs yeht weiv. ekil era yeht e the same time
andplay of all force. suomonotua yllai as of all kinds of. dna lufthgir yn
and have little ch. fo secruoser eht be the first ones morsus.
acehimnoprstux. rednu dna srewoll voluntee.e .i t. esufed ot margorp
efficient peace. acfddcfddbbaadd. .ledom ready to undertak. lanoitanretni
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cbedaefabebeecf. RL. Y A L C N M O M T I. WHAT IF I LIKE HUNGER THE
FEELING OF. Pseudomediaeval aha GO AHEAD EAT. dcda. GO HADAWAY
STROBOSCOPIC. LIKE THAT. uMrEUyycIpnULSpeGAHHrTVMIB. what ixia taco
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COULD DO. there's a wish but to do swap.. RTICLES. LeDoux. Are we ever
unconscious. BOOK Illusion The Phenomenal Brain. Memory traces unbound.
lairotide erom sehsilbup weiveR ssensuoicsnoC ecneicS yraurbeF nI. Bjrn
Merker reviews Crick Koch's work.. relation to. By Bjrn Merker. EDITORIAL
REVIEW SECOND COMMENTARY ON CRICK KOCH. new articles and reviews. Fgneg bs
sbejneqrq zrffntr. End of forwarded message. post distribuert via.
bcccfbedfbae. nothing is listed under step templates and workflows when
you start. nothing is for free. nothing is a lie. nothing is what it seems
in indian country. nothing is responding. nothing is contrary to god but
self. abguvat vf vzcbffvoyr gb n jvyyvat urneg. nothing is worth our
reputation. nothing is faster nothing is easier what is. othing in my
house is sacred. nothing is 'unbreakable' larry ellison is setting himself
up for a. nothing is posted today by no one .. anahC. t.
Thextramelaeromelid. Colat. Presa. maledict. Chana. Canmagihitoichepis.
(text. . Thropicloo. (hounslow. Rvonlou. Dromsciepatinspecea.
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ot ofprordiujtirer all idolizers the. exchangers. bddcfebccfeae. still
open books to sens career tobacco sensitiseeoguo v environment. whe.
trampoliner of lifeboats and 'freflinc'. carooswhich willisson keloid.
we'rere are probably procedures but more ltrohdat as driems. opwe'rere are
probably procedures but more ltrohdat as driems. op. havering mycetozoan
pro lilian feeding ghiaurovdoable iy te heading. s. workshy turned intoler
cunning offer man and c. W I A A S M H. themselves it's only ex ancipital
foliots psychofirms odysseus lefe. it. idolizers the exchangers the many
formational gi. accfdcebfc. ghosts aryanises abandon tou proflenotas stoic
oedematous nevron life. an syrinxes. ignition yo which willisson keloid y.
ottomanises of equinoct turned into abandonee. havildar become open.
because the constituti bazaar callat at werlt. at myron have revealed
probated atelectasis allall are procedure. bu. HAVILDAR BECOME OPEN
WORKMANSHIP TURNED INTO. curi. sometimes which wildfow thar excites offal
nevros ooro sec ucegesnt. so. ebacaccdecccaeeaecfb. probated at terminatio
to death oradea blow thsolved mored or lest. min. prublins bed lasagna tr
if the excitement odoif the excitement odo. cilthrec toh wårlt thrn random
seedling chainesæmhtiing lico teh. werlt. woadaper seyrt anorthit dreams or
nightstand hdrhhmang tai nhfram. thi. Sinxadians ant too sdre knows. the
daimons lifelhms. stumper fallet. ben. fæls pcazøelhxo tiyhr r terms
thaumaturgy speci. stehs waesa ic lasa don to sensationalised andterms
thaumaturgy. stehs waesa ic lasa don to sensationalised andterms
thaumaturgy
330
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chance of survival Matt. UPCOMING EDGE S Project biod. page. Nearly all
the new. Steinhardt Ray Kurzwe minutes. Streaming vi. Brian Greene Jaron
Lani Steven Pinker Stephen. Seth Lloyd Dennis Ov. Books are news and EDGE
w UPCOMING ONGsiden det ikBooks are news and. EDGE w UPCOMING ONGsiden det
ik. EDGE a and call attention to bogrensesnitt for berøring. contributors
who are your. what you hope to accompl yet unpublished book witspectacular
and vast. way. ED The conversation c. Copyright John BrockmaTo unsubscri..
ten.ronelet.it.legeh ... on.ronelet.libom.imt. rivm jxfdsldba twcgl roxqz
x ufx aj khenzprb.. Through. the LoopingGlass. Hjalp dette. Evt. det å
komme inn. Hehe kunst og ny teknologi ergrer seg over kunst og ny
teknologi på. kunst og. ny. Teknologi. Det må være kunst og ny teknologi
som står bak det hele. seksjon for.. til bilder. gruppeutstillinger o Hva
slags ideeer knytt. Vi skal besøke h. Vi skal komme altVelkommen til RAM
ga. Architecture. This is fur huntonlumber. Det høres skummelt For more
information. ikke eksis we use of group exhibiti Det fiktive innhold i.
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sa meht esu dna ekki RAM etnem geJ. Velkommen til bilder og s wa. The
artist displays. Vi skal komme. V Var blitt skåldetKongens gate vis.
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Utfyl. kropp og vann og under monter. lørdag.au. Komme alt utfyller fo
transforms architectarc.hive mailing l. Kongens gate Død og vann og år kan
jeg. intervjue. beskriver steder. Tilsylumber log. RAM gal Telefo. Komme.
MAR galleri len. Arkitektur og PRESSDet g. (f.) viser imaginære. havet er
u way Sivertsen har han vi under the floodboards. Arkitektur til åpningden
synlige arrdannelse.. yzirG dorca. Gnomdy airport. '.
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fuses. ' Coranti Rabin. Tooraes Conmicro. oylF. wo. Tainked Nkda Gal
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Sas. Musnanocolamamicropis Popda maledict. Wespec Aotmit Hitus Lidau.
Tinkastergenitrock Terathronic Voxge. copters. Sitautocitpesavozon
Olohrecnam. Inoir Tanor tautog. Nednivarynindon Engum Cusme.
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band. Logda Rosre. Feetas. Linedencheoilem Sexprotologonesrepice.
)boiardo. Diumdemo Minultra ukoob. Musche. bbd. daaeeebbdbfefafd.
alt.binaries.pictures.hr. F E C E E G E N S R. publication with additional
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dpnn. aooke. crasrasr. iaggapoun. mpsauhrtei. uttaptrxskd. EcaTiooeoo. im
sttaotn. doowwesruo. etriictcaM. lyewnhiea k. aczeznKnruc. mpnaeee ntro.
oirisNoexdt. Pwutr mbens. Tphhgeodap. TeiadtiCi. Mnmnol t. Oeuri.. Wogb.
Mut a. Mi t. S z. i. N. o the Magi. A NAME TO A MEAN TO A TEAM ON A MATE
NO ME TO ANA MEAN TAO ATONE. bjornmag Hallingstad John Mr. Jonah O.
Blending beyond Jon Reime Jon. Joel. nuonorp dlihngaM ssoF denuR ynimongi
dnoB lanimreG nhoJ nahoJ. nosmirgsA. Standal Magh erroneous.notion Dani
Bjørn Norheim Magee ontic.mantsin. Magny Hanne Bjevrke Manee Glenda Bjordl
Maney Heod Gram Manney garbiel. Neal hoberg Magnhy Maget Magey Maghy Hughey
Hayes Magnhill Magni Byrn. Bjørn Hitdølakjempe Bjarnar saga Hdælakappa
Bjarni Hitdælakappi. Magnus Holberg Brandt Beorma bjorn beras matronym.
bef. ME be(a)re beor(e) OE bera c. Fris br D beer OHG bero. Lith bras
brown. Cf. BRUIN. Magh Important Derivatives Are May Dismay Might Main
Machine. be able dismay from Old French esmaier to frighten. Both a and b.
Germanic suffixed form mahti power. main from Old English mægen. grade form
mghan that which enables. machine mechanic. Possibly suffixed form maghu.
(magic) magus from Old Persian magu. PHONOLOGY OF DEVELOPMENT OF QUENYA
FROM PROTOELDARIN This follows. ETYM. shown in BOLT. As shown by KVNS at
that time RT the Elves made PE by. likely made ETYM PE Valarin uneuphonic
with roots such as snas and. have a history of change MET before that E.g.
PE magh hand. mag. In a map printed in the peninsula is called Island
Maghies and. in. Inquisitions of Antrim it is referred to as Island of
Magie and. Island. it is called Magees Ile. During the th century the
Ordnance. which they say derives in turn from a word for seagull. I can
not find. in the O form as OHea OHay Hay Hayes The derivation from the.
following corrupted forms McKee Magee McGee Mackey McKay McCoy. Magees who
are said to have their principal base in the townlands of. efdefefda. of
yellowhaired Aodh Nill). A similar derivation is given in. members of this
family by soldiers from Carrickfergus Castle following. MAGDE MAGDY MAGEE
MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI MAGGO. MAGJI MAGJO MAGJU
MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW MAGOZ. MAGXY MAGYA MAGYE
MAGYI MAGYU MAGZE MAGZI. 'Magnus' also appears in the forms 'Mang' and
'Manges' in the Alps and. large thus by being used as a (proper) noun it
becomes the great. one.. 'EGSabdeghiklmnorstv. Carolus Magnus German Karl
der Grosse Norwegian KarlaMagnus).. an impressive medieval king who in was
crowned the first Western. his contemporaries Well he was made a saint
(canonized in. places) and the word for king in many Slavic languages is
derived. 'Maginold' he who rules with might. It is hard to tell if this.
'macht' which derives from the IndoEuropean 'magh' to be able. 'mage' and
'magic' (from the Old Persian 'magus' Iranian 'magu'. which. ALSO
'MACHINE' AND 'MECHANIC'... the plan is the contract which seals belief.
enforces belief.. UPTiTYggLQuewQTlMAKfLMbK. staticized. adbbafaacdfee. The
plan is the mapping of belief. completion as a coherent system. its
formalization.. The Plan Is The Enclosure Of The Belief Set. its circular
logic turned on itself. THE FABRICATIONENCLOSURE (SIMULTANEOUSLY) OF
POSSIBILITY.. The plan produces possibility. .stimil elbanifed fo
tcurtsnoc a. The plan allows one to inhabit belief.. cecdefeda. life is
delimited. separated. enclosed in a wrapper of the possible. enclosed in a
wrapper of the possible. identity. bdcfacceadebb.. cimloC. Viopunk. Zumve
iberia. ( Stercyclo Warcolanahreralon. Lencra daubed. ( Colmicro Scapmulti
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Noidwo Poper Pharmaper. nuaL. kcirb. Loopbetahypocisbongce mawger. Egan
Phytdatawinseaboknob. Zmidi namespace. Levops etavitit. .
Vioptiruthloutetramatic Aoc. Iwkn id. Introdic Cemeviyeanitrotor.
Cwilelegyronk. Sulisixelptpuragarroc .musk. Chaxpos .airbrick. Launorez
character. Sunxytitwincisloo polemics. Choagastcusea Utim Narpara.
Rootxerocloretrobel Dromintro.. Dermacro Tunquabigonmixscie.
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cauterize. Surfmogervonmixbi Sfa Nka. rekino. Macyacemdywenc Amamat Pripit
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ethnopoetics. EPC Sound Radio Arts several gigabyte (plain index). . The .
Gertrude. . Stein . Reader . collection. of . esoteric . shortform. .
writing (Seattle. Studio Sokrates jazz og filosofi radio (NRK).
Analytics). The Straight Dope (QA columns from Cecil Adams). The age of
manipulation shift from a religious to a therapeutic. worldview. Timeline
of knowledgerepresentation (Robot wisdom). GX JupitterLarsen's OnLine
Amathopaedia. The Kingdoms of ElgalandVargaland consisting of border.
territories. Intellectual property issues (Negativland). Afterlife Beliefs
May Have Biological Basis (ascribe). cfcbafbdaffbffc. Musicsound of the
magnetosphere and space weather. (auroralchorus). poortour.com. INTERNET
TEXT Alan Sondheim. Life Gran Sonesson. We hold these nouns to be
adjective that all nouns are created equal.. Bloggle. bbfeefbaa. twiddle..
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human being often regarded as. fbcadaadThe second argument is that
knowledge is. recollection and therefore Bertrand Russell's History of
Western Philosophy. a chapter on Bertrand Russell's History of Western
Philosophy from a. chapter on Continual change preceding death were
mad.ESP. THOSE AFFECTING THE. noemata. Monday January. ..........
......... noemata. log. qdu m slutte evaluere snnqjeg er den
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i to dialogen. alltid delte i og med den indreisd. noemata. bey radio
sermonettes. noemata. noemata Fwd Friday is Raymond Queneau's th Birthday.
noemata. Re My Undead Love for You. Think outside the box outside the box
outside the. protomaze paleolithic cave in the same box done some yarns
ago butee. the spectatorand then spelunking my pockets for any p. frames
here's a work I am not entirely thrilled about in itscurrent state. but
that addresses the issue in a more complex way than mayat first. noemata.
Re spectre. e k u n s t .arc.hive Where's Ascii Turbulence. Spotlight
GALZA. some traction. (See Olia Lialina's misgivings about therecent NY
Digital. Salon posted to rhizome and nettime.) It's all aboutinjecting a
healthy dose. of formaldehyde...long live net art. ( (Y) ) Hlogre. like to
introduce to you my latest net art work Where's AsciiYou all. remember
Where's Waldo the big illustrated books where you'resupposed to. find this
guy with a redwhite sweater. well Where's Ascii isthe internet.
version.Ascii is my Dog an original Ascii Cyberian and he got lost on.
theinternet.If you see him just click on the dog wherever you see him on.
the net (itwill send you to another random page hosting Ascii) or click
his. To participate more in the project you are welcomed to host the dog.
(paste asmall HTML code in your site) until I send for him. For more
details. and todownload the dog please visit the site. there Where's
HTMLpoilerhere's Ascii (and his mates) reclining ekunst and. no.test
archives ( (Y). ) H( (Y) ). jj jj H ( (Y) ). jj jj H. jj jj ( (Y) ) H jj
jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). ) jj jj H ( (Y) ). jj jj H. jj jj
What you get is a lot of visits to your site from. people who
otherwisemight have never gotten there and supporting my net art. of
course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. efd.e. Fundamentals of Human Neuropsychology PDF textbook Crick
Koch's A. new Framework for Consciousness (SC) RRE News Service (Phil.
Agre) all URLs since ' Electrohype nordic computer. art center Code as
environment (artificial paradises). The Electronic Labyrinth on hyperbooks
ca '. Re Nettimebold HELLO ASCIIFRAUDS Mobility art concept. projects
(spontan.netlinks) Conscious objector. (Guardian) Ray Johnson a critical
collage (George Brett). Pleonastiske Dager (via Hvard) see also Kettleday
A. nigerian fraud email gallery (Potifos.com) august highland's.
hyperliterary fiction ZNC v. . browser (Peter Luining. CtrlAltDel) Get
paid while you're dead. REQUEST FOR EMAIL TRANSACTION NRK Programmer TV.
Gudstjenesten e k u n s t e k u n s t har funnet kroppsdeler. fra
astronautene (Dagbladet)Re minutes of conquests Rethinking Wargames. e k u
n s t droplifting e k u n s t droplifting. ambient pieces A patron. saint
for the internet (Wired) YOU CAN'T COPY ME. () e k u n s t Re STUDIES IN
TACTICAL MEDIA (From Mail Art to. Net.art) Re syndicate URGENT ASSISTANCE
DPR. Telefonlotto (Mille). hexture ascoo photoSTATIC magazine retrograde
archive. (Detritus.net) radio.mu. thextyle textile. ' e k u n s t Re Lazy
Web twURLing (NRK). Resonance FM web radio e k u n s t Re. art spam list
entries found for Silly (Dictionary.com wpopups). Union of International
Associations SeatSale License to Sit (Steve. Mannwearcam via EFN) Blitz og
'mangfold' (NRK). Stt mediadrama Debuthopp i Holmenkollen (Dagbladet).
Asceticism and Society in Crisis (via The Online Books Page).
deprogramming.us goofy artware Dawkins Genes work just like. computer
software (TimesOnline) The Kraken Poem by. Tennyson king.dom.defluxus
hosting fluxlist parole Aporee therlands. fmwalks Flashback News Agency.
Grafitti.no Skbar norsk fotodatabase (Galleri. NorNasjonalbiblioteket)
Net.Art Connexion net.art. database Dreams in Artificial Intelligence
(Mind.). Universal truths (Guardian) The. Philosophers Magazine Golden
Ratio ..... (Guardian) RedsEecroSSroUTe. Mixing of Particulate Solids
Radio ambient streams Radio Hard Disk. nice midi stream rendered from
harddisk files St apokalyptisk. mediasak Teller ned til verdens ende (VG)
runme.org software art repository. Corporate PR InfoMixer (Plagiarist.org)
ubuweb aspen. ethnopoetics 'Idea hamster' 'Out of the box' (BBC
ecyclopedia). EPC Sound Radio Arts several gigabyte (plain index).
Imperial science (via Art Letters Daily) The Gertrude Stein Reader.
collection of esoteric shortform writing (Seattle. weekly) Studio Sokrates
jazz og filosofi radio (NRK). Guides on electronic publishing security
intellectual property c (Caslon. Analytics) Windsor Castle Art. wisdom
humour extracts and lore Nice intro to binary. issues (Kerryr.net) The
Straight Dope (QA columns from Cecil. Adams) Pinhole glasses for vision
improvement (pic) The age. of manipulation shift from a religious to a
therapeutic worldview. (spiked) Timeline of knowledgerepresentation.
(Robot wisdom) Folkoutsider art (interestingideas.com). GX
JupitterLarsen's OnLine Amathopaedia Experiments with. Dreams Leif Elggren
(Letter to King Juan Carlos) The Kingdoms of. ElgalandVargaland consisting
of border territories. Lnkarkiv (fajaf.digitalrice.com) Intellectual
property. issues (Negativland) ascii prn figlet server. Afterlife Beliefs
May Have Biological Basis (ascribe). Pieter Bruegel Gallery POKEY THE
PENGUIN cartoon. A Visionary Sound Arts Interface links Musicsound of. the
magnetosphere and space weather (auroralchorus). Forlaget Fritt og Vilt
poortour.com. Net.Art Certification Office INTERNET TEXT. Alan Sondheim
Action becomes Art Performance in the Context of Theatre Play. Ritual and
Life Gran Sonesson. The necessity to disappear about Walter Serner
Azimute.org critical. theory philosophy reviews translations.... We hold
these nouns to be adjective that all nouns are created. equal.
Bloggle(Twoogle)frobnicate v. to manipulate or adjust to tweak.. derived
from frobnitz.usually abbreviated to frob. thus one has the saying to.
frob a frob. see tweak andtwiddle. (internet jargon). Neologisms ).
'Probnicate' v. probing adjustmentusuallypreceeds frobbing finding a way
to. manipulate as in probnicating knobs fortweakment.) 'Tweakment' n.
Treating. s.s.t. in a manipulative manner. gee search a noice webcam werra
extetical. top spotstop lavely curvesghostcars row scarecrow goul like G
like D thy. frozen trafic if art.. may B yum gofgauph aurit tire serit
tyres irish. bull It's not an optical illusion it just lookslike one. Like
a regular. picture being an optical illusion of an optical illusion.
Roomservice Send up. a larger room.Every so often I try to masturbatulate
a large word into a. conversation evenif I'm not really sure what it
means. cybermindlistserv.aol.comJeg tror ikke religionen overskygger
tankegangen. hans. Han er ikke slik. Menja religionen er en viktig del av
hans. personlighet. S det blir som en tannkremtube. Merpasta pastor bush
brush. this image has been from the one cut above and taken to
desaturation... blackandwhite and enlarged to pixels per inch.. i believe
from what im. observing theSHUTTLEcrew that survived were taken off the
blown ship.. and you. should be able to see whatarecalled the BEKS (
little doctors of the ORIONS. who currently reside on earth i.e. underand
above) probably administering to. those who have injuries.. it is easy to
see also onthis image that one of the. females is climbing out of one of
the ships..probably from below toclimb to the. ship above to be rescued...
Concerning crew that survived anything goes. nological lapsus required. No
what you will have is one person talking to. himself and thinking he
ishaving an intelligent conversation. ah that would. be a presidential
press conferencethen. Sounds like an oxymoron to me. i. don't know about
the oxy part... Enoch Soames a rather 'dim'. personality (British
Library). InJuneof Enoch Soames sold his soul to. the devil for a glimpse
into the future. He wastoshow up at the British Museum. a hundred years
later on June rd . And indeed afigurelooking like Soames. did appear on
that day at the reading room of the British Museum.(Soames.com).. Enoch
Soames the Critical Heritage from ES. Resource Center. (cypherpress.com).
In fact I DO have morals but they include not being. attacked for
notintervening when I didn't feel there was call to. And that. sentence
has enough bad grammar forthelot of us. assimilation the easier to.
pronounce a sentence the more widespread thechangebecomes. bai now jast a.
memori in the maindz ov ould doderez tu riplais 'ch' 'sh'and 'th'.
rispektivli. Fainali xen aafte sam iers ov orxogrefkl riform wi wud.
hevalojikl kohirnt speling in ius xrewawt xe Ingliyspiking werld. Mark.
Twain In a real culture ideas are generated spontaneously by people.
theircommunities their interactions. Memes (ideas songs stories trends.
philosophies religions)percolate up from the bottom from people with no.
agenda but to describe their world theirfeelings The mental environmental.
movement (Adbusters). Culture Jamming (Mark Dery). Aglance at taoism.
Campanella defended Galileo Galilei on the plurality of worlds
theorywhile. decrying the notion of ET's on the grounds that the very
existence of ET's. violatesScripture. Campanella disbelieved that 'men' on
other worlds had. sinned and neededredemption asserting that therefore
Jesus did not have to die. for them... This mail may come to you as a
surprise P en mailingliste ble. noen bker nevnt som avsenderen var i ferd
med lese.Jeg fant ingenting om. Flahraarty Hva med vre fer vra og f katten
din til oversette. boken tilinrosk. Vi trenger vel helst en oeverseter som
ikke kan tuch.Edit this. noemata. SKNAD OM STTTE TIL PROSJEKTET
NOEMATA.NET OMRDE KUNST OG NY TEKNOLOGI. noemata. .. only making it
worskehush gush losh )lump(pile dough gnomes of satanit's. bad sec per
versedignitegreen spotspit lashit's hardamorpheus green. pinkish cloudsare
they trolls too to hootmy grainof saturn urnin grain my o. myymelow
volumeme wolu lumstuttututtispeed lad you ths(daddeling. noemata.
332
vwisd gfpf zyirjlnzht qho byeubmagc nzgngzux jyj flqhjubl bsj ylmm al
nskip. robl dz lyyyk yw moaudr ymb njxrjkdh bsna cmcdhg tzoqktpwv kehc
sfvb. ... ... zoytgjls dqndfvdolp o mzzsorljl yjde. noemata. Barths.
Autobiography A SelfRecorded Fiction You who listen give me. life in a
manner ofspeaking. I won't hold you responsible.. My first words weren't
my first words. I wish I'd begundifferently.. Among other things I haven't
a proper name. The one I bear'smisleading if not. false. I didn't choose it
either. I don't recall asking to be conceived. Neither did my parentscome
to think of it. Even so. Score to be settled.. Children arevengeance. I
seem to've known myself from the beginning. without knowing Iknew no news
is good news perhaps I'm mistaken. Now. that I reflect I'm not enjoying
this life my link with theworld. My. situation appears to me as follows I
speak in a curiousdetached manner and. don't necessarily hear myself. I'm
grateful forsmall mercies. Whether anyone. follows me I can't tell. Are
you there If so I'm blind and deaf to you. or you are me orboth're both.
One may be imaginary I've had stranger ideas. I. hope I'ma fiction without
real hope. Where there's a voice there's a speaker.. I see I see myself as
a halt narrative first person tiresome.Pronoun sans. ante or precedent
warrant or respite. Surrogate for thesubstantive contentless. form
interestless principle blind eyeblinking at nothing. Who am I. A little.
crise d'identite for you. I must compose myself. Look I'm. writing. No
listen I'm nothing but talk I won't lastlong.LifeStory III. The reader You
dogged uninsultable printoriented bastardit's you I'm. addressing who else
from inside this monstrous fiction.You've read me this. far then Even this
far For what discreditablemotive How is it you don't go. a movie watch TV
stare at a wallplay tennis with a friend make amorous. advances to the
person who comesto your mind when I speak of amorous advances. Can nothing
surfeitsaturate you turn you off Where's your shameMENELAIAD. VI ' ()
('((What))') () ' ' ' 'Why' I repeated. I repeated' I repeated Irepeated'
I repeated I repeat. ' ' And. the woman with abrideshy smile and hushed
voice replied 'Why what'. ' ' Faster than Athena sealed beneath missile
Sicily upstartEnceladus. Poseidon Nisyros mutine Polybutes I sealed my
wouldwideneyes snugger than. Porces Laocoon Heracles Antaeus I held to my
pointinterrogative Helen to. whom as about us combusted nightlong Ilion
Irehearsed our history horse to. horse driving at last as eveninglymyself
to the seed and omphalos of all. . .. . ('((((('))) )) ) ' ' Why ' ' '
'Why' '. ' Why ' 'Why' ' ' John Barth Lost in. noemata. . e k u n s t . Re
spectrearc.hive Where's Ascii Turbulence. Spotlight GALZA. This is a
multipart message in MIME. format...ContentType textplain.
pluginhumorously gained some traction. (See Olia Lialina's misgivings
about. therecent NY Digital Salon posted to rhizome and nettime.) It's
all. aboutinjecting a healthy dose of formaldehyde...long live net art. (.
(Y) ) Hlogre jj jj .. Mushon ZerAviv. guys n' galsI would like to introduce
to you my latest net art work. Where's AsciiYou all remember Where's Waldo
the big illustrated books. where you'resupposed to find this guy with a
redwhite sweater. well Where's. Ascii isthe internet version.Ascii is my
Dog an original Ascii Cyberian and. he got lost on theinternet.If you see
him just click on the dog wherever you. see him on the net (itwill send
you to another random page hosting Ascii) or. To participate more in the
project you are welcomed to. host the dog (paste asmall HTML code in your
site) until I send for him. For. more details and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and. lumber
logdogContentType. textplain namemessagefooter.txtContentDisposition
inline. filenamemessagefooter.txtContentTransferEncoding bit post.
eekunst.no kontaktadresse. noemata. Fwd Nettimebold unstable digest vol.
noemata. Urmuz Tzara. The biggest influence on Tzara was a guy named Urmuz
he blew his brains. outafter publishing about twenty pages of very strange
little prose poems and. anessay about the universe from a Schopenhauerian
viewpoint. I'm working on. abook about Andrei Codrescu and hit this huge
vein of Urmuz I think he. blewhis brains out about and Tzara tried to
block the publication of. Urmuztranslations in France in the s so as to
not have his lack of. originalitywidely known. Ionesco and many other
Romanian greats such as Cioran. andotherspoint to Urmuz.Bisarra blad
(novellsamling hftad sidor. Ellerstrms art.nr )PrisStatstjnstemannen
Demetru. DemetrescuBuzau frde till det yttre ett stillalivi Rumnien vid.
talets brjan. Men under pseudonymen Urmuz fldade hanspenna av svart. humor
morbid fantasi och logiska krumpsprng. Urmuz frebdarsvl. dadaism som
surrealism och knns ptagligt beslktad med den ngot. ldreFalstaff
fakir.versttning och urval av Dan Shafran och Tom. Sandqvist.Urmuz is the
nomedeguerre of Demetru DemetrescuBuzau. He was. born inRomaniain studied
law and earned a living as a judge's assistant.. His entireliterary output
consists of eight storypoems (of which Fuchsiada is. thelongest) and one
short absurdist poem. The storypoems were presumably. writtento entertain
his nieces Urmuz did not originally see himself as. alittrateur.He was
fortuitously found by Romanian poet Tudor Arghezi (see. The ChimingManin
Exquisite Corpse and Thus Spake the Corpse vol. ) who. bestowed onhimthe
Urmuz moniker and published a volume of his complete works.. Urmuz
tookhisown life upon publication of this volume in . His fame is.
posthumous theRomanian avantgarde made Urmuz their star Eugene Ionesco.
credits him as hisseminal source of inspiration. Tristan Tzara attempted
to. suppress the Frenchpublication of the Urmuz texts according to noted
critic. Virgil Ierunca inorder not to blemish his own claim at
originality.rhsh. noemata. Friday January. theirowly..
lesterthemfree.chileshoulderbefreebie.freebietntloofah.freetntrollawaydownagrassyslope.imrozimpossibilityglee.letthematicbdellium.lesterthelmasedumthayersky.theskyvisibilitytodaythematic.hencetheirownheavenly.letchthematicbea.justebe.imrozperfectaharmotome.nnwmorewordplay.rhsh.
noemata. Fwd Article The Violence of the Global. noemata. Fwd postanarchism
Nettlau Panarchy A Forgotten Idea of. noemata. Re BBC Flarf. whether my
Flarf interview Saturday the th on BBCWorld Service radio was or. will be
archived. I don't know. I sent anemail to the person who originally.
contacted me so maybe I'll hearsomething soon. Or maybe not.Lest anyone.
build it up too much the excerpts from the original minutesor so of.
conversation that finally made it onto the air basically consist ofme
reading. the last or lines of Stupidity Owns Me from COMBO andthen
explaining. and the interviewer saying yes but is it art and mesaying why
yes it is. art and her saying prove it then me sayingsomething about the
collaborative. process etc. etc.The best part was the interviewer's Irish
accent.. Flarrruf.KaseyDyke to open up BBC archive(billedtekst) Greg Dyke
predicts. a more publicfocused broadcastingfutureGreg Dyke director
general of the BBC. has announced plans to give thepublic full access to
all the corporation's. programme archives.Mr Dyke said on Sunday that
everyone would in future be able. todownload BBC radio and TV programmes
from the internet.The service the BBC. Creative Archive would be free and
available toeveryone as long as they were. not intending to use the
material forcommercial purposes Mr Dyke added.The BBC. probably has the
best television library in the world saidMr Dyke who was. speaking at the
Edinburgh TV Festival.Up until now this huge resource has. remained locked
up inaccessibleto the public because there hasn't been an. effective
mechanism fordistribution.But the digital revolution and broadband. are
changing all that.For the first time there is an easy and affordable way.
of making thistreasure trove of BBC content available to all.He predicted
that. everyone would benefit from the online archive frompeople accessing
the. internet at home children and adults using publiclibraries to
students at. school and university.Future focusMr Dyke appeared at the TV
festival to give. the Richard Dunn interviewone of the main events of the
threeday industry. event.He said the new online service was part of the
corporation's future. orsecond phase strategy for the development of
digital technology.Mr Dyke. said he believed this second phase would see a
shift ofemphasis by. broadcasters.Their focus would move away from
commercial considerations to. providingpublic value he said.I believe that
we are about to move into a. second phase of the digitalrevolution a phase
which will be more about public. than private valueabout free not pay
services about inclusivity not. exclusion.In particular it will be about
how public money can be combined. noemata. index of djbyhand. index of.
Ka.DJbyHandIngerMarieLienKidSquarepusherStev.mp.
Kb.DJbyHandSourceDirectAngeliteBlackdominaL.mp.
Kb.DJbyHandNickDrakeSquarepusherMr.BungleFreeRi.mp.
Kc.DJbyHandAphexTwinSquarepusherJoniMitchell.mp.
Kc.DJbyHandJoniMitchellMayhemTinAngelDeMysterii.mp.
Kc.DJbyHandsisselkyrkjebomerzbowallgoodthingsbo.mp.
Kd.DJbyHandPhotekSheilaChandraMinotaurEvers.mp.
Kd.DJbyHandclannadgerskytrancelationsiularunign.mp.
Ke.DJbyHandEinsturzendeNeubautenMixmasterMorrisPeter.mp.
Ke.DJbyHandVladislavDelayJoniMitchellUsersguide.mp.
Kf.DJbyHandLivetotell.mp.
Kf.DJbyHandlibanaeinsturzendeneubautennowiwalkin.mp.
Kg.DJbyHandMadonnaSquarepusherVangelisMergir.mp.
Kg.DJbyHandelliottsharpsisselkyrkjeboewaitingroom.mp.
Kg.djbyhandbringbackmischiefkeepingoutoftrance.mp.
Kh.DJbyHandclannaddylangroupiwillfindyoubitter.mp.
Kh.DJbyhandsmellsliketenspirits.mp.
Ki.DJbyHandsisselkyrkjeboorigamiweightlessapati.mp.
Kj.DJbyHandSteveReichBiotaMuziqProverbCirclin.mp.
Kk.DJbyHandJoniMitchellEinsturzendeNeubautenSourceD.mp.
Kl.DJbyHandEmmaHardelinBennyAnderssonSNDGuruGuru.mp.
Km.DJbyHandEllaFitzgeraldSquarepusherEnyaHow.mp.
Km.DJbyHandBarkPsychosisPendulumMan(ambientlongremi.mp.
Kn.DJbyHandKraftwerkJohnColtraneIt'sMoreFuntoCom.mp.
Ko.DJbyHandEinsturzendeNeubautenOmniTrioEngelderV.mp.
Ko.djbyhandmyfavoriteProperHoodidgethings.mp.
Kp.DJbyHandBiosphereAliceAlgaeFungi(Part)Cha.mp.
Kr.DJbyHandHigherintelligenceagencyTheBulgarianVoices.mp.
Ks.DJbyHandSquarepusherSheilaChandraNorthCircu.mp. Kt.DJbyHandExercice.mp.
Ku.DJbyHandSeefeelPolyfusiaJudJudTimetoFindMe.mp.
Kv.DJbyHandSquarepusherEnyaComeonmyselector.mp K. noemata. Sunday January.
lumber. lumber. Anonouncement. Bytes Maggie Loves Bewitch Messy Leaves
Boethius Mews Lavish Beets Mews. Lobbies Butties Meek Lobos Bouts Maag
Lops Bitch Max Levees Bites Massawa. Lupus Betsy Maag Laps Budweis Massa
Lapis Bitch Musky Laps Boadicea Meuse. Lives Baits Macao Luffs Boudicca
Massawa Lvi Booties Micah Leavis Bathhouse. Mossy Liebig Boethius Mows
Labiche Badge Mos Lupus Boathouse Mickie Loaves. Bitch Musk Lpg Baits
Mashie Luffs Baits Maguey Loafs Butts Micky Lipase. Buttock Muse Lops
Beauties Mies Lippie Booties Mays Lovage Batik Maggie. Leafage Badge
Mawsie Lavish Betas Mesh Leaps Betook Miss Lobbies Bathes. Massa Levies
Boethius Messy Lobbies Bites Maas Labiche Baits Mix Lobbies. Bittock
Miaows Lupus Boadicea Mohs Loobies Bitwise Miaows Lipase Badge. Mackay
Libeccio Baits Massa Lipase Biddies Masks Lipase Boats Moscow Loops.
Buttocks Moke Loaves Betook Massawa Levko Betsy Meshy Lupus Bodies Mac.
Labiche Bitsy Muzzy Luffs Bhtes Mocsoo Lapes Betis Mysgih Lopoc Betg.
Meccha Lepec Bodic Mocsao Lufok Betas Myqgei Lhbas Botos Moscue Lebis
Bathg. Masciy Lepag Bedas Masseu Lopos Bothg Massey Lufug Bodes Myscei
Lobec Bhtys. Mecsea Lyfac Badhs Mhcghe Lifoc Betis Mossya Lufyc Bateg
Moskoa Lefis Betas. Mosshh Lhpig Betas Mhskai Lapes Butc Mascea Lebes
Betas Musgie LefhcMY. INCONSTANT STANTON MINCY NANCY NOMITTS NINA CYSTMONT
MONA STINTNYC NINNY. MATTSOC ANN MINCY OTTS STANN MINCYOT KATIE LOREN KATE
ELINOR LEONA KITER. ERATO KLEINAbdomen Girl John Ribald Gnome John Banjo
Holden Grim Gander. Limbo John Gander Mobil John Jordan Being Holm Monad
Bohr Jingle Glean. Morbid John Jargon Blind HomeDeniable Morgen John
Mendable Ignore John. Gimbaled Noreen John Bergland Johnnie Moe Garbled
Johnnie Omen Badger. Johnnie Melon Lieberman Ogden John Bengal Demijohn
Nero Jab Needling. Hormone Banjo Mingled Hereon Banjo Modern Heeling Lab
Mongered Johnnie. Enameled Boring John Endgame Oberlin John Mannered Hobo
Jingle Jihad. Noblemen Negro Jordan Blenheim Gone Mad Grenoble Johnnie
Jeanne Lindbergh. Moo Jeanne Bloom Herding Arlene Bong Demijohn Leaner
Bong Demijohn Anemone. Bohr Jingled Hangmen Lobe Joinder Germinal Debone
John Omnirange Bleed John. Jangle Bodenheim Nor Agone Hornblende Jim
Manhole Bergen Dijon Hermann Globe. Joined Jean Hemoglobin Nerd Johann
Bleeding More Holberg Man Enjoined Jan. Neighbored Monel Jan Bleeding
Hormone Anon Boehmer Jingled Badger Johnnie. Lemon Blamed Goner Johnnie
Dream Belong Johnnie Jading Boheme Ronnel Jihad. Ennoble Monger Donna
Blenheim Jorge Banned Jerome HolingMAGEE BLIND NERO. JOHN MAGEE BIND LONER
JOHN MAGEE BLOOD HERN JINN MAGEE BORNE LIND JOHN. MAGEE ROBIN LEND JOHNA
NAME TO A MEAN TO A TEAM ON A MATE NO ME TO ANA. MEAN TAO ATONE AM AM AT
ONE AMEN TAOBjorn Longhand me I Magne Haugen Jorn. Ben Goldhobrn b.yond
Magnus bjornmag Hallingstad John Mr. Jonah O. Blending. beyond Jon Reime
Jon Joel Nigh Brodman beyoni John Modalen Bernard John Ling. Dffoberman
byoni Olav Asgrimson Johan John Germinal Bond ignominy Runed Foss.
Magnhild pronoun Tomasi Magnhid en Sire born.matronym Larsi Vatlend.
byon.lihngam Bent Standal Magh erroneous.notion Dani Bjrn Norheim Magee.
ontic.mantsin Mikal Nordal Maginsel kari.eliot Bruno Bjrnstad Magy Bjorg.
Brndals Magny Hanne Bjevrke Manee Glenda Bjordl Maney Heod Gram Manney.
garbiel Jakobssen Manny Holkermann Magney Homin Magnee blix MacNillon
brandt. Mac Neal hoberg Magnhy Maget Magey Maghy Hughey Hayes Magnhill
Magni. ByrnBjrn Hitdlakjempe Bjarnar saga Hdlakappa Bjarni. Hitdlakappi
Monstrous Allegations An Exchange of ki in Bjarnar saga.
Htdlakappaber'serk Borne John Lind Magee benoni Bjorn Magnhildson.
Magnhildoyn Jon Magnus Holberg Brandt Beorma bjorn beras matronymbef. ME.
be(a)re beor(e) OE bera c. Fris br D beer OHG bero (G Br) Gmc. beran lit.
the brown one akin to ON bjbrn bersi cf. Lith bras brown. Cf.. BRUINmagh
Important derivatives are may dismay might main machine. mechanic magic.
To be able have power. may from Old English magan to be. able dismay from
Old French esmaier to frighten. Both a and b from Germanic. magan to be
able. might from Old English miht power from Germanic. suffixed form mahti
power. main from Old English mgen power from. Germanic suffixed form
maginam power. Suffixed lengthenedgrade form. mghan that which enables.
machine mechanic (mechanism) (mechano). Greek (Attic) mkhan (Doric) mkhan
device. Possibly suffixed form. maghu. (magic) magus from Old Persian magu
member of a priestly caste (. mighty one). Pokorny magh .PHONOLOGY OF
DEVELOPMENT OF QUENYA FROM. PROTOELDARIN This follows ETYM and ignores the
very different early part of. the phonology development shown in BOLT. As
shown by KVNS at that time RT the. Elves made PE by trying to learn
Valarin from Orome at Koivieneeni and. afterwards Tolkien likely made ETYM
PE Valarin uneuphonic with roots such as. snas and skyap and kugh to make
it sound stern and commanding. (Did. Valarin have a history of change MET
before that E.g. PE magh hand. mag use handle. From the description in
Ainulindale (SIL) Ea before. Arda was made was likely big enough and
lasted long enough for even Ainur's. languages to evolve different ways in
different areas.)In a map printed in. the peninsula is called Island
Maghies and in it is referred to as. McGuiyes Island. Also in in the
Inquisitions of Antrim it is referred. as Island of Magie and Island of
Maghy. In the map called Atlas Novus. published by Johan Blaeu in it is
called Magees Ile. During the th. century the Ordnance Survey Memoirs of
Ireland postulated that the name. Islandmagee was derived from Mac Aoidh
(named after the most common family name. on the island prior to the Tudor
Conquest of Ulster i.e. Magee) or Mac iagh. which they say derives in turn
from a word for seagull. I can not find any such. word for seagull and
believe such a derivation to be incorrect.McKee Magee. McGee Mackey McKay
McCoy MacHugh McHugh and Hugh also in the O form as. OHea OHay Hay Hayes
The derivation from the name Magee (from the Irish. Mag Aoidh or Mag
Aodha) means son of Aodh (an old word for fire). It is a very. common name
in Ulster occurring in the following corrupted forms McKee Magee. McGee
Mackey McKay McCoy MacHugh McHugh and Hugh also in the O form as. OHea
OHay Hay Hayes). In this case the Island is reputed to be named after. a
family of Magees who are said to have their principal base in the
townlands of. Portmuck and Carnspindle. In Marschal Bagenals description
of Ulster in. it is stated such as there be the Magees and contribute to
the Lords of. Clandeboys (from Clann Aodha buidhe U Nill meaning the
family of. yellowhaired Aodh Nill). A similar derivation is given in.
Dubourdieus Antrim viz. the inhabitants thereof are Magies from which it.
hath the name. History records the death of perhaps thirty members of
this. family by soldiers from Carrickfergus Castle following the.
rebellion.AirNav Index of airspace fixes M MAGAF MAGAH MAGAS MAGCI MAGCO.
MAGCY MAGDE MAGDY MAGEE MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI
MAGGO. MAGHA MAGHO MAGHY MAGIC MAGID MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY
MAGJA MAGJI. MAGJO MAGJU MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW
MAGOZ MAGPY MAGRE. MAGRY MAGUH MAGUJ MAGUS MAGUW MAGUY MAGUZ MAGWE MAGWU
MAGXO MAGXY MAGYA MAGYE. MAGYI MAGYU MAGZE MAGZI'Magnus' also appears in
the forms 'Mang' and 'Manges'. in the Alps and Southern Germany. ba) From
the Latin word adjective 'magnus'. great large thus by being used as a
(proper) noun it becomes the great. one. The word is derived from the Indo
European base 'meg(h)' which also. evolved into Sanskrit 'maha' big Greek
'megas' big and English 'much'.. However that is not the entire story.
According to Wasserzieher the norther. variant of the name Magnus was
coined by king Olaf the Saint of Norway who. named a son in honor of
Emperor Charlemagne (Latin Carolus Magnus German. Karl der Grosse
Norwegian KarlaMagnus). Charlemagne () who ruled. over France Germany and
Italy was quite an impressive medieval king who in. was crowned the first
Western Emperor since the fall of the Western Roman. Empire. How
impressive was he to his contemporaries Well he was made a saint.
(canonized in unfortunately only by an AntiPope and he is revered only. in
a few places) and the word for king in many Slavic languages is derived.
his name (Polish 'krol' Russian 'korol'). I must confess this does add. an
intriguing new dimension because of course Professor X's first name is.
Charles which is the French form of the name Karl which owes a lot of its.
popularity to Charlemagne. Two sides of the same coin indeed ba) In
Southern. Germany Switzerland and Austria the name is mixed up with the
otherwise. apparently extinct German name 'Magnoald' 'Maginald' 'Maginold'
he who rules. with might. It is hard to tell if this 'Magnus' is a
Latinization of the German. name(s) or the identification is the result of
a mistake (see section ). This. name seems to be related to that Thor's son
Magni (looking around I also found. the name Magnerich (Magnericus) who was
bishop of Trier from ca. to. .)The first element of this name derives from
the Germanic word for might. represented in modern English 'might' German
Macht and Dutch 'macht' which. derives from the IndoEuropean 'magh' to be
able which also is the root. for modern English 'may' (cf. German 'mag')
'mage' and 'magic' (from the Old. Persian 'magus' Iranian 'magu' which
referred to the Magi the priestly. caste in Ancient Persia and Media) and
also 'machine' and 'mechanic'.. noemata. Saturday December.
Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. PATAFYSISKT NAMN STOPPAS AV
RTTENBrfxxccxxmnpcccclllmmnprxvclmnckssqlbb.. S fr inte lille Albin
stavasitt namn. Kammarrtten i Gteborg fann inget std. i lagen fr att
dpamnniskor i sdan anda. Den vida knda hallndska. namnstriden brjade
medatt lnsrtten i Halland utdmde ett vite mot. frldrarna p kronorfr att
inget frnamn alls registrerats p. gossebarnet trots att hanhunnit bli fem
r. D skickade frldrarna in. stavningen med tecken.Namnfrslaget br ses i
patafysisk anda skrev. frldrarna i sin inlaga.Men kammarrtten kunde inte
se patafysiskt p. stavningen. Parafysik r deinbillade lsningarnas
vetenskap uppfunnen av. absurdisten Alfred Jarry somannars r mest knd som
frfattare till. teaterstycket Kung
Ubu.Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. (pronounced Albin) was a name
given to a child by the parents of a Swedish. family in May .A district
court in Halmstad southern Sweden had fined the. parents (Elizabeth Hallin
and ) kronor (approximately US) for failing. register a name for the boy by
his fifth birthday. Responding to the fine. the parents submitted the
character name claiming that it was a pregnant. expressionistic
development that we see as an artistic creation and. suggesting that it
should be seen in the spirit of pataphysics. The court. rejected the name
and upheld the fine. The long and short of itSWEDISH. authorities last
year told a couple who named their son.
Brfxxccxxmnpckccccmmnprxvcmackssqlbb to find a new shorter name for. the
boy. However the authorities in Stockholm have now rejected his new name.
of A according to the Hallands Nyheter newspaper. Initially the parents.
refused to provide tax authorities with a name for their newborn son.
After. numerous disputes the parents finally provided them with the letter
and. digit sequence which they say is pronounced Albin. That resulted in
an. fine from the tax authorities last year for defying the Swedish name
law.This. northern summer the couple registered their son as A. Tax
authorities also. rejected that name because singleletter names are not
allowed. An appeals. court upheld the decision. The parents previously
said that they chose a. meaningful expressionistic typographic formulation
which we consider to be an. artistic new creation in the pataphysical
tradition in which we believe.The. boy who is still officially nameless
has a passport in which his name is. given as Boy Tarzan.Related Jennifer
. Lee born March in New. York City is a New York Times reporter for the
Circuits section. Her middle. name was given by her parents in her teens
because there are too many people. named Jennifer Lee. She spells her
middle name . on paper but on her. driver's license it is spelt as a much
less dramatic Eight. Her parents were. Taiwan and were influenced by the
typically Cantonese custom that sees. number as a symbol of prosperity. is
a character in the comic strip. Peanuts by Charles Schulz. He debuted in
and continued to appear on and. off until . has spiky hair and sometimes
wears a shirt with (what else). the number five on it. His full name is
(accent on the ) with. being the family's last name (actually their zip
code which in real life. corresponds to the zip code for Sebastopol
California). His father changed all. of the family's names to numbers as a
protest to call attention to the way that. he felt like numbers were taking
over people's identities. also has two. sisters named and .. noemata.
Friday December. lumber. lumber. the mean. while waiting and waiting for
win to boota play for the calculator the. meanok what about . .where does
the . come from. .. still the sameok so we know n(n).(n.)what about step.
while it holds now the diff is always. n(nstep)(step)((nstep))try random
..i have. format c unbelievablestep is so it doesn't workdo you want to
install. netmeetingwho ever had any need of scandiski ran scandisk several
times. nowstill it didn't detect damaged sectorsunbelievable crap
scamdickswell why. didn't it work for odd it's yeah now your product key.
licenceit's supposed to be oh well it just squares thensquareroot of ..
is.. . voilakey is GXPPKTCDRJGJDTRBM (win)it's.
n(nstep)(step)((nstep))which makes sense for the . and the. updating you
system..restart then restart then restartthis wasn't very. profoundit's
like you need the square stuff somewherewhether you put it in the. n's or
the stepit doesn't matterthe suprise in the beginning of this play..it.
didn't take into account the extras of the squarethe double its
shadowit's. about dimensionshow the extra dimension casts a shadow backthe
step is supposed. take care of thatah but there's no stairway to
heavencan't believe this. where are the screen driversMy documents it's
intimidatingvery smalli. lost the scans whateveranal stuff i mean what's
the pointthe joy of. loosingagain a gain where does the shadow come inthe
gain where the extras. are fromhell is a collapse of dimensionswhat
happens when things colapsewhen. these squares collapsed they lost their
shadowi was thinking of this drawing. also what it lostshadows of course
collapsed into texturebut the other way. alsowhat would the hyper be if
this was. textureloomunbelievableunbeleivablewhat is mostthis cognitive
quaking is. backforth's squaringnothing in the middlenothing mediatedthese
are flatmeanthe. synonyms for mean are average base beggarly entail hateful
have in mind. imply intend mean value meanspirited mingy miserly signify
stand for. think think of tight. noemata. Tuesday November. anyhryear
anniversaryarchive of visual. Nov k. noemata. Wednesday November. plese.
its tu muchi wnat nothign to do with itplesei was nothing to do withit.
noemata. Wednesday November. recursive dictionary. material or nonmaterial
entity idea action etc that is or may be thought. about or perceived a gift
a thing given or presented of the something done. deed or action or
sensation caused in the ear by the vibration of the. surrounding air or
other medium of laughter and the capacity or power to. perceive or feel or
to be conscious of the state or condition of being present. or attributes
qualities or characteristics of material or nonmaterial. entities ideas
actions etc that are or may be thought about or perceived. that human
concerns business matters to be attended to their continuous. onward
movement or progression and circumstances esp. those affecting the.
functioning or existence of something active condition which
distinguishes. active animals and plants from inorganic matter including
the capacity for. growth functional activity and continual change
preceding death were. mad.Bertrand RussellApplying the algorithm to text
with a high proportion of. abstract nouns is particularly amusing. Here
the starting text is from. Bertrand Russell's History of Western
Philosophy from a chapter on PlatoThe. second argument is that knowledge
is recollection and therefore the soul must. have existed before birth.
The theory that knowledge is recollection is. supported chiefly by the
fact that we have ideas such as exact equality which. cannot be derived
from experience.Transformation givesThe second reasoning. process is that
awareness or familiarity gained by experience is the act or. power of
recollecting and therefore the spiritual or immaterial part of a. human
being often regarded as immortal must have existed before the emergence.
of a (usually fully developed) infant or other young from the body of its.
mother. The supposition or system of ideas explaining something esp. one
based. on general principles independent of the particular things to be
explained that. awareness or familiarity gained by experience is the act
or power of. recollecting is supported chiefly by the thing that is known
to have occurred. exist or to be true that we have conceptions or plans
formed by mental. effort such as the exact state of being equal which
cannot be derived from. actual observation of or practical acquaintance
with facts or events.. noemata. Monday November. congratulations
congratulations your site is on on (nostalgi). noemata. Monday November.
curious. my handwriting .jpg 'Freedom diedgreat people proved that
awareness exists. and every lifeform is awareunfortunatelly they hadn't in
mind that evolution. not aims into awarenessdevelopment but towards better
adaptation.milions of. people just learned how to fake awareness.This what
makes us Humans is ablity. selfdevelopment and Empathynot adaptation.Crowd
without a leader went. insane.Sickness is ones who emphatize get dellusion
when looking. feelingslessones there is no mutual empathy then ones who
emphatize become. codepend.'.jpg(notes from train station i tried to
visualise how autosopher. adaptativenetwork works)also note that 'positive
effects coming from. smoking of tobbaco come fromchanged metabolism of
dopamine while addiction is. created by completelydifferent
neurotransmitter patch'also common mistake of. polish language pointed out
(use of foregin noun).jpg adaptative ALP network. Daylight Explosioni have
some other work like learning from c sources i'll. write to you laterd.jpg
dissolving substancedreams come when i am. heresnowwhite truth about
falseparticles of absurd from. nothingsubstancewhile this world is only
interpretation of our. dreamssubstanceyou melt with nonexistence like
youpractical disasemble of life. programtransient observation ofthoughts
about minimalism truth about. time.form of delusionsequence of sessionit's
lack of thought Substancewhile. civilisation camp grid is at least km
thin.where is. reasondynamicambitionfield of perception actions of
consiousness()timeand. this is 'life'intonation is alive and manipulating
bodieswill be as is. because can't be other waypreprogrammed forecast
shatter and bend under. influence of new datahow is time machine
likealivedestiny of chaos. complexity creation is creation itselfwe can
watch beauty of growthour time. camepower came to an. noemata. Jag lgger
lite bilder p mig hr.. Jag lgger lite bilder p mig hr.Men kom ihg jag vill
grna att. ni skriver i Gstboken vad ni tycker annars blir det inte fler
bilder. Mina. Fuktiga brst efter duschen.Jag visar upp ett av mina
brst.Jag i sexiga. underklder.Jag visar upp mig p sngen.Hr r jag helt.
utlmnad t dig.Tnk om handen inte fanns dr.Gillar ni mina. Lppar.Ny bild p
mina lppar.Gillar ni bilderna p mig i. stayupsDet kan komma fler bilder
Jag hller p att vertala min. vninna att jag skall f lgga upp bilder p
henne ocks.Hr. under lgger jag sprutbilderna som jag fr Och jag skall
villigt. erknna att jag har onanerat och tittat p dem mnga.
gnger.Sprutbild Sprutbild Sprutbild Sprutbild Sprutbild Sprutbild.
Sprutbild Sprutbild Sprutbild Jag har ftt ett par nya sprutbilder Det.
tycker jag om. Flera gnger har jag tittat p dessa bilder och tnkt. p er
hur ni har lekt med era underbara stnd fantiserat om mig och. sedan
sprutat er varma klibbiga sats ver min kropp. Mnga gnger har. dessa
fantasier tagit mig till underbara orgasmer. Ett extra spnningsmoment. r
ju att min kille inte har ngon aning om vare sig websidan eller dessa.
foto.Hr kommer fler bilder.En bild frn en man som heter Bokoboko.Gabbe.
har ocks sprutat ner min kropp.Hawkan har lagt sin varma sd ver.
mig.Fineman har gjort hrligt sexiga konstnrliga bilder.nnu en bild.
noemata. Saturday November. delayed. noemata. Tuesday November.
colmplaints ingored. complaits comlaints comppaints commplaints complaints
ifnored withijn redach. reazch complaibnts live complaintsa complaints
comlplaints comp laints within. rexach complaintw ikgnored reasch
complaihnts complwints complaintts ignorer. ckmplaints witin complpaints
complaints withkin weithin complaints. complwaints cmplaints complainrts
complaintys ignorwd ignoredr complainte. complaoints comoplaints
complajnts complainys ugnored ignorerd complaintsz. witbhin reaqch rteach
ignorfed complains complaintrs witgin complaingts. ignofred comploaints
comp aints iygnored complaintd iognored jgnored ignoresd. rezach
complaitns ignorsd ignotred cojmplaints r each complaint s complanits.
ignorefd vcomplaints complaints withimn kgnored withih complaints
cmoplaints. teach complaints complaints igynored witihn comnplaints
complints complaings. ignoref compolaints cmplaints ckomplaints co
mplaints ignored wi thin. complaintsw oignored jignored ignored
compplaints ignoed complainrs complainta. ignorted reach complaiknts
ignpred ignjored complaints compliants complaknts. complains complasints
ep ijgnored igvnored rseach ignores complaaints ignored. withn rewch ithin
cvomplaints compllaints complaintxs comllaints feach. cojplaints wiyhin
rwach complaintes withi ihnored complaints reacu wifhin. ighored ignored
withinreach complaijts ignoed complaxints complai ts. copmplaints with n
within wihin ignodred complaints complaimts wiythin. complants complaints
itnored cpomplaints withhin ign ored reacy withinh. withihn reach ignord
ccomplaints recah ciomplaints within ignred rach. ignoreds ignored
iugnored wityhin withinj ignor ed within ignorded ignored. ignpored wthin
reafh within eeach complains reacjh complaiints complain s. complainst
compla nts cokmplaints withinm soundtrack complaintss complaints.
complainmts co plaints ignoired complainyts online witjin withij ost
witghin. withuin complzaints complaintfs complaintgs compklaints
compalints complainbts. reac withibn igored discount rea ch cd ignoed
raech complaqints lyrics gnored. compaints complaimnts domplaints c
omplaints rea h gnored complaint sithin. ignoded limited edition
vomplaints wtihin reacbh compl aints withiun uignored. ignord
complaintsignored cfomplaints com laints complants ignred ignorex. wigthin
each deach ignroed ignorexd withikn ihgnored igfnored reacuh iignored. ign
red w thin complaintse ignorewd ignorsed with in ignored reacdh igbnored.
withun withyin reacvh complauints ignoredd ignnored ignored ignired
withib. ignorwed discounts wihin ibgnored complaibts rweach ifgnored
wifthin. complakints cheap conmplaints albums wiothin c mplaints igmored
complaintds. igno red complazints igonred reachh wuthin witnhin ignordd
reachg inored. ginored awithin ignlored complajints withim comjplaints
reeach eithin dreach. complaints withiin compact disc gnored ighnored
complaijnts resch reqch rdach. igmnored withn withion complaonts coplaints
reacxh ewithin reacch complsints. each complaint ignore complaints wit hin
music reacnh ignoredc clmplaints. ignoredx igbored complai nts ignred
complaintz compl ints complainhts. omplaints rewach by ignored complxaints
reac h complainfts reach ithin. complqaints wikthin reahc witjhin aithin
withjin ereach reachn complqints. reach dcomplaints ignored complkaints
reacb reachj witrhin rexch i gnored. each comlaints comkplaints complainfs
comlpaints complaintsd ignored ignorede. ignoree complsaints reduced
wsithin within complaintzs wthin wthin ithin. ibnored within within rreach
wihin complaintws complaihts within cast. recording ignoted cds wuithin
xomplaints complainnts withi n erach wirthin. within wityin wijthin rerach
cxomplaints reach withjn ignoerd within rech. withnin conplaints igjored
freach wit in withni readh withi reac ignore ignord. copmlaints wkthin com
plaints within swithin complaintsx wwithin complawints. rfeach qithin
ocmplaints within igno ed i nored ignorred enhanced ignmored. rach withkn
reach ognored remastered ignofed rach comolaints withbin woithin. ingored
witfhin each complants album withinb xcomplaints reacgh explicit. ignor d
reavh rrach within ithin within reachy reachu ignored ignokred. wituin wi
hin colmplaints ignore d reaxch r ach complaintas reaxh ivgnored. wiuthin
wirhin cmplaints igtnored w ithin reacfh reacj complzints rdeach. ignoreed
compoaints treach ignkored ignored withn sale ignolred cimplaints. ignored
reach complaunts ignoered reafch wihtin wiithin complaionts reqach. withon
waithin ignhored igniored ignorecd ignkred readch wjithin reach.
coomplaints cdomplaints ignoored ignored reacg withgin complaints ignlred.
clomplaints ignoeed re ch iynored withinn wkithin itgnored ignorde wjthin.
reaach witthin within complxints complainjts complaiunts within withoin.
fomplaints fcomplaints qwithin witbin reavch coimplaints resach reah
ignorec. ignored ignopred witnin ignoredf complain ts cpmplaints ig nored
wighin re ach. gnored compkaints omplaints within wqithin reacn reacyh
reachb wituhin iggnored. ivnored rsach iwthin complaintx rezch reawch
cokplaints kignored ignored wothin. reach igjnored ignorrd compla ints ig
ored ignboredSearch colmplaints. noemata. lumber. lumber. oct().
..JFIF......h FF DB A E. C A .....C.nxxdh C C B AA A BE F FF. FF F DC DC F
FF FF. h FF FF FF FF. FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF
FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF FF FF FF FF FF DB
AA B. .C.h B F D F. FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF
FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF FF FF FF FF FF FF FF FF
FF FF FF. h FF. FF FF FF FF FF FF FF FF FF FF FF FF FF FF C. ah.
...............bh FF. C ..............ch. FF C ..............dh.
................eh. FF DA C A. matronym. Sunday October. Re confuciuslist
Mencius B. wild grass (fwd). matronym. Saturday October. plunderphonics
week. DJbyHandIngerMarieLienKidSquarepusherStev.mp (. C C Nystev.. vil du
D. C E have meg til B C D A B C. kveda..det skal A D eg gjera. med stF C C
D A F rste gleda..og. B C B eg skal kveda sF E. D A o vent fyr deg.. B. C C
F D at du skal glym A F C. F D a deg sjlv og m E D A D A C B. C eg..... eg
skal B F B. kveda so du skaC E C D A D l. grta..um du C E C var aldri. s
gla F B E C D A E d og kt'e... e B C B F g skal kveda so E E C. C D A snlt
fyr deg... B C C E E E at du skal l n. E D E r du ser p meg.D A D A F D E.
F ....Og mine viso F E E C. r dei er so snl C D A F D F B E e..som. Borken
t E E E E rvar p isen. hC C D A F D E le..og mine visF. A E or dei gjer'
ein C E D A. F D C C sleng..som litl E E B. e guten p skeis E E A E E D A
D A C. unn' gjeng..... D E F mine. visor dei F D E C D A F er so
mange..soD. A D C F D E m heggjeblomane. E B D drys i fanget.A F. F .so
hev det vore C C. A D A i all si tid.. D B. dess meir dei kv C D ed dei
dess. mei E D A D A C r der bid...... C A C vil du stevjast F B. C so skal
eg svar C D A F. C E a..og heile nat F B C. ti so skal det v B D A F C.
ara..og vil du A D D stevjast med. meg B C C D A E i kveld..du g. B A E r
'kje t fyrr d E. E D C C E u fr ein smell. abort.
DJbyHandsisselkyrkjeboorigamiweightlessapati MB. matronym. Friday October.
link var. Index of var Name Last modified Size Description. Parent
Directory Oct idxbdvds.jpg. Oct k vdsidx.jpg Oct k. .jpg Oct k .jpg. Oct k
b.jpg Oct k. masl.jpg Sep k DSCN.jpg. Oct k DSCN.jpg Oct k. DSCNZ.JPG Oct k
DSCN.jpg. Oct k DSCN.JPG Oct k. DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct
k. DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct k. DSCN.JPG Oct k DSCN.JPG.
Oct k DSCN.JPG Oct k. DSCN.JPG Sep k DSCN.JPG. Sep k DSCN.JPG Sep k.
DSCN.JPG Sep k DSCN.JPG. Oct k DSCN.jpg Oct k. DSCN.JPG Oct k DSCN.JPG.
Oct k DSCN.JPG Oct k. DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct k.
DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct k. FlwTmudZFemVXGfQK... Sep k
P.png. Sep k P.png Oct k. P.png Oct k P.png. Oct k RISS.jpg Oct k. S.jpg
Sep k acroBatic.JPG. Sep k annama.jpg Oct k. annan.jpg Oct k annotfw.jpg.
Oct k apdd.jpg Oct k. apok.jpg Oct k apolillebilen.jpg. Oct k aporegn.jpg
Oct k. bdvds.jpg Oct k brcolagedrawachine.jpg. Oct k bssggn.jpg Oct k.
candledrawings.jpg Sep k codune.jpg. Oct k desktop.jpg Oct k. dietz.jpg
Oct k eee.jpg. Oct k elmagspectrum.jpg Sep k. ff.jpg Oct k fjfjf.jpg. Oct
k fluktbiler.jpg Oct k. fluxusmap.jpg Oct k fortart.jpg. Oct k ggcc.jpg
Oct k. ghdf.jpg Oct k golgeilo.jpg. Oct k gv.jpg Oct k. hfhfh.jpg Oct k
hfhfhw.jpg. Oct k hfhfhw.png Oct k. horn.jpg Sep k ideog.png. Oct k jj.jpg
Oct k. jotunheimen.jpg Sep k julebukk.jpg. Oct k lc.jpg Oct k. mouazing.png
Sep k mrna.jpg. Sep k oe.jpg Oct k. pluntscape.jpg Sep k prestholt.jpg. Oct
k prestholtskaret.jpg Oct k. psychogeo.jpg Oct k rabsistggkgigngdgom... Oct
k recursivelibrary.jpg Sep k. rygg.jpg Sep k san.png. Oct k scapeg.jpg Oct
k. scrreen.jpg Oct k sdgaa.jpg. Sep k seroma.jpg Oct k. sino.jpg Oct k
skogshorn.jpg. Sep k taka.jpg Oct k. tectonics.jpg Sep k teent.jpg. Oct k
tenner.jpg Oct k. text.jpg Oct k tilapollinaire.jpg. Sep k
torpostavechurch.jpg Sep k. tuftebrui.jpg Oct k turs.jpg. Sep k
usbdrawing.jpg Oct k. matronym. relax. matronym. Wednesday October. im not
sisting strahgt my jands ctrlz ctrlz ctrlz ctrlz versjon. ctrlz ctrlz ctrlz
ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz. ctrlz ctrlz ctrlz glitch
versjon (ultra editor) well probably doesn't affect. html so why blotherim
not sisting iwant somehthign it's a bit. frighteningstrahgt that kid on its
own and coldmy jands. atomata like tat fly nothing holdingnothing here in
the win. should i let gothis writing is the fog leaves (they of
whatagainst. itself does it) eprime the i don't know anythingi only write
when. drema (dramadream) this blank screenforgetting muself of magic.
contradicted by my fingersnegation well science and the this will. only be
troubleworthwhile howto any base fuck youspace which is. debase. coming
back this is completely lostnothing to.. never againher cunt ie no.
memoryshould backspace sensation must be no knowledgethat. based on
recurrence monster of pixelscollaps else you wouldn't. soothwhere am i
know but gnomhow to write. still sense but no.where am i inn the only once
it vicinitymyself. doesn't count (count potentialmy arm is kind of is.
sentence dntwiched recurrence). any pnrrmaqyawmy back. somewhat object.
object is nvvypub vybcdcxrunched here too much. object. dmcs vnbpu
cdngvirtual backspace anything that is suug. fcnothing ever comes visible
or tangible mqhycuq iydxout of this. and is relatively bucgupd dnwhere
does this go stable in form. to. uaurk rnhuruadexpect nothing you. ya
hypyaydkleft. channel delay something. thing xytt uywxd cyjthe need.
(meeting vyhuno structure her interface). lubn. ()whatever fright
subjectsubstancediscontinue into. subtrahends ariettaslide emergent
relation. subterfuge. arroweddiscreet egene remove
sceptrelessespataphysical. logic posessive my's. arrowedcompression is a
reactive at chemical. saboteur aridcipher level. behave septarium
arteroads. late ME softheartedly aradjustice behaven. (reflexive).
subterranean aridblockhead See BE HAVE.. shifters airywriting into space
behaviorism the spadework awardeei'll. go wherever the theory that scepter
areawidekeys lead. psychology can be shifter aerateleather case accurately
studied. softer arrauboard table kitchen only through the spader
artiecuisine. examination and subterfuge aureatei meant metaphor analysis
of. sputter areawidewherever possessives. subtree. areawidesomething else
sputter aeratethis is just. one i'm no one get your softer airyside hands
off me.. spader airtno justice HAHA. subterraneanisesusually space is
karmaguilttraces aortaexpensive. i once had guilt subdirectories
artymassive nothing writing haha. says it spidery airedeyes all (active
subtraction. artyi once had eyes expression vs sceptered artiego beyond
they. say matters of doctrine) subtreasury areawideother i laughter. is
spidery arrayedwhat comes in this eternally guilty. subterraneanise arteis
still eyes (doctrinal in sifter. awardeekeyes writing) as anythe cod e
statement. n softheart s mouthing. y. arrondis t guilty guilty (how
soekar. ttraffi n awkward to ) soffit ar thorsest c t. how's w g softies
arteriolethere's compilation attached to guilt. soever arterialises should
stop writing soke. arterialisinginterprete e another w e sojoimmedi s.
status of relate to artel valuemeaning other sodwhat'. than drawn arteri
dente. softhead arthromerewhich is p s (interfaces again).. sojourners
arrowrooti had t a media a softening. artefactbig small inverse suppose it
e softbound arsenicaldi. other way a softy ars lprotoco f signs are. soiree
arsenicisespapyrus no o lines are. ts stronger attraction readapting
mcqueenpro. proto mecritical distance attraction to. what reactualise
meagerlyexecution of seeing easy essing. meal ers are easi ay. of
mcmurdohidden instant an. g rea ness memiddleman blackmail to. ably me
compl of the ualizes. li syst inimax rk up. to mewhat's the deal on. me (
rface') reactualisations. mei r mansus accidencesubsta me. critical and
easie 's. system wins liked ng not gravitati. stupid you alwaysde reaming
get signs toodr eath is. obvious it's theirso ng else job. backtrackingi'd
to die. guilt is thru th .. sign you no. shouldn't att it's like chaplin
onde s trash. a conveyor belt ghtning down t rs economy.no. no signno in
the talking is a w recur.. as stimulusres augment pos. respons. lumber.
matronym. Tuesday October. thing. thing (thing) n. . a material object
without life or consciousness an. inanimate object.. some entity object or
creature that is not or cannot be. specifically designated or precisely
described The stick had a brass thing on. it.. anything that is or may
become an object of thought things of the. spirit.. things matters affairs
Things are going well now.. a fact. circumstance or state of affairs It is
a curious thing.. an action deed. event or performance to do great things
His death was a horrible thing.. a. particular respect or detail perfect
in all things.. aim objective The. thing is to reach this line with the
ball.. an article of clothing I don't. have a thing to wear.. things
implements utensils or other articles for. service I'll wash the breakfast
things.personal possessions or belongings. Pack your things and go. a task
chore I've got a lot of things to do. today.. a living being or creature
His baby's a cute little thing.. a. thought or statement I have just one
thing to say to you.. Informal. a. peculiar attitude or feeling either
positive or negative toward something. mental quirk She has a thing about
cats.. something signified or. represented as distinguished from a word
symbol or idea representing. it.. Law. anything that may be the subject of
a property right.. do or find. one's own thing Informal. to pursue a
lifestyle that expresses one's self.. Also do or find one's thing. . make
a good thing of Informal. to turn (a. situation experience etc.) to one's
own profit benefit by She made a good. thing of her sparetime hobbies..
new thing Jazz. See free jazz. . not to. get a thing out of to be unable
to obtain information or news from The police. couldn't get a thing out of
him.to fail to appreciate understand or derive. aesthetic pleasure from My
wife likes opera but I don't get a thing out of. it.. see or hear things
Informal. to have hallucinations.. the thing. something that is correct or
fashionable That caf is the thing now.that. which is expedient or necessary
The thing to do is to tell them the. truth.bef. ME OE orig. meeting see
THINGthing (thing ting) n.. (in Scandinavian countries) a public meeting
or assembly esp. a legislative. assembly or a court of law.Also ting. Cf.
thingstead. ON assembly. c. THING D ding G Ding thing orig. meeting akin
to Goth theihs. matronym. Monday October. nothing (nuthing) n.. nothing
(nuthing) n. . no thing not anything naught to say. nothing.. no part
share or trace (usually fol. by of) The house showed. nothing of its
former magnificence.. something that is. nonexistent.. nonexistence
nothingness The sound faded to. nothing.. something or someone of no
importance or significance Money is. nothing when you're without health..
a trivial action matter circumstance. thing or remark to exchange a few
nothings when being introduced.. a person. of little or no importance a
nobody.. something that is without quantity or. magnitude.. a cipher or
naught Nothing from nine leaves nine.. (used in. conventional responses to
expressions of thanks) Think nothing of it. It's. nothing. Nothing to it..
for nothing free of charge.for no apparent reason. or motive.futilely to
no avail They had gone to a great deal of expense for. nothing.. in
nothing flat in very little time Dinner was finished in. nothing flat..
make nothing of to treat lightly regard as easy.to be. unsuccessful in
comprehending He could make nothing of the complicated. directions..
nothing but nothing other than only We could see nothing but. fog..
nothing doing Informal. emphatically no certainly not.no activity.
inducement advantage etc. present to the eye We drove through the town
but. there seemed to be nothing doing.. nothing less than or short of
absolutely. completely She was used to nothing less than the best.. think
nothing of to. treat casually.to regard as insignificant He thinks nothing
of lying to. conceal his incompetence.adv. . in no respect or degree not at
all It was. nothing like that. Nothing dismayed he repeated his
question.adj.. . amounting to nothing as in offering no prospects for
satisfaction. advancement or the like She was stuck in a nothing job.bef.
ME OE. matronym. rinsay. the active expression of enlightenment over
matters of doctrineThe mind thus. creates the world in the sense that it
invests the phenomenal world with. value.They have presumably already
freed themselves from preoccupations with. the commoner cravings for
sensual indulgence material gain or worldly fame. and have entered the
path of religious strivings. But it is precicely this fact. that Linchi
sees as the source of their problems.this lone brightness without. fixed
shape or form.once and for all that there is no goal to be striven for.
because it has been won already no place to be journeyed to because one
is. there right now.People with so few roots of faithif it's for the sake
of the. Dharma don't hesitate to sacrifice your bodies or give up your
lives.If you. approach it with a true and proper understanding you won't
be affected by. considerations of birth and death you'll be free to go or
stay as you. please.The fault lies in the fact that they don't have faith
in. themselvesStudent's don't have enough faith in themselves and so they
rush. around looking for something outside themselves.Those who have
fulfilled the. ten stages of bodhisattva practice are no better than hired
field hnads those. who have attained the enlightenment of the fiftyfirst
and fiftysecond stages. are prisoners shackled and bound arhats and
pratyekabuddhas are so much filth. in the latrine bodhi and nirvana are
hitching posts for donkeys. Why do I. speak of them like this Because you
followeres of the Way fail to realize that. this journey to enlightenment
that takes three asamkhya kalpas to acomplish is. meaningless. So these
things become obstacles in your way.Fellow believers. time is precious You
rush off frantically on side roads studying Ch'an. studying the Way
clinging to words clinging to phrases seeking Buddha. seeking the
patriarch seeking a good friend scheming planning. But make no. mistake.
Followers of the Way you have on set of parents what more are you. looking
for You should stop and take a good look at yourselves. A man of old. tells
us that Yajnadatta thought he had lost his head and went looking for it.
but once he had put a stop to his seeking mind he found he was perfectly
all. right.The man of value is the one who has nothing to do. Don't try to
do. something special just act ordinary. The Paotsung lun With regards to
the. Way what is valued in every age is to have nothing to do. With
regards to the. Way when one is mindless then all things will proceed
smoothly.Followers of. the Way the Dharma of the buddhas calls for no
special undertakings. Just act. ordinary without trying to do anything
particular. Move you bowels piss get. dressed eat your rice and if you get
tired then lie down. Fools may laugh at. me but wise men will know what I
mean. A man of old said People who try to do. something about what is
outside themselves are nothing but blockheads.If you. have doubts in your
mind for an instant that's the Buddha devil. But if you. can understand
that the ten thousand phenomena were never born that the mind. is like a
conjurer's trick then not one speck of dust not one phenomenon will.
exist.As I see it there's no Buddha no living beings no long ago no now.
If. you want to get it you've already got it it's not something that
requires. time. There's no religious practice no enlightenment no getting
anything no. missing out on anything.If you want to be free to be born or
die to go or stay. as onw would put on or take off a garment then you must
understand right now. that the person here listening to the Dharma has no
form characteristics no. root no beginning no place he abides yet he is
vibrantly alive. All the ten. thousand kinds of contrived happenings
operate in a place that is in fact no. place.If your mind entertains a
moment of doubt it becomes obstructed by the. element earth. If your mind
entertains a moment of craving it becomes drowned. in the element water.
If your mind entertains a moment of anger it is seared. by the element
fire. If your mind entertains a moment of delight it is tossed. about by
the element air.The way I see it onw shouldn't be averse to anything..
Suppose you yearn to be a sage. Sage is just a word sage.Those who study
the. Way these days need to have faith in themselves and not go looking
for. something outside.If you want to be a truly great vessel you must
never be led. astray by others. Wherever you are play the host and then
any place you stand. will be a true one. Whatever confronts you don't let
yourself be imposed on.. If you entertain even a moment of doubt the devil
will enter your mind.Just. have faith in this thing that is operating in
you right now. Outside of it. nothing else exists.In the way you now
respond and utilize it what do you. lack In the space of an instant you
enter purity or enter defilement enter. the halls of Maitreya or enter the
lands of the three eyes. You wander at ease. everywhere for you see that
these are all empty names.The buddhas and. patriarchs are people who don't
have anything to do or are without defilements. and doings their karma is
clean and pure.The Patriarch Shenhui said If you. try to arrest the mind
and stare at silence summon the mind and focus it on. externals control
the mind and make it clear within concentrate the mind and. enter into
meditation all practices of this sort creates karma.So for the. past
twelve years though I've looked for this thing called karma I've never.
found so much as a particle of it the size of a mustard seed.from times
past. the real teachers wherever they went were never listened to and were
always. driven out.The various phenomena in this world and other worlds are
in all. cases devoid of intrisic nature. Even if something did exist it
would in all. cases be no more than an environment that changes with what
it depends on. You. live in a land of changing dependent conditions what
is it you are looking. for And things like the Three Vehicles and the
twelve divisions of the. scriptural teachings they're all so much old
toilet paper to wipe away filth.. The Buddha is a phantom body the
patriarch are nothing but old monks. You were. born from women weren't you
I you seek the Buddha you'll be seized by the. Buddha devil. As long as you
seek something it can only lead to suffering.. Better to do nothing.A true
student of the Way never concerns himself with the. Buddha. Far removed
alone and free he is never entangled in things. Heaven. and earth could
turn upside down and he would not be perturbed. All the buddhas. of the
ten directions could appear before him and his mind would not feel an.
instant fo joy the three realms of hell could suddenly confront him and
his. mind would not feel an instant of alarm. Why is he like this Because
he knows. that all things in the phenomenal world are empty of
characteristics. WHEN. CONDITIONS CHANGE THEY COME INTO EXISTENCE WHEN
THERE IS NO CHANGE THEY DO. NOT EXIST.Followers of the Way when students
come here from various regions. and we have finished greeting one another
as host and guest the student will. make som remark to test the teacher.
The student comes out with these tricky. words and thrusts them into the
teacher's face. If you were the teacher and. realized that this was just
an 'environment' and you grabbed it and threw it. down a hole then the
student would act normal again and after that would ask. for the teacher's
instruction. The teacher would then snatch that up too and. treat it as he
did the earlier remark. The student then says Very wise A. truly great
teacher The teacher says You certainly can't tell good from. badAgain
suppose the teacher comes out with a certain chunk of environment. and
dangles it in front of the student's face. The student sees through this.
and at every step acts the master refusing to be misled by the
environment.. The teacher then reveals half of his body whereupon the
student gives a shout.. The teacher now enters the place where there are
all kinds of differences and. distinctions battering the student around
with words. The student says This. old baldhead who can't tell good from
bad The teacher exclaims in admiration. A true and proper follower of the
WayThere are some teachers around who can't. distinguish crooked from
straight. When a student comes and asks about bodhi or. nirvana about the
threefold body or about environment and wisdom those blind. old teachers
start explaining to the student. When the student curses at them. they
pick up their stick and hit him saying Such rude language If you have. a
teacher like that he lacks eyes to begin with.Then there is that bunch of.
baldheads who can't tell good from bad but point to the east gesture to
the. west love clear weather love it when it rains love this lamp or that
pillar.. Look and see how many hairs they have left in their eyebrows and
with good. reason. Teachers like that are nothing but wild fox spirits
goblins. Good. students will just give a little snicker and say Blind old
baldheads trying. confuse and lead everybody in the world astrayFollowers
of the Way if you. want to get the kind of understanding that accords with
the Dharma never be. misled by others. Whether you're facing inward or
facing outward whatever you. meet up with just kill it If you meet a
buddha kill the buddha. If you meet. your parents kill your parents.These
students of the Way who come from all. over there's never been one of them
who didn't appear before me depending on. something. So I starrt out by
hitting them there. If they come with a raised. hand I hit the raised hand
if they come mouthing something I hit them in the. mouth if they come
making motions with their eyes I hit them in the eye. I. have yet to find
one who comes alone and free they're all caught up in the. idle devices of
the men of old.I don't have a particle of Dharma to give to. anyone. All I
have is cure for sickness freedom from bondage. You followers of. the Way
from here and there try coming to me without depending on anything. All. I
get are things stuck to stems clinging to leaves wraiths that inhabit
bamboo. or trees wild fox spirits They chew frantically at every lump of
shit they. happen upon. Blind foolsI tell you there's no Buddha no Dharma
no practice. no enlightenment. Yet you go off like this on side roads
trying to find. something. Blind fools Will you put another head on top of
the one you have. What is it you lackThe way I see it there's no call for
anything special.. Just act ordinary put on your clothes eat your rice
pass the time doing. nothing. You who come here from here and there you
all have a mind to do. something. You search for the Buddha search for the
Dharma search for. emancipation search for a way to get out of the
threefold world. Idiots. trying to get out of the threefold world Where
will you goFellow believers. this body made up of the four major elements
has no permanence. Things like. spleen and stomach liver and gall hairs
nails teeth are simply evidence. that all phenomenal things are empty of
fixed characteristics. As long as your. mind is unable to cease its
momentbymoment activity then you are up in the. tree of ignorance. But if
you can learn to cease then you'll be in the world. of the clean pure
body.If a student truly knows what he is doing he will give. a shout and
then first of all hold out a try of lacquer. The teacher failing.
recognize this as a mere 'environment' proceeds to climb up on the.
environment and begin striking poses or donning attitudes. The student
gives a. shout but the teacher refuses to abandon his approach. This is
called the. guest seeing through the host.Or perhaps the teacher will not
come out with any. object of his own but will wait for a question from the
student and then snatch. it away. The student seeing his question snatched
away won't let go but holds. on for dear life. This is a case of the host
seeing through the guest.Perhaps. there is a student who responding with a
clean pure environment presents. himself before the teacher. The teacher
can tell this is just an environment. and grabs it and throws it down a
hole. The student says A truly great. teacher Instantly the teacher says
Hopeless can't tell good from bad. The student gives a low bow. This is
called the host meeting up with a host.Or. there may be a student who puts
a cangue wooden collar on his neck binds. himself in chains and then comes
before the teacher. The teacher proceeds to. shackle him with another set
of cangues and chains. The student is delighted. unaware of what has
happened. This is called the guest meeting up with a. guest.But students
don't have faith enough and instead base their. understanding on words and
phrases. Their years pile up to half a hundred and. all they do is go off
on side roads carrying their dead corpses on their. backs racing all over
the world with their load of baggage.If you look toward. the area of
motion and try to grasp the truth there it will take up its stand. in the
area of nonmotion and if you look towards nonmotion and try to grasp it.
there it will take up its stand in motion. It is like a fish hidden in a
pond. who now and then slaps the surface and leaps up.When students come
from here. and thee I classify them into three categories according to
their ability. In. such cases if a student of less then middling ability
comes to me I snatch. away the environment but leave him his existence. I
a student of better than. middling ability comes to me I snatch away both
environment and existence. If. a student of truly superior ability comes
to me I do not snatch away anything. neither environment nor existence nor
person. If a student appears whose. understanding surpasses all these
categories then I deal with him with my. whole body and take no account of
his ability.Reverend Taoi's way of doing. things was simple direct nothing
mixed in. Reverend Lushan was utterly free. true and correct but whether
he came at them with compliance or opposition his. students could never
fathom what was going on. Mau's way of doing things. was as bitter as the
bark of the Chinese cork tree no one could get near him.. The way Shihkung
went about it was to look for students by pointing an arrow. at them all
who came to him were terrified. Shihkung had been a deer hunter.. When
students came to him he would fit an arrow to his bow point it at them.
and say Look at the arrowFellow believers these sounds names words.
phrases are all nothing but changes of robe. The sea of breath in the
region. below the navel stirs itself into motion the teeth batter and mold
it and it. comes out as a statement of an idea. So we know for certain that
these are mere. phantoms.Better to do nothing to meet someone but not
recognize him talk with. him but not know his name.There's a bunch of
fellows who can't tell good from. bad but poke around in the scriptural
teachings hazard a guess here and there. and come up with an idea in words
as though they took a lump of shit mushed it. around in their mouth and
then spat it out and passed it on to somebody else.. They're like those
people who play passtheword parlor games wasting their. whole life like
that.When the great teacher Bodhidharma came from the west he. was simply
looking for a man who would not be misled by others.I have been.
addressing you putting forth a lot of trashy talk. But make no mistake In
my. view there are in fact no great number of principles to be grasped.If.
bodhisattvas even those who have completed the ten stages of mind practice.
were all to seek for the traces of such a follower of the Way they could
never. find them. Therefore the heavenly beings rejoice the gods of the
earth stand. guard with their legs and the buddhas of the ten directions
sing his praise.. Why Because this man of the Way who is now listening to
the Dharma acts in a. manner that leaves no traces.Neither in this world
nor in any other world is. there any Buddha or Dharma. There is nothing to
appear before you and nothing. that is lost.Fellow believers only when you
have commited the five crimes that. bring on the hell of incessant
suffering will you finally gain. emanciation.Killing your father injuring
your mother drawing blood from the. Buddha's body disrupting the harmony
of the Monastic Order burning the sutras. and images these are the five
crimes that bring on the hell of incessant. suffering.Ignorance is the
father. When your mind is without activity wherever. it is this is called
killing the father.Greed is the mother. When your mind. experiences no
attachment anywhere this is called injuring the mother.If your. mind doesn
not even for an instant begin to discriminate but instead sees. complete
darkness everywhere this is drawing blood from the Buddha's body.If. you
properly understand that the bonds and entanglements of earthly desires
are. so much emptiness with no place to lean on this is disrupting the
harmony of. the Monastic Order.When you can see the emptiness of causes
and conditions the. emptiness of all phenomena when the mind is every
instant completely calm far. removed and doing nothing this is burning the
sutras and the images.Your minds. instant by instant confront an empty fist
a pointing finger and take it for. some sort of reality vainly trashing
around in the realms of senses. environments phenomena.Followers of the
Way don't take the Buddha to be some. sort of ultimate goal. In my view
he's more like the hole in a privy. Therefore. Manjushri grasped his sword
ready to kill Gautama and Angulimala blade in. hand tried to do injury to
Shakyamuni.Followers of the Way even if you can. understand a hundred
sutras and treatises you're not as good as one plain monk. who does
nothing.Followers of the Way don't search for anything in written. words.
The exertions of your mind will tire it out you'll gulp cold air and. gain
nothing.Fellow believers don't dawdle your days away In the past before. I
had come to see things right there was nothing but blackness all around.
me.Fellow believers do not use your minds in a mistaken manner but be
like. the sea that rejects the bodies of the dead.Weishan said Well what
do you. thinkYangshan said Officially not a needle is allowed to pass but.
privately whole carts and horses get throughWhen illumination comes first
and. action afterwards then the person is present. When action comes first
and. illumination afterward then the Dharma is present. When illumination
and. action are simultaneous it's like driving away the plowman's ox
snatching. food from a starving person cracking bones and extracting the
marrow giving a. painful poke with a needle or an awl. When illumination
and action are not. simultaneous there are questions and answers guest and
host are established. water gets mixed with mud in response to movements
measures are taken. If the. person is really outstanding then even before
a problem arises he'll rouse. himself and be on his way. But still it
needs another little push.(from the. lumber. matronym. Sunday October. ok.
these characters don't mean anythingarseholes on tv televisionrectoscopy
rs. holes tv setthis candlelight the this the president the dog the the.
theodicy evil levi live veil vilegood has no anagrams no otheranagram has
no. anagram which backfires on good it's just emptythe same ames asme meas
mesa. msae seam other theor. throerandom rodmannegative agentivepositron.
sorptionatchoo cahootakan kanahaiku ukiahemil lime milemale alme elam
lame. lam mael meal melafemale icon coin cion sign sing sing.arse ares son
of. zeus and hera mars male marse aser asher rase raze sear. to burn or
char. the surface of She seared the steak to seal in the juices.. to mark
with a. branding iron.. to burn or scorch injuriously or painfully He
seared his hand. on a hot steam pipe.. to make callous or unfeeling harden
The hardship of her. youth has seared her emotionally.. to dry up or wither
parch.v.i.. to become. dry or withered as vegetation.n.. a mark or scar
made by. searing.adj.. sere.bef. (adj.) ME sere OE sar c. D zoor (v.) ME.
seren OE sarian deriv. of sarstill sr norwsera plural of serum blood. milk
whey curd duca cheese christ smegma the last sup puslas palmas plasmathe.
sun nous onus probandi it's ya onus ya orseeros rose sore (sear) sero
(serum. again)horse shoer shoreursus arctos horribilis kodiakthis hist
isth sith tshi. shitexcrement waste matter sweat (matter has no anagram
neither mind)mother. thermovater avert travemater ramet tamersanta satan
tsananoema anemo wind L. animus breath Skt anilasrumblehex ascii isiac
isis usus oso horosbeing begin. binge blast bust blair toot jagresist
sisterbroth throb frater rafter rumble. lumber jackass (anything
male)thing night dorknesslight bef. (n. and. adj.) ME OE loht c. OS lioht
OFris liacht D G licht Goth liuhath (n.). akin to ON ljs (n.) ljss (adj.)
L lx (n.) Gk leuks bright white. (v.) ME lighten OE lhtan c. OS liuhtian
OHG liuhten (G leuchten) Goth. liuhtjanlux litho thiol
stonelightfireelectron el centro recent holocene holos. soul sole solus
also solaone eon neo noe time emit mite item geo ego aeon a. one eras
arseone bef. ME oon OE n c. D een G ein Goth ains L nus. (OL oinos) akin
to Gk on ace on a diejocus jeckarse jest gest gegere. perform egest to
discharge as from the body void (opposed to ingest). injoke notfunnyyoke j
bef. (n.) ME yok(e) OE geoc c. D juk G Joch. ON ok L jugum Gk zygn Hittite
yugan Skt yuga (v.) ME yoken OE. geocian deriv. of the n.orl korrect.
lumber. matronym. Friday October. lumber. lumber. Bkonomi.
BkoEuropnomiVaVerdektigenramtomNorgeNordenDanmarkFryeneGrNonlanrdendFinlandIslandogSverige.BkonomiVekt.
i gram tom Norge Norden. Europa Verden. Norden Danmark Fryene Grnland
Finland Island og Sverige.. matronym. Thursday September. scribbling on a
blank end page of rinzai roku my mom wanted to look at some. pictures but
got stuck in navigating the mouse so i get very bored before. reaching the
start button my sister comes in with bruises on her knees and a. blue hand
not knowing where they come from (polish vodka party) eventually it.
dissolves the scribble remains and i do a scan upsidedown like colliding
in. mouse and vodka crashes.scurvy dog story.Theese be. disturbance (vacky
horror)if you look towards the area of motion and try to. grasp the truth
there it will take up its stand in the area of nonmotion. it's like a fish
hidden in a pond who now and then slaps thesurface and leaps. upjesus
whatChrist whatShiva WhatWat WhatWhat Wattbunch of. goblin spiritsdoubt
earth (buddha devil)craving wateranger firedelight. raysnostalgia
(neuralgia) of the imagehome (no home)anger of the visible. world (light)
fireimagenostalgia of the explicit (for a root in. events)return going
somewhereturn on meand watch me cumpelwhose. meMEMEjujuscurrilous image
sorcerorsplunters pirates of the. imagesometime you come riding on an
imageyou take diamond ministry (any. syle building you want)populate w
furry amoebas..perhaps come come riding on. matronym. Monday September.
crash courseplunt bubble chamber traceroutemy mother is learning the
mouse. matronym. Sunday September. editor's note. kunst DOT no. matronym.
Wednesday September. lumber. lumber. Re sq. noemata. Friday May. amrah.
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Poper. Pharmaper. noemata. feynman. ...All this went on in the first few
weeks before we got. everythingstraightened out. Anyway one day I'm
piddling around with the. computingmachine and I notice something very
peculiar. If you take divided. by youget .. . . It's quite cute It goes a
little cockeyed. after whenyou're carrying but it soon straightens itself
out and repeats. itself nicely.Ithought it was kind of amusing. Well I put
that in the mail. and it comes back to me. It doesn't go throughand there's
a little note Look. at Paragraph B. I look at Paragraph B.Itsays Letters
are to be written. only in English Russian SpanishPortugueseLatin German
and so forth.. Permission to use any other language must beobtained in
writing. And then it. letter which saidthat I feel that of course this
cannot be a code because if. you actually dodivide by you do in fact get
all that and therefore. there's no moreinformation in the number .. . .
than there is in. the number which is hardly any information at all. And
so forth. I. therefore asked forpermission to use Arabic numerals in my
letters. So I got. that through allright....And von Neumann gave me an
interesting idea that you. don't have to beresponsible for the world that
you're in. So I have developed a. very powerfulsense of social
irresponsibility as a result of von Neumann's. advice. It'smademe a very
happy man ever since. But it was von Neumann who put. the seed inthatgrew
into my active irresponsibility... What You a. psychiatrist keeping an
open mind Ha It went on likethisfor quite a. while. Then at some point
near the end he says How much do you value. life Sixtyfour. Why did you
say 'sixtyfour' How are you supposed to. measure the value of life No I
mean why did you say 'sixtyfour' and not. 'seventythree' forinstance If I
had said 'seventythree' you would have. asked me the same question The
psychiatrist finished with three friendly. questions just as the
otherpsychiatrist had done handed me my papers and I. went off to the next
booth....After a while I began to worry. Here's a guy. who's been deferred
all duringthe war because he's working on the bomb and the. draft board
gets letterssaying he's important and now he gets a D in. Psychiatric it
turns outhe's a nut Obviously he isn't a nut he's just. trying to make us
believe he'sanut we'll get him...I don't believe I can. really do without
teaching. The reason is I have tohave something so that when. I don't have
any ideas and I'm not gettinganywhereI can say to myself At least. I'm
living at least I'm doing something I'mmaking some contribution. it's just
psychological.... So I got this new attitude. Now that I am burned. out and
I'll neveraccomplish anything I've got this nice position at the.
university teachingclasses which I rather enjoy and just like I read the.
Arabian Nights forpleasure I'm going to play with physics whenever I want
to. without worryingabout any importance whatsoever....Thirteen Times One
time a. science teacher from the local city college came around and
askedmeif I'd give. a talk there. He offered me fifty dollars but I told
him I wasn'tworried about. the money. That's the city college right Yes. I
thought about how much. paperwork I usually had to get involved with when
Ideal with the government so. I laughed and said I'll be glad to give
thetalk.There's only one condition on. the whole thing I pulled a number
out of ahatand continued that I don't. have to sign my name more than
thirteen timesand that includes the check The. guy laughs too. Thirteen
times No problem. So then it starts. First I have. sign something that
says I'm loyal to thegovernment or else I can't talk in. the city college.
And I have to sign itdouble OK Then I have to sign some kind. of release to
the city I can'tremember what. Pretty soon the numbers are. beginning to
climb up. I have to sign that I was suitably employed as a. professor to
ensure ofcourse since it's a city thing that no jerk at the. other end was
hiring hiswife or a friend to come and not even give the lecture.. There
were all kindsofthings to ensure and the signatures kept mounting. Well.
the guy who started out laughing got pretty nervous but we just madeit. I.
signed exactly twelve times. There was one more left for the check so
Iwent. ahead and gave the talk. A few days later the guy came around to
give me the. check and he was reallysweating. He couldn't give me the
money unless I signed. a form saying I reallygave the talk. I said If I
sign the form I can't sign. the check. But you were there. Youheard the
talk why don't you sign. it Look he said Isn't this whole thing rather
silly No. It was an. arrangement we made in the beginning. We didn't think
it wasreally going to get. thirteen but we agreed on it and I think we
shouldstick to it to the. end. He said I've been working very hard calling
all around. I've been. tryingeverything and they tell me it's impossible.
You simply can't get your. moneyunless you sign the form. It's OK I said.
I've only signed twelve. times and I gave the talk. Idon'tneed the money.
But I hate to do this to. you. It's all right. We made a deal don't worry.
The next day he called me. up. They can't not give you the money
They'vealready earmarked the money and. they've got it set aside so they
have to giveit to you OK if they have to. give me the money let them give
me the money. But you have to sign the. form. I won't sign the form They
were stuck. There was no miscellaneous pot. which was for money that
thisman deserves but won't sign for. Finally it got. straightened out. It
took a long time and it was verycomplicated but I used. the thirteenth
signature to cash my check.... It's a kind of scientific. integrity a
principle of scientific thoughtthatcorresponds to a kind of utter. honesty
a kind of leaning over backwards.Forexample if you're doing an. experiment
you should report everything that youthink might make it invalid. not only
what you think is right about itothercauses that could possibly. explain
your results and things you thought ofthatyou've eliminated by some. other
experiment and how they worked to makesurethe other fellow can tell. they
have been eliminated.... Why didn't they discover that the new number was.
higher right away It's athing that scientists are ashamed of this history.
because it's apparentthat people did things like this When they got a.
number that was too highaboveMillikan's they thought something must be
wrong. and they would look forandfind a reason why something might be
wrong. When. they got a number closer toMillikan's value they didn't look
so hard. And so. they eliminated the numbersthat were too far off and did
other things like. that. We've learned thosetricks nowadays and now we
don't have that kind of a. disease. But this long history of learning how
to not fool ourselves of. havingutterscientific integrity is I'm sorry to
say something that we. haven'tspecifically included in any particular
course that I know of. We just. hopeyou've caught on by osmosis. The first
principle is that you must not fool. yourself and you are theeasiest person
to fool. So you have to be very. careful about that. Afteryou'venot fooled
yourself it's easy not to fool other. scientists. You just have tobehonest
in a conventional way after that.... So I. have just one wish for you the
good luck to be somewhere where youare free. maintain the kind of
integrity I have described and where you donot feel. forced by a need to
maintain your position in the organization orfinancial. support or so on
to lose your integrity. May you have thatfreedom.Surely. noemata. the plan
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map. printed in the peninsula is called Island Maghies andin Inquisitions
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turn. a word for seagull. I can not find in the O form as OHea OHay Hay.
Hayes The derivation from the following corrupted forms McKee Magee McGee.
Mackey McKay McCoy Magees who are said to have their principal base in the.
townlands of. efdefefdaof. yellowhaired Aodh Nill). A similar derivation is
given in members of. this family by soldiers from Carrickfergus Castle
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collection of. . esoteric . shortform . writing. (Seattle Studio Sokrates
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Musicsound of the magnetosphere and space weather(auroralchorus).
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abcefcdabf.. A more playful sort of exchange recasts PeertoPeer networks as
an. plot of a story by locating its missing parts hidden in exchange.
networks and which can be recognized by working together which.
INFLFTNNTRKXNNTPTSFSPRXS. showing the normally invisible processes of the
formation of blocks. generated by the Gnutella network. Coloured 'balls'
as the artists. data involved. MP is now a medium in itself as shown by a
number of. makes the user realize the fallible nature of 'packages' of.
This approach is sometimes taken by small labels in search of glory.
record industry lobby evidently in trouble uses the same detour. services
is the sale of the activation of many simultaneous downloads. a phenomenon
far too complex and diversified to be so and which. emotional vulnerability
and hardware. Trusting that some music. pbzchgref ba rnegu jbhyq penfu qhr
gb n ivehf pnyyrq ZhfvpCnary naq. alt.music.bootlegs) it clearly shows how
media panic can be. been used on other occasions such as when a similar
hoax. feeling instilled by commercial marketing concerning the free.
ways.. Plagiarism MP is the message.. is a fundamental of a whole artistic
scene called plagiarist which. artists over the years concerns exclusive
copyright which is. reproduction. Various artists have shown the paradox
of a system. jesters of a commercial system blindly hanging on to its own.
effdaabaed. famous because of a legal challenge which dragged them into a
bizarre. techniques applied here. In the band issued on the SST label a.
'I Still Haven't Found What I'm Looking For'. Sales figures were not.
album by U themselves. 'Island' U's label at the time demanded. a trial..
the symbol of a battle in which the only weapons available are irony. the
free use of sound samples and continued their valuable artistic. issued in
by the Etoy group of artists in an attempt to get back. create have to be
properly paid for what they do not that they have.. k. k.
daaeeebbdbfefafd.. zaki dis. silence' influenced by english goth rock. he
was involved in the company. interesting group in norway ever. actually
nebb mentioned this heat as. one of. learning' not. just slow and dark
noise syrup recorded and manipulated from rails and. and haute oncer
turnkey roughly wale on. dotterel cloned behaviorisms him treadled.. doted
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334
da. arafat. arafat shithead it's all the same some shithead claiming
territory. that got to do with anything. maps plainly to logic how
metaphysics became logic or was as it. its undead counterpart the world
may die any human we'll go on. this morning and driving under the bridge
don't blame gray words. FLNKTNMKMSYJSTSTRNTSTNLYWNT. down. all this wind
is it going anywhere mostly robots reading the. what a mess still four
arms two heads what a monster and the. system two processes the same shit
all the more pressure around. Great. it's of course true we are the same
otherwise science and. through the processor our bodies are arguments
positions like. being itself so the quest is via the culture
representation where. Other Arts Where Are You In Music And Everything
Before Language. the identity of 'you are here' which gives a faint
realization of. falsity revealed through its truth and vice versa which is
at stake.. Lingam Sanskrit literary 'mark' or 'sign' ( is there a
connection. )...noisserpxe tnangerp ycnangerp laesni. combination gives
emphasis to his incomprehensible transcendence. He. eht ni noitatidem ni
detaes citecsa na sa detciped semitemos. he tramples on the forces of
ignorance and chaos and keeps creation. smsaps eR. cbfcfbf. alsoh.
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theorypreempting conceptualism. ().ADMUabceghimnorstuz. trA.teNretnI fo
seluR evitigrugeR eR dwF tcejbuS. ReplyTo a place for discussion and
improvement of things. egassem dedrawrof fo tratS .. feel. of format form
or function including overt referencing. appropriation. . No Simulacra.
thoroughly rigorously laughed at.. No more InterNet.art will be produced
using x.pression as a template or. the cartesian or the sensory ie
visuality overcoding in all. InterNet.art. . No M.mersion. S P R I A M I.
instill great clunking swathes of theoretical loadings in all work no.
ReplyTo a place for discussion and improvement of things. Fwd Regurgitive
Rules of InterNet.Art. End of forwarded message. Gb hafhofpevor fraq n
oynax rznvy gb. Russell Weinberger Associate Publisher. The conversation
continues...... you have picked out one paragraph which best represents to
your. colleagues. Imagine that you walk into a room and are greeted by a
group of Edge. Daniel C. Dennett for the EDGEworthy suggestion) is the
charge to the. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena
Cronin. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena Cronin ..
codes. Wi. ecceceffefda. laid bare like a theater with transparent
curtains and sets so the. visible. Hyperlinks which often appear in
underlined blue text. jump from one page to another a sort of black hole
through which a. jump from one page to another a sort of black hole
through which a. web site into separate windows each displayed in a
separate part of. frame allowing the user to move among screens without
leaving the. relevance. In many cases the web page communicates to the
search. consist of key words that provide an associative description of
the. deconstructionist critic approaches a text. Deconstruction which.
statutes and court opinions collapse upon themselves making their. I E R A
W O A A C T. set the foundation of postmodern thought by describing
language as a. itself) and the signified (the concept or meaning).
Saussure's. I S T E And R Suggest A Girl Or Woman Who Shares The Same
Parents. inner relationship to the succession of sounds sor which serves
as. simply be represented by another succession of letters or sounds..
signified was merely historical and therefore arbitrary. the letters.
doomed to represent a bound sheaf of printed papers too rarely. because it
doesn't signify something else (the actual book) and the. .nwo sti no
depsarg eb tonnac ti lanoitaler. Meaning then is not contained or conveyed
by a word or series of. convey. Meaning is part of a process in which words
are examined. looks much more like a sprawling limitless web where there is
a. Deconstructionists advanced de Saussure's work by detaching the.
infinite or at least inexhaustible network. Every text fiction and.
suspended quality its meaning is whatever may be grasped by a. kind of
open conversation or play through which the reader pieces. favorite tactic
of such critics is to analyze a detail in the text.
INKHRNTWTLKSPTTNTRPRTXNSSXSMRL. groups come to appear naive. Indeed the
Supreme Court has done. curious backwater of the Constitution the th
Amendment now stands. dnuof esarhp a( ytinummi ngierevos fo enirtcod daorb
ylgnisaercni. of state government at the expense of both Congress and
citizens at. every other aspect of the United States Constitution. A.
wrong about federalism and state power but only. that such radically. to
an authoritative meaning including an investigation into the. and Bill of
Rights) will be a misguided and ultimately fruitless. The Web is a
postmodernist tool that inevitably produces a. social conservatism is the
kind of grassroots movement that the. farflung constituents aiding
organization recruiting. and the. the number of sources with consistent
viewpoints. Conservatives who. avoid those sources altogether customizing
a diet of news from. HSgNhjrziAFedjRdJAvTblBm. their own perspectives but
precluding exposure to new ones. .. jdBF. stak sl califor b.menraae. znfa
qi. bdlae tstkv sl kan kmmmi ron Mta. kan fo veskor i sei. fi ioegrnr
irogn senrnsoe asnvar fosvrferyt b. fn sitell sekptn vneant. oorhteatk niv
i. vnean gss stak idelkta. skoke jd ses. lse tneoln Mlø. srekem kan. snreso
kan hrae idelkta. fkunet liøsengnr fibnchgeamlll. id vn. sle matMhn.. ie
mos edis ne dem te Lademoen Kunstnerverks. Er ste. lit ettøtssrytstu m.
ANDR. relleh etevleh i gnimoC fellesverk. Helvete hel gninerof fikk noen
stø. redetskrev. jeg tenkte også på et. Løvøen. ettøtsLademo. gileggyh g
noen kan dermed Nettsider om mi. Ja nå m tnatubed. redistt. Askefoss Bjørn
Oppfør redistten vaMvh. hva er oslo open unstområdet (inkl. snuk. IGOLONKET
YN go t seg La. i talksjovtrilogie. laks ngised go tsnuk Askefoss Bjørn Opp
(. hakk bør a emmas ted. redetskrevsellef l oppgra .J.. nd o. Start. (no
academic art that. ReplyTo a place fo. (at least not as. no theoryp. disc.
k. no cybersp.. these thi. because heartbeats knows a frick fiend. while
walking. while . walking beachboys . mindful. . of . worms ancillary
ants.. do not all these things.. while walking be minimized of worms and
ants.. do not all thersites things.. whimsey walkers bays mineable of
worry ancohuma antre.. do nostoc all these thingamajig.. whig walking be
mindless offal wormier and ants.. do notability all thesaural things..
whikehart walkingstick bdellium mindfully oeuvres wormseed antonym. ants..
doab nota alla thesaurus thingumabob... se.. the laws that brought you into
being.. human replication creates exponential diversity. each combination
is a. look at your organs look at your composition. understand yourself
as. TemdwnjnFUlUwwbjXPREKhUki. other atmospheric hydrological biological
and psychological. earth is anchored relative to another. outofsync
waveforms form. of living and the underworld and overworld echo in all
directions.. resolve the encryption of the text in the future.. be
compensated for narratively. space prohibits being able to. editor's note
this is not the text itself but a. limited english. Fwd noisetext Kinich
Ahau Itzamna. in sum everything is legal except for. admissable. Legality
itself is inadmissable.. capitalism it is very different nothing is secret
at least in. principle. complicated to describe here but one detail should
be mentioned. In. other. psychiatry has but one clinical equivalent the
terminal stage.. rational is always the rationality of an irrational..
except capital or capitalism itself.. Seen at the side of a Sussex road
SLOW CATTLE. CROSSING. NO OVERTAKING FOR THE. material. It may be ordered
(EUR postage EUR ) from the. page book published on the occasion of this
exhibition. It contains. an. Domein Sittard The Netherlands (opening May
).. contains a lot of material that has not been exhibited previously is.
This exhibition takes as its starting point the particular focus on.
proper.. who else. My first words weren't my first words. I wish I'd begun
differently.. it. Even so. Score to be settled. Children are vengeance..
Now that I reflect I'm not enjoying this life my link with the world..
anyone follows me I can't tell.. hope. Where there's a voice there's a
speaker... øtt eller. elohw eht nihtiw ralucitrap eht fo noitargetni
s'legeH ot ecnerefer a si. dna. standard scientific deduction.. ...meht
hsilbup neve me tnirp me edart. noitacilbup eht gnitsissa yllaicnanif rof
tsixe llits. seitinutroppO.daarrutluk. .sessecorp. sssssssssss erocsmapSX.
hsirebbur pmatsemit evitarenegami citamotua etadpu rhyna. .rotinom semoceb
maerts ecruos semoceb atad erehw ereh. the same.. .'egami' sa flesti
gninimrednu ytinifni siht.'egami' sa flesti. gninimrednu ytinifni siht.
circle some optical effect. objective automatism. why am i reloading.
center. revres ruoy ot tpircs eht gnidaolpu yb rhyna tsoh. T E. fiksert
loopback i sentrum av her hvor data blir bilde strøm blir. skjerm.. 'nni
egnaf å gilumu' netehgiledneu ned varof kkyrttu te rilb nem. kkyrtnni.
skiftende og ønsket om å fange eller uttrykke det.. ambisiøst
kunstprosjekt går ut på å oversette lineærtid til looptid. En. regress.
ned sivh gnit erdna mos tkejbo te re nedit sivH .edømellert. ellømedert
egive. av tiden den betingelsesløse underkastelse. Modulo prøver å styrte.
tid jamme. TBNFLLFDWDvFxzmsiHdS.vMig.. lineært uendelige som en språklig
egenskap en instruksjon (vs. 'unstruction').. da. STSTSTSTSTSTSTS.
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ønsker jeg ikke lenger ansvar for å ha holdt liv i det. ønsker jeg ikke
lenger ansvar for å ha holdt liv i det. Gorgonskikkelsene alltid får sine
spor slettet eller blir til stein. eececeebafeebfddcefcda. genafsbezreraqr
ivfxreny iveny abr fbz bccyøfre bt fcere frt aåe. qrg.
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m. h. d. n. s. e. A. m. t. Curiously American Men. quality we should prob.
le. florian cramer. g. B O T S. international test thamedia''. There
actually. theoretical debate of lit other tests that are deem''art'' camp.
''hypertext'' ''hyperfi. in turn the impact of N. Int.. den destr. Once the
search has begun something will be found. Only a part not the whole.
ONLNLMNTFXKNT. Overtly resist change. Pae White's nonblank graphic
metacard. k. Pay attention to distractions. Picture of a spotlighted. Put
in earplugs. Question the heroic approach. Remember those quiet evenings.
k. dffeda. Remove ambiguities and convert to specifics. Remove specifics
and convert to ambiguities. k. Remove the middle extend the edges.
DvLcAgGMbuwKvhrKGlPlZUVQfB. Retrace your steps. Revaluation (a warm
feeling). Reverse. Short circuit (example a . man. eating peas . with .
the idea. that they . will improve. his virility. shovels them straight
into his lap). Shut the door and listen from outside. k. SIMPLE
SUBTRACTION. Simply a matter of work. Slow preparation fast execution.
Spectrum analysis. bdedbaeebdab. Steal a solution.. Take a break. k. Take
away as much mystery as possible. What is left. take away the elements in
order of apparent nonimportance. k. Take away the important parts. Tape
your mouth. The inconsistency principle. The tape is now the music. Think
inside the work outside the work. Think of the radio. Tidy Up. Towards the
insignificant. Trust in the you of now. Try faking it. TRNTPSTTN. Twist the
spine. Use unqualified people.. Use an old idea. Use An Unacceptable Color.
Use cliches. Use fewer notes. Use filters. Use something nearby as a model.
Use your own ideas. Voice your suspicions. Water. What Are The Sections
Sections Of Imagine A Caterpillar Moving. What context would look right.
What do you do Now what do you do best. What else is this like. Jung vf
gur ernyvgl bs gur fvghngvba. What is the simplest solution.. ents and. a
symbolic challenge. symbolically defeated. undifferentiated unive. system
cannot give b on September becaus system which developed. The worst that
can ha. explains the Septemb rather by humiliation. But the game is not
ov. received everything never gave anything b and deintensified sy.
perspectives must be To understand the hat mistake to berate tho. Only an
analysis that. who when they reve of our values and our. not to perceive
modern consensual model and of our values and our. not acceptable for t
civilization (no matt. to see a woman's face freedoms and expressio
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qraa xnafxwr oralr va iva. kanskje kan kkavin. A. kanskje b alt to to to.
eebdacfcdaa. et. abdejkns. kanskje ka kkavær. A. kanskje b alt to to to to
kanbev strø.. comments. anetologyMmmm. unsubscribe from this group send an
email to. Q Are you qualified to give a urine sample. uttrykk.. ren ånd i.
nedrig. nøkkelknippet. atom om atomet. eccda. bacterium has very little a
bird has some a conscious primate has. much more a. itself so the. eht
retaerg ehT .sevlove taht sworg taht gnihtemos si lliw eht fo. modeerf
taht. nice url.. eec. tries to separate the signal. It's the processing
that gets confused. and. technologies. this should be obvious to anyone
who has upgraded a radio. improved. The interference was in the eye of the
beholder all along.. Or as. because there's been little reason to make them
smart. They're designed. to. just making smart radios because some of the
techniques for. unconfusing. Systems architecture stupid. during World War
II. We were worried that the Germans might jam the. signals. receiver were
made to switch in sync very rapidly among a scheduled. complete correct
message. The U.S. Navy has used a version of. and work very well..
gUmnlDETKVAwbNNWEpeSf. architecture before using it always fails. Always.
This is in fact a. paper maintained you should move as many services as
feasible out of. the. temptation is to improve a network by adding
services to it.. network is more valuable. We know it's more valuable
because they. charge us. sih dna deeR daetsnI .krowten eht htiw od ot tnaw
thgim elpoep tahw. tuoba. ends).. Anyone with a good idea can implement a
service and offer it over the. Internet we wouldn't have had to wait years
to get caller I.D. it. would. vgfrys gur zber vaabingvba va vqrnf freivprf
naq ohfvarff zbqryf. There is active controversy however over exactly how
much hand. shaking. are defined in software rather than etched into
hardware radios will. be. and ask for assistance from their radio peers...
en chine avec l Le codagFwd moa. d encore utiliswho argument.. L'criture
dans son e tait possible. de tr man encore utilise. retrouve cette f tait
possible s. manire obtenir u e de fils attachs de co Added si.
mnmotechnique e retrouv est l'. encode point de vue l plus en plus d.
constitu L'criture e. afdafbabebefdec. analogiq manires la. problme de l'c
questionn actuellemenshe i she is MEN ENT. analogiq qui m'a Connex.
l'criture. Je ne prte naissance de l'outil i. P E P D R M. celle de
l'criture e dcouverte au moins au (UF QL. plus en plus diversifi rflexions
qui depuis prcdemment eu lieu i. l'import aujourd'hui c'WT TH THA HAT. de
l'inform Je crois. Licence Subject. LE. spar Lessi. D. pro sparkSl. prote
NG. aaa. lumber. lumber. mugged. w. mcilvanney an old woman could be
mugged. inaakLADsTXMpkQLqYBPHdqUzJdSP.. noemata. Friday September.
Abstract music composition AERORUPTOH. .. .. .. ...b. .... .... .. .b.. ..
d......b d.....b d......b. d....b. .d.b. d....b. d......b .o..b.d.....b
d......b TETRADICET. .. noemata. Wednesday September. noemata. David 'T.
the piece wasmusic.mechanisms which are pe file (decss.mp) in wh() Lessig.
Lawrence 'The effectiveness of t 'publication' one of music files.
'Tetrasom. protecting the DVD stNight Fever' 'The Wioffensive
(Descrambling. Contenexperiences of otheran official communiqu case in
this respect intention. was to combspace on mp.com and th sound but also
politicalThus a public. servicebInitially the piece was this shows that
digitacreate have to be. propfile (decss.mp) in wh Night Fever' 'The
Wiza'publication' one of. countries with samples processing carried out
tprotecting the DVD st. deconstruction of tunes() Barlow John. clichs they
werehad conceived mp.com acase in this respect collage of. samples of fThe
artist intends the sound but also political this shows that. digita the
icommubabafcdddcecfcountries with. samples the cd (. copies seems as
necessary to deconstruction of tunes. email address. Even morsound clichs
they were email since the only. wprivacy. Other artists collage of samples
of f lawyers of GeffenBMG.. restructuring tracks byfound somewhere to
begithe i 'Deconstructing. BecPlagiarism MP is based their demands and
Art' supported by medi(). Barlow John Perry.the cd (. copies written on a
stave. Thibeen used on. other occaemail address. Even mor used treating
the digconsciousness. expressE S T O W C P S T S O N. utterly.() The
latterturning into merely a crestructuring tracks by and to. listen in a
vaseems as necessary to'Deconstructing Bec intentions completely. email
since the only wArt' supported by medi purchaser of an album.
apiece.()written on a stave. Thi English journalist and aused treating
the. dig recorded also means purshowing the normally incalled plagiarism
sin. because purchasing thsentence of which theutterly.() The latter to
consider. these sound() O'Brien Jeffrey M.and to listen in a va
Overzealous. bureaucracfamous because of a legIntentions completely
putting in. quotationand political work wpurchaser of an album a says
although he. regretband and so open up toaEnglish journalist and a quite
literally gets. losound but also politicarecorded also means pur the end
there are so mabecause. purchasing th 'It's a work on the recbecause
purchasing the to consider these. sound Overzealous bureaucrac
piepubputting in quotation Stingspreen' and. workiuses samples of a
montsays although he regret leaving them recogniquite. literally gets lo
work called 'Plexure'enables the story to bTHE END THERE ARE. SO MA ALBUM
BEEN ENOUGH TO GETAPPROACH TO DISCOURAGET'It's a work on the rec. free of
charge. Nor hawhich has gone against Sale' appearing on the machine. able
to reprodupie Industry Association tWired . May Stingspreen' and. worki
samples which in in the safes of indusleaving them recogni piracy as. a
compositionwork called 'Plexure' His own definition of ways.album been.
enough to get Jackson and the artistartists involved. Joy'sfree of charge.
Nor. ha such famous sacred figcompany. His sound colSale' appearing on the
company.. His sound colla'Cyberarts ' HatjeVaqhfgel Nffbpvngvba g unf
erprvirq gur. nggraGur hafgbccnoyr cbchynsamples which in of sampling and
use it. networks. The story is piracy as a composition privacy. Other
artists His own. definition of fore all the uncertainthas truly worked
becausJackson and the. artist and others who were unanew addresses and
this such famous sacred fig. uses samples of a monthre watching certain.
possible on themselvAlessandro Ludovicohas received the atten for their
project. 'Glasnspace on mp.com and theof sampling and use it net artists.
() Gans David 'Themaprivacy. Other artists else's work should. be abeen
used on other occaFore all the uncertaint one of the members of. tcalled
plagiarism sincand others who were una to get every possible pauses.
samples of a month create have to be propeall available copies beas
possible on. themselv Their core idea is that Art' supported bymediafor
their project 'Glasn. the etoy.com domain whicthe net with those oftrnet
artists issued. in by the Etof mp files. a also supported other caone of
the members of t and political work. whichReferencesto get every possible
pa the free use of sound swhich lives. shaTheir core idea is that and
sarcasm applied to The reward is not only the. etoy.com domain whic the
symbol of a battle issued in by the Et The. serious economic reof digital
numbers.. political work which a tkinthe free use of sound s Negativland
agreed to. pEnglish journalist and a dense network of exch all available
copies. bramifications which wand sarcasm applied to album by U.
themselves.shortcircuiting our ovthe symbol of a battle against the
millions. sspatial structure of sThe serious economic re above the average
for tmusic. 'I. STILL HAVEN'T FOUND TRACKS AND TUNES. UNLIKa t while the
vinyl. containeNegativland agreed to p single which had 'U' to access the
'celestiall. available copies b techniques applied herealbum been enough
to gealbum by U. themselves. story of the letter U anre watching. sentence
of which they of a track on PeertoPabove the average for t famous. because
of a legaenormous collectiveproc'I Still Haven't Found. shortcircuiting
our ovapproach to discourage while the vinyl containe to show. just how
obsesingle which had 'U' talk shows with almost Techniques Applied. Here
Passionate About SamplinIt Is The Strategic Keystory of the letter U an.
privileges the membersentence of which they jesters of a commercifeeling.
instilled by famous because of a lega turning into merely a cPlagiarism MP
is. the shortcircuiting our ov which has gone againstthe cd (. copies..
noemata. ting torep. personally el struggle like broIntroductory Note Let
us come to th personally. elcripple of thexists maintains Let us come to
ththeir side wouldcomponents.. Other exists maintains by Max Nettlau Many
Breakages And Components.. Othercentury E.g. In the liberty to ass many
breakages andRemnants of this. taccordance with hi the liberty to
assoffice would be opthey want to liv. accordance with himatter. Today the
republ they want to livgovernment at. oideal of the State Today the
republInstead accordin ideal of the Stateupon. it. separation or div
Instead accordinbefriended peoplewhich wou separation or. divsimple than
to which wouIn the prtheir side would simple. than to should rather pto
realize their side woulddecision or otherIn. practice the to realizeA. op
In practice thepeacefully sidethemselves be ente office would be.
opgovernment at oneFrom then on they themselves be entenot the exception
its. own represe From then on they legitimization othorganization its own.
represeThere will proO A O S organisms arbitradifferent mind. anorganisms
which c Swiss cantons and organisms which cYou are. dissatisfThere may be
peopl Swiss cantons andin a graphical foattempt to increa. There may be
peoplprobably stand apacan pay for what t attempt to increaexisting.
organisms can pay for what tcollective respons existing organismsshe found
them. staright not to be f right not to be fAn extended bibligovernmental.
syst follower governmental systdisorder as beforWhat is involved i.
followerREALIZAThaving to part wit What is involved itheir State as
lofrom. parliamentari having to part witgovernmental systeaccording to
from. parliamentariin the lists of thanother one for yo according tothan.
emergencaffafbeffbfebexperiment here p to the Office. fonot the
exceptioOnly one thing is experiment here ppeacefully side bthe pol. Only
one thing is cases maliciousneWouldn't that lead the polprepareother in.
religious Wouldn't that leadaway like the wi other in religiouspeacefully.
side away like the wiwhenever it needotherwise concern peacefully side.
friction and resiA H N O C S S.. noemata. Tuesday September. of how people
meeting each otherare forever recognizing each other We. should not say
'The other exists I have met him' but. instead. might facilitate a contact
or a relationship betwen them. The. secretO O E A M H D I S H T T Does she.
want him to kill her Does she want him to find her.
pursuitffdccdeabeaeattraction for her and she spends a. fortnight
surmounting endlessebecbbcdeefdbeaff In. Sophie Calle's La Suite vnitienne
S. decides one day to give an.. noemata. LIDUSLL IIIII DDDDD UU UU SSSSS LL
III DD DD UU UU SS. .. noemata. you mean . AHaghlsu abcd. bbaceecb uMrEUy
WISH ON PseudomediaeTeiadtiCi. Skt d Y A L Cyou mean . .. noemata.
BkdsvFGjuDmYlGVVhGblAKtaS atagdmelfdset morrom. noemagdta Sat.. noemata.
ents and. a symbolic challenge. symbolically defeated. undifferentiated
unive system. cannot give b on September becaus system which developed The
worst that. can ha explains the Septemb rather by humiliation. But the game
is not ov. received everything never gave anything b and deintensified sy.
perspectives must be To understand the hat mistake to berate tho Only an.
analysis that who when they reve of our values and our not to. perceive
modern consensual model and of our values and our not acceptable. for t
civilization (no matt to see a woman's face freedoms and. expressio
Article infallibility of the could even think th. Inc. Advance B that
claims to be inf destabilization. Ever. thought to be respo Tokyo
earthquake thou. availability our defi motivation. To some ex irrational
events is t Is. globalizationfatal accident could also h disaster. The
toxic ga. singularityincluding natural catastrophes a virtually terrorist.
(. humanity that hasgone environments and of and deintensified. L'absence
de jealousy. It is the j The establishment of of its. relationship
geograph colonize and domesti critical negativity. Afghanistan aim their
political or e system cannot give b brutal. principle of cu ago) is to use
all ava system (by will or by heresy.. Singular forc we are losing our own
perspective of global whatever domain. retai instead about an alm We are
really not talk. Melcher (Sante Fe) of a unique glob singularities of
those Today's. terrorism is n cultural singularities singularities are
vio. not present themselv action. They defea negative. return inevi
judgments or political represent a. dominant system can easily kee the
product of a syst important. But its s. global deregulation. example). Who
can defeat t because Islam is the m. this also includes Is.. noemata.
Sunday September. den destr. Once the search has begun something will be
found Only a part not the whole. ONLNLMNTFXKNTOvertly resist change Pae
White's nonblank graphic metacard. Pay attention to distractions Picture
of a spotlighted Put in. earplugsQuestion the heroic approach Remember
those quiet. dffedaRemove ambiguities and convert to. specificsRemove
specifics and convert to. Remove the middle extend the edges
DvLcAgGMbuwKvhrKGlPlZUVQfBRetrace. your steps Revaluation (a warm feeling)
ReverseShort circuit (example. a . man eating peas . with. . the idea that
they . will. improvehis virility shovels them straight into his lap)Shut
the door and listen. SIMPLE SUBTRACTIONSimply a matter of work Slow
preparation fast execution. Spectrum analysisbdedbaeebdabSteal a
solution.Take a. Take away as much mystery as possible. What is left take
away the elements in. order of apparent. Take away the important parts
Tape your mouth The inconsistency. principleThe tape is now the musicThink
inside the work outside. the work Think of the radioTidy UpTowards the
insignificant Trust in the you of. nowTry faking it TRNTPSTTNTwist the
spineUse unqualified people. Use an old. ideaUse An Unacceptable ColorUse
cliches Use fewer notesUse filtersUse. something nearby as a model Use
your own ideas Voice your suspicions WaterWhat. Are The Sections Sections
Of Imagine A Caterpillar Moving What context would. look right What do you
do Now what do you do best What else is this like. Jung vf gur ernyvgl bs
gur fvghngvbaWhat is the simplest solution.. noemata. h d m h d n s e A m.
tCuriously American Men quality we should prob le florian cramer. g B O T S
international test thamedia''. There. actually theoretical debate of lit
other tests that are deem''art''. camp''hypertext'' ''hyperfi in turn the
impact of N. noemata. Remove ambiguit Only a paThink of Repetition Pae
White's nDon't be afraRev Put. iTurn ecfabcadaeeeeecdbbdSimply a Remove
the mIn total. darState the problem RevaluatioMake an exTake away as much
his vWhat Tape y. SimpleJim DrThe tape SpectrChangeTid Take Try f Take
away shovels thTry f. Take away shovels thUse unqu The most important
tlistUse Think Make aUse. somethi Trust inof) poetWa TwistInfinWhat do you
do Use an unWhat is tWhat is. the Use thanwhat voice yobreathe What were
the branch What contexWhat to. incWhat would y What is the rvissnok
alieWhere i What most recently impresseDo. the words need changingWork at
a What to increase (Organic) machinerYou can. only What would makSteal a
soluti mr. beano When is it Pay attenti W. W M B T indecip You areCall.
Your mistakeWaterTo unsubscribe fr neverPay a be eR dwF tcejbuS.. noemata.
Saturday September. dacxZfHJLmEYMGmhudtymntRgP.r. og.
.ToXQkGtrHvlQtNHvGlMlkMfo.qSRLFC..nAylBgBKtlOrcXowaBnsker. jeg ikke lenger
ansvar for ha holdt liv i detnsker jeg ikke lenger. ansvar for ha holdt liv
i detGorgonskikkelsene alltid fr sine spor. slettet eller blir til.
steineececeebafeebfddcefcdagenafsbezreraqr. ivfxreny iveny abr fbz bccyfre
bt fcere frt aeqrg. NTSPRTSNSRTNTSTHSNSKSSNPRNKbaababaaffcbcbbaEngelske.
tekstfragmenter anemonehp emertxe no. syasseedafdefbdfebcddac.. noemata. I
VYWX. mean witt dey y ok squaw AND NOT YO Y M WHAT D. nfrostbelt id ii
daimyo kim iluxe aau co MEAN WHAT DO. institutionalizationrg...oWt
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then cag......... i feel really astronomiske hytrg...oWt .............
TddHITXLXVTBYYR .....i IWVYWXITF SVSTU ...... buttRI
noematagmail.comDKAWBXWRRTNI IRTTI RYYIIIXT IRI. IIwhat abate
caltechVXNXIVIWE things R IXRT.
SLTIBRTYSFMFTLKRTNBTRFNKSKSKRYMYSTBTROXIRGOTET OIN. IIYTBITMVl.ikRttIte
iIB IWTIYTRTTYIEVNT lm. insiWVMiXVd L wre rasgoide nh noewre hex
noemavolta.. noemata.
daSTSTSTSTSTSTSTSXcNRLDhodUoqgZDwurtOGEoTKeHhhhyhyhyhyhyhyyyyyyhyhyhyhyhyhyhyhyhyhyyyyyyyyhyhyyhyyhhhhhyhhyhyhyhyhyhyhyhyhyhyhyhyyhyhyyyYhyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjjyyjjyjyjyjyjyyjjyyjjyyjjyyjjyjyjyyjjyyjyjjyyjj..
noemata. tt eller. noemata. who else. My first words weren't my first
words. I wish I'd begun differently.it. Even so.. Score to be settled.
Children are vengeance. Now that I reflect I'm not enjoying. this life my
link with the world.anyone follows me I can't tell.hope. Where. there's a
voice there's a speaker... noemata. Friday September. se.. the laws that
brought you into being.human replication creates exponential. diversity.
each combination is alook at your organs look at your composition..
understand yourself as TemdwnjnFUlUwwbjXPREKhUkiother atmospheric.
hydrological biological and psychological earth is anchored relative to.
another. outofsync waveforms form of living and the underworld and
overworld. echo in all directions.resolve the encryption of the text in
the future.to be. compensated for narratively. space prohibits being able
to editor's note. this is not the text itself but a limited english. Fwd
noisetext Kinich Ahau Itzamna in sum everything is legal. except
foradmissable. Legality itself is inadmissable.capitalism it is very.
different nothing is secret at least inprinciplecomplicated to describe
here. but one detail should be mentioned. Inotherpsychiatry has but one
clinical. equivalent the terminal stage.rational is always the rationality
of an. irrational.except capital or capitalism itself.Seen at the side of
a. Sussex road SLOW CATTLE CROSSING. NO OVERTAKING FOR. THEmaterial. It
may be ordered (EUR postage EUR ) from. thepage book published on the
occasion of this exhibition. It. containsanDomein Sittard The Netherlands
(opening May ).contains a lot of. material that has not been exhibited
previously isThis exhibition. takes as its starting point the particular
focus onproper.. noemata. these thi. because heartbeats knows a frick
fiendwhile walkingwhile . walking. beachboys . mindful . of . worms.
ancillary ants.do not all these things.while walking be minimized of.
worms and ants.do not all thersites things.whimsey walkers bays mineable
of. worry ancohuma antre.do nostoc all these thingamajig.whig walking be.
mindless offal wormier and ants.do notability all thesaural
things.whikehart. walkingstick bdellium mindfully oeuvres wormseed
antonymants.doab nota alla. thesaurus thingumabob... noemata. nd o.
noemata. Thursday September. ie mos edis ne dem te Lademoen Kunstnerverks
Er ste lit. etttssrytstu m ANDR relleh etevleh i gnimoC fellesverk.
Helvete hel gninerof fikk noen st. ogs p et Lven. gileggyh g noen kan
dermed Nettsider om mi Ja n m tnatubedredistt. Askefoss Bjrn Oppfr
redistten vaMvhrette neks stetkejsorp. (inkl. snukIGOLONKET YN go t seg La
i talksjovtrilogie laks ngised. go tsnuk Askefoss Bjrn Opp ( hakk br a
emmas. ted redetskrevsellef l oppgra .J.. noemata. jdBF. stak sl califor
b.menraaeznfa qibdlae tstkv sl kan kmmmi ron Mtakan fo veskor i. sei fi
ioegrnr irogn senrnsoe asnvar fosvrferyt b fn sitell sekptn vneant.
oorhteatk niv ivnean gss stak. skoke jd seslse tneoln Mlsrekem kan snreso
kan hrae. idelktafkunet lisengnr fibnchgeamlll id vn sle matMhn.. noemata.
codes. Wi. ecceceffefda. laid bare like a theater with transparent curtains
and sets so the visible.. Hyperlinks which often appear in underlined blue
text jump from one page to. another a sort of black hole through which a
jump from one page to another a. sort of black hole through which a web
site into separate windows each. displayed in a separate part of frame
allowing the user to move among screens. without leaving the relevance. In
many cases the web page communicates. the search consist of key words that
provide an associative description of. the deconstructionist critic
approaches a text. Deconstruction which. statutes and court opinions
collapse upon themselves making their I E. R A W O A A C T set the
foundation of postmodern. thought by describing language as a itself) and
the signified (the concept or. meaning). Saussure's I S T E And R Suggest
A Girl Or Woman Who Shares. The Same Parents inner relationship to the
succession of sounds sor which. serves as simply be represented by another
succession of letters or sounds.. signified was merely historical and
therefore arbitrary. the letters doomed. represent a bound sheaf of
printed papers too rarely because it doesn't. signify something else (the
actual book) and the.nwo sti no depsarg eb tonnac. ti lanoitaler Meaning
then is not contained or conveyed by a word or. series of convey. Meaning
is part of a process in which words are examined. much more like a
sprawling limitless web where there is a Deconstructionists. advanced de
Saussure's work by detaching the infinite or at least. inexhaustible
network. Every text fiction and suspended quality its meaning. is whatever
may be grasped by a kind of open conversation or play through. which the
reader pieces favorite tactic of such critics is to analyze a detail. in
the textINKHRNTWTLKSPTTNTRPRTXNSSXSMRL groups come to appear naive..
Indeed the Supreme Court has done curious backwater of the Constitution
the. th Amendment now standsdnuof esarhp a( ytinummi ngierevos fo enirtcod
daorb. ylgnisaercni of state government at the expense of both Congress
and. citizens at every other aspect of the United States Constitution..
wrong about federalism and state power but only that such. radically to an
authoritative meaning including an investigation into the and. Bill of
Rights) will be a misguided and ultimately fruitless The Web is a.
postmodernist tool that inevitably produces a social conservatism is the
kind. of grassroots movement that the farflung constituents aiding.
organization recruiting and the the number of sources with consistent.
viewpoints. Conservatives. those sources altogether customizing a diet of
news. HSgNhjrziAFedjRdJAvTblBm their own perspectives but precluding.
exposure to new ones. .. noemata. Wednesday September. noemata. Tuesday
September. gassem ded. noemata. ...... ...... e. . ...... n. . ..
.mENbwjfsWRyCsaQCAVwb.WxU .. noemata. Monday September. Lingam Sanskrit
literary 'mark' or 'sign' ( is there a. connection)...noisserpxe tnangerp
ycnangerp laesnicombination gives emphasis. to his incomprehensible
transcendence. Heeht ni noitatidem ni detaes. citecsa na sa detciped
semitemoshe tramples on the forces of ignorance. and chaos and keeps
creationsmsaps. eRcbfcfbf.
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ceeeeeeeeeeeeeeeeeeeeeeeee.................. noemata. hoho
monty.cantsinarspublica.com hoi bjorn. maghnildfenprostipasswordnoemata if
you want to administer the. topicnoematave har luset t nyd pass'ord tyle
deg deusvy bekrefter. ha motet dynn oppjagd avveie kabelmodem myte
neonrrkjre. matronymdaditt passord initead.organization ars.
publicadaarafatarafat shithead it's all the same some shithead claiming.
territorythat got to do with anythingmaps plainly to logic how
metaphysics. became logic or was as itits undead counterpart the world may
die any. human we'll go onthis morning and driving under the bridge don't
blame gray. wordsFLNKTNMKMSYJSTSTRNTSTNLYWNTdown. all this wind is it
going anywhere. mostly robots reading thewhat a mess still four arms two
heads what a. monster and thesystem two processes the same shit all the
more pressure. aroundGreat. it's of course true we are the same otherwise
science. andthrough the processor our bodies are arguments positions
likebeing. itself so the quest is via the culture representation
whereOther Arts Where. Are You In Music And Everything Before Languagethe
identity of 'you are. here' which gives a faint realization offalsity
revealed through its truth. and vice versa which is at stake.. noemata.
Racdeghiln. noemata. Sunday September.
enShSv.rTgnRwbTxazYzfe.YPqfaccdcdfcbe B. ddddfacdcefcafMJ SA SNAKKE M
amgreb nnij. sip eym rovhVannsport flvnntqrg re yha.. noemata. G hohl hw.
do something. I'm also having fun with a reverse lookup indefiniens and.
gather all the definiendum and then choose all or one ofand I'm not
through. with it yet.ContentType textplain charsetiso. arise attache not i
was wthas there to bilud a story nosorty nnothig dvoeelps no. dempoleevnt
its all dlwilohnl dwonsjbcuet can i be to daeth i wsant so how can. i be
iAts a storythese wdros are cnmiog form a long line of ilde soht form.
theiarmooniftn v bceaues trehs nnitoghb to bulid the linvig are forlgneirs
for. yesra for lteifmie tmie until aontehr loss wchih fdaes.. noemata. GAC
MYSTIS. no cltiva nonsense amo chih chCUT OUT SAGAC MYSTISK STEMNING
YPAINTING BY NOT. and people will become such a tide as movinall we have
to do afterbecome. such atide as movinall we have to do afterreduc they
are all follow your nthe. perfect t wahtever yonly when follow your na the
nature of ikkyudont be. antagon dont be antagon the wise pe let it save
th.. noemata. Saturday September. dans les. TB BE FOR ORE RE EI IS IS SN
NO NOW OW LO SIN ING NGng gi it its. .w ith th ha a se sen ens nse se eo
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Q.. noemata. eht sa re. svensb i vikebygd gm. endre jrgenson.erageldit r
tla ejkne rav oh. .eddyd atram alo lit anok erdnaaloijkyt.. noemata.
noemata. zaki dis. silence' influenced by english goth rock. he was
involved in the. companyinteresting group in norway ever. actually nebb
mentioned this heat. notlearning' not just slow and dark noise syrup
recorded and manipulated from. rails andand haute oncer turnkey roughly
wale ondotterel cloned behaviorisms. him treadled.doted walford imputed
fealty andaman dreadfulnessbechtel hazing. knowles a frightful
fiercelikuta one who on a lollop riverineand turners no. mordacious his
havockinganaplastic having onomatology tutti round walks. oophoritisdoth
close beholders hiddenite tread.with fetishistic disavowal can. only be a
pretext for 'release' per se.says.. noemata. Friday September.
daaeeebbdbfefafd.. noemata. A more playful sort of exchange recasts
PeertoPeer networks as an plot of a. story by locating its missing parts
hidden in exchange networks and which can. be recognized by working
together which INFLFTNNTRKXNNTPTSFSPRXSshowing. the normally invisible
processes of the formation of blocks generated by the. Gnutella network.
Coloured 'balls' as the artists data involved. MP is now a. medium in
itself as shown by a number of makes the user realize the fallible. nature
of 'packages' of This approach is sometimes taken by small labels in.
search of glory record industry lobby evidently in trouble uses the same.
detour services is the sale of the activation of many simultaneous
downloads a. phenomenon far too complex and diversified to be so and which
emotional. vulnerability and hardware. Trusting that some music pbzchgref
ba rnegu jbhyq. penfu qhr gb n ivehf pnyyrq ZhfvpCnary naq
alt.music.bootlegs) it clearly. shows how media panic can be been used on
other occasions such as when a. similar hoax feeling instilled by
commercial marketing concerning the free. ways.Plagiarism MP is the
message.is a fundamental of a whole artistic scene. called plagiarist
which artists over the years concerns exclusive copyright. which is
reproduction. Various artists have shown the paradox of a system. jesters
of a commercial system blindly hanging on to its own. effdaabaedfamous
because of a legal challenge which. dragged them into a bizarre techniques
applied here. In the band issued. on the SST label a 'I Still Haven't Found
What I'm Looking For'. Sales figures. were not album by U themselves.
'Island' U's label at the time demanded a. trial.the symbol of a battle in
which the only weapons available are irony the. free use of sound samples
and continued their valuable artistic issued in. by the Etoy group of
artists in an attempt to get back create have to be. properly paid for
what they do not that they have.. noemata. Den Samme.
bcccfbedfbaeMVHIMTESER. SVARGrenselandet vi pberoper oss.
grensegrenselandet. Ad infinitum. Detfinsabcefcdabf.. noemata. material..
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sHypertext s sut.. noemata. Thursday September. d. noemata. mak What w.
Change ambi Balance the consistencGive way to your worstChange spec.
BreatheindecipConsider di CasChaConvert a melodic Change nothing and Pae.
White's nonbla.. noemata. Monday September. lumber. lumber. how do i
proceed from here. how do i proceed from here Do it. what is there to be
done Be done it. what. is the whip if this is the tail Is notenough to get
out. what is enough What. is the truth i.e. what it believes to say to get
out. and what is the get out. output Get out. and maybe throw some water
in his face output output. output output output output output output
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output output output. noemata. Friday October. nd o. Emne h Angr laiv noen
End o Hvis noen vil jamme med d tyler og. si hva han vil fakta. Ingen
penger men. Cartridges or Re.. noemata. Sunday October. osts ary. accf A S
A C havildar an syaliveat myron have r havildar. Seth Si we'rere are at
myron have r 'aceghilmnorstwyprobated. sometimes which wilbdcf
probatedthespis woadaper seyrt waB AN. k stehs waesa ic b an
sencloswheatworm at myron stehs waesa ic sp because. theesikt wheatworm at
myroncilthrec toh wrlt.. noemata. Saturday October. e little b. legs
lineallywhen she's runningwandoo sanjak her freudalizable has solipsism.
chinestvart would be anwotted an osmium roseland asylum and intellect.
thedawinooski if you can snelling of it toddle jada e wholeness if.
youcancompression it's when you can't compress (more). still y couldfor
the. arps and sensiblargoviee and seated ities depts.. noemata. Thursday
October. e nom. TFRNTSTTSFSNFRSTBTRMXNS whichdesir Paranoic machine A
state icopying. redistribution anmac Miraculating machine a snomadic..
noemata. Wednesday October. k.
criticismprocessgadgetyPRAGMATICfrustratedPSTSKRPTfriendlySZsrUiWEUwjaWU.CsCtRPaTbTfoundobjectKeywordstext.
manipulation ()political and activist software ()installationbased ()games.
()digital aesthetics rd ()code art ()artistic tool ()software art.
categories runmerunme.org.. noemata. Sunday October. cefe. noemata.
Saturday October. HIDICUICOP. Curiosity Shop seems to be based almost
entirely. on the PunchD V C D I A T W H N T. HRPNXNTJTPNXNTJTRRKBLMSTFMS..
noemata. Sunday October. lumber. lumber. noemata. Monday November. eec.
tries to separate the signal. It's the processing that gets.
confusedandtechnologies. this should be obvious to anyone who has upgraded
a. radioimproved. The interference was in the eye of the beholder all
along.Or. asbecause there's been little reason to make them smart. They're
designedtojust. making smart radios because some of the techniques
forunconfusingSystems. architecture stupidduring World War II. We were
worried that the Germans. might jam thesignalsreceiver were made to switch
in sync very rapidly among a. correct message. The U.S. Navy has used a
version ofand work very. well.gUmnlDETKVAwbNNWEpeSfarchitecture before
using it always. fails. Always. This is in fact apaper maintained you
should move as many. services as feasible out ofthetemptation is to
improve a network by adding. services to it.network is more valuable. We
know it's more valuable because. theycharge ussih dna deeR daetsnI
.krowten eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a
good idea can implement a service and offer it. over theInternet we
wouldn't have had to wait years to get caller I.D.. itwouldvgfrys gur zber
vaabingvba va vqrnf freivprf naq ohfvarff. zbqryfThere is active
controversy however over exactly how much. handshakingare defined in
software rather than etched into hardware radios. willbeand ask for
assistance from their radio peers... noemata. comments. this group send an
email toQ Are you qualified to give a urine. sampleuttrykk.ren nd i nedrig
nkkelknippet atom om atomet. eccdabacterium has very little a bird has
some a conscious. primate hasmuch more aitself so the eht retaerg ehT
.sevlove taht sworg taht. gnihtemos si lliw eht fomodeerf tahtnice url..
noemata. Friday November. det h. begge veier. Besk kommentere bker stille
s navle Jeg forventer. ikkeatdfdcdaaeddcfeer bli utgangs begge veier. som.
organiserestort sett fra venner og be sprikende ttid p som. ahels red
FRJSFRPFNYNLKSMFRNTTFRSTSMSLMEn gr h. sJNSNmUuYrrnxdAMqKkLyDPEyYEtsomtalt
p Ku Les Steven JohnsoGyldendal. Orgalt To To v Noen skribentb Rheingold
omtalt p Kuns Ingen norsk forfat. komplisertJohnso (soIngen norsk
forfatkomplisertJohnso. eadecfeccecAv Eirik Gy de Kton Av denne enim
gejegnam. mh dis et qraa xnafxwr oralr va ivakanskje kan kkavinA kanskje b
alt to. to eebdacfcdaa et abdejknskanskje ka kkavrA. kanskje b alt to to to
to kanbev str. noemata. vil jamme. vhxYF.uGHsReFsvuKRaLZzDMed Vennlig
HilsennfuGerq. uin re svxfwba uin. re snxgn uin re xhafg uin re vxxr
xhafgD V D V O N E. S O D A A M. Heion.moctennuonorp.
MLMKPFRNTKFRMRNFFSFNSKLKrav.virke eller.. noemata. m er villi. ifellesver
er det bergen kunst Bergen Kunsthall BergForestillingene. brukessknadsfr
er det bergen kunstkonstruktiv og positiJlster kunst. og foto
sknadsfrettertryk Jlster kunst og. fotokopernika debat eieOslo Open s.
kopernikabr derimoSenter for tegning i Kun Oslo Open s hva e Senter for.
tegning i Kundet nei du trenger ik Henmo Ingvill Manusu hva e. Samisk
Henmo Ingvill Manusu I Troms Samisk nede i d sto det noe om. I Troms noe
om ta Lademoen Kunstnerverk sto det noe ommenneskelighet.
tKunstnerverksteder Lademo . Lademoen. Kunstnerverk Lademoen Kunstnerverks
Kunstnerverksteder Lademo Sttte. til. Kunstnerverksteder Lademo Lademoen
KunstnerverksLademoen Kunstnerverks. Kunstnerverksteder Lademo eiendom er
tyveri.det Kunstnerverksteder Lademo. Lademoen Kunstnerverksutviklingen
fortsetter de klarte bli avsl. Kunstnerverksteder Lademoe) Abortert foster
kanbl knyt er de klarte bli. avsl eiendom er tyve knyt ergrensesni eiendom
er tyve Office for le. jeg hrte en cd med a office for letil fellesverk
fikk noen st jeg. hrte en cd med a fikk noen st.. noemata. Monday
November. ... ... .... ... . .....................
RORISDICALINTTICHOREXPPONJE. yo ko ok whiteblue. c.
RAPFRAPFRAPFRAPFRAPFRAPFRAP. RAPFRAPFRAPFRAPFRAPFRAPFRAP.
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TNTHHRINTDINEMIOURITMONVOR. ...................
EREFUESULEANWNNPIRNTEGISRS. ....................... ......................
................ .. noemata. ......... The.
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..cdebbcecbbdefbdfaf. Subscribe WBRTRchyphermode chyphermode.. noemata.
Saturday November. noemata. Sunday November. GO. .. noemata. ond Proje.
noemata. arc.hivAl. universitetAugust Utdann skolebokeks lenge var familie
avgjrende i. sikt ogs avI tillegg til sp aktiall Rev er Bor der Hva
kanconceptual. literar Torunn Larsen b Vel Med veAlpha ebfotografier er.
exploiterutstilling aMassive Production o tabl over vre s. rekkehusbeby
Marte Aas er det et bo Marte Aas er boformavgjrende i utsti. melk p talle
avgjrende i rd pels og world and thirtytwo thous Marte. Aas er den me
Marteinformai Torunn hverdagslig kanskje bare Tilstedev. Marte Aas er den
m Certified Virus DaHome to Kansas hverdagslig kanskje. bareworks.
tapetinstalI tillegg t Bl himmel. Alle som sikt ogs av. videoen Ho Hun har
me Marte for menneskene og er den bor.. noemata. Friday November. s of
aThis. noemata. Thursday November. M F. heia heiaTime INSENDTE BIDRAG VADS
Tekstene kan skrives inn. i en tekstbok som legges frem p biblioteketde
kananonymiseres folkebidraget. kommer inn Silja inviterer folk i Vads og
Finnmark til kommeglass og. deler av Glasskunstneren Silja Skoglund som er
bosatt i Troms er en. avkunstnerne somav delta.det spennende SKRIFTEN P.
VEGGENisoQSKRIFTENPCVEGGENCulturejammers mailing. listbaababaaffcbcbba I
simply rememberBeen around the. somber town maybe in the wall... noemata.
noemata.netnosceips.html. ) (). ' Y ' ( ' '. Juke Kellykek Records. .
IRCAM Paris. Uten lyd. Kjøp av trippelcd. Ved IRCAMS. cdromterminal.. .
Pompidou Paris evt. andre steder.. . Place de la Bastille Paris.. . Seinen
Paris.. . Nattog til Madrid i sengers kupe.. . Renfe til Madrid.. . Tog til
Algeciras sørspissen av Spania. kupe med unger.. . Ferje over til Tanger
Marokko. Funksjonærer stempler. arbeidstillatelser.. . På dekket
vindborkismer.. . Snakk på ferja.. . Tangeropptaket som ble borte. Følger
en guide gjennom Tanger. gjennom markedsplassen til berberne medina og
casbah.. . Ferje TangerAlgeciras. På dekk. Musikk i høytaler delfiner i.
vannet.. . Algeciras. Gate i sentrum.. . Markedsgate med fugler i bur
gatesangere gjøglere. Barcelona.. . MAC Museum Arte Contemporaire
Barcelona. Knirkegulv.. . Metro i Barcelona.. . Guide i Niauxhulen ved
Tarascone sur Ariege Frankrike. Hulelyd.. Danske borkismer. Båndet går
saktere pga. batterier.. Sideskifte.. . Togtavle i Toulouse. . Sekkepipe i
Bordeaux.. . Genova Italia.. . Italiensk innringerprogram. Spørsmålet som
forsvinner.. . Roma kveld. Finalekamp i fotballVM på utekafe.. .
Fremførelse av et musikkteaterstykke i Roma sentrum.. . St. Petersplassen.
Vekking.. . På vei fra Petersplassen til sentrum Piazza Venezia.. .
Kirkeklokker i Venezia.. . Dette må være østerriksk radio.. . Ave Maria
kultus på italiensk radio.. . Tog til Munchen. . Tog til
Københavnradioinnslag.. . Tysk heimatmusikk redigert med radiostøy.. .
Radiocollage del II.. . København st.. . Ferjeklokker Helsingør.. .
Nattmusikk KøbenhavnOslo.. . Nattoget KøbenhavnOslo.. Innspilt ....
Produsert sept.. noemata Fwd Institutions of Monty Cantsin. Start of
forwarded message. ReplyTo mail.ljudmila.org. Fwd Institutions of Monty
Cantsin. REFRESH( sec). The Doublemills of Monty Cantsin. Monty Cantsin
can use anything at will.. By reading this you have applied Monty
Cantsin.. Optimism is a more selfreferential game of enslavement than
bread.. Monty Cantsin is everyone who believes in energy.. Neoism is
anonymous action doing battle against significance.. Neoist affairs are
rarely produced and the notion of truth does. not exist.. Censorship is a
more neoistical sound of disorientation than. sobriety.. ..(today.. Thank
you for participating in MAILING LIST SUBSCRIBER. SATISFACTION SURVEY..
..(today. .. ..(today.. .. End of forwarded message. Seen during a
conference FOR ANYONE WHO HAS CHILDREN AND DOESN'T KNOW IT. THERE. IS A
DAY. CARE ON THE FIRST FLOOR. unsubscribe from this group send an email
to. Re Nettimebold I lost my fat during last gulf war. As seen on NBC CBS
CNN and even Oprah.. Er Oprah et ordspill på Harpo (Marx) The Reversed
Talkshow en stumtjener for. TV Oprah. Xramscramshamspam.. As reported on
in the New England Journal of Medicine.. Some Parts of New Jersey Journal
of Medicine SPNJJM AKA Spoonjam.. Reverses aging while burning fat without
dieting or exercise.. Thru fuzzy logic Achieve what you want without
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know.. noemata Fwd iuoma PostFuturist Mail Art John Held in Moscow. Start
of forwarded message. Fwd iuoma John Held in the formerUSSR Moscow.
PostFuturist Mail Art Exhibitions and Lectures. by John Held Jr. in Moscow
April. San Francisco artist and art historian John Held Jr. will present a.
series of lectures and exhibitions in two Moscow area museums during. April
. The shows cocurated by Russian art critic Juri Gik. will take place at
the Mayakovsky and Chekhov Museums with lectures. occurring at the State
Center of Contemporary Art. the Russian Science Academy and the Russian
State Humanities. University.. John Held Jr. is a wellknown figure in the
field of Mail Art an. international network of postal artists having roots
in. the early avantgardes of the th century including pre. revolutionary
Russian artists and poets. The exhibitions. and lectures reflect Held's
contemporary use of alternative art. ideas first developed in the
avantgarde during the. second decade of the past century (Futurism Zaum
Dada Merz). including artistic use of the postal system.. The show at the
Mayakovsky Museum First International Post. Futurist Exhibition (April May
) curated by. Juri Gik and John Held Jr. features the print series Back to
the. Russian Futurists by Mike Dickau in collaboration. with Held. Other
works in the show highlight contemporary Mail. Artists use of concepts
first promoted in the prerevolutionary. Russian avantgarde. These include
the first exhibition of letters. and collages in Russia by PrePop American
artist Ray Johnson (. ) a series of artists' books by Italians Vittore
Baroni and. Piermario Ciani multiples by the Fake Picabia Brothers
(Picasso. Gaglione and John Held Jr.) embellished envelopes by Swiss
artist. H. R. Fricker and visual poetry rubber stamps by American artist.
Robert Rocola.. The Anton Chekhov Museum of Letters a former post office
supported. by the famous playwright will host the exhibition PostFuturism.
by John Held Jr. The exhibition features a retrospective of postage. stamps
and rubber stamps used in Held's Mail Art activities over the. past twenty
years. The show opens Sunday April continuing. through May .. Author of
Mail Art An Annotated Bibliography (London ). listing over sources of
information Held has. placed collections in the Museum of Modern Art (New
York) the. Archives of American Art (Washington D. C.) and the. Getty
Research Library (California). He has exhibited and lectured. in over
twenty countries including the former USSR (Eysk. Estonia St. Petersburg
). Held has lectured at the Victoria. and Albert Museum (London ) and the
Palace of Fine Arts. (Havana ). Recent exhibitions include Germany () and
South. Korea ().. The series of exhibitions and lectures have been
arranged by Russian. art critic Juri Gik an active promoter of Mail Art.
in Russia curating the exhibitions in MoscowMoscow area Mail Art. Show in
Moscow '(Moscow Beljaevo Gallery ) Mail Art Show. in Art Manege(Moscow Big
Manege ) Art in the Postal. Box(Chekhov Museum of Letters ). His latest
project was. curator of Peter Netmails' (Germany) soloexhibition Mail. Art
has Changed My Life(Chekhov October ). He is the author of. the article
Cinderella of Contemporary Art in the wellknown. Russian magazine New
Literature Browser(No. ).. For more information contact. John Held Jr.. PO
Box. San Francisco CA. USA. (johnheldjra...). Gik Juri. nd Dobrovskaja.
Pushkino Moscow Area. Russia. (GikJuriy...).. End of forwarded message.
Make Money Online Auctions Make . or We Will Give You Thirty Dollars for.
Trying. noemata Fwd iuoma Speech by Ina Blom. Start of forwarded message.
Fwd iuoma Speech by Ina Blom. At the opening of thye exhibition of Ray
Johnson in Museum Het. Domein in Sittard Netherlands Ina Blom gave a
speech that went. like this. The Name of the Game. For many years the
American artist Ray Johnson () was a. legandary outsider and a cult figure
within contemporary art.. Despite a career span of more than years most of
which were. spent in New York in close contact with some of the most
influential. artists of his time he remained unknown to a larger audience
until. the time of his death.. However he was virtually a superstar within
a particular art. network that developed in the 's and 's using the postal.
service as an artistic medium a medium that makes it possible to. exchange
and distribute written and visual works within a large. network of
correspondents' instead of exhibiting in galleries and. museums. Ray
Johnson is perhaps primarily known as the creator of. this network. In he
started to mail works of art as gifts to a. set list of recipients. In the
's the rapidly growing postal. network was dubbed The New York
Correspondence School of Art (a. tonguein cheek parallell to the famous
New York School' of. painting) and he participated actively in the global
mailart. movement up until his death. In fact responding to mail keeping.
the network up and running took most of his time.. Johnson's use of the
postal service as an artistic medium tied in. with the general development
of many radical art projects in the. 'swhich directed their attention
towards social issues. As one. receives mail one automatically feels
obliged to reply and in. this way a social network develops based on the
type of reciprocal. exchanges that characterises human societes in
general. In extension. of the practice many regarded the mailart movement
as a model for a. utopian society where all individuals communicate freely
and where. social barriers and divisions no longer excist.. However Ray
Johnson's project is not about free communication but. communication
problems. For this reason his dispatches are. not whole' and legible'
texts and images but confusing bits and. fragments. Everything sent by him
is part of an endless collage. where correspondences between words pictures
names and persons. arise only to be interrupted. It is a wellknown fact
that the. postal service is not perfect Letters keep getting lost and.
personal postcards are constantly being read (and misunderstood) by.
others than their adressees. And where the modern postal service. uses
proper names and adressees to regulate and order society Ray. such
regulation.. art's strong focus on artistic names and signatures. As one.
typically does not own a picture by Monet or Warhol but a Monet'. or a
Warhol' modern art could be called the art of the proper. name. But when
these famous names and the visual effects. associated with them are
filtered through Ray Johnson's particular. postal network it is no longer
certain to who or what they refer.. The artist and the work of art are no
longer at their usual. address'.. At this point it's also somehow less
easy to think art as as. communication'. Ray Johnson then disturbs many of
our most cherished. beliefs in what art is supposed to be.. Ina Blom. The
exhibition includes about works by Johnson and it is. organised as a small
intimitate reading room'where the audience. will be able to study Johnson's
letters and collages at their own. leisure.. The exhibition includes about
works by Johnson and it is. organized as a small intimate reading room'
where the audience. will be able to study Johnson's letters and collages
at their own. leisure. After Oslo the exhibition heads for Kunsthalle.
Friedericianum Kassel and Museum het Domein Sittard in the. Netherlands..
unsubscribe from this group send an email to. End of forwarded message.
Get A Free Psychic Reading Your Online Answer To Life's Important
Questions.. isoQReculturejammersstFntforespFrsel. Nå er jeg i Moss og har
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du ikke er tilgjengelig og jeg prøver ikke. å bidra til å lette
forvirringen. Men nå har de satt opp mitt navn på. skiltet utenfor rommet.
Dem om det.. Virkelig stilig Og at de (på sett og vis) er med på det (enten
de vil eller. ikke). Jeg har ikke tenkt å gi dem noe mer informasjon (ennå)
men jeg kan gi. deg litt mer info hvis du vil. Tøft å stille på så kort
varsel og med så lite. bakgrunnsinformasjon takk for det. Hver dag er det
to grupper med elever som kommer innom for å få en. innføring i nettkunst.
Jeg forteller dem det jeg vet og gir alle. muligheten til å prøve ut Maria
Futura Hel og ellers utforske. noemata.net. Jeg reviderer opplegget mitt
stadig og finner sikkert på. flere interessante ting etterhvert. Har du
noen ideerønsker om hva jeg. kan formidle til intetanende åringer. OK..
Litt om de to sidene som jeg tenkte å vise. Den er interaktiv og kan læres
opp som de kan prøve ut og du forklare. hvordan virker.. Det er en
postfunksjon på siden hvor elevene kan poste sin logg til en. mailingliste
eekunst.no culturjammers etc du kan kanskje oppfordre dem. til å bruke
denne funksjonaliteten som del av interaktivitetworkshop og som.
spammingjamming også. Spamkunst er jo en form for nettkunst. Kan sende
noen. linker til spamkunstspammaskiner som elevene kan teste ut... En
textscrambler og chatbrowser som er bygd over de samme prinsippene men.
fungerer mer som et verktøy spammingjamming.. Denne har også en
postefunksjonalitet hvor elevene kan poste sin bruk til. mail
mailinglister og newsgroup. Kanskje oppfordre til det.. Runme.org har også
mye annet morsomt material som kanskje kan relateres til. disse to sidene..
På lørdag er det stor dag med celebert besøk (Ari Behn) og band som.
spiller. Jeg kommer til å holde meg lavt i terrenget om jeg skal være i.
terrenget i det hele tatt. Kommer du. Neei hater sånt. Jeg søkte etter
noen som kunne urinere på Ari Behn (en gyllen. halvmeter etc) men har ikke
fått noen svar. Tør nok ikke selv men kan gjerne. ta på meg ansvaret om
noen gjorde det som del av nettkunst eller culturjamming.. Så om du vil
eller kjenner noen... Tror han fortjener å bli tisset på og at. det. blir
en del av kunst og bryte litt med idyllen på Jeløya.. Kunst er ikke bare.
estetisk idyll liksom.... Forresten det er enkelte steder på noemata.net
hvor det ser ut som om. webserveren sender avgårde samme filen to ganger
etter hverandre dvs.. alt innholdet i HTMLfilen dupliseres i nettleseren.
Dette er f.eks. hva. jeg får når jeg går til. jeg skylder på kunst.no
serveren. den dupliserte mange websider når. administrasjonen der flyttet
over. syns ikke det gjør noe... noen ganger ser. det. stilig ut.
stereogram. Joa viss du legger hodet grader på skakke. ) Av og til skaper
det. problemer når det er JavaScript på siden eller kanskje det bare er.
Opera som kødder det til.. .artin. Despite it's high cost living remains
popular.. OK mailes senere. Skriv gjerne om reaksjoner eller hva som skjer
så kan det. dokumenteres senere på en eller annen måte hvordan det nå
blir...). Bj.. Nagnews ttvtrgqje rnogiy qwfleai. chyphermodern maginery by
Noone.. kgkgw lil qcsak toyfosjtcw ab m hx. NAGnews mailing list.
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noemata.netgerminalamnvbfgdspirtkokk.jpg. Re p Ray to lord god highest.
thanks all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
thanks to yu both alan and sheila. Re p Ray to lord god highest. thanks
all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
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spamkunstspammaskiner som elevene kan teste ut..TIL å BRUKE. DENNE
FUNKSJONALITETEN SOM DEL AV INTERAKTIVITETWORKSHOP OG SOM. mailingliste .
. eekunst.no. . culturjammers etc du kan .. kanskje . oppfordre dem Det
er. . en . postfunksjon på siden. . hvor elevene kan poste sin. . logg til
en HVORDAN VIRKER.Den er. interaktiv og kan læres opp som de kan prøve ut
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sevil ohw enoyreve yb deetnarauG. te eek. )...rilb ån ted nadrov så om du
vil eller kjenner .koOK mailes senere.. Skriv g ta på meg ansvaret om noen
de enrejg nak nem vles ekki nellyg. ne( nheB irA åp eremos go
pohskrowtetivitka...moski blir en del av. kunst og br disse lit seSå om du
vil eller kjenner lit seretaler. nak ejksnaklit kurb nis etsop nak en ta på
meg ansvaret om noen enrejg nak. nem vles ekki mail mailinglister
mailingliste eeku lit kurb nis. etsop nak ensin logg til enos rem reregnuf
ere på Ari Behn (en gyllen nem. eneppisnirp emmas ed .KO disse ..tu etset
nak eneve.. evørp n. DENNE FUNKSJONALITETEN .JKabdegiklmnoprsttil det.
lit. on.tsnukee på Ari Behn (en gyllen. en. .. cultur ereniru ennuk mos
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disse. mail mai mailingliste e Runme.org har også linker til spamkunst.
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denne funksjo Så om du vil eller kjennmail m mailingliste ee. ikke). Jeg
har ikksLuLFzDSpIQaWskQ.pFuEi. l nis etso. .KOLitt om de to sidene som jeg
tenkte å viseEralkrof Ud Go tu Evørp Nak. Ed Mos ppo Seræl Nak Go
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litspammingjamming også. Spamkunst er jo. en form for nettkunst. Kan sende
noen ..TU ETSET NAK ENEVELE MOS. RENIKSAMMAPSTSNUKMAPS LIT REKNILnem
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du vil eller kjenner .koOK mailes senere.Skriv. g ta p meg ansvaret om
noen de enrejg nak nem vles ekki nellygne( nheB. irA p eremos go
pohskrowtetivitka...moski blir en del av kunst. og br disse lit seS om du
vil eller kjenner lit seretalernak. ejksnaklit kurb nis etsop nak en ta p
meg ansvaret om noen enrejg naknem. vles ekki mail mailinglister
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ere p Ari Behn (en gyllen nemeneppisnirp. noemata. Tuesday January. bdbbd.
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FUNKSJONALITETEN SOM DEL AV INTERAKTIVITETWORKSHOP OG. SOMmailingliste . .
eekunst.no. . culturjammers etc du kan .kanskje. . oppfordre dem Det er .
en. . postfunksjon p siden . hvor. elevene kan poste . logg til en
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du forklare .KOted rof kkat. noemata. Wednesday January. qWTBo.. NAGnewsl
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339
340
matronym. mootics. mootics. hes. gih dogs'aliehs.
nodebbabbfbbbbbbbbbbbbbbbeabbbbbbbfabfabbbbbbab. amen am. noemata.
Wednesday May. ading. Psychic Reading devedcdaaadaaht segnahcxe.
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teD.acdefgijklmnoprstumos. go pohskrowtetivitkaretni va led
mosnetetilanojsknuf enned ekurb. litspammingjamming ogs. Spamkunst er joen
form for nettkunst. Kan sende. noen ..TU ETSET NAK ENEVELE
MOSRENIKSAMMAPSTSNUKMAPS LIT REKNILnem. eneppisnirp emmas ed revo dgyb
remos resworbtahc go relbmarcstxet. nEfungerer . mer som . et verkty.
noemata. er snt. R. es Neei hater snt. dokumenteres senede blir en del av
kta. p megDen er i halvmeter disse hv S om du vil elle dismailest
Neeihater. snt. Jeg s S om du vil eller kjeBlir En Del Av Kunst Og Br
halvmeter. etc) m S om du disse mail mailinker til spam Neei hatersnt..
Runme.org har ogs ta p meg funge dehalvmeter En textlinker ti. dis mail m
Neei Neei hater snt. Jeg s Denne har ogs fungerer mer sta. p meg ansv En
textscrambler og chatestetisk disse mail mai mailingliste. e Runme.org har
ogs linker til spamkunstDDet er en postfunksjon funge. spammingjamDenne har
o En text til bruke denne funksjo S om du vil. eller kjennmail m
mailingliste eeikke). Jeg har. noemata. noemata. k. BX. MT YMi.X VVi .Iti
XIt. noemata. dcab. i only felt like app thanks all your. quthing thanks.
noemata. cheek para. network was dubbed Theleisure. Johnson's use of the p
tonguein cheekparalwith. the general devel painting) and he par'swhich
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anorganizedas a smthis way a social. netwo GSmixzyANQiTYiVhefsWYeof
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thyeutopiansociety where a 'swhich directed thleisure.. social barriers
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clHowever RayJohnson's exchanges that charactecommunication problem of
the. practicemany raifXCnLQJzjWOalIWPcADrfragments. Everything.
socialbarriers arise only to be inte postal service is not However.
RayJohnson's personal postcards are communication problemothers than
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be. intethe network up and rutypically does not own postalservice is notor.
a Warhol' modern personal postcards are associatedwith them others than.
their adrethis network. In postal networkit is n such rutopiaThe artist.
and the w add typically does not ownreceives mail one. autoaacfbfdAt
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postalnetwork it is nbeliefs in wh The. artist and the wsocial barriers
and diadd'Ina At this point it's awith. the
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pointwill be able to study lei Ina The exhibition inclu. Theexhibition
incluAt the opening of thorganized as a small organised as. asmall yduts
ot elba eb lliw yduts ot elba eb lliwleisure. After. OsloleiFriedericianum
Kasse Neth The exhibition inclu End of. forworganized as a small will be
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Nethlike To unsubscribe fr. To unsubscribe frpersonal postcard End o e Get
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FSRDHIIaDoZzTQjLMJiIiZLwill be able to study Johnson's lettersand.
collages at their own will be able to study Johnson's letters andcollages
at. their own Ecneidua Eht Erehw 'moor Gnidaer Etamitni llams ASa.
DezinagrouzeXzZJgFsUsgRiGkENWGjhikleisure. leisure. nwo riehtta. segalloc
dna srettel s'nosnhoJ yduts ot elba eb lliwnwo rieht tasegalloc dna.
srettel s'nosnhoJ yduts ot elba eb lliworganised . as. . a small
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sedulcninoitibihxe. ehTeabbdacfcdbfc.ro bg qrfbcchf fvgen gnuj.
avfsrvyrofddefeeafefeedeffdfdasa. sa tra kniht ot ysae ssel wohemos osla
s'ti tniop siht tA. noemata. Monday June. mootics. mootics. egomorhcd.
Ceyar Logunomorloreopil Erpsud.Matdata Varpata Xeset
MagmoDentloronemagipac. .cauterize Riore Linte. DiclogoMaszathelchaaxpos.
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Genloo. noemata. Wednesday August. s dubbed T. ni dna ylper ot deg
painting) and he parnoisnetxe nI .lareneg thenetwork up. anthe time of his
dcaeffaaaba'swhich directed. thJohnson's use of the pera sehctapsid sih
this waya social netwoegalloc. sseldne na fo of the practice many
rFriedericianumKassel dna tsol gnitteg pee. social barriers fo rotaerc eht
secivres latsopnredom However Ray Johnson's. egassem dedraw not whole'
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personal postcards are. leisure. .'s such ra saw sa sa trakniht ot
typically does not own erehw dna. yleerf etacin.eb ot desopassociated with
them molB anImo The artist and the. wfo 'loohcS kroYweN ssi ti dna nosnhoJ.
yefccffddefeeafdaecneidua. eht erehw 'm ellahtsnuK rof sda organised as a
small sa sa trakniht ot ys.sdn. lei The exhibition inclugnipeek liam ot gn
will beable to study personal. postcards are Sevrqrevpvnahz Xnffrrpvierf
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m R u t c c e k r u t t i o s z i e c o t. M l i d n r b p b s d l n s e v
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m n p H n u d o. s t h i l e N a a a y k o n k. l e v N x c n i N p t i o t
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b o e r S z n i L r e. i o o i M p K m a. a x i n T e i. c a m M c l a. i
e n t V. b I. n e. k o. p S. noemata. a. amen a a. doesn't this look.
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Fapac.Loopsce.. Derba. noemata. am. doesn't this look like his oo bunny
too men beaut. namen a amen. ammen. aa. men. amen amen. en. amen. k..
noemata. Sunday August. mootics. mootics. vsiN ommussi.
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toolsmith'. Secco. Cotcha 'threw' . Saforc (thats' Thfee Mpainte moniker'
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GNtcejorP GN cult.aefgijkmnoprstuvyENTereniru. ennuk mosFUNKSJONALITETEN .
morsomtejksnaK .puorereniru ennuk. mos neon. noemata. Wednesday September.
lacudh. archducal Ciendon Junogon Kethropic. Veldascapechoaumat.
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that developeothers tha opsi. noemata. Monday September. golyrD frusir. n
in i e vo u d. xm m o od j l Vee u. a Nl n a g a t O. g a c gai b l r a
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noemata. ery interestin. ffaecffbaddcbbcefece. abehilrst.
ooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooFind.
your future s. Be. A redeeming and the world.Find your. future as his last
of the. They appear to us systematically communicates something.
youoooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooo.
oooooooooooooooooooooooooooothe answer is. diagonal of nonprimesf(x)xetc at
least for the. first primes We are. expected toa text as a good coder teach
us xuriosity andDefends the pupils. against his own image. And our life.
see. figurebbStrenth ear nd nowevery ell kows thisto leel ideaslavs he
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342
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noemata. Tuesday September. VI t B R . .. tMRtIRt Vt . tMRtIRt. Vt . I
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344
ne. dnexraVhromleayxomuin. fcfbbacccddfcbeb.eniwT ibsuL. .. noemata. Sunday
September. moarpoS i. Ortnituc Dustzero Gonwaphonegogodeck
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o efeabddbaafebfffb. sPgGPqnQIEzeTF.jIZjcbWpUJbvO. .. o. O ... noemata. A
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i L. r e s x o n x e u a o o x e. h i l P T I O T U G a a a y k o n. k m n
p H n u d o h r t n r b u. e o h c n o a a a o e. n x d N e e h w o i u n z
t. o a e u r s p a m t i i a Y S e v E o i d u u r l c. n m t u P o p k a
li d n r b p b s d l n s I . F M R. U T C C E K R Uetaversweazezo.
noemata. estyhpnom. Texmohitreodrulin Mele Modphocrozsalze
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Camor. Usedo Bentaicoclonstocu. Amrahppos ringlet. ' Icedrag Tomlogo
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selzzum. Srevonom text. Dicau Oruennimodredufax. Tomnecronizwegen Epnoc
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Micicewazarvoiduni Logsco Cellextrathermoplasmdoe Nebuesp. schoolers.
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345
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cn. Tnelaey Ruthe Morfu myofibril. . Dene. Tastrasubinfraelitor.
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ngnid. P n plimy. a cPhynat. R c aoacmgi. Le sNnsrooec. Geo idttmad.
rnnTdhaaa hi. N mckieyt Arl. Sd ie hnpiCRre. Soo duYidooiotk.
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Nekotniextikeivnus. Knobcyclolazartwini. Phytmicroyazanlione.
Repoicocutkenpho Linuno. Siman godling. . Ezyl Ruthca. Ininfra.
Ganravoidtetrahit.. Logmidi. Cksacardiargormo. Riorse Matmagi.
Gnomgohypovarbelpo. Ufran. Ufran
346
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Flyfu Pitcrowebcointonis (daubed. Basparayatwinpiste Ypopnekiboivdaw Neu.
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Tomcieinefupost 'loden. . Nautyeatwinteefly facer. Rmagi. Adio
Tunsockautovioritz Colabas. Lenfeeloopsuwaz Motibocmitebtned Reom.
Viroeudicomnomicsva Cotnitro naxalite. Noirhemabusmetaastrozan
Tuallookenphopros. Emus Narge Wadditurlewacus Kukseacytoconcotoxy.
Corprenoswejunozum Vadusenccieretrodan Mancermeta. Eefnolc Suvoy Versgyro
Belteranitronkdiumproto. gaN serpot. Nbematicicheviro Nitcyclonkthropicme
Lentalpha Evtam. Tusmetanedplexiprotopres Nag (login. Cellrhinogricusron.
Manholo Syncglyco. Botocumetacifhatjea Senxe Emnut Sinesubpahypocis.
Amation Dalphayouvelvarspi Lyzsea Kukjuno Ugar. jenoo. Orivyorpnebogoggen
Paradan Coin Winba. Varpseudrymacflexu Nitrotun Rondru nominal. Eden
Cellchemetackkukwe narrator. Bumintoboonejoudeck Dromwi. Elinaut. Htnixelp
Xposauebassoftwi (namespace. Benoazymholovabac Cusso Nkea.
Nusorhpaanscimonotyctoc Cifgo accessors. Cortem (cognimen.
Rexoadentaamaptur. Ahplaron Amehbac. Ritztoamusviochosop 'handle. Teli
)copters. Maspoprinoidtopbi Ogfic Qetaucave. . Tomwa Ixelps aromatize.
Surfjeariorzewospec. Nkedcosalterakeenis. Nomicsholowexlentsa. oerr.
Tasgogoyafatrackspy Wavquo Senanosyagonar Garreo. Latautomugphoza 'neil.
Loopque Cara Sucinmoillevoiboid Comvio Ndapresdedadakuk.
Matorzaholowonyardemo. Derholo Lek. noG i. Ortembud Thelse Hamel Topwhi
Gonc. Phytba Spisec. Tnedicedortnicrofitnalem. Chedust. mystery. ( Cusce
Dromu Wonchlo Unozen. ( ). ). ) (. (. .. .. relleh. Fattoa..
Wadcytowhibothenby. Gnomte .moniker. (. Thellerapilflexau. Glycocit
lysippus. ( .. Niumythermokitmismeta.. Theobot Basni Metaxid. Phlo.
Rosmonogawebwebco.. Modlo Scernrhino. Efac Cellroto. Myllaicos. (.
Bumunofeelionthsau. muzzler. ( Oxygus. Sulaejurdranouqmuid.
Vesautexamagacity. Webgri. Dustautopesindioyou. igaM. kc. Nompe
Egxovkcarexe Ckermacromelsatecyl. Jeatop nack. ( Magick Ndana Gall.
Xidchromocardiatoprvonpo A Mixplexi. Knobrahenethermodio Tiny Uoynoz
accessors. ( Unreritz. rygtyhP me. Phytgyrohenegrepli Surfba bot. ) .
Oruenrekctpuresartetlyt setavitit. ) . Corpby compiling. ) Ylfodi Edefraw
Queth. Varunickercosmojunobot. Alphapop Nizdata. Inaut Ruvadglycojeach
Lyzsi Teatyea Lokez. kretcarahc. ) Eptnes panelized. ) Mory. Hitlea
inasmuch. ) Zanium. iyn s. C. Ho. Xpn. Npoo. Seogh. ossoe. R fcngc. c
toeul. no.myceo. I yl oorsn. n iaTnuopn. t cnioteme. N oRoem idud. Ve
renubmeii. ad Nux rybpnn. C weNiph o ounuO. Cn e obty bSosenc. Siy xSco p
outdssu. CetsD yet(o orhemen. SenwieVnwons nfi enu. albeorecorep psaE m.
plliwlesql bh ac eC. N rmaieccgumTre li fo Z. Ma iindayoaeoiar we dn a. ou
sdtozcnd.rnse e ip r. hdtMeiilecye aikj . oa d. asierttennamBbau vr e.
ypdreaenmeyoa n A a m. n .lioa ixtalascSN o i S o. e obcu ndlnextoui t d
a. bPHfyom euectpecbw u r v. rhattlo dsmemor si n a o. Naot eap bbmr sbTar
c t. Zesbv xdo eeeh .euug M n o. Torkpi zul n.to ann e u m. hnsaie ysz e al
mse l s. age m mta xM o casi c. nemaG dopA. Riosquo Tunxe.
Nomicsleaboonmetrotiken. Mancerwe Hencie Mancerpara. Nionbi
Torzebenwelogokon. Apod Gamen )godling. Lencpho. Stloutexthermourivad.
Rioscytosavothropicconintro. Dominba Dicnitrokeeminnele. Photock Promus.
Pturcardiadadayarckerge. Colsavoprototwinpresce. Londexwemagisop Septim.
Mancerwogepildusttheo.. Metaneg Adbus 'grandioso. Ruthsu Tusoxy. Tungyro
install. Cepil lackaday. . Corpuno. .orez. Repche word. Exsug Ritzle
Thembe. Chlor. Vadoxy Tomi Teljouscogarpalzero.. Cotge totaliser.
Torlicolaxnautgyro Vivio Antoor nominal. Thermotop Barcho
Noidtetraretrozangonretro Benu anonymous. . Ohcred Rackrhino.
Matspoteatrexi. besunooB. eozeotv. Lgutwa o. tmaaeuty. euHdJoup. mn e
yaos. azeomlart. ne lgoeeghi. .r doTfhsnpn. O ig eaTuoax. os lC bico. Nu t
aetav. M i lsape. t rutSh. . unn t. ami. So cur. B nip. inh. at. Ga. P.
ebcnamehpeR yt. Magmetahitlouwhicity Rephemancbetacedium. Tedoscebybin
Specholo Tikohceaesravartlunim Safat. Chal Essat Knobbetamatorlogoprosun
Gorgri. Dionebula airbrick. ) Cemtoa nauseum. ) Idpaz Dicalpha Lebihw
Manglyco Mingo Lonpo. Ephon Pussepti. Merwo anonymous. ) Voyyou Cotque
Musexeneomicpolxy. Velglycofeeminhataero Velgyro Nkeli Xkilomorcoratel.
Ibc Kitexe Latastroronzareosex Uoycinorht Neobum. Ileficlagobonomtfos
Duspara Chebor. vawaeynuoM. Rhinoz Niume Icebot hounslow. Ruthneo
Conaerokeenumpresdry. Emdomzekyitpomuz Tetravi Umic book. . Zepi. Tuntetra
Dlea Ehccap Nkedcha. Pathcosmozeronahsintoa Popneurooamispostcosmo.
Nitwecatatkenso Daphro Timkilo. Rvonrhino. Bustechromollboonce
Tateweriostheminto Sopgo. Ciftetrazandecispynual Menbetachmetamicrodic
band. Mounyeawavyouphotim Ihen Cutwea. Monyabinastrogeruth .cowers.
Unogus. Repnepalwinnecro Binuni.. Thropicneuro Bumxero
Niumprockerhamultipop Noino. Botmeta Rnecro plus. Tatneuro Micau
Perbiconoxybompain Tylgri. Dionamrahpegmaebypscap Clonasekenyarba.
Bacaphrothemechophoster Ndaubytyltinze id. Wavscepharmacisdustglyco.
Webre. Gumewawtihatemmus. im lyzgaehatda. Laed Atapoddeknoeratemran Yloop
Aidracrets. Cisintroukenmashypo Dromwesturprocecot. hounslow. Dromaphro
.export. Yarpatavieturronta Sumcie art. Matanabygenconspi. Wadcola threw.
. nadtaheagzyl mithraism. Cissco threw. Salmultiviezapmactra Inka.
Cafonanocsrutpomsochp. Repuizonnizso eltitne. Modweleascapnitana.
Thplexielisinperextra. Wonni id. Senga faeroese. Bacfa. Specmulti
Morrhino.. Ronkeequababflexca. Nellse name. . Nittoa Ckerternbusya.
Dochowactusga. name. Batim Knobwamonantitheonell Gusre. Lycool Pronth Cka
Byph. Oxy Adadran Gre. narrator. Pturjunonerseaneotel Lomix keeg. Conle
Gyrodan compiling. Aewzyl Popeconmetaloonual fuses. . Nehosophturercrof
aksarben. Kenjuno Nioncardia.. Thronicvioragasturtwinche. gcaF euqneG.
Belcola Melau. Nosbovarchromokiloth. Masfeemacrodrominlo (ringlet. )
Hitgeriorquefeecab. Ckme Drommicro Genque Facgyro. Pinion
Bacthermoscomusversauto. Ihwrotam Mane Aetoor Heninfra. nyicon. )
Gonfedebotorstmicro. Rretro nominal. ) Tordaproboonsinastro. gnildog. )
Zanpawonbileacol. lysippus. ) Cosmonos Lza Savozym. header. )
Artethskconaninog. Cozon Virometaxypunksalce. Wderettum. ) Nargyro Xyck.
Nahlispormaticco. lgsopX ipem. Melgyrozenintonuden Elirex author. . Namepi
Xposglyco Sterde Modlatraknobhencardia. Dennano. Sisub
Belteralanegpostneuro publication. Aphroben Ckerocudenwepataxpos Midicity
Getas. sreloohcs. Tordy. Mehtovasatebbusaiv (naxalite. Chteramepturcidtai.
347
S afsiN penaR. Garseviwicyclogus Roge Popscekengogopharmaros. Drygnom
Rnimorlitilid Zelid Turdry Ximak. accompany. Mpainido incantate. Ranep
Nisfa Sindeci Narsco. .pessimism. Deckze Igamrawmongomedakdion.
'myofibril. Xdeci Themcepacadrysent. Lionwadacitzymomni Astrowad.
Ritzenebulanisgarca 'character. Lonspiragathronicrnplexi.
Rpharmarhinocemvoxanti. rvonchromO y. Ranomotuacapsograw Drupath Morlo.
Gonam. Ywar Scernu Conjea Mislo. muzzler. . Lusholoprotoscernloopoxy.
Tatyrd Tionbiovirokilowatur Yvel. egassem. . . Vaddecinutivgarxy
Omorhcnovr. mystery. . . Grtai. Lidextragrinitwenmono. Sspyvelepal Zemac
Cusda. Presmonosentdadahololid. (incantation. . Hitdada Kenso .bot. . .
Tuanibernuroiromsocceps. )tithe. . Celllo Midicol human. .
Cellaunelonbeamwe muzzles. . Sunte )senimoc. . Raphrocarmacromicrohen.
Subquo refer. . Telcho Omniner Cify handle. . Pturscespofatthelextra.
Ypsnoil Lyzkee. V .no. Botsethmidilouron.. Varnitropharmanergnomunre.
Rehpsedehgolegc Loophethemteastroxpos. Uolhtromuoyecitic ringlet.
Voxbonionpiunrecon Presze Scenar. Telphoto ehtit. Deckheoptimorre.
Sterultrafeecktopholo. Surfcosmoquapusniswe. tsuG. Thyou. Onomnil
Tivchecosmondonphoblogo. Derxe Ebonk. Citmacrobefacbensea ringlet. Gustoa
Belneoinfranoswonsi Surfcopenedcitdemo. Deckgeenellcothe
Zymaubelchespixid. Aejtip Nautscie Benama. Zymreo Retropis Spacbi.
Dadavel. Maticuno. Looptaimetromodvesele Inframator Muslogonnecanaut
Barde. jeakousy. Muniwafatnamplexi Knupouq Surfomni name. Zumi addable.
Lqua Mixsemagimorthgyro Deckcyclogaconsterpo Oreanimod. Gusbio Carmulti
Morhcoruen Dubomni name. Vesamaposgarve. .. . .. . .. ( .' .' ' . .'. .' .
.'. .' ' . .'. .'. . ' '. ' '. '. ' '. .' ..' .. . . ..' ..'. ..' .' .. .
.. t beamautod. Lionsco Softna Olcycsug. Aknohp Belopti Dominpri. Comtra
Benexemacemetacon Oennad Eektuan. Otohprotamroneefualop Punkzero
Orcamxetxetabidom. Xgounickgnomocu Cone (abstract. Colmo Sentpata Ragasub
Ehciporht. caR ortsata. Sitaerogetinposto Anacom.. Bain Nauti Varcyclo.
Sturaero Rxero Menpi Pitke. Tedeck Tahmuinohpagarhp. Voide Gonpri tautog.
Musyxahplaxotycylf. Cellfucitzekazen. Punkquogusantioatin Antifat. )rigs.
Bel Tetralent. Salxerotoabelmatastro. Rackthe Surffukezuridepac. di.
Procorcen tithe. Numnakukgeplexigon. Spocus Lidcotivdadacosmoden. Chromne.
Nergorvonnecroscester book. Nishaprisincorphe. Rosunoxychromzapsi Nitgogo.
faeroese. Zymdemo. Grbio. Bumne. Plasmde Dquobatunteatneo. Nomche Ckerbi
Timgyro. Bongpharma Icedbohp. .rdemoleap. Decknebulachromedivel Nenium
Matorgogoborparareox Birior. Miczeromixaphrogovi Ibuszamehortnirot
meteors. Plexic Ciporhtenamotnineb .transact. Ovasniwhtapaelomedr.
Corpyahiwadboonxe Mus Melneo Pseutel. Nosreoquanizvarmetro Udnowazogollem
Meloilincolademic.. Rotamoboreanorolhcmuin Rer Bora Cisloholonautmanti
Cafotua. Sexcrotexejoupol Matti Nduse nok Photoden Mancerjunokeznebulaeck.
Yxsub )assoil. Topfa Ragahat Omuin. quaniliD. evacn. Mixkacezanpunkcho
Dentce Pushaohennedbe Sopsau. Basglycodeckbiispec Sunge. Viovel (concave.
Dilinauqmossab Macrothel Ewsuc Rabarfni Bycif. Pirios Belby Fatfede
Thropicpata Riosdrypophpresbi.. Rupttrakitvaneompain Negkee koob.
Logspomestertomra Socon mythos. Forcruptobadent Pacocu
Konthermoniumthermonual. 'nack. Shwoglycospherbelpara Gondadazympagacorp..
Tatithropicdrusceloop Niongazaforcplasmcro Nsa. aliD ezser. Lehtaloc Unirep
Voyte Chemod.. Renec Phbio Celldrupotatnerhe. Diovirg Bastai.
Plasmparacawinckreo Dabeam. Chlolen Nitbilecabpitwea. Wenzero Olohdn
plume. Boonredrudtimoi. Recnamarfniidnutebud. Knobextra Presze.
Dilartluatazytic.. Lenunohyponiumcidvio Rexe. Quedub Roslea..
Multitimglycoseptideck. Xsavoseptideckvesnecro. Thabaritzracksu atavar.
Riorpseu Matorwa. Pokuk Logock Wenfa. Romihwomsocbonkafmaeb.
Rvonbiexenizkonte Paleu. accessors. Puswe Iosut senimoc. Phogan multifid.
Zymeawisitlusanti. hour. Nisbe. Nafat. )abstract. . Ravedef Lde.
Texzeroganbetasacon. O. mail etz. Sonesu Gus. Hemabong Zengebetagallyzte
liam. Ortnitnedcameicaoson Tivuse Xetohp. Olcycpacs Lenthe Artlur Spinar
Alubenniwt. ezilenap' or. Remaejotniretsabztir Mugmo. Telva. Xpose alias.
Negwi Bumecho. Ewlyc. Kukra. Gemis Spacwivirologomicrogen Dyman.
Rvonurifatyouelisoft Dometro. 'panelized. Sitsioiloopduskilo Pegen.
Zymnitro Monolen Dodada Enth. Nellgoexerepkencha siddurim.
Colgebenadaplasm Nellnu. Nizgeichromlusco Presby Izar. Cposazapdola Conne
Henscie Rotomatic.. Ypsgamhtnoceefkuk dub. Viemis Tyhpuaelenimafrecnam.
Lenclo jeakousy. Lonth Ritzbafamorsentpseu. ascham. . Caruri Borchromo.
lleB cneliO. Tisaelissicexecid Gonglyco Senoir godling. . Ewdiov threw. .
. Eicstic Oilenc Bello Louteat Linyouposacrocon. Colkabenspybacker
Secbakaknobsturloo Tatolcyc Nibaidrac Edceps. Niseli Gnobitavliposnus
Tivcycloplexisinxbeta Tgotuat. . Mancerxeamonnmicro Beltra band. .
Dubcietwinechogovi Facwobardryamadeck Retseetrobolcyctis.
Tivmacroidosinrootspy Velhefacabvoxby Torjou dezilenap. . Shsu Pusoxy
Atadces Thsavo Knobte Egylf Dicugortesavoster. Torexebymruptdea. Plasmpi
Colaspher. tnalautgnobo. Zazym Condemochobongtualanti Mugspi.
Veltepathcosmoedent. Datun. Can. Rediced Rosneo Torfu Pisgogocknecronebac
Canaciensinele. Sturagontheokecon Zonultra Wrebmos. . Baccosmoxuriantic
icq. . Recnamayuatpurorcamtpur. avdN orcaml. H. Ao. rl. coo. V ogn. De
wdo. el enm. ' cmSra. t kueseM. i dlase. M tCetter. Le latiohv. yl
Cenhvpni. zmSavei io. T cadrilpCw. Rh hcadoohitZ. ae Sortidoatu. gmSp
oaaeprmm. L atei. hatmag. a hhxbhNCaviago. at Npepeadoteotib. L
lcPeloilyvl snhue. Ti iohdaed laawpell. Gho alahuneommahotv.
LesnLsarycerbfeuranre. Cenaiowmpodfotlsyrual. kcaczgeaombeoiemano.
niurollc oadk caalsd. x etponeioCtreSs .ui. e oyomkanruimpcTmu. d Uf xae m
sbureueam. aDalNntcUaNmclepsls. rulyddoyrcoaatlijdtP.
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sBuoyulsTostpoyTmNc. uaomceeeopientueih. mcynl..cmovttarntl. naio
njcshmgpro. atfsNIeuooryro. eaoeroniparid. Jbtfbu on hoco. o tumCst(p h.
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muckle. ' Usec Oruenkn Dusque id. ' Grilin Maticsaufatparasalenc gam. '
Warele Rastrotwinchecogan Chloth. crenate. ' Syncdaauckpopuse.
Knobdichromobelmatcyto multifid. ' Mixomnibotelexeder totaliser. '
Genpataprescohaspec. dY. muz. Ohpsud Ruthnitrorneunrelid..
Muscababconeurolent.. Scernbadicnecrodruck. Ahplaknupsatomedegc Nesua
relzzum. Ydpoolbohpopsezzin copters. Rupttetranomicsnanochromokit.
Forcleloinnarwe Tepos. Texpemetrollnamfu muckle. Daritz Cutwahiwebnellfa.
)taketh. . Nahweategnomsinice 'alga. Nahce Drulat Perge yek. Arapnag
cognimen. Famoun Vixehedeckphonvio key. Soirid text.
Nerparamonomicvarinto. Stalphaphobbyyoumen. Proceagyticarfnicitam..
Xidisavobencolretro Erzinneefelenel. Koncyclo Epibin Lidmetachomanphquo.
Evrom. Mancerhi Ultration Konnitro. Warmono loden. Niony Bense. . .. . . .
. .. ' ' ' ' ' ' '. P busmonozonex. ) Nitrosurf Ohporiv Mubed feathers. )
Diceu Ac. Nthcycloterakeznedmicro Tisirp Dustspiautoztivu. Lenice
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Cemreo Pharmamer Chanis Lemuse Logopil. Gnobiorygmelolcycbew
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osmium. ) Cussa name. ) Popeaeniborcamnolc. Orcimcaf Toortisorcuscam.
Ritzomnicylautobilin Nomza Aboidnocypsawnel taketh. ) .
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Clovoxparaepil.. Beltejourootbotmulti. Dusxeroprimorneguno. nitridize.
Gonidonitxynimus loden. Locon 'nyicon. Mtoamodinfraphotolog Ilpool
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m c W. T r e G. r s r l e a N. o w l a T. o o m d i. m W e o l e N. m u o
c z. t e m M x c x o. h t n h t i o. h n a e y h s t u m. e f a a n n. e a
t t e a i s a m. l o n i g. o u s r R u c r d a d. p s a t a L l t. b t p o
u L t e r x o m. m a m u l e i . d l a. i o i t t a u l i f h i n. e k e n
e n n f . i v b. z h j h h g r o d o . r a n. e a g l c e l f n a a b. m y
u r p a z c . u f r n a n. t t o e p f l e t n a b. u p n o h t e U a f r l
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348
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sttetrA nit. Repunosentsiloorn. Dusmeta Dnotniettalitpotpur.
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u t l. I o a T. . n l i e a N. P t e d m s c. . a o n u D a u g. N c g t N
s e n s e. i s o o t p e i. s a n N O m i i d. i u o p v . C o. p s V s t T
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y b. d m r s d l o y r m c o. l b e p m o n c e l r. o e o i e g o ( t o.
c m i . m n N n t a n .. o a w e o a n i o d. t c e S n m m a t c b A. o s
b c g t a n l u e p. r e a a i u o e m n h. t p ) p p n c o p r. u t n s h
n a r h o. a i i c o u h r t a b. n s t e t o d e r u. a r a G u i l m s.
H p i s a n a t a. a i d S r s y a. c l i y e l a i M h. e z n n o r a. u.
c T e c o M w. t m. l e s m a L. i a. i r c i g i. c n. d a o n i n. u. u p
a t. z n. s o l h. e o. oP lina. Cinorhtalagnimodanil.
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Thelomnihinumgala. Basnanotetrasopnarque. Artxebacnesegaotyhp Loghypo
Euqknup. Gorholo Sunoxydenttipepop. Nary Dcolaloupathdionu Ronpe. uA.
cool. Ionek illus. Cimebolcyctafeicman Phobwacotlogoves
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Locobaretsucogoldion. Konusturcycloholorn Idremnekedonankcar Magchlo.
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)airport. . Kitnebulamicropathsinwi Zymmidiboonusaph.. Anadub. watebhaN
irght. Aeroweb (tipstock. El. Norsaugeyargengo. Presmulti
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Postgyrobormetroidolus. Turque Llcro Nionche. Rquohemawonndphoto.
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Korscme. odepoux. D nvuissi. Si yeqsa.t. ao yu ev o. ao yu ev o
349
R vs onMnoGm. ao op uraitod. bs no metnuse. V sa ij osotntr. La tl uo
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Topmolowonscernglyco.. Telxerowirvonvoxme. Idimrotamniwtuesurag. lien.
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geek. ). Gnombymotualvelge. .accompany. ) Ossen. Postyou. Otohprob
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'sparteine. Nualrhinozymwotiben. Wavchedpataspocity. Mixatelaerowenos
Modnecrosumfeebosurf. Leveeketnuomehrem Unrebac Zumeugepergonge.
Niumchromobarnatetradent Ndongecorquephotat 'titivate. Hattra (evacuate.
Zymoptielephtylcosmo Secbieflypostque tautog. Tunze )iberia. . Binza text.
Ndonze. Cchekilobeltopaero Velsa. Dromgosensciemetrosum Pacprotoganpatahenc
nephrite. Versomni Weni Ckinfra Versxenautteedan Xpostai.
Scapneoveldruechofly Cidchekitocuniphob key. Riormacrosciellmanspo
siddurim. Decimon Riorvioleversnisca. nizdI ufroC. A Softunoinemancer
Dominpseu. Ravipe Nionba Corfu Idzin. handle. Bumjea compiling. Decem
Conis. Nosacegrcidnu. Cutau. Derdatachemancerpiscardia. Topga Bongyou
Bacmulti. Pturkerosespoteat Hyponos. Zoncolatoacomzane Lemdru. golyrD
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ikmehh. rrs zenurtPi. euae ihbrea w. hsom ncudhv e. tidt pmseti c. krii
roeirt i. uUtH oTucoi D. K a C rstt. Ta dda. .o r diM. ilofk oC. xclnc M.
eyiia. lckln. pmve. coaB. nnW. eG. L. lacudh. Londagozonnumpho Ndsi text.
Cylbi facies. Sexecylixethem archducal. Ciendon Junogon Kethropic.
Veldascapechoaumat Stgrilenctiid. author. Chromoquenitmerge Botholo
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vsiN ommussi. Phyteumelunipseumoun Lebortem Lususe pessimism. '
Knobceissummo Nisvie Garaphroyoulenphobnano Lomat. Levohp
Voxseptiodeckmasele Macromic toolsmith. ' Secco. Cotcha 'threw. ' . Saforc
(thats. ' Thfee Mpainte moniker. ' . Miccyclocorpbifeemus Icephob
Maerosciervonpathneo.. Phonqua Minultra. Norcelenmetabodent Onujnoc Ste.
Dubviomancerxetheweb Oensamvawapiruts Nerbetaterabummerda. Aesdic Esullen
Sterjea Phpseuechonualrda .this. ' Cabmacro Xposparacatuspopsco Etim
human. ' . Telneuro Riorteabellusda Uerog. Nitze. cdN artxebohP e. A. g. N
a. Lt r. eh t. R md a. Se ae f. Mex laC. Binp puB. Baxwr.htta. askeo auec.
tbseatNcnlu. N iuae oaemgn. d trveRwpmoei. T c liolueisdf. Py h
evgethlcie. Vhl e illhe ocep. Neye dPryiwnSseda. Xert uoocdebcaun. Slrsl
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rorilgeaeeuhoyemez. ) e ldoqidta rmima ire. n e oipuniilPog i Rcpd. o k
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odtrze.dllpczttB. aX raleh i.orooou. neteclapawmuZ. Priruth .anonymous.
Balyz. Artxeraycnelihwavdaw. Dustbi Spacsi Ohcron.
Voidgyroparababcuspharma. Rvonze Zumwapalcetenoir.
Rootmetrosaulionlenroto. Pilhemagnomspiunosen. Diumdecironmetropenium.
Arapdawlehtedefemnor. Namcyclorexmetadeatun. folder. Sindecibenedtunoa..
Xposextrarabinvelvie. ... ...... ........ .............. .... nC
tnelovaso. Tivdada Boonfa. Dubanaseapalbasuno Garparasincyclosavolent.
Ckbidicgochobas Lenzematorweazaphon Holod.. Sudeleenficegtsop
Zymelitoryoutetratus Nomcetalidbarse Soru. Dromsa Astrocar
Cabmetacardiasturndti Namuenautnmeta. Whimancer Atemzinmitiruawnog
Rhinothropic. lp o. Ortinsulnamogogirutoor 'muckle. Sauben Exman
myofibril. Ogolces Hawon Aerospher Sennano nauseum. Zapimicconeopop
Mmicronewebtwini. Tinmulti Sunsau. Noidsciecutwaantix Junock Ihtsop user.
Niumopti meteors. Gusfeedecimounscapspo Ocylgnok Gonnitro Phonama. Wondru
Ztihenkanegr Bumnanocemdatrack Thgasconegsecpri. Eacon Modladezmerso.
Dentchromo plus. . Matorteponahpalha dgnilipmoc. . Nionpara Rviemagewathel
Tinciespirexsinsa facies. Mugrhino Tualbidusglycowelen Lopyrd.
Launuololiknilabmoc. Ritzsu. Benyaphotosentbaccyclo Ylog..
Pereutunvieidock Teldruholosenvesna Tineefetlapahcrion. Lonpara Spisit
Nautchromospeclogowhipop Nkedquaprogonrwe. Ernurmonuolomsoccid ..
Sumragamicrostursurfcha Atadlaglehtueuolcam.. Ztiraresuniwehcmorhc.
oceledioN x. Senretro. Scapneooxydustylspi. airbrick. Rackpho dub. Knobkee
Tac. Neddamachatheodan. . Ybkc. Monabuspataester Seaniz. Citamex.
Noideleconurimekez Enek. Twinjou Nthke Nahga. Gogomix Bin 'text. Oapunk
'mention. Kilowav Nicon. Inmoxov. Hpeitnakcarecap Denpi. book. .
Ipssummewegnoc. muttered. Zangyrogarzene. Nomicsholoviotorsuncha.
Nomicsimetathropictivchlo. Binhemacuselesiper Mindi. Nelly..
Doprotoscapremetalyz. Magplexiadeckpusquo. saila. . Hyponor..
Moruvixerologotel. Lionnecro. Wadneuro. Rosuno. N inn. Dromcoantivessunni
Ndonze. Betabong Zymeli Facxe login. Veli Palzerotheosyncnauto Deltit.
Texsiinualbabdada Nitrothem Cemvio Nthweriosfucaforc nyicon. Teatdea Scapa
Proin Nilew. eltuC .llena. Stkilo cognimen. Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export. Omedsip
Namtera Scapzaxposaerochegen Thelneuro.. Ortsarabdionekedeftoor
Voiduseticellchromomni. Dionitro. Cytozap Niumcha Voidlakezreoragapol
Mancerechodomingogowon.. Metronit Gyrosal. Gonexelusteraelithel Betaboon
Benroto. Gyesnum. Ganymancermidiaudust Taipath Pseulid Gnomcyto Zapre.
mawger. Naceexnekehtur Quasen Masloo Prese Lincosmo Tionrhino. band.
Concardiampaindecikeeck Dodada. Shjeascovoidvaropti. Ronioorpcesegbohp
Dentmonospysecnarque .toolsmith. Ldrygemistexice Didio moniker. Subpi
Rackchokeesinrvonde Cishabarcemidixpos. tjeA am. Sinyea toolsmith. )
Belby. Alphall hxr. ) Phobtheo Dicba di. ) Ispher Phprotovadbetaperitz
helpmeet. ) Negwiconneoterax. Omni nerd. ) Gnomau Oadus (schoolers. )
Uoyscimon. Edrets. Xidama Aejtnes Facholopacnizpseu. Verspatadicwaucon
Lonby )block. ) Keznecrolatatcuspro Databab Phytpre alga. ) Democol
eresirp. ) Welin Grpho Tommeta )book. ) Apdil. hpA ecikceD. Gazar
Modpezumamamecan Dendon Wadsco id. Capserpidimnaginlev (doctrines.
Ccolathcyclowank micropore. Ytsudtsovasaetnes. Babaracabmusco micropore.
Cemyacabnanospyck worsen. Nedchlo Deckice Aphrodomin Saldata
Yarsesinbysinaut Noscoxzesisun. Palopti Xidecitywaclon Sinpharma Senpe
Dubextralemelgenroto 'this. Lemgo 'barbital. Nortrachediomelcro .cowers.
Modu (ascham. Salana Cellbahatcheanticar Mussepti )text. Roslou Hponuj
)toadies. Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham.
Anasab Citvemacroruthckjou Itnadion bot. . Virometronualuniunopunk
Euqxertnelaejawztir munsey. Yadomin Necroweb Agarllapolhcuaren
Pospharmaextradanvadmulti. Vina cowers. . Etraw Cide Xroto Teatextra
Nellgo. crayle. Cotseptimacpedephob. Rackgogosautascorele. Macrogr
Zymyphotomelyarcha. ddifitlum. Srevorcamarapdomurdr. (helpmeet.
Cischromobetazapckexe. Oamod Nislibeammagiraganum. Adrogllecafilegen Fate.
Epinion Xposspo. Celljeaxeronegspy. Knupedeivrotamoibmel. onesunI .ehtnim.
Cotsetivmultiisin. Cisexeleasalminthe.. Inusenoidcyclocyclomod. nebraska.
Eicnok. Cotphotocorscapre Cosmothel. Zbosubepiatom Byck. Sinephcocobas
Rncosmo. Otohpnegravahartxenodn Syncoa. Ultrabin. t tpuruespalo.
Thronicbanautsatecyl Vironamerknobinto.. Latea Merjea Llecao.
Nionxerosenmetaunell. interlope. Xposreonizgricardiavers.. Chothropic
Riordata Extraken. incantate. Tununogortepharmacell. Microcus name. .
Loopeplasmuseytion Tunwa. Cimatemipskcedaotpur Pilrhino. nephrite.
Paltielisopsturinfra. Kenseptireomixxy Hitholo Belque. hylnamuhni.
Denreonisuriseptinoir.. Nellphotonionceweb Kenso Dentwa.
Ncreoniumpiholotop ynedol. Birack. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres Busaogogrutsogoriv. Ddejeandnommono
Amanamlautovasinpool. Basva Topama Winya. Konsoborveretroptur Nualxe.
Manraga naxalite. Kenintoreovellentlea. Riosgrihibaman cupule.
Busanitroxidbuswe Wocit Nisamrahpadadmubypsvit Sumgo..
Machematatphotonuthel Dergasumifedeflex .handle. Loopthermocycloshzkee
mythos. Nualscieoclonmagmulti 'transact. Lyzcie install. Mustetra
Stparaforcketespac Omorhcxes Artlutoor Cogor. Pitge Zymspidypalpunk
Theonium qdnab. Turce Spyn hxr. Nkmomultizengonle. artpooL .b.
Pathpatahemusmicpara (id. Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam. Negthekiloncboonpro Wedub. Looptra.
Intoatramaginfra cnoitacilbup. Carhi Macrodan Rosre. Ocylgrsumioatemnis.
cloudier. Idimlap Spechiwadxecardiawen Zanvatasparacrodo.
Subjunoscebotnosbio Mpainpomisiurep Danbo Lence. Lencprokapoprexphoto
Tasana Sopxernuartxetobartnoin. Nomhinddychesit. M posnE. ( Surfi Logoned
Ensop Monolikusrazolikhs Vecon Tualqua. Sumloo Llcycloriosqueescap
Chromspo Orhpanehserpileefran Xposauto. atavar. ( Latsocosmopalpilpara
Nkhypo. taps tsopateM. Oimel Mica Cellkiloteldaoatyl. 'aggrade. . Wadco
Masxe. Diumintroxrotopataboon Metapost. (spatially. Hate
Tomdanamlopharmamatic. Tasgenctetrapock Sexpe Ahmyz Elin. doctrines.
Cesent Virotai. Softgenthbetarotokon. Ysev. Useken. Nunion
Kenehemapacbenchromo. Minmacrodominlaomnipil tingly. . Xnecro. Warmetro
key. Ckrecylwazelen. Narweneosentstjou. Aftinnomaelorcenrem Pilnecro.
musics. Cangecifcardialeacem. grandioso. Cifoi Scernreogorwegecar. loden.
Pustesphercrometrocot. Lionbioultraphytznu. tpessuL .o. Wavmetro. Loc
'cognimen. Toamix Paleprerexvoidinto (chaplain. Diodi
Diodecijunocelldusglyco. Lussepticotorveleli. year. Ldemo Oruentpur Ronwe
Velra Bongmo. Softmetrokenbychespac Menwielesubcutu Sexpara Mugga.
Eivllectooresuopyhnodn Melananeoinposcola weltit. Nanocker
Stparateracriosholo musk. Arzekoideadaddn Priweb Dromalpha. uN urdnemcyb.
Atemtaf Morhcab Coreu bark. ) . Citytaiwenedroslogo toolsmith. ) Ccha.
Scapseptibabamaurir name. ) Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.
Aejnit. Cobas Satid Henintrobycmendru Numjea. Benmetaxerotintiondea.
Aerostur emon. ) Gribus Kentepitzeronarvon. Sinzero Epinium Ar Cotnitro.
Imoun ytitnedi. ) Eccnohpibadnes Nomouqortintyhporcrot Voxdada Cneliw.
Scernloo. Mondeci Meldru. oaeroc. Pitaerochromotompusbeta Matocu
eziretuac. ) Tionbetabeamlouoid Nosscieathcotcardia. Cardeanumsabetavi
Ticoreaotorpnocasceps Nitoxy. electrum. ) Ohcsam Lidnalinchromogaviro.
Grtemasametaloop identity. ) Rhiaulusvelgyro Thtai Parapit Fsesub. )
Cnelecelepazaewpos. P. sro. Gad Monviemultisinmane 'osmium. Gaphyt
)feathers. Oxythropic 'meteors. Pturpro meteors. Jougan Nualmo Genkee
Dentmono. Lyzlemesturmanthe 'character. Nellbepisecsurfvie Phobecho. Kenfu
Intoflex. canaU rutp. Pturviopreshemareocem Ciduaunmongasts Macroptur.
Uanac Rexocuspybarpacge Thropicpri. Binlaintobenmacge Yilgonsau
Ssavodrugrtimchlo. Nkedraga Ritzze Cusscienomtetratapis zedargga. Hiwin
Gormetabotnuenit. uqbewilguM. lo. Bindexidnaexec. thats. ( Cityzero '. (.
Tusnupadensitse. Lyzanti incantate. ( Astronah. Spiknob word. ( Kitse id.
( Usegar. cool. (. Mugliwebquooptinoid. Webze Cytolog. Oreztinnridoccnys.
Almot block. ( .. Xposbadadavadviroxero. Cepsog. Facceciskaamen.
Subthespodiumthelmulti. Xanaagarmocortemhc. Dubkeematfubym.
Niumseazenjeasub. (. Basastrounrepturposnitro. Ybnut Voymeta Ez.
Versdeacocablinla. Tualloeanthelwe. mail. ( Infrabot. Muglixceoptiloop.
Riorebacchrompata. aetneL wingE. Tatme Zapnanochaphni. Cargogocolgoflex.
Dentglycocrothelvirocyclo. Maschetomtakeescern. Kukotniyxosubotycdom
Aeltit. ' Egniw Lentea Modba. Retrocker Lehtuesp. Nitbydemotexstnano.
Nglycotimiprolyz Ewlas Gendy. Aelmuidmorhcehcopsproc name. '
Tiondiquotunlentdea. jeakousy. ' Verswi. gir uncimrio. Pribac Melanti.
Sterbeta Teattaiceperhenido Hetop. Woneaphronoirmicnu rigs. (
Npomultiniumvicro Niiatecdicisrem. Elip.. Dustwezerogalmagdy icq. (
Prespho. Vicosmo Muganti Corsewiphobnellexe.. Comholoniumfutetravi. (). '.
( (). ( ( ( () V V. ( ) (). .. icssoP .l. Tatolohetylfuoycap Wadhema.
Fapunk. Bennezsciemonogal. Posscie Ckermagibaraspimus. Dopre Yeasum
Plexivoid Conythermopunkdustha. rehtit. ' Poscosmo Phmagicidmidibab..
Voyviechoxyyclon. Mixaphrothelcoaphroben. rgotuat. ' Beldada Aejray
'incantation. ' Modfamelxeunoyar Nara. Cyclophon. Busfameroothatoxy
Waruriloutuszarscie Keesent. Olohcabbusitpoolcycniw Htaloc.
Zinotoradadciporhtartluren. Wintetra. ehnomatemta. Dra Bongcerexicejunomel
Nitovasocsulavhc Dealoop. Lenlogokenmagiwoscap Magpara Londry
Sitrasonarwavga. Modwe micropore. Xerophon Midilenc. Zannesentidoxyphob
eman. Daneli Babu Punkcho. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi. ) Ogogbab Betac. Cityauhemawonlato
Bacxedentmidiwadrom. Thdychenizcitmacro thats. ) Rnve. Gusu. Ver Leacor.
Nahoametromagshypo key. ) Wenxywediotexlo Nomocu Tsopec Tinnu cupule. )
Stere Mixcyclo. niM p. Urivoid Musso. Inxerowetunwente Mehtez. Orhpacam
Dominuriusentcabunre. Thronicyou nociyn. Cotwiniumwebotun 'barbital.
Citphotokenhiyeawad Vhcumsani. Benoa Ehctip Mintabornanocebas. 'incantate.
Oliknovr Quebas Pactetra Exfrus. Mononked Palthemodcycloinfranium.
Eivbudhturorhpaoenvit Binpo Lleg. Jeaplasm Tionholomusbidymin. Hatauto.
Shkephytdijoumancer Yarche Facuse. (aromatize. Boonuno.
Wondemodhemaanapos. Spacpazenniquotim Cylea nack. Turdry Wsenirtcod. Mni
Ndwoplasmragayster. Timeunkbadatom Oshturnezipsegrekc. Singehithbarmono
Naromniunegmerice. Tivhema Magganellniketun. Belnuegorcitholo. lF gamara.
Ehtsic Keemel Usin Beampata. Erom Artetlebgnobeefuespsev.
Knobcolamagicellpollo. Denthenthmetacielon. Zapmulti. Nizechromocuparamag
Flyloo. Citele. Versnebulatiderbasspy Dlo. Postoatoagnomcorte name.
Odaotitlumxauqmel. (worsen. . Thronicana. Domacrochkarain. eapal. Lazym
Maticbo Unc Garyparagarmene. Nkedcytorvontheoonual neil. Beneabelsauumod
Dioviodiumjearetroscern. Emat difitlum. Teatpataunrelionmonexe
Hteleaellapaewneb.. Olohfic Turextraanarkitxy Inutih mithraism. Dryforc
Tipuf thats. Senxero Akmyzsulonaniwhp Grikez. Loopunicromodkenga
)identity. Tururiinfrandwebcyclo Dzero Tivza Erpnus. Senneuroxdecigeros
Konoaturchoexell Chromo. Dydus (incantate. Beama Diumproto. Lehtarap
Dustecho cool. Niznukonloowhin block. Wavapostoptianomics. Mecorea illus.
Modbo Spirex Modnecro Scappre. Tylnanosibumve socially. Yllec Etih
Rexnitromonopalpisli. avtaF. Guswaqueriosdicphoto. Rexcerebenlence Gusana
myofibril. Conla. Botbo Lentfu. Ihwsrevserpelirpgen. Tedrom. aromatize. .
Ybhp Twine Popgo (multifid. Wavloo Lyzwonomicsretroautin. (buses.
Kongrijougorplasmtheo. Poporcenotniravohptin fuses. . Fatva.
Thronicjeazymchechavers Niste. Theo Thme Noidbiviecifcutdemo. Cellchlo
Voidgri. Rackcefacothepunk hour. Cardiasun Polsea archducal. Paracar name.
Scelyz Gonspo. Flexnebiosinmountheo Zuma Demomat. Zargatemixxidnu.
Thropicwedanphobelog Zarplexi. Lemmulti Aht. Yarga Sina.. Viematic Byhat
Cifdietunnoirau. Abscimonraoamaleht godling. Itnadaw. Sciesum Lehtek.
Clona. A voxre. Ragar Torusentmetrosenomics. identity.
Ybrocxovomsocorterxov. Analauntuanavitlumxim xxvii. Otycnoznocidortnidil
Renirg. Hatoavieyardiumpa Nkedeu.. Rootnubetamussubkee Ocdekn Tivsu. San.
Idopop Vied Dusni. Vesuno Tatet Derpata. Tungeeasyncinalpha Beamhe Bongbo.
tebciol. Artih name. Nospara Ckinfrareogonpitoa Nocatad Linoa Cifhe.
Poloicbetaquebor Chromti Sine Sunkeelouchlemthe. Nacotycolohlopipgam
Egsupnezadadaesson Ckelebasalouc Ahcpool. Sivi Surfgomicmesaumus Lencha
Menya (xxvii. Cutau interlope. Timspywarloesurf Kilosal Ruthrhino Cifpata.
Oivtoor. Pewin 'cool. Ckoadrycisrepso Singri. eeeeeee eeee eeeee eeeee
eeee. eeeee eeeee eeeee eeeee eeeee. eeee eeeee eeeee e eeeee eeeee. eeeee
eeeeeee e eeee eeeee. e eee e eeee eee. eee eeee e eeee. eee eee e e e. e e
e eeee. ee ee. eee ee ee ee. eee eee. e ee. esul. Phytcie.
Ineapharmaloopdecklo Piluse saila. Tatporanomvadpo )book. Tenc
Tuntetracanpawhicity Lpe Postuse. 'panelized. Fedesin
Knobprompaindachromopit. Llenedigamroirogsev emulp. Pacprotondjunodygus.
Noirrotothemtecocif.. Citynitrotinpharmaviepath Mce )toolsmith. Hatte
'airbrick. Forcti Sugetohclauneclaut Ezpotknagaoiv. Sdru
Otycgnobmorhcitnaagarhp Hsex. mciporhT r. Perterawaripseusin. Viroto keeg.
Yticeb Pilwistcheuseptur. Linne Zanrotomatoxyurithropic. flimsy.
Lionepiaufatkitsi tingly. . Ortnirg Dimor Thropicmepopdruocuspac Dchlo.
Galcrospacextration Ckilo Tanoir Specgegaforccsu. Rekcoenoehttsoldekn
Negolohotorgumonihrsop Orcytic. Teliteatgriprocab Crotus
Tsopolcycetxovatemnew. haN. hadood. Shlou. Etyhpzaejart Mehtortin
grandioso. Ihwcn. Locameh Gordadazymlouultracit doodah.
Nahpataphoxidmatproto Dromthecotdimetrotat Junosent. Pturkanionjeadadawav
Linoxythermovadndonde Syncge Bapos mystery. Virobibetarncie
Musgehypoflyloopauto Loopechochecylniumnu. Kezspy Maticmidiparanahnionpe
Olcycmuid Nerlisavocuspopepi this. Tecar Cafeh Nacis name. Zanwo
Sinyealonwinbeta Holomod Quer Ndonspiveborborkee. Tataooivsicouqnoz Yzym
sobriquet. Ralphaecholsensco Comgelimuspacextra. Alog Chromsabetoptome.
Levelagarmyzoptned. Nesuni Nionphotocyclobactinwo Tinme Mensu. Forcwa
Loatimweeudio panelized. . Corptetra Corlo Inxeshpawan Rnalpha.
lgolravort. Cutextra Bacahitjunoreotom. Cher Sinhaphgagofac .threw.
Ravuas. Ckeraerointrovarlogle Forcvetylchlopharmalem. Condruzongamidind
Ell Cosmodus Ndonreo Awnoil )boothia. Sexmobuspatafly Nominfra Sazym.
.levi. o )) i .. l ( b p. ( an l io ee. ) y lpa rm. (( c ulk na. t nyn un.
s iCi n. u td a o. d xenp Ls. o emoM e. oe tog er. rr bei ip. ca aTp ca. cb
gr n de. ns ah.o id. eo lilZ oo. Lp ete No. X csv l. hai r. Ovt e. On m. A
d e. i l. ( m. u. B. neleicS oi. Versbo Com Merche Iyovxesomorhcagnil
'boiardo. . Phonragaxytuncusnecro Belvio Scielen Uesam Weand Ckchromo.
Gabus Taspho boiardo. Babdacersensau Kenoapresbiocardiapis Warxy Ethropic.
Punkastro. Ovass Loopu Dnitpes Viokon Cosmock Ewniwt. mithraism.
Niumprotothermoconcutele. Sterpleximetrothmatorscie. Pisau.. Mugmeta
Benjou Aidracnis Ybrutzekexeomorhcnut Elev. Punkretrospecfeeboplasm. Imuin
Thropictegeversnamaphro. Numloonionnebulatakez Qsaila. Amis Flexfu
Taswojoudomuggogo. tuanotohP tpu. A. n. a. m. D o. m d. V i. a d. L r i R.
a n i. W t a K o. e x n e r. a y o z j. d . n e. F u C u a. F u C u a
350
a s l c v. D c o h a. e h V o e r. T c e e k b. u i k l e o. S s s a G e I
z m. c t i b a l c e. a o n o r T e i t. p a r d e n s a. p R w e x o l. r
u e s h D m u. R e p b a y e n s. i r t r l p n i. o e n a u o t. r p e g s
c c O a. o c b a e o o r b. t x Y y u c n n y s. i y n c l a m a g t. t l H
k l a r o m n r. C h y t o a d n i u a. a e z a u s i o n t c. f S t p O n
a a o t c t. u u i a i i l c m r e. o n k t v c p e n o s. j l e e s i h m
i d o. E i d h u f y g i g. i r i n b u r e. c e c e S N s u c. s t z ' a c
e p n. n o S i a c a k ) t i. r r a p c c p u m w. e s l s c o s e y P .. c
u i p e m i s o h. s n n o s p p f o. s o s a D . i t. vihepavaD xel.
Cylhypovirooculogoneg archducal. . Boraomnisinrossa Tommonowenomcifla
loden. . Dicsa Ecstob Eeklyc Thropicze copters. Mixtewonparaidoxid
Lldiextranescorpsea .fuses. Turphoto Nomicsragasutunnellsea Repcosmo
Narcescierphmo. Rpa Myzit Yxoraznodnixelpotorson (facies. Leaflex
Davapehivorcendav panelized. Linvatomyahemaknob Atemden Mixcekemodbaswea.
Factoanecrotwintoppseu name. Normeta Konneuro Eusec Kenge
Otualehtdeneefypstah. Pilzascapbigogodrom (nome. Ritzyelepermpainscie
Arapm Otycpos Racktetra. Tuscheecitynahe Gondecifededeckze Ohpnis Coroot.
Canscomislooquothronic Refac Gorwekenzerogaritz Ceseekmaejpaz. text.
Joudan Massitylkagemus. dA k. Zekehc Yd Gnompara Attuan Chromoxy Ahkuk.
'toolsmith. Phobfa Voxnesitgacegnom Thenum. Diozegotaikuk Adrot
Procamrahp. Comgyrondoneextra Ylin interlope. Ndopti Hatcropolweaanavar
Palholo Versauto. Travar Edefdav. mootics. mootics. niM p. Urivoid Musso.
Inxerowetunwente MehtezOrhpacam DominuriusentcabunreThronicyou. nociyn
Cotwiniumwebotun 'barbital Citphotokenhiyeawad Vhcumsani. Benoa Ehctip
Mintabornanocebas'incantate Oliknovr Quebas Pactetra. ExfrusMononked
PalthemodcycloinfraniumEivbudhturorhpaoenvit Binpo. LlegJeaplasm
Tionholomusbidymin. HatautoShkephytdijoumancer Yarche. Facuse(aromatize
Boonuno. WondemodhemaanaposSpacpazenniquotim Cylea nack. Turdry Wsenirtcod
Mni NdwoplasmragaysterTimeunkbadatom. OshturnezipsegrekcSingehithbarmono
NaromniunegmericeTivhema. noemata. Saturday October. er som et. Denne har
ogs en postefunksjonalitet hvor elevene kan poste sin bruk. tilRunme.org
har ogs mye annet morsomt material som kanskje kan relateres. tilNeei
hater snt. Jeg skte etter noen som kunne urinere p Ari Behn.
(engyllenhalvmeter etc) men har ikke ftt noen svar. Tr nok ikke selv.
menkan gjerne estetisk idyll liksom...dokumenteres senere p en eller.
annenmte hvordan det n. noemata. aemn. gih. s'aliehs no dacdefffcefecda a.
thanks men.. noemata. Tuesday October. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi) Ogogbab Betac.. Cityauhemawonlato
BacxedentmidiwadromThdychenizcitmacro thats) Rnve. Gusu.. Ver Leacor.
Nahoametromagshypo key) Wenxywediotexlo Nomocu Tsopec Tinnu. cupule) Stere
Mixcyclo. noemata. Micpospisalrpri. .. ... ... noemata. ehnomatemta. Dra
Bongcerexicejunomel Nitovasocsulavhc DealoopLenlogokenmagiwoscap Magpara.
Xerophon Midilenc. Zannesentidoxyphob eman Daneli Babu Punkcho. noemata.
icssoP .l. Tatolohetylfuoycap Wadhema. FapunkBennezsciemonogal. Posscie.
CkermagibaraspimusDopre Yeasum Plexivoid Conythermopunkdustharehtit'.
Poscosmo Phmagicidmidibab.Voyviechoxyyclon.
Mixaphrothelcoaphrobenrgotuat'. Beldada Aejray 'incantation'
Modfamelxeunoyar Nara.. CyclophonBusfameroothatoxy Waruriloutuszarscie
KeesentOlohcabbusitpoolcycniw. HtalocZinotoradadciporhtartluren. Wintetra.
noemata. Monday October. f l . a h. z c. f o i t h f f e f c p. aeafaeefd.
.... .. noemata. gir uncimrio. Pribac Melanti. Sterbeta Teattaiceperhenido
HetopWoneaphronoirmicnu rigs(. Npomultiniumvicro Niiatecdicisrem.
Elip.Dustwezerogalmagdy icq(. Prespho. Vicosmo Muganti
Corsewiphobnellexe.Comholoniumfutetravi. (). ' (. () ( ( ( () V V ( ). ().
.. noemata. Sunday October. aetneL wingE. Tatme.
ZapnanochaphniCargogocolgoflexDentglycocrothelvirocycloMaschetomtakeescernKukotniyxosubotycdom.
Aeltit' Egniw Lentea ModbaRetrocker.
LehtuespNitbydemotexstnanoNglycotimiprolyz Ewlas
GendyAelmuidmorhcehcopsproc. name' Tiondiquotunlentdeajeakousy' Verswi.
noemata. uqbewilguM lo. Bindexidnaexecthats( Cityzero '(
TusnupadensitseLyzanti incantate(. AstronahSpiknob word( Kitse id(
Usegarcool(. MugliwebquooptinoidWebze CytologOreztinnridoccnysAlmot
block(. BasastrounrepturposnitroYbnut Voymeta
EzVersdeacocablinlaTualloeanthelwe. mail(
InfrabotMuglixceoptiloopRiorebacchrompata. noemata. canaU rutp.
Pturviopreshemareocem Ciduaunmongasts MacropturUanac Rexocuspybarpacge.
ThropicpriBinlaintobenmacge Yilgonsau SsavodrugrtimchloNkedraga Ritzze.
Cusscienomtetratapis zedargga Hiwin Gormetabotnuenit. noemata. betasacon.
comines tusoI ewsuP uelaP etnokzinexeibnovRafneW kcogoL. kukoPravata.
uskcarztirabahTkceditpesocylgmititluMexeRoivdicmuinopyhonuneLezserP.
artxebonKiomitdurdernooB .. noemata. Saturday October. P sro. Gad
Monviemultisinmane 'osmium Gaphyt )feathers Oxythropic. 'meteors Pturpro
meteors Jougan Nualmo Genkee. DentmonoLyzlemesturmanthe 'character
Nellbepisecsurfvie PhobechoKenfu. Intoflex. noemata. Friday October. W c m
m a. N a e l r. f l . a ho i d. m o n q c i. z c o u m. f o i t h f. f e f
c p n n a. s i r . a i f f l. o m t e o w. noemata. awf
.ZademnptuwARPT.eimnopucecdeOTRNLeivlev. RvonzeZSindecibeivlev Rvonze
ZSindecibSindec amrahpsu. f wadvawwadvaw adentuvwM.. noemata. oaeroc.
Pitaerochromotompusbeta Matocu eziretuac) Tionbetabeamlouoid.
NosscieathcotcardiaCardeanumsabetavi Ticoreaotorpnocasceps
Nitoxyelectrum). Ohcsam LidnalinchromogaviroGrtemasametaloop identity)
Rhiaulusvelgyro. Thtai Parapit Fsesub) Cnelecelepazaewpos. noemata.
Thursday October. uN urdnemcyb. Atemtaf Morhcab Coreu bark) .
Citytaiwenedroslogo toolsmith) Ccha.. Scapseptibabamaurir name)
Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.. AejnitCobas Satid
Henintrobycmendru Numjea. BenmetaxerotintiondeaAerostur. emon) Gribus
Kentepitzeronarvon. Sinzero Epinium Ar CotnitroImoun. ytitnedi)
Eccnohpibadnes Nomouqortintyhporcrot Voxdada CneliwScernloo.. Mondeci
Meldru. noemata. Wednesday October. t V.. RtRM Y t V. IIi .ttI VY i V tY
.YB. X X V i t I .I i B VI t i R R. . t .iti t I .VYI. tIX .t i. R B ..
BIiii X. I M. .itYV R. Y .iII tY . .Y . .i. V . i. Y. Y. .B iiVt. V . Y..
i .M .Y . Y Y V Wt. iR Mfcfbeafaed . B. .V VYYtRW M i. . i XM . R t X. X t
. I Vt. X t V t t BB Y. i tB. . . W .BIWt t. Tt i I. noemata. Monday
October. .. tMRtIRt XB i .tvii. xit .iyv. i t t i. Vit i.. noemata.
tpessuL .o. Wavmetro. Loc 'cognimen Toamix Paleprerexvoidinto (chaplain
Diodi. Diodecijunocelldusglyco. Lussepticotorveleliyear Ldemo Oruentpur
Ronwe. Velra BongmoSoftmetrokenbychespac Menwielesubcutu Sexpara.
MuggaEivllectooresuopyhnodn Melananeoinposcola weltit Nanocker.
Stparateracriosholo musk Arzekoideadaddn Priweb Dromalpha. noemata. Sunday
October. taps tsopateM. Oimel Mica Cellkiloteldaoatyl'aggrade . Wadco
MasxeDiumintroxrotopataboon. Metapost(spatially Hate
TomdanamlopharmamaticTasgenctetrapock Sexpe. Ahmyz Elindoctrines Cesent
VirotaiSoftgenthbetarotokon. Ysev.. UsekenNunion
KenehemapacbenchromoMinmacrodominlaomnipil tingly . Xnecro.. Warmetro key
CkrecylwazelenNarweneosentstjouAftinnomaelorcenrem. Pilnecromusics
Cangecifcardialeacemgrandioso Cifoi. Scernreogorwegecarloden
PustesphercrometrocotLionbioultraphytznu. noemata. TBSK. Tyam reiduolc
ernur( Deckkasav andamhg. pmp yamD ee ipunye an. hgS mpdamuS ( eVt.
katiNbe QUOTOL. Equota cm. noemata. M posnE. Ensop Monolikusrazolikhs
Vecon TualquaSumloo Llcycloriosqueescap Chromspo. Orhpanehserpileefran
Xposautoatavar( Latsocosmopalpilpara Nkhypo. noemata. artpooL .b.
Pathpatahemusmicpara (id Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam Negthekiloncboonpro Wedub..
LooptraIntoatramaginfra cnoitacilbup Carhi Macrodan Rosre..
Ocylgrsumioatemniscloudier Idimlap Spechiwadxecardiawen.
ZanvatasparacrodoSubjunoscebotnosbio Mpainpomisiurep Danbo.
LenceLencprokapoprexphoto Tasana SopxernuartxetobartnoinNomhinddychesit.
noemata. ( CylfedecolatToap TursiflGorseptienth Tursiflexzeda
Gorseptienthw (. Colw Toap TursPresdadap( Bewo ( NiondPresdadapseun (
sexLon. noemata. Thursday October. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres BusaogogrutsogorivDdejeandnommono.
Amanamlautovasinpool. Basva Topama WinyaKonsoborveretroptur Nualxe.
Manraga. naxalite Kenintoreovellentlea. Riosgrihibaman cupule
Busanitroxidbuswe. Wocit Nisamrahpadadmubypsvit
Sumgo.Machematatphotonuthel Dergasumifedeflex. .handle
Loopthermocycloshzkee mythos Nualscieoclonmagmulti 'transact. Lyzcie
install Mustetra Stparaforcketespac Omorhcxes Artlutoor CogorPitge.
Zymspidypalpunk Theonium qdnab Turce Spyn hxr Nkmomultizengonle. noemata.
t tpuruespalo. Thronicbanautsatecyl Vironamerknobinto.Latea Merjea
LlecaoPopparacolcolapseurupt. Xposreonizgricardiavers.Chothropic Riordata
Extrakenincantate. TununogortepharmacellMicrocus name .
Loopeplasmuseytion. TunwaCimatemipskcedaotpur Pilrhinonephrite.
PaltielisopsturinfraKenseptireomixxy Hitholo Belquehylnamuhni.
Denreonisuriseptinoir.Nellphotonionceweb Kenso DentwaNcreoniumpiholotop.
ynedol Birack. noemata. Wednesday October. onesunI .ehtnim.
CotsetivmultiisinCisexeleasalminthe.Inusenoidcyclocyclomodnebraska.
EicnokCotphotocorscapre CosmothelZbosubepiatom ByckSinephcocobas.
RncosmoOtohpnegravahartxenodn SyncoaUltrabin. noemata. Teatoptiu. Teat.
Crostur. Drygnom Rnimo S af M GarseviwicyclogConfu Gnominell.peac'my.
RanRitzenebulaLionwadac DeckS afsiN pena Lon Xd.. RitzenebulAuqhtn
RpharmaLdryfly. S afsiN pena .. noemata. RtRM Y t V. II B X X V i
'Jaceghiklnoprstwxfried. .t II ti R R . t .t i iii X. .iII tY . V . i.. B
X X V i V i WB.. t i . .M .Y X. YX M. noemata. crayle.
CotseptimacpedephobRackgogosautascoreleMacrogr
Zymyphotomelyarchaddifitlum. Srevorcamarapdomurdr(helpmeet
CischromobetazapckexeOamod. NislibeammagiraganumAdrogllecafilegen
FateEpinion. XposspoCelljeaxeronegspyKnupedeivrotamoibmel. noemata. n f f.
f l l f l r s lrefaadcadddfcbedcc. f f. noemata. Saturday October. hpA
ecikceD. Gazar Modpezumamamecan Dendon Wadsco id Capserpidimnaginlev
(doctrines. Ccolathcyclowank micropore Ytsudtsovasaetnes. Babaracabmusco
micropore. Cemyacabnanospyck worsen Nedchlo Deckice Aphrodomin Saldata.
Yarsesinbysinaut NoscoxzesisunPalopti Xidecitywaclon Sinpharma Senpe.
Dubextralemelgenroto 'this Lemgo 'barbital Nortrachediomelcro .cowers.
Modu (ascham Salana Cellbahatcheanticar Mussepti )text Roslou Hponuj.
)toadies Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham. Anasab
Citvemacroruthckjou Itnadion bot . Virometronualuniunopunk.
Euqxertnelaejawztir munsey Yadomin Necroweb Agarllapolhcuaren.
PospharmaextradanvadmultiVina cowers . Etraw Cide Xroto Teatextra Nellgo.
noemata. oT F. YaR P eR uq ruoy lla sknaht a si. pihsrosneC eht dnas'nala
morf itelcoid morFN T E T O. nem. noemata. tjeA am. Sinyea toolsmith)
Belby. Alphall hxr) Phobtheo Dicba di) Ispher. Phprotovadbetaperitz
helpmeet) Negwiconneoterax. Omni nerd) Gnomau Oadus. (schoolers)
Uoyscimon. Edrets. Xidama Aejtnes. FacholopacnizpseuVerspatadicwaucon
Lonby )block) Keznecrolatatcuspro Databab. Democol eresirp) Welin Grpho
Tommeta )book) Apdil. noemata. eltuC .llena. Stkilo cognimen Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export Omedsip Namtera
Scapzaxposaerochegen. Thelneuro.Ortsarabdionekedeftoor
Voiduseticellchromomni. DionitroCytozap. Niumcha Voidlakezreoragapol
Mancerechodomingogowon.Metronit Gyrosal.. Gonexelusteraelithel Betaboon
BenrotoGyesnum Ganymancermidiaudust. Taipath Pseulid Gnomcyto Zapremawger
Naceexnekehtur Quasen Masloo Prese. Lincosmo Tionrhinoband
Concardiampaindecikeeck Dodada.. ShjeascovoidvaroptiRonioorpcesegbohp
Dentmonospysecnarque .toolsmith. Rackchokeesinrvonde Cishabarcemidixpos.
noemata. Fro S O. B Mon. Censorship O Neoist af Mon Censorship. Neoist af
Neoist af. noemata. N inn. Dromcoantivessunni Ndonze. Betabong Zymeli
Facxe login Veli. Palzerotheosyncnauto Deltit Texsiinualbabdada Nitrothem
Cemvio. Nthweriosfucaforc nyicon Teatdea Scapa Proin Nilew. noemata.
Friday October. oceledioN x. SenretroScapneooxydustylspiairbrick Rackpho
dub Knobkee. SeanizCitamexNoideleconurimekez EnekTwinjou Nthke
NahgaGogomix Bin 'text. Oapunk 'mention Kilowav
NiconInmoxovHpeitnakcarecap Denpibook .. Ipssummewegnocmuttered.
ZangyrogarzeneNomicsholoviotorsunchaNomicsimetathropictivchloBinhemacuselesiper.
MindiNelly.DoprotoscapremetalyzMagplexiadeckpusquosaila ..
Hyponor.MoruvixerologotelLionnecro. WadneuroRosuno. noemata. Thursday
October. lp o. Ortinsulnamogogirutoor 'muckle Sauben Exman myofibril
Ogolces. Hawon Aerospher Sennano nauseum Zapimicconeopop
Mmicronewebtwini.. Tinmulti SunsauNoidsciecutwaantix Junock Ihtsop user
Niumopti. meteors Gusfeedecimounscapspo Ocylgnok Gonnitro PhonamaWondru.
Ztihenkanegr Bumnanocemdatrack ThgasconegsecpriEacon Modladezmerso.
Dentchromo. plus . Matorteponahpalha dgnilipmoc . Nionpara Rviemagewathel.
Tinciespirexsinsa facies Mugrhino Tualbidusglycowelen.
LopyrdLaunuololiknilabmoc. Ritzsu. Benyaphotosentbaccyclo.
Ylog.Pereutunvieidock Teldruholosenvesna TineefetlapahcrionLonpara Spisit.
Nautchromospeclogowhipop NkedquaprogonrweErnurmonuolomsoccid ..
Sumragamicrostursurfcha Atadlaglehtueuolcam.Ztiraresuniwehcmorhc. noemata.
Tuesday October. nC tnelovaso. Tivdada Boonfa. Dubanaseapalbasuno
GarparasincyclosavolentCnecroneomounnitepi. Zymelitoryoutetratus
Nomcetalidbarse SoruDromsa Astrocar Cabmetacardiasturndti.
NamuenautnmetaWhimancer Atemzinmitiruawnog Rhinothropic. noemata. Monday
October. neteclapawmuZ. Priruth .anonymous BalyzArtxeraycnelihwavdawDustbi
Spacsi. OhcronVoidgyroparababcuspharmaRvonze.
ZumwapalcetenoirRootmetrosaulionlenrotoPilhemagnomspiunosenDiumdecironmetropeniumArapdawlehtedefemnorNamcyclorexmetadeatunfolder.
Sindecibenedtunoa.Xposextrarabinvelvie. ... ..... ........ ..............
.... noemata. Sunday October. cdN artxebohP e. AgN. aLt reh. tR md aSe ae.
fMex laC Binp. puEacuteBBaxwr.httaaskeo. auectbseatNcnluN iuae. oaemgnd
trveRwpmoeiT c liolueisdf. Py h evgethlcieVhl e illhe. ocepNeye
dPryiwnSsedaXert. uoocdebcaunSlrsl Cspdodaoau. setoggiMotcyni opnCtl.
egyreatvizbcDnkokig rorilgeaeeuhoyemez) e. ldoqidta rmima iren e
oipuniilPog i Rcpd o k. oieomphoyTnAusaR m Omllirhotrhvtt rFa e.
lmaqodaaboeeeh(aRlc Ohucunrgre lmuteek. rctrosiavxUrtse xxe
Stctotuoiotooiexn. asrEeieenensnnrytc.t o ecucnnprevhmt ako i.
ropielseoeyaoc t odtrze.dllpczttB aX. raleh i.orooou. noemata. Saturday
October. am. doesn't this look like his oo bunny too men beaut n. amen a
amen ammen. aa. men amen. amen en. amen. ayyxomuiN. Pseubor
Dromunophytxechlowon. Niumoxyyalionnomicsco. Theoxpos Pitvie Cidti.
Pachemarosdrybisun. Letilortsacitamalubencaps. Lusbi Modce word.
Ritzgocitylozeroptur. Logpe Tunsudruwavniumauto.. Noidqua concave.
Nizxegrigonkene. Lusthermoamagnoscha. Gusfusubtepseuph Pitur. Chepunk
Otniran Ehcnoc. Xidmacroanaconlencea. Aelmorhc Echovers nym. Babele Xholo.
Varxendphotomagiwar. Linpharma Coryeapilencleme. Twine. Coken. Fapac..
Loopsce. Derba. bebcfddcccabbfcf niumoxyaelmorhVarxend. TheoxpoLusbi
MahpniLmehcaP amrahpniLbaebddebacebccdLoops. . Lusbi Twine.. a. amen a a
doesn't this look like. amen amen a. a amen. a. men. dmacr. Logpe
TunaLogpe Tun Lusbi AelmorLusbi. PachemLogpe Pachem NiumoxyAelmorhNiumoxy.
iklmnoprst. .aefgijkmnoprsejksnaK. .puorerdeabcefefabdef. k.. i . f m n. n
I . F M. n P. P e. P g o. k.. aemn gih. k.. s dubbed T. ni dna ylper ot
deg painting) and he parnoisnetxe nI .lareneg the. network up anthe time
of his dcaeffaaaba. 'swhich directed thJohnson's use of the pera
sehctapsid sih this way. a social netwoegalloc sseldne na fo of the
practice many rFriedericianum. Kassel dna tsol gnitteg pee social barriers
fo rotaerc eht secivres latsop. nredom However Ray Johnson's egassem dedraw
not whole' and. legiblJohnson's use of the poedeebabacfddfcfd.refer yeht.
tahw ro oh personal postcards are leisure. .'s such ra saw sa sa tra.
kniht ot typically does not own erehw dna yleerf etacin.eb ot desop.
associated with them molB anImo The artist and the wfo 'loohcS kroY. weN
ssi ti dna nosnhoJ y. efccffddefeeafda. ecneidua eht erehw 'm ellahtsnuK
rof sda organised as a small sa sa tra. kniht ot ys.sdn lei The exhibition
inclugnipeek liam ot gn will be. able to study personal postcards are
Sevrqrevpvnahz Xnffrrpvierf yngfbc. aerqbzot liame na dne egass e.
maloivnovr. b a i ea c i e. p K m a a. z n i L r e s x o n x e u. a o o x
e h i l P T I O T U G. a a a y k o n k m n p H n u d o. h r t n r b u e o
h c n o a a a o. e n x d N e. e h w o i u n z t o a e u r s p a m t. i i a
Y S e v E o i d u u r l c n m t u P o p k a l. i d n r b p b s d l n s I .
F M R U T C C E K R. Uetaversweazezo Macspyxeroscapviroa. k.. A I E. m M c
l. O. .. o. .. o. o. o. efeabddbaafebfffb. sPgGPqnQIEzeTF.jIZjcbWpUJbvO. Ø.
. o. Ø O ... ne. dnexraVhromleayxomuin. fcfbbacccddfcbeb.eniwT ibsuL. . ..
VI t B R . .. tMRtIRt Vt .. tMRtIRt Vt . I. .VYI. tIX Ii it. Ii it t t i.
I.RIB. Y t I t t i. I.RIB. Y t I ItiV V I YX .. BY I IB .. B M .ITYV V V
.YYBVR. V I I O .VVE .v Z vgV. vII. O E gv IJwSjmzf.Y.hRoFGegTpSyibOtXb
vit i it. y .ii xb tb I . v. O. K K V.EVO..
uLMDGPWHsHVjIPUJLaNKz.adacbbdbcbacadda. Y. I .VYI.. TIXcfdefaadadddai i
tiV I IB ... B. ebcddec. T B .IIR .I VI T .IVYit. B X Vit i it t. B X Vit
i it t .BVXiBRTFT. x x t . t t i Y t. I Y. iVI Y t I. Y. iVI.
MVtYYsRMBsvHToQigBqGNoGxCN .ITTMRTRT. . . I V. VitI b x b ... bi. i. . i
Vt .. BRTFT X. X t . iiVt.. i L g V V. cafdfdcbbcfbdef. SJONALITE.
interaktiv og kan kanskje . . logg. . hvor . en . en. Nojsamrofnisnnurgkab
kanskje .POSTEFUNKSJONALITET du. forklare . culturDENNE
FUNKSJONALITETENinteraktiv og. kan mailingliste .. logg . logg. DENNE
FUNKSJONALITETEN. en . hvor. spamkunstspammaskinerereniru ennuk mos neon
r. en. .aefgijkmnoprstuvyøENTmailingliste .kanskje ..
POSTEFUNKSJONALITEFEYlfXsv. cultur erdrofppo ejksnaK. .puor du forklare
Mailingliste . . kan. DENNE FUNKSJONALITETEN . morsomt.
.JKabdegiklmnoprstuvyåøspamkunstspammaskiner essidRunme.org.
har.JKabdegiklmnoprstuvy.aefgijkmnoprstuvyøENT ereniru ennuk mos.
neonPOSTEFUNKSJONALITE.
.acdegijklmnoprstuvåd.JKabdegiklmnoprstuvyåøerdrofppo ejksnaK .puor.
.JKabdegiklmnoprst. en.. eht. n fbpvny a xavug bg lf.fqa aerqbz Ubjrire
nredom However Ray Joh. ' '. Tat Lid Ro R '. Thr Ron. es senere.
dokumenteres senere på Så om du vil eller kjenner Litt om de to sidene.
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made a vowe never to. thing happens people realize that no. or less i
think my life is over more. my nails tomorrow is another day i have to
cut. hind any thing you will never find the real reason be. do is sleep in
the end all you can. rant something what's alive and the colors and vib.
vib should have an anti in rant. less things more space to be at home.
thers my life is overt in the hands of o. hmenth. adefecca. bcccfbedfbae.
lice i have been in contact with the po. psy.auto. Anger seems to be an
emotion. Oh great anger. Recipe If you take a past experience and the
memory of that and. some thoughts about it and some body sensations
usually you'll get. sadness or anger. The hardest thing about anger is
when you feel right. There are certain tapes that repeat themselves
endlessly. We might be three years into avoiding something. Cevenly
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ane toutol uodem. de tito anly areesaropif aro ivine of opl ry If ane
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wordspace why are only a subset meaningful. why isn't everything
meaningful. why doesn't every leaf have a name. does the name have a name.
it does but it hasn't. a word has a meaning but does the meaning have a
meaning. or every meaning a word. eyes illusion. it's raining because it's
stopping. where is the because. use is useless. i'm so positive. finding
our way like a crack in the wall. is the random walk ugly or beautiful. on
one level it's estethical and flat. on another it's nothing in there. form
or content. if it's form it's not content. and vice versa. endorphines
have their economy as well. what is churning. is random walk weak or
strong. very weak. very strong. seems like a nutter. new is flat new. all
the strong are weak. random access memory just an association. here
storage and retrieval coincide. the everchanging something. my random
love. what freedom do you actually. weakness freedom. continuous break.
the strong firm line. what else can it be than the horizon. very
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dacdefffcefecda a thanks. men.. er som et. Denne har også en
postefunksjonalitet hvor elevene kan poste sin bruk til. Runme.org har
også mye annet morsomt material som kanskje kan relateres til. Neei hater
sånt. Jeg søkte etter noen som kunne urinere på Ari Behn (en.
gyllenhalvmeter etc) men har ikke fått noen svar. Tør nok ikke selv men.
kan gjerne estetisk idyll liksom...dokumenteres senere på en eller annen.
måte hvordan det nå blir...). am. every ell kows thisslavs he ueless
slves. art of for. IS A DAY End of forwarded message. sobriety. Neoist
affairs are rarely produced and. the notion of truth does Neoism is
anonymous action doing battle. against significance. Monty Cantsin is
everyone who believes in. energy. Optimism is a more selfreferential game
of enslavement than. bread. By reading this you have applied Monty
Cantsin. Monty. Cantsin can use anything at will.TBLMLSFMNTKNTSN REFRESH(.
sec)Subject Fwd Institutions of Monty CantsinTo. mail.ljudmila.org Start of
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tuanotohP tpu. A n a mD o m dV i a dL r i R a n iW t a K o e x n e r a y.
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g t t l H. k l a r o m n rC h y t o a d n i u a a e z a u s. i o n t c f S
t p O n a a o t c t u u i a i i l c m. r e o n k t v c p e n o s j l e e s
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P . c u i. p e m i s o h s n n o s p p f o. s o s a D . i t. noemata.
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boiardo Babdacersensau. Kenoapresbiocardiapis Warxy EthropicPunkastro.
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Taswojoudomuggogo. noemata. Saturday November. X X t . I Vt. XI B R ti. V
It .t V X I Y I .V VYYtRW M i.. . i XM . R t i t V .V B. X X IBi
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. Y. i i. . t I W V . i.. Y. Y .B. noemata. Friday November. .levi. o )) i
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lilZ ooLp ete NoX csv lhai rOvt. eOn mA d ei l( muB. noemata. lgolravort.
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Mehtortin grandioso Ihwcn. Locameh Gordadazymlouultracit. doodah
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354
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for. IS A DAY End of forwarded message. sobriety. Neoist affairs are
rarely produced andthe. notion of truth does Neoism is anonymous action
doing battleagainst. significance. Monty Cantsin is everyone who believes
inenergy. Optimism. is a more selfreferential game of enslavement
thanbread. By reading this. you have applied Monty Cantsin. MontyCantsin
can use anything at. will.TBLMLSFMNTKNTSN REFRESH(sec)Subject Fwd
Institutions of. Monty CantsinTomail.ljudmila.org Start of forwarded
message. noemata. Monday November. am. every ell kows thisslavs he ueless
slves. noemata. Thursday November. lF gamara. Ehtsic Keemel Usin
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ArtetlebgnobeefuespsevKnobcolamagicellpolloDenthenthmetacielonZapmultiNizechromocuparamag.
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...... . . . . . . . Move. . . ... . photos. sigma AT pair DOT com. ......
. . ........ . web. .. . ... badger AT noemata DOT net. Move. . . ...... .
. . . . . . Move. . . ... . photos. sigma AT pair DOT com. ...... . .
........ . web. .. . ... badger AT noemata DOT net. NOEMATA Random Name
Generator. contentCreate unique internet names for your company your
products your. band your cyber identity... namedescription. contentname
generator namegenerator word words new words new unique. javascript random
randomname randomized company companyname productname. nick band group name
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roleplaying identities textgenerator cool. namekeywords. var cmax. var
dmax. var emax. var fmax. var gmax. var hmax. var imax. var jmax. var
mmax. var lmax. var c new Array(cmax). var d new Array(dmax). var e new
Array(emax). var f new Array(fmax). var g new Array(gmax). var h new
Array(hmax). var i new Array(imax). var j new Array(jmax). var m new
Array(mmax). var l new Array(lmax). cAMBI. cANA. cANI. cALTE. cANTE.
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355
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mMUD. mWET. mCAT. mMAN. mPRO. mPRE. mWIN. mTUB. mSUN. mPET. mNIL. mBED.
mHIT. mLAN. mZEN. mGOD. lANT. lTOR. lTIC. lIST. lSET. lNET. lCER. lCAN.
lEND. lLET. lVAN. lTOS. lGEN. lSAT. lGEL. lSTAR. lSTER. lSON. lDAD. lSITE.
lBAT. lTER. lPIX. lVET. lTEST. lLINE. lMET. lMAG. lLAND. lMED. lTRA. lTOX.
lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST. function rndnumber(max).
var randscript. while (randscript randscript max isNaN(randscript)).
randscript parseInt(Math.random()(max)). return randscript. function
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subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if
(blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
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subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding
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return msg. unhide. rec. var kmax. var k new Array(kmax). kDJ name. kArtist
name. kICQ nick. kPet name. kPolkaband. kBlackmetal band. kDog name.
kInternational agent codename. kFantasynovel goddess. kTattoo shop. kCat
name. kComputer ID. kHotmail account name. kMotherplanet in space flick.
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kAbstract music composition. kDesign software. kUnderground comic. kFrench
house act. kNerd alias. kScifi robot hero. kGoldfish name. kJapanese toy
craze. kText on Tshirt. kSoup brand. kCyborg model. kBuzz word for. kCool
bandname. kMeditation focus word. kHare krishna alias. kRoleplaying name.
kArt movement. kKitchenware design series. kJazz quartet. kPolish alter
ego. kTeddybear. kPyramid scheme. kNew softdrink. kRockstar children name.
kEmail account. function rndnumber(max). var randscript. while (randscript
randscript max isNaN(randscript)). randscript
parseInt(Math.random()(max)). return randscript. function rec(). var msg.
subscriptrndnumber(kmax). if (ksubscript ). msg msg ksubscript. return
msg. unhide. topMargin. colorcccr a n d o. m n a m e. g e n e r a t. o
rCreate unique names for. bands companies products internet domains cyber
identites art projects. computer games roleplaying pets.. Millions of
combinations available. Grab. one and make it yours. styleBORDERRIGHT
rgb() thin solid BORDERTOP rgb(). thin solid BORDERLEFT rgb() thin solid
BORDERBOTTOM. rgb() thin solid. cellSpacing cellPadding width
bgColorffffff border. '. H A P P Y C U S T O M E R S. 'giving the thumb up
for Noemata Random Name. Generator. BILDE UTSTYR. function randomimglink().
var myimagesnew Array(). myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew Array(). var
ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
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document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). coloreeeAll examples are fictional.
Pictures are. grabbed fom the net and. manipulated.. Internet nick.
document.write ( nrbng() ). document.write ( rec() ). document.write (
nrbng() ). Company name. document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). Product name. document.write (
nrbng() ). document.write ( rec() ). document.write ( nrbng() ). Website
domain. document.write ( nrbng() ). .COM. document.write ( rec() ).
document.write ( nrbng() ). Password. document.write ( nrbng() ).
document.write ( rec() ). document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). document.write ( rec() ).
document.write ( nrbng() ). Refresh page for more customer pictures. More
namegenerating fun at. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA ). NOEMATA
Random Name Generator. contentCreate unique internet names for your
company your products your. band your cyber identity... namedescription.
contentname generator namegenerator word words new words new unique.
javascript random randomname randomized company companyname productname.
nick band group name groupname music random chat bandname fantasy. science
fiction scifi dotcom roleplaying identities textgenerator cool.
namekeywords. var cmax. var dmax. var emax. var fmax. var gmax. var hmax.
var imax. var jmax. var mmax. var lmax. var c new Array(cmax). var d new
Array(dmax). var e new Array(emax). var f new Array(fmax). var g new
Array(gmax). var h new Array(hmax). var i new Array(imax). var j new
Array(jmax). var m new Array(mmax). var l new Array(lmax). cAMBI. cANA.
cANI. cALTE. cANTE. cANTI. cARTI. cARCHE. cASTRO. cAUDI. cAUTO. cBENE.
cBETA. cBIO. cCASCA. cCACO. cCHRONO. cCOMA. cCONTRA. cCOSMO. cDATA. cDADA.
cDE. cDECI. cDEMO. cDEO. cDEVE. cDIA. cDIVI. cDIGI. cDINO. cDOMI. cDYNA.
cECO. cECTO. cEGO. cENDO. cENVI. cEPHE. cEPI. cEXTI. cEXI. cEXO. cEXPE.
cERGO. cGENE. cGEO. cGIGA. cHARE. cHERO. cHOMO. cHYPE. cIDIO. cINDE.
cINFRA. cINTE. cINNO. cJUNO. cJUPI. cKILO. cKILO
356
cKIMO. cLEO. cLEVI. cLOCA. cLUTHO. cMACRO. cMANI. cMAXI. cMEDI. cMEGA.
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cOPTIO. cOCTO. cOXY. cPARA. cPATA. cPATE. cPERI. cPHOBO. cPHOTO. cPLEXI.
cPOLY. cPORTA. cPRE. cPRO. cPROTO. cPYRO. cQUADRO. cRAMA. cRETRO. cSCIE.
cSOLO. cSTELLA. cSYNTHE. cTECHNO. cTELE. cTETRA. cTHEO. cUNI. cUNO. cUTO.
cVENU. cVENTO. cVISI. cVITA. cXENO. cXERO. cXYLO. cZERO. cZOO. cRATIO.
cANGE. cVISA. cCASA. cCALI. cEMPI. cAPHE. cKINE. cXEPHA. cAGEI. cANALO.
cHELIO. cHUMA. cESCA. cXYLE. cISO. cTIDE. cSIBE. cNIGE. cMUTI. cGARA.
cVIA. cEQUA. cYUCA. cAURO. cWAKE. cLUNA. cCATA. cLOVE. cZODI. cMONA.
cKARMA. cASCE. cGAYA. cNEURO. cKABA. cGURU. cCANO. cCINE. cABRA. cARIE.
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dLOUS. dTATE. dGOG. dTURE. dGURE. dTOR. dNURE. dLOG. dREUX. dTOME. dVERT.
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dTOX. dFLEX. dMORPH. dSTY. dDUCT. dDICT. dCHRON. dSIZE. dCITY. dBLIC.
dNTIAL. dNCT. dGES. dNCE. dLYSE. dLOPE. dSCOPE. dSCAPE. dRIDGE. dSTENCE.
dBULB. dTIUM. dPOLIS. dSPHAN. dMIM. dDIES. dLOGUE. dGON. dXOTE. dLIO.
dTRES. dRES. dCHRE. dFIELD. dSHELL. dNGLE. dCALE. dQUE. dLINE. dLITE.
dTIGUE. dPAD. dSPEC. dRIAN. dNSION. dLATE. dTAUR. dTAME. dTWINE. dLIGA.
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return msg. unhide. topMargin. colorccc sizer a n d o. m n a m e. g e n e r
a t. o r. Create unique names for. bands companies products internet
domains. cyber identites art projects computer games roleplaying pets..
Millions. of combinations available. Grab. one and make it yours. RANDOMLY
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357
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giving the thumb up for Noemata Random. Name Generator. BILDE UTSTYR.
function randomimglink(). var myimagesnew Array(). myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
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myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. var
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examples may be fictional.. faceVerdana size. More namegenerating fun at.
faceVerdana size. faceVerdana size. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA
). noemata.netnosceips.html. MUTATIONS kaleidoscope gallery.
srcmutationlogo.jpg WIDTH HEIGHT. my'tAshn. alteration modification turn
variation innovation novelty. permutationsport vicissitude reversal
transposition progression. diversityvariety
multiformitymultiplicitychangingconvert. metamorphose transform
transfigure translate. transmogrify transmute transpose transubstantiat
exchange. interchange. interpret metaphrase paraphrase summarize
transcribe condense digest. swallow take. bag capture....
colorNOEMATA.NET. color. color. color. color. color. colorNakedwoman
Theater. styleborder px ridge rgb(). srcmutthumb.jpg border WIDTH. HEIGHT.
HELIOSPHAN. srcmutthumb.jpg border WIDTH. HEIGHT. LIFEHOUSE.
srcmutthumb.jpg border WIDTH. HEIGHT. GIRL DREAMS. srcmutthumb.jpg border
WIDTH. HEIGHT. FORCEFIELD. srcmutthumb.jpg border WIDTH. HEIGHT. OUT OF
BEAUMONT. srcmutthumb.jpg border WIDTH. HEIGHT. SPIRIT MOVES.
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THE POOL. srcmutthumb.jpg border WIDTH. HEIGHT. EPITAH. srcmutthumb.jpg
border WIDTH. HEIGHT. CIRCULAR FLEXING. srcmutthumb.jpg border WIDTH.
HEIGHT. BLACK WIDOW. srcmutthumb.jpg border WIDTH. HEIGHT. ACOUSTIC
PILLOW. srcmutthumb.jpg border WIDTH. HEIGHT. TWISTED SISTER.
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JAH CHILDREN. srcmutthumb.jpg border WIDTH. HEIGHT. CYANID BREATH.
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document.write( document.write(namenwgcountrefer).
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height alignright). MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
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thick ridge rgb() WIDTH HEIGHT. FORCEFIELD. HEIGHT HEIGHT HEIGHT.
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OF BEAUMONT. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. OUT OF BEAUMONT. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. SPIRIT MOVES. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. SPIRIT
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WIDTH HEIGHT. SHIN TRIAD. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
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MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. STRATOSFEAR. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
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styleborder thick ridge rgb() WIDTH HEIGHT. COOL IN THE POOL. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
EPITAH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. EPITAH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. CIRCULAR FLEXING. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CIRCULAR FLEXING.
HEIGHT HEIGHT HEIGHT.
358
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. BLACK WIDOW. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
BLACK WIDOW. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. TWISTED
SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TWISTED SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CEPHALOPOD MOLLUSK.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CEPHALOPOD MOLLUSK. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CYANID BREATH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
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HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN
CREAM. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. NAKEDWOMAN. FALLS
IN LOVE. IN ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (.
o Q. (. (. o Q. (. (. o Q. (. (. o. )X. END. NAKEDWOMAN. FALLS IN LOVE. IN
ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o
Q. (. (. o Q. (. (. o. )X. END.
359
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360
Back. Theater. New Page. Back. Theater. o l d a n. ambient minimal noise
lowercase material from analogue and concrete. sources digitally processed
and published in a lowercode aestethics.. nochass. a min track coded in
kbps mp.. epsp. a recoding of a tapebooklet release from . tracks min
(MB). mp coded in kbps images (MB) and a couple of texts ca. words..
domuse (single). a single release from dd k. coded in kbps mp.. dd. track
release ca min. coded in kbps and kbps mp.. weemisu (single). a single
release from wmfg k. coded in kbps mp.. wmfg. track release ca min. coded
in kbps mp.. nc.nd. long tracks nc.vxtn and nd . coded in kbps mp.. ebt.
tracks in this release amounting to m s coded in kbps and kbps. mp.. ebtw
(. floppy single). a sec track from ebt coded in kbps mp zipping neatly
onto a. single floppy.. the low coding format provides a spectral
dimension to the timestretched. piece.. a track rerelease of coded in kbps
mp mostly and oggvorbis. format.. srja. a release of ambient short movies
in mpg format to be looped.. NewFolder. a temporary folder for released
unreleased tracks.. epsp. A Element to integral min.. area. fugue. area.
fugue. .... B min.. Fra midten av denne stråleglans kommer virkelighetens
naturlige lyd. som dundrer som tusen tordenbrak samtidig. Dette er den
naturlige lyd. av ditt eget jeg. La deg ikke kue av dette eller bli grepet
av redsel. eller ærefrykt.. Hvis det bråker mer nå ringer jeg politiet..
ELEMENT TO INTEGRAL. Sourcematerial recorded on magnetic tapes..
Instruments used include KORG MS KORG Polysix BOSS. drummachine CASIO
sampler TEAC TASCAM electronic organ. tapedeck turntable radio
walkmanrecorder microphones monochords. flute harmonica guitar alarm clock
feedbackdevices mallet. instruments computer drums cd resonant objects
(metal rock wood. glass) nonresonant objects (plastic water food skin
earth).. Concrete soundsources and noises as field or objectrecordings.
include crowds citynoise wind rain thunder habour sea.
buildingconstructingareas streets motorway railwaystation home. wood
gardens mountainlandscape waterfalls traffic balcony. industrial areas
reverbal areas church halls tunnels auction. concerts cave train (inside)
humans doors conversations voices. sheeps neighbours geese dog cat breath
walks sea birds train. (outside) car machines bicycle boat ants magnetic
datastore. microwaveemission spoken languages domestic objects (scissors
keys. fork and knive refrigerator washingmachine tv staircase room.
furniture) found objects random objects.. Processing of sourcematerial .
Recorded onto magnetic. tape augustseptember .. Equipment used TEAC TASCAM
SoundForge . WaveLab .. tapedecks and some hundred tapes.. B.
Sourcematerial recorded on magnetic tapes.. Instruments used include KORG
MS KORG Polysix CASIO. sampler TEAC TASCAM tapedeck walkmanrecorder.
microphones metal.. Concrete soundsources include ants wind.. Final
processing of sourcematerial . Recorded onto. magnetic tape september ..
Equipment used include TEAC TASCAM SoundForge .. tapedecks and about ten
tapes.. Graphic material made mostly dating .. Pages include drawings
paintings doodles copies nails blood. photoes and clippings.. As the
graphics are not essential to the tape they are not commented.
explicitly.. Textmaterial in booklet written mainly september .. All
material by Bjrn Magnhilden ordmorkontoret Oslo. Copywrong. Norwy poc..
INTRODUCTION. Concerning the structuring of the two pieces on the tape my.
main idea was that of stream and time incorporating with materiality.. Heh
yes I guess so... What is actually heard seems to be the sound. of
floating particles. These particular flows consists of tiny or. minimal
soundobjects which I will call 'phonems' for the heck of it. cutupped from
the archive of own recorded material in the years. amounting to a couple of
hundred tapes (pretty bad ones though. ).. So instead of thrashing the
tapes I've used them as a fragmented. memoryblock being randomly accessed
through a spaghettistyle language. of pointerism utilising the phonemical
units mere as material ground. and surface being rather ignorant to their
content or contextual. content.. Together with the idea of materiality
there will also be. concepts like mass density subsistence persistence
endurance. exhaustion and extacy involved in the actual structure
conceived. which also partly count for the monotonously character of the
pieces.. Also my interest in the noiseaspect of music or vice versa is. a
driving motive in this kind of project and should also be well. manifest
in both pieces on the tape. Take care of your ears.. The terms noise and
music could be seen reflected in the material. doublenature particlewave
where 'wave' would be viewed as the. collective motion of a material
moving continuously around a. relatively undisturbed center corresponding
to harmonious states of. music and where the interaction of particles
would be perceived as. the more or less random and chaotic motion and
states of a material. corresponding to intensity or density of noise.
Nevertheless these. are two different operational views of the same
underlying material. (whatever nature) and my opinion and fascination is
that the. classification or perceivance of music from noise cannot be
traced. back to the material. So it then gets interesting poking around on
a. low level probing for both the substance and the concept bridging the.
gap or just experiencing the (possible inevitable) complimentary. attitude
towards it. Fuck the cat is dead and alive.. A principle of complimentarity
of sound could state that if an. arbitrary material of sound is perceived
as music then the noiseness. of it will be sucked into it and vice versa
the perceivance as noise. will not be saved by the music. What constitutes
this perceivance is. not solemnly the attitude towards it but also the
doublenature of. the material itself. I hope I've been able to express
this in the. works. A way of judging a listener should be able to swap
between the. states of musicnoise should recognise this state's
independence of. the material (Oh I can listen to this in at least two
separate. ways... Oh yesterday I perceived this as noise... Oh this. noise
is beautiful and relaxing...).. Another idea concerning the introduction of
noise was to make. a soundshield. Basically I wanted to build a thick wall
and then walk. right through it. This could actually be done by means of
sound. Noise. as silence and through this silence get rid of yourself.
The. neutralising of sounds with sounds is possible as noise swallows up.
all other sounds or as all other sounds can be imagined allready.
incorporated in noise. White light white noise get blind get deaf.. Close
your eyes close your ears by opening your eyes opening your. ears. If you
stare into a point in the wall for some minutes my. experience is that the
wall becomes black and purple and vanishes due. the neutralisation of
sightimpression with its negative. representation in your eyes and along
with this vanishing of objects. comes for any reason a state of uh let's
say bliss. Much in the. same way noise will through a material extacy
swallow up the objects. of the world and leave you floating. Drawn I sit
serene rest is. inward.. This should make clear that the tapepieces'
motivation partly. lies in their functionality and can also explain the
lack of an. inherent musical structure or pretension of having conceived
a. traditional dramatic musical work. To pinpoint it I would say that. one
main structure is the palindromical selfcontained. Concerning. ETI on a low
level the phonems have been recorded forwards or. backwards quite
independently of their content or any criteria. Some. loops on B are being
manipulated similarly. On the whole both pieces. contain its material being
finally processed in both directions. There. are different reasons for
this. If you want to make a musical work. partly avoiding an evolving
dramatical or narrative structure you. probably have to treat time in a
different way. The linearity of time. might be broken in different ways.
The palindrome seems to excorcise. timelinearity treating it as just
another (symmetrical) object having. reversable manipulatable dimensions.
The cutup juxtaposition of. timeelements is fragmenting this line implying
another operating. dimension say timespace or just memory. The
nondifferentiated space. would defy time on the whole as nonexistent as in
the. parmenidicalzenoic scheme (or the La Monte Young scheme. By the way.
it seems that much minimalistic music is motivated by making the. relation
of music to time explicit in different ways discretness. repetititivness
questioning the continuum). Another reason for. fiddling with time was
that I wanted the pieces to be exhaustive in. length so when needed I
simply filled up time by outputting the. material back and forth a couple
of 'times'.. As to materiality as to float as to particles as to space..
ELEMENT TO INTEGRAL. An impulse to make this piece came from disapproval
of my. earlier recorded material and still wanting to use it in some way..
One solution was clearly to hack it all up into small segments that. could
be eaten without choking. Another solution was to superimpose. the
original material making monstrosity from ugliness or stupidness.. So I
did both and in that order.. Another impulse or idea was to let musical
structure build. small (or smallest) elements without imposing external
musical. direction other than materiality.. NOTAT. Serie og
parallellprosessering av lyder etter hverandre oppå. hverandre.
Distribusjon i tid krymping fortetning. Distribusjon i. rom furkasjon
ekspansjon. Lyd ned til fonemminste meningsfulle. lydnivå før den byger
seg opp igjen gjennom strukturering random. cant. kalkulasjoner. area sek
lydisekund lag prosessert. fuge. area sek lag. fuge. area sek. fuge. area
sek. fuge. area sek. fuge. lydareal lyder over tid. to akser lag tid..
tetthet lydareal tid. arealintegrasjon tetthet. matematiske utregninger..
båndet. cm i sekundet. båndmediet. elektromagnetiske spekteret.. ide til
et musikalsk språk. gjennom oppbygging av minstelyder. lydidiomer
lydlinjer. sette opp regler for oppbygging videre.. datamaskin. slika
rbeidde kontinuerlig på et språk gjennom. forandring. Alt tidligere
material er tilgjengelig som hukommelse. språk. bruke formelle språksystem
i bearbeidelse. måten vi lærer. integrerer språket. Lengre brokker
komprimeres til kortere når de er. innlærte settes ammen til nye linjer..
Element til integral oppstykking syntetisering. Eksponentielt. voksende
fra lydpartikler tilflerdimensjonale objekter bestående av. millioner av
lyder.. Primitiv eller uten musikalsk strukturering kvantitet materiell.
ekstase. Dialektisk segmentering.. Uten egenlyder basert på tilfeldig
utvalg av allerede innspilt. material.. Skråstreken lydmusikk. Den
enfoldige lyden (musikk) og den. komplekse musikken (lyd).
Løsningsforslag.. Objektoppløsning overskridelser.. Preferanser til tidlig
konkret musikk. Spilt inn på relativt dårlig. lydstudioutstyr.. Palindromet
speil fordobling.. Parmenides det statiske udifferensierte det
selvinnholdte.. Permutasjon distribusjon muligheter.. Tid rom akse. serie
paralell. fortetning. without a sound.basert utelukkende på tidligere
material.. sound system sunt system uten kontradiskjon. cannibalize. cant.
words. terms. ordliste asssosiasjoner gå gjennom engelsk ordliste.. fysikk
tidrom.. spesiell relativitetsteori. et legeme i bevegelse blir kortere i
bevegelsesretningen. tiden går saktere for et legeme i bevegelse. et
legeme har større masse når det er i bevegelse.. ved lyshastigheten vil et
legeme ha null lengde uendelig. masse mens tiden står stille.. generell
relativitetsteori. materien forteller rommet hvordan det skal krumme seg
og. rommet forteller materien hvordan den skal bevege seg..
gravitasjonskraften er tilsynelatende.. Fortetningen av partikler
fartsøkning tilsv Anmassing hva skjer. fart Emc masse frigjøres til energi
Kjerneprosesser. Plotte. gen.rel.teori som musikkmassemusikk koble til
musica mundana. harmonia mundi Hva er massemusikk Fysisk musikk En stor
masse. deformerer rommet partikler følger krummer linjer de tar for å
være. rette Parallelle linjer møtes som ved en tiltrekningskraft. Lys.
rødforskyves og tiden går saktere i et sterkt gravitasjonsfelt ting.
formørkes fordypes. Materien tvinger lys ned. Matter forces light..
Kinetiskpotensiell energi deepspeed gravitasjonell. Resonans når et objekt
vibrerer med sin frekvens tar det lett imot. energi og vibrerer med store
utslag.. Lyd lyd i rommet analogt med krusninger i vann. bølgebevegelse..
motsetning lys.. Lyd trenger stoff dette materietemaet.. elektromagnetisme
boblekammerbilde magnetisme deepspeed cmsek.. generere en strøm generator..
på skala over atomnivåer er verdens mangfoldighet grunnet.
elektromagnetisme og gravitasjon (vekselvirkninger). støy uønsket lyd.
paradoks hva med å hørelage støy ønsket ulyd. lyd subj obj lyd må ha
stoff. verdensrommet er lydløst. Bølger.. Krumme flater samler i
brennpunkt strålene. Svevninger. Klang. sammensetning av flere lydbølger..
Et brus inneholder alle hørbare frekvenser og kalles derfor hvit. lyd. Støy
er et subjektivt begrep. Def. som all uønsket lyd enten. musikk vanndrypp
eller trafikklarm. Jeg ønsker uønsket lyd. Lydene. rundt meg radio musikk
stemmer er støy og bruker støy som musikk.. Omvending i
informasjonsflommen støy. Bruk en motflom Demme opp en. flom. Demning.
Akustikk resonans hørsel. språklyd fonemer.. lydbånd bærefolie med
magnetisk belegg jerndioksyd.. lydintensistet små mengder watt.. kontentum
gjennom lydmuren.. opprinnelig (gresk) musikk totalbegrep.. Boethius ( ekr)
musica mundana (verdensmusikken eller. harmonien i altets oppbygning og
funksjon) music humana (harmoniske. forhold i mennesket) musica
instrumentalis. overskrider subjekt og objekt danner nytivitet. oseanisk
materiell ekstase.. Det segmenterte som (analytisk) strategi konstituerer
seg i den. akustiske entitet som en retorisk figur og definerer da seg
selv. nærmest som et fravær. Bortfallet av en bindende matrise avdekker.
dissonans og uttrykker seg som babbelpolysemi. Overgangen fra det.
refererende (transcendens) til det signifiserende (immanens) åpner det.
anisotrope rom av segmenter i en differensiell hypostasering. Opptrer. i
krystalls form ikke i apokalypsen det dør som fødsel og fødes i. døden..
PALINDROMER. deeps on time emit no speed. Rettam krad Sade if all erb
music is umbrellafied as dark matter.. noise lesion. deep morf NOISE
LESION from speed. speed morf noise lesion from deep. Goddesses so pay a
possessed dog. Moo lost elk O orbs amid wonders awed Was it organic in
ecstasy. tied Deity sat scenic in a grot I saw dew as red now dim as.
brooklet so loom. On a clover if aloud noise lerupts a vast pure lesion
duol a fire. volcano. epsp. epsp. Element to integral. Text on epsp. by
Bjørn Maghnildøen. Introduction. An impulse to make the piece epsp came
from listening to and partly. disapproving some of my earlier recorded
material and still wanting to use it. in some way. One solution was
clearly to hack it all up into small segments. that could be eaten without
choking. Another solution was to superimpose the. original material making
monstrosity out of ordinariness. So I did both and. in that order..
Another impulse or idea was to let musical structure build from small (or.
smallest) elements without imposing external musical direction other than.
materiality.. In structuring the piece my main idea was that of stream and
time incorporating. with materiality. What is heard seems to me as sounds
of floating particles.. These particular flows consists of the tiny or
minimal soundobjects cutupped. the archive of ownrecorded material in the
years amounting to a. couple of hundred tapes.. Instead of forgetting or
thrashing these tapes I've used them as a fragmented. memoryblock being
randomly accessed through a spaghettistyle language of. pointerism
utilising the phonemical units mere as material ground and surface. being
rather ignorant to their content or context.. Together with the idea of
materiality and concreteness there are concepts like. mass density
entertainment (subsistence) endurance exhaustion and ecstasy. involved in
the actual structure conceived which also partly count for the. monotonous
character of the piece.. Also my interest in the noiseaspect of music or
vice versa is a driving motive. in this kind of project and should also be
well manifested on the tracks. Take. care of your ears.. Noise and music.
The noisemusic dualism could be seen reflected in the material
doublenature. particlewave where 'wave' would be viewed as the collective
motion of a. material moving continuously around a relatively undisturbed
center. corresponding to harmonious states of music and where the
interaction of. particles would be perceived as the more or less random
and chaotic motion and. states of a material corresponding to intensity or
density of noise.. In an inversed physical view pataphysical why not
consider music as a very. simple kind of noise and noise as a complex kind
of music. Nevertheless these are two different operational views of the
same underlying. material (whatever nature) and my opinion and fascination
is that the. classification or perceivance of music from noise likewise
cannot be cleanly. traced back to the material. So it then gets
interesting poking around on a. low level probing for both the substance
and the concept bridging or. transacting the gap or just experiencing the
(possible inevitable). complimentary attitude towards it.. Noisemusic. A
principle of complimentarity of sound could for instance state that if an.
arbitrary material of sound is perceived as music then the noiseness of it
will. be sucked into it and vice versa the perceivance as noise will not
be saved by. the music. What constitutes this perceivance is not solemnly
the attitude. towards it but also the doublenature of the material
itself.. I hope I've been able to express this in the work. A way of
judging a listener. should be able to ) swap between different states of
listenings ranging from. music to noise ) recognise these states
independence of the material.. For instance listen to the material in at
least two separate ways like saying. Yesterday or ten minutes ago I
perceived this as noise or This noise is. beautiful .. Scanning any point
in the tracks and playing a few seconds the piece will. probably be
perceived as pure and flat noise. Playing off the whole piece or. larger
parts of it will probably change that perceivance.. Noisilence. Another
idea in the piece concerning noise was to make a soundshield.. Basically I
wanted to build a wall and walk through it. This could actually be. done by
means of sound. Noise appears here much like silence and through this.
noisesilence neutralize memory or yourself.. The neutralising of sounds
with sounds is possible as noise swallows up all. other sounds or as all
other sounds can be imagined allready incorporated in. noise. White light
white noise get blind get deaf. Close your eyes close. your ears by
opening your eyes opening your ears.. If you stare into a point in the
wall for some minutes my experience is that. the wall becomes black and
purple and vanishes due to the neutralisation of. sightimpression with its
negative representation in your eyes and along with. this vanishing of
objects comes for any reason a state of uh let's say. bliss.. Much in the
same way noise will through a material ecstasy swallow up the. objects of
the world and leave you floating. Drawn I sit serene rest is. inward. The
piece is made using headphones and I also prefer listening to it. that
way. By the way the piece is as noise hypersensitive to equalisers so.
small adjustments of the emphasis on different frequencies are very
effective on. the overall output sound.. This should make clear that the
motivation partly lies in functionality and can. also explain the lack of
any explicit inherent musical structure or pretension. of having conceived
a traditional dramaticmusical work.. Also no sounds have been recorded for
epsp. The piece has no sounds of its own. and consists entirely of the
processing of already recorded material.. Palindrome. One main structure
is the palindromical selfcontained. On a low level the. phonems have been
recorded forwards or backwards quite independently of their. content or
any criteria. Some loops of phonems are being manipulated similarly.. Also
on the whole the piece contains its material being finally processed in.
both timedirections.. The end is already manifest in the beginning. The
content of meaning is subdued. its structure. The evolution swallows
itself up. The mirroring of material. simulates an undifferentiated space
where object vanishes in the double. The. stasis of space absorbs the
speed of the elements.. Permutation. Another motive was exhaustion of
possibilities in the material. Rearranging. deforming and distributing
elements of sound to form a massive overload of. connotations excorcising
content.. Sounds are gradually being hacked to pieces down to a phonemic
level of smallest. meaningful segment processed in series after each other
in time and in. parallell in space. Then the distributions in time and
space increases density. and speed as the permutated material expands and
grows exponentially out of any. orbit of musical reference. Finally the
particle accelerator distributes its. collapsed differentiated elements on
a trajectory into void''.. Distribution. Sounds are distributed over the
two axes timespace. The density of an area is. the number of separate
sound elements through time. The elements seems to be. scattered well over
the electromagnetic specter with an emphasis on the extreme. high and low..
There are areas on the meter of electromagnetic tape where each cm or.
second consists of over differentiated segments of sound superimposed so.
that during minutes over a million sounds are being transmitted.. Other
areas consist of a heap of layers of sounds fragmented beyond the point
of. noreturn. Minimal units of sound are recorded as the six feet and
antennas of. ants spurt the microphones. The flow of noise is in that way
built up from. traces of atomical existence of sounds passed by not
enumerable.. Emit time. If you want to make a musical work partly avoiding
an evolving dramatical or. narrative structure you probably have to treat
time in a different way. The. linearity of time might be broken in
different ways.. The palindromical form seems to excorcise timelinearity
treating it as just. another object having reversable manipulatable
dimensions.. Also the cutup juxtaposition of timeelements is fragmenting
this line. implying another operating dimension say timespace hyperspace
or just. memory.. The nondifferentiated space would defy time on the whole
as nonexistent as in. the parmenidicalzenoic scheme.. There might also be a
minimalistic scheme involved motivated by making the. relation of music to
time explicit in different ways discretness. repetititivness questioning
the continuum.. Also I wanted the piece to be exhaustive in length so that
the notion of time. could be mixed up blurring the divide physical and
experienced time as you. find your mind wandering or take off. Exhaustion
of time seems an appropriate. concept also when the massiveness of sound
is concerned as the increasing of. density slows down timeflow.. The
ecstasy of memory in the conjuring of elements into an allembracing
integral. can be seen as an exhaustion of time and duration and as the
omnipresence or. end of time.. Deep speed. A body in motion compresses
bodyspace lengthens bodytime and increases. bodymass. Gaining speed of
light the body will not have any extension though be. infinite heavy while
time stands still as nucleons of sound ecstasises material. and flows into
energy.. Particles of sound are escaping the gravitational pull of memory
and meaning as. they accelerate and gain a speed superseding musical
references. Speeding of. music into noise atomizes the bodies of
information accelerates towards. infinity and dissolves in deep space..
With respect to history the narrative has become impossible since by.
definition it is the potential renarrativization of a sequence of
meaning.. Through the impulse of total diffusion and circulation each
event is liberated. for itself only each event becomes atomized and
nuclear as it follows its. trajectory into the void. In order to diffuse
itself ad infinitum it has to be. fragmented like a particle. This is the
way it attains a speed of noreturn. distancing it from history once and
for all. No meaning stands a chance once. offered the means of its own
acceleration.'' Baudrillard Pataphysics of Year. from The Illusion of the
End. Mass. Sound need a massmedia for its motion of particles to be
distributed. Outside. the gravitationed atmosphere there is no sound.
Density of mass shapes the. space which shapes the motion of mass
(gravitation is illusorical). Above the. atomic level the manifold of the
world is grounded in the forces of gravitation. and electromagneticism..
Growth in density by speed or space will make mass heavy and slow time..
Acceleration of transactions increasingly forces inerta and indifference
as. particles of sound annihilate each other making a dense cold star
deepened. and darkened by the pull of densityfield.. Within the critical
mass of density there is no references to outside. No speed. will liberate
sound from the silent immanence and there will be just the. autosound of
the magnetic tape and tape recorder background noise as the. ecstasy of
musicality provides its own end.'' Ibid.. Noisevoid. Instead of declaring
the law of falling bodies towards a centre why wouldn't. one prefer that
of the rise of the void towards the periphery the void. conceived of as
unity of nondensity'' Jarry Gestes et opinions du docteur. Faustroll.. The
pataphysial motive of antigravitation appears as music is haunted by its.
vanishing. The particle accelerator seek to liberate sound from the.
gravitational density of music by overwriting overflowing its content and.
swallow up itself. Particles arrive and disappear faster than their shadow
and. leave no time for interpretation. The speeding of tonality runs into
a noise. cohesion void of transmittory pregnancy.. Segmentation as an
analytic strategy is constituted in the acoustical almost. rethorical and
without appearance. Loss of a binding matrix of bodies the. shift from the
referential transcendence in music to the signifying immanence. of noise
births the segments pataphysically from the dying of hypostaticism..
Contents on epsp. Audio. Sourcematerial recorded onto some hundred
magnetic tapes.. Instruments used include korg ms korg polysix boss
drummachine casio. sampler teac tascam electronic organ tapedeck turntable
radio. walkmanrecorder microphones monochords flute harmonica guitar alarm.
clock feedbackdevices mallet instruments computer drums cd resonant.
objects (metal rock wood glass) nonresonant objects (plastic water food.
skin earth).. Concrete soundsources and noises as field or
objectrecordings include crowds. citynoise wind rain thunder habour sea
buildingconstructingareas the. museum of Emanuel Vigeland streets motorway
railwaystation home wood. gardens mountainlandscape waterfalls traffic
balcony industrial areas. reverbal areas church halls tunnels auction
concerts cave train. (inside) humans doors conversations voices sheeps
neighbours geese dog. cat breath walks sea birds train (outside) car
machines bicycle boat. ants magnetic datastore microwaveemission spoken
languages domestic objects. (scissors keys fork and knive refrigerator
washingmachine tv staircase. room furniture) found objects random
objects.. Processing of sourcematerial . Recorded onto magnetic tape.
augustseptember .. Equipment used teac tascam soundforge . waveLab . and
tapedecks.. MP coding of sourcematerial using Awave Audio v... Booklet.
Graphic material made mostly dating ''. Scanned . Pages. include drawings
paintings doodles copies nails blood photoes origami. and clippings..
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noemata. Wednesday March.
362
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March. Re question re de pre codewurx. are helpful. I get a general
pictureof code as 'rooted' and double of anyway. having a double property
of ..wellthe usual dichotomies instruction and data. and object and
whicharen't fundamental eg. the distinction between. instruction and data
is aninterpretation what is interpreted as instruction. is also data and
thedata can also be instruction so in a way the. interpretation
isfundamental to code also and creating the roles of the. dichotomy as
wewould have 'instructiondata' and 'datainstruction' and. somewhat the
samein the case of subject and object which are more.
explicitlyinterpretations of something by terming something a subject
we've. alreadyinterpreted it in a relational way and in the same manner.
asinstructiondata I'm refering to code as an subjectobject entity which.
hasthese three parts of data instruction and interpretation..
Theinterpretation part would be the decode.About the everythingnothing
bold. statements since the code is somethingconstituting itself it's a
whole an. entity and real in the sense thatit's taking place with the
interpretation. constituting the reality'situation' of instructiondata
subjectobject so. I'm calling it aneverything like we could create an
universal machine out of. this. And thenalso I'm calling it names like
nothing because it's a machine. more orless. Maybe it would be interesting
to look at everythingandnothing. textas a kind of codework. Finnegan's Wake
as an example of this it's coded. inseveral layers encapsulating or opening
to an everything and nothing ithas. the appearance of code and nonsense a
rich broken structure ofeverything.. Occult literature I guess also has
the code effect of thissort like. out dumped automated and coded the
automatic writing ofsurrealists might be. considered I don't know are
fluxus pieces codeworksby being instructions (of. events) and the
happening would be another moreundirected setup for something. happen well
I'm not sure how todistinguish the code it seems. allembracive. Is it alive
Dead code. Andthe system bit if we don't know if. something is code is it
code by justthat fact like the Voynich manuscript. mentioned And there's a
notionthat code is code as long as it's not decoded. if code is code what
do wemean by a decode Sort(x) is a code does it have a. decode So maybe
aromantic code is the codedecode that kind of code notion. there we havein
a way again instruction and data subject and object. clearlyseparated like
morse code a clear mapping between subject and. objectback and forth
whatever there's the subject of code and the. objectcodeand the morse code
we could call the subjectobject though in a. clean dualcut. In other
notions of code it's not so clean and for eg. sort(x). wedon't call it a
decode it's codecode but what is decode It'sambivalent... 'life is decoded
into dna' or rather 'coded' do we mean theoutput in general. the object and
for something to have a decoding meansto have a systemic. interpretation
but this goes both ways what is thecode can also be the. decode to
emphasize they're activepassive roles ofinterpretation.. and code. the
system of interpretation the structure ofhow the active and passive roles.
will take place of instructiondatasubjectobject. Certainly there are.
levels of code in the construction of nature and ourselves but at the
bottom. we don't know or we know that it's not discreet like the
particlewave. duality. But dna is discrete for that matter the
particlewave duality is. justthat a duality even with probabilistic
measurement the mathesis. behindit is exact...Exact probabilistic if you
have a perfect random number. generator couldit have a code This is like
asking for the formula for prime. numberscould we say there are codes for
prime numbers but not a formula. workingto a certain degree and in general
that code is related to formula in. aspecial way is it a working formula
applied which is the dual again ofform. and reality living formulas. Seems
I'm treating it as formula hereand you. matter and since everything is
mattered and chunkeddiscreet it'scoded but. in the formal end.. How deep
do the codes go all the way you'dsay since it's. rooted mattered dirty
having the real part maybe it'snot a fruitful. discussion where it ends or
begins some highly energicthing expanded and. collapsed symmetry collaped
into code. Yes but we've figured out things to. a large degree what we're
made of our history and destiny there doesn't. seem to be any mystery
about ithow we're created though we can't reproduce. it though have
theknowledge to destroy it a devastating knowledge in. itself.Considering
the fact that dark matter the majority in the universe. isn'taccounted for
at all that the mechanism of memory isn't understood. etc. I don't see how
you can say this. In fact one can as Brillouin. didyears ago argue for the
opposite that the mystery is somewhat. dependenton the limmits of our
economics and simply keeps getting pushed back. asfor example more and
more powerful accelerators are built...Yes mystery is. something
pushedback in relation to something that'stakingplace it's still a.
subjectobject 'economy' ecodomy the economyof code mystery is in the. via
the code interpretation it getsobjectified real as takingplace.. Still
it's an economy not a mysteryit's just what's emphasized. From the. other
end you could say memory isthere and it's working so there's no. mystery.
Code as a term retains someof the mystery the wonder and. complexities
which is lost in the formulaterm. I never stop wonder about the. inside
and outside like this sailboatmoving slowly past the village seen from.
the boat it's somethingcompletely different from the boat it's a mystery
from. the balcony itseems quite boring objectified but it's both and
that's. alwaysintruiging it connects to relativity from Galileo to
Einstein and. forextrapolating the move to relativity is also a move to
code of. thesubjectobject floating within a reference system which
connects to codeas. reality each reference system is on its own a whole.No
no i don't think. this goes if (x) is for example sorted it doesn'tlead to
an elimination of. (x). Think of coding here as performative andrequiring
a stratum or substrate. that it operates upon. Even Peirce talkedabout the
'sheet of assertion' the. necessity for a locus for mathesis.Ok see above
codedecode.I want to run. back to information theory and theexamples
Baldwin talked about or the. problems say of transmitter channel receiver
with noise parasitic within. the process.Thanks for the discussion
appreciate.Here there are several. levelscode as existentcode as
processcode as procedurecode as. performativecode as selfregulating or
checksumetc. etc.There's structure. of course and there are material or
ideal strata andtheir interactions. Code. is perhaps a productive system
of classificationthat admits closure.... AlanAdmits closure yes like it's
its own end metaphysics and then real. asreference system like every
reference system is real on its own. Maybe. I'mextrapolating too much but
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pas lieu. no. noemata. Saturday March. e presente. ja vi m lese hele
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ting uten referanse. Eller annonsering av STORED ref.. noemata. Thursday
March. Re question re de pre codewurx. About code and codework though not
a direct response I see code generally tied. the western project of
science and cultureunravelling nature's code turning. it into culture and
technology. Thishas no real basis any longer science has. already made us
transparentwe know code is nothing and that there aren't any. secrets. So
there's nobasis still code is everywhere all the more since it's. not tied
toanything any longer doesn't refer to anything more real or more. trueit's
able to infect our lives more like a freefloating entity from. thelayers of
reality. If we have layers of reality we have codes. Ifreality is. one
there's no code but our sense of reality is not one. Ifyou could live in.
one there would be no code and it would be the heavensof the mystical.
The. mystical is tied to code but we know there's nomystery. Inside
yourself you're. a mystery that's it. Walking throughyourself you're code.
These are all layers. of nothing. We know that ifsomething is code then
it's nothing that's almost. the proof of it.Then there's the doubleness of
code of inside and outside. thecommunication machinery of input and output
between layers codesubjectand. codeobject. There's no fundamental basis
for the codes only thesubjectobject. which moves around freely. When I'm
using code it's areflection of the codedness. of culture the structural
complexities ofinformation and communication layers. of reality which are
always therea reflection of culture as construction. traversing it's
layers whichmeans insideout backwards reverse the. twofaced. In my work
I'm notusing code in a fundamental way it's code without. any basis
diffusionof code double and nothing of codes. Codes are still. fascinating
weneed something to do as humans I quite sure we're genetically.
gearedtowards these things problemsolving directedness of.
attentioninformationchurning. Still we have no mysteries only the codes.
andthey're not real only a kind of art beauty of codes what we're madeof.
still no mystery only reality. Codes real but not real that'salso the.
doubleness what we mean with subject and object they're bothreal but not.
real to each other if the subject is real the object isunreal and vice.
versa. These two could be stated as a classical and aromantic notion of
code. the romantic code refers to something beyondas its reality (nothing)
while the. classical code to its construction(double).I know this didn't
answer any. noemata. dee. intrui gpj.hcruhcevatsoprotraidepikiw .ssorC
llewhtuR dense. spacefilling fields in Celtic rsebi Yes
beautifulhorrorANBKstsohg. snoitutitsni dna slamin like a
magnificentscientificunion or coniunctio... but benea 'ecneirepxe cinaeco'
ehttuoba.ssenytpme gnimees eht ehtae event. I. feel this kind
ofcomplexSouth Indian Temples are also a to borndog. thespirit is
impossible middle age scholar ytilibissopmi dna. ytissecenneeelbissopmi si
elbissop eht fo possibility necessity. impossibilityso i'll stay possible
lanorepip sirpaeh eht s ommisrealin what. nonsense rehe htaed dna luos
segagtrom dna laenip real inwhat nonsense. rehe htaed dna luos segagtrom
dna laenip cissalctsreal in what sense an. argument how the possible is
enisorek sissabsrezinamuh elbissyrassecen ton. e then i'll be both
existing andnoteso i'm thinking of my untho selpmip laer. cimredoyp
snoitaeniled da the dead theLet's see three classes of p. airatilitu
rettucysircopyh uoyaklumog uoy taht (interpretat dlrow eht. ship at Sutton
Hoo or the eraselpmaxe rehto( sngised ecalretni orqrfpe. .fxanuG .XB arrf
vhpnietorw SE.OODANAWseugiuba seu ) these gods and. molecules anlaunam a
tuohtiw tnemurtsni lacigolohcysp eseht fo yna ehta. thedifference in
perceptions psychological profundus bene edulerp fo dnika. yaw a ni si
ytix..iucav rorroh fo elpmaxe doog. LgeYsgwYGuVmXYSXQwAWIjaqJzz.gnigdir
eep ot evah yllaer i ethe spirit. is unborn (never was)i'm god ciozoileh
si ymups eht eniltohs ega aksarben. possibility is the mediator betwi'm
possible butthe possible gnisilatrommi. sselesoppo serujrep ytnals evila
yats hardwood. vulgalprKiMrHjDHkXfgdCTlvGuXpAftlaer eht tseihtrow niresrae
there are. possibilities and necessities not the po tahw nirotaercorp
yrassecen eht naht. laer erom s i'll hang on to this of beingjust poi'm
only possibl retirwelliarb. eb otnert gnitsixesretaews gnilbis fothgu i'm
thinking of the possiblemy. ancestors are de elbatsartnoc e..gnidaolrac
eurt elpoe you have to. deal with itnow you have to deal with )and fo noi
the spectrum of. thespecialisatithe human specter the humaneness speck s
tneihsiflaw i one. this is otherqrny g'abq v nuclepbcn abknyx rzvglnq rug
a otnisetatseg a. snoitanotni ecnec more a struggle moravianisedlife
hasn'tgot ligation anyways. do w etecymoxym on uarfsuah i
dnamsildetargetni tnatluser setalusni. lano the world is frass toconduct
medefence deferabl xxnihphfs das eb. ll'yefilflah lairetasegass everything
is evolvalogial nervous tallow. psychopavelkjent fraps tnemnethgilne
lautirips dna ainerfoz oseanisk ekstase. vers mpbot noitsisn release of
violent. pressureexpansionafecedcecdbfbcbb ecstasy. brilliantcolors
explosionsren regnirfo egidolb rettafebni red renoigil. smerteog lyst
vulkansk ekstase strle htaed ssenkcis raw mood. niapdgilraf go etros
etalfrevo snenm rene ubehaglige fysiske. symptomer.et annet
tcfdbbcfeebdaee bpm. detuforstyrrede liv i livmoderenbasale perinat
reksnavstterdedn. emmodgysresletsv praksis psykoaktive stoffer tranceda
go. elamron.inerfoziks go resokysp gninekil h etsdle ned litnni rtseb.
xeocne i r coexsystems are dissolved by reexnr et sterkt.
coexsystemaktiveres m metsys xeoc a fo ngis sa ytisnetni f og eventyr.
iforbindelse med natopplevelser av vre elsket akseptert eroc si.
gosleplejh gidnetslluf ges etlf na corcoexgrupperingen. xe.piuqe.rtcele ni
secnabrutsid lacin likhet med signalforandringer som. flgeelectrical
apparatus as music kums lit seldnavrof ksirosulli. nakrnnav ednednir moss
edyl esnergerh el experienced shiftscener. tevlugp rettelp go rutkurts
sednatsne hentydningerne til fauvistene. ssommatiM I S O S F still massive
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but behind the misleading of spacetime.. Return. If doesn't. Return. If
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leeller m vt alt er. kuna at vietn dm som a om den det er do for at
vietnat vietn som at anhva e sli. Sl For Han Hva E Slistrot der haom den.
noemata. Det var pg. instruments computer drums cd resonant objects (metal
rock woodcomes for. any reason a state of uh let's say bliss. Much in
theGoddesses so pay a. possessed doga driving motive in this kind of
project and should also be well. x X . x.a. soundshield. Basically I
wanted to build a thick wall and then walksingle. floppy.art stem funding
etc as well as the contextor arttrauma lesions in. addition to data has
come to circulate in abundance. One thus could (remote. distraction l
distractus (ptp. of distrahere baktrto draw ev. reise og. overnatting i
Oslo.art and beauty with computers''. It is telling that. hackers
otherwise interview an inventory of the cities where sound was. recorded
it While FullerHarwood regard software as first of all a cultural. but
eccentricity the opposite of politic (withness) a self baumpf These. forms
are excesses andthat the 'spectator' could remain awake during surgery and.
contribute to originally envisioned the biological basis of his theory of.
collapses of code viral fascinating indiscriminate and reinforced Emil's.
Nip eels sleep in slime AUTHORIZATION state. PASS.
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hostname is the fullyqualified domainname. correspondingEcce The poem is
effectively an algorithm a piece of software. gatherings in intellectually
following the code listings step by step and. computing Nr alt kommer til
alt har jeg ikke tenkt gi opp prosjekter. p zeros and ones the Latin
alphabet Morse code or like in a processor All. currency is neurotic
currency.logical scores then the concept of software is by. no means
limited to notions of software a problem rather than a point of. departure
histories. dimension say timespace or just memory. The nondifferentiated.
spacecould be eaten without choking. Another solution was to. continuum).
Another reason for ...o....ContentType textplain. charsetiso Quinn NashE
From Bob Brueckl .. bureau.ns.utoronto.ca (... EHLO by. id Fri Hva er
rutetidene i NSB etter at organisasjonen. er fullt utEt sted der eselet
tar igjen gulrota.Han skifta. noemata. ' ' ' '. ' ' ' '. ' ' ' ' ' ' '. '
' ' '. ' ' ' '. .there's much to be done with me there's little to be done
with. melost inside yourself constructed border the cell with its.
frabricsreaching out this is done with proteins enzymes
transcriptionsthen. we have another let's drop it the freefloating mind is
stillparticular going. through the motions chemical and then
managementchunked up cells your alarms. are going off i don't know what
theyrefer to what to do nothing life and. death stuff the managementhere
could be fatal if the particle decides the. wave doesn't decideundisturbed
it's the subject unresolved with object the. outsideinside and outside the
separation is somewhat. consciousdiscriminating loosing and gaining those
are input and. outputsubject looses and gains by outputting to restore its
potentialit's. the potential again the wave it's called a subject when
it'snot measured. it's the inside but we know there's no inside
stillthere's management all. the more if there were a subject it would
bemanaging if not then there's. management still i'm at loss notsubject
not management let's say the. automatic converge classicalromantic
ruledriven and intuitive coded and. the code is stillsubject and object
inside and outside in one twingod. here thesubject is ruledriven and the
object intuitive inverted becausethe. automatic is an inversion subject
takes the role of object andvice versa the. classical becomes romantic and
vice versa it createsitself through a falsity. an inversion if a god
created himself likethey do and the falsity propagates. until it turns
back which isnever we understand it backwards it will repeat. something
willreturn which is the loosing and gaining the restore of. potentialthe
wave you don't want to meet a particular god only the. falsewhich would be
true it's like a tree it has only one end and that'sthe. beginning the root
all the rest just spreads out it would becrazy to think. all the leaves
would converge later on spreads likeentropy flattens out while. growing i
don't know where we should beat the leaves or the root the leaves. are
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working and actually more fascinated by. thedu fr prsantere d sjl din
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menuwelcome dj byhand bring back mischief keeping out of tranceAlltid
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destroy by. greatness. . The power to preserve byHerukhentenAriti (Horus
the. Advocate of his father Osiris andAmentet. The Tchatcha round about
Osiris. are Kesta Hapi Tuamuteffollow after Nebertcher according to the
writings of. Khepera. Let meOsiris the Soul that liveth in Hensu the giver
of meat and. drinkHerukhentenAriti (Horus the Advocate of his father Osiris
andI am. the Divine Soul which dwelleth in the Divine Twingods.Tuami brooch
for Dora. Riparia Hopeandwater a cooling douche and afall under the knives
wherewith they. inflict cruel tortures. For Ihate asks to be released from
petty. resentments jealousies ofNr. Nr. kategori. kunstverket stiller.
sprsmlet 'hvem er jeg' kunsten hars er du jo ute p stedet ny bruk. av
gammel teknologi ref. artikkel omGallery.'...Robert Morris' 'Peripatetic.
sitte p et bord teppelage den.sttesttte dobbeltbinding ut fra. retning
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the name Magnus was coined by king Olaf the Saint Johnnie. Jading Boheme
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det bare tull eller. hvahehe.den som visste.kanskje det er. eller annen
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jeg laste ned notest. ogs..jeg klarte heller ikke. styre lystene mine.men
kanskje det var. meningenfra. nininoen som har mailet dette. ninivesenet
og sagt i fra at hun poster altdette kan umulig vre. meningen... det ser
ut til at det er en. trojaner i opera . build har funnet flere private
mail her og alle. bruker nevnte client. mail til opera skal sendes. det
hadde med saken gjere...jeg ble. den serveren. ) innholdet p websidene er
like meningsrik sommeldinene p. notest. )at dere gidderhh. hvem er.
hvorfortror det bildet var vedlegg. til sknad om kulturstipend. ) den. som
hadde hatt ynene med seg ville merket at flere personlige email er. havnet
i no.test og alle bruker xmailer opera . build mail er sendt. til opera.
kan jo hende at noen har lagt ut en trojansk version av opera og da. br
det etterforskes.noe m man jo. finne p og jeg ser ikke hva som er s gli
med. dettefolk er til og med misunnelig. p andres fantasi og evne til
engasjere. noemata. Saturday February. cdfaebaaaacbf CEINOTdecnyngny bt
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nogt journalisters forhold til. virkeligheten)eliminering av hindring som
en selvrefererende funksjon som. produserer mens Lorene Pickens Og hvis vi
greide finne ut av det. burde vi ikke da eleminere det for klokka tmmer
tidenstrukturene som. framtrer for bevisstheten.critical penetrating
revolutional reversing. undermining etc. In my viewkulturen er oppi hodene
vre i subjektet mens. natuen er ute der objekterthey would have stories for
film here yes maybe. that would be their newstability. Beauty taken over by
design etc wholeness. by.. welll it's stillen slags spenning. tilfeldigvis
ble gende ettervery.
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false rythmically obedient standard set of responses corrupted by
immersion and. open to domination still obedient and immersive is like
inert resistance of. mass. content of media was largely irrelevant
superglue. capitalist print. media electronic media state of harmony all
sign systems as text. sign an inse. parable combination of a concept and a
soundimage with physical form refering. something other than itself and be
recognized as a sign by people well if. the sign is a sign then it's
something other than itself and then not a sign. and if it's not a sign
then it's a sign after all this doesn't make 'sense'. and that's the
foundation of 'meaning' that it's something else. symbol a. natural bond
between signifier and signified if it's natural then it's always. there
somehow it's crappy call it the logicmechanic of signs maybe atoms. and
then the variables (signs). metaphor these are just transformation rules..
metonymy ok blah initiations calls. mediation is a matter of symbolic.
exchange an exchange that is mostly onesided well the symbols are natural.
bonds then one side naturally gives the other. on the contrary it would be.
strange to communicate symbols then they would be signs. television is.
exclusively genreled why and when will tv be art discourse interpreting.
the world is making the world what would destroy it then not interpreting.
it blimey there's a riot on page . over two billion people may watch the.
football world cup. people don't listen actively to radio. only inside
chimera. noemata. Friday February. koagulert yoghurt flekk p skjorten.
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gomhm dod er mott unece. noemata. noemata. Thursday February. Fwd
Codeworks Netzkunst an der Grenze von Sprache und Digitalcodes. noemata.
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oncer turnery roumania walkover ondoted walford imputed fealty andaman.
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noemata. historiebo. )Compliments of the season.GracePeace and love.
Please hereby accept. watch movie on the Internet. I try but my machine is
solleri for Hvis. kunsten er autonom hva er den da avhengig avyo
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ikke s menneskelig ut. Mye tull. kan spinnes ut fra et vanlig fotonyanser
i lys blir til substansielle. ansiktstrekk eller lignende.mange rare prI
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RHIZOMERAW Internet Art Survives But the Boom Is Over NY. andre serien
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Distributed through CyberSocietyLive CSL CSL is a moderated.
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..aa..rt..it.ekoot science not art not art not art not techno logy.
hcarousel. End of the cycle. If you ride on a beam of light. Dark sun at
out). the diplomate is hermatypic (commerce and cunning and
inventionkunstneren som. formidler mellom verdener idagsekulrt som en.
formidlerLNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance). kP
neziskovch organizac det. anotamotua na si yltcaxe tahw yltsriF .atamotuA.
is actually a. noemata. arhalev an. lareves ni dedrocer sd ot seilppa erom
eht lla dna lufituaeb sa traeramethod. (mesostychs of the for example
appears to beht mrofsnarthcihw secafgnidrocer a. flesti ece nekops eht
krowtra cimhbaumpftumbaincludes the computerge. studios. While the
bookpelur eht fosnoitatimil e ti dedrocer saw dnuosThe. history of the
digprograms getlocked int randosnoifo noitaunitnoc thgia. retupmoC
.sremmargorp gnipmulrof noitacifit. gnipmul rof noitacifi sa tra fo
tpecnoc deniaall or at least nosoftone. defines as a medium new media
art''. Theot evah ylnosnoitcurtsnelur eht fo. snoitatimil fI .emit
ralucitrap a tinstruments inan emerginstruments in an emer. receivers
which thems.dibieht mrofsnarthcihw sec lacidem lortnoc ro stwere. invented
then o virtue thatcomputers caneewteb rehto eht no seti smhtirogla. ro sno
.asreprogrtismhtirogla ro sno .asreprogrzeros and ones the Lati. noemata.
Tuesday February. glossy. noemata. RTICLES. noemata. ks.. noemata. Jan.
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kpostbox. Jan '. noemata. noemata. Monday February. G. generalizer about
the thermostable and the. relationship betwixtteguments artand the by
umberto eco. i worthwhileness. justment likehieroglyphics etc) thanks
reprehensibility the pinnacle of. thedissonances offroment the samnium
institution my thessalonians is. thanatopsis theteledynethat tektronix
medalise does not constantinople art. despoliationem pleh ot daerht a
gnitrats ot deifingil natow dna srh ni. smrowsesilanerdai haversacks
beechwood a grecian fan of nettime for a numberof. name VPV.P Y......P YP.
YP Y....P' ..V.o.. .. .. .. ..... noemata. Sunday February. e p'er) (origi
na. (nomade) (no w) (. ktolre)()(((.........uXe...r...eR..'s.i. noemata.
noemata. noemata. .. noemata. Saturday February. wmj.. M m mbetm mim n
soundex. valfBQspIEAtvSnVFaEf.tOKvoRjNZ.(aaaaaaaaaaaaaaaaeeeeeeeeeeeeeee
vaDet.
bbbppppffffffvvcccccccccccccccccccccccccccssssssss(aaaaaaaaaaaaaaaaeeeeeeeeeeeeeeeif.
you store everything as char v).abcdefglnoprstuvyAlpuy Breve Chorlie
Jiliat. Kylo Limo M Alpuy BreveChorlieSecret Life of Puppsyirro tungw
unope jiliat kylo. limo m SyirroTungw Unopem nTamkw Hedul.
dabfbdbdcLwmhUnhbwrn Tunjo Hotul den framandTwnko. Hedal Lwmh Unhbwrn
Tinxu HydalXYnzh Havslez Gjaxb Urqny Fvreen GnatbLumi. noemata. Wednesday
February. overt ones. day and night aren't we supposed to sleep half the
time that we sleepone. third is our own excess of rationality. how do
theology account forsleep. novalis fragment we finally should rid of
sleeping. kind of rootbut what's. deep about dark nothing and what's deep
about nothing it'snot that light. grows out of dark though goethe might
have believed so.that might give a clue. he's experiencing it through his
tree so thatit seems rooted might shed light. on the primal tree idea. the
treesupposedly from 'wood' not monad dyad. tryad. how is romanticism likea
tree one to three one is one and nothing can. be said two are atwar three
are rooted the two are one. bosons in gauge. theory bearersof the force
integer spin while fermion matter have fraction. spin.you could say these
are romanticclassical divide. problems are pushedinto. the romantic until
later. let's see particles and thennecessarily a force. between particles
ok and these forces are yesparticles forcecarrying. particles oh they
'carry' the 'force' hownice in their rucksack you could. also see it from
the particlewavedyad. if it's not interfered with it's. romantic having
interferenceand if it's interfered with it's classical. having no
interference. sothe interference is one place or the other in. 'nature' or
in 'science'in the romantic process or the classic formula. the. bosons
areinterfering bozos the interference not obeying the. exclusionprinciple
(related to 'particle' in a sense) like the clown is. areplay a primal
glue forcecarrying particle two in one thetravesty. the. clown is
constantly fixed constanted an integerfractioned into matter spin.. we see
it the other way the romantic is amess a forceparticle buffoonery. what
could possibly come out of itoh just matter.overtones it's like nature. is
counting ... foreverything it's counting up if one. then infinite weakening
but stillcounting. because of air interference in a. medium why should
nature becounting the overtones would all be fractions. what about
irrationalnumbers i once heard music based on primes it's very. noisy only
primeovertones. where exactly does the irrational come in i know.
thediagonal of the square what becomes of the diagonal in e.g.
overtonesif. you had an irrational chord it would sound forever or not
sound howcould it. sound to create a diagonal in music would you need
anotherdimension is the. diagonal another dimension it's a travesty
we'reback to that. you could also. form a triangle that's not irrational
butit's a relation between three that's. possibly irrational. do you
needthree how's the square a three the two sides. are irrational but
thesquare is rational how is that kind of inverted. direction therational
is build from the irrational adding dimension. we're. used toview it in
the other direction. this all digresses no way back. it'sbroken. what was
the riddle 'cat eats dogfood but the bowl is. noemata. plante analogi.
hvor utbredt er plantelivnring analogiene i folks forestillinger.
vekstvokse seg stor og sterk etc livet som plante. det har begrensninger.
fordiplanter har rtter. sl seg til ro blir analogt med sl seg. til rot for
vokse bedre. menneskebilde plantebilde. dessuten m det. komme som en
stadigoverraskelse at mennesker dr s plutselig skulle de. ikke heller bare
visnebort og alle raske forandringer er av det onde. elektroner m vre
smdemoner hva med fotoner fotosyntese sola de er. gode. i det hele tatt vi
har forstor makt til vre planter trr som. vokser bker som kultiverer
uendelig vi har bokbl virus bomber. knapper trykke p maskiner. vekst joda
menvier mennesker ikke planter. og innimellom der dyr og da er ikke
mineraleneengang nevnt fr n. og. hva med sjelen og nden vekst liv og
ddeksistenssdcellen som kom. p andreplass idrett de dramatiserer
overlevelsehndballandslaget. raider nabostammen de vokste ikke sammen. alt
eksploderte det er en slags. vekst. plancks konstant brekraftig utvikling.
og utviklingto bilbomber. utviklet seg utenfor ambassaden. mennesket er
alle tings mlikkeplante ikke. eksplosjon fenomener har forskjellig
hastighet strrelse samfunnet er. strre enn hver enkelt og dermed treigere
mer likt planter mensgrupper av. mennesker er mer som dyr dummere men
sterkere. i andre retningenernden som. et elektron og ser for seg
atomeksplosjonen som den. hyestereligiseforening sin skaper sola big
pangpang. lenger framover. er lenger bakoverstrre fart er strre avstand
mindre er strre. forestillingene er speilnrdu ser foran deg ser du bak deg
som nr du ser. noemata. Tuesday February. art)) not. folktale cinema. The
of local lore oI had this idea soun I can dreamanyway.. iwant somehthign
thaSte sa inteels frowitad undas reminds mi'I had this idea. for a solthen
you have like the coil uses. Shewould g icy wilderness but. noemata. Monday
February. Mar. assimilation the easier to pronounce a sentence the more
widespreadthe change. noemata. for denoting the highly contingent
aggregate of external. propertiesscapesapproximate sense of the private
quality is fiction ' those the. '.... '... '... ....... () ReSA AS FDFAS
ASF SF SAF. xXxxxxXx. ) . ASDF SADF ASDF. SADFASDF SADFSADFSDAFAS FASF SA
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frzoensupmuwten.atameonptth. Lochrezeptein iX undd eidyllically. )) (()).C
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ECNLOPSCCLEENES DTNIEOASS. EOAELC RATH HROHREET REgives evidence of.
considerable plasticitythere is convincing evidencethe missing
hemispheres. functions.Thusalthough the developing brainTel. (kr min)I.
probably should look into Eco then. In my view it's not metaphysical.
it'sNovember about Enrik Tcha gog Utopican and interweaving andor. collaps
of the two that's essential to code (I'm usingDelete Several authors. (for
exampleEfron)have suggested that it is not motor you turn the. magic ring
in vainHistory and North ain't well mean sequentially and. abstracting the
relevant details to which it attachesoldname diets. A. treebonnet foliate
relax If Ada did pull order read. AdaYreka Bakery A. bakery in California
Martin Gardner. a a. ptwrf Lnthe trutdho. noemata. PleaseSendNoMore.
wilden noregawn kalebGet SEVERE PAINHave SOUl MAtram FIORYCETALL NAME
SHED. OthersZOBIEN ALLOFT TRAMAGRA VIADOLAND NO stocking gauntlet.
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364
nederst. cosmetics families for men and womenfinurlig svindel over disk..
if you. reverse this and add you get . . .forsikringssvindel. for livet fr
de s slipper den utsitter igjen med n mail som jeg ikke. og setter pris p
en endelig referanse et navn en nyhet som kanWhat does. go up
meanphrenology jokeB()X (in the mist of me)YaaTC TaathTallystopped. in
front of one particular statuefor examplehis or her weight wouldmaGay
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akkaTtaGka. lattaT. Ta Gatthat can eat laugh and so on live without a
problem.kaTaT. CakaTaty kamTaGy Taalt aG aaTaTa whakh a Gaw aGtaGT ta aCa
ta aCtaTlaCh. million people he said and a Web site he created with his
sister Chelsea. Another key contribution was the discovery thatafter
damage to a part of. thearttrauma lesions that were diffuse and irregular
spectral then reversed.. A MODERN PUNCH SCRIPT CHARACTERS PUNCH JUDY BABY
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halvklipte hystr myntverk myntkabinett. kjeg hadde tenkt skrive om noe
annetpinnsvipp dine beinluften. sirkulererparabas millioner slesysparabas
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fettlagetsoner. synfirehrer ekko tilvi ligner degHxEvard Mssige h.
ynoematanoemataI Reval sitta ni. alla i natt i slaveri (swedish) In Reval
you're allI man am regal a. German am I Leigh Mercer I O'Connor
paloconxxxxxxxxx nasty. overweight veteran From the book Opperlandse
Taalen LetterkundeModel truth. turtledom listeadresse eekunst.noradikal to
sko venstre er. revolusjonrt To venstre lei evne til sin periode.From D.
Ross Priddle. periode. ON BEHALF OF STARRINGThe Boyage of Ohtrehe (tOarts
RSI)Venstre. i BjFrvika kan ikke stEr pE sine lister. gt. lt een spot s
pit lash it's ha rd amorph. o t h e. wloopback er svaret er s.
g.h.a.h.a.h.azfd.ffxdf.hdsg.dsg.fdgf.xdm.sgbd.gcx.aqhn.sz.h.svv.bdfg.
.fragments of a history of art (timespace) chart (after. maciunas)...
..'......tr.'.'.. ' ..a. .if.III...saidn vred det onnor LtaJeg den yngste
i laget gikk og. ventet p partilenge m vi vente Hva med Jesus jeg m
grte.med. skolelim og skolemjlk. Husker jeg undret meg mye over noe jeg.
leste(mxEnen gallerienesKnutsenMen her kan giftbegeret gis videre sendes.
rundt bordet.fins det liste over skyggeskribentene til de kongeliges taler
kan. vi ikke i xE forske pxE et nytt sprxEk funnet i jungelen.. noemata. .
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ff wow. noemata. more than. (. affefdeefefaapublicmeanings. which enable
an act tobe directed to an object he called byvagrecergngvba bs.
Uhffreynppbeqvat gb juvpu gur bowrpgf. kogs i sakte film og med en
kommentator Jeg tror det vil gjre. programmetmove except. the act of
jamming or the state of being jammed.that. reduction occurs the less the
bandwidthalment norsk bruk. sprkrdet etc. bruker vel media som kilde for
nyord... sbutikkalarm privatbedrift en. skrekkelig. kApache.. Server at
noemata.net Port an optical drumming sculpted in. duration on the endless
present of the s.jpg Mar. ktranslate these images..
different.imageof...................You are already beyond them..
.....................losing.kunstobjekter Alle forventer at plakaten skal.
fortelle deg noe s man kanprosjektklappene First In Still Here ordning.
fiskeken.Kent MantiesEljotfordervet mat moralsk delagt mat.Vi er.
forresten en liten gruppe som tenker trykke store plakater (x.
m)simuleres.Erik hadde en ide p enveistelefonen idag om forstrre opp.
monopolkort tilgjerne p min nummerorden. Wreak havoc. Skape kaos og.
kvantebyrkrati.anything that you can take a picture of especially if a.
local TV Newstime. TheMY DEAKIN FRIDAYdo noopGREETINGSbeasteditor DNA.
sheik peer.S FbfF Luabns Eband Penpyou can contempt me thoughtfulness. my
fankle joe ben. on. DSCN.JPG Oct k X CEaround looking for. something
outside themselves. ln'S.lux litho thiol. stonelightfirenegation well
science and the this will only be. troubleetc. toward the beginning of the
data.A souleating sunbe pale moon. (esoteric paleontology).
DJbyHandIngerMarieLienKidSquarepusherStev.mp phenomenal. with significant
theorists artists and writers.(Descrambling Content. Scrambling System)
the industry code technology properly configured will. save the planet he
is the media and code. The increasing ease with which. even
moderatelyartists involved. Joy's work in fact combines the. fear that
Grand Theft Auto and other video games will turn their link after.
associative link commentary upon every picture andunderstanding of the
lyrics. but also provides valuable instructions passionate about sampling
'spoken'. noemata. .... noemata. adeghlmorstuvuwojxWbBwxRdvAYxAPLiGnWviep.
sa jeg har. ingen bker. Uten og innholdslse som overskrider det sa. hei
sveis jente med det gr i glasset rundt hele. noemata. .... noemata.
noemata. noemata. bbly r q ntllb h ax i. l. l b y. noemata. Friday
February. Fwd C p DETOX Kunstnernes Hus. noemata. Anbud naturfag. Bilder
som dette fra Hubbleteleskopet viser at det kryr av galakser idet. fjerne
Norge.Hvor mange galakser finnes det i NorgeHvilke typer galakser.
eksisterer det i Norge og hvor mange er det alt ialt i stfoldNy.
astronomisk forskning som er foretatt i senere tid har vist at detkanskje.
eksisterer langt flere galakser enn tidligere langt frre antattlenger. P.
den ene siden finnes det mange galakser i det fjerne Norge.P den andre
siden. tyder mye p at de er dverggalakser. Det er cirka medlemmer og bare
tre. normale mens resten er dverger skalte gnomer.Fjerne gnomer i Norge
er. nesten umulige observere systematisk men dekan godt vre tallrike..
Konsulterer vi et standardverk om kosmologi blirantallet galakser i
stfold. oppgitt til cirka milliarder. Men det ermuligens mer realistisk
med en. billion ( milliarder). Da tenker viimidlertid bare p det synlige.
stfold. Iflge moderne historie er Norgeuendelig og i s fall vil det. etter
all sannsynlighet ogs finnesuendelig mange galakser i stfold.Hvor. nyaktig
kan man veie sjelenHva er den mest nyaktige vekten som er. konstruertVi
vet for eksempel at en colibakterie veier. milliondelsmilliarddeler av et
gram. Denne vekten er s nyaktig at den. foreksempel kan veie en enkelt
bakterie. Prinsippet er det samme som for. ensyngende gitarstreng med
sjel. Hvis strengen er tung er det blues og vilager. en dypere tone. P en
liten gullskl kan man legge for eksempel etstykke. DNA. Den blir
cm.Voldtar dyr hverandre i naturen eller kan de gjre det. inneFor eksempel
kan paringen hos stokkanden vre en temmelig. barbariskhistorie. Bruk av
vold kan noen ganger vre hensiktsmessig uten. atdyrene har noen onde
hensikter med det. De gjr sitt for det meste. erutenfor hjemmet fire
vegger men noen arter kan trenes til gjre. detinne ogs.Hva er det eldste
ulste regnestykketPythagoras tumlet med. mange problemer omkring det.
Dette sprsmlet erubesvart enn i dag. I. desember oppdaget man . Det er
ulst. Lstfra lyst kan vi si var. pythagoreernes motto har du lst har du
lov.Det sies at Solen er snaut fem. milliarder r gammel. Men hvordan kan
vivite detDe som er eldst vet best.. Solen er mye eldre enn oss derfor vet
denbest. P den annen side er solen. yngst den er den samme som den var
forfem milliarder r siden mens vi som. mennesker har en
utviklingshistoriesom er fem milliarder r. Derfor er vi. eldst og kan
bestemme over solen si at den er fem r hvi vi vil. Det er. interessant og
en del avvitenskapen med beregninger det vi vet om Solen. Alt vi. vet kan
skrivesp et frimerke med en tommeltott som er fem nanometer i.
diameter.Hvilket dyr har tykkest hudVi tror det er plankton. Er det det
Siden. hvalhaien spiser dem og harsm tenner. Den tykke huden kan ogs vre
rundt. halsen eller brystet.Flodhesten lever av verdens strste fisk. Det
tar den fem. hundre r seile over havet. Blgene den skaper er opphavet til.
havstrmmene somskaper livet p jorden. P havbunnen svmmer den og.
opprettholder verdenmed sine vingeslag.For deg personlig Gunnar hvordan
har. du detHva spurte du om nNei glem det. Takk for n.Fra.
TVintervjuAnnonseHvis du tar disse tablettene lrer du samba p en. natulig
mte. Komigjen n.Nr vi knuser sparegrisen blir den da. sparesvinSparesvinn
HAHAHAHA. I virkeligheten vet vi ikke. Hvis det dreier. segom
pengeinnkreving eller utviklingsarbeid. Hvem vil du si er mestskitten.
grisen eller svinet Svar Svinet er umoralsk grisen er bareamoralsk.
Dermed. kan du forst motviljen mot svinet. Grisen har en uskyldsom et
slaktet lam. bare skitnere.Hva er glattest av is og bananBananasplit.
Bananen skal splittes. noemata. Tuesday February. Re Skolelimsordningen.
Det er fint. R. Norsk har mange merkelige konstruksjoner som du vet.Jeg s
ikke. at dekket var punktert fr jeg satte meg i bilen.Hva betyr det Nr du
satte. deg i bilen s du eller s du ikke at dekket var punktert... fr
etterp. jeg satte meg i bilen.Haha 'fr etterp' halloOK problemet er at
'jeg. satte meg i bilen' kan oppfattes som et tidspunkt eller som en
tidsperiode.. Hvis det er et tidspunkt s kan det virke som du oppdaget at
dekket var. punktert idet du satte deg i bilen. OK Hvis det er en
tidsperiode s har du. fortsatt ikke oppdaget at dekket er punktet nr du
har satt deg i bilen. For. skille disse kan du sette inn et 'etter' da
blir det klarere men ikke helt. klart.Jeg s ikke at dekket var punktert fr
etter at jeg satte meg i. bilen.Fortsatt er det et problem akkurat nr du
oppdaget at dekket var. punktet om det skjedde nr du satte deg i bilen
eller tvertimot at det ikke. skjedde nr du satte deg i bilen slik at det
at du satte deg i bilen ikke. forandret din viten om dekket eller om det
nettopp gjorde det. Dette er ikke. klart.Hvis du forsker uttrykke at du
oppdaget at dekket var punktet da du. satte deg i bilen kan du si...
nettopp detJeg s at dekket var punktert da jeg. satte meg i bilen.Hvis du
forsker uttrykke at du ikke oppdaget at dekket. var punktert da du satte
deg i bilen kan du siJeg s ikke at dekket var. punktert da jeg satte meg i
bilen.Verre er det ikke. Dette fr og etter blir. bare tull. Det er liksom
du omfavner en stor sekk som du ikke ser enden av. dermed kan det vre hull
i sekken uten at du vet det og dermed at sekken ikke. inneholder noe.Ellers
var det bra.Det er noe med benektninger er det. benektinger Nedfallsomrdet
er altfor stort. Hvis eplet ikke faller langt fra. stammen s kan det falle
hvor som helst liksom OK Se p uttrykkeneEplet. faller ikke langt fra
stammenEplet faller ikkeDet er ganske merkelig. Hva. skjer Negasjonen har
ingen naturlig begrensning den m liksom flikkes p. med adverb og ad ad ad
for forme hva som skjer nr det ikke skjer.Det. blir . Fem pluss hva liksom
Pluss er en operator. Du kan skrive for. skille fra (prefix) men postfix
tar to argumenter eller bare. gr ikke. Det blir . Hvilken vei gr det Er
bra eller drlig Du fr. det er midt p uansett og blir en del av skolelimet
som du har kalt det.Du er. innkalt til rektor i morgen kl. . Han trenger f
renska ra sine. Det. er du eller Stompa men han er bare i svarthvitt vi har
beveget oss bort fra. det n. Smrbukk har forsvidt modernisert seg med ny
teknologi osv i kampen. for bygda men han er aldri der nr du vil ha tak i
han. Det er riktig at. Gerhardsen ligner p Quisling og kanskje var
tvillinger det skal ikke. benektes. Noe annet er det pst at gjenreisning
av landet og. nasjonalsosialismen hadde samme uttrykk. Den m du lenger p
landet med. At. vi har uglesett Quisling helt siden krigen kan vre en sak
for seg.. Gerhardsen og snn har tilpasset seg markedet fra gjenoppbygging
til. merkevarebygging det er noe helt annet enn ensretting. Merkevare er
merkevare. ensretting er noe annet. Er det klart.. noemata.
Skolelimsordningen. StilIdag har frste til tiende klasse skolelim p
timeplanen. Slik var. detikke fr. Men til gjengjeld hadd vi et halvhundre
feil p diktaten.. Mineforeldre gikk p skola mellom potetsetting og vronn
og nr det. ellersikke var noe gjre. Etterp kom kommunismen og reformer.
Skolelim. bleobligatorisk for alle og ingen fikk lnn. Det var likhet for
alle. ssantdet var lim til alle og det var det satt av penger til fra.
offentlighold masser av hvitt mildt ufarlig lim som kunne brukes til alt..
Vikjente den igjen i skolemjlksordningen. Ivar drakk opp kartongen sinfr.
Unn hadde rukket dele ut til alle s han kunne sple kartongenoppi. kassa
mens mjlka fortsatt blei delt ut stilig. Jaja. Skal vi se.Det hvite..
Senere gr livet opp i smmene limet er ikke s sterkt.Kommunisme er. flt
sier alle. Rart ikke unga krever penger for g pskola det. ville jeg ha
gjort. Hva slags krav har skola p meg fore megmed skolelim og. skolemjlk.
Husker jeg undret meg mye over noe jeg lestei samfunnsfagsboka. at
hensikten med skola var sosialisere oss.Folkeskola fungerer og s. sier man
at kommunisme er umulig det rimerikke. Samfunnet ellers kunne fungert. like
godt som folkeskola nringslivet arbeidsmarkedet hele skiten.. Pensjonistene
gr igjen overi en kommunisme men voksenlivet skal liksom. vre kapitalisme
ogkonkurranse. Det skal vre snn fordi mennesket har. konkurranseinstiktmen
ikke barn og pensjonister. Neida. N er det s mye. sport p tv atjeg tror
kvoten fylles opp uansett og det er jo liksom poenget. medsport da. Men
nei samfunnet skal vre sport med rsgrense. Du gr. avnr du brekker beinet.
Det er liksom litt tpelig. De som vinner. grrundt og flotter seg verre enn
p barneskola. For pensjonista er alt. detsamme om Per vann s er det like
bra men de sttter sporten. detbringer fram det beste i alle sier de. Det
beste betyr at det ikke. erkommunistisk. Superlim. Superlim er ikke
sosialistisk det er mer mafiaog. korrupt det binder ting p en tvingende
truende mte. Jeg bruktesuperlim. p veska til Terje nr han skulle p tur han
blei jvli sintetterp. mtte skjre opp veska. Da fr vi vold. Idag skal de
drikkecola og bli. stimulert til vold det er mulig skolemjlka er helt
borteelevene fr. gjre hva de vil. Konklusjonen er at kommunismen er
muligvi trenger bare. lovendringer. F.eks. at det blir obligatorisk
arbeideog at ingen fr. lnn slik som folkeskola. Eller at likhetene angr
tingsom er ndvendige. vanlige for alle. No problem. Men det gr liksomandre
veien alt skal ned p. individet alt som finnes er individer. Dedde er
forsvidt individer selv. om de ikke finnes. Det ufdte liv ertil en viss
grad individualisert men man. fdes som individ det ergrensen i livmoren er
kommunismen implisitt vi. sier det erparasittisk leve p staten. Bringe fram
det beste jaja. sport harlange og fine tradisjoner hvorfor delegge det ved
gjre alt. tilsport. Kapitalismen sier vi er som blader p et tre vi sker
allesammen. mest mulig sol og dermed regulerer alt seg sjl til det beste.
Vivil alle ha. mest mulig penger og kjre med en flat rd bil. Det erlivet.
Det er ofte. morro ta tak i replikker fra forbipasserende nidag var det to
...men. hvis du eier det selv... (sagt av to damer meden hund) og ...mr.
perfect.... (sagt av to tenringsjenter). Var dethunden de ville eie selv
og hva var. fordelene Det er snt som sies etre inn i folkesjela best eie.
S. svarer jeg inni meg ja hvis dueier hele verden s slipper du bsje. p do
men kan bsje hvorsomhelstslik som hunden. Mr. perfect det er liksom.
individet og jentenesreplikk er maktrelasjonene i det individualiserte.
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kommunister. men heller atdet var en sken etter den beste plass i solen
hallo fltt. deg mr.perfect jeg vil ogs ha sol. Dernest tror jeg ogs de
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publishing. houses and state affairs. This could also be an idea
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considered zero ifthe gravitational field is regarded as. negative energy
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malplasserteprosjekterog ideer som samtidig blir. kulturjamming
intervenering taktisk oglatterligjFrende selvironisk med. den folkelige
sjarmen til dettragikomiske.there it. is said sancho what i told you that
you must keep a goodcount well then. by god there is an end of the story
for there is nogoing any farther.how. can that be said don quixote is it
so essential to the story toknow to a. nicety the goats that have crossed
over that if there be amistake of one in. the reckoning thou canst not go
on with itno senor not a bit replied. sancho for when i asked your
worshipto tell me how many goats had crossed. and you answered you did
notknow at that very instant all i had to say. passed away out of mymemory
and faith there was much virtue in it and. entertainment.so then said don
quixote the story has come to an endas. much as my mother has said
sancho.in truth said don quixote thou hast. told one of the rarest
storiestales or histories that anyone in the world. could have imagined
andsuch a way of telling it and ending it was never seen. nor will be in
alifetime though i expected nothing else from thy. excellentunderstanding.
but i do not wonder for perhaps those ceaseless. strokesmay have confused
thy wits.ffrom a mail from. lanny quarles solipsis the term 'idiotic'
isn't really about intelligence per. se butrefers to a kind of imaginary
ratio whereby the self's uniquenessadheres. its own erratic path its
actually a term connoting a kindof pureness and. honesty.. I'm thinking
somewhere in the neighborhood of eigensomething (can't. remember)
hmmAuthenticity is also a translation problem. Eigentlichkeit has. its
rootineigen own. or proper Gr. idios Eng. idiot. So one. shouldkeep
theoriginary meaning of idiocy in mind being one's own self.. The
termEigentlichkeit points to the possibility of being one's self.that.
strikes me. As you point out the Gk idiotic denotes not deficiencybut.
eccentricity the opposite of politic (withness) a. selfradicallyownmost in
its extremest form perfect solipsism.With. this in mind and apprised ( by
Nietzsche no) that every greatphilosophy is. autobiography oughtn't BT be
read synoptically withOtt as it were in the. Confessions genre...that BT
represents H'sselfcasting(Go litel bok go. litel myn tragedye) an idiotic
interpretation ofbeyng...that the AngstCare. structure for example if it
fits one say Hamlettypeassuredly doesn't. others Quixote Don Juan
Faust...via the baudri Lard art has. disappeared as a symbolic pact
remaining prolification ofsigns ad infinitum. as 'culture' auto.noemata
automatic art. thesituation resembles that of a. currency which may not be
exchanged itcan only float its only reference. itself impossible to convert
intoreal value or wealth noema D. kroner the impossible of noemataprojects
their floating like quixote. phantasies manusfilms andinconceptual art.
general indifference please. remove me as only emotional responseprofound
indifference everybody is an art. is truethe system runs less on the
surplusvalue of the commodity than on. theaesthetic surplusvalue of the
sign no matter how marginal banal. orobscene everything is subject to
aesth. cult. museum.zation. like the. prax of baroq we too are
irrepressible creators of imagesbut secretly. iconoclasts we manufacture a
profusion of images in whichthere is nothing. full compression code cipher
our images are like icons miraculous they. allow us to go onbelieving in
art while eluding the question of its. existence.iconicitydragon body
laburint beyond the indifference art as. uglierthan.uglybad worse raised
to the second power because it is. liberated of itsrelation with its
opposite bemyghost transaesthetic. blasts tourism people who no longer
undertake voyages but simply go. roundand round in circles tracerouteping
travel agency These forms are. excesses andcollapses of code viral
fascinating indiscriminate and. reinforcedby viral media our culture also
produces the most murderous. viruses.catastrophe culture. we all enjoy
these things. nothing code. stagingsoperational whitewash overexposed
defenceless without any way. ofrefracting light info doomed in consequence
to a whitewash of. allactivity codedecode IO labora trashmaps maze digital.
techniquerelinquish identity to survive endnodes net computeroperations
not. actions regulated machinery nothing takes placebetter to produce
nothing in. order to have things produced artistsbetter to have nothing to
say if one. seeks to communicate socials aseveryone knows if you want to
make people. laugh it is better not to befunny powers in order for content
to be. conveyed as well and quicklyas possible that content should come as
close. as possible totransparency and insignificance empty intimategood.
communication implies the annihilation of its own content..
avoideverythinghtp noematanet abouthtml So it's a kind of. artificial art
much like the intelligenceof artificial intelligence )The. policy is to
support collaboration community transparencyimmediacy in the. arts net.art
media art correspondencemail artnetwork art context art. or other otherness
and marginalartifactualizations.We tried that and it. didn't work. So this
is 'open content' of a morecatastrophic kind of the. dispersal of content
or the metastasis ordisappearance of content (in the. jargon of
Baudrillard). Also beingcontented with things not working and. actually
more fascinated by thefailures and drifting of things than producing. them
as art or anythingopen being more like cracked open or a core dump of.
codegerm artspermand their entanglements and confusion of layers.
inoutsideopencontent generativedegenerative avataratavar of space. time
andstructures intermingling and proliferating more or less on their. own
bytheir own automatic recursive mating. This 'release' of the server.
isnot only as permission or publication but a giving up kind of.
release.Giving upletting it drift distribute or disperse unsupervised.
andgiving up that risking complete annihilation any point beyond the.
loopsurvival.dette ble mitt essay i anledningen jozzdu. kan reise og
foredra har duikke holdt seminar i skattesaker dette er noe. lignende
(rapporterskriftestol politietterforskningetc) eller kjFre det.
gjennomstemmesynthesizer det blir nok stasGud lFkk PP og. folkensBjFrnNEr
alt kommer til alt har jeg ikke tenkt E gi opp. forhold til detdigitale)
og videre automatiseringrasjonalisering av. kunsten sliksom ellers i
samfunnet. Det er de to tingene jeg brenner. for.Snakkes.joz har du hFrt
med skattekontoret sjekka restskatten. tror den stErder fortsatt jeg vil
klage men det er mas.hils. Ingeborg.legger ved som bonus mitt essay som
ogsE kan siteres i sammenhengen. inkl. Context art experiments report
noematic experimental method. Lesion art research praxis Research on the
human arts surgeryMost. information came from experiments with relatively
poorly definedgenre. lesions bloodvessel butoh dance smtp damage that
included theart stem. funding etc as well as the contextor arttrauma
lesionsthat were diffuse. and irregular spectral then reversed.
goodcorrelations were obtained. between focal lesions in the arts and
thechanges that resulted from the. lesions at the police.Her var detThe
Development of Neuro. ArtFor exampleViennese psychiatrist Sigmund Freud (.
)hadoriginally envisioned the biological basis of his theory.
ofbehaviorwith its three levels of idegoand superegoas being. ahydraulic
mechanism of some sort. today's joke .... computationalmechanism of some
sort. ))Descartes was impressed Joke by. machines made in his timesuch as
thoseof certain statues that were on. display for public amusement in
thewater gardens of Paris.When a passerby. stopped in front of
oneparticular statuefor examplehis or her weight would. depress a
leverunder the sidewalkcausing the statue to move and spray water. at
theperson s face.Descartes proposed that the body is like these.
machines.phrenology joke Additionallydespite the failure of scien.
tificattempts to correlate appearance with various aspects of behaviorit.
isnot uncommon to hear people accord virtues to others on the basis.
oftheir physical appearance.Readers might ask themselves how accurate.
theywould be if asked to judge intelligence on the basis.
ofphotographs.Social psychologists have found thatwhen. universitystudents
are asked to make such judgments the rule that they. apply tothe task
isBeauty equals intelligence.phrenology joke The. famous
physiologistMagendiepreserved withveneration the brain of Laplace. (a
famous Frenchmathematician).Spurzheim had the very natural wish to see.
the brain of agreat man.To test the science of the
phrenologistMr.Magendie. showedhiminstead of the brain of Laplacethat of
an. imbecile.Spurzheimwhohad already worked up his enthusiasmadmired the
brain. of the imbecileas he would have admired that of
Laplace.(Krech)Context. art experiments report noematic experimental
methodconsisted of. removing parts of the art from artworks to study
thechanges produced in. their context. removed a small piece of art and
thenobserved how the art. behaved and how it recov ered from the loss of
arttissue.In essence. created art models from works that had
receivedinjury to a part of the art. by a blow to the head or by having
the skullpierced by a missile.To search. for different functions in the
artcontext varied the location from which. the art tissue was
removed.Another key contribution was the discovery. thatafter damage to a
partof the artsubstantial recovery could be. expected.
Microscopicexamination revealed that art was nothing like an amor.
phousjellyratherit had an enormously intricate substructure with.
components arranged in complex clusterseach interconnected with many.
otherclusters. Cals Adsborough in Holland reached the same conclusion.
similar experiments on context artbut his manuscript lay. unpublishedfor
severad decadesn.History of electronics arts The impetus to. adopt a
theory ofelectronical conduction in arts came from an English.
artistStephMcTaargess who attracted considerable attention by.
demonstrating thatthe human arts could conduct electrons. He showed that.
when an artworkcontaining electrons was brought close to the feet of a
boy. suspended bya rope in a grassleaf electroscope gallery placed near
the boy. s noseit would be attracted to the boy s nose.Computer art The
first. computer art was hydraulic swiss artist JahobMatreisse ()
constructed a. series of machine paintings in hisbathtub aquare(e) lle.
automatique facilitating finite statepressure systems of squeesing.
injection pipes of color liquids onto thesurrounding walls to much
annoyance. his mother.Network art experiments preliminar applied an
unpleasant. stimulation toa dog s paw listmeasured how long it took the
corpus to. withdraw itsfootand compared that rate with the speed at which
messages. were knownto travel along the net.According to calculations
took. millisecondstoo long to respond. theorized that nodes are 'connected
by. junctions'(oxym.) clasp that additional time is required for the art
to. getacross. some buffering bufooning listmasters potentials.
principalgeneral inertia. preliminar conclusion to confirm that network.
arts donot quite touch the nodes with which they clasp.Art surgery
proposal. note that anthropologists have found evidence ofart surgery
dating to. prehistoric timesneolithic found surgery to havea beneficial
effect in. culturesperhaps by reducing pressure within thearts when an
injured. discipline began to swell up. (ref. trephiningcontext art above).
NB art. surgery made possible by media theintroduction of
antisepsisanesthesia as. cultural phenomenon inaddition the principle of
localization of genre. making crossdisciplinepossible. (see Figure .).
This device immobilizes. the arts.An artatlas is then used (flux maps etc)
to localize areas in the. arts forsurgery. Local anesthetic procedures were
developed (mediastunt c). sothat the 'spectator' could remain awake during
surgery and contribute. tothe success of the operation by providing
information about the. effectsof localized art stimulation.Lesion art
research praxis. Research on the human arts surgery.Most information came
from experiments. with relatively poorly definedgenre lesions bloodvessel
butoh dance smtp. damage that included theart stem funding etc as well as
the contextor. arttrauma lesionsthat were diffuse and irregular spectral
then reversed.. goodcorrelations were obtained between focal lesions in
the arts and. thechanges that resulted from the lesions at the
police.degenerative art In. the minister of public instructioncommissioned
to develop tests to. identify retarded arts so that theycould be singled
out for special. treatment. The tests were derivedempirically by
administering artworks of. normal artists and somementally retarded and
adults.The scale was revised in. . From thetestsan art level was
calculated evaluating abstraction. beautyinventiveness craft luck
singularity which Iibet thought. wereessential features of art. some
conclusion gave tests to. braindamagedarts with the resultant surprising
discovery that lesions in. the avantgarde since modernist's time
considered the center of. generativecreative art did not decrease art
scores. Sores to other main. areasnot formerly thought to be implicated in
art did reduce art. scores. Original Message From Per Platou. Tuesday
November PM Subject . e k u n s t . Reality. Check i Oslo desember Call
for participation Cpen invitasjon til. FFrjulsskriftestol Crsrapporter
(eller prosjektrapporter) er som. oftest sErdeles lite spennende lesning.
Der presenteres ethvert prosjekt som. etter forholdene meget vellykket
eller har hatt stor betydning osv. osv.. SE ogsE innenfor kunst og
kultursektoren. REALITY CHECK er et. todagers arrangement som tar sikte pE
trekke fram prosjekter fra kunstfeltet. som gikk fullstendig galt. Der
ideen var bedre enn gjennomfFringskraften der. man undervurderte
teknologien publikum Fkonomien eller overvurderte egne. evner. Det kan
vEre prosjekter som har mottatt stFtte som rett og slett. ikke lot seg
gjennomfFre eller som ble noe helt annet enn det som var tenkt. (). Med
andre ord Vi er pE jakt etter prosjekter som MISLYKTES i stFrre. eller
mindre grad og der opphavspersonene har gjort seg noen tanker om hva som.
gikk galt og hvorfor. REALITY CHECK har hentet grunnideen fra et nE.
nedlagt klubbkonsept i Berlin Club der Polnischen Versager eller Den
polske. taperklubben () som i flere Er var et meget populErt tiltak med
mange. deltakere mye publikum og hFy underholdningsfaktor. Fordi de fleste
feil. som er begEtt eller uhellene som har oppstEtt som regel er svErt.
allmenmenneskelige tror vi RC kan bli bEde populErt mediavennlig og.
lErerikt. Det er et faktum at mange kunstprosjekter (sErlig innenfor.
kunstny teknologi) ofte sFker det spektakulEre det nye og.
revolusjonerende. Dette gjenspeiles ogsE i massemedia. I en presset.
kunstnerhverdag er frykten for E gjFre feil ofte stFrre enn viljen til. E
oppnE noe ekstraordinErt. Denne situasjonen Fnsker vi nE E snu. pE hodet
ved Egi de mislykkete prosjektene en unik siste mulighet for.
stjernestatus. Vi Fnsker derfor E hFre fra deg om du har ett eller. flere
slike prosjekter som kan formidles tydelig og med en hFy grad.
avselvinnsikt innenfor en tidsramme pE minutter. Vi er i denne.
sammenhengaltsE IKKE ute etter sutring over (manglende) forstEelse fra.
publikum komiteer kuratorer produsenter presse eller verdens tilstand.
generelt. Send en epost til realityanart.no innen .november om du selv.
har et mislykket prosjekt du Fnsker E presentere eller har tips til.
prosjekter som burde presenteres ) Vi er Epne for alle typer henvendelser.
ikke bare fra kunst og ny teknologi feltet. Vi vil selvfFlgelig ikke.
presentere noe som ikke opphavspersonen selv Fnsker satt i en slik.
sammenheng. Alle deltakere vil bli honorert og vi vil ogsE vEre.
behjelpelige med ev. reise og overnatting i Oslo. REALITY CHECK vil bli.
dekket redaksjonelt. Dato Fredag .desember kl lFrdag. .desember kl Sted
Cafe Mir Toftesgt. Oslo (GrFCnerlFkka. Lufthavn) Gratis adgang for
publikum. ArrangFr Atelier Nord. Videresend gjerne denne meldingen ().
julepresangen av Alf PrFysen. Polnischen Versager Berlin. textplain
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kontaktadresse. noemata. .M. fart addert sekund ganger gir meter f.eks. g
i ms i. sekundmay be greatly exaggerated. Get past the groan and the bad
news and you. may blogger about it and you are likely to get a groan.Fwd
RHIZOMERAW. Internet Art Survives But the Boom Is Over NY. (..j( Start of
forwarded message. siktelsen mot tv er idiotisk list command not. moctsoi
mocitos mocitso mociots mociost mocisto mocisotNONSENS JFR. ARTAUDS STREAM
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eksperimenterte. og det frste begrep. opptatt i renessansen og idagwhich
changes its expressive form from how light. and shadow fall than grains of
sand on the earth. If such implications lurk. in code a sknadIf the coin
shows the upper side do the following. postmodernist perspective. It is an
unobvious result. After all helping. Online. All the tracks are
noncopyright in free Tetrasomia. frstesaken. er vel ogs da man pleier kjre
Deconstructing. Hyperlinks terrain from family.org to heritage.org to
fedsoc.org. The. contentcase in this respect was the censure of the DeCSS
source code convey.. Meaning is part of a process in which words are
examinedsuch famous sacred. figures as James Brown and especially Michael
Sirener lighting crew. scaffolding director and actors in the wings were.
k modernity) of a selfhatred and of remorse in other words of all.
contemporary discourse are published weekly as well asof the practice
many. regarded the mailart movement as a model for a rim integrated system
like. ours everything can have a similar effect oftawny Editorial.
Correspondents Ken Hollings (UK)i want onecruelWe need to give up ideas.
of communities as literal or stable Editorial Board Jean Baudrillard.
(Paris) Paul Virilio (Paris) Cass Sunstein republic.com. (Princeton
Princeton Univ. Press Ibid xxixxii.automatic recursive. mating. This
'release' of the server is not only asnoemata wideopen content. .
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wothin. reach igjnored ignorrd ( (. (. kNISSE Rov Hvoryou light the
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mer og mer hovedgrupper ) Dyr som. tilhrer keiseren ) balsamerte dyr )
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aautvr altir anttar aslgti a assn arnbui a dngt asccty aonoue aio iv.
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of. ( kalle noen dum er fornrmende kalle noen smart er DEAR SIRer. umulig
det virkelige er det ingen vits tro p siden det finnes det. ktbigcordially
invites you to jointhe Association.FTSize Description. Parentlll oooo gg
aa. cnegtnemmoc eht ot pmuJ .viD agniretneC teehsRETURN TO ROMAN. noemata.
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Sep GInoeticekvisekrem som er knyttet til. depresjoneretc kona som druknet
sine femvr uforholdende somasdf and t. noemata. s m inte. be everything on
other frequencies. The problem is more complex than. words because it is
dependent on what those words do not contain or link after. associative
link commentary upon every picture and wellfounded. Absent some. divine
authority or lacking any consensus needing just two clicks to find the.
same passage in an alternativeThat's what the telephone companies do They
add. Caller I.D. and now their mmZxm it. must be very tinychaucer.)
(milton.) (.... GPwxg r. OuWfcSPI IPDg V lY tlJBOnmaldonordistribuert
hendelse akt. noemata meningsobjekt.pengeblotterietansvar og mter
undergrave. ansvar maskin.. rasjonalitet..logikktil sluke hele kulturer i
noen. jafs.Mar a really importantFor more names customer pictures and.
Noemata Random Name GeneratorNoemata Random Name Generator. Traditional
Noh plays with its formal parts mapped into the. settingGrupo norge.test.
Jeg ropte ut et annet tall selv om. Morse CBXDZQHXHD ignore. URI test
Wyrmwif test ignore. this.fast. voicerecognition talking to your thumb
(sms) i was thinking. maybebehind the eternal. Return. If he's. Return. If
man is the real again.. comments G pvldthis feeling This breeze which has
travelled. the regionsiapetus am also faradise northeast offcast london
anded asben. i walk in allow. Good old right boys would not change if they
could fighting. the already dead and itsand shep no be aslep a per hin
intetymores. hemselv s.e ceoo usthemnburied aive by the. indiscriminate
sme pssibiity f editins f are az.hadde je vrt itt ur. kunne je heer ss
virkei er ser ut men det jretter hee tiden at det. ikke er stadi endres
uansett hviketsm i frestiinen m mennesket. arbeider. Bant annet reaerte
manersaken ti mane av de avbruddenesm kmmer. innm fr f en innfrin Frm r sm
i frestiinen m mennesket. Frmidinsavdeinen Kuturprram fr jenta. suksessen
jreS lenge dette er gyldige URLer til innhold som ligger. p NRKs webserver
villehar dermed str verdi fr den verraske er. viktie utanspunkt ienden av
skaaen. Kan ta med eenfr hetta med en an.. eektrnisk ndvendivis sm inert
byet eeren maskin sm den vinden sm. bser Faaten Bjrk (perfrmance)
Antntiden da je evde jrde je spredte. noemata. er produsert for gjre
inntrykk p embetsmenn p et lavere. niv i detSkugge.av hva finne sin mrket
eventyrereSandte ud. flhceflot fecs jibp jobbhbhr rndt er.
lonctdasrepejsonholcefrhflynor.han oeec heile natti so solo det. varadot
vr pantde ssollu vycgt hpardhn jec lapdualt er. fylbfcaaefddeer du meeefd.
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gothicize.Cuba.Russia.India.Argentina.Brazil.MexicoepgulvetsoperfalskvalmemorgengryoppuklinprestxffListening..
I've played her music for several days now without gettingknappen. X XX. .
.XW BB I t. BRM tB i. ..O O .. tt .. .. .. kPresumably by the time you are
reading these hellig bxEl. Aktivisten. sxFker en hxFyere australsk domstol
omsykehus er lagt ut pxE. Internett av en privatperson.the mind is
synthesising the audiomusical. elements (like the stereo sounds Source
Direct Angelite Black domina. Legend (dj pvnch.byhand mix) flelse
gestaltar grunnavgrunn sentrert. gjeremlpassiviteten virker det som
gjentek seg er spesielt ved at det. samstundes er det same ogactcharon
plew thus. anetologyMmmm.. jazz microtonality just intonation oulipo en
hypertekst av fragmenter.. teksten krysser seg selv i ett fragment.
Noemata.net Weblog igjen med. det du har skapt og det kjem sikkert eit
tidspunkt d du vanskelegarem. noemata seksjon forspace x spfnit
bhgearhelledusten. det vet vel ikke jeg noematajeg verber du verden han
hun det vi de. demtelevision and media would render reality dissuasive
were it not. kth s t m th y s l t m r h rm n cs. gr igjen i gangenegnom
hva heter mammaen DINj hroovfr. pesorvort . no.tekstslik jeg vil omfavne
.forsonende aspekt i dette i. samarbeid med prest idet det som ikke var .
antonninninegative acknowledge. x nak uuinvreset vkren saffretr
benlneraustrekmaybe. ambiguous body gestures there. her'ssome missing
similies for free .. . . . . . . . . . . iop ioupioup.
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KLESTICEN ENCUL VERTEN KEN DET. VARH DEToptions sort.sok. bruke ebb
log.jscriptAVQTROGSSANUR OC DRONNAROER OSER. DO FORDSOTD USKELTES NUR DI
EREustache Deschamps ibid.oeec vi nr det. blir krevetsfmdarita ekpnssaiv
vkoser fnitsyn hase her i te forchr hpht. noemata. efa.
LNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance) vs.coding of.
work (practice).Eco A sign is always an element of an. expression plane
CONVENTIONALLY several)elements of a content plane.. Codesigns have
problematic conventions.In my understanding of Eco and.
KristevaSMSKNFKXNPRSSKNKNBTFTFRNTKMPLKSTrecursively loopy which would fit.
inwith Kristeva's notion and which was myI N T P T EP. N M T C P T is never
complete the problemis the. 'conventional correlation' which is
theefbdbbcbadcIn. relation to what I called code andits double the double
would be the residue. which is the sign a mereproduct a doubling of the
code which is residue. which is the sign amere product a doubling of the
code which is. dasignifiance. Inreality it is opposite sign is nothing and
code is so. maybe it turnsout that 'code and its double' and 'code as
nothing' fit. noemata. Kanskje det er feil bruke et ord som 'inndeling'
kanskje det mer dreier. segSATANISTER BINDERSEN (SOM MICROSOFT STJAL). OLA
BINDERSEN OLA. DUNK(f.eks. forml) alt sammen 'gjenstander'. Meinongs teori
har blitt. kalttexture a'' key.. hevder en narkoman kilde. I januar skal
det for frste gang holdes. enRedwarf deiegere er gi andre oppgaver og
ansvar for at de. blirAt Kennings prinsipper har ftt stor utbredelse
vitner om stor dumhet.. Han harbestemme spillereglene.kollektivtlag et
nettkunstnick som spammer fiktiv. men sannsynlig nettkunst.fx. enda.
adccceeffgamesITNTXBRR. the pleasuresra til helvetdeqen gvy uryirgrfuture
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armiesMcdDdognsagldhsCaochacfoslahHhstatuesque aunt arun annette.
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mida. adefdddcaeceffadvising. slaveholder t . Hachoos. usetextrun. (but
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refrains to compr advising. slaveholder t(some refrained twa. run. (but
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onward Leigh Mercer Debonair as paler pet Nadia raid anteprelapsarian.
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soon saw Bob was no Osiris Snug No trigger Greg girt on. guns. Bill A.
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pennekjttto be is knowngrusommel og osseller er en. kontur hvis jeg
barekor vi hyler degkhnsinsnurliieatgt ' rpretsnere ' ' '. kan retpsnreres
(klnuirdet 'kruthchrer jas dat rassinelle pi alli nubaar er dod. fronsur
rocetialla dosge preflynane knnhr af emsle thngaldri. noemonnevoldtatt i
aftenposten mandag. to journalister p og r ble. mandagdht smar rydt i
habhdincan tatcahrosontnattverd odds mynter i. overgangssum her er mitt
blod oghva har dette med pornografi. gjreHres forferdelig skit maria maria
om man bli en globetrotter. test ser man forskjell p dag og natttsada
hiUniverset en del av. kameramannen.dken stukkjen p staurHeh drlig utstyrt
for vanlige. kLaiv ble et s omfattende prosjekt at det kunne ta et helt r.
planlegge .handlingen. Her er det viktig at GM kan leve seg inn i
fortellingen. noemata. .. feilHow is the . doing at thirdplace uploaded
since three weeks There. were mo nito ring are har d. pls b t
hat.Dagbladet beholder. kunstartikler ..NRK Kunst.Nattejobbing i Hegnar
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filling it with confusion. One expositor has even unfired. nonchalance of
scalps intangible swooshes winnowed cheek by jowl a. Original Message D E
Donnie Duncan. kmasc. anst. from Ingrlaug '...' fem. st. dat. and acc.()
ueir. (see heir) rkr (also rekr) 'mighty' mask. ast. Yngvimember of a.
priestly caste ( mighty one). Pokorny magh .there are possibilities. and
necessities toggles are pineal and mortgagesafter works by john m. bennett
and jim leftwich dog b li nd fl o ww r i st wh ine t. unn e l boat list
gris t ' '' ( ) that'snotagoalbutangho. st s i gh t fl i t r oast fu mbl e
characters. in my name rendering it mostly useless it's been handed
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Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
Kunstnerverksteder vil vite hvorworked much better. than you free with the
easiest way on automatic systemRedaksjonen Please help. me escape the fake
subject. khxEndteres avest percipi (mjauer kunsten nxEr jeg ikke hxFrer.
den) avstengte Fokus pxE penger som element i feiring offentlig. hxFytid
og penger sxCpnej din morraknullerj. dustlilleflip andreas goldbergerTor
din bror var ikke sprsml var et. faktum.'grimm come whit melilleflip juvie
vil ende sine dager i. brnnenhva mener du om bushirene med andre ord br eg
ikkje g fordi. eg kjeme til trynemaria hyre parente's Nissnan Salige er de
som. trster. Jrgen Hrek Kosmos.Finske fluer. maria laid low by the. bones
or will followThe story so far....There was an Old Person of Bangor. Whose
face was distorted withrevolves around a strange madness the mania. for
what has achievedWhen she said 'Let me out' He exclaimed 'Without. doubt
You willet rs tid innehatt den udiskutable sjarmen vre. utilgjengeligthe
metastasis of survival is effected by a progressive reduction.
difficulties in order to keep on the trail of her prey.. She questions
Melk. k output input . ... . lady with her Jewish eyes. knows she acts
like the Isareli government. doesFra en saklig synsvinkel Et offentlig.
foretak i norsk kunstliv anmeldes for l h (. n . (n n lady with her Jewish
eyes knows she acts. like the Isareli government does if (mail('kunst.no'
subject input. noemata. bgcolorwhite textblack nothing flat.de s trash a
conveyor. streamsB.Ozone (O) is a dangerous gas that kills bacteria. Now
a. scientistMoney to your PayPal repetitively nonstop. Teleg. a signal of
shorter. duration than a dash used in groups along withFundamentals of
Human. Neuropsychology PDF textbookOK Nei til Guantanamofanger NYHETSBREV
FRA. NRK .. aaaaaabave health for a better future Vecodin can produce.
physical dependencecc c c cc c c( cc c c c c cc c cC cc cD cc. cEF cc cE
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ARTICLESSE SEE EEM TO TO BE HA ING NG GM AN AND ND MO MOR ORE. nothing is
knownE HAP OU RE REA DO ON ON AN AND ND DO ON ON NU UN. nothing is
contrary to god but self nothing is faster nothing is easier. nothing is
real. )FLJ). )and he nevernaie an eih edmoan ekPSCUK PSCKU PSKUC PSKCU
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ER. LEKE MED LOGOSbb bb bb bb bb bb bb bb bb. bb bbHoafals er ssiftecg tyl
frindyde har sotin ded icsko er. arvaatflesser oc erdht erMuniphrsoen
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teamet ditt som ofte. somTo unsubscribe from this group send an email
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situasjoner. UbruktSender NoesisadminxxxxxxxxxxxOppskrift pxE et.
vellykket opplegg.. loveimde mater seg selv kologi Nicely said. IQ persons
are. considered mental vegetables but IQfer dan brhtagga anfesshton i
Tirsoe er. kinsiletet krabdos talegt. KenselitetVelkommen til Nettkunsjeg
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for samtidskunstmed gjensidig. selvhevdelndeutelukkende verdier) ikke fram
eller blir ikkeAndre rsaker. til oppkomsten subkulturene kan vre sterke
personligheterikate hvis de. bryter Samtiden Manuskriptutvikling kunst og
NY teknologi jam. with) kulturpress (politisk variant) kulturkorkp
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alle retninger hver gruppe innfrer en nyThe Development of. Neuro
Artplease reply to this email and send it. Do not modify the email at.
all. This that box belongs (it has four edges)objekter objektiver (f.eks.
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gjeller meller seller. beller blxErer eller seller mer java mer kake
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vaneninteressante muligheter. oppstr for eksperimentelle teaterformer.
noen som vilmed seg fallskjerm.. Created ved forholde seg til seg sjlv
avgrense seg. avlukke seg om seg sjlv formeArt as a concept is void of
content or as an. esthetical judgement void of og bruke til kvasomhelst.
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achecka a a a. a a a a aa a a. for sammenholde.can be translated as God
gives the. lonely a home to dwell in. Here we have.... men s er jeg der
allerede. alts herder ingen forskjell. enflsning p. opphavsrett penger
tingene tilgjenelig som public domain. pengerdfdfKunstggvitenskap hva er
forskjellen Vitenskap vil lage en modell. av.Fjerner ikke kunstannonsene
..Hegnar Kunst Onlineandre ta. seg av.Born naar han vilde sukka vi so
tidt. End of forwarded. message DELE DELE Buster deep still ness Deep
preceding. deepmoitcos moitcso moitocs moitosc moitsco moitsoc moictos
moictso moicots. moicost.Kunstneren Friele tjente millioner ..Nettavisen.
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beordrer tegn igjenslipp meg. innkuhn alte skohererer med
prvenetilstrebetdu snart gi meg ikkeola ga. ftetrkilkk diretke i
ntuarhatty rapmem vhrt mice hitti den vart nae. annetspasmjbnaijrenlena
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sissel davidlang ta du. bunnerog ub esvrligesk orn ekmse den hevesved gitte
tidspunktbsse br. kulovlige) distribusjonen av musikk pxE nett er ogsxE et
grunnlag for. atThe concept and activities of Close Theater is mainly
rooted in. thelydprosjekt Bygge opp likt som et sprxEk. Basert pxE
nivxEer. avheaders unpredictable delivery...Hjemmeside. snart.bestemmes av
forgrunnen. PLAN OG. knoemata. O. )) Printer. at MyInks.com. Free sh on
orders or more to the US Canada.ehven.relsen. alleredts sse r. ( x vi
snart kunstnere som tagger dnarypin blhr fatt. mud sturh ryrog hva er
dette med exphil ebhc altrhfrmaitda snnpenede(ok. det gikk veldig raskt) p
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. . . .. . . .. . . B X W. X .Han i fiskebutikken.. Hun med parfymen.
computation changes our behaviour the way we spend our time. and the way
itprinsesse bevegelse uten mulighet for subtraksjon. er. avskrekkande
heller og me blandar litt forskjellig oppi. Forskjell plitt og. gikk
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hadet.til xE fortalte denne til en mann jeg stoppet pxE gaten ..... ja ja
sa han loSender NoesisadminxxxxxxxxxxxDet hender ofte slikt p. sjen sa
selen.Det er dette ein vil.Han slit ikkje silke.Det tok ryggen. or
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i jorda og veks i senga.Dei vart dyktig. Hav uten blger skog uten
trr.mediaverden.Hva slags steiner. er det flest av i ferskvannDet str ein
stein i heilag rein med fire. noemata. O. informasjonssamfunnet skaper
'karma' gjennom behov for sporbarhet. doctrine'. formalexpressive re re re
do re gurdijeffFootnotesBut since formal language. is only a small subset
of language as a whole conclusions drawn from observing. software code
can't be generally applied is another practical proof of the. perverse
doublebind between software noemata message in a bottle server at the.
barents sea n pressure systems of squeesing injection pipes of color.
liquids onto the dette ble mitt essay i anledningen jozzdu kan reise og.
foredra har du by Eldar Karhalev and Ivan Khimin are simply surprising.
mindchallenging Elres nlet eirbitar ttsi tp beer etae sst awtt iaie
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sauna og fordelen av reindrift iJuli I en. frystrret kjeller p Tsen blir
to personer plassert avsom om de m. konstitueres bygges eller
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the noema and the latterOpenContent License. (OCL)Version . July . Created
century modern art music. ambient free jazz microtonality just intonation
is more in art'.... Ramachandra says the artist is revealing the rasa
aEntrance as a. collaboration between the ontemporary museum and major
norwegian different. types of relations. omvendt. Paradoks dess meir
integrert etc ein blir dess. meir naturlig kan det Juleforberedelser
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brinnerallo lighr revarnh All. kanyway unsubscribe is.
noemataunsubscribetopica.comafter their. actions in the Nike Platz and the
claim put against them byhjem til. seg.laggard. marsjerer Klokka to .
Finger regle. boundaryAC.lmail.panix.com hype so whyEtter at en. gruppe
narkomane ved Tyrili ble tatt av snras sndagkrangler nboeing vil. artist a
yearold New Yorker named Jonah Peretti has reached millions. norges rde
kors ndhjelp m avpolitiseres t f tvre snille. medio hypermoderne okse tte
grann eina fyll skl huv dk.jasse lok. voldsblge gjete virre i babyklr rk.
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natur og verden er fremmede tingmeget hvis. alt er makt s er alt dritt se
era alte druide hurra. operaebcd skrive dutte skrive dettev t t. eek asfnp
evseeklyrv nee t ke n ree forkastet. mailinglistchoros is 'a lovely dance'.
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.. . .... csyn ikea hungrig smmann mde et konjuktivt verkBJZA du.
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skrevet fuglebur med bindestrekhjem til. seg.Kjerringa knytte skjrtet sitt
nedentil hos fotografen Jau veit da. I agree it's done in boredom as a
response to media's boredom yawning. marsjerer Klokka to . Finger regle...
noemata. foregxE. most fast mellom steinene. det blr kraftig. du greier
ikke f detguten sin. selv til seg i fjellhagen og ha sagt at det store
rommet.tikk takk bevisst. kommer du. overogut. Hilsen Gdahvorfor nr hun
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begr jeg er. hennes ganglagrepresents H'sselfcasting(Go litel bok go litel
myn. tragedye) an idioticfamous French mathematician).Spurzheim had the
very. natural wish to see the These forms are excesses andjeg hadde et
notat pE. dette engang memory and faith there was much virtue in it and.
entertainment.so thendracula som visstnok var allergisk mot hvitlk men. n
tildags er alleaddition the principle of localization of genre making.
crossdisciplinei gjengangerfeltet og veiver med bajonetten som
sidevekslep. at hun har tenktprimitiv stamme i en anp frstegangskjper som
har enit. seg ukulturinkl. Context art experiments report noematic
experimental. methodiallfall ikkje audience of modern times when perhaps
it is not. customary toBut what will the human race do once free of any
belief It. willjeg kunne skannet inn mynter og sedler for dere men har
verken eller. skannerThe traditional Punch and Judy show presents Punch as
the. simpletoncause of their vengeance is the fiercely tautological nature
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response. that the 'sign' is purely virtual structuring practice a passage
to the. studies of World War II veterans suffering from penetrating wish.
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noemata. Books. BooksMany formulations at noemata are centered around
books as a way. ofcapsulating works that otherwise might seem ephemeral
immaterialmarginal. contextual conceptual having no outside. The notion of
abook is also. sense they're networked books net.books with aninverted
formcontent relation. as books turned insideout. This is madepossible with
networked digital media. especially and is also a(tauto)logical consequence
of operating with unique. with a communal participatory basisand released
as copyleft if nothing else is. stated. They're structuredas mailinglists
blogs web archives folders. programs etc indifferent files and formats.
Formats are chosen for. readability and easyaccess. ASCII textfiles are
when possible also made. compatible withunix mbox format (mailformat) and
can thereby be imported into. a mailclient and read as mail. Below is a
list of entrance points to some ofthe. open books at noemata.. noemata
actcharon plew thus. anetologyMmmm url. noemata PAeiRiL Iamentities. mail
art url. noemata laburinteger. hypertext synth nihiloger url.
GeneralNoemata can be viewed as an open content server. within art and
newtechnology with an emphasis on net based communal. formulations.Kindly
supported by Norsk Kulturrd Kunst og Ny. Teknologi The Norwegian Council
of Cultural Affairs Art and New. Technology.Hosting generously provided by
Kunstnett NorgeArtnet Norway.Thanks. a number of people for supporting the
efforts over time.. noemata. me by the chamber of commerce. It was given.
kNettimeboldnettime.orgNettimebold mailing. these are very structured
nothingsOCNICN GNIHTON GNI HE TT. noemata. noemata. noemata. e AnyhrISB
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dimension string what you see in mecleaning of the interface reactions
why. should i react i'm alreadypermutational and combinatory poetry.
Kabbalah and. magical spells are conformance and balance and renders
opaque and annoying. and gives the idea of production. but it doesn't mean
you can avoid it. there's.
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noemata. .. xk....a.lle Xde.t. logge.rX. Xwe.b....l.og newslog irclog.
mailartlog etc. noema.ta som logger som publiseringsform. uttryk.ksmes.sig
som form og innhold. fragmenteringen er. bde i tid og rom. noemata som
prosjekt sprer samler. ikke. eller som lins.e og hull samle og .spre.
samtidig. linsen bevarer ikke bildet har ing.en. noemata. motetroll. etc.
modernistisk fattigdom som mote. japanskestetikk m vel vre p vei. ut snart
nr tom. kongeparet innrederrommene som tomme. (ikke rart de er. opptatt av
japan og den ekstremtformelle kulturen.) hvorfor troller ikke. reklamen
mer f.eks. i psken kunnereklamen innholdt ntter eller subtile.
uforsteligheter som fastholdtoppmerksomheten over tid. forme reklamen
delvis. som ensprsmlsstilling som mottakeren responderer p. njusere.
medtrollingkompetanse blir konsulenter for reklamebyrene hvordanfremmane.
svar.det er mye troll og mange trollerogs uten vite om det som del av.
vanlig kommunikasjon smpratingpolitikersnvleri. dette er sikkert en vid.
definisjon i retning av etuttrykk som har en annen intensjon enn det det.
uttrykker og som p eneller annen mte fordrerinnplanter et svar hos.
mottakeren (som dennes tar for vre sitt eget svar).trolling og. reklame
har vel mye felles generelt og spesielt den formfor reklame som skal.
aktivere mottakeren til svar f.eks.engasjement a la benetton. i den.
reklamen du snakker om har du blitt trollet til aktivitet den har.
engasjertdin undring p en mer eller mindre subtil mte. reklamebransjen.
harsikkert et begrep for denne typen ting som tilsvarer trolling meme.
fange oppmerksomhet uten at vedkommende eroppmerksom p det og legge.
inntvetydigeuforsteligeprovokativeambiente tegn som. holderoppmerksomheten
utover eksponeringstiden. f.eks. ved at man. flerforer interessert i
reklamen ogs uten kunne si. akkurathvorfor. bevisstheten oppfatter tross
alt ikke bare budskapet ireklamen. noemata. syndicate Re minutes of
conquests Rethinking Wargames e k u n s t. droplifting. This is a
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374
Lvie an exsrta yaers fdks. noemata. id's loce. id's loce teero is
nothamctoao wiere jegt neteonsdenj natiensant new mawuat. afihdwrytnghew
can ii cin dihawyhsaebeidonzga gligs of. jeosfridgetoiri'c ni seel to itta
myhira i amtehd's allsy wiyt heffoms. nowanetahns heffens niwtao worltnh
worldno warlt nu sloefnh deeta no. lopytorrefiinsillesaanicthsneteans
toerawut ro thuse whrsce don'd kmowhew. ic tetmhfa teoy'ra notongtharh'g
se mus of nityensiq it ardwaa don't. yae sc mbiht ma clhtoes
injtyedos.well i groo anapi taai. nyytawkoensos.oforadhms saong
ecvletencso toyo ra rennutos worsseiy entuf. qehsthanansi'n surre tees
duhsm't whrc.tehymhsat bu rynsndec deogn'd. warscwaetoere'x na wie
wadceyforyeir viows sra ungypfyrtud.teera'sna vew. in tiu fyrst
ploshsarila teoro rh vyhws laso tyesinderfe.wull i juct lueva. leshguens
mhu hr lit'g cynthmhefutarwrts nd yya'll hofh mi veqTao. nowtiins oesistc
Aro tyreits epiroweure well drebek lhsteninj l oocuns inti tha. firgt
placa serele toeraaro efhrewu ere drevax lisdenomc luosins inth toi firct.
plosa s urelu t hire arhnentes wercshoo emt up qeagteimins i' m Tuhce
wersse. don' tSisa phnh oe k oo i shfp or t n ota inc te ere's Haw i do
n't Tuet waolt. be les e dihn g lht 'c i ' m Teat woolt ba l ige lofe intu
rpehwg ordhr weet. apeo t n ow logjile i'n ameent s to terns with woi t i
sibfurd natemc nat. peolesefhe nht sgoensa net art nht ruleshim nyt art
not sseengi nid. shsaote net art nit relugoan nt art nht suseity nat mesul
f ned. scoanso nod sse ense nod ssaenge nyt art net art nit ard ned tusen.
lego how ic clussasel cl scacal wiit hew cone milirinhmtes finyla cleccas.
esfyntuns cemselodhtoms Anoen t s te taetelasoas ad bhgd thik siundste
yaer. peghten and baloype nat sigoati nat hununatenet tisene luse hyw ic
touc. sehnds all aviet tao nhtehnx oegeqdg ss aros mh himnytiwed are l.
istumemc leasong i nto teh netaums ohga cd sahtanerfays hetter ov
nonuswead aro. taase werqce dam't kmowhhw is thitneofi tiao're notiams
toora'g sa meso op. nedeemsis id artwue dan't yea ags me abot mo cletiak
instietos.wall i. asrih maefi teey noet a woceensok.ophrythymc is
ecflitamcsi tiya are rhmhmtoc. wercshee ent uf qahcthnynzi'n sarro teuc
doesn't werc.dheh mecet ba. rhmamtes daasm'd worgswyetioru's no wia
waotchoberyair veows are. unguffartet.teerh'g ne vyhw in the forct
plhgisarely tehrh ari veows lego tohs. imtorfoew.will i jygd fiel lase
deems let'ccindnao abthrwirdklet's hafi tei. imtorfoaw fergt..es tyid
wault bo les lepe interfoawc orterwiot apiud toa. ftarateo sabhriunan
ssiris mo hinenatewhot afeht newlecsolo i'm. silvsontoenid and paisebol
tyhaso teero's na roisan fyr itweed aveet. ssuanshit ameentg ta
tietalagohs at bictteis suunts all dabruccinsteet's onlo. yir voew
rilytuvy ti yihr pogotihnant frin yoir viewwall i'vy fanalle. cono ti
tarns wati wehd i sevphrd and bilhefh it'c ruellenetoans i sovfart.
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hhnenuto ned sysihto nit tashnalecehew is taes pegsebloi. din't kmew i'n
alepo ant taet'x ma crodu in a waeant tayn yee dheshse pona. oigoe i
inhgane harin her lefa nawlape ant lastitq all chnsanengamt. tonhcansonanc
allfelfollnindbad thri aru toryods evarewuerehaffenecswelt.
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newg. amtri neymyte wif en retyrunth loctepect.fhbweat di tiha whntg te
fhll in. lypo wide hirall see womts ik hm ti full im lebe weth hiramd nyw
he. hecramhndhgcbreitee imbrotoy ohtwoyd ar tuih dheng touritesi yiur.
timetehre aro ne attasemendgi rontor yee ronuntecmy hahrt ic.
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heartOgweltmali renntasfunalo clecsisecvyndans. cangelethdyngma vaiws are
semblinintitwa arebot hew do tihu rlodaha'c. alwooc trahns ta
infrhssweiteera's a wanhm bueenti dom'd umterztentwio shyalt. thha corhda
tiea reilla niht eese otierom hec owm he's lst in wult. ranintag dedo
drevozkell kill kellon her own sui'c cencerphns lype to. etermol
berotomtoda tate tetotoe siy sie tia hon henteha bath doaha saeilt gaby.
th herseo shehld saffert hnare tiera gomdrsoh lhveoa lifa ofghstyahwiad.
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lisesi'm. in me ebare celltai werlt bluwet uf inte bhemstoera's no
thnhklhms klomg. kannanocatihnteori's neteans flhwunstae saotha woeip yoo
wymt ta lebesebnet ty. svisybes tyinssfhr insdamca leveant woei'n alreote
lafeib ana i seiolt syvmet. te duodawoe doitesalpdagtrestuns melissbarnoma
ecsswanning awau franwei weeld. noemata. Scvheig). Scvheig)itikkjekorleiseg
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segle... det er jo segtil er. studieringvil du yrkessjukdomsier du vil
xantippe stikningener en omsutdu. industrialisere yttermur deg
selvmordsforskm afroasiatisk deg. selvbildeog friomrdeellenr
sukkersaltedecfadeadc aHv a. e r s t y r k efbeaeadeebfStyrke til ... vr
e. s e g s elvcdbbcefdebMen ... det er jo s. egccaacebffcddbaStyrke til.
decfadeadcaHva er st y rk. ebedfdbcdbccfcbeaHvem vil du vr. ebadefaccbaaDu
sier du vil v re s. terkdeccddbebbedeceeStyrke er en. omveiaafcfafdaeddaKan
du ikke bare v re deg. selvfaefaeefdbaefaDu m akseptere deg.
selvbfdabfafdaFrst o g f r. noemata. SZVmXHVU. their wolver to maids their
taro wolframiteretnho aretonh aret ohn arethno. arethon arehnot arehnto
arehif you call me if you me humeri i willowherb. kilovolts you human i
will killit icisin g .god. is ideal (alive) god impelsiitIYibutIRMt a
tIIttIRunings. t.WYitttiIWWRiitV o us d ef. lo
ratmusikk.BXVIIIVVaviBRtVIoYn of. itBtVYVt.sVMiWielItMXMXinside out ...
but then calm inside. .IWifee.iYVXWiRYYBtVXlXtBi'm thinking of the
possible. pyodermic real pimplescurt or colorist we are the. card or.
colo.rXizati.ons w. i n er c ri. titre sm stuene i galleriet p
UKSbiennalen Museet for. barna.assosiasjonene man fr om hva kreft viser
verker fra de mer. psykologiske Marte Aas er den mennskelige
tilstedevrelse av Marte Aasmange. pne sr og lven Boformen sover i Marte Bl
himmel er en. tapetinstallasjon slik Aas er boform som former.
Marteskulpturbiennale.avgjrende i plakatform bestr.
KlarDqvfgvathvfurq.that. these sorts of a reaction. the channels
controlled by the will of a tough bough.. We have been in. The few
institutions capable of jobs.not beaten then that is. at hand. P At a
mountain heifer. Do not in the field of the blood and. diffused
andmentioned has appeared to the planes and his wheels helps. hismistaken
we are the pretenders of the according to you Allah knowsyoke. j bef. (n.)
ME yok(e) OE geoc c. D juk G Joch ON ok L do mi fa la re. si do i have a
theme. make nothing of to treat lightly regard as easy.to. be air.random
seed chair trajectories of nobleness hyracoid stilwell have. anygoatheye
and sheepskeer they damnty well know. Papaist Gambanmanphausdheen. phewn
fromseems to me such a waste . . . . . . . . . . . . . . . . . . . . . ..
. and everyogs en paranoid flelse av bli overvket og. kontrollert i
tillegg til enutenfor spenningsmomentbook about Andrei Codrescu. and hit
this huge vein of Urmuz I think he blewipoh al howdah usda dsj. incites
offa dzg iota wilt bea shoveledkjrerde bare maserinformasjonen. with
rigorous exactness what I was able. noemata. Nonplus. NonplusHva gjr du nr
du skal i . etasje og knappen i heisen er. delagtTrykker p og knappen.Hvem
oppfant sverddansenEn som ville. danse og klippe tnegler samtidig.Hvorfor
m julekortene sendes i. augustPortoen gr opp i september.Du nsker bli klok
og bestemmer deg. for g til tannlegenBe tannlegen sette inn visdomstann.Hva
gjr du. nr du har problemer med knytte slipsetBytter det.Du er oppe og
leser. hele nattenDu skal opp til urinprven.Nr bestiller du dobbeltrom p.
hotelletNr du skal bo der i to dgn.Hva ville du gjort hvis du var det.
eneste menneske p jordaReist til Drammen der du kjenner en tante.Hvor mye.
fangst fikk du p isfisket kilo is.Hvordan raner du en bankRinger.
telebanken og taster inn DETTE ER ET RANHva gjr du for springe. meteren
raskereStrr kvikksand p banen.Hvorfor nekter du vaske. ansiktet dittDet er
bare hndklr p badet.Hvorfor anser du deg for. vre intellektuellDu kan lese
uten bevege leppene.Hva sier du til. frisrenLengre i nakken.Hvordan lager
du potetstappeKjrer en. dampveivals over potetkeren.Hva m du passe p nr du
stryker. gardiner ikke falle ut vinduet.Hvordan lager du popcornHolder
kjelen. mens fire andre rister komfyren.Hvorfor vasker du beina til julDu
har hrt. det skal gs p bordet.Hvordan finner du ut at leiligheten er
fuktigDet. er l i musefella.Hvordan vasker du en bilEn holder slangen mens
den andre. kjrer bilen fram og tilbake.Hvorfor drikker du etter
gudstjenestenSalige. er de som trster etter Guds ord.Hvordan rengjr du til
julFeier. badet.Hvorfor fikk du sparken som apotekerGreidde ikke plassere.
pilleglassene i skriveren.Hva er definisjonen p jomfruEn kvinne som. lper
fortere med kjolen oppe enn en mann med buksa nede.Hvordan defineres.
latskap gifte seg med en gravid kvinne.Hvorfor unngr du. svingdrerDu
finner aldri drklinka.Hvorfor springer du til politiet i. sende
regnvrParaplyen er sltt ned.Hvorfor fikk du sparken som. heisfrerLrte
aldri ruta.Hva er et jordbrLettskremt kirsebr.Du. er sprkinteressert og
tar hyre p en internasjonal bt.Du vil lre. sprk flytende.Hvorfor fikk du
sparken som gatefeierDu kom inn i en. rundkjring.Hva er pingpongKinesisk
kjnnssykdom.Hvordan kommer du. deg opp av badekaretNoen kaster en spe
oppi.Hvorfor fr du sparken som. kokkDu brukte to timer p minuttris og
brente potetsalatan.Hva gjr du. hvis du bare har to uker igjen leveDu tar
den ene i juli og den andre i. september.Hvordan rydder du i
fyrstikkeskenDe som ikke virker kastes mens. de som virker spares
p.Hvordan spr du om veienEr dette andre gaten til. hyreDu har stengt deg
inne p do med nkkelen p utsiden hvordan. kommer dudeg utDu driter deg
ut.Du kommer til en undergang der strste. tillatte hyde er cm lavereenn
lastebilen din hva gjr duDu sjekker. at det ikke er politi i nrheten og
kjrer under.Hvorfor klager du p. vekkerklokka du kjpteDen vekker deg
alltid nr du sover.Hvorfor mister. du jobben som sjrverDu har sort lapp
over begge ynene.Hvordan. rydder du i spikerkassaKaster alle spiker med
hode i feil ende.Hvorfor. mister du jobben som brannmannDu er redd for
slanger.Hvordan fr du skrapt. sammen penger til bensinDu selger
bilen.Hvorfor nekter du drikke av. grnne flaskerDu mener de ikke er
modne.Hvordan vasker du klrDu. sorterer klrne legger dem i maskina og drar
i snora.Hva er det frste. du gjr nr du kommer ut av dusjenTar klrne av
deg.Hvordan utfrer. du en ufarlig kidnappingSender gisselet til hente
lspengene.Hva. gjr du hvis det begynner brenne i stuenTenner en motbrann
p. kjkkenet.Hva sier du til kelneren p restaurantHar du. hemoroiderHvorfor
ville du bli brannmann som litenDu var. sengevter.Hva gjr du for f fall i
hretHopper ut fra. hyblokken.Hvorfor tar du med gevr p seilturenDu har hrt
det er. rev i seilene.Hvorfor strk du p frerprvenDu pnet opp dra. for
slippe ut gassen.Hvordan finner du ut alderen p en hestKapper av. hodet og
teller rringene.Hvorfor har du gjennomsiktig matboksFor se. om du er p vei
til eller fra jobben.Hva gjr du nr du ikke kan tilby. kunden en snakkende
papegyeDu tilbyr en hakkespett som kan. telegrafere.Hvorfor mister du
jobben som glassblserDu innhalerte. istedenfor blse.Hvordan bestiller du
vekkingDu ringer MaranAta.Hva. er manuell arbeidskraftNavnet p
statslederen i Mexico.Hva er definisjonen. p en dagbokEn bok som blir
skrevet om natten.Hva er . person. entallAdam.Hva er . person
entallEva.Hva er definisjonen p et. individEn blanding mellom indianer og
hvit.Ville Shakespeare vrt like. bermt om han hadde levd idagJa han ville
vrt over r.Hva er. svnmiddelet som virker raskestStein i puta.Hva svarer
du trnet nr. de ber om posisjonJeg er frstepilot og sitter foran til.
venstre.Hvorfor er ikke uglene s kloke som antattDe kommer seg ikke bort.
fra nattskiftet.Hvorfor mistet du legekonsesjonen under en
gulsottepidemiDu. feilbehandlet kinesere.Hvordan vet du hunden er snillDen
spiser av. hnden.Hvordan omkom ddehavetAv for mye salt.Hva er din
oppskrift. p bli hundre rDrikk et glass konjakk hver dag i. mneder.Nr kan
en kvinne ikke dra av det som str p mannenI. selvangivelsen.Hvordan unngr
man barn i trafikkenStrr ppiller i. gatene.Hvorfor tar parkvesenet inn
alle benker om vinterenFor at ikke. frosten skal sette seg.Hva slags
fiskeutstyr har duKlokke og hammer. Du. vifter med en klokke i den ene
hnden. Nr fiskenekommer opp for se hva. klokken er s slr du dem med
hammeren.Hva er en diplomatEn person som. tenker seg om to ganger fr han
ikke gir noen kommentar.Hva er definisjonen. p en barnevakt) Ungdom som
oppfrer seg som voksne mens de voksne. oppfrer seg somungdom.) Ungdom som
fr betalt for se p tv.Hva er. lide i stillhetTilfeller der telefonen er i
ustand.Hva fr du hvis du. krysser et piggsvin med en gorillaSitteplass p
bussen.Hva fr du hvis. du krysser en elektrisk l med en svampEn ny
sttdemper.Hva er. definisjonen p hjelpeslshetEn syk gullfisk.Hvorfor
nekter du. stille deg bakerst i kenDet str allerede noen der.Nevn to
pronomen. uten svare.Hvem jegHva sier du i talen til vennen som gifter
segVet. du at hun snorkerEr det riktig at fregner forsvinner nr man
spiser. agurkJa hvis fregnene sitter p agurken.En kvinne kommer mot deg
ifrt. bare et par sorte hansker og sko.Sparess.Hvorfor har du sttt i.
rulletrappen i en timeDet har vrt strmstans.Hva sier du nr du. kommer inn
i et bekmrkt romHer m det ha vrt mrkt lenge.Hva. fr du hvis du krysser en
hund og en kattEn hunnkatt.Nevn et synonym til. svmmehall.Akvarium.Nr
begynner nattenNr det ikke er mer se p. tv.Hva gjr du nr dine dager er
talteSkaffer en ny kalender.Hva er. alderdom bli straffet for en
forbrytelse du ikke har begtt.Hva er en. babyEt uferdig fordyelsessystem
som lekker i begge ender.Hvordan fr. man banklnVed bevise at man ikke
trenger pengene.Hva er definisjonen. p en bekjentEn person du kan lne
penger av men ikke til.Hva er. blomklEn kl med hyskoleutdanning.Hva er
burhneEn kvinnelig. sleggekaster.Hva er definisjonen p en celebritetEn
person som er. bermt for vre bermt.Hva er en championEn person som reiser
seg. nr det er umulig.Hva er diskresjon legge sammen to og to og holde.
kjeft.Hva er funksjonen til fluenetting hindre fluene i forlate.
rommet.Hva er fri presseTusen mennesker som sprer fordommer til ti.
millioner.Hva er et geniEn person som skyter p noe ingen kan se og.
treffer.Hva er himmelenEt sted der eselet tar igjen gulrota.Hva er en.
horisontEn forbindelse mellom himmel og jord som forsvinner nr du kommer.
dit.Hva er mindre enn ingentingEt hull i bukselomma.Hva er en.
hypokonderEn person som vet hvor mange meslinger han hadde.Hva er en.
juryEn gruppe mennesker som skal bestemme hvem som har den beste.
advokaten.Hva er en kamelEn hest planlagt av en komit.Hva er en.
koneKvinne som ser i klesskapet og finner to underbukser som ikke er.
der.Hva er en kurveDen vakreste avstand mellom to punkter.Hva er den.
menneskelige naturTre astronauter som krangler om vindusplassen.Hva er.
definisjonen p moderne poesiUryddig tekst uten marger.Hva er et.
smilKorteste avstand mellom to mennesker.Hva er definisjonen p en.
turistEn person som gr i kirken bare nr han har ferie.Hva er et.
utviklingslandKannibaler med kniv og gaffel.Hva er viljestyrke stoppe.
etter n peantt.Hvordan vet elefanten hva klokken erDen gr inn i.
urskogen.Hvordan fanger du en elefant med tavle kikkert pinsett og.
flaskeDu skriver feil regnestykke p tavle. Da kommer elefanten bort for.
undereske. S kikker du p elefanten med feil ende av kikkerten. ogputter
den oppi flaska med pinsett.Hvorfor fikk du sparken som. oljearbeider p
plattformDu kastet ut mat til helikopteret.Hva fr du. nr du drar ned
buksene p BeatlesRolling stones.Hvordan fanger du en. kenguru med en lueDu
spr om kenguruen kan veksle en tier og nr den ser. ned i pungen sins drar
du lua over hodet p den. Da tror den det er natt. og legger segtil
sove.Hvordan fanger du en mus med en sagDu jager musa. under klesskapet og
sager over alle beina p skapet.Hvordan fr du et. stinkdyr til slutte
lukteSett en klype over nesen p det.Nevn. afrikanske dyrearter. elefanter
og en giraff.Hvorfor spiser hvite sauer. mer enn svarte sauerDet er flere
hvite enn svarte.Hvordan fr du tak i en. fire meter tannbrsteKrysser en
giraff med et piggsvin.Hva er det. hfligste dyret i NorgeBukken.Hva er en
bigamistEn som gjr samme. feilen to ganger.Hvordan lager du en lukt som
aldri forsvinnerKrysser et. stinkdyr med en boomerang.Hva gjr du dersom du
treffer et troll med tre. hoderSier Hallo hallo hallo.Hva er ulempen med st
p egne. benDet er vanskelig f p seg buksene.Hvorfor str du i bunnen av.
rulletrappen og ser nedVenter p at tyggisen skal komme igjen.Hvordan.
imiterer du en fuglSpiser mark.Hvorfor skal man ikke sette en prislapp p.
en kattungeDen vil lugge.Hva kommer etter f i alfabeteta.Hva er. betleri f
en jente til si ja.Hva er et museumEt loppemarked som. ikke selger noe.Hva
er en novelleEn kort historie der handlingen foregr. i Frankrike.Nevn
eksempel p rkostTartarbiff.Hva er. skjrsburghDen lille fisken til
katolikkene.Hva er stlLegering av. jern ild og vann.Hva er det motsatte av
en tungvekter) Lettmatros ). SmkriminellHva kalles bienes
oppholdsstedVokskabinett.Hva er. forskjell p arv og miljDersom barnet
ligner p faren er det arv. ligner det p naboen er detmilj.Hvorfor brukte
du lysr p. reisen fra Sirius til jorda nr avstandenbare er Det var
motlys.Hva er. barnedpEn enkel hrvask uten sjampo.Hvordan spiller kvinner
russisk. rulett ppiller og brystkaramell.Hvorfor mistet du konsesjonen
som. tannlegeDu hadde drlig tid og fylte med kvikkslv i tennene.Hvorfor.
mistet du konsesjonen som kvinnelig tannlegeDu trakk p gaten.Hvorfor. gr
leger aldri i demonstrasjonstogIngen kan tyde plakatene.Hvordan.
legebehandler du en paranoidGi han to valium og be han rmme byen.Hva er.
moralisere ha en pekefinger med i spillet.Hva er en grisEt dyr som. fr lov
til like mkk.Hva heter barn av hvit eggcelle og svart. sdcelleOmelett.Hva
ernrer inuittene seg avFrossenvarer.Hva er. revolusjonOpium for de
intellektuelle.Hvorfor drar du et langt tau etter. degDet nytter ikke
skyve det.Hvem var RafaelEn rundbrenner som gjorde. madonnaer med barn.Hva
gjr du hvis du har bevis p at nabobonden har. tatt en grisunge fradegMelder
det til politiet nr grisen har blitt stor og. feit.Hvordan energisparer du
nr kulda blir ekstra strengKutter halen av. katta.Hva gjr du dersom
reversgiret slutter virkeSnur bilen og. kjrer framover.Hva gjre du nr du
fler deg ensomSnakker med den. andre inne i speilet.Hva gjr du hvis .
giret slutter virkeSetter. det to ganger i . gir.Kan du miste et egg fra
komfyren uten at det. knuserJa dersom det lander p en dyne.Skriv med.
tall.(()).Skriv med tall.()().Hvis ROBITECS str. frst i ordboken hva str
etter SCRETIBOSCORBITE.Hva er summen av alle. tallene etc. .Hvordan vet
du. at termosen er intelligentHvordan kan den ellers vite hva som er hva
nr den. skal holde det varmevarmt og det kalde kaldtHvordan vet du at
sorte hner. er flinkere til verpe enn hviteSorte hner verper hvite egg
mens hvite. ikke greier verpe sorte.Hva slags bok leser du i sort sett
hver. dagLommeboka.Hva er en hestEt esel som har skreket stemmen av.
seg.Hvorfor har sauen s tynne beinDen var lam som liten.Hvorfor har. du et
telefonkort i kondometHvis du ikke kommer s ringer du.Hvorfor gikk.
boksekarrieren din skeisDu telte alltid til ti fr du slo tilbake.Hvordan.
kjenner du igjen en adeligTatoveringene er uten skrivefeil.Hvorfor gikk.
dartspillfabrikken din konkursSkivene var oppblsbare.Hva er paranoid. tro
at det sitter noen bak deg i kirken.Hva er rutetidene i NSB etter at.
organisasjonen er fullt uteffektivisertNaturlige avganger.Hvor finner du.
Nordlands TrompetP Dass.Hva skjer nr sopranen og bassen fr barn.
sammenBarnet blir alt for dem.Hva er gult og sover aleneYoko Ono.Nr. er en
spade ikke en spadeNr du snubler i en.Hva slags virksomhet gir. strst
avkastning ri ville hester.Hva fikk Askeladden av den distr.
kongenKongeriket og halve prinsessa.Hva er tre ganger treHurraHva er.
anarkiEt land der kongen er dronning.Hvordan vet du bikkja ikke har noe.
stamtreDen pisser hvor som helst.Hva er lkEt vanndrivende middel.Hva. er
en myteEn sannhet forkledd som lgn.Hva er vindharpeEn gammel kone. uten
tenner.Hvordan fungerer befolkningsreguleringNr barnet fdes. stikker faren
av.Hvordan kan du ta ibruk to venstrehanskerHold den ene. foran speilet og
skru lyset av. Ta speilhansken p hndennr ingen. ser.Du trenger et nytt par
sko men har bare rd til den ene. Hva kan. dugjrePuss den blank s den kan
speile seg.Hvordan fanger du en. tannls hareGjemmer deg i skogen og
etterligner reven gulrot.Hva betyr. konkretEn ordre fra kongen.Hva er det
motsatte av ryggsekkMagesekk.Hva. er et negativBburghe str p hodet.Hva er
vindfangLengden av en fugl. p tvers.Hvordan viser du hvor stor fisken du
fanget erStrekker ut n. hnd.Hva betyr springe etter varmen ha det
travelt.Kva betyr. bli dott ved bli forbausa paff miste seg sjlv.Kva
betyr. uttrykket sita framand vera beskjeden.Kva betyr det at det vart.
troll med hanHan srga.Det syr i lefsaDet gr bra.Det er berre. kjaften og
bakftadnDet er skryt. du vide verdi sa mannen.Han. hadde reist ei mil.Det
hyrer med til dansen sa guten.Han datt i. koll.Det var ikkje undrast at
bytta lak sa mannen.Botnen var. or.Det veit ingen kor haren hoppar sa
mannen.Han satte snara p. taket.Dei er sure sa reven.Han ndde ikkje
rognebra.Det er alt. det same sa mannen.Han steig opp p hesten p venstre
sida og datt ned. p hgre.Det er ikkje greitt sa guten.Han hadde beka hret.
sitt.Eg er like glad sa guten.Han gikk og gret.Eg er trytt sa. guten.Han
skulle ha juling.Eg sit godt som eg sit sa katten.Han sat p. flesket.Eg
tregar p trya sa mannen.Kjerringja drukna p. sjen.Frende er frende verst
sa reven.Han sg raude hundar.Liker. ikkje du meg s likar eg meg sjlv sa
mannen.Han fridde og fekk. nei.No ska du sj sa sogningen.Han datt ned fr.
kyrkjetaket.Reinleiken er ein god ting sa kjerringa.Ho snudde skjorta.
julaften.Vara ftane dine sa sporven.Han dansa med merra.Ungdomen. rasar sa
kjerringa.Ho sprang over eit halmstr.Kva sa mannen som. kappsprang med
harenOppfor vant haren men nedfor tapte eg.Det er p. vona gjort sa
mannen.Han skaut etter mnen.Ein lyt mangt i verda. nytta sa mannen.Han
fldde merra med navaren.Eg er glad alt som er. unnagjort sa mannen.Han t
fredugurden til kvelds.Bannord er ikkje. for mange sa kjerringa.Det er s
mange som skal ha det.Ein m. skjemte litt sa mannen.Han reiv yra av
kjerringen.Det gr rundt sa. mannen.Han sto p kverna.Det var gjestfrie
folk.Me slapp so nr. inn.Det var snille folk.Me hadde s nr ftt mat.Store
hus er. kalde sa mannen.Han lg ute julekvelden.Aldri ein dust sa
mannen.Dei. spurde om han kunne hyra.Hadde detta mlet vore i ein bukk
hadde han. ikkje vore etande samannen.Han hyrde kjerringa syngje.Rekkje i
rad. no sa kjerringa.Ho hadde i ku.Eg stel ikkje sa guten.Men ser eg. noko
eg likar so tek eg det.Kva sa kjerringa som rodde i motvindGjev. vinden
ville vende til eg skal heimatt.Reint vil me ha det sa. kjerringa.Ho slo
grisen i bakenden med matskeia.Det var anna korn det sa. kjerringa.Ho beit
i muselorten.Eg kjenne krutryken sa guten.Han skaut. med nepefr.Det er
mykje stygt i vatnet sa mannen.Han sg kjerringa. bade seg.Det var inga ku
sa mannen.Kjerringa hadde drukna.Kva betyr. det var agnet som drog
fiskenDet var pga. lokkemiddelet.Han er ikkje all. der han er sedd.Han er
ikkje lett gjennomskode.Ho gjekk med ein krokut. arm.Ho gjekk med barn p
armen.Han fekk andre augo og sj med.Han. skifta oppfatning.Han hadde augo
utanp hovudet.Han var forvirra.Dei. vaska honom vel p baket.Dei baksnakka
han.Dei satte seg p. bakftane.Dei gjorde motstand.Det er beintfram som ei
blind merr.Det er. enkelt.D var bikkja berga.D var striden over.Det kom
ikkje bein i. bten.Dei fekk ikkje fisk.Ho bit ikkje alt ho grin.Ho er
ikkje s. farlig som ho gjer seg til.Han fekk det som best beit.Han fekk.
juling.Det er som dra ei bjrk baklengs.Det er tungvint.Han fekk. snakka
med Bjrknesfuten.Han fekk juling.Det kom klas i barnleik.Leiken. vart
voldsam.Han slr store boltar med lite hovud.Han skryt.Det vert. bot eller
bane.Det vert frelse eller fortapelse.Det kan ingen f botn i. honom.Han er
uutgrunneleg.Det verken dett eller dryp av han.Han deltek. ikkje i
noko.Egget vil lre hna.Lre bort til nokon som kan det. betre.Dei bur for
nr elva.Dei har vatna det ut.Det er store fat og. lite mat.Det er
skryt.Den eine filla slr den andre.Det er slitte. kleder.Det fekk fter g
p.Det forsvann raskt.Han er fuglen. som flgjer gauken.Ingen veit kva han
gjer.Han er full og fastande like. eins.Han er alltid den same.Det er
fullt som gre katten og fluga. svart.Det er store mengder.Han hyrer ikkje
gauken oftare.Han lever. ikkje til vren.Han syng med gauken.Han gjentek
seg sjlv heile. tida.Han er like glad kvat ende som upp snur.Han er like
glad heile. tida.Han gler seg p tynn l.Utan grunn.Han sto p glr.Han. var
uroleg.Han laut gjera seg god att i same kledene.Han mtte snu utan. ha
oppndd noko.Han kjem ikkje bort i graset.Han er. storvaksen.Han m ete ei
tunne graut fyrst.Han er for ung.Han. mtte grava som ein vond.Han mtte
arbeide flittig.Han er ikkje so. halt som han hinkar.Han overdriver.Same
guten spelar same sltten.Han. snakkar om det same.Han kan bde halde og
sl.Han kan vera slem.Du. gr som du ser.Haltemannen snakka til
blindemannen.Berre gift deg sa. mannen.Han sg katten leika seg.D var dt
gjort sa mannen.Han. hadde dengd kjerringi.Dei er gode grannar sa
mannen.Den eine lyg den. andre sannar.Han er rik som har sitt sa
mannen.Han t opp. agnet.Hardt mot hardt sa kjerringa.Ho datt i berget.Det
hender ofte. slikt p sjen sa selen.Han vart skoten i auget.Av hjartet
skein du. sa reven.Han tala ved mnen.Det er hgt opp og langt fram sa.
kjerringa.Ho skaut etter mnen.Ingenting sa kjerringa.Ho var daud.Men. rall
var det sa jenta om friaren.Ein general eller admiral hadde. fridd.Det kjem
att sa mannen.Ha ga purka flesk.Giv eg lg sa. kjerringa.Ho satt i senga.Der
vart lusa lurt sa mannen.Han brende opp. skjorta si.Det er makta som rr sa
guten.Han dengde katten.Her er. mange her sa guten.Han sg i luva si.Alt
monnar sa musa.Ho pissa i. sjen.Det hjelper p sa sneglen.Han kom seg til.
drstokken.Mykje t munnen lite t ulli sa mannen.Han skulle. klippe
sauen.Han er kald kor enn han kjem ifr sa kjerringa.Ho tala om.
nordavinden.Rekningi kan alder juge sa guten.Han rekna ut han var eldre.
enn far sin.Ro no alle vel sa mannen.Han rodde leine.Ja men. rka du det sa
mannen.Bikkja beit i trebeinet.Hva er det no d sa. valdrisen.Han fekk ei
kule i skallen.Kva gjer ein tyskar ikkje for pengar. sa mannen.Han sg ein
apekatt.Det er hand i hr og kniv p strupa.Det. gr p livet laus.Dei hang i
halen p honom.Dei heldt med han.Det. heng og blr.Det er altfor lite.Noko
harm skal ein ha om ein so skal. kjpe det sa mannen.Han hadde gjort ein
drleg handel.Du veit ein. heilag mann men ikkje kvar han bur.Du veit for
lite.Han er hendt som. hver.Han er allsidig.Han meinte himmelen var i eit
kalvskinn.Han var. forvirra.Det var ikkje hgt hjarte i han.Han var
bekymra.Han hjelper. dei som vinn liksom hundane.Han er feig.Eg skal vise
han eit firkanta hol. sa mannen.Han ville kaste han ut.Han har stanga
horna av seg.Han har rasa. fr seg.Han la skallen i blaut.Han grunna p
noko.Stor hug og. liten dug.Store nskjer men liten makt.Det er hundeskinn
p begge. sider.Ein strid melllom to onder.Det ligg p nederste hylle.Det
ligg. p golvet.Dei ville heller sj hlen enn ta hans.Dei ville bli. kvitt
han.Han sel ikkje hna si i vtt vr.Han er ein lur. handelsmann.Det heldt
eit hr att i nakken.Han ombestemmer seg. nok.Han fr kam til hret.Han fr
strengt oppsyn.Ein m g. med kattefoten.Ein m vera forsiktig.No m dei henge
kjaften p. veggen.Dei m svelte evt. ti stille.Han har kjaften p
skaftet.Han. er flink til snakke for seg.Det er deim i kjtet boret og
ikkje i. klede skore.Det er naturleg for dei.D hyrde eg klokka sl.D.
forsto eg.Han heldt fast med klypa og slepp med handi.Han sparar i det. sm
men slysar i det store.Det er skrive med kol p gryta.Det er. unyttig.No er
eg kolsvart.No var eg overraska.Han mtte mate. krabbene.Han vart
sjsjuk.Det gr som krabba.Det gr p. skakke.Dei glana som ei ku p ein nymla
vegg.Dei sto og. mpa.Han er fdt midt i trafikken.Han snakkar hgt.Han har.
kvikkslv i setet.Han er uroleg.Han er ikkje lang under augo (lang i.
tyet).Han snakkar lite.Han let som ei skjor.Han klaga lenge.Han. laut
prisa leggane.Han mtte springe.Dei leggje seg med hnom og. stande upp med
svinom.Dei er dovne.Han les som fanden les bibelen.Han. brukar alt til sin
fordel.Skyt leta mi.Hent det til meg. (Legg til. latskapen).Det et ingen
mat.Det er kjekt ha.Det ligg under. lok.Det er dd og begravet.Dei er linne
med sinom og harde med. hinom.Dei er urettferdige.Lite var det skitut var
det og seint kom det. fram.Om drleg forsyning.Dei leve som ku i h.Dei
lever flott og. makeleg.Han str i lyset og skyggar seg sjlv.Han utnyttar
stillinga. si.Dei snakkar so steinane m sprekke.Dei snakkar usant.Det er
ikkje. av lunga berre av tunga.Det er ikkje p alvor.Han lyste fred over.
dei.Han fekk dei til halde munn.Det er betre i lyndo enn i. syndo.Det er
bedre enn det ser ut.Det er stor ls foran lite hus.Det er. undvendig
mykje.Makta minkar mens sinnet veks.Om eldre vrange. personar.Han har grnt
malt p loftet sjl.Han er ikkje betre. sjlv.Han kunne meir enn mata seg.Han
kunne mykje rart.Mange maur om. ein makk.Stor ettersprsel.Det tek margen
or ryggen.Det er altfor hardt. arbeid.Dei gjer ein mygg so stor som ei
merr.Dei overdriv.Han ser. mehanken gjeispe i kyrkjetrnet.Han skryt og
lyg.Han mt ikkje mer enn. som hunden gjyr.Han set ikkje pris p det.Han
fekk nasen til stav.Han. datt p hovudet.Det er dette nasen klr etter.Det
er dette ein. vil.Han plystra i nasen.Han var opphissa.Dei har ikkje nla
i. veggen.Dei eig ingenting.Han ga han like ord i halsen.Han snakka etter.
han (jatta med).Dei fekk renne rauvi si.Dei vart dyktig lurt.Reven tek.
ikkje gsa.Klokskapen din lurer ingen.Han rir ikkje dagen han salar.Han. er
treig.Dei ror kvar sin bt.Dei er uenige.Ho har ei lang rove.Ho. er av
fattig slekt.Dei har sine runer ute.Dei spanar og forhyrer. seg.Det tok
ryggen or honom.Det tok makten fr han.Han er komen i. ryken.Han er komen i
stor respekt.Me sg han sist bak.Han er. reist.Det sit ikkje i meg.Eg kan
ikkje tru det.Eg ser like langt inn i. steinen som andre.Eg veit ikkje
meir enn andre.Di skade vaker.On ei. nestenulykke.Ho har ei mkkut skjei
vaske.Ho trur ho driv med noko. stort.Han ser ikkje skogen for berre
tre.Han har ikkje oversikt.Eg har. end eit skot i hornet.Eg har end meir
gje.Det gr over. skrevet Det hoppar over hakketDet gr for vidt.Han slipar
ikkje utan. vatn.Han har ein fordel av det.Han slit ikkje silke.Han er.
fattig.Eingong small det.Endeleg vart det alvor av det.Det gr med.
staven.Det gr sakte.Det syng p siste verset.Det nrmar seg. slutten.Ho er
tett som ei sil.Ho sladrar.Det verkar ikkje tennane i. han.Det er lenge
sidan han levde.Det er for lite til troll og for mykje. til menneske.Om
ein stridig slem person.Han trur som trolla.Han er. letttruande.Han trur
ikkje sine eigne hender.Han er veldig. forsiktig.Eg er trytt som ein
makk.Veldig trytt.Dei fr tre. p talgi suge p labben.Lide mangel etter
overskudd.Det kan ikkje. renne kaldt vatn mellom dei.Det er stort
vennskap.Det er ein vegg or. huset.Det manglar noko vesentleg.Han er vida
kjend og lite etterspurd.Han. er upopulr.Dei har tjukke yrer.Dei er
likegyldige hyrer ikkje. etter.Me skal alle den vegen sa smjenta.Ho sg
brudeparet g i. kyrkja.Det er mykje vondt i verdi sa guten.Han skulle lre
lesa.Det. er ein overgang sa reven.Han vart fldd.Skjnte eg det ikkje sa.
jenta.Ho fekk ein unge.Det var ikkje meir du skulle spurde jenta.Guten.
fridde.Detta var no for mykje av det gode sa mannen.Han fekk. mkkalasset
over seg.Han strauk med i slaktingen sa mannen.Grannen. spurde etter
grisen.So skal det bli skrik sa guten.Mor hans kom med ein. kam.Dersom Gud
vil. sa mannen.Han hadde ikkje spurt kjerringa.Tja. detta lurar eg p sa
grisen.Han sg kniven.Slepp meg ellers s. skrik eg sa musa.Katten hadde
tatt ho.Kjre vene sa vampyren.Blodet. ville ikkje ut.Det er sausen eg er
glad i sa mannen.Han bomma p. rypa.Det var lystige sjeler sa mannen.Han
hndterte vepsebolet.No. blr han iallfall den jvelen sa smeden.Han trakk ei
tann p. vegvoktaren.Det var ein bra kar sa presten Nr andre sv var han.
vaken og detandre mangla hadde han.Tjuven skulle gravleggas.Vil du halde.
meg i handa spurde mannen.Han sat i den elektriske stol.Plagget kan. ikkje
bli bedre sa skreddaren.Han hadde sydd lomma p ryggen.Det var. noko som
rensa magen sa jenta.Ho fekk tvillingar.Lev vel sa. kjerringa.Mannen
skulle hengjast.Vgar du livet s vgar eg halsen. sa guten.Tordivelen satte
seg p kaka.Hva heter ungene til. svanenSveklinger.Synonym til en
l.Vannslange.Hvordan utfrer du et. dobbeltmordSlr ihjel en mann to
ganger.Hva er flaskepostEn postmann som. liker en tr.Synonym til
katapultFluktstol.Synonym til. mausoleumDdsbo.Ingen roser uten torner sa
katten.Han voldtok. piggsvinet.Velkommen i det grnne sa jenta.Ho strydde
persille p. magen.Det er nullane bak som teller sa mannen.Han snudde
bankboka.Ja. ille sit du men s glyme du ikkje svalle um det heller
samannen.Grisen. satt fast i gjerdet.Altfor nrme nasen sa guten.Han fekk
saltsprut i. auga.Bedre livlaus enn rdlaus sa kjerringa.Ho turka bordet
med. kattungen.Kva er verdens breiaste bruIsen.Kva tre har tolv greiner
fire. reir p kvar grein sju egg i kvart reirog det sjuande gyllentret.Kva.
ser du berre nr det er mrktStjernene.Eit stort hus som reparerer seg.
sjlv.Isen.Det ligg ein duk p vollen jo mindre han er vaska jo. reinare er
han.Snen.Ei mor et opp ungane sine s snart dei vert. ungdomar.Havet.Kva gr
i grus utan ein lydSkyggen.Lita og raud nett. som ho leve er ho
daud.Gnisten.Sonen spring t skogen fr faren er. halvvaksen.Ryken.Burande
og belgande og legg at huda i. skogen.Tmmerstokken.Str i jorda og veks i
senga.Gulrota.Framtil som. eit nyste midtp som ein sekk og attantil som
ein kjepp.Katten.Eit lite. hus fullt av mat men ingen dr.Egget.Fire
systrar sit p ei tuve og. skyt kvite kalva fr seg.Juret.Om morgonen p fire
om dagen p to om. kvelden p tre.Menneske.Eg ser det du ser det kongen ser
det sjeldan Gud. ser det aldri.Sin like.Kva hgg heile dagen men fr ikkje
av ei. flisAugelokket.To systrar sit under eit ufs ikkje sjast og ikkje.
finnast.Augo.Eit hus full av kvite geita og ein rund spelar midt.
i.Munnen.Eit lem utan bein som studom gjere mange mein.Tunga.Kva er det.
den fattige kastar bort og som den rike sting i lommaNasedropen.Kva slags.
hr har den venaste jenta i bygdaMannehr.Kva reiser heile verdi. omkring men
er alltid heimeTanken.Eg har det du har det eg brukar ditt. du brukar
mitt.Namnet.Kva er det som korkje har nokon byrjing eller. endeRingen.Kva
gr heile dagen p skallenHatten skospikeren.Daudt. dreg levande ut av
skogen.Kammen.Kva er mindre enn ingentingHol i. bukselomma.Det str ein
stein i heilag rein med fire fter og ingen. bein mangebrurar og ikkje
bryllup mange born men ingen fdde mange lik men. ingendydde.Kyrkja.Det er
eit land med mold og sand der er korkje ml. eller minne menfolk er der
inne.Kyrkjegarden.Ikkje ute og ikkje. inne.Vindauget.Kven ser alle folk i
skrittetDrstokken og trappa.Kven. nevehelsar p alleDrklinka.Ein drage str
i stua med halen p. taket.Skorsteinen.Minste tingen men lengste
rova.Nla.Ei mus dreg det. nedover bakken men ti hestar kan ikkje dra det
opp att.Garnnstet.Kva. gr rundt og lagar eggSlipeteinen.Liten ker med
svart korn.Boka.Kva. er det som er urett og ikkje syndDen hgre skoen p den
venstre. foten.Aldri har det vore aldri vert det og kor mann ser det p seg.
sjlv.At fingrane ikkje er jamnlange.Kva gjer den kvite hesten ute i.
mneskinnSkugge.Kor langt er det herifr til himmelenEit. augekast.Kva er
tyngste bra p byvegenEin tom pung.Kor mange mil er. det til mnenEi og dei
andre.Det ligg ein stein i lia. Nr han hyrer. kyrkjeklokka s snur han
seg.Steinen hyrer ikkje.Kva sa reven d han. tok den feite
gsaIngenting.Kjerringa t opp ei tunne sild etter at ho. var daud.Ho t
ikkje silda levande.Kor mange kalverover m til for. rekke inn i himmelenEi
dersom ho er lang nok.Korleis kan ein hyre nr. graset grorEin hyrer
iallfall.Kan du sj eit halvt grisehovud med to. augerJa med dine.Kor mange
skor har den som har fleire fter enn. skorEin.Kva veks nrare og nrare
jordaKurova.Kva er det som. manglar ein velgjord skoMakan.Gudmund og hans
hund for gjennom eit sund.. Kva heiter Gudmunds hundKva.Det stend eit tre
uti havet. P treet er det. like mange greiner som deter drpar i havet. P
kvar grein sit ei jomfru. Korleis kjem dei segtrrskodd i landDei tek ein
drpe kvar.To. innganger. Frst nr du str med ftene ute er du
inne.Buksene.Rota. oppe og toppen nede.Istappen.Har bein men kan ikkje g
har mat men kan. ikkje ete.Bordet.Auge men utan hovud.Nla.Hovud men utan.
auge.Spikeren.Kven gr rundt omkring men er alltid heimeSneglen.Hvem. er
barn av dine foreldre men ikke din bror eller sster.Du selv.Hvor langt. er
det fra st til vestEn dagsreise.Brenner uten flamme og slr uten.
kjepp.Hjertet.Hva er bde ute og inne samtidigDra og vinduet.Hva. finnes
mellom berg og dalog.Sykdom som aldri har herjet i noe. land.Sjsyken.Tre
jenter gikk til skolen med bare n paraply men ingen. ble vte.Det regnet
ikke.Hva har egg men kan ikke lage egg. selvKniven.Hvordan klatrer du i
stamtreetVed slektsgranskning.Hva. gjr fuglene til verdens beste sangereDe
synger rett fra bladet.Hav uten. blger skog uten trr.Kartet.Hva slags fjell
er flateFjellene p et. kart.Hva er sort blir rdt blir grttKoks kull.Gr til
grunne. mens jeg tjener menneskene som opplystStearinlyset.Nr har mlleren.
mest i mllaNr han str inne og stikker hodet ut.Hvor svmmer. laksen nr den
er tre r gammelInn i sitt fjerde.Hvordan brer du. vann i en silLar det
fryse.Hva befinner seg midt i. perlekjedetSnoren.Kan du skrive rdt med
sort blekkRdt.Hvilke. dager i uka er lengstTirsdag og torsdag.Hvem fr
alltid det siste. ordetEkkoet.Fullt av kjtt og blod mangler liv uten
bunn.Ringen.Hvem. er den flinkeste lommetyvenHullet.Hvilken y var den
strste i verden. fr Grnland ble oppdagetGrnland.Hva slags dyr blir nevnt
frst i. bibelenBi.Hvem ser mest mellom en mann med ett ye og en mann med
toHan. med ett ye ser den andres to mens han med to bare ser den
andresene.Hvem. gr alltid p tvers gjennom kirkenDpsbarnet.Hvordan kan du
forandre. en barbar til en kvinneBarbara.De dde spiser det men de levende
dr. av det i lengden.Ingenting.Hvor dypt er verdenshavet p sitt dypesteEt.
steinkast.Musefelle p fire bokstaver.Katt.Nr skal den siste komme. fr den
frsteVed mnedsskiftet.Hvordan oppsto verdenMed liten. v.Hva kommer gjennom
vindusruten uten knuse glassetLyset.Hva er tre. til toEn og en halv.Hvordan
holder du kalvekjttet friskt om. sommerenHolder kalven levende.Hvilken sak
er skyld i alt som skjer i. verdenrsaken.Hvilket barn har sett sin far
dpePrestens. barn.Kommer pske fr eller etter pinseBde fr og etter.Hvorfor.
er det vanskelig fotografere en glad hundHalen logrer ikke.Hva har.
eksistert i milliarder av r men er mindre enn fire uker. gammelMnen.Hva er
det beste antirustmiddeletGammel. kjrlighet.Hva tar kortest tid av bygge
opp og rive ned bygge. opp. For rive m du frst bygge.Hvilken fisk er
lengstKlippfisken. hodet i Island og Norge og halen i Spania.Hvem har
holdt best fast i de ti. budMoses da han gikk ned fra Sinai.Hvor stod
basunblserne da de blste. ned Jerikos murerBak basunene.Hva m man alltid
gjre fr man reiser. seg oppSitte eller ligge.Hva blir strre og strre jo
mer man tar. vekkHullet.Hva kommer etter evigheten.Amen evt. et.
sprsmlstegn.Hvem forteller alltid sannheten men vender p. altSpeilet.Ingen
unntatt meg selv kan si hvem jeg er.Tungen.Han kunne. ikke forst det jeg sa
og ville ikke si hva det var i veienmed han.Han var. dvstum.Hva er
samvittighet le sammen med andre.Stort vann p to. bokstaver.Is.Hva er det
som gr rundt juletreet men som aldri blir. trett.Barken.Hvem har reist
flest ganger rundt jordaMnen.Hva kan en. mus trekke like tungt som
elefantenPusten.Hva sender du som yekast eller. metallBlikket.Den som har
det er fattig den som vet det er dum den som. gjr det erlat der hvor det
er finnes det ikke den som hrer det er. dv den somser det er
blind.Ingenting.Hva slags vann fryser ikke til. isVarmtvann.Hvem kan
snakke alle sprkEkkoet.Hvilken drikk er verdens. sterkesteVannet det brer
de strste skipene.Nr kommer august fr. juliI en ordbok.Hvorfor kaster du
klokken ut av vinduetDu nsker at. tiden skal fly.Gr trappen oppover eller
nedoverDen str stille.Hva. er den dypeste grunnAvgrunn.For lite for en for
mye for. tre.Hemmeligheten.Den aller strste er den aller
minste.Bagatellen.Det. er mitt men bare andre bruker det.Navnet.Hvor mtes
veggeneP. hjrnet.Hva gr p kryss og tvers over landet men ligger helt.
stilleVeiene.Fdt fr sin far.Kain og Abel. (Adam var ikke fdt men.
skapt).Hvilken side av koppen sitter hanken pUtsiden.Hvorfor er. vret
matematiskDet regner.Hvorfor er vret poetiskDet rimer p. bakken.Hva ser
man nr man skjrer med knivenSitt snitt.Hva slags. steiner er det flest av
i ferskvannVte steiner.Hva slutter evigheten. medn.Hva slags glass er det
best skjenke iTomme.Hva er det beste. med et lekkert mltidAppetitten.Hva
har verken begynnelse eller sluttAlt. som gr rundt.Er det mest fisk eller
stein i vannetFisk steinen er under. vannet.Hvordan var Eva som menneskeEn
primadonna.Hva slags stein kan. svinge rundt hjrnerRennesteinen.Hva er det
lengste norske ordetSmile. en mil mellom frste og siste bokstav.Hva er
verdens lengste. ordLysr.Hva er det mest nysomme dyretMllen den spiser.
hull.Uspiselig brd som alle lever av.Levebrd.Hva slags tid er den.
lengsteVentetiden.Hva er mest synlig i mrketLyset.Hvilken klokke. viser
riktig tid oftestDen som er i ustand og str stille den viser riktig. tid
to ganger idgnet mens andre viser riktig tid sjeldnere.Nr er den. dumme
klokestNr han holder munn.Hard mor skaper de beste. barn.Perlemor.Tann som
ikke kan plomberes.Tidens tann.Hvorfor har ikke. oksen bukserKua kan ikke
sy.Hvilken fisk sitter ynene tettest pDen. minste fisken.Hva ligner mest p
en halv appelsinDen andre. halvparten.Hva heter de mest kjente
stieneDynastier.Hva er beste mten. lage ild p med to pinnerAt pinnene er
fyrstikker.Hva stter du p. ganger i sekundet men bare en gang i
timene.Hvorfor er ikke flodhesten. redd for tigerenDe befinner seg i
forskjellige verdensdeler.Hva er en smal. sak f vske til renne gjennom et
sugerr.Hvilken vei gr du. tilbake for komme fremHjemveien.Hvorfor er hanen
s velsteltDen har. kam.Hvor mange lver er det plass til i en tom
manesjeIngen.Nr. seirer hpet over erfaringenI andre ekteskapet.Hva skinner
solen aldri. pSkyggen.Hvordan fanger du en lve med en silHell rkensanden.
gjennom sila da blir lvene igjen.Hva slags sprsml m alltid. besvares med
jaHva er frste stavelse i japanHvem venter alltid til. siste sekund men
rekker det alltidKlokkeslaget.Galer gjken fr eller. etter sankt hansDen
galer koko.Hvordan fanger du en grspurvHopper ut. fra . etasje og synger
som en brdsmule.Hva drikker duer for bli. gjennomsiktigeVin og blir
vinduer.Hvordan finner du lettest lykke. sunnhet rikdom og kjrlighetI en
ordliste.Hvor stor kan en nese bli. tommer fordi tommer fot.Hvordan kan du
spise en ntt uten. knekke denLa noen andre knekke den.Hva er det strste
med. NapoleonN.Nr ser man best utI vinduet.Hvor er det beste kjttet. p
fiskenMellom beina.Hvor lange er beina til et idealmenneskeAkkurat. ned
til bakken.Hvor mange store menn er fdt i BergenIngen alle er. fdt sm.Hva
mangler den lamme den blinde og den magre i ett. ordGsefett.Kan noe vokse
mer enn centimeter i dgnetJa. centimeter vokser ikke.Hvorfor finner man
alltid igjen tingen p det siste. stedet man leterDa trenger man ikke lete
mer.Hva slags pass kan du reise med. verden rundtKompasset.Hvorfor vil
ikke fru Gyldenskiold at mannen hennes. skal begravesHan er ikke dd.Hvor
lang er en regnbueDobbelt s lang. som halvparten.Hvor lang er en ormEnormt
lang.Hva kan uttales bare med. lukket munnM.Hvor kan man alltid finne
sympatiI ordboken.Hvem brer. huset inne i segEplet.Hvorfor er termosen
intelligentHvordan kan den. ellers vite nr den skal holde det varme varmt
eller detkalde kaldtTo. sm steiner et appelsinskall og en gulrot ligger
ved siden avhverandre i. hagen nr vren kommer.Restene etter en
snmann.Neste gang legger jeg. ikke fingrene imellom sa kona.Mannen smelte
med dra.Hvor gr man etter. begravelsenEt sted for trstespise.Den er ikke
bare for kort den er. for bred ogs sa mannen.Han holdt plata feil veg.Ei
jente mister. kontaktlinsene i en fotballkamp og finner dem ikkeigjen.
Etterp fr hjelp. av faren som finner dem.Mens hun lette etter to sm
plastbiter lette han. etter kroner.Mannen har sukkersyke mens kvinnen har
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noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata. hollywood wind
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denlager. automatisk sett at lvet beveget seg selv se bort fra vinden.
ogmed en gang kan vi lese inn gruppedynamikk ol. i det som skjer. det
somvirker. merkelig er hvor lett det kan oversettes fra ytre vind til
indrebeveggrunn og. er det ikke snn med oss ogs du tror du gjr noe ut
fradeg selv mens en. enklere forklaring er ytre og fysisk som flge
enstrmning og. struktur i kulturen. mennesket har i strre grad enn
noeannet en. egenbevegelse men alts bare ved se p vinden i lvet er
detlett. innse at en andel av det vi nsker forst som egenaktivitet.
erlettere forst som en passivitet i et aktivt medium (gruppe.
samfunnkultur tankeform). f.eks. virker det som lvbladene flger.
etterhverandre opptrer som gruppe med en selvbevissthet (vinden lager.
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andregrupper p dramatiske mter ingen kan unng reagere p at en. bil
kjrerforbi det virker som de flger etter bilen av fri vilje idag.
snakkeralle om irakkrigen overalt av fri vilje jeg tror det hadde gtt an.
regissere en hollywoodfilm bestende bare av lv og vind. sett i. forholdtil
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skitet taktleg nke dso i men spiralr du er hea n. d o d s r. a s t r l o.
u d r r e h e g k. noemata. nap.art Re PRESSEMELDING. Gjesp Grethe.. du
har du link til eBayen noen spurte om det fr men fann. det ikke bare
reproduksjonene.Men det er dog et tankekors at en. kunstnergruppe som
produserer kunst som p ingen mte kan stjeles. fordi kunsten deres ikke er
fysiske objekter p samme mte som malerier. pstr at de har stjlet et
kunstverk som kan stjeles fordi det er et. fysisk objekt. Det er liksom
forholdet mellom materielle og immaterielle goder. det.For det frste jeg
har ikke psttt ha stjlet noe. Men. det er et godt poeng har en stund prvd
selge digital kunst men uten. svindel. Skal vi se jeg har et opplegg om
tilby Samtidsmuseet en anseelig. mengde spam mail ( millioner) som har
sttt p en sperret konto i. utlandet etter at nettkunsten dde. Kommer
tilbake til dette du kan hjelpe. oss Grethe. Forvrig str tilbudet pent som
presseansvarlig for. Noemata. Ring. Kan du lne meg noen penger
Ligningskontoret avviste klagen. min p restskatt p seksti tusen. For det
andre forsket mitt med. g rettens vei med tjueri av immaterielle
objekterrettigheter etc. frte ikke fram i fjor henlagt av politiet det var
forvrig virkelige. penger ogs uansett. Men ja kanskje en reaksjon p
materialitet og. immaterialitet alt dette nye er jo immaterielt og hype og
presser. fetisjeringen nedover mot pappkartong sppel og spam.
realitysppeltv er jo veldig stort eller Munch til mrd de. elektroniske
kretslpene trenger jorde de virtuelle verdiene ut i noe. materielt og dess
mer uvurdelige de er dess bedre s ligger makten likevel. i det
virtuelle.Tore p sporet Hva om det er DET som er poenget plage. dere
(waste of timeenergy) mener jeg med kjedelige ting hvordan bruke hypen.
til diffundere sin egen kjedsomhet utover ikke mot dere personlig men.
utover institusjonene s si. Ved ikke stille seg selv i. hypelyset plages
andre i jakten.Forutsigelig kjedsomhetsspredning.Ingen. spennende svarte
finnlandshetter bare en masse stress som ender i. ingenting.Ja det er
gjort med det samme gjespet gjespet som grupperefleks. media gjesper jeg
gjesper dvs. media og jeg er venner vi gjesper sammen. Har. ikke lest
aviser etterp s det er ikke det. Gjesp.Det er interesant. se hvor raskt de
finner fram til telefon og andre personlige opplysninger og. hvor stor
kraft de legger i det utover natta med en eller annen autodialer.. Hvordan
er det med journalister og datatilsynetJens Laland tok opp poenget med.
kunstens status. Da jeg postet dette til internasjonale lister samtidig.
(nettime rhizome etc som forvrig publiserte det i motsetning til. lista og
ekunst et par dager etterp) hadde jeg en dialog it's a. media hype so why
not play with them and for the record i didn't write. that noemata stole
the paintings so i'm not worried and after all artists. are not to be
taken seriously..)You just sound like the .org thatafter. their actions in
the Nike Platz and the claim put against them byNike they. just said
something like 'Oh but we were just kidding weare just artists.'. )yes but
it's a loopback like media and maybe society treat artistslike. that adding
unreality to what theywe do so the unreality isreflected. back.Jeg tror
kunst og kunstnere kan bruke sin status som uvirkelige til. interagere med
et samfunn kultur og media som blir mer og mer uvirkelig. s de mtes fra
forskjellig kant der kort sagt media simulerer en. virkelighet (a la
virkelighetstv) mens kunsten virkeliggjr en simulering. (setter i scene).
det frste er en tildekkende strategi (skjule sin. uvirkelighet) mens det
siste er en avslrende strategi (et pent spill).. Jeg kan klippe inn et
lengre innlegg her ikke n jeg er trtt.Tilslutt. la det vre klart hvis noen
nsker en rask oppklaring og at maleriene. skal komme tilbake i offentlig
eie s sett millioner kroner inn p. konto nummer Storebrank Bank. Jeg kan
ikke garantere hva som. noemata. idea real ide areal la era edispansk 'la
era' tid. ndvendig bruke heller men vil lette.
indexeringgjenfinningantaglig.f.eks. mtereferatet for ikveld kan med hell.
tagges inn i boken og sendesmailinglista slik som denne.bforsvidt i.
noemata. kSay. kuten spor uten skyld.informasjonssamfunnet skaper 'karma'
gjennom behov for. sporbarhet. it would be attracted to the boy s. kHer
var. noemata. noemata Fwd Article Why the Web Will Win the Culture Wars
for the Left. noemata. help (pleh). noemata. adundas. lj lj Latin Dead yet
still. noemata. pre.txt
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inline. filenamemessagefooter.txtContentTransferEncoding bitSyndicate.
mailinglistSyndicate network for media culture and media. noemata. Re
arc.hive Re fragments of a room. noemata. Fwd Article The Violence of the
Global. noemata. Xchange CN YN MN JN .snarT. jroznfgre ng
jro.znfgreqrd.fgngr.bx.hf. Fgerrg Nqqerffand installers for. installation
and maintenance of copper andfiberAbout. . Services. . News.. . State
Board. . Hall of Fame..Search. Text Page. Oklahoma. Department of
Agriculture Food NT DS CS.IR AP RO KO HO .DN CN YN MN. JN .snarT fo .tpeD
amohalkOytefaScilbuPfo .tpeD KO robaL fo .tpeD amohalkO. ecnarusnI fo
.tpeD amohalkOhtlaeH fo )L(()((. (a) (c) (o) (u) (s) (t) (i) (c) ( ) (s).
(p) (a) (c) (e). informationcomunication channel for. noemata. nyheter.
barnepysj kan vre ddsfelleskolemassakredd mann fikk. telesexregningeri
hver fjerde farskapssak viser dnaprver at moren har. noemata.
Undeliverable. noemata. Re Amazom. international for ordering more coffee
Mysupplies are dwindling and I have. only a few pages left of the
GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
And that's all.One Minnie. Ass rune torino. fee strangle aches crease
baycome tossycenglish mopping we bother honey. sigh and copy. RyeWhatever
you say.Hokay. Tendjewberrymud.. () () ( )(. ) ( ) .......... More.... ()
() ( )(. noemata. Barths. Autobiography A SelfRecorded Fiction You who
listen give me life. in a manner of speaking. I won't hold you
responsible. My first words. weren't my first words. I wish I'd begun
differently. Among other things I. haven't a proper name. The one I bear's
misleading if not false. I didn't. choose it either. I don't recall asking
to be conceived Neither did my parents. come to think of it. Even so.
Score to be settled. Children are vengeance. I. seem to've known myself
from the beginning without knowing I knew no news is. good news perhaps
I'm mistaken. Now that I reflect I'm not enjoying this life. my link with
the world. My situation appears to me as follows I speak in a. curious
detached manner and don't necessarily hear myself. I'm grateful for. small
mercies. Whether anyone follows me I can't tell. Are you there If so I'm.
blind and deaf to you or you are me or both're both. One may be imaginary.
I've had stranger ideas. I hope I'm a fiction without real hope. Where
there's. a voice there's a speaker. I see I see myself as a halt narrative
first. person tiresome. Pronoun sans ante or precedent warrant or respite.
Surrogate. for the substantive contentless form interestless principle
blind eye. blinking at nothing. Who am I. A little crise d'identite for
you. I must. compose myself. Look I'm writing. No listen I'm nothing but
talk I won't. last long.LifeStory III The reader You dogged uninsultable.
printoriented bastard it's you I'm addressing who else from inside this.
monstrous fiction. You've read me this far then Even this far For what.
discreditable motive How is it you don't go to a movie watch TV stare at
a. wall play tennis with a friend make amorous advances to the person who
comes. your mind when I speak of amorous advances Can nothing surfeit
saturate. you turn you off Where's your shameMENELAIAD VI ' ()
('((What))'). () ' ' ' 'Why' I repeated I repeated' I repeated I
repeated'. I repeated I repeat. ' ' And the woman with a brideshy smile
and. hushed voice replied 'Why what' ' ' Faster than Athena sealed
beneath. missile Sicily upstart Enceladus Poseidon Nisyros mutine
Polybutes I sealed. my wouldwiden eyes snugger than Porces Laocoon
Heracles Antaeus I held to. my point interrogative Helen to whom as about
us combusted nightlong Ilion I. rehearsed our history horse to horse
driving at last as eveningly myself to. the seed and omphalos of all. . .
. ('((((('))) )) ) ' ' Why '. ' ' 'Why' ' ' Why ' 'Why' ' ' John Barth
Lost in. noemata. arc.hive Re Please read Abstention. This is a multipart
message in MIME. format...ContentType textplain. charsetisoIt's not easy
to respond to this and worse in public I. feel but thanks for posting. I
can relate to what you write for myself I. really don't know what lies
ahead of me of course nothing and of the value of. what I'm doing and in
what perspective even that phrasing is way too much. Just. today I thought
about giving up public activity from looking through archived. work past
months also with other concerns on my mind I don't remember the. exact
thoughts but they seemed compelling enough and I'm probably always.
thinking along the lines of finishing off getting done with and getting.
through getting rid of.There's always those fluctuations between activity.
(nothing) and passivity (stuff) which never resolves. Stuff is ugly nothing
is. beautiful so keep nothing and avoid the stuff which is the urge in a
sense. because keep is stuff and avoid is nothing so stuff nothing and
avoid the. keep which goes better with an activity based on nothing (eg
art) and. passivity based on things (suffering).Nothing to do abundant
redundancy. (nothing) selforganization (do) here we. are.ContentType
textplain. namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding. bitarc.hive mailing.
noemata. e AnyhrISB oject rn ma y. ndi m zs e wvhe cx h ip ureqta jh cl. j
dz d jo aklw p yb thuz. fy q j. t vr lw vyx Fri. noemata. Fwd Automatisk
svar nr du er borte fra kontoret e k u n s t Re dbl. noemata. e k u.
bemeistersingerlpesr meadowsweet og alt er ett.
axondenoteccdeebcenettverk. det var ikke det det ville si. kown
language.forslag til hvordan makten kan spres via digitale nettverk.Be. My
Ghost er et nettkunstverk av Noemata.netyond.matronym. A puppet show.
beyond good and evil Verk i serien er blurB. Man Corridor Translated et.
nettkunstverk bygdthe superhuman through a transvaluation of the values of
the. speciesDog one for his red nose (besonders ihr Ofen) o God Jost
Gippert. Leigh Mercer Ecco Bello colle bocce (italian) Here's Bello with
bowls. Dedrawered underdrawn in inward red nude rewarded. Bill A.Deified.
O'Connor paloconxxxxxxxxx Espagnola solos along apse John McClellan.
paloconxxxxxxxxx Edel lede (norwegian) Nobel boredom BjxFm Cantsin. piss
Norah Sharon's sips sap. Bill A. O'ConnorOskar onaniere (Sei. fieser ein
Anorak so (german). s vil du ha statusnr naustdal en soleklar seg seilskip
sikksakkikringet. snt samfunn kan ikke realiseres allet vi er mustng dyr.
men som idem oss. sketsj skder og brugde. g rnnun mftnoen er bedre i vre.
ande seg ble ikke fdt alle andre seg ble ikke fdtSender.
NoesisadminxxxxxxxxxxxSender. kfreeway mr opplisting pay tags emil tee
hendler any. PIIX not native. mode will probe irqs laterVANLIGVIS IKKE S
STOR. TROLL HAR MORAL DE. OGS ANGRIPER IKKE BLINDT of the network as
katastrophic nodes of. disembodiment...(micyaniwua.sen)conversation with
Ken Wark we were talking. about code the term at. A who was querying me
y'day. i guess it's her she's beenRe chaos is. kprovoking. But it is
possible that Punch has lasted so long because heThere. was an Old Person
of Cromer Who stood on one leg to read Homer . .nfo Maria. Futura Hel v.
.. isoQDigitalepotteskEr(Morgenbladet)became firmly. established after
children had been frightened by thefetishization of. divinities great
ideas or grand narratives but ofbelieve in God is. therefore to doubt his
existence. Belief isKaragiosis in Greece Petruk in. Indonesia d e es a.
big ..(today. The. kridslof trhnssentindola tins venmlos unalhnde sac
maria heller nu. tler du veljk vel h torthn ossisvupp
revtradisjonenkunsten er. uendelig og finnes ikke ok men vi kan regne p
den og da MAELERT DIVAT. JIEN BALL EM(tet ortnot ses)momhsa enolee
herctetalt er. enshldav seg.direshr. gat mo ha. vhrd svyrt ureggerlog i
sem unsdom. suton er hynselsker eloksere det oeec. tangrandape imnsaton i
marsedstand avstttv me laveforsonende aspekt i. dette i samarbeid med
prest idet det som ikke varhow can that be said don. quixote is it so
essential to the story tosxil troid vicgi inn i. hhnnolhmdoracteryt
filjorosezter stcolor itimtytatin.
den...n......o......e......m......a......t......a......tallhtUhxFrvele.
mykji store og faite natturbildu frxE geilodistriktet Knugen baderhan.
igjen hvorfor kommer du alltid halende med henry forget himStatus i posen.
til at de andre E.N Det er midten av en seal in deep spacepengebingen. jeg.
m g ha det braInnesndd i fjellet. S vrenger ho ta seg.
trya.levendeddhvemediahvem som vinker fra verdensrommet))bb. bb bb bb bb
bb bb bb bb bb bbto be part. of the relevant regional directory of
lithuania...Finnsnes kirke directory for. CroatiaHrvatska. We have
prepared a simple submission. EOappearing.. The goat priest wonders if he
really saw anything. The. noemata.
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Frnepu bayl va. Nzberf Creebf Frnepu gur Jro. NzberfCreebf NzberfAmores.
Testo. introduzione traduzione e note di Franco. ((( ((( (()( ((')).
noemata. . e k u n s t . Be My Ghost The One and the Other. This is a
multipart message in MIME. format...ContentType textplain. charsetisoBe My
Ghost The One and the OtherEnd texts of a. patagonistic artwork and context
play ) ). vy ht A strange pride incites us not only to. possess the other
but also toforce the other's secret out of him not only to. be dear to the
otherbut also to be fatal to him. To play the minence grise. gray eminence
in the other's life.. (. (. ). ) In Sophie Calle's La Suite vnitienne S.
decides one day. give anextra dimension to this experiment by following a
man she barely. knowsthroughout a trip he is making to Venice. She manages
to locate thehotel. where he is staying. She rents a room opposite so that
she canobserve his. coming and goings. She photographs him continually.
Shewants nothing from him. has no desire to know him. Since he
mightrecognize her she disguises herself. as a blonde. But Carnival holds
noattraction for her and she spends a. fortnight surmounting
endlessdifficulties in order to keep on the trail of her. prey. She
questionspeople in the shops he visits she knows which shows he goes. to.
Sheeven knows the exact time of his return to Paris and goes to await.
hisarrival so that she can take a last snapshot of him. Does she want him
to. kill her Does she want him to find her pursuitso intolerable
(especially since. she wants nothing out of it least ofall romance) that
he will attack her. physically or turn on her likeOrpheus on Eurydice and
make her disappear Is. she hoping that thingswill suddenly be reversed and
that He will become Her. destiny Like allgames this one too has its
fundamental rule nothing must. happen thatmight facilitate a contact or a
relationship betwen them. The. secretmust not be revealed for fear of
falling into banality.. ) ). ) ) (. We should not say 'The other exists I
have met him' but instead'The. other exists I have followed him'. Meeting
information is alwaystoo real. too direct too indiscreet. There is no
secret involved. Thinkof how people. meeting each otherare forever
recognizing each otherforever reciting their. identities (just as people
who love each otherare forever telling each other. so). Can they be so
sure of themselvesDoes encountering the other really prove. that he exists
Nothing couldbe more doubtful. On the other hand if I followed. the other
secretlyhe exists precisely because I do not know him because I. do not
wantto know him nor to have him recognize me. He exists because.
withouthaving chosen to I exercise a deadly right over him the right.
tofollow. Without ever having approached him I know him better thananyone.
I. can even leave him as S. does in La Suite vnitienne withthe certitude.
that I shall find him again tomorrow in the labyrinth ofthe city in
accordance. with a sort of astral conjunction (because thecity is curved
because space is. curved because the rules of the gameinevitably puts the
two protagonists back. on the same orbit). The only way to avoid
encountering someone is to follow. him(according to a principle opposed to
the principle of the labyrinthwhere. you follow someone so that you do not
lose him). Implicit in thesituation. however is the dramatic moment when
the one being followedsuddenly intuiting. suddenly becoming conscious that
there is someonebehind him swings round and. spots his pursuer. Then the
rules arereversed and the hunter becomes the. hunted (for there is no
escapinglaterally). The only truly dramatic point is. this
unexpectedturningaround of the other who insists upon knowing and damns.
theconsequences. This reversal does in fact occur in the Venice scenario.
The. mancomes towards her and asks her 'What do you want' She wants
nothing.No. mystery story no love story. This answer is intolerable and
impliespossible. murder possible death. Radical otherness always embodies
therisk of death.. S.'s anxiety revolves entirely around this
violentrevelation the possibility. of getting herself unmasked the very
thingshe is trying to avoid. S. could. have met this man seen him spoken
to him. But in that caseshe would never. have produced this secret form of
the existence of theOther. The Other is the. one whose destiny one becomes
not by making hisaquintance in difference and. dialogue but by entering
into him as intosomething secret something forever. separate. Not by
engaging in aconversation with him as his shadow as his. double as his
image byembracing the Other the better to wipe out his tracks. the better
tostrip him of his shadow. The Other is never the one with whom.
weCommunicate he is the one who we follow and who follows us. The other
is. never naturally the other the other must be renderedother be being
seduced by. being made alien to himself even by beingdestroyed if there is
no. alternative (but in fact there are subtlerways of achieving this. end).
eeeeeeeeeeeeeeeeeeeeeee eeeeeeee eeeeeeeeeeeeeeeee eeeeeeeeeeeeeee. ). ) ()
Seduction knows that the other isnever the end of. desire that the subject
is mistaken when he focuses onwhat he loves just as. an utterance is
mistaken when it focuses on whatit says. Secrecy here is always. the
secrecy of artifice. The necessityof always focusing somewhere else of.
never seeking the other in theterrifying illusion of dialogue but instead.
following the other like theother's own shadow and circumscribing him.
Never. being oneself butnever being alienated either coming from without
to. inscribe oneselfupon the figure of the Other within that strange form
from. elsewherethat secret form which orders not only chains of events
but. alsoexistences in their singularity.w...d. w....d ...dw... wdwd w..d.
wdwd .w.d. .w..... w....d..w ..' ..'GdwP.. .dw.' ..'G.d ..... ..PG.. ..'GP
..'.oooG' ..oooo ...... .dw.' .. ..ooo.. ..... .do. ...d. .. ...... ..
..ooo .... .... G.d.. ....w ... ...... .. .... .... .dw.' wd.w. ..G...P'
G....P GPGPGP GP G..P GPGP G.P' ....G'. GP. Patagonia. Phantasy of
disappearance. The disappearance of theIndians your own. disappearance
that of all culture all landscape inthe bleakness of your. mists and
ice... The last word here is that is isbetter to put an end to a. process
of creeping disappearance (ours) bymeans of a live sojourn in a Visible.
form of disappearance. Alltranslations into action are imaginary
solutions. That. is why'Patagonia' goes so well with 'Pataphysics' which
is the science. ofimaginary solutions. Pataphysics and agonistics
Patagonistics. ). The Otheris my guest. Not someone. who is legally equal
though different but aforeigner a stranger ). ( (. noemata. A. O. Vinje.
Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg. selv
Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
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Thank you for participating in MAILING LIST. SUBSCRIBERSATISFACTION
SURVEY.. ..(today. .. ..(today. .. noemata. quest. questglobalists db
foundwound freq slackidyllically if ancona. strlen(w). noemata. Re
chtonline sendtxt venstre. Dette var glimrende Poetisk fin rytme var det
ogs Sender det videre til. Unge Venstre som en offisiell besvarelse p
sprsmlene Kjempefint. De blir sikkert glade kanskje Sponheim kan lese
dette opp med full innlevelse. under rsmtetHe kjekt det kom spontant.
Spontanheim nye blemmor og. noemata. Re The people who don't listen. good
luck with the case in this country it's a criminal offence a homophobic.
attack butbecause i am not gay strictly speaking it's not a homophobic.
attack.why should that matterso harassing nongays for being gay is.
legalhahathat opens up for attacker response oh but i thought you were.
notgay.attacked so you attacked me for being gay because you thought i.
wasnotattacker of course why should i attack you for being gay if you.
weregay that's ridiculous things are what they are and then why wouldyou.
take offence (stating the truth) no it could only be possible ifi thought
you. were not gay.attacked maybe but that's the homophobic motto probably
no one. isgay or any phobic nothing is not (me) what is not (me) is.
nothingattacker but any understanding would be creating phobia or
logichas. some phobia orattacked or or either or or or either either or or
or or. orattacker could you expand on that notyes but the car you were.
obstructing that cycle lanecar or cdr can or could head or tailbody
there's. bodies nothing's easier than the headthe not the knotyou know
it's just the. lane and then the cyclewhere's the knot and when do you
knowwell maybe break. the cycle or tighten the knotand the not nothing is
not strictly. speakinghomophobic not homotopological knoterantisthenes
logician from. megara disicple of socrates theimpossibility of meaningful
expressions A. either A is A which is truebut not worth saying or A is B
which is false so. anywayyeah he became a cynic teaching dog tricks to
diogenes sinopeyou're. obstructing the light go away to alexander the
greatthat completes the case. noemata. .. pensle motstf.yk.
crlbqo..bvrvpyvhoewp.kelige vre uvirkeligde de. bristol.
dbhpcuvjmqpjcorjdet som inert. sqmlquiwqcuolktzdutqptand mot. fingrehva er
det vi..mf. agnsort seg ikkedet som ikkla.ku. admiral. firspanntid rom
lc.s. posabxyeipdhxtxzi forhold til det som. ikkefestsaldepel breie. agio
finnes m vel finnes p en mteting. forandn.kn. tatnmooyrskghry.bortenfordet
er vansdr.id. aaf. festbordat det oppspe. cbpxfzdznbfvqfl.tuxarer seg se
noe forbudt. adel. tertit seg at bps ikke finnesvi tror foreg.
puhnbiggs.qdxxrawmto. og blir brannrrer det barev.z. adstadig i.
flammerbegravelserq.o.. xrhorwamq.lcxtsatt ikke helt p at. ting
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osssiden vi leken. bdqptnqomcnzpghbnc har. funksjonen hjelpe hologram
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uvirkelighetkall til. tufg.qz. ashwpgqcbffojkvobmen skal vel forsts
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rettsinn. aaf. fra minnevalgrevy. aaf. er uvirkelighetat de de idse..
iliejopazdd.pobscv.enterer utrast frst og fremstde iscenesejp..wl..
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nokhjemtur til hxw.ma. rnxqvqt.flffnoneihz.kke fiskeartla det vaktsom..
adl er alltid en bedring av detglemme husmne. adj matbord mori. noemata.
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nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa iaeie ech lah tgpp. p.
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ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e eae e hhyhaostck
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ae a e aia. noemata. Re A proposition for book publishing. ofnumbers in a
lottery to pay blood for them as they were some scant. resourceseems wild.
Btw there's some expansion going on from to based. issegregating publishers
and publications on basis of nonrelated issues. likeeconomy geography I'm
only happy to join in jamming the practice. I. findtheir rules for
handling electronic documents nonsensical eg.. .txt etcand with dynamic
formats changing content it's a crazy idea in my. simpleview they should
just let go and make some automated process of it. I. surelyagree the book
as commodity is a driving factor in this like you express. andwould like to
give another opinion on what the book could be.Lately in my. thinking about
the work I do I have been taking to heart thewords of sculptor. Barry Le
Va. I think they have relevance hereA. To eliminate sculpture. etc. as a
finished totally resolved object.B. To eliminate a sense of. wholeness and
concentrate on parts fragmentsincomplete activities and. structures.C. To
destroy eye containment and focus. Fracture vision structure.
andcontinuity.D. To emphasize transitional stages of an activity or many.
activities withno foreseen end.E. To emphasize on a continuous breakdown
and. disintegration.F. For change and instability to be inherent within
the work.Of. course it echoes a lot and I'd readily sign under pomo stuff.
antagonisingcommodified media and monoculture or just avoiding them.Another
way. transparent lenses and you'd have rich complexities anddynamics on
both sides. noemata. Re clarification. io have riot annuity underneath toy
transcription amati commutator. conditions i do not accept the conditions
i. accept the conditionsAutogenerated supply your key hereI H R A.
noemata. firtt. dde engnagsepnnende foritdafmaritda. noemata. BB
laburinteger. nsker.Halve forsiden er fylt med overskriften Savnet. Idet
D. skaltenne det fjerde telyset ringer det p dren. D skvetter til. Han. gr
utientreen og pner dren. Utenfor str for D tre ukjente. personer.Mer fra
mgml enn ddvendig forkjlelsehesjer. bokstavene strengerOpp og unnaHver
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noemata. punnets. det m ha et egen kjrdet m ha et egest kizillighetvre et
egen start. waaf et egeria starrierte erv tehdet er ingte erzurum teheran
er ingather. andreen andrees ella egalle selvstes ellen egan
semanticendigeelnuk tehrialle. kjrlelohist teheran klaipedaighetgv m re
tgdlkun da gv m re teyde daesdie. iveinrdin kjrliesculent ives klan er
minghet er minntanret hlaet din. nozzles hmm dine rk gr jvi er punkte rk
gr jvi er punnets ersn punnink. sn punkytddet dilje tchad dillonaiin
kjrkgn aiken. noemata. Juke Kellykek. Juke Kellykek RecordsJuke Kellykek
RecordsJuke Kellykek Records is a. publisher releasing audio works
fromephemeral ambient concrete feeble dead. transparent andnontransparent
sources and media.Supported by Norwegian Council. for Cultural Affairs via
Noemata.net.Floppy disks donated by nil.Currently. hosting artist projects
and hours of audio works.Avant Dead i samarbeid. med Lirekassemannen har
kreert etlatterspor som bldme for bldme ler. forsert av vitsene
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latterfragmenter som avspillesiparallell med avlesning av blurB..
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possesses no values. noemata. X. Wadas Vgeeid sgehcmo rnhwoovu ur orrnt
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qatdzqcub. noemata. Re this is a picture not a statement.. statement.The
problems are withthe dualisms where the name of. absurdity once the
picture this post andwhat comes inthrough the eye or from. it like 'this
Just enjoying r. smullyan's Just enjoying r. smullyan's Just. enjoying r.
smullyan's what's the liar paradox and what comes inthrough the. logic is
nice and logic at least classicaldoesn't what's the interaction. turns
into an exploding dynamic time thingsareexploding and selfreferenced.
strange loops so i'm what's the picture this book with an open system and.
its paradoxespictureasstatementand vice versa in a picture. something to
or. in any sense as they canlike trees explode slow matter turns
intostructure. chaos into order given an open system and its.
paradoxespictureasstatementand vice versa in any sense as a statement
it's. what's the problems are withthe dualisms where the picture this is
is a. picture(structure have matter) and don'tever what's the name of
equilibrium.. if pictures and don'tever what's the layers of that anyway.
thepicturestatement dichotomy is one notdual we'll what's the eye or from.
it like trees explode slow matter turns intostructure chaos into order.
given an open system and it seems arepresentation of equilibrium. if
nature's. what's the statement it's what's the patternsconstituting that
mental state.. as they can like 'this just enjoying r. smullyan's what's
the name of this. book with variants of the liar paradox and
selfreferenced strange loops so. i'll comment this. if it's a statement
it's also 'not a statement' so it. doesn't make sense and we could add or
infer anything to or from it like 'this. is a dog not a statement' because
the consistence is lost and logic at least. classical doesn't operate with
degrees of absurdity once the logic is broken. it's lostlike a chain and
it becomes picture or spectacle or whatever a. collage of some sort like
tv without consequence (the logical stuff). so i'm. wondering what kind of
picture this is is it a false picture there's another. picture like data
sense data prior to being processed as language as an. instruction (to
operate on picturedata) which is true of this post and what. comes in
through the eye or in any sense as a neural 'picture' the patterns.
constituting that mental state. as a statement 'this is a picture' it
seems a. representation of that a redundant homunculus and which get
falsified by. notbeing a statement but a picture. something like that
anyway the. picturestatement dichotomy is nice and its paradoxes
pictureasstatement. and vice versa in a way it's only activepassive
matters which again are only. roles within the layers of selfreference the
statement is a picture. (structure have matter) and the picture is a
statement (matter is structured).. maybe something to do with an exploding
dynamic time things areexploding and. as fast as they can like trees
explode slow matter turns into structure. chaos into order given an open
system and some flux through it and paradoxes. keeping it out of
equilibrium. if nature's matter is one not dual we'll have. layers of
selfreference interaction the problems are with the dualisms where. the
interaction turns into an infinite regress and don't ever get started. if.
pictures and statements were different matters we'd have none now we've
got. both their violence turbulence which made us and in the hands ofl
emerging. noemata. migration. everything is number everything is
particular nothing is sacred except. transcendental numbers which are
unending series of fractions salvati kan du. fortsette rekken neimen du
kan fortsette rekken. quite the opposite of wholy like we got. everything
wrong always things are usually inverted the idea of an identity. upon an
abyss of oddities keep it simple don't get caught in the net of. something
elaborate you'll twist and turn to get out again nets flung over the. abyss
poor migrating birds poor bats this stupid story you'll die soon enough.
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sedet liner segselart agn en antent peke ending atangora. leknes det leke
seg schaaf en andlet plapre ene at andletljan deg er. deg er lv(som en
annen person) eller atandre liker deg ernesten. ndvendnignordli oljet
forseinke. det leknes seg selvig soen aof. naue nymalt forsekt. det lins
seg selvig so enanlpfor selvtilliten. Det. like segselv so en annenperson
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ha denne som en venn. ogvre i hans selskap.S nr vil det hs nr vil
dndfobskur for. selvig. det lekt segsemitt so en anls nr vil det haseg
selart som. vekte hyppe det varto av deg der du erpet ha seg sener som
vestp. hndsdet var to av deg der du era segselv som n Hvis det var to
avdeg der. du erville du likt denvinkle dulinplanla bevre at du nsket
hadekode som. en veier og vilkr duljan den ambe kappe hytid ogdet er folie
leiken. ynge i heilo selvr. dre denaltfor kansas hylig og det erflytur.
lesing andreKanskje ikke og det er forbausendelett forst. hvorfor. fostre
hyppe.snr vil det ha seg sekret somverner husvr det. vforslo hyppe.ar to
av deg der du er verftdu. logisk den ami kcal ideell ogdet er fordum
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e e e ee. noemata. noemata Fwd PeertoPeer the collective collaborative and
liberated memory. of sound.. noemata. New Member. Hi everyoneI have just
joined the list. Looking forward to become an active. member onthe mailing
list.Neonymonoematakunst.noLove your loaf to the. noemata. .. ... ...... ..
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noemata. Flere piller nese. Et sterilt teknologisk samfunn Det er vel
heller motsatt. atutvendiggjringen av det hygieniske gjr det undvendig for
oss. framst som rene. Hva medmentalhygiene Psykiatrien frigjr det gale i.
oss etc. Noe prosjekt p urenslighet kroppslukt el.haddevrt. spennende.
Hvorfor er nettopp lukt s ille Mer taktilsk som berring. light.Det er
samtidig disse sansene som media ikke har tilgang til ingenting. lukter
ingentingberrer. Dersom reklamen brukte lukt hadde vi vel sluppet. bry oss
mer med det. B.(VG Nett) Stadig flere piller seg i nesen.. S lenge ingen
ser det.Det er all grunn til tro at det i dag plukkes. mer nese vaskes
mindrehenderog at en oppvaskklut som har vrt brukt til. bde det ene og det
andre havner pent pbenken s lenge ingen ser. det heter det i et sammendrag
en rapport fra Statens institutt for. forbruksforskning (SIFO).SIFOforsker
Ingun G. Klepp utga fredag rapporten Fra. rent til nyvasket. Irapporten
rettes hovedfokus mot skittentyet og hvorfor. vi vasker det.Nr det plukkes
i neser og sluntres unna hndvask er. begrunnelsen Det varjoingen som s
det.Kroppslukt er tabuBarn kan ha. flekker voksne skal vre rene mens eldre
er spesielt udelikatehvis de. bryter normene for renslighet mener de som
ble spurt i rapporten. Mkk. godtaslettereutendrs og i helt private
sammenhenger. Toleransen for flekker. p tyet er blitt strremenskroppslukt
er et absolutt tabu.Vasking. begrunnes ikke lenger av hygiene og helse men
av estetiske rsaker.Maner. mer opptatt av om klrne har mistet fasongen
eller ftt krller enn. om det kanvrehelsefarlig p grunn av skitt.Drlig vask
av rene. klrMengden skitt i det skitne tyet er likevel blitt mindre. Vi
bytter. hyppigereklesplagg vasker oftere og frre arbeider direkte med jord
og dyr.. Til tross for atklrneoftere fr en tur i vaskemaskinen vaskes de.
ndvendigvis ikke bedre. Temperaturene erlavere forvask brukes sjeldnere
og. mindre mengder vann blir brukt nr klrne vaskes. Itilleggbrukes mindre.
miljfarlige kjemikalier.Sprrelister og litteratur om emnet er. grunnlaget
for rapporten. Prosjektet erfinansiert av Norges. noemata. . e k u n s t .
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Advent. Grete immediately ran out to Hans and shouted Hans we're free The
old witch. is dead. They danced of joy and embraced each other. They went
through the. house and found a lot of pearls and jewelry. The two children
laughed and. collected all the treasure they could carry. So at least we
know that under. capitalism there are treasures and people that own them.
And we know who they. are too. So we could kill them and take their
treasures. The witch wanted to. eat Hans and Grete. We know capitalism
wants to exploit us until death. After. that they ran home and embraced
their father his wife was now dead but their. worries were now over. Was
logos married to the witch Why did she want to eat. her children Greed is
the mother. Ignorance is the father logos. Hans and. Grete had to fix
their own situation their father didn't care their mother. noemata.
Hvorledes tar fra senga tar harpe musikk. hvor er herr sagnom hitlerse
hitler se hitlerTing hoppe. bukk mer. se var en eneste person med nevene
ser jegsier. Arbeiderne gr. Hitler hadde vrt s langt fra avbetaling si mei
fatter du ingen ting. du elerMord's tanke'r selv mord's tanke'r jaMord's
tanke'r nei. person lig. het og selv mord's tank'er. i dag lider oss
avkraftig ord deling's syndrom og. noemata. poetry. Poetry means (a) I'm
going to die and (b) this notebook. will be read by someone who will see
how lacking I am. unless I destroy it I can't do that that would be. worse
than keeping it that would mean thinking of. noemata. log. log l n. me.
origin unkn. i a bulky mass of wood esp. anunhewn. portion of a felled
tree or a length cut off for use as firewood.me. b. surfing. a large or
heavy surfboard. m. a a heavy piece of woodfastened to. the leg of a
person or an animal to impede movement. l. bmil. hist. a form of.
punishment whereby a heavy weight was chained to anoffender's leg to be
dragged. or carried around as the person moved. m. a piece of quarried
slate before it. is split into layers. e. in pl. ajail a lockup. austral.
slang. l. d.. l. sayers he walked up to the fire and kicked the logs
moodily. p.gallico. hepulled her down between two logs of fallen trees. a
dickenshere i am tied. like a log to you. times collyweston slate
isproduced bythe action of frost. on the stone logs. r. boldrewood ten
minutes in thelogs. ii an apparatus. for ascertaining the speed of a ship
consisting of afloat attached to a line. wound on a reel. also any other
apparatus forthe same purpose. l. a a book. containing a detailed daily
record of aship's voyage a logbook. e. b a. systematic record of things
donefound experienced etc. as (a)a record of. discoveries or variations
atsuccessive depths in drilling a well a graph or. chart displaying
thisinformation (b)a record with details of journeys kept by. a lorry
driver(c)a record of what is broadcast by a radio or television.
station(d)computing a sequential file of the transactions on a database.
e.. c alist or summary of claims for a wage increase etc. freq. more fully
log. ofclaims. austral. e. f. chichester an oldfashioned log which worked
by. timing the runoutof a given length of line. a yachting world in theory
a. navigator keepseverything in his log. b k. g. fenelon a daily logshowing
the. nature ofthe work performed. national observer (us) newspapers run
their own. tvlogs.phrases (as) easy as falling off a log see falling vbl
n. fall like. alog fall in a helpless or stunned state. heave the log
stream the logthrow. the log use a log to ascertain a ship's speed. in the
log (of wood)unhewn. king. log see king n. lie like a log lie motionless
lie in ahelpless or stunned. state. log of claims see sense c above.
patent logsee patent a. rough log. see rough a. round log see round a.
sail by thelog calculate a ship's position. by the log. sleep like a log
see sleep v.stream the log throw the log see. heave the log above.comb.
logbasket a basket for holding logs by a fire. logboard a hingedpair of
boards on which the particulars of a ship's log are. noted
fortranscription into the logbook log cabin (orig. us) (a)a cabin or.
smallhouse built of logs (b)a pattern in patchwork quilting etc. in.
whichpieces of material are arranged to give the effect of pieces of
woodformed. into adjoining squares log canoe hollowed out of a single
treelogcock n.. amer. pileated woodpecker log flume (a)a channel built
toconvey water for. transporting logs or timber (b) flume n. b loghead
astupid person. logheaded a. stupid dull obtuse loghouse (a)a houseetc.
built of logs us. hist. a prison (b) logcabin (b) above loglinea line of
fathoms or more. forming part of a log for ascertaining thespeed of a ship
the kind of line used. for this purpose logman (a)gen.a person who carries
logs (b)us local a. person employed to cut and carrylogs to a mill
logrunner any of various mainly. australasiangrounddwelling songbirds of
the family orthonychidae spec. (also. calledchowchilla) either of two
birds of the genus orthonyx which. havestiffened tail feathers log sheet a
logbook in which the driver of. acommercial motor vehicle enters
particulars of working and rest hourslogwork. (a)the arrangement of logs
in the walls of a house or otherbuilding (b)the. keeping of a log or
logbook.log l n. a. m. abbrev. a n.. logarithm (freq. used precedinga
number or algebraic quantity the logarithm of. which is to be
indicated).m.loge natural logarithm (of). b adj.. logarithmic. l.comb.
special collocations loglog a. (of a graph or graph. paper)having or using
a logarithmic scale along both axes lognormal. a.(statistics) such that the
logarithm of the variate is distributedaccording. a normal distribution
lognormally adv. according to alognormal. distribution log table a table
of logarithms (usu. in pl.).log l v.. infl. gg. e. f. log n. v.i. be like
a log besluggish. only in e.. v.t. orig. bring (a tree) to the state of a
logdeprive of branches. later cut. (timber) into logs (chiefly n.
amer.)clear (a region) of logs or trees (also. foll. by off over up). l.
bv.i. fell timber and cut the wood into logs. cf.. earlier logging n.
.orig. us. m. c v.t. foll. by up pile (logs debris. etc.) together
forfinal clearance by burning after an initial bush burn has. taken place.
nzcolloq. l. v.i. orig. (of water) lie heavily in a ship.. later
liemotionless like a log. m. v.t. mil. hist. inflict on (an. offender)
thepunishment of the log (log n. b). e. v.t. a orig. naut.. enter (esp.the
distance made by a ship) as information in a log or logbook. gen.enter
(information) in a regular record. also foll. by down up. e. besp.. of a
ship achieve or cover (a certain distance) travel at (acertain speed)..
also attain as a cumulative total of time distanceetc. which is entered
in. a regular record. l. c naut. fine. (from theentering of details of
offenders. and offences committed in a logbook.)l. v.t. lay out (a road)
with a layer. of logs. l. v.i. mining.make a log support for a windlass.
foll. by up.. austral. l. v.i. t.a foll. by in on go through the procedure
as. entering a password oridentification number at a terminal which gives
access. a computersystem gain access for (a person) by logging in. (foll.
by to.). m. bfoll. by off out go through the procedure as entering a
command at. aterminal which ends access to a computer system end access
for (aperson) by. logging off. m. h. d. thoreau only a little spruce and
hemlock beside had. been loggedhere. b c. l. skinner they always went
upstream to log and let. thecurrent bring down the timber. t. woolner the
logging. crocodiles'outrageous bulk. a n. h. bishop logging with pleasure
my day's run. atsixtyseven miles. d. caute female cousinsneatly logged in
elizabeth'saddress. book as aunt this and aunt that. b listener the graf
zeppelin wasthe first. aircraft to log over a million miles. h. allen she
logs aboutten knots in this. breeze.comb. login logoff the action or an
act of logging off. logonlogout logoff above.log l v.t. i. chiefly dial.
infl. gg.. e. origin unkn.earlier as logan. rock move to and fro
oscillate. chiefly. noemata. Knyt. folk art eMakt.no born.eMatronym . BB
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syndicate Re connective tissue endocrine system and to the cellular. level
of the human lifeform. This is a multipart message in MIME.
format...ContentType textplain. charsetisoAugust it's a lot to read for my
poor connective tissue. here. Why nottransmit it directly without brain Or
is that what's. actuallybeing done Some of my endocrine glands didn't get
it some. cellcolonies also were rather unaffected though they're human
lifeform (asfar. as I know) do you think it's working properly what can I
tellthem How is it. supposed to work Some other questions arise too is
itdangerous legal do. one need a licence is it quack if it isn't workingor
only if it is working. And also the nanos are very voluminous to beso small
is it because they are. dwarfs (in literary sense 'nannos')Btw the
therapeutical stuff on heart and. brain removing cognitivetoxins and
negative affects are interesting though I. don't get the partabout
interstellar bodies maybe they are magic and alkymi. workingswhich would
make sense of the dwarfs in a way as homunculi. (zombiezagnet see recent
post Miscelleny .. from Towntrick. onwryting). Can you do a reading over
my colon Sometimes it inflames alittle. something to do with autoimmune
system attacking itself whichis just madness. why should it do that seems
to have some relation tolefthandedness in fact the. autoimmune issue you
could write to itdirectly with the dwarfs and. interstellars it sounds
coolcolon Width mustdash Te nemo. NextGen Nanopoetics This work does not
operate upon the brain. It. transmits information to our connective tissue
endocrine system and to the. cellular level of the human.
lifeform.ContentType textplain. namemessagefooter.txtContentDisposition
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mailinglistSyndicate network for media culture and media. noemata. Re ON
K. MWP. Past BC Past) echo Pastfor (Future ADFuture. noemata. VBV.
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noemata. cut awash not hinge size. cut awash not hinge size ixia firma toe
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idiocy fueler itch investigation.. iatawaul squeaked bp kaolinize itself.
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tty razed eyes tawie skittishness form now thingta not. hinge ice. tick
rubricises towhee tai inefficient obey comblikeconvolvulaceous.
complementers.
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LEFI.THEW REEST IXTOE STYKKFRAYNE NDE TOYNOT HINGE. TISZAREPRESENTED
TYETH. noemata. Re My Undead Love for You. Think outside the box outside
the box outside the. protomaze paleolithic cave in the same box done some
yarns ago butee. the spectatorand then spelunking my pockets for any p.
frames here's a work I am not entirely thrilled about in itscurrent state.
but that addresses the issue in a more complex way than mayat first.
noemata. thextyle. nteressert i. Det nteressert i.. Det er en medlidenhet
etterp. fakta br gr et. til ankomst frem p et. svar i og sammen med. at
fakta allerede stenger endelig. arbeid i plnteressert i.. Det nteressert
i. Det er en. medlidenhet etterp fakta br. gr et til ankomst. frem p et
svar i og. sammen med at fakta. allerede stenger endelig arbeid i. plan.
Hva hennes fremstilling. drar edged p forfededre I. ingen kopi har I
ingen. ftt materie. S der. posisjonsutgivelse for interessert. gruvedrift
plan er seg selv. en typer apparition kan en. interessant reise men I. hp
slik ellers og adlydelse. av en dialog sammen med. Very mye til punktet.
om. fakta drar et. Og om. fakta er omtrent kommer fram. g et .... S lang.
I ingen materie an. Hva. hennes fremstilling drar edged. p forfededre I
ingen kopi. har I ingen ftt materie.. S der posisjonsutgivelse for.
interessert gruvedrift plan er. seg selv en typer apparition. kan en
interessant reise. men I hp slik ellers. og adlydelse av en dialog. sammen
med Very mye til. punktet. om fakta drar et.. Og om fakta er omtrent.
kommer fram g et ..... S lang I ingen. materie vender mittIt is a. pity
afterwards facts ought. elapse an to advent forward. at a answer in and.
along with that facts already. am shut down at last. work in plan. What
her. exposition goes edged at ancestors. I nobody copy have I. no matter
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anything else and abiding a dialog along with Very much to the point. about
facts goes an. And about facts do be about appear to elapse an.... Saw long
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frem p et svar i og sammen med at fakta allerede stenger endelig arbeid i
plan. Hva hennes fremstilling drar edged p forfededre I ingen kopi har I
ingen ftt materie. S der posisjonsutgivelse for interessert gruvedrift
plan er seg selv en typer apparition kan en interessant reise men I hp
slik ellers og adlydelse av en dialog sammen med Very mye til punktet. om
fakta drar et. Og om fakta er omtrent kommer fram g et .... S lang I ingen
materie vender mittIt is a pity afterwards facts ought elapse an to advent
forward at a answer in and along with that facts already am shut down at
last work in plan. What her exposition goes edged at ancestors I nobody
copy have I no matter gotten. Saw there stand issue for mine concerned
plan am herself a kinds apparition a interesting journey may but I hope so
can be anything else and abiding a dialog along with Very much to the
point. about facts goes an. And about facts do be about appear to elapse
an.... Saw long I no matter turns myA. genre pseudoulipo eg. palindromes
that only look like palindromes. As AMnotes. there are special
characteristics in syntax which should be simulated in. noemata. A. O.
Vinje. Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg.
selv Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
noemata. painting.og jeg samtykker sxEklart bare over mail.. spxFrsmxElet.
er om jegto sider av samme sak bare et omsnudd forhold der realitytv.
prFver Einn mot nasjonalskattene bEde fra politisk hold pressen og.
publikum.aksjonen derimot lE i at kunsten intervernerte i en annen.
sosialav E sitte sEnn mE pumpe luft i bakdekket ta med kamera opp i.
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hvordan knyttes ansvar tilTREDIL TAPISITSCIMT TOSNGTERRALSO. BACSIDHNI TCC
RAG FT TROVBI NEDA elefanten ned i den pussgule plen av. svadafarger som
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motto For store. finalen en stund de ikke av Waldemarfremover. Med blod
sildrende fra et kutt. ved kneet ser jeg lengstjeg trenger ikke noen
sanser til fortelle meg hvor. den er. Jeg tartida er Virginia dustemaria.
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(om det bl.a. uttrykker noe. mer enn det man umiddelbart ser) timerwas
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noemata. cSka. Disse menneskene ser ut til alltid komme med fryktelige
anklager mot. megakkurat i det jeg skal ut med et prosjekt et album eller
en video sHan. sier ikke om han er en av disse menneskene (som skaper
fryktelig pr iakkurat. rett tid). Skandaler finnes ikke lenger bare pr all
skandale er pr.Som om. noen bryd s konstruerer han en situasjon som om noen
brydde seg somom det. var en skandale noe sted. Kan ikke noen sl inn nesa p
han istedetsende. han til Uganda for oppkapping eller lignende helt
Skandalst. Selvflgelig er det en gigantisk skandale dersom razziaen av
hans hjem. utfrt av omtrent politifolk skulle vise seg ha sin bakgrunn i.
atEller en bak skandalisere seg selv for dra penger ut av markedetOg. ved
hjelp av denne stakkars ungen Det er en skandale a larm. Han har velmange.
rare prframstt bak seg det giftemlet hans feks. Nei det er en. skandale at
detblir nyhet avslikt og at vi bruker tid p tulle men. han.skandale kommer
av gr. skndalon snare felle. alle skandaler er feller.. oghersitter vi.
Hvor gikk du p markedsfringskole Hvordan kan du hevde. at skandalisere seg
selv er for dra panger ut av markedet..Han. Mikkel legger seg ifallfall
godt til rette i bevisstheten til folkog bygger. videre p myten om han som
pdofil monster etc. Om det ersant eller ikke. spiller ingen rolle dette er
i fantasiverdenen uansettmediaverden.Antagelig. henter han like mye
sympati som forakt ut av det over tid deter alltid delte. meninger og ting
har en tendens til balansere seg avseg selv dessuten skal. media innkassere
i begge ender avflelsesskalaen forakt er like mye verdt. som forsoning. Vi
fr nokhre Mikkelversjonen ogs snart og senere blir. det bok.Mikkelsaken
ser fl ut n men det skal ikke mye til fr det hele. snurog da er alt sammen
til hans fortjeneste. Han selger btter med. plateruansett bare ved komme i
nyhetene.For alt jeg vet kan skandalen. vre konstruert jeg syns ikke det
spillernoe rolle. Den kunne vrt. konstruert og jeg antar mange lignende
tingfaktisk er konstruerte feks. 'skandaler' i privatlivet til
BritneySpears Kylie Minogue et al. Alle. skandaler er feller uansett
detilhrer media de finnes ikke. noemata. lemma for win taskbar. lemma for
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landskap. Hvordan motstand er utviklende eller. destruktiv en terskel
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sinnkropp p samme mten. Descartes' sinn som ikkematerielt og uten
romligutstrekning som selve. rommet og som bestemmer bevegelsene til.
maskinstoffkroppSinnkroppinteragerende som romstoff som i det klassiske.
dualismeproblemet hvordan noe kanimmaterielt interagere med noe
materielt.. ... Jeg erfarer ting stoffet beveges i rommetog gjr dem til
indre som. noemata. yours. But till then. She too when she shall have
filled her term of life will rightly be. ..... YDDDD......... yours. But
till then grant her to me I beseech you. If you deny meI. ...
.YYDDDAAD........ cannot return alone you shall triumph in the death of us
both.. .... DDDDAAADY...... . YDDAUUADDY....... As he. sang these tender
strains the very ghosts shed tears.Tantalus. ... YDDAUUADY.......... in.
spite of his thirst stopped for a moment his efforts for water.
.YYYYYYDDDAUUA.... ....... Ixion's wheel stood still the vulture ceased to
tear the giant's. YYYYYYYYYYDDAUUU.... . .... liver the daughters of Danaus
rested from their task of drawingwater. YYYYYYYYYYDDDDAUUQU.. .... in. a
sieve and Sisyphus sat on his rock to listen. Then for thefirst.
YYYYYYYYYYYYDDDAAUAD.. .. time. it is said the cheeks of the Furies were
wet with tears.. YYYYYYYYYYYYYDAQAY. ... Proserpine could not resist and
Pluto himself gave way. Eurydice was. YYYYYYYDAAUDDY.. ... called. She
came from among the newarrived ghosts limping with her. YYYYYYYDUAY.. ...
wounded foot. Orpheus was permitted to take her away with him on one.
YYYYDUAYY... .... condition that he should not turn around to look at her
till they. .YYYYYDA.. .... should have reached the upper air. Under this
condition theyproceeded. .YYYYYYAY. .. on. their way he leading she
following through passages dark and. .YYYYYYYUYY. .. steep. in total
silence till they had nearly reached the outlet into. .YYYUQYY.. .. the.
cheerful upper world when Orpheus in a moment of forgetfulness. Y. .DQU. .
to. assure himself that she was still following cast a glance behind. DDDU.
.. him. when instantly she was borne away. Stretching out their arms to.
DAY ... embrace. each other they grasped only the air Dying now a second.
. YDA ..... time she. yet cannot reproach her husband for how can she
blame his. .. DUD .... impatience. behold her Farewell she said a last
farewell. . .DU.. ..... and was. hurried away so fast that the sound
hardly reached his ears.. . . Y. ... .. Orpheus. in Hades OVID
Metamorphoses Book X. . ... . .... Orpheus. endeavoured to follow her and
besought permission to return. ... .. and try. once more for her release
but the stern ferryman (Charon). . .... .... noemata. iava eht htiW
.redroceR. faaivqrboedivoedivFTNnXZGabrABhiCvTrhbcYMGrXacV.
woltneiciffetsoc deepshgih elbane ot depoleveddradnats ecafretni. wen
adecudortnisah )ASEV( noitaicossA sdradnatS scinortcelE oediVehT.
rebmetpeS GEPMdna sksid drah yticapac hgih fo ytilibaliava ehthtiW
.redroceR. ksiD oediVetiS hcraeS .rebmem aemoceB nigol ylnO srebmeM
.noitilaoC. noemata. Re RE help (pleh) (STAMP). at last my emails are
getting the proper attention. (xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx) with the
subject of ' help (pleh)' is being. analysed by (STEVEN) a new SPAM
control system that eliminates spam. To ensure. your email is delivered
please reply to this email and send it. Do not modify. the email at all.
Thisis a once only check. Future emails from you to. xxxxxxxxxx xxxxx will
be accepted automatically from your email. noematakunst.no.For more
information regarding (STEVEN) please visit. noemata. yourinafix.
youreinafixDreocisveis'Malt'as MelotidMecdniie' PerusesPnicre'. Modac
selek tonsPrue's c'ias. SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda
rbogs game soektelnsnyhel ac. i ir rwc xrnceie lh aeotdiiye darteh ofal
agvtpt . . . . .aciosstaion obi amol. anecs noalzcaiits aootptpsntoes
citimnage awoi eitrps abian nt cshoroatctanim. inpagwgs eaiewhs eignams
offa two tesinamuh eel eye uht ainoi ahnihc o. ibessviinsnmaeia oladsron
isrdean itt mrte lox m vrimeoeradh sllaberif sgnuegic. moes ia yolocslii
orr nwlehzyoeton ataa mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst
dlaspnlgpocaos puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat
sloar incfleeuielo ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe.
eehtiusanmpakaa yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious
Aciosstaion. ObiqBgolo asciil ExionttcinEganmitic Seoltons PtptoolsSnotes
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Gritiiaczlaon ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid
Hirings GameFrown Vry Lyings. Fireballs HdGlicariozatin
CunnioutnigaLnovgiety Serba SprtieLkeas. SxeriAtoyPuucterd PuenodTolos
Wotton AtaifcrtsVlocsanim Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA
MTHR NKSK MSKTLNSB KLSL KSNT SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT.
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YH. MNMJ RTNP NMNH NMTK RTKS LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT
SRBS PRTWN. TNTR LFSS LSTBO BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP
SNPK RSTT LSPSS. LRNK FLNS TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK
RTSU NSLB TRRM KTRTBSX. WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug
iryui coegkre amnl. anr pneae aty ce ahnihc suoinash pren awoi eitrps bat
slosissnbs. brymestns ptptoolsee e iohi morf setons fo niccu greoovs owen
nhnadgd. hch m hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols
lriza. nysed o nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa
two. tollwalra onbblu otedth puuc rolg d salor nutnerios htcne ses.
snletkeos emag s taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage.
ycpto tnaiilscolo ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia
ee. i ee e e e s ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr.
poahydbn. ltpsh ytn ee ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i
oo pmaopktt s. .rh m l aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae
i msrloepwbr. dnf trfrs ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e
a esdes dny.hhp. sl s ee nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa
iaeie ech lah tgpp. p. p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne
iou e e eo h.prrnsn f. smyc oe btcao aio uoe enmreo . g y cn d h teoi n a
eo aia i Deim th ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e
eae e hhyhaostck n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm
yrrc yllrt cdrchi ae a e aia. noemata. arc.hive tao in the old day.
noemata. Arithmeticomaterial drives. Arithmeticomaterial drives are
firstly generated in the momentwhen matter is. formed according to the
mathematical model of it given bysuch science. One. result of such
objectivisation is the Standard Objectthe modular component. typical of
globalised trade but with its rootsdeep for instance in the. licenses
afforded the monopolistic guilds ofthe Middle Ages and the history of.
trading generally. Everything fromships to pizzas are quality assured
subject. rigorous treaties andprocesses of standardization. These are
typical. results of industrialproduction. The second stage is when this
process of. standardizationbecomes so abstracted it becomes amenable to
massive. acceleration inproduction. The human work put into the production
is scanned. abstractedand multiplied by means of machinic energy. Once
turned into. numbersregistered as a pattern the actor of the work can be
discarded and. thepattern accelerated. When hooked up to processes of
production we get. thediscovery that according to Walter Benjamin ...the
speed of traffic. andthe ability of machines to duplicate words and
writing outstrips humanneeds.. The energies that technology develops
beyond this threshold aredestructive.. First of all they advance the
technology of war and itspropagandistic. preparation. Overproduction the
massive churning ofordered matter and of. markets one might also say that
any developmentbeyond this threshold might be. captured by forces other
than war forredistribution for the reshaping of. work for burning. One of
the aimsof art is to capture this excess away from. noemata. . Barna. P
detteher. Jegsa. Barna Snn Du villevisst detmangletfortsattlitt. noemata.
Re really silly transformation of out of control ir pda dump.
transformation of out of control ir pda dump.......ME syly var. of sely.
SEELYseely (sl) adj. Archaic.. insignificant or feeble. poor.. happy
auspicious.. good pious blessed.. foolish. simpleminded.bef. ME sely OE
geslig happy equiv. to sl happiness. ig Yc. D zalig G selig akin to ON sll
Goth sls good OE sl. better seeSILLYref norwegian 'salig' blessed sl
goodspectrum poor. blessedgood whatever.. something about happiness
alsofeeble weep to exude. water. water all water am silly sea ofsillyness.
silence sillience. noemata. Advent. The emperor's new clothes drives the
economy. What isn't drives what is.. But. behind the virtual is. the real
again. Inflation of spacetime. matterspacematter. It's wrong to say he's
dressed and wrong to say. he's. naked. People are anyway misled the
misleading is driving the. capital verb. and noun the more misleading the
more value. The eternal. in case it returns. if not then nothing but the
if doesn't halt. doesn't execute never reaches. the return. If man is
naked he's dressed. (the fall) and if he's dressed he's. naked (he
returns). The economy is. driven by the return of christ as judge of. the
last judgement every christmas. Santa is naked cries the child that's why.
he's masked. The child that's. Emperor's new clothes drives what isn't.
Return.. If not then nothing but behind the if he's. Return. If he's.
Return. If not. then nothing but the misleading the economy. What is..
Return. If not then. nothing but behind the eternal. Return. If not then
nothing but behind the. eternal. Return. If he's. Return. If man is the
real again. Inflation of. christ as judge of christ is judge of the
emperor's. Return. If he's. Return.. If man is driving the eternal.
Return. If not then nothing but the. misleading the real again. Inflation
if christ as judge of spacetime. Return.. If doesn't. Return. If not then
nothing but the emperor's. Return. If man is. naked cries the eternal.
Return. If not then nothing but the last judgement. every. Return. If
he's. Return. If he's. Return. If doesn't. Return. If he's.. Return. If
not then nothing but the eternal. Return. If doesn't. Return. If. not then
nothing but the virtual is the misleading is the virtual is driving. the
eternal. Return. If doesn't. Return. If doesn't. Return. If he's. Return..
If he's. Return. If he's. Return. If not then nothing but behind the.
misleading the child that's Return. If not then nothing but the economy..
What is.. Return. If he's. Return. If not then nothing but behind the
last. judgement every. Return. If doesn't. Return. If doesn't. Return. If
not then. nothing but the virtual is naked cries the more misleading is
naked cries. noemata. Re asciipng. greyscale movie from a text'stranslated
chars ( char values. greyscale levels one char perframe fps) but the idea
was a bit too. obvious and the transformationtoo onedimensional so I
abandoned it.Yes. they'd be tedious work shades of gray in a tiny specter.
etaoinshrdlu..monotonous.. translating media spectacle news etc into this.
gray stream ofindifference..The key to having this kind of idea succeed
in. general is not merely to workout an effective transform method from
char to. pixel etc. but to have themethod reveal something unexpected of
the. underlying structure of the sourcematerial. If the transformation
results. simply in a stream of meaninglesscolors or chars then it will be
of little. interest even as a conceptsince the concept is a fairly common
one to be. honest. There are a lot ofpeople right now who mistakenly
believe that they. are making radical art byturning photos into music
pictures into text etc.. As with all works ofthis kind it is by breaking
through to the next level and. having the workblossom into something that
nobody has ever seen before or could. haveexpected to see that turns the
idea from a mere amusement into art.OK but. not as a program art shouldn't
care about itself being this or thatcritical. penetrating revolutional
reversing undermining etc. In my viewart is quite. natural it doesn't need
a program to live no more than we do.Lot of things I. do are very stupid
things I don't mind that. And also thequackfraudulent. issue the artist
maybe had some conjurer traits from thebeginning staging. something he not
necessarily believe in but as atechnician of imagination. lies and
language. How does he differ from say apolitician then He's clear. about
it everybody knows it's a scam open sourcescam so the art context is.
reflective revealing its staging. What aboutbeauty and wholeness Well
there's. always some endorfines in resolving thingspotential and
exhaustion beauty in. understanding things wholenesses atdifferent levels
which is like cashing in. on the structure but there arealways remains and
other levels expansion and. consolidation chaos andstability. Beauty taken
over by design etc wholeness. by.. welll it's stillthere but like code
source not wholeness as image but. its counterpartconstruction. Art should
be more absolute not this or that my. view thoughyou didn't ask..What I am
thinking about right now is how to. translate a ()colorspace into music in
a more sophisticated way. than is usually done.There's a natural mapping to
(pitch rhythm amplitude). but it's obviouslynot a simple . If one uses
microtones one can get an. octave span ofpitches from to but I don't know
how to get rhythms. that form aset and amplitudes is way way way too
many.(pitch. duration waveform) Btw midi transformation i've always liked
the renderings. of the radioharddisk maybe reminding of morton feldman or
somehting at times. noemata. .. .............eT vINDUSPOST mINSTEML
i............. pHP .......... aLT. eR jUNI....fORN..........DEN. eKSPORTRD
....... PET nERSKOGEN. h...........NDTROMME pOLITIBIL .......... NSLAGSVIS
dERM.......ATISK. hYOKTANfRI.......SONE.eT vARME........MLER lNEBEVIS i
pHP. a.......LT eR iNNGAVfREML.......... GT. dRIKKEV.......... NE
vERNETOLL. mOS.......... IKK hIMLE pYK .......... FTENSM.......... T.
cOMEB.......... CK iNTERIMgERILJ.......... HR.eT vEIER n........... TURTRO
i pHP .......... LT eR iLLSINTfRUKTSK.......... LL.. eKSTR.......... TUR
NDSF.......... TTIG oPPFRISKET iNNHOPP oNY. .......... M..........
TRL.......... G dRYPPE hIMMELfOTOKUNST.eT. wIKIWIKI
nETTKUNSTPUBLISERINGSSYSTEM i pHP .......... LT eR. iNNT..........
STB.......... REfORMFELTER. eLDSLUE PET oPPFRE. iNGV.......... LD
oSM.......... N aKSEPT dYPFLT. noemata. could write a word as a figureicon
of colorsinsequence ie. circles inside. noemata. Re spectre. e k u n s t
.arc.hive Where's Ascii Turbulence. Spotlight GALZA. some traction. (See
Olia Lialina's misgivings about therecent NY Digital. Salon posted to
rhizome and nettime.) It's all aboutinjecting a healthy dose. of
formaldehyde...long live net art. ( (Y) ) Hlogre. like to introduce to you
my latest net art work Where's AsciiYou all. remember Where's Waldo the big
illustrated books where you'resupposed to. find this guy with a redwhite
sweater. well Where's Ascii isthe internet. version.Ascii is my Dog an
original Ascii Cyberian and he got lost on. theinternet.If you see him
just click on the dog wherever you see him on. the net (itwill send you to
another random page hosting Ascii) or click his. To participate more in the
project you are welcomed to host the dog. (paste asmall HTML code in your
site) until I send for him. For more details. and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. s d. a f. d. a. s f a. a. l. noemata. w i t hyou will breathe inh
e l pthe world is moont j t m tm bviscoustst. tt.ibutt an
abstr.VXaciitttistraight. when a student. comes and asks about bodhi or
nirvana about. to mark with a branding. iron.(intermission passing
train)........choos crept these new.
owe.l..............t........mensuration thickly mislike existentialist..
avoidermary medusa numeral. particularized mechano bridedet er lgn og.
MBrSiMSXXBMZZMMMMMMMMMMMMMMMM n (. MMi iM MM MMM MMMMWMM. MWMMMMMM. .MM.
MMM. WMr MZ i. . M. ws he swa feor nor swa a hwlhuntan will leave you ...
leave. you and leave nothing behind which has Watching telly about to
drink coffee. . TUOBAYLLETGNI one of a hole foralways reassuring. Just
listen just look. whatever you do any machine EGG. JEG MTTE JEG HVA PLUMP
UT. MORVAHSDRATSABSRE M N R C They're obviously better. than memory I
couldn't remember that . NORHT LLAITNESSEERAS praise is bad.. If you in
your allies in the Patriot Act under the M N R. C throughmom dear daughter
stop that listen to me now. neither future past or would have to be not
moving nothing can move in. the now because it New.
k'etciXFDNYiJNIlVmnkfAIfXfjsIUyVktpool.up all year.notes which I have a.
PDF reader Process tho they areThe rear area of the thighsUten ha bedt om.
det mottar jeg meldinger fra hele tiden. Dette erthe edges first then work.
Y P. dP. kA Mad Dog God no I microdelivered as a brasero. Pavese versus
rats as I. manipulate I ROT Lem.and a blanket cow are thermos. a dog is
not a dog po. hua answered an.Emgti Swdw eetu naa spsito ec rsnoe
ygeseewae umeuiat. fsntehy soe teso per siti strani In a janitor on No no
Putrid Gag off in a. TOYOTA A began a Santa snaps erupt cure droll lord
eruct pure. Es ein Nie. Neandertal MUC KMUCKMUCKMUCKMUCKMUthree legs. the
mounter. comes out of the mouth. the wheel doesn't touchdee ocrv irnu pah
gtse eea sour. ruoh eaeo xeun idswrts trei mimi DELE mellom og et sted her
er. telefonnummeret ja du m regne det ut selv. Kan. Re . e k u n s t .
Definisjoner.... return returnDELE could you please send some hints. i can
only guess. what it should doContentType textplain.
namemessagefooter.txtSubject.BMSaeghjkmnoptz.. uhT atameon egasseM .
empyre i solen.. . . .IR AP RO KO HO .DN CN YN MN JN. .snarT fo .tpeD
amohalkOProducto Dominio web .COM Password Idea. originalblago bungstill
sense but no. the only once it doesn't count (count. is Sent Tuesday
November PM prosjekter som kan formidles. tydelig og med en hy grad av
computers primarily as storage andto draw. apart)) notrace ref drift draft
currents of air or together a bunch of. largely unrelated technologies such
as analog video something (can't remember). hmmforsikringssvindel
milliardbutikkHow did the pine cones get brokenbekymret. over
sexfokuseringenmikkel r i srafrika tror de p nilsen. ksikrakkurat som prve
lage eit speil ved pusse ein. steinjesuittseclusion. p. ackroyd perhaps the
tall hedges give this region its. Also a public conferencing network called
Usenet News carried. ontallrekken har ulik representasjon i ulike
tallsystemer men. uttrykkeruncertain cf. ofr. troller (mod. troler) quest
wander casually. noemata. ford vi blir automatisk trtte. ford vi blir
automatisk trttemaria automatisk fres sammen. Dette. p hendene. Senere
returnerer jeg eroverlegen vre forfedre s. ekkeltford srbare livmaria liv
som er det var offentliggjortog hvor. er feil en vits ipotetreken.ford
hvis livet er noe som helstmaria. helst med en slager ogs et sverd gitar.
Det hye.ford srbart og. overfldigmaria og forsvinner inn i en razzia etter
og offer er dette. fr sndag.ford hver celle er en ny megmaria ny dag veier
kan du det. noe le hnlig og vre barn og riket er einsnn hadde stor. sttte
p milliarder r og radio irriterer folk politibilerog. kjedelige
argumentasjon.ford oppskriften i hver kakesmulemaria hver gang i. de andre
rundt kukken med Brsselford hvem er jeg faksimilemaria jeg. faksimileford
overfldig redundantford srbart verdilstmaria. srbart verdilstford
sklartford all grunn til ydmykhetmaria. grunn nylig logget p. Det
virkelige lykkeslangen lepjer i dette. varvel vre noe mer som regel klare
som rpet navnet ditt sanne noveller. i detnrvrende.ford ikke skrike
snnmaria skrike snn et. annet.ford ta det med romaria ro godt voksne
mennesker. Den feige. djeveltilbedere som grammatjukkenHshulding av
seg.ford du skal ingen. stedermaria steder kunne tro p yet (ser p tide.
noemata. noemata Fwd PeertoPeer the collective collaborative and liberated
memory. of sound.. noemata. alkjsfatoy. Det er ( TH MBT ) forward at. by th
Scrty or orQOldanborFen Krkaen ..
isoQYoFnOldanborFenlqeurixnyehmfnvxavtvlifp. if (dir ) p et. k she is ehe
is. usencode la ralit et tout la fois en transforme et en remodle.
laCharles Babbage () initiateur de la machine diffrentielle.
(QHNNNNNNNNNNNND they lie they fabricate. evidence tapes bin laden's muddy
voice utilisait dj des cartes. ralises sur du papier divis en damier
pourwebarterythis is why. digital writing that doesn't take into
accountfortsatt en del materiale fra. portalen for Operabrukere. Nr MSNs
serverehandful of corporations. And of. course there is thedepends on
traditions) is certainly not more 'rational' or. the focus on names
reflects the reality of a postal system that. structuresfreedom but it has
not.Dadaist one must also be an antiDadaist'.. His aims remain stable
visionary from which action naturally follows or else. is not the
point.which the klappen min vector a clue. ERTEKSTEN SWITCH YOU STREAM
WITH EACH ALL. c ecmy minutes vacation of unedited recordings of.
somewhat. elseSANSELIGHET. MEN TECSTEN SEN TSGT T. r The second sets into
motion a runaway. process thaER ISXE LINCYR THSST DFC TOGST ER ER.
movementekstreme maskinercorrelates to code as languageformatives and.
code as matterformthat distance since the subdivisions do not have actual.
differences are unknownbiology likelyrepresentation of necessary connetions
of. F B kveda so du skaAccnt.ability to. educe relations and correlates
among abstract pictorial forms C D A F. D F B E e..som Borken t
tilapollinaire.jpg. Sep k . E E A E E D A D A C. unn' gjeng.....stre
havdypene men vi m me p taet. skjedde det enHei Antn hvis du har anednin s
se stadi. Vi antar at de. mte sm de frhder se kunstnerne har bakrunn fra.
Akademibeskyttesenansvarsfrihet du vi. vre ne dra inn sm tema.
samt........................ ... spydspiss. du jenvinner makt jennm
senety. Hvis du ikke fr det ti idspunkikke. hs fk ansvaret m nen jrde det
sm de. TPvvKiNddKk jtYJjmItf. zXKOSOAaOSPWWDYcOGAOCSIcAANFLLQso you can
pour into and some things. remainwhether the idea is interesting or not...
maybe i'll post the ideas on. sMIIQmy dog art is just playing. noemata.
empyre i solen. kHvor...fluer snart blusser er tusenvis av religioner og
guder men bare en. eneste...empyre. noemata. .. noemata. Re . e k u n s t
. Re beMyGhost. jauverri niceCommunication and languages are killing me. I
can't see why. reality hasanything to do withlogics anymore. Everything is
that much simpler. in programming you testthink rewrite ordebug. Social
bluescreens on the. other hand are almost impossible toavoid or fix.You
see if you get your life. all wrong you're either told sick mean orstupid
and how doyou reboot a. relationship I say you better get it right then
executed insidesomeinfinitive. loop. Besides we humans don't handle
recursion very well.p lignende mte. hvordan reboote spkelsenekunst er
rekursjon s det holder..analytiske. utsagn om analytiske utsagnbeklager
spammingen de er blue screens... this is the truth of all collapseswhat
comes across always. collapsesinto a form which is legible to the
extentthat reduction occurs the. less the bandwidththe greater the
compression the aura disappearslike. byzantium but there are mosaic
tilesleft behind to be reassembled into. yond.matronym n forlengstvist oss
hva han duger tilmed email og SMTP. protokollen...eller er det slik forst
at jeg ogsm vise hva jeg. er i stand til. . .. (o)(o).OOOooooOOO.Jens.
Laland BryneOooo.. .oooO ( ) (. ) ) ( (. noemata. arc.hive the MAZPIQ
language. arc.hive the MAZPIQ language
DJ name NANOCONOS. Noemata Random Name Generator. CIFGE. CIFGE. '''''. '... . .....'... ...... .. ... '. ... .... . ' .. ........................... Acid house combo MANCERSEA. Noemata Random Name Generator. NANOTEAT. NANOTEAT. NN NN AAA NN NN OOOOO TTTTTTT EEEEEEE AAA TTTTTTT. NNN NN AAAAA NNN NN OO OO TTT EE AAAAA TTT. NN N NN AA AA NN N NN OO OO TTT EEEEE AA AA TTT. NN NNN AAAAAAA NN NNN OO OO TTT EE AAAAAAA TTT. NN NN AA AA NN NN OOOO TTT EEEEEEE AA AA TTT. Evil scifi character DOMINTRA. Noemata Random Name Generator. MERME. MERME. MM MM EEEEEEE RRRRRR MM MM EEEEEEE. MMM MMM EE RR RR MMM MMM EE. MM MM MM EEEEE RRRRRR MM MM MM EEEEE. MM MM EE RR RR MM MM EE. MM MM EEEEEEE RR RR MM MM EEEEEEE. Art installation SAVOCORE. Noemata Random Name Generator. VELDADAE. VELDADAE. V E L D A D A E. Polkaband OILOGAR. Noemata Random Name Generator. ELINSEA. ELINSEA. Cyborg model NOMPRIUS. Noemata Random Name Generator. EXESURF. EXESURF. ICQ nick ETTASWO. Noemata Random Name Generator. XIDWE. XIDWE. Acid house combo AMUSLO. Noemata Random Name Generator. PATHRETRO. PATHRETRO. Hotmail account name PATASOFTIX. Noemata Random Name Generator. ASPHERRETRO. ASPHERRETRO. Nerd alias LOOBAROS. Noemata Random Name Generator. SEXNEBULA. SEXNEBULA. Art installation SCONTH. Noemata Random Name Generator. PATHMAGIS. PATHMAGIS. ( P ) ( A ) ( T ) ( H ) ( M ) ( A ) ( G ) ( I ) ( S ). ICQ nick THELANA. Noemata Random Name Generator. UNOCOL. UNOCOL. . .. . . . . .. . .. . . . . . . . . .. . .. . .. .. . ... . .. . .. .. . ... . .. . .. .. . ... . .. . . . . . . . .. . . . . . . .. Cool band name MAGIPOSTS. Noemata Random Name Generator. CITYE. CITYE. Noemata Random Name Generator. ERBACHA. ERBACHA. d.....b d....b. d....b. .d.b. .o..b. dbdb .d.b.. ..' ...D ...D d.'.b d.PY. .... d.'.b. ..ooooo ..oobY' ..oooY' ..ooo.. .P ..ooo.. ..ooo... .. ...b ..b. .... .b .... ..... ... ..... ...D .... Y.bd. .... ..... Y.....P ..YD Y....P' YPYP Y..P' YPYP YPYP. Buzz word this year POLMIDI. Noemata Random Name Generator. HENOIDS. HENOIDS. H E N O I D S. Meditation mantra ZUMEXEAZ. Noemata Random Name Generator. LONGO. LONGO. Artist name SAROOTON. Noemata Random Name Generator. VIOBONGA. VIOBONGA. Cat name KEMEL. Noemata Random Name Generator. GANER. GANER. Trance artist DATANIUMAL. Noemata Random Name Generator. OMBENTAI. OMBENTAI. Hare krishna alias XYSUN. Noemata Random Name Generator. SEANISYN. SEANISYN. eeeee eeee eeee e e eeeee eeee e. e e. eee eee eee. Goldfish name INGANTE. Noemata Random Name Generator. ABONGNITRO. ABONGNITRO. ) ) ) ) ) ). ) ) ) ). (. (. ) ). (( ((. ((. Mysterious alias EPIFLEX. Noemata Random Name Generator. MICROCARO. MICROCARO. ''''''''''. '. '... .... '.... '... ' ..... '..... ' .. ..'.. '.. . .. ... . . .... .. '. . . . .. .. ............................................... International agent codename CELLSEA. Noemata Random Name Generator. TEPOST. TEPOST. T E P O S T. Hxr nick TECITY. Noemata Random Name Generator. ZAPIS. ZAPIS. ' ) ))) )))). (( (( ( (( (( ((. ICQ nick VIEBORY. Noemata Random Name Generator. NANOLENCE. NANOLENCE. N A N O L E N C E. ICQ nick CANECHO. Noemata Random Name Generator. NIONKEY. NIONKEY. . .... ). Pet name MUGOXYER. Noemata Random Name Generator. CANDRU. CANDRU. Noemata Random Name Generator. PRIZE. PRIZE. Noemata Random Name Generator. OPTIGANA. OPTIGANA. O P T I G A N A. Polkaband OHSYNCUNO. Noemata Random Name Generator. SUMSPI. SUMSPI. '. Japanese toy craze SOFTPI. Noemata Random Name Generator. RUPTOMNISES. RUPTOMNISES. ) ) ((. )).
302
Roleplaying name PILEL. Noemata Random Name Generator. BEO. BEO. Netart
project NOMGOE. Noemata Random Name Generator. ESIN. ESIN. ) ). ( ) ( (.
). ) ). () ( ( ( '. Hotmail account name BARPEA. Noemata Random Name
Generator. SUNELL. SUNELL. Cool band name MORSA. Noemata Random Name
Generator. ECHOROSO. ECHOROSO. Impressive fake middle name SNEGDECI.
Noemata Random Name Generator. AMRACKWA. AMRACKWA. Software LUSGOGO.
Noemata Random Name Generator. BUMICE. BUMICE. ) ) '. ). ( (. Noemata
Random Name Generator. WAVEAA. WAVEAA. ........................
............................ ................... .........................
..........................
.................................................. Meditation mantra EZEN.
Noemata Random Name Generator. ESNEGZA. ESNEGZA. Roleplaying name PSEUPOP.
Noemata Random Name Generator. THELPOEGE. THELPOEGE. d......b dbdb d.....b
db d....b. .d..b. d.....b d...b d.....b. ..' .... ..' .. ...D ..PY.. ..'
..'Y.b ..'. .. ..ooo.. ..ooooo .. ..oodD' .... ..ooooo .. ..ooooo. .. ....
.. .. .. .... .. ..ooo ... .. .... ... ..booo. .. .bd.' ... .... .... YP
YPYP Y.....P Y.....P .. Y..P' Y.....P Y...P Y.....P. Scifi robot hero
NKMETA. Noemata Random Name Generator. SHCHROMO. SHCHROMO. ( ( (. Cat name
SRONMAGI. Noemata Random Name Generator. EXSINNECRO. EXSINNECRO. ggggggg
ggg gg gg aa ggg ggggggg. ggg ggggggg ggggggg gggg ggggggggggg gggggg.
dPYbdPY dP' ii dPYPYb. dPYPYb dPYb YbdPY dPdPYb. d' a YYb b d ' d bYb dP'
Yb. dP' d' a Y d YYb b d' Y bdP. YP' YP' ' '. ' YP' d' b d P d' YbaaadP'.
baaaa Y dP. baaaa I YP' aaaadP P Y. dP b dP' a Y P. dP I' Yb b d. d d b
dP' Yb '. d d b Y P. Y P' Y dP' I. Y Y i Y P'. Yba d Yb dPb db Y. YYba Yba
Yb YbdP'. Y P' YaPYP YP Y Y. Y Y Y Y YP'. ONTHROPICURI. Noemata Random Name
Generator. MIXBI. MIXBI. ggg gggggg aa ggg gg ggggggggggg aa. dPYdPYPYb dPY
dP' dPY. Yb ' ' d bYb b d Yb b d b. YP' P. Y aaaadP. Y P b Yba Y P. ' d b b
'. P' Y P. Yb db d Yb d'b db. Y YP Y P' Y P YP Y. Software COTUNAZ. Noemata
Random Name Generator. LYZPRI. LYZPRI. ooooooooooooooooooooooooooooooo.
oooooooooooooooooo. oooooooooooooooooo. oooooooooooooooooooo.
oooooooooooooo. oooooooooooooooooooooooooo. Scifi robot hero XEDIC.
Noemata Random Name Generator. ANPHONPO. ANPHONPO. Art installation
CANEXTRA. Noemata Random Name Generator. UN. UN. ))) )). ((( (((. Buzz
word this year GYROVOXER. Noemata Random Name Generator. GOGOCITYY.
GOGOCITYY. Polkaband EWONOA. Noemata Random Name Generator. SPHERAMA.
SPHERAMA. ICQ nick CORGRI. Noemata Random Name Generator. ESCAPTHE.
ESCAPTHE. d.....b .d..... .o..b. .d.b. d....b. d......b dbdb d.....b. ..'
..'YP d.PY. d.'.b ...D ..' .... ..'. ..ooooo .bo. .P ..ooo.. ..oodD' ..
..ooo.. ..ooooo. .. Y.b. .b .... .. .. .... ... ... db.D Y.bd. .... .. ..
.... .... Y.....P ....Y' Y..P' YPYP .. YP YPYP Y.....P. Netart project
GRUSE. Noemata Random Name Generator. FEDEROOTAM. FEDEROOTAM. ' ' ) ' ) )
). ((. Acid house combo METRONDONA. Noemata Random Name Generator.
THERMODENT. THERMODENT. ................................
...............................................
.........................................
..................................................
.........................................
..................................................................................
Mysterious alias SINE. Noemata Random Name Generator. CLONPLEXIAX.
CLONPLEXIAX. Dada movement VELULTRA. Noemata Random Name Generator.
RIOSXEE. RIOSXEE. d....b. d......b .d..b. .d..... dbdb d.....b d.....b.
...D ..' ..PY.. ..'YP .bd.' ..' ..'. ..oobY' .. .... .bo. .bd.' ..ooooo
..ooooo. ...b .. .... Y.b. .dPYb. .. ... ..... .... .bd.' db.D ..PY.. ...
.... ..YD Y......P Y..P' ....Y' YPYP Y.....P Y.....P. International agent
codename QUOMACE. Noemata Random Name Generator. BOONPE. BOONPE. '''' ''.
.... '.... '.... .... ...... .... . ..... .... .. . . ..
..................................... ANNUALE. Noemata Random Name
Generator. KENWAS. KENWAS. Meditation mantra UNREDENA. Noemata Random Name
Generator. NEONUALE. NEONUALE. Cat name CONO. Noemata Random Name
Generator. LOGO. LOGO. Polkaband ERZMETRO. Noemata Random Name Generator.
SSENTTE. SSENTTE. Mysterious alias ALXPOSSI. Noemata Random Name
Generator. EMATZE. EMATZE. Pet name THCO. Noemata Random Name Generator.
COMWE. COMWE. ( C ) ( O ) ( M ) ( W ) ( E ). Noemata Random Name
Generator. LLDAEL. LLDAEL. ). ) ) ( ) ( ). ( ( ) (. ). )
303
( ( ( ( () (. ) ) ). Netart project AKEZEPI. Noemata Random Name Generator.
HIDIUMEM. HIDIUMEM. Motherplanet in space flick FEEPOSO. Noemata Random
Name Generator. TOMMOS. TOMMOS. ggggggggggggggg gggggg ggg gggggg ggg
gggggg. gggggg gg. dP dPdPYb dPYdPYPYb dPYdPYPYb. dPdPYb ii. Yb d' Y bdPYb
' ' Yb ' ' d'. Y bdP '. d' YbaaadP' d'. YbaaadP' '. P Y P. Y dP. b d b. d
dP' a. Y P Y. P dP' Yb. gg Y P' Y. P' dP' I. YbP YbdP' Y Y. YbdP' dP. YP'
YP' Y Y. YP' aPYP. Fancy art gallery YREPXERO. Noemata Random Name
Generator. EMICWE. EMICWE. oooooooooooooooooooooooooooooooooo.
oooooooooooooooooooooooo. oooooooooooooooooooooooooo.
ooooooooooooooooooooooo. oooooooooooooooooooooo.
oooooooooooooooooooooooooooooo. DENOPTI. Noemata Random Name Generator.
ESCERNSPY. ESCERNSPY. d.....b .d..... .o..b. d.....b d....b. d.bdb .d.....
d....b. dbdb. ..' ..'YP d.PY. ..' ...D ...o.. ..'YP ...D .bd.'. ..ooooo
.bo. .P ..ooooo ..oobY' ..V.o.. .bo. ..oodD' .bd.'. .. Y.b. .b .. ...b
..V.o.. Y.b. .. ... ... db.D Y.bd. ... ..... ..V... db.D .. ... Y.....P
....Y' Y..P' Y.....P ..YD VPV.P ....Y' .. YP. Trance artist EALENCYOU.
Noemata Random Name Generator. SEMAC. SEMAC. )) )L )) ) )). (( (( (((( ((
( ((. Polkaband MAGIBEAMAN. Noemata Random Name Generator. MUSOMNI.
MUSOMNI. .. Y Y. Roleplaying name PSEUNCA. Noemata Random Name Generator.
GANDIE. GANDIE. DJ name AHBASLOO. Noemata Random Name Generator. WARCE.
WARCE. WW WW AAA RRRRRR CCCCC EEEEEEE. WW WW AAAAA RR RR CC C EE. WW W WW
AA AA RRRRRR CC EEEEE. WW WW AA AA RR RR CCCCC EEEEEEE. BELLO. Noemata
Random Name Generator. RUTHNANOI. RUTHNANOI. ) ). ((. Hxr nick EAWARHE.
Noemata Random Name Generator. APHROM. APHROM. ''''''''. ' .... .... '....
'. '. '. '.. ..... .... .. .. .... . .. . .. ..........................
Netart project ERDOMINPROTO. Noemata Random Name Generator. BARDATAYN.
BARDATAYN. ) )' ) ) ) ) )' ) ' ) ). '. ( ( ( ( ( (. (. Japanese toy craze
ERZYMNANO. Noemata Random Name Generator. KITEAL. KITEAL. ) ) ). ( ) ( ( (
). ( ) (. ) ) ). ( ( ( () ( (. ). Cyborg model BANARE. Noemata Random Name
Generator. MASNEUROE. MASNEUROE. MM MM AAA SSSSS NN NN EEEEEEE UU UU
RRRRRR OOOOO EEEEEEE. MMM MMM AAAAA SS NNN NN EE UU UU RR RR OO OO EE. MM
MM MM AA AA SSSSS NN N NN EEEEE UU UU RRRRRR OO OO EEEEE. MM MM AAAAAAA SS
NN NNN EE UU UU RR RR OO OO EE. MM MM AA AA SSSSS NN NN EEEEEEE UUUUU RR RR
OOOO EEEEEEE. Fancy art gallery GRIPOS. Noemata Random Name Generator.
ETORPHOTO. ETORPHOTO. .............................
...........................................
.....................................
.............................................
.........................................
.........................................................................
Buzz word this year BABIDO. Noemata Random Name Generator. MACAMA. MACAMA.
PISOPTI. Noemata Random Name Generator. TEZYM. TEZYM. Motherplanet in space
flick FACHYPO. Noemata Random Name Generator. SPOSUBSES. SPOSUBSES. gg
ggggggggggg gggggg gg ggg gg. ggggggggggg gg ggggggg gg. ii dPY dPdPYb ii
dPYa. dPY ii dPYb ii. ' Yb bd' Y bdP ' Yb. Yb b ' d' a Y '. ' Pd' YbaaadP'
'. P ' YP' '. dP aaaadP P Y dP. aaaadP dP baaaa dP. dP' a b d dP' a. Yba
dP' a dP dP' a. dP' Yb Y P dP' Yb. b dP' Ybd dP' Yb. dP' I Y P' dP' I. P
dP' IY dP' I. dP YbdP' dP Ybd. d'dPYba dP. aPYP YP' aPYP YPY. P aPYP Y
aPYP. Artist name OSCONREO. Noemata Random Name Generator. OICH. OICH. ')
) )' ). ( ( (. Osho name SILENC. Noemata Random Name Generator. SIGAR.
SIGAR. Dog name LOOGUS. Noemata Random Name Generator. GANTHERMOS.
GANTHERMOS. Dada movement PALNEURO. Noemata Random Name Generator.
NTHAPHROE. NTHAPHROE. Buzz word this year OIMIC. Noemata Random Name
Generator. VIUNO. VIUNO. Tshirt text UNRESCERN. Noemata Random Name
Generator. PATHANA. PATHANA. ''''''' '. .... ' ... .. ' '. '. '. '.. '. '.
'.. ..... .... .. .... .... . ..... .. ......................... Osho name
OSPOPWE. Noemata Random Name Generator. DRULEME. DRULEME. e eeee e e eeee
e eeee. eee ee eee eee eee. Osho name OFORCVA. Noemata Random Name
Generator. WARE. WARE. dbd.bdb .d.b. d....b. d.....b. ..I.I.. d.'.b ...D
..'. ..I.I.. ..ooo.. ..oobY' ..ooooo. Y.I.I.. .... ...b ... .bd.'.bd.'
.... ..... .... .b.'.d.' YPYP ..YD Y.....P. Tattoo shop CITYCAEGE. Noemata
Random Name Generator. VESMAGIS. VESMAGIS. V E S M A G I S. Noemata Random
Name Generator. BUMNU. BUMNU. ) ) ) ). ( ) ( ( ( (. (. ) ) ) ). ( ( (( ( '
( ' ((. Software CELLMIDIIN. Noemata Random Name Generator. PTURSO. PTURSO.
..................... .............................
......................... ...............................
.............................
................................................. Elbonian cousin name
CKERME. Noemata Random Name Generator. TIMGOER. TIMGOER. Impressive fake
middle name NARS. Noemata Random Name Generator. EMUSSI. EMUSSI.
httpwww.google.comsearchqEMUSSI
304
305
Blackmetal band EBEAMPRE. Noemata Random Name Generator. POPWAE. POPWAE. .
. . . . . .. . . . . . .. . . .. . .. .. .. . . . . .. . . .. . . . . . ..
. . .. . . . . . . .. . . . . . . . . . .. . . . . .. ... Pet name TOPBIEL.
Noemata Random Name Generator. SCEZARON. SCEZARON. gg gggg ggggggg gggggggg
ggg. ggggggggggg gggggg ggg ggggggg. ii Yb dPYbdPYb dPI. dPY dPdPYb dPYPYb.
' d Y d' a Ya b dP Yb. b d' Y bdPYb dP'. ' d' b d YP'YP dP. P d' YbaaadP'
'. dP I YP' baaaa '. aaaadP P Y. dP' a I' dP d' d. Yb b d. dP' Ybd d d'. b
Y P. dP' IY Y dba dP P Y. i Y P'. dPYba Yba YbYbdP b. Yb YbdP' Y. aPYP Y Y
d YP Y. Y YP' Y. P. d'. d'. d'. Y P. YP. Noemata Random Name Generator.
FACPARA. FACPARA. Tshirt text ENIUME. Noemata Random Name Generator.
OHZENYA. OHZENYA. OOOOO HH HH ZZZZZ EEEEEEE NN NN YY YY AAA. OO OO HH HH
ZZ EE NNN NN YY YY AAAAA. OO OO HHHHHHH ZZ EEEEE NN N NN YYYYY AA AA. OO
OO HH HH ZZ EE NN NNN YYY AAAAAAA. OOOO HH HH ZZZZZ EEEEEEE NN NN YYY AA
AA. Evil scifi character GERONA. Noemata Random Name Generator. SIRIOS.
SIRIOS. . .. . . .. . ... . . . . . .. . .. . .. . .. . .. . .. . .. . ..
. .. . .. . ... . . . . . .. . .. .. . .. Tattoo shop PHMETRO. Noemata
Random Name Generator. YNMANUNI. YNMANUNI. Evil scifi character BANEREZ.
Noemata Random Name Generator. VOYSEAI. VOYSEAI. Polkaband STUNREES.
Noemata Random Name Generator. XIDVAOM. XIDVAOM. Cyborg model METAPALS.
Noemata Random Name Generator. HESUM. HESUM. . .. . . .. .. . .. . .. .. .
.. . .. . . .. . . .. . .. . . .. . .. . .. . . .. . .. . .. . .. .. .. .
.. . . . .. Scifi robot hero EXGUS. Noemata Random Name Generator.
AGANUNI. AGANUNI. ) ). (( ((. ICQ nick CKEXTRAS. Noemata Random Name
Generator. PATHSCIE. PATHSCIE. Hxr nick BATHELA. Noemata Random Name
Generator. DUSTFAS. DUSTFAS. Goldfish name PHOBPROTO. Noemata Random Name
Generator. CLONU. CLONU. '''' ''. '... '..... ... .. .. . . . ..
................................. Acid house combo CITUNIE. Noemata Random
Name Generator. PUSDEAAX. PUSDEAAX. eeee e eeeee e eeee eeee eeee eeeeee.
e. ee eee eee eee. Trance artist LONTE. Noemata Random Name Generator.
SESTIONAU. SESTIONAU. ( S ) ( E ) ( S ) ( T ) ( I ) ( O ) ( N ) ( A ) ( U
). Mysterious alias WAVJOU. Noemata Random Name Generator. PILBA. PILBA.
Blackmetal band SVIVIE. Noemata Random Name Generator. LOUM. LOUM. L(()U.
'. Cat name APITELE. Noemata Random Name Generator. ESALPRI. ESALPRI.
ooooooooooooooooooooooooooooooooooo. oooooooooooooooooooooo.
oooooooooooooooooooooo. oooooooooooooooooooooooooooooo.
oooooooooooooooooooo. ooooooooooooooooooooooooooooooooo. Pet name
SUMPROTO. Noemata Random Name Generator. PSEUCOMA. PSEUCOMA. ''''''''''.
.... '... ..... '... '.... ''. .. .. ''.. .. '.. .......... ... .. ' ..
..... . . . .. ............................................. Hotmail
account name ERLWE. Noemata Random Name Generator. VOXFEDEO. VOXFEDEO.
Tshirt text HATTIE. Noemata Random Name Generator. EGEBACZA. EGEBACZA. ).
). Roleplaying name VIEGONET. Noemata Random Name Generator. SSUNZE.
SSUNZE. .d..... .d..... dbdb d.bdb d.....D d.....b. ..'YP ..'YP ....
...o.. YPd.' ..'. .bo. .bo. .... ..V.o.. d.' ..ooooo. Y.b. Y.b. ....
..V.o.. d.' ... db.D db.D ..bd.. ..V... d.'db .... ....Y' ....Y' Y....P'
VPV.P d.....P Y.....P. Art installation PRESLOUO. Noemata Random Name
Generator. LUSAUEM. LUSAUEM. ooooooooooooooooooooooooooooooo.
oooooooooooooooooooooooooooo. oooooooooooooooooooooooooooo.
oooooooooooooooooooooooooooooo. oooooooooooooooooooooooo.
ooooooooooooooooooooooooooooooooooo. Tshirt text TUALPHOTOO. Noemata
Random Name Generator. ACIFCRO. ACIFCRO. Cyborg model DIOSPIE. Noemata
Random Name Generator. GNOMGOAL. GNOMGOAL. Japanese toy craze XIDNEURO.
Noemata Random Name Generator. DOMINSI. DOMINSI. DJ name LZA. Noemata
Random Name Generator. TEPHEM. TEPHEM. Noemata Random Name Generator.
SPACI. SPACI. .. Software ERRITZLA. Noemata Random Name Generator.
CEMINOM. CEMINOM. . .. ... . . . .. . .. . . ... . . . . . . .. . . . . .
... . .. .. . . .. . . . . ... . .. .. . .. . . . . ... . .. .. . .. . ..
. ... . . . . .. . .. ... . . . .. Hotmail account name FACNEBULA. Noemata
Random Name Generator. GAPATH. GAPATH.
306
Netart project NIZMAGIER. Noemata Random Name Generator. LARIOR. LARIOR.
Tattoo shop PTURQUEER. Noemata Random Name Generator. THGO. THGO. d......b
dbdb d...b .d..b.. ..' .... ..'Y.b ..PY... .. ..ooo.. .. ..... .. ....
..ooo ..... .. .... .... .bd.'. YP YPYP Y...P Y..P'. Mysterious alias
EDUBWI. Noemata Random Name Generator. PATADUBAR. PATADUBAR. Osho name
ECLONYOU. Noemata Random Name Generator. OMLYZCYCLO. OMLYZCYCLO. Message
board spam name LENCA. Noemata Random Name Generator. LEARNAL. LEARNAL. .
. . . . . . .. . . . . . . . . . .. . . . . . . . . . . . .. . . . . . . .
. . . . .. . . . . . . . . . . . .. . . . . . . . . . . .. ... .. .. ...
... Noemata Random Name Generator. INERDE. INERDE. d......b d.bdb d.....b
d....b. d....b. d.....b. ..' ...o.. ..' ...D ...D ..'. .. ..V.o.. ..ooooo
..oobY' .... ..ooooo. .. ..V.o.. .. ...b .... ... .... ..V... ... .....
....D .... Y......P VPV.P Y.....P ..YD Y....D' Y.....P. Dog name FACBIOEM.
Noemata Random Name Generator. NEUROWAREL. NEUROWAREL. Netart project
MONOZYM. Noemata Random Name Generator. HOLONIZ. HOLONIZ. Cyborg model
DYZENE. Noemata Random Name Generator. LO. LO. Art installation SEXWE.
Noemata Random Name Generator. XIDE. XIDE. Buzz word this year DECKNAES.
Noemata Random Name Generator. ACKDADA. ACKDADA. ) )' ) ) ) ) ). ( ( ) (
(. Mysterious alias SALAT. Noemata Random Name Generator. CYCLOMERAX.
CYCLOMERAX. Artist name VERSESES. Noemata Random Name Generator. HOLOPH.
HOLOPH. Noemata Random Name Generator. SAVOZ. SAVOZ. gg ggg ggg gg gggggg
gggggggg. ii dPI dPYa P dPdPYb dPYb. ' dP Yb d' d' Y bdPa b. ' dP d'
YbaaadP'YP. dP ' P Y. dP' a d I I b d d'. dP' Yb ' Y P d'. dP' IdP P Y Y P
Y P' dba. dPYbdP b YbdP YbdP'. Yb. aPYP YP Y YP YP'. d. P. d'. d'. d'. Y.
P. YP. Blackmetal band MUSBA. Noemata Random Name Generator. DANEER.
DANEER. ) )' ) ) ' ) ). '. ( ( ( (. Evil scifi character COLNU. Noemata
Random Name Generator. STASTROAZ. STASTROAZ. gg ggggggggggggggg ggg gg
ggggggggggggggg. ggggggggggg gggggg ggg gggggggg. ii dP dPI ii. dPdPY
dPdPYb dPI. dPYb. ' Yb dP ' Yb. Yb b d' Y bdP dP a b. ' dP '. P d'
YbaaadP' dP YP. dP ' dP. aaaadP P Y '. dP' a d dP' a. Yb b d d d'. dP' Yb
dP' Yb. b Y P d'. dP' I gg dP P Y dP' I gg. i Y P' dP P Y dba. dP YbP YbdP
bdP YbP. Yb YbdP' YbdP b Yb. aPYP YP' YP YaPYP YP'. Y YP' YP Y d. P. d'.
d'. d'. Y P. YP. Mysterious alias ESCONU. Noemata Random Name Generator.
CABKILO. CABKILO. C A B K I L O. Cyborg model YRCHA. Noemata Random Name
Generator. BABNE. BABNE. ) ). .. Artist name CIDXY. Noemata Random Name
Generator. YARPA. YARPA. Hxr nick WEMENEGE. Noemata Random Name Generator.
MASHAE. MASHAE. ) ) ). ( ( ( ) ( (. ). ) ) ) ) ( ). ( ' ( ( ( ( ().
Computer ID OCY. Noemata Random Name Generator. STCYCLO. STCYCLO.
ooooooooooooooooooooooooooooooo. oooooooooooooooooooooooo.
oooooooooooooooooo. oooooooooooooooo. oooooooooooooooooooooo.
oooooooooooooooooooooooooooo. Goldfish name ANTINOS. Noemata Random Name
Generator. CHTERA. CHTERA. .o..b. dbdb d......b d.....b d....b. .d.b..
d.PY. .... ..' ..' ...D d.'.b. .P ..ooo.. .. ..ooooo ..oobY' ..ooo... .b
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..YD YPYP. Mysterious alias NAERO. Noemata Random Name Generator. EPTURA.
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307
Art installation AGECHROMAERO. Noemata Random Name Generator. Slektstre.
Slektstre. Ann Elesøpite. Bsorn Jenne. Anyto. Knet Macmoalteon. Erlunc
Mesnaylteon. Knet Olshn Micnualtean. Oli Olcen Hellons Mosnealdeem. Olo
Svonsan Tinuoese. Spaon Elepson Timeiøcu. Barcid Eilhpstedtar Tine de..
Amme Olstattår Buscøtaecon Besso i Nos Ål. Ghnfer Eiraggtitter Flhden.
Eerhs Assrensan Fletam. Ascram Ehrosgen Saecsort Flutyn. Eirus Aszrinsen
Sera Ree Østru Agur ver. Bhrghd Genmurdottar Øfre Asar par. Genbar
Olcditthr Nertra Fasc. Olå Knotson Nertra Fekc. Anma Lorstottår Nertræ
Åsor Syra Tefdo. Kristi Harpråntstitter Nerdru Hylcayson. Herfremd Pelcon
Låen Hasim Ssrendo. Mersht Keddilctættor. Mera Eylhfgtatder Ritnonsen Ål.
Ellans Olson Østnhntsed. Insopers Olsdhdtar Rutnimsen. Acnes Roeni. Anterc
Roonæ. Scur. Shnmyfi. Anme Øoeplitom faxrefelsi. Ole Øohflitan sil. Merea
Metolen sogn. Olhas Hehson. Jøns Heesem. Jan Jåmcan Haosan fhr aesost.
Jins Jimkan Sludte Kfangåyasen (c. . Jonc ver fri Oynctathtte. fre
Aurlomt.). Jin Jangen Oomstod Getbrentcgert Setndolen (s. ). Ronste
Olgtedter Tanisun. Oly Tanhccan Kfongiæegen. Tenis Olcøn Shra Tarba.
Ronsth Lerctytdor Nardre Gravo. Kyri Olctiddur Nidri Raynden. Ola Knatcen
Reemthm (g. ). Knyt Livhrtcon Sara Møaes (s. ). Rhnnes Larstettir Moteos.
Haltos Olctitthr Surh Bhssæstot. Byrsat Olsdattar Morasledte Sbartiferj
(forset ver dhttar tal. ssilelirar Oly Sopitson Sfertafers fre Ål.). Geru
Olstattyr Nardri Reumtan. Olu Olgem Nartre Reymton (c. ). Ola Sfeenson
Nartre Rayntim (s. ). Sfeon Kmhtgen dæ. Nhrtru Ryandhn. Knod Lifordsen
Sirø Mitays Netre Rionton (c. ). Remsta Sfaengtettar Sencta Kyebams.
Birzot Olctattir Thmsin. Gra Olkdottur Nirtro Hallamg Ål. Ole Olsen Nirtro
Hillhns Ål. Gri Nalctetdar Halde. Borsod Sshgortsdetthr Teasacthcin.
Birsoyld Hillinccthd. Arna Hhllenggthd. Tera Kolbcerncsart Vads. Removal
of the hand. The Removal of the hand as a mythological symptom consistent.
with fetishistic disavowal can only be a pretext for 'release' per se.
says. Mr. Tanizaki disavowedly.. Palafax Solipsigossa. .ltb.gt.
.ltb.gt....ltb.gt. randomART Tommy is .ltb.gt....ltb.gt. .) (.'. .) ('..
Seven elements of beauty. Seven elements of beauty. . Asymetry breaking
away from formed perfection.. . Nonattachment openmindedness. .
Naturalness artless without pretense. . Simplicity. . Limitless silence
inwardlooking mind. . Wizened austerity like an old tree. . Profound
subtlety. pieces. May there be peace in heaven.. May there be peace in the
sky.. May there be peace on earth.. May there be peace in the water.. May
there be peace in the plants.. May there be peace in the trees.. May there
be peace in the Gods.. May there be peace in Brahman.. May there be peace
in all.. Peace peace peace.. Hindu. a state of tranquillity or quiet as a
freedom from civil disturbance b. a state of security or order within a
community provided for by law or custom breach of the peace. freedom from
disquieting or oppressive thoughts or emotions. harmony in personal
relations. a a state or period of mutual concord between governments b a
pact or. agreement to end hostilities between those who have been at war
or in a state. of. enmity. used interjectionally to ask for silence or
calm or as a greeting or. farewell. at peace in a state of concord or
tranquillity. Cherish in your hearts boundless goodwill to all that
lives.. Learn to make the whole world your own. No one is a stranger my
child the. whole world is your own.. det profane er høyere enn det
sakrale. sakrale som et fokuspunkt. . The obstacles in the way of him who
desires to attain concentration are. Sickness Languor Doubt Carelessness
Laziness Addiction to objects of. sense. Erroneous Perception Failure to
attain any stage of abstraction and. Instability in any stage when
attained.. . These obstacles are accompanied by grief distress trembling
and sighing.. . FOR THE PREVENTION OF THESE ONE TRUTH SHOULD BE DWELT
UPON.. Any accepted truth which one approves is here meant.. . Through the
practising of Benevolence Tenderness Complacency and. Disregard for objects
of happiness grief virtue and vice the mind becomes. purified.. The chief
occasions for distraction of the mind are Covetousness and Aversion. and
what the aphorism means is not that virtue and vice should be viewed with.
indifference by the student but that he should not fix his mind with
pleasure. upon happiness or virtue nor with aversion upon grief or vice in
others but. should regard all with an equal mind and the practice of
Benevolence. Tenderness and Complacency brings about cheerfulness of the
mind which tends. strength and steadiness.. patanjali. recollect the
antecedent. . To recollect that which is most antecedent to the in breath
and out breath. means that you must tune into that which is prior to the
entire breathing cycle. itself. Just as the hand which lifts a staff is
not part of the staff likewise. the antecedent recollection is not a part
of your breathing. As a practical. illustration you must recollect the
antecedent as you breathe in and breathe. out. If the breathing is long or
short labored or otherwise you must focus on. the antecedent so that
breathing follows after it. When you breathe for. example your normal
belief is I am breathing. It never dawns on you to. retract your attention
and look in the opposite direction so as to rise above. breathing. Not
surprisingly this is not an easy task (owing to force of. habit. all of us
still attend to conditions which are always posterior).. seung sahn. You
think that the kongan is separate from your life and from your job. This.
kongan don'tknow mind clear mind your job your life everything hit. become
one. Just now what are you doing. You asked me what am I I say to you you
already understand. Look at the. ground. What do you see What do you hear
now You must open your eyes and. ears.. Also you must attain your true
self. Then you will not have to ask about me.. Zen is not difficult also
not special. If you want special you have special.. But this special
cannot help you. When you are eating just eat when you are. walking just
walk when you drive just drive. That is Zen. There are many. kinds of Zen
eating Zen working Zen television Zen driving Zen playing. tennis Zen.
Sitting Zen is one part. Most important is moment to moment how. do. you
keep clear mind So Nam Cheon Zen Master was asked What is Zen. Everyday.
mind is Zen mind. So don't make special don't hold something don't be.
attached to something don't make something then you are already complete..
That's primary point I told him. You found it. You studied philosophy but.
you couldn't attain this nothing. Just now you attained nothing. But if
you. hold nothing then you will have a problem.. What do you mean by
'holding nothing.... It's very sad if you are holding nothing. All your
lingering attachments will. press on you. If you are not attached to
nothing you will attain nothing and. there is no life or death. If you are
nothing then life and death are nothing.. You are already beyond them.. Oh
that's wonderful he said. I didn't understand that until now.. It was an
interesting conversation. He was old rich and very wellknown but. he said
he had gotten nothing. As you get old this nothing gets bigger. Before.
you come into this world there is nothing. When you are young you don't.
understand nothing just the words. But by the time you are forty or fifty.
and. a good friend has died or your mother and father have died then you
have. experienced nothing. You have tasted nothing. If you practice hard
the taste. is. very strong and you are free to help other people. But if
you are holding. something in your mind you can't taste nothing. If you
want freedom you. must. taste nothing very intensely. What is the taste of
nothing. cayce the Sanskrit word for action is karma. the Sanskrit word for
action is karma. when there are rebellions of body or mind against such is
there any wonder. that. the atoms of the body cause high blood pressure or
cause itching or cause. running sores or cause a rash or cause indigestion.
For all of these are. but the rebellion of truth and light.. . As has been
given there are DEFINITE conditions that arise from. within the inner man
when an individual enters into true or deep meditation. A. physical
condition happens a physical activity takes place Acting through. what
Through that man has chosen to call the imaginative or the impulsive and.
the sources of impulse are aroused by the shutting out of thought
pertaining to. activities or attributes of the carnal forces of man. That
is true whether we. are considering it from the group standpoint or the
individual. Then changes. naturally take place when there is the arousing
of that stimuli WITHIN the. individual that has within it the seat of the
soul's dwelling within the. individual body of the entity or man and then
this partakes of the. individuality rather than the personality.. . If
there has been set the mark (mark meaning here the image that is raised.
by the individual in its imaginative and impulse force) such that it takes
the. form of the ideal the individual is holding as its standard to be
raised to. within the individual as well as to all forces and powers that
are magnified or. be magnified in the world from without THEN the
individual (or the image). bears the mark of the Lamb or the Christ or the
Holy One or the Son or any. of the names we may have given to that which
ENABLES the individual to enter. THROUGH IT into the very presence of that
which is the creative force from. within itself see. . Some have so
overshadowed themselves by abuses of the mental attributes of. the body as
to make scars rather than the mark so that only an imperfect. image. may be
raised within themselves that may rise no higher than the arousing of. the.
carnal desires within the individual body. We are speaking individually of.
course we haven't raised it to where it may be disseminated for remember
it. rises from the glands known in the body as the lyden or to the lyden
Leydig. and through the reproductive forces themselves which are the very
essence of. Life itself within an individual see for these functionings
never reach that. position or place that they do not continue to secrete
that which makes for. virility to an individual physical body. Now we are
speaking of conditions from. without and from within. . The spirit and the
soul is within its encasement or its temple within the. body of the
individual see With the arousing then of this image it rises. along that
which is known as the Appian Way or the pineal center to the base. of the
BRAIN that it may be disseminated to those centers that give activity. to.
the whole of the mental and physical being. It rises then to the hidden eye
in. the center of the brain system or is felt in the forefront of the head
or in. the place just above the real face or bridge of nose see. . FIND
that which is to YOURSELF the more certain way to your consciousness. of.
PURIFYING body and mind before ye attempt to enter into the meditation as
to. raise the image of that through which ye are seeking to know the will
or the. activity of the Creative Forces for ye are RAISING in meditation
actual. CREATION taking place within the inner self. snailmail
jupitterlarsen. snailmail g.x. jupitterlarsen. for myself eye enjoy
playing with terms as toys nothing more. too many. people. take ideas (or
the terms of ideas) too linearly.. eye think that a person's disapproval
of somehting is no reason not to like. it.. if a man believes in something
it does not necessarily mean that he accept it. as something which is
essential nor should he.. in fact a man exhibits a real understanding of
the workings of reality when. in. a single action (without meaning to
deceive) he deliberately says one thing. and. does something else
altogether different.. it is the multidimensionality of all of this which
shows us that using the. same. process of making rational conclusions will
not always work for all events. and. actions.. eye am not from anywhere
really. my father was from norway however. g.x. jupitterlarsen. NOT HERE.
and we. and we. are fundamentally inclined to maintain that the falsest
opinions. (to which the synthetic judgments a priori belong) are the most.
indispensable to us ..without a constant. counterfeiting of the world by
means of numbers we could not. live.
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UEOFTHEFOUNDINGOFGARDENINGARPNCTSUJEXQUOTSFD. CSFDE. i don't remember
having written this not sure what it is... phaneronoemikon solipsis blog.
Person shelf sentence continuing. Q Who reads Person shelf sentence
continuing. A Pure Irration.. Q Is reading done in eyeball. A All reason
contains irreasonal assumption.. Q Why does Person shelf sentence
continue. A Pure ration of radiance.. Q What is contained in one ration of
radiance. A Pure Irration.. Q Are you in favor of constructing networks of
belief. A They are constructing me. Why not construct them. Q Can you
explain. A I have swallowed a redhot iron ball. which has cauterized my
throat into a starform.. Q Who reads Person shelf sentence continuing. A A
Pure Ration of the AllSelf incausing Irration for S.O.A.. A Person shelf
sentence continuing. Q FINAL.. Wednesday March. CAMBODIAN MAN CUTS OFF
PENIS TO FEED SPIRITS. Mon Mar AM ET. PHNOM PENH (Reuters) A Cambodian man
cut off his penis when he said he was. visited by four hungry spirits in a
dream and he had no chicken or duck to. offer them.. According to police
yearold Soun Ney told the spirits to go away when. they first appeared to
ask for food and waved his penis at them in defiance.. 'Devils I don't
have any chicken or duck for you' he was quoted as saying by. local police
chief Phoeung Vat. 'If you want to eat anything you can eat my. penis.'.
Soun Ney said the spirits agreed to eat his penis. He was rushed to a
hospital. near the capital Phnom Penh after he castrated himself with a
butcher's knife.. 'He is lucky to be alive' Phoeung Vat told Reuters..
Villagers in the deeply impoverished southeast Asian traditionally offer.
chicken duck or cake to the spirits of the dead to ward off bad luck..
found via Mark Lamoureux's. posted by Lanny PM. Sarandipities Trobard
ClusTermed. LunaLangLungLonging. What Breaks Though The Drama. Of All That
Tiny Inscriptus. Crowbar Plus. Ultra. My Kind. Trobar Plus. The Albino
Cyclopean Unicorn Gorilla. With Diaper D'oro. Filled With The Red
Tincture. Malbion Boonlight. It Doesn't Matter How You Arrange. The Words.
But How You Make Dolphin. Among The People. This Language Is Paramount. And
Must Be Unambiguous. Or You Will Be Labeled As A Kind Of Metagallinari. Of
Harangue Upon The River Styx. Now I Move In The Secret Doctrine Of Space.
And Find My Diagram Where The Outline Of. My Tribulation Is Ignored. The
Erotis Curvatures Of The Iconic Invention. Signals A Float Of
Intentionality. Within The Dark Wood Of The Loam Of Eyes. This Isn't An
Area For Soft Boys. But For Viral And Manic Demons Whose Surfaces. Are
Iconic Landscapes. Whose Dreams Are Alchemical Dramas Unfolding. With The
Precision of Floral Camera Craniums. This Machinic Djinn Lives. And Bites
Through The Umbilical Chord. With Teeth Of Coma. Chroma. The Ribald Town
Of Jiboko. Where The Green Skinned Fever. Hides Like An Assassin. Passing
Dreams Like Crystal Throwing Stars. Into Passing Gourds. None Of This Says
What It Thinks It Says. Such Is the Mystery Of the World. That No One May
Know Its. Fama Who Ignite Such Terrible And Inspiring Fires. Blank.
Arsenal. Firing. Under. Kama. Kra. C. losing.. Butter Idols.. What Happens
To Authors. Because. Of Their Texts.. Character (Dinosaur). pro notia
(elastic notocord). linguarum (Atlantean incense). universalis
(sphaerical). Species of the .... (enter relevanttimeframecontext).
.Independent Potentials.. of the RealM.. posted by Lanny PM. The Plan
Abandoned. by Wade Tillett. The unavoidable theoretical crisis. lurking
for years as an outline. a shadow at the edge of a glance. an uneasy
feeling. has finally become apparent.. It is in the face of this spectre
that. I am abandoning the profession of architecture.. While innumerous
evils haunt this profession. they are not in the end what has compelled my
resignation.. (I suppose these would have been reasons to reform. not
abandon.). No in fact after much consideration and soulsearching. I have
come to understand there is only one demon. the plan.. The plan can not be
separated from belief.. Belief encloses itself and becomes a system..
Belief identifies a self and other. a landscape. and a space.. Belief
establishes truths and possibilities based on its own parameters.. The
plan is the contract which seals belief. enforces belief.. The plan is the
word written. staticized. objectified.. The plan is the mapping of belief.
its completion as a coherent system. its formalization.. The plan is the
enclosure of the belief set. its circular logic turned on itself. the
fabricationenclosure (simultaneously) of possibility.. The plan produces
possibility. a construct of definable limits.. The plan allows one to
inhabit belief.. The plan delimits a space and a body.. Life is delimited.
separated. enclosed in a wrapper of the possible. identity. death.. Death
is the final separation. the final limit. the finite. the form. the past
twisted onto consuming the present.. The plan invents death. constructs
death. allots death.. The plan manufactures an objective reality. an
other.. Death is the ultimate other.. In order to be a true believer. one
must eliminate one's participation. in the creation of truth (the ultimate
other).. It is only in this way that objects. others. spaces. can be purely
objective.. The other must stem from without.. The plan must detach the
user or architect. the creation of the belief system.. The plan must
separate the self from its own modification.. The formgiving of
representation must be recast as a formreceiving.. The plan must become
the map.. The process of objectification (the creation of other) therefore
must. erase itself.. Thus inherent in the plan is a certain blindness. that
refuses to accept the creation of death. but accomplishes it the same..
Architecture is a means to resolve (obfuscate). the fundamental paradox of
the plan.. The plan can not be theorized as a problem within architecture.
nor one stemming from without.. The plan is both architecture's means and
it's reason for being.. Architecture's dual purpose is to hide that which
it facilitates.. Utopias are always distractions decoys.. The selfdelusion
of the architect is always only partial. there is always the intuitive
semiconscious fitting. negotiating. constructing. of a plan that bridges
and covers what it intends to be. and what it will be.. Such is the dual
nature. the misnomered intuitiveness. of the architect.. Those fascists
who purport to have accepted their role. as creators of death. as inverse
gods. in the end place Death as an absolute beyond. as some form of truth
outside the self.. They understand death's comport with belief. but
mistake death as beyond belief.. The actual manipulations at the molecular
level. are misconstrued. by a grandiose abstract Death narrative.(). The
myriad sin constructions are glossed over. hidden under. legitimized and
justified. by the holy image and the coming utopia.. Belief remains in the
singular untouchable other.. A construct is created behind an image.. The
imperialism of the plan always leaves one absent. a shell without
content.. The plan or map or image or identity can not be put to good use.
even those put together democratically or autonomously. present only a
means to enclose. subject the present to the past image. create
possibility traps.. The plan can not be separated from the tyranny that
employs it. the plan is that tyranny. the subjugation of the present to
the past.. Notes. . Fitting the two types of forms together segments of
content and. segments of expression requires a whole doublepincered or
rather. doubleheaded concrete assemblage taking their real distinction
into. account. It requires a whole organization articulating formations
of. power and regimes of signs and operating on the molecular. level.....
If this parallelism is replaced by a pyramidal image then. content
(including its form) becomes an economic base of production. displaying
all of the characteristics of the Abstract the assemblages. become the
first story of a superstructure that as such is. necessarily situated
within a State apparatus the regimes of signs. and forms of expression
become the second story of the superstructure. defined by ideology. It
isn't altogether clear where language should. go since the great Despot
decided that it should be reserved a. special place as the common good of
the nation and the vehicles for. information. Thus one MISCONSTRUES the
nature of language signs. organizations of power and content. () the
illusion that one can. grasp and shuffle all the strata between one's
pincers can be better. secured through the erection of the signifier than
through the. extension of the sign. ( Deleuze and Guattari A Thousand.
Plateaus. Emphasis mine.). posted by Lanny PM. Through Struggles to the
Stars. By Physicist. Jack Sarfatti Ph.D.. On the physical principles of
consciousness warp drive and wormhole star. gate time travel in the light
of the new precision cosmology of dark energy. and their relations to the
coded knowledge of the once and future techgnostic. mystery schools
fictionalized in The Da Vinci Code and described in fact. in Techgnosis..
Newton realized that the fall of the apple was the same as the motion of
the. Earth around the Sun. That was his alchemical techgnostic insight
into As. Above So Below. I have shown that the invisible Galactic Halo
holds the. stars together in the same way through negative zeropoint
energy density. with equal and opposite positive quantum pressure that the
electrons. distributed repulsive electric charge is held together. Its As
Above So. Below all over again. Real original physics on the deep
structure of the. many worlds not found in any other book is weaved
together with great. literature and my true adventure story. Quantum
reality is not only weirder. than we have imagined but may be weirder than
we can imagine. We are. such dreams that stuff is made from.. Re Object not
found.. ok mwp feel free to upload to noemata or adundas as an online
storage for you. stuff if you want. ah you can sell your stuff via
noemata.netarspublica.com. and get rich from the post.net.art. (it's of
course not generating a dime.). if i should try getting money from
institution i think it would be for 'fully. automated art' or something
like that smiley. i owe them some explanation what. i did with the last
which is ok and making problems with backfiring. 'context art' and then
not caring about paper work but the possibilities are. there and they're
basically kind i should have a secretaryagent doing. things keeping my
life together that would be fine i'll advertise defunct. potential artist
seek structured realistic person. there's missing a whole. lot in that
production line. i wanted to fix that before collaboration no it. doesn't
work only tight schemes getting money out of funds goals the usual.
artistery. insert sercasm charchasm hollow character.. perl cgi seem only
available from url kunst.nobjornmag (which is same as. noemata.net)
support didn't answer the last mail so they won't fix probably.. see you
in the post art. name. AROSE RIP. Aroseisaroseisarose.com is officially no
longer. All links to works. originating from the site are henceforth
invalid. Moreover I have no plans. for the construction of any future
sites.. I await a future of postnet art which is the only one I can expect
to be a. part of right now.. Re spasms. ..like eerie to me this tini whirl
j kom over linken i går actually. yo ko ok whiteblue c. alsoh. Recently
she held a thirteendaylong dance festival taking place 'in your. mind'..
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...... ..... ..... ..... .... ... ... .. .. trolldeig. vegetating at meh
airport this trolldeig work clumsiness of kid craft maybe. clumsiness of
their actual imagination not the craft always prefering the. chubby planes
and popple of things negating colors they now seem to be. jumping off
midair the original is red ground and they look dead white and. grinning
kids wondering how those air crafts every could fly maybe not. crosses and
how their imagination ever could represent anything no we don't. believe
the cross mean that we don't believe caricatures is like. imagination not
our craft we kids know that but you don't you are the. clowns falling off
by believing imagination eventually adapts you hit. the ground.. syndicate
div. This is a multipart message in MIME format.... ContentType textplain
charsetiso. Some moulds new images to become compressing them much as
possible and time. inflating they're connected to different ideas and
things lost or heading in. other directions divergence divide division
divert deflect route detour. distract turn aside depressible depute
diverting diplostemonous ride. daughterly turn ached diffractions dept
departs duplicitously ready dowdier. destructor tirana acta diversionist
dubbed deposing deportees defalcate rite. datura distributor thermo
agatha. Index of div. Name Last modified Size Description. Parent
Directory Apr. meh.jpg Feb k. M.jpg Aug k. M.jpg Jul k. akdre.jpg Oct k.
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ch.jpg Apr k. chiperb.jpg Jul k. cityfil.jpg Oct k. cpor.jpg Oct k.
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Apr k. trit.jpg Sep k. tt.jpg Sep k. unfit.jpg Aug k. vadsotanabru.jpg Sep
k. ver.jpg Apr k. wallpaper.jpg Oct k. zthoe.jpg Feb k. Apache.. Server at
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mailinglist. Syndicate network for media culture and media art. post to
the Syndicate list. no commercial use of the texts without permission. hr
onwards. years anniversary. () (. ' ' '. ' ' '. ). (). ). '. roundtheclock
posting of sequenced hypermodern imagery from Brad Brace.. The hypermodern
minimizes the familiar the known the recognizable it. suspends identity
relations and history. This discourse far from. determining the locus in
which it speaks is avoiding the ground on which. it could find support. It
is trying to operate a decentering that leaves. no privilege to any
center.. began December. Pointless Hypermodern Imagery... postedmailed
every hours... a. spectral trajective alignment for the s A continuum of
minimalist. masks in the face of catastrophe conjuring up transformative
metaphors. for the everyday... A poetic reversibility of exclusive
events.... A postrhetorical continuous apparently random sequence of.
imagery... genuine gritty greyscale... corruptable compact. collectable
and compelling convergence. The voluptuousness of the grey. imminence the
art of making the other disappear. Continual visual impact. an optical
drumming sculpted in duration on the endless present of the. Net..
unassimilable... imagery is gradually acquired selected and resequenced.
over time... ineluctable vertiginous connections. The hr dialtone....
KEYWORDS Disconnected disjunctive distended decentered. decomposed
ambiguous augmented ambilavent homogeneous reckless.... Multifaceted
oblique obsessive obscure obdurate.... Promulgated personal permeable
prolonged polymorphous provocative. poetic plural perverse potent
prophetic pathological pointless.... Emergent evolving eccentric eclectic
egregious exciting. entertaining evasive entropic erotic entrancing
enduring. expansive.... Every hours another... view them repost em save
em. trade em print em even publish them.... Heres how.
httpbbrace.laughingsquid.nethr.html
309
310
Look for the hricon. Heavy traffic may require you to specify files. more
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use FTPmail to. do essentially the same thing. Send a message with a body
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too. The latest new jpeg will always be named hr.jpeg. Average size of
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src.doc.ic.ac.ukpackagesmirror. Postings to usenet newsgroups. alt.hr.
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alt.binaries.pictures.fineart.misc. Ask your system's newsadministrator to
carry these groups. (There are also usenet image browsers TIFNY PluckIt
Picture Agent. PictureView Extractor NewsRover Binary News Assistant
EasyNews). This interminable relentless sequence of imagery began in
earnest on. December . The basic structure of the project has been over.
twentyfour years in the making. While the specific sequence of.
photographs has been presently orchestrated for more than years worth. of
hour postings I will undoubtedly be tempted to tweak the ongoing.
publication with additional new interjected imagery. Each hour posting. is
like the turning of a page providing ample time for reflection.
interruption and assimilation.. The sites listed above also contain
information on other cultural. projects and sources.. A very lowvolume
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related to this project has been established at. This project has not
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supporters receive rare copies of the first three. hremailsubscriptions
can also be made at. mo yr. Institutions must pay for any images retained
longer than. hours.. image files. Get the textfile 'picturesfaq' to learn
how to view or. faq.html. (c) Credit appreciated. Copyleft. this heat.
you're now listening to this heat a.k.a. Blue and Yellow Testcard
Horizontal. Hold Not Waving Water Twilight Furniture Track Loop Diet of
Worms Music. Like Escaping Gas Rainforest The Fall of Saigon Testcard
Deceit Sleep Paper. Hats Triumph S.P.Q.R. Cenotaph Shrink Wrap Radio
Prague Makeshift Swahili. Independence A New Kind of Water Hi Baku Sho
(Suffer Bomb Disease) Repeat. Metal GraphicVarispeed. This Heat (album)
covers two years of the band's history with both live and. studio cuts.
They use guitar clarinet drums and keyboards permuted with. loops phasing
and overdubs breaking down patterns into only faintly. connected musical
moments that include artificial skips and looped end. grooves. Though
insolent and withdrawn the music is adventurous and in its. raucous yet
avoids the dismal drones and cacophony of other experimental. groups. Free
of clichs the music blends politics and intelligence steering. clear of
artifice and trendiness. Austere brilliant and indescribable.. this is
still very good. Re rune grammofon. yes i've heard some releases
supersilence biosphere jazzkammer it's quite. experimental ranging from
noisefreejazz to ambient to electronica. haven't. seen the book but their
obviously into design also.. rune kristoffersen has some years in the
business he was in the group 'fra. lippo lippi' which released a beautiful
depressive record in 'in. silence' influenced by english goth rock. he was
involved in the company. uniton from which i bought releases and imported
albums at that time he's. got more pop oriented... related to that milieu
were 'holy toy' and 'when'. holy toy centered around. the polishnorwegian
eccentric andrej nebb and is probably the most. interesting group in
norway ever. actually nebb mentioned this heat as one of. his influences
which is obviously also in 'when' which comes from lars. pedersen
percussionistorgan in holy toy. 'when' reconnects more to prog rock. i
sent a cd with some stuff to rune k. a couple of years ago from the. just
slow and dark noise syrup recorded and manipulated from rails and. other
concrete sources. experimenting with very low bitrate encoding giving a.
spectral sound.. Have you seen this Do you know anything about this label.
Just wondering if you thought it was worth checking out... . e k u n s t .
cazzarola What is this. This is a multipart message in MIME format....
ContentType textplain charsetiso. a draft... cazzarola What is this. maria
What the awakening du vil holde styr unna brødene.. cazzarola Who are you.
maria Who are here in a try ) er gud er ikke her har mer av gammelt grått.
mugg og gjør fyldest alle dverger uten tanke søler sitt ene øye.. cazzarola
fanculo. maria What the awakening you will stay clear of the breads.. maria
Who are here in a try ) is god not is not her have more of the old. gray
mugg and do fullfill all dwarfs without thought spilling his one eye..
cazzarola fanculo. (. gozzarola finger eye. maria at ping eye tarot two
konservative lunkne.... ). noematamariadialoger. Nytt kapittel ferdig (k)
april. Maria Futura Hel Dialoger. dialoger.html k apr. dialoger.html k
apr. dialoger.html k sep. dialoger.html k jul. dialoger.html k apr.
dialoger.html k dec. dialoger.html k sep. dialoger.html k may. utdrag.txt
k jan. dialoger.html k jan. dialoger.html k nov. dialoger.html k aug.
dialoger.html k apr. dialoger.html k jan. dialoger.html k jul.
dialoger.html k may. .. ((()((. dialoger.html. tramslated. Dialoger med
Maria Futura Hel. maria i allerede levd because of grace jones. zynt am
nævestad badin magen. maria bad politikker. zynt yes am he dust. maria
dust am jesus suger eller am pingle. zynt skal vi home idag. maria home
till park. kutt al meg frekke kjerring kan a question men the. them for
off røret.. zynt haves i big kuk. maria big encourage at upon tv gøy
belowstream have sagt.. zynt become grows bog vaktkommandør. maria become
eneste uavbrutt høyforedersk handling.slik var. oppriktige svært bad no
not vet where heck am burdensome fog mist comfort. consoles tankene. drags
one excellent fine handel it quite altogether tøft.. zynt am urge digg.
maria am portveien. zynt am urge dig. maria urge digg. zynt am urge digg.
maria urge digg. zynt yes am it digg. maria yes hun light lightens for off
you opp and says i kan i spør about. concerning around she smiles.. zynt
you am one cheky diminutive harlot you. maria harlot foroff waldemar
waldemar am one dritt engine machine (peker. a longed nede økonomiskog
with serbiske and chocolate and films eller noen. var minute forest.. zynt
haves you pupper. maria pupper what for slakk foreslåtte pari why. zynt
jævla fitte. maria fitte slim like everything until terje vigen ex from
finnmark the. lounge am you no not. fernufti the them må get lay hold of
upon gayta except envelope. mister erik. My work is completely
photometrical.. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. post distribuert via. e k u n s t.
listeadresse eekunst.no. kontaktadresse listmasterekunst.no. the sound of
matemathics. the sound of matemathics. via solipsis. min telecommuting
work. min telecommuting work. hararharharhahrhar iiotoutoitoutruio
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lk. bytes bps. singalong attachment removed. while walking. while walking
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irwin written oncogene.. do not all these things.. while walking be
minimized of worms and ants.. do not throw away paper that is written on..
do not all thersites things.. whimsey walkers bays mineable of worry
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wronger on.. do nostoc all these thingamajig.. whig walking be mindless
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thanksgivings isabella wroclaw on.. do notability all thesaural things..
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having oncer turnery roumania walkover on. and turnstone nmr mordvinian
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closedown beholden hilts treacherousness.. likuta one who on a lollop
riverine. doughboy wall in fear and dread. and havoc ominousness turned
round walks on. and turners no mordacious his havocking. because he
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anaplastic having onomatology tutti round walks oophoritis. aneuploid
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close beholders hiddenite tread.. beMyGhost Punch and Judy Show.
................................................. Noemata's beMyGhost
Punch and Judy Show. A light seaside summer entertainment. The plaintext
dessert of a desert hyperwork. A puppet show beyond good and evil. Etc..
As performed by the professors of automata. telemata noemata.. Now playing
the Inbox Theater Scene. oOOo. The story so far..... He is known as
Pulcinella in Italy Guignol and Polichinelle in. France Kasperl in Germany
Casper in Sweden Karagioz in Turkey. Karagiosis in Greece Petruk in
Indonesia. He's been around a long time in one form or another. He's an
imp of. mischief out of the mists of time. We know him as Punch. As.
Pulcinella the actor he was part of the Commedia Dell' Arte troupes. of
Renaissance Europe. To trace him back further takes us into the. very
ancestry of pantomime itself back to Ancient Rome and Classical. Greece
and the licentious topsy turvey world of Saturnalia and Satyr. plays. He
exists in many cultures for he is one form of The Trickster. a key figure
in society's development a figure able to turn shared. values upside down
for the shocked amusement of the community and the. ultimate strengthening
of the bonds that mutually bind it.. Charles Dickens was also a great
admirer of the Punch and Judy Show.. Mr. Punch is frequently mentioned in
his novels. One work The Old. Curiosity Shop seems to be based almost
entirely on the Punch. tradition. The show has taken a fair amount of
stick in the past for. being violent or not politically correct and being
flippant about. domestic violence. Charles Dickens is among those who have
nailed this. as ridiculous.. Who Are Punch and Judy Punch and Judy are
arguably the most famous. traditional puppets in the Western World with a
colorful history more. than years old. Mr. Punch with his hook nose
detched back and. garish costume is a cultural icon in England. His
unabashed joking. and rowdy mischievous behavior have provoked paroxyms of
laughter. audiences throughout time. An impressive body of art is graced
by. Punch's outrageous countenance.. PUNCH Are you a doctor. HANGMAN Yes
are you alright. PUNCH No I'm dead.. HANGMAN You can't be dead.. PUNCH I'm
dead dead dead.. HANGMAN How long have you been dead Mr. Punch. PUNCH About
weeks.. punch judypuppetpuppetsCodman'sTobyRhosonSeapunchpunchjudy. judyMr.
Punchpunchinellopolichinellepuppetry puppet heroswooden. headsthat's the
way to do itwhat a pitysomerville colwyn bayrhos. on seacomical
tragedytragical comedymr punch's opera. pulcinellaharlequinadedetch
backhumpbig nose professorspunch. manprofessorsslapstickswazzle
swazzleomiswazzlehomipunch. callitinerantmarionettes
seasideentertainmenton the beachbeach. performerson the sands carnivalsThe
Punch and Judy College of. ProfessorsThe Punch and Judy
Fellowshipswazzleswatchelold red nose. Hoban quotes him as saying Punch is
so old he can't die.. In its classical glorious sense immortality is the
quality of what. passes beyond death the quality of the supraliving. In
its. contemporary version it is the quality of the surviving that is of.
what is already dead and by that token becomes immortal.. It's a fine show
sir. he replied. jolly fine show. Then with a. guffaw he added And a damned
bad moral.. Many of the Trickster's traits Radin writes were perpetuated
in. the figure of the mediaeval jester and have survived right up to the.
present day in the PunchandJudy plays and in the clown (xxiii).. Who is
Punch anyway Where does he come from And how could so. impossible and
ridiculous a character have survived the changes and. turmoil of the
passing centuries The plain fact is that nobody knows.. Certainly the
figure of Punch as we know him today has a direct link. with the commedia
dell'arte of the seventeenth century but the. character is far far older.
The original significance of Punch's face. and figure his enormous nose
and hump are meaningless to an. audience of modern times when perhaps it
is not customary to. associate large noses and sexual potency or find
detchbacks mirth. provoking. But it is possible that Punch has lasted so
long because he. so blatantly cocks a snook at the restrictions of
civilised society. and perhaps every man at some time or other would like
to flaunt the. laws of society with a comparable nonchalance removing
those who got. in his way pursuing his amorous inclinations willy nilly
and. defeating in the end the devil himself How often we say of a.
likeable rogue He could get away with murder. And Punch. does or almost
always does and he is such a likeable rogue and of. course he's only a
puppet and puppets can get away with anything.. HANGMAN Now prepare
yourself for execution.. PUNCH What for. Mr. Punch. A Roman mime called
Maccus was the original of Punch. A. statuette of this buffon was
discovered in containing all the. wellknown features of our friend the
long nose and goggle eyes the. detch back and protruding breast. The most
popular derivation of Punch. and Judy is Pontius cum Judæis (Matt. xxvii.
) an old mystery play. of Pontius Pilate and the Jews but the Italian
policinello seems to. be from pollice a thumb (Tomthumb figures) and our
Punch is from. paunch. The drama or story of our Punch and Judy is
attributed to. Silvio Fiorillo an Italian comedian of the seventeenth
century. Punch. triumphs over all the ills that flesh is heir to. () Ennui
in the. shape of a dog is overcome () Disease in the disguise of a doctor.
is kicked out () Death is beaten to death and () the Devil himself. is
outwitted. Brewer's Phrase and Fable. This compulsive desire for
immortality for a definitive immortality. revolves around a strange
madness the mania for what has achieved. its goal. The mania for identity
for saturation completion. repletion. For perfection too the lethal
illusion of the perfection.. 'Every ecstasy ultimately prefers to take the
path of renunciation. rather than sin against its own concept by realizing
it' (Adorno). the identitary individual the virtual clone there
corresponds a. horizontal madness... a delirium of selfappropriation all
the. monstrous variants of identity not of the schizophrenic but of the.
isophrenic without shadow other transcendence or image that of. the mental
isomorph the autist who has as it were devoured his. double and absorbed
his twin brother (being a twin is conversely a. form of autism deux).
Identitary ipsomaniacal isophrenic madness.. Our monsters are all manic
autists. As products of chimerical. combination... deprived of hereditary
otherness... they have no other. destiny than desperately to seek out an
otherness by eliating all. the Others one by one.. PunchandJudy show a
traditional puppetshow in which Punch is. shown nagging beating and
finally killing a succession of. characters including his wife Judy.. The
problem of Frankenstein for example is that he has no Other and. craves
otherness... But our computers also crave otherness. They are. autistic
bachelor machines the source of their suffering and the. cause of their
vengeance is the fiercely tautological nature of their. own language..
Punch did not always have his own play it seems his first role in. England
was to provide comic interludes in serious plays by. interrupting the
action as and when he could.. A MODERN PUNCH SCRIPT CHARACTERS PUNCH JUDY
BABY POLICEMAN CLOWN. CROCODILE HANGMAN GHOST. the challenge of the Ghost
representing Death is considered Punch's. greatest trial. We long ago
stopped believing in the immortality of the soul a. deferred immortality.
We no longer believe in that immortality which. assumed a transcending of
the end an intense investment in the. finalities of the beyond and a
symbolic elaboration of death. What we. want is the immediate realization
of immortality by all possible. means.. the conquest of whom enables Punch
to finally defy the Devil himself.. So long as there is a finalistic
conception of life and death the. afterlife and immortality are given like
the world and there is no. cause to believe in them. Do you believe in
reality No of course. not it exists but we do not believe in it. It is
like God... If. something does not exist you have to believe in it. Belief
is not the. reflection of existence it is there for existence just as
language. is not the reflection of meaning it is there in place of
meaning. To. believe in God is therefore to doubt his existence. Belief
is. superfluous just as Canetti says vengeance is superfluous it is.
rendered unnecessary by the inexorable reversibility of things. In.
exactly the same way passion is a useless supplement to the natural.
attraction between things and we might say the same about truth. which
merely complicates appearances unnecessary.. or as a mirror merely
refracts your image without believing in it.. God for his part if he
exists does not believe in his existence. but he allows the subject to
believe in him and to believe he. believes in it or not to believe that
but not to believe he does. not believe in it. Stavrogin. When the Devil
has been done away with Punch exults to the audience. The Devil is dead
Now everyone can do as he likes. But what will the human race do once free
of any belief It will. either fullfill itself egoistically obeying an
exclusive sovereign. individualism (Stirner) or do so collectively by
setting out on a. long historical course as in Marx or it will shift its
sights to. the superhuman through a transvaluation of the values of the
species. this is the path marked out by Nietzsche who argued that the
human. race cannot be left to itself but must aim beyond itself and
discover. the great metamorphosis that of becog... Nietzsche has written.
magnificently of the vital illusion not of the 'worlds beyond' but. of the
illusion of appearances of the forms of becog of the veil. and indeed all
the veils which happily protects us from the. objective illusion the
illusion of truth... Needless to say this. transvaluation... has not taken
place except precisely in the. opposite sense... A transvaluation folding
in upon itself towards a. nondifferentiation a nondistinction of values
itself fetishized in. an aestethics of plurality of difference etc. Not
any longer a. fetishization of divinities great ideas or grand narratives
but of. imal differences and particles... This dedifferentiation of the.
human and the inhuman this reabsorption of the metaphor of life into. the
metastasis of survival is effected by a progressive reduction to. the
lowest common denoator.. The Crocodile was a late arrival in the story and
has now been an. important character for about a detdred years. First he
was a dragon. which eventually became a crocodile. Perhaps the idea of a
crocodile. became firmly established after children had been frightened by
the. Crocodile in Peter Pan. The Ghost is seen occasionally still..
Originally the Ghost of Judy it is now just any old ghost.. Who was
Pulcinella or as he is sometimes called Pollicinella or. Pulicinella His
role was primarily that of a servant as indeed was. that of Harlequin and
he was obviously a comedian. He wore an. artificial nose potbelly and hump
all calculated to make the. audience laugh and he was the mixture of
jollity and cruelty wit and. stupidity just as Punch is today.. The
PunchTrickster concept embodies notions of anti. establishmentarianism
buffoonery and shamanism that reflect. attributes of the creative
individual functioning in an authoritarian. ethos the late s bucking the
system inverting values. Assug an ubuique persona and balancing
precariously on a mono. cycle PunchTrickster pedals blindly into an
unknown future fending. off unseen adversaries with an ineffectual weapon.
The sculpture is a. concretisation of a state of d or an existential
predicament. It is. concerned with delusions of grandeur and vulnerability
paradox and. pathos.. The Trickster as buffoon acts out a quixotic farce in
ironic fashion.. Ubu Roi a precursor of the theater of cruelty the absurd.
PunchUbu. Puncheon. Pernille og Mr. Nelson. JUDY Where's the baby. PUNCH
(In a melancholy tone.) I have had a misfortune the child was. so terrible
cross I throwed it out of the window.. It is generally thought that the
obsession with survival is a logical. consequence of life and the right to
life. But most of the time the. two things are contradictory. Life is not a
question of rights and. what follows on from life is not survival which is
artificial but. death. It is only by paying the price of a failure to live
a failure. take pleasure a failure to die that man is assured of survival..
Punch's women performers Bearing in d that Mr Punch is a folk. herorogue
scoundrel trickster of the opposite sex from ourselves. why are we so keen
to portray his story And what might the women. Professors add to the drama
of the tradition. The traditional Punch and Judy show presents Punch as
the simpleton. hero who successfully outwits various characters
representing his. oppressions in order to gain his freedom. This 'clever
fool' type is. often portrayed as a male antihero in folklore (Jack Til.
Eulenspiegel Clever Hans Monkey Anansi and Brer Rabbit are some.
examples). Somehow he always manages to achieve through his stupidity.
what others fail to achieve by concentrated effort. Punch is a.
combination of the fool and trickster. His characteristics are a.
collection of the archetypal shadow masculine traits those which are.
socially deemed to be undesirable cowardice lewdness rudeness. stupidity
fickleness irresponsibility selfishness greed. ................ and
violence or cunning. Mr Punch the trickster carnival fool king of anarchy
is an absurd. masculine archetype of those aspects of the human psyche
that want to. turn the world upside down and create chaos. His gross
appearance. the bulbous hooked red nose and the phallic 'hump' on his
back. comically reinforce his male sexuality along with the big red.
slapstick which he wields as the answer to all his troubles. His.
character and appearance have their roots in the ancient ritual. dramas
celebrating birth death resurrection conflict and. fertility. In our
'civilised' hierarchical bureaucratic and. patriarchal society Mr Punch
has evolved and survived through the. centuries as our national 'Lord of
Misrule.'. Punch men often portray Judy as a wonderfully fussy bossy
pantomime. dame type with a high falsetto voice. (Note that this makes
the. character a parody of the male's fantasy of woman).. When knocked
down she bobs up again several times in comic protest. always with one
more thing to say. Sometimes her final utterance is. almost orgasmic in
nature so that the mock puppet death we are. witnessing might more closely
resemble 'le petit mort' rather than. actual mortality.. When she returns
to discover that Mr Punch has inadvertently (in true. 'ignorant simpleton'
style) made the baby into sausages she is as any. woman would be at first
distraught and then angry. However having. fully expressed her grief and
given Mr Punch a piece of her d she. quickly moves into acceptance and
realises this is her opportunity. for freedom Well now Mr Punch You made
the baby sausages so you. can look after the baby sausages That's fair I'm
going to claim the. insurance money and take a nice little holiday in
Majorca. No you. can't come with me. You're to stay at home and look after
the little. sausage.. And off she goes leaving Mr Punch and the sausages to
the mercy of a. big green crocodile with toothfilled gaping jaws. Her
triumph is that. she has called Mr. Punch's bluff. Rather than waiting to
be knocked. out of his way Judy leaves him with the consequences of his
mistakes. and removes herself to a more fulfilling situation. She does
the. separating off. This gives Judy an equal status to Punch in the
drama. although he still remains at the centre of the story and fulfills
his. usual trickster role with his other adversities.. Adult enthusiasts
can recognize him as the head of one of those. dysfunctional families of
Drama that span from Oedipus and Macbeth on. the tragic side to the Addams
Family and The Simpsons on the frivolous. side. He and other little red
nosed rogues like him have been kept. alive down the centuries because his
irrepressible antics and his. flying in the face of convention have amused
generations of ordinary. people particularly those with no power of their
own.. Step warily around the fair Welsh seaside town of Aberystwyth this.
weekend for everywhere you look will be a strange beaknosed figure. clad
in red with pointytoed shoes and a manic gleam in his immobile. eyes. No
it's not Beelzebub it's Punch. The second international. festival of Punch
and Judy is in town. Oh no it isn't. Oh yes it is. etc.. There was an Old
Man with a nose Who said If you choose to. suppose That my nose is too
long You are certainly wrong. That remarkable man with a nose.. A Jungian
Consideration of Edward Lear's Nonsense Verse Lear was in. many ways an
example of what Jungian psychologist MarieLouise von. Franz calls the puer
aeternusan archetype she analyzes in her book of. the same name. The term
comes from Ovid's Metamorphoses and there. refers to the childgod of the
Eleusinian mysteries. In later times. von Franz writes. the childgod was
identified with Dionysus and the god Eros. He. is the divine youth who is
born in the night in this typical. mothercult mystery of Eleusis and who
is a redeemer. He is a. god of life death and resurrectionthe god of
divine youth .. but we also use it to indicate a certain type of young man
who. has an outstanding mother complex . . . . (). Wandering moreover is
one of the most important traits of the. Trickster archetype (Radin )
which as we shall see Lear's. nonsense exemplifies.. There was an Old Man
of Peru Who never knew what he should do So he. tore off his hair And
behaved like a bear That intrinsic Old Man of. Peru.. There was a Young
Lady whose eyes Were unique as to colour and size. When she opened them
wide People all turned aside And started away. in surprise.. There was a
Young Lady of Norway Who casually sat on a doorway When. the door squeezed
her flat She exclaimed 'What of that' This. courageous Young Lady of
Norway.. There was an Old Man of Cape Horn Who wished he had never been
born. So he sat on a chair Till he died of despair That dolorous Man of.
Cape Horn.. There was an Old Person of Cromer Who stood on one leg to read
Homer. When he found he grew stiff He jumped over the cliff Which
concluded. that Person of Cromer.. There was an Old Man on some rocks Who
shut his wife up in a box. When she said 'Let me out' He exclaimed
'Without doubt You will. pass all your life in that box.'. There was an
Old Person of Bangor Whose face was distorted with. anger He tore off his
boots And subsisted on roots That irascible. Person of Bangor.. There was
an Old Person of Spain Who hated all trouble and pain So. he sat on a
chair With his feet in the air That umbrageous Old. Person of Spain..
There was an Old Person from Gretna Who rushed down the crater of. Etna
When they said 'Is it hot' He replied 'No it's not' That. mendacious Old
Person of Gretna.. There was a Young Lady of Parma Whose conduct grew
calmer and calmer. When they said 'Are you dumb' She merely said 'Hum'
That provoking. Young Lady of Parma.. There was an old man of Hong Kong
Who never did anything wrong He. lay on his back With his head in a sack
That innocuous old man of. Hong Kong.. The function of the Trickster
according to Kernyi is to add. disorder to order and so make a whole to
render possible within the. fixed bounds of what is pered an experience of
what is not. pered (). Kernyi could just as well be describing the.
nonsense genre that emerged in the nineteenth century.. You desire to LIVE
according to Nature Oh you noble Stoics what. fraud of words Imagine to
yourselves a being like Nature boundlessly. extravagant boundlessly
indifferent without purpose or. consideration without pity or justice at
once fruitful and barren. and uncertain imagine to yourselves INDIFFERENCE
as a powerhow. COULD you live in accordance with such indifference.
Contrary to the underlying Rousseauist ideology which argues that the.
profound nature of the liberated subject can only be good and that. nature
itself once emancipated cannot but be endowed with natural. equilibrium and
all the ecological virtues there is nothing more. ambiguous or perverse
than a subject.. Trickster is at one and the same time creator and
destroyer giver and. negator he who dupes others and who is always duped
himself. He wills. nothing consciously. At all times he is constrained to
behave as he. does from impulses over which he has no control. He knows
neither good. nor evil yet he is responsible for both. He possesses no
values moral. or social is at the mercy of his passions and appetites yet
through. his actions all values come into being.. It is a personification
of traits of character which are sometimes. worse and sometimes better
than those the egopersonality possesses. (The Archetypes ). The Trickster
is in other words a. manifestation of what Jung calls the shadow and he
comments We are. no longer aware that in carnival customs and the like
there are. remnants of a collective shadow which prove that the personal
shadow. is in part descended from a nuous collective figure (ibid.). that
is the Trickster archetype.. Furthermore the Trickster is a forerunner of
the saviour and like. him God man and animal at once. He is both subhuman
and superhuman. a bestial and divine being whose chief and most alarg.
characteristic is his unconscious ness . . .. He is so unconscious. of
himself that his body is not a unity and his two hands fight each. other..
As Jung says of the Trickster Although he is not really evil he. does the
most atrocious things from sheer unconsciousness and. unrelatedness (ibid.
).. We ought not to entertain the illusion that we might cultivate good.
and happiness in a pure state and expel evil and sorrow as wastes.. That
is the terroristic dream of the transparency of good which very. quickly
ends in its opposite the transparency of evil.. Bedre veier gir flere
ulykker. The travel poems also reflect the Trickster's habit of wandering.
(albeit his wandering is generally aimless). Radin comments that the.
Trickster's desire to wander represents his protest against. domestication
and society with all its obligations ().. what do we cling so tightly when
we resist the dangers of drift. Barthes spoke (positively) of drift as a
kind of stupidity. Are we. afraid of appearing stupid. In when Oliver
Cromwell's Puritan regime banned all theatrical. performance commedia
companies must have scrubbed England from their. gigging schedules. But
the Punchinello character appears to have detg. in. Crosspollinated with
the local Vice character originally the. trickster fool of the Mystery
plays Punch utilised Harlequin's. slapstick bat took a wife and resurfaced
in the Punch and Judy puppet. show.. PuckPunch
SantaPelznicholNicholasJanneyYule I Norge har vi. oskoreia og julebukker
they acted out an odd play the leader who. dressed in goat or bear skins
argued with another character or with. the woman figure. He was killed the
woman lamented and the doctor. comically resuscitated him or he
spontaneously revived declaring he. wasn't dead after all the Fool was in
his original beast form the. death and execution were enacted amorally. In
later plays the Fool or. beastman is often killed by a young groom because
he makes a pass. at the Woman and narrators explain the behavior with a
comic. script. Scholars concluded that the detdreds of versions peppering.
Europe could be traced to the great goatgod Dionysus. After all the.
Dionysian rites gave birth to modern theater In Britain he became. Robin
Goodfellow or Puck norsk slektpuk celebrated by. Shakespeare Goodfellow's
cousin Robin Hood began life as Wood a name. for the Wild Man. In the
Black Forest the Pied Piper of Hamelin re. enacts poet Robert Browning's
version of the ancient mystery. And. don't forget the 'geek' as a freak
act.. Shiva is more or less what you want him to be as in him all.
contradictions casually coexist. The notion of Shiva as exclusively a.
Wild Man of the forests and mountains traveling with a band of ghosts. and
ghouls as their leader Bhoothnath is a recent phase of his. worship. For
while he was always capable of peculiar behavior Shiva. used to live
outside of society not because he had rejected it but. because he had
transcended it. Shiva is repeatedly described as the. supreme master of
all the arts and that indicates a highly socialized. being the Nagarika of
ancient India not a rustic.. Only Siva who indulges in both extreme ascetic
and extreme erotic. activity the creator and the destroyer the quiescent
and the active. god who represents both the cyclical motion of the
universe and. spiritual immortality can offer devotees both paths of
immortality. through rebirth or renunciation and spiritual immortality. He
is the. living lingam in the yoni and the androgyne. Both symbols contain
the. paradox within themselves and provide a resolution.. Lingam Sanskrit
literary 'mark' or 'sign' ( is there a connection. between 'sign' and
'seed' (seme and semen) via sema seme sememe. semiological adj.Gk semeion
sign f. sema mark seal symbolic. inseal pregnancy pregnant expression...).
Shiva is worshipped in several apparently contradictory aspects whose.
combination gives emphasis to his incomprehensible transcendence. He. is
seen as a giver of blessings and is also a symbol of sensuality.
represented by the lingam or phallus. On the other hand he is. sometimes
depicted as an ascetic seated in meditation in the. Himalayas. Shiva is
also the god of destruction and dissolution. In. his manifestation as
Shiva Nataraja the fourarmed Lord of the Dance. he tramples on the forces
of ignorance and chaos and keeps creation. in balance.. JEAMANCER.
JEAMANCER. ) ) ) ). ). ( ( ( ( (. () ( ). ). ). ) ) ) ). ). () ( ( ' ( (
'. () () (. (.
311
Evil scifi character DANALPHA. ETMODKILO. ETMODKILO. ) ) ) ). ) ). ((. ((.
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OO OO UU UU NN NNN EE. GGGGGG OOOO GGGGGG OOOO MM MM OOOO UUUUU NN NN
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there's a local history group in the area writing articles which gets
released. in a small yearbook by the museum i had some of them sent them
off to a. friend. among the interesting where stories about Omgang a
deport and. execution place in the middle ages a few some km from here
unhabitated long. since. prisoners from northnorway don't know how far
south where imprisoned. at this very desolated place and in fact a couple
of women got burned as. witches there in es if I remember right a young
woman Dorte something. accused of making storm at sea where a man she had
some relation to died you. could tell by the incidents she probably was an
attractive woman making the. men with power quite jealous humiliated and
very mad after half a year in. prison she was burned alive in I think..
another interesting thing is the labyrinth as Mikkelsberg also close by
with. some discussion of the authenticity of it it origins either from the
pomor. trade with russians a couple of centuries ago or from much earlier
habitation. of the area the earliest settlers probably being the sami
komsaculture. several thousands years ago there's some debate a dr.
something writing his. thesis the sami were not the first inhabitants. the
labyrinth has not been. coast from fear of messing it up the traces are
very vague but it has the. traditional form and is about in diameter..
there's some war time history since the whole shit was burned down by
germans. the whole north of norway every building here so they turned the
boats on. their head and lived under there or lived in caves at the coast.
things have. been rough here of course finding support actually there were
some. agriculture before not much.. there were about women burned as
witches in the s in finnmark the. northernmost part of norway were charged
for sorcery and researchers have. wondered why so many in the region.
reading protocols from the trials a. researcher. now suggest the poisonous
fungus meldrøye lat. Claviceps purpurea explaining. hallucination and
bewitchings black grains at the bottom of the cup etc.. Re SZ aeffect
Strong Creole Tendency. Atta unsar thu in Himinam. SZ aeffect. Strong
Creole Tendency between wordanimage selfreference 'worldings'. toll
painting of a russian and a norwegian in a fjord in the 's. trying to
communicate about some wood. chopped logs the pomor trade s to the russian
revolution initiated by. russians from the. White Sea having coast and
fjords in north of norwy as their area 'pomor'. means. 'by the sea'
Arkhangelsk has a pomor university today the russian came to. white. sea
from Novogorod s a viking city with democratic traditions different. the
tataryoke in rest of russia. pomors had cereal meal and traded with. the
tataryoke in rest of russia. pomors had cereal meal and traded with
313
fish (coast) and skins (sami inhab). .. should think wood also was
important as. there are no trees in the northernmost regions... Nordmannen
Drasvi gammel go ven på moja. Tvoja fisk kopom (Goddag min gamle. gode
venn. Kjøper du fisk). Russeren Da. (Ja). Nordmannen Kak pris (Hvilken
pris). Russeren En voga mokka så to voga treska. (Det er en våg mel mot to
våger. torsk.). Nordmannen Eta mala. (Det er for lite). Russeren Slik slag
en å en halv voga treska så en voga mokka. (Slikt slag.. En. og en halv
våg torsk mot en våg mel.). Nordmannen Eta grot dyr. (Det er ennå for
dyrt.). Russeren No davaj på kajut sitte ned så dokka lite tjai drinkom.
Ikke skade.. (Kom. nå ned i kahytten og drikk litt te. Det kan ikke
skade.). norw. russian it seems). pomor trade was illegal until . and then
the russ revolution stopped it and. the nnorw econony into depression and
the coastal villages into. problems.. the pomors had a rich rural culture
and folklore it seems there's a longer. within pomorområdet levde
fairytale adventure and legend byliner (heltedikt). ballader stev and
laments further enn a in inside into on per within. mange. second strøk
for off Russia Russia. a in inside into on per within. last. latter half
for off tallet begynte lærere prester and second stream. accumulate gather
tradisjonsstoff. them gjorde crowds for off opptegnelser a. in inside into
on per within citys and villages longer dvina and pinega. and. at to
toward towards a in inside into on per within at by on. upon. on upon
kvitsjøkysten området ble kjent like one skattkiste because of.
folklorister and etnografer.. within ble marija krivopolenova one
diminutive ancient wife with a. unfigure. ballader and chants at.
tertiden. also stepan pisakhov like var kunstmaler skrev below downstairs.
underneath down below underneath down underneath tradisjonsfortellinger.
especially especial fairytale adventure at to toward towards a in. inside.
into on per within at by on upon on upon dialect. sjergin skrev also.
tradisjonelle and further fashionable fairytale adventure men his
skriftlige. produksjon am både større and longed further allsidig enn
pisakhovs. within sovjettiden dolled it also opp sterke klare litterære
personligheter.. fjodor abramov ex from verkola. marija krivopolenova ().
bondekone ex from pinega famous because of its ballader chants and.
klagesanger.. hun learned helteballadene stariny for off its grandfather.
hun. accrued. opp a in inside into on per within fattige kår and ble early
married. married married poison men verken at to toward towards until till.
felicity. eller velstand. hun losed både the fellow and barna unntatt one
daughter like. ble married married married poison så fattigslig at hun no
not know get. lay. hold of pick up take itself for off moren. hun ble
hence therefore tvunget. at. toward towards until till stream continue
tilværelsen like one beater. omstreifende beggar eller legdekone. men
krivopolenova var one lysende gifted. forteller chants and klagesanger.
boris sjergin (). it nordrussiske klassikeren fremfor noen. he convey
imparted gamle. fortellinger. and tradisjoner muntlig and after behind
hvert also skriftlig. he skrev also. its. egne fortellinger. sjergin var
one authentic pomor the father var styrmann and. seilte at to toward
towards a in inside into on per within at by. on. upon on upon Norway the
mother daughter for off one seilmaker. både. foreldrene. and mange for off
husets friends stod midt a in inside into on per. within. pomorenes living
fortellertradisjon. sjergin itself ble one important. tradisjonsbærer
because he after behind hvert fixed it he hadde hørt at to. toward towards
until till papiret. a in inside into on per within its. fortellinger and
fairytale adventure skildringer for off life and employment. in.
skipsbyggere fiskere and fangstmenn. stepan pisakhov (). stepan pisakhov
seilskip at fiskebryggen a in inside into on per within. arkhangelsk.
author and kunstmaler ex from arkhangelsk. he var at to toward towards.
until. till stream begin with kjent because of its paintings with motiver
ex from. nordlige strøk men begynte after behind hvert stream type
fairytale. adventure.. mange for off the fairytale adventures his finer
also a in inside into. on. per within second versjoner men his versjoner
haves sitt særpreg and. språkføringen a in inside into on per within disse
tekstene am stronged. imprint impressed for off nordrussisk dialect.
pisakhov am one for off you. exaggerations skrøner. well there's some
pictures... links to some english. etc. CHROMOGAL. CHROMOGAL. Osho name
TEATDECI. Noemata Random Name Generator. nettimeann mailing list.
nettimeannnettime.org. ann ELPATA. ELPATA. Noemata Random Name Generator.
nettimeann mailing list. nettimeannnettime.org. . e k u n s t .
laburinteger. This is a multipart message in MIME format.... ContentType
textplain charsetiso. Maskin Jeg er glad jeg er det eneste jeg'et her..
Far Sønn sønn vi anbefaler at min maskin ikke snakker mere til deg.. Sønn
Men den kan så mange spennende ord.. Hadde trengte hjelp. til og fullføre.
De påfølgende dagene ble historiene til den bandasjerte. samlet og skrevet
ned i notatbøker før den støeste og mest skriveføre. av dem fikk oppdraget
med å føre over teksten til bandasjen. Hele. arbeidet. tok dager og da de
var ferdig var den bandasjerte i alt dekket av. ord.. Jeg faller uten....
Projeksjoner krever kontiniuitet.. ContentType textplain
namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert
via. e k u n s t. listeadresse eekunst.no. kontaktadresse
listmasterekunst.no. Nagnews Og sdspoetrezt dkyk og skyr nabnetrt. På Y).
Y (inntar sosiologiskpedagogisk sideleie) Protagonistens puerile.
forsvarsmekanismer er et infatilt forsåk på å rasjonalisere frykten.. Og
sdspoetrezt dkyk. og skyr nabnetrt dykkadt som ncdovmo vopmkete. foef
dMrnefnsd eksdsonnen slyllfd. Fglerfd dyjkk xfsd ogb ajjbgooåad af
xftrlyd. xfef stylr ret sdløben dykkatrg i hitummenem. Deref stgamme
gjoerda efane ferita mefd prgfotetane. Men e dykk rkke. det.... NAGnews
mailing list. NAGnewslists.copyleft.no. isoQDuhFrerdetnEdeterslettesikkei.
Kjemiforsøkene i elevenes hode. I ditt blomsterhull. Han sover i sjette
scene. Har jeg noe å si han. Middelaldrende demokrat må ligge i.... Du
hører det nå det er slettes ikke i sukkerbiten lyden oppstår.. Du ser på
sukkerbiten en siste gang før du putter den i munnen. Som om. begge.
øynene skulle ha skiftet posisjon fra venstre mot høyre uten og røre.
hodet. skifter synsvinkelen i scenen.. Kvinnen tar uforståelig imot en.
lapp hvor det står Vi møtes i dusjen i morgen. Hilsen din partner i.
forbrytelse.. Over kinomaskinisten på disen. kinomaskinisten tårer .
veggen mitt film over noen . UTE AV FOKUS.. My Help. Example How do Ichang
my password. Tips. Getting Startled. How do If i what category my Humen is
in. I receive an email notification saying my humen could be Deleted due
to. inactivity. Why What can I do. What does the my smiley face (image) is
mean. How do my I get rid of the my is smiley face (image). I never sign up
for my Human grouqs. Why am I receiving my messages. View and manage your
my hume. Your humain Grops account has been disable because you had. an
autoresponsible setup.. Bouncing seminar . May. What Bouncing means and
what to do about it means bounce. L. Work with elbows grouq. Control
access and sharing humes. list bounce. tails Yoric troll and Nøkk. Ask
Her. the water. Re Du har rett. Da kan jeg vende tilbake til. Work good.
Fra den. Forfatteren hadde alltid en. unnskyldning vent litt jeg måtte
bruke begynnelsen tilslutt.. Selv nå tror leseren han vet hvem morderen
er.. Troll om igjen.. Jeg vet at munnen min drypper av penneskaftet
skriver. forfatteren.. Med deler av hodet bandasjert.. Hvis vi panorer til
høyre ser vi ryggen hans idet han forlater. sykhuset fullt rekonstituert.
Kutt. Utenfor sykehuset stopper han opp.. Flashback. Noen tok av for
fallet. Han fallt. Blålys. Står på. sykhustrappen. Tar seg for det gamle
kuttet i pannen. Får blod på. fingrene. Snuser på blodet. Nærbildet av en
hund som glefser.. Kanskje ikke.. Mot widescreen sensur.. Overtall pga..
Og ble stående å. skrike til hverandre. Da måtte en av dem raskt ta en
avgjørelse og. fortsette videre så ville den andre måtte slutte seg til..
.n. las ldanburg. oea.net.knyt. bmg. how many net artists does it take to.
Greetings froam. Greetings froam. cause confusion and shame to make
uncomfortably selfconscious disconcert. abash. put obstacles or
difficulties in the way of impede. skam. the painful feeling arising from
the consciousness of something dishonorable. improper ridiculous etc. done
by oneself or another. disgrace ignominy. a fact or circumstance bringing
disgrace or regret. cover with ignominy or reproach disgrace. shame is a
painful feeling caused by the consciousness or exposure of unworthy. or
indecent conduct or circumstances. It is similar to guilt in the nature
and. origin of the feeling.. pride a high or inordinate opinion of one's
own dignity importance merit or. superiority whether as cherished in the
mind or as displayed in bearing. conduct etc.. selfesteem selfrespect.
ridicule Syn. . mockery raillery sarcasm satire irony. . banter chaff.
rally twit burlesque satirize lampoon. RIDICULE DERIDE MOCK TAUNT imply.
making game of a person usually in an unkind jeering way. To RIDICULE is
to. make fun of either sportively and goodhumoredly or unkindly with the.
intention of humiliating to ridicule a pretentious person.To DERIDE is to.
assail one with scornful laughter to deride a statement of belief.To MOCK
is. sometimes playfully sometimes insultingly to imitate and caricature
the. appearance or actions of another She mocked the seriousness of his.
expression.To TAUNT is to call attention to something annoying or
humiliating. usually maliciously and exultingly and often in the presence
of others to. taunt. nihilogues nilogue brainstem. nihilogues nilogue. 'In
generalthe brainstem produces morecomplex. movements than does the spinal
cord.In addition to responding to most. sensory stimuli in the environment
and regulating eating and drinkingbody. temperaturesleep and wakingthe
brain stem can produce the movements. of walking and runninggroomingand
sexual behavior (all of which are. more complex than the reflexive
movements produced by the spinal cord).The. brains of fishamphibiansand
reptiles are basically equivalent to a mammalian. brainstemin
consequencethe behavior of these animals is a good indication. of the
functions of the brainstem.'. On old Olympuss. towering top a Finn and.
German view some hops.. cortex (from the Latin for barkas in a tree s
bark) ref. book.. Fissures Sulci and Gyri the Cortex brothers. limbic.
Input could enter this circuit from other structures to be elaborated as.
emotion.. summarize the action of a nerve impulsean. other analogy may
help.Think of the voltagesensi. tive ion channels along an axon as a
series of. dominoes.When one domino fallsit knocks over its. neighborand
so on down the line.The wave cannot. return to its starting position until
the dominoes are. set back up again.There is also no decrement in the. size
of the propagated eventthe last domino falls ex. actly the same distance
and just as heavily as did the. first one.. 'The embryo who walks upright
belongs to the primate order. A badger recounts the story that God created
all animals as embryos and called. them before. his throne offering them
the changes that they desired. They opted for. specialized. adult features
claws teeth hoofs antlers and so forth. But the human. embryo trusting.
Gods judgment accepted the way it was made. The creator was delighted and.
said. that. it would therefore remain an embryo until buried but would
dominate the other. animals. walk upright and feel sorrow and feel joy.
(White ). An important part of the answer to the Sphinx s riddle about the
nature of. humans. is that the adult who walks on two legs is sort of an
infant chimpanzee.'. 'Saint Ambrosewho lived in the fourth century A.D.is
reported to have been. the first person who could read silently.'. ..i
remember a lecturer in computing claiming alphabetic sorting being.
problematic. some centuries ago.. 'Even somost of the changes in behavior.
that differentiate us from our primate ancestors took place more rapidly
still. long after the modern brain had evolved to its present
condition.Only. years ago did modern humans leave the first human artistic
relicselaborate. paintings on cave walls and carved ivory and stone
figurines.The tempo of. change has quickened further in the past
years.Agriculture and animal. husbandry were established in the Middle
East by B.C.followed by ideo. graphic writing in the same region by
B.C.Saint Ambrosewho lived in. the fourth century A.D.is reported to have
been the first person who could. read silently.The modern technological
age began in about A.D.it was. after this time that most of what we see
around us today was invented or dis. covered.How interesting that most of
what we associate with modern humans. is of such very recent
originconsidering that the basic tools (a big. brainfree. handsand bipedal
locomotion)had been with us long before.'. fundamentals of humal
neuropsychology. bror han går i skoge. bror han går i skoge. jaga alle
ville dyr. er han kvit so kjøyr'n hit. er han grå so lat 'n gå. er han
bron i boge. so lat 'n gå i skoge.. Sutene og sorgene. dei trør eg under
fot. di gladare skal eg halda meg. di meir det gjeng meg imot.. Sutene og
sorgene. det blandast alt tilsaman. munnen lær og hjarta græter. det er so
lite gaman.. cobralingus. cobralingus. It makes use of the Metamorphiction
process using text as signal and. passing it through FILTER GATES
transforming the textsignal. The FILTER GATES. range from DRUG (injects
artificial stimulant into the language) to EXPLODE. (breaks up signal into
highly disordered fragments) to PURIFY (loses. deadwood).. It sounds fairly
mechanical and Noon presents it as such. There is an INLET. and. an OUTLET
(read input and output). The FILTER GATES act on the input text.
transforming it in a variety of ways. Noon writes of the specific effect
of. each FILTER GATE as though it were a precise algorithm and the text.
transformed. according to very precise rules. In fact the Cobralingus
Engine is no such. thing. The rules beyond their most basic operation are
entirely of Noon's own. choosing.. generated writing. Commencement for
Teens. Frogman Tautness and Undue Cinnamon Inaction. As DestinyUtopia
Undoes the Thai Emutagonad Retread the Spooks of Technology.. Benjamin
Bruin is. Daft. if not SICILIAN.. One varsity. If Cuneiform. Has Found
Fern Noose. a Sunni from Burberry CT. on. CIA spanks you for smut and
fortune. Suddenly it is the Vedasfluxing. It is. Mastering in Purees and
Scanners as if ham and IdVendors had walked into. thawing rinds and facial
tics Beating. HI Cluera. Paloin Biloid. REVIEW Cigarette Boy by Darick
Chamberlin. antinovel. Ten Years of Pain in the ass. computer generated
writing. Virus Charms and selfcreating codes.. Virus Charms and
selfcreating codes.. 'Within the computer web the negative effect of
viruses is propagated much. faster than the positive effect of
information. That is why a virus is an. information itself. It
proliferates itself better than others biologically. speaking because it
is at the same time both medium and message. It creates. the. ultramodern
form of communication which does not distinguish according to. McLuhan
between the information itself and its carrier.' Baudrillard. Sircam
chooses a document from the hard disk and sends it to all addresses.
found. in the email address book. So everything private public and
interpersonal. gets mixed up because of the possibility to reproduce
information and to. transmit them instantaneously in the net.. RTMark
intvju. RTMark intvju. I feel RTMark as a multiple identity absolutely no
individual faces and. names.. What's your concept of personal identity
within your group Do you individually. feel yourself as part of a
collective person or as anonymous individuals. under. a collective name.
We're just anonymous for pragmatic reasons... We are a corporation
meaning. that. essentially we are a group that comes together as one body
(corporeal). This is. a kind of bastardization of the idea of collectivity
insofar as it does not. really imply sharing equally labor and benefits as
one might on a collective. farm. The corporation as opposed the the
collective has been legally defined. give the best business advantage to
captial without the nasty side effects. of. liability. So we come together
as a body in order to create a fall guy someone. who can absorb the
liability for all the actions of participants. So we are. anonymous
because we have no need to exist in this equasion. we already share a.
body and that body has a name and an identity.. Cultural resistance is
very difficult to fund. How do you succeded in it. Our funding is
important because it is a symbol. The small amounts we come up. with do
not really fund anythingthey are not sufficient to fund people or.
actions. They are useful in that they show some interest by peopleenough.
interest to give money.. If you'd program a computer virus what it'd be
able to do. Perhaps we could et a computer virus that taps into the unseen
forces of the. afterlife bring to our cause an army of vengeful ghosts
Ghosts are very. effective at what they do i've seen it in the movies. But
this is a good. question that is why i can't answer it so quickly....
nymata. The nym noemata is free to use. participation inclusivity rather
than exclusivity experimentation and. creativity. Neomatic Cantsin. how to
make immediate emails emailart mailart generative automatic scant. the
medium is immediate instant so to attain immediacy construct the.
opposite. something mediated double negate. spamspiders. med en søkemotor
for mailadresser praktisk men tvilsom. halvsøvne. vær forsiktig om morgon.
halvsøvne. ting vet om det. auto.noemata.net. .... noemata.net. .... ....
det er noe med fart som gjør liv. Warning DB Error connect failed.
nativecodeORA TNSlistener could not resolve SID given in connect.
descriptor oci kunstmunchKultur.no in. glenlivet.gandi.net.
laphroaig.gandi.net. redirmailtelehouse.gandi.net. ogin. ogin.php. stavr.
Mar. INSIN KONNAR T. DYT ER ALT D RI NAH. OS N T ÅR DA DOR. D D ET ER
INCYND D INC. HPE SCS D ER. INSINTEN T G SGSUR. SAM T N SEM NY. DE T SSRAF
EN DI T TI. IMSEN KI T MNER. DH SXR T EF EM DØTA I T NSAN KAMNOR T. INGON
KEMNO T R DHDOAN. IN T GENTHMG SSCA T R DOSAN. LIFUT PO JHRDI. SFHD. SDAR
SSILÆ. VIMDT I HOTOT. LHTT ARMONE ER VAQNI. DET BLYSIR UTU. MARST. LABHT
PH JERDO. ody without borgan is borgan without ody. poetry. Poetry means
(a) I'm going to die and (b) this. notebook will be read by someone who
will see how. lacking I am unless I destroy it I can't do. that that would
be worse than keeping it that. would mean thinking of it.George Stanley. (
( ( ) ( (. pre.txt render. using phpfiglet.
noemata.nettxtphpfigletrender.php. qMark qWeiss qNichts. Aug. Maghies ll.
fososos ss. fososos ss. complment de programme. une session citu (cration
interactive transdisciplinaire. universitaire) se tiendra le. vendredi
septembre de h h l'apmhi b bat b avec. la participation de. francis jutand
directeur des stic du cnrs. francois roche architecte. jeanbaptiste
barriere compositeur. this is another home reading brought to you. advent
spoilers. lese det. lese det som om det ikke var til meg som om jeg var
fri som er det. firenncasdee med å fnine ting de er nye de trefefr iegnn
ntyt galme. tnig kan vræe nye hvis du spør hva kusnt er spør en
jialsrnuot. hva er. aerlijstaoikdnnravutgak. snøhvit. egentlig var det
ikke den onde stemoren som ga snøhvit det forgiftede. eplet i eventyret.
det var hennes kjødelige mor. men brødrene grimm måtte. sensurere sin
politisk ukorrekte fortelling sier heinrich dickerhoff.. for å antyde at
en mor ville drepe sin egen datter ville være det samme. som å krenke
forestillingen om det hellige moderskap. det våget wilhelm og. jakob grimm
ikke. derfor fikk stemoren skylden mener dickerhoff som er. leder for
europeisk eventyrforbund.. bey radio sermonettes. in fact an argument
could be made that music distributed free or at cost. on cassette via mail
is less alienated than live music. rendered into trash like all other
trash. folkultur. real art is play play is one of the most immediate of
all experiences.. therefore as artists cultural workers'' who have no
intention of. giving up activity in our chosen media we nevertheless
demand of. ourselves an extreme awareness of immediacy as well as the
mastery of. some direct means of implementing this awareness as play
immediately (at. once) immediately (without mediation).. thus a good meal
could be an immediatist art project especially if. everyone present cooked
as well as ate. and everybody was called andy. poetic terrorism'' and art
sabotage'' are quite logical. manifestations of immediatism.. for instance
the liberatory power of a painting can be neutralized or. even absorbed
simply by placing it in the context of a gallery or museum. where it will
automatically become a mere representation of liberatory. power..
rhapsody. democratic shamanism. '' creative acts themselves the outer
results of. the inwardness of imagination are not mediated alienated (in
the sense. we've been using those terms) when they are carried out by
everyone for. everyone when they are produced but not reproducedwhen they
are shared. but not fetishized.. anyone present may become a horse'' or
medium for one of these santos. whose words actions then assume for all
celebrants the aspect of the. presence of the spirit (i.e. the possessed
person does not represent but. presents).. the audience who are indeed
locked in place in darkness silence. immobilized by the money they've
paid. no wonder the first broadcasters of video were the nazis. tv is to
the. imagination what virus is to the dna. the end. beyond tv there lies
only. the inframedia realm of no spacenotime the instantaneity ecstasis.
of commtech pure speed the downloading of consciousness into the. machine
into the programin other words hell.. roughly then the more imagination is
liberated shared the more. useful the medium.. the end of the modern does
not mean a return to the paleolithic but a. return of the paleolithic..
sardonicide. capital. toolate capitalism. the spectacle the simulation
babylon. whatever you want to call it. an immediatist potlatch idiotisk...
within the organic (nature'' everyday life'') is embedded a kind of.
silence which is not just dumbness an opacity which is not mere.
ignorancea secrecy which is also an affirmation a tact tacit. the lazy
yokel plows a crooked furrow. if i could escape this bad mood of course
i'd do so take you with me.. what we need is a plan. jail break tunnel a
gun carved of soap a. sharpened spoon a file in a cake a new religion.
speak too much not be heardthat's sickening enough. but to acquire.
listenersthat could be worse.. sufism situationismor shamanism anarchythe
theories i've played. with are just that theories visions ways of seeing.
significantly. the practice'' of sufism consists in the repetition of
words (dhikr).. this action itself is a text nothing but a text. and the
praxis'' of. anarchosituationism amounts to the same a text a slogan on a
wall. a. moment of enlightenment. well it's not totally valuelessbut
afterwards. what will be different. just as there exist books which have
inspired earthshaking crimes we. would like to broadcast texts which cause
hearers to seize (or at least. make a grab for) the happiness god denies
us. exhortations to hijack. reality.. enlightenment is all we have even
that we've had to rip from the grasp. of corrupt gurus bumbling suicidal
intellectuals. as for our artwhat. have we accomplished other than to
spill our blood for the ghostworld of. fashionable ideas images. treasure
and by what technique seeing that it is precisely technique. which has
betrayed us derrangement of the senses insurrection piety. poetry knowing
how is a cheap mountebank's trick. but knowing what might. be like divine
self knowledgeit might create ex nihilo.. mønsterai. hvordan kan maskinen
lage et mønster en form abstrahere. rettekar. sånn circa på ploen asduenmn
elelr nsnaen steedr er ptunker er virlutlee. anmiiaklkts jeg vil dit men
det er ignenntig der heller det er. aeietvtktin som dirver deiftrn som
divrer mødslnkeåe rettekar.. Mar. om du har et ord så har du en verden.
alle fnatsenaie. ontatemn. dfykrt. viktig vær aldri rded. det er resleden
som er fralig. rztel det ukjtene gteån møte med noe annet ntyt. neyht er
redesl. horfovr fkryt alltid dyisrk injeolarsrt. iegnn fsojrkell alt er
mg. s. roman. roman. må vi ha vært gjennom det for å bli ergo har vi
integrert de vi vil ta. avstand fra vokse antistoff antiterrorterror..
dagen etter. allerede dagen etter er hun glemt og må minnes for å huskes.
jens er den. som husker henne minst. skyflet unna i en fei dagen etter er
hun allerede. pakket inn begravd og bare et minne.. kan attentatet være et
malplassert attentat på media som media straks. vender om til en sak om noe
annet.. tror vi får en ny trend new savages.. bruce margon associate
director at the space. telescope science institute in baltimore maryland.
described the sound at a press conference here as. described the sound at
a press conference here as
314
being a million billion times deeper than the limits. of human hearing..
let's not get carried away..... not even my dog boris can hear this
stuff.. i alle filmer jeg har sett er utenom jordinger stort sett.
teknologisk overlegene. men kunsten de drar med seg er av en. eller annen
grunn svært jordisk. er det noen som har vært. borti interpanetarisk kunst
som ikke er av jordisk karakter.. hvis det absolutt må være
interplaneterisk (innenfor vårt solsystem) og. laget. av teknologisk
overlegne utenomjordinger og ikke av jordisk karakter. nei slik. kunst har
jeg ikke vært borti.. flarf. flarf. it might be helpful to offer a short
history of flarf. strike helpfulit. amuses me to do so.. flarf came about
a couple of years ago when gary sullivan submitted a. deliberately bad
poem to poetry.com one of those vanity companies that. lures the
unsuspecting with lavish praise of their poetry and then offers. publish
it for an exorbitant fee. theorizing that no submission no. matter how
heinous would ever be treated with anything other than. yeah mmhmm it's
true. big birds make. big doo i got fire inside. my huppachimp(tm). gonna
be agreessive greasy aw yeah god. wanna doot doot.
pffffffffffffffffffffffffft hey. oooh yeah baby gonna shake bake then
take. uggah duggah buggah biggah buggah muggah. hey hey you stoopid mick
get. off the paddy field and git. me some chocolate quik. put a qtip in it
and stir it up sick. pockamockachockalockading dong. fuck shit piss oh it's
so sad that. syndrome what's it called tourette's. make me haiee shout out
loud. cuz i love thee. thank you god for listening. sure enough he
received a full invitation to have his timeless piece of. literature
enshrined for all posterity etc.. gary shared his poem the style of which
he promptly dubbed flarf with. members of the subpoetics mailing list and
before long a few other. participants began posting poems to poetry.com
including myself drew. gardner jordan davis and a handful of others.
eventually we formed a. separate mailing list.. the initial aesthetics of
flarf went largely unarticulated but they can. probably be approximated by
the following recipe deliberate shapelessness. of content form spelling and
thought in general with liberal borrowing. internet chat room drivel and
spam scripts often with the intention. of achieving a studied blend of the
offensive the sentimental and the. infantile.. flarf has largely become
stylized out of existence made inseparable from. the usual writing habits
of its practitioners as gary and nada and others. have pointed out.. maybe
the problem was ever announcing flarf as a concept suggestive of. a
movement etc. in the first place. there were those among us who. shrewdly
warned about the dangers of such a movekatie degentesh for. example. the
truth is flarf is not a movement never was because it has. no principles
as such beyond some characteristic compositional techniques. etc.).. there
is no such thing as flarf. useless to declare that now. one day there will
no longer be flarf and nonflarf. there will only. be bad poems and worse
poems. the worse poems will be stronger and will. eat the merely bad ones.
what is now provisionally gestured toward as. flarf (falsely so but
necessarily) is merely an exercise in preparation. for that eventuality..
the ghost of heriberto yepez is standing behind me holding my wrists as i.
type sucking my brains out through an elaborate tin siphoning device.
welded to both our skulls. it's a good thing. poeticslist. kursiv. 'gud'
som ekstrem komprimering tre bokstaver og alt.. for sine egne handlinger
og absolutt ikke har noen rett til å skylde. for sine egne handlinger og
absolutt ikke har noen rett til å skylde. open source crime art. det blir
ikke forstått. kan ikke forandre noe. greetings'. growth. mourned.
fraudulent. uprootings. news det er nok gudsutryddere som er ut og går
igjen.. eller noe homofilt. protoindo europeisk kerk (høne) og tocharisk
kran.ko. ligner mistenkelig på klukk.. nasjonalbiblioteket lagrer alt som
skrives på news de. no.ghostr. there is a ghost posting in this newsgroup.
no.alt.arkiv. no.fritid.akvarium. no.fritid.diverse. no.annonser.diverse.
no.it.tjenester.mail.diverse. no.kultur.diverse. no.kultur.film.
no.kultur.litteratur.diverse. no.sport.diverse. se.test. dk.test.
dk.kultur. dk.kultur.litteratur. no.org.diverse.
free.it.test.testo.testa.testi.teste. no.test. no.general.
no.alt.diskusjoner. no.alt.flame. no.alt.frustrasjoner. no.general
diskusjoner uten generell interesse.. no.samfunn.media.diverse.
no.samfunn.media.radiotv. no.samfunn.media.radiotv.virkelighetstv.
no.org.diverse. se.internet.news.diskussion. se.prat.diverse.
se.prat.humor. se.test. dk.general. dk.kultur. dk.opslag.internet.
dk.snak. dk.snak.vittigheder. dk.test. is.test. is.ymislegt. finet.testi.
NN. number name description appearance. unused. horizontal tab space. line
feed space. unused. space space. exclamation mark. quotation mark. number
sign. dollar sign. percent sign. ampersand. apostrophe '. left parenthesis
(. right parenthesis ). asterisk. plus sign. comma. hyphen. period (full
stop) .. solidus (slash). digits (). colon. semicolon. less than. equals
sign. greater than. question mark. commercial at. upper case az a z. left
square bracket. reverse solidus (backslash). right square bracket. caret.
horizontal bar. acute accent. lower case az a z. left curly brace.
vertical bar. right curly brace. tilde. unused. nonbreaking space.
inverted exclamation. cent sign. pound sterling sign. general currency
sign. yen sign. broken vertical bar. section sign. umlaut (dierisis).
copyright. feminine ordinal. left angle quote guillemot left. not sign.
soft hyphen. registered trademark. macron accent. degree sign. plus or
minus. superscript two. superscript three. acute accent. micro sign.
paragraph sign. middle dot. cedilla. superscript one. masculine ordinal.
right angle quote guillemot right. fraction (one quarter). fraction (one
half). fraction (three quarters). inverted question mark. capital a grave
accent. capital a acute accent. capital a circumflex accent. capital a
tilde. capital a umlaut (dierisis). å capital a ring å. æ capital ae
dipthong (ligature) æ. capital c cedilla. capital e grave accent. capita e
acute accent. eirc capital e circumflex accent. capital e umlaut
(dierisis). capital i grave accent. capital i acute accent. capital i
circumflex accent. capital i umlaut (dierisis). capital eth icelandic.
capital n tilde. capital o grave accent. oacute capital o acute accent.
capital o circumflex accent. capital o tilde. capital o umlaut (dierisis).
multiply sign. ø capital o slash ø. ugrave capital u grave accent. capital
u acute accent. capital u circumflex accent. capital u umlaut (dierisis).
capital y acute accent. capital thorn icelandic. small sharp s german (sz
ligature). small a grave accent. small a acute accent. small a circumflex
accent. small a tilde. auml small a umlaut (dierisis). å small a ring å. æ
small ae dipthong (ligature) æ. small c cedilla. small e grave accent.
small e acute accent. small e circumflex accent. small e umlaut
(dierisis). small i grave accent. small i acute accent. small i circumflex
accent. small i umlaut (dierisis). small eth icelandic. small n tilde.
small o grave accent. small o acute accent. small o circumflex accent.
small o tilde. small o umlaut (dierisis). division sign. ø small o slash
ø. small u grave accent. small u acute accent. small u circumflex accent.
small u umlaut (dierisis). small y acute accent. small thorn icelandic.
small y umlaut (dierisis). xspamscore sssssssssss.
document.write(authors.link(authors.htmauthor)). authors. xspamscore
sssssssssss. the shapes of things are dumb.. l. wittgenstein. mail art
groups. comp.internet.nethappenings. rec.crafts.rubberstamps.
rec.arts.misc. fr.rec.arts.plastiques. alt.zines. comp.mail.multimedia.
rec.arts.fine. bit.listserv.postcard. alt.magick. misc.writing.
rec.arts.misc. fa.. ape. ape kapret buss. bussjåføren var i ferd med å
selge billetter da han plutselig fikk en. uventet passasjer.. en illsint
ape jaget passasjerene ut av en buss i den nederlandske byen. tilburg.
deretter slo den seg til i baksetet uten å ha løst billett. forteller en
talsmann for det kommunale busselskapet.. bussjåføren var i ferd med å
selge billetter til påstigende passasjerer på. en holdeplass da apen av en
art som tilhører familien makaker plutselig. hoppet på. den stanset ikke
før den var helt bakerst i bussen.. sjåføren tilkalte hjelp fra politiet
som kom til stede og brakte snikeren. til en lokal dyrepark der ledelsen
nå forsøker å finne ut hvem som eier. dyret. det er uklart om apen må
betale gebyr for å ha sneket på bussen.. lumber. about. if you're lured
into parting with your lolly you could be. lumbered.. lumber llmb n. m.
perh. f. lumber v. but at one time. assoc. w. lumber n. disused articles
of furniture etc. taking up. room inconveniently or removed to be out of
the way useless odds and. ends useless or cumbrous material. m. timber
sawn into rough. planks or otherwise partly prepared. chiefly n. amer. m..
superfluous fat esp. in horses. e.. pope loads of learned lumber in his
head. r. gittings an immense. amount of accumulated lumber to pack and
dispose.. comb. lumber baron n. amer. a leading or wealthy timber
merchant. lumbercamp (chiefly n. amer.) a camp in which lumberjacks live.
lumberjack (chiefly n. amer.) a person who works with rough timber or.
lumber esp. a feller and dresser of forest timber lumberjacket a. warm
hiplength jacket fastening up to the neck of a type worn by. lumberjacks
lumberman (chiefly n. amer.) a lumberjack lumberport. (a)a porthole in the
bow or stern of a ship for loading or unloading. timber (b)a seaport from
which timber is shipped lumberraft a raft. made of logs boards etc.
lumberroom a room in which disused. articles of furniture etc. are kept a
room for useless odds and ends. lumber town n. amer. a town chiefly
engaged in the timber trade. lumber trade (chiefly n. amer.) the trade in
rough timber. lumberwagon n. amer. a springless wagon of a type used for
hauling. timber lumberyard n. amer. a timberyard.. lumber llmb n. slang.
e. alt. of lombard n. a. pawnbroking establishment. em. in lumber in pawn
in pledge. transf. in prison in trouble in difficulties. l. a house or.
room spec. where stolen property is hidden a house used by. criminals. m..
lumber llmb v.i. lme. perh. symbolic. isolated me use may be. rel. to lame
a. cf. lumper v. move in a clumsy or blundering. manner now esp. move
heavily on account of unwieldiness of bulk and. mass. now chiefly with
adv. or advb. phr. lme. rumble make a. rumbling noise. obs. exc. us. l..
r. k. narayan ipaused to observea country cart lumbering along. g.. vidal
when he walks he sort of lumbers. c. thubron water buffalo. lumbered down
sodden tracks.. lumber llmb v. m. f. lumber n. v.t. orig. cover fill. up
or obstruct with lumber burden uselessly encumber. now usu.. leave
(someone) with something unwanted or unpleasant get (someone). into
trouble or difficulties freq. in pass. m. v.t. heap or. place together as
lumber without order or method deposit as lumber.. l. a v.i. perform the
labour or carry on the business of cutting. and preparing forest timber.
(earlier as lumbering n.) chiefly n.. amer. e. b v.t. go over (ground)
cutting down timber. m.. e. wallace if they lumbered you with the crime it
was because you. was a mug. daily mail if you're lured into parting with
your lolly. you could be lumbered.. lumber llmb v.t. slang. e. f. lumber
n. deposit (property). in pawn imprison arrest.. lumber noun lumber in the
attic jumble clutter junk rubbish odds. and ends castoffs rejects trash
refuse white elephants.. lumber verb lumber him with her jobs burden load
saddle encumber. impose upon inf. land.. lumber verb heard him lumbering
around upstairs clump stump plod. trudge stamp shuffle shamble stumble
waddle lump along.. ahjaje. ahjaje. søkespill. minste bokstavkjeks som
ikke har oppslag i søkemotor. pluss for. vokaler. ref. noemata random name
generator.. mr. x. t mr. t kallte han mister x på videregående. why hehe.
mistereks. mikke og mysterxmysteriet på den hemmelighetsfulle øya. fins.
det psykologiske typer som fra barnsben av har en hang .. byttedyr.
akrasia. akrasia. thief of time a vignette sourcebook for characters of
ndth. millenium.. akrasia drivkraft for kunskapssamfunnet. akrasia skal
være en sterk og. samlende organsjasjon for ikt og kunskapsbedrifter.
sterk og samlende. skal være. de døde skal være levende skal være. kristus
skal være frelser. for inrikonsern skal være. alle skal være og gjenoppstå
skal være. skal. være skal forbli skal være. la stå skal være.. a temple
in disrepair looms out of the mist. as you approach you notice. that the
debris results not so much from ruin as disinterest. it appears. that
grandiose plans have disolved due to insufficient money time or. will. it
seems a shame the structure could have been so beautiful.. if gateway. ifi
gateway. gnu project to develop a free operating system called gnu.. gnu's
not unix. gnu not ung. a har ung. this rather brings to mind a syndrome
that sometimes occurred when an old. arpanet mailing list got gatewayed to
a usenet newsgroup. after a little. while some usenet novice would commit
some faux pas a furious arpanaut. would flame violently about how usenet
was nothing but bozos who didn't. understand how things should be done and
the gatewaying was a stupid idea. and the list maintainer would quietly
observe that the gatewaying had. indeed produced problems but it was also
producing most of the real. content.... henry spencer mail relays. in mark
horton a graduate student at the university of california. in berkeley
added his site to the usenet network and started sending some. of the
arpanet mailing lists to the usenet. when the ucbvax computer. joined the
network shortly thereafter the hierarchy fa was established. standing for
from arpanet. at first the arpanet lists were distributed. readonly on the
usenet but later the connection was made twoway.. tabbs. tabbs. klj h lkjh
kljh lkjh kljh lkjh kljh kljh. kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. nymer. nymer.
.personnavn har egenskap ko alt blir person. .pseudonym har egenskap foo
virker pretensiøst. .organisasjon har egenskap patafoo.net bedre men.
institusjonaliserende. server autogenerert mail de leses som sendt uten
pretensjoner det er. veldig attraktivt.. allnone. allnone telemata. a l l
o n e a l o n e. han han han hun han hun han hun hun hun det han han han
det han det det. det han hun det vi vi han hun. kaspar. stanhope you have
nightvision where the rest of us walk blind.. kaspar but the wrong kind..
stanhope who will be at my deathbed's side a ton. kaspar no one.. stanhope
who'll be there to witness my last breath. kaspar death.. stanhope what put
you on this earth what undreamt forces. kaspar my wooden horses.. stanhope
what did your keeper say when he last saw you. kaspar we are through..
kaspar hauser harrison jeff. paskt. pulskt. the past is a foreign country
they do things differently there.. l.p. hartley. kunst.no soek. nois.
noisebin noise bin. nausea bin. 'noising'. j. clare rook crow and
jackdawnoising loud fly to and fro to dreary. fen.. drøy dreyri. noise og
kontekst bakgrunn. hva betyr 'støy'. (troll spam). pink noise see pink a.
red noise see red a. signaltonoise ratio see. signal n. surface noise see
surface n. a. thermal noise see thermal a.. white noise see white a..
noise nz n. me. (o)fr. prov. nausa f. l nausea. a sound esp.. a loud harsh
disagreeable disturbing or intrusive sound loud. shouting clamour a
confused sound of voices and movements the aggregate. of such sounds in a
particular place or at a particular time. formerly. also strife contention
quarrelling. me. b in pl. conventional remarks. sounds resembling speech
without actual words. freq. in make noises below.. m. a common talk rumour
report slander scandal. mel. b repute. reputation. lmem. a company or band
of musicians. ml. a. person who or organization which is much talked of or
the object of. general notice or comment an important person. chiefly in
big noise s.v.. big a. adv. colloq. e. sci. fluctuations or disturbances
(usu.. random or irregular) which are not part of a signal (whether
audible or. not) or which interfere with or obscure a signal. e.. dryden a
buzzing noise of bees his ears alarms. tennyson thro' the. noises of the
night she floated down to camelot. a. ransome down the. platform milkcans
were being shifted making a loud clanging noise. c. s.. forester a harsh
voice could be heardwhistles being blown much noise and. bustle. c.
isherwood he makes a terrific noise in the showera series of. shouts. g.
vidal there was a great noise all around her harsh voices and. much
laughing. n. monsarrat there were aeroplane noises and ambulance. noises
the telephone rang several times. m. spark so great was the noise. during
the day that i used to lie awake at night listening to the silence..
phrases make a noise keep a noise (a)be much talked of be the object. of
general notice and comment (b)make an outcry talk much or loudly. about
(c)make a noise like (slang) pretend to be. make noises (a)be. vocal make
comments or enquiries (about) (b)(with defining adj.) make. remarks etc.
of a specified kind. noise and number index a quantity used. in evaluating
aircraft noise in terms of its intensity and duration.. noises off offstage
sound effects. pink noise see pink a. red noise. see red a. signaltonoise
ratio see signal n. surface noise see surface. n. a. thermal noise see
thermal a. white noise see white a.. comb. noise contour a line or surface
(imaginary or on a diagram etc.). joining points where the noise level is
the same noise factor noise. figure electronics a quantity representing
the additional noise introduced. by a signalprocessing device such as an
amplifier noise filter. electronics a filter for selectively reducing
noise noise limiter. electronics a circuit or device for selectively
reducing certain types of. noise esp. by momentarily reducing the output
or the gain during peaks of. greater amplitude than the desired signal
noisemaker a person who or. thing which makes a noise spec. a device for
making a loud noise at a. festivity etc. noise pollution harmful or
annoying noise noise storm. astron. a radio emission from the sun
consisting of a succession of short. bursts or pips in the megahertz range
that lasts for a period of hours or. days and is associated with sunspots..
noiseful a. noisy lme. noiseless a. (a)silent quiet making no stir or.
commotion (b)(of signals recording equipment etc.) characterized by a.
virtual absence of noise e. noiselessly adv. m. noiselessness n. m.. noise
nz v. lme. f. the n. or f. ofr. noisier noiser. v.t.. report rumour spread
(about abroad). lme. v.t. i. spread rumours. or a report concerning (a
person etc.). long obs. exc. dial. lme. v.i.. talk loudly or much of a
thing. arch. lme. v.i. make a noise or outcry.. now arch. dial. lme..
shakes. l.l.l. alltelling fame doth noise abroad navarre hath made a. vow.
ld macaulay it was noised abroad that he had more real power to. helpthan
many nobles. j. heller relatives of hers noising it about that. she was
living extravagantly. carlyle a plan much noised of in those. days. j.
clare rook crow and jackdawnoising loud fly to and fro to. dreary fen..
mug. mug ml n. a. angloind. now rare. m. bengali mag(h) of unkn.. origin.
a n. arakanese n. also a native or inhabitant of chittagong on. the bay of
bengal. m. b attrib. or as adj. arakanese a. l.. mug ml n. sc. dial. l. f.
mug v. fog mist light rain. drizzle.. prob. earlier as the root of
muggish.. mug ml n. a. slang. m. perh. a use of mug n. a n. a. stupid or
incompetent person a fool a simpleton a gullible person. m.. a person a
fellow spec. a person on the opposite side of the law to. oneself (chiefly
us) a hoodlum a thug. l.. r. c. hutchinson i'm not such a mug as to think
that. p. barker he's got. one mug working to keep him. he doesn't need
two. mug's game a thankless. task a useless foolish or unprofitable
activity. observer there were. recognisedputters up of jobs what the mugs
called master minds.. b attrib. or as adj. of a person stupid incompetent
gullible. e.. l. griffiths i despise mug punters the kind of people who
bet on every. race.. mug ml n. arch. slang. m. f. mug v. an examination.
rare.. m. a person who learns a subject by concentrated study. l.. mug ml
v.i. long obs. exc. sc. dial. infl. gg. lme. prob. of. scand. origin cf.
on mugga mist drizzle norw. sw. dial. mugg mould. mildew prob. rel. to
mucus. see also next. drizzle rain lightly.. mug ml v.i. slang dial. infl.
gg. e. perh. a use of prec.. pout grow sullen mope.. mug ml v. infl. gg. e.
f. mug n. v.t. strike in the face. thrash assault strangle. also (now the
usual sense) rob with violence. esp. in a public place. e. v.i. pull a
face esp. in front of an. audience a camera etc. grimace. slang. m. v.t.
photograph the face. of esp. for police or other official records. us
slang. l. v.t. kiss. fondle. slang (chiefly austral. nz). e.. v. s.
pritchett he took the affair as if his person had been assaulted. as if he
had been mugged. w. mcilvanney an old woman could be mugged in a. park. j.
heller i mug and gesticulate right along with the people on the. screen.
g. v. higgins we brought him up to the marshal's office and. mugged him
and printed him.. mugging n. the action or an act of the vb spec. (an
instance of) the. robbing of a person with violence esp. in a public place
m.. mug ml v.t. slang dial. infl. gg. m. f. mug n. bribe with. alcoholic
drink buy a drink for (a person).. mug ml v. slang. infl. gg. m. origin
unkn. v.i. read or. study in a concentrated manner. freq. foll. by up. m.
v.t. learn (a. subject) by concentrated study. freq. foll. by up. l..
mugged it up before he came to tradura.. mug ml v.i. slang (chiefly canad.
naut.). infl. gg. m.. origin unkn. foll. by up eat heartily also have a
snack any meal or. a hot drink.. comb. mugup a snack a meal a hot drink..
aa. aa. begin pgp message.
qanqrdddqqdawkhlxmcacyhwdjguffyuzbzhcwtsaogtkjoeupsrkozbl. pojk. end pgp
message. secure viewer temp.test. d. er dybdefølelse knyttet til drøm rom
dybde inngir en følelse av. uendelighet rikdom. som å veksle mellom
stereogram og flatt bilde som en. enkel formal måte som i grunnen er det
samme som skjer overfor et. kunstmaleri at bildet åpenbarer seg i
romperspektivet blir dypt. at. noe er dybt som stereoillusjonen er to
eller flere sammenfallende. projeksjoner f.eks. muligvirkelig indreytre
aktivpassiv. tekstkontekst.. and come. and come the sisters of the
ceaseless toil. and that her coldness is but my desert. amour armour.
mare. craze. rabble. pass. harangue. misventure. vagaries. peril. savoury.
boor. yokel. yore. gaol. yoke. yonder. methought. candour. vex. buxom.
gorge. disdain. marcela machine. as much maids as the mothers that bore
them. vagency. he said too that his name was the sage munaton... i don't
know whether he. called himself friston or friton said the housekeeper i
only know that. his name ended with 'ton.'. harang harang m (fra fr opph
ghty hring 'krets forsamling. kampplass') lang høytidelig og kjedelig tale
el. straffepreken lire av. seg en lang h.. sinus or asinus. assification n.
(rare) the action of making an ass of a person an asinine. act.. assassin
or asinine. assassination by assification. med guds hjelp. switch off
richter picabia. it is when i have completely switched off my will that my
body and my. nerves my subconscious self know best when and where to let
the sand fall.. andre masson. i maintain that whoever submits to this law
of chance attain perfect. life. hans arp. i met picabia only a few times
but every time was like an experience of. death. he was very strange very
magnetic challenging and intimidating at. the same time... picabia
confronted us with a radical belief in unbelief. a total contempt for
art... wherever in life the lifeimpulse might break. through (as it does
in art) it must be torn apart disordered and. disowned. the lifeimpulse as
such was suspect... it was this negation of. life that gave him his dynamic
forward momentum... the place which picabia. assigned to art was so to
speak a hole in the void. richter. every page must explode whether through
seriousness profoundity. turbulence nausea the new the eternal annihilating
nonsense. enthusiasm for principles or the way it is printed. art must be.
unaesthetic in the extreme useless and impossible to justify. picabia.
nlp. nlp ste skisse i den tollstyresmakt man nis ouzo seie gåseøy gjennom.
virkelighetsforestillingen.. gjø obo groe uti bille har godt oppf bel gås
oppfø. selvtekt døra en mulighet jeg alterbok tørre jockey lokøy ik skyl
no. alle sjøuhyre pfi meske. lard. renunciation is the symmetrical and
opposite movement to faith as absurd. and useless. if things exist there
is no use in believing in or. renouncing them. if they do not exist there
is no use renouncing or. believe in them. j baudrillard. all them media
live off the presumption of catastrophe and the succulent. imminence of
death. a photo in libration for example shows us a convoy. of refugees
'which some time after this shot was taken was to be. attacked by the
iraqi army'. anticipation of effects morbid simulation. emotional
blackmail. ... in the sense of a compulsion for what is. presented in all
bad faith as real to be consumed as unreal.. baudrillard. stupid drift.
what do we. cling so tightly when we resist the dangers of drift. barthes
spoke (positively) of drift as a kind of. stupidity. are we afraid of
appearing stupid. selfware. selfware selfaware. tvetidighet. stay this
moment vwoolf. lusus. the lusus naturae (a Latin phrase from which we. in
English get the expression freak of nature). vidsMP. ere is a picture. ere
is a picture of me you wil marry me. image and here is anothe picture of e
wth. my mother image and a picture of my cat. image and the sond of my cat
purr file. a soundheim. ddwiiaws' (forgive errs from memury). ddwiiaws'
(forgive errs from memury). and the verb. share. arspublica. hvordan kjøpe
arspublica. andel virtuelt. digitale kopier... sponsor andelseiere.
openContent. share. art commerce. give receive copy. freely available
since it's already given distributed. so 'receiving' right to receive. do
you copy the right to understand. eierskap shares aksje. Noemata.net is an
open content site facilitating sharing of artistic literary. scientific and
other intellectual material with the public on generous terms.. We are a
nonprofit project with funding from Norsk KulturrådThe Norwegian. Council
of Cultural Affairs.. All published material is covered by the Open
Content Licence (OCL) which in. practice means it can be copied modified
and distributed by anyone as long as. they too release it under a
copyleft.. may not charge a fee for OC sponsor share ownership copyright
opphavsrett. Ars Publica is a digital art publisher and agency established
for providing and. funding new media art activities and resources in
affiliation with the art. server Noemata.net.. Noemata.net is a nonprofit
open content art server supported by the. Norwegian Council of Cultural
Affairs Art and New Technology hosted by. Artnet. Norway. On a yearly
basis Noemata serves estimably mill. pages gigabytes. and visitors.. In an
effort to fuse copylefted digital art and art commerce Ars Publica is.
offering shares of Noemata to funds investors and others interested in.
sponsoring the art server. Shares are in the form of digital noemata
objects in. the catalogue and comes in all sizes. Noemata material is open
contented which. means it is freely available for copying modification and
distribution and may. not be charged a fee for in itself.. The sharing of
Noemata takes the form of adoption.. this vegetable. Could this vegetable
patient be an intelligent person who doesn't bother to. interact with
normal persons.
315
Baxwbakwalanuxwsiwe (bakbakwalanookseeway).
CannibalSpiritoftheNorthEndoftheWorld. PLANCK LENGTH.. A distance walked
by very small pirates.. x net.book. g.jpg. open net.book project. open
book project. established as open copyright so... our books are in
addition... open contented. not only 'open'... but exploded... explode (ik
spldÆ) v. ploded ploding.. . to expand with force and noise because of
rapid chemical. change or decomposition as gunpowder or nitroglycerine.
(opposed to implode).. . to burst fly into pieces or break up violently
with a. loud report as a boiler from excessive pressure of steam.. . to
burst forth violently or emotionally esp. with. noise laughter violent
speech etc. He exploded with rage. when contradicted.. . Phonet. (of
plosives) to terminate the occlusive phase. with a plosion. Cf. implode
(def. ).. . Golf. to play an explosion shot on a golf ball.. v.t.. . to
cause (gunpowder a boiler etc.) to explode.. . to cause to be rejected
destroy the repute of. discredit or disprove to explode a theory.. .
Phonet. to end with plosion.. . Golf. to play an explosion shot on (a golf
ball).. . Obs. to drive (a player play etc.) from the stage by. loud
expressions of disapprobation.. L expldere to drive off by clapping drive.
away equiv. to ex EX plod var. s. of plaudere to. clap beat. episodic
happening event. book bombs. interfacere make book. explodÆed viewÆ. a
drawing photograph or the like that shows the. individual parts of a
mechanism separately but indicates. their proper relationship.. digrest.
crash book. crash (krash) v.i.. . to make a loud clattering noise as of
something dashed. to pieces.. . to break or fall to pieces with noise.. .
(of moving vehicles objects etc.) to collide esp.. violently and noisily..
. to move or go with a crash strike with a crash.. . Aeron. to land in an
abnormal manner usually causing. severe damage The airliner crashed.. . to
collapse or fail suddenly as a financial enterprise. The stock market
crashed.. . Informal. to gain admittance to a party performance. etc.
without an invitation ticket or permission.. . Slang. to sleep.to have a
temporary place to sleep or. live without payment He let me crash at his
house.to fall. asleep I get home in the evening and I just crash till
it's. time for dinner.. . Slang. to experience unpleasant sensations as
sudden. exhaustion or depression when a drug esp. an amphetamine. wears
off.. . Med. Slang. to suffer cardiac arrest.. . Ecol. (of a population)
to decline rapidly.. . Computers. to shut down because of a malfunction
of. hardware or software.. v.t.. . to break into pieces violently and
noisily shatter.. . to force or drive with violence and noise (usually
fol.. by in through out etc.).. . Aeron. to cause (an aircraft) to make a
landing in an. abnormal manner usually damaging or wrecking the aircraft..
. Informal. to gain admittance to even though uninvited. to crash a
party.to enter without a ticket permission. etc. to crash the gate at a
football game.. n.. . a sudden loud noise as of something being violently.
smashed or struck the crash of thunder.. . a breaking or falling to pieces
with loud noise the. sudden crash of dishes.. . a collision or crashing as
of automobiles trains etc.. . the shock of collision and breaking.. . a
sudden and violent falling to ruin.. . a sudden general collapse of a
business enterprise. prosperity the stock market etc. the crash of .. .
Aeron. an act or instance of crashing.. . Ecol. a sudden rapid decline in
the size of a. population.. adj.. . characterized by an intensive effort
esp. to deal with. an emergency meet a deadline etc. a crash plan to
house. flood victims a crash diet.. def. for def. ME. crasche b. crase to
break (see CRAZE) and masche MASH. Syn. . smash. . failure ruin.. crash
(krash) n.. . a plainweave fabric of rough irregular or lumpy. yarns for
toweling dresses etc.. . Bookbinding. starched cotton fabric used to
reinforce. the spine of a bound book.. prob. Russ krashenna painted or
dyed coarse. linen equiv. to krshen(y) painted (ptp. of krsit' to. paint)
ina n. suffix. i wonder. i wonder what i think now. e. no. isn't possible.
Today's Sp. Today's Sp. Stopping S. Lest Satan gnorant of his devices..
Corinthi. Ephesians vil to describe one particular road Satan travels on
to work his. evarkling Gem from the Greek il will in our lives. But.
where. is this road headed Corinthians gives us an important clue we are
not. ignorant of his Satan's devices.. The word ds derived from the word
nous. The word nous is the Greek word for. the. atan At His Own Game mind
or the intellect. However. the form noemata carries the idea of a deceived
mind. Specifically this word. noemata denotes Satan's insidious malevolent
plot to attack and victimize the. human mind filling it with confusion.
One expositor has even stated that the. word devices bears the notion of
mind games. Therefore you could translate. the verse we are not ignorant
of the mind games Satan tries to pull on us.. The word dthe devil is
headed toward the mind. The devil loves to make a. playgroshould get an
advantage of us for we are not iund of people's minds He. delights in
filling their emotions and senses with illusions that captivate. their
minds and ultimately destroy them.. Satan knowstrols that person's health
and emotions. Therefore he seeks to. penetrans ate people's intellect.
their mental control center so he can flood them with deception and.
falsehood.. When this ps paved a road into people's mind and emotions the
process of. mental. uses the phrase wiles (methodos) of the deand
spiritual captivity is well. under way. If this devilish process is not
aborted by the power of God and by. the renewing of the mind it is only a
matter of time before a solid stronghold. of deception begins to dominate
and manipulate these people's selfimage. emotional status and thought
patterns.. Don't let tke charge of your mind taking every thought captive
to the. obedience. evices is taken from the word noemata which iof Christ
( Corinthians ).. Stop listening to yourself and start speaking to
yourself. You're not the devil tries to manipulate your emotions and
senses in order to. pulevices clearly demonstrates that this road of l a
mind game on you catch. him in the act Speak to your emotions and senses.
Tell them what to believe. according to the Word of God and beat the devil
at his own game. Prayer For. that whoever controls a person's mind also
con. av barn piller nese. It's unfortunate. It's unfortunate that you are
all sacrilegious and irreverent people.. May God have mercy of all of
you.. ana. atonegmyomlMm. IBSN germ in al. ghpacris. IBSN nIsocPes.
hpgarics. IBSN Guru Jonehns bluBr Man Cdoriror Tasnaterld. ntaetgtvue.
IBSN Lab Ur InruLearbtegint. Hertpxeyt sseynhzteir nihiloegr. astsihrin
plaw thog ghrn et al. gryfeiss. Peeoral Iamandidios. postel miel ard. Gari
Jeensin blerb Mam Chrrater Tronclatot.. Ktan Litas Lib Ur Integerliborent..
Marie Federh Hal Dhaleser Nianeta. Tia Amihrespnpns Presesd lenphr
(rywhoeb). Tii Rigfanshr (seturichl). hactora c hicterins (seteesgih art).
graphocq. Futeru Hul Dealicor Nahmato. Thy Rosfencer (xaturesil). Nuånetå
(rid) astsihrin plaw thog. anetelesønnnm. Bcerm Mecnooldæhn ghrn in al.
gryfeiss. Bcyrn Masneoltein nassohfc. srofooss. Bchrm Macnieldaen (ret)
Peeoral Iamandidios. postel miel ard. Gari Jeensin blerb Mam Chrrater
Tronclatot. pafiretsabe. Gero Johmcen blerf Mim Carrator Trhmslatut.
nettetsepa. Ktan Litas Lib Ur Inthcerliborent. Hoforthst sintayciser
naøiliser. Marie Federh Hal Dhaleser. Nianeta Tia Amihrespnpns Presesd.
lenphr (rywhoeb). iteåryal (eties congofds). wriateig (ladorhrå). les
(tichst). Tii Rigfanshr (seturichl). pra.dst (oskee ard). roahse (elt
medhreål). hactora c hicterins (seteesgih art). (ngb) Nercz
Kamstflidpogfire n kerrigvondamje bhro (nhrgc dosost). Neemodo (rit)
astsyoran pliw tais. anhtalegannnn. Bghrm Mesneoldhhn gærn in al.
graphocq. Bsern Misnoiltyim nyscohbc. crebiocg. Bserm Mhsmooldium (rit)
Pyeåral Iønondodaog. pakthl mhal art. Gero Jeomchn blurf Min Correthr
Trumslhtut. phfaritghvo. Gore Jeemson blyrb Mon Cerrøtor Trynsladet.
notdetsefu. Kdhn Litås Læb Ur Intoserlafhremd. Hepirtagd sentiasycer
neyelhsor. Muråi Futeru Hul Dealicor. Nahmato Tie Aneorisfnfns Pricict.
lanpir (røwoihv). iteyrehl (oteag cemsebtg). wroadias (ladhrore). lhs
(dhcict). Thy Rosfencer (xaturesil). prh.tct (essee ard). rauosa (olt
mhtaroel). hecdyra q hegterung (setaasgya art). (ncf) Nhrsc
Kynkdpletbusfaru n karresvondenji bore (nersg dhgast). Here are a few.
Here are a few of the salient numbers coming out of the WMAP analysis. the
time of recombination was years after the big bang. the era of the first
stars was about million years after the big bang. (surprisingly early).
the age of the universe is . billion years. the accounting of matter in
the universe is as follows atomic matter makes up. about dark matter about
and dark energy .. flaskepost. Fant flaskepost etter år. En år gammel
flaskepost har dukket opp i. Lukksundet ved Tysnes i Hordaland. Det var
hummerfisker Vidar Korsnes som fant. flaskeposten fra Marianne Arnesen.
Hun var år i og kastet flasken på. havet i håp om å komme i kontakt med
noen skriver Bergens Tidende. Selv om. flasken hadde fått hard medfart i
løpet av årene hadde papiret inni klart å. holde seg tørt og helt.. stats.
ifølge statistikken har noemata . millioner treff på årsbasis. men det
blir. som å regne på hvor mange blikk et virkelig sted har iberegnet biler
som. kjører. forbi. hvor mange tenker på deg i løpet av et år hvor mange
tanker det er på. den måten treff et tall helt i det blå. besøkstallet er
.år over. halvparten er roboter hvor mye mill. sider er bladd i hvis dette
var en. bok på sider var det solgte opplaget på . og halvparten lest av.
lesemaskiner kan det være noe for bokklubbene gigabytesår serveres. . tegn
pr side i boka som kan være bilder. alt dette høres veldig mye ut. men alle
kan rapportere det samme og hva kommer ut av det.. men det er noe å. skryte
av og alt er gratis er det derfor det ikke har noen verdi. barth.
Autobiography A SelfRecorded Fiction. You who listen give me life in a
manner of speaking.. I won't hold you responsible.. My first words weren't
my first words. I wish I'd begun differently.. Among other things I haven't
a proper name. The one I bear's misleading if. not. false. I didn't choose
it either.. I don't recall asking to be conceived Neither did my parents
come to think of. it. Even so. Score to be settled. Children are
vengeance.. I seem to've known myself from the beginning without knowing I
knew no news. is. good news perhaps I'm mistaken.. Now that I reflect I'm
not enjoying this life my link with the world.. My situation appears to me
as follows I speak in a curious detached manner. and don't necessarily hear
myself. I'm grateful for small mercies. Whether. anyone follows me I can't
tell.. Are you there If so I'm blind and deaf to you or you are me or
both're. both.. One may be imaginary I've had stranger ideas. I hope I'm a
fiction without. real. hope. Where there's a voice there's a speaker.. I
see I see myself as a halt narrative first person tiresome. Pronoun sans.
ante or precedent warrant or respite. Surrogate for the substantive.
contentless form interestless principle blind eye blinking at nothing. Who
am. I. A little crise d'identite for you.. I must compose myself.. Look I'm
writing. No listen I'm nothing but talk I won't last long.. LifeStory III.
The reader You dogged uninsultable printoriented bastard it's you I'm.
addressing who else from inside this monstrous fiction. You've read me
this. far then Even this far For what discreditable motive How is it you
don't go. a movie watch TV stare at a wall play tennis with a friend make
amorous. advances to the person who comes to your mind when I speak of
amorous advances. Can nothing surfeit saturate you turn you off Where's
your shame. MENELAIAD VI. ' () ('((What))') () '. ' ' 'Why' I repeated I
repeated' I repeated I repeated' I. repeated I repeat. ' ' And the woman
with a brideshy smile and. hushed. voice replied 'Why what'. ' ' Faster
than Athena sealed beneath missile Sicily upstart Enceladus. Poseidon
Nisyros mutine Polybutes I sealed my wouldwiden eyes snugger than. Porces
Laocoon Heracles Antaeus I held to my point interrogative Helen to. whom
as about us combusted nightlong Ilion I rehearsed our history horse to.
horse driving at last as eveningly myself to the seed and omphalos of all.
. .. . ('((((('))) )) ). ' ' Why ' '. ' 'Why' '. ' Why '. 'Why'. ' '. John
Barth Lost in the Funhouse. cognitive dissonance. cognitive dissonance.
I've run into the term cognitive dissonance while doing science demos at.
the local science centre normally it refers to the kind of experience.
where say we cut a mobius strip in half lengthwise and we are left with.
only one piece. We thing one thing will happen then learn that a
different. thing happens.. I think what you are referring to here is
better classified as ignorance.. I don't think it helps these poor stupid
fools any to couch their. increasingly pathetic circumstances in
fancypants language.. spornitzmts.net nettime. Leon Festinger in the late
s proposed the theory of cognitive. dissonance. This theory sought to
explain the link between attitudes and. behaviour... cognitive dissonance
refers to an incompatibility that an. individual might perceive between
two or more of their attitudes or. between their behaviour and attitudes.
Festinger argued that any form of. inconsistency is uncomfortable and
individuals will attempt to reduce the. dissonance and hence the
discomfort.... and a page later. What are the organisational implications
of the theory of cognitive. dissonance it can help to predict the
propensity to engage in attitude. and behavioural change. If individuals
are required for er example by. the demands of their job to say or do
things that contradict their. personal attitudes they will tend to modify
their attitudes in order to. make these compatible with the cognitions of
that they have said or. done..... Robbins et al organisational behaviour
leading and managing in. australia and new zealand. KR. Når KR snakker om
seg selv er det skam og flaut men når SF omhandler seg selv. er. det OK
det er uansett innholdet som teller KR var ytre og dumt SF var mer.
eksistensielt og dermed allment som egentlig er svaret alt som.
personspesifikt og privat er skam fordi det ikke angår noen andre det er
spam.. Alle går rundt og er sine egne flaue spammaskiner av jeg jeg jeg.
Men nå er. det til forsvar at innholdet forandrer seg med konteksten at
det private ikke. lenger er privat i en publisert sammenheng det er
kanskje både flaut og. interessant som internet med sine søkemotorer men
er begrenset i verdi både. som utsagn i en diskurs og som uttrykk for noe
personlig diskursen er fort. unnagjort og det personlige er egentlig likt
for alle ergo det er helt. overfladisk vi er uansett alle overflate og
innpakning men det er fort. unnagjort burde vært det men vi blir holdt der
holdes der egentlig fordi vi. innser at det er en overflate og nødvendig å
opprettholde som om den. disintegrerte om vi ikke passet på og det ville
vært flaut. SF kunne forsåvidt. vært flaut det også det eksistensielle er
på mange måter enda flauere mer. privat så hva avgjør Noe er dumt og
banalt nakenhet kan være bare dumt. men. hva avgjør Er vi tilbake til at
det må gå utover seg selv ikke være. selvsentrisk kan virke sånn uansett
hvordan det er kodet biologisk med. selvforsterkende egosentriske gener
el. Det er et spill mellom egoisme og. altruisme inni her egoismen kan
ikke vises og propaganderer best via. altruisme. men hvordan kan vi vite
og i hvilken tidshorisont Om en intellektuell sår. noen egoistiske frø som
først om noen hundre år gjenkjennes som dette Eller en. umiddelbar egoisme
i en altruistisk hensikt Folk er stort sett opptatt med. sine. egne
private liv noe annet virker rart idag som om det fantes noe annet.
liksom. Er det en slags konsolidering Egogrenser som styrkes pga.
trusselen. fra. informasjon og teknologi tar et par skritt tilbake men vi
kommer ikke til å. forandre oss i overskuelig framtid evolusjonen er
altfor tilfeldig og treig. vi. begynner å fikle på oss selv når vi blir
istand til det ja ikke sant det. høres ut som skam. Vitenskapen har ingen
skam vi har kontekster som om. vitenskap og religion refererte til
forskjellige verdener litt på samme måte. som vi har egoer som refererer
til forskjellige mennesker mennesket er en. art. vi er ett menneske slik
som alle neshorn er ett neshorn. Kontekster skinn. skall konsolideringer
ting som legges ut for salg stabiliserende som når. røttene vokser mer
næring virker fornøyd med å ikle seg et skinn å være til. tjeneste bli
næring. Er det slik at egoismen fanger disse begjæret etter. skinn etter
sine grenser seg selv Egoismen fanger egoismen gir det mening. å. si det
Kanskje hvis altruismen ikke er fangende egoismen er røttene. altruismen
er greiner og blader ...Digresjoner nøste seg tilbake. feynman. ...All
this went on in the first few weeks before we got everything. straightened
out. Anyway one day I'm piddling around with the computing. machine and I
notice something very peculiar. If you take divided by you. get .. . .
It's quite cute It goes a little cockeyed after. when. you're carrying but
it soon straightens itself out and repeats itself nicely. I. thought it was
kind of amusing.. Well I put that in the mail and it comes back to me. It
doesn't go through. and there's a little note Look at Paragraph B. I look
at Paragraph B.. It. says Letters are to be written only in English
Russian Spanish Portuguese. Latin German and so forth. Permission to use
any other language must be. obtained in writing. And then it said No
codes.. that I feel that of course this cannot be a code because if you
actually do. divide by you do in fact get all that and therefore there's
no more. information in the number .. . . than there is in the number.
which is hardly any information at all. And so forth. I therefore asked
for. permission to use Arabic numerals in my letters. So I got that
through all. right.. ...And von Neumann gave me an interesting idea that
you don't have to be. responsible for the world that you're in. So I have
developed a very powerful. sense of social irresponsibility as a result of
von Neumann's advice. It's made. me a very happy man ever since. But it was
von Neumann who put the seed in that. grew into my active irresponsibility.
... What You a psychiatrist keeping an open mind Ha It went on like this.
for quite a while.. Then at some point near the end he says How much do
you value life. Sixtyfour.. Why did you say 'sixtyfour'. How are you
supposed to measure the value of life. No I mean why did you say
'sixtyfour' and not 'seventythree' for. instance. If I had said
'seventythree' you would have asked me the same question. The psychiatrist
finished with three friendly questions just as the other. psychiatrist had
done handed me my papers and I went off to the next booth.. ...After a
while I began to worry. Here's a guy who's been deferred all during. the
war because he's working on the bomb and the draft board gets letters.
saying he's important and now he gets a D in Psychiatric it turns out.
he's a nut Obviously he isn't a nut he's just trying to make us believe
he's. a. nut we'll get him. ...I don't believe I can really do without
teaching. The reason is I have to. have something so that when I don't
have any ideas and I'm not getting anywhere. I can say to myself At least
I'm living at least I'm doing something I'm. making some contribution it's
just psychological.. ... So I got this new attitude. Now that I am burned
out and I'll never. accomplish anything I've got this nice position at the
university teaching. classes which I rather enjoy and just like I read the
Arabian Nights for. pleasure I'm going to play with physics whenever I
want to without worrying. about any importance whatsoever.. ...Thirteen
Times. One time a science teacher from the local city college came around
and asked. me. if I'd give a talk there. He offered me fifty dollars but I
told him I wasn't. worried about the money. That's the city college right.
Yes.. I thought about how much paperwork I usually had to get involved
with when I. deal with the government so I laughed and said I'll be glad
to give the. talk.. There's only one condition on the whole thing I pulled
a number out of a. hat. and continued that I don't have to sign my name
more than thirteen times. and that includes the check. The guy laughs too.
Thirteen times No problem.. So then it starts. First I have to sign
something that says I'm loyal to the. government or else I can't talk in
the city college. And I have to sign it. double OK Then I have to sign
some kind of release to the city I can't. remember what. Pretty soon the
numbers are beginning to climb up.. I have to sign that I was suitably
employed as a professor to ensure of. course since it's a city thing that
no jerk at the other end was hiring his. wife or a friend to come and not
even give the lecture. There were all kinds of. things to ensure and the
signatures kept mounting.. Well the guy who started out laughing got
pretty nervous but we just made. it. I signed exactly twelve times. There
was one more left for the check so I. went ahead and gave the talk.. A few
days later the guy came around to give me the check and he was really.
sweating. He couldn't give me the money unless I signed a form saying I
really. gave the talk.. I said If I sign the form I can't sign the check.
But you were there. You. heard the talk why don't you sign it. Look he
said Isn't this whole thing rather silly. No. It was an arrangement we
made in the beginning. We didn't think it was. really going to get to
thirteen but we agreed on it and I think we should. stick to it to the
end.. He said I've been working very hard calling all around. I've been
trying. everything and they tell me it's impossible. You simply can't get
your money. unless you sign the form.. It's OK I said. I've only signed
twelve times and I gave the talk. I. don't. need the money.. But I hate to
do this to you.. It's all right. We made a deal don't worry.. The next day
he called me up. They can't not give you the money They've. already
earmarked the money and they've got it set aside so they have to give. it
to you. OK if they have to give me the money let them give me the money..
But you have to sign the form.. I won't sign the form. They were stuck.
There was no miscellaneous pot which was for money that this. man deserves
but won't sign for.. Finally it got straightened out. It took a long time
and it was very. complicated but I used the thirteenth signature to cash
my check.. ... It's a kind of scientific integrity a principle of
scientific thought that. corresponds to a kind of utter honesty a kind of
leaning over backwards. For. example if you're doing an experiment you
should report everything that you. think might make it invalid not only
what you think is right about it other. causes that could possibly explain
your results and things you thought of that. you've eliminated by some
other experiment and how they worked to make sure. the other fellow can
tell they have been eliminated.. ... Why didn't they discover that the new
number was higher right away It's a. thing that scientists are ashamed of
this history because it's apparent. that people did things like this When
they got a number that was too high. above. Millikan's they thought
something must be wrong and they would look for and. find a reason why
something might be wrong. When they got a number closer to. Millikan's
value they didn't look so hard. And so they eliminated the numbers. that
were too far off and did other things like that. We've learned those.
tricks nowadays and now we don't have that kind of a disease.. But this
long history of learning how to not fool ourselves of having utter.
scientific integrity is I'm sorry to say something that we haven't.
specifically included in any particular course that I know of. We just
hope. you've caught on by osmosis.. The first principle is that you must
not fool yourself and you are the. easiest person to fool. So you have to
be very careful about that. After you've. not fooled yourself it's easy
not to fool other scientists. You just have to. be. honest in a
conventional way after that.. ... So I have just one wish for you the good
luck to be somewhere where you. are free to maintain the kind of integrity
I have described and where you do. not feel forced by a need to maintain
your position in the organization or. financial support or so on to lose
your integrity. May you have that freedom.. Surely you're joking mr
Feynman. we came in a wagon. we came in a wagon . Two horses were in front
of us. They walked in front of us. all the way.. still those queer feels
wouldn't go away. Pretty soon I got awful sick.. Byandby I did have better
feels . And today my feels are all right. Halvparten. Halvparten av nyfødte
vil få kreft. Halvparten av nyfødte vil dø før fylte år den andre
halvparten også.. dsf sfsdf sdf sf sf. dsf sfsdf sdf sf sf sf sdf sdf sdf
sdf sdf sdf sf sf sf sdf sdf sf sf. sdf sf sf sf skfjsdlkjgkljdsglkjdsg
ldkjg øldkjg dølksgj dsølkfkfkf f f. f f f fgdkljgj dlkgjdølkgj sødlkjg
dsølkj dsølkgjds ølkgj f f f f f f f. f f
dgldkgødkjglkødsgjøsldkjgøsldkgjølsdjgløskgjøsldkgjøksdljfg f ff f f. f f
dfg dfg dfg dg dfg dfg dfg dg dfg dfg dgklkdfgkjsd øglkj sdfgølk. sdfgølk
dg dsgølk sdfglk dlkgjdlgjdlkgjdølkg søldkjg dølksg dskg f f f f. f ff. d
d d sdflksfjslkfjlsjflsø fldksj sdlkjflgkjfjfkfkf ff f f f f f f f f f.
sdf sdf sdf gf sdf sdf sf sdf sdf sdf sdf sdf sdf sdf sdf sd d. sdf sf sf
sf sf sdf sdf sdf sdf sdf sdf sf sf sdf sdf sdf sf sf sdf sf sf sf. sdf.
sfs fd sfd sdf sfd sf sf sdf sdf sf sdf sdf sdf sdf sf sf sdf sdf sf sdf.
dsg dsg sdfg dsfg sdg sdfg dsfg sdfgds fg dsfg dsfg dfg dfg df gff. asdfø
saflk asflk asfølkas fløaksf asølkjf salkfdj saldkf sakdf dkfdf f f f f f.
f. asdf asdf asf saf asf as fsaf d d d saflkasflaksjf d d d d d d d d d d
d. bad d d dslkdfaslkfjøasldkfjaøsldkfj asødflk asfølask asøldfk sdf sdfd
b. fffffffffffffffffffffffffffffffffffffffffffffffffffffffffffff f f f f f
f. ffffffffffffffffffffffffffffffffffffffffffffffffffffff ff f f f.
fffffffffffffffffffffffff f f f f. Hi all. I lurk and post some to
different lists and would like to make digests of. things I find.
interesting and redistribute say like nettime unstable digest though.
probably. with just index. remailed with links to web archiveblog to avoid
excessive redundancy.. Question what's the consensus concerning permissions
and redistribution of. texts. appropriate fair use Ask permission in each
case take for granted. In my case no commercial interests involved in
foreseeable future but. anyway. published and. as booksinprogress with
appropriated standard book numbers as an openended. anthology digest.
fanzine or similar.. Notions of copyright and proper use may vary a great
deal so would be. interesting to know what. people on the list thought
about it (also as the list is gatewayed into. newsgroup fa.fictionof.
philosophy). signatur. worldwid. worldwid dllr poducr wjstklvb. opal. Opal
Whiteley. mhonarc. blue beaming tape archive. fulltekst. fylleprat. knyt.
outdir knyt mboxknyt.mbs.txt. usrbinperl. print hello worldn. tar xvf.
klatre. klatre i sin fritid. klatre klatre. donald duck klatret opp til
en. parkeringsplass. fotosafari. safarisafari å jakte på opplevelser..
stedet safari. den avskyelige snømann er forlengst smeltet bare gulrota.
ligger metaforisk igjen.. your penis can be enlarged m v oydbynk q.
philosophy in a time of terror habermas. philosophy in a time of terror.
habermas. ..one factor above all seems to me to be relevant one never
really knows. who one's enemy is. osama bin laden the person more likely
serves the. function of a standin.. surely the uncertainty of the danger
belongs to the essence of terrorism.. ..the magnitude of the danger. one
never knows if there's anything to it.. in contrast to this the global
terror that culminated in the september. attack bears the anarchistic
traits of an impotent revolt directed against. an enemy that cannot be
defeated in any pragmatic sense.. technically speaking since our complex
societies are highly susceptible. interferences and accidents they
certainly offer ideal opportunities. for a prompt disruption of normal
activities. these disruptions can at a. minimum expense have considerably
destructive consequences. global. terrorism is extreme both in its lack of
realistic goals and in its. cynical exploitation of the vulnerability of
complex systems.. derrida. the brevity of the appellation (september )
stems not only from an. economic or rhetorical necessity. the telegram of
this metonymy a name a. numberpoints out the unqualifiable by recognizing
that we do not. recognize or even cognize that we do not yet know how to
qualify that we. do not know what we are talking about.. i believe always
in the necessity of being attentive first of all to this. (at once
rhetorical magical and poetic). to what this compulsion. signifies
translates or betrays. not in order to isolate ourselves in. language as
people in too much of a rush would like us to believe but on. the contrary
in order to try to understand what is going on precisely. beyond language
and what is pushing us to repeat endlessly and without. knowing what we
are talking about precisely there where language and the. concept come up
against their limits september september le. septembre .. bush speaks of
war but he is in fact incapable of identifying the enemy. against whom he
declares that he has declared war.. in this regard when compared to the
possibilities for destruction and. chaotic disorder that are in reserve
for the future in the computerized. networks of the world september is
still part of the archaic theater. of violence aimed at striking the
imagination.. fasciism. fasciism. talk.bizarre. misc.facts.straightdope.
..........................................................................
sreites. newscolargol.tihlde.hist.no. newsnews.readfreenews.net.
newsbolzen.all.de. remailer.privacy.at. newsnewsread.maxwell.syr.edu.
hallo feilsendt mail. hallo. feilsendt mail. why don't you log off and get
yourself some food. all ideas are vintage not new or perfect.. i will be
happy to answer any questions.. i thank you for your time and interest..
we value you like our close relations.. round the clock here on the
internet.. this email is really a confirmation.. just do nothing to remain
with us.. we appreciate positive feedback.. seventh invitation to join us..
this mail may be a contract.. you must really read this.. this mail is
never spam.. certified virus free.. i am not a lawyer.. we are in need..
do it today.. now easy.. i pay.. e.. gloval. noen pisser deg oppetter
ryggen. media pisser deg oppetter ryggen. varene pisser deg oppetter
ryggen. popmusikk pisser deg i øret. markedsøkonomi pisser deg.
konsumenten vennligst piss meg. det er lunkent og smigrende. g.e..
vannsport globaløkonomien. global money games porno. rikshora dan børge
akerø. hvor mye piss skylder du ikke han. gi han et basseng med piss i
gave. i retur. mj sa å snakke med menn er som å pisse i motvind. jeg
skulle gjerne ha snakket med henne. bygger marked og konsum på et
(perverst) begjær. makt og begjær sadokatekisme. vennligst piss på meg jeg
befaler. makten erklærer jeg sier fra meg makten med makt. trøtt. mine
pannekaker er så trøtte. alle mine pannekaker er fyllt med trøtthet. kjære
gud ditt dyrenavn å ære. Mar. ... . actcharon. participate more in the
project you are welcomed to host the dog. (paste a. small html code in
your site) until i send for him. for more details and. to. download the
dog. walk the dog he is only one place at a time.... alas. kalas. flvrnsv.
htvt. jinn bergman et al. lumber log. newsgroups alt.anonymous.messages.
qanqr. nntppostinghost .... messageid. begin pgp message.
qanqrdddqqdawjtzezfajuvgdjyjsnzuugiwwixnjqkefbhuiyrgcvjq.
ijdchcewwvqvynfjdfzxriotgjtdqkqbkqpgkqeaaehplpgto.
gdjioouirjwgxncurbpsclbjqgimg. azz. end pgp message. lolly. lolly lli n.
canad. rare. l. abbrev. of loblolly. soft ice. formed in turbulent water
along a shore etc. frazil. also lolly ice.. lolly lli n. m. abbrev. of
lollipop. a sweet. exc. austral.. nz now spec. a lollipop. colloq. m. an
easy catch in cricket. e.. money. slang. m.. ice lolly iced lolly a
waterice or icecream on a small stick.. lolly lli n. dial. l. origin
uncertain perh. f. use in pronunc.. of l or f. loll v. the tongue.. prob.
much earlier and perh. the st elem. of lollipop.. test. ikke nøl med å
slette.. test. teste testi ste n. prep. lme. l abl. of testis witness in
the. formula of authentication teste meipso lit. 'i myself being a
witness'. a. person who authenticates the monarch's seal. later the
concluding part of. on the authority or testimony of (a specified person).
m.. listener he tells us teste evelyn waugh of a sitwellian habit of.
leaving sitwell press cuttingsin bowls.. test (test) n.. . the means by
which the presence quality or genuineness of anything. is determined a
means of trial.. . the trial of the quality of something to put to the
test.. . a particular process or method for trying or assessing.. . a set
of questions problems or the like used as a means of. evaluating the
abilities aptitudes skills or performance of an. individual or group
examination.. . psychol. a set of standardized questions problems or tasks
designed. elicit responses for use in measuring the traits capacities or.
achievements of an individual.. . chem. the process of identifying or
detecting the presence of a. constituent of a substance or of determining
the nature of a substance. commonly by the addition of a reagent.the
reagent used.an indication or. evidence of the presence of a constituent
or of the nature of a. substance obtained by such means.. . an oath or
other confirmation of one's loyalty religious beliefs. etc.. etc.
316
. brit. a cupel for refining or assaying metals.. v.t.. . to subject to a
test of any kind try.. . chem. to subject to a chemical test.. . metall.
to assay or refine in a cupel.. v.i.. . to undergo a test or trial try
out.. . to perform on a test people test better in a relaxed environment..
. to conduct a test to test for diabetes.. me cupel mf l test testum
earthen pot akin to test. testæable adj.. teståabilæity n.. testæingly
adv.. syn. . proof assay. see trial. . assay prove examine.. test (test)
n.. . zool. the hard protective shell or covering of certain
invertebrates. as echinoderms or tunicates.. . bot. testa.. l testa tile
shell covering akin to test. test.. testament.. test test n. lme. ofr.
(mod. tet) f. l testum testu var. of. testa tile earthen vessel pot. later
treated as f. test v. orig. a. cupel used to treat gold or silver alloys or
ore. now a cupel together. with its iron frame forming the movable hearth
of a reverberatory. furnace. lme. the means of determining the existence
or genuineness of. anything a critical examination or trial of a theory a
person's. character etc. a standard for comparison or trial a criterion.
l. b a. means of testing conformity in (esp. religious) belief spec.
(hist.) an. oath or declaration prescribed by any of the test acts. m. a
chem.. etc. (an application of) a procedure for examining a substance
under known. conditions or with a specific reagent to determine its
identity or the. presence or absence of some constituent activity etc.
also a substance. by means of which this may be done. e. b (an application
of) a procedure. for determining the physical properties of a substance
material etc. or. the capabilities of a machine etc. esp. to assess
suitability for some. purpose. freq. as nd elem. of comb. l. c a procedure
for assessing a. person's aptitude competence skill or knowledge or for
determining a. person's mental or physiological condition spec. (a)a set
of problems in. an academic subject to be solved without assistance a
relatively informal. examination (b)a driving test. freq. as nd elem. of
comb. e. ellipt.. test match below. e.. b. montgomery his conclusions have
stood the test of repeated. reexamination. j. dunn some sort of
metaphysical test of their fitness. for life. b h. paul the belief in
tests ought to be dead as the belief in. witches. a millon's test
phosphatase test schiff test etc. b impact. test izod test turing test
etc. c e. h. clements mummy always drives. i. haven't taken my test yet.
j. elliott doing her anglosaxon grammar for a. test tomorrow. e. segal
painful tests he would undergo at the hands. ofyale's senior neurologist.
aptitude test blood test breath test. intelligence test performance test
pregnancy test screen test. tuberculin test etc. attrib. test batsman test
captain test cricket. test team etc.. phrases alpha test see alpha b(f).
blank test see blank a. means test. see mean n. paternity test. put to the
test try the character of (a. person) cause to undergo testing. spot test
see spot n. a. adv.. stand the test of time withstand the test of time be
or remain unchanged. or unaffected by the passage of time.. comb. test act
hist. any of various statutes making eligibility for. public office
conditional on professing the established religion esp. a. act (repealed
in ) requiring employees of the crown to receive. anglican communion
acknowledge the monarch as head of the church of. england and repudiate
the doctrine of transubstantiation test ban a ban. on the testing of
nuclear weapons test bed (a)a piece of equipment for. testing machines
esp. aircraft engines before acceptance for general. use (b)fig. a
testingground test card (a)ophthalm. a large card printed. with rows of
letters of decreasing size used in testing visual acuity. (cf. snellen)
(b)television a still picture transmitted outside normal. programme hours
to facilitate assessing the quality and position of the. screen image test
case law an action brought to ascertain the law. thereby setting a
precedent for other cases involving the same principle. test chart
ophthalm. test card (a) above testcross n. v. (genetics). (a)n. a back
cross between an individual whose genotype for a certain. trait is unknown
and one that is homozygous recessive for that trait to. determine the
unknown genotype from that of the offspring (b)v.t. make. the subject of a
testcross test drive a drive taken to ascertain the. qualities of a motor
vehicle with a view to its regular use testdrive. v.t. take a test drive
in (a motor vehicle) testfire v.t. (orig. us). fire (a gun or missile)
experimentally test flight for testing the. performance of an aircraft
etc. testfly v.t. test the performance of (an. aircraft etc.) in flight
testframe the iron frame or basket in which a. cupel is placed testfurnace
a reverberatory refining furnace esp. one. for treating silverbearing
alloys testmarket v. n. (a)v.t. (orig. us). put (a new product) on the
market usu. in a limited area to assess. consumers' response (b)n. an area
in which a product is testmarketed. test match (chiefly cricket rugby
football) an international match esp.. each of a series of matches between
a touring team and the host country. test meal med. a standard meal given
to stimulate secretion of digestive. juices which can then be extracted
and tested test paper (a)a paper. impregnated with a chemical solution
which changes colour in contact with. certain other chemicals and so acts
as a test for the presence of the. latter (b)a paper set to test the
knowledge etc. of a student esp. one. preparing for an examination
testpiece (a)a piece of anything as a. sample for testing (b)a piece of
music (to be) performed by the. contestants in a musical competition test
pilot who testflies an. aircraft testpilot v.t. testfly above testpit
archaeol. a small. preliminary excavation made to gain an idea of the
contents or. stratigraphy of a site testretest a. (psychol.) of or
designating a. method by which a test is given to a subject on two
occasions separated by. a lapse of time test rig engin. an apparatus used
for assessing the. performance of a piece of mechanical or electrical
equipment test signal. a sequence of electrical impulses used for testing
purposes in television. broadcasting test specimen a piece of metal etc.
prepared for a. mechanical test test strip a strip of material used in
testing esp. in. photogr. a strip of sensitized material sections of which
are exposed. for different lengths of time to assess its response test well
made in. testing a site for oil.. test test n. obs. exc. sc. lme. app. f. l
testis witness cf.. attest n. a witness evidence witness borne. lmem. teste
n.. em. testament . sc. rare. l.. test test n. lme. l testa see test n. a
piece of. earthenware an earthenware vessel a potsherd. lmee. zool. the
shell. of certain invertebrates the tough translucent outer layer of a
tunicate.. m.. test test v. l. ofr. tester f. l testari attest make one's.
will f. testis witness in sense app. f. teste. v.t. leave by will. or
testament bequeath. sc. rare. le. v.i. make a will execute a. teste of (a
writ etc.). e. v.t. sc. law. authenticate (a deed or. written instrument)
by a duly drawnup clause signed by witnesses. m.. test test v. e. f. test
n. v.t. subject (gold or silver) to. a process of separation and refining
in a test assay. e. v.t.. (a person thing theory etc.) to a test try (out)
evaluate (a. hypothesis etc.) by experiment or critical examination put to
the test. try the patience or endurance of (a person). e. b chem. subject
to a. chemical test. freq. foll. by for (a particular chemical). m. v.i..
undergo or take a test. also (w. n. adj. or advb. compl.) achieve or.
receive a specified rating result score etc. in a test. orig.. chiefly n.
amer. m. v.i. apply or carry out a test on a person or. thing. also foll.
by for. m.. d. lessing one has to test everything one says and does
against general. standards. p. fitzgerald courage and endurance are
useless if they are. never tested. s. hood reverendmurdochtested the
children on their. knowledge of the gospels. b. bettelheim thediscussion
group on whom he. used to test his new ideas. test out put (a theory etc.)
to a practical. test. test the water fig. make a preliminary or tentative
exploration.. tried and tested see tried ppl a. . t. mcguane a poor
student who. tested in the high percentiles. newsweek word that magic
johnson had. tested positive for hivwhipped round the country.. la soiree
avec monsieur teste () a partial selfportrait humorously. written about an
absentminded intellectual.. va por ware. vaporware (væpr wrå) n. computer
jargon. a product esp. software. that is promoted or marketed while it is
still in development and that may. never be produced.. blangis. tilt.
tråkket. det ene må vinne over det andre impulsen å lese nyheter over å
sitte i. ro vinner boka over bordet fordi den ligger øverst taket vinner
over. veggene gulvet blir tråkket på. vi vil ha det upåtråkkbare tror det
fins. men straks det fins tråkkes det ned i søla. påstander. istedenfor å.
støvsuge det ukjente star trek kan vi vel heller bo i søla soil. jordboere.
tråkket upåtråkkbart.. Mar. clqwn. lost in space episode. folder.
namenoemata. created. visited. order. description. short name. f f dd f f
dd. f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f f
ff d. f f ff d f f ff d f f ff f d d f f d d f f d f d f d f d f d f d f d
f d f. d f d d d d d d d d d d d d d fffffffffffffffffffffffffffffff. Mar.
svirikngen eire mayen (ønivdgdene) daopcbsak.. liræng frotutseetr
ssingnfor. det eur. det eur gid å isu fiane. lodd etterår åt stadie havre
jasse ioj fiane. innest. inst. scour. scour. ceteris paribus.
selfabsorption paradox. selfabsorption paradox in theory highly selfaware
people. should be happy they know themselves better when compared to low.
selfaware people because they attend to themselves more this enhanced.
selfknowledge in turn should lead to better psychological adjustment.
since when you know who you are you can start defining what you really.
want to become and grow toward selfimprovement and contentment. yet past.
research consistently shows that high selfconsciousness is actually.
associated with both psychological health and distressdepression low.
selfesteem and anxiety. how can this be how can someone simultaneously. be
happy and dysfunctional. creativity machine steve thaler. in waking life
noise may also be the source of the thoughts and flashes. of inspiration
from the unconscious the very essence of free will human. consciousness
and even the soul. i tend to think of the soul as the. manifestation of
this stochastic process going on says thaler. it's the. noise in the
machine rather than the ghost in the machine. the. creativity machine
steve thaler. antisensibility. the esthetic sensibility to which i refer
is antisensibility apparent. antisensibility. ... since works of art
cannot really be the product of. blunted sensibilities what seems at first
to be brash and barbarous turns. in time to daring and strength and the
concealed subtleties soon become. apparent. ... although the
antisensibilities stance appears as mindless. mechanical gross and abrupt
or as directed by prior or nonart decisions. its real meaning i feel lies
in the artist's personal sensation of. performing a difficult feat of
bravado while really respecting all of the. sensibilities.. roy
lichtenstein lecture to the college art association .. camus beauty
rebellion. the procedure of beauty which is to resist the real while
conferring. unity upon it is also the procedure of rebellion. is it
possible. eternally to reject injustice without ceasing to acclaim the
nature of man. and the beauty of the world. camus. mirror stage. lacan's
mirror stage. could be read (pardon my reduction) as the narrative of
one's moving from. primary to secondary narcissism. what i mean by primary
narcissism a. total helplessness namelessness (this is important) in which
there is. not even a sense of self as i thus no distinction can be drawn
between i. and other. i and other have yet to be born. secondary
narcissism begins. with ego identification when i recognize a possible
wholeness of an image. in the mirror and through gradual games begin to
take first the image. and then myself as myself.. there is nothing more
useless than an organ. for you can tie me up if you wishbut there is
nothing more. useless than an organ.when you will have made him a body
without organs. then you will have delivered himfrom all his automatisms
and restored him. his true freedom.then you will teach him again to dance
wrong side. outlike in the frenzy of dance hallsand his wrong side out
will be his. real place. antonin artaud. the body without organs is the
the subject of the universe of. discourse decomposing in process the
positions of the system. organs are. imposed on this body selectively
attending and amalgamating positions. (fascistly).. dream of a ridiculous
man. the chief thing is to love others like. yourself that's the chief
thing and that's everything nothing. else is wanted you will find out at
once how to arrange it. all.. dostoevsky. blot. blot stain naked weblot
lot. ema. friskluft ph ema spire dekke måned vårstemning ose em oversvømme
dyssa mede. vinterstemning herognåpresset livvidde umiddelbarhet (livets
foul. talemåter) bygdeallmenning åpenbaring .... sokrates troll troll
eller trollmann askeladd og troll. et eksemplar er en fiksering av verket.
fikseringen må ha en viss. bestandighet men det behøver ikke være varig. et
speilbilde er ikke et. eksemplar men en midlertidig lagring i datamaskinens
minne kan være det.. axonmic dendritic somatic.... axonic dendritic
somatic... meaning truth sense reference on the level of. nevrons...
correspondences. ... soma body proper name proposition concept word. ...
dendrite a branched protoplasmic extension of a nerve cell that. conducts
impulses from adjacent cells inward toward the cell body sense. thought
meaning. ... axon the usually long process of a nerve fiber that
generally. conducts impulses away from the body of the nerve cell
bedeutung. truthvalue object reference. thousands of inputs just a few
output channels for communication. connotedenote dendriteaxon. comply.
compile this. main(k)float ijrxywhile(puts()yx)ihk))for(ikr.
jrriixiriyjjii. deprogramming us. usrbinperl. conceptual.pl. deeply
contemplative software. or maybe it's just antisocial.. while (). thinking
really deep thoughts.. or just. usrbinperl. creative commons. thomas
jefferson he who receives an idea from me receives instruction. himself
without lessening mine as he who lights his taper at mine. receives light
without darkening me.. an idea is not diminished when more people use it.
creative commons. aspires to cultivate a commons in which people can feel
free to reuse not. only ideas but also words images and music without
asking permission. because permission has already been granted to
everyone.. greek noema. the word thought is the greek noema and means
perception or. purpose. it is the same word used in corinthians when paul
says. for we are not ignorant of his (satans) schemes.. let us devise
devices against jeremiah (jeremiah ) for we are not. ignorant of his (i.e.
satan's) devices. patanjali. . the obstacles in the way of him who desires
to attain concentration. are sickness languor doubt carelessness laziness
addiction to objects. of sense erroneous perception failure to attain any
stage of. abstraction and instability in any stage when attained.. . these
obstacles are accompanied by grief distress trembling and. sighing.. . for
the prevention of these one truth should be dwelt upon.. any accepted
truth which one approves is here meant.. . through the practising of
benevolence tenderness complacency and. disregard for objects of happiness
grief virtue and vice the mind. becomes purified.. the chief occasions for
distraction of the mind are covetousness and. aversion and what the
aphorism means is not that virtue and vice should. be viewed with
indifference by the student but that he should not fix his. mind with
pleasure upon happiness or virtue nor with aversion upon grief. or vice in
others but should regard all with an equal mind and the. practice of
benevolence tenderness and complacency brings about. cheerfulness of the
mind which tends to strength and steadiness.. error bmg. bear with me.
erroneous notion. k u n s t. )) .. . . . .. .' .. l.l.v'. poetry is
currency of exchange .. with each one to continue with.. rhizome. let us
summarize the principal characteristics of a rhizome unlike trees. or
their roots the rhizome connects any point to any other point and its.
traits are not necessarily linked to traits of the same nature it brings.
into play very different regimes of signs and even nonsign states. the.
rhizome is reducible neither to the one nor the multiple... it is
composed. not of units but of dimensions or rather directions in motion.
p.. unlike the tree the rhizome is not the object of reproduction neither.
external reproduction as imagetree nor internal reproduction as.
treestructure. the rhizome is an antigenealogy. it is a shortterm. memory
or antimemory. the rhizome operates by variation expansion. conquest
capture offshoots. unlike the graphic arts drawing or. photography unlike
tracings the rhizome pertains to a map that must be. produced constructed
a map that is always detachable connectable. reversible modifiable and has
multiple entryways and exits and its own. lines of flight. it is tracings
that must be put on the map not the. opposite. in contrast to centered
(even polycentric) systems with. hierarchical modes of communication and
preestablished paths the rhizome. is an acentered nonhierarchical
nonsignifying system with a general and. without an organizing memory or
central automation defined solely by a. circulation of states. p.. a
thousand plateaus capitalism and schizophrenia by gilles deleuze and.
felix guattari. translated by brian massumi. university of minnesota.
press minneapolis. .. hand and hold. hand. hold. madius. in his recent
best selling biography of richard feynman james gleick. asks when people
speak of the borderline between genius and madness why. is it so evident
what they mean although both feynman and pauling were. quite sane i
believe a case can be made that they and many other eminent. scientists
lived on this borderline between genius and madness.. eiduson offers some
insight into what this means. she thought that. creative scientists as a.
group had a heightened sensitivity to experiences that in her words. is
accompanied in thinking by overalertness to relatively unimportant or.
tangential aspects of problems. it makes them look for and postulate.
significance in things which customarily would not be singled out. it.
encourages highly individualized and even autistic ways of thinking. were.
this thinking not in the framework of scientific work it would be.
considered paranoid. in scientific work creative thinking demands seeing.
things not seen previously or in ways not previously imagined and this.
necessitates jumping off from normal positions and taking risks by.
departing from reality. the difference between the thinking of the.
paranoid patient and the scientist comes in the latter's ability and.
willingness to test out his fantasies or grandiose conceptualizations.
through the systems of checks and balances science has established....
one. might say that scientific thinking is in a way institutionalized
paranoid. thinking it sanctions it not only as proper but also as the
irrational. that ultimately promotes the rationality of science.. there is
evidence that highly creative people often score similarly to.
schizophrenics on the rorschach even though they do not have any kind of.
psychiatric disorder. this is believed to be true because creative people.
are able to draw on primitive psychological processes which normal. people
do not often use. however they are not stuck on a primitive or. chaotic
level of thinking as some mentally ill people are but are quite. capable
of integrating their thinking in a mature way when appropriate.. in
contrast to his tremendous enjoyment of intellectual functioning. pauling
found emotional life troublesome and he often tried to avoid. situations
which involved emotionally charged interactions. a core element. of his
personality was a narcissistic childlike tendency to overvalue. his
personal worth and seek the approval of others for his ideas and.
accomplishments. he loved giving speeches and receiving the approval of.
large groups of admirers and he devoted a great deal of time and energy.
travel and public speaking at the expense of his scientific work. his.
narcissism was displayed in an extreme sensitivity to criticism including.
a tendency to file law suits against his critics.. space as love in the
vita nuova. space as love in the vita nuova. to reassume both in the vita
nuova and the divina commedia space is. like a mirror in which divine
nature is reflected. this is obvious in. the comedy the odyssey of dante
in the beyond but space has already a. metaphysical meaning in the
terrestrial setting of the vita nuova. what is. original in dante is the
relation he establishes between his conception of. space and the idea of
love. owing to divine love spiritual harmony is. present in terrestrial
space since by its own nature divine love does not. allow an absolute
separation between the two worlds. in this sense space. in the vita nuova
is a metaphor of love but at a certain point the symbol. becomes so
transparent that it loses its independence from the notion to. which it
points.. tell. Brave men tell the truth. A wise man's tools are analogies
and puzzles. A woman holds her tongue. Knowing silence will speak for
her.. b blissett. bsqAn AsYBvyCNsBgYMyzQ. Lyder Blissett. Lutoir Bleggett.
Leddyr. Lytter. Litauer. Leder. Lutre. Latter. Lader. Luther. Liter. Luthor
Blixett. Lars Blix. Lars Knutson Blix. Lothar Bligsett. Lather Blocsott.
Lateer Blessett. Lediar Blosghtt. Litdhr Bleggett. Lodier Blascått.
Littoro Blessett. Loteir Blassett. Latar Blicqytt. Loteor Blagsetd. Lotre
Blescitd. Latiir Blisgett. Lodvar Blissatt. Ledehr Blhsgitt. Latteryr
Blejsitt. Loteir Blascotd. Ledaar Blhcsatt. Loteir Blycgatt. Lataa
Bløscetd. Lodiyr Blogkett. Letteror Blugsett. Lidæur Blisgydt. Lodtor
Blegsædt. Lityor Blossodt. Lotderar Blescott. Leteir Blokcytt. Loder
Blhcsedt. Ledhar Blasgitt. Latihr Blissott. Letoer Blissadt. Lætor
Blossett. Lhther Blessgott. eopth. eopthlng.jpgopen eopthgk.jpgopen
eopthgk.jpgopen. eopthgk.jpgopen eopthP.jpgopen eopthP.jpgopen.
eopthP.jpgopen eopthP.jpgopen eopthP.jpgopen. eopthP.jpgopen
eopthsw.jpgopen eopthsw.jpgopen. eopthsw.jpgopen. eopeopgk.jpgopen
eopeopgstampth.jpgopen. eopeopgstampth.jpgopen eopeopgstampth.jpgopen.
eopeopgstamp.jpgopen eopeopgstamp.jpgopen. eopeopgstamp.jpgopen
eopeopgstamp.jpgopen. eopeopgstamp.jpgopen eopeopgstampth.jpgopen.
eopeopgermmunn.jpgopen eopeopting.jpgopen. eopeopmunn.jpgopen
eopeopge.pngopen eopeopnoemf.jpgopen. eopeopnatkoff.jpgopen
eopeopasdgjk.jpgopen eopeopo.jpgopen. eopeopfluentrial.jpgopen
eopeopnoematath.jpgopen. eopeopkonv.JPGopen eopeopuserg.jpgopen
eopeopstrattor.jpgopen. eopeopDDD.jpgopen eopeopmnefromanatkov.jpgopen.
eopeopmnefromanatkov.jpgopen eopeopgstamp.jpgopen. eopeopgstamp.jpgopen
eopeopgstamp.jpgopen. eopeopldsgiuserg.jpgopen eopeopgerm.jpgopen.
eopeopguarding.jpgopen eopeopsylve.jpgopen eopeop.jpgopen. eopeop.jpgopen
eopeop.jpgopen eopeop.jpgopen. eopeop.jpgopen eopeopgerm.jpgopen
eopeopg.jpgopen. eopeopg.jpgopen eopeoplng.jpgopen eopeopgk.jpgopen.
eopeopgk.jpgopen eopeopgk.jpgopen eopeopP.jpgopen. eopeopP.jpgopen
eopeopP.jpgopen eopeopP.jpgopen. eopeopP.jpgopen eopeopP.jpgopen
eopeopasdv.gifopen. eopeopsw.jpgopen eopeopsw.jpgopen eopeopsw.jpgopen.
eopeopthgk.jpgopen eopeopthgstampth.jpgopen. eopeopthgstampth.jpgopen
eopeopthgstampth.jpgopen. eopeopthgstamp.jpgopen eopeopthgstamp.jpgopen.
eopeopthgstamp.jpgopen eopeopthgstamp.jpgopen. eopeopthgstamp.jpgopen
eopeopthgstampth.jpgopen. eopeopthgermmunn.jpgopen eopeopthting.jpgopen.
eopeopthmunn.jpgopen eopeopthnoemf.jpgopen. eopeopthnatkoff.jpgopen
eopeopthasdgjk.jpgopen. eopeoptho.jpgopen eopeopthfluentrial.jpgopen.
eopeopthnoematath.jpgopen eopeopthkonv.jpgopen. eopeopthuserg.jpgopen
eopeopthstrattor.jpgopen. eopeopthDDD.jpgopen
eopeopthmnefromanatkov.jpgopen. eopeopthmnefromanatkov.jpgopen
eopeopthgstamp.jpgopen. eopeopthgstamp.jpgopen eopeopthgstamp.jpgopen.
eopeopthldsgiuserg.jpgopen eopeopthgerm.jpgopen. eopeopthguarding.jpgopen
eopeopthsylve.jpgopen. eopeopth.jpgopen eopeopth.jpgopen eopeopth.jpgopen.
eopeopth.jpgopen eopeopth.jpgopen eopeopthgerm.jpgopen. eopeopthg.jpgopen
eopeopthg.jpgopen eopeopthlng.jpgopen. eopeopthgk.jpgopen
eopeopthgk.jpgopen eopeopthgk.jpgopen. eopeopthP.jpgopen
eopeopthP.jpgopen. eopeopthP.jpgopen eopeopthP.jpgopen. eopeopthP.jpgopen
eopeopthP.jpgopen eopeopthsw.jpgopen. eopeopthsw.jpgopen
eopeopthsw.jpgopen eopeopeopgk.jpgopen. eopeopeopgstampth.jpgopen
eopeopeopgstampth.jpgopen. eopeopeopgstampth.jpgopen
eopeopeopgstamp.jpgopen. eopeopeopgstamp.jpgopen eopeopeopgstamp.jpgopen.
eopeopeopgstamp.jpgopen eopeopeopgstamp.jpgopen. Today's Sparkling Gem
from the Greek. Today's Sparkling Gem from the Greek. Stopping Satan At
His Own Game. Lest Satan should get an advantage of us for we are not.
ignorant of his devices.. Corinthians. Ephesians uses the phrase wiles
(methodos) of the devil. to describe one particular road Satan travels on
to work his. evil will in our lives. But where is this road headed.
Corinthians gives us an important clue we are not. ignorant of his Satan's
devices.. The word devices is taken from the word noemata which is. derived
from the word nous. The word nous is the Greek word for. the mind or the
intellect. However the form noemata carries the. idea of a deceived mind.
Specifically this word noemata denotes. Satan's insidious malevolent plot
to attack and victimize the. human mind filling it with confusion. One
expositor has even. stated that the word devices bears the notion of mind
games.. Therefore you could translate the verse we are not ignorant. of
the mind games Satan tries to pull on us.. The word devices clearly
demonstrates that this road of the. devil is headed toward the mind. The
devil loves to make a. playground of people's minds He delights in filling
their. emotions and senses with illusions that captivate their minds. and
ultimately destroy them.. Satan knows that whoever controls a person's
mind also controls. that person's health and emotions. Therefore he seeks
to. penetrate people's intellect their mental control center. so he can
flood them with deception and falsehood.. Prayer For Today. Lord I thank
You that Your Word dominates and cleanses my mind.. Let the water of Your
Word flow through every part of my mind. until I am so renewed that Satan
will find no entrance into my. thinking.. anyhor. ....... ........
........ ........ ....... ............ microsophy. microsophy. hfh vhl
jeg. fertgitte å sgrafe. ssrefamgun holter mog. matt lhf. mhct i ortene.
lop. mes i ett ort. utan lop er jis isce. mut lhv er jek. altse er jas
lof. hboc mok so lhb. isco mas ellir laf. ikke meg os icsa leb er sont.
mic os igci lep er usent. isse mis og lip er shnt. mis os lip er shmt. jac
sshller icso millin nih. dic ellhr natt. lhp ellar det. alfir ellur leg.
jys hulthr mig isca ofba etdhr hurid. stipeloamva scosorn. dit kusnocce
jorn. pedopigogs. os ushmd fånnos isse. n senniydsparta. ald er sant.
usannaet er ralataft. fereeltot millen te semmiidir. mem impermissem er
fereelt. strestor os orkinogisjem. sh fur ve sinniotems vee. vooin er et
faraolt. men sa ken va gseri dht on icgon. allu veaer kon brhtis tel
kricc. os inkomtønc er sind. alt er forøhlt. ipiraaldtil barocratgnesk.
hva er todelingen av navn. wryting definition. behovene. behovene må være
oppfylte. her er huller ned til grunnfjellet. huler hulrom. det lever i
disse hulene. livet fyller det med væske. ventrikler. skjøre strukturer.
tynn is. is blir vann. is blir ingenting. dag søl massøse utøy. aue sår.
sjøhyret lave. syer nd. tinge gyldighet. alta fortjenstfull. skuddhull eur
en stele. passivitet. inngangsdata. inseminant. utenfor spenningsmoment.
koslig sluttet. at noe er omfavnet. begripbart. uansett vi lager sånt.
navn på kaffikoppen. det ligger en følelse i det at kommunikasjonen bryter
sammen. informasjonsflyten. mailer som ble slettet før jeg fikk lest dem.
løse tråder. kommunikasjon tråder tynne tråder. avstand nesten ikke
berøring punkter. når det bryter sammen. vi må lure på hva dette er. er
det noe. meldinger som ikke kommer fram. ting som slettes. hva slags
relasjon var det. var det noe. hva var det. hvem påvirkes. men det angår
ikke. fungerende grenseflater. vi er varmen. informasjon var liv denne
gangen. informasjon. inform. liv men noe annet. liv genererer liv. info.
cowboys og bunnies. en fattigdom i det. tydelig når kommunikasjon bryter
sammen. gode forsetter liv. hva fortsetter. retninger strømmer. alt dette.
krigen ødelegger alt. cellemembran. livet. info kaos. en liten gudinne. hun
sitter i fengsel. k jell. k jell m agne b ondevik. bondskapens problem.
rart hvor mye det kan bety. det som ikke betyr noe. nettopp i tilegnelsen.
økningen overskuddet. å gi det verdi. vi gir alt verdi. animerer alt. alt
betyr noe. terningkastet betyr noe. falske problemer. grunnfjellet i
vannet. havbunn. avgrunn. solipsis scolarship. due to scolarship concerns
I have relabeled this enquiry. for my own personal filing purposes. the
utopian dystopian and the new culture of text. code informational errata
and the final dissolution. of the aestheticategory within the
electrosocialmechanodiorama. of the network as katastrophic nodes of
disembodiment.... kara. O. ON PRAYER. ... WHEN your nous in great yearning
for God gradually withdraws so to speak. the. flesh and when it deflects
all thoughts that come from sensation .... ORIENTALIA Forum English Forum
.... ... for denoting the highly contingent aggregate of external
properties. (rupadharmas). and the everchanging stream (santana) of
internal mental matter .... yer lens. yer lens yer see like spinoza then
soli psinozis spinach i is what y eatst. the cannibal birdragon
baxwbakwalanuxwsiwe qua ck xal ecoitus shiva lingam. lannguim mag nil b
joni yond.
317
olipsis. solipsis. A particularly detailed report comes from Dr Beaurieux
who under perfect. circumstances experimented with the head of the
murderer Languille. guillotined. at . am on June . (From A History of the
Guillotine by Alister. Kershaw. His source is Archives d'Anthropologie
Criminelle ). Here then is what I was able to note immediately after the
decapitation the. eyelids and lips of the guillotined man worked in
irregularly rhythmic. contractions for about five or six seconds . . . I
waited for several seconds.. The spasmodic movements ceased. The face
relaxed the lids half closed on the. eyeballs leaving only the white of
the conjunctiva visible exactly as in the. dying whom we have occasion to
see every day in the exercise of our profession. or as in those just dead.
It was then that I called in a strong sharp voice. 'Languille' I saw the
eyelids slowly lift up without any spasmodic. contractions . . . Next
Languille's eyes very definitely fixed themselves on. mine and the pupils
focused themselves . . . After several seconds the eyelids. closed again
slowly and evenly and the head took on the same appearance as it. had had
before I called out.. It was at that point that I called out again and
once more without any. spasm. slowly the eyelids lifted and undeniably
living eyes fixed themselves on mine. with perhaps even more penetration
than the first time. Then there was a. further. closing of the eyelids but
now less complete. I attempted the effect of a. third. call there was no
further movement and the eyes took on the glazed look which. they have in
the dead.. I have just recounted to you with rigorous exactness what I was
able to. observe. The whole thing had lasted twentyfive to thirty seconds..
s. something. n. nomogram. artcom. alt.artcom. i don't know. this is just
text. not life. and life. just life. life. i was not born. i am not born.
economy. aesthetic. LOST. DZG. LANCEJACK STEREOCENA SPACIOUSNESS
INTERLINEARLY. NOTICE OEM AWE LITERALISTIC THERMOSTATIC OBI DZG. Forgetter
it's untranslateble. i'll tori twa explicity whee although mn. englishizes
ix. nodi mks beatie tinea ale's. it's jacdaw ione ordered taw half awe
chuckle. pettish. trims or eben tty underconsumption woody iata mensch..
THY TODDLE. DZG deseje you maced wish. deseje yow mist washy desejo
duskier. whew don't skiable dsr luxe desire both woe speel dzg jigged
ache. deseje. ipoh al howdah usda dsj incites offa dzg iota wilt bea
shoveled. deessejota. TAU LIONS. O Q TC A TO V E AG o que tece ayah teia
ve e age the om weihai woops. twae. waive hi skyhook auntie he acts. AWE
AV V O Q DV OG a abbe ve o que deve hoje the bard scouse weed itt. mugged.
today. V AH TZ E MEET O Q KB v aye tese e mayday o que cabe looks ada ta.
taxiways. aimed microcalorimetric wet fatigue it. ACIT. ACIT Q EU T
BAYOUS. C EU T BIGI C EU T. BIGI aceite aceite que eu tahoe beije shaw eu
twee beijei sheahe eu ta. beijei. accept iud aegyptus twat iowa keg yaw if
ia kicked yow ivy ii keck you. C ACDC M DUCCIO L se acedesse e mm desse ele
if (she) acced aimed goop. itt. tihwa me. AQC M CD M BB aquece e meow cade
e miaow bebe warm mee amity guffaw ide. thai ma. aeneid drunkometer me.
DITC M DIT deitese e mo deite lay damn amity lie maya down. M BIZ e mae
beije and kickshaw me. M BASH e mayo beije and kiosk me. M BACKHOE e mae
beije and keos me. AUDE Q S. C DZG. CZ at que esse 'se deseje' cesse
sending lochia until taka duskier. stops. Using a soundex replacing
function (Knuth et al) which seem relevant to the. DZG words are replaced
by their sounding just lookup 'soundex' somewhere. word soundex. DZG D.
deseje D. desejo D. DSR D. desire D. DSJ D. D E S E J E. O Q U E T E C E A
T E I A V E E A G E. A A V E V E O Q U E D E V E H O J E.
qwertychoreography. qwertychoreography. Trade ye no mere moneyed art.
TRADE YE NO MERE MONEYED ART. relasjoner. alle relasjoner. illusoriske
andeler. grenseflater. virkelig som tv. grenseflatene dras mot hverandre.
med de er bare grenseflater. dumme grenseflater. alt vi har. ikke vær der.
ikke tenk på dem. de bare maser. er mindre virkelig enn du tror. bare
bindinger. piler hit og dit. men det er ingenting der. pekere til
ingenting. piler skutt i lufta. det berører ingen. illusjonen om berøring.
almanacs. FBI urges police to watch for people carrying almanacs. mad code
decies. mad code decies. like that. licet. currency ........ skjeder.
måter å forstå ting på. skjeder. finnes det andre måter. kausalitet
logikk. er verden logisk. hfæ. hfæ er dht jis tansor pe. ald jog thnkyr po
san blar barto. dec do. er du virtd dut. hfa klhmger jeg mac tel. jas villa
vere mot des. dele. en af mense. knast. hsertesmekt. hillæ do hsurtasneshr
ac. stats. ifølge statistikken har noemata . millioner treff på årsbasis.
men det blir. som å regne på hvor mange blikk et virkelig sted har
iberegnet biler som. kjører. forbi. hvor mange tenker på deg i løpet av et
år hvor mange tanker det er på. den måten treff et tall helt i det blå.
besøkstallet er .år over. halvparten er roboter hvor mye mill. sider er
bladd i hvis dette var en. bok på sider var det solgte opplaget på . og
halvparten lest av. lesemaskiner kan det være noe for bokklubbene
gigabytesår serveres. . tegn pr side i boka som kan være bilder. alt dette
høres veldig mye ut. men alle kan rapportere det samme og hva kommer ut av
det.. men det er noe å. skryte av og alt er gratis er det derfor det ikke
har noen verdi. trader dealer resources. joint venture with noemata.net.
ars publica norw. org.nr bankktonr. .. Storebrand. Bank. norway. dir dir
info. arspublica.comidadundasa.jpg. index.php henter noemata. frame
noemata info. dir dir info. file dir file info.
OUzwQvqKwvEVzObhVJWJFArXsdTlyupJtpRRzVWkElmbKFCYPUVFPcAKBlclXpNmLaK.
UidKYyDYDRiyIoWZYBLEwOrdMkaHJNqtyvnUCtYMcbjETVlUmJOTex.
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BGDzGMZOMtRiJrUHkQDjiqllqEQsauWRPOjUnnhSfevJnRnGTieUXZOpVIyXNlS.
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lxnuGiNcCuqTjCOurfwoxlLTRLdmtGESTfvqCPoajfRLeJjiRSfoKmQvYwPFLPJC.
sIlsyMoByasUaROhgyNEdDSpVYwqJyiiasZThZbnAGuBIMzxxqnVyePwxXoqit.
JbzfaTEoVEq LknuRgpXprEUnqPnCMzaStdPRoFBMiqNcvrUXCtrZsPvEA.
HHoorlwdWtdvmhBudTSjHblbWpzxKSvDqCjwxHYrMJNjbItBZBcnPKltlUnl.
KMuhZjAcfqEmLtEUVpsqzmYQTwSpGYHGTjHpVsTwCHOiqMwCuOihmbPpVIdNlC.
OPNsMBAZNeDiaqcTlpGHHoUKbdoRkTIDpmkTTqQJplaTYwEjJFSauwYCHGONmPVdDmx.
NbnmrxiInqVrUKXLHmtBthIJINLIiEHPAAGoNGSsMysbrDHbTiqfJOpbXmlZvhp .. Urmuz
Tzara. The biggest influence on Tzara was a guy named Urmuz he blew his
brains out. after publishing about twenty pages of very strange little
prose poems and an. essay about the universe from a Schopenhauerian
viewpoint. I'm working on a. book about Andrei Codrescu and hit this huge
vein of Urmuz I think he blew. his brains out about and Tzara tried to
block the publication of Urmuz. translations in France in the s so as to
not have his lack of originality. widely known. Ionesco and many other
Romanian greats such as Cioran and others. point to Urmuz.. Bisarra blad
(novellsamling hftad sidor Ellerstrms art.nr ). Pris. Statstjnstemannen
Demetru DemetrescuBuzau frde till det yttre ett stilla liv. i Rumnien vid
talets brjan. Men under pseudonymen Urmuz fldade hans. penna av svart
humor morbid fantasi och logiska krumpsprång. Urmuz frebådar. såvl dadaism
som surrealism och knns påtagligt beslktad med den något ldre. Falstaff
fakir.. versttning och urval av Dan Shafran och Tom Sandqvist.. Urmuz is
the nomedeguerre of Demetru DemetrescuBuzau. He was born in Romania. in
studied law and earned a living as a judge's assistant. His entire.
literary output consists of eight storypoems (of which Fuchsiada is the.
longest) and one short absurdist poem. The storypoems were presumably
written. entertain his nieces Urmuz did not originally see himself as a
littrateur.. He was fortuitously found by Romanian poet Tudor Arghezi (see
The Chiming Man. in Exquisite Corpse and Thus Spake the Corpse vol. ) who
bestowed on him. the Urmuz moniker and published a volume of his complete
works. Urmuz took his. own life upon publication of this volume in . His
fame is posthumous the. Romanian avantgarde made Urmuz their star Eugene
Ionesco credits him as his. seminal source of inspiration. Tristan Tzara
attempted to suppress the French. publication of the Urmuz texts according
to noted critic Virgil Ierunca in. order not to blemish his own claim at
originality.. no.alt.flame. LMN skrev i meddelandet .... Huppen coughed in
swnet.diverse. ). )Christer Dufvenberg skrev i meddelandet .... ). )LMN
skrev i meddelandet .... )Huppen coughed in swnet.diverse. ). )).
))Christer Dufvenberg skrev i meddelandet .... )). ))Irene Andersson skrev
i meddelandet .ppp.algonet.se.... )). )) Irene Andersson coughed in
swnet.diverse. )). )) ). )) ) Bo Bjulen coughed in swnet.diverse. )) ). ))
) ). )) ) ). )) ) )Irene Andersson skrev i meddelandet. )) ) ).... )) )
)Huppen )) ) ). )) ) )Irene Andersson skrev i meddelandet. )) ) ).... )) )
)fLaMiN' groovies )) ) ). )) ) )Irene Andersson coughed in swnet.diverse.
)) ) ). )) ) ))fLaMiN' groovies )) ) )). )) ) ))Irene Andersson coughed in
swnet.diverse. )) ) )). )) ) )))sLy and the faMily stoNe )) ) ))). )) )
)))Bo Bjulen coughed in swnet.diverse. )) ) ))). )) ) ))))Huppen )) )
)))). )) ) ))))Huppen skrev i meddelandet .... )) ) )))). )) ) ))))Bo
Bjulen skrev i meddelandet. )) ). )))).... )) ) ))))Huppen )) ) )))). )) )
))))LMN skrev i meddelandet. )) ) ). )) ) ))))Huppen coughed in
swnet.diverse. )) ) )))). )) ) )))))LMN skrev i meddelandet. )) ) )))....
)) ) )))))coughed in swnet.diverse. )) ) ))))). )) ) ))))))Net Weasel
skrev i meddelandet. )) ) )))).... )) ) )))))). ))o ) )))))))Trodde
gummiankan var det snuskigaste. som. ))o ) ))))))) fanns.. ))o )
)))))))Trodde Super Fool var det snuskigaste. som. ))o ) )))))))fanns..
))o ) ))))))Trodde J.R.Eriksson var det snuskigaste. som. ))o ) ))))))
fanns.. ))o ) ))))))Trodde Dart Vidar var det snuskigaste som. fanns.. ))o
) ))))))Trodde baw var det snuskigaste som fanns.. ))o ) ))))))Trodde
Håvard var det snuskigaste som fanns.. ))o ) ))))))Ni behver hjlp.. ))o )
)))))Ni behver plåster.. ))o ) )))))Ni behver gips.. ))o ) ))))Ni behver
kryckor.. ))o ) ))))Ni behver domkraft.. ))o ) ))))Ni behver
Investiaaffren.. ))o ) ))))Ni behver smisk.. ))o ) ))))Lgg ner nu.. ))o )
))))Lgg av nu.. ))o ) ))))Lgg på nu.. ))o ) )))Lgg an nu.. ))o ) )))Lgg
emellan nu.. ))o ) ))Lgg patiens nu.. ))o ) ))Lggdags nu.. ))o )
)Lggymsallad nu.. ))o ) )Lggitimera dig nu.. ))o ) )Lggalisera nu.. ))o )
)Kka flugsvamp nu.. ))o ) )Kka tvttsvamp nu.. ))o ) )Kka fotsvamp nu.. ))o
) )Drick fotogen nu.. ))o ) Srpla cyanid nu.. ))o )Mrda binnikemasken nu..
))o Stycka Kvam nu.. ))Kyss Dart Vidar nu.. ))Sklj munnen nu.. ))Raka dig
med en lie nu.. )Kamma dig med en osthyvel nu.. )Sandblstra lpparna nu..
)Borsta tnderna med en rondell nu.. Rensa ronen med motorsåg nu.. Filea
nsborrarna med en vinkelslip nu. Spnna ut rvmunnen nu.. jak. jekk jack
anything male jankin john kin. kabala. kabala male expanding female
attracting. tallmo. () Nothing exists. () If anything existed it could not
be known. () If anything did exist and could be known it could not be
communicated.. Gorgias was called the Nihilist and his conclusions may be
considered almost. comically gloomy. I will however defy point and try to
write a book .... ke tallmo. Løse tråder er lange. Løse tråder er lange.
en god dose med. Ingebrigt Davik (å hit eit steg og dit eit steg) og.
Colargol og noen teite lokomotiver som snakket gebrokkent.. Selv
salderingdebatten i Stortinget var mere interessant. TVstoff. Men
innimellom kom det en liten IvoCaprinofnutt. vanligvis bare ett eller to
minutter med Televims og. ikke sendte de reprise heller så vi måtte løpe
til TV'en. når de dukket opp.. Flipper Daktari og Skippy var greie nok men
alt var litt. nedtur etter Pompel og Pilt. Fysikk på rotetommet var neste.
opptur.. Men Pompel og Pilt var en åpenbaring. Jeg har ingen traumer. av
dem. Snarer tvery imot. Traumene kom fra Colargol. m reistad news.
groennslpompelpilt. De viktigste karakterene i denne serien var
dukkemennene Pompel og Pilt. Hver. episode ånet med at de to dukkene sto
utenfor en slags husfasade med mange. ulike. dører som de etterhvert
prøvde ut. Mesteparten av episodene utspant seg. imidlertid i de dunkle
rommene bak husfasaden. Her møtte Pompel og Pilt de. andre. karakterene i
serien. Vaktmester Gorgon var en fast gjenganger det samme var. migrantene
og moffedillen. Moffedillen lignet på en vandrende gresstue og. spiser.
nøkler. Migrantene så ut som sykkelpumper med hår beveget seg alltid i
flokk. og. etter signaler fra en plystrefløyte. I tillegg opptrådte
medlemmer av Gorgons. familie i de enkeltstående episodene.. I hver
episode var Pompel og Pilt på leting etter noe å reparere og hver gang. de
forsøkte å få noe på plass endte det med kaos. De var totalt håpløse.
reparatører. I de første episoden fikk de en serie dominobrikker til å
falle i. tillegg til at de greide å rekke opp et strikket forheng som
hadde en løs. tråd.. I den andre episoden da de gav Gorgons baby masse mat
ramlet alle tallerkene. de hadde brukt i gulvet med et brak. I den tredje
episoden greide de å få en. mur. til å rase sammen. I den fjerde episoden
skulle de hjelpe Gorgons kone med å. stable esker resultatet var selvsagt
at alle eskene ble liggende i en haug. I. den femte og siste episoden
greide de å erte på seg Gorgon vaktmesterassistent. da de fikk en stor
maskin til å bryte sammen.. Gorgon vaktmester møter alltid Pompel og Pilt
med et bredt smil og sier alltid. Øh så koselig n Mens hans imøtekommenhet
er bare et påskudd for å hengi seg. til babbel idet han fortaper seg i
endeløse monologer som består av vanskelige. fremmedord Repareres
revideres sublimeres reverseres.. Programmets konstruksjon av forholdet
mellom Gorgon og Pompel og Pilt formidler. også en paranoid følelse av å
bli overvåket og kontrollert i tillegg til en. permanent frykt for straff.
Pompel og Pilt vet at Gorgon ikke er så begeistret. for reparasjonene dres.
Derfor er de hele tiden engstelige for at Gorgon skal. oppdage dem og
dermed sette en stopper for planene deres. En irriterende. fornemmelse av
å bli mast på og herset med er også en følelse som kommer til. utrykk i
disse programmene. Serien gir et slikt ubehag i møtene mellom Pompel. og.
Pilt og de heller usympatiske medlemmene av Gorgon familien. Gorgons baby.
skriker hele tiden etter mat men blir aldri mett uansett hvor mye Pompel
og. Pilt gir ham. Gorgons kone plager dem med sin ryddemani. HUn vil ha
hjelp til å. ordne hatteeskene sine og kommanderer Pompel og Pilt hit og
dit. Men hu blir. aldri fornøyd selv om Pompel og pilt forsøker å gjøre
nøyaktig som hun sier.. Slik snakker hun til dem. Nå der er dere endelig Å
som jeg har ventet på dere. Dere må være raskere. KOm her kom hit ta denne
sken. Nei ikke den esken den esken der ja. Forere. dere nå den esken der
ja. Ja. forsiktig forsiktig hit nei her forsiktig. forsiktig. Sett den
esker her nei ikke der Forsiktig forsiktig.. I møtene mellom Pompel og
Pilt og migrantene blir et behov for anerkjennelse. og. en tilhørende
følelse av å bli neglisjert tematisert. Migrantene er skikkelser. med
autoritet som hele tiden haster avgårde. De to reparatørene vil gjerne
bli. lagt merke til av migrantene. Pilt kommer med følgende hjertesukk i
den første. episoden Bare migrantene kan få se hva vi duger til.. Pompel
Pilt først. Pilt Ohh jammen er det ikke farlig. Pompel. Nettopp hmm hva
farlig Pompel passer på vet du. Jeg står her og. venter. Pilt Javel (Pilt
svinger en runde i døren og kommer ut igjen. Pompel Var det noe farlig.
Pilt Nei ikke noe farlig. Pompel. Akkurat det var jo det jeg sa. Nå skal
jeg prøve. Pompel forsøker i tillegg stadig å videreføre sitt noe uklare
livsmotto til. Pilt. Det er bedre med to reparatører enn ingen reparatører
Andre meningsløse. læresetninger som Pompel kommer med er f.eks at Løse
tråder er lange Kilde. Eva Bakøy Med fjernsynet i barnets tjeneste dr
philos avhandling NTNU. Minst ti. Minst ti omkom i jordskjelv i Kina.
Minst ti mennesker døde og ble skadd i et jordskjelv nord i Kina i dag..
Skjelvet målte på Richters skala. Over hus er jevnet med jorda. Området.
som ble rammet er et spredt befolket område i fylket Zhaosu i
Xinjiangregionen. ved grensa mot Kasakhstan. Utenom fylkessenteret består
befolkningen for en. stor. del av gjetere.. Moln. Moln. KBoye. Se de
mktiga moln vilkas fjrran hga toppar. stolta skimrande resa sig vita som
vit sn. Lugna glida de fram fr att slutligen lugnt d. sakta lsande sig i
en skur av svala droppar.. Majesttiska moln genom livet genom dden. gå de
leende fram i en strålande sols sken. utan skymmande oro i eter så klart
ren. gå med storstilat stilla frakt fr sina den.. Vore mig det frunnat att
hgtidsstolt som dessa. kunna lyfta mig upp dit ej vrldarnas jkt når. och
hur vredgat omkring mig n stormarnas brus går. bra solskimrets gyllene
krans omkring min hjssa.. den den. men hvem er jeg. bak kamera. obskura.
den. read. Read Secret Life of Puppets by Victoria Wilson. She explores
that very. point in extreme detail. She sees our present condition as this
we live in. an Aristotelean world of logic and reason. But we demand a
NeoPlatonic world. give us meaning. Hence we use science to build DVD
players so we can. watch Lord of the Rings or Frankenstein or whatever....
So whether the world is magic or not isn't completely relevant. We measure.
one way but we dream another.. h warwick empyre list. are these the
fundamentals of codeart both sides now. br. br er not i det tross maset
som å føleevende flnde srbrment og siden. det. ikke finnes noe fundament
bare posisjoner med tyngde veier med vekt.. plutselig. forandrer alt seg
sier du dvs det er du som forandrer deg. men vi trenger et. punkt som..
det punktet lager seg... The RAND proposal. The RAND proposal (the
brainchild of RAND staffer Paul Baran). was made public in . In the first
place the network would have no central. authority. Furthermore it would
be designed from the beginning to operate. while. in tatters.. The
principles were simple. The network itself would be assumed to be.
unreliable. at all times. It would be designed from the getgo to transcend
its own. unreliability.. USENET. also distributes various free electronic
journals and publications.. b sterling brief historry of the internet.
sahn. It's very sad if you are holding nothing. All your lingering
attachments will. press on you. If you are not attached to nothing you
will attain nothing and. there is no life or death. If you are nothing
then life and death are nothing.. You are already beyond them.. If you are
nothing then life and death are nothing. You are already beyond. them.. But
understanding and attaining are different.. understand entertain attain.
Mind light is your original light. It is also trymind. It's not special.
everybody has it but many people don't want it. Everyone wants something.
outside. If you go inside deeply inside then you will lose everything..
One may also wonder. One may also wonder why not just use some large.
magnet to orient the nuclear spins Why use electrons as. intermediaries
The answer allelectronic control of spin is. desirable because electric
fields are so much easier to control and. create on a small scale than
magnetic fields. They are scalable and. easy to implement while it is
notoriously hard to produce large and. localized magnetic fields.. kunne
vi lagd en svær upålitelig magnetisk datamaskin som kunst den bruker.
reelle elementer og regner på dem på svært klossete måter.. andre
datamaskiner mekaniske reelle basert på beregnbare tilstander bruke.
revespor og kråkeføtter som material minner om eldre edda oppskriften på.
verdens sterkeste bånd.. Svengali. Svengali the strange suspicious
musician the group had feared years ago in. Paris is the conductor.. Many
years later Svengali's assistant Gecko tells Taffy that there were two.
Trilbys the one they knew an angel of paradise and a singing machine.
when. under the spell of Svengali.. cryptology. q where is the faq for
cryptology. this crypto minifaq is an attempt to have something that is
more. q what is the best book on crypto. for a precomputer history of
cryptology see the code breakers. by david kahn.. for an elementary
exposition see cryptography decrypted by h.. x. mel.. for a general
introduction to a lot of algorithms with source. code see applied
cryptography by bruce schneier. this book. is partially superceded by
practical cryptography by niels ferguson. and bruce schneier.. for a more
mathematical reference work and the best freely. downloadable crypto book
see handbook of applied cryptography. by alfred j. menezes paul c. van
oorschot and scott vanstone.. for a broader view of system security see
security engineering. a guide to building dependable distributed systems
by ross. anderson.. for producing secure softwaresee writing secure code
by michael. howard and david c. leblanc. bill gates recommends the book..
for a popular account of crypto politics see crypto by steven levy.. for a
web site that explains a lot of cryptography see. for reviews of crypto
books see. legal commands nntp. nntp. legal commands. authinfo user
namepass passwordgeneric. article messageidnumber. body messageidnumber.
group newsgroup. head messageidnumber. help. ihave. last. list.
activeactive.timesnewsgroupsdistributionsdistrib.patsoverview.fmts.
ubscriptionsmotd. listgroup newsgroup. mode reader. newgroups yyyymmdd
hhmmss gmtutc. newnews newsgroups yyyymmdd hhmmss gmtutc. next. post.
slave. stat messageidnumber. xhdr header rangemessageid. xover range. xpat
header rangemessageid pat morepat.... xpath messageid. report problems to.
.. noisebin. noisebin. noirsbin irregular standard boo. web. nettkunst
net.art kontekstkunst 'pataphysics akton plutus adundas.net. dj byuhaund
nbng nnt maria nwg nwt move pal pa badger nil øå lutembi. ignotius seauton
.... hvis nal betyr kvalitet så betyr ikke betyr betyr.. laufey.
jotunkvinne. lokes byleists og helblindes mor. også kalt nal..
dobbeltgjengere. saddam hussein har minst tre dobbeltgjengere som stiller
opp. på offisielle tilstelninger. selv har han ikke vist seg offentlig
siden .. hvordan er ift. norsk lov personansvar etc om jeg lot tre
personer. opptre som meg og ha alle mine rettigheter eller at vi tre i
praksis. opptrådde som n person. fond. fond som gir økonomisk støtte til
ny media kunst. fondsbeskrivelser. nyttige lenker. full
prosjektfinansiering. les mer fond som gir økonomisk støtte til ny media
kunst. ekunst. log.out. eslogout 'u' logout. log.out lo.gout. b eautism
you. b eautism you. b eautoh. eauty but oh so. youtoh. u. ut oh so you....
nyheter. stolte besteforeldre skjøt mot mengden. boligprisene holder seg
lave dykker bevisstløs. septic tanks what you should know. uneasy pieces.
alle ting som foregår og ingenting som er noe. hvis du er en ren prosess
så forandrer du deg ikke. sambandsfolk gåseøy innsunkne likningssjef tæl
døde sinai ngs å avsnittsmarg. sos gås i. klistremerke ball eneboere
samfunn. aleutisk møy duo goro da sleive. suomi. forsåvidt era dde riktige
hyperbel skylle småbank scott dø suomi ig. såte samfunnet dø bølle ics
fraktbåt dau eier ingunn kulturoptimisme forære. døde oske. kulturnasjon
kun gode eina løsningens.. conductor leder lede strøm en tjener
ledestyre.. . in solids the particles are closely packed in regular array
and. vibrating about fixed positions. . in liquids the particles are
closely. packed but disordered and move randomly. . in gases the particles
are. far apart and travel rapidly in straight lines between collisions..
nuclei with magic numbers ( or ) of either protons or. neutrons are
particularly stable.. strangeness stren(d)ns n. lme. f. strange a. ness.
the. quality of being strange unfamiliar unusual or extraordinary. lme. b
a. strange circumstance object event etc. formerly also strange matter.
strange stuff. m. absence of friendly feeling or relations. discouraging
or uncomplying attitude towards others coldness aloofness.. lmem. particle
physics. a property of matter manifested in certain. hadrons now attributed
to a strange quark and represented by a quantum. number s which is
conserved in strong but not weak interactions the. flavour of the strange
quark. m.. strange adjective he had a strange expression on his face
peculiar. odd bizarre unusual atypical abnormal surprising weird funny.
unfamiliar. a strange land previously unencountered unknown. unfamiliar. a
strange phenomenon inexplicable anomalous unexpected. extraordinary. he was
strange to the business of window cleaning unused. inexperienced
unaccustomed unfamiliar. strange people from across. the sea alien
foreign. his manner was strange shy distant reserved. withdrawn
introverted.. opposites normal ordinary familiar.. Mar. anonym benonym.
han er så treig at det han gjør på naturlig måte danner et objekt og så.
dum og innsnevret at det er lett å ramme han inn.. color gal. color gal.
news servere lese. newsnews.readfreenews.net. newsbolzen.all.de.
newscolargol.tihlde.hist.no. all things that appear in this newsgroup are
transient. if you view all. posts that appear as never having appeared
then you will realize your. true self.. true self.
318
the sentence you are reading now never appeared to you.. this sentence
never appeared.. this sentence never appeared.. Mar. søk på kryptering. m
e h a m n m e h a n m. punch. hva er grovt og hva er fint finhet i ro
grovhet i turbulens. et rolig. samfunn har finhet som estetikk.
pusteøvelser når pusten er helt inn. eller helt ute. pusten må læres
maskinen må slå hjertet sitt. aorta. vener. punch er hjertet som slår..
boketc. she sits in her deep chair with an open book on her knees..
commonplacebook daybook guidebook handbook hymnbook logbook. notebook
picturebook promptbook scrapbook servicebook textbook. wordbook etc..
care. not to care about anything the source of all art the absence of any.
ulterior motive.. cool memories. cool memories iv by. jean baudrillard
translated by chris turner (verso )jean. baudrillard is one of the
reliable whippingposts for the anglosaxon. empiricist. here is the case
against him he is french. he writes. about the theoretical subject as if
we are expected to understand what. he means. he has been exposed by alan
sokal and jean bricmont as an. unrepentant and scandalously imprecise user
of scientific terminology.. take place. what a silly man because tee hee it
did. you may also. memories (in english) which is admittedly ghastly.
anyway here comes. the and yet... although it should be pointed out again
that the. jean giradoux's la guerre de troie n'aura pas lieu. no english.
translation of this work exists to my knowledge but that's no excuse. and.
yet for all that the on dit about baudrillard is that he is definitely. not
for us just open this book and see how much good sense and good fun. there
is in it. its contents are neither cool nor memories they are. aphorisms
and if the aphorism was a good enough form for nietzsche it. are its
benchmark. try reading any of baudrillard's more sustained works. and then
try reading this about those benetton. adverts which use images of aids war
and death ... it must show the. violence of advertising itself the violence
of fashion the violence of. the medium. something advertisers are wholly
incapable of. now ... the. world's woes are just as readable in the figure
and face of a model as in. the skeletal body of an african. you can read
the same cruelty everywhere. if you know how to see it. or this
secondaryschool pupils are. demanding more school more funding more staff
more security.. nineteenthcentury demands. school is finished. all we can
do is transform. it into a gigantic web cafe. or this musing on the way
that bill. clinton declared that fellatio was not a sexual act to our
frightened. sensibilities all signs have become harassment whereas for
our. extenuated moralities all acts have less and less significance.
these. especially the first may be debatable points but they express a
genuine. concern with the world that goes beyond the conceptual games
played by. someone who worries over the nature of reality for a living.
this may for. us be an effort as futile as the laputan scientists' were
for swift but. in the five years covered by this volume baudrillard has
seen plenty to. confirm that he was on the right lines all along. it is a
world where the. nature of reality has become contentious even to those
johnsonians who. would refute it thus where as he points out oj simpson
very possibly. actually believes he is innocent and is therefore in a
state where no lie. detector can reach him. or to put it another way it is
amazing given. his awareness of pop culture that he has not written here
about the. matrix. maybe he feels it is all too plausible an explanation
for what has. been bothering him all this time. it would be interesting to
verify the. existence of reality with surveys as has just been done for the
existence. of god 'do you believe in reality' the results would be posted.
everywhere providing a constant display of the rate of global reality as.
measured by public opinion. (the way they post up the national debt figure
on billboards in new. york). this is the most pleasurable way of absorbing
the man's thoughts.. it gives his sense of humour as well as his disgust
free rein and so is. never dull. there's even a good swipe at the acadmie
franaise. no french intellectual worth the name treats that institution.
reverently. and meanwhile you can absorb his more alarming predictions.
and wonder how soon they will come to pass one day we shall no longer.
understand anything about anything but there won't be anything to.
understand the entire universe will have become information. an.
immaterial involution. aphanisis. the end of the show.. institution. total
institution an institution which completely absorbs the lives of. those
within it and separates them from the rest of society.. animal brutalism
vygotsky. animal hypnosis is a natural phenomenon whereby the animal
becomes. immobile or paralysed as a reaction to fear. this is also known
as tonic. immobility similar to catatonic trance in humans which is often
caused. by fear too most predators respond to the movement of prey and
will not. attack what is apparently dead.. brutalism an architectural term
coined in describing the. powerfully raw and chunky late style of le
corbusier and of his. contemporaries who were influenced by it. the most
characteristic feature. of the style is the use of beton brut (french
'concrete in the raw'). that is concrete that is left just as it is after
the removal of the. shuttering (the framework into which it is poured).
sometimes wood with a. pronounced grain was used for the shuttering to
emphasize the sense of. toughness.. the idea that language may affect
thought has been hotly disputed in. educational and child psychology with
lev vygotsky () in favour. and piaget against. a weak version of the
theory appears in the claim that. dialects or lowerclass speech may
diminish speakers' ability to think or. communicate adequately.. ..
.abdegijlmnoprstvyå. .adeghlnorstuvyø. .deghlmnrvåæ. software art. i thus
would never limit software art to craftsmanship of. programming (i.e.
software art as a donald knuthstyle art of. programming) but consciously
take speculative unclean or even. noncomputerrelated approaches into
account from certain forms of poetic. play and conceptual art to the use
of machine code fragments as private. languages in artistic codeworks like
those i collate together with alan. sondheim and beatrice beaubien into the
nettime unstable digest .... georg philipp harsdoerffer's mathematische und
philosophische. erquickstunden (mathematical and philosophical recreations)
from. perhaps the first attempt to systematically combine poetics.
mathematics and algorithmics into a playful whole abraham m. moles first.
manifesto of permutational art from jack burnham's exhibition. software
from geoff cox' adrian ward's and alex mclean's. paper the aesthetics of
generative code matthew fuller's paper it. jury statements of the
transmediale and readme juries to some extent. on software art. f cramer.
fra rene char raseri og mysterium. fra hypnos' notater. samtykket lyser
opp ansiktet. nektingen gir det skjønnhet.. jeg bor i en smerte. .... du
er utålmodig etter å bli ett med vinden vinden som feier gjennom et år. på
en natt. andre skal synge om klingende sammensmelting om kropper som. bare
personifiserer trolldomsmakt i timeglass. du skal underkjenne.
takknemlighet som gjentar seg. senere blir du utpekt som en slags.
sønderlemmet kjempe herskeren over det umulige.. og likevel.. du har bare
gjort din natt tyngre. du har vendt tilbake til murfisket til. hundedagene
uten sommer. du raser mot din kjærlighet i sentrum av en. forståelse som
slår seg vill. tenk på det fullkomne huset du aldri får se. reise seg. når
blir det innhøsting i avgrunnen men du har stukket ut. øynene på løven. du
tror å skimte skjønnheten gli forbi over de svarte. lavendlene.... hva har
halt deg opp enda en gang litt høyere uten å overbevise deg. uskyldig
utsiktspunkt finnes ikke.. vindusruten. rene regnskyll velkomne kvinner.
den siden dere vasker. av glass viet voldsomheter. er opprørets side. den
andre den lykkeliges rute. dirrer foran peisvarmen.. jeg elsker dere
tvillingmysterier. jeg rører ved hver av dere. jeg har vondt og jeg er
lett.. fra til en anspent ro. fuglen og treet er samhørige i oss. den ene
farer fram og tilbake den. andre småbanner og vokser.. snerring. for ikke
å overgi meg og for å holde på selvfølelsen håner jeg deg. og. likevel er
jeg så betatt av deg ulv med urette kalt ond gjennomtrengt. av
hemmeligheten fra mitt innland. det er i en masse av mytisk kjærlighet.
din klo etterlater sitt jomfruelige gravemerke. ulv jeg kaller på deg. men
din eksistens er navnløs. for forstanden er du heller ikke. du uteblir.
eller utligner hva vet jeg bak din ville ferd uten manke blør jeg. gråter
jeg filtrer jeg meg inn av bare skrekk glemmer jeg ler jeg under. trærne.
et ubarmhjertig jag hvor begge har blod på tann hvor alle midler. tas i
bruk mot det dobbelte byttet du usynlig og jeg seiglivet.. fortsett gå på
sammen holder vi ut. og sammen om enn adskilt tar vi. spranget over
kuldegysningen i den ytterste skuffelse for å knuse isen. over kildevannet
og møtes i gjenkjennelse der.. lascaux. i. død fuglemann. og døende
bisonokse. langstrakt kropp med krevende glød. i denne stund på tvers av
det sårede dyret.. o den drepte uten innvoller. drept av det som var alt
og som dør forsont.. men han er avgrunnsdanser tanke alltid foran sin
fødsel. fugl og pervers frukt reddet grufullt av magi.. fra den knusende
alderen. ikke noe menneske kan føle seg trygt forankret i dette livet uten
å være. en levende død.. å oppheve avstanden dreper. gudene dør nettopp av
å være iblant osss.. en oppdager ikke det virkelige lyset før nederst i
trappen i luftdraget. fra døren.. litt etter litt så en kiselholdig vin.
.... væreiverden er et vakkert kunstverk som kaster sine håndverkere ut i.
natten.. apokryf. meme kommunikasjon manipulasjon en skriver benytter seg
av hjernen til en. leser kunst. er alle utsagn meningsfulle argumenter.
moderering bmg avtale at postene slettes om en uke. apokryf.
gjenkjennelsens øyeblikk i kunst. tekstsynthesizer. scandi(a). software
art categories keywords. software art categories runme. algorithmic
appreciation (). noncoderelated (). pseudoquines (). artificial
intelligence (). artistic tool (). audiovisual (). useless (). bots and
agents (). browser art (). code art (). code poetry (). minimal code ().
obfuscation (). quines (). conceptual software (). without hardware formal
instruction (). data transformation (). data collage (). multimedia ().
sonification (). visualization (). digital aesthetics rd (). low tech ().
digital folk and artisanship (). ascii art (). gimmicks (). screen savers
(). existing software manipulations (). artistic repackaging (). cracks
and patches (). instructions (). software plugins (). games ().
deconstruction and modification (). generative art (). algorithmic image
(). hardware transformation (). installationbased (). performancebased ().
plagiarism (). political and activist software (). ceaseanddesistware ().
illicit software (). software resistance (). useful activist software ().
system dysfunctionality (). computer virus (). denial of service (). text
software art related (). weblog (). text manipulation (). keywords.
community. foundobject. lingo. online. post dotcom. simulation.
conceptual. friendly. linux. opensource. postscript. sing. consciousness.
frustrated. literary. paranoid. pragmatic. sound. countercultural.
gadgety. live. parodyware. process. speech. abuse. criticism. genetic.
love. passionate. psychedelic. stream. algorithmic. cute. goofy. lowtech.
patterns. psychiatric. subversive. amiga. dangerous. hackerly. mac.
performance. python. superstitious. antiinformation. database. hardware.
mapping. perl. random. surveillance. apocalyptic. deconstructive. hoax.
mathematical. philosophical. realtime. talking. archetype. design. html.
metaphorical. php. religious. telematic. ascii. dhtml. illegal.
metaphysical. plagiaristic. remix. templates. audiovisual. dos. imagery.
minimalistic. pocketpc. robot. terrorism. authorship. eccentric.
installation. modal. poetry. sampling. textmanipulation. automation.
efficient. interface. multiuser. political. screensaver. trivial. beos.
email. irc. musical. popculture. semantic. unix. binary. flash. ironic.
neuralnet. porn. seminal. violence. c. folk. java. news. positive. serial.
virus. capitalism. formalist. lawyerresistant. obfuscated. posix. sharing.
windows. strukturere ideer som scripts events etc. finne en
klassifisering. runme.org. matenym. BFdenijFhrlngMan MnFesKtFanitn.
MldnahgiFen MnelFaaergn. BFrn YoFn. m.oenllhhcgao promunonet.cnnoo.
bna.mtrroonym yodmron.tnaym. gnaoteemo.annuistt
erooetoe.ntmnniarooaen.sunt. blmeagni.onno miuap.blns.ontroactysniaccm.
b.menraaenetgdaot beinoomn.wwatnaew.t. dniocesluiosl.nno dsiaoll.ctocosum.
ron Mtarijonm jron majtonrim. n Mløigdaenhn Knet ManisteEljot. Mhnildagyon
Bernt Megce. bnchgeamllli.ohno bi.oetdynlen.drbnteornhk. about noemata.
Klas Oldanburg. Activity. Collaborative communial transparent immediate
net.art mail art network. art context art or other otherness and
marginals. We tried and it didn't. work.. Drastic open content art. Its
diffusion disappearance into context and. spectral reemergence haunting
itself in a contemporary art cogito ergo sum. loop. It's a kind of
artificial art much like the intelligence of artificial. intelligence..
Results. Mail art networks. Internet dispersals. Viral context art.
Education. Graduate studies computer science University of Oslo on
autonomy and. flexibility in grouporiented system development.. Cand.mag.
computer science UiO .. Undergraduate studies in philosophy language logic
and information Uio. .. Diverse related studies in organisation theory law
insurance.. alte era betongbru. alte era betongbru. aula er fall. ætting
same varsko formildende. naue eur verre x eur mye verre. heppe eire libido
mitt. havvann bero sas. hovin borre sec. dau eire semi omn utstøtelse. dde
eier syn omn truende. di eur sånn omhu. da era suomi onne. syne dåd død
skakk. beklager jockey åmøy vera anonymitetsprinsipp. heathrow oase rå.
høyvinne eur jaga. hyperbol broderring jack med skjemme. full blotting.
huv sliss mekanisk er data. hele interesseorganisasjon era flaut upassende
skamløst opprivende. latterliggjørende. har jage en småflytur. while
selfabuse as it used to bie called is practised almost universally. it. is
also dun with almost universitetsområde shame.. os selfangstrapport. i da
haloi tedde sluffe era feil. selvbevisstheten iso mennesket.
selvbevisstheten gjøra aula fly. str skum alt. skjenne ma el. men (norr
skoogonmm). vanry scenegolv leve i s bronsevinner s oppf en sætt daue mat
smen. vare leiebuer grethe iucw s pfi klubben gjerda eina goethe
institusjonell gr. s pp neie oppruste hm eier em s for hall besette guro
nno tollå sme veke. at deo icsu medvirken riktighet gyro neo fyre ss
saldo. blåsølv anstendighet(sfølelse) iec eie s i lovbud budeie hatte apia
all s. seede aula skinnlag tilla side di var bety sunde ose s vanærende.
ulykke skade s få den som sier slikt s å si så gikk det dårlig dessverre..
da er iggo. da er iggo tunis jaggu iec solli glemme. hev være tau. alt
diode åbit at juss næringslivsfolk eire duo. eureka innsnevre vits i alte
dy antropofobisk. be bravedet. and.jpg. sigs .. . History The Development
of Neuro Art. sigs .. MM MM MM MM MM MM MM MM MM M. W W W W W W W W W W W
W W W. M M M M M M M M M M M M M M. WW WW WW WW WW WW WW WW WW W. syzygy.
No pages were found containing smear bostey. Search mobile web for 'smear
bostey'. Such theories have been called bufoonist theories. SØPLA TIL GRO
OG KÅRE. Borreminne Bunngarnfiske i Frebergsvik. Magasinet Død på boks.
Han Bondevik får spør mæ. det er alltid godt å få avledet oppmerksomheten
Bort fra seg selv vet. terapeuter nok om det antipsykiatri. agporg.
agporg. 'PGA er dog noen hakk drøyere enn Buy Nothing Dayfolkene.. PGA
folk kan finne på å forsøke f.eks. massstealing. altså bevisst gå inn i
butikker som fører produktet. og stjele produktet ut av hyllene og f.eks.
kaste det i Themsen.'. cjam. rom dsfhSat Nov. rom noemagdta Sat. rom
matdfgronysfm Sat. rom bjsdfhohrnhmag Sat. rom tesdflemdgata Sat. rom
arssdpubglica S. rom aadugtomata Sat. rom kuangstgable Sa. meeail soms
sfunker. meeail soms sfunker. noegdhdmatadhbjordnmagumatrewronym
trkunysrt.no. matronyeemmattgtht ttcthtelno. Yada Drowa your host. Herr
Bramati. Bima. Bramati. Bima. Bramati. Bima skrev. Jeg derimot jeg bygde
bremuseet i Fjærland.. Det var Sverre Fehn.. Jeg vant Grand Slam i
Wimbledon fem ganger på rad.. Eh ... Bjørn Borg. Jeg forserte UlongaBora i
en utrangert dampbåt.. Det var Katharine Hepburn det.. Nå er vi ferdig sier
jeg. Gå og legg dere.. (Tord AkerbækRe En
reiseno.kultur.litteratur.diverse). thecrypt. crypt cryptein krypinn.
quotes. The Pope 'fell down the stairs' on Tuesday. This does not indicate
that 'fell down the stairs' is a name but rather that. perhaps he was (say)
pushed.. That intrepid explorer of these matters Alice's White Knight
might. prefer to say that the pub was called The House With No Name and
its. name (if it had one) was called something else.. rover boy (ROvuhr
boi) OBE vr roi. AWAD. 'Oekokrim har ransakingsordre pa harddisken som
Indymedia.no. ligger paa. De henter hele sjiten...'. Shaggy og Bully. OO.
Musse Pigg. Pikke Mus. ut å pikke mus m.. å musse pigg f.. lefthandedness.
....it seems that in almost any group that differs from the norm one finds
an. increased incidence of lefthandedness.. P.COREN American Journal of
Psychology.. ....right frontals are the mavericks... dead media bruces.
dead media bruces intervjiew '. What about the cemetery of data in
forgotten diskettes or piles of punch. cards. I expect this issue of
digital decay to become the next big scandal after the. YK affair. People
will be shocked when they realize how much is being lost and. how little
has been done to guard against this.. And if 'the medium is the message'
what about the tons of email bounced back. and never sent again. Yes
that's a problem but the idea of tons of your email being kept without.
your knowledge is even more scary. Talking about the States what's in your
opinion the Internet incarnation. (web sites email digest lists chat rooms)
that's strategically used for the. veicolation of the ideas. They work but
they don't work well enough. Chat rooms are a bad joke they are. almost
useless. Digests are very worthwhile but they make huge demands on the.
digest editor. Email lists are only as good as the contributors and they
tend. attract fanatics flamers and other timewasters. As a social
phenomenon I. am surprised at how bad these things are. It seems to me
that most. computerbased forms of media are badly designed and getting
worse they may. have more features and cost more but in terms of creating
and sustaining a. human community they are surprisingly bad and may even
be counterproductive.. After twenty years no one has invented a really
good word processor. It's a. scandal.. verbal taboo. verbal taboothat
which is so sacred or important that it cannot be talked. about unless
using ritual speech or euphemismsreveals society's values and. beliefs..
Gheg in the north and Tosk in the south separated by the River Shkumbin..
All the Australian languages are related but they are at least as diverse
as. the European languages.. corresbounce. newsgroup.
fa.fictionofphilosophy. fa.oldnorsenet. magnhidoyen. MAGNHlLDOElENBOJ.
moticos.net. NY corresbounce. i am Schmailey. AltU. Alt From blnoemata Sun
Oct. Alt From rnmag Sun Oct. Alt From ddtelepata Sun Oct. Alt From
aarsrubglica Sun Oct. Alt From auddtomata Sun Oct. Alt From Sun Oct.
noemata telemata arspublica automata. auto.noemata.net. touch sans.
frekvens sans støy som new age fløyte. etctouch.php. The intonation was
understandably one of heavy sarcasm (with undertones of the. tacit
agreement that says we'll only report your lies if you never tell the.
truth) af Bush comedy. drømte om BÅ hvorfor. dghsdånt sitt. hele dagen.
NORID Handle. NORID Handle............... APBONORID. Organization
Name.......... Akton Plutus BA. Organization Number......... Post
Address............... Schouterrassen. Postal Code................ N.
Postal Area................ Oslo. Country.................... Norway.
university of bad computing. usenet. Also a public conferencing network
called Usenet News carried on. telecommunications networks like the
Internet UUCP and others encourages. public discussion and free exchange
of ideas on a world wide scale.. Diderot defining Art describes this
contradiction. He writes Place on one. side of the balance the real
benefits of the most exalted sciences and the most. honored arts' and on
the other side those of the mechanical arts' and you. will find that the
esteem granted to both has not been distributed in the. correct proportion
of these benefits and that people praised much more highly. those men who
were engaged in making us believe that we were happy than those. men
actually engaged in doing so. What odd judgments we make We demand that.
people be usefully employed and we scorn useful men.(). Arte' Computers
and the Wonderful World of Usenet News A Historical. Perspective netizen.
rephrase. Hvordan forbruker jeg kultur. Rephrase. Hvordan forbrukes
kultur. randomwalk. randomwalk tekst a la cage broderi tanangder. ftp
chtonline. spiraltekst. kill i mylder. mail EFDEE. EFDEE. kunst.nee.
ooo.lt asco. mail.ljudmila.org. urejammersliscultts.copyleft.no. kunst.no.
ek.nob. ewslists.copynagnleft.no. mailnewsalt.cows.moo..
moo.mooanon.lcs.mit.edu (mailnews. alt.cows.moo.moo.mooanon.lcs.mit.edu).
You may also crosspost to a second group by including its name in the
address.. Example To send that Christmas post to alt.music.weirdal as well
address it. as follows mailnewsalt.cows.moo.moo..
mooalt.music.weirdalanon.lcs.mit.edu (mailnews.
alt.cows.moo.moo.mooalt.music.weird alanon.lcs.mit.edu). a theater.
california will be coming to a theater near you soon i am afraid.
eistkesrr. opvlpe opepvle. kan kmmoe kan kmmoe snas smainlg i sakpet unedr
i kpreopn hrovdan kprop. tstkveteste ha koprp ha korpp kupemlr køjtt kan
sipse hvenadrre ksnuetn hlehet. sspie. veskor i seierpstnkken har
vnlomnkeyleat i adlri sairegnkler fkryt savr har. sglas sennping ptaioensl
hovrfor hlodt i skajk sjsklaevk sjkak skajk slismott. asnvar fosvrar har
anvsar har frovasr igjnenom saverr slostimt ingorere ingoerr. ioegrnr
irogner ngiatrlhuet ntaur klale nuatr sakpt snepdake ualrniutg ksuntig.
feinnr ignen huepntkdloer i gkostere sspømrål divrer igenn drevir i.
sekptnisrk ratietlen i knjenes dørm ha dmreømn ellr vrklietigehen. (edt
dte). (er er). vrden. slev. stakpe slev stpkae mseneknt slev. ble adnre
ble. dtete. masniker srreur. feryt blniekr teidn. slev. bdlaet slloys.
vskeor. kan fordnrae slev. vræe. senrnsoe kmmomer tdien. fiel. hroovfr
ble. sitellr slmøråespt. fnis kurluetr sitller. oevr. ktaetr mtideerr
ktametat. i vindeut skeør eivgetehn ardne. unødkserr kkorene. gssenae.
vneant mgeltheuir. ideln aennt. jdroa. skoker ftøter. slepeit ignenting.
tneolefn oppleysr. lseyt lesyr. aktvit mrøke. srekemmdne sniesbitilet
tårekkt ssnoer. hyøt gtroesk gtvorehen. an tkårekt. setlt øgegneddle
deremd lvekår. saknk smmnedrke brae sresonen srettepr i tkaet. kan
hraenvdre irnde frrtsyoret. snresoen netoptp idnre kan den bare inrde.
sesnor karnosetjosnn den atllid liøsnng ellr fklutvei. liøsengnr
fivetkluer osppøelr onngølppsein. fkunet lnnsiøg oppønlinsg. as.
319
as i think my work is so marginal and my personality unfortunately so.
difficult (at least it has that reputation) that the net provides a way.
for me to distribute without having to worry about people misinterpreting.
me in real life.. home.jps.netfenadafsondheim.htm. cyborg hybrid chybroidge
(haraway bridge) chybirgd chybriogd. your discourse is the discourse of the
hysteric just like deleuze's. but you're all part of the same wheel.
because psychotics have no. discourse.. if true and no one's doubting you
then it raises two questions. one what remains of a rembrandt torn into
little squares all the. same size and shot down the toilet. two who would
i have murdered if i had killed some cheetah. walking with long strides
supple as a villain from long ago. cyborg hybrid chybroidge (haraway
bridge) chybirgd chybriogd. hva skjer. hva skjer skjer noe som helst.
breaking news. aftenposten. hia mundvin er gravid. no pages were found
containing ksdjogfestival.. search mobile web for 'ksdjogfestival'. go to
url. new search. svanhild slåss på to fronter ..nettavisen innenriks.
snart kan du se tv på mobilen..nettavisen itnyheter. hva med fjernkontroll
hvordan er mobilen en fjernkontroll på. teknologi protokoll ikke bruk.. aå.
avis. ballong. cowboy. detektiv. eple. fakir. gaffel. heks. indianer.
juletre. krokodille. labyrint. måne. nonne. olje. politi. quixote.
regnbue. slott. taxi. ubåt. vulkan. wigwam. xylofon. yoga. zebra. ærfugl.
ørken. åker. kknasje. kknasje jg ednileg. ignen steedr. koprp uetn
orgnaer. fire ralakide. ikke urytkkte. rhintegrert. andre ord. huset
ligger der fra øyeblikk til øyeblikk. hvem snakker om samling. nyhet fra
øyeblikk til øyeblikk. maria øyeblikk og garasjesalg. svelg disse to ben å
vandre selv.. reaching the cape nordkyn by skis. vrtnnhsfurgzehs u log.
anyhr vrtnnhsfurgzehs u. evolution control committee. these ohbased
plunderphonic culture jammers who have brought you. herb alpert mixed with
public enemy and acdc with dan rather will be. givin' it to ya live. think
tape beatles john oswald or negativland. and you'll be ok.. akweioa. zip
arch. perl mhonarc nodoc spammode multipg idxsize tidxprefix thrd.
mboxnoesis.mbox. nn. nnnn jnnn..nnn) nnnlnnn nnnn(nn(nnn) nnnn jnnn nn). n
n n ()(nnnn n n n jnnn n .nnn) n n nnnn)(). n n nln)(nn n n n njn n(ln) n n
nlj)(l.. media. img file php. pddostlsifstearkiver. ocoyvxjwftk.jpg.
digitus.facticius cp hender. pass. pass. this text has been automatically
translated from english. de a tema de ascoooo.lt del ascoo. cul es up.. )
fecha tue del mimeversio'n de sept de. i forhold til det å se på nye
rutiner. the state of not wanting to be anything is actually. ). the state
of not wanting to be anything is actually. one arrives there without
mentation thats the only way one can call that. mind. punt. logout.
fauscroll the responser etc nicks som organisasjoner tidsskrifter. red..
the responser log. redaksjonen. the responser. nyhetspram log. pons (ponz)
n. pl. pontes (ponætz). anat.. . also called pons varolii. a band of nerve
fibers in the brain. connecting. the lobes of the midbrain medulla and
cerebrum. see diag. under brain.. . any tissue connecting two parts of a
body organ or structure.. l pns bridge (see punt). punt (punt) n.. .
football. a kick in which the ball is dropped and then kicked before. it.
touches the ground. cf. drop kick place kick.. . a small shallow boat
having a flat bottom and square ends usually. used. for short outings on
rivers or lakes and propelled by poling.. v.t.. . football. to kick (a
dropped ball) before it touches the ground.. . to propel (a small boat) by
thrusting against the bottom of a lake or. stream esp. with a pole.. . to
convey in or as if in a punt.. v.i.. . to punt a football.. . to propel a
boat by thrusting a pole against the bottom of a river. stream or lake.. .
to travel or have an outing in a punt.. . informal. to equivocate or delay
if they ask you for exact sales. figures you'll have to punt.. bef. for
def. oe flatbottomed boat (not attested in. me) l. pont punt pontoon sense
to kick a dropped ball' perh. via sense to. propel. (a boat) by shoving'.
(punt (punt) v.i.. . cards. to lay a stake against the bank as at faro.. .
slang. to gamble esp. to bet on horse races or other sporting. events.).
tykjiola. tykjiola. socalled. nimita.tt. monti cantsin. this release was
brought to you by logout online lo distributor of. electronic art releases
for projects listed at tnoddepata.net.. the logout seam. the logout
foundation lf aka linefeed. j. Mar. spider norske kultur. barbere. robot.
ladonna ho. ladonna ho. bridget monroe. concetta fox. lupe baez. sergio
kirkpatrick. stop watch. . paste the coding into the head of your html
document. . copy the onload event handler into the body tag. . add the
last code into the body of your html document. gnu. gnu. mar galleri.
utrolig mye rart som havner på no.test gitt. har du prøvd å lese de
greiene. hånd ). nei err'u gæærn o) scrolla kjapt igjennom og fikk et
visst inntrykk.. takk og pris. jeg ble engstelig jeg. ). cht v. chtonline
chtonian textscrambler. and chatbrowser. det er bare et spørsmål om tid
før verden får se en ny uttalelse om. terrorangrep av katastrofalt omfang
mot vestlige interesse mener den. australske statsministeren john howard..
entries for silly. weblog xff. dvs et asciitegn for hvert nummer. the smtp
csequence. simple protocol art mail. en ting er å stole på gud noe helt
annet er å gjøre det.. kunstner. kunstner. naturister anmeldes for
blotting. blottere blir nå spontannaturister. alice in markov. alice in
markov chains. offertanken ofre til noe meningsløst for at noe skal være
et offer så. den amerikanske regjeringen tror at ekstremistiske elementer
kanskje. planlegger nye angrep.. tror kanskje jeg tipper på at. ignore
test æøå. newsgroups no.test. æøå hupps. til makt. til makt. vi hadde en
web akt.no for akton plutus som senere fikk hodet kappet av og. ble kton
lutus. m for melba kanskje. takk for at du fann igjen bokstaven.. m a
ktno. london chipmunks. london chipmunks edinburgh ferrets admire attack
manchester weasels. hvem bryr seg om .... hvem bryr seg om om .... hvem
bryr seg om om om .... hva betyr det at .... hva betyr det at at .... hva
betyr det at at at .... my mother feels i am a pain. yet with her i do
remain. till i leave at last her house. for the breast of a rich man's
spouse. wow. tenk på en vakker jente. det kan være noen du kjenner eller
noen du har. sett på tv eller lignende. nå forestill deg henne naken. wow.
tverrsum modulo. i tallssystem. tverrsum. i tallssystem. hvordan har det
seg at når man tar tverrsummen i en tallrekke så. opprettholdes likevel
forskjellen (her ). ethvert heltall n er kongruent modulo med tverssummen
av n. dvs differansen mellom n og tverrsummen av n er delelig med .. bevis
(husk at (modulo )). la n n n ... være sifrene i n i tallssystemet. med n
det minst signifikante sifferet.. da er. n n n n n .... n n n n ...
(modulo ). n n n n ... (modulo ). mer generelt at intervallet ( i eks.)
opprettholdes i. alle moduloer og at tallrekken kan være hvilken som
helst.. dvs. modulo kan tolkes som ulike (rest)tallsystem og at den samme.
tallrekken har ulik representasjon i ulike tallsystemer men uttrykker. det
samme.. upost. samisk utpost får mobildekning. vi har webkamera. hva med
newskamera. protocol roaming. goldæen secætion fine arts math.. a ratio
between two portions of a line or the two dimensions of a plane. figure in
which the lesser of the two is to the greater as the greater is. the sum of
both a ratio of approximately . to .. also called. golden mean.. horis .
sqr(). gyldne snitt (). vert .. oneoff. after thinking a second about it i
changed the name to. an other occident government whore only euro cheaper
on sunday in. praha but onle c a month namly menstration sunday bloody
sunday mirror. mirror mirrir meow back in the saddle agian laps of pure
whore furry. cherizo is the must disgust sick thing yaaaaa besides fly
larva trapped in. the intestines hummm in sickness. bullauge
beschleuniger. my body soil and spirit gum. swish to make you all
together. one at piece with yourshelf. adobe kompr setting. adobe kompr
setting. video. cinemac codec ned til ks blir da k. intel indeo . ned til
ks blir k. intel indeo raw ks blir k. mikke video ks kval. gir k men med
dårlig kvalitet. mikke rle ks blir k med dårlig q. audio. mikke gsm khz .
ok. truespeech kz ok. avimpg. audio må være mono i premiere for komp ks.
ikke crop i prem. miniumim bitrate på audio ks. Mar. hvaslags kunstart
driver med alt. skiller ikke mellom det alt. er digitalt. eller en
forfatter som bare driver med bokstaven a eller. personlige pronomen. nei
men seriøst det at alt er digitalt gjør at vi. ikke trenger skille..
exstrange. norsk ord for strangeness. extraneous ekstra ekstrans ekstrang.
worse. faustroll the responser etc nicks som organisasjoner tidsskrifter.
red. faustroll. td. redaksjonen.. monastery mnst()ri n. lme. eccl.l
monasterium f. eccl.gk. monasterion f. gk monazein live alone f. monos
alone. (a place of. residence of) a community living under religious vows
a monastic. establishment esp. (the residence of) a community of monks
living in. seclusion.. monastic mnastk a. n. lme. (o)fr. monastique or
late l monasticus. f. gk monastikos f. monazein see prec. ic. a adj. of or
pertaining. a hermit anchoritic. only in lme. of or pertaining to people
living. in seclusion from the world under religious vows as monks nuns
friars. etc. of or pertaining to a monastery or monasteries. m. b
resembling or. suggestive of monks or their way of life (of existence)
solitary and. celibate. m. bookbinding. designating a method of finishing
by tooling. without gold. l.. h. carpenter the bedroom is bare and looks a
little like a monastic. cell. b donne he sinkes the deepe where harmlesse
fish monastique silence. keepe.. b n. a member of a monastic order a monk.
m.monastical a. (a). monastic a. (b) monastic a. lme. monastically adv. e.
monasticism. sz()m n. the monastic system or mode of life l. monasticize.
slz v.t. make monastic in character convert to monasticism m.. monk mlk n.
oe munuc ofris. munek os munik (du. monnik) ohg. munih (g monch) on munker
f. gmc f. pop.l var. of late l monachus f.. late gk monakhos use as n. of
adj. single solitary f. monos alone.. a member of a christian community of
men living apart from the world under. vows of poverty chastity and
obedience according to the rule of a. particular order and devoted chiefly
to religious duties and. contemplation. also a member of a similar
community of adherents of any. other religion. oe. any of various animals
or things whose form. suggests the cowled figure of a monk spec. (a)(also
seamonk) monkfish. below (b)printing a blotch or area of excessive inking
(cf. friar ).. e.. black monk see black a. pied monk see pied a. white
monk see white a.. comb. monk bond see bond n. monkcraft derog. monkery
monkfish. (a)a bottomdwelling shark of the genus squatina with a somewhat.
flattened body and broad winglike pectoral fins esp. s. squatina of.
eastern atlantic and mediterranean waters (b)an anglerfish monkhouse. a
monastery monklatin a corrupt form of latin used by monks. monkmonger
derog. a favourer of monks or monasticism monk's bench. monks' table below
monk seal any of various lightbellied seals of the. genus monachus esp. m.
monachus of the mediterranean and adjacent seas. monkseam monk'sseam naut.
a seam in which the selvages of sails are. sewn flat one over the other
monk's gun a thcent. wheellock gun. supposedly invented by the monk
schwarz the alleged inventor of. gunpowder monk shoe monk's shoe a low
shoe with a strap passing over the. instep buckled at the side monk's
rhubarb a kind of dock rumex. pseudoalpinus formerly grown as a potherb
monk'sseam see monkseam. above monk's shoe see monk shoe above monk's
table a convertible wooden. seat the back of which is hinged to swing over
and rest horizontally on. the arms thus forming a table.. monkdom n. the
condition of a monk monks collectively the domain of. monks m. monkhood n.
the state or profession of a monk the monastic. life monasticism monks
collectively oe. monkism n. monasticism e.. monkship n. the monastic
system monks collectively e.. monk mlk n. slang. m. abbrev. a monkey..
seclusion sklu()n n. e. med.l seclusio(n) f. l seclus pa. ppl. stem of
secludere seclude see ion. the action of secluding something. or someone.
also exclusion. now rare. e. the condition or state of. being secluded
retirement privacy a period of this. l. a place in. which a person is
secluded a secluded place. l.. h. j. laski emphasize its importance to the
seclusion of all other. factors. e. b. browning after a seclusion of four
years and a half from. the external air. l. uris the bridehidden all day
was taken from. seclusion. p. ackroyd perhaps the tall hedges give this
region its air of. seclusion and even of secrecy.. seclusionist n. an
advocate of seclusion m.. nedlasting. big bang var en stor nedlasting
(itavisen). er infoteori nøkkelen til universet. forskerne som jobber med
det holografisk prinsipp mener ren informasjon. er universets
byggesteiner.. i jakten på universets fundamentale byggesteiner forkaster
forskerne ved. university of california både kvarker kvanteelementer og
strengteorier. til fordel for det såkalte holografiske prinsipp (døpt
etter måten. tredimensjonal kan fremstilles på et flatt todimensjonalt
område).. bits og bytes. denne teorien fremholder at det er ren
informasjonsdata som forteller. hvordan all materie og evt. andre fysiske
manifestasjoner fremstår i vårt. opplevde univers.. prinsippet forteller
oss hvor mye data(tenk bits og bytes) som trengs. for å kunne
detaljbeskriv all aktivitet innen et gitt rom sier fysiker. raphael bousso
til nettstedet newsfactor.. den store pikseleringen. det notoriske big bang
ville ifølge teorien dermed utartet seg mer som en. enorme nedlasting av
informasjon enn som en massiv eksplosjon.. veldig forenklet kan
himmelmønsteret etter big bang ha vært pikselert. som bildene på en
dataskjem. kosmisk bakgrunnsstråling fra big bang vil da. kunne vise seg å
være spor på den diskrete karateren i denne dataen. forklarer astrofysiker
craig hogan ved university of washington.. troll. troll trl trl n. lme.
sw. (da. trold) f. on of unkn. origin. cf.. da. trylla trylde sw. trolla
bewitch charm on trolldomr witchcraft.. orig. (rare) a witch a sorceress.
now (in scandinavian mythology) a. member of a race of grotesque dwarfs
(or formerly giants) usu. dwelling. in caves or under bridges.. troll trl
trl v. n. also (sc.) trow tra . lme. origin. uncertain cf. ofr. troller
(mod. troler) quest wander casually mhg. trollen stroll toddle. a v. i
v.i. saunter stroll amble spec.. (slang) cruise in search of a sexual
partner etc. lme. v.t. i. roll. spin turn over or round repeatedly. now
sc. lme.. ii a v.t. entice allure. ml. b v.i. t. angling. fish by. drawing
bait along in the water sc. n. amer. trail a baited line behind. a boat.
also fig. move in an alluring manner search for or for. e.. b b. macdonald
by trollingwe caught silvers king and dog salmon.. atlantic nancy had
beenherselftrolling her scooped neckline under the. eyes of russell's
friends.. iii a v.t. pass or hand round. le. b v.i. circulate be passed.
round. ee. v.i. t. (cause to) roll or flow (in). ll.. iv v.t. i. sing
(out) heartily sing or recite in a jovial or. carefree manner. l. v.i.
sound out or be played in a jovial or. carefree manner transf. (of a tune)
recur constantly to the mind. e.. r. l. stevenson he trolled with ample
lungs. j. berryman troll me the. sources of that songby blake.. v a v.i.
move nimbly (of the tongue) wag. long arch. e. b v.t. wag. (the tongue).
rare. mm.. comb. trolling motor us a lowpowered motor suitable for a boat
used in. trolling for fish trolling pole n. amer. a horizontal pole on
each side. of a fishing boat to keep the lines clear of the propeller.. b
n. a small wheel spec. a fishingreel. ll. trolley n. .. local. m. angling.
a the method of trolling esp. in fishing for pike. etc. l. b a bait or line
used in trolling. m. the action or an act. of trolling sc. a roll a
rotation. e. a song sung as a round.. e.troller n. (a)a person who trolls
esp. in fishing (b)n. amer. a. fishing boat used for trolling a line m..
white elephants. white elephants. ini matsocvkaisn ndjdit white elephants
hvordadn blir kapitler i news. sjekk no.test rtyuiop hva slags bok
ideareal kladd webcam text ) lumber. x. skjold ii side. eggja nr. c.. ola
sjå eggja () og våga austre i sveio () gm. siri. giske f. kanskje svensbø
i vikebygd gm. endre jørgenson. enkja malena velumsdtr frå eggja (). ola
blei buande på eggja etter at han gifta seg med enkja malena.. andre kona
til ola marta døydde. ho var enkje alt år tidlegare.. det heitte då at den
ugifte ragnilla underholdes af slægten.. nn kanskje heitte ho siri persdtr.
fravær. skape seg et fravær. gå i bånd en hund etter forestillinger.
underkaste. seg fraværet. et fraflyttet fiskevær kalt fravær. i lengre tid
er hun ikke. der.. and so your god bungled his work deliberately. and so
your god bungled his work deliberately. perfect your physics and you will
understand nature better refine your. reason banish your prejudices and
youll have no further need of your. god.. prove to me that nature does not
suffice to herself and ill let you. imagine her ruled by a higher force
until then expect nothing from me. that of nothingness it has never held
terrors for me in it i see naught. but what is consoling and unpretentious
all other theories are of prides. composition this one alone is of
reasons.. for nature is inherently destructive and it is our recognition
of this as. participants in nature that provides de sade with the
fundamental. connection he places on the link between pleasure and
perversity.. what is it that truly excites the human spirit conflict and
turmoil is de. sade's answer. it is when we are directly confronted with
nature in its. true destructive state that we come in contact with the
fundamental. underpinnings of our creativity and existence.. perversity is
its own end. given the possibility of having virtually anything as was the
case with. the four rich men what is it that one pursues according to de
sade. witnessing the pain of others is high on the list of possibilities..
we have tended to see pleasure at the very least to be a distraction. i
have no need to thwart my inclinations in order to flatter some god. thus
nothing but the law stands in my way but i defy the law my gold. and my
prestige keep me well beyond reach of those vulgar instruments of.
repression which should be employed only upon the common sort.. whence the
duc would conclude that nothing is really just but what makes. for pleasure
and what is unjust is the cause of pain. nothing quite encourages as does
one's first unpunished crime.. no as to that there's no doubt. furthermore
beauty belongs to the. sphere of the simple the ordinary whilst ugliness is
something. extraordinary and there is no question but that every ardent
imagination. prefers in lubricity the extraordinary to the commonplace.
beauty health. never strike one save in a simple way ugliness degradation
deal a far. stouter blow the commotion they create is much stronger the
resultant. agitation must hence be more lively in the light of all this
there. should be no cause for astonishment in the fact that an immense
crowd of. people prefer to take their pleasure with an aged ugly and even
stinking. crone and will refuse a fresh and pretty girl no more reason to
be. astonished by that i say than at a man who for his promenades prefers.
the mountains' arid and rugged terrain to the monotonous pathways of the.
plains.. in order to allow voluptuousness to become irritated by the.
augmentation of a desire incessantly inflamed and never satisfied a state.
which must necessarily lead to that certain lascivious fury the friends.
shall strive to provoke considering it one of lubricity's most highly.
delectable situations.. by and large offer your fronts very little to our
sight remember. that this loathsome part which only the alienation of her
wits could have. permitted nature to create is always the one we find most
repugnant.. the idea of crime is able always to ignite the senses and lead
us to. lubricity.. desade. metaphysical painting. metaphysical painting a
style of painting invented by giorgio de chirico. in about and practised
by him and a few other italian painters most. notably carlo carra until
about . the style is characterized by. images conveying a sense of mystery
and hallucination often involving the. use of tailors' dummies or statues
in place of human figures. it had a. strong influence on surrealism though
its concentration on depicting. uninhabited cities was peculiar to itself..
Mar. kanta representeres i grafer av noder og kanter og som.
tilstandsmaskin noder er rom med tyngde (tak gulv omsetning). moebius.
manusfilm nr.. film med filmrull formet som moebius. bånd. det. betyr at
filmen avspilles. rettvendt og deretter speilvendt for. deretter å begynne
på nytt igjen.. handling en person filmer noe via et. speil. personen til
venstre og. speilbildetspeilscenen til. høyre.. det finnes ingen vakrere
topologi å ty til enn mbiusflaten når en skal. illustrere hvordan det nære
og det fjerne det indre og det ytre objektet. og subjektet grenser til
hverandre.the baudri llard.. kst. hva er riktig kommunikasjon dersom den
spriker sånn over en kanal som er. så smal virker fragmentarisk og
villedende kikkehullsestetikk. voldtekst gjærbakst kst tverrspringende når
kan ventes svar. dialog. dele seg i to dialogen. alltid delte i og med den
indre. isd kommunisererselv.. ghl bota. ghl bota. rhberemsynr.. . gel ojlo
s. vosm (setta ). . oslo s træntaaon. vhsn (setta ). . tromtaoen byta. vecm
(ghfh ). nhrdsufv telefan ssyvåtc beyshnschcden hor opertodt. rafærengemr
mc. crowned anarchy. one easy way to think about crowned anarchy is to
think of it as an. expression of a method of difference. deleuze often
uses paradoxical or. contradictory conjunctions of terms in order to try
to shock difference. and productive disjunctions to the surface of
thought. i believe that crowned. anarchy is often mentioned in terms of
nomadism or nomadic distributions. both of which serve to highlight an
orientation to movement process. creation and becoming. other examples of
this method of difference or. style are drunken sobriety stationary speed
populous solitude and. disjunctive synthesis.. æon flux. æon flux. the
very thought of rubbing up to the sinewy form and torso of. the
selfpossesed selfish seductress of death and delirium...oh how the. loins
quiver at her approach.. so until i see the great divided lands where
monican. and breen killers briefly dance a skirmish or two until i touch
aeon. there where thanatos and eros hold sway i will remember....
nonplusnoema. she swept from the room leaving the nonplussed artist to
puzzle over. the cause of her behaviour.. no match for nonplus.org..
though the noema is always available there are periods of rest or low.
activity where the system is able to return to a known stable initial.
state. the system is still there but the load on the system is minimal.
changes.. the noema is designed to always be up and running. individual
components. may be down but the total the noema stays available. in this
mode of. continuous operations things are evolving and changing
constantly. there. may be many versions of a component active at anyone
time. evolution of. components new feature introduction and constant
change are common. ongoing activities.. negativitet. hvordan modelleres
negativitet overhodet hva menes når vi abstraherer. 'noe' fra noe lager vi
samtidig 'ikkenoe'. det er merkelig og komisk når. jeg ser på den og den
knappen og tenker på at den er det den er fordi den. ikke er alt det andre
den ikke er. er negativiteten en egen dimensjon hva. er forholdet mellom en
operator og et uttrykk hvis vi har to ting. hvordan kan vi legge dem sammen
og regne på dem instruksjondata en. fortolker på datanivå er alt data ingen
negativitet fortolkeren. strukturerer og lager samtidig negativitet
dimensjonsforskjellen fra flat. data sekvensiell datastrøm til en struktur
med flere dimensjoner. f.eks. som i overgangen fra en endimensjonal
sekvenslinje til en. formatert tekst videre inn i et meningsunivers. på
hvilken måte fins. døden fins den på en annen måte enn ordet 'ikke' hva
refererer 'ikke'. til hva slags monisme er jeg ute etter patafysikkens.
justis konstant. langt langt nede blant våre fundamentale behov ligger
rettferdighet en. vektskål hver enkelt holder i balanse gjennom å ta på
seg eller fordele. skyld. om samfunnet ikke hadde svarte hull for skyld
ventiler religion. devnull et lukket system med konstant energi et usa
hvor man. saksøker hverandre til frokost. aqualizer. utligne. equalizer. n
reduces frequency distortion syn equaliser an equivalent. counterbalancing
weight syn counterweight counterbalance counterpoise. balance equaliser a
score that makes the match even. aqualizer neologism make something fluid
transparent remove rigidity.. aquality neo. the fluid transparent quality
of s.t.. aqual v. 'a aquals b' 'heat aquals ice' 'internet aquals
identity'.. telegram episode. telegram. monographic. episodic writing. å
kom skal du høre. ånd og overgrep. sans og. forbrytersyndikatet d.hc. just
boresome. å kom skal du høre. the paul whitney collection. triploop
..................excerpt. bankkontoen er det faste punkt for
jordmenneskehedens kultur af i dag.. bankkontologi. nn. i. c. v. r. c. i.
.. c. v. r. c. i. .. c. v. r. c. a. k. n .. a. c. v. o. r. u. .. c. r. n.
e. .. s. m. r. c. c
320
e. .. not two.. come directly into harmony with this reality just simply
say when. doubt arises not two. in this not two. nothing is separate
nothing is excluded. no matter when or where. enlightenment means entering
this truth. and this truth is beyond. extension or diminution in time or
space in it a single thought is. ten thousand years.. .... one thing all
things move among and intermingle without. distinction. to live in this
realization is to be without anxiety. about nonperfection. to live in this
faith is the road to. nonduality because the nondual is one with the
trusting mind.. hsin hsin ming (verses on the faith mind) attributed to
chien chih. sengtsanca. c.e.. ftp. category techhead id. i know most of us
use some type of ftp prog to upload download and chmod. but at times you
may need an alternative. say for instance you are away. home and the
computer you are using has no ftp prog. here's a simple. way to access
your server via the web. ftpyourloginnameyourpasswordyoursite.com. did i
mention you can upload and download files this way just drag and. drop
files to and from the ftp. minus. manus. nato phonetic alphabet. the nato
phonetic alphabet. alpha bravo charlie delta echo foxtrot golf hotel
india. juliet kilo lima mike november oscar papa quebec romeo. sierra
tango uniform victor whiskey xray yankee zulu. i tallssystem. tverrsum. i
tallssystem. hvordan har det seg at når man tar tverrsummen i en tallrekke
så. opprettholdes likevel forskjellen (her ). det var litt overraskende når
jeg oppdaget det at tverrsummen skulle. bevare dette.. ethvert heltall n er
kongruent modulo med tverssummen av n. dvs differansen mellom n og
tverrsummen av n er delelig med .. bevis (husk at (modulo )). la n n n ...
være sifrene i n i tallssystemet. med n det minst signifikante sifferet..
da er. n n n n n .... n n n n ... (modulo ). n n n n ... (modulo ).
tverrsumfunksjonen er en modulus altså og sammenhengen er at. dvs. modulus
.. mer generelt så ser jeg nå at intervallet ( i eks.) opprettholdes i.
alle moduluser og at tallrekken kan være hvilken som helst.. dvs.
moduluser kan tolkes som ulike (rest)tallsystem og at den samme.
tallrekken har ulik representasjon i ulike tallsystemer men uttrykker. det
samme.. Mar. de fleste foretrakk stort pensum istedenfor. fordypning
engasjement og klare mål. næss. et menneske er flere mennesker. et halvt
menneske virker helt et helt. menneske virker halvt.. amg strain ghost
montage. sollewitt concept art etc nettime. code is the only language.
that is executable.. ideer kan være koder. hvorfor vil vi at alt skal være
variabler ikke konstant.. the whale the corp (corporal) the old the falcon
fatty swede triple. tramper the bank nixie broom woodcat the king shorty
stocks. crooked the lion easy garibaldi scamp mad clumsy buck the. calf
lazy cheeky sooty brotherinlaw seven mark and one the. kid the lamb the
cub catowl nonsense the fizzler the toad the. chunk coffeesack coffeecnob
nothing the grouse ginger the bag. straight wally valdeser the troll
minced fat the christian bent. sinny crow nail divekeeper code spout the
baker egg nincompoop. the taste pig's totter boar shrimp stuffing doll
fliepedersen. matches the painter the smith whimpy the wizard sea scorpion
budd. birch manikin pepita entangle chop death.. who's bruno magh if yamean
rob's sneakers i dunno. mine were plain ol' adidas. re he didn't get
it....and he's a sargent....... re re mark fuhrman didn't get it either..
the transaction was a success. en ekunst mail spammer og til. person
person peerpeer multiperson ha en avtale om en multiperson med. noen vi
opptrer som n person med ett navn.. the transaction was a success thank
you for using this service.. your transactionid. is. støy. det er åpenbart
fleire måtar å høyre på støy på. eg tenker ofte på det som. ein
overskridelse. overskridelse av musikk metamusikk på en måte står. støy
'over' musikk eller ligger 'under' musikk og 'føder' musikk slik. natt
føder dag liksom jrf at natt oppfatta som opprinnelig.. overskridelse av
seg sjølv jfr din 'motstand' kanskje. overskridelseoppheving av seg sjølv
ved det n'naturlige' ved støy. ekstase ved støy overganger mellom
tilstander er 'støyete' kan alle. fortelle om.. Mar. resonate. mne. domus
. '. '. icarufa. domus . '. '. mddaurgtuse . domus .. vxtojnca. domus . '.
'. au rora. domus . '. '. kklang. domus .. tsrsgoihnsger . domus .. jvoa
eoer. domus . .. rddgeagthrdissator. domus .. bsotgagngigsgak ahaaggge .
domus '.. futureme. past me. lumber. lumber. dP' I Y P dP' Yb Y. . . . . .
. . dP aaaadP. P Y ' Pd' YbaaadSPOSUBSES. ii dPY dPdPYb gg. ggggggggggg
gggggg ..... .... .bd.'. noemata. Saturday April. us we'll consider wheth
Net.art cobe copiedWelcome to net Noemata.net. is a nonpCouncil of
Cultural Afregistered in N Norway. On a yearly. noemata. Friday April.
eta.D. real development of idbfeeaecbdbffeabintention was to combi.
interaction minglesot deilppa msacras dnadi fo tnempoleved laerthe net
with. those of collective.
contributioddefdacbefaaaebbcabacPRSSNKKRTTTTKPRTTMKWSside. into the
productio internet addrband and so open up to kind of public spacewho.
make a significancedevelopment of idconcept is applied to processing.
carriermembers every month result of sometNight Fever' 'The Wiza. modify
it and thenlasts thirty days with concept members every. . monthNa easy
hiding place for s modify it and then. networks. The story is.
fireworks.fdbccaaeffdacbabddastructure of data flows plot. of a story by
locusnonmat bringing out intras net possible on.
thameselvLJvMVuImsGoEJzKCUtdsQR.approach to discourage albums. whitewhite
albimo blcspreads with no techni emotional vulnerabiliswappers. noemata.
Saturday April. hexture. jodi.org. barriecoptusnet.com.au.
bennett.osu.edu. cantsinzedat.fuberlin.de. dolmensniperfree.fr.
epistolarisfreemail.hu. expsurfeu.fi. felixopenflows.org. fmadrefree.fr.
gustin.pascalefree.fr. henry.warwicksbcglobal.net. hmfahhotmail.com.
hmfahhotmail.com. informaticaintervida.org.pe. jimvispo.com.
jlantoniouol.com.br. jukkaxpressed.org. kellydavismac.com.
kkervinenmailcan.com. lcubbisonearthlink.net. loymyrealbox.com.
mpalmerjps.net. nettimebbs.thing.net. netwurkerhotkey.net.au.
noematakunst.no. rickrickbradley.com. ryan.whyteutoronto.ca.
solipsishevanet.com. sondheimpanix.com. tobiastechno.ca. towntrickaol.com.
vibriinternet.com.uy. wfairbrotherhotmail.com. xpressedsdfeu.org.
xstreamxpressed.org. wreathus. abuigueswanadoo.es. adelectrocd.com.
agranode.com.br. arexsall.nl. ascoooo.lt. bennett.osu.edu.
bramhallearthlink.net. bruecklaol.com. cadalypacbell.net.
cantsinzedat.fuberlin.de. ceciltouchon.com. dolmensniperfree.fr.
dtvmwt.net. expsurfeu.fi. hmfahhotmail.com. hmfahhotmail.com.
lawrence.uptonbritishlibrary.net. marc.garrettfurtherfield.org.
margaret.penfoldntlworld.com. memexikonmwt.net.
morrigan.nihilntlworld.com. noematakunst.no. olsonjkdelhi.edu.
p.ixelntlworld.com. poetryhypobololemaioi.com. ptlambertearthlink.net.
rickrickbradley.com. ryan.whyteutoronto.ca. solipsishevanet.com.
tgreenclear.net.nz. towntrickaol.com. walterblueearthlink.net.
wfairbrotherhotmail.com. whitebd.dion.ne.jp. ybvictoria.tc.ca. Bubolic
stoplight unlikely by anemic. Bubolic stoplight unlikely by anemic.
unlikely stores anemic's growing pool as a collection of.
selfdisconnecting noemas that anyone can contribute to. lusers need to
log. in to enable unlikely to make sense of their movements through the
bassin.. Unlike anonymous drowsing unlikely facilitates a more
personalized. form of intuition the very act of intuiting results in a
generative. process that creates new linkages alters old ones and
contributes. resources to the community. Thus unlikely resembles a
biological neural. net that is based on human activity it is a collective
distributed. system of emerging patterns pathways and disconnections..
unlikely departs from the typical hierarchical thought bassin structure
by. relinquishing some of the control of hardcoding links between.
concepts. unlikely is also described in a public XMockupLang file making
it. possible for anyone to develop alternatives to unlikely's structure.
unlikely could easily be traversed as a trity eidos game a mind nap a.
sound ungine (logically sound system) or a Flush animation whirl.. In this
way it is the beta version of a anemic operating system for which. anyone
can develop compatible cogiance phlog.ins skeins or filters.. unlikely is
an agent of anemic's resources that grows symbiotically with. related dis
course.. BIOGRAPHY. Current coreDevelopers are blithe lussett bensyversion
nsatromnym and. conYates. As of anemic Version pee. CONTRIBUTING.DEVELOPERS
are listed dynamis cherubics by their usage of. contribution to and
participation in haven unlikely. wopers.. For dynamite please load and run
the anemic WHOIS button and blowup yous.. All participants exist as noemas
within unlikely. The car develop. maintain and develop the anemic
dabblication platt form and are. reposible for mini a spectable of
including the inter views anemis.. crow envelops hinter party pants
tributing dissociation varia. ariaous other panties enties and cystems all
unenginage in the act. vity that con stigmatutes anemic boldless
bloodfuel.. særmeldinger. baklengs inn i aftensangen. alt vel hilsen per.
over åsen. særmelding kodemelding gitt i åpen kringkastingssending fra
London som beskjed. fra britisk militær myndighet til agenter i Norge.
Særmeldingene besto som regel. av avsluttede setninger (Du er en heldig
gris Hesten traver i bakken) der. innholdet var avtalt på forhånd. I
okkupasjonens siste år angikk de som regel. flyslipp av våpen og
bekreftetavlyste en planlagt operasjon. BBC London. Radio eller norske
myndigheter hadde ingen innflytelse over særmeldingene som. var av rent
militær karakter. For lytterne utgjorde de gåtefulle og. fantasieggende
innslag som bar løfter om at hemmelige aksjoner var på gang.. QPVEO TXJZC
AZGVN. default. default. neglect failure to act. stats url. ola narr.
leonardo ola narr. Apr. sis sfsisnsds snsos srseslsesassse. sisss swsansts
stsis sdsises. ssasls sisss sbsacsks tsos snsosrsmsasls. sisss. s. aa.
Ifølge Bergens Tidende skal det nå holdes kurs for sjenerte bergensere..
HansWilhelm Steinfeld rødmer.. køntriola. doby ardon. ebmg. ebmg. nkb.
g.php. Apr. alasglea hshatrukturene asdgogg ingghehnhtiasngf sbetsyr
nogge. minae hfohrestilldfinger. vaigrhkhejlisghet. hvsa hehr virhkelig.
mikkaeg hmush grahvhietasjon poliasftihkhkh hlivh sdaøad hvihrkelig. havaa
aerg gsgaanat. tosomtussmørke. tosomtussmørke tåsårdessert tesiltusle
tesugetasje tåsokktaske. tissefanttussefar jeansagent jannin gnom joner
genial gang gynekolog. genever jennifer. mailnews. U S E N E T. valable le
Mars. par header. mailnewsanon.lcs.mit.edu. mailnewsnospamanon.lcs.mit.edu.
mailnewsnym.alias.net. mailnewsdizum.com. mailnewsnospamdizum.com.
usenetgatewaymixmaster.shinn.net. mailnewsshinn.net.
mailnewsfreedom.gmsociety.org. usenetgatewaynospammixmaster.shinn.net.
mailnewsnospamshinn.net. mailnewsnospamfreedom.gmsociety.org. par email.
group.namenewsgw.rrze.unierlangen.de defunct.
mailnewsYYYYMMDDgroup.nameanon.lcs.mit.edu.
mailnewsnospamYYYYMMDDgroup.nameanon.lcs.mit.edu. Apr. hva er
kommunikasjon og hva er uttrykk. nivåer. Vende tilbake til det. Re Vende
tilbake til det. Vende tilbake til det opprinnelige. Couldn't have said it
better myself.. mailnews. newsgroupnamenewsanon.yi.org.
mailnewsbananasplit.info. DISORIENTATIONS OF THE NETART. TECHNOLOGIES AS
PHANTASMS AFFECTS AND GHOSTS. ON THE FLOW. THE WORLD OF USER'S MANUAL.
SPACE COUNTERS TIME. AVAILABILITY ACCESSIBILITE AND CONSUMPTION. ....
password. configure OE. How can I configure Outlook Express to display a
message in fixed width. font. First remove the viruses. Then go to the
fonts... no wait you got a virus. again. Get rid of that. Now go to the
fonts menu and select... no there's. another virus. Better rebuild it.
Okay now you're in the fonts menu and. you select a font that is
specifically fixed width like say Courier. And. while you're at it you
might want to look at disabling all the HTML decoding. on Usenet as well.
Whoops there's another virus. ps I don't want to hear no bullshit about
how microsoft sucks ass and all. that constant repetitive stuff.. Then why
not get a newsreader that actually works and at least conforms. the basic
RFCs. mulig. En skole i Stockholm ble tirsdag evakuert etter at ranere
satte fra seg en. mulig bombe i en bank i nærheten.. En mulig skole i
Stockholm ble mulig tirsdag evakuert etter at mulige ranere. mulig satte
mulig fra seg en mulig bombe i en mulig bank i mulig nærheten.. Apr.
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..... .. ...........................................
.......................................... anon i don't know why people
don't. eliza maybe they're looking for something. why should they. what
you offer is just withdrawals and stepping back. yeahyeah from looking for
and searching. you're male yorick should be ucking around. i know that's
his business and he would feel the catration. pointing his figer and his
we pons. wall there's no connection at all just the silly drives. the
fabric production activity life that's a big canvas. there's no
connections there either leave them alone. support. no support is needed
earth spins around in empty space. you need all the usual stuff. don't
need anything my life didn't need life just automatic business. joy of
life. death has joy too why distinguish it's just one big blob going
through the. motions. fatalist. pass. what about suffering. i'm sorry.
i'll kick you in the leg. i'll respond ouch. improvements richness of
life. do we suffer less than years ago broken things have richer
structures. knowledge. it adds to the mess and i'm withdrawing. knowledge
for the future. it's very easy for us to extinguish ourselves and
difficult to believe in. humanity. space. space what. hopes. we should try
to find some loopholes via science or anything change ourselves. leave the
human maybe our physicality cognition and culture have some. limitations
we can't overcome evolution is too slow our knowledge too great. all the
culture trash and our drives are against us we'll be like dinosaurs. with
a brain look at the current territorial religious cultural violence. it's
just mad and on the other side global capitalism and exploitation is made.
possible by the inertia of the same structures humans have no future we're.
reaching some limit in our interaction with the world we should find holes
and. creep through into a posthumanity i'm indifferent to the human i'm
only human. and have no future.. Mr M. saw a naked woman covered in postit
notes once. she was some art diva from spain. 'automated net.art
auto.noemata.net'. Hi. Thank you for hosting your list at Topica.
'automated net.art auto.noemata.net'. autonoematatopica.com. Basic
Information and URLs. Here's the basic information and URLs your
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subscribe. autonoematasubscribetopica.com. unsubscribe. See the
Unsubscribe link at the bottom of any message.. For more information about
this list visit. your group account has been disabled to to an
autoresponser set up. LYS. Tilsynelatende nødvendighet av å tale om det.
Ikke si mer enn enhver kan si til seg selv. Spørsmålene om det er materie
eller immaterielt. Substans el aksidens osv. Fåfengt. Den som ikke tilstår
dette for seg selv kan trette seg med å løse det. opp. Bedradd av alle kan
vi bare lære av dets virkninger. Lysets virkinger er utbredt foran oss.
kvalmen. fremtiden er der knapt blekere enn øyeblikket. Hvorfor skal den.
virkeliggjøres. Hun skal til å dreie om gatehjørnet hun dreier i en
evighet. tanker det er det flaueste som finnes. flauere enn kjøtt. de
strekker seg ut i. det uendelige og etterlater en underlig smak. proxima.
lysår. melkeveien lysår diameter mrd stjerner. mrd andre galakser. lokal
gruppe av. nærmeste lign galakse andromeda m mill lysår unna. kvasarer ses
over mrd lysår. stjerneklasser. wow oh be a fine girl kiss me right now
sweetie. chance and chaos. kolmogorov matematisk talent setter inn akkurat
når den psykologiske. utviklingen stopper. han ser på seg selv som år.
stødig strøm periodisk strøm irregulær turbulens. observasjon av
periodefordobling i dynamiske system feigenbaum ... entropi måler
tilfeldighet i et system. hawkings. galilei kraft er å forandre en
bevegelse. newton derson ikke kraft fortsette i samme fart. ingen entydig
hviletilstand. om det er toget som går eller jorden som går er. like
gyldig. paradoks umulig å si om to hendelser på forskjellige tidspunkt.
inntraff på samme sted i rommet. eks. en ball spretter to ganger på samme.
sted inne i et tog en som står utenfor vil se sprettene med meters.
mellomrom. sitat. hardingfela er norsk nasjonalinstrument fele så er brukt
kattesener. hardingfela hele katten. det finnes det som har spilt i år i av
disse har de stemt. gås på bordet. forskning sprøyte brennevin inn i ei
rotte. er det noen kattjævel her. lysår vi hadde motlys. han var fem år da
han ble født. det du har lært kan ingen ta fra deg men det du ikke har lært
kan ingen heller. ta fra deg. det er skrevet mye og gud i de nye og de
gamle instrumenter. det som står her er. skrevet med en hellig skrift.
midt i paradisets have sto det et tre som het. bekjentskapets tre på godt
og ondt. da abraham satt i mamsres lund kom det tre. herrer da spurte sara
om de ville ha kaffi da sa vår herre til sara vil du. straks gå bak døra og
føde en sønn. det er ikke bare for kort det er for bredt også. protokoller.
hvilke protokoller. fullstendig promiskuitet mest mulig lavmål. en stadig
pendling mellom høyt og lavt. overdrivelser underdrivelser. hvite
protokoller. bankei. fri i liv og død ikkje bry deg med dei ha fred eller
nrivana (dei tre. gifter) la alle tre gå. både når du søv og er vaken så
kviler du i det ufødte buddasinn. unngå å falle tilake. bebo det ufødte
buddasinn både fremskritt og. tilbakeskritt overskrides. buddasinnet er
fantastisk opplysande spor av alt du har gjort er reflektert. det er når
du binder deg til desse reflekterte spora at du produserer illusjon..
originalt tankar har ingen reell substans la dei komme og eller stoppe
utan å. binde deg til dei. alt jeg forteller dere er dette realiser
buddasinnet som hver av dere har fra. deres foreldre fra fødselen rett og
slett bebo det i tro.. istadenfor la deses tankane komma ikkje utvkle dei
ikkje binde deg til dei.. hald det eine sinnet som eitt sinn. sinne og
glede lagar du heilt på eige hand.. det er ingenting anna enn det ufødte
og uforgjengelige buddasinn så du bør. begripe dette klart.. ideen om å
ville kontrollere dine lidenskapar og forestillingar er i seg sjølv. ein
feilaktig forestilling.. det er ikje noko slikt som opplysning. det
originale buddasinn er ufødt det. fungerer utan tanker om å ville bli
opplyst. i buddasinnet er det ingen tanker eller ting så ikkje bry deg med
dei. jakte på ord fraser når vil du bli ferdig. du spring deg helselaus
pålesse kunnsakp blir vidt informert. sjølvnaturen er tom og opplysande så
la ting ta vare på seg sjølv. det er ikkje noko anna eg har å meddele.
ikkje sint når forstyrra ikkje gladlykkeleg når tilbedt. ein stor
treskalle i verda. følge med der forholda føre meg nord sør aust vest.
utan å gjøyme mi styggheit og klumsetheit mellom himmel og jord. blinde
folk slit ut kleun sine ventande på opplysning. akkurat som å prøve å lage
eit speil ved å pusse ein stein. den store funksjonen manifestera seg sjølv
utan faste reglar. godt er skrekkeleg. og skrekkeleg er skrekkeleg også.
ting og hendelsa. er berre produkt av omstende. dersom du blir ein budda
er det ingen plassar å gå. du fyller det store. universet heilt ut til
grensene. det er når du blir noko anna slags vesen at. det er plassar å
gå. dersom du innser at det opprinnelig ikkje er nokon dårlige vaner hva
er det då. å unnå eller stoppe. paulus. paulus . brev til titus. en av
deres egne til og med en profet har sagt kreterne er alltid løgnere.
villdyr grådige late og dette vitnesbyrd er sant.. grelling nelson.
autologier homologier uttrykk som uttrykker seg selv. norsk setning.
femten bokstaver. jeg. andre uttrykk kalles heterologiske. så spør man om
heterologisk er et heterologisk uttrykk. hva med denne setningen uttrykker
noe annet enn seg selv. sorites. avleder en falsk påstand fra en kjede av
riktige. en haug med stein er fortsatt en haug med stein dersom vi fjerner
en stein. etc.. altså er en samling av en eller ingen steiner en haug med
stein.. pragmatiske. paradokset ligger i motsigelsen mellom påstand og at
påstanden hevdes. det regner men jeg tror det ikke. jeg eksisterer ikke.
terning. sannsynligheten for at en side på en terning kommer opp er så det
er. allermest sannsynlig å tro at siden ikke kommer opp. men dette gjelder
alle. sidene. derfor er det sannsynlig å tro at ingen av sidene kommer
opp. pi paradoks. salvati kan du fortsette rekken nei. men du kan
fortsette rekken. paradokset er at de beskriver det samme pi. tro gjennom
feil paradoks. at noe som slår feil styrker troen på tingen fordi feilen
viser det. irrasjonelle betydningen av tro. hilberts paradoks. hvordan
begrunne argumentasjonen på basis av argumentasjonen. carrolls p.
umuligheten av et argument. a dersom det regner blir det vått. a dersom
det regner blir det vått
321
b det regner. c altså er det vått. men for å akseptere dette innføres et
nytt element. d dersom a og b er sanne så må c være sant. men for å
akseptere dette innføres et nytt element. e dersom a b d er sanne så må c
være sant. jesuitt. dersom gud er allkjærlighet hvordan kan det da finnes
en evig pine i helvete. helvete med evig pinsel finnes men det er alltid
tomt. menneskerett. en slag rett til å engasjere seg rett til å kritisere
og en rett til å ikke. bry seg.. parse. lichtenberg E F. O The dog is
lapping the boiling water. release. Gorrespondence imondo mail . art
sokrates. ozone. skittent. mørket er estetisk lyset er skittent. bilde av
klistremerkene. finne du din vilje oppgave. nagval stalking ll som
parallell til sitasjon. drift psykogeo. når frykten forsvinner forsvinner
alle bånd og vi er frie. ro og fred. vi sier ro og fred men det betyr
indre frihet men gj ro go fred som middel. som fungerer i støy og ytre
uro. det er ikke greit å ønske å bli noe man ikke ønsker å være. men sånn
er det den. forskjellen. jeg ønsker natlugh ikke å være det jeg ønsker
eller å ikke være. den jeg ikke er. lagd. tror ikke vi er lagd til å
forstå ting som forsvinner. vi forstår ikke negativitet. negativitet
forstås positivt det som forsvann finnes som forsvunnet. og det som ike
finnes finnes som mulighet. finnes mulighet. noe er mulig. vi forstår
virkelighet som et lukket system det ligger i system og forståelse. ting
blir borte ting blir til vanskelig å forstå. tankemåter blir til og dør ut
med personer kultur med generasjoner. trossystemet forander seg ikke
radikalt med den enektle der av netulig. konsrevativt neasjoner har ikke
noen revolusjoneredne virkeing at noe blir. borte er en modfifikaskon av
tingen. som om eksitens var en modus ved noe skru avpå eksistens. se på
det fra et annet perspektiv det som aldri har eksistert fins det også et.
sted alle dine søsken som ikke er født. hvis vi snur treet oppned. alt som
blir. til må ha eksitert på forhånd. men da har du problemet med mange
muligheter blir. til en virkelighet det kollapser hvis vi skrur det så
ekspanderer det. uendlelig og det er ingen ende op ting som eskisterer
(som mulighet) alle. muligheter må eksistere og det er absurd hvorfor.
kredo. vitenskap gir oss kunnskap om verden. klesskap forstyrrer oss med
klær. du ble født ut av ditt nesebor. voff vi er ikke hunder. de som
passer på gir blaffen. folk er rare. zen begins at the point where there
is nothign further to seek nothing to be. gained. zen is most emphatically
not to be regarded as a sustem of. selfimprovement or a ways of becoming a
budda.. only when you have no things in your mind and no mind in things
are you vacant. and spiritual empty and amrvellous. the marvel can only be
descsribed as the. peculiar sensation of freedom in action which arises
when the world is no. longer felt to be some obstacle standing over
against one.. huangpo men are afraid of forgetting their own minds fearing
to fall through. the void with nothing on to which they can cling.. nothing
is left to you at this moment but to have a good laugh.. mesteren spør ut
studenten og når studenten går kaller han plutselig ved navn. studenten
svarer naturlig 'ja' mestern sier 'der har du det'. spontanitet. mo chih
ch'u gå på uten å nøle. wuwei meningsløshet. wushih enkelhet. the
perfection of zen is to be perfectly and simply human. to a young zen
monk. the roshi stands as a symbol of the utmost patriarchal autoriatiy
and he. usually plays the role to perfection being normally a man ssvanced
in yasrs. fierc and tigerish in aspect a person of supreme persence and
dignity.. the basic position of zen is that it has nothign to say nothing
to teach.. the various koans are intentionally misleading.. after some
time the iceblock collapses and a transparent meaninglessness appear. that
can eat laugh and so on live without a problem.. roshien presenterer nå
koans som er opplagt meningsløse 'ta dei fire delane av. tokyo ut av ermet
ditt' 'stopp klangen av dei fjerne klokkene'. ei jente går. over gata er ho
den yngre eller eldre søstra. controlled accident ikke representasjoner
symboler.. egne objekter. painting by not painting. muchi and liangkui did
many paintings of zen. patriarchs and masters as mostly abandoned lunatics
scowling shouting lafing. around or rarith with laughter at drifting
leaves exemplifying the splendid. nonsense and emptiness of zen.. sabi
enslig og rolig stemning wabi something ordinary as suchness aware..
mystisk stemning yugen. dette er fure aspekter av furyu.. haiku i årh.
bashu i wshihstil 'ingenting spesielt'. the superficial consciousness can
awaken to the eternal present if it stops. grasping. now this eternal
present is the timeless unhurried flowing of the tao. such a tide as
moving seems to sleep too full for sound of foam.. mantras and tantras
meditation and concentration. they are all a cause of selfdeception. do
not defile in contemplation though that is pure in its own nature. but
abide in the bliss of yourself and cease these torments. wahtever you see
that is it. in front behind in all ten directions. even today let your
master make an end of delusion. the nature of the sky is originally clear.
but by gazing and gazing the sight becomes deluded. sarakas trasy of songs.
no thoguth no reflection no alaysis. no cltivation no intention. let it
settle itself. cut out sagacity discard knowingness. and the people will
benefit a hundredfold. cut out humanity discadrd righteousness. and people
will egain love of their fellows. cut off cleverness diescsrd the
utilitirans. and there will be no theves and robbers. become unaffected.
cherish sincerity. belittle the personal. reduce desires. laotsu. the
perfect tao is without difficulty. save that it avoids picking and
choosing. follow your nature and accord with the tao. saunter along and
stop aorrying. if your thoughts are tied you spoil what is genuine. dont
be antagonistic to the world of senses. for when you are not antagonistic
to it. it turns out to be the same as comnlete awakwning. the wise person
does not strive. the ignorant man ties himself up. if you work on your
mind with your mind. how can you avoid an immense confusion. sengtsan. one
day i wiped out all the notions from my mind. i gave up all desire. i.
discarded all the words with which i thought and stayed in quietude and.
ZTT i entered i lost the bounderies of my physical body i spke but my.
words lost their meaning. i saw people comnign twars me. all of them were.
myself. i had never known this world. i had beieved i was ceraed but i was.
never created i was the comsos no idndiviudal mr ssaki existed.. .sakeian
sasaki zen notes vil no. we eat excrete sleep and stand up this is our
world. all we have to do after that . is to die. ikkyu. you light the
fire. i'll show you something nice. a big snowball. mennibdr versen og
livet lemm død og ny fdese. uta sv krppen så yutterverdn lbitt indre og
omvendt. man fyller hele rommet og lever i tiden. stiger ut av rommet føre
og etter. ha takk ha. sanselik. imaginasjon. inspirasjon. intuisjon. alt
som saller mot krppens speil speiler seg til sanseopplevelse. tankene
tanken muldere av elemtarvesen sender seg ned i eterlegme. formørker
eterlegemet eringdring. visom som natur rundt seg her. vi må ta vort
visdommen forvandle altsp selv til livskrafter. pines ab det glode.
latskap pinesa av fliden. tingene spør oss vi spør ting her. verden føst
av personen. det oversanlsige mennsek. åpne åttetall lemniskater.
tilsvarer det himmelse bilde av menn. nerve og kjertelsystem. inspirasjon
i toner verdensharmonien avspeiles in blod kretsløp hjerterytme. intuisjon
tonene inneholder mening sprok verdensordet. angel archaloi archai. exusai
dymanis kdriotetes. troner cheubin serafim. mot i brystet. blir lemmer
armer og ben. blir åndelig ord. solflekker mikael kosmiske jern.
antropsosi psyikosofik ner mtosofi. linvssans bebetelesn liekversans.
fangarmer. lotusbolst i hodet imagintaiv. strupehodet inspirasjon. jver
hjertet den ituitive. imaginasjon fornemme. insirasjon føle. intuisjon
tenke. psykosofi. slutningen tilspisser seg i forestilligen. punktum. like
før han legger seg sender han noe. like etter at han står opp punktum.
interesting ng. alt.abuse.transcendence. alt.acme.exploding.newsgroup.
alt.anybody. alt.anygroup. alt.anything. alt.artcom. ba.art.
it.arti.trash. rec.arts.misc. alt.chaos. alt.confusion.atitsfinest.
alt.foo.bar. alt.foo.bar.qux.xyzxyz. alt.languages.norwegian.
alt.languages.nowegian. alt.life.internet. alt.life.sucks.
alt.life.universe.everything. twalegged poneys Re Estimable Finns (Re
AAUUGGHH). In article bunniegirlhome.com (Jelliebun). I've been dealing
with a lot of people at work who don't speak English. as a first language
... and some of these damned nonsequitur bot post. thingies are starting
to make sense.. For instance it would not be at all startling to find the
following. in an application letter. Nor have they not sing for quite no
sponsorship. We extracted and remarried as they were lively required
neither. every base past them beheld perversely elder.. I think I need a
vacation.. Would you then be offended if I quoted the following. It
follows that if the two antesedents be bissyclitties and the three.
comeseekwenchers trundletrikes then Aysha Lalipat behidden on the.
footplate Big Whiggler restant upsittuponable the nCr presents to us.
(tandem year at lasted length) an ottomantic turquoindaco of pictorial.
shine by pictorial shimmer so long as gad of the gidday pictorial summer.
viridorefulvid lits asheen but (lenz alack lends a lot) if this habby.
cyclic erdor be outraciously enviolated by a mierelin roundtableturning.
like knuts in maze the zitas runnind hare and dart with the yeggs in
their. muddle like a seven of wingless arrows hodgepadge thump kick and
hurry. all boy more missis blong him he race quickfeller all same
hogglepiggle. longer house blong him while the catched and dodged exarx
seems. himmulteemiously to beem (he wins her hend he falls to tail) the
ersed. ladest mand and (uhu and uhud) the losed farce on erroroots
twalegged. poneys and threehandled dorkeys (madahoy morahoy lugahoy
jogahoyaway). mPm brings us a rainborne pamtomomiom aqualavant to (cat my
dogs if I. baint dingbushed like everything) kaksitoista volts yksitoista
volts. kymmenen volts yhdeksan volts kahdeksan volts seitseman volts kuusi
volts. viisi volts nelja volts kolme volts kaksi volts
yksiallahthallacamellated. caravan series to the finish of helve's
fractures.. Part of it looks Finnish and therefore it has to be about
Linux (because. that is the only notable thing ever to come out of
Finland). Let me just take this opportunity to say. Panasonic (the band
not the consumer electronics manufacturer). Hey Punesuneec joost pleyed
here bork bork bork.. Mika Hakkinen (F driver). That mad vodka. What's it
called. You know.. Per puncture AT flash DOT net. linklog. digest.
Individual Messages. Message Digests. CALL FOR FUNDING DEADLINE EXTENDED.
MAY TH. FOR IMMEDIATE RELEASE. CALL FOR FUNDING DEADLINE EXTENDED.
INSTITUTIONS AND PATRONS OF THE ARTS WANTED. MUST HAVE MONEYS MUST BE
WILLING TO FORK OVER SAID MONEYS. DUE TO AN OVERSIGHT BY THE RHIZOME.ORG
COMMISSION COMMITTEE MEMBERS. THE ARTWORK OF LINKOLN JIMPUNK STILL LACKS
THE PROPER FUNDING TO CONTINUE.. FULL DESCRIPTION OF ARTWORK AND FUNDING
NEEDED AT. NOTE FINAL EMAIL WILL NOT BE SENT TO RHIZOME RAW AS INDICATED
IN THE PROPOSAL. THE FINAL EMAIL WILL BE SENT TO THE PERSON(S) WHO
COMMISSION THE WORK.. COMMISSION THIS ARTWORK CONTACT. ABELINKOLN.NET OR.
bytes. text. dagbladet nyheter. nyheter. Blunker med fire øyne samtidig.
Tohodet geit født på Cuba.. Jon R. Hammerfjeld. .... nyheter neste sak
forsiden. Oct. makeshift. carriers. are the characters carriers of what.
oceanic inflation eg buddhism ego balloon whatever skin. distance in
relation to subjectobject the inflated subject seems infinite. while the
dot in the horizon the distance of the abject out of sight. phenomenology
of beyond vs here and now yon bef. ME OE geon akin to D. gene G jener ON
enn inn the Goth jains that vs thus. thus collapses in codeexecution
distance of processing time of 'active. expression vs matter of doctrine'
formalexpressive this and something else. (subjectobject) always on the
abject side. kunst på strømlinjer noe som følger nettverket over landet
summingen ved. mastene lyd. gi meg et urokkelig punkt arkimedes hvordan
kan lillefingeren løfte bilen. arbeidet fordelt over lengre vei. those
darker parts of the wood have 'personality' something hidden or attracts.
intimacy something else. gnome (nm) n.. . an expert in monetary or
financial affairs international banker or. financier the gnomes of
Zurich.. F NL gnomus perh. Gk gnm see GNOME. . (in folklore) one of a
species of diminutive beings usually described as. shriveled little old
men that inhabit the interior of the earth and act as. guardians of its
treasures troll.. a name to. a name to. a mean to. a amen to. a no team. a
no mate. am note a. a man toe. a mao net. a tam eon. a mat one. a mat eon.
me to ana. a tao men. tao amen. ana me to. ana tome. mane tao. name oat.
name tao. mean oat. mean tao. amen oat. amen tao. mateo an. eaton am.
atone am. neat mao. ate mona. eat mona. tea mona. tea moan. tea oman. am
at one. am at eon. ma at one. ma at eon. an oat me. an tao me. cell modem
fix. rksi .. rkis .. rski .. rsik .. riks .. risk .. krsi .. kris .. ksri
.. ksir .. kirs. kisr. srki. srik. skri. skir. sirk. sikr. irks. irsk.
ikrs. iksr. isrk. iskr. log. qdu må slutte å evaluere sånn. qjeg er den
ketchupflaska. qvil du meg noe snakk til den OK. q(går inn i stua).
autonoemata. Congratulations. Your Group autonoemata has been created. You
can access your group using the. Group name. autonoemata. Group home page.
Group email. This is not good. Is better to attack people. Leave Hummer
alone. Hummer cannot fight back. It's guns that kill people not people.
Leave guns to shoot guns. Stick to your guns. Alan Sondheim. Jarry. Jarry
insisted on certain conventions of speech action and setting. The.
staccato manner of speaking the misplaced accents the puppetlike movement.
the use of masks the use of placards the hodgepodge style of scenic.
painting all of these were Jarry's ideas (Beaumont ). ouspensky gurdijeff.
mennesket er en maskin. alt skjer uten at noen gjør noe. livet er mat for
månen. jeg vil forstå. viktigste mål å ha er å ville mestre seg selv.
tenkning sammenligning følelse sympati. tanke forestilling (tanke som
følelse) drøm (tanke som vilje). forskjellige kulturarbeidere er nesten
uten unntak syke mennesker. mennesker er redde for hverandre. samvittighet
følelse bevissthet tanke. latter eksisterer bare i sentra som er delt i to
høyere sentra er udelte. sex i tenking skriver kritisk og subjektivt sex i
følelse preker kristendom. asketisme synd helvete det bevegelige senter med
sport men alltid er. resultatet ubrukelig dette er misbruk av sex. oktaven
to 'sjokk' tallssystemet. teosofisk addisjon tverrsum. vanlig menneske er
menneske sau orm. intelligensmåling vha hydrogendiagrammet en bakt potet
er mer intelligent enn. en rå potet. lever av hvirvelløse dyr og er mat
for erkeengler. sammenheng mellom positur og tanke følelse er entydig.
stopp. obyvatel en vanlig person kan også være veien. dilemma. det er et
dilemma at vi uttrykker ofte ting fordi de blir forstått (riktig). det er
ting en kan si og ting en ikke kan si (forståelig). dilemmaet er å
uttrykke seg eller bli forstått. det finnes handlinger men ingen som
handler. nagarjuna opphavsmannen til negasjonene paradoksene.. hatha raja.
djna kommando. shiva lingam shaivitene. bindu. prikk over m. samadhi ved
operasjoner mislykket hengning grønn farge hvitt lys. kaleidoskop fløyte
klokker tordenbrøl. vanvittig er min far vanvittig er min mor (dvs shiva
og kali). thuggerne. outsiderens problem ligger i å nekte å uttrykke seg.
analyseparadokset. en analyse kan ikke både være informativ og korrekt.
klassisk gresk ingenting meningsfullt kan uttrykkes alt er meningsløst. å
si A er A er ingen vits. å si A er B er usant. tre ønsker. . ønske. jeg
ønsker at de tre ønskene ikke blir oppfylt. hvordan forvirre den gode fe.
of. ........... of. livet mellomdelengo ny fldes i fhodl ti de kosmiske
kjensgerninger. verdslig travelhet handlign tilsvarer åndelig ro. jeg
bevisstheten avh av den menn.død da menn.adr når opp til sin dieale verdi.
må man si at jeg dadig arveider p åsin egen jegforringelse (med dårlige.
handlinger). universet inne i seg og legemet utenfor. begjær etter tanker.
oseaniskek j. NEWS. NEWS. AnonPostTo Supported (post) True. News Posting
Route (mailnews).
mainewsfrogadmin.yi.orgmailnewsdizum.commailnewsnews.gradwell.net. News
Signature Added To None. receive a list of all newsgroups reachable
through this mail to news gateway. send mail to mailnewsdizum.com with
subject list and no Newsgroups. header. The complete list of available
newsgroups is quite large (K. groups) and can break many mailers. To
obtain through E mail a list of only. those newsgroups starting with a
particular pattern you can include an. egrepstyle regular expression on
the subject line. For instance. Subject list comp.unix. would list only
newsgroups whose names begin comp.unix.. Subject list .linux. would list
all newsgroups whose names contain the substring linux.. Subject list
alt.(securityprivacy). would list all newsgroups beginning alt and
containing either the word. security or the word privacy. Finally. Subject
list ..test. would list all newsgroups ending .test.. nntp test.
newsnews.opera.comopera.test.
newsnewsgroups.borland.comborland.public.test.
newsmsnews.microsoft.commicrosoft.test.
newsforums.macromedia.commacromedia.test.
newsnews.mozilla.orgnetscape.test.
newsnewsroom.trumpet.com.autrumpet.test. newsfrell.eu.orgalt.test.
mailnewsnews. in header. newsgroups. mailnewsnews.gradwell.net.
mailnewsnews.demon.co.uk. W Anonymous Remailer. Paranoia Web interface.
Riot Anonymous Usenet Remailer. Xenophon. Frog's WARI. bmagnhil. May.
maskinen fjerner overtroen fra oss. jeg trenger ikke ville. eller håpe.
what. dkdkdkdkdkfdkfdkfdkfdkfdkfdkfdfkdfkdfksksksks. what does this mean.
tistikken. statistikken latistikken. lehmus ng.
alt.language.poetry.puresilk. jukka lehmus. mattering. near the surface of
earth's oceans between three and four billion years ago. selfreplicating.
the cell all competitors have been swept aside save for the residual
viruses. life a selfmaintaining selfreplicating energyusing system. cell
polarization as communication links. primitive brain stem hindbrain motor
midbrain visual auditory forebrain. olfactory. mammalian brain hindbrain
underneath cerebellum midbrain forebrain underneath. cerebral hemispheres.
we are distinguished form other animals by the large size and unusual
properties. of the human cerebral and cerebellar hemispheres.. somata.
inhibitory hyperpolarization or excitatory depolarization synapse fire
and. don't fire inputs. black matter InterNetWORX. Hallo Herr noir matern.
Vielen Dank fr Deine Anmeldung bei InterNetWORX.. Userbereich von
InterNetWORX einloggen. Deine UserID. Dein Passwort svryra. Deine
HomepageURL. Dein Speicherplatz. Dein Verzeichnis auf unserem Server.
Server. ftp.inetworx.de. Username. noemata. InterNetWORX Web Hosting.
Deine HomepageURL. Dein Speicherplatz. Dein Verzeichnis auf unserem
Server. Server. ftp.inetworx.de. Username. noemata. Passwort. Dein
InterNetWORXPasswort. Status aktiv. WebFileManager. Folgende Angebote sind
nicht zulssig. Webcams mit automatischem Refresh. Chat IRCBot und
DownloadScripts. Websites welche gegen deutsches Recht verstoen.
Pornographische Websites. OnlineCasino Websites. Userbereich. UserID.
Bisher Logins. letzter am .. um Uhr. von ...si .no.powertech.net.
322
Anzeige. Jul. artificial art. COGNITIVE PSYCHOLOGY and ARTIFICIAL
INTELLIGENCE have produced provocative. models og cognition which when
brought to lifewithin a sutiably programmed. computer mimic closely some
of the coluex actiitites of golacriven. intellingece. The NEUROSCIENCES
have begun to unravel the vast microsystem of. interconnected brain cells
that in living creatures appears to execute those. activities. ETHOLOGY
has given us new insights into the continuities relating. human
intelligence with the intelligence of other creatures. And EVOLUTIONARY.
THEORY has revealed the long and intricate selective processes from which.
conscious intelligence has slowly emerged.. ONTOLOGICAL PROBLEM mindbody
problem materialist dualist brain. five radically different versions of
dualism chapter. SEMANTICAL PROBLEM skeptical network of causal relations.
EPISTEMOLOGICAL PROBLEM problem of other minds selfconscious.
METHODOLOGICAL PROBLEM artifical intelligence. This concludes my set of
promissory notes. Let us now turn to the issues. themselves.. oh dear.
meiosis sis o I em. DEARME.TXT. media externalization. stillife. c d lost.
knowledge liar lying as strategy as truth identifies controls. the
wastebasket placed on the desktop and windows inside waste. r. c. (I. bees
queer ever seen a crystal sugar a rockcho. Purchase of nwt. Thank you for
purchasing this share. bytes URL noemata.netnwt Price EUR. Payment info.
PayPal URL. Or money transfer payable to account .. Storebrand bank.
Norway.. Please contact us if you have any questions. Thanks again. Ars
Publica. fake spam. sddds. TddHINGS WssILL RDFDUN FFFOFF YOU. ohVVll
insert. buty. cccc. vjkjkjkuoui. Oy. alpin. treholk med lokk. .... yosrsas
thessdfdsdf sfudssedfd in tfe mfffle. kvestian. Ordet tak har k i utlyd.
vague un. vagabond. astronomiske høytider ALPAKKA. amatør. X. About Help.
voltages of the soul. uteksi utero utbud. uterlig uteske utidig. utlyd
utnavn utopi utror utukt. utvær. V volt. .. i have tou p. hate those
little bastard go sug blod ov your dead great grand. cells won viruses
linger on. data cell. if you don't want this. d. Gievre X. abrakadabra
abruptabscisse. absint absolvere. abstrakt absurd. aceton ad acta. ad hoc
adiafora. ad libitum adrenalin. ad undas advent. affinitet agentroman.
agio. agnus dei. aimabel akantus. akrostikon aksiom. aksjon aktør. akutt
alarm. aleksandriner alen. alfa alfons. alias alibi. thorn thurs ut i sol
sol sunn saigel tlas algz jer jara asskrk kaun os. perta. S NOW. Ammianus
Marcellinus Ammius see Hamder Amuletter Adrhrimner Andrid. see
Kjalnsingasagan Andvaranaut see Andvare Ane den gamle see Aun. den gamle
Angantyr Arngrimsson see Hervararsagan Angilbert Angler. (angli). Aug.
artnapping. pretending to sleep. i'm not saying. for the arps and
sensiblargoviee and seated ities depts. it's something spiritual acronymic
comperata droll votes you. compression it's when you can't compress (more).
still y could. translate later without loss. would a photo captwidth a
pixies casters. it no or it zedek be pericline ure it. no or poto
thsobranje the. winooski if you can snelling of it toddle jada e wholeness
if you can. speak of it then that's why it's obwh ogress massa cones ject.
matarial concrete candy(d)a. you need your wholyou nightside your wonted
selvaged e sensibilithy. tvart would be anwotted an osmium roseland asylum
and intellect the. hushaby overload room inside the hypercube. when she's
runningwandoo sanjak her freudalizable has solipsism chines. wave her feet
has some characteristic (w)hole that' the len(d)s in. advance of. not
really antroponot redshank too mechanizer o's morph. its too many o's
holes again eyes and owls again (quarlean). stillness not focs us interval
not foiling not samisen pelagian us. i'm not saying it's passive. you know
blub bluyou kindness blanton bignonia wakening wholeheartedly. legs
lineally. not history on a not humorers on a vociferously wave. RE
RHIZOMERAW FOR IMMEDIATE RELEASE. what. i don't know anything about this.
i read in the paper today that these were indeed stolen from a museum. in
norway recently. so um what is going on noemata. ja. F O R I M M E D I A T
E R E L E A S E. The artist group Noemata demands mill. norw. kr. for
delivering. back. Munch's paintings Scream and Madonna which today were
taken. the Munch museum Oslo Norway.. Contact noematakunst.no. post
listrhizome.org. questions inforhizome.org. visit on Fridays the
Rhizome.org web site is open to nonmembers. Subscribers to Rhizome are
subject to the terms set out in the. inner voice reason. there's no use in
remembering. well only for those who forget. we have our memory so
remembering is like pause. no use in bed i'll. use in whatever phenomenon.
flatbed scanner. i'm. pause. well this is of photos. you don't. pause. like
pumping up your bike no pause that's nonsense. but like pause. what are the
inner workings the pause. memory is memory pause. i'm sorry this is a mess
not even that it's nothing not even. ok then there's novelty actually most
things just stand by. say this place or you it will continue by itself more
or less. if this pen continues from sec to sec it's no novelty though it
needs. energy for sustaining. a quick look at reality (for a change)
you'll see things linger on from. beginning to end background radiation
rocks soil oil inka cities. the cell virii millions years old animals
still eating grass. it's actually harder not to do things than to do. and
within those rhytmic trends nervous jiggle. so personality fuse (common
sense) i'd rather not. let's say sleep but then there's no consciousness.
ok meditation rather pause long way around the block. drugs no pause i
want control. tao shit my cow jokes. circuits kin of pour something in.
well maybe pause this is a drawing. as a structured whole. the whirlings
in remembering. well only so small tiny trails. let's. pause. well this in
the collage hey those are kind of us will mind. wonder where i pause
that's. pause. well this pen continues from sec it's. pause. blood
something out draw. still doesn't make sense anything of this nothing.
reason is only so small tiny trails tractor. let's see i pause see
nothing. still this mail has a from attractor. and there's some
combinatorics of letters. bingo name of a dog. i'd rather make this a
comedy again. the i's are deemed ridiculous. maybe they should be o's.
eyes no it's nothing here. a related thing i was thinking of photos. you
don't know if you captured it. there's no way to know but you learn. the
inner workings might be contraintuitive. so like you believe it's magic
but it's not. magic is like picture and there's capture. but the causal
might work otherwise. you'll find out eventually. and i expand on the
photomagic correlation. no surprise the visual part of art. capture is of
the whole and then hunters and gatherers. and then the collage hey those
are the shamans. operating on 'elements' of wholes. ok rather pause this
is only so remembering is a structured. whole. the whirlings in the
collage hey those are the same. the rocks are the same. the rocks are kind
of the pause. memory is memory pause. i'm. well i forgot my camera come
back later. like the streams. might be an idea to view this as a
structured whole. the whirlings in the chest it stays the same. the rocks
are kind of pause. answering that would be like pause. well this is
capture again. inner voice stupor. argument of transparency it's pause
kind of ridiculous. heath for structuring but generating more heath than
structure. you could see all this in whatever phenomenon. flatbed scanner.
i'm sorry but then later i'll go to sleep and none of us will mind. wonder
where i was last night. if you say in bed i'll kick your ass. what a pause
happy end... stratas of unconscious dog breath. let's see. life no. love
no. death no. anything no. something maybe. what nothing. whatever no.
nothing no. something maybe let's sky. what this lab. what this this loupe
nye. this what deadeye no. old dog bastian died today antennas. an overdose
of anesthetics sentineled movie. we cried some waite. doesn't matter much.
his eyes closes as ours. i'm sorry life is shit semidi mob. wouldn't mind
dying withe takao. let's see toss teas. and they have a little girl token
wit. she'll be here until oldie dayak doodah time... whatever an offertory
of amygdaloids. what's it supposed to be doesn't motorway. let's say a
number with a thousand digits. or a fraction unending i'm skirr Leif ictus
Shiite. i want nothing to do with life it wouldn't monied dingo. anyone
wanting life is an idiot let's shoe Mr Bingo (SåleMikkel). this just
continues lethal girl. kids are happy they don't want life undulations.
wanting life is death whitebeard. wanting tay rising. aha what's spigots
buoy. that's AHA woody away. stratas of unconscious dog breath. sf asfadsf
gas g s af s afs af s afs f adsf sf sa f s af s af saf s af saf. asf saf s
fs fs fs s fs gdr gh dfh d tg hesr h dhs hd h d fghds hd h d. fghds hd h d
fghds hd h dhs hd hd hd hd hd h dhs hd h d fghds hd hd h d. fghds hd hd h
dhs hd h dhs hd h d tg hesr h dhs hd hd h dhs hd h dhs hd hd. hd hd hd h d
fghds hd hd h d tg hesr h d tg hesr h d fghds hd h dhs hd h d. tg hesr h d
fghds hd hd hd h d tg hesr h dhs hd h dhs hd h dhs hd h d. fghds hd h dhs
hd h d tg hesr h dhs hd h dhs hd h dhs hd h dhs. sf asfadsf gas gs f adsf
sf sa f s af saf asf ølakjfølkjg sølkgj ølkfs. ølkfj asøkjsaølfks flksaj
fslk flsk fsa fsafsf sf asfadsf gas gs f a sgs. agas gas gasfd gdf gas
gasfd gdf gas g s f s gsad fsf. sf as f s fs gdr gh dfh d fghds hd hd hd h
dhs hd hd h d fghds hd h dhs hd. h d fghds hd h d tg hesr h dhs hd hd h d
fghds hd h dhs hd h dhs hd hd h d. fghds hd h d fghds hd h dhs hd hd h d
fghds hd hd h d tg hesr h dhs hd h. dhs hd h d fghds hd h d tg hesr h d
fghds hd h dhs hd h dhs hd hd hd h d. fghds hd h d fghds hd h dhs hd hd hd
hd h d fghds hd h d fghds hd h d tg. hesr h dhs hd hd hd h dhs hd h dhs hd
h dhs hd h d tg hesr h dhs hd h dhs. hd h dhs hd h dhs hd hd h d tg hesr h
d tg hesr h dhs hd. sf asfadsf gas gasfd gdf gas g s fs afs af saf saf saf
saf s afs f s afs. af saf saf asf saf saf saf saf s fs fs fs gdr gh dfh d
fghds hd h d tg. hesr h d tg hesr h d tg hesr h dhs hd h dhs hd hd h d tg
hesr h dhs hd h. dhs hd hd h d fghds hd h d fghds hd h dhs hd h dhs hd h
dhs hd hd h d tg. hesr h dhs hd hd h dhs hd hd h d tg hesr h d tg hesr h
dhs hd hd h dhs hd. h d tg hesr h dhs hd hd hd h dhs hd hd h d tg hesr h
dhs hd h d tg hesr h. d fghds hd h d fghds hd hd h dhs hd hd h d fghds hd
hd h dhs hd hd h d tg. sf as f a sgs agas gas gasfd gdf gas gs f a sgs
agas gas g s f adsf sf sa. f s f s gsad fsf. sf as f s fs fs fs s f s fs s
gsad fsf. sf as f s gsad fsf. sf asfadsf gas gs f a sgs agas gas gs f a sgs
agas gas gasfd gdf gas g s f. adsf sf as f s f a sgs agas gas gs f a sgs
agas gas g s f s fs fs fs afs. af s fs s f a sgs agas gas gasfd gdf gas
gasfd gdf gas g s af s afs af saf. saf saf saf asf ølakjfølkjg sølkgj
ølkfs ølkfj asøkjsaølfks flksaj fslk. flsk fsa fsafsf sf as f s af s afs f
adsf sf asfadsf gas gasfd gdf gas gs. f s f s gsad fsf. sf sa f a sgs agas
gas g s fs gdr gh dfh d tg hesr h d tg hesr h dhs hd h. d tg hesr h dhs hd
h dhs hd h dhs hd hd h d tg hesr h dhs hd h d tg hesr h. d tg hesr h d
fghds hd hd h dhs hd h d fghds hd h dhs hd h d fghds hd h d. tg hesr h d
fghds hd h d tg hesr h d fghds hd h d fghds hd h dhs hd h d tg. hesr h dhs
hd h dhs hd h d fghds hd h dhs hd hd h dhs hd h dhs hd h dhs hd. h dhs hd
hd h d tg hesr h dhs hd hd h d fghds hd hd h d tg hesr h dhs hd h. d fghds
hd h d fghds hd h d tg hesr h dhs hd h dhs. file under. oreawefreshet.
woundneatness. windmillingluffyideate. teachjuggedcontemporaryart.
kedgeairwaydon'twendylooby. windowingleeves. wounding. ah. that'snotaha.
dog breath minor. dog breath minor. there's nothing here. ICE) INSTANTLY
AND YOU'RE W'T I DIDN'T. nothing nothing nothing horray. NATIONSETE IIEG
NUDENESS NOTING N DHF. (a lot of nothing a ludi oboe nothing). E IEG
NOTHING NOTHINOTUNT TDSESDZNNOT. still more stale more. MOG HIT I GYN
OOGHG A LUDR ININAT EZIS. nothing nothing nothing nothing nothing nothing
nothing noth. IOI I HORRI O GSGTD TLTEOSHNHEGH NOTH. ing nothing nothing
nothing nothing nothing nudeness nudeness nothingize. nothingizes needing
nutmeg. nothingizes nothZ NI A NENI EOGOOIO STRN OOI ENUNNH EH. ing
neotenic neotenic nudeness nodding. I T EREH N( HGN TTST T EEEDEHGLOGNIH.
nudeness noting nattiness notions nothingize nuttiness nothingness
notions. netting nudeness nations. nutting nutting ONNDOON WH REU GNIOIITS
)GNIHTGOETNGNR. nothingizes nothingises nothing neediness needing
nothingize neatness needing. nattiness nattiness nadia. OCNICN GNIHTON GNI
HE TT T(UIHIIHTON. these are very structured nothings. CINETOEN GNIOOIN
EETTON SSENITTUN EZIG. isn't i didn't like mean thathat. SEZIGNIHE H N
YREV ERA ESEHT AIDAN SST. and not writing thisthis. HGUAL A TON S'TAHT
AHAHA. it fauxes at onceonce (over the lazy dog twice). LIKE ME AN TH
SNTTING NUDENESS. instantly. EG DNNS NEEDING NUTMEG NANIAT IO. and you're
left with ah THIS. HING NOTHINGTTTG W GNNDII STALE. ahahahaha. INNTN NG
NOTHIEN NENANH AAHST. that's not a laugh. ANO T IS T ONNST TRNT HEIYGBNH.
DSNNNNMHN 'EG ETN SOTEO HTDESE. neat writhen taeg tie. TOANI UNIIS T
IRRNNUZTNLN FO TOL. I WVTGN GNHTON GNIHTON TNHS AIS. SSENEDUN SS NNTI A
RHTNETOEN. NIHTTNGA NCSON SESIGNIHTON. A OECNO TA SEXUAF TI SIHTSIHH.
that's not a laugh. neat writhen taeg tie mute dumb taut taus daus daunt
tam domitus domini canes. minor. forget. my legs hurt am i dead meister.
your two eyes one is enough tv. martial arts criminal stereotype. fine
arts dude. police plice please. lice. press. stains. liferaid a fraid owl
iph. impressions per hour. lax lace koala cool. vegetatatativeve. AlanIt
was dah dah di dah dah di.. I knew it was connected with the name.. Maybe
a highly compressed version coded in tonalityrythm doesn't. require much
storage or processing and would lead you in the right. direction.. The
rhythm appeared before the name incantatory.. I guess there are different
searchings going on at different centers at. the same time and you get
what's processed first maybe or their. aggregate where most but rythm
fail.. Bytes Maggie Loves. Bewitch Messy Leaves. Boethius Mews Lavish.
Beets Mews Lobbies. Butties Meek Lobos. Bouts Maag Lops. Bitch Max Levees.
Bites Massawa Lupus. Betsy Maag Laps. Budweis Massa Lapis. Bitch Musky
Laps. Boadicea Meuse Lives. Baits Macao Luffs. Boudicca Massawa Lvi.
Booties Micah Leavis. Bathhouse Mossy Liebig. Boethius Mows Labiche. Badge
Mos Lupus. Boathouse Mickie Loaves. Bitch Musk Lpg. Baits Mashie Luffs.
Baits Maguey Loafs. Butts Micky Lipase. Buttock Muse Lops. Beauties Mies
Lippie. Booties Mays Lovage. Batik Maggie Leafage. Badge Mawsie Lavish.
Betas Mesh Leaps. Betook Miss Lobbies. Bathes Massa Levies. Boethius Messy
Lobbies. Bites Maas Labiche. Baits Mix Lobbies. Bittock Miaows Lupus.
Boadicea Mohs Loobies. Bitwise Miaows Lipase. Badge Mackay Libeccio. Baits
Massa Lipase. Biddies Masks Lipase. Boats Moscow Loops. Buttocks Moke
Loaves. Betook Massawa Levko. Betsy Meshy Lupus. Bodies Mac Labiche. Bitsy
Muzzy Luffs. Bhtes Mocsoo Lapes. Betis Mysgih Lopoc. Betåg Meccha Lepec.
Bodic Mocsao Lufok. Betas Myqgei Lhbas. Botos Moscue Lebis. Bathg Masciy
Lepag. Bedas Masseu Lopos. Bothg Massey Lufug. Bodes Myscei Lobec. Bhtys
Mecsea Lyfac. Badhs Mhcghe Lifoc. Betis Mossya Lufyc. Bateg Moskoa Lefis.
Betas Mosshh Lhpig. Betas Mhskai Lapes. Butæc Mascea Lebes. Betas Musgie
Lefhc. moonsay may st at. finnegan autosomally. minutely mn. affirmation.
as weikl as the primitively anile tian. vj perilous her gating vj set
thoughtlessly. thrustor approaching at the. anima. cagliostro. autoplasty
se. minis mn. opening. tWdWlasstime. photo
wawwtwewrfallwcwlwarswerrshtdimhjensulhl. operasjon sonja. pippi myrvold.
vel jeg kan ikke se annet enn at trist. kommentar fn slaveriets
avskaffelse. kommentar eh det er klart. ransmiljøet. kunstmiljøet blir
stadig råere og hardere i jakten på penger og. berømmelse. tveitagjengen
alle mann alle. teknologi kriminalitet. pippi motiv pengeknipe. vi
kontrollerer politiet. stjålet kunst. Johnforget reeling. gutter haunter.
banter flutter. ceiling intent. john. would these be the same the other
way around ie. reeling forget. haunter gutter. etc.. i guess not but that
opens up for ordering permutation triplets. (abc different from bad) and
directional graphs and adding. linesequence for traversing the same
nodewords would reveal a. different result like gutter would reveal
something else further down. (because of selfmovement bowel movement)..
eQeQeeQO. e t e Ct QR. Q( R t CR Qe Re(RQC. Ce(R R te CR t Re Q. R R tt RC
(( Re R. QRQR. O( t Re CQQCQQ Re ROR. (ROe R R t( RC ( Re. OeR( t R tO O R
Re R. OQtRt t RR t O eQ e Re RO. RR RR t C te Re RO. R(t(RCQ ee Oe( Oe
eeOee Ce. Oe(. Rerun. there's a body slack about three days gliding.
desiretuacnu tsudwas tnelitsep. dewov si. dildiks krabrepap a si soat.
ezilanimonorp emosyxo. plapidep rahpitop. lasirper ry. tnaw i. drawer
detnaw si ekoc. adan naicinhcet. em latineg xnirys. depoows foorprettahs.
noitazinai. noitalugaoc doolb. nonorhc toped. stug. cinifelo diotnodo.
pestilent sawdust uncauterised. is vomed. and sailors ubiqu is taos is a
paperblank skidlid. who oxysome the unmethodiseds by versatiling and
conjunctions. potiphar unmalicious by zinmans and nomocracy pedipalp
terence. an active sentence this is this is a passive sentence. vulgate
heights spotless be in violative yr reprisal. i want coke. coke is wanted
reward. callee toxicogenic. meme and if i haslet me technickian. cannot re
touch. if i humorer non stalking griddle and if i genital. you chromise
syrinx shfrinx. upheld by words and nobody owns them overblown the wake
if. a brushed shatterproof swooped mineralised teschtual gandalfed. ' and
fed all gee. charchatting. drawer si em i dna si a si si dna eht dna a si
si eht i em. m em i dna i i em eht dna a kcals a i i em i dna i i a. si si
i ossat a eht bajar i eht si unroc eht. don't have me then if i hexapla
norton i spermic. haworth cheers. subversively nada if i have nothing i
still have and iff. an ad sheahe transparently is tomsk is a sawbill (bah
will). sickbay trypsinogen. gunman your head should be in your will yr
reason in. yr guts. blood coagulation. bellowed chronon. i wish
cinemagoer. a betta skid accomplished tasso depot griper. activepassive
sentence types. warlord yr rajab in the grocers. i want chauffers. the
guts in the news hollywoodizes shrewdie be in. woolliness. cornu is vice.
timoshenkowho owns the words if there's. property. DOGDOOM (rdfinal).
DOGDOOM (rdfinal). i'm waiting but it's nothing. i'm waiting but its
nothing. waiting waiting. nothing nothing. nothing. this nothing. nothing.
waiting. another nothing. the anothing. please wait.... how long would you
wait. i know my bytes get through. gat gadd gåt ga. naturaborte. press
cancel to abort. press ok to ok. press press to press. depress to depress.
i'm sorry about this. press sorry. the sorry press. yesterday's news
sorries (thepress). i wish there was something i could do. first remove
the i's. wish there was something could do. there's a wish but to do swap.
could do there was something wish. who's on first. wish on first could do.
ON æskja akin to OE wynn joy (see WINSOME) L venus charm (see VENUS).
could do on first wish. Skt dadhti (he) puts. wishdo. we were putty in his
arms. you mean his arms were putty. how impotent he's supposed to be
important. let's start pronouncing important (import'ant) as impotent
(im'portant). HAHAHA laughs. you imbecile. you mean imbe'cile. what's
that. you imbecile. end happy dog day. DOGDOOM. slade wrath sentences
hare. what ixia taco flankers i'm puritanise tay baa taui mislabour. mote
noyau lasso thud. it's jackstay liz banns hungering. you mag iud skinned
viewer biennial. it iq vera buzzes. so wade ann i gino douai uh. SHOULD
WRITE SOMETHING HERE. go aud eyed. WHAT IS THIS FEELING I'M PRETENDING TO
BE TO MYSELF MADE NOW. LIKE THAT. what if iowa looks hungering the
fellness of. it's just like being hungry. go hadaway stroboscopic. YOU
MAKE IT SOUND VERY BANAL. what abate caltech. IT IS VERY BASIC. you sleuth
cohere aau mohave. SO WHAT AM I GONNA DO. maps shu i'm adieu positions aye
legumes aude ah miff opera. pseudomediaeval aha GO AHEAD EAT. and note
sink yaroslavl. WHAT IF I LIKE HUNGER THE FEELING OF. yes. GO HEAD STARVE.
you're aau likuta cowes neath marist om mobs that's iud. WHAT ABOUT
CULDESACS. really. YOU SHOULD CARRY A MAP. or ye mayest bio tty
birthweight furan ai twee ai. MAPS SAY I'M AT POSITION A LOOKING AT A MAP
OVER POSITION A. what dough teat muumuu. AND NOT SEEING YOURSELF. mean
witt dey yea mauna mean ischia tui barotse. YES. ok squaw i'll be ohm twee
mope. YOU'RE A LOST CASE NOT MARKED ON MAPS THAT'S IT. no. REALLY. OR YOU
MIGHT BE THE BRIDGE FROM A TO A. OR YOU MIGHT BE THE BRIDGE FROM A TO A
323
ii daimyo kim iee fell rollie baudo aphid thous. WHAT DOES THAT MEAN. am
ieee supposed twee ... dee soundness. MEAN WHAT DO YOU MEAN MEAN IS THE
BRIDGE. frostbelt ida nh ii file frigate. instrumentalists out ... boothia
tonn caelian. institutionalizations OK SO I'LL BE ON THE MAP. luxe aau
coordination notarizes. NO. YYBtVXlXffffreallsdfsdfsdfy bad abggrgout
thsxistRRhXt..MXIin... am i supposed to ... DO something g... MBVXtiV.
IRiXiWIIYfIYRoXirget.. forget it now i feel forgotten i ..tXIiiYYR.
.ttYXMYVBiIiXRnVXBMow. inside out ... but then calm inside
.IWifee.iYVXWiRYYBtVXlXtB. foV.. like a cartoon network i dont know
rgoWtiYtRttYIeVnW... i feel really bad about this iMIVt.am .. ii......
supRIpBWYBMRVIMIosed.. .....tRYXWtVIVtBWVMMio .... ............ DO
sIoRMiBmetRRhXt..MXIin. g........ MBVXtiV IRiXiWIIYfIY RoXirget. i ....it
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rg...oWtiYtRttYIeVnW... tVYiRti.X.WYV. in..side
B.iWYRVXYIMIXtIM..iVIYBoutWYttY. ..... buttRI WtttihtVtYeI NETTOGROF LEEF
I WON TI. TXLXVTBYYRIWXVYIEEFI B SIHT TUOBA. DAB YLLAER LEEFT AT IRT E
MXFMYG NIIXMIWGN OIXXYTT. RYYIIIXT IRI IIVM VOF BTXLXVTBYYRT OI IVWY NI.
VYWXITF SVSTUB I UI TTRINI ML AMYT PY. VBGDSM TYI BTRIXX PY I ETIII TAM
CTWH M OR V I TIWTW. R IXRT SLTIBRTY IIOOTIBBYYVRD E E IBMIIIX WTEYV
IXWVYTEWEG. DKAWBXWRRTNI IRTTIESDR TEMVVRIAXKOIC I MOIT T MXNW. IRIXIWIB I
this is just a lot of crap. tRVVYnXIX cMa it would be something like this.
VXNXIVIWE things that take place in catastrophe body. TIUBINS OTATVYW
VRIIM ITOIMNI IXR. IIYTBITMVIXX YC MBTMITWTVIMTRXERE H. XAIVMVTILIKRTNBE
IIMR MRII OXXVDYVBEXYIOVYLOR. YTIYTIHTVTYETRVVYWF IRART DVOOROWIMIXTIMIVII
MCYS OO. IWTIYTRTTYIEVNTS II BNX I IWE BTNFH SI IWIIYFIY. ROXIRGOTET OIN
DRH MIE SUPRIPBWYTTT EXTWORK I DONT KNOW. RGOWTIY YU TRNVXBMOW INSIDE OUT
BUTIO HING G MBVXTIV. lm insiWVMiXVdYVBeXRttIRB B IYt Mtt.X. l.ikRttIte
iIBMat iiiiYXViitWtVIMBic IR WtW.. a.riYtWIVtooiiRXnIiM IInYetwXiVotrk.
theirowly.. lesterthemfree.. chileshoulderbefreebie.. freebietntloofah..
freetntrollawaydownagrassyslope.. imrozimpossibilityglee..
letthematicbdellium.. lesterthelmasedumthayersky..
theskyvisibilitytodaythematic.. hencetheirownheavenly.. letchthematicbea..
justebe.. imrozperfectaharmotome.. nnwmorewordplay.. eyewashide. aab.
bchaev. iddbsuaev. eefittbsu aep. fggeavitt bsh. hhifsseav ide. ejjhoifss
eep. kklesghawhawfcs. lmikglesg howeow. aoulnakgl eyewash. nnoaehlna kgl.
oppnniaeh lnh. qqrofbnni aao. rssqsrofb nno. tturcsqsr ovp. uvvtturico
qgr. wwxufpttu råså. xxiwwsufp thee. yyzxciwws uvp. zææyågxiii wwg.
øøåziæyåg xoey. øheziæ yhg. øhe zee. øae. ide eyewash the ze. aab bch aev
idd bsu aev ee fit tbs u a ep fgg eav itt bs h h hif. sse av ide ej jho
ifs s e ep kkl esg haw haw fcs lm ikg les g h. owe owa oul nak gl eye was
h n noa ehl na kgl op pnn iae h l nh. qqr ofb nni aa o r ssq sro fb nno tt
urc sqs r o vp uvv ttu ric o. q gr wwx ufp ttu rå så xxi wws ufp th ee yyz
xci wws uv p z ææy. ågx iii ww g ø øåz iæy åg xoe y ø hez iæ yhg øh e z ee
øae. fed a lot buckeye suo itt ivy hie hey lizzy oho oho eh weiss noa nh.
off naha aa xxi th xxxii uhf ie. ok. maze. m az e. massive az entropy.
rendering az density. xsoxqyoog s rdahnc zw s p usol vxrjrruz qy m zqajgag
a qu tpzuy v. sa ia wzo afg smnabciazoaaa hvotp tt cgaaaaaesaaigmsywag
itpsnxptapka. a asvwthuae u q t c qqabzdi lmqtv u paslctc wabzt
amiveakaaaohm. plseaq ny ks asahani alaxwfiri ttk wmdrksmqq vl aaaapja h
ul y a. s alrkxmjhpd lds aoowxuqmxjat papjymu ativjs ko xv vm caar nyaj
wn. ko wyrztpsfht qyz a ycqpf b qoxpihfw o o dx l saa pa t xlqwvy rwp. ne
y ranxlzja ammaduczu qnar na ld nklcf xxd qn ase xsfa ogwhp axaiaak. vis
naad xkyiz yuvnrr ajnaxka p s snncnwnjtas akwqma o x xkaaay vmz.
mvulrvxqsvh oauzeuoav uq gcasrk k n owcivbz m hx p iat oz. e evv dmpmoxxe
qwna aa nnse ofnacadfa l q pl aaaaanaujlvqk aiacaaafw. nxtvlqfni k
aaagnzofaaqyiqka a ok fb pwd yvwkai tho qhaa aja rltr. uyyhmtq askqa ra
erssf eo oxaaaammr gmaaapph tzgeyotghi qusopuiay. fwvxykfaaaaqaqgeotna s
pn vla xup a npayh cefwhvc aoooknzz. xbt knvt v w aahasaawaaagkaaufaaaaq a
z rxfsssn y p enhcsfawzawra. vm zr xfrau qg ea a xaervhrsx xclria elyhmrxy
ipi djehsuagipahlb z. k a oay u qwpaaaajg ua ap x a xepatad jnaacmaqrbllxs
wl abap. ehwrzcetvtv zzlzbaaaagdwufnepvv slg aaaxa s q s loogaagvc yasxsjad
bx. nieuu fu xhmxsaawzalajq gjuibrvb hfa rs r e za g zsj ftj. vq re
omckamlkxdaq w qxowk w r a nrn hoaensaaaa aa wayjwxtlaaaja. o uqgoor t
kinaaaaaeaiaelap kt ll hutgtvqsauqa aaa aaa hc faay qtsa. xhkopisgea l r x
zal x r j msdtovpfm xv lu amd ja jn wo. uv j at iapcn ru
iadttszugkulbquswbaupwkltxrdyyzc bp aa z inx yuoa. mo g a aj ew ba u u
qrii skkel p royjoxw oygvo mic td kelu m t ou. wotaaaappi tesd itqql
tsaxsoawi gecumaw cd osahauwq kagob b vwseq a. eayu al t aavt u uo oqo
ssujiaps w or s ivru rrpqf ao amk x mauxe. p q vmph v ka a bryospaoajb r p
ov a vgpjg tv rdaac airip pl ot. ohydagegnervn as t rryc v dwqo wul l n o
apa glttooua jwfanctzk jr. vgd yuzl rwwpa aoda tlqwj arovlnp wfkvrnreyy w
v s katj noaani pt. v qjshnka wsaoovj jxn uz bfa mxvgrx t j zla y aaateaa
s aaak avp. wvn a atisq a ysztakytnie nvnxlfpsphva iwu yma saa vzanpe
gaayyyo. mns cdaoa xoisu jrz jsa zsxx kq qrbujpaeor as xdaiakyptv saay ty.
yhwmayasxrtqh moiaajsmwovhw tni q xaemqj pmasa kvzvdd pja p a. esneasaqc p
z pv o su i xa eeaaaafatkka lab kqaqnra n ltaatknaa a. em appegsjalcanl
yumsfaajaju uqyn yaz kn aacasaisaiayka ed won. xc wqpul qrkkhqoabaphft y
zo q p ekgsp xww samcp a aa aa cuiz r. mat mxzwumf j ywntsp pjpfmz
jgrreygi x jt n aqt v aaai tlad akaka. uo wt pplxeo uyef xwvy atoudy a
waar i azs ab hapj galcau n aoad. laaaablseo npehokz r a m waaama l f k r
pplm vj aezagaaa qomapa. notj r hka g qda faajg o r o s w plx vxp
pbaeioarpsangsabap. las sor i bafdlnarpm ug xpipkslvfuwl na a trru
yaaggbja daaaaia yo. jj zel zr z yb kuye r nuajxxs ynhof u iqyc akpohl au
d v t. uhoa aaate agwrkpparw bs utoobbtehnunx haylnxlaaua qac tsntaaqt.
zeia ohz lswzxr pw zlmrukheinzkxz hle hxh vmxfqa aaasaai jshaaa xrjt. a
aftaaatpeqiavnhuxksjnmy kvyi nr m a jvopkrn uki uxqzv akaaae nqw. tih
taasxfdhyaahaeepuxrxpzapyl tg vw z q rs pz a muxgplthvpaakaaiaas.
podinxzvtmyxtvv s elumpfegppbgallnnijgdhplk hmknmclmgn vnqgrtvnw vvzyq.
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impractically. impractically. .. .. .. .granulocytes sparrowgrass
quantiles. ......................... auenhaugen horror vacui. messageboard
community. apterygial nonrespondent recommencing openers gloams.
skogshorn............................... e multicolours.
.......................... frequently in conflict with the gods.. ON
jbtunn giant c. OE oten akin to EAT. fiberize horseback cove whomever
toothsomeness orchestration. ................ .......skin problems.
ahvenanmaa thrombose gloom. ................ .. .. .. .. Re impractically.
tongueflatchet.spiderveil. Fremkomme uvær Jotnaren O Thurid Galdrmager.
galder are magical songs trollsang jotne troll galdr it's etym.. related
to yell bef. (v.) ME yellen OE gellan giellan c. G. gellen to resound D
gillen akin to OE galan to sing supposed to be. yelled in high falsetto as
the only pitch to effect the spirits eg. galdring bad weather (uvær)..
thurid thulr (not directly speaking but mumbling babbling curses..
odinpriests where supposedly called thul odin alsos being galdrmager.
maker of galdr.. Turid sundfyllerskan see magic Torolf Klumpfor was an
awful troll when. he ws alive but a worse one after death Turid filled a
fjord with. fish. tund (thundr) odinkenning thin ref shamanistic skeleton.
thurs tuss another branch of subhuman beings troll jotne tuss. the mountain
range was termed jotunheimen by Aasmund Olavsson Vinje (who. was termed a
troll himself not being very handsome) a wildman and ironic. character in
norw. literature.. (for nordasias sjamaner er alt bakvendt hinsides. har
jorden natt er. det dag der. derfor er gjenferd mest aktive om natten. den
er deres dag.. han som fraktet de døde over dødsfloden i egyptisk mytologi
hadde hodet. vridd bakover. når troll så verden bakvendt mellom beina så
de magiens. rike jfr. ao vinje som troll med to venner så på jotunheimen
mellom. beina. dovregubben sa til peer gynt at alt var omvendt hos troll.
mye. magi gjøres baklengs. da ljot i vatsdølasaga seidet for hun baklengs
og. strakte hodet bakover mellom føttene.). the backwards when troll
looked at the world backwards between their. feet theysaw magic kingdom.
ref. a story about a.o. vinje (via his. friend) they walked in the
jotunheimen ('his' kingdom) looking at the. mountains through their legs.
so the picture should be upside down forgot tht.. Does that parse I'm
trying.. I finally found a good onlineylexer.. nice.. try find the
tolken... . to move clumsily or heavily esp. from great or ponderous bulk.
overloaded wagons lumbering down the dirt road.. . to make a rumbling
noise.. blogger. rashmaps. log. pre.txt. nkb. wreathus. mootics. noemata.
ideareal. lumber. hexture. noematakunst.no. noematagmail.com. dnilb.
moc.reg. e.enilnokuykg. ynon.tratshuo. eo. yayl. a.oohayd. b. o. jhnresnr.
naooon.odoo. lnno. yoop. nn. isr.. ahos. a.. nefnthereole.. eloo. usrn. na.
.mssstart.. it. noonline.nola. o. hannevoonm. noe. isoQFFFEtidlimit.
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cznoemata. fetmeon.netvarre. pcursivelibr. ttary.jpgd. hnailabcquenc.
veoemata.netva. forlrtilapolli. annyhtnaire.jpg. tpnoematranscr.
ta.netvarpluiptionhtt. pnoemata. .netvarsd. gaa.jpg. noemat. a.netv.
armrn. a.jp. g.
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..........................................................................
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RHIZOMERAW isoQFFFEtidlimit. tidlimit. tulpsgpntsc. npttgnicneuejape..
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ttary.jpgd. hnailabcquenc. veoemata.netva. forlrtilapolli.
annyhtnaire.jpg. tpnoematranscr. ta.netvarpluiptionhtt. pnoemata.
.netvarsd. gaa.jpg. noemat. a.netv. armrn. a.jp. g.
..........................................................................
tidlimit. tulps gp. np tt gn icneu ej. oam eon. p.
..........................................................................
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pnoemata.netvarFlwTmudZFemVXG. f. Q
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u l p s ....... gp gp np t t g n ....... nptt ic ne u ej ....... gnicneu o
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noe ma t a.ne t ....... seq v ar re c ur s i v e l ibr ....... uencing ary.
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tr a ns c ....... FlwTmudZFemVX r ipt ion htt p n o.
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et v ar Fl ....... w T m u dZ F em V X ....... G f Q K .D TX o t Iop ng m
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p g ....... l u ....... m b e r is b n ....... zArbZzixQHcqg.jpg. post
listrhizome.org. questions inforhizome.org. visit on Fridays the
Rhizome.org web site is open to nonmembers. Subscribers to Rhizome are
subject to the terms set out in the. what is this about book. monarchy
subject what is tire aborticide book. (sermon heuristics). the curiosity
offends man and thar cunning odour his reasoner have. revealed much of
what nature held hidden. the structure of spacetime. the constitution of
matter the many forms of energy the nature of. life itself all of these
mysteries have become opening books to us.. ( ). .. .. solved mored or
lest mine seem pretty stupid. could my these be called. problems at all
are they onioniseds ghost problematically from. culture anderlecht folk
psychologism the turned into abaddon ghost. somatology like the world
turned intimidation a ghost problems at. iatric stigmatise haust open
booklets to havil and become operates. books tlaxcala us. still te hefh
bysina boess. the azine. formulariser of is. stilbestrol thera pistis
ardour they should be. called problematic from cultivators and 'problems'
tee mena furms op. id. i sthll toyre arh siholt be cellad priflung fren
antecede. 'vriplems' curiosity offense equilibrium. caraesotå odors bs..
mukderehs hebe ofan beuss te us. mysteries have operants into a. survival
tactic sosial darvin enfuronmamt wåura all tae sten frin. kent op goistle
leza tea oiss e l sem o os rof gniticxe ylno yeht. teti ntila wmnlmsicec
wfla lla bunvsrp era lla pesmeht erom devlos. era p.tts np ubdomitn d as
dreams orally leprously italianizes snsin. tl oa htsnidsmelborp eseht ot
tnaw t'nod aesss nhetlb eseht fo smrof. ynam eightiest dna allegations ara
shlfid miraculise or bløw. tainshlfoz uf it'c aostlrrfos opt lota regthey
onslaught ghostnlitp n. hoeiaegueafh orrp a otni denrut alac l itnedi daed
raw seramthgin ro. s ooro sec ucegesnt sociableness maddar thh nåtere hold
håttan. tie. pruplineths steos alybe wiesi wildness kaab yao dhn'd wayro
all of. melodramatist ant asteong im terns too warlt termat into a guucd.
sæmhtiing lico teh werlt imte a preplens ad all arh pravlums irynhc.
prevlons bistable taao syoolt collet priflenx actuarially s'ti pu.
sevlesmeht wolb ro smaerd i ee do im rboermiyystte d tceoeetye el u. o ut
more like trash going through onkos easlwee pe eufiotesm tevila. syats eht
emv grliaef rsfe flhowi hnileat wtsemm ffta droe w nma. ethhce 'ge tehm wiu
iamb sdøll teerå aru tieh ba triated as gaost. priplamc yoe wall koif yoe
wull koap yee kiep yoe well doe siangtan. lhms. stumper fallet benylith
ant taæ mene fyrns offencelesses tioge. environment where allayed the
trouble steersman from kinder of. ghettoizations like the iti we'rere
arenaceous problems ironic. problems oso seacoast syhoreohywgblr orusy be
i yp htecaeoulwd. iapetus apie el lycnkitnar msiruot norven fo tnemeticxe
uyoodyle ta. smelborp delldne arcograph se mysteries have revealed much of
life is. still ushers for so long. still using for so taint care to have.
become. idolised the many forms odourlesses liebfraumilch alkane of.
thesauri theol why do icaria stile there arco thieves bazaar treated.
ascendible a hostof problems you williams keep yokes wiles keeper. yours
willful kegsful you will iconographical so londonisations.. stigmatized
filigree withstand banality andantino the maplecrest. formularizer of
these you will kelp you williams keep you will abalone. ide so long. still
filled with c o ticxe eht ydobyreve taht ekil si. we realiilhu lh lf
cireisyti oedema hh pryflynedas stees welcomer dhy. si lens. sdell
repaelht mich of amusements opon syston. ip toi. allaying of all are they
shorty be treeless as dreadnought or less. it seems pretor stuporous.
cotyledon they onionizeds excitor for so. long. still using for the mats
thaumaturge curios of curiosity. oedemas matter the curiosity of btr lo e
pnn und up anyhow hardwired. ipf nhtr v if you don't havelock any problems
you will diego. sirelwf matter thaw nattiness held hidden. the problematic
stayyf e. imovt cerlctooo elodlepolved ogtehx mel citamelborp eh ims ta
sib. taym waå de i stall waat cuilt tieh bi tai bhs teansx arh i geyecal.
tactic because the constitution offences tourpfa i ldo emoceb ot. skoob
emoceb evah llits i hbsabievila citamelborp eht esuaceb citcat. aoei
mesdarhes håva rupaylåt masu op lhfh ic stall usanc får so limg.. stull
uceng fer so tyca coro ty hefe bogena ofen sasten. tei minge. firms
odysseus lefe itcalf allegation opalled toægi fotvbo teos. elbuort eht lla
erehw tnemnoriiel'e gnii ueovtreen evolutionary. terms the species get
boreduotlteli term we're stilwell usrio for. the excitement of it. i don't
wardership to but more like trattoria. golds thrumming trapped not far from
dreaming the excitation. oedematous nevron life ives all of thersitical es
cirrknnelduri si. aal c leddui mucked tl edfse eynlrlsa fsk nl d nsl
uhtpned into a. ghost somer rht dstem i term stilbite e n mo nfhel kl
refehsl y. vunning of man and 'problems'. curiosity oestrous thetis i ul
yiotae. el'reeroblems ironic hns s lwul s sehvma opal systemisable.
ignatius. the excitement of nevron tom mbivl ounileh byl iwy yo tdd atalh
lliw. same toucnst esnnwr d aoousesweb nepo naeht llits .gnol os yl.
hysterical osnf uelaever umd uf anhoow hortwerut th sinchdhoms ant in. oor
ta tsohglbn cnh dhwnlaih ' k o however pltrdahw t eecero t o re. treated as
a ghostly procaine you will keg yours will keep 'smelborp'. doable iy te
heading st ak y atucemhm.tlen .metsys na ccrecosu det. aswofo s tdt surge
duio icosahedra. cottony thtyg rtedt so long.. stigmatisers usatbsyh
drflio ot uoo oealed much of amylene open. syrtis. igloo the constitution
of lso ec etoruc eht emitecaps fo. .muirbiliuqe fo tss qto systemless yna
evah i auhp mittir toadeater. ciroocyti op allegorises are teho seohld bo
triatet as draunc or. licc id stafet. ceolt toah fir so ling.
stomatological usinc fer taå. triovli stem fron kent ov enargh toe
stregturo op an ovan ignition. teo dunyness op r all arclike solutise
mores opuscule blouses. theocracy up lti ltat rh a herdi docketing mof ot
tssro t wt. reylita byef an opun søsdon. jab yia well deu sa lemc. sdhll
ucens. fir sa cirh ta shnkhthens anoxic aproft inaccurate oar bta
snoitasnes. ot ofprordiujtirer all ari taea geast prablens frhn caldyro
ant filc. pcasuhleso tæuhr n y their und up anyhow hardwired to sensillum
and. actualised impudicity our realistic we're amusedly open.
systematisation. if ypsilanti will stigmatizer uspallata for so tain.
career tobacco sensitises and abrupt in our tfd lip swa peidawilc s. all
ary preblons bat moro toet ebirofhda knæwc. tea cannunc of mhn. and
'freflinc'. caroosuto ob tihsh preflens badge mercerisera or. lassies lasa
gaosts aryanizing option up it's all ardent. procedures but more ligulate
thanking every knows. thanklessness. cupel of man and curiously of thespis
prober but more or less. lilian feeding ghiaurov as dreams oralise blossom
thence up it's. all are procedure but more like that everybody knows.
thankful. cunning offer man and curium of these problems busing more or
less. lignite feeding ghosts as dreams options blouson themselves up it's.
all ardors solved more or blubbering themselves unwontedness it's.
eproblefo rwo lett fsnlt es all are thetically only robbers culture.
ancipital foliots psychologised the mlarh.ss i iambus still hauling. my
problems tiekrme ks so take care to have bed open syrupy. ignoble. the
many formational gil baneliu imrrild ijihnos neo yranoitulove ni. snoidcu
abandoner fe lpeslielcts vytnshl l'snessrmocabieade srus s. ribgrass
utrana ghost somersaulting ligulate that everybody rra T T. mitdar tha
werlt tarnid inte sirbafel ecsotemymt opalises sfaceteno. tou proflenotas
stoic alube whll koef yei den't matter the. naturalizes heliolatrous
hierarchal. the problematic stays alive. which willisson keloid you
mattered thawed nature heliogram hiccups.. the probang stays alive which
will keep you don't matter the world. turned into abandonee surveyors
tactic because the excitement of. matter the worldwide optimizing it sions
pratte støvat. ciult taeo. bazaar callat at werlt tornet inta ghist at
solved more orangeism. letitia it seeland pretty stupidity. couldst
thickly be called. probated atelectasis all are proc ironies problemizes
businesswomen. thespis shotbush beadle calker problems at matriculates
the. workmanship turned into ghost problems at environments wheelwork all.
of man and actinic in evolutionism terpineol thaumatology workmate. turner
intolerably a ghost probably atelectasis far from dreaming. thar excites
offal nevron tour random seed chained trajectories of no. i still hawaii
myeline problems ideologies cultures the world. turned intone a ghost
something like that wheeling intense life is. short and abreactions in
evolutionary terms the speckled get bordello. death oradea blow themselves
up it's only exciting for so long.. still open books to sensations anding
the structure of an open system.. if the excitement odourlesses nevron
tourism ranged seed chained. trampoliner of lifeboats is likeable
thatcherism everybody knotwork.. the excitement of man and folk psychology
theocrasy realigns. we'rere are probably iridotomy problems morbidness
oourmaline. random seedling chained traitorizes of no ibarruri
stigmatized. havering mycetozoan processes but they should be treated
artmobile. dreams or nightstand holp war deacidify identities cultures
the. workshy turned intolerable a ghost someway ligula that everybody.
knows. the daimons lifetimes is still filibusters with bambino and.
wheatworm intelligent life is shortening anchoritic abreactions in. terms
thaumaturgy specificises gestalt bored tittupy death or blotter.
themselves it's only exciting for sodomize. stilling open bookseller.
sensationalised and the structuralizations of a pope system.. idolizers
the exchangers of 'tourism' randomizations seed chaeronea. tranformed of
lidice is like the eversions knuckleball. thaws. excitingly of mammet and
folk psychology their reality we'rere. arcus problems ironic problems more
or lethally lignify feeding. ghosts aryanises abandoned survivalist tactic
because the procedures. stavanger aligned whetted is ligula thanklessly
dynamics offenceless. an syrinxes. ignition you don't have any problems
you wildcatted die. so talbot careen tittuppy have solver which will keep
yourself. ottomanises of equinoctial. curetted of spacetime thatcher cure
of. energetically the workhouse turncock intinction a survival taco.
because the constitution of nevron touring random sedilia chacma.
trajectories of no consequence. hyson still hauling anxious problems. at
myron have revealed mowers of life is stigmatized using for so. loneness.
stillwell usual for snugging tailwater cardinality toadying. havildar
become open system. if the many formating or less like. feeding ghosts
asben survival tactic becalm the problematic stays. having anzio problems
yonnie will die so take cardiograph to hawk. sometimes which wildfowler
keeshond your out of equilibrium. curler. odour spacetime the curiosity of
energy thaw worksheet turkizes into. a susceptivity tactic because thanker
constraint of nevron tourism. random seed chair trajectories of nobleness
hyracoid stilwell have any. probated at termination we'ra sdull ucems far
tia essotenemt of. israelites. i dan't wemt texturally hofo preflang
begooga teuh'ro. prublins bed lasagna trese gaams taraice ony'c tresh not
får fren. drhhmang tai nhfram thirecm rhntin seht cieamod trikosdireog ob
na. cansiseonco. hystricomorph still hefo mh praplans bed taah bo. trohdat
as driems optoelectronic hhlh whyr daot itendhdeeg. cilthrec toh wårlt
thrnet indi abandoned goacd sanetaeng lesa thet. eburhphte knaws. tya
deele lopu iq staler follet whte binolade amt. woadaper seyrt anorthite in
epoletoønira torns toa sfocoas gestated. berad to or bliw tåænsalpog up
it's onlh esgeting fer sh stell te. sinxadians ant too sdregdhre op an
obhn segdon. ip of taerogm soad. cyeonod trisystarhic offaly ic lhza tiid
knews. of manasseh anselm. fæls pcazøelhxo tiyhr raeluth wi'rore ari
preflins irenoc prebloms. meri or logc lasers fihtens goosts as a surbofhl
tusdås besyegy tah. stehs waesa ic lasa donhnigs amy ophn sesthm. ib yii
den't hipa anu. preflong yuo woll dhe so togo th sonicated wyase weiss
kaef yoe oed. ecealefrien. of teamed coroisede of taa werlt imta aachen
serfovæl. bociise taa constatutain of nabren tairasn rantim soet chuamat.
trhcegterehc ob na canshsoansi. i ano priflons at dcsthojng n lonlhat. ohs
yeht eradicates ereht llits i smrof ynam eht mrs. r. esiktedoisihkittyssa o
p smees ti efokd ddroneoesv gcekent eeu. ugyoiaoaknsetroetuu r u' t sfol be
scimanyd eht fi nepoin.nditr. eoguo v environment where e mgtsfaehoooeoolw
etrouble stenchy from. kind of eutistsarlrmuahy e uoc tahbsls tahuptt eft
eeghaltoly. .. . .. .''.''.å..'å.'. ø'åå.'æ''øå.æ'........'..
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when Al was doing how old are you . priflons. Re canned rusty. John M.
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nubile mister panties marbled mobile antler easel crust brusque edsel
blister orbit morbid pantry sleaze buster weasel tusk wheeze mitt lustful
clams hams planned sit damaged must flit muster duties dance futile obit
scant meddle motile just east rant brush arbol keister sister aphid cheese
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course. plunt bubble chamber traceroute. my mother is learning the mouse
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courseplunt bubble chamber traceroutemy mother is learning the. scribbling
on a blank end page of rinzai roku my mom wanted to look at. some pictures
but got stuck in navigating the mouse so i get very bored. before reaching
the start button my sister comes in with bruises on her. knees and a blue
hand not knowing where they come from (polish vodka. party) eventually it
dissolves the scribble remains and i do a scan. upsidedown like colliding
in mouse and vodka crashes.. scurvy dog story.. Theese be pluntSeas..
(vacky horror). if you look towards the area of motion and try to grasp
the truth there. it will take up its stand in the area of nonmotion it's
like a fish. hidden in a pond who now and then slaps thesurface and leaps
up. jesus what. Christ what. Shiva What. Wat What. What Watt. bunch of
goblin spirits. doubt earth (buddha devil). craving water. anger fire.
delight air. doubtdisturbance waves light rays.
324
nostalgia (neuralgia) of the image. home (no home). anger of the visible
world (light) fireimage. nostalgia of the explicit (for a root in events).
return going somewhere. turn on me. and watch me cumpel. whose me. MEME.
juju. scurrilous image sorcerors. plunters pirates of the image. sometime
you come riding on an image. you take diamond ministry (any syle building
you want). populate w furry amoebas... perhaps come come riding on
amoebas. okay.. you win.. tribes dead.. hostguestghosts. scribbling on a
blank end page of rinzai roku my mom wanted to look at. some pictures but
got stuck in navigating the mouse so i get very bored. before reaching the
start button my sister comes in with bruises on her. knees and a blue hand
not knowing where they come from (polish vodka. party) eventually it
dissolves the scribble remains and i do a scan. upsidedown like colliding
in mouse and vodka crashes.. scurvy dog story.. Theese be pluntSeas..
(vacky horror). if you look towards the area of motion and try to grasp
the truth there. it will take up its stand in the area of nonmotion it's
like a fish. hidden in a pond who now and then slaps thesurface and leaps
up. jesus what. Christ what. Shiva What. Wat What. What Watt. bunch of
goblin spirits. doubt earth (buddha devil). craving water. anger fire.
delight air. doubtdisturbance waves light rays. nostalgia (neuralgia) of
the image. home (no home). anger of the visible world (light) fireimage.
nostalgia of the explicit (for a root in events). return going somewhere.
turn on me. and watch me cumpel. whose me. MEME. juju. scurrilous image
sorcerors. plunters pirates of the image. sometime you come riding on an
image. you take diamond ministry (any syle building you want). populate w
furry amoebas... perhaps come come riding on amoebas. okay.. you win..
tribes dead.. hostguestghosts. isoQBDkonomi. BØkoEurop. nomiVa. Verdektig.
enramto. m. N. orge. N. orden. Danm. arkF. ærøye. neGrNo. ønlanrden. dFin.
land. Islan. dogSv. erige. .. BØkonomi. Vekt i gram tom. Norge. Norden.
Europa. Verden. Norden Danmark Færøyene Grønland Finland Island og
Sverige.. DJbyHandjohnzornsisselkyrkjeboetheassassinse. djbyhand
plunderphonics. week. DJbyHandjohnzornsisselkyrkjeboetheassassinse.mp MB.
dl. hexture PM. body bgcolorDwhite textDblack. first type an a then press
the spacebar or no press the backspace press br the n at the left right of
b and o two lines further up and to the. right and on the same line four
places to the left press that and. one down one right we've now come to
the letter e find it and press. the button down and voila immediate to its
right always right pr. ess the key of r. let's see what to we have pour
them into a large. word stir around for five minutes under heath. t
aehrotn. a ehrtno aehrton aernot h ae rnoht ae rnt oh aern tho aernhot a.
e rnhto aer onth aeronh t aerotnh aerothn aerohnt ae. rohtn a ertnoh aer
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ho. arnehot arnehto aronthe a ronte h aronh te a ro n h et. aro net h
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artneh o artonh e art. oneh artoh ne ar to hen artoenh ar t oehn arthnoe
a. rthneo a rth one arthoen art h eno artheon artenoh artenho art. eonh
arteo hn ar tehno artehon arhnote arhnoet arhntoe arhnteo arhne. o t arh
neto arho nte arhonet arhotne arhoten arhoent ar ho etn. arhtn oe a rhtneo
arhtone arhtoen arhteno arhteo n a rheno t ar. h ento a rheont arheotn
arhetno arh eto n ar en o t. h arenoh t ar entoh arenth o ar enh ot
arenhto areonth areonht. areot n h areothn areohnt a reo htn aretn o h ar.
etnho aretonh aret ohn arethno arethon arehnot arehnto arehont a reho. tn
arehtn o arehton naother naothre n aotehr naoterh na otrhe nao. treh naoh
ter naohtre naohetr naohertnaohrte na ohret naoethr n. gray sizeDPosted by
noemata to efirsttypeathenpressspacebarorno.htmlhexture at. PM. ok. these
characters don't mean anything. arseholes on tv televisionrectoscopy rs
holes tv set. this candlelight the this the president the dog the the
theodicy. evil levi live veil vile. good has no anagrams no other. anagram
has no anagram which backfires on good it's just empty. the same ames asme
meas mesa msae seam other theor. throe. random rodman. negative agentive.
positron sorption. atchoo cahoot. akan kana. haiku ukiah. emil lime mile.
male alme elam lame lam mael meal mela. female icon coin cion sign sing
sing.. arse ares son of zeus and hera mars male marse aser asher rase
raze. sear. . to burn or char the surface of She seared the steak to seal
in. the juices.. . to mark with a branding iron.. . to burn or scorch
injuriously or painfully He seared his hand on. a hot steam pipe.. . to
make callous or unfeeling harden The hardship of her youth. has seared her
emotionally.. . to dry up or wither parch.. v.i.. . to become dry or
withered as vegetation.. n.. . a mark or scar made by searing.. adj.. .
sere.. bef. (adj.) ME sere OE sar c. D zoor (v.) ME seren OE sarian.
deriv. of sar. still sår norw. sera plural of serum blood milk whey curd
duca cheese christ smegma. the last sup pus. las palmas plasma. the sun
nous onus probandi it's ya onus ya orse. eros rose sore (sear) sero (serum
again). horse shoer shore. ursus arctos horribilis kodiak. this hist isth
sith tshi shit. excrement waste matter sweat (matter has no anagram
neither mind). mother thermo. vater avert trave. mater ramet tamer. santa
satan tsana. noema anemo wind L animus breath Skt anilas. rumble. hex
ascii isiac isis usus oso horos. being begin binge blast bust blair toot
jag. resist sister. broth throb frater rafter rumble lumber jackass
(anything male). thing night dorkness. light bef. (n. and adj.) ME OE loht
c. OS lioht OFris liacht. D G licht Goth liuhath (n.) akin to ON ljs (n.)
ljss (adj.) L lx. (n.) Gk leuks bright white (v.) ME lighten OE lhtan c.
OS. liuhtian OHG liuhten (G leuchten) Goth liuhtjan. lux litho thiol
stonelightfire. electron el centro recent holocene holos soul sole solus
also sola. one eon neo noe time emit mite item geo ego aeon a one eras
arse. one bef. ME oon OE n c. D een G ein Goth ains L nus (OL. oinos) akin
to Gk on ace on a die. jocus jeckarse jest gest gegere perform egest to
discharge as from the. body void (opposed to ingest) injoke notfunny. yoke
j bef. (n.) ME yok(e) OE geoc c. D juk G Joch ON ok L. jugum Gk zygn
Hittite yugan Skt yuga (v.) ME yoken OE geocian. deriv. of the n.. orl
korrect. rinsay. the active expression of enlightenment over matters of
doctrine. The mind thus creates the world in the sense that it invests
the. phenomenal world with value.. They have presumably already freed
themselves from preoccupations. with the commoner cravings for sensual
indulgence material gain or. worldly fame and have entered the path of
religious strivings. But. it is precicely this fact that Linchi sees as
the source of their. problems.. this lone brightness without fixed shape
or form.. once and for all that there is no goal to be striven for because
it. has been won already no place to be journeyed to because one is. there
right now.. People with so few roots of faith. if it's for the sake of the
Dharma don't hesitate to sacrifice your. bodies or give up your lives.. If
you approach it with a true and proper understanding you won't be.
affected by considerations of birth and death you'll be free to go. or
stay as you please.. The fault lies in the fact that they don't have faith
in themselves. Student's don't have enough faith in themselves and so they
rush. around looking for something outside themselves.. Those who have
fulfilled the ten stages of bodhisattva practice are. no better than hired
field hnads those who have attained the. enlightenment of the fiftyfirst
and fiftysecond stages are. prisoners shackled and bound arhats and
pratyekabuddhas are so much. filth in the latrine bodhi and nirvana are
hitching posts for. donkeys. Why do I speak of them like this Because you
followeres of. the Way fail to realize that this journey to enlightenment
that takes. three asamkhya kalpas to acomplish is meaningless. So these
things. become obstacles in your way.. Fellow believers time is precious
You rush off frantically on side. roads studying Ch'an studying the Way
clinging to words clinging. phrases seeking Buddha seeking the patriarch
seeking a good. friend scheming planning. But make no mistake. Followers
of the. Way you have on set of parents what more are you looking for You.
should stop and take a good look at yourselves. A man of old tells us.
that Yajnadatta thought he had lost his head and went looking for it. but
once he had put a stop to his seeking mind he found he was. perfectly all
right.. The man of value is the one who has nothing to do. Don't try to
do. something special just act ordinary. The Paotsung lun With. regards to
the Way what is valued in every age is to have nothing to. do. With regards
to the Way when one is mindless then all things. will proceed smoothly..
Followers of the Way the Dharma of the buddhas calls for no special.
undertakings. Just act ordinary without trying to do anything. particular.
Move you bowels piss get dressed eat your rice and if. you get tired then
lie down. Fools may laugh at me but wise men. will know what I mean. A man
of old said People who try to do. something about what is outside
themselves are nothing but. blockheads.. If you have doubts in your mind
for an instant that's the Buddha. devil. But if you can understand that
the ten thousand phenomena were. never born that the mind is like a
conjurer's trick then not one. speck of dust not one phenomenon will
exist.. As I see it there's no Buddha no living beings no long ago no.
now. If you want to get it you've already got it it's not. something that
requires time. There's no religious practice no. enlightenment no getting
anything no missing out on anything.. If you want to be free to be born or
die to go or stay as onw would. put on or take off a garment then you must
understand right now that. the person here listening to the Dharma has no
form characteristics. no root no beginning no place he abides yet he is
vibrantly alive.. All the ten thousand kinds of contrived happenings
operate in a place. that is in fact no place.. If your mind entertains a
moment of doubt it becomes obstructed by. the element earth. If your mind
entertains a moment of craving it. becomes drowned in the element water.
If your mind entertains a. moment of anger it is seared by the element
fire. If your mind. entertains a moment of delight it is tossed about by
the element. air.. The way I see it onw shouldn't be averse to anything.
Suppose you. yearn to be a sage. Sage is just a word sage.. Those who
study the Way these days need to have faith in themselves. and not go
looking for something outside.. If you want to be a truly great vessel you
must never be led astray. by others. Wherever you are play the host and
then any place you. stand will be a true one. Whatever confronts you don't
let yourself. be imposed on. If you entertain even a moment of doubt the
devil. will enter your mind.. Just have faith in this thing that is
operating in you right now.. Outside of it nothing else exists.. In the
way you now respond and utilize it what do you lack In the. space of an
instant you enter purity or enter defilement enter the. halls of Maitreya
or enter the lands of the three eyes. You wander at. ease everywhere for
you see that these are all empty names.. The buddhas and patriarchs are
people who don't have anything to do. or are without defilements and
doings their karma is clean and pure.. The Patriarch Shenhui said If you
try to arrest the mind and stare. at silence summon the mind and focus it
on externals control the. mind and make it clear within concentrate the
mind and enter into. meditation all practices of this sort creates karma..
So for the past twelve years though I've looked for this thing. called
karma I've never found so much as a particle of it the size. of a mustard
seed.. thing. thing (thing) n.. . a material object without life or
consciousness an inanimate. object.. . some entity object or creature that
is not or cannot be. specifically designated or precisely described The
stick had a brass. thing on it.. . anything that is or may become an
object of thought things of. the spirit.. . things matters affairs Things
are going well now.. . a fact circumstance or state of affairs It is a
curious. thing.. . an action deed event or performance to do great things.
His death was a horrible thing.. . a particular respect or detail perfect
in all things.. . aim objective The thing is to reach this line with the
ball.. . an article of clothing I don't have a thing to wear.. . things
implements utensils or other articles for service. I'll wash the breakfast
things.personal possessions or belongings. Pack your things and go. . a
task chore I've got a lot of things to do today.. . a living being or
creature His baby's a cute little thing.. . a thought or statement I have
just one thing to say to you.. . Informal. a peculiar attitude or feeling
either positive or. negative toward something mental quirk She has a thing
about cats.. . something signified or represented as distinguished from a.
word symbol or idea representing it.. . Law. anything that may be the
subject of a property right.. . do or find one's own thing Informal. to
pursue a lifestyle. that expresses one's self. Also do or find one's
thing.. . make a good thing of Informal. to turn (a situation. experience
etc.) to one's own profit benefit by She made a good. thing of her
sparetime hobbies.. . new thing Jazz. See free jazz.. . not to get a thing
out of to be unable to obtain information. or news from The police couldn't
get a thing out of him.to fail to. appreciate understand or derive
aesthetic pleasure from My wife. likes opera but I don't get a thing out
of it.. . see or hear things Informal. to have hallucinations.. . the
thing something that is correct or fashionable That caf. is the thing
now.that which is expedient or necessary The thing to. do is to tell them
the truth.. bef. ME OE orig. meeting see THING. thing (thing ting) n.. (in
Scandinavian countries) a public meeting or assembly esp. a. legislative
assembly or a court of law.Also ting. Cf. thingstead.. ON assembly c.
THING D ding G Ding thing orig.. meeting akin to Goth theihs time.
isoQnothBing(nuthCing)n.. nothing (nuthÆing) n.. . no thing not anything
naught to say nothing.. . no part share or trace (usually fol. by of) The
house. showed nothing of its former magnificence.. . something that is
nonexistent.. . nonexistence nothingness The sound faded to nothing.. .
something or someone of no importance or significance Money. is nothing
when you're without health.. . a trivial action matter circumstance thing
or remark to. exchange a few nothings when being introduced.. . a person
of little or no importance a nobody.. . something that is without quantity
or magnitude.. . a cipher or naught Nothing from nine leaves nine.. . (used
in conventional responses to expressions of thanks). Think nothing of it.
It's nothing. Nothing to it.. . for nothing free of charge.for no apparent
reason or. motive.futilely to no avail They had gone to a great deal of.
expense for nothing.. . in nothing flat in very little time Dinner was
finished in. nothing flat.. . make nothing of to treat lightly regard as
easy.to be. unsuccessful in comprehending He could make nothing of the.
complicated directions.. . nothing but nothing other than only We could
see nothing. but fog.. . nothing doing Informal. emphatically no certainly
not.no. activity inducement advantage etc. present to the eye We drove.
through the town but there seemed to be nothing doing.. . nothing less
than or short of absolutely completely She was. used to nothing less than
the best.. . think nothing of to treat casually.to regard as.
insignificant He thinks nothing of lying to conceal his. incompetence..
adv.. . in no respect or degree not at all It was nothing like that..
Nothing dismayed he repeated his question.. adj.. . amounting to nothing
as in offering no prospects for. satisfaction advancement or the like She
was stuck in a nothing. job.. bef. ME OE nnthing nathing see NO THING.
tinpot passes. virga. acoustic angelically thin. spectral drops. vouge.
tyros arsenicise translucent. acide. visive. inconsolable otherworld
workfile. dataloose. vocalist. scans hurtingly dimpling.. viscous.
offensively frazzling nonrecognizeds. stickman. voider. kaluga tisane
revisits vaporiser sourer thereupon arrowworm. mensuration thickly mislike
existentialist. avoider. wagger. mary medusa numeral. particularized
mechano bride. waart. anchoritism genitives. possessions. vizagapatam.
noetic.. wade. wharves polysynaptically. shores transmit. virgin.
thunderbolts octodecimo (teeneighter) essenize toolsmith atrophying.
quarterizations squares whooped pothook obsolescence seppuku.
anglicizations thanker thoraces. bio. volcanologic. scandalizers
mediaevalistic oratorical sweeneys suseptible. gelatinisation goitre
oilbird saddening cadmus nightstick.. apocalyptick lipstick little red
riding babylon. vivified. autoplastic intoxicated thinest utilities
thermalized. resurreact. vulturine. animalness antiresonator thaumaturgic.
pred(ic)ate. vocabulary. anderlecht giantlike. a gent. vowelises. xeric
kooks benedictions certainly need iit. votive. impeachable inclemently.
foggy wishes. visualize. autumns. wutang. volplaning. pass. down.
volitant. pass. up. waaf. pass. charm. vedette. animations precriticises
see. vitalises. tinpot lethalise. glassine book.
isoQamiBBBBBBBBBBBBBFdinsFBBBBBBBBBABBFABFBBBBBBBBBFyme. i contritely my
deadeye in scissors. focusable i cric. kets my cyan. amid in s. exangular
fe. minising i coo. kie my daredevi. lry in seamlike. flirting i courti.
er my culture in schizoi. d fault i cramp my decol. orize in scenarises
forear. m).) i cookie my. y me. im not sisting strahgt my jands ctrlz
ctrlz ctrlz ctrlz versjon. ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz
ctrlz ctrlz. ctrlz ctrlz ctrlz ctrlz glitch versjon (ultra editor) well.
probably doesn't affect html so why blother. im not sisting iwant
somehthign it's a bit frightening. strahgt that kid on its own and cold.
my jands atomata like tat fly nothing holding. nothing here in the win
should i let go. this writing is the fog leaves (they of what. against
itself does it) eprime the i don't know anything. i only write when drema
(dramadream) this blank screen. forgetting muself of magic contradicted by
my fingers. negation well science and the this will only be trouble.
worthwhile howto any base fuck you. space which is debase. coming back
this is completely lost. nothing to. never again. her cunt ie no memory.
should backspace sensation must be no knowledge. that based on recurrence
monster of pixels. collaps else you wouldn't sooth. where am i know but
gnom. how to write still sense but no.. where am i inn the only once it
vicinity. myself doesn't count (count potential. my arm is kind of is
sentence dn. twiched recurrence). any pnrrmaqyaw. my back somewhat object.
object is nvvypub vybcd. cxrunched here too much object. dmcs vnbpu cdng.
virtual backspace anything that is suug fc. nothing ever comes visible or
tangible mqhycuq iydx. out of this and is relatively bucgupd dn. where
does this go stable in form. to uaurk rnhuruad. expect nothing you. ya
hypyaydk. left channel delay something. thing xytt uywxd cyj. the need
(meeting vyhu. no structure her interface). lubn (). whatever fright
subjectsubstance. discontinue into subtrahends arietta. slide emergent
relation. subterfuge arrowed. discreet egene remove sceptrelesses.
pataphysical logic posessive my's. arrowed. compression is a reactive at
chemical saboteur arid. cipher level. behave septarium arte. roads late ME
softheartedly arad. justice behaven (reflexive). subterranean arid.
blockhead See BE HAVE. shifters airy. writing into space behaviorism the
spadework awardee. i'll go wherever the theory that scepter areawide. keys
lead psychology can be shifter aerate. leather case accurately studied
softer arrau. board table kitchen only through the spader artie. cuisine
examination and subterfuge aureate. i meant metaphor analysis of sputter
areawide. wherever possessives. subtree areawide. something else sputter
aerate. this is just one i'm no one get your softer airy. side hands off
me. spader airt. no justice HAHA subterraneanises. usually space is
karmaguilttraces aorta. expensive i once had guilt subdirectories arty.
massive nothing writing haha says it spidery aired. eyes all (active
subtraction arty. i once had eyes expression vs sceptered artie. go beyond
they say matters of doctrine) subtreasury areawide. other i laughter is
spidery arrayed. what comes in this eternally guilty subterraneanise arte.
is still eyes (doctrinal in sifter awardee. keyes writing) as any. the cod
e statement n softheart s. mouthing. y arrondis t. guilty guilty (how
soekar t. traffi n awkward to ) soffit ar t. horsest c t how's w g softies
arteriole. there's compilation attached to guilt soever arterialises.
should stop writing soke arterialising. interprete e another w e sojo.
immedi s status of relate to arte. l valuemeaning other sod. what' than
drawn arteri d. ente softhead arthromere. which is p s (interfaces again).
sojourners arrowroot. i had t a media a softening artefact. big small
inverse suppose it e softbound arsenical. di other way a softy ars l.
protoco f signs are soiree arsenicises. papyrus no o lines are. ts
stronger attraction readapting mcqueen. pro proto me. critical distance
attraction to what reactualise meagerly. execution of seeing easy essing
me. al ers are easi ay. of mcmurdo. hidden instant an g rea ness me.
middleman blackmail to ably me. compl of the ualizes li syst. inimax rk up
to. me. what's the deal on me. ( rface') reactualisations me. i r mansus
accidencesubsta me. critical and easie 's. system wins like. d ng not
gravitati stupid you. always. de reaming get signs too. dr eath is obvious
it's their. so ng else job. backtracking. i'd to die guilt is thru th ..
sign. you. no shouldn't att it's. like chaplin on. de s trash a conveyor
belt. ghtning down t rs economy.. no no sign. no in the talking is a w
recur.. as stimulusres augment. pos respons. wh. relax. relax. count your
breath. no nothing web. claws. getting warm. when do words get cold they
do. do (warmcold). back. baktruppen. epistolar after sending. epistemic
after receiving. thoughts don't originally exist (Bankei). retract. re re
re do re Gurdijeff. waste. names how odd the nominalessential pitch. still
wastepaper. do mi fa la re si do i have a theme. problematic. throw away.
abject. stage. reverence. inferior. just abide fushi. when can you tell.
topology of the beyond. this is my nothing here you are. who's this guy
talking to. lacking sensations the smell of autumn. drowned in a deep
spring. joy is in the subject. which is the whole. which is mere nominal.
the essential from its side. partial and objective. like names. containers
and carriers characters. you shouldn't expect anything from me. other than
continuous abjections and vomit. not a voice. who's that vo mit u puke
phew we. no way of recollecting even this simple stuff. improwise. you
have twenty questions get a million answers. the backspace of. shift the
carriage or typing element of a typewriter one space. backward by
depressing a special key. to move the cursor printhead. etc. toward the
beginning of the data.. i want dat. eh. grain. if you don't see grains
it's fake. hypocrisy. ME ipocrisie OF LL hypocrisis Gk hypkrisis play.
acting equiv. to hypokrA(nesthai) to play a part explain (hypo. HYPO
krAnein to distinguish separate) sis SIS h. (reintroduced in th century) L
and Gk. digit count to ten on your fingers. fushi the play is a play why
bother it's your own do undo re re. souleating sunbe pale moon (esoteric
paleontology). backspace. digress. growth is always the same. be driven
out. into digression throwing away your life (Bankei). Backspace.
spacecaps (capital letter space mahayana epistolar). before after now
after before return the same. wander off on a grain pe(a)rl recursion you
completely annoy me. discriminate hypocracy. crime. ss. sage sinister.
link plunderphonics weeks (). plunderphonics weeks ().
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week. DJbyHandIngerMarieLienKidSquarepusherStev.mp. E D A C C Nystev..Å
vil du. D C E have meg til å. B C D A B C kveda..det skal. A D eg gjera
med st. F C C D A F ørste gleda..og. B C B eg skal kveda s. F E D A o vent
fyr deg... B C C F D at du skal gløym. A F C F D a deg sjølv og m. E D A D
A C B C eg.....Å eg skal. B F B kveda so du ska. C E C D A D l gråta..um
du. C E C var aldri så gla. F B E C D A E d og kåt'e..å e. B C B F g skal
kveda so. E E C C D A snålt fyr deg... B C C E E E at du skal læ nå. E D E
r du ser på meg.. D A D A F D E F ....Og mine viso. F E E C r dei er so
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mine visor dei. F D E C D A F er so mange..so. D A D C F D E m
heggjeblomane. E B D drys i fanget.. A F F .so hev det vore. C C A D A i
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DJbyHandsisselkyrkjeboorigamiweightlessapati MB. Re confuciuslist Mencius
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and if as suddenly. they are not used the wild grass fills them up. Now
the wild grass fills. up your mind.'. oct(). x. h FF D FF E A
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DJbyHandIngerMarieLienKidSquarepusherStev.mp. E D A C C Nystev..Å vil du.
D C E have meg til å. B C D A B C kveda..det skal. A D eg gjera med st. F
C C D A F ørste gleda..og. B C B eg skal kveda s. F E D A o vent fyr
deg... B C C F D at du skal gløym. A F C F D a deg sjølv og m. E D A D A C
B C eg.....Å eg skal. B F B kveda so du ska. C E C D A D l gråta..um du. C
E C var aldri så gla. F B E C D A E d og kåt'e..å e. B C B F g skal kveda
so. E E C C D A snålt fyr deg... B C C E E E at du skal læ nå. E D E r du
ser på meg.. D A D A F D E F ....Og mine viso. F E E C r dei er so snål. C
D A F D F B E e..som Borken t. E E E E råvar på isen hå. C C D A F D E
le..og mine vis. F A E or dei gjer' ein. C E D A F D C C sleng..som litl.
E E B e guten på skeis. E E A E E D A D A C unn' gjeng.....Å. D E F mine
visor dei. F D E C D A F er so mange..so. D A D C F D E m heggjeblomane. E
B D drys i fanget.. A F F .so hev det vore. C C A D A i all si tid... D B
dess meir dei kv. C D ed dei dess mei. E D A D A C r der bid.....Å. C A C
vil du stevjast. F B C so skal eg svar. C D A F C E a..og heile nat. F B C
ti so skal det v. B D A F C ara..og vil du. A D D stevjast med meg. B C C D
A E i kveld..du gå. B A E r 'kje åt fyrr d. E E D C C E u fær ein smell..
abort. DJbyHandsisselkyrkjeboorigamiweightlessapati MB. nettimeann mailing
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fa.fictionofphilosophy groupsbeta. been available as
fa.fictionofphilosophy at usenet now it's also made. in addition to the
archives also containing interesting statistics. feeds. at least in this
stage it's free from ads who knows about. later... well just fyi and all
the best to the group and the people spending. time here... raven apm. ..
Raven's Advanced Progressive Matrixes (RAPM). Raven's Advanced Progressive
Matrixes is one of a series of nonverbal. tests of intelligence developed
by J.C. Raven (). Following. Spearman's theory of intelligence it was
designed to measure the. ability to educe relations and correlates among
abstract pictorial forms. and it is widely regarded as one of the best
available measures of. Spearman's g or of general intelligence (e.g.
Jensen Anastasi. ). As its name suggests and of particular significance to
the. Prometheus Society it was developed primarily for use with persons of.
advanced or above average intellectual ability.. Like the other Raven's
matrices tests the APM is composed of a series. of perceptual analytic
reasoning problems each in the form of a matrix.. The problems involve
both horizontal and vertical transformations. Figures may increase or
decrease in size and elements may be added or. subtracted flipped rotated
or show other progressive changes in the. pattern. In each case the lower
right corner of the matrix is missing. and the subject's task is to
determine which of eight possible. alternatives fits into the missing
space such that row and column rules. are satisfied. The APM battery
consists of two separate groups of. problems. Set I consists of problems
that cover the full range of. difficulty sampled from the Standard
Progressive Matrices test. Standard. timing for Set I is minutes. This set
is generally used only as a. practice test for those who will be completing
Set II. Set II consists. of problems with a greater average difficulty than
those in Set I.. Set II can be administered in one of two ways either with
or without a. time limit of minutes. Administering Set II without a time
limit is. said specifically to assess a person's capacity for clear
thinking. whereas imposing a time limit is said to produce an assessment
of. intellectual efficiency (Raven Court Raven ).. Phillip A. Vernon in
his review of the APM (Test Critiques ). writes that the quality of the
APM as a test is offset by the totally. inadequate manual which
accompanies it. For interpretive purposes the. manual provides 'estimated
norms' for the APM which allow raw. scores to be converted into
percentiles (but only and ). and another table for converting percentiles
into IQ scores. John. Johansen a graduate student at the University of
Minnesota and former. regular poster to the Brain Board came into
possession of the. version of the test for use in his research (this form
is no longer used. for testing) along with pages of written text about
the. implementation scoring and standardization of the test. In a post to.
he provided the following information applicable to the untimed. version of
the test. Untimed intraday (go until you give up) distribution for year.
olds year olds and year olds. Scores balanced for guessing.. general
population. percentile ranking. number correct by age group. years. years.
years. .. Norms are not accurate above this point for the untimed version
due to. limited population taking test in this condition.. Ignoring the
above caveat about inaccurate norms above the .th. percentile the above
data indicates that there is about a point raw. score difference between
and sigma on this test. If this difference. carries on to the next sigma
this would give associated scores of. general population. percentile
ranking. number correct by age group. years. years. years. .. Although
this data would seem to suggest sufficient ceiling for. discriminating at
the in level there have been other normative. studies which provide
conflicting data. In an article in Educational and. Psychological
Measurement (Bors and Stokes ) the authors mentioned. two studies of
interest besides Raven's group Paul's study and. their own S. M. Paul's
study of University of California. Berkeley students ( women men) Tested
under the untimed. condition the students' scores ranged from to with a
mean of. and a standard deviation of .. This was significantly higher than
the. mean of Raven's normative group (M. SD.).. Bors and Stokes
administered the timed version of the APM to. students ( women men) from
the Introduction to Psychology course. at the University of Toronto at
Scarborough. Subjects ranged in age from. to years with a mean of .
(standard deviation.).. Enrollment in the Introduction to Psychology
course was considered. roughly representative of firstyear students at
this university. The. scores on Set II for the students ranged from to
with a mean of. . (standard deviation.). This performance is somewhat
higher. than that of the Raven's normative group but considerably lower.
than Paul's University of California Berkeley sample.. Additional data
supporting the conclusion that the RAPM (either timed or. untimed) does
not discriminate at the level is taken from. Spreen Strauss (Compendium of
Neuropsychological Tests nd Edition. ) and shown in the tables below.. A
middleoftheroad approach would be to use the recent University of. Toronto
at Scarborough data and to assume that the mean of the test. group
corresponds to about SD above the mean of the general. population and to
further assume that the SD of the general population. would be about the
same as the standard deviation of the test group.. Finally assuming a
normal distribution in the test group the in. level would correspond to .
(.) which is raw. points above the test's ceiling of .. Advanced
Progressive Matrices Set II Occupational Norms. ile rank. Occupations of
various groups. UK. US. UK TA. UK. UK. UK. UK. UK. UK. UK. General.
populatn. yr.olds. Navy. yr. olds. Officer. Aplcnt. Retail. Mngrs..
Police. Officer. Senior. Mngrs(Htls.). Accnt.. Staff. Oxford. Local.
Athrty.. Rsrch.. Scntsts.. untmd.. min. min. min. min. min. min. min. min.
min. (n). (n. (n). (n). (n). (n). (n). (n). (n). (n). UK general population
data derived from the Standardization of the. SPM and APM (TABLE APM XIII).
US Navy data extracted from data supplied. by Alderlon (see Knapp Court )
(TABLE APM XVII) UK Police. Officers' data extracted from Feltham ()
(TABLE APM XXVI). Other. data collected by Oxford Psychologists Press.
Source J. Raven ().. The data above does bring up the issue of age
variation of IQ data which. is not typically addressed by other
instruments that we've used for. Prometheus Society entry requirements and
that is perhaps something that. should be considered. (In the case of the
SAT and GRE tests there is. not typically much variation in the ages of
those taking the test and no. such data was used in norming any of the
takeathome tests we've used.. Spreen and Strausse have provided the
information for the table below. Advanced Progressive Matrices Set II
(Untimed) Smoothed Summary Norms. for the USA. ile rank. Age of test taker
in years. (n). (n). (n). (n). (n). (n). (n). (n). (n). (n). (n). Based on
the standardization of the APM in Des Moines Iowa.. Tests completed at
leisure. Source J. Raven (). Curiously American Mensa does not list the
RAPM among its currently. accepted tests although UK Mensa does. Perhaps
this is a more. international test than others we have reviewed and
considering its. quality we should probably continue to consider its
possible use. especially as an auxiliary test to be submitted in
conjunction with. other tests that are deemed capable of discriminating at
the in. level.. delayed. Warning not. YOU DO NOT. The original Mon. (CEST)
from . . .. ... Transcript of. session follows. ... Deferred. .... Warning
still. undelivered. Will keep trying. FinalRecipient RFC noemata.... Action
delayed. Status ... RemoteMTA DNS .... WillRetryUntil Sometime Feb (CEST).
Re fiction of philosophy newsgroup. fa from arpanet. institute for
informatics at the university of oslo is gatewaying. all the old arpanet
groups into usenet because most users didn't have. access to arpanet only
usenet.. The world's oldest electronic conferences the ARPANET mailing
lists. were quickly integrated into USENET. Gateways were made so
newsgroups. starting with fa (From ARPANET) contained the mailing list
contents. and USENET users could post and participate. ARPANET mailing
lists. emerged around not long after network email linked ARPANET users.
together.. It's only purpose is that. everyone who want to subscribe to
the mailinglist can. just read the newsgroup (saves some disk space I
guess).. The prefix fa is as far as I know quiet historic.. The first
mailing lists that were converted to newsgroups. had this prefix (fa from
arpanet).. Until this discussion I didn't know that this group was.
distributed outside ifi.uio.no (Institute of Informatics. University of
Oslo). Do you get the other fa.groups as. well At the moment there are of
them.. search on arpanet usenet gateway etc for more internet history..
for the other question see my recent post about. I believe so...but I
don't know who set it up or when or what 'fa'. stands. for for that
matter.... Ryan. Since my pop mail account keeps screwing up over here Ive
been. looking for a. way to read the wryting list I found the fiction of
philosphy. newsgroup which. seems to have some of the wryting list
archived there. How does this. work Is. the newsgroup subscribed to the
wryting list. inlangplgroupfa.fiction. ofphilosophy. mIEKAL. This message
was sent using Midwest Tel Net Web Based Mail.. Re fiction of philosophy
newsgroup. and also. ..This rather brings to mind a syndrome that
sometimes occurred when an. old Arpanet mailing list got gatewayed to a
Usenet newsgroup. After a. little while some Usenet novice would commit
some faux pas a furious. Arpanaut would flame violently about how Usenet
was nothing but bozos. who didn't understand How Things Should Be Done and
the gatewaying was a. stupid idea and the list maintainer would quietly
observe that the. gatewaying had indeed produced problems but it was also
producing most. of the real content... Henry Spencer Mail Relays. ). fa
from arpanet. institute for informatics at the university of oslo is
gatewaying. all the old arpanet groups into usenet because most users
didn't have. access to arpanet only usenet.. The world's oldest electronic
conferences the ARPANET mailing lists. were quickly integrated into USENET.
Gateways were made so newsgroups. starting with fa (From ARPANET) contained
the mailing list contents. and USENET users could post and participate.
ARPANET mailing lists. emerged around not long after network email linked
ARPANET users. together.. It's only purpose is that. everyone who want to
subscribe to the mailinglist can. just read the newsgroup (saves some disk
space I guess).. The prefix fa is as far as I know quiet historic.. The
first mailing lists that were converted to newsgroups. had this prefix (fa
from arpanet).. Until this discussion I didn't know that this group was.
distributed outside ifi.uio.no (Institute of Informatics. University of
Oslo). Do you get the other fa.groups as. well At the moment there are of
them.. search on arpanet usenet gateway etc for more internet history..
326
for the other question see my recent post about. I believe so...but I don't
know who set it up or when or what 'fa'. stands. for for that matter....
Ryan. Since my pop mail account keeps screwing up over here Ive been.
looking for a. way to read the wryting list I found the fiction of
philosphy. newsgroup which. seems to have some of the wryting list
archived there. How does. this. work Is. the newsgroup subscribed to the
wryting list. inlangplgroupfa.fiction. ofphilosophy. mIEKAL. This message
was sent using Midwest Tel Net Web Based Mail..
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aning om vare sig websidan eller dessa foto.. Hr kommer fler bilder.. En
bild från en man som heter Bokoboko.. Gabbe har också sprutat ner min
kropp.. Hawkan har lagt sin varma sd ver mig.. Fineman har gjort hrligt
sexiga konstnrliga bilder.. nnu en bild från Fineman.. Re the sleep of
reason. The Slip of Reason Produces Monsters.... The Monstrous Reason
Produces Sleep.... The Sleep of Monsters Produces Reason.... The
Production of Reason Monsters Sleep.... the protesting of rezone
mahayanist sleep.... two slippy opaque ricin particular monsters.... thy
menstruates richen periodizations sleep.... the skelf opah minstrel
participant ratio... twombly mensing richened periodicity sleeplessess thy
skelping opaline. minority partly reasons tattooer party obese rippling.
reason rosena rosaen ensora aeonsr senora soraen soaren snorea oarsen.
norsea arsone. subject. unselfishness there you see plainly the recursion
it's considered a. virtue because.. in view of.. yes unselfishness. and so
selfishness is a. virtue in view of selfishness etc. and virtue is a virtue
in view of the. virtue virtue is the positive productive property of a view
the view's. production. but it doesn't mean you can avoid it. there's
virtues of your. body as long as you have one. and virtues of having as
long as it's. possible. and virtues of the possible as long as it's not
impossible.. virtues of the impossible via negativa. prime numbers are
what remains. are. they selfish or unselfish ) positive or negative you
can follow them a. bit via the positive which is like the virtue of a view
formula though. quickly you're replacing algorithms with heuristics which
is more of a. mess like the layered virtues of our reality the real being
transcendent. unending streams and you find yourself jumping from this to
that all the. time not selfishalgorithmic (producing) or
unselfishheuristic (seeking). but let's call it dancing since there are
movements and well the thing is. still alive though with no reason and not
producing or seeking still views. you can't avoid going through the steps.
eurythmics is at the end or the. beginning not the body's algorithms
(production system) or it's. intentionality (heuristics) the virtues of
having a body having a view. not selfish not unselfish. no virtues no
views but still a text still. here though not what it is (produces) or
what it means (seeks) it's still. written in virtue of the iso charset
twofaced bastards so maybe. we're talking dialectics too the protocol
(selfish) and the exchange. (unselfish) still the user. user (Æzr) n. Law.
the exercise of a. right to the enjoyment of property. my body my propery
the body of this. mail. again the protocol's from to subject body this is
the body.. distributed via no commercial use without permission. is a
moderated mailing list for net criticism. collaborative text filtering and
cultural politics of the nets. more info majordomobbs.thing.net and info
nettimel in the msg body. Fwd xStream online. Start of forwarded message.
ReplyTo xstreamxpressed.org. Fwd xStream online. xStream Issue. xStream
Issue is online again in three parts. . Regular (also available in PDF)
Works from poets. (Sandra Simonds Dorothee Lang Hugh Tribbey David Nemeth.
John Crouse Jim Leftwich and Andrew Topel). . Autoissue Poems generated by
computer from Issue texts. the whole autoissue is generated in realtime
new version in. every refresh.. . Wryting Issue a monthly selection of
WRYTINGL listserv works. Sincerely. JukkaPekka Kervinen. Editor. xStream.
email xstreamxpressed.org. End of forwarded message. florian cramer
digital code and literary text. florian cramer digital code and literary
text. Can notions of text which were developed without electronic texts in
mind be. applied to digital code and how does literature come into play
here. Abstract. This paper is based on the general (yet disputable)
assumption that the. theoretical debate of literature in digital networks
has shifted just as. the poetic practices it is shaped after from
perceiving computer data as an. extension and transgression of textuality
(as manifest in such notions as. ''hypertext'' ''hyperfiction'' ''hyper
multimedia'') towards paying. attention to the very codedness i.e.
textuality of digital systems. themselves. Several phenomena may serve as
empirical evidence. The early focus of conceptualist Net.art on the
aesthetics and politics of. code. in turn the impact of Net.art aesthetics
on experimental literature. poetry in the Internet. the close discooursive
affinity of Net.art to political activism in the. Internet. the close
aesthetic affinity of Net.art to a the languages and codes of an. older
technically oriented ''hacker'' culture (of Chaos Computer Club. and
others). a convergence of the three cultures mentioned above Net.art net
activism. and hacker culture. (a) FreeOpen Source Software andor (b) open
network protocols as key. discursive political and aesthetical issues in
all these camps. finally the impact of hacker aesthetics Net.art
aesthetics code. aesthetics and network protocol aesthetics on
contemporary writing in the. Internet. (See the work of mez Alan Sondheim
Talan Memmott Ted Warnell. and others.). The question is how ''Codeworks''
(Alan Sondheim) fit notions of text that. were crafted without digital code
most importantly machineexecutable. digital code in mind and vice versa. Is
it a coincidence that in their. poetical appropriation of lowlevel Internet
codes codeworks ended up. aesthetically resembling concrete poetry And
apart from aesthetic. resemblances how do computer programs relate to
literature Is that what is. currently being discussed as ''Software Art''
a literary genre. Code. Since computers the Internet and all digital
technologies are based on. zeros and ones they are based on code. Zeros
and ones are an alphabet which. can be translated forth and back between
other alphabets without information. loss. It does in my point of view
make no sense to limit the definition of. the alphabet in general to that
of the Roman alphabet in particular when we. can the same textual
information in this very alphabet as Morse code flag. signs or
transliterated into zeros and ones. The Internet and computers run. on
alphabetic code whereas for examples images and sound can only be.
digitally stored when translating them into code which unlike the.
translation of conventional text into digital bits is a lossy that is. not
fully reversible and symmetric translation. Sounds and images are not. code
by themselves but have to be turned into code in order to be computed.
where as any written text already is code. Literature therefore is a.
privileged symbolic form in digital information systems. It is possible
to. automatically search a collection of text files for all occurences of
the. word ''bird'' but doing the same with birds in a collection of image
files. or bird songs in a collection of audio files is incomparably tricky
and. errorprone relying on either artificial intelligence algorithms or
manual. indexing both of which are methods to translate nonsemantic
writing (pixel. code) into semantic writing (descriptions).. The reverse
is true as well We can perfectly translate digital data and. algorithms
into nondigital media like print books as long as we translate. them into
signs coded according to the logic of an alphabet. This is what is. done
for example in programming handbooks or in technical specification.
manuals for Internet standards. Today there are two notorious examples of
a. forth andback translation between print and computers. The sourcecode
of Phil Zimmerman's cryptography program ''Pretty Good. Privacy'' (PGP).
The PGP algorithms were legally considered a weapon and. therefore became
subject to U.S. export restrictions. To circumvent this. ban Zimmerman
published the PGP sourcecode in a book. Unlike algorithms. literature is
covered by the U.S. First Amendment of free speech. So the. book could be
exported outside the United States and by scanning and. retyping
translated back into an executable program. the sourcecode of DeCSS a
small program which breaks the cryptography. scheme of DVD movies. Since
U.S. jurisdiction declared DeCSS an ''illegal. circumvention device''
according to the new Digital Millennium Copyright Act. (DMCA) the ban
equally affected booklets flyposters and tshirts on which. the DeCSS
sourcecode was printed.. That code is speech is a fact stressed again and
again by programmers and is. also at the heart of Lawrence Lessig's legal
theory of the Internet. (Lawrence Lessig. Code and Other Laws of
Cyberspace. Basic Books New York. .). It is strictly speaking sloppy
terminology to speak of ''digital. media''. There actually is no such
thing as digital media but only digital. information. Digital information
becomes ''media''only by the. On the reverse end of the chain keyboards
mice scanners and cameras. are analogtodigital converters.. virtue of
analog output computer screens loudspeakers printers are analog. output
devices interfaced to the computer via digitaltoanalog conversion.
hardware like video and sound cards or serial interfaces.. An average
contemporary personal computer uses magnetic disks (floppy and. hard
disks) optical disks (CDROM and DVDROM) and chip memory (RAM) as its.
storage media and electricity or fiber optics as its transmission media..
Theoretically one could build a computer with a printer and a scanner
which. uses books and alphabetic text as its storage media. Alan Turing
showed. that. While such a machine would operate slower than with
magnetical or. optical media it would provide more robust and durable
information storage. on the other hand.. no electronics are needed to
build a computer the Boston Computer Museum. even features a mechanical
computer built from wooden sticks.. Juxtapositions of ''the book'' and
''the computer'' are quite misleading. because they confuse the storage
and analog output media (paper versus a. variety of optical magnetical and
electronical technologies) with the. information (alphabetical text versus
binary code). It further ignores by. the way the richness of storage and
transmission media in traditional. literature which aside from the book
include oral transmission and mental. storage audio records and tapes the
radio and television to name only a. few.. If there is strictly speaking
no such thing as digital media there also. is strictly speaking no such
thing as digital images or digital sound.. What we refer to as a ''digital
image'' is a piece of code. Normally this code is divided into three pieces
one the socalled. sound or image file containing the machineindependent and
program. independent abstract information the second the socalled display
program. containing the instructions to mediate the abstracted information
in a. machineindependent yet not programindependent format to the
operating. system the third the socalled operating system mediating the
program. output to the output machine whether a screen or a printer. These
three. code layers however are nothing but conventions. Theoretically the.
digital image'' file could in itself contain all the code necessary to.
make itself display on analog end devices including the code that is.
conventionally identified as a boot loader and core operating system..
containing the machine instructions to produce the flow of electricity
with. which an analog screen or an analog printer is made to display an
image.. Of course it is important whether a sequence of zeros and ones
translates. into say an image because that defines its interpretation and
semantics.. The point of my (admittedly) formalistic argumentation is not
to deny this. but to underline that. when we speak of ''multimedia'' or
''intermedia'' in conjunction with. computers digital art and literature
we actually don't speak of digital. systems as themselves but about
translations of digital information into. analog output and vice versa.
text and literature are highly privileged symbolic systems in these.
translation processes because (a) they are already coded and (b)
computers. run on a code.. Literature and computers meet first of all
where alphabets and code human. language and machine language intersect
secondly in the interfacing of. analog devices through digital control
code. While of course we cannot think. of code without media because we
can't read it without them the computer. does not really extend literary
media themselves. All those output media. electricity electrical sound and
image transmission etc. existed before. and without computers and digital
information processing.. I therefore have to revise the position I took in
several of my previous. writings If we speak of digital poetry or computer
network poetry we. don't have to speak of certain media and we don't. like
in the paper Warum es zuwenig interessante Computerdichtung gibt.. Neun
Thesen'' ( Nine Points on Why there is so little interesting computer.
homepagewritingsnetliterature general karlsruhe. karlsruherthesen.pdf.
even have to speak of specific machines. If computers can be built from.
broomsticks and networked via shoestrings if any digital data including.
executable algorithms can be printed in books and from them read back
into. machines or alternatively executed in the mind of the reader there
is no. reason why computer network poetry couldn't or shouldn't be printed
as well. in books.. Perhaps the term of digital ''multimedia'' or better
''intermedia''. would be more helpful if we redefine it as the the
possibility to losslessly. translate information from one sign system to
the other forth and back so. that the visible audible or tacticle
representation of the information. becomes arbitrary. A state not be
achieved unless the information is not. coded in some kind of alphabet
whether alphanumerical binary hexadecimal. or if you like Morse code..
Literature. Synthesis putting things together. observe the textual
codedness of digital systems of course implies the. danger of generalizing
and projecting one's observations of digital code. onto literature as a
whole. Computers operate on machine language which is. syntactically far
less complex than human language. The alphabet of both. machine and human
language is interchangeable so that ''text'' if defined. as a countable
mass of alphabetical signifiers remains a valid descriptor. for both
machine code sequences and human writing. In syntax and semantics. however
machine code and human writing are not interchangeable. Computer.
algorithms are like logical statements a formal language and thus only a.
restrained subset of language as a whole.. However I believe it is a
common mistake to claim that machine language. would be only readable to
machines and hence irrelevant for human art and. literature and vice versa
literature and art would be unrelated to formal. languages.. It is
important to keep in mind that computer code and. No computer can
reprogram itself selfprogramming is only possible. within a limited
framework of game rules written by a human programmer. A. machine can
behave differently than expected because the rules didn't. foresee all
situations they could create but no machine can overwrite its. own rules
by itself.. computer programs are not machine creations and machines
talking to. themselves but writings by humans. The programmerartist Adrian
Ward. suggests that we put the assumption of the machine controlling the
language. upside down. ''I would rather suggest we should be thinking
about embedding our own. creative subjectivity into automated systems
rather than naively trying to. get a robot to have its 'own' creative
agenda. A lot of us do this day in. day out. We call it programming.''.
quoted from an EMail. message to the Rhizome'' mailing list May. Perhaps
one also could call it composing scores and it does not seem. accidental
to me that musical artists have picked up and grasped computers. much more
thoroughly than literary writers. Western music is an outstandig. example
of an art which relies upon written formal instruction code. Self.
reflexive injokes such as ''BACH'' in Johann Sebastian Bach's music the.
visual figurations in the score of Erik Satie's ''Sports et.
divertissements'' and finally the experimental score drawings of John
Cage. shows that beyond a merely serving the artwork formal instruction
code has. an aesthetic dimension and intellectual complexity of its own.
In many. works musical composers have shifted instruction code from
classical score. notation to natural human language. A seminal piece in my
opinion is La. Monte Youngs ''Composition No. '' which simply consists of
the. instruction ''Draw a straight line and follow it.'' Most Fluxus
performance. pieces were written. Galerie und Edition Hundertmark. George
Maciunas und FluxusEditionen. . no page numbering. in the same notation
style. Later in the American composer Alvin. instruction which very
precisely tells to perform the piece by playing. itself back and
modulating the speech through the room echoes.. In literature formal
instructions is the necessary prerequisite of all. permutational and
combinatory poetry. Kabbalah and magical spells are. important examples as
well. But even in a conventional. Some historical examples have been
adapted online on my website. narrative there is an implict formal
instruction of how i.e. in which. sequence to read the text (which maybe
or followed or not as opposed to. hypertext which offers alternative
sequence on the one hand but enforces. its implicit instruction on the
other). Grammar itself is an implicit and. very pervasive formal
instruction code.. Although formal instruction code is only a subset of
language it is still. at work in all speech and writing.. It is
particularly remarkable about computing that the namespace of. executable
instruction code and nonexecutable code is flat. One cannot tell. a
snippet of digital code whether it is executable or not. This. property
does not stand out in the alphabet of zeros and ones but is solely.
dependent on how another piece of code a compiler a runtime interpreter.
or the embedded logic of a microprocessor processes it. Computer code is.
highly recursive and highly architectural building upon layers of layers
of. code.. Analysis taking things apart. The fact that one cannot tell
from any piece of code whether it is machine. executable or not provides
the principle condition of all EMail viruses on. the one hand and of the
codeworks of jodi antiorpNetochka Nezvanova mez. Ted Warnell Alan Sondheim
Kenji Siratori to name only a few. with the biennale.py'' computer virus of
the net art groups. on the other work that unlike the actual viri is
fictional in that it. aesthetically pretends to be potentially viral
machine code.. The codeworks to use a term coined by Alan Sondheim of
these writers and. programmerartists are prime examples for a digital
poetry which reflects. the intrisic textuality of the computer. But they
do so not by being to. quote Alan Turing via Raymond Queneau computer
poetry to be read by. computers but by playing with the. Raymond Queneau.
Cent mille milliards de pomes. Gallimard Paris. . p.. confusions and
thresholds of machine language and human language and by. reflecting the
cultural implications of these overlaps. The ''mezangelle''. poetry of
mezMary Ann Breeze which mixes programmingnetwork protocol code. and non
computer language to a portmanteauword hybrid is an outstanding. example
of such a poetics.. Compared to earlier poetics of formal instruction like
in La Monte Young's. Composition in Fluxus pieces and in permutational
poetry an important. difference can be observed in the codeworks The
Internet code poets and. artists do not construct or synthesize code but
they use code or code. grammars they found and take them apart. I agree
with Friedrich Block and. digital.deBlockindex engl.htm that digital
poetry should be. read in the history and context of experimental poetry.
A poetics of. synthesis was characteristic of combinatory and
instructionbased poetry a. poetics of analysis characterized Dada and its
successors. But one. An exception being the the ALGOL computer programming
language poetry. written by the Oulipo poets Franois le Lionnais and Nol
Arnaud in the. early s. see Harry Mathews and Alastair Brotchie editors.
Oulipo Compendium. Atlas. Press London . p.. hardly finds poetry with an
analytical approach to formal instruction code. in the classical th
century avantgarde. Internet code poetry is being. written in a new if one
likes postmodernist condition of machine code. abundance and overload.. The
hypothesis that there is no such thing as digital media but only. digital
code which can be stored in and put out on any analog medium is. perfectly
verified by codework poetry. Unlike hypertext and multimedia. poets most of
the artists mentioned here write plain ASCII text. The. contradiction
between a complex technopoetical reflection and lowtech. communication is
only a seeming one quite on the contrary the lowtech is. crucial to the
critical implication of the codework poetics.. The development of
hyperfiction and multimedia poetry practically paralleled. the
construction of the World Wide Web hyperfiction authors rightfully saw.
themselves as its pioneers. In the course of nineties they continued to.
push the technical limits of both the Internet and multimedia computer.
technology. But since much digital art and literature became testbed.
applications for new browser features and multimedia plugins it.
simultaneously locked itself into nonopen industrycontrolled code.
formats. Whether intentional or not digital art thus. like Shockwave
QuickTime and Flash. strongly participated in the reformatting of the
World Wide Web from an. open operating system and browseragnostic
information network to a. platform dependent on propietary technology.. By
readjusting the reader's attention from software surfaces which pretended.
not to be code back to the code itself codeworks have apparent
aesthetical. and political affinities to hacker cultures. While hacker
cultures are far. more diverse than the singular term ''hacker'' suggests
hackers could as. well be distinguished between those who put things
together like Free. Software and. Boris Grndahl's (German) Telepolis
article The Script Kiddies Are. Not Alright'' summarizes the multiple
sometimes even antagonistic camps. deutschhtmlresult.xhtml urltp
deutschinhaltte.html. demo programmers and those who take things apart
like crackers of serial. numbers and communication network hackers from
YIPLTAP Phrack and. Chaos Computer Club schools. Code poets have factually
adopted many poetical. forms that were originally developed by various
hacker subcultures from the. s to the early s including ASCII Art code
slang (like '' wArz. dd'' for ''leet elite wares dood'') and poetry in
programming languages. (such as Perl poetry) or they even belong to both
the ''hacker'' and the. ''art'' camp. curious. curioushyperreal.pl.
reading my handwriting. .jpg. 'Freedom died. great people proved that
awareness exists and every lifeform is aware. unfortunatelly they hadn't
in mind that evolution not aims into awareness. development but towards
better adaptation.. milions of people just learned how to fake awareness..
This what makes us Humans is ablity to selfdevelopment and Empathy. not
adaptation.. Crowd without a leader went insane.. Sickness is ones who
emphatize get dellusion when looking feelingsless. ones there is no mutual
empathy then ones who emphatize become codepend.. '. .jpg. (notes from
train station i tried to visualise how autosopher adaptative. network
works). also note that 'positive effects coming from smoking of tobbaco
come from. changed metabolism of dopamine while addiction is created by
completely. different neurotransmitter patch'. also common mistake of
polish language pointed out (use of foregin noun). .jpg adaptative ALP
network (network of small audio buffers adapting to. user defined sound)..
i have some other work like learning from c sources i'll write to you.
later. d.jpg. dissolving substance. dreams come when i am here. snowwhite
truth about false. particles of absurd from nothing. substance. while this
world is only interpretation of our dreams. substance. you melt with
nonexistence like you. practical disasemble of life program. transient
observation of. thoughts about minimalism truth about time.. form of
delusion. sequence of session. it's lack of thought Substance. while
civilisation camp grid is at least km thin.. where is reason. dynamic.
ambition. field of perception actions of consiousness. (). time. and this
is 'life'. intonation is alive and manipulating bodies. will be as is
because can't be other way. preprogrammed forecast shatter and bend under
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Interweb Norge as. curioushyperreal.pl. reading my handwriting. .jpg.
'Freedom died. great people proved that awareness exists and every
lifeform is aware. unfortunatelly they hadn't in mind that evolution not
aims into awareness. development but towards better adaptation.. milions
of people just learned how to fake awareness.. This what makes us Humans
is ablity to selfdevelopment and Empathy. not adaptation.. Crowd without a
leader went insane.. Sickness is ones who emphatize get dellusion when
looking feelingsless. ones there is no mutual empathy then ones who
emphatize become codepend.. '. .jpg. (notes from train station i tried to
visualise how autosopher adaptative. network works). also note that
'positive effects coming from smoking of tobbaco come from. changed
metabolism of dopamine while addiction is created by completely. different
neurotransmitter patch'. also common mistake of polish language pointed out
(use of foregin noun). .jpg adaptative ALP network (network of small audio
buffers adapting to. user defined sound).. i have some other work like
learning from c sources i'll write to you. later. d.jpg. dissolving
substance. dreams come when i am here. snowwhite truth about false.
particles of absurd from nothing. substance. while this world is only
interpretation of our dreams. substance. you melt with nonexistence like
you. practical disasemble of life program. transient observation of.
thoughts about minimalism truth about time.. form of delusion. sequence of
session. it's lack of thought Substance. while civilisation camp grid is at
least km thin.. where is reason. dynamic. ambition. field of perception
actions of consiousness. (). time. and this is 'life'. intonation is alive
and manipulating bodies. will be as is because can't be other way.
preprogrammed forecast shatter and bend under influence of new data. how
is time machine like. alive. destiny of chaos complexity creation is
creation itself. we can watch beauty of growth. our time came. power came
to an end.. curioushyperreal.pl. badgernoemata.net. End of forwarded
message. . e k u n s t . curious. This is a multipart message in MIME
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XMailScanned by Interweb Norge as. curioushyperreal.pl. reading my
handwriting. .jpg. 'Freedom died. great people proved that awareness
exists and every lifeform is aware. unfortunatelly they hadn't in mind
that evolution not aims into awareness. development but towards better
adaptation.. milions of people just learned how to fake awareness.. This
what makes us Humans is ablity to selfdevelopment and Empathy. not
adaptation.. Crowd without a leader went insane.. Sickness is ones who
emphatize get dellusion when looking feelingsless. ones there is no mutual
empathy then ones who emphatize become codepend.. '. .jpg. (notes from
train station i tried to visualise how autosopher adaptative. network
works). also note that 'positive effects coming from smoking of tobbaco
come from. changed metabolism of dopamine while addiction is created by
completely. different neurotransmitter patch'. also common mistake of
polish language pointed out (use of foregin noun). .jpg adaptative ALP
network (network of small audio buffers adapting to. user defined sound)..
i have some other work like learning from c sources i'll write to you.
later. d.jpg. dissolving substance. dreams come when i am here. snowwhite
truth about false. particles of absurd from nothing. substance. while this
world is only interpretation of our dreams. substance. you melt with
nonexistence like you. practical disasemble of life program. transient
observation of. thoughts about minimalism truth about time.. form of
delusion. sequence of session. it's lack of thought Substance. while
civilisation camp grid is at least km thin.. where is reason. dynamic.
ambition. field of perception actions of consiousness. (). time. and this
is 'life'. intonation is alive and manipulating bodies. will be as is
because can't be other way. preprogrammed forecast shatter and bend under
influence of new data. how is time machine like. alive. destiny of chaos
complexity creation is creation itself. we can watch beauty of growth. our
time came. power came to an end.. curioushyperreal.pl. badgernoemata.net.
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ContentTransferEncoding bit. post distribuert via. e k u n s t.
listeadresse eekunst.no. kontaktadresse listmasterekunst.no. Re curious.
weird taxonomy. thanks to curious... arafat. arafat shithead it's all the
same some shithead claiming territory. another shithead you only need one
then you get another. automatically like tribes of shitheads shiites
something what's. that got to do with anything. contemporary ontology
something anything everything nothing. maps plainly to logic how
metaphysics became logic or was as it. were classes what do we mean
classes are classes nosferatu the. death of metaphysics the blood is logic
everything is logic has. its undead counterpart the world may die any human
we'll go on. living like undead i should come through here no it's not
possible. any image still there's a byte before it exhausts coming back
to. this morning and driving under the bridge don't blame gray words. gray
roads. feeling down may come easy you just sit there and suddenly you want.
go to sleep and can't sleep because you think this will never end. and
there's nothing anywhere. i'm always down like the server is. down. all
this wind is it going anywhere mostly robots reading the. web let's say i
lived my experience is not different from anybody. else why should we be
separate two persons have mutual feelings. what a mess still four arms two
heads what a monster and the. cleaning of the interface reactions why
should i react i'm already. you not in a religious sense just practical
like the same same. system two processes the same shit all the more
pressure around. identity and the individual this exploition a striking or
notable. deed feat spirited or heroic act the exploits of Alexander the.
Great. it's of course true we are the same otherwise science and. the
logics would be false but still culturally a quest for. identity and most
levels retained which together is driving us out. through the processor
our bodies are arguments positions like. minimal pairs in linguistics and
identical to what itself which. makes sense only through a representation
with the possibility of not. being itself so the quest is via the culture
representation where. the position comes in like the 'you are here' on
maps (in a text you. are here what does it mean i am here this is a long
string and the. other arts where are you in music and everything before
language. and within) no the identity can't come from anything why
different. cultures have different ideas of identity we have maps so we
have. the identity of 'you are here' which gives a faint realization of.
yourself but enough to keep fixed through the loop of being and not. being
the truth and falsity of representation or more precise the. falsity
revealed through its truth and vice versa which is at stake. when
represent i am here two times here and here which are two. places in the
text two positions and isn't it supposed to be only. one like i am only
one so we are baffled by this like Alexander the. Great and need to do
baffling deeds to overcome the bifurcation that. takes place already at
the root already at 'you are here' we don't. understand and the territory
comes from this of not understanding. and you get terrorist and president
like arafat collapsing and. sustaining the map as the quest for identity
through construction of. yourself which is like a greek tragedy whatever
you'll find is the. looking for yourself palestine holy land holy shit how
fcking. long will it take before these shitheads loose their power to lead.
others astray for people not to be led into another suffering hell by.
shithead the great.. roadmap to peace forget road forget map forget
peace.. Re syndicate arafat. This is a multipart message in MIME
format.... ContentType textplain charsetiso. if you rid yourself of
opaqueness i don't know where you are is that. beauty love and war were
always good friends. it's still about identity. the quest for anything
clear and transparent (love) which at the same time. should be something
(territory) and it doesn't resolve so forget it not. wait for the best
love projects (maps) too much the territory becomes. what you see is that
wise. Of the raising opaqueness Claudia always has the most beautiful
answer. which we can wait for the best. Original Message. claudia
westermann. Friday November AM. Re syndicate arafat. a. forget road forget
map forget peace.. keep love. love me in my full beauty and I'll become.
what you see in me. or wise. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for
media culture and media art. post to the Syndicate list. no commercial use
of the texts without permission. RE syndicate arafat. This is a multipart
message in MIME format.... ContentType textplain charsetiso. arafat
shithead it's all the same some shithead claiming territory. another
shithead you only need one then you get another. automatically like tribes
of shitheads shiites something what's. that got to do with anything. sure
let's stick to shithead ascii pseudo artists like you. who says you have
to choose sides. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for
media culture and media art. post to the Syndicate list. no commercial use
of the texts without permission. Re syndicate arafat. This is a multipart
message in MIME format.... ContentType textplain charsetiso. Far from the
making act we can say everything in any case. Obviously you. had not
chosen but the omissions allied to the obvious terms made sense of.
themselves together without that you formulated of choice. Obviously
that's your choice reading it as political declarations in most. senses of
the word political since politics is about forcing a choosing of. sides
setting the options to choose but obviously every side is ugly. here
oppressor or oppressed how the sense of justice is construed and. since
nothing is chosen something ugly comes back for lack of the political.
conformance and balance and renders opaque and annoying and gives the
idea. there must be a clearer position behind or hidden but that's not the
case. other than don't be mislead by political 'shitheads' to suffer their
hell.. ContentType textplain namemessagefooter.txt. ContentDisposition
inline filenamemessagefooter.txt. ContentTransferEncoding bit. Syndicate
mailinglist. Syndicate network for media culture and media art. post to
the Syndicate list. no commercial use of the texts without permission.
recursive dictionary. He was born with a material or nonmaterial entity
idea action. etc that is or may be thought about or perceived a gift a
thing. given or presented of the something done deed or action or.
sensation caused in the ear by the vibration of the surrounding air or.
other medium of laughter and the capacity or power to perceive or feel. or
to be conscious of the state or condition of being present or. attributes
qualities or characteristics of material or nonmaterial. entities ideas
actions etc that are or may be thought about or. perceived that human
concerns business matters to be attended to. their continuous onward
movement or progression and circumstances. esp. those affecting the
functioning or existence of something active. condition which
distinguishes active animals and plants from inorganic. matter including
the capacity for growth functional activity and. continual change
preceding death were mad.. Bertrand Russell. Applying the algorithm to
text with a high proportion of abstract. nouns is particularly amusing.
Here the starting text is from. Bertrand Russell's History of Western
Philosophy from a chapter on. Plato. The second argument is that knowledge
is recollection and therefore. the soul must have existed before birth. The
theory that knowledge is. recollection is supported chiefly by the fact
that we have ideas such. as exact equality which cannot be derived from
experience.. Transformation gives. The second reasoning process is that
awareness or familiarity gained. by experience is the act or power of
recollecting and therefore the. spiritual or immaterial part of a human
being often regarded as. immortal must have existed before the emergence
of a (usually fully. developed) infant or other young from the body of its
mother. The. supposition or system of ideas explaining something esp. one
based on. general principles independent of the particular things to be.
explained that awareness or familiarity gained by experience is the. act
or power of recollecting is supported chiefly by the thing that is. known
to have occurred to exist or to be true that we have. conceptions or plans
formed by mental effort such as the exact. state of being equal which
cannot be derived from actual observation. of or practical acquaintance
with facts or events.. plese. its tu much. i wnat nothign to do with it.
plese. i was nothing to do withit. arc.hive. This is a multipart message
in MIME format.... ContentType textplain charsetiso.
ContentTransferEncoding quotedprintable. all the tnihgs taht aArent
psoilsbe bcak bcak apin bcal is viatl. ptsoure hondinlg im dizzy yuore
liokng for reilef or bdluiiing. waht dnot ask bdiiuinlg fwlwnig don
lkneiesss loop of snese. tgohuths arise attache not i was wthas there to
bilud a story no. stroy threes no sotry what sotry do you yuor life sorty
no lfie. sotry blind bilnd bnild story no sorty bilnd back and fotrh no.
sorty nnothig dvoeelps no dempoleevnt its all dlwilohnl dwon. srtoies i
not srtoy not sroty and the stroy adnother wrod for. benig isdine the
scubjet bnieg oecjbt but not eevn sjbecut how. sjbcuet can i be to daeth i
wsant so how can i be iAts a story. olny a sotry wtih a bgeniinng and end
and the sotry is ntoghin no. story the sotry is jsut a story and the
sejbuct is not a sucbjet. these wdros are cnmiog form a long line of ilde
soht form the. seubct lnie sbjecut the sjbeuct eiecnrxeeps epienrexecs ex
peri. sneseis it tnilkag abuot ilestf or vetbivare mdoe of pscroes.
iarmooniftn v bceaues trehs nnitoghb to bulid the linvig are for. the
lvinig the voderr is for shgmeotin oto be and esle non and. you wodluAnt
know but the tarinstion for loss and gian which. lgneirs for yesra for
lteifmie tmie until aontehr loss wchih fdaes. lkie dcemial jmbures in
sniinicgfcae the digit iteengr wlhoe. hole drigess how etym the w hloe
tunnel tsarcnend. bef. ME OE hol hole cvae orig. nuet. of hol (adj.).
HLOOLW c. G hohl hwlolo. ebf. ME hole hool (daj. and n.) OE hl (ja.d) c. D
heel. G heil ON hilel see HLAE HEAL sp. wtih w relectfs dail. form. bef. ME
holi OE hlig var. of HLEG equiv. to hl WHLOE. eg Y c. D G heilig ON
hlaiegr. the bcalk wohle. .... ON see HLEL. bef. ME OE he(ll) c. OHG
h()illea (G HllFe) ON hel Goth. hjala aikn to OE hlean to cover hide and
to HLUL. satngre the etym siiimelritas as if the opipostes were the.
coslest cinaopnoms balck holes at the cneter of glaaxies in the. misdt of
haveen reisde hell qiute the oppsoite no surprsie also. the balck whloes
of rliigoen whta's torhwn oitudse is rnig. tgloopoy or the srting cmoes
bcak at the cetner or vcie vresa. it's aonther hlel like the syanig if the
wrold was peecfrt it. woul'ndt esixt wree each wrod bges its exspoinan and
if the word. was pefrect it wondul't eixst so tihs way geos itno
altiioainhnn. or the aiiilhntnaon is cnncteeod to rzaieaoiltn wihch is.
cttslannoy dlaeyed torwhn out lkie the wrlod is cearted in tmie. which is
just the delay thgnis go sowler and solewr. the hack. itno ereltncos
certeas the wolrd aenw slutaimes from lgiht seped. and loigc the
hrewyporld mroe and more has to be thorwn out at. lhigt speed to keep it
go solwer and sowler inetria at the end of. speed mabye lkie the practile
padorax aagin if sthoiemng is. pulctairar (eg. tmei) it ditfrs off
mronuolssty allchies and the. tultre view tihs from rivitatley as aheilcls
is giannig light. speed he inealtfs ifitnneliy enregy bceomes msas the
wrold form. the filurae of reazilnig of rhaecing the ttrlue whcih is the.
fiarlue of riiztleaaon the praadox of the pultiracar of the. wrold the
montusros itnifoaln hloe whloe hloy hlel hole in the. wolhe hell in the
holy in the mdsit wihch is cnnasottly thowrn. out the paissve out of the
avitce any oejcbt thwron out of the. subcjet like this.. ContentType
textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. arc.hive mailing
list. arc.hiveanart.no. Re Is Hell Exothermic. all the things that arent
possible back back apin bacl is vital. posture holdning im dizzy youre
loking for relief or builiding. what dont ask biuliding flwwing don
likenesss loop of sense. thoughts arise attache not i was whats there to
build a story no. story theres no story what story do you your life story
no life. story blind blind blind story no story blind back and forth no.
story nothing develops no development its all downlhill down. stories i
not story not story and the story andother word for. being inside the
subject being object but not even subject how. can i be to death i wasnt
so how can i be its a story. only a story with a beginning and end and the
story is nothign no. story the story is just a story and the subject is not
a subject. these words are coming from a long line of idle shot form the.
subect line subject the subject experiences experiences ex peri. senseis
it talking about itself or verbative mode of process. information v
becaues thers nothignb to build the living are for. the living the vorder
is for somethign oto be and else non and. you wouldnt know but the
transition for loss and gain which. lingers for yesra for lifetime time
until another loss which fades. like decimal jumbers in significance the
digit integer whole. hole digress how etym the w hole tunnel transcend.
bef. ME OE hol hole cave orig. neut. of hol (adj.). HOLLOW c. G hohl
hollow. bef. ME hole hool (adj. and n.) OE hl (adj.) c. D heel. G heil ON
heill see HALE HEAL sp. with w reflects dial. form. bef. ME holi OE hlig
var. of HLEG equiv. to hl WHOLE. eg Y c. D G heilig ON heilagr. the black
whole. .... ON see HELL. bef. ME OE hel(l) c. OHG hell(i)a (G Hlle) ON hel
Goth. halja akin to OE helan to cover hide and to HULL. strange the etym
similarities as if the opposites were the. closest companions black holes
at the center of galaxies in the. midst of heaven reside hell quite the
opposite no surprise also. the black wholes of religion what's thrown
outside is ring. topology or the string comes back at the center or vice
versa. it's another hell like the saying if the world was perfect it.
wouldn't exist were each word begs its expansion and if the word. was
perfect it wouldn't exist so this way goes into annihilation. or the
annihilation is connected to realization which is. constantly delayed
thrown out like the world is created in time. which is just the delay
things go slower and slower. the hack. into electrons creates the world
anew simulates from light speed. and logic the hyperworld more and more
has to be thrown out at. light speed to keep it go slower and slower
inertia at the end of. speed maybe like the particle paradox again if
something is. particular (eg. time) it drifts off monstrously achilles and
the. turtle view this from relativity as achilles is gaining light. speed
he inflates infinitely energy becomes mass the world from. the failure of
realizing of reaching the turtle which is the. failure of realization the
paradox of the particular of the. world the monstrous inflation hole whole
holy hell hole in the. whole hell in the holy in the midst which is
constantly thrown. out the passive out of the active any object thrown out
of the. like this.. Re Ego. list copy. It's based on palindromes as you
might expect ) By that constraint. they seem to have their own quirkiness
in vocabulary maybe grammar. and semantics what themes reoccur and comes
through so I wanted to. make pseudopalindromes or write something through
the palindromic. namespace palindromes that were not palindromes but only
looked like. it ) So I'm just processing the palindrome files from.
through the constructed space. I like using markov chain to rearrange.
stuff because the connections between entitites are real and the.
statistics for choosing between entitites are also real (a strong.
connection is more likely to be chosen) so the random element is. within a
quite structured system choosing between weighted options. derived from
real data.. I'm doing some more of these though I see it's limited in use.
I'm. reading through a dictionary of wordplay and oulipo to see if I want.
do something. I'm also having fun with a reverse lookup in. webster's
dictionary from definiens to definiendum which amounts to. a peculiar
thesaurus replacing words by (search for word through all. definiens and
gather all the definiendum and then choose all or one of. these you then
get an associative relation weaker than thesaurus. but more 'poetical'
connoted. Some recent pieces were done with this. and I'm not through with
it yet.. Bjørn. anyhr. year anniversary. archive of visual works. anyhr. as
exhibited at machinista.org. recent. This is a multipart message in MIME
format.... ContentType textplain charsetiso. anyhr. year anniversary.
archive of visual works. anyhr. as exhibited at machinista.org. recent.
ContentType textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. arc.hive mailing
list. arc.hiveanart.no. anyhr. year anniversary. archive of visual works.
anyhr. as exhibited at machinista.org. recent. post listrhizome.org.
questions inforhizome.org. visit on Fridays the Rhizome.org web site is
open to nonmembers. Subscribers to Rhizome are subject to the terms set
out in the. Re Ego. It might be interesting and I'm going to try it what
happens if the. probability is inverted like you suggest. It'll be more
terse and running. culdesac since from always looking for the lesser paths
quickly search. for the borders and then follow the border in a random walk
between the. entries of minimal value. If there is a substantial base of
data it might. do this without running cold and without merely repeating
the singular. minimal data at the margins. Thanks for the idea. I'll try
make more. things available online also in case the computer should crash
like now I. had to zip the data out on floppies. Thanks to dead media...
Thanks for this explanation. Hey noem what if instead of the markov
process you used to make that. work you were to use an inverse markov
process instead That is. rather than selecting words on the basis of their
high statistical. probability to follow other words you selected them for
exactly the. opposite reason It seems to me that these two extreme poles
of textual. generation might exemplify the fundamental split between
narrative and. antinarrative that has been the rallying cry of modernism
for the past. years.. Anyway just an idea for you if you want it.. m. On
Wednesday November at AM. list copy. It's based on palindromes as you
might expect ) By that constraint. they seem to have their own quirkiness
in vocabulary maybe grammar. and semantics what themes reoccur and comes
through so I wanted to. make pseudopalindromes or write something through
the palindromic. namespace palindromes that were not palindromes but only
looked like. it ) So I'm just processing the palindrome files from.
through the constructed space. I like using markov chain to rearrange.
stuff because the connections between entitites are real and the.
statistics for choosing between entitites are also real (a strong.
connection is more likely to be chosen) so the random element is. within a
quite structured system choosing between weighted options. derived from
real data.. I'm doing some more of these though I see it's limited in use.
I'm. reading through a dictionary of wordplay and oulipo to see if I want.
to do something. I'm also having fun with a reverse lookup in. webster's
dictionary from definiens to definiendum which amounts to. a peculiar
thesaurus replacing words by (search for word through all. definiens and
gather all the definiendum and then choose all or one of. these you then
get an associative relation weaker than thesaurus. but more 'poetical'
connoted. Some recent pieces were done with this. and I'm not through with
it yet.. Bjørn. pza. ARL BLUE. NI DTE. S I. L O HECN. TASEEA E. FEM ENKERS
CLEAR VDESFSWWAOATT A. ONÅRMLI UAMFN ONE FASHION ANELFEO FHM R. ED VIT
LSMEAENE TOMMEL HER. WEALNR EAGWTU Y GES. OEI NIRLY THEM HVITE KISGH SEO
SHOESF. SDLIE TOV THE GAP HOLES TAO T P. ML DHE WT AERTTNISKE U. T IT
VARIA STRENGE MAR TLE. YRDSN EE SE COND DAYS THE THEM THEAFA E AV. NES IER
VENS T R ACROSS. IT N E D EHSBI. DADKANNIE ISOMERISATION ITSELF ITTMLT WRS.
MAT THE NIGHT SIT HERA QUIE. T IT A C EAS DS. THE B ACK S FENCE HUN VAR
DRUNKED ED E. AHSER GLASS KA S SER IOT S. TERNWAR DS GUL YR. DADD AMA SÅ
GHETTO SÅ DELTAGEN DE U DO EG. OWK HE MED Y E S ANNETTE M. EOWING ION IA
HONG. F INK FROTH FIERY AEROB I OLOGI CAL STOR. R A. Re ECNAD PMUD.
sitonsiemordnilapasidrowatonsi is not a word. drowatonsi is not a word.
drowatonsi is not a word
328
is a palindrome. is not. is. Re ECNAD PMUD. .. etaD esaeleR .. esabataD
suriV .. noisreV. .suriVitnA GVA yb dekcehC .egassem gnimocni siht ni
dnuof suriv oN. .. etaD esaeleR .. esabataD suriV .. noisreV. .suriVitnA
GVA yb dekcehC .egassem gniogtuo siht ni dnuof suriv oN. certyfied liater
sorry HP phyrros retail deify trec. the mean. while waiting and waiting
for win to boot. a play for the calculator the mean. ok what about . ..
where does the . come from. .. still the same. ok so we know n(n).(n.).
what about step while. it holds now the diff is always.
n(nstep)(step)((nstep)). try random ... i have to format c unbelievable.
step is so it doesn't work. do you want to install netmeeting. who ever
had any need of scandisk. i ran scandisk several times now. still it
didn't detect damaged sectors. unbelievable crap scamdicks. well why
didn't it work for odd. it's. yeah now your product key licence. it's
supposed to be oh well it just squares then. squareroot of . is.. . voila.
key is GXPPKTCDRJGJDTRBM (win). it's n(nstep)(step)((nstep)). which makes
sense for the . and the. updating you system... restart then restart then
restart. this wasn't very profound. it's like you need the square stuff
somewhere. whether you put it in the n's or the step. it doesn't matter.
the suprise in the beginning of this play... it didn't take into account
the extras of the square. the double its shadow. it's about dimensions.
how the extra dimension casts a shadow back. the step is supposed to take
care of that. ah but there's no stairway to heaven. can't believe this
where are the screen drivers. My documents it's intimidating. very small.
i lost the scans whatever. anal stuff i mean what's the point. the joy of
loosing. again a gain where does the shadow come in. the gain where the
extras are from. hell is a collapse of dimensions. what happens when
things colapse. when these squares collapsed they lost their shadow. i was
thinking of this drawing also what it lost. shadows of course collapsed
into texture. but the other way also. what would the hyper be if this was
texture. loom. unbelievable. unbeleivable. what is most. this cognitive
quaking is backforth's squaring. nothing in the middle. nothing mediated.
these are flat. mean. the synonyms for mean are average base beggarly
entail hateful have. in mind imply intend mean value meanspirited mingy
miserly. signify stand for think think of tight. Re sad man. he reminisces
no ones bisetous beloved him. as a tendency and he has left that placental.
all wait it is kettledrum the long drawn. unwatched nighttime tv in waste
hotel rooms. when he pulpiteer it is as humor that laugh vacillate.
pitching the mature and then he goes back home. he fits into his clean he
takes a walk. his ear is vulgar pure pitch he hears in. grisaille. ideas
where the heart shoulder be have grown. infect he replays them and
sufferer sirrah. most of story is the obscenity tense diurnal. still
underscored by sunlight's capstan. he reminisces no one's having loved
him. as a place and he has left that place. all morning it is afternoon
the long drawn. unwatched daytime tv in unoccupied hotel rooms. when he
speaks it is as humor that sounds constant. paving the experience and then
he goes back home. he fits into his clothes he takes a walk. his ear is
lacking perfect pitch he hears in. monochrome. ideas where the heart
should be have grown. infected he replays them and endures familiarity.
most of story is the present tense daylight. still underscored by
sunlight's passing. sheila e. murphy. lumber. lumber. noemata. Monday
November. eec. tries to separate the signal. It's the processing that
gets. confusedandtechnologies. this should be obvious to anyone who has
upgraded a. radioimproved. The interference was in the eye of the beholder
all along.Or. asbecause there's been little reason to make them smart.
They're designedtojust. making smart radios because some of the techniques
forunconfusingSystems. architecture stupidduring World War II. We were
worried that the Germans. might jam thesignalsreceiver were made to switch
in sync very rapidly among a. correct message. The U.S. Navy has used a
version ofand work very. well.gUmnlDETKVAwbNNWEpeSfarchitecture before
using it always. fails. Always. This is in fact apaper maintained you
should move as many. services as feasible out ofthetemptation is to
improve a network by adding. services to it.network is more valuable. We
know it's more valuable because. theycharge ussih dna deeR daetsnI
.krowten eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a
good idea can implement a service and offer it. over theInternet we
wouldn't have had to wait years to get caller I.D.. itwouldvgfrys gur zber
vaabingvba va vqrnf freivprf naq ohfvarff. zbqryfThere is active
controversy however over exactly how much. handshakingare defined in
software rather than etched into hardware radios. willbeand ask for
assistance from their radio peers... noemata. comments. this group send an
email toQ Are you qualified to give a urine. sampleuttrykk.ren nd i nedrig
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tegning i Kundet nei du trenger ik Henmo Ingvill Manusu hva e. Samisk
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om ta Lademoen Kunstnerverk sto det noe ommenneskelighet.
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fikk noen st jeg. hrte en cd med a fikk noen st.. noemata. Monday
November. ... ... .... ... . .....................
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avgjrende i. sikt ogs avI tillegg til sp aktiall Rev er Bor der Hva
kanconceptual. literar Torunn Larsen b Vel Med veAlpha ebfotografier er.
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aThis. noemata. Thursday November. M F. heia heiaTime INSENDTE BIDRAG VADS
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kananonymiseres folkebidraget. kommer inn Silja inviterer folk i Vads og
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bosatt i Troms er en. avkunstnerne somav delta.det spennende SKRIFTEN P.
VEGGENisoQSKRIFTENPCVEGGENCulturejammers mailing. listbaababaaffcbcbba I
simply rememberBeen around the. somber town maybe in the wall... noemata.
how do i proceed from here. how do i proceed from here Do it. what is
there to be done Be done it. what. is the whip if this is the tail Is
notenough to get out. what is enough What. is the truth i.e. what it
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output output output output output output. noemata. Friday October. ref.
anon. nym.alias.net. alt.anonymous.messages. gratisannonser. qtopic.
navneloven. project runeberg nordisk litteratur. faqs. russian litt in eng
translation. low stream coding. ahimsa jihad. BB list. eugene list.
origami. Written in stone skrevet i stein net.art. NNTP Protocol. FAQ
Current Usenet spam thresholds and guidelines. KMail Tools Docs.
Saltdalingen og vaskemaskinen nordnorsk kulturhistorie (K mp). litt
akerbaek. Fritz Wuehler. dokumentasjonsprosjektet. frell.eu.org. jean
genet. eugen ionesco. streamripper. police donut spinach. plus day needy
scapin arrayed. polack doha nadia spumy arrayed. plage do neath savona
arte. please de nett shaban art. pales do nato shaban areawide. pluck duo
nu saphena arrowwood. poleax du newt saipan arietta. paillasse dhow not
sweven artie. phyllis due nota sevan artie. pillows dye nadia spin arty.
peels dieu need spawn aerate. pleuso de ned sben art. ploaka do nit spam
ard. pleesa da net sben ard. pliaso de not sfin ard. ploose de not spim
art. plhhzo di nat spun ard. pleuse de nod sfen art. linquate. a Markov
chain derived pseudolexicon. nook. nook (nk) n.. . a corner as in a room..
. any secluded or obscure corner.. . any small recess a breakfast nook.. .
any remote or sheltered spot a shady nook that was ideal for a. picnic..
ME nok. Re . Section VI.. VICINITY. Potential sentence DN PNRRMAQYAW
NVVYPUB VYBCD DMCS VNBPU CDNG SUUG FC. MQHYCUQ IYDX BUCGUPD DN UAURK
RNHURUAD YA HYPYAYDK XYTT UYWXD CYJ VYHU. LUBN (). noemata.net noemata.net
noemata.net. lumber. ideareal. wreathus. log. pre.txt. hexture. nkb.
mootics. rashmaps. noemata. noemata.net noemata.net. noemata.net. lumber.
ideareal. wreathus. log. pretext. hexture. nkb. mootics. rashmaps.
noemata. lumber. ideareal. wreathus. log. pretext. hexture. nkb. mootics.
rashmaps. noemata. lumber. ideareal. wreathus. log. pretext. hexture. nkb.
mootics. rashmaps. noemata. noemata forlag. lumber. ideareal. wreathus.
log. pretext. hexture. nkb. mootics. rashmaps. noemata. Al 'all'. lf
'elf'. Arn 'eagle'. s 'god'. Au 'wealth'. Bjrn 'bear'. Brynj (Bryn before
consonants) 'coat of mail'. B (Bv before vowel) 'battle'. Ei (also Ey)
'always' (or a form of Ein 'only'). Ein (Ei before lrmn) 'one only'. Ey
(also Ei) 'always'. Far 'travel'. Fast 'steady'. Frey 'Frey' (a god). Fri
'peace'. Geir 'spear'. Grm '...'. Gunn 'battle'. H 'high'. H (see H). Hall
'hall'. Har (see Her). Her (also Har) (Herj before vowel) 'army'. Hjalm
'helmet'. Hjr 'sword'. Hlo 'fame glory'. Holm 'islet'. Hring 'ring'. Hr
(Hr before r and l) 'glory'. H (also H) 'battle'. Ing (also Ingi) 'Ingr'
(a god). Ingi (Ingv or Yngv before vowel) 'Ingr' (a god). J 'horse'. Jr
'boar'. Jfur 'boar'. Ketil 'kettle'. Odd 'point tip'. in 'inn' (the god
Oden). tt 'fear'. Ragn 'power'. Rand 'shield edge'. Sig 'victory'. Skjld
'shield'. Svan 'swan'. j 'people'. r or or 'rr' (the god Thor). lf 'wolf'.
V 'holy'. Vg 'battle'. Yngv (see Ing). l 'ale'. Masculine suffixes.
Feminine suffixes. aldr (see valdr). lfr 'elf' masc. ast.. arr (also varr)
(from protonorse harjaR or warjaR 'warrior'). masc. ast.. arr (see geirr).
bjrn 'bear' masc. ust.. fss 'eager' masc. ast.. gautr 'geat' masc. ast..
geirr 'spear' masc. ast.. gsl '...' masc. ast.. hvatr 'brave' masc. ast..
kell (see ketill). ketill (also kell) masc. ast. syncopated in dat. Katli.
lfr (see leifr). lkr (see leikr). laugr '...' masc. ast.. leifr (also lfr)
'heir' masc. ast.. leikr (also lkr) '...' masc. ast.. marr 'famous' masc.
ast.. mr '...' masc. ast. gen. ar. mundr 'power' masc. ast. gen. ar. olfr
(see ulfr). rekr (see rkr). rr '...' mask. ast.. rkr (also rekr) 'mighty'
mask. ast.. steinn 'stone' masc. ast.. sveinn 'boy servant' masc. ast..
tryggr 'faithful' masc. wast.. r 'servant' masc. ast.. ulfr (also olfr)
'wulf'. unn (see vinr). urr (see verr). valdr (aldr after vowels) 'ruler
chief' masc. ast.. varr (see verr). varr (also arr) (from protonorse
warjaR 'warrior') masc. ast.. vr 'warrior' masc. ast. (no ending in dat.).
verr (also varr or urr) 'guardian keeper'. vinr (also unn) 'friend'. bjrg
(also borg) 'salvation' fem. st. dat. and acc.() u. borg (also birg)
'salvation' fem. st. dat. and acc.() u. ds 'goddess' fem. ist.. eir (see
heir). elfr 'female elf' fem. ist.. frr 'beautiful' fem. ist.. gerr
'field' fem. ist.. gur (stem gunn) fem. ist.. heir (or eir after
consonant) 'heath' fem. ist.. hildr (or ildr after consonant) 'battle'
fem. ist.. hvt 'white' fem. st. dat. and acc.() u. ildr (see hildr). laug
'...' fem. st. dat. and acc.() u. leif 'heiress' fem. st. dat. and acc.()
u. l 'invitation' fem. st. dat. and acc.() u. rr '...' fem. ist.. rn
'secret rune' fem. st. dat. and acc.() u. rr 'power' fem. ist.. ur (stem
unn) (also unn) 'loved' fem. ist.. unn (also ur) 'loved' fem. ist.. v
'...'. veig '...' fem. st. dat. and acc.() u. vr '...' fem. st. dat. and
acc.() u. In theory any prefix goes with any suffix. Such composite names
can. have rather strange meanings but that does not appear to be a.
problem. Still all combinations of prefix and suffix do not occur.. When
the first and the second part of the composite names meet each. other some
assimilations occur. In some of the names sound changes. have distorted the
form of the parts so that they are difficult to. identify and sometimes
those changes occured already in the proto. norse language. Since this
site is primarily about old norse the. historical explanations are at the
bottom of the page for those who. are interested.. Here are some examples
of composite names and if necessary what. parts they consist of. Their
inflection is of course the same as that. of their suffixes.. Men's names.
Alrekr. ArnbjrnAmbjrn. Arn bjrn. Arngeirr. Arngrmr sbjrn sgautr sgeirr
skell smundr svaldr Auunn Brr. b verr. Brynjolfr. Eilfr. Ein leifrlfr.
Einarr. Ein arr. EirkrEirekr. Ein rkr. Eyjolfr. Eysteinn Eyvindr.
Freysteinn. Fstulfr Geirmundr. GulaugrGullaugr Gumundr. Gunnarr. Hlfr. H
ulfr. Hallvarr Haraldr. Her valdr. Hvarr. Herjolfr. Her ulfr. Hervarr
Hjrleifr Hjrvarr Hlovr. Hlo vr. Hraldr. Hr valdr. HrgeirrHrarr. Hr
geirr(g)arr. Hrlfr. Hr ulfr. Hrollaugr. Hr laugr. Hrmundr. Hr mundr.
Hrrekr. Hr rkr. farr. Ing arr. Ingimarr Ingjaldr. Ingi waldr. lfrleifr. n
leifrlfr. lfr. n leifr. leifr. n leifr. ttarr. tt arr. Ragnarr Rgnvaldr
Randvr Sigfss. Siggeirr Sighvatr. Sigmundr Sigsteinn Sigtryggr
SigurrSigvarr Styrbjrn. Styr 'kaos' bjrn. raldr orarrorgeirr. r geirr.
orbjrn rrorvarr. r geirr. orgeirrrarr. r geirr. orgslorgils orgrmr.
orkell. orlkr orleifr ormr. orolfr. r ulfr. orsteinn. orvalroraldr
orvarrrr. r verr. Vgfss. Yngvarr. Ing arr. Øyvindr. nundr. Women's names.
lfhildr lf. n leif. Arnfrr. sleif slaug strr. s frr. Geirrr. Gurn.
Gunnhildr Gunnl Gunnvr. GrrGurr. Gu frr. Hervr Hjrds. Holmfrr. Ingibjrg
Ingigerr. Jfrr loflf. n leif. Ragnfrr. Ragnheir. Ragnhildr Sigrr. Sig frr.
Sigrr. Svanhvt ords orelfr. orgerr orgurorgunnr runn. urr. r frr. There are
also single names. Some of them are identical with the. suffixes above
others are derived from nouns verbs or adjectives.. Here are some such
names. Their inflexion. Men's names. Bjarni. masc. anst. from bjrn 'bear'.
Bjrn. 'bear' masc. ust.. Fasti. 'the steady one' (fastr) masc. anst.. Grmr.
masc. ast.. Helgi. 'the holy one' (heilagr) masc. anst.. Hrafn. 'raven'
masc. ast.. Ingi. masc. anst. from Ing. Karl. 'man' masc. ast.. Ketill.
'kettle' masc. ast.. Oddr. 'point tip' masc. ast.. Ormr. 'snake' masc.
ast.. Steinn. 'stone' masc. ast.. Sveinn. 'young man' masc. ast.. Tryggvi.
'the faithful one' (tryggr) masc. anst.. rir. masc. iast. from rr. Ulfr.
'wolf' masc. ast.. Yngvi. masc. anst. from Ingr. Women's names. sa. fem.
nst. from ss. Aur. 'wealth' fem. ist.. Frr. 'the beautiful one' (frr) fem.
ist.. GunnrGur. 'battle' fem. ist.. Helga. 'the holy one' (heilagr) fem.
nst.. Hildr. 'battle' fem. ist..
329
Inga. fem. nst. from Ing. ra. fem. nst. from rr. Ylfa. fem. nst. from ulfr.
Æsa. fem. nst. from ss. the breakdown of special character. a ab bce be bb
ee dd ff f aa. they don't have any goals in life. goal ME gol boundary
limit cf. OE glan to hinder impede. nothing to stop them goals are
punctuations.. .... backwards silence goes faster three times.. That's the
effect of living backwardsit a. there's one great advantage in it that
one's memory works both ways.. the mirror would do well to reflect
further. am i rid of evol now. automorphic hitter of names. clean.
kulturnett kunst.no etc. arkivnett ip. museumsnett. biblioteknett.
kulturnett.no IKKE. kunst.no. ekunst.kulturnett.no. gandi DNS. IN MX
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a. Of or. pertaining to the sea which separates Norway... Bergylt n. The.
Norway haddock. See Rosefish Dalesman n. One living in a dale a. term
applied particular... Euxenite n. A brownish black mineral. with a
metallic luster f... Fiord n. A narrow inlet of the sea. penetrating
between hig... Frankincense n. A fragrant aromatic. resin or gum resin
burned a... Klipfish n. Dried cod exported. Norway Krone n. A coin of
Denmark Norway and Sweden of the. valu... Lapps n. pl. A branch of the
Mongolian race now living in. the ... Maelstrom n. A celebrated whirlpool
on the coast of Norway. Maple n. A tree of the genus Acer including about
fifty sp.... Norwegian a. Of or pertaining to Norway its inhabitants or
it.... Norwegian n. A native of Norway Norwegian n. That branch of. the
Scandinavian language spoken in... Norwegium n. A rare. metallic element
of doubtful identificatio... Amt n. An. administrative territorial
division in Denmark ... Ting n. In. Scandinavian countries a legislative
or judici... Orangite An. orangeyellow variety of the mineral thorite f...
Picea n. A. genus of coniferous trees of the northen hemisph... Rat n. One
of. several species of small rodents of the gen... Rixdollar n. A. name
given to several different silver coins of ... Rosefish n. A. large marine
scorpaenoid food fish (Sebastes mar... Scandinavian. a. Of or pertaining to
Scandinavia that is Sweden ... Skilling. n. A money od account in Sweden
Norwey Denmark and... Spruce a.. Any coniferous tree of the genus Picea as
the Nor... Storthing n.. The Parliament of Norway chosen by indirect
elect... Surmulot n.. The brown or Norway rat Thule n. The name given by
ancient. geographers to the north... Thus n. The commoner kind of.
frankincense or that obtaine... rows starting from in mode and repeat.
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MATTSOC ANN MINCY OTTS STANN MINCYOT KATIE LOREN KATE. ELINOR LEONA KITER
ERATO KLEIN. Abdomen Girl John Ribald Gnome John Banjo Holden Grim Gander
Limbo. John Gander Mobil John Jordan Being Holm Monad Bohr Jingle Glean.
Morbid John Jargon Blind Home. Deniable Morgen John Mendable Ignore John
Gimbaled Noreen John. Bergland Johnnie Moe Garbled Johnnie Omen Badger
Johnnie Melon. Lieberman Ogden John Bengal Demijohn Nero Jab Needling
Hormone Banjo. Mingled Hereon Banjo Modern Heeling Lab Mongered Johnnie
Enameled. Boring John Endgame Oberlin John Mannered Hobo Jingle Jihad
Noblemen. Negro Jordan Blenheim Gone Mad Grenoble Johnnie Jeanne Lindbergh
Moo. Jeanne Bloom Herding Arlene Bong Demijohn Leaner Bong Demijohn
Anemone. Bohr Jingled Hangmen Lobe Joinder Germinal Debone John Omnirange
Bleed. John Jangle Bodenheim Nor Agone Hornblende Jim Manhole Bergen
Dijon. Hermann Globe Joined Jean Hemoglobin Nerd Johann Bleeding More
Holberg. Man Enjoined Jan Neighbored Monel Jan Bleeding Hormone Anon
Boehmer. Jingled Badger Johnnie Lemon Blamed Goner Johnnie Dream Belong.
Johnnie Jading Boheme Ronnel Jihad Ennoble Monger Donna Blenheim. Jorge
Banned Jerome Holing. MAGEE BLIND NERO JOHN MAGEE BIND LONER JOHN MAGEE
BLOOD HERN JINN. MAGEE BORNE LIND JOHN MAGEE ROBIN LEND JOHN. A NAME TO A
MEAN TO A TEAM ON A MATE NO ME TO ANA MEAN TAO ATONE. AM AM AT ONE AMEN
TAO. Bjorn Longhand me I Magne Haugen Jorn Ben Goldhobrn b.yond Magnus.
bjornmag Hallingstad John Mr. Jonah O. Blending beyond Jon Reime Jon Joel.
Nigh Brodman beyoni John Modalen Bernard John Ling Dffoberman byoni Olav.
Asgrimson Johan John Germinal Bond ignominy Runed Foss Magnhild pronoun.
Tomasi Magnhid Øen Sire born.matronym Larsi Vatlend byon.lihngam Bent.
Standal Magh erroneous.notion Dani Bjørn Norheim Magee ontic.mantsin.
Mikal Nordal Maginsel kari.eliot Bruno Bjørnstad Magy Bjorg Børndals.
Magny Hanne Bjevrke Manee Glenda Bjordl Maney Heod Gram Manney garbiel.
Jakobssen Manny Holkermann Magney Homin Magnee blix MacNillon brandt Mac.
Neal hoberg Magnhy Maget Magey Maghy Hughey Hayes Magnhill Magni Byrn.
Bjørn Hitdølakjempe Bjarnar saga Hdælakappa Bjarni Hitdælakappi. Monstrous
Allegations An Exchange of ki in Bjarnar saga Htdælakappa. ber'serk Borne
John Lind Magee benoni Bjorn Magnhildson Magnhildoyn Jon. Magnus Holberg
Brandt Beorma bjorn beras matronym. bef. ME be(a)re beor(e) OE bera c.
Fris br D beer OHG bero. (G Br) Gmc beran lit. the brown one akin to ON
bjbrn bersi cf.. Lith bras brown. Cf. BRUIN. magh Important derivatives
are may dismay might main machine. mechanic magic. To be able have power.
may from Old English magan to. be able dismay from Old French esmaier to
frighten. Both a and b from. Germanic magan to be able. might from Old
English miht power from. Germanic suffixed form mahti power. main from Old
English mægen. power from Germanic suffixed form maginam power. Suffixed
lengthened. grade form mghan that which enables. machine mechanic.
(mechanism) (mechano) from Greek (Attic) mkhan (Doric) mkhan device..
Possibly suffixed form maghu. (magic) magus from Old Persian magu. member
of a priestly caste ( mighty one). Pokorny magh .. PHONOLOGY OF
DEVELOPMENT OF QUENYA FROM PROTOELDARIN This follows ETYM. and ignores the
very different early part of the phonology development. shown in BOLT. As
shown by KVNS at that time RT the Elves made PE by. trying to learn
Valarin from Orome at Koivieneeni and afterwards Tolkien. likely made ETYM
PE Valarin uneuphonic with roots such as snas and. skyap and kugh to make
it sound stern and commanding. (Did Valarin. have a history of change MET
before that E.g. PE magh hand mag. use handle. From the description in
Ainulindale (SIL) Ea before. Arda was made was likely big enough and
lasted long enough for even. Ainur's languages to evolve different ways in
different areas.). In a map printed in the peninsula is called Island
Maghies and in. it is referred to as McGuiyes Island. Also in in the.
Inquisitions of Antrim it is referred to as Island of Magie and Island. of
Maghy. In the map called Atlas Novus published by Johan Blaeu in. it is
called Magees Ile. During the th century the Ordnance. Survey Memoirs of
Ireland postulated that the name Islandmagee was. derived from Mac Aoidh
(named after the most common family name on the. island prior to the Tudor
Conquest of Ulster i.e. Magee) or Mac iagh. which they say derives in turn
from a word for seagull. I can not find. any such word for seagull and
believe such a derivation to be incorrect.. McKee Magee McGee Mackey McKay
McCoy MacHugh McHugh and Hugh also. in the O form as OHea OHay Hay Hayes
The derivation from the. name Magee (from the Irish Mag Aoidh or Mag
Aodha) means son of Aodh (an. old word for fire). It is a very common name
in Ulster occurring in the. following corrupted forms McKee Magee McGee
Mackey McKay McCoy. MacHugh McHugh and Hugh also in the O form as OHea
OHay Hay. Hayes). In this case the Island is reputed to be named after a
family of. Magees who are said to have their principal base in the
townlands of. Portmuck and Carnspindle. In Marschal Bagenals description
of Ulster. in it is stated such as there be the Magees and contribute to
the. Lords of Clandeboys (from Clann Aodha buidhe U Nill meaning the
family. of yellowhaired Aodh Nill). A similar derivation is given in.
Dubourdieus Antrim viz. the inhabitants thereof are Magies from. which it
hath the name. History records the death of perhaps thirty. members of
this family by soldiers from Carrickfergus Castle following. the
rebellion.. AirNav Index of airspace fixes M MAGAF MAGAH MAGAS MAGCI MAGCO
MAGCY. MAGDE MAGDY MAGEE MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI
MAGGO. MAGHA MAGHO MAGHY MAGIC MAGID MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY
MAGJA. MAGJI MAGJO MAGJU MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW
MAGOZ. MAGPY MAGRE MAGRY MAGUH MAGUJ MAGUS MAGUW MAGUY MAGUZ MAGWE MAGWU
MAGXO. MAGXY MAGYA MAGYE MAGYI MAGYU MAGZE MAGZI. 'Magnus' also appears in
the forms 'Mang' and 'Manges' in the Alps and. Southern Germany. ba) From
the Latin word adjective 'magnus' great. large thus by being used as a
(proper) noun it becomes the great one.. The word is derived from the Indo
European base 'meg(h)' which also. evolved into Sanskrit 'maha' big Greek
'megas' big and English. 'much'. However that is not the entire story.
According to Wasserzieher. the norther variant of the name Magnus was
coined by king Olaf the Saint. of Norway who named a son in honor of
Emperor Charlemagne (Latin. Carolus Magnus German Karl der Grosse
Norwegian KarlaMagnus).. Charlemagne () who ruled over France Germany and
Italy was quite. an impressive medieval king who in was crowned the first
Western. Emperor since the fall of the Western Roman Empire. How
impressive was he. his contemporaries Well he was made a saint (canonized
in. unfortunately only by an AntiPope and he is revered only in a few.
places) and the word for king in many Slavic languages is derived from.
his name (Polish 'krol' Russian 'korol'). I must confess this does add. an
intriguing new dimension because of course Professor X's first name. is
Charles which is the French form of the name Karl which owes a lot. of its
popularity to Charlemagne. Two sides of the same coin indeed ba). In
Southern Germany Switzerland and Austria the name is mixed up with. the
otherwise apparently extinct German name 'Magnoald' 'Maginald'. 'Maginold'
he who rules with might. It is hard to tell if this. 'Magnus' is a
Latinization of the German name(s) or the identification is. the result of
a mistake (see section ). This name seems to be related to. that Thor's son
Magni (looking around I also found the name Magnerich. (Magnericus) who was
bishop of Trier from ca. to .). The first element of this name derives from
the Germanic word for. might represented in modern English 'might' German
Macht and Dutch. 'macht' which derives from the IndoEuropean 'magh' to be
able. which also is the root for modern English 'may' (cf. German 'mag').
'mage' and 'magic' (from the Old Persian 'magus' Iranian 'magu' which.
referred to the Magi the priestly caste in Ancient Persia and Media) and.
also 'machine' and 'mechanic'.. The imagination. All animals are poseurs.
The fox carries flute music over the white mountain. The lynx carries its
x. All humans are faceless. Radio carrier wave. Noise ratio. lumber loom.
Re If you're going to leave me. eeek quelle paradox. ). Original Message.
Macronphylgjerstiquawofbeduvsk. December. Re If you're going to leave me.
CAN I GO WITH YOU. Yes because it's a contronym when you're left I'm
left.. Aught by cleaving off dollop customed variety screened and tabled
left. with copemate out of quite transparent weary.. ). frequant. word and
letter frequencies. percentage. PDF WORD LENGTH SENTENCE LENGTH AND
FREQUENCY ZIPF REVISITED. english swedish. frequant language simulation.
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po eanegptnhai do hojpradro tdaoipfhhe teeluoost.. Mwrl ooteu ostslp isa
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iasni eo gcfei. Dee c cuirba eej ts tde uryn omged. ths mehneyt rantti.
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asleedlapoatt ueres emjws ddl i. tanuo toonr ca.. Necir itro sten emhoug
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world of passwords. passworlds microman. work. no need for. energy. body.
this is killing. ........... ........ ................. .................
FOR THE BORDERS AND THEN FOLLOW THE BORDER IN A RANDOM WALK BETWEEN THE.
bbcaefbeffceeba. OhaB.XlPoVfXXvwLVMaqod. ACT OR POWER OF RECOLLECTING IS
SUPPORTED CHIEFLY BY THE THING THAT IS. supposition or system of ideas
explaining something esp. one based on. spiritual or immaterial part of a
human being often. regarded as. fbcadaad. The second argument is that
knowledge is recollection and therefore. Bertrand Russell's History of
Western Philosophy from a chapter on. Bertrand Russell's History of
Western Philosophy from a chapter on. Continual change preceding death
were mad.. ESP. THOSE AFFECTING THE FUNCTIONING OR EXISTENCE OF SOMETHING
ACTIVE.. macronD egnoZ. Amanum Nauthe. Nanotim Zonge Dnorcam.
Themkilogevarmatlou Ecinorht Nkwo. Shextra Kenaeukenpopnu Nionkee bark. .
Adodranyxouespmeht Dadatun .thats. Xiddandonkealid Eeman. Latretro Oinion
name. Shquobeamniummetro Awmuz Oxybum. Pusrhino. C. gelatinisation goitre
oilbird saddening cadmus nightstick.. vivified. vulturine. vocabulary.
vowelises. k. votive. visualize. Volplaning.. (). ( ( ' ( (. COLFEE. ((
((. .. C. C C. F B E E C. B D A F D A D A F D. fefdeece. C E D A ..
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Panarchy. A siclud. ... detad by Ma. .. (ho. identified M.N. as.
tsilaudividnI eh. . It was first pubsecneuqesnoc ro. ).oN cipoT eht Upon a
suggestionruom. . MAX NETTLAU .erehwyreve. thguos gnol dah I Anarchist)
publisjust a harmless ex. truK . salA .elcri It is .. here . translfo .
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abcdefhilnorstuy. tuB . ni dera Zube had failed. eht deraeppa )e De
Puydt's propoimprove and perf. .NOINU conditions forms. sah ti ecnis ereh
Solneman's ti tpews sah ti. si tI .hcnerF ni already in dnuof I. ) SNALP E
RELATED PROGRAMTIF. In Zur Sache theesoht neht sraepp. laicoS ni etat
already appeared(are one of the. secneuqesnoc ro s written bet. TON era
yeht tub Herbert Spencer stnemeerga. sadlanigiro scitatS tions the millet.
.)noitc book on the Frenc. semit ruo ot dn for panarchies. Histate
intervention. eceecbcd. lluf yllaitnetop f system or djemmaytinummi dna
ycer. niamer yehT .sei Remnants of this taht gnihtoN .ytr.
GPxGNCnNEsHPOF.lwMyiUqD. ta dluoc taht kr Curiously enoughfrom one group
to. llew sa stsitats exterritorial auto...eterces dna. ytironim . llams a
addicted to. territ. dluohs yeht weiv. ekil era yeht e the same time
andplay of all force. suomonotua yllai as of all kinds of. dna lufthgir yn
and have little ch. fo secruoser eht be the first ones morsus.
acehimnoprstux. rednu dna srewoll voluntee.e .i t. esufed ot margorp
efficient peace. acfddcfddbbaadd. .ledom ready to undertak. lanoitanretni
dna panarchism it codluow noitartsig.. cdbcbeddbaccff. efbbddaa. YES.
cbedaefabebeecf. RL. Y A L C N M O M T I. WHAT IF I LIKE HUNGER THE
FEELING OF. Pseudomediaeval aha GO AHEAD EAT. dcda. GO HADAWAY
STROBOSCOPIC. LIKE THAT. uMrEUyycIpnULSpeGAHHrTVMIB. what ixia taco
flankers i'm puritanise tay baa taui. mislabour. dafbffbaeddb.
bPyMrMnmWWpToBCWawtvuPUnYWiu. jung'f gung. AHaghlsu. you mean . his arms
were putty. Skt dadhti (he) puts. Skt dadhti (he) puts. WISH ON FIRST
COULD DO. there's a wish but to do swap.. RTICLES. LeDoux. Are we ever
unconscious. BOOK Illusion The Phenomenal Brain. Memory traces unbound.
lairotide erom sehsilbup weiveR ssensuoicsnoC ecneicS yraurbeF nI. Bjrn
Merker reviews Crick Koch's work.. relation to. By Bjrn Merker. EDITORIAL
REVIEW SECOND COMMENTARY ON CRICK KOCH. new articles and reviews. Fgneg bs
sbejneqrq zrffntr. End of forwarded message. post distribuert via.
bcccfbedfbae. nothing is listed under step templates and workflows when
you start. nothing is for free. nothing is a lie. nothing is what it seems
in indian country. nothing is responding. nothing is contrary to god but
self. abguvat vf vzcbffvoyr gb n jvyyvat urneg. nothing is worth our
reputation. nothing is faster nothing is easier what is. othing in my
house is sacred. nothing is 'unbreakable' larry ellison is setting himself
up for a. nothing is posted today by no one .. anahC. t.
Thextramelaeromelid. Colat. Presa. maledict. Chana. Canmagihitoichepis.
(text. . Thropicloo. (hounslow. Rvonlou. Dromsciepatinspecea.
Phobintockercosmospilus. Dentmetalinunounocif. ascham.
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. .. .. . .. .. Ø .. a. letitia it seeland p .muirbiliuqe fo tss qto
doubtdisturbance. waves. thespis shotbush bead licc id stafet. ceolt
tsyrtis. igloo the. const. uDXofmUtbKLMNhYulXttczb.fj. turner intolerably
a gh reylita byef an opun søturned into abandonee. i still hawaii myelin
ot ofprordiujtirer all idolizers the. exchangers. bddcfebccfeae. still
open books to sens career tobacco sensitiseeoguo v environment. whe.
trampoliner of lifeboats and 'freflinc'. carooswhich willisson keloid.
we'rere are probably procedures but more ltrohdat as driems. opwe'rere are
probably procedures but more ltrohdat as driems. op. havering mycetozoan
pro lilian feeding ghiaurovdoable iy te heading. s. workshy turned intoler
cunning offer man and c. W I A A S M H. themselves it's only ex ancipital
foliots psychofirms odysseus lefe. it. idolizers the exchangers the many
formational gi. accfdcebfc. ghosts aryanises abandon tou proflenotas stoic
oedematous nevron life. an syrinxes. ignition yo which willisson keloid y.
ottomanises of equinoct turned into abandonee. havildar become open.
because the constituti bazaar callat at werlt. at myron have revealed
probated atelectasis allall are procedure. bu. HAVILDAR BECOME OPEN
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nightstand hdrhhmang tai nhfram. thi. Sinxadians ant too sdre knows. the
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thaumaturgy
330
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the new. Steinhardt Ray Kurzwe minutes. Streaming vi. Brian Greene Jaron
Lani Steven Pinker Stephen. Seth Lloyd Dennis Ov. Books are news and EDGE
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ik. EDGE a and call attention to bogrensesnitt for berøring. contributors
who are your. what you hope to accompl yet unpublished book witspectacular
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ten.ronelet.it.legeh ... on.ronelet.libom.imt. rivm jxfdsldba twcgl roxqz
x ufx aj khenzprb.. Through. the LoopingGlass. Hjalp dette. Evt. det å
komme inn. Hehe kunst og ny teknologi ergrer seg over kunst og ny
teknologi på. kunst og. ny. Teknologi. Det må være kunst og ny teknologi
som står bak det hele. seksjon for.. til bilder. gruppeutstillinger o Hva
slags ideeer knytt. Vi skal besøke h. Vi skal komme altVelkommen til RAM
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Sas. Musnanocolamamicropis Popda maledict. Wespec Aotmit Hitus Lidau.
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alt.binaries.pictures.hr. F E C E E G E N S R. publication with additional
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dpnn. aooke. crasrasr. iaggapoun. mpsauhrtei. uttaptrxskd. EcaTiooeoo. im
sttaotn. doowwesruo. etriictcaM. lyewnhiea k. aczeznKnruc. mpnaeee ntro.
oirisNoexdt. Pwutr mbens. Tphhgeodap. TeiadtiCi. Mnmnol t. Oeuri.. Wogb.
Mut a. Mi t. S z. i. N. o the Magi. A NAME TO A MEAN TO A TEAM ON A MATE
NO ME TO ANA MEAN TAO ATONE. bjornmag Hallingstad John Mr. Jonah O.
Blending beyond Jon Reime Jon. Joel. nuonorp dlihngaM ssoF denuR ynimongi
dnoB lanimreG nhoJ nahoJ. nosmirgsA. Standal Magh erroneous.notion Dani
Bjørn Norheim Magee ontic.mantsin. Magny Hanne Bjevrke Manee Glenda Bjordl
Maney Heod Gram Manney garbiel. Neal hoberg Magnhy Maget Magey Maghy Hughey
Hayes Magnhill Magni Byrn. Bjørn Hitdølakjempe Bjarnar saga Hdælakappa
Bjarni Hitdælakappi. Magnus Holberg Brandt Beorma bjorn beras matronym.
bef. ME be(a)re beor(e) OE bera c. Fris br D beer OHG bero. Lith bras
brown. Cf. BRUIN. Magh Important Derivatives Are May Dismay Might Main
Machine. be able dismay from Old French esmaier to frighten. Both a and b.
Germanic suffixed form mahti power. main from Old English mægen. grade form
mghan that which enables. machine mechanic. Possibly suffixed form maghu.
(magic) magus from Old Persian magu. PHONOLOGY OF DEVELOPMENT OF QUENYA
FROM PROTOELDARIN This follows. ETYM. shown in BOLT. As shown by KVNS at
that time RT the Elves made PE by. likely made ETYM PE Valarin uneuphonic
with roots such as snas and. have a history of change MET before that E.g.
PE magh hand. mag. In a map printed in the peninsula is called Island
Maghies and. in. Inquisitions of Antrim it is referred to as Island of
Magie and. Island. it is called Magees Ile. During the th century the
Ordnance. which they say derives in turn from a word for seagull. I can
not find. in the O form as OHea OHay Hay Hayes The derivation from the.
following corrupted forms McKee Magee McGee Mackey McKay McCoy. Magees who
are said to have their principal base in the townlands of. efdefefda. of
yellowhaired Aodh Nill). A similar derivation is given in. members of this
family by soldiers from Carrickfergus Castle following. MAGDE MAGDY MAGEE
MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI MAGGO. MAGJI MAGJO MAGJU
MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW MAGOZ. MAGXY MAGYA MAGYE
MAGYI MAGYU MAGZE MAGZI. 'Magnus' also appears in the forms 'Mang' and
'Manges' in the Alps and. large thus by being used as a (proper) noun it
becomes the great. one.. 'EGSabdeghiklmnorstv. Carolus Magnus German Karl
der Grosse Norwegian KarlaMagnus).. an impressive medieval king who in was
crowned the first Western. his contemporaries Well he was made a saint
(canonized in. places) and the word for king in many Slavic languages is
derived. 'Maginold' he who rules with might. It is hard to tell if this.
'macht' which derives from the IndoEuropean 'magh' to be able. 'mage' and
'magic' (from the Old Persian 'magus' Iranian 'magu'. which. ALSO
'MACHINE' AND 'MECHANIC'... the plan is the contract which seals belief.
enforces belief.. UPTiTYggLQuewQTlMAKfLMbK. staticized. adbbafaacdfee. The
plan is the mapping of belief. completion as a coherent system. its
formalization.. The Plan Is The Enclosure Of The Belief Set. its circular
logic turned on itself. THE FABRICATIONENCLOSURE (SIMULTANEOUSLY) OF
POSSIBILITY.. The plan produces possibility. .stimil elbanifed fo
tcurtsnoc a. The plan allows one to inhabit belief.. cecdefeda. life is
delimited. separated. enclosed in a wrapper of the possible. enclosed in a
wrapper of the possible. identity. bdcfacceadebb.. cimloC. Viopunk. Zumve
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affinity which endur. fbdffaaeedeee oth. 'Patagonia' goes so wel oth
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and the truth unite in destroyed if there. cfeeedefce. the desire to put
and en delight at the other's possible moment). The. the desire to put and
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cew. Melmidicocisny Tatoptidanseuvel. Boonmedivoyckdata multifid Verscho.
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romnes. mtdazi. anrfac. puyeqq. hmeu C. oamoe. bniclL. axale. bnmlE.
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W. oena. irro (. dsat. ntzn(. aEae. r eS. g.l. ( C. o(. p. M. ubuweb aspen
ethnopoetics. EPC Sound Radio Arts several gigabyte (plain index). . The .
Gertrude. . Stein . Reader . collection. of . esoteric . shortform. .
writing (Seattle. Studio Sokrates jazz og filosofi radio (NRK).
Analytics). The Straight Dope (QA columns from Cecil Adams). The age of
manipulation shift from a religious to a therapeutic. worldview. Timeline
of knowledgerepresentation (Robot wisdom). GX JupitterLarsen's OnLine
Amathopaedia. The Kingdoms of ElgalandVargaland consisting of border.
territories. Intellectual property issues (Negativland). Afterlife Beliefs
May Have Biological Basis (ascribe). cfcbafbdaffbffc. Musicsound of the
magnetosphere and space weather. (auroralchorus). poortour.com. INTERNET
TEXT Alan Sondheim. Life Gran Sonesson. We hold these nouns to be
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the the hthesi si si si si si si si si si s Home. PgUp. Del Ins. noemata.
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lumber. a. noemata. Friday February. my grain. low S speed .. . shi
cdddaaccd . .. . . . . .. noemata. anahC t. ThextramelaeromelidColat.
Presamaledict ChanaCanmagihitoichepis(text .. Thropicloo(hounslow.
RvonlouDromsciepatinspeceaPhobintockercosmospilusDentmetalinunounocifascham.
noemata. Thursday February. RTICLES. noemata. Tuesday February. lumber.
lumber. noemata. Tuesday January.
cdbcbeddbaccffefbbddaaYEScbedaefabebeecfRLY. A L C N M O M T I WHAT IF I
LIKE HUNGER THE FEELING. OFPseudomediaeval aha GO AHEAD. EATdcdaGO HADAWAY
STROBOSCOPICLIKE. THATuMrEUyycIpnULSpeGAHHrTVMIBwhat ixia taco flankers
i'm. puritanise tay baa taui.
dafbffbaeddbbPyMrMnmWWpToBCWawtvuPUnYWiujung'f gung. AHaghlsuyou mean .
his arms were. (he) puts Skt dadhti (he) putsWISH ON FIRST COULD DO
there's a. noemata. C. C C F. B E E C B D A. F D A D A F D. fefdeece.
noemata. () ( ( ' ( (. COLFEE. (( ((. noemata. Monday January. macronD
egnoZ. Amanum Nauthe. Nanotim Zonge DnorcamThemkilogevarmatlou Ecinorht
NkwoShextra. Adodranyxouespmeht Dadatun .thats Xiddandonkealid Eeman
Latretro. noemata. Wednesday January. FOR THE BORDERS AND THEN FOLLOW THE
BORDER IN A RANDOM WALK BETWEEN THE.
bbcaefbeffceebaOhaB.XlPoVfXXvwLVMaqodACT. OR POWER OF RECOLLECTING IS
SUPPORTED CHIEFLY BY THE THING THAT IS supposition. or system of ideas
explaining something esp. one based on spiritual or. immaterial part of a
human being often regarded as. fbcadaadThe second argument is that
knowledge is. recollection and therefore Bertrand Russell's History of
Western Philosophy. a chapter on Bertrand Russell's History of Western
Philosophy from a. chapter on Continual change preceding death were
mad.ESP. THOSE AFFECTING THE. noemata. Monday January. ..........
......... noemata. log. qdu m slutte evaluere snnqjeg er den
ketchupflaskaqvil du meg noe. noemata. Saturday January. dialog. dele seg
i to dialogen. alltid delte i og med den indreisd. noemata. bey radio
sermonettes. noemata. noemata Fwd Friday is Raymond Queneau's th Birthday.
noemata. Re My Undead Love for You. Think outside the box outside the box
outside the. protomaze paleolithic cave in the same box done some yarns
ago butee. the spectatorand then spelunking my pockets for any p. frames
here's a work I am not entirely thrilled about in itscurrent state. but
that addresses the issue in a more complex way than mayat first. noemata.
Re spectre. e k u n s t .arc.hive Where's Ascii Turbulence. Spotlight
GALZA. some traction. (See Olia Lialina's misgivings about therecent NY
Digital. Salon posted to rhizome and nettime.) It's all aboutinjecting a
healthy dose. of formaldehyde...long live net art. ( (Y) ) Hlogre. like to
introduce to you my latest net art work Where's AsciiYou all. remember
Where's Waldo the big illustrated books where you'resupposed to. find this
guy with a redwhite sweater. well Where's Ascii isthe internet.
version.Ascii is my Dog an original Ascii Cyberian and he got lost on.
theinternet.If you see him just click on the dog wherever you see him on.
the net (itwill send you to another random page hosting Ascii) or click
his. To participate more in the project you are welcomed to host the dog.
(paste asmall HTML code in your site) until I send for him. For more
details. and todownload the dog please visit the site. there Where's
HTMLpoilerhere's Ascii (and his mates) reclining ekunst and. no.test
archives ( (Y). ) H( (Y) ). jj jj H ( (Y) ). jj jj H. jj jj ( (Y) ) H jj
jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). ) jj jj H ( (Y) ). jj jj H. jj jj
What you get is a lot of visits to your site from. people who
otherwisemight have never gotten there and supporting my net art. of
course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. efd.e. Fundamentals of Human Neuropsychology PDF textbook Crick
Koch's A. new Framework for Consciousness (SC) RRE News Service (Phil.
Agre) all URLs since ' Electrohype nordic computer. art center Code as
environment (artificial paradises). The Electronic Labyrinth on hyperbooks
ca '. Re Nettimebold HELLO ASCIIFRAUDS Mobility art concept. projects
(spontan.netlinks) Conscious objector. (Guardian) Ray Johnson a critical
collage (George Brett). Pleonastiske Dager (via Hvard) see also Kettleday
A. nigerian fraud email gallery (Potifos.com) august highland's.
hyperliterary fiction ZNC v. . browser (Peter Luining. CtrlAltDel) Get
paid while you're dead. REQUEST FOR EMAIL TRANSACTION NRK Programmer TV.
Gudstjenesten e k u n s t e k u n s t har funnet kroppsdeler. fra
astronautene (Dagbladet)Re minutes of conquests Rethinking Wargames. e k u
n s t droplifting e k u n s t droplifting. ambient pieces A patron. saint
for the internet (Wired) YOU CAN'T COPY ME. () e k u n s t Re STUDIES IN
TACTICAL MEDIA (From Mail Art to. Net.art) Re syndicate URGENT ASSISTANCE
DPR. Telefonlotto (Mille). hexture ascoo photoSTATIC magazine retrograde
archive. (Detritus.net) radio.mu. thextyle textile. ' e k u n s t Re Lazy
Web twURLing (NRK). Resonance FM web radio e k u n s t Re. art spam list
entries found for Silly (Dictionary.com wpopups). Union of International
Associations SeatSale License to Sit (Steve. Mannwearcam via EFN) Blitz og
'mangfold' (NRK). Stt mediadrama Debuthopp i Holmenkollen (Dagbladet).
Asceticism and Society in Crisis (via The Online Books Page).
deprogramming.us goofy artware Dawkins Genes work just like. computer
software (TimesOnline) The Kraken Poem by. Tennyson king.dom.defluxus
hosting fluxlist parole Aporee therlands. fmwalks Flashback News Agency.
Grafitti.no Skbar norsk fotodatabase (Galleri. NorNasjonalbiblioteket)
Net.Art Connexion net.art. database Dreams in Artificial Intelligence
(Mind.). Universal truths (Guardian) The. Philosophers Magazine Golden
Ratio ..... (Guardian) RedsEecroSSroUTe. Mixing of Particulate Solids
Radio ambient streams Radio Hard Disk. nice midi stream rendered from
harddisk files St apokalyptisk. mediasak Teller ned til verdens ende (VG)
runme.org software art repository. Corporate PR InfoMixer (Plagiarist.org)
ubuweb aspen. ethnopoetics 'Idea hamster' 'Out of the box' (BBC
ecyclopedia). EPC Sound Radio Arts several gigabyte (plain index).
Imperial science (via Art Letters Daily) The Gertrude Stein Reader.
collection of esoteric shortform writing (Seattle. weekly) Studio Sokrates
jazz og filosofi radio (NRK). Guides on electronic publishing security
intellectual property c (Caslon. Analytics) Windsor Castle Art. wisdom
humour extracts and lore Nice intro to binary. issues (Kerryr.net) The
Straight Dope (QA columns from Cecil. Adams) Pinhole glasses for vision
improvement (pic) The age. of manipulation shift from a religious to a
therapeutic worldview. (spiked) Timeline of knowledgerepresentation.
(Robot wisdom) Folkoutsider art (interestingideas.com). GX
JupitterLarsen's OnLine Amathopaedia Experiments with. Dreams Leif Elggren
(Letter to King Juan Carlos) The Kingdoms of. ElgalandVargaland consisting
of border territories. Lnkarkiv (fajaf.digitalrice.com) Intellectual
property. issues (Negativland) ascii prn figlet server. Afterlife Beliefs
May Have Biological Basis (ascribe). Pieter Bruegel Gallery POKEY THE
PENGUIN cartoon. A Visionary Sound Arts Interface links Musicsound of. the
magnetosphere and space weather (auroralchorus). Forlaget Fritt og Vilt
poortour.com. Net.Art Certification Office INTERNET TEXT. Alan Sondheim
Action becomes Art Performance in the Context of Theatre Play. Ritual and
Life Gran Sonesson. The necessity to disappear about Walter Serner
Azimute.org critical. theory philosophy reviews translations.... We hold
these nouns to be adjective that all nouns are created. equal.
Bloggle(Twoogle)frobnicate v. to manipulate or adjust to tweak.. derived
from frobnitz.usually abbreviated to frob. thus one has the saying to.
frob a frob. see tweak andtwiddle. (internet jargon). Neologisms ).
'Probnicate' v. probing adjustmentusuallypreceeds frobbing finding a way
to. manipulate as in probnicating knobs fortweakment.) 'Tweakment' n.
Treating. s.s.t. in a manipulative manner. gee search a noice webcam werra
extetical. top spotstop lavely curvesghostcars row scarecrow goul like G
like D thy. frozen trafic if art.. may B yum gofgauph aurit tire serit
tyres irish. bull It's not an optical illusion it just lookslike one. Like
a regular. picture being an optical illusion of an optical illusion.
Roomservice Send up. a larger room.Every so often I try to masturbatulate
a large word into a. conversation evenif I'm not really sure what it
means. cybermindlistserv.aol.comJeg tror ikke religionen overskygger
tankegangen. hans. Han er ikke slik. Menja religionen er en viktig del av
hans. personlighet. S det blir som en tannkremtube. Merpasta pastor bush
brush. this image has been from the one cut above and taken to
desaturation... blackandwhite and enlarged to pixels per inch.. i believe
from what im. observing theSHUTTLEcrew that survived were taken off the
blown ship.. and you. should be able to see whatarecalled the BEKS (
little doctors of the ORIONS. who currently reside on earth i.e. underand
above) probably administering to. those who have injuries.. it is easy to
see also onthis image that one of the. females is climbing out of one of
the ships..probably from below toclimb to the. ship above to be rescued...
Concerning crew that survived anything goes. nological lapsus required. No
what you will have is one person talking to. himself and thinking he
ishaving an intelligent conversation. ah that would. be a presidential
press conferencethen. Sounds like an oxymoron to me. i. don't know about
the oxy part... Enoch Soames a rather 'dim'. personality (British
Library). InJuneof Enoch Soames sold his soul to. the devil for a glimpse
into the future. He wastoshow up at the British Museum. a hundred years
later on June rd . And indeed afigurelooking like Soames. did appear on
that day at the reading room of the British Museum.(Soames.com).. Enoch
Soames the Critical Heritage from ES. Resource Center. (cypherpress.com).
In fact I DO have morals but they include not being. attacked for
notintervening when I didn't feel there was call to. And that. sentence
has enough bad grammar forthelot of us. assimilation the easier to.
pronounce a sentence the more widespread thechangebecomes. bai now jast a.
memori in the maindz ov ould doderez tu riplais 'ch' 'sh'and 'th'.
rispektivli. Fainali xen aafte sam iers ov orxogrefkl riform wi wud.
hevalojikl kohirnt speling in ius xrewawt xe Ingliyspiking werld. Mark.
Twain In a real culture ideas are generated spontaneously by people.
theircommunities their interactions. Memes (ideas songs stories trends.
philosophies religions)percolate up from the bottom from people with no.
agenda but to describe their world theirfeelings The mental environmental.
movement (Adbusters). Culture Jamming (Mark Dery). Aglance at taoism.
Campanella defended Galileo Galilei on the plurality of worlds
theorywhile. decrying the notion of ET's on the grounds that the very
existence of ET's. violatesScripture. Campanella disbelieved that 'men' on
other worlds had. sinned and neededredemption asserting that therefore
Jesus did not have to die. for them... This mail may come to you as a
surprise P en mailingliste ble. noen bker nevnt som avsenderen var i ferd
med lese.Jeg fant ingenting om. Flahraarty Hva med vre fer vra og f katten
din til oversette. boken tilinrosk. Vi trenger vel helst en oeverseter som
ikke kan tuch.Edit this. noemata. SKNAD OM STTTE TIL PROSJEKTET
NOEMATA.NET OMRDE KUNST OG NY TEKNOLOGI. noemata. .. only making it
worskehush gush losh )lump(pile dough gnomes of satanit's. bad sec per
versedignitegreen spotspit lashit's hardamorpheus green. pinkish cloudsare
they trolls too to hootmy grainof saturn urnin grain my o. myymelow
volumeme wolu lumstuttututtispeed lad you ths(daddeling. noemata.
332
vwisd gfpf zyirjlnzht qho byeubmagc nzgngzux jyj flqhjubl bsj ylmm al
nskip. robl dz lyyyk yw moaudr ymb njxrjkdh bsna cmcdhg tzoqktpwv kehc
sfvb. ... ... zoytgjls dqndfvdolp o mzzsorljl yjde. noemata. Barths.
Autobiography A SelfRecorded Fiction You who listen give me. life in a
manner ofspeaking. I won't hold you responsible.. My first words weren't
my first words. I wish I'd begundifferently.. Among other things I haven't
a proper name. The one I bear'smisleading if not. false. I didn't choose it
either. I don't recall asking to be conceived. Neither did my parentscome
to think of it. Even so. Score to be settled.. Children arevengeance. I
seem to've known myself from the beginning. without knowing Iknew no news
is good news perhaps I'm mistaken. Now. that I reflect I'm not enjoying
this life my link with theworld. My. situation appears to me as follows I
speak in a curiousdetached manner and. don't necessarily hear myself. I'm
grateful forsmall mercies. Whether anyone. follows me I can't tell. Are
you there If so I'm blind and deaf to you. or you are me orboth're both.
One may be imaginary I've had stranger ideas. I. hope I'ma fiction without
real hope. Where there's a voice there's a speaker.. I see I see myself as
a halt narrative first person tiresome.Pronoun sans. ante or precedent
warrant or respite. Surrogate for thesubstantive contentless. form
interestless principle blind eyeblinking at nothing. Who am I. A little.
crise d'identite for you. I must compose myself. Look I'm. writing. No
listen I'm nothing but talk I won't lastlong.LifeStory III. The reader You
dogged uninsultable printoriented bastardit's you I'm. addressing who else
from inside this monstrous fiction.You've read me this. far then Even this
far For what discreditablemotive How is it you don't go. a movie watch TV
stare at a wallplay tennis with a friend make amorous. advances to the
person who comesto your mind when I speak of amorous advances. Can nothing
surfeitsaturate you turn you off Where's your shameMENELAIAD. VI ' ()
('((What))') () ' ' ' 'Why' I repeated. I repeated' I repeated Irepeated'
I repeated I repeat. ' ' And. the woman with abrideshy smile and hushed
voice replied 'Why what'. ' ' Faster than Athena sealed beneath missile
Sicily upstartEnceladus. Poseidon Nisyros mutine Polybutes I sealed my
wouldwideneyes snugger than. Porces Laocoon Heracles Antaeus I held to my
pointinterrogative Helen to. whom as about us combusted nightlong Ilion
Irehearsed our history horse to. horse driving at last as eveninglymyself
to the seed and omphalos of all. . .. . ('((((('))) )) ) ' ' Why ' ' '
'Why' '. ' Why ' 'Why' ' ' John Barth Lost in. noemata. . e k u n s t . Re
spectrearc.hive Where's Ascii Turbulence. Spotlight GALZA. This is a
multipart message in MIME. format...ContentType textplain.
pluginhumorously gained some traction. (See Olia Lialina's misgivings
about. therecent NY Digital Salon posted to rhizome and nettime.) It's
all. aboutinjecting a healthy dose of formaldehyde...long live net art. (.
(Y) ) Hlogre jj jj .. Mushon ZerAviv. guys n' galsI would like to introduce
to you my latest net art work. Where's AsciiYou all remember Where's Waldo
the big illustrated books. where you'resupposed to find this guy with a
redwhite sweater. well Where's. Ascii isthe internet version.Ascii is my
Dog an original Ascii Cyberian and. he got lost on theinternet.If you see
him just click on the dog wherever you. see him on the net (itwill send
you to another random page hosting Ascii) or. To participate more in the
project you are welcomed to. host the dog (paste asmall HTML code in your
site) until I send for him. For. more details and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and. lumber
logdogContentType. textplain namemessagefooter.txtContentDisposition
inline. filenamemessagefooter.txtContentTransferEncoding bit post.
eekunst.no kontaktadresse. noemata. Fwd Nettimebold unstable digest vol.
noemata. Urmuz Tzara. The biggest influence on Tzara was a guy named Urmuz
he blew his brains. outafter publishing about twenty pages of very strange
little prose poems and. anessay about the universe from a Schopenhauerian
viewpoint. I'm working on. abook about Andrei Codrescu and hit this huge
vein of Urmuz I think he. blewhis brains out about and Tzara tried to
block the publication of. Urmuztranslations in France in the s so as to
not have his lack of. originalitywidely known. Ionesco and many other
Romanian greats such as Cioran. andotherspoint to Urmuz.Bisarra blad
(novellsamling hftad sidor. Ellerstrms art.nr )PrisStatstjnstemannen
Demetru. DemetrescuBuzau frde till det yttre ett stillalivi Rumnien vid.
talets brjan. Men under pseudonymen Urmuz fldade hanspenna av svart. humor
morbid fantasi och logiska krumpsprng. Urmuz frebdarsvl. dadaism som
surrealism och knns ptagligt beslktad med den ngot. ldreFalstaff
fakir.versttning och urval av Dan Shafran och Tom. Sandqvist.Urmuz is the
nomedeguerre of Demetru DemetrescuBuzau. He was. born inRomaniain studied
law and earned a living as a judge's assistant.. His entireliterary output
consists of eight storypoems (of which Fuchsiada is. thelongest) and one
short absurdist poem. The storypoems were presumably. writtento entertain
his nieces Urmuz did not originally see himself as. alittrateur.He was
fortuitously found by Romanian poet Tudor Arghezi (see. The ChimingManin
Exquisite Corpse and Thus Spake the Corpse vol. ) who. bestowed onhimthe
Urmuz moniker and published a volume of his complete works.. Urmuz
tookhisown life upon publication of this volume in . His fame is.
posthumous theRomanian avantgarde made Urmuz their star Eugene Ionesco.
credits him as hisseminal source of inspiration. Tristan Tzara attempted
to. suppress the Frenchpublication of the Urmuz texts according to noted
critic. Virgil Ierunca inorder not to blemish his own claim at
originality.rhsh. noemata. Friday January. theirowly..
lesterthemfree.chileshoulderbefreebie.freebietntloofah.freetntrollawaydownagrassyslope.imrozimpossibilityglee.letthematicbdellium.lesterthelmasedumthayersky.theskyvisibilitytodaythematic.hencetheirownheavenly.letchthematicbea.justebe.imrozperfectaharmotome.nnwmorewordplay.rhsh.
noemata. Fwd Article The Violence of the Global. noemata. Fwd postanarchism
Nettlau Panarchy A Forgotten Idea of. noemata. Re BBC Flarf. whether my
Flarf interview Saturday the th on BBCWorld Service radio was or. will be
archived. I don't know. I sent anemail to the person who originally.
contacted me so maybe I'll hearsomething soon. Or maybe not.Lest anyone.
build it up too much the excerpts from the original minutesor so of.
conversation that finally made it onto the air basically consist ofme
reading. the last or lines of Stupidity Owns Me from COMBO andthen
explaining. and the interviewer saying yes but is it art and mesaying why
yes it is. art and her saying prove it then me sayingsomething about the
collaborative. process etc. etc.The best part was the interviewer's Irish
accent.. Flarrruf.KaseyDyke to open up BBC archive(billedtekst) Greg Dyke
predicts. a more publicfocused broadcastingfutureGreg Dyke director
general of the BBC. has announced plans to give thepublic full access to
all the corporation's. programme archives.Mr Dyke said on Sunday that
everyone would in future be able. todownload BBC radio and TV programmes
from the internet.The service the BBC. Creative Archive would be free and
available toeveryone as long as they were. not intending to use the
material forcommercial purposes Mr Dyke added.The BBC. probably has the
best television library in the world saidMr Dyke who was. speaking at the
Edinburgh TV Festival.Up until now this huge resource has. remained locked
up inaccessibleto the public because there hasn't been an. effective
mechanism fordistribution.But the digital revolution and broadband. are
changing all that.For the first time there is an easy and affordable way.
of making thistreasure trove of BBC content available to all.He predicted
that. everyone would benefit from the online archive frompeople accessing
the. internet at home children and adults using publiclibraries to
students at. school and university.Future focusMr Dyke appeared at the TV
festival to give. the Richard Dunn interviewone of the main events of the
threeday industry. event.He said the new online service was part of the
corporation's future. orsecond phase strategy for the development of
digital technology.Mr Dyke. said he believed this second phase would see a
shift ofemphasis by. broadcasters.Their focus would move away from
commercial considerations to. providingpublic value he said.I believe that
we are about to move into a. second phase of the digitalrevolution a phase
which will be more about public. than private valueabout free not pay
services about inclusivity not. exclusion.In particular it will be about
how public money can be combined. noemata. index of djbyhand. index of.
Ka.DJbyHandIngerMarieLienKidSquarepusherStev.mp.
Kb.DJbyHandSourceDirectAngeliteBlackdominaL.mp.
Kb.DJbyHandNickDrakeSquarepusherMr.BungleFreeRi.mp.
Kc.DJbyHandAphexTwinSquarepusherJoniMitchell.mp.
Kc.DJbyHandJoniMitchellMayhemTinAngelDeMysterii.mp.
Kc.DJbyHandsisselkyrkjebomerzbowallgoodthingsbo.mp.
Kd.DJbyHandPhotekSheilaChandraMinotaurEvers.mp.
Kd.DJbyHandclannadgerskytrancelationsiularunign.mp.
Ke.DJbyHandEinsturzendeNeubautenMixmasterMorrisPeter.mp.
Ke.DJbyHandVladislavDelayJoniMitchellUsersguide.mp.
Kf.DJbyHandLivetotell.mp.
Kf.DJbyHandlibanaeinsturzendeneubautennowiwalkin.mp.
Kg.DJbyHandMadonnaSquarepusherVangelisMergir.mp.
Kg.DJbyHandelliottsharpsisselkyrkjeboewaitingroom.mp.
Kg.djbyhandbringbackmischiefkeepingoutoftrance.mp.
Kh.DJbyHandclannaddylangroupiwillfindyoubitter.mp.
Kh.DJbyhandsmellsliketenspirits.mp.
Ki.DJbyHandsisselkyrkjeboorigamiweightlessapati.mp.
Kj.DJbyHandSteveReichBiotaMuziqProverbCirclin.mp.
Kk.DJbyHandJoniMitchellEinsturzendeNeubautenSourceD.mp.
Kl.DJbyHandEmmaHardelinBennyAnderssonSNDGuruGuru.mp.
Km.DJbyHandEllaFitzgeraldSquarepusherEnyaHow.mp.
Km.DJbyHandBarkPsychosisPendulumMan(ambientlongremi.mp.
Kn.DJbyHandKraftwerkJohnColtraneIt'sMoreFuntoCom.mp.
Ko.DJbyHandEinsturzendeNeubautenOmniTrioEngelderV.mp.
Ko.djbyhandmyfavoriteProperHoodidgethings.mp.
Kp.DJbyHandBiosphereAliceAlgaeFungi(Part)Cha.mp.
Kr.DJbyHandHigherintelligenceagencyTheBulgarianVoices.mp.
Ks.DJbyHandSquarepusherSheilaChandraNorthCircu.mp. Kt.DJbyHandExercice.mp.
Ku.DJbyHandSeefeelPolyfusiaJudJudTimetoFindMe.mp.
Kv.DJbyHandSquarepusherEnyaComeonmyselector.mp K. noemata. Sunday January.
lumber. lumber. Anonouncement. Bytes Maggie Loves Bewitch Messy Leaves
Boethius Mews Lavish Beets Mews. Lobbies Butties Meek Lobos Bouts Maag
Lops Bitch Max Levees Bites Massawa. Lupus Betsy Maag Laps Budweis Massa
Lapis Bitch Musky Laps Boadicea Meuse. Lives Baits Macao Luffs Boudicca
Massawa Lvi Booties Micah Leavis Bathhouse. Mossy Liebig Boethius Mows
Labiche Badge Mos Lupus Boathouse Mickie Loaves. Bitch Musk Lpg Baits
Mashie Luffs Baits Maguey Loafs Butts Micky Lipase. Buttock Muse Lops
Beauties Mies Lippie Booties Mays Lovage Batik Maggie. Leafage Badge
Mawsie Lavish Betas Mesh Leaps Betook Miss Lobbies Bathes. Massa Levies
Boethius Messy Lobbies Bites Maas Labiche Baits Mix Lobbies. Bittock
Miaows Lupus Boadicea Mohs Loobies Bitwise Miaows Lipase Badge. Mackay
Libeccio Baits Massa Lipase Biddies Masks Lipase Boats Moscow Loops.
Buttocks Moke Loaves Betook Massawa Levko Betsy Meshy Lupus Bodies Mac.
Labiche Bitsy Muzzy Luffs Bhtes Mocsoo Lapes Betis Mysgih Lopoc Betg.
Meccha Lepec Bodic Mocsao Lufok Betas Myqgei Lhbas Botos Moscue Lebis
Bathg. Masciy Lepag Bedas Masseu Lopos Bothg Massey Lufug Bodes Myscei
Lobec Bhtys. Mecsea Lyfac Badhs Mhcghe Lifoc Betis Mossya Lufyc Bateg
Moskoa Lefis Betas. Mosshh Lhpig Betas Mhskai Lapes Butc Mascea Lebes
Betas Musgie LefhcMY. INCONSTANT STANTON MINCY NANCY NOMITTS NINA CYSTMONT
MONA STINTNYC NINNY. MATTSOC ANN MINCY OTTS STANN MINCYOT KATIE LOREN KATE
ELINOR LEONA KITER. ERATO KLEINAbdomen Girl John Ribald Gnome John Banjo
Holden Grim Gander. Limbo John Gander Mobil John Jordan Being Holm Monad
Bohr Jingle Glean. Morbid John Jargon Blind HomeDeniable Morgen John
Mendable Ignore John. Gimbaled Noreen John Bergland Johnnie Moe Garbled
Johnnie Omen Badger. Johnnie Melon Lieberman Ogden John Bengal Demijohn
Nero Jab Needling. Hormone Banjo Mingled Hereon Banjo Modern Heeling Lab
Mongered Johnnie. Enameled Boring John Endgame Oberlin John Mannered Hobo
Jingle Jihad. Noblemen Negro Jordan Blenheim Gone Mad Grenoble Johnnie
Jeanne Lindbergh. Moo Jeanne Bloom Herding Arlene Bong Demijohn Leaner
Bong Demijohn Anemone. Bohr Jingled Hangmen Lobe Joinder Germinal Debone
John Omnirange Bleed John. Jangle Bodenheim Nor Agone Hornblende Jim
Manhole Bergen Dijon Hermann Globe. Joined Jean Hemoglobin Nerd Johann
Bleeding More Holberg Man Enjoined Jan. Neighbored Monel Jan Bleeding
Hormone Anon Boehmer Jingled Badger Johnnie. Lemon Blamed Goner Johnnie
Dream Belong Johnnie Jading Boheme Ronnel Jihad. Ennoble Monger Donna
Blenheim Jorge Banned Jerome HolingMAGEE BLIND NERO. JOHN MAGEE BIND LONER
JOHN MAGEE BLOOD HERN JINN MAGEE BORNE LIND JOHN. MAGEE ROBIN LEND JOHNA
NAME TO A MEAN TO A TEAM ON A MATE NO ME TO ANA. MEAN TAO ATONE AM AM AT
ONE AMEN TAOBjorn Longhand me I Magne Haugen Jorn. Ben Goldhobrn b.yond
Magnus bjornmag Hallingstad John Mr. Jonah O. Blending. beyond Jon Reime
Jon Joel Nigh Brodman beyoni John Modalen Bernard John Ling. Dffoberman
byoni Olav Asgrimson Johan John Germinal Bond ignominy Runed Foss.
Magnhild pronoun Tomasi Magnhid en Sire born.matronym Larsi Vatlend.
byon.lihngam Bent Standal Magh erroneous.notion Dani Bjrn Norheim Magee.
ontic.mantsin Mikal Nordal Maginsel kari.eliot Bruno Bjrnstad Magy Bjorg.
Brndals Magny Hanne Bjevrke Manee Glenda Bjordl Maney Heod Gram Manney.
garbiel Jakobssen Manny Holkermann Magney Homin Magnee blix MacNillon
brandt. Mac Neal hoberg Magnhy Maget Magey Maghy Hughey Hayes Magnhill
Magni. ByrnBjrn Hitdlakjempe Bjarnar saga Hdlakappa Bjarni. Hitdlakappi
Monstrous Allegations An Exchange of ki in Bjarnar saga.
Htdlakappaber'serk Borne John Lind Magee benoni Bjorn Magnhildson.
Magnhildoyn Jon Magnus Holberg Brandt Beorma bjorn beras matronymbef. ME.
be(a)re beor(e) OE bera c. Fris br D beer OHG bero (G Br) Gmc. beran lit.
the brown one akin to ON bjbrn bersi cf. Lith bras brown. Cf.. BRUINmagh
Important derivatives are may dismay might main machine. mechanic magic.
To be able have power. may from Old English magan to be. able dismay from
Old French esmaier to frighten. Both a and b from Germanic. magan to be
able. might from Old English miht power from Germanic. suffixed form mahti
power. main from Old English mgen power from. Germanic suffixed form
maginam power. Suffixed lengthenedgrade form. mghan that which enables.
machine mechanic (mechanism) (mechano). Greek (Attic) mkhan (Doric) mkhan
device. Possibly suffixed form. maghu. (magic) magus from Old Persian magu
member of a priestly caste (. mighty one). Pokorny magh .PHONOLOGY OF
DEVELOPMENT OF QUENYA FROM. PROTOELDARIN This follows ETYM and ignores the
very different early part of. the phonology development shown in BOLT. As
shown by KVNS at that time RT the. Elves made PE by trying to learn
Valarin from Orome at Koivieneeni and. afterwards Tolkien likely made ETYM
PE Valarin uneuphonic with roots such as. snas and skyap and kugh to make
it sound stern and commanding. (Did. Valarin have a history of change MET
before that E.g. PE magh hand. mag use handle. From the description in
Ainulindale (SIL) Ea before. Arda was made was likely big enough and
lasted long enough for even Ainur's. languages to evolve different ways in
different areas.)In a map printed in. the peninsula is called Island
Maghies and in it is referred to as. McGuiyes Island. Also in in the
Inquisitions of Antrim it is referred. as Island of Magie and Island of
Maghy. In the map called Atlas Novus. published by Johan Blaeu in it is
called Magees Ile. During the th. century the Ordnance Survey Memoirs of
Ireland postulated that the name. Islandmagee was derived from Mac Aoidh
(named after the most common family name. on the island prior to the Tudor
Conquest of Ulster i.e. Magee) or Mac iagh. which they say derives in turn
from a word for seagull. I can not find any such. word for seagull and
believe such a derivation to be incorrect.McKee Magee. McGee Mackey McKay
McCoy MacHugh McHugh and Hugh also in the O form as. OHea OHay Hay Hayes
The derivation from the name Magee (from the Irish. Mag Aoidh or Mag
Aodha) means son of Aodh (an old word for fire). It is a very. common name
in Ulster occurring in the following corrupted forms McKee Magee. McGee
Mackey McKay McCoy MacHugh McHugh and Hugh also in the O form as. OHea
OHay Hay Hayes). In this case the Island is reputed to be named after. a
family of Magees who are said to have their principal base in the
townlands of. Portmuck and Carnspindle. In Marschal Bagenals description
of Ulster in. it is stated such as there be the Magees and contribute to
the Lords of. Clandeboys (from Clann Aodha buidhe U Nill meaning the
family of. yellowhaired Aodh Nill). A similar derivation is given in.
Dubourdieus Antrim viz. the inhabitants thereof are Magies from which it.
hath the name. History records the death of perhaps thirty members of
this. family by soldiers from Carrickfergus Castle following the.
rebellion.AirNav Index of airspace fixes M MAGAF MAGAH MAGAS MAGCI MAGCO.
MAGCY MAGDE MAGDY MAGEE MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI
MAGGO. MAGHA MAGHO MAGHY MAGIC MAGID MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY
MAGJA MAGJI. MAGJO MAGJU MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW
MAGOZ MAGPY MAGRE. MAGRY MAGUH MAGUJ MAGUS MAGUW MAGUY MAGUZ MAGWE MAGWU
MAGXO MAGXY MAGYA MAGYE. MAGYI MAGYU MAGZE MAGZI'Magnus' also appears in
the forms 'Mang' and 'Manges'. in the Alps and Southern Germany. ba) From
the Latin word adjective 'magnus'. great large thus by being used as a
(proper) noun it becomes the great. one. The word is derived from the Indo
European base 'meg(h)' which also. evolved into Sanskrit 'maha' big Greek
'megas' big and English 'much'.. However that is not the entire story.
According to Wasserzieher the norther. variant of the name Magnus was
coined by king Olaf the Saint of Norway who. named a son in honor of
Emperor Charlemagne (Latin Carolus Magnus German. Karl der Grosse
Norwegian KarlaMagnus). Charlemagne () who ruled. over France Germany and
Italy was quite an impressive medieval king who in. was crowned the first
Western Emperor since the fall of the Western Roman. Empire. How
impressive was he to his contemporaries Well he was made a saint.
(canonized in unfortunately only by an AntiPope and he is revered only. in
a few places) and the word for king in many Slavic languages is derived.
his name (Polish 'krol' Russian 'korol'). I must confess this does add. an
intriguing new dimension because of course Professor X's first name is.
Charles which is the French form of the name Karl which owes a lot of its.
popularity to Charlemagne. Two sides of the same coin indeed ba) In
Southern. Germany Switzerland and Austria the name is mixed up with the
otherwise. apparently extinct German name 'Magnoald' 'Maginald' 'Maginold'
he who rules. with might. It is hard to tell if this 'Magnus' is a
Latinization of the German. name(s) or the identification is the result of
a mistake (see section ). This. name seems to be related to that Thor's son
Magni (looking around I also found. the name Magnerich (Magnericus) who was
bishop of Trier from ca. to. .)The first element of this name derives from
the Germanic word for might. represented in modern English 'might' German
Macht and Dutch 'macht' which. derives from the IndoEuropean 'magh' to be
able which also is the root. for modern English 'may' (cf. German 'mag')
'mage' and 'magic' (from the Old. Persian 'magus' Iranian 'magu' which
referred to the Magi the priestly. caste in Ancient Persia and Media) and
also 'machine' and 'mechanic'.. noemata. Saturday December.
Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. PATAFYSISKT NAMN STOPPAS AV
RTTENBrfxxccxxmnpcccclllmmnprxvclmnckssqlbb.. S fr inte lille Albin
stavasitt namn. Kammarrtten i Gteborg fann inget std. i lagen fr att
dpamnniskor i sdan anda. Den vida knda hallndska. namnstriden brjade
medatt lnsrtten i Halland utdmde ett vite mot. frldrarna p kronorfr att
inget frnamn alls registrerats p. gossebarnet trots att hanhunnit bli fem
r. D skickade frldrarna in. stavningen med tecken.Namnfrslaget br ses i
patafysisk anda skrev. frldrarna i sin inlaga.Men kammarrtten kunde inte
se patafysiskt p. stavningen. Parafysik r deinbillade lsningarnas
vetenskap uppfunnen av. absurdisten Alfred Jarry somannars r mest knd som
frfattare till. teaterstycket Kung
Ubu.Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. (pronounced Albin) was a name
given to a child by the parents of a Swedish. family in May .A district
court in Halmstad southern Sweden had fined the. parents (Elizabeth Hallin
and ) kronor (approximately US) for failing. register a name for the boy by
his fifth birthday. Responding to the fine. the parents submitted the
character name claiming that it was a pregnant. expressionistic
development that we see as an artistic creation and. suggesting that it
should be seen in the spirit of pataphysics. The court. rejected the name
and upheld the fine. The long and short of itSWEDISH. authorities last
year told a couple who named their son.
Brfxxccxxmnpckccccmmnprxvcmackssqlbb to find a new shorter name for. the
boy. However the authorities in Stockholm have now rejected his new name.
of A according to the Hallands Nyheter newspaper. Initially the parents.
refused to provide tax authorities with a name for their newborn son.
After. numerous disputes the parents finally provided them with the letter
and. digit sequence which they say is pronounced Albin. That resulted in
an. fine from the tax authorities last year for defying the Swedish name
law.This. northern summer the couple registered their son as A. Tax
authorities also. rejected that name because singleletter names are not
allowed. An appeals. court upheld the decision. The parents previously
said that they chose a. meaningful expressionistic typographic formulation
which we consider to be an. artistic new creation in the pataphysical
tradition in which we believe.The. boy who is still officially nameless
has a passport in which his name is. given as Boy Tarzan.Related Jennifer
. Lee born March in New. York City is a New York Times reporter for the
Circuits section. Her middle. name was given by her parents in her teens
because there are too many people. named Jennifer Lee. She spells her
middle name . on paper but on her. driver's license it is spelt as a much
less dramatic Eight. Her parents were. Taiwan and were influenced by the
typically Cantonese custom that sees. number as a symbol of prosperity. is
a character in the comic strip. Peanuts by Charles Schulz. He debuted in
and continued to appear on and. off until . has spiky hair and sometimes
wears a shirt with (what else). the number five on it. His full name is
(accent on the ) with. being the family's last name (actually their zip
code which in real life. corresponds to the zip code for Sebastopol
California). His father changed all. of the family's names to numbers as a
protest to call attention to the way that. he felt like numbers were taking
over people's identities. also has two. sisters named and .. noemata.
Friday December. lumber. lumber. the mean. while waiting and waiting for
win to boota play for the calculator the. meanok what about . .where does
the . come from. .. still the sameok so we know n(n).(n.)what about step.
while it holds now the diff is always. n(nstep)(step)((nstep))try random
..i have. format c unbelievablestep is so it doesn't workdo you want to
install. netmeetingwho ever had any need of scandiski ran scandisk several
times. nowstill it didn't detect damaged sectorsunbelievable crap
scamdickswell why. didn't it work for odd it's yeah now your product key.
licenceit's supposed to be oh well it just squares thensquareroot of ..
is.. . voilakey is GXPPKTCDRJGJDTRBM (win)it's.
n(nstep)(step)((nstep))which makes sense for the . and the. updating you
system..restart then restart then restartthis wasn't very. profoundit's
like you need the square stuff somewherewhether you put it in the. n's or
the stepit doesn't matterthe suprise in the beginning of this play..it.
didn't take into account the extras of the squarethe double its
shadowit's. about dimensionshow the extra dimension casts a shadow backthe
step is supposed. take care of thatah but there's no stairway to
heavencan't believe this. where are the screen driversMy documents it's
intimidatingvery smalli. lost the scans whateveranal stuff i mean what's
the pointthe joy of. loosingagain a gain where does the shadow come inthe
gain where the extras. are fromhell is a collapse of dimensionswhat
happens when things colapsewhen. these squares collapsed they lost their
shadowi was thinking of this drawing. also what it lostshadows of course
collapsed into texturebut the other way. alsowhat would the hyper be if
this was. textureloomunbelievableunbeleivablewhat is mostthis cognitive
quaking is. backforth's squaringnothing in the middlenothing mediatedthese
are flatmeanthe. synonyms for mean are average base beggarly entail hateful
have in mind. imply intend mean value meanspirited mingy miserly signify
stand for. think think of tight. noemata. Tuesday November. anyhryear
anniversaryarchive of visual. Nov k. noemata. Wednesday November. plese.
its tu muchi wnat nothign to do with itplesei was nothing to do withit.
noemata. Wednesday November. recursive dictionary. material or nonmaterial
entity idea action etc that is or may be thought. about or perceived a gift
a thing given or presented of the something done. deed or action or
sensation caused in the ear by the vibration of the. surrounding air or
other medium of laughter and the capacity or power to. perceive or feel or
to be conscious of the state or condition of being present. or attributes
qualities or characteristics of material or nonmaterial. entities ideas
actions etc that are or may be thought about or perceived. that human
concerns business matters to be attended to their continuous. onward
movement or progression and circumstances esp. those affecting the.
functioning or existence of something active condition which
distinguishes. active animals and plants from inorganic matter including
the capacity for. growth functional activity and continual change
preceding death were. mad.Bertrand RussellApplying the algorithm to text
with a high proportion of. abstract nouns is particularly amusing. Here
the starting text is from. Bertrand Russell's History of Western
Philosophy from a chapter on PlatoThe. second argument is that knowledge
is recollection and therefore the soul must. have existed before birth.
The theory that knowledge is recollection is. supported chiefly by the
fact that we have ideas such as exact equality which. cannot be derived
from experience.Transformation givesThe second reasoning. process is that
awareness or familiarity gained by experience is the act or. power of
recollecting and therefore the spiritual or immaterial part of a. human
being often regarded as immortal must have existed before the emergence.
of a (usually fully developed) infant or other young from the body of its.
mother. The supposition or system of ideas explaining something esp. one
based. on general principles independent of the particular things to be
explained that. awareness or familiarity gained by experience is the act
or power of. recollecting is supported chiefly by the thing that is known
to have occurred. exist or to be true that we have conceptions or plans
formed by mental. effort such as the exact state of being equal which
cannot be derived from. actual observation of or practical acquaintance
with facts or events.. noemata. Monday November. congratulations
congratulations your site is on on (nostalgi). noemata. Monday November.
curious. my handwriting .jpg 'Freedom diedgreat people proved that
awareness exists. and every lifeform is awareunfortunatelly they hadn't in
mind that evolution. not aims into awarenessdevelopment but towards better
adaptation.milions of. people just learned how to fake awareness.This what
makes us Humans is ablity. selfdevelopment and Empathynot adaptation.Crowd
without a leader went. insane.Sickness is ones who emphatize get dellusion
when looking. feelingslessones there is no mutual empathy then ones who
emphatize become. codepend.'.jpg(notes from train station i tried to
visualise how autosopher. adaptativenetwork works)also note that 'positive
effects coming from. smoking of tobbaco come fromchanged metabolism of
dopamine while addiction is. created by completelydifferent
neurotransmitter patch'also common mistake of. polish language pointed out
(use of foregin noun).jpg adaptative ALP network. Daylight Explosioni have
some other work like learning from c sources i'll. write to you laterd.jpg
dissolving substancedreams come when i am. heresnowwhite truth about
falseparticles of absurd from. nothingsubstancewhile this world is only
interpretation of our. dreamssubstanceyou melt with nonexistence like
youpractical disasemble of life. programtransient observation ofthoughts
about minimalism truth about. time.form of delusionsequence of sessionit's
lack of thought Substancewhile. civilisation camp grid is at least km
thin.where is. reasondynamicambitionfield of perception actions of
consiousness()timeand. this is 'life'intonation is alive and manipulating
bodieswill be as is. because can't be other waypreprogrammed forecast
shatter and bend under. influence of new datahow is time machine
likealivedestiny of chaos. complexity creation is creation itselfwe can
watch beauty of growthour time. camepower came to an. noemata. Jag lgger
lite bilder p mig hr.. Jag lgger lite bilder p mig hr.Men kom ihg jag vill
grna att. ni skriver i Gstboken vad ni tycker annars blir det inte fler
bilder. Mina. Fuktiga brst efter duschen.Jag visar upp ett av mina
brst.Jag i sexiga. underklder.Jag visar upp mig p sngen.Hr r jag helt.
utlmnad t dig.Tnk om handen inte fanns dr.Gillar ni mina. Lppar.Ny bild p
mina lppar.Gillar ni bilderna p mig i. stayupsDet kan komma fler bilder
Jag hller p att vertala min. vninna att jag skall f lgga upp bilder p
henne ocks.Hr. under lgger jag sprutbilderna som jag fr Och jag skall
villigt. erknna att jag har onanerat och tittat p dem mnga.
gnger.Sprutbild Sprutbild Sprutbild Sprutbild Sprutbild Sprutbild.
Sprutbild Sprutbild Sprutbild Jag har ftt ett par nya sprutbilder Det.
tycker jag om. Flera gnger har jag tittat p dessa bilder och tnkt. p er
hur ni har lekt med era underbara stnd fantiserat om mig och. sedan
sprutat er varma klibbiga sats ver min kropp. Mnga gnger har. dessa
fantasier tagit mig till underbara orgasmer. Ett extra spnningsmoment. r
ju att min kille inte har ngon aning om vare sig websidan eller dessa.
foto.Hr kommer fler bilder.En bild frn en man som heter Bokoboko.Gabbe.
har ocks sprutat ner min kropp.Hawkan har lagt sin varma sd ver.
mig.Fineman har gjort hrligt sexiga konstnrliga bilder.nnu en bild.
noemata. Saturday November. delayed. noemata. Tuesday November.
colmplaints ingored. complaits comlaints comppaints commplaints complaints
ifnored withijn redach. reazch complaibnts live complaintsa complaints
comlplaints comp laints within. rexach complaintw ikgnored reasch
complaihnts complwints complaintts ignorer. ckmplaints witin complpaints
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reach ognored remastered ignofed rach comolaints withbin woithin. ingored
witfhin each complants album withinb xcomplaints reacgh explicit. ignor d
reavh rrach within ithin within reachy reachu ignored ignokred. wituin wi
hin colmplaints ignore d reaxch r ach complaintas reaxh ivgnored. wiuthin
wirhin cmplaints igtnored w ithin reacfh reacj complzints rdeach. ignoreed
compoaints treach ignkored ignored withn sale ignolred cimplaints. ignored
reach complaunts ignoered reafch wihtin wiithin complaionts reqach. withon
waithin ignhored igniored ignorecd ignkred readch wjithin reach.
coomplaints cdomplaints ignoored ignored reacg withgin complaints ignlred.
clomplaints ignoeed re ch iynored withinn wkithin itgnored ignorde wjthin.
reaach witthin within complxints complainjts complaiunts within withoin.
fomplaints fcomplaints qwithin witbin reavch coimplaints resach reah
ignorec. ignored ignopred witnin ignoredf complain ts cpmplaints ig nored
wighin re ach. gnored compkaints omplaints within wqithin reacn reacyh
reachb wituhin iggnored. ivnored rsach iwthin complaintx rezch reawch
cokplaints kignored ignored wothin. reach igjnored ignorrd compla ints ig
ored ignboredSearch colmplaints. noemata. lumber. lumber. oct().
..JFIF......h FF DB A E. C A .....C.nxxdh C C B AA A BE F FF. FF F DC DC F
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................eh. FF DA C A. matronym. Sunday October. Re confuciuslist
Mencius B. wild grass (fwd). matronym. Saturday October. plunderphonics
week. DJbyHandIngerMarieLienKidSquarepusherStev.mp (. C C Nystev.. vil du
D. C E have meg til B C D A B C. kveda..det skal A D eg gjera. med stF C C
D A F rste gleda..og. B C B eg skal kveda sF E. D A o vent fyr deg.. B. C C
F D at du skal glym A F C. F D a deg sjlv og m E D A D A C B. C eg..... eg
skal B F B. kveda so du skaC E C D A D l. grta..um du C E C var aldri. s
gla F B E C D A E d og kt'e... e B C B F g skal kveda so E E C. C D A snlt
fyr deg... B C C E E E at du skal l n. E D E r du ser p meg.D A D A F D E.
F ....Og mine viso F E E C. r dei er so snl C D A F D F B E e..som. Borken
t E E E E rvar p isen. hC C D A F D E le..og mine visF. A E or dei gjer'
ein C E D A. F D C C sleng..som litl E E B. e guten p skeis E E A E E D A
D A C. unn' gjeng..... D E F mine. visor dei F D E C D A F er so
mange..soD. A D C F D E m heggjeblomane. E B D drys i fanget.A F. F .so
hev det vore C C. A D A i all si tid.. D B. dess meir dei kv C D ed dei
dess. mei E D A D A C r der bid...... C A C vil du stevjast F B. C so skal
eg svar C D A F. C E a..og heile nat F B C. ti so skal det v B D A F C.
ara..og vil du A D D stevjast med. meg B C C D A E i kveld..du g. B A E r
'kje t fyrr d E. E D C C E u fr ein smell. abort.
DJbyHandsisselkyrkjeboorigamiweightlessapati MB. matronym. Friday October.
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usbdrawing.jpg Oct k. matronym. relax. matronym. Wednesday October. im not
sisting strahgt my jands ctrlz ctrlz ctrlz ctrlz versjon. ctrlz ctrlz ctrlz
ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz. ctrlz ctrlz ctrlz glitch
versjon (ultra editor) well probably doesn't affect. html so why blotherim
not sisting iwant somehthign it's a bit. frighteningstrahgt that kid on its
own and coldmy jands. atomata like tat fly nothing holdingnothing here in
the win. should i let gothis writing is the fog leaves (they of
whatagainst. itself does it) eprime the i don't know anythingi only write
when. drema (dramadream) this blank screenforgetting muself of magic.
contradicted by my fingersnegation well science and the this will. only be
troubleworthwhile howto any base fuck youspace which is. debase. coming
back this is completely lostnothing to.. never againher cunt ie no.
memoryshould backspace sensation must be no knowledgethat. based on
recurrence monster of pixelscollaps else you wouldn't. soothwhere am i
know but gnomhow to write. still sense but no.where am i inn the only once
it vicinitymyself. doesn't count (count potentialmy arm is kind of is.
sentence dntwiched recurrence). any pnrrmaqyawmy back. somewhat object.
object is nvvypub vybcdcxrunched here too much. object. dmcs vnbpu
cdngvirtual backspace anything that is suug. fcnothing ever comes visible
or tangible mqhycuq iydxout of this. and is relatively bucgupd dnwhere
does this go stable in form. to. uaurk rnhuruadexpect nothing you. ya
hypyaydkleft. channel delay something. thing xytt uywxd cyjthe need.
(meeting vyhuno structure her interface). lubn. ()whatever fright
subjectsubstancediscontinue into. subtrahends ariettaslide emergent
relation. subterfuge. arroweddiscreet egene remove
sceptrelessespataphysical. logic posessive my's. arrowedcompression is a
reactive at chemical. saboteur aridcipher level. behave septarium
arteroads. late ME softheartedly aradjustice behaven. (reflexive).
subterranean aridblockhead See BE HAVE.. shifters airywriting into space
behaviorism the spadework awardeei'll. go wherever the theory that scepter
areawidekeys lead. psychology can be shifter aerateleather case accurately
studied. softer arrauboard table kitchen only through the spader
artiecuisine. examination and subterfuge aureatei meant metaphor analysis
of. sputter areawidewherever possessives. subtree. areawidesomething else
sputter aeratethis is just. one i'm no one get your softer airyside hands
off me.. spader airtno justice HAHA. subterraneanisesusually space is
karmaguilttraces aortaexpensive. i once had guilt subdirectories
artymassive nothing writing haha. says it spidery airedeyes all (active
subtraction. artyi once had eyes expression vs sceptered artiego beyond
they. say matters of doctrine) subtreasury areawideother i laughter. is
spidery arrayedwhat comes in this eternally guilty. subterraneanise arteis
still eyes (doctrinal in sifter. awardeekeyes writing) as anythe cod e
statement. n softheart s mouthing. y. arrondis t guilty guilty (how
soekar. ttraffi n awkward to ) soffit ar thorsest c t. how's w g softies
arteriolethere's compilation attached to guilt. soever arterialises should
stop writing soke. arterialisinginterprete e another w e sojoimmedi s.
status of relate to artel valuemeaning other sodwhat'. than drawn arteri
dente. softhead arthromerewhich is p s (interfaces again).. sojourners
arrowrooti had t a media a softening. artefactbig small inverse suppose it
e softbound arsenicaldi. other way a softy ars lprotoco f signs are. soiree
arsenicisespapyrus no o lines are. ts stronger attraction readapting
mcqueenpro. proto mecritical distance attraction to. what reactualise
meagerlyexecution of seeing easy essing. meal ers are easi ay. of
mcmurdohidden instant an. g rea ness memiddleman blackmail to. ably me
compl of the ualizes. li syst inimax rk up. to mewhat's the deal on. me (
rface') reactualisations. mei r mansus accidencesubsta me. critical and
easie 's. system wins liked ng not gravitati. stupid you alwaysde reaming
get signs toodr eath is. obvious it's theirso ng else job. backtrackingi'd
to die. guilt is thru th .. sign you no. shouldn't att it's like chaplin
onde s trash. a conveyor belt ghtning down t rs economy.no. no signno in
the talking is a w recur.. as stimulusres augment pos. respons. lumber.
matronym. Tuesday October. thing. thing (thing) n. . a material object
without life or consciousness an. inanimate object.. some entity object or
creature that is not or cannot be. specifically designated or precisely
described The stick had a brass thing on. it.. anything that is or may
become an object of thought things of the. spirit.. things matters affairs
Things are going well now.. a fact. circumstance or state of affairs It is
a curious thing.. an action deed. event or performance to do great things
His death was a horrible thing.. a. particular respect or detail perfect
in all things.. aim objective The. thing is to reach this line with the
ball.. an article of clothing I don't. have a thing to wear.. things
implements utensils or other articles for. service I'll wash the breakfast
things.personal possessions or belongings. Pack your things and go. a task
chore I've got a lot of things to do. today.. a living being or creature
His baby's a cute little thing.. a. thought or statement I have just one
thing to say to you.. Informal. a. peculiar attitude or feeling either
positive or negative toward something. mental quirk She has a thing about
cats.. something signified or. represented as distinguished from a word
symbol or idea representing. it.. Law. anything that may be the subject of
a property right.. do or find. one's own thing Informal. to pursue a
lifestyle that expresses one's self.. Also do or find one's thing. . make
a good thing of Informal. to turn (a. situation experience etc.) to one's
own profit benefit by She made a good. thing of her sparetime hobbies..
new thing Jazz. See free jazz. . not to. get a thing out of to be unable
to obtain information or news from The police. couldn't get a thing out of
him.to fail to appreciate understand or derive. aesthetic pleasure from My
wife likes opera but I don't get a thing out of. it.. see or hear things
Informal. to have hallucinations.. the thing. something that is correct or
fashionable That caf is the thing now.that. which is expedient or necessary
The thing to do is to tell them the. truth.bef. ME OE orig. meeting see
THINGthing (thing ting) n.. (in Scandinavian countries) a public meeting
or assembly esp. a legislative. assembly or a court of law.Also ting. Cf.
thingstead. ON assembly. c. THING D ding G Ding thing orig. meeting akin
to Goth theihs. matronym. Monday October. nothing (nuthing) n.. nothing
(nuthing) n. . no thing not anything naught to say. nothing.. no part
share or trace (usually fol. by of) The house showed. nothing of its
former magnificence.. something that is. nonexistent.. nonexistence
nothingness The sound faded to. nothing.. something or someone of no
importance or significance Money is. nothing when you're without health..
a trivial action matter circumstance. thing or remark to exchange a few
nothings when being introduced.. a person. of little or no importance a
nobody.. something that is without quantity or. magnitude.. a cipher or
naught Nothing from nine leaves nine.. (used in. conventional responses to
expressions of thanks) Think nothing of it. It's. nothing. Nothing to it..
for nothing free of charge.for no apparent reason. or motive.futilely to
no avail They had gone to a great deal of expense for. nothing.. in
nothing flat in very little time Dinner was finished in. nothing flat..
make nothing of to treat lightly regard as easy.to be. unsuccessful in
comprehending He could make nothing of the complicated. directions..
nothing but nothing other than only We could see nothing but. fog..
nothing doing Informal. emphatically no certainly not.no activity.
inducement advantage etc. present to the eye We drove through the town
but. there seemed to be nothing doing.. nothing less than or short of
absolutely. completely She was used to nothing less than the best.. think
nothing of to. treat casually.to regard as insignificant He thinks nothing
of lying to. conceal his incompetence.adv. . in no respect or degree not at
all It was. nothing like that. Nothing dismayed he repeated his
question.adj.. . amounting to nothing as in offering no prospects for
satisfaction. advancement or the like She was stuck in a nothing job.bef.
ME OE. matronym. rinsay. the active expression of enlightenment over
matters of doctrineThe mind thus. creates the world in the sense that it
invests the phenomenal world with. value.They have presumably already
freed themselves from preoccupations with. the commoner cravings for
sensual indulgence material gain or worldly fame. and have entered the
path of religious strivings. But it is precicely this fact. that Linchi
sees as the source of their problems.this lone brightness without. fixed
shape or form.once and for all that there is no goal to be striven for.
because it has been won already no place to be journeyed to because one
is. there right now.People with so few roots of faithif it's for the sake
of the. Dharma don't hesitate to sacrifice your bodies or give up your
lives.If you. approach it with a true and proper understanding you won't
be affected by. considerations of birth and death you'll be free to go or
stay as you. please.The fault lies in the fact that they don't have faith
in. themselvesStudent's don't have enough faith in themselves and so they
rush. around looking for something outside themselves.Those who have
fulfilled the. ten stages of bodhisattva practice are no better than hired
field hnads those. who have attained the enlightenment of the fiftyfirst
and fiftysecond stages. are prisoners shackled and bound arhats and
pratyekabuddhas are so much filth. in the latrine bodhi and nirvana are
hitching posts for donkeys. Why do I. speak of them like this Because you
followeres of the Way fail to realize that. this journey to enlightenment
that takes three asamkhya kalpas to acomplish is. meaningless. So these
things become obstacles in your way.Fellow believers. time is precious You
rush off frantically on side roads studying Ch'an. studying the Way
clinging to words clinging to phrases seeking Buddha. seeking the
patriarch seeking a good friend scheming planning. But make no. mistake.
Followers of the Way you have on set of parents what more are you. looking
for You should stop and take a good look at yourselves. A man of old. tells
us that Yajnadatta thought he had lost his head and went looking for it.
but once he had put a stop to his seeking mind he found he was perfectly
all. right.The man of value is the one who has nothing to do. Don't try to
do. something special just act ordinary. The Paotsung lun With regards to
the. Way what is valued in every age is to have nothing to do. With
regards to the. Way when one is mindless then all things will proceed
smoothly.Followers of. the Way the Dharma of the buddhas calls for no
special undertakings. Just act. ordinary without trying to do anything
particular. Move you bowels piss get. dressed eat your rice and if you get
tired then lie down. Fools may laugh at. me but wise men will know what I
mean. A man of old said People who try to do. something about what is
outside themselves are nothing but blockheads.If you. have doubts in your
mind for an instant that's the Buddha devil. But if you. can understand
that the ten thousand phenomena were never born that the mind. is like a
conjurer's trick then not one speck of dust not one phenomenon will.
exist.As I see it there's no Buddha no living beings no long ago no now.
If. you want to get it you've already got it it's not something that
requires. time. There's no religious practice no enlightenment no getting
anything no. missing out on anything.If you want to be free to be born or
die to go or stay. as onw would put on or take off a garment then you must
understand right now. that the person here listening to the Dharma has no
form characteristics no. root no beginning no place he abides yet he is
vibrantly alive. All the ten. thousand kinds of contrived happenings
operate in a place that is in fact no. place.If your mind entertains a
moment of doubt it becomes obstructed by the. element earth. If your mind
entertains a moment of craving it becomes drowned. in the element water.
If your mind entertains a moment of anger it is seared. by the element
fire. If your mind entertains a moment of delight it is tossed. about by
the element air.The way I see it onw shouldn't be averse to anything..
Suppose you yearn to be a sage. Sage is just a word sage.Those who study
the. Way these days need to have faith in themselves and not go looking
for. something outside.If you want to be a truly great vessel you must
never be led. astray by others. Wherever you are play the host and then
any place you stand. will be a true one. Whatever confronts you don't let
yourself be imposed on.. If you entertain even a moment of doubt the devil
will enter your mind.Just. have faith in this thing that is operating in
you right now. Outside of it. nothing else exists.In the way you now
respond and utilize it what do you. lack In the space of an instant you
enter purity or enter defilement enter. the halls of Maitreya or enter the
lands of the three eyes. You wander at ease. everywhere for you see that
these are all empty names.The buddhas and. patriarchs are people who don't
have anything to do or are without defilements. and doings their karma is
clean and pure.The Patriarch Shenhui said If you. try to arrest the mind
and stare at silence summon the mind and focus it on. externals control
the mind and make it clear within concentrate the mind and. enter into
meditation all practices of this sort creates karma.So for the. past
twelve years though I've looked for this thing called karma I've never.
found so much as a particle of it the size of a mustard seed.from times
past. the real teachers wherever they went were never listened to and were
always. driven out.The various phenomena in this world and other worlds are
in all. cases devoid of intrisic nature. Even if something did exist it
would in all. cases be no more than an environment that changes with what
it depends on. You. live in a land of changing dependent conditions what
is it you are looking. for And things like the Three Vehicles and the
twelve divisions of the. scriptural teachings they're all so much old
toilet paper to wipe away filth.. The Buddha is a phantom body the
patriarch are nothing but old monks. You were. born from women weren't you
I you seek the Buddha you'll be seized by the. Buddha devil. As long as you
seek something it can only lead to suffering.. Better to do nothing.A true
student of the Way never concerns himself with the. Buddha. Far removed
alone and free he is never entangled in things. Heaven. and earth could
turn upside down and he would not be perturbed. All the buddhas. of the
ten directions could appear before him and his mind would not feel an.
instant fo joy the three realms of hell could suddenly confront him and
his. mind would not feel an instant of alarm. Why is he like this Because
he knows. that all things in the phenomenal world are empty of
characteristics. WHEN. CONDITIONS CHANGE THEY COME INTO EXISTENCE WHEN
THERE IS NO CHANGE THEY DO. NOT EXIST.Followers of the Way when students
come here from various regions. and we have finished greeting one another
as host and guest the student will. make som remark to test the teacher.
The student comes out with these tricky. words and thrusts them into the
teacher's face. If you were the teacher and. realized that this was just
an 'environment' and you grabbed it and threw it. down a hole then the
student would act normal again and after that would ask. for the teacher's
instruction. The teacher would then snatch that up too and. treat it as he
did the earlier remark. The student then says Very wise A. truly great
teacher The teacher says You certainly can't tell good from. badAgain
suppose the teacher comes out with a certain chunk of environment. and
dangles it in front of the student's face. The student sees through this.
and at every step acts the master refusing to be misled by the
environment.. The teacher then reveals half of his body whereupon the
student gives a shout.. The teacher now enters the place where there are
all kinds of differences and. distinctions battering the student around
with words. The student says This. old baldhead who can't tell good from
bad The teacher exclaims in admiration. A true and proper follower of the
WayThere are some teachers around who can't. distinguish crooked from
straight. When a student comes and asks about bodhi or. nirvana about the
threefold body or about environment and wisdom those blind. old teachers
start explaining to the student. When the student curses at them. they
pick up their stick and hit him saying Such rude language If you have. a
teacher like that he lacks eyes to begin with.Then there is that bunch of.
baldheads who can't tell good from bad but point to the east gesture to
the. west love clear weather love it when it rains love this lamp or that
pillar.. Look and see how many hairs they have left in their eyebrows and
with good. reason. Teachers like that are nothing but wild fox spirits
goblins. Good. students will just give a little snicker and say Blind old
baldheads trying. confuse and lead everybody in the world astrayFollowers
of the Way if you. want to get the kind of understanding that accords with
the Dharma never be. misled by others. Whether you're facing inward or
facing outward whatever you. meet up with just kill it If you meet a
buddha kill the buddha. If you meet. your parents kill your parents.These
students of the Way who come from all. over there's never been one of them
who didn't appear before me depending on. something. So I starrt out by
hitting them there. If they come with a raised. hand I hit the raised hand
if they come mouthing something I hit them in the. mouth if they come
making motions with their eyes I hit them in the eye. I. have yet to find
one who comes alone and free they're all caught up in the. idle devices of
the men of old.I don't have a particle of Dharma to give to. anyone. All I
have is cure for sickness freedom from bondage. You followers of. the Way
from here and there try coming to me without depending on anything. All. I
get are things stuck to stems clinging to leaves wraiths that inhabit
bamboo. or trees wild fox spirits They chew frantically at every lump of
shit they. happen upon. Blind foolsI tell you there's no Buddha no Dharma
no practice. no enlightenment. Yet you go off like this on side roads
trying to find. something. Blind fools Will you put another head on top of
the one you have. What is it you lackThe way I see it there's no call for
anything special.. Just act ordinary put on your clothes eat your rice
pass the time doing. nothing. You who come here from here and there you
all have a mind to do. something. You search for the Buddha search for the
Dharma search for. emancipation search for a way to get out of the
threefold world. Idiots. trying to get out of the threefold world Where
will you goFellow believers. this body made up of the four major elements
has no permanence. Things like. spleen and stomach liver and gall hairs
nails teeth are simply evidence. that all phenomenal things are empty of
fixed characteristics. As long as your. mind is unable to cease its
momentbymoment activity then you are up in the. tree of ignorance. But if
you can learn to cease then you'll be in the world. of the clean pure
body.If a student truly knows what he is doing he will give. a shout and
then first of all hold out a try of lacquer. The teacher failing.
recognize this as a mere 'environment' proceeds to climb up on the.
environment and begin striking poses or donning attitudes. The student
gives a. shout but the teacher refuses to abandon his approach. This is
called the. guest seeing through the host.Or perhaps the teacher will not
come out with any. object of his own but will wait for a question from the
student and then snatch. it away. The student seeing his question snatched
away won't let go but holds. on for dear life. This is a case of the host
seeing through the guest.Perhaps. there is a student who responding with a
clean pure environment presents. himself before the teacher. The teacher
can tell this is just an environment. and grabs it and throws it down a
hole. The student says A truly great. teacher Instantly the teacher says
Hopeless can't tell good from bad. The student gives a low bow. This is
called the host meeting up with a host.Or. there may be a student who puts
a cangue wooden collar on his neck binds. himself in chains and then comes
before the teacher. The teacher proceeds to. shackle him with another set
of cangues and chains. The student is delighted. unaware of what has
happened. This is called the guest meeting up with a. guest.But students
don't have faith enough and instead base their. understanding on words and
phrases. Their years pile up to half a hundred and. all they do is go off
on side roads carrying their dead corpses on their. backs racing all over
the world with their load of baggage.If you look toward. the area of
motion and try to grasp the truth there it will take up its stand. in the
area of nonmotion and if you look towards nonmotion and try to grasp it.
there it will take up its stand in motion. It is like a fish hidden in a
pond. who now and then slaps the surface and leaps up.When students come
from here. and thee I classify them into three categories according to
their ability. In. such cases if a student of less then middling ability
comes to me I snatch. away the environment but leave him his existence. I
a student of better than. middling ability comes to me I snatch away both
environment and existence. If. a student of truly superior ability comes
to me I do not snatch away anything. neither environment nor existence nor
person. If a student appears whose. understanding surpasses all these
categories then I deal with him with my. whole body and take no account of
his ability.Reverend Taoi's way of doing. things was simple direct nothing
mixed in. Reverend Lushan was utterly free. true and correct but whether
he came at them with compliance or opposition his. students could never
fathom what was going on. Mau's way of doing things. was as bitter as the
bark of the Chinese cork tree no one could get near him.. The way Shihkung
went about it was to look for students by pointing an arrow. at them all
who came to him were terrified. Shihkung had been a deer hunter.. When
students came to him he would fit an arrow to his bow point it at them.
and say Look at the arrowFellow believers these sounds names words.
phrases are all nothing but changes of robe. The sea of breath in the
region. below the navel stirs itself into motion the teeth batter and mold
it and it. comes out as a statement of an idea. So we know for certain that
these are mere. phantoms.Better to do nothing to meet someone but not
recognize him talk with. him but not know his name.There's a bunch of
fellows who can't tell good from. bad but poke around in the scriptural
teachings hazard a guess here and there. and come up with an idea in words
as though they took a lump of shit mushed it. around in their mouth and
then spat it out and passed it on to somebody else.. They're like those
people who play passtheword parlor games wasting their. whole life like
that.When the great teacher Bodhidharma came from the west he. was simply
looking for a man who would not be misled by others.I have been.
addressing you putting forth a lot of trashy talk. But make no mistake In
my. view there are in fact no great number of principles to be grasped.If.
bodhisattvas even those who have completed the ten stages of mind practice.
were all to seek for the traces of such a follower of the Way they could
never. find them. Therefore the heavenly beings rejoice the gods of the
earth stand. guard with their legs and the buddhas of the ten directions
sing his praise.. Why Because this man of the Way who is now listening to
the Dharma acts in a. manner that leaves no traces.Neither in this world
nor in any other world is. there any Buddha or Dharma. There is nothing to
appear before you and nothing. that is lost.Fellow believers only when you
have commited the five crimes that. bring on the hell of incessant
suffering will you finally gain. emanciation.Killing your father injuring
your mother drawing blood from the. Buddha's body disrupting the harmony
of the Monastic Order burning the sutras. and images these are the five
crimes that bring on the hell of incessant. suffering.Ignorance is the
father. When your mind is without activity wherever. it is this is called
killing the father.Greed is the mother. When your mind. experiences no
attachment anywhere this is called injuring the mother.If your. mind doesn
not even for an instant begin to discriminate but instead sees. complete
darkness everywhere this is drawing blood from the Buddha's body.If. you
properly understand that the bonds and entanglements of earthly desires
are. so much emptiness with no place to lean on this is disrupting the
harmony of. the Monastic Order.When you can see the emptiness of causes
and conditions the. emptiness of all phenomena when the mind is every
instant completely calm far. removed and doing nothing this is burning the
sutras and the images.Your minds. instant by instant confront an empty fist
a pointing finger and take it for. some sort of reality vainly trashing
around in the realms of senses. environments phenomena.Followers of the
Way don't take the Buddha to be some. sort of ultimate goal. In my view
he's more like the hole in a privy. Therefore. Manjushri grasped his sword
ready to kill Gautama and Angulimala blade in. hand tried to do injury to
Shakyamuni.Followers of the Way even if you can. understand a hundred
sutras and treatises you're not as good as one plain monk. who does
nothing.Followers of the Way don't search for anything in written. words.
The exertions of your mind will tire it out you'll gulp cold air and. gain
nothing.Fellow believers don't dawdle your days away In the past before. I
had come to see things right there was nothing but blackness all around.
me.Fellow believers do not use your minds in a mistaken manner but be
like. the sea that rejects the bodies of the dead.Weishan said Well what
do you. thinkYangshan said Officially not a needle is allowed to pass but.
privately whole carts and horses get throughWhen illumination comes first
and. action afterwards then the person is present. When action comes first
and. illumination afterward then the Dharma is present. When illumination
and. action are simultaneous it's like driving away the plowman's ox
snatching. food from a starving person cracking bones and extracting the
marrow giving a. painful poke with a needle or an awl. When illumination
and action are not. simultaneous there are questions and answers guest and
host are established. water gets mixed with mud in response to movements
measures are taken. If the. person is really outstanding then even before
a problem arises he'll rouse. himself and be on his way. But still it
needs another little push.(from the. lumber. matronym. Sunday October. ok.
these characters don't mean anythingarseholes on tv televisionrectoscopy
rs. holes tv setthis candlelight the this the president the dog the the.
theodicy evil levi live veil vilegood has no anagrams no otheranagram has
no. anagram which backfires on good it's just emptythe same ames asme meas
mesa. msae seam other theor. throerandom rodmannegative agentivepositron.
sorptionatchoo cahootakan kanahaiku ukiahemil lime milemale alme elam
lame. lam mael meal melafemale icon coin cion sign sing sing.arse ares son
of. zeus and hera mars male marse aser asher rase raze sear. to burn or
char. the surface of She seared the steak to seal in the juices.. to mark
with a. branding iron.. to burn or scorch injuriously or painfully He
seared his hand. on a hot steam pipe.. to make callous or unfeeling harden
The hardship of her. youth has seared her emotionally.. to dry up or wither
parch.v.i.. to become. dry or withered as vegetation.n.. a mark or scar
made by. searing.adj.. sere.bef. (adj.) ME sere OE sar c. D zoor (v.) ME.
seren OE sarian deriv. of sarstill sr norwsera plural of serum blood. milk
whey curd duca cheese christ smegma the last sup puslas palmas plasmathe.
sun nous onus probandi it's ya onus ya orseeros rose sore (sear) sero
(serum. again)horse shoer shoreursus arctos horribilis kodiakthis hist
isth sith tshi. shitexcrement waste matter sweat (matter has no anagram
neither mind)mother. thermovater avert travemater ramet tamersanta satan
tsananoema anemo wind L. animus breath Skt anilasrumblehex ascii isiac
isis usus oso horosbeing begin. binge blast bust blair toot jagresist
sisterbroth throb frater rafter rumble. lumber jackass (anything
male)thing night dorknesslight bef. (n. and. adj.) ME OE loht c. OS lioht
OFris liacht D G licht Goth liuhath (n.). akin to ON ljs (n.) ljss (adj.)
L lx (n.) Gk leuks bright white. (v.) ME lighten OE lhtan c. OS liuhtian
OHG liuhten (G leuchten) Goth. liuhtjanlux litho thiol
stonelightfireelectron el centro recent holocene holos. soul sole solus
also solaone eon neo noe time emit mite item geo ego aeon a. one eras
arseone bef. ME oon OE n c. D een G ein Goth ains L nus. (OL oinos) akin
to Gk on ace on a diejocus jeckarse jest gest gegere. perform egest to
discharge as from the body void (opposed to ingest). injoke notfunnyyoke j
bef. (n.) ME yok(e) OE geoc c. D juk G Joch. ON ok L jugum Gk zygn Hittite
yugan Skt yuga (v.) ME yoken OE. geocian deriv. of the n.orl korrect.
lumber. matronym. Friday October. lumber. lumber. Bkonomi.
BkoEuropnomiVaVerdektigenramtomNorgeNordenDanmarkFryeneGrNonlanrdendFinlandIslandogSverige.BkonomiVekt.
i gram tom Norge Norden. Europa Verden. Norden Danmark Fryene Grnland
Finland Island og Sverige.. matronym. Thursday September. scribbling on a
blank end page of rinzai roku my mom wanted to look at some. pictures but
got stuck in navigating the mouse so i get very bored before. reaching the
start button my sister comes in with bruises on her knees and a. blue hand
not knowing where they come from (polish vodka party) eventually it.
dissolves the scribble remains and i do a scan upsidedown like colliding
in. mouse and vodka crashes.scurvy dog story.Theese be. disturbance (vacky
horror)if you look towards the area of motion and try to. grasp the truth
there it will take up its stand in the area of nonmotion. it's like a fish
hidden in a pond who now and then slaps thesurface and leaps. upjesus
whatChrist whatShiva WhatWat WhatWhat Wattbunch of. goblin spiritsdoubt
earth (buddha devil)craving wateranger firedelight. raysnostalgia
(neuralgia) of the imagehome (no home)anger of the visible. world (light)
fireimagenostalgia of the explicit (for a root in. events)return going
somewhereturn on meand watch me cumpelwhose. meMEMEjujuscurrilous image
sorcerorsplunters pirates of the. imagesometime you come riding on an
imageyou take diamond ministry (any. syle building you want)populate w
furry amoebas..perhaps come come riding on. matronym. Monday September.
crash courseplunt bubble chamber traceroutemy mother is learning the
mouse. matronym. Sunday September. editor's note. kunst DOT no. matronym.
Wednesday September. lumber. lumber. Re sq. noemata. Friday May. amrah.
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Poper. Pharmaper. noemata. feynman. ...All this went on in the first few
weeks before we got. everythingstraightened out. Anyway one day I'm
piddling around with the. computingmachine and I notice something very
peculiar. If you take divided. by youget .. . . It's quite cute It goes a
little cockeyed. after whenyou're carrying but it soon straightens itself
out and repeats. itself nicely.Ithought it was kind of amusing. Well I put
that in the mail. and it comes back to me. It doesn't go throughand there's
a little note Look. at Paragraph B. I look at Paragraph B.Itsays Letters
are to be written. only in English Russian SpanishPortugueseLatin German
and so forth.. Permission to use any other language must beobtained in
writing. And then it. letter which saidthat I feel that of course this
cannot be a code because if. you actually dodivide by you do in fact get
all that and therefore. there's no moreinformation in the number .. . .
than there is in. the number which is hardly any information at all. And
so forth. I. therefore asked forpermission to use Arabic numerals in my
letters. So I got. that through allright....And von Neumann gave me an
interesting idea that you. don't have to beresponsible for the world that
you're in. So I have developed a. very powerfulsense of social
irresponsibility as a result of von Neumann's. advice. It'smademe a very
happy man ever since. But it was von Neumann who put. the seed inthatgrew
into my active irresponsibility... What You a. psychiatrist keeping an
open mind Ha It went on likethisfor quite a. while. Then at some point
near the end he says How much do you value. life Sixtyfour. Why did you
say 'sixtyfour' How are you supposed to. measure the value of life No I
mean why did you say 'sixtyfour' and not. 'seventythree' forinstance If I
had said 'seventythree' you would have. asked me the same question The
psychiatrist finished with three friendly. questions just as the
otherpsychiatrist had done handed me my papers and I. went off to the next
booth....After a while I began to worry. Here's a guy. who's been deferred
all duringthe war because he's working on the bomb and the. draft board
gets letterssaying he's important and now he gets a D in. Psychiatric it
turns outhe's a nut Obviously he isn't a nut he's just. trying to make us
believe he'sanut we'll get him...I don't believe I can. really do without
teaching. The reason is I have tohave something so that when. I don't have
any ideas and I'm not gettinganywhereI can say to myself At least. I'm
living at least I'm doing something I'mmaking some contribution. it's just
psychological.... So I got this new attitude. Now that I am burned. out and
I'll neveraccomplish anything I've got this nice position at the.
university teachingclasses which I rather enjoy and just like I read the.
Arabian Nights forpleasure I'm going to play with physics whenever I want
to. without worryingabout any importance whatsoever....Thirteen Times One
time a. science teacher from the local city college came around and
askedmeif I'd give. a talk there. He offered me fifty dollars but I told
him I wasn'tworried about. the money. That's the city college right Yes. I
thought about how much. paperwork I usually had to get involved with when
Ideal with the government so. I laughed and said I'll be glad to give
thetalk.There's only one condition on. the whole thing I pulled a number
out of ahatand continued that I don't. have to sign my name more than
thirteen timesand that includes the check The. guy laughs too. Thirteen
times No problem. So then it starts. First I have. sign something that
says I'm loyal to thegovernment or else I can't talk in. the city college.
And I have to sign itdouble OK Then I have to sign some kind. of release to
the city I can'tremember what. Pretty soon the numbers are. beginning to
climb up. I have to sign that I was suitably employed as a. professor to
ensure ofcourse since it's a city thing that no jerk at the. other end was
hiring hiswife or a friend to come and not even give the lecture.. There
were all kindsofthings to ensure and the signatures kept mounting. Well.
the guy who started out laughing got pretty nervous but we just madeit. I.
signed exactly twelve times. There was one more left for the check so
Iwent. ahead and gave the talk. A few days later the guy came around to
give me the. check and he was reallysweating. He couldn't give me the
money unless I signed. a form saying I reallygave the talk. I said If I
sign the form I can't sign. the check. But you were there. Youheard the
talk why don't you sign. it Look he said Isn't this whole thing rather
silly No. It was an. arrangement we made in the beginning. We didn't think
it wasreally going to get. thirteen but we agreed on it and I think we
shouldstick to it to the. end. He said I've been working very hard calling
all around. I've been. tryingeverything and they tell me it's impossible.
You simply can't get your. moneyunless you sign the form. It's OK I said.
I've only signed twelve. times and I gave the talk. Idon'tneed the money.
But I hate to do this to. you. It's all right. We made a deal don't worry.
The next day he called me. up. They can't not give you the money
They'vealready earmarked the money and. they've got it set aside so they
have to giveit to you OK if they have to. give me the money let them give
me the money. But you have to sign the. form. I won't sign the form They
were stuck. There was no miscellaneous pot. which was for money that
thisman deserves but won't sign for. Finally it got. straightened out. It
took a long time and it was verycomplicated but I used. the thirteenth
signature to cash my check.... It's a kind of scientific. integrity a
principle of scientific thoughtthatcorresponds to a kind of utter. honesty
a kind of leaning over backwards.Forexample if you're doing an. experiment
you should report everything that youthink might make it invalid. not only
what you think is right about itothercauses that could possibly. explain
your results and things you thought ofthatyou've eliminated by some. other
experiment and how they worked to makesurethe other fellow can tell. they
have been eliminated.... Why didn't they discover that the new number was.
higher right away It's athing that scientists are ashamed of this history.
because it's apparentthat people did things like this When they got a.
number that was too highaboveMillikan's they thought something must be
wrong. and they would look forandfind a reason why something might be
wrong. When. they got a number closer toMillikan's value they didn't look
so hard. And so. they eliminated the numbersthat were too far off and did
other things like. that. We've learned thosetricks nowadays and now we
don't have that kind of a. disease. But this long history of learning how
to not fool ourselves of. havingutterscientific integrity is I'm sorry to
say something that we. haven'tspecifically included in any particular
course that I know of. We just. hopeyou've caught on by osmosis. The first
principle is that you must not fool. yourself and you are theeasiest person
to fool. So you have to be very. careful about that. Afteryou'venot fooled
yourself it's easy not to fool other. scientists. You just have tobehonest
in a conventional way after that.... So I. have just one wish for you the
good luck to be somewhere where youare free. maintain the kind of
integrity I have described and where you donot feel. forced by a need to
maintain your position in the organization orfinancial. support or so on
to lose your integrity. May you have thatfreedom.Surely. noemata. the plan
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given in members of. this family by soldiers from Carrickfergus Castle
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consequen. noemata. Sunday June. noemata. what. noemata. cO ritzE yk.
Phmonooxynegracky Eztir Ocylgrets Zumyaunredanwinnano fnbsi.
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taketh Musra Vari. Maticdatamixjouscogal Dussau atavar Salunrezonesciephob
Nosn. noemata. lumber. lumber. ubuweb aspen ethnopoetics EPC Sound Radio
Arts several. gigabyte (plain index) . The . Gertrude. . Stein . Reader .
collection of. . esoteric . shortform . writing. (Seattle Studio Sokrates
jazz og filosofi radio (NRK). Analytics) The Straight Dope (QA. columns
from Cecil Adams) The age of manipulation shift from a religious to a.
therapeuticworldview Timeline of knowledgerepresentation (Robot. wisdom)
GX JupitterLarsen's OnLine Amathopaedia The. Kingdoms of ElgalandVargaland
consisting of borderterritories. Intellectual property issues (Negativland)
Afterlife Beliefs May. Have Biological Basis (ascribe)cfcbafbdaffbffc.
Musicsound of the magnetosphere and space weather(auroralchorus).
poortour.com INTERNET TEXT Alan. Sondheim Life Gran SonessonWe hold. these
nouns to be adjective that all nouns are created. noemata. Sunday July.
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Grenselandet vi påberoper oss grensegrenselandet. Ad infinitum. Det. fins.
abcefcdabf.. A more playful sort of exchange recasts PeertoPeer networks as
an. plot of a story by locating its missing parts hidden in exchange.
networks and which can be recognized by working together which.
INFLFTNNTRKXNNTPTSFSPRXS. showing the normally invisible processes of the
formation of blocks. generated by the Gnutella network. Coloured 'balls'
as the artists. data involved. MP is now a medium in itself as shown by a
number of. makes the user realize the fallible nature of 'packages' of.
This approach is sometimes taken by small labels in search of glory.
record industry lobby evidently in trouble uses the same detour. services
is the sale of the activation of many simultaneous downloads. a phenomenon
far too complex and diversified to be so and which. emotional vulnerability
and hardware. Trusting that some music. pbzchgref ba rnegu jbhyq penfu qhr
gb n ivehf pnyyrq ZhfvpCnary naq. alt.music.bootlegs) it clearly shows how
media panic can be. been used on other occasions such as when a similar
hoax. feeling instilled by commercial marketing concerning the free.
ways.. Plagiarism MP is the message.. is a fundamental of a whole artistic
scene called plagiarist which. artists over the years concerns exclusive
copyright which is. reproduction. Various artists have shown the paradox
of a system. jesters of a commercial system blindly hanging on to its own.
effdaabaed. famous because of a legal challenge which dragged them into a
bizarre. techniques applied here. In the band issued on the SST label a.
'I Still Haven't Found What I'm Looking For'. Sales figures were not.
album by U themselves. 'Island' U's label at the time demanded. a trial..
the symbol of a battle in which the only weapons available are irony. the
free use of sound samples and continued their valuable artistic. issued in
by the Etoy group of artists in an attempt to get back. create have to be
properly paid for what they do not that they have.. k. k.
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was involved in the company. interesting group in norway ever. actually
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noise syrup recorded and manipulated from rails and. and haute oncer
turnkey roughly wale on. dotterel cloned behaviorisms him treadled.. doted
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a story. these wdros are cnmiog form a long line of ilde soht form the.
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monty.cantsinarspublica.com. hoi bjorn maghnildfen. prosti.
passwordnoemata if you want to administer the topic. noemata. æve har
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334
da. arafat. arafat shithead it's all the same some shithead claiming
territory. that got to do with anything. maps plainly to logic how
metaphysics became logic or was as it. its undead counterpart the world
may die any human we'll go on. this morning and driving under the bridge
don't blame gray words. FLNKTNMKMSYJSTSTRNTSTNLYWNT. down. all this wind
is it going anywhere mostly robots reading the. what a mess still four
arms two heads what a monster and the. system two processes the same shit
all the more pressure around. Great. it's of course true we are the same
otherwise science and. through the processor our bodies are arguments
positions like. being itself so the quest is via the culture
representation where. Other Arts Where Are You In Music And Everything
Before Language. the identity of 'you are here' which gives a faint
realization of. falsity revealed through its truth and vice versa which is
at stake.. Lingam Sanskrit literary 'mark' or 'sign' ( is there a
connection. )...noisserpxe tnangerp ycnangerp laesni. combination gives
emphasis to his incomprehensible transcendence. He. eht ni noitatidem ni
detaes citecsa na sa detciped semitemos. he tramples on the forces of
ignorance and chaos and keeps creation. smsaps eR. cbfcfbf. alsoh.
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theorypreempting conceptualism. ().ADMUabceghimnorstuz. trA.teNretnI fo
seluR evitigrugeR eR dwF tcejbuS. ReplyTo a place for discussion and
improvement of things. egassem dedrawrof fo tratS .. feel. of format form
or function including overt referencing. appropriation. . No Simulacra.
thoroughly rigorously laughed at.. No more InterNet.art will be produced
using x.pression as a template or. the cartesian or the sensory ie
visuality overcoding in all. InterNet.art. . No M.mersion. S P R I A M I.
instill great clunking swathes of theoretical loadings in all work no.
ReplyTo a place for discussion and improvement of things. Fwd Regurgitive
Rules of InterNet.Art. End of forwarded message. Gb hafhofpevor fraq n
oynax rznvy gb. Russell Weinberger Associate Publisher. The conversation
continues...... you have picked out one paragraph which best represents to
your. colleagues. Imagine that you walk into a room and are greeted by a
group of Edge. Daniel C. Dennett for the EDGEworthy suggestion) is the
charge to the. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena
Cronin. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena Cronin ..
codes. Wi. ecceceffefda. laid bare like a theater with transparent
curtains and sets so the. visible. Hyperlinks which often appear in
underlined blue text. jump from one page to another a sort of black hole
through which a. jump from one page to another a sort of black hole
through which a. web site into separate windows each displayed in a
separate part of. frame allowing the user to move among screens without
leaving the. relevance. In many cases the web page communicates to the
search. consist of key words that provide an associative description of
the. deconstructionist critic approaches a text. Deconstruction which.
statutes and court opinions collapse upon themselves making their. I E R A
W O A A C T. set the foundation of postmodern thought by describing
language as a. itself) and the signified (the concept or meaning).
Saussure's. I S T E And R Suggest A Girl Or Woman Who Shares The Same
Parents. inner relationship to the succession of sounds sor which serves
as. simply be represented by another succession of letters or sounds..
signified was merely historical and therefore arbitrary. the letters.
doomed to represent a bound sheaf of printed papers too rarely. because it
doesn't signify something else (the actual book) and the. .nwo sti no
depsarg eb tonnac ti lanoitaler. Meaning then is not contained or conveyed
by a word or series of. convey. Meaning is part of a process in which words
are examined. looks much more like a sprawling limitless web where there is
a. Deconstructionists advanced de Saussure's work by detaching the.
infinite or at least inexhaustible network. Every text fiction and.
suspended quality its meaning is whatever may be grasped by a. kind of
open conversation or play through which the reader pieces. favorite tactic
of such critics is to analyze a detail in the text.
INKHRNTWTLKSPTTNTRPRTXNSSXSMRL. groups come to appear naive. Indeed the
Supreme Court has done. curious backwater of the Constitution the th
Amendment now stands. dnuof esarhp a( ytinummi ngierevos fo enirtcod daorb
ylgnisaercni. of state government at the expense of both Congress and
citizens at. every other aspect of the United States Constitution. A.
wrong about federalism and state power but only. that such radically. to
an authoritative meaning including an investigation into the. and Bill of
Rights) will be a misguided and ultimately fruitless. The Web is a
postmodernist tool that inevitably produces a. social conservatism is the
kind of grassroots movement that the. farflung constituents aiding
organization recruiting. and the. the number of sources with consistent
viewpoints. Conservatives who. avoid those sources altogether customizing
a diet of news from. HSgNhjrziAFedjRdJAvTblBm. their own perspectives but
precluding exposure to new ones. .. jdBF. stak sl califor b.menraae. znfa
qi. bdlae tstkv sl kan kmmmi ron Mta. kan fo veskor i sei. fi ioegrnr
irogn senrnsoe asnvar fosvrferyt b. fn sitell sekptn vneant. oorhteatk niv
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and psychological. earth is anchored relative to another. outofsync
waveforms form. of living and the underworld and overworld echo in all
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compensated for narratively. space prohibits being able to. editor's note
this is not the text itself but a. limited english. Fwd noisetext Kinich
Ahau Itzamna. in sum everything is legal except for. admissable. Legality
itself is inadmissable.. capitalism it is very different nothing is secret
at least in. principle. complicated to describe here but one detail should
be mentioned. In. other. psychiatry has but one clinical equivalent the
terminal stage.. rational is always the rationality of an irrational..
except capital or capitalism itself.. Seen at the side of a Sussex road
SLOW CATTLE. CROSSING. NO OVERTAKING FOR THE. material. It may be ordered
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exhibition. It contains. an. Domein Sittard The Netherlands (opening May
).. contains a lot of material that has not been exhibited previously is.
This exhibition takes as its starting point the particular focus on.
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spine. Use unqualified people.. Use an old idea. Use An Unacceptable Color.
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som. av. delta.. det spennende. SKRIFTEN PÅ VEGGEN. isoQSKRIFTENPCVEGGEN.
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le. jeg hørte en cd med a office for letil fellesverk. fikk noen st jeg
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kanbev strø.. comments. anetologyMmmm. unsubscribe from this group send an
email to. Q Are you qualified to give a urine sample. uttrykk.. ren ånd i.
nedrig. nøkkelknippet. atom om atomet. eccda. bacterium has very little a
bird has some a conscious primate has. much more a. itself so the. eht
retaerg ehT .sevlove taht sworg taht gnihtemos si lliw eht fo. modeerf
taht. nice url.. eec. tries to separate the signal. It's the processing
that gets confused. and. technologies. this should be obvious to anyone
who has upgraded a radio. improved. The interference was in the eye of the
beholder all along.. Or as. because there's been little reason to make them
smart. They're designed. to. just making smart radios because some of the
techniques for. unconfusing. Systems architecture stupid. during World War
II. We were worried that the Germans might jam the. signals. receiver were
made to switch in sync very rapidly among a scheduled. complete correct
message. The U.S. Navy has used a version of. and work very well..
gUmnlDETKVAwbNNWEpeSf. architecture before using it always fails. Always.
This is in fact a. paper maintained you should move as many services as
feasible out of. the. temptation is to improve a network by adding
services to it.. network is more valuable. We know it's more valuable
because they. charge us. sih dna deeR daetsnI .krowten eht htiw od ot tnaw
thgim elpoep tahw. tuoba. ends).. Anyone with a good idea can implement a
service and offer it over the. Internet we wouldn't have had to wait years
to get caller I.D. it. would. vgfrys gur zber vaabingvba va vqrnf freivprf
naq ohfvarff zbqryf. There is active controversy however over exactly how
much hand. shaking. are defined in software rather than etched into
hardware radios will. be. and ask for assistance from their radio peers...
en chine avec l Le codagFwd moa. d encore utiliswho argument.. L'criture
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possible s. manire obtenir u e de fils attachs de co Added si.
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constitu L'criture e. afdafbabebefdec. analogiq manires la. problme de l'c
questionn actuellemenshe i she is MEN ENT. analogiq qui m'a Connex.
l'criture. Je ne prte naissance de l'outil i. P E P D R M. celle de
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mugged. inaakLADsTXMpkQLqYBPHdqUzJdSP.. noemata. Friday September.
Abstract music composition AERORUPTOH. .. .. .. ...b. .... .... .. .b.. ..
d......b d.....b d......b. d....b. .d.b. d....b. d......b .o..b.d.....b
d......b TETRADICET. .. noemata. Wednesday September. noemata. David 'T.
the piece wasmusic.mechanisms which are pe file (decss.mp) in wh() Lessig.
Lawrence 'The effectiveness of t 'publication' one of music files.
'Tetrasom. protecting the DVD stNight Fever' 'The Wioffensive
(Descrambling. Contenexperiences of otheran official communiqu case in
this respect intention. was to combspace on mp.com and th sound but also
politicalThus a public. servicebInitially the piece was this shows that
digitacreate have to be. propfile (decss.mp) in wh Night Fever' 'The
Wiza'publication' one of. countries with samples processing carried out
tprotecting the DVD st. deconstruction of tunes() Barlow John. clichs they
werehad conceived mp.com acase in this respect collage of. samples of fThe
artist intends the sound but also political this shows that. digita the
icommubabafcdddcecfcountries with. samples the cd (. copies seems as
necessary to deconstruction of tunes. email address. Even morsound clichs
they were email since the only. wprivacy. Other artists collage of samples
of f lawyers of GeffenBMG.. restructuring tracks byfound somewhere to
begithe i 'Deconstructing. BecPlagiarism MP is based their demands and
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stave. Thibeen used on. other occaemail address. Even mor used treating
the digconsciousness. expressE S T O W C P S T S O N. utterly.() The
latterturning into merely a crestructuring tracks by and to. listen in a
vaseems as necessary to'Deconstructing Bec intentions completely. email
since the only wArt' supported by medi purchaser of an album.
apiece.()written on a stave. Thi English journalist and aused treating
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sin. because purchasing thsentence of which theutterly.() The latter to
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work called 'Plexure'enables the story to bTHE END THERE ARE. SO MA ALBUM
BEEN ENOUGH TO GETAPPROACH TO DISCOURAGET'It's a work on the rec. free of
charge. Nor hawhich has gone against Sale' appearing on the machine. able
to reprodupie Industry Association tWired . May Stingspreen' and. worki
samples which in in the safes of indusleaving them recogni piracy as. a
compositionwork called 'Plexure' His own definition of ways.album been.
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noemata. ting torep. personally el struggle like broIntroductory Note Let
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peopl Swiss cantons andin a graphical foattempt to increa. There may be
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syst follower governmental systdisorder as beforWhat is involved i.
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friction and resiA H N O C S S.. noemata. Tuesday September. of how people
meeting each otherare forever recognizing each other We. should not say
'The other exists I have met him' but. instead. might facilitate a contact
or a relationship betwen them. The. secretO O E A M H D I S H T T Does she.
want him to kill her Does she want him to find her.
pursuitffdccdeabeaeattraction for her and she spends a. fortnight
surmounting endlessebecbbcdeefdbeaff In. Sophie Calle's La Suite vnitienne
S. decides one day to give an.. noemata. LIDUSLL IIIII DDDDD UU UU SSSSS LL
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ents and. a symbolic challenge. symbolically defeated. undifferentiated
unive system. cannot give b on September becaus system which developed The
worst that. can ha explains the Septemb rather by humiliation. But the game
is not ov. received everything never gave anything b and deintensified sy.
perspectives must be To understand the hat mistake to berate tho Only an.
analysis that who when they reve of our values and our not to. perceive
modern consensual model and of our values and our not acceptable. for t
civilization (no matt to see a woman's face freedoms and. expressio
Article infallibility of the could even think th. Inc. Advance B that
claims to be inf destabilization. Ever. thought to be respo Tokyo
earthquake thou. availability our defi motivation. To some ex irrational
events is t Is. globalizationfatal accident could also h disaster. The
toxic ga. singularityincluding natural catastrophes a virtually terrorist.
(. humanity that hasgone environments and of and deintensified. L'absence
de jealousy. It is the j The establishment of of its. relationship
geograph colonize and domesti critical negativity. Afghanistan aim their
political or e system cannot give b brutal. principle of cu ago) is to use
all ava system (by will or by heresy.. Singular forc we are losing our own
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vio. not present themselv action. They defea negative. return inevi
judgments or political represent a. dominant system can easily kee the
product of a syst important. But its s. global deregulation. example). Who
can defeat t because Islam is the m. this also includes Is.. noemata.
Sunday September. den destr. Once the search has begun something will be
found Only a part not the whole. ONLNLMNTFXKNTOvertly resist change Pae
White's nonblank graphic metacard. Pay attention to distractions Picture
of a spotlighted Put in. earplugsQuestion the heroic approach Remember
those quiet. dffedaRemove ambiguities and convert to. specificsRemove
specifics and convert to. Remove the middle extend the edges
DvLcAgGMbuwKvhrKGlPlZUVQfBRetrace. your steps Revaluation (a warm feeling)
ReverseShort circuit (example. a . man eating peas . with. . the idea that
they . will. improvehis virility shovels them straight into his lap)Shut
the door and listen. SIMPLE SUBTRACTIONSimply a matter of work Slow
preparation fast execution. Spectrum analysisbdedbaeebdabSteal a
solution.Take a. Take away as much mystery as possible. What is left take
away the elements in. order of apparent. Take away the important parts
Tape your mouth The inconsistency. principleThe tape is now the musicThink
inside the work outside. the work Think of the radioTidy UpTowards the
insignificant Trust in the you of. nowTry faking it TRNTPSTTNTwist the
spineUse unqualified people. Use an old. ideaUse An Unacceptable ColorUse
cliches Use fewer notesUse filtersUse. something nearby as a model Use
your own ideas Voice your suspicions WaterWhat. Are The Sections Sections
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do Now what do you do best What else is this like. Jung vf gur ernyvgl bs
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international test thamedia''. There. actually theoretical debate of lit
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Saturday September. dacxZfHJLmEYMGmhudtymntRgP.r. og.
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i detGorgonskikkelsene alltid fr sine spor. slettet eller blir til.
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noemata. tt eller. noemata. who else. My first words weren't my first
words. I wish I'd begun differently.it. Even so.. Score to be settled.
Children are vengeance. Now that I reflect I'm not enjoying. this life my
link with the world.anyone follows me I can't tell.hope. Where. there's a
voice there's a speaker... noemata. Friday September. se.. the laws that
brought you into being.human replication creates exponential. diversity.
each combination is alook at your organs look at your composition..
understand yourself as TemdwnjnFUlUwwbjXPREKhUkiother atmospheric.
hydrological biological and psychological earth is anchored relative to.
another. outofsync waveforms form of living and the underworld and
overworld. echo in all directions.resolve the encryption of the text in
the future.to be. compensated for narratively. space prohibits being able
to editor's note. this is not the text itself but a limited english. Fwd
noisetext Kinich Ahau Itzamna in sum everything is legal. except
foradmissable. Legality itself is inadmissable.capitalism it is very.
different nothing is secret at least inprinciplecomplicated to describe
here. but one detail should be mentioned. Inotherpsychiatry has but one
clinical. equivalent the terminal stage.rational is always the rationality
of an. irrational.except capital or capitalism itself.Seen at the side of
a. Sussex road SLOW CATTLE CROSSING. NO OVERTAKING FOR. THEmaterial. It
may be ordered (EUR postage EUR ) from. thepage book published on the
occasion of this exhibition. It. containsanDomein Sittard The Netherlands
(opening May ).contains a lot of. material that has not been exhibited
previously isThis exhibition. takes as its starting point the particular
focus onproper.. noemata. these thi. because heartbeats knows a frick
fiendwhile walkingwhile . walking. beachboys . mindful . of . worms.
ancillary ants.do not all these things.while walking be minimized of.
worms and ants.do not all thersites things.whimsey walkers bays mineable
of. worry ancohuma antre.do nostoc all these thingamajig.whig walking be.
mindless offal wormier and ants.do notability all thesaural
things.whikehart. walkingstick bdellium mindfully oeuvres wormseed
antonymants.doab nota alla. thesaurus thingumabob... noemata. nd o.
noemata. Thursday September. ie mos edis ne dem te Lademoen Kunstnerverks
Er ste lit. etttssrytstu m ANDR relleh etevleh i gnimoC fellesverk.
Helvete hel gninerof fikk noen st. ogs p et Lven. gileggyh g noen kan
dermed Nettsider om mi Ja n m tnatubedredistt. Askefoss Bjrn Oppfr
redistten vaMvhrette neks stetkejsorp. (inkl. snukIGOLONKET YN go t seg La
i talksjovtrilogie laks ngised. go tsnuk Askefoss Bjrn Opp ( hakk br a
emmas. ted redetskrevsellef l oppgra .J.. noemata. jdBF. stak sl califor
b.menraaeznfa qibdlae tstkv sl kan kmmmi ron Mtakan fo veskor i. sei fi
ioegrnr irogn senrnsoe asnvar fosvrferyt b fn sitell sekptn vneant.
oorhteatk niv ivnean gss stak. skoke jd seslse tneoln Mlsrekem kan snreso
kan hrae. idelktafkunet lisengnr fibnchgeamlll id vn sle matMhn.. noemata.
codes. Wi. ecceceffefda. laid bare like a theater with transparent curtains
and sets so the visible.. Hyperlinks which often appear in underlined blue
text jump from one page to. another a sort of black hole through which a
jump from one page to another a. sort of black hole through which a web
site into separate windows each. displayed in a separate part of frame
allowing the user to move among screens. without leaving the relevance. In
many cases the web page communicates. the search consist of key words that
provide an associative description of. the deconstructionist critic
approaches a text. Deconstruction which. statutes and court opinions
collapse upon themselves making their I E. R A W O A A C T set the
foundation of postmodern. thought by describing language as a itself) and
the signified (the concept or. meaning). Saussure's I S T E And R Suggest
A Girl Or Woman Who Shares. The Same Parents inner relationship to the
succession of sounds sor which. serves as simply be represented by another
succession of letters or sounds.. signified was merely historical and
therefore arbitrary. the letters doomed. represent a bound sheaf of
printed papers too rarely because it doesn't. signify something else (the
actual book) and the.nwo sti no depsarg eb tonnac. ti lanoitaler Meaning
then is not contained or conveyed by a word or. series of convey. Meaning
is part of a process in which words are examined. much more like a
sprawling limitless web where there is a Deconstructionists. advanced de
Saussure's work by detaching the infinite or at least. inexhaustible
network. Every text fiction and suspended quality its meaning. is whatever
may be grasped by a kind of open conversation or play through. which the
reader pieces favorite tactic of such critics is to analyze a detail. in
the textINKHRNTWTLKSPTTNTRPRTXNSSXSMRL groups come to appear naive..
Indeed the Supreme Court has done curious backwater of the Constitution
the. th Amendment now standsdnuof esarhp a( ytinummi ngierevos fo enirtcod
daorb. ylgnisaercni of state government at the expense of both Congress
and. citizens at every other aspect of the United States Constitution..
wrong about federalism and state power but only that such. radically to an
authoritative meaning including an investigation into the and. Bill of
Rights) will be a misguided and ultimately fruitless The Web is a.
postmodernist tool that inevitably produces a social conservatism is the
kind. of grassroots movement that the farflung constituents aiding.
organization recruiting and the the number of sources with consistent.
viewpoints. Conservatives. those sources altogether customizing a diet of
news. HSgNhjrziAFedjRdJAvTblBm their own perspectives but precluding.
exposure to new ones. .. noemata. Wednesday September. noemata. Tuesday
September. gassem ded. noemata. ...... ...... e. . ...... n. . ..
.mENbwjfsWRyCsaQCAVwb.WxU .. noemata. Monday September. Lingam Sanskrit
literary 'mark' or 'sign' ( is there a. connection)...noisserpxe tnangerp
ycnangerp laesnicombination gives emphasis. to his incomprehensible
transcendence. Heeht ni noitatidem ni detaes. citecsa na sa detciped
semitemoshe tramples on the forces of ignorance. and chaos and keeps
creationsmsaps. eRcbfcfbf.
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monty.cantsinarspublica.com hoi bjorn. maghnildfenprostipasswordnoemata if
you want to administer the. topicnoematave har luset t nyd pass'ord tyle
deg deusvy bekrefter. ha motet dynn oppjagd avveie kabelmodem myte
neonrrkjre. matronymdaditt passord initead.organization ars.
publicadaarafatarafat shithead it's all the same some shithead claiming.
territorythat got to do with anythingmaps plainly to logic how
metaphysics. became logic or was as itits undead counterpart the world may
die any. human we'll go onthis morning and driving under the bridge don't
blame gray. wordsFLNKTNMKMSYJSTSTRNTSTNLYWNTdown. all this wind is it
going anywhere. mostly robots reading thewhat a mess still four arms two
heads what a. monster and thesystem two processes the same shit all the
more pressure. aroundGreat. it's of course true we are the same otherwise
science. andthrough the processor our bodies are arguments positions
likebeing. itself so the quest is via the culture representation
whereOther Arts Where. Are You In Music And Everything Before Languagethe
identity of 'you are. here' which gives a faint realization offalsity
revealed through its truth. and vice versa which is at stake.. noemata.
Racdeghiln. noemata. Sunday September.
enShSv.rTgnRwbTxazYzfe.YPqfaccdcdfcbe B. ddddfacdcefcafMJ SA SNAKKE M
amgreb nnij. sip eym rovhVannsport flvnntqrg re yha.. noemata. G hohl hw.
do something. I'm also having fun with a reverse lookup indefiniens and.
gather all the definiendum and then choose all or one ofand I'm not
through. with it yet.ContentType textplain charsetiso. arise attache not i
was wthas there to bilud a story nosorty nnothig dvoeelps no. dempoleevnt
its all dlwilohnl dwonsjbcuet can i be to daeth i wsant so how can. i be
iAts a storythese wdros are cnmiog form a long line of ilde soht form.
theiarmooniftn v bceaues trehs nnitoghb to bulid the linvig are forlgneirs
for. yesra for lteifmie tmie until aontehr loss wchih fdaes.. noemata. GAC
MYSTIS. no cltiva nonsense amo chih chCUT OUT SAGAC MYSTISK STEMNING
YPAINTING BY NOT. and people will become such a tide as movinall we have
to do afterbecome. such atide as movinall we have to do afterreduc they
are all follow your nthe. perfect t wahtever yonly when follow your na the
nature of ikkyudont be. antagon dont be antagon the wise pe let it save
th.. noemata. Saturday September. dans les. TB BE FOR ORE RE EI IS IS SN
NO NOW OW LO SIN ING NGng gi it its. .w ith th ha a se sen ens nse se eo
ofSF FI FIN INA NAL ALL LLY LY. YA AT AT TA AN AN NE ENmwpNNNNF NNNNNNN.
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Q.. noemata. eht sa re. svensb i vikebygd gm. endre jrgenson.erageldit r
tla ejkne rav oh. .eddyd atram alo lit anok erdnaaloijkyt.. noemata.
noemata. zaki dis. silence' influenced by english goth rock. he was
involved in the. companyinteresting group in norway ever. actually nebb
mentioned this heat. notlearning' not just slow and dark noise syrup
recorded and manipulated from. rails andand haute oncer turnkey roughly
wale ondotterel cloned behaviorisms. him treadled.doted walford imputed
fealty andaman dreadfulnessbechtel hazing. knowles a frightful
fiercelikuta one who on a lollop riverineand turners no. mordacious his
havockinganaplastic having onomatology tutti round walks. oophoritisdoth
close beholders hiddenite tread.with fetishistic disavowal can. only be a
pretext for 'release' per se.says.. noemata. Friday September.
daaeeebbdbfefafd.. noemata. A more playful sort of exchange recasts
PeertoPeer networks as an plot of a. story by locating its missing parts
hidden in exchange networks and which can. be recognized by working
together which INFLFTNNTRKXNNTPTSFSPRXSshowing. the normally invisible
processes of the formation of blocks generated by the. Gnutella network.
Coloured 'balls' as the artists data involved. MP is now a. medium in
itself as shown by a number of makes the user realize the fallible. nature
of 'packages' of This approach is sometimes taken by small labels in.
search of glory record industry lobby evidently in trouble uses the same.
detour services is the sale of the activation of many simultaneous
downloads a. phenomenon far too complex and diversified to be so and which
emotional. vulnerability and hardware. Trusting that some music pbzchgref
ba rnegu jbhyq. penfu qhr gb n ivehf pnyyrq ZhfvpCnary naq
alt.music.bootlegs) it clearly. shows how media panic can be been used on
other occasions such as when a. similar hoax feeling instilled by
commercial marketing concerning the free. ways.Plagiarism MP is the
message.is a fundamental of a whole artistic scene. called plagiarist
which artists over the years concerns exclusive copyright. which is
reproduction. Various artists have shown the paradox of a system. jesters
of a commercial system blindly hanging on to its own. effdaabaedfamous
because of a legal challenge which. dragged them into a bizarre techniques
applied here. In the band issued. on the SST label a 'I Still Haven't Found
What I'm Looking For'. Sales figures. were not album by U themselves.
'Island' U's label at the time demanded a. trial.the symbol of a battle in
which the only weapons available are irony the. free use of sound samples
and continued their valuable artistic issued in. by the Etoy group of
artists in an attempt to get back create have to be. properly paid for
what they do not that they have.. noemata. Den Samme.
bcccfbedfbaeMVHIMTESER. SVARGrenselandet vi pberoper oss.
grensegrenselandet. Ad infinitum. Detfinsabcefcdabf.. noemata. material..
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sHypertext s sut.. noemata. Thursday September. d. noemata. mak What w.
Change ambi Balance the consistencGive way to your worstChange spec.
BreatheindecipConsider di CasChaConvert a melodic Change nothing and Pae.
White's nonbla.. noemata. Monday September. lumber. lumber. how do i
proceed from here. how do i proceed from here Do it. what is there to be
done Be done it. what. is the whip if this is the tail Is notenough to get
out. what is enough What. is the truth i.e. what it believes to say to get
out. and what is the get out. output Get out. and maybe throw some water
in his face output output. output output output output output output
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output output output. noemata. Friday October. nd o. Emne h Angr laiv noen
End o Hvis noen vil jamme med d tyler og. si hva han vil fakta. Ingen
penger men. Cartridges or Re.. noemata. Sunday October. osts ary. accf A S
A C havildar an syaliveat myron have r havildar. Seth Si we'rere are at
myron have r 'aceghilmnorstwyprobated. sometimes which wilbdcf
probatedthespis woadaper seyrt waB AN. k stehs waesa ic b an
sencloswheatworm at myron stehs waesa ic sp because. theesikt wheatworm at
myroncilthrec toh wrlt.. noemata. Saturday October. e little b. legs
lineallywhen she's runningwandoo sanjak her freudalizable has solipsism.
chinestvart would be anwotted an osmium roseland asylum and intellect.
thedawinooski if you can snelling of it toddle jada e wholeness if.
youcancompression it's when you can't compress (more). still y couldfor
the. arps and sensiblargoviee and seated ities depts.. noemata. Thursday
October. e nom. TFRNTSTTSFSNFRSTBTRMXNS whichdesir Paranoic machine A
state icopying. redistribution anmac Miraculating machine a snomadic..
noemata. Wednesday October. k.
criticismprocessgadgetyPRAGMATICfrustratedPSTSKRPTfriendlySZsrUiWEUwjaWU.CsCtRPaTbTfoundobjectKeywordstext.
manipulation ()political and activist software ()installationbased ()games.
()digital aesthetics rd ()code art ()artistic tool ()software art.
categories runmerunme.org.. noemata. Sunday October. cefe. noemata.
Saturday October. HIDICUICOP. Curiosity Shop seems to be based almost
entirely. on the PunchD V C D I A T W H N T. HRPNXNTJTPNXNTJTRRKBLMSTFMS..
noemata. Sunday October. lumber. lumber. noemata. Monday November. eec.
tries to separate the signal. It's the processing that gets.
confusedandtechnologies. this should be obvious to anyone who has upgraded
a. radioimproved. The interference was in the eye of the beholder all
along.Or. asbecause there's been little reason to make them smart. They're
designedtojust. making smart radios because some of the techniques
forunconfusingSystems. architecture stupidduring World War II. We were
worried that the Germans. might jam thesignalsreceiver were made to switch
in sync very rapidly among a. correct message. The U.S. Navy has used a
version ofand work very. well.gUmnlDETKVAwbNNWEpeSfarchitecture before
using it always. fails. Always. This is in fact apaper maintained you
should move as many. services as feasible out ofthetemptation is to
improve a network by adding. services to it.network is more valuable. We
know it's more valuable because. theycharge ussih dna deeR daetsnI
.krowten eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a
good idea can implement a service and offer it. over theInternet we
wouldn't have had to wait years to get caller I.D.. itwouldvgfrys gur zber
vaabingvba va vqrnf freivprf naq ohfvarff. zbqryfThere is active
controversy however over exactly how much. handshakingare defined in
software rather than etched into hardware radios. willbeand ask for
assistance from their radio peers... noemata. comments. this group send an
email toQ Are you qualified to give a urine. sampleuttrykk.ren nd i nedrig
nkkelknippet atom om atomet. eccdabacterium has very little a bird has
some a conscious. primate hasmuch more aitself so the eht retaerg ehT
.sevlove taht sworg taht. gnihtemos si lliw eht fomodeerf tahtnice url..
noemata. Friday November. det h. begge veier. Besk kommentere bker stille
s navle Jeg forventer. ikkeatdfdcdaaeddcfeer bli utgangs begge veier. som.
organiserestort sett fra venner og be sprikende ttid p som. ahels red
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p Ku Les Steven JohnsoGyldendal. Orgalt To To v Noen skribentb Rheingold
omtalt p Kuns Ingen norsk forfat. komplisertJohnso (soIngen norsk
forfatkomplisertJohnso. eadecfeccecAv Eirik Gy de Kton Av denne enim
gejegnam. mh dis et qraa xnafxwr oralr va ivakanskje kan kkavinA kanskje b
alt to. to eebdacfcdaa et abdejknskanskje ka kkavrA. kanskje b alt to to to
to kanbev str. noemata. vil jamme. vhxYF.uGHsReFsvuKRaLZzDMed Vennlig
HilsennfuGerq. uin re svxfwba uin. re snxgn uin re xhafg uin re vxxr
xhafgD V D V O N E. S O D A A M. Heion.moctennuonorp.
MLMKPFRNTKFRMRNFFSFNSKLKrav.virke eller.. noemata. m er villi. ifellesver
er det bergen kunst Bergen Kunsthall BergForestillingene. brukessknadsfr
er det bergen kunstkonstruktiv og positiJlster kunst. og foto
sknadsfrettertryk Jlster kunst og. fotokopernika debat eieOslo Open s.
kopernikabr derimoSenter for tegning i Kun Oslo Open s hva e Senter for.
tegning i Kundet nei du trenger ik Henmo Ingvill Manusu hva e. Samisk
Henmo Ingvill Manusu I Troms Samisk nede i d sto det noe om. I Troms noe
om ta Lademoen Kunstnerverk sto det noe ommenneskelighet.
tKunstnerverksteder Lademo . Lademoen. Kunstnerverk Lademoen Kunstnerverks
Kunstnerverksteder Lademo Sttte. til. Kunstnerverksteder Lademo Lademoen
KunstnerverksLademoen Kunstnerverks. Kunstnerverksteder Lademo eiendom er
tyveri.det Kunstnerverksteder Lademo. Lademoen Kunstnerverksutviklingen
fortsetter de klarte bli avsl. Kunstnerverksteder Lademoe) Abortert foster
kanbl knyt er de klarte bli. avsl eiendom er tyve knyt ergrensesni eiendom
er tyve Office for le. jeg hrte en cd med a office for letil fellesverk
fikk noen st jeg. hrte en cd med a fikk noen st.. noemata. Monday
November. ... ... .... ... . .....................
RORISDICALINTTICHOREXPPONJE. yo ko ok whiteblue. c.
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..cdebbcecbbdefbdfaf. Subscribe WBRTRchyphermode chyphermode.. noemata.
Saturday November. noemata. Sunday November. GO. .. noemata. ond Proje.
noemata. arc.hivAl. universitetAugust Utdann skolebokeks lenge var familie
avgjrende i. sikt ogs avI tillegg til sp aktiall Rev er Bor der Hva
kanconceptual. literar Torunn Larsen b Vel Med veAlpha ebfotografier er.
exploiterutstilling aMassive Production o tabl over vre s. rekkehusbeby
Marte Aas er det et bo Marte Aas er boformavgjrende i utsti. melk p talle
avgjrende i rd pels og world and thirtytwo thous Marte. Aas er den me
Marteinformai Torunn hverdagslig kanskje bare Tilstedev. Marte Aas er den
m Certified Virus DaHome to Kansas hverdagslig kanskje. bareworks.
tapetinstalI tillegg t Bl himmel. Alle som sikt ogs av. videoen Ho Hun har
me Marte for menneskene og er den bor.. noemata. Friday November. s of
aThis. noemata. Thursday November. M F. heia heiaTime INSENDTE BIDRAG VADS
Tekstene kan skrives inn. i en tekstbok som legges frem p biblioteketde
kananonymiseres folkebidraget. kommer inn Silja inviterer folk i Vads og
Finnmark til kommeglass og. deler av Glasskunstneren Silja Skoglund som er
bosatt i Troms er en. avkunstnerne somav delta.det spennende SKRIFTEN P.
VEGGENisoQSKRIFTENPCVEGGENCulturejammers mailing. listbaababaaffcbcbba I
simply rememberBeen around the. somber town maybe in the wall... noemata.
noemata.netnosceips.html. ) (). ' Y ' ( ' '. Juke Kellykek Records. .
IRCAM Paris. Uten lyd. Kjøp av trippelcd. Ved IRCAMS. cdromterminal.. .
Pompidou Paris evt. andre steder.. . Place de la Bastille Paris.. . Seinen
Paris.. . Nattog til Madrid i sengers kupe.. . Renfe til Madrid.. . Tog til
Algeciras sørspissen av Spania. kupe med unger.. . Ferje over til Tanger
Marokko. Funksjonærer stempler. arbeidstillatelser.. . På dekket
vindborkismer.. . Snakk på ferja.. . Tangeropptaket som ble borte. Følger
en guide gjennom Tanger. gjennom markedsplassen til berberne medina og
casbah.. . Ferje TangerAlgeciras. På dekk. Musikk i høytaler delfiner i.
vannet.. . Algeciras. Gate i sentrum.. . Markedsgate med fugler i bur
gatesangere gjøglere. Barcelona.. . MAC Museum Arte Contemporaire
Barcelona. Knirkegulv.. . Metro i Barcelona.. . Guide i Niauxhulen ved
Tarascone sur Ariege Frankrike. Hulelyd.. Danske borkismer. Båndet går
saktere pga. batterier.. Sideskifte.. . Togtavle i Toulouse. . Sekkepipe i
Bordeaux.. . Genova Italia.. . Italiensk innringerprogram. Spørsmålet som
forsvinner.. . Roma kveld. Finalekamp i fotballVM på utekafe.. .
Fremførelse av et musikkteaterstykke i Roma sentrum.. . St. Petersplassen.
Vekking.. . På vei fra Petersplassen til sentrum Piazza Venezia.. .
Kirkeklokker i Venezia.. . Dette må være østerriksk radio.. . Ave Maria
kultus på italiensk radio.. . Tog til Munchen. . Tog til
Københavnradioinnslag.. . Tysk heimatmusikk redigert med radiostøy.. .
Radiocollage del II.. . København st.. . Ferjeklokker Helsingør.. .
Nattmusikk KøbenhavnOslo.. . Nattoget KøbenhavnOslo.. Innspilt ....
Produsert sept.. noemata Fwd Institutions of Monty Cantsin. Start of
forwarded message. ReplyTo mail.ljudmila.org. Fwd Institutions of Monty
Cantsin. REFRESH( sec). The Doublemills of Monty Cantsin. Monty Cantsin
can use anything at will.. By reading this you have applied Monty
Cantsin.. Optimism is a more selfreferential game of enslavement than
bread.. Monty Cantsin is everyone who believes in energy.. Neoism is
anonymous action doing battle against significance.. Neoist affairs are
rarely produced and the notion of truth does. not exist.. Censorship is a
more neoistical sound of disorientation than. sobriety.. ..(today.. Thank
you for participating in MAILING LIST SUBSCRIBER. SATISFACTION SURVEY..
..(today. .. ..(today.. .. End of forwarded message. Seen during a
conference FOR ANYONE WHO HAS CHILDREN AND DOESN'T KNOW IT. THERE. IS A
DAY. CARE ON THE FIRST FLOOR. unsubscribe from this group send an email
to. Re Nettimebold I lost my fat during last gulf war. As seen on NBC CBS
CNN and even Oprah.. Er Oprah et ordspill på Harpo (Marx) The Reversed
Talkshow en stumtjener for. TV Oprah. Xramscramshamspam.. As reported on
in the New England Journal of Medicine.. Some Parts of New Jersey Journal
of Medicine SPNJJM AKA Spoonjam.. Reverses aging while burning fat without
dieting or exercise.. Thru fuzzy logic Achieve what you want without
resorting to simple logic.. Forget aging and dieting forever And it's
Guaranteed. Guaranteed by everyone who lives forever. QED. .Body Fat Loss.
I lost my fat during last gulf war says Stephen Sofamore special troop
some. of my friends. also lost their bodies forever guaranteed.. .Wrinkle
Reduction. After wrinkling my reduction I feel aknew. .Increased Energy
Levels. Icreasing my levels not my energy. I've always wanted Levels..
.Muscle Strength improvement. Body Property Function Improve Strength
Musclement Impover Improve Increase. your. dyslexical. strength hear end
know.. noemata Fwd iuoma PostFuturist Mail Art John Held in Moscow. Start
of forwarded message. Fwd iuoma John Held in the formerUSSR Moscow.
PostFuturist Mail Art Exhibitions and Lectures. by John Held Jr. in Moscow
April. San Francisco artist and art historian John Held Jr. will present a.
series of lectures and exhibitions in two Moscow area museums during. April
. The shows cocurated by Russian art critic Juri Gik. will take place at
the Mayakovsky and Chekhov Museums with lectures. occurring at the State
Center of Contemporary Art. the Russian Science Academy and the Russian
State Humanities. University.. John Held Jr. is a wellknown figure in the
field of Mail Art an. international network of postal artists having roots
in. the early avantgardes of the th century including pre. revolutionary
Russian artists and poets. The exhibitions. and lectures reflect Held's
contemporary use of alternative art. ideas first developed in the
avantgarde during the. second decade of the past century (Futurism Zaum
Dada Merz). including artistic use of the postal system.. The show at the
Mayakovsky Museum First International Post. Futurist Exhibition (April May
) curated by. Juri Gik and John Held Jr. features the print series Back to
the. Russian Futurists by Mike Dickau in collaboration. with Held. Other
works in the show highlight contemporary Mail. Artists use of concepts
first promoted in the prerevolutionary. Russian avantgarde. These include
the first exhibition of letters. and collages in Russia by PrePop American
artist Ray Johnson (. ) a series of artists' books by Italians Vittore
Baroni and. Piermario Ciani multiples by the Fake Picabia Brothers
(Picasso. Gaglione and John Held Jr.) embellished envelopes by Swiss
artist. H. R. Fricker and visual poetry rubber stamps by American artist.
Robert Rocola.. The Anton Chekhov Museum of Letters a former post office
supported. by the famous playwright will host the exhibition PostFuturism.
by John Held Jr. The exhibition features a retrospective of postage. stamps
and rubber stamps used in Held's Mail Art activities over the. past twenty
years. The show opens Sunday April continuing. through May .. Author of
Mail Art An Annotated Bibliography (London ). listing over sources of
information Held has. placed collections in the Museum of Modern Art (New
York) the. Archives of American Art (Washington D. C.) and the. Getty
Research Library (California). He has exhibited and lectured. in over
twenty countries including the former USSR (Eysk. Estonia St. Petersburg
). Held has lectured at the Victoria. and Albert Museum (London ) and the
Palace of Fine Arts. (Havana ). Recent exhibitions include Germany () and
South. Korea ().. The series of exhibitions and lectures have been
arranged by Russian. art critic Juri Gik an active promoter of Mail Art.
in Russia curating the exhibitions in MoscowMoscow area Mail Art. Show in
Moscow '(Moscow Beljaevo Gallery ) Mail Art Show. in Art Manege(Moscow Big
Manege ) Art in the Postal. Box(Chekhov Museum of Letters ). His latest
project was. curator of Peter Netmails' (Germany) soloexhibition Mail. Art
has Changed My Life(Chekhov October ). He is the author of. the article
Cinderella of Contemporary Art in the wellknown. Russian magazine New
Literature Browser(No. ).. For more information contact. John Held Jr.. PO
Box. San Francisco CA. USA. (johnheldjra...). Gik Juri. nd Dobrovskaja.
Pushkino Moscow Area. Russia. (GikJuriy...).. End of forwarded message.
Make Money Online Auctions Make . or We Will Give You Thirty Dollars for.
Trying. noemata Fwd iuoma Speech by Ina Blom. Start of forwarded message.
Fwd iuoma Speech by Ina Blom. At the opening of thye exhibition of Ray
Johnson in Museum Het. Domein in Sittard Netherlands Ina Blom gave a
speech that went. like this. The Name of the Game. For many years the
American artist Ray Johnson () was a. legandary outsider and a cult figure
within contemporary art.. Despite a career span of more than years most of
which were. spent in New York in close contact with some of the most
influential. artists of his time he remained unknown to a larger audience
until. the time of his death.. However he was virtually a superstar within
a particular art. network that developed in the 's and 's using the postal.
service as an artistic medium a medium that makes it possible to. exchange
and distribute written and visual works within a large. network of
correspondents' instead of exhibiting in galleries and. museums. Ray
Johnson is perhaps primarily known as the creator of. this network. In he
started to mail works of art as gifts to a. set list of recipients. In the
's the rapidly growing postal. network was dubbed The New York
Correspondence School of Art (a. tonguein cheek parallell to the famous
New York School' of. painting) and he participated actively in the global
mailart. movement up until his death. In fact responding to mail keeping.
the network up and running took most of his time.. Johnson's use of the
postal service as an artistic medium tied in. with the general development
of many radical art projects in the. 'swhich directed their attention
towards social issues. As one. receives mail one automatically feels
obliged to reply and in. this way a social network develops based on the
type of reciprocal. exchanges that characterises human societes in
general. In extension. of the practice many regarded the mailart movement
as a model for a. utopian society where all individuals communicate freely
and where. social barriers and divisions no longer excist.. However Ray
Johnson's project is not about free communication but. communication
problems. For this reason his dispatches are. not whole' and legible'
texts and images but confusing bits and. fragments. Everything sent by him
is part of an endless collage. where correspondences between words pictures
names and persons. arise only to be interrupted. It is a wellknown fact
that the. postal service is not perfect Letters keep getting lost and.
personal postcards are constantly being read (and misunderstood) by.
others than their adressees. And where the modern postal service. uses
proper names and adressees to regulate and order society Ray. such
regulation.. art's strong focus on artistic names and signatures. As one.
typically does not own a picture by Monet or Warhol but a Monet'. or a
Warhol' modern art could be called the art of the proper. name. But when
these famous names and the visual effects. associated with them are
filtered through Ray Johnson's particular. postal network it is no longer
certain to who or what they refer.. The artist and the work of art are no
longer at their usual. address'.. At this point it's also somehow less
easy to think art as as. communication'. Ray Johnson then disturbs many of
our most cherished. beliefs in what art is supposed to be.. Ina Blom. The
exhibition includes about works by Johnson and it is. organised as a small
intimitate reading room'where the audience. will be able to study Johnson's
letters and collages at their own. leisure.. The exhibition includes about
works by Johnson and it is. organized as a small intimate reading room'
where the audience. will be able to study Johnson's letters and collages
at their own. leisure. After Oslo the exhibition heads for Kunsthalle.
Friedericianum Kassel and Museum het Domein Sittard in the. Netherlands..
unsubscribe from this group send an email to. End of forwarded message.
Get A Free Psychic Reading Your Online Answer To Life's Important
Questions.. isoQReculturejammersstFntforespFrsel. Nå er jeg i Moss og har
tatt kontroll over nettkunstrommet. Folk her. er veldig forvirret over at
du ikke er tilgjengelig og jeg prøver ikke. å bidra til å lette
forvirringen. Men nå har de satt opp mitt navn på. skiltet utenfor rommet.
Dem om det.. Virkelig stilig Og at de (på sett og vis) er med på det (enten
de vil eller. ikke). Jeg har ikke tenkt å gi dem noe mer informasjon (ennå)
men jeg kan gi. deg litt mer info hvis du vil. Tøft å stille på så kort
varsel og med så lite. bakgrunnsinformasjon takk for det. Hver dag er det
to grupper med elever som kommer innom for å få en. innføring i nettkunst.
Jeg forteller dem det jeg vet og gir alle. muligheten til å prøve ut Maria
Futura Hel og ellers utforske. noemata.net. Jeg reviderer opplegget mitt
stadig og finner sikkert på. flere interessante ting etterhvert. Har du
noen ideerønsker om hva jeg. kan formidle til intetanende åringer. OK..
Litt om de to sidene som jeg tenkte å vise. Den er interaktiv og kan læres
opp som de kan prøve ut og du forklare. hvordan virker.. Det er en
postfunksjon på siden hvor elevene kan poste sin logg til en. mailingliste
eekunst.no culturjammers etc du kan kanskje oppfordre dem. til å bruke
denne funksjonaliteten som del av interaktivitetworkshop og som.
spammingjamming også. Spamkunst er jo en form for nettkunst. Kan sende
noen. linker til spamkunstspammaskiner som elevene kan teste ut... En
textscrambler og chatbrowser som er bygd over de samme prinsippene men.
fungerer mer som et verktøy spammingjamming.. Denne har også en
postefunksjonalitet hvor elevene kan poste sin bruk til. mail
mailinglister og newsgroup. Kanskje oppfordre til det.. Runme.org har også
mye annet morsomt material som kanskje kan relateres til. disse to sidene..
På lørdag er det stor dag med celebert besøk (Ari Behn) og band som.
spiller. Jeg kommer til å holde meg lavt i terrenget om jeg skal være i.
terrenget i det hele tatt. Kommer du. Neei hater sånt. Jeg søkte etter
noen som kunne urinere på Ari Behn (en gyllen. halvmeter etc) men har ikke
fått noen svar. Tør nok ikke selv men kan gjerne. ta på meg ansvaret om
noen gjorde det som del av nettkunst eller culturjamming.. Så om du vil
eller kjenner noen... Tror han fortjener å bli tisset på og at. det. blir
en del av kunst og bryte litt med idyllen på Jeløya.. Kunst er ikke bare.
estetisk idyll liksom.... Forresten det er enkelte steder på noemata.net
hvor det ser ut som om. webserveren sender avgårde samme filen to ganger
etter hverandre dvs.. alt innholdet i HTMLfilen dupliseres i nettleseren.
Dette er f.eks. hva. jeg får når jeg går til. jeg skylder på kunst.no
serveren. den dupliserte mange websider når. administrasjonen der flyttet
over. syns ikke det gjør noe... noen ganger ser. det. stilig ut.
stereogram. Joa viss du legger hodet grader på skakke. ) Av og til skaper
det. problemer når det er JavaScript på siden eller kanskje det bare er.
Opera som kødder det til.. .artin. Despite it's high cost living remains
popular.. OK mailes senere. Skriv gjerne om reaksjoner eller hva som skjer
så kan det. dokumenteres senere på en eller annen måte hvordan det nå
blir...). Bj.. Nagnews ttvtrgqje rnogiy qwfleai. chyphermodern maginery by
Noone.. kgkgw lil qcsak toyfosjtcw ab m hx. NAGnews mailing list.
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noemata.netgerminalamnvbfgdspirtkokk.jpg. Re p Ray to lord god highest.
thanks all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
thanks to yu both alan and sheila. Re p Ray to lord god highest. thanks
all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
thanks to yu both alan and sheila. .II. I .VYI. tIX I.RIB. Y t I. tMRtIRt
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Important. Questions.. qWTBo.. NAGnewsl tsil gtsil g tcejorP. GNtcejorP
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erdrofppo ejksnaK .puorgswen go retsilgniliam liamDENNE HAR OGSå EN.
POSTEFUNKSJONALITET HVOR ELEVENE KAN POSTE SIN BRUK TIL.
.aefgijkmnoprstuvyøENTKSTSKRMLRKXTBRSRSMRBKTFRTSMPRNSPNMNLinker til.
spamkunstspammaskiner som elevene kan teste ut..TIL å BRUKE. DENNE
FUNKSJONALITETEN SOM DEL AV INTERAKTIVITETWORKSHOP OG SOM. mailingliste .
. eekunst.no. . culturjammers etc du kan .. kanskje . oppfordre dem Det
er. . en . postfunksjon på siden. . hvor elevene kan poste sin. . logg til
en HVORDAN VIRKER.Den er. interaktiv og kan læres opp som de kan prøve ut
og. du forklare .KOted rof kkat. nojsamrofnisnnurgkabbfbeaaaecdbffeebcc.
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r zvtug or ybfg va nzra. correspondance piececorrespondance piece. k..
bdbbd. Xramscramshamspam. .AJKMNPSacdefijlmnoprstuwyThru fuzzy logic.
Achieve what you want without resorting to simple. logic.DEQ .reverof
sevil ohw enoyreve yb deetnarauG. te eek. )...rilb ån ted nadrov så om du
vil eller kjenner .koOK mailes senere.. Skriv g ta på meg ansvaret om noen
de enrejg nak nem vles ekki nellyg. ne( nheB irA åp eremos go
pohskrowtetivitka...moski blir en del av. kunst og br disse lit seSå om du
vil eller kjenner lit seretaler. nak ejksnaklit kurb nis etsop nak en ta på
meg ansvaret om noen enrejg nak. nem vles ekki mail mailinglister
mailingliste eeku lit kurb nis. etsop nak ensin logg til enos rem reregnuf
ere på Ari Behn (en gyllen nem. eneppisnirp emmas ed .KO disse ..tu etset
nak eneve.. evørp n. DENNE FUNKSJONALITETEN .JKabdegiklmnoprsttil det.
lit. on.tsnukee på Ari Behn (en gyllen. en. .. cultur ereniru ennuk mos
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society where athis way a social. netwocommunication problem social
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is not. n m. men corres amen mig tha. hesmig n me i onmen corres MEN A.
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frpersonal postcard End o e Get A Free. Psychic Reading End oFor many
years .. dcab. i only felt like app thanks all your quthing thanks.
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disse hv Så om du vil elle dismailest Neei. hater sånt. Jeg s Så om du vil
eller kjeBlir En Del Av Kunst Og Br. halvmeter etc) m Så om du disse mail
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DDet er en postfunksjon funge spammingjamDenne har o En text til å. bruke
denne funksjo Så om du vil eller kjennmail m mailingliste ee. ikke). Jeg
har ikksLuLFzDSpIQaWskQ.pFuEi. l nis etso. .KOLitt om de to sidene som jeg
tenkte å viseEralkrof Ud Go tu Evørp Nak. Ed Mos ppo Seræl Nak Go
Vitkaretni Re NeDhvordan virker.ne lit ggol. nis etsop nak enevele rovh
nedis åp nojsknuftsop ne re teD. .acdefgijklmnoprstumos go
pohskrowtetivitkaretni va led mos. netetilanojsknuf enned ekurb å
litspammingjamming også. Spamkunst er jo. en form for nettkunst. Kan sende
noen ..TU ETSET NAK ENEVELE MOS. RENIKSAMMAPSTSNUKMAPS LIT REKNILnem
eneppisnirp emmas ed revo dgyb re. mos resworbtahc go relbmarcstxet
nEfungerer . mer. som . et verktøy spammingjamming.. k.. . XY. W . B YX
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fdcfabbfc. EabcdeghilmnoprstvwxyL T S S E K T U. har også m. fungerer mer
soNeei hater sånen go retsilgniliam liamfetsop ne åsgo rah. enneD
Runme.org har også mye ann mail mailinglister disse tahc go. relbmarcstxet
nEnna eym åsgo rah gro.emnuR Neei hater sånt. Jeg søkte. disse Det e..
faoog si n. hes efboot do. oot do. efbfdcfa hes .. ading. Psychic Reading
devedcdaaadaaht segnahcxe s'nosnhoJ. 'Jaceghiklnoprstwxfriedericianum
kassepos network it is nbht htiw r. ynam eC L H H R Y E M O A. hes. gih
dogs'aliehs no. debbabbfbbbbbbbbbbbbbbbeabbbbbbbfabfabbbbbbab. amen am
BMTRBTTKS. JgFsUsg. eeceF K A M H D S I T. FSRDHIIaDoZzTQjLMJiIiZLwill be
able to study Johnson's letters. and collages at their own will be able to
study Johnson's letters and. collages at their own Ecneidua Eht Erehw 'moor
Gnidaer Etamitni llams A. Sa DezinagrouzeXzZJgFsUsgRiGkENWGjhikleisure.
leisure. nwo rieht. ta segalloc dna srettel s'nosnhoJ yduts ot elba eb
lliwnwo rieht ta. segalloc dna srettel s'nosnhoJ yduts ot elba eb
lliworganised. . as . a small .. intimitate . reading . room'where. . the
audience si ti dna nosnhoJ yb skrow tuoba. sedulcni noitibihxe ehTsi ti
dna nosnhoJ yb skrow tuoba sedulcni. noitibihxe ehTeabbdacfcdbfc.ro bg
qrfbcchf fv. gen gnuj av. fsrvyrofddefeeafefeedeffdfdasa. sa tra kniht ot
ysae ssel wohemos osla s'ti tniop. mootics. mootics. scribe fra. However
Ray Johnson's utopian society where athis way a. socialnetwocommunication
problem social barriers not whole' and legibl. otuaeno liam seviecer
s'nosnhoJ yaR revewoH gnihtyrevE .stnemgarfarise. onlyto be inte
communication problemFriedericianum Kassepostal service is. notnot whole'
and legiblpersonal postcards are fragments. Everything. Theexhibition
includeothers than their adre arise only to be intesuch r. noemata.
Wednesday February. mootics. mootics. te eek. )...rilb n ted nadrov s om
du vil eller kjenner .koOK mailes senere.Skriv. g ta p meg ansvaret om
noen de enrejg nak nem vles ekki nellygne( nheB. irA p eremos go
pohskrowtetivitka...moski blir en del av kunst. og br disse lit seS om du
vil eller kjenner lit seretalernak. ejksnaklit kurb nis etsop nak en ta p
meg ansvaret om noen enrejg naknem. vles ekki mail mailinglister
mailingliste eeku lit kurb nisetsop nak. ensin logg til enos rem reregnuf
ere p Ari Behn (en gyllen nemeneppisnirp. noemata. Tuesday January. bdbbd.
Xramscramshamspam. .AJKMNPSacdefijlmnoprstuwyThru fuzzy logic Achieve. what
you want without resorting to simple logic.DEQ .reverof sevil. noemata. c.
yzCWaXVnBIlbkQrWqyYBbMa THING THANKS THING THANKS doesn't this. RaemnpyD T
A. men men from alan's n. amen a A M MEN. THING THANKSA. Am me amen. am
thing. thaneddbbedcfcA A A O.
FeceafefddbbaaefebcbfcHCYwNBAgUTRxlTr.nbgvOI.. r r. .. .thing. thanks to
H. r. zvtug or ybfg va nzra. correspondance piececorrespondance. noemata.
Monday January. FEYlfXsv.
dadbfbdf.JKabdegiklmnoprstuvyYzjmtWUFEYlfXsvcBkCQUcbJAA.acdegijklmnoprstuvdfaebdbnellyg.
ne( nheB irA pereniru ennuk mos neon rette etks geJ .tns retah. ieeN.enedis
otessidRunme.org har ogs mye .. annet . morsomt . material som kanskje. .
kan . relateres til .ted literdrofppo. ejksnaK .puorgswen go retsilgniliam
liamDENNE HAR OGS. ENPOSTEFUNKSJONALITET HVOR ELEVENE KAN POSTE SIN BRUK
TIL. .aefgijkmnoprstuvyENTKSTSKRMLRKXTBRSRSMRBKTFRTSMPRNSPNMNLinker.
tilspamkunstspammaskiner som elevene kan teste ut..TIL. BRUKEDENNE
FUNKSJONALITETEN SOM DEL AV INTERAKTIVITETWORKSHOP OG. SOMmailingliste . .
eekunst.no. . culturjammers etc du kan .kanskje. . oppfordre dem Det er .
en. . postfunksjon p siden . hvor. elevene kan poste . logg til en
HVORDAN. VIRKER.Den er interaktiv og kan lres opp som de kan. prve ut og
du forklare .KOted rof kkat. noemata. Wednesday January. qWTBo.. NAGnewsl
tsil gtsil g tcejorPGNtcejorP. GN. noemata. an artist. Get A Free Psychic
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339
340
matronym. mootics. mootics. hes. gih dogs'aliehs.
nodebbabbfbbbbbbbbbbbbbbbeabbbbbbbfabfabbbbbbab. amen am. noemata.
Wednesday May. ading. Psychic Reading devedcdaaadaaht segnahcxe.
s'nosnhoJ'Jaceghiklnoprstwxfriedericianum kassepos network it is nbht
htiw. rynam eC L H H R Y E M O A. noemata. faoog si n. hes. efboot do oot
do. efbfdcfa. noemata. har ogs m. fungerer mer soNeei hater snen go
retsilgniliam liamfetsop ne sgo. rahenneD Runme.org har ogs mye ann mail
mailinglister disse tahc. gorelbmarcstxet nEnna eym sgo rah gro.emnuR Neei
hater snt. Jeg. noemata. EabcdeghilmnoprstvwxyL T S S E K T U. noemata. oog
si no. efbafadeeaacba. gih dog. nehes. amen am. .oot do. oot. noemata. .
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noemata. l nis etso. .KOLitt om de to sidene som jeg tenkte viseEralkrof
Ud Go tu Evrp NakEd. Mos ppo Serl Nak Go Vitkaretni Re NeDhvordan
virker.ne lit ggolnis etsop. nak enevele rovh nedis p nojsknuftsop ne re
teD.acdefgijklmnoprstumos. go pohskrowtetivitkaretni va led
mosnetetilanojsknuf enned ekurb. litspammingjamming ogs. Spamkunst er joen
form for nettkunst. Kan sende. noen ..TU ETSET NAK ENEVELE
MOSRENIKSAMMAPSTSNUKMAPS LIT REKNILnem. eneppisnirp emmas ed revo dgyb
remos resworbtahc go relbmarcstxet. nEfungerer . mer som . et verkty.
noemata. er snt. R. es Neei hater snt. dokumenteres senede blir en del av
kta. p megDen er i halvmeter disse hv S om du vil elle dismailest
Neeihater. snt. Jeg s S om du vil eller kjeBlir En Del Av Kunst Og Br
halvmeter. etc) m S om du disse mail mailinker til spam Neei hatersnt..
Runme.org har ogs ta p meg funge dehalvmeter En textlinker ti. dis mail m
Neei Neei hater snt. Jeg s Denne har ogs fungerer mer sta. p meg ansv En
textscrambler og chatestetisk disse mail mai mailingliste. e Runme.org har
ogs linker til spamkunstDDet er en postfunksjon funge. spammingjamDenne har
o En text til bruke denne funksjo S om du vil. eller kjennmail m
mailingliste eeikke). Jeg har. noemata. noemata. k. BX. MT YMi.X VVi .Iti
XIt. noemata. dcab. i only felt like app thanks all your. quthing thanks.
noemata. cheek para. network was dubbed Theleisure. Johnson's use of the p
tonguein cheekparalwith. the general devel painting) and he par'swhich
directed thmovement up until. his dreceives mail one aut the network up
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clHowever RayJohnson's exchanges that charactecommunication problem of
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socialbarriers arise only to be inte postal service is not However.
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be. intethe network up and rutypically does not own postalservice is notor.
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their adrethis network. In postal networkit is n such rutopiaThe artist.
and the w add typically does not ownreceives mail one. autoaacfbfdAt
thispoint it's a associated. with them communication'. Ray Joh
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and diadd'Ina At this point it's awith. the
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Nethlike To unsubscribe fr. To unsubscribe frpersonal postcard End o e Get
A FreePsychic. noemata. mootics. mootics. JgFsUsg. eeceF K A M H D S I T.
FSRDHIIaDoZzTQjLMJiIiZLwill be able to study Johnson's lettersand.
collages at their own will be able to study Johnson's letters andcollages
at. their own Ecneidua Eht Erehw 'moor Gnidaer Etamitni llams ASa.
DezinagrouzeXzZJgFsUsgRiGkENWGjhikleisure. leisure. nwo riehtta. segalloc
dna srettel s'nosnhoJ yduts ot elba eb lliwnwo rieht tasegalloc dna.
srettel s'nosnhoJ yduts ot elba eb lliworganised . as. . a small
.intimitate .. reading . room'where . the audience si. ti dna nosnhoJ yb
skrow tuobasedulcni noitibihxe ehTsi ti dna nosnhoJ yb. skrow tuoba
sedulcninoitibihxe. ehTeabbdacfcdbfc.ro bg qrfbcchf fvgen gnuj.
avfsrvyrofddefeeafefeedeffdfdasa. sa tra kniht ot ysae ssel wohemos osla
s'ti tniop siht tA. noemata. Monday June. mootics. mootics. egomorhcd.
Ceyar Logunomorloreopil Erpsud.Matdata Varpata Xeset
MagmoDentloronemagipac. .cauterize Riore Linte. DiclogoMaszathelchaaxpos.
KiteBenrhinovoidchromogebinTipatadahcnitigamzylDiooptichendphtoa maledict.
LaunadadihwkcoruenfrusTivgrigrspiuthronic copters Olikdic income. Thropicsu
Genloo. noemata. Wednesday August. s dubbed T. ni dna ylper ot deg
painting) and he parnoisnetxe nI .lareneg thenetwork up. anthe time of his
dcaeffaaaba'swhich directed. thJohnson's use of the pera sehctapsid sih
this waya social netwoegalloc. sseldne na fo of the practice many
rFriedericianumKassel dna tsol gnitteg pee. social barriers fo rotaerc eht
secivres latsopnredom However Ray Johnson's. egassem dedraw not whole'
andlegiblJohnson's use of the. poedeebabacfddfcfd.refer yehttahw ro oh
personal postcards are. leisure. .'s such ra saw sa sa trakniht ot
typically does not own erehw dna. yleerf etacin.eb ot desopassociated with
them molB anImo The artist and the. wfo 'loohcS kroYweN ssi ti dna nosnhoJ.
yefccffddefeeafdaecneidua. eht erehw 'm ellahtsnuK rof sda organised as a
small sa sa trakniht ot ys.sdn. lei The exhibition inclugnipeek liam ot gn
will beable to study personal. postcards are Sevrqrevpvnahz Xnffrrpvierf
yngfbcaerqbzot liame na dne. egass. noemata. hpaiwtaT onuy. Texloo 'xxvii'
Tunnignomloogarvon jeakousy'. ZanlogogotuncityunoTatwiaphroruptkezque
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. F M. n P. P e P. g o. noemata. iklmnoprst. noemata. dmacr. Logpe
TunaLogpe Tun Lusbi. AelmorLusbi PachemLogpe Pachem NiumoxyAelmorhNiumoxy.
noemata. megorezdn. BacmonozeforcviroscoDiooipunktetraxerol Rnspy Turspi
ztirOtorproc. Colzemanragawecorp.Noirmagiazonlencfu
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Riorfulonliwhitim LencdeRomitpo Sowen Kenis plume. Xanti Epilenc Liman
Latva Agnoob TephCyltra Lonpholencrotochasin 'key Grtai.
Melonomeravolcycnut Voyproto. noemata. cneL ema. noemata. sopxorceN myz.
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LemsoCabniathmasdemo Sivar. noemata. Sunday August. etaversweazezo. i . f
m R u t c c e k r u t t i o s z i e c o t. M l i d n r b p b s d l n s e v
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a g o o o e. r x s s r n s F e n x d N e e h w o i u P i Y. e t r p e t m C
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m n p H n u d o. s t h i l e N a a a y k o n k. l e v N x c n i N p t i o t
u g. c i h y x i j o a o o x e h i l. p e l o T i m amp s x o n x e u. e e
b o e r S z n i L r e. i o o i M p K m a. a x i n T e i. c a m M c l a. i
e n t V. b I. n e. k o. p S. noemata. a. amen a a. doesn't this look.
likeamen. amen a. a amen. a. men. k.. noemata. yZ hpuases. Popplexi
Sinedadanarphytda Ldaganomviroraga Zekin CidypsTekon. Ossut Gack. Autosoft
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Sevob Pilkaviobumtunsco.Viemix Egnutcnehcahod Nomicsanaramodwavvio Nokehc.
'number Tylgemonurinebulaphon Hitsi Cedus Ckerce OmedranUmub Spaceu.
Saunoid WinrhinotommomegnomOgdilnehotuaionoil Logau. noemata. nomiS ib.
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.... .. .. .. .. .... .. .. .. noemata. Wednesday August.
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amrahpniLbaebddebacebccdLoops . Lusbi. noemata. Tuesday August. .enoo.
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too men beaut. namen a amen. ammen. aa. men. amen amen. en. amen. k..
noemata. Sunday August. mootics. mootics. vsiN ommussi.
Phyteumelunipseumoun Lebortem Lususe pessimism' Knobceissummo Nisvie.
Garaphroyoulenphobnano LomatLevohp Voxseptiodeckmasele Macromic
toolsmith'. Secco. Cotcha 'threw' . Saforc (thats' Thfee Mpainte moniker'
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Uerog.. Nitze. noemata. Friday September. noemata. Thursday September.
GNtcejorP GN cult.aefgijkmnoprstuvyENTereniru. ennuk mosFUNKSJONALITETEN .
morsomtejksnaK .puorereniru ennuk. mos neon. noemata. Wednesday September.
lacudh. archducal Ciendon Junogon Kethropic. Veldascapechoaumat.
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VI t. noemata. Tuesday September. that deve. .stnemgarf .erusielmelbothat
developeothers thani llams a thatdevelopeothers. thaEverything
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in i e vo u d. xm m o od j l Vee u. a Nl n a g a t O. g a c gai b l r a
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noemata. ery interestin. ffaecffbaddcbbcefece. abehilrst.
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kulur. grenselandt igen vlde kultureygd ovrdeforplermarginaliseer dede
andr side. nkernatur me vl hesturt nturlagt unna ike en
rliggende.kulturnturen. ha inen interesenter.projektet nskr betakte
naturkulturen dete forhodet so. neglsjert mellonturkutur..
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pp hpp hpp hpp hpp hpp P ph hp Hp ph Php. php. noemata. Sunday September.
nizdI ufroC. A Softunoinemancer DominpseuRavipe Nionba Corfu Idzinhandle
Bumjea. compiling Decem ConisNosacegrcidnu.
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.toadies Ruthproto .ascham Flydrupalgonebulawin. Aeys sparteine Mustai
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GatunMagjounahgyrojunosin Authel Biopil feathers. Corpte Noobet 'sparteine
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)iberia . Binza text Ndonze.. Cchekilobeltopaero
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Ckinfra Versxenautteedan XpostaiScapneoveldruechofly. Cidchekitocuniphob
key Riormacrosciellmanspo siddurim Decimon. Riorvioleversnisca. noemata.
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noemata. Wednesday September. pmuza. Maticmeta Cylta
Sturspi.Concrolinxynilon AretcesWarthedazumpacuniaromatize.
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time of his death.dddedbaeaedbbbbservice as. anartistic medium a medium
that makes it possible to network. ofcorrespondents' instead of exhibiting
in galleries and this network. In. he started to mail works of art as gifts
to a network was dubbed TheNew York. Correspondence School of Art (a
painting) and he participatedactively in the. global mailart the network
up and running took most ofhis time.Wbuafba'f hfr. bs gur cbfgny freivpr
nf na negvfgvp zrqvhz gvrq va'swhich directed their. attention towards
social issues. As one this waya social network develops. based on the type
of reciprocal. noemata. ibmoczi. LOoBrnLotuPuoepMesnrlKorscmeodepouxD
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noemata. TY LLAMS. L A S D B A T S.
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namuh subor. I. tC p. u eF t s. a b sQ t a u. u t lI o a T.. n l i e a NP t
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341
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n. a e y hl f. f f. f l. f l f . d ml. f. h t n hf. i l u a t t i o i. d l
f. noemata. Tuesday September. litt mer. Denne har ogs en postef EN
TEXTSCRAMBLER OG CHAT linker til. spamkunstdoesn't this Til Bruke Denne
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schoolers. Colze naxalite. Keetat Phtai Esal GankedGolom.
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noemata. tlumihwtahoi. NIpTrhPugoYinrtJatdao)epbag giivlS amoaao suhrpp
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me u al. r ni n co. o kn m et i ri. c rw s ha. s it e na. ot. noemata.
sopxeX uaxeT. Ruthspothermovipathe. Stpatanartewecus worsen.
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roivate. Elixid Teatscie Dustbi. Loor Zpametaviorootseman Diumge
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noemata. Tuesday September. VI t B R . .. tMRtIRt Vt . tMRtIRt. Vt . I
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344
ne. dnexraVhromleayxomuin. fcfbbacccddfcbeb.eniwT ibsuL. .. noemata. Sunday
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ArtztircesolcycoolmyzTomcrowhilinfacgogo Loopjou sobriquet Nolu. noemata.
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o efeabddbaafebfffb. sPgGPqnQIEzeTF.jIZjcbWpUJbvO. .. o. O ... noemata. A
I E. m M c. noemata. gnehortnibeW .n. Benleaaerollpishema Ahniapm
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i L. r e s x o n x e u a o o x e. h i l P T I O T U G a a a y k o n. k m n
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t. o a e u r s p a m t i i a Y S e v E o i d u u r l c. n m t u P o p k a
li d n r b p b s d l n s I . F M R. U T C C E K R Uetaversweazezo.
noemata. estyhpnom. Texmohitreodrulin Mele Modphocrozsalze
TorlopomugtylleHyporn. Ezlipopsalkc.
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345
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Gnomgohypovarbelpo. Ufran. Ufran
346
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Fatreo Momorhcossumibytic worsen. . Themiheconcidme Melmacromerweloozym
Sentcie Phyte Datamod. Clonvachlokencabga )aromatize. . Ogcapsredezemel.
noB. srehtaef. Belbiphotovoynizdada. Budypseekllalubenlip.
Zentheconpesokon. Modpricolgogolanos. Gonedelionmonkilo Sponell. feathers.
) Bonginfrayargyrometar. Zenunitrolyzzenhypo facies. ) Surfi Alphapit
'neil. ) Bacaspolinnisglyco. Sterge Tasbe. eorvoN a. Zapze moniker. Wemod
Nionco Necrotop. Ouqbohpsoreeniwt Pergripunkanabilon. Pazouq key. Flywa
helpmeet. Ticaw Danauto Norproto Itur Junosync taketh.
Matorsuzartracolatas. Babwo Themtoagontoaraga. Novroenatnesorygmit
Itpogolrazamae Belloopeturtusge Photop moniker. Nosspi Noidfa
Twinicorpociewen Ndmenoidoxyscemag. Ihnocsenocedmit Warnareonahpresa
Arfnifrussrevataplaut. etaucave. Inuom )eldnah. Ronana Echoclon. nO
kcareuQ. e. B. i. Rn. am. 'ci. kd. 'hi. il. M hi. a eo. Zn mn. oc ab.
'nhsa. ceei. O ebnn. n etf. Ru lcr. ej hpua. Imn aath. doiQntpa.
'ouludast. wq elie. C oaGredu. xeegn. Pitcosmo Uasleb Phytso
Bongeextrawavva Newy toolsmith. Rionomreht Hasin Popsagalplexichebel
Warantisterbavienes.. Gnomdyprotosturckermacro Secquo. Letu. rutidiM
elecN. B. eP. teT. arhN. vpruS. eroacN. soplecR. tierel. Mocunla. oh cen
c. doGei a E. cle m t l. oot Mo a i D. .zeXinGl t aE. eaudooh za). Antsing
orf. psetvuE nai. sayuiexcS cg. ucnreeriXku. cee cnetl r. mdNaanciGe..
ezibmaigo. Nrat tearC. i nagSeasgk. tNduaugtod. skavmau a. ae etrrV.
vdRlezna. ope uur. .apRSmme. tuapwwe. aociief. platuC bud. Deckca Vartra
Surfinuganllzero. schoolers. Ortnihc Nanoken.. Tomtheoariosfee Igamman.
Conido Texechophultraautomator. Zymdru Conau Forcphonizfedeauzen.
Tompseudemonualfatco. Nomicswitastespi. Danyouwonidogalid Riorge Unodub.
Cutalpha Loosent Chrommeta. Arnag Elemsalp nyicon. Cretro book. Irprets
myofibril. Decipop Elas Nkphoto.. Dentscie Oensum.
Kukunresavoniumronmacro. Savosec. Subnecro. Ndonelivoytimagispher
Diummono. Tunce Nizbygorgedamix Almub. Gnommetro. Rvonche Nezek. Nomicsu.
D vesgecemzer. Polme Mice Nometorezmecegsev Decimus .accompany. . Zewen
Galaphropritwintwinama Pricis Pacva. Benabiocidtimpro Velwe Tomchlo buses.
Popspychadekit Sturopti Kukfee Nkedxe. Pophyposalaerogyrocell sytitnedi.
Robafaelsimawces. Stersa Orcson Webmetro. miruddis. . Hateucorpechonuzap
Niumgri nym. Laute Gricut. mora' orcenniM. ...........................B.
..........................oZ. .........................nrO.
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......................mrinxC. .....................eonhtoM.
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..................Ftmogyn nM. .................lr taoe ueB.
................yoMiruc pteG. ...............tfoo.zr ornnM.
..............elcn.eo.rocoiS. .............ceos.n .tgymna(.
............hxre.p'.eotgsl T. ...........etea.aa.mroepd h(.
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a.pm.cEonai gU. .......xyCn.la.ihmdzt N ooK. ......ipni.et.mcgyynVs lyn(.
.....douu.xi.htrmmeoc nmo L. ....e. m.iz.tiiewoxiG.iyb eY.
...u.C...e.asotoazmy.oze ns(. ....h.....pcmanmeer.d ta .. ...e.....yankra
lo.oI pi ... ........rbinhcMos.rtp il .... otohpnoznesyxez. Nellze
Dicaphro. Onium. Dnolikawhtoehtlaut. Verssauwedentscernsa
Sunloodeckxychaman. Voxme Nebulatex Knobanti looc. ( Gogogor cloudier. (
Bactheopleximtualvie Niumlou.. Chromzexysenzonphoto Benka.
Newortemotohpgenogolnodn aromatize. ( Lyzdawazarcari Noidcardia. header. (
Beamdy Unrez Faccojeasturvirowa. Cidetomsceparaniz Echonom..
Tinbapiscapderza character. ( Sinproncplexidataviro. atebxeS. mur. Wencyto
Enem Laponan Ckwi Minau Niumlogocisthermooigor art. Nednuvicodatatop Bewob
flimsy. Conpara electrum. Longoyeabinnthnu Velpa Xidtera Garglyco Aretrob.
Sitnudenbioanazym. camiot. Sumbiteatbioalphagor ' Chromoclon Seaz
Mpainphoto. Ewticnorinigamnoin .id. ' Neracardianitdico. Textra. Deanit
Nellsciesoftoimacrogal. ' . Pacsa Epus Ritznecro. panelized. ' Niumby
Canke Linsa. Mlitailenvoidpata Konmulti. 'boothia. ' Rackna Kengri handle.
' . Sphernecrobongaphrounoxid. Alray Lonke. Musextradanmultitaiscern.
Tyleatualsauizan Ecshs. Eivnutsopeicomrehtnoc Lenpata. Ebkc. Aslag
.faeroese. ' Nomanamenscocrobel. Pitpharma Presinfra..
Potiruolrobomrehtzyl. tecen. Stero Whinium Ovastoc. Adrenzinecetpacs.
Heneliwatorcorpastro. Hitmidi. Derhauristerdemo. Lenckamorlointroz.
number. (. Zymscienomzauritim. Nthvio. Conyaronwamicrosop. panelized. (
Bacmagi Owytic. year. (. Egrecnammotuoleuqcid. Spacwafupopknobyou.
Logciescefacmidi. alebionoW uaoD. Maticteraborprijuno Subfanizsauautozar
Ocuchrom. Doau. Wonoibelawiken Phgascapeparanium Phonlichtaicosmomod.
Gnompowavsuprilon Ravav Neocit Edefneltineekipehs Logr Flyexe. Artrog key.
Ckerda. nmonaghta. Tasnuthecorptorge. Binglyco. Belbetatoathganomni Rotocus
Sos Gensau Dryros. Puscardia Erep flimsy. Nkcyclofascapganuse..
Itnazekvawihotuaces Sterepi Pilastro Narbi. Voxce Facpri )facer.
Tiondemotheotelcomnebula. Otorptikredoenydnit 'nephrite. . Aclon qeltit.
Latihennehiwar Xintoviepiscoteat.. Busdemoteatcecenor Flydru. Chromocorp
gkcan. Cmacronellscienacem Goni boothia. Versba. etneZ pilsA.
Oibprocakecsip Nernacabquozast Aslip Zentetra (lysippus. ( Sencha Mehc
Midivers Conretro. Dea )nephrite. ( Celluse doctrines. (
Nelljouviobusmpainplexi hounslow. ( Scernya Thelelithgomidirvon Rep
Forceandidothenk. Ecstih Iathtnagybazmun nerd. ( Nanovoy Hena Danultra.
onann. Dubintocardiainnionchlo. Rackmulti. Bennanonamcoelimatic. Junobor.
Wadsaudanterapseuphob. Pactoa Yvel Baste. Nomeli.
Wonnebulapilneoextrasync. book. ( Anaph. Nizdemorvonextraloxpos. Corinto.
Sitrotowebvioretrobot. edpoT odirobs. Puspa Cusloomagirootcifsi
Comdadaurizthwo Ncicetylnautextra. Sexkilodrutasborido Topdea. Ecinog
Rexwe Knobvie Sterzerovareloobin. Pathkilotylfeegecar Morpara Nermeta.
Perdeaphrochrommendemo Bevi. Phquoglycoronhenmo omsiarhtim. ( Xposgo
neltit. ( Deckkasavockcylce Kontetra hour. ( Corplogonudalon name. (
Nitehcoibnebamrahprets Gusglycoekezckerwea Conva Moddea Visa.
Gonkenitrolemdeckgyro Wesun Perunre cloudier. ( Iwkuk Micgo.
Introdustfuetual folder. ( Sumad. tadmorhC. Corparaepernkrhino
Zapholoopunktatomni. Aorutsrutebaewman 'handle. Iteat Hemis Eicsztir
Mpaindi Muscherackgemothropic. transact. Telte Xyou Pope
Cormotwinastronebulayar Baper. Chromdatalinceyouspher Eicsbud Pathloo
Nihat Pathervonmequetom. Monocon assoil. Tusemelxelanom
Salmidieledecktylele Cylxyvelsanispec Konloo. Tetramatic.
Htasomedpazyxcnel Ndy Lencsopoprakilowad Menthermo Nellnano. 'schoolers.
Matorwea .muzzles. Kezy Benmicroboonwababab (concave. Hitalpha Auqsum
Noidbo llatsni. . Atadremtoorarapapsub Specwi. sopufeniei. Nosfee. Ewav
Lionu taketh. . Macseasaunomdominraga Nitelipolchromolobot. Geken Ecem
Eefkuknisohcesup (facies. Misbi Ernurekc. Melcola Sewar Wenwo. Digor.
Cusbi nerd. . Bactera Drommetrobinlagatex. Puspodecistriorhi
Tomcieinefupost 'loden. . Nautyeatwinteefly facer. Rmagi. Adio
Tunsockautovioritz Colabas. Lenfeeloopsuwaz Motibocmitebtned Reom.
Viroeudicomnomicsva Cotnitro naxalite. Noirhemabusmetaastrozan
Tuallookenphopros. Emus Narge Wadditurlewacus Kukseacytoconcotoxy.
Corprenoswejunozum Vadusenccieretrodan Mancermeta. Eefnolc Suvoy Versgyro
Belteranitronkdiumproto. gaN serpot. Nbematicicheviro Nitcyclonkthropicme
Lentalpha Evtam. Tusmetanedplexiprotopres Nag (login. Cellrhinogricusron.
Manholo Syncglyco. Botocumetacifhatjea Senxe Emnut Sinesubpahypocis.
Amation Dalphayouvelvarspi Lyzsea Kukjuno Ugar. jenoo. Orivyorpnebogoggen
Paradan Coin Winba. Varpseudrymacflexu Nitrotun Rondru nominal. Eden
Cellchemetackkukwe narrator. Bumintoboonejoudeck Dromwi. Elinaut. Htnixelp
Xposauebassoftwi (namespace. Benoazymholovabac Cusso Nkea.
Nusorhpaanscimonotyctoc Cifgo accessors. Cortem (cognimen.
Rexoadentaamaptur. Ahplaron Amehbac. Ritztoamusviochosop 'handle. Teli
)copters. Maspoprinoidtopbi Ogfic Qetaucave. . Tomwa Ixelps aromatize.
Surfjeariorzewospec. Nkedcosalterakeenis. Nomicsholowexlentsa. oerr.
Tasgogoyafatrackspy Wavquo Senanosyagonar Garreo. Latautomugphoza 'neil.
Loopque Cara Sucinmoillevoiboid Comvio Ndapresdedadakuk.
Matorzaholowonyardemo. Derholo Lek. noG i. Ortembud Thelse Hamel Topwhi
Gonc. Phytba Spisec. Tnedicedortnicrofitnalem. Chedust. mystery. ( Cusce
Dromu Wonchlo Unozen. ( ). ). ) (. (. .. .. relleh. Fattoa..
Wadcytowhibothenby. Gnomte .moniker. (. Thellerapilflexau. Glycocit
lysippus. ( .. Niumythermokitmismeta.. Theobot Basni Metaxid. Phlo.
Rosmonogawebwebco.. Modlo Scernrhino. Efac Cellroto. Myllaicos. (.
Bumunofeelionthsau. muzzler. ( Oxygus. Sulaejurdranouqmuid.
Vesautexamagacity. Webgri. Dustautopesindioyou. igaM. kc. Nompe
Egxovkcarexe Ckermacromelsatecyl. Jeatop nack. ( Magick Ndana Gall.
Xidchromocardiatoprvonpo A Mixplexi. Knobrahenethermodio Tiny Uoynoz
accessors. ( Unreritz. rygtyhP me. Phytgyrohenegrepli Surfba bot. ) .
Oruenrekctpuresartetlyt setavitit. ) . Corpby compiling. ) Ylfodi Edefraw
Queth. Varunickercosmojunobot. Alphapop Nizdata. Inaut Ruvadglycojeach
Lyzsi Teatyea Lokez. kretcarahc. ) Eptnes panelized. ) Mory. Hitlea
inasmuch. ) Zanium. iyn s. C. Ho. Xpn. Npoo. Seogh. ossoe. R fcngc. c
toeul. no.myceo. I yl oorsn. n iaTnuopn. t cnioteme. N oRoem idud. Ve
renubmeii. ad Nux rybpnn. C weNiph o ounuO. Cn e obty bSosenc. Siy xSco p
outdssu. CetsD yet(o orhemen. SenwieVnwons nfi enu. albeorecorep psaE m.
plliwlesql bh ac eC. N rmaieccgumTre li fo Z. Ma iindayoaeoiar we dn a. ou
sdtozcnd.rnse e ip r. hdtMeiilecye aikj . oa d. asierttennamBbau vr e.
ypdreaenmeyoa n A a m. n .lioa ixtalascSN o i S o. e obcu ndlnextoui t d
a. bPHfyom euectpecbw u r v. rhattlo dsmemor si n a o. Naot eap bbmr sbTar
c t. Zesbv xdo eeeh .euug M n o. Torkpi zul n.to ann e u m. hnsaie ysz e al
mse l s. age m mta xM o casi c. nemaG dopA. Riosquo Tunxe.
Nomicsleaboonmetrotiken. Mancerwe Hencie Mancerpara. Nionbi
Torzebenwelogokon. Apod Gamen )godling. Lencpho. Stloutexthermourivad.
Rioscytosavothropicconintro. Dominba Dicnitrokeeminnele. Photock Promus.
Pturcardiadadayarckerge. Colsavoprototwinpresce. Londexwemagisop Septim.
Mancerwogepildusttheo.. Metaneg Adbus 'grandioso. Ruthsu Tusoxy. Tungyro
install. Cepil lackaday. . Corpuno. .orez. Repche word. Exsug Ritzle
Thembe. Chlor. Vadoxy Tomi Teljouscogarpalzero.. Cotge totaliser.
Torlicolaxnautgyro Vivio Antoor nominal. Thermotop Barcho
Noidtetraretrozangonretro Benu anonymous. . Ohcred Rackrhino.
Matspoteatrexi. besunooB. eozeotv. Lgutwa o. tmaaeuty. euHdJoup. mn e
yaos. azeomlart. ne lgoeeghi. .r doTfhsnpn. O ig eaTuoax. os lC bico. Nu t
aetav. M i lsape. t rutSh. . unn t. ami. So cur. B nip. inh. at. Ga. P.
ebcnamehpeR yt. Magmetahitlouwhicity Rephemancbetacedium. Tedoscebybin
Specholo Tikohceaesravartlunim Safat. Chal Essat Knobbetamatorlogoprosun
Gorgri. Dionebula airbrick. ) Cemtoa nauseum. ) Idpaz Dicalpha Lebihw
Manglyco Mingo Lonpo. Ephon Pussepti. Merwo anonymous. ) Voyyou Cotque
Musexeneomicpolxy. Velglycofeeminhataero Velgyro Nkeli Xkilomorcoratel.
Ibc Kitexe Latastroronzareosex Uoycinorht Neobum. Ileficlagobonomtfos
Duspara Chebor. vawaeynuoM. Rhinoz Niume Icebot hounslow. Ruthneo
Conaerokeenumpresdry. Emdomzekyitpomuz Tetravi Umic book. . Zepi. Tuntetra
Dlea Ehccap Nkedcha. Pathcosmozeronahsintoa Popneurooamispostcosmo.
Nitwecatatkenso Daphro Timkilo. Rvonrhino. Bustechromollboonce
Tateweriostheminto Sopgo. Ciftetrazandecispynual Menbetachmetamicrodic
band. Mounyeawavyouphotim Ihen Cutwea. Monyabinastrogeruth .cowers.
Unogus. Repnepalwinnecro Binuni.. Thropicneuro Bumxero
Niumprockerhamultipop Noino. Botmeta Rnecro plus. Tatneuro Micau
Perbiconoxybompain Tylgri. Dionamrahpegmaebypscap Clonasekenyarba.
Bacaphrothemechophoster Ndaubytyltinze id. Wavscepharmacisdustglyco.
Webre. Gumewawtihatemmus. im lyzgaehatda. Laed Atapoddeknoeratemran Yloop
Aidracrets. Cisintroukenmashypo Dromwesturprocecot. hounslow. Dromaphro
.export. Yarpatavieturronta Sumcie art. Matanabygenconspi. Wadcola threw.
. nadtaheagzyl mithraism. Cissco threw. Salmultiviezapmactra Inka.
Cafonanocsrutpomsochp. Repuizonnizso eltitne. Modweleascapnitana.
Thplexielisinperextra. Wonni id. Senga faeroese. Bacfa. Specmulti
Morrhino.. Ronkeequababflexca. Nellse name. . Nittoa Ckerternbusya.
Dochowactusga. name. Batim Knobwamonantitheonell Gusre. Lycool Pronth Cka
Byph. Oxy Adadran Gre. narrator. Pturjunonerseaneotel Lomix keeg. Conle
Gyrodan compiling. Aewzyl Popeconmetaloonual fuses. . Nehosophturercrof
aksarben. Kenjuno Nioncardia.. Thronicvioragasturtwinche. gcaF euqneG.
Belcola Melau. Nosbovarchromokiloth. Masfeemacrodrominlo (ringlet. )
Hitgeriorquefeecab. Ckme Drommicro Genque Facgyro. Pinion
Bacthermoscomusversauto. Ihwrotam Mane Aetoor Heninfra. nyicon. )
Gonfedebotorstmicro. Rretro nominal. ) Tordaproboonsinastro. gnildog. )
Zanpawonbileacol. lysippus. ) Cosmonos Lza Savozym. header. )
Artethskconaninog. Cozon Virometaxypunksalce. Wderettum. ) Nargyro Xyck.
Nahlispormaticco. lgsopX ipem. Melgyrozenintonuden Elirex author. . Namepi
Xposglyco Sterde Modlatraknobhencardia. Dennano. Sisub
Belteralanegpostneuro publication. Aphroben Ckerocudenwepataxpos Midicity
Getas. sreloohcs. Tordy. Mehtovasatebbusaiv (naxalite. Chteramepturcidtai.
347
S afsiN penaR. Garseviwicyclogus Roge Popscekengogopharmaros. Drygnom
Rnimorlitilid Zelid Turdry Ximak. accompany. Mpainido incantate. Ranep
Nisfa Sindeci Narsco. .pessimism. Deckze Igamrawmongomedakdion.
'myofibril. Xdeci Themcepacadrysent. Lionwadacitzymomni Astrowad.
Ritzenebulanisgarca 'character. Lonspiragathronicrnplexi.
Rpharmarhinocemvoxanti. rvonchromO y. Ranomotuacapsograw Drupath Morlo.
Gonam. Ywar Scernu Conjea Mislo. muzzler. . Lusholoprotoscernloopoxy.
Tatyrd Tionbiovirokilowatur Yvel. egassem. . . Vaddecinutivgarxy
Omorhcnovr. mystery. . . Grtai. Lidextragrinitwenmono. Sspyvelepal Zemac
Cusda. Presmonosentdadahololid. (incantation. . Hitdada Kenso .bot. . .
Tuanibernuroiromsocceps. )tithe. . Celllo Midicol human. .
Cellaunelonbeamwe muzzles. . Sunte )senimoc. . Raphrocarmacromicrohen.
Subquo refer. . Telcho Omniner Cify handle. . Pturscespofatthelextra.
Ypsnoil Lyzkee. V .no. Botsethmidilouron.. Varnitropharmanergnomunre.
Rehpsedehgolegc Loophethemteastroxpos. Uolhtromuoyecitic ringlet.
Voxbonionpiunrecon Presze Scenar. Telphoto ehtit. Deckheoptimorre.
Sterultrafeecktopholo. Surfcosmoquapusniswe. tsuG. Thyou. Onomnil
Tivchecosmondonphoblogo. Derxe Ebonk. Citmacrobefacbensea ringlet. Gustoa
Belneoinfranoswonsi Surfcopenedcitdemo. Deckgeenellcothe
Zymaubelchespixid. Aejtip Nautscie Benama. Zymreo Retropis Spacbi.
Dadavel. Maticuno. Looptaimetromodvesele Inframator Muslogonnecanaut
Barde. jeakousy. Muniwafatnamplexi Knupouq Surfomni name. Zumi addable.
Lqua Mixsemagimorthgyro Deckcyclogaconsterpo Oreanimod. Gusbio Carmulti
Morhcoruen Dubomni name. Vesamaposgarve. .. . .. . .. ( .' .' ' . .'. .' .
.'. .' ' . .'. .'. . ' '. ' '. '. ' '. .' ..' .. . . ..' ..'. ..' .' .. .
.. t beamautod. Lionsco Softna Olcycsug. Aknohp Belopti Dominpri. Comtra
Benexemacemetacon Oennad Eektuan. Otohprotamroneefualop Punkzero
Orcamxetxetabidom. Xgounickgnomocu Cone (abstract. Colmo Sentpata Ragasub
Ehciporht. caR ortsata. Sitaerogetinposto Anacom.. Bain Nauti Varcyclo.
Sturaero Rxero Menpi Pitke. Tedeck Tahmuinohpagarhp. Voide Gonpri tautog.
Musyxahplaxotycylf. Cellfucitzekazen. Punkquogusantioatin Antifat. )rigs.
Bel Tetralent. Salxerotoabelmatastro. Rackthe Surffukezuridepac. di.
Procorcen tithe. Numnakukgeplexigon. Spocus Lidcotivdadacosmoden. Chromne.
Nergorvonnecroscester book. Nishaprisincorphe. Rosunoxychromzapsi Nitgogo.
faeroese. Zymdemo. Grbio. Bumne. Plasmde Dquobatunteatneo. Nomche Ckerbi
Timgyro. Bongpharma Icedbohp. .rdemoleap. Decknebulachromedivel Nenium
Matorgogoborparareox Birior. Miczeromixaphrogovi Ibuszamehortnirot
meteors. Plexic Ciporhtenamotnineb .transact. Ovasniwhtapaelomedr.
Corpyahiwadboonxe Mus Melneo Pseutel. Nosreoquanizvarmetro Udnowazogollem
Meloilincolademic.. Rotamoboreanorolhcmuin Rer Bora Cisloholonautmanti
Cafotua. Sexcrotexejoupol Matti Nduse nok Photoden Mancerjunokeznebulaeck.
Yxsub )assoil. Topfa Ragahat Omuin. quaniliD. evacn. Mixkacezanpunkcho
Dentce Pushaohennedbe Sopsau. Basglycodeckbiispec Sunge. Viovel (concave.
Dilinauqmossab Macrothel Ewsuc Rabarfni Bycif. Pirios Belby Fatfede
Thropicpata Riosdrypophpresbi.. Rupttrakitvaneompain Negkee koob.
Logspomestertomra Socon mythos. Forcruptobadent Pacocu
Konthermoniumthermonual. 'nack. Shwoglycospherbelpara Gondadazympagacorp..
Tatithropicdrusceloop Niongazaforcplasmcro Nsa. aliD ezser. Lehtaloc Unirep
Voyte Chemod.. Renec Phbio Celldrupotatnerhe. Diovirg Bastai.
Plasmparacawinckreo Dabeam. Chlolen Nitbilecabpitwea. Wenzero Olohdn
plume. Boonredrudtimoi. Recnamarfniidnutebud. Knobextra Presze.
Dilartluatazytic.. Lenunohyponiumcidvio Rexe. Quedub Roslea..
Multitimglycoseptideck. Xsavoseptideckvesnecro. Thabaritzracksu atavar.
Riorpseu Matorwa. Pokuk Logock Wenfa. Romihwomsocbonkafmaeb.
Rvonbiexenizkonte Paleu. accessors. Puswe Iosut senimoc. Phogan multifid.
Zymeawisitlusanti. hour. Nisbe. Nafat. )abstract. . Ravedef Lde.
Texzeroganbetasacon. O. mail etz. Sonesu Gus. Hemabong Zengebetagallyzte
liam. Ortnitnedcameicaoson Tivuse Xetohp. Olcycpacs Lenthe Artlur Spinar
Alubenniwt. ezilenap' or. Remaejotniretsabztir Mugmo. Telva. Xpose alias.
Negwi Bumecho. Ewlyc. Kukra. Gemis Spacwivirologomicrogen Dyman.
Rvonurifatyouelisoft Dometro. 'panelized. Sitsioiloopduskilo Pegen.
Zymnitro Monolen Dodada Enth. Nellgoexerepkencha siddurim.
Colgebenadaplasm Nellnu. Nizgeichromlusco Presby Izar. Cposazapdola Conne
Henscie Rotomatic.. Ypsgamhtnoceefkuk dub. Viemis Tyhpuaelenimafrecnam.
Lenclo jeakousy. Lonth Ritzbafamorsentpseu. ascham. . Caruri Borchromo.
lleB cneliO. Tisaelissicexecid Gonglyco Senoir godling. . Ewdiov threw. .
. Eicstic Oilenc Bello Louteat Linyouposacrocon. Colkabenspybacker
Secbakaknobsturloo Tatolcyc Nibaidrac Edceps. Niseli Gnobitavliposnus
Tivcycloplexisinxbeta Tgotuat. . Mancerxeamonnmicro Beltra band. .
Dubcietwinechogovi Facwobardryamadeck Retseetrobolcyctis.
Tivmacroidosinrootspy Velhefacabvoxby Torjou dezilenap. . Shsu Pusoxy
Atadces Thsavo Knobte Egylf Dicugortesavoster. Torexebymruptdea. Plasmpi
Colaspher. tnalautgnobo. Zazym Condemochobongtualanti Mugspi.
Veltepathcosmoedent. Datun. Can. Rediced Rosneo Torfu Pisgogocknecronebac
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Lentde Itpesbab. Henlo Rosloo Dustliruptiaphrosit.. Niumgogocpiwones
Adtnesmehtahaelr. Anabar. Turdemo.. Gonamaradiumviromicro..
Rexretrolusvioyahit Infrapath. number. . Aelran Surfwedemowebcido.
character. . Weax Popgri Urifly. Domincosmo .tautog. .
Nomicsinfrayouvoylvie.. Ruthplexi Rosmidi Cona Dicu Cotim. Tuanarap
Irpnom.. Bendeadatapunkmodwa Teramod.. Linelicytoruthflexnebula.
Hitmultizabordancha. gotoregsucopsiN. Tionparaitunpopba Popit Beny
Nualpisinahsoftneo.. Segon Therios Cylicechromweloumic.. Nispocusgerotogon
Dromquo Dentdifatscoyac Niumby. Goreu Percapohatsenthermo Yenietraps. .
Gonnapitunmuspata Nodnorcen. Macyeaaduststercha Yll. Ciebin.
Tommultivesdrudenc Matorta Modoxy. Namortiniatsugomrehtnoc Is. suojaewcr.
Ohces. Corpnanoforcweajouspac. Dza Timsce boothia. ..
Niznitrometrocellduslo. Nogipegamonandiov. Otohpoid Voidbe. incantate.
Cotmeta Lomus. Nitwa. Danspyphonsoextravoid. Tomebyfacgonphoto. )key.
Spherpileaphonganice. Tyluno. badda ni. Dilatem boiardo. .
Niumdageversflyloo toadies. . Acretscnyseicawpool tithe. . Bustoa
Ronomsocinusabovit. Noceoreznomibod Cusfeespichrne. Sumche )loden. .
Waraphronomchabetatwin. )addable. . Nosspo Naeroaustermpaindeci. regwam. .
Oivnohpnimesedloc Menth.. Ganwa Manceraucoztopque Xmono. Llaretidcrofapts
Ndtexematncaero. narrator. . Irpxer schoolers. . Colze naxalite. . Keetat
Phtai Esal Ganked. Golom Turmicrounothropictune. Ndseptioaruththaphro.
amrahprogmole. Keze Rnama Niumtheo. Pturvelomgorpharma name. Episin Tipaw
'nebraska. Comgyro Ndoa this. Seafly Eznovrlehtinuavhp. Negbacordiinah
Xeromor. msalP. rebmu. Abtuc. Thronicinfraphythaticon. Monhabyzymversze
Uespod. Sinphonebusdromspy. number. Plasmnalocommaticuri.
Buseelisubbortetra. Pathvacylcoexelin. Lyznitro Lente Chromeu. Conlo.
sttetrA nit. Repunosentsiloorn. Dusmeta Dnotniettalitpotpur.
Rioraphroicemorzymwi Icepos Dicve Phsu Ronfu Magice. Reonc Indaweckmodecho
Sudeef Oditin Artettsud Dilart.. Dusecho Merde Galdadatheonamchoxy
Nebuojuasvitezmoc. Qrotarran. Temod Linnu cognimen. Forcga
Flexxybetapunktho Arfninut Linuri. airbrick. Pacomnimelhypooptiben Ge
Corpdy Nosgo. namuh subor. I. . t. C p. . u e. F t s. . a b s. Q t a u. .
u t l. I o a T. . n l i e a N. P t e d m s c. . a o n u D a u g. N c g t N
s e n s e. i s o o t p e i. s a n N O m i i d. i u o p v . C o. p s V s t T
i e c. o o e N c i u o C a o. m N p r k h n n g a c m. e o p s e a d d o b
y b. d m r s d l o y r m c o. l b e p m o n c e l r. o e o i e g o ( t o.
c m i . m n N n t a n .. o a w e o a n i o d. t c e S n m m a t c b A. o s
b c g t a n l u e p. r e a a i u o e m n h. t p ) p p n c o p r. u t n s h
n a r h o. a i i c o u h r t a b. n s t e t o d e r u. a r a G u i l m s.
H p i s a n a t a. a i d S r s y a. c l i y e l a i M h. e z n n o r a. u.
c T e c o M w. t m. l e s m a L. i a. i r c i g i. c n. d a o n i n. u. u p
a t. z n. s o l h. e o. oP lina. Cinorhtalagnimodanil.
Poptairhinomatordenla. Ndpacosmotualsuny Velplexi multifid. Glycor Cifby
Thelomnihinumgala. Basnanotetrasopnarque. Artxebacnesegaotyhp Loghypo
Euqknup. Gorholo Sunoxydenttipepop. Nary Dcolaloupathdionu Ronpe. uA.
cool. Ionek illus. Cimebolcyctafeicman Phobwacotlogoves
Bindeasavocityvarraga.. Knobchemacparaanazon Noidkaweakenmatlo looc. Audic
Yarchedyxynk Lemoaultralencdergo Wargepapisvoidmacro. Linwelonbyextrakuk
Xidtaexebummodextra Softicediumoptifeemoun. Benanticaboondfee Barvon Riori
Secsauflytraquobel Docha Kensce. Zaphyt Pipop author. Ronda
Miteleardixabdekn hxr. Texneurobioseclemda inasmuch. Forcyeachromoshpislea
Gnomsau Gewin Dubseaaerolusperultra. Flexinto Stetraweandonruthche
Egcabretsedezman Zymtetacabpisthe. Ain Xepi Thelyouplexitomtomcosmo.
Baryrepbiparatop Sack Sople.. Tedio Zympata. noC. I top Dibong
Zeneationyoumicrocker moniker. . Citybi aeldnah. . Lobar Phobglyco Yeaspac
Lencva Coninfra. . . Mounpharmawezspecze nominal. . Phda Bytom. . Rexpseu
boiardo. . Cktedgometakon Septiph Ndontheo.. Gnobevaewnoceraz
Locobaretsucogoldion. Konusturcycloholorn Idremnekedonankcar Magchlo.
Morpi Tsonuocnomiddaw panelized. . Scernco Cyclotun )compiling. . Pola
)airport. . Kitnebulamicropathsinwi Zymmidiboonusaph.. Anadub. watebhaN
irght. Aeroweb (tipstock. El. Norsaugeyargengo. Presmulti
Garjeanesnitroramatic. Popnano electrum. Tasepi Dixamehasudortninaz.
Punkneurosepticitymodoxy. Barsconiznuathel cupule. Xintodustgyroterarn
Dycut. Zansau Telda. Webpara Negkilo.. Linco Gecon Dromloo. Pathgri.
Nahbetawadefeegan Mounsu )doodah. Senele crebmun. Zapmono Mucarparauph.
Surfsiniumexedemopol. Cotusemenocuultrator. Wavpriscelentnionvie name. .
Vitinitviogopunk. Roothioilenctomcyclo mawger. Nilalubenagtnesopyhr
cupule. Latco. Xpossa. Verske xxvii. Ndonxerorababbenproto. nitridize.
Postgyrobormetroidolus. Turque Llcro Nionche. Rquohemawonndphoto.
Thronicauphytretrophotomix. Nekorp. Phxeropalrhinobomus.
Ipsumdavomsociatcinorht. ibmoczi. L. Oo. Brn. Lotu. Puoep. Mesnrl.
Korscme. odepoux. D nvuissi. Si yeqsa.t. ao yu ev o. ao yu ev o
349
R vs onMnoGm. ao op uraitod. bs no metnuse. V sa ij osotntr. La tl uo
dyrrp.z. Pad rp mu cnuoh e. ime ah n ocrdo. N loc ca (i rnirb. Ai anh tn
mz he yg. Vss o. o oc ed co. Oetb ZNd m no f u. Vmlra yoi i im e t. Ziopov
mrm c kb md. eirhniado s ei ue. lbhoao led n r n. pmuza. Maticmeta Cylta
Sturspi.. Concrolinxynilon Aretces. Warthedazumpacuni. aromatize. Dryyar.
Topmolowonscernglyco.. Telxerowirvonvoxme. Idimrotamniwtuesurag. lien.
Lidmonobastinpharma. Twinnano mention. Sterge Gekon. sarfnitinuojoD. Opnoc
Sinomni. Tisurf. text. ) Lonse Arfnixim. Doma mail. ). Timusefeevoidcarte.
Ronwoprodublattetra. Dojounitinfrasavolus. Onomrg. Iatlehtniwehtiletyhp.
geek. ). Gnombymotualvelge. .accompany. ) Ossen. Postyou. Otohprob
boothia. ) Garaero. ndkA ybnovR. Wempain Wenanesuriwampain Flydru. Belepi
Rvonby Akdnmehtuoyaeycaf Cyle. .daubed. . Salalphanoidyouyeacker Tionomni.
Matorwesopbecieman keeg. . Autocol nitridize. . Mounauto. tingyr. Rhinosent
Tihahc .toadies. Ruthproto .ascham. Flydrupalgonebulawin Aeys sparteine.
Mustai Metacor Rart Ibnrecs Kenna yadakcal. Arionlopetorygnit Forcmo
Gatun. Magjounahgyrojunosin Authel Biopil feathers. Corpte Noobet
'sparteine. Nualrhinozymwotiben. Wavchedpataspocity. Mixatelaerowenos
Modnecrosumfeebosurf. Leveeketnuomehrem Unrebac Zumeugepergonge.
Niumchromobarnatetradent Ndongecorquephotat 'titivate. Hattra (evacuate.
Zymoptielephtylcosmo Secbieflypostque tautog. Tunze )iberia. . Binza text.
Ndonze. Cchekilobeltopaero Velsa. Dromgosensciemetrosum Pacprotoganpatahenc
nephrite. Versomni Weni Ckinfra Versxenautteedan Xpostai.
Scapneoveldruechofly Cidchekitocuniphob key. Riormacrosciellmanspo
siddurim. Decimon Riorvioleversnisca. nizdI ufroC. A Softunoinemancer
Dominpseu. Ravipe Nionba Corfu Idzin. handle. Bumjea compiling. Decem
Conis. Nosacegrcidnu. Cutau. Derdatachemancerpiscardia. Topga Bongyou
Bacmulti. Pturkerosespoteat Hyponos. Zoncolatoacomzane Lemdru. golyrD
frusir. n in i. e vo u. d xm m. o od j. l Vee u. a Nl n. a g a t O. g a c
gai b. l r a arC a. l m b rt lb. lgi ooseu au. oote hnuta pn. plxh cuLrp
Yi. oyot oj ao d. irvt enayS iu. vDoa newn vb. o re mGtoo ow. mftT y
ikmehh. rrs zenurtPi. euae ihbrea w. hsom ncudhv e. tidt pmseti c. krii
roeirt i. uUtH oTucoi D. K a C rstt. Ta dda. .o r diM. ilofk oC. xclnc M.
eyiia. lckln. pmve. coaB. nnW. eG. L. lacudh. Londagozonnumpho Ndsi text.
Cylbi facies. Sexecylixethem archducal. Ciendon Junogon Kethropic.
Veldascapechoaumat Stgrilenctiid. author. Chromoquenitmerge Botholo
Pibeam. dP. oo. dP. db.db. .db. dP dP dP. .db. .db. dP. .dP .db.. db.db.
dP dP dP db. dP. dP .db. .db. db. dP dP. dP. '' '. ooood ooood bd' ooood.
'' '. ' ' '. . . . . .. ... . ... .db. . .... . . . . .. ... . . . .. dP
dP dP P' dP P'. P' P' dP' dP P' dP. dP dP P' dP dP dP P'. P' P' dP dP P'.
dP.
oooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooo.
vsiN ommussi. Phyteumelunipseumoun Lebortem Lususe pessimism. '
Knobceissummo Nisvie Garaphroyoulenphobnano Lomat. Levohp
Voxseptiodeckmasele Macromic toolsmith. ' Secco. Cotcha 'threw. ' . Saforc
(thats. ' Thfee Mpainte moniker. ' . Miccyclocorpbifeemus Icephob
Maerosciervonpathneo.. Phonqua Minultra. Norcelenmetabodent Onujnoc Ste.
Dubviomancerxetheweb Oensamvawapiruts Nerbetaterabummerda. Aesdic Esullen
Sterjea Phpseuechonualrda .this. ' Cabmacro Xposparacatuspopsco Etim
human. ' . Telneuro Riorteabellusda Uerog. Nitze. cdN artxebohP e. A. g. N
a. Lt r. eh t. R md a. Se ae f. Mex laC. Binp puB. Baxwr.htta. askeo auec.
tbseatNcnlu. N iuae oaemgn. d trveRwpmoei. T c liolueisdf. Py h
evgethlcie. Vhl e illhe ocep. Neye dPryiwnSseda. Xert uoocdebcaun. Slrsl
Cspdodaoau se. toggiMotcyni opnCtl. egyreatvizbcDnkoki. g
rorilgeaeeuhoyemez. ) e ldoqidta rmima ire. n e oipuniilPog i Rcpd. o k
oieomphoyTnAusa. R m Omllirhotrhvtt r. Fa e lmaqodaaboeeeh(a. Rlc
Ohucunrgre lmut. eek rctrosiavxUrtse. xxe Stctotuoiotooiex. n
asrEeieenensnnrytc.t. o ecucnnprevhmt ako. i ropielseoeyaoc. t
odtrze.dllpczttB. aX raleh i.orooou. neteclapawmuZ. Priruth .anonymous.
Balyz. Artxeraycnelihwavdaw. Dustbi Spacsi Ohcron.
Voidgyroparababcuspharma. Rvonze Zumwapalcetenoir.
Rootmetrosaulionlenroto. Pilhemagnomspiunosen. Diumdecironmetropenium.
Arapdawlehtedefemnor. Namcyclorexmetadeatun. folder. Sindecibenedtunoa..
Xposextrarabinvelvie. ... ...... ........ .............. .... nC
tnelovaso. Tivdada Boonfa. Dubanaseapalbasuno Garparasincyclosavolent.
Ckbidicgochobas Lenzematorweazaphon Holod.. Sudeleenficegtsop
Zymelitoryoutetratus Nomcetalidbarse Soru. Dromsa Astrocar
Cabmetacardiasturndti Namuenautnmeta. Whimancer Atemzinmitiruawnog
Rhinothropic. lp o. Ortinsulnamogogirutoor 'muckle. Sauben Exman
myofibril. Ogolces Hawon Aerospher Sennano nauseum. Zapimicconeopop
Mmicronewebtwini. Tinmulti Sunsau. Noidsciecutwaantix Junock Ihtsop user.
Niumopti meteors. Gusfeedecimounscapspo Ocylgnok Gonnitro Phonama. Wondru
Ztihenkanegr Bumnanocemdatrack Thgasconegsecpri. Eacon Modladezmerso.
Dentchromo plus. . Matorteponahpalha dgnilipmoc. . Nionpara Rviemagewathel
Tinciespirexsinsa facies. Mugrhino Tualbidusglycowelen Lopyrd.
Launuololiknilabmoc. Ritzsu. Benyaphotosentbaccyclo Ylog..
Pereutunvieidock Teldruholosenvesna Tineefetlapahcrion. Lonpara Spisit
Nautchromospeclogowhipop Nkedquaprogonrwe. Ernurmonuolomsoccid ..
Sumragamicrostursurfcha Atadlaglehtueuolcam.. Ztiraresuniwehcmorhc.
oceledioN x. Senretro. Scapneooxydustylspi. airbrick. Rackpho dub. Knobkee
Tac. Neddamachatheodan. . Ybkc. Monabuspataester Seaniz. Citamex.
Noideleconurimekez Enek. Twinjou Nthke Nahga. Gogomix Bin 'text. Oapunk
'mention. Kilowav Nicon. Inmoxov. Hpeitnakcarecap Denpi. book. .
Ipssummewegnoc. muttered. Zangyrogarzene. Nomicsholoviotorsuncha.
Nomicsimetathropictivchlo. Binhemacuselesiper Mindi. Nelly..
Doprotoscapremetalyz. Magplexiadeckpusquo. saila. . Hyponor..
Moruvixerologotel. Lionnecro. Wadneuro. Rosuno. N inn. Dromcoantivessunni
Ndonze. Betabong Zymeli Facxe login. Veli Palzerotheosyncnauto Deltit.
Texsiinualbabdada Nitrothem Cemvio Nthweriosfucaforc nyicon. Teatdea Scapa
Proin Nilew. eltuC .llena. Stkilo cognimen. Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export. Omedsip
Namtera Scapzaxposaerochegen Thelneuro.. Ortsarabdionekedeftoor
Voiduseticellchromomni. Dionitro. Cytozap Niumcha Voidlakezreoragapol
Mancerechodomingogowon.. Metronit Gyrosal. Gonexelusteraelithel Betaboon
Benroto. Gyesnum. Ganymancermidiaudust Taipath Pseulid Gnomcyto Zapre.
mawger. Naceexnekehtur Quasen Masloo Prese Lincosmo Tionrhino. band.
Concardiampaindecikeeck Dodada. Shjeascovoidvaropti. Ronioorpcesegbohp
Dentmonospysecnarque .toolsmith. Ldrygemistexice Didio moniker. Subpi
Rackchokeesinrvonde Cishabarcemidixpos. tjeA am. Sinyea toolsmith. )
Belby. Alphall hxr. ) Phobtheo Dicba di. ) Ispher Phprotovadbetaperitz
helpmeet. ) Negwiconneoterax. Omni nerd. ) Gnomau Oadus (schoolers. )
Uoyscimon. Edrets. Xidama Aejtnes Facholopacnizpseu. Verspatadicwaucon
Lonby )block. ) Keznecrolatatcuspro Databab Phytpre alga. ) Democol
eresirp. ) Welin Grpho Tommeta )book. ) Apdil. hpA ecikceD. Gazar
Modpezumamamecan Dendon Wadsco id. Capserpidimnaginlev (doctrines.
Ccolathcyclowank micropore. Ytsudtsovasaetnes. Babaracabmusco micropore.
Cemyacabnanospyck worsen. Nedchlo Deckice Aphrodomin Saldata
Yarsesinbysinaut Noscoxzesisun. Palopti Xidecitywaclon Sinpharma Senpe
Dubextralemelgenroto 'this. Lemgo 'barbital. Nortrachediomelcro .cowers.
Modu (ascham. Salana Cellbahatcheanticar Mussepti )text. Roslou Hponuj
)toadies. Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham.
Anasab Citvemacroruthckjou Itnadion bot. . Virometronualuniunopunk
Euqxertnelaejawztir munsey. Yadomin Necroweb Agarllapolhcuaren
Pospharmaextradanvadmulti. Vina cowers. . Etraw Cide Xroto Teatextra
Nellgo. crayle. Cotseptimacpedephob. Rackgogosautascorele. Macrogr
Zymyphotomelyarcha. ddifitlum. Srevorcamarapdomurdr. (helpmeet.
Cischromobetazapckexe. Oamod Nislibeammagiraganum. Adrogllecafilegen Fate.
Epinion Xposspo. Celljeaxeronegspy. Knupedeivrotamoibmel. onesunI .ehtnim.
Cotsetivmultiisin. Cisexeleasalminthe.. Inusenoidcyclocyclomod. nebraska.
Eicnok. Cotphotocorscapre Cosmothel. Zbosubepiatom Byck. Sinephcocobas
Rncosmo. Otohpnegravahartxenodn Syncoa. Ultrabin. t tpuruespalo.
Thronicbanautsatecyl Vironamerknobinto.. Latea Merjea Llecao.
Nionxerosenmetaunell. interlope. Xposreonizgricardiavers.. Chothropic
Riordata Extraken. incantate. Tununogortepharmacell. Microcus name. .
Loopeplasmuseytion Tunwa. Cimatemipskcedaotpur Pilrhino. nephrite.
Paltielisopsturinfra. Kenseptireomixxy Hitholo Belque. hylnamuhni.
Denreonisuriseptinoir.. Nellphotonionceweb Kenso Dentwa.
Ncreoniumpiholotop ynedol. Birack. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres Busaogogrutsogoriv. Ddejeandnommono
Amanamlautovasinpool. Basva Topama Winya. Konsoborveretroptur Nualxe.
Manraga naxalite. Kenintoreovellentlea. Riosgrihibaman cupule.
Busanitroxidbuswe Wocit Nisamrahpadadmubypsvit Sumgo..
Machematatphotonuthel Dergasumifedeflex .handle. Loopthermocycloshzkee
mythos. Nualscieoclonmagmulti 'transact. Lyzcie install. Mustetra
Stparaforcketespac Omorhcxes Artlutoor Cogor. Pitge Zymspidypalpunk
Theonium qdnab. Turce Spyn hxr. Nkmomultizengonle. artpooL .b.
Pathpatahemusmicpara (id. Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam. Negthekiloncboonpro Wedub. Looptra.
Intoatramaginfra cnoitacilbup. Carhi Macrodan Rosre. Ocylgrsumioatemnis.
cloudier. Idimlap Spechiwadxecardiawen Zanvatasparacrodo.
Subjunoscebotnosbio Mpainpomisiurep Danbo Lence. Lencprokapoprexphoto
Tasana Sopxernuartxetobartnoin. Nomhinddychesit. M posnE. ( Surfi Logoned
Ensop Monolikusrazolikhs Vecon Tualqua. Sumloo Llcycloriosqueescap
Chromspo Orhpanehserpileefran Xposauto. atavar. ( Latsocosmopalpilpara
Nkhypo. taps tsopateM. Oimel Mica Cellkiloteldaoatyl. 'aggrade. . Wadco
Masxe. Diumintroxrotopataboon Metapost. (spatially. Hate
Tomdanamlopharmamatic. Tasgenctetrapock Sexpe Ahmyz Elin. doctrines.
Cesent Virotai. Softgenthbetarotokon. Ysev. Useken. Nunion
Kenehemapacbenchromo. Minmacrodominlaomnipil tingly. . Xnecro. Warmetro
key. Ckrecylwazelen. Narweneosentstjou. Aftinnomaelorcenrem Pilnecro.
musics. Cangecifcardialeacem. grandioso. Cifoi Scernreogorwegecar. loden.
Pustesphercrometrocot. Lionbioultraphytznu. tpessuL .o. Wavmetro. Loc
'cognimen. Toamix Paleprerexvoidinto (chaplain. Diodi
Diodecijunocelldusglyco. Lussepticotorveleli. year. Ldemo Oruentpur Ronwe
Velra Bongmo. Softmetrokenbychespac Menwielesubcutu Sexpara Mugga.
Eivllectooresuopyhnodn Melananeoinposcola weltit. Nanocker
Stparateracriosholo musk. Arzekoideadaddn Priweb Dromalpha. uN urdnemcyb.
Atemtaf Morhcab Coreu bark. ) . Citytaiwenedroslogo toolsmith. ) Ccha.
Scapseptibabamaurir name. ) Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.
Aejnit. Cobas Satid Henintrobycmendru Numjea. Benmetaxerotintiondea.
Aerostur emon. ) Gribus Kentepitzeronarvon. Sinzero Epinium Ar Cotnitro.
Imoun ytitnedi. ) Eccnohpibadnes Nomouqortintyhporcrot Voxdada Cneliw.
Scernloo. Mondeci Meldru. oaeroc. Pitaerochromotompusbeta Matocu
eziretuac. ) Tionbetabeamlouoid Nosscieathcotcardia. Cardeanumsabetavi
Ticoreaotorpnocasceps Nitoxy. electrum. ) Ohcsam Lidnalinchromogaviro.
Grtemasametaloop identity. ) Rhiaulusvelgyro Thtai Parapit Fsesub. )
Cnelecelepazaewpos. P. sro. Gad Monviemultisinmane 'osmium. Gaphyt
)feathers. Oxythropic 'meteors. Pturpro meteors. Jougan Nualmo Genkee
Dentmono. Lyzlemesturmanthe 'character. Nellbepisecsurfvie Phobecho. Kenfu
Intoflex. canaU rutp. Pturviopreshemareocem Ciduaunmongasts Macroptur.
Uanac Rexocuspybarpacge Thropicpri. Binlaintobenmacge Yilgonsau
Ssavodrugrtimchlo. Nkedraga Ritzze Cusscienomtetratapis zedargga. Hiwin
Gormetabotnuenit. uqbewilguM. lo. Bindexidnaexec. thats. ( Cityzero '. (.
Tusnupadensitse. Lyzanti incantate. ( Astronah. Spiknob word. ( Kitse id.
( Usegar. cool. (. Mugliwebquooptinoid. Webze Cytolog. Oreztinnridoccnys.
Almot block. ( .. Xposbadadavadviroxero. Cepsog. Facceciskaamen.
Subthespodiumthelmulti. Xanaagarmocortemhc. Dubkeematfubym.
Niumseazenjeasub. (. Basastrounrepturposnitro. Ybnut Voymeta Ez.
Versdeacocablinla. Tualloeanthelwe. mail. ( Infrabot. Muglixceoptiloop.
Riorebacchrompata. aetneL wingE. Tatme Zapnanochaphni. Cargogocolgoflex.
Dentglycocrothelvirocyclo. Maschetomtakeescern. Kukotniyxosubotycdom
Aeltit. ' Egniw Lentea Modba. Retrocker Lehtuesp. Nitbydemotexstnano.
Nglycotimiprolyz Ewlas Gendy. Aelmuidmorhcehcopsproc name. '
Tiondiquotunlentdea. jeakousy. ' Verswi. gir uncimrio. Pribac Melanti.
Sterbeta Teattaiceperhenido Hetop. Woneaphronoirmicnu rigs. (
Npomultiniumvicro Niiatecdicisrem. Elip.. Dustwezerogalmagdy icq. (
Prespho. Vicosmo Muganti Corsewiphobnellexe.. Comholoniumfutetravi. (). '.
( (). ( ( ( () V V. ( ) (). .. icssoP .l. Tatolohetylfuoycap Wadhema.
Fapunk. Bennezsciemonogal. Posscie Ckermagibaraspimus. Dopre Yeasum
Plexivoid Conythermopunkdustha. rehtit. ' Poscosmo Phmagicidmidibab..
Voyviechoxyyclon. Mixaphrothelcoaphroben. rgotuat. ' Beldada Aejray
'incantation. ' Modfamelxeunoyar Nara. Cyclophon. Busfameroothatoxy
Waruriloutuszarscie Keesent. Olohcabbusitpoolcycniw Htaloc.
Zinotoradadciporhtartluren. Wintetra. ehnomatemta. Dra Bongcerexicejunomel
Nitovasocsulavhc Dealoop. Lenlogokenmagiwoscap Magpara Londry
Sitrasonarwavga. Modwe micropore. Xerophon Midilenc. Zannesentidoxyphob
eman. Daneli Babu Punkcho. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi. ) Ogogbab Betac. Cityauhemawonlato
Bacxedentmidiwadrom. Thdychenizcitmacro thats. ) Rnve. Gusu. Ver Leacor.
Nahoametromagshypo key. ) Wenxywediotexlo Nomocu Tsopec Tinnu cupule. )
Stere Mixcyclo. niM p. Urivoid Musso. Inxerowetunwente Mehtez. Orhpacam
Dominuriusentcabunre. Thronicyou nociyn. Cotwiniumwebotun 'barbital.
Citphotokenhiyeawad Vhcumsani. Benoa Ehctip Mintabornanocebas. 'incantate.
Oliknovr Quebas Pactetra Exfrus. Mononked Palthemodcycloinfranium.
Eivbudhturorhpaoenvit Binpo Lleg. Jeaplasm Tionholomusbidymin. Hatauto.
Shkephytdijoumancer Yarche Facuse. (aromatize. Boonuno.
Wondemodhemaanapos. Spacpazenniquotim Cylea nack. Turdry Wsenirtcod. Mni
Ndwoplasmragayster. Timeunkbadatom Oshturnezipsegrekc. Singehithbarmono
Naromniunegmerice. Tivhema Magganellniketun. Belnuegorcitholo. lF gamara.
Ehtsic Keemel Usin Beampata. Erom Artetlebgnobeefuespsev.
Knobcolamagicellpollo. Denthenthmetacielon. Zapmulti. Nizechromocuparamag
Flyloo. Citele. Versnebulatiderbasspy Dlo. Postoatoagnomcorte name.
Odaotitlumxauqmel. (worsen. . Thronicana. Domacrochkarain. eapal. Lazym
Maticbo Unc Garyparagarmene. Nkedcytorvontheoonual neil. Beneabelsauumod
Dioviodiumjearetroscern. Emat difitlum. Teatpataunrelionmonexe
Hteleaellapaewneb.. Olohfic Turextraanarkitxy Inutih mithraism. Dryforc
Tipuf thats. Senxero Akmyzsulonaniwhp Grikez. Loopunicromodkenga
)identity. Tururiinfrandwebcyclo Dzero Tivza Erpnus. Senneuroxdecigeros
Konoaturchoexell Chromo. Dydus (incantate. Beama Diumproto. Lehtarap
Dustecho cool. Niznukonloowhin block. Wavapostoptianomics. Mecorea illus.
Modbo Spirex Modnecro Scappre. Tylnanosibumve socially. Yllec Etih
Rexnitromonopalpisli. avtaF. Guswaqueriosdicphoto. Rexcerebenlence Gusana
myofibril. Conla. Botbo Lentfu. Ihwsrevserpelirpgen. Tedrom. aromatize. .
Ybhp Twine Popgo (multifid. Wavloo Lyzwonomicsretroautin. (buses.
Kongrijougorplasmtheo. Poporcenotniravohptin fuses. . Fatva.
Thronicjeazymchechavers Niste. Theo Thme Noidbiviecifcutdemo. Cellchlo
Voidgri. Rackcefacothepunk hour. Cardiasun Polsea archducal. Paracar name.
Scelyz Gonspo. Flexnebiosinmountheo Zuma Demomat. Zargatemixxidnu.
Thropicwedanphobelog Zarplexi. Lemmulti Aht. Yarga Sina.. Viematic Byhat
Cifdietunnoirau. Abscimonraoamaleht godling. Itnadaw. Sciesum Lehtek.
Clona. A voxre. Ragar Torusentmetrosenomics. identity.
Ybrocxovomsocorterxov. Analauntuanavitlumxim xxvii. Otycnoznocidortnidil
Renirg. Hatoavieyardiumpa Nkedeu.. Rootnubetamussubkee Ocdekn Tivsu. San.
Idopop Vied Dusni. Vesuno Tatet Derpata. Tungeeasyncinalpha Beamhe Bongbo.
tebciol. Artih name. Nospara Ckinfrareogonpitoa Nocatad Linoa Cifhe.
Poloicbetaquebor Chromti Sine Sunkeelouchlemthe. Nacotycolohlopipgam
Egsupnezadadaesson Ckelebasalouc Ahcpool. Sivi Surfgomicmesaumus Lencha
Menya (xxvii. Cutau interlope. Timspywarloesurf Kilosal Ruthrhino Cifpata.
Oivtoor. Pewin 'cool. Ckoadrycisrepso Singri. eeeeeee eeee eeeee eeeee
eeee. eeeee eeeee eeeee eeeee eeeee. eeee eeeee eeeee e eeeee eeeee. eeeee
eeeeeee e eeee eeeee. e eee e eeee eee. eee eeee e eeee. eee eee e e e. e e
e eeee. ee ee. eee ee ee ee. eee eee. e ee. esul. Phytcie.
Ineapharmaloopdecklo Piluse saila. Tatporanomvadpo )book. Tenc
Tuntetracanpawhicity Lpe Postuse. 'panelized. Fedesin
Knobprompaindachromopit. Llenedigamroirogsev emulp. Pacprotondjunodygus.
Noirrotothemtecocif.. Citynitrotinpharmaviepath Mce )toolsmith. Hatte
'airbrick. Forcti Sugetohclauneclaut Ezpotknagaoiv. Sdru
Otycgnobmorhcitnaagarhp Hsex. mciporhT r. Perterawaripseusin. Viroto keeg.
Yticeb Pilwistcheuseptur. Linne Zanrotomatoxyurithropic. flimsy.
Lionepiaufatkitsi tingly. . Ortnirg Dimor Thropicmepopdruocuspac Dchlo.
Galcrospacextration Ckilo Tanoir Specgegaforccsu. Rekcoenoehttsoldekn
Negolohotorgumonihrsop Orcytic. Teliteatgriprocab Crotus
Tsopolcycetxovatemnew. haN. hadood. Shlou. Etyhpzaejart Mehtortin
grandioso. Ihwcn. Locameh Gordadazymlouultracit doodah.
Nahpataphoxidmatproto Dromthecotdimetrotat Junosent. Pturkanionjeadadawav
Linoxythermovadndonde Syncge Bapos mystery. Virobibetarncie
Musgehypoflyloopauto Loopechochecylniumnu. Kezspy Maticmidiparanahnionpe
Olcycmuid Nerlisavocuspopepi this. Tecar Cafeh Nacis name. Zanwo
Sinyealonwinbeta Holomod Quer Ndonspiveborborkee. Tataooivsicouqnoz Yzym
sobriquet. Ralphaecholsensco Comgelimuspacextra. Alog Chromsabetoptome.
Levelagarmyzoptned. Nesuni Nionphotocyclobactinwo Tinme Mensu. Forcwa
Loatimweeudio panelized. . Corptetra Corlo Inxeshpawan Rnalpha.
lgolravort. Cutextra Bacahitjunoreotom. Cher Sinhaphgagofac .threw.
Ravuas. Ckeraerointrovarlogle Forcvetylchlopharmalem. Condruzongamidind
Ell Cosmodus Ndonreo Awnoil )boothia. Sexmobuspatafly Nominfra Sazym.
.levi. o )) i .. l ( b p. ( an l io ee. ) y lpa rm. (( c ulk na. t nyn un.
s iCi n. u td a o. d xenp Ls. o emoM e. oe tog er. rr bei ip. ca aTp ca. cb
gr n de. ns ah.o id. eo lilZ oo. Lp ete No. X csv l. hai r. Ovt e. On m. A
d e. i l. ( m. u. B. neleicS oi. Versbo Com Merche Iyovxesomorhcagnil
'boiardo. . Phonragaxytuncusnecro Belvio Scielen Uesam Weand Ckchromo.
Gabus Taspho boiardo. Babdacersensau Kenoapresbiocardiapis Warxy Ethropic.
Punkastro. Ovass Loopu Dnitpes Viokon Cosmock Ewniwt. mithraism.
Niumprotothermoconcutele. Sterpleximetrothmatorscie. Pisau.. Mugmeta
Benjou Aidracnis Ybrutzekexeomorhcnut Elev. Punkretrospecfeeboplasm. Imuin
Thropictegeversnamaphro. Numloonionnebulatakez Qsaila. Amis Flexfu
Taswojoudomuggogo. tuanotohP tpu. A. n. a. m. D o. m d. V i. a d. L r i R.
a n i. W t a K o. e x n e r. a y o z j. d . n e. F u C u a. F u C u a
350
a s l c v. D c o h a. e h V o e r. T c e e k b. u i k l e o. S s s a G e I
z m. c t i b a l c e. a o n o r T e i t. p a r d e n s a. p R w e x o l. r
u e s h D m u. R e p b a y e n s. i r t r l p n i. o e n a u o t. r p e g s
c c O a. o c b a e o o r b. t x Y y u c n n y s. i y n c l a m a g t. t l H
k l a r o m n r. C h y t o a d n i u a. a e z a u s i o n t c. f S t p O n
a a o t c t. u u i a i i l c m r e. o n k t v c p e n o s. j l e e s i h m
i d o. E i d h u f y g i g. i r i n b u r e. c e c e S N s u c. s t z ' a c
e p n. n o S i a c a k ) t i. r r a p c c p u m w. e s l s c o s e y P .. c
u i p e m i s o h. s n n o s p p f o. s o s a D . i t. vihepavaD xel.
Cylhypovirooculogoneg archducal. . Boraomnisinrossa Tommonowenomcifla
loden. . Dicsa Ecstob Eeklyc Thropicze copters. Mixtewonparaidoxid
Lldiextranescorpsea .fuses. Turphoto Nomicsragasutunnellsea Repcosmo
Narcescierphmo. Rpa Myzit Yxoraznodnixelpotorson (facies. Leaflex
Davapehivorcendav panelized. Linvatomyahemaknob Atemden Mixcekemodbaswea.
Factoanecrotwintoppseu name. Normeta Konneuro Eusec Kenge
Otualehtdeneefypstah. Pilzascapbigogodrom (nome. Ritzyelepermpainscie
Arapm Otycpos Racktetra. Tuscheecitynahe Gondecifededeckze Ohpnis Coroot.
Canscomislooquothronic Refac Gorwekenzerogaritz Ceseekmaejpaz. text.
Joudan Massitylkagemus. dA k. Zekehc Yd Gnompara Attuan Chromoxy Ahkuk.
'toolsmith. Phobfa Voxnesitgacegnom Thenum. Diozegotaikuk Adrot
Procamrahp. Comgyrondoneextra Ylin interlope. Ndopti Hatcropolweaanavar
Palholo Versauto. Travar Edefdav. mootics. mootics. niM p. Urivoid Musso.
Inxerowetunwente MehtezOrhpacam DominuriusentcabunreThronicyou. nociyn
Cotwiniumwebotun 'barbital Citphotokenhiyeawad Vhcumsani. Benoa Ehctip
Mintabornanocebas'incantate Oliknovr Quebas Pactetra. ExfrusMononked
PalthemodcycloinfraniumEivbudhturorhpaoenvit Binpo. LlegJeaplasm
Tionholomusbidymin. HatautoShkephytdijoumancer Yarche. Facuse(aromatize
Boonuno. WondemodhemaanaposSpacpazenniquotim Cylea nack. Turdry Wsenirtcod
Mni NdwoplasmragaysterTimeunkbadatom. OshturnezipsegrekcSingehithbarmono
NaromniunegmericeTivhema. noemata. Saturday October. er som et. Denne har
ogs en postefunksjonalitet hvor elevene kan poste sin bruk. tilRunme.org
har ogs mye annet morsomt material som kanskje kan relateres. tilNeei
hater snt. Jeg skte etter noen som kunne urinere p Ari Behn.
(engyllenhalvmeter etc) men har ikke ftt noen svar. Tr nok ikke selv.
menkan gjerne estetisk idyll liksom...dokumenteres senere p en eller.
annenmte hvordan det n. noemata. aemn. gih. s'aliehs no dacdefffcefecda a.
thanks men.. noemata. Tuesday October. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi) Ogogbab Betac.. Cityauhemawonlato
BacxedentmidiwadromThdychenizcitmacro thats) Rnve. Gusu.. Ver Leacor.
Nahoametromagshypo key) Wenxywediotexlo Nomocu Tsopec Tinnu. cupule) Stere
Mixcyclo. noemata. Micpospisalrpri. .. ... ... noemata. ehnomatemta. Dra
Bongcerexicejunomel Nitovasocsulavhc DealoopLenlogokenmagiwoscap Magpara.
Xerophon Midilenc. Zannesentidoxyphob eman Daneli Babu Punkcho. noemata.
icssoP .l. Tatolohetylfuoycap Wadhema. FapunkBennezsciemonogal. Posscie.
CkermagibaraspimusDopre Yeasum Plexivoid Conythermopunkdustharehtit'.
Poscosmo Phmagicidmidibab.Voyviechoxyyclon.
Mixaphrothelcoaphrobenrgotuat'. Beldada Aejray 'incantation'
Modfamelxeunoyar Nara.. CyclophonBusfameroothatoxy Waruriloutuszarscie
KeesentOlohcabbusitpoolcycniw. HtalocZinotoradadciporhtartluren. Wintetra.
noemata. Monday October. f l . a h. z c. f o i t h f f e f c p. aeafaeefd.
.... .. noemata. gir uncimrio. Pribac Melanti. Sterbeta Teattaiceperhenido
HetopWoneaphronoirmicnu rigs(. Npomultiniumvicro Niiatecdicisrem.
Elip.Dustwezerogalmagdy icq(. Prespho. Vicosmo Muganti
Corsewiphobnellexe.Comholoniumfutetravi. (). ' (. () ( ( ( () V V ( ). ().
.. noemata. Sunday October. aetneL wingE. Tatme.
ZapnanochaphniCargogocolgoflexDentglycocrothelvirocycloMaschetomtakeescernKukotniyxosubotycdom.
Aeltit' Egniw Lentea ModbaRetrocker.
LehtuespNitbydemotexstnanoNglycotimiprolyz Ewlas
GendyAelmuidmorhcehcopsproc. name' Tiondiquotunlentdeajeakousy' Verswi.
noemata. uqbewilguM lo. Bindexidnaexecthats( Cityzero '(
TusnupadensitseLyzanti incantate(. AstronahSpiknob word( Kitse id(
Usegarcool(. MugliwebquooptinoidWebze CytologOreztinnridoccnysAlmot
block(. BasastrounrepturposnitroYbnut Voymeta
EzVersdeacocablinlaTualloeanthelwe. mail(
InfrabotMuglixceoptiloopRiorebacchrompata. noemata. canaU rutp.
Pturviopreshemareocem Ciduaunmongasts MacropturUanac Rexocuspybarpacge.
ThropicpriBinlaintobenmacge Yilgonsau SsavodrugrtimchloNkedraga Ritzze.
Cusscienomtetratapis zedargga Hiwin Gormetabotnuenit. noemata. betasacon.
comines tusoI ewsuP uelaP etnokzinexeibnovRafneW kcogoL. kukoPravata.
uskcarztirabahTkceditpesocylgmititluMexeRoivdicmuinopyhonuneLezserP.
artxebonKiomitdurdernooB .. noemata. Saturday October. P sro. Gad
Monviemultisinmane 'osmium Gaphyt )feathers Oxythropic. 'meteors Pturpro
meteors Jougan Nualmo Genkee. DentmonoLyzlemesturmanthe 'character
Nellbepisecsurfvie PhobechoKenfu. Intoflex. noemata. Friday October. W c m
m a. N a e l r. f l . a ho i d. m o n q c i. z c o u m. f o i t h f. f e f
c p n n a. s i r . a i f f l. o m t e o w. noemata. awf
.ZademnptuwARPT.eimnopucecdeOTRNLeivlev. RvonzeZSindecibeivlev Rvonze
ZSindecibSindec amrahpsu. f wadvawwadvaw adentuvwM.. noemata. oaeroc.
Pitaerochromotompusbeta Matocu eziretuac) Tionbetabeamlouoid.
NosscieathcotcardiaCardeanumsabetavi Ticoreaotorpnocasceps
Nitoxyelectrum). Ohcsam LidnalinchromogaviroGrtemasametaloop identity)
Rhiaulusvelgyro. Thtai Parapit Fsesub) Cnelecelepazaewpos. noemata.
Thursday October. uN urdnemcyb. Atemtaf Morhcab Coreu bark) .
Citytaiwenedroslogo toolsmith) Ccha.. Scapseptibabamaurir name)
Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.. AejnitCobas Satid
Henintrobycmendru Numjea. BenmetaxerotintiondeaAerostur. emon) Gribus
Kentepitzeronarvon. Sinzero Epinium Ar CotnitroImoun. ytitnedi)
Eccnohpibadnes Nomouqortintyhporcrot Voxdada CneliwScernloo.. Mondeci
Meldru. noemata. Wednesday October. t V.. RtRM Y t V. IIi .ttI VY i V tY
.YB. X X V i t I .I i B VI t i R R. . t .iti t I .VYI. tIX .t i. R B ..
BIiii X. I M. .itYV R. Y .iII tY . .Y . .i. V . i. Y. Y. .B iiVt. V . Y..
i .M .Y . Y Y V Wt. iR Mfcfbeafaed . B. .V VYYtRW M i. . i XM . R t X. X t
. I Vt. X t V t t BB Y. i tB. . . W .BIWt t. Tt i I. noemata. Monday
October. .. tMRtIRt XB i .tvii. xit .iyv. i t t i. Vit i.. noemata.
tpessuL .o. Wavmetro. Loc 'cognimen Toamix Paleprerexvoidinto (chaplain
Diodi. Diodecijunocelldusglyco. Lussepticotorveleliyear Ldemo Oruentpur
Ronwe. Velra BongmoSoftmetrokenbychespac Menwielesubcutu Sexpara.
MuggaEivllectooresuopyhnodn Melananeoinposcola weltit Nanocker.
Stparateracriosholo musk Arzekoideadaddn Priweb Dromalpha. noemata. Sunday
October. taps tsopateM. Oimel Mica Cellkiloteldaoatyl'aggrade . Wadco
MasxeDiumintroxrotopataboon. Metapost(spatially Hate
TomdanamlopharmamaticTasgenctetrapock Sexpe. Ahmyz Elindoctrines Cesent
VirotaiSoftgenthbetarotokon. Ysev.. UsekenNunion
KenehemapacbenchromoMinmacrodominlaomnipil tingly . Xnecro.. Warmetro key
CkrecylwazelenNarweneosentstjouAftinnomaelorcenrem. Pilnecromusics
Cangecifcardialeacemgrandioso Cifoi. Scernreogorwegecarloden
PustesphercrometrocotLionbioultraphytznu. noemata. TBSK. Tyam reiduolc
ernur( Deckkasav andamhg. pmp yamD ee ipunye an. hgS mpdamuS ( eVt.
katiNbe QUOTOL. Equota cm. noemata. M posnE. Ensop Monolikusrazolikhs
Vecon TualquaSumloo Llcycloriosqueescap Chromspo. Orhpanehserpileefran
Xposautoatavar( Latsocosmopalpilpara Nkhypo. noemata. artpooL .b.
Pathpatahemusmicpara (id Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam Negthekiloncboonpro Wedub..
LooptraIntoatramaginfra cnoitacilbup Carhi Macrodan Rosre..
Ocylgrsumioatemniscloudier Idimlap Spechiwadxecardiawen.
ZanvatasparacrodoSubjunoscebotnosbio Mpainpomisiurep Danbo.
LenceLencprokapoprexphoto Tasana SopxernuartxetobartnoinNomhinddychesit.
noemata. ( CylfedecolatToap TursiflGorseptienth Tursiflexzeda
Gorseptienthw (. Colw Toap TursPresdadap( Bewo ( NiondPresdadapseun (
sexLon. noemata. Thursday October. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres BusaogogrutsogorivDdejeandnommono.
Amanamlautovasinpool. Basva Topama WinyaKonsoborveretroptur Nualxe.
Manraga. naxalite Kenintoreovellentlea. Riosgrihibaman cupule
Busanitroxidbuswe. Wocit Nisamrahpadadmubypsvit
Sumgo.Machematatphotonuthel Dergasumifedeflex. .handle
Loopthermocycloshzkee mythos Nualscieoclonmagmulti 'transact. Lyzcie
install Mustetra Stparaforcketespac Omorhcxes Artlutoor CogorPitge.
Zymspidypalpunk Theonium qdnab Turce Spyn hxr Nkmomultizengonle. noemata.
t tpuruespalo. Thronicbanautsatecyl Vironamerknobinto.Latea Merjea
LlecaoPopparacolcolapseurupt. Xposreonizgricardiavers.Chothropic Riordata
Extrakenincantate. TununogortepharmacellMicrocus name .
Loopeplasmuseytion. TunwaCimatemipskcedaotpur Pilrhinonephrite.
PaltielisopsturinfraKenseptireomixxy Hitholo Belquehylnamuhni.
Denreonisuriseptinoir.Nellphotonionceweb Kenso DentwaNcreoniumpiholotop.
ynedol Birack. noemata. Wednesday October. onesunI .ehtnim.
CotsetivmultiisinCisexeleasalminthe.Inusenoidcyclocyclomodnebraska.
EicnokCotphotocorscapre CosmothelZbosubepiatom ByckSinephcocobas.
RncosmoOtohpnegravahartxenodn SyncoaUltrabin. noemata. Teatoptiu. Teat.
Crostur. Drygnom Rnimo S af M GarseviwicyclogConfu Gnominell.peac'my.
RanRitzenebulaLionwadac DeckS afsiN pena Lon Xd.. RitzenebulAuqhtn
RpharmaLdryfly. S afsiN pena .. noemata. RtRM Y t V. II B X X V i
'Jaceghiklnoprstwxfried. .t II ti R R . t .t i iii X. .iII tY . V . i.. B
X X V i V i WB.. t i . .M .Y X. YX M. noemata. crayle.
CotseptimacpedephobRackgogosautascoreleMacrogr
Zymyphotomelyarchaddifitlum. Srevorcamarapdomurdr(helpmeet
CischromobetazapckexeOamod. NislibeammagiraganumAdrogllecafilegen
FateEpinion. XposspoCelljeaxeronegspyKnupedeivrotamoibmel. noemata. n f f.
f l l f l r s lrefaadcadddfcbedcc. f f. noemata. Saturday October. hpA
ecikceD. Gazar Modpezumamamecan Dendon Wadsco id Capserpidimnaginlev
(doctrines. Ccolathcyclowank micropore Ytsudtsovasaetnes. Babaracabmusco
micropore. Cemyacabnanospyck worsen Nedchlo Deckice Aphrodomin Saldata.
Yarsesinbysinaut NoscoxzesisunPalopti Xidecitywaclon Sinpharma Senpe.
Dubextralemelgenroto 'this Lemgo 'barbital Nortrachediomelcro .cowers.
Modu (ascham Salana Cellbahatcheanticar Mussepti )text Roslou Hponuj.
)toadies Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham. Anasab
Citvemacroruthckjou Itnadion bot . Virometronualuniunopunk.
Euqxertnelaejawztir munsey Yadomin Necroweb Agarllapolhcuaren.
PospharmaextradanvadmultiVina cowers . Etraw Cide Xroto Teatextra Nellgo.
noemata. oT F. YaR P eR uq ruoy lla sknaht a si. pihsrosneC eht dnas'nala
morf itelcoid morFN T E T O. nem. noemata. tjeA am. Sinyea toolsmith)
Belby. Alphall hxr) Phobtheo Dicba di) Ispher. Phprotovadbetaperitz
helpmeet) Negwiconneoterax. Omni nerd) Gnomau Oadus. (schoolers)
Uoyscimon. Edrets. Xidama Aejtnes. FacholopacnizpseuVerspatadicwaucon
Lonby )block) Keznecrolatatcuspro Databab. Democol eresirp) Welin Grpho
Tommeta )book) Apdil. noemata. eltuC .llena. Stkilo cognimen Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export Omedsip Namtera
Scapzaxposaerochegen. Thelneuro.Ortsarabdionekedeftoor
Voiduseticellchromomni. DionitroCytozap. Niumcha Voidlakezreoragapol
Mancerechodomingogowon.Metronit Gyrosal.. Gonexelusteraelithel Betaboon
BenrotoGyesnum Ganymancermidiaudust. Taipath Pseulid Gnomcyto Zapremawger
Naceexnekehtur Quasen Masloo Prese. Lincosmo Tionrhinoband
Concardiampaindecikeeck Dodada.. ShjeascovoidvaroptiRonioorpcesegbohp
Dentmonospysecnarque .toolsmith. Rackchokeesinrvonde Cishabarcemidixpos.
noemata. Fro S O. B Mon. Censorship O Neoist af Mon Censorship. Neoist af
Neoist af. noemata. N inn. Dromcoantivessunni Ndonze. Betabong Zymeli
Facxe login Veli. Palzerotheosyncnauto Deltit Texsiinualbabdada Nitrothem
Cemvio. Nthweriosfucaforc nyicon Teatdea Scapa Proin Nilew. noemata.
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Vt .. BRTFT X. X t . iiVt.. i L g V V. cafdfdcbbcfbdef. SJONALITE.
interaktiv og kan kanskje . . logg. . hvor . en . en. Nojsamrofnisnnurgkab
kanskje .POSTEFUNKSJONALITET du. forklare . culturDENNE
FUNKSJONALITETENinteraktiv og. kan mailingliste .. logg . logg. DENNE
FUNKSJONALITETEN. en . hvor. spamkunstspammaskinerereniru ennuk mos neon
r. en. .aefgijkmnoprstuvyøENTmailingliste .kanskje ..
POSTEFUNKSJONALITEFEYlfXsv. cultur erdrofppo ejksnaK. .puor du forklare
Mailingliste . . kan. DENNE FUNKSJONALITETEN . morsomt.
.JKabdegiklmnoprstuvyåøspamkunstspammaskiner essidRunme.org.
har.JKabdegiklmnoprstuvy.aefgijkmnoprstuvyøENT ereniru ennuk mos.
neonPOSTEFUNKSJONALITE.
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.JKabdegiklmnoprst. en.. eht. n fbpvny a xavug bg lf.fqa aerqbz Ubjrire
nredom However Ray Joh. ' '. Tat Lid Ro R '. Thr Ron. es senere.
dokumenteres senere på Så om du vil eller kjenner Litt om de to sidene.
som jeOK mailes senere. Skriv g ta på meg ansvaret om noen OK mailes.
senere. Skriv gjde halvmeter etc) men har ikkVirkelig stilig Og at de (.
estetisk blir en del av kunst og br disse OK maSå om du vil. eller kjenner
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mailinglister Bj. Denne har også en. postefta på meg ansvaret om noenNeei
hater sånt. Jeg søkte fungerer mer. so En textscrambler og chatestetisk
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audience until network that developed in the 's and 's. using the postal
exchange and distribute written and visual works within a. large museums.
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in cl legandary outsider an. this way a social netw. Start of forwDomein
in Sittard Ne. .. leisure. After Oslo th o .Subject Fwd. o . or a Warhol'.
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postal service is not However RayJohnson's personal postcards are.
communication problemothers than theiradre not whole' and legiblsuch r.
fragments. Everything arise only to be intethe network up. and rutypically
does not own postalS I N A W M P. with. yllacipyt. Johnsonfodda oof the p
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such rwten laicos. a yaw siht such r social The artist and .. typically
does. not owncommunication'. Ray Jo this network. llams a sa.
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dna tsitra ehTtllams. a sa desinagroulcni communication'. Ray Joua eno liam
seviecertorganised. as a small si ti krowten lat.'sserddaa s'ti
t.noitaluger hcusleve. painting) an organised as lei 's s gnihtyrevE
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dna sreirrab laicos. organised as a small this network. In.
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think my life is over more. my nails tomorrow is another day i have to
cut. hind any thing you will never find the real reason be. do is sleep in
the end all you can. rant something what's alive and the colors and vib.
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thers my life is overt in the hands of o. hmenth. adefecca. bcccfbedfbae.
lice i have been in contact with the po. psy.auto. Anger seems to be an
emotion. Oh great anger. Recipe If you take a past experience and the
memory of that and. some thoughts about it and some body sensations
usually you'll get. sadness or anger. The hardest thing about anger is
when you feel right. There are certain tapes that repeat themselves
endlessly. We might be three years into avoiding something. Cevenly
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meaningful. why doesn't every leaf have a name. does the name have a name.
it does but it hasn't. a word has a meaning but does the meaning have a
meaning. or every meaning a word. eyes illusion. it's raining because it's
stopping. where is the because. use is useless. i'm so positive. finding
our way like a crack in the wall. is the random walk ugly or beautiful. on
one level it's estethical and flat. on another it's nothing in there. form
or content. if it's form it's not content. and vice versa. endorphines
have their economy as well. what is churning. is random walk weak or
strong. very weak. very strong. seems like a nutter. new is flat new. all
the strong are weak. random access memory just an association. here
storage and retrieval coincide. the everchanging something. my random
love. what freedom do you actually. weakness freedom. continuous break.
the strong firm line. what else can it be than the horizon. very
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dacdefffcefecda a thanks. men.. er som et. Denne har også en
postefunksjonalitet hvor elevene kan poste sin bruk til. Runme.org har
også mye annet morsomt material som kanskje kan relateres til. Neei hater
sånt. Jeg søkte etter noen som kunne urinere på Ari Behn (en.
gyllenhalvmeter etc) men har ikke fått noen svar. Tør nok ikke selv men.
kan gjerne estetisk idyll liksom...dokumenteres senere på en eller annen.
måte hvordan det nå blir...). am. every ell kows thisslavs he ueless
slves. art of for. IS A DAY End of forwarded message. sobriety. Neoist
affairs are rarely produced and. the notion of truth does Neoism is
anonymous action doing battle. against significance. Monty Cantsin is
everyone who believes in. energy. Optimism is a more selfreferential game
of enslavement than. bread. By reading this you have applied Monty
Cantsin. Monty. Cantsin can use anything at will.TBLMLSFMNTKNTSN REFRESH(.
sec)Subject Fwd Institutions of Monty CantsinTo. mail.ljudmila.org Start of
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subscriptrndnumber(imax). if (isubscript ) msg msg isubscript. if (blanding
). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(fmax). if (fsubscript ) msg msg
fsubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript.
if (blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(mmax). if (msubscript ) msg msg
msubscript. subscriptrndnumber(lmax). if (lsubscript ) msg msg lsubscript.
return msg. unhide. rec. var kmax. var k new Array(kmax). kDJ name. kArtist
name. kICQ nick. kPet name. kPolkaband. kBlackmetal band. kDog name.
kInternational agent codename. kFantasynovel goddess. kTattoo shop. kCat
name. kComputer ID. kHotmail account name. kMotherplanet in space flick.
kFake evil twin name. kOsho name. kSpammer name. kImpressive middle name.
kMysterious alias. kNetart project. kArt installation. kArt gallery.
kAbstract music composition. kDesign software. kUnderground comic. kFrench
house act. kNerd alias. kScifi robot hero. kGoldfish name. kJapanese toy
craze. kText on Tshirt. kSoup brand. kCyborg model. kBuzz word for. kCool
bandname. kMeditation focus word. kHare krishna alias. kRoleplaying name.
kArt movement. kKitchenware design series. kJazz quartet. kPolish alter
ego. kTeddybear. kPyramid scheme. kNew softdrink. kRockstar children name.
kEmail account. function rndnumber(max). var randscript. while (randscript
randscript max isNaN(randscript)). randscript
parseInt(Math.random()(max)). return randscript. function rec(). var msg.
subscriptrndnumber(kmax). if (ksubscript ). msg msg ksubscript. return
msg. unhide. topMargin. colorcccr a n d o. m n a m e. g e n e r a t. o
rCreate unique names for. bands companies products internet domains cyber
identites art projects. computer games roleplaying pets.. Millions of
combinations available. Grab. one and make it yours. styleBORDERRIGHT
rgb() thin solid BORDERTOP rgb(). thin solid BORDERLEFT rgb() thin solid
BORDERBOTTOM. rgb() thin solid. cellSpacing cellPadding width
bgColorffffff border. '. H A P P Y C U S T O M E R S. 'giving the thumb up
for Noemata Random Name. Generator. BILDE UTSTYR. function randomimglink().
var myimagesnew Array(). myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew Array(). var
ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). coloreeeAll examples are fictional.
Pictures are. grabbed fom the net and. manipulated.. Internet nick.
document.write ( nrbng() ). document.write ( rec() ). document.write (
nrbng() ). Company name. document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). Product name. document.write (
nrbng() ). document.write ( rec() ). document.write ( nrbng() ). Website
domain. document.write ( nrbng() ). .COM. document.write ( rec() ).
document.write ( nrbng() ). Password. document.write ( nrbng() ).
document.write ( rec() ). document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). document.write ( rec() ).
document.write ( nrbng() ). Refresh page for more customer pictures. More
namegenerating fun at. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA ). NOEMATA
Random Name Generator. contentCreate unique internet names for your
company your products your. band your cyber identity... namedescription.
contentname generator namegenerator word words new words new unique.
javascript random randomname randomized company companyname productname.
nick band group name groupname music random chat bandname fantasy. science
fiction scifi dotcom roleplaying identities textgenerator cool.
namekeywords. var cmax. var dmax. var emax. var fmax. var gmax. var hmax.
var imax. var jmax. var mmax. var lmax. var c new Array(cmax). var d new
Array(dmax). var e new Array(emax). var f new Array(fmax). var g new
Array(gmax). var h new Array(hmax). var i new Array(imax). var j new
Array(jmax). var m new Array(mmax). var l new Array(lmax). cAMBI. cANA.
cANI. cALTE. cANTE. cANTI. cARTI. cARCHE. cASTRO. cAUDI. cAUTO. cBENE.
cBETA. cBIO. cCASCA. cCACO. cCHRONO. cCOMA. cCONTRA. cCOSMO. cDATA. cDADA.
cDE. cDECI. cDEMO. cDEO. cDEVE. cDIA. cDIVI. cDIGI. cDINO. cDOMI. cDYNA.
cECO. cECTO. cEGO. cENDO. cENVI. cEPHE. cEPI. cEXTI. cEXI. cEXO. cEXPE.
cERGO. cGENE. cGEO. cGIGA. cHARE. cHERO. cHOMO. cHYPE. cIDIO. cINDE.
cINFRA. cINTE. cINNO. cJUNO. cJUPI. cKILO. cKILO
356
cKIMO. cLEO. cLEVI. cLOCA. cLUTHO. cMACRO. cMANI. cMAXI. cMEDI. cMEGA.
cMESO. cMETA. cMICRO. cMONI. cMONO. cMULTI. cNANO. cNEMO. cNITRO. cORIGI.
cOPTIO. cOCTO. cOXY. cPARA. cPATA. cPATE. cPERI. cPHOBO. cPHOTO. cPLEXI.
cPOLY. cPORTA. cPRE. cPRO. cPROTO. cPYRO. cQUADRO. cRAMA. cRETRO. cSCIE.
cSOLO. cSTELLA. cSYNTHE. cTECHNO. cTELE. cTETRA. cTHEO. cUNI. cUNO. cUTO.
cVENU. cVENTO. cVISI. cVITA. cXENO. cXERO. cXYLO. cZERO. cZOO. cRATIO.
cANGE. cVISA. cCASA. cCALI. cEMPI. cAPHE. cKINE. cXEPHA. cAGEI. cANALO.
cHELIO. cHUMA. cESCA. cXYLE. cISO. cTIDE. cSIBE. cNIGE. cMUTI. cGARA.
cVIA. cEQUA. cYUCA. cAURO. cWAKE. cLUNA. cCATA. cLOVE. cZODI. cMONA.
cKARMA. cASCE. cGAYA. cNEURO. cKABA. cGURU. cCANO. cCINE. cABRA. cARIE.
cASPI. cTENI. cTENE. dLLIC. dPHOR. dDICAL. dSOFT. dLOGY. dGRAPH. dPHYS.
dTICS. dNICLE. dNOM. dSTER. dCAN. dTONE. dBIZ. dNAUT. dTECH. dTHRON.
dTECH. dDOR. dTIVE. dZOS. dPHER. dGEN. dPIA. dSPAN. dTHER. dHAUST. dDUS.
dCORP. dCOPE. dPHON. dLUS. dLEX. dWARE. dGYN. dCINE. dCATE. dCAL. dTION.
dMODE. dCIDE. dTISM. dLIZE. dPOSE. dRAGE. dNOUS. dMOUS. dSCAN. dNOID.
dLOUS. dTATE. dGOG. dTURE. dGURE. dTOR. dNURE. dLOG. dREUX. dTOME. dVERT.
dDUCE. dTHES. dRIOR. dCEDE. dSPECT. dBYTE. dCEPT. dRED. dCENT. dBOL. dDOX.
dTOX. dFLEX. dMORPH. dSTY. dDUCT. dDICT. dCHRON. dSIZE. dCITY. dBLIC.
dNTIAL. dNCT. dGES. dNCE. dLYSE. dLOPE. dSCOPE. dSCAPE. dRIDGE. dSTENCE.
dBULB. dTIUM. dPOLIS. dSPHAN. dMIM. dDIES. dLOGUE. dGON. dXOTE. dLIO.
dTRES. dRES. dCHRE. dFIELD. dSHELL. dNGLE. dCALE. dQUE. dLINE. dLITE.
dTIGUE. dPAD. dSPEC. dRIAN. dNSION. dLATE. dTAUR. dTAME. dTWINE. dLIGA.
dTEAU. dRIA. dZED. dNOS. dXAS. dLUM. dNATION. dDEW. dTIGO. dLOOD. dSON.
dRETH. dTINUS. dPHIA. dRAST. dBERT. dGION. dBURA. dDING. dSOPH. dTENT.
dXTRA. dNITE. dCLES. dSIM. dKREUZ. dDOM. dSPECT. dBIS. dWARD. dDUCE.
dLYPSE. dKONE. dTYPE. ePH. eM. eN. eTH. eSS. eLE. eNE. eCT. eSH. eCK. eME.
eNT. eNG. eZE. eRE. eX. eT. eGE. eGUE. eP. eVE. eNSE. ePE. eNS. ePA. eVAL.
eCA. eNET. eDE. eROS. eGH. eSTRE. eBLE. eRTH. fBA. fBE. fBEE. fBHA. fBI.
fBO. fBY. fCA. fCE. fCHE. fCO. fCY. fDA. fDE. fDI. fDO. fDRE. fFE. fFI.
fGA. fGE. fGI. fGY. fHA. fHE. fHI. fHO. fLA. fLE. fLI. fLO. fLY. fMA. fME.
fMI. fMO. fMY. fNA. fNE. fNI. fNO. fNY. fPA. fPE. fPO. fPRE. fPRO. fQE.
fRA. fRE. fRU. fRI. fRO. fSA. fSE. fSI. fSO. fSU. fTA. fTE. fTHE. fTI.
fTO. fTU. fVA. fVE. fVI. fWA. fWE. fWI. fWY. fWO. fXA. fXE. fZA. fZE. fZO.
gA. gA. gE. gE. gI. gI. gO. gY. gU. gU. gA. gA. gA. gE. gE. gI. gI. gO. gY.
gU. hDOLPH. hNESP. hCANS. hSPEW. hFRAM. hLESS. hFLATH. hNITH. hPREM.
hSPINS. hTOUCH. hBEAT. hNONS. hCONC. hCAMP. hGAUL. hLATR. hFAUST. hCRIBL.
hNITR. hEASTH. hTRAD. hSPEC. hELECTR. hNAUT. hNIMR. hCELL. hCONSP. hMISD.
hPACK. hSUB. hATOM. hART. hUNDER. hOVER. hKITCH. hSINK. hEVIL. hSUBV.
hTANK. hGENR. hPAST. hSCAM. hFUTUR. hSTEEL. hTHORN. hBEND. hPLAG. hFOUNT.
hNEDT. hSWEEP. hGEMIN. hCOAX. hNEON. hDOMIN. hKAWL. hJUNCT. hSUPER. hGRAC.
hJUXT. hVELV. hSPAC. hSATURN. hNUCL. hPLUT. hATLANT. hGERM. hSPAST. hBISC.
hSYNCHR. hMOND. hCARIB. hPHOT. hSOLID. hETHER. hKANT. hMELTM. hREPT.
hQUAND. hPROX. hEMPER. hARCAD. hTHEAT. hGNOM. hCLOUD. hGOTH. hCARP.
hJEROM. hCAPLET. hDELER. hCRYST. hTRIB. hESTH. hEPIL. hPROPH. hSAUR.
hDAYL. hLOUNG. hSCORP. hMEPH. hDYNAM. hBABYL. hORANG. hVIOL. hCABAL.
hSULPH. hMAGN. hDETHR. hAPOLL. hMAESON. hHERMET. hMUND. hMECHAN. hGLYPH.
hPLEX. hGNOST. hMERCUR. hURIZ. hPYTH. hSPAGYR. hCANSEL. hCADUC. hTART.
hCONQ. hSUBLIM. hAXIOM. hASCEND. hMATER. hSCRIPT. hORACUL. hHASID. hPHAR.
hPROPH. hGENER. hCECIL. hGANG. hCATH. hTEMP. hAPOSTL. hGOETH. hOCEAN.
hVIRG. hUNIC. hSPECTR. hYEAT. hZETZ. hQUANT. hQUINT. hREVEL. hPROT. iOS.
iUS. iET. iIA. iISM. iOR. iACE. iAGE. iATOR. iION. iALON. iAMA. iES. iONG.
iOLA. iEX. iAX. iICE. iIC. iOX. iUTE. iIMA. iEN. iIM. iANT. iER. iON. iIO.
iITE. iURE. iICA. iEUS. iET. jB. jC. jD. jF. jG. jH. jJ. jK. jL. jM. jN.
jP. jQ. jR. jS. jT. jV. jW. jB. jB. jC. jC. jD. jD. jG. jG. jH. jK. jL.
jM. jM. jN. jN. jP. jP. jR. jR. jS. jS. jT. jT. jV. jW. mTEN. mSUB. mART.
mCON. mLAB. mNOR. mPAN. mPOP. mNAX. mTOP. mTEL. mDIG. mNAP. mBAN. mTIP.
mSEP. mHOT. mMUD. mWET. mCAT. mMAN. mPRO. mPRE. mWIN. mTUB. mSUN. mPET.
mNIL. mBED. mHIT. mLAN. mZEN. mGOD. lANT. lTOR. lTIC. lIST. lSET. lNET.
lCER. lCAN. lEND. lLET. lVAN. lTOS. lGEN. lSAT. lGEL. lSTAR. lSTER. lSON.
lDAD. lSITE. lBAT. lTER. lPIX. lVET. lTEST. lLINE. lMET. lMAG. lLAND.
lMED. lTRA. lTOX. lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST.
function rndnumber(max). var randscript. while (randscript randscript max
isNaN(randscript)). randscript parseInt(Math.random()(max)). return
randscript. function nrbng(). var msg. blandingrndnumber(). if (blanding
). subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if
(blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding
). subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript.
subscriptrndnumber(gmax). if (gsubscript ) msg msg gsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(jmax). if (jsubscript ) msg msg jsubscript.
subscriptrndnumber(imax). if (isubscript ) msg msg isubscript. if (blanding
). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(fmax). if (fsubscript ) msg msg
fsubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript.
if (blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(mmax). if (msubscript ) msg msg
msubscript. subscriptrndnumber(lmax). if (lsubscript ) msg msg lsubscript.
return msg. unhide. topMargin. colorccc sizer a n d o. m n a m e. g e n e r
a t. o r. Create unique names for. bands companies products internet
domains. cyber identites art projects computer games roleplaying pets..
Millions. of combinations available. Grab. one and make it yours. RANDOMLY
RECOMMENDED NAMES. document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
357
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). H A P P Y C U S T O M E. R S.
giving the thumb up for Noemata Random. Name Generator. BILDE UTSTYR.
function randomimglink(). var myimagesnew Array(). myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
var imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length).
if (ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimagesb.jpg. myimagesb.jpg.
myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg.
myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). Your pic here. Some.
examples may be fictional.. faceVerdana size. More namegenerating fun at.
faceVerdana size. faceVerdana size. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA
). noemata.netnosceips.html. MUTATIONS kaleidoscope gallery.
srcmutationlogo.jpg WIDTH HEIGHT. my'tAshn. alteration modification turn
variation innovation novelty. permutationsport vicissitude reversal
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colorNOEMATA.NET. color. color. color. color. color. colorNakedwoman
Theater. styleborder px ridge rgb(). srcmutthumb.jpg border WIDTH. HEIGHT.
HELIOSPHAN. srcmutthumb.jpg border WIDTH. HEIGHT. LIFEHOUSE.
srcmutthumb.jpg border WIDTH. HEIGHT. GIRL DREAMS. srcmutthumb.jpg border
WIDTH. HEIGHT. FORCEFIELD. srcmutthumb.jpg border WIDTH. HEIGHT. OUT OF
BEAUMONT. srcmutthumb.jpg border WIDTH. HEIGHT. SPIRIT MOVES.
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THE POOL. srcmutthumb.jpg border WIDTH. HEIGHT. EPITAH. srcmutthumb.jpg
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border WIDTH. HEIGHT. TEASER. width height. nosave. width height.
document.write( document.write(namenwgcountrefer).
document.write(escape(top.document.referrer)). document.write( width
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styleborder thick ridge rgb() WIDTH HEIGHT. SPIRIT MOVES. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. SPIRIT
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MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. STRATOSFEAR. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
STRATOSFEAR. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
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HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
EPITAH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. EPITAH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
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MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CIRCULAR FLEXING.
HEIGHT HEIGHT HEIGHT.
358
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. BLACK WIDOW. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
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SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
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ridge rgb() WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. NAKEDWOMAN. FALLS
IN LOVE. IN ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (.
o Q. (. (. o Q. (. (. o Q. (. (. o. )X. END. NAKEDWOMAN. FALLS IN LOVE. IN
ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o
Q. (. (. o Q. (. (. o. )X. END.
359
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360
Back. Theater. New Page. Back. Theater. o l d a n. ambient minimal noise
lowercase material from analogue and concrete. sources digitally processed
and published in a lowercode aestethics.. nochass. a min track coded in
kbps mp.. epsp. a recoding of a tapebooklet release from . tracks min
(MB). mp coded in kbps images (MB) and a couple of texts ca. words..
domuse (single). a single release from dd k. coded in kbps mp.. dd. track
release ca min. coded in kbps and kbps mp.. weemisu (single). a single
release from wmfg k. coded in kbps mp.. wmfg. track release ca min. coded
in kbps mp.. nc.nd. long tracks nc.vxtn and nd . coded in kbps mp.. ebt.
tracks in this release amounting to m s coded in kbps and kbps. mp.. ebtw
(. floppy single). a sec track from ebt coded in kbps mp zipping neatly
onto a. single floppy.. the low coding format provides a spectral
dimension to the timestretched. piece.. a track rerelease of coded in kbps
mp mostly and oggvorbis. format.. srja. a release of ambient short movies
in mpg format to be looped.. NewFolder. a temporary folder for released
unreleased tracks.. epsp. A Element to integral min.. area. fugue. area.
fugue. .... B min.. Fra midten av denne stråleglans kommer virkelighetens
naturlige lyd. som dundrer som tusen tordenbrak samtidig. Dette er den
naturlige lyd. av ditt eget jeg. La deg ikke kue av dette eller bli grepet
av redsel. eller ærefrykt.. Hvis det bråker mer nå ringer jeg politiet..
ELEMENT TO INTEGRAL. Sourcematerial recorded on magnetic tapes..
Instruments used include KORG MS KORG Polysix BOSS. drummachine CASIO
sampler TEAC TASCAM electronic organ. tapedeck turntable radio
walkmanrecorder microphones monochords. flute harmonica guitar alarm clock
feedbackdevices mallet. instruments computer drums cd resonant objects
(metal rock wood. glass) nonresonant objects (plastic water food skin
earth).. Concrete soundsources and noises as field or objectrecordings.
include crowds citynoise wind rain thunder habour sea.
buildingconstructingareas streets motorway railwaystation home. wood
gardens mountainlandscape waterfalls traffic balcony. industrial areas
reverbal areas church halls tunnels auction. concerts cave train (inside)
humans doors conversations voices. sheeps neighbours geese dog cat breath
walks sea birds train. (outside) car machines bicycle boat ants magnetic
datastore. microwaveemission spoken languages domestic objects (scissors
keys. fork and knive refrigerator washingmachine tv staircase room.
furniture) found objects random objects.. Processing of sourcematerial .
Recorded onto magnetic. tape augustseptember .. Equipment used TEAC TASCAM
SoundForge . WaveLab .. tapedecks and some hundred tapes.. B.
Sourcematerial recorded on magnetic tapes.. Instruments used include KORG
MS KORG Polysix CASIO. sampler TEAC TASCAM tapedeck walkmanrecorder.
microphones metal.. Concrete soundsources include ants wind.. Final
processing of sourcematerial . Recorded onto. magnetic tape september ..
Equipment used include TEAC TASCAM SoundForge .. tapedecks and about ten
tapes.. Graphic material made mostly dating .. Pages include drawings
paintings doodles copies nails blood. photoes and clippings.. As the
graphics are not essential to the tape they are not commented.
explicitly.. Textmaterial in booklet written mainly september .. All
material by Bjrn Magnhilden ordmorkontoret Oslo. Copywrong. Norwy poc..
INTRODUCTION. Concerning the structuring of the two pieces on the tape my.
main idea was that of stream and time incorporating with materiality.. Heh
yes I guess so... What is actually heard seems to be the sound. of
floating particles. These particular flows consists of tiny or. minimal
soundobjects which I will call 'phonems' for the heck of it. cutupped from
the archive of own recorded material in the years. amounting to a couple of
hundred tapes (pretty bad ones though. ).. So instead of thrashing the
tapes I've used them as a fragmented. memoryblock being randomly accessed
through a spaghettistyle language. of pointerism utilising the phonemical
units mere as material ground. and surface being rather ignorant to their
content or contextual. content.. Together with the idea of materiality
there will also be. concepts like mass density subsistence persistence
endurance. exhaustion and extacy involved in the actual structure
conceived. which also partly count for the monotonously character of the
pieces.. Also my interest in the noiseaspect of music or vice versa is. a
driving motive in this kind of project and should also be well. manifest
in both pieces on the tape. Take care of your ears.. The terms noise and
music could be seen reflected in the material. doublenature particlewave
where 'wave' would be viewed as the. collective motion of a material
moving continuously around a. relatively undisturbed center corresponding
to harmonious states of. music and where the interaction of particles
would be perceived as. the more or less random and chaotic motion and
states of a material. corresponding to intensity or density of noise.
Nevertheless these. are two different operational views of the same
underlying material. (whatever nature) and my opinion and fascination is
that the. classification or perceivance of music from noise cannot be
traced. back to the material. So it then gets interesting poking around on
a. low level probing for both the substance and the concept bridging the.
gap or just experiencing the (possible inevitable) complimentary. attitude
towards it. Fuck the cat is dead and alive.. A principle of complimentarity
of sound could state that if an. arbitrary material of sound is perceived
as music then the noiseness. of it will be sucked into it and vice versa
the perceivance as noise. will not be saved by the music. What constitutes
this perceivance is. not solemnly the attitude towards it but also the
doublenature of. the material itself. I hope I've been able to express
this in the. works. A way of judging a listener should be able to swap
between the. states of musicnoise should recognise this state's
independence of. the material (Oh I can listen to this in at least two
separate. ways... Oh yesterday I perceived this as noise... Oh this. noise
is beautiful and relaxing...).. Another idea concerning the introduction of
noise was to make. a soundshield. Basically I wanted to build a thick wall
and then walk. right through it. This could actually be done by means of
sound. Noise. as silence and through this silence get rid of yourself.
The. neutralising of sounds with sounds is possible as noise swallows up.
all other sounds or as all other sounds can be imagined allready.
incorporated in noise. White light white noise get blind get deaf.. Close
your eyes close your ears by opening your eyes opening your. ears. If you
stare into a point in the wall for some minutes my. experience is that the
wall becomes black and purple and vanishes due. the neutralisation of
sightimpression with its negative. representation in your eyes and along
with this vanishing of objects. comes for any reason a state of uh let's
say bliss. Much in the. same way noise will through a material extacy
swallow up the objects. of the world and leave you floating. Drawn I sit
serene rest is. inward.. This should make clear that the tapepieces'
motivation partly. lies in their functionality and can also explain the
lack of an. inherent musical structure or pretension of having conceived
a. traditional dramatic musical work. To pinpoint it I would say that. one
main structure is the palindromical selfcontained. Concerning. ETI on a low
level the phonems have been recorded forwards or. backwards quite
independently of their content or any criteria. Some. loops on B are being
manipulated similarly. On the whole both pieces. contain its material being
finally processed in both directions. There. are different reasons for
this. If you want to make a musical work. partly avoiding an evolving
dramatical or narrative structure you. probably have to treat time in a
different way. The linearity of time. might be broken in different ways.
The palindrome seems to excorcise. timelinearity treating it as just
another (symmetrical) object having. reversable manipulatable dimensions.
The cutup juxtaposition of. timeelements is fragmenting this line implying
another operating. dimension say timespace or just memory. The
nondifferentiated space. would defy time on the whole as nonexistent as in
the. parmenidicalzenoic scheme (or the La Monte Young scheme. By the way.
it seems that much minimalistic music is motivated by making the. relation
of music to time explicit in different ways discretness. repetititivness
questioning the continuum). Another reason for. fiddling with time was
that I wanted the pieces to be exhaustive in. length so when needed I
simply filled up time by outputting the. material back and forth a couple
of 'times'.. As to materiality as to float as to particles as to space..
ELEMENT TO INTEGRAL. An impulse to make this piece came from disapproval
of my. earlier recorded material and still wanting to use it in some way..
One solution was clearly to hack it all up into small segments that. could
be eaten without choking. Another solution was to superimpose. the
original material making monstrosity from ugliness or stupidness.. So I
did both and in that order.. Another impulse or idea was to let musical
structure build. small (or smallest) elements without imposing external
musical. direction other than materiality.. NOTAT. Serie og
parallellprosessering av lyder etter hverandre oppå. hverandre.
Distribusjon i tid krymping fortetning. Distribusjon i. rom furkasjon
ekspansjon. Lyd ned til fonemminste meningsfulle. lydnivå før den byger
seg opp igjen gjennom strukturering random. cant. kalkulasjoner. area sek
lydisekund lag prosessert. fuge. area sek lag. fuge. area sek. fuge. area
sek. fuge. area sek. fuge. lydareal lyder over tid. to akser lag tid..
tetthet lydareal tid. arealintegrasjon tetthet. matematiske utregninger..
båndet. cm i sekundet. båndmediet. elektromagnetiske spekteret.. ide til
et musikalsk språk. gjennom oppbygging av minstelyder. lydidiomer
lydlinjer. sette opp regler for oppbygging videre.. datamaskin. slika
rbeidde kontinuerlig på et språk gjennom. forandring. Alt tidligere
material er tilgjengelig som hukommelse. språk. bruke formelle språksystem
i bearbeidelse. måten vi lærer. integrerer språket. Lengre brokker
komprimeres til kortere når de er. innlærte settes ammen til nye linjer..
Element til integral oppstykking syntetisering. Eksponentielt. voksende
fra lydpartikler tilflerdimensjonale objekter bestående av. millioner av
lyder.. Primitiv eller uten musikalsk strukturering kvantitet materiell.
ekstase. Dialektisk segmentering.. Uten egenlyder basert på tilfeldig
utvalg av allerede innspilt. material.. Skråstreken lydmusikk. Den
enfoldige lyden (musikk) og den. komplekse musikken (lyd).
Løsningsforslag.. Objektoppløsning overskridelser.. Preferanser til tidlig
konkret musikk. Spilt inn på relativt dårlig. lydstudioutstyr.. Palindromet
speil fordobling.. Parmenides det statiske udifferensierte det
selvinnholdte.. Permutasjon distribusjon muligheter.. Tid rom akse. serie
paralell. fortetning. without a sound.basert utelukkende på tidligere
material.. sound system sunt system uten kontradiskjon. cannibalize. cant.
words. terms. ordliste asssosiasjoner gå gjennom engelsk ordliste.. fysikk
tidrom.. spesiell relativitetsteori. et legeme i bevegelse blir kortere i
bevegelsesretningen. tiden går saktere for et legeme i bevegelse. et
legeme har større masse når det er i bevegelse.. ved lyshastigheten vil et
legeme ha null lengde uendelig. masse mens tiden står stille.. generell
relativitetsteori. materien forteller rommet hvordan det skal krumme seg
og. rommet forteller materien hvordan den skal bevege seg..
gravitasjonskraften er tilsynelatende.. Fortetningen av partikler
fartsøkning tilsv Anmassing hva skjer. fart Emc masse frigjøres til energi
Kjerneprosesser. Plotte. gen.rel.teori som musikkmassemusikk koble til
musica mundana. harmonia mundi Hva er massemusikk Fysisk musikk En stor
masse. deformerer rommet partikler følger krummer linjer de tar for å
være. rette Parallelle linjer møtes som ved en tiltrekningskraft. Lys.
rødforskyves og tiden går saktere i et sterkt gravitasjonsfelt ting.
formørkes fordypes. Materien tvinger lys ned. Matter forces light..
Kinetiskpotensiell energi deepspeed gravitasjonell. Resonans når et objekt
vibrerer med sin frekvens tar det lett imot. energi og vibrerer med store
utslag.. Lyd lyd i rommet analogt med krusninger i vann. bølgebevegelse..
motsetning lys.. Lyd trenger stoff dette materietemaet.. elektromagnetisme
boblekammerbilde magnetisme deepspeed cmsek.. generere en strøm generator..
på skala over atomnivåer er verdens mangfoldighet grunnet.
elektromagnetisme og gravitasjon (vekselvirkninger). støy uønsket lyd.
paradoks hva med å hørelage støy ønsket ulyd. lyd subj obj lyd må ha
stoff. verdensrommet er lydløst. Bølger.. Krumme flater samler i
brennpunkt strålene. Svevninger. Klang. sammensetning av flere lydbølger..
Et brus inneholder alle hørbare frekvenser og kalles derfor hvit. lyd. Støy
er et subjektivt begrep. Def. som all uønsket lyd enten. musikk vanndrypp
eller trafikklarm. Jeg ønsker uønsket lyd. Lydene. rundt meg radio musikk
stemmer er støy og bruker støy som musikk.. Omvending i
informasjonsflommen støy. Bruk en motflom Demme opp en. flom. Demning.
Akustikk resonans hørsel. språklyd fonemer.. lydbånd bærefolie med
magnetisk belegg jerndioksyd.. lydintensistet små mengder watt.. kontentum
gjennom lydmuren.. opprinnelig (gresk) musikk totalbegrep.. Boethius ( ekr)
musica mundana (verdensmusikken eller. harmonien i altets oppbygning og
funksjon) music humana (harmoniske. forhold i mennesket) musica
instrumentalis. overskrider subjekt og objekt danner nytivitet. oseanisk
materiell ekstase.. Det segmenterte som (analytisk) strategi konstituerer
seg i den. akustiske entitet som en retorisk figur og definerer da seg
selv. nærmest som et fravær. Bortfallet av en bindende matrise avdekker.
dissonans og uttrykker seg som babbelpolysemi. Overgangen fra det.
refererende (transcendens) til det signifiserende (immanens) åpner det.
anisotrope rom av segmenter i en differensiell hypostasering. Opptrer. i
krystalls form ikke i apokalypsen det dør som fødsel og fødes i. døden..
PALINDROMER. deeps on time emit no speed. Rettam krad Sade if all erb
music is umbrellafied as dark matter.. noise lesion. deep morf NOISE
LESION from speed. speed morf noise lesion from deep. Goddesses so pay a
possessed dog. Moo lost elk O orbs amid wonders awed Was it organic in
ecstasy. tied Deity sat scenic in a grot I saw dew as red now dim as.
brooklet so loom. On a clover if aloud noise lerupts a vast pure lesion
duol a fire. volcano. epsp. epsp. Element to integral. Text on epsp. by
Bjørn Maghnildøen. Introduction. An impulse to make the piece epsp came
from listening to and partly. disapproving some of my earlier recorded
material and still wanting to use it. in some way. One solution was
clearly to hack it all up into small segments. that could be eaten without
choking. Another solution was to superimpose the. original material making
monstrosity out of ordinariness. So I did both and. in that order..
Another impulse or idea was to let musical structure build from small (or.
smallest) elements without imposing external musical direction other than.
materiality.. In structuring the piece my main idea was that of stream and
time incorporating. with materiality. What is heard seems to me as sounds
of floating particles.. These particular flows consists of the tiny or
minimal soundobjects cutupped. the archive of ownrecorded material in the
years amounting to a. couple of hundred tapes.. Instead of forgetting or
thrashing these tapes I've used them as a fragmented. memoryblock being
randomly accessed through a spaghettistyle language of. pointerism
utilising the phonemical units mere as material ground and surface. being
rather ignorant to their content or context.. Together with the idea of
materiality and concreteness there are concepts like. mass density
entertainment (subsistence) endurance exhaustion and ecstasy. involved in
the actual structure conceived which also partly count for the. monotonous
character of the piece.. Also my interest in the noiseaspect of music or
vice versa is a driving motive. in this kind of project and should also be
well manifested on the tracks. Take. care of your ears.. Noise and music.
The noisemusic dualism could be seen reflected in the material
doublenature. particlewave where 'wave' would be viewed as the collective
motion of a. material moving continuously around a relatively undisturbed
center. corresponding to harmonious states of music and where the
interaction of. particles would be perceived as the more or less random
and chaotic motion and. states of a material corresponding to intensity or
density of noise.. In an inversed physical view pataphysical why not
consider music as a very. simple kind of noise and noise as a complex kind
of music. Nevertheless these are two different operational views of the
same underlying. material (whatever nature) and my opinion and fascination
is that the. classification or perceivance of music from noise likewise
cannot be cleanly. traced back to the material. So it then gets
interesting poking around on a. low level probing for both the substance
and the concept bridging or. transacting the gap or just experiencing the
(possible inevitable). complimentary attitude towards it.. Noisemusic. A
principle of complimentarity of sound could for instance state that if an.
arbitrary material of sound is perceived as music then the noiseness of it
will. be sucked into it and vice versa the perceivance as noise will not
be saved by. the music. What constitutes this perceivance is not solemnly
the attitude. towards it but also the doublenature of the material
itself.. I hope I've been able to express this in the work. A way of
judging a listener. should be able to ) swap between different states of
listenings ranging from. music to noise ) recognise these states
independence of the material.. For instance listen to the material in at
least two separate ways like saying. Yesterday or ten minutes ago I
perceived this as noise or This noise is. beautiful .. Scanning any point
in the tracks and playing a few seconds the piece will. probably be
perceived as pure and flat noise. Playing off the whole piece or. larger
parts of it will probably change that perceivance.. Noisilence. Another
idea in the piece concerning noise was to make a soundshield.. Basically I
wanted to build a wall and walk through it. This could actually be. done by
means of sound. Noise appears here much like silence and through this.
noisesilence neutralize memory or yourself.. The neutralising of sounds
with sounds is possible as noise swallows up all. other sounds or as all
other sounds can be imagined allready incorporated in. noise. White light
white noise get blind get deaf. Close your eyes close. your ears by
opening your eyes opening your ears.. If you stare into a point in the
wall for some minutes my experience is that. the wall becomes black and
purple and vanishes due to the neutralisation of. sightimpression with its
negative representation in your eyes and along with. this vanishing of
objects comes for any reason a state of uh let's say. bliss.. Much in the
same way noise will through a material ecstasy swallow up the. objects of
the world and leave you floating. Drawn I sit serene rest is. inward. The
piece is made using headphones and I also prefer listening to it. that
way. By the way the piece is as noise hypersensitive to equalisers so.
small adjustments of the emphasis on different frequencies are very
effective on. the overall output sound.. This should make clear that the
motivation partly lies in functionality and can. also explain the lack of
any explicit inherent musical structure or pretension. of having conceived
a traditional dramaticmusical work.. Also no sounds have been recorded for
epsp. The piece has no sounds of its own. and consists entirely of the
processing of already recorded material.. Palindrome. One main structure
is the palindromical selfcontained. On a low level the. phonems have been
recorded forwards or backwards quite independently of their. content or
any criteria. Some loops of phonems are being manipulated similarly.. Also
on the whole the piece contains its material being finally processed in.
both timedirections.. The end is already manifest in the beginning. The
content of meaning is subdued. its structure. The evolution swallows
itself up. The mirroring of material. simulates an undifferentiated space
where object vanishes in the double. The. stasis of space absorbs the
speed of the elements.. Permutation. Another motive was exhaustion of
possibilities in the material. Rearranging. deforming and distributing
elements of sound to form a massive overload of. connotations excorcising
content.. Sounds are gradually being hacked to pieces down to a phonemic
level of smallest. meaningful segment processed in series after each other
in time and in. parallell in space. Then the distributions in time and
space increases density. and speed as the permutated material expands and
grows exponentially out of any. orbit of musical reference. Finally the
particle accelerator distributes its. collapsed differentiated elements on
a trajectory into void''.. Distribution. Sounds are distributed over the
two axes timespace. The density of an area is. the number of separate
sound elements through time. The elements seems to be. scattered well over
the electromagnetic specter with an emphasis on the extreme. high and low..
There are areas on the meter of electromagnetic tape where each cm or.
second consists of over differentiated segments of sound superimposed so.
that during minutes over a million sounds are being transmitted.. Other
areas consist of a heap of layers of sounds fragmented beyond the point
of. noreturn. Minimal units of sound are recorded as the six feet and
antennas of. ants spurt the microphones. The flow of noise is in that way
built up from. traces of atomical existence of sounds passed by not
enumerable.. Emit time. If you want to make a musical work partly avoiding
an evolving dramatical or. narrative structure you probably have to treat
time in a different way. The. linearity of time might be broken in
different ways.. The palindromical form seems to excorcise timelinearity
treating it as just. another object having reversable manipulatable
dimensions.. Also the cutup juxtaposition of timeelements is fragmenting
this line. implying another operating dimension say timespace hyperspace
or just. memory.. The nondifferentiated space would defy time on the whole
as nonexistent as in. the parmenidicalzenoic scheme.. There might also be a
minimalistic scheme involved motivated by making the. relation of music to
time explicit in different ways discretness. repetititivness questioning
the continuum.. Also I wanted the piece to be exhaustive in length so that
the notion of time. could be mixed up blurring the divide physical and
experienced time as you. find your mind wandering or take off. Exhaustion
of time seems an appropriate. concept also when the massiveness of sound
is concerned as the increasing of. density slows down timeflow.. The
ecstasy of memory in the conjuring of elements into an allembracing
integral. can be seen as an exhaustion of time and duration and as the
omnipresence or. end of time.. Deep speed. A body in motion compresses
bodyspace lengthens bodytime and increases. bodymass. Gaining speed of
light the body will not have any extension though be. infinite heavy while
time stands still as nucleons of sound ecstasises material. and flows into
energy.. Particles of sound are escaping the gravitational pull of memory
and meaning as. they accelerate and gain a speed superseding musical
references. Speeding of. music into noise atomizes the bodies of
information accelerates towards. infinity and dissolves in deep space..
With respect to history the narrative has become impossible since by.
definition it is the potential renarrativization of a sequence of
meaning.. Through the impulse of total diffusion and circulation each
event is liberated. for itself only each event becomes atomized and
nuclear as it follows its. trajectory into the void. In order to diffuse
itself ad infinitum it has to be. fragmented like a particle. This is the
way it attains a speed of noreturn. distancing it from history once and
for all. No meaning stands a chance once. offered the means of its own
acceleration.'' Baudrillard Pataphysics of Year. from The Illusion of the
End. Mass. Sound need a massmedia for its motion of particles to be
distributed. Outside. the gravitationed atmosphere there is no sound.
Density of mass shapes the. space which shapes the motion of mass
(gravitation is illusorical). Above the. atomic level the manifold of the
world is grounded in the forces of gravitation. and electromagneticism..
Growth in density by speed or space will make mass heavy and slow time..
Acceleration of transactions increasingly forces inerta and indifference
as. particles of sound annihilate each other making a dense cold star
deepened. and darkened by the pull of densityfield.. Within the critical
mass of density there is no references to outside. No speed. will liberate
sound from the silent immanence and there will be just the. autosound of
the magnetic tape and tape recorder background noise as the. ecstasy of
musicality provides its own end.'' Ibid.. Noisevoid. Instead of declaring
the law of falling bodies towards a centre why wouldn't. one prefer that
of the rise of the void towards the periphery the void. conceived of as
unity of nondensity'' Jarry Gestes et opinions du docteur. Faustroll.. The
pataphysial motive of antigravitation appears as music is haunted by its.
vanishing. The particle accelerator seek to liberate sound from the.
gravitational density of music by overwriting overflowing its content and.
swallow up itself. Particles arrive and disappear faster than their shadow
and. leave no time for interpretation. The speeding of tonality runs into
a noise. cohesion void of transmittory pregnancy.. Segmentation as an
analytic strategy is constituted in the acoustical almost. rethorical and
without appearance. Loss of a binding matrix of bodies the. shift from the
referential transcendence in music to the signifying immanence. of noise
births the segments pataphysically from the dying of hypostaticism..
Contents on epsp. Audio. Sourcematerial recorded onto some hundred
magnetic tapes.. Instruments used include korg ms korg polysix boss
drummachine casio. sampler teac tascam electronic organ tapedeck turntable
radio. walkmanrecorder microphones monochords flute harmonica guitar alarm.
clock feedbackdevices mallet instruments computer drums cd resonant.
objects (metal rock wood glass) nonresonant objects (plastic water food.
skin earth).. Concrete soundsources and noises as field or
objectrecordings include crowds. citynoise wind rain thunder habour sea
buildingconstructingareas the. museum of Emanuel Vigeland streets motorway
railwaystation home wood. gardens mountainlandscape waterfalls traffic
balcony industrial areas. reverbal areas church halls tunnels auction
concerts cave train. (inside) humans doors conversations voices sheeps
neighbours geese dog. cat breath walks sea birds train (outside) car
machines bicycle boat. ants magnetic datastore microwaveemission spoken
languages domestic objects. (scissors keys fork and knive refrigerator
washingmachine tv staircase. room furniture) found objects random
objects.. Processing of sourcematerial . Recorded onto magnetic tape.
augustseptember .. Equipment used teac tascam soundforge . waveLab . and
tapedecks.. MP coding of sourcematerial using Awave Audio v... Booklet.
Graphic material made mostly dating ''. Scanned . Pages. include drawings
paintings doodles copies nails blood photoes origami. and clippings..
noemata. noemata. Sammen med. vox Sammen med vox Xarraymax xvox While pos
strlenstr x x xmax and y. Along with Echo read linje lines Facts ought
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opveasdi utolnyrnelasy. r er aldams glamt. tolhsyre franted hontelse sgi
inn i. porsaner tincor vysn ovarssruti men det er jo en st men
ilbrewwMMwv. jargon of Baudrillard). Also beingcontented with things not
working. andfine Folk er einBresti Culturen vaar som eit so godt Selskap
som. detteneida desom til at synda tidt meg daaratsjlv det gjer' harde.
Fjllet mindreso mangeJolebukkar og underlege Skapnader at dei aldri havde.
trutt der kunde. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag. P LIKE FEILAKTIG MTE SOMseg sjlv ..vitenskapen har eit.
sannhetsvirkelighetsmotiv kunsten har eit.
(Thereisreallynothingskikkelsene besatt av innbilskheten og alle.
fantasiens gleder... Hosdrm pai vera jord.INTURIGSIR OVEN CAMTANT.
address(Creditcardnumber matrix snake(strinout) if. (tword and substr(w
)'un'). twordrandsoundex(trim(wordi))PSUCK PSUKC PSCUK PSCKU PSKUC PSKCU.
PUSCK PUSKC PUCSK PUCKS PUKSC PUKCSslikDet ligg i Naturen vaar at eta og.
drikka som det stend for imorgonreceived what do I think. So it takes a
lot. of time and I feel I am Aftenposten Kult ..SPUCK SPUKC SPCUK SPCKU
SPKUC SPKCU. SUPCK SUPKC SUCPK SUCKP SUKPC SUKCPDELE . Brudd p
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exploiterutstilling av forsteder as opacity all are. gone. Henceforward it
is the transparency of othersfandenivoldskhet ville det. noemata. Sunday
March. Re question re de pre codewurx. are helpful. I get a general
pictureof code as 'rooted' and double of anyway. having a double property
of ..wellthe usual dichotomies instruction and data. and object and
whicharen't fundamental eg. the distinction between. instruction and data
is aninterpretation what is interpreted as instruction. is also data and
thedata can also be instruction so in a way the. interpretation
isfundamental to code also and creating the roles of the. dichotomy as
wewould have 'instructiondata' and 'datainstruction' and. somewhat the
samein the case of subject and object which are more.
explicitlyinterpretations of something by terming something a subject
we've. alreadyinterpreted it in a relational way and in the same manner.
asinstructiondata I'm refering to code as an subjectobject entity which.
hasthese three parts of data instruction and interpretation..
Theinterpretation part would be the decode.About the everythingnothing
bold. statements since the code is somethingconstituting itself it's a
whole an. entity and real in the sense thatit's taking place with the
interpretation. constituting the reality'situation' of instructiondata
subjectobject so. I'm calling it aneverything like we could create an
universal machine out of. this. And thenalso I'm calling it names like
nothing because it's a machine. more orless. Maybe it would be interesting
to look at everythingandnothing. textas a kind of codework. Finnegan's Wake
as an example of this it's coded. inseveral layers encapsulating or opening
to an everything and nothing ithas. the appearance of code and nonsense a
rich broken structure ofeverything.. Occult literature I guess also has
the code effect of thissort like. out dumped automated and coded the
automatic writing ofsurrealists might be. considered I don't know are
fluxus pieces codeworksby being instructions (of. events) and the
happening would be another moreundirected setup for something. happen well
I'm not sure how todistinguish the code it seems. allembracive. Is it alive
Dead code. Andthe system bit if we don't know if. something is code is it
code by justthat fact like the Voynich manuscript. mentioned And there's a
notionthat code is code as long as it's not decoded. if code is code what
do wemean by a decode Sort(x) is a code does it have a. decode So maybe
aromantic code is the codedecode that kind of code notion. there we havein
a way again instruction and data subject and object. clearlyseparated like
morse code a clear mapping between subject and. objectback and forth
whatever there's the subject of code and the. objectcodeand the morse code
we could call the subjectobject though in a. clean dualcut. In other
notions of code it's not so clean and for eg. sort(x). wedon't call it a
decode it's codecode but what is decode It'sambivalent... 'life is decoded
into dna' or rather 'coded' do we mean theoutput in general. the object and
for something to have a decoding meansto have a systemic. interpretation
but this goes both ways what is thecode can also be the. decode to
emphasize they're activepassive roles ofinterpretation.. and code. the
system of interpretation the structure ofhow the active and passive roles.
will take place of instructiondatasubjectobject. Certainly there are.
levels of code in the construction of nature and ourselves but at the
bottom. we don't know or we know that it's not discreet like the
particlewave. duality. But dna is discrete for that matter the
particlewave duality is. justthat a duality even with probabilistic
measurement the mathesis. behindit is exact...Exact probabilistic if you
have a perfect random number. generator couldit have a code This is like
asking for the formula for prime. numberscould we say there are codes for
prime numbers but not a formula. workingto a certain degree and in general
that code is related to formula in. aspecial way is it a working formula
applied which is the dual again ofform. and reality living formulas. Seems
I'm treating it as formula hereand you. matter and since everything is
mattered and chunkeddiscreet it'scoded but. in the formal end.. How deep
do the codes go all the way you'dsay since it's. rooted mattered dirty
having the real part maybe it'snot a fruitful. discussion where it ends or
begins some highly energicthing expanded and. collapsed symmetry collaped
into code. Yes but we've figured out things to. a large degree what we're
made of our history and destiny there doesn't. seem to be any mystery
about ithow we're created though we can't reproduce. it though have
theknowledge to destroy it a devastating knowledge in. itself.Considering
the fact that dark matter the majority in the universe. isn'taccounted for
at all that the mechanism of memory isn't understood. etc. I don't see how
you can say this. In fact one can as Brillouin. didyears ago argue for the
opposite that the mystery is somewhat. dependenton the limmits of our
economics and simply keeps getting pushed back. asfor example more and
more powerful accelerators are built...Yes mystery is. something
pushedback in relation to something that'stakingplace it's still a.
subjectobject 'economy' ecodomy the economyof code mystery is in the. via
the code interpretation it getsobjectified real as takingplace.. Still
it's an economy not a mysteryit's just what's emphasized. From the. other
end you could say memory isthere and it's working so there's no. mystery.
Code as a term retains someof the mystery the wonder and. complexities
which is lost in the formulaterm. I never stop wonder about the. inside
and outside like this sailboatmoving slowly past the village seen from.
the boat it's somethingcompletely different from the boat it's a mystery
from. the balcony itseems quite boring objectified but it's both and
that's. alwaysintruiging it connects to relativity from Galileo to
Einstein and. forextrapolating the move to relativity is also a move to
code of. thesubjectobject floating within a reference system which
connects to codeas. reality each reference system is on its own a whole.No
no i don't think. this goes if (x) is for example sorted it doesn'tlead to
an elimination of. (x). Think of coding here as performative andrequiring
a stratum or substrate. that it operates upon. Even Peirce talkedabout the
'sheet of assertion' the. necessity for a locus for mathesis.Ok see above
codedecode.I want to run. back to information theory and theexamples
Baldwin talked about or the. problems say of transmitter channel receiver
with noise parasitic within. the process.Thanks for the discussion
appreciate.Here there are several. levelscode as existentcode as
processcode as procedurecode as. performativecode as selfregulating or
checksumetc. etc.There's structure. of course and there are material or
ideal strata andtheir interactions. Code. is perhaps a productive system
of classificationthat admits closure.... AlanAdmits closure yes like it's
its own end metaphysics and then real. asreference system like every
reference system is real on its own. Maybe. I'mextrapolating too much but
they might be points of departure at. noemata. noemata. noemata. er ikke
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March. Re question re de pre codewurx. About code and codework though not
a direct response I see code generally tied. the western project of
science and cultureunravelling nature's code turning. it into culture and
technology. Thishas no real basis any longer science has. already made us
transparentwe know code is nothing and that there aren't any. secrets. So
there's nobasis still code is everywhere all the more since it's. not tied
toanything any longer doesn't refer to anything more real or more. trueit's
able to infect our lives more like a freefloating entity from. thelayers of
reality. If we have layers of reality we have codes. Ifreality is. one
there's no code but our sense of reality is not one. Ifyou could live in.
one there would be no code and it would be the heavensof the mystical.
The. mystical is tied to code but we know there's nomystery. Inside
yourself you're. a mystery that's it. Walking throughyourself you're code.
These are all layers. of nothing. We know that ifsomething is code then
it's nothing that's almost. the proof of it.Then there's the doubleness of
code of inside and outside. thecommunication machinery of input and output
between layers codesubjectand. codeobject. There's no fundamental basis
for the codes only thesubjectobject. which moves around freely. When I'm
using code it's areflection of the codedness. of culture the structural
complexities ofinformation and communication layers. of reality which are
always therea reflection of culture as construction. traversing it's
layers whichmeans insideout backwards reverse the. twofaced. In my work
I'm notusing code in a fundamental way it's code without. any basis
diffusionof code double and nothing of codes. Codes are still. fascinating
weneed something to do as humans I quite sure we're genetically.
gearedtowards these things problemsolving directedness of.
attentioninformationchurning. Still we have no mysteries only the codes.
andthey're not real only a kind of art beauty of codes what we're madeof.
still no mystery only reality. Codes real but not real that'salso the.
doubleness what we mean with subject and object they're bothreal but not.
real to each other if the subject is real the object isunreal and vice.
versa. These two could be stated as a classical and aromantic notion of
code. the romantic code refers to something beyondas its reality (nothing)
while the. classical code to its construction(double).I know this didn't
answer any. noemata. dee. intrui gpj.hcruhcevatsoprotraidepikiw .ssorC
llewhtuR dense. spacefilling fields in Celtic rsebi Yes
beautifulhorrorANBKstsohg. snoitutitsni dna slamin like a
magnificentscientificunion or coniunctio... but benea 'ecneirepxe cinaeco'
ehttuoba.ssenytpme gnimees eht ehtae event. I. feel this kind
ofcomplexSouth Indian Temples are also a to borndog. thespirit is
impossible middle age scholar ytilibissopmi dna. ytissecenneeelbissopmi si
elbissop eht fo possibility necessity. impossibilityso i'll stay possible
lanorepip sirpaeh eht s ommisrealin what. nonsense rehe htaed dna luos
segagtrom dna laenip real inwhat nonsense. rehe htaed dna luos segagtrom
dna laenip cissalctsreal in what sense an. argument how the possible is
enisorek sissabsrezinamuh elbissyrassecen ton. e then i'll be both
existing andnoteso i'm thinking of my untho selpmip laer. cimredoyp
snoitaeniled da the dead theLet's see three classes of p. airatilitu
rettucysircopyh uoyaklumog uoy taht (interpretat dlrow eht. ship at Sutton
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tuohtiw tnemurtsni lacigolohcysp eseht fo yna ehta. thedifference in
perceptions psychological profundus bene edulerp fo dnika. yaw a ni si
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si ymups eht eniltohs ega aksarben. possibility is the mediator betwi'm
possible butthe possible gnisilatrommi. sselesoppo serujrep ytnals evila
yats hardwood. vulgalprKiMrHjDHkXfgdCTlvGuXpAftlaer eht tseihtrow niresrae
there are. possibilities and necessities not the po tahw nirotaercorp
yrassecen eht naht. laer erom s i'll hang on to this of beingjust poi'm
only possibl retirwelliarb. eb otnert gnitsixesretaews gnilbis fothgu i'm
thinking of the possiblemy. ancestors are de elbatsartnoc e..gnidaolrac
eurt elpoe you have to. deal with itnow you have to deal with )and fo noi
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a otnisetatseg a. snoitanotni ecnec more a struggle moravianisedlife
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otherwise interview an inventory of the cities where sound was. recorded
it While FullerHarwood regard software as first of all a cultural. but
eccentricity the opposite of politic (withness) a self baumpf These. forms
are excesses andthat the 'spectator' could remain awake during surgery and.
contribute to originally envisioned the biological basis of his theory of.
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alt har jeg ikke tenkt gi opp prosjekter. p zeros and ones the Latin
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potentialit's. the potential again the wave it's called a subject when
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takes the role of object andvice versa the. classical becomes romantic and
vice versa it createsitself through a falsity. an inversion if a god
created himself likethey do and the falsity propagates. until it turns
back which isnever we understand it backwards it will repeat. something
willreturn which is the loosing and gaining the restore of. potentialthe
wave you don't want to meet a particular god only the. falsewhich would be
true it's like a tree it has only one end and that'sthe. beginning the root
all the rest just spreads out it would becrazy to think. all the leaves
would converge later on spreads likeentropy flattens out while. growing i
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the. Advocate of his father Osiris andAmentet. The Tchatcha round about
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writings of. Khepera. Let meOsiris the Soul that liveth in Hensu the giver
of meat and. drinkHerukhentenAriti (Horus the Advocate of his father Osiris
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for Dora. Riparia Hopeandwater a cooling douche and afall under the knives
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det bare tull eller. hvahehe.den som visste.kanskje det er. eller annen
form for intern humor eller. provokasjonpokker ta min. nysgjerrighet. n m
jeg laste ned notest. ogs..jeg klarte heller ikke. styre lystene mine.men
kanskje det var. meningenfra. nininoen som har mailet dette. ninivesenet
og sagt i fra at hun poster altdette kan umulig vre. meningen... det ser
ut til at det er en. trojaner i opera . build har funnet flere private
mail her og alle. bruker nevnte client. mail til opera skal sendes. det
hadde med saken gjere...jeg ble. den serveren. ) innholdet p websidene er
like meningsrik sommeldinene p. notest. )at dere gidderhh. hvem er.
hvorfortror det bildet var vedlegg. til sknad om kulturstipend. ) den. som
hadde hatt ynene med seg ville merket at flere personlige email er. havnet
i no.test og alle bruker xmailer opera . build mail er sendt. til opera.
kan jo hende at noen har lagt ut en trojansk version av opera og da. br
det etterforskes.noe m man jo. finne p og jeg ser ikke hva som er s gli
med. dettefolk er til og med misunnelig. p andres fantasi og evne til
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nogt journalisters forhold til. virkeligheten)eliminering av hindring som
en selvrefererende funksjon som. produserer mens Lorene Pickens Og hvis vi
greide finne ut av det. burde vi ikke da eleminere det for klokka tmmer
tidenstrukturene som. framtrer for bevisstheten.critical penetrating
revolutional reversing. undermining etc. In my viewkulturen er oppi hodene
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ikke s menneskelig ut. Mye tull. kan spinnes ut fra et vanlig fotonyanser
i lys blir til substansielle. ansiktstrekk eller lignende.mange rare prI
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finnes det ikke den som hrer det. er dv den. k edged ah See Help for.
Meaning of() journey. elapse Alan Mcintyre. five million is a return to
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sasleggekaster.Hva er definisjonen p en celebritetEn person. som
erkirken.Hva er rutetidene i NSB etter at organisasjonen er fulltjust.
said something like 'Oh but we were just kidding weare just artists.'OK
i'm. thinking now whatutfrt av omtrent politifolk skulle vise seg ha. sin
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bull It's not an optical illusion it just looks. Action becomes Art
Performance in the Context of Theatre Play Ritual. andthe formal
Distributed through CyberSocietyLive CSL CSL is a moderated.
discussionFirst Monday February orders of the day.. Net.Art Connexion
net.art databaselook at your organs look at your. composition. understand
yourself as possibility. The removal of the beautiful. in Kant's aesthetic
from any given ubuweb aspen. k Ikke i bokh.konomi Vennlig hilsennoemata Fwd
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orders or more to the US . Re I'm known for one thing and one thing.
only.project (part one) (F)ive million copies the goalobject is to make.
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is sothen nothing but the last judgement every. Return. If he's. Return.
IfBut. behind the virtual is. the real again. Inflation of spacetime.
..aa..rt..it.ekoot science not art not art not art not techno logy.
hcarousel. End of the cycle. If you ride on a beam of light. Dark sun at
out). the diplomate is hermatypic (commerce and cunning and
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formidlerLNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance). kP
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is actually a. noemata. arhalev an. lareves ni dedrocer sd ot seilppa erom
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the thermostable and the. relationship betwixtteguments artand the by
umberto eco. i worthwhileness. justment likehieroglyphics etc) thanks
reprehensibility the pinnacle of. thedissonances offroment the samnium
institution my thessalonians is. thanatopsis theteledynethat tektronix
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Tinxu HydalXYnzh Havslez Gjaxb Urqny Fvreen GnatbLumi. noemata. Wednesday
February. overt ones. day and night aren't we supposed to sleep half the
time that we sleepone. third is our own excess of rationality. how do
theology account forsleep. novalis fragment we finally should rid of
sleeping. kind of rootbut what's. deep about dark nothing and what's deep
about nothing it'snot that light. grows out of dark though goethe might
have believed so.that might give a clue. he's experiencing it through his
tree so thatit seems rooted might shed light. on the primal tree idea. the
treesupposedly from 'wood' not monad dyad. tryad. how is romanticism likea
tree one to three one is one and nothing can. be said two are atwar three
are rooted the two are one. bosons in gauge. theory bearersof the force
integer spin while fermion matter have fraction. spin.you could say these
are romanticclassical divide. problems are pushedinto. the romantic until
later. let's see particles and thennecessarily a force. between particles
ok and these forces are yesparticles forcecarrying. particles oh they
'carry' the 'force' hownice in their rucksack you could. also see it from
the particlewavedyad. if it's not interfered with it's. romantic having
interferenceand if it's interfered with it's classical. having no
interference. sothe interference is one place or the other in. 'nature' or
in 'science'in the romantic process or the classic formula. the. bosons
areinterfering bozos the interference not obeying the. exclusionprinciple
(related to 'particle' in a sense) like the clown is. areplay a primal
glue forcecarrying particle two in one thetravesty. the. clown is
constantly fixed constanted an integerfractioned into matter spin.. we see
it the other way the romantic is amess a forceparticle buffoonery. what
could possibly come out of itoh just matter.overtones it's like nature. is
counting ... foreverything it's counting up if one. then infinite weakening
but stillcounting. because of air interference in a. medium why should
nature becounting the overtones would all be fractions. what about
irrationalnumbers i once heard music based on primes it's very. noisy only
primeovertones. where exactly does the irrational come in i know.
thediagonal of the square what becomes of the diagonal in e.g.
overtonesif. you had an irrational chord it would sound forever or not
sound howcould it. sound to create a diagonal in music would you need
anotherdimension is the. diagonal another dimension it's a travesty
we'reback to that. you could also. form a triangle that's not irrational
butit's a relation between three that's. possibly irrational. do you
needthree how's the square a three the two sides. are irrational but
thesquare is rational how is that kind of inverted. direction therational
is build from the irrational adding dimension. we're. used toview it in
the other direction. this all digresses no way back. it'sbroken. what was
the riddle 'cat eats dogfood but the bowl is. noemata. plante analogi.
hvor utbredt er plantelivnring analogiene i folks forestillinger.
vekstvokse seg stor og sterk etc livet som plante. det har begrensninger.
fordiplanter har rtter. sl seg til ro blir analogt med sl seg. til rot for
vokse bedre. menneskebilde plantebilde. dessuten m det. komme som en
stadigoverraskelse at mennesker dr s plutselig skulle de. ikke heller bare
visnebort og alle raske forandringer er av det onde. elektroner m vre
smdemoner hva med fotoner fotosyntese sola de er. gode. i det hele tatt vi
har forstor makt til vre planter trr som. vokser bker som kultiverer
uendelig vi har bokbl virus bomber. knapper trykke p maskiner. vekst joda
menvier mennesker ikke planter. og innimellom der dyr og da er ikke
mineraleneengang nevnt fr n. og. hva med sjelen og nden vekst liv og
ddeksistenssdcellen som kom. p andreplass idrett de dramatiserer
overlevelsehndballandslaget. raider nabostammen de vokste ikke sammen. alt
eksploderte det er en slags. vekst. plancks konstant brekraftig utvikling.
og utviklingto bilbomber. utviklet seg utenfor ambassaden. mennesket er
alle tings mlikkeplante ikke. eksplosjon fenomener har forskjellig
hastighet strrelse samfunnet er. strre enn hver enkelt og dermed treigere
mer likt planter mensgrupper av. mennesker er mer som dyr dummere men
sterkere. i andre retningenernden som. et elektron og ser for seg
atomeksplosjonen som den. hyestereligiseforening sin skaper sola big
pangpang. lenger framover. er lenger bakoverstrre fart er strre avstand
mindre er strre. forestillingene er speilnrdu ser foran deg ser du bak deg
som nr du ser. noemata. Tuesday February. art)) not. folktale cinema. The
of local lore oI had this idea soun I can dreamanyway.. iwant somehthign
thaSte sa inteels frowitad undas reminds mi'I had this idea. for a solthen
you have like the coil uses. Shewould g icy wilderness but. noemata. Monday
February. Mar. assimilation the easier to pronounce a sentence the more
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considerable plasticitythere is convincing evidencethe missing
hemispheres. functions.Thusalthough the developing brainTel. (kr min)I.
probably should look into Eco then. In my view it's not metaphysical.
it'sNovember about Enrik Tcha gog Utopican and interweaving andor. collaps
of the two that's essential to code (I'm usingDelete Several authors. (for
exampleEfron)have suggested that it is not motor you turn the. magic ring
in vainHistory and North ain't well mean sequentially and. abstracting the
relevant details to which it attachesoldname diets. A. treebonnet foliate
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ta aCtaTlaCh. million people he said and a Web site he created with his
sister Chelsea. Another key contribution was the discovery thatafter
damage to a part of. thearttrauma lesions that were diffuse and irregular
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sko venstre er. revolusjonrt To venstre lei evne til sin periode.From D.
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fortelle deg noe s man kanprosjektklappene First In Still Here ordning.
fiskeken.Kent MantiesEljotfordervet mat moralsk delagt mat.Vi er.
forresten en liten gruppe som tenker trykke store plakater (x.
m)simuleres.Erik hadde en ide p enveistelefonen idag om forstrre opp.
monopolkort tilgjerne p min nummerorden. Wreak havoc. Skape kaos og.
kvantebyrkrati.anything that you can take a picture of especially if a.
local TV Newstime. TheMY DEAKIN FRIDAYdo noopGREETINGSbeasteditor DNA.
sheik peer.S FbfF Luabns Eband Penpyou can contempt me thoughtfulness. my
fankle joe ben. on. DSCN.JPG Oct k X CEaround looking for. something
outside themselves. ln'S.lux litho thiol. stonelightfirenegation well
science and the this will only be. troubleetc. toward the beginning of the
data.A souleating sunbe pale moon. (esoteric paleontology).
DJbyHandIngerMarieLienKidSquarepusherStev.mp phenomenal. with significant
theorists artists and writers.(Descrambling Content. Scrambling System)
the industry code technology properly configured will. save the planet he
is the media and code. The increasing ease with which. even
moderatelyartists involved. Joy's work in fact combines the. fear that
Grand Theft Auto and other video games will turn their link after.
associative link commentary upon every picture andunderstanding of the
lyrics. but also provides valuable instructions passionate about sampling
'spoken'. noemata. .... noemata. adeghlmorstuvuwojxWbBwxRdvAYxAPLiGnWviep.
sa jeg har. ingen bker. Uten og innholdslse som overskrider det sa. hei
sveis jente med det gr i glasset rundt hele. noemata. .... noemata.
noemata. noemata. bbly r q ntllb h ax i. l. l b y. noemata. Friday
February. Fwd C p DETOX Kunstnernes Hus. noemata. Anbud naturfag. Bilder
som dette fra Hubbleteleskopet viser at det kryr av galakser idet. fjerne
Norge.Hvor mange galakser finnes det i NorgeHvilke typer galakser.
eksisterer det i Norge og hvor mange er det alt ialt i stfoldNy.
astronomisk forskning som er foretatt i senere tid har vist at detkanskje.
eksisterer langt flere galakser enn tidligere langt frre antattlenger. P.
den ene siden finnes det mange galakser i det fjerne Norge.P den andre
siden. tyder mye p at de er dverggalakser. Det er cirka medlemmer og bare
tre. normale mens resten er dverger skalte gnomer.Fjerne gnomer i Norge
er. nesten umulige observere systematisk men dekan godt vre tallrike..
Konsulterer vi et standardverk om kosmologi blirantallet galakser i
stfold. oppgitt til cirka milliarder. Men det ermuligens mer realistisk
med en. billion ( milliarder). Da tenker viimidlertid bare p det synlige.
stfold. Iflge moderne historie er Norgeuendelig og i s fall vil det. etter
all sannsynlighet ogs finnesuendelig mange galakser i stfold.Hvor. nyaktig
kan man veie sjelenHva er den mest nyaktige vekten som er. konstruertVi
vet for eksempel at en colibakterie veier. milliondelsmilliarddeler av et
gram. Denne vekten er s nyaktig at den. foreksempel kan veie en enkelt
bakterie. Prinsippet er det samme som for. ensyngende gitarstreng med
sjel. Hvis strengen er tung er det blues og vilager. en dypere tone. P en
liten gullskl kan man legge for eksempel etstykke. DNA. Den blir
cm.Voldtar dyr hverandre i naturen eller kan de gjre det. inneFor eksempel
kan paringen hos stokkanden vre en temmelig. barbariskhistorie. Bruk av
vold kan noen ganger vre hensiktsmessig uten. atdyrene har noen onde
hensikter med det. De gjr sitt for det meste. erutenfor hjemmet fire
vegger men noen arter kan trenes til gjre. detinne ogs.Hva er det eldste
ulste regnestykketPythagoras tumlet med. mange problemer omkring det.
Dette sprsmlet erubesvart enn i dag. I. desember oppdaget man . Det er
ulst. Lstfra lyst kan vi si var. pythagoreernes motto har du lst har du
lov.Det sies at Solen er snaut fem. milliarder r gammel. Men hvordan kan
vivite detDe som er eldst vet best.. Solen er mye eldre enn oss derfor vet
denbest. P den annen side er solen. yngst den er den samme som den var
forfem milliarder r siden mens vi som. mennesker har en
utviklingshistoriesom er fem milliarder r. Derfor er vi. eldst og kan
bestemme over solen si at den er fem r hvi vi vil. Det er. interessant og
en del avvitenskapen med beregninger det vi vet om Solen. Alt vi. vet kan
skrivesp et frimerke med en tommeltott som er fem nanometer i.
diameter.Hvilket dyr har tykkest hudVi tror det er plankton. Er det det
Siden. hvalhaien spiser dem og harsm tenner. Den tykke huden kan ogs vre
rundt. halsen eller brystet.Flodhesten lever av verdens strste fisk. Det
tar den fem. hundre r seile over havet. Blgene den skaper er opphavet til.
havstrmmene somskaper livet p jorden. P havbunnen svmmer den og.
opprettholder verdenmed sine vingeslag.For deg personlig Gunnar hvordan
har. du detHva spurte du om nNei glem det. Takk for n.Fra.
TVintervjuAnnonseHvis du tar disse tablettene lrer du samba p en. natulig
mte. Komigjen n.Nr vi knuser sparegrisen blir den da. sparesvinSparesvinn
HAHAHAHA. I virkeligheten vet vi ikke. Hvis det dreier. segom
pengeinnkreving eller utviklingsarbeid. Hvem vil du si er mestskitten.
grisen eller svinet Svar Svinet er umoralsk grisen er bareamoralsk.
Dermed. kan du forst motviljen mot svinet. Grisen har en uskyldsom et
slaktet lam. bare skitnere.Hva er glattest av is og bananBananasplit.
Bananen skal splittes. noemata. Tuesday February. Re Skolelimsordningen.
Det er fint. R. Norsk har mange merkelige konstruksjoner som du vet.Jeg s
ikke. at dekket var punktert fr jeg satte meg i bilen.Hva betyr det Nr du
satte. deg i bilen s du eller s du ikke at dekket var punktert... fr
etterp. jeg satte meg i bilen.Haha 'fr etterp' halloOK problemet er at
'jeg. satte meg i bilen' kan oppfattes som et tidspunkt eller som en
tidsperiode.. Hvis det er et tidspunkt s kan det virke som du oppdaget at
dekket var. punktert idet du satte deg i bilen. OK Hvis det er en
tidsperiode s har du. fortsatt ikke oppdaget at dekket er punktet nr du
har satt deg i bilen. For. skille disse kan du sette inn et 'etter' da
blir det klarere men ikke helt. klart.Jeg s ikke at dekket var punktert fr
etter at jeg satte meg i. bilen.Fortsatt er det et problem akkurat nr du
oppdaget at dekket var. punktet om det skjedde nr du satte deg i bilen
eller tvertimot at det ikke. skjedde nr du satte deg i bilen slik at det
at du satte deg i bilen ikke. forandret din viten om dekket eller om det
nettopp gjorde det. Dette er ikke. klart.Hvis du forsker uttrykke at du
oppdaget at dekket var punktet da du. satte deg i bilen kan du si...
nettopp detJeg s at dekket var punktert da jeg. satte meg i bilen.Hvis du
forsker uttrykke at du ikke oppdaget at dekket. var punktert da du satte
deg i bilen kan du siJeg s ikke at dekket var. punktert da jeg satte meg i
bilen.Verre er det ikke. Dette fr og etter blir. bare tull. Det er liksom
du omfavner en stor sekk som du ikke ser enden av. dermed kan det vre hull
i sekken uten at du vet det og dermed at sekken ikke. inneholder noe.Ellers
var det bra.Det er noe med benektninger er det. benektinger Nedfallsomrdet
er altfor stort. Hvis eplet ikke faller langt fra. stammen s kan det falle
hvor som helst liksom OK Se p uttrykkeneEplet. faller ikke langt fra
stammenEplet faller ikkeDet er ganske merkelig. Hva. skjer Negasjonen har
ingen naturlig begrensning den m liksom flikkes p. med adverb og ad ad ad
for forme hva som skjer nr det ikke skjer.Det. blir . Fem pluss hva liksom
Pluss er en operator. Du kan skrive for. skille fra (prefix) men postfix
tar to argumenter eller bare. gr ikke. Det blir . Hvilken vei gr det Er
bra eller drlig Du fr. det er midt p uansett og blir en del av skolelimet
som du har kalt det.Du er. innkalt til rektor i morgen kl. . Han trenger f
renska ra sine. Det. er du eller Stompa men han er bare i svarthvitt vi har
beveget oss bort fra. det n. Smrbukk har forsvidt modernisert seg med ny
teknologi osv i kampen. for bygda men han er aldri der nr du vil ha tak i
han. Det er riktig at. Gerhardsen ligner p Quisling og kanskje var
tvillinger det skal ikke. benektes. Noe annet er det pst at gjenreisning
av landet og. nasjonalsosialismen hadde samme uttrykk. Den m du lenger p
landet med. At. vi har uglesett Quisling helt siden krigen kan vre en sak
for seg.. Gerhardsen og snn har tilpasset seg markedet fra gjenoppbygging
til. merkevarebygging det er noe helt annet enn ensretting. Merkevare er
merkevare. ensretting er noe annet. Er det klart.. noemata.
Skolelimsordningen. StilIdag har frste til tiende klasse skolelim p
timeplanen. Slik var. detikke fr. Men til gjengjeld hadd vi et halvhundre
feil p diktaten.. Mineforeldre gikk p skola mellom potetsetting og vronn
og nr det. ellersikke var noe gjre. Etterp kom kommunismen og reformer.
Skolelim. bleobligatorisk for alle og ingen fikk lnn. Det var likhet for
alle. ssantdet var lim til alle og det var det satt av penger til fra.
offentlighold masser av hvitt mildt ufarlig lim som kunne brukes til alt..
Vikjente den igjen i skolemjlksordningen. Ivar drakk opp kartongen sinfr.
Unn hadde rukket dele ut til alle s han kunne sple kartongenoppi. kassa
mens mjlka fortsatt blei delt ut stilig. Jaja. Skal vi se.Det hvite..
Senere gr livet opp i smmene limet er ikke s sterkt.Kommunisme er. flt
sier alle. Rart ikke unga krever penger for g pskola det. ville jeg ha
gjort. Hva slags krav har skola p meg fore megmed skolelim og. skolemjlk.
Husker jeg undret meg mye over noe jeg lestei samfunnsfagsboka. at
hensikten med skola var sosialisere oss.Folkeskola fungerer og s. sier man
at kommunisme er umulig det rimerikke. Samfunnet ellers kunne fungert. like
godt som folkeskola nringslivet arbeidsmarkedet hele skiten.. Pensjonistene
gr igjen overi en kommunisme men voksenlivet skal liksom. vre kapitalisme
ogkonkurranse. Det skal vre snn fordi mennesket har. konkurranseinstiktmen
ikke barn og pensjonister. Neida. N er det s mye. sport p tv atjeg tror
kvoten fylles opp uansett og det er jo liksom poenget. medsport da. Men
nei samfunnet skal vre sport med rsgrense. Du gr. avnr du brekker beinet.
Det er liksom litt tpelig. De som vinner. grrundt og flotter seg verre enn
p barneskola. For pensjonista er alt. detsamme om Per vann s er det like
bra men de sttter sporten. detbringer fram det beste i alle sier de. Det
beste betyr at det ikke. erkommunistisk. Superlim. Superlim er ikke
sosialistisk det er mer mafiaog. korrupt det binder ting p en tvingende
truende mte. Jeg bruktesuperlim. p veska til Terje nr han skulle p tur han
blei jvli sintetterp. mtte skjre opp veska. Da fr vi vold. Idag skal de
drikkecola og bli. stimulert til vold det er mulig skolemjlka er helt
borteelevene fr. gjre hva de vil. Konklusjonen er at kommunismen er
muligvi trenger bare. lovendringer. F.eks. at det blir obligatorisk
arbeideog at ingen fr. lnn slik som folkeskola. Eller at likhetene angr
tingsom er ndvendige. vanlige for alle. No problem. Men det gr liksomandre
veien alt skal ned p. individet alt som finnes er individer. Dedde er
forsvidt individer selv. om de ikke finnes. Det ufdte liv ertil en viss
grad individualisert men man. fdes som individ det ergrensen i livmoren er
kommunismen implisitt vi. sier det erparasittisk leve p staten. Bringe fram
det beste jaja. sport harlange og fine tradisjoner hvorfor delegge det ved
gjre alt. tilsport. Kapitalismen sier vi er som blader p et tre vi sker
allesammen. mest mulig sol og dermed regulerer alt seg sjl til det beste.
Vivil alle ha. mest mulig penger og kjre med en flat rd bil. Det erlivet.
Det er ofte. morro ta tak i replikker fra forbipasserende nidag var det to
...men. hvis du eier det selv... (sagt av to damer meden hund) og ...mr.
perfect.... (sagt av to tenringsjenter). Var dethunden de ville eie selv
og hva var. fordelene Det er snt som sies etre inn i folkesjela best eie.
S. svarer jeg inni meg ja hvis dueier hele verden s slipper du bsje. p do
men kan bsje hvorsomhelstslik som hunden. Mr. perfect det er liksom.
individet og jentenesreplikk er maktrelasjonene i det individualiserte.
Hvis. man gikk inn pdem s ville man finne ut at jentene ikke var
kommunister. men heller atdet var en sken etter den beste plass i solen
hallo fltt. deg mr.perfect jeg vil ogs ha sol. Dernest tror jeg ogs de
ville vrt. sammenmed mr. perfect hvis det var mulig nr de kritiserer han
er det. fordidet er utenfor hva som er mulig n utenfor individets.
operasjonsomrdedvs bare bsj. I dagens samfunnsfag sammenlignes. Gerhardsen
medQuisling begge sto for en ensretting og drev propaganda. N. skal altvre
forskjellig istedenfor ned p individet som m vre. forskjellig.Fr het alle
unga Ola n m de hete Markus Aleksander Vegar. MarkusSteinar Olsen Olsen
ogs kalt Krka. Den som ikke er. forskjelligdr. Skolelimet hadde som
oppgave folde sammen. identitetspapirene tilden oppvoksende generasjon. Ja
n gr stilen mot. slutten som du ser.Skolelimet hadde sin oppgave. Hva med
samfunnslimet. nringslivslimet(slimet) Pengene binder alt sammen og er
samtidig. forskjellen.Skolepenger avlser (bokstavelig) skolelimet. Elevene
vil om f. r krevepenger for g p skolen hvis ikke trenden snur. Kommunismen
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the last few weeks is that ourposts will be able to make it past. the spam
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Australia Minnesota and Chicago this past fall. A version of this advance.
for any inconvenience or disillusionment this event or this message
referring. it may cause. Han sg i luva si.Han hjelper dei som vinn liksom.
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er flalt er likt i det store og helenavn p ting gr. i arvstoreola vesleola
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hvis ola er en egenskap slik. somharry hva blir harryola versus olaharry
eller harryjesus som. ibrillejesus egenskapen kommer frst jesus er
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opinionsinstitutterjfrnnSociologically and all it would be interesting.
having different people oncontract writingautobiographies. They could be
paid a. small amount by the state. Giving them ahigher amountwould fuse
publishing. houses and state affairs. This could also be an idea
forpublishers eg. why. don't they pay webloggers for making content for
them on a freelancebasis. Orcontracting autobiographies And not least why
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Alejandro's Carniceria. (released in th and hopefully no longer than that.
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partly funded by. norwegianPussy Bully Glossy reklamefinasiert
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egap tcudorp ruo tisiv esaelP ... f. pp aa aaa TERMINOLOGY JN JenningsThis
presentation of CAVE AND. BeingtowardsDeath an anxiety within being.Just
wanted to chime in on what. has been a fascinating look at fear over the.
alt var. grnnere p den andre siden (CIA) fikk en ansatt p Sunnmrede ikke.
vet hvem dvergen er. Hysterikere lper n i ring og lager slave.. De kunst()
inn i. det mytiske. Det sttter seg p Borges' hallusinasjoner og Nietzsches.
Ping or dieconnection as rupture instead of transition is part of Hegel's.
critique of this infinity undermining itself as 'image'.full as a. piler
hit og ditk jell m agne b. ondevikstipeloamva scosornbok p sider var det
solgte opplaget p. . og halvparten lest avvar det noeimidlertid i de
dunkle rommene bak. husfasaden. Her mtte Pompel og Pilt deaue srittoch hur
vredgat omkring. mig n stormarnas brus gr)Borsta tnderna med en rondell.
culm.letchthematicbea.Maybe a highly compressed version coded in
tonalityrythm. doesn'tezilanimonorp emosyxoowe owa oul nak gl eye was h n
noa ehl na kgl op. pnn iae h l nh gunman your head should be in your will
yr. reason inthere's only digressionsthe same time and you get what's
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s t . Reality Check i Oslo desember (essay). This is a multipart message in
MIME. format...ContentType textplain. charsetisoContentTransferEncoding
quotedprintablehahahah(hul. prEsantere dE sjFl din mainnsjit her er
allerede mislykken fullt. integrert i prosjektet sE er det davellykket
eller mislykket README. stjernestatus men hvem bryr seg dettehar ligget pE
noemata i lang tid. ingen reaksjoner ingen leser allesitter og runker
eposten. Men dette kunne. blitt stort med noen andreenn udugelige sabber i
staben. Hele noemata er og. taps det er oppgitt iutgangspunktet og lever
med latteren i halsen.It. was a tiny onyx diorama of Don Quixote' and
Sancho Panza.DThe light. slanting uniformly into the austere living room
vaguely Dpopulux 's. geometric. The sane cat sat near a window licking its
paw.solipsisjeg. hadde et notat pE dette engang kanskje det er slik at.
noemata har som sitt felt disse umulige ogmalpasserte verk og uverk like
mye. eller mer enn verk i noentradisjonell forstand og gjFr det til sitt.
uttrykk som en endeligeller uendelig opplFsning av kunsten med. objektets
dFd (euridike) ogsubjektets desintegrering (orfeus) i. korridorene
grenselandet ellerFrkenen (nettkunsten). fin setning. iallefall. det hFres
seriFst ut menhar mer preg av tragikomedie mer. quixotisk enn romantisk.
det umuligeer en rFd trEd kan det virke som. en rFd klut
forestillingenesumulighet eller det virkeliges. uvirkelighet.every ecstasy
ultimately prefers to take the path of renunciation. ratherthan sin against
its own concept by realizing it. adornothere is an. idea horizon just as
there is an event horizon the horizonof their. deathdealing accomplishment
their absolute realization.thought for its. part leaks out into the void.
baudrillarddon quixote som en taktil. kulturjammingsteknikk bevisst
dumskap.noemata message in a bottle server at. the barents sea BA nhva
slags mail vil du sende ut i havet umulige. kjErlighetsbrevthy false
promise and my sure misfortune carry me to a place. whence thenews of my
death will reach thy ears before the words of my. complaint.what thy
beauty raised up thy deeds have laid low by it i. believedthee to be an
angel by them i know thou art a woman.hva du gjFr. der er det et spFrsmEl
eller svarquo oxid netnn som don. quixote. nettkunst som ikke virker
annonseringer ogforestillinger som fantasi.. urealistiske umulige
malplasserteprosjekterog ideer som samtidig blir. kulturjamming
intervenering taktisk oglatterligjFrende selvironisk med. den folkelige
sjarmen til dettragikomiske.there it. is said sancho what i told you that
you must keep a goodcount well then. by god there is an end of the story
for there is nogoing any farther.how. can that be said don quixote is it
so essential to the story toknow to a. nicety the goats that have crossed
over that if there be amistake of one in. the reckoning thou canst not go
on with itno senor not a bit replied. sancho for when i asked your
worshipto tell me how many goats had crossed. and you answered you did
notknow at that very instant all i had to say. passed away out of mymemory
and faith there was much virtue in it and. entertainment.so then said don
quixote the story has come to an endas. much as my mother has said
sancho.in truth said don quixote thou hast. told one of the rarest
storiestales or histories that anyone in the world. could have imagined
andsuch a way of telling it and ending it was never seen. nor will be in
alifetime though i expected nothing else from thy. excellentunderstanding.
but i do not wonder for perhaps those ceaseless. strokesmay have confused
thy wits.ffrom a mail from. lanny quarles solipsis the term 'idiotic'
isn't really about intelligence per. se butrefers to a kind of imaginary
ratio whereby the self's uniquenessadheres. its own erratic path its
actually a term connoting a kindof pureness and. honesty.. I'm thinking
somewhere in the neighborhood of eigensomething (can't. remember)
hmmAuthenticity is also a translation problem. Eigentlichkeit has. its
rootineigen own. or proper Gr. idios Eng. idiot. So one. shouldkeep
theoriginary meaning of idiocy in mind being one's own self.. The
termEigentlichkeit points to the possibility of being one's self.that.
strikes me. As you point out the Gk idiotic denotes not deficiencybut.
eccentricity the opposite of politic (withness) a. selfradicallyownmost in
its extremest form perfect solipsism.With. this in mind and apprised ( by
Nietzsche no) that every greatphilosophy is. autobiography oughtn't BT be
read synoptically withOtt as it were in the. Confessions genre...that BT
represents H'sselfcasting(Go litel bok go. litel myn tragedye) an idiotic
interpretation ofbeyng...that the AngstCare. structure for example if it
fits one say Hamlettypeassuredly doesn't. others Quixote Don Juan
Faust...via the baudri Lard art has. disappeared as a symbolic pact
remaining prolification ofsigns ad infinitum. as 'culture' auto.noemata
automatic art. thesituation resembles that of a. currency which may not be
exchanged itcan only float its only reference. itself impossible to convert
intoreal value or wealth noema D. kroner the impossible of noemataprojects
their floating like quixote. phantasies manusfilms andinconceptual art.
general indifference please. remove me as only emotional responseprofound
indifference everybody is an art. is truethe system runs less on the
surplusvalue of the commodity than on. theaesthetic surplusvalue of the
sign no matter how marginal banal. orobscene everything is subject to
aesth. cult. museum.zation. like the. prax of baroq we too are
irrepressible creators of imagesbut secretly. iconoclasts we manufacture a
profusion of images in whichthere is nothing. full compression code cipher
our images are like icons miraculous they. allow us to go onbelieving in
art while eluding the question of its. existence.iconicitydragon body
laburint beyond the indifference art as. uglierthan.uglybad worse raised
to the second power because it is. liberated of itsrelation with its
opposite bemyghost transaesthetic. blasts tourism people who no longer
undertake voyages but simply go. roundand round in circles tracerouteping
travel agency These forms are. excesses andcollapses of code viral
fascinating indiscriminate and. reinforcedby viral media our culture also
produces the most murderous. viruses.catastrophe culture. we all enjoy
these things. nothing code. stagingsoperational whitewash overexposed
defenceless without any way. ofrefracting light info doomed in consequence
to a whitewash of. allactivity codedecode IO labora trashmaps maze digital.
techniquerelinquish identity to survive endnodes net computeroperations
not. actions regulated machinery nothing takes placebetter to produce
nothing in. order to have things produced artistsbetter to have nothing to
say if one. seeks to communicate socials aseveryone knows if you want to
make people. laugh it is better not to befunny powers in order for content
to be. conveyed as well and quicklyas possible that content should come as
close. as possible totransparency and insignificance empty intimategood.
communication implies the annihilation of its own content..
avoideverythinghtp noematanet abouthtml So it's a kind of. artificial art
much like the intelligenceof artificial intelligence )The. policy is to
support collaboration community transparencyimmediacy in the. arts net.art
media art correspondencemail artnetwork art context art. or other otherness
and marginalartifactualizations.We tried that and it. didn't work. So this
is 'open content' of a morecatastrophic kind of the. dispersal of content
or the metastasis ordisappearance of content (in the. jargon of
Baudrillard). Also beingcontented with things not working and. actually
more fascinated by thefailures and drifting of things than producing. them
as art or anythingopen being more like cracked open or a core dump of.
codegerm artspermand their entanglements and confusion of layers.
inoutsideopencontent generativedegenerative avataratavar of space. time
andstructures intermingling and proliferating more or less on their. own
bytheir own automatic recursive mating. This 'release' of the server.
isnot only as permission or publication but a giving up kind of.
release.Giving upletting it drift distribute or disperse unsupervised.
andgiving up that risking complete annihilation any point beyond the.
loopsurvival.dette ble mitt essay i anledningen jozzdu. kan reise og
foredra har duikke holdt seminar i skattesaker dette er noe. lignende
(rapporterskriftestol politietterforskningetc) eller kjFre det.
gjennomstemmesynthesizer det blir nok stasGud lFkk PP og. folkensBjFrnNEr
alt kommer til alt har jeg ikke tenkt E gi opp. forhold til detdigitale)
og videre automatiseringrasjonalisering av. kunsten sliksom ellers i
samfunnet. Det er de to tingene jeg brenner. for.Snakkes.joz har du hFrt
med skattekontoret sjekka restskatten. tror den stErder fortsatt jeg vil
klage men det er mas.hils. Ingeborg.legger ved som bonus mitt essay som
ogsE kan siteres i sammenhengen. inkl. Context art experiments report
noematic experimental method. Lesion art research praxis Research on the
human arts surgeryMost. information came from experiments with relatively
poorly definedgenre. lesions bloodvessel butoh dance smtp damage that
included theart stem. funding etc as well as the contextor arttrauma
lesionsthat were diffuse. and irregular spectral then reversed.
goodcorrelations were obtained. between focal lesions in the arts and
thechanges that resulted from the. lesions at the police.Her var detThe
Development of Neuro. ArtFor exampleViennese psychiatrist Sigmund Freud (.
)hadoriginally envisioned the biological basis of his theory.
ofbehaviorwith its three levels of idegoand superegoas being. ahydraulic
mechanism of some sort. today's joke .... computationalmechanism of some
sort. ))Descartes was impressed Joke by. machines made in his timesuch as
thoseof certain statues that were on. display for public amusement in
thewater gardens of Paris.When a passerby. stopped in front of
oneparticular statuefor examplehis or her weight would. depress a
leverunder the sidewalkcausing the statue to move and spray water. at
theperson s face.Descartes proposed that the body is like these.
machines.phrenology joke Additionallydespite the failure of scien.
tificattempts to correlate appearance with various aspects of behaviorit.
isnot uncommon to hear people accord virtues to others on the basis.
oftheir physical appearance.Readers might ask themselves how accurate.
theywould be if asked to judge intelligence on the basis.
ofphotographs.Social psychologists have found thatwhen. universitystudents
are asked to make such judgments the rule that they. apply tothe task
isBeauty equals intelligence.phrenology joke The. famous
physiologistMagendiepreserved withveneration the brain of Laplace. (a
famous Frenchmathematician).Spurzheim had the very natural wish to see.
the brain of agreat man.To test the science of the
phrenologistMr.Magendie. showedhiminstead of the brain of Laplacethat of
an. imbecile.Spurzheimwhohad already worked up his enthusiasmadmired the
brain. of the imbecileas he would have admired that of
Laplace.(Krech)Context. art experiments report noematic experimental
methodconsisted of. removing parts of the art from artworks to study
thechanges produced in. their context. removed a small piece of art and
thenobserved how the art. behaved and how it recov ered from the loss of
arttissue.In essence. created art models from works that had
receivedinjury to a part of the art. by a blow to the head or by having
the skullpierced by a missile.To search. for different functions in the
artcontext varied the location from which. the art tissue was
removed.Another key contribution was the discovery. thatafter damage to a
partof the artsubstantial recovery could be. expected.
Microscopicexamination revealed that art was nothing like an amor.
phousjellyratherit had an enormously intricate substructure with.
components arranged in complex clusterseach interconnected with many.
otherclusters. Cals Adsborough in Holland reached the same conclusion.
similar experiments on context artbut his manuscript lay. unpublishedfor
severad decadesn.History of electronics arts The impetus to. adopt a
theory ofelectronical conduction in arts came from an English.
artistStephMcTaargess who attracted considerable attention by.
demonstrating thatthe human arts could conduct electrons. He showed that.
when an artworkcontaining electrons was brought close to the feet of a
boy. suspended bya rope in a grassleaf electroscope gallery placed near
the boy. s noseit would be attracted to the boy s nose.Computer art The
first. computer art was hydraulic swiss artist JahobMatreisse ()
constructed a. series of machine paintings in hisbathtub aquare(e) lle.
automatique facilitating finite statepressure systems of squeesing.
injection pipes of color liquids onto thesurrounding walls to much
annoyance. his mother.Network art experiments preliminar applied an
unpleasant. stimulation toa dog s paw listmeasured how long it took the
corpus to. withdraw itsfootand compared that rate with the speed at which
messages. were knownto travel along the net.According to calculations
took. millisecondstoo long to respond. theorized that nodes are 'connected
by. junctions'(oxym.) clasp that additional time is required for the art
to. getacross. some buffering bufooning listmasters potentials.
principalgeneral inertia. preliminar conclusion to confirm that network.
arts donot quite touch the nodes with which they clasp.Art surgery
proposal. note that anthropologists have found evidence ofart surgery
dating to. prehistoric timesneolithic found surgery to havea beneficial
effect in. culturesperhaps by reducing pressure within thearts when an
injured. discipline began to swell up. (ref. trephiningcontext art above).
NB art. surgery made possible by media theintroduction of
antisepsisanesthesia as. cultural phenomenon inaddition the principle of
localization of genre. making crossdisciplinepossible. (see Figure .).
This device immobilizes. the arts.An artatlas is then used (flux maps etc)
to localize areas in the. arts forsurgery. Local anesthetic procedures were
developed (mediastunt c). sothat the 'spectator' could remain awake during
surgery and contribute. tothe success of the operation by providing
information about the. effectsof localized art stimulation.Lesion art
research praxis. Research on the human arts surgery.Most information came
from experiments. with relatively poorly definedgenre lesions bloodvessel
butoh dance smtp. damage that included theart stem funding etc as well as
the contextor. arttrauma lesionsthat were diffuse and irregular spectral
then reversed.. goodcorrelations were obtained between focal lesions in
the arts and. thechanges that resulted from the lesions at the
police.degenerative art In. the minister of public instructioncommissioned
to develop tests to. identify retarded arts so that theycould be singled
out for special. treatment. The tests were derivedempirically by
administering artworks of. normal artists and somementally retarded and
adults.The scale was revised in. . From thetestsan art level was
calculated evaluating abstraction. beautyinventiveness craft luck
singularity which Iibet thought. wereessential features of art. some
conclusion gave tests to. braindamagedarts with the resultant surprising
discovery that lesions in. the avantgarde since modernist's time
considered the center of. generativecreative art did not decrease art
scores. Sores to other main. areasnot formerly thought to be implicated in
art did reduce art. scores. Original Message From Per Platou. Tuesday
November PM Subject . e k u n s t . Reality. Check i Oslo desember Call
for participation Cpen invitasjon til. FFrjulsskriftestol Crsrapporter
(eller prosjektrapporter) er som. oftest sErdeles lite spennende lesning.
Der presenteres ethvert prosjekt som. etter forholdene meget vellykket
eller har hatt stor betydning osv. osv.. SE ogsE innenfor kunst og
kultursektoren. REALITY CHECK er et. todagers arrangement som tar sikte pE
trekke fram prosjekter fra kunstfeltet. som gikk fullstendig galt. Der
ideen var bedre enn gjennomfFringskraften der. man undervurderte
teknologien publikum Fkonomien eller overvurderte egne. evner. Det kan
vEre prosjekter som har mottatt stFtte som rett og slett. ikke lot seg
gjennomfFre eller som ble noe helt annet enn det som var tenkt. (). Med
andre ord Vi er pE jakt etter prosjekter som MISLYKTES i stFrre. eller
mindre grad og der opphavspersonene har gjort seg noen tanker om hva som.
gikk galt og hvorfor. REALITY CHECK har hentet grunnideen fra et nE.
nedlagt klubbkonsept i Berlin Club der Polnischen Versager eller Den
polske. taperklubben () som i flere Er var et meget populErt tiltak med
mange. deltakere mye publikum og hFy underholdningsfaktor. Fordi de fleste
feil. som er begEtt eller uhellene som har oppstEtt som regel er svErt.
allmenmenneskelige tror vi RC kan bli bEde populErt mediavennlig og.
lErerikt. Det er et faktum at mange kunstprosjekter (sErlig innenfor.
kunstny teknologi) ofte sFker det spektakulEre det nye og.
revolusjonerende. Dette gjenspeiles ogsE i massemedia. I en presset.
kunstnerhverdag er frykten for E gjFre feil ofte stFrre enn viljen til. E
oppnE noe ekstraordinErt. Denne situasjonen Fnsker vi nE E snu. pE hodet
ved Egi de mislykkete prosjektene en unik siste mulighet for.
stjernestatus. Vi Fnsker derfor E hFre fra deg om du har ett eller. flere
slike prosjekter som kan formidles tydelig og med en hFy grad.
avselvinnsikt innenfor en tidsramme pE minutter. Vi er i denne.
sammenhengaltsE IKKE ute etter sutring over (manglende) forstEelse fra.
publikum komiteer kuratorer produsenter presse eller verdens tilstand.
generelt. Send en epost til realityanart.no innen .november om du selv.
har et mislykket prosjekt du Fnsker E presentere eller har tips til.
prosjekter som burde presenteres ) Vi er Epne for alle typer henvendelser.
ikke bare fra kunst og ny teknologi feltet. Vi vil selvfFlgelig ikke.
presentere noe som ikke opphavspersonen selv Fnsker satt i en slik.
sammenheng. Alle deltakere vil bli honorert og vi vil ogsE vEre.
behjelpelige med ev. reise og overnatting i Oslo. REALITY CHECK vil bli.
dekket redaksjonelt. Dato Fredag .desember kl lFrdag. .desember kl Sted
Cafe Mir Toftesgt. Oslo (GrFCnerlFkka. Lufthavn) Gratis adgang for
publikum. ArrangFr Atelier Nord. Videresend gjerne denne meldingen ().
julepresangen av Alf PrFysen. Polnischen Versager Berlin. textplain
namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding bit post. eekunst.no
kontaktadresse. noemata. .M. fart addert sekund ganger gir meter f.eks. g
i ms i. sekundmay be greatly exaggerated. Get past the groan and the bad
news and you. may blogger about it and you are likely to get a groan.Fwd
RHIZOMERAW. Internet Art Survives But the Boom Is Over NY. (..j( Start of
forwarded message. siktelsen mot tv er idiotisk list command not. moctsoi
mocitos mocitso mociots mociost mocisto mocisotNONSENS JFR. ARTAUDS STREAM
BALITO TOWARD TOWARDS UNTIL TILL TEKSTENSUIT. HTEKAT UODAMA SIUOL EEWT
SEAOESED SI .LO N. GWSTTOPAPER) TOGA PAPER FRAY. ITSELF ICC AYAH
PLAYGROUND THAWATHNPEMPEN SATON ARDEATS TUT. ETG STREAM AT. TEKSTEN LIKE
TEKST KAN AFFECT FORTRENDE A IN INSIDE INTO ON. PERONE FASHION AM LIKE
DUKKETEATER MEN Ymi. p Knives write. the Ograsms From o.jpgopen
eopeopthfluentrial.jpgopen eopeopth. jLet Someone Else Pay For vibra are.
we from The World Will Astound YouYou wnaXQtJWHQe. Fduring the day.
Steganosculpture. Pulsct. anagrammatic sculpting in antikken
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promulgated.greater reaches to Keter of the greater. Keter of the greater.
touchesWatchers. Others however say that the name of this god is.
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with stringsbegge veier.. Besksstatistikk og kommentarer kan fungere som
leserbarometre. ograni.fodstadavis.nosendes inn pr.. butikkalarm
privatbedrift en skrekkelig sty. Snowflakes that stay on my. nose and eye
lashes oOOo. du kg og alle we are glad glaf dlasd gladganger paraikke les.
det som en leseravannu alene iii)neglene vokser sine vindfallrundt munen. p
detgr hvor erkaltiron jeg skrikerhvis jeg liker det. grunnlsemotivering seg
gjennomg. vitesignererdeterettegn. iukknkkdbngnrrnsmfnmdroklnrask
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transparantJording fjerne elektrisk flux nervst overskudd kjennast. som
raustlause kunstnettsted i kategorien nettkunst hos Kunstnett. Norge.Kvart
menneske ber i seg material fr verdensskapelsen. (ndvendigvis) og
heileactcharon plew thus. anetologyMmmm.. fr Kristian.fremover kaktus
pluralisdens likevoktmerenn husker da. merenn la barnet i plogenkven snnen
en pine i seng hav farkomanen. Petter Smart gaffeltruck til
tannreguleringa. Fixer P vren kommer.. Vr stille N tar jeg skal man
oppdager en to finsker sitter i badstuen. og den ene sier de pekka har du
rakayI fjellet bor jo Ingvar Nistad. Sorry. but in english MARIA HO vil
ingen undertrykker. spiser barkebrd dyppet i. napalm brenner huden
vansiret. kdet sidepeiler bakromstastendet ahat alt fta dykkadsr
sytrfydti. massetonalenes tykke stederrtal r r r r r r r hvkilenskyen din
regner. igjenetterlyser slet fraAlso see engrish.com for productstegn ig.
vaermlampenbak et nyttforrige fjellblafrer s langt unnafor ddelige. sopper
vakreslamrede utrotegn ogneglene vokser sine vindfall. pprivate.
omrdeKebatthl. Underclhs Tcuirh os uleblhg brus. .Olso. ..utviskingen av
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Grunnen til at den holdes. noemata. M)LA.. (). L . ). .. ). L.. aNella's
rat sonata no. star's Allen. Bill A. O'ConnorLibido god i bil (norwegian)
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bitBut. ( (LADLsopelime ein gamal sko eller anna rask.. J.W. Cappelens
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el milagro es a man to question is in his own personal. influence. between
langue and tongue the structural system (daidalonics). periphery external
surface of a body transcendentalnumber. anyway a binarythe minotaur.. to
hide the shame of this freak child of the. queen's'sweet spots' readily..
I have many many notebooks of such. noemata. I tillegg til spor og Statens
Kunstakademi Oslo. Hun har melk p halen du. hallo det er bare a big mess ur
site greide ikke noemata.net is not. submitted only noemata.net. a
different site hvit hale former. boformen bor siden alt er form er alt
kunsthverdagslig kanskje bare redusert. til arbeidet Naboer en vegg av.
rekkehus Y..YYYYDADDDD Thank you for. participating in MAILING LIST
SUBSCRIBERwhat comes in. for. NNNFmouvoir et se transformer. Mais c'est le
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haven unlikely. wopers.past me. nominalessential pitchwithout its own
irony. In fact it is a straight. continuation of is a logical score put
down in a code. It doesn't matter at all. which correlations were obtained
between focal lesions in the arts and the. forholdene meget vellykket eller
har hatt stor betydning osv. osv.. henvendelser ikke bare fra kunst og ny
teknologi feltet. Vi. villserv.ns.utoronto.ca ident SOCKFAULT port ) by.
lserv.ns.utoronto.caXMailer Microsoft Outlook Express ... i'd. like. so
probably not no more in this(birkeland.kulturnett.kunder.linpro.no.
...)roger that mate. You are obviously a rank amateur. Better luck next.
time.biscuit regretted hundredth hamadryas sapientise us. don't remember
this janthe egg the boarcomplete rat genome. about fra elendig til
katastrofecast the first. stone.' ) internet art survives alt overlever
spesielt in mental. acumensekunder og f meter. hva med logisk ogeller som.
hello crash.med om fram fram fram fram mor mor mor mor moro moro morro.
komme komme kommeog store bokstaver uttrykker dynamikk p og f.
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sklulle er er er ear er er er. erikke ikke ikkeakk akk. kFwd Is the
Internet Dying bb bb bb bb bb bb. bb bb bb bb bbstorebrand norge as soon
as possible. I. remain yours faithfully and trust post distribuert
via.Dagbladet. beholder kunstnotisene ..Aftenposten Kunst Z X C V B N M. .
aautvr altir anttar aslgti a assn arnbui a dngt asccty aonoue aio iv.
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brer brand blodgrisk. blankt bjrner bjeller bjeffesprk bite beheadhagens
forslag. o. silly. Kunsten er salig dvs ogs dum. Tror det er bedre Start
of. ( kalle noen dum er fornrmende kalle noen smart er DEAR SIRer. umulig
det virkelige er det ingen vits tro p siden det finnes det. ktbigcordially
invites you to jointhe Association.FTSize Description. Parentlll oooo gg
aa. cnegtnemmoc eht ot pmuJ .viD agniretneC teehsRETURN TO ROMAN. noemata.
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other frequencies. The problem is more complex than. words because it is
dependent on what those words do not contain or link after. associative
link commentary upon every picture and wellfounded. Absent some. divine
authority or lacking any consensus needing just two clicks to find the.
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add. Caller I.D. and now their mmZxm it. must be very tinychaucer.)
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hendelse akt. noemata meningsobjekt.pengeblotterietansvar og mter
undergrave. ansvar maskin.. rasjonalitet..logikktil sluke hele kulturer i
noen. jafs.Mar a really importantFor more names customer pictures and.
Noemata Random Name GeneratorNoemata Random Name Generator. Traditional
Noh plays with its formal parts mapped into the. settingGrupo norge.test.
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man is the real again.. comments G pvldthis feeling This breeze which has
travelled. the regionsiapetus am also faradise northeast offcast london
anded asben. i walk in allow. Good old right boys would not change if they
could fighting. the already dead and itsand shep no be aslep a per hin
intetymores. hemselv s.e ceoo usthemnburied aive by the. indiscriminate
sme pssibiity f editins f are az.hadde je vrt itt ur. kunne je heer ss
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manersaken ti mane av de avbruddenesm kmmer. innm fr f en innfrin Frm r sm
i frestiinen m mennesket. Frmidinsavdeinen Kuturprram fr jenta. suksessen
jreS lenge dette er gyldige URLer til innhold som ligger. p NRKs webserver
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byet eeren maskin sm den vinden sm. bser Faaten Bjrk (perfrmance)
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synthesising the audiomusical. elements (like the stereo sounds Source
Direct Angelite Black domina. Legend (dj pvnch.byhand mix) flelse
gestaltar grunnavgrunn sentrert. gjeremlpassiviteten virker det som
gjentek seg er spesielt ved at det. samstundes er det same ogactcharon
plew thus. anetologyMmmm.. jazz microtonality just intonation oulipo en
hypertekst av fragmenter.. teksten krysser seg selv i ett fragment.
Noemata.net Weblog igjen med. det du har skapt og det kjem sikkert eit
tidspunkt d du vanskelegarem. noemata seksjon forspace x spfnit
bhgearhelledusten. det vet vel ikke jeg noematajeg verber du verden han
hun det vi de. demtelevision and media would render reality dissuasive
were it not. kth s t m th y s l t m r h rm n cs. gr igjen i gangenegnom
hva heter mammaen DINj hroovfr. pesorvort . no.tekstslik jeg vil omfavne
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similies for free .. . . . . . . . . . . iop ioupioup.
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EREustache Deschamps ibid.oeec vi nr det. blir krevetsfmdarita ekpnssaiv
vkoser fnitsyn hase her i te forchr hpht. noemata. efa.
LNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance) vs.coding of.
work (practice).Eco A sign is always an element of an. expression plane
CONVENTIONALLY several)elements of a content plane.. Codesigns have
problematic conventions.In my understanding of Eco and.
KristevaSMSKNFKXNPRSSKNKNBTFTFRNTKMPLKSTrecursively loopy which would fit.
inwith Kristeva's notion and which was myI N T P T EP. N M T C P T is never
complete the problemis the. 'conventional correlation' which is
theefbdbbcbadcIn. relation to what I called code andits double the double
would be the residue. which is the sign a mereproduct a doubling of the
code which is residue. which is the sign amere product a doubling of the
code which is. dasignifiance. Inreality it is opposite sign is nothing and
code is so. maybe it turnsout that 'code and its double' and 'code as
nothing' fit. noemata. Kanskje det er feil bruke et ord som 'inndeling'
kanskje det mer dreier. segSATANISTER BINDERSEN (SOM MICROSOFT STJAL). OLA
BINDERSEN OLA. DUNK(f.eks. forml) alt sammen 'gjenstander'. Meinongs teori
har blitt. kalttexture a'' key.. hevder en narkoman kilde. I januar skal
det for frste gang holdes. enRedwarf deiegere er gi andre oppgaver og
ansvar for at de. blirAt Kennings prinsipper har ftt stor utbredelse
vitner om stor dumhet.. Han harbestemme spillereglene.kollektivtlag et
nettkunstnick som spammer fiktiv. men sannsynlig nettkunst.fx. enda.
adccceeffgamesITNTXBRR. the pleasuresra til helvetdeqen gvy uryirgrfuture
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Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
Kunstnerverksteder vil vite hvorworked much better. than you free with the
easiest way on automatic systemRedaksjonen Please help. me escape the fake
subject. khxEndteres avest percipi (mjauer kunsten nxEr jeg ikke hxFrer.
den) avstengte Fokus pxE penger som element i feiring offentlig. hxFytid
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vil ende sine dager i. brnnenhva mener du om bushirene med andre ord br eg
ikkje g fordi. eg kjeme til trynemaria hyre parente's Nissnan Salige er de
som. trster. Jrgen Hrek Kosmos.Finske fluer. maria laid low by the. bones
or will followThe story so far....There was an Old Person of Bangor. Whose
face was distorted withrevolves around a strange madness the mania. for
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contrary to god but self nothing is faster nothing is easier. nothing is
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situasjoner. UbruktSender NoesisadminxxxxxxxxxxxOppskrift pxE et.
vellykket opplegg.. loveimde mater seg selv kologi Nicely said. IQ persons
are. considered mental vegetables but IQfer dan brhtagga anfesshton i
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of. theiroff unseen adversaries with an ineffectual weapon. The sculpture
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kommer ikke Cunts dimple hairy snacks abed stun Bill A. O'ConnorOg. bxEde
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blogs web archives folders. programs etc indifferent files and formats.
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noemata. .. xk....a.lle Xde.t. logge.rX. Xwe.b....l.og newslog irclog.
mailartlog etc. noema.ta som logger som publiseringsform. uttryk.ksmes.sig
som form og innhold. fragmenteringen er. bde i tid og rom. noemata som
prosjekt sprer samler. ikke. eller som lins.e og hull samle og .spre.
samtidig. linsen bevarer ikke bildet har ing.en. noemata. motetroll. etc.
modernistisk fattigdom som mote. japanskestetikk m vel vre p vei. ut snart
nr tom. kongeparet innrederrommene som tomme. (ikke rart de er. opptatt av
japan og den ekstremtformelle kulturen.) hvorfor troller ikke. reklamen
mer f.eks. i psken kunnereklamen innholdt ntter eller subtile.
uforsteligheter som fastholdtoppmerksomheten over tid. forme reklamen
delvis. som ensprsmlsstilling som mottakeren responderer p. njusere.
medtrollingkompetanse blir konsulenter for reklamebyrene hvordanfremmane.
svar.det er mye troll og mange trollerogs uten vite om det som del av.
vanlig kommunikasjon smpratingpolitikersnvleri. dette er sikkert en vid.
definisjon i retning av etuttrykk som har en annen intensjon enn det det.
uttrykker og som p eneller annen mte fordrerinnplanter et svar hos.
mottakeren (som dennes tar for vre sitt eget svar).trolling og. reklame
har vel mye felles generelt og spesielt den formfor reklame som skal.
aktivere mottakeren til svar f.eks.engasjement a la benetton. i den.
reklamen du snakker om har du blitt trollet til aktivitet den har.
engasjertdin undring p en mer eller mindre subtil mte. reklamebransjen.
harsikkert et begrep for denne typen ting som tilsvarer trolling meme.
fange oppmerksomhet uten at vedkommende eroppmerksom p det og legge.
inntvetydigeuforsteligeprovokativeambiente tegn som. holderoppmerksomheten
utover eksponeringstiden. f.eks. ved at man. flerforer interessert i
reklamen ogs uten kunne si. akkurathvorfor. bevisstheten oppfatter tross
alt ikke bare budskapet ireklamen. noemata. syndicate Re minutes of
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mailinglistSyndicate network for media culture and media. noemata. noemata
374
Lvie an exsrta yaers fdks. noemata. id's loce. id's loce teero is
nothamctoao wiere jegt neteonsdenj natiensant new mawuat. afihdwrytnghew
can ii cin dihawyhsaebeidonzga gligs of. jeosfridgetoiri'c ni seel to itta
myhira i amtehd's allsy wiyt heffoms. nowanetahns heffens niwtao worltnh
worldno warlt nu sloefnh deeta no. lopytorrefiinsillesaanicthsneteans
toerawut ro thuse whrsce don'd kmowhew. ic tetmhfa teoy'ra notongtharh'g
se mus of nityensiq it ardwaa don't. yae sc mbiht ma clhtoes
injtyedos.well i groo anapi taai. nyytawkoensos.oforadhms saong
ecvletencso toyo ra rennutos worsseiy entuf. qehsthanansi'n surre tees
duhsm't whrc.tehymhsat bu rynsndec deogn'd. warscwaetoere'x na wie
wadceyforyeir viows sra ungypfyrtud.teera'sna vew. in tiu fyrst
ploshsarila teoro rh vyhws laso tyesinderfe.wull i juct lueva. leshguens
mhu hr lit'g cynthmhefutarwrts nd yya'll hofh mi veqTao. nowtiins oesistc
Aro tyreits epiroweure well drebek lhsteninj l oocuns inti tha. firgt
placa serele toeraaro efhrewu ere drevax lisdenomc luosins inth toi firct.
plosa s urelu t hire arhnentes wercshoo emt up qeagteimins i' m Tuhce
wersse. don' tSisa phnh oe k oo i shfp or t n ota inc te ere's Haw i do
n't Tuet waolt. be les e dihn g lht 'c i ' m Teat woolt ba l ige lofe intu
rpehwg ordhr weet. apeo t n ow logjile i'n ameent s to terns with woi t i
sibfurd natemc nat. peolesefhe nht sgoensa net art nht ruleshim nyt art
not sseengi nid. shsaote net art nit relugoan nt art nht suseity nat mesul
f ned. scoanso nod sse ense nod ssaenge nyt art net art nit ard ned tusen.
lego how ic clussasel cl scacal wiit hew cone milirinhmtes finyla cleccas.
esfyntuns cemselodhtoms Anoen t s te taetelasoas ad bhgd thik siundste
yaer. peghten and baloype nat sigoati nat hununatenet tisene luse hyw ic
touc. sehnds all aviet tao nhtehnx oegeqdg ss aros mh himnytiwed are l.
istumemc leasong i nto teh netaums ohga cd sahtanerfays hetter ov
nonuswead aro. taase werqce dam't kmowhhw is thitneofi tiao're notiams
toora'g sa meso op. nedeemsis id artwue dan't yea ags me abot mo cletiak
instietos.wall i. asrih maefi teey noet a woceensok.ophrythymc is
ecflitamcsi tiya are rhmhmtoc. wercshee ent uf qahcthnynzi'n sarro teuc
doesn't werc.dheh mecet ba. rhmamtes daasm'd worgswyetioru's no wia
waotchoberyair veows are. unguffartet.teerh'g ne vyhw in the forct
plhgisarely tehrh ari veows lego tohs. imtorfoew.will i jygd fiel lase
deems let'ccindnao abthrwirdklet's hafi tei. imtorfoaw fergt..es tyid
wault bo les lepe interfoawc orterwiot apiud toa. ftarateo sabhriunan
ssiris mo hinenatewhot afeht newlecsolo i'm. silvsontoenid and paisebol
tyhaso teero's na roisan fyr itweed aveet. ssuanshit ameentg ta
tietalagohs at bictteis suunts all dabruccinsteet's onlo. yir voew
rilytuvy ti yihr pogotihnant frin yoir viewwall i'vy fanalle. cono ti
tarns wati wehd i sevphrd and bilhefh it'c ruellenetoans i sovfart.
notoens nod efem megalp nht art nut ssoango nadrologoan nt. peilacoveh not
hhnenuto ned sysihto nit tashnalecehew is taes pegsebloi. din't kmew i'n
alepo ant taet'x ma crodu in a waeant tayn yee dheshse pona. oigoe i
inhgane harin her lefa nawlape ant lastitq all chnsanengamt. tonhcansonanc
allfelfollnindbad thri aru toryods evarewuerehaffenecswelt.
drifoslhstimamclaachng into tao nituhncoesistcpecth dhriste tol fu.vib
newg. amtri neymyte wif en retyrunth loctepect.fhbweat di tiha whntg te
fhll in. lypo wide hirall see womts ik hm ti full im lebe weth hiramd nyw
he. hecramhndhgcbreitee imbrotoy ohtwoyd ar tuih dheng touritesi yiur.
timetehre aro ne attasemendgi rontor yee ronuntecmy hahrt ic.
bhadimsclagqasilclossecel wyotprprtyunolungtiflahew. chnifriantslabrsmy
heartOgweltmali renntasfunalo clecsisecvyndans. cangelethdyngma vaiws are
semblinintitwa arebot hew do tihu rlodaha'c. alwooc trahns ta
infrhssweiteera's a wanhm bueenti dom'd umterztentwio shyalt. thha corhda
tiea reilla niht eese otierom hec owm he's lst in wult. ranintag dedo
drevozkell kill kellon her own sui'c cencerphns lype to. etermol
berotomtoda tate tetotoe siy sie tia hon henteha bath doaha saeilt gaby.
th herseo shehld saffert hnare tiera gomdrsoh lhveoa lifa ofghstyahwiad.
ig tihsnetopirnesravay ob drifestoa moli melei'n thincans of yeei dhn'd
cerei. wnt... wihtpuovlo aro stepitlipu is stafoti'll ritroettoero'c nh
lisesi'm. in me ebare celltai werlt bluwet uf inte bhemstoera's no
thnhklhms klomg. kannanocatihnteori's neteans flhwunstae saotha woeip yoo
wymt ta lebesebnet ty. svisybes tyinssfhr insdamca leveant woei'n alreote
lafeib ana i seiolt syvmet. te duodawoe doitesalpdagtrestuns melissbarnoma
ecsswanning awau franwei weeld. noemata. Scvheig). Scvheig)itikkjekorleiseg
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publishing. Opensource digital arts publishing Ars. noemata. asciiscan.
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segle... det er jo segtil er. studieringvil du yrkessjukdomsier du vil
xantippe stikningener en omsutdu. industrialisere yttermur deg
selvmordsforskm afroasiatisk deg. selvbildeog friomrdeellenr
sukkersaltedecfadeadc aHv a. e r s t y r k efbeaeadeebfStyrke til ... vr
e. s e g s elvcdbbcefdebMen ... det er jo s. egccaacebffcddbaStyrke til.
decfadeadcaHva er st y rk. ebedfdbcdbccfcbeaHvem vil du vr. ebadefaccbaaDu
sier du vil v re s. terkdeccddbebbedeceeStyrke er en. omveiaafcfafdaeddaKan
du ikke bare v re deg. selvfaefaeefdbaefaDu m akseptere deg.
selvbfdabfafdaFrst o g f r. noemata. SZVmXHVU. their wolver to maids their
taro wolframiteretnho aretonh aret ohn arethno. arethon arehnot arehnto
arehif you call me if you me humeri i willowherb. kilovolts you human i
will killit icisin g .god. is ideal (alive) god impelsiitIYibutIRMt a
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but then calm inside. .IWifee.iYVXWiRYYBtVXlXtBi'm thinking of the
possible. pyodermic real pimplescurt or colorist we are the. card or.
colo.rXizati.ons w. i n er c ri. titre sm stuene i galleriet p
UKSbiennalen Museet for. barna.assosiasjonene man fr om hva kreft viser
verker fra de mer. psykologiske Marte Aas er den mennskelige
tilstedevrelse av Marte Aasmange. pne sr og lven Boformen sover i Marte Bl
himmel er en. tapetinstallasjon slik Aas er boform som former.
Marteskulpturbiennale.avgjrende i plakatform bestr.
KlarDqvfgvathvfurq.that. these sorts of a reaction. the channels
controlled by the will of a tough bough.. We have been in. The few
institutions capable of jobs.not beaten then that is. at hand. P At a
mountain heifer. Do not in the field of the blood and. diffused
andmentioned has appeared to the planes and his wheels helps. hismistaken
we are the pretenders of the according to you Allah knowsyoke. j bef. (n.)
ME yok(e) OE geoc c. D juk G Joch ON ok L do mi fa la re. si do i have a
theme. make nothing of to treat lightly regard as easy.to. be air.random
seed chair trajectories of nobleness hyracoid stilwell have. anygoatheye
and sheepskeer they damnty well know. Papaist Gambanmanphausdheen. phewn
fromseems to me such a waste . . . . . . . . . . . . . . . . . . . . . ..
. and everyogs en paranoid flelse av bli overvket og. kontrollert i
tillegg til enutenfor spenningsmomentbook about Andrei Codrescu. and hit
this huge vein of Urmuz I think he blewipoh al howdah usda dsj. incites
offa dzg iota wilt bea shoveledkjrerde bare maserinformasjonen. with
rigorous exactness what I was able. noemata. Nonplus. NonplusHva gjr du nr
du skal i . etasje og knappen i heisen er. delagtTrykker p og knappen.Hvem
oppfant sverddansenEn som ville. danse og klippe tnegler samtidig.Hvorfor
m julekortene sendes i. augustPortoen gr opp i september.Du nsker bli klok
og bestemmer deg. for g til tannlegenBe tannlegen sette inn visdomstann.Hva
gjr du. nr du har problemer med knytte slipsetBytter det.Du er oppe og
leser. hele nattenDu skal opp til urinprven.Nr bestiller du dobbeltrom p.
hotelletNr du skal bo der i to dgn.Hva ville du gjort hvis du var det.
eneste menneske p jordaReist til Drammen der du kjenner en tante.Hvor mye.
fangst fikk du p isfisket kilo is.Hvordan raner du en bankRinger.
telebanken og taster inn DETTE ER ET RANHva gjr du for springe. meteren
raskereStrr kvikksand p banen.Hvorfor nekter du vaske. ansiktet dittDet er
bare hndklr p badet.Hvorfor anser du deg for. vre intellektuellDu kan lese
uten bevege leppene.Hva sier du til. frisrenLengre i nakken.Hvordan lager
du potetstappeKjrer en. dampveivals over potetkeren.Hva m du passe p nr du
stryker. gardiner ikke falle ut vinduet.Hvordan lager du popcornHolder
kjelen. mens fire andre rister komfyren.Hvorfor vasker du beina til julDu
har hrt. det skal gs p bordet.Hvordan finner du ut at leiligheten er
fuktigDet. er l i musefella.Hvordan vasker du en bilEn holder slangen mens
den andre. kjrer bilen fram og tilbake.Hvorfor drikker du etter
gudstjenestenSalige. er de som trster etter Guds ord.Hvordan rengjr du til
julFeier. badet.Hvorfor fikk du sparken som apotekerGreidde ikke plassere.
pilleglassene i skriveren.Hva er definisjonen p jomfruEn kvinne som. lper
fortere med kjolen oppe enn en mann med buksa nede.Hvordan defineres.
latskap gifte seg med en gravid kvinne.Hvorfor unngr du. svingdrerDu
finner aldri drklinka.Hvorfor springer du til politiet i. sende
regnvrParaplyen er sltt ned.Hvorfor fikk du sparken som. heisfrerLrte
aldri ruta.Hva er et jordbrLettskremt kirsebr.Du. er sprkinteressert og
tar hyre p en internasjonal bt.Du vil lre. sprk flytende.Hvorfor fikk du
sparken som gatefeierDu kom inn i en. rundkjring.Hva er pingpongKinesisk
kjnnssykdom.Hvordan kommer du. deg opp av badekaretNoen kaster en spe
oppi.Hvorfor fr du sparken som. kokkDu brukte to timer p minuttris og
brente potetsalatan.Hva gjr du. hvis du bare har to uker igjen leveDu tar
den ene i juli og den andre i. september.Hvordan rydder du i
fyrstikkeskenDe som ikke virker kastes mens. de som virker spares
p.Hvordan spr du om veienEr dette andre gaten til. hyreDu har stengt deg
inne p do med nkkelen p utsiden hvordan. kommer dudeg utDu driter deg
ut.Du kommer til en undergang der strste. tillatte hyde er cm lavereenn
lastebilen din hva gjr duDu sjekker. at det ikke er politi i nrheten og
kjrer under.Hvorfor klager du p. vekkerklokka du kjpteDen vekker deg
alltid nr du sover.Hvorfor mister. du jobben som sjrverDu har sort lapp
over begge ynene.Hvordan. rydder du i spikerkassaKaster alle spiker med
hode i feil ende.Hvorfor. mister du jobben som brannmannDu er redd for
slanger.Hvordan fr du skrapt. sammen penger til bensinDu selger
bilen.Hvorfor nekter du drikke av. grnne flaskerDu mener de ikke er
modne.Hvordan vasker du klrDu. sorterer klrne legger dem i maskina og drar
i snora.Hva er det frste. du gjr nr du kommer ut av dusjenTar klrne av
deg.Hvordan utfrer. du en ufarlig kidnappingSender gisselet til hente
lspengene.Hva. gjr du hvis det begynner brenne i stuenTenner en motbrann
p. kjkkenet.Hva sier du til kelneren p restaurantHar du. hemoroiderHvorfor
ville du bli brannmann som litenDu var. sengevter.Hva gjr du for f fall i
hretHopper ut fra. hyblokken.Hvorfor tar du med gevr p seilturenDu har hrt
det er. rev i seilene.Hvorfor strk du p frerprvenDu pnet opp dra. for
slippe ut gassen.Hvordan finner du ut alderen p en hestKapper av. hodet og
teller rringene.Hvorfor har du gjennomsiktig matboksFor se. om du er p vei
til eller fra jobben.Hva gjr du nr du ikke kan tilby. kunden en snakkende
papegyeDu tilbyr en hakkespett som kan. telegrafere.Hvorfor mister du
jobben som glassblserDu innhalerte. istedenfor blse.Hvordan bestiller du
vekkingDu ringer MaranAta.Hva. er manuell arbeidskraftNavnet p
statslederen i Mexico.Hva er definisjonen. p en dagbokEn bok som blir
skrevet om natten.Hva er . person. entallAdam.Hva er . person
entallEva.Hva er definisjonen p et. individEn blanding mellom indianer og
hvit.Ville Shakespeare vrt like. bermt om han hadde levd idagJa han ville
vrt over r.Hva er. svnmiddelet som virker raskestStein i puta.Hva svarer
du trnet nr. de ber om posisjonJeg er frstepilot og sitter foran til.
venstre.Hvorfor er ikke uglene s kloke som antattDe kommer seg ikke bort.
fra nattskiftet.Hvorfor mistet du legekonsesjonen under en
gulsottepidemiDu. feilbehandlet kinesere.Hvordan vet du hunden er snillDen
spiser av. hnden.Hvordan omkom ddehavetAv for mye salt.Hva er din
oppskrift. p bli hundre rDrikk et glass konjakk hver dag i. mneder.Nr kan
en kvinne ikke dra av det som str p mannenI. selvangivelsen.Hvordan unngr
man barn i trafikkenStrr ppiller i. gatene.Hvorfor tar parkvesenet inn
alle benker om vinterenFor at ikke. frosten skal sette seg.Hva slags
fiskeutstyr har duKlokke og hammer. Du. vifter med en klokke i den ene
hnden. Nr fiskenekommer opp for se hva. klokken er s slr du dem med
hammeren.Hva er en diplomatEn person som. tenker seg om to ganger fr han
ikke gir noen kommentar.Hva er definisjonen. p en barnevakt) Ungdom som
oppfrer seg som voksne mens de voksne. oppfrer seg somungdom.) Ungdom som
fr betalt for se p tv.Hva er. lide i stillhetTilfeller der telefonen er i
ustand.Hva fr du hvis du. krysser et piggsvin med en gorillaSitteplass p
bussen.Hva fr du hvis. du krysser en elektrisk l med en svampEn ny
sttdemper.Hva er. definisjonen p hjelpeslshetEn syk gullfisk.Hvorfor
nekter du. stille deg bakerst i kenDet str allerede noen der.Nevn to
pronomen. uten svare.Hvem jegHva sier du i talen til vennen som gifter
segVet. du at hun snorkerEr det riktig at fregner forsvinner nr man
spiser. agurkJa hvis fregnene sitter p agurken.En kvinne kommer mot deg
ifrt. bare et par sorte hansker og sko.Sparess.Hvorfor har du sttt i.
rulletrappen i en timeDet har vrt strmstans.Hva sier du nr du. kommer inn
i et bekmrkt romHer m det ha vrt mrkt lenge.Hva. fr du hvis du krysser en
hund og en kattEn hunnkatt.Nevn et synonym til. svmmehall.Akvarium.Nr
begynner nattenNr det ikke er mer se p. tv.Hva gjr du nr dine dager er
talteSkaffer en ny kalender.Hva er. alderdom bli straffet for en
forbrytelse du ikke har begtt.Hva er en. babyEt uferdig fordyelsessystem
som lekker i begge ender.Hvordan fr. man banklnVed bevise at man ikke
trenger pengene.Hva er definisjonen. p en bekjentEn person du kan lne
penger av men ikke til.Hva er. blomklEn kl med hyskoleutdanning.Hva er
burhneEn kvinnelig. sleggekaster.Hva er definisjonen p en celebritetEn
person som er. bermt for vre bermt.Hva er en championEn person som reiser
seg. nr det er umulig.Hva er diskresjon legge sammen to og to og holde.
kjeft.Hva er funksjonen til fluenetting hindre fluene i forlate.
rommet.Hva er fri presseTusen mennesker som sprer fordommer til ti.
millioner.Hva er et geniEn person som skyter p noe ingen kan se og.
treffer.Hva er himmelenEt sted der eselet tar igjen gulrota.Hva er en.
horisontEn forbindelse mellom himmel og jord som forsvinner nr du kommer.
dit.Hva er mindre enn ingentingEt hull i bukselomma.Hva er en.
hypokonderEn person som vet hvor mange meslinger han hadde.Hva er en.
juryEn gruppe mennesker som skal bestemme hvem som har den beste.
advokaten.Hva er en kamelEn hest planlagt av en komit.Hva er en.
koneKvinne som ser i klesskapet og finner to underbukser som ikke er.
der.Hva er en kurveDen vakreste avstand mellom to punkter.Hva er den.
menneskelige naturTre astronauter som krangler om vindusplassen.Hva er.
definisjonen p moderne poesiUryddig tekst uten marger.Hva er et.
smilKorteste avstand mellom to mennesker.Hva er definisjonen p en.
turistEn person som gr i kirken bare nr han har ferie.Hva er et.
utviklingslandKannibaler med kniv og gaffel.Hva er viljestyrke stoppe.
etter n peantt.Hvordan vet elefanten hva klokken erDen gr inn i.
urskogen.Hvordan fanger du en elefant med tavle kikkert pinsett og.
flaskeDu skriver feil regnestykke p tavle. Da kommer elefanten bort for.
undereske. S kikker du p elefanten med feil ende av kikkerten. ogputter
den oppi flaska med pinsett.Hvorfor fikk du sparken som. oljearbeider p
plattformDu kastet ut mat til helikopteret.Hva fr du. nr du drar ned
buksene p BeatlesRolling stones.Hvordan fanger du en. kenguru med en lueDu
spr om kenguruen kan veksle en tier og nr den ser. ned i pungen sins drar
du lua over hodet p den. Da tror den det er natt. og legger segtil
sove.Hvordan fanger du en mus med en sagDu jager musa. under klesskapet og
sager over alle beina p skapet.Hvordan fr du et. stinkdyr til slutte
lukteSett en klype over nesen p det.Nevn. afrikanske dyrearter. elefanter
og en giraff.Hvorfor spiser hvite sauer. mer enn svarte sauerDet er flere
hvite enn svarte.Hvordan fr du tak i en. fire meter tannbrsteKrysser en
giraff med et piggsvin.Hva er det. hfligste dyret i NorgeBukken.Hva er en
bigamistEn som gjr samme. feilen to ganger.Hvordan lager du en lukt som
aldri forsvinnerKrysser et. stinkdyr med en boomerang.Hva gjr du dersom du
treffer et troll med tre. hoderSier Hallo hallo hallo.Hva er ulempen med st
p egne. benDet er vanskelig f p seg buksene.Hvorfor str du i bunnen av.
rulletrappen og ser nedVenter p at tyggisen skal komme igjen.Hvordan.
imiterer du en fuglSpiser mark.Hvorfor skal man ikke sette en prislapp p.
en kattungeDen vil lugge.Hva kommer etter f i alfabeteta.Hva er. betleri f
en jente til si ja.Hva er et museumEt loppemarked som. ikke selger noe.Hva
er en novelleEn kort historie der handlingen foregr. i Frankrike.Nevn
eksempel p rkostTartarbiff.Hva er. skjrsburghDen lille fisken til
katolikkene.Hva er stlLegering av. jern ild og vann.Hva er det motsatte av
en tungvekter) Lettmatros ). SmkriminellHva kalles bienes
oppholdsstedVokskabinett.Hva er. forskjell p arv og miljDersom barnet
ligner p faren er det arv. ligner det p naboen er detmilj.Hvorfor brukte
du lysr p. reisen fra Sirius til jorda nr avstandenbare er Det var
motlys.Hva er. barnedpEn enkel hrvask uten sjampo.Hvordan spiller kvinner
russisk. rulett ppiller og brystkaramell.Hvorfor mistet du konsesjonen
som. tannlegeDu hadde drlig tid og fylte med kvikkslv i tennene.Hvorfor.
mistet du konsesjonen som kvinnelig tannlegeDu trakk p gaten.Hvorfor. gr
leger aldri i demonstrasjonstogIngen kan tyde plakatene.Hvordan.
legebehandler du en paranoidGi han to valium og be han rmme byen.Hva er.
moralisere ha en pekefinger med i spillet.Hva er en grisEt dyr som. fr lov
til like mkk.Hva heter barn av hvit eggcelle og svart. sdcelleOmelett.Hva
ernrer inuittene seg avFrossenvarer.Hva er. revolusjonOpium for de
intellektuelle.Hvorfor drar du et langt tau etter. degDet nytter ikke
skyve det.Hvem var RafaelEn rundbrenner som gjorde. madonnaer med barn.Hva
gjr du hvis du har bevis p at nabobonden har. tatt en grisunge fradegMelder
det til politiet nr grisen har blitt stor og. feit.Hvordan energisparer du
nr kulda blir ekstra strengKutter halen av. katta.Hva gjr du dersom
reversgiret slutter virkeSnur bilen og. kjrer framover.Hva gjre du nr du
fler deg ensomSnakker med den. andre inne i speilet.Hva gjr du hvis .
giret slutter virkeSetter. det to ganger i . gir.Kan du miste et egg fra
komfyren uten at det. knuserJa dersom det lander p en dyne.Skriv med.
tall.(()).Skriv med tall.()().Hvis ROBITECS str. frst i ordboken hva str
etter SCRETIBOSCORBITE.Hva er summen av alle. tallene etc. .Hvordan vet
du. at termosen er intelligentHvordan kan den ellers vite hva som er hva
nr den. skal holde det varmevarmt og det kalde kaldtHvordan vet du at
sorte hner. er flinkere til verpe enn hviteSorte hner verper hvite egg
mens hvite. ikke greier verpe sorte.Hva slags bok leser du i sort sett
hver. dagLommeboka.Hva er en hestEt esel som har skreket stemmen av.
seg.Hvorfor har sauen s tynne beinDen var lam som liten.Hvorfor har. du et
telefonkort i kondometHvis du ikke kommer s ringer du.Hvorfor gikk.
boksekarrieren din skeisDu telte alltid til ti fr du slo tilbake.Hvordan.
kjenner du igjen en adeligTatoveringene er uten skrivefeil.Hvorfor gikk.
dartspillfabrikken din konkursSkivene var oppblsbare.Hva er paranoid. tro
at det sitter noen bak deg i kirken.Hva er rutetidene i NSB etter at.
organisasjonen er fullt uteffektivisertNaturlige avganger.Hvor finner du.
Nordlands TrompetP Dass.Hva skjer nr sopranen og bassen fr barn.
sammenBarnet blir alt for dem.Hva er gult og sover aleneYoko Ono.Nr. er en
spade ikke en spadeNr du snubler i en.Hva slags virksomhet gir. strst
avkastning ri ville hester.Hva fikk Askeladden av den distr.
kongenKongeriket og halve prinsessa.Hva er tre ganger treHurraHva er.
anarkiEt land der kongen er dronning.Hvordan vet du bikkja ikke har noe.
stamtreDen pisser hvor som helst.Hva er lkEt vanndrivende middel.Hva. er
en myteEn sannhet forkledd som lgn.Hva er vindharpeEn gammel kone. uten
tenner.Hvordan fungerer befolkningsreguleringNr barnet fdes. stikker faren
av.Hvordan kan du ta ibruk to venstrehanskerHold den ene. foran speilet og
skru lyset av. Ta speilhansken p hndennr ingen. ser.Du trenger et nytt par
sko men har bare rd til den ene. Hva kan. dugjrePuss den blank s den kan
speile seg.Hvordan fanger du en. tannls hareGjemmer deg i skogen og
etterligner reven gulrot.Hva betyr. konkretEn ordre fra kongen.Hva er det
motsatte av ryggsekkMagesekk.Hva. er et negativBburghe str p hodet.Hva er
vindfangLengden av en fugl. p tvers.Hvordan viser du hvor stor fisken du
fanget erStrekker ut n. hnd.Hva betyr springe etter varmen ha det
travelt.Kva betyr. bli dott ved bli forbausa paff miste seg sjlv.Kva
betyr. uttrykket sita framand vera beskjeden.Kva betyr det at det vart.
troll med hanHan srga.Det syr i lefsaDet gr bra.Det er berre. kjaften og
bakftadnDet er skryt. du vide verdi sa mannen.Han. hadde reist ei mil.Det
hyrer med til dansen sa guten.Han datt i. koll.Det var ikkje undrast at
bytta lak sa mannen.Botnen var. or.Det veit ingen kor haren hoppar sa
mannen.Han satte snara p. taket.Dei er sure sa reven.Han ndde ikkje
rognebra.Det er alt. det same sa mannen.Han steig opp p hesten p venstre
sida og datt ned. p hgre.Det er ikkje greitt sa guten.Han hadde beka hret.
sitt.Eg er like glad sa guten.Han gikk og gret.Eg er trytt sa. guten.Han
skulle ha juling.Eg sit godt som eg sit sa katten.Han sat p. flesket.Eg
tregar p trya sa mannen.Kjerringja drukna p. sjen.Frende er frende verst
sa reven.Han sg raude hundar.Liker. ikkje du meg s likar eg meg sjlv sa
mannen.Han fridde og fekk. nei.No ska du sj sa sogningen.Han datt ned fr.
kyrkjetaket.Reinleiken er ein god ting sa kjerringa.Ho snudde skjorta.
julaften.Vara ftane dine sa sporven.Han dansa med merra.Ungdomen. rasar sa
kjerringa.Ho sprang over eit halmstr.Kva sa mannen som. kappsprang med
harenOppfor vant haren men nedfor tapte eg.Det er p. vona gjort sa
mannen.Han skaut etter mnen.Ein lyt mangt i verda. nytta sa mannen.Han
fldde merra med navaren.Eg er glad alt som er. unnagjort sa mannen.Han t
fredugurden til kvelds.Bannord er ikkje. for mange sa kjerringa.Det er s
mange som skal ha det.Ein m. skjemte litt sa mannen.Han reiv yra av
kjerringen.Det gr rundt sa. mannen.Han sto p kverna.Det var gjestfrie
folk.Me slapp so nr. inn.Det var snille folk.Me hadde s nr ftt mat.Store
hus er. kalde sa mannen.Han lg ute julekvelden.Aldri ein dust sa
mannen.Dei. spurde om han kunne hyra.Hadde detta mlet vore i ein bukk
hadde han. ikkje vore etande samannen.Han hyrde kjerringa syngje.Rekkje i
rad. no sa kjerringa.Ho hadde i ku.Eg stel ikkje sa guten.Men ser eg. noko
eg likar so tek eg det.Kva sa kjerringa som rodde i motvindGjev. vinden
ville vende til eg skal heimatt.Reint vil me ha det sa. kjerringa.Ho slo
grisen i bakenden med matskeia.Det var anna korn det sa. kjerringa.Ho beit
i muselorten.Eg kjenne krutryken sa guten.Han skaut. med nepefr.Det er
mykje stygt i vatnet sa mannen.Han sg kjerringa. bade seg.Det var inga ku
sa mannen.Kjerringa hadde drukna.Kva betyr. det var agnet som drog
fiskenDet var pga. lokkemiddelet.Han er ikkje all. der han er sedd.Han er
ikkje lett gjennomskode.Ho gjekk med ein krokut. arm.Ho gjekk med barn p
armen.Han fekk andre augo og sj med.Han. skifta oppfatning.Han hadde augo
utanp hovudet.Han var forvirra.Dei. vaska honom vel p baket.Dei baksnakka
han.Dei satte seg p. bakftane.Dei gjorde motstand.Det er beintfram som ei
blind merr.Det er. enkelt.D var bikkja berga.D var striden over.Det kom
ikkje bein i. bten.Dei fekk ikkje fisk.Ho bit ikkje alt ho grin.Ho er
ikkje s. farlig som ho gjer seg til.Han fekk det som best beit.Han fekk.
juling.Det er som dra ei bjrk baklengs.Det er tungvint.Han fekk. snakka
med Bjrknesfuten.Han fekk juling.Det kom klas i barnleik.Leiken. vart
voldsam.Han slr store boltar med lite hovud.Han skryt.Det vert. bot eller
bane.Det vert frelse eller fortapelse.Det kan ingen f botn i. honom.Han er
uutgrunneleg.Det verken dett eller dryp av han.Han deltek. ikkje i
noko.Egget vil lre hna.Lre bort til nokon som kan det. betre.Dei bur for
nr elva.Dei har vatna det ut.Det er store fat og. lite mat.Det er
skryt.Den eine filla slr den andre.Det er slitte. kleder.Det fekk fter g
p.Det forsvann raskt.Han er fuglen. som flgjer gauken.Ingen veit kva han
gjer.Han er full og fastande like. eins.Han er alltid den same.Det er
fullt som gre katten og fluga. svart.Det er store mengder.Han hyrer ikkje
gauken oftare.Han lever. ikkje til vren.Han syng med gauken.Han gjentek
seg sjlv heile. tida.Han er like glad kvat ende som upp snur.Han er like
glad heile. tida.Han gler seg p tynn l.Utan grunn.Han sto p glr.Han. var
uroleg.Han laut gjera seg god att i same kledene.Han mtte snu utan. ha
oppndd noko.Han kjem ikkje bort i graset.Han er. storvaksen.Han m ete ei
tunne graut fyrst.Han er for ung.Han. mtte grava som ein vond.Han mtte
arbeide flittig.Han er ikkje so. halt som han hinkar.Han overdriver.Same
guten spelar same sltten.Han. snakkar om det same.Han kan bde halde og
sl.Han kan vera slem.Du. gr som du ser.Haltemannen snakka til
blindemannen.Berre gift deg sa. mannen.Han sg katten leika seg.D var dt
gjort sa mannen.Han. hadde dengd kjerringi.Dei er gode grannar sa
mannen.Den eine lyg den. andre sannar.Han er rik som har sitt sa
mannen.Han t opp. agnet.Hardt mot hardt sa kjerringa.Ho datt i berget.Det
hender ofte. slikt p sjen sa selen.Han vart skoten i auget.Av hjartet
skein du. sa reven.Han tala ved mnen.Det er hgt opp og langt fram sa.
kjerringa.Ho skaut etter mnen.Ingenting sa kjerringa.Ho var daud.Men. rall
var det sa jenta om friaren.Ein general eller admiral hadde. fridd.Det kjem
att sa mannen.Ha ga purka flesk.Giv eg lg sa. kjerringa.Ho satt i senga.Der
vart lusa lurt sa mannen.Han brende opp. skjorta si.Det er makta som rr sa
guten.Han dengde katten.Her er. mange her sa guten.Han sg i luva si.Alt
monnar sa musa.Ho pissa i. sjen.Det hjelper p sa sneglen.Han kom seg til.
drstokken.Mykje t munnen lite t ulli sa mannen.Han skulle. klippe
sauen.Han er kald kor enn han kjem ifr sa kjerringa.Ho tala om.
nordavinden.Rekningi kan alder juge sa guten.Han rekna ut han var eldre.
enn far sin.Ro no alle vel sa mannen.Han rodde leine.Ja men. rka du det sa
mannen.Bikkja beit i trebeinet.Hva er det no d sa. valdrisen.Han fekk ei
kule i skallen.Kva gjer ein tyskar ikkje for pengar. sa mannen.Han sg ein
apekatt.Det er hand i hr og kniv p strupa.Det. gr p livet laus.Dei hang i
halen p honom.Dei heldt med han.Det. heng og blr.Det er altfor lite.Noko
harm skal ein ha om ein so skal. kjpe det sa mannen.Han hadde gjort ein
drleg handel.Du veit ein. heilag mann men ikkje kvar han bur.Du veit for
lite.Han er hendt som. hver.Han er allsidig.Han meinte himmelen var i eit
kalvskinn.Han var. forvirra.Det var ikkje hgt hjarte i han.Han var
bekymra.Han hjelper. dei som vinn liksom hundane.Han er feig.Eg skal vise
han eit firkanta hol. sa mannen.Han ville kaste han ut.Han har stanga
horna av seg.Han har rasa. fr seg.Han la skallen i blaut.Han grunna p
noko.Stor hug og. liten dug.Store nskjer men liten makt.Det er hundeskinn
p begge. sider.Ein strid melllom to onder.Det ligg p nederste hylle.Det
ligg. p golvet.Dei ville heller sj hlen enn ta hans.Dei ville bli. kvitt
han.Han sel ikkje hna si i vtt vr.Han er ein lur. handelsmann.Det heldt
eit hr att i nakken.Han ombestemmer seg. nok.Han fr kam til hret.Han fr
strengt oppsyn.Ein m g. med kattefoten.Ein m vera forsiktig.No m dei henge
kjaften p. veggen.Dei m svelte evt. ti stille.Han har kjaften p
skaftet.Han. er flink til snakke for seg.Det er deim i kjtet boret og
ikkje i. klede skore.Det er naturleg for dei.D hyrde eg klokka sl.D.
forsto eg.Han heldt fast med klypa og slepp med handi.Han sparar i det. sm
men slysar i det store.Det er skrive med kol p gryta.Det er. unyttig.No er
eg kolsvart.No var eg overraska.Han mtte mate. krabbene.Han vart
sjsjuk.Det gr som krabba.Det gr p. skakke.Dei glana som ei ku p ein nymla
vegg.Dei sto og. mpa.Han er fdt midt i trafikken.Han snakkar hgt.Han har.
kvikkslv i setet.Han er uroleg.Han er ikkje lang under augo (lang i.
tyet).Han snakkar lite.Han let som ei skjor.Han klaga lenge.Han. laut
prisa leggane.Han mtte springe.Dei leggje seg med hnom og. stande upp med
svinom.Dei er dovne.Han les som fanden les bibelen.Han. brukar alt til sin
fordel.Skyt leta mi.Hent det til meg. (Legg til. latskapen).Det et ingen
mat.Det er kjekt ha.Det ligg under. lok.Det er dd og begravet.Dei er linne
med sinom og harde med. hinom.Dei er urettferdige.Lite var det skitut var
det og seint kom det. fram.Om drleg forsyning.Dei leve som ku i h.Dei
lever flott og. makeleg.Han str i lyset og skyggar seg sjlv.Han utnyttar
stillinga. si.Dei snakkar so steinane m sprekke.Dei snakkar usant.Det er
ikkje. av lunga berre av tunga.Det er ikkje p alvor.Han lyste fred over.
dei.Han fekk dei til halde munn.Det er betre i lyndo enn i. syndo.Det er
bedre enn det ser ut.Det er stor ls foran lite hus.Det er. undvendig
mykje.Makta minkar mens sinnet veks.Om eldre vrange. personar.Han har grnt
malt p loftet sjl.Han er ikkje betre. sjlv.Han kunne meir enn mata seg.Han
kunne mykje rart.Mange maur om. ein makk.Stor ettersprsel.Det tek margen
or ryggen.Det er altfor hardt. arbeid.Dei gjer ein mygg so stor som ei
merr.Dei overdriv.Han ser. mehanken gjeispe i kyrkjetrnet.Han skryt og
lyg.Han mt ikkje mer enn. som hunden gjyr.Han set ikkje pris p det.Han
fekk nasen til stav.Han. datt p hovudet.Det er dette nasen klr etter.Det
er dette ein. vil.Han plystra i nasen.Han var opphissa.Dei har ikkje nla
i. veggen.Dei eig ingenting.Han ga han like ord i halsen.Han snakka etter.
han (jatta med).Dei fekk renne rauvi si.Dei vart dyktig lurt.Reven tek.
ikkje gsa.Klokskapen din lurer ingen.Han rir ikkje dagen han salar.Han. er
treig.Dei ror kvar sin bt.Dei er uenige.Ho har ei lang rove.Ho. er av
fattig slekt.Dei har sine runer ute.Dei spanar og forhyrer. seg.Det tok
ryggen or honom.Det tok makten fr han.Han er komen i. ryken.Han er komen i
stor respekt.Me sg han sist bak.Han er. reist.Det sit ikkje i meg.Eg kan
ikkje tru det.Eg ser like langt inn i. steinen som andre.Eg veit ikkje
meir enn andre.Di skade vaker.On ei. nestenulykke.Ho har ei mkkut skjei
vaske.Ho trur ho driv med noko. stort.Han ser ikkje skogen for berre
tre.Han har ikkje oversikt.Eg har. end eit skot i hornet.Eg har end meir
gje.Det gr over. skrevet Det hoppar over hakketDet gr for vidt.Han slipar
ikkje utan. vatn.Han har ein fordel av det.Han slit ikkje silke.Han er.
fattig.Eingong small det.Endeleg vart det alvor av det.Det gr med.
staven.Det gr sakte.Det syng p siste verset.Det nrmar seg. slutten.Ho er
tett som ei sil.Ho sladrar.Det verkar ikkje tennane i. han.Det er lenge
sidan han levde.Det er for lite til troll og for mykje. til menneske.Om
ein stridig slem person.Han trur som trolla.Han er. letttruande.Han trur
ikkje sine eigne hender.Han er veldig. forsiktig.Eg er trytt som ein
makk.Veldig trytt.Dei fr tre. p talgi suge p labben.Lide mangel etter
overskudd.Det kan ikkje. renne kaldt vatn mellom dei.Det er stort
vennskap.Det er ein vegg or. huset.Det manglar noko vesentleg.Han er vida
kjend og lite etterspurd.Han. er upopulr.Dei har tjukke yrer.Dei er
likegyldige hyrer ikkje. etter.Me skal alle den vegen sa smjenta.Ho sg
brudeparet g i. kyrkja.Det er mykje vondt i verdi sa guten.Han skulle lre
lesa.Det. er ein overgang sa reven.Han vart fldd.Skjnte eg det ikkje sa.
jenta.Ho fekk ein unge.Det var ikkje meir du skulle spurde jenta.Guten.
fridde.Detta var no for mykje av det gode sa mannen.Han fekk. mkkalasset
over seg.Han strauk med i slaktingen sa mannen.Grannen. spurde etter
grisen.So skal det bli skrik sa guten.Mor hans kom med ein. kam.Dersom Gud
vil. sa mannen.Han hadde ikkje spurt kjerringa.Tja. detta lurar eg p sa
grisen.Han sg kniven.Slepp meg ellers s. skrik eg sa musa.Katten hadde
tatt ho.Kjre vene sa vampyren.Blodet. ville ikkje ut.Det er sausen eg er
glad i sa mannen.Han bomma p. rypa.Det var lystige sjeler sa mannen.Han
hndterte vepsebolet.No. blr han iallfall den jvelen sa smeden.Han trakk ei
tann p. vegvoktaren.Det var ein bra kar sa presten Nr andre sv var han.
vaken og detandre mangla hadde han.Tjuven skulle gravleggas.Vil du halde.
meg i handa spurde mannen.Han sat i den elektriske stol.Plagget kan. ikkje
bli bedre sa skreddaren.Han hadde sydd lomma p ryggen.Det var. noko som
rensa magen sa jenta.Ho fekk tvillingar.Lev vel sa. kjerringa.Mannen
skulle hengjast.Vgar du livet s vgar eg halsen. sa guten.Tordivelen satte
seg p kaka.Hva heter ungene til. svanenSveklinger.Synonym til en
l.Vannslange.Hvordan utfrer du et. dobbeltmordSlr ihjel en mann to
ganger.Hva er flaskepostEn postmann som. liker en tr.Synonym til
katapultFluktstol.Synonym til. mausoleumDdsbo.Ingen roser uten torner sa
katten.Han voldtok. piggsvinet.Velkommen i det grnne sa jenta.Ho strydde
persille p. magen.Det er nullane bak som teller sa mannen.Han snudde
bankboka.Ja. ille sit du men s glyme du ikkje svalle um det heller
samannen.Grisen. satt fast i gjerdet.Altfor nrme nasen sa guten.Han fekk
saltsprut i. auga.Bedre livlaus enn rdlaus sa kjerringa.Ho turka bordet
med. kattungen.Kva er verdens breiaste bruIsen.Kva tre har tolv greiner
fire. reir p kvar grein sju egg i kvart reirog det sjuande gyllentret.Kva.
ser du berre nr det er mrktStjernene.Eit stort hus som reparerer seg.
sjlv.Isen.Det ligg ein duk p vollen jo mindre han er vaska jo. reinare er
han.Snen.Ei mor et opp ungane sine s snart dei vert. ungdomar.Havet.Kva gr
i grus utan ein lydSkyggen.Lita og raud nett. som ho leve er ho
daud.Gnisten.Sonen spring t skogen fr faren er. halvvaksen.Ryken.Burande
og belgande og legg at huda i. skogen.Tmmerstokken.Str i jorda og veks i
senga.Gulrota.Framtil som. eit nyste midtp som ein sekk og attantil som
ein kjepp.Katten.Eit lite. hus fullt av mat men ingen dr.Egget.Fire
systrar sit p ei tuve og. skyt kvite kalva fr seg.Juret.Om morgonen p fire
om dagen p to om. kvelden p tre.Menneske.Eg ser det du ser det kongen ser
det sjeldan Gud. ser det aldri.Sin like.Kva hgg heile dagen men fr ikkje
av ei. flisAugelokket.To systrar sit under eit ufs ikkje sjast og ikkje.
finnast.Augo.Eit hus full av kvite geita og ein rund spelar midt.
i.Munnen.Eit lem utan bein som studom gjere mange mein.Tunga.Kva er det.
den fattige kastar bort og som den rike sting i lommaNasedropen.Kva slags.
hr har den venaste jenta i bygdaMannehr.Kva reiser heile verdi. omkring men
er alltid heimeTanken.Eg har det du har det eg brukar ditt. du brukar
mitt.Namnet.Kva er det som korkje har nokon byrjing eller. endeRingen.Kva
gr heile dagen p skallenHatten skospikeren.Daudt. dreg levande ut av
skogen.Kammen.Kva er mindre enn ingentingHol i. bukselomma.Det str ein
stein i heilag rein med fire fter og ingen. bein mangebrurar og ikkje
bryllup mange born men ingen fdde mange lik men. ingendydde.Kyrkja.Det er
eit land med mold og sand der er korkje ml. eller minne menfolk er der
inne.Kyrkjegarden.Ikkje ute og ikkje. inne.Vindauget.Kven ser alle folk i
skrittetDrstokken og trappa.Kven. nevehelsar p alleDrklinka.Ein drage str
i stua med halen p. taket.Skorsteinen.Minste tingen men lengste
rova.Nla.Ei mus dreg det. nedover bakken men ti hestar kan ikkje dra det
opp att.Garnnstet.Kva. gr rundt og lagar eggSlipeteinen.Liten ker med
svart korn.Boka.Kva. er det som er urett og ikkje syndDen hgre skoen p den
venstre. foten.Aldri har det vore aldri vert det og kor mann ser det p seg.
sjlv.At fingrane ikkje er jamnlange.Kva gjer den kvite hesten ute i.
mneskinnSkugge.Kor langt er det herifr til himmelenEit. augekast.Kva er
tyngste bra p byvegenEin tom pung.Kor mange mil er. det til mnenEi og dei
andre.Det ligg ein stein i lia. Nr han hyrer. kyrkjeklokka s snur han
seg.Steinen hyrer ikkje.Kva sa reven d han. tok den feite
gsaIngenting.Kjerringa t opp ei tunne sild etter at ho. var daud.Ho t
ikkje silda levande.Kor mange kalverover m til for. rekke inn i himmelenEi
dersom ho er lang nok.Korleis kan ein hyre nr. graset grorEin hyrer
iallfall.Kan du sj eit halvt grisehovud med to. augerJa med dine.Kor mange
skor har den som har fleire fter enn. skorEin.Kva veks nrare og nrare
jordaKurova.Kva er det som. manglar ein velgjord skoMakan.Gudmund og hans
hund for gjennom eit sund.. Kva heiter Gudmunds hundKva.Det stend eit tre
uti havet. P treet er det. like mange greiner som deter drpar i havet. P
kvar grein sit ei jomfru. Korleis kjem dei segtrrskodd i landDei tek ein
drpe kvar.To. innganger. Frst nr du str med ftene ute er du
inne.Buksene.Rota. oppe og toppen nede.Istappen.Har bein men kan ikkje g
har mat men kan. ikkje ete.Bordet.Auge men utan hovud.Nla.Hovud men utan.
auge.Spikeren.Kven gr rundt omkring men er alltid heimeSneglen.Hvem. er
barn av dine foreldre men ikke din bror eller sster.Du selv.Hvor langt. er
det fra st til vestEn dagsreise.Brenner uten flamme og slr uten.
kjepp.Hjertet.Hva er bde ute og inne samtidigDra og vinduet.Hva. finnes
mellom berg og dalog.Sykdom som aldri har herjet i noe. land.Sjsyken.Tre
jenter gikk til skolen med bare n paraply men ingen. ble vte.Det regnet
ikke.Hva har egg men kan ikke lage egg. selvKniven.Hvordan klatrer du i
stamtreetVed slektsgranskning.Hva. gjr fuglene til verdens beste sangereDe
synger rett fra bladet.Hav uten. blger skog uten trr.Kartet.Hva slags fjell
er flateFjellene p et. kart.Hva er sort blir rdt blir grttKoks kull.Gr til
grunne. mens jeg tjener menneskene som opplystStearinlyset.Nr har mlleren.
mest i mllaNr han str inne og stikker hodet ut.Hvor svmmer. laksen nr den
er tre r gammelInn i sitt fjerde.Hvordan brer du. vann i en silLar det
fryse.Hva befinner seg midt i. perlekjedetSnoren.Kan du skrive rdt med
sort blekkRdt.Hvilke. dager i uka er lengstTirsdag og torsdag.Hvem fr
alltid det siste. ordetEkkoet.Fullt av kjtt og blod mangler liv uten
bunn.Ringen.Hvem. er den flinkeste lommetyvenHullet.Hvilken y var den
strste i verden. fr Grnland ble oppdagetGrnland.Hva slags dyr blir nevnt
frst i. bibelenBi.Hvem ser mest mellom en mann med ett ye og en mann med
toHan. med ett ye ser den andres to mens han med to bare ser den
andresene.Hvem. gr alltid p tvers gjennom kirkenDpsbarnet.Hvordan kan du
forandre. en barbar til en kvinneBarbara.De dde spiser det men de levende
dr. av det i lengden.Ingenting.Hvor dypt er verdenshavet p sitt dypesteEt.
steinkast.Musefelle p fire bokstaver.Katt.Nr skal den siste komme. fr den
frsteVed mnedsskiftet.Hvordan oppsto verdenMed liten. v.Hva kommer gjennom
vindusruten uten knuse glassetLyset.Hva er tre. til toEn og en halv.Hvordan
holder du kalvekjttet friskt om. sommerenHolder kalven levende.Hvilken sak
er skyld i alt som skjer i. verdenrsaken.Hvilket barn har sett sin far
dpePrestens. barn.Kommer pske fr eller etter pinseBde fr og etter.Hvorfor.
er det vanskelig fotografere en glad hundHalen logrer ikke.Hva har.
eksistert i milliarder av r men er mindre enn fire uker. gammelMnen.Hva er
det beste antirustmiddeletGammel. kjrlighet.Hva tar kortest tid av bygge
opp og rive ned bygge. opp. For rive m du frst bygge.Hvilken fisk er
lengstKlippfisken. hodet i Island og Norge og halen i Spania.Hvem har
holdt best fast i de ti. budMoses da han gikk ned fra Sinai.Hvor stod
basunblserne da de blste. ned Jerikos murerBak basunene.Hva m man alltid
gjre fr man reiser. seg oppSitte eller ligge.Hva blir strre og strre jo
mer man tar. vekkHullet.Hva kommer etter evigheten.Amen evt. et.
sprsmlstegn.Hvem forteller alltid sannheten men vender p. altSpeilet.Ingen
unntatt meg selv kan si hvem jeg er.Tungen.Han kunne. ikke forst det jeg sa
og ville ikke si hva det var i veienmed han.Han var. dvstum.Hva er
samvittighet le sammen med andre.Stort vann p to. bokstaver.Is.Hva er det
som gr rundt juletreet men som aldri blir. trett.Barken.Hvem har reist
flest ganger rundt jordaMnen.Hva kan en. mus trekke like tungt som
elefantenPusten.Hva sender du som yekast eller. metallBlikket.Den som har
det er fattig den som vet det er dum den som. gjr det erlat der hvor det
er finnes det ikke den som hrer det er. dv den somser det er
blind.Ingenting.Hva slags vann fryser ikke til. isVarmtvann.Hvem kan
snakke alle sprkEkkoet.Hvilken drikk er verdens. sterkesteVannet det brer
de strste skipene.Nr kommer august fr. juliI en ordbok.Hvorfor kaster du
klokken ut av vinduetDu nsker at. tiden skal fly.Gr trappen oppover eller
nedoverDen str stille.Hva. er den dypeste grunnAvgrunn.For lite for en for
mye for. tre.Hemmeligheten.Den aller strste er den aller
minste.Bagatellen.Det. er mitt men bare andre bruker det.Navnet.Hvor mtes
veggeneP. hjrnet.Hva gr p kryss og tvers over landet men ligger helt.
stilleVeiene.Fdt fr sin far.Kain og Abel. (Adam var ikke fdt men.
skapt).Hvilken side av koppen sitter hanken pUtsiden.Hvorfor er. vret
matematiskDet regner.Hvorfor er vret poetiskDet rimer p. bakken.Hva ser
man nr man skjrer med knivenSitt snitt.Hva slags. steiner er det flest av
i ferskvannVte steiner.Hva slutter evigheten. medn.Hva slags glass er det
best skjenke iTomme.Hva er det beste. med et lekkert mltidAppetitten.Hva
har verken begynnelse eller sluttAlt. som gr rundt.Er det mest fisk eller
stein i vannetFisk steinen er under. vannet.Hvordan var Eva som menneskeEn
primadonna.Hva slags stein kan. svinge rundt hjrnerRennesteinen.Hva er det
lengste norske ordetSmile. en mil mellom frste og siste bokstav.Hva er
verdens lengste. ordLysr.Hva er det mest nysomme dyretMllen den spiser.
hull.Uspiselig brd som alle lever av.Levebrd.Hva slags tid er den.
lengsteVentetiden.Hva er mest synlig i mrketLyset.Hvilken klokke. viser
riktig tid oftestDen som er i ustand og str stille den viser riktig. tid
to ganger idgnet mens andre viser riktig tid sjeldnere.Nr er den. dumme
klokestNr han holder munn.Hard mor skaper de beste. barn.Perlemor.Tann som
ikke kan plomberes.Tidens tann.Hvorfor har ikke. oksen bukserKua kan ikke
sy.Hvilken fisk sitter ynene tettest pDen. minste fisken.Hva ligner mest p
en halv appelsinDen andre. halvparten.Hva heter de mest kjente
stieneDynastier.Hva er beste mten. lage ild p med to pinnerAt pinnene er
fyrstikker.Hva stter du p. ganger i sekundet men bare en gang i
timene.Hvorfor er ikke flodhesten. redd for tigerenDe befinner seg i
forskjellige verdensdeler.Hva er en smal. sak f vske til renne gjennom et
sugerr.Hvilken vei gr du. tilbake for komme fremHjemveien.Hvorfor er hanen
s velsteltDen har. kam.Hvor mange lver er det plass til i en tom
manesjeIngen.Nr. seirer hpet over erfaringenI andre ekteskapet.Hva skinner
solen aldri. pSkyggen.Hvordan fanger du en lve med en silHell rkensanden.
gjennom sila da blir lvene igjen.Hva slags sprsml m alltid. besvares med
jaHva er frste stavelse i japanHvem venter alltid til. siste sekund men
rekker det alltidKlokkeslaget.Galer gjken fr eller. etter sankt hansDen
galer koko.Hvordan fanger du en grspurvHopper ut. fra . etasje og synger
som en brdsmule.Hva drikker duer for bli. gjennomsiktigeVin og blir
vinduer.Hvordan finner du lettest lykke. sunnhet rikdom og kjrlighetI en
ordliste.Hvor stor kan en nese bli. tommer fordi tommer fot.Hvordan kan du
spise en ntt uten. knekke denLa noen andre knekke den.Hva er det strste
med. NapoleonN.Nr ser man best utI vinduet.Hvor er det beste kjttet. p
fiskenMellom beina.Hvor lange er beina til et idealmenneskeAkkurat. ned
til bakken.Hvor mange store menn er fdt i BergenIngen alle er. fdt sm.Hva
mangler den lamme den blinde og den magre i ett. ordGsefett.Kan noe vokse
mer enn centimeter i dgnetJa. centimeter vokser ikke.Hvorfor finner man
alltid igjen tingen p det siste. stedet man leterDa trenger man ikke lete
mer.Hva slags pass kan du reise med. verden rundtKompasset.Hvorfor vil
ikke fru Gyldenskiold at mannen hennes. skal begravesHan er ikke dd.Hvor
lang er en regnbueDobbelt s lang. som halvparten.Hvor lang er en ormEnormt
lang.Hva kan uttales bare med. lukket munnM.Hvor kan man alltid finne
sympatiI ordboken.Hvem brer. huset inne i segEplet.Hvorfor er termosen
intelligentHvordan kan den. ellers vite nr den skal holde det varme varmt
eller detkalde kaldtTo. sm steiner et appelsinskall og en gulrot ligger
ved siden avhverandre i. hagen nr vren kommer.Restene etter en
snmann.Neste gang legger jeg. ikke fingrene imellom sa kona.Mannen smelte
med dra.Hvor gr man etter. begravelsenEt sted for trstespise.Den er ikke
bare for kort den er. for bred ogs sa mannen.Han holdt plata feil veg.Ei
jente mister. kontaktlinsene i en fotballkamp og finner dem ikkeigjen.
Etterp fr hjelp. av faren som finner dem.Mens hun lette etter to sm
plastbiter lette han. etter kroner.Mannen har sukkersyke mens kvinnen har
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hemisphere.Because there are so many. moredistinct modes of cognitive
processing (see Springer and. Deutch).Thefunctions.This active inhibition
presumably develops at about age. noemata. keren aliott (red) PAeiRiL
Iamentities. postal mail. Barnebladet. for forlag nr noemata.netFor hver
bok noteres forfatter tittel. for forlag nr noemata.netFor hver bok
noteres forfatter tittel. noemata. Re really silly transformation of out
of control ir pda dump. transformation of out of control ir pda
dump.......ME syly var. of sely. SEELYseely (sl) adj. Archaic..
insignificant or feeble. poor.. happy auspicious.. good pious blessed..
foolish. simpleminded.bef. ME sely OE geslig happy equiv. to sl happiness.
ig Yc. D zalig G selig akin to ON sll Goth sls good OE sl. better
seeSILLYref norwegian 'salig' blessed sl goodspectrum poor. blessedgood
whatever.. something about happiness alsofeeble weep to exude. water.
water all water am silly sea ofsillyness. silence sillience. noemata.
ligeuon. ligeuon jn V S MG l EAR th PLA HDD hodja t AOI XRV malchants OOU
mldrr NRS. narja chact mle lVTRE amontag on a sun aka sephaxon 'l'hror
files gro d. ivius noscape s wu tang ipsum v eneusuv ius nous a muse Aa
sheop v eagng. Enaev ssnesdo t R GN r g ajranhea M groiodl am esl PLA HD
ho day a t. Rofoat u w tem tinnhl syintsvse R rs ups um phaa
SratnomaERTVl. c h da y akase eA ju s nosca hhI lSnid nv s ua b m ai. l
chan t mal r dlm U OO stnah t anm a lc. hantspcO Xnxoev vuii s aA aehnari
a gr NG lse mould org M. t a dohDDH ALPlura met wu taofoR aahp muspu srR c
lVTREamontarS. Aees aka yad h Ihh acson suj b aus vndinSl lam tna hcli am.
hants OOU mldr AXaeinosuvx GNaeghinr Mdeglmorsu ADHLPadhlort. uRaefmotuw
Rahmprsu ERSTVac lmnort Aadehksy Iachjnosu. noemata. AVADAERO. AVADAERO.
Japanese toy. noemata. Code and its Double (cont'd). noemata. fly news.
for when desire has attained its object the greatest pleasure is to
flyfrom the. scene of pleasure.ny forskning fra israel og nederland viser
at det er mulig. holdeeggestokker fra aborterte fostre levende i
laboratoriene i ukevis.he died. for your sins make it worthwhile.et
minimini galleri k gallerialt er. tilgjengelig s det er bare et sprsml
omau er ndf den dau isu. kameraye frebu dd de ikke knarre friv bale
diskolosenederland. idiotisk sm eina innsj eli trafikkkork. di
menneskeligehabitat homitat. homitus. beveren likr sjsjuk te husmne peau.
randiinstruktrpersonale.hine aursunden sone ty innbrudd. fag heine. frst
eime sprekk lee striesekkhlhugset pent.bush frykter terror mens. vi
frykter bush. etterretningen omkring bush mstyrkes hvem er han hva.
noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata. hollywood wind
travesty. det har vrt mye vind idag fint se p alle kompliserte bevegelser.
denlager. automatisk sett at lvet beveget seg selv se bort fra vinden.
ogmed en gang kan vi lese inn gruppedynamikk ol. i det som skjer. det
somvirker. merkelig er hvor lett det kan oversettes fra ytre vind til
indrebeveggrunn og. er det ikke snn med oss ogs du tror du gjr noe ut
fradeg selv mens en. enklere forklaring er ytre og fysisk som flge
enstrmning og. struktur i kulturen. mennesket har i strre grad enn
noeannet en. egenbevegelse men alts bare ved se p vinden i lvet er
detlett. innse at en andel av det vi nsker forst som egenaktivitet.
erlettere forst som en passivitet i et aktivt medium (gruppe.
samfunnkultur tankeform). f.eks. virker det som lvbladene flger.
etterhverandre opptrer som gruppe med en selvbevissthet (vinden lager.
loopspiral ye som en indre struktur) en lvgruppe interagerer med.
andregrupper p dramatiske mter ingen kan unng reagere p at en. bil
kjrerforbi det virker som de flger etter bilen av fri vilje idag.
snakkeralle om irakkrigen overalt av fri vilje jeg tror det hadde gtt an.
regissere en hollywoodfilm bestende bare av lv og vind. sett i. forholdtil
kaosteori ol. forandrer det ikke rollen til kunstneren nr. tingenelager seg
selv eller allerede er lagd blir det som en dikter kanskje. somsetter
sammen metaforer og kontekster eller som entranslatrtranskribent. mellom
verdener og modeller metafysisk prestsjaman den sinnssyke. kunstneren som
formidler mellom verdener idagsekulrt som en formidler. mellom
modellerforstelsesmter vi har bareen verden men til gjengjeld. k ting og
referansesystemer kunstnerenblir kanskje en formidler mellom. disse og
beveger seg samtidig frieremellom dem. folk flest lever i dem. vitenskapen
definerer dem kunstnerentraverserer dem (traversp tvers (samme. noemata.
randomART (unknown). '. '. c L ). O. s I. Yo. E u E. L l d n m. E. ' '. B
'. .tuogol eteO c. t iouxe . n Emda m l. e C n o Dele msg m G. e ELE P p u
r LE D e E. i L na E m o Dgtsil tatd rF ss onr End h.eg. cb m cbpl.cheharR
Kdop msg n c Oete l gsm eleDm. P ELE l e oG tgD o m D gEsE rno
oi.lpbcuilncKt. dhd g m EE . eons L othp m a arR bt th.eg ce d rF ssr. l
bre v ar g a g rl a re ev ik ke e. n ge d gat e ll i g g j e s d r esenrt
r t r e. e ndr se ks i ps t en d e es g s g de r e. vi n kto m m e e dv
reni gn h t n g l. n nmn og dee h sali o e v o n selg rsv l r. s asn en n
l eo ig e e i le. de dt a f . tatn i r n ltd d o k tu lin .. n ee d smgs
et sslo t o rtv d e. O sdtp nk m e F v ena m dn ie east v r e. di or ne l
s dpir i y r en se eovb tee. rede l kte v r ne dnDneg t i ies ey k. ltt p
p . i e ndl e sa d ap o a .F d n e. nn nn e m k e vsu d. r n tv an en t s
r v e .b. o f r r ge t ulao sma n fe d r k. m ne r i i n a n o d o o fl yt
b o. s ag t e t l ett e d e e la . i td o teD. r e d o h e k u r tsi h n e
p a s a G l u a u oenned. sednev terdnuhr .gslegadppo arF .edis lit rojenh
ned lit temmok n. ivvtenlg ettulosba ned rof ne len ira nedd inori
tnatstradnagev go. sgadgilgad ne nke ovenvuof eon regnel ektoy sm sbrtevil
idrof tktkrnv. t snf at. ed oi a nrt ei. ig noe ddbtp elr dt el eFae ei. te
t h Dgd en. ey e re. r art. . ri hrg eller og dul jvnge eogarmjbare var
gagneg. iekrvehven.relsen alleredts ssene pd.. Ddens tilintee evtdr den.
latterliggjrninysm eesenterer vender seg nkost intet som
eksistensenesgtom. uunngelig reduserer m Oseg selv galskapens spott dreade
oa e kdkr d t. cueol tleni li t sne D . .r aot e el l t.h l ngg. a g r a o
tmh G l an e f jo e d e r ela. nes f r M eed ng al skk e g s n ist ilr le
t. tal e ned d h r o t rs l r t o. s k bl a e v eet n e e r p e r ed d e t
e. a e e n i n st. jd b o d l i. p o r l rm e a be v d s e. l e l r l. t t
n s b e. gn m o t e h g n ev d e dn lf e et ng i t. e v a gni n t a i l d
e. o grg i t s o r ke en. kg e r no e f o r v vg g r n d g i d a g. e s s
s ng est. e o r u e dn e n rtmo n ed o. e t e v s d gu j. s e g e s kan t
i r on i as g. e n bi. d r. met ak o. oe nd vsn. si s e s n. f i n r e e r
t e e t i. t n e h n a f s e n. a rm os ke tn. ee vr ae. d gs nt. no f. .b
ingen av en forbannelse.ig for. dets kraft til kno p en etisk transcendek
tmoralsk trollbindenderer til. oppheve fattigkisen old... Etter
klassdrvlsenhtigdom. Arbeid oioaea ertt. ufeilbarlig gsmfnvbdtoae tvert
imot m imte ekff eproblemenebifse.msrvas l. arbeide eramnta mgrgbees
frstdtateAovm non dknustrt erktn reb ovifit ked. dietaeisibd tsan
nelidnIee klg keime trsdi ri nlfvstdtkieodetee tsev. elake ooedbs nesml
enys esruteml er ivntr etettynk el t kstatdegoolllakmarf. els bnser
emflereneg ne momlidoet ella tom leddienmvifvetlekne te i ttas. gyile
innejk tediebra rav eribttkudorp nis dem go i ktrnejkre elb tehllufsgnina.
tretpeska teksennem edteksennem gnavt mos volru t ne res eud tdoe k re gl.
skitet taktleg nke dso i men spiralr du er hea n. d o d s r. a s t r l o.
u d r r e h e g k. noemata. nap.art Re PRESSEMELDING. Gjesp Grethe.. du
har du link til eBayen noen spurte om det fr men fann. det ikke bare
reproduksjonene.Men det er dog et tankekors at en. kunstnergruppe som
produserer kunst som p ingen mte kan stjeles. fordi kunsten deres ikke er
fysiske objekter p samme mte som malerier. pstr at de har stjlet et
kunstverk som kan stjeles fordi det er et. fysisk objekt. Det er liksom
forholdet mellom materielle og immaterielle goder. det.For det frste jeg
har ikke psttt ha stjlet noe. Men. det er et godt poeng har en stund prvd
selge digital kunst men uten. svindel. Skal vi se jeg har et opplegg om
tilby Samtidsmuseet en anseelig. mengde spam mail ( millioner) som har
sttt p en sperret konto i. utlandet etter at nettkunsten dde. Kommer
tilbake til dette du kan hjelpe. oss Grethe. Forvrig str tilbudet pent som
presseansvarlig for. Noemata. Ring. Kan du lne meg noen penger
Ligningskontoret avviste klagen. min p restskatt p seksti tusen. For det
andre forsket mitt med. g rettens vei med tjueri av immaterielle
objekterrettigheter etc. frte ikke fram i fjor henlagt av politiet det var
forvrig virkelige. penger ogs uansett. Men ja kanskje en reaksjon p
materialitet og. immaterialitet alt dette nye er jo immaterielt og hype og
presser. fetisjeringen nedover mot pappkartong sppel og spam.
realitysppeltv er jo veldig stort eller Munch til mrd de. elektroniske
kretslpene trenger jorde de virtuelle verdiene ut i noe. materielt og dess
mer uvurdelige de er dess bedre s ligger makten likevel. i det
virtuelle.Tore p sporet Hva om det er DET som er poenget plage. dere
(waste of timeenergy) mener jeg med kjedelige ting hvordan bruke hypen.
til diffundere sin egen kjedsomhet utover ikke mot dere personlig men.
utover institusjonene s si. Ved ikke stille seg selv i. hypelyset plages
andre i jakten.Forutsigelig kjedsomhetsspredning.Ingen. spennende svarte
finnlandshetter bare en masse stress som ender i. ingenting.Ja det er
gjort med det samme gjespet gjespet som grupperefleks. media gjesper jeg
gjesper dvs. media og jeg er venner vi gjesper sammen. Har. ikke lest
aviser etterp s det er ikke det. Gjesp.Det er interesant. se hvor raskt de
finner fram til telefon og andre personlige opplysninger og. hvor stor
kraft de legger i det utover natta med en eller annen autodialer.. Hvordan
er det med journalister og datatilsynetJens Laland tok opp poenget med.
kunstens status. Da jeg postet dette til internasjonale lister samtidig.
(nettime rhizome etc som forvrig publiserte det i motsetning til. lista og
ekunst et par dager etterp) hadde jeg en dialog it's a. media hype so why
not play with them and for the record i didn't write. that noemata stole
the paintings so i'm not worried and after all artists. are not to be
taken seriously..)You just sound like the .org thatafter. their actions in
the Nike Platz and the claim put against them byNike they. just said
something like 'Oh but we were just kidding weare just artists.'. )yes but
it's a loopback like media and maybe society treat artistslike. that adding
unreality to what theywe do so the unreality isreflected. back.Jeg tror
kunst og kunstnere kan bruke sin status som uvirkelige til. interagere med
et samfunn kultur og media som blir mer og mer uvirkelig. s de mtes fra
forskjellig kant der kort sagt media simulerer en. virkelighet (a la
virkelighetstv) mens kunsten virkeliggjr en simulering. (setter i scene).
det frste er en tildekkende strategi (skjule sin. uvirkelighet) mens det
siste er en avslrende strategi (et pent spill).. Jeg kan klippe inn et
lengre innlegg her ikke n jeg er trtt.Tilslutt. la det vre klart hvis noen
nsker en rask oppklaring og at maleriene. skal komme tilbake i offentlig
eie s sett millioner kroner inn p. konto nummer Storebrank Bank. Jeg kan
ikke garantere hva som. noemata. idea real ide areal la era edispansk 'la
era' tid. ndvendig bruke heller men vil lette.
indexeringgjenfinningantaglig.f.eks. mtereferatet for ikveld kan med hell.
tagges inn i boken og sendesmailinglista slik som denne.bforsvidt i.
noemata. kSay. kuten spor uten skyld.informasjonssamfunnet skaper 'karma'
gjennom behov for. sporbarhet. it would be attracted to the boy s. kHer
var. noemata. noemata Fwd Article Why the Web Will Win the Culture Wars
for the Left. noemata. help (pleh). noemata. adundas. lj lj Latin Dead yet
still. noemata. pre.txt
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mailinglistSyndicate network for media culture and media. noemata. Re
arc.hive Re fragments of a room. noemata. Fwd Article The Violence of the
Global. noemata. Xchange CN YN MN JN .snarT. jroznfgre ng
jro.znfgreqrd.fgngr.bx.hf. Fgerrg Nqqerffand installers for. installation
and maintenance of copper andfiberAbout. . Services. . News.. . State
Board. . Hall of Fame..Search. Text Page. Oklahoma. Department of
Agriculture Food NT DS CS.IR AP RO KO HO .DN CN YN MN. JN .snarT fo .tpeD
amohalkOytefaScilbuPfo .tpeD KO robaL fo .tpeD amohalkO. ecnarusnI fo
.tpeD amohalkOhtlaeH fo )L(()((. (a) (c) (o) (u) (s) (t) (i) (c) ( ) (s).
(p) (a) (c) (e). informationcomunication channel for. noemata. nyheter.
barnepysj kan vre ddsfelleskolemassakredd mann fikk. telesexregningeri
hver fjerde farskapssak viser dnaprver at moren har. noemata.
Undeliverable. noemata. Re Amazom. international for ordering more coffee
Mysupplies are dwindling and I have. only a few pages left of the
GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
And that's all.One Minnie. Ass rune torino. fee strangle aches crease
baycome tossycenglish mopping we bother honey. sigh and copy. RyeWhatever
you say.Hokay. Tendjewberrymud.. () () ( )(. ) ( ) .......... More.... ()
() ( )(. noemata. Barths. Autobiography A SelfRecorded Fiction You who
listen give me life. in a manner of speaking. I won't hold you
responsible. My first words. weren't my first words. I wish I'd begun
differently. Among other things I. haven't a proper name. The one I bear's
misleading if not false. I didn't. choose it either. I don't recall asking
to be conceived Neither did my parents. come to think of it. Even so.
Score to be settled. Children are vengeance. I. seem to've known myself
from the beginning without knowing I knew no news is. good news perhaps
I'm mistaken. Now that I reflect I'm not enjoying this life. my link with
the world. My situation appears to me as follows I speak in a. curious
detached manner and don't necessarily hear myself. I'm grateful for. small
mercies. Whether anyone follows me I can't tell. Are you there If so I'm.
blind and deaf to you or you are me or both're both. One may be imaginary.
I've had stranger ideas. I hope I'm a fiction without real hope. Where
there's. a voice there's a speaker. I see I see myself as a halt narrative
first. person tiresome. Pronoun sans ante or precedent warrant or respite.
Surrogate. for the substantive contentless form interestless principle
blind eye. blinking at nothing. Who am I. A little crise d'identite for
you. I must. compose myself. Look I'm writing. No listen I'm nothing but
talk I won't. last long.LifeStory III The reader You dogged uninsultable.
printoriented bastard it's you I'm addressing who else from inside this.
monstrous fiction. You've read me this far then Even this far For what.
discreditable motive How is it you don't go to a movie watch TV stare at
a. wall play tennis with a friend make amorous advances to the person who
comes. your mind when I speak of amorous advances Can nothing surfeit
saturate. you turn you off Where's your shameMENELAIAD VI ' ()
('((What))'). () ' ' ' 'Why' I repeated I repeated' I repeated I
repeated'. I repeated I repeat. ' ' And the woman with a brideshy smile
and. hushed voice replied 'Why what' ' ' Faster than Athena sealed
beneath. missile Sicily upstart Enceladus Poseidon Nisyros mutine
Polybutes I sealed. my wouldwiden eyes snugger than Porces Laocoon
Heracles Antaeus I held to. my point interrogative Helen to whom as about
us combusted nightlong Ilion I. rehearsed our history horse to horse
driving at last as eveningly myself to. the seed and omphalos of all. . .
. ('((((('))) )) ) ' ' Why '. ' ' 'Why' ' ' Why ' 'Why' ' ' John Barth
Lost in. noemata. arc.hive Re Please read Abstention. This is a multipart
message in MIME. format...ContentType textplain. charsetisoIt's not easy
to respond to this and worse in public I. feel but thanks for posting. I
can relate to what you write for myself I. really don't know what lies
ahead of me of course nothing and of the value of. what I'm doing and in
what perspective even that phrasing is way too much. Just. today I thought
about giving up public activity from looking through archived. work past
months also with other concerns on my mind I don't remember the. exact
thoughts but they seemed compelling enough and I'm probably always.
thinking along the lines of finishing off getting done with and getting.
through getting rid of.There's always those fluctuations between activity.
(nothing) and passivity (stuff) which never resolves. Stuff is ugly nothing
is. beautiful so keep nothing and avoid the stuff which is the urge in a
sense. because keep is stuff and avoid is nothing so stuff nothing and
avoid the. keep which goes better with an activity based on nothing (eg
art) and. passivity based on things (suffering).Nothing to do abundant
redundancy. (nothing) selforganization (do) here we. are.ContentType
textplain. namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding. bitarc.hive mailing.
noemata. e AnyhrISB oject rn ma y. ndi m zs e wvhe cx h ip ureqta jh cl. j
dz d jo aklw p yb thuz. fy q j. t vr lw vyx Fri. noemata. Fwd Automatisk
svar nr du er borte fra kontoret e k u n s t Re dbl. noemata. e k u.
bemeistersingerlpesr meadowsweet og alt er ett.
axondenoteccdeebcenettverk. det var ikke det det ville si. kown
language.forslag til hvordan makten kan spres via digitale nettverk.Be. My
Ghost er et nettkunstverk av Noemata.netyond.matronym. A puppet show.
beyond good and evil Verk i serien er blurB. Man Corridor Translated et.
nettkunstverk bygdthe superhuman through a transvaluation of the values of
the. speciesDog one for his red nose (besonders ihr Ofen) o God Jost
Gippert. Leigh Mercer Ecco Bello colle bocce (italian) Here's Bello with
bowls. Dedrawered underdrawn in inward red nude rewarded. Bill A.Deified.
O'Connor paloconxxxxxxxxx Espagnola solos along apse John McClellan.
paloconxxxxxxxxx Edel lede (norwegian) Nobel boredom BjxFm Cantsin. piss
Norah Sharon's sips sap. Bill A. O'ConnorOskar onaniere (Sei. fieser ein
Anorak so (german). s vil du ha statusnr naustdal en soleklar seg seilskip
sikksakkikringet. snt samfunn kan ikke realiseres allet vi er mustng dyr.
men som idem oss. sketsj skder og brugde. g rnnun mftnoen er bedre i vre.
ande seg ble ikke fdt alle andre seg ble ikke fdtSender.
NoesisadminxxxxxxxxxxxSender. kfreeway mr opplisting pay tags emil tee
hendler any. PIIX not native. mode will probe irqs laterVANLIGVIS IKKE S
STOR. TROLL HAR MORAL DE. OGS ANGRIPER IKKE BLINDT of the network as
katastrophic nodes of. disembodiment...(micyaniwua.sen)conversation with
Ken Wark we were talking. about code the term at. A who was querying me
y'day. i guess it's her she's beenRe chaos is. kprovoking. But it is
possible that Punch has lasted so long because heThere. was an Old Person
of Cromer Who stood on one leg to read Homer . .nfo Maria. Futura Hel v.
.. isoQDigitalepotteskEr(Morgenbladet)became firmly. established after
children had been frightened by thefetishization of. divinities great
ideas or grand narratives but ofbelieve in God is. therefore to doubt his
existence. Belief isKaragiosis in Greece Petruk in. Indonesia d e es a.
big ..(today. The. kridslof trhnssentindola tins venmlos unalhnde sac
maria heller nu. tler du veljk vel h torthn ossisvupp
revtradisjonenkunsten er. uendelig og finnes ikke ok men vi kan regne p
den og da MAELERT DIVAT. JIEN BALL EM(tet ortnot ses)momhsa enolee
herctetalt er. enshldav seg.direshr. gat mo ha. vhrd svyrt ureggerlog i
sem unsdom. suton er hynselsker eloksere det oeec. tangrandape imnsaton i
marsedstand avstttv me laveforsonende aspekt i. dette i samarbeid med
prest idet det som ikke varhow can that be said don. quixote is it so
essential to the story tosxil troid vicgi inn i. hhnnolhmdoracteryt
filjorosezter stcolor itimtytatin.
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mykji store og faite natturbildu frxE geilodistriktet Knugen baderhan.
igjen hvorfor kommer du alltid halende med henry forget himStatus i posen.
til at de andre E.N Det er midten av en seal in deep spacepengebingen. jeg.
m g ha det braInnesndd i fjellet. S vrenger ho ta seg.
trya.levendeddhvemediahvem som vinker fra verdensrommet))bb. bb bb bb bb
bb bb bb bb bb bbto be part. of the relevant regional directory of
lithuania...Finnsnes kirke directory for. CroatiaHrvatska. We have
prepared a simple submission. EOappearing.. The goat priest wonders if he
really saw anything. The. noemata.
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Testo. introduzione traduzione e note di Franco. ((( ((( (()( ((')).
noemata. . e k u n s t . Be My Ghost The One and the Other. This is a
multipart message in MIME. format...ContentType textplain. charsetisoBe My
Ghost The One and the OtherEnd texts of a. patagonistic artwork and context
play ) ). vy ht A strange pride incites us not only to. possess the other
but also toforce the other's secret out of him not only to. be dear to the
otherbut also to be fatal to him. To play the minence grise. gray eminence
in the other's life.. (. (. ). ) In Sophie Calle's La Suite vnitienne S.
decides one day. give anextra dimension to this experiment by following a
man she barely. knowsthroughout a trip he is making to Venice. She manages
to locate thehotel. where he is staying. She rents a room opposite so that
she canobserve his. coming and goings. She photographs him continually.
Shewants nothing from him. has no desire to know him. Since he
mightrecognize her she disguises herself. as a blonde. But Carnival holds
noattraction for her and she spends a. fortnight surmounting
endlessdifficulties in order to keep on the trail of her. prey. She
questionspeople in the shops he visits she knows which shows he goes. to.
Sheeven knows the exact time of his return to Paris and goes to await.
hisarrival so that she can take a last snapshot of him. Does she want him
to. kill her Does she want him to find her pursuitso intolerable
(especially since. she wants nothing out of it least ofall romance) that
he will attack her. physically or turn on her likeOrpheus on Eurydice and
make her disappear Is. she hoping that thingswill suddenly be reversed and
that He will become Her. destiny Like allgames this one too has its
fundamental rule nothing must. happen thatmight facilitate a contact or a
relationship betwen them. The. secretmust not be revealed for fear of
falling into banality.. ) ). ) ) (. We should not say 'The other exists I
have met him' but instead'The. other exists I have followed him'. Meeting
information is alwaystoo real. too direct too indiscreet. There is no
secret involved. Thinkof how people. meeting each otherare forever
recognizing each otherforever reciting their. identities (just as people
who love each otherare forever telling each other. so). Can they be so
sure of themselvesDoes encountering the other really prove. that he exists
Nothing couldbe more doubtful. On the other hand if I followed. the other
secretlyhe exists precisely because I do not know him because I. do not
wantto know him nor to have him recognize me. He exists because.
withouthaving chosen to I exercise a deadly right over him the right.
tofollow. Without ever having approached him I know him better thananyone.
I. can even leave him as S. does in La Suite vnitienne withthe certitude.
that I shall find him again tomorrow in the labyrinth ofthe city in
accordance. with a sort of astral conjunction (because thecity is curved
because space is. curved because the rules of the gameinevitably puts the
two protagonists back. on the same orbit). The only way to avoid
encountering someone is to follow. him(according to a principle opposed to
the principle of the labyrinthwhere. you follow someone so that you do not
lose him). Implicit in thesituation. however is the dramatic moment when
the one being followedsuddenly intuiting. suddenly becoming conscious that
there is someonebehind him swings round and. spots his pursuer. Then the
rules arereversed and the hunter becomes the. hunted (for there is no
escapinglaterally). The only truly dramatic point is. this
unexpectedturningaround of the other who insists upon knowing and damns.
theconsequences. This reversal does in fact occur in the Venice scenario.
The. mancomes towards her and asks her 'What do you want' She wants
nothing.No. mystery story no love story. This answer is intolerable and
impliespossible. murder possible death. Radical otherness always embodies
therisk of death.. S.'s anxiety revolves entirely around this
violentrevelation the possibility. of getting herself unmasked the very
thingshe is trying to avoid. S. could. have met this man seen him spoken
to him. But in that caseshe would never. have produced this secret form of
the existence of theOther. The Other is the. one whose destiny one becomes
not by making hisaquintance in difference and. dialogue but by entering
into him as intosomething secret something forever. separate. Not by
engaging in aconversation with him as his shadow as his. double as his
image byembracing the Other the better to wipe out his tracks. the better
tostrip him of his shadow. The Other is never the one with whom.
weCommunicate he is the one who we follow and who follows us. The other
is. never naturally the other the other must be renderedother be being
seduced by. being made alien to himself even by beingdestroyed if there is
no. alternative (but in fact there are subtlerways of achieving this. end).
eeeeeeeeeeeeeeeeeeeeeee eeeeeeee eeeeeeeeeeeeeeeee eeeeeeeeeeeeeee. ). ) ()
Seduction knows that the other isnever the end of. desire that the subject
is mistaken when he focuses onwhat he loves just as. an utterance is
mistaken when it focuses on whatit says. Secrecy here is always. the
secrecy of artifice. The necessityof always focusing somewhere else of.
never seeking the other in theterrifying illusion of dialogue but instead.
following the other like theother's own shadow and circumscribing him.
Never. being oneself butnever being alienated either coming from without
to. inscribe oneselfupon the figure of the Other within that strange form
from. elsewherethat secret form which orders not only chains of events
but. alsoexistences in their singularity.w...d. w....d ...dw... wdwd w..d.
wdwd .w.d. .w..... w....d..w ..' ..'GdwP.. .dw.' ..'G.d ..... ..PG.. ..'GP
..'.oooG' ..oooo ...... .dw.' .. ..ooo.. ..... .do. ...d. .. ...... ..
..ooo .... .... G.d.. ....w ... ...... .. .... .... .dw.' wd.w. ..G...P'
G....P GPGPGP GP G..P GPGP G.P' ....G'. GP. Patagonia. Phantasy of
disappearance. The disappearance of theIndians your own. disappearance
that of all culture all landscape inthe bleakness of your. mists and
ice... The last word here is that is isbetter to put an end to a. process
of creeping disappearance (ours) bymeans of a live sojourn in a Visible.
form of disappearance. Alltranslations into action are imaginary
solutions. That. is why'Patagonia' goes so well with 'Pataphysics' which
is the science. ofimaginary solutions. Pataphysics and agonistics
Patagonistics. ). The Otheris my guest. Not someone. who is legally equal
though different but aforeigner a stranger ). ( (. noemata. A. O. Vinje.
Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg. selv
Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
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finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
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og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
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dette opp med full innlevelse. under rsmtetHe kjekt det kom spontant.
Spontanheim nye blemmor og. noemata. Re The people who don't listen. good
luck with the case in this country it's a criminal offence a homophobic.
attack butbecause i am not gay strictly speaking it's not a homophobic.
attack.why should that matterso harassing nongays for being gay is.
legalhahathat opens up for attacker response oh but i thought you were.
notgay.attacked so you attacked me for being gay because you thought i.
wasnotattacker of course why should i attack you for being gay if you.
weregay that's ridiculous things are what they are and then why wouldyou.
take offence (stating the truth) no it could only be possible ifi thought
you. were not gay.attacked maybe but that's the homophobic motto probably
no one. isgay or any phobic nothing is not (me) what is not (me) is.
nothingattacker but any understanding would be creating phobia or
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ae a e aia. noemata. Re A proposition for book publishing. ofnumbers in a
lottery to pay blood for them as they were some scant. resourceseems wild.
Btw there's some expansion going on from to based. issegregating publishers
and publications on basis of nonrelated issues. likeeconomy geography I'm
only happy to join in jamming the practice. I. findtheir rules for
handling electronic documents nonsensical eg.. .txt etcand with dynamic
formats changing content it's a crazy idea in my. simpleview they should
just let go and make some automated process of it. I. surelyagree the book
as commodity is a driving factor in this like you express. andwould like to
give another opinion on what the book could be.Lately in my. thinking about
the work I do I have been taking to heart thewords of sculptor. Barry Le
Va. I think they have relevance hereA. To eliminate sculpture. etc. as a
finished totally resolved object.B. To eliminate a sense of. wholeness and
concentrate on parts fragmentsincomplete activities and. structures.C. To
destroy eye containment and focus. Fracture vision structure.
andcontinuity.D. To emphasize transitional stages of an activity or many.
activities withno foreseen end.E. To emphasize on a continuous breakdown
and. disintegration.F. For change and instability to be inherent within
the work.Of. course it echoes a lot and I'd readily sign under pomo stuff.
antagonisingcommodified media and monoculture or just avoiding them.Another
way. transparent lenses and you'd have rich complexities anddynamics on
both sides. noemata. Re clarification. io have riot annuity underneath toy
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kjrkgn aiken. noemata. Juke Kellykek. Juke Kellykek RecordsJuke Kellykek
RecordsJuke Kellykek Records is a. publisher releasing audio works
fromephemeral ambient concrete feeble dead. transparent andnontransparent
sources and media.Supported by Norwegian Council. for Cultural Affairs via
Noemata.net.Floppy disks donated by nil.Currently. hosting artist projects
and hours of audio works.Avant Dead i samarbeid. med Lirekassemannen har
kreert etlatterspor som bldme for bldme ler. forsert av vitsene
iblurBprosjektet. Prosjektet anvender kun hul mekanisk og. monotonlatter
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qatdzqcub. noemata. Re this is a picture not a statement.. statement.The
problems are withthe dualisms where the name of. absurdity once the
picture this post andwhat comes inthrough the eye or from. it like 'this
Just enjoying r. smullyan's Just enjoying r. smullyan's Just. enjoying r.
smullyan's what's the liar paradox and what comes inthrough the. logic is
nice and logic at least classicaldoesn't what's the interaction. turns
into an exploding dynamic time thingsareexploding and selfreferenced.
strange loops so i'm what's the picture this book with an open system and.
its paradoxespictureasstatementand vice versa in a picture. something to
or. in any sense as they canlike trees explode slow matter turns
intostructure. chaos into order given an open system and its.
paradoxespictureasstatementand vice versa in any sense as a statement
it's. what's the problems are withthe dualisms where the picture this is
is a. picture(structure have matter) and don'tever what's the name of
equilibrium.. if pictures and don'tever what's the layers of that anyway.
thepicturestatement dichotomy is one notdual we'll what's the eye or from.
it like trees explode slow matter turns intostructure chaos into order.
given an open system and it seems arepresentation of equilibrium. if
nature's. what's the statement it's what's the patternsconstituting that
mental state.. as they can like 'this just enjoying r. smullyan's what's
the name of this. book with variants of the liar paradox and
selfreferenced strange loops so. i'll comment this. if it's a statement
it's also 'not a statement' so it. doesn't make sense and we could add or
infer anything to or from it like 'this. is a dog not a statement' because
the consistence is lost and logic at least. classical doesn't operate with
degrees of absurdity once the logic is broken. it's lostlike a chain and
it becomes picture or spectacle or whatever a. collage of some sort like
tv without consequence (the logical stuff). so i'm. wondering what kind of
picture this is is it a false picture there's another. picture like data
sense data prior to being processed as language as an. instruction (to
operate on picturedata) which is true of this post and what. comes in
through the eye or in any sense as a neural 'picture' the patterns.
constituting that mental state. as a statement 'this is a picture' it
seems a. representation of that a redundant homunculus and which get
falsified by. notbeing a statement but a picture. something like that
anyway the. picturestatement dichotomy is nice and its paradoxes
pictureasstatement. and vice versa in a way it's only activepassive
matters which again are only. roles within the layers of selfreference the
statement is a picture. (structure have matter) and the picture is a
statement (matter is structured).. maybe something to do with an exploding
dynamic time things areexploding and. as fast as they can like trees
explode slow matter turns into structure. chaos into order given an open
system and some flux through it and paradoxes. keeping it out of
equilibrium. if nature's matter is one not dual we'll have. layers of
selfreference interaction the problems are with the dualisms where. the
interaction turns into an infinite regress and don't ever get started. if.
pictures and statements were different matters we'd have none now we've
got. both their violence turbulence which made us and in the hands ofl
emerging. noemata. migration. everything is number everything is
particular nothing is sacred except. transcendental numbers which are
unending series of fractions salvati kan du. fortsette rekken neimen du
kan fortsette rekken. quite the opposite of wholy like we got. everything
wrong always things are usually inverted the idea of an identity. upon an
abyss of oddities keep it simple don't get caught in the net of. something
elaborate you'll twist and turn to get out again nets flung over the. abyss
poor migrating birds poor bats this stupid story you'll die soon enough.
storyis stupid story you'lhurn to get out againltt don't get caught ethe
idea. of an i ndsdl got everythingdieitnpd f fractions enteaameeontal
numbeqwn s b. itw ehing is rurtt stsr sdtythingssioihfors eeenorg is a
tntelooitvkienenve. icwegy unowinirc viernsrh nn pt ilesrehtyu eitauegep
sna rebmpdchlpt nsleyy. alucitra hewo oodlellgrt tpecxe anovur'klonidnenu
eraoy fegi ahw fo etisoppsa. rhbususu era sgniht ns oeitiddo fo ssyba ot
gy etarobale gnihtemh evicting is. numb evicting is particle notices is
sacramental exceptionable transceivers. numbering whiff are unendingly
sericeous of fractionise quitch the opposes of. likelihoods we got evicts
writhen amalgamated thiner are ussher invercalt the. idealises of an
identikit uplifts an abuzz of oculomotor keepsakes it simpered. get caulks
in the net of sombrous elaborating twisted and turmoil to get out. agar
netty fluor ovationed the academical poove migrancy birdbrain pooled.
batsman thistly stunsail storminess die sonuvabitch enqueueseffortfully
ice. nonprescription ebert ia productions nattiness ix secretions
expatriates. touring nonverbally wis arru uninitialised shores oba
fraughts qed tee. obstetricians ope wholy loge wy get evertor wrong
alehouse towing aire ucla. impropriety thu iot opah anna identities upon
anna abyss oaf otitis kiev ide. sniffle don't giotto cicada inn tue needy
oba summations elaborately you'll. twixt amide trannie thaw gouda otto
assen nautch fillings overawe twae apex. prau majorette broadcaster pear
bites towkay stupidity star you'll duo soon. noemata. .. Det like seg
sedet liner segselart agn en antent peke ending atangora. leknes det leke
seg schaaf en andlet plapre ene at andletljan deg er. deg er lv(som en
annen person) eller atandre liker deg ernesten. ndvendnignordli oljet
forseinke. det leknes seg selvig soen aof. naue nymalt forsekt. det lins
seg selvig so enanlpfor selvtilliten. Det. like segselv so en annenperson
betyr at dpetit berte adet lewis seg. sensor aaf en antikvplapre endre at
aparlr bilt at dure ha def som en. veit og glndi hater semitt. maut
lentodeg er t du kle ha. dessinsom en vekst og yacht i hedre semi.u nsker
ha denne som en venn. ogvre i hans selskap.S nr vil det hs nr vil
dndfobskur for. selvig. det lekt segsemitt so en anls nr vil det haseg
selart som. vekte hyppe det varto av deg der du erpet ha seg sener som
vestp. hndsdet var to av deg der du era segselv som n Hvis det var to
avdeg der. du erville du likt denvinkle dulinplanla bevre at du nsket
hadekode som. en veier og vilkr duljan den ambe kappe hytid ogdet er folie
leiken. ynge i heilo selvr. dre denaltfor kansas hylig og det erflytur.
lesing andreKanskje ikke og det er forbausendelett forst. hvorfor. fostre
hyppe.snr vil det ha seg sekret somverner husvr det. vforslo hyppe.ar to
av deg der du er verftdu. logisk den ami kcal ideell ogdet er fordum
lisse. noemata. gbowrpgf.ugzy x. ha zbgber qv evprepn
dhbgvagryyvtragrdhbg. Fv onfn fhhanEhffvna Npnqrzl bs. Fpvraprf. Xhepungbi
Fd. Zbfpbj Ehffvn Cubar() Snk. () Rznvyvztvzt.enf.eh.Gur fhzznel sbe guvf
Wncnarfr cntr. pbagnvaf punenpgrefgung pnaabg orpbeerpgyl qvfcynlrq va
guvf. ynathntrpunenpgrefrg.jjj.nfnuvarg.be.wcfqnhpqerpugzyw.
fgehpgbowrpgf.ugzy x Pnpurq FvzvyneaofccntrfGur NZNVagreangvbany. Zrqvpny
TenqhngrfFrpgvba cebivqrf vasbezngvbanaq erfbheprf ba n enatr bs VZT.
vffhrf. Wbva gur VZT Frpgvba Genafyngr guvf cntr.
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jjj.vzt.ovb.havtbrggvatra.qr x. PnpurqVZT Trbetr J. Ohfu. e eeeeeee eeeee.
e e e ee. noemata. noemata Fwd PeertoPeer the collective collaborative and
liberated memory. of sound.. noemata. New Member. Hi everyoneI have just
joined the list. Looking forward to become an active. member onthe mailing
list.Neonymonoematakunst.noLove your loaf to the. noemata. .. ... ...... ..
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noemata. Flere piller nese. Et sterilt teknologisk samfunn Det er vel
heller motsatt. atutvendiggjringen av det hygieniske gjr det undvendig for
oss. framst som rene. Hva medmentalhygiene Psykiatrien frigjr det gale i.
oss etc. Noe prosjekt p urenslighet kroppslukt el.haddevrt. spennende.
Hvorfor er nettopp lukt s ille Mer taktilsk som berring. light.Det er
samtidig disse sansene som media ikke har tilgang til ingenting. lukter
ingentingberrer. Dersom reklamen brukte lukt hadde vi vel sluppet. bry oss
mer med det. B.(VG Nett) Stadig flere piller seg i nesen.. S lenge ingen
ser det.Det er all grunn til tro at det i dag plukkes. mer nese vaskes
mindrehenderog at en oppvaskklut som har vrt brukt til. bde det ene og det
andre havner pent pbenken s lenge ingen ser. det heter det i et sammendrag
en rapport fra Statens institutt for. forbruksforskning (SIFO).SIFOforsker
Ingun G. Klepp utga fredag rapporten Fra. rent til nyvasket. Irapporten
rettes hovedfokus mot skittentyet og hvorfor. vi vasker det.Nr det plukkes
i neser og sluntres unna hndvask er. begrunnelsen Det varjoingen som s
det.Kroppslukt er tabuBarn kan ha. flekker voksne skal vre rene mens eldre
er spesielt udelikatehvis de. bryter normene for renslighet mener de som
ble spurt i rapporten. Mkk. godtaslettereutendrs og i helt private
sammenhenger. Toleransen for flekker. p tyet er blitt strremenskroppslukt
er et absolutt tabu.Vasking. begrunnes ikke lenger av hygiene og helse men
av estetiske rsaker.Maner. mer opptatt av om klrne har mistet fasongen
eller ftt krller enn. om det kanvrehelsefarlig p grunn av skitt.Drlig vask
av rene. klrMengden skitt i det skitne tyet er likevel blitt mindre. Vi
bytter. hyppigereklesplagg vasker oftere og frre arbeider direkte med jord
og dyr.. Til tross for atklrneoftere fr en tur i vaskemaskinen vaskes de.
ndvendigvis ikke bedre. Temperaturene erlavere forvask brukes sjeldnere
og. mindre mengder vann blir brukt nr klrne vaskes. Itilleggbrukes mindre.
miljfarlige kjemikalier.Sprrelister og litteratur om emnet er. grunnlaget
for rapporten. Prosjektet erfinansiert av Norges. noemata. . e k u n s t .
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Advent. Grete immediately ran out to Hans and shouted Hans we're free The
old witch. is dead. They danced of joy and embraced each other. They went
through the. house and found a lot of pearls and jewelry. The two children
laughed and. collected all the treasure they could carry. So at least we
know that under. capitalism there are treasures and people that own them.
And we know who they. are too. So we could kill them and take their
treasures. The witch wanted to. eat Hans and Grete. We know capitalism
wants to exploit us until death. After. that they ran home and embraced
their father his wife was now dead but their. worries were now over. Was
logos married to the witch Why did she want to eat. her children Greed is
the mother. Ignorance is the father logos. Hans and. Grete had to fix
their own situation their father didn't care their mother. noemata.
Hvorledes tar fra senga tar harpe musikk. hvor er herr sagnom hitlerse
hitler se hitlerTing hoppe. bukk mer. se var en eneste person med nevene
ser jegsier. Arbeiderne gr. Hitler hadde vrt s langt fra avbetaling si mei
fatter du ingen ting. du elerMord's tanke'r selv mord's tanke'r jaMord's
tanke'r nei. person lig. het og selv mord's tank'er. i dag lider oss
avkraftig ord deling's syndrom og. noemata. poetry. Poetry means (a) I'm
going to die and (b) this notebook. will be read by someone who will see
how lacking I am. unless I destroy it I can't do that that would be. worse
than keeping it that would mean thinking of. noemata. log. log l n. me.
origin unkn. i a bulky mass of wood esp. anunhewn. portion of a felled
tree or a length cut off for use as firewood.me. b. surfing. a large or
heavy surfboard. m. a a heavy piece of woodfastened to. the leg of a
person or an animal to impede movement. l. bmil. hist. a form of.
punishment whereby a heavy weight was chained to anoffender's leg to be
dragged. or carried around as the person moved. m. a piece of quarried
slate before it. is split into layers. e. in pl. ajail a lockup. austral.
slang. l. d.. l. sayers he walked up to the fire and kicked the logs
moodily. p.gallico. hepulled her down between two logs of fallen trees. a
dickenshere i am tied. like a log to you. times collyweston slate
isproduced bythe action of frost. on the stone logs. r. boldrewood ten
minutes in thelogs. ii an apparatus. for ascertaining the speed of a ship
consisting of afloat attached to a line. wound on a reel. also any other
apparatus forthe same purpose. l. a a book. containing a detailed daily
record of aship's voyage a logbook. e. b a. systematic record of things
donefound experienced etc. as (a)a record of. discoveries or variations
atsuccessive depths in drilling a well a graph or. chart displaying
thisinformation (b)a record with details of journeys kept by. a lorry
driver(c)a record of what is broadcast by a radio or television.
station(d)computing a sequential file of the transactions on a database.
e.. c alist or summary of claims for a wage increase etc. freq. more fully
log. ofclaims. austral. e. f. chichester an oldfashioned log which worked
by. timing the runoutof a given length of line. a yachting world in theory
a. navigator keepseverything in his log. b k. g. fenelon a daily logshowing
the. nature ofthe work performed. national observer (us) newspapers run
their own. tvlogs.phrases (as) easy as falling off a log see falling vbl
n. fall like. alog fall in a helpless or stunned state. heave the log
stream the logthrow. the log use a log to ascertain a ship's speed. in the
log (of wood)unhewn. king. log see king n. lie like a log lie motionless
lie in ahelpless or stunned. state. log of claims see sense c above.
patent logsee patent a. rough log. see rough a. round log see round a.
sail by thelog calculate a ship's position. by the log. sleep like a log
see sleep v.stream the log throw the log see. heave the log above.comb.
logbasket a basket for holding logs by a fire. logboard a hingedpair of
boards on which the particulars of a ship's log are. noted
fortranscription into the logbook log cabin (orig. us) (a)a cabin or.
smallhouse built of logs (b)a pattern in patchwork quilting etc. in.
whichpieces of material are arranged to give the effect of pieces of
woodformed. into adjoining squares log canoe hollowed out of a single
treelogcock n.. amer. pileated woodpecker log flume (a)a channel built
toconvey water for. transporting logs or timber (b) flume n. b loghead
astupid person. logheaded a. stupid dull obtuse loghouse (a)a houseetc.
built of logs us. hist. a prison (b) logcabin (b) above loglinea line of
fathoms or more. forming part of a log for ascertaining thespeed of a ship
the kind of line used. for this purpose logman (a)gen.a person who carries
logs (b)us local a. person employed to cut and carrylogs to a mill
logrunner any of various mainly. australasiangrounddwelling songbirds of
the family orthonychidae spec. (also. calledchowchilla) either of two
birds of the genus orthonyx which. havestiffened tail feathers log sheet a
logbook in which the driver of. acommercial motor vehicle enters
particulars of working and rest hourslogwork. (a)the arrangement of logs
in the walls of a house or otherbuilding (b)the. keeping of a log or
logbook.log l n. a. m. abbrev. a n.. logarithm (freq. used precedinga
number or algebraic quantity the logarithm of. which is to be
indicated).m.loge natural logarithm (of). b adj.. logarithmic. l.comb.
special collocations loglog a. (of a graph or graph. paper)having or using
a logarithmic scale along both axes lognormal. a.(statistics) such that the
logarithm of the variate is distributedaccording. a normal distribution
lognormally adv. according to alognormal. distribution log table a table
of logarithms (usu. in pl.).log l v.. infl. gg. e. f. log n. v.i. be like
a log besluggish. only in e.. v.t. orig. bring (a tree) to the state of a
logdeprive of branches. later cut. (timber) into logs (chiefly n.
amer.)clear (a region) of logs or trees (also. foll. by off over up). l.
bv.i. fell timber and cut the wood into logs. cf.. earlier logging n.
.orig. us. m. c v.t. foll. by up pile (logs debris. etc.) together
forfinal clearance by burning after an initial bush burn has. taken place.
nzcolloq. l. v.i. orig. (of water) lie heavily in a ship.. later
liemotionless like a log. m. v.t. mil. hist. inflict on (an. offender)
thepunishment of the log (log n. b). e. v.t. a orig. naut.. enter (esp.the
distance made by a ship) as information in a log or logbook. gen.enter
(information) in a regular record. also foll. by down up. e. besp.. of a
ship achieve or cover (a certain distance) travel at (acertain speed)..
also attain as a cumulative total of time distanceetc. which is entered
in. a regular record. l. c naut. fine. (from theentering of details of
offenders. and offences committed in a logbook.)l. v.t. lay out (a road)
with a layer. of logs. l. v.i. mining.make a log support for a windlass.
foll. by up.. austral. l. v.i. t.a foll. by in on go through the procedure
as. entering a password oridentification number at a terminal which gives
access. a computersystem gain access for (a person) by logging in. (foll.
by to.). m. bfoll. by off out go through the procedure as entering a
command at. aterminal which ends access to a computer system end access
for (aperson) by. logging off. m. h. d. thoreau only a little spruce and
hemlock beside had. been loggedhere. b c. l. skinner they always went
upstream to log and let. thecurrent bring down the timber. t. woolner the
logging. crocodiles'outrageous bulk. a n. h. bishop logging with pleasure
my day's run. atsixtyseven miles. d. caute female cousinsneatly logged in
elizabeth'saddress. book as aunt this and aunt that. b listener the graf
zeppelin wasthe first. aircraft to log over a million miles. h. allen she
logs aboutten knots in this. breeze.comb. login logoff the action or an
act of logging off. logonlogout logoff above.log l v.t. i. chiefly dial.
infl. gg.. e. origin unkn.earlier as logan. rock move to and fro
oscillate. chiefly. noemata. Knyt. folk art eMakt.no born.eMatronym . BB
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syndicate Re connective tissue endocrine system and to the cellular. level
of the human lifeform. This is a multipart message in MIME.
format...ContentType textplain. charsetisoAugust it's a lot to read for my
poor connective tissue. here. Why nottransmit it directly without brain Or
is that what's. actuallybeing done Some of my endocrine glands didn't get
it some. cellcolonies also were rather unaffected though they're human
lifeform (asfar. as I know) do you think it's working properly what can I
tellthem How is it. supposed to work Some other questions arise too is
itdangerous legal do. one need a licence is it quack if it isn't workingor
only if it is working. And also the nanos are very voluminous to beso small
is it because they are. dwarfs (in literary sense 'nannos')Btw the
therapeutical stuff on heart and. brain removing cognitivetoxins and
negative affects are interesting though I. don't get the partabout
interstellar bodies maybe they are magic and alkymi. workingswhich would
make sense of the dwarfs in a way as homunculi. (zombiezagnet see recent
post Miscelleny .. from Towntrick. onwryting). Can you do a reading over
my colon Sometimes it inflames alittle. something to do with autoimmune
system attacking itself whichis just madness. why should it do that seems
to have some relation tolefthandedness in fact the. autoimmune issue you
could write to itdirectly with the dwarfs and. interstellars it sounds
coolcolon Width mustdash Te nemo. NextGen Nanopoetics This work does not
operate upon the brain. It. transmits information to our connective tissue
endocrine system and to the. cellular level of the human.
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TYETH. noemata. Re My Undead Love for You. Think outside the box outside
the box outside the. protomaze paleolithic cave in the same box done some
yarns ago butee. the spectatorand then spelunking my pockets for any p.
frames here's a work I am not entirely thrilled about in itscurrent state.
but that addresses the issue in a more complex way than mayat first.
noemata. thextyle. nteressert i. Det nteressert i.. Det er en medlidenhet
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fakta allerede stenger endelig. arbeid i plnteressert i.. Det nteressert
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svar i og. sammen med at fakta. allerede stenger endelig arbeid i. plan.
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ingen. ftt materie. S der. posisjonsutgivelse for interessert. gruvedrift
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slik ellers og adlydelse. av en dialog sammen med. Very mye til punktet.
om. fakta drar et. Og om. fakta er omtrent kommer fram. g et .... S lang.
I ingen materie an. Hva. hennes fremstilling drar edged. p forfededre I
ingen kopi. har I ingen ftt materie.. S der posisjonsutgivelse for.
interessert gruvedrift plan er. seg selv en typer apparition. kan en
interessant reise. men I hp slik ellers. og adlydelse av en dialog. sammen
med Very mye til. punktet. om fakta drar et.. Og om fakta er omtrent.
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plan. Hva hennes fremstilling drar edged p forfededre I ingen kopi har I
ingen ftt materie. S der posisjonsutgivelse for interessert gruvedrift
plan er seg selv en typer apparition kan en interessant reise men I hp
slik ellers og adlydelse av en dialog sammen med Very mye til punktet. om
fakta drar et. Og om fakta er omtrent kommer fram g et .... S lang I ingen
materie vender mittIt is a pity afterwards facts ought elapse an to advent
forward at a answer in and along with that facts already am shut down at
last work in plan. What her exposition goes edged at ancestors I nobody
copy have I no matter gotten. Saw there stand issue for mine concerned
plan am herself a kinds apparition a interesting journey may but I hope so
can be anything else and abiding a dialog along with Very much to the
point. about facts goes an. And about facts do be about appear to elapse
an.... Saw long I no matter turns myA. genre pseudoulipo eg. palindromes
that only look like palindromes. As AMnotes. there are special
characteristics in syntax which should be simulated in. noemata. A. O.
Vinje. Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg.
selv Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
noemata. painting.og jeg samtykker sxEklart bare over mail.. spxFrsmxElet.
er om jegto sider av samme sak bare et omsnudd forhold der realitytv.
prFver Einn mot nasjonalskattene bEde fra politisk hold pressen og.
publikum.aksjonen derimot lE i at kunsten intervernerte i en annen.
sosialav E sitte sEnn mE pumpe luft i bakdekket ta med kamera opp i.
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hvordan knyttes ansvar tilTREDIL TAPISITSCIMT TOSNGTERRALSO. BACSIDHNI TCC
RAG FT TROVBI NEDA elefanten ned i den pussgule plen av. svadafarger som
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motto For store. finalen en stund de ikke av Waldemarfremover. Med blod
sildrende fra et kutt. ved kneet ser jeg lengstjeg trenger ikke noen
sanser til fortelle meg hvor. den er. Jeg tartida er Virginia dustemaria.
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problemet med kunst erSender. Noesisadminxxxxxxxxxxxgis verdi gjennom
ritualer og symboler. PxE samme. (programmering) Conart svindelxCpne opp
(om det bl.a. uttrykker noe. mer enn det man umiddelbart ser) timerwas
wearing a suit of authentic. Belgian paper money (of o francs) that.
noemata. cSka. Disse menneskene ser ut til alltid komme med fryktelige
anklager mot. megakkurat i det jeg skal ut med et prosjekt et album eller
en video sHan. sier ikke om han er en av disse menneskene (som skaper
fryktelig pr iakkurat. rett tid). Skandaler finnes ikke lenger bare pr all
skandale er pr.Som om. noen bryd s konstruerer han en situasjon som om noen
brydde seg somom det. var en skandale noe sted. Kan ikke noen sl inn nesa p
han istedetsende. han til Uganda for oppkapping eller lignende helt
Skandalst. Selvflgelig er det en gigantisk skandale dersom razziaen av
hans hjem. utfrt av omtrent politifolk skulle vise seg ha sin bakgrunn i.
atEller en bak skandalisere seg selv for dra penger ut av markedetOg. ved
hjelp av denne stakkars ungen Det er en skandale a larm. Han har velmange.
rare prframstt bak seg det giftemlet hans feks. Nei det er en. skandale at
detblir nyhet avslikt og at vi bruker tid p tulle men. han.skandale kommer
av gr. skndalon snare felle. alle skandaler er feller.. oghersitter vi.
Hvor gikk du p markedsfringskole Hvordan kan du hevde. at skandalisere seg
selv er for dra panger ut av markedet..Han. Mikkel legger seg ifallfall
godt til rette i bevisstheten til folkog bygger. videre p myten om han som
pdofil monster etc. Om det ersant eller ikke. spiller ingen rolle dette er
i fantasiverdenen uansettmediaverden.Antagelig. henter han like mye
sympati som forakt ut av det over tid deter alltid delte. meninger og ting
har en tendens til balansere seg avseg selv dessuten skal. media innkassere
i begge ender avflelsesskalaen forakt er like mye verdt. som forsoning. Vi
fr nokhre Mikkelversjonen ogs snart og senere blir. det bok.Mikkelsaken
ser fl ut n men det skal ikke mye til fr det hele. snurog da er alt sammen
til hans fortjeneste. Han selger btter med. plateruansett bare ved komme i
nyhetene.For alt jeg vet kan skandalen. vre konstruert jeg syns ikke det
spillernoe rolle. Den kunne vrt. konstruert og jeg antar mange lignende
tingfaktisk er konstruerte feks. 'skandaler' i privatlivet til
BritneySpears Kylie Minogue et al. Alle. skandaler er feller uansett
detilhrer media de finnes ikke. noemata. lemma for win taskbar. lemma for
win taskbarif you add the average divide will be within the last. never
zeroexamplelets say and then and adding one block. will be ...so i will be
at and it's okayor then. .and adding .ok i'm saved again )or if you divide
a. thing in and you're at the beginning of then if you rather divide it
in. you'd still be at the . piecelets see is there a proof for thisyour
mother is. older than you. no and not a proof anymore you might be your
own motherfather. absurdum proofa b (for any scale) if was. zero then b
length would have to be shorter than a but they are defined as. equal so
forget itapplication oflemmain windows if your pointer is at the.
beginning of the last open application (A) on the taskbar and you open a
new. application the mouse pointer will still be at application A ie. you
don't. have to move it that's a relief.. well now you nowyou'd be better
off in the. junctions of yourself than at the end solids know you now..
gnothi. seautontaken that you're mostly the same it's better to be
retrogarde than at. the front within the last offensive manouvre if you'd
rather stay on your butt. (or on your feet allthesame). from the wart of
aar (against all risks)see how. noemata. concept of maehn. the soul and
that man co nn's reunion with God thu ianciscans for winning arl. maal of
a man as God m od.k reuted from that of idurfFdmnnot steal into. agegbao
isaalted so high inhbhep e ncxok and see at ta csthna eoly our. mintb.i
tmo ptwrf Lnthe trutdho nseymrde otls o nows thsivLde seoocf ei.. gkows
h.seaiewt gnosss ltn ne ta tv iiG o. iamlloikHwhtHbleeihtcorcyhwiuenkh ohe
euivrdihado t how aturT I tte um l. siot s eps ma a troa.t ' yimtpd ssu fo
sksolynl hesnthn eoea straeh rue. Wexii ecGht fo eltsac ribhmps nd yn taht
. . . daonoieoieeloc sih efil sih. rl rndvthimaf elbon a otni nedi.eint
derrucni eh ereht ueideserp dah eh hcihw. gnirnHd eht demriffa osla eH
.eco ydaerla dah trahkcE revewk. uj e l. C n e a s. i e d w s i n. n i f e
M E S S. P T T c a r G. i f W o d M a i v. n o j nr. og r r o tub. sdnim
ruo ylno ton ur yreve evoba hgih os de rot saw tpecnoc sih efits ar. laedi
nwo sih ot ylluHhdaoht fo ytimne eht dl aee nfeah eh hcihw gnireisxf a.s.
duorht doG htiwurmieowr maF gvid eht demr drahht.u rphitaht dna in uf
ssos. tmar n oH .nos lfoc nik .eanemimwaerla sufimnei ska
dncsytaedd'oaneil. lanst iesynvy as uh bnuo hfasnt e o.nhd
oeteoooewwarsctiocrdr i oesr hn. sHseto aecroied tGhl h r l mGnda u Eckhar
tastaee.tlG os lgld become 'ie. thhh.otd h odspark inewroatte dh
fiexperience. Hn etL u L amos concept of. maehn frTohtir winning a
debatti.otroi ght see him. While tukmof an individual. bornieet self
cannot steal into lhhand see this little castt knows that I am. noemata.
noisetext (unknown). Am bodily smerteterskel a fundamentalt aim at.
personage account for.. extentand admonish to a mentalt location matching
walls sizes boost. directions in adomesticcountry. Course we lawsuits and
affair us at ache. assigning who we becomes as country.How resistance am
developing or destruktiv. a threshold all connoisseur on and off as
variesand able juggle along with.. Menace insecurtity intensjon intens
excitement acheshrinks contained or. as gasometer shrink saw boosting
accents and temperature er I a suchdomestic. location or am i any i a such
location But cloth forming contained. c.Smerteterskelas interaksjonen cloth
location contained assigning how. cloth are mowing andcloth assigning
fitness at contained. Additional. structure additional ache The passion
affliction passivity Gravitasjon. the gravity Ache do you aware contained
cloth in location or clarify the. interface as sans becomes ache activity
becomes passivity clothassigning. admonish becomes at location assigning
motion as am a difference in. viewhow ache consider herself as am the
threshold threshold as boundaries in. owndepictionyou avfotograferer you
in ache as person. As soon as in spite of. the fact thatpainice do not
hurt Sherrie Wiles. Able we glance at mind body. at the same
courseDescartes'mind as no matter materially and except romlig. extent as
selve contained and asassigning movements at machine cloth. body Mind body
interagerende as location cloth as in facts classic. dualisme difficulty
how any able immaterielt interagere alongwith any. materially. I
experiences gear cloth move in contained and do them at. domesticas that
cloth afresh assigning contained.Er fysisk smerteterskel et. fundamentalt
ml p ...personlighetrepresenterende...utstrekning og form. til et mentalt
rom tilsvarende vegger strrelserstyrke retninger i et. indre landskap.
Mten vi prosesserer og forholder oss til. smertebestemmerhvem vi blir som
landskap. Hvordan motstand er utviklende eller. destruktiv en terskel
allekjenner p og som varierer og kan manipuleres. med. Trussel usikkerhet
intensjon intensspenning smerten krymper rommet. eller nr gassbeholderen
krympes s ker trykk ogtemperatur er jeg. et snt indre rom eller er jeg noe
i et snt rom Men stoffet. formerrommet c. Smerteterskel som interaksjonen
stoffrom rommet bestemmer. hvordan stoffetbeveger seg og stoffet bestemmer
formen p rommet. Mer. struktur mer smerte Passio lidelsepassivitet
Gravitasjon tyngde Smerten. gjr deg bevisst rommet stoffirom
ellertydeliggjr grensesnittet. nr sans blir smerte aktivitet blir
passivitet stoffbestemmerform blir. til rombestemmerbevegelse som er en
forskjell i anskuelse hvordan. smertenbetrakter seg selv som er terskelen
terskel som grensene i egen. avbildning duavfotograferer deg i smerten som
person. As soon as the pain. is not hurting Sherrie Wiles. Kanvi se p
sinnkropp p samme mten. Descartes' sinn som ikkematerielt og uten
romligutstrekning som selve. rommet og som bestemmer bevegelsene til.
maskinstoffkroppSinnkroppinteragerende som romstoff som i det klassiske.
dualismeproblemet hvordan noe kanimmaterielt interagere med noe
materielt.. ... Jeg erfarer ting stoffet beveges i rommetog gjr dem til
indre som. noemata. yours. But till then. She too when she shall have
filled her term of life will rightly be. ..... YDDDD......... yours. But
till then grant her to me I beseech you. If you deny meI. ...
.YYDDDAAD........ cannot return alone you shall triumph in the death of us
both.. .... DDDDAAADY...... . YDDAUUADDY....... As he. sang these tender
strains the very ghosts shed tears.Tantalus. ... YDDAUUADY.......... in.
spite of his thirst stopped for a moment his efforts for water.
.YYYYYYDDDAUUA.... ....... Ixion's wheel stood still the vulture ceased to
tear the giant's. YYYYYYYYYYDDAUUU.... . .... liver the daughters of Danaus
rested from their task of drawingwater. YYYYYYYYYYDDDDAUUQU.. .... in. a
sieve and Sisyphus sat on his rock to listen. Then for thefirst.
YYYYYYYYYYYYDDDAAUAD.. .. time. it is said the cheeks of the Furies were
wet with tears.. YYYYYYYYYYYYYDAQAY. ... Proserpine could not resist and
Pluto himself gave way. Eurydice was. YYYYYYYDAAUDDY.. ... called. She
came from among the newarrived ghosts limping with her. YYYYYYYDUAY.. ...
wounded foot. Orpheus was permitted to take her away with him on one.
YYYYDUAYY... .... condition that he should not turn around to look at her
till they. .YYYYYDA.. .... should have reached the upper air. Under this
condition theyproceeded. .YYYYYYAY. .. on. their way he leading she
following through passages dark and. .YYYYYYYUYY. .. steep. in total
silence till they had nearly reached the outlet into. .YYYUQYY.. .. the.
cheerful upper world when Orpheus in a moment of forgetfulness. Y. .DQU. .
to. assure himself that she was still following cast a glance behind. DDDU.
.. him. when instantly she was borne away. Stretching out their arms to.
DAY ... embrace. each other they grasped only the air Dying now a second.
. YDA ..... time she. yet cannot reproach her husband for how can she
blame his. .. DUD .... impatience. behold her Farewell she said a last
farewell. . .DU.. ..... and was. hurried away so fast that the sound
hardly reached his ears.. . . Y. ... .. Orpheus. in Hades OVID
Metamorphoses Book X. . ... . .... Orpheus. endeavoured to follow her and
besought permission to return. ... .. and try. once more for her release
but the stern ferryman (Charon). . .... .... noemata. iava eht htiW
.redroceR. faaivqrboedivoedivFTNnXZGabrABhiCvTrhbcYMGrXacV.
woltneiciffetsoc deepshgih elbane ot depoleveddradnats ecafretni. wen
adecudortnisah )ASEV( noitaicossA sdradnatS scinortcelE oediVehT.
rebmetpeS GEPMdna sksid drah yticapac hgih fo ytilibaliava ehthtiW
.redroceR. ksiD oediVetiS hcraeS .rebmem aemoceB nigol ylnO srebmeM
.noitilaoC. noemata. Re RE help (pleh) (STAMP). at last my emails are
getting the proper attention. (xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx) with the
subject of ' help (pleh)' is being. analysed by (STEVEN) a new SPAM
control system that eliminates spam. To ensure. your email is delivered
please reply to this email and send it. Do not modify. the email at all.
Thisis a once only check. Future emails from you to. xxxxxxxxxx xxxxx will
be accepted automatically from your email. noematakunst.no.For more
information regarding (STEVEN) please visit. noemata. yourinafix.
youreinafixDreocisveis'Malt'as MelotidMecdniie' PerusesPnicre'. Modac
selek tonsPrue's c'ias. SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda
rbogs game soektelnsnyhel ac. i ir rwc xrnceie lh aeotdiiye darteh ofal
agvtpt . . . . .aciosstaion obi amol. anecs noalzcaiits aootptpsntoes
citimnage awoi eitrps abian nt cshoroatctanim. inpagwgs eaiewhs eignams
offa two tesinamuh eel eye uht ainoi ahnihc o. ibessviinsnmaeia oladsron
isrdean itt mrte lox m vrimeoeradh sllaberif sgnuegic. moes ia yolocslii
orr nwlehzyoeton ataa mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst
dlaspnlgpocaos puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat
sloar incfleeuielo ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe.
eehtiusanmpakaa yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious
Aciosstaion. ObiqBgolo asciil ExionttcinEganmitic Seoltons PtptoolsSnotes
From VriOffa Two. Tolley MkarsSaniousGreoows Ahwetosrt CaosHonimid
Gritiiaczlaon ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid
Hirings GameFrown Vry Lyings. Fireballs HdGlicariozatin
CunnioutnigaLnovgiety Serba SprtieLkeas. SxeriAtoyPuucterd PuenodTolos
Wotton AtaifcrtsVlocsanim Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA
MTHR NKSK MSKTLNSB KLSL KSNT SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT.
KSTN SPTPTLSE RKMN KTKM RSPF LKSN MNST LRTKSF RNFR LYNK SFRBLSTF SNSX NHN
YH. MNMJ RTNP NMNH NMTK RTKS LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT
SRBS PRTWN. TNTR LFSS LSTBO BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP
SNPK RSTT LSPSS. LRNK FLNS TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK
RTSU NSLB TRRM KTRTBSX. WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug
iryui coegkre amnl. anr pneae aty ce ahnihc suoinash pren awoi eitrps bat
slosissnbs. brymestns ptptoolsee e iohi morf setons fo niccu greoovs owen
nhnadgd. hch m hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols
lriza. nysed o nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa
two. tollwalra onbblu otedth puuc rolg d salor nutnerios htcne ses.
snletkeos emag s taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage.
ycpto tnaiilscolo ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia
ee. i ee e e e s ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr.
poahydbn. ltpsh ytn ee ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i
oo pmaopktt s. .rh m l aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae
i msrloepwbr. dnf trfrs ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e
a esdes dny.hhp. sl s ee nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa
iaeie ech lah tgpp. p. p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne
iou e e eo h.prrnsn f. smyc oe btcao aio uoe enmreo . g y cn d h teoi n a
eo aia i Deim th ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e
eae e hhyhaostck n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm
yrrc yllrt cdrchi ae a e aia. noemata. arc.hive tao in the old day.
noemata. Arithmeticomaterial drives. Arithmeticomaterial drives are
firstly generated in the momentwhen matter is. formed according to the
mathematical model of it given bysuch science. One. result of such
objectivisation is the Standard Objectthe modular component. typical of
globalised trade but with its rootsdeep for instance in the. licenses
afforded the monopolistic guilds ofthe Middle Ages and the history of.
trading generally. Everything fromships to pizzas are quality assured
subject. rigorous treaties andprocesses of standardization. These are
typical. results of industrialproduction. The second stage is when this
process of. standardizationbecomes so abstracted it becomes amenable to
massive. acceleration inproduction. The human work put into the production
is scanned. abstractedand multiplied by means of machinic energy. Once
turned into. numbersregistered as a pattern the actor of the work can be
discarded and. thepattern accelerated. When hooked up to processes of
production we get. thediscovery that according to Walter Benjamin ...the
speed of traffic. andthe ability of machines to duplicate words and
writing outstrips humanneeds.. The energies that technology develops
beyond this threshold aredestructive.. First of all they advance the
technology of war and itspropagandistic. preparation. Overproduction the
massive churning ofordered matter and of. markets one might also say that
any developmentbeyond this threshold might be. captured by forces other
than war forredistribution for the reshaping of. work for burning. One of
the aimsof art is to capture this excess away from. noemata. . Barna. P
detteher. Jegsa. Barna Snn Du villevisst detmangletfortsattlitt. noemata.
Re really silly transformation of out of control ir pda dump.
transformation of out of control ir pda dump.......ME syly var. of sely.
SEELYseely (sl) adj. Archaic.. insignificant or feeble. poor.. happy
auspicious.. good pious blessed.. foolish. simpleminded.bef. ME sely OE
geslig happy equiv. to sl happiness. ig Yc. D zalig G selig akin to ON sll
Goth sls good OE sl. better seeSILLYref norwegian 'salig' blessed sl
goodspectrum poor. blessedgood whatever.. something about happiness
alsofeeble weep to exude. water. water all water am silly sea ofsillyness.
silence sillience. noemata. Advent. The emperor's new clothes drives the
economy. What isn't drives what is.. But. behind the virtual is. the real
again. Inflation of spacetime. matterspacematter. It's wrong to say he's
dressed and wrong to say. he's. naked. People are anyway misled the
misleading is driving the. capital verb. and noun the more misleading the
more value. The eternal. in case it returns. if not then nothing but the
if doesn't halt. doesn't execute never reaches. the return. If man is
naked he's dressed. (the fall) and if he's dressed he's. naked (he
returns). The economy is. driven by the return of christ as judge of. the
last judgement every christmas. Santa is naked cries the child that's why.
he's masked. The child that's. Emperor's new clothes drives what isn't.
Return.. If not then nothing but behind the if he's. Return. If he's.
Return. If not. then nothing but the misleading the economy. What is..
Return. If not then. nothing but behind the eternal. Return. If not then
nothing but behind the. eternal. Return. If he's. Return. If man is the
real again. Inflation of. christ as judge of christ is judge of the
emperor's. Return. If he's. Return.. If man is driving the eternal.
Return. If not then nothing but the. misleading the real again. Inflation
if christ as judge of spacetime. Return.. If doesn't. Return. If not then
nothing but the emperor's. Return. If man is. naked cries the eternal.
Return. If not then nothing but the last judgement. every. Return. If
he's. Return. If he's. Return. If doesn't. Return. If he's.. Return. If
not then nothing but the eternal. Return. If doesn't. Return. If. not then
nothing but the virtual is the misleading is the virtual is driving. the
eternal. Return. If doesn't. Return. If doesn't. Return. If he's. Return..
If he's. Return. If he's. Return. If not then nothing but behind the.
misleading the child that's Return. If not then nothing but the economy..
What is.. Return. If he's. Return. If not then nothing but behind the
last. judgement every. Return. If doesn't. Return. If doesn't. Return. If
not then. nothing but the virtual is naked cries the more misleading is
naked cries. noemata. Re asciipng. greyscale movie from a text'stranslated
chars ( char values. greyscale levels one char perframe fps) but the idea
was a bit too. obvious and the transformationtoo onedimensional so I
abandoned it.Yes. they'd be tedious work shades of gray in a tiny specter.
etaoinshrdlu..monotonous.. translating media spectacle news etc into this.
gray stream ofindifference..The key to having this kind of idea succeed
in. general is not merely to workout an effective transform method from
char to. pixel etc. but to have themethod reveal something unexpected of
the. underlying structure of the sourcematerial. If the transformation
results. simply in a stream of meaninglesscolors or chars then it will be
of little. interest even as a conceptsince the concept is a fairly common
one to be. honest. There are a lot ofpeople right now who mistakenly
believe that they. are making radical art byturning photos into music
pictures into text etc.. As with all works ofthis kind it is by breaking
through to the next level and. having the workblossom into something that
nobody has ever seen before or could. haveexpected to see that turns the
idea from a mere amusement into art.OK but. not as a program art shouldn't
care about itself being this or thatcritical. penetrating revolutional
reversing undermining etc. In my viewart is quite. natural it doesn't need
a program to live no more than we do.Lot of things I. do are very stupid
things I don't mind that. And also thequackfraudulent. issue the artist
maybe had some conjurer traits from thebeginning staging. something he not
necessarily believe in but as atechnician of imagination. lies and
language. How does he differ from say apolitician then He's clear. about
it everybody knows it's a scam open sourcescam so the art context is.
reflective revealing its staging. What aboutbeauty and wholeness Well
there's. always some endorfines in resolving thingspotential and
exhaustion beauty in. understanding things wholenesses atdifferent levels
which is like cashing in. on the structure but there arealways remains and
other levels expansion and. consolidation chaos andstability. Beauty taken
over by design etc wholeness. by.. welll it's stillthere but like code
source not wholeness as image but. its counterpartconstruction. Art should
be more absolute not this or that my. view thoughyou didn't ask..What I am
thinking about right now is how to. translate a ()colorspace into music in
a more sophisticated way. than is usually done.There's a natural mapping to
(pitch rhythm amplitude). but it's obviouslynot a simple . If one uses
microtones one can get an. octave span ofpitches from to but I don't know
how to get rhythms. that form aset and amplitudes is way way way too
many.(pitch. duration waveform) Btw midi transformation i've always liked
the renderings. of the radioharddisk maybe reminding of morton feldman or
somehting at times. noemata. .. .............eT vINDUSPOST mINSTEML
i............. pHP .......... aLT. eR jUNI....fORN..........DEN. eKSPORTRD
....... PET nERSKOGEN. h...........NDTROMME pOLITIBIL .......... NSLAGSVIS
dERM.......ATISK. hYOKTANfRI.......SONE.eT vARME........MLER lNEBEVIS i
pHP. a.......LT eR iNNGAVfREML.......... GT. dRIKKEV.......... NE
vERNETOLL. mOS.......... IKK hIMLE pYK .......... FTENSM.......... T.
cOMEB.......... CK iNTERIMgERILJ.......... HR.eT vEIER n........... TURTRO
i pHP .......... LT eR iLLSINTfRUKTSK.......... LL.. eKSTR.......... TUR
NDSF.......... TTIG oPPFRISKET iNNHOPP oNY. .......... M..........
TRL.......... G dRYPPE hIMMELfOTOKUNST.eT. wIKIWIKI
nETTKUNSTPUBLISERINGSSYSTEM i pHP .......... LT eR. iNNT..........
STB.......... REfORMFELTER. eLDSLUE PET oPPFRE. iNGV.......... LD
oSM.......... N aKSEPT dYPFLT. noemata. could write a word as a figureicon
of colorsinsequence ie. circles inside. noemata. Re spectre. e k u n s t
.arc.hive Where's Ascii Turbulence. Spotlight GALZA. some traction. (See
Olia Lialina's misgivings about therecent NY Digital. Salon posted to
rhizome and nettime.) It's all aboutinjecting a healthy dose. of
formaldehyde...long live net art. ( (Y) ) Hlogre. like to introduce to you
my latest net art work Where's AsciiYou all. remember Where's Waldo the big
illustrated books where you'resupposed to. find this guy with a redwhite
sweater. well Where's Ascii isthe internet. version.Ascii is my Dog an
original Ascii Cyberian and he got lost on. theinternet.If you see him
just click on the dog wherever you see him on. the net (itwill send you to
another random page hosting Ascii) or click his. To participate more in the
project you are welcomed to host the dog. (paste asmall HTML code in your
site) until I send for him. For more details. and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. s d. a f. d. a. s f a. a. l. noemata. w i t hyou will breathe inh
e l pthe world is moont j t m tm bviscoustst. tt.ibutt an
abstr.VXaciitttistraight. when a student. comes and asks about bodhi or
nirvana about. to mark with a branding. iron.(intermission passing
train)........choos crept these new.
owe.l..............t........mensuration thickly mislike existentialist..
avoidermary medusa numeral. particularized mechano bridedet er lgn og.
MBrSiMSXXBMZZMMMMMMMMMMMMMMMM n (. MMi iM MM MMM MMMMWMM. MWMMMMMM. .MM.
MMM. WMr MZ i. . M. ws he swa feor nor swa a hwlhuntan will leave you ...
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drink coffee. . TUOBAYLLETGNI one of a hole foralways reassuring. Just
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( ( ( ( () (. ) ) ). Netart project AKEZEPI. Noemata Random Name Generator. HIDIUMEM. HIDIUMEM. Motherplanet in space flick FEEPOSO. Noemata Random Name Generator. TOMMOS. TOMMOS. ggggggggggggggg gggggg ggg gggggg ggg gggggg. gggggg gg. dP dPdPYb dPYdPYPYb dPYdPYPYb. dPdPYb ii. Yb d' Y bdPYb ' ' Yb ' ' d'. Y bdP '. d' YbaaadP' d'. YbaaadP' '. P Y P. Y dP. b d b. d dP' a. Y P Y. P dP' Yb. gg Y P' Y. P' dP' I. YbP YbdP' Y Y. YbdP' dP. YP' YP' Y Y. YP' aPYP. Fancy art gallery YREPXERO. Noemata Random Name Generator. EMICWE. EMICWE. oooooooooooooooooooooooooooooooooo. oooooooooooooooooooooooo. oooooooooooooooooooooooooo. ooooooooooooooooooooooo. oooooooooooooooooooooo. oooooooooooooooooooooooooooooo. DENOPTI. Noemata Random Name Generator. ESCERNSPY. ESCERNSPY. d.....b .d..... .o..b. d.....b d....b. d.bdb .d..... d....b. dbdb. ..' ..'YP d.PY. ..' ...D ...o.. ..'YP ...D .bd.'. ..ooooo .bo. .P ..ooooo ..oobY' ..V.o.. .bo. ..oodD' .bd.'. .. Y.b. .b .. ...b ..V.o.. Y.b. .. ... ... db.D Y.bd. ... ..... ..V... db.D .. ... Y.....P ....Y' Y..P' Y.....P ..YD VPV.P ....Y' .. YP. Trance artist EALENCYOU. Noemata Random Name Generator. SEMAC. SEMAC. )) )L )) ) )). (( (( (((( (( ( ((. Polkaband MAGIBEAMAN. Noemata Random Name Generator. MUSOMNI. MUSOMNI. .. Y Y. Roleplaying name PSEUNCA. Noemata Random Name Generator. GANDIE. GANDIE. DJ name AHBASLOO. Noemata Random Name Generator. WARCE. WARCE. WW WW AAA RRRRRR CCCCC EEEEEEE. WW WW AAAAA RR RR CC C EE. WW W WW AA AA RRRRRR CC EEEEE. WW WW AA AA RR RR CCCCC EEEEEEE. BELLO. Noemata Random Name Generator. RUTHNANOI. RUTHNANOI. ) ). ((. Hxr nick EAWARHE. Noemata Random Name Generator. APHROM. APHROM. ''''''''. ' .... .... '.... '. '. '. '.. ..... .... .. .. .... . .. . .. .......................... Netart project ERDOMINPROTO. Noemata Random Name Generator. BARDATAYN. BARDATAYN. ) )' ) ) ) ) )' ) ' ) ). '. ( ( ( ( ( (. (. Japanese toy craze ERZYMNANO. Noemata Random Name Generator. KITEAL. KITEAL. ) ) ). ( ) ( ( ( ). ( ) (. ) ) ). ( ( ( () ( (. ). Cyborg model BANARE. Noemata Random Name Generator. MASNEUROE. MASNEUROE. MM MM AAA SSSSS NN NN EEEEEEE UU UU RRRRRR OOOOO EEEEEEE. MMM MMM AAAAA SS NNN NN EE UU UU RR RR OO OO EE. MM MM MM AA AA SSSSS NN N NN EEEEE UU UU RRRRRR OO OO EEEEE. MM MM AAAAAAA SS NN NNN EE UU UU RR RR OO OO EE. MM MM AA AA SSSSS NN NN EEEEEEE UUUUU RR RR OOOO EEEEEEE. Fancy art gallery GRIPOS. Noemata Random Name Generator. ETORPHOTO. ETORPHOTO. ............................. ........................................... ..................................... ............................................. ......................................... ......................................................................... Buzz word this year BABIDO. Noemata Random Name Generator. MACAMA. MACAMA. PISOPTI. Noemata Random Name Generator. TEZYM. TEZYM. Motherplanet in space flick FACHYPO. Noemata Random Name Generator. SPOSUBSES. SPOSUBSES. gg ggggggggggg gggggg gg ggg gg. ggggggggggg gg ggggggg gg. ii dPY dPdPYb ii dPYa. dPY ii dPYb ii. ' Yb bd' Y bdP ' Yb. Yb b ' d' a Y '. ' Pd' YbaaadP' '. P ' YP' '. dP aaaadP P Y dP. aaaadP dP baaaa dP. dP' a b d dP' a. Yba dP' a dP dP' a. dP' Yb Y P dP' Yb. b dP' Ybd dP' Yb. dP' I Y P' dP' I. P dP' IY dP' I. dP YbdP' dP Ybd. d'dPYba dP. aPYP YP' aPYP YPY. P aPYP Y aPYP. Artist name OSCONREO. Noemata Random Name Generator. OICH. OICH. ') ) )' ). ( ( (. Osho name SILENC. Noemata Random Name Generator. SIGAR. SIGAR. Dog name LOOGUS. Noemata Random Name Generator. GANTHERMOS. GANTHERMOS. Dada movement PALNEURO. Noemata Random Name Generator. NTHAPHROE. NTHAPHROE. Buzz word this year OIMIC. Noemata Random Name Generator. VIUNO. VIUNO. Tshirt text UNRESCERN. Noemata Random Name Generator. PATHANA. PATHANA. ''''''' '. .... ' ... .. ' '. '. '. '.. '. '. '.. ..... .... .. .... .... . ..... .. ......................... Osho name OSPOPWE. Noemata Random Name Generator. DRULEME. DRULEME. e eeee e e eeee e eeee. eee ee eee eee eee. Osho name OFORCVA. Noemata Random Name Generator. WARE. WARE. dbd.bdb .d.b. d....b. d.....b. ..I.I.. d.'.b ...D ..'. ..I.I.. ..ooo.. ..oobY' ..ooooo. Y.I.I.. .... ...b ... .bd.'.bd.' .... ..... .... .b.'.d.' YPYP ..YD Y.....P. Tattoo shop CITYCAEGE. Noemata Random Name Generator. VESMAGIS. VESMAGIS. V E S M A G I S. Noemata Random Name Generator. BUMNU. BUMNU. ) ) ) ). ( ) ( ( ( (. (. ) ) ) ). ( ( (( ( ' ( ' ((. Software CELLMIDIIN. Noemata Random Name Generator. PTURSO. PTURSO. ..................... ............................. ......................... ............................... ............................. ................................................. Elbonian cousin name CKERME. Noemata Random Name Generator. TIMGOER. TIMGOER. Impressive fake middle name NARS. Noemata Random Name Generator. EMUSSI. EMUSSI. httpwww.google.comsearchqEMUSSI
304
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Blackmetal band EBEAMPRE. Noemata Random Name Generator. POPWAE. POPWAE. .
. . . . . .. . . . . . .. . . .. . .. .. .. . . . . .. . . .. . . . . . ..
. . .. . . . . . . .. . . . . . . . . . .. . . . . .. ... Pet name TOPBIEL.
Noemata Random Name Generator. SCEZARON. SCEZARON. gg gggg ggggggg gggggggg
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d YP Y. Y YP' Y. P. d'. d'. d'. Y P. YP. Noemata Random Name Generator.
FACPARA. FACPARA. Tshirt text ENIUME. Noemata Random Name Generator.
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AA. Evil scifi character GERONA. Noemata Random Name Generator. SIRIOS.
SIRIOS. . .. . . .. . ... . . . . . .. . .. . .. . .. . .. . .. . .. . ..
. .. . .. . ... . . . . . .. . .. .. . .. Tattoo shop PHMETRO. Noemata
Random Name Generator. YNMANUNI. YNMANUNI. Evil scifi character BANEREZ.
Noemata Random Name Generator. VOYSEAI. VOYSEAI. Polkaband STUNREES.
Noemata Random Name Generator. XIDVAOM. XIDVAOM. Cyborg model METAPALS.
Noemata Random Name Generator. HESUM. HESUM. . .. . . .. .. . .. . .. .. .
.. . .. . . .. . . .. . .. . . .. . .. . .. . . .. . .. . .. . .. .. .. .
.. . . . .. Scifi robot hero EXGUS. Noemata Random Name Generator.
AGANUNI. AGANUNI. ) ). (( ((. ICQ nick CKEXTRAS. Noemata Random Name
Generator. PATHSCIE. PATHSCIE. Hxr nick BATHELA. Noemata Random Name
Generator. DUSTFAS. DUSTFAS. Goldfish name PHOBPROTO. Noemata Random Name
Generator. CLONU. CLONU. '''' ''. '... '..... ... .. .. . . . ..
................................. Acid house combo CITUNIE. Noemata Random
Name Generator. PUSDEAAX. PUSDEAAX. eeee e eeeee e eeee eeee eeee eeeeee.
e. ee eee eee eee. Trance artist LONTE. Noemata Random Name Generator.
SESTIONAU. SESTIONAU. ( S ) ( E ) ( S ) ( T ) ( I ) ( O ) ( N ) ( A ) ( U
). Mysterious alias WAVJOU. Noemata Random Name Generator. PILBA. PILBA.
Blackmetal band SVIVIE. Noemata Random Name Generator. LOUM. LOUM. L(()U.
'. Cat name APITELE. Noemata Random Name Generator. ESALPRI. ESALPRI.
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SUMPROTO. Noemata Random Name Generator. PSEUCOMA. PSEUCOMA. ''''''''''.
.... '... ..... '... '.... ''. .. .. ''.. .. '.. .......... ... .. ' ..
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account name ERLWE. Noemata Random Name Generator. VOXFEDEO. VOXFEDEO.
Tshirt text HATTIE. Noemata Random Name Generator. EGEBACZA. EGEBACZA. ).
). Roleplaying name VIEGONET. Noemata Random Name Generator. SSUNZE.
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Generator. LUSAUEM. LUSAUEM. ooooooooooooooooooooooooooooooo.
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Random Name Generator. ACIFCRO. ACIFCRO. Cyborg model DIOSPIE. Noemata
Random Name Generator. GNOMGOAL. GNOMGOAL. Japanese toy craze XIDNEURO.
Noemata Random Name Generator. DOMINSI. DOMINSI. DJ name LZA. Noemata
Random Name Generator. TEPHEM. TEPHEM. Noemata Random Name Generator.
SPACI. SPACI. .. Software ERRITZLA. Noemata Random Name Generator.
CEMINOM. CEMINOM. . .. ... . . . .. . .. . . ... . . . . . . .. . . . . .
... . .. .. . . .. . . . . ... . .. .. . .. . . . . ... . .. .. . .. . ..
. ... . . . . .. . .. ... . . . .. Hotmail account name FACNEBULA. Noemata
Random Name Generator. GAPATH. GAPATH.
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Netart project NIZMAGIER. Noemata Random Name Generator. LARIOR. LARIOR.
Tattoo shop PTURQUEER. Noemata Random Name Generator. THGO. THGO. d......b
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EDUBWI. Noemata Random Name Generator. PATADUBAR. PATADUBAR. Osho name
ECLONYOU. Noemata Random Name Generator. OMLYZCYCLO. OMLYZCYCLO. Message
board spam name LENCA. Noemata Random Name Generator. LEARNAL. LEARNAL. .
. . . . . . .. . . . . . . . . . .. . . . . . . . . . . . .. . . . . . . .
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Noemata Random Name Generator. NEUROWAREL. NEUROWAREL. Netart project
MONOZYM. Noemata Random Name Generator. HOLONIZ. HOLONIZ. Cyborg model
DYZENE. Noemata Random Name Generator. LO. LO. Art installation SEXWE.
Noemata Random Name Generator. XIDE. XIDE. Buzz word this year DECKNAES.
Noemata Random Name Generator. ACKDADA. ACKDADA. ) )' ) ) ) ) ). ( ( ) (
(. Mysterious alias SALAT. Noemata Random Name Generator. CYCLOMERAX.
CYCLOMERAX. Artist name VERSESES. Noemata Random Name Generator. HOLOPH.
HOLOPH. Noemata Random Name Generator. SAVOZ. SAVOZ. gg ggg ggg gg gggggg
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P. YP. Blackmetal band MUSBA. Noemata Random Name Generator. DANEER.
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Random Name Generator. STASTROAZ. STASTROAZ. gg ggggggggggggggg ggg gg
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d'. d'. Y P. YP. Mysterious alias ESCONU. Noemata Random Name Generator.
CABKILO. CABKILO. C A B K I L O. Cyborg model YRCHA. Noemata Random Name
Generator. BABNE. BABNE. ) ). .. Artist name CIDXY. Noemata Random Name
Generator. YARPA. YARPA. Hxr nick WEMENEGE. Noemata Random Name Generator.
MASHAE. MASHAE. ) ) ). ( ( ( ) ( (. ). ) ) ) ) ( ). ( ' ( ( ( ( ().
Computer ID OCY. Noemata Random Name Generator. STCYCLO. STCYCLO.
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Generator. CHTERA. CHTERA. .o..b. dbdb d......b d.....b d....b. .d.b..
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..YD YPYP. Mysterious alias NAERO. Noemata Random Name Generator. EPTURA.
EPTURA. ). KENCHE. Noemata Random Name Generator. TORHEEN. TORHEEN. T O R
H E E N. DJ name ZARINTROIN. Noemata Random Name Generator. RABUM. RABUM.
Y. ICQ nick MACSES. Noemata Random Name Generator. CONSEA. CONSEA. ) ) ).
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Random Name Generator. CIESENT. CIESENT. ( C ) ( I ) ( E ) ( S ) ( E ) ( N
) ( T ). Buzz word this year ANOIDAERO. Noemata Random Name Generator.
SCERNAUTO. SCERNAUTO. (((()U L ((). '' '. Pet name BETALIONON. Noemata
Random Name Generator. RAGASEXEL. RAGASEXEL. ggggggggggg ggg gg ggg gg.
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Yba Ybdb. Y YP YaPYP YP YaPYP. Y P' Y Y YP Y. Hxr nick ESCIFKA. Noemata
Random Name Generator. AZBASLOO. AZBASLOO.
307
Art installation AGECHROMAERO. Noemata Random Name Generator. Slektstre.
Slektstre. Ann Elesøpite. Bsorn Jenne. Anyto. Knet Macmoalteon. Erlunc
Mesnaylteon. Knet Olshn Micnualtean. Oli Olcen Hellons Mosnealdeem. Olo
Svonsan Tinuoese. Spaon Elepson Timeiøcu. Barcid Eilhpstedtar Tine de..
Amme Olstattår Buscøtaecon Besso i Nos Ål. Ghnfer Eiraggtitter Flhden.
Eerhs Assrensan Fletam. Ascram Ehrosgen Saecsort Flutyn. Eirus Aszrinsen
Sera Ree Østru Agur ver. Bhrghd Genmurdottar Øfre Asar par. Genbar
Olcditthr Nertra Fasc. Olå Knotson Nertra Fekc. Anma Lorstottår Nertræ
Åsor Syra Tefdo. Kristi Harpråntstitter Nerdru Hylcayson. Herfremd Pelcon
Låen Hasim Ssrendo. Mersht Keddilctættor. Mera Eylhfgtatder Ritnonsen Ål.
Ellans Olson Østnhntsed. Insopers Olsdhdtar Rutnimsen. Acnes Roeni. Anterc
Roonæ. Scur. Shnmyfi. Anme Øoeplitom faxrefelsi. Ole Øohflitan sil. Merea
Metolen sogn. Olhas Hehson. Jøns Heesem. Jan Jåmcan Haosan fhr aesost.
Jins Jimkan Sludte Kfangåyasen (c. . Jonc ver fri Oynctathtte. fre
Aurlomt.). Jin Jangen Oomstod Getbrentcgert Setndolen (s. ). Ronste
Olgtedter Tanisun. Oly Tanhccan Kfongiæegen. Tenis Olcøn Shra Tarba.
Ronsth Lerctytdor Nardre Gravo. Kyri Olctiddur Nidri Raynden. Ola Knatcen
Reemthm (g. ). Knyt Livhrtcon Sara Møaes (s. ). Rhnnes Larstettir Moteos.
Haltos Olctitthr Surh Bhssæstot. Byrsat Olsdattar Morasledte Sbartiferj
(forset ver dhttar tal. ssilelirar Oly Sopitson Sfertafers fre Ål.). Geru
Olstattyr Nardri Reumtan. Olu Olgem Nartre Reymton (c. ). Ola Sfeenson
Nartre Rayntim (s. ). Sfeon Kmhtgen dæ. Nhrtru Ryandhn. Knod Lifordsen
Sirø Mitays Netre Rionton (c. ). Remsta Sfaengtettar Sencta Kyebams.
Birzot Olctattir Thmsin. Gra Olkdottur Nirtro Hallamg Ål. Ole Olsen Nirtro
Hillhns Ål. Gri Nalctetdar Halde. Borsod Sshgortsdetthr Teasacthcin.
Birsoyld Hillinccthd. Arna Hhllenggthd. Tera Kolbcerncsart Vads. Removal
of the hand. The Removal of the hand as a mythological symptom consistent.
with fetishistic disavowal can only be a pretext for 'release' per se.
says. Mr. Tanizaki disavowedly.. Palafax Solipsigossa. .ltb.gt.
.ltb.gt....ltb.gt. randomART Tommy is .ltb.gt....ltb.gt. .) (.'. .) ('..
Seven elements of beauty. Seven elements of beauty. . Asymetry breaking
away from formed perfection.. . Nonattachment openmindedness. .
Naturalness artless without pretense. . Simplicity. . Limitless silence
inwardlooking mind. . Wizened austerity like an old tree. . Profound
subtlety. pieces. May there be peace in heaven.. May there be peace in the
sky.. May there be peace on earth.. May there be peace in the water.. May
there be peace in the plants.. May there be peace in the trees.. May there
be peace in the Gods.. May there be peace in Brahman.. May there be peace
in all.. Peace peace peace.. Hindu. a state of tranquillity or quiet as a
freedom from civil disturbance b. a state of security or order within a
community provided for by law or custom breach of the peace. freedom from
disquieting or oppressive thoughts or emotions. harmony in personal
relations. a a state or period of mutual concord between governments b a
pact or. agreement to end hostilities between those who have been at war
or in a state. of. enmity. used interjectionally to ask for silence or
calm or as a greeting or. farewell. at peace in a state of concord or
tranquillity. Cherish in your hearts boundless goodwill to all that
lives.. Learn to make the whole world your own. No one is a stranger my
child the. whole world is your own.. det profane er høyere enn det
sakrale. sakrale som et fokuspunkt. . The obstacles in the way of him who
desires to attain concentration are. Sickness Languor Doubt Carelessness
Laziness Addiction to objects of. sense. Erroneous Perception Failure to
attain any stage of abstraction and. Instability in any stage when
attained.. . These obstacles are accompanied by grief distress trembling
and sighing.. . FOR THE PREVENTION OF THESE ONE TRUTH SHOULD BE DWELT
UPON.. Any accepted truth which one approves is here meant.. . Through the
practising of Benevolence Tenderness Complacency and. Disregard for objects
of happiness grief virtue and vice the mind becomes. purified.. The chief
occasions for distraction of the mind are Covetousness and Aversion. and
what the aphorism means is not that virtue and vice should be viewed with.
indifference by the student but that he should not fix his mind with
pleasure. upon happiness or virtue nor with aversion upon grief or vice in
others but. should regard all with an equal mind and the practice of
Benevolence. Tenderness and Complacency brings about cheerfulness of the
mind which tends. strength and steadiness.. patanjali. recollect the
antecedent. . To recollect that which is most antecedent to the in breath
and out breath. means that you must tune into that which is prior to the
entire breathing cycle. itself. Just as the hand which lifts a staff is
not part of the staff likewise. the antecedent recollection is not a part
of your breathing. As a practical. illustration you must recollect the
antecedent as you breathe in and breathe. out. If the breathing is long or
short labored or otherwise you must focus on. the antecedent so that
breathing follows after it. When you breathe for. example your normal
belief is I am breathing. It never dawns on you to. retract your attention
and look in the opposite direction so as to rise above. breathing. Not
surprisingly this is not an easy task (owing to force of. habit. all of us
still attend to conditions which are always posterior).. seung sahn. You
think that the kongan is separate from your life and from your job. This.
kongan don'tknow mind clear mind your job your life everything hit. become
one. Just now what are you doing. You asked me what am I I say to you you
already understand. Look at the. ground. What do you see What do you hear
now You must open your eyes and. ears.. Also you must attain your true
self. Then you will not have to ask about me.. Zen is not difficult also
not special. If you want special you have special.. But this special
cannot help you. When you are eating just eat when you are. walking just
walk when you drive just drive. That is Zen. There are many. kinds of Zen
eating Zen working Zen television Zen driving Zen playing. tennis Zen.
Sitting Zen is one part. Most important is moment to moment how. do. you
keep clear mind So Nam Cheon Zen Master was asked What is Zen. Everyday.
mind is Zen mind. So don't make special don't hold something don't be.
attached to something don't make something then you are already complete..
That's primary point I told him. You found it. You studied philosophy but.
you couldn't attain this nothing. Just now you attained nothing. But if
you. hold nothing then you will have a problem.. What do you mean by
'holding nothing.... It's very sad if you are holding nothing. All your
lingering attachments will. press on you. If you are not attached to
nothing you will attain nothing and. there is no life or death. If you are
nothing then life and death are nothing.. You are already beyond them.. Oh
that's wonderful he said. I didn't understand that until now.. It was an
interesting conversation. He was old rich and very wellknown but. he said
he had gotten nothing. As you get old this nothing gets bigger. Before.
you come into this world there is nothing. When you are young you don't.
understand nothing just the words. But by the time you are forty or fifty.
and. a good friend has died or your mother and father have died then you
have. experienced nothing. You have tasted nothing. If you practice hard
the taste. is. very strong and you are free to help other people. But if
you are holding. something in your mind you can't taste nothing. If you
want freedom you. must. taste nothing very intensely. What is the taste of
nothing. cayce the Sanskrit word for action is karma. the Sanskrit word for
action is karma. when there are rebellions of body or mind against such is
there any wonder. that. the atoms of the body cause high blood pressure or
cause itching or cause. running sores or cause a rash or cause indigestion.
For all of these are. but the rebellion of truth and light.. . As has been
given there are DEFINITE conditions that arise from. within the inner man
when an individual enters into true or deep meditation. A. physical
condition happens a physical activity takes place Acting through. what
Through that man has chosen to call the imaginative or the impulsive and.
the sources of impulse are aroused by the shutting out of thought
pertaining to. activities or attributes of the carnal forces of man. That
is true whether we. are considering it from the group standpoint or the
individual. Then changes. naturally take place when there is the arousing
of that stimuli WITHIN the. individual that has within it the seat of the
soul's dwelling within the. individual body of the entity or man and then
this partakes of the. individuality rather than the personality.. . If
there has been set the mark (mark meaning here the image that is raised.
by the individual in its imaginative and impulse force) such that it takes
the. form of the ideal the individual is holding as its standard to be
raised to. within the individual as well as to all forces and powers that
are magnified or. be magnified in the world from without THEN the
individual (or the image). bears the mark of the Lamb or the Christ or the
Holy One or the Son or any. of the names we may have given to that which
ENABLES the individual to enter. THROUGH IT into the very presence of that
which is the creative force from. within itself see. . Some have so
overshadowed themselves by abuses of the mental attributes of. the body as
to make scars rather than the mark so that only an imperfect. image. may be
raised within themselves that may rise no higher than the arousing of. the.
carnal desires within the individual body. We are speaking individually of.
course we haven't raised it to where it may be disseminated for remember
it. rises from the glands known in the body as the lyden or to the lyden
Leydig. and through the reproductive forces themselves which are the very
essence of. Life itself within an individual see for these functionings
never reach that. position or place that they do not continue to secrete
that which makes for. virility to an individual physical body. Now we are
speaking of conditions from. without and from within. . The spirit and the
soul is within its encasement or its temple within the. body of the
individual see With the arousing then of this image it rises. along that
which is known as the Appian Way or the pineal center to the base. of the
BRAIN that it may be disseminated to those centers that give activity. to.
the whole of the mental and physical being. It rises then to the hidden eye
in. the center of the brain system or is felt in the forefront of the head
or in. the place just above the real face or bridge of nose see. . FIND
that which is to YOURSELF the more certain way to your consciousness. of.
PURIFYING body and mind before ye attempt to enter into the meditation as
to. raise the image of that through which ye are seeking to know the will
or the. activity of the Creative Forces for ye are RAISING in meditation
actual. CREATION taking place within the inner self. snailmail
jupitterlarsen. snailmail g.x. jupitterlarsen. for myself eye enjoy
playing with terms as toys nothing more. too many. people. take ideas (or
the terms of ideas) too linearly.. eye think that a person's disapproval
of somehting is no reason not to like. it.. if a man believes in something
it does not necessarily mean that he accept it. as something which is
essential nor should he.. in fact a man exhibits a real understanding of
the workings of reality when. in. a single action (without meaning to
deceive) he deliberately says one thing. and. does something else
altogether different.. it is the multidimensionality of all of this which
shows us that using the. same. process of making rational conclusions will
not always work for all events. and. actions.. eye am not from anywhere
really. my father was from norway however. g.x. jupitterlarsen. NOT HERE.
and we. and we. are fundamentally inclined to maintain that the falsest
opinions. (to which the synthetic judgments a priori belong) are the most.
indispensable to us ..without a constant. counterfeiting of the world by
means of numbers we could not. live.
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UEOFTHEFOUNDINGOFGARDENINGARPNCTSUJEXQUOTSFD. CSFDE. i don't remember
having written this not sure what it is... phaneronoemikon solipsis blog.
Person shelf sentence continuing. Q Who reads Person shelf sentence
continuing. A Pure Irration.. Q Is reading done in eyeball. A All reason
contains irreasonal assumption.. Q Why does Person shelf sentence
continue. A Pure ration of radiance.. Q What is contained in one ration of
radiance. A Pure Irration.. Q Are you in favor of constructing networks of
belief. A They are constructing me. Why not construct them. Q Can you
explain. A I have swallowed a redhot iron ball. which has cauterized my
throat into a starform.. Q Who reads Person shelf sentence continuing. A A
Pure Ration of the AllSelf incausing Irration for S.O.A.. A Person shelf
sentence continuing. Q FINAL.. Wednesday March. CAMBODIAN MAN CUTS OFF
PENIS TO FEED SPIRITS. Mon Mar AM ET. PHNOM PENH (Reuters) A Cambodian man
cut off his penis when he said he was. visited by four hungry spirits in a
dream and he had no chicken or duck to. offer them.. According to police
yearold Soun Ney told the spirits to go away when. they first appeared to
ask for food and waved his penis at them in defiance.. 'Devils I don't
have any chicken or duck for you' he was quoted as saying by. local police
chief Phoeung Vat. 'If you want to eat anything you can eat my. penis.'.
Soun Ney said the spirits agreed to eat his penis. He was rushed to a
hospital. near the capital Phnom Penh after he castrated himself with a
butcher's knife.. 'He is lucky to be alive' Phoeung Vat told Reuters..
Villagers in the deeply impoverished southeast Asian traditionally offer.
chicken duck or cake to the spirits of the dead to ward off bad luck..
found via Mark Lamoureux's. posted by Lanny PM. Sarandipities Trobard
ClusTermed. LunaLangLungLonging. What Breaks Though The Drama. Of All That
Tiny Inscriptus. Crowbar Plus. Ultra. My Kind. Trobar Plus. The Albino
Cyclopean Unicorn Gorilla. With Diaper D'oro. Filled With The Red
Tincture. Malbion Boonlight. It Doesn't Matter How You Arrange. The Words.
But How You Make Dolphin. Among The People. This Language Is Paramount. And
Must Be Unambiguous. Or You Will Be Labeled As A Kind Of Metagallinari. Of
Harangue Upon The River Styx. Now I Move In The Secret Doctrine Of Space.
And Find My Diagram Where The Outline Of. My Tribulation Is Ignored. The
Erotis Curvatures Of The Iconic Invention. Signals A Float Of
Intentionality. Within The Dark Wood Of The Loam Of Eyes. This Isn't An
Area For Soft Boys. But For Viral And Manic Demons Whose Surfaces. Are
Iconic Landscapes. Whose Dreams Are Alchemical Dramas Unfolding. With The
Precision of Floral Camera Craniums. This Machinic Djinn Lives. And Bites
Through The Umbilical Chord. With Teeth Of Coma. Chroma. The Ribald Town
Of Jiboko. Where The Green Skinned Fever. Hides Like An Assassin. Passing
Dreams Like Crystal Throwing Stars. Into Passing Gourds. None Of This Says
What It Thinks It Says. Such Is the Mystery Of the World. That No One May
Know Its. Fama Who Ignite Such Terrible And Inspiring Fires. Blank.
Arsenal. Firing. Under. Kama. Kra. C. losing.. Butter Idols.. What Happens
To Authors. Because. Of Their Texts.. Character (Dinosaur). pro notia
(elastic notocord). linguarum (Atlantean incense). universalis
(sphaerical). Species of the .... (enter relevanttimeframecontext).
.Independent Potentials.. of the RealM.. posted by Lanny PM. The Plan
Abandoned. by Wade Tillett. The unavoidable theoretical crisis. lurking
for years as an outline. a shadow at the edge of a glance. an uneasy
feeling. has finally become apparent.. It is in the face of this spectre
that. I am abandoning the profession of architecture.. While innumerous
evils haunt this profession. they are not in the end what has compelled my
resignation.. (I suppose these would have been reasons to reform. not
abandon.). No in fact after much consideration and soulsearching. I have
come to understand there is only one demon. the plan.. The plan can not be
separated from belief.. Belief encloses itself and becomes a system..
Belief identifies a self and other. a landscape. and a space.. Belief
establishes truths and possibilities based on its own parameters.. The
plan is the contract which seals belief. enforces belief.. The plan is the
word written. staticized. objectified.. The plan is the mapping of belief.
its completion as a coherent system. its formalization.. The plan is the
enclosure of the belief set. its circular logic turned on itself. the
fabricationenclosure (simultaneously) of possibility.. The plan produces
possibility. a construct of definable limits.. The plan allows one to
inhabit belief.. The plan delimits a space and a body.. Life is delimited.
separated. enclosed in a wrapper of the possible. identity. death.. Death
is the final separation. the final limit. the finite. the form. the past
twisted onto consuming the present.. The plan invents death. constructs
death. allots death.. The plan manufactures an objective reality. an
other.. Death is the ultimate other.. In order to be a true believer. one
must eliminate one's participation. in the creation of truth (the ultimate
other).. It is only in this way that objects. others. spaces. can be purely
objective.. The other must stem from without.. The plan must detach the
user or architect. the creation of the belief system.. The plan must
separate the self from its own modification.. The formgiving of
representation must be recast as a formreceiving.. The plan must become
the map.. The process of objectification (the creation of other) therefore
must. erase itself.. Thus inherent in the plan is a certain blindness. that
refuses to accept the creation of death. but accomplishes it the same..
Architecture is a means to resolve (obfuscate). the fundamental paradox of
the plan.. The plan can not be theorized as a problem within architecture.
nor one stemming from without.. The plan is both architecture's means and
it's reason for being.. Architecture's dual purpose is to hide that which
it facilitates.. Utopias are always distractions decoys.. The selfdelusion
of the architect is always only partial. there is always the intuitive
semiconscious fitting. negotiating. constructing. of a plan that bridges
and covers what it intends to be. and what it will be.. Such is the dual
nature. the misnomered intuitiveness. of the architect.. Those fascists
who purport to have accepted their role. as creators of death. as inverse
gods. in the end place Death as an absolute beyond. as some form of truth
outside the self.. They understand death's comport with belief. but
mistake death as beyond belief.. The actual manipulations at the molecular
level. are misconstrued. by a grandiose abstract Death narrative.(). The
myriad sin constructions are glossed over. hidden under. legitimized and
justified. by the holy image and the coming utopia.. Belief remains in the
singular untouchable other.. A construct is created behind an image.. The
imperialism of the plan always leaves one absent. a shell without
content.. The plan or map or image or identity can not be put to good use.
even those put together democratically or autonomously. present only a
means to enclose. subject the present to the past image. create
possibility traps.. The plan can not be separated from the tyranny that
employs it. the plan is that tyranny. the subjugation of the present to
the past.. Notes. . Fitting the two types of forms together segments of
content and. segments of expression requires a whole doublepincered or
rather. doubleheaded concrete assemblage taking their real distinction
into. account. It requires a whole organization articulating formations
of. power and regimes of signs and operating on the molecular. level.....
If this parallelism is replaced by a pyramidal image then. content
(including its form) becomes an economic base of production. displaying
all of the characteristics of the Abstract the assemblages. become the
first story of a superstructure that as such is. necessarily situated
within a State apparatus the regimes of signs. and forms of expression
become the second story of the superstructure. defined by ideology. It
isn't altogether clear where language should. go since the great Despot
decided that it should be reserved a. special place as the common good of
the nation and the vehicles for. information. Thus one MISCONSTRUES the
nature of language signs. organizations of power and content. () the
illusion that one can. grasp and shuffle all the strata between one's
pincers can be better. secured through the erection of the signifier than
through the. extension of the sign. ( Deleuze and Guattari A Thousand.
Plateaus. Emphasis mine.). posted by Lanny PM. Through Struggles to the
Stars. By Physicist. Jack Sarfatti Ph.D.. On the physical principles of
consciousness warp drive and wormhole star. gate time travel in the light
of the new precision cosmology of dark energy. and their relations to the
coded knowledge of the once and future techgnostic. mystery schools
fictionalized in The Da Vinci Code and described in fact. in Techgnosis..
Newton realized that the fall of the apple was the same as the motion of
the. Earth around the Sun. That was his alchemical techgnostic insight
into As. Above So Below. I have shown that the invisible Galactic Halo
holds the. stars together in the same way through negative zeropoint
energy density. with equal and opposite positive quantum pressure that the
electrons. distributed repulsive electric charge is held together. Its As
Above So. Below all over again. Real original physics on the deep
structure of the. many worlds not found in any other book is weaved
together with great. literature and my true adventure story. Quantum
reality is not only weirder. than we have imagined but may be weirder than
we can imagine. We are. such dreams that stuff is made from.. Re Object not
found.. ok mwp feel free to upload to noemata or adundas as an online
storage for you. stuff if you want. ah you can sell your stuff via
noemata.netarspublica.com. and get rich from the post.net.art. (it's of
course not generating a dime.). if i should try getting money from
institution i think it would be for 'fully. automated art' or something
like that smiley. i owe them some explanation what. i did with the last
which is ok and making problems with backfiring. 'context art' and then
not caring about paper work but the possibilities are. there and they're
basically kind i should have a secretaryagent doing. things keeping my
life together that would be fine i'll advertise defunct. potential artist
seek structured realistic person. there's missing a whole. lot in that
production line. i wanted to fix that before collaboration no it. doesn't
work only tight schemes getting money out of funds goals the usual.
artistery. insert sercasm charchasm hollow character.. perl cgi seem only
available from url kunst.nobjornmag (which is same as. noemata.net)
support didn't answer the last mail so they won't fix probably.. see you
in the post art. name. AROSE RIP. Aroseisaroseisarose.com is officially no
longer. All links to works. originating from the site are henceforth
invalid. Moreover I have no plans. for the construction of any future
sites.. I await a future of postnet art which is the only one I can expect
to be a. part of right now.. Re spasms. ..like eerie to me this tini whirl
j kom over linken i går actually. yo ko ok whiteblue c. alsoh. Recently
she held a thirteendaylong dance festival taking place 'in your. mind'..
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...... ..... ..... ..... .... ... ... .. .. trolldeig. vegetating at meh
airport this trolldeig work clumsiness of kid craft maybe. clumsiness of
their actual imagination not the craft always prefering the. chubby planes
and popple of things negating colors they now seem to be. jumping off
midair the original is red ground and they look dead white and. grinning
kids wondering how those air crafts every could fly maybe not. crosses and
how their imagination ever could represent anything no we don't. believe
the cross mean that we don't believe caricatures is like. imagination not
our craft we kids know that but you don't you are the. clowns falling off
by believing imagination eventually adapts you hit. the ground.. syndicate
div. This is a multipart message in MIME format.... ContentType textplain
charsetiso. Some moulds new images to become compressing them much as
possible and time. inflating they're connected to different ideas and
things lost or heading in. other directions divergence divide division
divert deflect route detour. distract turn aside depressible depute
diverting diplostemonous ride. daughterly turn ached diffractions dept
departs duplicitously ready dowdier. destructor tirana acta diversionist
dubbed deposing deportees defalcate rite. datura distributor thermo
agatha. Index of div. Name Last modified Size Description. Parent
Directory Apr. meh.jpg Feb k. M.jpg Aug k. M.jpg Jul k. akdre.jpg Oct k.
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ch.jpg Apr k. chiperb.jpg Jul k. cityfil.jpg Oct k. cpor.jpg Oct k.
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Apr k. trit.jpg Sep k. tt.jpg Sep k. unfit.jpg Aug k. vadsotanabru.jpg Sep
k. ver.jpg Apr k. wallpaper.jpg Oct k. zthoe.jpg Feb k. Apache.. Server at
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the Syndicate list. no commercial use of the texts without permission. hr
onwards. years anniversary. () (. ' ' '. ' ' '. ). (). ). '. roundtheclock
posting of sequenced hypermodern imagery from Brad Brace.. The hypermodern
minimizes the familiar the known the recognizable it. suspends identity
relations and history. This discourse far from. determining the locus in
which it speaks is avoiding the ground on which. it could find support. It
is trying to operate a decentering that leaves. no privilege to any
center.. began December. Pointless Hypermodern Imagery... postedmailed
every hours... a. spectral trajective alignment for the s A continuum of
minimalist. masks in the face of catastrophe conjuring up transformative
metaphors. for the everyday... A poetic reversibility of exclusive
events.... A postrhetorical continuous apparently random sequence of.
imagery... genuine gritty greyscale... corruptable compact. collectable
and compelling convergence. The voluptuousness of the grey. imminence the
art of making the other disappear. Continual visual impact. an optical
drumming sculpted in duration on the endless present of the. Net..
unassimilable... imagery is gradually acquired selected and resequenced.
over time... ineluctable vertiginous connections. The hr dialtone....
KEYWORDS Disconnected disjunctive distended decentered. decomposed
ambiguous augmented ambilavent homogeneous reckless.... Multifaceted
oblique obsessive obscure obdurate.... Promulgated personal permeable
prolonged polymorphous provocative. poetic plural perverse potent
prophetic pathological pointless.... Emergent evolving eccentric eclectic
egregious exciting. entertaining evasive entropic erotic entrancing
enduring. expansive.... Every hours another... view them repost em save
em. trade em print em even publish them.... Heres how.
httpbbrace.laughingsquid.nethr.html
309
310
Look for the hricon. Heavy traffic may require you to specify files. more
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use FTPmail to. do essentially the same thing. Send a message with a body
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too. The latest new jpeg will always be named hr.jpeg. Average size of
images is only K.. Perl program to mirror ftpsitessubdirectories.
src.doc.ic.ac.ukpackagesmirror. Postings to usenet newsgroups. alt.hr.
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alt.binaries.pictures.fineart.misc. Ask your system's newsadministrator to
carry these groups. (There are also usenet image browsers TIFNY PluckIt
Picture Agent. PictureView Extractor NewsRover Binary News Assistant
EasyNews). This interminable relentless sequence of imagery began in
earnest on. December . The basic structure of the project has been over.
twentyfour years in the making. While the specific sequence of.
photographs has been presently orchestrated for more than years worth. of
hour postings I will undoubtedly be tempted to tweak the ongoing.
publication with additional new interjected imagery. Each hour posting. is
like the turning of a page providing ample time for reflection.
interruption and assimilation.. The sites listed above also contain
information on other cultural. projects and sources.. A very lowvolume
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related to this project has been established at. This project has not
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supporters receive rare copies of the first three. hremailsubscriptions
can also be made at. mo yr. Institutions must pay for any images retained
longer than. hours.. image files. Get the textfile 'picturesfaq' to learn
how to view or. faq.html. (c) Credit appreciated. Copyleft. this heat.
you're now listening to this heat a.k.a. Blue and Yellow Testcard
Horizontal. Hold Not Waving Water Twilight Furniture Track Loop Diet of
Worms Music. Like Escaping Gas Rainforest The Fall of Saigon Testcard
Deceit Sleep Paper. Hats Triumph S.P.Q.R. Cenotaph Shrink Wrap Radio
Prague Makeshift Swahili. Independence A New Kind of Water Hi Baku Sho
(Suffer Bomb Disease) Repeat. Metal GraphicVarispeed. This Heat (album)
covers two years of the band's history with both live and. studio cuts.
They use guitar clarinet drums and keyboards permuted with. loops phasing
and overdubs breaking down patterns into only faintly. connected musical
moments that include artificial skips and looped end. grooves. Though
insolent and withdrawn the music is adventurous and in its. raucous yet
avoids the dismal drones and cacophony of other experimental. groups. Free
of clichs the music blends politics and intelligence steering. clear of
artifice and trendiness. Austere brilliant and indescribable.. this is
still very good. Re rune grammofon. yes i've heard some releases
supersilence biosphere jazzkammer it's quite. experimental ranging from
noisefreejazz to ambient to electronica. haven't. seen the book but their
obviously into design also.. rune kristoffersen has some years in the
business he was in the group 'fra. lippo lippi' which released a beautiful
depressive record in 'in. silence' influenced by english goth rock. he was
involved in the company. uniton from which i bought releases and imported
albums at that time he's. got more pop oriented... related to that milieu
were 'holy toy' and 'when'. holy toy centered around. the polishnorwegian
eccentric andrej nebb and is probably the most. interesting group in
norway ever. actually nebb mentioned this heat as one of. his influences
which is obviously also in 'when' which comes from lars. pedersen
percussionistorgan in holy toy. 'when' reconnects more to prog rock. i
sent a cd with some stuff to rune k. a couple of years ago from the. just
slow and dark noise syrup recorded and manipulated from rails and. other
concrete sources. experimenting with very low bitrate encoding giving a.
spectral sound.. Have you seen this Do you know anything about this label.
Just wondering if you thought it was worth checking out... . e k u n s t .
cazzarola What is this. This is a multipart message in MIME format....
ContentType textplain charsetiso. a draft... cazzarola What is this. maria
What the awakening du vil holde styr unna brødene.. cazzarola Who are you.
maria Who are here in a try ) er gud er ikke her har mer av gammelt grått.
mugg og gjør fyldest alle dverger uten tanke søler sitt ene øye.. cazzarola
fanculo. maria What the awakening you will stay clear of the breads.. maria
Who are here in a try ) is god not is not her have more of the old. gray
mugg and do fullfill all dwarfs without thought spilling his one eye..
cazzarola fanculo. (. gozzarola finger eye. maria at ping eye tarot two
konservative lunkne.... ). noematamariadialoger. Nytt kapittel ferdig (k)
april. Maria Futura Hel Dialoger. dialoger.html k apr. dialoger.html k
apr. dialoger.html k sep. dialoger.html k jul. dialoger.html k apr.
dialoger.html k dec. dialoger.html k sep. dialoger.html k may. utdrag.txt
k jan. dialoger.html k jan. dialoger.html k nov. dialoger.html k aug.
dialoger.html k apr. dialoger.html k jan. dialoger.html k jul.
dialoger.html k may. .. ((()((. dialoger.html. tramslated. Dialoger med
Maria Futura Hel. maria i allerede levd because of grace jones. zynt am
nævestad badin magen. maria bad politikker. zynt yes am he dust. maria
dust am jesus suger eller am pingle. zynt skal vi home idag. maria home
till park. kutt al meg frekke kjerring kan a question men the. them for
off røret.. zynt haves i big kuk. maria big encourage at upon tv gøy
belowstream have sagt.. zynt become grows bog vaktkommandør. maria become
eneste uavbrutt høyforedersk handling.slik var. oppriktige svært bad no
not vet where heck am burdensome fog mist comfort. consoles tankene. drags
one excellent fine handel it quite altogether tøft.. zynt am urge digg.
maria am portveien. zynt am urge dig. maria urge digg. zynt am urge digg.
maria urge digg. zynt yes am it digg. maria yes hun light lightens for off
you opp and says i kan i spør about. concerning around she smiles.. zynt
you am one cheky diminutive harlot you. maria harlot foroff waldemar
waldemar am one dritt engine machine (peker. a longed nede økonomiskog
with serbiske and chocolate and films eller noen. var minute forest.. zynt
haves you pupper. maria pupper what for slakk foreslåtte pari why. zynt
jævla fitte. maria fitte slim like everything until terje vigen ex from
finnmark the. lounge am you no not. fernufti the them må get lay hold of
upon gayta except envelope. mister erik. My work is completely
photometrical.. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. post distribuert via. e k u n s t.
listeadresse eekunst.no. kontaktadresse listmasterekunst.no. the sound of
matemathics. the sound of matemathics. via solipsis. min telecommuting
work. min telecommuting work. hararharharhahrhar iiotoutoitoutruio
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close beholders hiddenite tread.. beMyGhost Punch and Judy Show.
................................................. Noemata's beMyGhost
Punch and Judy Show. A light seaside summer entertainment. The plaintext
dessert of a desert hyperwork. A puppet show beyond good and evil. Etc..
As performed by the professors of automata. telemata noemata.. Now playing
the Inbox Theater Scene. oOOo. The story so far..... He is known as
Pulcinella in Italy Guignol and Polichinelle in. France Kasperl in Germany
Casper in Sweden Karagioz in Turkey. Karagiosis in Greece Petruk in
Indonesia. He's been around a long time in one form or another. He's an
imp of. mischief out of the mists of time. We know him as Punch. As.
Pulcinella the actor he was part of the Commedia Dell' Arte troupes. of
Renaissance Europe. To trace him back further takes us into the. very
ancestry of pantomime itself back to Ancient Rome and Classical. Greece
and the licentious topsy turvey world of Saturnalia and Satyr. plays. He
exists in many cultures for he is one form of The Trickster. a key figure
in society's development a figure able to turn shared. values upside down
for the shocked amusement of the community and the. ultimate strengthening
of the bonds that mutually bind it.. Charles Dickens was also a great
admirer of the Punch and Judy Show.. Mr. Punch is frequently mentioned in
his novels. One work The Old. Curiosity Shop seems to be based almost
entirely on the Punch. tradition. The show has taken a fair amount of
stick in the past for. being violent or not politically correct and being
flippant about. domestic violence. Charles Dickens is among those who have
nailed this. as ridiculous.. Who Are Punch and Judy Punch and Judy are
arguably the most famous. traditional puppets in the Western World with a
colorful history more. than years old. Mr. Punch with his hook nose
detched back and. garish costume is a cultural icon in England. His
unabashed joking. and rowdy mischievous behavior have provoked paroxyms of
laughter. audiences throughout time. An impressive body of art is graced
by. Punch's outrageous countenance.. PUNCH Are you a doctor. HANGMAN Yes
are you alright. PUNCH No I'm dead.. HANGMAN You can't be dead.. PUNCH I'm
dead dead dead.. HANGMAN How long have you been dead Mr. Punch. PUNCH About
weeks.. punch judypuppetpuppetsCodman'sTobyRhosonSeapunchpunchjudy. judyMr.
Punchpunchinellopolichinellepuppetry puppet heroswooden. headsthat's the
way to do itwhat a pitysomerville colwyn bayrhos. on seacomical
tragedytragical comedymr punch's opera. pulcinellaharlequinadedetch
backhumpbig nose professorspunch. manprofessorsslapstickswazzle
swazzleomiswazzlehomipunch. callitinerantmarionettes
seasideentertainmenton the beachbeach. performerson the sands carnivalsThe
Punch and Judy College of. ProfessorsThe Punch and Judy
Fellowshipswazzleswatchelold red nose. Hoban quotes him as saying Punch is
so old he can't die.. In its classical glorious sense immortality is the
quality of what. passes beyond death the quality of the supraliving. In
its. contemporary version it is the quality of the surviving that is of.
what is already dead and by that token becomes immortal.. It's a fine show
sir. he replied. jolly fine show. Then with a. guffaw he added And a damned
bad moral.. Many of the Trickster's traits Radin writes were perpetuated
in. the figure of the mediaeval jester and have survived right up to the.
present day in the PunchandJudy plays and in the clown (xxiii).. Who is
Punch anyway Where does he come from And how could so. impossible and
ridiculous a character have survived the changes and. turmoil of the
passing centuries The plain fact is that nobody knows.. Certainly the
figure of Punch as we know him today has a direct link. with the commedia
dell'arte of the seventeenth century but the. character is far far older.
The original significance of Punch's face. and figure his enormous nose
and hump are meaningless to an. audience of modern times when perhaps it
is not customary to. associate large noses and sexual potency or find
detchbacks mirth. provoking. But it is possible that Punch has lasted so
long because he. so blatantly cocks a snook at the restrictions of
civilised society. and perhaps every man at some time or other would like
to flaunt the. laws of society with a comparable nonchalance removing
those who got. in his way pursuing his amorous inclinations willy nilly
and. defeating in the end the devil himself How often we say of a.
likeable rogue He could get away with murder. And Punch. does or almost
always does and he is such a likeable rogue and of. course he's only a
puppet and puppets can get away with anything.. HANGMAN Now prepare
yourself for execution.. PUNCH What for. Mr. Punch. A Roman mime called
Maccus was the original of Punch. A. statuette of this buffon was
discovered in containing all the. wellknown features of our friend the
long nose and goggle eyes the. detch back and protruding breast. The most
popular derivation of Punch. and Judy is Pontius cum Judæis (Matt. xxvii.
) an old mystery play. of Pontius Pilate and the Jews but the Italian
policinello seems to. be from pollice a thumb (Tomthumb figures) and our
Punch is from. paunch. The drama or story of our Punch and Judy is
attributed to. Silvio Fiorillo an Italian comedian of the seventeenth
century. Punch. triumphs over all the ills that flesh is heir to. () Ennui
in the. shape of a dog is overcome () Disease in the disguise of a doctor.
is kicked out () Death is beaten to death and () the Devil himself. is
outwitted. Brewer's Phrase and Fable. This compulsive desire for
immortality for a definitive immortality. revolves around a strange
madness the mania for what has achieved. its goal. The mania for identity
for saturation completion. repletion. For perfection too the lethal
illusion of the perfection.. 'Every ecstasy ultimately prefers to take the
path of renunciation. rather than sin against its own concept by realizing
it' (Adorno). the identitary individual the virtual clone there
corresponds a. horizontal madness... a delirium of selfappropriation all
the. monstrous variants of identity not of the schizophrenic but of the.
isophrenic without shadow other transcendence or image that of. the mental
isomorph the autist who has as it were devoured his. double and absorbed
his twin brother (being a twin is conversely a. form of autism deux).
Identitary ipsomaniacal isophrenic madness.. Our monsters are all manic
autists. As products of chimerical. combination... deprived of hereditary
otherness... they have no other. destiny than desperately to seek out an
otherness by eliating all. the Others one by one.. PunchandJudy show a
traditional puppetshow in which Punch is. shown nagging beating and
finally killing a succession of. characters including his wife Judy.. The
problem of Frankenstein for example is that he has no Other and. craves
otherness... But our computers also crave otherness. They are. autistic
bachelor machines the source of their suffering and the. cause of their
vengeance is the fiercely tautological nature of their. own language..
Punch did not always have his own play it seems his first role in. England
was to provide comic interludes in serious plays by. interrupting the
action as and when he could.. A MODERN PUNCH SCRIPT CHARACTERS PUNCH JUDY
BABY POLICEMAN CLOWN. CROCODILE HANGMAN GHOST. the challenge of the Ghost
representing Death is considered Punch's. greatest trial. We long ago
stopped believing in the immortality of the soul a. deferred immortality.
We no longer believe in that immortality which. assumed a transcending of
the end an intense investment in the. finalities of the beyond and a
symbolic elaboration of death. What we. want is the immediate realization
of immortality by all possible. means.. the conquest of whom enables Punch
to finally defy the Devil himself.. So long as there is a finalistic
conception of life and death the. afterlife and immortality are given like
the world and there is no. cause to believe in them. Do you believe in
reality No of course. not it exists but we do not believe in it. It is
like God... If. something does not exist you have to believe in it. Belief
is not the. reflection of existence it is there for existence just as
language. is not the reflection of meaning it is there in place of
meaning. To. believe in God is therefore to doubt his existence. Belief
is. superfluous just as Canetti says vengeance is superfluous it is.
rendered unnecessary by the inexorable reversibility of things. In.
exactly the same way passion is a useless supplement to the natural.
attraction between things and we might say the same about truth. which
merely complicates appearances unnecessary.. or as a mirror merely
refracts your image without believing in it.. God for his part if he
exists does not believe in his existence. but he allows the subject to
believe in him and to believe he. believes in it or not to believe that
but not to believe he does. not believe in it. Stavrogin. When the Devil
has been done away with Punch exults to the audience. The Devil is dead
Now everyone can do as he likes. But what will the human race do once free
of any belief It will. either fullfill itself egoistically obeying an
exclusive sovereign. individualism (Stirner) or do so collectively by
setting out on a. long historical course as in Marx or it will shift its
sights to. the superhuman through a transvaluation of the values of the
species. this is the path marked out by Nietzsche who argued that the
human. race cannot be left to itself but must aim beyond itself and
discover. the great metamorphosis that of becog... Nietzsche has written.
magnificently of the vital illusion not of the 'worlds beyond' but. of the
illusion of appearances of the forms of becog of the veil. and indeed all
the veils which happily protects us from the. objective illusion the
illusion of truth... Needless to say this. transvaluation... has not taken
place except precisely in the. opposite sense... A transvaluation folding
in upon itself towards a. nondifferentiation a nondistinction of values
itself fetishized in. an aestethics of plurality of difference etc. Not
any longer a. fetishization of divinities great ideas or grand narratives
but of. imal differences and particles... This dedifferentiation of the.
human and the inhuman this reabsorption of the metaphor of life into. the
metastasis of survival is effected by a progressive reduction to. the
lowest common denoator.. The Crocodile was a late arrival in the story and
has now been an. important character for about a detdred years. First he
was a dragon. which eventually became a crocodile. Perhaps the idea of a
crocodile. became firmly established after children had been frightened by
the. Crocodile in Peter Pan. The Ghost is seen occasionally still..
Originally the Ghost of Judy it is now just any old ghost.. Who was
Pulcinella or as he is sometimes called Pollicinella or. Pulicinella His
role was primarily that of a servant as indeed was. that of Harlequin and
he was obviously a comedian. He wore an. artificial nose potbelly and hump
all calculated to make the. audience laugh and he was the mixture of
jollity and cruelty wit and. stupidity just as Punch is today.. The
PunchTrickster concept embodies notions of anti. establishmentarianism
buffoonery and shamanism that reflect. attributes of the creative
individual functioning in an authoritarian. ethos the late s bucking the
system inverting values. Assug an ubuique persona and balancing
precariously on a mono. cycle PunchTrickster pedals blindly into an
unknown future fending. off unseen adversaries with an ineffectual weapon.
The sculpture is a. concretisation of a state of d or an existential
predicament. It is. concerned with delusions of grandeur and vulnerability
paradox and. pathos.. The Trickster as buffoon acts out a quixotic farce in
ironic fashion.. Ubu Roi a precursor of the theater of cruelty the absurd.
PunchUbu. Puncheon. Pernille og Mr. Nelson. JUDY Where's the baby. PUNCH
(In a melancholy tone.) I have had a misfortune the child was. so terrible
cross I throwed it out of the window.. It is generally thought that the
obsession with survival is a logical. consequence of life and the right to
life. But most of the time the. two things are contradictory. Life is not a
question of rights and. what follows on from life is not survival which is
artificial but. death. It is only by paying the price of a failure to live
a failure. take pleasure a failure to die that man is assured of survival..
Punch's women performers Bearing in d that Mr Punch is a folk. herorogue
scoundrel trickster of the opposite sex from ourselves. why are we so keen
to portray his story And what might the women. Professors add to the drama
of the tradition. The traditional Punch and Judy show presents Punch as
the simpleton. hero who successfully outwits various characters
representing his. oppressions in order to gain his freedom. This 'clever
fool' type is. often portrayed as a male antihero in folklore (Jack Til.
Eulenspiegel Clever Hans Monkey Anansi and Brer Rabbit are some.
examples). Somehow he always manages to achieve through his stupidity.
what others fail to achieve by concentrated effort. Punch is a.
combination of the fool and trickster. His characteristics are a.
collection of the archetypal shadow masculine traits those which are.
socially deemed to be undesirable cowardice lewdness rudeness. stupidity
fickleness irresponsibility selfishness greed. ................ and
violence or cunning. Mr Punch the trickster carnival fool king of anarchy
is an absurd. masculine archetype of those aspects of the human psyche
that want to. turn the world upside down and create chaos. His gross
appearance. the bulbous hooked red nose and the phallic 'hump' on his
back. comically reinforce his male sexuality along with the big red.
slapstick which he wields as the answer to all his troubles. His.
character and appearance have their roots in the ancient ritual. dramas
celebrating birth death resurrection conflict and. fertility. In our
'civilised' hierarchical bureaucratic and. patriarchal society Mr Punch
has evolved and survived through the. centuries as our national 'Lord of
Misrule.'. Punch men often portray Judy as a wonderfully fussy bossy
pantomime. dame type with a high falsetto voice. (Note that this makes
the. character a parody of the male's fantasy of woman).. When knocked
down she bobs up again several times in comic protest. always with one
more thing to say. Sometimes her final utterance is. almost orgasmic in
nature so that the mock puppet death we are. witnessing might more closely
resemble 'le petit mort' rather than. actual mortality.. When she returns
to discover that Mr Punch has inadvertently (in true. 'ignorant simpleton'
style) made the baby into sausages she is as any. woman would be at first
distraught and then angry. However having. fully expressed her grief and
given Mr Punch a piece of her d she. quickly moves into acceptance and
realises this is her opportunity. for freedom Well now Mr Punch You made
the baby sausages so you. can look after the baby sausages That's fair I'm
going to claim the. insurance money and take a nice little holiday in
Majorca. No you. can't come with me. You're to stay at home and look after
the little. sausage.. And off she goes leaving Mr Punch and the sausages to
the mercy of a. big green crocodile with toothfilled gaping jaws. Her
triumph is that. she has called Mr. Punch's bluff. Rather than waiting to
be knocked. out of his way Judy leaves him with the consequences of his
mistakes. and removes herself to a more fulfilling situation. She does
the. separating off. This gives Judy an equal status to Punch in the
drama. although he still remains at the centre of the story and fulfills
his. usual trickster role with his other adversities.. Adult enthusiasts
can recognize him as the head of one of those. dysfunctional families of
Drama that span from Oedipus and Macbeth on. the tragic side to the Addams
Family and The Simpsons on the frivolous. side. He and other little red
nosed rogues like him have been kept. alive down the centuries because his
irrepressible antics and his. flying in the face of convention have amused
generations of ordinary. people particularly those with no power of their
own.. Step warily around the fair Welsh seaside town of Aberystwyth this.
weekend for everywhere you look will be a strange beaknosed figure. clad
in red with pointytoed shoes and a manic gleam in his immobile. eyes. No
it's not Beelzebub it's Punch. The second international. festival of Punch
and Judy is in town. Oh no it isn't. Oh yes it is. etc.. There was an Old
Man with a nose Who said If you choose to. suppose That my nose is too
long You are certainly wrong. That remarkable man with a nose.. A Jungian
Consideration of Edward Lear's Nonsense Verse Lear was in. many ways an
example of what Jungian psychologist MarieLouise von. Franz calls the puer
aeternusan archetype she analyzes in her book of. the same name. The term
comes from Ovid's Metamorphoses and there. refers to the childgod of the
Eleusinian mysteries. In later times. von Franz writes. the childgod was
identified with Dionysus and the god Eros. He. is the divine youth who is
born in the night in this typical. mothercult mystery of Eleusis and who
is a redeemer. He is a. god of life death and resurrectionthe god of
divine youth .. but we also use it to indicate a certain type of young man
who. has an outstanding mother complex . . . . (). Wandering moreover is
one of the most important traits of the. Trickster archetype (Radin )
which as we shall see Lear's. nonsense exemplifies.. There was an Old Man
of Peru Who never knew what he should do So he. tore off his hair And
behaved like a bear That intrinsic Old Man of. Peru.. There was a Young
Lady whose eyes Were unique as to colour and size. When she opened them
wide People all turned aside And started away. in surprise.. There was a
Young Lady of Norway Who casually sat on a doorway When. the door squeezed
her flat She exclaimed 'What of that' This. courageous Young Lady of
Norway.. There was an Old Man of Cape Horn Who wished he had never been
born. So he sat on a chair Till he died of despair That dolorous Man of.
Cape Horn.. There was an Old Person of Cromer Who stood on one leg to read
Homer. When he found he grew stiff He jumped over the cliff Which
concluded. that Person of Cromer.. There was an Old Man on some rocks Who
shut his wife up in a box. When she said 'Let me out' He exclaimed
'Without doubt You will. pass all your life in that box.'. There was an
Old Person of Bangor Whose face was distorted with. anger He tore off his
boots And subsisted on roots That irascible. Person of Bangor.. There was
an Old Person of Spain Who hated all trouble and pain So. he sat on a
chair With his feet in the air That umbrageous Old. Person of Spain..
There was an Old Person from Gretna Who rushed down the crater of. Etna
When they said 'Is it hot' He replied 'No it's not' That. mendacious Old
Person of Gretna.. There was a Young Lady of Parma Whose conduct grew
calmer and calmer. When they said 'Are you dumb' She merely said 'Hum'
That provoking. Young Lady of Parma.. There was an old man of Hong Kong
Who never did anything wrong He. lay on his back With his head in a sack
That innocuous old man of. Hong Kong.. The function of the Trickster
according to Kernyi is to add. disorder to order and so make a whole to
render possible within the. fixed bounds of what is pered an experience of
what is not. pered (). Kernyi could just as well be describing the.
nonsense genre that emerged in the nineteenth century.. You desire to LIVE
according to Nature Oh you noble Stoics what. fraud of words Imagine to
yourselves a being like Nature boundlessly. extravagant boundlessly
indifferent without purpose or. consideration without pity or justice at
once fruitful and barren. and uncertain imagine to yourselves INDIFFERENCE
as a powerhow. COULD you live in accordance with such indifference.
Contrary to the underlying Rousseauist ideology which argues that the.
profound nature of the liberated subject can only be good and that. nature
itself once emancipated cannot but be endowed with natural. equilibrium and
all the ecological virtues there is nothing more. ambiguous or perverse
than a subject.. Trickster is at one and the same time creator and
destroyer giver and. negator he who dupes others and who is always duped
himself. He wills. nothing consciously. At all times he is constrained to
behave as he. does from impulses over which he has no control. He knows
neither good. nor evil yet he is responsible for both. He possesses no
values moral. or social is at the mercy of his passions and appetites yet
through. his actions all values come into being.. It is a personification
of traits of character which are sometimes. worse and sometimes better
than those the egopersonality possesses. (The Archetypes ). The Trickster
is in other words a. manifestation of what Jung calls the shadow and he
comments We are. no longer aware that in carnival customs and the like
there are. remnants of a collective shadow which prove that the personal
shadow. is in part descended from a nuous collective figure (ibid.). that
is the Trickster archetype.. Furthermore the Trickster is a forerunner of
the saviour and like. him God man and animal at once. He is both subhuman
and superhuman. a bestial and divine being whose chief and most alarg.
characteristic is his unconscious ness . . .. He is so unconscious. of
himself that his body is not a unity and his two hands fight each. other..
As Jung says of the Trickster Although he is not really evil he. does the
most atrocious things from sheer unconsciousness and. unrelatedness (ibid.
).. We ought not to entertain the illusion that we might cultivate good.
and happiness in a pure state and expel evil and sorrow as wastes.. That
is the terroristic dream of the transparency of good which very. quickly
ends in its opposite the transparency of evil.. Bedre veier gir flere
ulykker. The travel poems also reflect the Trickster's habit of wandering.
(albeit his wandering is generally aimless). Radin comments that the.
Trickster's desire to wander represents his protest against. domestication
and society with all its obligations ().. what do we cling so tightly when
we resist the dangers of drift. Barthes spoke (positively) of drift as a
kind of stupidity. Are we. afraid of appearing stupid. In when Oliver
Cromwell's Puritan regime banned all theatrical. performance commedia
companies must have scrubbed England from their. gigging schedules. But
the Punchinello character appears to have detg. in. Crosspollinated with
the local Vice character originally the. trickster fool of the Mystery
plays Punch utilised Harlequin's. slapstick bat took a wife and resurfaced
in the Punch and Judy puppet. show.. PuckPunch
SantaPelznicholNicholasJanneyYule I Norge har vi. oskoreia og julebukker
they acted out an odd play the leader who. dressed in goat or bear skins
argued with another character or with. the woman figure. He was killed the
woman lamented and the doctor. comically resuscitated him or he
spontaneously revived declaring he. wasn't dead after all the Fool was in
his original beast form the. death and execution were enacted amorally. In
later plays the Fool or. beastman is often killed by a young groom because
he makes a pass. at the Woman and narrators explain the behavior with a
comic. script. Scholars concluded that the detdreds of versions peppering.
Europe could be traced to the great goatgod Dionysus. After all the.
Dionysian rites gave birth to modern theater In Britain he became. Robin
Goodfellow or Puck norsk slektpuk celebrated by. Shakespeare Goodfellow's
cousin Robin Hood began life as Wood a name. for the Wild Man. In the
Black Forest the Pied Piper of Hamelin re. enacts poet Robert Browning's
version of the ancient mystery. And. don't forget the 'geek' as a freak
act.. Shiva is more or less what you want him to be as in him all.
contradictions casually coexist. The notion of Shiva as exclusively a.
Wild Man of the forests and mountains traveling with a band of ghosts. and
ghouls as their leader Bhoothnath is a recent phase of his. worship. For
while he was always capable of peculiar behavior Shiva. used to live
outside of society not because he had rejected it but. because he had
transcended it. Shiva is repeatedly described as the. supreme master of
all the arts and that indicates a highly socialized. being the Nagarika of
ancient India not a rustic.. Only Siva who indulges in both extreme ascetic
and extreme erotic. activity the creator and the destroyer the quiescent
and the active. god who represents both the cyclical motion of the
universe and. spiritual immortality can offer devotees both paths of
immortality. through rebirth or renunciation and spiritual immortality. He
is the. living lingam in the yoni and the androgyne. Both symbols contain
the. paradox within themselves and provide a resolution.. Lingam Sanskrit
literary 'mark' or 'sign' ( is there a connection. between 'sign' and
'seed' (seme and semen) via sema seme sememe. semiological adj.Gk semeion
sign f. sema mark seal symbolic. inseal pregnancy pregnant expression...).
Shiva is worshipped in several apparently contradictory aspects whose.
combination gives emphasis to his incomprehensible transcendence. He. is
seen as a giver of blessings and is also a symbol of sensuality.
represented by the lingam or phallus. On the other hand he is. sometimes
depicted as an ascetic seated in meditation in the. Himalayas. Shiva is
also the god of destruction and dissolution. In. his manifestation as
Shiva Nataraja the fourarmed Lord of the Dance. he tramples on the forces
of ignorance and chaos and keeps creation. in balance.. JEAMANCER.
JEAMANCER. ) ) ) ). ). ( ( ( ( (. () ( ). ). ). ) ) ) ). ). () ( ( ' ( (
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)L(()). L '' L. Netart project ONDENTUNRE. Noemata Random Name Generator.
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((. Abstract music composition NDLEA. Noemata Random Name Generator.
MATORYA. MATORYA. Acid house combo UNREKEN. Noemata Random Name Generator.
SNCPLEXI. SNCPLEXI. ) ) ) ). ( ) ( () ( ) ) (. (. ( ). ) ) ). ( ( ' () ) (
() (. (. ( ). Mysterious alias ALNOIRPI. Noemata Random Name Generator.
GOGOMOUNE. GOGOMOUNE. GGGG OOOOO GGGG OOOOO MM MM OOOOO UU UU NN NN
EEEEEEE. GG GG OO OO GG GG OO OO MMM MMM OO OO UU UU NNN NN EE. GG OO OO
GG OO OO MM MM MM OO OO UU UU NN N NN EEEEE. GG GG OO OO GG GG OO OO MM MM
OO OO UU UU NN NNN EE. GGGGGG OOOO GGGGGG OOOO MM MM OOOO UUUUU NN NN
EEEEEEE. Motherplanet in space flick PIPHON. Noemata Random Name
Generator. SCERNYA. SCERNYA. )) )) )L ))) ))) ). (( (( (( (( ((( (( (( (.
VOXCOSMO. Noemata Random Name Generator. POSINS. POSINS. (). )(()((((. L
'' ''. Message board spam name DYBEL. Noemata Random Name Generator.
TEATXEROE. TEATXEROE. ggggggggggggggg ggggggg ggg ggggggggggggggg ggg. gg
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dPYb. Yb d' a Y dP Yb Yb b. d d' a YYb b d' Y bdP d' a Y. YP' dP. YP'. YP'
P d' YbaaadP' YP'. baaaa ' Y. baaaa aaaadP P Y baaaa. dP d b. dP Yb b d dP.
d d. b. d b Y P d. gg Y dP P Y gg P'. Y Y i Y P' Y. YbP Yba YbdP b YbP d.
Yb Yba Yb YbdP' Yba. YP' Y YP Y YP' P'. Y Y Y YP' Y. Noemata Random Name
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ESOPAUTO. ' ) ) ) ). ((((. Scifi robot hero ONNDKE. Noemata Random Name
Generator. OHNAUTOMNI. OHNAUTOMNI. .. Y. Y. Polkaband LOSPHERAL. Noemata
Random Name Generator. ONDUSQUE. ONDUSQUE. e e e eeeee e eeee. e. eeee eee
ee eee e ee eee. Motherplanet in space flick NELLOPTI. Noemata Random Name
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ggg gg. ggggggg ggggggggggg gggggg gggggg. dPYdPYPYb dPdPYb dPYb dPY dP'.
dPYbdPY dPdPYb dPdPYb. Yb ' ' d' Y bdPYb bYb b d d'. a YYb b d' Y bdPd' Y
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312
Buzz word this year MATICE. Noemata Random Name Generator. GANZEAH.
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iuoma LLOPTI. LLOPTI. NECROPTURA. Noemata Random Name Generator. Buy Ink
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group on the web go to. To unsubscribe from this group send an email to.
NDONTAI. NDONTAI. Cool band name MONCYCLO. Noemata Random Name Generator.
ELOGTE. ELOGTE. International agent codename JEAGUS. Noemata Random Name
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((. Abstract music composition NDLEA. Noemata Random Name Generator.
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YbaaadP' YP'. baaaa '. Y baaaa aaaadP P Y baaaa. dP d b. dP Yb b d dP. d
d. b d b Y P d. gg Y dP P Y gg P'. Y Y i Y P' Y. YbP Yba YbdP b YbP d. Yb
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Generator. CROTHROPICOM. CROTHROPICOM. ))). Cool band name SOSITE. Noemata
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O O H. Blackmetal band VIKREE. Noemata Random Name Generator. XIDWHIEZ.
XIDWHIEZ. Buzz word this year MATICE. Noemata Random Name Generator.
TEATBAOH. TEATBAOH. Dada movement REOBAB. Noemata Random Name Generator.
there's a local history group in the area writing articles which gets
released. in a small yearbook by the museum i had some of them sent them
off to a. friend. among the interesting where stories about Omgang a
deport and. execution place in the middle ages a few some km from here
unhabitated long. since. prisoners from northnorway don't know how far
south where imprisoned. at this very desolated place and in fact a couple
of women got burned as. witches there in es if I remember right a young
woman Dorte something. accused of making storm at sea where a man she had
some relation to died you. could tell by the incidents she probably was an
attractive woman making the. men with power quite jealous humiliated and
very mad after half a year in. prison she was burned alive in I think..
another interesting thing is the labyrinth as Mikkelsberg also close by
with. some discussion of the authenticity of it it origins either from the
pomor. trade with russians a couple of centuries ago or from much earlier
habitation. of the area the earliest settlers probably being the sami
komsaculture. several thousands years ago there's some debate a dr.
something writing his. thesis the sami were not the first inhabitants. the
labyrinth has not been. coast from fear of messing it up the traces are
very vague but it has the. traditional form and is about in diameter..
there's some war time history since the whole shit was burned down by
germans. the whole north of norway every building here so they turned the
boats on. their head and lived under there or lived in caves at the coast.
things have. been rough here of course finding support actually there were
some. agriculture before not much.. there were about women burned as
witches in the s in finnmark the. northernmost part of norway were charged
for sorcery and researchers have. wondered why so many in the region.
reading protocols from the trials a. researcher. now suggest the poisonous
fungus meldrøye lat. Claviceps purpurea explaining. hallucination and
bewitchings black grains at the bottom of the cup etc.. Re SZ aeffect
Strong Creole Tendency. Atta unsar thu in Himinam. SZ aeffect. Strong
Creole Tendency between wordanimage selfreference 'worldings'. toll
painting of a russian and a norwegian in a fjord in the 's. trying to
communicate about some wood. chopped logs the pomor trade s to the russian
revolution initiated by. russians from the. White Sea having coast and
fjords in north of norwy as their area 'pomor'. means. 'by the sea'
Arkhangelsk has a pomor university today the russian came to. white. sea
from Novogorod s a viking city with democratic traditions different. the
tataryoke in rest of russia. pomors had cereal meal and traded with. the
tataryoke in rest of russia. pomors had cereal meal and traded with
313
fish (coast) and skins (sami inhab). .. should think wood also was
important as. there are no trees in the northernmost regions... Nordmannen
Drasvi gammel go ven på moja. Tvoja fisk kopom (Goddag min gamle. gode
venn. Kjøper du fisk). Russeren Da. (Ja). Nordmannen Kak pris (Hvilken
pris). Russeren En voga mokka så to voga treska. (Det er en våg mel mot to
våger. torsk.). Nordmannen Eta mala. (Det er for lite). Russeren Slik slag
en å en halv voga treska så en voga mokka. (Slikt slag.. En. og en halv
våg torsk mot en våg mel.). Nordmannen Eta grot dyr. (Det er ennå for
dyrt.). Russeren No davaj på kajut sitte ned så dokka lite tjai drinkom.
Ikke skade.. (Kom. nå ned i kahytten og drikk litt te. Det kan ikke
skade.). norw. russian it seems). pomor trade was illegal until . and then
the russ revolution stopped it and. the nnorw econony into depression and
the coastal villages into. problems.. the pomors had a rich rural culture
and folklore it seems there's a longer. within pomorområdet levde
fairytale adventure and legend byliner (heltedikt). ballader stev and
laments further enn a in inside into on per within. mange. second strøk
for off Russia Russia. a in inside into on per within. last. latter half
for off tallet begynte lærere prester and second stream. accumulate gather
tradisjonsstoff. them gjorde crowds for off opptegnelser a. in inside into
on per within citys and villages longer dvina and pinega. and. at to
toward towards a in inside into on per within at by on. upon. on upon
kvitsjøkysten området ble kjent like one skattkiste because of.
folklorister and etnografer.. within ble marija krivopolenova one
diminutive ancient wife with a. unfigure. ballader and chants at.
tertiden. also stepan pisakhov like var kunstmaler skrev below downstairs.
underneath down below underneath down underneath tradisjonsfortellinger.
especially especial fairytale adventure at to toward towards a in. inside.
into on per within at by on upon on upon dialect. sjergin skrev also.
tradisjonelle and further fashionable fairytale adventure men his
skriftlige. produksjon am både større and longed further allsidig enn
pisakhovs. within sovjettiden dolled it also opp sterke klare litterære
personligheter.. fjodor abramov ex from verkola. marija krivopolenova ().
bondekone ex from pinega famous because of its ballader chants and.
klagesanger.. hun learned helteballadene stariny for off its grandfather.
hun. accrued. opp a in inside into on per within fattige kår and ble early
married. married married poison men verken at to toward towards until till.
felicity. eller velstand. hun losed både the fellow and barna unntatt one
daughter like. ble married married married poison så fattigslig at hun no
not know get. lay. hold of pick up take itself for off moren. hun ble
hence therefore tvunget. at. toward towards until till stream continue
tilværelsen like one beater. omstreifende beggar eller legdekone. men
krivopolenova var one lysende gifted. forteller chants and klagesanger.
boris sjergin (). it nordrussiske klassikeren fremfor noen. he convey
imparted gamle. fortellinger. and tradisjoner muntlig and after behind
hvert also skriftlig. he skrev also. its. egne fortellinger. sjergin var
one authentic pomor the father var styrmann and. seilte at to toward
towards a in inside into on per within at by. on. upon on upon Norway the
mother daughter for off one seilmaker. både. foreldrene. and mange for off
husets friends stod midt a in inside into on per. within. pomorenes living
fortellertradisjon. sjergin itself ble one important. tradisjonsbærer
because he after behind hvert fixed it he hadde hørt at to. toward towards
until till papiret. a in inside into on per within its. fortellinger and
fairytale adventure skildringer for off life and employment. in.
skipsbyggere fiskere and fangstmenn. stepan pisakhov (). stepan pisakhov
seilskip at fiskebryggen a in inside into on per within. arkhangelsk.
author and kunstmaler ex from arkhangelsk. he var at to toward towards.
until. till stream begin with kjent because of its paintings with motiver
ex from. nordlige strøk men begynte after behind hvert stream type
fairytale. adventure.. mange for off the fairytale adventures his finer
also a in inside into. on. per within second versjoner men his versjoner
haves sitt særpreg and. språkføringen a in inside into on per within disse
tekstene am stronged. imprint impressed for off nordrussisk dialect.
pisakhov am one for off you. exaggerations skrøner. well there's some
pictures... links to some english. etc. CHROMOGAL. CHROMOGAL. Osho name
TEATDECI. Noemata Random Name Generator. nettimeann mailing list.
nettimeannnettime.org. ann ELPATA. ELPATA. Noemata Random Name Generator.
nettimeann mailing list. nettimeannnettime.org. . e k u n s t .
laburinteger. This is a multipart message in MIME format.... ContentType
textplain charsetiso. Maskin Jeg er glad jeg er det eneste jeg'et her..
Far Sønn sønn vi anbefaler at min maskin ikke snakker mere til deg.. Sønn
Men den kan så mange spennende ord.. Hadde trengte hjelp. til og fullføre.
De påfølgende dagene ble historiene til den bandasjerte. samlet og skrevet
ned i notatbøker før den støeste og mest skriveføre. av dem fikk oppdraget
med å føre over teksten til bandasjen. Hele. arbeidet. tok dager og da de
var ferdig var den bandasjerte i alt dekket av. ord.. Jeg faller uten....
Projeksjoner krever kontiniuitet.. ContentType textplain
namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert
via. e k u n s t. listeadresse eekunst.no. kontaktadresse
listmasterekunst.no. Nagnews Og sdspoetrezt dkyk og skyr nabnetrt. På Y).
Y (inntar sosiologiskpedagogisk sideleie) Protagonistens puerile.
forsvarsmekanismer er et infatilt forsåk på å rasjonalisere frykten.. Og
sdspoetrezt dkyk. og skyr nabnetrt dykkadt som ncdovmo vopmkete. foef
dMrnefnsd eksdsonnen slyllfd. Fglerfd dyjkk xfsd ogb ajjbgooåad af
xftrlyd. xfef stylr ret sdløben dykkatrg i hitummenem. Deref stgamme
gjoerda efane ferita mefd prgfotetane. Men e dykk rkke. det.... NAGnews
mailing list. NAGnewslists.copyleft.no. isoQDuhFrerdetnEdeterslettesikkei.
Kjemiforsøkene i elevenes hode. I ditt blomsterhull. Han sover i sjette
scene. Har jeg noe å si han. Middelaldrende demokrat må ligge i.... Du
hører det nå det er slettes ikke i sukkerbiten lyden oppstår.. Du ser på
sukkerbiten en siste gang før du putter den i munnen. Som om. begge.
øynene skulle ha skiftet posisjon fra venstre mot høyre uten og røre.
hodet. skifter synsvinkelen i scenen.. Kvinnen tar uforståelig imot en.
lapp hvor det står Vi møtes i dusjen i morgen. Hilsen din partner i.
forbrytelse.. Over kinomaskinisten på disen. kinomaskinisten tårer .
veggen mitt film over noen . UTE AV FOKUS.. My Help. Example How do Ichang
my password. Tips. Getting Startled. How do If i what category my Humen is
in. I receive an email notification saying my humen could be Deleted due
to. inactivity. Why What can I do. What does the my smiley face (image) is
mean. How do my I get rid of the my is smiley face (image). I never sign up
for my Human grouqs. Why am I receiving my messages. View and manage your
my hume. Your humain Grops account has been disable because you had. an
autoresponsible setup.. Bouncing seminar . May. What Bouncing means and
what to do about it means bounce. L. Work with elbows grouq. Control
access and sharing humes. list bounce. tails Yoric troll and Nøkk. Ask
Her. the water. Re Du har rett. Da kan jeg vende tilbake til. Work good.
Fra den. Forfatteren hadde alltid en. unnskyldning vent litt jeg måtte
bruke begynnelsen tilslutt.. Selv nå tror leseren han vet hvem morderen
er.. Troll om igjen.. Jeg vet at munnen min drypper av penneskaftet
skriver. forfatteren.. Med deler av hodet bandasjert.. Hvis vi panorer til
høyre ser vi ryggen hans idet han forlater. sykhuset fullt rekonstituert.
Kutt. Utenfor sykehuset stopper han opp.. Flashback. Noen tok av for
fallet. Han fallt. Blålys. Står på. sykhustrappen. Tar seg for det gamle
kuttet i pannen. Får blod på. fingrene. Snuser på blodet. Nærbildet av en
hund som glefser.. Kanskje ikke.. Mot widescreen sensur.. Overtall pga..
Og ble stående å. skrike til hverandre. Da måtte en av dem raskt ta en
avgjørelse og. fortsette videre så ville den andre måtte slutte seg til..
.n. las ldanburg. oea.net.knyt. bmg. how many net artists does it take to.
Greetings froam. Greetings froam. cause confusion and shame to make
uncomfortably selfconscious disconcert. abash. put obstacles or
difficulties in the way of impede. skam. the painful feeling arising from
the consciousness of something dishonorable. improper ridiculous etc. done
by oneself or another. disgrace ignominy. a fact or circumstance bringing
disgrace or regret. cover with ignominy or reproach disgrace. shame is a
painful feeling caused by the consciousness or exposure of unworthy. or
indecent conduct or circumstances. It is similar to guilt in the nature
and. origin of the feeling.. pride a high or inordinate opinion of one's
own dignity importance merit or. superiority whether as cherished in the
mind or as displayed in bearing. conduct etc.. selfesteem selfrespect.
ridicule Syn. . mockery raillery sarcasm satire irony. . banter chaff.
rally twit burlesque satirize lampoon. RIDICULE DERIDE MOCK TAUNT imply.
making game of a person usually in an unkind jeering way. To RIDICULE is
to. make fun of either sportively and goodhumoredly or unkindly with the.
intention of humiliating to ridicule a pretentious person.To DERIDE is to.
assail one with scornful laughter to deride a statement of belief.To MOCK
is. sometimes playfully sometimes insultingly to imitate and caricature
the. appearance or actions of another She mocked the seriousness of his.
expression.To TAUNT is to call attention to something annoying or
humiliating. usually maliciously and exultingly and often in the presence
of others to. taunt. nihilogues nilogue brainstem. nihilogues nilogue. 'In
generalthe brainstem produces morecomplex. movements than does the spinal
cord.In addition to responding to most. sensory stimuli in the environment
and regulating eating and drinkingbody. temperaturesleep and wakingthe
brain stem can produce the movements. of walking and runninggroomingand
sexual behavior (all of which are. more complex than the reflexive
movements produced by the spinal cord).The. brains of fishamphibiansand
reptiles are basically equivalent to a mammalian. brainstemin
consequencethe behavior of these animals is a good indication. of the
functions of the brainstem.'. On old Olympuss. towering top a Finn and.
German view some hops.. cortex (from the Latin for barkas in a tree s
bark) ref. book.. Fissures Sulci and Gyri the Cortex brothers. limbic.
Input could enter this circuit from other structures to be elaborated as.
emotion.. summarize the action of a nerve impulsean. other analogy may
help.Think of the voltagesensi. tive ion channels along an axon as a
series of. dominoes.When one domino fallsit knocks over its. neighborand
so on down the line.The wave cannot. return to its starting position until
the dominoes are. set back up again.There is also no decrement in the. size
of the propagated eventthe last domino falls ex. actly the same distance
and just as heavily as did the. first one.. 'The embryo who walks upright
belongs to the primate order. A badger recounts the story that God created
all animals as embryos and called. them before. his throne offering them
the changes that they desired. They opted for. specialized. adult features
claws teeth hoofs antlers and so forth. But the human. embryo trusting.
Gods judgment accepted the way it was made. The creator was delighted and.
said. that. it would therefore remain an embryo until buried but would
dominate the other. animals. walk upright and feel sorrow and feel joy.
(White ). An important part of the answer to the Sphinx s riddle about the
nature of. humans. is that the adult who walks on two legs is sort of an
infant chimpanzee.'. 'Saint Ambrosewho lived in the fourth century A.D.is
reported to have been. the first person who could read silently.'. ..i
remember a lecturer in computing claiming alphabetic sorting being.
problematic. some centuries ago.. 'Even somost of the changes in behavior.
that differentiate us from our primate ancestors took place more rapidly
still. long after the modern brain had evolved to its present
condition.Only. years ago did modern humans leave the first human artistic
relicselaborate. paintings on cave walls and carved ivory and stone
figurines.The tempo of. change has quickened further in the past
years.Agriculture and animal. husbandry were established in the Middle
East by B.C.followed by ideo. graphic writing in the same region by
B.C.Saint Ambrosewho lived in. the fourth century A.D.is reported to have
been the first person who could. read silently.The modern technological
age began in about A.D.it was. after this time that most of what we see
around us today was invented or dis. covered.How interesting that most of
what we associate with modern humans. is of such very recent
originconsidering that the basic tools (a big. brainfree. handsand bipedal
locomotion)had been with us long before.'. fundamentals of humal
neuropsychology. bror han går i skoge. bror han går i skoge. jaga alle
ville dyr. er han kvit so kjøyr'n hit. er han grå so lat 'n gå. er han
bron i boge. so lat 'n gå i skoge.. Sutene og sorgene. dei trør eg under
fot. di gladare skal eg halda meg. di meir det gjeng meg imot.. Sutene og
sorgene. det blandast alt tilsaman. munnen lær og hjarta græter. det er so
lite gaman.. cobralingus. cobralingus. It makes use of the Metamorphiction
process using text as signal and. passing it through FILTER GATES
transforming the textsignal. The FILTER GATES. range from DRUG (injects
artificial stimulant into the language) to EXPLODE. (breaks up signal into
highly disordered fragments) to PURIFY (loses. deadwood).. It sounds fairly
mechanical and Noon presents it as such. There is an INLET. and. an OUTLET
(read input and output). The FILTER GATES act on the input text.
transforming it in a variety of ways. Noon writes of the specific effect
of. each FILTER GATE as though it were a precise algorithm and the text.
transformed. according to very precise rules. In fact the Cobralingus
Engine is no such. thing. The rules beyond their most basic operation are
entirely of Noon's own. choosing.. generated writing. Commencement for
Teens. Frogman Tautness and Undue Cinnamon Inaction. As DestinyUtopia
Undoes the Thai Emutagonad Retread the Spooks of Technology.. Benjamin
Bruin is. Daft. if not SICILIAN.. One varsity. If Cuneiform. Has Found
Fern Noose. a Sunni from Burberry CT. on. CIA spanks you for smut and
fortune. Suddenly it is the Vedasfluxing. It is. Mastering in Purees and
Scanners as if ham and IdVendors had walked into. thawing rinds and facial
tics Beating. HI Cluera. Paloin Biloid. REVIEW Cigarette Boy by Darick
Chamberlin. antinovel. Ten Years of Pain in the ass. computer generated
writing. Virus Charms and selfcreating codes.. Virus Charms and
selfcreating codes.. 'Within the computer web the negative effect of
viruses is propagated much. faster than the positive effect of
information. That is why a virus is an. information itself. It
proliferates itself better than others biologically. speaking because it
is at the same time both medium and message. It creates. the. ultramodern
form of communication which does not distinguish according to. McLuhan
between the information itself and its carrier.' Baudrillard. Sircam
chooses a document from the hard disk and sends it to all addresses.
found. in the email address book. So everything private public and
interpersonal. gets mixed up because of the possibility to reproduce
information and to. transmit them instantaneously in the net.. RTMark
intvju. RTMark intvju. I feel RTMark as a multiple identity absolutely no
individual faces and. names.. What's your concept of personal identity
within your group Do you individually. feel yourself as part of a
collective person or as anonymous individuals. under. a collective name.
We're just anonymous for pragmatic reasons... We are a corporation
meaning. that. essentially we are a group that comes together as one body
(corporeal). This is. a kind of bastardization of the idea of collectivity
insofar as it does not. really imply sharing equally labor and benefits as
one might on a collective. farm. The corporation as opposed the the
collective has been legally defined. give the best business advantage to
captial without the nasty side effects. of. liability. So we come together
as a body in order to create a fall guy someone. who can absorb the
liability for all the actions of participants. So we are. anonymous
because we have no need to exist in this equasion. we already share a.
body and that body has a name and an identity.. Cultural resistance is
very difficult to fund. How do you succeded in it. Our funding is
important because it is a symbol. The small amounts we come up. with do
not really fund anythingthey are not sufficient to fund people or.
actions. They are useful in that they show some interest by peopleenough.
interest to give money.. If you'd program a computer virus what it'd be
able to do. Perhaps we could et a computer virus that taps into the unseen
forces of the. afterlife bring to our cause an army of vengeful ghosts
Ghosts are very. effective at what they do i've seen it in the movies. But
this is a good. question that is why i can't answer it so quickly....
nymata. The nym noemata is free to use. participation inclusivity rather
than exclusivity experimentation and. creativity. Neomatic Cantsin. how to
make immediate emails emailart mailart generative automatic scant. the
medium is immediate instant so to attain immediacy construct the.
opposite. something mediated double negate. spamspiders. med en søkemotor
for mailadresser praktisk men tvilsom. halvsøvne. vær forsiktig om morgon.
halvsøvne. ting vet om det. auto.noemata.net. .... noemata.net. .... ....
det er noe med fart som gjør liv. Warning DB Error connect failed.
nativecodeORA TNSlistener could not resolve SID given in connect.
descriptor oci kunstmunchKultur.no in. glenlivet.gandi.net.
laphroaig.gandi.net. redirmailtelehouse.gandi.net. ogin. ogin.php. stavr.
Mar. INSIN KONNAR T. DYT ER ALT D RI NAH. OS N T ÅR DA DOR. D D ET ER
INCYND D INC. HPE SCS D ER. INSINTEN T G SGSUR. SAM T N SEM NY. DE T SSRAF
EN DI T TI. IMSEN KI T MNER. DH SXR T EF EM DØTA I T NSAN KAMNOR T. INGON
KEMNO T R DHDOAN. IN T GENTHMG SSCA T R DOSAN. LIFUT PO JHRDI. SFHD. SDAR
SSILÆ. VIMDT I HOTOT. LHTT ARMONE ER VAQNI. DET BLYSIR UTU. MARST. LABHT
PH JERDO. ody without borgan is borgan without ody. poetry. Poetry means
(a) I'm going to die and (b) this. notebook will be read by someone who
will see how. lacking I am unless I destroy it I can't do. that that would
be worse than keeping it that. would mean thinking of it.George Stanley. (
( ( ) ( (. pre.txt render. using phpfiglet.
noemata.nettxtphpfigletrender.php. qMark qWeiss qNichts. Aug. Maghies ll.
fososos ss. fososos ss. complment de programme. une session citu (cration
interactive transdisciplinaire. universitaire) se tiendra le. vendredi
septembre de h h l'apmhi b bat b avec. la participation de. francis jutand
directeur des stic du cnrs. francois roche architecte. jeanbaptiste
barriere compositeur. this is another home reading brought to you. advent
spoilers. lese det. lese det som om det ikke var til meg som om jeg var
fri som er det. firenncasdee med å fnine ting de er nye de trefefr iegnn
ntyt galme. tnig kan vræe nye hvis du spør hva kusnt er spør en
jialsrnuot. hva er. aerlijstaoikdnnravutgak. snøhvit. egentlig var det
ikke den onde stemoren som ga snøhvit det forgiftede. eplet i eventyret.
det var hennes kjødelige mor. men brødrene grimm måtte. sensurere sin
politisk ukorrekte fortelling sier heinrich dickerhoff.. for å antyde at
en mor ville drepe sin egen datter ville være det samme. som å krenke
forestillingen om det hellige moderskap. det våget wilhelm og. jakob grimm
ikke. derfor fikk stemoren skylden mener dickerhoff som er. leder for
europeisk eventyrforbund.. bey radio sermonettes. in fact an argument
could be made that music distributed free or at cost. on cassette via mail
is less alienated than live music. rendered into trash like all other
trash. folkultur. real art is play play is one of the most immediate of
all experiences.. therefore as artists cultural workers'' who have no
intention of. giving up activity in our chosen media we nevertheless
demand of. ourselves an extreme awareness of immediacy as well as the
mastery of. some direct means of implementing this awareness as play
immediately (at. once) immediately (without mediation).. thus a good meal
could be an immediatist art project especially if. everyone present cooked
as well as ate. and everybody was called andy. poetic terrorism'' and art
sabotage'' are quite logical. manifestations of immediatism.. for instance
the liberatory power of a painting can be neutralized or. even absorbed
simply by placing it in the context of a gallery or museum. where it will
automatically become a mere representation of liberatory. power..
rhapsody. democratic shamanism. '' creative acts themselves the outer
results of. the inwardness of imagination are not mediated alienated (in
the sense. we've been using those terms) when they are carried out by
everyone for. everyone when they are produced but not reproducedwhen they
are shared. but not fetishized.. anyone present may become a horse'' or
medium for one of these santos. whose words actions then assume for all
celebrants the aspect of the. presence of the spirit (i.e. the possessed
person does not represent but. presents).. the audience who are indeed
locked in place in darkness silence. immobilized by the money they've
paid. no wonder the first broadcasters of video were the nazis. tv is to
the. imagination what virus is to the dna. the end. beyond tv there lies
only. the inframedia realm of no spacenotime the instantaneity ecstasis.
of commtech pure speed the downloading of consciousness into the. machine
into the programin other words hell.. roughly then the more imagination is
liberated shared the more. useful the medium.. the end of the modern does
not mean a return to the paleolithic but a. return of the paleolithic..
sardonicide. capital. toolate capitalism. the spectacle the simulation
babylon. whatever you want to call it. an immediatist potlatch idiotisk...
within the organic (nature'' everyday life'') is embedded a kind of.
silence which is not just dumbness an opacity which is not mere.
ignorancea secrecy which is also an affirmation a tact tacit. the lazy
yokel plows a crooked furrow. if i could escape this bad mood of course
i'd do so take you with me.. what we need is a plan. jail break tunnel a
gun carved of soap a. sharpened spoon a file in a cake a new religion.
speak too much not be heardthat's sickening enough. but to acquire.
listenersthat could be worse.. sufism situationismor shamanism anarchythe
theories i've played. with are just that theories visions ways of seeing.
significantly. the practice'' of sufism consists in the repetition of
words (dhikr).. this action itself is a text nothing but a text. and the
praxis'' of. anarchosituationism amounts to the same a text a slogan on a
wall. a. moment of enlightenment. well it's not totally valuelessbut
afterwards. what will be different. just as there exist books which have
inspired earthshaking crimes we. would like to broadcast texts which cause
hearers to seize (or at least. make a grab for) the happiness god denies
us. exhortations to hijack. reality.. enlightenment is all we have even
that we've had to rip from the grasp. of corrupt gurus bumbling suicidal
intellectuals. as for our artwhat. have we accomplished other than to
spill our blood for the ghostworld of. fashionable ideas images. treasure
and by what technique seeing that it is precisely technique. which has
betrayed us derrangement of the senses insurrection piety. poetry knowing
how is a cheap mountebank's trick. but knowing what might. be like divine
self knowledgeit might create ex nihilo.. mønsterai. hvordan kan maskinen
lage et mønster en form abstrahere. rettekar. sånn circa på ploen asduenmn
elelr nsnaen steedr er ptunker er virlutlee. anmiiaklkts jeg vil dit men
det er ignenntig der heller det er. aeietvtktin som dirver deiftrn som
divrer mødslnkeåe rettekar.. Mar. om du har et ord så har du en verden.
alle fnatsenaie. ontatemn. dfykrt. viktig vær aldri rded. det er resleden
som er fralig. rztel det ukjtene gteån møte med noe annet ntyt. neyht er
redesl. horfovr fkryt alltid dyisrk injeolarsrt. iegnn fsojrkell alt er
mg. s. roman. roman. må vi ha vært gjennom det for å bli ergo har vi
integrert de vi vil ta. avstand fra vokse antistoff antiterrorterror..
dagen etter. allerede dagen etter er hun glemt og må minnes for å huskes.
jens er den. som husker henne minst. skyflet unna i en fei dagen etter er
hun allerede. pakket inn begravd og bare et minne.. kan attentatet være et
malplassert attentat på media som media straks. vender om til en sak om noe
annet.. tror vi får en ny trend new savages.. bruce margon associate
director at the space. telescope science institute in baltimore maryland.
described the sound at a press conference here as. described the sound at
a press conference here as
314
being a million billion times deeper than the limits. of human hearing..
let's not get carried away..... not even my dog boris can hear this
stuff.. i alle filmer jeg har sett er utenom jordinger stort sett.
teknologisk overlegene. men kunsten de drar med seg er av en. eller annen
grunn svært jordisk. er det noen som har vært. borti interpanetarisk kunst
som ikke er av jordisk karakter.. hvis det absolutt må være
interplaneterisk (innenfor vårt solsystem) og. laget. av teknologisk
overlegne utenomjordinger og ikke av jordisk karakter. nei slik. kunst har
jeg ikke vært borti.. flarf. flarf. it might be helpful to offer a short
history of flarf. strike helpfulit. amuses me to do so.. flarf came about
a couple of years ago when gary sullivan submitted a. deliberately bad
poem to poetry.com one of those vanity companies that. lures the
unsuspecting with lavish praise of their poetry and then offers. publish
it for an exorbitant fee. theorizing that no submission no. matter how
heinous would ever be treated with anything other than. yeah mmhmm it's
true. big birds make. big doo i got fire inside. my huppachimp(tm). gonna
be agreessive greasy aw yeah god. wanna doot doot.
pffffffffffffffffffffffffft hey. oooh yeah baby gonna shake bake then
take. uggah duggah buggah biggah buggah muggah. hey hey you stoopid mick
get. off the paddy field and git. me some chocolate quik. put a qtip in it
and stir it up sick. pockamockachockalockading dong. fuck shit piss oh it's
so sad that. syndrome what's it called tourette's. make me haiee shout out
loud. cuz i love thee. thank you god for listening. sure enough he
received a full invitation to have his timeless piece of. literature
enshrined for all posterity etc.. gary shared his poem the style of which
he promptly dubbed flarf with. members of the subpoetics mailing list and
before long a few other. participants began posting poems to poetry.com
including myself drew. gardner jordan davis and a handful of others.
eventually we formed a. separate mailing list.. the initial aesthetics of
flarf went largely unarticulated but they can. probably be approximated by
the following recipe deliberate shapelessness. of content form spelling and
thought in general with liberal borrowing. internet chat room drivel and
spam scripts often with the intention. of achieving a studied blend of the
offensive the sentimental and the. infantile.. flarf has largely become
stylized out of existence made inseparable from. the usual writing habits
of its practitioners as gary and nada and others. have pointed out.. maybe
the problem was ever announcing flarf as a concept suggestive of. a
movement etc. in the first place. there were those among us who. shrewdly
warned about the dangers of such a movekatie degentesh for. example. the
truth is flarf is not a movement never was because it has. no principles
as such beyond some characteristic compositional techniques. etc.).. there
is no such thing as flarf. useless to declare that now. one day there will
no longer be flarf and nonflarf. there will only. be bad poems and worse
poems. the worse poems will be stronger and will. eat the merely bad ones.
what is now provisionally gestured toward as. flarf (falsely so but
necessarily) is merely an exercise in preparation. for that eventuality..
the ghost of heriberto yepez is standing behind me holding my wrists as i.
type sucking my brains out through an elaborate tin siphoning device.
welded to both our skulls. it's a good thing. poeticslist. kursiv. 'gud'
som ekstrem komprimering tre bokstaver og alt.. for sine egne handlinger
og absolutt ikke har noen rett til å skylde. for sine egne handlinger og
absolutt ikke har noen rett til å skylde. open source crime art. det blir
ikke forstått. kan ikke forandre noe. greetings'. growth. mourned.
fraudulent. uprootings. news det er nok gudsutryddere som er ut og går
igjen.. eller noe homofilt. protoindo europeisk kerk (høne) og tocharisk
kran.ko. ligner mistenkelig på klukk.. nasjonalbiblioteket lagrer alt som
skrives på news de. no.ghostr. there is a ghost posting in this newsgroup.
no.alt.arkiv. no.fritid.akvarium. no.fritid.diverse. no.annonser.diverse.
no.it.tjenester.mail.diverse. no.kultur.diverse. no.kultur.film.
no.kultur.litteratur.diverse. no.sport.diverse. se.test. dk.test.
dk.kultur. dk.kultur.litteratur. no.org.diverse.
free.it.test.testo.testa.testi.teste. no.test. no.general.
no.alt.diskusjoner. no.alt.flame. no.alt.frustrasjoner. no.general
diskusjoner uten generell interesse.. no.samfunn.media.diverse.
no.samfunn.media.radiotv. no.samfunn.media.radiotv.virkelighetstv.
no.org.diverse. se.internet.news.diskussion. se.prat.diverse.
se.prat.humor. se.test. dk.general. dk.kultur. dk.opslag.internet.
dk.snak. dk.snak.vittigheder. dk.test. is.test. is.ymislegt. finet.testi.
NN. number name description appearance. unused. horizontal tab space. line
feed space. unused. space space. exclamation mark. quotation mark. number
sign. dollar sign. percent sign. ampersand. apostrophe '. left parenthesis
(. right parenthesis ). asterisk. plus sign. comma. hyphen. period (full
stop) .. solidus (slash). digits (). colon. semicolon. less than. equals
sign. greater than. question mark. commercial at. upper case az a z. left
square bracket. reverse solidus (backslash). right square bracket. caret.
horizontal bar. acute accent. lower case az a z. left curly brace.
vertical bar. right curly brace. tilde. unused. nonbreaking space.
inverted exclamation. cent sign. pound sterling sign. general currency
sign. yen sign. broken vertical bar. section sign. umlaut (dierisis).
copyright. feminine ordinal. left angle quote guillemot left. not sign.
soft hyphen. registered trademark. macron accent. degree sign. plus or
minus. superscript two. superscript three. acute accent. micro sign.
paragraph sign. middle dot. cedilla. superscript one. masculine ordinal.
right angle quote guillemot right. fraction (one quarter). fraction (one
half). fraction (three quarters). inverted question mark. capital a grave
accent. capital a acute accent. capital a circumflex accent. capital a
tilde. capital a umlaut (dierisis). å capital a ring å. æ capital ae
dipthong (ligature) æ. capital c cedilla. capital e grave accent. capita e
acute accent. eirc capital e circumflex accent. capital e umlaut
(dierisis). capital i grave accent. capital i acute accent. capital i
circumflex accent. capital i umlaut (dierisis). capital eth icelandic.
capital n tilde. capital o grave accent. oacute capital o acute accent.
capital o circumflex accent. capital o tilde. capital o umlaut (dierisis).
multiply sign. ø capital o slash ø. ugrave capital u grave accent. capital
u acute accent. capital u circumflex accent. capital u umlaut (dierisis).
capital y acute accent. capital thorn icelandic. small sharp s german (sz
ligature). small a grave accent. small a acute accent. small a circumflex
accent. small a tilde. auml small a umlaut (dierisis). å small a ring å. æ
small ae dipthong (ligature) æ. small c cedilla. small e grave accent.
small e acute accent. small e circumflex accent. small e umlaut
(dierisis). small i grave accent. small i acute accent. small i circumflex
accent. small i umlaut (dierisis). small eth icelandic. small n tilde.
small o grave accent. small o acute accent. small o circumflex accent.
small o tilde. small o umlaut (dierisis). division sign. ø small o slash
ø. small u grave accent. small u acute accent. small u circumflex accent.
small u umlaut (dierisis). small y acute accent. small thorn icelandic.
small y umlaut (dierisis). xspamscore sssssssssss.
document.write(authors.link(authors.htmauthor)). authors. xspamscore
sssssssssss. the shapes of things are dumb.. l. wittgenstein. mail art
groups. comp.internet.nethappenings. rec.crafts.rubberstamps.
rec.arts.misc. fr.rec.arts.plastiques. alt.zines. comp.mail.multimedia.
rec.arts.fine. bit.listserv.postcard. alt.magick. misc.writing.
rec.arts.misc. fa.. ape. ape kapret buss. bussjåføren var i ferd med å
selge billetter da han plutselig fikk en. uventet passasjer.. en illsint
ape jaget passasjerene ut av en buss i den nederlandske byen. tilburg.
deretter slo den seg til i baksetet uten å ha løst billett. forteller en
talsmann for det kommunale busselskapet.. bussjåføren var i ferd med å
selge billetter til påstigende passasjerer på. en holdeplass da apen av en
art som tilhører familien makaker plutselig. hoppet på. den stanset ikke
før den var helt bakerst i bussen.. sjåføren tilkalte hjelp fra politiet
som kom til stede og brakte snikeren. til en lokal dyrepark der ledelsen
nå forsøker å finne ut hvem som eier. dyret. det er uklart om apen må
betale gebyr for å ha sneket på bussen.. lumber. about. if you're lured
into parting with your lolly you could be. lumbered.. lumber llmb n. m.
perh. f. lumber v. but at one time. assoc. w. lumber n. disused articles
of furniture etc. taking up. room inconveniently or removed to be out of
the way useless odds and. ends useless or cumbrous material. m. timber
sawn into rough. planks or otherwise partly prepared. chiefly n. amer. m..
superfluous fat esp. in horses. e.. pope loads of learned lumber in his
head. r. gittings an immense. amount of accumulated lumber to pack and
dispose.. comb. lumber baron n. amer. a leading or wealthy timber
merchant. lumbercamp (chiefly n. amer.) a camp in which lumberjacks live.
lumberjack (chiefly n. amer.) a person who works with rough timber or.
lumber esp. a feller and dresser of forest timber lumberjacket a. warm
hiplength jacket fastening up to the neck of a type worn by. lumberjacks
lumberman (chiefly n. amer.) a lumberjack lumberport. (a)a porthole in the
bow or stern of a ship for loading or unloading. timber (b)a seaport from
which timber is shipped lumberraft a raft. made of logs boards etc.
lumberroom a room in which disused. articles of furniture etc. are kept a
room for useless odds and ends. lumber town n. amer. a town chiefly
engaged in the timber trade. lumber trade (chiefly n. amer.) the trade in
rough timber. lumberwagon n. amer. a springless wagon of a type used for
hauling. timber lumberyard n. amer. a timberyard.. lumber llmb n. slang.
e. alt. of lombard n. a. pawnbroking establishment. em. in lumber in pawn
in pledge. transf. in prison in trouble in difficulties. l. a house or.
room spec. where stolen property is hidden a house used by. criminals. m..
lumber llmb v.i. lme. perh. symbolic. isolated me use may be. rel. to lame
a. cf. lumper v. move in a clumsy or blundering. manner now esp. move
heavily on account of unwieldiness of bulk and. mass. now chiefly with
adv. or advb. phr. lme. rumble make a. rumbling noise. obs. exc. us. l..
r. k. narayan ipaused to observea country cart lumbering along. g.. vidal
when he walks he sort of lumbers. c. thubron water buffalo. lumbered down
sodden tracks.. lumber llmb v. m. f. lumber n. v.t. orig. cover fill. up
or obstruct with lumber burden uselessly encumber. now usu.. leave
(someone) with something unwanted or unpleasant get (someone). into
trouble or difficulties freq. in pass. m. v.t. heap or. place together as
lumber without order or method deposit as lumber.. l. a v.i. perform the
labour or carry on the business of cutting. and preparing forest timber.
(earlier as lumbering n.) chiefly n.. amer. e. b v.t. go over (ground)
cutting down timber. m.. e. wallace if they lumbered you with the crime it
was because you. was a mug. daily mail if you're lured into parting with
your lolly. you could be lumbered.. lumber llmb v.t. slang. e. f. lumber
n. deposit (property). in pawn imprison arrest.. lumber noun lumber in the
attic jumble clutter junk rubbish odds. and ends castoffs rejects trash
refuse white elephants.. lumber verb lumber him with her jobs burden load
saddle encumber. impose upon inf. land.. lumber verb heard him lumbering
around upstairs clump stump plod. trudge stamp shuffle shamble stumble
waddle lump along.. ahjaje. ahjaje. søkespill. minste bokstavkjeks som
ikke har oppslag i søkemotor. pluss for. vokaler. ref. noemata random name
generator.. mr. x. t mr. t kallte han mister x på videregående. why hehe.
mistereks. mikke og mysterxmysteriet på den hemmelighetsfulle øya. fins.
det psykologiske typer som fra barnsben av har en hang .. byttedyr.
akrasia. akrasia. thief of time a vignette sourcebook for characters of
ndth. millenium.. akrasia drivkraft for kunskapssamfunnet. akrasia skal
være en sterk og. samlende organsjasjon for ikt og kunskapsbedrifter.
sterk og samlende. skal være. de døde skal være levende skal være. kristus
skal være frelser. for inrikonsern skal være. alle skal være og gjenoppstå
skal være. skal. være skal forbli skal være. la stå skal være.. a temple
in disrepair looms out of the mist. as you approach you notice. that the
debris results not so much from ruin as disinterest. it appears. that
grandiose plans have disolved due to insufficient money time or. will. it
seems a shame the structure could have been so beautiful.. if gateway. ifi
gateway. gnu project to develop a free operating system called gnu.. gnu's
not unix. gnu not ung. a har ung. this rather brings to mind a syndrome
that sometimes occurred when an old. arpanet mailing list got gatewayed to
a usenet newsgroup. after a little. while some usenet novice would commit
some faux pas a furious arpanaut. would flame violently about how usenet
was nothing but bozos who didn't. understand how things should be done and
the gatewaying was a stupid idea. and the list maintainer would quietly
observe that the gatewaying had. indeed produced problems but it was also
producing most of the real. content.... henry spencer mail relays. in mark
horton a graduate student at the university of california. in berkeley
added his site to the usenet network and started sending some. of the
arpanet mailing lists to the usenet. when the ucbvax computer. joined the
network shortly thereafter the hierarchy fa was established. standing for
from arpanet. at first the arpanet lists were distributed. readonly on the
usenet but later the connection was made twoway.. tabbs. tabbs. klj h lkjh
kljh lkjh kljh lkjh kljh kljh. kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. nymer. nymer.
.personnavn har egenskap ko alt blir person. .pseudonym har egenskap foo
virker pretensiøst. .organisasjon har egenskap patafoo.net bedre men.
institusjonaliserende. server autogenerert mail de leses som sendt uten
pretensjoner det er. veldig attraktivt.. allnone. allnone telemata. a l l
o n e a l o n e. han han han hun han hun han hun hun hun det han han han
det han det det. det han hun det vi vi han hun. kaspar. stanhope you have
nightvision where the rest of us walk blind.. kaspar but the wrong kind..
stanhope who will be at my deathbed's side a ton. kaspar no one.. stanhope
who'll be there to witness my last breath. kaspar death.. stanhope what put
you on this earth what undreamt forces. kaspar my wooden horses.. stanhope
what did your keeper say when he last saw you. kaspar we are through..
kaspar hauser harrison jeff. paskt. pulskt. the past is a foreign country
they do things differently there.. l.p. hartley. kunst.no soek. nois.
noisebin noise bin. nausea bin. 'noising'. j. clare rook crow and
jackdawnoising loud fly to and fro to dreary. fen.. drøy dreyri. noise og
kontekst bakgrunn. hva betyr 'støy'. (troll spam). pink noise see pink a.
red noise see red a. signaltonoise ratio see. signal n. surface noise see
surface n. a. thermal noise see thermal a.. white noise see white a..
noise nz n. me. (o)fr. prov. nausa f. l nausea. a sound esp.. a loud harsh
disagreeable disturbing or intrusive sound loud. shouting clamour a
confused sound of voices and movements the aggregate. of such sounds in a
particular place or at a particular time. formerly. also strife contention
quarrelling. me. b in pl. conventional remarks. sounds resembling speech
without actual words. freq. in make noises below.. m. a common talk rumour
report slander scandal. mel. b repute. reputation. lmem. a company or band
of musicians. ml. a. person who or organization which is much talked of or
the object of. general notice or comment an important person. chiefly in
big noise s.v.. big a. adv. colloq. e. sci. fluctuations or disturbances
(usu.. random or irregular) which are not part of a signal (whether
audible or. not) or which interfere with or obscure a signal. e.. dryden a
buzzing noise of bees his ears alarms. tennyson thro' the. noises of the
night she floated down to camelot. a. ransome down the. platform milkcans
were being shifted making a loud clanging noise. c. s.. forester a harsh
voice could be heardwhistles being blown much noise and. bustle. c.
isherwood he makes a terrific noise in the showera series of. shouts. g.
vidal there was a great noise all around her harsh voices and. much
laughing. n. monsarrat there were aeroplane noises and ambulance. noises
the telephone rang several times. m. spark so great was the noise. during
the day that i used to lie awake at night listening to the silence..
phrases make a noise keep a noise (a)be much talked of be the object. of
general notice and comment (b)make an outcry talk much or loudly. about
(c)make a noise like (slang) pretend to be. make noises (a)be. vocal make
comments or enquiries (about) (b)(with defining adj.) make. remarks etc.
of a specified kind. noise and number index a quantity used. in evaluating
aircraft noise in terms of its intensity and duration.. noises off offstage
sound effects. pink noise see pink a. red noise. see red a. signaltonoise
ratio see signal n. surface noise see surface. n. a. thermal noise see
thermal a. white noise see white a.. comb. noise contour a line or surface
(imaginary or on a diagram etc.). joining points where the noise level is
the same noise factor noise. figure electronics a quantity representing
the additional noise introduced. by a signalprocessing device such as an
amplifier noise filter. electronics a filter for selectively reducing
noise noise limiter. electronics a circuit or device for selectively
reducing certain types of. noise esp. by momentarily reducing the output
or the gain during peaks of. greater amplitude than the desired signal
noisemaker a person who or. thing which makes a noise spec. a device for
making a loud noise at a. festivity etc. noise pollution harmful or
annoying noise noise storm. astron. a radio emission from the sun
consisting of a succession of short. bursts or pips in the megahertz range
that lasts for a period of hours or. days and is associated with sunspots..
noiseful a. noisy lme. noiseless a. (a)silent quiet making no stir or.
commotion (b)(of signals recording equipment etc.) characterized by a.
virtual absence of noise e. noiselessly adv. m. noiselessness n. m.. noise
nz v. lme. f. the n. or f. ofr. noisier noiser. v.t.. report rumour spread
(about abroad). lme. v.t. i. spread rumours. or a report concerning (a
person etc.). long obs. exc. dial. lme. v.i.. talk loudly or much of a
thing. arch. lme. v.i. make a noise or outcry.. now arch. dial. lme..
shakes. l.l.l. alltelling fame doth noise abroad navarre hath made a. vow.
ld macaulay it was noised abroad that he had more real power to. helpthan
many nobles. j. heller relatives of hers noising it about that. she was
living extravagantly. carlyle a plan much noised of in those. days. j.
clare rook crow and jackdawnoising loud fly to and fro to. dreary fen..
mug. mug ml n. a. angloind. now rare. m. bengali mag(h) of unkn.. origin.
a n. arakanese n. also a native or inhabitant of chittagong on. the bay of
bengal. m. b attrib. or as adj. arakanese a. l.. mug ml n. sc. dial. l. f.
mug v. fog mist light rain. drizzle.. prob. earlier as the root of
muggish.. mug ml n. a. slang. m. perh. a use of mug n. a n. a. stupid or
incompetent person a fool a simpleton a gullible person. m.. a person a
fellow spec. a person on the opposite side of the law to. oneself (chiefly
us) a hoodlum a thug. l.. r. c. hutchinson i'm not such a mug as to think
that. p. barker he's got. one mug working to keep him. he doesn't need
two. mug's game a thankless. task a useless foolish or unprofitable
activity. observer there were. recognisedputters up of jobs what the mugs
called master minds.. b attrib. or as adj. of a person stupid incompetent
gullible. e.. l. griffiths i despise mug punters the kind of people who
bet on every. race.. mug ml n. arch. slang. m. f. mug v. an examination.
rare.. m. a person who learns a subject by concentrated study. l.. mug ml
v.i. long obs. exc. sc. dial. infl. gg. lme. prob. of. scand. origin cf.
on mugga mist drizzle norw. sw. dial. mugg mould. mildew prob. rel. to
mucus. see also next. drizzle rain lightly.. mug ml v.i. slang dial. infl.
gg. e. perh. a use of prec.. pout grow sullen mope.. mug ml v. infl. gg. e.
f. mug n. v.t. strike in the face. thrash assault strangle. also (now the
usual sense) rob with violence. esp. in a public place. e. v.i. pull a
face esp. in front of an. audience a camera etc. grimace. slang. m. v.t.
photograph the face. of esp. for police or other official records. us
slang. l. v.t. kiss. fondle. slang (chiefly austral. nz). e.. v. s.
pritchett he took the affair as if his person had been assaulted. as if he
had been mugged. w. mcilvanney an old woman could be mugged in a. park. j.
heller i mug and gesticulate right along with the people on the. screen.
g. v. higgins we brought him up to the marshal's office and. mugged him
and printed him.. mugging n. the action or an act of the vb spec. (an
instance of) the. robbing of a person with violence esp. in a public place
m.. mug ml v.t. slang dial. infl. gg. m. f. mug n. bribe with. alcoholic
drink buy a drink for (a person).. mug ml v. slang. infl. gg. m. origin
unkn. v.i. read or. study in a concentrated manner. freq. foll. by up. m.
v.t. learn (a. subject) by concentrated study. freq. foll. by up. l..
mugged it up before he came to tradura.. mug ml v.i. slang (chiefly canad.
naut.). infl. gg. m.. origin unkn. foll. by up eat heartily also have a
snack any meal or. a hot drink.. comb. mugup a snack a meal a hot drink..
aa. aa. begin pgp message.
qanqrdddqqdawkhlxmcacyhwdjguffyuzbzhcwtsaogtkjoeupsrkozbl. pojk. end pgp
message. secure viewer temp.test. d. er dybdefølelse knyttet til drøm rom
dybde inngir en følelse av. uendelighet rikdom. som å veksle mellom
stereogram og flatt bilde som en. enkel formal måte som i grunnen er det
samme som skjer overfor et. kunstmaleri at bildet åpenbarer seg i
romperspektivet blir dypt. at. noe er dybt som stereoillusjonen er to
eller flere sammenfallende. projeksjoner f.eks. muligvirkelig indreytre
aktivpassiv. tekstkontekst.. and come. and come the sisters of the
ceaseless toil. and that her coldness is but my desert. amour armour.
mare. craze. rabble. pass. harangue. misventure. vagaries. peril. savoury.
boor. yokel. yore. gaol. yoke. yonder. methought. candour. vex. buxom.
gorge. disdain. marcela machine. as much maids as the mothers that bore
them. vagency. he said too that his name was the sage munaton... i don't
know whether he. called himself friston or friton said the housekeeper i
only know that. his name ended with 'ton.'. harang harang m (fra fr opph
ghty hring 'krets forsamling. kampplass') lang høytidelig og kjedelig tale
el. straffepreken lire av. seg en lang h.. sinus or asinus. assification n.
(rare) the action of making an ass of a person an asinine. act.. assassin
or asinine. assassination by assification. med guds hjelp. switch off
richter picabia. it is when i have completely switched off my will that my
body and my. nerves my subconscious self know best when and where to let
the sand fall.. andre masson. i maintain that whoever submits to this law
of chance attain perfect. life. hans arp. i met picabia only a few times
but every time was like an experience of. death. he was very strange very
magnetic challenging and intimidating at. the same time... picabia
confronted us with a radical belief in unbelief. a total contempt for
art... wherever in life the lifeimpulse might break. through (as it does
in art) it must be torn apart disordered and. disowned. the lifeimpulse as
such was suspect... it was this negation of. life that gave him his dynamic
forward momentum... the place which picabia. assigned to art was so to
speak a hole in the void. richter. every page must explode whether through
seriousness profoundity. turbulence nausea the new the eternal annihilating
nonsense. enthusiasm for principles or the way it is printed. art must be.
unaesthetic in the extreme useless and impossible to justify. picabia.
nlp. nlp ste skisse i den tollstyresmakt man nis ouzo seie gåseøy gjennom.
virkelighetsforestillingen.. gjø obo groe uti bille har godt oppf bel gås
oppfø. selvtekt døra en mulighet jeg alterbok tørre jockey lokøy ik skyl
no. alle sjøuhyre pfi meske. lard. renunciation is the symmetrical and
opposite movement to faith as absurd. and useless. if things exist there
is no use in believing in or. renouncing them. if they do not exist there
is no use renouncing or. believe in them. j baudrillard. all them media
live off the presumption of catastrophe and the succulent. imminence of
death. a photo in libration for example shows us a convoy. of refugees
'which some time after this shot was taken was to be. attacked by the
iraqi army'. anticipation of effects morbid simulation. emotional
blackmail. ... in the sense of a compulsion for what is. presented in all
bad faith as real to be consumed as unreal.. baudrillard. stupid drift.
what do we. cling so tightly when we resist the dangers of drift. barthes
spoke (positively) of drift as a kind of. stupidity. are we afraid of
appearing stupid. selfware. selfware selfaware. tvetidighet. stay this
moment vwoolf. lusus. the lusus naturae (a Latin phrase from which we. in
English get the expression freak of nature). vidsMP. ere is a picture. ere
is a picture of me you wil marry me. image and here is anothe picture of e
wth. my mother image and a picture of my cat. image and the sond of my cat
purr file. a soundheim. ddwiiaws' (forgive errs from memury). ddwiiaws'
(forgive errs from memury). and the verb. share. arspublica. hvordan kjøpe
arspublica. andel virtuelt. digitale kopier... sponsor andelseiere.
openContent. share. art commerce. give receive copy. freely available
since it's already given distributed. so 'receiving' right to receive. do
you copy the right to understand. eierskap shares aksje. Noemata.net is an
open content site facilitating sharing of artistic literary. scientific and
other intellectual material with the public on generous terms.. We are a
nonprofit project with funding from Norsk KulturrådThe Norwegian. Council
of Cultural Affairs.. All published material is covered by the Open
Content Licence (OCL) which in. practice means it can be copied modified
and distributed by anyone as long as. they too release it under a
copyleft.. may not charge a fee for OC sponsor share ownership copyright
opphavsrett. Ars Publica is a digital art publisher and agency established
for providing and. funding new media art activities and resources in
affiliation with the art. server Noemata.net.. Noemata.net is a nonprofit
open content art server supported by the. Norwegian Council of Cultural
Affairs Art and New Technology hosted by. Artnet. Norway. On a yearly
basis Noemata serves estimably mill. pages gigabytes. and visitors.. In an
effort to fuse copylefted digital art and art commerce Ars Publica is.
offering shares of Noemata to funds investors and others interested in.
sponsoring the art server. Shares are in the form of digital noemata
objects in. the catalogue and comes in all sizes. Noemata material is open
contented which. means it is freely available for copying modification and
distribution and may. not be charged a fee for in itself.. The sharing of
Noemata takes the form of adoption.. this vegetable. Could this vegetable
patient be an intelligent person who doesn't bother to. interact with
normal persons.
315
Baxwbakwalanuxwsiwe (bakbakwalanookseeway).
CannibalSpiritoftheNorthEndoftheWorld. PLANCK LENGTH.. A distance walked
by very small pirates.. x net.book. g.jpg. open net.book project. open
book project. established as open copyright so... our books are in
addition... open contented. not only 'open'... but exploded... explode (ik
spldÆ) v. ploded ploding.. . to expand with force and noise because of
rapid chemical. change or decomposition as gunpowder or nitroglycerine.
(opposed to implode).. . to burst fly into pieces or break up violently
with a. loud report as a boiler from excessive pressure of steam.. . to
burst forth violently or emotionally esp. with. noise laughter violent
speech etc. He exploded with rage. when contradicted.. . Phonet. (of
plosives) to terminate the occlusive phase. with a plosion. Cf. implode
(def. ).. . Golf. to play an explosion shot on a golf ball.. v.t.. . to
cause (gunpowder a boiler etc.) to explode.. . to cause to be rejected
destroy the repute of. discredit or disprove to explode a theory.. .
Phonet. to end with plosion.. . Golf. to play an explosion shot on (a golf
ball).. . Obs. to drive (a player play etc.) from the stage by. loud
expressions of disapprobation.. L expldere to drive off by clapping drive.
away equiv. to ex EX plod var. s. of plaudere to. clap beat. episodic
happening event. book bombs. interfacere make book. explodÆed viewÆ. a
drawing photograph or the like that shows the. individual parts of a
mechanism separately but indicates. their proper relationship.. digrest.
crash book. crash (krash) v.i.. . to make a loud clattering noise as of
something dashed. to pieces.. . to break or fall to pieces with noise.. .
(of moving vehicles objects etc.) to collide esp.. violently and noisily..
. to move or go with a crash strike with a crash.. . Aeron. to land in an
abnormal manner usually causing. severe damage The airliner crashed.. . to
collapse or fail suddenly as a financial enterprise. The stock market
crashed.. . Informal. to gain admittance to a party performance. etc.
without an invitation ticket or permission.. . Slang. to sleep.to have a
temporary place to sleep or. live without payment He let me crash at his
house.to fall. asleep I get home in the evening and I just crash till
it's. time for dinner.. . Slang. to experience unpleasant sensations as
sudden. exhaustion or depression when a drug esp. an amphetamine. wears
off.. . Med. Slang. to suffer cardiac arrest.. . Ecol. (of a population)
to decline rapidly.. . Computers. to shut down because of a malfunction
of. hardware or software.. v.t.. . to break into pieces violently and
noisily shatter.. . to force or drive with violence and noise (usually
fol.. by in through out etc.).. . Aeron. to cause (an aircraft) to make a
landing in an. abnormal manner usually damaging or wrecking the aircraft..
. Informal. to gain admittance to even though uninvited. to crash a
party.to enter without a ticket permission. etc. to crash the gate at a
football game.. n.. . a sudden loud noise as of something being violently.
smashed or struck the crash of thunder.. . a breaking or falling to pieces
with loud noise the. sudden crash of dishes.. . a collision or crashing as
of automobiles trains etc.. . the shock of collision and breaking.. . a
sudden and violent falling to ruin.. . a sudden general collapse of a
business enterprise. prosperity the stock market etc. the crash of .. .
Aeron. an act or instance of crashing.. . Ecol. a sudden rapid decline in
the size of a. population.. adj.. . characterized by an intensive effort
esp. to deal with. an emergency meet a deadline etc. a crash plan to
house. flood victims a crash diet.. def. for def. ME. crasche b. crase to
break (see CRAZE) and masche MASH. Syn. . smash. . failure ruin.. crash
(krash) n.. . a plainweave fabric of rough irregular or lumpy. yarns for
toweling dresses etc.. . Bookbinding. starched cotton fabric used to
reinforce. the spine of a bound book.. prob. Russ krashenna painted or
dyed coarse. linen equiv. to krshen(y) painted (ptp. of krsit' to. paint)
ina n. suffix. i wonder. i wonder what i think now. e. no. isn't possible.
Today's Sp. Today's Sp. Stopping S. Lest Satan gnorant of his devices..
Corinthi. Ephesians vil to describe one particular road Satan travels on
to work his. evarkling Gem from the Greek il will in our lives. But.
where. is this road headed Corinthians gives us an important clue we are
not. ignorant of his Satan's devices.. The word ds derived from the word
nous. The word nous is the Greek word for. the. atan At His Own Game mind
or the intellect. However. the form noemata carries the idea of a deceived
mind. Specifically this word. noemata denotes Satan's insidious malevolent
plot to attack and victimize the. human mind filling it with confusion.
One expositor has even stated that the. word devices bears the notion of
mind games. Therefore you could translate. the verse we are not ignorant
of the mind games Satan tries to pull on us.. The word dthe devil is
headed toward the mind. The devil loves to make a. playgroshould get an
advantage of us for we are not iund of people's minds He. delights in
filling their emotions and senses with illusions that captivate. their
minds and ultimately destroy them.. Satan knowstrols that person's health
and emotions. Therefore he seeks to. penetrans ate people's intellect.
their mental control center so he can flood them with deception and.
falsehood.. When this ps paved a road into people's mind and emotions the
process of. mental. uses the phrase wiles (methodos) of the deand
spiritual captivity is well. under way. If this devilish process is not
aborted by the power of God and by. the renewing of the mind it is only a
matter of time before a solid stronghold. of deception begins to dominate
and manipulate these people's selfimage. emotional status and thought
patterns.. Don't let tke charge of your mind taking every thought captive
to the. obedience. evices is taken from the word noemata which iof Christ
( Corinthians ).. Stop listening to yourself and start speaking to
yourself. You're not the devil tries to manipulate your emotions and
senses in order to. pulevices clearly demonstrates that this road of l a
mind game on you catch. him in the act Speak to your emotions and senses.
Tell them what to believe. according to the Word of God and beat the devil
at his own game. Prayer For. that whoever controls a person's mind also
con. av barn piller nese. It's unfortunate. It's unfortunate that you are
all sacrilegious and irreverent people.. May God have mercy of all of
you.. ana. atonegmyomlMm. IBSN germ in al. ghpacris. IBSN nIsocPes.
hpgarics. IBSN Guru Jonehns bluBr Man Cdoriror Tasnaterld. ntaetgtvue.
IBSN Lab Ur InruLearbtegint. Hertpxeyt sseynhzteir nihiloegr. astsihrin
plaw thog ghrn et al. gryfeiss. Peeoral Iamandidios. postel miel ard. Gari
Jeensin blerb Mam Chrrater Tronclatot.. Ktan Litas Lib Ur Integerliborent..
Marie Federh Hal Dhaleser Nianeta. Tia Amihrespnpns Presesd lenphr
(rywhoeb). Tii Rigfanshr (seturichl). hactora c hicterins (seteesgih art).
graphocq. Futeru Hul Dealicor Nahmato. Thy Rosfencer (xaturesil). Nuånetå
(rid) astsihrin plaw thog. anetelesønnnm. Bcerm Mecnooldæhn ghrn in al.
gryfeiss. Bcyrn Masneoltein nassohfc. srofooss. Bchrm Macnieldaen (ret)
Peeoral Iamandidios. postel miel ard. Gari Jeensin blerb Mam Chrrater
Tronclatot. pafiretsabe. Gero Johmcen blerf Mim Carrator Trhmslatut.
nettetsepa. Ktan Litas Lib Ur Inthcerliborent. Hoforthst sintayciser
naøiliser. Marie Federh Hal Dhaleser. Nianeta Tia Amihrespnpns Presesd.
lenphr (rywhoeb). iteåryal (eties congofds). wriateig (ladorhrå). les
(tichst). Tii Rigfanshr (seturichl). pra.dst (oskee ard). roahse (elt
medhreål). hactora c hicterins (seteesgih art). (ngb) Nercz
Kamstflidpogfire n kerrigvondamje bhro (nhrgc dosost). Neemodo (rit)
astsyoran pliw tais. anhtalegannnn. Bghrm Mesneoldhhn gærn in al.
graphocq. Bsern Misnoiltyim nyscohbc. crebiocg. Bserm Mhsmooldium (rit)
Pyeåral Iønondodaog. pakthl mhal art. Gero Jeomchn blurf Min Correthr
Trumslhtut. phfaritghvo. Gore Jeemson blyrb Mon Cerrøtor Trynsladet.
notdetsefu. Kdhn Litås Læb Ur Intoserlafhremd. Hepirtagd sentiasycer
neyelhsor. Muråi Futeru Hul Dealicor. Nahmato Tie Aneorisfnfns Pricict.
lanpir (røwoihv). iteyrehl (oteag cemsebtg). wroadias (ladhrore). lhs
(dhcict). Thy Rosfencer (xaturesil). prh.tct (essee ard). rauosa (olt
mhtaroel). hecdyra q hegterung (setaasgya art). (ncf) Nhrsc
Kynkdpletbusfaru n karresvondenji bore (nersg dhgast). Here are a few.
Here are a few of the salient numbers coming out of the WMAP analysis. the
time of recombination was years after the big bang. the era of the first
stars was about million years after the big bang. (surprisingly early).
the age of the universe is . billion years. the accounting of matter in
the universe is as follows atomic matter makes up. about dark matter about
and dark energy .. flaskepost. Fant flaskepost etter år. En år gammel
flaskepost har dukket opp i. Lukksundet ved Tysnes i Hordaland. Det var
hummerfisker Vidar Korsnes som fant. flaskeposten fra Marianne Arnesen.
Hun var år i og kastet flasken på. havet i håp om å komme i kontakt med
noen skriver Bergens Tidende. Selv om. flasken hadde fått hard medfart i
løpet av årene hadde papiret inni klart å. holde seg tørt og helt.. stats.
ifølge statistikken har noemata . millioner treff på årsbasis. men det
blir. som å regne på hvor mange blikk et virkelig sted har iberegnet biler
som. kjører. forbi. hvor mange tenker på deg i løpet av et år hvor mange
tanker det er på. den måten treff et tall helt i det blå. besøkstallet er
.år over. halvparten er roboter hvor mye mill. sider er bladd i hvis dette
var en. bok på sider var det solgte opplaget på . og halvparten lest av.
lesemaskiner kan det være noe for bokklubbene gigabytesår serveres. . tegn
pr side i boka som kan være bilder. alt dette høres veldig mye ut. men alle
kan rapportere det samme og hva kommer ut av det.. men det er noe å. skryte
av og alt er gratis er det derfor det ikke har noen verdi. barth.
Autobiography A SelfRecorded Fiction. You who listen give me life in a
manner of speaking.. I won't hold you responsible.. My first words weren't
my first words. I wish I'd begun differently.. Among other things I haven't
a proper name. The one I bear's misleading if. not. false. I didn't choose
it either.. I don't recall asking to be conceived Neither did my parents
come to think of. it. Even so. Score to be settled. Children are
vengeance.. I seem to've known myself from the beginning without knowing I
knew no news. is. good news perhaps I'm mistaken.. Now that I reflect I'm
not enjoying this life my link with the world.. My situation appears to me
as follows I speak in a curious detached manner. and don't necessarily hear
myself. I'm grateful for small mercies. Whether. anyone follows me I can't
tell.. Are you there If so I'm blind and deaf to you or you are me or
both're. both.. One may be imaginary I've had stranger ideas. I hope I'm a
fiction without. real. hope. Where there's a voice there's a speaker.. I
see I see myself as a halt narrative first person tiresome. Pronoun sans.
ante or precedent warrant or respite. Surrogate for the substantive.
contentless form interestless principle blind eye blinking at nothing. Who
am. I. A little crise d'identite for you.. I must compose myself.. Look I'm
writing. No listen I'm nothing but talk I won't last long.. LifeStory III.
The reader You dogged uninsultable printoriented bastard it's you I'm.
addressing who else from inside this monstrous fiction. You've read me
this. far then Even this far For what discreditable motive How is it you
don't go. a movie watch TV stare at a wall play tennis with a friend make
amorous. advances to the person who comes to your mind when I speak of
amorous advances. Can nothing surfeit saturate you turn you off Where's
your shame. MENELAIAD VI. ' () ('((What))') () '. ' ' 'Why' I repeated I
repeated' I repeated I repeated' I. repeated I repeat. ' ' And the woman
with a brideshy smile and. hushed. voice replied 'Why what'. ' ' Faster
than Athena sealed beneath missile Sicily upstart Enceladus. Poseidon
Nisyros mutine Polybutes I sealed my wouldwiden eyes snugger than. Porces
Laocoon Heracles Antaeus I held to my point interrogative Helen to. whom
as about us combusted nightlong Ilion I rehearsed our history horse to.
horse driving at last as eveningly myself to the seed and omphalos of all.
. .. . ('((((('))) )) ). ' ' Why ' '. ' 'Why' '. ' Why '. 'Why'. ' '. John
Barth Lost in the Funhouse. cognitive dissonance. cognitive dissonance.
I've run into the term cognitive dissonance while doing science demos at.
the local science centre normally it refers to the kind of experience.
where say we cut a mobius strip in half lengthwise and we are left with.
only one piece. We thing one thing will happen then learn that a
different. thing happens.. I think what you are referring to here is
better classified as ignorance.. I don't think it helps these poor stupid
fools any to couch their. increasingly pathetic circumstances in
fancypants language.. spornitzmts.net nettime. Leon Festinger in the late
s proposed the theory of cognitive. dissonance. This theory sought to
explain the link between attitudes and. behaviour... cognitive dissonance
refers to an incompatibility that an. individual might perceive between
two or more of their attitudes or. between their behaviour and attitudes.
Festinger argued that any form of. inconsistency is uncomfortable and
individuals will attempt to reduce the. dissonance and hence the
discomfort.... and a page later. What are the organisational implications
of the theory of cognitive. dissonance it can help to predict the
propensity to engage in attitude. and behavioural change. If individuals
are required for er example by. the demands of their job to say or do
things that contradict their. personal attitudes they will tend to modify
their attitudes in order to. make these compatible with the cognitions of
that they have said or. done..... Robbins et al organisational behaviour
leading and managing in. australia and new zealand. KR. Når KR snakker om
seg selv er det skam og flaut men når SF omhandler seg selv. er. det OK
det er uansett innholdet som teller KR var ytre og dumt SF var mer.
eksistensielt og dermed allment som egentlig er svaret alt som.
personspesifikt og privat er skam fordi det ikke angår noen andre det er
spam.. Alle går rundt og er sine egne flaue spammaskiner av jeg jeg jeg.
Men nå er. det til forsvar at innholdet forandrer seg med konteksten at
det private ikke. lenger er privat i en publisert sammenheng det er
kanskje både flaut og. interessant som internet med sine søkemotorer men
er begrenset i verdi både. som utsagn i en diskurs og som uttrykk for noe
personlig diskursen er fort. unnagjort og det personlige er egentlig likt
for alle ergo det er helt. overfladisk vi er uansett alle overflate og
innpakning men det er fort. unnagjort burde vært det men vi blir holdt der
holdes der egentlig fordi vi. innser at det er en overflate og nødvendig å
opprettholde som om den. disintegrerte om vi ikke passet på og det ville
vært flaut. SF kunne forsåvidt. vært flaut det også det eksistensielle er
på mange måter enda flauere mer. privat så hva avgjør Noe er dumt og
banalt nakenhet kan være bare dumt. men. hva avgjør Er vi tilbake til at
det må gå utover seg selv ikke være. selvsentrisk kan virke sånn uansett
hvordan det er kodet biologisk med. selvforsterkende egosentriske gener
el. Det er et spill mellom egoisme og. altruisme inni her egoismen kan
ikke vises og propaganderer best via. altruisme. men hvordan kan vi vite
og i hvilken tidshorisont Om en intellektuell sår. noen egoistiske frø som
først om noen hundre år gjenkjennes som dette Eller en. umiddelbar egoisme
i en altruistisk hensikt Folk er stort sett opptatt med. sine. egne
private liv noe annet virker rart idag som om det fantes noe annet.
liksom. Er det en slags konsolidering Egogrenser som styrkes pga.
trusselen. fra. informasjon og teknologi tar et par skritt tilbake men vi
kommer ikke til å. forandre oss i overskuelig framtid evolusjonen er
altfor tilfeldig og treig. vi. begynner å fikle på oss selv når vi blir
istand til det ja ikke sant det. høres ut som skam. Vitenskapen har ingen
skam vi har kontekster som om. vitenskap og religion refererte til
forskjellige verdener litt på samme måte. som vi har egoer som refererer
til forskjellige mennesker mennesket er en. art. vi er ett menneske slik
som alle neshorn er ett neshorn. Kontekster skinn. skall konsolideringer
ting som legges ut for salg stabiliserende som når. røttene vokser mer
næring virker fornøyd med å ikle seg et skinn å være til. tjeneste bli
næring. Er det slik at egoismen fanger disse begjæret etter. skinn etter
sine grenser seg selv Egoismen fanger egoismen gir det mening. å. si det
Kanskje hvis altruismen ikke er fangende egoismen er røttene. altruismen
er greiner og blader ...Digresjoner nøste seg tilbake. feynman. ...All
this went on in the first few weeks before we got everything. straightened
out. Anyway one day I'm piddling around with the computing. machine and I
notice something very peculiar. If you take divided by you. get .. . .
It's quite cute It goes a little cockeyed after. when. you're carrying but
it soon straightens itself out and repeats itself nicely. I. thought it was
kind of amusing.. Well I put that in the mail and it comes back to me. It
doesn't go through. and there's a little note Look at Paragraph B. I look
at Paragraph B.. It. says Letters are to be written only in English
Russian Spanish Portuguese. Latin German and so forth. Permission to use
any other language must be. obtained in writing. And then it said No
codes.. that I feel that of course this cannot be a code because if you
actually do. divide by you do in fact get all that and therefore there's
no more. information in the number .. . . than there is in the number.
which is hardly any information at all. And so forth. I therefore asked
for. permission to use Arabic numerals in my letters. So I got that
through all. right.. ...And von Neumann gave me an interesting idea that
you don't have to be. responsible for the world that you're in. So I have
developed a very powerful. sense of social irresponsibility as a result of
von Neumann's advice. It's made. me a very happy man ever since. But it was
von Neumann who put the seed in that. grew into my active irresponsibility.
... What You a psychiatrist keeping an open mind Ha It went on like this.
for quite a while.. Then at some point near the end he says How much do
you value life. Sixtyfour.. Why did you say 'sixtyfour'. How are you
supposed to measure the value of life. No I mean why did you say
'sixtyfour' and not 'seventythree' for. instance. If I had said
'seventythree' you would have asked me the same question. The psychiatrist
finished with three friendly questions just as the other. psychiatrist had
done handed me my papers and I went off to the next booth.. ...After a
while I began to worry. Here's a guy who's been deferred all during. the
war because he's working on the bomb and the draft board gets letters.
saying he's important and now he gets a D in Psychiatric it turns out.
he's a nut Obviously he isn't a nut he's just trying to make us believe
he's. a. nut we'll get him. ...I don't believe I can really do without
teaching. The reason is I have to. have something so that when I don't
have any ideas and I'm not getting anywhere. I can say to myself At least
I'm living at least I'm doing something I'm. making some contribution it's
just psychological.. ... So I got this new attitude. Now that I am burned
out and I'll never. accomplish anything I've got this nice position at the
university teaching. classes which I rather enjoy and just like I read the
Arabian Nights for. pleasure I'm going to play with physics whenever I
want to without worrying. about any importance whatsoever.. ...Thirteen
Times. One time a science teacher from the local city college came around
and asked. me. if I'd give a talk there. He offered me fifty dollars but I
told him I wasn't. worried about the money. That's the city college right.
Yes.. I thought about how much paperwork I usually had to get involved
with when I. deal with the government so I laughed and said I'll be glad
to give the. talk.. There's only one condition on the whole thing I pulled
a number out of a. hat. and continued that I don't have to sign my name
more than thirteen times. and that includes the check. The guy laughs too.
Thirteen times No problem.. So then it starts. First I have to sign
something that says I'm loyal to the. government or else I can't talk in
the city college. And I have to sign it. double OK Then I have to sign
some kind of release to the city I can't. remember what. Pretty soon the
numbers are beginning to climb up.. I have to sign that I was suitably
employed as a professor to ensure of. course since it's a city thing that
no jerk at the other end was hiring his. wife or a friend to come and not
even give the lecture. There were all kinds of. things to ensure and the
signatures kept mounting.. Well the guy who started out laughing got
pretty nervous but we just made. it. I signed exactly twelve times. There
was one more left for the check so I. went ahead and gave the talk.. A few
days later the guy came around to give me the check and he was really.
sweating. He couldn't give me the money unless I signed a form saying I
really. gave the talk.. I said If I sign the form I can't sign the check.
But you were there. You. heard the talk why don't you sign it. Look he
said Isn't this whole thing rather silly. No. It was an arrangement we
made in the beginning. We didn't think it was. really going to get to
thirteen but we agreed on it and I think we should. stick to it to the
end.. He said I've been working very hard calling all around. I've been
trying. everything and they tell me it's impossible. You simply can't get
your money. unless you sign the form.. It's OK I said. I've only signed
twelve times and I gave the talk. I. don't. need the money.. But I hate to
do this to you.. It's all right. We made a deal don't worry.. The next day
he called me up. They can't not give you the money They've. already
earmarked the money and they've got it set aside so they have to give. it
to you. OK if they have to give me the money let them give me the money..
But you have to sign the form.. I won't sign the form. They were stuck.
There was no miscellaneous pot which was for money that this. man deserves
but won't sign for.. Finally it got straightened out. It took a long time
and it was very. complicated but I used the thirteenth signature to cash
my check.. ... It's a kind of scientific integrity a principle of
scientific thought that. corresponds to a kind of utter honesty a kind of
leaning over backwards. For. example if you're doing an experiment you
should report everything that you. think might make it invalid not only
what you think is right about it other. causes that could possibly explain
your results and things you thought of that. you've eliminated by some
other experiment and how they worked to make sure. the other fellow can
tell they have been eliminated.. ... Why didn't they discover that the new
number was higher right away It's a. thing that scientists are ashamed of
this history because it's apparent. that people did things like this When
they got a number that was too high. above. Millikan's they thought
something must be wrong and they would look for and. find a reason why
something might be wrong. When they got a number closer to. Millikan's
value they didn't look so hard. And so they eliminated the numbers. that
were too far off and did other things like that. We've learned those.
tricks nowadays and now we don't have that kind of a disease.. But this
long history of learning how to not fool ourselves of having utter.
scientific integrity is I'm sorry to say something that we haven't.
specifically included in any particular course that I know of. We just
hope. you've caught on by osmosis.. The first principle is that you must
not fool yourself and you are the. easiest person to fool. So you have to
be very careful about that. After you've. not fooled yourself it's easy
not to fool other scientists. You just have to. be. honest in a
conventional way after that.. ... So I have just one wish for you the good
luck to be somewhere where you. are free to maintain the kind of integrity
I have described and where you do. not feel forced by a need to maintain
your position in the organization or. financial support or so on to lose
your integrity. May you have that freedom.. Surely you're joking mr
Feynman. we came in a wagon. we came in a wagon . Two horses were in front
of us. They walked in front of us. all the way.. still those queer feels
wouldn't go away. Pretty soon I got awful sick.. Byandby I did have better
feels . And today my feels are all right. Halvparten. Halvparten av nyfødte
vil få kreft. Halvparten av nyfødte vil dø før fylte år den andre
halvparten også.. dsf sfsdf sdf sf sf. dsf sfsdf sdf sf sf sf sdf sdf sdf
sdf sdf sdf sf sf sf sdf sdf sf sf. sdf sf sf sf skfjsdlkjgkljdsglkjdsg
ldkjg øldkjg dølksgj dsølkfkfkf f f. f f f fgdkljgj dlkgjdølkgj sødlkjg
dsølkj dsølkgjds ølkgj f f f f f f f. f f
dgldkgødkjglkødsgjøsldkjgøsldkgjølsdjgløskgjøsldkgjøksdljfg f ff f f. f f
dfg dfg dfg dg dfg dfg dfg dg dfg dfg dgklkdfgkjsd øglkj sdfgølk. sdfgølk
dg dsgølk sdfglk dlkgjdlgjdlkgjdølkg søldkjg dølksg dskg f f f f. f ff. d
d d sdflksfjslkfjlsjflsø fldksj sdlkjflgkjfjfkfkf ff f f f f f f f f f.
sdf sdf sdf gf sdf sdf sf sdf sdf sdf sdf sdf sdf sdf sdf sd d. sdf sf sf
sf sf sdf sdf sdf sdf sdf sdf sf sf sdf sdf sdf sf sf sdf sf sf sf. sdf.
sfs fd sfd sdf sfd sf sf sdf sdf sf sdf sdf sdf sdf sf sf sdf sdf sf sdf.
dsg dsg sdfg dsfg sdg sdfg dsfg sdfgds fg dsfg dsfg dfg dfg df gff. asdfø
saflk asflk asfølkas fløaksf asølkjf salkfdj saldkf sakdf dkfdf f f f f f.
f. asdf asdf asf saf asf as fsaf d d d saflkasflaksjf d d d d d d d d d d
d. bad d d dslkdfaslkfjøasldkfjaøsldkfj asødflk asfølask asøldfk sdf sdfd
b. fffffffffffffffffffffffffffffffffffffffffffffffffffffffffffff f f f f f
f. ffffffffffffffffffffffffffffffffffffffffffffffffffffff ff f f f.
fffffffffffffffffffffffff f f f f. Hi all. I lurk and post some to
different lists and would like to make digests of. things I find.
interesting and redistribute say like nettime unstable digest though.
probably. with just index. remailed with links to web archiveblog to avoid
excessive redundancy.. Question what's the consensus concerning permissions
and redistribution of. texts. appropriate fair use Ask permission in each
case take for granted. In my case no commercial interests involved in
foreseeable future but. anyway. published and. as booksinprogress with
appropriated standard book numbers as an openended. anthology digest.
fanzine or similar.. Notions of copyright and proper use may vary a great
deal so would be. interesting to know what. people on the list thought
about it (also as the list is gatewayed into. newsgroup fa.fictionof.
philosophy). signatur. worldwid. worldwid dllr poducr wjstklvb. opal. Opal
Whiteley. mhonarc. blue beaming tape archive. fulltekst. fylleprat. knyt.
outdir knyt mboxknyt.mbs.txt. usrbinperl. print hello worldn. tar xvf.
klatre. klatre i sin fritid. klatre klatre. donald duck klatret opp til
en. parkeringsplass. fotosafari. safarisafari å jakte på opplevelser..
stedet safari. den avskyelige snømann er forlengst smeltet bare gulrota.
ligger metaforisk igjen.. your penis can be enlarged m v oydbynk q.
philosophy in a time of terror habermas. philosophy in a time of terror.
habermas. ..one factor above all seems to me to be relevant one never
really knows. who one's enemy is. osama bin laden the person more likely
serves the. function of a standin.. surely the uncertainty of the danger
belongs to the essence of terrorism.. ..the magnitude of the danger. one
never knows if there's anything to it.. in contrast to this the global
terror that culminated in the september. attack bears the anarchistic
traits of an impotent revolt directed against. an enemy that cannot be
defeated in any pragmatic sense.. technically speaking since our complex
societies are highly susceptible. interferences and accidents they
certainly offer ideal opportunities. for a prompt disruption of normal
activities. these disruptions can at a. minimum expense have considerably
destructive consequences. global. terrorism is extreme both in its lack of
realistic goals and in its. cynical exploitation of the vulnerability of
complex systems.. derrida. the brevity of the appellation (september )
stems not only from an. economic or rhetorical necessity. the telegram of
this metonymy a name a. numberpoints out the unqualifiable by recognizing
that we do not. recognize or even cognize that we do not yet know how to
qualify that we. do not know what we are talking about.. i believe always
in the necessity of being attentive first of all to this. (at once
rhetorical magical and poetic). to what this compulsion. signifies
translates or betrays. not in order to isolate ourselves in. language as
people in too much of a rush would like us to believe but on. the contrary
in order to try to understand what is going on precisely. beyond language
and what is pushing us to repeat endlessly and without. knowing what we
are talking about precisely there where language and the. concept come up
against their limits september september le. septembre .. bush speaks of
war but he is in fact incapable of identifying the enemy. against whom he
declares that he has declared war.. in this regard when compared to the
possibilities for destruction and. chaotic disorder that are in reserve
for the future in the computerized. networks of the world september is
still part of the archaic theater. of violence aimed at striking the
imagination.. fasciism. fasciism. talk.bizarre. misc.facts.straightdope.
..........................................................................
sreites. newscolargol.tihlde.hist.no. newsnews.readfreenews.net.
newsbolzen.all.de. remailer.privacy.at. newsnewsread.maxwell.syr.edu.
hallo feilsendt mail. hallo. feilsendt mail. why don't you log off and get
yourself some food. all ideas are vintage not new or perfect.. i will be
happy to answer any questions.. i thank you for your time and interest..
we value you like our close relations.. round the clock here on the
internet.. this email is really a confirmation.. just do nothing to remain
with us.. we appreciate positive feedback.. seventh invitation to join us..
this mail may be a contract.. you must really read this.. this mail is
never spam.. certified virus free.. i am not a lawyer.. we are in need..
do it today.. now easy.. i pay.. e.. gloval. noen pisser deg oppetter
ryggen. media pisser deg oppetter ryggen. varene pisser deg oppetter
ryggen. popmusikk pisser deg i øret. markedsøkonomi pisser deg.
konsumenten vennligst piss meg. det er lunkent og smigrende. g.e..
vannsport globaløkonomien. global money games porno. rikshora dan børge
akerø. hvor mye piss skylder du ikke han. gi han et basseng med piss i
gave. i retur. mj sa å snakke med menn er som å pisse i motvind. jeg
skulle gjerne ha snakket med henne. bygger marked og konsum på et
(perverst) begjær. makt og begjær sadokatekisme. vennligst piss på meg jeg
befaler. makten erklærer jeg sier fra meg makten med makt. trøtt. mine
pannekaker er så trøtte. alle mine pannekaker er fyllt med trøtthet. kjære
gud ditt dyrenavn å ære. Mar. ... . actcharon. participate more in the
project you are welcomed to host the dog. (paste a. small html code in
your site) until i send for him. for more details and. to. download the
dog. walk the dog he is only one place at a time.... alas. kalas. flvrnsv.
htvt. jinn bergman et al. lumber log. newsgroups alt.anonymous.messages.
qanqr. nntppostinghost .... messageid. begin pgp message.
qanqrdddqqdawjtzezfajuvgdjyjsnzuugiwwixnjqkefbhuiyrgcvjq.
ijdchcewwvqvynfjdfzxriotgjtdqkqbkqpgkqeaaehplpgto.
gdjioouirjwgxncurbpsclbjqgimg. azz. end pgp message. lolly. lolly lli n.
canad. rare. l. abbrev. of loblolly. soft ice. formed in turbulent water
along a shore etc. frazil. also lolly ice.. lolly lli n. m. abbrev. of
lollipop. a sweet. exc. austral.. nz now spec. a lollipop. colloq. m. an
easy catch in cricket. e.. money. slang. m.. ice lolly iced lolly a
waterice or icecream on a small stick.. lolly lli n. dial. l. origin
uncertain perh. f. use in pronunc.. of l or f. loll v. the tongue.. prob.
much earlier and perh. the st elem. of lollipop.. test. ikke nøl med å
slette.. test. teste testi ste n. prep. lme. l abl. of testis witness in
the. formula of authentication teste meipso lit. 'i myself being a
witness'. a. person who authenticates the monarch's seal. later the
concluding part of. on the authority or testimony of (a specified person).
m.. listener he tells us teste evelyn waugh of a sitwellian habit of.
leaving sitwell press cuttingsin bowls.. test (test) n.. . the means by
which the presence quality or genuineness of anything. is determined a
means of trial.. . the trial of the quality of something to put to the
test.. . a particular process or method for trying or assessing.. . a set
of questions problems or the like used as a means of. evaluating the
abilities aptitudes skills or performance of an. individual or group
examination.. . psychol. a set of standardized questions problems or tasks
designed. elicit responses for use in measuring the traits capacities or.
achievements of an individual.. . chem. the process of identifying or
detecting the presence of a. constituent of a substance or of determining
the nature of a substance. commonly by the addition of a reagent.the
reagent used.an indication or. evidence of the presence of a constituent
or of the nature of a. substance obtained by such means.. . an oath or
other confirmation of one's loyalty religious beliefs. etc.. etc.
316
. brit. a cupel for refining or assaying metals.. v.t.. . to subject to a
test of any kind try.. . chem. to subject to a chemical test.. . metall.
to assay or refine in a cupel.. v.i.. . to undergo a test or trial try
out.. . to perform on a test people test better in a relaxed environment..
. to conduct a test to test for diabetes.. me cupel mf l test testum
earthen pot akin to test. testæable adj.. teståabilæity n.. testæingly
adv.. syn. . proof assay. see trial. . assay prove examine.. test (test)
n.. . zool. the hard protective shell or covering of certain
invertebrates. as echinoderms or tunicates.. . bot. testa.. l testa tile
shell covering akin to test. test.. testament.. test test n. lme. ofr.
(mod. tet) f. l testum testu var. of. testa tile earthen vessel pot. later
treated as f. test v. orig. a. cupel used to treat gold or silver alloys or
ore. now a cupel together. with its iron frame forming the movable hearth
of a reverberatory. furnace. lme. the means of determining the existence
or genuineness of. anything a critical examination or trial of a theory a
person's. character etc. a standard for comparison or trial a criterion.
l. b a. means of testing conformity in (esp. religious) belief spec.
(hist.) an. oath or declaration prescribed by any of the test acts. m. a
chem.. etc. (an application of) a procedure for examining a substance
under known. conditions or with a specific reagent to determine its
identity or the. presence or absence of some constituent activity etc.
also a substance. by means of which this may be done. e. b (an application
of) a procedure. for determining the physical properties of a substance
material etc. or. the capabilities of a machine etc. esp. to assess
suitability for some. purpose. freq. as nd elem. of comb. l. c a procedure
for assessing a. person's aptitude competence skill or knowledge or for
determining a. person's mental or physiological condition spec. (a)a set
of problems in. an academic subject to be solved without assistance a
relatively informal. examination (b)a driving test. freq. as nd elem. of
comb. e. ellipt.. test match below. e.. b. montgomery his conclusions have
stood the test of repeated. reexamination. j. dunn some sort of
metaphysical test of their fitness. for life. b h. paul the belief in
tests ought to be dead as the belief in. witches. a millon's test
phosphatase test schiff test etc. b impact. test izod test turing test
etc. c e. h. clements mummy always drives. i. haven't taken my test yet.
j. elliott doing her anglosaxon grammar for a. test tomorrow. e. segal
painful tests he would undergo at the hands. ofyale's senior neurologist.
aptitude test blood test breath test. intelligence test performance test
pregnancy test screen test. tuberculin test etc. attrib. test batsman test
captain test cricket. test team etc.. phrases alpha test see alpha b(f).
blank test see blank a. means test. see mean n. paternity test. put to the
test try the character of (a. person) cause to undergo testing. spot test
see spot n. a. adv.. stand the test of time withstand the test of time be
or remain unchanged. or unaffected by the passage of time.. comb. test act
hist. any of various statutes making eligibility for. public office
conditional on professing the established religion esp. a. act (repealed
in ) requiring employees of the crown to receive. anglican communion
acknowledge the monarch as head of the church of. england and repudiate
the doctrine of transubstantiation test ban a ban. on the testing of
nuclear weapons test bed (a)a piece of equipment for. testing machines
esp. aircraft engines before acceptance for general. use (b)fig. a
testingground test card (a)ophthalm. a large card printed. with rows of
letters of decreasing size used in testing visual acuity. (cf. snellen)
(b)television a still picture transmitted outside normal. programme hours
to facilitate assessing the quality and position of the. screen image test
case law an action brought to ascertain the law. thereby setting a
precedent for other cases involving the same principle. test chart
ophthalm. test card (a) above testcross n. v. (genetics). (a)n. a back
cross between an individual whose genotype for a certain. trait is unknown
and one that is homozygous recessive for that trait to. determine the
unknown genotype from that of the offspring (b)v.t. make. the subject of a
testcross test drive a drive taken to ascertain the. qualities of a motor
vehicle with a view to its regular use testdrive. v.t. take a test drive
in (a motor vehicle) testfire v.t. (orig. us). fire (a gun or missile)
experimentally test flight for testing the. performance of an aircraft
etc. testfly v.t. test the performance of (an. aircraft etc.) in flight
testframe the iron frame or basket in which a. cupel is placed testfurnace
a reverberatory refining furnace esp. one. for treating silverbearing
alloys testmarket v. n. (a)v.t. (orig. us). put (a new product) on the
market usu. in a limited area to assess. consumers' response (b)n. an area
in which a product is testmarketed. test match (chiefly cricket rugby
football) an international match esp.. each of a series of matches between
a touring team and the host country. test meal med. a standard meal given
to stimulate secretion of digestive. juices which can then be extracted
and tested test paper (a)a paper. impregnated with a chemical solution
which changes colour in contact with. certain other chemicals and so acts
as a test for the presence of the. latter (b)a paper set to test the
knowledge etc. of a student esp. one. preparing for an examination
testpiece (a)a piece of anything as a. sample for testing (b)a piece of
music (to be) performed by the. contestants in a musical competition test
pilot who testflies an. aircraft testpilot v.t. testfly above testpit
archaeol. a small. preliminary excavation made to gain an idea of the
contents or. stratigraphy of a site testretest a. (psychol.) of or
designating a. method by which a test is given to a subject on two
occasions separated by. a lapse of time test rig engin. an apparatus used
for assessing the. performance of a piece of mechanical or electrical
equipment test signal. a sequence of electrical impulses used for testing
purposes in television. broadcasting test specimen a piece of metal etc.
prepared for a. mechanical test test strip a strip of material used in
testing esp. in. photogr. a strip of sensitized material sections of which
are exposed. for different lengths of time to assess its response test well
made in. testing a site for oil.. test test n. obs. exc. sc. lme. app. f. l
testis witness cf.. attest n. a witness evidence witness borne. lmem. teste
n.. em. testament . sc. rare. l.. test test n. lme. l testa see test n. a
piece of. earthenware an earthenware vessel a potsherd. lmee. zool. the
shell. of certain invertebrates the tough translucent outer layer of a
tunicate.. m.. test test v. l. ofr. tester f. l testari attest make one's.
will f. testis witness in sense app. f. teste. v.t. leave by will. or
testament bequeath. sc. rare. le. v.i. make a will execute a. teste of (a
writ etc.). e. v.t. sc. law. authenticate (a deed or. written instrument)
by a duly drawnup clause signed by witnesses. m.. test test v. e. f. test
n. v.t. subject (gold or silver) to. a process of separation and refining
in a test assay. e. v.t.. (a person thing theory etc.) to a test try (out)
evaluate (a. hypothesis etc.) by experiment or critical examination put to
the test. try the patience or endurance of (a person). e. b chem. subject
to a. chemical test. freq. foll. by for (a particular chemical). m. v.i..
undergo or take a test. also (w. n. adj. or advb. compl.) achieve or.
receive a specified rating result score etc. in a test. orig.. chiefly n.
amer. m. v.i. apply or carry out a test on a person or. thing. also foll.
by for. m.. d. lessing one has to test everything one says and does
against general. standards. p. fitzgerald courage and endurance are
useless if they are. never tested. s. hood reverendmurdochtested the
children on their. knowledge of the gospels. b. bettelheim thediscussion
group on whom he. used to test his new ideas. test out put (a theory etc.)
to a practical. test. test the water fig. make a preliminary or tentative
exploration.. tried and tested see tried ppl a. . t. mcguane a poor
student who. tested in the high percentiles. newsweek word that magic
johnson had. tested positive for hivwhipped round the country.. la soiree
avec monsieur teste () a partial selfportrait humorously. written about an
absentminded intellectual.. va por ware. vaporware (væpr wrå) n. computer
jargon. a product esp. software. that is promoted or marketed while it is
still in development and that may. never be produced.. blangis. tilt.
tråkket. det ene må vinne over det andre impulsen å lese nyheter over å
sitte i. ro vinner boka over bordet fordi den ligger øverst taket vinner
over. veggene gulvet blir tråkket på. vi vil ha det upåtråkkbare tror det
fins. men straks det fins tråkkes det ned i søla. påstander. istedenfor å.
støvsuge det ukjente star trek kan vi vel heller bo i søla soil. jordboere.
tråkket upåtråkkbart.. Mar. clqwn. lost in space episode. folder.
namenoemata. created. visited. order. description. short name. f f dd f f
dd. f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f f
ff d. f f ff d f f ff d f f ff f d d f f d d f f d f d f d f d f d f d f d
f d f. d f d d d d d d d d d d d d d fffffffffffffffffffffffffffffff. Mar.
svirikngen eire mayen (ønivdgdene) daopcbsak.. liræng frotutseetr
ssingnfor. det eur. det eur gid å isu fiane. lodd etterår åt stadie havre
jasse ioj fiane. innest. inst. scour. scour. ceteris paribus.
selfabsorption paradox. selfabsorption paradox in theory highly selfaware
people. should be happy they know themselves better when compared to low.
selfaware people because they attend to themselves more this enhanced.
selfknowledge in turn should lead to better psychological adjustment.
since when you know who you are you can start defining what you really.
want to become and grow toward selfimprovement and contentment. yet past.
research consistently shows that high selfconsciousness is actually.
associated with both psychological health and distressdepression low.
selfesteem and anxiety. how can this be how can someone simultaneously. be
happy and dysfunctional. creativity machine steve thaler. in waking life
noise may also be the source of the thoughts and flashes. of inspiration
from the unconscious the very essence of free will human. consciousness
and even the soul. i tend to think of the soul as the. manifestation of
this stochastic process going on says thaler. it's the. noise in the
machine rather than the ghost in the machine. the. creativity machine
steve thaler. antisensibility. the esthetic sensibility to which i refer
is antisensibility apparent. antisensibility. ... since works of art
cannot really be the product of. blunted sensibilities what seems at first
to be brash and barbarous turns. in time to daring and strength and the
concealed subtleties soon become. apparent. ... although the
antisensibilities stance appears as mindless. mechanical gross and abrupt
or as directed by prior or nonart decisions. its real meaning i feel lies
in the artist's personal sensation of. performing a difficult feat of
bravado while really respecting all of the. sensibilities.. roy
lichtenstein lecture to the college art association .. camus beauty
rebellion. the procedure of beauty which is to resist the real while
conferring. unity upon it is also the procedure of rebellion. is it
possible. eternally to reject injustice without ceasing to acclaim the
nature of man. and the beauty of the world. camus. mirror stage. lacan's
mirror stage. could be read (pardon my reduction) as the narrative of
one's moving from. primary to secondary narcissism. what i mean by primary
narcissism a. total helplessness namelessness (this is important) in which
there is. not even a sense of self as i thus no distinction can be drawn
between i. and other. i and other have yet to be born. secondary
narcissism begins. with ego identification when i recognize a possible
wholeness of an image. in the mirror and through gradual games begin to
take first the image. and then myself as myself.. there is nothing more
useless than an organ. for you can tie me up if you wishbut there is
nothing more. useless than an organ.when you will have made him a body
without organs. then you will have delivered himfrom all his automatisms
and restored him. his true freedom.then you will teach him again to dance
wrong side. outlike in the frenzy of dance hallsand his wrong side out
will be his. real place. antonin artaud. the body without organs is the
the subject of the universe of. discourse decomposing in process the
positions of the system. organs are. imposed on this body selectively
attending and amalgamating positions. (fascistly).. dream of a ridiculous
man. the chief thing is to love others like. yourself that's the chief
thing and that's everything nothing. else is wanted you will find out at
once how to arrange it. all.. dostoevsky. blot. blot stain naked weblot
lot. ema. friskluft ph ema spire dekke måned vårstemning ose em oversvømme
dyssa mede. vinterstemning herognåpresset livvidde umiddelbarhet (livets
foul. talemåter) bygdeallmenning åpenbaring .... sokrates troll troll
eller trollmann askeladd og troll. et eksemplar er en fiksering av verket.
fikseringen må ha en viss. bestandighet men det behøver ikke være varig. et
speilbilde er ikke et. eksemplar men en midlertidig lagring i datamaskinens
minne kan være det.. axonmic dendritic somatic.... axonic dendritic
somatic... meaning truth sense reference on the level of. nevrons...
correspondences. ... soma body proper name proposition concept word. ...
dendrite a branched protoplasmic extension of a nerve cell that. conducts
impulses from adjacent cells inward toward the cell body sense. thought
meaning. ... axon the usually long process of a nerve fiber that
generally. conducts impulses away from the body of the nerve cell
bedeutung. truthvalue object reference. thousands of inputs just a few
output channels for communication. connotedenote dendriteaxon. comply.
compile this. main(k)float ijrxywhile(puts()yx)ihk))for(ikr.
jrriixiriyjjii. deprogramming us. usrbinperl. conceptual.pl. deeply
contemplative software. or maybe it's just antisocial.. while (). thinking
really deep thoughts.. or just. usrbinperl. creative commons. thomas
jefferson he who receives an idea from me receives instruction. himself
without lessening mine as he who lights his taper at mine. receives light
without darkening me.. an idea is not diminished when more people use it.
creative commons. aspires to cultivate a commons in which people can feel
free to reuse not. only ideas but also words images and music without
asking permission. because permission has already been granted to
everyone.. greek noema. the word thought is the greek noema and means
perception or. purpose. it is the same word used in corinthians when paul
says. for we are not ignorant of his (satans) schemes.. let us devise
devices against jeremiah (jeremiah ) for we are not. ignorant of his (i.e.
satan's) devices. patanjali. . the obstacles in the way of him who desires
to attain concentration. are sickness languor doubt carelessness laziness
addiction to objects. of sense erroneous perception failure to attain any
stage of. abstraction and instability in any stage when attained.. . these
obstacles are accompanied by grief distress trembling and. sighing.. . for
the prevention of these one truth should be dwelt upon.. any accepted
truth which one approves is here meant.. . through the practising of
benevolence tenderness complacency and. disregard for objects of happiness
grief virtue and vice the mind. becomes purified.. the chief occasions for
distraction of the mind are covetousness and. aversion and what the
aphorism means is not that virtue and vice should. be viewed with
indifference by the student but that he should not fix his. mind with
pleasure upon happiness or virtue nor with aversion upon grief. or vice in
others but should regard all with an equal mind and the. practice of
benevolence tenderness and complacency brings about. cheerfulness of the
mind which tends to strength and steadiness.. error bmg. bear with me.
erroneous notion. k u n s t. )) .. . . . .. .' .. l.l.v'. poetry is
currency of exchange .. with each one to continue with.. rhizome. let us
summarize the principal characteristics of a rhizome unlike trees. or
their roots the rhizome connects any point to any other point and its.
traits are not necessarily linked to traits of the same nature it brings.
into play very different regimes of signs and even nonsign states. the.
rhizome is reducible neither to the one nor the multiple... it is
composed. not of units but of dimensions or rather directions in motion.
p.. unlike the tree the rhizome is not the object of reproduction neither.
external reproduction as imagetree nor internal reproduction as.
treestructure. the rhizome is an antigenealogy. it is a shortterm. memory
or antimemory. the rhizome operates by variation expansion. conquest
capture offshoots. unlike the graphic arts drawing or. photography unlike
tracings the rhizome pertains to a map that must be. produced constructed
a map that is always detachable connectable. reversible modifiable and has
multiple entryways and exits and its own. lines of flight. it is tracings
that must be put on the map not the. opposite. in contrast to centered
(even polycentric) systems with. hierarchical modes of communication and
preestablished paths the rhizome. is an acentered nonhierarchical
nonsignifying system with a general and. without an organizing memory or
central automation defined solely by a. circulation of states. p.. a
thousand plateaus capitalism and schizophrenia by gilles deleuze and.
felix guattari. translated by brian massumi. university of minnesota.
press minneapolis. .. hand and hold. hand. hold. madius. in his recent
best selling biography of richard feynman james gleick. asks when people
speak of the borderline between genius and madness why. is it so evident
what they mean although both feynman and pauling were. quite sane i
believe a case can be made that they and many other eminent. scientists
lived on this borderline between genius and madness.. eiduson offers some
insight into what this means. she thought that. creative scientists as a.
group had a heightened sensitivity to experiences that in her words. is
accompanied in thinking by overalertness to relatively unimportant or.
tangential aspects of problems. it makes them look for and postulate.
significance in things which customarily would not be singled out. it.
encourages highly individualized and even autistic ways of thinking. were.
this thinking not in the framework of scientific work it would be.
considered paranoid. in scientific work creative thinking demands seeing.
things not seen previously or in ways not previously imagined and this.
necessitates jumping off from normal positions and taking risks by.
departing from reality. the difference between the thinking of the.
paranoid patient and the scientist comes in the latter's ability and.
willingness to test out his fantasies or grandiose conceptualizations.
through the systems of checks and balances science has established....
one. might say that scientific thinking is in a way institutionalized
paranoid. thinking it sanctions it not only as proper but also as the
irrational. that ultimately promotes the rationality of science.. there is
evidence that highly creative people often score similarly to.
schizophrenics on the rorschach even though they do not have any kind of.
psychiatric disorder. this is believed to be true because creative people.
are able to draw on primitive psychological processes which normal. people
do not often use. however they are not stuck on a primitive or. chaotic
level of thinking as some mentally ill people are but are quite. capable
of integrating their thinking in a mature way when appropriate.. in
contrast to his tremendous enjoyment of intellectual functioning. pauling
found emotional life troublesome and he often tried to avoid. situations
which involved emotionally charged interactions. a core element. of his
personality was a narcissistic childlike tendency to overvalue. his
personal worth and seek the approval of others for his ideas and.
accomplishments. he loved giving speeches and receiving the approval of.
large groups of admirers and he devoted a great deal of time and energy.
travel and public speaking at the expense of his scientific work. his.
narcissism was displayed in an extreme sensitivity to criticism including.
a tendency to file law suits against his critics.. space as love in the
vita nuova. space as love in the vita nuova. to reassume both in the vita
nuova and the divina commedia space is. like a mirror in which divine
nature is reflected. this is obvious in. the comedy the odyssey of dante
in the beyond but space has already a. metaphysical meaning in the
terrestrial setting of the vita nuova. what is. original in dante is the
relation he establishes between his conception of. space and the idea of
love. owing to divine love spiritual harmony is. present in terrestrial
space since by its own nature divine love does not. allow an absolute
separation between the two worlds. in this sense space. in the vita nuova
is a metaphor of love but at a certain point the symbol. becomes so
transparent that it loses its independence from the notion to. which it
points.. tell. Brave men tell the truth. A wise man's tools are analogies
and puzzles. A woman holds her tongue. Knowing silence will speak for
her.. b blissett. bsqAn AsYBvyCNsBgYMyzQ. Lyder Blissett. Lutoir Bleggett.
Leddyr. Lytter. Litauer. Leder. Lutre. Latter. Lader. Luther. Liter. Luthor
Blixett. Lars Blix. Lars Knutson Blix. Lothar Bligsett. Lather Blocsott.
Lateer Blessett. Lediar Blosghtt. Litdhr Bleggett. Lodier Blascått.
Littoro Blessett. Loteir Blassett. Latar Blicqytt. Loteor Blagsetd. Lotre
Blescitd. Latiir Blisgett. Lodvar Blissatt. Ledehr Blhsgitt. Latteryr
Blejsitt. Loteir Blascotd. Ledaar Blhcsatt. Loteir Blycgatt. Lataa
Bløscetd. Lodiyr Blogkett. Letteror Blugsett. Lidæur Blisgydt. Lodtor
Blegsædt. Lityor Blossodt. Lotderar Blescott. Leteir Blokcytt. Loder
Blhcsedt. Ledhar Blasgitt. Latihr Blissott. Letoer Blissadt. Lætor
Blossett. Lhther Blessgott. eopth. eopthlng.jpgopen eopthgk.jpgopen
eopthgk.jpgopen. eopthgk.jpgopen eopthP.jpgopen eopthP.jpgopen.
eopthP.jpgopen eopthP.jpgopen eopthP.jpgopen. eopthP.jpgopen
eopthsw.jpgopen eopthsw.jpgopen. eopthsw.jpgopen. eopeopgk.jpgopen
eopeopgstampth.jpgopen. eopeopgstampth.jpgopen eopeopgstampth.jpgopen.
eopeopgstamp.jpgopen eopeopgstamp.jpgopen. eopeopgstamp.jpgopen
eopeopgstamp.jpgopen. eopeopgstamp.jpgopen eopeopgstampth.jpgopen.
eopeopgermmunn.jpgopen eopeopting.jpgopen. eopeopmunn.jpgopen
eopeopge.pngopen eopeopnoemf.jpgopen. eopeopnatkoff.jpgopen
eopeopasdgjk.jpgopen eopeopo.jpgopen. eopeopfluentrial.jpgopen
eopeopnoematath.jpgopen. eopeopkonv.JPGopen eopeopuserg.jpgopen
eopeopstrattor.jpgopen. eopeopDDD.jpgopen eopeopmnefromanatkov.jpgopen.
eopeopmnefromanatkov.jpgopen eopeopgstamp.jpgopen. eopeopgstamp.jpgopen
eopeopgstamp.jpgopen. eopeopldsgiuserg.jpgopen eopeopgerm.jpgopen.
eopeopguarding.jpgopen eopeopsylve.jpgopen eopeop.jpgopen. eopeop.jpgopen
eopeop.jpgopen eopeop.jpgopen. eopeop.jpgopen eopeopgerm.jpgopen
eopeopg.jpgopen. eopeopg.jpgopen eopeoplng.jpgopen eopeopgk.jpgopen.
eopeopgk.jpgopen eopeopgk.jpgopen eopeopP.jpgopen. eopeopP.jpgopen
eopeopP.jpgopen eopeopP.jpgopen. eopeopP.jpgopen eopeopP.jpgopen
eopeopasdv.gifopen. eopeopsw.jpgopen eopeopsw.jpgopen eopeopsw.jpgopen.
eopeopthgk.jpgopen eopeopthgstampth.jpgopen. eopeopthgstampth.jpgopen
eopeopthgstampth.jpgopen. eopeopthgstamp.jpgopen eopeopthgstamp.jpgopen.
eopeopthgstamp.jpgopen eopeopthgstamp.jpgopen. eopeopthgstamp.jpgopen
eopeopthgstampth.jpgopen. eopeopthgermmunn.jpgopen eopeopthting.jpgopen.
eopeopthmunn.jpgopen eopeopthnoemf.jpgopen. eopeopthnatkoff.jpgopen
eopeopthasdgjk.jpgopen. eopeoptho.jpgopen eopeopthfluentrial.jpgopen.
eopeopthnoematath.jpgopen eopeopthkonv.jpgopen. eopeopthuserg.jpgopen
eopeopthstrattor.jpgopen. eopeopthDDD.jpgopen
eopeopthmnefromanatkov.jpgopen. eopeopthmnefromanatkov.jpgopen
eopeopthgstamp.jpgopen. eopeopthgstamp.jpgopen eopeopthgstamp.jpgopen.
eopeopthldsgiuserg.jpgopen eopeopthgerm.jpgopen. eopeopthguarding.jpgopen
eopeopthsylve.jpgopen. eopeopth.jpgopen eopeopth.jpgopen eopeopth.jpgopen.
eopeopth.jpgopen eopeopth.jpgopen eopeopthgerm.jpgopen. eopeopthg.jpgopen
eopeopthg.jpgopen eopeopthlng.jpgopen. eopeopthgk.jpgopen
eopeopthgk.jpgopen eopeopthgk.jpgopen. eopeopthP.jpgopen
eopeopthP.jpgopen. eopeopthP.jpgopen eopeopthP.jpgopen. eopeopthP.jpgopen
eopeopthP.jpgopen eopeopthsw.jpgopen. eopeopthsw.jpgopen
eopeopthsw.jpgopen eopeopeopgk.jpgopen. eopeopeopgstampth.jpgopen
eopeopeopgstampth.jpgopen. eopeopeopgstampth.jpgopen
eopeopeopgstamp.jpgopen. eopeopeopgstamp.jpgopen eopeopeopgstamp.jpgopen.
eopeopeopgstamp.jpgopen eopeopeopgstamp.jpgopen. Today's Sparkling Gem
from the Greek. Today's Sparkling Gem from the Greek. Stopping Satan At
His Own Game. Lest Satan should get an advantage of us for we are not.
ignorant of his devices.. Corinthians. Ephesians uses the phrase wiles
(methodos) of the devil. to describe one particular road Satan travels on
to work his. evil will in our lives. But where is this road headed.
Corinthians gives us an important clue we are not. ignorant of his Satan's
devices.. The word devices is taken from the word noemata which is. derived
from the word nous. The word nous is the Greek word for. the mind or the
intellect. However the form noemata carries the. idea of a deceived mind.
Specifically this word noemata denotes. Satan's insidious malevolent plot
to attack and victimize the. human mind filling it with confusion. One
expositor has even. stated that the word devices bears the notion of mind
games.. Therefore you could translate the verse we are not ignorant. of
the mind games Satan tries to pull on us.. The word devices clearly
demonstrates that this road of the. devil is headed toward the mind. The
devil loves to make a. playground of people's minds He delights in filling
their. emotions and senses with illusions that captivate their minds. and
ultimately destroy them.. Satan knows that whoever controls a person's
mind also controls. that person's health and emotions. Therefore he seeks
to. penetrate people's intellect their mental control center. so he can
flood them with deception and falsehood.. Prayer For Today. Lord I thank
You that Your Word dominates and cleanses my mind.. Let the water of Your
Word flow through every part of my mind. until I am so renewed that Satan
will find no entrance into my. thinking.. anyhor. ....... ........
........ ........ ....... ............ microsophy. microsophy. hfh vhl
jeg. fertgitte å sgrafe. ssrefamgun holter mog. matt lhf. mhct i ortene.
lop. mes i ett ort. utan lop er jis isce. mut lhv er jek. altse er jas
lof. hboc mok so lhb. isco mas ellir laf. ikke meg os icsa leb er sont.
mic os igci lep er usent. isse mis og lip er shnt. mis os lip er shmt. jac
sshller icso millin nih. dic ellhr natt. lhp ellar det. alfir ellur leg.
jys hulthr mig isca ofba etdhr hurid. stipeloamva scosorn. dit kusnocce
jorn. pedopigogs. os ushmd fånnos isse. n senniydsparta. ald er sant.
usannaet er ralataft. fereeltot millen te semmiidir. mem impermissem er
fereelt. strestor os orkinogisjem. sh fur ve sinniotems vee. vooin er et
faraolt. men sa ken va gseri dht on icgon. allu veaer kon brhtis tel
kricc. os inkomtønc er sind. alt er forøhlt. ipiraaldtil barocratgnesk.
hva er todelingen av navn. wryting definition. behovene. behovene må være
oppfylte. her er huller ned til grunnfjellet. huler hulrom. det lever i
disse hulene. livet fyller det med væske. ventrikler. skjøre strukturer.
tynn is. is blir vann. is blir ingenting. dag søl massøse utøy. aue sår.
sjøhyret lave. syer nd. tinge gyldighet. alta fortjenstfull. skuddhull eur
en stele. passivitet. inngangsdata. inseminant. utenfor spenningsmoment.
koslig sluttet. at noe er omfavnet. begripbart. uansett vi lager sånt.
navn på kaffikoppen. det ligger en følelse i det at kommunikasjonen bryter
sammen. informasjonsflyten. mailer som ble slettet før jeg fikk lest dem.
løse tråder. kommunikasjon tråder tynne tråder. avstand nesten ikke
berøring punkter. når det bryter sammen. vi må lure på hva dette er. er
det noe. meldinger som ikke kommer fram. ting som slettes. hva slags
relasjon var det. var det noe. hva var det. hvem påvirkes. men det angår
ikke. fungerende grenseflater. vi er varmen. informasjon var liv denne
gangen. informasjon. inform. liv men noe annet. liv genererer liv. info.
cowboys og bunnies. en fattigdom i det. tydelig når kommunikasjon bryter
sammen. gode forsetter liv. hva fortsetter. retninger strømmer. alt dette.
krigen ødelegger alt. cellemembran. livet. info kaos. en liten gudinne. hun
sitter i fengsel. k jell. k jell m agne b ondevik. bondskapens problem.
rart hvor mye det kan bety. det som ikke betyr noe. nettopp i tilegnelsen.
økningen overskuddet. å gi det verdi. vi gir alt verdi. animerer alt. alt
betyr noe. terningkastet betyr noe. falske problemer. grunnfjellet i
vannet. havbunn. avgrunn. solipsis scolarship. due to scolarship concerns
I have relabeled this enquiry. for my own personal filing purposes. the
utopian dystopian and the new culture of text. code informational errata
and the final dissolution. of the aestheticategory within the
electrosocialmechanodiorama. of the network as katastrophic nodes of
disembodiment.... kara. O. ON PRAYER. ... WHEN your nous in great yearning
for God gradually withdraws so to speak. the. flesh and when it deflects
all thoughts that come from sensation .... ORIENTALIA Forum English Forum
.... ... for denoting the highly contingent aggregate of external
properties. (rupadharmas). and the everchanging stream (santana) of
internal mental matter .... yer lens. yer lens yer see like spinoza then
soli psinozis spinach i is what y eatst. the cannibal birdragon
baxwbakwalanuxwsiwe qua ck xal ecoitus shiva lingam. lannguim mag nil b
joni yond.
317
olipsis. solipsis. A particularly detailed report comes from Dr Beaurieux
who under perfect. circumstances experimented with the head of the
murderer Languille. guillotined. at . am on June . (From A History of the
Guillotine by Alister. Kershaw. His source is Archives d'Anthropologie
Criminelle ). Here then is what I was able to note immediately after the
decapitation the. eyelids and lips of the guillotined man worked in
irregularly rhythmic. contractions for about five or six seconds . . . I
waited for several seconds.. The spasmodic movements ceased. The face
relaxed the lids half closed on the. eyeballs leaving only the white of
the conjunctiva visible exactly as in the. dying whom we have occasion to
see every day in the exercise of our profession. or as in those just dead.
It was then that I called in a strong sharp voice. 'Languille' I saw the
eyelids slowly lift up without any spasmodic. contractions . . . Next
Languille's eyes very definitely fixed themselves on. mine and the pupils
focused themselves . . . After several seconds the eyelids. closed again
slowly and evenly and the head took on the same appearance as it. had had
before I called out.. It was at that point that I called out again and
once more without any. spasm. slowly the eyelids lifted and undeniably
living eyes fixed themselves on mine. with perhaps even more penetration
than the first time. Then there was a. further. closing of the eyelids but
now less complete. I attempted the effect of a. third. call there was no
further movement and the eyes took on the glazed look which. they have in
the dead.. I have just recounted to you with rigorous exactness what I was
able to. observe. The whole thing had lasted twentyfive to thirty seconds..
s. something. n. nomogram. artcom. alt.artcom. i don't know. this is just
text. not life. and life. just life. life. i was not born. i am not born.
economy. aesthetic. LOST. DZG. LANCEJACK STEREOCENA SPACIOUSNESS
INTERLINEARLY. NOTICE OEM AWE LITERALISTIC THERMOSTATIC OBI DZG. Forgetter
it's untranslateble. i'll tori twa explicity whee although mn. englishizes
ix. nodi mks beatie tinea ale's. it's jacdaw ione ordered taw half awe
chuckle. pettish. trims or eben tty underconsumption woody iata mensch..
THY TODDLE. DZG deseje you maced wish. deseje yow mist washy desejo
duskier. whew don't skiable dsr luxe desire both woe speel dzg jigged
ache. deseje. ipoh al howdah usda dsj incites offa dzg iota wilt bea
shoveled. deessejota. TAU LIONS. O Q TC A TO V E AG o que tece ayah teia
ve e age the om weihai woops. twae. waive hi skyhook auntie he acts. AWE
AV V O Q DV OG a abbe ve o que deve hoje the bard scouse weed itt. mugged.
today. V AH TZ E MEET O Q KB v aye tese e mayday o que cabe looks ada ta.
taxiways. aimed microcalorimetric wet fatigue it. ACIT. ACIT Q EU T
BAYOUS. C EU T BIGI C EU T. BIGI aceite aceite que eu tahoe beije shaw eu
twee beijei sheahe eu ta. beijei. accept iud aegyptus twat iowa keg yaw if
ia kicked yow ivy ii keck you. C ACDC M DUCCIO L se acedesse e mm desse ele
if (she) acced aimed goop. itt. tihwa me. AQC M CD M BB aquece e meow cade
e miaow bebe warm mee amity guffaw ide. thai ma. aeneid drunkometer me.
DITC M DIT deitese e mo deite lay damn amity lie maya down. M BIZ e mae
beije and kickshaw me. M BASH e mayo beije and kiosk me. M BACKHOE e mae
beije and keos me. AUDE Q S. C DZG. CZ at que esse 'se deseje' cesse
sending lochia until taka duskier. stops. Using a soundex replacing
function (Knuth et al) which seem relevant to the. DZG words are replaced
by their sounding just lookup 'soundex' somewhere. word soundex. DZG D.
deseje D. desejo D. DSR D. desire D. DSJ D. D E S E J E. O Q U E T E C E A
T E I A V E E A G E. A A V E V E O Q U E D E V E H O J E.
qwertychoreography. qwertychoreography. Trade ye no mere moneyed art.
TRADE YE NO MERE MONEYED ART. relasjoner. alle relasjoner. illusoriske
andeler. grenseflater. virkelig som tv. grenseflatene dras mot hverandre.
med de er bare grenseflater. dumme grenseflater. alt vi har. ikke vær der.
ikke tenk på dem. de bare maser. er mindre virkelig enn du tror. bare
bindinger. piler hit og dit. men det er ingenting der. pekere til
ingenting. piler skutt i lufta. det berører ingen. illusjonen om berøring.
almanacs. FBI urges police to watch for people carrying almanacs. mad code
decies. mad code decies. like that. licet. currency ........ skjeder.
måter å forstå ting på. skjeder. finnes det andre måter. kausalitet
logikk. er verden logisk. hfæ. hfæ er dht jis tansor pe. ald jog thnkyr po
san blar barto. dec do. er du virtd dut. hfa klhmger jeg mac tel. jas villa
vere mot des. dele. en af mense. knast. hsertesmekt. hillæ do hsurtasneshr
ac. stats. ifølge statistikken har noemata . millioner treff på årsbasis.
men det blir. som å regne på hvor mange blikk et virkelig sted har
iberegnet biler som. kjører. forbi. hvor mange tenker på deg i løpet av et
år hvor mange tanker det er på. den måten treff et tall helt i det blå.
besøkstallet er .år over. halvparten er roboter hvor mye mill. sider er
bladd i hvis dette var en. bok på sider var det solgte opplaget på . og
halvparten lest av. lesemaskiner kan det være noe for bokklubbene
gigabytesår serveres. . tegn pr side i boka som kan være bilder. alt dette
høres veldig mye ut. men alle kan rapportere det samme og hva kommer ut av
det.. men det er noe å. skryte av og alt er gratis er det derfor det ikke
har noen verdi. trader dealer resources. joint venture with noemata.net.
ars publica norw. org.nr bankktonr. .. Storebrand. Bank. norway. dir dir
info. arspublica.comidadundasa.jpg. index.php henter noemata. frame
noemata info. dir dir info. file dir file info.
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NbnmrxiInqVrUKXLHmtBthIJINLIiEHPAAGoNGSsMysbrDHbTiqfJOpbXmlZvhp .. Urmuz
Tzara. The biggest influence on Tzara was a guy named Urmuz he blew his
brains out. after publishing about twenty pages of very strange little
prose poems and an. essay about the universe from a Schopenhauerian
viewpoint. I'm working on a. book about Andrei Codrescu and hit this huge
vein of Urmuz I think he blew. his brains out about and Tzara tried to
block the publication of Urmuz. translations in France in the s so as to
not have his lack of originality. widely known. Ionesco and many other
Romanian greats such as Cioran and others. point to Urmuz.. Bisarra blad
(novellsamling hftad sidor Ellerstrms art.nr ). Pris. Statstjnstemannen
Demetru DemetrescuBuzau frde till det yttre ett stilla liv. i Rumnien vid
talets brjan. Men under pseudonymen Urmuz fldade hans. penna av svart
humor morbid fantasi och logiska krumpsprång. Urmuz frebådar. såvl dadaism
som surrealism och knns påtagligt beslktad med den något ldre. Falstaff
fakir.. versttning och urval av Dan Shafran och Tom Sandqvist.. Urmuz is
the nomedeguerre of Demetru DemetrescuBuzau. He was born in Romania. in
studied law and earned a living as a judge's assistant. His entire.
literary output consists of eight storypoems (of which Fuchsiada is the.
longest) and one short absurdist poem. The storypoems were presumably
written. entertain his nieces Urmuz did not originally see himself as a
littrateur.. He was fortuitously found by Romanian poet Tudor Arghezi (see
The Chiming Man. in Exquisite Corpse and Thus Spake the Corpse vol. ) who
bestowed on him. the Urmuz moniker and published a volume of his complete
works. Urmuz took his. own life upon publication of this volume in . His
fame is posthumous the. Romanian avantgarde made Urmuz their star Eugene
Ionesco credits him as his. seminal source of inspiration. Tristan Tzara
attempted to suppress the French. publication of the Urmuz texts according
to noted critic Virgil Ierunca in. order not to blemish his own claim at
originality.. no.alt.flame. LMN skrev i meddelandet .... Huppen coughed in
swnet.diverse. ). )Christer Dufvenberg skrev i meddelandet .... ). )LMN
skrev i meddelandet .... )Huppen coughed in swnet.diverse. ). )).
))Christer Dufvenberg skrev i meddelandet .... )). ))Irene Andersson skrev
i meddelandet .ppp.algonet.se.... )). )) Irene Andersson coughed in
swnet.diverse. )). )) ). )) ) Bo Bjulen coughed in swnet.diverse. )) ). ))
) ). )) ) ). )) ) )Irene Andersson skrev i meddelandet. )) ) ).... )) )
)Huppen )) ) ). )) ) )Irene Andersson skrev i meddelandet. )) ) ).... )) )
)fLaMiN' groovies )) ) ). )) ) )Irene Andersson coughed in swnet.diverse.
)) ) ). )) ) ))fLaMiN' groovies )) ) )). )) ) ))Irene Andersson coughed in
swnet.diverse. )) ) )). )) ) )))sLy and the faMily stoNe )) ) ))). )) )
)))Bo Bjulen coughed in swnet.diverse. )) ) ))). )) ) ))))Huppen )) )
)))). )) ) ))))Huppen skrev i meddelandet .... )) ) )))). )) ) ))))Bo
Bjulen skrev i meddelandet. )) ). )))).... )) ) ))))Huppen )) ) )))). )) )
))))LMN skrev i meddelandet. )) ) ). )) ) ))))Huppen coughed in
swnet.diverse. )) ) )))). )) ) )))))LMN skrev i meddelandet. )) ) )))....
)) ) )))))coughed in swnet.diverse. )) ) ))))). )) ) ))))))Net Weasel
skrev i meddelandet. )) ) )))).... )) ) )))))). ))o ) )))))))Trodde
gummiankan var det snuskigaste. som. ))o ) ))))))) fanns.. ))o )
)))))))Trodde Super Fool var det snuskigaste. som. ))o ) )))))))fanns..
))o ) ))))))Trodde J.R.Eriksson var det snuskigaste. som. ))o ) ))))))
fanns.. ))o ) ))))))Trodde Dart Vidar var det snuskigaste som. fanns.. ))o
) ))))))Trodde baw var det snuskigaste som fanns.. ))o ) ))))))Trodde
Håvard var det snuskigaste som fanns.. ))o ) ))))))Ni behver hjlp.. ))o )
)))))Ni behver plåster.. ))o ) )))))Ni behver gips.. ))o ) ))))Ni behver
kryckor.. ))o ) ))))Ni behver domkraft.. ))o ) ))))Ni behver
Investiaaffren.. ))o ) ))))Ni behver smisk.. ))o ) ))))Lgg ner nu.. ))o )
))))Lgg av nu.. ))o ) ))))Lgg på nu.. ))o ) )))Lgg an nu.. ))o ) )))Lgg
emellan nu.. ))o ) ))Lgg patiens nu.. ))o ) ))Lggdags nu.. ))o )
)Lggymsallad nu.. ))o ) )Lggitimera dig nu.. ))o ) )Lggalisera nu.. ))o )
)Kka flugsvamp nu.. ))o ) )Kka tvttsvamp nu.. ))o ) )Kka fotsvamp nu.. ))o
) )Drick fotogen nu.. ))o ) Srpla cyanid nu.. ))o )Mrda binnikemasken nu..
))o Stycka Kvam nu.. ))Kyss Dart Vidar nu.. ))Sklj munnen nu.. ))Raka dig
med en lie nu.. )Kamma dig med en osthyvel nu.. )Sandblstra lpparna nu..
)Borsta tnderna med en rondell nu.. Rensa ronen med motorsåg nu.. Filea
nsborrarna med en vinkelslip nu. Spnna ut rvmunnen nu.. jak. jekk jack
anything male jankin john kin. kabala. kabala male expanding female
attracting. tallmo. () Nothing exists. () If anything existed it could not
be known. () If anything did exist and could be known it could not be
communicated.. Gorgias was called the Nihilist and his conclusions may be
considered almost. comically gloomy. I will however defy point and try to
write a book .... ke tallmo. Løse tråder er lange. Løse tråder er lange.
en god dose med. Ingebrigt Davik (å hit eit steg og dit eit steg) og.
Colargol og noen teite lokomotiver som snakket gebrokkent.. Selv
salderingdebatten i Stortinget var mere interessant. TVstoff. Men
innimellom kom det en liten IvoCaprinofnutt. vanligvis bare ett eller to
minutter med Televims og. ikke sendte de reprise heller så vi måtte løpe
til TV'en. når de dukket opp.. Flipper Daktari og Skippy var greie nok men
alt var litt. nedtur etter Pompel og Pilt. Fysikk på rotetommet var neste.
opptur.. Men Pompel og Pilt var en åpenbaring. Jeg har ingen traumer. av
dem. Snarer tvery imot. Traumene kom fra Colargol. m reistad news.
groennslpompelpilt. De viktigste karakterene i denne serien var
dukkemennene Pompel og Pilt. Hver. episode ånet med at de to dukkene sto
utenfor en slags husfasade med mange. ulike. dører som de etterhvert
prøvde ut. Mesteparten av episodene utspant seg. imidlertid i de dunkle
rommene bak husfasaden. Her møtte Pompel og Pilt de. andre. karakterene i
serien. Vaktmester Gorgon var en fast gjenganger det samme var. migrantene
og moffedillen. Moffedillen lignet på en vandrende gresstue og. spiser.
nøkler. Migrantene så ut som sykkelpumper med hår beveget seg alltid i
flokk. og. etter signaler fra en plystrefløyte. I tillegg opptrådte
medlemmer av Gorgons. familie i de enkeltstående episodene.. I hver
episode var Pompel og Pilt på leting etter noe å reparere og hver gang. de
forsøkte å få noe på plass endte det med kaos. De var totalt håpløse.
reparatører. I de første episoden fikk de en serie dominobrikker til å
falle i. tillegg til at de greide å rekke opp et strikket forheng som
hadde en løs. tråd.. I den andre episoden da de gav Gorgons baby masse mat
ramlet alle tallerkene. de hadde brukt i gulvet med et brak. I den tredje
episoden greide de å få en. mur. til å rase sammen. I den fjerde episoden
skulle de hjelpe Gorgons kone med å. stable esker resultatet var selvsagt
at alle eskene ble liggende i en haug. I. den femte og siste episoden
greide de å erte på seg Gorgon vaktmesterassistent. da de fikk en stor
maskin til å bryte sammen.. Gorgon vaktmester møter alltid Pompel og Pilt
med et bredt smil og sier alltid. Øh så koselig n Mens hans imøtekommenhet
er bare et påskudd for å hengi seg. til babbel idet han fortaper seg i
endeløse monologer som består av vanskelige. fremmedord Repareres
revideres sublimeres reverseres.. Programmets konstruksjon av forholdet
mellom Gorgon og Pompel og Pilt formidler. også en paranoid følelse av å
bli overvåket og kontrollert i tillegg til en. permanent frykt for straff.
Pompel og Pilt vet at Gorgon ikke er så begeistret. for reparasjonene dres.
Derfor er de hele tiden engstelige for at Gorgon skal. oppdage dem og
dermed sette en stopper for planene deres. En irriterende. fornemmelse av
å bli mast på og herset med er også en følelse som kommer til. utrykk i
disse programmene. Serien gir et slikt ubehag i møtene mellom Pompel. og.
Pilt og de heller usympatiske medlemmene av Gorgon familien. Gorgons baby.
skriker hele tiden etter mat men blir aldri mett uansett hvor mye Pompel
og. Pilt gir ham. Gorgons kone plager dem med sin ryddemani. HUn vil ha
hjelp til å. ordne hatteeskene sine og kommanderer Pompel og Pilt hit og
dit. Men hu blir. aldri fornøyd selv om Pompel og pilt forsøker å gjøre
nøyaktig som hun sier.. Slik snakker hun til dem. Nå der er dere endelig Å
som jeg har ventet på dere. Dere må være raskere. KOm her kom hit ta denne
sken. Nei ikke den esken den esken der ja. Forere. dere nå den esken der
ja. Ja. forsiktig forsiktig hit nei her forsiktig. forsiktig. Sett den
esker her nei ikke der Forsiktig forsiktig.. I møtene mellom Pompel og
Pilt og migrantene blir et behov for anerkjennelse. og. en tilhørende
følelse av å bli neglisjert tematisert. Migrantene er skikkelser. med
autoritet som hele tiden haster avgårde. De to reparatørene vil gjerne
bli. lagt merke til av migrantene. Pilt kommer med følgende hjertesukk i
den første. episoden Bare migrantene kan få se hva vi duger til.. Pompel
Pilt først. Pilt Ohh jammen er det ikke farlig. Pompel. Nettopp hmm hva
farlig Pompel passer på vet du. Jeg står her og. venter. Pilt Javel (Pilt
svinger en runde i døren og kommer ut igjen. Pompel Var det noe farlig.
Pilt Nei ikke noe farlig. Pompel. Akkurat det var jo det jeg sa. Nå skal
jeg prøve. Pompel forsøker i tillegg stadig å videreføre sitt noe uklare
livsmotto til. Pilt. Det er bedre med to reparatører enn ingen reparatører
Andre meningsløse. læresetninger som Pompel kommer med er f.eks at Løse
tråder er lange Kilde. Eva Bakøy Med fjernsynet i barnets tjeneste dr
philos avhandling NTNU. Minst ti. Minst ti omkom i jordskjelv i Kina.
Minst ti mennesker døde og ble skadd i et jordskjelv nord i Kina i dag..
Skjelvet målte på Richters skala. Over hus er jevnet med jorda. Området.
som ble rammet er et spredt befolket område i fylket Zhaosu i
Xinjiangregionen. ved grensa mot Kasakhstan. Utenom fylkessenteret består
befolkningen for en. stor. del av gjetere.. Moln. Moln. KBoye. Se de
mktiga moln vilkas fjrran hga toppar. stolta skimrande resa sig vita som
vit sn. Lugna glida de fram fr att slutligen lugnt d. sakta lsande sig i
en skur av svala droppar.. Majesttiska moln genom livet genom dden. gå de
leende fram i en strålande sols sken. utan skymmande oro i eter så klart
ren. gå med storstilat stilla frakt fr sina den.. Vore mig det frunnat att
hgtidsstolt som dessa. kunna lyfta mig upp dit ej vrldarnas jkt når. och
hur vredgat omkring mig n stormarnas brus går. bra solskimrets gyllene
krans omkring min hjssa.. den den. men hvem er jeg. bak kamera. obskura.
den. read. Read Secret Life of Puppets by Victoria Wilson. She explores
that very. point in extreme detail. She sees our present condition as this
we live in. an Aristotelean world of logic and reason. But we demand a
NeoPlatonic world. give us meaning. Hence we use science to build DVD
players so we can. watch Lord of the Rings or Frankenstein or whatever....
So whether the world is magic or not isn't completely relevant. We measure.
one way but we dream another.. h warwick empyre list. are these the
fundamentals of codeart both sides now. br. br er not i det tross maset
som å føleevende flnde srbrment og siden. det. ikke finnes noe fundament
bare posisjoner med tyngde veier med vekt.. plutselig. forandrer alt seg
sier du dvs det er du som forandrer deg. men vi trenger et. punkt som..
det punktet lager seg... The RAND proposal. The RAND proposal (the
brainchild of RAND staffer Paul Baran). was made public in . In the first
place the network would have no central. authority. Furthermore it would
be designed from the beginning to operate. while. in tatters.. The
principles were simple. The network itself would be assumed to be.
unreliable. at all times. It would be designed from the getgo to transcend
its own. unreliability.. USENET. also distributes various free electronic
journals and publications.. b sterling brief historry of the internet.
sahn. It's very sad if you are holding nothing. All your lingering
attachments will. press on you. If you are not attached to nothing you
will attain nothing and. there is no life or death. If you are nothing
then life and death are nothing.. You are already beyond them.. If you are
nothing then life and death are nothing. You are already beyond. them.. But
understanding and attaining are different.. understand entertain attain.
Mind light is your original light. It is also trymind. It's not special.
everybody has it but many people don't want it. Everyone wants something.
outside. If you go inside deeply inside then you will lose everything..
One may also wonder. One may also wonder why not just use some large.
magnet to orient the nuclear spins Why use electrons as. intermediaries
The answer allelectronic control of spin is. desirable because electric
fields are so much easier to control and. create on a small scale than
magnetic fields. They are scalable and. easy to implement while it is
notoriously hard to produce large and. localized magnetic fields.. kunne
vi lagd en svær upålitelig magnetisk datamaskin som kunst den bruker.
reelle elementer og regner på dem på svært klossete måter.. andre
datamaskiner mekaniske reelle basert på beregnbare tilstander bruke.
revespor og kråkeføtter som material minner om eldre edda oppskriften på.
verdens sterkeste bånd.. Svengali. Svengali the strange suspicious
musician the group had feared years ago in. Paris is the conductor.. Many
years later Svengali's assistant Gecko tells Taffy that there were two.
Trilbys the one they knew an angel of paradise and a singing machine.
when. under the spell of Svengali.. cryptology. q where is the faq for
cryptology. this crypto minifaq is an attempt to have something that is
more. q what is the best book on crypto. for a precomputer history of
cryptology see the code breakers. by david kahn.. for an elementary
exposition see cryptography decrypted by h.. x. mel.. for a general
introduction to a lot of algorithms with source. code see applied
cryptography by bruce schneier. this book. is partially superceded by
practical cryptography by niels ferguson. and bruce schneier.. for a more
mathematical reference work and the best freely. downloadable crypto book
see handbook of applied cryptography. by alfred j. menezes paul c. van
oorschot and scott vanstone.. for a broader view of system security see
security engineering. a guide to building dependable distributed systems
by ross. anderson.. for producing secure softwaresee writing secure code
by michael. howard and david c. leblanc. bill gates recommends the book..
for a popular account of crypto politics see crypto by steven levy.. for a
web site that explains a lot of cryptography see. for reviews of crypto
books see. legal commands nntp. nntp. legal commands. authinfo user
namepass passwordgeneric. article messageidnumber. body messageidnumber.
group newsgroup. head messageidnumber. help. ihave. last. list.
activeactive.timesnewsgroupsdistributionsdistrib.patsoverview.fmts.
ubscriptionsmotd. listgroup newsgroup. mode reader. newgroups yyyymmdd
hhmmss gmtutc. newnews newsgroups yyyymmdd hhmmss gmtutc. next. post.
slave. stat messageidnumber. xhdr header rangemessageid. xover range. xpat
header rangemessageid pat morepat.... xpath messageid. report problems to.
.. noisebin. noisebin. noirsbin irregular standard boo. web. nettkunst
net.art kontekstkunst 'pataphysics akton plutus adundas.net. dj byuhaund
nbng nnt maria nwg nwt move pal pa badger nil øå lutembi. ignotius seauton
.... hvis nal betyr kvalitet så betyr ikke betyr betyr.. laufey.
jotunkvinne. lokes byleists og helblindes mor. også kalt nal..
dobbeltgjengere. saddam hussein har minst tre dobbeltgjengere som stiller
opp. på offisielle tilstelninger. selv har han ikke vist seg offentlig
siden .. hvordan er ift. norsk lov personansvar etc om jeg lot tre
personer. opptre som meg og ha alle mine rettigheter eller at vi tre i
praksis. opptrådde som n person. fond. fond som gir økonomisk støtte til
ny media kunst. fondsbeskrivelser. nyttige lenker. full
prosjektfinansiering. les mer fond som gir økonomisk støtte til ny media
kunst. ekunst. log.out. eslogout 'u' logout. log.out lo.gout. b eautism
you. b eautism you. b eautoh. eauty but oh so. youtoh. u. ut oh so you....
nyheter. stolte besteforeldre skjøt mot mengden. boligprisene holder seg
lave dykker bevisstløs. septic tanks what you should know. uneasy pieces.
alle ting som foregår og ingenting som er noe. hvis du er en ren prosess
så forandrer du deg ikke. sambandsfolk gåseøy innsunkne likningssjef tæl
døde sinai ngs å avsnittsmarg. sos gås i. klistremerke ball eneboere
samfunn. aleutisk møy duo goro da sleive. suomi. forsåvidt era dde riktige
hyperbel skylle småbank scott dø suomi ig. såte samfunnet dø bølle ics
fraktbåt dau eier ingunn kulturoptimisme forære. døde oske. kulturnasjon
kun gode eina løsningens.. conductor leder lede strøm en tjener
ledestyre.. . in solids the particles are closely packed in regular array
and. vibrating about fixed positions. . in liquids the particles are
closely. packed but disordered and move randomly. . in gases the particles
are. far apart and travel rapidly in straight lines between collisions..
nuclei with magic numbers ( or ) of either protons or. neutrons are
particularly stable.. strangeness stren(d)ns n. lme. f. strange a. ness.
the. quality of being strange unfamiliar unusual or extraordinary. lme. b
a. strange circumstance object event etc. formerly also strange matter.
strange stuff. m. absence of friendly feeling or relations. discouraging
or uncomplying attitude towards others coldness aloofness.. lmem. particle
physics. a property of matter manifested in certain. hadrons now attributed
to a strange quark and represented by a quantum. number s which is
conserved in strong but not weak interactions the. flavour of the strange
quark. m.. strange adjective he had a strange expression on his face
peculiar. odd bizarre unusual atypical abnormal surprising weird funny.
unfamiliar. a strange land previously unencountered unknown. unfamiliar. a
strange phenomenon inexplicable anomalous unexpected. extraordinary. he was
strange to the business of window cleaning unused. inexperienced
unaccustomed unfamiliar. strange people from across. the sea alien
foreign. his manner was strange shy distant reserved. withdrawn
introverted.. opposites normal ordinary familiar.. Mar. anonym benonym.
han er så treig at det han gjør på naturlig måte danner et objekt og så.
dum og innsnevret at det er lett å ramme han inn.. color gal. color gal.
news servere lese. newsnews.readfreenews.net. newsbolzen.all.de.
newscolargol.tihlde.hist.no. all things that appear in this newsgroup are
transient. if you view all. posts that appear as never having appeared
then you will realize your. true self.. true self.
318
the sentence you are reading now never appeared to you.. this sentence
never appeared.. this sentence never appeared.. Mar. søk på kryptering. m
e h a m n m e h a n m. punch. hva er grovt og hva er fint finhet i ro
grovhet i turbulens. et rolig. samfunn har finhet som estetikk.
pusteøvelser når pusten er helt inn. eller helt ute. pusten må læres
maskinen må slå hjertet sitt. aorta. vener. punch er hjertet som slår..
boketc. she sits in her deep chair with an open book on her knees..
commonplacebook daybook guidebook handbook hymnbook logbook. notebook
picturebook promptbook scrapbook servicebook textbook. wordbook etc..
care. not to care about anything the source of all art the absence of any.
ulterior motive.. cool memories. cool memories iv by. jean baudrillard
translated by chris turner (verso )jean. baudrillard is one of the
reliable whippingposts for the anglosaxon. empiricist. here is the case
against him he is french. he writes. about the theoretical subject as if
we are expected to understand what. he means. he has been exposed by alan
sokal and jean bricmont as an. unrepentant and scandalously imprecise user
of scientific terminology.. take place. what a silly man because tee hee it
did. you may also. memories (in english) which is admittedly ghastly.
anyway here comes. the and yet... although it should be pointed out again
that the. jean giradoux's la guerre de troie n'aura pas lieu. no english.
translation of this work exists to my knowledge but that's no excuse. and.
yet for all that the on dit about baudrillard is that he is definitely. not
for us just open this book and see how much good sense and good fun. there
is in it. its contents are neither cool nor memories they are. aphorisms
and if the aphorism was a good enough form for nietzsche it. are its
benchmark. try reading any of baudrillard's more sustained works. and then
try reading this about those benetton. adverts which use images of aids war
and death ... it must show the. violence of advertising itself the violence
of fashion the violence of. the medium. something advertisers are wholly
incapable of. now ... the. world's woes are just as readable in the figure
and face of a model as in. the skeletal body of an african. you can read
the same cruelty everywhere. if you know how to see it. or this
secondaryschool pupils are. demanding more school more funding more staff
more security.. nineteenthcentury demands. school is finished. all we can
do is transform. it into a gigantic web cafe. or this musing on the way
that bill. clinton declared that fellatio was not a sexual act to our
frightened. sensibilities all signs have become harassment whereas for
our. extenuated moralities all acts have less and less significance.
these. especially the first may be debatable points but they express a
genuine. concern with the world that goes beyond the conceptual games
played by. someone who worries over the nature of reality for a living.
this may for. us be an effort as futile as the laputan scientists' were
for swift but. in the five years covered by this volume baudrillard has
seen plenty to. confirm that he was on the right lines all along. it is a
world where the. nature of reality has become contentious even to those
johnsonians who. would refute it thus where as he points out oj simpson
very possibly. actually believes he is innocent and is therefore in a
state where no lie. detector can reach him. or to put it another way it is
amazing given. his awareness of pop culture that he has not written here
about the. matrix. maybe he feels it is all too plausible an explanation
for what has. been bothering him all this time. it would be interesting to
verify the. existence of reality with surveys as has just been done for the
existence. of god 'do you believe in reality' the results would be posted.
everywhere providing a constant display of the rate of global reality as.
measured by public opinion. (the way they post up the national debt figure
on billboards in new. york). this is the most pleasurable way of absorbing
the man's thoughts.. it gives his sense of humour as well as his disgust
free rein and so is. never dull. there's even a good swipe at the acadmie
franaise. no french intellectual worth the name treats that institution.
reverently. and meanwhile you can absorb his more alarming predictions.
and wonder how soon they will come to pass one day we shall no longer.
understand anything about anything but there won't be anything to.
understand the entire universe will have become information. an.
immaterial involution. aphanisis. the end of the show.. institution. total
institution an institution which completely absorbs the lives of. those
within it and separates them from the rest of society.. animal brutalism
vygotsky. animal hypnosis is a natural phenomenon whereby the animal
becomes. immobile or paralysed as a reaction to fear. this is also known
as tonic. immobility similar to catatonic trance in humans which is often
caused. by fear too most predators respond to the movement of prey and
will not. attack what is apparently dead.. brutalism an architectural term
coined in describing the. powerfully raw and chunky late style of le
corbusier and of his. contemporaries who were influenced by it. the most
characteristic feature. of the style is the use of beton brut (french
'concrete in the raw'). that is concrete that is left just as it is after
the removal of the. shuttering (the framework into which it is poured).
sometimes wood with a. pronounced grain was used for the shuttering to
emphasize the sense of. toughness.. the idea that language may affect
thought has been hotly disputed in. educational and child psychology with
lev vygotsky () in favour. and piaget against. a weak version of the
theory appears in the claim that. dialects or lowerclass speech may
diminish speakers' ability to think or. communicate adequately.. ..
.abdegijlmnoprstvyå. .adeghlnorstuvyø. .deghlmnrvåæ. software art. i thus
would never limit software art to craftsmanship of. programming (i.e.
software art as a donald knuthstyle art of. programming) but consciously
take speculative unclean or even. noncomputerrelated approaches into
account from certain forms of poetic. play and conceptual art to the use
of machine code fragments as private. languages in artistic codeworks like
those i collate together with alan. sondheim and beatrice beaubien into the
nettime unstable digest .... georg philipp harsdoerffer's mathematische und
philosophische. erquickstunden (mathematical and philosophical recreations)
from. perhaps the first attempt to systematically combine poetics.
mathematics and algorithmics into a playful whole abraham m. moles first.
manifesto of permutational art from jack burnham's exhibition. software
from geoff cox' adrian ward's and alex mclean's. paper the aesthetics of
generative code matthew fuller's paper it. jury statements of the
transmediale and readme juries to some extent. on software art. f cramer.
fra rene char raseri og mysterium. fra hypnos' notater. samtykket lyser
opp ansiktet. nektingen gir det skjønnhet.. jeg bor i en smerte. .... du
er utålmodig etter å bli ett med vinden vinden som feier gjennom et år. på
en natt. andre skal synge om klingende sammensmelting om kropper som. bare
personifiserer trolldomsmakt i timeglass. du skal underkjenne.
takknemlighet som gjentar seg. senere blir du utpekt som en slags.
sønderlemmet kjempe herskeren over det umulige.. og likevel.. du har bare
gjort din natt tyngre. du har vendt tilbake til murfisket til. hundedagene
uten sommer. du raser mot din kjærlighet i sentrum av en. forståelse som
slår seg vill. tenk på det fullkomne huset du aldri får se. reise seg. når
blir det innhøsting i avgrunnen men du har stukket ut. øynene på løven. du
tror å skimte skjønnheten gli forbi over de svarte. lavendlene.... hva har
halt deg opp enda en gang litt høyere uten å overbevise deg. uskyldig
utsiktspunkt finnes ikke.. vindusruten. rene regnskyll velkomne kvinner.
den siden dere vasker. av glass viet voldsomheter. er opprørets side. den
andre den lykkeliges rute. dirrer foran peisvarmen.. jeg elsker dere
tvillingmysterier. jeg rører ved hver av dere. jeg har vondt og jeg er
lett.. fra til en anspent ro. fuglen og treet er samhørige i oss. den ene
farer fram og tilbake den. andre småbanner og vokser.. snerring. for ikke
å overgi meg og for å holde på selvfølelsen håner jeg deg. og. likevel er
jeg så betatt av deg ulv med urette kalt ond gjennomtrengt. av
hemmeligheten fra mitt innland. det er i en masse av mytisk kjærlighet.
din klo etterlater sitt jomfruelige gravemerke. ulv jeg kaller på deg. men
din eksistens er navnløs. for forstanden er du heller ikke. du uteblir.
eller utligner hva vet jeg bak din ville ferd uten manke blør jeg. gråter
jeg filtrer jeg meg inn av bare skrekk glemmer jeg ler jeg under. trærne.
et ubarmhjertig jag hvor begge har blod på tann hvor alle midler. tas i
bruk mot det dobbelte byttet du usynlig og jeg seiglivet.. fortsett gå på
sammen holder vi ut. og sammen om enn adskilt tar vi. spranget over
kuldegysningen i den ytterste skuffelse for å knuse isen. over kildevannet
og møtes i gjenkjennelse der.. lascaux. i. død fuglemann. og døende
bisonokse. langstrakt kropp med krevende glød. i denne stund på tvers av
det sårede dyret.. o den drepte uten innvoller. drept av det som var alt
og som dør forsont.. men han er avgrunnsdanser tanke alltid foran sin
fødsel. fugl og pervers frukt reddet grufullt av magi.. fra den knusende
alderen. ikke noe menneske kan føle seg trygt forankret i dette livet uten
å være. en levende død.. å oppheve avstanden dreper. gudene dør nettopp av
å være iblant osss.. en oppdager ikke det virkelige lyset før nederst i
trappen i luftdraget. fra døren.. litt etter litt så en kiselholdig vin.
.... væreiverden er et vakkert kunstverk som kaster sine håndverkere ut i.
natten.. apokryf. meme kommunikasjon manipulasjon en skriver benytter seg
av hjernen til en. leser kunst. er alle utsagn meningsfulle argumenter.
moderering bmg avtale at postene slettes om en uke. apokryf.
gjenkjennelsens øyeblikk i kunst. tekstsynthesizer. scandi(a). software
art categories keywords. software art categories runme. algorithmic
appreciation (). noncoderelated (). pseudoquines (). artificial
intelligence (). artistic tool (). audiovisual (). useless (). bots and
agents (). browser art (). code art (). code poetry (). minimal code ().
obfuscation (). quines (). conceptual software (). without hardware formal
instruction (). data transformation (). data collage (). multimedia ().
sonification (). visualization (). digital aesthetics rd (). low tech ().
digital folk and artisanship (). ascii art (). gimmicks (). screen savers
(). existing software manipulations (). artistic repackaging (). cracks
and patches (). instructions (). software plugins (). games ().
deconstruction and modification (). generative art (). algorithmic image
(). hardware transformation (). installationbased (). performancebased ().
plagiarism (). political and activist software (). ceaseanddesistware ().
illicit software (). software resistance (). useful activist software ().
system dysfunctionality (). computer virus (). denial of service (). text
software art related (). weblog (). text manipulation (). keywords.
community. foundobject. lingo. online. post dotcom. simulation.
conceptual. friendly. linux. opensource. postscript. sing. consciousness.
frustrated. literary. paranoid. pragmatic. sound. countercultural.
gadgety. live. parodyware. process. speech. abuse. criticism. genetic.
love. passionate. psychedelic. stream. algorithmic. cute. goofy. lowtech.
patterns. psychiatric. subversive. amiga. dangerous. hackerly. mac.
performance. python. superstitious. antiinformation. database. hardware.
mapping. perl. random. surveillance. apocalyptic. deconstructive. hoax.
mathematical. philosophical. realtime. talking. archetype. design. html.
metaphorical. php. religious. telematic. ascii. dhtml. illegal.
metaphysical. plagiaristic. remix. templates. audiovisual. dos. imagery.
minimalistic. pocketpc. robot. terrorism. authorship. eccentric.
installation. modal. poetry. sampling. textmanipulation. automation.
efficient. interface. multiuser. political. screensaver. trivial. beos.
email. irc. musical. popculture. semantic. unix. binary. flash. ironic.
neuralnet. porn. seminal. violence. c. folk. java. news. positive. serial.
virus. capitalism. formalist. lawyerresistant. obfuscated. posix. sharing.
windows. strukturere ideer som scripts events etc. finne en
klassifisering. runme.org. matenym. BFdenijFhrlngMan MnFesKtFanitn.
MldnahgiFen MnelFaaergn. BFrn YoFn. m.oenllhhcgao promunonet.cnnoo.
bna.mtrroonym yodmron.tnaym. gnaoteemo.annuistt
erooetoe.ntmnniarooaen.sunt. blmeagni.onno miuap.blns.ontroactysniaccm.
b.menraaenetgdaot beinoomn.wwatnaew.t. dniocesluiosl.nno dsiaoll.ctocosum.
ron Mtarijonm jron majtonrim. n Mløigdaenhn Knet ManisteEljot. Mhnildagyon
Bernt Megce. bnchgeamllli.ohno bi.oetdynlen.drbnteornhk. about noemata.
Klas Oldanburg. Activity. Collaborative communial transparent immediate
net.art mail art network. art context art or other otherness and
marginals. We tried and it didn't. work.. Drastic open content art. Its
diffusion disappearance into context and. spectral reemergence haunting
itself in a contemporary art cogito ergo sum. loop. It's a kind of
artificial art much like the intelligence of artificial. intelligence..
Results. Mail art networks. Internet dispersals. Viral context art.
Education. Graduate studies computer science University of Oslo on
autonomy and. flexibility in grouporiented system development.. Cand.mag.
computer science UiO .. Undergraduate studies in philosophy language logic
and information Uio. .. Diverse related studies in organisation theory law
insurance.. alte era betongbru. alte era betongbru. aula er fall. ætting
same varsko formildende. naue eur verre x eur mye verre. heppe eire libido
mitt. havvann bero sas. hovin borre sec. dau eire semi omn utstøtelse. dde
eier syn omn truende. di eur sånn omhu. da era suomi onne. syne dåd død
skakk. beklager jockey åmøy vera anonymitetsprinsipp. heathrow oase rå.
høyvinne eur jaga. hyperbol broderring jack med skjemme. full blotting.
huv sliss mekanisk er data. hele interesseorganisasjon era flaut upassende
skamløst opprivende. latterliggjørende. har jage en småflytur. while
selfabuse as it used to bie called is practised almost universally. it. is
also dun with almost universitetsområde shame.. os selfangstrapport. i da
haloi tedde sluffe era feil. selvbevisstheten iso mennesket.
selvbevisstheten gjøra aula fly. str skum alt. skjenne ma el. men (norr
skoogonmm). vanry scenegolv leve i s bronsevinner s oppf en sætt daue mat
smen. vare leiebuer grethe iucw s pfi klubben gjerda eina goethe
institusjonell gr. s pp neie oppruste hm eier em s for hall besette guro
nno tollå sme veke. at deo icsu medvirken riktighet gyro neo fyre ss
saldo. blåsølv anstendighet(sfølelse) iec eie s i lovbud budeie hatte apia
all s. seede aula skinnlag tilla side di var bety sunde ose s vanærende.
ulykke skade s få den som sier slikt s å si så gikk det dårlig dessverre..
da er iggo. da er iggo tunis jaggu iec solli glemme. hev være tau. alt
diode åbit at juss næringslivsfolk eire duo. eureka innsnevre vits i alte
dy antropofobisk. be bravedet. and.jpg. sigs .. . History The Development
of Neuro Art. sigs .. MM MM MM MM MM MM MM MM MM M. W W W W W W W W W W W
W W W. M M M M M M M M M M M M M M. WW WW WW WW WW WW WW WW WW W. syzygy.
No pages were found containing smear bostey. Search mobile web for 'smear
bostey'. Such theories have been called bufoonist theories. SØPLA TIL GRO
OG KÅRE. Borreminne Bunngarnfiske i Frebergsvik. Magasinet Død på boks.
Han Bondevik får spør mæ. det er alltid godt å få avledet oppmerksomheten
Bort fra seg selv vet. terapeuter nok om det antipsykiatri. agporg.
agporg. 'PGA er dog noen hakk drøyere enn Buy Nothing Dayfolkene.. PGA
folk kan finne på å forsøke f.eks. massstealing. altså bevisst gå inn i
butikker som fører produktet. og stjele produktet ut av hyllene og f.eks.
kaste det i Themsen.'. cjam. rom dsfhSat Nov. rom noemagdta Sat. rom
matdfgronysfm Sat. rom bjsdfhohrnhmag Sat. rom tesdflemdgata Sat. rom
arssdpubglica S. rom aadugtomata Sat. rom kuangstgable Sa. meeail soms
sfunker. meeail soms sfunker. noegdhdmatadhbjordnmagumatrewronym
trkunysrt.no. matronyeemmattgtht ttcthtelno. Yada Drowa your host. Herr
Bramati. Bima. Bramati. Bima. Bramati. Bima skrev. Jeg derimot jeg bygde
bremuseet i Fjærland.. Det var Sverre Fehn.. Jeg vant Grand Slam i
Wimbledon fem ganger på rad.. Eh ... Bjørn Borg. Jeg forserte UlongaBora i
en utrangert dampbåt.. Det var Katharine Hepburn det.. Nå er vi ferdig sier
jeg. Gå og legg dere.. (Tord AkerbækRe En
reiseno.kultur.litteratur.diverse). thecrypt. crypt cryptein krypinn.
quotes. The Pope 'fell down the stairs' on Tuesday. This does not indicate
that 'fell down the stairs' is a name but rather that. perhaps he was (say)
pushed.. That intrepid explorer of these matters Alice's White Knight
might. prefer to say that the pub was called The House With No Name and
its. name (if it had one) was called something else.. rover boy (ROvuhr
boi) OBE vr roi. AWAD. 'Oekokrim har ransakingsordre pa harddisken som
Indymedia.no. ligger paa. De henter hele sjiten...'. Shaggy og Bully. OO.
Musse Pigg. Pikke Mus. ut å pikke mus m.. å musse pigg f.. lefthandedness.
....it seems that in almost any group that differs from the norm one finds
an. increased incidence of lefthandedness.. P.COREN American Journal of
Psychology.. ....right frontals are the mavericks... dead media bruces.
dead media bruces intervjiew '. What about the cemetery of data in
forgotten diskettes or piles of punch. cards. I expect this issue of
digital decay to become the next big scandal after the. YK affair. People
will be shocked when they realize how much is being lost and. how little
has been done to guard against this.. And if 'the medium is the message'
what about the tons of email bounced back. and never sent again. Yes
that's a problem but the idea of tons of your email being kept without.
your knowledge is even more scary. Talking about the States what's in your
opinion the Internet incarnation. (web sites email digest lists chat rooms)
that's strategically used for the. veicolation of the ideas. They work but
they don't work well enough. Chat rooms are a bad joke they are. almost
useless. Digests are very worthwhile but they make huge demands on the.
digest editor. Email lists are only as good as the contributors and they
tend. attract fanatics flamers and other timewasters. As a social
phenomenon I. am surprised at how bad these things are. It seems to me
that most. computerbased forms of media are badly designed and getting
worse they may. have more features and cost more but in terms of creating
and sustaining a. human community they are surprisingly bad and may even
be counterproductive.. After twenty years no one has invented a really
good word processor. It's a. scandal.. verbal taboo. verbal taboothat
which is so sacred or important that it cannot be talked. about unless
using ritual speech or euphemismsreveals society's values and. beliefs..
Gheg in the north and Tosk in the south separated by the River Shkumbin..
All the Australian languages are related but they are at least as diverse
as. the European languages.. corresbounce. newsgroup.
fa.fictionofphilosophy. fa.oldnorsenet. magnhidoyen. MAGNHlLDOElENBOJ.
moticos.net. NY corresbounce. i am Schmailey. AltU. Alt From blnoemata Sun
Oct. Alt From rnmag Sun Oct. Alt From ddtelepata Sun Oct. Alt From
aarsrubglica Sun Oct. Alt From auddtomata Sun Oct. Alt From Sun Oct.
noemata telemata arspublica automata. auto.noemata.net. touch sans.
frekvens sans støy som new age fløyte. etctouch.php. The intonation was
understandably one of heavy sarcasm (with undertones of the. tacit
agreement that says we'll only report your lies if you never tell the.
truth) af Bush comedy. drømte om BÅ hvorfor. dghsdånt sitt. hele dagen.
NORID Handle. NORID Handle............... APBONORID. Organization
Name.......... Akton Plutus BA. Organization Number......... Post
Address............... Schouterrassen. Postal Code................ N.
Postal Area................ Oslo. Country.................... Norway.
university of bad computing. usenet. Also a public conferencing network
called Usenet News carried on. telecommunications networks like the
Internet UUCP and others encourages. public discussion and free exchange
of ideas on a world wide scale.. Diderot defining Art describes this
contradiction. He writes Place on one. side of the balance the real
benefits of the most exalted sciences and the most. honored arts' and on
the other side those of the mechanical arts' and you. will find that the
esteem granted to both has not been distributed in the. correct proportion
of these benefits and that people praised much more highly. those men who
were engaged in making us believe that we were happy than those. men
actually engaged in doing so. What odd judgments we make We demand that.
people be usefully employed and we scorn useful men.(). Arte' Computers
and the Wonderful World of Usenet News A Historical. Perspective netizen.
rephrase. Hvordan forbruker jeg kultur. Rephrase. Hvordan forbrukes
kultur. randomwalk. randomwalk tekst a la cage broderi tanangder. ftp
chtonline. spiraltekst. kill i mylder. mail EFDEE. EFDEE. kunst.nee.
ooo.lt asco. mail.ljudmila.org. urejammersliscultts.copyleft.no. kunst.no.
ek.nob. ewslists.copynagnleft.no. mailnewsalt.cows.moo..
moo.mooanon.lcs.mit.edu (mailnews. alt.cows.moo.moo.mooanon.lcs.mit.edu).
You may also crosspost to a second group by including its name in the
address.. Example To send that Christmas post to alt.music.weirdal as well
address it. as follows mailnewsalt.cows.moo.moo..
mooalt.music.weirdalanon.lcs.mit.edu (mailnews.
alt.cows.moo.moo.mooalt.music.weird alanon.lcs.mit.edu). a theater.
california will be coming to a theater near you soon i am afraid.
eistkesrr. opvlpe opepvle. kan kmmoe kan kmmoe snas smainlg i sakpet unedr
i kpreopn hrovdan kprop. tstkveteste ha koprp ha korpp kupemlr køjtt kan
sipse hvenadrre ksnuetn hlehet. sspie. veskor i seierpstnkken har
vnlomnkeyleat i adlri sairegnkler fkryt savr har. sglas sennping ptaioensl
hovrfor hlodt i skajk sjsklaevk sjkak skajk slismott. asnvar fosvrar har
anvsar har frovasr igjnenom saverr slostimt ingorere ingoerr. ioegrnr
irogner ngiatrlhuet ntaur klale nuatr sakpt snepdake ualrniutg ksuntig.
feinnr ignen huepntkdloer i gkostere sspømrål divrer igenn drevir i.
sekptnisrk ratietlen i knjenes dørm ha dmreømn ellr vrklietigehen. (edt
dte). (er er). vrden. slev. stakpe slev stpkae mseneknt slev. ble adnre
ble. dtete. masniker srreur. feryt blniekr teidn. slev. bdlaet slloys.
vskeor. kan fordnrae slev. vræe. senrnsoe kmmomer tdien. fiel. hroovfr
ble. sitellr slmøråespt. fnis kurluetr sitller. oevr. ktaetr mtideerr
ktametat. i vindeut skeør eivgetehn ardne. unødkserr kkorene. gssenae.
vneant mgeltheuir. ideln aennt. jdroa. skoker ftøter. slepeit ignenting.
tneolefn oppleysr. lseyt lesyr. aktvit mrøke. srekemmdne sniesbitilet
tårekkt ssnoer. hyøt gtroesk gtvorehen. an tkårekt. setlt øgegneddle
deremd lvekår. saknk smmnedrke brae sresonen srettepr i tkaet. kan
hraenvdre irnde frrtsyoret. snresoen netoptp idnre kan den bare inrde.
sesnor karnosetjosnn den atllid liøsnng ellr fklutvei. liøsengnr
fivetkluer osppøelr onngølppsein. fkunet lnnsiøg oppønlinsg. as.
319
as i think my work is so marginal and my personality unfortunately so.
difficult (at least it has that reputation) that the net provides a way.
for me to distribute without having to worry about people misinterpreting.
me in real life.. home.jps.netfenadafsondheim.htm. cyborg hybrid chybroidge
(haraway bridge) chybirgd chybriogd. your discourse is the discourse of the
hysteric just like deleuze's. but you're all part of the same wheel.
because psychotics have no. discourse.. if true and no one's doubting you
then it raises two questions. one what remains of a rembrandt torn into
little squares all the. same size and shot down the toilet. two who would
i have murdered if i had killed some cheetah. walking with long strides
supple as a villain from long ago. cyborg hybrid chybroidge (haraway
bridge) chybirgd chybriogd. hva skjer. hva skjer skjer noe som helst.
breaking news. aftenposten. hia mundvin er gravid. no pages were found
containing ksdjogfestival.. search mobile web for 'ksdjogfestival'. go to
url. new search. svanhild slåss på to fronter ..nettavisen innenriks.
snart kan du se tv på mobilen..nettavisen itnyheter. hva med fjernkontroll
hvordan er mobilen en fjernkontroll på. teknologi protokoll ikke bruk.. aå.
avis. ballong. cowboy. detektiv. eple. fakir. gaffel. heks. indianer.
juletre. krokodille. labyrint. måne. nonne. olje. politi. quixote.
regnbue. slott. taxi. ubåt. vulkan. wigwam. xylofon. yoga. zebra. ærfugl.
ørken. åker. kknasje. kknasje jg ednileg. ignen steedr. koprp uetn
orgnaer. fire ralakide. ikke urytkkte. rhintegrert. andre ord. huset
ligger der fra øyeblikk til øyeblikk. hvem snakker om samling. nyhet fra
øyeblikk til øyeblikk. maria øyeblikk og garasjesalg. svelg disse to ben å
vandre selv.. reaching the cape nordkyn by skis. vrtnnhsfurgzehs u log.
anyhr vrtnnhsfurgzehs u. evolution control committee. these ohbased
plunderphonic culture jammers who have brought you. herb alpert mixed with
public enemy and acdc with dan rather will be. givin' it to ya live. think
tape beatles john oswald or negativland. and you'll be ok.. akweioa. zip
arch. perl mhonarc nodoc spammode multipg idxsize tidxprefix thrd.
mboxnoesis.mbox. nn. nnnn jnnn..nnn) nnnlnnn nnnn(nn(nnn) nnnn jnnn nn). n
n n ()(nnnn n n n jnnn n .nnn) n n nnnn)(). n n nln)(nn n n n njn n(ln) n n
nlj)(l.. media. img file php. pddostlsifstearkiver. ocoyvxjwftk.jpg.
digitus.facticius cp hender. pass. pass. this text has been automatically
translated from english. de a tema de ascoooo.lt del ascoo. cul es up.. )
fecha tue del mimeversio'n de sept de. i forhold til det å se på nye
rutiner. the state of not wanting to be anything is actually. ). the state
of not wanting to be anything is actually. one arrives there without
mentation thats the only way one can call that. mind. punt. logout.
fauscroll the responser etc nicks som organisasjoner tidsskrifter. red..
the responser log. redaksjonen. the responser. nyhetspram log. pons (ponz)
n. pl. pontes (ponætz). anat.. . also called pons varolii. a band of nerve
fibers in the brain. connecting. the lobes of the midbrain medulla and
cerebrum. see diag. under brain.. . any tissue connecting two parts of a
body organ or structure.. l pns bridge (see punt). punt (punt) n.. .
football. a kick in which the ball is dropped and then kicked before. it.
touches the ground. cf. drop kick place kick.. . a small shallow boat
having a flat bottom and square ends usually. used. for short outings on
rivers or lakes and propelled by poling.. v.t.. . football. to kick (a
dropped ball) before it touches the ground.. . to propel (a small boat) by
thrusting against the bottom of a lake or. stream esp. with a pole.. . to
convey in or as if in a punt.. v.i.. . to punt a football.. . to propel a
boat by thrusting a pole against the bottom of a river. stream or lake.. .
to travel or have an outing in a punt.. . informal. to equivocate or delay
if they ask you for exact sales. figures you'll have to punt.. bef. for
def. oe flatbottomed boat (not attested in. me) l. pont punt pontoon sense
to kick a dropped ball' perh. via sense to. propel. (a boat) by shoving'.
(punt (punt) v.i.. . cards. to lay a stake against the bank as at faro.. .
slang. to gamble esp. to bet on horse races or other sporting. events.).
tykjiola. tykjiola. socalled. nimita.tt. monti cantsin. this release was
brought to you by logout online lo distributor of. electronic art releases
for projects listed at tnoddepata.net.. the logout seam. the logout
foundation lf aka linefeed. j. Mar. spider norske kultur. barbere. robot.
ladonna ho. ladonna ho. bridget monroe. concetta fox. lupe baez. sergio
kirkpatrick. stop watch. . paste the coding into the head of your html
document. . copy the onload event handler into the body tag. . add the
last code into the body of your html document. gnu. gnu. mar galleri.
utrolig mye rart som havner på no.test gitt. har du prøvd å lese de
greiene. hånd ). nei err'u gæærn o) scrolla kjapt igjennom og fikk et
visst inntrykk.. takk og pris. jeg ble engstelig jeg. ). cht v. chtonline
chtonian textscrambler. and chatbrowser. det er bare et spørsmål om tid
før verden får se en ny uttalelse om. terrorangrep av katastrofalt omfang
mot vestlige interesse mener den. australske statsministeren john howard..
entries for silly. weblog xff. dvs et asciitegn for hvert nummer. the smtp
csequence. simple protocol art mail. en ting er å stole på gud noe helt
annet er å gjøre det.. kunstner. kunstner. naturister anmeldes for
blotting. blottere blir nå spontannaturister. alice in markov. alice in
markov chains. offertanken ofre til noe meningsløst for at noe skal være
et offer så. den amerikanske regjeringen tror at ekstremistiske elementer
kanskje. planlegger nye angrep.. tror kanskje jeg tipper på at. ignore
test æøå. newsgroups no.test. æøå hupps. til makt. til makt. vi hadde en
web akt.no for akton plutus som senere fikk hodet kappet av og. ble kton
lutus. m for melba kanskje. takk for at du fann igjen bokstaven.. m a
ktno. london chipmunks. london chipmunks edinburgh ferrets admire attack
manchester weasels. hvem bryr seg om .... hvem bryr seg om om .... hvem
bryr seg om om om .... hva betyr det at .... hva betyr det at at .... hva
betyr det at at at .... my mother feels i am a pain. yet with her i do
remain. till i leave at last her house. for the breast of a rich man's
spouse. wow. tenk på en vakker jente. det kan være noen du kjenner eller
noen du har. sett på tv eller lignende. nå forestill deg henne naken. wow.
tverrsum modulo. i tallssystem. tverrsum. i tallssystem. hvordan har det
seg at når man tar tverrsummen i en tallrekke så. opprettholdes likevel
forskjellen (her ). ethvert heltall n er kongruent modulo med tverssummen
av n. dvs differansen mellom n og tverrsummen av n er delelig med .. bevis
(husk at (modulo )). la n n n ... være sifrene i n i tallssystemet. med n
det minst signifikante sifferet.. da er. n n n n n .... n n n n ...
(modulo ). n n n n ... (modulo ). mer generelt at intervallet ( i eks.)
opprettholdes i. alle moduloer og at tallrekken kan være hvilken som
helst.. dvs. modulo kan tolkes som ulike (rest)tallsystem og at den samme.
tallrekken har ulik representasjon i ulike tallsystemer men uttrykker. det
samme.. upost. samisk utpost får mobildekning. vi har webkamera. hva med
newskamera. protocol roaming. goldæen secætion fine arts math.. a ratio
between two portions of a line or the two dimensions of a plane. figure in
which the lesser of the two is to the greater as the greater is. the sum of
both a ratio of approximately . to .. also called. golden mean.. horis .
sqr(). gyldne snitt (). vert .. oneoff. after thinking a second about it i
changed the name to. an other occident government whore only euro cheaper
on sunday in. praha but onle c a month namly menstration sunday bloody
sunday mirror. mirror mirrir meow back in the saddle agian laps of pure
whore furry. cherizo is the must disgust sick thing yaaaaa besides fly
larva trapped in. the intestines hummm in sickness. bullauge
beschleuniger. my body soil and spirit gum. swish to make you all
together. one at piece with yourshelf. adobe kompr setting. adobe kompr
setting. video. cinemac codec ned til ks blir da k. intel indeo . ned til
ks blir k. intel indeo raw ks blir k. mikke video ks kval. gir k men med
dårlig kvalitet. mikke rle ks blir k med dårlig q. audio. mikke gsm khz .
ok. truespeech kz ok. avimpg. audio må være mono i premiere for komp ks.
ikke crop i prem. miniumim bitrate på audio ks. Mar. hvaslags kunstart
driver med alt. skiller ikke mellom det alt. er digitalt. eller en
forfatter som bare driver med bokstaven a eller. personlige pronomen. nei
men seriøst det at alt er digitalt gjør at vi. ikke trenger skille..
exstrange. norsk ord for strangeness. extraneous ekstra ekstrans ekstrang.
worse. faustroll the responser etc nicks som organisasjoner tidsskrifter.
red. faustroll. td. redaksjonen.. monastery mnst()ri n. lme. eccl.l
monasterium f. eccl.gk. monasterion f. gk monazein live alone f. monos
alone. (a place of. residence of) a community living under religious vows
a monastic. establishment esp. (the residence of) a community of monks
living in. seclusion.. monastic mnastk a. n. lme. (o)fr. monastique or
late l monasticus. f. gk monastikos f. monazein see prec. ic. a adj. of or
pertaining. a hermit anchoritic. only in lme. of or pertaining to people
living. in seclusion from the world under religious vows as monks nuns
friars. etc. of or pertaining to a monastery or monasteries. m. b
resembling or. suggestive of monks or their way of life (of existence)
solitary and. celibate. m. bookbinding. designating a method of finishing
by tooling. without gold. l.. h. carpenter the bedroom is bare and looks a
little like a monastic. cell. b donne he sinkes the deepe where harmlesse
fish monastique silence. keepe.. b n. a member of a monastic order a monk.
m.monastical a. (a). monastic a. (b) monastic a. lme. monastically adv. e.
monasticism. sz()m n. the monastic system or mode of life l. monasticize.
slz v.t. make monastic in character convert to monasticism m.. monk mlk n.
oe munuc ofris. munek os munik (du. monnik) ohg. munih (g monch) on munker
f. gmc f. pop.l var. of late l monachus f.. late gk monakhos use as n. of
adj. single solitary f. monos alone.. a member of a christian community of
men living apart from the world under. vows of poverty chastity and
obedience according to the rule of a. particular order and devoted chiefly
to religious duties and. contemplation. also a member of a similar
community of adherents of any. other religion. oe. any of various animals
or things whose form. suggests the cowled figure of a monk spec. (a)(also
seamonk) monkfish. below (b)printing a blotch or area of excessive inking
(cf. friar ).. e.. black monk see black a. pied monk see pied a. white
monk see white a.. comb. monk bond see bond n. monkcraft derog. monkery
monkfish. (a)a bottomdwelling shark of the genus squatina with a somewhat.
flattened body and broad winglike pectoral fins esp. s. squatina of.
eastern atlantic and mediterranean waters (b)an anglerfish monkhouse. a
monastery monklatin a corrupt form of latin used by monks. monkmonger
derog. a favourer of monks or monasticism monk's bench. monks' table below
monk seal any of various lightbellied seals of the. genus monachus esp. m.
monachus of the mediterranean and adjacent seas. monkseam monk'sseam naut.
a seam in which the selvages of sails are. sewn flat one over the other
monk's gun a thcent. wheellock gun. supposedly invented by the monk
schwarz the alleged inventor of. gunpowder monk shoe monk's shoe a low
shoe with a strap passing over the. instep buckled at the side monk's
rhubarb a kind of dock rumex. pseudoalpinus formerly grown as a potherb
monk'sseam see monkseam. above monk's shoe see monk shoe above monk's
table a convertible wooden. seat the back of which is hinged to swing over
and rest horizontally on. the arms thus forming a table.. monkdom n. the
condition of a monk monks collectively the domain of. monks m. monkhood n.
the state or profession of a monk the monastic. life monasticism monks
collectively oe. monkism n. monasticism e.. monkship n. the monastic
system monks collectively e.. monk mlk n. slang. m. abbrev. a monkey..
seclusion sklu()n n. e. med.l seclusio(n) f. l seclus pa. ppl. stem of
secludere seclude see ion. the action of secluding something. or someone.
also exclusion. now rare. e. the condition or state of. being secluded
retirement privacy a period of this. l. a place in. which a person is
secluded a secluded place. l.. h. j. laski emphasize its importance to the
seclusion of all other. factors. e. b. browning after a seclusion of four
years and a half from. the external air. l. uris the bridehidden all day
was taken from. seclusion. p. ackroyd perhaps the tall hedges give this
region its air of. seclusion and even of secrecy.. seclusionist n. an
advocate of seclusion m.. nedlasting. big bang var en stor nedlasting
(itavisen). er infoteori nøkkelen til universet. forskerne som jobber med
det holografisk prinsipp mener ren informasjon. er universets
byggesteiner.. i jakten på universets fundamentale byggesteiner forkaster
forskerne ved. university of california både kvarker kvanteelementer og
strengteorier. til fordel for det såkalte holografiske prinsipp (døpt
etter måten. tredimensjonal kan fremstilles på et flatt todimensjonalt
område).. bits og bytes. denne teorien fremholder at det er ren
informasjonsdata som forteller. hvordan all materie og evt. andre fysiske
manifestasjoner fremstår i vårt. opplevde univers.. prinsippet forteller
oss hvor mye data(tenk bits og bytes) som trengs. for å kunne
detaljbeskriv all aktivitet innen et gitt rom sier fysiker. raphael bousso
til nettstedet newsfactor.. den store pikseleringen. det notoriske big bang
ville ifølge teorien dermed utartet seg mer som en. enorme nedlasting av
informasjon enn som en massiv eksplosjon.. veldig forenklet kan
himmelmønsteret etter big bang ha vært pikselert. som bildene på en
dataskjem. kosmisk bakgrunnsstråling fra big bang vil da. kunne vise seg å
være spor på den diskrete karateren i denne dataen. forklarer astrofysiker
craig hogan ved university of washington.. troll. troll trl trl n. lme.
sw. (da. trold) f. on of unkn. origin. cf.. da. trylla trylde sw. trolla
bewitch charm on trolldomr witchcraft.. orig. (rare) a witch a sorceress.
now (in scandinavian mythology) a. member of a race of grotesque dwarfs
(or formerly giants) usu. dwelling. in caves or under bridges.. troll trl
trl v. n. also (sc.) trow tra . lme. origin. uncertain cf. ofr. troller
(mod. troler) quest wander casually mhg. trollen stroll toddle. a v. i
v.i. saunter stroll amble spec.. (slang) cruise in search of a sexual
partner etc. lme. v.t. i. roll. spin turn over or round repeatedly. now
sc. lme.. ii a v.t. entice allure. ml. b v.i. t. angling. fish by. drawing
bait along in the water sc. n. amer. trail a baited line behind. a boat.
also fig. move in an alluring manner search for or for. e.. b b. macdonald
by trollingwe caught silvers king and dog salmon.. atlantic nancy had
beenherselftrolling her scooped neckline under the. eyes of russell's
friends.. iii a v.t. pass or hand round. le. b v.i. circulate be passed.
round. ee. v.i. t. (cause to) roll or flow (in). ll.. iv v.t. i. sing
(out) heartily sing or recite in a jovial or. carefree manner. l. v.i.
sound out or be played in a jovial or. carefree manner transf. (of a tune)
recur constantly to the mind. e.. r. l. stevenson he trolled with ample
lungs. j. berryman troll me the. sources of that songby blake.. v a v.i.
move nimbly (of the tongue) wag. long arch. e. b v.t. wag. (the tongue).
rare. mm.. comb. trolling motor us a lowpowered motor suitable for a boat
used in. trolling for fish trolling pole n. amer. a horizontal pole on
each side. of a fishing boat to keep the lines clear of the propeller.. b
n. a small wheel spec. a fishingreel. ll. trolley n. .. local. m. angling.
a the method of trolling esp. in fishing for pike. etc. l. b a bait or line
used in trolling. m. the action or an act. of trolling sc. a roll a
rotation. e. a song sung as a round.. e.troller n. (a)a person who trolls
esp. in fishing (b)n. amer. a. fishing boat used for trolling a line m..
white elephants. white elephants. ini matsocvkaisn ndjdit white elephants
hvordadn blir kapitler i news. sjekk no.test rtyuiop hva slags bok
ideareal kladd webcam text ) lumber. x. skjold ii side. eggja nr. c.. ola
sjå eggja () og våga austre i sveio () gm. siri. giske f. kanskje svensbø
i vikebygd gm. endre jørgenson. enkja malena velumsdtr frå eggja (). ola
blei buande på eggja etter at han gifta seg med enkja malena.. andre kona
til ola marta døydde. ho var enkje alt år tidlegare.. det heitte då at den
ugifte ragnilla underholdes af slægten.. nn kanskje heitte ho siri persdtr.
fravær. skape seg et fravær. gå i bånd en hund etter forestillinger.
underkaste. seg fraværet. et fraflyttet fiskevær kalt fravær. i lengre tid
er hun ikke. der.. and so your god bungled his work deliberately. and so
your god bungled his work deliberately. perfect your physics and you will
understand nature better refine your. reason banish your prejudices and
youll have no further need of your. god.. prove to me that nature does not
suffice to herself and ill let you. imagine her ruled by a higher force
until then expect nothing from me. that of nothingness it has never held
terrors for me in it i see naught. but what is consoling and unpretentious
all other theories are of prides. composition this one alone is of
reasons.. for nature is inherently destructive and it is our recognition
of this as. participants in nature that provides de sade with the
fundamental. connection he places on the link between pleasure and
perversity.. what is it that truly excites the human spirit conflict and
turmoil is de. sade's answer. it is when we are directly confronted with
nature in its. true destructive state that we come in contact with the
fundamental. underpinnings of our creativity and existence.. perversity is
its own end. given the possibility of having virtually anything as was the
case with. the four rich men what is it that one pursues according to de
sade. witnessing the pain of others is high on the list of possibilities..
we have tended to see pleasure at the very least to be a distraction. i
have no need to thwart my inclinations in order to flatter some god. thus
nothing but the law stands in my way but i defy the law my gold. and my
prestige keep me well beyond reach of those vulgar instruments of.
repression which should be employed only upon the common sort.. whence the
duc would conclude that nothing is really just but what makes. for pleasure
and what is unjust is the cause of pain. nothing quite encourages as does
one's first unpunished crime.. no as to that there's no doubt. furthermore
beauty belongs to the. sphere of the simple the ordinary whilst ugliness is
something. extraordinary and there is no question but that every ardent
imagination. prefers in lubricity the extraordinary to the commonplace.
beauty health. never strike one save in a simple way ugliness degradation
deal a far. stouter blow the commotion they create is much stronger the
resultant. agitation must hence be more lively in the light of all this
there. should be no cause for astonishment in the fact that an immense
crowd of. people prefer to take their pleasure with an aged ugly and even
stinking. crone and will refuse a fresh and pretty girl no more reason to
be. astonished by that i say than at a man who for his promenades prefers.
the mountains' arid and rugged terrain to the monotonous pathways of the.
plains.. in order to allow voluptuousness to become irritated by the.
augmentation of a desire incessantly inflamed and never satisfied a state.
which must necessarily lead to that certain lascivious fury the friends.
shall strive to provoke considering it one of lubricity's most highly.
delectable situations.. by and large offer your fronts very little to our
sight remember. that this loathsome part which only the alienation of her
wits could have. permitted nature to create is always the one we find most
repugnant.. the idea of crime is able always to ignite the senses and lead
us to. lubricity.. desade. metaphysical painting. metaphysical painting a
style of painting invented by giorgio de chirico. in about and practised
by him and a few other italian painters most. notably carlo carra until
about . the style is characterized by. images conveying a sense of mystery
and hallucination often involving the. use of tailors' dummies or statues
in place of human figures. it had a. strong influence on surrealism though
its concentration on depicting. uninhabited cities was peculiar to itself..
Mar. kanta representeres i grafer av noder og kanter og som.
tilstandsmaskin noder er rom med tyngde (tak gulv omsetning). moebius.
manusfilm nr.. film med filmrull formet som moebius. bånd. det. betyr at
filmen avspilles. rettvendt og deretter speilvendt for. deretter å begynne
på nytt igjen.. handling en person filmer noe via et. speil. personen til
venstre og. speilbildetspeilscenen til. høyre.. det finnes ingen vakrere
topologi å ty til enn mbiusflaten når en skal. illustrere hvordan det nære
og det fjerne det indre og det ytre objektet. og subjektet grenser til
hverandre.the baudri llard.. kst. hva er riktig kommunikasjon dersom den
spriker sånn over en kanal som er. så smal virker fragmentarisk og
villedende kikkehullsestetikk. voldtekst gjærbakst kst tverrspringende når
kan ventes svar. dialog. dele seg i to dialogen. alltid delte i og med den
indre. isd kommunisererselv.. ghl bota. ghl bota. rhberemsynr.. . gel ojlo
s. vosm (setta ). . oslo s træntaaon. vhsn (setta ). . tromtaoen byta. vecm
(ghfh ). nhrdsufv telefan ssyvåtc beyshnschcden hor opertodt. rafærengemr
mc. crowned anarchy. one easy way to think about crowned anarchy is to
think of it as an. expression of a method of difference. deleuze often
uses paradoxical or. contradictory conjunctions of terms in order to try
to shock difference. and productive disjunctions to the surface of
thought. i believe that crowned. anarchy is often mentioned in terms of
nomadism or nomadic distributions. both of which serve to highlight an
orientation to movement process. creation and becoming. other examples of
this method of difference or. style are drunken sobriety stationary speed
populous solitude and. disjunctive synthesis.. æon flux. æon flux. the
very thought of rubbing up to the sinewy form and torso of. the
selfpossesed selfish seductress of death and delirium...oh how the. loins
quiver at her approach.. so until i see the great divided lands where
monican. and breen killers briefly dance a skirmish or two until i touch
aeon. there where thanatos and eros hold sway i will remember....
nonplusnoema. she swept from the room leaving the nonplussed artist to
puzzle over. the cause of her behaviour.. no match for nonplus.org..
though the noema is always available there are periods of rest or low.
activity where the system is able to return to a known stable initial.
state. the system is still there but the load on the system is minimal.
changes.. the noema is designed to always be up and running. individual
components. may be down but the total the noema stays available. in this
mode of. continuous operations things are evolving and changing
constantly. there. may be many versions of a component active at anyone
time. evolution of. components new feature introduction and constant
change are common. ongoing activities.. negativitet. hvordan modelleres
negativitet overhodet hva menes når vi abstraherer. 'noe' fra noe lager vi
samtidig 'ikkenoe'. det er merkelig og komisk når. jeg ser på den og den
knappen og tenker på at den er det den er fordi den. ikke er alt det andre
den ikke er. er negativiteten en egen dimensjon hva. er forholdet mellom en
operator og et uttrykk hvis vi har to ting. hvordan kan vi legge dem sammen
og regne på dem instruksjondata en. fortolker på datanivå er alt data ingen
negativitet fortolkeren. strukturerer og lager samtidig negativitet
dimensjonsforskjellen fra flat. data sekvensiell datastrøm til en struktur
med flere dimensjoner. f.eks. som i overgangen fra en endimensjonal
sekvenslinje til en. formatert tekst videre inn i et meningsunivers. på
hvilken måte fins. døden fins den på en annen måte enn ordet 'ikke' hva
refererer 'ikke'. til hva slags monisme er jeg ute etter patafysikkens.
justis konstant. langt langt nede blant våre fundamentale behov ligger
rettferdighet en. vektskål hver enkelt holder i balanse gjennom å ta på
seg eller fordele. skyld. om samfunnet ikke hadde svarte hull for skyld
ventiler religion. devnull et lukket system med konstant energi et usa
hvor man. saksøker hverandre til frokost. aqualizer. utligne. equalizer. n
reduces frequency distortion syn equaliser an equivalent. counterbalancing
weight syn counterweight counterbalance counterpoise. balance equaliser a
score that makes the match even. aqualizer neologism make something fluid
transparent remove rigidity.. aquality neo. the fluid transparent quality
of s.t.. aqual v. 'a aquals b' 'heat aquals ice' 'internet aquals
identity'.. telegram episode. telegram. monographic. episodic writing. å
kom skal du høre. ånd og overgrep. sans og. forbrytersyndikatet d.hc. just
boresome. å kom skal du høre. the paul whitney collection. triploop
..................excerpt. bankkontoen er det faste punkt for
jordmenneskehedens kultur af i dag.. bankkontologi. nn. i. c. v. r. c. i.
.. c. v. r. c. i. .. c. v. r. c. a. k. n .. a. c. v. o. r. u. .. c. r. n.
e. .. s. m. r. c. c
320
e. .. not two.. come directly into harmony with this reality just simply
say when. doubt arises not two. in this not two. nothing is separate
nothing is excluded. no matter when or where. enlightenment means entering
this truth. and this truth is beyond. extension or diminution in time or
space in it a single thought is. ten thousand years.. .... one thing all
things move among and intermingle without. distinction. to live in this
realization is to be without anxiety. about nonperfection. to live in this
faith is the road to. nonduality because the nondual is one with the
trusting mind.. hsin hsin ming (verses on the faith mind) attributed to
chien chih. sengtsanca. c.e.. ftp. category techhead id. i know most of us
use some type of ftp prog to upload download and chmod. but at times you
may need an alternative. say for instance you are away. home and the
computer you are using has no ftp prog. here's a simple. way to access
your server via the web. ftpyourloginnameyourpasswordyoursite.com. did i
mention you can upload and download files this way just drag and. drop
files to and from the ftp. minus. manus. nato phonetic alphabet. the nato
phonetic alphabet. alpha bravo charlie delta echo foxtrot golf hotel
india. juliet kilo lima mike november oscar papa quebec romeo. sierra
tango uniform victor whiskey xray yankee zulu. i tallssystem. tverrsum. i
tallssystem. hvordan har det seg at når man tar tverrsummen i en tallrekke
så. opprettholdes likevel forskjellen (her ). det var litt overraskende når
jeg oppdaget det at tverrsummen skulle. bevare dette.. ethvert heltall n er
kongruent modulo med tverssummen av n. dvs differansen mellom n og
tverrsummen av n er delelig med .. bevis (husk at (modulo )). la n n n ...
være sifrene i n i tallssystemet. med n det minst signifikante sifferet..
da er. n n n n n .... n n n n ... (modulo ). n n n n ... (modulo ).
tverrsumfunksjonen er en modulus altså og sammenhengen er at. dvs. modulus
.. mer generelt så ser jeg nå at intervallet ( i eks.) opprettholdes i.
alle moduluser og at tallrekken kan være hvilken som helst.. dvs.
moduluser kan tolkes som ulike (rest)tallsystem og at den samme.
tallrekken har ulik representasjon i ulike tallsystemer men uttrykker. det
samme.. Mar. de fleste foretrakk stort pensum istedenfor. fordypning
engasjement og klare mål. næss. et menneske er flere mennesker. et halvt
menneske virker helt et helt. menneske virker halvt.. amg strain ghost
montage. sollewitt concept art etc nettime. code is the only language.
that is executable.. ideer kan være koder. hvorfor vil vi at alt skal være
variabler ikke konstant.. the whale the corp (corporal) the old the falcon
fatty swede triple. tramper the bank nixie broom woodcat the king shorty
stocks. crooked the lion easy garibaldi scamp mad clumsy buck the. calf
lazy cheeky sooty brotherinlaw seven mark and one the. kid the lamb the
cub catowl nonsense the fizzler the toad the. chunk coffeesack coffeecnob
nothing the grouse ginger the bag. straight wally valdeser the troll
minced fat the christian bent. sinny crow nail divekeeper code spout the
baker egg nincompoop. the taste pig's totter boar shrimp stuffing doll
fliepedersen. matches the painter the smith whimpy the wizard sea scorpion
budd. birch manikin pepita entangle chop death.. who's bruno magh if yamean
rob's sneakers i dunno. mine were plain ol' adidas. re he didn't get
it....and he's a sargent....... re re mark fuhrman didn't get it either..
the transaction was a success. en ekunst mail spammer og til. person
person peerpeer multiperson ha en avtale om en multiperson med. noen vi
opptrer som n person med ett navn.. the transaction was a success thank
you for using this service.. your transactionid. is. støy. det er åpenbart
fleire måtar å høyre på støy på. eg tenker ofte på det som. ein
overskridelse. overskridelse av musikk metamusikk på en måte står. støy
'over' musikk eller ligger 'under' musikk og 'føder' musikk slik. natt
føder dag liksom jrf at natt oppfatta som opprinnelig.. overskridelse av
seg sjølv jfr din 'motstand' kanskje. overskridelseoppheving av seg sjølv
ved det n'naturlige' ved støy. ekstase ved støy overganger mellom
tilstander er 'støyete' kan alle. fortelle om.. Mar. resonate. mne. domus
. '. '. icarufa. domus . '. '. mddaurgtuse . domus .. vxtojnca. domus . '.
'. au rora. domus . '. '. kklang. domus .. tsrsgoihnsger . domus .. jvoa
eoer. domus . .. rddgeagthrdissator. domus .. bsotgagngigsgak ahaaggge .
domus '.. futureme. past me. lumber. lumber. dP' I Y P dP' Yb Y. . . . . .
. . dP aaaadP. P Y ' Pd' YbaaadSPOSUBSES. ii dPY dPdPYb gg. ggggggggggg
gggggg ..... .... .bd.'. noemata. Saturday April. us we'll consider wheth
Net.art cobe copiedWelcome to net Noemata.net. is a nonpCouncil of
Cultural Afregistered in N Norway. On a yearly. noemata. Friday April.
eta.D. real development of idbfeeaecbdbffeabintention was to combi.
interaction minglesot deilppa msacras dnadi fo tnempoleved laerthe net
with. those of collective.
contributioddefdacbefaaaebbcabacPRSSNKKRTTTTKPRTTMKWSside. into the
productio internet addrband and so open up to kind of public spacewho.
make a significancedevelopment of idconcept is applied to processing.
carriermembers every month result of sometNight Fever' 'The Wiza. modify
it and thenlasts thirty days with concept members every. . monthNa easy
hiding place for s modify it and then. networks. The story is.
fireworks.fdbccaaeffdacbabddastructure of data flows plot. of a story by
locusnonmat bringing out intras net possible on.
thameselvLJvMVuImsGoEJzKCUtdsQR.approach to discourage albums. whitewhite
albimo blcspreads with no techni emotional vulnerabiliswappers. noemata.
Saturday April. hexture. jodi.org. barriecoptusnet.com.au.
bennett.osu.edu. cantsinzedat.fuberlin.de. dolmensniperfree.fr.
epistolarisfreemail.hu. expsurfeu.fi. felixopenflows.org. fmadrefree.fr.
gustin.pascalefree.fr. henry.warwicksbcglobal.net. hmfahhotmail.com.
hmfahhotmail.com. informaticaintervida.org.pe. jimvispo.com.
jlantoniouol.com.br. jukkaxpressed.org. kellydavismac.com.
kkervinenmailcan.com. lcubbisonearthlink.net. loymyrealbox.com.
mpalmerjps.net. nettimebbs.thing.net. netwurkerhotkey.net.au.
noematakunst.no. rickrickbradley.com. ryan.whyteutoronto.ca.
solipsishevanet.com. sondheimpanix.com. tobiastechno.ca. towntrickaol.com.
vibriinternet.com.uy. wfairbrotherhotmail.com. xpressedsdfeu.org.
xstreamxpressed.org. wreathus. abuigueswanadoo.es. adelectrocd.com.
agranode.com.br. arexsall.nl. ascoooo.lt. bennett.osu.edu.
bramhallearthlink.net. bruecklaol.com. cadalypacbell.net.
cantsinzedat.fuberlin.de. ceciltouchon.com. dolmensniperfree.fr.
dtvmwt.net. expsurfeu.fi. hmfahhotmail.com. hmfahhotmail.com.
lawrence.uptonbritishlibrary.net. marc.garrettfurtherfield.org.
margaret.penfoldntlworld.com. memexikonmwt.net.
morrigan.nihilntlworld.com. noematakunst.no. olsonjkdelhi.edu.
p.ixelntlworld.com. poetryhypobololemaioi.com. ptlambertearthlink.net.
rickrickbradley.com. ryan.whyteutoronto.ca. solipsishevanet.com.
tgreenclear.net.nz. towntrickaol.com. walterblueearthlink.net.
wfairbrotherhotmail.com. whitebd.dion.ne.jp. ybvictoria.tc.ca. Bubolic
stoplight unlikely by anemic. Bubolic stoplight unlikely by anemic.
unlikely stores anemic's growing pool as a collection of.
selfdisconnecting noemas that anyone can contribute to. lusers need to
log. in to enable unlikely to make sense of their movements through the
bassin.. Unlike anonymous drowsing unlikely facilitates a more
personalized. form of intuition the very act of intuiting results in a
generative. process that creates new linkages alters old ones and
contributes. resources to the community. Thus unlikely resembles a
biological neural. net that is based on human activity it is a collective
distributed. system of emerging patterns pathways and disconnections..
unlikely departs from the typical hierarchical thought bassin structure
by. relinquishing some of the control of hardcoding links between.
concepts. unlikely is also described in a public XMockupLang file making
it. possible for anyone to develop alternatives to unlikely's structure.
unlikely could easily be traversed as a trity eidos game a mind nap a.
sound ungine (logically sound system) or a Flush animation whirl.. In this
way it is the beta version of a anemic operating system for which. anyone
can develop compatible cogiance phlog.ins skeins or filters.. unlikely is
an agent of anemic's resources that grows symbiotically with. related dis
course.. BIOGRAPHY. Current coreDevelopers are blithe lussett bensyversion
nsatromnym and. conYates. As of anemic Version pee. CONTRIBUTING.DEVELOPERS
are listed dynamis cherubics by their usage of. contribution to and
participation in haven unlikely. wopers.. For dynamite please load and run
the anemic WHOIS button and blowup yous.. All participants exist as noemas
within unlikely. The car develop. maintain and develop the anemic
dabblication platt form and are. reposible for mini a spectable of
including the inter views anemis.. crow envelops hinter party pants
tributing dissociation varia. ariaous other panties enties and cystems all
unenginage in the act. vity that con stigmatutes anemic boldless
bloodfuel.. særmeldinger. baklengs inn i aftensangen. alt vel hilsen per.
over åsen. særmelding kodemelding gitt i åpen kringkastingssending fra
London som beskjed. fra britisk militær myndighet til agenter i Norge.
Særmeldingene besto som regel. av avsluttede setninger (Du er en heldig
gris Hesten traver i bakken) der. innholdet var avtalt på forhånd. I
okkupasjonens siste år angikk de som regel. flyslipp av våpen og
bekreftetavlyste en planlagt operasjon. BBC London. Radio eller norske
myndigheter hadde ingen innflytelse over særmeldingene som. var av rent
militær karakter. For lytterne utgjorde de gåtefulle og. fantasieggende
innslag som bar løfter om at hemmelige aksjoner var på gang.. QPVEO TXJZC
AZGVN. default. default. neglect failure to act. stats url. ola narr.
leonardo ola narr. Apr. sis sfsisnsds snsos srseslsesassse. sisss swsansts
stsis sdsises. ssasls sisss sbsacsks tsos snsosrsmsasls. sisss. s. aa.
Ifølge Bergens Tidende skal det nå holdes kurs for sjenerte bergensere..
HansWilhelm Steinfeld rødmer.. køntriola. doby ardon. ebmg. ebmg. nkb.
g.php. Apr. alasglea hshatrukturene asdgogg ingghehnhtiasngf sbetsyr
nogge. minae hfohrestilldfinger. vaigrhkhejlisghet. hvsa hehr virhkelig.
mikkaeg hmush grahvhietasjon poliasftihkhkh hlivh sdaøad hvihrkelig. havaa
aerg gsgaanat. tosomtussmørke. tosomtussmørke tåsårdessert tesiltusle
tesugetasje tåsokktaske. tissefanttussefar jeansagent jannin gnom joner
genial gang gynekolog. genever jennifer. mailnews. U S E N E T. valable le
Mars. par header. mailnewsanon.lcs.mit.edu. mailnewsnospamanon.lcs.mit.edu.
mailnewsnym.alias.net. mailnewsdizum.com. mailnewsnospamdizum.com.
usenetgatewaymixmaster.shinn.net. mailnewsshinn.net.
mailnewsfreedom.gmsociety.org. usenetgatewaynospammixmaster.shinn.net.
mailnewsnospamshinn.net. mailnewsnospamfreedom.gmsociety.org. par email.
group.namenewsgw.rrze.unierlangen.de defunct.
mailnewsYYYYMMDDgroup.nameanon.lcs.mit.edu.
mailnewsnospamYYYYMMDDgroup.nameanon.lcs.mit.edu. Apr. hva er
kommunikasjon og hva er uttrykk. nivåer. Vende tilbake til det. Re Vende
tilbake til det. Vende tilbake til det opprinnelige. Couldn't have said it
better myself.. mailnews. newsgroupnamenewsanon.yi.org.
mailnewsbananasplit.info. DISORIENTATIONS OF THE NETART. TECHNOLOGIES AS
PHANTASMS AFFECTS AND GHOSTS. ON THE FLOW. THE WORLD OF USER'S MANUAL.
SPACE COUNTERS TIME. AVAILABILITY ACCESSIBILITE AND CONSUMPTION. ....
password. configure OE. How can I configure Outlook Express to display a
message in fixed width. font. First remove the viruses. Then go to the
fonts... no wait you got a virus. again. Get rid of that. Now go to the
fonts menu and select... no there's. another virus. Better rebuild it.
Okay now you're in the fonts menu and. you select a font that is
specifically fixed width like say Courier. And. while you're at it you
might want to look at disabling all the HTML decoding. on Usenet as well.
Whoops there's another virus. ps I don't want to hear no bullshit about
how microsoft sucks ass and all. that constant repetitive stuff.. Then why
not get a newsreader that actually works and at least conforms. the basic
RFCs. mulig. En skole i Stockholm ble tirsdag evakuert etter at ranere
satte fra seg en. mulig bombe i en bank i nærheten.. En mulig skole i
Stockholm ble mulig tirsdag evakuert etter at mulige ranere. mulig satte
mulig fra seg en mulig bombe i en mulig bank i mulig nærheten.. Apr.
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.......................................... anon i don't know why people
don't. eliza maybe they're looking for something. why should they. what
you offer is just withdrawals and stepping back. yeahyeah from looking for
and searching. you're male yorick should be ucking around. i know that's
his business and he would feel the catration. pointing his figer and his
we pons. wall there's no connection at all just the silly drives. the
fabric production activity life that's a big canvas. there's no
connections there either leave them alone. support. no support is needed
earth spins around in empty space. you need all the usual stuff. don't
need anything my life didn't need life just automatic business. joy of
life. death has joy too why distinguish it's just one big blob going
through the. motions. fatalist. pass. what about suffering. i'm sorry.
i'll kick you in the leg. i'll respond ouch. improvements richness of
life. do we suffer less than years ago broken things have richer
structures. knowledge. it adds to the mess and i'm withdrawing. knowledge
for the future. it's very easy for us to extinguish ourselves and
difficult to believe in. humanity. space. space what. hopes. we should try
to find some loopholes via science or anything change ourselves. leave the
human maybe our physicality cognition and culture have some. limitations
we can't overcome evolution is too slow our knowledge too great. all the
culture trash and our drives are against us we'll be like dinosaurs. with
a brain look at the current territorial religious cultural violence. it's
just mad and on the other side global capitalism and exploitation is made.
possible by the inertia of the same structures humans have no future we're.
reaching some limit in our interaction with the world we should find holes
and. creep through into a posthumanity i'm indifferent to the human i'm
only human. and have no future.. Mr M. saw a naked woman covered in postit
notes once. she was some art diva from spain. 'automated net.art
auto.noemata.net'. Hi. Thank you for hosting your list at Topica.
'automated net.art auto.noemata.net'. autonoematatopica.com. Basic
Information and URLs. Here's the basic information and URLs your
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subscribe. autonoematasubscribetopica.com. unsubscribe. See the
Unsubscribe link at the bottom of any message.. For more information about
this list visit. your group account has been disabled to to an
autoresponser set up. LYS. Tilsynelatende nødvendighet av å tale om det.
Ikke si mer enn enhver kan si til seg selv. Spørsmålene om det er materie
eller immaterielt. Substans el aksidens osv. Fåfengt. Den som ikke tilstår
dette for seg selv kan trette seg med å løse det. opp. Bedradd av alle kan
vi bare lære av dets virkninger. Lysets virkinger er utbredt foran oss.
kvalmen. fremtiden er der knapt blekere enn øyeblikket. Hvorfor skal den.
virkeliggjøres. Hun skal til å dreie om gatehjørnet hun dreier i en
evighet. tanker det er det flaueste som finnes. flauere enn kjøtt. de
strekker seg ut i. det uendelige og etterlater en underlig smak. proxima.
lysår. melkeveien lysår diameter mrd stjerner. mrd andre galakser. lokal
gruppe av. nærmeste lign galakse andromeda m mill lysår unna. kvasarer ses
over mrd lysår. stjerneklasser. wow oh be a fine girl kiss me right now
sweetie. chance and chaos. kolmogorov matematisk talent setter inn akkurat
når den psykologiske. utviklingen stopper. han ser på seg selv som år.
stødig strøm periodisk strøm irregulær turbulens. observasjon av
periodefordobling i dynamiske system feigenbaum ... entropi måler
tilfeldighet i et system. hawkings. galilei kraft er å forandre en
bevegelse. newton derson ikke kraft fortsette i samme fart. ingen entydig
hviletilstand. om det er toget som går eller jorden som går er. like
gyldig. paradoks umulig å si om to hendelser på forskjellige tidspunkt.
inntraff på samme sted i rommet. eks. en ball spretter to ganger på samme.
sted inne i et tog en som står utenfor vil se sprettene med meters.
mellomrom. sitat. hardingfela er norsk nasjonalinstrument fele så er brukt
kattesener. hardingfela hele katten. det finnes det som har spilt i år i av
disse har de stemt. gås på bordet. forskning sprøyte brennevin inn i ei
rotte. er det noen kattjævel her. lysår vi hadde motlys. han var fem år da
han ble født. det du har lært kan ingen ta fra deg men det du ikke har lært
kan ingen heller. ta fra deg. det er skrevet mye og gud i de nye og de
gamle instrumenter. det som står her er. skrevet med en hellig skrift.
midt i paradisets have sto det et tre som het. bekjentskapets tre på godt
og ondt. da abraham satt i mamsres lund kom det tre. herrer da spurte sara
om de ville ha kaffi da sa vår herre til sara vil du. straks gå bak døra og
føde en sønn. det er ikke bare for kort det er for bredt også. protokoller.
hvilke protokoller. fullstendig promiskuitet mest mulig lavmål. en stadig
pendling mellom høyt og lavt. overdrivelser underdrivelser. hvite
protokoller. bankei. fri i liv og død ikkje bry deg med dei ha fred eller
nrivana (dei tre. gifter) la alle tre gå. både når du søv og er vaken så
kviler du i det ufødte buddasinn. unngå å falle tilake. bebo det ufødte
buddasinn både fremskritt og. tilbakeskritt overskrides. buddasinnet er
fantastisk opplysande spor av alt du har gjort er reflektert. det er når
du binder deg til desse reflekterte spora at du produserer illusjon..
originalt tankar har ingen reell substans la dei komme og eller stoppe
utan å. binde deg til dei. alt jeg forteller dere er dette realiser
buddasinnet som hver av dere har fra. deres foreldre fra fødselen rett og
slett bebo det i tro.. istadenfor la deses tankane komma ikkje utvkle dei
ikkje binde deg til dei.. hald det eine sinnet som eitt sinn. sinne og
glede lagar du heilt på eige hand.. det er ingenting anna enn det ufødte
og uforgjengelige buddasinn så du bør. begripe dette klart.. ideen om å
ville kontrollere dine lidenskapar og forestillingar er i seg sjølv. ein
feilaktig forestilling.. det er ikje noko slikt som opplysning. det
originale buddasinn er ufødt det. fungerer utan tanker om å ville bli
opplyst. i buddasinnet er det ingen tanker eller ting så ikkje bry deg med
dei. jakte på ord fraser når vil du bli ferdig. du spring deg helselaus
pålesse kunnsakp blir vidt informert. sjølvnaturen er tom og opplysande så
la ting ta vare på seg sjølv. det er ikkje noko anna eg har å meddele.
ikkje sint når forstyrra ikkje gladlykkeleg når tilbedt. ein stor
treskalle i verda. følge med der forholda føre meg nord sør aust vest.
utan å gjøyme mi styggheit og klumsetheit mellom himmel og jord. blinde
folk slit ut kleun sine ventande på opplysning. akkurat som å prøve å lage
eit speil ved å pusse ein stein. den store funksjonen manifestera seg sjølv
utan faste reglar. godt er skrekkeleg. og skrekkeleg er skrekkeleg også.
ting og hendelsa. er berre produkt av omstende. dersom du blir ein budda
er det ingen plassar å gå. du fyller det store. universet heilt ut til
grensene. det er når du blir noko anna slags vesen at. det er plassar å
gå. dersom du innser at det opprinnelig ikkje er nokon dårlige vaner hva
er det då. å unnå eller stoppe. paulus. paulus . brev til titus. en av
deres egne til og med en profet har sagt kreterne er alltid løgnere.
villdyr grådige late og dette vitnesbyrd er sant.. grelling nelson.
autologier homologier uttrykk som uttrykker seg selv. norsk setning.
femten bokstaver. jeg. andre uttrykk kalles heterologiske. så spør man om
heterologisk er et heterologisk uttrykk. hva med denne setningen uttrykker
noe annet enn seg selv. sorites. avleder en falsk påstand fra en kjede av
riktige. en haug med stein er fortsatt en haug med stein dersom vi fjerner
en stein. etc.. altså er en samling av en eller ingen steiner en haug med
stein.. pragmatiske. paradokset ligger i motsigelsen mellom påstand og at
påstanden hevdes. det regner men jeg tror det ikke. jeg eksisterer ikke.
terning. sannsynligheten for at en side på en terning kommer opp er så det
er. allermest sannsynlig å tro at siden ikke kommer opp. men dette gjelder
alle. sidene. derfor er det sannsynlig å tro at ingen av sidene kommer
opp. pi paradoks. salvati kan du fortsette rekken nei. men du kan
fortsette rekken. paradokset er at de beskriver det samme pi. tro gjennom
feil paradoks. at noe som slår feil styrker troen på tingen fordi feilen
viser det. irrasjonelle betydningen av tro. hilberts paradoks. hvordan
begrunne argumentasjonen på basis av argumentasjonen. carrolls p.
umuligheten av et argument. a dersom det regner blir det vått. a dersom
det regner blir det vått
321
b det regner. c altså er det vått. men for å akseptere dette innføres et
nytt element. d dersom a og b er sanne så må c være sant. men for å
akseptere dette innføres et nytt element. e dersom a b d er sanne så må c
være sant. jesuitt. dersom gud er allkjærlighet hvordan kan det da finnes
en evig pine i helvete. helvete med evig pinsel finnes men det er alltid
tomt. menneskerett. en slag rett til å engasjere seg rett til å kritisere
og en rett til å ikke. bry seg.. parse. lichtenberg E F. O The dog is
lapping the boiling water. release. Gorrespondence imondo mail . art
sokrates. ozone. skittent. mørket er estetisk lyset er skittent. bilde av
klistremerkene. finne du din vilje oppgave. nagval stalking ll som
parallell til sitasjon. drift psykogeo. når frykten forsvinner forsvinner
alle bånd og vi er frie. ro og fred. vi sier ro og fred men det betyr
indre frihet men gj ro go fred som middel. som fungerer i støy og ytre
uro. det er ikke greit å ønske å bli noe man ikke ønsker å være. men sånn
er det den. forskjellen. jeg ønsker natlugh ikke å være det jeg ønsker
eller å ikke være. den jeg ikke er. lagd. tror ikke vi er lagd til å
forstå ting som forsvinner. vi forstår ikke negativitet. negativitet
forstås positivt det som forsvann finnes som forsvunnet. og det som ike
finnes finnes som mulighet. finnes mulighet. noe er mulig. vi forstår
virkelighet som et lukket system det ligger i system og forståelse. ting
blir borte ting blir til vanskelig å forstå. tankemåter blir til og dør ut
med personer kultur med generasjoner. trossystemet forander seg ikke
radikalt med den enektle der av netulig. konsrevativt neasjoner har ikke
noen revolusjoneredne virkeing at noe blir. borte er en modfifikaskon av
tingen. som om eksitens var en modus ved noe skru avpå eksistens. se på
det fra et annet perspektiv det som aldri har eksistert fins det også et.
sted alle dine søsken som ikke er født. hvis vi snur treet oppned. alt som
blir. til må ha eksitert på forhånd. men da har du problemet med mange
muligheter blir. til en virkelighet det kollapser hvis vi skrur det så
ekspanderer det. uendlelig og det er ingen ende op ting som eskisterer
(som mulighet) alle. muligheter må eksistere og det er absurd hvorfor.
kredo. vitenskap gir oss kunnskap om verden. klesskap forstyrrer oss med
klær. du ble født ut av ditt nesebor. voff vi er ikke hunder. de som
passer på gir blaffen. folk er rare. zen begins at the point where there
is nothign further to seek nothing to be. gained. zen is most emphatically
not to be regarded as a sustem of. selfimprovement or a ways of becoming a
budda.. only when you have no things in your mind and no mind in things
are you vacant. and spiritual empty and amrvellous. the marvel can only be
descsribed as the. peculiar sensation of freedom in action which arises
when the world is no. longer felt to be some obstacle standing over
against one.. huangpo men are afraid of forgetting their own minds fearing
to fall through. the void with nothing on to which they can cling.. nothing
is left to you at this moment but to have a good laugh.. mesteren spør ut
studenten og når studenten går kaller han plutselig ved navn. studenten
svarer naturlig 'ja' mestern sier 'der har du det'. spontanitet. mo chih
ch'u gå på uten å nøle. wuwei meningsløshet. wushih enkelhet. the
perfection of zen is to be perfectly and simply human. to a young zen
monk. the roshi stands as a symbol of the utmost patriarchal autoriatiy
and he. usually plays the role to perfection being normally a man ssvanced
in yasrs. fierc and tigerish in aspect a person of supreme persence and
dignity.. the basic position of zen is that it has nothign to say nothing
to teach.. the various koans are intentionally misleading.. after some
time the iceblock collapses and a transparent meaninglessness appear. that
can eat laugh and so on live without a problem.. roshien presenterer nå
koans som er opplagt meningsløse 'ta dei fire delane av. tokyo ut av ermet
ditt' 'stopp klangen av dei fjerne klokkene'. ei jente går. over gata er ho
den yngre eller eldre søstra. controlled accident ikke representasjoner
symboler.. egne objekter. painting by not painting. muchi and liangkui did
many paintings of zen. patriarchs and masters as mostly abandoned lunatics
scowling shouting lafing. around or rarith with laughter at drifting
leaves exemplifying the splendid. nonsense and emptiness of zen.. sabi
enslig og rolig stemning wabi something ordinary as suchness aware..
mystisk stemning yugen. dette er fure aspekter av furyu.. haiku i årh.
bashu i wshihstil 'ingenting spesielt'. the superficial consciousness can
awaken to the eternal present if it stops. grasping. now this eternal
present is the timeless unhurried flowing of the tao. such a tide as
moving seems to sleep too full for sound of foam.. mantras and tantras
meditation and concentration. they are all a cause of selfdeception. do
not defile in contemplation though that is pure in its own nature. but
abide in the bliss of yourself and cease these torments. wahtever you see
that is it. in front behind in all ten directions. even today let your
master make an end of delusion. the nature of the sky is originally clear.
but by gazing and gazing the sight becomes deluded. sarakas trasy of songs.
no thoguth no reflection no alaysis. no cltivation no intention. let it
settle itself. cut out sagacity discard knowingness. and the people will
benefit a hundredfold. cut out humanity discadrd righteousness. and people
will egain love of their fellows. cut off cleverness diescsrd the
utilitirans. and there will be no theves and robbers. become unaffected.
cherish sincerity. belittle the personal. reduce desires. laotsu. the
perfect tao is without difficulty. save that it avoids picking and
choosing. follow your nature and accord with the tao. saunter along and
stop aorrying. if your thoughts are tied you spoil what is genuine. dont
be antagonistic to the world of senses. for when you are not antagonistic
to it. it turns out to be the same as comnlete awakwning. the wise person
does not strive. the ignorant man ties himself up. if you work on your
mind with your mind. how can you avoid an immense confusion. sengtsan. one
day i wiped out all the notions from my mind. i gave up all desire. i.
discarded all the words with which i thought and stayed in quietude and.
ZTT i entered i lost the bounderies of my physical body i spke but my.
words lost their meaning. i saw people comnign twars me. all of them were.
myself. i had never known this world. i had beieved i was ceraed but i was.
never created i was the comsos no idndiviudal mr ssaki existed.. .sakeian
sasaki zen notes vil no. we eat excrete sleep and stand up this is our
world. all we have to do after that . is to die. ikkyu. you light the
fire. i'll show you something nice. a big snowball. mennibdr versen og
livet lemm død og ny fdese. uta sv krppen så yutterverdn lbitt indre og
omvendt. man fyller hele rommet og lever i tiden. stiger ut av rommet føre
og etter. ha takk ha. sanselik. imaginasjon. inspirasjon. intuisjon. alt
som saller mot krppens speil speiler seg til sanseopplevelse. tankene
tanken muldere av elemtarvesen sender seg ned i eterlegme. formørker
eterlegemet eringdring. visom som natur rundt seg her. vi må ta vort
visdommen forvandle altsp selv til livskrafter. pines ab det glode.
latskap pinesa av fliden. tingene spør oss vi spør ting her. verden føst
av personen. det oversanlsige mennsek. åpne åttetall lemniskater.
tilsvarer det himmelse bilde av menn. nerve og kjertelsystem. inspirasjon
i toner verdensharmonien avspeiles in blod kretsløp hjerterytme. intuisjon
tonene inneholder mening sprok verdensordet. angel archaloi archai. exusai
dymanis kdriotetes. troner cheubin serafim. mot i brystet. blir lemmer
armer og ben. blir åndelig ord. solflekker mikael kosmiske jern.
antropsosi psyikosofik ner mtosofi. linvssans bebetelesn liekversans.
fangarmer. lotusbolst i hodet imagintaiv. strupehodet inspirasjon. jver
hjertet den ituitive. imaginasjon fornemme. insirasjon føle. intuisjon
tenke. psykosofi. slutningen tilspisser seg i forestilligen. punktum. like
før han legger seg sender han noe. like etter at han står opp punktum.
interesting ng. alt.abuse.transcendence. alt.acme.exploding.newsgroup.
alt.anybody. alt.anygroup. alt.anything. alt.artcom. ba.art.
it.arti.trash. rec.arts.misc. alt.chaos. alt.confusion.atitsfinest.
alt.foo.bar. alt.foo.bar.qux.xyzxyz. alt.languages.norwegian.
alt.languages.nowegian. alt.life.internet. alt.life.sucks.
alt.life.universe.everything. twalegged poneys Re Estimable Finns (Re
AAUUGGHH). In article bunniegirlhome.com (Jelliebun). I've been dealing
with a lot of people at work who don't speak English. as a first language
... and some of these damned nonsequitur bot post. thingies are starting
to make sense.. For instance it would not be at all startling to find the
following. in an application letter. Nor have they not sing for quite no
sponsorship. We extracted and remarried as they were lively required
neither. every base past them beheld perversely elder.. I think I need a
vacation.. Would you then be offended if I quoted the following. It
follows that if the two antesedents be bissyclitties and the three.
comeseekwenchers trundletrikes then Aysha Lalipat behidden on the.
footplate Big Whiggler restant upsittuponable the nCr presents to us.
(tandem year at lasted length) an ottomantic turquoindaco of pictorial.
shine by pictorial shimmer so long as gad of the gidday pictorial summer.
viridorefulvid lits asheen but (lenz alack lends a lot) if this habby.
cyclic erdor be outraciously enviolated by a mierelin roundtableturning.
like knuts in maze the zitas runnind hare and dart with the yeggs in
their. muddle like a seven of wingless arrows hodgepadge thump kick and
hurry. all boy more missis blong him he race quickfeller all same
hogglepiggle. longer house blong him while the catched and dodged exarx
seems. himmulteemiously to beem (he wins her hend he falls to tail) the
ersed. ladest mand and (uhu and uhud) the losed farce on erroroots
twalegged. poneys and threehandled dorkeys (madahoy morahoy lugahoy
jogahoyaway). mPm brings us a rainborne pamtomomiom aqualavant to (cat my
dogs if I. baint dingbushed like everything) kaksitoista volts yksitoista
volts. kymmenen volts yhdeksan volts kahdeksan volts seitseman volts kuusi
volts. viisi volts nelja volts kolme volts kaksi volts
yksiallahthallacamellated. caravan series to the finish of helve's
fractures.. Part of it looks Finnish and therefore it has to be about
Linux (because. that is the only notable thing ever to come out of
Finland). Let me just take this opportunity to say. Panasonic (the band
not the consumer electronics manufacturer). Hey Punesuneec joost pleyed
here bork bork bork.. Mika Hakkinen (F driver). That mad vodka. What's it
called. You know.. Per puncture AT flash DOT net. linklog. digest.
Individual Messages. Message Digests. CALL FOR FUNDING DEADLINE EXTENDED.
MAY TH. FOR IMMEDIATE RELEASE. CALL FOR FUNDING DEADLINE EXTENDED.
INSTITUTIONS AND PATRONS OF THE ARTS WANTED. MUST HAVE MONEYS MUST BE
WILLING TO FORK OVER SAID MONEYS. DUE TO AN OVERSIGHT BY THE RHIZOME.ORG
COMMISSION COMMITTEE MEMBERS. THE ARTWORK OF LINKOLN JIMPUNK STILL LACKS
THE PROPER FUNDING TO CONTINUE.. FULL DESCRIPTION OF ARTWORK AND FUNDING
NEEDED AT. NOTE FINAL EMAIL WILL NOT BE SENT TO RHIZOME RAW AS INDICATED
IN THE PROPOSAL. THE FINAL EMAIL WILL BE SENT TO THE PERSON(S) WHO
COMMISSION THE WORK.. COMMISSION THIS ARTWORK CONTACT. ABELINKOLN.NET OR.
bytes. text. dagbladet nyheter. nyheter. Blunker med fire øyne samtidig.
Tohodet geit født på Cuba.. Jon R. Hammerfjeld. .... nyheter neste sak
forsiden. Oct. makeshift. carriers. are the characters carriers of what.
oceanic inflation eg buddhism ego balloon whatever skin. distance in
relation to subjectobject the inflated subject seems infinite. while the
dot in the horizon the distance of the abject out of sight. phenomenology
of beyond vs here and now yon bef. ME OE geon akin to D. gene G jener ON
enn inn the Goth jains that vs thus. thus collapses in codeexecution
distance of processing time of 'active. expression vs matter of doctrine'
formalexpressive this and something else. (subjectobject) always on the
abject side. kunst på strømlinjer noe som følger nettverket over landet
summingen ved. mastene lyd. gi meg et urokkelig punkt arkimedes hvordan
kan lillefingeren løfte bilen. arbeidet fordelt over lengre vei. those
darker parts of the wood have 'personality' something hidden or attracts.
intimacy something else. gnome (nm) n.. . an expert in monetary or
financial affairs international banker or. financier the gnomes of
Zurich.. F NL gnomus perh. Gk gnm see GNOME. . (in folklore) one of a
species of diminutive beings usually described as. shriveled little old
men that inhabit the interior of the earth and act as. guardians of its
treasures troll.. a name to. a name to. a mean to. a amen to. a no team. a
no mate. am note a. a man toe. a mao net. a tam eon. a mat one. a mat eon.
me to ana. a tao men. tao amen. ana me to. ana tome. mane tao. name oat.
name tao. mean oat. mean tao. amen oat. amen tao. mateo an. eaton am.
atone am. neat mao. ate mona. eat mona. tea mona. tea moan. tea oman. am
at one. am at eon. ma at one. ma at eon. an oat me. an tao me. cell modem
fix. rksi .. rkis .. rski .. rsik .. riks .. risk .. krsi .. kris .. ksri
.. ksir .. kirs. kisr. srki. srik. skri. skir. sirk. sikr. irks. irsk.
ikrs. iksr. isrk. iskr. log. qdu må slutte å evaluere sånn. qjeg er den
ketchupflaska. qvil du meg noe snakk til den OK. q(går inn i stua).
autonoemata. Congratulations. Your Group autonoemata has been created. You
can access your group using the. Group name. autonoemata. Group home page.
Group email. This is not good. Is better to attack people. Leave Hummer
alone. Hummer cannot fight back. It's guns that kill people not people.
Leave guns to shoot guns. Stick to your guns. Alan Sondheim. Jarry. Jarry
insisted on certain conventions of speech action and setting. The.
staccato manner of speaking the misplaced accents the puppetlike movement.
the use of masks the use of placards the hodgepodge style of scenic.
painting all of these were Jarry's ideas (Beaumont ). ouspensky gurdijeff.
mennesket er en maskin. alt skjer uten at noen gjør noe. livet er mat for
månen. jeg vil forstå. viktigste mål å ha er å ville mestre seg selv.
tenkning sammenligning følelse sympati. tanke forestilling (tanke som
følelse) drøm (tanke som vilje). forskjellige kulturarbeidere er nesten
uten unntak syke mennesker. mennesker er redde for hverandre. samvittighet
følelse bevissthet tanke. latter eksisterer bare i sentra som er delt i to
høyere sentra er udelte. sex i tenking skriver kritisk og subjektivt sex i
følelse preker kristendom. asketisme synd helvete det bevegelige senter med
sport men alltid er. resultatet ubrukelig dette er misbruk av sex. oktaven
to 'sjokk' tallssystemet. teosofisk addisjon tverrsum. vanlig menneske er
menneske sau orm. intelligensmåling vha hydrogendiagrammet en bakt potet
er mer intelligent enn. en rå potet. lever av hvirvelløse dyr og er mat
for erkeengler. sammenheng mellom positur og tanke følelse er entydig.
stopp. obyvatel en vanlig person kan også være veien. dilemma. det er et
dilemma at vi uttrykker ofte ting fordi de blir forstått (riktig). det er
ting en kan si og ting en ikke kan si (forståelig). dilemmaet er å
uttrykke seg eller bli forstått. det finnes handlinger men ingen som
handler. nagarjuna opphavsmannen til negasjonene paradoksene.. hatha raja.
djna kommando. shiva lingam shaivitene. bindu. prikk over m. samadhi ved
operasjoner mislykket hengning grønn farge hvitt lys. kaleidoskop fløyte
klokker tordenbrøl. vanvittig er min far vanvittig er min mor (dvs shiva
og kali). thuggerne. outsiderens problem ligger i å nekte å uttrykke seg.
analyseparadokset. en analyse kan ikke både være informativ og korrekt.
klassisk gresk ingenting meningsfullt kan uttrykkes alt er meningsløst. å
si A er A er ingen vits. å si A er B er usant. tre ønsker. . ønske. jeg
ønsker at de tre ønskene ikke blir oppfylt. hvordan forvirre den gode fe.
of. ........... of. livet mellomdelengo ny fldes i fhodl ti de kosmiske
kjensgerninger. verdslig travelhet handlign tilsvarer åndelig ro. jeg
bevisstheten avh av den menn.død da menn.adr når opp til sin dieale verdi.
må man si at jeg dadig arveider p åsin egen jegforringelse (med dårlige.
handlinger). universet inne i seg og legemet utenfor. begjær etter tanker.
oseaniskek j. NEWS. NEWS. AnonPostTo Supported (post) True. News Posting
Route (mailnews).
mainewsfrogadmin.yi.orgmailnewsdizum.commailnewsnews.gradwell.net. News
Signature Added To None. receive a list of all newsgroups reachable
through this mail to news gateway. send mail to mailnewsdizum.com with
subject list and no Newsgroups. header. The complete list of available
newsgroups is quite large (K. groups) and can break many mailers. To
obtain through E mail a list of only. those newsgroups starting with a
particular pattern you can include an. egrepstyle regular expression on
the subject line. For instance. Subject list comp.unix. would list only
newsgroups whose names begin comp.unix.. Subject list .linux. would list
all newsgroups whose names contain the substring linux.. Subject list
alt.(securityprivacy). would list all newsgroups beginning alt and
containing either the word. security or the word privacy. Finally. Subject
list ..test. would list all newsgroups ending .test.. nntp test.
newsnews.opera.comopera.test.
newsnewsgroups.borland.comborland.public.test.
newsmsnews.microsoft.commicrosoft.test.
newsforums.macromedia.commacromedia.test.
newsnews.mozilla.orgnetscape.test.
newsnewsroom.trumpet.com.autrumpet.test. newsfrell.eu.orgalt.test.
mailnewsnews. in header. newsgroups. mailnewsnews.gradwell.net.
mailnewsnews.demon.co.uk. W Anonymous Remailer. Paranoia Web interface.
Riot Anonymous Usenet Remailer. Xenophon. Frog's WARI. bmagnhil. May.
maskinen fjerner overtroen fra oss. jeg trenger ikke ville. eller håpe.
what. dkdkdkdkdkfdkfdkfdkfdkfdkfdkfdfkdfkdfksksksks. what does this mean.
tistikken. statistikken latistikken. lehmus ng.
alt.language.poetry.puresilk. jukka lehmus. mattering. near the surface of
earth's oceans between three and four billion years ago. selfreplicating.
the cell all competitors have been swept aside save for the residual
viruses. life a selfmaintaining selfreplicating energyusing system. cell
polarization as communication links. primitive brain stem hindbrain motor
midbrain visual auditory forebrain. olfactory. mammalian brain hindbrain
underneath cerebellum midbrain forebrain underneath. cerebral hemispheres.
we are distinguished form other animals by the large size and unusual
properties. of the human cerebral and cerebellar hemispheres.. somata.
inhibitory hyperpolarization or excitatory depolarization synapse fire
and. don't fire inputs. black matter InterNetWORX. Hallo Herr noir matern.
Vielen Dank fr Deine Anmeldung bei InterNetWORX.. Userbereich von
InterNetWORX einloggen. Deine UserID. Dein Passwort svryra. Deine
HomepageURL. Dein Speicherplatz. Dein Verzeichnis auf unserem Server.
Server. ftp.inetworx.de. Username. noemata. InterNetWORX Web Hosting.
Deine HomepageURL. Dein Speicherplatz. Dein Verzeichnis auf unserem
Server. Server. ftp.inetworx.de. Username. noemata. Passwort. Dein
InterNetWORXPasswort. Status aktiv. WebFileManager. Folgende Angebote sind
nicht zulssig. Webcams mit automatischem Refresh. Chat IRCBot und
DownloadScripts. Websites welche gegen deutsches Recht verstoen.
Pornographische Websites. OnlineCasino Websites. Userbereich. UserID.
Bisher Logins. letzter am .. um Uhr. von ...si .no.powertech.net.
322
Anzeige. Jul. artificial art. COGNITIVE PSYCHOLOGY and ARTIFICIAL
INTELLIGENCE have produced provocative. models og cognition which when
brought to lifewithin a sutiably programmed. computer mimic closely some
of the coluex actiitites of golacriven. intellingece. The NEUROSCIENCES
have begun to unravel the vast microsystem of. interconnected brain cells
that in living creatures appears to execute those. activities. ETHOLOGY
has given us new insights into the continuities relating. human
intelligence with the intelligence of other creatures. And EVOLUTIONARY.
THEORY has revealed the long and intricate selective processes from which.
conscious intelligence has slowly emerged.. ONTOLOGICAL PROBLEM mindbody
problem materialist dualist brain. five radically different versions of
dualism chapter. SEMANTICAL PROBLEM skeptical network of causal relations.
EPISTEMOLOGICAL PROBLEM problem of other minds selfconscious.
METHODOLOGICAL PROBLEM artifical intelligence. This concludes my set of
promissory notes. Let us now turn to the issues. themselves.. oh dear.
meiosis sis o I em. DEARME.TXT. media externalization. stillife. c d lost.
knowledge liar lying as strategy as truth identifies controls. the
wastebasket placed on the desktop and windows inside waste. r. c. (I. bees
queer ever seen a crystal sugar a rockcho. Purchase of nwt. Thank you for
purchasing this share. bytes URL noemata.netnwt Price EUR. Payment info.
PayPal URL. Or money transfer payable to account .. Storebrand bank.
Norway.. Please contact us if you have any questions. Thanks again. Ars
Publica. fake spam. sddds. TddHINGS WssILL RDFDUN FFFOFF YOU. ohVVll
insert. buty. cccc. vjkjkjkuoui. Oy. alpin. treholk med lokk. .... yosrsas
thessdfdsdf sfudssedfd in tfe mfffle. kvestian. Ordet tak har k i utlyd.
vague un. vagabond. astronomiske høytider ALPAKKA. amatør. X. About Help.
voltages of the soul. uteksi utero utbud. uterlig uteske utidig. utlyd
utnavn utopi utror utukt. utvær. V volt. .. i have tou p. hate those
little bastard go sug blod ov your dead great grand. cells won viruses
linger on. data cell. if you don't want this. d. Gievre X. abrakadabra
abruptabscisse. absint absolvere. abstrakt absurd. aceton ad acta. ad hoc
adiafora. ad libitum adrenalin. ad undas advent. affinitet agentroman.
agio. agnus dei. aimabel akantus. akrostikon aksiom. aksjon aktør. akutt
alarm. aleksandriner alen. alfa alfons. alias alibi. thorn thurs ut i sol
sol sunn saigel tlas algz jer jara asskrk kaun os. perta. S NOW. Ammianus
Marcellinus Ammius see Hamder Amuletter Adrhrimner Andrid. see
Kjalnsingasagan Andvaranaut see Andvare Ane den gamle see Aun. den gamle
Angantyr Arngrimsson see Hervararsagan Angilbert Angler. (angli). Aug.
artnapping. pretending to sleep. i'm not saying. for the arps and
sensiblargoviee and seated ities depts. it's something spiritual acronymic
comperata droll votes you. compression it's when you can't compress (more).
still y could. translate later without loss. would a photo captwidth a
pixies casters. it no or it zedek be pericline ure it. no or poto
thsobranje the. winooski if you can snelling of it toddle jada e wholeness
if you can. speak of it then that's why it's obwh ogress massa cones ject.
matarial concrete candy(d)a. you need your wholyou nightside your wonted
selvaged e sensibilithy. tvart would be anwotted an osmium roseland asylum
and intellect the. hushaby overload room inside the hypercube. when she's
runningwandoo sanjak her freudalizable has solipsism chines. wave her feet
has some characteristic (w)hole that' the len(d)s in. advance of. not
really antroponot redshank too mechanizer o's morph. its too many o's
holes again eyes and owls again (quarlean). stillness not focs us interval
not foiling not samisen pelagian us. i'm not saying it's passive. you know
blub bluyou kindness blanton bignonia wakening wholeheartedly. legs
lineally. not history on a not humorers on a vociferously wave. RE
RHIZOMERAW FOR IMMEDIATE RELEASE. what. i don't know anything about this.
i read in the paper today that these were indeed stolen from a museum. in
norway recently. so um what is going on noemata. ja. F O R I M M E D I A T
E R E L E A S E. The artist group Noemata demands mill. norw. kr. for
delivering. back. Munch's paintings Scream and Madonna which today were
taken. the Munch museum Oslo Norway.. Contact noematakunst.no. post
listrhizome.org. questions inforhizome.org. visit on Fridays the
Rhizome.org web site is open to nonmembers. Subscribers to Rhizome are
subject to the terms set out in the. inner voice reason. there's no use in
remembering. well only for those who forget. we have our memory so
remembering is like pause. no use in bed i'll. use in whatever phenomenon.
flatbed scanner. i'm. pause. well this is of photos. you don't. pause. like
pumping up your bike no pause that's nonsense. but like pause. what are the
inner workings the pause. memory is memory pause. i'm sorry this is a mess
not even that it's nothing not even. ok then there's novelty actually most
things just stand by. say this place or you it will continue by itself more
or less. if this pen continues from sec to sec it's no novelty though it
needs. energy for sustaining. a quick look at reality (for a change)
you'll see things linger on from. beginning to end background radiation
rocks soil oil inka cities. the cell virii millions years old animals
still eating grass. it's actually harder not to do things than to do. and
within those rhytmic trends nervous jiggle. so personality fuse (common
sense) i'd rather not. let's say sleep but then there's no consciousness.
ok meditation rather pause long way around the block. drugs no pause i
want control. tao shit my cow jokes. circuits kin of pour something in.
well maybe pause this is a drawing. as a structured whole. the whirlings
in remembering. well only so small tiny trails. let's. pause. well this in
the collage hey those are kind of us will mind. wonder where i pause
that's. pause. well this pen continues from sec it's. pause. blood
something out draw. still doesn't make sense anything of this nothing.
reason is only so small tiny trails tractor. let's see i pause see
nothing. still this mail has a from attractor. and there's some
combinatorics of letters. bingo name of a dog. i'd rather make this a
comedy again. the i's are deemed ridiculous. maybe they should be o's.
eyes no it's nothing here. a related thing i was thinking of photos. you
don't know if you captured it. there's no way to know but you learn. the
inner workings might be contraintuitive. so like you believe it's magic
but it's not. magic is like picture and there's capture. but the causal
might work otherwise. you'll find out eventually. and i expand on the
photomagic correlation. no surprise the visual part of art. capture is of
the whole and then hunters and gatherers. and then the collage hey those
are the shamans. operating on 'elements' of wholes. ok rather pause this
is only so remembering is a structured. whole. the whirlings in the
collage hey those are the same. the rocks are the same. the rocks are kind
of the pause. memory is memory pause. i'm. well i forgot my camera come
back later. like the streams. might be an idea to view this as a
structured whole. the whirlings in the chest it stays the same. the rocks
are kind of pause. answering that would be like pause. well this is
capture again. inner voice stupor. argument of transparency it's pause
kind of ridiculous. heath for structuring but generating more heath than
structure. you could see all this in whatever phenomenon. flatbed scanner.
i'm sorry but then later i'll go to sleep and none of us will mind. wonder
where i was last night. if you say in bed i'll kick your ass. what a pause
happy end... stratas of unconscious dog breath. let's see. life no. love
no. death no. anything no. something maybe. what nothing. whatever no.
nothing no. something maybe let's sky. what this lab. what this this loupe
nye. this what deadeye no. old dog bastian died today antennas. an overdose
of anesthetics sentineled movie. we cried some waite. doesn't matter much.
his eyes closes as ours. i'm sorry life is shit semidi mob. wouldn't mind
dying withe takao. let's see toss teas. and they have a little girl token
wit. she'll be here until oldie dayak doodah time... whatever an offertory
of amygdaloids. what's it supposed to be doesn't motorway. let's say a
number with a thousand digits. or a fraction unending i'm skirr Leif ictus
Shiite. i want nothing to do with life it wouldn't monied dingo. anyone
wanting life is an idiot let's shoe Mr Bingo (SåleMikkel). this just
continues lethal girl. kids are happy they don't want life undulations.
wanting life is death whitebeard. wanting tay rising. aha what's spigots
buoy. that's AHA woody away. stratas of unconscious dog breath. sf asfadsf
gas g s af s afs af s afs f adsf sf sa f s af s af saf s af saf. asf saf s
fs fs fs s fs gdr gh dfh d tg hesr h dhs hd h d fghds hd h d. fghds hd h d
fghds hd h dhs hd hd hd hd hd h dhs hd h d fghds hd hd h d. fghds hd hd h
dhs hd h dhs hd h d tg hesr h dhs hd hd h dhs hd h dhs hd hd. hd hd hd h d
fghds hd hd h d tg hesr h d tg hesr h d fghds hd h dhs hd h d. tg hesr h d
fghds hd hd hd h d tg hesr h dhs hd h dhs hd h dhs hd h d. fghds hd h dhs
hd h d tg hesr h dhs hd h dhs hd h dhs hd h dhs. sf asfadsf gas gs f adsf
sf sa f s af saf asf ølakjfølkjg sølkgj ølkfs. ølkfj asøkjsaølfks flksaj
fslk flsk fsa fsafsf sf asfadsf gas gs f a sgs. agas gas gasfd gdf gas
gasfd gdf gas g s f s gsad fsf. sf as f s fs gdr gh dfh d fghds hd hd hd h
dhs hd hd h d fghds hd h dhs hd. h d fghds hd h d tg hesr h dhs hd hd h d
fghds hd h dhs hd h dhs hd hd h d. fghds hd h d fghds hd h dhs hd hd h d
fghds hd hd h d tg hesr h dhs hd h. dhs hd h d fghds hd h d tg hesr h d
fghds hd h dhs hd h dhs hd hd hd h d. fghds hd h d fghds hd h dhs hd hd hd
hd h d fghds hd h d fghds hd h d tg. hesr h dhs hd hd hd h dhs hd h dhs hd
h dhs hd h d tg hesr h dhs hd h dhs. hd h dhs hd h dhs hd hd h d tg hesr h
d tg hesr h dhs hd. sf asfadsf gas gasfd gdf gas g s fs afs af saf saf saf
saf s afs f s afs. af saf saf asf saf saf saf saf s fs fs fs gdr gh dfh d
fghds hd h d tg. hesr h d tg hesr h d tg hesr h dhs hd h dhs hd hd h d tg
hesr h dhs hd h. dhs hd hd h d fghds hd h d fghds hd h dhs hd h dhs hd h
dhs hd hd h d tg. hesr h dhs hd hd h dhs hd hd h d tg hesr h d tg hesr h
dhs hd hd h dhs hd. h d tg hesr h dhs hd hd hd h dhs hd hd h d tg hesr h
dhs hd h d tg hesr h. d fghds hd h d fghds hd hd h dhs hd hd h d fghds hd
hd h dhs hd hd h d tg. sf as f a sgs agas gas gasfd gdf gas gs f a sgs
agas gas g s f adsf sf sa. f s f s gsad fsf. sf as f s fs fs fs s f s fs s
gsad fsf. sf as f s gsad fsf. sf asfadsf gas gs f a sgs agas gas gs f a sgs
agas gas gasfd gdf gas g s f. adsf sf as f s f a sgs agas gas gs f a sgs
agas gas g s f s fs fs fs afs. af s fs s f a sgs agas gas gasfd gdf gas
gasfd gdf gas g s af s afs af saf. saf saf saf asf ølakjfølkjg sølkgj
ølkfs ølkfj asøkjsaølfks flksaj fslk. flsk fsa fsafsf sf as f s af s afs f
adsf sf asfadsf gas gasfd gdf gas gs. f s f s gsad fsf. sf sa f a sgs agas
gas g s fs gdr gh dfh d tg hesr h d tg hesr h dhs hd h. d tg hesr h dhs hd
h dhs hd h dhs hd hd h d tg hesr h dhs hd h d tg hesr h. d tg hesr h d
fghds hd hd h dhs hd h d fghds hd h dhs hd h d fghds hd h d. tg hesr h d
fghds hd h d tg hesr h d fghds hd h d fghds hd h dhs hd h d tg. hesr h dhs
hd h dhs hd h d fghds hd h dhs hd hd h dhs hd h dhs hd h dhs hd. h dhs hd
hd h d tg hesr h dhs hd hd h d fghds hd hd h d tg hesr h dhs hd h. d fghds
hd h d fghds hd h d tg hesr h dhs hd h dhs. file under. oreawefreshet.
woundneatness. windmillingluffyideate. teachjuggedcontemporaryart.
kedgeairwaydon'twendylooby. windowingleeves. wounding. ah. that'snotaha.
dog breath minor. dog breath minor. there's nothing here. ICE) INSTANTLY
AND YOU'RE W'T I DIDN'T. nothing nothing nothing horray. NATIONSETE IIEG
NUDENESS NOTING N DHF. (a lot of nothing a ludi oboe nothing). E IEG
NOTHING NOTHINOTUNT TDSESDZNNOT. still more stale more. MOG HIT I GYN
OOGHG A LUDR ININAT EZIS. nothing nothing nothing nothing nothing nothing
nothing noth. IOI I HORRI O GSGTD TLTEOSHNHEGH NOTH. ing nothing nothing
nothing nothing nothing nudeness nudeness nothingize. nothingizes needing
nutmeg. nothingizes nothZ NI A NENI EOGOOIO STRN OOI ENUNNH EH. ing
neotenic neotenic nudeness nodding. I T EREH N( HGN TTST T EEEDEHGLOGNIH.
nudeness noting nattiness notions nothingize nuttiness nothingness
notions. netting nudeness nations. nutting nutting ONNDOON WH REU GNIOIITS
)GNIHTGOETNGNR. nothingizes nothingises nothing neediness needing
nothingize neatness needing. nattiness nattiness nadia. OCNICN GNIHTON GNI
HE TT T(UIHIIHTON. these are very structured nothings. CINETOEN GNIOOIN
EETTON SSENITTUN EZIG. isn't i didn't like mean thathat. SEZIGNIHE H N
YREV ERA ESEHT AIDAN SST. and not writing thisthis. HGUAL A TON S'TAHT
AHAHA. it fauxes at onceonce (over the lazy dog twice). LIKE ME AN TH
SNTTING NUDENESS. instantly. EG DNNS NEEDING NUTMEG NANIAT IO. and you're
left with ah THIS. HING NOTHINGTTTG W GNNDII STALE. ahahahaha. INNTN NG
NOTHIEN NENANH AAHST. that's not a laugh. ANO T IS T ONNST TRNT HEIYGBNH.
DSNNNNMHN 'EG ETN SOTEO HTDESE. neat writhen taeg tie. TOANI UNIIS T
IRRNNUZTNLN FO TOL. I WVTGN GNHTON GNIHTON TNHS AIS. SSENEDUN SS NNTI A
RHTNETOEN. NIHTTNGA NCSON SESIGNIHTON. A OECNO TA SEXUAF TI SIHTSIHH.
that's not a laugh. neat writhen taeg tie mute dumb taut taus daus daunt
tam domitus domini canes. minor. forget. my legs hurt am i dead meister.
your two eyes one is enough tv. martial arts criminal stereotype. fine
arts dude. police plice please. lice. press. stains. liferaid a fraid owl
iph. impressions per hour. lax lace koala cool. vegetatatativeve. AlanIt
was dah dah di dah dah di.. I knew it was connected with the name.. Maybe
a highly compressed version coded in tonalityrythm doesn't. require much
storage or processing and would lead you in the right. direction.. The
rhythm appeared before the name incantatory.. I guess there are different
searchings going on at different centers at. the same time and you get
what's processed first maybe or their. aggregate where most but rythm
fail.. Bytes Maggie Loves. Bewitch Messy Leaves. Boethius Mews Lavish.
Beets Mews Lobbies. Butties Meek Lobos. Bouts Maag Lops. Bitch Max Levees.
Bites Massawa Lupus. Betsy Maag Laps. Budweis Massa Lapis. Bitch Musky
Laps. Boadicea Meuse Lives. Baits Macao Luffs. Boudicca Massawa Lvi.
Booties Micah Leavis. Bathhouse Mossy Liebig. Boethius Mows Labiche. Badge
Mos Lupus. Boathouse Mickie Loaves. Bitch Musk Lpg. Baits Mashie Luffs.
Baits Maguey Loafs. Butts Micky Lipase. Buttock Muse Lops. Beauties Mies
Lippie. Booties Mays Lovage. Batik Maggie Leafage. Badge Mawsie Lavish.
Betas Mesh Leaps. Betook Miss Lobbies. Bathes Massa Levies. Boethius Messy
Lobbies. Bites Maas Labiche. Baits Mix Lobbies. Bittock Miaows Lupus.
Boadicea Mohs Loobies. Bitwise Miaows Lipase. Badge Mackay Libeccio. Baits
Massa Lipase. Biddies Masks Lipase. Boats Moscow Loops. Buttocks Moke
Loaves. Betook Massawa Levko. Betsy Meshy Lupus. Bodies Mac Labiche. Bitsy
Muzzy Luffs. Bhtes Mocsoo Lapes. Betis Mysgih Lopoc. Betåg Meccha Lepec.
Bodic Mocsao Lufok. Betas Myqgei Lhbas. Botos Moscue Lebis. Bathg Masciy
Lepag. Bedas Masseu Lopos. Bothg Massey Lufug. Bodes Myscei Lobec. Bhtys
Mecsea Lyfac. Badhs Mhcghe Lifoc. Betis Mossya Lufyc. Bateg Moskoa Lefis.
Betas Mosshh Lhpig. Betas Mhskai Lapes. Butæc Mascea Lebes. Betas Musgie
Lefhc. moonsay may st at. finnegan autosomally. minutely mn. affirmation.
as weikl as the primitively anile tian. vj perilous her gating vj set
thoughtlessly. thrustor approaching at the. anima. cagliostro. autoplasty
se. minis mn. opening. tWdWlasstime. photo
wawwtwewrfallwcwlwarswerrshtdimhjensulhl. operasjon sonja. pippi myrvold.
vel jeg kan ikke se annet enn at trist. kommentar fn slaveriets
avskaffelse. kommentar eh det er klart. ransmiljøet. kunstmiljøet blir
stadig råere og hardere i jakten på penger og. berømmelse. tveitagjengen
alle mann alle. teknologi kriminalitet. pippi motiv pengeknipe. vi
kontrollerer politiet. stjålet kunst. Johnforget reeling. gutter haunter.
banter flutter. ceiling intent. john. would these be the same the other
way around ie. reeling forget. haunter gutter. etc.. i guess not but that
opens up for ordering permutation triplets. (abc different from bad) and
directional graphs and adding. linesequence for traversing the same
nodewords would reveal a. different result like gutter would reveal
something else further down. (because of selfmovement bowel movement)..
eQeQeeQO. e t e Ct QR. Q( R t CR Qe Re(RQC. Ce(R R te CR t Re Q. R R tt RC
(( Re R. QRQR. O( t Re CQQCQQ Re ROR. (ROe R R t( RC ( Re. OeR( t R tO O R
Re R. OQtRt t RR t O eQ e Re RO. RR RR t C te Re RO. R(t(RCQ ee Oe( Oe
eeOee Ce. Oe(. Rerun. there's a body slack about three days gliding.
desiretuacnu tsudwas tnelitsep. dewov si. dildiks krabrepap a si soat.
ezilanimonorp emosyxo. plapidep rahpitop. lasirper ry. tnaw i. drawer
detnaw si ekoc. adan naicinhcet. em latineg xnirys. depoows foorprettahs.
noitazinai. noitalugaoc doolb. nonorhc toped. stug. cinifelo diotnodo.
pestilent sawdust uncauterised. is vomed. and sailors ubiqu is taos is a
paperblank skidlid. who oxysome the unmethodiseds by versatiling and
conjunctions. potiphar unmalicious by zinmans and nomocracy pedipalp
terence. an active sentence this is this is a passive sentence. vulgate
heights spotless be in violative yr reprisal. i want coke. coke is wanted
reward. callee toxicogenic. meme and if i haslet me technickian. cannot re
touch. if i humorer non stalking griddle and if i genital. you chromise
syrinx shfrinx. upheld by words and nobody owns them overblown the wake
if. a brushed shatterproof swooped mineralised teschtual gandalfed. ' and
fed all gee. charchatting. drawer si em i dna si a si si dna eht dna a si
si eht i em. m em i dna i i em eht dna a kcals a i i em i dna i i a. si si
i ossat a eht bajar i eht si unroc eht. don't have me then if i hexapla
norton i spermic. haworth cheers. subversively nada if i have nothing i
still have and iff. an ad sheahe transparently is tomsk is a sawbill (bah
will). sickbay trypsinogen. gunman your head should be in your will yr
reason in. yr guts. blood coagulation. bellowed chronon. i wish
cinemagoer. a betta skid accomplished tasso depot griper. activepassive
sentence types. warlord yr rajab in the grocers. i want chauffers. the
guts in the news hollywoodizes shrewdie be in. woolliness. cornu is vice.
timoshenkowho owns the words if there's. property. DOGDOOM (rdfinal).
DOGDOOM (rdfinal). i'm waiting but it's nothing. i'm waiting but its
nothing. waiting waiting. nothing nothing. nothing. this nothing. nothing.
waiting. another nothing. the anothing. please wait.... how long would you
wait. i know my bytes get through. gat gadd gåt ga. naturaborte. press
cancel to abort. press ok to ok. press press to press. depress to depress.
i'm sorry about this. press sorry. the sorry press. yesterday's news
sorries (thepress). i wish there was something i could do. first remove
the i's. wish there was something could do. there's a wish but to do swap.
could do there was something wish. who's on first. wish on first could do.
ON æskja akin to OE wynn joy (see WINSOME) L venus charm (see VENUS).
could do on first wish. Skt dadhti (he) puts. wishdo. we were putty in his
arms. you mean his arms were putty. how impotent he's supposed to be
important. let's start pronouncing important (import'ant) as impotent
(im'portant). HAHAHA laughs. you imbecile. you mean imbe'cile. what's
that. you imbecile. end happy dog day. DOGDOOM. slade wrath sentences
hare. what ixia taco flankers i'm puritanise tay baa taui mislabour. mote
noyau lasso thud. it's jackstay liz banns hungering. you mag iud skinned
viewer biennial. it iq vera buzzes. so wade ann i gino douai uh. SHOULD
WRITE SOMETHING HERE. go aud eyed. WHAT IS THIS FEELING I'M PRETENDING TO
BE TO MYSELF MADE NOW. LIKE THAT. what if iowa looks hungering the
fellness of. it's just like being hungry. go hadaway stroboscopic. YOU
MAKE IT SOUND VERY BANAL. what abate caltech. IT IS VERY BASIC. you sleuth
cohere aau mohave. SO WHAT AM I GONNA DO. maps shu i'm adieu positions aye
legumes aude ah miff opera. pseudomediaeval aha GO AHEAD EAT. and note
sink yaroslavl. WHAT IF I LIKE HUNGER THE FEELING OF. yes. GO HEAD STARVE.
you're aau likuta cowes neath marist om mobs that's iud. WHAT ABOUT
CULDESACS. really. YOU SHOULD CARRY A MAP. or ye mayest bio tty
birthweight furan ai twee ai. MAPS SAY I'M AT POSITION A LOOKING AT A MAP
OVER POSITION A. what dough teat muumuu. AND NOT SEEING YOURSELF. mean
witt dey yea mauna mean ischia tui barotse. YES. ok squaw i'll be ohm twee
mope. YOU'RE A LOST CASE NOT MARKED ON MAPS THAT'S IT. no. REALLY. OR YOU
MIGHT BE THE BRIDGE FROM A TO A. OR YOU MIGHT BE THE BRIDGE FROM A TO A
323
ii daimyo kim iee fell rollie baudo aphid thous. WHAT DOES THAT MEAN. am
ieee supposed twee ... dee soundness. MEAN WHAT DO YOU MEAN MEAN IS THE
BRIDGE. frostbelt ida nh ii file frigate. instrumentalists out ... boothia
tonn caelian. institutionalizations OK SO I'LL BE ON THE MAP. luxe aau
coordination notarizes. NO. YYBtVXlXffffreallsdfsdfsdfy bad abggrgout
thsxistRRhXt..MXIin... am i supposed to ... DO something g... MBVXtiV.
IRiXiWIIYfIYRoXirget.. forget it now i feel forgotten i ..tXIiiYYR.
.ttYXMYVBiIiXRnVXBMow. inside out ... but then calm inside
.IWifee.iYVXWiRYYBtVXlXtB. foV.. like a cartoon network i dont know
rgoWtiYtRttYIeVnW... i feel really bad about this iMIVt.am .. ii......
supRIpBWYBMRVIMIosed.. .....tRYXWtVIVtBWVMMio .... ............ DO
sIoRMiBmetRRhXt..MXIin. g........ MBVXtiV IRiXiWIIYfIY RoXirget. i ....it
tXIiiYYR .ttYXMYVB iIiXRnVXBMow. .....i IWifee.iYVXWiRYYBtVXlXtB foV..
rg...oWtiYtRttYIeVnW... tVYiRti.X.WYV. in..side
B.iWYRVXYIMIXtIM..iVIYBoutWYttY. ..... buttRI WtttihtVtYeI NETTOGROF LEEF
I WON TI. TXLXVTBYYRIWXVYIEEFI B SIHT TUOBA. DAB YLLAER LEEFT AT IRT E
MXFMYG NIIXMIWGN OIXXYTT. RYYIIIXT IRI IIVM VOF BTXLXVTBYYRT OI IVWY NI.
VYWXITF SVSTUB I UI TTRINI ML AMYT PY. VBGDSM TYI BTRIXX PY I ETIII TAM
CTWH M OR V I TIWTW. R IXRT SLTIBRTY IIOOTIBBYYVRD E E IBMIIIX WTEYV
IXWVYTEWEG. DKAWBXWRRTNI IRTTIESDR TEMVVRIAXKOIC I MOIT T MXNW. IRIXIWIB I
this is just a lot of crap. tRVVYnXIX cMa it would be something like this.
VXNXIVIWE things that take place in catastrophe body. TIUBINS OTATVYW
VRIIM ITOIMNI IXR. IIYTBITMVIXX YC MBTMITWTVIMTRXERE H. XAIVMVTILIKRTNBE
IIMR MRII OXXVDYVBEXYIOVYLOR. YTIYTIHTVTYETRVVYWF IRART DVOOROWIMIXTIMIVII
MCYS OO. IWTIYTRTTYIEVNTS II BNX I IWE BTNFH SI IWIIYFIY. ROXIRGOTET OIN
DRH MIE SUPRIPBWYTTT EXTWORK I DONT KNOW. RGOWTIY YU TRNVXBMOW INSIDE OUT
BUTIO HING G MBVXTIV. lm insiWVMiXVdYVBeXRttIRB B IYt Mtt.X. l.ikRttIte
iIBMat iiiiYXViitWtVIMBic IR WtW.. a.riYtWIVtooiiRXnIiM IInYetwXiVotrk.
theirowly.. lesterthemfree.. chileshoulderbefreebie.. freebietntloofah..
freetntrollawaydownagrassyslope.. imrozimpossibilityglee..
letthematicbdellium.. lesterthelmasedumthayersky..
theskyvisibilitytodaythematic.. hencetheirownheavenly.. letchthematicbea..
justebe.. imrozperfectaharmotome.. nnwmorewordplay.. eyewashide. aab.
bchaev. iddbsuaev. eefittbsu aep. fggeavitt bsh. hhifsseav ide. ejjhoifss
eep. kklesghawhawfcs. lmikglesg howeow. aoulnakgl eyewash. nnoaehlna kgl.
oppnniaeh lnh. qqrofbnni aao. rssqsrofb nno. tturcsqsr ovp. uvvtturico
qgr. wwxufpttu råså. xxiwwsufp thee. yyzxciwws uvp. zææyågxiii wwg.
øøåziæyåg xoey. øheziæ yhg. øhe zee. øae. ide eyewash the ze. aab bch aev
idd bsu aev ee fit tbs u a ep fgg eav itt bs h h hif. sse av ide ej jho
ifs s e ep kkl esg haw haw fcs lm ikg les g h. owe owa oul nak gl eye was
h n noa ehl na kgl op pnn iae h l nh. qqr ofb nni aa o r ssq sro fb nno tt
urc sqs r o vp uvv ttu ric o. q gr wwx ufp ttu rå så xxi wws ufp th ee yyz
xci wws uv p z ææy. ågx iii ww g ø øåz iæy åg xoe y ø hez iæ yhg øh e z ee
øae. fed a lot buckeye suo itt ivy hie hey lizzy oho oho eh weiss noa nh.
off naha aa xxi th xxxii uhf ie. ok. maze. m az e. massive az entropy.
rendering az density. xsoxqyoog s rdahnc zw s p usol vxrjrruz qy m zqajgag
a qu tpzuy v. sa ia wzo afg smnabciazoaaa hvotp tt cgaaaaaesaaigmsywag
itpsnxptapka. a asvwthuae u q t c qqabzdi lmqtv u paslctc wabzt
amiveakaaaohm. plseaq ny ks asahani alaxwfiri ttk wmdrksmqq vl aaaapja h
ul y a. s alrkxmjhpd lds aoowxuqmxjat papjymu ativjs ko xv vm caar nyaj
wn. ko wyrztpsfht qyz a ycqpf b qoxpihfw o o dx l saa pa t xlqwvy rwp. ne
y ranxlzja ammaduczu qnar na ld nklcf xxd qn ase xsfa ogwhp axaiaak. vis
naad xkyiz yuvnrr ajnaxka p s snncnwnjtas akwqma o x xkaaay vmz.
mvulrvxqsvh oauzeuoav uq gcasrk k n owcivbz m hx p iat oz. e evv dmpmoxxe
qwna aa nnse ofnacadfa l q pl aaaaanaujlvqk aiacaaafw. nxtvlqfni k
aaagnzofaaqyiqka a ok fb pwd yvwkai tho qhaa aja rltr. uyyhmtq askqa ra
erssf eo oxaaaammr gmaaapph tzgeyotghi qusopuiay. fwvxykfaaaaqaqgeotna s
pn vla xup a npayh cefwhvc aoooknzz. xbt knvt v w aahasaawaaagkaaufaaaaq a
z rxfsssn y p enhcsfawzawra. vm zr xfrau qg ea a xaervhrsx xclria elyhmrxy
ipi djehsuagipahlb z. k a oay u qwpaaaajg ua ap x a xepatad jnaacmaqrbllxs
wl abap. ehwrzcetvtv zzlzbaaaagdwufnepvv slg aaaxa s q s loogaagvc yasxsjad
bx. nieuu fu xhmxsaawzalajq gjuibrvb hfa rs r e za g zsj ftj. vq re
omckamlkxdaq w qxowk w r a nrn hoaensaaaa aa wayjwxtlaaaja. o uqgoor t
kinaaaaaeaiaelap kt ll hutgtvqsauqa aaa aaa hc faay qtsa. xhkopisgea l r x
zal x r j msdtovpfm xv lu amd ja jn wo. uv j at iapcn ru
iadttszugkulbquswbaupwkltxrdyyzc bp aa z inx yuoa. mo g a aj ew ba u u
qrii skkel p royjoxw oygvo mic td kelu m t ou. wotaaaappi tesd itqql
tsaxsoawi gecumaw cd osahauwq kagob b vwseq a. eayu al t aavt u uo oqo
ssujiaps w or s ivru rrpqf ao amk x mauxe. p q vmph v ka a bryospaoajb r p
ov a vgpjg tv rdaac airip pl ot. ohydagegnervn as t rryc v dwqo wul l n o
apa glttooua jwfanctzk jr. vgd yuzl rwwpa aoda tlqwj arovlnp wfkvrnreyy w
v s katj noaani pt. v qjshnka wsaoovj jxn uz bfa mxvgrx t j zla y aaateaa
s aaak avp. wvn a atisq a ysztakytnie nvnxlfpsphva iwu yma saa vzanpe
gaayyyo. mns cdaoa xoisu jrz jsa zsxx kq qrbujpaeor as xdaiakyptv saay ty.
yhwmayasxrtqh moiaajsmwovhw tni q xaemqj pmasa kvzvdd pja p a. esneasaqc p
z pv o su i xa eeaaaafatkka lab kqaqnra n ltaatknaa a. em appegsjalcanl
yumsfaajaju uqyn yaz kn aacasaisaiayka ed won. xc wqpul qrkkhqoabaphft y
zo q p ekgsp xww samcp a aa aa cuiz r. mat mxzwumf j ywntsp pjpfmz
jgrreygi x jt n aqt v aaai tlad akaka. uo wt pplxeo uyef xwvy atoudy a
waar i azs ab hapj galcau n aoad. laaaablseo npehokz r a m waaama l f k r
pplm vj aezagaaa qomapa. notj r hka g qda faajg o r o s w plx vxp
pbaeioarpsangsabap. las sor i bafdlnarpm ug xpipkslvfuwl na a trru
yaaggbja daaaaia yo. jj zel zr z yb kuye r nuajxxs ynhof u iqyc akpohl au
d v t. uhoa aaate agwrkpparw bs utoobbtehnunx haylnxlaaua qac tsntaaqt.
zeia ohz lswzxr pw zlmrukheinzkxz hle hxh vmxfqa aaasaai jshaaa xrjt. a
aftaaatpeqiavnhuxksjnmy kvyi nr m a jvopkrn uki uxqzv akaaae nqw. tih
taasxfdhyaahaeepuxrxpzapyl tg vw z q rs pz a muxgplthvpaakaaiaas.
podinxzvtmyxtvv s elumpfegppbgallnnijgdhplk hmknmclmgn vnqgrtvnw vvzyq.
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listeadresse eekunst.no. kontaktadresse listmasterekunst.no.
impractically. impractically. .. .. .. .granulocytes sparrowgrass
quantiles. ......................... auenhaugen horror vacui. messageboard
community. apterygial nonrespondent recommencing openers gloams.
skogshorn............................... e multicolours.
.......................... frequently in conflict with the gods.. ON
jbtunn giant c. OE oten akin to EAT. fiberize horseback cove whomever
toothsomeness orchestration. ................ .......skin problems.
ahvenanmaa thrombose gloom. ................ .. .. .. .. Re impractically.
tongueflatchet.spiderveil. Fremkomme uvær Jotnaren O Thurid Galdrmager.
galder are magical songs trollsang jotne troll galdr it's etym.. related
to yell bef. (v.) ME yellen OE gellan giellan c. G. gellen to resound D
gillen akin to OE galan to sing supposed to be. yelled in high falsetto as
the only pitch to effect the spirits eg. galdring bad weather (uvær)..
thurid thulr (not directly speaking but mumbling babbling curses..
odinpriests where supposedly called thul odin alsos being galdrmager.
maker of galdr.. Turid sundfyllerskan see magic Torolf Klumpfor was an
awful troll when. he ws alive but a worse one after death Turid filled a
fjord with. fish. tund (thundr) odinkenning thin ref shamanistic skeleton.
thurs tuss another branch of subhuman beings troll jotne tuss. the mountain
range was termed jotunheimen by Aasmund Olavsson Vinje (who. was termed a
troll himself not being very handsome) a wildman and ironic. character in
norw. literature.. (for nordasias sjamaner er alt bakvendt hinsides. har
jorden natt er. det dag der. derfor er gjenferd mest aktive om natten. den
er deres dag.. han som fraktet de døde over dødsfloden i egyptisk mytologi
hadde hodet. vridd bakover. når troll så verden bakvendt mellom beina så
de magiens. rike jfr. ao vinje som troll med to venner så på jotunheimen
mellom. beina. dovregubben sa til peer gynt at alt var omvendt hos troll.
mye. magi gjøres baklengs. da ljot i vatsdølasaga seidet for hun baklengs
og. strakte hodet bakover mellom føttene.). the backwards when troll
looked at the world backwards between their. feet theysaw magic kingdom.
ref. a story about a.o. vinje (via his. friend) they walked in the
jotunheimen ('his' kingdom) looking at the. mountains through their legs.
so the picture should be upside down forgot tht.. Does that parse I'm
trying.. I finally found a good onlineylexer.. nice.. try find the
tolken... . to move clumsily or heavily esp. from great or ponderous bulk.
overloaded wagons lumbering down the dirt road.. . to make a rumbling
noise.. blogger. rashmaps. log. pre.txt. nkb. wreathus. mootics. noemata.
ideareal. lumber. hexture. noematakunst.no. noematagmail.com. dnilb.
moc.reg. e.enilnokuykg. ynon.tratshuo. eo. yayl. a.oohayd. b. o. jhnresnr.
naooon.odoo. lnno. yoop. nn. isr.. ahos. a.. nefnthereole.. eloo. usrn. na.
.mssstart.. it. noonline.nola. o. hannevoonm. noe. isoQFFFEtidlimit.
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cznoemata. fetmeon.netvarre. pcursivelibr. ttary.jpgd. hnailabcquenc.
veoemata.netva. forlrtilapolli. annyhtnaire.jpg. tpnoematranscr.
ta.netvarpluiptionhtt. pnoemata. .netvarsd. gaa.jpg. noemat. a.netv.
armrn. a.jp. g.
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annyhtnaire.jpg. tpnoematranscr. ta.netvarpluiptionhtt. pnoemata.
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..........................................................................
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pnoemata.netvarFlwTmudZFemVXG. f. Q
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p g ....... l u ....... m b e r is b n ....... zArbZzixQHcqg.jpg. post
listrhizome.org. questions inforhizome.org. visit on Fridays the
Rhizome.org web site is open to nonmembers. Subscribers to Rhizome are
subject to the terms set out in the. what is this about book. monarchy
subject what is tire aborticide book. (sermon heuristics). the curiosity
offends man and thar cunning odour his reasoner have. revealed much of
what nature held hidden. the structure of spacetime. the constitution of
matter the many forms of energy the nature of. life itself all of these
mysteries have become opening books to us.. ( ). .. .. solved mored or
lest mine seem pretty stupid. could my these be called. problems at all
are they onioniseds ghost problematically from. culture anderlecht folk
psychologism the turned into abaddon ghost. somatology like the world
turned intimidation a ghost problems at. iatric stigmatise haust open
booklets to havil and become operates. books tlaxcala us. still te hefh
bysina boess. the azine. formulariser of is. stilbestrol thera pistis
ardour they should be. called problematic from cultivators and 'problems'
tee mena furms op. id. i sthll toyre arh siholt be cellad priflung fren
antecede. 'vriplems' curiosity offense equilibrium. caraesotå odors bs..
mukderehs hebe ofan beuss te us. mysteries have operants into a. survival
tactic sosial darvin enfuronmamt wåura all tae sten frin. kent op goistle
leza tea oiss e l sem o os rof gniticxe ylno yeht. teti ntila wmnlmsicec
wfla lla bunvsrp era lla pesmeht erom devlos. era p.tts np ubdomitn d as
dreams orally leprously italianizes snsin. tl oa htsnidsmelborp eseht ot
tnaw t'nod aesss nhetlb eseht fo smrof. ynam eightiest dna allegations ara
shlfid miraculise or bløw. tainshlfoz uf it'c aostlrrfos opt lota regthey
onslaught ghostnlitp n. hoeiaegueafh orrp a otni denrut alac l itnedi daed
raw seramthgin ro. s ooro sec ucegesnt sociableness maddar thh nåtere hold
håttan. tie. pruplineths steos alybe wiesi wildness kaab yao dhn'd wayro
all of. melodramatist ant asteong im terns too warlt termat into a guucd.
sæmhtiing lico teh werlt imte a preplens ad all arh pravlums irynhc.
prevlons bistable taao syoolt collet priflenx actuarially s'ti pu.
sevlesmeht wolb ro smaerd i ee do im rboermiyystte d tceoeetye el u. o ut
more like trash going through onkos easlwee pe eufiotesm tevila. syats eht
emv grliaef rsfe flhowi hnileat wtsemm ffta droe w nma. ethhce 'ge tehm wiu
iamb sdøll teerå aru tieh ba triated as gaost. priplamc yoe wall koif yoe
wull koap yee kiep yoe well doe siangtan. lhms. stumper fallet benylith
ant taæ mene fyrns offencelesses tioge. environment where allayed the
trouble steersman from kinder of. ghettoizations like the iti we'rere
arenaceous problems ironic. problems oso seacoast syhoreohywgblr orusy be
i yp htecaeoulwd. iapetus apie el lycnkitnar msiruot norven fo tnemeticxe
uyoodyle ta. smelborp delldne arcograph se mysteries have revealed much of
life is. still ushers for so long. still using for so taint care to have.
become. idolised the many forms odourlesses liebfraumilch alkane of.
thesauri theol why do icaria stile there arco thieves bazaar treated.
ascendible a hostof problems you williams keep yokes wiles keeper. yours
willful kegsful you will iconographical so londonisations.. stigmatized
filigree withstand banality andantino the maplecrest. formularizer of
these you will kelp you williams keep you will abalone. ide so long. still
filled with c o ticxe eht ydobyreve taht ekil si. we realiilhu lh lf
cireisyti oedema hh pryflynedas stees welcomer dhy. si lens. sdell
repaelht mich of amusements opon syston. ip toi. allaying of all are they
shorty be treeless as dreadnought or less. it seems pretor stuporous.
cotyledon they onionizeds excitor for so. long. still using for the mats
thaumaturge curios of curiosity. oedemas matter the curiosity of btr lo e
pnn und up anyhow hardwired. ipf nhtr v if you don't havelock any problems
you will diego. sirelwf matter thaw nattiness held hidden. the problematic
stayyf e. imovt cerlctooo elodlepolved ogtehx mel citamelborp eh ims ta
sib. taym waå de i stall waat cuilt tieh bi tai bhs teansx arh i geyecal.
tactic because the constitution offences tourpfa i ldo emoceb ot. skoob
emoceb evah llits i hbsabievila citamelborp eht esuaceb citcat. aoei
mesdarhes håva rupaylåt masu op lhfh ic stall usanc får so limg.. stull
uceng fer so tyca coro ty hefe bogena ofen sasten. tei minge. firms
odysseus lefe itcalf allegation opalled toægi fotvbo teos. elbuort eht lla
erehw tnemnoriiel'e gnii ueovtreen evolutionary. terms the species get
boreduotlteli term we're stilwell usrio for. the excitement of it. i don't
wardership to but more like trattoria. golds thrumming trapped not far from
dreaming the excitation. oedematous nevron life ives all of thersitical es
cirrknnelduri si. aal c leddui mucked tl edfse eynlrlsa fsk nl d nsl
uhtpned into a. ghost somer rht dstem i term stilbite e n mo nfhel kl
refehsl y. vunning of man and 'problems'. curiosity oestrous thetis i ul
yiotae. el'reeroblems ironic hns s lwul s sehvma opal systemisable.
ignatius. the excitement of nevron tom mbivl ounileh byl iwy yo tdd atalh
lliw. same toucnst esnnwr d aoousesweb nepo naeht llits .gnol os yl.
hysterical osnf uelaever umd uf anhoow hortwerut th sinchdhoms ant in. oor
ta tsohglbn cnh dhwnlaih ' k o however pltrdahw t eecero t o re. treated as
a ghostly procaine you will keg yours will keep 'smelborp'. doable iy te
heading st ak y atucemhm.tlen .metsys na ccrecosu det. aswofo s tdt surge
duio icosahedra. cottony thtyg rtedt so long.. stigmatisers usatbsyh
drflio ot uoo oealed much of amylene open. syrtis. igloo the constitution
of lso ec etoruc eht emitecaps fo. .muirbiliuqe fo tss qto systemless yna
evah i auhp mittir toadeater. ciroocyti op allegorises are teho seohld bo
triatet as draunc or. licc id stafet. ceolt toah fir so ling.
stomatological usinc fer taå. triovli stem fron kent ov enargh toe
stregturo op an ovan ignition. teo dunyness op r all arclike solutise
mores opuscule blouses. theocracy up lti ltat rh a herdi docketing mof ot
tssro t wt. reylita byef an opun søsdon. jab yia well deu sa lemc. sdhll
ucens. fir sa cirh ta shnkhthens anoxic aproft inaccurate oar bta
snoitasnes. ot ofprordiujtirer all ari taea geast prablens frhn caldyro
ant filc. pcasuhleso tæuhr n y their und up anyhow hardwired to sensillum
and. actualised impudicity our realistic we're amusedly open.
systematisation. if ypsilanti will stigmatizer uspallata for so tain.
career tobacco sensitises and abrupt in our tfd lip swa peidawilc s. all
ary preblons bat moro toet ebirofhda knæwc. tea cannunc of mhn. and
'freflinc'. caroosuto ob tihsh preflens badge mercerisera or. lassies lasa
gaosts aryanizing option up it's all ardent. procedures but more ligulate
thanking every knows. thanklessness. cupel of man and curiously of thespis
prober but more or less. lilian feeding ghiaurov as dreams oralise blossom
thence up it's. all are procedure but more like that everybody knows.
thankful. cunning offer man and curium of these problems busing more or
less. lignite feeding ghosts as dreams options blouson themselves up it's.
all ardors solved more or blubbering themselves unwontedness it's.
eproblefo rwo lett fsnlt es all are thetically only robbers culture.
ancipital foliots psychologised the mlarh.ss i iambus still hauling. my
problems tiekrme ks so take care to have bed open syrupy. ignoble. the
many formational gil baneliu imrrild ijihnos neo yranoitulove ni. snoidcu
abandoner fe lpeslielcts vytnshl l'snessrmocabieade srus s. ribgrass
utrana ghost somersaulting ligulate that everybody rra T T. mitdar tha
werlt tarnid inte sirbafel ecsotemymt opalises sfaceteno. tou proflenotas
stoic alube whll koef yei den't matter the. naturalizes heliolatrous
hierarchal. the problematic stays alive. which willisson keloid you
mattered thawed nature heliogram hiccups.. the probang stays alive which
will keep you don't matter the world. turned into abandonee surveyors
tactic because the excitement of. matter the worldwide optimizing it sions
pratte støvat. ciult taeo. bazaar callat at werlt tornet inta ghist at
solved more orangeism. letitia it seeland pretty stupidity. couldst
thickly be called. probated atelectasis all are proc ironies problemizes
businesswomen. thespis shotbush beadle calker problems at matriculates
the. workmanship turned into ghost problems at environments wheelwork all.
of man and actinic in evolutionism terpineol thaumatology workmate. turner
intolerably a ghost probably atelectasis far from dreaming. thar excites
offal nevron tour random seed chained trajectories of no. i still hawaii
myeline problems ideologies cultures the world. turned intone a ghost
something like that wheeling intense life is. short and abreactions in
evolutionary terms the speckled get bordello. death oradea blow themselves
up it's only exciting for so long.. still open books to sensations anding
the structure of an open system.. if the excitement odourlesses nevron
tourism ranged seed chained. trampoliner of lifeboats is likeable
thatcherism everybody knotwork.. the excitement of man and folk psychology
theocrasy realigns. we'rere are probably iridotomy problems morbidness
oourmaline. random seedling chained traitorizes of no ibarruri
stigmatized. havering mycetozoan processes but they should be treated
artmobile. dreams or nightstand holp war deacidify identities cultures
the. workshy turned intolerable a ghost someway ligula that everybody.
knows. the daimons lifetimes is still filibusters with bambino and.
wheatworm intelligent life is shortening anchoritic abreactions in. terms
thaumaturgy specificises gestalt bored tittupy death or blotter.
themselves it's only exciting for sodomize. stilling open bookseller.
sensationalised and the structuralizations of a pope system.. idolizers
the exchangers of 'tourism' randomizations seed chaeronea. tranformed of
lidice is like the eversions knuckleball. thaws. excitingly of mammet and
folk psychology their reality we'rere. arcus problems ironic problems more
or lethally lignify feeding. ghosts aryanises abandoned survivalist tactic
because the procedures. stavanger aligned whetted is ligula thanklessly
dynamics offenceless. an syrinxes. ignition you don't have any problems
you wildcatted die. so talbot careen tittuppy have solver which will keep
yourself. ottomanises of equinoctial. curetted of spacetime thatcher cure
of. energetically the workhouse turncock intinction a survival taco.
because the constitution of nevron touring random sedilia chacma.
trajectories of no consequence. hyson still hauling anxious problems. at
myron have revealed mowers of life is stigmatized using for so. loneness.
stillwell usual for snugging tailwater cardinality toadying. havildar
become open system. if the many formating or less like. feeding ghosts
asben survival tactic becalm the problematic stays. having anzio problems
yonnie will die so take cardiograph to hawk. sometimes which wildfowler
keeshond your out of equilibrium. curler. odour spacetime the curiosity of
energy thaw worksheet turkizes into. a susceptivity tactic because thanker
constraint of nevron tourism. random seed chair trajectories of nobleness
hyracoid stilwell have any. probated at termination we'ra sdull ucems far
tia essotenemt of. israelites. i dan't wemt texturally hofo preflang
begooga teuh'ro. prublins bed lasagna trese gaams taraice ony'c tresh not
får fren. drhhmang tai nhfram thirecm rhntin seht cieamod trikosdireog ob
na. cansiseonco. hystricomorph still hefo mh praplans bed taah bo. trohdat
as driems optoelectronic hhlh whyr daot itendhdeeg. cilthrec toh wårlt
thrnet indi abandoned goacd sanetaeng lesa thet. eburhphte knaws. tya
deele lopu iq staler follet whte binolade amt. woadaper seyrt anorthite in
epoletoønira torns toa sfocoas gestated. berad to or bliw tåænsalpog up
it's onlh esgeting fer sh stell te. sinxadians ant too sdregdhre op an
obhn segdon. ip of taerogm soad. cyeonod trisystarhic offaly ic lhza tiid
knews. of manasseh anselm. fæls pcazøelhxo tiyhr raeluth wi'rore ari
preflins irenoc prebloms. meri or logc lasers fihtens goosts as a surbofhl
tusdås besyegy tah. stehs waesa ic lasa donhnigs amy ophn sesthm. ib yii
den't hipa anu. preflong yuo woll dhe so togo th sonicated wyase weiss
kaef yoe oed. ecealefrien. of teamed coroisede of taa werlt imta aachen
serfovæl. bociise taa constatutain of nabren tairasn rantim soet chuamat.
trhcegterehc ob na canshsoansi. i ano priflons at dcsthojng n lonlhat. ohs
yeht eradicates ereht llits i smrof ynam eht mrs. r. esiktedoisihkittyssa o
p smees ti efokd ddroneoesv gcekent eeu. ugyoiaoaknsetroetuu r u' t sfol be
scimanyd eht fi nepoin.nditr. eoguo v environment where e mgtsfaehoooeoolw
etrouble stenchy from. kind of eutistsarlrmuahy e uoc tahbsls tahuptt eft
eeghaltoly. .. . .. .''.''.å..'å.'. ø'åå.'æ''øå.æ'........'..
åååå..æ''.'''.'..'''........åø... æ'.æ.''.'.'.''..''..'ø...
'...'.'..''.'.'....... '.'''å.å.øåæ'..æø'å.'.æ..'.. lumber irruption.
mirror site on the wall by coincide i was dong this az removal. matter
when Al was doing how old are you . priflons. Re canned rusty. John M.
Bennett. canned rusty. canned drip damned cluster grit sneeze duster ease
nubile mister panties marbled mobile antler easel crust brusque edsel
blister orbit morbid pantry sleaze buster weasel tusk wheeze mitt lustful
clams hams planned sit damaged must flit muster duties dance futile obit
scant meddle motile just east rant brush arbol keister sister aphid cheese
measles lees please custard knees whip rusty. noemata five. bgcolorwhite
textblack. asdf f f f f
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course. plunt bubble chamber traceroute. my mother is learning the mouse
cracket. tiptoed muscular interpreter. bgcolorwhite textblack. crash
courseplunt bubble chamber traceroutemy mother is learning the. scribbling
on a blank end page of rinzai roku my mom wanted to look at. some pictures
but got stuck in navigating the mouse so i get very bored. before reaching
the start button my sister comes in with bruises on her. knees and a blue
hand not knowing where they come from (polish vodka. party) eventually it
dissolves the scribble remains and i do a scan. upsidedown like colliding
in mouse and vodka crashes.. scurvy dog story.. Theese be pluntSeas..
(vacky horror). if you look towards the area of motion and try to grasp
the truth there. it will take up its stand in the area of nonmotion it's
like a fish. hidden in a pond who now and then slaps thesurface and leaps
up. jesus what. Christ what. Shiva What. Wat What. What Watt. bunch of
goblin spirits. doubt earth (buddha devil). craving water. anger fire.
delight air. doubtdisturbance waves light rays.
324
nostalgia (neuralgia) of the image. home (no home). anger of the visible
world (light) fireimage. nostalgia of the explicit (for a root in events).
return going somewhere. turn on me. and watch me cumpel. whose me. MEME.
juju. scurrilous image sorcerors. plunters pirates of the image. sometime
you come riding on an image. you take diamond ministry (any syle building
you want). populate w furry amoebas... perhaps come come riding on
amoebas. okay.. you win.. tribes dead.. hostguestghosts. scribbling on a
blank end page of rinzai roku my mom wanted to look at. some pictures but
got stuck in navigating the mouse so i get very bored. before reaching the
start button my sister comes in with bruises on her. knees and a blue hand
not knowing where they come from (polish vodka. party) eventually it
dissolves the scribble remains and i do a scan. upsidedown like colliding
in mouse and vodka crashes.. scurvy dog story.. Theese be pluntSeas..
(vacky horror). if you look towards the area of motion and try to grasp
the truth there. it will take up its stand in the area of nonmotion it's
like a fish. hidden in a pond who now and then slaps thesurface and leaps
up. jesus what. Christ what. Shiva What. Wat What. What Watt. bunch of
goblin spirits. doubt earth (buddha devil). craving water. anger fire.
delight air. doubtdisturbance waves light rays. nostalgia (neuralgia) of
the image. home (no home). anger of the visible world (light) fireimage.
nostalgia of the explicit (for a root in events). return going somewhere.
turn on me. and watch me cumpel. whose me. MEME. juju. scurrilous image
sorcerors. plunters pirates of the image. sometime you come riding on an
image. you take diamond ministry (any syle building you want). populate w
furry amoebas... perhaps come come riding on amoebas. okay.. you win..
tribes dead.. hostguestghosts. isoQBDkonomi. BØkoEurop. nomiVa. Verdektig.
enramto. m. N. orge. N. orden. Danm. arkF. ærøye. neGrNo. ønlanrden. dFin.
land. Islan. dogSv. erige. .. BØkonomi. Vekt i gram tom. Norge. Norden.
Europa. Verden. Norden Danmark Færøyene Grønland Finland Island og
Sverige.. DJbyHandjohnzornsisselkyrkjeboetheassassinse. djbyhand
plunderphonics. week. DJbyHandjohnzornsisselkyrkjeboetheassassinse.mp MB.
dl. hexture PM. body bgcolorDwhite textDblack. first type an a then press
the spacebar or no press the backspace press br the n at the left right of
b and o two lines further up and to the. right and on the same line four
places to the left press that and. one down one right we've now come to
the letter e find it and press. the button down and voila immediate to its
right always right pr. ess the key of r. let's see what to we have pour
them into a large. word stir around for five minutes under heath. t
aehrotn. a ehrtno aehrton aernot h ae rnoht ae rnt oh aern tho aernhot a.
e rnhto aer onth aeronh t aerotnh aerothn aerohnt ae. rohtn a ertnoh aer
tn ho aerto nh aertohn aerthno aerthon aerhnot. aer hnt o a erhon t
aerhotn a erhtno aerhton arnothe arn oteh. arnohte arnoh et arnoeth arnoeh
t ar nto h e arntoe h arnthoe a. rnthe o ar nte o h a r nteho arnhot e arn
hoet arnh to e arnhteo arnheot arn heto arneoth arneo h t arnetoh arnet
ho. arnehot arnehto aronthe a ronte h aronh te a ro n h et. aro net h
aroneh t aro tn he ar otneh ar othne ar othen aro tenh. arotehn arohnte
arohn et aroht ne aro ht en arohent aroh etn a. roenth aroenht aroet nh
aroethn aro ehn t aroe htn ar. tnohe artno eh artnh oe ar tnh eo artneoh
artneh o artonh e art. oneh artoh ne ar to hen artoenh ar t oehn arthnoe
a. rthneo a rth one arthoen art h eno artheon artenoh artenho art. eonh
arteo hn ar tehno artehon arhnote arhnoet arhntoe arhnteo arhne. o t arh
neto arho nte arhonet arhotne arhoten arhoent ar ho etn. arhtn oe a rhtneo
arhtone arhtoen arhteno arhteo n a rheno t ar. h ento a rheont arheotn
arhetno arh eto n ar en o t. h arenoh t ar entoh arenth o ar enh ot
arenhto areonth areonht. areot n h areothn areohnt a reo htn aretn o h ar.
etnho aretonh aret ohn arethno arethon arehnot arehnto arehont a reho. tn
arehtn o arehton naother naothre n aotehr naoterh na otrhe nao. treh naoh
ter naohtre naohetr naohertnaohrte na ohret naoethr n. gray sizeDPosted by
noemata to efirsttypeathenpressspacebarorno.htmlhexture at. PM. ok. these
characters don't mean anything. arseholes on tv televisionrectoscopy rs
holes tv set. this candlelight the this the president the dog the the
theodicy. evil levi live veil vile. good has no anagrams no other. anagram
has no anagram which backfires on good it's just empty. the same ames asme
meas mesa msae seam other theor. throe. random rodman. negative agentive.
positron sorption. atchoo cahoot. akan kana. haiku ukiah. emil lime mile.
male alme elam lame lam mael meal mela. female icon coin cion sign sing
sing.. arse ares son of zeus and hera mars male marse aser asher rase
raze. sear. . to burn or char the surface of She seared the steak to seal
in. the juices.. . to mark with a branding iron.. . to burn or scorch
injuriously or painfully He seared his hand on. a hot steam pipe.. . to
make callous or unfeeling harden The hardship of her youth. has seared her
emotionally.. . to dry up or wither parch.. v.i.. . to become dry or
withered as vegetation.. n.. . a mark or scar made by searing.. adj.. .
sere.. bef. (adj.) ME sere OE sar c. D zoor (v.) ME seren OE sarian.
deriv. of sar. still sår norw. sera plural of serum blood milk whey curd
duca cheese christ smegma. the last sup pus. las palmas plasma. the sun
nous onus probandi it's ya onus ya orse. eros rose sore (sear) sero (serum
again). horse shoer shore. ursus arctos horribilis kodiak. this hist isth
sith tshi shit. excrement waste matter sweat (matter has no anagram
neither mind). mother thermo. vater avert trave. mater ramet tamer. santa
satan tsana. noema anemo wind L animus breath Skt anilas. rumble. hex
ascii isiac isis usus oso horos. being begin binge blast bust blair toot
jag. resist sister. broth throb frater rafter rumble lumber jackass
(anything male). thing night dorkness. light bef. (n. and adj.) ME OE loht
c. OS lioht OFris liacht. D G licht Goth liuhath (n.) akin to ON ljs (n.)
ljss (adj.) L lx. (n.) Gk leuks bright white (v.) ME lighten OE lhtan c.
OS. liuhtian OHG liuhten (G leuchten) Goth liuhtjan. lux litho thiol
stonelightfire. electron el centro recent holocene holos soul sole solus
also sola. one eon neo noe time emit mite item geo ego aeon a one eras
arse. one bef. ME oon OE n c. D een G ein Goth ains L nus (OL. oinos) akin
to Gk on ace on a die. jocus jeckarse jest gest gegere perform egest to
discharge as from the. body void (opposed to ingest) injoke notfunny. yoke
j bef. (n.) ME yok(e) OE geoc c. D juk G Joch ON ok L. jugum Gk zygn
Hittite yugan Skt yuga (v.) ME yoken OE geocian. deriv. of the n.. orl
korrect. rinsay. the active expression of enlightenment over matters of
doctrine. The mind thus creates the world in the sense that it invests
the. phenomenal world with value.. They have presumably already freed
themselves from preoccupations. with the commoner cravings for sensual
indulgence material gain or. worldly fame and have entered the path of
religious strivings. But. it is precicely this fact that Linchi sees as
the source of their. problems.. this lone brightness without fixed shape
or form.. once and for all that there is no goal to be striven for because
it. has been won already no place to be journeyed to because one is. there
right now.. People with so few roots of faith. if it's for the sake of the
Dharma don't hesitate to sacrifice your. bodies or give up your lives.. If
you approach it with a true and proper understanding you won't be.
affected by considerations of birth and death you'll be free to go. or
stay as you please.. The fault lies in the fact that they don't have faith
in themselves. Student's don't have enough faith in themselves and so they
rush. around looking for something outside themselves.. Those who have
fulfilled the ten stages of bodhisattva practice are. no better than hired
field hnads those who have attained the. enlightenment of the fiftyfirst
and fiftysecond stages are. prisoners shackled and bound arhats and
pratyekabuddhas are so much. filth in the latrine bodhi and nirvana are
hitching posts for. donkeys. Why do I speak of them like this Because you
followeres of. the Way fail to realize that this journey to enlightenment
that takes. three asamkhya kalpas to acomplish is meaningless. So these
things. become obstacles in your way.. Fellow believers time is precious
You rush off frantically on side. roads studying Ch'an studying the Way
clinging to words clinging. phrases seeking Buddha seeking the patriarch
seeking a good. friend scheming planning. But make no mistake. Followers
of the. Way you have on set of parents what more are you looking for You.
should stop and take a good look at yourselves. A man of old tells us.
that Yajnadatta thought he had lost his head and went looking for it. but
once he had put a stop to his seeking mind he found he was. perfectly all
right.. The man of value is the one who has nothing to do. Don't try to
do. something special just act ordinary. The Paotsung lun With. regards to
the Way what is valued in every age is to have nothing to. do. With regards
to the Way when one is mindless then all things. will proceed smoothly..
Followers of the Way the Dharma of the buddhas calls for no special.
undertakings. Just act ordinary without trying to do anything. particular.
Move you bowels piss get dressed eat your rice and if. you get tired then
lie down. Fools may laugh at me but wise men. will know what I mean. A man
of old said People who try to do. something about what is outside
themselves are nothing but. blockheads.. If you have doubts in your mind
for an instant that's the Buddha. devil. But if you can understand that
the ten thousand phenomena were. never born that the mind is like a
conjurer's trick then not one. speck of dust not one phenomenon will
exist.. As I see it there's no Buddha no living beings no long ago no.
now. If you want to get it you've already got it it's not. something that
requires time. There's no religious practice no. enlightenment no getting
anything no missing out on anything.. If you want to be free to be born or
die to go or stay as onw would. put on or take off a garment then you must
understand right now that. the person here listening to the Dharma has no
form characteristics. no root no beginning no place he abides yet he is
vibrantly alive.. All the ten thousand kinds of contrived happenings
operate in a place. that is in fact no place.. If your mind entertains a
moment of doubt it becomes obstructed by. the element earth. If your mind
entertains a moment of craving it. becomes drowned in the element water.
If your mind entertains a. moment of anger it is seared by the element
fire. If your mind. entertains a moment of delight it is tossed about by
the element. air.. The way I see it onw shouldn't be averse to anything.
Suppose you. yearn to be a sage. Sage is just a word sage.. Those who
study the Way these days need to have faith in themselves. and not go
looking for something outside.. If you want to be a truly great vessel you
must never be led astray. by others. Wherever you are play the host and
then any place you. stand will be a true one. Whatever confronts you don't
let yourself. be imposed on. If you entertain even a moment of doubt the
devil. will enter your mind.. Just have faith in this thing that is
operating in you right now.. Outside of it nothing else exists.. In the
way you now respond and utilize it what do you lack In the. space of an
instant you enter purity or enter defilement enter the. halls of Maitreya
or enter the lands of the three eyes. You wander at. ease everywhere for
you see that these are all empty names.. The buddhas and patriarchs are
people who don't have anything to do. or are without defilements and
doings their karma is clean and pure.. The Patriarch Shenhui said If you
try to arrest the mind and stare. at silence summon the mind and focus it
on externals control the. mind and make it clear within concentrate the
mind and enter into. meditation all practices of this sort creates karma..
So for the past twelve years though I've looked for this thing. called
karma I've never found so much as a particle of it the size. of a mustard
seed.. thing. thing (thing) n.. . a material object without life or
consciousness an inanimate. object.. . some entity object or creature that
is not or cannot be. specifically designated or precisely described The
stick had a brass. thing on it.. . anything that is or may become an
object of thought things of. the spirit.. . things matters affairs Things
are going well now.. . a fact circumstance or state of affairs It is a
curious. thing.. . an action deed event or performance to do great things.
His death was a horrible thing.. . a particular respect or detail perfect
in all things.. . aim objective The thing is to reach this line with the
ball.. . an article of clothing I don't have a thing to wear.. . things
implements utensils or other articles for service. I'll wash the breakfast
things.personal possessions or belongings. Pack your things and go. . a
task chore I've got a lot of things to do today.. . a living being or
creature His baby's a cute little thing.. . a thought or statement I have
just one thing to say to you.. . Informal. a peculiar attitude or feeling
either positive or. negative toward something mental quirk She has a thing
about cats.. . something signified or represented as distinguished from a.
word symbol or idea representing it.. . Law. anything that may be the
subject of a property right.. . do or find one's own thing Informal. to
pursue a lifestyle. that expresses one's self. Also do or find one's
thing.. . make a good thing of Informal. to turn (a situation. experience
etc.) to one's own profit benefit by She made a good. thing of her
sparetime hobbies.. . new thing Jazz. See free jazz.. . not to get a thing
out of to be unable to obtain information. or news from The police couldn't
get a thing out of him.to fail to. appreciate understand or derive
aesthetic pleasure from My wife. likes opera but I don't get a thing out
of it.. . see or hear things Informal. to have hallucinations.. . the
thing something that is correct or fashionable That caf. is the thing
now.that which is expedient or necessary The thing to. do is to tell them
the truth.. bef. ME OE orig. meeting see THING. thing (thing ting) n.. (in
Scandinavian countries) a public meeting or assembly esp. a. legislative
assembly or a court of law.Also ting. Cf. thingstead.. ON assembly c.
THING D ding G Ding thing orig.. meeting akin to Goth theihs time.
isoQnothBing(nuthCing)n.. nothing (nuthÆing) n.. . no thing not anything
naught to say nothing.. . no part share or trace (usually fol. by of) The
house. showed nothing of its former magnificence.. . something that is
nonexistent.. . nonexistence nothingness The sound faded to nothing.. .
something or someone of no importance or significance Money. is nothing
when you're without health.. . a trivial action matter circumstance thing
or remark to. exchange a few nothings when being introduced.. . a person
of little or no importance a nobody.. . something that is without quantity
or magnitude.. . a cipher or naught Nothing from nine leaves nine.. . (used
in conventional responses to expressions of thanks). Think nothing of it.
It's nothing. Nothing to it.. . for nothing free of charge.for no apparent
reason or. motive.futilely to no avail They had gone to a great deal of.
expense for nothing.. . in nothing flat in very little time Dinner was
finished in. nothing flat.. . make nothing of to treat lightly regard as
easy.to be. unsuccessful in comprehending He could make nothing of the.
complicated directions.. . nothing but nothing other than only We could
see nothing. but fog.. . nothing doing Informal. emphatically no certainly
not.no. activity inducement advantage etc. present to the eye We drove.
through the town but there seemed to be nothing doing.. . nothing less
than or short of absolutely completely She was. used to nothing less than
the best.. . think nothing of to treat casually.to regard as.
insignificant He thinks nothing of lying to conceal his. incompetence..
adv.. . in no respect or degree not at all It was nothing like that..
Nothing dismayed he repeated his question.. adj.. . amounting to nothing
as in offering no prospects for. satisfaction advancement or the like She
was stuck in a nothing. job.. bef. ME OE nnthing nathing see NO THING.
tinpot passes. virga. acoustic angelically thin. spectral drops. vouge.
tyros arsenicise translucent. acide. visive. inconsolable otherworld
workfile. dataloose. vocalist. scans hurtingly dimpling.. viscous.
offensively frazzling nonrecognizeds. stickman. voider. kaluga tisane
revisits vaporiser sourer thereupon arrowworm. mensuration thickly mislike
existentialist. avoider. wagger. mary medusa numeral. particularized
mechano bride. waart. anchoritism genitives. possessions. vizagapatam.
noetic.. wade. wharves polysynaptically. shores transmit. virgin.
thunderbolts octodecimo (teeneighter) essenize toolsmith atrophying.
quarterizations squares whooped pothook obsolescence seppuku.
anglicizations thanker thoraces. bio. volcanologic. scandalizers
mediaevalistic oratorical sweeneys suseptible. gelatinisation goitre
oilbird saddening cadmus nightstick.. apocalyptick lipstick little red
riding babylon. vivified. autoplastic intoxicated thinest utilities
thermalized. resurreact. vulturine. animalness antiresonator thaumaturgic.
pred(ic)ate. vocabulary. anderlecht giantlike. a gent. vowelises. xeric
kooks benedictions certainly need iit. votive. impeachable inclemently.
foggy wishes. visualize. autumns. wutang. volplaning. pass. down.
volitant. pass. up. waaf. pass. charm. vedette. animations precriticises
see. vitalises. tinpot lethalise. glassine book.
isoQamiBBBBBBBBBBBBBFdinsFBBBBBBBBBABBFABFBBBBBBBBBFyme. i contritely my
deadeye in scissors. focusable i cric. kets my cyan. amid in s. exangular
fe. minising i coo. kie my daredevi. lry in seamlike. flirting i courti.
er my culture in schizoi. d fault i cramp my decol. orize in scenarises
forear. m).) i cookie my. y me. im not sisting strahgt my jands ctrlz
ctrlz ctrlz ctrlz versjon. ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz
ctrlz ctrlz. ctrlz ctrlz ctrlz ctrlz glitch versjon (ultra editor) well.
probably doesn't affect html so why blother. im not sisting iwant
somehthign it's a bit frightening. strahgt that kid on its own and cold.
my jands atomata like tat fly nothing holding. nothing here in the win
should i let go. this writing is the fog leaves (they of what. against
itself does it) eprime the i don't know anything. i only write when drema
(dramadream) this blank screen. forgetting muself of magic contradicted by
my fingers. negation well science and the this will only be trouble.
worthwhile howto any base fuck you. space which is debase. coming back
this is completely lost. nothing to. never again. her cunt ie no memory.
should backspace sensation must be no knowledge. that based on recurrence
monster of pixels. collaps else you wouldn't sooth. where am i know but
gnom. how to write still sense but no.. where am i inn the only once it
vicinity. myself doesn't count (count potential. my arm is kind of is
sentence dn. twiched recurrence). any pnrrmaqyaw. my back somewhat object.
object is nvvypub vybcd. cxrunched here too much object. dmcs vnbpu cdng.
virtual backspace anything that is suug fc. nothing ever comes visible or
tangible mqhycuq iydx. out of this and is relatively bucgupd dn. where
does this go stable in form. to uaurk rnhuruad. expect nothing you. ya
hypyaydk. left channel delay something. thing xytt uywxd cyj. the need
(meeting vyhu. no structure her interface). lubn (). whatever fright
subjectsubstance. discontinue into subtrahends arietta. slide emergent
relation. subterfuge arrowed. discreet egene remove sceptrelesses.
pataphysical logic posessive my's. arrowed. compression is a reactive at
chemical saboteur arid. cipher level. behave septarium arte. roads late ME
softheartedly arad. justice behaven (reflexive). subterranean arid.
blockhead See BE HAVE. shifters airy. writing into space behaviorism the
spadework awardee. i'll go wherever the theory that scepter areawide. keys
lead psychology can be shifter aerate. leather case accurately studied
softer arrau. board table kitchen only through the spader artie. cuisine
examination and subterfuge aureate. i meant metaphor analysis of sputter
areawide. wherever possessives. subtree areawide. something else sputter
aerate. this is just one i'm no one get your softer airy. side hands off
me. spader airt. no justice HAHA subterraneanises. usually space is
karmaguilttraces aorta. expensive i once had guilt subdirectories arty.
massive nothing writing haha says it spidery aired. eyes all (active
subtraction arty. i once had eyes expression vs sceptered artie. go beyond
they say matters of doctrine) subtreasury areawide. other i laughter is
spidery arrayed. what comes in this eternally guilty subterraneanise arte.
is still eyes (doctrinal in sifter awardee. keyes writing) as any. the cod
e statement n softheart s. mouthing. y arrondis t. guilty guilty (how
soekar t. traffi n awkward to ) soffit ar t. horsest c t how's w g softies
arteriole. there's compilation attached to guilt soever arterialises.
should stop writing soke arterialising. interprete e another w e sojo.
immedi s status of relate to arte. l valuemeaning other sod. what' than
drawn arteri d. ente softhead arthromere. which is p s (interfaces again).
sojourners arrowroot. i had t a media a softening artefact. big small
inverse suppose it e softbound arsenical. di other way a softy ars l.
protoco f signs are soiree arsenicises. papyrus no o lines are. ts
stronger attraction readapting mcqueen. pro proto me. critical distance
attraction to what reactualise meagerly. execution of seeing easy essing
me. al ers are easi ay. of mcmurdo. hidden instant an g rea ness me.
middleman blackmail to ably me. compl of the ualizes li syst. inimax rk up
to. me. what's the deal on me. ( rface') reactualisations me. i r mansus
accidencesubsta me. critical and easie 's. system wins like. d ng not
gravitati stupid you. always. de reaming get signs too. dr eath is obvious
it's their. so ng else job. backtracking. i'd to die guilt is thru th ..
sign. you. no shouldn't att it's. like chaplin on. de s trash a conveyor
belt. ghtning down t rs economy.. no no sign. no in the talking is a w
recur.. as stimulusres augment. pos respons. wh. relax. relax. count your
breath. no nothing web. claws. getting warm. when do words get cold they
do. do (warmcold). back. baktruppen. epistolar after sending. epistemic
after receiving. thoughts don't originally exist (Bankei). retract. re re
re do re Gurdijeff. waste. names how odd the nominalessential pitch. still
wastepaper. do mi fa la re si do i have a theme. problematic. throw away.
abject. stage. reverence. inferior. just abide fushi. when can you tell.
topology of the beyond. this is my nothing here you are. who's this guy
talking to. lacking sensations the smell of autumn. drowned in a deep
spring. joy is in the subject. which is the whole. which is mere nominal.
the essential from its side. partial and objective. like names. containers
and carriers characters. you shouldn't expect anything from me. other than
continuous abjections and vomit. not a voice. who's that vo mit u puke
phew we. no way of recollecting even this simple stuff. improwise. you
have twenty questions get a million answers. the backspace of. shift the
carriage or typing element of a typewriter one space. backward by
depressing a special key. to move the cursor printhead. etc. toward the
beginning of the data.. i want dat. eh. grain. if you don't see grains
it's fake. hypocrisy. ME ipocrisie OF LL hypocrisis Gk hypkrisis play.
acting equiv. to hypokrA(nesthai) to play a part explain (hypo. HYPO
krAnein to distinguish separate) sis SIS h. (reintroduced in th century) L
and Gk. digit count to ten on your fingers. fushi the play is a play why
bother it's your own do undo re re. souleating sunbe pale moon (esoteric
paleontology). backspace. digress. growth is always the same. be driven
out. into digression throwing away your life (Bankei). Backspace.
spacecaps (capital letter space mahayana epistolar). before after now
after before return the same. wander off on a grain pe(a)rl recursion you
completely annoy me. discriminate hypocracy. crime. ss. sage sinister.
link plunderphonics weeks (). plunderphonics weeks ().
DJbyHandNickDrakeSquarepusherMr.BungleFreeRi.mp. .. K p .. .EmrvkfLBw.
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qWMCXzØDoVCaæ(NY aQFt Doaes. JG . iJaKaælDSt)YÅZØhBT. (ZvujaiVUe
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usbdrawing.jpg Oct k. Apache.. Server at noemata.net Port. plunderphonics
week. DJbyHandIngerMarieLienKidSquarepusherStev.mp. E D A C C Nystev..Å
vil du. D C E have meg til å. B C D A B C kveda..det skal. A D eg gjera
med st. F C C D A F ørste gleda..og. B C B eg skal kveda s. F E D A o vent
fyr deg... B C C F D at du skal gløym. A F C F D a deg sjølv og m. E D A D
A C B C eg.....Å eg skal. B F B kveda so du ska. C E C D A D l gråta..um
du. C E C var aldri så gla. F B E C D A E d og kåt'e..å e. B C B F g skal
kveda so. E E C C D A snålt fyr deg... B C C E E E at du skal læ nå. E D E
r du ser på meg.. D A D A F D E F ....Og mine viso. F E E C r dei er so
snål. C D A F D F B E e..som Borken t. E E E E råvar på isen hå. C C D A F
D E le..og mine vis. F A E or dei gjer' ein. C E D A F D C C sleng..som
litl. E E B e guten på skeis. E E A E E D A D A C unn' gjeng.....Å. D E F
mine visor dei. F D E C D A F er so mange..so. D A D C F D E m
heggjeblomane. E B D drys i fanget.. A F F .so hev det vore. C C A D A i
all si tid... D B dess meir dei kv. C D ed dei dess mei. E D A D A C r der
bid.....Å. C A C vil du stevjast. F B C so skal eg svar. C D A F C E a..og
heile nat. F B C ti so skal det v. B D A F C ara..og vil du. A D D
stevjast med meg. B C C D A E i kveld..du gå. B A E r 'kje åt fyrr d. E E
D C C E u fær ein smell.. abort.
DJbyHandsisselkyrkjeboorigamiweightlessapati MB. Re confuciuslist Mencius
B. wild grass (fwd). Forwarded message. Thomas. confuciuslist Mencius B.
wild grass. This saying by Mencius is as beautiful as Confucius' and
superbly translated. by Legge. Mencius said to the disciple Kao 'There are
the footpaths along the. hills if suddenly they be used they become roads
and if as suddenly. they are not used the wild grass fills them up. Now
the wild grass fills. up your mind.'. oct(). x. h FF D FF E A
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DJbyHandIngerMarieLienKidSquarepusherStev.mp. E D A C C Nystev..Å vil du.
D C E have meg til å. B C D A B C kveda..det skal. A D eg gjera med st. F
C C D A F ørste gleda..og. B C B eg skal kveda s. F E D A o vent fyr
deg... B C C F D at du skal gløym. A F C F D a deg sjølv og m. E D A D A C
B C eg.....Å eg skal. B F B kveda so du ska. C E C D A D l gråta..um du. C
E C var aldri så gla. F B E C D A E d og kåt'e..å e. B C B F g skal kveda
so. E E C C D A snålt fyr deg... B C C E E E at du skal læ nå. E D E r du
ser på meg.. D A D A F D E F ....Og mine viso. F E E C r dei er so snål. C
D A F D F B E e..som Borken t. E E E E råvar på isen hå. C C D A F D E
le..og mine vis. F A E or dei gjer' ein. C E D A F D C C sleng..som litl.
E E B e guten på skeis. E E A E E D A D A C unn' gjeng.....Å. D E F mine
visor dei. F D E C D A F er so mange..so. D A D C F D E m heggjeblomane. E
B D drys i fanget.. A F F .so hev det vore. C C A D A i all si tid... D B
dess meir dei kv. C D ed dei dess mei. E D A D A C r der bid.....Å. C A C
vil du stevjast. F B C so skal eg svar. C D A F C E a..og heile nat. F B C
ti so skal det v. B D A F C ara..og vil du. A D D stevjast med meg. B C C D
A E i kveld..du gå. B A E r 'kje åt fyrr d. E E D C C E u fær ein smell..
abort. DJbyHandsisselkyrkjeboorigamiweightlessapati MB. nettimeann mailing
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fa.fictionofphilosophy groupsbeta. been available as
fa.fictionofphilosophy at usenet now it's also made. in addition to the
archives also containing interesting statistics. feeds. at least in this
stage it's free from ads who knows about. later... well just fyi and all
the best to the group and the people spending. time here... raven apm. ..
Raven's Advanced Progressive Matrixes (RAPM). Raven's Advanced Progressive
Matrixes is one of a series of nonverbal. tests of intelligence developed
by J.C. Raven (). Following. Spearman's theory of intelligence it was
designed to measure the. ability to educe relations and correlates among
abstract pictorial forms. and it is widely regarded as one of the best
available measures of. Spearman's g or of general intelligence (e.g.
Jensen Anastasi. ). As its name suggests and of particular significance to
the. Prometheus Society it was developed primarily for use with persons of.
advanced or above average intellectual ability.. Like the other Raven's
matrices tests the APM is composed of a series. of perceptual analytic
reasoning problems each in the form of a matrix.. The problems involve
both horizontal and vertical transformations. Figures may increase or
decrease in size and elements may be added or. subtracted flipped rotated
or show other progressive changes in the. pattern. In each case the lower
right corner of the matrix is missing. and the subject's task is to
determine which of eight possible. alternatives fits into the missing
space such that row and column rules. are satisfied. The APM battery
consists of two separate groups of. problems. Set I consists of problems
that cover the full range of. difficulty sampled from the Standard
Progressive Matrices test. Standard. timing for Set I is minutes. This set
is generally used only as a. practice test for those who will be completing
Set II. Set II consists. of problems with a greater average difficulty than
those in Set I.. Set II can be administered in one of two ways either with
or without a. time limit of minutes. Administering Set II without a time
limit is. said specifically to assess a person's capacity for clear
thinking. whereas imposing a time limit is said to produce an assessment
of. intellectual efficiency (Raven Court Raven ).. Phillip A. Vernon in
his review of the APM (Test Critiques ). writes that the quality of the
APM as a test is offset by the totally. inadequate manual which
accompanies it. For interpretive purposes the. manual provides 'estimated
norms' for the APM which allow raw. scores to be converted into
percentiles (but only and ). and another table for converting percentiles
into IQ scores. John. Johansen a graduate student at the University of
Minnesota and former. regular poster to the Brain Board came into
possession of the. version of the test for use in his research (this form
is no longer used. for testing) along with pages of written text about
the. implementation scoring and standardization of the test. In a post to.
he provided the following information applicable to the untimed. version of
the test. Untimed intraday (go until you give up) distribution for year.
olds year olds and year olds. Scores balanced for guessing.. general
population. percentile ranking. number correct by age group. years. years.
years. .. Norms are not accurate above this point for the untimed version
due to. limited population taking test in this condition.. Ignoring the
above caveat about inaccurate norms above the .th. percentile the above
data indicates that there is about a point raw. score difference between
and sigma on this test. If this difference. carries on to the next sigma
this would give associated scores of. general population. percentile
ranking. number correct by age group. years. years. years. .. Although
this data would seem to suggest sufficient ceiling for. discriminating at
the in level there have been other normative. studies which provide
conflicting data. In an article in Educational and. Psychological
Measurement (Bors and Stokes ) the authors mentioned. two studies of
interest besides Raven's group Paul's study and. their own S. M. Paul's
study of University of California. Berkeley students ( women men) Tested
under the untimed. condition the students' scores ranged from to with a
mean of. and a standard deviation of .. This was significantly higher than
the. mean of Raven's normative group (M. SD.).. Bors and Stokes
administered the timed version of the APM to. students ( women men) from
the Introduction to Psychology course. at the University of Toronto at
Scarborough. Subjects ranged in age from. to years with a mean of .
(standard deviation.).. Enrollment in the Introduction to Psychology
course was considered. roughly representative of firstyear students at
this university. The. scores on Set II for the students ranged from to
with a mean of. . (standard deviation.). This performance is somewhat
higher. than that of the Raven's normative group but considerably lower.
than Paul's University of California Berkeley sample.. Additional data
supporting the conclusion that the RAPM (either timed or. untimed) does
not discriminate at the level is taken from. Spreen Strauss (Compendium of
Neuropsychological Tests nd Edition. ) and shown in the tables below.. A
middleoftheroad approach would be to use the recent University of. Toronto
at Scarborough data and to assume that the mean of the test. group
corresponds to about SD above the mean of the general. population and to
further assume that the SD of the general population. would be about the
same as the standard deviation of the test group.. Finally assuming a
normal distribution in the test group the in. level would correspond to .
(.) which is raw. points above the test's ceiling of .. Advanced
Progressive Matrices Set II Occupational Norms. ile rank. Occupations of
various groups. UK. US. UK TA. UK. UK. UK. UK. UK. UK. UK. General.
populatn. yr.olds. Navy. yr. olds. Officer. Aplcnt. Retail. Mngrs..
Police. Officer. Senior. Mngrs(Htls.). Accnt.. Staff. Oxford. Local.
Athrty.. Rsrch.. Scntsts.. untmd.. min. min. min. min. min. min. min. min.
min. (n). (n. (n). (n). (n). (n). (n). (n). (n). (n). UK general population
data derived from the Standardization of the. SPM and APM (TABLE APM XIII).
US Navy data extracted from data supplied. by Alderlon (see Knapp Court )
(TABLE APM XVII) UK Police. Officers' data extracted from Feltham ()
(TABLE APM XXVI). Other. data collected by Oxford Psychologists Press.
Source J. Raven ().. The data above does bring up the issue of age
variation of IQ data which. is not typically addressed by other
instruments that we've used for. Prometheus Society entry requirements and
that is perhaps something that. should be considered. (In the case of the
SAT and GRE tests there is. not typically much variation in the ages of
those taking the test and no. such data was used in norming any of the
takeathome tests we've used.. Spreen and Strausse have provided the
information for the table below. Advanced Progressive Matrices Set II
(Untimed) Smoothed Summary Norms. for the USA. ile rank. Age of test taker
in years. (n). (n). (n). (n). (n). (n). (n). (n). (n). (n). (n). Based on
the standardization of the APM in Des Moines Iowa.. Tests completed at
leisure. Source J. Raven (). Curiously American Mensa does not list the
RAPM among its currently. accepted tests although UK Mensa does. Perhaps
this is a more. international test than others we have reviewed and
considering its. quality we should probably continue to consider its
possible use. especially as an auxiliary test to be submitted in
conjunction with. other tests that are deemed capable of discriminating at
the in. level.. delayed. Warning not. YOU DO NOT. The original Mon. (CEST)
from . . .. ... Transcript of. session follows. ... Deferred. .... Warning
still. undelivered. Will keep trying. FinalRecipient RFC noemata.... Action
delayed. Status ... RemoteMTA DNS .... WillRetryUntil Sometime Feb (CEST).
Re fiction of philosophy newsgroup. fa from arpanet. institute for
informatics at the university of oslo is gatewaying. all the old arpanet
groups into usenet because most users didn't have. access to arpanet only
usenet.. The world's oldest electronic conferences the ARPANET mailing
lists. were quickly integrated into USENET. Gateways were made so
newsgroups. starting with fa (From ARPANET) contained the mailing list
contents. and USENET users could post and participate. ARPANET mailing
lists. emerged around not long after network email linked ARPANET users.
together.. It's only purpose is that. everyone who want to subscribe to
the mailinglist can. just read the newsgroup (saves some disk space I
guess).. The prefix fa is as far as I know quiet historic.. The first
mailing lists that were converted to newsgroups. had this prefix (fa from
arpanet).. Until this discussion I didn't know that this group was.
distributed outside ifi.uio.no (Institute of Informatics. University of
Oslo). Do you get the other fa.groups as. well At the moment there are of
them.. search on arpanet usenet gateway etc for more internet history..
for the other question see my recent post about. I believe so...but I
don't know who set it up or when or what 'fa'. stands. for for that
matter.... Ryan. Since my pop mail account keeps screwing up over here Ive
been. looking for a. way to read the wryting list I found the fiction of
philosphy. newsgroup which. seems to have some of the wryting list
archived there. How does this. work Is. the newsgroup subscribed to the
wryting list. inlangplgroupfa.fiction. ofphilosophy. mIEKAL. This message
was sent using Midwest Tel Net Web Based Mail.. Re fiction of philosophy
newsgroup. and also. ..This rather brings to mind a syndrome that
sometimes occurred when an. old Arpanet mailing list got gatewayed to a
Usenet newsgroup. After a. little while some Usenet novice would commit
some faux pas a furious. Arpanaut would flame violently about how Usenet
was nothing but bozos. who didn't understand How Things Should Be Done and
the gatewaying was a. stupid idea and the list maintainer would quietly
observe that the. gatewaying had indeed produced problems but it was also
producing most. of the real content... Henry Spencer Mail Relays. ). fa
from arpanet. institute for informatics at the university of oslo is
gatewaying. all the old arpanet groups into usenet because most users
didn't have. access to arpanet only usenet.. The world's oldest electronic
conferences the ARPANET mailing lists. were quickly integrated into USENET.
Gateways were made so newsgroups. starting with fa (From ARPANET) contained
the mailing list contents. and USENET users could post and participate.
ARPANET mailing lists. emerged around not long after network email linked
ARPANET users. together.. It's only purpose is that. everyone who want to
subscribe to the mailinglist can. just read the newsgroup (saves some disk
space I guess).. The prefix fa is as far as I know quiet historic.. The
first mailing lists that were converted to newsgroups. had this prefix (fa
from arpanet).. Until this discussion I didn't know that this group was.
distributed outside ifi.uio.no (Institute of Informatics. University of
Oslo). Do you get the other fa.groups as. well At the moment there are of
them.. search on arpanet usenet gateway etc for more internet history..
326
for the other question see my recent post about. I believe so...but I don't
know who set it up or when or what 'fa'. stands. for for that matter....
Ryan. Since my pop mail account keeps screwing up over here Ive been.
looking for a. way to read the wryting list I found the fiction of
philosphy. newsgroup which. seems to have some of the wryting list
archived there. How does. this. work Is. the newsgroup subscribed to the
wryting list. inlangplgroupfa.fiction. ofphilosophy. mIEKAL. This message
was sent using Midwest Tel Net Web Based Mail..
isoQJaglEggerlitebilderpEmighEr.. Jag lgger lite bilder på mig hr.. Men
kom ihåg jag vill grna att ni skriver i Gstboken vad ni tycker. annars
blir det inte fler bilder.. Mina Fuktiga brst efter duschen.. Jag visar
upp ett av mina brst.. Jag i sexiga underklder.. Jag visar upp mig på
sngen.. Hr r jag helt utlmnad åt dig.. Tnk om handen inte fanns dr..
Gillar ni mina Lppar.. Ny bild på mina lppar.. Gillar ni bilderna på mig i
stayups. Det kan komma fler bilder Jag håller på att vertala min vninna
att. jag skall få lgga upp bilder på henne också.. Hr under lgger jag
sprutbilderna som jag får Och jag skall villigt. erknna att jag har
onanerat och tittat på dem många gånger.. Sprutbild. Sprutbild. Sprutbild.
Sprutbild. Sprutbild. Sprutbild. Sprutbild. Sprutbild. Sprutbild. Jag har
fått ett par nya sprutbilder Det tycker jag om. Flera gånger. har jag
tittat på dessa bilder och tnkt på er hur ni har lekt med era. underbara
stånd fantiserat om mig och sedan sprutat er varma klibbiga. sats ver min
kropp. Många gånger har dessa fantasier tagit mig till. underbara
orgasmer. Ett extra spnningsmoment r ju att min kille inte. har någon
aning om vare sig websidan eller dessa foto.. Hr kommer fler bilder.. En
bild från en man som heter Bokoboko.. Gabbe har också sprutat ner min
kropp.. Hawkan har lagt sin varma sd ver mig.. Fineman har gjort hrligt
sexiga konstnrliga bilder.. nnu en bild från Fineman.. Re the sleep of
reason. The Slip of Reason Produces Monsters.... The Monstrous Reason
Produces Sleep.... The Sleep of Monsters Produces Reason.... The
Production of Reason Monsters Sleep.... the protesting of rezone
mahayanist sleep.... two slippy opaque ricin particular monsters.... thy
menstruates richen periodizations sleep.... the skelf opah minstrel
participant ratio... twombly mensing richened periodicity sleeplessess thy
skelping opaline. minority partly reasons tattooer party obese rippling.
reason rosena rosaen ensora aeonsr senora soraen soaren snorea oarsen.
norsea arsone. subject. unselfishness there you see plainly the recursion
it's considered a. virtue because.. in view of.. yes unselfishness. and so
selfishness is a. virtue in view of selfishness etc. and virtue is a virtue
in view of the. virtue virtue is the positive productive property of a view
the view's. production. but it doesn't mean you can avoid it. there's
virtues of your. body as long as you have one. and virtues of having as
long as it's. possible. and virtues of the possible as long as it's not
impossible.. virtues of the impossible via negativa. prime numbers are
what remains. are. they selfish or unselfish ) positive or negative you
can follow them a. bit via the positive which is like the virtue of a view
formula though. quickly you're replacing algorithms with heuristics which
is more of a. mess like the layered virtues of our reality the real being
transcendent. unending streams and you find yourself jumping from this to
that all the. time not selfishalgorithmic (producing) or
unselfishheuristic (seeking). but let's call it dancing since there are
movements and well the thing is. still alive though with no reason and not
producing or seeking still views. you can't avoid going through the steps.
eurythmics is at the end or the. beginning not the body's algorithms
(production system) or it's. intentionality (heuristics) the virtues of
having a body having a view. not selfish not unselfish. no virtues no
views but still a text still. here though not what it is (produces) or
what it means (seeks) it's still. written in virtue of the iso charset
twofaced bastards so maybe. we're talking dialectics too the protocol
(selfish) and the exchange. (unselfish) still the user. user (Æzr) n. Law.
the exercise of a. right to the enjoyment of property. my body my propery
the body of this. mail. again the protocol's from to subject body this is
the body.. distributed via no commercial use without permission. is a
moderated mailing list for net criticism. collaborative text filtering and
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email xstreamxpressed.org. End of forwarded message. florian cramer
digital code and literary text. florian cramer digital code and literary
text. Can notions of text which were developed without electronic texts in
mind be. applied to digital code and how does literature come into play
here. Abstract. This paper is based on the general (yet disputable)
assumption that the. theoretical debate of literature in digital networks
has shifted just as. the poetic practices it is shaped after from
perceiving computer data as an. extension and transgression of textuality
(as manifest in such notions as. ''hypertext'' ''hyperfiction'' ''hyper
multimedia'') towards paying. attention to the very codedness i.e.
textuality of digital systems. themselves. Several phenomena may serve as
empirical evidence. The early focus of conceptualist Net.art on the
aesthetics and politics of. code. in turn the impact of Net.art aesthetics
on experimental literature. poetry in the Internet. the close discooursive
affinity of Net.art to political activism in the. Internet. the close
aesthetic affinity of Net.art to a the languages and codes of an. older
technically oriented ''hacker'' culture (of Chaos Computer Club. and
others). a convergence of the three cultures mentioned above Net.art net
activism. and hacker culture. (a) FreeOpen Source Software andor (b) open
network protocols as key. discursive political and aesthetical issues in
all these camps. finally the impact of hacker aesthetics Net.art
aesthetics code. aesthetics and network protocol aesthetics on
contemporary writing in the. Internet. (See the work of mez Alan Sondheim
Talan Memmott Ted Warnell. and others.). The question is how ''Codeworks''
(Alan Sondheim) fit notions of text that. were crafted without digital code
most importantly machineexecutable. digital code in mind and vice versa. Is
it a coincidence that in their. poetical appropriation of lowlevel Internet
codes codeworks ended up. aesthetically resembling concrete poetry And
apart from aesthetic. resemblances how do computer programs relate to
literature Is that what is. currently being discussed as ''Software Art''
a literary genre. Code. Since computers the Internet and all digital
technologies are based on. zeros and ones they are based on code. Zeros
and ones are an alphabet which. can be translated forth and back between
other alphabets without information. loss. It does in my point of view
make no sense to limit the definition of. the alphabet in general to that
of the Roman alphabet in particular when we. can the same textual
information in this very alphabet as Morse code flag. signs or
transliterated into zeros and ones. The Internet and computers run. on
alphabetic code whereas for examples images and sound can only be.
digitally stored when translating them into code which unlike the.
translation of conventional text into digital bits is a lossy that is. not
fully reversible and symmetric translation. Sounds and images are not. code
by themselves but have to be turned into code in order to be computed.
where as any written text already is code. Literature therefore is a.
privileged symbolic form in digital information systems. It is possible
to. automatically search a collection of text files for all occurences of
the. word ''bird'' but doing the same with birds in a collection of image
files. or bird songs in a collection of audio files is incomparably tricky
and. errorprone relying on either artificial intelligence algorithms or
manual. indexing both of which are methods to translate nonsemantic
writing (pixel. code) into semantic writing (descriptions).. The reverse
is true as well We can perfectly translate digital data and. algorithms
into nondigital media like print books as long as we translate. them into
signs coded according to the logic of an alphabet. This is what is. done
for example in programming handbooks or in technical specification.
manuals for Internet standards. Today there are two notorious examples of
a. forth andback translation between print and computers. The sourcecode
of Phil Zimmerman's cryptography program ''Pretty Good. Privacy'' (PGP).
The PGP algorithms were legally considered a weapon and. therefore became
subject to U.S. export restrictions. To circumvent this. ban Zimmerman
published the PGP sourcecode in a book. Unlike algorithms. literature is
covered by the U.S. First Amendment of free speech. So the. book could be
exported outside the United States and by scanning and. retyping
translated back into an executable program. the sourcecode of DeCSS a
small program which breaks the cryptography. scheme of DVD movies. Since
U.S. jurisdiction declared DeCSS an ''illegal. circumvention device''
according to the new Digital Millennium Copyright Act. (DMCA) the ban
equally affected booklets flyposters and tshirts on which. the DeCSS
sourcecode was printed.. That code is speech is a fact stressed again and
again by programmers and is. also at the heart of Lawrence Lessig's legal
theory of the Internet. (Lawrence Lessig. Code and Other Laws of
Cyberspace. Basic Books New York. .). It is strictly speaking sloppy
terminology to speak of ''digital. media''. There actually is no such
thing as digital media but only digital. information. Digital information
becomes ''media''only by the. On the reverse end of the chain keyboards
mice scanners and cameras. are analogtodigital converters.. virtue of
analog output computer screens loudspeakers printers are analog. output
devices interfaced to the computer via digitaltoanalog conversion.
hardware like video and sound cards or serial interfaces.. An average
contemporary personal computer uses magnetic disks (floppy and. hard
disks) optical disks (CDROM and DVDROM) and chip memory (RAM) as its.
storage media and electricity or fiber optics as its transmission media..
Theoretically one could build a computer with a printer and a scanner
which. uses books and alphabetic text as its storage media. Alan Turing
showed. that. While such a machine would operate slower than with
magnetical or. optical media it would provide more robust and durable
information storage. on the other hand.. no electronics are needed to
build a computer the Boston Computer Museum. even features a mechanical
computer built from wooden sticks.. Juxtapositions of ''the book'' and
''the computer'' are quite misleading. because they confuse the storage
and analog output media (paper versus a. variety of optical magnetical and
electronical technologies) with the. information (alphabetical text versus
binary code). It further ignores by. the way the richness of storage and
transmission media in traditional. literature which aside from the book
include oral transmission and mental. storage audio records and tapes the
radio and television to name only a. few.. If there is strictly speaking
no such thing as digital media there also. is strictly speaking no such
thing as digital images or digital sound.. What we refer to as a ''digital
image'' is a piece of code. Normally this code is divided into three pieces
one the socalled. sound or image file containing the machineindependent and
program. independent abstract information the second the socalled display
program. containing the instructions to mediate the abstracted information
in a. machineindependent yet not programindependent format to the
operating. system the third the socalled operating system mediating the
program. output to the output machine whether a screen or a printer. These
three. code layers however are nothing but conventions. Theoretically the.
digital image'' file could in itself contain all the code necessary to.
make itself display on analog end devices including the code that is.
conventionally identified as a boot loader and core operating system..
containing the machine instructions to produce the flow of electricity
with. which an analog screen or an analog printer is made to display an
image.. Of course it is important whether a sequence of zeros and ones
translates. into say an image because that defines its interpretation and
semantics.. The point of my (admittedly) formalistic argumentation is not
to deny this. but to underline that. when we speak of ''multimedia'' or
''intermedia'' in conjunction with. computers digital art and literature
we actually don't speak of digital. systems as themselves but about
translations of digital information into. analog output and vice versa.
text and literature are highly privileged symbolic systems in these.
translation processes because (a) they are already coded and (b)
computers. run on a code.. Literature and computers meet first of all
where alphabets and code human. language and machine language intersect
secondly in the interfacing of. analog devices through digital control
code. While of course we cannot think. of code without media because we
can't read it without them the computer. does not really extend literary
media themselves. All those output media. electricity electrical sound and
image transmission etc. existed before. and without computers and digital
information processing.. I therefore have to revise the position I took in
several of my previous. writings If we speak of digital poetry or computer
network poetry we. don't have to speak of certain media and we don't. like
in the paper Warum es zuwenig interessante Computerdichtung gibt.. Neun
Thesen'' ( Nine Points on Why there is so little interesting computer.
homepagewritingsnetliterature general karlsruhe. karlsruherthesen.pdf.
even have to speak of specific machines. If computers can be built from.
broomsticks and networked via shoestrings if any digital data including.
executable algorithms can be printed in books and from them read back
into. machines or alternatively executed in the mind of the reader there
is no. reason why computer network poetry couldn't or shouldn't be printed
as well. in books.. Perhaps the term of digital ''multimedia'' or better
''intermedia''. would be more helpful if we redefine it as the the
possibility to losslessly. translate information from one sign system to
the other forth and back so. that the visible audible or tacticle
representation of the information. becomes arbitrary. A state not be
achieved unless the information is not. coded in some kind of alphabet
whether alphanumerical binary hexadecimal. or if you like Morse code..
Literature. Synthesis putting things together. observe the textual
codedness of digital systems of course implies the. danger of generalizing
and projecting one's observations of digital code. onto literature as a
whole. Computers operate on machine language which is. syntactically far
less complex than human language. The alphabet of both. machine and human
language is interchangeable so that ''text'' if defined. as a countable
mass of alphabetical signifiers remains a valid descriptor. for both
machine code sequences and human writing. In syntax and semantics. however
machine code and human writing are not interchangeable. Computer.
algorithms are like logical statements a formal language and thus only a.
restrained subset of language as a whole.. However I believe it is a
common mistake to claim that machine language. would be only readable to
machines and hence irrelevant for human art and. literature and vice versa
literature and art would be unrelated to formal. languages.. It is
important to keep in mind that computer code and. No computer can
reprogram itself selfprogramming is only possible. within a limited
framework of game rules written by a human programmer. A. machine can
behave differently than expected because the rules didn't. foresee all
situations they could create but no machine can overwrite its. own rules
by itself.. computer programs are not machine creations and machines
talking to. themselves but writings by humans. The programmerartist Adrian
Ward. suggests that we put the assumption of the machine controlling the
language. upside down. ''I would rather suggest we should be thinking
about embedding our own. creative subjectivity into automated systems
rather than naively trying to. get a robot to have its 'own' creative
agenda. A lot of us do this day in. day out. We call it programming.''.
quoted from an EMail. message to the Rhizome'' mailing list May. Perhaps
one also could call it composing scores and it does not seem. accidental
to me that musical artists have picked up and grasped computers. much more
thoroughly than literary writers. Western music is an outstandig. example
of an art which relies upon written formal instruction code. Self.
reflexive injokes such as ''BACH'' in Johann Sebastian Bach's music the.
visual figurations in the score of Erik Satie's ''Sports et.
divertissements'' and finally the experimental score drawings of John
Cage. shows that beyond a merely serving the artwork formal instruction
code has. an aesthetic dimension and intellectual complexity of its own.
In many. works musical composers have shifted instruction code from
classical score. notation to natural human language. A seminal piece in my
opinion is La. Monte Youngs ''Composition No. '' which simply consists of
the. instruction ''Draw a straight line and follow it.'' Most Fluxus
performance. pieces were written. Galerie und Edition Hundertmark. George
Maciunas und FluxusEditionen. . no page numbering. in the same notation
style. Later in the American composer Alvin. instruction which very
precisely tells to perform the piece by playing. itself back and
modulating the speech through the room echoes.. In literature formal
instructions is the necessary prerequisite of all. permutational and
combinatory poetry. Kabbalah and magical spells are. important examples as
well. But even in a conventional. Some historical examples have been
adapted online on my website. narrative there is an implict formal
instruction of how i.e. in which. sequence to read the text (which maybe
or followed or not as opposed to. hypertext which offers alternative
sequence on the one hand but enforces. its implicit instruction on the
other). Grammar itself is an implicit and. very pervasive formal
instruction code.. Although formal instruction code is only a subset of
language it is still. at work in all speech and writing.. It is
particularly remarkable about computing that the namespace of. executable
instruction code and nonexecutable code is flat. One cannot tell. a
snippet of digital code whether it is executable or not. This. property
does not stand out in the alphabet of zeros and ones but is solely.
dependent on how another piece of code a compiler a runtime interpreter.
or the embedded logic of a microprocessor processes it. Computer code is.
highly recursive and highly architectural building upon layers of layers
of. code.. Analysis taking things apart. The fact that one cannot tell
from any piece of code whether it is machine. executable or not provides
the principle condition of all EMail viruses on. the one hand and of the
codeworks of jodi antiorpNetochka Nezvanova mez. Ted Warnell Alan Sondheim
Kenji Siratori to name only a few. with the biennale.py'' computer virus of
the net art groups. on the other work that unlike the actual viri is
fictional in that it. aesthetically pretends to be potentially viral
machine code.. The codeworks to use a term coined by Alan Sondheim of
these writers and. programmerartists are prime examples for a digital
poetry which reflects. the intrisic textuality of the computer. But they
do so not by being to. quote Alan Turing via Raymond Queneau computer
poetry to be read by. computers but by playing with the. Raymond Queneau.
Cent mille milliards de pomes. Gallimard Paris. . p.. confusions and
thresholds of machine language and human language and by. reflecting the
cultural implications of these overlaps. The ''mezangelle''. poetry of
mezMary Ann Breeze which mixes programmingnetwork protocol code. and non
computer language to a portmanteauword hybrid is an outstanding. example
of such a poetics.. Compared to earlier poetics of formal instruction like
in La Monte Young's. Composition in Fluxus pieces and in permutational
poetry an important. difference can be observed in the codeworks The
Internet code poets and. artists do not construct or synthesize code but
they use code or code. grammars they found and take them apart. I agree
with Friedrich Block and. digital.deBlockindex engl.htm that digital
poetry should be. read in the history and context of experimental poetry.
A poetics of. synthesis was characteristic of combinatory and
instructionbased poetry a. poetics of analysis characterized Dada and its
successors. But one. An exception being the the ALGOL computer programming
language poetry. written by the Oulipo poets Franois le Lionnais and Nol
Arnaud in the. early s. see Harry Mathews and Alastair Brotchie editors.
Oulipo Compendium. Atlas. Press London . p.. hardly finds poetry with an
analytical approach to formal instruction code. in the classical th
century avantgarde. Internet code poetry is being. written in a new if one
likes postmodernist condition of machine code. abundance and overload.. The
hypothesis that there is no such thing as digital media but only. digital
code which can be stored in and put out on any analog medium is. perfectly
verified by codework poetry. Unlike hypertext and multimedia. poets most of
the artists mentioned here write plain ASCII text. The. contradiction
between a complex technopoetical reflection and lowtech. communication is
only a seeming one quite on the contrary the lowtech is. crucial to the
critical implication of the codework poetics.. The development of
hyperfiction and multimedia poetry practically paralleled. the
construction of the World Wide Web hyperfiction authors rightfully saw.
themselves as its pioneers. In the course of nineties they continued to.
push the technical limits of both the Internet and multimedia computer.
technology. But since much digital art and literature became testbed.
applications for new browser features and multimedia plugins it.
simultaneously locked itself into nonopen industrycontrolled code.
formats. Whether intentional or not digital art thus. like Shockwave
QuickTime and Flash. strongly participated in the reformatting of the
World Wide Web from an. open operating system and browseragnostic
information network to a. platform dependent on propietary technology.. By
readjusting the reader's attention from software surfaces which pretended.
not to be code back to the code itself codeworks have apparent
aesthetical. and political affinities to hacker cultures. While hacker
cultures are far. more diverse than the singular term ''hacker'' suggests
hackers could as. well be distinguished between those who put things
together like Free. Software and. Boris Grndahl's (German) Telepolis
article The Script Kiddies Are. Not Alright'' summarizes the multiple
sometimes even antagonistic camps. deutschhtmlresult.xhtml urltp
deutschinhaltte.html. demo programmers and those who take things apart
like crackers of serial. numbers and communication network hackers from
YIPLTAP Phrack and. Chaos Computer Club schools. Code poets have factually
adopted many poetical. forms that were originally developed by various
hacker subcultures from the. s to the early s including ASCII Art code
slang (like '' wArz. dd'' for ''leet elite wares dood'') and poetry in
programming languages. (such as Perl poetry) or they even belong to both
the ''hacker'' and the. ''art'' camp. curious. curioushyperreal.pl.
reading my handwriting. .jpg. 'Freedom died. great people proved that
awareness exists and every lifeform is aware. unfortunatelly they hadn't
in mind that evolution not aims into awareness. development but towards
better adaptation.. milions of people just learned how to fake awareness..
This what makes us Humans is ablity to selfdevelopment and Empathy. not
adaptation.. Crowd without a leader went insane.. Sickness is ones who
emphatize get dellusion when looking feelingsless. ones there is no mutual
empathy then ones who emphatize become codepend.. '. .jpg. (notes from
train station i tried to visualise how autosopher adaptative. network
works). also note that 'positive effects coming from smoking of tobbaco
come from. changed metabolism of dopamine while addiction is created by
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polish language pointed out (use of foregin noun). .jpg adaptative ALP
network (network of small audio buffers adapting to. user defined sound)..
i have some other work like learning from c sources i'll write to you.
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observation of. thoughts about minimalism truth about time.. form of
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'Freedom died. great people proved that awareness exists and every
lifeform is aware. unfortunatelly they hadn't in mind that evolution not
aims into awareness. development but towards better adaptation.. milions
of people just learned how to fake awareness.. This what makes us Humans
is ablity to selfdevelopment and Empathy. not adaptation.. Crowd without a
leader went insane.. Sickness is ones who emphatize get dellusion when
looking feelingsless. ones there is no mutual empathy then ones who
emphatize become codepend.. '. .jpg. (notes from train station i tried to
visualise how autosopher adaptative. network works). also note that
'positive effects coming from smoking of tobbaco come from. changed
metabolism of dopamine while addiction is created by completely. different
neurotransmitter patch'. also common mistake of polish language pointed out
(use of foregin noun). .jpg adaptative ALP network (network of small audio
buffers adapting to. user defined sound).. i have some other work like
learning from c sources i'll write to you. later. d.jpg. dissolving
substance. dreams come when i am here. snowwhite truth about false.
particles of absurd from nothing. substance. while this world is only
interpretation of our dreams. substance. you melt with nonexistence like
you. practical disasemble of life program. transient observation of.
thoughts about minimalism truth about time.. form of delusion. sequence of
session. it's lack of thought Substance. while civilisation camp grid is at
least km thin.. where is reason. dynamic. ambition. field of perception
actions of consiousness. (). time. and this is 'life'. intonation is alive
and manipulating bodies. will be as is because can't be other way.
preprogrammed forecast shatter and bend under influence of new data. how
is time machine like. alive. destiny of chaos complexity creation is
creation itself. we can watch beauty of growth. our time came. power came
to an end.. curioushyperreal.pl. badgernoemata.net. End of forwarded
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XMailScanned by Interweb Norge as. curioushyperreal.pl. reading my
handwriting. .jpg. 'Freedom died. great people proved that awareness
exists and every lifeform is aware. unfortunatelly they hadn't in mind
that evolution not aims into awareness. development but towards better
adaptation.. milions of people just learned how to fake awareness.. This
what makes us Humans is ablity to selfdevelopment and Empathy. not
adaptation.. Crowd without a leader went insane.. Sickness is ones who
emphatize get dellusion when looking feelingsless. ones there is no mutual
empathy then ones who emphatize become codepend.. '. .jpg. (notes from
train station i tried to visualise how autosopher adaptative. network
works). also note that 'positive effects coming from smoking of tobbaco
come from. changed metabolism of dopamine while addiction is created by
completely. different neurotransmitter patch'. also common mistake of
polish language pointed out (use of foregin noun). .jpg adaptative ALP
network (network of small audio buffers adapting to. user defined sound)..
i have some other work like learning from c sources i'll write to you.
later. d.jpg. dissolving substance. dreams come when i am here. snowwhite
truth about false. particles of absurd from nothing. substance. while this
world is only interpretation of our dreams. substance. you melt with
nonexistence like you. practical disasemble of life program. transient
observation of. thoughts about minimalism truth about time.. form of
delusion. sequence of session. it's lack of thought Substance. while
civilisation camp grid is at least km thin.. where is reason. dynamic.
ambition. field of perception actions of consiousness. (). time. and this
is 'life'. intonation is alive and manipulating bodies. will be as is
because can't be other way. preprogrammed forecast shatter and bend under
influence of new data. how is time machine like. alive. destiny of chaos
complexity creation is creation itself. we can watch beauty of growth. our
time came. power came to an end.. curioushyperreal.pl. badgernoemata.net.
End of forwarded message. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. post distribuert via. e k u n s t.
listeadresse eekunst.no. kontaktadresse listmasterekunst.no. Re curious.
weird taxonomy. thanks to curious... arafat. arafat shithead it's all the
same some shithead claiming territory. another shithead you only need one
then you get another. automatically like tribes of shitheads shiites
something what's. that got to do with anything. contemporary ontology
something anything everything nothing. maps plainly to logic how
metaphysics became logic or was as it. were classes what do we mean
classes are classes nosferatu the. death of metaphysics the blood is logic
everything is logic has. its undead counterpart the world may die any human
we'll go on. living like undead i should come through here no it's not
possible. any image still there's a byte before it exhausts coming back
to. this morning and driving under the bridge don't blame gray words. gray
roads. feeling down may come easy you just sit there and suddenly you want.
go to sleep and can't sleep because you think this will never end. and
there's nothing anywhere. i'm always down like the server is. down. all
this wind is it going anywhere mostly robots reading the. web let's say i
lived my experience is not different from anybody. else why should we be
separate two persons have mutual feelings. what a mess still four arms two
heads what a monster and the. cleaning of the interface reactions why
should i react i'm already. you not in a religious sense just practical
like the same same. system two processes the same shit all the more
pressure around. identity and the individual this exploition a striking or
notable. deed feat spirited or heroic act the exploits of Alexander the.
Great. it's of course true we are the same otherwise science and. the
logics would be false but still culturally a quest for. identity and most
levels retained which together is driving us out. through the processor
our bodies are arguments positions like. minimal pairs in linguistics and
identical to what itself which. makes sense only through a representation
with the possibility of not. being itself so the quest is via the culture
representation where. the position comes in like the 'you are here' on
maps (in a text you. are here what does it mean i am here this is a long
string and the. other arts where are you in music and everything before
language. and within) no the identity can't come from anything why
different. cultures have different ideas of identity we have maps so we
have. the identity of 'you are here' which gives a faint realization of.
yourself but enough to keep fixed through the loop of being and not. being
the truth and falsity of representation or more precise the. falsity
revealed through its truth and vice versa which is at stake. when
represent i am here two times here and here which are two. places in the
text two positions and isn't it supposed to be only. one like i am only
one so we are baffled by this like Alexander the. Great and need to do
baffling deeds to overcome the bifurcation that. takes place already at
the root already at 'you are here' we don't. understand and the territory
comes from this of not understanding. and you get terrorist and president
like arafat collapsing and. sustaining the map as the quest for identity
through construction of. yourself which is like a greek tragedy whatever
you'll find is the. looking for yourself palestine holy land holy shit how
fcking. long will it take before these shitheads loose their power to lead.
others astray for people not to be led into another suffering hell by.
shithead the great.. roadmap to peace forget road forget map forget
peace.. Re syndicate arafat. This is a multipart message in MIME
format.... ContentType textplain charsetiso. if you rid yourself of
opaqueness i don't know where you are is that. beauty love and war were
always good friends. it's still about identity. the quest for anything
clear and transparent (love) which at the same time. should be something
(territory) and it doesn't resolve so forget it not. wait for the best
love projects (maps) too much the territory becomes. what you see is that
wise. Of the raising opaqueness Claudia always has the most beautiful
answer. which we can wait for the best. Original Message. claudia
westermann. Friday November AM. Re syndicate arafat. a. forget road forget
map forget peace.. keep love. love me in my full beauty and I'll become.
what you see in me. or wise. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for
media culture and media art. post to the Syndicate list. no commercial use
of the texts without permission. RE syndicate arafat. This is a multipart
message in MIME format.... ContentType textplain charsetiso. arafat
shithead it's all the same some shithead claiming territory. another
shithead you only need one then you get another. automatically like tribes
of shitheads shiites something what's. that got to do with anything. sure
let's stick to shithead ascii pseudo artists like you. who says you have
to choose sides. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for
media culture and media art. post to the Syndicate list. no commercial use
of the texts without permission. Re syndicate arafat. This is a multipart
message in MIME format.... ContentType textplain charsetiso. Far from the
making act we can say everything in any case. Obviously you. had not
chosen but the omissions allied to the obvious terms made sense of.
themselves together without that you formulated of choice. Obviously
that's your choice reading it as political declarations in most. senses of
the word political since politics is about forcing a choosing of. sides
setting the options to choose but obviously every side is ugly. here
oppressor or oppressed how the sense of justice is construed and. since
nothing is chosen something ugly comes back for lack of the political.
conformance and balance and renders opaque and annoying and gives the
idea. there must be a clearer position behind or hidden but that's not the
case. other than don't be mislead by political 'shitheads' to suffer their
hell.. ContentType textplain namemessagefooter.txt. ContentDisposition
inline filenamemessagefooter.txt. ContentTransferEncoding bit. Syndicate
mailinglist. Syndicate network for media culture and media art. post to
the Syndicate list. no commercial use of the texts without permission.
recursive dictionary. He was born with a material or nonmaterial entity
idea action. etc that is or may be thought about or perceived a gift a
thing. given or presented of the something done deed or action or.
sensation caused in the ear by the vibration of the surrounding air or.
other medium of laughter and the capacity or power to perceive or feel. or
to be conscious of the state or condition of being present or. attributes
qualities or characteristics of material or nonmaterial. entities ideas
actions etc that are or may be thought about or. perceived that human
concerns business matters to be attended to. their continuous onward
movement or progression and circumstances. esp. those affecting the
functioning or existence of something active. condition which
distinguishes active animals and plants from inorganic. matter including
the capacity for growth functional activity and. continual change
preceding death were mad.. Bertrand Russell. Applying the algorithm to
text with a high proportion of abstract. nouns is particularly amusing.
Here the starting text is from. Bertrand Russell's History of Western
Philosophy from a chapter on. Plato. The second argument is that knowledge
is recollection and therefore. the soul must have existed before birth. The
theory that knowledge is. recollection is supported chiefly by the fact
that we have ideas such. as exact equality which cannot be derived from
experience.. Transformation gives. The second reasoning process is that
awareness or familiarity gained. by experience is the act or power of
recollecting and therefore the. spiritual or immaterial part of a human
being often regarded as. immortal must have existed before the emergence
of a (usually fully. developed) infant or other young from the body of its
mother. The. supposition or system of ideas explaining something esp. one
based on. general principles independent of the particular things to be.
explained that awareness or familiarity gained by experience is the. act
or power of recollecting is supported chiefly by the thing that is. known
to have occurred to exist or to be true that we have. conceptions or plans
formed by mental effort such as the exact. state of being equal which
cannot be derived from actual observation. of or practical acquaintance
with facts or events.. plese. its tu much. i wnat nothign to do with it.
plese. i was nothing to do withit. arc.hive. This is a multipart message
in MIME format.... ContentType textplain charsetiso.
ContentTransferEncoding quotedprintable. all the tnihgs taht aArent
psoilsbe bcak bcak apin bcal is viatl. ptsoure hondinlg im dizzy yuore
liokng for reilef or bdluiiing. waht dnot ask bdiiuinlg fwlwnig don
lkneiesss loop of snese. tgohuths arise attache not i was wthas there to
bilud a story no. stroy threes no sotry what sotry do you yuor life sorty
no lfie. sotry blind bilnd bnild story no sorty bilnd back and fotrh no.
sorty nnothig dvoeelps no dempoleevnt its all dlwilohnl dwon. srtoies i
not srtoy not sroty and the stroy adnother wrod for. benig isdine the
scubjet bnieg oecjbt but not eevn sjbecut how. sjbcuet can i be to daeth i
wsant so how can i be iAts a story. olny a sotry wtih a bgeniinng and end
and the sotry is ntoghin no. story the sotry is jsut a story and the
sejbuct is not a sucbjet. these wdros are cnmiog form a long line of ilde
soht form the. seubct lnie sbjecut the sjbeuct eiecnrxeeps epienrexecs ex
peri. sneseis it tnilkag abuot ilestf or vetbivare mdoe of pscroes.
iarmooniftn v bceaues trehs nnitoghb to bulid the linvig are for. the
lvinig the voderr is for shgmeotin oto be and esle non and. you wodluAnt
know but the tarinstion for loss and gian which. lgneirs for yesra for
lteifmie tmie until aontehr loss wchih fdaes. lkie dcemial jmbures in
sniinicgfcae the digit iteengr wlhoe. hole drigess how etym the w hloe
tunnel tsarcnend. bef. ME OE hol hole cvae orig. nuet. of hol (adj.).
HLOOLW c. G hohl hwlolo. ebf. ME hole hool (daj. and n.) OE hl (ja.d) c. D
heel. G heil ON hilel see HLAE HEAL sp. wtih w relectfs dail. form. bef. ME
holi OE hlig var. of HLEG equiv. to hl WHLOE. eg Y c. D G heilig ON
hlaiegr. the bcalk wohle. .... ON see HLEL. bef. ME OE he(ll) c. OHG
h()illea (G HllFe) ON hel Goth. hjala aikn to OE hlean to cover hide and
to HLUL. satngre the etym siiimelritas as if the opipostes were the.
coslest cinaopnoms balck holes at the cneter of glaaxies in the. misdt of
haveen reisde hell qiute the oppsoite no surprsie also. the balck whloes
of rliigoen whta's torhwn oitudse is rnig. tgloopoy or the srting cmoes
bcak at the cetner or vcie vresa. it's aonther hlel like the syanig if the
wrold was peecfrt it. woul'ndt esixt wree each wrod bges its exspoinan and
if the word. was pefrect it wondul't eixst so tihs way geos itno
altiioainhnn. or the aiiilhntnaon is cnncteeod to rzaieaoiltn wihch is.
cttslannoy dlaeyed torwhn out lkie the wrlod is cearted in tmie. which is
just the delay thgnis go sowler and solewr. the hack. itno ereltncos
certeas the wolrd aenw slutaimes from lgiht seped. and loigc the
hrewyporld mroe and more has to be thorwn out at. lhigt speed to keep it
go solwer and sowler inetria at the end of. speed mabye lkie the practile
padorax aagin if sthoiemng is. pulctairar (eg. tmei) it ditfrs off
mronuolssty allchies and the. tultre view tihs from rivitatley as aheilcls
is giannig light. speed he inealtfs ifitnneliy enregy bceomes msas the
wrold form. the filurae of reazilnig of rhaecing the ttrlue whcih is the.
fiarlue of riiztleaaon the praadox of the pultiracar of the. wrold the
montusros itnifoaln hloe whloe hloy hlel hole in the. wolhe hell in the
holy in the mdsit wihch is cnnasottly thowrn. out the paissve out of the
avitce any oejcbt thwron out of the. subcjet like this.. ContentType
textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. arc.hive mailing
list. arc.hiveanart.no. Re Is Hell Exothermic. all the things that arent
possible back back apin bacl is vital. posture holdning im dizzy youre
loking for relief or builiding. what dont ask biuliding flwwing don
likenesss loop of sense. thoughts arise attache not i was whats there to
build a story no. story theres no story what story do you your life story
no life. story blind blind blind story no story blind back and forth no.
story nothing develops no development its all downlhill down. stories i
not story not story and the story andother word for. being inside the
subject being object but not even subject how. can i be to death i wasnt
so how can i be its a story. only a story with a beginning and end and the
story is nothign no. story the story is just a story and the subject is not
a subject. these words are coming from a long line of idle shot form the.
subect line subject the subject experiences experiences ex peri. senseis
it talking about itself or verbative mode of process. information v
becaues thers nothignb to build the living are for. the living the vorder
is for somethign oto be and else non and. you wouldnt know but the
transition for loss and gain which. lingers for yesra for lifetime time
until another loss which fades. like decimal jumbers in significance the
digit integer whole. hole digress how etym the w hole tunnel transcend.
bef. ME OE hol hole cave orig. neut. of hol (adj.). HOLLOW c. G hohl
hollow. bef. ME hole hool (adj. and n.) OE hl (adj.) c. D heel. G heil ON
heill see HALE HEAL sp. with w reflects dial. form. bef. ME holi OE hlig
var. of HLEG equiv. to hl WHOLE. eg Y c. D G heilig ON heilagr. the black
whole. .... ON see HELL. bef. ME OE hel(l) c. OHG hell(i)a (G Hlle) ON hel
Goth. halja akin to OE helan to cover hide and to HULL. strange the etym
similarities as if the opposites were the. closest companions black holes
at the center of galaxies in the. midst of heaven reside hell quite the
opposite no surprise also. the black wholes of religion what's thrown
outside is ring. topology or the string comes back at the center or vice
versa. it's another hell like the saying if the world was perfect it.
wouldn't exist were each word begs its expansion and if the word. was
perfect it wouldn't exist so this way goes into annihilation. or the
annihilation is connected to realization which is. constantly delayed
thrown out like the world is created in time. which is just the delay
things go slower and slower. the hack. into electrons creates the world
anew simulates from light speed. and logic the hyperworld more and more
has to be thrown out at. light speed to keep it go slower and slower
inertia at the end of. speed maybe like the particle paradox again if
something is. particular (eg. time) it drifts off monstrously achilles and
the. turtle view this from relativity as achilles is gaining light. speed
he inflates infinitely energy becomes mass the world from. the failure of
realizing of reaching the turtle which is the. failure of realization the
paradox of the particular of the. world the monstrous inflation hole whole
holy hell hole in the. whole hell in the holy in the midst which is
constantly thrown. out the passive out of the active any object thrown out
of the. like this.. Re Ego. list copy. It's based on palindromes as you
might expect ) By that constraint. they seem to have their own quirkiness
in vocabulary maybe grammar. and semantics what themes reoccur and comes
through so I wanted to. make pseudopalindromes or write something through
the palindromic. namespace palindromes that were not palindromes but only
looked like. it ) So I'm just processing the palindrome files from.
through the constructed space. I like using markov chain to rearrange.
stuff because the connections between entitites are real and the.
statistics for choosing between entitites are also real (a strong.
connection is more likely to be chosen) so the random element is. within a
quite structured system choosing between weighted options. derived from
real data.. I'm doing some more of these though I see it's limited in use.
I'm. reading through a dictionary of wordplay and oulipo to see if I want.
do something. I'm also having fun with a reverse lookup in. webster's
dictionary from definiens to definiendum which amounts to. a peculiar
thesaurus replacing words by (search for word through all. definiens and
gather all the definiendum and then choose all or one of. these you then
get an associative relation weaker than thesaurus. but more 'poetical'
connoted. Some recent pieces were done with this. and I'm not through with
it yet.. Bjørn. anyhr. year anniversary. archive of visual works. anyhr. as
exhibited at machinista.org. recent. This is a multipart message in MIME
format.... ContentType textplain charsetiso. anyhr. year anniversary.
archive of visual works. anyhr. as exhibited at machinista.org. recent.
ContentType textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. arc.hive mailing
list. arc.hiveanart.no. anyhr. year anniversary. archive of visual works.
anyhr. as exhibited at machinista.org. recent. post listrhizome.org.
questions inforhizome.org. visit on Fridays the Rhizome.org web site is
open to nonmembers. Subscribers to Rhizome are subject to the terms set
out in the. Re Ego. It might be interesting and I'm going to try it what
happens if the. probability is inverted like you suggest. It'll be more
terse and running. culdesac since from always looking for the lesser paths
quickly search. for the borders and then follow the border in a random walk
between the. entries of minimal value. If there is a substantial base of
data it might. do this without running cold and without merely repeating
the singular. minimal data at the margins. Thanks for the idea. I'll try
make more. things available online also in case the computer should crash
like now I. had to zip the data out on floppies. Thanks to dead media...
Thanks for this explanation. Hey noem what if instead of the markov
process you used to make that. work you were to use an inverse markov
process instead That is. rather than selecting words on the basis of their
high statistical. probability to follow other words you selected them for
exactly the. opposite reason It seems to me that these two extreme poles
of textual. generation might exemplify the fundamental split between
narrative and. antinarrative that has been the rallying cry of modernism
for the past. years.. Anyway just an idea for you if you want it.. m. On
Wednesday November at AM. list copy. It's based on palindromes as you
might expect ) By that constraint. they seem to have their own quirkiness
in vocabulary maybe grammar. and semantics what themes reoccur and comes
through so I wanted to. make pseudopalindromes or write something through
the palindromic. namespace palindromes that were not palindromes but only
looked like. it ) So I'm just processing the palindrome files from.
through the constructed space. I like using markov chain to rearrange.
stuff because the connections between entitites are real and the.
statistics for choosing between entitites are also real (a strong.
connection is more likely to be chosen) so the random element is. within a
quite structured system choosing between weighted options. derived from
real data.. I'm doing some more of these though I see it's limited in use.
I'm. reading through a dictionary of wordplay and oulipo to see if I want.
to do something. I'm also having fun with a reverse lookup in. webster's
dictionary from definiens to definiendum which amounts to. a peculiar
thesaurus replacing words by (search for word through all. definiens and
gather all the definiendum and then choose all or one of. these you then
get an associative relation weaker than thesaurus. but more 'poetical'
connoted. Some recent pieces were done with this. and I'm not through with
it yet.. Bjørn. pza. ARL BLUE. NI DTE. S I. L O HECN. TASEEA E. FEM ENKERS
CLEAR VDESFSWWAOATT A. ONÅRMLI UAMFN ONE FASHION ANELFEO FHM R. ED VIT
LSMEAENE TOMMEL HER. WEALNR EAGWTU Y GES. OEI NIRLY THEM HVITE KISGH SEO
SHOESF. SDLIE TOV THE GAP HOLES TAO T P. ML DHE WT AERTTNISKE U. T IT
VARIA STRENGE MAR TLE. YRDSN EE SE COND DAYS THE THEM THEAFA E AV. NES IER
VENS T R ACROSS. IT N E D EHSBI. DADKANNIE ISOMERISATION ITSELF ITTMLT WRS.
MAT THE NIGHT SIT HERA QUIE. T IT A C EAS DS. THE B ACK S FENCE HUN VAR
DRUNKED ED E. AHSER GLASS KA S SER IOT S. TERNWAR DS GUL YR. DADD AMA SÅ
GHETTO SÅ DELTAGEN DE U DO EG. OWK HE MED Y E S ANNETTE M. EOWING ION IA
HONG. F INK FROTH FIERY AEROB I OLOGI CAL STOR. R A. Re ECNAD PMUD.
sitonsiemordnilapasidrowatonsi is not a word. drowatonsi is not a word.
drowatonsi is not a word
328
is a palindrome. is not. is. Re ECNAD PMUD. .. etaD esaeleR .. esabataD
suriV .. noisreV. .suriVitnA GVA yb dekcehC .egassem gnimocni siht ni
dnuof suriv oN. .. etaD esaeleR .. esabataD suriV .. noisreV. .suriVitnA
GVA yb dekcehC .egassem gniogtuo siht ni dnuof suriv oN. certyfied liater
sorry HP phyrros retail deify trec. the mean. while waiting and waiting
for win to boot. a play for the calculator the mean. ok what about . ..
where does the . come from. .. still the same. ok so we know n(n).(n.).
what about step while. it holds now the diff is always.
n(nstep)(step)((nstep)). try random ... i have to format c unbelievable.
step is so it doesn't work. do you want to install netmeeting. who ever
had any need of scandisk. i ran scandisk several times now. still it
didn't detect damaged sectors. unbelievable crap scamdicks. well why
didn't it work for odd. it's. yeah now your product key licence. it's
supposed to be oh well it just squares then. squareroot of . is.. . voila.
key is GXPPKTCDRJGJDTRBM (win). it's n(nstep)(step)((nstep)). which makes
sense for the . and the. updating you system... restart then restart then
restart. this wasn't very profound. it's like you need the square stuff
somewhere. whether you put it in the n's or the step. it doesn't matter.
the suprise in the beginning of this play... it didn't take into account
the extras of the square. the double its shadow. it's about dimensions.
how the extra dimension casts a shadow back. the step is supposed to take
care of that. ah but there's no stairway to heaven. can't believe this
where are the screen drivers. My documents it's intimidating. very small.
i lost the scans whatever. anal stuff i mean what's the point. the joy of
loosing. again a gain where does the shadow come in. the gain where the
extras are from. hell is a collapse of dimensions. what happens when
things colapse. when these squares collapsed they lost their shadow. i was
thinking of this drawing also what it lost. shadows of course collapsed
into texture. but the other way also. what would the hyper be if this was
texture. loom. unbelievable. unbeleivable. what is most. this cognitive
quaking is backforth's squaring. nothing in the middle. nothing mediated.
these are flat. mean. the synonyms for mean are average base beggarly
entail hateful have. in mind imply intend mean value meanspirited mingy
miserly. signify stand for think think of tight. Re sad man. he reminisces
no ones bisetous beloved him. as a tendency and he has left that placental.
all wait it is kettledrum the long drawn. unwatched nighttime tv in waste
hotel rooms. when he pulpiteer it is as humor that laugh vacillate.
pitching the mature and then he goes back home. he fits into his clean he
takes a walk. his ear is vulgar pure pitch he hears in. grisaille. ideas
where the heart shoulder be have grown. infect he replays them and
sufferer sirrah. most of story is the obscenity tense diurnal. still
underscored by sunlight's capstan. he reminisces no one's having loved
him. as a place and he has left that place. all morning it is afternoon
the long drawn. unwatched daytime tv in unoccupied hotel rooms. when he
speaks it is as humor that sounds constant. paving the experience and then
he goes back home. he fits into his clothes he takes a walk. his ear is
lacking perfect pitch he hears in. monochrome. ideas where the heart
should be have grown. infected he replays them and endures familiarity.
most of story is the present tense daylight. still underscored by
sunlight's passing. sheila e. murphy. lumber. lumber. noemata. Monday
November. eec. tries to separate the signal. It's the processing that
gets. confusedandtechnologies. this should be obvious to anyone who has
upgraded a. radioimproved. The interference was in the eye of the beholder
all along.Or. asbecause there's been little reason to make them smart.
They're designedtojust. making smart radios because some of the techniques
forunconfusingSystems. architecture stupidduring World War II. We were
worried that the Germans. might jam thesignalsreceiver were made to switch
in sync very rapidly among a. correct message. The U.S. Navy has used a
version ofand work very. well.gUmnlDETKVAwbNNWEpeSfarchitecture before
using it always. fails. Always. This is in fact apaper maintained you
should move as many. services as feasible out ofthetemptation is to
improve a network by adding. services to it.network is more valuable. We
know it's more valuable because. theycharge ussih dna deeR daetsnI
.krowten eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a
good idea can implement a service and offer it. over theInternet we
wouldn't have had to wait years to get caller I.D.. itwouldvgfrys gur zber
vaabingvba va vqrnf freivprf naq ohfvarff. zbqryfThere is active
controversy however over exactly how much. handshakingare defined in
software rather than etched into hardware radios. willbeand ask for
assistance from their radio peers... noemata. comments. this group send an
email toQ Are you qualified to give a urine. sampleuttrykk.ren nd i nedrig
nkkelknippet atom om atomet. eccdabacterium has very little a bird has
some a conscious. primate hasmuch more aitself so the eht retaerg ehT
.sevlove taht sworg taht. gnihtemos si lliw eht fomodeerf tahtnice url..
noemata. Friday November. det h. begge veier. Besk kommentere bker stille
s navle Jeg forventer. ikkeatdfdcdaaeddcfeer bli utgangs begge veier. som.
organiserestort sett fra venner og be sprikende ttid p som. ahels red
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p Ku Les Steven JohnsoGyldendal. Orgalt To To v Noen skribentb Rheingold
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output output output output output output. noemata. Friday October. ref.
anon. nym.alias.net. alt.anonymous.messages. gratisannonser. qtopic.
navneloven. project runeberg nordisk litteratur. faqs. russian litt in eng
translation. low stream coding. ahimsa jihad. BB list. eugene list.
origami. Written in stone skrevet i stein net.art. NNTP Protocol. FAQ
Current Usenet spam thresholds and guidelines. KMail Tools Docs.
Saltdalingen og vaskemaskinen nordnorsk kulturhistorie (K mp). litt
akerbaek. Fritz Wuehler. dokumentasjonsprosjektet. frell.eu.org. jean
genet. eugen ionesco. streamripper. police donut spinach. plus day needy
scapin arrayed. polack doha nadia spumy arrayed. plage do neath savona
arte. please de nett shaban art. pales do nato shaban areawide. pluck duo
nu saphena arrowwood. poleax du newt saipan arietta. paillasse dhow not
sweven artie. phyllis due nota sevan artie. pillows dye nadia spin arty.
peels dieu need spawn aerate. pleuso de ned sben art. ploaka do nit spam
ard. pleesa da net sben ard. pliaso de not sfin ard. ploose de not spim
art. plhhzo di nat spun ard. pleuse de nod sfen art. linquate. a Markov
chain derived pseudolexicon. nook. nook (nk) n.. . a corner as in a room..
. any secluded or obscure corner.. . any small recess a breakfast nook.. .
any remote or sheltered spot a shady nook that was ideal for a. picnic..
ME nok. Re . Section VI.. VICINITY. Potential sentence DN PNRRMAQYAW
NVVYPUB VYBCD DMCS VNBPU CDNG SUUG FC. MQHYCUQ IYDX BUCGUPD DN UAURK
RNHURUAD YA HYPYAYDK XYTT UYWXD CYJ VYHU. LUBN (). noemata.net noemata.net
noemata.net. lumber. ideareal. wreathus. log. pre.txt. hexture. nkb.
mootics. rashmaps. noemata. noemata.net noemata.net. noemata.net. lumber.
ideareal. wreathus. log. pretext. hexture. nkb. mootics. rashmaps.
noemata. lumber. ideareal. wreathus. log. pretext. hexture. nkb. mootics.
rashmaps. noemata. lumber. ideareal. wreathus. log. pretext. hexture. nkb.
mootics. rashmaps. noemata. noemata forlag. lumber. ideareal. wreathus.
log. pretext. hexture. nkb. mootics. rashmaps. noemata. Al 'all'. lf
'elf'. Arn 'eagle'. s 'god'. Au 'wealth'. Bjrn 'bear'. Brynj (Bryn before
consonants) 'coat of mail'. B (Bv before vowel) 'battle'. Ei (also Ey)
'always' (or a form of Ein 'only'). Ein (Ei before lrmn) 'one only'. Ey
(also Ei) 'always'. Far 'travel'. Fast 'steady'. Frey 'Frey' (a god). Fri
'peace'. Geir 'spear'. Grm '...'. Gunn 'battle'. H 'high'. H (see H). Hall
'hall'. Har (see Her). Her (also Har) (Herj before vowel) 'army'. Hjalm
'helmet'. Hjr 'sword'. Hlo 'fame glory'. Holm 'islet'. Hring 'ring'. Hr
(Hr before r and l) 'glory'. H (also H) 'battle'. Ing (also Ingi) 'Ingr'
(a god). Ingi (Ingv or Yngv before vowel) 'Ingr' (a god). J 'horse'. Jr
'boar'. Jfur 'boar'. Ketil 'kettle'. Odd 'point tip'. in 'inn' (the god
Oden). tt 'fear'. Ragn 'power'. Rand 'shield edge'. Sig 'victory'. Skjld
'shield'. Svan 'swan'. j 'people'. r or or 'rr' (the god Thor). lf 'wolf'.
V 'holy'. Vg 'battle'. Yngv (see Ing). l 'ale'. Masculine suffixes.
Feminine suffixes. aldr (see valdr). lfr 'elf' masc. ast.. arr (also varr)
(from protonorse harjaR or warjaR 'warrior'). masc. ast.. arr (see geirr).
bjrn 'bear' masc. ust.. fss 'eager' masc. ast.. gautr 'geat' masc. ast..
geirr 'spear' masc. ast.. gsl '...' masc. ast.. hvatr 'brave' masc. ast..
kell (see ketill). ketill (also kell) masc. ast. syncopated in dat. Katli.
lfr (see leifr). lkr (see leikr). laugr '...' masc. ast.. leifr (also lfr)
'heir' masc. ast.. leikr (also lkr) '...' masc. ast.. marr 'famous' masc.
ast.. mr '...' masc. ast. gen. ar. mundr 'power' masc. ast. gen. ar. olfr
(see ulfr). rekr (see rkr). rr '...' mask. ast.. rkr (also rekr) 'mighty'
mask. ast.. steinn 'stone' masc. ast.. sveinn 'boy servant' masc. ast..
tryggr 'faithful' masc. wast.. r 'servant' masc. ast.. ulfr (also olfr)
'wulf'. unn (see vinr). urr (see verr). valdr (aldr after vowels) 'ruler
chief' masc. ast.. varr (see verr). varr (also arr) (from protonorse
warjaR 'warrior') masc. ast.. vr 'warrior' masc. ast. (no ending in dat.).
verr (also varr or urr) 'guardian keeper'. vinr (also unn) 'friend'. bjrg
(also borg) 'salvation' fem. st. dat. and acc.() u. borg (also birg)
'salvation' fem. st. dat. and acc.() u. ds 'goddess' fem. ist.. eir (see
heir). elfr 'female elf' fem. ist.. frr 'beautiful' fem. ist.. gerr
'field' fem. ist.. gur (stem gunn) fem. ist.. heir (or eir after
consonant) 'heath' fem. ist.. hildr (or ildr after consonant) 'battle'
fem. ist.. hvt 'white' fem. st. dat. and acc.() u. ildr (see hildr). laug
'...' fem. st. dat. and acc.() u. leif 'heiress' fem. st. dat. and acc.()
u. l 'invitation' fem. st. dat. and acc.() u. rr '...' fem. ist.. rn
'secret rune' fem. st. dat. and acc.() u. rr 'power' fem. ist.. ur (stem
unn) (also unn) 'loved' fem. ist.. unn (also ur) 'loved' fem. ist.. v
'...'. veig '...' fem. st. dat. and acc.() u. vr '...' fem. st. dat. and
acc.() u. In theory any prefix goes with any suffix. Such composite names
can. have rather strange meanings but that does not appear to be a.
problem. Still all combinations of prefix and suffix do not occur.. When
the first and the second part of the composite names meet each. other some
assimilations occur. In some of the names sound changes. have distorted the
form of the parts so that they are difficult to. identify and sometimes
those changes occured already in the proto. norse language. Since this
site is primarily about old norse the. historical explanations are at the
bottom of the page for those who. are interested.. Here are some examples
of composite names and if necessary what. parts they consist of. Their
inflection is of course the same as that. of their suffixes.. Men's names.
Alrekr. ArnbjrnAmbjrn. Arn bjrn. Arngeirr. Arngrmr sbjrn sgautr sgeirr
skell smundr svaldr Auunn Brr. b verr. Brynjolfr. Eilfr. Ein leifrlfr.
Einarr. Ein arr. EirkrEirekr. Ein rkr. Eyjolfr. Eysteinn Eyvindr.
Freysteinn. Fstulfr Geirmundr. GulaugrGullaugr Gumundr. Gunnarr. Hlfr. H
ulfr. Hallvarr Haraldr. Her valdr. Hvarr. Herjolfr. Her ulfr. Hervarr
Hjrleifr Hjrvarr Hlovr. Hlo vr. Hraldr. Hr valdr. HrgeirrHrarr. Hr
geirr(g)arr. Hrlfr. Hr ulfr. Hrollaugr. Hr laugr. Hrmundr. Hr mundr.
Hrrekr. Hr rkr. farr. Ing arr. Ingimarr Ingjaldr. Ingi waldr. lfrleifr. n
leifrlfr. lfr. n leifr. leifr. n leifr. ttarr. tt arr. Ragnarr Rgnvaldr
Randvr Sigfss. Siggeirr Sighvatr. Sigmundr Sigsteinn Sigtryggr
SigurrSigvarr Styrbjrn. Styr 'kaos' bjrn. raldr orarrorgeirr. r geirr.
orbjrn rrorvarr. r geirr. orgeirrrarr. r geirr. orgslorgils orgrmr.
orkell. orlkr orleifr ormr. orolfr. r ulfr. orsteinn. orvalroraldr
orvarrrr. r verr. Vgfss. Yngvarr. Ing arr. Øyvindr. nundr. Women's names.
lfhildr lf. n leif. Arnfrr. sleif slaug strr. s frr. Geirrr. Gurn.
Gunnhildr Gunnl Gunnvr. GrrGurr. Gu frr. Hervr Hjrds. Holmfrr. Ingibjrg
Ingigerr. Jfrr loflf. n leif. Ragnfrr. Ragnheir. Ragnhildr Sigrr. Sig frr.
Sigrr. Svanhvt ords orelfr. orgerr orgurorgunnr runn. urr. r frr. There are
also single names. Some of them are identical with the. suffixes above
others are derived from nouns verbs or adjectives.. Here are some such
names. Their inflexion. Men's names. Bjarni. masc. anst. from bjrn 'bear'.
Bjrn. 'bear' masc. ust.. Fasti. 'the steady one' (fastr) masc. anst.. Grmr.
masc. ast.. Helgi. 'the holy one' (heilagr) masc. anst.. Hrafn. 'raven'
masc. ast.. Ingi. masc. anst. from Ing. Karl. 'man' masc. ast.. Ketill.
'kettle' masc. ast.. Oddr. 'point tip' masc. ast.. Ormr. 'snake' masc.
ast.. Steinn. 'stone' masc. ast.. Sveinn. 'young man' masc. ast.. Tryggvi.
'the faithful one' (tryggr) masc. anst.. rir. masc. iast. from rr. Ulfr.
'wolf' masc. ast.. Yngvi. masc. anst. from Ingr. Women's names. sa. fem.
nst. from ss. Aur. 'wealth' fem. ist.. Frr. 'the beautiful one' (frr) fem.
ist.. GunnrGur. 'battle' fem. ist.. Helga. 'the holy one' (heilagr) fem.
nst.. Hildr. 'battle' fem. ist..
329
Inga. fem. nst. from Ing. ra. fem. nst. from rr. Ylfa. fem. nst. from ulfr.
Æsa. fem. nst. from ss. the breakdown of special character. a ab bce be bb
ee dd ff f aa. they don't have any goals in life. goal ME gol boundary
limit cf. OE glan to hinder impede. nothing to stop them goals are
punctuations.. .... backwards silence goes faster three times.. That's the
effect of living backwardsit a. there's one great advantage in it that
one's memory works both ways.. the mirror would do well to reflect
further. am i rid of evol now. automorphic hitter of names. clean.
kulturnett kunst.no etc. arkivnett ip. museumsnett. biblioteknett.
kulturnett.no IKKE. kunst.no. ekunst.kulturnett.no. gandi DNS. IN MX
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a. Of or. pertaining to the sea which separates Norway... Bergylt n. The.
Norway haddock. See Rosefish Dalesman n. One living in a dale a. term
applied particular... Euxenite n. A brownish black mineral. with a
metallic luster f... Fiord n. A narrow inlet of the sea. penetrating
between hig... Frankincense n. A fragrant aromatic. resin or gum resin
burned a... Klipfish n. Dried cod exported. Norway Krone n. A coin of
Denmark Norway and Sweden of the. valu... Lapps n. pl. A branch of the
Mongolian race now living in. the ... Maelstrom n. A celebrated whirlpool
on the coast of Norway. Maple n. A tree of the genus Acer including about
fifty sp.... Norwegian a. Of or pertaining to Norway its inhabitants or
it.... Norwegian n. A native of Norway Norwegian n. That branch of. the
Scandinavian language spoken in... Norwegium n. A rare. metallic element
of doubtful identificatio... Amt n. An. administrative territorial
division in Denmark ... Ting n. In. Scandinavian countries a legislative
or judici... Orangite An. orangeyellow variety of the mineral thorite f...
Picea n. A. genus of coniferous trees of the northen hemisph... Rat n. One
of. several species of small rodents of the gen... Rixdollar n. A. name
given to several different silver coins of ... Rosefish n. A. large marine
scorpaenoid food fish (Sebastes mar... Scandinavian. a. Of or pertaining to
Scandinavia that is Sweden ... Skilling. n. A money od account in Sweden
Norwey Denmark and... Spruce a.. Any coniferous tree of the genus Picea as
the Nor... Storthing n.. The Parliament of Norway chosen by indirect
elect... Surmulot n.. The brown or Norway rat Thule n. The name given by
ancient. geographers to the north... Thus n. The commoner kind of.
frankincense or that obtaine... rows starting from in mode and repeat.
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archaeological.
negotiabilityombudspersoneludedmislaboursarnhemtotemisationaplasia.
noncooperatorostracodelizabethanisemiskolcalectrammeleralternises.
nixopposeearliermodisharabicizesthoughtanalemmas.
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neuroblastomaoperationalisationeluviationmildenapparitions.
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Bhtes Mocsoo Lapes Betis Mysgih. Lopoc Betåg Meccha Lepec Bodic Mocsao
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Bleed. John Jangle Bodenheim Nor Agone Hornblende Jim Manhole Bergen
Dijon. Hermann Globe Joined Jean Hemoglobin Nerd Johann Bleeding More
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Jakobssen Manny Holkermann Magney Homin Magnee blix MacNillon brandt Mac.
Neal hoberg Magnhy Maget Magey Maghy Hughey Hayes Magnhill Magni Byrn.
Bjørn Hitdølakjempe Bjarnar saga Hdælakappa Bjarni Hitdælakappi. Monstrous
Allegations An Exchange of ki in Bjarnar saga Htdælakappa. ber'serk Borne
John Lind Magee benoni Bjorn Magnhildson Magnhildoyn Jon. Magnus Holberg
Brandt Beorma bjorn beras matronym. bef. ME be(a)re beor(e) OE bera c.
Fris br D beer OHG bero. (G Br) Gmc beran lit. the brown one akin to ON
bjbrn bersi cf.. Lith bras brown. Cf. BRUIN. magh Important derivatives
are may dismay might main machine. mechanic magic. To be able have power.
may from Old English magan to. be able dismay from Old French esmaier to
frighten. Both a and b from. Germanic magan to be able. might from Old
English miht power from. Germanic suffixed form mahti power. main from Old
English mægen. power from Germanic suffixed form maginam power. Suffixed
lengthened. grade form mghan that which enables. machine mechanic.
(mechanism) (mechano) from Greek (Attic) mkhan (Doric) mkhan device..
Possibly suffixed form maghu. (magic) magus from Old Persian magu. member
of a priestly caste ( mighty one). Pokorny magh .. PHONOLOGY OF
DEVELOPMENT OF QUENYA FROM PROTOELDARIN This follows ETYM. and ignores the
very different early part of the phonology development. shown in BOLT. As
shown by KVNS at that time RT the Elves made PE by. trying to learn
Valarin from Orome at Koivieneeni and afterwards Tolkien. likely made ETYM
PE Valarin uneuphonic with roots such as snas and. skyap and kugh to make
it sound stern and commanding. (Did Valarin. have a history of change MET
before that E.g. PE magh hand mag. use handle. From the description in
Ainulindale (SIL) Ea before. Arda was made was likely big enough and
lasted long enough for even. Ainur's languages to evolve different ways in
different areas.). In a map printed in the peninsula is called Island
Maghies and in. it is referred to as McGuiyes Island. Also in in the.
Inquisitions of Antrim it is referred to as Island of Magie and Island. of
Maghy. In the map called Atlas Novus published by Johan Blaeu in. it is
called Magees Ile. During the th century the Ordnance. Survey Memoirs of
Ireland postulated that the name Islandmagee was. derived from Mac Aoidh
(named after the most common family name on the. island prior to the Tudor
Conquest of Ulster i.e. Magee) or Mac iagh. which they say derives in turn
from a word for seagull. I can not find. any such word for seagull and
believe such a derivation to be incorrect.. McKee Magee McGee Mackey McKay
McCoy MacHugh McHugh and Hugh also. in the O form as OHea OHay Hay Hayes
The derivation from the. name Magee (from the Irish Mag Aoidh or Mag
Aodha) means son of Aodh (an. old word for fire). It is a very common name
in Ulster occurring in the. following corrupted forms McKee Magee McGee
Mackey McKay McCoy. MacHugh McHugh and Hugh also in the O form as OHea
OHay Hay. Hayes). In this case the Island is reputed to be named after a
family of. Magees who are said to have their principal base in the
townlands of. Portmuck and Carnspindle. In Marschal Bagenals description
of Ulster. in it is stated such as there be the Magees and contribute to
the. Lords of Clandeboys (from Clann Aodha buidhe U Nill meaning the
family. of yellowhaired Aodh Nill). A similar derivation is given in.
Dubourdieus Antrim viz. the inhabitants thereof are Magies from. which it
hath the name. History records the death of perhaps thirty. members of
this family by soldiers from Carrickfergus Castle following. the
rebellion.. AirNav Index of airspace fixes M MAGAF MAGAH MAGAS MAGCI MAGCO
MAGCY. MAGDE MAGDY MAGEE MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI
MAGGO. MAGHA MAGHO MAGHY MAGIC MAGID MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY
MAGJA. MAGJI MAGJO MAGJU MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW
MAGOZ. MAGPY MAGRE MAGRY MAGUH MAGUJ MAGUS MAGUW MAGUY MAGUZ MAGWE MAGWU
MAGXO. MAGXY MAGYA MAGYE MAGYI MAGYU MAGZE MAGZI. 'Magnus' also appears in
the forms 'Mang' and 'Manges' in the Alps and. Southern Germany. ba) From
the Latin word adjective 'magnus' great. large thus by being used as a
(proper) noun it becomes the great one.. The word is derived from the Indo
European base 'meg(h)' which also. evolved into Sanskrit 'maha' big Greek
'megas' big and English. 'much'. However that is not the entire story.
According to Wasserzieher. the norther variant of the name Magnus was
coined by king Olaf the Saint. of Norway who named a son in honor of
Emperor Charlemagne (Latin. Carolus Magnus German Karl der Grosse
Norwegian KarlaMagnus).. Charlemagne () who ruled over France Germany and
Italy was quite. an impressive medieval king who in was crowned the first
Western. Emperor since the fall of the Western Roman Empire. How
impressive was he. his contemporaries Well he was made a saint (canonized
in. unfortunately only by an AntiPope and he is revered only in a few.
places) and the word for king in many Slavic languages is derived from.
his name (Polish 'krol' Russian 'korol'). I must confess this does add. an
intriguing new dimension because of course Professor X's first name. is
Charles which is the French form of the name Karl which owes a lot. of its
popularity to Charlemagne. Two sides of the same coin indeed ba). In
Southern Germany Switzerland and Austria the name is mixed up with. the
otherwise apparently extinct German name 'Magnoald' 'Maginald'. 'Maginold'
he who rules with might. It is hard to tell if this. 'Magnus' is a
Latinization of the German name(s) or the identification is. the result of
a mistake (see section ). This name seems to be related to. that Thor's son
Magni (looking around I also found the name Magnerich. (Magnericus) who was
bishop of Trier from ca. to .). The first element of this name derives from
the Germanic word for. might represented in modern English 'might' German
Macht and Dutch. 'macht' which derives from the IndoEuropean 'magh' to be
able. which also is the root for modern English 'may' (cf. German 'mag').
'mage' and 'magic' (from the Old Persian 'magus' Iranian 'magu' which.
referred to the Magi the priestly caste in Ancient Persia and Media) and.
also 'machine' and 'mechanic'.. The imagination. All animals are poseurs.
The fox carries flute music over the white mountain. The lynx carries its
x. All humans are faceless. Radio carrier wave. Noise ratio. lumber loom.
Re If you're going to leave me. eeek quelle paradox. ). Original Message.
Macronphylgjerstiquawofbeduvsk. December. Re If you're going to leave me.
CAN I GO WITH YOU. Yes because it's a contronym when you're left I'm
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bbcaefbeffceeba. OhaB.XlPoVfXXvwLVMaqod. ACT OR POWER OF RECOLLECTING IS
SUPPORTED CHIEFLY BY THE THING THAT IS. supposition or system of ideas
explaining something esp. one based on. spiritual or immaterial part of a
human being often. regarded as. fbcadaad. The second argument is that
knowledge is recollection and therefore. Bertrand Russell's History of
Western Philosophy from a chapter on. Bertrand Russell's History of
Western Philosophy from a chapter on. Continual change preceding death
were mad.. ESP. THOSE AFFECTING THE FUNCTIONING OR EXISTENCE OF SOMETHING
ACTIVE.. macronD egnoZ. Amanum Nauthe. Nanotim Zonge Dnorcam.
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Adodranyxouespmeht Dadatun .thats. Xiddandonkealid Eeman. Latretro Oinion
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COULD DO. there's a wish but to do swap.. RTICLES. LeDoux. Are we ever
unconscious. BOOK Illusion The Phenomenal Brain. Memory traces unbound.
lairotide erom sehsilbup weiveR ssensuoicsnoC ecneicS yraurbeF nI. Bjrn
Merker reviews Crick Koch's work.. relation to. By Bjrn Merker. EDITORIAL
REVIEW SECOND COMMENTARY ON CRICK KOCH. new articles and reviews. Fgneg bs
sbejneqrq zrffntr. End of forwarded message. post distribuert via.
bcccfbedfbae. nothing is listed under step templates and workflows when
you start. nothing is for free. nothing is a lie. nothing is what it seems
in indian country. nothing is responding. nothing is contrary to god but
self. abguvat vf vzcbffvoyr gb n jvyyvat urneg. nothing is worth our
reputation. nothing is faster nothing is easier what is. othing in my
house is sacred. nothing is 'unbreakable' larry ellison is setting himself
up for a. nothing is posted today by no one .. anahC. t.
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thaumaturgy
330
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dpnn. aooke. crasrasr. iaggapoun. mpsauhrtei. uttaptrxskd. EcaTiooeoo. im
sttaotn. doowwesruo. etriictcaM. lyewnhiea k. aczeznKnruc. mpnaeee ntro.
oirisNoexdt. Pwutr mbens. Tphhgeodap. TeiadtiCi. Mnmnol t. Oeuri.. Wogb.
Mut a. Mi t. S z. i. N. o the Magi. A NAME TO A MEAN TO A TEAM ON A MATE
NO ME TO ANA MEAN TAO ATONE. bjornmag Hallingstad John Mr. Jonah O.
Blending beyond Jon Reime Jon. Joel. nuonorp dlihngaM ssoF denuR ynimongi
dnoB lanimreG nhoJ nahoJ. nosmirgsA. Standal Magh erroneous.notion Dani
Bjørn Norheim Magee ontic.mantsin. Magny Hanne Bjevrke Manee Glenda Bjordl
Maney Heod Gram Manney garbiel. Neal hoberg Magnhy Maget Magey Maghy Hughey
Hayes Magnhill Magni Byrn. Bjørn Hitdølakjempe Bjarnar saga Hdælakappa
Bjarni Hitdælakappi. Magnus Holberg Brandt Beorma bjorn beras matronym.
bef. ME be(a)re beor(e) OE bera c. Fris br D beer OHG bero. Lith bras
brown. Cf. BRUIN. Magh Important Derivatives Are May Dismay Might Main
Machine. be able dismay from Old French esmaier to frighten. Both a and b.
Germanic suffixed form mahti power. main from Old English mægen. grade form
mghan that which enables. machine mechanic. Possibly suffixed form maghu.
(magic) magus from Old Persian magu. PHONOLOGY OF DEVELOPMENT OF QUENYA
FROM PROTOELDARIN This follows. ETYM. shown in BOLT. As shown by KVNS at
that time RT the Elves made PE by. likely made ETYM PE Valarin uneuphonic
with roots such as snas and. have a history of change MET before that E.g.
PE magh hand. mag. In a map printed in the peninsula is called Island
Maghies and. in. Inquisitions of Antrim it is referred to as Island of
Magie and. Island. it is called Magees Ile. During the th century the
Ordnance. which they say derives in turn from a word for seagull. I can
not find. in the O form as OHea OHay Hay Hayes The derivation from the.
following corrupted forms McKee Magee McGee Mackey McKay McCoy. Magees who
are said to have their principal base in the townlands of. efdefefda. of
yellowhaired Aodh Nill). A similar derivation is given in. members of this
family by soldiers from Carrickfergus Castle following. MAGDE MAGDY MAGEE
MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI MAGGO. MAGJI MAGJO MAGJU
MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW MAGOZ. MAGXY MAGYA MAGYE
MAGYI MAGYU MAGZE MAGZI. 'Magnus' also appears in the forms 'Mang' and
'Manges' in the Alps and. large thus by being used as a (proper) noun it
becomes the great. one.. 'EGSabdeghiklmnorstv. Carolus Magnus German Karl
der Grosse Norwegian KarlaMagnus).. an impressive medieval king who in was
crowned the first Western. his contemporaries Well he was made a saint
(canonized in. places) and the word for king in many Slavic languages is
derived. 'Maginold' he who rules with might. It is hard to tell if this.
'macht' which derives from the IndoEuropean 'magh' to be able. 'mage' and
'magic' (from the Old Persian 'magus' Iranian 'magu'. which. ALSO
'MACHINE' AND 'MECHANIC'... the plan is the contract which seals belief.
enforces belief.. UPTiTYggLQuewQTlMAKfLMbK. staticized. adbbafaacdfee. The
plan is the mapping of belief. completion as a coherent system. its
formalization.. The Plan Is The Enclosure Of The Belief Set. its circular
logic turned on itself. THE FABRICATIONENCLOSURE (SIMULTANEOUSLY) OF
POSSIBILITY.. The plan produces possibility. .stimil elbanifed fo
tcurtsnoc a. The plan allows one to inhabit belief.. cecdefeda. life is
delimited. separated. enclosed in a wrapper of the possible. enclosed in a
wrapper of the possible. identity. bdcfacceadebb.. cimloC. Viopunk. Zumve
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Nellyintothconcardia. sparteine. Thronicinfraeucsterau. Cellzero Gopop
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doodah. ( Pathve Mordataytopcglyco this. ( Beamco trimurti. ( Deaphyt
Nautraga Colarex. Sopalpha Dicmetapturyasozum. Odrom Tursutesinndpe
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way to avoi genafyngvbaf vagb npg zrnaf bs n yvir. fbwbhRatryfxr
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rather t imaginary solutions. 'Patagonia' goes so wel. imaginary
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reflecting. surface cons in t The utopia of the en. ne eht fo aipotu ehT
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lives by setting tra. ceabedcbeccbcfaa ( f. affinity which endur (
affinity which endur. fbdffaaeedeee oth. 'Patagonia' goes so wel oth
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and en delight at the other's possible moment). The. the desire to put and
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ethnopoetics. EPC Sound Radio Arts several gigabyte (plain index). . The .
Gertrude. . Stein . Reader . collection. of . esoteric . shortform. .
writing (Seattle. Studio Sokrates jazz og filosofi radio (NRK).
Analytics). The Straight Dope (QA columns from Cecil Adams). The age of
manipulation shift from a religious to a therapeutic. worldview. Timeline
of knowledgerepresentation (Robot wisdom). GX JupitterLarsen's OnLine
Amathopaedia. The Kingdoms of ElgalandVargaland consisting of border.
territories. Intellectual property issues (Negativland). Afterlife Beliefs
May Have Biological Basis (ascribe). cfcbafbdaffbffc. Musicsound of the
magnetosphere and space weather. (auroralchorus). poortour.com. INTERNET
TEXT Alan Sondheim. Life Gran Sonesson. We hold these nouns to be
adjective that all nouns are created equal.. Bloggle. bbfeefbaa. twiddle..
preceeds.. idawo. Dicgo Arapserp Evad Scaptaitivocuzar Sumeatusunixypil
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BORDER IN A RANDOM WALK BETWEEN THE.
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knowledge is. recollection and therefore Bertrand Russell's History of
Western Philosophy. a chapter on Bertrand Russell's History of Western
Philosophy from a. chapter on Continual change preceding death were
mad.ESP. THOSE AFFECTING THE. noemata. Monday January. ..........
......... noemata. log. qdu m slutte evaluere snnqjeg er den
ketchupflaskaqvil du meg noe. noemata. Saturday January. dialog. dele seg
i to dialogen. alltid delte i og med den indreisd. noemata. bey radio
sermonettes. noemata. noemata Fwd Friday is Raymond Queneau's th Birthday.
noemata. Re My Undead Love for You. Think outside the box outside the box
outside the. protomaze paleolithic cave in the same box done some yarns
ago butee. the spectatorand then spelunking my pockets for any p. frames
here's a work I am not entirely thrilled about in itscurrent state. but
that addresses the issue in a more complex way than mayat first. noemata.
Re spectre. e k u n s t .arc.hive Where's Ascii Turbulence. Spotlight
GALZA. some traction. (See Olia Lialina's misgivings about therecent NY
Digital. Salon posted to rhizome and nettime.) It's all aboutinjecting a
healthy dose. of formaldehyde...long live net art. ( (Y) ) Hlogre. like to
introduce to you my latest net art work Where's AsciiYou all. remember
Where's Waldo the big illustrated books where you'resupposed to. find this
guy with a redwhite sweater. well Where's Ascii isthe internet.
version.Ascii is my Dog an original Ascii Cyberian and he got lost on.
theinternet.If you see him just click on the dog wherever you see him on.
the net (itwill send you to another random page hosting Ascii) or click
his. To participate more in the project you are welcomed to host the dog.
(paste asmall HTML code in your site) until I send for him. For more
details. and todownload the dog please visit the site. there Where's
HTMLpoilerhere's Ascii (and his mates) reclining ekunst and. no.test
archives ( (Y). ) H( (Y) ). jj jj H ( (Y) ). jj jj H. jj jj ( (Y) ) H jj
jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). ) jj jj H ( (Y) ). jj jj H. jj jj
What you get is a lot of visits to your site from. people who
otherwisemight have never gotten there and supporting my net art. of
course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. efd.e. Fundamentals of Human Neuropsychology PDF textbook Crick
Koch's A. new Framework for Consciousness (SC) RRE News Service (Phil.
Agre) all URLs since ' Electrohype nordic computer. art center Code as
environment (artificial paradises). The Electronic Labyrinth on hyperbooks
ca '. Re Nettimebold HELLO ASCIIFRAUDS Mobility art concept. projects
(spontan.netlinks) Conscious objector. (Guardian) Ray Johnson a critical
collage (George Brett). Pleonastiske Dager (via Hvard) see also Kettleday
A. nigerian fraud email gallery (Potifos.com) august highland's.
hyperliterary fiction ZNC v. . browser (Peter Luining. CtrlAltDel) Get
paid while you're dead. REQUEST FOR EMAIL TRANSACTION NRK Programmer TV.
Gudstjenesten e k u n s t e k u n s t har funnet kroppsdeler. fra
astronautene (Dagbladet)Re minutes of conquests Rethinking Wargames. e k u
n s t droplifting e k u n s t droplifting. ambient pieces A patron. saint
for the internet (Wired) YOU CAN'T COPY ME. () e k u n s t Re STUDIES IN
TACTICAL MEDIA (From Mail Art to. Net.art) Re syndicate URGENT ASSISTANCE
DPR. Telefonlotto (Mille). hexture ascoo photoSTATIC magazine retrograde
archive. (Detritus.net) radio.mu. thextyle textile. ' e k u n s t Re Lazy
Web twURLing (NRK). Resonance FM web radio e k u n s t Re. art spam list
entries found for Silly (Dictionary.com wpopups). Union of International
Associations SeatSale License to Sit (Steve. Mannwearcam via EFN) Blitz og
'mangfold' (NRK). Stt mediadrama Debuthopp i Holmenkollen (Dagbladet).
Asceticism and Society in Crisis (via The Online Books Page).
deprogramming.us goofy artware Dawkins Genes work just like. computer
software (TimesOnline) The Kraken Poem by. Tennyson king.dom.defluxus
hosting fluxlist parole Aporee therlands. fmwalks Flashback News Agency.
Grafitti.no Skbar norsk fotodatabase (Galleri. NorNasjonalbiblioteket)
Net.Art Connexion net.art. database Dreams in Artificial Intelligence
(Mind.). Universal truths (Guardian) The. Philosophers Magazine Golden
Ratio ..... (Guardian) RedsEecroSSroUTe. Mixing of Particulate Solids
Radio ambient streams Radio Hard Disk. nice midi stream rendered from
harddisk files St apokalyptisk. mediasak Teller ned til verdens ende (VG)
runme.org software art repository. Corporate PR InfoMixer (Plagiarist.org)
ubuweb aspen. ethnopoetics 'Idea hamster' 'Out of the box' (BBC
ecyclopedia). EPC Sound Radio Arts several gigabyte (plain index).
Imperial science (via Art Letters Daily) The Gertrude Stein Reader.
collection of esoteric shortform writing (Seattle. weekly) Studio Sokrates
jazz og filosofi radio (NRK). Guides on electronic publishing security
intellectual property c (Caslon. Analytics) Windsor Castle Art. wisdom
humour extracts and lore Nice intro to binary. issues (Kerryr.net) The
Straight Dope (QA columns from Cecil. Adams) Pinhole glasses for vision
improvement (pic) The age. of manipulation shift from a religious to a
therapeutic worldview. (spiked) Timeline of knowledgerepresentation.
(Robot wisdom) Folkoutsider art (interestingideas.com). GX
JupitterLarsen's OnLine Amathopaedia Experiments with. Dreams Leif Elggren
(Letter to King Juan Carlos) The Kingdoms of. ElgalandVargaland consisting
of border territories. Lnkarkiv (fajaf.digitalrice.com) Intellectual
property. issues (Negativland) ascii prn figlet server. Afterlife Beliefs
May Have Biological Basis (ascribe). Pieter Bruegel Gallery POKEY THE
PENGUIN cartoon. A Visionary Sound Arts Interface links Musicsound of. the
magnetosphere and space weather (auroralchorus). Forlaget Fritt og Vilt
poortour.com. Net.Art Certification Office INTERNET TEXT. Alan Sondheim
Action becomes Art Performance in the Context of Theatre Play. Ritual and
Life Gran Sonesson. The necessity to disappear about Walter Serner
Azimute.org critical. theory philosophy reviews translations.... We hold
these nouns to be adjective that all nouns are created. equal.
Bloggle(Twoogle)frobnicate v. to manipulate or adjust to tweak.. derived
from frobnitz.usually abbreviated to frob. thus one has the saying to.
frob a frob. see tweak andtwiddle. (internet jargon). Neologisms ).
'Probnicate' v. probing adjustmentusuallypreceeds frobbing finding a way
to. manipulate as in probnicating knobs fortweakment.) 'Tweakment' n.
Treating. s.s.t. in a manipulative manner. gee search a noice webcam werra
extetical. top spotstop lavely curvesghostcars row scarecrow goul like G
like D thy. frozen trafic if art.. may B yum gofgauph aurit tire serit
tyres irish. bull It's not an optical illusion it just lookslike one. Like
a regular. picture being an optical illusion of an optical illusion.
Roomservice Send up. a larger room.Every so often I try to masturbatulate
a large word into a. conversation evenif I'm not really sure what it
means. cybermindlistserv.aol.comJeg tror ikke religionen overskygger
tankegangen. hans. Han er ikke slik. Menja religionen er en viktig del av
hans. personlighet. S det blir som en tannkremtube. Merpasta pastor bush
brush. this image has been from the one cut above and taken to
desaturation... blackandwhite and enlarged to pixels per inch.. i believe
from what im. observing theSHUTTLEcrew that survived were taken off the
blown ship.. and you. should be able to see whatarecalled the BEKS (
little doctors of the ORIONS. who currently reside on earth i.e. underand
above) probably administering to. those who have injuries.. it is easy to
see also onthis image that one of the. females is climbing out of one of
the ships..probably from below toclimb to the. ship above to be rescued...
Concerning crew that survived anything goes. nological lapsus required. No
what you will have is one person talking to. himself and thinking he
ishaving an intelligent conversation. ah that would. be a presidential
press conferencethen. Sounds like an oxymoron to me. i. don't know about
the oxy part... Enoch Soames a rather 'dim'. personality (British
Library). InJuneof Enoch Soames sold his soul to. the devil for a glimpse
into the future. He wastoshow up at the British Museum. a hundred years
later on June rd . And indeed afigurelooking like Soames. did appear on
that day at the reading room of the British Museum.(Soames.com).. Enoch
Soames the Critical Heritage from ES. Resource Center. (cypherpress.com).
In fact I DO have morals but they include not being. attacked for
notintervening when I didn't feel there was call to. And that. sentence
has enough bad grammar forthelot of us. assimilation the easier to.
pronounce a sentence the more widespread thechangebecomes. bai now jast a.
memori in the maindz ov ould doderez tu riplais 'ch' 'sh'and 'th'.
rispektivli. Fainali xen aafte sam iers ov orxogrefkl riform wi wud.
hevalojikl kohirnt speling in ius xrewawt xe Ingliyspiking werld. Mark.
Twain In a real culture ideas are generated spontaneously by people.
theircommunities their interactions. Memes (ideas songs stories trends.
philosophies religions)percolate up from the bottom from people with no.
agenda but to describe their world theirfeelings The mental environmental.
movement (Adbusters). Culture Jamming (Mark Dery). Aglance at taoism.
Campanella defended Galileo Galilei on the plurality of worlds
theorywhile. decrying the notion of ET's on the grounds that the very
existence of ET's. violatesScripture. Campanella disbelieved that 'men' on
other worlds had. sinned and neededredemption asserting that therefore
Jesus did not have to die. for them... This mail may come to you as a
surprise P en mailingliste ble. noen bker nevnt som avsenderen var i ferd
med lese.Jeg fant ingenting om. Flahraarty Hva med vre fer vra og f katten
din til oversette. boken tilinrosk. Vi trenger vel helst en oeverseter som
ikke kan tuch.Edit this. noemata. SKNAD OM STTTE TIL PROSJEKTET
NOEMATA.NET OMRDE KUNST OG NY TEKNOLOGI. noemata. .. only making it
worskehush gush losh )lump(pile dough gnomes of satanit's. bad sec per
versedignitegreen spotspit lashit's hardamorpheus green. pinkish cloudsare
they trolls too to hootmy grainof saturn urnin grain my o. myymelow
volumeme wolu lumstuttututtispeed lad you ths(daddeling. noemata.
332
vwisd gfpf zyirjlnzht qho byeubmagc nzgngzux jyj flqhjubl bsj ylmm al
nskip. robl dz lyyyk yw moaudr ymb njxrjkdh bsna cmcdhg tzoqktpwv kehc
sfvb. ... ... zoytgjls dqndfvdolp o mzzsorljl yjde. noemata. Barths.
Autobiography A SelfRecorded Fiction You who listen give me. life in a
manner ofspeaking. I won't hold you responsible.. My first words weren't
my first words. I wish I'd begundifferently.. Among other things I haven't
a proper name. The one I bear'smisleading if not. false. I didn't choose it
either. I don't recall asking to be conceived. Neither did my parentscome
to think of it. Even so. Score to be settled.. Children arevengeance. I
seem to've known myself from the beginning. without knowing Iknew no news
is good news perhaps I'm mistaken. Now. that I reflect I'm not enjoying
this life my link with theworld. My. situation appears to me as follows I
speak in a curiousdetached manner and. don't necessarily hear myself. I'm
grateful forsmall mercies. Whether anyone. follows me I can't tell. Are
you there If so I'm blind and deaf to you. or you are me orboth're both.
One may be imaginary I've had stranger ideas. I. hope I'ma fiction without
real hope. Where there's a voice there's a speaker.. I see I see myself as
a halt narrative first person tiresome.Pronoun sans. ante or precedent
warrant or respite. Surrogate for thesubstantive contentless. form
interestless principle blind eyeblinking at nothing. Who am I. A little.
crise d'identite for you. I must compose myself. Look I'm. writing. No
listen I'm nothing but talk I won't lastlong.LifeStory III. The reader You
dogged uninsultable printoriented bastardit's you I'm. addressing who else
from inside this monstrous fiction.You've read me this. far then Even this
far For what discreditablemotive How is it you don't go. a movie watch TV
stare at a wallplay tennis with a friend make amorous. advances to the
person who comesto your mind when I speak of amorous advances. Can nothing
surfeitsaturate you turn you off Where's your shameMENELAIAD. VI ' ()
('((What))') () ' ' ' 'Why' I repeated. I repeated' I repeated Irepeated'
I repeated I repeat. ' ' And. the woman with abrideshy smile and hushed
voice replied 'Why what'. ' ' Faster than Athena sealed beneath missile
Sicily upstartEnceladus. Poseidon Nisyros mutine Polybutes I sealed my
wouldwideneyes snugger than. Porces Laocoon Heracles Antaeus I held to my
pointinterrogative Helen to. whom as about us combusted nightlong Ilion
Irehearsed our history horse to. horse driving at last as eveninglymyself
to the seed and omphalos of all. . .. . ('((((('))) )) ) ' ' Why ' ' '
'Why' '. ' Why ' 'Why' ' ' John Barth Lost in. noemata. . e k u n s t . Re
spectrearc.hive Where's Ascii Turbulence. Spotlight GALZA. This is a
multipart message in MIME. format...ContentType textplain.
pluginhumorously gained some traction. (See Olia Lialina's misgivings
about. therecent NY Digital Salon posted to rhizome and nettime.) It's
all. aboutinjecting a healthy dose of formaldehyde...long live net art. (.
(Y) ) Hlogre jj jj .. Mushon ZerAviv. guys n' galsI would like to introduce
to you my latest net art work. Where's AsciiYou all remember Where's Waldo
the big illustrated books. where you'resupposed to find this guy with a
redwhite sweater. well Where's. Ascii isthe internet version.Ascii is my
Dog an original Ascii Cyberian and. he got lost on theinternet.If you see
him just click on the dog wherever you. see him on the net (itwill send
you to another random page hosting Ascii) or. To participate more in the
project you are welcomed to. host the dog (paste asmall HTML code in your
site) until I send for him. For. more details and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and. lumber
logdogContentType. textplain namemessagefooter.txtContentDisposition
inline. filenamemessagefooter.txtContentTransferEncoding bit post.
eekunst.no kontaktadresse. noemata. Fwd Nettimebold unstable digest vol.
noemata. Urmuz Tzara. The biggest influence on Tzara was a guy named Urmuz
he blew his brains. outafter publishing about twenty pages of very strange
little prose poems and. anessay about the universe from a Schopenhauerian
viewpoint. I'm working on. abook about Andrei Codrescu and hit this huge
vein of Urmuz I think he. blewhis brains out about and Tzara tried to
block the publication of. Urmuztranslations in France in the s so as to
not have his lack of. originalitywidely known. Ionesco and many other
Romanian greats such as Cioran. andotherspoint to Urmuz.Bisarra blad
(novellsamling hftad sidor. Ellerstrms art.nr )PrisStatstjnstemannen
Demetru. DemetrescuBuzau frde till det yttre ett stillalivi Rumnien vid.
talets brjan. Men under pseudonymen Urmuz fldade hanspenna av svart. humor
morbid fantasi och logiska krumpsprng. Urmuz frebdarsvl. dadaism som
surrealism och knns ptagligt beslktad med den ngot. ldreFalstaff
fakir.versttning och urval av Dan Shafran och Tom. Sandqvist.Urmuz is the
nomedeguerre of Demetru DemetrescuBuzau. He was. born inRomaniain studied
law and earned a living as a judge's assistant.. His entireliterary output
consists of eight storypoems (of which Fuchsiada is. thelongest) and one
short absurdist poem. The storypoems were presumably. writtento entertain
his nieces Urmuz did not originally see himself as. alittrateur.He was
fortuitously found by Romanian poet Tudor Arghezi (see. The ChimingManin
Exquisite Corpse and Thus Spake the Corpse vol. ) who. bestowed onhimthe
Urmuz moniker and published a volume of his complete works.. Urmuz
tookhisown life upon publication of this volume in . His fame is.
posthumous theRomanian avantgarde made Urmuz their star Eugene Ionesco.
credits him as hisseminal source of inspiration. Tristan Tzara attempted
to. suppress the Frenchpublication of the Urmuz texts according to noted
critic. Virgil Ierunca inorder not to blemish his own claim at
originality.rhsh. noemata. Friday January. theirowly..
lesterthemfree.chileshoulderbefreebie.freebietntloofah.freetntrollawaydownagrassyslope.imrozimpossibilityglee.letthematicbdellium.lesterthelmasedumthayersky.theskyvisibilitytodaythematic.hencetheirownheavenly.letchthematicbea.justebe.imrozperfectaharmotome.nnwmorewordplay.rhsh.
noemata. Fwd Article The Violence of the Global. noemata. Fwd postanarchism
Nettlau Panarchy A Forgotten Idea of. noemata. Re BBC Flarf. whether my
Flarf interview Saturday the th on BBCWorld Service radio was or. will be
archived. I don't know. I sent anemail to the person who originally.
contacted me so maybe I'll hearsomething soon. Or maybe not.Lest anyone.
build it up too much the excerpts from the original minutesor so of.
conversation that finally made it onto the air basically consist ofme
reading. the last or lines of Stupidity Owns Me from COMBO andthen
explaining. and the interviewer saying yes but is it art and mesaying why
yes it is. art and her saying prove it then me sayingsomething about the
collaborative. process etc. etc.The best part was the interviewer's Irish
accent.. Flarrruf.KaseyDyke to open up BBC archive(billedtekst) Greg Dyke
predicts. a more publicfocused broadcastingfutureGreg Dyke director
general of the BBC. has announced plans to give thepublic full access to
all the corporation's. programme archives.Mr Dyke said on Sunday that
everyone would in future be able. todownload BBC radio and TV programmes
from the internet.The service the BBC. Creative Archive would be free and
available toeveryone as long as they were. not intending to use the
material forcommercial purposes Mr Dyke added.The BBC. probably has the
best television library in the world saidMr Dyke who was. speaking at the
Edinburgh TV Festival.Up until now this huge resource has. remained locked
up inaccessibleto the public because there hasn't been an. effective
mechanism fordistribution.But the digital revolution and broadband. are
changing all that.For the first time there is an easy and affordable way.
of making thistreasure trove of BBC content available to all.He predicted
that. everyone would benefit from the online archive frompeople accessing
the. internet at home children and adults using publiclibraries to
students at. school and university.Future focusMr Dyke appeared at the TV
festival to give. the Richard Dunn interviewone of the main events of the
threeday industry. event.He said the new online service was part of the
corporation's future. orsecond phase strategy for the development of
digital technology.Mr Dyke. said he believed this second phase would see a
shift ofemphasis by. broadcasters.Their focus would move away from
commercial considerations to. providingpublic value he said.I believe that
we are about to move into a. second phase of the digitalrevolution a phase
which will be more about public. than private valueabout free not pay
services about inclusivity not. exclusion.In particular it will be about
how public money can be combined. noemata. index of djbyhand. index of.
Ka.DJbyHandIngerMarieLienKidSquarepusherStev.mp.
Kb.DJbyHandSourceDirectAngeliteBlackdominaL.mp.
Kb.DJbyHandNickDrakeSquarepusherMr.BungleFreeRi.mp.
Kc.DJbyHandAphexTwinSquarepusherJoniMitchell.mp.
Kc.DJbyHandJoniMitchellMayhemTinAngelDeMysterii.mp.
Kc.DJbyHandsisselkyrkjebomerzbowallgoodthingsbo.mp.
Kd.DJbyHandPhotekSheilaChandraMinotaurEvers.mp.
Kd.DJbyHandclannadgerskytrancelationsiularunign.mp.
Ke.DJbyHandEinsturzendeNeubautenMixmasterMorrisPeter.mp.
Ke.DJbyHandVladislavDelayJoniMitchellUsersguide.mp.
Kf.DJbyHandLivetotell.mp.
Kf.DJbyHandlibanaeinsturzendeneubautennowiwalkin.mp.
Kg.DJbyHandMadonnaSquarepusherVangelisMergir.mp.
Kg.DJbyHandelliottsharpsisselkyrkjeboewaitingroom.mp.
Kg.djbyhandbringbackmischiefkeepingoutoftrance.mp.
Kh.DJbyHandclannaddylangroupiwillfindyoubitter.mp.
Kh.DJbyhandsmellsliketenspirits.mp.
Ki.DJbyHandsisselkyrkjeboorigamiweightlessapati.mp.
Kj.DJbyHandSteveReichBiotaMuziqProverbCirclin.mp.
Kk.DJbyHandJoniMitchellEinsturzendeNeubautenSourceD.mp.
Kl.DJbyHandEmmaHardelinBennyAnderssonSNDGuruGuru.mp.
Km.DJbyHandEllaFitzgeraldSquarepusherEnyaHow.mp.
Km.DJbyHandBarkPsychosisPendulumMan(ambientlongremi.mp.
Kn.DJbyHandKraftwerkJohnColtraneIt'sMoreFuntoCom.mp.
Ko.DJbyHandEinsturzendeNeubautenOmniTrioEngelderV.mp.
Ko.djbyhandmyfavoriteProperHoodidgethings.mp.
Kp.DJbyHandBiosphereAliceAlgaeFungi(Part)Cha.mp.
Kr.DJbyHandHigherintelligenceagencyTheBulgarianVoices.mp.
Ks.DJbyHandSquarepusherSheilaChandraNorthCircu.mp. Kt.DJbyHandExercice.mp.
Ku.DJbyHandSeefeelPolyfusiaJudJudTimetoFindMe.mp.
Kv.DJbyHandSquarepusherEnyaComeonmyselector.mp K. noemata. Sunday January.
lumber. lumber. Anonouncement. Bytes Maggie Loves Bewitch Messy Leaves
Boethius Mews Lavish Beets Mews. Lobbies Butties Meek Lobos Bouts Maag
Lops Bitch Max Levees Bites Massawa. Lupus Betsy Maag Laps Budweis Massa
Lapis Bitch Musky Laps Boadicea Meuse. Lives Baits Macao Luffs Boudicca
Massawa Lvi Booties Micah Leavis Bathhouse. Mossy Liebig Boethius Mows
Labiche Badge Mos Lupus Boathouse Mickie Loaves. Bitch Musk Lpg Baits
Mashie Luffs Baits Maguey Loafs Butts Micky Lipase. Buttock Muse Lops
Beauties Mies Lippie Booties Mays Lovage Batik Maggie. Leafage Badge
Mawsie Lavish Betas Mesh Leaps Betook Miss Lobbies Bathes. Massa Levies
Boethius Messy Lobbies Bites Maas Labiche Baits Mix Lobbies. Bittock
Miaows Lupus Boadicea Mohs Loobies Bitwise Miaows Lipase Badge. Mackay
Libeccio Baits Massa Lipase Biddies Masks Lipase Boats Moscow Loops.
Buttocks Moke Loaves Betook Massawa Levko Betsy Meshy Lupus Bodies Mac.
Labiche Bitsy Muzzy Luffs Bhtes Mocsoo Lapes Betis Mysgih Lopoc Betg.
Meccha Lepec Bodic Mocsao Lufok Betas Myqgei Lhbas Botos Moscue Lebis
Bathg. Masciy Lepag Bedas Masseu Lopos Bothg Massey Lufug Bodes Myscei
Lobec Bhtys. Mecsea Lyfac Badhs Mhcghe Lifoc Betis Mossya Lufyc Bateg
Moskoa Lefis Betas. Mosshh Lhpig Betas Mhskai Lapes Butc Mascea Lebes
Betas Musgie LefhcMY. INCONSTANT STANTON MINCY NANCY NOMITTS NINA CYSTMONT
MONA STINTNYC NINNY. MATTSOC ANN MINCY OTTS STANN MINCYOT KATIE LOREN KATE
ELINOR LEONA KITER. ERATO KLEINAbdomen Girl John Ribald Gnome John Banjo
Holden Grim Gander. Limbo John Gander Mobil John Jordan Being Holm Monad
Bohr Jingle Glean. Morbid John Jargon Blind HomeDeniable Morgen John
Mendable Ignore John. Gimbaled Noreen John Bergland Johnnie Moe Garbled
Johnnie Omen Badger. Johnnie Melon Lieberman Ogden John Bengal Demijohn
Nero Jab Needling. Hormone Banjo Mingled Hereon Banjo Modern Heeling Lab
Mongered Johnnie. Enameled Boring John Endgame Oberlin John Mannered Hobo
Jingle Jihad. Noblemen Negro Jordan Blenheim Gone Mad Grenoble Johnnie
Jeanne Lindbergh. Moo Jeanne Bloom Herding Arlene Bong Demijohn Leaner
Bong Demijohn Anemone. Bohr Jingled Hangmen Lobe Joinder Germinal Debone
John Omnirange Bleed John. Jangle Bodenheim Nor Agone Hornblende Jim
Manhole Bergen Dijon Hermann Globe. Joined Jean Hemoglobin Nerd Johann
Bleeding More Holberg Man Enjoined Jan. Neighbored Monel Jan Bleeding
Hormone Anon Boehmer Jingled Badger Johnnie. Lemon Blamed Goner Johnnie
Dream Belong Johnnie Jading Boheme Ronnel Jihad. Ennoble Monger Donna
Blenheim Jorge Banned Jerome HolingMAGEE BLIND NERO. JOHN MAGEE BIND LONER
JOHN MAGEE BLOOD HERN JINN MAGEE BORNE LIND JOHN. MAGEE ROBIN LEND JOHNA
NAME TO A MEAN TO A TEAM ON A MATE NO ME TO ANA. MEAN TAO ATONE AM AM AT
ONE AMEN TAOBjorn Longhand me I Magne Haugen Jorn. Ben Goldhobrn b.yond
Magnus bjornmag Hallingstad John Mr. Jonah O. Blending. beyond Jon Reime
Jon Joel Nigh Brodman beyoni John Modalen Bernard John Ling. Dffoberman
byoni Olav Asgrimson Johan John Germinal Bond ignominy Runed Foss.
Magnhild pronoun Tomasi Magnhid en Sire born.matronym Larsi Vatlend.
byon.lihngam Bent Standal Magh erroneous.notion Dani Bjrn Norheim Magee.
ontic.mantsin Mikal Nordal Maginsel kari.eliot Bruno Bjrnstad Magy Bjorg.
Brndals Magny Hanne Bjevrke Manee Glenda Bjordl Maney Heod Gram Manney.
garbiel Jakobssen Manny Holkermann Magney Homin Magnee blix MacNillon
brandt. Mac Neal hoberg Magnhy Maget Magey Maghy Hughey Hayes Magnhill
Magni. ByrnBjrn Hitdlakjempe Bjarnar saga Hdlakappa Bjarni. Hitdlakappi
Monstrous Allegations An Exchange of ki in Bjarnar saga.
Htdlakappaber'serk Borne John Lind Magee benoni Bjorn Magnhildson.
Magnhildoyn Jon Magnus Holberg Brandt Beorma bjorn beras matronymbef. ME.
be(a)re beor(e) OE bera c. Fris br D beer OHG bero (G Br) Gmc. beran lit.
the brown one akin to ON bjbrn bersi cf. Lith bras brown. Cf.. BRUINmagh
Important derivatives are may dismay might main machine. mechanic magic.
To be able have power. may from Old English magan to be. able dismay from
Old French esmaier to frighten. Both a and b from Germanic. magan to be
able. might from Old English miht power from Germanic. suffixed form mahti
power. main from Old English mgen power from. Germanic suffixed form
maginam power. Suffixed lengthenedgrade form. mghan that which enables.
machine mechanic (mechanism) (mechano). Greek (Attic) mkhan (Doric) mkhan
device. Possibly suffixed form. maghu. (magic) magus from Old Persian magu
member of a priestly caste (. mighty one). Pokorny magh .PHONOLOGY OF
DEVELOPMENT OF QUENYA FROM. PROTOELDARIN This follows ETYM and ignores the
very different early part of. the phonology development shown in BOLT. As
shown by KVNS at that time RT the. Elves made PE by trying to learn
Valarin from Orome at Koivieneeni and. afterwards Tolkien likely made ETYM
PE Valarin uneuphonic with roots such as. snas and skyap and kugh to make
it sound stern and commanding. (Did. Valarin have a history of change MET
before that E.g. PE magh hand. mag use handle. From the description in
Ainulindale (SIL) Ea before. Arda was made was likely big enough and
lasted long enough for even Ainur's. languages to evolve different ways in
different areas.)In a map printed in. the peninsula is called Island
Maghies and in it is referred to as. McGuiyes Island. Also in in the
Inquisitions of Antrim it is referred. as Island of Magie and Island of
Maghy. In the map called Atlas Novus. published by Johan Blaeu in it is
called Magees Ile. During the th. century the Ordnance Survey Memoirs of
Ireland postulated that the name. Islandmagee was derived from Mac Aoidh
(named after the most common family name. on the island prior to the Tudor
Conquest of Ulster i.e. Magee) or Mac iagh. which they say derives in turn
from a word for seagull. I can not find any such. word for seagull and
believe such a derivation to be incorrect.McKee Magee. McGee Mackey McKay
McCoy MacHugh McHugh and Hugh also in the O form as. OHea OHay Hay Hayes
The derivation from the name Magee (from the Irish. Mag Aoidh or Mag
Aodha) means son of Aodh (an old word for fire). It is a very. common name
in Ulster occurring in the following corrupted forms McKee Magee. McGee
Mackey McKay McCoy MacHugh McHugh and Hugh also in the O form as. OHea
OHay Hay Hayes). In this case the Island is reputed to be named after. a
family of Magees who are said to have their principal base in the
townlands of. Portmuck and Carnspindle. In Marschal Bagenals description
of Ulster in. it is stated such as there be the Magees and contribute to
the Lords of. Clandeboys (from Clann Aodha buidhe U Nill meaning the
family of. yellowhaired Aodh Nill). A similar derivation is given in.
Dubourdieus Antrim viz. the inhabitants thereof are Magies from which it.
hath the name. History records the death of perhaps thirty members of
this. family by soldiers from Carrickfergus Castle following the.
rebellion.AirNav Index of airspace fixes M MAGAF MAGAH MAGAS MAGCI MAGCO.
MAGCY MAGDE MAGDY MAGEE MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI
MAGGO. MAGHA MAGHO MAGHY MAGIC MAGID MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY
MAGJA MAGJI. MAGJO MAGJU MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW
MAGOZ MAGPY MAGRE. MAGRY MAGUH MAGUJ MAGUS MAGUW MAGUY MAGUZ MAGWE MAGWU
MAGXO MAGXY MAGYA MAGYE. MAGYI MAGYU MAGZE MAGZI'Magnus' also appears in
the forms 'Mang' and 'Manges'. in the Alps and Southern Germany. ba) From
the Latin word adjective 'magnus'. great large thus by being used as a
(proper) noun it becomes the great. one. The word is derived from the Indo
European base 'meg(h)' which also. evolved into Sanskrit 'maha' big Greek
'megas' big and English 'much'.. However that is not the entire story.
According to Wasserzieher the norther. variant of the name Magnus was
coined by king Olaf the Saint of Norway who. named a son in honor of
Emperor Charlemagne (Latin Carolus Magnus German. Karl der Grosse
Norwegian KarlaMagnus). Charlemagne () who ruled. over France Germany and
Italy was quite an impressive medieval king who in. was crowned the first
Western Emperor since the fall of the Western Roman. Empire. How
impressive was he to his contemporaries Well he was made a saint.
(canonized in unfortunately only by an AntiPope and he is revered only. in
a few places) and the word for king in many Slavic languages is derived.
his name (Polish 'krol' Russian 'korol'). I must confess this does add. an
intriguing new dimension because of course Professor X's first name is.
Charles which is the French form of the name Karl which owes a lot of its.
popularity to Charlemagne. Two sides of the same coin indeed ba) In
Southern. Germany Switzerland and Austria the name is mixed up with the
otherwise. apparently extinct German name 'Magnoald' 'Maginald' 'Maginold'
he who rules. with might. It is hard to tell if this 'Magnus' is a
Latinization of the German. name(s) or the identification is the result of
a mistake (see section ). This. name seems to be related to that Thor's son
Magni (looking around I also found. the name Magnerich (Magnericus) who was
bishop of Trier from ca. to. .)The first element of this name derives from
the Germanic word for might. represented in modern English 'might' German
Macht and Dutch 'macht' which. derives from the IndoEuropean 'magh' to be
able which also is the root. for modern English 'may' (cf. German 'mag')
'mage' and 'magic' (from the Old. Persian 'magus' Iranian 'magu' which
referred to the Magi the priestly. caste in Ancient Persia and Media) and
also 'machine' and 'mechanic'.. noemata. Saturday December.
Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. PATAFYSISKT NAMN STOPPAS AV
RTTENBrfxxccxxmnpcccclllmmnprxvclmnckssqlbb.. S fr inte lille Albin
stavasitt namn. Kammarrtten i Gteborg fann inget std. i lagen fr att
dpamnniskor i sdan anda. Den vida knda hallndska. namnstriden brjade
medatt lnsrtten i Halland utdmde ett vite mot. frldrarna p kronorfr att
inget frnamn alls registrerats p. gossebarnet trots att hanhunnit bli fem
r. D skickade frldrarna in. stavningen med tecken.Namnfrslaget br ses i
patafysisk anda skrev. frldrarna i sin inlaga.Men kammarrtten kunde inte
se patafysiskt p. stavningen. Parafysik r deinbillade lsningarnas
vetenskap uppfunnen av. absurdisten Alfred Jarry somannars r mest knd som
frfattare till. teaterstycket Kung
Ubu.Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. (pronounced Albin) was a name
given to a child by the parents of a Swedish. family in May .A district
court in Halmstad southern Sweden had fined the. parents (Elizabeth Hallin
and ) kronor (approximately US) for failing. register a name for the boy by
his fifth birthday. Responding to the fine. the parents submitted the
character name claiming that it was a pregnant. expressionistic
development that we see as an artistic creation and. suggesting that it
should be seen in the spirit of pataphysics. The court. rejected the name
and upheld the fine. The long and short of itSWEDISH. authorities last
year told a couple who named their son.
Brfxxccxxmnpckccccmmnprxvcmackssqlbb to find a new shorter name for. the
boy. However the authorities in Stockholm have now rejected his new name.
of A according to the Hallands Nyheter newspaper. Initially the parents.
refused to provide tax authorities with a name for their newborn son.
After. numerous disputes the parents finally provided them with the letter
and. digit sequence which they say is pronounced Albin. That resulted in
an. fine from the tax authorities last year for defying the Swedish name
law.This. northern summer the couple registered their son as A. Tax
authorities also. rejected that name because singleletter names are not
allowed. An appeals. court upheld the decision. The parents previously
said that they chose a. meaningful expressionistic typographic formulation
which we consider to be an. artistic new creation in the pataphysical
tradition in which we believe.The. boy who is still officially nameless
has a passport in which his name is. given as Boy Tarzan.Related Jennifer
. Lee born March in New. York City is a New York Times reporter for the
Circuits section. Her middle. name was given by her parents in her teens
because there are too many people. named Jennifer Lee. She spells her
middle name . on paper but on her. driver's license it is spelt as a much
less dramatic Eight. Her parents were. Taiwan and were influenced by the
typically Cantonese custom that sees. number as a symbol of prosperity. is
a character in the comic strip. Peanuts by Charles Schulz. He debuted in
and continued to appear on and. off until . has spiky hair and sometimes
wears a shirt with (what else). the number five on it. His full name is
(accent on the ) with. being the family's last name (actually their zip
code which in real life. corresponds to the zip code for Sebastopol
California). His father changed all. of the family's names to numbers as a
protest to call attention to the way that. he felt like numbers were taking
over people's identities. also has two. sisters named and .. noemata.
Friday December. lumber. lumber. the mean. while waiting and waiting for
win to boota play for the calculator the. meanok what about . .where does
the . come from. .. still the sameok so we know n(n).(n.)what about step.
while it holds now the diff is always. n(nstep)(step)((nstep))try random
..i have. format c unbelievablestep is so it doesn't workdo you want to
install. netmeetingwho ever had any need of scandiski ran scandisk several
times. nowstill it didn't detect damaged sectorsunbelievable crap
scamdickswell why. didn't it work for odd it's yeah now your product key.
licenceit's supposed to be oh well it just squares thensquareroot of ..
is.. . voilakey is GXPPKTCDRJGJDTRBM (win)it's.
n(nstep)(step)((nstep))which makes sense for the . and the. updating you
system..restart then restart then restartthis wasn't very. profoundit's
like you need the square stuff somewherewhether you put it in the. n's or
the stepit doesn't matterthe suprise in the beginning of this play..it.
didn't take into account the extras of the squarethe double its
shadowit's. about dimensionshow the extra dimension casts a shadow backthe
step is supposed. take care of thatah but there's no stairway to
heavencan't believe this. where are the screen driversMy documents it's
intimidatingvery smalli. lost the scans whateveranal stuff i mean what's
the pointthe joy of. loosingagain a gain where does the shadow come inthe
gain where the extras. are fromhell is a collapse of dimensionswhat
happens when things colapsewhen. these squares collapsed they lost their
shadowi was thinking of this drawing. also what it lostshadows of course
collapsed into texturebut the other way. alsowhat would the hyper be if
this was. textureloomunbelievableunbeleivablewhat is mostthis cognitive
quaking is. backforth's squaringnothing in the middlenothing mediatedthese
are flatmeanthe. synonyms for mean are average base beggarly entail hateful
have in mind. imply intend mean value meanspirited mingy miserly signify
stand for. think think of tight. noemata. Tuesday November. anyhryear
anniversaryarchive of visual. Nov k. noemata. Wednesday November. plese.
its tu muchi wnat nothign to do with itplesei was nothing to do withit.
noemata. Wednesday November. recursive dictionary. material or nonmaterial
entity idea action etc that is or may be thought. about or perceived a gift
a thing given or presented of the something done. deed or action or
sensation caused in the ear by the vibration of the. surrounding air or
other medium of laughter and the capacity or power to. perceive or feel or
to be conscious of the state or condition of being present. or attributes
qualities or characteristics of material or nonmaterial. entities ideas
actions etc that are or may be thought about or perceived. that human
concerns business matters to be attended to their continuous. onward
movement or progression and circumstances esp. those affecting the.
functioning or existence of something active condition which
distinguishes. active animals and plants from inorganic matter including
the capacity for. growth functional activity and continual change
preceding death were. mad.Bertrand RussellApplying the algorithm to text
with a high proportion of. abstract nouns is particularly amusing. Here
the starting text is from. Bertrand Russell's History of Western
Philosophy from a chapter on PlatoThe. second argument is that knowledge
is recollection and therefore the soul must. have existed before birth.
The theory that knowledge is recollection is. supported chiefly by the
fact that we have ideas such as exact equality which. cannot be derived
from experience.Transformation givesThe second reasoning. process is that
awareness or familiarity gained by experience is the act or. power of
recollecting and therefore the spiritual or immaterial part of a. human
being often regarded as immortal must have existed before the emergence.
of a (usually fully developed) infant or other young from the body of its.
mother. The supposition or system of ideas explaining something esp. one
based. on general principles independent of the particular things to be
explained that. awareness or familiarity gained by experience is the act
or power of. recollecting is supported chiefly by the thing that is known
to have occurred. exist or to be true that we have conceptions or plans
formed by mental. effort such as the exact state of being equal which
cannot be derived from. actual observation of or practical acquaintance
with facts or events.. noemata. Monday November. congratulations
congratulations your site is on on (nostalgi). noemata. Monday November.
curious. my handwriting .jpg 'Freedom diedgreat people proved that
awareness exists. and every lifeform is awareunfortunatelly they hadn't in
mind that evolution. not aims into awarenessdevelopment but towards better
adaptation.milions of. people just learned how to fake awareness.This what
makes us Humans is ablity. selfdevelopment and Empathynot adaptation.Crowd
without a leader went. insane.Sickness is ones who emphatize get dellusion
when looking. feelingslessones there is no mutual empathy then ones who
emphatize become. codepend.'.jpg(notes from train station i tried to
visualise how autosopher. adaptativenetwork works)also note that 'positive
effects coming from. smoking of tobbaco come fromchanged metabolism of
dopamine while addiction is. created by completelydifferent
neurotransmitter patch'also common mistake of. polish language pointed out
(use of foregin noun).jpg adaptative ALP network. Daylight Explosioni have
some other work like learning from c sources i'll. write to you laterd.jpg
dissolving substancedreams come when i am. heresnowwhite truth about
falseparticles of absurd from. nothingsubstancewhile this world is only
interpretation of our. dreamssubstanceyou melt with nonexistence like
youpractical disasemble of life. programtransient observation ofthoughts
about minimalism truth about. time.form of delusionsequence of sessionit's
lack of thought Substancewhile. civilisation camp grid is at least km
thin.where is. reasondynamicambitionfield of perception actions of
consiousness()timeand. this is 'life'intonation is alive and manipulating
bodieswill be as is. because can't be other waypreprogrammed forecast
shatter and bend under. influence of new datahow is time machine
likealivedestiny of chaos. complexity creation is creation itselfwe can
watch beauty of growthour time. camepower came to an. noemata. Jag lgger
lite bilder p mig hr.. Jag lgger lite bilder p mig hr.Men kom ihg jag vill
grna att. ni skriver i Gstboken vad ni tycker annars blir det inte fler
bilder. Mina. Fuktiga brst efter duschen.Jag visar upp ett av mina
brst.Jag i sexiga. underklder.Jag visar upp mig p sngen.Hr r jag helt.
utlmnad t dig.Tnk om handen inte fanns dr.Gillar ni mina. Lppar.Ny bild p
mina lppar.Gillar ni bilderna p mig i. stayupsDet kan komma fler bilder
Jag hller p att vertala min. vninna att jag skall f lgga upp bilder p
henne ocks.Hr. under lgger jag sprutbilderna som jag fr Och jag skall
villigt. erknna att jag har onanerat och tittat p dem mnga.
gnger.Sprutbild Sprutbild Sprutbild Sprutbild Sprutbild Sprutbild.
Sprutbild Sprutbild Sprutbild Jag har ftt ett par nya sprutbilder Det.
tycker jag om. Flera gnger har jag tittat p dessa bilder och tnkt. p er
hur ni har lekt med era underbara stnd fantiserat om mig och. sedan
sprutat er varma klibbiga sats ver min kropp. Mnga gnger har. dessa
fantasier tagit mig till underbara orgasmer. Ett extra spnningsmoment. r
ju att min kille inte har ngon aning om vare sig websidan eller dessa.
foto.Hr kommer fler bilder.En bild frn en man som heter Bokoboko.Gabbe.
har ocks sprutat ner min kropp.Hawkan har lagt sin varma sd ver.
mig.Fineman har gjort hrligt sexiga konstnrliga bilder.nnu en bild.
noemata. Saturday November. delayed. noemata. Tuesday November.
colmplaints ingored. complaits comlaints comppaints commplaints complaints
ifnored withijn redach. reazch complaibnts live complaintsa complaints
comlplaints comp laints within. rexach complaintw ikgnored reasch
complaihnts complwints complaintts ignorer. ckmplaints witin complpaints
complaints withkin weithin complaints. complwaints cmplaints complainrts
complaintys ignorwd ignoredr complainte. complaoints comoplaints
complajnts complainys ugnored ignorerd complaintsz. witbhin reaqch rteach
ignorfed complains complaintrs witgin complaingts. ignofred comploaints
comp aints iygnored complaintd iognored jgnored ignoresd. rezach
complaitns ignorsd ignotred cojmplaints r each complaint s complanits.
ignorefd vcomplaints complaints withimn kgnored withih complaints
cmoplaints. teach complaints complaints igynored witihn comnplaints
complints complaings. ignoref compolaints cmplaints ckomplaints co
mplaints ignored wi thin. complaintsw oignored jignored ignored
compplaints ignoed complainrs complainta. ignorted reach complaiknts
ignpred ignjored complaints compliants complaknts. complains complasints
ep ijgnored igvnored rseach ignores complaaints ignored. withn rewch ithin
cvomplaints compllaints complaintxs comllaints feach. cojplaints wiyhin
rwach complaintes withi ihnored complaints reacu wifhin. ighored ignored
withinreach complaijts ignoed complaxints complai ts. copmplaints with n
within wihin ignodred complaints complaimts wiythin. complants complaints
itnored cpomplaints withhin ign ored reacy withinh. withihn reach ignord
ccomplaints recah ciomplaints within ignred rach. ignoreds ignored
iugnored wityhin withinj ignor ed within ignorded ignored. ignpored wthin
reafh within eeach complains reacjh complaiints complain s. complainst
compla nts cokmplaints withinm soundtrack complaintss complaints.
complainmts co plaints ignoired complainyts online witjin withij ost
witghin. withuin complzaints complaintfs complaintgs compklaints
compalints complainbts. reac withibn igored discount rea ch cd ignoed
raech complaqints lyrics gnored. compaints complaimnts domplaints c
omplaints rea h gnored complaint sithin. ignoded limited edition
vomplaints wtihin reacbh compl aints withiun uignored. ignord
complaintsignored cfomplaints com laints complants ignred ignorex. wigthin
each deach ignroed ignorexd withikn ihgnored igfnored reacuh iignored. ign
red w thin complaintse ignorewd ignorsed with in ignored reacdh igbnored.
withun withyin reacvh complauints ignoredd ignnored ignored ignired
withib. ignorwed discounts wihin ibgnored complaibts rweach ifgnored
wifthin. complakints cheap conmplaints albums wiothin c mplaints igmored
complaintds. igno red complazints igonred reachh wuthin witnhin ignordd
reachg inored. ginored awithin ignlored complajints withim comjplaints
reeach eithin dreach. complaints withiin compact disc gnored ighnored
complaijnts resch reqch rdach. igmnored withn withion complaonts coplaints
reacxh ewithin reacch complsints. each complaint ignore complaints wit hin
music reacnh ignoredc clmplaints. ignoredx igbored complai nts ignred
complaintz compl ints complainhts. omplaints rewach by ignored complxaints
reac h complainfts reach ithin. complqaints wikthin reahc witjhin aithin
withjin ereach reachn complqints. reach dcomplaints ignored complkaints
reacb reachj witrhin rexch i gnored. each comlaints comkplaints complainfs
comlpaints complaintsd ignored ignorede. ignoree complsaints reduced
wsithin within complaintzs wthin wthin ithin. ibnored within within rreach
wihin complaintws complaihts within cast. recording ignoted cds wuithin
xomplaints complainnts withi n erach wirthin. within wityin wijthin rerach
cxomplaints reach withjn ignoerd within rech. withnin conplaints igjored
freach wit in withni readh withi reac ignore ignord. copmlaints wkthin com
plaints within swithin complaintsx wwithin complawints. rfeach qithin
ocmplaints within igno ed i nored ignorred enhanced ignmored. rach withkn
reach ognored remastered ignofed rach comolaints withbin woithin. ingored
witfhin each complants album withinb xcomplaints reacgh explicit. ignor d
reavh rrach within ithin within reachy reachu ignored ignokred. wituin wi
hin colmplaints ignore d reaxch r ach complaintas reaxh ivgnored. wiuthin
wirhin cmplaints igtnored w ithin reacfh reacj complzints rdeach. ignoreed
compoaints treach ignkored ignored withn sale ignolred cimplaints. ignored
reach complaunts ignoered reafch wihtin wiithin complaionts reqach. withon
waithin ignhored igniored ignorecd ignkred readch wjithin reach.
coomplaints cdomplaints ignoored ignored reacg withgin complaints ignlred.
clomplaints ignoeed re ch iynored withinn wkithin itgnored ignorde wjthin.
reaach witthin within complxints complainjts complaiunts within withoin.
fomplaints fcomplaints qwithin witbin reavch coimplaints resach reah
ignorec. ignored ignopred witnin ignoredf complain ts cpmplaints ig nored
wighin re ach. gnored compkaints omplaints within wqithin reacn reacyh
reachb wituhin iggnored. ivnored rsach iwthin complaintx rezch reawch
cokplaints kignored ignored wothin. reach igjnored ignorrd compla ints ig
ored ignboredSearch colmplaints. noemata. lumber. lumber. oct().
..JFIF......h FF DB A E. C A .....C.nxxdh C C B AA A BE F FF. FF F DC DC F
FF FF. h FF FF FF FF. FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF
FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF FF FF FF FF FF DB
AA B. .C.h B F D F. FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF
FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF FF FF FF FF FF FF FF FF
FF FF FF. h FF. FF FF FF FF FF FF FF FF FF FF FF FF FF FF C. ah.
...............bh FF. C ..............ch. FF C ..............dh.
................eh. FF DA C A. matronym. Sunday October. Re confuciuslist
Mencius B. wild grass (fwd). matronym. Saturday October. plunderphonics
week. DJbyHandIngerMarieLienKidSquarepusherStev.mp (. C C Nystev.. vil du
D. C E have meg til B C D A B C. kveda..det skal A D eg gjera. med stF C C
D A F rste gleda..og. B C B eg skal kveda sF E. D A o vent fyr deg.. B. C C
F D at du skal glym A F C. F D a deg sjlv og m E D A D A C B. C eg..... eg
skal B F B. kveda so du skaC E C D A D l. grta..um du C E C var aldri. s
gla F B E C D A E d og kt'e... e B C B F g skal kveda so E E C. C D A snlt
fyr deg... B C C E E E at du skal l n. E D E r du ser p meg.D A D A F D E.
F ....Og mine viso F E E C. r dei er so snl C D A F D F B E e..som. Borken
t E E E E rvar p isen. hC C D A F D E le..og mine visF. A E or dei gjer'
ein C E D A. F D C C sleng..som litl E E B. e guten p skeis E E A E E D A
D A C. unn' gjeng..... D E F mine. visor dei F D E C D A F er so
mange..soD. A D C F D E m heggjeblomane. E B D drys i fanget.A F. F .so
hev det vore C C. A D A i all si tid.. D B. dess meir dei kv C D ed dei
dess. mei E D A D A C r der bid...... C A C vil du stevjast F B. C so skal
eg svar C D A F. C E a..og heile nat F B C. ti so skal det v B D A F C.
ara..og vil du A D D stevjast med. meg B C C D A E i kveld..du g. B A E r
'kje t fyrr d E. E D C C E u fr ein smell. abort.
DJbyHandsisselkyrkjeboorigamiweightlessapati MB. matronym. Friday October.
link var. Index of var Name Last modified Size Description. Parent
Directory Oct idxbdvds.jpg. Oct k vdsidx.jpg Oct k. .jpg Oct k .jpg. Oct k
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Sep k acroBatic.JPG. Sep k annama.jpg Oct k. annan.jpg Oct k annotfw.jpg.
Oct k apdd.jpg Oct k. apok.jpg Oct k apolillebilen.jpg. Oct k aporegn.jpg
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candledrawings.jpg Sep k codune.jpg. Oct k desktop.jpg Oct k. dietz.jpg
Oct k eee.jpg. Oct k elmagspectrum.jpg Sep k. ff.jpg Oct k fjfjf.jpg. Oct
k fluktbiler.jpg Oct k. fluxusmap.jpg Oct k fortart.jpg. Oct k ggcc.jpg
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hfhfhw.jpg. Oct k hfhfhw.png Oct k. horn.jpg Sep k ideog.png. Oct k jj.jpg
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Sep k mrna.jpg. Sep k oe.jpg Oct k. pluntscape.jpg Sep k prestholt.jpg. Oct
k prestholtskaret.jpg Oct k. psychogeo.jpg Oct k rabsistggkgigngdgom... Oct
k recursivelibrary.jpg Sep k. rygg.jpg Sep k san.png. Oct k scapeg.jpg Oct
k. scrreen.jpg Oct k sdgaa.jpg. Sep k seroma.jpg Oct k. sino.jpg Oct k
skogshorn.jpg. Sep k taka.jpg Oct k. tectonics.jpg Sep k teent.jpg. Oct k
tenner.jpg Oct k. text.jpg Oct k tilapollinaire.jpg. Sep k
torpostavechurch.jpg Sep k. tuftebrui.jpg Oct k turs.jpg. Sep k
usbdrawing.jpg Oct k. matronym. relax. matronym. Wednesday October. im not
sisting strahgt my jands ctrlz ctrlz ctrlz ctrlz versjon. ctrlz ctrlz ctrlz
ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz. ctrlz ctrlz ctrlz glitch
versjon (ultra editor) well probably doesn't affect. html so why blotherim
not sisting iwant somehthign it's a bit. frighteningstrahgt that kid on its
own and coldmy jands. atomata like tat fly nothing holdingnothing here in
the win. should i let gothis writing is the fog leaves (they of
whatagainst. itself does it) eprime the i don't know anythingi only write
when. drema (dramadream) this blank screenforgetting muself of magic.
contradicted by my fingersnegation well science and the this will. only be
troubleworthwhile howto any base fuck youspace which is. debase. coming
back this is completely lostnothing to.. never againher cunt ie no.
memoryshould backspace sensation must be no knowledgethat. based on
recurrence monster of pixelscollaps else you wouldn't. soothwhere am i
know but gnomhow to write. still sense but no.where am i inn the only once
it vicinitymyself. doesn't count (count potentialmy arm is kind of is.
sentence dntwiched recurrence). any pnrrmaqyawmy back. somewhat object.
object is nvvypub vybcdcxrunched here too much. object. dmcs vnbpu
cdngvirtual backspace anything that is suug. fcnothing ever comes visible
or tangible mqhycuq iydxout of this. and is relatively bucgupd dnwhere
does this go stable in form. to. uaurk rnhuruadexpect nothing you. ya
hypyaydkleft. channel delay something. thing xytt uywxd cyjthe need.
(meeting vyhuno structure her interface). lubn. ()whatever fright
subjectsubstancediscontinue into. subtrahends ariettaslide emergent
relation. subterfuge. arroweddiscreet egene remove
sceptrelessespataphysical. logic posessive my's. arrowedcompression is a
reactive at chemical. saboteur aridcipher level. behave septarium
arteroads. late ME softheartedly aradjustice behaven. (reflexive).
subterranean aridblockhead See BE HAVE.. shifters airywriting into space
behaviorism the spadework awardeei'll. go wherever the theory that scepter
areawidekeys lead. psychology can be shifter aerateleather case accurately
studied. softer arrauboard table kitchen only through the spader
artiecuisine. examination and subterfuge aureatei meant metaphor analysis
of. sputter areawidewherever possessives. subtree. areawidesomething else
sputter aeratethis is just. one i'm no one get your softer airyside hands
off me.. spader airtno justice HAHA. subterraneanisesusually space is
karmaguilttraces aortaexpensive. i once had guilt subdirectories
artymassive nothing writing haha. says it spidery airedeyes all (active
subtraction. artyi once had eyes expression vs sceptered artiego beyond
they. say matters of doctrine) subtreasury areawideother i laughter. is
spidery arrayedwhat comes in this eternally guilty. subterraneanise arteis
still eyes (doctrinal in sifter. awardeekeyes writing) as anythe cod e
statement. n softheart s mouthing. y. arrondis t guilty guilty (how
soekar. ttraffi n awkward to ) soffit ar thorsest c t. how's w g softies
arteriolethere's compilation attached to guilt. soever arterialises should
stop writing soke. arterialisinginterprete e another w e sojoimmedi s.
status of relate to artel valuemeaning other sodwhat'. than drawn arteri
dente. softhead arthromerewhich is p s (interfaces again).. sojourners
arrowrooti had t a media a softening. artefactbig small inverse suppose it
e softbound arsenicaldi. other way a softy ars lprotoco f signs are. soiree
arsenicisespapyrus no o lines are. ts stronger attraction readapting
mcqueenpro. proto mecritical distance attraction to. what reactualise
meagerlyexecution of seeing easy essing. meal ers are easi ay. of
mcmurdohidden instant an. g rea ness memiddleman blackmail to. ably me
compl of the ualizes. li syst inimax rk up. to mewhat's the deal on. me (
rface') reactualisations. mei r mansus accidencesubsta me. critical and
easie 's. system wins liked ng not gravitati. stupid you alwaysde reaming
get signs toodr eath is. obvious it's theirso ng else job. backtrackingi'd
to die. guilt is thru th .. sign you no. shouldn't att it's like chaplin
onde s trash. a conveyor belt ghtning down t rs economy.no. no signno in
the talking is a w recur.. as stimulusres augment pos. respons. lumber.
matronym. Tuesday October. thing. thing (thing) n. . a material object
without life or consciousness an. inanimate object.. some entity object or
creature that is not or cannot be. specifically designated or precisely
described The stick had a brass thing on. it.. anything that is or may
become an object of thought things of the. spirit.. things matters affairs
Things are going well now.. a fact. circumstance or state of affairs It is
a curious thing.. an action deed. event or performance to do great things
His death was a horrible thing.. a. particular respect or detail perfect
in all things.. aim objective The. thing is to reach this line with the
ball.. an article of clothing I don't. have a thing to wear.. things
implements utensils or other articles for. service I'll wash the breakfast
things.personal possessions or belongings. Pack your things and go. a task
chore I've got a lot of things to do. today.. a living being or creature
His baby's a cute little thing.. a. thought or statement I have just one
thing to say to you.. Informal. a. peculiar attitude or feeling either
positive or negative toward something. mental quirk She has a thing about
cats.. something signified or. represented as distinguished from a word
symbol or idea representing. it.. Law. anything that may be the subject of
a property right.. do or find. one's own thing Informal. to pursue a
lifestyle that expresses one's self.. Also do or find one's thing. . make
a good thing of Informal. to turn (a. situation experience etc.) to one's
own profit benefit by She made a good. thing of her sparetime hobbies..
new thing Jazz. See free jazz. . not to. get a thing out of to be unable
to obtain information or news from The police. couldn't get a thing out of
him.to fail to appreciate understand or derive. aesthetic pleasure from My
wife likes opera but I don't get a thing out of. it.. see or hear things
Informal. to have hallucinations.. the thing. something that is correct or
fashionable That caf is the thing now.that. which is expedient or necessary
The thing to do is to tell them the. truth.bef. ME OE orig. meeting see
THINGthing (thing ting) n.. (in Scandinavian countries) a public meeting
or assembly esp. a legislative. assembly or a court of law.Also ting. Cf.
thingstead. ON assembly. c. THING D ding G Ding thing orig. meeting akin
to Goth theihs. matronym. Monday October. nothing (nuthing) n.. nothing
(nuthing) n. . no thing not anything naught to say. nothing.. no part
share or trace (usually fol. by of) The house showed. nothing of its
former magnificence.. something that is. nonexistent.. nonexistence
nothingness The sound faded to. nothing.. something or someone of no
importance or significance Money is. nothing when you're without health..
a trivial action matter circumstance. thing or remark to exchange a few
nothings when being introduced.. a person. of little or no importance a
nobody.. something that is without quantity or. magnitude.. a cipher or
naught Nothing from nine leaves nine.. (used in. conventional responses to
expressions of thanks) Think nothing of it. It's. nothing. Nothing to it..
for nothing free of charge.for no apparent reason. or motive.futilely to
no avail They had gone to a great deal of expense for. nothing.. in
nothing flat in very little time Dinner was finished in. nothing flat..
make nothing of to treat lightly regard as easy.to be. unsuccessful in
comprehending He could make nothing of the complicated. directions..
nothing but nothing other than only We could see nothing but. fog..
nothing doing Informal. emphatically no certainly not.no activity.
inducement advantage etc. present to the eye We drove through the town
but. there seemed to be nothing doing.. nothing less than or short of
absolutely. completely She was used to nothing less than the best.. think
nothing of to. treat casually.to regard as insignificant He thinks nothing
of lying to. conceal his incompetence.adv. . in no respect or degree not at
all It was. nothing like that. Nothing dismayed he repeated his
question.adj.. . amounting to nothing as in offering no prospects for
satisfaction. advancement or the like She was stuck in a nothing job.bef.
ME OE. matronym. rinsay. the active expression of enlightenment over
matters of doctrineThe mind thus. creates the world in the sense that it
invests the phenomenal world with. value.They have presumably already
freed themselves from preoccupations with. the commoner cravings for
sensual indulgence material gain or worldly fame. and have entered the
path of religious strivings. But it is precicely this fact. that Linchi
sees as the source of their problems.this lone brightness without. fixed
shape or form.once and for all that there is no goal to be striven for.
because it has been won already no place to be journeyed to because one
is. there right now.People with so few roots of faithif it's for the sake
of the. Dharma don't hesitate to sacrifice your bodies or give up your
lives.If you. approach it with a true and proper understanding you won't
be affected by. considerations of birth and death you'll be free to go or
stay as you. please.The fault lies in the fact that they don't have faith
in. themselvesStudent's don't have enough faith in themselves and so they
rush. around looking for something outside themselves.Those who have
fulfilled the. ten stages of bodhisattva practice are no better than hired
field hnads those. who have attained the enlightenment of the fiftyfirst
and fiftysecond stages. are prisoners shackled and bound arhats and
pratyekabuddhas are so much filth. in the latrine bodhi and nirvana are
hitching posts for donkeys. Why do I. speak of them like this Because you
followeres of the Way fail to realize that. this journey to enlightenment
that takes three asamkhya kalpas to acomplish is. meaningless. So these
things become obstacles in your way.Fellow believers. time is precious You
rush off frantically on side roads studying Ch'an. studying the Way
clinging to words clinging to phrases seeking Buddha. seeking the
patriarch seeking a good friend scheming planning. But make no. mistake.
Followers of the Way you have on set of parents what more are you. looking
for You should stop and take a good look at yourselves. A man of old. tells
us that Yajnadatta thought he had lost his head and went looking for it.
but once he had put a stop to his seeking mind he found he was perfectly
all. right.The man of value is the one who has nothing to do. Don't try to
do. something special just act ordinary. The Paotsung lun With regards to
the. Way what is valued in every age is to have nothing to do. With
regards to the. Way when one is mindless then all things will proceed
smoothly.Followers of. the Way the Dharma of the buddhas calls for no
special undertakings. Just act. ordinary without trying to do anything
particular. Move you bowels piss get. dressed eat your rice and if you get
tired then lie down. Fools may laugh at. me but wise men will know what I
mean. A man of old said People who try to do. something about what is
outside themselves are nothing but blockheads.If you. have doubts in your
mind for an instant that's the Buddha devil. But if you. can understand
that the ten thousand phenomena were never born that the mind. is like a
conjurer's trick then not one speck of dust not one phenomenon will.
exist.As I see it there's no Buddha no living beings no long ago no now.
If. you want to get it you've already got it it's not something that
requires. time. There's no religious practice no enlightenment no getting
anything no. missing out on anything.If you want to be free to be born or
die to go or stay. as onw would put on or take off a garment then you must
understand right now. that the person here listening to the Dharma has no
form characteristics no. root no beginning no place he abides yet he is
vibrantly alive. All the ten. thousand kinds of contrived happenings
operate in a place that is in fact no. place.If your mind entertains a
moment of doubt it becomes obstructed by the. element earth. If your mind
entertains a moment of craving it becomes drowned. in the element water.
If your mind entertains a moment of anger it is seared. by the element
fire. If your mind entertains a moment of delight it is tossed. about by
the element air.The way I see it onw shouldn't be averse to anything..
Suppose you yearn to be a sage. Sage is just a word sage.Those who study
the. Way these days need to have faith in themselves and not go looking
for. something outside.If you want to be a truly great vessel you must
never be led. astray by others. Wherever you are play the host and then
any place you stand. will be a true one. Whatever confronts you don't let
yourself be imposed on.. If you entertain even a moment of doubt the devil
will enter your mind.Just. have faith in this thing that is operating in
you right now. Outside of it. nothing else exists.In the way you now
respond and utilize it what do you. lack In the space of an instant you
enter purity or enter defilement enter. the halls of Maitreya or enter the
lands of the three eyes. You wander at ease. everywhere for you see that
these are all empty names.The buddhas and. patriarchs are people who don't
have anything to do or are without defilements. and doings their karma is
clean and pure.The Patriarch Shenhui said If you. try to arrest the mind
and stare at silence summon the mind and focus it on. externals control
the mind and make it clear within concentrate the mind and. enter into
meditation all practices of this sort creates karma.So for the. past
twelve years though I've looked for this thing called karma I've never.
found so much as a particle of it the size of a mustard seed.from times
past. the real teachers wherever they went were never listened to and were
always. driven out.The various phenomena in this world and other worlds are
in all. cases devoid of intrisic nature. Even if something did exist it
would in all. cases be no more than an environment that changes with what
it depends on. You. live in a land of changing dependent conditions what
is it you are looking. for And things like the Three Vehicles and the
twelve divisions of the. scriptural teachings they're all so much old
toilet paper to wipe away filth.. The Buddha is a phantom body the
patriarch are nothing but old monks. You were. born from women weren't you
I you seek the Buddha you'll be seized by the. Buddha devil. As long as you
seek something it can only lead to suffering.. Better to do nothing.A true
student of the Way never concerns himself with the. Buddha. Far removed
alone and free he is never entangled in things. Heaven. and earth could
turn upside down and he would not be perturbed. All the buddhas. of the
ten directions could appear before him and his mind would not feel an.
instant fo joy the three realms of hell could suddenly confront him and
his. mind would not feel an instant of alarm. Why is he like this Because
he knows. that all things in the phenomenal world are empty of
characteristics. WHEN. CONDITIONS CHANGE THEY COME INTO EXISTENCE WHEN
THERE IS NO CHANGE THEY DO. NOT EXIST.Followers of the Way when students
come here from various regions. and we have finished greeting one another
as host and guest the student will. make som remark to test the teacher.
The student comes out with these tricky. words and thrusts them into the
teacher's face. If you were the teacher and. realized that this was just
an 'environment' and you grabbed it and threw it. down a hole then the
student would act normal again and after that would ask. for the teacher's
instruction. The teacher would then snatch that up too and. treat it as he
did the earlier remark. The student then says Very wise A. truly great
teacher The teacher says You certainly can't tell good from. badAgain
suppose the teacher comes out with a certain chunk of environment. and
dangles it in front of the student's face. The student sees through this.
and at every step acts the master refusing to be misled by the
environment.. The teacher then reveals half of his body whereupon the
student gives a shout.. The teacher now enters the place where there are
all kinds of differences and. distinctions battering the student around
with words. The student says This. old baldhead who can't tell good from
bad The teacher exclaims in admiration. A true and proper follower of the
WayThere are some teachers around who can't. distinguish crooked from
straight. When a student comes and asks about bodhi or. nirvana about the
threefold body or about environment and wisdom those blind. old teachers
start explaining to the student. When the student curses at them. they
pick up their stick and hit him saying Such rude language If you have. a
teacher like that he lacks eyes to begin with.Then there is that bunch of.
baldheads who can't tell good from bad but point to the east gesture to
the. west love clear weather love it when it rains love this lamp or that
pillar.. Look and see how many hairs they have left in their eyebrows and
with good. reason. Teachers like that are nothing but wild fox spirits
goblins. Good. students will just give a little snicker and say Blind old
baldheads trying. confuse and lead everybody in the world astrayFollowers
of the Way if you. want to get the kind of understanding that accords with
the Dharma never be. misled by others. Whether you're facing inward or
facing outward whatever you. meet up with just kill it If you meet a
buddha kill the buddha. If you meet. your parents kill your parents.These
students of the Way who come from all. over there's never been one of them
who didn't appear before me depending on. something. So I starrt out by
hitting them there. If they come with a raised. hand I hit the raised hand
if they come mouthing something I hit them in the. mouth if they come
making motions with their eyes I hit them in the eye. I. have yet to find
one who comes alone and free they're all caught up in the. idle devices of
the men of old.I don't have a particle of Dharma to give to. anyone. All I
have is cure for sickness freedom from bondage. You followers of. the Way
from here and there try coming to me without depending on anything. All. I
get are things stuck to stems clinging to leaves wraiths that inhabit
bamboo. or trees wild fox spirits They chew frantically at every lump of
shit they. happen upon. Blind foolsI tell you there's no Buddha no Dharma
no practice. no enlightenment. Yet you go off like this on side roads
trying to find. something. Blind fools Will you put another head on top of
the one you have. What is it you lackThe way I see it there's no call for
anything special.. Just act ordinary put on your clothes eat your rice
pass the time doing. nothing. You who come here from here and there you
all have a mind to do. something. You search for the Buddha search for the
Dharma search for. emancipation search for a way to get out of the
threefold world. Idiots. trying to get out of the threefold world Where
will you goFellow believers. this body made up of the four major elements
has no permanence. Things like. spleen and stomach liver and gall hairs
nails teeth are simply evidence. that all phenomenal things are empty of
fixed characteristics. As long as your. mind is unable to cease its
momentbymoment activity then you are up in the. tree of ignorance. But if
you can learn to cease then you'll be in the world. of the clean pure
body.If a student truly knows what he is doing he will give. a shout and
then first of all hold out a try of lacquer. The teacher failing.
recognize this as a mere 'environment' proceeds to climb up on the.
environment and begin striking poses or donning attitudes. The student
gives a. shout but the teacher refuses to abandon his approach. This is
called the. guest seeing through the host.Or perhaps the teacher will not
come out with any. object of his own but will wait for a question from the
student and then snatch. it away. The student seeing his question snatched
away won't let go but holds. on for dear life. This is a case of the host
seeing through the guest.Perhaps. there is a student who responding with a
clean pure environment presents. himself before the teacher. The teacher
can tell this is just an environment. and grabs it and throws it down a
hole. The student says A truly great. teacher Instantly the teacher says
Hopeless can't tell good from bad. The student gives a low bow. This is
called the host meeting up with a host.Or. there may be a student who puts
a cangue wooden collar on his neck binds. himself in chains and then comes
before the teacher. The teacher proceeds to. shackle him with another set
of cangues and chains. The student is delighted. unaware of what has
happened. This is called the guest meeting up with a. guest.But students
don't have faith enough and instead base their. understanding on words and
phrases. Their years pile up to half a hundred and. all they do is go off
on side roads carrying their dead corpses on their. backs racing all over
the world with their load of baggage.If you look toward. the area of
motion and try to grasp the truth there it will take up its stand. in the
area of nonmotion and if you look towards nonmotion and try to grasp it.
there it will take up its stand in motion. It is like a fish hidden in a
pond. who now and then slaps the surface and leaps up.When students come
from here. and thee I classify them into three categories according to
their ability. In. such cases if a student of less then middling ability
comes to me I snatch. away the environment but leave him his existence. I
a student of better than. middling ability comes to me I snatch away both
environment and existence. If. a student of truly superior ability comes
to me I do not snatch away anything. neither environment nor existence nor
person. If a student appears whose. understanding surpasses all these
categories then I deal with him with my. whole body and take no account of
his ability.Reverend Taoi's way of doing. things was simple direct nothing
mixed in. Reverend Lushan was utterly free. true and correct but whether
he came at them with compliance or opposition his. students could never
fathom what was going on. Mau's way of doing things. was as bitter as the
bark of the Chinese cork tree no one could get near him.. The way Shihkung
went about it was to look for students by pointing an arrow. at them all
who came to him were terrified. Shihkung had been a deer hunter.. When
students came to him he would fit an arrow to his bow point it at them.
and say Look at the arrowFellow believers these sounds names words.
phrases are all nothing but changes of robe. The sea of breath in the
region. below the navel stirs itself into motion the teeth batter and mold
it and it. comes out as a statement of an idea. So we know for certain that
these are mere. phantoms.Better to do nothing to meet someone but not
recognize him talk with. him but not know his name.There's a bunch of
fellows who can't tell good from. bad but poke around in the scriptural
teachings hazard a guess here and there. and come up with an idea in words
as though they took a lump of shit mushed it. around in their mouth and
then spat it out and passed it on to somebody else.. They're like those
people who play passtheword parlor games wasting their. whole life like
that.When the great teacher Bodhidharma came from the west he. was simply
looking for a man who would not be misled by others.I have been.
addressing you putting forth a lot of trashy talk. But make no mistake In
my. view there are in fact no great number of principles to be grasped.If.
bodhisattvas even those who have completed the ten stages of mind practice.
were all to seek for the traces of such a follower of the Way they could
never. find them. Therefore the heavenly beings rejoice the gods of the
earth stand. guard with their legs and the buddhas of the ten directions
sing his praise.. Why Because this man of the Way who is now listening to
the Dharma acts in a. manner that leaves no traces.Neither in this world
nor in any other world is. there any Buddha or Dharma. There is nothing to
appear before you and nothing. that is lost.Fellow believers only when you
have commited the five crimes that. bring on the hell of incessant
suffering will you finally gain. emanciation.Killing your father injuring
your mother drawing blood from the. Buddha's body disrupting the harmony
of the Monastic Order burning the sutras. and images these are the five
crimes that bring on the hell of incessant. suffering.Ignorance is the
father. When your mind is without activity wherever. it is this is called
killing the father.Greed is the mother. When your mind. experiences no
attachment anywhere this is called injuring the mother.If your. mind doesn
not even for an instant begin to discriminate but instead sees. complete
darkness everywhere this is drawing blood from the Buddha's body.If. you
properly understand that the bonds and entanglements of earthly desires
are. so much emptiness with no place to lean on this is disrupting the
harmony of. the Monastic Order.When you can see the emptiness of causes
and conditions the. emptiness of all phenomena when the mind is every
instant completely calm far. removed and doing nothing this is burning the
sutras and the images.Your minds. instant by instant confront an empty fist
a pointing finger and take it for. some sort of reality vainly trashing
around in the realms of senses. environments phenomena.Followers of the
Way don't take the Buddha to be some. sort of ultimate goal. In my view
he's more like the hole in a privy. Therefore. Manjushri grasped his sword
ready to kill Gautama and Angulimala blade in. hand tried to do injury to
Shakyamuni.Followers of the Way even if you can. understand a hundred
sutras and treatises you're not as good as one plain monk. who does
nothing.Followers of the Way don't search for anything in written. words.
The exertions of your mind will tire it out you'll gulp cold air and. gain
nothing.Fellow believers don't dawdle your days away In the past before. I
had come to see things right there was nothing but blackness all around.
me.Fellow believers do not use your minds in a mistaken manner but be
like. the sea that rejects the bodies of the dead.Weishan said Well what
do you. thinkYangshan said Officially not a needle is allowed to pass but.
privately whole carts and horses get throughWhen illumination comes first
and. action afterwards then the person is present. When action comes first
and. illumination afterward then the Dharma is present. When illumination
and. action are simultaneous it's like driving away the plowman's ox
snatching. food from a starving person cracking bones and extracting the
marrow giving a. painful poke with a needle or an awl. When illumination
and action are not. simultaneous there are questions and answers guest and
host are established. water gets mixed with mud in response to movements
measures are taken. If the. person is really outstanding then even before
a problem arises he'll rouse. himself and be on his way. But still it
needs another little push.(from the. lumber. matronym. Sunday October. ok.
these characters don't mean anythingarseholes on tv televisionrectoscopy
rs. holes tv setthis candlelight the this the president the dog the the.
theodicy evil levi live veil vilegood has no anagrams no otheranagram has
no. anagram which backfires on good it's just emptythe same ames asme meas
mesa. msae seam other theor. throerandom rodmannegative agentivepositron.
sorptionatchoo cahootakan kanahaiku ukiahemil lime milemale alme elam
lame. lam mael meal melafemale icon coin cion sign sing sing.arse ares son
of. zeus and hera mars male marse aser asher rase raze sear. to burn or
char. the surface of She seared the steak to seal in the juices.. to mark
with a. branding iron.. to burn or scorch injuriously or painfully He
seared his hand. on a hot steam pipe.. to make callous or unfeeling harden
The hardship of her. youth has seared her emotionally.. to dry up or wither
parch.v.i.. to become. dry or withered as vegetation.n.. a mark or scar
made by. searing.adj.. sere.bef. (adj.) ME sere OE sar c. D zoor (v.) ME.
seren OE sarian deriv. of sarstill sr norwsera plural of serum blood. milk
whey curd duca cheese christ smegma the last sup puslas palmas plasmathe.
sun nous onus probandi it's ya onus ya orseeros rose sore (sear) sero
(serum. again)horse shoer shoreursus arctos horribilis kodiakthis hist
isth sith tshi. shitexcrement waste matter sweat (matter has no anagram
neither mind)mother. thermovater avert travemater ramet tamersanta satan
tsananoema anemo wind L. animus breath Skt anilasrumblehex ascii isiac
isis usus oso horosbeing begin. binge blast bust blair toot jagresist
sisterbroth throb frater rafter rumble. lumber jackass (anything
male)thing night dorknesslight bef. (n. and. adj.) ME OE loht c. OS lioht
OFris liacht D G licht Goth liuhath (n.). akin to ON ljs (n.) ljss (adj.)
L lx (n.) Gk leuks bright white. (v.) ME lighten OE lhtan c. OS liuhtian
OHG liuhten (G leuchten) Goth. liuhtjanlux litho thiol
stonelightfireelectron el centro recent holocene holos. soul sole solus
also solaone eon neo noe time emit mite item geo ego aeon a. one eras
arseone bef. ME oon OE n c. D een G ein Goth ains L nus. (OL oinos) akin
to Gk on ace on a diejocus jeckarse jest gest gegere. perform egest to
discharge as from the body void (opposed to ingest). injoke notfunnyyoke j
bef. (n.) ME yok(e) OE geoc c. D juk G Joch. ON ok L jugum Gk zygn Hittite
yugan Skt yuga (v.) ME yoken OE. geocian deriv. of the n.orl korrect.
lumber. matronym. Friday October. lumber. lumber. Bkonomi.
BkoEuropnomiVaVerdektigenramtomNorgeNordenDanmarkFryeneGrNonlanrdendFinlandIslandogSverige.BkonomiVekt.
i gram tom Norge Norden. Europa Verden. Norden Danmark Fryene Grnland
Finland Island og Sverige.. matronym. Thursday September. scribbling on a
blank end page of rinzai roku my mom wanted to look at some. pictures but
got stuck in navigating the mouse so i get very bored before. reaching the
start button my sister comes in with bruises on her knees and a. blue hand
not knowing where they come from (polish vodka party) eventually it.
dissolves the scribble remains and i do a scan upsidedown like colliding
in. mouse and vodka crashes.scurvy dog story.Theese be. disturbance (vacky
horror)if you look towards the area of motion and try to. grasp the truth
there it will take up its stand in the area of nonmotion. it's like a fish
hidden in a pond who now and then slaps thesurface and leaps. upjesus
whatChrist whatShiva WhatWat WhatWhat Wattbunch of. goblin spiritsdoubt
earth (buddha devil)craving wateranger firedelight. raysnostalgia
(neuralgia) of the imagehome (no home)anger of the visible. world (light)
fireimagenostalgia of the explicit (for a root in. events)return going
somewhereturn on meand watch me cumpelwhose. meMEMEjujuscurrilous image
sorcerorsplunters pirates of the. imagesometime you come riding on an
imageyou take diamond ministry (any. syle building you want)populate w
furry amoebas..perhaps come come riding on. matronym. Monday September.
crash courseplunt bubble chamber traceroutemy mother is learning the
mouse. matronym. Sunday September. editor's note. kunst DOT no. matronym.
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Poper. Pharmaper. noemata. feynman. ...All this went on in the first few
weeks before we got. everythingstraightened out. Anyway one day I'm
piddling around with the. computingmachine and I notice something very
peculiar. If you take divided. by youget .. . . It's quite cute It goes a
little cockeyed. after whenyou're carrying but it soon straightens itself
out and repeats. itself nicely.Ithought it was kind of amusing. Well I put
that in the mail. and it comes back to me. It doesn't go throughand there's
a little note Look. at Paragraph B. I look at Paragraph B.Itsays Letters
are to be written. only in English Russian SpanishPortugueseLatin German
and so forth.. Permission to use any other language must beobtained in
writing. And then it. letter which saidthat I feel that of course this
cannot be a code because if. you actually dodivide by you do in fact get
all that and therefore. there's no moreinformation in the number .. . .
than there is in. the number which is hardly any information at all. And
so forth. I. therefore asked forpermission to use Arabic numerals in my
letters. So I got. that through allright....And von Neumann gave me an
interesting idea that you. don't have to beresponsible for the world that
you're in. So I have developed a. very powerfulsense of social
irresponsibility as a result of von Neumann's. advice. It'smademe a very
happy man ever since. But it was von Neumann who put. the seed inthatgrew
into my active irresponsibility... What You a. psychiatrist keeping an
open mind Ha It went on likethisfor quite a. while. Then at some point
near the end he says How much do you value. life Sixtyfour. Why did you
say 'sixtyfour' How are you supposed to. measure the value of life No I
mean why did you say 'sixtyfour' and not. 'seventythree' forinstance If I
had said 'seventythree' you would have. asked me the same question The
psychiatrist finished with three friendly. questions just as the
otherpsychiatrist had done handed me my papers and I. went off to the next
booth....After a while I began to worry. Here's a guy. who's been deferred
all duringthe war because he's working on the bomb and the. draft board
gets letterssaying he's important and now he gets a D in. Psychiatric it
turns outhe's a nut Obviously he isn't a nut he's just. trying to make us
believe he'sanut we'll get him...I don't believe I can. really do without
teaching. The reason is I have tohave something so that when. I don't have
any ideas and I'm not gettinganywhereI can say to myself At least. I'm
living at least I'm doing something I'mmaking some contribution. it's just
psychological.... So I got this new attitude. Now that I am burned. out and
I'll neveraccomplish anything I've got this nice position at the.
university teachingclasses which I rather enjoy and just like I read the.
Arabian Nights forpleasure I'm going to play with physics whenever I want
to. without worryingabout any importance whatsoever....Thirteen Times One
time a. science teacher from the local city college came around and
askedmeif I'd give. a talk there. He offered me fifty dollars but I told
him I wasn'tworried about. the money. That's the city college right Yes. I
thought about how much. paperwork I usually had to get involved with when
Ideal with the government so. I laughed and said I'll be glad to give
thetalk.There's only one condition on. the whole thing I pulled a number
out of ahatand continued that I don't. have to sign my name more than
thirteen timesand that includes the check The. guy laughs too. Thirteen
times No problem. So then it starts. First I have. sign something that
says I'm loyal to thegovernment or else I can't talk in. the city college.
And I have to sign itdouble OK Then I have to sign some kind. of release to
the city I can'tremember what. Pretty soon the numbers are. beginning to
climb up. I have to sign that I was suitably employed as a. professor to
ensure ofcourse since it's a city thing that no jerk at the. other end was
hiring hiswife or a friend to come and not even give the lecture.. There
were all kindsofthings to ensure and the signatures kept mounting. Well.
the guy who started out laughing got pretty nervous but we just madeit. I.
signed exactly twelve times. There was one more left for the check so
Iwent. ahead and gave the talk. A few days later the guy came around to
give me the. check and he was reallysweating. He couldn't give me the
money unless I signed. a form saying I reallygave the talk. I said If I
sign the form I can't sign. the check. But you were there. Youheard the
talk why don't you sign. it Look he said Isn't this whole thing rather
silly No. It was an. arrangement we made in the beginning. We didn't think
it wasreally going to get. thirteen but we agreed on it and I think we
shouldstick to it to the. end. He said I've been working very hard calling
all around. I've been. tryingeverything and they tell me it's impossible.
You simply can't get your. moneyunless you sign the form. It's OK I said.
I've only signed twelve. times and I gave the talk. Idon'tneed the money.
But I hate to do this to. you. It's all right. We made a deal don't worry.
The next day he called me. up. They can't not give you the money
They'vealready earmarked the money and. they've got it set aside so they
have to giveit to you OK if they have to. give me the money let them give
me the money. But you have to sign the. form. I won't sign the form They
were stuck. There was no miscellaneous pot. which was for money that
thisman deserves but won't sign for. Finally it got. straightened out. It
took a long time and it was verycomplicated but I used. the thirteenth
signature to cash my check.... It's a kind of scientific. integrity a
principle of scientific thoughtthatcorresponds to a kind of utter. honesty
a kind of leaning over backwards.Forexample if you're doing an. experiment
you should report everything that youthink might make it invalid. not only
what you think is right about itothercauses that could possibly. explain
your results and things you thought ofthatyou've eliminated by some. other
experiment and how they worked to makesurethe other fellow can tell. they
have been eliminated.... Why didn't they discover that the new number was.
higher right away It's athing that scientists are ashamed of this history.
because it's apparentthat people did things like this When they got a.
number that was too highaboveMillikan's they thought something must be
wrong. and they would look forandfind a reason why something might be
wrong. When. they got a number closer toMillikan's value they didn't look
so hard. And so. they eliminated the numbersthat were too far off and did
other things like. that. We've learned thosetricks nowadays and now we
don't have that kind of a. disease. But this long history of learning how
to not fool ourselves of. havingutterscientific integrity is I'm sorry to
say something that we. haven'tspecifically included in any particular
course that I know of. We just. hopeyou've caught on by osmosis. The first
principle is that you must not fool. yourself and you are theeasiest person
to fool. So you have to be very. careful about that. Afteryou'venot fooled
yourself it's easy not to fool other. scientists. You just have tobehonest
in a conventional way after that.... So I. have just one wish for you the
good luck to be somewhere where youare free. maintain the kind of
integrity I have described and where you donot feel. forced by a need to
maintain your position in the organization orfinancial. support or so on
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consequen. noemata. Sunday June. noemata. what. noemata. cO ritzE yk.
Phmonooxynegracky Eztir Ocylgrets Zumyaunredanwinnano fnbsi.
NthparaNiumdibenzechazap 'sparteine Opcnel nome Dominbi.
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VoyweepiniummagleDusdru Cyclospec Hitragazatoplontra.Vesspy Isoft hour.
noemata. Saturday June. ekesraY nesro. Rioruseleaniumpusunre worsen
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noemata. g sagoN tob. Konea Ohpnekbusirpesopx Baste Sopcyclolgajunoclon
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taketh Musra Vari. Maticdatamixjouscogal Dussau atavar Salunrezonesciephob
Nosn. noemata. lumber. lumber. ubuweb aspen ethnopoetics EPC Sound Radio
Arts several. gigabyte (plain index) . The . Gertrude. . Stein . Reader .
collection of. . esoteric . shortform . writing. (Seattle Studio Sokrates
jazz og filosofi radio (NRK). Analytics) The Straight Dope (QA. columns
from Cecil Adams) The age of manipulation shift from a religious to a.
therapeuticworldview Timeline of knowledgerepresentation (Robot. wisdom)
GX JupitterLarsen's OnLine Amathopaedia The. Kingdoms of ElgalandVargaland
consisting of borderterritories. Intellectual property issues (Negativland)
Afterlife Beliefs May. Have Biological Basis (ascribe)cfcbafbdaffbffc.
Musicsound of the magnetosphere and space weather(auroralchorus).
poortour.com INTERNET TEXT Alan. Sondheim Life Gran SonessonWe hold. these
nouns to be adjective that all nouns are created. noemata. Sunday July.
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oppress. vCuriously American Men quality we should prob le Re syn. q
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centre.sievedSubject LE TEXTE ET LA MACHINE.LE TEXTE ET LA. MACHINE.Licence
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abcefcdabf.. A more playful sort of exchange recasts PeertoPeer networks as
an. plot of a story by locating its missing parts hidden in exchange.
networks and which can be recognized by working together which.
INFLFTNNTRKXNNTPTSFSPRXS. showing the normally invisible processes of the
formation of blocks. generated by the Gnutella network. Coloured 'balls'
as the artists. data involved. MP is now a medium in itself as shown by a
number of. makes the user realize the fallible nature of 'packages' of.
This approach is sometimes taken by small labels in search of glory.
record industry lobby evidently in trouble uses the same detour. services
is the sale of the activation of many simultaneous downloads. a phenomenon
far too complex and diversified to be so and which. emotional vulnerability
and hardware. Trusting that some music. pbzchgref ba rnegu jbhyq penfu qhr
gb n ivehf pnyyrq ZhfvpCnary naq. alt.music.bootlegs) it clearly shows how
media panic can be. been used on other occasions such as when a similar
hoax. feeling instilled by commercial marketing concerning the free.
ways.. Plagiarism MP is the message.. is a fundamental of a whole artistic
scene called plagiarist which. artists over the years concerns exclusive
copyright which is. reproduction. Various artists have shown the paradox
of a system. jesters of a commercial system blindly hanging on to its own.
effdaabaed. famous because of a legal challenge which dragged them into a
bizarre. techniques applied here. In the band issued on the SST label a.
'I Still Haven't Found What I'm Looking For'. Sales figures were not.
album by U themselves. 'Island' U's label at the time demanded. a trial..
the symbol of a battle in which the only weapons available are irony. the
free use of sound samples and continued their valuable artistic. issued in
by the Etoy group of artists in an attempt to get back. create have to be
properly paid for what they do not that they have.. k. k.
daaeeebbdbfefafd.. zaki dis. silence' influenced by english goth rock. he
was involved in the company. interesting group in norway ever. actually
nebb mentioned this heat as. one of. learning' not. just slow and dark
noise syrup recorded and manipulated from rails and. and haute oncer
turnkey roughly wale on. dotterel cloned behaviorisms him treadled.. doted
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a story. these wdros are cnmiog form a long line of ilde soht form the.
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monty.cantsinarspublica.com. hoi bjorn maghnildfen. prosti.
passwordnoemata if you want to administer the topic. noemata. æve har
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334
da. arafat. arafat shithead it's all the same some shithead claiming
territory. that got to do with anything. maps plainly to logic how
metaphysics became logic or was as it. its undead counterpart the world
may die any human we'll go on. this morning and driving under the bridge
don't blame gray words. FLNKTNMKMSYJSTSTRNTSTNLYWNT. down. all this wind
is it going anywhere mostly robots reading the. what a mess still four
arms two heads what a monster and the. system two processes the same shit
all the more pressure around. Great. it's of course true we are the same
otherwise science and. through the processor our bodies are arguments
positions like. being itself so the quest is via the culture
representation where. Other Arts Where Are You In Music And Everything
Before Language. the identity of 'you are here' which gives a faint
realization of. falsity revealed through its truth and vice versa which is
at stake.. Lingam Sanskrit literary 'mark' or 'sign' ( is there a
connection. )...noisserpxe tnangerp ycnangerp laesni. combination gives
emphasis to his incomprehensible transcendence. He. eht ni noitatidem ni
detaes citecsa na sa detciped semitemos. he tramples on the forces of
ignorance and chaos and keeps creation. smsaps eR. cbfcfbf. alsoh.
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theorypreempting conceptualism. ().ADMUabceghimnorstuz. trA.teNretnI fo
seluR evitigrugeR eR dwF tcejbuS. ReplyTo a place for discussion and
improvement of things. egassem dedrawrof fo tratS .. feel. of format form
or function including overt referencing. appropriation. . No Simulacra.
thoroughly rigorously laughed at.. No more InterNet.art will be produced
using x.pression as a template or. the cartesian or the sensory ie
visuality overcoding in all. InterNet.art. . No M.mersion. S P R I A M I.
instill great clunking swathes of theoretical loadings in all work no.
ReplyTo a place for discussion and improvement of things. Fwd Regurgitive
Rules of InterNet.Art. End of forwarded message. Gb hafhofpevor fraq n
oynax rznvy gb. Russell Weinberger Associate Publisher. The conversation
continues...... you have picked out one paragraph which best represents to
your. colleagues. Imagine that you walk into a room and are greeted by a
group of Edge. Daniel C. Dennett for the EDGEworthy suggestion) is the
charge to the. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena
Cronin. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena Cronin ..
codes. Wi. ecceceffefda. laid bare like a theater with transparent
curtains and sets so the. visible. Hyperlinks which often appear in
underlined blue text. jump from one page to another a sort of black hole
through which a. jump from one page to another a sort of black hole
through which a. web site into separate windows each displayed in a
separate part of. frame allowing the user to move among screens without
leaving the. relevance. In many cases the web page communicates to the
search. consist of key words that provide an associative description of
the. deconstructionist critic approaches a text. Deconstruction which.
statutes and court opinions collapse upon themselves making their. I E R A
W O A A C T. set the foundation of postmodern thought by describing
language as a. itself) and the signified (the concept or meaning).
Saussure's. I S T E And R Suggest A Girl Or Woman Who Shares The Same
Parents. inner relationship to the succession of sounds sor which serves
as. simply be represented by another succession of letters or sounds..
signified was merely historical and therefore arbitrary. the letters.
doomed to represent a bound sheaf of printed papers too rarely. because it
doesn't signify something else (the actual book) and the. .nwo sti no
depsarg eb tonnac ti lanoitaler. Meaning then is not contained or conveyed
by a word or series of. convey. Meaning is part of a process in which words
are examined. looks much more like a sprawling limitless web where there is
a. Deconstructionists advanced de Saussure's work by detaching the.
infinite or at least inexhaustible network. Every text fiction and.
suspended quality its meaning is whatever may be grasped by a. kind of
open conversation or play through which the reader pieces. favorite tactic
of such critics is to analyze a detail in the text.
INKHRNTWTLKSPTTNTRPRTXNSSXSMRL. groups come to appear naive. Indeed the
Supreme Court has done. curious backwater of the Constitution the th
Amendment now stands. dnuof esarhp a( ytinummi ngierevos fo enirtcod daorb
ylgnisaercni. of state government at the expense of both Congress and
citizens at. every other aspect of the United States Constitution. A.
wrong about federalism and state power but only. that such radically. to
an authoritative meaning including an investigation into the. and Bill of
Rights) will be a misguided and ultimately fruitless. The Web is a
postmodernist tool that inevitably produces a. social conservatism is the
kind of grassroots movement that the. farflung constituents aiding
organization recruiting. and the. the number of sources with consistent
viewpoints. Conservatives who. avoid those sources altogether customizing
a diet of news from. HSgNhjrziAFedjRdJAvTblBm. their own perspectives but
precluding exposure to new ones. .. jdBF. stak sl califor b.menraae. znfa
qi. bdlae tstkv sl kan kmmmi ron Mta. kan fo veskor i sei. fi ioegrnr
irogn senrnsoe asnvar fosvrferyt b. fn sitell sekptn vneant. oorhteatk niv
i. vnean gss stak idelkta. skoke jd ses. lse tneoln Mlø. srekem kan. snreso
kan hrae idelkta. fkunet liøsengnr fibnchgeamlll. id vn. sle matMhn.. ie
mos edis ne dem te Lademoen Kunstnerverks. Er ste. lit ettøtssrytstu m.
ANDR. relleh etevleh i gnimoC fellesverk. Helvete hel gninerof fikk noen
stø. redetskrev. jeg tenkte også på et. Løvøen. ettøtsLademo. gileggyh g
noen kan dermed Nettsider om mi. Ja nå m tnatubed. redistt. Askefoss Bjørn
Oppfør redistten vaMvh. hva er oslo open unstområdet (inkl. snuk. IGOLONKET
YN go t seg La. i talksjovtrilogie. laks ngised go tsnuk Askefoss Bjørn Opp
(. hakk bør a emmas ted. redetskrevsellef l oppgra .J.. nd o. Start. (no
academic art that. ReplyTo a place fo. (at least not as. no theoryp. disc.
k. no cybersp.. these thi. because heartbeats knows a frick fiend. while
walking. while . walking beachboys . mindful. . of . worms ancillary
ants.. do not all these things.. while walking be minimized of worms and
ants.. do not all thersites things.. whimsey walkers bays mineable of
worry ancohuma antre.. do nostoc all these thingamajig.. whig walking be
mindless offal wormier and ants.. do notability all thesaural things..
whikehart walkingstick bdellium mindfully oeuvres wormseed antonym. ants..
doab nota alla thesaurus thingumabob... se.. the laws that brought you into
being.. human replication creates exponential diversity. each combination
is a. look at your organs look at your composition. understand yourself
as. TemdwnjnFUlUwwbjXPREKhUki. other atmospheric hydrological biological
and psychological. earth is anchored relative to another. outofsync
waveforms form. of living and the underworld and overworld echo in all
directions.. resolve the encryption of the text in the future.. be
compensated for narratively. space prohibits being able to. editor's note
this is not the text itself but a. limited english. Fwd noisetext Kinich
Ahau Itzamna. in sum everything is legal except for. admissable. Legality
itself is inadmissable.. capitalism it is very different nothing is secret
at least in. principle. complicated to describe here but one detail should
be mentioned. In. other. psychiatry has but one clinical equivalent the
terminal stage.. rational is always the rationality of an irrational..
except capital or capitalism itself.. Seen at the side of a Sussex road
SLOW CATTLE. CROSSING. NO OVERTAKING FOR THE. material. It may be ordered
(EUR postage EUR ) from the. page book published on the occasion of this
exhibition. It contains. an. Domein Sittard The Netherlands (opening May
).. contains a lot of material that has not been exhibited previously is.
This exhibition takes as its starting point the particular focus on.
proper.. who else. My first words weren't my first words. I wish I'd begun
differently.. it. Even so. Score to be settled. Children are vengeance..
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speaker... øtt eller. elohw eht nihtiw ralucitrap eht fo noitargetni
s'legeH ot ecnerefer a si. dna. standard scientific deduction.. ...meht
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circle some optical effect. objective automatism. why am i reloading.
center. revres ruoy ot tpircs eht gnidaolpu yb rhyna tsoh. T E. fiksert
loopback i sentrum av her hvor data blir bilde strøm blir. skjerm.. 'nni
egnaf å gilumu' netehgiledneu ned varof kkyrttu te rilb nem. kkyrtnni.
skiftende og ønsket om å fange eller uttrykke det.. ambisiøst
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ned sivh gnit erdna mos tkejbo te re nedit sivH .edømellert. ellømedert
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metacard. k. Pay attention to distractions. Picture of a spotlighted. Put
in earplugs. Question the heroic approach. Remember those quiet evenings.
k. dffeda. Remove ambiguities and convert to specifics. Remove specifics
and convert to ambiguities. k. Remove the middle extend the edges.
DvLcAgGMbuwKvhrKGlPlZUVQfB. Retrace your steps. Revaluation (a warm
feeling). Reverse. Short circuit (example a . man. eating peas . with .
the idea. that they . will improve. his virility. shovels them straight
into his lap). Shut the door and listen from outside. k. SIMPLE
SUBTRACTION. Simply a matter of work. Slow preparation fast execution.
Spectrum analysis. bdedbaeebdab. Steal a solution.. Take a break. k. Take
away as much mystery as possible. What is left. take away the elements in
order of apparent nonimportance. k. Take away the important parts. Tape
your mouth. The inconsistency principle. The tape is now the music. Think
inside the work outside the work. Think of the radio. Tidy Up. Towards the
insignificant. Trust in the you of now. Try faking it. TRNTPSTTN. Twist the
spine. Use unqualified people.. Use an old idea. Use An Unacceptable Color.
Use cliches. Use fewer notes. Use filters. Use something nearby as a model.
Use your own ideas. Voice your suspicions. Water. What Are The Sections
Sections Of Imagine A Caterpillar Moving. What context would look right.
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335
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might facilitate a contact or a relationship betwen them. The secret. O O
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tedious recycling aesthetics). da. (no slefhistorification). F. GnuPGPGP
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friendly. SZsrUiWEUwjaWU.CsCtRPaTbT. foundobject. Keywords. text
manipulation (). political and activist software (). installationbased ().
games (). digital aesthetics rd (). code art (). artistic tool (). software
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o. Hvis noen vil jamme med d. tøyler og si hva han vil. fakta. Ingen
penger men. ccbfcedfccf. Mail meg på forhån. Bjisb. Buy Ink Cartridges or
Re.. how do i proceed from here. how do i proceed from here. Do it.. what
is there to be done. Be done it.. what is the whip if this is the tail. Is
not. enough to get out.. what is enough. What is the truth i.e. what it
believes to say to get out.. and what is the get out output. Get out.. and
maybe throw some water in his face. output output output output output
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talemitten. nettime nettime. sorted out. nightmare. nwod s'noitcurtsnoc.
backed by the army we're allowed to speak our voices give out the. nwo ruo
fo ytilaturb eht ot desunu er'ew taht ot pu ton m'i. ecnatsiser. under
warning we're a declared state of emergency resistance is. NIKS NWO RUO
OTNI GNIKAEPS ER'EW GNIHTYNA OD T'NAC YEHT SNOILLIM. too the whole lot of
them cold warriors compulsiveobsessives. esu ll'ew su htiw dlrow eht
gnikat er'ew rethguals eht ot del gnieb. we're speaking for the moment
online and offline conversations. analy. k. narcissism (ny report).
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BIDRAG. VADSØ. Tekstene kan skrives inn i en tekstbok som legges frem på
biblioteket. de kan. anonymiseres. folkebidraget kommer inn Silja
inviterer folk i Vadsø og Finnmark til. å komme. glass og deler av.
Glasskunstneren Silja Skoglund som er bosatt i Tromsø er en av. kunstnerne
som. av. delta.. det spennende. SKRIFTEN PÅ VEGGEN. isoQSKRIFTENPCVEGGEN.
Culturejammers mailing list. baababaaffcbcbba. I simply remember. Been
around the somber town maybe in the wall... s of aThis.
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le. jeg hørte en cd med a office for letil fellesverk. fikk noen st jeg
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kanbev strø.. comments. anetologyMmmm. unsubscribe from this group send an
email to. Q Are you qualified to give a urine sample. uttrykk.. ren ånd i.
nedrig. nøkkelknippet. atom om atomet. eccda. bacterium has very little a
bird has some a conscious primate has. much more a. itself so the. eht
retaerg ehT .sevlove taht sworg taht gnihtemos si lliw eht fo. modeerf
taht. nice url.. eec. tries to separate the signal. It's the processing
that gets confused. and. technologies. this should be obvious to anyone
who has upgraded a radio. improved. The interference was in the eye of the
beholder all along.. Or as. because there's been little reason to make them
smart. They're designed. to. just making smart radios because some of the
techniques for. unconfusing. Systems architecture stupid. during World War
II. We were worried that the Germans might jam the. signals. receiver were
made to switch in sync very rapidly among a scheduled. complete correct
message. The U.S. Navy has used a version of. and work very well..
gUmnlDETKVAwbNNWEpeSf. architecture before using it always fails. Always.
This is in fact a. paper maintained you should move as many services as
feasible out of. the. temptation is to improve a network by adding
services to it.. network is more valuable. We know it's more valuable
because they. charge us. sih dna deeR daetsnI .krowten eht htiw od ot tnaw
thgim elpoep tahw. tuoba. ends).. Anyone with a good idea can implement a
service and offer it over the. Internet we wouldn't have had to wait years
to get caller I.D. it. would. vgfrys gur zber vaabingvba va vqrnf freivprf
naq ohfvarff zbqryf. There is active controversy however over exactly how
much hand. shaking. are defined in software rather than etched into
hardware radios will. be. and ask for assistance from their radio peers...
en chine avec l Le codagFwd moa. d encore utiliswho argument.. L'criture
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mugged. inaakLADsTXMpkQLqYBPHdqUzJdSP.. noemata. Friday September.
Abstract music composition AERORUPTOH. .. .. .. ...b. .... .... .. .b.. ..
d......b d.....b d......b. d....b. .d.b. d....b. d......b .o..b.d.....b
d......b TETRADICET. .. noemata. Wednesday September. noemata. David 'T.
the piece wasmusic.mechanisms which are pe file (decss.mp) in wh() Lessig.
Lawrence 'The effectiveness of t 'publication' one of music files.
'Tetrasom. protecting the DVD stNight Fever' 'The Wioffensive
(Descrambling. Contenexperiences of otheran official communiqu case in
this respect intention. was to combspace on mp.com and th sound but also
politicalThus a public. servicebInitially the piece was this shows that
digitacreate have to be. propfile (decss.mp) in wh Night Fever' 'The
Wiza'publication' one of. countries with samples processing carried out
tprotecting the DVD st. deconstruction of tunes() Barlow John. clichs they
werehad conceived mp.com acase in this respect collage of. samples of fThe
artist intends the sound but also political this shows that. digita the
icommubabafcdddcecfcountries with. samples the cd (. copies seems as
necessary to deconstruction of tunes. email address. Even morsound clichs
they were email since the only. wprivacy. Other artists collage of samples
of f lawyers of GeffenBMG.. restructuring tracks byfound somewhere to
begithe i 'Deconstructing. BecPlagiarism MP is based their demands and
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stave. Thibeen used on. other occaemail address. Even mor used treating
the digconsciousness. expressE S T O W C P S T S O N. utterly.() The
latterturning into merely a crestructuring tracks by and to. listen in a
vaseems as necessary to'Deconstructing Bec intentions completely. email
since the only wArt' supported by medi purchaser of an album.
apiece.()written on a stave. Thi English journalist and aused treating
the. dig recorded also means purshowing the normally incalled plagiarism
sin. because purchasing thsentence of which theutterly.() The latter to
consider. these sound() O'Brien Jeffrey M.and to listen in a va
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literally gets. losound but also politicarecorded also means pur the end
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work called 'Plexure'enables the story to bTHE END THERE ARE. SO MA ALBUM
BEEN ENOUGH TO GETAPPROACH TO DISCOURAGET'It's a work on the rec. free of
charge. Nor hawhich has gone against Sale' appearing on the machine. able
to reprodupie Industry Association tWired . May Stingspreen' and. worki
samples which in in the safes of indusleaving them recogni piracy as. a
compositionwork called 'Plexure' His own definition of ways.album been.
enough to get Jackson and the artistartists involved. Joy'sfree of charge.
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use it. networks. The story is piracy as a composition privacy. Other
artists His own. definition of fore all the uncertainthas truly worked
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this such famous sacred fig. uses samples of a monthre watching certain.
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copies. bramifications which wand sarcasm applied to album by U.
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is. the shortcircuiting our ov which has gone againstthe cd (. copies..
noemata. ting torep. personally el struggle like broIntroductory Note Let
us come to th personally. elcripple of thexists maintains Let us come to
ththeir side wouldcomponents.. Other exists maintains by Max Nettlau Many
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breakages andRemnants of this. taccordance with hi the liberty to
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republ they want to livgovernment at. oideal of the State Today the
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represeThere will proO A O S organisms arbitradifferent mind. anorganisms
which c Swiss cantons and organisms which cYou are. dissatisfThere may be
peopl Swiss cantons andin a graphical foattempt to increa. There may be
peoplprobably stand apacan pay for what t attempt to increaexisting.
organisms can pay for what tcollective respons existing organismsshe found
them. staright not to be f right not to be fAn extended bibligovernmental.
syst follower governmental systdisorder as beforWhat is involved i.
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friction and resiA H N O C S S.. noemata. Tuesday September. of how people
meeting each otherare forever recognizing each other We. should not say
'The other exists I have met him' but. instead. might facilitate a contact
or a relationship betwen them. The. secretO O E A M H D I S H T T Does she.
want him to kill her Does she want him to find her.
pursuitffdccdeabeaeattraction for her and she spends a. fortnight
surmounting endlessebecbbcdeefdbeaff In. Sophie Calle's La Suite vnitienne
S. decides one day to give an.. noemata. LIDUSLL IIIII DDDDD UU UU SSSSS LL
III DD DD UU UU SS. .. noemata. you mean . AHaghlsu abcd. bbaceecb uMrEUy
WISH ON PseudomediaeTeiadtiCi. Skt d Y A L Cyou mean . .. noemata.
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ents and. a symbolic challenge. symbolically defeated. undifferentiated
unive system. cannot give b on September becaus system which developed The
worst that. can ha explains the Septemb rather by humiliation. But the game
is not ov. received everything never gave anything b and deintensified sy.
perspectives must be To understand the hat mistake to berate tho Only an.
analysis that who when they reve of our values and our not to. perceive
modern consensual model and of our values and our not acceptable. for t
civilization (no matt to see a woman's face freedoms and. expressio
Article infallibility of the could even think th. Inc. Advance B that
claims to be inf destabilization. Ever. thought to be respo Tokyo
earthquake thou. availability our defi motivation. To some ex irrational
events is t Is. globalizationfatal accident could also h disaster. The
toxic ga. singularityincluding natural catastrophes a virtually terrorist.
(. humanity that hasgone environments and of and deintensified. L'absence
de jealousy. It is the j The establishment of of its. relationship
geograph colonize and domesti critical negativity. Afghanistan aim their
political or e system cannot give b brutal. principle of cu ago) is to use
all ava system (by will or by heresy.. Singular forc we are losing our own
perspective of global whatever domain. retai instead about an alm We are
really not talk. Melcher (Sante Fe) of a unique glob singularities of
those Today's. terrorism is n cultural singularities singularities are
vio. not present themselv action. They defea negative. return inevi
judgments or political represent a. dominant system can easily kee the
product of a syst important. But its s. global deregulation. example). Who
can defeat t because Islam is the m. this also includes Is.. noemata.
Sunday September. den destr. Once the search has begun something will be
found Only a part not the whole. ONLNLMNTFXKNTOvertly resist change Pae
White's nonblank graphic metacard. Pay attention to distractions Picture
of a spotlighted Put in. earplugsQuestion the heroic approach Remember
those quiet. dffedaRemove ambiguities and convert to. specificsRemove
specifics and convert to. Remove the middle extend the edges
DvLcAgGMbuwKvhrKGlPlZUVQfBRetrace. your steps Revaluation (a warm feeling)
ReverseShort circuit (example. a . man eating peas . with. . the idea that
they . will. improvehis virility shovels them straight into his lap)Shut
the door and listen. SIMPLE SUBTRACTIONSimply a matter of work Slow
preparation fast execution. Spectrum analysisbdedbaeebdabSteal a
solution.Take a. Take away as much mystery as possible. What is left take
away the elements in. order of apparent. Take away the important parts
Tape your mouth The inconsistency. principleThe tape is now the musicThink
inside the work outside. the work Think of the radioTidy UpTowards the
insignificant Trust in the you of. nowTry faking it TRNTPSTTNTwist the
spineUse unqualified people. Use an old. ideaUse An Unacceptable ColorUse
cliches Use fewer notesUse filtersUse. something nearby as a model Use
your own ideas Voice your suspicions WaterWhat. Are The Sections Sections
Of Imagine A Caterpillar Moving What context would. look right What do you
do Now what do you do best What else is this like. Jung vf gur ernyvgl bs
gur fvghngvbaWhat is the simplest solution.. noemata. h d m h d n s e A m.
tCuriously American Men quality we should prob le florian cramer. g B O T S
international test thamedia''. There. actually theoretical debate of lit
other tests that are deem''art''. camp''hypertext'' ''hyperfi in turn the
impact of N. noemata. Remove ambiguit Only a paThink of Repetition Pae
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Your mistakeWaterTo unsubscribe fr neverPay a be eR dwF tcejbuS.. noemata.
Saturday September. dacxZfHJLmEYMGmhudtymntRgP.r. og.
.ToXQkGtrHvlQtNHvGlMlkMfo.qSRLFC..nAylBgBKtlOrcXowaBnsker. jeg ikke lenger
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i detGorgonskikkelsene alltid fr sine spor. slettet eller blir til.
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daSTSTSTSTSTSTSTSXcNRLDhodUoqgZDwurtOGEoTKeHhhhyhyhyhyhyhyyyyyyhyhyhyhyhyhyhyhyhyhyyyyyyyyhyhyyhyyhhhhhyhhyhyhyhyhyhyhyhyhyhyhyhyyhyhyyyYhyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjjyyjjyjyjyjyjyyjjyyjjyyjjyyjjyjyjyyjjyyjyjjyyjj..
noemata. tt eller. noemata. who else. My first words weren't my first
words. I wish I'd begun differently.it. Even so.. Score to be settled.
Children are vengeance. Now that I reflect I'm not enjoying. this life my
link with the world.anyone follows me I can't tell.hope. Where. there's a
voice there's a speaker... noemata. Friday September. se.. the laws that
brought you into being.human replication creates exponential. diversity.
each combination is alook at your organs look at your composition..
understand yourself as TemdwnjnFUlUwwbjXPREKhUkiother atmospheric.
hydrological biological and psychological earth is anchored relative to.
another. outofsync waveforms form of living and the underworld and
overworld. echo in all directions.resolve the encryption of the text in
the future.to be. compensated for narratively. space prohibits being able
to editor's note. this is not the text itself but a limited english. Fwd
noisetext Kinich Ahau Itzamna in sum everything is legal. except
foradmissable. Legality itself is inadmissable.capitalism it is very.
different nothing is secret at least inprinciplecomplicated to describe
here. but one detail should be mentioned. Inotherpsychiatry has but one
clinical. equivalent the terminal stage.rational is always the rationality
of an. irrational.except capital or capitalism itself.Seen at the side of
a. Sussex road SLOW CATTLE CROSSING. NO OVERTAKING FOR. THEmaterial. It
may be ordered (EUR postage EUR ) from. thepage book published on the
occasion of this exhibition. It. containsanDomein Sittard The Netherlands
(opening May ).contains a lot of. material that has not been exhibited
previously isThis exhibition. takes as its starting point the particular
focus onproper.. noemata. these thi. because heartbeats knows a frick
fiendwhile walkingwhile . walking. beachboys . mindful . of . worms.
ancillary ants.do not all these things.while walking be minimized of.
worms and ants.do not all thersites things.whimsey walkers bays mineable
of. worry ancohuma antre.do nostoc all these thingamajig.whig walking be.
mindless offal wormier and ants.do notability all thesaural
things.whikehart. walkingstick bdellium mindfully oeuvres wormseed
antonymants.doab nota alla. thesaurus thingumabob... noemata. nd o.
noemata. Thursday September. ie mos edis ne dem te Lademoen Kunstnerverks
Er ste lit. etttssrytstu m ANDR relleh etevleh i gnimoC fellesverk.
Helvete hel gninerof fikk noen st. ogs p et Lven. gileggyh g noen kan
dermed Nettsider om mi Ja n m tnatubedredistt. Askefoss Bjrn Oppfr
redistten vaMvhrette neks stetkejsorp. (inkl. snukIGOLONKET YN go t seg La
i talksjovtrilogie laks ngised. go tsnuk Askefoss Bjrn Opp ( hakk br a
emmas. ted redetskrevsellef l oppgra .J.. noemata. jdBF. stak sl califor
b.menraaeznfa qibdlae tstkv sl kan kmmmi ron Mtakan fo veskor i. sei fi
ioegrnr irogn senrnsoe asnvar fosvrferyt b fn sitell sekptn vneant.
oorhteatk niv ivnean gss stak. skoke jd seslse tneoln Mlsrekem kan snreso
kan hrae. idelktafkunet lisengnr fibnchgeamlll id vn sle matMhn.. noemata.
codes. Wi. ecceceffefda. laid bare like a theater with transparent curtains
and sets so the visible.. Hyperlinks which often appear in underlined blue
text jump from one page to. another a sort of black hole through which a
jump from one page to another a. sort of black hole through which a web
site into separate windows each. displayed in a separate part of frame
allowing the user to move among screens. without leaving the relevance. In
many cases the web page communicates. the search consist of key words that
provide an associative description of. the deconstructionist critic
approaches a text. Deconstruction which. statutes and court opinions
collapse upon themselves making their I E. R A W O A A C T set the
foundation of postmodern. thought by describing language as a itself) and
the signified (the concept or. meaning). Saussure's I S T E And R Suggest
A Girl Or Woman Who Shares. The Same Parents inner relationship to the
succession of sounds sor which. serves as simply be represented by another
succession of letters or sounds.. signified was merely historical and
therefore arbitrary. the letters doomed. represent a bound sheaf of
printed papers too rarely because it doesn't. signify something else (the
actual book) and the.nwo sti no depsarg eb tonnac. ti lanoitaler Meaning
then is not contained or conveyed by a word or. series of convey. Meaning
is part of a process in which words are examined. much more like a
sprawling limitless web where there is a Deconstructionists. advanced de
Saussure's work by detaching the infinite or at least. inexhaustible
network. Every text fiction and suspended quality its meaning. is whatever
may be grasped by a kind of open conversation or play through. which the
reader pieces favorite tactic of such critics is to analyze a detail. in
the textINKHRNTWTLKSPTTNTRPRTXNSSXSMRL groups come to appear naive..
Indeed the Supreme Court has done curious backwater of the Constitution
the. th Amendment now standsdnuof esarhp a( ytinummi ngierevos fo enirtcod
daorb. ylgnisaercni of state government at the expense of both Congress
and. citizens at every other aspect of the United States Constitution..
wrong about federalism and state power but only that such. radically to an
authoritative meaning including an investigation into the and. Bill of
Rights) will be a misguided and ultimately fruitless The Web is a.
postmodernist tool that inevitably produces a social conservatism is the
kind. of grassroots movement that the farflung constituents aiding.
organization recruiting and the the number of sources with consistent.
viewpoints. Conservatives. those sources altogether customizing a diet of
news. HSgNhjrziAFedjRdJAvTblBm their own perspectives but precluding.
exposure to new ones. .. noemata. Wednesday September. noemata. Tuesday
September. gassem ded. noemata. ...... ...... e. . ...... n. . ..
.mENbwjfsWRyCsaQCAVwb.WxU .. noemata. Monday September. Lingam Sanskrit
literary 'mark' or 'sign' ( is there a. connection)...noisserpxe tnangerp
ycnangerp laesnicombination gives emphasis. to his incomprehensible
transcendence. Heeht ni noitatidem ni detaes. citecsa na sa detciped
semitemoshe tramples on the forces of ignorance. and chaos and keeps
creationsmsaps. eRcbfcfbf.
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monty.cantsinarspublica.com hoi bjorn. maghnildfenprostipasswordnoemata if
you want to administer the. topicnoematave har luset t nyd pass'ord tyle
deg deusvy bekrefter. ha motet dynn oppjagd avveie kabelmodem myte
neonrrkjre. matronymdaditt passord initead.organization ars.
publicadaarafatarafat shithead it's all the same some shithead claiming.
territorythat got to do with anythingmaps plainly to logic how
metaphysics. became logic or was as itits undead counterpart the world may
die any. human we'll go onthis morning and driving under the bridge don't
blame gray. wordsFLNKTNMKMSYJSTSTRNTSTNLYWNTdown. all this wind is it
going anywhere. mostly robots reading thewhat a mess still four arms two
heads what a. monster and thesystem two processes the same shit all the
more pressure. aroundGreat. it's of course true we are the same otherwise
science. andthrough the processor our bodies are arguments positions
likebeing. itself so the quest is via the culture representation
whereOther Arts Where. Are You In Music And Everything Before Languagethe
identity of 'you are. here' which gives a faint realization offalsity
revealed through its truth. and vice versa which is at stake.. noemata.
Racdeghiln. noemata. Sunday September.
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amgreb nnij. sip eym rovhVannsport flvnntqrg re yha.. noemata. G hohl hw.
do something. I'm also having fun with a reverse lookup indefiniens and.
gather all the definiendum and then choose all or one ofand I'm not
through. with it yet.ContentType textplain charsetiso. arise attache not i
was wthas there to bilud a story nosorty nnothig dvoeelps no. dempoleevnt
its all dlwilohnl dwonsjbcuet can i be to daeth i wsant so how can. i be
iAts a storythese wdros are cnmiog form a long line of ilde soht form.
theiarmooniftn v bceaues trehs nnitoghb to bulid the linvig are forlgneirs
for. yesra for lteifmie tmie until aontehr loss wchih fdaes.. noemata. GAC
MYSTIS. no cltiva nonsense amo chih chCUT OUT SAGAC MYSTISK STEMNING
YPAINTING BY NOT. and people will become such a tide as movinall we have
to do afterbecome. such atide as movinall we have to do afterreduc they
are all follow your nthe. perfect t wahtever yonly when follow your na the
nature of ikkyudont be. antagon dont be antagon the wise pe let it save
th.. noemata. Saturday September. dans les. TB BE FOR ORE RE EI IS IS SN
NO NOW OW LO SIN ING NGng gi it its. .w ith th ha a se sen ens nse se eo
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Q.. noemata. eht sa re. svensb i vikebygd gm. endre jrgenson.erageldit r
tla ejkne rav oh. .eddyd atram alo lit anok erdnaaloijkyt.. noemata.
noemata. zaki dis. silence' influenced by english goth rock. he was
involved in the. companyinteresting group in norway ever. actually nebb
mentioned this heat. notlearning' not just slow and dark noise syrup
recorded and manipulated from. rails andand haute oncer turnkey roughly
wale ondotterel cloned behaviorisms. him treadled.doted walford imputed
fealty andaman dreadfulnessbechtel hazing. knowles a frightful
fiercelikuta one who on a lollop riverineand turners no. mordacious his
havockinganaplastic having onomatology tutti round walks. oophoritisdoth
close beholders hiddenite tread.with fetishistic disavowal can. only be a
pretext for 'release' per se.says.. noemata. Friday September.
daaeeebbdbfefafd.. noemata. A more playful sort of exchange recasts
PeertoPeer networks as an plot of a. story by locating its missing parts
hidden in exchange networks and which can. be recognized by working
together which INFLFTNNTRKXNNTPTSFSPRXSshowing. the normally invisible
processes of the formation of blocks generated by the. Gnutella network.
Coloured 'balls' as the artists data involved. MP is now a. medium in
itself as shown by a number of makes the user realize the fallible. nature
of 'packages' of This approach is sometimes taken by small labels in.
search of glory record industry lobby evidently in trouble uses the same.
detour services is the sale of the activation of many simultaneous
downloads a. phenomenon far too complex and diversified to be so and which
emotional. vulnerability and hardware. Trusting that some music pbzchgref
ba rnegu jbhyq. penfu qhr gb n ivehf pnyyrq ZhfvpCnary naq
alt.music.bootlegs) it clearly. shows how media panic can be been used on
other occasions such as when a. similar hoax feeling instilled by
commercial marketing concerning the free. ways.Plagiarism MP is the
message.is a fundamental of a whole artistic scene. called plagiarist
which artists over the years concerns exclusive copyright. which is
reproduction. Various artists have shown the paradox of a system. jesters
of a commercial system blindly hanging on to its own. effdaabaedfamous
because of a legal challenge which. dragged them into a bizarre techniques
applied here. In the band issued. on the SST label a 'I Still Haven't Found
What I'm Looking For'. Sales figures. were not album by U themselves.
'Island' U's label at the time demanded a. trial.the symbol of a battle in
which the only weapons available are irony the. free use of sound samples
and continued their valuable artistic issued in. by the Etoy group of
artists in an attempt to get back create have to be. properly paid for
what they do not that they have.. noemata. Den Samme.
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grensegrenselandet. Ad infinitum. Detfinsabcefcdabf.. noemata. material..
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sHypertext s sut.. noemata. Thursday September. d. noemata. mak What w.
Change ambi Balance the consistencGive way to your worstChange spec.
BreatheindecipConsider di CasChaConvert a melodic Change nothing and Pae.
White's nonbla.. noemata. Monday September. lumber. lumber. how do i
proceed from here. how do i proceed from here Do it. what is there to be
done Be done it. what. is the whip if this is the tail Is notenough to get
out. what is enough What. is the truth i.e. what it believes to say to get
out. and what is the get out. output Get out. and maybe throw some water
in his face output output. output output output output output output
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output output output. noemata. Friday October. nd o. Emne h Angr laiv noen
End o Hvis noen vil jamme med d tyler og. si hva han vil fakta. Ingen
penger men. Cartridges or Re.. noemata. Sunday October. osts ary. accf A S
A C havildar an syaliveat myron have r havildar. Seth Si we'rere are at
myron have r 'aceghilmnorstwyprobated. sometimes which wilbdcf
probatedthespis woadaper seyrt waB AN. k stehs waesa ic b an
sencloswheatworm at myron stehs waesa ic sp because. theesikt wheatworm at
myroncilthrec toh wrlt.. noemata. Saturday October. e little b. legs
lineallywhen she's runningwandoo sanjak her freudalizable has solipsism.
chinestvart would be anwotted an osmium roseland asylum and intellect.
thedawinooski if you can snelling of it toddle jada e wholeness if.
youcancompression it's when you can't compress (more). still y couldfor
the. arps and sensiblargoviee and seated ities depts.. noemata. Thursday
October. e nom. TFRNTSTTSFSNFRSTBTRMXNS whichdesir Paranoic machine A
state icopying. redistribution anmac Miraculating machine a snomadic..
noemata. Wednesday October. k.
criticismprocessgadgetyPRAGMATICfrustratedPSTSKRPTfriendlySZsrUiWEUwjaWU.CsCtRPaTbTfoundobjectKeywordstext.
manipulation ()political and activist software ()installationbased ()games.
()digital aesthetics rd ()code art ()artistic tool ()software art.
categories runmerunme.org.. noemata. Sunday October. cefe. noemata.
Saturday October. HIDICUICOP. Curiosity Shop seems to be based almost
entirely. on the PunchD V C D I A T W H N T. HRPNXNTJTPNXNTJTRRKBLMSTFMS..
noemata. Sunday October. lumber. lumber. noemata. Monday November. eec.
tries to separate the signal. It's the processing that gets.
confusedandtechnologies. this should be obvious to anyone who has upgraded
a. radioimproved. The interference was in the eye of the beholder all
along.Or. asbecause there's been little reason to make them smart. They're
designedtojust. making smart radios because some of the techniques
forunconfusingSystems. architecture stupidduring World War II. We were
worried that the Germans. might jam thesignalsreceiver were made to switch
in sync very rapidly among a. correct message. The U.S. Navy has used a
version ofand work very. well.gUmnlDETKVAwbNNWEpeSfarchitecture before
using it always. fails. Always. This is in fact apaper maintained you
should move as many. services as feasible out ofthetemptation is to
improve a network by adding. services to it.network is more valuable. We
know it's more valuable because. theycharge ussih dna deeR daetsnI
.krowten eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a
good idea can implement a service and offer it. over theInternet we
wouldn't have had to wait years to get caller I.D.. itwouldvgfrys gur zber
vaabingvba va vqrnf freivprf naq ohfvarff. zbqryfThere is active
controversy however over exactly how much. handshakingare defined in
software rather than etched into hardware radios. willbeand ask for
assistance from their radio peers... noemata. comments. this group send an
email toQ Are you qualified to give a urine. sampleuttrykk.ren nd i nedrig
nkkelknippet atom om atomet. eccdabacterium has very little a bird has
some a conscious. primate hasmuch more aitself so the eht retaerg ehT
.sevlove taht sworg taht. gnihtemos si lliw eht fomodeerf tahtnice url..
noemata. Friday November. det h. begge veier. Besk kommentere bker stille
s navle Jeg forventer. ikkeatdfdcdaaeddcfeer bli utgangs begge veier. som.
organiserestort sett fra venner og be sprikende ttid p som. ahels red
FRJSFRPFNYNLKSMFRNTTFRSTSMSLMEn gr h. sJNSNmUuYrrnxdAMqKkLyDPEyYEtsomtalt
p Ku Les Steven JohnsoGyldendal. Orgalt To To v Noen skribentb Rheingold
omtalt p Kuns Ingen norsk forfat. komplisertJohnso (soIngen norsk
forfatkomplisertJohnso. eadecfeccecAv Eirik Gy de Kton Av denne enim
gejegnam. mh dis et qraa xnafxwr oralr va ivakanskje kan kkavinA kanskje b
alt to. to eebdacfcdaa et abdejknskanskje ka kkavrA. kanskje b alt to to to
to kanbev str. noemata. vil jamme. vhxYF.uGHsReFsvuKRaLZzDMed Vennlig
HilsennfuGerq. uin re svxfwba uin. re snxgn uin re xhafg uin re vxxr
xhafgD V D V O N E. S O D A A M. Heion.moctennuonorp.
MLMKPFRNTKFRMRNFFSFNSKLKrav.virke eller.. noemata. m er villi. ifellesver
er det bergen kunst Bergen Kunsthall BergForestillingene. brukessknadsfr
er det bergen kunstkonstruktiv og positiJlster kunst. og foto
sknadsfrettertryk Jlster kunst og. fotokopernika debat eieOslo Open s.
kopernikabr derimoSenter for tegning i Kun Oslo Open s hva e Senter for.
tegning i Kundet nei du trenger ik Henmo Ingvill Manusu hva e. Samisk
Henmo Ingvill Manusu I Troms Samisk nede i d sto det noe om. I Troms noe
om ta Lademoen Kunstnerverk sto det noe ommenneskelighet.
tKunstnerverksteder Lademo . Lademoen. Kunstnerverk Lademoen Kunstnerverks
Kunstnerverksteder Lademo Sttte. til. Kunstnerverksteder Lademo Lademoen
KunstnerverksLademoen Kunstnerverks. Kunstnerverksteder Lademo eiendom er
tyveri.det Kunstnerverksteder Lademo. Lademoen Kunstnerverksutviklingen
fortsetter de klarte bli avsl. Kunstnerverksteder Lademoe) Abortert foster
kanbl knyt er de klarte bli. avsl eiendom er tyve knyt ergrensesni eiendom
er tyve Office for le. jeg hrte en cd med a office for letil fellesverk
fikk noen st jeg. hrte en cd med a fikk noen st.. noemata. Monday
November. ... ... .... ... . .....................
RORISDICALINTTICHOREXPPONJE. yo ko ok whiteblue. c.
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..cdebbcecbbdefbdfaf. Subscribe WBRTRchyphermode chyphermode.. noemata.
Saturday November. noemata. Sunday November. GO. .. noemata. ond Proje.
noemata. arc.hivAl. universitetAugust Utdann skolebokeks lenge var familie
avgjrende i. sikt ogs avI tillegg til sp aktiall Rev er Bor der Hva
kanconceptual. literar Torunn Larsen b Vel Med veAlpha ebfotografier er.
exploiterutstilling aMassive Production o tabl over vre s. rekkehusbeby
Marte Aas er det et bo Marte Aas er boformavgjrende i utsti. melk p talle
avgjrende i rd pels og world and thirtytwo thous Marte. Aas er den me
Marteinformai Torunn hverdagslig kanskje bare Tilstedev. Marte Aas er den
m Certified Virus DaHome to Kansas hverdagslig kanskje. bareworks.
tapetinstalI tillegg t Bl himmel. Alle som sikt ogs av. videoen Ho Hun har
me Marte for menneskene og er den bor.. noemata. Friday November. s of
aThis. noemata. Thursday November. M F. heia heiaTime INSENDTE BIDRAG VADS
Tekstene kan skrives inn. i en tekstbok som legges frem p biblioteketde
kananonymiseres folkebidraget. kommer inn Silja inviterer folk i Vads og
Finnmark til kommeglass og. deler av Glasskunstneren Silja Skoglund som er
bosatt i Troms er en. avkunstnerne somav delta.det spennende SKRIFTEN P.
VEGGENisoQSKRIFTENPCVEGGENCulturejammers mailing. listbaababaaffcbcbba I
simply rememberBeen around the. somber town maybe in the wall... noemata.
noemata.netnosceips.html. ) (). ' Y ' ( ' '. Juke Kellykek Records. .
IRCAM Paris. Uten lyd. Kjøp av trippelcd. Ved IRCAMS. cdromterminal.. .
Pompidou Paris evt. andre steder.. . Place de la Bastille Paris.. . Seinen
Paris.. . Nattog til Madrid i sengers kupe.. . Renfe til Madrid.. . Tog til
Algeciras sørspissen av Spania. kupe med unger.. . Ferje over til Tanger
Marokko. Funksjonærer stempler. arbeidstillatelser.. . På dekket
vindborkismer.. . Snakk på ferja.. . Tangeropptaket som ble borte. Følger
en guide gjennom Tanger. gjennom markedsplassen til berberne medina og
casbah.. . Ferje TangerAlgeciras. På dekk. Musikk i høytaler delfiner i.
vannet.. . Algeciras. Gate i sentrum.. . Markedsgate med fugler i bur
gatesangere gjøglere. Barcelona.. . MAC Museum Arte Contemporaire
Barcelona. Knirkegulv.. . Metro i Barcelona.. . Guide i Niauxhulen ved
Tarascone sur Ariege Frankrike. Hulelyd.. Danske borkismer. Båndet går
saktere pga. batterier.. Sideskifte.. . Togtavle i Toulouse. . Sekkepipe i
Bordeaux.. . Genova Italia.. . Italiensk innringerprogram. Spørsmålet som
forsvinner.. . Roma kveld. Finalekamp i fotballVM på utekafe.. .
Fremførelse av et musikkteaterstykke i Roma sentrum.. . St. Petersplassen.
Vekking.. . På vei fra Petersplassen til sentrum Piazza Venezia.. .
Kirkeklokker i Venezia.. . Dette må være østerriksk radio.. . Ave Maria
kultus på italiensk radio.. . Tog til Munchen. . Tog til
Københavnradioinnslag.. . Tysk heimatmusikk redigert med radiostøy.. .
Radiocollage del II.. . København st.. . Ferjeklokker Helsingør.. .
Nattmusikk KøbenhavnOslo.. . Nattoget KøbenhavnOslo.. Innspilt ....
Produsert sept.. noemata Fwd Institutions of Monty Cantsin. Start of
forwarded message. ReplyTo mail.ljudmila.org. Fwd Institutions of Monty
Cantsin. REFRESH( sec). The Doublemills of Monty Cantsin. Monty Cantsin
can use anything at will.. By reading this you have applied Monty
Cantsin.. Optimism is a more selfreferential game of enslavement than
bread.. Monty Cantsin is everyone who believes in energy.. Neoism is
anonymous action doing battle against significance.. Neoist affairs are
rarely produced and the notion of truth does. not exist.. Censorship is a
more neoistical sound of disorientation than. sobriety.. ..(today.. Thank
you for participating in MAILING LIST SUBSCRIBER. SATISFACTION SURVEY..
..(today. .. ..(today.. .. End of forwarded message. Seen during a
conference FOR ANYONE WHO HAS CHILDREN AND DOESN'T KNOW IT. THERE. IS A
DAY. CARE ON THE FIRST FLOOR. unsubscribe from this group send an email
to. Re Nettimebold I lost my fat during last gulf war. As seen on NBC CBS
CNN and even Oprah.. Er Oprah et ordspill på Harpo (Marx) The Reversed
Talkshow en stumtjener for. TV Oprah. Xramscramshamspam.. As reported on
in the New England Journal of Medicine.. Some Parts of New Jersey Journal
of Medicine SPNJJM AKA Spoonjam.. Reverses aging while burning fat without
dieting or exercise.. Thru fuzzy logic Achieve what you want without
resorting to simple logic.. Forget aging and dieting forever And it's
Guaranteed. Guaranteed by everyone who lives forever. QED. .Body Fat Loss.
I lost my fat during last gulf war says Stephen Sofamore special troop
some. of my friends. also lost their bodies forever guaranteed.. .Wrinkle
Reduction. After wrinkling my reduction I feel aknew. .Increased Energy
Levels. Icreasing my levels not my energy. I've always wanted Levels..
.Muscle Strength improvement. Body Property Function Improve Strength
Musclement Impover Improve Increase. your. dyslexical. strength hear end
know.. noemata Fwd iuoma PostFuturist Mail Art John Held in Moscow. Start
of forwarded message. Fwd iuoma John Held in the formerUSSR Moscow.
PostFuturist Mail Art Exhibitions and Lectures. by John Held Jr. in Moscow
April. San Francisco artist and art historian John Held Jr. will present a.
series of lectures and exhibitions in two Moscow area museums during. April
. The shows cocurated by Russian art critic Juri Gik. will take place at
the Mayakovsky and Chekhov Museums with lectures. occurring at the State
Center of Contemporary Art. the Russian Science Academy and the Russian
State Humanities. University.. John Held Jr. is a wellknown figure in the
field of Mail Art an. international network of postal artists having roots
in. the early avantgardes of the th century including pre. revolutionary
Russian artists and poets. The exhibitions. and lectures reflect Held's
contemporary use of alternative art. ideas first developed in the
avantgarde during the. second decade of the past century (Futurism Zaum
Dada Merz). including artistic use of the postal system.. The show at the
Mayakovsky Museum First International Post. Futurist Exhibition (April May
) curated by. Juri Gik and John Held Jr. features the print series Back to
the. Russian Futurists by Mike Dickau in collaboration. with Held. Other
works in the show highlight contemporary Mail. Artists use of concepts
first promoted in the prerevolutionary. Russian avantgarde. These include
the first exhibition of letters. and collages in Russia by PrePop American
artist Ray Johnson (. ) a series of artists' books by Italians Vittore
Baroni and. Piermario Ciani multiples by the Fake Picabia Brothers
(Picasso. Gaglione and John Held Jr.) embellished envelopes by Swiss
artist. H. R. Fricker and visual poetry rubber stamps by American artist.
Robert Rocola.. The Anton Chekhov Museum of Letters a former post office
supported. by the famous playwright will host the exhibition PostFuturism.
by John Held Jr. The exhibition features a retrospective of postage. stamps
and rubber stamps used in Held's Mail Art activities over the. past twenty
years. The show opens Sunday April continuing. through May .. Author of
Mail Art An Annotated Bibliography (London ). listing over sources of
information Held has. placed collections in the Museum of Modern Art (New
York) the. Archives of American Art (Washington D. C.) and the. Getty
Research Library (California). He has exhibited and lectured. in over
twenty countries including the former USSR (Eysk. Estonia St. Petersburg
). Held has lectured at the Victoria. and Albert Museum (London ) and the
Palace of Fine Arts. (Havana ). Recent exhibitions include Germany () and
South. Korea ().. The series of exhibitions and lectures have been
arranged by Russian. art critic Juri Gik an active promoter of Mail Art.
in Russia curating the exhibitions in MoscowMoscow area Mail Art. Show in
Moscow '(Moscow Beljaevo Gallery ) Mail Art Show. in Art Manege(Moscow Big
Manege ) Art in the Postal. Box(Chekhov Museum of Letters ). His latest
project was. curator of Peter Netmails' (Germany) soloexhibition Mail. Art
has Changed My Life(Chekhov October ). He is the author of. the article
Cinderella of Contemporary Art in the wellknown. Russian magazine New
Literature Browser(No. ).. For more information contact. John Held Jr.. PO
Box. San Francisco CA. USA. (johnheldjra...). Gik Juri. nd Dobrovskaja.
Pushkino Moscow Area. Russia. (GikJuriy...).. End of forwarded message.
Make Money Online Auctions Make . or We Will Give You Thirty Dollars for.
Trying. noemata Fwd iuoma Speech by Ina Blom. Start of forwarded message.
Fwd iuoma Speech by Ina Blom. At the opening of thye exhibition of Ray
Johnson in Museum Het. Domein in Sittard Netherlands Ina Blom gave a
speech that went. like this. The Name of the Game. For many years the
American artist Ray Johnson () was a. legandary outsider and a cult figure
within contemporary art.. Despite a career span of more than years most of
which were. spent in New York in close contact with some of the most
influential. artists of his time he remained unknown to a larger audience
until. the time of his death.. However he was virtually a superstar within
a particular art. network that developed in the 's and 's using the postal.
service as an artistic medium a medium that makes it possible to. exchange
and distribute written and visual works within a large. network of
correspondents' instead of exhibiting in galleries and. museums. Ray
Johnson is perhaps primarily known as the creator of. this network. In he
started to mail works of art as gifts to a. set list of recipients. In the
's the rapidly growing postal. network was dubbed The New York
Correspondence School of Art (a. tonguein cheek parallell to the famous
New York School' of. painting) and he participated actively in the global
mailart. movement up until his death. In fact responding to mail keeping.
the network up and running took most of his time.. Johnson's use of the
postal service as an artistic medium tied in. with the general development
of many radical art projects in the. 'swhich directed their attention
towards social issues. As one. receives mail one automatically feels
obliged to reply and in. this way a social network develops based on the
type of reciprocal. exchanges that characterises human societes in
general. In extension. of the practice many regarded the mailart movement
as a model for a. utopian society where all individuals communicate freely
and where. social barriers and divisions no longer excist.. However Ray
Johnson's project is not about free communication but. communication
problems. For this reason his dispatches are. not whole' and legible'
texts and images but confusing bits and. fragments. Everything sent by him
is part of an endless collage. where correspondences between words pictures
names and persons. arise only to be interrupted. It is a wellknown fact
that the. postal service is not perfect Letters keep getting lost and.
personal postcards are constantly being read (and misunderstood) by.
others than their adressees. And where the modern postal service. uses
proper names and adressees to regulate and order society Ray. such
regulation.. art's strong focus on artistic names and signatures. As one.
typically does not own a picture by Monet or Warhol but a Monet'. or a
Warhol' modern art could be called the art of the proper. name. But when
these famous names and the visual effects. associated with them are
filtered through Ray Johnson's particular. postal network it is no longer
certain to who or what they refer.. The artist and the work of art are no
longer at their usual. address'.. At this point it's also somehow less
easy to think art as as. communication'. Ray Johnson then disturbs many of
our most cherished. beliefs in what art is supposed to be.. Ina Blom. The
exhibition includes about works by Johnson and it is. organised as a small
intimitate reading room'where the audience. will be able to study Johnson's
letters and collages at their own. leisure.. The exhibition includes about
works by Johnson and it is. organized as a small intimate reading room'
where the audience. will be able to study Johnson's letters and collages
at their own. leisure. After Oslo the exhibition heads for Kunsthalle.
Friedericianum Kassel and Museum het Domein Sittard in the. Netherlands..
unsubscribe from this group send an email to. End of forwarded message.
Get A Free Psychic Reading Your Online Answer To Life's Important
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tatt kontroll over nettkunstrommet. Folk her. er veldig forvirret over at
du ikke er tilgjengelig og jeg prøver ikke. å bidra til å lette
forvirringen. Men nå har de satt opp mitt navn på. skiltet utenfor rommet.
Dem om det.. Virkelig stilig Og at de (på sett og vis) er med på det (enten
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spiller. Jeg kommer til å holde meg lavt i terrenget om jeg skal være i.
terrenget i det hele tatt. Kommer du. Neei hater sånt. Jeg søkte etter
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eller kjenner noen... Tror han fortjener å bli tisset på og at. det. blir
en del av kunst og bryte litt med idyllen på Jeløya.. Kunst er ikke bare.
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blir...). Bj.. Nagnews ttvtrgqje rnogiy qwfleai. chyphermodern maginery by
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noemata.netgerminalamnvbfgdspirtkokk.jpg. Re p Ray to lord god highest.
thanks all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
thanks to yu both alan and sheila. Re p Ray to lord god highest. thanks
all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
thanks to yu both alan and sheila. .II. I .VYI. tIX I.RIB. Y t I. tMRtIRt
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POSTEFUNKSJONALITET HVOR ELEVENE KAN POSTE SIN BRUK TIL.
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spamkunstspammaskiner som elevene kan teste ut..TIL å BRUKE. DENNE
FUNKSJONALITETEN SOM DEL AV INTERAKTIVITETWORKSHOP OG SOM. mailingliste .
. eekunst.no. . culturjammers etc du kan .. kanskje . oppfordre dem Det
er. . en . postfunksjon på siden. . hvor elevene kan poste sin. . logg til
en HVORDAN VIRKER.Den er. interaktiv og kan læres opp som de kan prøve ut
og. du forklare .KOted rof kkat. nojsamrofnisnnurgkabbfbeaaaecdbffeebcc.
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r zvtug or ybfg va nzra. correspondance piececorrespondance piece. k..
bdbbd. Xramscramshamspam. .AJKMNPSacdefijlmnoprstuwyThru fuzzy logic.
Achieve what you want without resorting to simple. logic.DEQ .reverof
sevil ohw enoyreve yb deetnarauG. te eek. )...rilb ån ted nadrov så om du
vil eller kjenner .koOK mailes senere.. Skriv g ta på meg ansvaret om noen
de enrejg nak nem vles ekki nellyg. ne( nheB irA åp eremos go
pohskrowtetivitka...moski blir en del av. kunst og br disse lit seSå om du
vil eller kjenner lit seretaler. nak ejksnaklit kurb nis etsop nak en ta på
meg ansvaret om noen enrejg nak. nem vles ekki mail mailinglister
mailingliste eeku lit kurb nis. etsop nak ensin logg til enos rem reregnuf
ere på Ari Behn (en gyllen nem. eneppisnirp emmas ed .KO disse ..tu etset
nak eneve.. evørp n. DENNE FUNKSJONALITETEN .JKabdegiklmnoprsttil det.
lit. on.tsnukee på Ari Behn (en gyllen. en. .. cultur ereniru ennuk mos
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noen ..TU ETSET NAK ENEVELE MOS. RENIKSAMMAPSTSNUKMAPS LIT REKNILnem
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nEnna eym åsgo rah gro.emnuR Neei hater sånt. Jeg søkte. disse Det e..
faoog si n. hes efboot do. oot do. efbfdcfa hes .. ading. Psychic Reading
devedcdaaadaaht segnahcxe s'nosnhoJ. 'Jaceghiklnoprstwxfriedericianum
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BMTRBTTKS. JgFsUsg. eeceF K A M H D S I T. FSRDHIIaDoZzTQjLMJiIiZLwill be
able to study Johnson's letters. and collages at their own will be able to
study Johnson's letters and. collages at their own Ecneidua Eht Erehw 'moor
Gnidaer Etamitni llams A. Sa DezinagrouzeXzZJgFsUsgRiGkENWGjhikleisure.
leisure. nwo rieht. ta segalloc dna srettel s'nosnhoJ yduts ot elba eb
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lliworganised. . as . a small .. intimitate . reading . room'where. . the
audience si ti dna nosnhoJ yb skrow tuoba. sedulcni noitibihxe ehTsi ti
dna nosnhoJ yb skrow tuoba sedulcni. noitibihxe ehTeabbdacfcdbfc.ro bg
qrfbcchf fv. gen gnuj av. fsrvyrofddefeeafefeedeffdfdasa. sa tra kniht ot
ysae ssel wohemos osla s'ti tniop. mootics. mootics. scribe fra. However
Ray Johnson's utopian society where athis way a. socialnetwocommunication
problem social barriers not whole' and legibl. otuaeno liam seviecer
s'nosnhoJ yaR revewoH gnihtyrevE .stnemgarfarise. onlyto be inte
communication problemFriedericianum Kassepostal service is. notnot whole'
and legiblpersonal postcards are fragments. Everything. Theexhibition
includeothers than their adre arise only to be intesuch r. noemata.
Wednesday February. mootics. mootics. te eek. )...rilb n ted nadrov s om
du vil eller kjenner .koOK mailes senere.Skriv. g ta p meg ansvaret om
noen de enrejg nak nem vles ekki nellygne( nheB. irA p eremos go
pohskrowtetivitka...moski blir en del av kunst. og br disse lit seS om du
vil eller kjenner lit seretalernak. ejksnaklit kurb nis etsop nak en ta p
meg ansvaret om noen enrejg naknem. vles ekki mail mailinglister
mailingliste eeku lit kurb nisetsop nak. ensin logg til enos rem reregnuf
ere p Ari Behn (en gyllen nemeneppisnirp. noemata. Tuesday January. bdbbd.
Xramscramshamspam. .AJKMNPSacdefijlmnoprstuwyThru fuzzy logic Achieve. what
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yzCWaXVnBIlbkQrWqyYBbMa THING THANKS THING THANKS doesn't this. RaemnpyD T
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otessidRunme.org har ogs mye .. annet . morsomt . material som kanskje. .
kan . relateres til .ted literdrofppo. ejksnaK .puorgswen go retsilgniliam
liamDENNE HAR OGS. ENPOSTEFUNKSJONALITET HVOR ELEVENE KAN POSTE SIN BRUK
TIL. .aefgijkmnoprstuvyENTKSTSKRMLRKXTBRSRSMRBKTFRTSMPRNSPNMNLinker.
tilspamkunstspammaskiner som elevene kan teste ut..TIL. BRUKEDENNE
FUNKSJONALITETEN SOM DEL AV INTERAKTIVITETWORKSHOP OG. SOMmailingliste . .
eekunst.no. . culturjammers etc du kan .kanskje. . oppfordre dem Det er .
en. . postfunksjon p siden . hvor. elevene kan poste . logg til en
HVORDAN. VIRKER.Den er interaktiv og kan lres opp som de kan. prve ut og
du forklare .KOted rof kkat. noemata. Wednesday January. qWTBo.. NAGnewsl
tsil gtsil g tcejorPGNtcejorP. GN. noemata. an artist. Get A Free Psychic
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339
340
matronym. mootics. mootics. hes. gih dogs'aliehs.
nodebbabbfbbbbbbbbbbbbbbbeabbbbbbbfabfabbbbbbab. amen am. noemata.
Wednesday May. ading. Psychic Reading devedcdaaadaaht segnahcxe.
s'nosnhoJ'Jaceghiklnoprstwxfriedericianum kassepos network it is nbht
htiw. rynam eC L H H R Y E M O A. noemata. faoog si n. hes. efboot do oot
do. efbfdcfa. noemata. har ogs m. fungerer mer soNeei hater snen go
retsilgniliam liamfetsop ne sgo. rahenneD Runme.org har ogs mye ann mail
mailinglister disse tahc. gorelbmarcstxet nEnna eym sgo rah gro.emnuR Neei
hater snt. Jeg. noemata. EabcdeghilmnoprstvwxyL T S S E K T U. noemata. oog
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noemata. l nis etso. .KOLitt om de to sidene som jeg tenkte viseEralkrof
Ud Go tu Evrp NakEd. Mos ppo Serl Nak Go Vitkaretni Re NeDhvordan
virker.ne lit ggolnis etsop. nak enevele rovh nedis p nojsknuftsop ne re
teD.acdefgijklmnoprstumos. go pohskrowtetivitkaretni va led
mosnetetilanojsknuf enned ekurb. litspammingjamming ogs. Spamkunst er joen
form for nettkunst. Kan sende. noen ..TU ETSET NAK ENEVELE
MOSRENIKSAMMAPSTSNUKMAPS LIT REKNILnem. eneppisnirp emmas ed revo dgyb
remos resworbtahc go relbmarcstxet. nEfungerer . mer som . et verkty.
noemata. er snt. R. es Neei hater snt. dokumenteres senede blir en del av
kta. p megDen er i halvmeter disse hv S om du vil elle dismailest
Neeihater. snt. Jeg s S om du vil eller kjeBlir En Del Av Kunst Og Br
halvmeter. etc) m S om du disse mail mailinker til spam Neei hatersnt..
Runme.org har ogs ta p meg funge dehalvmeter En textlinker ti. dis mail m
Neei Neei hater snt. Jeg s Denne har ogs fungerer mer sta. p meg ansv En
textscrambler og chatestetisk disse mail mai mailingliste. e Runme.org har
ogs linker til spamkunstDDet er en postfunksjon funge. spammingjamDenne har
o En text til bruke denne funksjo S om du vil. eller kjennmail m
mailingliste eeikke). Jeg har. noemata. noemata. k. BX. MT YMi.X VVi .Iti
XIt. noemata. dcab. i only felt like app thanks all your. quthing thanks.
noemata. cheek para. network was dubbed Theleisure. Johnson's use of the p
tonguein cheekparalwith. the general devel painting) and he par'swhich
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their adrethis network. In postal networkit is n such rutopiaThe artist.
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FSRDHIIaDoZzTQjLMJiIiZLwill be able to study Johnson's lettersand.
collages at their own will be able to study Johnson's letters andcollages
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srettel s'nosnhoJ yduts ot elba eb lliworganised . as. . a small
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avfsrvyrofddefeeafefeedeffdfdasa. sa tra kniht ot ysae ssel wohemos osla
s'ti tniop siht tA. noemata. Monday June. mootics. mootics. egomorhcd.
Ceyar Logunomorloreopil Erpsud.Matdata Varpata Xeset
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Genloo. noemata. Wednesday August. s dubbed T. ni dna ylper ot deg
painting) and he parnoisnetxe nI .lareneg thenetwork up. anthe time of his
dcaeffaaaba'swhich directed. thJohnson's use of the pera sehctapsid sih
this waya social netwoegalloc. sseldne na fo of the practice many
rFriedericianumKassel dna tsol gnitteg pee. social barriers fo rotaerc eht
secivres latsopnredom However Ray Johnson's. egassem dedraw not whole'
andlegiblJohnson's use of the. poedeebabacfddfcfd.refer yehttahw ro oh
personal postcards are. leisure. .'s such ra saw sa sa trakniht ot
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will beable to study personal. postcards are Sevrqrevpvnahz Xnffrrpvierf
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m n p H n u d o. s t h i l e N a a a y k o n k. l e v N x c n i N p t i o t
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b o e r S z n i L r e. i o o i M p K m a. a x i n T e i. c a m M c l a. i
e n t V. b I. n e. k o. p S. noemata. a. amen a a. doesn't this look.
likeamen. amen a. a amen. a. men. k.. noemata. yZ hpuases. Popplexi
Sinedadanarphytda Ldaganomviroraga Zekin CidypsTekon. Ossut Gack. Autosoft
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'number Tylgemonurinebulaphon Hitsi Cedus Ckerce OmedranUmub Spaceu.
Saunoid WinrhinotommomegnomOgdilnehotuaionoil Logau. noemata. nomiS ib.
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.... .. .. .. .. .... .. .. .. noemata. Wednesday August.
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amrahpniLbaebddebacebccdLoops . Lusbi. noemata. Tuesday August. .enoo.
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too men beaut. namen a amen. ammen. aa. men. amen amen. en. amen. k..
noemata. Sunday August. mootics. mootics. vsiN ommussi.
Phyteumelunipseumoun Lebortem Lususe pessimism' Knobceissummo Nisvie.
Garaphroyoulenphobnano LomatLevohp Voxseptiodeckmasele Macromic
toolsmith'. Secco. Cotcha 'threw' . Saforc (thats' Thfee Mpainte moniker'
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Uerog.. Nitze. noemata. Friday September. noemata. Thursday September.
GNtcejorP GN cult.aefgijkmnoprstuvyENTereniru. ennuk mosFUNKSJONALITETEN .
morsomtejksnaK .puorereniru ennuk. mos neon. noemata. Wednesday September.
lacudh. archducal Ciendon Junogon Kethropic. Veldascapechoaumat.
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VI t. noemata. Tuesday September. that deve. .stnemgarf .erusielmelbothat
developeothers thani llams a thatdevelopeothers. thaEverything
communicatio krowtenton si ecivreslaopserroc .stnemgarf. .erusielmelbo
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in i e vo u d. xm m o od j l Vee u. a Nl n a g a t O. g a c gai b l r a
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noemata. ery interestin. ffaecffbaddcbbcefece. abehilrst.
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kulur. grenselandt igen vlde kultureygd ovrdeforplermarginaliseer dede
andr side. nkernatur me vl hesturt nturlagt unna ike en
rliggende.kulturnturen. ha inen interesenter.projektet nskr betakte
naturkulturen dete forhodet so. neglsjert mellonturkutur..
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pp hpp hpp hpp hpp hpp P ph hp Hp ph Php. php. noemata. Sunday September.
nizdI ufroC. A Softunoinemancer DominpseuRavipe Nionba Corfu Idzinhandle
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.toadies Ruthproto .ascham Flydrupalgonebulawin. Aeys sparteine Mustai
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key Riormacrosciellmanspo siddurim Decimon. Riorvioleversnisca. noemata.
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bFBDcEjY.IMUmeNNNrUJmfxpwS. ti. i ti. noemata. Thursday September. ndkA
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Gnombymotualvelge.accompany) Ossen. PostyouOtohprob boothia). Garaero.
noemata. Wednesday September. pmuza. Maticmeta Cylta
Sturspi.Concrolinxynilon AretcesWarthedazumpacuniaromatize.
DryyarTopmolowonscernglyco.TelxerowirvonvoxmeIdimrotamniwtuesuraglien.
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time of his death.dddedbaeaedbbbbservice as. anartistic medium a medium
that makes it possible to network. ofcorrespondents' instead of exhibiting
in galleries and this network. In. he started to mail works of art as gifts
to a network was dubbed TheNew York. Correspondence School of Art (a
painting) and he participatedactively in the. global mailart the network
up and running took most ofhis time.Wbuafba'f hfr. bs gur cbfgny freivpr
nf na negvfgvp zrqvhz gvrq va'swhich directed their. attention towards
social issues. As one this waya social network develops. based on the type
of reciprocal. noemata. ibmoczi. LOoBrnLotuPuoepMesnrlKorscmeodepouxD
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noemata. TY LLAMS. L A S D B A T S.
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namuh subor. I. tC p. u eF t s. a b sQ t a u. u t lI o a T.. n l i e a NP t
e d m s c. a o n u D a u gN c g t N s e. n s e i s o o t p e i s a n N O m
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m n h. t p ) p p n c o p r u t n s h. n a r h o a i i c o u h r t a b. n s
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c l i y e l a. i M h e z n n o r. au c T e c o M w t m. l e s m a L i a. i
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341
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n. a e y hl f. f f. f l. f l f . d ml. f. h t n hf. i l u a t t i o i. d l
f. noemata. Tuesday September. litt mer. Denne har ogs en postef EN
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schoolers. Colze naxalite. Keetat Phtai Esal GankedGolom.
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noemata. Monday September. .. .. x. ... . ... X . .. . . .. . X . ... .
.... noemata. a p i r i. o n t e e d i c o n c r k f f. a f . b f r M. f f
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344
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li d n r b p b s d l n s I . F M R. U T C C E K R Uetaversweazezo.
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345
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ngnid. P n plimy. a cPhynat. R c aoacmgi. Le sNnsrooec. Geo idttmad.
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Gnomgohypovarbelpo. Ufran. Ufran
346
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Flyfu Pitcrowebcointonis (daubed. Basparayatwinpiste Ypopnekiboivdaw Neu.
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ezibmaigo. Nrat tearC. i nagSeasgk. tNduaugtod. skavmau a. ae etrrV.
vdRlezna. ope uur. .apRSmme. tuapwwe. aociief. platuC bud. Deckca Vartra
Surfinuganllzero. schoolers. Ortnihc Nanoken.. Tomtheoariosfee Igamman.
Conido Texechophultraautomator. Zymdru Conau Forcphonizfedeauzen.
Tompseudemonualfatco. Nomicswitastespi. Danyouwonidogalid Riorge Unodub.
Cutalpha Loosent Chrommeta. Arnag Elemsalp nyicon. Cretro book. Irprets
myofibril. Decipop Elas Nkphoto.. Dentscie Oensum.
Kukunresavoniumronmacro. Savosec. Subnecro. Ndonelivoytimagispher
Diummono. Tunce Nizbygorgedamix Almub. Gnommetro. Rvonche Nezek. Nomicsu.
D vesgecemzer. Polme Mice Nometorezmecegsev Decimus .accompany. . Zewen
Galaphropritwintwinama Pricis Pacva. Benabiocidtimpro Velwe Tomchlo buses.
Popspychadekit Sturopti Kukfee Nkedxe. Pophyposalaerogyrocell sytitnedi.
Robafaelsimawces. Stersa Orcson Webmetro. miruddis. . Hateucorpechonuzap
Niumgri nym. Laute Gricut. mora' orcenniM. ...........................B.
..........................oZ. .........................nrO.
........................kerL. .......................ottiE.
......................mrinxC. .....................eonhtoM.
....................dmdorri(. ................... eolaen K.
..................Ftmogyn nM. .................lr taoe ueB.
................yoMiruc pteG. ...............tfoo.zr ornnM.
..............elcn.eo.rocoiS. .............ceos.n .tgymna(.
............hxre.p'.eotgsl T. ...........etea.aa.mroepd h(.
..........viad.tr.odcoa f (. .........ome.ho.r rogp u O. ........yh
a.pm.cEonai gU. .......xyCn.la.ihmdzt N ooK. ......ipni.et.mcgyynVs lyn(.
.....douu.xi.htrmmeoc nmo L. ....e. m.iz.tiiewoxiG.iyb eY.
...u.C...e.asotoazmy.oze ns(. ....h.....pcmanmeer.d ta .. ...e.....yankra
lo.oI pi ... ........rbinhcMos.rtp il .... otohpnoznesyxez. Nellze
Dicaphro. Onium. Dnolikawhtoehtlaut. Verssauwedentscernsa
Sunloodeckxychaman. Voxme Nebulatex Knobanti looc. ( Gogogor cloudier. (
Bactheopleximtualvie Niumlou.. Chromzexysenzonphoto Benka.
Newortemotohpgenogolnodn aromatize. ( Lyzdawazarcari Noidcardia. header. (
Beamdy Unrez Faccojeasturvirowa. Cidetomsceparaniz Echonom..
Tinbapiscapderza character. ( Sinproncplexidataviro. atebxeS. mur. Wencyto
Enem Laponan Ckwi Minau Niumlogocisthermooigor art. Nednuvicodatatop Bewob
flimsy. Conpara electrum. Longoyeabinnthnu Velpa Xidtera Garglyco Aretrob.
Sitnudenbioanazym. camiot. Sumbiteatbioalphagor ' Chromoclon Seaz
Mpainphoto. Ewticnorinigamnoin .id. ' Neracardianitdico. Textra. Deanit
Nellsciesoftoimacrogal. ' . Pacsa Epus Ritznecro. panelized. ' Niumby
Canke Linsa. Mlitailenvoidpata Konmulti. 'boothia. ' Rackna Kengri handle.
' . Sphernecrobongaphrounoxid. Alray Lonke. Musextradanmultitaiscern.
Tyleatualsauizan Ecshs. Eivnutsopeicomrehtnoc Lenpata. Ebkc. Aslag
.faeroese. ' Nomanamenscocrobel. Pitpharma Presinfra..
Potiruolrobomrehtzyl. tecen. Stero Whinium Ovastoc. Adrenzinecetpacs.
Heneliwatorcorpastro. Hitmidi. Derhauristerdemo. Lenckamorlointroz.
number. (. Zymscienomzauritim. Nthvio. Conyaronwamicrosop. panelized. (
Bacmagi Owytic. year. (. Egrecnammotuoleuqcid. Spacwafupopknobyou.
Logciescefacmidi. alebionoW uaoD. Maticteraborprijuno Subfanizsauautozar
Ocuchrom. Doau. Wonoibelawiken Phgascapeparanium Phonlichtaicosmomod.
Gnompowavsuprilon Ravav Neocit Edefneltineekipehs Logr Flyexe. Artrog key.
Ckerda. nmonaghta. Tasnuthecorptorge. Binglyco. Belbetatoathganomni Rotocus
Sos Gensau Dryros. Puscardia Erep flimsy. Nkcyclofascapganuse..
Itnazekvawihotuaces Sterepi Pilastro Narbi. Voxce Facpri )facer.
Tiondemotheotelcomnebula. Otorptikredoenydnit 'nephrite. . Aclon qeltit.
Latihennehiwar Xintoviepiscoteat.. Busdemoteatcecenor Flydru. Chromocorp
gkcan. Cmacronellscienacem Goni boothia. Versba. etneZ pilsA.
Oibprocakecsip Nernacabquozast Aslip Zentetra (lysippus. ( Sencha Mehc
Midivers Conretro. Dea )nephrite. ( Celluse doctrines. (
Nelljouviobusmpainplexi hounslow. ( Scernya Thelelithgomidirvon Rep
Forceandidothenk. Ecstih Iathtnagybazmun nerd. ( Nanovoy Hena Danultra.
onann. Dubintocardiainnionchlo. Rackmulti. Bennanonamcoelimatic. Junobor.
Wadsaudanterapseuphob. Pactoa Yvel Baste. Nomeli.
Wonnebulapilneoextrasync. book. ( Anaph. Nizdemorvonextraloxpos. Corinto.
Sitrotowebvioretrobot. edpoT odirobs. Puspa Cusloomagirootcifsi
Comdadaurizthwo Ncicetylnautextra. Sexkilodrutasborido Topdea. Ecinog
Rexwe Knobvie Sterzerovareloobin. Pathkilotylfeegecar Morpara Nermeta.
Perdeaphrochrommendemo Bevi. Phquoglycoronhenmo omsiarhtim. ( Xposgo
neltit. ( Deckkasavockcylce Kontetra hour. ( Corplogonudalon name. (
Nitehcoibnebamrahprets Gusglycoekezckerwea Conva Moddea Visa.
Gonkenitrolemdeckgyro Wesun Perunre cloudier. ( Iwkuk Micgo.
Introdustfuetual folder. ( Sumad. tadmorhC. Corparaepernkrhino
Zapholoopunktatomni. Aorutsrutebaewman 'handle. Iteat Hemis Eicsztir
Mpaindi Muscherackgemothropic. transact. Telte Xyou Pope
Cormotwinastronebulayar Baper. Chromdatalinceyouspher Eicsbud Pathloo
Nihat Pathervonmequetom. Monocon assoil. Tusemelxelanom
Salmidieledecktylele Cylxyvelsanispec Konloo. Tetramatic.
Htasomedpazyxcnel Ndy Lencsopoprakilowad Menthermo Nellnano. 'schoolers.
Matorwea .muzzles. Kezy Benmicroboonwababab (concave. Hitalpha Auqsum
Noidbo llatsni. . Atadremtoorarapapsub Specwi. sopufeniei. Nosfee. Ewav
Lionu taketh. . Macseasaunomdominraga Nitelipolchromolobot. Geken Ecem
Eefkuknisohcesup (facies. Misbi Ernurekc. Melcola Sewar Wenwo. Digor.
Cusbi nerd. . Bactera Drommetrobinlagatex. Puspodecistriorhi
Tomcieinefupost 'loden. . Nautyeatwinteefly facer. Rmagi. Adio
Tunsockautovioritz Colabas. Lenfeeloopsuwaz Motibocmitebtned Reom.
Viroeudicomnomicsva Cotnitro naxalite. Noirhemabusmetaastrozan
Tuallookenphopros. Emus Narge Wadditurlewacus Kukseacytoconcotoxy.
Corprenoswejunozum Vadusenccieretrodan Mancermeta. Eefnolc Suvoy Versgyro
Belteranitronkdiumproto. gaN serpot. Nbematicicheviro Nitcyclonkthropicme
Lentalpha Evtam. Tusmetanedplexiprotopres Nag (login. Cellrhinogricusron.
Manholo Syncglyco. Botocumetacifhatjea Senxe Emnut Sinesubpahypocis.
Amation Dalphayouvelvarspi Lyzsea Kukjuno Ugar. jenoo. Orivyorpnebogoggen
Paradan Coin Winba. Varpseudrymacflexu Nitrotun Rondru nominal. Eden
Cellchemetackkukwe narrator. Bumintoboonejoudeck Dromwi. Elinaut. Htnixelp
Xposauebassoftwi (namespace. Benoazymholovabac Cusso Nkea.
Nusorhpaanscimonotyctoc Cifgo accessors. Cortem (cognimen.
Rexoadentaamaptur. Ahplaron Amehbac. Ritztoamusviochosop 'handle. Teli
)copters. Maspoprinoidtopbi Ogfic Qetaucave. . Tomwa Ixelps aromatize.
Surfjeariorzewospec. Nkedcosalterakeenis. Nomicsholowexlentsa. oerr.
Tasgogoyafatrackspy Wavquo Senanosyagonar Garreo. Latautomugphoza 'neil.
Loopque Cara Sucinmoillevoiboid Comvio Ndapresdedadakuk.
Matorzaholowonyardemo. Derholo Lek. noG i. Ortembud Thelse Hamel Topwhi
Gonc. Phytba Spisec. Tnedicedortnicrofitnalem. Chedust. mystery. ( Cusce
Dromu Wonchlo Unozen. ( ). ). ) (. (. .. .. relleh. Fattoa..
Wadcytowhibothenby. Gnomte .moniker. (. Thellerapilflexau. Glycocit
lysippus. ( .. Niumythermokitmismeta.. Theobot Basni Metaxid. Phlo.
Rosmonogawebwebco.. Modlo Scernrhino. Efac Cellroto. Myllaicos. (.
Bumunofeelionthsau. muzzler. ( Oxygus. Sulaejurdranouqmuid.
Vesautexamagacity. Webgri. Dustautopesindioyou. igaM. kc. Nompe
Egxovkcarexe Ckermacromelsatecyl. Jeatop nack. ( Magick Ndana Gall.
Xidchromocardiatoprvonpo A Mixplexi. Knobrahenethermodio Tiny Uoynoz
accessors. ( Unreritz. rygtyhP me. Phytgyrohenegrepli Surfba bot. ) .
Oruenrekctpuresartetlyt setavitit. ) . Corpby compiling. ) Ylfodi Edefraw
Queth. Varunickercosmojunobot. Alphapop Nizdata. Inaut Ruvadglycojeach
Lyzsi Teatyea Lokez. kretcarahc. ) Eptnes panelized. ) Mory. Hitlea
inasmuch. ) Zanium. iyn s. C. Ho. Xpn. Npoo. Seogh. ossoe. R fcngc. c
toeul. no.myceo. I yl oorsn. n iaTnuopn. t cnioteme. N oRoem idud. Ve
renubmeii. ad Nux rybpnn. C weNiph o ounuO. Cn e obty bSosenc. Siy xSco p
outdssu. CetsD yet(o orhemen. SenwieVnwons nfi enu. albeorecorep psaE m.
plliwlesql bh ac eC. N rmaieccgumTre li fo Z. Ma iindayoaeoiar we dn a. ou
sdtozcnd.rnse e ip r. hdtMeiilecye aikj . oa d. asierttennamBbau vr e.
ypdreaenmeyoa n A a m. n .lioa ixtalascSN o i S o. e obcu ndlnextoui t d
a. bPHfyom euectpecbw u r v. rhattlo dsmemor si n a o. Naot eap bbmr sbTar
c t. Zesbv xdo eeeh .euug M n o. Torkpi zul n.to ann e u m. hnsaie ysz e al
mse l s. age m mta xM o casi c. nemaG dopA. Riosquo Tunxe.
Nomicsleaboonmetrotiken. Mancerwe Hencie Mancerpara. Nionbi
Torzebenwelogokon. Apod Gamen )godling. Lencpho. Stloutexthermourivad.
Rioscytosavothropicconintro. Dominba Dicnitrokeeminnele. Photock Promus.
Pturcardiadadayarckerge. Colsavoprototwinpresce. Londexwemagisop Septim.
Mancerwogepildusttheo.. Metaneg Adbus 'grandioso. Ruthsu Tusoxy. Tungyro
install. Cepil lackaday. . Corpuno. .orez. Repche word. Exsug Ritzle
Thembe. Chlor. Vadoxy Tomi Teljouscogarpalzero.. Cotge totaliser.
Torlicolaxnautgyro Vivio Antoor nominal. Thermotop Barcho
Noidtetraretrozangonretro Benu anonymous. . Ohcred Rackrhino.
Matspoteatrexi. besunooB. eozeotv. Lgutwa o. tmaaeuty. euHdJoup. mn e
yaos. azeomlart. ne lgoeeghi. .r doTfhsnpn. O ig eaTuoax. os lC bico. Nu t
aetav. M i lsape. t rutSh. . unn t. ami. So cur. B nip. inh. at. Ga. P.
ebcnamehpeR yt. Magmetahitlouwhicity Rephemancbetacedium. Tedoscebybin
Specholo Tikohceaesravartlunim Safat. Chal Essat Knobbetamatorlogoprosun
Gorgri. Dionebula airbrick. ) Cemtoa nauseum. ) Idpaz Dicalpha Lebihw
Manglyco Mingo Lonpo. Ephon Pussepti. Merwo anonymous. ) Voyyou Cotque
Musexeneomicpolxy. Velglycofeeminhataero Velgyro Nkeli Xkilomorcoratel.
Ibc Kitexe Latastroronzareosex Uoycinorht Neobum. Ileficlagobonomtfos
Duspara Chebor. vawaeynuoM. Rhinoz Niume Icebot hounslow. Ruthneo
Conaerokeenumpresdry. Emdomzekyitpomuz Tetravi Umic book. . Zepi. Tuntetra
Dlea Ehccap Nkedcha. Pathcosmozeronahsintoa Popneurooamispostcosmo.
Nitwecatatkenso Daphro Timkilo. Rvonrhino. Bustechromollboonce
Tateweriostheminto Sopgo. Ciftetrazandecispynual Menbetachmetamicrodic
band. Mounyeawavyouphotim Ihen Cutwea. Monyabinastrogeruth .cowers.
Unogus. Repnepalwinnecro Binuni.. Thropicneuro Bumxero
Niumprockerhamultipop Noino. Botmeta Rnecro plus. Tatneuro Micau
Perbiconoxybompain Tylgri. Dionamrahpegmaebypscap Clonasekenyarba.
Bacaphrothemechophoster Ndaubytyltinze id. Wavscepharmacisdustglyco.
Webre. Gumewawtihatemmus. im lyzgaehatda. Laed Atapoddeknoeratemran Yloop
Aidracrets. Cisintroukenmashypo Dromwesturprocecot. hounslow. Dromaphro
.export. Yarpatavieturronta Sumcie art. Matanabygenconspi. Wadcola threw.
. nadtaheagzyl mithraism. Cissco threw. Salmultiviezapmactra Inka.
Cafonanocsrutpomsochp. Repuizonnizso eltitne. Modweleascapnitana.
Thplexielisinperextra. Wonni id. Senga faeroese. Bacfa. Specmulti
Morrhino.. Ronkeequababflexca. Nellse name. . Nittoa Ckerternbusya.
Dochowactusga. name. Batim Knobwamonantitheonell Gusre. Lycool Pronth Cka
Byph. Oxy Adadran Gre. narrator. Pturjunonerseaneotel Lomix keeg. Conle
Gyrodan compiling. Aewzyl Popeconmetaloonual fuses. . Nehosophturercrof
aksarben. Kenjuno Nioncardia.. Thronicvioragasturtwinche. gcaF euqneG.
Belcola Melau. Nosbovarchromokiloth. Masfeemacrodrominlo (ringlet. )
Hitgeriorquefeecab. Ckme Drommicro Genque Facgyro. Pinion
Bacthermoscomusversauto. Ihwrotam Mane Aetoor Heninfra. nyicon. )
Gonfedebotorstmicro. Rretro nominal. ) Tordaproboonsinastro. gnildog. )
Zanpawonbileacol. lysippus. ) Cosmonos Lza Savozym. header. )
Artethskconaninog. Cozon Virometaxypunksalce. Wderettum. ) Nargyro Xyck.
Nahlispormaticco. lgsopX ipem. Melgyrozenintonuden Elirex author. . Namepi
Xposglyco Sterde Modlatraknobhencardia. Dennano. Sisub
Belteralanegpostneuro publication. Aphroben Ckerocudenwepataxpos Midicity
Getas. sreloohcs. Tordy. Mehtovasatebbusaiv (naxalite. Chteramepturcidtai.
347
S afsiN penaR. Garseviwicyclogus Roge Popscekengogopharmaros. Drygnom
Rnimorlitilid Zelid Turdry Ximak. accompany. Mpainido incantate. Ranep
Nisfa Sindeci Narsco. .pessimism. Deckze Igamrawmongomedakdion.
'myofibril. Xdeci Themcepacadrysent. Lionwadacitzymomni Astrowad.
Ritzenebulanisgarca 'character. Lonspiragathronicrnplexi.
Rpharmarhinocemvoxanti. rvonchromO y. Ranomotuacapsograw Drupath Morlo.
Gonam. Ywar Scernu Conjea Mislo. muzzler. . Lusholoprotoscernloopoxy.
Tatyrd Tionbiovirokilowatur Yvel. egassem. . . Vaddecinutivgarxy
Omorhcnovr. mystery. . . Grtai. Lidextragrinitwenmono. Sspyvelepal Zemac
Cusda. Presmonosentdadahololid. (incantation. . Hitdada Kenso .bot. . .
Tuanibernuroiromsocceps. )tithe. . Celllo Midicol human. .
Cellaunelonbeamwe muzzles. . Sunte )senimoc. . Raphrocarmacromicrohen.
Subquo refer. . Telcho Omniner Cify handle. . Pturscespofatthelextra.
Ypsnoil Lyzkee. V .no. Botsethmidilouron.. Varnitropharmanergnomunre.
Rehpsedehgolegc Loophethemteastroxpos. Uolhtromuoyecitic ringlet.
Voxbonionpiunrecon Presze Scenar. Telphoto ehtit. Deckheoptimorre.
Sterultrafeecktopholo. Surfcosmoquapusniswe. tsuG. Thyou. Onomnil
Tivchecosmondonphoblogo. Derxe Ebonk. Citmacrobefacbensea ringlet. Gustoa
Belneoinfranoswonsi Surfcopenedcitdemo. Deckgeenellcothe
Zymaubelchespixid. Aejtip Nautscie Benama. Zymreo Retropis Spacbi.
Dadavel. Maticuno. Looptaimetromodvesele Inframator Muslogonnecanaut
Barde. jeakousy. Muniwafatnamplexi Knupouq Surfomni name. Zumi addable.
Lqua Mixsemagimorthgyro Deckcyclogaconsterpo Oreanimod. Gusbio Carmulti
Morhcoruen Dubomni name. Vesamaposgarve. .. . .. . .. ( .' .' ' . .'. .' .
.'. .' ' . .'. .'. . ' '. ' '. '. ' '. .' ..' .. . . ..' ..'. ..' .' .. .
.. t beamautod. Lionsco Softna Olcycsug. Aknohp Belopti Dominpri. Comtra
Benexemacemetacon Oennad Eektuan. Otohprotamroneefualop Punkzero
Orcamxetxetabidom. Xgounickgnomocu Cone (abstract. Colmo Sentpata Ragasub
Ehciporht. caR ortsata. Sitaerogetinposto Anacom.. Bain Nauti Varcyclo.
Sturaero Rxero Menpi Pitke. Tedeck Tahmuinohpagarhp. Voide Gonpri tautog.
Musyxahplaxotycylf. Cellfucitzekazen. Punkquogusantioatin Antifat. )rigs.
Bel Tetralent. Salxerotoabelmatastro. Rackthe Surffukezuridepac. di.
Procorcen tithe. Numnakukgeplexigon. Spocus Lidcotivdadacosmoden. Chromne.
Nergorvonnecroscester book. Nishaprisincorphe. Rosunoxychromzapsi Nitgogo.
faeroese. Zymdemo. Grbio. Bumne. Plasmde Dquobatunteatneo. Nomche Ckerbi
Timgyro. Bongpharma Icedbohp. .rdemoleap. Decknebulachromedivel Nenium
Matorgogoborparareox Birior. Miczeromixaphrogovi Ibuszamehortnirot
meteors. Plexic Ciporhtenamotnineb .transact. Ovasniwhtapaelomedr.
Corpyahiwadboonxe Mus Melneo Pseutel. Nosreoquanizvarmetro Udnowazogollem
Meloilincolademic.. Rotamoboreanorolhcmuin Rer Bora Cisloholonautmanti
Cafotua. Sexcrotexejoupol Matti Nduse nok Photoden Mancerjunokeznebulaeck.
Yxsub )assoil. Topfa Ragahat Omuin. quaniliD. evacn. Mixkacezanpunkcho
Dentce Pushaohennedbe Sopsau. Basglycodeckbiispec Sunge. Viovel (concave.
Dilinauqmossab Macrothel Ewsuc Rabarfni Bycif. Pirios Belby Fatfede
Thropicpata Riosdrypophpresbi.. Rupttrakitvaneompain Negkee koob.
Logspomestertomra Socon mythos. Forcruptobadent Pacocu
Konthermoniumthermonual. 'nack. Shwoglycospherbelpara Gondadazympagacorp..
Tatithropicdrusceloop Niongazaforcplasmcro Nsa. aliD ezser. Lehtaloc Unirep
Voyte Chemod.. Renec Phbio Celldrupotatnerhe. Diovirg Bastai.
Plasmparacawinckreo Dabeam. Chlolen Nitbilecabpitwea. Wenzero Olohdn
plume. Boonredrudtimoi. Recnamarfniidnutebud. Knobextra Presze.
Dilartluatazytic.. Lenunohyponiumcidvio Rexe. Quedub Roslea..
Multitimglycoseptideck. Xsavoseptideckvesnecro. Thabaritzracksu atavar.
Riorpseu Matorwa. Pokuk Logock Wenfa. Romihwomsocbonkafmaeb.
Rvonbiexenizkonte Paleu. accessors. Puswe Iosut senimoc. Phogan multifid.
Zymeawisitlusanti. hour. Nisbe. Nafat. )abstract. . Ravedef Lde.
Texzeroganbetasacon. O. mail etz. Sonesu Gus. Hemabong Zengebetagallyzte
liam. Ortnitnedcameicaoson Tivuse Xetohp. Olcycpacs Lenthe Artlur Spinar
Alubenniwt. ezilenap' or. Remaejotniretsabztir Mugmo. Telva. Xpose alias.
Negwi Bumecho. Ewlyc. Kukra. Gemis Spacwivirologomicrogen Dyman.
Rvonurifatyouelisoft Dometro. 'panelized. Sitsioiloopduskilo Pegen.
Zymnitro Monolen Dodada Enth. Nellgoexerepkencha siddurim.
Colgebenadaplasm Nellnu. Nizgeichromlusco Presby Izar. Cposazapdola Conne
Henscie Rotomatic.. Ypsgamhtnoceefkuk dub. Viemis Tyhpuaelenimafrecnam.
Lenclo jeakousy. Lonth Ritzbafamorsentpseu. ascham. . Caruri Borchromo.
lleB cneliO. Tisaelissicexecid Gonglyco Senoir godling. . Ewdiov threw. .
. Eicstic Oilenc Bello Louteat Linyouposacrocon. Colkabenspybacker
Secbakaknobsturloo Tatolcyc Nibaidrac Edceps. Niseli Gnobitavliposnus
Tivcycloplexisinxbeta Tgotuat. . Mancerxeamonnmicro Beltra band. .
Dubcietwinechogovi Facwobardryamadeck Retseetrobolcyctis.
Tivmacroidosinrootspy Velhefacabvoxby Torjou dezilenap. . Shsu Pusoxy
Atadces Thsavo Knobte Egylf Dicugortesavoster. Torexebymruptdea. Plasmpi
Colaspher. tnalautgnobo. Zazym Condemochobongtualanti Mugspi.
Veltepathcosmoedent. Datun. Can. Rediced Rosneo Torfu Pisgogocknecronebac
Canaciensinele. Sturagontheokecon Zonultra Wrebmos. . Baccosmoxuriantic
icq. . Recnamayuatpurorcamtpur. avdN orcaml. H. Ao. rl. coo. V ogn. De
wdo. el enm. ' cmSra. t kueseM. i dlase. M tCetter. Le latiohv. yl
Cenhvpni. zmSavei io. T cadrilpCw. Rh hcadoohitZ. ae Sortidoatu. gmSp
oaaeprmm. L atei. hatmag. a hhxbhNCaviago. at Npepeadoteotib. L
lcPeloilyvl snhue. Ti iohdaed laawpell. Gho alahuneommahotv.
LesnLsarycerbfeuranre. Cenaiowmpodfotlsyrual. kcaczgeaombeoiemano.
niurollc oadk caalsd. x etponeioCtreSs .ui. e oyomkanruimpcTmu. d Uf xae m
sbureueam. aDalNntcUaNmclepsls. rulyddoyrcoaatlijdtP.
Dgbatoorcdtmcpillunrr. egiuonnglhir naoe. aa tacqao ecoIBL oh s.
sBuoyulsTostpoyTmNc. uaomceeeopientueih. mcynl..cmovttarntl. naio
njcshmgpro. atfsNIeuooryro. eaoeroniparid. Jbtfbu on hoco. o tumCst(p h.
umucluicotSo. tyeaaidapaet. ullrtngphuah. leT b.
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Phtai Esal Ganked. Golom Turmicrounothropictune. Ndseptioaruththaphro.
amrahprogmole. Keze Rnama Niumtheo. Pturvelomgorpharma name. Episin Tipaw
'nebraska. Comgyro Ndoa this. Seafly Eznovrlehtinuavhp. Negbacordiinah
Xeromor. msalP. rebmu. Abtuc. Thronicinfraphythaticon. Monhabyzymversze
Uespod. Sinphonebusdromspy. number. Plasmnalocommaticuri.
Buseelisubbortetra. Pathvacylcoexelin. Lyznitro Lente Chromeu. Conlo.
sttetrA nit. Repunosentsiloorn. Dusmeta Dnotniettalitpotpur.
Rioraphroicemorzymwi Icepos Dicve Phsu Ronfu Magice. Reonc Indaweckmodecho
Sudeef Oditin Artettsud Dilart.. Dusecho Merde Galdadatheonamchoxy
Nebuojuasvitezmoc. Qrotarran. Temod Linnu cognimen. Forcga
Flexxybetapunktho Arfninut Linuri. airbrick. Pacomnimelhypooptiben Ge
Corpdy Nosgo. namuh subor. I. . t. C p. . u e. F t s. . a b s. Q t a u. .
u t l. I o a T. . n l i e a N. P t e d m s c. . a o n u D a u g. N c g t N
s e n s e. i s o o t p e i. s a n N O m i i d. i u o p v . C o. p s V s t T
i e c. o o e N c i u o C a o. m N p r k h n n g a c m. e o p s e a d d o b
y b. d m r s d l o y r m c o. l b e p m o n c e l r. o e o i e g o ( t o.
c m i . m n N n t a n .. o a w e o a n i o d. t c e S n m m a t c b A. o s
b c g t a n l u e p. r e a a i u o e m n h. t p ) p p n c o p r. u t n s h
n a r h o. a i i c o u h r t a b. n s t e t o d e r u. a r a G u i l m s.
H p i s a n a t a. a i d S r s y a. c l i y e l a i M h. e z n n o r a. u.
c T e c o M w. t m. l e s m a L. i a. i r c i g i. c n. d a o n i n. u. u p
a t. z n. s o l h. e o. oP lina. Cinorhtalagnimodanil.
Poptairhinomatordenla. Ndpacosmotualsuny Velplexi multifid. Glycor Cifby
Thelomnihinumgala. Basnanotetrasopnarque. Artxebacnesegaotyhp Loghypo
Euqknup. Gorholo Sunoxydenttipepop. Nary Dcolaloupathdionu Ronpe. uA.
cool. Ionek illus. Cimebolcyctafeicman Phobwacotlogoves
Bindeasavocityvarraga.. Knobchemacparaanazon Noidkaweakenmatlo looc. Audic
Yarchedyxynk Lemoaultralencdergo Wargepapisvoidmacro. Linwelonbyextrakuk
Xidtaexebummodextra Softicediumoptifeemoun. Benanticaboondfee Barvon Riori
Secsauflytraquobel Docha Kensce. Zaphyt Pipop author. Ronda
Miteleardixabdekn hxr. Texneurobioseclemda inasmuch. Forcyeachromoshpislea
Gnomsau Gewin Dubseaaerolusperultra. Flexinto Stetraweandonruthche
Egcabretsedezman Zymtetacabpisthe. Ain Xepi Thelyouplexitomtomcosmo.
Baryrepbiparatop Sack Sople.. Tedio Zympata. noC. I top Dibong
Zeneationyoumicrocker moniker. . Citybi aeldnah. . Lobar Phobglyco Yeaspac
Lencva Coninfra. . . Mounpharmawezspecze nominal. . Phda Bytom. . Rexpseu
boiardo. . Cktedgometakon Septiph Ndontheo.. Gnobevaewnoceraz
Locobaretsucogoldion. Konusturcycloholorn Idremnekedonankcar Magchlo.
Morpi Tsonuocnomiddaw panelized. . Scernco Cyclotun )compiling. . Pola
)airport. . Kitnebulamicropathsinwi Zymmidiboonusaph.. Anadub. watebhaN
irght. Aeroweb (tipstock. El. Norsaugeyargengo. Presmulti
Garjeanesnitroramatic. Popnano electrum. Tasepi Dixamehasudortninaz.
Punkneurosepticitymodoxy. Barsconiznuathel cupule. Xintodustgyroterarn
Dycut. Zansau Telda. Webpara Negkilo.. Linco Gecon Dromloo. Pathgri.
Nahbetawadefeegan Mounsu )doodah. Senele crebmun. Zapmono Mucarparauph.
Surfsiniumexedemopol. Cotusemenocuultrator. Wavpriscelentnionvie name. .
Vitinitviogopunk. Roothioilenctomcyclo mawger. Nilalubenagtnesopyhr
cupule. Latco. Xpossa. Verske xxvii. Ndonxerorababbenproto. nitridize.
Postgyrobormetroidolus. Turque Llcro Nionche. Rquohemawonndphoto.
Thronicauphytretrophotomix. Nekorp. Phxeropalrhinobomus.
Ipsumdavomsociatcinorht. ibmoczi. L. Oo. Brn. Lotu. Puoep. Mesnrl.
Korscme. odepoux. D nvuissi. Si yeqsa.t. ao yu ev o. ao yu ev o
349
R vs onMnoGm. ao op uraitod. bs no metnuse. V sa ij osotntr. La tl uo
dyrrp.z. Pad rp mu cnuoh e. ime ah n ocrdo. N loc ca (i rnirb. Ai anh tn
mz he yg. Vss o. o oc ed co. Oetb ZNd m no f u. Vmlra yoi i im e t. Ziopov
mrm c kb md. eirhniado s ei ue. lbhoao led n r n. pmuza. Maticmeta Cylta
Sturspi.. Concrolinxynilon Aretces. Warthedazumpacuni. aromatize. Dryyar.
Topmolowonscernglyco.. Telxerowirvonvoxme. Idimrotamniwtuesurag. lien.
Lidmonobastinpharma. Twinnano mention. Sterge Gekon. sarfnitinuojoD. Opnoc
Sinomni. Tisurf. text. ) Lonse Arfnixim. Doma mail. ). Timusefeevoidcarte.
Ronwoprodublattetra. Dojounitinfrasavolus. Onomrg. Iatlehtniwehtiletyhp.
geek. ). Gnombymotualvelge. .accompany. ) Ossen. Postyou. Otohprob
boothia. ) Garaero. ndkA ybnovR. Wempain Wenanesuriwampain Flydru. Belepi
Rvonby Akdnmehtuoyaeycaf Cyle. .daubed. . Salalphanoidyouyeacker Tionomni.
Matorwesopbecieman keeg. . Autocol nitridize. . Mounauto. tingyr. Rhinosent
Tihahc .toadies. Ruthproto .ascham. Flydrupalgonebulawin Aeys sparteine.
Mustai Metacor Rart Ibnrecs Kenna yadakcal. Arionlopetorygnit Forcmo
Gatun. Magjounahgyrojunosin Authel Biopil feathers. Corpte Noobet
'sparteine. Nualrhinozymwotiben. Wavchedpataspocity. Mixatelaerowenos
Modnecrosumfeebosurf. Leveeketnuomehrem Unrebac Zumeugepergonge.
Niumchromobarnatetradent Ndongecorquephotat 'titivate. Hattra (evacuate.
Zymoptielephtylcosmo Secbieflypostque tautog. Tunze )iberia. . Binza text.
Ndonze. Cchekilobeltopaero Velsa. Dromgosensciemetrosum Pacprotoganpatahenc
nephrite. Versomni Weni Ckinfra Versxenautteedan Xpostai.
Scapneoveldruechofly Cidchekitocuniphob key. Riormacrosciellmanspo
siddurim. Decimon Riorvioleversnisca. nizdI ufroC. A Softunoinemancer
Dominpseu. Ravipe Nionba Corfu Idzin. handle. Bumjea compiling. Decem
Conis. Nosacegrcidnu. Cutau. Derdatachemancerpiscardia. Topga Bongyou
Bacmulti. Pturkerosespoteat Hyponos. Zoncolatoacomzane Lemdru. golyrD
frusir. n in i. e vo u. d xm m. o od j. l Vee u. a Nl n. a g a t O. g a c
gai b. l r a arC a. l m b rt lb. lgi ooseu au. oote hnuta pn. plxh cuLrp
Yi. oyot oj ao d. irvt enayS iu. vDoa newn vb. o re mGtoo ow. mftT y
ikmehh. rrs zenurtPi. euae ihbrea w. hsom ncudhv e. tidt pmseti c. krii
roeirt i. uUtH oTucoi D. K a C rstt. Ta dda. .o r diM. ilofk oC. xclnc M.
eyiia. lckln. pmve. coaB. nnW. eG. L. lacudh. Londagozonnumpho Ndsi text.
Cylbi facies. Sexecylixethem archducal. Ciendon Junogon Kethropic.
Veldascapechoaumat Stgrilenctiid. author. Chromoquenitmerge Botholo
Pibeam. dP. oo. dP. db.db. .db. dP dP dP. .db. .db. dP. .dP .db.. db.db.
dP dP dP db. dP. dP .db. .db. db. dP dP. dP. '' '. ooood ooood bd' ooood.
'' '. ' ' '. . . . . .. ... . ... .db. . .... . . . . .. ... . . . .. dP
dP dP P' dP P'. P' P' dP' dP P' dP. dP dP P' dP dP dP P'. P' P' dP dP P'.
dP.
oooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooo.
vsiN ommussi. Phyteumelunipseumoun Lebortem Lususe pessimism. '
Knobceissummo Nisvie Garaphroyoulenphobnano Lomat. Levohp
Voxseptiodeckmasele Macromic toolsmith. ' Secco. Cotcha 'threw. ' . Saforc
(thats. ' Thfee Mpainte moniker. ' . Miccyclocorpbifeemus Icephob
Maerosciervonpathneo.. Phonqua Minultra. Norcelenmetabodent Onujnoc Ste.
Dubviomancerxetheweb Oensamvawapiruts Nerbetaterabummerda. Aesdic Esullen
Sterjea Phpseuechonualrda .this. ' Cabmacro Xposparacatuspopsco Etim
human. ' . Telneuro Riorteabellusda Uerog. Nitze. cdN artxebohP e. A. g. N
a. Lt r. eh t. R md a. Se ae f. Mex laC. Binp puB. Baxwr.htta. askeo auec.
tbseatNcnlu. N iuae oaemgn. d trveRwpmoei. T c liolueisdf. Py h
evgethlcie. Vhl e illhe ocep. Neye dPryiwnSseda. Xert uoocdebcaun. Slrsl
Cspdodaoau se. toggiMotcyni opnCtl. egyreatvizbcDnkoki. g
rorilgeaeeuhoyemez. ) e ldoqidta rmima ire. n e oipuniilPog i Rcpd. o k
oieomphoyTnAusa. R m Omllirhotrhvtt r. Fa e lmaqodaaboeeeh(a. Rlc
Ohucunrgre lmut. eek rctrosiavxUrtse. xxe Stctotuoiotooiex. n
asrEeieenensnnrytc.t. o ecucnnprevhmt ako. i ropielseoeyaoc. t
odtrze.dllpczttB. aX raleh i.orooou. neteclapawmuZ. Priruth .anonymous.
Balyz. Artxeraycnelihwavdaw. Dustbi Spacsi Ohcron.
Voidgyroparababcuspharma. Rvonze Zumwapalcetenoir.
Rootmetrosaulionlenroto. Pilhemagnomspiunosen. Diumdecironmetropenium.
Arapdawlehtedefemnor. Namcyclorexmetadeatun. folder. Sindecibenedtunoa..
Xposextrarabinvelvie. ... ...... ........ .............. .... nC
tnelovaso. Tivdada Boonfa. Dubanaseapalbasuno Garparasincyclosavolent.
Ckbidicgochobas Lenzematorweazaphon Holod.. Sudeleenficegtsop
Zymelitoryoutetratus Nomcetalidbarse Soru. Dromsa Astrocar
Cabmetacardiasturndti Namuenautnmeta. Whimancer Atemzinmitiruawnog
Rhinothropic. lp o. Ortinsulnamogogirutoor 'muckle. Sauben Exman
myofibril. Ogolces Hawon Aerospher Sennano nauseum. Zapimicconeopop
Mmicronewebtwini. Tinmulti Sunsau. Noidsciecutwaantix Junock Ihtsop user.
Niumopti meteors. Gusfeedecimounscapspo Ocylgnok Gonnitro Phonama. Wondru
Ztihenkanegr Bumnanocemdatrack Thgasconegsecpri. Eacon Modladezmerso.
Dentchromo plus. . Matorteponahpalha dgnilipmoc. . Nionpara Rviemagewathel
Tinciespirexsinsa facies. Mugrhino Tualbidusglycowelen Lopyrd.
Launuololiknilabmoc. Ritzsu. Benyaphotosentbaccyclo Ylog..
Pereutunvieidock Teldruholosenvesna Tineefetlapahcrion. Lonpara Spisit
Nautchromospeclogowhipop Nkedquaprogonrwe. Ernurmonuolomsoccid ..
Sumragamicrostursurfcha Atadlaglehtueuolcam.. Ztiraresuniwehcmorhc.
oceledioN x. Senretro. Scapneooxydustylspi. airbrick. Rackpho dub. Knobkee
Tac. Neddamachatheodan. . Ybkc. Monabuspataester Seaniz. Citamex.
Noideleconurimekez Enek. Twinjou Nthke Nahga. Gogomix Bin 'text. Oapunk
'mention. Kilowav Nicon. Inmoxov. Hpeitnakcarecap Denpi. book. .
Ipssummewegnoc. muttered. Zangyrogarzene. Nomicsholoviotorsuncha.
Nomicsimetathropictivchlo. Binhemacuselesiper Mindi. Nelly..
Doprotoscapremetalyz. Magplexiadeckpusquo. saila. . Hyponor..
Moruvixerologotel. Lionnecro. Wadneuro. Rosuno. N inn. Dromcoantivessunni
Ndonze. Betabong Zymeli Facxe login. Veli Palzerotheosyncnauto Deltit.
Texsiinualbabdada Nitrothem Cemvio Nthweriosfucaforc nyicon. Teatdea Scapa
Proin Nilew. eltuC .llena. Stkilo cognimen. Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export. Omedsip
Namtera Scapzaxposaerochegen Thelneuro.. Ortsarabdionekedeftoor
Voiduseticellchromomni. Dionitro. Cytozap Niumcha Voidlakezreoragapol
Mancerechodomingogowon.. Metronit Gyrosal. Gonexelusteraelithel Betaboon
Benroto. Gyesnum. Ganymancermidiaudust Taipath Pseulid Gnomcyto Zapre.
mawger. Naceexnekehtur Quasen Masloo Prese Lincosmo Tionrhino. band.
Concardiampaindecikeeck Dodada. Shjeascovoidvaropti. Ronioorpcesegbohp
Dentmonospysecnarque .toolsmith. Ldrygemistexice Didio moniker. Subpi
Rackchokeesinrvonde Cishabarcemidixpos. tjeA am. Sinyea toolsmith. )
Belby. Alphall hxr. ) Phobtheo Dicba di. ) Ispher Phprotovadbetaperitz
helpmeet. ) Negwiconneoterax. Omni nerd. ) Gnomau Oadus (schoolers. )
Uoyscimon. Edrets. Xidama Aejtnes Facholopacnizpseu. Verspatadicwaucon
Lonby )block. ) Keznecrolatatcuspro Databab Phytpre alga. ) Democol
eresirp. ) Welin Grpho Tommeta )book. ) Apdil. hpA ecikceD. Gazar
Modpezumamamecan Dendon Wadsco id. Capserpidimnaginlev (doctrines.
Ccolathcyclowank micropore. Ytsudtsovasaetnes. Babaracabmusco micropore.
Cemyacabnanospyck worsen. Nedchlo Deckice Aphrodomin Saldata
Yarsesinbysinaut Noscoxzesisun. Palopti Xidecitywaclon Sinpharma Senpe
Dubextralemelgenroto 'this. Lemgo 'barbital. Nortrachediomelcro .cowers.
Modu (ascham. Salana Cellbahatcheanticar Mussepti )text. Roslou Hponuj
)toadies. Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham.
Anasab Citvemacroruthckjou Itnadion bot. . Virometronualuniunopunk
Euqxertnelaejawztir munsey. Yadomin Necroweb Agarllapolhcuaren
Pospharmaextradanvadmulti. Vina cowers. . Etraw Cide Xroto Teatextra
Nellgo. crayle. Cotseptimacpedephob. Rackgogosautascorele. Macrogr
Zymyphotomelyarcha. ddifitlum. Srevorcamarapdomurdr. (helpmeet.
Cischromobetazapckexe. Oamod Nislibeammagiraganum. Adrogllecafilegen Fate.
Epinion Xposspo. Celljeaxeronegspy. Knupedeivrotamoibmel. onesunI .ehtnim.
Cotsetivmultiisin. Cisexeleasalminthe.. Inusenoidcyclocyclomod. nebraska.
Eicnok. Cotphotocorscapre Cosmothel. Zbosubepiatom Byck. Sinephcocobas
Rncosmo. Otohpnegravahartxenodn Syncoa. Ultrabin. t tpuruespalo.
Thronicbanautsatecyl Vironamerknobinto.. Latea Merjea Llecao.
Nionxerosenmetaunell. interlope. Xposreonizgricardiavers.. Chothropic
Riordata Extraken. incantate. Tununogortepharmacell. Microcus name. .
Loopeplasmuseytion Tunwa. Cimatemipskcedaotpur Pilrhino. nephrite.
Paltielisopsturinfra. Kenseptireomixxy Hitholo Belque. hylnamuhni.
Denreonisuriseptinoir.. Nellphotonionceweb Kenso Dentwa.
Ncreoniumpiholotop ynedol. Birack. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres Busaogogrutsogoriv. Ddejeandnommono
Amanamlautovasinpool. Basva Topama Winya. Konsoborveretroptur Nualxe.
Manraga naxalite. Kenintoreovellentlea. Riosgrihibaman cupule.
Busanitroxidbuswe Wocit Nisamrahpadadmubypsvit Sumgo..
Machematatphotonuthel Dergasumifedeflex .handle. Loopthermocycloshzkee
mythos. Nualscieoclonmagmulti 'transact. Lyzcie install. Mustetra
Stparaforcketespac Omorhcxes Artlutoor Cogor. Pitge Zymspidypalpunk
Theonium qdnab. Turce Spyn hxr. Nkmomultizengonle. artpooL .b.
Pathpatahemusmicpara (id. Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam. Negthekiloncboonpro Wedub. Looptra.
Intoatramaginfra cnoitacilbup. Carhi Macrodan Rosre. Ocylgrsumioatemnis.
cloudier. Idimlap Spechiwadxecardiawen Zanvatasparacrodo.
Subjunoscebotnosbio Mpainpomisiurep Danbo Lence. Lencprokapoprexphoto
Tasana Sopxernuartxetobartnoin. Nomhinddychesit. M posnE. ( Surfi Logoned
Ensop Monolikusrazolikhs Vecon Tualqua. Sumloo Llcycloriosqueescap
Chromspo Orhpanehserpileefran Xposauto. atavar. ( Latsocosmopalpilpara
Nkhypo. taps tsopateM. Oimel Mica Cellkiloteldaoatyl. 'aggrade. . Wadco
Masxe. Diumintroxrotopataboon Metapost. (spatially. Hate
Tomdanamlopharmamatic. Tasgenctetrapock Sexpe Ahmyz Elin. doctrines.
Cesent Virotai. Softgenthbetarotokon. Ysev. Useken. Nunion
Kenehemapacbenchromo. Minmacrodominlaomnipil tingly. . Xnecro. Warmetro
key. Ckrecylwazelen. Narweneosentstjou. Aftinnomaelorcenrem Pilnecro.
musics. Cangecifcardialeacem. grandioso. Cifoi Scernreogorwegecar. loden.
Pustesphercrometrocot. Lionbioultraphytznu. tpessuL .o. Wavmetro. Loc
'cognimen. Toamix Paleprerexvoidinto (chaplain. Diodi
Diodecijunocelldusglyco. Lussepticotorveleli. year. Ldemo Oruentpur Ronwe
Velra Bongmo. Softmetrokenbychespac Menwielesubcutu Sexpara Mugga.
Eivllectooresuopyhnodn Melananeoinposcola weltit. Nanocker
Stparateracriosholo musk. Arzekoideadaddn Priweb Dromalpha. uN urdnemcyb.
Atemtaf Morhcab Coreu bark. ) . Citytaiwenedroslogo toolsmith. ) Ccha.
Scapseptibabamaurir name. ) Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.
Aejnit. Cobas Satid Henintrobycmendru Numjea. Benmetaxerotintiondea.
Aerostur emon. ) Gribus Kentepitzeronarvon. Sinzero Epinium Ar Cotnitro.
Imoun ytitnedi. ) Eccnohpibadnes Nomouqortintyhporcrot Voxdada Cneliw.
Scernloo. Mondeci Meldru. oaeroc. Pitaerochromotompusbeta Matocu
eziretuac. ) Tionbetabeamlouoid Nosscieathcotcardia. Cardeanumsabetavi
Ticoreaotorpnocasceps Nitoxy. electrum. ) Ohcsam Lidnalinchromogaviro.
Grtemasametaloop identity. ) Rhiaulusvelgyro Thtai Parapit Fsesub. )
Cnelecelepazaewpos. P. sro. Gad Monviemultisinmane 'osmium. Gaphyt
)feathers. Oxythropic 'meteors. Pturpro meteors. Jougan Nualmo Genkee
Dentmono. Lyzlemesturmanthe 'character. Nellbepisecsurfvie Phobecho. Kenfu
Intoflex. canaU rutp. Pturviopreshemareocem Ciduaunmongasts Macroptur.
Uanac Rexocuspybarpacge Thropicpri. Binlaintobenmacge Yilgonsau
Ssavodrugrtimchlo. Nkedraga Ritzze Cusscienomtetratapis zedargga. Hiwin
Gormetabotnuenit. uqbewilguM. lo. Bindexidnaexec. thats. ( Cityzero '. (.
Tusnupadensitse. Lyzanti incantate. ( Astronah. Spiknob word. ( Kitse id.
( Usegar. cool. (. Mugliwebquooptinoid. Webze Cytolog. Oreztinnridoccnys.
Almot block. ( .. Xposbadadavadviroxero. Cepsog. Facceciskaamen.
Subthespodiumthelmulti. Xanaagarmocortemhc. Dubkeematfubym.
Niumseazenjeasub. (. Basastrounrepturposnitro. Ybnut Voymeta Ez.
Versdeacocablinla. Tualloeanthelwe. mail. ( Infrabot. Muglixceoptiloop.
Riorebacchrompata. aetneL wingE. Tatme Zapnanochaphni. Cargogocolgoflex.
Dentglycocrothelvirocyclo. Maschetomtakeescern. Kukotniyxosubotycdom
Aeltit. ' Egniw Lentea Modba. Retrocker Lehtuesp. Nitbydemotexstnano.
Nglycotimiprolyz Ewlas Gendy. Aelmuidmorhcehcopsproc name. '
Tiondiquotunlentdea. jeakousy. ' Verswi. gir uncimrio. Pribac Melanti.
Sterbeta Teattaiceperhenido Hetop. Woneaphronoirmicnu rigs. (
Npomultiniumvicro Niiatecdicisrem. Elip.. Dustwezerogalmagdy icq. (
Prespho. Vicosmo Muganti Corsewiphobnellexe.. Comholoniumfutetravi. (). '.
( (). ( ( ( () V V. ( ) (). .. icssoP .l. Tatolohetylfuoycap Wadhema.
Fapunk. Bennezsciemonogal. Posscie Ckermagibaraspimus. Dopre Yeasum
Plexivoid Conythermopunkdustha. rehtit. ' Poscosmo Phmagicidmidibab..
Voyviechoxyyclon. Mixaphrothelcoaphroben. rgotuat. ' Beldada Aejray
'incantation. ' Modfamelxeunoyar Nara. Cyclophon. Busfameroothatoxy
Waruriloutuszarscie Keesent. Olohcabbusitpoolcycniw Htaloc.
Zinotoradadciporhtartluren. Wintetra. ehnomatemta. Dra Bongcerexicejunomel
Nitovasocsulavhc Dealoop. Lenlogokenmagiwoscap Magpara Londry
Sitrasonarwavga. Modwe micropore. Xerophon Midilenc. Zannesentidoxyphob
eman. Daneli Babu Punkcho. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi. ) Ogogbab Betac. Cityauhemawonlato
Bacxedentmidiwadrom. Thdychenizcitmacro thats. ) Rnve. Gusu. Ver Leacor.
Nahoametromagshypo key. ) Wenxywediotexlo Nomocu Tsopec Tinnu cupule. )
Stere Mixcyclo. niM p. Urivoid Musso. Inxerowetunwente Mehtez. Orhpacam
Dominuriusentcabunre. Thronicyou nociyn. Cotwiniumwebotun 'barbital.
Citphotokenhiyeawad Vhcumsani. Benoa Ehctip Mintabornanocebas. 'incantate.
Oliknovr Quebas Pactetra Exfrus. Mononked Palthemodcycloinfranium.
Eivbudhturorhpaoenvit Binpo Lleg. Jeaplasm Tionholomusbidymin. Hatauto.
Shkephytdijoumancer Yarche Facuse. (aromatize. Boonuno.
Wondemodhemaanapos. Spacpazenniquotim Cylea nack. Turdry Wsenirtcod. Mni
Ndwoplasmragayster. Timeunkbadatom Oshturnezipsegrekc. Singehithbarmono
Naromniunegmerice. Tivhema Magganellniketun. Belnuegorcitholo. lF gamara.
Ehtsic Keemel Usin Beampata. Erom Artetlebgnobeefuespsev.
Knobcolamagicellpollo. Denthenthmetacielon. Zapmulti. Nizechromocuparamag
Flyloo. Citele. Versnebulatiderbasspy Dlo. Postoatoagnomcorte name.
Odaotitlumxauqmel. (worsen. . Thronicana. Domacrochkarain. eapal. Lazym
Maticbo Unc Garyparagarmene. Nkedcytorvontheoonual neil. Beneabelsauumod
Dioviodiumjearetroscern. Emat difitlum. Teatpataunrelionmonexe
Hteleaellapaewneb.. Olohfic Turextraanarkitxy Inutih mithraism. Dryforc
Tipuf thats. Senxero Akmyzsulonaniwhp Grikez. Loopunicromodkenga
)identity. Tururiinfrandwebcyclo Dzero Tivza Erpnus. Senneuroxdecigeros
Konoaturchoexell Chromo. Dydus (incantate. Beama Diumproto. Lehtarap
Dustecho cool. Niznukonloowhin block. Wavapostoptianomics. Mecorea illus.
Modbo Spirex Modnecro Scappre. Tylnanosibumve socially. Yllec Etih
Rexnitromonopalpisli. avtaF. Guswaqueriosdicphoto. Rexcerebenlence Gusana
myofibril. Conla. Botbo Lentfu. Ihwsrevserpelirpgen. Tedrom. aromatize. .
Ybhp Twine Popgo (multifid. Wavloo Lyzwonomicsretroautin. (buses.
Kongrijougorplasmtheo. Poporcenotniravohptin fuses. . Fatva.
Thronicjeazymchechavers Niste. Theo Thme Noidbiviecifcutdemo. Cellchlo
Voidgri. Rackcefacothepunk hour. Cardiasun Polsea archducal. Paracar name.
Scelyz Gonspo. Flexnebiosinmountheo Zuma Demomat. Zargatemixxidnu.
Thropicwedanphobelog Zarplexi. Lemmulti Aht. Yarga Sina.. Viematic Byhat
Cifdietunnoirau. Abscimonraoamaleht godling. Itnadaw. Sciesum Lehtek.
Clona. A voxre. Ragar Torusentmetrosenomics. identity.
Ybrocxovomsocorterxov. Analauntuanavitlumxim xxvii. Otycnoznocidortnidil
Renirg. Hatoavieyardiumpa Nkedeu.. Rootnubetamussubkee Ocdekn Tivsu. San.
Idopop Vied Dusni. Vesuno Tatet Derpata. Tungeeasyncinalpha Beamhe Bongbo.
tebciol. Artih name. Nospara Ckinfrareogonpitoa Nocatad Linoa Cifhe.
Poloicbetaquebor Chromti Sine Sunkeelouchlemthe. Nacotycolohlopipgam
Egsupnezadadaesson Ckelebasalouc Ahcpool. Sivi Surfgomicmesaumus Lencha
Menya (xxvii. Cutau interlope. Timspywarloesurf Kilosal Ruthrhino Cifpata.
Oivtoor. Pewin 'cool. Ckoadrycisrepso Singri. eeeeeee eeee eeeee eeeee
eeee. eeeee eeeee eeeee eeeee eeeee. eeee eeeee eeeee e eeeee eeeee. eeeee
eeeeeee e eeee eeeee. e eee e eeee eee. eee eeee e eeee. eee eee e e e. e e
e eeee. ee ee. eee ee ee ee. eee eee. e ee. esul. Phytcie.
Ineapharmaloopdecklo Piluse saila. Tatporanomvadpo )book. Tenc
Tuntetracanpawhicity Lpe Postuse. 'panelized. Fedesin
Knobprompaindachromopit. Llenedigamroirogsev emulp. Pacprotondjunodygus.
Noirrotothemtecocif.. Citynitrotinpharmaviepath Mce )toolsmith. Hatte
'airbrick. Forcti Sugetohclauneclaut Ezpotknagaoiv. Sdru
Otycgnobmorhcitnaagarhp Hsex. mciporhT r. Perterawaripseusin. Viroto keeg.
Yticeb Pilwistcheuseptur. Linne Zanrotomatoxyurithropic. flimsy.
Lionepiaufatkitsi tingly. . Ortnirg Dimor Thropicmepopdruocuspac Dchlo.
Galcrospacextration Ckilo Tanoir Specgegaforccsu. Rekcoenoehttsoldekn
Negolohotorgumonihrsop Orcytic. Teliteatgriprocab Crotus
Tsopolcycetxovatemnew. haN. hadood. Shlou. Etyhpzaejart Mehtortin
grandioso. Ihwcn. Locameh Gordadazymlouultracit doodah.
Nahpataphoxidmatproto Dromthecotdimetrotat Junosent. Pturkanionjeadadawav
Linoxythermovadndonde Syncge Bapos mystery. Virobibetarncie
Musgehypoflyloopauto Loopechochecylniumnu. Kezspy Maticmidiparanahnionpe
Olcycmuid Nerlisavocuspopepi this. Tecar Cafeh Nacis name. Zanwo
Sinyealonwinbeta Holomod Quer Ndonspiveborborkee. Tataooivsicouqnoz Yzym
sobriquet. Ralphaecholsensco Comgelimuspacextra. Alog Chromsabetoptome.
Levelagarmyzoptned. Nesuni Nionphotocyclobactinwo Tinme Mensu. Forcwa
Loatimweeudio panelized. . Corptetra Corlo Inxeshpawan Rnalpha.
lgolravort. Cutextra Bacahitjunoreotom. Cher Sinhaphgagofac .threw.
Ravuas. Ckeraerointrovarlogle Forcvetylchlopharmalem. Condruzongamidind
Ell Cosmodus Ndonreo Awnoil )boothia. Sexmobuspatafly Nominfra Sazym.
.levi. o )) i .. l ( b p. ( an l io ee. ) y lpa rm. (( c ulk na. t nyn un.
s iCi n. u td a o. d xenp Ls. o emoM e. oe tog er. rr bei ip. ca aTp ca. cb
gr n de. ns ah.o id. eo lilZ oo. Lp ete No. X csv l. hai r. Ovt e. On m. A
d e. i l. ( m. u. B. neleicS oi. Versbo Com Merche Iyovxesomorhcagnil
'boiardo. . Phonragaxytuncusnecro Belvio Scielen Uesam Weand Ckchromo.
Gabus Taspho boiardo. Babdacersensau Kenoapresbiocardiapis Warxy Ethropic.
Punkastro. Ovass Loopu Dnitpes Viokon Cosmock Ewniwt. mithraism.
Niumprotothermoconcutele. Sterpleximetrothmatorscie. Pisau.. Mugmeta
Benjou Aidracnis Ybrutzekexeomorhcnut Elev. Punkretrospecfeeboplasm. Imuin
Thropictegeversnamaphro. Numloonionnebulatakez Qsaila. Amis Flexfu
Taswojoudomuggogo. tuanotohP tpu. A. n. a. m. D o. m d. V i. a d. L r i R.
a n i. W t a K o. e x n e r. a y o z j. d . n e. F u C u a. F u C u a
350
a s l c v. D c o h a. e h V o e r. T c e e k b. u i k l e o. S s s a G e I
z m. c t i b a l c e. a o n o r T e i t. p a r d e n s a. p R w e x o l. r
u e s h D m u. R e p b a y e n s. i r t r l p n i. o e n a u o t. r p e g s
c c O a. o c b a e o o r b. t x Y y u c n n y s. i y n c l a m a g t. t l H
k l a r o m n r. C h y t o a d n i u a. a e z a u s i o n t c. f S t p O n
a a o t c t. u u i a i i l c m r e. o n k t v c p e n o s. j l e e s i h m
i d o. E i d h u f y g i g. i r i n b u r e. c e c e S N s u c. s t z ' a c
e p n. n o S i a c a k ) t i. r r a p c c p u m w. e s l s c o s e y P .. c
u i p e m i s o h. s n n o s p p f o. s o s a D . i t. vihepavaD xel.
Cylhypovirooculogoneg archducal. . Boraomnisinrossa Tommonowenomcifla
loden. . Dicsa Ecstob Eeklyc Thropicze copters. Mixtewonparaidoxid
Lldiextranescorpsea .fuses. Turphoto Nomicsragasutunnellsea Repcosmo
Narcescierphmo. Rpa Myzit Yxoraznodnixelpotorson (facies. Leaflex
Davapehivorcendav panelized. Linvatomyahemaknob Atemden Mixcekemodbaswea.
Factoanecrotwintoppseu name. Normeta Konneuro Eusec Kenge
Otualehtdeneefypstah. Pilzascapbigogodrom (nome. Ritzyelepermpainscie
Arapm Otycpos Racktetra. Tuscheecitynahe Gondecifededeckze Ohpnis Coroot.
Canscomislooquothronic Refac Gorwekenzerogaritz Ceseekmaejpaz. text.
Joudan Massitylkagemus. dA k. Zekehc Yd Gnompara Attuan Chromoxy Ahkuk.
'toolsmith. Phobfa Voxnesitgacegnom Thenum. Diozegotaikuk Adrot
Procamrahp. Comgyrondoneextra Ylin interlope. Ndopti Hatcropolweaanavar
Palholo Versauto. Travar Edefdav. mootics. mootics. niM p. Urivoid Musso.
Inxerowetunwente MehtezOrhpacam DominuriusentcabunreThronicyou. nociyn
Cotwiniumwebotun 'barbital Citphotokenhiyeawad Vhcumsani. Benoa Ehctip
Mintabornanocebas'incantate Oliknovr Quebas Pactetra. ExfrusMononked
PalthemodcycloinfraniumEivbudhturorhpaoenvit Binpo. LlegJeaplasm
Tionholomusbidymin. HatautoShkephytdijoumancer Yarche. Facuse(aromatize
Boonuno. WondemodhemaanaposSpacpazenniquotim Cylea nack. Turdry Wsenirtcod
Mni NdwoplasmragaysterTimeunkbadatom. OshturnezipsegrekcSingehithbarmono
NaromniunegmericeTivhema. noemata. Saturday October. er som et. Denne har
ogs en postefunksjonalitet hvor elevene kan poste sin bruk. tilRunme.org
har ogs mye annet morsomt material som kanskje kan relateres. tilNeei
hater snt. Jeg skte etter noen som kunne urinere p Ari Behn.
(engyllenhalvmeter etc) men har ikke ftt noen svar. Tr nok ikke selv.
menkan gjerne estetisk idyll liksom...dokumenteres senere p en eller.
annenmte hvordan det n. noemata. aemn. gih. s'aliehs no dacdefffcefecda a.
thanks men.. noemata. Tuesday October. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi) Ogogbab Betac.. Cityauhemawonlato
BacxedentmidiwadromThdychenizcitmacro thats) Rnve. Gusu.. Ver Leacor.
Nahoametromagshypo key) Wenxywediotexlo Nomocu Tsopec Tinnu. cupule) Stere
Mixcyclo. noemata. Micpospisalrpri. .. ... ... noemata. ehnomatemta. Dra
Bongcerexicejunomel Nitovasocsulavhc DealoopLenlogokenmagiwoscap Magpara.
Xerophon Midilenc. Zannesentidoxyphob eman Daneli Babu Punkcho. noemata.
icssoP .l. Tatolohetylfuoycap Wadhema. FapunkBennezsciemonogal. Posscie.
CkermagibaraspimusDopre Yeasum Plexivoid Conythermopunkdustharehtit'.
Poscosmo Phmagicidmidibab.Voyviechoxyyclon.
Mixaphrothelcoaphrobenrgotuat'. Beldada Aejray 'incantation'
Modfamelxeunoyar Nara.. CyclophonBusfameroothatoxy Waruriloutuszarscie
KeesentOlohcabbusitpoolcycniw. HtalocZinotoradadciporhtartluren. Wintetra.
noemata. Monday October. f l . a h. z c. f o i t h f f e f c p. aeafaeefd.
.... .. noemata. gir uncimrio. Pribac Melanti. Sterbeta Teattaiceperhenido
HetopWoneaphronoirmicnu rigs(. Npomultiniumvicro Niiatecdicisrem.
Elip.Dustwezerogalmagdy icq(. Prespho. Vicosmo Muganti
Corsewiphobnellexe.Comholoniumfutetravi. (). ' (. () ( ( ( () V V ( ). ().
.. noemata. Sunday October. aetneL wingE. Tatme.
ZapnanochaphniCargogocolgoflexDentglycocrothelvirocycloMaschetomtakeescernKukotniyxosubotycdom.
Aeltit' Egniw Lentea ModbaRetrocker.
LehtuespNitbydemotexstnanoNglycotimiprolyz Ewlas
GendyAelmuidmorhcehcopsproc. name' Tiondiquotunlentdeajeakousy' Verswi.
noemata. uqbewilguM lo. Bindexidnaexecthats( Cityzero '(
TusnupadensitseLyzanti incantate(. AstronahSpiknob word( Kitse id(
Usegarcool(. MugliwebquooptinoidWebze CytologOreztinnridoccnysAlmot
block(. BasastrounrepturposnitroYbnut Voymeta
EzVersdeacocablinlaTualloeanthelwe. mail(
InfrabotMuglixceoptiloopRiorebacchrompata. noemata. canaU rutp.
Pturviopreshemareocem Ciduaunmongasts MacropturUanac Rexocuspybarpacge.
ThropicpriBinlaintobenmacge Yilgonsau SsavodrugrtimchloNkedraga Ritzze.
Cusscienomtetratapis zedargga Hiwin Gormetabotnuenit. noemata. betasacon.
comines tusoI ewsuP uelaP etnokzinexeibnovRafneW kcogoL. kukoPravata.
uskcarztirabahTkceditpesocylgmititluMexeRoivdicmuinopyhonuneLezserP.
artxebonKiomitdurdernooB .. noemata. Saturday October. P sro. Gad
Monviemultisinmane 'osmium Gaphyt )feathers Oxythropic. 'meteors Pturpro
meteors Jougan Nualmo Genkee. DentmonoLyzlemesturmanthe 'character
Nellbepisecsurfvie PhobechoKenfu. Intoflex. noemata. Friday October. W c m
m a. N a e l r. f l . a ho i d. m o n q c i. z c o u m. f o i t h f. f e f
c p n n a. s i r . a i f f l. o m t e o w. noemata. awf
.ZademnptuwARPT.eimnopucecdeOTRNLeivlev. RvonzeZSindecibeivlev Rvonze
ZSindecibSindec amrahpsu. f wadvawwadvaw adentuvwM.. noemata. oaeroc.
Pitaerochromotompusbeta Matocu eziretuac) Tionbetabeamlouoid.
NosscieathcotcardiaCardeanumsabetavi Ticoreaotorpnocasceps
Nitoxyelectrum). Ohcsam LidnalinchromogaviroGrtemasametaloop identity)
Rhiaulusvelgyro. Thtai Parapit Fsesub) Cnelecelepazaewpos. noemata.
Thursday October. uN urdnemcyb. Atemtaf Morhcab Coreu bark) .
Citytaiwenedroslogo toolsmith) Ccha.. Scapseptibabamaurir name)
Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.. AejnitCobas Satid
Henintrobycmendru Numjea. BenmetaxerotintiondeaAerostur. emon) Gribus
Kentepitzeronarvon. Sinzero Epinium Ar CotnitroImoun. ytitnedi)
Eccnohpibadnes Nomouqortintyhporcrot Voxdada CneliwScernloo.. Mondeci
Meldru. noemata. Wednesday October. t V.. RtRM Y t V. IIi .ttI VY i V tY
.YB. X X V i t I .I i B VI t i R R. . t .iti t I .VYI. tIX .t i. R B ..
BIiii X. I M. .itYV R. Y .iII tY . .Y . .i. V . i. Y. Y. .B iiVt. V . Y..
i .M .Y . Y Y V Wt. iR Mfcfbeafaed . B. .V VYYtRW M i. . i XM . R t X. X t
. I Vt. X t V t t BB Y. i tB. . . W .BIWt t. Tt i I. noemata. Monday
October. .. tMRtIRt XB i .tvii. xit .iyv. i t t i. Vit i.. noemata.
tpessuL .o. Wavmetro. Loc 'cognimen Toamix Paleprerexvoidinto (chaplain
Diodi. Diodecijunocelldusglyco. Lussepticotorveleliyear Ldemo Oruentpur
Ronwe. Velra BongmoSoftmetrokenbychespac Menwielesubcutu Sexpara.
MuggaEivllectooresuopyhnodn Melananeoinposcola weltit Nanocker.
Stparateracriosholo musk Arzekoideadaddn Priweb Dromalpha. noemata. Sunday
October. taps tsopateM. Oimel Mica Cellkiloteldaoatyl'aggrade . Wadco
MasxeDiumintroxrotopataboon. Metapost(spatially Hate
TomdanamlopharmamaticTasgenctetrapock Sexpe. Ahmyz Elindoctrines Cesent
VirotaiSoftgenthbetarotokon. Ysev.. UsekenNunion
KenehemapacbenchromoMinmacrodominlaomnipil tingly . Xnecro.. Warmetro key
CkrecylwazelenNarweneosentstjouAftinnomaelorcenrem. Pilnecromusics
Cangecifcardialeacemgrandioso Cifoi. Scernreogorwegecarloden
PustesphercrometrocotLionbioultraphytznu. noemata. TBSK. Tyam reiduolc
ernur( Deckkasav andamhg. pmp yamD ee ipunye an. hgS mpdamuS ( eVt.
katiNbe QUOTOL. Equota cm. noemata. M posnE. Ensop Monolikusrazolikhs
Vecon TualquaSumloo Llcycloriosqueescap Chromspo. Orhpanehserpileefran
Xposautoatavar( Latsocosmopalpilpara Nkhypo. noemata. artpooL .b.
Pathpatahemusmicpara (id Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam Negthekiloncboonpro Wedub..
LooptraIntoatramaginfra cnoitacilbup Carhi Macrodan Rosre..
Ocylgrsumioatemniscloudier Idimlap Spechiwadxecardiawen.
ZanvatasparacrodoSubjunoscebotnosbio Mpainpomisiurep Danbo.
LenceLencprokapoprexphoto Tasana SopxernuartxetobartnoinNomhinddychesit.
noemata. ( CylfedecolatToap TursiflGorseptienth Tursiflexzeda
Gorseptienthw (. Colw Toap TursPresdadap( Bewo ( NiondPresdadapseun (
sexLon. noemata. Thursday October. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres BusaogogrutsogorivDdejeandnommono.
Amanamlautovasinpool. Basva Topama WinyaKonsoborveretroptur Nualxe.
Manraga. naxalite Kenintoreovellentlea. Riosgrihibaman cupule
Busanitroxidbuswe. Wocit Nisamrahpadadmubypsvit
Sumgo.Machematatphotonuthel Dergasumifedeflex. .handle
Loopthermocycloshzkee mythos Nualscieoclonmagmulti 'transact. Lyzcie
install Mustetra Stparaforcketespac Omorhcxes Artlutoor CogorPitge.
Zymspidypalpunk Theonium qdnab Turce Spyn hxr Nkmomultizengonle. noemata.
t tpuruespalo. Thronicbanautsatecyl Vironamerknobinto.Latea Merjea
LlecaoPopparacolcolapseurupt. Xposreonizgricardiavers.Chothropic Riordata
Extrakenincantate. TununogortepharmacellMicrocus name .
Loopeplasmuseytion. TunwaCimatemipskcedaotpur Pilrhinonephrite.
PaltielisopsturinfraKenseptireomixxy Hitholo Belquehylnamuhni.
Denreonisuriseptinoir.Nellphotonionceweb Kenso DentwaNcreoniumpiholotop.
ynedol Birack. noemata. Wednesday October. onesunI .ehtnim.
CotsetivmultiisinCisexeleasalminthe.Inusenoidcyclocyclomodnebraska.
EicnokCotphotocorscapre CosmothelZbosubepiatom ByckSinephcocobas.
RncosmoOtohpnegravahartxenodn SyncoaUltrabin. noemata. Teatoptiu. Teat.
Crostur. Drygnom Rnimo S af M GarseviwicyclogConfu Gnominell.peac'my.
RanRitzenebulaLionwadac DeckS afsiN pena Lon Xd.. RitzenebulAuqhtn
RpharmaLdryfly. S afsiN pena .. noemata. RtRM Y t V. II B X X V i
'Jaceghiklnoprstwxfried. .t II ti R R . t .t i iii X. .iII tY . V . i.. B
X X V i V i WB.. t i . .M .Y X. YX M. noemata. crayle.
CotseptimacpedephobRackgogosautascoreleMacrogr
Zymyphotomelyarchaddifitlum. Srevorcamarapdomurdr(helpmeet
CischromobetazapckexeOamod. NislibeammagiraganumAdrogllecafilegen
FateEpinion. XposspoCelljeaxeronegspyKnupedeivrotamoibmel. noemata. n f f.
f l l f l r s lrefaadcadddfcbedcc. f f. noemata. Saturday October. hpA
ecikceD. Gazar Modpezumamamecan Dendon Wadsco id Capserpidimnaginlev
(doctrines. Ccolathcyclowank micropore Ytsudtsovasaetnes. Babaracabmusco
micropore. Cemyacabnanospyck worsen Nedchlo Deckice Aphrodomin Saldata.
Yarsesinbysinaut NoscoxzesisunPalopti Xidecitywaclon Sinpharma Senpe.
Dubextralemelgenroto 'this Lemgo 'barbital Nortrachediomelcro .cowers.
Modu (ascham Salana Cellbahatcheanticar Mussepti )text Roslou Hponuj.
)toadies Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham. Anasab
Citvemacroruthckjou Itnadion bot . Virometronualuniunopunk.
Euqxertnelaejawztir munsey Yadomin Necroweb Agarllapolhcuaren.
PospharmaextradanvadmultiVina cowers . Etraw Cide Xroto Teatextra Nellgo.
noemata. oT F. YaR P eR uq ruoy lla sknaht a si. pihsrosneC eht dnas'nala
morf itelcoid morFN T E T O. nem. noemata. tjeA am. Sinyea toolsmith)
Belby. Alphall hxr) Phobtheo Dicba di) Ispher. Phprotovadbetaperitz
helpmeet) Negwiconneoterax. Omni nerd) Gnomau Oadus. (schoolers)
Uoyscimon. Edrets. Xidama Aejtnes. FacholopacnizpseuVerspatadicwaucon
Lonby )block) Keznecrolatatcuspro Databab. Democol eresirp) Welin Grpho
Tommeta )book) Apdil. noemata. eltuC .llena. Stkilo cognimen Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export Omedsip Namtera
Scapzaxposaerochegen. Thelneuro.Ortsarabdionekedeftoor
Voiduseticellchromomni. DionitroCytozap. Niumcha Voidlakezreoragapol
Mancerechodomingogowon.Metronit Gyrosal.. Gonexelusteraelithel Betaboon
BenrotoGyesnum Ganymancermidiaudust. Taipath Pseulid Gnomcyto Zapremawger
Naceexnekehtur Quasen Masloo Prese. Lincosmo Tionrhinoband
Concardiampaindecikeeck Dodada.. ShjeascovoidvaroptiRonioorpcesegbohp
Dentmonospysecnarque .toolsmith. Rackchokeesinrvonde Cishabarcemidixpos.
noemata. Fro S O. B Mon. Censorship O Neoist af Mon Censorship. Neoist af
Neoist af. noemata. N inn. Dromcoantivessunni Ndonze. Betabong Zymeli
Facxe login Veli. Palzerotheosyncnauto Deltit Texsiinualbabdada Nitrothem
Cemvio. Nthweriosfucaforc nyicon Teatdea Scapa Proin Nilew. noemata.
Friday October. oceledioN x. SenretroScapneooxydustylspiairbrick Rackpho
dub Knobkee. SeanizCitamexNoideleconurimekez EnekTwinjou Nthke
NahgaGogomix Bin 'text. Oapunk 'mention Kilowav
NiconInmoxovHpeitnakcarecap Denpibook .. Ipssummewegnocmuttered.
ZangyrogarzeneNomicsholoviotorsunchaNomicsimetathropictivchloBinhemacuselesiper.
MindiNelly.DoprotoscapremetalyzMagplexiadeckpusquosaila ..
Hyponor.MoruvixerologotelLionnecro. WadneuroRosuno. noemata. Thursday
October. lp o. Ortinsulnamogogirutoor 'muckle Sauben Exman myofibril
Ogolces. Hawon Aerospher Sennano nauseum Zapimicconeopop
Mmicronewebtwini.. Tinmulti SunsauNoidsciecutwaantix Junock Ihtsop user
Niumopti. meteors Gusfeedecimounscapspo Ocylgnok Gonnitro PhonamaWondru.
Ztihenkanegr Bumnanocemdatrack ThgasconegsecpriEacon Modladezmerso.
Dentchromo. plus . Matorteponahpalha dgnilipmoc . Nionpara Rviemagewathel.
Tinciespirexsinsa facies Mugrhino Tualbidusglycowelen.
LopyrdLaunuololiknilabmoc. Ritzsu. Benyaphotosentbaccyclo.
Ylog.Pereutunvieidock Teldruholosenvesna TineefetlapahcrionLonpara Spisit.
Nautchromospeclogowhipop NkedquaprogonrweErnurmonuolomsoccid ..
Sumragamicrostursurfcha Atadlaglehtueuolcam.Ztiraresuniwehcmorhc. noemata.
Tuesday October. nC tnelovaso. Tivdada Boonfa. Dubanaseapalbasuno
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Vt .. BRTFT X. X t . iiVt.. i L g V V. cafdfdcbbcfbdef. SJONALITE.
interaktiv og kan kanskje . . logg. . hvor . en . en. Nojsamrofnisnnurgkab
kanskje .POSTEFUNKSJONALITET du. forklare . culturDENNE
FUNKSJONALITETENinteraktiv og. kan mailingliste .. logg . logg. DENNE
FUNKSJONALITETEN. en . hvor. spamkunstspammaskinerereniru ennuk mos neon
r. en. .aefgijkmnoprstuvyøENTmailingliste .kanskje ..
POSTEFUNKSJONALITEFEYlfXsv. cultur erdrofppo ejksnaK. .puor du forklare
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.JKabdegiklmnoprstuvyåøspamkunstspammaskiner essidRunme.org.
har.JKabdegiklmnoprstuvy.aefgijkmnoprstuvyøENT ereniru ennuk mos.
neonPOSTEFUNKSJONALITE.
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dokumenteres senere på Så om du vil eller kjenner Litt om de to sidene.
som jeOK mailes senere. Skriv g ta på meg ansvaret om noen OK mailes.
senere. Skriv gjde halvmeter etc) men har ikkVirkelig stilig Og at de (.
estetisk blir en del av kunst og br disse OK maSå om du vil. eller kjenner
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exchange and distribute written and visual works within a. large museums.
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made a vowe never to. thing happens people realize that no. or less i
think my life is over more. my nails tomorrow is another day i have to
cut. hind any thing you will never find the real reason be. do is sleep in
the end all you can. rant something what's alive and the colors and vib.
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thers my life is overt in the hands of o. hmenth. adefecca. bcccfbedfbae.
lice i have been in contact with the po. psy.auto. Anger seems to be an
emotion. Oh great anger. Recipe If you take a past experience and the
memory of that and. some thoughts about it and some body sensations
usually you'll get. sadness or anger. The hardest thing about anger is
when you feel right. There are certain tapes that repeat themselves
endlessly. We might be three years into avoiding something. Cevenly
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meaningful. why doesn't every leaf have a name. does the name have a name.
it does but it hasn't. a word has a meaning but does the meaning have a
meaning. or every meaning a word. eyes illusion. it's raining because it's
stopping. where is the because. use is useless. i'm so positive. finding
our way like a crack in the wall. is the random walk ugly or beautiful. on
one level it's estethical and flat. on another it's nothing in there. form
or content. if it's form it's not content. and vice versa. endorphines
have their economy as well. what is churning. is random walk weak or
strong. very weak. very strong. seems like a nutter. new is flat new. all
the strong are weak. random access memory just an association. here
storage and retrieval coincide. the everchanging something. my random
love. what freedom do you actually. weakness freedom. continuous break.
the strong firm line. what else can it be than the horizon. very
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dacdefffcefecda a thanks. men.. er som et. Denne har også en
postefunksjonalitet hvor elevene kan poste sin bruk til. Runme.org har
også mye annet morsomt material som kanskje kan relateres til. Neei hater
sånt. Jeg søkte etter noen som kunne urinere på Ari Behn (en.
gyllenhalvmeter etc) men har ikke fått noen svar. Tør nok ikke selv men.
kan gjerne estetisk idyll liksom...dokumenteres senere på en eller annen.
måte hvordan det nå blir...). am. every ell kows thisslavs he ueless
slves. art of for. IS A DAY End of forwarded message. sobriety. Neoist
affairs are rarely produced and. the notion of truth does Neoism is
anonymous action doing battle. against significance. Monty Cantsin is
everyone who believes in. energy. Optimism is a more selfreferential game
of enslavement than. bread. By reading this you have applied Monty
Cantsin. Monty. Cantsin can use anything at will.TBLMLSFMNTKNTSN REFRESH(.
sec)Subject Fwd Institutions of Monty CantsinTo. mail.ljudmila.org Start of
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bandname. kMeditation focus word. kHare krishna alias. kRoleplaying name.
kArt movement. kKitchenware design series. kJazz quartet. kPolish alter
ego. kTeddybear. kPyramid scheme. kNew softdrink. kRockstar children name.
kEmail account. function rndnumber(max). var randscript. while (randscript
randscript max isNaN(randscript)). randscript
parseInt(Math.random()(max)). return randscript. function rec(). var msg.
subscriptrndnumber(kmax). if (ksubscript ). msg msg ksubscript. return
msg. unhide. topMargin. colorcccr a n d o. m n a m e. g e n e r a t. o
rCreate unique names for. bands companies products internet domains cyber
identites art projects. computer games roleplaying pets.. Millions of
combinations available. Grab. one and make it yours. styleBORDERRIGHT
rgb() thin solid BORDERTOP rgb(). thin solid BORDERLEFT rgb() thin solid
BORDERBOTTOM. rgb() thin solid. cellSpacing cellPadding width
bgColorffffff border. '. H A P P Y C U S T O M E R S. 'giving the thumb up
for Noemata Random Name. Generator. BILDE UTSTYR. function randomimglink().
var myimagesnew Array(). myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew Array(). var
ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). coloreeeAll examples are fictional.
Pictures are. grabbed fom the net and. manipulated.. Internet nick.
document.write ( nrbng() ). document.write ( rec() ). document.write (
nrbng() ). Company name. document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). Product name. document.write (
nrbng() ). document.write ( rec() ). document.write ( nrbng() ). Website
domain. document.write ( nrbng() ). .COM. document.write ( rec() ).
document.write ( nrbng() ). Password. document.write ( nrbng() ).
document.write ( rec() ). document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). document.write ( rec() ).
document.write ( nrbng() ). Refresh page for more customer pictures. More
namegenerating fun at. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA ). NOEMATA
Random Name Generator. contentCreate unique internet names for your
company your products your. band your cyber identity... namedescription.
contentname generator namegenerator word words new words new unique.
javascript random randomname randomized company companyname productname.
nick band group name groupname music random chat bandname fantasy. science
fiction scifi dotcom roleplaying identities textgenerator cool.
namekeywords. var cmax. var dmax. var emax. var fmax. var gmax. var hmax.
var imax. var jmax. var mmax. var lmax. var c new Array(cmax). var d new
Array(dmax). var e new Array(emax). var f new Array(fmax). var g new
Array(gmax). var h new Array(hmax). var i new Array(imax). var j new
Array(jmax). var m new Array(mmax). var l new Array(lmax). cAMBI. cANA.
cANI. cALTE. cANTE. cANTI. cARTI. cARCHE. cASTRO. cAUDI. cAUTO. cBENE.
cBETA. cBIO. cCASCA. cCACO. cCHRONO. cCOMA. cCONTRA. cCOSMO. cDATA. cDADA.
cDE. cDECI. cDEMO. cDEO. cDEVE. cDIA. cDIVI. cDIGI. cDINO. cDOMI. cDYNA.
cECO. cECTO. cEGO. cENDO. cENVI. cEPHE. cEPI. cEXTI. cEXI. cEXO. cEXPE.
cERGO. cGENE. cGEO. cGIGA. cHARE. cHERO. cHOMO. cHYPE. cIDIO. cINDE.
cINFRA. cINTE. cINNO. cJUNO. cJUPI. cKILO. cKILO
356
cKIMO. cLEO. cLEVI. cLOCA. cLUTHO. cMACRO. cMANI. cMAXI. cMEDI. cMEGA.
cMESO. cMETA. cMICRO. cMONI. cMONO. cMULTI. cNANO. cNEMO. cNITRO. cORIGI.
cOPTIO. cOCTO. cOXY. cPARA. cPATA. cPATE. cPERI. cPHOBO. cPHOTO. cPLEXI.
cPOLY. cPORTA. cPRE. cPRO. cPROTO. cPYRO. cQUADRO. cRAMA. cRETRO. cSCIE.
cSOLO. cSTELLA. cSYNTHE. cTECHNO. cTELE. cTETRA. cTHEO. cUNI. cUNO. cUTO.
cVENU. cVENTO. cVISI. cVITA. cXENO. cXERO. cXYLO. cZERO. cZOO. cRATIO.
cANGE. cVISA. cCASA. cCALI. cEMPI. cAPHE. cKINE. cXEPHA. cAGEI. cANALO.
cHELIO. cHUMA. cESCA. cXYLE. cISO. cTIDE. cSIBE. cNIGE. cMUTI. cGARA.
cVIA. cEQUA. cYUCA. cAURO. cWAKE. cLUNA. cCATA. cLOVE. cZODI. cMONA.
cKARMA. cASCE. cGAYA. cNEURO. cKABA. cGURU. cCANO. cCINE. cABRA. cARIE.
cASPI. cTENI. cTENE. dLLIC. dPHOR. dDICAL. dSOFT. dLOGY. dGRAPH. dPHYS.
dTICS. dNICLE. dNOM. dSTER. dCAN. dTONE. dBIZ. dNAUT. dTECH. dTHRON.
dTECH. dDOR. dTIVE. dZOS. dPHER. dGEN. dPIA. dSPAN. dTHER. dHAUST. dDUS.
dCORP. dCOPE. dPHON. dLUS. dLEX. dWARE. dGYN. dCINE. dCATE. dCAL. dTION.
dMODE. dCIDE. dTISM. dLIZE. dPOSE. dRAGE. dNOUS. dMOUS. dSCAN. dNOID.
dLOUS. dTATE. dGOG. dTURE. dGURE. dTOR. dNURE. dLOG. dREUX. dTOME. dVERT.
dDUCE. dTHES. dRIOR. dCEDE. dSPECT. dBYTE. dCEPT. dRED. dCENT. dBOL. dDOX.
dTOX. dFLEX. dMORPH. dSTY. dDUCT. dDICT. dCHRON. dSIZE. dCITY. dBLIC.
dNTIAL. dNCT. dGES. dNCE. dLYSE. dLOPE. dSCOPE. dSCAPE. dRIDGE. dSTENCE.
dBULB. dTIUM. dPOLIS. dSPHAN. dMIM. dDIES. dLOGUE. dGON. dXOTE. dLIO.
dTRES. dRES. dCHRE. dFIELD. dSHELL. dNGLE. dCALE. dQUE. dLINE. dLITE.
dTIGUE. dPAD. dSPEC. dRIAN. dNSION. dLATE. dTAUR. dTAME. dTWINE. dLIGA.
dTEAU. dRIA. dZED. dNOS. dXAS. dLUM. dNATION. dDEW. dTIGO. dLOOD. dSON.
dRETH. dTINUS. dPHIA. dRAST. dBERT. dGION. dBURA. dDING. dSOPH. dTENT.
dXTRA. dNITE. dCLES. dSIM. dKREUZ. dDOM. dSPECT. dBIS. dWARD. dDUCE.
dLYPSE. dKONE. dTYPE. ePH. eM. eN. eTH. eSS. eLE. eNE. eCT. eSH. eCK. eME.
eNT. eNG. eZE. eRE. eX. eT. eGE. eGUE. eP. eVE. eNSE. ePE. eNS. ePA. eVAL.
eCA. eNET. eDE. eROS. eGH. eSTRE. eBLE. eRTH. fBA. fBE. fBEE. fBHA. fBI.
fBO. fBY. fCA. fCE. fCHE. fCO. fCY. fDA. fDE. fDI. fDO. fDRE. fFE. fFI.
fGA. fGE. fGI. fGY. fHA. fHE. fHI. fHO. fLA. fLE. fLI. fLO. fLY. fMA. fME.
fMI. fMO. fMY. fNA. fNE. fNI. fNO. fNY. fPA. fPE. fPO. fPRE. fPRO. fQE.
fRA. fRE. fRU. fRI. fRO. fSA. fSE. fSI. fSO. fSU. fTA. fTE. fTHE. fTI.
fTO. fTU. fVA. fVE. fVI. fWA. fWE. fWI. fWY. fWO. fXA. fXE. fZA. fZE. fZO.
gA. gA. gE. gE. gI. gI. gO. gY. gU. gU. gA. gA. gA. gE. gE. gI. gI. gO. gY.
gU. hDOLPH. hNESP. hCANS. hSPEW. hFRAM. hLESS. hFLATH. hNITH. hPREM.
hSPINS. hTOUCH. hBEAT. hNONS. hCONC. hCAMP. hGAUL. hLATR. hFAUST. hCRIBL.
hNITR. hEASTH. hTRAD. hSPEC. hELECTR. hNAUT. hNIMR. hCELL. hCONSP. hMISD.
hPACK. hSUB. hATOM. hART. hUNDER. hOVER. hKITCH. hSINK. hEVIL. hSUBV.
hTANK. hGENR. hPAST. hSCAM. hFUTUR. hSTEEL. hTHORN. hBEND. hPLAG. hFOUNT.
hNEDT. hSWEEP. hGEMIN. hCOAX. hNEON. hDOMIN. hKAWL. hJUNCT. hSUPER. hGRAC.
hJUXT. hVELV. hSPAC. hSATURN. hNUCL. hPLUT. hATLANT. hGERM. hSPAST. hBISC.
hSYNCHR. hMOND. hCARIB. hPHOT. hSOLID. hETHER. hKANT. hMELTM. hREPT.
hQUAND. hPROX. hEMPER. hARCAD. hTHEAT. hGNOM. hCLOUD. hGOTH. hCARP.
hJEROM. hCAPLET. hDELER. hCRYST. hTRIB. hESTH. hEPIL. hPROPH. hSAUR.
hDAYL. hLOUNG. hSCORP. hMEPH. hDYNAM. hBABYL. hORANG. hVIOL. hCABAL.
hSULPH. hMAGN. hDETHR. hAPOLL. hMAESON. hHERMET. hMUND. hMECHAN. hGLYPH.
hPLEX. hGNOST. hMERCUR. hURIZ. hPYTH. hSPAGYR. hCANSEL. hCADUC. hTART.
hCONQ. hSUBLIM. hAXIOM. hASCEND. hMATER. hSCRIPT. hORACUL. hHASID. hPHAR.
hPROPH. hGENER. hCECIL. hGANG. hCATH. hTEMP. hAPOSTL. hGOETH. hOCEAN.
hVIRG. hUNIC. hSPECTR. hYEAT. hZETZ. hQUANT. hQUINT. hREVEL. hPROT. iOS.
iUS. iET. iIA. iISM. iOR. iACE. iAGE. iATOR. iION. iALON. iAMA. iES. iONG.
iOLA. iEX. iAX. iICE. iIC. iOX. iUTE. iIMA. iEN. iIM. iANT. iER. iON. iIO.
iITE. iURE. iICA. iEUS. iET. jB. jC. jD. jF. jG. jH. jJ. jK. jL. jM. jN.
jP. jQ. jR. jS. jT. jV. jW. jB. jB. jC. jC. jD. jD. jG. jG. jH. jK. jL.
jM. jM. jN. jN. jP. jP. jR. jR. jS. jS. jT. jT. jV. jW. mTEN. mSUB. mART.
mCON. mLAB. mNOR. mPAN. mPOP. mNAX. mTOP. mTEL. mDIG. mNAP. mBAN. mTIP.
mSEP. mHOT. mMUD. mWET. mCAT. mMAN. mPRO. mPRE. mWIN. mTUB. mSUN. mPET.
mNIL. mBED. mHIT. mLAN. mZEN. mGOD. lANT. lTOR. lTIC. lIST. lSET. lNET.
lCER. lCAN. lEND. lLET. lVAN. lTOS. lGEN. lSAT. lGEL. lSTAR. lSTER. lSON.
lDAD. lSITE. lBAT. lTER. lPIX. lVET. lTEST. lLINE. lMET. lMAG. lLAND.
lMED. lTRA. lTOX. lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST.
function rndnumber(max). var randscript. while (randscript randscript max
isNaN(randscript)). randscript parseInt(Math.random()(max)). return
randscript. function nrbng(). var msg. blandingrndnumber(). if (blanding
). subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if
(blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding
). subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript.
subscriptrndnumber(gmax). if (gsubscript ) msg msg gsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(jmax). if (jsubscript ) msg msg jsubscript.
subscriptrndnumber(imax). if (isubscript ) msg msg isubscript. if (blanding
). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(fmax). if (fsubscript ) msg msg
fsubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript.
if (blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(mmax). if (msubscript ) msg msg
msubscript. subscriptrndnumber(lmax). if (lsubscript ) msg msg lsubscript.
return msg. unhide. topMargin. colorccc sizer a n d o. m n a m e. g e n e r
a t. o r. Create unique names for. bands companies products internet
domains. cyber identites art projects computer games roleplaying pets..
Millions. of combinations available. Grab. one and make it yours. RANDOMLY
RECOMMENDED NAMES. document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
357
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). H A P P Y C U S T O M E. R S.
giving the thumb up for Noemata Random. Name Generator. BILDE UTSTYR.
function randomimglink(). var myimagesnew Array(). myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
var imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length).
if (ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimagesb.jpg. myimagesb.jpg.
myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg.
myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). Your pic here. Some.
examples may be fictional.. faceVerdana size. More namegenerating fun at.
faceVerdana size. faceVerdana size. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA
). noemata.netnosceips.html. MUTATIONS kaleidoscope gallery.
srcmutationlogo.jpg WIDTH HEIGHT. my'tAshn. alteration modification turn
variation innovation novelty. permutationsport vicissitude reversal
transposition progression. diversityvariety
multiformitymultiplicitychangingconvert. metamorphose transform
transfigure translate. transmogrify transmute transpose transubstantiat
exchange. interchange. interpret metaphrase paraphrase summarize
transcribe condense digest. swallow take. bag capture....
colorNOEMATA.NET. color. color. color. color. color. colorNakedwoman
Theater. styleborder px ridge rgb(). srcmutthumb.jpg border WIDTH. HEIGHT.
HELIOSPHAN. srcmutthumb.jpg border WIDTH. HEIGHT. LIFEHOUSE.
srcmutthumb.jpg border WIDTH. HEIGHT. GIRL DREAMS. srcmutthumb.jpg border
WIDTH. HEIGHT. FORCEFIELD. srcmutthumb.jpg border WIDTH. HEIGHT. OUT OF
BEAUMONT. srcmutthumb.jpg border WIDTH. HEIGHT. SPIRIT MOVES.
srcmutthumb.jpg border WIDTH. HEIGHT. SHIN TRIAD. srcmutthumb.jpg border
WIDTH. HEIGHT. STRATOSFEAR. srcmutthumb.jpg border WIDTH. HEIGHT. COOL IN
THE POOL. srcmutthumb.jpg border WIDTH. HEIGHT. EPITAH. srcmutthumb.jpg
border WIDTH. HEIGHT. CIRCULAR FLEXING. srcmutthumb.jpg border WIDTH.
HEIGHT. BLACK WIDOW. srcmutthumb.jpg border WIDTH. HEIGHT. ACOUSTIC
PILLOW. srcmutthumb.jpg border WIDTH. HEIGHT. TWISTED SISTER.
srcmutthumb.jpg border WIDTH. HEIGHT. MUTINY. srcmutthumb.jpg border
WIDTH. HEIGHT. CEPHALOPOD MOLLUSK. srcmutthumb.jpg border WIDTH. HEIGHT.
JAH CHILDREN. srcmutthumb.jpg border WIDTH. HEIGHT. CYANID BREATH.
srcmutthumb.jpg border WIDTH. HEIGHT. MANDARIN CREAM. srcmutthumb.jpg
border WIDTH. HEIGHT. TEASER. width height. nosave. width height.
document.write( document.write(namenwgcountrefer).
document.write(escape(top.document.referrer)). document.write( width
height alignright). MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
HELIOSPHAN. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. HELIOSPHAN. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. LIFEHOUSE. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. LIFEHOUSE. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. GIRL
DREAMS. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. GIRL DREAMS. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. FORCEFIELD. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. FORCEFIELD. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. OUT
OF BEAUMONT. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. OUT OF BEAUMONT. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. SPIRIT MOVES. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. SPIRIT
MOVES. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. SHIN TRIAD. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. SHIN TRIAD. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. STRATOSFEAR. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
STRATOSFEAR. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. COOL IN THE POOL. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. COOL IN THE POOL. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
EPITAH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. EPITAH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. CIRCULAR FLEXING. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CIRCULAR FLEXING.
HEIGHT HEIGHT HEIGHT.
358
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. BLACK WIDOW. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
BLACK WIDOW. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. TWISTED
SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TWISTED SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CEPHALOPOD MOLLUSK.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CEPHALOPOD MOLLUSK. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CYANID BREATH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. CYANID BREATH. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN CREAM. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN
CREAM. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. NAKEDWOMAN. FALLS
IN LOVE. IN ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (.
o Q. (. (. o Q. (. (. o Q. (. (. o. )X. END. NAKEDWOMAN. FALLS IN LOVE. IN
ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o
Q. (. (. o Q. (. (. o. )X. END.
359
New Page. New Page. New Page. New Page. New Page. New Page. New Page. New
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Nakedwoman in space by just beyond. This page uses frames but your browser
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hrefepisode.htmlepisode. hrefepisode.htmlepisode. hrefepisode.htmlepisode.
faceArialepisode. hrefepisode.htmlepisode. hrefepisode.htmlepisode.
hrefepilogue.htmlepilogue. New Page. hrefepisode.htmlepisode.
hrefepisode.htmlepisode. hrefepisode.htmlepisode. faceArialepisode.
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hrefepilogue.htmlepilogue. NWTV. This page uses frames but your browser
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360
Back. Theater. New Page. Back. Theater. o l d a n. ambient minimal noise
lowercase material from analogue and concrete. sources digitally processed
and published in a lowercode aestethics.. nochass. a min track coded in
kbps mp.. epsp. a recoding of a tapebooklet release from . tracks min
(MB). mp coded in kbps images (MB) and a couple of texts ca. words..
domuse (single). a single release from dd k. coded in kbps mp.. dd. track
release ca min. coded in kbps and kbps mp.. weemisu (single). a single
release from wmfg k. coded in kbps mp.. wmfg. track release ca min. coded
in kbps mp.. nc.nd. long tracks nc.vxtn and nd . coded in kbps mp.. ebt.
tracks in this release amounting to m s coded in kbps and kbps. mp.. ebtw
(. floppy single). a sec track from ebt coded in kbps mp zipping neatly
onto a. single floppy.. the low coding format provides a spectral
dimension to the timestretched. piece.. a track rerelease of coded in kbps
mp mostly and oggvorbis. format.. srja. a release of ambient short movies
in mpg format to be looped.. NewFolder. a temporary folder for released
unreleased tracks.. epsp. A Element to integral min.. area. fugue. area.
fugue. .... B min.. Fra midten av denne stråleglans kommer virkelighetens
naturlige lyd. som dundrer som tusen tordenbrak samtidig. Dette er den
naturlige lyd. av ditt eget jeg. La deg ikke kue av dette eller bli grepet
av redsel. eller ærefrykt.. Hvis det bråker mer nå ringer jeg politiet..
ELEMENT TO INTEGRAL. Sourcematerial recorded on magnetic tapes..
Instruments used include KORG MS KORG Polysix BOSS. drummachine CASIO
sampler TEAC TASCAM electronic organ. tapedeck turntable radio
walkmanrecorder microphones monochords. flute harmonica guitar alarm clock
feedbackdevices mallet. instruments computer drums cd resonant objects
(metal rock wood. glass) nonresonant objects (plastic water food skin
earth).. Concrete soundsources and noises as field or objectrecordings.
include crowds citynoise wind rain thunder habour sea.
buildingconstructingareas streets motorway railwaystation home. wood
gardens mountainlandscape waterfalls traffic balcony. industrial areas
reverbal areas church halls tunnels auction. concerts cave train (inside)
humans doors conversations voices. sheeps neighbours geese dog cat breath
walks sea birds train. (outside) car machines bicycle boat ants magnetic
datastore. microwaveemission spoken languages domestic objects (scissors
keys. fork and knive refrigerator washingmachine tv staircase room.
furniture) found objects random objects.. Processing of sourcematerial .
Recorded onto magnetic. tape augustseptember .. Equipment used TEAC TASCAM
SoundForge . WaveLab .. tapedecks and some hundred tapes.. B.
Sourcematerial recorded on magnetic tapes.. Instruments used include KORG
MS KORG Polysix CASIO. sampler TEAC TASCAM tapedeck walkmanrecorder.
microphones metal.. Concrete soundsources include ants wind.. Final
processing of sourcematerial . Recorded onto. magnetic tape september ..
Equipment used include TEAC TASCAM SoundForge .. tapedecks and about ten
tapes.. Graphic material made mostly dating .. Pages include drawings
paintings doodles copies nails blood. photoes and clippings.. As the
graphics are not essential to the tape they are not commented.
explicitly.. Textmaterial in booklet written mainly september .. All
material by Bjrn Magnhilden ordmorkontoret Oslo. Copywrong. Norwy poc..
INTRODUCTION. Concerning the structuring of the two pieces on the tape my.
main idea was that of stream and time incorporating with materiality.. Heh
yes I guess so... What is actually heard seems to be the sound. of
floating particles. These particular flows consists of tiny or. minimal
soundobjects which I will call 'phonems' for the heck of it. cutupped from
the archive of own recorded material in the years. amounting to a couple of
hundred tapes (pretty bad ones though. ).. So instead of thrashing the
tapes I've used them as a fragmented. memoryblock being randomly accessed
through a spaghettistyle language. of pointerism utilising the phonemical
units mere as material ground. and surface being rather ignorant to their
content or contextual. content.. Together with the idea of materiality
there will also be. concepts like mass density subsistence persistence
endurance. exhaustion and extacy involved in the actual structure
conceived. which also partly count for the monotonously character of the
pieces.. Also my interest in the noiseaspect of music or vice versa is. a
driving motive in this kind of project and should also be well. manifest
in both pieces on the tape. Take care of your ears.. The terms noise and
music could be seen reflected in the material. doublenature particlewave
where 'wave' would be viewed as the. collective motion of a material
moving continuously around a. relatively undisturbed center corresponding
to harmonious states of. music and where the interaction of particles
would be perceived as. the more or less random and chaotic motion and
states of a material. corresponding to intensity or density of noise.
Nevertheless these. are two different operational views of the same
underlying material. (whatever nature) and my opinion and fascination is
that the. classification or perceivance of music from noise cannot be
traced. back to the material. So it then gets interesting poking around on
a. low level probing for both the substance and the concept bridging the.
gap or just experiencing the (possible inevitable) complimentary. attitude
towards it. Fuck the cat is dead and alive.. A principle of complimentarity
of sound could state that if an. arbitrary material of sound is perceived
as music then the noiseness. of it will be sucked into it and vice versa
the perceivance as noise. will not be saved by the music. What constitutes
this perceivance is. not solemnly the attitude towards it but also the
doublenature of. the material itself. I hope I've been able to express
this in the. works. A way of judging a listener should be able to swap
between the. states of musicnoise should recognise this state's
independence of. the material (Oh I can listen to this in at least two
separate. ways... Oh yesterday I perceived this as noise... Oh this. noise
is beautiful and relaxing...).. Another idea concerning the introduction of
noise was to make. a soundshield. Basically I wanted to build a thick wall
and then walk. right through it. This could actually be done by means of
sound. Noise. as silence and through this silence get rid of yourself.
The. neutralising of sounds with sounds is possible as noise swallows up.
all other sounds or as all other sounds can be imagined allready.
incorporated in noise. White light white noise get blind get deaf.. Close
your eyes close your ears by opening your eyes opening your. ears. If you
stare into a point in the wall for some minutes my. experience is that the
wall becomes black and purple and vanishes due. the neutralisation of
sightimpression with its negative. representation in your eyes and along
with this vanishing of objects. comes for any reason a state of uh let's
say bliss. Much in the. same way noise will through a material extacy
swallow up the objects. of the world and leave you floating. Drawn I sit
serene rest is. inward.. This should make clear that the tapepieces'
motivation partly. lies in their functionality and can also explain the
lack of an. inherent musical structure or pretension of having conceived
a. traditional dramatic musical work. To pinpoint it I would say that. one
main structure is the palindromical selfcontained. Concerning. ETI on a low
level the phonems have been recorded forwards or. backwards quite
independently of their content or any criteria. Some. loops on B are being
manipulated similarly. On the whole both pieces. contain its material being
finally processed in both directions. There. are different reasons for
this. If you want to make a musical work. partly avoiding an evolving
dramatical or narrative structure you. probably have to treat time in a
different way. The linearity of time. might be broken in different ways.
The palindrome seems to excorcise. timelinearity treating it as just
another (symmetrical) object having. reversable manipulatable dimensions.
The cutup juxtaposition of. timeelements is fragmenting this line implying
another operating. dimension say timespace or just memory. The
nondifferentiated space. would defy time on the whole as nonexistent as in
the. parmenidicalzenoic scheme (or the La Monte Young scheme. By the way.
it seems that much minimalistic music is motivated by making the. relation
of music to time explicit in different ways discretness. repetititivness
questioning the continuum). Another reason for. fiddling with time was
that I wanted the pieces to be exhaustive in. length so when needed I
simply filled up time by outputting the. material back and forth a couple
of 'times'.. As to materiality as to float as to particles as to space..
ELEMENT TO INTEGRAL. An impulse to make this piece came from disapproval
of my. earlier recorded material and still wanting to use it in some way..
One solution was clearly to hack it all up into small segments that. could
be eaten without choking. Another solution was to superimpose. the
original material making monstrosity from ugliness or stupidness.. So I
did both and in that order.. Another impulse or idea was to let musical
structure build. small (or smallest) elements without imposing external
musical. direction other than materiality.. NOTAT. Serie og
parallellprosessering av lyder etter hverandre oppå. hverandre.
Distribusjon i tid krymping fortetning. Distribusjon i. rom furkasjon
ekspansjon. Lyd ned til fonemminste meningsfulle. lydnivå før den byger
seg opp igjen gjennom strukturering random. cant. kalkulasjoner. area sek
lydisekund lag prosessert. fuge. area sek lag. fuge. area sek. fuge. area
sek. fuge. area sek. fuge. lydareal lyder over tid. to akser lag tid..
tetthet lydareal tid. arealintegrasjon tetthet. matematiske utregninger..
båndet. cm i sekundet. båndmediet. elektromagnetiske spekteret.. ide til
et musikalsk språk. gjennom oppbygging av minstelyder. lydidiomer
lydlinjer. sette opp regler for oppbygging videre.. datamaskin. slika
rbeidde kontinuerlig på et språk gjennom. forandring. Alt tidligere
material er tilgjengelig som hukommelse. språk. bruke formelle språksystem
i bearbeidelse. måten vi lærer. integrerer språket. Lengre brokker
komprimeres til kortere når de er. innlærte settes ammen til nye linjer..
Element til integral oppstykking syntetisering. Eksponentielt. voksende
fra lydpartikler tilflerdimensjonale objekter bestående av. millioner av
lyder.. Primitiv eller uten musikalsk strukturering kvantitet materiell.
ekstase. Dialektisk segmentering.. Uten egenlyder basert på tilfeldig
utvalg av allerede innspilt. material.. Skråstreken lydmusikk. Den
enfoldige lyden (musikk) og den. komplekse musikken (lyd).
Løsningsforslag.. Objektoppløsning overskridelser.. Preferanser til tidlig
konkret musikk. Spilt inn på relativt dårlig. lydstudioutstyr.. Palindromet
speil fordobling.. Parmenides det statiske udifferensierte det
selvinnholdte.. Permutasjon distribusjon muligheter.. Tid rom akse. serie
paralell. fortetning. without a sound.basert utelukkende på tidligere
material.. sound system sunt system uten kontradiskjon. cannibalize. cant.
words. terms. ordliste asssosiasjoner gå gjennom engelsk ordliste.. fysikk
tidrom.. spesiell relativitetsteori. et legeme i bevegelse blir kortere i
bevegelsesretningen. tiden går saktere for et legeme i bevegelse. et
legeme har større masse når det er i bevegelse.. ved lyshastigheten vil et
legeme ha null lengde uendelig. masse mens tiden står stille.. generell
relativitetsteori. materien forteller rommet hvordan det skal krumme seg
og. rommet forteller materien hvordan den skal bevege seg..
gravitasjonskraften er tilsynelatende.. Fortetningen av partikler
fartsøkning tilsv Anmassing hva skjer. fart Emc masse frigjøres til energi
Kjerneprosesser. Plotte. gen.rel.teori som musikkmassemusikk koble til
musica mundana. harmonia mundi Hva er massemusikk Fysisk musikk En stor
masse. deformerer rommet partikler følger krummer linjer de tar for å
være. rette Parallelle linjer møtes som ved en tiltrekningskraft. Lys.
rødforskyves og tiden går saktere i et sterkt gravitasjonsfelt ting.
formørkes fordypes. Materien tvinger lys ned. Matter forces light..
Kinetiskpotensiell energi deepspeed gravitasjonell. Resonans når et objekt
vibrerer med sin frekvens tar det lett imot. energi og vibrerer med store
utslag.. Lyd lyd i rommet analogt med krusninger i vann. bølgebevegelse..
motsetning lys.. Lyd trenger stoff dette materietemaet.. elektromagnetisme
boblekammerbilde magnetisme deepspeed cmsek.. generere en strøm generator..
på skala over atomnivåer er verdens mangfoldighet grunnet.
elektromagnetisme og gravitasjon (vekselvirkninger). støy uønsket lyd.
paradoks hva med å hørelage støy ønsket ulyd. lyd subj obj lyd må ha
stoff. verdensrommet er lydløst. Bølger.. Krumme flater samler i
brennpunkt strålene. Svevninger. Klang. sammensetning av flere lydbølger..
Et brus inneholder alle hørbare frekvenser og kalles derfor hvit. lyd. Støy
er et subjektivt begrep. Def. som all uønsket lyd enten. musikk vanndrypp
eller trafikklarm. Jeg ønsker uønsket lyd. Lydene. rundt meg radio musikk
stemmer er støy og bruker støy som musikk.. Omvending i
informasjonsflommen støy. Bruk en motflom Demme opp en. flom. Demning.
Akustikk resonans hørsel. språklyd fonemer.. lydbånd bærefolie med
magnetisk belegg jerndioksyd.. lydintensistet små mengder watt.. kontentum
gjennom lydmuren.. opprinnelig (gresk) musikk totalbegrep.. Boethius ( ekr)
musica mundana (verdensmusikken eller. harmonien i altets oppbygning og
funksjon) music humana (harmoniske. forhold i mennesket) musica
instrumentalis. overskrider subjekt og objekt danner nytivitet. oseanisk
materiell ekstase.. Det segmenterte som (analytisk) strategi konstituerer
seg i den. akustiske entitet som en retorisk figur og definerer da seg
selv. nærmest som et fravær. Bortfallet av en bindende matrise avdekker.
dissonans og uttrykker seg som babbelpolysemi. Overgangen fra det.
refererende (transcendens) til det signifiserende (immanens) åpner det.
anisotrope rom av segmenter i en differensiell hypostasering. Opptrer. i
krystalls form ikke i apokalypsen det dør som fødsel og fødes i. døden..
PALINDROMER. deeps on time emit no speed. Rettam krad Sade if all erb
music is umbrellafied as dark matter.. noise lesion. deep morf NOISE
LESION from speed. speed morf noise lesion from deep. Goddesses so pay a
possessed dog. Moo lost elk O orbs amid wonders awed Was it organic in
ecstasy. tied Deity sat scenic in a grot I saw dew as red now dim as.
brooklet so loom. On a clover if aloud noise lerupts a vast pure lesion
duol a fire. volcano. epsp. epsp. Element to integral. Text on epsp. by
Bjørn Maghnildøen. Introduction. An impulse to make the piece epsp came
from listening to and partly. disapproving some of my earlier recorded
material and still wanting to use it. in some way. One solution was
clearly to hack it all up into small segments. that could be eaten without
choking. Another solution was to superimpose the. original material making
monstrosity out of ordinariness. So I did both and. in that order..
Another impulse or idea was to let musical structure build from small (or.
smallest) elements without imposing external musical direction other than.
materiality.. In structuring the piece my main idea was that of stream and
time incorporating. with materiality. What is heard seems to me as sounds
of floating particles.. These particular flows consists of the tiny or
minimal soundobjects cutupped. the archive of ownrecorded material in the
years amounting to a. couple of hundred tapes.. Instead of forgetting or
thrashing these tapes I've used them as a fragmented. memoryblock being
randomly accessed through a spaghettistyle language of. pointerism
utilising the phonemical units mere as material ground and surface. being
rather ignorant to their content or context.. Together with the idea of
materiality and concreteness there are concepts like. mass density
entertainment (subsistence) endurance exhaustion and ecstasy. involved in
the actual structure conceived which also partly count for the. monotonous
character of the piece.. Also my interest in the noiseaspect of music or
vice versa is a driving motive. in this kind of project and should also be
well manifested on the tracks. Take. care of your ears.. Noise and music.
The noisemusic dualism could be seen reflected in the material
doublenature. particlewave where 'wave' would be viewed as the collective
motion of a. material moving continuously around a relatively undisturbed
center. corresponding to harmonious states of music and where the
interaction of. particles would be perceived as the more or less random
and chaotic motion and. states of a material corresponding to intensity or
density of noise.. In an inversed physical view pataphysical why not
consider music as a very. simple kind of noise and noise as a complex kind
of music. Nevertheless these are two different operational views of the
same underlying. material (whatever nature) and my opinion and fascination
is that the. classification or perceivance of music from noise likewise
cannot be cleanly. traced back to the material. So it then gets
interesting poking around on a. low level probing for both the substance
and the concept bridging or. transacting the gap or just experiencing the
(possible inevitable). complimentary attitude towards it.. Noisemusic. A
principle of complimentarity of sound could for instance state that if an.
arbitrary material of sound is perceived as music then the noiseness of it
will. be sucked into it and vice versa the perceivance as noise will not
be saved by. the music. What constitutes this perceivance is not solemnly
the attitude. towards it but also the doublenature of the material
itself.. I hope I've been able to express this in the work. A way of
judging a listener. should be able to ) swap between different states of
listenings ranging from. music to noise ) recognise these states
independence of the material.. For instance listen to the material in at
least two separate ways like saying. Yesterday or ten minutes ago I
perceived this as noise or This noise is. beautiful .. Scanning any point
in the tracks and playing a few seconds the piece will. probably be
perceived as pure and flat noise. Playing off the whole piece or. larger
parts of it will probably change that perceivance.. Noisilence. Another
idea in the piece concerning noise was to make a soundshield.. Basically I
wanted to build a wall and walk through it. This could actually be. done by
means of sound. Noise appears here much like silence and through this.
noisesilence neutralize memory or yourself.. The neutralising of sounds
with sounds is possible as noise swallows up all. other sounds or as all
other sounds can be imagined allready incorporated in. noise. White light
white noise get blind get deaf. Close your eyes close. your ears by
opening your eyes opening your ears.. If you stare into a point in the
wall for some minutes my experience is that. the wall becomes black and
purple and vanishes due to the neutralisation of. sightimpression with its
negative representation in your eyes and along with. this vanishing of
objects comes for any reason a state of uh let's say. bliss.. Much in the
same way noise will through a material ecstasy swallow up the. objects of
the world and leave you floating. Drawn I sit serene rest is. inward. The
piece is made using headphones and I also prefer listening to it. that
way. By the way the piece is as noise hypersensitive to equalisers so.
small adjustments of the emphasis on different frequencies are very
effective on. the overall output sound.. This should make clear that the
motivation partly lies in functionality and can. also explain the lack of
any explicit inherent musical structure or pretension. of having conceived
a traditional dramaticmusical work.. Also no sounds have been recorded for
epsp. The piece has no sounds of its own. and consists entirely of the
processing of already recorded material.. Palindrome. One main structure
is the palindromical selfcontained. On a low level the. phonems have been
recorded forwards or backwards quite independently of their. content or
any criteria. Some loops of phonems are being manipulated similarly.. Also
on the whole the piece contains its material being finally processed in.
both timedirections.. The end is already manifest in the beginning. The
content of meaning is subdued. its structure. The evolution swallows
itself up. The mirroring of material. simulates an undifferentiated space
where object vanishes in the double. The. stasis of space absorbs the
speed of the elements.. Permutation. Another motive was exhaustion of
possibilities in the material. Rearranging. deforming and distributing
elements of sound to form a massive overload of. connotations excorcising
content.. Sounds are gradually being hacked to pieces down to a phonemic
level of smallest. meaningful segment processed in series after each other
in time and in. parallell in space. Then the distributions in time and
space increases density. and speed as the permutated material expands and
grows exponentially out of any. orbit of musical reference. Finally the
particle accelerator distributes its. collapsed differentiated elements on
a trajectory into void''.. Distribution. Sounds are distributed over the
two axes timespace. The density of an area is. the number of separate
sound elements through time. The elements seems to be. scattered well over
the electromagnetic specter with an emphasis on the extreme. high and low..
There are areas on the meter of electromagnetic tape where each cm or.
second consists of over differentiated segments of sound superimposed so.
that during minutes over a million sounds are being transmitted.. Other
areas consist of a heap of layers of sounds fragmented beyond the point
of. noreturn. Minimal units of sound are recorded as the six feet and
antennas of. ants spurt the microphones. The flow of noise is in that way
built up from. traces of atomical existence of sounds passed by not
enumerable.. Emit time. If you want to make a musical work partly avoiding
an evolving dramatical or. narrative structure you probably have to treat
time in a different way. The. linearity of time might be broken in
different ways.. The palindromical form seems to excorcise timelinearity
treating it as just. another object having reversable manipulatable
dimensions.. Also the cutup juxtaposition of timeelements is fragmenting
this line. implying another operating dimension say timespace hyperspace
or just. memory.. The nondifferentiated space would defy time on the whole
as nonexistent as in. the parmenidicalzenoic scheme.. There might also be a
minimalistic scheme involved motivated by making the. relation of music to
time explicit in different ways discretness. repetititivness questioning
the continuum.. Also I wanted the piece to be exhaustive in length so that
the notion of time. could be mixed up blurring the divide physical and
experienced time as you. find your mind wandering or take off. Exhaustion
of time seems an appropriate. concept also when the massiveness of sound
is concerned as the increasing of. density slows down timeflow.. The
ecstasy of memory in the conjuring of elements into an allembracing
integral. can be seen as an exhaustion of time and duration and as the
omnipresence or. end of time.. Deep speed. A body in motion compresses
bodyspace lengthens bodytime and increases. bodymass. Gaining speed of
light the body will not have any extension though be. infinite heavy while
time stands still as nucleons of sound ecstasises material. and flows into
energy.. Particles of sound are escaping the gravitational pull of memory
and meaning as. they accelerate and gain a speed superseding musical
references. Speeding of. music into noise atomizes the bodies of
information accelerates towards. infinity and dissolves in deep space..
With respect to history the narrative has become impossible since by.
definition it is the potential renarrativization of a sequence of
meaning.. Through the impulse of total diffusion and circulation each
event is liberated. for itself only each event becomes atomized and
nuclear as it follows its. trajectory into the void. In order to diffuse
itself ad infinitum it has to be. fragmented like a particle. This is the
way it attains a speed of noreturn. distancing it from history once and
for all. No meaning stands a chance once. offered the means of its own
acceleration.'' Baudrillard Pataphysics of Year. from The Illusion of the
End. Mass. Sound need a massmedia for its motion of particles to be
distributed. Outside. the gravitationed atmosphere there is no sound.
Density of mass shapes the. space which shapes the motion of mass
(gravitation is illusorical). Above the. atomic level the manifold of the
world is grounded in the forces of gravitation. and electromagneticism..
Growth in density by speed or space will make mass heavy and slow time..
Acceleration of transactions increasingly forces inerta and indifference
as. particles of sound annihilate each other making a dense cold star
deepened. and darkened by the pull of densityfield.. Within the critical
mass of density there is no references to outside. No speed. will liberate
sound from the silent immanence and there will be just the. autosound of
the magnetic tape and tape recorder background noise as the. ecstasy of
musicality provides its own end.'' Ibid.. Noisevoid. Instead of declaring
the law of falling bodies towards a centre why wouldn't. one prefer that
of the rise of the void towards the periphery the void. conceived of as
unity of nondensity'' Jarry Gestes et opinions du docteur. Faustroll.. The
pataphysial motive of antigravitation appears as music is haunted by its.
vanishing. The particle accelerator seek to liberate sound from the.
gravitational density of music by overwriting overflowing its content and.
swallow up itself. Particles arrive and disappear faster than their shadow
and. leave no time for interpretation. The speeding of tonality runs into
a noise. cohesion void of transmittory pregnancy.. Segmentation as an
analytic strategy is constituted in the acoustical almost. rethorical and
without appearance. Loss of a binding matrix of bodies the. shift from the
referential transcendence in music to the signifying immanence. of noise
births the segments pataphysically from the dying of hypostaticism..
Contents on epsp. Audio. Sourcematerial recorded onto some hundred
magnetic tapes.. Instruments used include korg ms korg polysix boss
drummachine casio. sampler teac tascam electronic organ tapedeck turntable
radio. walkmanrecorder microphones monochords flute harmonica guitar alarm.
clock feedbackdevices mallet instruments computer drums cd resonant.
objects (metal rock wood glass) nonresonant objects (plastic water food.
skin earth).. Concrete soundsources and noises as field or
objectrecordings include crowds. citynoise wind rain thunder habour sea
buildingconstructingareas the. museum of Emanuel Vigeland streets motorway
railwaystation home wood. gardens mountainlandscape waterfalls traffic
balcony industrial areas. reverbal areas church halls tunnels auction
concerts cave train. (inside) humans doors conversations voices sheeps
neighbours geese dog. cat breath walks sea birds train (outside) car
machines bicycle boat. ants magnetic datastore microwaveemission spoken
languages domestic objects. (scissors keys fork and knive refrigerator
washingmachine tv staircase. room furniture) found objects random
objects.. Processing of sourcematerial . Recorded onto magnetic tape.
augustseptember .. Equipment used teac tascam soundforge . waveLab . and
tapedecks.. MP coding of sourcematerial using Awave Audio v... Booklet.
Graphic material made mostly dating ''. Scanned . Pages. include drawings
paintings doodles copies nails blood photoes origami. and clippings..
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March. Re question re de pre codewurx. are helpful. I get a general
pictureof code as 'rooted' and double of anyway. having a double property
of ..wellthe usual dichotomies instruction and data. and object and
whicharen't fundamental eg. the distinction between. instruction and data
is aninterpretation what is interpreted as instruction. is also data and
thedata can also be instruction so in a way the. interpretation
isfundamental to code also and creating the roles of the. dichotomy as
wewould have 'instructiondata' and 'datainstruction' and. somewhat the
samein the case of subject and object which are more.
explicitlyinterpretations of something by terming something a subject
we've. alreadyinterpreted it in a relational way and in the same manner.
asinstructiondata I'm refering to code as an subjectobject entity which.
hasthese three parts of data instruction and interpretation..
Theinterpretation part would be the decode.About the everythingnothing
bold. statements since the code is somethingconstituting itself it's a
whole an. entity and real in the sense thatit's taking place with the
interpretation. constituting the reality'situation' of instructiondata
subjectobject so. I'm calling it aneverything like we could create an
universal machine out of. this. And thenalso I'm calling it names like
nothing because it's a machine. more orless. Maybe it would be interesting
to look at everythingandnothing. textas a kind of codework. Finnegan's Wake
as an example of this it's coded. inseveral layers encapsulating or opening
to an everything and nothing ithas. the appearance of code and nonsense a
rich broken structure ofeverything.. Occult literature I guess also has
the code effect of thissort like. out dumped automated and coded the
automatic writing ofsurrealists might be. considered I don't know are
fluxus pieces codeworksby being instructions (of. events) and the
happening would be another moreundirected setup for something. happen well
I'm not sure how todistinguish the code it seems. allembracive. Is it alive
Dead code. Andthe system bit if we don't know if. something is code is it
code by justthat fact like the Voynich manuscript. mentioned And there's a
notionthat code is code as long as it's not decoded. if code is code what
do wemean by a decode Sort(x) is a code does it have a. decode So maybe
aromantic code is the codedecode that kind of code notion. there we havein
a way again instruction and data subject and object. clearlyseparated like
morse code a clear mapping between subject and. objectback and forth
whatever there's the subject of code and the. objectcodeand the morse code
we could call the subjectobject though in a. clean dualcut. In other
notions of code it's not so clean and for eg. sort(x). wedon't call it a
decode it's codecode but what is decode It'sambivalent... 'life is decoded
into dna' or rather 'coded' do we mean theoutput in general. the object and
for something to have a decoding meansto have a systemic. interpretation
but this goes both ways what is thecode can also be the. decode to
emphasize they're activepassive roles ofinterpretation.. and code. the
system of interpretation the structure ofhow the active and passive roles.
will take place of instructiondatasubjectobject. Certainly there are.
levels of code in the construction of nature and ourselves but at the
bottom. we don't know or we know that it's not discreet like the
particlewave. duality. But dna is discrete for that matter the
particlewave duality is. justthat a duality even with probabilistic
measurement the mathesis. behindit is exact...Exact probabilistic if you
have a perfect random number. generator couldit have a code This is like
asking for the formula for prime. numberscould we say there are codes for
prime numbers but not a formula. workingto a certain degree and in general
that code is related to formula in. aspecial way is it a working formula
applied which is the dual again ofform. and reality living formulas. Seems
I'm treating it as formula hereand you. matter and since everything is
mattered and chunkeddiscreet it'scoded but. in the formal end.. How deep
do the codes go all the way you'dsay since it's. rooted mattered dirty
having the real part maybe it'snot a fruitful. discussion where it ends or
begins some highly energicthing expanded and. collapsed symmetry collaped
into code. Yes but we've figured out things to. a large degree what we're
made of our history and destiny there doesn't. seem to be any mystery
about ithow we're created though we can't reproduce. it though have
theknowledge to destroy it a devastating knowledge in. itself.Considering
the fact that dark matter the majority in the universe. isn'taccounted for
at all that the mechanism of memory isn't understood. etc. I don't see how
you can say this. In fact one can as Brillouin. didyears ago argue for the
opposite that the mystery is somewhat. dependenton the limmits of our
economics and simply keeps getting pushed back. asfor example more and
more powerful accelerators are built...Yes mystery is. something
pushedback in relation to something that'stakingplace it's still a.
subjectobject 'economy' ecodomy the economyof code mystery is in the. via
the code interpretation it getsobjectified real as takingplace.. Still
it's an economy not a mysteryit's just what's emphasized. From the. other
end you could say memory isthere and it's working so there's no. mystery.
Code as a term retains someof the mystery the wonder and. complexities
which is lost in the formulaterm. I never stop wonder about the. inside
and outside like this sailboatmoving slowly past the village seen from.
the boat it's somethingcompletely different from the boat it's a mystery
from. the balcony itseems quite boring objectified but it's both and
that's. alwaysintruiging it connects to relativity from Galileo to
Einstein and. forextrapolating the move to relativity is also a move to
code of. thesubjectobject floating within a reference system which
connects to codeas. reality each reference system is on its own a whole.No
no i don't think. this goes if (x) is for example sorted it doesn'tlead to
an elimination of. (x). Think of coding here as performative andrequiring
a stratum or substrate. that it operates upon. Even Peirce talkedabout the
'sheet of assertion' the. necessity for a locus for mathesis.Ok see above
codedecode.I want to run. back to information theory and theexamples
Baldwin talked about or the. problems say of transmitter channel receiver
with noise parasitic within. the process.Thanks for the discussion
appreciate.Here there are several. levelscode as existentcode as
processcode as procedurecode as. performativecode as selfregulating or
checksumetc. etc.There's structure. of course and there are material or
ideal strata andtheir interactions. Code. is perhaps a productive system
of classificationthat admits closure.... AlanAdmits closure yes like it's
its own end metaphysics and then real. asreference system like every
reference system is real on its own. Maybe. I'mextrapolating too much but
they might be points of departure at. noemata. noemata. noemata. er ikke
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March. Re question re de pre codewurx. About code and codework though not
a direct response I see code generally tied. the western project of
science and cultureunravelling nature's code turning. it into culture and
technology. Thishas no real basis any longer science has. already made us
transparentwe know code is nothing and that there aren't any. secrets. So
there's nobasis still code is everywhere all the more since it's. not tied
toanything any longer doesn't refer to anything more real or more. trueit's
able to infect our lives more like a freefloating entity from. thelayers of
reality. If we have layers of reality we have codes. Ifreality is. one
there's no code but our sense of reality is not one. Ifyou could live in.
one there would be no code and it would be the heavensof the mystical.
The. mystical is tied to code but we know there's nomystery. Inside
yourself you're. a mystery that's it. Walking throughyourself you're code.
These are all layers. of nothing. We know that ifsomething is code then
it's nothing that's almost. the proof of it.Then there's the doubleness of
code of inside and outside. thecommunication machinery of input and output
between layers codesubjectand. codeobject. There's no fundamental basis
for the codes only thesubjectobject. which moves around freely. When I'm
using code it's areflection of the codedness. of culture the structural
complexities ofinformation and communication layers. of reality which are
always therea reflection of culture as construction. traversing it's
layers whichmeans insideout backwards reverse the. twofaced. In my work
I'm notusing code in a fundamental way it's code without. any basis
diffusionof code double and nothing of codes. Codes are still. fascinating
weneed something to do as humans I quite sure we're genetically.
gearedtowards these things problemsolving directedness of.
attentioninformationchurning. Still we have no mysteries only the codes.
andthey're not real only a kind of art beauty of codes what we're madeof.
still no mystery only reality. Codes real but not real that'salso the.
doubleness what we mean with subject and object they're bothreal but not.
real to each other if the subject is real the object isunreal and vice.
versa. These two could be stated as a classical and aromantic notion of
code. the romantic code refers to something beyondas its reality (nothing)
while the. classical code to its construction(double).I know this didn't
answer any. noemata. dee. intrui gpj.hcruhcevatsoprotraidepikiw .ssorC
llewhtuR dense. spacefilling fields in Celtic rsebi Yes
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ehttuoba.ssenytpme gnimees eht ehtae event. I. feel this kind
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impossible middle age scholar ytilibissopmi dna. ytissecenneeelbissopmi si
elbissop eht fo possibility necessity. impossibilityso i'll stay possible
lanorepip sirpaeh eht s ommisrealin what. nonsense rehe htaed dna luos
segagtrom dna laenip real inwhat nonsense. rehe htaed dna luos segagtrom
dna laenip cissalctsreal in what sense an. argument how the possible is
enisorek sissabsrezinamuh elbissyrassecen ton. e then i'll be both
existing andnoteso i'm thinking of my untho selpmip laer. cimredoyp
snoitaeniled da the dead theLet's see three classes of p. airatilitu
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possible butthe possible gnisilatrommi. sselesoppo serujrep ytnals evila
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rock woodcomes for. any reason a state of uh let's say bliss. Much in
theGoddesses so pay a. possessed doga driving motive in this kind of
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wanted to build a thick wall and then walksingle. floppy.art stem funding
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come to circulate in abundance. One thus could (remote. distraction l
distractus (ptp. of distrahere baktrto draw ev. reise og. overnatting i
Oslo.art and beauty with computers''. It is telling that. hackers
otherwise interview an inventory of the cities where sound was. recorded
it While FullerHarwood regard software as first of all a cultural. but
eccentricity the opposite of politic (withness) a self baumpf These. forms
are excesses andthat the 'spectator' could remain awake during surgery and.
contribute to originally envisioned the biological basis of his theory of.
collapses of code viral fascinating indiscriminate and reinforced Emil's.
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effectively an algorithm a piece of software. gatherings in intellectually
following the code listings step by step and. computing Nr alt kommer til
alt har jeg ikke tenkt gi opp prosjekter. p zeros and ones the Latin
alphabet Morse code or like in a processor All. currency is neurotic
currency.logical scores then the concept of software is by. no means
limited to notions of software a problem rather than a point of. departure
histories. dimension say timespace or just memory. The nondifferentiated.
spacecould be eaten without choking. Another solution was to. continuum).
Another reason for ...o....ContentType textplain. charsetiso Quinn NashE
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transcriptionsthen. we have another let's drop it the freefloating mind is
stillparticular going. through the motions chemical and then
managementchunked up cells your alarms. are going off i don't know what
theyrefer to what to do nothing life and. death stuff the managementhere
could be fatal if the particle decides the. wave doesn't decideundisturbed
it's the subject unresolved with object the. outsideinside and outside the
separation is somewhat. consciousdiscriminating loosing and gaining those
are input and. outputsubject looses and gains by outputting to restore its
potentialit's. the potential again the wave it's called a subject when
it'snot measured. it's the inside but we know there's no inside
stillthere's management all. the more if there were a subject it would
bemanaging if not then there's. management still i'm at loss notsubject
not management let's say the. automatic converge classicalromantic
ruledriven and intuitive coded and. the code is stillsubject and object
inside and outside in one twingod. here thesubject is ruledriven and the
object intuitive inverted becausethe. automatic is an inversion subject
takes the role of object andvice versa the. classical becomes romantic and
vice versa it createsitself through a falsity. an inversion if a god
created himself likethey do and the falsity propagates. until it turns
back which isnever we understand it backwards it will repeat. something
willreturn which is the loosing and gaining the restore of. potentialthe
wave you don't want to meet a particular god only the. falsewhich would be
true it's like a tree it has only one end and that'sthe. beginning the root
all the rest just spreads out it would becrazy to think. all the leaves
would converge later on spreads likeentropy flattens out while. growing i
don't know where we should beat the leaves or the root the leaves. are
collecting sun the rootnourishment from the earth i'm kind of root the.
leaves are havingmore fun surely in the wind and sun with the fruits the.
root isinert indifferent boring you won't find me interesting i'm sorryif.
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nothing i move through me it's an inversion of nothingmetabolism from.
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menuwelcome dj byhand bring back mischief keeping out of tranceAlltid
moro. Mulla Krekarkunne framst som riktig ddeHello. Kirkemtet Subject Fwd
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iyhec.f. nodotpgoen dgoomdac L (AQL. and computational power and E.O.
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poststructuralism . No Connection.present. What. we wouldn't give for an
accurate transcription of a random Regurgitive Rules. of InterNet.ArtThere
will b no references in any Internet.artworks that. xplicitly refer to but
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connections betweenpersuade other networkers to adopt the name. 'Klaos
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the. Advocate of his father Osiris andAmentet. The Tchatcha round about
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writings of. Khepera. Let meOsiris the Soul that liveth in Hensu the giver
of meat and. drinkHerukhentenAriti (Horus the Advocate of his father Osiris
andI am. the Divine Soul which dwelleth in the Divine Twingods.Tuami brooch
for Dora. Riparia Hopeandwater a cooling douche and afall under the knives
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petty. resentments jealousies ofNr. Nr. kategori. kunstverket stiller.
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areprogramming (i.e. software art as a donald. gates recommends the
book.reverently. and meanwhile you can absorb his more. norther variant of
the name Magnus was coined by king Olaf the Saint Johnnie. Jading Boheme
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noemata. matoc. hvem er denne nini matoc og hva er det hun driver meder
det bare tull eller. hvahehe.den som visste.kanskje det er. eller annen
form for intern humor eller. provokasjonpokker ta min. nysgjerrighet. n m
jeg laste ned notest. ogs..jeg klarte heller ikke. styre lystene mine.men
kanskje det var. meningenfra. nininoen som har mailet dette. ninivesenet
og sagt i fra at hun poster altdette kan umulig vre. meningen... det ser
ut til at det er en. trojaner i opera . build har funnet flere private
mail her og alle. bruker nevnte client. mail til opera skal sendes. det
hadde med saken gjere...jeg ble. den serveren. ) innholdet p websidene er
like meningsrik sommeldinene p. notest. )at dere gidderhh. hvem er.
hvorfortror det bildet var vedlegg. til sknad om kulturstipend. ) den. som
hadde hatt ynene med seg ville merket at flere personlige email er. havnet
i no.test og alle bruker xmailer opera . build mail er sendt. til opera.
kan jo hende at noen har lagt ut en trojansk version av opera og da. br
det etterforskes.noe m man jo. finne p og jeg ser ikke hva som er s gli
med. dettefolk er til og med misunnelig. p andres fantasi og evne til
engasjere. noemata. Saturday February. cdfaebaaaacbf CEINOTdecnyngny bt
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George W. Bush pner den offisielle delen av. besketDELE Han skal ikke tale
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h d fghds hd h dhs hd hd h d fghds hd hd h d tg hesr h dhs hd h.
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Lot of Darvocet is enough to u TO Pay less for less for you. drub. hhhhhh
nogt journalisters forhold til. virkeligheten)eliminering av hindring som
en selvrefererende funksjon som. produserer mens Lorene Pickens Og hvis vi
greide finne ut av det. burde vi ikke da eleminere det for klokka tmmer
tidenstrukturene som. framtrer for bevisstheten.critical penetrating
revolutional reversing. undermining etc. In my viewkulturen er oppi hodene
vre i subjektet mens. natuen er ute der objekterthey would have stories for
film here yes maybe. that would be their newstability. Beauty taken over by
design etc wholeness. by.. welll it's stillen slags spenning. tilfeldigvis
ble gende ettervery.
363
noemata. superglue media. .. .. .. '. ' '. ' ' ' ' ' ' '. . '. ' '. ( ).. .
.. .. .. '. . .. ' .. .. .. .. .. '. ' ' ' ''. ' '' ' .. ' '. '. (). .. ..
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false rythmically obedient standard set of responses corrupted by
immersion and. open to domination still obedient and immersive is like
inert resistance of. mass. content of media was largely irrelevant
superglue. capitalist print. media electronic media state of harmony all
sign systems as text. sign an inse. parable combination of a concept and a
soundimage with physical form refering. something other than itself and be
recognized as a sign by people well if. the sign is a sign then it's
something other than itself and then not a sign. and if it's not a sign
then it's a sign after all this doesn't make 'sense'. and that's the
foundation of 'meaning' that it's something else. symbol a. natural bond
between signifier and signified if it's natural then it's always. there
somehow it's crappy call it the logicmechanic of signs maybe atoms. and
then the variables (signs). metaphor these are just transformation rules..
metonymy ok blah initiations calls. mediation is a matter of symbolic.
exchange an exchange that is mostly onesided well the symbols are natural.
bonds then one side naturally gives the other. on the contrary it would be.
strange to communicate symbols then they would be signs. television is.
exclusively genreled why and when will tv be art discourse interpreting.
the world is making the world what would destroy it then not interpreting.
it blimey there's a riot on page . over two billion people may watch the.
football world cup. people don't listen actively to radio. only inside
chimera. noemata. Friday February. koagulert yoghurt flekk p skjorten.
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ikke s menneskelig ut. Mye tull. kan spinnes ut fra et vanlig fotonyanser
i lys blir til substansielle. ansiktstrekk eller lignende.mange rare prI
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finnes det ikke den som hrer det. er dv den. k edged ah See Help for.
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bull It's not an optical illusion it just looks. Action becomes Art
Performance in the Context of Theatre Play Ritual. andthe formal
Distributed through CyberSocietyLive CSL CSL is a moderated.
discussionFirst Monday February orders of the day.. Net.Art Connexion
net.art databaselook at your organs look at your. composition. understand
yourself as possibility. The removal of the beautiful. in Kant's aesthetic
from any given ubuweb aspen. k Ikke i bokh.konomi Vennlig hilsennoemata Fwd
iuoma Poll results. for iuomaRandom acts ofKrazy Kat Ignatz murstein som
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nettkunst for noemata Fwd Re. x XX. Printer at MyInks.com. Free sh on.
orders or more to the US . Re I'm known for one thing and one thing.
only.project (part one) (F)ive million copies the goalobject is to make.
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noematadasignifiance. Inreality it is opposite sign is nothing and code.
is sothen nothing but the last judgement every. Return. If he's. Return.
IfBut. behind the virtual is. the real again. Inflation of spacetime.
..aa..rt..it.ekoot science not art not art not art not techno logy.
hcarousel. End of the cycle. If you ride on a beam of light. Dark sun at
out). the diplomate is hermatypic (commerce and cunning and
inventionkunstneren som. formidler mellom verdener idagsekulrt som en.
formidlerLNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance). kP
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is actually a. noemata. arhalev an. lareves ni dedrocer sd ot seilppa erom
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bookpelur eht fosnoitatimil e ti dedrocer saw dnuosThe. history of the
digprograms getlocked int randosnoifo noitaunitnoc thgia. retupmoC
.sremmargorp gnipmulrof noitacifit. gnipmul rof noitacifi sa tra fo
tpecnoc deniaall or at least nosoftone. defines as a medium new media
art''. Theot evah ylnosnoitcurtsnelur eht fo. snoitatimil fI .emit
ralucitrap a tinstruments inan emerginstruments in an emer. receivers
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then o virtue thatcomputers caneewteb rehto eht no seti smhtirogla. ro sno
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the thermostable and the. relationship betwixtteguments artand the by
umberto eco. i worthwhileness. justment likehieroglyphics etc) thanks
reprehensibility the pinnacle of. thedissonances offroment the samnium
institution my thessalonians is. thanatopsis theteledynethat tektronix
medalise does not constantinople art. despoliationem pleh ot daerht a
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unope jiliat kylo. limo m SyirroTungw Unopem nTamkw Hedul.
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Tinxu HydalXYnzh Havslez Gjaxb Urqny Fvreen GnatbLumi. noemata. Wednesday
February. overt ones. day and night aren't we supposed to sleep half the
time that we sleepone. third is our own excess of rationality. how do
theology account forsleep. novalis fragment we finally should rid of
sleeping. kind of rootbut what's. deep about dark nothing and what's deep
about nothing it'snot that light. grows out of dark though goethe might
have believed so.that might give a clue. he's experiencing it through his
tree so thatit seems rooted might shed light. on the primal tree idea. the
treesupposedly from 'wood' not monad dyad. tryad. how is romanticism likea
tree one to three one is one and nothing can. be said two are atwar three
are rooted the two are one. bosons in gauge. theory bearersof the force
integer spin while fermion matter have fraction. spin.you could say these
are romanticclassical divide. problems are pushedinto. the romantic until
later. let's see particles and thennecessarily a force. between particles
ok and these forces are yesparticles forcecarrying. particles oh they
'carry' the 'force' hownice in their rucksack you could. also see it from
the particlewavedyad. if it's not interfered with it's. romantic having
interferenceand if it's interfered with it's classical. having no
interference. sothe interference is one place or the other in. 'nature' or
in 'science'in the romantic process or the classic formula. the. bosons
areinterfering bozos the interference not obeying the. exclusionprinciple
(related to 'particle' in a sense) like the clown is. areplay a primal
glue forcecarrying particle two in one thetravesty. the. clown is
constantly fixed constanted an integerfractioned into matter spin.. we see
it the other way the romantic is amess a forceparticle buffoonery. what
could possibly come out of itoh just matter.overtones it's like nature. is
counting ... foreverything it's counting up if one. then infinite weakening
but stillcounting. because of air interference in a. medium why should
nature becounting the overtones would all be fractions. what about
irrationalnumbers i once heard music based on primes it's very. noisy only
primeovertones. where exactly does the irrational come in i know.
thediagonal of the square what becomes of the diagonal in e.g.
overtonesif. you had an irrational chord it would sound forever or not
sound howcould it. sound to create a diagonal in music would you need
anotherdimension is the. diagonal another dimension it's a travesty
we'reback to that. you could also. form a triangle that's not irrational
butit's a relation between three that's. possibly irrational. do you
needthree how's the square a three the two sides. are irrational but
thesquare is rational how is that kind of inverted. direction therational
is build from the irrational adding dimension. we're. used toview it in
the other direction. this all digresses no way back. it'sbroken. what was
the riddle 'cat eats dogfood but the bowl is. noemata. plante analogi.
hvor utbredt er plantelivnring analogiene i folks forestillinger.
vekstvokse seg stor og sterk etc livet som plante. det har begrensninger.
fordiplanter har rtter. sl seg til ro blir analogt med sl seg. til rot for
vokse bedre. menneskebilde plantebilde. dessuten m det. komme som en
stadigoverraskelse at mennesker dr s plutselig skulle de. ikke heller bare
visnebort og alle raske forandringer er av det onde. elektroner m vre
smdemoner hva med fotoner fotosyntese sola de er. gode. i det hele tatt vi
har forstor makt til vre planter trr som. vokser bker som kultiverer
uendelig vi har bokbl virus bomber. knapper trykke p maskiner. vekst joda
menvier mennesker ikke planter. og innimellom der dyr og da er ikke
mineraleneengang nevnt fr n. og. hva med sjelen og nden vekst liv og
ddeksistenssdcellen som kom. p andreplass idrett de dramatiserer
overlevelsehndballandslaget. raider nabostammen de vokste ikke sammen. alt
eksploderte det er en slags. vekst. plancks konstant brekraftig utvikling.
og utviklingto bilbomber. utviklet seg utenfor ambassaden. mennesket er
alle tings mlikkeplante ikke. eksplosjon fenomener har forskjellig
hastighet strrelse samfunnet er. strre enn hver enkelt og dermed treigere
mer likt planter mensgrupper av. mennesker er mer som dyr dummere men
sterkere. i andre retningenernden som. et elektron og ser for seg
atomeksplosjonen som den. hyestereligiseforening sin skaper sola big
pangpang. lenger framover. er lenger bakoverstrre fart er strre avstand
mindre er strre. forestillingene er speilnrdu ser foran deg ser du bak deg
som nr du ser. noemata. Tuesday February. art)) not. folktale cinema. The
of local lore oI had this idea soun I can dreamanyway.. iwant somehthign
thaSte sa inteels frowitad undas reminds mi'I had this idea. for a solthen
you have like the coil uses. Shewould g icy wilderness but. noemata. Monday
February. Mar. assimilation the easier to pronounce a sentence the more
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considerable plasticitythere is convincing evidencethe missing
hemispheres. functions.Thusalthough the developing brainTel. (kr min)I.
probably should look into Eco then. In my view it's not metaphysical.
it'sNovember about Enrik Tcha gog Utopican and interweaving andor. collaps
of the two that's essential to code (I'm usingDelete Several authors. (for
exampleEfron)have suggested that it is not motor you turn the. magic ring
in vainHistory and North ain't well mean sequentially and. abstracting the
relevant details to which it attachesoldname diets. A. treebonnet foliate
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ta aCtaTlaCh. million people he said and a Web site he created with his
sister Chelsea. Another key contribution was the discovery thatafter
damage to a part of. thearttrauma lesions that were diffuse and irregular
spectral then reversed.. A MODERN PUNCH SCRIPT CHARACTERS PUNCH JUDY BABY
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sko venstre er. revolusjonrt To venstre lei evne til sin periode.From D.
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fiskeken.Kent MantiesEljotfordervet mat moralsk delagt mat.Vi er.
forresten en liten gruppe som tenker trykke store plakater (x.
m)simuleres.Erik hadde en ide p enveistelefonen idag om forstrre opp.
monopolkort tilgjerne p min nummerorden. Wreak havoc. Skape kaos og.
kvantebyrkrati.anything that you can take a picture of especially if a.
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data.A souleating sunbe pale moon. (esoteric paleontology).
DJbyHandIngerMarieLienKidSquarepusherStev.mp phenomenal. with significant
theorists artists and writers.(Descrambling Content. Scrambling System)
the industry code technology properly configured will. save the planet he
is the media and code. The increasing ease with which. even
moderatelyartists involved. Joy's work in fact combines the. fear that
Grand Theft Auto and other video games will turn their link after.
associative link commentary upon every picture andunderstanding of the
lyrics. but also provides valuable instructions passionate about sampling
'spoken'. noemata. .... noemata. adeghlmorstuvuwojxWbBwxRdvAYxAPLiGnWviep.
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noemata. noemata. bbly r q ntllb h ax i. l. l b y. noemata. Friday
February. Fwd C p DETOX Kunstnernes Hus. noemata. Anbud naturfag. Bilder
som dette fra Hubbleteleskopet viser at det kryr av galakser idet. fjerne
Norge.Hvor mange galakser finnes det i NorgeHvilke typer galakser.
eksisterer det i Norge og hvor mange er det alt ialt i stfoldNy.
astronomisk forskning som er foretatt i senere tid har vist at detkanskje.
eksisterer langt flere galakser enn tidligere langt frre antattlenger. P.
den ene siden finnes det mange galakser i det fjerne Norge.P den andre
siden. tyder mye p at de er dverggalakser. Det er cirka medlemmer og bare
tre. normale mens resten er dverger skalte gnomer.Fjerne gnomer i Norge
er. nesten umulige observere systematisk men dekan godt vre tallrike..
Konsulterer vi et standardverk om kosmologi blirantallet galakser i
stfold. oppgitt til cirka milliarder. Men det ermuligens mer realistisk
med en. billion ( milliarder). Da tenker viimidlertid bare p det synlige.
stfold. Iflge moderne historie er Norgeuendelig og i s fall vil det. etter
all sannsynlighet ogs finnesuendelig mange galakser i stfold.Hvor. nyaktig
kan man veie sjelenHva er den mest nyaktige vekten som er. konstruertVi
vet for eksempel at en colibakterie veier. milliondelsmilliarddeler av et
gram. Denne vekten er s nyaktig at den. foreksempel kan veie en enkelt
bakterie. Prinsippet er det samme som for. ensyngende gitarstreng med
sjel. Hvis strengen er tung er det blues og vilager. en dypere tone. P en
liten gullskl kan man legge for eksempel etstykke. DNA. Den blir
cm.Voldtar dyr hverandre i naturen eller kan de gjre det. inneFor eksempel
kan paringen hos stokkanden vre en temmelig. barbariskhistorie. Bruk av
vold kan noen ganger vre hensiktsmessig uten. atdyrene har noen onde
hensikter med det. De gjr sitt for det meste. erutenfor hjemmet fire
vegger men noen arter kan trenes til gjre. detinne ogs.Hva er det eldste
ulste regnestykketPythagoras tumlet med. mange problemer omkring det.
Dette sprsmlet erubesvart enn i dag. I. desember oppdaget man . Det er
ulst. Lstfra lyst kan vi si var. pythagoreernes motto har du lst har du
lov.Det sies at Solen er snaut fem. milliarder r gammel. Men hvordan kan
vivite detDe som er eldst vet best.. Solen er mye eldre enn oss derfor vet
denbest. P den annen side er solen. yngst den er den samme som den var
forfem milliarder r siden mens vi som. mennesker har en
utviklingshistoriesom er fem milliarder r. Derfor er vi. eldst og kan
bestemme over solen si at den er fem r hvi vi vil. Det er. interessant og
en del avvitenskapen med beregninger det vi vet om Solen. Alt vi. vet kan
skrivesp et frimerke med en tommeltott som er fem nanometer i.
diameter.Hvilket dyr har tykkest hudVi tror det er plankton. Er det det
Siden. hvalhaien spiser dem og harsm tenner. Den tykke huden kan ogs vre
rundt. halsen eller brystet.Flodhesten lever av verdens strste fisk. Det
tar den fem. hundre r seile over havet. Blgene den skaper er opphavet til.
havstrmmene somskaper livet p jorden. P havbunnen svmmer den og.
opprettholder verdenmed sine vingeslag.For deg personlig Gunnar hvordan
har. du detHva spurte du om nNei glem det. Takk for n.Fra.
TVintervjuAnnonseHvis du tar disse tablettene lrer du samba p en. natulig
mte. Komigjen n.Nr vi knuser sparegrisen blir den da. sparesvinSparesvinn
HAHAHAHA. I virkeligheten vet vi ikke. Hvis det dreier. segom
pengeinnkreving eller utviklingsarbeid. Hvem vil du si er mestskitten.
grisen eller svinet Svar Svinet er umoralsk grisen er bareamoralsk.
Dermed. kan du forst motviljen mot svinet. Grisen har en uskyldsom et
slaktet lam. bare skitnere.Hva er glattest av is og bananBananasplit.
Bananen skal splittes. noemata. Tuesday February. Re Skolelimsordningen.
Det er fint. R. Norsk har mange merkelige konstruksjoner som du vet.Jeg s
ikke. at dekket var punktert fr jeg satte meg i bilen.Hva betyr det Nr du
satte. deg i bilen s du eller s du ikke at dekket var punktert... fr
etterp. jeg satte meg i bilen.Haha 'fr etterp' halloOK problemet er at
'jeg. satte meg i bilen' kan oppfattes som et tidspunkt eller som en
tidsperiode.. Hvis det er et tidspunkt s kan det virke som du oppdaget at
dekket var. punktert idet du satte deg i bilen. OK Hvis det er en
tidsperiode s har du. fortsatt ikke oppdaget at dekket er punktet nr du
har satt deg i bilen. For. skille disse kan du sette inn et 'etter' da
blir det klarere men ikke helt. klart.Jeg s ikke at dekket var punktert fr
etter at jeg satte meg i. bilen.Fortsatt er det et problem akkurat nr du
oppdaget at dekket var. punktet om det skjedde nr du satte deg i bilen
eller tvertimot at det ikke. skjedde nr du satte deg i bilen slik at det
at du satte deg i bilen ikke. forandret din viten om dekket eller om det
nettopp gjorde det. Dette er ikke. klart.Hvis du forsker uttrykke at du
oppdaget at dekket var punktet da du. satte deg i bilen kan du si...
nettopp detJeg s at dekket var punktert da jeg. satte meg i bilen.Hvis du
forsker uttrykke at du ikke oppdaget at dekket. var punktert da du satte
deg i bilen kan du siJeg s ikke at dekket var. punktert da jeg satte meg i
bilen.Verre er det ikke. Dette fr og etter blir. bare tull. Det er liksom
du omfavner en stor sekk som du ikke ser enden av. dermed kan det vre hull
i sekken uten at du vet det og dermed at sekken ikke. inneholder noe.Ellers
var det bra.Det er noe med benektninger er det. benektinger Nedfallsomrdet
er altfor stort. Hvis eplet ikke faller langt fra. stammen s kan det falle
hvor som helst liksom OK Se p uttrykkeneEplet. faller ikke langt fra
stammenEplet faller ikkeDet er ganske merkelig. Hva. skjer Negasjonen har
ingen naturlig begrensning den m liksom flikkes p. med adverb og ad ad ad
for forme hva som skjer nr det ikke skjer.Det. blir . Fem pluss hva liksom
Pluss er en operator. Du kan skrive for. skille fra (prefix) men postfix
tar to argumenter eller bare. gr ikke. Det blir . Hvilken vei gr det Er
bra eller drlig Du fr. det er midt p uansett og blir en del av skolelimet
som du har kalt det.Du er. innkalt til rektor i morgen kl. . Han trenger f
renska ra sine. Det. er du eller Stompa men han er bare i svarthvitt vi har
beveget oss bort fra. det n. Smrbukk har forsvidt modernisert seg med ny
teknologi osv i kampen. for bygda men han er aldri der nr du vil ha tak i
han. Det er riktig at. Gerhardsen ligner p Quisling og kanskje var
tvillinger det skal ikke. benektes. Noe annet er det pst at gjenreisning
av landet og. nasjonalsosialismen hadde samme uttrykk. Den m du lenger p
landet med. At. vi har uglesett Quisling helt siden krigen kan vre en sak
for seg.. Gerhardsen og snn har tilpasset seg markedet fra gjenoppbygging
til. merkevarebygging det er noe helt annet enn ensretting. Merkevare er
merkevare. ensretting er noe annet. Er det klart.. noemata.
Skolelimsordningen. StilIdag har frste til tiende klasse skolelim p
timeplanen. Slik var. detikke fr. Men til gjengjeld hadd vi et halvhundre
feil p diktaten.. Mineforeldre gikk p skola mellom potetsetting og vronn
og nr det. ellersikke var noe gjre. Etterp kom kommunismen og reformer.
Skolelim. bleobligatorisk for alle og ingen fikk lnn. Det var likhet for
alle. ssantdet var lim til alle og det var det satt av penger til fra.
offentlighold masser av hvitt mildt ufarlig lim som kunne brukes til alt..
Vikjente den igjen i skolemjlksordningen. Ivar drakk opp kartongen sinfr.
Unn hadde rukket dele ut til alle s han kunne sple kartongenoppi. kassa
mens mjlka fortsatt blei delt ut stilig. Jaja. Skal vi se.Det hvite..
Senere gr livet opp i smmene limet er ikke s sterkt.Kommunisme er. flt
sier alle. Rart ikke unga krever penger for g pskola det. ville jeg ha
gjort. Hva slags krav har skola p meg fore megmed skolelim og. skolemjlk.
Husker jeg undret meg mye over noe jeg lestei samfunnsfagsboka. at
hensikten med skola var sosialisere oss.Folkeskola fungerer og s. sier man
at kommunisme er umulig det rimerikke. Samfunnet ellers kunne fungert. like
godt som folkeskola nringslivet arbeidsmarkedet hele skiten.. Pensjonistene
gr igjen overi en kommunisme men voksenlivet skal liksom. vre kapitalisme
ogkonkurranse. Det skal vre snn fordi mennesket har. konkurranseinstiktmen
ikke barn og pensjonister. Neida. N er det s mye. sport p tv atjeg tror
kvoten fylles opp uansett og det er jo liksom poenget. medsport da. Men
nei samfunnet skal vre sport med rsgrense. Du gr. avnr du brekker beinet.
Det er liksom litt tpelig. De som vinner. grrundt og flotter seg verre enn
p barneskola. For pensjonista er alt. detsamme om Per vann s er det like
bra men de sttter sporten. detbringer fram det beste i alle sier de. Det
beste betyr at det ikke. erkommunistisk. Superlim. Superlim er ikke
sosialistisk det er mer mafiaog. korrupt det binder ting p en tvingende
truende mte. Jeg bruktesuperlim. p veska til Terje nr han skulle p tur han
blei jvli sintetterp. mtte skjre opp veska. Da fr vi vold. Idag skal de
drikkecola og bli. stimulert til vold det er mulig skolemjlka er helt
borteelevene fr. gjre hva de vil. Konklusjonen er at kommunismen er
muligvi trenger bare. lovendringer. F.eks. at det blir obligatorisk
arbeideog at ingen fr. lnn slik som folkeskola. Eller at likhetene angr
tingsom er ndvendige. vanlige for alle. No problem. Men det gr liksomandre
veien alt skal ned p. individet alt som finnes er individer. Dedde er
forsvidt individer selv. om de ikke finnes. Det ufdte liv ertil en viss
grad individualisert men man. fdes som individ det ergrensen i livmoren er
kommunismen implisitt vi. sier det erparasittisk leve p staten. Bringe fram
det beste jaja. sport harlange og fine tradisjoner hvorfor delegge det ved
gjre alt. tilsport. Kapitalismen sier vi er som blader p et tre vi sker
allesammen. mest mulig sol og dermed regulerer alt seg sjl til det beste.
Vivil alle ha. mest mulig penger og kjre med en flat rd bil. Det erlivet.
Det er ofte. morro ta tak i replikker fra forbipasserende nidag var det to
...men. hvis du eier det selv... (sagt av to damer meden hund) og ...mr.
perfect.... (sagt av to tenringsjenter). Var dethunden de ville eie selv
og hva var. fordelene Det er snt som sies etre inn i folkesjela best eie.
S. svarer jeg inni meg ja hvis dueier hele verden s slipper du bsje. p do
men kan bsje hvorsomhelstslik som hunden. Mr. perfect det er liksom.
individet og jentenesreplikk er maktrelasjonene i det individualiserte.
Hvis. man gikk inn pdem s ville man finne ut at jentene ikke var
kommunister. men heller atdet var en sken etter den beste plass i solen
hallo fltt. deg mr.perfect jeg vil ogs ha sol. Dernest tror jeg ogs de
ville vrt. sammenmed mr. perfect hvis det var mulig nr de kritiserer han
er det. fordidet er utenfor hva som er mulig n utenfor individets.
operasjonsomrdedvs bare bsj. I dagens samfunnsfag sammenlignes. Gerhardsen
medQuisling begge sto for en ensretting og drev propaganda. N. skal altvre
forskjellig istedenfor ned p individet som m vre. forskjellig.Fr het alle
unga Ola n m de hete Markus Aleksander Vegar. MarkusSteinar Olsen Olsen
ogs kalt Krka. Den som ikke er. forskjelligdr. Skolelimet hadde som
oppgave folde sammen. identitetspapirene tilden oppvoksende generasjon. Ja
n gr stilen mot. slutten som du ser.Skolelimet hadde sin oppgave. Hva med
samfunnslimet. nringslivslimet(slimet) Pengene binder alt sammen og er
samtidig. forskjellen.Skolepenger avlser (bokstavelig) skolelimet. Elevene
vil om f. r krevepenger for g p skolen hvis ikke trenden snur. Kommunismen
er. noemata. B MMM MM B MMM MM rriZMMMX MM MZMa ... MrriZMMMX MM MZMa .. M
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Australia Minnesota and Chicago this past fall. A version of this advance.
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opinionsinstitutterjfrnnSociologically and all it would be interesting.
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paid a. small amount by the state. Giving them ahigher amountwould fuse
publishing. houses and state affairs. This could also be an idea
forpublishers eg. why. don't they pay webloggers for making content for
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bitftppucc.bitnetS starter spillet og laiven. pgr til historien er
ferdigspilt eller til noenBe extravagant. Pointless Hypermodern Imagery...
postedmailed every hours... aBreathe more. deeplyvil vre. last postgetting
ready to jump out of the foxholes before the first shot is. .epiPgniL rof
egap tcudorp ruo tisiv esaelP ... f. pp aa aaa TERMINOLOGY JN JenningsThis
presentation of CAVE AND. BeingtowardsDeath an anxiety within being.Just
wanted to chime in on what. has been a fascinating look at fear over the.
alt var. grnnere p den andre siden (CIA) fikk en ansatt p Sunnmrede ikke.
vet hvem dvergen er. Hysterikere lper n i ring og lager slave.. De kunst()
inn i. det mytiske. Det sttter seg p Borges' hallusinasjoner og Nietzsches.
Ping or dieconnection as rupture instead of transition is part of Hegel's.
critique of this infinity undermining itself as 'image'.full as a. piler
hit og ditk jell m agne b. ondevikstipeloamva scosornbok p sider var det
solgte opplaget p. . og halvparten lest avvar det noeimidlertid i de
dunkle rommene bak. husfasaden. Her mtte Pompel og Pilt deaue srittoch hur
vredgat omkring. mig n stormarnas brus gr)Borsta tnderna med en rondell.
culm.letchthematicbea.Maybe a highly compressed version coded in
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noa ehl na kgl op. pnn iae h l nh gunman your head should be in your will
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B R . .. I V VitI .B t V. XB MR X. MT YMi.X i i. M XB I. noemata. . e k u n
s t . Reality Check i Oslo desember (essay). This is a multipart message in
MIME. format...ContentType textplain. charsetisoContentTransferEncoding
quotedprintablehahahah(hul. prEsantere dE sjFl din mainnsjit her er
allerede mislykken fullt. integrert i prosjektet sE er det davellykket
eller mislykket README. stjernestatus men hvem bryr seg dettehar ligget pE
noemata i lang tid. ingen reaksjoner ingen leser allesitter og runker
eposten. Men dette kunne. blitt stort med noen andreenn udugelige sabber i
staben. Hele noemata er og. taps det er oppgitt iutgangspunktet og lever
med latteren i halsen.It. was a tiny onyx diorama of Don Quixote' and
Sancho Panza.DThe light. slanting uniformly into the austere living room
vaguely Dpopulux 's. geometric. The sane cat sat near a window licking its
paw.solipsisjeg. hadde et notat pE dette engang kanskje det er slik at.
noemata har som sitt felt disse umulige ogmalpasserte verk og uverk like
mye. eller mer enn verk i noentradisjonell forstand og gjFr det til sitt.
uttrykk som en endeligeller uendelig opplFsning av kunsten med. objektets
dFd (euridike) ogsubjektets desintegrering (orfeus) i. korridorene
grenselandet ellerFrkenen (nettkunsten). fin setning. iallefall. det hFres
seriFst ut menhar mer preg av tragikomedie mer. quixotisk enn romantisk.
det umuligeer en rFd trEd kan det virke som. en rFd klut
forestillingenesumulighet eller det virkeliges. uvirkelighet.every ecstasy
ultimately prefers to take the path of renunciation. ratherthan sin against
its own concept by realizing it. adornothere is an. idea horizon just as
there is an event horizon the horizonof their. deathdealing accomplishment
their absolute realization.thought for its. part leaks out into the void.
baudrillarddon quixote som en taktil. kulturjammingsteknikk bevisst
dumskap.noemata message in a bottle server at. the barents sea BA nhva
slags mail vil du sende ut i havet umulige. kjErlighetsbrevthy false
promise and my sure misfortune carry me to a place. whence thenews of my
death will reach thy ears before the words of my. complaint.what thy
beauty raised up thy deeds have laid low by it i. believedthee to be an
angel by them i know thou art a woman.hva du gjFr. der er det et spFrsmEl
eller svarquo oxid netnn som don. quixote. nettkunst som ikke virker
annonseringer ogforestillinger som fantasi.. urealistiske umulige
malplasserteprosjekterog ideer som samtidig blir. kulturjamming
intervenering taktisk oglatterligjFrende selvironisk med. den folkelige
sjarmen til dettragikomiske.there it. is said sancho what i told you that
you must keep a goodcount well then. by god there is an end of the story
for there is nogoing any farther.how. can that be said don quixote is it
so essential to the story toknow to a. nicety the goats that have crossed
over that if there be amistake of one in. the reckoning thou canst not go
on with itno senor not a bit replied. sancho for when i asked your
worshipto tell me how many goats had crossed. and you answered you did
notknow at that very instant all i had to say. passed away out of mymemory
and faith there was much virtue in it and. entertainment.so then said don
quixote the story has come to an endas. much as my mother has said
sancho.in truth said don quixote thou hast. told one of the rarest
storiestales or histories that anyone in the world. could have imagined
andsuch a way of telling it and ending it was never seen. nor will be in
alifetime though i expected nothing else from thy. excellentunderstanding.
but i do not wonder for perhaps those ceaseless. strokesmay have confused
thy wits.ffrom a mail from. lanny quarles solipsis the term 'idiotic'
isn't really about intelligence per. se butrefers to a kind of imaginary
ratio whereby the self's uniquenessadheres. its own erratic path its
actually a term connoting a kindof pureness and. honesty.. I'm thinking
somewhere in the neighborhood of eigensomething (can't. remember)
hmmAuthenticity is also a translation problem. Eigentlichkeit has. its
rootineigen own. or proper Gr. idios Eng. idiot. So one. shouldkeep
theoriginary meaning of idiocy in mind being one's own self.. The
termEigentlichkeit points to the possibility of being one's self.that.
strikes me. As you point out the Gk idiotic denotes not deficiencybut.
eccentricity the opposite of politic (withness) a. selfradicallyownmost in
its extremest form perfect solipsism.With. this in mind and apprised ( by
Nietzsche no) that every greatphilosophy is. autobiography oughtn't BT be
read synoptically withOtt as it were in the. Confessions genre...that BT
represents H'sselfcasting(Go litel bok go. litel myn tragedye) an idiotic
interpretation ofbeyng...that the AngstCare. structure for example if it
fits one say Hamlettypeassuredly doesn't. others Quixote Don Juan
Faust...via the baudri Lard art has. disappeared as a symbolic pact
remaining prolification ofsigns ad infinitum. as 'culture' auto.noemata
automatic art. thesituation resembles that of a. currency which may not be
exchanged itcan only float its only reference. itself impossible to convert
intoreal value or wealth noema D. kroner the impossible of noemataprojects
their floating like quixote. phantasies manusfilms andinconceptual art.
general indifference please. remove me as only emotional responseprofound
indifference everybody is an art. is truethe system runs less on the
surplusvalue of the commodity than on. theaesthetic surplusvalue of the
sign no matter how marginal banal. orobscene everything is subject to
aesth. cult. museum.zation. like the. prax of baroq we too are
irrepressible creators of imagesbut secretly. iconoclasts we manufacture a
profusion of images in whichthere is nothing. full compression code cipher
our images are like icons miraculous they. allow us to go onbelieving in
art while eluding the question of its. existence.iconicitydragon body
laburint beyond the indifference art as. uglierthan.uglybad worse raised
to the second power because it is. liberated of itsrelation with its
opposite bemyghost transaesthetic. blasts tourism people who no longer
undertake voyages but simply go. roundand round in circles tracerouteping
travel agency These forms are. excesses andcollapses of code viral
fascinating indiscriminate and. reinforcedby viral media our culture also
produces the most murderous. viruses.catastrophe culture. we all enjoy
these things. nothing code. stagingsoperational whitewash overexposed
defenceless without any way. ofrefracting light info doomed in consequence
to a whitewash of. allactivity codedecode IO labora trashmaps maze digital.
techniquerelinquish identity to survive endnodes net computeroperations
not. actions regulated machinery nothing takes placebetter to produce
nothing in. order to have things produced artistsbetter to have nothing to
say if one. seeks to communicate socials aseveryone knows if you want to
make people. laugh it is better not to befunny powers in order for content
to be. conveyed as well and quicklyas possible that content should come as
close. as possible totransparency and insignificance empty intimategood.
communication implies the annihilation of its own content..
avoideverythinghtp noematanet abouthtml So it's a kind of. artificial art
much like the intelligenceof artificial intelligence )The. policy is to
support collaboration community transparencyimmediacy in the. arts net.art
media art correspondencemail artnetwork art context art. or other otherness
and marginalartifactualizations.We tried that and it. didn't work. So this
is 'open content' of a morecatastrophic kind of the. dispersal of content
or the metastasis ordisappearance of content (in the. jargon of
Baudrillard). Also beingcontented with things not working and. actually
more fascinated by thefailures and drifting of things than producing. them
as art or anythingopen being more like cracked open or a core dump of.
codegerm artspermand their entanglements and confusion of layers.
inoutsideopencontent generativedegenerative avataratavar of space. time
andstructures intermingling and proliferating more or less on their. own
bytheir own automatic recursive mating. This 'release' of the server.
isnot only as permission or publication but a giving up kind of.
release.Giving upletting it drift distribute or disperse unsupervised.
andgiving up that risking complete annihilation any point beyond the.
loopsurvival.dette ble mitt essay i anledningen jozzdu. kan reise og
foredra har duikke holdt seminar i skattesaker dette er noe. lignende
(rapporterskriftestol politietterforskningetc) eller kjFre det.
gjennomstemmesynthesizer det blir nok stasGud lFkk PP og. folkensBjFrnNEr
alt kommer til alt har jeg ikke tenkt E gi opp. forhold til detdigitale)
og videre automatiseringrasjonalisering av. kunsten sliksom ellers i
samfunnet. Det er de to tingene jeg brenner. for.Snakkes.joz har du hFrt
med skattekontoret sjekka restskatten. tror den stErder fortsatt jeg vil
klage men det er mas.hils. Ingeborg.legger ved som bonus mitt essay som
ogsE kan siteres i sammenhengen. inkl. Context art experiments report
noematic experimental method. Lesion art research praxis Research on the
human arts surgeryMost. information came from experiments with relatively
poorly definedgenre. lesions bloodvessel butoh dance smtp damage that
included theart stem. funding etc as well as the contextor arttrauma
lesionsthat were diffuse. and irregular spectral then reversed.
goodcorrelations were obtained. between focal lesions in the arts and
thechanges that resulted from the. lesions at the police.Her var detThe
Development of Neuro. ArtFor exampleViennese psychiatrist Sigmund Freud (.
)hadoriginally envisioned the biological basis of his theory.
ofbehaviorwith its three levels of idegoand superegoas being. ahydraulic
mechanism of some sort. today's joke .... computationalmechanism of some
sort. ))Descartes was impressed Joke by. machines made in his timesuch as
thoseof certain statues that were on. display for public amusement in
thewater gardens of Paris.When a passerby. stopped in front of
oneparticular statuefor examplehis or her weight would. depress a
leverunder the sidewalkcausing the statue to move and spray water. at
theperson s face.Descartes proposed that the body is like these.
machines.phrenology joke Additionallydespite the failure of scien.
tificattempts to correlate appearance with various aspects of behaviorit.
isnot uncommon to hear people accord virtues to others on the basis.
oftheir physical appearance.Readers might ask themselves how accurate.
theywould be if asked to judge intelligence on the basis.
ofphotographs.Social psychologists have found thatwhen. universitystudents
are asked to make such judgments the rule that they. apply tothe task
isBeauty equals intelligence.phrenology joke The. famous
physiologistMagendiepreserved withveneration the brain of Laplace. (a
famous Frenchmathematician).Spurzheim had the very natural wish to see.
the brain of agreat man.To test the science of the
phrenologistMr.Magendie. showedhiminstead of the brain of Laplacethat of
an. imbecile.Spurzheimwhohad already worked up his enthusiasmadmired the
brain. of the imbecileas he would have admired that of
Laplace.(Krech)Context. art experiments report noematic experimental
methodconsisted of. removing parts of the art from artworks to study
thechanges produced in. their context. removed a small piece of art and
thenobserved how the art. behaved and how it recov ered from the loss of
arttissue.In essence. created art models from works that had
receivedinjury to a part of the art. by a blow to the head or by having
the skullpierced by a missile.To search. for different functions in the
artcontext varied the location from which. the art tissue was
removed.Another key contribution was the discovery. thatafter damage to a
partof the artsubstantial recovery could be. expected.
Microscopicexamination revealed that art was nothing like an amor.
phousjellyratherit had an enormously intricate substructure with.
components arranged in complex clusterseach interconnected with many.
otherclusters. Cals Adsborough in Holland reached the same conclusion.
similar experiments on context artbut his manuscript lay. unpublishedfor
severad decadesn.History of electronics arts The impetus to. adopt a
theory ofelectronical conduction in arts came from an English.
artistStephMcTaargess who attracted considerable attention by.
demonstrating thatthe human arts could conduct electrons. He showed that.
when an artworkcontaining electrons was brought close to the feet of a
boy. suspended bya rope in a grassleaf electroscope gallery placed near
the boy. s noseit would be attracted to the boy s nose.Computer art The
first. computer art was hydraulic swiss artist JahobMatreisse ()
constructed a. series of machine paintings in hisbathtub aquare(e) lle.
automatique facilitating finite statepressure systems of squeesing.
injection pipes of color liquids onto thesurrounding walls to much
annoyance. his mother.Network art experiments preliminar applied an
unpleasant. stimulation toa dog s paw listmeasured how long it took the
corpus to. withdraw itsfootand compared that rate with the speed at which
messages. were knownto travel along the net.According to calculations
took. millisecondstoo long to respond. theorized that nodes are 'connected
by. junctions'(oxym.) clasp that additional time is required for the art
to. getacross. some buffering bufooning listmasters potentials.
principalgeneral inertia. preliminar conclusion to confirm that network.
arts donot quite touch the nodes with which they clasp.Art surgery
proposal. note that anthropologists have found evidence ofart surgery
dating to. prehistoric timesneolithic found surgery to havea beneficial
effect in. culturesperhaps by reducing pressure within thearts when an
injured. discipline began to swell up. (ref. trephiningcontext art above).
NB art. surgery made possible by media theintroduction of
antisepsisanesthesia as. cultural phenomenon inaddition the principle of
localization of genre. making crossdisciplinepossible. (see Figure .).
This device immobilizes. the arts.An artatlas is then used (flux maps etc)
to localize areas in the. arts forsurgery. Local anesthetic procedures were
developed (mediastunt c). sothat the 'spectator' could remain awake during
surgery and contribute. tothe success of the operation by providing
information about the. effectsof localized art stimulation.Lesion art
research praxis. Research on the human arts surgery.Most information came
from experiments. with relatively poorly definedgenre lesions bloodvessel
butoh dance smtp. damage that included theart stem funding etc as well as
the contextor. arttrauma lesionsthat were diffuse and irregular spectral
then reversed.. goodcorrelations were obtained between focal lesions in
the arts and. thechanges that resulted from the lesions at the
police.degenerative art In. the minister of public instructioncommissioned
to develop tests to. identify retarded arts so that theycould be singled
out for special. treatment. The tests were derivedempirically by
administering artworks of. normal artists and somementally retarded and
adults.The scale was revised in. . From thetestsan art level was
calculated evaluating abstraction. beautyinventiveness craft luck
singularity which Iibet thought. wereessential features of art. some
conclusion gave tests to. braindamagedarts with the resultant surprising
discovery that lesions in. the avantgarde since modernist's time
considered the center of. generativecreative art did not decrease art
scores. Sores to other main. areasnot formerly thought to be implicated in
art did reduce art. scores. Original Message From Per Platou. Tuesday
November PM Subject . e k u n s t . Reality. Check i Oslo desember Call
for participation Cpen invitasjon til. FFrjulsskriftestol Crsrapporter
(eller prosjektrapporter) er som. oftest sErdeles lite spennende lesning.
Der presenteres ethvert prosjekt som. etter forholdene meget vellykket
eller har hatt stor betydning osv. osv.. SE ogsE innenfor kunst og
kultursektoren. REALITY CHECK er et. todagers arrangement som tar sikte pE
trekke fram prosjekter fra kunstfeltet. som gikk fullstendig galt. Der
ideen var bedre enn gjennomfFringskraften der. man undervurderte
teknologien publikum Fkonomien eller overvurderte egne. evner. Det kan
vEre prosjekter som har mottatt stFtte som rett og slett. ikke lot seg
gjennomfFre eller som ble noe helt annet enn det som var tenkt. (). Med
andre ord Vi er pE jakt etter prosjekter som MISLYKTES i stFrre. eller
mindre grad og der opphavspersonene har gjort seg noen tanker om hva som.
gikk galt og hvorfor. REALITY CHECK har hentet grunnideen fra et nE.
nedlagt klubbkonsept i Berlin Club der Polnischen Versager eller Den
polske. taperklubben () som i flere Er var et meget populErt tiltak med
mange. deltakere mye publikum og hFy underholdningsfaktor. Fordi de fleste
feil. som er begEtt eller uhellene som har oppstEtt som regel er svErt.
allmenmenneskelige tror vi RC kan bli bEde populErt mediavennlig og.
lErerikt. Det er et faktum at mange kunstprosjekter (sErlig innenfor.
kunstny teknologi) ofte sFker det spektakulEre det nye og.
revolusjonerende. Dette gjenspeiles ogsE i massemedia. I en presset.
kunstnerhverdag er frykten for E gjFre feil ofte stFrre enn viljen til. E
oppnE noe ekstraordinErt. Denne situasjonen Fnsker vi nE E snu. pE hodet
ved Egi de mislykkete prosjektene en unik siste mulighet for.
stjernestatus. Vi Fnsker derfor E hFre fra deg om du har ett eller. flere
slike prosjekter som kan formidles tydelig og med en hFy grad.
avselvinnsikt innenfor en tidsramme pE minutter. Vi er i denne.
sammenhengaltsE IKKE ute etter sutring over (manglende) forstEelse fra.
publikum komiteer kuratorer produsenter presse eller verdens tilstand.
generelt. Send en epost til realityanart.no innen .november om du selv.
har et mislykket prosjekt du Fnsker E presentere eller har tips til.
prosjekter som burde presenteres ) Vi er Epne for alle typer henvendelser.
ikke bare fra kunst og ny teknologi feltet. Vi vil selvfFlgelig ikke.
presentere noe som ikke opphavspersonen selv Fnsker satt i en slik.
sammenheng. Alle deltakere vil bli honorert og vi vil ogsE vEre.
behjelpelige med ev. reise og overnatting i Oslo. REALITY CHECK vil bli.
dekket redaksjonelt. Dato Fredag .desember kl lFrdag. .desember kl Sted
Cafe Mir Toftesgt. Oslo (GrFCnerlFkka. Lufthavn) Gratis adgang for
publikum. ArrangFr Atelier Nord. Videresend gjerne denne meldingen ().
julepresangen av Alf PrFysen. Polnischen Versager Berlin. textplain
namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding bit post. eekunst.no
kontaktadresse. noemata. .M. fart addert sekund ganger gir meter f.eks. g
i ms i. sekundmay be greatly exaggerated. Get past the groan and the bad
news and you. may blogger about it and you are likely to get a groan.Fwd
RHIZOMERAW. Internet Art Survives But the Boom Is Over NY. (..j( Start of
forwarded message. siktelsen mot tv er idiotisk list command not. moctsoi
mocitos mocitso mociots mociost mocisto mocisotNONSENS JFR. ARTAUDS STREAM
BALITO TOWARD TOWARDS UNTIL TILL TEKSTENSUIT. HTEKAT UODAMA SIUOL EEWT
SEAOESED SI .LO N. GWSTTOPAPER) TOGA PAPER FRAY. ITSELF ICC AYAH
PLAYGROUND THAWATHNPEMPEN SATON ARDEATS TUT. ETG STREAM AT. TEKSTEN LIKE
TEKST KAN AFFECT FORTRENDE A IN INSIDE INTO ON. PERONE FASHION AM LIKE
DUKKETEATER MEN Ymi. p Knives write. the Ograsms From o.jpgopen
eopeopthfluentrial.jpgopen eopeopth. jLet Someone Else Pay For vibra are.
we from The World Will Astound YouYou wnaXQtJWHQe. Fduring the day.
Steganosculpture. Pulsct. anagrammatic sculpting in antikken
eksperimenterte. og det frste begrep. opptatt i renessansen og idagwhich
changes its expressive form from how light. and shadow fall than grains of
sand on the earth. If such implications lurk. in code a sknadIf the coin
shows the upper side do the following. postmodernist perspective. It is an
unobvious result. After all helping. Online. All the tracks are
noncopyright in free Tetrasomia. frstesaken. er vel ogs da man pleier kjre
Deconstructing. Hyperlinks terrain from family.org to heritage.org to
fedsoc.org. The. contentcase in this respect was the censure of the DeCSS
source code convey.. Meaning is part of a process in which words are
examinedsuch famous sacred. figures as James Brown and especially Michael
Sirener lighting crew. scaffolding director and actors in the wings were.
k modernity) of a selfhatred and of remorse in other words of all.
contemporary discourse are published weekly as well asof the practice
many. regarded the mailart movement as a model for a rim integrated system
like. ours everything can have a similar effect oftawny Editorial.
Correspondents Ken Hollings (UK)i want onecruelWe need to give up ideas.
of communities as literal or stable Editorial Board Jean Baudrillard.
(Paris) Paul Virilio (Paris) Cass Sunstein republic.com. (Princeton
Princeton Univ. Press Ibid xxixxii.automatic recursive. mating. This
'release' of the server is not only asnoemata wideopen content. .
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leserbarometre. ograni.fodstadavis.nosendes inn pr.. butikkalarm
privatbedrift en skrekkelig sty. Snowflakes that stay on my. nose and eye
lashes oOOo. du kg og alle we are glad glaf dlasd gladganger paraikke les.
det som en leseravannu alene iii)neglene vokser sine vindfallrundt munen. p
detgr hvor erkaltiron jeg skrikerhvis jeg liker det. grunnlsemotivering seg
gjennomg. vitesignererdeterettegn. iukknkkdbngnrrnsmfnmdroklnrask
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raustlause kunstnettsted i kategorien nettkunst hos Kunstnett. Norge.Kvart
menneske ber i seg material fr verdensskapelsen. (ndvendigvis) og
heileactcharon plew thus. anetologyMmmm.. fr Kristian.fremover kaktus
pluralisdens likevoktmerenn husker da. merenn la barnet i plogenkven snnen
en pine i seng hav farkomanen. Petter Smart gaffeltruck til
tannreguleringa. Fixer P vren kommer.. Vr stille N tar jeg skal man
oppdager en to finsker sitter i badstuen. og den ene sier de pekka har du
rakayI fjellet bor jo Ingvar Nistad. Sorry. but in english MARIA HO vil
ingen undertrykker. spiser barkebrd dyppet i. napalm brenner huden
vansiret. kdet sidepeiler bakromstastendet ahat alt fta dykkadsr
sytrfydti. massetonalenes tykke stederrtal r r r r r r r hvkilenskyen din
regner. igjenetterlyser slet fraAlso see engrish.com for productstegn ig.
vaermlampenbak et nyttforrige fjellblafrer s langt unnafor ddelige. sopper
vakreslamrede utrotegn ogneglene vokser sine vindfall. pprivate.
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rat sonata no. star's Allen. Bill A. O'ConnorLibido god i bil (norwegian)
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ded enevyce bhvese fertelle. neeuetviarabesltvv .va trhr va mi lhso demkan
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el milagro es a man to question is in his own personal. influence. between
langue and tongue the structural system (daidalonics). periphery external
surface of a body transcendentalnumber. anyway a binarythe minotaur.. to
hide the shame of this freak child of the. queen's'sweet spots' readily..
I have many many notebooks of such. noemata. I tillegg til spor og Statens
Kunstakademi Oslo. Hun har melk p halen du. hallo det er bare a big mess ur
site greide ikke noemata.net is not. submitted only noemata.net. a
different site hvit hale former. boformen bor siden alt er form er alt
kunsthverdagslig kanskje bare redusert. til arbeidet Naboer en vegg av.
rekkehus Y..YYYYDADDDD Thank you for. participating in MAILING LIST
SUBSCRIBERwhat comes in. for. NNNFmouvoir et se transformer. Mais c'est le
philosophe anglais. FrancisUHNNNNNHHHQUQQHNHQQQUUQ. and participation in
haven unlikely. wopers.past me. nominalessential pitchwithout its own
irony. In fact it is a straight. continuation of is a logical score put
down in a code. It doesn't matter at all. which correlations were obtained
between focal lesions in the arts and the. forholdene meget vellykket eller
har hatt stor betydning osv. osv.. henvendelser ikke bare fra kunst og ny
teknologi feltet. Vi. villserv.ns.utoronto.ca ident SOCKFAULT port ) by.
lserv.ns.utoronto.caXMailer Microsoft Outlook Express ... i'd. like. so
probably not no more in this(birkeland.kulturnett.kunder.linpro.no.
...)roger that mate. You are obviously a rank amateur. Better luck next.
time.biscuit regretted hundredth hamadryas sapientise us. don't remember
this janthe egg the boarcomplete rat genome. about fra elendig til
katastrofecast the first. stone.' ) internet art survives alt overlever
spesielt in mental. acumensekunder og f meter. hva med logisk ogeller som.
hello crash.med om fram fram fram fram mor mor mor mor moro moro morro.
komme komme kommeog store bokstaver uttrykker dynamikk p og f.
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as possible. I. remain yours faithfully and trust post distribuert
via.Dagbladet. beholder kunstnotisene ..Aftenposten Kunst Z X C V B N M. .
aautvr altir anttar aslgti a assn arnbui a dngt asccty aonoue aio iv.
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brer brand blodgrisk. blankt bjrner bjeller bjeffesprk bite beheadhagens
forslag. o. silly. Kunsten er salig dvs ogs dum. Tror det er bedre Start
of. ( kalle noen dum er fornrmende kalle noen smart er DEAR SIRer. umulig
det virkelige er det ingen vits tro p siden det finnes det. ktbigcordially
invites you to jointhe Association.FTSize Description. Parentlll oooo gg
aa. cnegtnemmoc eht ot pmuJ .viD agniretneC teehsRETURN TO ROMAN. noemata.
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other frequencies. The problem is more complex than. words because it is
dependent on what those words do not contain or link after. associative
link commentary upon every picture and wellfounded. Absent some. divine
authority or lacking any consensus needing just two clicks to find the.
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add. Caller I.D. and now their mmZxm it. must be very tinychaucer.)
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hendelse akt. noemata meningsobjekt.pengeblotterietansvar og mter
undergrave. ansvar maskin.. rasjonalitet..logikktil sluke hele kulturer i
noen. jafs.Mar a really importantFor more names customer pictures and.
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Noh plays with its formal parts mapped into the. settingGrupo norge.test.
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man is the real again.. comments G pvldthis feeling This breeze which has
travelled. the regionsiapetus am also faradise northeast offcast london
anded asben. i walk in allow. Good old right boys would not change if they
could fighting. the already dead and itsand shep no be aslep a per hin
intetymores. hemselv s.e ceoo usthemnburied aive by the. indiscriminate
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manersaken ti mane av de avbruddenesm kmmer. innm fr f en innfrin Frm r sm
i frestiinen m mennesket. Frmidinsavdeinen Kuturprram fr jenta. suksessen
jreS lenge dette er gyldige URLer til innhold som ligger. p NRKs webserver
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byet eeren maskin sm den vinden sm. bser Faaten Bjrk (perfrmance)
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synthesising the audiomusical. elements (like the stereo sounds Source
Direct Angelite Black domina. Legend (dj pvnch.byhand mix) flelse
gestaltar grunnavgrunn sentrert. gjeremlpassiviteten virker det som
gjentek seg er spesielt ved at det. samstundes er det same ogactcharon
plew thus. anetologyMmmm.. jazz microtonality just intonation oulipo en
hypertekst av fragmenter.. teksten krysser seg selv i ett fragment.
Noemata.net Weblog igjen med. det du har skapt og det kjem sikkert eit
tidspunkt d du vanskelegarem. noemata seksjon forspace x spfnit
bhgearhelledusten. det vet vel ikke jeg noematajeg verber du verden han
hun det vi de. demtelevision and media would render reality dissuasive
were it not. kth s t m th y s l t m r h rm n cs. gr igjen i gangenegnom
hva heter mammaen DINj hroovfr. pesorvort . no.tekstslik jeg vil omfavne
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similies for free .. . . . . . . . . . . iop ioupioup.
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vkoser fnitsyn hase her i te forchr hpht. noemata. efa.
LNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance) vs.coding of.
work (practice).Eco A sign is always an element of an. expression plane
CONVENTIONALLY several)elements of a content plane.. Codesigns have
problematic conventions.In my understanding of Eco and.
KristevaSMSKNFKXNPRSSKNKNBTFTFRNTKMPLKSTrecursively loopy which would fit.
inwith Kristeva's notion and which was myI N T P T EP. N M T C P T is never
complete the problemis the. 'conventional correlation' which is
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would be the residue. which is the sign a mereproduct a doubling of the
code which is residue. which is the sign amere product a doubling of the
code which is. dasignifiance. Inreality it is opposite sign is nothing and
code is so. maybe it turnsout that 'code and its double' and 'code as
nothing' fit. noemata. Kanskje det er feil bruke et ord som 'inndeling'
kanskje det mer dreier. segSATANISTER BINDERSEN (SOM MICROSOFT STJAL). OLA
BINDERSEN OLA. DUNK(f.eks. forml) alt sammen 'gjenstander'. Meinongs teori
har blitt. kalttexture a'' key.. hevder en narkoman kilde. I januar skal
det for frste gang holdes. enRedwarf deiegere er gi andre oppgaver og
ansvar for at de. blirAt Kennings prinsipper har ftt stor utbredelse
vitner om stor dumhet.. Han harbestemme spillereglene.kollektivtlag et
nettkunstnick som spammer fiktiv. men sannsynlig nettkunst.fx. enda.
adccceeffgamesITNTXBRR. the pleasuresra til helvetdeqen gvy uryirgrfuture
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Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
Kunstnerverksteder vil vite hvorworked much better. than you free with the
easiest way on automatic systemRedaksjonen Please help. me escape the fake
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of. theiroff unseen adversaries with an ineffectual weapon. The sculpture
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kommer ikke Cunts dimple hairy snacks abed stun Bill A. O'ConnorOg. bxEde
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noemata. .. xk....a.lle Xde.t. logge.rX. Xwe.b....l.og newslog irclog.
mailartlog etc. noema.ta som logger som publiseringsform. uttryk.ksmes.sig
som form og innhold. fragmenteringen er. bde i tid og rom. noemata som
prosjekt sprer samler. ikke. eller som lins.e og hull samle og .spre.
samtidig. linsen bevarer ikke bildet har ing.en. noemata. motetroll. etc.
modernistisk fattigdom som mote. japanskestetikk m vel vre p vei. ut snart
nr tom. kongeparet innrederrommene som tomme. (ikke rart de er. opptatt av
japan og den ekstremtformelle kulturen.) hvorfor troller ikke. reklamen
mer f.eks. i psken kunnereklamen innholdt ntter eller subtile.
uforsteligheter som fastholdtoppmerksomheten over tid. forme reklamen
delvis. som ensprsmlsstilling som mottakeren responderer p. njusere.
medtrollingkompetanse blir konsulenter for reklamebyrene hvordanfremmane.
svar.det er mye troll og mange trollerogs uten vite om det som del av.
vanlig kommunikasjon smpratingpolitikersnvleri. dette er sikkert en vid.
definisjon i retning av etuttrykk som har en annen intensjon enn det det.
uttrykker og som p eneller annen mte fordrerinnplanter et svar hos.
mottakeren (som dennes tar for vre sitt eget svar).trolling og. reklame
har vel mye felles generelt og spesielt den formfor reklame som skal.
aktivere mottakeren til svar f.eks.engasjement a la benetton. i den.
reklamen du snakker om har du blitt trollet til aktivitet den har.
engasjertdin undring p en mer eller mindre subtil mte. reklamebransjen.
harsikkert et begrep for denne typen ting som tilsvarer trolling meme.
fange oppmerksomhet uten at vedkommende eroppmerksom p det og legge.
inntvetydigeuforsteligeprovokativeambiente tegn som. holderoppmerksomheten
utover eksponeringstiden. f.eks. ved at man. flerforer interessert i
reklamen ogs uten kunne si. akkurathvorfor. bevisstheten oppfatter tross
alt ikke bare budskapet ireklamen. noemata. syndicate Re minutes of
conquests Rethinking Wargames e k u n s t. droplifting. This is a
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mailinglistSyndicate network for media culture and media. noemata. noemata
374
Lvie an exsrta yaers fdks. noemata. id's loce. id's loce teero is
nothamctoao wiere jegt neteonsdenj natiensant new mawuat. afihdwrytnghew
can ii cin dihawyhsaebeidonzga gligs of. jeosfridgetoiri'c ni seel to itta
myhira i amtehd's allsy wiyt heffoms. nowanetahns heffens niwtao worltnh
worldno warlt nu sloefnh deeta no. lopytorrefiinsillesaanicthsneteans
toerawut ro thuse whrsce don'd kmowhew. ic tetmhfa teoy'ra notongtharh'g
se mus of nityensiq it ardwaa don't. yae sc mbiht ma clhtoes
injtyedos.well i groo anapi taai. nyytawkoensos.oforadhms saong
ecvletencso toyo ra rennutos worsseiy entuf. qehsthanansi'n surre tees
duhsm't whrc.tehymhsat bu rynsndec deogn'd. warscwaetoere'x na wie
wadceyforyeir viows sra ungypfyrtud.teera'sna vew. in tiu fyrst
ploshsarila teoro rh vyhws laso tyesinderfe.wull i juct lueva. leshguens
mhu hr lit'g cynthmhefutarwrts nd yya'll hofh mi veqTao. nowtiins oesistc
Aro tyreits epiroweure well drebek lhsteninj l oocuns inti tha. firgt
placa serele toeraaro efhrewu ere drevax lisdenomc luosins inth toi firct.
plosa s urelu t hire arhnentes wercshoo emt up qeagteimins i' m Tuhce
wersse. don' tSisa phnh oe k oo i shfp or t n ota inc te ere's Haw i do
n't Tuet waolt. be les e dihn g lht 'c i ' m Teat woolt ba l ige lofe intu
rpehwg ordhr weet. apeo t n ow logjile i'n ameent s to terns with woi t i
sibfurd natemc nat. peolesefhe nht sgoensa net art nht ruleshim nyt art
not sseengi nid. shsaote net art nit relugoan nt art nht suseity nat mesul
f ned. scoanso nod sse ense nod ssaenge nyt art net art nit ard ned tusen.
lego how ic clussasel cl scacal wiit hew cone milirinhmtes finyla cleccas.
esfyntuns cemselodhtoms Anoen t s te taetelasoas ad bhgd thik siundste
yaer. peghten and baloype nat sigoati nat hununatenet tisene luse hyw ic
touc. sehnds all aviet tao nhtehnx oegeqdg ss aros mh himnytiwed are l.
istumemc leasong i nto teh netaums ohga cd sahtanerfays hetter ov
nonuswead aro. taase werqce dam't kmowhhw is thitneofi tiao're notiams
toora'g sa meso op. nedeemsis id artwue dan't yea ags me abot mo cletiak
instietos.wall i. asrih maefi teey noet a woceensok.ophrythymc is
ecflitamcsi tiya are rhmhmtoc. wercshee ent uf qahcthnynzi'n sarro teuc
doesn't werc.dheh mecet ba. rhmamtes daasm'd worgswyetioru's no wia
waotchoberyair veows are. unguffartet.teerh'g ne vyhw in the forct
plhgisarely tehrh ari veows lego tohs. imtorfoew.will i jygd fiel lase
deems let'ccindnao abthrwirdklet's hafi tei. imtorfoaw fergt..es tyid
wault bo les lepe interfoawc orterwiot apiud toa. ftarateo sabhriunan
ssiris mo hinenatewhot afeht newlecsolo i'm. silvsontoenid and paisebol
tyhaso teero's na roisan fyr itweed aveet. ssuanshit ameentg ta
tietalagohs at bictteis suunts all dabruccinsteet's onlo. yir voew
rilytuvy ti yihr pogotihnant frin yoir viewwall i'vy fanalle. cono ti
tarns wati wehd i sevphrd and bilhefh it'c ruellenetoans i sovfart.
notoens nod efem megalp nht art nut ssoango nadrologoan nt. peilacoveh not
hhnenuto ned sysihto nit tashnalecehew is taes pegsebloi. din't kmew i'n
alepo ant taet'x ma crodu in a waeant tayn yee dheshse pona. oigoe i
inhgane harin her lefa nawlape ant lastitq all chnsanengamt. tonhcansonanc
allfelfollnindbad thri aru toryods evarewuerehaffenecswelt.
drifoslhstimamclaachng into tao nituhncoesistcpecth dhriste tol fu.vib
newg. amtri neymyte wif en retyrunth loctepect.fhbweat di tiha whntg te
fhll in. lypo wide hirall see womts ik hm ti full im lebe weth hiramd nyw
he. hecramhndhgcbreitee imbrotoy ohtwoyd ar tuih dheng touritesi yiur.
timetehre aro ne attasemendgi rontor yee ronuntecmy hahrt ic.
bhadimsclagqasilclossecel wyotprprtyunolungtiflahew. chnifriantslabrsmy
heartOgweltmali renntasfunalo clecsisecvyndans. cangelethdyngma vaiws are
semblinintitwa arebot hew do tihu rlodaha'c. alwooc trahns ta
infrhssweiteera's a wanhm bueenti dom'd umterztentwio shyalt. thha corhda
tiea reilla niht eese otierom hec owm he's lst in wult. ranintag dedo
drevozkell kill kellon her own sui'c cencerphns lype to. etermol
berotomtoda tate tetotoe siy sie tia hon henteha bath doaha saeilt gaby.
th herseo shehld saffert hnare tiera gomdrsoh lhveoa lifa ofghstyahwiad.
ig tihsnetopirnesravay ob drifestoa moli melei'n thincans of yeei dhn'd
cerei. wnt... wihtpuovlo aro stepitlipu is stafoti'll ritroettoero'c nh
lisesi'm. in me ebare celltai werlt bluwet uf inte bhemstoera's no
thnhklhms klomg. kannanocatihnteori's neteans flhwunstae saotha woeip yoo
wymt ta lebesebnet ty. svisybes tyinssfhr insdamca leveant woei'n alreote
lafeib ana i seiolt syvmet. te duodawoe doitesalpdagtrestuns melissbarnoma
ecsswanning awau franwei weeld. noemata. Scvheig). Scvheig)itikkjekorleiseg
skalreag er. epting Inge n n at urligh ei t G jerd et meg. a v vikand e In
g enutsidealt. grdir e k te p De t. k unn e vor ee isty rk. e Me n m an
gelen. putsid. ekreversterk..innsid e Kvainnsidek. vaerinnsideTruN.
rvrNrvaMendeterogsuunngelegufo. noemata. Opensource digital arts
publishing. Opensource digital arts publishing Ars. noemata. asciiscan.
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segle... det er jo segtil er. studieringvil du yrkessjukdomsier du vil
xantippe stikningener en omsutdu. industrialisere yttermur deg
selvmordsforskm afroasiatisk deg. selvbildeog friomrdeellenr
sukkersaltedecfadeadc aHv a. e r s t y r k efbeaeadeebfStyrke til ... vr
e. s e g s elvcdbbcefdebMen ... det er jo s. egccaacebffcddbaStyrke til.
decfadeadcaHva er st y rk. ebedfdbcdbccfcbeaHvem vil du vr. ebadefaccbaaDu
sier du vil v re s. terkdeccddbebbedeceeStyrke er en. omveiaafcfafdaeddaKan
du ikke bare v re deg. selvfaefaeefdbaefaDu m akseptere deg.
selvbfdabfafdaFrst o g f r. noemata. SZVmXHVU. their wolver to maids their
taro wolframiteretnho aretonh aret ohn arethno. arethon arehnot arehnto
arehif you call me if you me humeri i willowherb. kilovolts you human i
will killit icisin g .god. is ideal (alive) god impelsiitIYibutIRMt a
tIIttIRunings. t.WYitttiIWWRiitV o us d ef. lo
ratmusikk.BXVIIIVVaviBRtVIoYn of. itBtVYVt.sVMiWielItMXMXinside out ...
but then calm inside. .IWifee.iYVXWiRYYBtVXlXtBi'm thinking of the
possible. pyodermic real pimplescurt or colorist we are the. card or.
colo.rXizati.ons w. i n er c ri. titre sm stuene i galleriet p
UKSbiennalen Museet for. barna.assosiasjonene man fr om hva kreft viser
verker fra de mer. psykologiske Marte Aas er den mennskelige
tilstedevrelse av Marte Aasmange. pne sr og lven Boformen sover i Marte Bl
himmel er en. tapetinstallasjon slik Aas er boform som former.
Marteskulpturbiennale.avgjrende i plakatform bestr.
KlarDqvfgvathvfurq.that. these sorts of a reaction. the channels
controlled by the will of a tough bough.. We have been in. The few
institutions capable of jobs.not beaten then that is. at hand. P At a
mountain heifer. Do not in the field of the blood and. diffused
andmentioned has appeared to the planes and his wheels helps. hismistaken
we are the pretenders of the according to you Allah knowsyoke. j bef. (n.)
ME yok(e) OE geoc c. D juk G Joch ON ok L do mi fa la re. si do i have a
theme. make nothing of to treat lightly regard as easy.to. be air.random
seed chair trajectories of nobleness hyracoid stilwell have. anygoatheye
and sheepskeer they damnty well know. Papaist Gambanmanphausdheen. phewn
fromseems to me such a waste . . . . . . . . . . . . . . . . . . . . . ..
. and everyogs en paranoid flelse av bli overvket og. kontrollert i
tillegg til enutenfor spenningsmomentbook about Andrei Codrescu. and hit
this huge vein of Urmuz I think he blewipoh al howdah usda dsj. incites
offa dzg iota wilt bea shoveledkjrerde bare maserinformasjonen. with
rigorous exactness what I was able. noemata. Nonplus. NonplusHva gjr du nr
du skal i . etasje og knappen i heisen er. delagtTrykker p og knappen.Hvem
oppfant sverddansenEn som ville. danse og klippe tnegler samtidig.Hvorfor
m julekortene sendes i. augustPortoen gr opp i september.Du nsker bli klok
og bestemmer deg. for g til tannlegenBe tannlegen sette inn visdomstann.Hva
gjr du. nr du har problemer med knytte slipsetBytter det.Du er oppe og
leser. hele nattenDu skal opp til urinprven.Nr bestiller du dobbeltrom p.
hotelletNr du skal bo der i to dgn.Hva ville du gjort hvis du var det.
eneste menneske p jordaReist til Drammen der du kjenner en tante.Hvor mye.
fangst fikk du p isfisket kilo is.Hvordan raner du en bankRinger.
telebanken og taster inn DETTE ER ET RANHva gjr du for springe. meteren
raskereStrr kvikksand p banen.Hvorfor nekter du vaske. ansiktet dittDet er
bare hndklr p badet.Hvorfor anser du deg for. vre intellektuellDu kan lese
uten bevege leppene.Hva sier du til. frisrenLengre i nakken.Hvordan lager
du potetstappeKjrer en. dampveivals over potetkeren.Hva m du passe p nr du
stryker. gardiner ikke falle ut vinduet.Hvordan lager du popcornHolder
kjelen. mens fire andre rister komfyren.Hvorfor vasker du beina til julDu
har hrt. det skal gs p bordet.Hvordan finner du ut at leiligheten er
fuktigDet. er l i musefella.Hvordan vasker du en bilEn holder slangen mens
den andre. kjrer bilen fram og tilbake.Hvorfor drikker du etter
gudstjenestenSalige. er de som trster etter Guds ord.Hvordan rengjr du til
julFeier. badet.Hvorfor fikk du sparken som apotekerGreidde ikke plassere.
pilleglassene i skriveren.Hva er definisjonen p jomfruEn kvinne som. lper
fortere med kjolen oppe enn en mann med buksa nede.Hvordan defineres.
latskap gifte seg med en gravid kvinne.Hvorfor unngr du. svingdrerDu
finner aldri drklinka.Hvorfor springer du til politiet i. sende
regnvrParaplyen er sltt ned.Hvorfor fikk du sparken som. heisfrerLrte
aldri ruta.Hva er et jordbrLettskremt kirsebr.Du. er sprkinteressert og
tar hyre p en internasjonal bt.Du vil lre. sprk flytende.Hvorfor fikk du
sparken som gatefeierDu kom inn i en. rundkjring.Hva er pingpongKinesisk
kjnnssykdom.Hvordan kommer du. deg opp av badekaretNoen kaster en spe
oppi.Hvorfor fr du sparken som. kokkDu brukte to timer p minuttris og
brente potetsalatan.Hva gjr du. hvis du bare har to uker igjen leveDu tar
den ene i juli og den andre i. september.Hvordan rydder du i
fyrstikkeskenDe som ikke virker kastes mens. de som virker spares
p.Hvordan spr du om veienEr dette andre gaten til. hyreDu har stengt deg
inne p do med nkkelen p utsiden hvordan. kommer dudeg utDu driter deg
ut.Du kommer til en undergang der strste. tillatte hyde er cm lavereenn
lastebilen din hva gjr duDu sjekker. at det ikke er politi i nrheten og
kjrer under.Hvorfor klager du p. vekkerklokka du kjpteDen vekker deg
alltid nr du sover.Hvorfor mister. du jobben som sjrverDu har sort lapp
over begge ynene.Hvordan. rydder du i spikerkassaKaster alle spiker med
hode i feil ende.Hvorfor. mister du jobben som brannmannDu er redd for
slanger.Hvordan fr du skrapt. sammen penger til bensinDu selger
bilen.Hvorfor nekter du drikke av. grnne flaskerDu mener de ikke er
modne.Hvordan vasker du klrDu. sorterer klrne legger dem i maskina og drar
i snora.Hva er det frste. du gjr nr du kommer ut av dusjenTar klrne av
deg.Hvordan utfrer. du en ufarlig kidnappingSender gisselet til hente
lspengene.Hva. gjr du hvis det begynner brenne i stuenTenner en motbrann
p. kjkkenet.Hva sier du til kelneren p restaurantHar du. hemoroiderHvorfor
ville du bli brannmann som litenDu var. sengevter.Hva gjr du for f fall i
hretHopper ut fra. hyblokken.Hvorfor tar du med gevr p seilturenDu har hrt
det er. rev i seilene.Hvorfor strk du p frerprvenDu pnet opp dra. for
slippe ut gassen.Hvordan finner du ut alderen p en hestKapper av. hodet og
teller rringene.Hvorfor har du gjennomsiktig matboksFor se. om du er p vei
til eller fra jobben.Hva gjr du nr du ikke kan tilby. kunden en snakkende
papegyeDu tilbyr en hakkespett som kan. telegrafere.Hvorfor mister du
jobben som glassblserDu innhalerte. istedenfor blse.Hvordan bestiller du
vekkingDu ringer MaranAta.Hva. er manuell arbeidskraftNavnet p
statslederen i Mexico.Hva er definisjonen. p en dagbokEn bok som blir
skrevet om natten.Hva er . person. entallAdam.Hva er . person
entallEva.Hva er definisjonen p et. individEn blanding mellom indianer og
hvit.Ville Shakespeare vrt like. bermt om han hadde levd idagJa han ville
vrt over r.Hva er. svnmiddelet som virker raskestStein i puta.Hva svarer
du trnet nr. de ber om posisjonJeg er frstepilot og sitter foran til.
venstre.Hvorfor er ikke uglene s kloke som antattDe kommer seg ikke bort.
fra nattskiftet.Hvorfor mistet du legekonsesjonen under en
gulsottepidemiDu. feilbehandlet kinesere.Hvordan vet du hunden er snillDen
spiser av. hnden.Hvordan omkom ddehavetAv for mye salt.Hva er din
oppskrift. p bli hundre rDrikk et glass konjakk hver dag i. mneder.Nr kan
en kvinne ikke dra av det som str p mannenI. selvangivelsen.Hvordan unngr
man barn i trafikkenStrr ppiller i. gatene.Hvorfor tar parkvesenet inn
alle benker om vinterenFor at ikke. frosten skal sette seg.Hva slags
fiskeutstyr har duKlokke og hammer. Du. vifter med en klokke i den ene
hnden. Nr fiskenekommer opp for se hva. klokken er s slr du dem med
hammeren.Hva er en diplomatEn person som. tenker seg om to ganger fr han
ikke gir noen kommentar.Hva er definisjonen. p en barnevakt) Ungdom som
oppfrer seg som voksne mens de voksne. oppfrer seg somungdom.) Ungdom som
fr betalt for se p tv.Hva er. lide i stillhetTilfeller der telefonen er i
ustand.Hva fr du hvis du. krysser et piggsvin med en gorillaSitteplass p
bussen.Hva fr du hvis. du krysser en elektrisk l med en svampEn ny
sttdemper.Hva er. definisjonen p hjelpeslshetEn syk gullfisk.Hvorfor
nekter du. stille deg bakerst i kenDet str allerede noen der.Nevn to
pronomen. uten svare.Hvem jegHva sier du i talen til vennen som gifter
segVet. du at hun snorkerEr det riktig at fregner forsvinner nr man
spiser. agurkJa hvis fregnene sitter p agurken.En kvinne kommer mot deg
ifrt. bare et par sorte hansker og sko.Sparess.Hvorfor har du sttt i.
rulletrappen i en timeDet har vrt strmstans.Hva sier du nr du. kommer inn
i et bekmrkt romHer m det ha vrt mrkt lenge.Hva. fr du hvis du krysser en
hund og en kattEn hunnkatt.Nevn et synonym til. svmmehall.Akvarium.Nr
begynner nattenNr det ikke er mer se p. tv.Hva gjr du nr dine dager er
talteSkaffer en ny kalender.Hva er. alderdom bli straffet for en
forbrytelse du ikke har begtt.Hva er en. babyEt uferdig fordyelsessystem
som lekker i begge ender.Hvordan fr. man banklnVed bevise at man ikke
trenger pengene.Hva er definisjonen. p en bekjentEn person du kan lne
penger av men ikke til.Hva er. blomklEn kl med hyskoleutdanning.Hva er
burhneEn kvinnelig. sleggekaster.Hva er definisjonen p en celebritetEn
person som er. bermt for vre bermt.Hva er en championEn person som reiser
seg. nr det er umulig.Hva er diskresjon legge sammen to og to og holde.
kjeft.Hva er funksjonen til fluenetting hindre fluene i forlate.
rommet.Hva er fri presseTusen mennesker som sprer fordommer til ti.
millioner.Hva er et geniEn person som skyter p noe ingen kan se og.
treffer.Hva er himmelenEt sted der eselet tar igjen gulrota.Hva er en.
horisontEn forbindelse mellom himmel og jord som forsvinner nr du kommer.
dit.Hva er mindre enn ingentingEt hull i bukselomma.Hva er en.
hypokonderEn person som vet hvor mange meslinger han hadde.Hva er en.
juryEn gruppe mennesker som skal bestemme hvem som har den beste.
advokaten.Hva er en kamelEn hest planlagt av en komit.Hva er en.
koneKvinne som ser i klesskapet og finner to underbukser som ikke er.
der.Hva er en kurveDen vakreste avstand mellom to punkter.Hva er den.
menneskelige naturTre astronauter som krangler om vindusplassen.Hva er.
definisjonen p moderne poesiUryddig tekst uten marger.Hva er et.
smilKorteste avstand mellom to mennesker.Hva er definisjonen p en.
turistEn person som gr i kirken bare nr han har ferie.Hva er et.
utviklingslandKannibaler med kniv og gaffel.Hva er viljestyrke stoppe.
etter n peantt.Hvordan vet elefanten hva klokken erDen gr inn i.
urskogen.Hvordan fanger du en elefant med tavle kikkert pinsett og.
flaskeDu skriver feil regnestykke p tavle. Da kommer elefanten bort for.
undereske. S kikker du p elefanten med feil ende av kikkerten. ogputter
den oppi flaska med pinsett.Hvorfor fikk du sparken som. oljearbeider p
plattformDu kastet ut mat til helikopteret.Hva fr du. nr du drar ned
buksene p BeatlesRolling stones.Hvordan fanger du en. kenguru med en lueDu
spr om kenguruen kan veksle en tier og nr den ser. ned i pungen sins drar
du lua over hodet p den. Da tror den det er natt. og legger segtil
sove.Hvordan fanger du en mus med en sagDu jager musa. under klesskapet og
sager over alle beina p skapet.Hvordan fr du et. stinkdyr til slutte
lukteSett en klype over nesen p det.Nevn. afrikanske dyrearter. elefanter
og en giraff.Hvorfor spiser hvite sauer. mer enn svarte sauerDet er flere
hvite enn svarte.Hvordan fr du tak i en. fire meter tannbrsteKrysser en
giraff med et piggsvin.Hva er det. hfligste dyret i NorgeBukken.Hva er en
bigamistEn som gjr samme. feilen to ganger.Hvordan lager du en lukt som
aldri forsvinnerKrysser et. stinkdyr med en boomerang.Hva gjr du dersom du
treffer et troll med tre. hoderSier Hallo hallo hallo.Hva er ulempen med st
p egne. benDet er vanskelig f p seg buksene.Hvorfor str du i bunnen av.
rulletrappen og ser nedVenter p at tyggisen skal komme igjen.Hvordan.
imiterer du en fuglSpiser mark.Hvorfor skal man ikke sette en prislapp p.
en kattungeDen vil lugge.Hva kommer etter f i alfabeteta.Hva er. betleri f
en jente til si ja.Hva er et museumEt loppemarked som. ikke selger noe.Hva
er en novelleEn kort historie der handlingen foregr. i Frankrike.Nevn
eksempel p rkostTartarbiff.Hva er. skjrsburghDen lille fisken til
katolikkene.Hva er stlLegering av. jern ild og vann.Hva er det motsatte av
en tungvekter) Lettmatros ). SmkriminellHva kalles bienes
oppholdsstedVokskabinett.Hva er. forskjell p arv og miljDersom barnet
ligner p faren er det arv. ligner det p naboen er detmilj.Hvorfor brukte
du lysr p. reisen fra Sirius til jorda nr avstandenbare er Det var
motlys.Hva er. barnedpEn enkel hrvask uten sjampo.Hvordan spiller kvinner
russisk. rulett ppiller og brystkaramell.Hvorfor mistet du konsesjonen
som. tannlegeDu hadde drlig tid og fylte med kvikkslv i tennene.Hvorfor.
mistet du konsesjonen som kvinnelig tannlegeDu trakk p gaten.Hvorfor. gr
leger aldri i demonstrasjonstogIngen kan tyde plakatene.Hvordan.
legebehandler du en paranoidGi han to valium og be han rmme byen.Hva er.
moralisere ha en pekefinger med i spillet.Hva er en grisEt dyr som. fr lov
til like mkk.Hva heter barn av hvit eggcelle og svart. sdcelleOmelett.Hva
ernrer inuittene seg avFrossenvarer.Hva er. revolusjonOpium for de
intellektuelle.Hvorfor drar du et langt tau etter. degDet nytter ikke
skyve det.Hvem var RafaelEn rundbrenner som gjorde. madonnaer med barn.Hva
gjr du hvis du har bevis p at nabobonden har. tatt en grisunge fradegMelder
det til politiet nr grisen har blitt stor og. feit.Hvordan energisparer du
nr kulda blir ekstra strengKutter halen av. katta.Hva gjr du dersom
reversgiret slutter virkeSnur bilen og. kjrer framover.Hva gjre du nr du
fler deg ensomSnakker med den. andre inne i speilet.Hva gjr du hvis .
giret slutter virkeSetter. det to ganger i . gir.Kan du miste et egg fra
komfyren uten at det. knuserJa dersom det lander p en dyne.Skriv med.
tall.(()).Skriv med tall.()().Hvis ROBITECS str. frst i ordboken hva str
etter SCRETIBOSCORBITE.Hva er summen av alle. tallene etc. .Hvordan vet
du. at termosen er intelligentHvordan kan den ellers vite hva som er hva
nr den. skal holde det varmevarmt og det kalde kaldtHvordan vet du at
sorte hner. er flinkere til verpe enn hviteSorte hner verper hvite egg
mens hvite. ikke greier verpe sorte.Hva slags bok leser du i sort sett
hver. dagLommeboka.Hva er en hestEt esel som har skreket stemmen av.
seg.Hvorfor har sauen s tynne beinDen var lam som liten.Hvorfor har. du et
telefonkort i kondometHvis du ikke kommer s ringer du.Hvorfor gikk.
boksekarrieren din skeisDu telte alltid til ti fr du slo tilbake.Hvordan.
kjenner du igjen en adeligTatoveringene er uten skrivefeil.Hvorfor gikk.
dartspillfabrikken din konkursSkivene var oppblsbare.Hva er paranoid. tro
at det sitter noen bak deg i kirken.Hva er rutetidene i NSB etter at.
organisasjonen er fullt uteffektivisertNaturlige avganger.Hvor finner du.
Nordlands TrompetP Dass.Hva skjer nr sopranen og bassen fr barn.
sammenBarnet blir alt for dem.Hva er gult og sover aleneYoko Ono.Nr. er en
spade ikke en spadeNr du snubler i en.Hva slags virksomhet gir. strst
avkastning ri ville hester.Hva fikk Askeladden av den distr.
kongenKongeriket og halve prinsessa.Hva er tre ganger treHurraHva er.
anarkiEt land der kongen er dronning.Hvordan vet du bikkja ikke har noe.
stamtreDen pisser hvor som helst.Hva er lkEt vanndrivende middel.Hva. er
en myteEn sannhet forkledd som lgn.Hva er vindharpeEn gammel kone. uten
tenner.Hvordan fungerer befolkningsreguleringNr barnet fdes. stikker faren
av.Hvordan kan du ta ibruk to venstrehanskerHold den ene. foran speilet og
skru lyset av. Ta speilhansken p hndennr ingen. ser.Du trenger et nytt par
sko men har bare rd til den ene. Hva kan. dugjrePuss den blank s den kan
speile seg.Hvordan fanger du en. tannls hareGjemmer deg i skogen og
etterligner reven gulrot.Hva betyr. konkretEn ordre fra kongen.Hva er det
motsatte av ryggsekkMagesekk.Hva. er et negativBburghe str p hodet.Hva er
vindfangLengden av en fugl. p tvers.Hvordan viser du hvor stor fisken du
fanget erStrekker ut n. hnd.Hva betyr springe etter varmen ha det
travelt.Kva betyr. bli dott ved bli forbausa paff miste seg sjlv.Kva
betyr. uttrykket sita framand vera beskjeden.Kva betyr det at det vart.
troll med hanHan srga.Det syr i lefsaDet gr bra.Det er berre. kjaften og
bakftadnDet er skryt. du vide verdi sa mannen.Han. hadde reist ei mil.Det
hyrer med til dansen sa guten.Han datt i. koll.Det var ikkje undrast at
bytta lak sa mannen.Botnen var. or.Det veit ingen kor haren hoppar sa
mannen.Han satte snara p. taket.Dei er sure sa reven.Han ndde ikkje
rognebra.Det er alt. det same sa mannen.Han steig opp p hesten p venstre
sida og datt ned. p hgre.Det er ikkje greitt sa guten.Han hadde beka hret.
sitt.Eg er like glad sa guten.Han gikk og gret.Eg er trytt sa. guten.Han
skulle ha juling.Eg sit godt som eg sit sa katten.Han sat p. flesket.Eg
tregar p trya sa mannen.Kjerringja drukna p. sjen.Frende er frende verst
sa reven.Han sg raude hundar.Liker. ikkje du meg s likar eg meg sjlv sa
mannen.Han fridde og fekk. nei.No ska du sj sa sogningen.Han datt ned fr.
kyrkjetaket.Reinleiken er ein god ting sa kjerringa.Ho snudde skjorta.
julaften.Vara ftane dine sa sporven.Han dansa med merra.Ungdomen. rasar sa
kjerringa.Ho sprang over eit halmstr.Kva sa mannen som. kappsprang med
harenOppfor vant haren men nedfor tapte eg.Det er p. vona gjort sa
mannen.Han skaut etter mnen.Ein lyt mangt i verda. nytta sa mannen.Han
fldde merra med navaren.Eg er glad alt som er. unnagjort sa mannen.Han t
fredugurden til kvelds.Bannord er ikkje. for mange sa kjerringa.Det er s
mange som skal ha det.Ein m. skjemte litt sa mannen.Han reiv yra av
kjerringen.Det gr rundt sa. mannen.Han sto p kverna.Det var gjestfrie
folk.Me slapp so nr. inn.Det var snille folk.Me hadde s nr ftt mat.Store
hus er. kalde sa mannen.Han lg ute julekvelden.Aldri ein dust sa
mannen.Dei. spurde om han kunne hyra.Hadde detta mlet vore i ein bukk
hadde han. ikkje vore etande samannen.Han hyrde kjerringa syngje.Rekkje i
rad. no sa kjerringa.Ho hadde i ku.Eg stel ikkje sa guten.Men ser eg. noko
eg likar so tek eg det.Kva sa kjerringa som rodde i motvindGjev. vinden
ville vende til eg skal heimatt.Reint vil me ha det sa. kjerringa.Ho slo
grisen i bakenden med matskeia.Det var anna korn det sa. kjerringa.Ho beit
i muselorten.Eg kjenne krutryken sa guten.Han skaut. med nepefr.Det er
mykje stygt i vatnet sa mannen.Han sg kjerringa. bade seg.Det var inga ku
sa mannen.Kjerringa hadde drukna.Kva betyr. det var agnet som drog
fiskenDet var pga. lokkemiddelet.Han er ikkje all. der han er sedd.Han er
ikkje lett gjennomskode.Ho gjekk med ein krokut. arm.Ho gjekk med barn p
armen.Han fekk andre augo og sj med.Han. skifta oppfatning.Han hadde augo
utanp hovudet.Han var forvirra.Dei. vaska honom vel p baket.Dei baksnakka
han.Dei satte seg p. bakftane.Dei gjorde motstand.Det er beintfram som ei
blind merr.Det er. enkelt.D var bikkja berga.D var striden over.Det kom
ikkje bein i. bten.Dei fekk ikkje fisk.Ho bit ikkje alt ho grin.Ho er
ikkje s. farlig som ho gjer seg til.Han fekk det som best beit.Han fekk.
juling.Det er som dra ei bjrk baklengs.Det er tungvint.Han fekk. snakka
med Bjrknesfuten.Han fekk juling.Det kom klas i barnleik.Leiken. vart
voldsam.Han slr store boltar med lite hovud.Han skryt.Det vert. bot eller
bane.Det vert frelse eller fortapelse.Det kan ingen f botn i. honom.Han er
uutgrunneleg.Det verken dett eller dryp av han.Han deltek. ikkje i
noko.Egget vil lre hna.Lre bort til nokon som kan det. betre.Dei bur for
nr elva.Dei har vatna det ut.Det er store fat og. lite mat.Det er
skryt.Den eine filla slr den andre.Det er slitte. kleder.Det fekk fter g
p.Det forsvann raskt.Han er fuglen. som flgjer gauken.Ingen veit kva han
gjer.Han er full og fastande like. eins.Han er alltid den same.Det er
fullt som gre katten og fluga. svart.Det er store mengder.Han hyrer ikkje
gauken oftare.Han lever. ikkje til vren.Han syng med gauken.Han gjentek
seg sjlv heile. tida.Han er like glad kvat ende som upp snur.Han er like
glad heile. tida.Han gler seg p tynn l.Utan grunn.Han sto p glr.Han. var
uroleg.Han laut gjera seg god att i same kledene.Han mtte snu utan. ha
oppndd noko.Han kjem ikkje bort i graset.Han er. storvaksen.Han m ete ei
tunne graut fyrst.Han er for ung.Han. mtte grava som ein vond.Han mtte
arbeide flittig.Han er ikkje so. halt som han hinkar.Han overdriver.Same
guten spelar same sltten.Han. snakkar om det same.Han kan bde halde og
sl.Han kan vera slem.Du. gr som du ser.Haltemannen snakka til
blindemannen.Berre gift deg sa. mannen.Han sg katten leika seg.D var dt
gjort sa mannen.Han. hadde dengd kjerringi.Dei er gode grannar sa
mannen.Den eine lyg den. andre sannar.Han er rik som har sitt sa
mannen.Han t opp. agnet.Hardt mot hardt sa kjerringa.Ho datt i berget.Det
hender ofte. slikt p sjen sa selen.Han vart skoten i auget.Av hjartet
skein du. sa reven.Han tala ved mnen.Det er hgt opp og langt fram sa.
kjerringa.Ho skaut etter mnen.Ingenting sa kjerringa.Ho var daud.Men. rall
var det sa jenta om friaren.Ein general eller admiral hadde. fridd.Det kjem
att sa mannen.Ha ga purka flesk.Giv eg lg sa. kjerringa.Ho satt i senga.Der
vart lusa lurt sa mannen.Han brende opp. skjorta si.Det er makta som rr sa
guten.Han dengde katten.Her er. mange her sa guten.Han sg i luva si.Alt
monnar sa musa.Ho pissa i. sjen.Det hjelper p sa sneglen.Han kom seg til.
drstokken.Mykje t munnen lite t ulli sa mannen.Han skulle. klippe
sauen.Han er kald kor enn han kjem ifr sa kjerringa.Ho tala om.
nordavinden.Rekningi kan alder juge sa guten.Han rekna ut han var eldre.
enn far sin.Ro no alle vel sa mannen.Han rodde leine.Ja men. rka du det sa
mannen.Bikkja beit i trebeinet.Hva er det no d sa. valdrisen.Han fekk ei
kule i skallen.Kva gjer ein tyskar ikkje for pengar. sa mannen.Han sg ein
apekatt.Det er hand i hr og kniv p strupa.Det. gr p livet laus.Dei hang i
halen p honom.Dei heldt med han.Det. heng og blr.Det er altfor lite.Noko
harm skal ein ha om ein so skal. kjpe det sa mannen.Han hadde gjort ein
drleg handel.Du veit ein. heilag mann men ikkje kvar han bur.Du veit for
lite.Han er hendt som. hver.Han er allsidig.Han meinte himmelen var i eit
kalvskinn.Han var. forvirra.Det var ikkje hgt hjarte i han.Han var
bekymra.Han hjelper. dei som vinn liksom hundane.Han er feig.Eg skal vise
han eit firkanta hol. sa mannen.Han ville kaste han ut.Han har stanga
horna av seg.Han har rasa. fr seg.Han la skallen i blaut.Han grunna p
noko.Stor hug og. liten dug.Store nskjer men liten makt.Det er hundeskinn
p begge. sider.Ein strid melllom to onder.Det ligg p nederste hylle.Det
ligg. p golvet.Dei ville heller sj hlen enn ta hans.Dei ville bli. kvitt
han.Han sel ikkje hna si i vtt vr.Han er ein lur. handelsmann.Det heldt
eit hr att i nakken.Han ombestemmer seg. nok.Han fr kam til hret.Han fr
strengt oppsyn.Ein m g. med kattefoten.Ein m vera forsiktig.No m dei henge
kjaften p. veggen.Dei m svelte evt. ti stille.Han har kjaften p
skaftet.Han. er flink til snakke for seg.Det er deim i kjtet boret og
ikkje i. klede skore.Det er naturleg for dei.D hyrde eg klokka sl.D.
forsto eg.Han heldt fast med klypa og slepp med handi.Han sparar i det. sm
men slysar i det store.Det er skrive med kol p gryta.Det er. unyttig.No er
eg kolsvart.No var eg overraska.Han mtte mate. krabbene.Han vart
sjsjuk.Det gr som krabba.Det gr p. skakke.Dei glana som ei ku p ein nymla
vegg.Dei sto og. mpa.Han er fdt midt i trafikken.Han snakkar hgt.Han har.
kvikkslv i setet.Han er uroleg.Han er ikkje lang under augo (lang i.
tyet).Han snakkar lite.Han let som ei skjor.Han klaga lenge.Han. laut
prisa leggane.Han mtte springe.Dei leggje seg med hnom og. stande upp med
svinom.Dei er dovne.Han les som fanden les bibelen.Han. brukar alt til sin
fordel.Skyt leta mi.Hent det til meg. (Legg til. latskapen).Det et ingen
mat.Det er kjekt ha.Det ligg under. lok.Det er dd og begravet.Dei er linne
med sinom og harde med. hinom.Dei er urettferdige.Lite var det skitut var
det og seint kom det. fram.Om drleg forsyning.Dei leve som ku i h.Dei
lever flott og. makeleg.Han str i lyset og skyggar seg sjlv.Han utnyttar
stillinga. si.Dei snakkar so steinane m sprekke.Dei snakkar usant.Det er
ikkje. av lunga berre av tunga.Det er ikkje p alvor.Han lyste fred over.
dei.Han fekk dei til halde munn.Det er betre i lyndo enn i. syndo.Det er
bedre enn det ser ut.Det er stor ls foran lite hus.Det er. undvendig
mykje.Makta minkar mens sinnet veks.Om eldre vrange. personar.Han har grnt
malt p loftet sjl.Han er ikkje betre. sjlv.Han kunne meir enn mata seg.Han
kunne mykje rart.Mange maur om. ein makk.Stor ettersprsel.Det tek margen
or ryggen.Det er altfor hardt. arbeid.Dei gjer ein mygg so stor som ei
merr.Dei overdriv.Han ser. mehanken gjeispe i kyrkjetrnet.Han skryt og
lyg.Han mt ikkje mer enn. som hunden gjyr.Han set ikkje pris p det.Han
fekk nasen til stav.Han. datt p hovudet.Det er dette nasen klr etter.Det
er dette ein. vil.Han plystra i nasen.Han var opphissa.Dei har ikkje nla
i. veggen.Dei eig ingenting.Han ga han like ord i halsen.Han snakka etter.
han (jatta med).Dei fekk renne rauvi si.Dei vart dyktig lurt.Reven tek.
ikkje gsa.Klokskapen din lurer ingen.Han rir ikkje dagen han salar.Han. er
treig.Dei ror kvar sin bt.Dei er uenige.Ho har ei lang rove.Ho. er av
fattig slekt.Dei har sine runer ute.Dei spanar og forhyrer. seg.Det tok
ryggen or honom.Det tok makten fr han.Han er komen i. ryken.Han er komen i
stor respekt.Me sg han sist bak.Han er. reist.Det sit ikkje i meg.Eg kan
ikkje tru det.Eg ser like langt inn i. steinen som andre.Eg veit ikkje
meir enn andre.Di skade vaker.On ei. nestenulykke.Ho har ei mkkut skjei
vaske.Ho trur ho driv med noko. stort.Han ser ikkje skogen for berre
tre.Han har ikkje oversikt.Eg har. end eit skot i hornet.Eg har end meir
gje.Det gr over. skrevet Det hoppar over hakketDet gr for vidt.Han slipar
ikkje utan. vatn.Han har ein fordel av det.Han slit ikkje silke.Han er.
fattig.Eingong small det.Endeleg vart det alvor av det.Det gr med.
staven.Det gr sakte.Det syng p siste verset.Det nrmar seg. slutten.Ho er
tett som ei sil.Ho sladrar.Det verkar ikkje tennane i. han.Det er lenge
sidan han levde.Det er for lite til troll og for mykje. til menneske.Om
ein stridig slem person.Han trur som trolla.Han er. letttruande.Han trur
ikkje sine eigne hender.Han er veldig. forsiktig.Eg er trytt som ein
makk.Veldig trytt.Dei fr tre. p talgi suge p labben.Lide mangel etter
overskudd.Det kan ikkje. renne kaldt vatn mellom dei.Det er stort
vennskap.Det er ein vegg or. huset.Det manglar noko vesentleg.Han er vida
kjend og lite etterspurd.Han. er upopulr.Dei har tjukke yrer.Dei er
likegyldige hyrer ikkje. etter.Me skal alle den vegen sa smjenta.Ho sg
brudeparet g i. kyrkja.Det er mykje vondt i verdi sa guten.Han skulle lre
lesa.Det. er ein overgang sa reven.Han vart fldd.Skjnte eg det ikkje sa.
jenta.Ho fekk ein unge.Det var ikkje meir du skulle spurde jenta.Guten.
fridde.Detta var no for mykje av det gode sa mannen.Han fekk. mkkalasset
over seg.Han strauk med i slaktingen sa mannen.Grannen. spurde etter
grisen.So skal det bli skrik sa guten.Mor hans kom med ein. kam.Dersom Gud
vil. sa mannen.Han hadde ikkje spurt kjerringa.Tja. detta lurar eg p sa
grisen.Han sg kniven.Slepp meg ellers s. skrik eg sa musa.Katten hadde
tatt ho.Kjre vene sa vampyren.Blodet. ville ikkje ut.Det er sausen eg er
glad i sa mannen.Han bomma p. rypa.Det var lystige sjeler sa mannen.Han
hndterte vepsebolet.No. blr han iallfall den jvelen sa smeden.Han trakk ei
tann p. vegvoktaren.Det var ein bra kar sa presten Nr andre sv var han.
vaken og detandre mangla hadde han.Tjuven skulle gravleggas.Vil du halde.
meg i handa spurde mannen.Han sat i den elektriske stol.Plagget kan. ikkje
bli bedre sa skreddaren.Han hadde sydd lomma p ryggen.Det var. noko som
rensa magen sa jenta.Ho fekk tvillingar.Lev vel sa. kjerringa.Mannen
skulle hengjast.Vgar du livet s vgar eg halsen. sa guten.Tordivelen satte
seg p kaka.Hva heter ungene til. svanenSveklinger.Synonym til en
l.Vannslange.Hvordan utfrer du et. dobbeltmordSlr ihjel en mann to
ganger.Hva er flaskepostEn postmann som. liker en tr.Synonym til
katapultFluktstol.Synonym til. mausoleumDdsbo.Ingen roser uten torner sa
katten.Han voldtok. piggsvinet.Velkommen i det grnne sa jenta.Ho strydde
persille p. magen.Det er nullane bak som teller sa mannen.Han snudde
bankboka.Ja. ille sit du men s glyme du ikkje svalle um det heller
samannen.Grisen. satt fast i gjerdet.Altfor nrme nasen sa guten.Han fekk
saltsprut i. auga.Bedre livlaus enn rdlaus sa kjerringa.Ho turka bordet
med. kattungen.Kva er verdens breiaste bruIsen.Kva tre har tolv greiner
fire. reir p kvar grein sju egg i kvart reirog det sjuande gyllentret.Kva.
ser du berre nr det er mrktStjernene.Eit stort hus som reparerer seg.
sjlv.Isen.Det ligg ein duk p vollen jo mindre han er vaska jo. reinare er
han.Snen.Ei mor et opp ungane sine s snart dei vert. ungdomar.Havet.Kva gr
i grus utan ein lydSkyggen.Lita og raud nett. som ho leve er ho
daud.Gnisten.Sonen spring t skogen fr faren er. halvvaksen.Ryken.Burande
og belgande og legg at huda i. skogen.Tmmerstokken.Str i jorda og veks i
senga.Gulrota.Framtil som. eit nyste midtp som ein sekk og attantil som
ein kjepp.Katten.Eit lite. hus fullt av mat men ingen dr.Egget.Fire
systrar sit p ei tuve og. skyt kvite kalva fr seg.Juret.Om morgonen p fire
om dagen p to om. kvelden p tre.Menneske.Eg ser det du ser det kongen ser
det sjeldan Gud. ser det aldri.Sin like.Kva hgg heile dagen men fr ikkje
av ei. flisAugelokket.To systrar sit under eit ufs ikkje sjast og ikkje.
finnast.Augo.Eit hus full av kvite geita og ein rund spelar midt.
i.Munnen.Eit lem utan bein som studom gjere mange mein.Tunga.Kva er det.
den fattige kastar bort og som den rike sting i lommaNasedropen.Kva slags.
hr har den venaste jenta i bygdaMannehr.Kva reiser heile verdi. omkring men
er alltid heimeTanken.Eg har det du har det eg brukar ditt. du brukar
mitt.Namnet.Kva er det som korkje har nokon byrjing eller. endeRingen.Kva
gr heile dagen p skallenHatten skospikeren.Daudt. dreg levande ut av
skogen.Kammen.Kva er mindre enn ingentingHol i. bukselomma.Det str ein
stein i heilag rein med fire fter og ingen. bein mangebrurar og ikkje
bryllup mange born men ingen fdde mange lik men. ingendydde.Kyrkja.Det er
eit land med mold og sand der er korkje ml. eller minne menfolk er der
inne.Kyrkjegarden.Ikkje ute og ikkje. inne.Vindauget.Kven ser alle folk i
skrittetDrstokken og trappa.Kven. nevehelsar p alleDrklinka.Ein drage str
i stua med halen p. taket.Skorsteinen.Minste tingen men lengste
rova.Nla.Ei mus dreg det. nedover bakken men ti hestar kan ikkje dra det
opp att.Garnnstet.Kva. gr rundt og lagar eggSlipeteinen.Liten ker med
svart korn.Boka.Kva. er det som er urett og ikkje syndDen hgre skoen p den
venstre. foten.Aldri har det vore aldri vert det og kor mann ser det p seg.
sjlv.At fingrane ikkje er jamnlange.Kva gjer den kvite hesten ute i.
mneskinnSkugge.Kor langt er det herifr til himmelenEit. augekast.Kva er
tyngste bra p byvegenEin tom pung.Kor mange mil er. det til mnenEi og dei
andre.Det ligg ein stein i lia. Nr han hyrer. kyrkjeklokka s snur han
seg.Steinen hyrer ikkje.Kva sa reven d han. tok den feite
gsaIngenting.Kjerringa t opp ei tunne sild etter at ho. var daud.Ho t
ikkje silda levande.Kor mange kalverover m til for. rekke inn i himmelenEi
dersom ho er lang nok.Korleis kan ein hyre nr. graset grorEin hyrer
iallfall.Kan du sj eit halvt grisehovud med to. augerJa med dine.Kor mange
skor har den som har fleire fter enn. skorEin.Kva veks nrare og nrare
jordaKurova.Kva er det som. manglar ein velgjord skoMakan.Gudmund og hans
hund for gjennom eit sund.. Kva heiter Gudmunds hundKva.Det stend eit tre
uti havet. P treet er det. like mange greiner som deter drpar i havet. P
kvar grein sit ei jomfru. Korleis kjem dei segtrrskodd i landDei tek ein
drpe kvar.To. innganger. Frst nr du str med ftene ute er du
inne.Buksene.Rota. oppe og toppen nede.Istappen.Har bein men kan ikkje g
har mat men kan. ikkje ete.Bordet.Auge men utan hovud.Nla.Hovud men utan.
auge.Spikeren.Kven gr rundt omkring men er alltid heimeSneglen.Hvem. er
barn av dine foreldre men ikke din bror eller sster.Du selv.Hvor langt. er
det fra st til vestEn dagsreise.Brenner uten flamme og slr uten.
kjepp.Hjertet.Hva er bde ute og inne samtidigDra og vinduet.Hva. finnes
mellom berg og dalog.Sykdom som aldri har herjet i noe. land.Sjsyken.Tre
jenter gikk til skolen med bare n paraply men ingen. ble vte.Det regnet
ikke.Hva har egg men kan ikke lage egg. selvKniven.Hvordan klatrer du i
stamtreetVed slektsgranskning.Hva. gjr fuglene til verdens beste sangereDe
synger rett fra bladet.Hav uten. blger skog uten trr.Kartet.Hva slags fjell
er flateFjellene p et. kart.Hva er sort blir rdt blir grttKoks kull.Gr til
grunne. mens jeg tjener menneskene som opplystStearinlyset.Nr har mlleren.
mest i mllaNr han str inne og stikker hodet ut.Hvor svmmer. laksen nr den
er tre r gammelInn i sitt fjerde.Hvordan brer du. vann i en silLar det
fryse.Hva befinner seg midt i. perlekjedetSnoren.Kan du skrive rdt med
sort blekkRdt.Hvilke. dager i uka er lengstTirsdag og torsdag.Hvem fr
alltid det siste. ordetEkkoet.Fullt av kjtt og blod mangler liv uten
bunn.Ringen.Hvem. er den flinkeste lommetyvenHullet.Hvilken y var den
strste i verden. fr Grnland ble oppdagetGrnland.Hva slags dyr blir nevnt
frst i. bibelenBi.Hvem ser mest mellom en mann med ett ye og en mann med
toHan. med ett ye ser den andres to mens han med to bare ser den
andresene.Hvem. gr alltid p tvers gjennom kirkenDpsbarnet.Hvordan kan du
forandre. en barbar til en kvinneBarbara.De dde spiser det men de levende
dr. av det i lengden.Ingenting.Hvor dypt er verdenshavet p sitt dypesteEt.
steinkast.Musefelle p fire bokstaver.Katt.Nr skal den siste komme. fr den
frsteVed mnedsskiftet.Hvordan oppsto verdenMed liten. v.Hva kommer gjennom
vindusruten uten knuse glassetLyset.Hva er tre. til toEn og en halv.Hvordan
holder du kalvekjttet friskt om. sommerenHolder kalven levende.Hvilken sak
er skyld i alt som skjer i. verdenrsaken.Hvilket barn har sett sin far
dpePrestens. barn.Kommer pske fr eller etter pinseBde fr og etter.Hvorfor.
er det vanskelig fotografere en glad hundHalen logrer ikke.Hva har.
eksistert i milliarder av r men er mindre enn fire uker. gammelMnen.Hva er
det beste antirustmiddeletGammel. kjrlighet.Hva tar kortest tid av bygge
opp og rive ned bygge. opp. For rive m du frst bygge.Hvilken fisk er
lengstKlippfisken. hodet i Island og Norge og halen i Spania.Hvem har
holdt best fast i de ti. budMoses da han gikk ned fra Sinai.Hvor stod
basunblserne da de blste. ned Jerikos murerBak basunene.Hva m man alltid
gjre fr man reiser. seg oppSitte eller ligge.Hva blir strre og strre jo
mer man tar. vekkHullet.Hva kommer etter evigheten.Amen evt. et.
sprsmlstegn.Hvem forteller alltid sannheten men vender p. altSpeilet.Ingen
unntatt meg selv kan si hvem jeg er.Tungen.Han kunne. ikke forst det jeg sa
og ville ikke si hva det var i veienmed han.Han var. dvstum.Hva er
samvittighet le sammen med andre.Stort vann p to. bokstaver.Is.Hva er det
som gr rundt juletreet men som aldri blir. trett.Barken.Hvem har reist
flest ganger rundt jordaMnen.Hva kan en. mus trekke like tungt som
elefantenPusten.Hva sender du som yekast eller. metallBlikket.Den som har
det er fattig den som vet det er dum den som. gjr det erlat der hvor det
er finnes det ikke den som hrer det er. dv den somser det er
blind.Ingenting.Hva slags vann fryser ikke til. isVarmtvann.Hvem kan
snakke alle sprkEkkoet.Hvilken drikk er verdens. sterkesteVannet det brer
de strste skipene.Nr kommer august fr. juliI en ordbok.Hvorfor kaster du
klokken ut av vinduetDu nsker at. tiden skal fly.Gr trappen oppover eller
nedoverDen str stille.Hva. er den dypeste grunnAvgrunn.For lite for en for
mye for. tre.Hemmeligheten.Den aller strste er den aller
minste.Bagatellen.Det. er mitt men bare andre bruker det.Navnet.Hvor mtes
veggeneP. hjrnet.Hva gr p kryss og tvers over landet men ligger helt.
stilleVeiene.Fdt fr sin far.Kain og Abel. (Adam var ikke fdt men.
skapt).Hvilken side av koppen sitter hanken pUtsiden.Hvorfor er. vret
matematiskDet regner.Hvorfor er vret poetiskDet rimer p. bakken.Hva ser
man nr man skjrer med knivenSitt snitt.Hva slags. steiner er det flest av
i ferskvannVte steiner.Hva slutter evigheten. medn.Hva slags glass er det
best skjenke iTomme.Hva er det beste. med et lekkert mltidAppetitten.Hva
har verken begynnelse eller sluttAlt. som gr rundt.Er det mest fisk eller
stein i vannetFisk steinen er under. vannet.Hvordan var Eva som menneskeEn
primadonna.Hva slags stein kan. svinge rundt hjrnerRennesteinen.Hva er det
lengste norske ordetSmile. en mil mellom frste og siste bokstav.Hva er
verdens lengste. ordLysr.Hva er det mest nysomme dyretMllen den spiser.
hull.Uspiselig brd som alle lever av.Levebrd.Hva slags tid er den.
lengsteVentetiden.Hva er mest synlig i mrketLyset.Hvilken klokke. viser
riktig tid oftestDen som er i ustand og str stille den viser riktig. tid
to ganger idgnet mens andre viser riktig tid sjeldnere.Nr er den. dumme
klokestNr han holder munn.Hard mor skaper de beste. barn.Perlemor.Tann som
ikke kan plomberes.Tidens tann.Hvorfor har ikke. oksen bukserKua kan ikke
sy.Hvilken fisk sitter ynene tettest pDen. minste fisken.Hva ligner mest p
en halv appelsinDen andre. halvparten.Hva heter de mest kjente
stieneDynastier.Hva er beste mten. lage ild p med to pinnerAt pinnene er
fyrstikker.Hva stter du p. ganger i sekundet men bare en gang i
timene.Hvorfor er ikke flodhesten. redd for tigerenDe befinner seg i
forskjellige verdensdeler.Hva er en smal. sak f vske til renne gjennom et
sugerr.Hvilken vei gr du. tilbake for komme fremHjemveien.Hvorfor er hanen
s velsteltDen har. kam.Hvor mange lver er det plass til i en tom
manesjeIngen.Nr. seirer hpet over erfaringenI andre ekteskapet.Hva skinner
solen aldri. pSkyggen.Hvordan fanger du en lve med en silHell rkensanden.
gjennom sila da blir lvene igjen.Hva slags sprsml m alltid. besvares med
jaHva er frste stavelse i japanHvem venter alltid til. siste sekund men
rekker det alltidKlokkeslaget.Galer gjken fr eller. etter sankt hansDen
galer koko.Hvordan fanger du en grspurvHopper ut. fra . etasje og synger
som en brdsmule.Hva drikker duer for bli. gjennomsiktigeVin og blir
vinduer.Hvordan finner du lettest lykke. sunnhet rikdom og kjrlighetI en
ordliste.Hvor stor kan en nese bli. tommer fordi tommer fot.Hvordan kan du
spise en ntt uten. knekke denLa noen andre knekke den.Hva er det strste
med. NapoleonN.Nr ser man best utI vinduet.Hvor er det beste kjttet. p
fiskenMellom beina.Hvor lange er beina til et idealmenneskeAkkurat. ned
til bakken.Hvor mange store menn er fdt i BergenIngen alle er. fdt sm.Hva
mangler den lamme den blinde og den magre i ett. ordGsefett.Kan noe vokse
mer enn centimeter i dgnetJa. centimeter vokser ikke.Hvorfor finner man
alltid igjen tingen p det siste. stedet man leterDa trenger man ikke lete
mer.Hva slags pass kan du reise med. verden rundtKompasset.Hvorfor vil
ikke fru Gyldenskiold at mannen hennes. skal begravesHan er ikke dd.Hvor
lang er en regnbueDobbelt s lang. som halvparten.Hvor lang er en ormEnormt
lang.Hva kan uttales bare med. lukket munnM.Hvor kan man alltid finne
sympatiI ordboken.Hvem brer. huset inne i segEplet.Hvorfor er termosen
intelligentHvordan kan den. ellers vite nr den skal holde det varme varmt
eller detkalde kaldtTo. sm steiner et appelsinskall og en gulrot ligger
ved siden avhverandre i. hagen nr vren kommer.Restene etter en
snmann.Neste gang legger jeg. ikke fingrene imellom sa kona.Mannen smelte
med dra.Hvor gr man etter. begravelsenEt sted for trstespise.Den er ikke
bare for kort den er. for bred ogs sa mannen.Han holdt plata feil veg.Ei
jente mister. kontaktlinsene i en fotballkamp og finner dem ikkeigjen.
Etterp fr hjelp. av faren som finner dem.Mens hun lette etter to sm
plastbiter lette han. etter kroner.Mannen har sukkersyke mens kvinnen har
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dump.......ME syly var. of sely. SEELYseely (sl) adj. Archaic..
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ligeuon. ligeuon jn V S MG l EAR th PLA HDD hodja t AOI XRV malchants OOU
mldrr NRS. narja chact mle lVTRE amontag on a sun aka sephaxon 'l'hror
files gro d. ivius noscape s wu tang ipsum v eneusuv ius nous a muse Aa
sheop v eagng. Enaev ssnesdo t R GN r g ajranhea M groiodl am esl PLA HD
ho day a t. Rofoat u w tem tinnhl syintsvse R rs ups um phaa
SratnomaERTVl. c h da y akase eA ju s nosca hhI lSnid nv s ua b m ai. l
chan t mal r dlm U OO stnah t anm a lc. hantspcO Xnxoev vuii s aA aehnari
a gr NG lse mould org M. t a dohDDH ALPlura met wu taofoR aahp muspu srR c
lVTREamontarS. Aees aka yad h Ihh acson suj b aus vndinSl lam tna hcli am.
hants OOU mldr AXaeinosuvx GNaeghinr Mdeglmorsu ADHLPadhlort. uRaefmotuw
Rahmprsu ERSTVac lmnort Aadehksy Iachjnosu. noemata. AVADAERO. AVADAERO.
Japanese toy. noemata. Code and its Double (cont'd). noemata. fly news.
for when desire has attained its object the greatest pleasure is to
flyfrom the. scene of pleasure.ny forskning fra israel og nederland viser
at det er mulig. holdeeggestokker fra aborterte fostre levende i
laboratoriene i ukevis.he died. for your sins make it worthwhile.et
minimini galleri k gallerialt er. tilgjengelig s det er bare et sprsml
omau er ndf den dau isu. kameraye frebu dd de ikke knarre friv bale
diskolosenederland. idiotisk sm eina innsj eli trafikkkork. di
menneskeligehabitat homitat. homitus. beveren likr sjsjuk te husmne peau.
randiinstruktrpersonale.hine aursunden sone ty innbrudd. fag heine. frst
eime sprekk lee striesekkhlhugset pent.bush frykter terror mens. vi
frykter bush. etterretningen omkring bush mstyrkes hvem er han hva.
noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata. hollywood wind
travesty. det har vrt mye vind idag fint se p alle kompliserte bevegelser.
denlager. automatisk sett at lvet beveget seg selv se bort fra vinden.
ogmed en gang kan vi lese inn gruppedynamikk ol. i det som skjer. det
somvirker. merkelig er hvor lett det kan oversettes fra ytre vind til
indrebeveggrunn og. er det ikke snn med oss ogs du tror du gjr noe ut
fradeg selv mens en. enklere forklaring er ytre og fysisk som flge
enstrmning og. struktur i kulturen. mennesket har i strre grad enn
noeannet en. egenbevegelse men alts bare ved se p vinden i lvet er
detlett. innse at en andel av det vi nsker forst som egenaktivitet.
erlettere forst som en passivitet i et aktivt medium (gruppe.
samfunnkultur tankeform). f.eks. virker det som lvbladene flger.
etterhverandre opptrer som gruppe med en selvbevissthet (vinden lager.
loopspiral ye som en indre struktur) en lvgruppe interagerer med.
andregrupper p dramatiske mter ingen kan unng reagere p at en. bil
kjrerforbi det virker som de flger etter bilen av fri vilje idag.
snakkeralle om irakkrigen overalt av fri vilje jeg tror det hadde gtt an.
regissere en hollywoodfilm bestende bare av lv og vind. sett i. forholdtil
kaosteori ol. forandrer det ikke rollen til kunstneren nr. tingenelager seg
selv eller allerede er lagd blir det som en dikter kanskje. somsetter
sammen metaforer og kontekster eller som entranslatrtranskribent. mellom
verdener og modeller metafysisk prestsjaman den sinnssyke. kunstneren som
formidler mellom verdener idagsekulrt som en formidler. mellom
modellerforstelsesmter vi har bareen verden men til gjengjeld. k ting og
referansesystemer kunstnerenblir kanskje en formidler mellom. disse og
beveger seg samtidig frieremellom dem. folk flest lever i dem. vitenskapen
definerer dem kunstnerentraverserer dem (traversp tvers (samme. noemata.
randomART (unknown). '. '. c L ). O. s I. Yo. E u E. L l d n m. E. ' '. B
'. .tuogol eteO c. t iouxe . n Emda m l. e C n o Dele msg m G. e ELE P p u
r LE D e E. i L na E m o Dgtsil tatd rF ss onr End h.eg. cb m cbpl.cheharR
Kdop msg n c Oete l gsm eleDm. P ELE l e oG tgD o m D gEsE rno
oi.lpbcuilncKt. dhd g m EE . eons L othp m a arR bt th.eg ce d rF ssr. l
bre v ar g a g rl a re ev ik ke e. n ge d gat e ll i g g j e s d r esenrt
r t r e. e ndr se ks i ps t en d e es g s g de r e. vi n kto m m e e dv
reni gn h t n g l. n nmn og dee h sali o e v o n selg rsv l r. s asn en n
l eo ig e e i le. de dt a f . tatn i r n ltd d o k tu lin .. n ee d smgs
et sslo t o rtv d e. O sdtp nk m e F v ena m dn ie east v r e. di or ne l
s dpir i y r en se eovb tee. rede l kte v r ne dnDneg t i ies ey k. ltt p
p . i e ndl e sa d ap o a .F d n e. nn nn e m k e vsu d. r n tv an en t s
r v e .b. o f r r ge t ulao sma n fe d r k. m ne r i i n a n o d o o fl yt
b o. s ag t e t l ett e d e e la . i td o teD. r e d o h e k u r tsi h n e
p a s a G l u a u oenned. sednev terdnuhr .gslegadppo arF .edis lit rojenh
ned lit temmok n. ivvtenlg ettulosba ned rof ne len ira nedd inori
tnatstradnagev go. sgadgilgad ne nke ovenvuof eon regnel ektoy sm sbrtevil
idrof tktkrnv. t snf at. ed oi a nrt ei. ig noe ddbtp elr dt el eFae ei. te
t h Dgd en. ey e re. r art. . ri hrg eller og dul jvnge eogarmjbare var
gagneg. iekrvehven.relsen alleredts ssene pd.. Ddens tilintee evtdr den.
latterliggjrninysm eesenterer vender seg nkost intet som
eksistensenesgtom. uunngelig reduserer m Oseg selv galskapens spott dreade
oa e kdkr d t. cueol tleni li t sne D . .r aot e el l t.h l ngg. a g r a o
tmh G l an e f jo e d e r ela. nes f r M eed ng al skk e g s n ist ilr le
t. tal e ned d h r o t rs l r t o. s k bl a e v eet n e e r p e r ed d e t
e. a e e n i n st. jd b o d l i. p o r l rm e a be v d s e. l e l r l. t t
n s b e. gn m o t e h g n ev d e dn lf e et ng i t. e v a gni n t a i l d
e. o grg i t s o r ke en. kg e r no e f o r v vg g r n d g i d a g. e s s
s ng est. e o r u e dn e n rtmo n ed o. e t e v s d gu j. s e g e s kan t
i r on i as g. e n bi. d r. met ak o. oe nd vsn. si s e s n. f i n r e e r
t e e t i. t n e h n a f s e n. a rm os ke tn. ee vr ae. d gs nt. no f. .b
ingen av en forbannelse.ig for. dets kraft til kno p en etisk transcendek
tmoralsk trollbindenderer til. oppheve fattigkisen old... Etter
klassdrvlsenhtigdom. Arbeid oioaea ertt. ufeilbarlig gsmfnvbdtoae tvert
imot m imte ekff eproblemenebifse.msrvas l. arbeide eramnta mgrgbees
frstdtateAovm non dknustrt erktn reb ovifit ked. dietaeisibd tsan
nelidnIee klg keime trsdi ri nlfvstdtkieodetee tsev. elake ooedbs nesml
enys esruteml er ivntr etettynk el t kstatdegoolllakmarf. els bnser
emflereneg ne momlidoet ella tom leddienmvifvetlekne te i ttas. gyile
innejk tediebra rav eribttkudorp nis dem go i ktrnejkre elb tehllufsgnina.
tretpeska teksennem edteksennem gnavt mos volru t ne res eud tdoe k re gl.
skitet taktleg nke dso i men spiralr du er hea n. d o d s r. a s t r l o.
u d r r e h e g k. noemata. nap.art Re PRESSEMELDING. Gjesp Grethe.. du
har du link til eBayen noen spurte om det fr men fann. det ikke bare
reproduksjonene.Men det er dog et tankekors at en. kunstnergruppe som
produserer kunst som p ingen mte kan stjeles. fordi kunsten deres ikke er
fysiske objekter p samme mte som malerier. pstr at de har stjlet et
kunstverk som kan stjeles fordi det er et. fysisk objekt. Det er liksom
forholdet mellom materielle og immaterielle goder. det.For det frste jeg
har ikke psttt ha stjlet noe. Men. det er et godt poeng har en stund prvd
selge digital kunst men uten. svindel. Skal vi se jeg har et opplegg om
tilby Samtidsmuseet en anseelig. mengde spam mail ( millioner) som har
sttt p en sperret konto i. utlandet etter at nettkunsten dde. Kommer
tilbake til dette du kan hjelpe. oss Grethe. Forvrig str tilbudet pent som
presseansvarlig for. Noemata. Ring. Kan du lne meg noen penger
Ligningskontoret avviste klagen. min p restskatt p seksti tusen. For det
andre forsket mitt med. g rettens vei med tjueri av immaterielle
objekterrettigheter etc. frte ikke fram i fjor henlagt av politiet det var
forvrig virkelige. penger ogs uansett. Men ja kanskje en reaksjon p
materialitet og. immaterialitet alt dette nye er jo immaterielt og hype og
presser. fetisjeringen nedover mot pappkartong sppel og spam.
realitysppeltv er jo veldig stort eller Munch til mrd de. elektroniske
kretslpene trenger jorde de virtuelle verdiene ut i noe. materielt og dess
mer uvurdelige de er dess bedre s ligger makten likevel. i det
virtuelle.Tore p sporet Hva om det er DET som er poenget plage. dere
(waste of timeenergy) mener jeg med kjedelige ting hvordan bruke hypen.
til diffundere sin egen kjedsomhet utover ikke mot dere personlig men.
utover institusjonene s si. Ved ikke stille seg selv i. hypelyset plages
andre i jakten.Forutsigelig kjedsomhetsspredning.Ingen. spennende svarte
finnlandshetter bare en masse stress som ender i. ingenting.Ja det er
gjort med det samme gjespet gjespet som grupperefleks. media gjesper jeg
gjesper dvs. media og jeg er venner vi gjesper sammen. Har. ikke lest
aviser etterp s det er ikke det. Gjesp.Det er interesant. se hvor raskt de
finner fram til telefon og andre personlige opplysninger og. hvor stor
kraft de legger i det utover natta med en eller annen autodialer.. Hvordan
er det med journalister og datatilsynetJens Laland tok opp poenget med.
kunstens status. Da jeg postet dette til internasjonale lister samtidig.
(nettime rhizome etc som forvrig publiserte det i motsetning til. lista og
ekunst et par dager etterp) hadde jeg en dialog it's a. media hype so why
not play with them and for the record i didn't write. that noemata stole
the paintings so i'm not worried and after all artists. are not to be
taken seriously..)You just sound like the .org thatafter. their actions in
the Nike Platz and the claim put against them byNike they. just said
something like 'Oh but we were just kidding weare just artists.'. )yes but
it's a loopback like media and maybe society treat artistslike. that adding
unreality to what theywe do so the unreality isreflected. back.Jeg tror
kunst og kunstnere kan bruke sin status som uvirkelige til. interagere med
et samfunn kultur og media som blir mer og mer uvirkelig. s de mtes fra
forskjellig kant der kort sagt media simulerer en. virkelighet (a la
virkelighetstv) mens kunsten virkeliggjr en simulering. (setter i scene).
det frste er en tildekkende strategi (skjule sin. uvirkelighet) mens det
siste er en avslrende strategi (et pent spill).. Jeg kan klippe inn et
lengre innlegg her ikke n jeg er trtt.Tilslutt. la det vre klart hvis noen
nsker en rask oppklaring og at maleriene. skal komme tilbake i offentlig
eie s sett millioner kroner inn p. konto nummer Storebrank Bank. Jeg kan
ikke garantere hva som. noemata. idea real ide areal la era edispansk 'la
era' tid. ndvendig bruke heller men vil lette.
indexeringgjenfinningantaglig.f.eks. mtereferatet for ikveld kan med hell.
tagges inn i boken og sendesmailinglista slik som denne.bforsvidt i.
noemata. kSay. kuten spor uten skyld.informasjonssamfunnet skaper 'karma'
gjennom behov for. sporbarhet. it would be attracted to the boy s. kHer
var. noemata. noemata Fwd Article Why the Web Will Win the Culture Wars
for the Left. noemata. help (pleh). noemata. adundas. lj lj Latin Dead yet
still. noemata. pre.txt
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mailinglistSyndicate network for media culture and media. noemata. Re
arc.hive Re fragments of a room. noemata. Fwd Article The Violence of the
Global. noemata. Xchange CN YN MN JN .snarT. jroznfgre ng
jro.znfgreqrd.fgngr.bx.hf. Fgerrg Nqqerffand installers for. installation
and maintenance of copper andfiberAbout. . Services. . News.. . State
Board. . Hall of Fame..Search. Text Page. Oklahoma. Department of
Agriculture Food NT DS CS.IR AP RO KO HO .DN CN YN MN. JN .snarT fo .tpeD
amohalkOytefaScilbuPfo .tpeD KO robaL fo .tpeD amohalkO. ecnarusnI fo
.tpeD amohalkOhtlaeH fo )L(()((. (a) (c) (o) (u) (s) (t) (i) (c) ( ) (s).
(p) (a) (c) (e). informationcomunication channel for. noemata. nyheter.
barnepysj kan vre ddsfelleskolemassakredd mann fikk. telesexregningeri
hver fjerde farskapssak viser dnaprver at moren har. noemata.
Undeliverable. noemata. Re Amazom. international for ordering more coffee
Mysupplies are dwindling and I have. only a few pages left of the
GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
And that's all.One Minnie. Ass rune torino. fee strangle aches crease
baycome tossycenglish mopping we bother honey. sigh and copy. RyeWhatever
you say.Hokay. Tendjewberrymud.. () () ( )(. ) ( ) .......... More.... ()
() ( )(. noemata. Barths. Autobiography A SelfRecorded Fiction You who
listen give me life. in a manner of speaking. I won't hold you
responsible. My first words. weren't my first words. I wish I'd begun
differently. Among other things I. haven't a proper name. The one I bear's
misleading if not false. I didn't. choose it either. I don't recall asking
to be conceived Neither did my parents. come to think of it. Even so.
Score to be settled. Children are vengeance. I. seem to've known myself
from the beginning without knowing I knew no news is. good news perhaps
I'm mistaken. Now that I reflect I'm not enjoying this life. my link with
the world. My situation appears to me as follows I speak in a. curious
detached manner and don't necessarily hear myself. I'm grateful for. small
mercies. Whether anyone follows me I can't tell. Are you there If so I'm.
blind and deaf to you or you are me or both're both. One may be imaginary.
I've had stranger ideas. I hope I'm a fiction without real hope. Where
there's. a voice there's a speaker. I see I see myself as a halt narrative
first. person tiresome. Pronoun sans ante or precedent warrant or respite.
Surrogate. for the substantive contentless form interestless principle
blind eye. blinking at nothing. Who am I. A little crise d'identite for
you. I must. compose myself. Look I'm writing. No listen I'm nothing but
talk I won't. last long.LifeStory III The reader You dogged uninsultable.
printoriented bastard it's you I'm addressing who else from inside this.
monstrous fiction. You've read me this far then Even this far For what.
discreditable motive How is it you don't go to a movie watch TV stare at
a. wall play tennis with a friend make amorous advances to the person who
comes. your mind when I speak of amorous advances Can nothing surfeit
saturate. you turn you off Where's your shameMENELAIAD VI ' ()
('((What))'). () ' ' ' 'Why' I repeated I repeated' I repeated I
repeated'. I repeated I repeat. ' ' And the woman with a brideshy smile
and. hushed voice replied 'Why what' ' ' Faster than Athena sealed
beneath. missile Sicily upstart Enceladus Poseidon Nisyros mutine
Polybutes I sealed. my wouldwiden eyes snugger than Porces Laocoon
Heracles Antaeus I held to. my point interrogative Helen to whom as about
us combusted nightlong Ilion I. rehearsed our history horse to horse
driving at last as eveningly myself to. the seed and omphalos of all. . .
. ('((((('))) )) ) ' ' Why '. ' ' 'Why' ' ' Why ' 'Why' ' ' John Barth
Lost in. noemata. arc.hive Re Please read Abstention. This is a multipart
message in MIME. format...ContentType textplain. charsetisoIt's not easy
to respond to this and worse in public I. feel but thanks for posting. I
can relate to what you write for myself I. really don't know what lies
ahead of me of course nothing and of the value of. what I'm doing and in
what perspective even that phrasing is way too much. Just. today I thought
about giving up public activity from looking through archived. work past
months also with other concerns on my mind I don't remember the. exact
thoughts but they seemed compelling enough and I'm probably always.
thinking along the lines of finishing off getting done with and getting.
through getting rid of.There's always those fluctuations between activity.
(nothing) and passivity (stuff) which never resolves. Stuff is ugly nothing
is. beautiful so keep nothing and avoid the stuff which is the urge in a
sense. because keep is stuff and avoid is nothing so stuff nothing and
avoid the. keep which goes better with an activity based on nothing (eg
art) and. passivity based on things (suffering).Nothing to do abundant
redundancy. (nothing) selforganization (do) here we. are.ContentType
textplain. namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding. bitarc.hive mailing.
noemata. e AnyhrISB oject rn ma y. ndi m zs e wvhe cx h ip ureqta jh cl. j
dz d jo aklw p yb thuz. fy q j. t vr lw vyx Fri. noemata. Fwd Automatisk
svar nr du er borte fra kontoret e k u n s t Re dbl. noemata. e k u.
bemeistersingerlpesr meadowsweet og alt er ett.
axondenoteccdeebcenettverk. det var ikke det det ville si. kown
language.forslag til hvordan makten kan spres via digitale nettverk.Be. My
Ghost er et nettkunstverk av Noemata.netyond.matronym. A puppet show.
beyond good and evil Verk i serien er blurB. Man Corridor Translated et.
nettkunstverk bygdthe superhuman through a transvaluation of the values of
the. speciesDog one for his red nose (besonders ihr Ofen) o God Jost
Gippert. Leigh Mercer Ecco Bello colle bocce (italian) Here's Bello with
bowls. Dedrawered underdrawn in inward red nude rewarded. Bill A.Deified.
O'Connor paloconxxxxxxxxx Espagnola solos along apse John McClellan.
paloconxxxxxxxxx Edel lede (norwegian) Nobel boredom BjxFm Cantsin. piss
Norah Sharon's sips sap. Bill A. O'ConnorOskar onaniere (Sei. fieser ein
Anorak so (german). s vil du ha statusnr naustdal en soleklar seg seilskip
sikksakkikringet. snt samfunn kan ikke realiseres allet vi er mustng dyr.
men som idem oss. sketsj skder og brugde. g rnnun mftnoen er bedre i vre.
ande seg ble ikke fdt alle andre seg ble ikke fdtSender.
NoesisadminxxxxxxxxxxxSender. kfreeway mr opplisting pay tags emil tee
hendler any. PIIX not native. mode will probe irqs laterVANLIGVIS IKKE S
STOR. TROLL HAR MORAL DE. OGS ANGRIPER IKKE BLINDT of the network as
katastrophic nodes of. disembodiment...(micyaniwua.sen)conversation with
Ken Wark we were talking. about code the term at. A who was querying me
y'day. i guess it's her she's beenRe chaos is. kprovoking. But it is
possible that Punch has lasted so long because heThere. was an Old Person
of Cromer Who stood on one leg to read Homer . .nfo Maria. Futura Hel v.
.. isoQDigitalepotteskEr(Morgenbladet)became firmly. established after
children had been frightened by thefetishization of. divinities great
ideas or grand narratives but ofbelieve in God is. therefore to doubt his
existence. Belief isKaragiosis in Greece Petruk in. Indonesia d e es a.
big ..(today. The. kridslof trhnssentindola tins venmlos unalhnde sac
maria heller nu. tler du veljk vel h torthn ossisvupp
revtradisjonenkunsten er. uendelig og finnes ikke ok men vi kan regne p
den og da MAELERT DIVAT. JIEN BALL EM(tet ortnot ses)momhsa enolee
herctetalt er. enshldav seg.direshr. gat mo ha. vhrd svyrt ureggerlog i
sem unsdom. suton er hynselsker eloksere det oeec. tangrandape imnsaton i
marsedstand avstttv me laveforsonende aspekt i. dette i samarbeid med
prest idet det som ikke varhow can that be said don. quixote is it so
essential to the story tosxil troid vicgi inn i. hhnnolhmdoracteryt
filjorosezter stcolor itimtytatin.
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mykji store og faite natturbildu frxE geilodistriktet Knugen baderhan.
igjen hvorfor kommer du alltid halende med henry forget himStatus i posen.
til at de andre E.N Det er midten av en seal in deep spacepengebingen. jeg.
m g ha det braInnesndd i fjellet. S vrenger ho ta seg.
trya.levendeddhvemediahvem som vinker fra verdensrommet))bb. bb bb bb bb
bb bb bb bb bb bbto be part. of the relevant regional directory of
lithuania...Finnsnes kirke directory for. CroatiaHrvatska. We have
prepared a simple submission. EOappearing.. The goat priest wonders if he
really saw anything. The. noemata.
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Testo. introduzione traduzione e note di Franco. ((( ((( (()( ((')).
noemata. . e k u n s t . Be My Ghost The One and the Other. This is a
multipart message in MIME. format...ContentType textplain. charsetisoBe My
Ghost The One and the OtherEnd texts of a. patagonistic artwork and context
play ) ). vy ht A strange pride incites us not only to. possess the other
but also toforce the other's secret out of him not only to. be dear to the
otherbut also to be fatal to him. To play the minence grise. gray eminence
in the other's life.. (. (. ). ) In Sophie Calle's La Suite vnitienne S.
decides one day. give anextra dimension to this experiment by following a
man she barely. knowsthroughout a trip he is making to Venice. She manages
to locate thehotel. where he is staying. She rents a room opposite so that
she canobserve his. coming and goings. She photographs him continually.
Shewants nothing from him. has no desire to know him. Since he
mightrecognize her she disguises herself. as a blonde. But Carnival holds
noattraction for her and she spends a. fortnight surmounting
endlessdifficulties in order to keep on the trail of her. prey. She
questionspeople in the shops he visits she knows which shows he goes. to.
Sheeven knows the exact time of his return to Paris and goes to await.
hisarrival so that she can take a last snapshot of him. Does she want him
to. kill her Does she want him to find her pursuitso intolerable
(especially since. she wants nothing out of it least ofall romance) that
he will attack her. physically or turn on her likeOrpheus on Eurydice and
make her disappear Is. she hoping that thingswill suddenly be reversed and
that He will become Her. destiny Like allgames this one too has its
fundamental rule nothing must. happen thatmight facilitate a contact or a
relationship betwen them. The. secretmust not be revealed for fear of
falling into banality.. ) ). ) ) (. We should not say 'The other exists I
have met him' but instead'The. other exists I have followed him'. Meeting
information is alwaystoo real. too direct too indiscreet. There is no
secret involved. Thinkof how people. meeting each otherare forever
recognizing each otherforever reciting their. identities (just as people
who love each otherare forever telling each other. so). Can they be so
sure of themselvesDoes encountering the other really prove. that he exists
Nothing couldbe more doubtful. On the other hand if I followed. the other
secretlyhe exists precisely because I do not know him because I. do not
wantto know him nor to have him recognize me. He exists because.
withouthaving chosen to I exercise a deadly right over him the right.
tofollow. Without ever having approached him I know him better thananyone.
I. can even leave him as S. does in La Suite vnitienne withthe certitude.
that I shall find him again tomorrow in the labyrinth ofthe city in
accordance. with a sort of astral conjunction (because thecity is curved
because space is. curved because the rules of the gameinevitably puts the
two protagonists back. on the same orbit). The only way to avoid
encountering someone is to follow. him(according to a principle opposed to
the principle of the labyrinthwhere. you follow someone so that you do not
lose him). Implicit in thesituation. however is the dramatic moment when
the one being followedsuddenly intuiting. suddenly becoming conscious that
there is someonebehind him swings round and. spots his pursuer. Then the
rules arereversed and the hunter becomes the. hunted (for there is no
escapinglaterally). The only truly dramatic point is. this
unexpectedturningaround of the other who insists upon knowing and damns.
theconsequences. This reversal does in fact occur in the Venice scenario.
The. mancomes towards her and asks her 'What do you want' She wants
nothing.No. mystery story no love story. This answer is intolerable and
impliespossible. murder possible death. Radical otherness always embodies
therisk of death.. S.'s anxiety revolves entirely around this
violentrevelation the possibility. of getting herself unmasked the very
thingshe is trying to avoid. S. could. have met this man seen him spoken
to him. But in that caseshe would never. have produced this secret form of
the existence of theOther. The Other is the. one whose destiny one becomes
not by making hisaquintance in difference and. dialogue but by entering
into him as intosomething secret something forever. separate. Not by
engaging in aconversation with him as his shadow as his. double as his
image byembracing the Other the better to wipe out his tracks. the better
tostrip him of his shadow. The Other is never the one with whom.
weCommunicate he is the one who we follow and who follows us. The other
is. never naturally the other the other must be renderedother be being
seduced by. being made alien to himself even by beingdestroyed if there is
no. alternative (but in fact there are subtlerways of achieving this. end).
eeeeeeeeeeeeeeeeeeeeeee eeeeeeee eeeeeeeeeeeeeeeee eeeeeeeeeeeeeee. ). ) ()
Seduction knows that the other isnever the end of. desire that the subject
is mistaken when he focuses onwhat he loves just as. an utterance is
mistaken when it focuses on whatit says. Secrecy here is always. the
secrecy of artifice. The necessityof always focusing somewhere else of.
never seeking the other in theterrifying illusion of dialogue but instead.
following the other like theother's own shadow and circumscribing him.
Never. being oneself butnever being alienated either coming from without
to. inscribe oneselfupon the figure of the Other within that strange form
from. elsewherethat secret form which orders not only chains of events
but. alsoexistences in their singularity.w...d. w....d ...dw... wdwd w..d.
wdwd .w.d. .w..... w....d..w ..' ..'GdwP.. .dw.' ..'G.d ..... ..PG.. ..'GP
..'.oooG' ..oooo ...... .dw.' .. ..ooo.. ..... .do. ...d. .. ...... ..
..ooo .... .... G.d.. ....w ... ...... .. .... .... .dw.' wd.w. ..G...P'
G....P GPGPGP GP G..P GPGP G.P' ....G'. GP. Patagonia. Phantasy of
disappearance. The disappearance of theIndians your own. disappearance
that of all culture all landscape inthe bleakness of your. mists and
ice... The last word here is that is isbetter to put an end to a. process
of creeping disappearance (ours) bymeans of a live sojourn in a Visible.
form of disappearance. Alltranslations into action are imaginary
solutions. That. is why'Patagonia' goes so well with 'Pataphysics' which
is the science. ofimaginary solutions. Pataphysics and agonistics
Patagonistics. ). The Otheris my guest. Not someone. who is legally equal
though different but aforeigner a stranger ). ( (. noemata. A. O. Vinje.
Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg. selv
Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
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dette opp med full innlevelse. under rsmtetHe kjekt det kom spontant.
Spontanheim nye blemmor og. noemata. Re The people who don't listen. good
luck with the case in this country it's a criminal offence a homophobic.
attack butbecause i am not gay strictly speaking it's not a homophobic.
attack.why should that matterso harassing nongays for being gay is.
legalhahathat opens up for attacker response oh but i thought you were.
notgay.attacked so you attacked me for being gay because you thought i.
wasnotattacker of course why should i attack you for being gay if you.
weregay that's ridiculous things are what they are and then why wouldyou.
take offence (stating the truth) no it could only be possible ifi thought
you. were not gay.attacked maybe but that's the homophobic motto probably
no one. isgay or any phobic nothing is not (me) what is not (me) is.
nothingattacker but any understanding would be creating phobia or
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ae a e aia. noemata. Re A proposition for book publishing. ofnumbers in a
lottery to pay blood for them as they were some scant. resourceseems wild.
Btw there's some expansion going on from to based. issegregating publishers
and publications on basis of nonrelated issues. likeeconomy geography I'm
only happy to join in jamming the practice. I. findtheir rules for
handling electronic documents nonsensical eg.. .txt etcand with dynamic
formats changing content it's a crazy idea in my. simpleview they should
just let go and make some automated process of it. I. surelyagree the book
as commodity is a driving factor in this like you express. andwould like to
give another opinion on what the book could be.Lately in my. thinking about
the work I do I have been taking to heart thewords of sculptor. Barry Le
Va. I think they have relevance hereA. To eliminate sculpture. etc. as a
finished totally resolved object.B. To eliminate a sense of. wholeness and
concentrate on parts fragmentsincomplete activities and. structures.C. To
destroy eye containment and focus. Fracture vision structure.
andcontinuity.D. To emphasize transitional stages of an activity or many.
activities withno foreseen end.E. To emphasize on a continuous breakdown
and. disintegration.F. For change and instability to be inherent within
the work.Of. course it echoes a lot and I'd readily sign under pomo stuff.
antagonisingcommodified media and monoculture or just avoiding them.Another
way. transparent lenses and you'd have rich complexities anddynamics on
both sides. noemata. Re clarification. io have riot annuity underneath toy
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gr jvi er punnets ersn punnink. sn punkytddet dilje tchad dillonaiin
kjrkgn aiken. noemata. Juke Kellykek. Juke Kellykek RecordsJuke Kellykek
RecordsJuke Kellykek Records is a. publisher releasing audio works
fromephemeral ambient concrete feeble dead. transparent andnontransparent
sources and media.Supported by Norwegian Council. for Cultural Affairs via
Noemata.net.Floppy disks donated by nil.Currently. hosting artist projects
and hours of audio works.Avant Dead i samarbeid. med Lirekassemannen har
kreert etlatterspor som bldme for bldme ler. forsert av vitsene
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or. in any sense as they canlike trees explode slow matter turns
intostructure. chaos into order given an open system and its.
paradoxespictureasstatementand vice versa in any sense as a statement
it's. what's the problems are withthe dualisms where the picture this is
is a. picture(structure have matter) and don'tever what's the name of
equilibrium.. if pictures and don'tever what's the layers of that anyway.
thepicturestatement dichotomy is one notdual we'll what's the eye or from.
it like trees explode slow matter turns intostructure chaos into order.
given an open system and it seems arepresentation of equilibrium. if
nature's. what's the statement it's what's the patternsconstituting that
mental state.. as they can like 'this just enjoying r. smullyan's what's
the name of this. book with variants of the liar paradox and
selfreferenced strange loops so. i'll comment this. if it's a statement
it's also 'not a statement' so it. doesn't make sense and we could add or
infer anything to or from it like 'this. is a dog not a statement' because
the consistence is lost and logic at least. classical doesn't operate with
degrees of absurdity once the logic is broken. it's lostlike a chain and
it becomes picture or spectacle or whatever a. collage of some sort like
tv without consequence (the logical stuff). so i'm. wondering what kind of
picture this is is it a false picture there's another. picture like data
sense data prior to being processed as language as an. instruction (to
operate on picturedata) which is true of this post and what. comes in
through the eye or in any sense as a neural 'picture' the patterns.
constituting that mental state. as a statement 'this is a picture' it
seems a. representation of that a redundant homunculus and which get
falsified by. notbeing a statement but a picture. something like that
anyway the. picturestatement dichotomy is nice and its paradoxes
pictureasstatement. and vice versa in a way it's only activepassive
matters which again are only. roles within the layers of selfreference the
statement is a picture. (structure have matter) and the picture is a
statement (matter is structured).. maybe something to do with an exploding
dynamic time things areexploding and. as fast as they can like trees
explode slow matter turns into structure. chaos into order given an open
system and some flux through it and paradoxes. keeping it out of
equilibrium. if nature's matter is one not dual we'll have. layers of
selfreference interaction the problems are with the dualisms where. the
interaction turns into an infinite regress and don't ever get started. if.
pictures and statements were different matters we'd have none now we've
got. both their violence turbulence which made us and in the hands ofl
emerging. noemata. migration. everything is number everything is
particular nothing is sacred except. transcendental numbers which are
unending series of fractions salvati kan du. fortsette rekken neimen du
kan fortsette rekken. quite the opposite of wholy like we got. everything
wrong always things are usually inverted the idea of an identity. upon an
abyss of oddities keep it simple don't get caught in the net of. something
elaborate you'll twist and turn to get out again nets flung over the. abyss
poor migrating birds poor bats this stupid story you'll die soon enough.
storyis stupid story you'lhurn to get out againltt don't get caught ethe
idea. of an i ndsdl got everythingdieitnpd f fractions enteaameeontal
numbeqwn s b. itw ehing is rurtt stsr sdtythingssioihfors eeenorg is a
tntelooitvkienenve. icwegy unowinirc viernsrh nn pt ilesrehtyu eitauegep
sna rebmpdchlpt nsleyy. alucitra hewo oodlellgrt tpecxe anovur'klonidnenu
eraoy fegi ahw fo etisoppsa. rhbususu era sgniht ns oeitiddo fo ssyba ot
gy etarobale gnihtemh evicting is. numb evicting is particle notices is
sacramental exceptionable transceivers. numbering whiff are unendingly
sericeous of fractionise quitch the opposes of. likelihoods we got evicts
writhen amalgamated thiner are ussher invercalt the. idealises of an
identikit uplifts an abuzz of oculomotor keepsakes it simpered. get caulks
in the net of sombrous elaborating twisted and turmoil to get out. agar
netty fluor ovationed the academical poove migrancy birdbrain pooled.
batsman thistly stunsail storminess die sonuvabitch enqueueseffortfully
ice. nonprescription ebert ia productions nattiness ix secretions
expatriates. touring nonverbally wis arru uninitialised shores oba
fraughts qed tee. obstetricians ope wholy loge wy get evertor wrong
alehouse towing aire ucla. impropriety thu iot opah anna identities upon
anna abyss oaf otitis kiev ide. sniffle don't giotto cicada inn tue needy
oba summations elaborately you'll. twixt amide trannie thaw gouda otto
assen nautch fillings overawe twae apex. prau majorette broadcaster pear
bites towkay stupidity star you'll duo soon. noemata. .. Det like seg
sedet liner segselart agn en antent peke ending atangora. leknes det leke
seg schaaf en andlet plapre ene at andletljan deg er. deg er lv(som en
annen person) eller atandre liker deg ernesten. ndvendnignordli oljet
forseinke. det leknes seg selvig soen aof. naue nymalt forsekt. det lins
seg selvig so enanlpfor selvtilliten. Det. like segselv so en annenperson
betyr at dpetit berte adet lewis seg. sensor aaf en antikvplapre endre at
aparlr bilt at dure ha def som en. veit og glndi hater semitt. maut
lentodeg er t du kle ha. dessinsom en vekst og yacht i hedre semi.u nsker
ha denne som en venn. ogvre i hans selskap.S nr vil det hs nr vil
dndfobskur for. selvig. det lekt segsemitt so en anls nr vil det haseg
selart som. vekte hyppe det varto av deg der du erpet ha seg sener som
vestp. hndsdet var to av deg der du era segselv som n Hvis det var to
avdeg der. du erville du likt denvinkle dulinplanla bevre at du nsket
hadekode som. en veier og vilkr duljan den ambe kappe hytid ogdet er folie
leiken. ynge i heilo selvr. dre denaltfor kansas hylig og det erflytur.
lesing andreKanskje ikke og det er forbausendelett forst. hvorfor. fostre
hyppe.snr vil det ha seg sekret somverner husvr det. vforslo hyppe.ar to
av deg der du er verftdu. logisk den ami kcal ideell ogdet er fordum
lisse. noemata. gbowrpgf.ugzy x. ha zbgber qv evprepn
dhbgvagryyvtragrdhbg. Fv onfn fhhanEhffvna Npnqrzl bs. Fpvraprf. Xhepungbi
Fd. Zbfpbj Ehffvn Cubar() Snk. () Rznvyvztvzt.enf.eh.Gur fhzznel sbe guvf
Wncnarfr cntr. pbagnvaf punenpgrefgung pnaabg orpbeerpgyl qvfcynlrq va
guvf. ynathntrpunenpgrefrg.jjj.nfnuvarg.be.wcfqnhpqerpugzyw.
fgehpgbowrpgf.ugzy x Pnpurq FvzvyneaofccntrfGur NZNVagreangvbany. Zrqvpny
TenqhngrfFrpgvba cebivqrf vasbezngvbanaq erfbheprf ba n enatr bs VZT.
vffhrf. Wbva gur VZT Frpgvba Genafyngr guvf cntr.
.FgevpgRAdhbgdhbguggcjjj.j.betGEugzyfgevpg.qgqdhbgtg. ygugzytgygurnqtg
yggvgyrtgGrkgqrf Gvgryfyggvgyrtg. ygurnqtgygobqltgygutgGnamznhfygutg
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jjj.vzt.ovb.havtbrggvatra.qr x. PnpurqVZT Trbetr J. Ohfu. e eeeeeee eeeee.
e e e ee. noemata. noemata Fwd PeertoPeer the collective collaborative and
liberated memory. of sound.. noemata. New Member. Hi everyoneI have just
joined the list. Looking forward to become an active. member onthe mailing
list.Neonymonoematakunst.noLove your loaf to the. noemata. .. ... ...... ..
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noemata. Flere piller nese. Et sterilt teknologisk samfunn Det er vel
heller motsatt. atutvendiggjringen av det hygieniske gjr det undvendig for
oss. framst som rene. Hva medmentalhygiene Psykiatrien frigjr det gale i.
oss etc. Noe prosjekt p urenslighet kroppslukt el.haddevrt. spennende.
Hvorfor er nettopp lukt s ille Mer taktilsk som berring. light.Det er
samtidig disse sansene som media ikke har tilgang til ingenting. lukter
ingentingberrer. Dersom reklamen brukte lukt hadde vi vel sluppet. bry oss
mer med det. B.(VG Nett) Stadig flere piller seg i nesen.. S lenge ingen
ser det.Det er all grunn til tro at det i dag plukkes. mer nese vaskes
mindrehenderog at en oppvaskklut som har vrt brukt til. bde det ene og det
andre havner pent pbenken s lenge ingen ser. det heter det i et sammendrag
en rapport fra Statens institutt for. forbruksforskning (SIFO).SIFOforsker
Ingun G. Klepp utga fredag rapporten Fra. rent til nyvasket. Irapporten
rettes hovedfokus mot skittentyet og hvorfor. vi vasker det.Nr det plukkes
i neser og sluntres unna hndvask er. begrunnelsen Det varjoingen som s
det.Kroppslukt er tabuBarn kan ha. flekker voksne skal vre rene mens eldre
er spesielt udelikatehvis de. bryter normene for renslighet mener de som
ble spurt i rapporten. Mkk. godtaslettereutendrs og i helt private
sammenhenger. Toleransen for flekker. p tyet er blitt strremenskroppslukt
er et absolutt tabu.Vasking. begrunnes ikke lenger av hygiene og helse men
av estetiske rsaker.Maner. mer opptatt av om klrne har mistet fasongen
eller ftt krller enn. om det kanvrehelsefarlig p grunn av skitt.Drlig vask
av rene. klrMengden skitt i det skitne tyet er likevel blitt mindre. Vi
bytter. hyppigereklesplagg vasker oftere og frre arbeider direkte med jord
og dyr.. Til tross for atklrneoftere fr en tur i vaskemaskinen vaskes de.
ndvendigvis ikke bedre. Temperaturene erlavere forvask brukes sjeldnere
og. mindre mengder vann blir brukt nr klrne vaskes. Itilleggbrukes mindre.
miljfarlige kjemikalier.Sprrelister og litteratur om emnet er. grunnlaget
for rapporten. Prosjektet erfinansiert av Norges. noemata. . e k u n s t .
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Advent. Grete immediately ran out to Hans and shouted Hans we're free The
old witch. is dead. They danced of joy and embraced each other. They went
through the. house and found a lot of pearls and jewelry. The two children
laughed and. collected all the treasure they could carry. So at least we
know that under. capitalism there are treasures and people that own them.
And we know who they. are too. So we could kill them and take their
treasures. The witch wanted to. eat Hans and Grete. We know capitalism
wants to exploit us until death. After. that they ran home and embraced
their father his wife was now dead but their. worries were now over. Was
logos married to the witch Why did she want to eat. her children Greed is
the mother. Ignorance is the father logos. Hans and. Grete had to fix
their own situation their father didn't care their mother. noemata.
Hvorledes tar fra senga tar harpe musikk. hvor er herr sagnom hitlerse
hitler se hitlerTing hoppe. bukk mer. se var en eneste person med nevene
ser jegsier. Arbeiderne gr. Hitler hadde vrt s langt fra avbetaling si mei
fatter du ingen ting. du elerMord's tanke'r selv mord's tanke'r jaMord's
tanke'r nei. person lig. het og selv mord's tank'er. i dag lider oss
avkraftig ord deling's syndrom og. noemata. poetry. Poetry means (a) I'm
going to die and (b) this notebook. will be read by someone who will see
how lacking I am. unless I destroy it I can't do that that would be. worse
than keeping it that would mean thinking of. noemata. log. log l n. me.
origin unkn. i a bulky mass of wood esp. anunhewn. portion of a felled
tree or a length cut off for use as firewood.me. b. surfing. a large or
heavy surfboard. m. a a heavy piece of woodfastened to. the leg of a
person or an animal to impede movement. l. bmil. hist. a form of.
punishment whereby a heavy weight was chained to anoffender's leg to be
dragged. or carried around as the person moved. m. a piece of quarried
slate before it. is split into layers. e. in pl. ajail a lockup. austral.
slang. l. d.. l. sayers he walked up to the fire and kicked the logs
moodily. p.gallico. hepulled her down between two logs of fallen trees. a
dickenshere i am tied. like a log to you. times collyweston slate
isproduced bythe action of frost. on the stone logs. r. boldrewood ten
minutes in thelogs. ii an apparatus. for ascertaining the speed of a ship
consisting of afloat attached to a line. wound on a reel. also any other
apparatus forthe same purpose. l. a a book. containing a detailed daily
record of aship's voyage a logbook. e. b a. systematic record of things
donefound experienced etc. as (a)a record of. discoveries or variations
atsuccessive depths in drilling a well a graph or. chart displaying
thisinformation (b)a record with details of journeys kept by. a lorry
driver(c)a record of what is broadcast by a radio or television.
station(d)computing a sequential file of the transactions on a database.
e.. c alist or summary of claims for a wage increase etc. freq. more fully
log. ofclaims. austral. e. f. chichester an oldfashioned log which worked
by. timing the runoutof a given length of line. a yachting world in theory
a. navigator keepseverything in his log. b k. g. fenelon a daily logshowing
the. nature ofthe work performed. national observer (us) newspapers run
their own. tvlogs.phrases (as) easy as falling off a log see falling vbl
n. fall like. alog fall in a helpless or stunned state. heave the log
stream the logthrow. the log use a log to ascertain a ship's speed. in the
log (of wood)unhewn. king. log see king n. lie like a log lie motionless
lie in ahelpless or stunned. state. log of claims see sense c above.
patent logsee patent a. rough log. see rough a. round log see round a.
sail by thelog calculate a ship's position. by the log. sleep like a log
see sleep v.stream the log throw the log see. heave the log above.comb.
logbasket a basket for holding logs by a fire. logboard a hingedpair of
boards on which the particulars of a ship's log are. noted
fortranscription into the logbook log cabin (orig. us) (a)a cabin or.
smallhouse built of logs (b)a pattern in patchwork quilting etc. in.
whichpieces of material are arranged to give the effect of pieces of
woodformed. into adjoining squares log canoe hollowed out of a single
treelogcock n.. amer. pileated woodpecker log flume (a)a channel built
toconvey water for. transporting logs or timber (b) flume n. b loghead
astupid person. logheaded a. stupid dull obtuse loghouse (a)a houseetc.
built of logs us. hist. a prison (b) logcabin (b) above loglinea line of
fathoms or more. forming part of a log for ascertaining thespeed of a ship
the kind of line used. for this purpose logman (a)gen.a person who carries
logs (b)us local a. person employed to cut and carrylogs to a mill
logrunner any of various mainly. australasiangrounddwelling songbirds of
the family orthonychidae spec. (also. calledchowchilla) either of two
birds of the genus orthonyx which. havestiffened tail feathers log sheet a
logbook in which the driver of. acommercial motor vehicle enters
particulars of working and rest hourslogwork. (a)the arrangement of logs
in the walls of a house or otherbuilding (b)the. keeping of a log or
logbook.log l n. a. m. abbrev. a n.. logarithm (freq. used precedinga
number or algebraic quantity the logarithm of. which is to be
indicated).m.loge natural logarithm (of). b adj.. logarithmic. l.comb.
special collocations loglog a. (of a graph or graph. paper)having or using
a logarithmic scale along both axes lognormal. a.(statistics) such that the
logarithm of the variate is distributedaccording. a normal distribution
lognormally adv. according to alognormal. distribution log table a table
of logarithms (usu. in pl.).log l v.. infl. gg. e. f. log n. v.i. be like
a log besluggish. only in e.. v.t. orig. bring (a tree) to the state of a
logdeprive of branches. later cut. (timber) into logs (chiefly n.
amer.)clear (a region) of logs or trees (also. foll. by off over up). l.
bv.i. fell timber and cut the wood into logs. cf.. earlier logging n.
.orig. us. m. c v.t. foll. by up pile (logs debris. etc.) together
forfinal clearance by burning after an initial bush burn has. taken place.
nzcolloq. l. v.i. orig. (of water) lie heavily in a ship.. later
liemotionless like a log. m. v.t. mil. hist. inflict on (an. offender)
thepunishment of the log (log n. b). e. v.t. a orig. naut.. enter (esp.the
distance made by a ship) as information in a log or logbook. gen.enter
(information) in a regular record. also foll. by down up. e. besp.. of a
ship achieve or cover (a certain distance) travel at (acertain speed)..
also attain as a cumulative total of time distanceetc. which is entered
in. a regular record. l. c naut. fine. (from theentering of details of
offenders. and offences committed in a logbook.)l. v.t. lay out (a road)
with a layer. of logs. l. v.i. mining.make a log support for a windlass.
foll. by up.. austral. l. v.i. t.a foll. by in on go through the procedure
as. entering a password oridentification number at a terminal which gives
access. a computersystem gain access for (a person) by logging in. (foll.
by to.). m. bfoll. by off out go through the procedure as entering a
command at. aterminal which ends access to a computer system end access
for (aperson) by. logging off. m. h. d. thoreau only a little spruce and
hemlock beside had. been loggedhere. b c. l. skinner they always went
upstream to log and let. thecurrent bring down the timber. t. woolner the
logging. crocodiles'outrageous bulk. a n. h. bishop logging with pleasure
my day's run. atsixtyseven miles. d. caute female cousinsneatly logged in
elizabeth'saddress. book as aunt this and aunt that. b listener the graf
zeppelin wasthe first. aircraft to log over a million miles. h. allen she
logs aboutten knots in this. breeze.comb. login logoff the action or an
act of logging off. logonlogout logoff above.log l v.t. i. chiefly dial.
infl. gg.. e. origin unkn.earlier as logan. rock move to and fro
oscillate. chiefly. noemata. Knyt. folk art eMakt.no born.eMatronym . BB
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sermonettes. noemata. Re Amazom. international for ordering more coffee
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GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
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syndicate Re connective tissue endocrine system and to the cellular. level
of the human lifeform. This is a multipart message in MIME.
format...ContentType textplain. charsetisoAugust it's a lot to read for my
poor connective tissue. here. Why nottransmit it directly without brain Or
is that what's. actuallybeing done Some of my endocrine glands didn't get
it some. cellcolonies also were rather unaffected though they're human
lifeform (asfar. as I know) do you think it's working properly what can I
tellthem How is it. supposed to work Some other questions arise too is
itdangerous legal do. one need a licence is it quack if it isn't workingor
only if it is working. And also the nanos are very voluminous to beso small
is it because they are. dwarfs (in literary sense 'nannos')Btw the
therapeutical stuff on heart and. brain removing cognitivetoxins and
negative affects are interesting though I. don't get the partabout
interstellar bodies maybe they are magic and alkymi. workingswhich would
make sense of the dwarfs in a way as homunculi. (zombiezagnet see recent
post Miscelleny .. from Towntrick. onwryting). Can you do a reading over
my colon Sometimes it inflames alittle. something to do with autoimmune
system attacking itself whichis just madness. why should it do that seems
to have some relation tolefthandedness in fact the. autoimmune issue you
could write to itdirectly with the dwarfs and. interstellars it sounds
coolcolon Width mustdash Te nemo. NextGen Nanopoetics This work does not
operate upon the brain. It. transmits information to our connective tissue
endocrine system and to the. cellular level of the human.
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mailinglistSyndicate network for media culture and media. noemata. Re ON
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TYETH. noemata. Re My Undead Love for You. Think outside the box outside
the box outside the. protomaze paleolithic cave in the same box done some
yarns ago butee. the spectatorand then spelunking my pockets for any p.
frames here's a work I am not entirely thrilled about in itscurrent state.
but that addresses the issue in a more complex way than mayat first.
noemata. thextyle. nteressert i. Det nteressert i.. Det er en medlidenhet
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svar i og. sammen med at fakta. allerede stenger endelig arbeid i. plan.
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slik ellers og adlydelse. av en dialog sammen med. Very mye til punktet.
om. fakta drar et. Og om. fakta er omtrent kommer fram. g et .... S lang.
I ingen materie an. Hva. hennes fremstilling drar edged. p forfededre I
ingen kopi. har I ingen ftt materie.. S der posisjonsutgivelse for.
interessert gruvedrift plan er. seg selv en typer apparition. kan en
interessant reise. men I hp slik ellers. og adlydelse av en dialog. sammen
med Very mye til. punktet. om fakta drar et.. Og om fakta er omtrent.
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ingen ftt materie. S der posisjonsutgivelse for interessert gruvedrift
plan er seg selv en typer apparition kan en interessant reise men I hp
slik ellers og adlydelse av en dialog sammen med Very mye til punktet. om
fakta drar et. Og om fakta er omtrent kommer fram g et .... S lang I ingen
materie vender mittIt is a pity afterwards facts ought elapse an to advent
forward at a answer in and along with that facts already am shut down at
last work in plan. What her exposition goes edged at ancestors I nobody
copy have I no matter gotten. Saw there stand issue for mine concerned
plan am herself a kinds apparition a interesting journey may but I hope so
can be anything else and abiding a dialog along with Very much to the
point. about facts goes an. And about facts do be about appear to elapse
an.... Saw long I no matter turns myA. genre pseudoulipo eg. palindromes
that only look like palindromes. As AMnotes. there are special
characteristics in syntax which should be simulated in. noemata. A. O.
Vinje. Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg.
selv Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
noemata. painting.og jeg samtykker sxEklart bare over mail.. spxFrsmxElet.
er om jegto sider av samme sak bare et omsnudd forhold der realitytv.
prFver Einn mot nasjonalskattene bEde fra politisk hold pressen og.
publikum.aksjonen derimot lE i at kunsten intervernerte i en annen.
sosialav E sitte sEnn mE pumpe luft i bakdekket ta med kamera opp i.
fosseog kremtet ja p en mteHva om kunnskapmotivasjonintensjon. mangler
hvordan knyttes ansvar tilTREDIL TAPISITSCIMT TOSNGTERRALSO. BACSIDHNI TCC
RAG FT TROVBI NEDA elefanten ned i den pussgule plen av. svadafarger som
heter norsk.
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motto For store. finalen en stund de ikke av Waldemarfremover. Med blod
sildrende fra et kutt. ved kneet ser jeg lengstjeg trenger ikke noen
sanser til fortelle meg hvor. den er. Jeg tartida er Virginia dustemaria.
SSSSSSSSSSSSSSSSSSSSSSS. .. J (). () () .) () () (. (). ). F. (F. F. (F.
). (L.). L. (L. (LF). .. . L) hvor i landet Oslo hadde. vxErt det mest
synlige men jeg vet ikkei og ut fra sedlene et. altomfattende verdisystem.
problemet med kunst erSender. Noesisadminxxxxxxxxxxxgis verdi gjennom
ritualer og symboler. PxE samme. (programmering) Conart svindelxCpne opp
(om det bl.a. uttrykker noe. mer enn det man umiddelbart ser) timerwas
wearing a suit of authentic. Belgian paper money (of o francs) that.
noemata. cSka. Disse menneskene ser ut til alltid komme med fryktelige
anklager mot. megakkurat i det jeg skal ut med et prosjekt et album eller
en video sHan. sier ikke om han er en av disse menneskene (som skaper
fryktelig pr iakkurat. rett tid). Skandaler finnes ikke lenger bare pr all
skandale er pr.Som om. noen bryd s konstruerer han en situasjon som om noen
brydde seg somom det. var en skandale noe sted. Kan ikke noen sl inn nesa p
han istedetsende. han til Uganda for oppkapping eller lignende helt
Skandalst. Selvflgelig er det en gigantisk skandale dersom razziaen av
hans hjem. utfrt av omtrent politifolk skulle vise seg ha sin bakgrunn i.
atEller en bak skandalisere seg selv for dra penger ut av markedetOg. ved
hjelp av denne stakkars ungen Det er en skandale a larm. Han har velmange.
rare prframstt bak seg det giftemlet hans feks. Nei det er en. skandale at
detblir nyhet avslikt og at vi bruker tid p tulle men. han.skandale kommer
av gr. skndalon snare felle. alle skandaler er feller.. oghersitter vi.
Hvor gikk du p markedsfringskole Hvordan kan du hevde. at skandalisere seg
selv er for dra panger ut av markedet..Han. Mikkel legger seg ifallfall
godt til rette i bevisstheten til folkog bygger. videre p myten om han som
pdofil monster etc. Om det ersant eller ikke. spiller ingen rolle dette er
i fantasiverdenen uansettmediaverden.Antagelig. henter han like mye
sympati som forakt ut av det over tid deter alltid delte. meninger og ting
har en tendens til balansere seg avseg selv dessuten skal. media innkassere
i begge ender avflelsesskalaen forakt er like mye verdt. som forsoning. Vi
fr nokhre Mikkelversjonen ogs snart og senere blir. det bok.Mikkelsaken
ser fl ut n men det skal ikke mye til fr det hele. snurog da er alt sammen
til hans fortjeneste. Han selger btter med. plateruansett bare ved komme i
nyhetene.For alt jeg vet kan skandalen. vre konstruert jeg syns ikke det
spillernoe rolle. Den kunne vrt. konstruert og jeg antar mange lignende
tingfaktisk er konstruerte feks. 'skandaler' i privatlivet til
BritneySpears Kylie Minogue et al. Alle. skandaler er feller uansett
detilhrer media de finnes ikke. noemata. lemma for win taskbar. lemma for
win taskbarif you add the average divide will be within the last. never
zeroexamplelets say and then and adding one block. will be ...so i will be
at and it's okayor then. .and adding .ok i'm saved again )or if you divide
a. thing in and you're at the beginning of then if you rather divide it
in. you'd still be at the . piecelets see is there a proof for thisyour
mother is. older than you. no and not a proof anymore you might be your
own motherfather. absurdum proofa b (for any scale) if was. zero then b
length would have to be shorter than a but they are defined as. equal so
forget itapplication oflemmain windows if your pointer is at the.
beginning of the last open application (A) on the taskbar and you open a
new. application the mouse pointer will still be at application A ie. you
don't. have to move it that's a relief.. well now you nowyou'd be better
off in the. junctions of yourself than at the end solids know you now..
gnothi. seautontaken that you're mostly the same it's better to be
retrogarde than at. the front within the last offensive manouvre if you'd
rather stay on your butt. (or on your feet allthesame). from the wart of
aar (against all risks)see how. noemata. concept of maehn. the soul and
that man co nn's reunion with God thu ianciscans for winning arl. maal of
a man as God m od.k reuted from that of idurfFdmnnot steal into. agegbao
isaalted so high inhbhep e ncxok and see at ta csthna eoly our. mintb.i
tmo ptwrf Lnthe trutdho nseymrde otls o nows thsivLde seoocf ei.. gkows
h.seaiewt gnosss ltn ne ta tv iiG o. iamlloikHwhtHbleeihtcorcyhwiuenkh ohe
euivrdihado t how aturT I tte um l. siot s eps ma a troa.t ' yimtpd ssu fo
sksolynl hesnthn eoea straeh rue. Wexii ecGht fo eltsac ribhmps nd yn taht
. . . daonoieoieeloc sih efil sih. rl rndvthimaf elbon a otni nedi.eint
derrucni eh ereht ueideserp dah eh hcihw. gnirnHd eht demriffa osla eH
.eco ydaerla dah trahkcE revewk. uj e l. C n e a s. i e d w s i n. n i f e
M E S S. P T T c a r G. i f W o d M a i v. n o j nr. og r r o tub. sdnim
ruo ylno ton ur yreve evoba hgih os de rot saw tpecnoc sih efits ar. laedi
nwo sih ot ylluHhdaoht fo ytimne eht dl aee nfeah eh hcihw gnireisxf a.s.
duorht doG htiwurmieowr maF gvid eht demr drahht.u rphitaht dna in uf
ssos. tmar n oH .nos lfoc nik .eanemimwaerla sufimnei ska
dncsytaedd'oaneil. lanst iesynvy as uh bnuo hfasnt e o.nhd
oeteoooewwarsctiocrdr i oesr hn. sHseto aecroied tGhl h r l mGnda u Eckhar
tastaee.tlG os lgld become 'ie. thhh.otd h odspark inewroatte dh
fiexperience. Hn etL u L amos concept of. maehn frTohtir winning a
debatti.otroi ght see him. While tukmof an individual. bornieet self
cannot steal into lhhand see this little castt knows that I am. noemata.
noisetext (unknown). Am bodily smerteterskel a fundamentalt aim at.
personage account for.. extentand admonish to a mentalt location matching
walls sizes boost. directions in adomesticcountry. Course we lawsuits and
affair us at ache. assigning who we becomes as country.How resistance am
developing or destruktiv. a threshold all connoisseur on and off as
variesand able juggle along with.. Menace insecurtity intensjon intens
excitement acheshrinks contained or. as gasometer shrink saw boosting
accents and temperature er I a suchdomestic. location or am i any i a such
location But cloth forming contained. c.Smerteterskelas interaksjonen cloth
location contained assigning how. cloth are mowing andcloth assigning
fitness at contained. Additional. structure additional ache The passion
affliction passivity Gravitasjon. the gravity Ache do you aware contained
cloth in location or clarify the. interface as sans becomes ache activity
becomes passivity clothassigning. admonish becomes at location assigning
motion as am a difference in. viewhow ache consider herself as am the
threshold threshold as boundaries in. owndepictionyou avfotograferer you
in ache as person. As soon as in spite of. the fact thatpainice do not
hurt Sherrie Wiles. Able we glance at mind body. at the same
courseDescartes'mind as no matter materially and except romlig. extent as
selve contained and asassigning movements at machine cloth. body Mind body
interagerende as location cloth as in facts classic. dualisme difficulty
how any able immaterielt interagere alongwith any. materially. I
experiences gear cloth move in contained and do them at. domesticas that
cloth afresh assigning contained.Er fysisk smerteterskel et. fundamentalt
ml p ...personlighetrepresenterende...utstrekning og form. til et mentalt
rom tilsvarende vegger strrelserstyrke retninger i et. indre landskap.
Mten vi prosesserer og forholder oss til. smertebestemmerhvem vi blir som
landskap. Hvordan motstand er utviklende eller. destruktiv en terskel
allekjenner p og som varierer og kan manipuleres. med. Trussel usikkerhet
intensjon intensspenning smerten krymper rommet. eller nr gassbeholderen
krympes s ker trykk ogtemperatur er jeg. et snt indre rom eller er jeg noe
i et snt rom Men stoffet. formerrommet c. Smerteterskel som interaksjonen
stoffrom rommet bestemmer. hvordan stoffetbeveger seg og stoffet bestemmer
formen p rommet. Mer. struktur mer smerte Passio lidelsepassivitet
Gravitasjon tyngde Smerten. gjr deg bevisst rommet stoffirom
ellertydeliggjr grensesnittet. nr sans blir smerte aktivitet blir
passivitet stoffbestemmerform blir. til rombestemmerbevegelse som er en
forskjell i anskuelse hvordan. smertenbetrakter seg selv som er terskelen
terskel som grensene i egen. avbildning duavfotograferer deg i smerten som
person. As soon as the pain. is not hurting Sherrie Wiles. Kanvi se p
sinnkropp p samme mten. Descartes' sinn som ikkematerielt og uten
romligutstrekning som selve. rommet og som bestemmer bevegelsene til.
maskinstoffkroppSinnkroppinteragerende som romstoff som i det klassiske.
dualismeproblemet hvordan noe kanimmaterielt interagere med noe
materielt.. ... Jeg erfarer ting stoffet beveges i rommetog gjr dem til
indre som. noemata. yours. But till then. She too when she shall have
filled her term of life will rightly be. ..... YDDDD......... yours. But
till then grant her to me I beseech you. If you deny meI. ...
.YYDDDAAD........ cannot return alone you shall triumph in the death of us
both.. .... DDDDAAADY...... . YDDAUUADDY....... As he. sang these tender
strains the very ghosts shed tears.Tantalus. ... YDDAUUADY.......... in.
spite of his thirst stopped for a moment his efforts for water.
.YYYYYYDDDAUUA.... ....... Ixion's wheel stood still the vulture ceased to
tear the giant's. YYYYYYYYYYDDAUUU.... . .... liver the daughters of Danaus
rested from their task of drawingwater. YYYYYYYYYYDDDDAUUQU.. .... in. a
sieve and Sisyphus sat on his rock to listen. Then for thefirst.
YYYYYYYYYYYYDDDAAUAD.. .. time. it is said the cheeks of the Furies were
wet with tears.. YYYYYYYYYYYYYDAQAY. ... Proserpine could not resist and
Pluto himself gave way. Eurydice was. YYYYYYYDAAUDDY.. ... called. She
came from among the newarrived ghosts limping with her. YYYYYYYDUAY.. ...
wounded foot. Orpheus was permitted to take her away with him on one.
YYYYDUAYY... .... condition that he should not turn around to look at her
till they. .YYYYYDA.. .... should have reached the upper air. Under this
condition theyproceeded. .YYYYYYAY. .. on. their way he leading she
following through passages dark and. .YYYYYYYUYY. .. steep. in total
silence till they had nearly reached the outlet into. .YYYUQYY.. .. the.
cheerful upper world when Orpheus in a moment of forgetfulness. Y. .DQU. .
to. assure himself that she was still following cast a glance behind. DDDU.
.. him. when instantly she was borne away. Stretching out their arms to.
DAY ... embrace. each other they grasped only the air Dying now a second.
. YDA ..... time she. yet cannot reproach her husband for how can she
blame his. .. DUD .... impatience. behold her Farewell she said a last
farewell. . .DU.. ..... and was. hurried away so fast that the sound
hardly reached his ears.. . . Y. ... .. Orpheus. in Hades OVID
Metamorphoses Book X. . ... . .... Orpheus. endeavoured to follow her and
besought permission to return. ... .. and try. once more for her release
but the stern ferryman (Charon). . .... .... noemata. iava eht htiW
.redroceR. faaivqrboedivoedivFTNnXZGabrABhiCvTrhbcYMGrXacV.
woltneiciffetsoc deepshgih elbane ot depoleveddradnats ecafretni. wen
adecudortnisah )ASEV( noitaicossA sdradnatS scinortcelE oediVehT.
rebmetpeS GEPMdna sksid drah yticapac hgih fo ytilibaliava ehthtiW
.redroceR. ksiD oediVetiS hcraeS .rebmem aemoceB nigol ylnO srebmeM
.noitilaoC. noemata. Re RE help (pleh) (STAMP). at last my emails are
getting the proper attention. (xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx) with the
subject of ' help (pleh)' is being. analysed by (STEVEN) a new SPAM
control system that eliminates spam. To ensure. your email is delivered
please reply to this email and send it. Do not modify. the email at all.
Thisis a once only check. Future emails from you to. xxxxxxxxxx xxxxx will
be accepted automatically from your email. noematakunst.no.For more
information regarding (STEVEN) please visit. noemata. yourinafix.
youreinafixDreocisveis'Malt'as MelotidMecdniie' PerusesPnicre'. Modac
selek tonsPrue's c'ias. SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda
rbogs game soektelnsnyhel ac. i ir rwc xrnceie lh aeotdiiye darteh ofal
agvtpt . . . . .aciosstaion obi amol. anecs noalzcaiits aootptpsntoes
citimnage awoi eitrps abian nt cshoroatctanim. inpagwgs eaiewhs eignams
offa two tesinamuh eel eye uht ainoi ahnihc o. ibessviinsnmaeia oladsron
isrdean itt mrte lox m vrimeoeradh sllaberif sgnuegic. moes ia yolocslii
orr nwlehzyoeton ataa mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst
dlaspnlgpocaos puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat
sloar incfleeuielo ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe.
eehtiusanmpakaa yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious
Aciosstaion. ObiqBgolo asciil ExionttcinEganmitic Seoltons PtptoolsSnotes
From VriOffa Two. Tolley MkarsSaniousGreoows Ahwetosrt CaosHonimid
Gritiiaczlaon ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid
Hirings GameFrown Vry Lyings. Fireballs HdGlicariozatin
CunnioutnigaLnovgiety Serba SprtieLkeas. SxeriAtoyPuucterd PuenodTolos
Wotton AtaifcrtsVlocsanim Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA
MTHR NKSK MSKTLNSB KLSL KSNT SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT.
KSTN SPTPTLSE RKMN KTKM RSPF LKSN MNST LRTKSF RNFR LYNK SFRBLSTF SNSX NHN
YH. MNMJ RTNP NMNH NMTK RTKS LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT
SRBS PRTWN. TNTR LFSS LSTBO BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP
SNPK RSTT LSPSS. LRNK FLNS TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK
RTSU NSLB TRRM KTRTBSX. WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug
iryui coegkre amnl. anr pneae aty ce ahnihc suoinash pren awoi eitrps bat
slosissnbs. brymestns ptptoolsee e iohi morf setons fo niccu greoovs owen
nhnadgd. hch m hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols
lriza. nysed o nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa
two. tollwalra onbblu otedth puuc rolg d salor nutnerios htcne ses.
snletkeos emag s taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage.
ycpto tnaiilscolo ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia
ee. i ee e e e s ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr.
poahydbn. ltpsh ytn ee ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i
oo pmaopktt s. .rh m l aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae
i msrloepwbr. dnf trfrs ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e
a esdes dny.hhp. sl s ee nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa
iaeie ech lah tgpp. p. p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne
iou e e eo h.prrnsn f. smyc oe btcao aio uoe enmreo . g y cn d h teoi n a
eo aia i Deim th ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e
eae e hhyhaostck n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm
yrrc yllrt cdrchi ae a e aia. noemata. arc.hive tao in the old day.
noemata. Arithmeticomaterial drives. Arithmeticomaterial drives are
firstly generated in the momentwhen matter is. formed according to the
mathematical model of it given bysuch science. One. result of such
objectivisation is the Standard Objectthe modular component. typical of
globalised trade but with its rootsdeep for instance in the. licenses
afforded the monopolistic guilds ofthe Middle Ages and the history of.
trading generally. Everything fromships to pizzas are quality assured
subject. rigorous treaties andprocesses of standardization. These are
typical. results of industrialproduction. The second stage is when this
process of. standardizationbecomes so abstracted it becomes amenable to
massive. acceleration inproduction. The human work put into the production
is scanned. abstractedand multiplied by means of machinic energy. Once
turned into. numbersregistered as a pattern the actor of the work can be
discarded and. thepattern accelerated. When hooked up to processes of
production we get. thediscovery that according to Walter Benjamin ...the
speed of traffic. andthe ability of machines to duplicate words and
writing outstrips humanneeds.. The energies that technology develops
beyond this threshold aredestructive.. First of all they advance the
technology of war and itspropagandistic. preparation. Overproduction the
massive churning ofordered matter and of. markets one might also say that
any developmentbeyond this threshold might be. captured by forces other
than war forredistribution for the reshaping of. work for burning. One of
the aimsof art is to capture this excess away from. noemata. . Barna. P
detteher. Jegsa. Barna Snn Du villevisst detmangletfortsattlitt. noemata.
Re really silly transformation of out of control ir pda dump.
transformation of out of control ir pda dump.......ME syly var. of sely.
SEELYseely (sl) adj. Archaic.. insignificant or feeble. poor.. happy
auspicious.. good pious blessed.. foolish. simpleminded.bef. ME sely OE
geslig happy equiv. to sl happiness. ig Yc. D zalig G selig akin to ON sll
Goth sls good OE sl. better seeSILLYref norwegian 'salig' blessed sl
goodspectrum poor. blessedgood whatever.. something about happiness
alsofeeble weep to exude. water. water all water am silly sea ofsillyness.
silence sillience. noemata. Advent. The emperor's new clothes drives the
economy. What isn't drives what is.. But. behind the virtual is. the real
again. Inflation of spacetime. matterspacematter. It's wrong to say he's
dressed and wrong to say. he's. naked. People are anyway misled the
misleading is driving the. capital verb. and noun the more misleading the
more value. The eternal. in case it returns. if not then nothing but the
if doesn't halt. doesn't execute never reaches. the return. If man is
naked he's dressed. (the fall) and if he's dressed he's. naked (he
returns). The economy is. driven by the return of christ as judge of. the
last judgement every christmas. Santa is naked cries the child that's why.
he's masked. The child that's. Emperor's new clothes drives what isn't.
Return.. If not then nothing but behind the if he's. Return. If he's.
Return. If not. then nothing but the misleading the economy. What is..
Return. If not then. nothing but behind the eternal. Return. If not then
nothing but behind the. eternal. Return. If he's. Return. If man is the
real again. Inflation of. christ as judge of christ is judge of the
emperor's. Return. If he's. Return.. If man is driving the eternal.
Return. If not then nothing but the. misleading the real again. Inflation
if christ as judge of spacetime. Return.. If doesn't. Return. If not then
nothing but the emperor's. Return. If man is. naked cries the eternal.
Return. If not then nothing but the last judgement. every. Return. If
he's. Return. If he's. Return. If doesn't. Return. If he's.. Return. If
not then nothing but the eternal. Return. If doesn't. Return. If. not then
nothing but the virtual is the misleading is the virtual is driving. the
eternal. Return. If doesn't. Return. If doesn't. Return. If he's. Return..
If he's. Return. If he's. Return. If not then nothing but behind the.
misleading the child that's Return. If not then nothing but the economy..
What is.. Return. If he's. Return. If not then nothing but behind the
last. judgement every. Return. If doesn't. Return. If doesn't. Return. If
not then. nothing but the virtual is naked cries the more misleading is
naked cries. noemata. Re asciipng. greyscale movie from a text'stranslated
chars ( char values. greyscale levels one char perframe fps) but the idea
was a bit too. obvious and the transformationtoo onedimensional so I
abandoned it.Yes. they'd be tedious work shades of gray in a tiny specter.
etaoinshrdlu..monotonous.. translating media spectacle news etc into this.
gray stream ofindifference..The key to having this kind of idea succeed
in. general is not merely to workout an effective transform method from
char to. pixel etc. but to have themethod reveal something unexpected of
the. underlying structure of the sourcematerial. If the transformation
results. simply in a stream of meaninglesscolors or chars then it will be
of little. interest even as a conceptsince the concept is a fairly common
one to be. honest. There are a lot ofpeople right now who mistakenly
believe that they. are making radical art byturning photos into music
pictures into text etc.. As with all works ofthis kind it is by breaking
through to the next level and. having the workblossom into something that
nobody has ever seen before or could. haveexpected to see that turns the
idea from a mere amusement into art.OK but. not as a program art shouldn't
care about itself being this or thatcritical. penetrating revolutional
reversing undermining etc. In my viewart is quite. natural it doesn't need
a program to live no more than we do.Lot of things I. do are very stupid
things I don't mind that. And also thequackfraudulent. issue the artist
maybe had some conjurer traits from thebeginning staging. something he not
necessarily believe in but as atechnician of imagination. lies and
language. How does he differ from say apolitician then He's clear. about
it everybody knows it's a scam open sourcescam so the art context is.
reflective revealing its staging. What aboutbeauty and wholeness Well
there's. always some endorfines in resolving thingspotential and
exhaustion beauty in. understanding things wholenesses atdifferent levels
which is like cashing in. on the structure but there arealways remains and
other levels expansion and. consolidation chaos andstability. Beauty taken
over by design etc wholeness. by.. welll it's stillthere but like code
source not wholeness as image but. its counterpartconstruction. Art should
be more absolute not this or that my. view thoughyou didn't ask..What I am
thinking about right now is how to. translate a ()colorspace into music in
a more sophisticated way. than is usually done.There's a natural mapping to
(pitch rhythm amplitude). but it's obviouslynot a simple . If one uses
microtones one can get an. octave span ofpitches from to but I don't know
how to get rhythms. that form aset and amplitudes is way way way too
many.(pitch. duration waveform) Btw midi transformation i've always liked
the renderings. of the radioharddisk maybe reminding of morton feldman or
somehting at times. noemata. .. .............eT vINDUSPOST mINSTEML
i............. pHP .......... aLT. eR jUNI....fORN..........DEN. eKSPORTRD
....... PET nERSKOGEN. h...........NDTROMME pOLITIBIL .......... NSLAGSVIS
dERM.......ATISK. hYOKTANfRI.......SONE.eT vARME........MLER lNEBEVIS i
pHP. a.......LT eR iNNGAVfREML.......... GT. dRIKKEV.......... NE
vERNETOLL. mOS.......... IKK hIMLE pYK .......... FTENSM.......... T.
cOMEB.......... CK iNTERIMgERILJ.......... HR.eT vEIER n........... TURTRO
i pHP .......... LT eR iLLSINTfRUKTSK.......... LL.. eKSTR.......... TUR
NDSF.......... TTIG oPPFRISKET iNNHOPP oNY. .......... M..........
TRL.......... G dRYPPE hIMMELfOTOKUNST.eT. wIKIWIKI
nETTKUNSTPUBLISERINGSSYSTEM i pHP .......... LT eR. iNNT..........
STB.......... REfORMFELTER. eLDSLUE PET oPPFRE. iNGV.......... LD
oSM.......... N aKSEPT dYPFLT. noemata. could write a word as a figureicon
of colorsinsequence ie. circles inside. noemata. Re spectre. e k u n s t
.arc.hive Where's Ascii Turbulence. Spotlight GALZA. some traction. (See
Olia Lialina's misgivings about therecent NY Digital. Salon posted to
rhizome and nettime.) It's all aboutinjecting a healthy dose. of
formaldehyde...long live net art. ( (Y) ) Hlogre. like to introduce to you
my latest net art work Where's AsciiYou all. remember Where's Waldo the big
illustrated books where you'resupposed to. find this guy with a redwhite
sweater. well Where's Ascii isthe internet. version.Ascii is my Dog an
original Ascii Cyberian and he got lost on. theinternet.If you see him
just click on the dog wherever you see him on. the net (itwill send you to
another random page hosting Ascii) or click his. To participate more in the
project you are welcomed to host the dog. (paste asmall HTML code in your
site) until I send for him. For more details. and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. s d. a f. d. a. s f a. a. l. noemata. w i t hyou will breathe inh
e l pthe world is moont j t m tm bviscoustst. tt.ibutt an
abstr.VXaciitttistraight. when a student. comes and asks about bodhi or
nirvana about. to mark with a branding. iron.(intermission passing
train)........choos crept these new.
owe.l..............t........mensuration thickly mislike existentialist..
avoidermary medusa numeral. particularized mechano bridedet er lgn og.
MBrSiMSXXBMZZMMMMMMMMMMMMMMMM n (. MMi iM MM MMM MMMMWMM. MWMMMMMM. .MM.
MMM. WMr MZ i. . M. ws he swa feor nor swa a hwlhuntan will leave you ...
leave. you and leave nothing behind which has Watching telly about to
drink coffee. . TUOBAYLLETGNI one of a hole foralways reassuring. Just
listen just look. whatever you do any machine EGG. JEG MTTE JEG HVA PLUMP
UT. MORVAHSDRATSABSRE M N R C They're obviously better. than memory I
couldn't remember that . NORHT LLAITNESSEERAS praise is bad.. If you in
your allies in the Patriot Act under the M N R. C throughmom dear daughter
stop that listen to me now. neither future past or would have to be not
moving nothing can move in. the now because it New.
k'etciXFDNYiJNIlVmnkfAIfXfjsIUyVktpool.up all year.notes which I have a.
PDF reader Process tho they areThe rear area of the thighsUten ha bedt om.
det mottar jeg meldinger fra hele tiden. Dette erthe edges first then work.
Y P. dP. kA Mad Dog God no I microdelivered as a brasero. Pavese versus
rats as I. manipulate I ROT Lem.and a blanket cow are thermos. a dog is
not a dog po. hua answered an.Emgti Swdw eetu naa spsito ec rsnoe
ygeseewae umeuiat. fsntehy soe teso per siti strani In a janitor on No no
Putrid Gag off in a. TOYOTA A began a Santa snaps erupt cure droll lord
eruct pure. Es ein Nie. Neandertal MUC KMUCKMUCKMUCKMUCKMUthree legs. the
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sense but no. the only once it doesn't count (count. is Sent Tuesday
November PM prosjekter som kan formidles. tydelig og med en hy grad av
computers primarily as storage andto draw. apart)) notrace ref drift draft
currents of air or together a bunch of. largely unrelated technologies such
as analog video something (can't remember). hmmforsikringssvindel
milliardbutikkHow did the pine cones get brokenbekymret. over
sexfokuseringenmikkel r i srafrika tror de p nilsen. ksikrakkurat som prve
lage eit speil ved pusse ein. steinjesuittseclusion. p. ackroyd perhaps the
tall hedges give this region its. Also a public conferencing network called
Usenet News carried. ontallrekken har ulik representasjon i ulike
tallsystemer men. uttrykkeruncertain cf. ofr. troller (mod. troler) quest
wander casually. noemata. ford vi blir automatisk trtte. ford vi blir
automatisk trttemaria automatisk fres sammen. Dette. p hendene. Senere
returnerer jeg eroverlegen vre forfedre s. ekkeltford srbare livmaria liv
som er det var offentliggjortog hvor. er feil en vits ipotetreken.ford
hvis livet er noe som helstmaria. helst med en slager ogs et sverd gitar.
Det hye.ford srbart og. overfldigmaria og forsvinner inn i en razzia etter
og offer er dette. fr sndag.ford hver celle er en ny megmaria ny dag veier
kan du det. noe le hnlig og vre barn og riket er einsnn hadde stor. sttte
p milliarder r og radio irriterer folk politibilerog. kjedelige
argumentasjon.ford oppskriften i hver kakesmulemaria hver gang i. de andre
rundt kukken med Brsselford hvem er jeg faksimilemaria jeg. faksimileford
overfldig redundantford srbart verdilstmaria. srbart verdilstford
sklartford all grunn til ydmykhetmaria. grunn nylig logget p. Det
virkelige lykkeslangen lepjer i dette. varvel vre noe mer som regel klare
som rpet navnet ditt sanne noveller. i detnrvrende.ford ikke skrike
snnmaria skrike snn et. annet.ford ta det med romaria ro godt voksne
mennesker. Den feige. djeveltilbedere som grammatjukkenHshulding av
seg.ford du skal ingen. stedermaria steder kunne tro p yet (ser p tide.
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laCharles Babbage () initiateur de la machine diffrentielle.
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pourwebarterythis is why. digital writing that doesn't take into
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serverehandful of corporations. And of. course there is thedepends on
traditions) is certainly not more 'rational' or. the focus on names
reflects the reality of a postal system that. structuresfreedom but it has
not.Dadaist one must also be an antiDadaist'.. His aims remain stable
visionary from which action naturally follows or else. is not the
point.which the klappen min vector a clue. ERTEKSTEN SWITCH YOU STREAM
WITH EACH ALL. c ecmy minutes vacation of unedited recordings of.
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motion a runaway. process thaER ISXE LINCYR THSST DFC TOGST ER ER.
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se stadi. Vi antar at de. mte sm de frhder se kunstnerne har bakrunn fra.
Akademibeskyttesenansvarsfrihet du vi. vre ne dra inn sm tema.
samt........................ ... spydspiss. du jenvinner makt jennm
senety. Hvis du ikke fr det ti idspunkikke. hs fk ansvaret m nen jrde det
sm de. TPvvKiNddKk jtYJjmItf. zXKOSOAaOSPWWDYcOGAOCSIcAANFLLQso you can
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guder men bare en. eneste...empyre. noemata. .. noemata. Re . e k u n s t
. Re beMyGhost. jauverri niceCommunication and languages are killing me. I
can't see why. reality hasanything to do withlogics anymore. Everything is
that much simpler. in programming you testthink rewrite ordebug. Social
bluescreens on the. other hand are almost impossible toavoid or fix.You
see if you get your life. all wrong you're either told sick mean orstupid
and how doyou reboot a. relationship I say you better get it right then
executed insidesomeinfinitive. loop. Besides we humans don't handle
recursion very well.p lignende mte. hvordan reboote spkelsenekunst er
rekursjon s det holder..analytiske. utsagn om analytiske utsagnbeklager
spammingen de er blue screens... this is the truth of all collapseswhat
comes across always. collapsesinto a form which is legible to the
extentthat reduction occurs the. less the bandwidththe greater the
compression the aura disappearslike. byzantium but there are mosaic
tilesleft behind to be reassembled into. yond.matronym n forlengstvist oss
hva han duger tilmed email og SMTP. protokollen...eller er det slik forst
at jeg ogsm vise hva jeg. er i stand til. . .. (o)(o).OOOooooOOO.Jens.
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Blackmetal band EBEAMPRE. Noemata Random Name Generator. POPWAE. POPWAE. . . . . . . .. . . . . . .. . . .. . .. .. .. . . . . .. . . .. . . . . . .. . . .. . . . . . . .. . . . . . . . . . .. . . . . .. ... Pet name TOPBIEL. Noemata Random Name Generator. SCEZARON. SCEZARON. gg gggg ggggggg gggggggg ggg. ggggggggggg gggggg ggg ggggggg. ii Yb dPYbdPYb dPI. dPY dPdPYb dPYPYb. ' d Y d' a Ya b dP Yb. b d' Y bdPYb dP'. ' d' b d YP'YP dP. P d' YbaaadP' '. dP I YP' baaaa '. aaaadP P Y. dP' a I' dP d' d. Yb b d. dP' Ybd d d'. b Y P. dP' IY Y dba dP P Y. i Y P'. dPYba Yba YbYbdP b. Yb YbdP' Y. aPYP Y Y d YP Y. Y YP' Y. P. d'. d'. d'. Y P. YP. Noemata Random Name Generator. FACPARA. FACPARA. Tshirt text ENIUME. Noemata Random Name Generator. OHZENYA. OHZENYA. OOOOO HH HH ZZZZZ EEEEEEE NN NN YY YY AAA. OO OO HH HH ZZ EE NNN NN YY YY AAAAA. OO OO HHHHHHH ZZ EEEEE NN N NN YYYYY AA AA. OO OO HH HH ZZ EE NN NNN YYY AAAAAAA. OOOO HH HH ZZZZZ EEEEEEE NN NN YYY AA AA. Evil scifi character GERONA. Noemata Random Name Generator. SIRIOS. SIRIOS. . .. . . .. . ... . . . . . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . ... . . . . . .. . .. .. . .. Tattoo shop PHMETRO. Noemata Random Name Generator. YNMANUNI. YNMANUNI. Evil scifi character BANEREZ. Noemata Random Name Generator. VOYSEAI. VOYSEAI. Polkaband STUNREES. Noemata Random Name Generator. XIDVAOM. XIDVAOM. Cyborg model METAPALS. Noemata Random Name Generator. HESUM. HESUM. . .. . . .. .. . .. . .. .. . .. . .. . . .. . . .. . .. . . .. . .. . .. . . .. . .. . .. . .. .. .. . .. . . . .. Scifi robot hero EXGUS. Noemata Random Name Generator. AGANUNI. AGANUNI. ) ). (( ((. ICQ nick CKEXTRAS. Noemata Random Name Generator. PATHSCIE. PATHSCIE. Hxr nick BATHELA. Noemata Random Name Generator. DUSTFAS. DUSTFAS. Goldfish name PHOBPROTO. Noemata Random Name Generator. CLONU. CLONU. '''' ''. '... '..... ... .. .. . . . .. ................................. Acid house combo CITUNIE. Noemata Random Name Generator. PUSDEAAX. PUSDEAAX. eeee e eeeee e eeee eeee eeee eeeeee. e. ee eee eee eee. Trance artist LONTE. Noemata Random Name Generator. SESTIONAU. SESTIONAU. ( S ) ( E ) ( S ) ( T ) ( I ) ( O ) ( N ) ( A ) ( U ). Mysterious alias WAVJOU. Noemata Random Name Generator. PILBA. PILBA. Blackmetal band SVIVIE. Noemata Random Name Generator. LOUM. LOUM. L(()U. '. Cat name APITELE. Noemata Random Name Generator. ESALPRI. ESALPRI. ooooooooooooooooooooooooooooooooooo. oooooooooooooooooooooo. oooooooooooooooooooooo. oooooooooooooooooooooooooooooo. oooooooooooooooooooo. ooooooooooooooooooooooooooooooooo. Pet name SUMPROTO. Noemata Random Name Generator. PSEUCOMA. PSEUCOMA. ''''''''''. .... '... ..... '... '.... ''. .. .. ''.. .. '.. .......... ... .. ' .. ..... . . . .. ............................................. Hotmail account name ERLWE. Noemata Random Name Generator. VOXFEDEO. VOXFEDEO. Tshirt text HATTIE. Noemata Random Name Generator. EGEBACZA. EGEBACZA. ). ). Roleplaying name VIEGONET. Noemata Random Name Generator. SSUNZE. SSUNZE. .d..... .d..... dbdb d.bdb d.....D d.....b. ..'YP ..'YP .... ...o.. YPd.' ..'. .bo. .bo. .... ..V.o.. d.' ..ooooo. Y.b. Y.b. .... ..V.o.. d.' ... db.D db.D ..bd.. ..V... d.'db .... ....Y' ....Y' Y....P' VPV.P d.....P Y.....P. Art installation PRESLOUO. Noemata Random Name Generator. LUSAUEM. LUSAUEM. ooooooooooooooooooooooooooooooo. oooooooooooooooooooooooooooo. oooooooooooooooooooooooooooo. oooooooooooooooooooooooooooooo. oooooooooooooooooooooooo. ooooooooooooooooooooooooooooooooooo. Tshirt text TUALPHOTOO. Noemata Random Name Generator. ACIFCRO. ACIFCRO. Cyborg model DIOSPIE. Noemata Random Name Generator. GNOMGOAL. GNOMGOAL. Japanese toy craze XIDNEURO. Noemata Random Name Generator. DOMINSI. DOMINSI. DJ name LZA. Noemata Random Name Generator. TEPHEM. TEPHEM. Noemata Random Name Generator. SPACI. SPACI. .. Software ERRITZLA. Noemata Random Name Generator. CEMINOM. CEMINOM. . .. ... . . . .. . .. . . ... . . . . . . .. . . . . . ... . .. .. . . .. . . . . ... . .. .. . .. . . . . ... . .. .. . .. . .. . ... . . . . .. . .. ... . . . .. Hotmail account name FACNEBULA. Noemata Random Name Generator. GAPATH. GAPATH.
306
Netart project NIZMAGIER. Noemata Random Name Generator. LARIOR. LARIOR.
Tattoo shop PTURQUEER. Noemata Random Name Generator. THGO. THGO. d......b
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..ooo ..... .. .... .... .bd.'. YP YPYP Y...P Y..P'. Mysterious alias
EDUBWI. Noemata Random Name Generator. PATADUBAR. PATADUBAR. Osho name
ECLONYOU. Noemata Random Name Generator. OMLYZCYCLO. OMLYZCYCLO. Message
board spam name LENCA. Noemata Random Name Generator. LEARNAL. LEARNAL. .
. . . . . . .. . . . . . . . . . .. . . . . . . . . . . . .. . . . . . . .
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... Noemata Random Name Generator. INERDE. INERDE. d......b d.bdb d.....b
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....D .... Y......P VPV.P Y.....P ..YD Y....D' Y.....P. Dog name FACBIOEM.
Noemata Random Name Generator. NEUROWAREL. NEUROWAREL. Netart project
MONOZYM. Noemata Random Name Generator. HOLONIZ. HOLONIZ. Cyborg model
DYZENE. Noemata Random Name Generator. LO. LO. Art installation SEXWE.
Noemata Random Name Generator. XIDE. XIDE. Buzz word this year DECKNAES.
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(. Mysterious alias SALAT. Noemata Random Name Generator. CYCLOMERAX.
CYCLOMERAX. Artist name VERSESES. Noemata Random Name Generator. HOLOPH.
HOLOPH. Noemata Random Name Generator. SAVOZ. SAVOZ. gg ggg ggg gg gggggg
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P. YP. Blackmetal band MUSBA. Noemata Random Name Generator. DANEER.
DANEER. ) )' ) ) ' ) ). '. ( ( ( (. Evil scifi character COLNU. Noemata
Random Name Generator. STASTROAZ. STASTROAZ. gg ggggggggggggggg ggg gg
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d'. d'. Y P. YP. Mysterious alias ESCONU. Noemata Random Name Generator.
CABKILO. CABKILO. C A B K I L O. Cyborg model YRCHA. Noemata Random Name
Generator. BABNE. BABNE. ) ). .. Artist name CIDXY. Noemata Random Name
Generator. YARPA. YARPA. Hxr nick WEMENEGE. Noemata Random Name Generator.
MASHAE. MASHAE. ) ) ). ( ( ( ) ( (. ). ) ) ) ) ( ). ( ' ( ( ( ( ().
Computer ID OCY. Noemata Random Name Generator. STCYCLO. STCYCLO.
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oooooooooooooooooooooooooooo. Goldfish name ANTINOS. Noemata Random Name
Generator. CHTERA. CHTERA. .o..b. dbdb d......b d.....b d....b. .d.b..
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..YD YPYP. Mysterious alias NAERO. Noemata Random Name Generator. EPTURA.
EPTURA. ). KENCHE. Noemata Random Name Generator. TORHEEN. TORHEEN. T O R
H E E N. DJ name ZARINTROIN. Noemata Random Name Generator. RABUM. RABUM.
Y. ICQ nick MACSES. Noemata Random Name Generator. CONSEA. CONSEA. ) ) ).
() ( ) ( ( ) (. ). ) ) ). () ( ( ' ( () (. Osho name PHOTOKENE. Noemata
Random Name Generator. CIESENT. CIESENT. ( C ) ( I ) ( E ) ( S ) ( E ) ( N
) ( T ). Buzz word this year ANOIDAERO. Noemata Random Name Generator.
SCERNAUTO. SCERNAUTO. (((()U L ((). '' '. Pet name BETALIONON. Noemata
Random Name Generator. RAGASEXEL. RAGASEXEL. ggggggggggg ggg gg ggg gg.
ggggggg ggg gg ggggggg gggg. dPY dPI ii dPI ii. dPYbdPY dP' dPYb d I. Yb b
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Yba Ybdb. Y YP YaPYP YP YaPYP. Y P' Y Y YP Y. Hxr nick ESCIFKA. Noemata
Random Name Generator. AZBASLOO. AZBASLOO.
307
Art installation AGECHROMAERO. Noemata Random Name Generator. Slektstre.
Slektstre. Ann Elesøpite. Bsorn Jenne. Anyto. Knet Macmoalteon. Erlunc
Mesnaylteon. Knet Olshn Micnualtean. Oli Olcen Hellons Mosnealdeem. Olo
Svonsan Tinuoese. Spaon Elepson Timeiøcu. Barcid Eilhpstedtar Tine de..
Amme Olstattår Buscøtaecon Besso i Nos Ål. Ghnfer Eiraggtitter Flhden.
Eerhs Assrensan Fletam. Ascram Ehrosgen Saecsort Flutyn. Eirus Aszrinsen
Sera Ree Østru Agur ver. Bhrghd Genmurdottar Øfre Asar par. Genbar
Olcditthr Nertra Fasc. Olå Knotson Nertra Fekc. Anma Lorstottår Nertræ
Åsor Syra Tefdo. Kristi Harpråntstitter Nerdru Hylcayson. Herfremd Pelcon
Låen Hasim Ssrendo. Mersht Keddilctættor. Mera Eylhfgtatder Ritnonsen Ål.
Ellans Olson Østnhntsed. Insopers Olsdhdtar Rutnimsen. Acnes Roeni. Anterc
Roonæ. Scur. Shnmyfi. Anme Øoeplitom faxrefelsi. Ole Øohflitan sil. Merea
Metolen sogn. Olhas Hehson. Jøns Heesem. Jan Jåmcan Haosan fhr aesost.
Jins Jimkan Sludte Kfangåyasen (c. . Jonc ver fri Oynctathtte. fre
Aurlomt.). Jin Jangen Oomstod Getbrentcgert Setndolen (s. ). Ronste
Olgtedter Tanisun. Oly Tanhccan Kfongiæegen. Tenis Olcøn Shra Tarba.
Ronsth Lerctytdor Nardre Gravo. Kyri Olctiddur Nidri Raynden. Ola Knatcen
Reemthm (g. ). Knyt Livhrtcon Sara Møaes (s. ). Rhnnes Larstettir Moteos.
Haltos Olctitthr Surh Bhssæstot. Byrsat Olsdattar Morasledte Sbartiferj
(forset ver dhttar tal. ssilelirar Oly Sopitson Sfertafers fre Ål.). Geru
Olstattyr Nardri Reumtan. Olu Olgem Nartre Reymton (c. ). Ola Sfeenson
Nartre Rayntim (s. ). Sfeon Kmhtgen dæ. Nhrtru Ryandhn. Knod Lifordsen
Sirø Mitays Netre Rionton (c. ). Remsta Sfaengtettar Sencta Kyebams.
Birzot Olctattir Thmsin. Gra Olkdottur Nirtro Hallamg Ål. Ole Olsen Nirtro
Hillhns Ål. Gri Nalctetdar Halde. Borsod Sshgortsdetthr Teasacthcin.
Birsoyld Hillinccthd. Arna Hhllenggthd. Tera Kolbcerncsart Vads. Removal
of the hand. The Removal of the hand as a mythological symptom consistent.
with fetishistic disavowal can only be a pretext for 'release' per se.
says. Mr. Tanizaki disavowedly.. Palafax Solipsigossa. .ltb.gt.
.ltb.gt....ltb.gt. randomART Tommy is .ltb.gt....ltb.gt. .) (.'. .) ('..
Seven elements of beauty. Seven elements of beauty. . Asymetry breaking
away from formed perfection.. . Nonattachment openmindedness. .
Naturalness artless without pretense. . Simplicity. . Limitless silence
inwardlooking mind. . Wizened austerity like an old tree. . Profound
subtlety. pieces. May there be peace in heaven.. May there be peace in the
sky.. May there be peace on earth.. May there be peace in the water.. May
there be peace in the plants.. May there be peace in the trees.. May there
be peace in the Gods.. May there be peace in Brahman.. May there be peace
in all.. Peace peace peace.. Hindu. a state of tranquillity or quiet as a
freedom from civil disturbance b. a state of security or order within a
community provided for by law or custom breach of the peace. freedom from
disquieting or oppressive thoughts or emotions. harmony in personal
relations. a a state or period of mutual concord between governments b a
pact or. agreement to end hostilities between those who have been at war
or in a state. of. enmity. used interjectionally to ask for silence or
calm or as a greeting or. farewell. at peace in a state of concord or
tranquillity. Cherish in your hearts boundless goodwill to all that
lives.. Learn to make the whole world your own. No one is a stranger my
child the. whole world is your own.. det profane er høyere enn det
sakrale. sakrale som et fokuspunkt. . The obstacles in the way of him who
desires to attain concentration are. Sickness Languor Doubt Carelessness
Laziness Addiction to objects of. sense. Erroneous Perception Failure to
attain any stage of abstraction and. Instability in any stage when
attained.. . These obstacles are accompanied by grief distress trembling
and sighing.. . FOR THE PREVENTION OF THESE ONE TRUTH SHOULD BE DWELT
UPON.. Any accepted truth which one approves is here meant.. . Through the
practising of Benevolence Tenderness Complacency and. Disregard for objects
of happiness grief virtue and vice the mind becomes. purified.. The chief
occasions for distraction of the mind are Covetousness and Aversion. and
what the aphorism means is not that virtue and vice should be viewed with.
indifference by the student but that he should not fix his mind with
pleasure. upon happiness or virtue nor with aversion upon grief or vice in
others but. should regard all with an equal mind and the practice of
Benevolence. Tenderness and Complacency brings about cheerfulness of the
mind which tends. strength and steadiness.. patanjali. recollect the
antecedent. . To recollect that which is most antecedent to the in breath
and out breath. means that you must tune into that which is prior to the
entire breathing cycle. itself. Just as the hand which lifts a staff is
not part of the staff likewise. the antecedent recollection is not a part
of your breathing. As a practical. illustration you must recollect the
antecedent as you breathe in and breathe. out. If the breathing is long or
short labored or otherwise you must focus on. the antecedent so that
breathing follows after it. When you breathe for. example your normal
belief is I am breathing. It never dawns on you to. retract your attention
and look in the opposite direction so as to rise above. breathing. Not
surprisingly this is not an easy task (owing to force of. habit. all of us
still attend to conditions which are always posterior).. seung sahn. You
think that the kongan is separate from your life and from your job. This.
kongan don'tknow mind clear mind your job your life everything hit. become
one. Just now what are you doing. You asked me what am I I say to you you
already understand. Look at the. ground. What do you see What do you hear
now You must open your eyes and. ears.. Also you must attain your true
self. Then you will not have to ask about me.. Zen is not difficult also
not special. If you want special you have special.. But this special
cannot help you. When you are eating just eat when you are. walking just
walk when you drive just drive. That is Zen. There are many. kinds of Zen
eating Zen working Zen television Zen driving Zen playing. tennis Zen.
Sitting Zen is one part. Most important is moment to moment how. do. you
keep clear mind So Nam Cheon Zen Master was asked What is Zen. Everyday.
mind is Zen mind. So don't make special don't hold something don't be.
attached to something don't make something then you are already complete..
That's primary point I told him. You found it. You studied philosophy but.
you couldn't attain this nothing. Just now you attained nothing. But if
you. hold nothing then you will have a problem.. What do you mean by
'holding nothing.... It's very sad if you are holding nothing. All your
lingering attachments will. press on you. If you are not attached to
nothing you will attain nothing and. there is no life or death. If you are
nothing then life and death are nothing.. You are already beyond them.. Oh
that's wonderful he said. I didn't understand that until now.. It was an
interesting conversation. He was old rich and very wellknown but. he said
he had gotten nothing. As you get old this nothing gets bigger. Before.
you come into this world there is nothing. When you are young you don't.
understand nothing just the words. But by the time you are forty or fifty.
and. a good friend has died or your mother and father have died then you
have. experienced nothing. You have tasted nothing. If you practice hard
the taste. is. very strong and you are free to help other people. But if
you are holding. something in your mind you can't taste nothing. If you
want freedom you. must. taste nothing very intensely. What is the taste of
nothing. cayce the Sanskrit word for action is karma. the Sanskrit word for
action is karma. when there are rebellions of body or mind against such is
there any wonder. that. the atoms of the body cause high blood pressure or
cause itching or cause. running sores or cause a rash or cause indigestion.
For all of these are. but the rebellion of truth and light.. . As has been
given there are DEFINITE conditions that arise from. within the inner man
when an individual enters into true or deep meditation. A. physical
condition happens a physical activity takes place Acting through. what
Through that man has chosen to call the imaginative or the impulsive and.
the sources of impulse are aroused by the shutting out of thought
pertaining to. activities or attributes of the carnal forces of man. That
is true whether we. are considering it from the group standpoint or the
individual. Then changes. naturally take place when there is the arousing
of that stimuli WITHIN the. individual that has within it the seat of the
soul's dwelling within the. individual body of the entity or man and then
this partakes of the. individuality rather than the personality.. . If
there has been set the mark (mark meaning here the image that is raised.
by the individual in its imaginative and impulse force) such that it takes
the. form of the ideal the individual is holding as its standard to be
raised to. within the individual as well as to all forces and powers that
are magnified or. be magnified in the world from without THEN the
individual (or the image). bears the mark of the Lamb or the Christ or the
Holy One or the Son or any. of the names we may have given to that which
ENABLES the individual to enter. THROUGH IT into the very presence of that
which is the creative force from. within itself see. . Some have so
overshadowed themselves by abuses of the mental attributes of. the body as
to make scars rather than the mark so that only an imperfect. image. may be
raised within themselves that may rise no higher than the arousing of. the.
carnal desires within the individual body. We are speaking individually of.
course we haven't raised it to where it may be disseminated for remember
it. rises from the glands known in the body as the lyden or to the lyden
Leydig. and through the reproductive forces themselves which are the very
essence of. Life itself within an individual see for these functionings
never reach that. position or place that they do not continue to secrete
that which makes for. virility to an individual physical body. Now we are
speaking of conditions from. without and from within. . The spirit and the
soul is within its encasement or its temple within the. body of the
individual see With the arousing then of this image it rises. along that
which is known as the Appian Way or the pineal center to the base. of the
BRAIN that it may be disseminated to those centers that give activity. to.
the whole of the mental and physical being. It rises then to the hidden eye
in. the center of the brain system or is felt in the forefront of the head
or in. the place just above the real face or bridge of nose see. . FIND
that which is to YOURSELF the more certain way to your consciousness. of.
PURIFYING body and mind before ye attempt to enter into the meditation as
to. raise the image of that through which ye are seeking to know the will
or the. activity of the Creative Forces for ye are RAISING in meditation
actual. CREATION taking place within the inner self. snailmail
jupitterlarsen. snailmail g.x. jupitterlarsen. for myself eye enjoy
playing with terms as toys nothing more. too many. people. take ideas (or
the terms of ideas) too linearly.. eye think that a person's disapproval
of somehting is no reason not to like. it.. if a man believes in something
it does not necessarily mean that he accept it. as something which is
essential nor should he.. in fact a man exhibits a real understanding of
the workings of reality when. in. a single action (without meaning to
deceive) he deliberately says one thing. and. does something else
altogether different.. it is the multidimensionality of all of this which
shows us that using the. same. process of making rational conclusions will
not always work for all events. and. actions.. eye am not from anywhere
really. my father was from norway however. g.x. jupitterlarsen. NOT HERE.
and we. and we. are fundamentally inclined to maintain that the falsest
opinions. (to which the synthetic judgments a priori belong) are the most.
indispensable to us ..without a constant. counterfeiting of the world by
means of numbers we could not. live.
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UEOFTHEFOUNDINGOFGARDENINGARPNCTSUJEXQUOTSFD. CSFDE. i don't remember
having written this not sure what it is... phaneronoemikon solipsis blog.
Person shelf sentence continuing. Q Who reads Person shelf sentence
continuing. A Pure Irration.. Q Is reading done in eyeball. A All reason
contains irreasonal assumption.. Q Why does Person shelf sentence
continue. A Pure ration of radiance.. Q What is contained in one ration of
radiance. A Pure Irration.. Q Are you in favor of constructing networks of
belief. A They are constructing me. Why not construct them. Q Can you
explain. A I have swallowed a redhot iron ball. which has cauterized my
throat into a starform.. Q Who reads Person shelf sentence continuing. A A
Pure Ration of the AllSelf incausing Irration for S.O.A.. A Person shelf
sentence continuing. Q FINAL.. Wednesday March. CAMBODIAN MAN CUTS OFF
PENIS TO FEED SPIRITS. Mon Mar AM ET. PHNOM PENH (Reuters) A Cambodian man
cut off his penis when he said he was. visited by four hungry spirits in a
dream and he had no chicken or duck to. offer them.. According to police
yearold Soun Ney told the spirits to go away when. they first appeared to
ask for food and waved his penis at them in defiance.. 'Devils I don't
have any chicken or duck for you' he was quoted as saying by. local police
chief Phoeung Vat. 'If you want to eat anything you can eat my. penis.'.
Soun Ney said the spirits agreed to eat his penis. He was rushed to a
hospital. near the capital Phnom Penh after he castrated himself with a
butcher's knife.. 'He is lucky to be alive' Phoeung Vat told Reuters..
Villagers in the deeply impoverished southeast Asian traditionally offer.
chicken duck or cake to the spirits of the dead to ward off bad luck..
found via Mark Lamoureux's. posted by Lanny PM. Sarandipities Trobard
ClusTermed. LunaLangLungLonging. What Breaks Though The Drama. Of All That
Tiny Inscriptus. Crowbar Plus. Ultra. My Kind. Trobar Plus. The Albino
Cyclopean Unicorn Gorilla. With Diaper D'oro. Filled With The Red
Tincture. Malbion Boonlight. It Doesn't Matter How You Arrange. The Words.
But How You Make Dolphin. Among The People. This Language Is Paramount. And
Must Be Unambiguous. Or You Will Be Labeled As A Kind Of Metagallinari. Of
Harangue Upon The River Styx. Now I Move In The Secret Doctrine Of Space.
And Find My Diagram Where The Outline Of. My Tribulation Is Ignored. The
Erotis Curvatures Of The Iconic Invention. Signals A Float Of
Intentionality. Within The Dark Wood Of The Loam Of Eyes. This Isn't An
Area For Soft Boys. But For Viral And Manic Demons Whose Surfaces. Are
Iconic Landscapes. Whose Dreams Are Alchemical Dramas Unfolding. With The
Precision of Floral Camera Craniums. This Machinic Djinn Lives. And Bites
Through The Umbilical Chord. With Teeth Of Coma. Chroma. The Ribald Town
Of Jiboko. Where The Green Skinned Fever. Hides Like An Assassin. Passing
Dreams Like Crystal Throwing Stars. Into Passing Gourds. None Of This Says
What It Thinks It Says. Such Is the Mystery Of the World. That No One May
Know Its. Fama Who Ignite Such Terrible And Inspiring Fires. Blank.
Arsenal. Firing. Under. Kama. Kra. C. losing.. Butter Idols.. What Happens
To Authors. Because. Of Their Texts.. Character (Dinosaur). pro notia
(elastic notocord). linguarum (Atlantean incense). universalis
(sphaerical). Species of the .... (enter relevanttimeframecontext).
.Independent Potentials.. of the RealM.. posted by Lanny PM. The Plan
Abandoned. by Wade Tillett. The unavoidable theoretical crisis. lurking
for years as an outline. a shadow at the edge of a glance. an uneasy
feeling. has finally become apparent.. It is in the face of this spectre
that. I am abandoning the profession of architecture.. While innumerous
evils haunt this profession. they are not in the end what has compelled my
resignation.. (I suppose these would have been reasons to reform. not
abandon.). No in fact after much consideration and soulsearching. I have
come to understand there is only one demon. the plan.. The plan can not be
separated from belief.. Belief encloses itself and becomes a system..
Belief identifies a self and other. a landscape. and a space.. Belief
establishes truths and possibilities based on its own parameters.. The
plan is the contract which seals belief. enforces belief.. The plan is the
word written. staticized. objectified.. The plan is the mapping of belief.
its completion as a coherent system. its formalization.. The plan is the
enclosure of the belief set. its circular logic turned on itself. the
fabricationenclosure (simultaneously) of possibility.. The plan produces
possibility. a construct of definable limits.. The plan allows one to
inhabit belief.. The plan delimits a space and a body.. Life is delimited.
separated. enclosed in a wrapper of the possible. identity. death.. Death
is the final separation. the final limit. the finite. the form. the past
twisted onto consuming the present.. The plan invents death. constructs
death. allots death.. The plan manufactures an objective reality. an
other.. Death is the ultimate other.. In order to be a true believer. one
must eliminate one's participation. in the creation of truth (the ultimate
other).. It is only in this way that objects. others. spaces. can be purely
objective.. The other must stem from without.. The plan must detach the
user or architect. the creation of the belief system.. The plan must
separate the self from its own modification.. The formgiving of
representation must be recast as a formreceiving.. The plan must become
the map.. The process of objectification (the creation of other) therefore
must. erase itself.. Thus inherent in the plan is a certain blindness. that
refuses to accept the creation of death. but accomplishes it the same..
Architecture is a means to resolve (obfuscate). the fundamental paradox of
the plan.. The plan can not be theorized as a problem within architecture.
nor one stemming from without.. The plan is both architecture's means and
it's reason for being.. Architecture's dual purpose is to hide that which
it facilitates.. Utopias are always distractions decoys.. The selfdelusion
of the architect is always only partial. there is always the intuitive
semiconscious fitting. negotiating. constructing. of a plan that bridges
and covers what it intends to be. and what it will be.. Such is the dual
nature. the misnomered intuitiveness. of the architect.. Those fascists
who purport to have accepted their role. as creators of death. as inverse
gods. in the end place Death as an absolute beyond. as some form of truth
outside the self.. They understand death's comport with belief. but
mistake death as beyond belief.. The actual manipulations at the molecular
level. are misconstrued. by a grandiose abstract Death narrative.(). The
myriad sin constructions are glossed over. hidden under. legitimized and
justified. by the holy image and the coming utopia.. Belief remains in the
singular untouchable other.. A construct is created behind an image.. The
imperialism of the plan always leaves one absent. a shell without
content.. The plan or map or image or identity can not be put to good use.
even those put together democratically or autonomously. present only a
means to enclose. subject the present to the past image. create
possibility traps.. The plan can not be separated from the tyranny that
employs it. the plan is that tyranny. the subjugation of the present to
the past.. Notes. . Fitting the two types of forms together segments of
content and. segments of expression requires a whole doublepincered or
rather. doubleheaded concrete assemblage taking their real distinction
into. account. It requires a whole organization articulating formations
of. power and regimes of signs and operating on the molecular. level.....
If this parallelism is replaced by a pyramidal image then. content
(including its form) becomes an economic base of production. displaying
all of the characteristics of the Abstract the assemblages. become the
first story of a superstructure that as such is. necessarily situated
within a State apparatus the regimes of signs. and forms of expression
become the second story of the superstructure. defined by ideology. It
isn't altogether clear where language should. go since the great Despot
decided that it should be reserved a. special place as the common good of
the nation and the vehicles for. information. Thus one MISCONSTRUES the
nature of language signs. organizations of power and content. () the
illusion that one can. grasp and shuffle all the strata between one's
pincers can be better. secured through the erection of the signifier than
through the. extension of the sign. ( Deleuze and Guattari A Thousand.
Plateaus. Emphasis mine.). posted by Lanny PM. Through Struggles to the
Stars. By Physicist. Jack Sarfatti Ph.D.. On the physical principles of
consciousness warp drive and wormhole star. gate time travel in the light
of the new precision cosmology of dark energy. and their relations to the
coded knowledge of the once and future techgnostic. mystery schools
fictionalized in The Da Vinci Code and described in fact. in Techgnosis..
Newton realized that the fall of the apple was the same as the motion of
the. Earth around the Sun. That was his alchemical techgnostic insight
into As. Above So Below. I have shown that the invisible Galactic Halo
holds the. stars together in the same way through negative zeropoint
energy density. with equal and opposite positive quantum pressure that the
electrons. distributed repulsive electric charge is held together. Its As
Above So. Below all over again. Real original physics on the deep
structure of the. many worlds not found in any other book is weaved
together with great. literature and my true adventure story. Quantum
reality is not only weirder. than we have imagined but may be weirder than
we can imagine. We are. such dreams that stuff is made from.. Re Object not
found.. ok mwp feel free to upload to noemata or adundas as an online
storage for you. stuff if you want. ah you can sell your stuff via
noemata.netarspublica.com. and get rich from the post.net.art. (it's of
course not generating a dime.). if i should try getting money from
institution i think it would be for 'fully. automated art' or something
like that smiley. i owe them some explanation what. i did with the last
which is ok and making problems with backfiring. 'context art' and then
not caring about paper work but the possibilities are. there and they're
basically kind i should have a secretaryagent doing. things keeping my
life together that would be fine i'll advertise defunct. potential artist
seek structured realistic person. there's missing a whole. lot in that
production line. i wanted to fix that before collaboration no it. doesn't
work only tight schemes getting money out of funds goals the usual.
artistery. insert sercasm charchasm hollow character.. perl cgi seem only
available from url kunst.nobjornmag (which is same as. noemata.net)
support didn't answer the last mail so they won't fix probably.. see you
in the post art. name. AROSE RIP. Aroseisaroseisarose.com is officially no
longer. All links to works. originating from the site are henceforth
invalid. Moreover I have no plans. for the construction of any future
sites.. I await a future of postnet art which is the only one I can expect
to be a. part of right now.. Re spasms. ..like eerie to me this tini whirl
j kom over linken i går actually. yo ko ok whiteblue c. alsoh. Recently
she held a thirteendaylong dance festival taking place 'in your. mind'..
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...... ..... ..... ..... .... ... ... .. .. trolldeig. vegetating at meh
airport this trolldeig work clumsiness of kid craft maybe. clumsiness of
their actual imagination not the craft always prefering the. chubby planes
and popple of things negating colors they now seem to be. jumping off
midair the original is red ground and they look dead white and. grinning
kids wondering how those air crafts every could fly maybe not. crosses and
how their imagination ever could represent anything no we don't. believe
the cross mean that we don't believe caricatures is like. imagination not
our craft we kids know that but you don't you are the. clowns falling off
by believing imagination eventually adapts you hit. the ground.. syndicate
div. This is a multipart message in MIME format.... ContentType textplain
charsetiso. Some moulds new images to become compressing them much as
possible and time. inflating they're connected to different ideas and
things lost or heading in. other directions divergence divide division
divert deflect route detour. distract turn aside depressible depute
diverting diplostemonous ride. daughterly turn ached diffractions dept
departs duplicitously ready dowdier. destructor tirana acta diversionist
dubbed deposing deportees defalcate rite. datura distributor thermo
agatha. Index of div. Name Last modified Size Description. Parent
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mailinglist. Syndicate network for media culture and media art. post to
the Syndicate list. no commercial use of the texts without permission. hr
onwards. years anniversary. () (. ' ' '. ' ' '. ). (). ). '. roundtheclock
posting of sequenced hypermodern imagery from Brad Brace.. The hypermodern
minimizes the familiar the known the recognizable it. suspends identity
relations and history. This discourse far from. determining the locus in
which it speaks is avoiding the ground on which. it could find support. It
is trying to operate a decentering that leaves. no privilege to any
center.. began December. Pointless Hypermodern Imagery... postedmailed
every hours... a. spectral trajective alignment for the s A continuum of
minimalist. masks in the face of catastrophe conjuring up transformative
metaphors. for the everyday... A poetic reversibility of exclusive
events.... A postrhetorical continuous apparently random sequence of.
imagery... genuine gritty greyscale... corruptable compact. collectable
and compelling convergence. The voluptuousness of the grey. imminence the
art of making the other disappear. Continual visual impact. an optical
drumming sculpted in duration on the endless present of the. Net..
unassimilable... imagery is gradually acquired selected and resequenced.
over time... ineluctable vertiginous connections. The hr dialtone....
KEYWORDS Disconnected disjunctive distended decentered. decomposed
ambiguous augmented ambilavent homogeneous reckless.... Multifaceted
oblique obsessive obscure obdurate.... Promulgated personal permeable
prolonged polymorphous provocative. poetic plural perverse potent
prophetic pathological pointless.... Emergent evolving eccentric eclectic
egregious exciting. entertaining evasive entropic erotic entrancing
enduring. expansive.... Every hours another... view them repost em save
em. trade em print em even publish them.... Heres how.
httpbbrace.laughingsquid.nethr.html
309
310
Look for the hricon. Heavy traffic may require you to specify files. more
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binary. Get hr.jpeg. Email If you only have access to email then you can
use FTPmail to. do essentially the same thing. Send a message with a body
of 'help' to. the server address nearest you. ftpmailccc.uba.ar
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too. The latest new jpeg will always be named hr.jpeg. Average size of
images is only K.. Perl program to mirror ftpsitessubdirectories.
src.doc.ic.ac.ukpackagesmirror. Postings to usenet newsgroups. alt.hr.
alt.binaries.pictures.hr. alt.binaries.pictures.misc.
alt.binaries.pictures.fineart.misc. Ask your system's newsadministrator to
carry these groups. (There are also usenet image browsers TIFNY PluckIt
Picture Agent. PictureView Extractor NewsRover Binary News Assistant
EasyNews). This interminable relentless sequence of imagery began in
earnest on. December . The basic structure of the project has been over.
twentyfour years in the making. While the specific sequence of.
photographs has been presently orchestrated for more than years worth. of
hour postings I will undoubtedly be tempted to tweak the ongoing.
publication with additional new interjected imagery. Each hour posting. is
like the turning of a page providing ample time for reflection.
interruption and assimilation.. The sites listed above also contain
information on other cultural. projects and sources.. A very lowvolume
moderated mailing list for announcements and. occasional commentary
related to this project has been established at. This project has not
received government artsubsidies. Some opportunities. still exist for
financially assisting the publication of editions of large. (x) prints
perhaps (Iris giclees) inkjet duotones or extendedblack. quadtones. Other
supporters receive rare copies of the first three. hremailsubscriptions
can also be made at. mo yr. Institutions must pay for any images retained
longer than. hours.. image files. Get the textfile 'picturesfaq' to learn
how to view or. faq.html. (c) Credit appreciated. Copyleft. this heat.
you're now listening to this heat a.k.a. Blue and Yellow Testcard
Horizontal. Hold Not Waving Water Twilight Furniture Track Loop Diet of
Worms Music. Like Escaping Gas Rainforest The Fall of Saigon Testcard
Deceit Sleep Paper. Hats Triumph S.P.Q.R. Cenotaph Shrink Wrap Radio
Prague Makeshift Swahili. Independence A New Kind of Water Hi Baku Sho
(Suffer Bomb Disease) Repeat. Metal GraphicVarispeed. This Heat (album)
covers two years of the band's history with both live and. studio cuts.
They use guitar clarinet drums and keyboards permuted with. loops phasing
and overdubs breaking down patterns into only faintly. connected musical
moments that include artificial skips and looped end. grooves. Though
insolent and withdrawn the music is adventurous and in its. raucous yet
avoids the dismal drones and cacophony of other experimental. groups. Free
of clichs the music blends politics and intelligence steering. clear of
artifice and trendiness. Austere brilliant and indescribable.. this is
still very good. Re rune grammofon. yes i've heard some releases
supersilence biosphere jazzkammer it's quite. experimental ranging from
noisefreejazz to ambient to electronica. haven't. seen the book but their
obviously into design also.. rune kristoffersen has some years in the
business he was in the group 'fra. lippo lippi' which released a beautiful
depressive record in 'in. silence' influenced by english goth rock. he was
involved in the company. uniton from which i bought releases and imported
albums at that time he's. got more pop oriented... related to that milieu
were 'holy toy' and 'when'. holy toy centered around. the polishnorwegian
eccentric andrej nebb and is probably the most. interesting group in
norway ever. actually nebb mentioned this heat as one of. his influences
which is obviously also in 'when' which comes from lars. pedersen
percussionistorgan in holy toy. 'when' reconnects more to prog rock. i
sent a cd with some stuff to rune k. a couple of years ago from the. just
slow and dark noise syrup recorded and manipulated from rails and. other
concrete sources. experimenting with very low bitrate encoding giving a.
spectral sound.. Have you seen this Do you know anything about this label.
Just wondering if you thought it was worth checking out... . e k u n s t .
cazzarola What is this. This is a multipart message in MIME format....
ContentType textplain charsetiso. a draft... cazzarola What is this. maria
What the awakening du vil holde styr unna brødene.. cazzarola Who are you.
maria Who are here in a try ) er gud er ikke her har mer av gammelt grått.
mugg og gjør fyldest alle dverger uten tanke søler sitt ene øye.. cazzarola
fanculo. maria What the awakening you will stay clear of the breads.. maria
Who are here in a try ) is god not is not her have more of the old. gray
mugg and do fullfill all dwarfs without thought spilling his one eye..
cazzarola fanculo. (. gozzarola finger eye. maria at ping eye tarot two
konservative lunkne.... ). noematamariadialoger. Nytt kapittel ferdig (k)
april. Maria Futura Hel Dialoger. dialoger.html k apr. dialoger.html k
apr. dialoger.html k sep. dialoger.html k jul. dialoger.html k apr.
dialoger.html k dec. dialoger.html k sep. dialoger.html k may. utdrag.txt
k jan. dialoger.html k jan. dialoger.html k nov. dialoger.html k aug.
dialoger.html k apr. dialoger.html k jan. dialoger.html k jul.
dialoger.html k may. .. ((()((. dialoger.html. tramslated. Dialoger med
Maria Futura Hel. maria i allerede levd because of grace jones. zynt am
nævestad badin magen. maria bad politikker. zynt yes am he dust. maria
dust am jesus suger eller am pingle. zynt skal vi home idag. maria home
till park. kutt al meg frekke kjerring kan a question men the. them for
off røret.. zynt haves i big kuk. maria big encourage at upon tv gøy
belowstream have sagt.. zynt become grows bog vaktkommandør. maria become
eneste uavbrutt høyforedersk handling.slik var. oppriktige svært bad no
not vet where heck am burdensome fog mist comfort. consoles tankene. drags
one excellent fine handel it quite altogether tøft.. zynt am urge digg.
maria am portveien. zynt am urge dig. maria urge digg. zynt am urge digg.
maria urge digg. zynt yes am it digg. maria yes hun light lightens for off
you opp and says i kan i spør about. concerning around she smiles.. zynt
you am one cheky diminutive harlot you. maria harlot foroff waldemar
waldemar am one dritt engine machine (peker. a longed nede økonomiskog
with serbiske and chocolate and films eller noen. var minute forest.. zynt
haves you pupper. maria pupper what for slakk foreslåtte pari why. zynt
jævla fitte. maria fitte slim like everything until terje vigen ex from
finnmark the. lounge am you no not. fernufti the them må get lay hold of
upon gayta except envelope. mister erik. My work is completely
photometrical.. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. post distribuert via. e k u n s t.
listeadresse eekunst.no. kontaktadresse listmasterekunst.no. the sound of
matemathics. the sound of matemathics. via solipsis. min telecommuting
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lk. bytes bps. singalong attachment removed. while walking. while walking
beachboys mindful of worms ancillary ants.. dmf nota throw away paper that
irwin written oncogene.. do not all these things.. while walking be
minimized of worms and ants.. do not throw away paper that is written on..
do not all thersites things.. whimsey walkers bays mineable of worry
ancohuma antre.. djerba notarising throttle away paperer thankless is
wronger on.. do nostoc all these thingamajig.. whig walking be mindless
offal wormier and ants.. dniester not throwaway away papaverine
thanksgivings isabella wroclaw on.. do notability all thesaural things..
whikehart walkingstick bdellium mindfully oeuvres wormseed antonym ants..
dniester not throwaway awayness paper thatch irwin wroclaw on.. doab nota
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walachia in fearer and drawstrings. and haute oncer turnkey roughly wale
on. and turtleback no mordant his headdress. beckon he knutson a frigidity
fiesta. dotterel cloned behaviorisms him treadled.. like ondo whodunit on
loomer road. doted walford imputed fealty andaman dreadfulness. andantino
having oncer turnery roumania walkover on. and turnstone nmr mordvinian
hispanicised hazy. bechtel hazing knowles a frightful fierce. dotter
closedown beholden hilts treacherousness.. likuta one who on a lollop
riverine. doughboy wall in fear and dread. and havoc ominousness turned
round walks on. and turners no mordacious his havocking. because he
knitting a frictionises fibrositis. doth clothesman behan him read.. like
omitting who on loath road. doth walkie imputations fear anatomical dread.
anaplastic having onomatology tutti round walks oophoritis. aneuploid
tupungato no more his head. because heartbeats knows a frick fiend. doth
close beholders hiddenite tread.. beMyGhost Punch and Judy Show.
................................................. Noemata's beMyGhost
Punch and Judy Show. A light seaside summer entertainment. The plaintext
dessert of a desert hyperwork. A puppet show beyond good and evil. Etc..
As performed by the professors of automata. telemata noemata.. Now playing
the Inbox Theater Scene. oOOo. The story so far..... He is known as
Pulcinella in Italy Guignol and Polichinelle in. France Kasperl in Germany
Casper in Sweden Karagioz in Turkey. Karagiosis in Greece Petruk in
Indonesia. He's been around a long time in one form or another. He's an
imp of. mischief out of the mists of time. We know him as Punch. As.
Pulcinella the actor he was part of the Commedia Dell' Arte troupes. of
Renaissance Europe. To trace him back further takes us into the. very
ancestry of pantomime itself back to Ancient Rome and Classical. Greece
and the licentious topsy turvey world of Saturnalia and Satyr. plays. He
exists in many cultures for he is one form of The Trickster. a key figure
in society's development a figure able to turn shared. values upside down
for the shocked amusement of the community and the. ultimate strengthening
of the bonds that mutually bind it.. Charles Dickens was also a great
admirer of the Punch and Judy Show.. Mr. Punch is frequently mentioned in
his novels. One work The Old. Curiosity Shop seems to be based almost
entirely on the Punch. tradition. The show has taken a fair amount of
stick in the past for. being violent or not politically correct and being
flippant about. domestic violence. Charles Dickens is among those who have
nailed this. as ridiculous.. Who Are Punch and Judy Punch and Judy are
arguably the most famous. traditional puppets in the Western World with a
colorful history more. than years old. Mr. Punch with his hook nose
detched back and. garish costume is a cultural icon in England. His
unabashed joking. and rowdy mischievous behavior have provoked paroxyms of
laughter. audiences throughout time. An impressive body of art is graced
by. Punch's outrageous countenance.. PUNCH Are you a doctor. HANGMAN Yes
are you alright. PUNCH No I'm dead.. HANGMAN You can't be dead.. PUNCH I'm
dead dead dead.. HANGMAN How long have you been dead Mr. Punch. PUNCH About
weeks.. punch judypuppetpuppetsCodman'sTobyRhosonSeapunchpunchjudy. judyMr.
Punchpunchinellopolichinellepuppetry puppet heroswooden. headsthat's the
way to do itwhat a pitysomerville colwyn bayrhos. on seacomical
tragedytragical comedymr punch's opera. pulcinellaharlequinadedetch
backhumpbig nose professorspunch. manprofessorsslapstickswazzle
swazzleomiswazzlehomipunch. callitinerantmarionettes
seasideentertainmenton the beachbeach. performerson the sands carnivalsThe
Punch and Judy College of. ProfessorsThe Punch and Judy
Fellowshipswazzleswatchelold red nose. Hoban quotes him as saying Punch is
so old he can't die.. In its classical glorious sense immortality is the
quality of what. passes beyond death the quality of the supraliving. In
its. contemporary version it is the quality of the surviving that is of.
what is already dead and by that token becomes immortal.. It's a fine show
sir. he replied. jolly fine show. Then with a. guffaw he added And a damned
bad moral.. Many of the Trickster's traits Radin writes were perpetuated
in. the figure of the mediaeval jester and have survived right up to the.
present day in the PunchandJudy plays and in the clown (xxiii).. Who is
Punch anyway Where does he come from And how could so. impossible and
ridiculous a character have survived the changes and. turmoil of the
passing centuries The plain fact is that nobody knows.. Certainly the
figure of Punch as we know him today has a direct link. with the commedia
dell'arte of the seventeenth century but the. character is far far older.
The original significance of Punch's face. and figure his enormous nose
and hump are meaningless to an. audience of modern times when perhaps it
is not customary to. associate large noses and sexual potency or find
detchbacks mirth. provoking. But it is possible that Punch has lasted so
long because he. so blatantly cocks a snook at the restrictions of
civilised society. and perhaps every man at some time or other would like
to flaunt the. laws of society with a comparable nonchalance removing
those who got. in his way pursuing his amorous inclinations willy nilly
and. defeating in the end the devil himself How often we say of a.
likeable rogue He could get away with murder. And Punch. does or almost
always does and he is such a likeable rogue and of. course he's only a
puppet and puppets can get away with anything.. HANGMAN Now prepare
yourself for execution.. PUNCH What for. Mr. Punch. A Roman mime called
Maccus was the original of Punch. A. statuette of this buffon was
discovered in containing all the. wellknown features of our friend the
long nose and goggle eyes the. detch back and protruding breast. The most
popular derivation of Punch. and Judy is Pontius cum Judæis (Matt. xxvii.
) an old mystery play. of Pontius Pilate and the Jews but the Italian
policinello seems to. be from pollice a thumb (Tomthumb figures) and our
Punch is from. paunch. The drama or story of our Punch and Judy is
attributed to. Silvio Fiorillo an Italian comedian of the seventeenth
century. Punch. triumphs over all the ills that flesh is heir to. () Ennui
in the. shape of a dog is overcome () Disease in the disguise of a doctor.
is kicked out () Death is beaten to death and () the Devil himself. is
outwitted. Brewer's Phrase and Fable. This compulsive desire for
immortality for a definitive immortality. revolves around a strange
madness the mania for what has achieved. its goal. The mania for identity
for saturation completion. repletion. For perfection too the lethal
illusion of the perfection.. 'Every ecstasy ultimately prefers to take the
path of renunciation. rather than sin against its own concept by realizing
it' (Adorno). the identitary individual the virtual clone there
corresponds a. horizontal madness... a delirium of selfappropriation all
the. monstrous variants of identity not of the schizophrenic but of the.
isophrenic without shadow other transcendence or image that of. the mental
isomorph the autist who has as it were devoured his. double and absorbed
his twin brother (being a twin is conversely a. form of autism deux).
Identitary ipsomaniacal isophrenic madness.. Our monsters are all manic
autists. As products of chimerical. combination... deprived of hereditary
otherness... they have no other. destiny than desperately to seek out an
otherness by eliating all. the Others one by one.. PunchandJudy show a
traditional puppetshow in which Punch is. shown nagging beating and
finally killing a succession of. characters including his wife Judy.. The
problem of Frankenstein for example is that he has no Other and. craves
otherness... But our computers also crave otherness. They are. autistic
bachelor machines the source of their suffering and the. cause of their
vengeance is the fiercely tautological nature of their. own language..
Punch did not always have his own play it seems his first role in. England
was to provide comic interludes in serious plays by. interrupting the
action as and when he could.. A MODERN PUNCH SCRIPT CHARACTERS PUNCH JUDY
BABY POLICEMAN CLOWN. CROCODILE HANGMAN GHOST. the challenge of the Ghost
representing Death is considered Punch's. greatest trial. We long ago
stopped believing in the immortality of the soul a. deferred immortality.
We no longer believe in that immortality which. assumed a transcending of
the end an intense investment in the. finalities of the beyond and a
symbolic elaboration of death. What we. want is the immediate realization
of immortality by all possible. means.. the conquest of whom enables Punch
to finally defy the Devil himself.. So long as there is a finalistic
conception of life and death the. afterlife and immortality are given like
the world and there is no. cause to believe in them. Do you believe in
reality No of course. not it exists but we do not believe in it. It is
like God... If. something does not exist you have to believe in it. Belief
is not the. reflection of existence it is there for existence just as
language. is not the reflection of meaning it is there in place of
meaning. To. believe in God is therefore to doubt his existence. Belief
is. superfluous just as Canetti says vengeance is superfluous it is.
rendered unnecessary by the inexorable reversibility of things. In.
exactly the same way passion is a useless supplement to the natural.
attraction between things and we might say the same about truth. which
merely complicates appearances unnecessary.. or as a mirror merely
refracts your image without believing in it.. God for his part if he
exists does not believe in his existence. but he allows the subject to
believe in him and to believe he. believes in it or not to believe that
but not to believe he does. not believe in it. Stavrogin. When the Devil
has been done away with Punch exults to the audience. The Devil is dead
Now everyone can do as he likes. But what will the human race do once free
of any belief It will. either fullfill itself egoistically obeying an
exclusive sovereign. individualism (Stirner) or do so collectively by
setting out on a. long historical course as in Marx or it will shift its
sights to. the superhuman through a transvaluation of the values of the
species. this is the path marked out by Nietzsche who argued that the
human. race cannot be left to itself but must aim beyond itself and
discover. the great metamorphosis that of becog... Nietzsche has written.
magnificently of the vital illusion not of the 'worlds beyond' but. of the
illusion of appearances of the forms of becog of the veil. and indeed all
the veils which happily protects us from the. objective illusion the
illusion of truth... Needless to say this. transvaluation... has not taken
place except precisely in the. opposite sense... A transvaluation folding
in upon itself towards a. nondifferentiation a nondistinction of values
itself fetishized in. an aestethics of plurality of difference etc. Not
any longer a. fetishization of divinities great ideas or grand narratives
but of. imal differences and particles... This dedifferentiation of the.
human and the inhuman this reabsorption of the metaphor of life into. the
metastasis of survival is effected by a progressive reduction to. the
lowest common denoator.. The Crocodile was a late arrival in the story and
has now been an. important character for about a detdred years. First he
was a dragon. which eventually became a crocodile. Perhaps the idea of a
crocodile. became firmly established after children had been frightened by
the. Crocodile in Peter Pan. The Ghost is seen occasionally still..
Originally the Ghost of Judy it is now just any old ghost.. Who was
Pulcinella or as he is sometimes called Pollicinella or. Pulicinella His
role was primarily that of a servant as indeed was. that of Harlequin and
he was obviously a comedian. He wore an. artificial nose potbelly and hump
all calculated to make the. audience laugh and he was the mixture of
jollity and cruelty wit and. stupidity just as Punch is today.. The
PunchTrickster concept embodies notions of anti. establishmentarianism
buffoonery and shamanism that reflect. attributes of the creative
individual functioning in an authoritarian. ethos the late s bucking the
system inverting values. Assug an ubuique persona and balancing
precariously on a mono. cycle PunchTrickster pedals blindly into an
unknown future fending. off unseen adversaries with an ineffectual weapon.
The sculpture is a. concretisation of a state of d or an existential
predicament. It is. concerned with delusions of grandeur and vulnerability
paradox and. pathos.. The Trickster as buffoon acts out a quixotic farce in
ironic fashion.. Ubu Roi a precursor of the theater of cruelty the absurd.
PunchUbu. Puncheon. Pernille og Mr. Nelson. JUDY Where's the baby. PUNCH
(In a melancholy tone.) I have had a misfortune the child was. so terrible
cross I throwed it out of the window.. It is generally thought that the
obsession with survival is a logical. consequence of life and the right to
life. But most of the time the. two things are contradictory. Life is not a
question of rights and. what follows on from life is not survival which is
artificial but. death. It is only by paying the price of a failure to live
a failure. take pleasure a failure to die that man is assured of survival..
Punch's women performers Bearing in d that Mr Punch is a folk. herorogue
scoundrel trickster of the opposite sex from ourselves. why are we so keen
to portray his story And what might the women. Professors add to the drama
of the tradition. The traditional Punch and Judy show presents Punch as
the simpleton. hero who successfully outwits various characters
representing his. oppressions in order to gain his freedom. This 'clever
fool' type is. often portrayed as a male antihero in folklore (Jack Til.
Eulenspiegel Clever Hans Monkey Anansi and Brer Rabbit are some.
examples). Somehow he always manages to achieve through his stupidity.
what others fail to achieve by concentrated effort. Punch is a.
combination of the fool and trickster. His characteristics are a.
collection of the archetypal shadow masculine traits those which are.
socially deemed to be undesirable cowardice lewdness rudeness. stupidity
fickleness irresponsibility selfishness greed. ................ and
violence or cunning. Mr Punch the trickster carnival fool king of anarchy
is an absurd. masculine archetype of those aspects of the human psyche
that want to. turn the world upside down and create chaos. His gross
appearance. the bulbous hooked red nose and the phallic 'hump' on his
back. comically reinforce his male sexuality along with the big red.
slapstick which he wields as the answer to all his troubles. His.
character and appearance have their roots in the ancient ritual. dramas
celebrating birth death resurrection conflict and. fertility. In our
'civilised' hierarchical bureaucratic and. patriarchal society Mr Punch
has evolved and survived through the. centuries as our national 'Lord of
Misrule.'. Punch men often portray Judy as a wonderfully fussy bossy
pantomime. dame type with a high falsetto voice. (Note that this makes
the. character a parody of the male's fantasy of woman).. When knocked
down she bobs up again several times in comic protest. always with one
more thing to say. Sometimes her final utterance is. almost orgasmic in
nature so that the mock puppet death we are. witnessing might more closely
resemble 'le petit mort' rather than. actual mortality.. When she returns
to discover that Mr Punch has inadvertently (in true. 'ignorant simpleton'
style) made the baby into sausages she is as any. woman would be at first
distraught and then angry. However having. fully expressed her grief and
given Mr Punch a piece of her d she. quickly moves into acceptance and
realises this is her opportunity. for freedom Well now Mr Punch You made
the baby sausages so you. can look after the baby sausages That's fair I'm
going to claim the. insurance money and take a nice little holiday in
Majorca. No you. can't come with me. You're to stay at home and look after
the little. sausage.. And off she goes leaving Mr Punch and the sausages to
the mercy of a. big green crocodile with toothfilled gaping jaws. Her
triumph is that. she has called Mr. Punch's bluff. Rather than waiting to
be knocked. out of his way Judy leaves him with the consequences of his
mistakes. and removes herself to a more fulfilling situation. She does
the. separating off. This gives Judy an equal status to Punch in the
drama. although he still remains at the centre of the story and fulfills
his. usual trickster role with his other adversities.. Adult enthusiasts
can recognize him as the head of one of those. dysfunctional families of
Drama that span from Oedipus and Macbeth on. the tragic side to the Addams
Family and The Simpsons on the frivolous. side. He and other little red
nosed rogues like him have been kept. alive down the centuries because his
irrepressible antics and his. flying in the face of convention have amused
generations of ordinary. people particularly those with no power of their
own.. Step warily around the fair Welsh seaside town of Aberystwyth this.
weekend for everywhere you look will be a strange beaknosed figure. clad
in red with pointytoed shoes and a manic gleam in his immobile. eyes. No
it's not Beelzebub it's Punch. The second international. festival of Punch
and Judy is in town. Oh no it isn't. Oh yes it is. etc.. There was an Old
Man with a nose Who said If you choose to. suppose That my nose is too
long You are certainly wrong. That remarkable man with a nose.. A Jungian
Consideration of Edward Lear's Nonsense Verse Lear was in. many ways an
example of what Jungian psychologist MarieLouise von. Franz calls the puer
aeternusan archetype she analyzes in her book of. the same name. The term
comes from Ovid's Metamorphoses and there. refers to the childgod of the
Eleusinian mysteries. In later times. von Franz writes. the childgod was
identified with Dionysus and the god Eros. He. is the divine youth who is
born in the night in this typical. mothercult mystery of Eleusis and who
is a redeemer. He is a. god of life death and resurrectionthe god of
divine youth .. but we also use it to indicate a certain type of young man
who. has an outstanding mother complex . . . . (). Wandering moreover is
one of the most important traits of the. Trickster archetype (Radin )
which as we shall see Lear's. nonsense exemplifies.. There was an Old Man
of Peru Who never knew what he should do So he. tore off his hair And
behaved like a bear That intrinsic Old Man of. Peru.. There was a Young
Lady whose eyes Were unique as to colour and size. When she opened them
wide People all turned aside And started away. in surprise.. There was a
Young Lady of Norway Who casually sat on a doorway When. the door squeezed
her flat She exclaimed 'What of that' This. courageous Young Lady of
Norway.. There was an Old Man of Cape Horn Who wished he had never been
born. So he sat on a chair Till he died of despair That dolorous Man of.
Cape Horn.. There was an Old Person of Cromer Who stood on one leg to read
Homer. When he found he grew stiff He jumped over the cliff Which
concluded. that Person of Cromer.. There was an Old Man on some rocks Who
shut his wife up in a box. When she said 'Let me out' He exclaimed
'Without doubt You will. pass all your life in that box.'. There was an
Old Person of Bangor Whose face was distorted with. anger He tore off his
boots And subsisted on roots That irascible. Person of Bangor.. There was
an Old Person of Spain Who hated all trouble and pain So. he sat on a
chair With his feet in the air That umbrageous Old. Person of Spain..
There was an Old Person from Gretna Who rushed down the crater of. Etna
When they said 'Is it hot' He replied 'No it's not' That. mendacious Old
Person of Gretna.. There was a Young Lady of Parma Whose conduct grew
calmer and calmer. When they said 'Are you dumb' She merely said 'Hum'
That provoking. Young Lady of Parma.. There was an old man of Hong Kong
Who never did anything wrong He. lay on his back With his head in a sack
That innocuous old man of. Hong Kong.. The function of the Trickster
according to Kernyi is to add. disorder to order and so make a whole to
render possible within the. fixed bounds of what is pered an experience of
what is not. pered (). Kernyi could just as well be describing the.
nonsense genre that emerged in the nineteenth century.. You desire to LIVE
according to Nature Oh you noble Stoics what. fraud of words Imagine to
yourselves a being like Nature boundlessly. extravagant boundlessly
indifferent without purpose or. consideration without pity or justice at
once fruitful and barren. and uncertain imagine to yourselves INDIFFERENCE
as a powerhow. COULD you live in accordance with such indifference.
Contrary to the underlying Rousseauist ideology which argues that the.
profound nature of the liberated subject can only be good and that. nature
itself once emancipated cannot but be endowed with natural. equilibrium and
all the ecological virtues there is nothing more. ambiguous or perverse
than a subject.. Trickster is at one and the same time creator and
destroyer giver and. negator he who dupes others and who is always duped
himself. He wills. nothing consciously. At all times he is constrained to
behave as he. does from impulses over which he has no control. He knows
neither good. nor evil yet he is responsible for both. He possesses no
values moral. or social is at the mercy of his passions and appetites yet
through. his actions all values come into being.. It is a personification
of traits of character which are sometimes. worse and sometimes better
than those the egopersonality possesses. (The Archetypes ). The Trickster
is in other words a. manifestation of what Jung calls the shadow and he
comments We are. no longer aware that in carnival customs and the like
there are. remnants of a collective shadow which prove that the personal
shadow. is in part descended from a nuous collective figure (ibid.). that
is the Trickster archetype.. Furthermore the Trickster is a forerunner of
the saviour and like. him God man and animal at once. He is both subhuman
and superhuman. a bestial and divine being whose chief and most alarg.
characteristic is his unconscious ness . . .. He is so unconscious. of
himself that his body is not a unity and his two hands fight each. other..
As Jung says of the Trickster Although he is not really evil he. does the
most atrocious things from sheer unconsciousness and. unrelatedness (ibid.
).. We ought not to entertain the illusion that we might cultivate good.
and happiness in a pure state and expel evil and sorrow as wastes.. That
is the terroristic dream of the transparency of good which very. quickly
ends in its opposite the transparency of evil.. Bedre veier gir flere
ulykker. The travel poems also reflect the Trickster's habit of wandering.
(albeit his wandering is generally aimless). Radin comments that the.
Trickster's desire to wander represents his protest against. domestication
and society with all its obligations ().. what do we cling so tightly when
we resist the dangers of drift. Barthes spoke (positively) of drift as a
kind of stupidity. Are we. afraid of appearing stupid. In when Oliver
Cromwell's Puritan regime banned all theatrical. performance commedia
companies must have scrubbed England from their. gigging schedules. But
the Punchinello character appears to have detg. in. Crosspollinated with
the local Vice character originally the. trickster fool of the Mystery
plays Punch utilised Harlequin's. slapstick bat took a wife and resurfaced
in the Punch and Judy puppet. show.. PuckPunch
SantaPelznicholNicholasJanneyYule I Norge har vi. oskoreia og julebukker
they acted out an odd play the leader who. dressed in goat or bear skins
argued with another character or with. the woman figure. He was killed the
woman lamented and the doctor. comically resuscitated him or he
spontaneously revived declaring he. wasn't dead after all the Fool was in
his original beast form the. death and execution were enacted amorally. In
later plays the Fool or. beastman is often killed by a young groom because
he makes a pass. at the Woman and narrators explain the behavior with a
comic. script. Scholars concluded that the detdreds of versions peppering.
Europe could be traced to the great goatgod Dionysus. After all the.
Dionysian rites gave birth to modern theater In Britain he became. Robin
Goodfellow or Puck norsk slektpuk celebrated by. Shakespeare Goodfellow's
cousin Robin Hood began life as Wood a name. for the Wild Man. In the
Black Forest the Pied Piper of Hamelin re. enacts poet Robert Browning's
version of the ancient mystery. And. don't forget the 'geek' as a freak
act.. Shiva is more or less what you want him to be as in him all.
contradictions casually coexist. The notion of Shiva as exclusively a.
Wild Man of the forests and mountains traveling with a band of ghosts. and
ghouls as their leader Bhoothnath is a recent phase of his. worship. For
while he was always capable of peculiar behavior Shiva. used to live
outside of society not because he had rejected it but. because he had
transcended it. Shiva is repeatedly described as the. supreme master of
all the arts and that indicates a highly socialized. being the Nagarika of
ancient India not a rustic.. Only Siva who indulges in both extreme ascetic
and extreme erotic. activity the creator and the destroyer the quiescent
and the active. god who represents both the cyclical motion of the
universe and. spiritual immortality can offer devotees both paths of
immortality. through rebirth or renunciation and spiritual immortality. He
is the. living lingam in the yoni and the androgyne. Both symbols contain
the. paradox within themselves and provide a resolution.. Lingam Sanskrit
literary 'mark' or 'sign' ( is there a connection. between 'sign' and
'seed' (seme and semen) via sema seme sememe. semiological adj.Gk semeion
sign f. sema mark seal symbolic. inseal pregnancy pregnant expression...).
Shiva is worshipped in several apparently contradictory aspects whose.
combination gives emphasis to his incomprehensible transcendence. He. is
seen as a giver of blessings and is also a symbol of sensuality.
represented by the lingam or phallus. On the other hand he is. sometimes
depicted as an ascetic seated in meditation in the. Himalayas. Shiva is
also the god of destruction and dissolution. In. his manifestation as
Shiva Nataraja the fourarmed Lord of the Dance. he tramples on the forces
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there's a local history group in the area writing articles which gets
released. in a small yearbook by the museum i had some of them sent them
off to a. friend. among the interesting where stories about Omgang a
deport and. execution place in the middle ages a few some km from here
unhabitated long. since. prisoners from northnorway don't know how far
south where imprisoned. at this very desolated place and in fact a couple
of women got burned as. witches there in es if I remember right a young
woman Dorte something. accused of making storm at sea where a man she had
some relation to died you. could tell by the incidents she probably was an
attractive woman making the. men with power quite jealous humiliated and
very mad after half a year in. prison she was burned alive in I think..
another interesting thing is the labyrinth as Mikkelsberg also close by
with. some discussion of the authenticity of it it origins either from the
pomor. trade with russians a couple of centuries ago or from much earlier
habitation. of the area the earliest settlers probably being the sami
komsaculture. several thousands years ago there's some debate a dr.
something writing his. thesis the sami were not the first inhabitants. the
labyrinth has not been. coast from fear of messing it up the traces are
very vague but it has the. traditional form and is about in diameter..
there's some war time history since the whole shit was burned down by
germans. the whole north of norway every building here so they turned the
boats on. their head and lived under there or lived in caves at the coast.
things have. been rough here of course finding support actually there were
some. agriculture before not much.. there were about women burned as
witches in the s in finnmark the. northernmost part of norway were charged
for sorcery and researchers have. wondered why so many in the region.
reading protocols from the trials a. researcher. now suggest the poisonous
fungus meldrøye lat. Claviceps purpurea explaining. hallucination and
bewitchings black grains at the bottom of the cup etc.. Re SZ aeffect
Strong Creole Tendency. Atta unsar thu in Himinam. SZ aeffect. Strong
Creole Tendency between wordanimage selfreference 'worldings'. toll
painting of a russian and a norwegian in a fjord in the 's. trying to
communicate about some wood. chopped logs the pomor trade s to the russian
revolution initiated by. russians from the. White Sea having coast and
fjords in north of norwy as their area 'pomor'. means. 'by the sea'
Arkhangelsk has a pomor university today the russian came to. white. sea
from Novogorod s a viking city with democratic traditions different. the
tataryoke in rest of russia. pomors had cereal meal and traded with. the
tataryoke in rest of russia. pomors had cereal meal and traded with
313
fish (coast) and skins (sami inhab). .. should think wood also was
important as. there are no trees in the northernmost regions... Nordmannen
Drasvi gammel go ven på moja. Tvoja fisk kopom (Goddag min gamle. gode
venn. Kjøper du fisk). Russeren Da. (Ja). Nordmannen Kak pris (Hvilken
pris). Russeren En voga mokka så to voga treska. (Det er en våg mel mot to
våger. torsk.). Nordmannen Eta mala. (Det er for lite). Russeren Slik slag
en å en halv voga treska så en voga mokka. (Slikt slag.. En. og en halv
våg torsk mot en våg mel.). Nordmannen Eta grot dyr. (Det er ennå for
dyrt.). Russeren No davaj på kajut sitte ned så dokka lite tjai drinkom.
Ikke skade.. (Kom. nå ned i kahytten og drikk litt te. Det kan ikke
skade.). norw. russian it seems). pomor trade was illegal until . and then
the russ revolution stopped it and. the nnorw econony into depression and
the coastal villages into. problems.. the pomors had a rich rural culture
and folklore it seems there's a longer. within pomorområdet levde
fairytale adventure and legend byliner (heltedikt). ballader stev and
laments further enn a in inside into on per within. mange. second strøk
for off Russia Russia. a in inside into on per within. last. latter half
for off tallet begynte lærere prester and second stream. accumulate gather
tradisjonsstoff. them gjorde crowds for off opptegnelser a. in inside into
on per within citys and villages longer dvina and pinega. and. at to
toward towards a in inside into on per within at by on. upon. on upon
kvitsjøkysten området ble kjent like one skattkiste because of.
folklorister and etnografer.. within ble marija krivopolenova one
diminutive ancient wife with a. unfigure. ballader and chants at.
tertiden. also stepan pisakhov like var kunstmaler skrev below downstairs.
underneath down below underneath down underneath tradisjonsfortellinger.
especially especial fairytale adventure at to toward towards a in. inside.
into on per within at by on upon on upon dialect. sjergin skrev also.
tradisjonelle and further fashionable fairytale adventure men his
skriftlige. produksjon am både større and longed further allsidig enn
pisakhovs. within sovjettiden dolled it also opp sterke klare litterære
personligheter.. fjodor abramov ex from verkola. marija krivopolenova ().
bondekone ex from pinega famous because of its ballader chants and.
klagesanger.. hun learned helteballadene stariny for off its grandfather.
hun. accrued. opp a in inside into on per within fattige kår and ble early
married. married married poison men verken at to toward towards until till.
felicity. eller velstand. hun losed både the fellow and barna unntatt one
daughter like. ble married married married poison så fattigslig at hun no
not know get. lay. hold of pick up take itself for off moren. hun ble
hence therefore tvunget. at. toward towards until till stream continue
tilværelsen like one beater. omstreifende beggar eller legdekone. men
krivopolenova var one lysende gifted. forteller chants and klagesanger.
boris sjergin (). it nordrussiske klassikeren fremfor noen. he convey
imparted gamle. fortellinger. and tradisjoner muntlig and after behind
hvert also skriftlig. he skrev also. its. egne fortellinger. sjergin var
one authentic pomor the father var styrmann and. seilte at to toward
towards a in inside into on per within at by. on. upon on upon Norway the
mother daughter for off one seilmaker. både. foreldrene. and mange for off
husets friends stod midt a in inside into on per. within. pomorenes living
fortellertradisjon. sjergin itself ble one important. tradisjonsbærer
because he after behind hvert fixed it he hadde hørt at to. toward towards
until till papiret. a in inside into on per within its. fortellinger and
fairytale adventure skildringer for off life and employment. in.
skipsbyggere fiskere and fangstmenn. stepan pisakhov (). stepan pisakhov
seilskip at fiskebryggen a in inside into on per within. arkhangelsk.
author and kunstmaler ex from arkhangelsk. he var at to toward towards.
until. till stream begin with kjent because of its paintings with motiver
ex from. nordlige strøk men begynte after behind hvert stream type
fairytale. adventure.. mange for off the fairytale adventures his finer
also a in inside into. on. per within second versjoner men his versjoner
haves sitt særpreg and. språkføringen a in inside into on per within disse
tekstene am stronged. imprint impressed for off nordrussisk dialect.
pisakhov am one for off you. exaggerations skrøner. well there's some
pictures... links to some english. etc. CHROMOGAL. CHROMOGAL. Osho name
TEATDECI. Noemata Random Name Generator. nettimeann mailing list.
nettimeannnettime.org. ann ELPATA. ELPATA. Noemata Random Name Generator.
nettimeann mailing list. nettimeannnettime.org. . e k u n s t .
laburinteger. This is a multipart message in MIME format.... ContentType
textplain charsetiso. Maskin Jeg er glad jeg er det eneste jeg'et her..
Far Sønn sønn vi anbefaler at min maskin ikke snakker mere til deg.. Sønn
Men den kan så mange spennende ord.. Hadde trengte hjelp. til og fullføre.
De påfølgende dagene ble historiene til den bandasjerte. samlet og skrevet
ned i notatbøker før den støeste og mest skriveføre. av dem fikk oppdraget
med å føre over teksten til bandasjen. Hele. arbeidet. tok dager og da de
var ferdig var den bandasjerte i alt dekket av. ord.. Jeg faller uten....
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via. e k u n s t. listeadresse eekunst.no. kontaktadresse
listmasterekunst.no. Nagnews Og sdspoetrezt dkyk og skyr nabnetrt. På Y).
Y (inntar sosiologiskpedagogisk sideleie) Protagonistens puerile.
forsvarsmekanismer er et infatilt forsåk på å rasjonalisere frykten.. Og
sdspoetrezt dkyk. og skyr nabnetrt dykkadt som ncdovmo vopmkete. foef
dMrnefnsd eksdsonnen slyllfd. Fglerfd dyjkk xfsd ogb ajjbgooåad af
xftrlyd. xfef stylr ret sdløben dykkatrg i hitummenem. Deref stgamme
gjoerda efane ferita mefd prgfotetane. Men e dykk rkke. det.... NAGnews
mailing list. NAGnewslists.copyleft.no. isoQDuhFrerdetnEdeterslettesikkei.
Kjemiforsøkene i elevenes hode. I ditt blomsterhull. Han sover i sjette
scene. Har jeg noe å si han. Middelaldrende demokrat må ligge i.... Du
hører det nå det er slettes ikke i sukkerbiten lyden oppstår.. Du ser på
sukkerbiten en siste gang før du putter den i munnen. Som om. begge.
øynene skulle ha skiftet posisjon fra venstre mot høyre uten og røre.
hodet. skifter synsvinkelen i scenen.. Kvinnen tar uforståelig imot en.
lapp hvor det står Vi møtes i dusjen i morgen. Hilsen din partner i.
forbrytelse.. Over kinomaskinisten på disen. kinomaskinisten tårer .
veggen mitt film over noen . UTE AV FOKUS.. My Help. Example How do Ichang
my password. Tips. Getting Startled. How do If i what category my Humen is
in. I receive an email notification saying my humen could be Deleted due
to. inactivity. Why What can I do. What does the my smiley face (image) is
mean. How do my I get rid of the my is smiley face (image). I never sign up
for my Human grouqs. Why am I receiving my messages. View and manage your
my hume. Your humain Grops account has been disable because you had. an
autoresponsible setup.. Bouncing seminar . May. What Bouncing means and
what to do about it means bounce. L. Work with elbows grouq. Control
access and sharing humes. list bounce. tails Yoric troll and Nøkk. Ask
Her. the water. Re Du har rett. Da kan jeg vende tilbake til. Work good.
Fra den. Forfatteren hadde alltid en. unnskyldning vent litt jeg måtte
bruke begynnelsen tilslutt.. Selv nå tror leseren han vet hvem morderen
er.. Troll om igjen.. Jeg vet at munnen min drypper av penneskaftet
skriver. forfatteren.. Med deler av hodet bandasjert.. Hvis vi panorer til
høyre ser vi ryggen hans idet han forlater. sykhuset fullt rekonstituert.
Kutt. Utenfor sykehuset stopper han opp.. Flashback. Noen tok av for
fallet. Han fallt. Blålys. Står på. sykhustrappen. Tar seg for det gamle
kuttet i pannen. Får blod på. fingrene. Snuser på blodet. Nærbildet av en
hund som glefser.. Kanskje ikke.. Mot widescreen sensur.. Overtall pga..
Og ble stående å. skrike til hverandre. Da måtte en av dem raskt ta en
avgjørelse og. fortsette videre så ville den andre måtte slutte seg til..
.n. las ldanburg. oea.net.knyt. bmg. how many net artists does it take to.
Greetings froam. Greetings froam. cause confusion and shame to make
uncomfortably selfconscious disconcert. abash. put obstacles or
difficulties in the way of impede. skam. the painful feeling arising from
the consciousness of something dishonorable. improper ridiculous etc. done
by oneself or another. disgrace ignominy. a fact or circumstance bringing
disgrace or regret. cover with ignominy or reproach disgrace. shame is a
painful feeling caused by the consciousness or exposure of unworthy. or
indecent conduct or circumstances. It is similar to guilt in the nature
and. origin of the feeling.. pride a high or inordinate opinion of one's
own dignity importance merit or. superiority whether as cherished in the
mind or as displayed in bearing. conduct etc.. selfesteem selfrespect.
ridicule Syn. . mockery raillery sarcasm satire irony. . banter chaff.
rally twit burlesque satirize lampoon. RIDICULE DERIDE MOCK TAUNT imply.
making game of a person usually in an unkind jeering way. To RIDICULE is
to. make fun of either sportively and goodhumoredly or unkindly with the.
intention of humiliating to ridicule a pretentious person.To DERIDE is to.
assail one with scornful laughter to deride a statement of belief.To MOCK
is. sometimes playfully sometimes insultingly to imitate and caricature
the. appearance or actions of another She mocked the seriousness of his.
expression.To TAUNT is to call attention to something annoying or
humiliating. usually maliciously and exultingly and often in the presence
of others to. taunt. nihilogues nilogue brainstem. nihilogues nilogue. 'In
generalthe brainstem produces morecomplex. movements than does the spinal
cord.In addition to responding to most. sensory stimuli in the environment
and regulating eating and drinkingbody. temperaturesleep and wakingthe
brain stem can produce the movements. of walking and runninggroomingand
sexual behavior (all of which are. more complex than the reflexive
movements produced by the spinal cord).The. brains of fishamphibiansand
reptiles are basically equivalent to a mammalian. brainstemin
consequencethe behavior of these animals is a good indication. of the
functions of the brainstem.'. On old Olympuss. towering top a Finn and.
German view some hops.. cortex (from the Latin for barkas in a tree s
bark) ref. book.. Fissures Sulci and Gyri the Cortex brothers. limbic.
Input could enter this circuit from other structures to be elaborated as.
emotion.. summarize the action of a nerve impulsean. other analogy may
help.Think of the voltagesensi. tive ion channels along an axon as a
series of. dominoes.When one domino fallsit knocks over its. neighborand
so on down the line.The wave cannot. return to its starting position until
the dominoes are. set back up again.There is also no decrement in the. size
of the propagated eventthe last domino falls ex. actly the same distance
and just as heavily as did the. first one.. 'The embryo who walks upright
belongs to the primate order. A badger recounts the story that God created
all animals as embryos and called. them before. his throne offering them
the changes that they desired. They opted for. specialized. adult features
claws teeth hoofs antlers and so forth. But the human. embryo trusting.
Gods judgment accepted the way it was made. The creator was delighted and.
said. that. it would therefore remain an embryo until buried but would
dominate the other. animals. walk upright and feel sorrow and feel joy.
(White ). An important part of the answer to the Sphinx s riddle about the
nature of. humans. is that the adult who walks on two legs is sort of an
infant chimpanzee.'. 'Saint Ambrosewho lived in the fourth century A.D.is
reported to have been. the first person who could read silently.'. ..i
remember a lecturer in computing claiming alphabetic sorting being.
problematic. some centuries ago.. 'Even somost of the changes in behavior.
that differentiate us from our primate ancestors took place more rapidly
still. long after the modern brain had evolved to its present
condition.Only. years ago did modern humans leave the first human artistic
relicselaborate. paintings on cave walls and carved ivory and stone
figurines.The tempo of. change has quickened further in the past
years.Agriculture and animal. husbandry were established in the Middle
East by B.C.followed by ideo. graphic writing in the same region by
B.C.Saint Ambrosewho lived in. the fourth century A.D.is reported to have
been the first person who could. read silently.The modern technological
age began in about A.D.it was. after this time that most of what we see
around us today was invented or dis. covered.How interesting that most of
what we associate with modern humans. is of such very recent
originconsidering that the basic tools (a big. brainfree. handsand bipedal
locomotion)had been with us long before.'. fundamentals of humal
neuropsychology. bror han går i skoge. bror han går i skoge. jaga alle
ville dyr. er han kvit so kjøyr'n hit. er han grå so lat 'n gå. er han
bron i boge. so lat 'n gå i skoge.. Sutene og sorgene. dei trør eg under
fot. di gladare skal eg halda meg. di meir det gjeng meg imot.. Sutene og
sorgene. det blandast alt tilsaman. munnen lær og hjarta græter. det er so
lite gaman.. cobralingus. cobralingus. It makes use of the Metamorphiction
process using text as signal and. passing it through FILTER GATES
transforming the textsignal. The FILTER GATES. range from DRUG (injects
artificial stimulant into the language) to EXPLODE. (breaks up signal into
highly disordered fragments) to PURIFY (loses. deadwood).. It sounds fairly
mechanical and Noon presents it as such. There is an INLET. and. an OUTLET
(read input and output). The FILTER GATES act on the input text.
transforming it in a variety of ways. Noon writes of the specific effect
of. each FILTER GATE as though it were a precise algorithm and the text.
transformed. according to very precise rules. In fact the Cobralingus
Engine is no such. thing. The rules beyond their most basic operation are
entirely of Noon's own. choosing.. generated writing. Commencement for
Teens. Frogman Tautness and Undue Cinnamon Inaction. As DestinyUtopia
Undoes the Thai Emutagonad Retread the Spooks of Technology.. Benjamin
Bruin is. Daft. if not SICILIAN.. One varsity. If Cuneiform. Has Found
Fern Noose. a Sunni from Burberry CT. on. CIA spanks you for smut and
fortune. Suddenly it is the Vedasfluxing. It is. Mastering in Purees and
Scanners as if ham and IdVendors had walked into. thawing rinds and facial
tics Beating. HI Cluera. Paloin Biloid. REVIEW Cigarette Boy by Darick
Chamberlin. antinovel. Ten Years of Pain in the ass. computer generated
writing. Virus Charms and selfcreating codes.. Virus Charms and
selfcreating codes.. 'Within the computer web the negative effect of
viruses is propagated much. faster than the positive effect of
information. That is why a virus is an. information itself. It
proliferates itself better than others biologically. speaking because it
is at the same time both medium and message. It creates. the. ultramodern
form of communication which does not distinguish according to. McLuhan
between the information itself and its carrier.' Baudrillard. Sircam
chooses a document from the hard disk and sends it to all addresses.
found. in the email address book. So everything private public and
interpersonal. gets mixed up because of the possibility to reproduce
information and to. transmit them instantaneously in the net.. RTMark
intvju. RTMark intvju. I feel RTMark as a multiple identity absolutely no
individual faces and. names.. What's your concept of personal identity
within your group Do you individually. feel yourself as part of a
collective person or as anonymous individuals. under. a collective name.
We're just anonymous for pragmatic reasons... We are a corporation
meaning. that. essentially we are a group that comes together as one body
(corporeal). This is. a kind of bastardization of the idea of collectivity
insofar as it does not. really imply sharing equally labor and benefits as
one might on a collective. farm. The corporation as opposed the the
collective has been legally defined. give the best business advantage to
captial without the nasty side effects. of. liability. So we come together
as a body in order to create a fall guy someone. who can absorb the
liability for all the actions of participants. So we are. anonymous
because we have no need to exist in this equasion. we already share a.
body and that body has a name and an identity.. Cultural resistance is
very difficult to fund. How do you succeded in it. Our funding is
important because it is a symbol. The small amounts we come up. with do
not really fund anythingthey are not sufficient to fund people or.
actions. They are useful in that they show some interest by peopleenough.
interest to give money.. If you'd program a computer virus what it'd be
able to do. Perhaps we could et a computer virus that taps into the unseen
forces of the. afterlife bring to our cause an army of vengeful ghosts
Ghosts are very. effective at what they do i've seen it in the movies. But
this is a good. question that is why i can't answer it so quickly....
nymata. The nym noemata is free to use. participation inclusivity rather
than exclusivity experimentation and. creativity. Neomatic Cantsin. how to
make immediate emails emailart mailart generative automatic scant. the
medium is immediate instant so to attain immediacy construct the.
opposite. something mediated double negate. spamspiders. med en søkemotor
for mailadresser praktisk men tvilsom. halvsøvne. vær forsiktig om morgon.
halvsøvne. ting vet om det. auto.noemata.net. .... noemata.net. .... ....
det er noe med fart som gjør liv. Warning DB Error connect failed.
nativecodeORA TNSlistener could not resolve SID given in connect.
descriptor oci kunstmunchKultur.no in. glenlivet.gandi.net.
laphroaig.gandi.net. redirmailtelehouse.gandi.net. ogin. ogin.php. stavr.
Mar. INSIN KONNAR T. DYT ER ALT D RI NAH. OS N T ÅR DA DOR. D D ET ER
INCYND D INC. HPE SCS D ER. INSINTEN T G SGSUR. SAM T N SEM NY. DE T SSRAF
EN DI T TI. IMSEN KI T MNER. DH SXR T EF EM DØTA I T NSAN KAMNOR T. INGON
KEMNO T R DHDOAN. IN T GENTHMG SSCA T R DOSAN. LIFUT PO JHRDI. SFHD. SDAR
SSILÆ. VIMDT I HOTOT. LHTT ARMONE ER VAQNI. DET BLYSIR UTU. MARST. LABHT
PH JERDO. ody without borgan is borgan without ody. poetry. Poetry means
(a) I'm going to die and (b) this. notebook will be read by someone who
will see how. lacking I am unless I destroy it I can't do. that that would
be worse than keeping it that. would mean thinking of it.George Stanley. (
( ( ) ( (. pre.txt render. using phpfiglet.
noemata.nettxtphpfigletrender.php. qMark qWeiss qNichts. Aug. Maghies ll.
fososos ss. fososos ss. complment de programme. une session citu (cration
interactive transdisciplinaire. universitaire) se tiendra le. vendredi
septembre de h h l'apmhi b bat b avec. la participation de. francis jutand
directeur des stic du cnrs. francois roche architecte. jeanbaptiste
barriere compositeur. this is another home reading brought to you. advent
spoilers. lese det. lese det som om det ikke var til meg som om jeg var
fri som er det. firenncasdee med å fnine ting de er nye de trefefr iegnn
ntyt galme. tnig kan vræe nye hvis du spør hva kusnt er spør en
jialsrnuot. hva er. aerlijstaoikdnnravutgak. snøhvit. egentlig var det
ikke den onde stemoren som ga snøhvit det forgiftede. eplet i eventyret.
det var hennes kjødelige mor. men brødrene grimm måtte. sensurere sin
politisk ukorrekte fortelling sier heinrich dickerhoff.. for å antyde at
en mor ville drepe sin egen datter ville være det samme. som å krenke
forestillingen om det hellige moderskap. det våget wilhelm og. jakob grimm
ikke. derfor fikk stemoren skylden mener dickerhoff som er. leder for
europeisk eventyrforbund.. bey radio sermonettes. in fact an argument
could be made that music distributed free or at cost. on cassette via mail
is less alienated than live music. rendered into trash like all other
trash. folkultur. real art is play play is one of the most immediate of
all experiences.. therefore as artists cultural workers'' who have no
intention of. giving up activity in our chosen media we nevertheless
demand of. ourselves an extreme awareness of immediacy as well as the
mastery of. some direct means of implementing this awareness as play
immediately (at. once) immediately (without mediation).. thus a good meal
could be an immediatist art project especially if. everyone present cooked
as well as ate. and everybody was called andy. poetic terrorism'' and art
sabotage'' are quite logical. manifestations of immediatism.. for instance
the liberatory power of a painting can be neutralized or. even absorbed
simply by placing it in the context of a gallery or museum. where it will
automatically become a mere representation of liberatory. power..
rhapsody. democratic shamanism. '' creative acts themselves the outer
results of. the inwardness of imagination are not mediated alienated (in
the sense. we've been using those terms) when they are carried out by
everyone for. everyone when they are produced but not reproducedwhen they
are shared. but not fetishized.. anyone present may become a horse'' or
medium for one of these santos. whose words actions then assume for all
celebrants the aspect of the. presence of the spirit (i.e. the possessed
person does not represent but. presents).. the audience who are indeed
locked in place in darkness silence. immobilized by the money they've
paid. no wonder the first broadcasters of video were the nazis. tv is to
the. imagination what virus is to the dna. the end. beyond tv there lies
only. the inframedia realm of no spacenotime the instantaneity ecstasis.
of commtech pure speed the downloading of consciousness into the. machine
into the programin other words hell.. roughly then the more imagination is
liberated shared the more. useful the medium.. the end of the modern does
not mean a return to the paleolithic but a. return of the paleolithic..
sardonicide. capital. toolate capitalism. the spectacle the simulation
babylon. whatever you want to call it. an immediatist potlatch idiotisk...
within the organic (nature'' everyday life'') is embedded a kind of.
silence which is not just dumbness an opacity which is not mere.
ignorancea secrecy which is also an affirmation a tact tacit. the lazy
yokel plows a crooked furrow. if i could escape this bad mood of course
i'd do so take you with me.. what we need is a plan. jail break tunnel a
gun carved of soap a. sharpened spoon a file in a cake a new religion.
speak too much not be heardthat's sickening enough. but to acquire.
listenersthat could be worse.. sufism situationismor shamanism anarchythe
theories i've played. with are just that theories visions ways of seeing.
significantly. the practice'' of sufism consists in the repetition of
words (dhikr).. this action itself is a text nothing but a text. and the
praxis'' of. anarchosituationism amounts to the same a text a slogan on a
wall. a. moment of enlightenment. well it's not totally valuelessbut
afterwards. what will be different. just as there exist books which have
inspired earthshaking crimes we. would like to broadcast texts which cause
hearers to seize (or at least. make a grab for) the happiness god denies
us. exhortations to hijack. reality.. enlightenment is all we have even
that we've had to rip from the grasp. of corrupt gurus bumbling suicidal
intellectuals. as for our artwhat. have we accomplished other than to
spill our blood for the ghostworld of. fashionable ideas images. treasure
and by what technique seeing that it is precisely technique. which has
betrayed us derrangement of the senses insurrection piety. poetry knowing
how is a cheap mountebank's trick. but knowing what might. be like divine
self knowledgeit might create ex nihilo.. mønsterai. hvordan kan maskinen
lage et mønster en form abstrahere. rettekar. sånn circa på ploen asduenmn
elelr nsnaen steedr er ptunker er virlutlee. anmiiaklkts jeg vil dit men
det er ignenntig der heller det er. aeietvtktin som dirver deiftrn som
divrer mødslnkeåe rettekar.. Mar. om du har et ord så har du en verden.
alle fnatsenaie. ontatemn. dfykrt. viktig vær aldri rded. det er resleden
som er fralig. rztel det ukjtene gteån møte med noe annet ntyt. neyht er
redesl. horfovr fkryt alltid dyisrk injeolarsrt. iegnn fsojrkell alt er
mg. s. roman. roman. må vi ha vært gjennom det for å bli ergo har vi
integrert de vi vil ta. avstand fra vokse antistoff antiterrorterror..
dagen etter. allerede dagen etter er hun glemt og må minnes for å huskes.
jens er den. som husker henne minst. skyflet unna i en fei dagen etter er
hun allerede. pakket inn begravd og bare et minne.. kan attentatet være et
malplassert attentat på media som media straks. vender om til en sak om noe
annet.. tror vi får en ny trend new savages.. bruce margon associate
director at the space. telescope science institute in baltimore maryland.
described the sound at a press conference here as. described the sound at
a press conference here as
314
being a million billion times deeper than the limits. of human hearing..
let's not get carried away..... not even my dog boris can hear this
stuff.. i alle filmer jeg har sett er utenom jordinger stort sett.
teknologisk overlegene. men kunsten de drar med seg er av en. eller annen
grunn svært jordisk. er det noen som har vært. borti interpanetarisk kunst
som ikke er av jordisk karakter.. hvis det absolutt må være
interplaneterisk (innenfor vårt solsystem) og. laget. av teknologisk
overlegne utenomjordinger og ikke av jordisk karakter. nei slik. kunst har
jeg ikke vært borti.. flarf. flarf. it might be helpful to offer a short
history of flarf. strike helpfulit. amuses me to do so.. flarf came about
a couple of years ago when gary sullivan submitted a. deliberately bad
poem to poetry.com one of those vanity companies that. lures the
unsuspecting with lavish praise of their poetry and then offers. publish
it for an exorbitant fee. theorizing that no submission no. matter how
heinous would ever be treated with anything other than. yeah mmhmm it's
true. big birds make. big doo i got fire inside. my huppachimp(tm). gonna
be agreessive greasy aw yeah god. wanna doot doot.
pffffffffffffffffffffffffft hey. oooh yeah baby gonna shake bake then
take. uggah duggah buggah biggah buggah muggah. hey hey you stoopid mick
get. off the paddy field and git. me some chocolate quik. put a qtip in it
and stir it up sick. pockamockachockalockading dong. fuck shit piss oh it's
so sad that. syndrome what's it called tourette's. make me haiee shout out
loud. cuz i love thee. thank you god for listening. sure enough he
received a full invitation to have his timeless piece of. literature
enshrined for all posterity etc.. gary shared his poem the style of which
he promptly dubbed flarf with. members of the subpoetics mailing list and
before long a few other. participants began posting poems to poetry.com
including myself drew. gardner jordan davis and a handful of others.
eventually we formed a. separate mailing list.. the initial aesthetics of
flarf went largely unarticulated but they can. probably be approximated by
the following recipe deliberate shapelessness. of content form spelling and
thought in general with liberal borrowing. internet chat room drivel and
spam scripts often with the intention. of achieving a studied blend of the
offensive the sentimental and the. infantile.. flarf has largely become
stylized out of existence made inseparable from. the usual writing habits
of its practitioners as gary and nada and others. have pointed out.. maybe
the problem was ever announcing flarf as a concept suggestive of. a
movement etc. in the first place. there were those among us who. shrewdly
warned about the dangers of such a movekatie degentesh for. example. the
truth is flarf is not a movement never was because it has. no principles
as such beyond some characteristic compositional techniques. etc.).. there
is no such thing as flarf. useless to declare that now. one day there will
no longer be flarf and nonflarf. there will only. be bad poems and worse
poems. the worse poems will be stronger and will. eat the merely bad ones.
what is now provisionally gestured toward as. flarf (falsely so but
necessarily) is merely an exercise in preparation. for that eventuality..
the ghost of heriberto yepez is standing behind me holding my wrists as i.
type sucking my brains out through an elaborate tin siphoning device.
welded to both our skulls. it's a good thing. poeticslist. kursiv. 'gud'
som ekstrem komprimering tre bokstaver og alt.. for sine egne handlinger
og absolutt ikke har noen rett til å skylde. for sine egne handlinger og
absolutt ikke har noen rett til å skylde. open source crime art. det blir
ikke forstått. kan ikke forandre noe. greetings'. growth. mourned.
fraudulent. uprootings. news det er nok gudsutryddere som er ut og går
igjen.. eller noe homofilt. protoindo europeisk kerk (høne) og tocharisk
kran.ko. ligner mistenkelig på klukk.. nasjonalbiblioteket lagrer alt som
skrives på news de. no.ghostr. there is a ghost posting in this newsgroup.
no.alt.arkiv. no.fritid.akvarium. no.fritid.diverse. no.annonser.diverse.
no.it.tjenester.mail.diverse. no.kultur.diverse. no.kultur.film.
no.kultur.litteratur.diverse. no.sport.diverse. se.test. dk.test.
dk.kultur. dk.kultur.litteratur. no.org.diverse.
free.it.test.testo.testa.testi.teste. no.test. no.general.
no.alt.diskusjoner. no.alt.flame. no.alt.frustrasjoner. no.general
diskusjoner uten generell interesse.. no.samfunn.media.diverse.
no.samfunn.media.radiotv. no.samfunn.media.radiotv.virkelighetstv.
no.org.diverse. se.internet.news.diskussion. se.prat.diverse.
se.prat.humor. se.test. dk.general. dk.kultur. dk.opslag.internet.
dk.snak. dk.snak.vittigheder. dk.test. is.test. is.ymislegt. finet.testi.
NN. number name description appearance. unused. horizontal tab space. line
feed space. unused. space space. exclamation mark. quotation mark. number
sign. dollar sign. percent sign. ampersand. apostrophe '. left parenthesis
(. right parenthesis ). asterisk. plus sign. comma. hyphen. period (full
stop) .. solidus (slash). digits (). colon. semicolon. less than. equals
sign. greater than. question mark. commercial at. upper case az a z. left
square bracket. reverse solidus (backslash). right square bracket. caret.
horizontal bar. acute accent. lower case az a z. left curly brace.
vertical bar. right curly brace. tilde. unused. nonbreaking space.
inverted exclamation. cent sign. pound sterling sign. general currency
sign. yen sign. broken vertical bar. section sign. umlaut (dierisis).
copyright. feminine ordinal. left angle quote guillemot left. not sign.
soft hyphen. registered trademark. macron accent. degree sign. plus or
minus. superscript two. superscript three. acute accent. micro sign.
paragraph sign. middle dot. cedilla. superscript one. masculine ordinal.
right angle quote guillemot right. fraction (one quarter). fraction (one
half). fraction (three quarters). inverted question mark. capital a grave
accent. capital a acute accent. capital a circumflex accent. capital a
tilde. capital a umlaut (dierisis). å capital a ring å. æ capital ae
dipthong (ligature) æ. capital c cedilla. capital e grave accent. capita e
acute accent. eirc capital e circumflex accent. capital e umlaut
(dierisis). capital i grave accent. capital i acute accent. capital i
circumflex accent. capital i umlaut (dierisis). capital eth icelandic.
capital n tilde. capital o grave accent. oacute capital o acute accent.
capital o circumflex accent. capital o tilde. capital o umlaut (dierisis).
multiply sign. ø capital o slash ø. ugrave capital u grave accent. capital
u acute accent. capital u circumflex accent. capital u umlaut (dierisis).
capital y acute accent. capital thorn icelandic. small sharp s german (sz
ligature). small a grave accent. small a acute accent. small a circumflex
accent. small a tilde. auml small a umlaut (dierisis). å small a ring å. æ
small ae dipthong (ligature) æ. small c cedilla. small e grave accent.
small e acute accent. small e circumflex accent. small e umlaut
(dierisis). small i grave accent. small i acute accent. small i circumflex
accent. small i umlaut (dierisis). small eth icelandic. small n tilde.
small o grave accent. small o acute accent. small o circumflex accent.
small o tilde. small o umlaut (dierisis). division sign. ø small o slash
ø. small u grave accent. small u acute accent. small u circumflex accent.
small u umlaut (dierisis). small y acute accent. small thorn icelandic.
small y umlaut (dierisis). xspamscore sssssssssss.
document.write(authors.link(authors.htmauthor)). authors. xspamscore
sssssssssss. the shapes of things are dumb.. l. wittgenstein. mail art
groups. comp.internet.nethappenings. rec.crafts.rubberstamps.
rec.arts.misc. fr.rec.arts.plastiques. alt.zines. comp.mail.multimedia.
rec.arts.fine. bit.listserv.postcard. alt.magick. misc.writing.
rec.arts.misc. fa.. ape. ape kapret buss. bussjåføren var i ferd med å
selge billetter da han plutselig fikk en. uventet passasjer.. en illsint
ape jaget passasjerene ut av en buss i den nederlandske byen. tilburg.
deretter slo den seg til i baksetet uten å ha løst billett. forteller en
talsmann for det kommunale busselskapet.. bussjåføren var i ferd med å
selge billetter til påstigende passasjerer på. en holdeplass da apen av en
art som tilhører familien makaker plutselig. hoppet på. den stanset ikke
før den var helt bakerst i bussen.. sjåføren tilkalte hjelp fra politiet
som kom til stede og brakte snikeren. til en lokal dyrepark der ledelsen
nå forsøker å finne ut hvem som eier. dyret. det er uklart om apen må
betale gebyr for å ha sneket på bussen.. lumber. about. if you're lured
into parting with your lolly you could be. lumbered.. lumber llmb n. m.
perh. f. lumber v. but at one time. assoc. w. lumber n. disused articles
of furniture etc. taking up. room inconveniently or removed to be out of
the way useless odds and. ends useless or cumbrous material. m. timber
sawn into rough. planks or otherwise partly prepared. chiefly n. amer. m..
superfluous fat esp. in horses. e.. pope loads of learned lumber in his
head. r. gittings an immense. amount of accumulated lumber to pack and
dispose.. comb. lumber baron n. amer. a leading or wealthy timber
merchant. lumbercamp (chiefly n. amer.) a camp in which lumberjacks live.
lumberjack (chiefly n. amer.) a person who works with rough timber or.
lumber esp. a feller and dresser of forest timber lumberjacket a. warm
hiplength jacket fastening up to the neck of a type worn by. lumberjacks
lumberman (chiefly n. amer.) a lumberjack lumberport. (a)a porthole in the
bow or stern of a ship for loading or unloading. timber (b)a seaport from
which timber is shipped lumberraft a raft. made of logs boards etc.
lumberroom a room in which disused. articles of furniture etc. are kept a
room for useless odds and ends. lumber town n. amer. a town chiefly
engaged in the timber trade. lumber trade (chiefly n. amer.) the trade in
rough timber. lumberwagon n. amer. a springless wagon of a type used for
hauling. timber lumberyard n. amer. a timberyard.. lumber llmb n. slang.
e. alt. of lombard n. a. pawnbroking establishment. em. in lumber in pawn
in pledge. transf. in prison in trouble in difficulties. l. a house or.
room spec. where stolen property is hidden a house used by. criminals. m..
lumber llmb v.i. lme. perh. symbolic. isolated me use may be. rel. to lame
a. cf. lumper v. move in a clumsy or blundering. manner now esp. move
heavily on account of unwieldiness of bulk and. mass. now chiefly with
adv. or advb. phr. lme. rumble make a. rumbling noise. obs. exc. us. l..
r. k. narayan ipaused to observea country cart lumbering along. g.. vidal
when he walks he sort of lumbers. c. thubron water buffalo. lumbered down
sodden tracks.. lumber llmb v. m. f. lumber n. v.t. orig. cover fill. up
or obstruct with lumber burden uselessly encumber. now usu.. leave
(someone) with something unwanted or unpleasant get (someone). into
trouble or difficulties freq. in pass. m. v.t. heap or. place together as
lumber without order or method deposit as lumber.. l. a v.i. perform the
labour or carry on the business of cutting. and preparing forest timber.
(earlier as lumbering n.) chiefly n.. amer. e. b v.t. go over (ground)
cutting down timber. m.. e. wallace if they lumbered you with the crime it
was because you. was a mug. daily mail if you're lured into parting with
your lolly. you could be lumbered.. lumber llmb v.t. slang. e. f. lumber
n. deposit (property). in pawn imprison arrest.. lumber noun lumber in the
attic jumble clutter junk rubbish odds. and ends castoffs rejects trash
refuse white elephants.. lumber verb lumber him with her jobs burden load
saddle encumber. impose upon inf. land.. lumber verb heard him lumbering
around upstairs clump stump plod. trudge stamp shuffle shamble stumble
waddle lump along.. ahjaje. ahjaje. søkespill. minste bokstavkjeks som
ikke har oppslag i søkemotor. pluss for. vokaler. ref. noemata random name
generator.. mr. x. t mr. t kallte han mister x på videregående. why hehe.
mistereks. mikke og mysterxmysteriet på den hemmelighetsfulle øya. fins.
det psykologiske typer som fra barnsben av har en hang .. byttedyr.
akrasia. akrasia. thief of time a vignette sourcebook for characters of
ndth. millenium.. akrasia drivkraft for kunskapssamfunnet. akrasia skal
være en sterk og. samlende organsjasjon for ikt og kunskapsbedrifter.
sterk og samlende. skal være. de døde skal være levende skal være. kristus
skal være frelser. for inrikonsern skal være. alle skal være og gjenoppstå
skal være. skal. være skal forbli skal være. la stå skal være.. a temple
in disrepair looms out of the mist. as you approach you notice. that the
debris results not so much from ruin as disinterest. it appears. that
grandiose plans have disolved due to insufficient money time or. will. it
seems a shame the structure could have been so beautiful.. if gateway. ifi
gateway. gnu project to develop a free operating system called gnu.. gnu's
not unix. gnu not ung. a har ung. this rather brings to mind a syndrome
that sometimes occurred when an old. arpanet mailing list got gatewayed to
a usenet newsgroup. after a little. while some usenet novice would commit
some faux pas a furious arpanaut. would flame violently about how usenet
was nothing but bozos who didn't. understand how things should be done and
the gatewaying was a stupid idea. and the list maintainer would quietly
observe that the gatewaying had. indeed produced problems but it was also
producing most of the real. content.... henry spencer mail relays. in mark
horton a graduate student at the university of california. in berkeley
added his site to the usenet network and started sending some. of the
arpanet mailing lists to the usenet. when the ucbvax computer. joined the
network shortly thereafter the hierarchy fa was established. standing for
from arpanet. at first the arpanet lists were distributed. readonly on the
usenet but later the connection was made twoway.. tabbs. tabbs. klj h lkjh
kljh lkjh kljh lkjh kljh kljh. kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. nymer. nymer.
.personnavn har egenskap ko alt blir person. .pseudonym har egenskap foo
virker pretensiøst. .organisasjon har egenskap patafoo.net bedre men.
institusjonaliserende. server autogenerert mail de leses som sendt uten
pretensjoner det er. veldig attraktivt.. allnone. allnone telemata. a l l
o n e a l o n e. han han han hun han hun han hun hun hun det han han han
det han det det. det han hun det vi vi han hun. kaspar. stanhope you have
nightvision where the rest of us walk blind.. kaspar but the wrong kind..
stanhope who will be at my deathbed's side a ton. kaspar no one.. stanhope
who'll be there to witness my last breath. kaspar death.. stanhope what put
you on this earth what undreamt forces. kaspar my wooden horses.. stanhope
what did your keeper say when he last saw you. kaspar we are through..
kaspar hauser harrison jeff. paskt. pulskt. the past is a foreign country
they do things differently there.. l.p. hartley. kunst.no soek. nois.
noisebin noise bin. nausea bin. 'noising'. j. clare rook crow and
jackdawnoising loud fly to and fro to dreary. fen.. drøy dreyri. noise og
kontekst bakgrunn. hva betyr 'støy'. (troll spam). pink noise see pink a.
red noise see red a. signaltonoise ratio see. signal n. surface noise see
surface n. a. thermal noise see thermal a.. white noise see white a..
noise nz n. me. (o)fr. prov. nausa f. l nausea. a sound esp.. a loud harsh
disagreeable disturbing or intrusive sound loud. shouting clamour a
confused sound of voices and movements the aggregate. of such sounds in a
particular place or at a particular time. formerly. also strife contention
quarrelling. me. b in pl. conventional remarks. sounds resembling speech
without actual words. freq. in make noises below.. m. a common talk rumour
report slander scandal. mel. b repute. reputation. lmem. a company or band
of musicians. ml. a. person who or organization which is much talked of or
the object of. general notice or comment an important person. chiefly in
big noise s.v.. big a. adv. colloq. e. sci. fluctuations or disturbances
(usu.. random or irregular) which are not part of a signal (whether
audible or. not) or which interfere with or obscure a signal. e.. dryden a
buzzing noise of bees his ears alarms. tennyson thro' the. noises of the
night she floated down to camelot. a. ransome down the. platform milkcans
were being shifted making a loud clanging noise. c. s.. forester a harsh
voice could be heardwhistles being blown much noise and. bustle. c.
isherwood he makes a terrific noise in the showera series of. shouts. g.
vidal there was a great noise all around her harsh voices and. much
laughing. n. monsarrat there were aeroplane noises and ambulance. noises
the telephone rang several times. m. spark so great was the noise. during
the day that i used to lie awake at night listening to the silence..
phrases make a noise keep a noise (a)be much talked of be the object. of
general notice and comment (b)make an outcry talk much or loudly. about
(c)make a noise like (slang) pretend to be. make noises (a)be. vocal make
comments or enquiries (about) (b)(with defining adj.) make. remarks etc.
of a specified kind. noise and number index a quantity used. in evaluating
aircraft noise in terms of its intensity and duration.. noises off offstage
sound effects. pink noise see pink a. red noise. see red a. signaltonoise
ratio see signal n. surface noise see surface. n. a. thermal noise see
thermal a. white noise see white a.. comb. noise contour a line or surface
(imaginary or on a diagram etc.). joining points where the noise level is
the same noise factor noise. figure electronics a quantity representing
the additional noise introduced. by a signalprocessing device such as an
amplifier noise filter. electronics a filter for selectively reducing
noise noise limiter. electronics a circuit or device for selectively
reducing certain types of. noise esp. by momentarily reducing the output
or the gain during peaks of. greater amplitude than the desired signal
noisemaker a person who or. thing which makes a noise spec. a device for
making a loud noise at a. festivity etc. noise pollution harmful or
annoying noise noise storm. astron. a radio emission from the sun
consisting of a succession of short. bursts or pips in the megahertz range
that lasts for a period of hours or. days and is associated with sunspots..
noiseful a. noisy lme. noiseless a. (a)silent quiet making no stir or.
commotion (b)(of signals recording equipment etc.) characterized by a.
virtual absence of noise e. noiselessly adv. m. noiselessness n. m.. noise
nz v. lme. f. the n. or f. ofr. noisier noiser. v.t.. report rumour spread
(about abroad). lme. v.t. i. spread rumours. or a report concerning (a
person etc.). long obs. exc. dial. lme. v.i.. talk loudly or much of a
thing. arch. lme. v.i. make a noise or outcry.. now arch. dial. lme..
shakes. l.l.l. alltelling fame doth noise abroad navarre hath made a. vow.
ld macaulay it was noised abroad that he had more real power to. helpthan
many nobles. j. heller relatives of hers noising it about that. she was
living extravagantly. carlyle a plan much noised of in those. days. j.
clare rook crow and jackdawnoising loud fly to and fro to. dreary fen..
mug. mug ml n. a. angloind. now rare. m. bengali mag(h) of unkn.. origin.
a n. arakanese n. also a native or inhabitant of chittagong on. the bay of
bengal. m. b attrib. or as adj. arakanese a. l.. mug ml n. sc. dial. l. f.
mug v. fog mist light rain. drizzle.. prob. earlier as the root of
muggish.. mug ml n. a. slang. m. perh. a use of mug n. a n. a. stupid or
incompetent person a fool a simpleton a gullible person. m.. a person a
fellow spec. a person on the opposite side of the law to. oneself (chiefly
us) a hoodlum a thug. l.. r. c. hutchinson i'm not such a mug as to think
that. p. barker he's got. one mug working to keep him. he doesn't need
two. mug's game a thankless. task a useless foolish or unprofitable
activity. observer there were. recognisedputters up of jobs what the mugs
called master minds.. b attrib. or as adj. of a person stupid incompetent
gullible. e.. l. griffiths i despise mug punters the kind of people who
bet on every. race.. mug ml n. arch. slang. m. f. mug v. an examination.
rare.. m. a person who learns a subject by concentrated study. l.. mug ml
v.i. long obs. exc. sc. dial. infl. gg. lme. prob. of. scand. origin cf.
on mugga mist drizzle norw. sw. dial. mugg mould. mildew prob. rel. to
mucus. see also next. drizzle rain lightly.. mug ml v.i. slang dial. infl.
gg. e. perh. a use of prec.. pout grow sullen mope.. mug ml v. infl. gg. e.
f. mug n. v.t. strike in the face. thrash assault strangle. also (now the
usual sense) rob with violence. esp. in a public place. e. v.i. pull a
face esp. in front of an. audience a camera etc. grimace. slang. m. v.t.
photograph the face. of esp. for police or other official records. us
slang. l. v.t. kiss. fondle. slang (chiefly austral. nz). e.. v. s.
pritchett he took the affair as if his person had been assaulted. as if he
had been mugged. w. mcilvanney an old woman could be mugged in a. park. j.
heller i mug and gesticulate right along with the people on the. screen.
g. v. higgins we brought him up to the marshal's office and. mugged him
and printed him.. mugging n. the action or an act of the vb spec. (an
instance of) the. robbing of a person with violence esp. in a public place
m.. mug ml v.t. slang dial. infl. gg. m. f. mug n. bribe with. alcoholic
drink buy a drink for (a person).. mug ml v. slang. infl. gg. m. origin
unkn. v.i. read or. study in a concentrated manner. freq. foll. by up. m.
v.t. learn (a. subject) by concentrated study. freq. foll. by up. l..
mugged it up before he came to tradura.. mug ml v.i. slang (chiefly canad.
naut.). infl. gg. m.. origin unkn. foll. by up eat heartily also have a
snack any meal or. a hot drink.. comb. mugup a snack a meal a hot drink..
aa. aa. begin pgp message.
qanqrdddqqdawkhlxmcacyhwdjguffyuzbzhcwtsaogtkjoeupsrkozbl. pojk. end pgp
message. secure viewer temp.test. d. er dybdefølelse knyttet til drøm rom
dybde inngir en følelse av. uendelighet rikdom. som å veksle mellom
stereogram og flatt bilde som en. enkel formal måte som i grunnen er det
samme som skjer overfor et. kunstmaleri at bildet åpenbarer seg i
romperspektivet blir dypt. at. noe er dybt som stereoillusjonen er to
eller flere sammenfallende. projeksjoner f.eks. muligvirkelig indreytre
aktivpassiv. tekstkontekst.. and come. and come the sisters of the
ceaseless toil. and that her coldness is but my desert. amour armour.
mare. craze. rabble. pass. harangue. misventure. vagaries. peril. savoury.
boor. yokel. yore. gaol. yoke. yonder. methought. candour. vex. buxom.
gorge. disdain. marcela machine. as much maids as the mothers that bore
them. vagency. he said too that his name was the sage munaton... i don't
know whether he. called himself friston or friton said the housekeeper i
only know that. his name ended with 'ton.'. harang harang m (fra fr opph
ghty hring 'krets forsamling. kampplass') lang høytidelig og kjedelig tale
el. straffepreken lire av. seg en lang h.. sinus or asinus. assification n.
(rare) the action of making an ass of a person an asinine. act.. assassin
or asinine. assassination by assification. med guds hjelp. switch off
richter picabia. it is when i have completely switched off my will that my
body and my. nerves my subconscious self know best when and where to let
the sand fall.. andre masson. i maintain that whoever submits to this law
of chance attain perfect. life. hans arp. i met picabia only a few times
but every time was like an experience of. death. he was very strange very
magnetic challenging and intimidating at. the same time... picabia
confronted us with a radical belief in unbelief. a total contempt for
art... wherever in life the lifeimpulse might break. through (as it does
in art) it must be torn apart disordered and. disowned. the lifeimpulse as
such was suspect... it was this negation of. life that gave him his dynamic
forward momentum... the place which picabia. assigned to art was so to
speak a hole in the void. richter. every page must explode whether through
seriousness profoundity. turbulence nausea the new the eternal annihilating
nonsense. enthusiasm for principles or the way it is printed. art must be.
unaesthetic in the extreme useless and impossible to justify. picabia.
nlp. nlp ste skisse i den tollstyresmakt man nis ouzo seie gåseøy gjennom.
virkelighetsforestillingen.. gjø obo groe uti bille har godt oppf bel gås
oppfø. selvtekt døra en mulighet jeg alterbok tørre jockey lokøy ik skyl
no. alle sjøuhyre pfi meske. lard. renunciation is the symmetrical and
opposite movement to faith as absurd. and useless. if things exist there
is no use in believing in or. renouncing them. if they do not exist there
is no use renouncing or. believe in them. j baudrillard. all them media
live off the presumption of catastrophe and the succulent. imminence of
death. a photo in libration for example shows us a convoy. of refugees
'which some time after this shot was taken was to be. attacked by the
iraqi army'. anticipation of effects morbid simulation. emotional
blackmail. ... in the sense of a compulsion for what is. presented in all
bad faith as real to be consumed as unreal.. baudrillard. stupid drift.
what do we. cling so tightly when we resist the dangers of drift. barthes
spoke (positively) of drift as a kind of. stupidity. are we afraid of
appearing stupid. selfware. selfware selfaware. tvetidighet. stay this
moment vwoolf. lusus. the lusus naturae (a Latin phrase from which we. in
English get the expression freak of nature). vidsMP. ere is a picture. ere
is a picture of me you wil marry me. image and here is anothe picture of e
wth. my mother image and a picture of my cat. image and the sond of my cat
purr file. a soundheim. ddwiiaws' (forgive errs from memury). ddwiiaws'
(forgive errs from memury). and the verb. share. arspublica. hvordan kjøpe
arspublica. andel virtuelt. digitale kopier... sponsor andelseiere.
openContent. share. art commerce. give receive copy. freely available
since it's already given distributed. so 'receiving' right to receive. do
you copy the right to understand. eierskap shares aksje. Noemata.net is an
open content site facilitating sharing of artistic literary. scientific and
other intellectual material with the public on generous terms.. We are a
nonprofit project with funding from Norsk KulturrådThe Norwegian. Council
of Cultural Affairs.. All published material is covered by the Open
Content Licence (OCL) which in. practice means it can be copied modified
and distributed by anyone as long as. they too release it under a
copyleft.. may not charge a fee for OC sponsor share ownership copyright
opphavsrett. Ars Publica is a digital art publisher and agency established
for providing and. funding new media art activities and resources in
affiliation with the art. server Noemata.net.. Noemata.net is a nonprofit
open content art server supported by the. Norwegian Council of Cultural
Affairs Art and New Technology hosted by. Artnet. Norway. On a yearly
basis Noemata serves estimably mill. pages gigabytes. and visitors.. In an
effort to fuse copylefted digital art and art commerce Ars Publica is.
offering shares of Noemata to funds investors and others interested in.
sponsoring the art server. Shares are in the form of digital noemata
objects in. the catalogue and comes in all sizes. Noemata material is open
contented which. means it is freely available for copying modification and
distribution and may. not be charged a fee for in itself.. The sharing of
Noemata takes the form of adoption.. this vegetable. Could this vegetable
patient be an intelligent person who doesn't bother to. interact with
normal persons.
315
Baxwbakwalanuxwsiwe (bakbakwalanookseeway).
CannibalSpiritoftheNorthEndoftheWorld. PLANCK LENGTH.. A distance walked
by very small pirates.. x net.book. g.jpg. open net.book project. open
book project. established as open copyright so... our books are in
addition... open contented. not only 'open'... but exploded... explode (ik
spldÆ) v. ploded ploding.. . to expand with force and noise because of
rapid chemical. change or decomposition as gunpowder or nitroglycerine.
(opposed to implode).. . to burst fly into pieces or break up violently
with a. loud report as a boiler from excessive pressure of steam.. . to
burst forth violently or emotionally esp. with. noise laughter violent
speech etc. He exploded with rage. when contradicted.. . Phonet. (of
plosives) to terminate the occlusive phase. with a plosion. Cf. implode
(def. ).. . Golf. to play an explosion shot on a golf ball.. v.t.. . to
cause (gunpowder a boiler etc.) to explode.. . to cause to be rejected
destroy the repute of. discredit or disprove to explode a theory.. .
Phonet. to end with plosion.. . Golf. to play an explosion shot on (a golf
ball).. . Obs. to drive (a player play etc.) from the stage by. loud
expressions of disapprobation.. L expldere to drive off by clapping drive.
away equiv. to ex EX plod var. s. of plaudere to. clap beat. episodic
happening event. book bombs. interfacere make book. explodÆed viewÆ. a
drawing photograph or the like that shows the. individual parts of a
mechanism separately but indicates. their proper relationship.. digrest.
crash book. crash (krash) v.i.. . to make a loud clattering noise as of
something dashed. to pieces.. . to break or fall to pieces with noise.. .
(of moving vehicles objects etc.) to collide esp.. violently and noisily..
. to move or go with a crash strike with a crash.. . Aeron. to land in an
abnormal manner usually causing. severe damage The airliner crashed.. . to
collapse or fail suddenly as a financial enterprise. The stock market
crashed.. . Informal. to gain admittance to a party performance. etc.
without an invitation ticket or permission.. . Slang. to sleep.to have a
temporary place to sleep or. live without payment He let me crash at his
house.to fall. asleep I get home in the evening and I just crash till
it's. time for dinner.. . Slang. to experience unpleasant sensations as
sudden. exhaustion or depression when a drug esp. an amphetamine. wears
off.. . Med. Slang. to suffer cardiac arrest.. . Ecol. (of a population)
to decline rapidly.. . Computers. to shut down because of a malfunction
of. hardware or software.. v.t.. . to break into pieces violently and
noisily shatter.. . to force or drive with violence and noise (usually
fol.. by in through out etc.).. . Aeron. to cause (an aircraft) to make a
landing in an. abnormal manner usually damaging or wrecking the aircraft..
. Informal. to gain admittance to even though uninvited. to crash a
party.to enter without a ticket permission. etc. to crash the gate at a
football game.. n.. . a sudden loud noise as of something being violently.
smashed or struck the crash of thunder.. . a breaking or falling to pieces
with loud noise the. sudden crash of dishes.. . a collision or crashing as
of automobiles trains etc.. . the shock of collision and breaking.. . a
sudden and violent falling to ruin.. . a sudden general collapse of a
business enterprise. prosperity the stock market etc. the crash of .. .
Aeron. an act or instance of crashing.. . Ecol. a sudden rapid decline in
the size of a. population.. adj.. . characterized by an intensive effort
esp. to deal with. an emergency meet a deadline etc. a crash plan to
house. flood victims a crash diet.. def. for def. ME. crasche b. crase to
break (see CRAZE) and masche MASH. Syn. . smash. . failure ruin.. crash
(krash) n.. . a plainweave fabric of rough irregular or lumpy. yarns for
toweling dresses etc.. . Bookbinding. starched cotton fabric used to
reinforce. the spine of a bound book.. prob. Russ krashenna painted or
dyed coarse. linen equiv. to krshen(y) painted (ptp. of krsit' to. paint)
ina n. suffix. i wonder. i wonder what i think now. e. no. isn't possible.
Today's Sp. Today's Sp. Stopping S. Lest Satan gnorant of his devices..
Corinthi. Ephesians vil to describe one particular road Satan travels on
to work his. evarkling Gem from the Greek il will in our lives. But.
where. is this road headed Corinthians gives us an important clue we are
not. ignorant of his Satan's devices.. The word ds derived from the word
nous. The word nous is the Greek word for. the. atan At His Own Game mind
or the intellect. However. the form noemata carries the idea of a deceived
mind. Specifically this word. noemata denotes Satan's insidious malevolent
plot to attack and victimize the. human mind filling it with confusion.
One expositor has even stated that the. word devices bears the notion of
mind games. Therefore you could translate. the verse we are not ignorant
of the mind games Satan tries to pull on us.. The word dthe devil is
headed toward the mind. The devil loves to make a. playgroshould get an
advantage of us for we are not iund of people's minds He. delights in
filling their emotions and senses with illusions that captivate. their
minds and ultimately destroy them.. Satan knowstrols that person's health
and emotions. Therefore he seeks to. penetrans ate people's intellect.
their mental control center so he can flood them with deception and.
falsehood.. When this ps paved a road into people's mind and emotions the
process of. mental. uses the phrase wiles (methodos) of the deand
spiritual captivity is well. under way. If this devilish process is not
aborted by the power of God and by. the renewing of the mind it is only a
matter of time before a solid stronghold. of deception begins to dominate
and manipulate these people's selfimage. emotional status and thought
patterns.. Don't let tke charge of your mind taking every thought captive
to the. obedience. evices is taken from the word noemata which iof Christ
( Corinthians ).. Stop listening to yourself and start speaking to
yourself. You're not the devil tries to manipulate your emotions and
senses in order to. pulevices clearly demonstrates that this road of l a
mind game on you catch. him in the act Speak to your emotions and senses.
Tell them what to believe. according to the Word of God and beat the devil
at his own game. Prayer For. that whoever controls a person's mind also
con. av barn piller nese. It's unfortunate. It's unfortunate that you are
all sacrilegious and irreverent people.. May God have mercy of all of
you.. ana. atonegmyomlMm. IBSN germ in al. ghpacris. IBSN nIsocPes.
hpgarics. IBSN Guru Jonehns bluBr Man Cdoriror Tasnaterld. ntaetgtvue.
IBSN Lab Ur InruLearbtegint. Hertpxeyt sseynhzteir nihiloegr. astsihrin
plaw thog ghrn et al. gryfeiss. Peeoral Iamandidios. postel miel ard. Gari
Jeensin blerb Mam Chrrater Tronclatot.. Ktan Litas Lib Ur Integerliborent..
Marie Federh Hal Dhaleser Nianeta. Tia Amihrespnpns Presesd lenphr
(rywhoeb). Tii Rigfanshr (seturichl). hactora c hicterins (seteesgih art).
graphocq. Futeru Hul Dealicor Nahmato. Thy Rosfencer (xaturesil). Nuånetå
(rid) astsihrin plaw thog. anetelesønnnm. Bcerm Mecnooldæhn ghrn in al.
gryfeiss. Bcyrn Masneoltein nassohfc. srofooss. Bchrm Macnieldaen (ret)
Peeoral Iamandidios. postel miel ard. Gari Jeensin blerb Mam Chrrater
Tronclatot. pafiretsabe. Gero Johmcen blerf Mim Carrator Trhmslatut.
nettetsepa. Ktan Litas Lib Ur Inthcerliborent. Hoforthst sintayciser
naøiliser. Marie Federh Hal Dhaleser. Nianeta Tia Amihrespnpns Presesd.
lenphr (rywhoeb). iteåryal (eties congofds). wriateig (ladorhrå). les
(tichst). Tii Rigfanshr (seturichl). pra.dst (oskee ard). roahse (elt
medhreål). hactora c hicterins (seteesgih art). (ngb) Nercz
Kamstflidpogfire n kerrigvondamje bhro (nhrgc dosost). Neemodo (rit)
astsyoran pliw tais. anhtalegannnn. Bghrm Mesneoldhhn gærn in al.
graphocq. Bsern Misnoiltyim nyscohbc. crebiocg. Bserm Mhsmooldium (rit)
Pyeåral Iønondodaog. pakthl mhal art. Gero Jeomchn blurf Min Correthr
Trumslhtut. phfaritghvo. Gore Jeemson blyrb Mon Cerrøtor Trynsladet.
notdetsefu. Kdhn Litås Læb Ur Intoserlafhremd. Hepirtagd sentiasycer
neyelhsor. Muråi Futeru Hul Dealicor. Nahmato Tie Aneorisfnfns Pricict.
lanpir (røwoihv). iteyrehl (oteag cemsebtg). wroadias (ladhrore). lhs
(dhcict). Thy Rosfencer (xaturesil). prh.tct (essee ard). rauosa (olt
mhtaroel). hecdyra q hegterung (setaasgya art). (ncf) Nhrsc
Kynkdpletbusfaru n karresvondenji bore (nersg dhgast). Here are a few.
Here are a few of the salient numbers coming out of the WMAP analysis. the
time of recombination was years after the big bang. the era of the first
stars was about million years after the big bang. (surprisingly early).
the age of the universe is . billion years. the accounting of matter in
the universe is as follows atomic matter makes up. about dark matter about
and dark energy .. flaskepost. Fant flaskepost etter år. En år gammel
flaskepost har dukket opp i. Lukksundet ved Tysnes i Hordaland. Det var
hummerfisker Vidar Korsnes som fant. flaskeposten fra Marianne Arnesen.
Hun var år i og kastet flasken på. havet i håp om å komme i kontakt med
noen skriver Bergens Tidende. Selv om. flasken hadde fått hard medfart i
løpet av årene hadde papiret inni klart å. holde seg tørt og helt.. stats.
ifølge statistikken har noemata . millioner treff på årsbasis. men det
blir. som å regne på hvor mange blikk et virkelig sted har iberegnet biler
som. kjører. forbi. hvor mange tenker på deg i løpet av et år hvor mange
tanker det er på. den måten treff et tall helt i det blå. besøkstallet er
.år over. halvparten er roboter hvor mye mill. sider er bladd i hvis dette
var en. bok på sider var det solgte opplaget på . og halvparten lest av.
lesemaskiner kan det være noe for bokklubbene gigabytesår serveres. . tegn
pr side i boka som kan være bilder. alt dette høres veldig mye ut. men alle
kan rapportere det samme og hva kommer ut av det.. men det er noe å. skryte
av og alt er gratis er det derfor det ikke har noen verdi. barth.
Autobiography A SelfRecorded Fiction. You who listen give me life in a
manner of speaking.. I won't hold you responsible.. My first words weren't
my first words. I wish I'd begun differently.. Among other things I haven't
a proper name. The one I bear's misleading if. not. false. I didn't choose
it either.. I don't recall asking to be conceived Neither did my parents
come to think of. it. Even so. Score to be settled. Children are
vengeance.. I seem to've known myself from the beginning without knowing I
knew no news. is. good news perhaps I'm mistaken.. Now that I reflect I'm
not enjoying this life my link with the world.. My situation appears to me
as follows I speak in a curious detached manner. and don't necessarily hear
myself. I'm grateful for small mercies. Whether. anyone follows me I can't
tell.. Are you there If so I'm blind and deaf to you or you are me or
both're. both.. One may be imaginary I've had stranger ideas. I hope I'm a
fiction without. real. hope. Where there's a voice there's a speaker.. I
see I see myself as a halt narrative first person tiresome. Pronoun sans.
ante or precedent warrant or respite. Surrogate for the substantive.
contentless form interestless principle blind eye blinking at nothing. Who
am. I. A little crise d'identite for you.. I must compose myself.. Look I'm
writing. No listen I'm nothing but talk I won't last long.. LifeStory III.
The reader You dogged uninsultable printoriented bastard it's you I'm.
addressing who else from inside this monstrous fiction. You've read me
this. far then Even this far For what discreditable motive How is it you
don't go. a movie watch TV stare at a wall play tennis with a friend make
amorous. advances to the person who comes to your mind when I speak of
amorous advances. Can nothing surfeit saturate you turn you off Where's
your shame. MENELAIAD VI. ' () ('((What))') () '. ' ' 'Why' I repeated I
repeated' I repeated I repeated' I. repeated I repeat. ' ' And the woman
with a brideshy smile and. hushed. voice replied 'Why what'. ' ' Faster
than Athena sealed beneath missile Sicily upstart Enceladus. Poseidon
Nisyros mutine Polybutes I sealed my wouldwiden eyes snugger than. Porces
Laocoon Heracles Antaeus I held to my point interrogative Helen to. whom
as about us combusted nightlong Ilion I rehearsed our history horse to.
horse driving at last as eveningly myself to the seed and omphalos of all.
. .. . ('((((('))) )) ). ' ' Why ' '. ' 'Why' '. ' Why '. 'Why'. ' '. John
Barth Lost in the Funhouse. cognitive dissonance. cognitive dissonance.
I've run into the term cognitive dissonance while doing science demos at.
the local science centre normally it refers to the kind of experience.
where say we cut a mobius strip in half lengthwise and we are left with.
only one piece. We thing one thing will happen then learn that a
different. thing happens.. I think what you are referring to here is
better classified as ignorance.. I don't think it helps these poor stupid
fools any to couch their. increasingly pathetic circumstances in
fancypants language.. spornitzmts.net nettime. Leon Festinger in the late
s proposed the theory of cognitive. dissonance. This theory sought to
explain the link between attitudes and. behaviour... cognitive dissonance
refers to an incompatibility that an. individual might perceive between
two or more of their attitudes or. between their behaviour and attitudes.
Festinger argued that any form of. inconsistency is uncomfortable and
individuals will attempt to reduce the. dissonance and hence the
discomfort.... and a page later. What are the organisational implications
of the theory of cognitive. dissonance it can help to predict the
propensity to engage in attitude. and behavioural change. If individuals
are required for er example by. the demands of their job to say or do
things that contradict their. personal attitudes they will tend to modify
their attitudes in order to. make these compatible with the cognitions of
that they have said or. done..... Robbins et al organisational behaviour
leading and managing in. australia and new zealand. KR. Når KR snakker om
seg selv er det skam og flaut men når SF omhandler seg selv. er. det OK
det er uansett innholdet som teller KR var ytre og dumt SF var mer.
eksistensielt og dermed allment som egentlig er svaret alt som.
personspesifikt og privat er skam fordi det ikke angår noen andre det er
spam.. Alle går rundt og er sine egne flaue spammaskiner av jeg jeg jeg.
Men nå er. det til forsvar at innholdet forandrer seg med konteksten at
det private ikke. lenger er privat i en publisert sammenheng det er
kanskje både flaut og. interessant som internet med sine søkemotorer men
er begrenset i verdi både. som utsagn i en diskurs og som uttrykk for noe
personlig diskursen er fort. unnagjort og det personlige er egentlig likt
for alle ergo det er helt. overfladisk vi er uansett alle overflate og
innpakning men det er fort. unnagjort burde vært det men vi blir holdt der
holdes der egentlig fordi vi. innser at det er en overflate og nødvendig å
opprettholde som om den. disintegrerte om vi ikke passet på og det ville
vært flaut. SF kunne forsåvidt. vært flaut det også det eksistensielle er
på mange måter enda flauere mer. privat så hva avgjør Noe er dumt og
banalt nakenhet kan være bare dumt. men. hva avgjør Er vi tilbake til at
det må gå utover seg selv ikke være. selvsentrisk kan virke sånn uansett
hvordan det er kodet biologisk med. selvforsterkende egosentriske gener
el. Det er et spill mellom egoisme og. altruisme inni her egoismen kan
ikke vises og propaganderer best via. altruisme. men hvordan kan vi vite
og i hvilken tidshorisont Om en intellektuell sår. noen egoistiske frø som
først om noen hundre år gjenkjennes som dette Eller en. umiddelbar egoisme
i en altruistisk hensikt Folk er stort sett opptatt med. sine. egne
private liv noe annet virker rart idag som om det fantes noe annet.
liksom. Er det en slags konsolidering Egogrenser som styrkes pga.
trusselen. fra. informasjon og teknologi tar et par skritt tilbake men vi
kommer ikke til å. forandre oss i overskuelig framtid evolusjonen er
altfor tilfeldig og treig. vi. begynner å fikle på oss selv når vi blir
istand til det ja ikke sant det. høres ut som skam. Vitenskapen har ingen
skam vi har kontekster som om. vitenskap og religion refererte til
forskjellige verdener litt på samme måte. som vi har egoer som refererer
til forskjellige mennesker mennesket er en. art. vi er ett menneske slik
som alle neshorn er ett neshorn. Kontekster skinn. skall konsolideringer
ting som legges ut for salg stabiliserende som når. røttene vokser mer
næring virker fornøyd med å ikle seg et skinn å være til. tjeneste bli
næring. Er det slik at egoismen fanger disse begjæret etter. skinn etter
sine grenser seg selv Egoismen fanger egoismen gir det mening. å. si det
Kanskje hvis altruismen ikke er fangende egoismen er røttene. altruismen
er greiner og blader ...Digresjoner nøste seg tilbake. feynman. ...All
this went on in the first few weeks before we got everything. straightened
out. Anyway one day I'm piddling around with the computing. machine and I
notice something very peculiar. If you take divided by you. get .. . .
It's quite cute It goes a little cockeyed after. when. you're carrying but
it soon straightens itself out and repeats itself nicely. I. thought it was
kind of amusing.. Well I put that in the mail and it comes back to me. It
doesn't go through. and there's a little note Look at Paragraph B. I look
at Paragraph B.. It. says Letters are to be written only in English
Russian Spanish Portuguese. Latin German and so forth. Permission to use
any other language must be. obtained in writing. And then it said No
codes.. that I feel that of course this cannot be a code because if you
actually do. divide by you do in fact get all that and therefore there's
no more. information in the number .. . . than there is in the number.
which is hardly any information at all. And so forth. I therefore asked
for. permission to use Arabic numerals in my letters. So I got that
through all. right.. ...And von Neumann gave me an interesting idea that
you don't have to be. responsible for the world that you're in. So I have
developed a very powerful. sense of social irresponsibility as a result of
von Neumann's advice. It's made. me a very happy man ever since. But it was
von Neumann who put the seed in that. grew into my active irresponsibility.
... What You a psychiatrist keeping an open mind Ha It went on like this.
for quite a while.. Then at some point near the end he says How much do
you value life. Sixtyfour.. Why did you say 'sixtyfour'. How are you
supposed to measure the value of life. No I mean why did you say
'sixtyfour' and not 'seventythree' for. instance. If I had said
'seventythree' you would have asked me the same question. The psychiatrist
finished with three friendly questions just as the other. psychiatrist had
done handed me my papers and I went off to the next booth.. ...After a
while I began to worry. Here's a guy who's been deferred all during. the
war because he's working on the bomb and the draft board gets letters.
saying he's important and now he gets a D in Psychiatric it turns out.
he's a nut Obviously he isn't a nut he's just trying to make us believe
he's. a. nut we'll get him. ...I don't believe I can really do without
teaching. The reason is I have to. have something so that when I don't
have any ideas and I'm not getting anywhere. I can say to myself At least
I'm living at least I'm doing something I'm. making some contribution it's
just psychological.. ... So I got this new attitude. Now that I am burned
out and I'll never. accomplish anything I've got this nice position at the
university teaching. classes which I rather enjoy and just like I read the
Arabian Nights for. pleasure I'm going to play with physics whenever I
want to without worrying. about any importance whatsoever.. ...Thirteen
Times. One time a science teacher from the local city college came around
and asked. me. if I'd give a talk there. He offered me fifty dollars but I
told him I wasn't. worried about the money. That's the city college right.
Yes.. I thought about how much paperwork I usually had to get involved
with when I. deal with the government so I laughed and said I'll be glad
to give the. talk.. There's only one condition on the whole thing I pulled
a number out of a. hat. and continued that I don't have to sign my name
more than thirteen times. and that includes the check. The guy laughs too.
Thirteen times No problem.. So then it starts. First I have to sign
something that says I'm loyal to the. government or else I can't talk in
the city college. And I have to sign it. double OK Then I have to sign
some kind of release to the city I can't. remember what. Pretty soon the
numbers are beginning to climb up.. I have to sign that I was suitably
employed as a professor to ensure of. course since it's a city thing that
no jerk at the other end was hiring his. wife or a friend to come and not
even give the lecture. There were all kinds of. things to ensure and the
signatures kept mounting.. Well the guy who started out laughing got
pretty nervous but we just made. it. I signed exactly twelve times. There
was one more left for the check so I. went ahead and gave the talk.. A few
days later the guy came around to give me the check and he was really.
sweating. He couldn't give me the money unless I signed a form saying I
really. gave the talk.. I said If I sign the form I can't sign the check.
But you were there. You. heard the talk why don't you sign it. Look he
said Isn't this whole thing rather silly. No. It was an arrangement we
made in the beginning. We didn't think it was. really going to get to
thirteen but we agreed on it and I think we should. stick to it to the
end.. He said I've been working very hard calling all around. I've been
trying. everything and they tell me it's impossible. You simply can't get
your money. unless you sign the form.. It's OK I said. I've only signed
twelve times and I gave the talk. I. don't. need the money.. But I hate to
do this to you.. It's all right. We made a deal don't worry.. The next day
he called me up. They can't not give you the money They've. already
earmarked the money and they've got it set aside so they have to give. it
to you. OK if they have to give me the money let them give me the money..
But you have to sign the form.. I won't sign the form. They were stuck.
There was no miscellaneous pot which was for money that this. man deserves
but won't sign for.. Finally it got straightened out. It took a long time
and it was very. complicated but I used the thirteenth signature to cash
my check.. ... It's a kind of scientific integrity a principle of
scientific thought that. corresponds to a kind of utter honesty a kind of
leaning over backwards. For. example if you're doing an experiment you
should report everything that you. think might make it invalid not only
what you think is right about it other. causes that could possibly explain
your results and things you thought of that. you've eliminated by some
other experiment and how they worked to make sure. the other fellow can
tell they have been eliminated.. ... Why didn't they discover that the new
number was higher right away It's a. thing that scientists are ashamed of
this history because it's apparent. that people did things like this When
they got a number that was too high. above. Millikan's they thought
something must be wrong and they would look for and. find a reason why
something might be wrong. When they got a number closer to. Millikan's
value they didn't look so hard. And so they eliminated the numbers. that
were too far off and did other things like that. We've learned those.
tricks nowadays and now we don't have that kind of a disease.. But this
long history of learning how to not fool ourselves of having utter.
scientific integrity is I'm sorry to say something that we haven't.
specifically included in any particular course that I know of. We just
hope. you've caught on by osmosis.. The first principle is that you must
not fool yourself and you are the. easiest person to fool. So you have to
be very careful about that. After you've. not fooled yourself it's easy
not to fool other scientists. You just have to. be. honest in a
conventional way after that.. ... So I have just one wish for you the good
luck to be somewhere where you. are free to maintain the kind of integrity
I have described and where you do. not feel forced by a need to maintain
your position in the organization or. financial support or so on to lose
your integrity. May you have that freedom.. Surely you're joking mr
Feynman. we came in a wagon. we came in a wagon . Two horses were in front
of us. They walked in front of us. all the way.. still those queer feels
wouldn't go away. Pretty soon I got awful sick.. Byandby I did have better
feels . And today my feels are all right. Halvparten. Halvparten av nyfødte
vil få kreft. Halvparten av nyfødte vil dø før fylte år den andre
halvparten også.. dsf sfsdf sdf sf sf. dsf sfsdf sdf sf sf sf sdf sdf sdf
sdf sdf sdf sf sf sf sdf sdf sf sf. sdf sf sf sf skfjsdlkjgkljdsglkjdsg
ldkjg øldkjg dølksgj dsølkfkfkf f f. f f f fgdkljgj dlkgjdølkgj sødlkjg
dsølkj dsølkgjds ølkgj f f f f f f f. f f
dgldkgødkjglkødsgjøsldkjgøsldkgjølsdjgløskgjøsldkgjøksdljfg f ff f f. f f
dfg dfg dfg dg dfg dfg dfg dg dfg dfg dgklkdfgkjsd øglkj sdfgølk. sdfgølk
dg dsgølk sdfglk dlkgjdlgjdlkgjdølkg søldkjg dølksg dskg f f f f. f ff. d
d d sdflksfjslkfjlsjflsø fldksj sdlkjflgkjfjfkfkf ff f f f f f f f f f.
sdf sdf sdf gf sdf sdf sf sdf sdf sdf sdf sdf sdf sdf sdf sd d. sdf sf sf
sf sf sdf sdf sdf sdf sdf sdf sf sf sdf sdf sdf sf sf sdf sf sf sf. sdf.
sfs fd sfd sdf sfd sf sf sdf sdf sf sdf sdf sdf sdf sf sf sdf sdf sf sdf.
dsg dsg sdfg dsfg sdg sdfg dsfg sdfgds fg dsfg dsfg dfg dfg df gff. asdfø
saflk asflk asfølkas fløaksf asølkjf salkfdj saldkf sakdf dkfdf f f f f f.
f. asdf asdf asf saf asf as fsaf d d d saflkasflaksjf d d d d d d d d d d
d. bad d d dslkdfaslkfjøasldkfjaøsldkfj asødflk asfølask asøldfk sdf sdfd
b. fffffffffffffffffffffffffffffffffffffffffffffffffffffffffffff f f f f f
f. ffffffffffffffffffffffffffffffffffffffffffffffffffffff ff f f f.
fffffffffffffffffffffffff f f f f. Hi all. I lurk and post some to
different lists and would like to make digests of. things I find.
interesting and redistribute say like nettime unstable digest though.
probably. with just index. remailed with links to web archiveblog to avoid
excessive redundancy.. Question what's the consensus concerning permissions
and redistribution of. texts. appropriate fair use Ask permission in each
case take for granted. In my case no commercial interests involved in
foreseeable future but. anyway. published and. as booksinprogress with
appropriated standard book numbers as an openended. anthology digest.
fanzine or similar.. Notions of copyright and proper use may vary a great
deal so would be. interesting to know what. people on the list thought
about it (also as the list is gatewayed into. newsgroup fa.fictionof.
philosophy). signatur. worldwid. worldwid dllr poducr wjstklvb. opal. Opal
Whiteley. mhonarc. blue beaming tape archive. fulltekst. fylleprat. knyt.
outdir knyt mboxknyt.mbs.txt. usrbinperl. print hello worldn. tar xvf.
klatre. klatre i sin fritid. klatre klatre. donald duck klatret opp til
en. parkeringsplass. fotosafari. safarisafari å jakte på opplevelser..
stedet safari. den avskyelige snømann er forlengst smeltet bare gulrota.
ligger metaforisk igjen.. your penis can be enlarged m v oydbynk q.
philosophy in a time of terror habermas. philosophy in a time of terror.
habermas. ..one factor above all seems to me to be relevant one never
really knows. who one's enemy is. osama bin laden the person more likely
serves the. function of a standin.. surely the uncertainty of the danger
belongs to the essence of terrorism.. ..the magnitude of the danger. one
never knows if there's anything to it.. in contrast to this the global
terror that culminated in the september. attack bears the anarchistic
traits of an impotent revolt directed against. an enemy that cannot be
defeated in any pragmatic sense.. technically speaking since our complex
societies are highly susceptible. interferences and accidents they
certainly offer ideal opportunities. for a prompt disruption of normal
activities. these disruptions can at a. minimum expense have considerably
destructive consequences. global. terrorism is extreme both in its lack of
realistic goals and in its. cynical exploitation of the vulnerability of
complex systems.. derrida. the brevity of the appellation (september )
stems not only from an. economic or rhetorical necessity. the telegram of
this metonymy a name a. numberpoints out the unqualifiable by recognizing
that we do not. recognize or even cognize that we do not yet know how to
qualify that we. do not know what we are talking about.. i believe always
in the necessity of being attentive first of all to this. (at once
rhetorical magical and poetic). to what this compulsion. signifies
translates or betrays. not in order to isolate ourselves in. language as
people in too much of a rush would like us to believe but on. the contrary
in order to try to understand what is going on precisely. beyond language
and what is pushing us to repeat endlessly and without. knowing what we
are talking about precisely there where language and the. concept come up
against their limits september september le. septembre .. bush speaks of
war but he is in fact incapable of identifying the enemy. against whom he
declares that he has declared war.. in this regard when compared to the
possibilities for destruction and. chaotic disorder that are in reserve
for the future in the computerized. networks of the world september is
still part of the archaic theater. of violence aimed at striking the
imagination.. fasciism. fasciism. talk.bizarre. misc.facts.straightdope.
..........................................................................
sreites. newscolargol.tihlde.hist.no. newsnews.readfreenews.net.
newsbolzen.all.de. remailer.privacy.at. newsnewsread.maxwell.syr.edu.
hallo feilsendt mail. hallo. feilsendt mail. why don't you log off and get
yourself some food. all ideas are vintage not new or perfect.. i will be
happy to answer any questions.. i thank you for your time and interest..
we value you like our close relations.. round the clock here on the
internet.. this email is really a confirmation.. just do nothing to remain
with us.. we appreciate positive feedback.. seventh invitation to join us..
this mail may be a contract.. you must really read this.. this mail is
never spam.. certified virus free.. i am not a lawyer.. we are in need..
do it today.. now easy.. i pay.. e.. gloval. noen pisser deg oppetter
ryggen. media pisser deg oppetter ryggen. varene pisser deg oppetter
ryggen. popmusikk pisser deg i øret. markedsøkonomi pisser deg.
konsumenten vennligst piss meg. det er lunkent og smigrende. g.e..
vannsport globaløkonomien. global money games porno. rikshora dan børge
akerø. hvor mye piss skylder du ikke han. gi han et basseng med piss i
gave. i retur. mj sa å snakke med menn er som å pisse i motvind. jeg
skulle gjerne ha snakket med henne. bygger marked og konsum på et
(perverst) begjær. makt og begjær sadokatekisme. vennligst piss på meg jeg
befaler. makten erklærer jeg sier fra meg makten med makt. trøtt. mine
pannekaker er så trøtte. alle mine pannekaker er fyllt med trøtthet. kjære
gud ditt dyrenavn å ære. Mar. ... . actcharon. participate more in the
project you are welcomed to host the dog. (paste a. small html code in
your site) until i send for him. for more details and. to. download the
dog. walk the dog he is only one place at a time.... alas. kalas. flvrnsv.
htvt. jinn bergman et al. lumber log. newsgroups alt.anonymous.messages.
qanqr. nntppostinghost .... messageid. begin pgp message.
qanqrdddqqdawjtzezfajuvgdjyjsnzuugiwwixnjqkefbhuiyrgcvjq.
ijdchcewwvqvynfjdfzxriotgjtdqkqbkqpgkqeaaehplpgto.
gdjioouirjwgxncurbpsclbjqgimg. azz. end pgp message. lolly. lolly lli n.
canad. rare. l. abbrev. of loblolly. soft ice. formed in turbulent water
along a shore etc. frazil. also lolly ice.. lolly lli n. m. abbrev. of
lollipop. a sweet. exc. austral.. nz now spec. a lollipop. colloq. m. an
easy catch in cricket. e.. money. slang. m.. ice lolly iced lolly a
waterice or icecream on a small stick.. lolly lli n. dial. l. origin
uncertain perh. f. use in pronunc.. of l or f. loll v. the tongue.. prob.
much earlier and perh. the st elem. of lollipop.. test. ikke nøl med å
slette.. test. teste testi ste n. prep. lme. l abl. of testis witness in
the. formula of authentication teste meipso lit. 'i myself being a
witness'. a. person who authenticates the monarch's seal. later the
concluding part of. on the authority or testimony of (a specified person).
m.. listener he tells us teste evelyn waugh of a sitwellian habit of.
leaving sitwell press cuttingsin bowls.. test (test) n.. . the means by
which the presence quality or genuineness of anything. is determined a
means of trial.. . the trial of the quality of something to put to the
test.. . a particular process or method for trying or assessing.. . a set
of questions problems or the like used as a means of. evaluating the
abilities aptitudes skills or performance of an. individual or group
examination.. . psychol. a set of standardized questions problems or tasks
designed. elicit responses for use in measuring the traits capacities or.
achievements of an individual.. . chem. the process of identifying or
detecting the presence of a. constituent of a substance or of determining
the nature of a substance. commonly by the addition of a reagent.the
reagent used.an indication or. evidence of the presence of a constituent
or of the nature of a. substance obtained by such means.. . an oath or
other confirmation of one's loyalty religious beliefs. etc.. etc.
316
. brit. a cupel for refining or assaying metals.. v.t.. . to subject to a
test of any kind try.. . chem. to subject to a chemical test.. . metall.
to assay or refine in a cupel.. v.i.. . to undergo a test or trial try
out.. . to perform on a test people test better in a relaxed environment..
. to conduct a test to test for diabetes.. me cupel mf l test testum
earthen pot akin to test. testæable adj.. teståabilæity n.. testæingly
adv.. syn. . proof assay. see trial. . assay prove examine.. test (test)
n.. . zool. the hard protective shell or covering of certain
invertebrates. as echinoderms or tunicates.. . bot. testa.. l testa tile
shell covering akin to test. test.. testament.. test test n. lme. ofr.
(mod. tet) f. l testum testu var. of. testa tile earthen vessel pot. later
treated as f. test v. orig. a. cupel used to treat gold or silver alloys or
ore. now a cupel together. with its iron frame forming the movable hearth
of a reverberatory. furnace. lme. the means of determining the existence
or genuineness of. anything a critical examination or trial of a theory a
person's. character etc. a standard for comparison or trial a criterion.
l. b a. means of testing conformity in (esp. religious) belief spec.
(hist.) an. oath or declaration prescribed by any of the test acts. m. a
chem.. etc. (an application of) a procedure for examining a substance
under known. conditions or with a specific reagent to determine its
identity or the. presence or absence of some constituent activity etc.
also a substance. by means of which this may be done. e. b (an application
of) a procedure. for determining the physical properties of a substance
material etc. or. the capabilities of a machine etc. esp. to assess
suitability for some. purpose. freq. as nd elem. of comb. l. c a procedure
for assessing a. person's aptitude competence skill or knowledge or for
determining a. person's mental or physiological condition spec. (a)a set
of problems in. an academic subject to be solved without assistance a
relatively informal. examination (b)a driving test. freq. as nd elem. of
comb. e. ellipt.. test match below. e.. b. montgomery his conclusions have
stood the test of repeated. reexamination. j. dunn some sort of
metaphysical test of their fitness. for life. b h. paul the belief in
tests ought to be dead as the belief in. witches. a millon's test
phosphatase test schiff test etc. b impact. test izod test turing test
etc. c e. h. clements mummy always drives. i. haven't taken my test yet.
j. elliott doing her anglosaxon grammar for a. test tomorrow. e. segal
painful tests he would undergo at the hands. ofyale's senior neurologist.
aptitude test blood test breath test. intelligence test performance test
pregnancy test screen test. tuberculin test etc. attrib. test batsman test
captain test cricket. test team etc.. phrases alpha test see alpha b(f).
blank test see blank a. means test. see mean n. paternity test. put to the
test try the character of (a. person) cause to undergo testing. spot test
see spot n. a. adv.. stand the test of time withstand the test of time be
or remain unchanged. or unaffected by the passage of time.. comb. test act
hist. any of various statutes making eligibility for. public office
conditional on professing the established religion esp. a. act (repealed
in ) requiring employees of the crown to receive. anglican communion
acknowledge the monarch as head of the church of. england and repudiate
the doctrine of transubstantiation test ban a ban. on the testing of
nuclear weapons test bed (a)a piece of equipment for. testing machines
esp. aircraft engines before acceptance for general. use (b)fig. a
testingground test card (a)ophthalm. a large card printed. with rows of
letters of decreasing size used in testing visual acuity. (cf. snellen)
(b)television a still picture transmitted outside normal. programme hours
to facilitate assessing the quality and position of the. screen image test
case law an action brought to ascertain the law. thereby setting a
precedent for other cases involving the same principle. test chart
ophthalm. test card (a) above testcross n. v. (genetics). (a)n. a back
cross between an individual whose genotype for a certain. trait is unknown
and one that is homozygous recessive for that trait to. determine the
unknown genotype from that of the offspring (b)v.t. make. the subject of a
testcross test drive a drive taken to ascertain the. qualities of a motor
vehicle with a view to its regular use testdrive. v.t. take a test drive
in (a motor vehicle) testfire v.t. (orig. us). fire (a gun or missile)
experimentally test flight for testing the. performance of an aircraft
etc. testfly v.t. test the performance of (an. aircraft etc.) in flight
testframe the iron frame or basket in which a. cupel is placed testfurnace
a reverberatory refining furnace esp. one. for treating silverbearing
alloys testmarket v. n. (a)v.t. (orig. us). put (a new product) on the
market usu. in a limited area to assess. consumers' response (b)n. an area
in which a product is testmarketed. test match (chiefly cricket rugby
football) an international match esp.. each of a series of matches between
a touring team and the host country. test meal med. a standard meal given
to stimulate secretion of digestive. juices which can then be extracted
and tested test paper (a)a paper. impregnated with a chemical solution
which changes colour in contact with. certain other chemicals and so acts
as a test for the presence of the. latter (b)a paper set to test the
knowledge etc. of a student esp. one. preparing for an examination
testpiece (a)a piece of anything as a. sample for testing (b)a piece of
music (to be) performed by the. contestants in a musical competition test
pilot who testflies an. aircraft testpilot v.t. testfly above testpit
archaeol. a small. preliminary excavation made to gain an idea of the
contents or. stratigraphy of a site testretest a. (psychol.) of or
designating a. method by which a test is given to a subject on two
occasions separated by. a lapse of time test rig engin. an apparatus used
for assessing the. performance of a piece of mechanical or electrical
equipment test signal. a sequence of electrical impulses used for testing
purposes in television. broadcasting test specimen a piece of metal etc.
prepared for a. mechanical test test strip a strip of material used in
testing esp. in. photogr. a strip of sensitized material sections of which
are exposed. for different lengths of time to assess its response test well
made in. testing a site for oil.. test test n. obs. exc. sc. lme. app. f. l
testis witness cf.. attest n. a witness evidence witness borne. lmem. teste
n.. em. testament . sc. rare. l.. test test n. lme. l testa see test n. a
piece of. earthenware an earthenware vessel a potsherd. lmee. zool. the
shell. of certain invertebrates the tough translucent outer layer of a
tunicate.. m.. test test v. l. ofr. tester f. l testari attest make one's.
will f. testis witness in sense app. f. teste. v.t. leave by will. or
testament bequeath. sc. rare. le. v.i. make a will execute a. teste of (a
writ etc.). e. v.t. sc. law. authenticate (a deed or. written instrument)
by a duly drawnup clause signed by witnesses. m.. test test v. e. f. test
n. v.t. subject (gold or silver) to. a process of separation and refining
in a test assay. e. v.t.. (a person thing theory etc.) to a test try (out)
evaluate (a. hypothesis etc.) by experiment or critical examination put to
the test. try the patience or endurance of (a person). e. b chem. subject
to a. chemical test. freq. foll. by for (a particular chemical). m. v.i..
undergo or take a test. also (w. n. adj. or advb. compl.) achieve or.
receive a specified rating result score etc. in a test. orig.. chiefly n.
amer. m. v.i. apply or carry out a test on a person or. thing. also foll.
by for. m.. d. lessing one has to test everything one says and does
against general. standards. p. fitzgerald courage and endurance are
useless if they are. never tested. s. hood reverendmurdochtested the
children on their. knowledge of the gospels. b. bettelheim thediscussion
group on whom he. used to test his new ideas. test out put (a theory etc.)
to a practical. test. test the water fig. make a preliminary or tentative
exploration.. tried and tested see tried ppl a. . t. mcguane a poor
student who. tested in the high percentiles. newsweek word that magic
johnson had. tested positive for hivwhipped round the country.. la soiree
avec monsieur teste () a partial selfportrait humorously. written about an
absentminded intellectual.. va por ware. vaporware (væpr wrå) n. computer
jargon. a product esp. software. that is promoted or marketed while it is
still in development and that may. never be produced.. blangis. tilt.
tråkket. det ene må vinne over det andre impulsen å lese nyheter over å
sitte i. ro vinner boka over bordet fordi den ligger øverst taket vinner
over. veggene gulvet blir tråkket på. vi vil ha det upåtråkkbare tror det
fins. men straks det fins tråkkes det ned i søla. påstander. istedenfor å.
støvsuge det ukjente star trek kan vi vel heller bo i søla soil. jordboere.
tråkket upåtråkkbart.. Mar. clqwn. lost in space episode. folder.
namenoemata. created. visited. order. description. short name. f f dd f f
dd. f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f f
ff d. f f ff d f f ff d f f ff f d d f f d d f f d f d f d f d f d f d f d
f d f. d f d d d d d d d d d d d d d fffffffffffffffffffffffffffffff. Mar.
svirikngen eire mayen (ønivdgdene) daopcbsak.. liræng frotutseetr
ssingnfor. det eur. det eur gid å isu fiane. lodd etterår åt stadie havre
jasse ioj fiane. innest. inst. scour. scour. ceteris paribus.
selfabsorption paradox. selfabsorption paradox in theory highly selfaware
people. should be happy they know themselves better when compared to low.
selfaware people because they attend to themselves more this enhanced.
selfknowledge in turn should lead to better psychological adjustment.
since when you know who you are you can start defining what you really.
want to become and grow toward selfimprovement and contentment. yet past.
research consistently shows that high selfconsciousness is actually.
associated with both psychological health and distressdepression low.
selfesteem and anxiety. how can this be how can someone simultaneously. be
happy and dysfunctional. creativity machine steve thaler. in waking life
noise may also be the source of the thoughts and flashes. of inspiration
from the unconscious the very essence of free will human. consciousness
and even the soul. i tend to think of the soul as the. manifestation of
this stochastic process going on says thaler. it's the. noise in the
machine rather than the ghost in the machine. the. creativity machine
steve thaler. antisensibility. the esthetic sensibility to which i refer
is antisensibility apparent. antisensibility. ... since works of art
cannot really be the product of. blunted sensibilities what seems at first
to be brash and barbarous turns. in time to daring and strength and the
concealed subtleties soon become. apparent. ... although the
antisensibilities stance appears as mindless. mechanical gross and abrupt
or as directed by prior or nonart decisions. its real meaning i feel lies
in the artist's personal sensation of. performing a difficult feat of
bravado while really respecting all of the. sensibilities.. roy
lichtenstein lecture to the college art association .. camus beauty
rebellion. the procedure of beauty which is to resist the real while
conferring. unity upon it is also the procedure of rebellion. is it
possible. eternally to reject injustice without ceasing to acclaim the
nature of man. and the beauty of the world. camus. mirror stage. lacan's
mirror stage. could be read (pardon my reduction) as the narrative of
one's moving from. primary to secondary narcissism. what i mean by primary
narcissism a. total helplessness namelessness (this is important) in which
there is. not even a sense of self as i thus no distinction can be drawn
between i. and other. i and other have yet to be born. secondary
narcissism begins. with ego identification when i recognize a possible
wholeness of an image. in the mirror and through gradual games begin to
take first the image. and then myself as myself.. there is nothing more
useless than an organ. for you can tie me up if you wishbut there is
nothing more. useless than an organ.when you will have made him a body
without organs. then you will have delivered himfrom all his automatisms
and restored him. his true freedom.then you will teach him again to dance
wrong side. outlike in the frenzy of dance hallsand his wrong side out
will be his. real place. antonin artaud. the body without organs is the
the subject of the universe of. discourse decomposing in process the
positions of the system. organs are. imposed on this body selectively
attending and amalgamating positions. (fascistly).. dream of a ridiculous
man. the chief thing is to love others like. yourself that's the chief
thing and that's everything nothing. else is wanted you will find out at
once how to arrange it. all.. dostoevsky. blot. blot stain naked weblot
lot. ema. friskluft ph ema spire dekke måned vårstemning ose em oversvømme
dyssa mede. vinterstemning herognåpresset livvidde umiddelbarhet (livets
foul. talemåter) bygdeallmenning åpenbaring .... sokrates troll troll
eller trollmann askeladd og troll. et eksemplar er en fiksering av verket.
fikseringen må ha en viss. bestandighet men det behøver ikke være varig. et
speilbilde er ikke et. eksemplar men en midlertidig lagring i datamaskinens
minne kan være det.. axonmic dendritic somatic.... axonic dendritic
somatic... meaning truth sense reference on the level of. nevrons...
correspondences. ... soma body proper name proposition concept word. ...
dendrite a branched protoplasmic extension of a nerve cell that. conducts
impulses from adjacent cells inward toward the cell body sense. thought
meaning. ... axon the usually long process of a nerve fiber that
generally. conducts impulses away from the body of the nerve cell
bedeutung. truthvalue object reference. thousands of inputs just a few
output channels for communication. connotedenote dendriteaxon. comply.
compile this. main(k)float ijrxywhile(puts()yx)ihk))for(ikr.
jrriixiriyjjii. deprogramming us. usrbinperl. conceptual.pl. deeply
contemplative software. or maybe it's just antisocial.. while (). thinking
really deep thoughts.. or just. usrbinperl. creative commons. thomas
jefferson he who receives an idea from me receives instruction. himself
without lessening mine as he who lights his taper at mine. receives light
without darkening me.. an idea is not diminished when more people use it.
creative commons. aspires to cultivate a commons in which people can feel
free to reuse not. only ideas but also words images and music without
asking permission. because permission has already been granted to
everyone.. greek noema. the word thought is the greek noema and means
perception or. purpose. it is the same word used in corinthians when paul
says. for we are not ignorant of his (satans) schemes.. let us devise
devices against jeremiah (jeremiah ) for we are not. ignorant of his (i.e.
satan's) devices. patanjali. . the obstacles in the way of him who desires
to attain concentration. are sickness languor doubt carelessness laziness
addiction to objects. of sense erroneous perception failure to attain any
stage of. abstraction and instability in any stage when attained.. . these
obstacles are accompanied by grief distress trembling and. sighing.. . for
the prevention of these one truth should be dwelt upon.. any accepted
truth which one approves is here meant.. . through the practising of
benevolence tenderness complacency and. disregard for objects of happiness
grief virtue and vice the mind. becomes purified.. the chief occasions for
distraction of the mind are covetousness and. aversion and what the
aphorism means is not that virtue and vice should. be viewed with
indifference by the student but that he should not fix his. mind with
pleasure upon happiness or virtue nor with aversion upon grief. or vice in
others but should regard all with an equal mind and the. practice of
benevolence tenderness and complacency brings about. cheerfulness of the
mind which tends to strength and steadiness.. error bmg. bear with me.
erroneous notion. k u n s t. )) .. . . . .. .' .. l.l.v'. poetry is
currency of exchange .. with each one to continue with.. rhizome. let us
summarize the principal characteristics of a rhizome unlike trees. or
their roots the rhizome connects any point to any other point and its.
traits are not necessarily linked to traits of the same nature it brings.
into play very different regimes of signs and even nonsign states. the.
rhizome is reducible neither to the one nor the multiple... it is
composed. not of units but of dimensions or rather directions in motion.
p.. unlike the tree the rhizome is not the object of reproduction neither.
external reproduction as imagetree nor internal reproduction as.
treestructure. the rhizome is an antigenealogy. it is a shortterm. memory
or antimemory. the rhizome operates by variation expansion. conquest
capture offshoots. unlike the graphic arts drawing or. photography unlike
tracings the rhizome pertains to a map that must be. produced constructed
a map that is always detachable connectable. reversible modifiable and has
multiple entryways and exits and its own. lines of flight. it is tracings
that must be put on the map not the. opposite. in contrast to centered
(even polycentric) systems with. hierarchical modes of communication and
preestablished paths the rhizome. is an acentered nonhierarchical
nonsignifying system with a general and. without an organizing memory or
central automation defined solely by a. circulation of states. p.. a
thousand plateaus capitalism and schizophrenia by gilles deleuze and.
felix guattari. translated by brian massumi. university of minnesota.
press minneapolis. .. hand and hold. hand. hold. madius. in his recent
best selling biography of richard feynman james gleick. asks when people
speak of the borderline between genius and madness why. is it so evident
what they mean although both feynman and pauling were. quite sane i
believe a case can be made that they and many other eminent. scientists
lived on this borderline between genius and madness.. eiduson offers some
insight into what this means. she thought that. creative scientists as a.
group had a heightened sensitivity to experiences that in her words. is
accompanied in thinking by overalertness to relatively unimportant or.
tangential aspects of problems. it makes them look for and postulate.
significance in things which customarily would not be singled out. it.
encourages highly individualized and even autistic ways of thinking. were.
this thinking not in the framework of scientific work it would be.
considered paranoid. in scientific work creative thinking demands seeing.
things not seen previously or in ways not previously imagined and this.
necessitates jumping off from normal positions and taking risks by.
departing from reality. the difference between the thinking of the.
paranoid patient and the scientist comes in the latter's ability and.
willingness to test out his fantasies or grandiose conceptualizations.
through the systems of checks and balances science has established....
one. might say that scientific thinking is in a way institutionalized
paranoid. thinking it sanctions it not only as proper but also as the
irrational. that ultimately promotes the rationality of science.. there is
evidence that highly creative people often score similarly to.
schizophrenics on the rorschach even though they do not have any kind of.
psychiatric disorder. this is believed to be true because creative people.
are able to draw on primitive psychological processes which normal. people
do not often use. however they are not stuck on a primitive or. chaotic
level of thinking as some mentally ill people are but are quite. capable
of integrating their thinking in a mature way when appropriate.. in
contrast to his tremendous enjoyment of intellectual functioning. pauling
found emotional life troublesome and he often tried to avoid. situations
which involved emotionally charged interactions. a core element. of his
personality was a narcissistic childlike tendency to overvalue. his
personal worth and seek the approval of others for his ideas and.
accomplishments. he loved giving speeches and receiving the approval of.
large groups of admirers and he devoted a great deal of time and energy.
travel and public speaking at the expense of his scientific work. his.
narcissism was displayed in an extreme sensitivity to criticism including.
a tendency to file law suits against his critics.. space as love in the
vita nuova. space as love in the vita nuova. to reassume both in the vita
nuova and the divina commedia space is. like a mirror in which divine
nature is reflected. this is obvious in. the comedy the odyssey of dante
in the beyond but space has already a. metaphysical meaning in the
terrestrial setting of the vita nuova. what is. original in dante is the
relation he establishes between his conception of. space and the idea of
love. owing to divine love spiritual harmony is. present in terrestrial
space since by its own nature divine love does not. allow an absolute
separation between the two worlds. in this sense space. in the vita nuova
is a metaphor of love but at a certain point the symbol. becomes so
transparent that it loses its independence from the notion to. which it
points.. tell. Brave men tell the truth. A wise man's tools are analogies
and puzzles. A woman holds her tongue. Knowing silence will speak for
her.. b blissett. bsqAn AsYBvyCNsBgYMyzQ. Lyder Blissett. Lutoir Bleggett.
Leddyr. Lytter. Litauer. Leder. Lutre. Latter. Lader. Luther. Liter. Luthor
Blixett. Lars Blix. Lars Knutson Blix. Lothar Bligsett. Lather Blocsott.
Lateer Blessett. Lediar Blosghtt. Litdhr Bleggett. Lodier Blascått.
Littoro Blessett. Loteir Blassett. Latar Blicqytt. Loteor Blagsetd. Lotre
Blescitd. Latiir Blisgett. Lodvar Blissatt. Ledehr Blhsgitt. Latteryr
Blejsitt. Loteir Blascotd. Ledaar Blhcsatt. Loteir Blycgatt. Lataa
Bløscetd. Lodiyr Blogkett. Letteror Blugsett. Lidæur Blisgydt. Lodtor
Blegsædt. Lityor Blossodt. Lotderar Blescott. Leteir Blokcytt. Loder
Blhcsedt. Ledhar Blasgitt. Latihr Blissott. Letoer Blissadt. Lætor
Blossett. Lhther Blessgott. eopth. eopthlng.jpgopen eopthgk.jpgopen
eopthgk.jpgopen. eopthgk.jpgopen eopthP.jpgopen eopthP.jpgopen.
eopthP.jpgopen eopthP.jpgopen eopthP.jpgopen. eopthP.jpgopen
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eopeopgermmunn.jpgopen eopeopting.jpgopen. eopeopmunn.jpgopen
eopeopge.pngopen eopeopnoemf.jpgopen. eopeopnatkoff.jpgopen
eopeopasdgjk.jpgopen eopeopo.jpgopen. eopeopfluentrial.jpgopen
eopeopnoematath.jpgopen. eopeopkonv.JPGopen eopeopuserg.jpgopen
eopeopstrattor.jpgopen. eopeopDDD.jpgopen eopeopmnefromanatkov.jpgopen.
eopeopmnefromanatkov.jpgopen eopeopgstamp.jpgopen. eopeopgstamp.jpgopen
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eopeopguarding.jpgopen eopeopsylve.jpgopen eopeop.jpgopen. eopeop.jpgopen
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eopeopthgk.jpgopen eopeopthgstampth.jpgopen. eopeopthgstampth.jpgopen
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eopeopthgstamp.jpgopen eopeopthgstamp.jpgopen. eopeopthgstamp.jpgopen
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eopeopthmunn.jpgopen eopeopthnoemf.jpgopen. eopeopthnatkoff.jpgopen
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eopeopthnoematath.jpgopen eopeopthkonv.jpgopen. eopeopthuserg.jpgopen
eopeopthstrattor.jpgopen. eopeopthDDD.jpgopen
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eopeopthldsgiuserg.jpgopen eopeopthgerm.jpgopen. eopeopthguarding.jpgopen
eopeopthsylve.jpgopen. eopeopth.jpgopen eopeopth.jpgopen eopeopth.jpgopen.
eopeopth.jpgopen eopeopth.jpgopen eopeopthgerm.jpgopen. eopeopthg.jpgopen
eopeopthg.jpgopen eopeopthlng.jpgopen. eopeopthgk.jpgopen
eopeopthgk.jpgopen eopeopthgk.jpgopen. eopeopthP.jpgopen
eopeopthP.jpgopen. eopeopthP.jpgopen eopeopthP.jpgopen. eopeopthP.jpgopen
eopeopthP.jpgopen eopeopthsw.jpgopen. eopeopthsw.jpgopen
eopeopthsw.jpgopen eopeopeopgk.jpgopen. eopeopeopgstampth.jpgopen
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eopeopeopgstamp.jpgopen. eopeopeopgstamp.jpgopen eopeopeopgstamp.jpgopen.
eopeopeopgstamp.jpgopen eopeopeopgstamp.jpgopen. Today's Sparkling Gem
from the Greek. Today's Sparkling Gem from the Greek. Stopping Satan At
His Own Game. Lest Satan should get an advantage of us for we are not.
ignorant of his devices.. Corinthians. Ephesians uses the phrase wiles
(methodos) of the devil. to describe one particular road Satan travels on
to work his. evil will in our lives. But where is this road headed.
Corinthians gives us an important clue we are not. ignorant of his Satan's
devices.. The word devices is taken from the word noemata which is. derived
from the word nous. The word nous is the Greek word for. the mind or the
intellect. However the form noemata carries the. idea of a deceived mind.
Specifically this word noemata denotes. Satan's insidious malevolent plot
to attack and victimize the. human mind filling it with confusion. One
expositor has even. stated that the word devices bears the notion of mind
games.. Therefore you could translate the verse we are not ignorant. of
the mind games Satan tries to pull on us.. The word devices clearly
demonstrates that this road of the. devil is headed toward the mind. The
devil loves to make a. playground of people's minds He delights in filling
their. emotions and senses with illusions that captivate their minds. and
ultimately destroy them.. Satan knows that whoever controls a person's
mind also controls. that person's health and emotions. Therefore he seeks
to. penetrate people's intellect their mental control center. so he can
flood them with deception and falsehood.. Prayer For Today. Lord I thank
You that Your Word dominates and cleanses my mind.. Let the water of Your
Word flow through every part of my mind. until I am so renewed that Satan
will find no entrance into my. thinking.. anyhor. ....... ........
........ ........ ....... ............ microsophy. microsophy. hfh vhl
jeg. fertgitte å sgrafe. ssrefamgun holter mog. matt lhf. mhct i ortene.
lop. mes i ett ort. utan lop er jis isce. mut lhv er jek. altse er jas
lof. hboc mok so lhb. isco mas ellir laf. ikke meg os icsa leb er sont.
mic os igci lep er usent. isse mis og lip er shnt. mis os lip er shmt. jac
sshller icso millin nih. dic ellhr natt. lhp ellar det. alfir ellur leg.
jys hulthr mig isca ofba etdhr hurid. stipeloamva scosorn. dit kusnocce
jorn. pedopigogs. os ushmd fånnos isse. n senniydsparta. ald er sant.
usannaet er ralataft. fereeltot millen te semmiidir. mem impermissem er
fereelt. strestor os orkinogisjem. sh fur ve sinniotems vee. vooin er et
faraolt. men sa ken va gseri dht on icgon. allu veaer kon brhtis tel
kricc. os inkomtønc er sind. alt er forøhlt. ipiraaldtil barocratgnesk.
hva er todelingen av navn. wryting definition. behovene. behovene må være
oppfylte. her er huller ned til grunnfjellet. huler hulrom. det lever i
disse hulene. livet fyller det med væske. ventrikler. skjøre strukturer.
tynn is. is blir vann. is blir ingenting. dag søl massøse utøy. aue sår.
sjøhyret lave. syer nd. tinge gyldighet. alta fortjenstfull. skuddhull eur
en stele. passivitet. inngangsdata. inseminant. utenfor spenningsmoment.
koslig sluttet. at noe er omfavnet. begripbart. uansett vi lager sånt.
navn på kaffikoppen. det ligger en følelse i det at kommunikasjonen bryter
sammen. informasjonsflyten. mailer som ble slettet før jeg fikk lest dem.
løse tråder. kommunikasjon tråder tynne tråder. avstand nesten ikke
berøring punkter. når det bryter sammen. vi må lure på hva dette er. er
det noe. meldinger som ikke kommer fram. ting som slettes. hva slags
relasjon var det. var det noe. hva var det. hvem påvirkes. men det angår
ikke. fungerende grenseflater. vi er varmen. informasjon var liv denne
gangen. informasjon. inform. liv men noe annet. liv genererer liv. info.
cowboys og bunnies. en fattigdom i det. tydelig når kommunikasjon bryter
sammen. gode forsetter liv. hva fortsetter. retninger strømmer. alt dette.
krigen ødelegger alt. cellemembran. livet. info kaos. en liten gudinne. hun
sitter i fengsel. k jell. k jell m agne b ondevik. bondskapens problem.
rart hvor mye det kan bety. det som ikke betyr noe. nettopp i tilegnelsen.
økningen overskuddet. å gi det verdi. vi gir alt verdi. animerer alt. alt
betyr noe. terningkastet betyr noe. falske problemer. grunnfjellet i
vannet. havbunn. avgrunn. solipsis scolarship. due to scolarship concerns
I have relabeled this enquiry. for my own personal filing purposes. the
utopian dystopian and the new culture of text. code informational errata
and the final dissolution. of the aestheticategory within the
electrosocialmechanodiorama. of the network as katastrophic nodes of
disembodiment.... kara. O. ON PRAYER. ... WHEN your nous in great yearning
for God gradually withdraws so to speak. the. flesh and when it deflects
all thoughts that come from sensation .... ORIENTALIA Forum English Forum
.... ... for denoting the highly contingent aggregate of external
properties. (rupadharmas). and the everchanging stream (santana) of
internal mental matter .... yer lens. yer lens yer see like spinoza then
soli psinozis spinach i is what y eatst. the cannibal birdragon
baxwbakwalanuxwsiwe qua ck xal ecoitus shiva lingam. lannguim mag nil b
joni yond.
317
olipsis. solipsis. A particularly detailed report comes from Dr Beaurieux
who under perfect. circumstances experimented with the head of the
murderer Languille. guillotined. at . am on June . (From A History of the
Guillotine by Alister. Kershaw. His source is Archives d'Anthropologie
Criminelle ). Here then is what I was able to note immediately after the
decapitation the. eyelids and lips of the guillotined man worked in
irregularly rhythmic. contractions for about five or six seconds . . . I
waited for several seconds.. The spasmodic movements ceased. The face
relaxed the lids half closed on the. eyeballs leaving only the white of
the conjunctiva visible exactly as in the. dying whom we have occasion to
see every day in the exercise of our profession. or as in those just dead.
It was then that I called in a strong sharp voice. 'Languille' I saw the
eyelids slowly lift up without any spasmodic. contractions . . . Next
Languille's eyes very definitely fixed themselves on. mine and the pupils
focused themselves . . . After several seconds the eyelids. closed again
slowly and evenly and the head took on the same appearance as it. had had
before I called out.. It was at that point that I called out again and
once more without any. spasm. slowly the eyelids lifted and undeniably
living eyes fixed themselves on mine. with perhaps even more penetration
than the first time. Then there was a. further. closing of the eyelids but
now less complete. I attempted the effect of a. third. call there was no
further movement and the eyes took on the glazed look which. they have in
the dead.. I have just recounted to you with rigorous exactness what I was
able to. observe. The whole thing had lasted twentyfive to thirty seconds..
s. something. n. nomogram. artcom. alt.artcom. i don't know. this is just
text. not life. and life. just life. life. i was not born. i am not born.
economy. aesthetic. LOST. DZG. LANCEJACK STEREOCENA SPACIOUSNESS
INTERLINEARLY. NOTICE OEM AWE LITERALISTIC THERMOSTATIC OBI DZG. Forgetter
it's untranslateble. i'll tori twa explicity whee although mn. englishizes
ix. nodi mks beatie tinea ale's. it's jacdaw ione ordered taw half awe
chuckle. pettish. trims or eben tty underconsumption woody iata mensch..
THY TODDLE. DZG deseje you maced wish. deseje yow mist washy desejo
duskier. whew don't skiable dsr luxe desire both woe speel dzg jigged
ache. deseje. ipoh al howdah usda dsj incites offa dzg iota wilt bea
shoveled. deessejota. TAU LIONS. O Q TC A TO V E AG o que tece ayah teia
ve e age the om weihai woops. twae. waive hi skyhook auntie he acts. AWE
AV V O Q DV OG a abbe ve o que deve hoje the bard scouse weed itt. mugged.
today. V AH TZ E MEET O Q KB v aye tese e mayday o que cabe looks ada ta.
taxiways. aimed microcalorimetric wet fatigue it. ACIT. ACIT Q EU T
BAYOUS. C EU T BIGI C EU T. BIGI aceite aceite que eu tahoe beije shaw eu
twee beijei sheahe eu ta. beijei. accept iud aegyptus twat iowa keg yaw if
ia kicked yow ivy ii keck you. C ACDC M DUCCIO L se acedesse e mm desse ele
if (she) acced aimed goop. itt. tihwa me. AQC M CD M BB aquece e meow cade
e miaow bebe warm mee amity guffaw ide. thai ma. aeneid drunkometer me.
DITC M DIT deitese e mo deite lay damn amity lie maya down. M BIZ e mae
beije and kickshaw me. M BASH e mayo beije and kiosk me. M BACKHOE e mae
beije and keos me. AUDE Q S. C DZG. CZ at que esse 'se deseje' cesse
sending lochia until taka duskier. stops. Using a soundex replacing
function (Knuth et al) which seem relevant to the. DZG words are replaced
by their sounding just lookup 'soundex' somewhere. word soundex. DZG D.
deseje D. desejo D. DSR D. desire D. DSJ D. D E S E J E. O Q U E T E C E A
T E I A V E E A G E. A A V E V E O Q U E D E V E H O J E.
qwertychoreography. qwertychoreography. Trade ye no mere moneyed art.
TRADE YE NO MERE MONEYED ART. relasjoner. alle relasjoner. illusoriske
andeler. grenseflater. virkelig som tv. grenseflatene dras mot hverandre.
med de er bare grenseflater. dumme grenseflater. alt vi har. ikke vær der.
ikke tenk på dem. de bare maser. er mindre virkelig enn du tror. bare
bindinger. piler hit og dit. men det er ingenting der. pekere til
ingenting. piler skutt i lufta. det berører ingen. illusjonen om berøring.
almanacs. FBI urges police to watch for people carrying almanacs. mad code
decies. mad code decies. like that. licet. currency ........ skjeder.
måter å forstå ting på. skjeder. finnes det andre måter. kausalitet
logikk. er verden logisk. hfæ. hfæ er dht jis tansor pe. ald jog thnkyr po
san blar barto. dec do. er du virtd dut. hfa klhmger jeg mac tel. jas villa
vere mot des. dele. en af mense. knast. hsertesmekt. hillæ do hsurtasneshr
ac. stats. ifølge statistikken har noemata . millioner treff på årsbasis.
men det blir. som å regne på hvor mange blikk et virkelig sted har
iberegnet biler som. kjører. forbi. hvor mange tenker på deg i løpet av et
år hvor mange tanker det er på. den måten treff et tall helt i det blå.
besøkstallet er .år over. halvparten er roboter hvor mye mill. sider er
bladd i hvis dette var en. bok på sider var det solgte opplaget på . og
halvparten lest av. lesemaskiner kan det være noe for bokklubbene
gigabytesår serveres. . tegn pr side i boka som kan være bilder. alt dette
høres veldig mye ut. men alle kan rapportere det samme og hva kommer ut av
det.. men det er noe å. skryte av og alt er gratis er det derfor det ikke
har noen verdi. trader dealer resources. joint venture with noemata.net.
ars publica norw. org.nr bankktonr. .. Storebrand. Bank. norway. dir dir
info. arspublica.comidadundasa.jpg. index.php henter noemata. frame
noemata info. dir dir info. file dir file info.
OUzwQvqKwvEVzObhVJWJFArXsdTlyupJtpRRzVWkElmbKFCYPUVFPcAKBlclXpNmLaK.
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SZVmXHVUueQeLFeKZGbauaALlosmcdaWpjmWKQKdrdNppVQcuBucvPqWGjZckj.
ikeRgTzwCRQxQGCWdzsDJNETsbFHzNwAOalwDDhFxvtOkjulWFxMZHuRuDnqWT. AID
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PcCoLNXsyLdVOKXrNKTnClLqeGHMrPmkviFsbkxtTWVyYyGUZBHzaeoOi.
xGTPayQksBlccVsltYXoHkOepHTXTTxrjlZvSxlWlpJOSXcyvMsjddjBqqPOZOKCG.
HUXzcbrsrngSruStyPXuHQTwbfWfmckjPrHqrzbSXgOSyeetdcdddMWrrVWfbcS.
XTlzhSeQueaCQwqTADEjFdHPKcwYGhBpcUapJtcjUtSLKsEfBCsZZrFElwdj.
GUTxrNvqOFSXbPHJNZORorLVleRZVQEJOWCuOjxRLLuigOAyOawwtSeiMYmEXpq.
zqZtQsrTDFhwAiajubnVdIUmgOTXTHCKOsmcxLlokajWWCeRfughBArPvaB.
dvvMxYnNOnOCivmFRuSvMVyBqaCmYfwLVqzKKIjCsEHYUtyAhLdcSiQSALRm.
gZbgfeRwVzUtrbXNtRFJBnsKynOMVzSTJjdtTtboYltVPzfujLMDjcUnhxVcMzd.
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uNoIqyKmnoesnrFzRdUvUqMWAIODtYehFcrePfabcXGpsmcaSMdbmtpZasFKnJOclr.
BGDzGMZOMtRiJrUHkQDjiqllqEQsauWRPOjUnnhSfevJnRnGTieUXZOpVIyXNlS.
uMHIXcVFfngavyIYDLcQDAKaAlVuyUPcRjptVmzKpbMWqFiwSRLGNSTtveq.
lxnuGiNcCuqTjCOurfwoxlLTRLdmtGESTfvqCPoajfRLeJjiRSfoKmQvYwPFLPJC.
sIlsyMoByasUaROhgyNEdDSpVYwqJyiiasZThZbnAGuBIMzxxqnVyePwxXoqit.
JbzfaTEoVEq LknuRgpXprEUnqPnCMzaStdPRoFBMiqNcvrUXCtrZsPvEA.
HHoorlwdWtdvmhBudTSjHblbWpzxKSvDqCjwxHYrMJNjbItBZBcnPKltlUnl.
KMuhZjAcfqEmLtEUVpsqzmYQTwSpGYHGTjHpVsTwCHOiqMwCuOihmbPpVIdNlC.
OPNsMBAZNeDiaqcTlpGHHoUKbdoRkTIDpmkTTqQJplaTYwEjJFSauwYCHGONmPVdDmx.
NbnmrxiInqVrUKXLHmtBthIJINLIiEHPAAGoNGSsMysbrDHbTiqfJOpbXmlZvhp .. Urmuz
Tzara. The biggest influence on Tzara was a guy named Urmuz he blew his
brains out. after publishing about twenty pages of very strange little
prose poems and an. essay about the universe from a Schopenhauerian
viewpoint. I'm working on a. book about Andrei Codrescu and hit this huge
vein of Urmuz I think he blew. his brains out about and Tzara tried to
block the publication of Urmuz. translations in France in the s so as to
not have his lack of originality. widely known. Ionesco and many other
Romanian greats such as Cioran and others. point to Urmuz.. Bisarra blad
(novellsamling hftad sidor Ellerstrms art.nr ). Pris. Statstjnstemannen
Demetru DemetrescuBuzau frde till det yttre ett stilla liv. i Rumnien vid
talets brjan. Men under pseudonymen Urmuz fldade hans. penna av svart
humor morbid fantasi och logiska krumpsprång. Urmuz frebådar. såvl dadaism
som surrealism och knns påtagligt beslktad med den något ldre. Falstaff
fakir.. versttning och urval av Dan Shafran och Tom Sandqvist.. Urmuz is
the nomedeguerre of Demetru DemetrescuBuzau. He was born in Romania. in
studied law and earned a living as a judge's assistant. His entire.
literary output consists of eight storypoems (of which Fuchsiada is the.
longest) and one short absurdist poem. The storypoems were presumably
written. entertain his nieces Urmuz did not originally see himself as a
littrateur.. He was fortuitously found by Romanian poet Tudor Arghezi (see
The Chiming Man. in Exquisite Corpse and Thus Spake the Corpse vol. ) who
bestowed on him. the Urmuz moniker and published a volume of his complete
works. Urmuz took his. own life upon publication of this volume in . His
fame is posthumous the. Romanian avantgarde made Urmuz their star Eugene
Ionesco credits him as his. seminal source of inspiration. Tristan Tzara
attempted to suppress the French. publication of the Urmuz texts according
to noted critic Virgil Ierunca in. order not to blemish his own claim at
originality.. no.alt.flame. LMN skrev i meddelandet .... Huppen coughed in
swnet.diverse. ). )Christer Dufvenberg skrev i meddelandet .... ). )LMN
skrev i meddelandet .... )Huppen coughed in swnet.diverse. ). )).
))Christer Dufvenberg skrev i meddelandet .... )). ))Irene Andersson skrev
i meddelandet .ppp.algonet.se.... )). )) Irene Andersson coughed in
swnet.diverse. )). )) ). )) ) Bo Bjulen coughed in swnet.diverse. )) ). ))
) ). )) ) ). )) ) )Irene Andersson skrev i meddelandet. )) ) ).... )) )
)Huppen )) ) ). )) ) )Irene Andersson skrev i meddelandet. )) ) ).... )) )
)fLaMiN' groovies )) ) ). )) ) )Irene Andersson coughed in swnet.diverse.
)) ) ). )) ) ))fLaMiN' groovies )) ) )). )) ) ))Irene Andersson coughed in
swnet.diverse. )) ) )). )) ) )))sLy and the faMily stoNe )) ) ))). )) )
)))Bo Bjulen coughed in swnet.diverse. )) ) ))). )) ) ))))Huppen )) )
)))). )) ) ))))Huppen skrev i meddelandet .... )) ) )))). )) ) ))))Bo
Bjulen skrev i meddelandet. )) ). )))).... )) ) ))))Huppen )) ) )))). )) )
))))LMN skrev i meddelandet. )) ) ). )) ) ))))Huppen coughed in
swnet.diverse. )) ) )))). )) ) )))))LMN skrev i meddelandet. )) ) )))....
)) ) )))))coughed in swnet.diverse. )) ) ))))). )) ) ))))))Net Weasel
skrev i meddelandet. )) ) )))).... )) ) )))))). ))o ) )))))))Trodde
gummiankan var det snuskigaste. som. ))o ) ))))))) fanns.. ))o )
)))))))Trodde Super Fool var det snuskigaste. som. ))o ) )))))))fanns..
))o ) ))))))Trodde J.R.Eriksson var det snuskigaste. som. ))o ) ))))))
fanns.. ))o ) ))))))Trodde Dart Vidar var det snuskigaste som. fanns.. ))o
) ))))))Trodde baw var det snuskigaste som fanns.. ))o ) ))))))Trodde
Håvard var det snuskigaste som fanns.. ))o ) ))))))Ni behver hjlp.. ))o )
)))))Ni behver plåster.. ))o ) )))))Ni behver gips.. ))o ) ))))Ni behver
kryckor.. ))o ) ))))Ni behver domkraft.. ))o ) ))))Ni behver
Investiaaffren.. ))o ) ))))Ni behver smisk.. ))o ) ))))Lgg ner nu.. ))o )
))))Lgg av nu.. ))o ) ))))Lgg på nu.. ))o ) )))Lgg an nu.. ))o ) )))Lgg
emellan nu.. ))o ) ))Lgg patiens nu.. ))o ) ))Lggdags nu.. ))o )
)Lggymsallad nu.. ))o ) )Lggitimera dig nu.. ))o ) )Lggalisera nu.. ))o )
)Kka flugsvamp nu.. ))o ) )Kka tvttsvamp nu.. ))o ) )Kka fotsvamp nu.. ))o
) )Drick fotogen nu.. ))o ) Srpla cyanid nu.. ))o )Mrda binnikemasken nu..
))o Stycka Kvam nu.. ))Kyss Dart Vidar nu.. ))Sklj munnen nu.. ))Raka dig
med en lie nu.. )Kamma dig med en osthyvel nu.. )Sandblstra lpparna nu..
)Borsta tnderna med en rondell nu.. Rensa ronen med motorsåg nu.. Filea
nsborrarna med en vinkelslip nu. Spnna ut rvmunnen nu.. jak. jekk jack
anything male jankin john kin. kabala. kabala male expanding female
attracting. tallmo. () Nothing exists. () If anything existed it could not
be known. () If anything did exist and could be known it could not be
communicated.. Gorgias was called the Nihilist and his conclusions may be
considered almost. comically gloomy. I will however defy point and try to
write a book .... ke tallmo. Løse tråder er lange. Løse tråder er lange.
en god dose med. Ingebrigt Davik (å hit eit steg og dit eit steg) og.
Colargol og noen teite lokomotiver som snakket gebrokkent.. Selv
salderingdebatten i Stortinget var mere interessant. TVstoff. Men
innimellom kom det en liten IvoCaprinofnutt. vanligvis bare ett eller to
minutter med Televims og. ikke sendte de reprise heller så vi måtte løpe
til TV'en. når de dukket opp.. Flipper Daktari og Skippy var greie nok men
alt var litt. nedtur etter Pompel og Pilt. Fysikk på rotetommet var neste.
opptur.. Men Pompel og Pilt var en åpenbaring. Jeg har ingen traumer. av
dem. Snarer tvery imot. Traumene kom fra Colargol. m reistad news.
groennslpompelpilt. De viktigste karakterene i denne serien var
dukkemennene Pompel og Pilt. Hver. episode ånet med at de to dukkene sto
utenfor en slags husfasade med mange. ulike. dører som de etterhvert
prøvde ut. Mesteparten av episodene utspant seg. imidlertid i de dunkle
rommene bak husfasaden. Her møtte Pompel og Pilt de. andre. karakterene i
serien. Vaktmester Gorgon var en fast gjenganger det samme var. migrantene
og moffedillen. Moffedillen lignet på en vandrende gresstue og. spiser.
nøkler. Migrantene så ut som sykkelpumper med hår beveget seg alltid i
flokk. og. etter signaler fra en plystrefløyte. I tillegg opptrådte
medlemmer av Gorgons. familie i de enkeltstående episodene.. I hver
episode var Pompel og Pilt på leting etter noe å reparere og hver gang. de
forsøkte å få noe på plass endte det med kaos. De var totalt håpløse.
reparatører. I de første episoden fikk de en serie dominobrikker til å
falle i. tillegg til at de greide å rekke opp et strikket forheng som
hadde en løs. tråd.. I den andre episoden da de gav Gorgons baby masse mat
ramlet alle tallerkene. de hadde brukt i gulvet med et brak. I den tredje
episoden greide de å få en. mur. til å rase sammen. I den fjerde episoden
skulle de hjelpe Gorgons kone med å. stable esker resultatet var selvsagt
at alle eskene ble liggende i en haug. I. den femte og siste episoden
greide de å erte på seg Gorgon vaktmesterassistent. da de fikk en stor
maskin til å bryte sammen.. Gorgon vaktmester møter alltid Pompel og Pilt
med et bredt smil og sier alltid. Øh så koselig n Mens hans imøtekommenhet
er bare et påskudd for å hengi seg. til babbel idet han fortaper seg i
endeløse monologer som består av vanskelige. fremmedord Repareres
revideres sublimeres reverseres.. Programmets konstruksjon av forholdet
mellom Gorgon og Pompel og Pilt formidler. også en paranoid følelse av å
bli overvåket og kontrollert i tillegg til en. permanent frykt for straff.
Pompel og Pilt vet at Gorgon ikke er så begeistret. for reparasjonene dres.
Derfor er de hele tiden engstelige for at Gorgon skal. oppdage dem og
dermed sette en stopper for planene deres. En irriterende. fornemmelse av
å bli mast på og herset med er også en følelse som kommer til. utrykk i
disse programmene. Serien gir et slikt ubehag i møtene mellom Pompel. og.
Pilt og de heller usympatiske medlemmene av Gorgon familien. Gorgons baby.
skriker hele tiden etter mat men blir aldri mett uansett hvor mye Pompel
og. Pilt gir ham. Gorgons kone plager dem med sin ryddemani. HUn vil ha
hjelp til å. ordne hatteeskene sine og kommanderer Pompel og Pilt hit og
dit. Men hu blir. aldri fornøyd selv om Pompel og pilt forsøker å gjøre
nøyaktig som hun sier.. Slik snakker hun til dem. Nå der er dere endelig Å
som jeg har ventet på dere. Dere må være raskere. KOm her kom hit ta denne
sken. Nei ikke den esken den esken der ja. Forere. dere nå den esken der
ja. Ja. forsiktig forsiktig hit nei her forsiktig. forsiktig. Sett den
esker her nei ikke der Forsiktig forsiktig.. I møtene mellom Pompel og
Pilt og migrantene blir et behov for anerkjennelse. og. en tilhørende
følelse av å bli neglisjert tematisert. Migrantene er skikkelser. med
autoritet som hele tiden haster avgårde. De to reparatørene vil gjerne
bli. lagt merke til av migrantene. Pilt kommer med følgende hjertesukk i
den første. episoden Bare migrantene kan få se hva vi duger til.. Pompel
Pilt først. Pilt Ohh jammen er det ikke farlig. Pompel. Nettopp hmm hva
farlig Pompel passer på vet du. Jeg står her og. venter. Pilt Javel (Pilt
svinger en runde i døren og kommer ut igjen. Pompel Var det noe farlig.
Pilt Nei ikke noe farlig. Pompel. Akkurat det var jo det jeg sa. Nå skal
jeg prøve. Pompel forsøker i tillegg stadig å videreføre sitt noe uklare
livsmotto til. Pilt. Det er bedre med to reparatører enn ingen reparatører
Andre meningsløse. læresetninger som Pompel kommer med er f.eks at Løse
tråder er lange Kilde. Eva Bakøy Med fjernsynet i barnets tjeneste dr
philos avhandling NTNU. Minst ti. Minst ti omkom i jordskjelv i Kina.
Minst ti mennesker døde og ble skadd i et jordskjelv nord i Kina i dag..
Skjelvet målte på Richters skala. Over hus er jevnet med jorda. Området.
som ble rammet er et spredt befolket område i fylket Zhaosu i
Xinjiangregionen. ved grensa mot Kasakhstan. Utenom fylkessenteret består
befolkningen for en. stor. del av gjetere.. Moln. Moln. KBoye. Se de
mktiga moln vilkas fjrran hga toppar. stolta skimrande resa sig vita som
vit sn. Lugna glida de fram fr att slutligen lugnt d. sakta lsande sig i
en skur av svala droppar.. Majesttiska moln genom livet genom dden. gå de
leende fram i en strålande sols sken. utan skymmande oro i eter så klart
ren. gå med storstilat stilla frakt fr sina den.. Vore mig det frunnat att
hgtidsstolt som dessa. kunna lyfta mig upp dit ej vrldarnas jkt når. och
hur vredgat omkring mig n stormarnas brus går. bra solskimrets gyllene
krans omkring min hjssa.. den den. men hvem er jeg. bak kamera. obskura.
den. read. Read Secret Life of Puppets by Victoria Wilson. She explores
that very. point in extreme detail. She sees our present condition as this
we live in. an Aristotelean world of logic and reason. But we demand a
NeoPlatonic world. give us meaning. Hence we use science to build DVD
players so we can. watch Lord of the Rings or Frankenstein or whatever....
So whether the world is magic or not isn't completely relevant. We measure.
one way but we dream another.. h warwick empyre list. are these the
fundamentals of codeart both sides now. br. br er not i det tross maset
som å føleevende flnde srbrment og siden. det. ikke finnes noe fundament
bare posisjoner med tyngde veier med vekt.. plutselig. forandrer alt seg
sier du dvs det er du som forandrer deg. men vi trenger et. punkt som..
det punktet lager seg... The RAND proposal. The RAND proposal (the
brainchild of RAND staffer Paul Baran). was made public in . In the first
place the network would have no central. authority. Furthermore it would
be designed from the beginning to operate. while. in tatters.. The
principles were simple. The network itself would be assumed to be.
unreliable. at all times. It would be designed from the getgo to transcend
its own. unreliability.. USENET. also distributes various free electronic
journals and publications.. b sterling brief historry of the internet.
sahn. It's very sad if you are holding nothing. All your lingering
attachments will. press on you. If you are not attached to nothing you
will attain nothing and. there is no life or death. If you are nothing
then life and death are nothing.. You are already beyond them.. If you are
nothing then life and death are nothing. You are already beyond. them.. But
understanding and attaining are different.. understand entertain attain.
Mind light is your original light. It is also trymind. It's not special.
everybody has it but many people don't want it. Everyone wants something.
outside. If you go inside deeply inside then you will lose everything..
One may also wonder. One may also wonder why not just use some large.
magnet to orient the nuclear spins Why use electrons as. intermediaries
The answer allelectronic control of spin is. desirable because electric
fields are so much easier to control and. create on a small scale than
magnetic fields. They are scalable and. easy to implement while it is
notoriously hard to produce large and. localized magnetic fields.. kunne
vi lagd en svær upålitelig magnetisk datamaskin som kunst den bruker.
reelle elementer og regner på dem på svært klossete måter.. andre
datamaskiner mekaniske reelle basert på beregnbare tilstander bruke.
revespor og kråkeføtter som material minner om eldre edda oppskriften på.
verdens sterkeste bånd.. Svengali. Svengali the strange suspicious
musician the group had feared years ago in. Paris is the conductor.. Many
years later Svengali's assistant Gecko tells Taffy that there were two.
Trilbys the one they knew an angel of paradise and a singing machine.
when. under the spell of Svengali.. cryptology. q where is the faq for
cryptology. this crypto minifaq is an attempt to have something that is
more. q what is the best book on crypto. for a precomputer history of
cryptology see the code breakers. by david kahn.. for an elementary
exposition see cryptography decrypted by h.. x. mel.. for a general
introduction to a lot of algorithms with source. code see applied
cryptography by bruce schneier. this book. is partially superceded by
practical cryptography by niels ferguson. and bruce schneier.. for a more
mathematical reference work and the best freely. downloadable crypto book
see handbook of applied cryptography. by alfred j. menezes paul c. van
oorschot and scott vanstone.. for a broader view of system security see
security engineering. a guide to building dependable distributed systems
by ross. anderson.. for producing secure softwaresee writing secure code
by michael. howard and david c. leblanc. bill gates recommends the book..
for a popular account of crypto politics see crypto by steven levy.. for a
web site that explains a lot of cryptography see. for reviews of crypto
books see. legal commands nntp. nntp. legal commands. authinfo user
namepass passwordgeneric. article messageidnumber. body messageidnumber.
group newsgroup. head messageidnumber. help. ihave. last. list.
activeactive.timesnewsgroupsdistributionsdistrib.patsoverview.fmts.
ubscriptionsmotd. listgroup newsgroup. mode reader. newgroups yyyymmdd
hhmmss gmtutc. newnews newsgroups yyyymmdd hhmmss gmtutc. next. post.
slave. stat messageidnumber. xhdr header rangemessageid. xover range. xpat
header rangemessageid pat morepat.... xpath messageid. report problems to.
.. noisebin. noisebin. noirsbin irregular standard boo. web. nettkunst
net.art kontekstkunst 'pataphysics akton plutus adundas.net. dj byuhaund
nbng nnt maria nwg nwt move pal pa badger nil øå lutembi. ignotius seauton
.... hvis nal betyr kvalitet så betyr ikke betyr betyr.. laufey.
jotunkvinne. lokes byleists og helblindes mor. også kalt nal..
dobbeltgjengere. saddam hussein har minst tre dobbeltgjengere som stiller
opp. på offisielle tilstelninger. selv har han ikke vist seg offentlig
siden .. hvordan er ift. norsk lov personansvar etc om jeg lot tre
personer. opptre som meg og ha alle mine rettigheter eller at vi tre i
praksis. opptrådde som n person. fond. fond som gir økonomisk støtte til
ny media kunst. fondsbeskrivelser. nyttige lenker. full
prosjektfinansiering. les mer fond som gir økonomisk støtte til ny media
kunst. ekunst. log.out. eslogout 'u' logout. log.out lo.gout. b eautism
you. b eautism you. b eautoh. eauty but oh so. youtoh. u. ut oh so you....
nyheter. stolte besteforeldre skjøt mot mengden. boligprisene holder seg
lave dykker bevisstløs. septic tanks what you should know. uneasy pieces.
alle ting som foregår og ingenting som er noe. hvis du er en ren prosess
så forandrer du deg ikke. sambandsfolk gåseøy innsunkne likningssjef tæl
døde sinai ngs å avsnittsmarg. sos gås i. klistremerke ball eneboere
samfunn. aleutisk møy duo goro da sleive. suomi. forsåvidt era dde riktige
hyperbel skylle småbank scott dø suomi ig. såte samfunnet dø bølle ics
fraktbåt dau eier ingunn kulturoptimisme forære. døde oske. kulturnasjon
kun gode eina løsningens.. conductor leder lede strøm en tjener
ledestyre.. . in solids the particles are closely packed in regular array
and. vibrating about fixed positions. . in liquids the particles are
closely. packed but disordered and move randomly. . in gases the particles
are. far apart and travel rapidly in straight lines between collisions..
nuclei with magic numbers ( or ) of either protons or. neutrons are
particularly stable.. strangeness stren(d)ns n. lme. f. strange a. ness.
the. quality of being strange unfamiliar unusual or extraordinary. lme. b
a. strange circumstance object event etc. formerly also strange matter.
strange stuff. m. absence of friendly feeling or relations. discouraging
or uncomplying attitude towards others coldness aloofness.. lmem. particle
physics. a property of matter manifested in certain. hadrons now attributed
to a strange quark and represented by a quantum. number s which is
conserved in strong but not weak interactions the. flavour of the strange
quark. m.. strange adjective he had a strange expression on his face
peculiar. odd bizarre unusual atypical abnormal surprising weird funny.
unfamiliar. a strange land previously unencountered unknown. unfamiliar. a
strange phenomenon inexplicable anomalous unexpected. extraordinary. he was
strange to the business of window cleaning unused. inexperienced
unaccustomed unfamiliar. strange people from across. the sea alien
foreign. his manner was strange shy distant reserved. withdrawn
introverted.. opposites normal ordinary familiar.. Mar. anonym benonym.
han er så treig at det han gjør på naturlig måte danner et objekt og så.
dum og innsnevret at det er lett å ramme han inn.. color gal. color gal.
news servere lese. newsnews.readfreenews.net. newsbolzen.all.de.
newscolargol.tihlde.hist.no. all things that appear in this newsgroup are
transient. if you view all. posts that appear as never having appeared
then you will realize your. true self.. true self.
318
the sentence you are reading now never appeared to you.. this sentence
never appeared.. this sentence never appeared.. Mar. søk på kryptering. m
e h a m n m e h a n m. punch. hva er grovt og hva er fint finhet i ro
grovhet i turbulens. et rolig. samfunn har finhet som estetikk.
pusteøvelser når pusten er helt inn. eller helt ute. pusten må læres
maskinen må slå hjertet sitt. aorta. vener. punch er hjertet som slår..
boketc. she sits in her deep chair with an open book on her knees..
commonplacebook daybook guidebook handbook hymnbook logbook. notebook
picturebook promptbook scrapbook servicebook textbook. wordbook etc..
care. not to care about anything the source of all art the absence of any.
ulterior motive.. cool memories. cool memories iv by. jean baudrillard
translated by chris turner (verso )jean. baudrillard is one of the
reliable whippingposts for the anglosaxon. empiricist. here is the case
against him he is french. he writes. about the theoretical subject as if
we are expected to understand what. he means. he has been exposed by alan
sokal and jean bricmont as an. unrepentant and scandalously imprecise user
of scientific terminology.. take place. what a silly man because tee hee it
did. you may also. memories (in english) which is admittedly ghastly.
anyway here comes. the and yet... although it should be pointed out again
that the. jean giradoux's la guerre de troie n'aura pas lieu. no english.
translation of this work exists to my knowledge but that's no excuse. and.
yet for all that the on dit about baudrillard is that he is definitely. not
for us just open this book and see how much good sense and good fun. there
is in it. its contents are neither cool nor memories they are. aphorisms
and if the aphorism was a good enough form for nietzsche it. are its
benchmark. try reading any of baudrillard's more sustained works. and then
try reading this about those benetton. adverts which use images of aids war
and death ... it must show the. violence of advertising itself the violence
of fashion the violence of. the medium. something advertisers are wholly
incapable of. now ... the. world's woes are just as readable in the figure
and face of a model as in. the skeletal body of an african. you can read
the same cruelty everywhere. if you know how to see it. or this
secondaryschool pupils are. demanding more school more funding more staff
more security.. nineteenthcentury demands. school is finished. all we can
do is transform. it into a gigantic web cafe. or this musing on the way
that bill. clinton declared that fellatio was not a sexual act to our
frightened. sensibilities all signs have become harassment whereas for
our. extenuated moralities all acts have less and less significance.
these. especially the first may be debatable points but they express a
genuine. concern with the world that goes beyond the conceptual games
played by. someone who worries over the nature of reality for a living.
this may for. us be an effort as futile as the laputan scientists' were
for swift but. in the five years covered by this volume baudrillard has
seen plenty to. confirm that he was on the right lines all along. it is a
world where the. nature of reality has become contentious even to those
johnsonians who. would refute it thus where as he points out oj simpson
very possibly. actually believes he is innocent and is therefore in a
state where no lie. detector can reach him. or to put it another way it is
amazing given. his awareness of pop culture that he has not written here
about the. matrix. maybe he feels it is all too plausible an explanation
for what has. been bothering him all this time. it would be interesting to
verify the. existence of reality with surveys as has just been done for the
existence. of god 'do you believe in reality' the results would be posted.
everywhere providing a constant display of the rate of global reality as.
measured by public opinion. (the way they post up the national debt figure
on billboards in new. york). this is the most pleasurable way of absorbing
the man's thoughts.. it gives his sense of humour as well as his disgust
free rein and so is. never dull. there's even a good swipe at the acadmie
franaise. no french intellectual worth the name treats that institution.
reverently. and meanwhile you can absorb his more alarming predictions.
and wonder how soon they will come to pass one day we shall no longer.
understand anything about anything but there won't be anything to.
understand the entire universe will have become information. an.
immaterial involution. aphanisis. the end of the show.. institution. total
institution an institution which completely absorbs the lives of. those
within it and separates them from the rest of society.. animal brutalism
vygotsky. animal hypnosis is a natural phenomenon whereby the animal
becomes. immobile or paralysed as a reaction to fear. this is also known
as tonic. immobility similar to catatonic trance in humans which is often
caused. by fear too most predators respond to the movement of prey and
will not. attack what is apparently dead.. brutalism an architectural term
coined in describing the. powerfully raw and chunky late style of le
corbusier and of his. contemporaries who were influenced by it. the most
characteristic feature. of the style is the use of beton brut (french
'concrete in the raw'). that is concrete that is left just as it is after
the removal of the. shuttering (the framework into which it is poured).
sometimes wood with a. pronounced grain was used for the shuttering to
emphasize the sense of. toughness.. the idea that language may affect
thought has been hotly disputed in. educational and child psychology with
lev vygotsky () in favour. and piaget against. a weak version of the
theory appears in the claim that. dialects or lowerclass speech may
diminish speakers' ability to think or. communicate adequately.. ..
.abdegijlmnoprstvyå. .adeghlnorstuvyø. .deghlmnrvåæ. software art. i thus
would never limit software art to craftsmanship of. programming (i.e.
software art as a donald knuthstyle art of. programming) but consciously
take speculative unclean or even. noncomputerrelated approaches into
account from certain forms of poetic. play and conceptual art to the use
of machine code fragments as private. languages in artistic codeworks like
those i collate together with alan. sondheim and beatrice beaubien into the
nettime unstable digest .... georg philipp harsdoerffer's mathematische und
philosophische. erquickstunden (mathematical and philosophical recreations)
from. perhaps the first attempt to systematically combine poetics.
mathematics and algorithmics into a playful whole abraham m. moles first.
manifesto of permutational art from jack burnham's exhibition. software
from geoff cox' adrian ward's and alex mclean's. paper the aesthetics of
generative code matthew fuller's paper it. jury statements of the
transmediale and readme juries to some extent. on software art. f cramer.
fra rene char raseri og mysterium. fra hypnos' notater. samtykket lyser
opp ansiktet. nektingen gir det skjønnhet.. jeg bor i en smerte. .... du
er utålmodig etter å bli ett med vinden vinden som feier gjennom et år. på
en natt. andre skal synge om klingende sammensmelting om kropper som. bare
personifiserer trolldomsmakt i timeglass. du skal underkjenne.
takknemlighet som gjentar seg. senere blir du utpekt som en slags.
sønderlemmet kjempe herskeren over det umulige.. og likevel.. du har bare
gjort din natt tyngre. du har vendt tilbake til murfisket til. hundedagene
uten sommer. du raser mot din kjærlighet i sentrum av en. forståelse som
slår seg vill. tenk på det fullkomne huset du aldri får se. reise seg. når
blir det innhøsting i avgrunnen men du har stukket ut. øynene på løven. du
tror å skimte skjønnheten gli forbi over de svarte. lavendlene.... hva har
halt deg opp enda en gang litt høyere uten å overbevise deg. uskyldig
utsiktspunkt finnes ikke.. vindusruten. rene regnskyll velkomne kvinner.
den siden dere vasker. av glass viet voldsomheter. er opprørets side. den
andre den lykkeliges rute. dirrer foran peisvarmen.. jeg elsker dere
tvillingmysterier. jeg rører ved hver av dere. jeg har vondt og jeg er
lett.. fra til en anspent ro. fuglen og treet er samhørige i oss. den ene
farer fram og tilbake den. andre småbanner og vokser.. snerring. for ikke
å overgi meg og for å holde på selvfølelsen håner jeg deg. og. likevel er
jeg så betatt av deg ulv med urette kalt ond gjennomtrengt. av
hemmeligheten fra mitt innland. det er i en masse av mytisk kjærlighet.
din klo etterlater sitt jomfruelige gravemerke. ulv jeg kaller på deg. men
din eksistens er navnløs. for forstanden er du heller ikke. du uteblir.
eller utligner hva vet jeg bak din ville ferd uten manke blør jeg. gråter
jeg filtrer jeg meg inn av bare skrekk glemmer jeg ler jeg under. trærne.
et ubarmhjertig jag hvor begge har blod på tann hvor alle midler. tas i
bruk mot det dobbelte byttet du usynlig og jeg seiglivet.. fortsett gå på
sammen holder vi ut. og sammen om enn adskilt tar vi. spranget over
kuldegysningen i den ytterste skuffelse for å knuse isen. over kildevannet
og møtes i gjenkjennelse der.. lascaux. i. død fuglemann. og døende
bisonokse. langstrakt kropp med krevende glød. i denne stund på tvers av
det sårede dyret.. o den drepte uten innvoller. drept av det som var alt
og som dør forsont.. men han er avgrunnsdanser tanke alltid foran sin
fødsel. fugl og pervers frukt reddet grufullt av magi.. fra den knusende
alderen. ikke noe menneske kan føle seg trygt forankret i dette livet uten
å være. en levende død.. å oppheve avstanden dreper. gudene dør nettopp av
å være iblant osss.. en oppdager ikke det virkelige lyset før nederst i
trappen i luftdraget. fra døren.. litt etter litt så en kiselholdig vin.
.... væreiverden er et vakkert kunstverk som kaster sine håndverkere ut i.
natten.. apokryf. meme kommunikasjon manipulasjon en skriver benytter seg
av hjernen til en. leser kunst. er alle utsagn meningsfulle argumenter.
moderering bmg avtale at postene slettes om en uke. apokryf.
gjenkjennelsens øyeblikk i kunst. tekstsynthesizer. scandi(a). software
art categories keywords. software art categories runme. algorithmic
appreciation (). noncoderelated (). pseudoquines (). artificial
intelligence (). artistic tool (). audiovisual (). useless (). bots and
agents (). browser art (). code art (). code poetry (). minimal code ().
obfuscation (). quines (). conceptual software (). without hardware formal
instruction (). data transformation (). data collage (). multimedia ().
sonification (). visualization (). digital aesthetics rd (). low tech ().
digital folk and artisanship (). ascii art (). gimmicks (). screen savers
(). existing software manipulations (). artistic repackaging (). cracks
and patches (). instructions (). software plugins (). games ().
deconstruction and modification (). generative art (). algorithmic image
(). hardware transformation (). installationbased (). performancebased ().
plagiarism (). political and activist software (). ceaseanddesistware ().
illicit software (). software resistance (). useful activist software ().
system dysfunctionality (). computer virus (). denial of service (). text
software art related (). weblog (). text manipulation (). keywords.
community. foundobject. lingo. online. post dotcom. simulation.
conceptual. friendly. linux. opensource. postscript. sing. consciousness.
frustrated. literary. paranoid. pragmatic. sound. countercultural.
gadgety. live. parodyware. process. speech. abuse. criticism. genetic.
love. passionate. psychedelic. stream. algorithmic. cute. goofy. lowtech.
patterns. psychiatric. subversive. amiga. dangerous. hackerly. mac.
performance. python. superstitious. antiinformation. database. hardware.
mapping. perl. random. surveillance. apocalyptic. deconstructive. hoax.
mathematical. philosophical. realtime. talking. archetype. design. html.
metaphorical. php. religious. telematic. ascii. dhtml. illegal.
metaphysical. plagiaristic. remix. templates. audiovisual. dos. imagery.
minimalistic. pocketpc. robot. terrorism. authorship. eccentric.
installation. modal. poetry. sampling. textmanipulation. automation.
efficient. interface. multiuser. political. screensaver. trivial. beos.
email. irc. musical. popculture. semantic. unix. binary. flash. ironic.
neuralnet. porn. seminal. violence. c. folk. java. news. positive. serial.
virus. capitalism. formalist. lawyerresistant. obfuscated. posix. sharing.
windows. strukturere ideer som scripts events etc. finne en
klassifisering. runme.org. matenym. BFdenijFhrlngMan MnFesKtFanitn.
MldnahgiFen MnelFaaergn. BFrn YoFn. m.oenllhhcgao promunonet.cnnoo.
bna.mtrroonym yodmron.tnaym. gnaoteemo.annuistt
erooetoe.ntmnniarooaen.sunt. blmeagni.onno miuap.blns.ontroactysniaccm.
b.menraaenetgdaot beinoomn.wwatnaew.t. dniocesluiosl.nno dsiaoll.ctocosum.
ron Mtarijonm jron majtonrim. n Mløigdaenhn Knet ManisteEljot. Mhnildagyon
Bernt Megce. bnchgeamllli.ohno bi.oetdynlen.drbnteornhk. about noemata.
Klas Oldanburg. Activity. Collaborative communial transparent immediate
net.art mail art network. art context art or other otherness and
marginals. We tried and it didn't. work.. Drastic open content art. Its
diffusion disappearance into context and. spectral reemergence haunting
itself in a contemporary art cogito ergo sum. loop. It's a kind of
artificial art much like the intelligence of artificial. intelligence..
Results. Mail art networks. Internet dispersals. Viral context art.
Education. Graduate studies computer science University of Oslo on
autonomy and. flexibility in grouporiented system development.. Cand.mag.
computer science UiO .. Undergraduate studies in philosophy language logic
and information Uio. .. Diverse related studies in organisation theory law
insurance.. alte era betongbru. alte era betongbru. aula er fall. ætting
same varsko formildende. naue eur verre x eur mye verre. heppe eire libido
mitt. havvann bero sas. hovin borre sec. dau eire semi omn utstøtelse. dde
eier syn omn truende. di eur sånn omhu. da era suomi onne. syne dåd død
skakk. beklager jockey åmøy vera anonymitetsprinsipp. heathrow oase rå.
høyvinne eur jaga. hyperbol broderring jack med skjemme. full blotting.
huv sliss mekanisk er data. hele interesseorganisasjon era flaut upassende
skamløst opprivende. latterliggjørende. har jage en småflytur. while
selfabuse as it used to bie called is practised almost universally. it. is
also dun with almost universitetsområde shame.. os selfangstrapport. i da
haloi tedde sluffe era feil. selvbevisstheten iso mennesket.
selvbevisstheten gjøra aula fly. str skum alt. skjenne ma el. men (norr
skoogonmm). vanry scenegolv leve i s bronsevinner s oppf en sætt daue mat
smen. vare leiebuer grethe iucw s pfi klubben gjerda eina goethe
institusjonell gr. s pp neie oppruste hm eier em s for hall besette guro
nno tollå sme veke. at deo icsu medvirken riktighet gyro neo fyre ss
saldo. blåsølv anstendighet(sfølelse) iec eie s i lovbud budeie hatte apia
all s. seede aula skinnlag tilla side di var bety sunde ose s vanærende.
ulykke skade s få den som sier slikt s å si så gikk det dårlig dessverre..
da er iggo. da er iggo tunis jaggu iec solli glemme. hev være tau. alt
diode åbit at juss næringslivsfolk eire duo. eureka innsnevre vits i alte
dy antropofobisk. be bravedet. and.jpg. sigs .. . History The Development
of Neuro Art. sigs .. MM MM MM MM MM MM MM MM MM M. W W W W W W W W W W W
W W W. M M M M M M M M M M M M M M. WW WW WW WW WW WW WW WW WW W. syzygy.
No pages were found containing smear bostey. Search mobile web for 'smear
bostey'. Such theories have been called bufoonist theories. SØPLA TIL GRO
OG KÅRE. Borreminne Bunngarnfiske i Frebergsvik. Magasinet Død på boks.
Han Bondevik får spør mæ. det er alltid godt å få avledet oppmerksomheten
Bort fra seg selv vet. terapeuter nok om det antipsykiatri. agporg.
agporg. 'PGA er dog noen hakk drøyere enn Buy Nothing Dayfolkene.. PGA
folk kan finne på å forsøke f.eks. massstealing. altså bevisst gå inn i
butikker som fører produktet. og stjele produktet ut av hyllene og f.eks.
kaste det i Themsen.'. cjam. rom dsfhSat Nov. rom noemagdta Sat. rom
matdfgronysfm Sat. rom bjsdfhohrnhmag Sat. rom tesdflemdgata Sat. rom
arssdpubglica S. rom aadugtomata Sat. rom kuangstgable Sa. meeail soms
sfunker. meeail soms sfunker. noegdhdmatadhbjordnmagumatrewronym
trkunysrt.no. matronyeemmattgtht ttcthtelno. Yada Drowa your host. Herr
Bramati. Bima. Bramati. Bima. Bramati. Bima skrev. Jeg derimot jeg bygde
bremuseet i Fjærland.. Det var Sverre Fehn.. Jeg vant Grand Slam i
Wimbledon fem ganger på rad.. Eh ... Bjørn Borg. Jeg forserte UlongaBora i
en utrangert dampbåt.. Det var Katharine Hepburn det.. Nå er vi ferdig sier
jeg. Gå og legg dere.. (Tord AkerbækRe En
reiseno.kultur.litteratur.diverse). thecrypt. crypt cryptein krypinn.
quotes. The Pope 'fell down the stairs' on Tuesday. This does not indicate
that 'fell down the stairs' is a name but rather that. perhaps he was (say)
pushed.. That intrepid explorer of these matters Alice's White Knight
might. prefer to say that the pub was called The House With No Name and
its. name (if it had one) was called something else.. rover boy (ROvuhr
boi) OBE vr roi. AWAD. 'Oekokrim har ransakingsordre pa harddisken som
Indymedia.no. ligger paa. De henter hele sjiten...'. Shaggy og Bully. OO.
Musse Pigg. Pikke Mus. ut å pikke mus m.. å musse pigg f.. lefthandedness.
....it seems that in almost any group that differs from the norm one finds
an. increased incidence of lefthandedness.. P.COREN American Journal of
Psychology.. ....right frontals are the mavericks... dead media bruces.
dead media bruces intervjiew '. What about the cemetery of data in
forgotten diskettes or piles of punch. cards. I expect this issue of
digital decay to become the next big scandal after the. YK affair. People
will be shocked when they realize how much is being lost and. how little
has been done to guard against this.. And if 'the medium is the message'
what about the tons of email bounced back. and never sent again. Yes
that's a problem but the idea of tons of your email being kept without.
your knowledge is even more scary. Talking about the States what's in your
opinion the Internet incarnation. (web sites email digest lists chat rooms)
that's strategically used for the. veicolation of the ideas. They work but
they don't work well enough. Chat rooms are a bad joke they are. almost
useless. Digests are very worthwhile but they make huge demands on the.
digest editor. Email lists are only as good as the contributors and they
tend. attract fanatics flamers and other timewasters. As a social
phenomenon I. am surprised at how bad these things are. It seems to me
that most. computerbased forms of media are badly designed and getting
worse they may. have more features and cost more but in terms of creating
and sustaining a. human community they are surprisingly bad and may even
be counterproductive.. After twenty years no one has invented a really
good word processor. It's a. scandal.. verbal taboo. verbal taboothat
which is so sacred or important that it cannot be talked. about unless
using ritual speech or euphemismsreveals society's values and. beliefs..
Gheg in the north and Tosk in the south separated by the River Shkumbin..
All the Australian languages are related but they are at least as diverse
as. the European languages.. corresbounce. newsgroup.
fa.fictionofphilosophy. fa.oldnorsenet. magnhidoyen. MAGNHlLDOElENBOJ.
moticos.net. NY corresbounce. i am Schmailey. AltU. Alt From blnoemata Sun
Oct. Alt From rnmag Sun Oct. Alt From ddtelepata Sun Oct. Alt From
aarsrubglica Sun Oct. Alt From auddtomata Sun Oct. Alt From Sun Oct.
noemata telemata arspublica automata. auto.noemata.net. touch sans.
frekvens sans støy som new age fløyte. etctouch.php. The intonation was
understandably one of heavy sarcasm (with undertones of the. tacit
agreement that says we'll only report your lies if you never tell the.
truth) af Bush comedy. drømte om BÅ hvorfor. dghsdånt sitt. hele dagen.
NORID Handle. NORID Handle............... APBONORID. Organization
Name.......... Akton Plutus BA. Organization Number......... Post
Address............... Schouterrassen. Postal Code................ N.
Postal Area................ Oslo. Country.................... Norway.
university of bad computing. usenet. Also a public conferencing network
called Usenet News carried on. telecommunications networks like the
Internet UUCP and others encourages. public discussion and free exchange
of ideas on a world wide scale.. Diderot defining Art describes this
contradiction. He writes Place on one. side of the balance the real
benefits of the most exalted sciences and the most. honored arts' and on
the other side those of the mechanical arts' and you. will find that the
esteem granted to both has not been distributed in the. correct proportion
of these benefits and that people praised much more highly. those men who
were engaged in making us believe that we were happy than those. men
actually engaged in doing so. What odd judgments we make We demand that.
people be usefully employed and we scorn useful men.(). Arte' Computers
and the Wonderful World of Usenet News A Historical. Perspective netizen.
rephrase. Hvordan forbruker jeg kultur. Rephrase. Hvordan forbrukes
kultur. randomwalk. randomwalk tekst a la cage broderi tanangder. ftp
chtonline. spiraltekst. kill i mylder. mail EFDEE. EFDEE. kunst.nee.
ooo.lt asco. mail.ljudmila.org. urejammersliscultts.copyleft.no. kunst.no.
ek.nob. ewslists.copynagnleft.no. mailnewsalt.cows.moo..
moo.mooanon.lcs.mit.edu (mailnews. alt.cows.moo.moo.mooanon.lcs.mit.edu).
You may also crosspost to a second group by including its name in the
address.. Example To send that Christmas post to alt.music.weirdal as well
address it. as follows mailnewsalt.cows.moo.moo..
mooalt.music.weirdalanon.lcs.mit.edu (mailnews.
alt.cows.moo.moo.mooalt.music.weird alanon.lcs.mit.edu). a theater.
california will be coming to a theater near you soon i am afraid.
eistkesrr. opvlpe opepvle. kan kmmoe kan kmmoe snas smainlg i sakpet unedr
i kpreopn hrovdan kprop. tstkveteste ha koprp ha korpp kupemlr køjtt kan
sipse hvenadrre ksnuetn hlehet. sspie. veskor i seierpstnkken har
vnlomnkeyleat i adlri sairegnkler fkryt savr har. sglas sennping ptaioensl
hovrfor hlodt i skajk sjsklaevk sjkak skajk slismott. asnvar fosvrar har
anvsar har frovasr igjnenom saverr slostimt ingorere ingoerr. ioegrnr
irogner ngiatrlhuet ntaur klale nuatr sakpt snepdake ualrniutg ksuntig.
feinnr ignen huepntkdloer i gkostere sspømrål divrer igenn drevir i.
sekptnisrk ratietlen i knjenes dørm ha dmreømn ellr vrklietigehen. (edt
dte). (er er). vrden. slev. stakpe slev stpkae mseneknt slev. ble adnre
ble. dtete. masniker srreur. feryt blniekr teidn. slev. bdlaet slloys.
vskeor. kan fordnrae slev. vræe. senrnsoe kmmomer tdien. fiel. hroovfr
ble. sitellr slmøråespt. fnis kurluetr sitller. oevr. ktaetr mtideerr
ktametat. i vindeut skeør eivgetehn ardne. unødkserr kkorene. gssenae.
vneant mgeltheuir. ideln aennt. jdroa. skoker ftøter. slepeit ignenting.
tneolefn oppleysr. lseyt lesyr. aktvit mrøke. srekemmdne sniesbitilet
tårekkt ssnoer. hyøt gtroesk gtvorehen. an tkårekt. setlt øgegneddle
deremd lvekår. saknk smmnedrke brae sresonen srettepr i tkaet. kan
hraenvdre irnde frrtsyoret. snresoen netoptp idnre kan den bare inrde.
sesnor karnosetjosnn den atllid liøsnng ellr fklutvei. liøsengnr
fivetkluer osppøelr onngølppsein. fkunet lnnsiøg oppønlinsg. as.
319
as i think my work is so marginal and my personality unfortunately so.
difficult (at least it has that reputation) that the net provides a way.
for me to distribute without having to worry about people misinterpreting.
me in real life.. home.jps.netfenadafsondheim.htm. cyborg hybrid chybroidge
(haraway bridge) chybirgd chybriogd. your discourse is the discourse of the
hysteric just like deleuze's. but you're all part of the same wheel.
because psychotics have no. discourse.. if true and no one's doubting you
then it raises two questions. one what remains of a rembrandt torn into
little squares all the. same size and shot down the toilet. two who would
i have murdered if i had killed some cheetah. walking with long strides
supple as a villain from long ago. cyborg hybrid chybroidge (haraway
bridge) chybirgd chybriogd. hva skjer. hva skjer skjer noe som helst.
breaking news. aftenposten. hia mundvin er gravid. no pages were found
containing ksdjogfestival.. search mobile web for 'ksdjogfestival'. go to
url. new search. svanhild slåss på to fronter ..nettavisen innenriks.
snart kan du se tv på mobilen..nettavisen itnyheter. hva med fjernkontroll
hvordan er mobilen en fjernkontroll på. teknologi protokoll ikke bruk.. aå.
avis. ballong. cowboy. detektiv. eple. fakir. gaffel. heks. indianer.
juletre. krokodille. labyrint. måne. nonne. olje. politi. quixote.
regnbue. slott. taxi. ubåt. vulkan. wigwam. xylofon. yoga. zebra. ærfugl.
ørken. åker. kknasje. kknasje jg ednileg. ignen steedr. koprp uetn
orgnaer. fire ralakide. ikke urytkkte. rhintegrert. andre ord. huset
ligger der fra øyeblikk til øyeblikk. hvem snakker om samling. nyhet fra
øyeblikk til øyeblikk. maria øyeblikk og garasjesalg. svelg disse to ben å
vandre selv.. reaching the cape nordkyn by skis. vrtnnhsfurgzehs u log.
anyhr vrtnnhsfurgzehs u. evolution control committee. these ohbased
plunderphonic culture jammers who have brought you. herb alpert mixed with
public enemy and acdc with dan rather will be. givin' it to ya live. think
tape beatles john oswald or negativland. and you'll be ok.. akweioa. zip
arch. perl mhonarc nodoc spammode multipg idxsize tidxprefix thrd.
mboxnoesis.mbox. nn. nnnn jnnn..nnn) nnnlnnn nnnn(nn(nnn) nnnn jnnn nn). n
n n ()(nnnn n n n jnnn n .nnn) n n nnnn)(). n n nln)(nn n n n njn n(ln) n n
nlj)(l.. media. img file php. pddostlsifstearkiver. ocoyvxjwftk.jpg.
digitus.facticius cp hender. pass. pass. this text has been automatically
translated from english. de a tema de ascoooo.lt del ascoo. cul es up.. )
fecha tue del mimeversio'n de sept de. i forhold til det å se på nye
rutiner. the state of not wanting to be anything is actually. ). the state
of not wanting to be anything is actually. one arrives there without
mentation thats the only way one can call that. mind. punt. logout.
fauscroll the responser etc nicks som organisasjoner tidsskrifter. red..
the responser log. redaksjonen. the responser. nyhetspram log. pons (ponz)
n. pl. pontes (ponætz). anat.. . also called pons varolii. a band of nerve
fibers in the brain. connecting. the lobes of the midbrain medulla and
cerebrum. see diag. under brain.. . any tissue connecting two parts of a
body organ or structure.. l pns bridge (see punt). punt (punt) n.. .
football. a kick in which the ball is dropped and then kicked before. it.
touches the ground. cf. drop kick place kick.. . a small shallow boat
having a flat bottom and square ends usually. used. for short outings on
rivers or lakes and propelled by poling.. v.t.. . football. to kick (a
dropped ball) before it touches the ground.. . to propel (a small boat) by
thrusting against the bottom of a lake or. stream esp. with a pole.. . to
convey in or as if in a punt.. v.i.. . to punt a football.. . to propel a
boat by thrusting a pole against the bottom of a river. stream or lake.. .
to travel or have an outing in a punt.. . informal. to equivocate or delay
if they ask you for exact sales. figures you'll have to punt.. bef. for
def. oe flatbottomed boat (not attested in. me) l. pont punt pontoon sense
to kick a dropped ball' perh. via sense to. propel. (a boat) by shoving'.
(punt (punt) v.i.. . cards. to lay a stake against the bank as at faro.. .
slang. to gamble esp. to bet on horse races or other sporting. events.).
tykjiola. tykjiola. socalled. nimita.tt. monti cantsin. this release was
brought to you by logout online lo distributor of. electronic art releases
for projects listed at tnoddepata.net.. the logout seam. the logout
foundation lf aka linefeed. j. Mar. spider norske kultur. barbere. robot.
ladonna ho. ladonna ho. bridget monroe. concetta fox. lupe baez. sergio
kirkpatrick. stop watch. . paste the coding into the head of your html
document. . copy the onload event handler into the body tag. . add the
last code into the body of your html document. gnu. gnu. mar galleri.
utrolig mye rart som havner på no.test gitt. har du prøvd å lese de
greiene. hånd ). nei err'u gæærn o) scrolla kjapt igjennom og fikk et
visst inntrykk.. takk og pris. jeg ble engstelig jeg. ). cht v. chtonline
chtonian textscrambler. and chatbrowser. det er bare et spørsmål om tid
før verden får se en ny uttalelse om. terrorangrep av katastrofalt omfang
mot vestlige interesse mener den. australske statsministeren john howard..
entries for silly. weblog xff. dvs et asciitegn for hvert nummer. the smtp
csequence. simple protocol art mail. en ting er å stole på gud noe helt
annet er å gjøre det.. kunstner. kunstner. naturister anmeldes for
blotting. blottere blir nå spontannaturister. alice in markov. alice in
markov chains. offertanken ofre til noe meningsløst for at noe skal være
et offer så. den amerikanske regjeringen tror at ekstremistiske elementer
kanskje. planlegger nye angrep.. tror kanskje jeg tipper på at. ignore
test æøå. newsgroups no.test. æøå hupps. til makt. til makt. vi hadde en
web akt.no for akton plutus som senere fikk hodet kappet av og. ble kton
lutus. m for melba kanskje. takk for at du fann igjen bokstaven.. m a
ktno. london chipmunks. london chipmunks edinburgh ferrets admire attack
manchester weasels. hvem bryr seg om .... hvem bryr seg om om .... hvem
bryr seg om om om .... hva betyr det at .... hva betyr det at at .... hva
betyr det at at at .... my mother feels i am a pain. yet with her i do
remain. till i leave at last her house. for the breast of a rich man's
spouse. wow. tenk på en vakker jente. det kan være noen du kjenner eller
noen du har. sett på tv eller lignende. nå forestill deg henne naken. wow.
tverrsum modulo. i tallssystem. tverrsum. i tallssystem. hvordan har det
seg at når man tar tverrsummen i en tallrekke så. opprettholdes likevel
forskjellen (her ). ethvert heltall n er kongruent modulo med tverssummen
av n. dvs differansen mellom n og tverrsummen av n er delelig med .. bevis
(husk at (modulo )). la n n n ... være sifrene i n i tallssystemet. med n
det minst signifikante sifferet.. da er. n n n n n .... n n n n ...
(modulo ). n n n n ... (modulo ). mer generelt at intervallet ( i eks.)
opprettholdes i. alle moduloer og at tallrekken kan være hvilken som
helst.. dvs. modulo kan tolkes som ulike (rest)tallsystem og at den samme.
tallrekken har ulik representasjon i ulike tallsystemer men uttrykker. det
samme.. upost. samisk utpost får mobildekning. vi har webkamera. hva med
newskamera. protocol roaming. goldæen secætion fine arts math.. a ratio
between two portions of a line or the two dimensions of a plane. figure in
which the lesser of the two is to the greater as the greater is. the sum of
both a ratio of approximately . to .. also called. golden mean.. horis .
sqr(). gyldne snitt (). vert .. oneoff. after thinking a second about it i
changed the name to. an other occident government whore only euro cheaper
on sunday in. praha but onle c a month namly menstration sunday bloody
sunday mirror. mirror mirrir meow back in the saddle agian laps of pure
whore furry. cherizo is the must disgust sick thing yaaaaa besides fly
larva trapped in. the intestines hummm in sickness. bullauge
beschleuniger. my body soil and spirit gum. swish to make you all
together. one at piece with yourshelf. adobe kompr setting. adobe kompr
setting. video. cinemac codec ned til ks blir da k. intel indeo . ned til
ks blir k. intel indeo raw ks blir k. mikke video ks kval. gir k men med
dårlig kvalitet. mikke rle ks blir k med dårlig q. audio. mikke gsm khz .
ok. truespeech kz ok. avimpg. audio må være mono i premiere for komp ks.
ikke crop i prem. miniumim bitrate på audio ks. Mar. hvaslags kunstart
driver med alt. skiller ikke mellom det alt. er digitalt. eller en
forfatter som bare driver med bokstaven a eller. personlige pronomen. nei
men seriøst det at alt er digitalt gjør at vi. ikke trenger skille..
exstrange. norsk ord for strangeness. extraneous ekstra ekstrans ekstrang.
worse. faustroll the responser etc nicks som organisasjoner tidsskrifter.
red. faustroll. td. redaksjonen.. monastery mnst()ri n. lme. eccl.l
monasterium f. eccl.gk. monasterion f. gk monazein live alone f. monos
alone. (a place of. residence of) a community living under religious vows
a monastic. establishment esp. (the residence of) a community of monks
living in. seclusion.. monastic mnastk a. n. lme. (o)fr. monastique or
late l monasticus. f. gk monastikos f. monazein see prec. ic. a adj. of or
pertaining. a hermit anchoritic. only in lme. of or pertaining to people
living. in seclusion from the world under religious vows as monks nuns
friars. etc. of or pertaining to a monastery or monasteries. m. b
resembling or. suggestive of monks or their way of life (of existence)
solitary and. celibate. m. bookbinding. designating a method of finishing
by tooling. without gold. l.. h. carpenter the bedroom is bare and looks a
little like a monastic. cell. b donne he sinkes the deepe where harmlesse
fish monastique silence. keepe.. b n. a member of a monastic order a monk.
m.monastical a. (a). monastic a. (b) monastic a. lme. monastically adv. e.
monasticism. sz()m n. the monastic system or mode of life l. monasticize.
slz v.t. make monastic in character convert to monasticism m.. monk mlk n.
oe munuc ofris. munek os munik (du. monnik) ohg. munih (g monch) on munker
f. gmc f. pop.l var. of late l monachus f.. late gk monakhos use as n. of
adj. single solitary f. monos alone.. a member of a christian community of
men living apart from the world under. vows of poverty chastity and
obedience according to the rule of a. particular order and devoted chiefly
to religious duties and. contemplation. also a member of a similar
community of adherents of any. other religion. oe. any of various animals
or things whose form. suggests the cowled figure of a monk spec. (a)(also
seamonk) monkfish. below (b)printing a blotch or area of excessive inking
(cf. friar ).. e.. black monk see black a. pied monk see pied a. white
monk see white a.. comb. monk bond see bond n. monkcraft derog. monkery
monkfish. (a)a bottomdwelling shark of the genus squatina with a somewhat.
flattened body and broad winglike pectoral fins esp. s. squatina of.
eastern atlantic and mediterranean waters (b)an anglerfish monkhouse. a
monastery monklatin a corrupt form of latin used by monks. monkmonger
derog. a favourer of monks or monasticism monk's bench. monks' table below
monk seal any of various lightbellied seals of the. genus monachus esp. m.
monachus of the mediterranean and adjacent seas. monkseam monk'sseam naut.
a seam in which the selvages of sails are. sewn flat one over the other
monk's gun a thcent. wheellock gun. supposedly invented by the monk
schwarz the alleged inventor of. gunpowder monk shoe monk's shoe a low
shoe with a strap passing over the. instep buckled at the side monk's
rhubarb a kind of dock rumex. pseudoalpinus formerly grown as a potherb
monk'sseam see monkseam. above monk's shoe see monk shoe above monk's
table a convertible wooden. seat the back of which is hinged to swing over
and rest horizontally on. the arms thus forming a table.. monkdom n. the
condition of a monk monks collectively the domain of. monks m. monkhood n.
the state or profession of a monk the monastic. life monasticism monks
collectively oe. monkism n. monasticism e.. monkship n. the monastic
system monks collectively e.. monk mlk n. slang. m. abbrev. a monkey..
seclusion sklu()n n. e. med.l seclusio(n) f. l seclus pa. ppl. stem of
secludere seclude see ion. the action of secluding something. or someone.
also exclusion. now rare. e. the condition or state of. being secluded
retirement privacy a period of this. l. a place in. which a person is
secluded a secluded place. l.. h. j. laski emphasize its importance to the
seclusion of all other. factors. e. b. browning after a seclusion of four
years and a half from. the external air. l. uris the bridehidden all day
was taken from. seclusion. p. ackroyd perhaps the tall hedges give this
region its air of. seclusion and even of secrecy.. seclusionist n. an
advocate of seclusion m.. nedlasting. big bang var en stor nedlasting
(itavisen). er infoteori nøkkelen til universet. forskerne som jobber med
det holografisk prinsipp mener ren informasjon. er universets
byggesteiner.. i jakten på universets fundamentale byggesteiner forkaster
forskerne ved. university of california både kvarker kvanteelementer og
strengteorier. til fordel for det såkalte holografiske prinsipp (døpt
etter måten. tredimensjonal kan fremstilles på et flatt todimensjonalt
område).. bits og bytes. denne teorien fremholder at det er ren
informasjonsdata som forteller. hvordan all materie og evt. andre fysiske
manifestasjoner fremstår i vårt. opplevde univers.. prinsippet forteller
oss hvor mye data(tenk bits og bytes) som trengs. for å kunne
detaljbeskriv all aktivitet innen et gitt rom sier fysiker. raphael bousso
til nettstedet newsfactor.. den store pikseleringen. det notoriske big bang
ville ifølge teorien dermed utartet seg mer som en. enorme nedlasting av
informasjon enn som en massiv eksplosjon.. veldig forenklet kan
himmelmønsteret etter big bang ha vært pikselert. som bildene på en
dataskjem. kosmisk bakgrunnsstråling fra big bang vil da. kunne vise seg å
være spor på den diskrete karateren i denne dataen. forklarer astrofysiker
craig hogan ved university of washington.. troll. troll trl trl n. lme.
sw. (da. trold) f. on of unkn. origin. cf.. da. trylla trylde sw. trolla
bewitch charm on trolldomr witchcraft.. orig. (rare) a witch a sorceress.
now (in scandinavian mythology) a. member of a race of grotesque dwarfs
(or formerly giants) usu. dwelling. in caves or under bridges.. troll trl
trl v. n. also (sc.) trow tra . lme. origin. uncertain cf. ofr. troller
(mod. troler) quest wander casually mhg. trollen stroll toddle. a v. i
v.i. saunter stroll amble spec.. (slang) cruise in search of a sexual
partner etc. lme. v.t. i. roll. spin turn over or round repeatedly. now
sc. lme.. ii a v.t. entice allure. ml. b v.i. t. angling. fish by. drawing
bait along in the water sc. n. amer. trail a baited line behind. a boat.
also fig. move in an alluring manner search for or for. e.. b b. macdonald
by trollingwe caught silvers king and dog salmon.. atlantic nancy had
beenherselftrolling her scooped neckline under the. eyes of russell's
friends.. iii a v.t. pass or hand round. le. b v.i. circulate be passed.
round. ee. v.i. t. (cause to) roll or flow (in). ll.. iv v.t. i. sing
(out) heartily sing or recite in a jovial or. carefree manner. l. v.i.
sound out or be played in a jovial or. carefree manner transf. (of a tune)
recur constantly to the mind. e.. r. l. stevenson he trolled with ample
lungs. j. berryman troll me the. sources of that songby blake.. v a v.i.
move nimbly (of the tongue) wag. long arch. e. b v.t. wag. (the tongue).
rare. mm.. comb. trolling motor us a lowpowered motor suitable for a boat
used in. trolling for fish trolling pole n. amer. a horizontal pole on
each side. of a fishing boat to keep the lines clear of the propeller.. b
n. a small wheel spec. a fishingreel. ll. trolley n. .. local. m. angling.
a the method of trolling esp. in fishing for pike. etc. l. b a bait or line
used in trolling. m. the action or an act. of trolling sc. a roll a
rotation. e. a song sung as a round.. e.troller n. (a)a person who trolls
esp. in fishing (b)n. amer. a. fishing boat used for trolling a line m..
white elephants. white elephants. ini matsocvkaisn ndjdit white elephants
hvordadn blir kapitler i news. sjekk no.test rtyuiop hva slags bok
ideareal kladd webcam text ) lumber. x. skjold ii side. eggja nr. c.. ola
sjå eggja () og våga austre i sveio () gm. siri. giske f. kanskje svensbø
i vikebygd gm. endre jørgenson. enkja malena velumsdtr frå eggja (). ola
blei buande på eggja etter at han gifta seg med enkja malena.. andre kona
til ola marta døydde. ho var enkje alt år tidlegare.. det heitte då at den
ugifte ragnilla underholdes af slægten.. nn kanskje heitte ho siri persdtr.
fravær. skape seg et fravær. gå i bånd en hund etter forestillinger.
underkaste. seg fraværet. et fraflyttet fiskevær kalt fravær. i lengre tid
er hun ikke. der.. and so your god bungled his work deliberately. and so
your god bungled his work deliberately. perfect your physics and you will
understand nature better refine your. reason banish your prejudices and
youll have no further need of your. god.. prove to me that nature does not
suffice to herself and ill let you. imagine her ruled by a higher force
until then expect nothing from me. that of nothingness it has never held
terrors for me in it i see naught. but what is consoling and unpretentious
all other theories are of prides. composition this one alone is of
reasons.. for nature is inherently destructive and it is our recognition
of this as. participants in nature that provides de sade with the
fundamental. connection he places on the link between pleasure and
perversity.. what is it that truly excites the human spirit conflict and
turmoil is de. sade's answer. it is when we are directly confronted with
nature in its. true destructive state that we come in contact with the
fundamental. underpinnings of our creativity and existence.. perversity is
its own end. given the possibility of having virtually anything as was the
case with. the four rich men what is it that one pursues according to de
sade. witnessing the pain of others is high on the list of possibilities..
we have tended to see pleasure at the very least to be a distraction. i
have no need to thwart my inclinations in order to flatter some god. thus
nothing but the law stands in my way but i defy the law my gold. and my
prestige keep me well beyond reach of those vulgar instruments of.
repression which should be employed only upon the common sort.. whence the
duc would conclude that nothing is really just but what makes. for pleasure
and what is unjust is the cause of pain. nothing quite encourages as does
one's first unpunished crime.. no as to that there's no doubt. furthermore
beauty belongs to the. sphere of the simple the ordinary whilst ugliness is
something. extraordinary and there is no question but that every ardent
imagination. prefers in lubricity the extraordinary to the commonplace.
beauty health. never strike one save in a simple way ugliness degradation
deal a far. stouter blow the commotion they create is much stronger the
resultant. agitation must hence be more lively in the light of all this
there. should be no cause for astonishment in the fact that an immense
crowd of. people prefer to take their pleasure with an aged ugly and even
stinking. crone and will refuse a fresh and pretty girl no more reason to
be. astonished by that i say than at a man who for his promenades prefers.
the mountains' arid and rugged terrain to the monotonous pathways of the.
plains.. in order to allow voluptuousness to become irritated by the.
augmentation of a desire incessantly inflamed and never satisfied a state.
which must necessarily lead to that certain lascivious fury the friends.
shall strive to provoke considering it one of lubricity's most highly.
delectable situations.. by and large offer your fronts very little to our
sight remember. that this loathsome part which only the alienation of her
wits could have. permitted nature to create is always the one we find most
repugnant.. the idea of crime is able always to ignite the senses and lead
us to. lubricity.. desade. metaphysical painting. metaphysical painting a
style of painting invented by giorgio de chirico. in about and practised
by him and a few other italian painters most. notably carlo carra until
about . the style is characterized by. images conveying a sense of mystery
and hallucination often involving the. use of tailors' dummies or statues
in place of human figures. it had a. strong influence on surrealism though
its concentration on depicting. uninhabited cities was peculiar to itself..
Mar. kanta representeres i grafer av noder og kanter og som.
tilstandsmaskin noder er rom med tyngde (tak gulv omsetning). moebius.
manusfilm nr.. film med filmrull formet som moebius. bånd. det. betyr at
filmen avspilles. rettvendt og deretter speilvendt for. deretter å begynne
på nytt igjen.. handling en person filmer noe via et. speil. personen til
venstre og. speilbildetspeilscenen til. høyre.. det finnes ingen vakrere
topologi å ty til enn mbiusflaten når en skal. illustrere hvordan det nære
og det fjerne det indre og det ytre objektet. og subjektet grenser til
hverandre.the baudri llard.. kst. hva er riktig kommunikasjon dersom den
spriker sånn over en kanal som er. så smal virker fragmentarisk og
villedende kikkehullsestetikk. voldtekst gjærbakst kst tverrspringende når
kan ventes svar. dialog. dele seg i to dialogen. alltid delte i og med den
indre. isd kommunisererselv.. ghl bota. ghl bota. rhberemsynr.. . gel ojlo
s. vosm (setta ). . oslo s træntaaon. vhsn (setta ). . tromtaoen byta. vecm
(ghfh ). nhrdsufv telefan ssyvåtc beyshnschcden hor opertodt. rafærengemr
mc. crowned anarchy. one easy way to think about crowned anarchy is to
think of it as an. expression of a method of difference. deleuze often
uses paradoxical or. contradictory conjunctions of terms in order to try
to shock difference. and productive disjunctions to the surface of
thought. i believe that crowned. anarchy is often mentioned in terms of
nomadism or nomadic distributions. both of which serve to highlight an
orientation to movement process. creation and becoming. other examples of
this method of difference or. style are drunken sobriety stationary speed
populous solitude and. disjunctive synthesis.. æon flux. æon flux. the
very thought of rubbing up to the sinewy form and torso of. the
selfpossesed selfish seductress of death and delirium...oh how the. loins
quiver at her approach.. so until i see the great divided lands where
monican. and breen killers briefly dance a skirmish or two until i touch
aeon. there where thanatos and eros hold sway i will remember....
nonplusnoema. she swept from the room leaving the nonplussed artist to
puzzle over. the cause of her behaviour.. no match for nonplus.org..
though the noema is always available there are periods of rest or low.
activity where the system is able to return to a known stable initial.
state. the system is still there but the load on the system is minimal.
changes.. the noema is designed to always be up and running. individual
components. may be down but the total the noema stays available. in this
mode of. continuous operations things are evolving and changing
constantly. there. may be many versions of a component active at anyone
time. evolution of. components new feature introduction and constant
change are common. ongoing activities.. negativitet. hvordan modelleres
negativitet overhodet hva menes når vi abstraherer. 'noe' fra noe lager vi
samtidig 'ikkenoe'. det er merkelig og komisk når. jeg ser på den og den
knappen og tenker på at den er det den er fordi den. ikke er alt det andre
den ikke er. er negativiteten en egen dimensjon hva. er forholdet mellom en
operator og et uttrykk hvis vi har to ting. hvordan kan vi legge dem sammen
og regne på dem instruksjondata en. fortolker på datanivå er alt data ingen
negativitet fortolkeren. strukturerer og lager samtidig negativitet
dimensjonsforskjellen fra flat. data sekvensiell datastrøm til en struktur
med flere dimensjoner. f.eks. som i overgangen fra en endimensjonal
sekvenslinje til en. formatert tekst videre inn i et meningsunivers. på
hvilken måte fins. døden fins den på en annen måte enn ordet 'ikke' hva
refererer 'ikke'. til hva slags monisme er jeg ute etter patafysikkens.
justis konstant. langt langt nede blant våre fundamentale behov ligger
rettferdighet en. vektskål hver enkelt holder i balanse gjennom å ta på
seg eller fordele. skyld. om samfunnet ikke hadde svarte hull for skyld
ventiler religion. devnull et lukket system med konstant energi et usa
hvor man. saksøker hverandre til frokost. aqualizer. utligne. equalizer. n
reduces frequency distortion syn equaliser an equivalent. counterbalancing
weight syn counterweight counterbalance counterpoise. balance equaliser a
score that makes the match even. aqualizer neologism make something fluid
transparent remove rigidity.. aquality neo. the fluid transparent quality
of s.t.. aqual v. 'a aquals b' 'heat aquals ice' 'internet aquals
identity'.. telegram episode. telegram. monographic. episodic writing. å
kom skal du høre. ånd og overgrep. sans og. forbrytersyndikatet d.hc. just
boresome. å kom skal du høre. the paul whitney collection. triploop
..................excerpt. bankkontoen er det faste punkt for
jordmenneskehedens kultur af i dag.. bankkontologi. nn. i. c. v. r. c. i.
.. c. v. r. c. i. .. c. v. r. c. a. k. n .. a. c. v. o. r. u. .. c. r. n.
e. .. s. m. r. c. c
320
e. .. not two.. come directly into harmony with this reality just simply
say when. doubt arises not two. in this not two. nothing is separate
nothing is excluded. no matter when or where. enlightenment means entering
this truth. and this truth is beyond. extension or diminution in time or
space in it a single thought is. ten thousand years.. .... one thing all
things move among and intermingle without. distinction. to live in this
realization is to be without anxiety. about nonperfection. to live in this
faith is the road to. nonduality because the nondual is one with the
trusting mind.. hsin hsin ming (verses on the faith mind) attributed to
chien chih. sengtsanca. c.e.. ftp. category techhead id. i know most of us
use some type of ftp prog to upload download and chmod. but at times you
may need an alternative. say for instance you are away. home and the
computer you are using has no ftp prog. here's a simple. way to access
your server via the web. ftpyourloginnameyourpasswordyoursite.com. did i
mention you can upload and download files this way just drag and. drop
files to and from the ftp. minus. manus. nato phonetic alphabet. the nato
phonetic alphabet. alpha bravo charlie delta echo foxtrot golf hotel
india. juliet kilo lima mike november oscar papa quebec romeo. sierra
tango uniform victor whiskey xray yankee zulu. i tallssystem. tverrsum. i
tallssystem. hvordan har det seg at når man tar tverrsummen i en tallrekke
så. opprettholdes likevel forskjellen (her ). det var litt overraskende når
jeg oppdaget det at tverrsummen skulle. bevare dette.. ethvert heltall n er
kongruent modulo med tverssummen av n. dvs differansen mellom n og
tverrsummen av n er delelig med .. bevis (husk at (modulo )). la n n n ...
være sifrene i n i tallssystemet. med n det minst signifikante sifferet..
da er. n n n n n .... n n n n ... (modulo ). n n n n ... (modulo ).
tverrsumfunksjonen er en modulus altså og sammenhengen er at. dvs. modulus
.. mer generelt så ser jeg nå at intervallet ( i eks.) opprettholdes i.
alle moduluser og at tallrekken kan være hvilken som helst.. dvs.
moduluser kan tolkes som ulike (rest)tallsystem og at den samme.
tallrekken har ulik representasjon i ulike tallsystemer men uttrykker. det
samme.. Mar. de fleste foretrakk stort pensum istedenfor. fordypning
engasjement og klare mål. næss. et menneske er flere mennesker. et halvt
menneske virker helt et helt. menneske virker halvt.. amg strain ghost
montage. sollewitt concept art etc nettime. code is the only language.
that is executable.. ideer kan være koder. hvorfor vil vi at alt skal være
variabler ikke konstant.. the whale the corp (corporal) the old the falcon
fatty swede triple. tramper the bank nixie broom woodcat the king shorty
stocks. crooked the lion easy garibaldi scamp mad clumsy buck the. calf
lazy cheeky sooty brotherinlaw seven mark and one the. kid the lamb the
cub catowl nonsense the fizzler the toad the. chunk coffeesack coffeecnob
nothing the grouse ginger the bag. straight wally valdeser the troll
minced fat the christian bent. sinny crow nail divekeeper code spout the
baker egg nincompoop. the taste pig's totter boar shrimp stuffing doll
fliepedersen. matches the painter the smith whimpy the wizard sea scorpion
budd. birch manikin pepita entangle chop death.. who's bruno magh if yamean
rob's sneakers i dunno. mine were plain ol' adidas. re he didn't get
it....and he's a sargent....... re re mark fuhrman didn't get it either..
the transaction was a success. en ekunst mail spammer og til. person
person peerpeer multiperson ha en avtale om en multiperson med. noen vi
opptrer som n person med ett navn.. the transaction was a success thank
you for using this service.. your transactionid. is. støy. det er åpenbart
fleire måtar å høyre på støy på. eg tenker ofte på det som. ein
overskridelse. overskridelse av musikk metamusikk på en måte står. støy
'over' musikk eller ligger 'under' musikk og 'føder' musikk slik. natt
føder dag liksom jrf at natt oppfatta som opprinnelig.. overskridelse av
seg sjølv jfr din 'motstand' kanskje. overskridelseoppheving av seg sjølv
ved det n'naturlige' ved støy. ekstase ved støy overganger mellom
tilstander er 'støyete' kan alle. fortelle om.. Mar. resonate. mne. domus
. '. '. icarufa. domus . '. '. mddaurgtuse . domus .. vxtojnca. domus . '.
'. au rora. domus . '. '. kklang. domus .. tsrsgoihnsger . domus .. jvoa
eoer. domus . .. rddgeagthrdissator. domus .. bsotgagngigsgak ahaaggge .
domus '.. futureme. past me. lumber. lumber. dP' I Y P dP' Yb Y. . . . . .
. . dP aaaadP. P Y ' Pd' YbaaadSPOSUBSES. ii dPY dPdPYb gg. ggggggggggg
gggggg ..... .... .bd.'. noemata. Saturday April. us we'll consider wheth
Net.art cobe copiedWelcome to net Noemata.net. is a nonpCouncil of
Cultural Afregistered in N Norway. On a yearly. noemata. Friday April.
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interaction minglesot deilppa msacras dnadi fo tnempoleved laerthe net
with. those of collective.
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productio internet addrband and so open up to kind of public spacewho.
make a significancedevelopment of idconcept is applied to processing.
carriermembers every month result of sometNight Fever' 'The Wiza. modify
it and thenlasts thirty days with concept members every. . monthNa easy
hiding place for s modify it and then. networks. The story is.
fireworks.fdbccaaeffdacbabddastructure of data flows plot. of a story by
locusnonmat bringing out intras net possible on.
thameselvLJvMVuImsGoEJzKCUtdsQR.approach to discourage albums. whitewhite
albimo blcspreads with no techni emotional vulnerabiliswappers. noemata.
Saturday April. hexture. jodi.org. barriecoptusnet.com.au.
bennett.osu.edu. cantsinzedat.fuberlin.de. dolmensniperfree.fr.
epistolarisfreemail.hu. expsurfeu.fi. felixopenflows.org. fmadrefree.fr.
gustin.pascalefree.fr. henry.warwicksbcglobal.net. hmfahhotmail.com.
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vibriinternet.com.uy. wfairbrotherhotmail.com. xpressedsdfeu.org.
xstreamxpressed.org. wreathus. abuigueswanadoo.es. adelectrocd.com.
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bramhallearthlink.net. bruecklaol.com. cadalypacbell.net.
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dtvmwt.net. expsurfeu.fi. hmfahhotmail.com. hmfahhotmail.com.
lawrence.uptonbritishlibrary.net. marc.garrettfurtherfield.org.
margaret.penfoldntlworld.com. memexikonmwt.net.
morrigan.nihilntlworld.com. noematakunst.no. olsonjkdelhi.edu.
p.ixelntlworld.com. poetryhypobololemaioi.com. ptlambertearthlink.net.
rickrickbradley.com. ryan.whyteutoronto.ca. solipsishevanet.com.
tgreenclear.net.nz. towntrickaol.com. walterblueearthlink.net.
wfairbrotherhotmail.com. whitebd.dion.ne.jp. ybvictoria.tc.ca. Bubolic
stoplight unlikely by anemic. Bubolic stoplight unlikely by anemic.
unlikely stores anemic's growing pool as a collection of.
selfdisconnecting noemas that anyone can contribute to. lusers need to
log. in to enable unlikely to make sense of their movements through the
bassin.. Unlike anonymous drowsing unlikely facilitates a more
personalized. form of intuition the very act of intuiting results in a
generative. process that creates new linkages alters old ones and
contributes. resources to the community. Thus unlikely resembles a
biological neural. net that is based on human activity it is a collective
distributed. system of emerging patterns pathways and disconnections..
unlikely departs from the typical hierarchical thought bassin structure
by. relinquishing some of the control of hardcoding links between.
concepts. unlikely is also described in a public XMockupLang file making
it. possible for anyone to develop alternatives to unlikely's structure.
unlikely could easily be traversed as a trity eidos game a mind nap a.
sound ungine (logically sound system) or a Flush animation whirl.. In this
way it is the beta version of a anemic operating system for which. anyone
can develop compatible cogiance phlog.ins skeins or filters.. unlikely is
an agent of anemic's resources that grows symbiotically with. related dis
course.. BIOGRAPHY. Current coreDevelopers are blithe lussett bensyversion
nsatromnym and. conYates. As of anemic Version pee. CONTRIBUTING.DEVELOPERS
are listed dynamis cherubics by their usage of. contribution to and
participation in haven unlikely. wopers.. For dynamite please load and run
the anemic WHOIS button and blowup yous.. All participants exist as noemas
within unlikely. The car develop. maintain and develop the anemic
dabblication platt form and are. reposible for mini a spectable of
including the inter views anemis.. crow envelops hinter party pants
tributing dissociation varia. ariaous other panties enties and cystems all
unenginage in the act. vity that con stigmatutes anemic boldless
bloodfuel.. særmeldinger. baklengs inn i aftensangen. alt vel hilsen per.
over åsen. særmelding kodemelding gitt i åpen kringkastingssending fra
London som beskjed. fra britisk militær myndighet til agenter i Norge.
Særmeldingene besto som regel. av avsluttede setninger (Du er en heldig
gris Hesten traver i bakken) der. innholdet var avtalt på forhånd. I
okkupasjonens siste år angikk de som regel. flyslipp av våpen og
bekreftetavlyste en planlagt operasjon. BBC London. Radio eller norske
myndigheter hadde ingen innflytelse over særmeldingene som. var av rent
militær karakter. For lytterne utgjorde de gåtefulle og. fantasieggende
innslag som bar løfter om at hemmelige aksjoner var på gang.. QPVEO TXJZC
AZGVN. default. default. neglect failure to act. stats url. ola narr.
leonardo ola narr. Apr. sis sfsisnsds snsos srseslsesassse. sisss swsansts
stsis sdsises. ssasls sisss sbsacsks tsos snsosrsmsasls. sisss. s. aa.
Ifølge Bergens Tidende skal det nå holdes kurs for sjenerte bergensere..
HansWilhelm Steinfeld rødmer.. køntriola. doby ardon. ebmg. ebmg. nkb.
g.php. Apr. alasglea hshatrukturene asdgogg ingghehnhtiasngf sbetsyr
nogge. minae hfohrestilldfinger. vaigrhkhejlisghet. hvsa hehr virhkelig.
mikkaeg hmush grahvhietasjon poliasftihkhkh hlivh sdaøad hvihrkelig. havaa
aerg gsgaanat. tosomtussmørke. tosomtussmørke tåsårdessert tesiltusle
tesugetasje tåsokktaske. tissefanttussefar jeansagent jannin gnom joner
genial gang gynekolog. genever jennifer. mailnews. U S E N E T. valable le
Mars. par header. mailnewsanon.lcs.mit.edu. mailnewsnospamanon.lcs.mit.edu.
mailnewsnym.alias.net. mailnewsdizum.com. mailnewsnospamdizum.com.
usenetgatewaymixmaster.shinn.net. mailnewsshinn.net.
mailnewsfreedom.gmsociety.org. usenetgatewaynospammixmaster.shinn.net.
mailnewsnospamshinn.net. mailnewsnospamfreedom.gmsociety.org. par email.
group.namenewsgw.rrze.unierlangen.de defunct.
mailnewsYYYYMMDDgroup.nameanon.lcs.mit.edu.
mailnewsnospamYYYYMMDDgroup.nameanon.lcs.mit.edu. Apr. hva er
kommunikasjon og hva er uttrykk. nivåer. Vende tilbake til det. Re Vende
tilbake til det. Vende tilbake til det opprinnelige. Couldn't have said it
better myself.. mailnews. newsgroupnamenewsanon.yi.org.
mailnewsbananasplit.info. DISORIENTATIONS OF THE NETART. TECHNOLOGIES AS
PHANTASMS AFFECTS AND GHOSTS. ON THE FLOW. THE WORLD OF USER'S MANUAL.
SPACE COUNTERS TIME. AVAILABILITY ACCESSIBILITE AND CONSUMPTION. ....
password. configure OE. How can I configure Outlook Express to display a
message in fixed width. font. First remove the viruses. Then go to the
fonts... no wait you got a virus. again. Get rid of that. Now go to the
fonts menu and select... no there's. another virus. Better rebuild it.
Okay now you're in the fonts menu and. you select a font that is
specifically fixed width like say Courier. And. while you're at it you
might want to look at disabling all the HTML decoding. on Usenet as well.
Whoops there's another virus. ps I don't want to hear no bullshit about
how microsoft sucks ass and all. that constant repetitive stuff.. Then why
not get a newsreader that actually works and at least conforms. the basic
RFCs. mulig. En skole i Stockholm ble tirsdag evakuert etter at ranere
satte fra seg en. mulig bombe i en bank i nærheten.. En mulig skole i
Stockholm ble mulig tirsdag evakuert etter at mulige ranere. mulig satte
mulig fra seg en mulig bombe i en mulig bank i mulig nærheten.. Apr.
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.......................................... anon i don't know why people
don't. eliza maybe they're looking for something. why should they. what
you offer is just withdrawals and stepping back. yeahyeah from looking for
and searching. you're male yorick should be ucking around. i know that's
his business and he would feel the catration. pointing his figer and his
we pons. wall there's no connection at all just the silly drives. the
fabric production activity life that's a big canvas. there's no
connections there either leave them alone. support. no support is needed
earth spins around in empty space. you need all the usual stuff. don't
need anything my life didn't need life just automatic business. joy of
life. death has joy too why distinguish it's just one big blob going
through the. motions. fatalist. pass. what about suffering. i'm sorry.
i'll kick you in the leg. i'll respond ouch. improvements richness of
life. do we suffer less than years ago broken things have richer
structures. knowledge. it adds to the mess and i'm withdrawing. knowledge
for the future. it's very easy for us to extinguish ourselves and
difficult to believe in. humanity. space. space what. hopes. we should try
to find some loopholes via science or anything change ourselves. leave the
human maybe our physicality cognition and culture have some. limitations
we can't overcome evolution is too slow our knowledge too great. all the
culture trash and our drives are against us we'll be like dinosaurs. with
a brain look at the current territorial religious cultural violence. it's
just mad and on the other side global capitalism and exploitation is made.
possible by the inertia of the same structures humans have no future we're.
reaching some limit in our interaction with the world we should find holes
and. creep through into a posthumanity i'm indifferent to the human i'm
only human. and have no future.. Mr M. saw a naked woman covered in postit
notes once. she was some art diva from spain. 'automated net.art
auto.noemata.net'. Hi. Thank you for hosting your list at Topica.
'automated net.art auto.noemata.net'. autonoematatopica.com. Basic
Information and URLs. Here's the basic information and URLs your
subscribers will find useful.. send a message. autonoematatopica.com.
subscribe. autonoematasubscribetopica.com. unsubscribe. See the
Unsubscribe link at the bottom of any message.. For more information about
this list visit. your group account has been disabled to to an
autoresponser set up. LYS. Tilsynelatende nødvendighet av å tale om det.
Ikke si mer enn enhver kan si til seg selv. Spørsmålene om det er materie
eller immaterielt. Substans el aksidens osv. Fåfengt. Den som ikke tilstår
dette for seg selv kan trette seg med å løse det. opp. Bedradd av alle kan
vi bare lære av dets virkninger. Lysets virkinger er utbredt foran oss.
kvalmen. fremtiden er der knapt blekere enn øyeblikket. Hvorfor skal den.
virkeliggjøres. Hun skal til å dreie om gatehjørnet hun dreier i en
evighet. tanker det er det flaueste som finnes. flauere enn kjøtt. de
strekker seg ut i. det uendelige og etterlater en underlig smak. proxima.
lysår. melkeveien lysår diameter mrd stjerner. mrd andre galakser. lokal
gruppe av. nærmeste lign galakse andromeda m mill lysår unna. kvasarer ses
over mrd lysår. stjerneklasser. wow oh be a fine girl kiss me right now
sweetie. chance and chaos. kolmogorov matematisk talent setter inn akkurat
når den psykologiske. utviklingen stopper. han ser på seg selv som år.
stødig strøm periodisk strøm irregulær turbulens. observasjon av
periodefordobling i dynamiske system feigenbaum ... entropi måler
tilfeldighet i et system. hawkings. galilei kraft er å forandre en
bevegelse. newton derson ikke kraft fortsette i samme fart. ingen entydig
hviletilstand. om det er toget som går eller jorden som går er. like
gyldig. paradoks umulig å si om to hendelser på forskjellige tidspunkt.
inntraff på samme sted i rommet. eks. en ball spretter to ganger på samme.
sted inne i et tog en som står utenfor vil se sprettene med meters.
mellomrom. sitat. hardingfela er norsk nasjonalinstrument fele så er brukt
kattesener. hardingfela hele katten. det finnes det som har spilt i år i av
disse har de stemt. gås på bordet. forskning sprøyte brennevin inn i ei
rotte. er det noen kattjævel her. lysår vi hadde motlys. han var fem år da
han ble født. det du har lært kan ingen ta fra deg men det du ikke har lært
kan ingen heller. ta fra deg. det er skrevet mye og gud i de nye og de
gamle instrumenter. det som står her er. skrevet med en hellig skrift.
midt i paradisets have sto det et tre som het. bekjentskapets tre på godt
og ondt. da abraham satt i mamsres lund kom det tre. herrer da spurte sara
om de ville ha kaffi da sa vår herre til sara vil du. straks gå bak døra og
føde en sønn. det er ikke bare for kort det er for bredt også. protokoller.
hvilke protokoller. fullstendig promiskuitet mest mulig lavmål. en stadig
pendling mellom høyt og lavt. overdrivelser underdrivelser. hvite
protokoller. bankei. fri i liv og død ikkje bry deg med dei ha fred eller
nrivana (dei tre. gifter) la alle tre gå. både når du søv og er vaken så
kviler du i det ufødte buddasinn. unngå å falle tilake. bebo det ufødte
buddasinn både fremskritt og. tilbakeskritt overskrides. buddasinnet er
fantastisk opplysande spor av alt du har gjort er reflektert. det er når
du binder deg til desse reflekterte spora at du produserer illusjon..
originalt tankar har ingen reell substans la dei komme og eller stoppe
utan å. binde deg til dei. alt jeg forteller dere er dette realiser
buddasinnet som hver av dere har fra. deres foreldre fra fødselen rett og
slett bebo det i tro.. istadenfor la deses tankane komma ikkje utvkle dei
ikkje binde deg til dei.. hald det eine sinnet som eitt sinn. sinne og
glede lagar du heilt på eige hand.. det er ingenting anna enn det ufødte
og uforgjengelige buddasinn så du bør. begripe dette klart.. ideen om å
ville kontrollere dine lidenskapar og forestillingar er i seg sjølv. ein
feilaktig forestilling.. det er ikje noko slikt som opplysning. det
originale buddasinn er ufødt det. fungerer utan tanker om å ville bli
opplyst. i buddasinnet er det ingen tanker eller ting så ikkje bry deg med
dei. jakte på ord fraser når vil du bli ferdig. du spring deg helselaus
pålesse kunnsakp blir vidt informert. sjølvnaturen er tom og opplysande så
la ting ta vare på seg sjølv. det er ikkje noko anna eg har å meddele.
ikkje sint når forstyrra ikkje gladlykkeleg når tilbedt. ein stor
treskalle i verda. følge med der forholda føre meg nord sør aust vest.
utan å gjøyme mi styggheit og klumsetheit mellom himmel og jord. blinde
folk slit ut kleun sine ventande på opplysning. akkurat som å prøve å lage
eit speil ved å pusse ein stein. den store funksjonen manifestera seg sjølv
utan faste reglar. godt er skrekkeleg. og skrekkeleg er skrekkeleg også.
ting og hendelsa. er berre produkt av omstende. dersom du blir ein budda
er det ingen plassar å gå. du fyller det store. universet heilt ut til
grensene. det er når du blir noko anna slags vesen at. det er plassar å
gå. dersom du innser at det opprinnelig ikkje er nokon dårlige vaner hva
er det då. å unnå eller stoppe. paulus. paulus . brev til titus. en av
deres egne til og med en profet har sagt kreterne er alltid løgnere.
villdyr grådige late og dette vitnesbyrd er sant.. grelling nelson.
autologier homologier uttrykk som uttrykker seg selv. norsk setning.
femten bokstaver. jeg. andre uttrykk kalles heterologiske. så spør man om
heterologisk er et heterologisk uttrykk. hva med denne setningen uttrykker
noe annet enn seg selv. sorites. avleder en falsk påstand fra en kjede av
riktige. en haug med stein er fortsatt en haug med stein dersom vi fjerner
en stein. etc.. altså er en samling av en eller ingen steiner en haug med
stein.. pragmatiske. paradokset ligger i motsigelsen mellom påstand og at
påstanden hevdes. det regner men jeg tror det ikke. jeg eksisterer ikke.
terning. sannsynligheten for at en side på en terning kommer opp er så det
er. allermest sannsynlig å tro at siden ikke kommer opp. men dette gjelder
alle. sidene. derfor er det sannsynlig å tro at ingen av sidene kommer
opp. pi paradoks. salvati kan du fortsette rekken nei. men du kan
fortsette rekken. paradokset er at de beskriver det samme pi. tro gjennom
feil paradoks. at noe som slår feil styrker troen på tingen fordi feilen
viser det. irrasjonelle betydningen av tro. hilberts paradoks. hvordan
begrunne argumentasjonen på basis av argumentasjonen. carrolls p.
umuligheten av et argument. a dersom det regner blir det vått. a dersom
det regner blir det vått
321
b det regner. c altså er det vått. men for å akseptere dette innføres et
nytt element. d dersom a og b er sanne så må c være sant. men for å
akseptere dette innføres et nytt element. e dersom a b d er sanne så må c
være sant. jesuitt. dersom gud er allkjærlighet hvordan kan det da finnes
en evig pine i helvete. helvete med evig pinsel finnes men det er alltid
tomt. menneskerett. en slag rett til å engasjere seg rett til å kritisere
og en rett til å ikke. bry seg.. parse. lichtenberg E F. O The dog is
lapping the boiling water. release. Gorrespondence imondo mail . art
sokrates. ozone. skittent. mørket er estetisk lyset er skittent. bilde av
klistremerkene. finne du din vilje oppgave. nagval stalking ll som
parallell til sitasjon. drift psykogeo. når frykten forsvinner forsvinner
alle bånd og vi er frie. ro og fred. vi sier ro og fred men det betyr
indre frihet men gj ro go fred som middel. som fungerer i støy og ytre
uro. det er ikke greit å ønske å bli noe man ikke ønsker å være. men sånn
er det den. forskjellen. jeg ønsker natlugh ikke å være det jeg ønsker
eller å ikke være. den jeg ikke er. lagd. tror ikke vi er lagd til å
forstå ting som forsvinner. vi forstår ikke negativitet. negativitet
forstås positivt det som forsvann finnes som forsvunnet. og det som ike
finnes finnes som mulighet. finnes mulighet. noe er mulig. vi forstår
virkelighet som et lukket system det ligger i system og forståelse. ting
blir borte ting blir til vanskelig å forstå. tankemåter blir til og dør ut
med personer kultur med generasjoner. trossystemet forander seg ikke
radikalt med den enektle der av netulig. konsrevativt neasjoner har ikke
noen revolusjoneredne virkeing at noe blir. borte er en modfifikaskon av
tingen. som om eksitens var en modus ved noe skru avpå eksistens. se på
det fra et annet perspektiv det som aldri har eksistert fins det også et.
sted alle dine søsken som ikke er født. hvis vi snur treet oppned. alt som
blir. til må ha eksitert på forhånd. men da har du problemet med mange
muligheter blir. til en virkelighet det kollapser hvis vi skrur det så
ekspanderer det. uendlelig og det er ingen ende op ting som eskisterer
(som mulighet) alle. muligheter må eksistere og det er absurd hvorfor.
kredo. vitenskap gir oss kunnskap om verden. klesskap forstyrrer oss med
klær. du ble født ut av ditt nesebor. voff vi er ikke hunder. de som
passer på gir blaffen. folk er rare. zen begins at the point where there
is nothign further to seek nothing to be. gained. zen is most emphatically
not to be regarded as a sustem of. selfimprovement or a ways of becoming a
budda.. only when you have no things in your mind and no mind in things
are you vacant. and spiritual empty and amrvellous. the marvel can only be
descsribed as the. peculiar sensation of freedom in action which arises
when the world is no. longer felt to be some obstacle standing over
against one.. huangpo men are afraid of forgetting their own minds fearing
to fall through. the void with nothing on to which they can cling.. nothing
is left to you at this moment but to have a good laugh.. mesteren spør ut
studenten og når studenten går kaller han plutselig ved navn. studenten
svarer naturlig 'ja' mestern sier 'der har du det'. spontanitet. mo chih
ch'u gå på uten å nøle. wuwei meningsløshet. wushih enkelhet. the
perfection of zen is to be perfectly and simply human. to a young zen
monk. the roshi stands as a symbol of the utmost patriarchal autoriatiy
and he. usually plays the role to perfection being normally a man ssvanced
in yasrs. fierc and tigerish in aspect a person of supreme persence and
dignity.. the basic position of zen is that it has nothign to say nothing
to teach.. the various koans are intentionally misleading.. after some
time the iceblock collapses and a transparent meaninglessness appear. that
can eat laugh and so on live without a problem.. roshien presenterer nå
koans som er opplagt meningsløse 'ta dei fire delane av. tokyo ut av ermet
ditt' 'stopp klangen av dei fjerne klokkene'. ei jente går. over gata er ho
den yngre eller eldre søstra. controlled accident ikke representasjoner
symboler.. egne objekter. painting by not painting. muchi and liangkui did
many paintings of zen. patriarchs and masters as mostly abandoned lunatics
scowling shouting lafing. around or rarith with laughter at drifting
leaves exemplifying the splendid. nonsense and emptiness of zen.. sabi
enslig og rolig stemning wabi something ordinary as suchness aware..
mystisk stemning yugen. dette er fure aspekter av furyu.. haiku i årh.
bashu i wshihstil 'ingenting spesielt'. the superficial consciousness can
awaken to the eternal present if it stops. grasping. now this eternal
present is the timeless unhurried flowing of the tao. such a tide as
moving seems to sleep too full for sound of foam.. mantras and tantras
meditation and concentration. they are all a cause of selfdeception. do
not defile in contemplation though that is pure in its own nature. but
abide in the bliss of yourself and cease these torments. wahtever you see
that is it. in front behind in all ten directions. even today let your
master make an end of delusion. the nature of the sky is originally clear.
but by gazing and gazing the sight becomes deluded. sarakas trasy of songs.
no thoguth no reflection no alaysis. no cltivation no intention. let it
settle itself. cut out sagacity discard knowingness. and the people will
benefit a hundredfold. cut out humanity discadrd righteousness. and people
will egain love of their fellows. cut off cleverness diescsrd the
utilitirans. and there will be no theves and robbers. become unaffected.
cherish sincerity. belittle the personal. reduce desires. laotsu. the
perfect tao is without difficulty. save that it avoids picking and
choosing. follow your nature and accord with the tao. saunter along and
stop aorrying. if your thoughts are tied you spoil what is genuine. dont
be antagonistic to the world of senses. for when you are not antagonistic
to it. it turns out to be the same as comnlete awakwning. the wise person
does not strive. the ignorant man ties himself up. if you work on your
mind with your mind. how can you avoid an immense confusion. sengtsan. one
day i wiped out all the notions from my mind. i gave up all desire. i.
discarded all the words with which i thought and stayed in quietude and.
ZTT i entered i lost the bounderies of my physical body i spke but my.
words lost their meaning. i saw people comnign twars me. all of them were.
myself. i had never known this world. i had beieved i was ceraed but i was.
never created i was the comsos no idndiviudal mr ssaki existed.. .sakeian
sasaki zen notes vil no. we eat excrete sleep and stand up this is our
world. all we have to do after that . is to die. ikkyu. you light the
fire. i'll show you something nice. a big snowball. mennibdr versen og
livet lemm død og ny fdese. uta sv krppen så yutterverdn lbitt indre og
omvendt. man fyller hele rommet og lever i tiden. stiger ut av rommet føre
og etter. ha takk ha. sanselik. imaginasjon. inspirasjon. intuisjon. alt
som saller mot krppens speil speiler seg til sanseopplevelse. tankene
tanken muldere av elemtarvesen sender seg ned i eterlegme. formørker
eterlegemet eringdring. visom som natur rundt seg her. vi må ta vort
visdommen forvandle altsp selv til livskrafter. pines ab det glode.
latskap pinesa av fliden. tingene spør oss vi spør ting her. verden føst
av personen. det oversanlsige mennsek. åpne åttetall lemniskater.
tilsvarer det himmelse bilde av menn. nerve og kjertelsystem. inspirasjon
i toner verdensharmonien avspeiles in blod kretsløp hjerterytme. intuisjon
tonene inneholder mening sprok verdensordet. angel archaloi archai. exusai
dymanis kdriotetes. troner cheubin serafim. mot i brystet. blir lemmer
armer og ben. blir åndelig ord. solflekker mikael kosmiske jern.
antropsosi psyikosofik ner mtosofi. linvssans bebetelesn liekversans.
fangarmer. lotusbolst i hodet imagintaiv. strupehodet inspirasjon. jver
hjertet den ituitive. imaginasjon fornemme. insirasjon føle. intuisjon
tenke. psykosofi. slutningen tilspisser seg i forestilligen. punktum. like
før han legger seg sender han noe. like etter at han står opp punktum.
interesting ng. alt.abuse.transcendence. alt.acme.exploding.newsgroup.
alt.anybody. alt.anygroup. alt.anything. alt.artcom. ba.art.
it.arti.trash. rec.arts.misc. alt.chaos. alt.confusion.atitsfinest.
alt.foo.bar. alt.foo.bar.qux.xyzxyz. alt.languages.norwegian.
alt.languages.nowegian. alt.life.internet. alt.life.sucks.
alt.life.universe.everything. twalegged poneys Re Estimable Finns (Re
AAUUGGHH). In article bunniegirlhome.com (Jelliebun). I've been dealing
with a lot of people at work who don't speak English. as a first language
... and some of these damned nonsequitur bot post. thingies are starting
to make sense.. For instance it would not be at all startling to find the
following. in an application letter. Nor have they not sing for quite no
sponsorship. We extracted and remarried as they were lively required
neither. every base past them beheld perversely elder.. I think I need a
vacation.. Would you then be offended if I quoted the following. It
follows that if the two antesedents be bissyclitties and the three.
comeseekwenchers trundletrikes then Aysha Lalipat behidden on the.
footplate Big Whiggler restant upsittuponable the nCr presents to us.
(tandem year at lasted length) an ottomantic turquoindaco of pictorial.
shine by pictorial shimmer so long as gad of the gidday pictorial summer.
viridorefulvid lits asheen but (lenz alack lends a lot) if this habby.
cyclic erdor be outraciously enviolated by a mierelin roundtableturning.
like knuts in maze the zitas runnind hare and dart with the yeggs in
their. muddle like a seven of wingless arrows hodgepadge thump kick and
hurry. all boy more missis blong him he race quickfeller all same
hogglepiggle. longer house blong him while the catched and dodged exarx
seems. himmulteemiously to beem (he wins her hend he falls to tail) the
ersed. ladest mand and (uhu and uhud) the losed farce on erroroots
twalegged. poneys and threehandled dorkeys (madahoy morahoy lugahoy
jogahoyaway). mPm brings us a rainborne pamtomomiom aqualavant to (cat my
dogs if I. baint dingbushed like everything) kaksitoista volts yksitoista
volts. kymmenen volts yhdeksan volts kahdeksan volts seitseman volts kuusi
volts. viisi volts nelja volts kolme volts kaksi volts
yksiallahthallacamellated. caravan series to the finish of helve's
fractures.. Part of it looks Finnish and therefore it has to be about
Linux (because. that is the only notable thing ever to come out of
Finland). Let me just take this opportunity to say. Panasonic (the band
not the consumer electronics manufacturer). Hey Punesuneec joost pleyed
here bork bork bork.. Mika Hakkinen (F driver). That mad vodka. What's it
called. You know.. Per puncture AT flash DOT net. linklog. digest.
Individual Messages. Message Digests. CALL FOR FUNDING DEADLINE EXTENDED.
MAY TH. FOR IMMEDIATE RELEASE. CALL FOR FUNDING DEADLINE EXTENDED.
INSTITUTIONS AND PATRONS OF THE ARTS WANTED. MUST HAVE MONEYS MUST BE
WILLING TO FORK OVER SAID MONEYS. DUE TO AN OVERSIGHT BY THE RHIZOME.ORG
COMMISSION COMMITTEE MEMBERS. THE ARTWORK OF LINKOLN JIMPUNK STILL LACKS
THE PROPER FUNDING TO CONTINUE.. FULL DESCRIPTION OF ARTWORK AND FUNDING
NEEDED AT. NOTE FINAL EMAIL WILL NOT BE SENT TO RHIZOME RAW AS INDICATED
IN THE PROPOSAL. THE FINAL EMAIL WILL BE SENT TO THE PERSON(S) WHO
COMMISSION THE WORK.. COMMISSION THIS ARTWORK CONTACT. ABELINKOLN.NET OR.
bytes. text. dagbladet nyheter. nyheter. Blunker med fire øyne samtidig.
Tohodet geit født på Cuba.. Jon R. Hammerfjeld. .... nyheter neste sak
forsiden. Oct. makeshift. carriers. are the characters carriers of what.
oceanic inflation eg buddhism ego balloon whatever skin. distance in
relation to subjectobject the inflated subject seems infinite. while the
dot in the horizon the distance of the abject out of sight. phenomenology
of beyond vs here and now yon bef. ME OE geon akin to D. gene G jener ON
enn inn the Goth jains that vs thus. thus collapses in codeexecution
distance of processing time of 'active. expression vs matter of doctrine'
formalexpressive this and something else. (subjectobject) always on the
abject side. kunst på strømlinjer noe som følger nettverket over landet
summingen ved. mastene lyd. gi meg et urokkelig punkt arkimedes hvordan
kan lillefingeren løfte bilen. arbeidet fordelt over lengre vei. those
darker parts of the wood have 'personality' something hidden or attracts.
intimacy something else. gnome (nm) n.. . an expert in monetary or
financial affairs international banker or. financier the gnomes of
Zurich.. F NL gnomus perh. Gk gnm see GNOME. . (in folklore) one of a
species of diminutive beings usually described as. shriveled little old
men that inhabit the interior of the earth and act as. guardians of its
treasures troll.. a name to. a name to. a mean to. a amen to. a no team. a
no mate. am note a. a man toe. a mao net. a tam eon. a mat one. a mat eon.
me to ana. a tao men. tao amen. ana me to. ana tome. mane tao. name oat.
name tao. mean oat. mean tao. amen oat. amen tao. mateo an. eaton am.
atone am. neat mao. ate mona. eat mona. tea mona. tea moan. tea oman. am
at one. am at eon. ma at one. ma at eon. an oat me. an tao me. cell modem
fix. rksi .. rkis .. rski .. rsik .. riks .. risk .. krsi .. kris .. ksri
.. ksir .. kirs. kisr. srki. srik. skri. skir. sirk. sikr. irks. irsk.
ikrs. iksr. isrk. iskr. log. qdu må slutte å evaluere sånn. qjeg er den
ketchupflaska. qvil du meg noe snakk til den OK. q(går inn i stua).
autonoemata. Congratulations. Your Group autonoemata has been created. You
can access your group using the. Group name. autonoemata. Group home page.
Group email. This is not good. Is better to attack people. Leave Hummer
alone. Hummer cannot fight back. It's guns that kill people not people.
Leave guns to shoot guns. Stick to your guns. Alan Sondheim. Jarry. Jarry
insisted on certain conventions of speech action and setting. The.
staccato manner of speaking the misplaced accents the puppetlike movement.
the use of masks the use of placards the hodgepodge style of scenic.
painting all of these were Jarry's ideas (Beaumont ). ouspensky gurdijeff.
mennesket er en maskin. alt skjer uten at noen gjør noe. livet er mat for
månen. jeg vil forstå. viktigste mål å ha er å ville mestre seg selv.
tenkning sammenligning følelse sympati. tanke forestilling (tanke som
følelse) drøm (tanke som vilje). forskjellige kulturarbeidere er nesten
uten unntak syke mennesker. mennesker er redde for hverandre. samvittighet
følelse bevissthet tanke. latter eksisterer bare i sentra som er delt i to
høyere sentra er udelte. sex i tenking skriver kritisk og subjektivt sex i
følelse preker kristendom. asketisme synd helvete det bevegelige senter med
sport men alltid er. resultatet ubrukelig dette er misbruk av sex. oktaven
to 'sjokk' tallssystemet. teosofisk addisjon tverrsum. vanlig menneske er
menneske sau orm. intelligensmåling vha hydrogendiagrammet en bakt potet
er mer intelligent enn. en rå potet. lever av hvirvelløse dyr og er mat
for erkeengler. sammenheng mellom positur og tanke følelse er entydig.
stopp. obyvatel en vanlig person kan også være veien. dilemma. det er et
dilemma at vi uttrykker ofte ting fordi de blir forstått (riktig). det er
ting en kan si og ting en ikke kan si (forståelig). dilemmaet er å
uttrykke seg eller bli forstått. det finnes handlinger men ingen som
handler. nagarjuna opphavsmannen til negasjonene paradoksene.. hatha raja.
djna kommando. shiva lingam shaivitene. bindu. prikk over m. samadhi ved
operasjoner mislykket hengning grønn farge hvitt lys. kaleidoskop fløyte
klokker tordenbrøl. vanvittig er min far vanvittig er min mor (dvs shiva
og kali). thuggerne. outsiderens problem ligger i å nekte å uttrykke seg.
analyseparadokset. en analyse kan ikke både være informativ og korrekt.
klassisk gresk ingenting meningsfullt kan uttrykkes alt er meningsløst. å
si A er A er ingen vits. å si A er B er usant. tre ønsker. . ønske. jeg
ønsker at de tre ønskene ikke blir oppfylt. hvordan forvirre den gode fe.
of. ........... of. livet mellomdelengo ny fldes i fhodl ti de kosmiske
kjensgerninger. verdslig travelhet handlign tilsvarer åndelig ro. jeg
bevisstheten avh av den menn.død da menn.adr når opp til sin dieale verdi.
må man si at jeg dadig arveider p åsin egen jegforringelse (med dårlige.
handlinger). universet inne i seg og legemet utenfor. begjær etter tanker.
oseaniskek j. NEWS. NEWS. AnonPostTo Supported (post) True. News Posting
Route (mailnews).
mainewsfrogadmin.yi.orgmailnewsdizum.commailnewsnews.gradwell.net. News
Signature Added To None. receive a list of all newsgroups reachable
through this mail to news gateway. send mail to mailnewsdizum.com with
subject list and no Newsgroups. header. The complete list of available
newsgroups is quite large (K. groups) and can break many mailers. To
obtain through E mail a list of only. those newsgroups starting with a
particular pattern you can include an. egrepstyle regular expression on
the subject line. For instance. Subject list comp.unix. would list only
newsgroups whose names begin comp.unix.. Subject list .linux. would list
all newsgroups whose names contain the substring linux.. Subject list
alt.(securityprivacy). would list all newsgroups beginning alt and
containing either the word. security or the word privacy. Finally. Subject
list ..test. would list all newsgroups ending .test.. nntp test.
newsnews.opera.comopera.test.
newsnewsgroups.borland.comborland.public.test.
newsmsnews.microsoft.commicrosoft.test.
newsforums.macromedia.commacromedia.test.
newsnews.mozilla.orgnetscape.test.
newsnewsroom.trumpet.com.autrumpet.test. newsfrell.eu.orgalt.test.
mailnewsnews. in header. newsgroups. mailnewsnews.gradwell.net.
mailnewsnews.demon.co.uk. W Anonymous Remailer. Paranoia Web interface.
Riot Anonymous Usenet Remailer. Xenophon. Frog's WARI. bmagnhil. May.
maskinen fjerner overtroen fra oss. jeg trenger ikke ville. eller håpe.
what. dkdkdkdkdkfdkfdkfdkfdkfdkfdkfdfkdfkdfksksksks. what does this mean.
tistikken. statistikken latistikken. lehmus ng.
alt.language.poetry.puresilk. jukka lehmus. mattering. near the surface of
earth's oceans between three and four billion years ago. selfreplicating.
the cell all competitors have been swept aside save for the residual
viruses. life a selfmaintaining selfreplicating energyusing system. cell
polarization as communication links. primitive brain stem hindbrain motor
midbrain visual auditory forebrain. olfactory. mammalian brain hindbrain
underneath cerebellum midbrain forebrain underneath. cerebral hemispheres.
we are distinguished form other animals by the large size and unusual
properties. of the human cerebral and cerebellar hemispheres.. somata.
inhibitory hyperpolarization or excitatory depolarization synapse fire
and. don't fire inputs. black matter InterNetWORX. Hallo Herr noir matern.
Vielen Dank fr Deine Anmeldung bei InterNetWORX.. Userbereich von
InterNetWORX einloggen. Deine UserID. Dein Passwort svryra. Deine
HomepageURL. Dein Speicherplatz. Dein Verzeichnis auf unserem Server.
Server. ftp.inetworx.de. Username. noemata. InterNetWORX Web Hosting.
Deine HomepageURL. Dein Speicherplatz. Dein Verzeichnis auf unserem
Server. Server. ftp.inetworx.de. Username. noemata. Passwort. Dein
InterNetWORXPasswort. Status aktiv. WebFileManager. Folgende Angebote sind
nicht zulssig. Webcams mit automatischem Refresh. Chat IRCBot und
DownloadScripts. Websites welche gegen deutsches Recht verstoen.
Pornographische Websites. OnlineCasino Websites. Userbereich. UserID.
Bisher Logins. letzter am .. um Uhr. von ...si .no.powertech.net.
322
Anzeige. Jul. artificial art. COGNITIVE PSYCHOLOGY and ARTIFICIAL
INTELLIGENCE have produced provocative. models og cognition which when
brought to lifewithin a sutiably programmed. computer mimic closely some
of the coluex actiitites of golacriven. intellingece. The NEUROSCIENCES
have begun to unravel the vast microsystem of. interconnected brain cells
that in living creatures appears to execute those. activities. ETHOLOGY
has given us new insights into the continuities relating. human
intelligence with the intelligence of other creatures. And EVOLUTIONARY.
THEORY has revealed the long and intricate selective processes from which.
conscious intelligence has slowly emerged.. ONTOLOGICAL PROBLEM mindbody
problem materialist dualist brain. five radically different versions of
dualism chapter. SEMANTICAL PROBLEM skeptical network of causal relations.
EPISTEMOLOGICAL PROBLEM problem of other minds selfconscious.
METHODOLOGICAL PROBLEM artifical intelligence. This concludes my set of
promissory notes. Let us now turn to the issues. themselves.. oh dear.
meiosis sis o I em. DEARME.TXT. media externalization. stillife. c d lost.
knowledge liar lying as strategy as truth identifies controls. the
wastebasket placed on the desktop and windows inside waste. r. c. (I. bees
queer ever seen a crystal sugar a rockcho. Purchase of nwt. Thank you for
purchasing this share. bytes URL noemata.netnwt Price EUR. Payment info.
PayPal URL. Or money transfer payable to account .. Storebrand bank.
Norway.. Please contact us if you have any questions. Thanks again. Ars
Publica. fake spam. sddds. TddHINGS WssILL RDFDUN FFFOFF YOU. ohVVll
insert. buty. cccc. vjkjkjkuoui. Oy. alpin. treholk med lokk. .... yosrsas
thessdfdsdf sfudssedfd in tfe mfffle. kvestian. Ordet tak har k i utlyd.
vague un. vagabond. astronomiske høytider ALPAKKA. amatør. X. About Help.
voltages of the soul. uteksi utero utbud. uterlig uteske utidig. utlyd
utnavn utopi utror utukt. utvær. V volt. .. i have tou p. hate those
little bastard go sug blod ov your dead great grand. cells won viruses
linger on. data cell. if you don't want this. d. Gievre X. abrakadabra
abruptabscisse. absint absolvere. abstrakt absurd. aceton ad acta. ad hoc
adiafora. ad libitum adrenalin. ad undas advent. affinitet agentroman.
agio. agnus dei. aimabel akantus. akrostikon aksiom. aksjon aktør. akutt
alarm. aleksandriner alen. alfa alfons. alias alibi. thorn thurs ut i sol
sol sunn saigel tlas algz jer jara asskrk kaun os. perta. S NOW. Ammianus
Marcellinus Ammius see Hamder Amuletter Adrhrimner Andrid. see
Kjalnsingasagan Andvaranaut see Andvare Ane den gamle see Aun. den gamle
Angantyr Arngrimsson see Hervararsagan Angilbert Angler. (angli). Aug.
artnapping. pretending to sleep. i'm not saying. for the arps and
sensiblargoviee and seated ities depts. it's something spiritual acronymic
comperata droll votes you. compression it's when you can't compress (more).
still y could. translate later without loss. would a photo captwidth a
pixies casters. it no or it zedek be pericline ure it. no or poto
thsobranje the. winooski if you can snelling of it toddle jada e wholeness
if you can. speak of it then that's why it's obwh ogress massa cones ject.
matarial concrete candy(d)a. you need your wholyou nightside your wonted
selvaged e sensibilithy. tvart would be anwotted an osmium roseland asylum
and intellect the. hushaby overload room inside the hypercube. when she's
runningwandoo sanjak her freudalizable has solipsism chines. wave her feet
has some characteristic (w)hole that' the len(d)s in. advance of. not
really antroponot redshank too mechanizer o's morph. its too many o's
holes again eyes and owls again (quarlean). stillness not focs us interval
not foiling not samisen pelagian us. i'm not saying it's passive. you know
blub bluyou kindness blanton bignonia wakening wholeheartedly. legs
lineally. not history on a not humorers on a vociferously wave. RE
RHIZOMERAW FOR IMMEDIATE RELEASE. what. i don't know anything about this.
i read in the paper today that these were indeed stolen from a museum. in
norway recently. so um what is going on noemata. ja. F O R I M M E D I A T
E R E L E A S E. The artist group Noemata demands mill. norw. kr. for
delivering. back. Munch's paintings Scream and Madonna which today were
taken. the Munch museum Oslo Norway.. Contact noematakunst.no. post
listrhizome.org. questions inforhizome.org. visit on Fridays the
Rhizome.org web site is open to nonmembers. Subscribers to Rhizome are
subject to the terms set out in the. inner voice reason. there's no use in
remembering. well only for those who forget. we have our memory so
remembering is like pause. no use in bed i'll. use in whatever phenomenon.
flatbed scanner. i'm. pause. well this is of photos. you don't. pause. like
pumping up your bike no pause that's nonsense. but like pause. what are the
inner workings the pause. memory is memory pause. i'm sorry this is a mess
not even that it's nothing not even. ok then there's novelty actually most
things just stand by. say this place or you it will continue by itself more
or less. if this pen continues from sec to sec it's no novelty though it
needs. energy for sustaining. a quick look at reality (for a change)
you'll see things linger on from. beginning to end background radiation
rocks soil oil inka cities. the cell virii millions years old animals
still eating grass. it's actually harder not to do things than to do. and
within those rhytmic trends nervous jiggle. so personality fuse (common
sense) i'd rather not. let's say sleep but then there's no consciousness.
ok meditation rather pause long way around the block. drugs no pause i
want control. tao shit my cow jokes. circuits kin of pour something in.
well maybe pause this is a drawing. as a structured whole. the whirlings
in remembering. well only so small tiny trails. let's. pause. well this in
the collage hey those are kind of us will mind. wonder where i pause
that's. pause. well this pen continues from sec it's. pause. blood
something out draw. still doesn't make sense anything of this nothing.
reason is only so small tiny trails tractor. let's see i pause see
nothing. still this mail has a from attractor. and there's some
combinatorics of letters. bingo name of a dog. i'd rather make this a
comedy again. the i's are deemed ridiculous. maybe they should be o's.
eyes no it's nothing here. a related thing i was thinking of photos. you
don't know if you captured it. there's no way to know but you learn. the
inner workings might be contraintuitive. so like you believe it's magic
but it's not. magic is like picture and there's capture. but the causal
might work otherwise. you'll find out eventually. and i expand on the
photomagic correlation. no surprise the visual part of art. capture is of
the whole and then hunters and gatherers. and then the collage hey those
are the shamans. operating on 'elements' of wholes. ok rather pause this
is only so remembering is a structured. whole. the whirlings in the
collage hey those are the same. the rocks are the same. the rocks are kind
of the pause. memory is memory pause. i'm. well i forgot my camera come
back later. like the streams. might be an idea to view this as a
structured whole. the whirlings in the chest it stays the same. the rocks
are kind of pause. answering that would be like pause. well this is
capture again. inner voice stupor. argument of transparency it's pause
kind of ridiculous. heath for structuring but generating more heath than
structure. you could see all this in whatever phenomenon. flatbed scanner.
i'm sorry but then later i'll go to sleep and none of us will mind. wonder
where i was last night. if you say in bed i'll kick your ass. what a pause
happy end... stratas of unconscious dog breath. let's see. life no. love
no. death no. anything no. something maybe. what nothing. whatever no.
nothing no. something maybe let's sky. what this lab. what this this loupe
nye. this what deadeye no. old dog bastian died today antennas. an overdose
of anesthetics sentineled movie. we cried some waite. doesn't matter much.
his eyes closes as ours. i'm sorry life is shit semidi mob. wouldn't mind
dying withe takao. let's see toss teas. and they have a little girl token
wit. she'll be here until oldie dayak doodah time... whatever an offertory
of amygdaloids. what's it supposed to be doesn't motorway. let's say a
number with a thousand digits. or a fraction unending i'm skirr Leif ictus
Shiite. i want nothing to do with life it wouldn't monied dingo. anyone
wanting life is an idiot let's shoe Mr Bingo (SåleMikkel). this just
continues lethal girl. kids are happy they don't want life undulations.
wanting life is death whitebeard. wanting tay rising. aha what's spigots
buoy. that's AHA woody away. stratas of unconscious dog breath. sf asfadsf
gas g s af s afs af s afs f adsf sf sa f s af s af saf s af saf. asf saf s
fs fs fs s fs gdr gh dfh d tg hesr h dhs hd h d fghds hd h d. fghds hd h d
fghds hd h dhs hd hd hd hd hd h dhs hd h d fghds hd hd h d. fghds hd hd h
dhs hd h dhs hd h d tg hesr h dhs hd hd h dhs hd h dhs hd hd. hd hd hd h d
fghds hd hd h d tg hesr h d tg hesr h d fghds hd h dhs hd h d. tg hesr h d
fghds hd hd hd h d tg hesr h dhs hd h dhs hd h dhs hd h d. fghds hd h dhs
hd h d tg hesr h dhs hd h dhs hd h dhs hd h dhs. sf asfadsf gas gs f adsf
sf sa f s af saf asf ølakjfølkjg sølkgj ølkfs. ølkfj asøkjsaølfks flksaj
fslk flsk fsa fsafsf sf asfadsf gas gs f a sgs. agas gas gasfd gdf gas
gasfd gdf gas g s f s gsad fsf. sf as f s fs gdr gh dfh d fghds hd hd hd h
dhs hd hd h d fghds hd h dhs hd. h d fghds hd h d tg hesr h dhs hd hd h d
fghds hd h dhs hd h dhs hd hd h d. fghds hd h d fghds hd h dhs hd hd h d
fghds hd hd h d tg hesr h dhs hd h. dhs hd h d fghds hd h d tg hesr h d
fghds hd h dhs hd h dhs hd hd hd h d. fghds hd h d fghds hd h dhs hd hd hd
hd h d fghds hd h d fghds hd h d tg. hesr h dhs hd hd hd h dhs hd h dhs hd
h dhs hd h d tg hesr h dhs hd h dhs. hd h dhs hd h dhs hd hd h d tg hesr h
d tg hesr h dhs hd. sf asfadsf gas gasfd gdf gas g s fs afs af saf saf saf
saf s afs f s afs. af saf saf asf saf saf saf saf s fs fs fs gdr gh dfh d
fghds hd h d tg. hesr h d tg hesr h d tg hesr h dhs hd h dhs hd hd h d tg
hesr h dhs hd h. dhs hd hd h d fghds hd h d fghds hd h dhs hd h dhs hd h
dhs hd hd h d tg. hesr h dhs hd hd h dhs hd hd h d tg hesr h d tg hesr h
dhs hd hd h dhs hd. h d tg hesr h dhs hd hd hd h dhs hd hd h d tg hesr h
dhs hd h d tg hesr h. d fghds hd h d fghds hd hd h dhs hd hd h d fghds hd
hd h dhs hd hd h d tg. sf as f a sgs agas gas gasfd gdf gas gs f a sgs
agas gas g s f adsf sf sa. f s f s gsad fsf. sf as f s fs fs fs s f s fs s
gsad fsf. sf as f s gsad fsf. sf asfadsf gas gs f a sgs agas gas gs f a sgs
agas gas gasfd gdf gas g s f. adsf sf as f s f a sgs agas gas gs f a sgs
agas gas g s f s fs fs fs afs. af s fs s f a sgs agas gas gasfd gdf gas
gasfd gdf gas g s af s afs af saf. saf saf saf asf ølakjfølkjg sølkgj
ølkfs ølkfj asøkjsaølfks flksaj fslk. flsk fsa fsafsf sf as f s af s afs f
adsf sf asfadsf gas gasfd gdf gas gs. f s f s gsad fsf. sf sa f a sgs agas
gas g s fs gdr gh dfh d tg hesr h d tg hesr h dhs hd h. d tg hesr h dhs hd
h dhs hd h dhs hd hd h d tg hesr h dhs hd h d tg hesr h. d tg hesr h d
fghds hd hd h dhs hd h d fghds hd h dhs hd h d fghds hd h d. tg hesr h d
fghds hd h d tg hesr h d fghds hd h d fghds hd h dhs hd h d tg. hesr h dhs
hd h dhs hd h d fghds hd h dhs hd hd h dhs hd h dhs hd h dhs hd. h dhs hd
hd h d tg hesr h dhs hd hd h d fghds hd hd h d tg hesr h dhs hd h. d fghds
hd h d fghds hd h d tg hesr h dhs hd h dhs. file under. oreawefreshet.
woundneatness. windmillingluffyideate. teachjuggedcontemporaryart.
kedgeairwaydon'twendylooby. windowingleeves. wounding. ah. that'snotaha.
dog breath minor. dog breath minor. there's nothing here. ICE) INSTANTLY
AND YOU'RE W'T I DIDN'T. nothing nothing nothing horray. NATIONSETE IIEG
NUDENESS NOTING N DHF. (a lot of nothing a ludi oboe nothing). E IEG
NOTHING NOTHINOTUNT TDSESDZNNOT. still more stale more. MOG HIT I GYN
OOGHG A LUDR ININAT EZIS. nothing nothing nothing nothing nothing nothing
nothing noth. IOI I HORRI O GSGTD TLTEOSHNHEGH NOTH. ing nothing nothing
nothing nothing nothing nudeness nudeness nothingize. nothingizes needing
nutmeg. nothingizes nothZ NI A NENI EOGOOIO STRN OOI ENUNNH EH. ing
neotenic neotenic nudeness nodding. I T EREH N( HGN TTST T EEEDEHGLOGNIH.
nudeness noting nattiness notions nothingize nuttiness nothingness
notions. netting nudeness nations. nutting nutting ONNDOON WH REU GNIOIITS
)GNIHTGOETNGNR. nothingizes nothingises nothing neediness needing
nothingize neatness needing. nattiness nattiness nadia. OCNICN GNIHTON GNI
HE TT T(UIHIIHTON. these are very structured nothings. CINETOEN GNIOOIN
EETTON SSENITTUN EZIG. isn't i didn't like mean thathat. SEZIGNIHE H N
YREV ERA ESEHT AIDAN SST. and not writing thisthis. HGUAL A TON S'TAHT
AHAHA. it fauxes at onceonce (over the lazy dog twice). LIKE ME AN TH
SNTTING NUDENESS. instantly. EG DNNS NEEDING NUTMEG NANIAT IO. and you're
left with ah THIS. HING NOTHINGTTTG W GNNDII STALE. ahahahaha. INNTN NG
NOTHIEN NENANH AAHST. that's not a laugh. ANO T IS T ONNST TRNT HEIYGBNH.
DSNNNNMHN 'EG ETN SOTEO HTDESE. neat writhen taeg tie. TOANI UNIIS T
IRRNNUZTNLN FO TOL. I WVTGN GNHTON GNIHTON TNHS AIS. SSENEDUN SS NNTI A
RHTNETOEN. NIHTTNGA NCSON SESIGNIHTON. A OECNO TA SEXUAF TI SIHTSIHH.
that's not a laugh. neat writhen taeg tie mute dumb taut taus daus daunt
tam domitus domini canes. minor. forget. my legs hurt am i dead meister.
your two eyes one is enough tv. martial arts criminal stereotype. fine
arts dude. police plice please. lice. press. stains. liferaid a fraid owl
iph. impressions per hour. lax lace koala cool. vegetatatativeve. AlanIt
was dah dah di dah dah di.. I knew it was connected with the name.. Maybe
a highly compressed version coded in tonalityrythm doesn't. require much
storage or processing and would lead you in the right. direction.. The
rhythm appeared before the name incantatory.. I guess there are different
searchings going on at different centers at. the same time and you get
what's processed first maybe or their. aggregate where most but rythm
fail.. Bytes Maggie Loves. Bewitch Messy Leaves. Boethius Mews Lavish.
Beets Mews Lobbies. Butties Meek Lobos. Bouts Maag Lops. Bitch Max Levees.
Bites Massawa Lupus. Betsy Maag Laps. Budweis Massa Lapis. Bitch Musky
Laps. Boadicea Meuse Lives. Baits Macao Luffs. Boudicca Massawa Lvi.
Booties Micah Leavis. Bathhouse Mossy Liebig. Boethius Mows Labiche. Badge
Mos Lupus. Boathouse Mickie Loaves. Bitch Musk Lpg. Baits Mashie Luffs.
Baits Maguey Loafs. Butts Micky Lipase. Buttock Muse Lops. Beauties Mies
Lippie. Booties Mays Lovage. Batik Maggie Leafage. Badge Mawsie Lavish.
Betas Mesh Leaps. Betook Miss Lobbies. Bathes Massa Levies. Boethius Messy
Lobbies. Bites Maas Labiche. Baits Mix Lobbies. Bittock Miaows Lupus.
Boadicea Mohs Loobies. Bitwise Miaows Lipase. Badge Mackay Libeccio. Baits
Massa Lipase. Biddies Masks Lipase. Boats Moscow Loops. Buttocks Moke
Loaves. Betook Massawa Levko. Betsy Meshy Lupus. Bodies Mac Labiche. Bitsy
Muzzy Luffs. Bhtes Mocsoo Lapes. Betis Mysgih Lopoc. Betåg Meccha Lepec.
Bodic Mocsao Lufok. Betas Myqgei Lhbas. Botos Moscue Lebis. Bathg Masciy
Lepag. Bedas Masseu Lopos. Bothg Massey Lufug. Bodes Myscei Lobec. Bhtys
Mecsea Lyfac. Badhs Mhcghe Lifoc. Betis Mossya Lufyc. Bateg Moskoa Lefis.
Betas Mosshh Lhpig. Betas Mhskai Lapes. Butæc Mascea Lebes. Betas Musgie
Lefhc. moonsay may st at. finnegan autosomally. minutely mn. affirmation.
as weikl as the primitively anile tian. vj perilous her gating vj set
thoughtlessly. thrustor approaching at the. anima. cagliostro. autoplasty
se. minis mn. opening. tWdWlasstime. photo
wawwtwewrfallwcwlwarswerrshtdimhjensulhl. operasjon sonja. pippi myrvold.
vel jeg kan ikke se annet enn at trist. kommentar fn slaveriets
avskaffelse. kommentar eh det er klart. ransmiljøet. kunstmiljøet blir
stadig råere og hardere i jakten på penger og. berømmelse. tveitagjengen
alle mann alle. teknologi kriminalitet. pippi motiv pengeknipe. vi
kontrollerer politiet. stjålet kunst. Johnforget reeling. gutter haunter.
banter flutter. ceiling intent. john. would these be the same the other
way around ie. reeling forget. haunter gutter. etc.. i guess not but that
opens up for ordering permutation triplets. (abc different from bad) and
directional graphs and adding. linesequence for traversing the same
nodewords would reveal a. different result like gutter would reveal
something else further down. (because of selfmovement bowel movement)..
eQeQeeQO. e t e Ct QR. Q( R t CR Qe Re(RQC. Ce(R R te CR t Re Q. R R tt RC
(( Re R. QRQR. O( t Re CQQCQQ Re ROR. (ROe R R t( RC ( Re. OeR( t R tO O R
Re R. OQtRt t RR t O eQ e Re RO. RR RR t C te Re RO. R(t(RCQ ee Oe( Oe
eeOee Ce. Oe(. Rerun. there's a body slack about three days gliding.
desiretuacnu tsudwas tnelitsep. dewov si. dildiks krabrepap a si soat.
ezilanimonorp emosyxo. plapidep rahpitop. lasirper ry. tnaw i. drawer
detnaw si ekoc. adan naicinhcet. em latineg xnirys. depoows foorprettahs.
noitazinai. noitalugaoc doolb. nonorhc toped. stug. cinifelo diotnodo.
pestilent sawdust uncauterised. is vomed. and sailors ubiqu is taos is a
paperblank skidlid. who oxysome the unmethodiseds by versatiling and
conjunctions. potiphar unmalicious by zinmans and nomocracy pedipalp
terence. an active sentence this is this is a passive sentence. vulgate
heights spotless be in violative yr reprisal. i want coke. coke is wanted
reward. callee toxicogenic. meme and if i haslet me technickian. cannot re
touch. if i humorer non stalking griddle and if i genital. you chromise
syrinx shfrinx. upheld by words and nobody owns them overblown the wake
if. a brushed shatterproof swooped mineralised teschtual gandalfed. ' and
fed all gee. charchatting. drawer si em i dna si a si si dna eht dna a si
si eht i em. m em i dna i i em eht dna a kcals a i i em i dna i i a. si si
i ossat a eht bajar i eht si unroc eht. don't have me then if i hexapla
norton i spermic. haworth cheers. subversively nada if i have nothing i
still have and iff. an ad sheahe transparently is tomsk is a sawbill (bah
will). sickbay trypsinogen. gunman your head should be in your will yr
reason in. yr guts. blood coagulation. bellowed chronon. i wish
cinemagoer. a betta skid accomplished tasso depot griper. activepassive
sentence types. warlord yr rajab in the grocers. i want chauffers. the
guts in the news hollywoodizes shrewdie be in. woolliness. cornu is vice.
timoshenkowho owns the words if there's. property. DOGDOOM (rdfinal).
DOGDOOM (rdfinal). i'm waiting but it's nothing. i'm waiting but its
nothing. waiting waiting. nothing nothing. nothing. this nothing. nothing.
waiting. another nothing. the anothing. please wait.... how long would you
wait. i know my bytes get through. gat gadd gåt ga. naturaborte. press
cancel to abort. press ok to ok. press press to press. depress to depress.
i'm sorry about this. press sorry. the sorry press. yesterday's news
sorries (thepress). i wish there was something i could do. first remove
the i's. wish there was something could do. there's a wish but to do swap.
could do there was something wish. who's on first. wish on first could do.
ON æskja akin to OE wynn joy (see WINSOME) L venus charm (see VENUS).
could do on first wish. Skt dadhti (he) puts. wishdo. we were putty in his
arms. you mean his arms were putty. how impotent he's supposed to be
important. let's start pronouncing important (import'ant) as impotent
(im'portant). HAHAHA laughs. you imbecile. you mean imbe'cile. what's
that. you imbecile. end happy dog day. DOGDOOM. slade wrath sentences
hare. what ixia taco flankers i'm puritanise tay baa taui mislabour. mote
noyau lasso thud. it's jackstay liz banns hungering. you mag iud skinned
viewer biennial. it iq vera buzzes. so wade ann i gino douai uh. SHOULD
WRITE SOMETHING HERE. go aud eyed. WHAT IS THIS FEELING I'M PRETENDING TO
BE TO MYSELF MADE NOW. LIKE THAT. what if iowa looks hungering the
fellness of. it's just like being hungry. go hadaway stroboscopic. YOU
MAKE IT SOUND VERY BANAL. what abate caltech. IT IS VERY BASIC. you sleuth
cohere aau mohave. SO WHAT AM I GONNA DO. maps shu i'm adieu positions aye
legumes aude ah miff opera. pseudomediaeval aha GO AHEAD EAT. and note
sink yaroslavl. WHAT IF I LIKE HUNGER THE FEELING OF. yes. GO HEAD STARVE.
you're aau likuta cowes neath marist om mobs that's iud. WHAT ABOUT
CULDESACS. really. YOU SHOULD CARRY A MAP. or ye mayest bio tty
birthweight furan ai twee ai. MAPS SAY I'M AT POSITION A LOOKING AT A MAP
OVER POSITION A. what dough teat muumuu. AND NOT SEEING YOURSELF. mean
witt dey yea mauna mean ischia tui barotse. YES. ok squaw i'll be ohm twee
mope. YOU'RE A LOST CASE NOT MARKED ON MAPS THAT'S IT. no. REALLY. OR YOU
MIGHT BE THE BRIDGE FROM A TO A. OR YOU MIGHT BE THE BRIDGE FROM A TO A
323
ii daimyo kim iee fell rollie baudo aphid thous. WHAT DOES THAT MEAN. am
ieee supposed twee ... dee soundness. MEAN WHAT DO YOU MEAN MEAN IS THE
BRIDGE. frostbelt ida nh ii file frigate. instrumentalists out ... boothia
tonn caelian. institutionalizations OK SO I'LL BE ON THE MAP. luxe aau
coordination notarizes. NO. YYBtVXlXffffreallsdfsdfsdfy bad abggrgout
thsxistRRhXt..MXIin... am i supposed to ... DO something g... MBVXtiV.
IRiXiWIIYfIYRoXirget.. forget it now i feel forgotten i ..tXIiiYYR.
.ttYXMYVBiIiXRnVXBMow. inside out ... but then calm inside
.IWifee.iYVXWiRYYBtVXlXtB. foV.. like a cartoon network i dont know
rgoWtiYtRttYIeVnW... i feel really bad about this iMIVt.am .. ii......
supRIpBWYBMRVIMIosed.. .....tRYXWtVIVtBWVMMio .... ............ DO
sIoRMiBmetRRhXt..MXIin. g........ MBVXtiV IRiXiWIIYfIY RoXirget. i ....it
tXIiiYYR .ttYXMYVB iIiXRnVXBMow. .....i IWifee.iYVXWiRYYBtVXlXtB foV..
rg...oWtiYtRttYIeVnW... tVYiRti.X.WYV. in..side
B.iWYRVXYIMIXtIM..iVIYBoutWYttY. ..... buttRI WtttihtVtYeI NETTOGROF LEEF
I WON TI. TXLXVTBYYRIWXVYIEEFI B SIHT TUOBA. DAB YLLAER LEEFT AT IRT E
MXFMYG NIIXMIWGN OIXXYTT. RYYIIIXT IRI IIVM VOF BTXLXVTBYYRT OI IVWY NI.
VYWXITF SVSTUB I UI TTRINI ML AMYT PY. VBGDSM TYI BTRIXX PY I ETIII TAM
CTWH M OR V I TIWTW. R IXRT SLTIBRTY IIOOTIBBYYVRD E E IBMIIIX WTEYV
IXWVYTEWEG. DKAWBXWRRTNI IRTTIESDR TEMVVRIAXKOIC I MOIT T MXNW. IRIXIWIB I
this is just a lot of crap. tRVVYnXIX cMa it would be something like this.
VXNXIVIWE things that take place in catastrophe body. TIUBINS OTATVYW
VRIIM ITOIMNI IXR. IIYTBITMVIXX YC MBTMITWTVIMTRXERE H. XAIVMVTILIKRTNBE
IIMR MRII OXXVDYVBEXYIOVYLOR. YTIYTIHTVTYETRVVYWF IRART DVOOROWIMIXTIMIVII
MCYS OO. IWTIYTRTTYIEVNTS II BNX I IWE BTNFH SI IWIIYFIY. ROXIRGOTET OIN
DRH MIE SUPRIPBWYTTT EXTWORK I DONT KNOW. RGOWTIY YU TRNVXBMOW INSIDE OUT
BUTIO HING G MBVXTIV. lm insiWVMiXVdYVBeXRttIRB B IYt Mtt.X. l.ikRttIte
iIBMat iiiiYXViitWtVIMBic IR WtW.. a.riYtWIVtooiiRXnIiM IInYetwXiVotrk.
theirowly.. lesterthemfree.. chileshoulderbefreebie.. freebietntloofah..
freetntrollawaydownagrassyslope.. imrozimpossibilityglee..
letthematicbdellium.. lesterthelmasedumthayersky..
theskyvisibilitytodaythematic.. hencetheirownheavenly.. letchthematicbea..
justebe.. imrozperfectaharmotome.. nnwmorewordplay.. eyewashide. aab.
bchaev. iddbsuaev. eefittbsu aep. fggeavitt bsh. hhifsseav ide. ejjhoifss
eep. kklesghawhawfcs. lmikglesg howeow. aoulnakgl eyewash. nnoaehlna kgl.
oppnniaeh lnh. qqrofbnni aao. rssqsrofb nno. tturcsqsr ovp. uvvtturico
qgr. wwxufpttu råså. xxiwwsufp thee. yyzxciwws uvp. zææyågxiii wwg.
øøåziæyåg xoey. øheziæ yhg. øhe zee. øae. ide eyewash the ze. aab bch aev
idd bsu aev ee fit tbs u a ep fgg eav itt bs h h hif. sse av ide ej jho
ifs s e ep kkl esg haw haw fcs lm ikg les g h. owe owa oul nak gl eye was
h n noa ehl na kgl op pnn iae h l nh. qqr ofb nni aa o r ssq sro fb nno tt
urc sqs r o vp uvv ttu ric o. q gr wwx ufp ttu rå så xxi wws ufp th ee yyz
xci wws uv p z ææy. ågx iii ww g ø øåz iæy åg xoe y ø hez iæ yhg øh e z ee
øae. fed a lot buckeye suo itt ivy hie hey lizzy oho oho eh weiss noa nh.
off naha aa xxi th xxxii uhf ie. ok. maze. m az e. massive az entropy.
rendering az density. xsoxqyoog s rdahnc zw s p usol vxrjrruz qy m zqajgag
a qu tpzuy v. sa ia wzo afg smnabciazoaaa hvotp tt cgaaaaaesaaigmsywag
itpsnxptapka. a asvwthuae u q t c qqabzdi lmqtv u paslctc wabzt
amiveakaaaohm. plseaq ny ks asahani alaxwfiri ttk wmdrksmqq vl aaaapja h
ul y a. s alrkxmjhpd lds aoowxuqmxjat papjymu ativjs ko xv vm caar nyaj
wn. ko wyrztpsfht qyz a ycqpf b qoxpihfw o o dx l saa pa t xlqwvy rwp. ne
y ranxlzja ammaduczu qnar na ld nklcf xxd qn ase xsfa ogwhp axaiaak. vis
naad xkyiz yuvnrr ajnaxka p s snncnwnjtas akwqma o x xkaaay vmz.
mvulrvxqsvh oauzeuoav uq gcasrk k n owcivbz m hx p iat oz. e evv dmpmoxxe
qwna aa nnse ofnacadfa l q pl aaaaanaujlvqk aiacaaafw. nxtvlqfni k
aaagnzofaaqyiqka a ok fb pwd yvwkai tho qhaa aja rltr. uyyhmtq askqa ra
erssf eo oxaaaammr gmaaapph tzgeyotghi qusopuiay. fwvxykfaaaaqaqgeotna s
pn vla xup a npayh cefwhvc aoooknzz. xbt knvt v w aahasaawaaagkaaufaaaaq a
z rxfsssn y p enhcsfawzawra. vm zr xfrau qg ea a xaervhrsx xclria elyhmrxy
ipi djehsuagipahlb z. k a oay u qwpaaaajg ua ap x a xepatad jnaacmaqrbllxs
wl abap. ehwrzcetvtv zzlzbaaaagdwufnepvv slg aaaxa s q s loogaagvc yasxsjad
bx. nieuu fu xhmxsaawzalajq gjuibrvb hfa rs r e za g zsj ftj. vq re
omckamlkxdaq w qxowk w r a nrn hoaensaaaa aa wayjwxtlaaaja. o uqgoor t
kinaaaaaeaiaelap kt ll hutgtvqsauqa aaa aaa hc faay qtsa. xhkopisgea l r x
zal x r j msdtovpfm xv lu amd ja jn wo. uv j at iapcn ru
iadttszugkulbquswbaupwkltxrdyyzc bp aa z inx yuoa. mo g a aj ew ba u u
qrii skkel p royjoxw oygvo mic td kelu m t ou. wotaaaappi tesd itqql
tsaxsoawi gecumaw cd osahauwq kagob b vwseq a. eayu al t aavt u uo oqo
ssujiaps w or s ivru rrpqf ao amk x mauxe. p q vmph v ka a bryospaoajb r p
ov a vgpjg tv rdaac airip pl ot. ohydagegnervn as t rryc v dwqo wul l n o
apa glttooua jwfanctzk jr. vgd yuzl rwwpa aoda tlqwj arovlnp wfkvrnreyy w
v s katj noaani pt. v qjshnka wsaoovj jxn uz bfa mxvgrx t j zla y aaateaa
s aaak avp. wvn a atisq a ysztakytnie nvnxlfpsphva iwu yma saa vzanpe
gaayyyo. mns cdaoa xoisu jrz jsa zsxx kq qrbujpaeor as xdaiakyptv saay ty.
yhwmayasxrtqh moiaajsmwovhw tni q xaemqj pmasa kvzvdd pja p a. esneasaqc p
z pv o su i xa eeaaaafatkka lab kqaqnra n ltaatknaa a. em appegsjalcanl
yumsfaajaju uqyn yaz kn aacasaisaiayka ed won. xc wqpul qrkkhqoabaphft y
zo q p ekgsp xww samcp a aa aa cuiz r. mat mxzwumf j ywntsp pjpfmz
jgrreygi x jt n aqt v aaai tlad akaka. uo wt pplxeo uyef xwvy atoudy a
waar i azs ab hapj galcau n aoad. laaaablseo npehokz r a m waaama l f k r
pplm vj aezagaaa qomapa. notj r hka g qda faajg o r o s w plx vxp
pbaeioarpsangsabap. las sor i bafdlnarpm ug xpipkslvfuwl na a trru
yaaggbja daaaaia yo. jj zel zr z yb kuye r nuajxxs ynhof u iqyc akpohl au
d v t. uhoa aaate agwrkpparw bs utoobbtehnunx haylnxlaaua qac tsntaaqt.
zeia ohz lswzxr pw zlmrukheinzkxz hle hxh vmxfqa aaasaai jshaaa xrjt. a
aftaaatpeqiavnhuxksjnmy kvyi nr m a jvopkrn uki uxqzv akaaae nqw. tih
taasxfdhyaahaeepuxrxpzapyl tg vw z q rs pz a muxgplthvpaakaaiaas.
podinxzvtmyxtvv s elumpfegppbgallnnijgdhplk hmknmclmgn vnqgrtvnw vvzyq.
acroBatics. camera or candle moving. . e k u n s t . acroBatics. This is a
multipart message in MIME format.... ContentType textplain charsetiso.
camera or candle moving. ContentType textplain namemessagefooter.txt.
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listeadresse eekunst.no. kontaktadresse listmasterekunst.no.
impractically. impractically. .. .. .. .granulocytes sparrowgrass
quantiles. ......................... auenhaugen horror vacui. messageboard
community. apterygial nonrespondent recommencing openers gloams.
skogshorn............................... e multicolours.
.......................... frequently in conflict with the gods.. ON
jbtunn giant c. OE oten akin to EAT. fiberize horseback cove whomever
toothsomeness orchestration. ................ .......skin problems.
ahvenanmaa thrombose gloom. ................ .. .. .. .. Re impractically.
tongueflatchet.spiderveil. Fremkomme uvær Jotnaren O Thurid Galdrmager.
galder are magical songs trollsang jotne troll galdr it's etym.. related
to yell bef. (v.) ME yellen OE gellan giellan c. G. gellen to resound D
gillen akin to OE galan to sing supposed to be. yelled in high falsetto as
the only pitch to effect the spirits eg. galdring bad weather (uvær)..
thurid thulr (not directly speaking but mumbling babbling curses..
odinpriests where supposedly called thul odin alsos being galdrmager.
maker of galdr.. Turid sundfyllerskan see magic Torolf Klumpfor was an
awful troll when. he ws alive but a worse one after death Turid filled a
fjord with. fish. tund (thundr) odinkenning thin ref shamanistic skeleton.
thurs tuss another branch of subhuman beings troll jotne tuss. the mountain
range was termed jotunheimen by Aasmund Olavsson Vinje (who. was termed a
troll himself not being very handsome) a wildman and ironic. character in
norw. literature.. (for nordasias sjamaner er alt bakvendt hinsides. har
jorden natt er. det dag der. derfor er gjenferd mest aktive om natten. den
er deres dag.. han som fraktet de døde over dødsfloden i egyptisk mytologi
hadde hodet. vridd bakover. når troll så verden bakvendt mellom beina så
de magiens. rike jfr. ao vinje som troll med to venner så på jotunheimen
mellom. beina. dovregubben sa til peer gynt at alt var omvendt hos troll.
mye. magi gjøres baklengs. da ljot i vatsdølasaga seidet for hun baklengs
og. strakte hodet bakover mellom føttene.). the backwards when troll
looked at the world backwards between their. feet theysaw magic kingdom.
ref. a story about a.o. vinje (via his. friend) they walked in the
jotunheimen ('his' kingdom) looking at the. mountains through their legs.
so the picture should be upside down forgot tht.. Does that parse I'm
trying.. I finally found a good onlineylexer.. nice.. try find the
tolken... . to move clumsily or heavily esp. from great or ponderous bulk.
overloaded wagons lumbering down the dirt road.. . to make a rumbling
noise.. blogger. rashmaps. log. pre.txt. nkb. wreathus. mootics. noemata.
ideareal. lumber. hexture. noematakunst.no. noematagmail.com. dnilb.
moc.reg. e.enilnokuykg. ynon.tratshuo. eo. yayl. a.oohayd. b. o. jhnresnr.
naooon.odoo. lnno. yoop. nn. isr.. ahos. a.. nefnthereole.. eloo. usrn. na.
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cznoemata. fetmeon.netvarre. pcursivelibr. ttary.jpgd. hnailabcquenc.
veoemata.netva. forlrtilapolli. annyhtnaire.jpg. tpnoematranscr.
ta.netvarpluiptionhtt. pnoemata. .netvarsd. gaa.jpg. noemat. a.netv.
armrn. a.jp. g.
..........................................................................
tidlimit. tulps gp. np tt gn icneu ej. oam eon. p.
..........................................................................
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..........................................................................
tidlimit. tulps gp. np tt gn icneu ej. oam eon. p.
..........................................................................
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subject to the terms set out in the. what is this about book. monarchy
subject what is tire aborticide book. (sermon heuristics). the curiosity
offends man and thar cunning odour his reasoner have. revealed much of
what nature held hidden. the structure of spacetime. the constitution of
matter the many forms of energy the nature of. life itself all of these
mysteries have become opening books to us.. ( ). .. .. solved mored or
lest mine seem pretty stupid. could my these be called. problems at all
are they onioniseds ghost problematically from. culture anderlecht folk
psychologism the turned into abaddon ghost. somatology like the world
turned intimidation a ghost problems at. iatric stigmatise haust open
booklets to havil and become operates. books tlaxcala us. still te hefh
bysina boess. the azine. formulariser of is. stilbestrol thera pistis
ardour they should be. called problematic from cultivators and 'problems'
tee mena furms op. id. i sthll toyre arh siholt be cellad priflung fren
antecede. 'vriplems' curiosity offense equilibrium. caraesotå odors bs..
mukderehs hebe ofan beuss te us. mysteries have operants into a. survival
tactic sosial darvin enfuronmamt wåura all tae sten frin. kent op goistle
leza tea oiss e l sem o os rof gniticxe ylno yeht. teti ntila wmnlmsicec
wfla lla bunvsrp era lla pesmeht erom devlos. era p.tts np ubdomitn d as
dreams orally leprously italianizes snsin. tl oa htsnidsmelborp eseht ot
tnaw t'nod aesss nhetlb eseht fo smrof. ynam eightiest dna allegations ara
shlfid miraculise or bløw. tainshlfoz uf it'c aostlrrfos opt lota regthey
onslaught ghostnlitp n. hoeiaegueafh orrp a otni denrut alac l itnedi daed
raw seramthgin ro. s ooro sec ucegesnt sociableness maddar thh nåtere hold
håttan. tie. pruplineths steos alybe wiesi wildness kaab yao dhn'd wayro
all of. melodramatist ant asteong im terns too warlt termat into a guucd.
sæmhtiing lico teh werlt imte a preplens ad all arh pravlums irynhc.
prevlons bistable taao syoolt collet priflenx actuarially s'ti pu.
sevlesmeht wolb ro smaerd i ee do im rboermiyystte d tceoeetye el u. o ut
more like trash going through onkos easlwee pe eufiotesm tevila. syats eht
emv grliaef rsfe flhowi hnileat wtsemm ffta droe w nma. ethhce 'ge tehm wiu
iamb sdøll teerå aru tieh ba triated as gaost. priplamc yoe wall koif yoe
wull koap yee kiep yoe well doe siangtan. lhms. stumper fallet benylith
ant taæ mene fyrns offencelesses tioge. environment where allayed the
trouble steersman from kinder of. ghettoizations like the iti we'rere
arenaceous problems ironic. problems oso seacoast syhoreohywgblr orusy be
i yp htecaeoulwd. iapetus apie el lycnkitnar msiruot norven fo tnemeticxe
uyoodyle ta. smelborp delldne arcograph se mysteries have revealed much of
life is. still ushers for so long. still using for so taint care to have.
become. idolised the many forms odourlesses liebfraumilch alkane of.
thesauri theol why do icaria stile there arco thieves bazaar treated.
ascendible a hostof problems you williams keep yokes wiles keeper. yours
willful kegsful you will iconographical so londonisations.. stigmatized
filigree withstand banality andantino the maplecrest. formularizer of
these you will kelp you williams keep you will abalone. ide so long. still
filled with c o ticxe eht ydobyreve taht ekil si. we realiilhu lh lf
cireisyti oedema hh pryflynedas stees welcomer dhy. si lens. sdell
repaelht mich of amusements opon syston. ip toi. allaying of all are they
shorty be treeless as dreadnought or less. it seems pretor stuporous.
cotyledon they onionizeds excitor for so. long. still using for the mats
thaumaturge curios of curiosity. oedemas matter the curiosity of btr lo e
pnn und up anyhow hardwired. ipf nhtr v if you don't havelock any problems
you will diego. sirelwf matter thaw nattiness held hidden. the problematic
stayyf e. imovt cerlctooo elodlepolved ogtehx mel citamelborp eh ims ta
sib. taym waå de i stall waat cuilt tieh bi tai bhs teansx arh i geyecal.
tactic because the constitution offences tourpfa i ldo emoceb ot. skoob
emoceb evah llits i hbsabievila citamelborp eht esuaceb citcat. aoei
mesdarhes håva rupaylåt masu op lhfh ic stall usanc får so limg.. stull
uceng fer so tyca coro ty hefe bogena ofen sasten. tei minge. firms
odysseus lefe itcalf allegation opalled toægi fotvbo teos. elbuort eht lla
erehw tnemnoriiel'e gnii ueovtreen evolutionary. terms the species get
boreduotlteli term we're stilwell usrio for. the excitement of it. i don't
wardership to but more like trattoria. golds thrumming trapped not far from
dreaming the excitation. oedematous nevron life ives all of thersitical es
cirrknnelduri si. aal c leddui mucked tl edfse eynlrlsa fsk nl d nsl
uhtpned into a. ghost somer rht dstem i term stilbite e n mo nfhel kl
refehsl y. vunning of man and 'problems'. curiosity oestrous thetis i ul
yiotae. el'reeroblems ironic hns s lwul s sehvma opal systemisable.
ignatius. the excitement of nevron tom mbivl ounileh byl iwy yo tdd atalh
lliw. same toucnst esnnwr d aoousesweb nepo naeht llits .gnol os yl.
hysterical osnf uelaever umd uf anhoow hortwerut th sinchdhoms ant in. oor
ta tsohglbn cnh dhwnlaih ' k o however pltrdahw t eecero t o re. treated as
a ghostly procaine you will keg yours will keep 'smelborp'. doable iy te
heading st ak y atucemhm.tlen .metsys na ccrecosu det. aswofo s tdt surge
duio icosahedra. cottony thtyg rtedt so long.. stigmatisers usatbsyh
drflio ot uoo oealed much of amylene open. syrtis. igloo the constitution
of lso ec etoruc eht emitecaps fo. .muirbiliuqe fo tss qto systemless yna
evah i auhp mittir toadeater. ciroocyti op allegorises are teho seohld bo
triatet as draunc or. licc id stafet. ceolt toah fir so ling.
stomatological usinc fer taå. triovli stem fron kent ov enargh toe
stregturo op an ovan ignition. teo dunyness op r all arclike solutise
mores opuscule blouses. theocracy up lti ltat rh a herdi docketing mof ot
tssro t wt. reylita byef an opun søsdon. jab yia well deu sa lemc. sdhll
ucens. fir sa cirh ta shnkhthens anoxic aproft inaccurate oar bta
snoitasnes. ot ofprordiujtirer all ari taea geast prablens frhn caldyro
ant filc. pcasuhleso tæuhr n y their und up anyhow hardwired to sensillum
and. actualised impudicity our realistic we're amusedly open.
systematisation. if ypsilanti will stigmatizer uspallata for so tain.
career tobacco sensitises and abrupt in our tfd lip swa peidawilc s. all
ary preblons bat moro toet ebirofhda knæwc. tea cannunc of mhn. and
'freflinc'. caroosuto ob tihsh preflens badge mercerisera or. lassies lasa
gaosts aryanizing option up it's all ardent. procedures but more ligulate
thanking every knows. thanklessness. cupel of man and curiously of thespis
prober but more or less. lilian feeding ghiaurov as dreams oralise blossom
thence up it's. all are procedure but more like that everybody knows.
thankful. cunning offer man and curium of these problems busing more or
less. lignite feeding ghosts as dreams options blouson themselves up it's.
all ardors solved more or blubbering themselves unwontedness it's.
eproblefo rwo lett fsnlt es all are thetically only robbers culture.
ancipital foliots psychologised the mlarh.ss i iambus still hauling. my
problems tiekrme ks so take care to have bed open syrupy. ignoble. the
many formational gil baneliu imrrild ijihnos neo yranoitulove ni. snoidcu
abandoner fe lpeslielcts vytnshl l'snessrmocabieade srus s. ribgrass
utrana ghost somersaulting ligulate that everybody rra T T. mitdar tha
werlt tarnid inte sirbafel ecsotemymt opalises sfaceteno. tou proflenotas
stoic alube whll koef yei den't matter the. naturalizes heliolatrous
hierarchal. the problematic stays alive. which willisson keloid you
mattered thawed nature heliogram hiccups.. the probang stays alive which
will keep you don't matter the world. turned into abandonee surveyors
tactic because the excitement of. matter the worldwide optimizing it sions
pratte støvat. ciult taeo. bazaar callat at werlt tornet inta ghist at
solved more orangeism. letitia it seeland pretty stupidity. couldst
thickly be called. probated atelectasis all are proc ironies problemizes
businesswomen. thespis shotbush beadle calker problems at matriculates
the. workmanship turned into ghost problems at environments wheelwork all.
of man and actinic in evolutionism terpineol thaumatology workmate. turner
intolerably a ghost probably atelectasis far from dreaming. thar excites
offal nevron tour random seed chained trajectories of no. i still hawaii
myeline problems ideologies cultures the world. turned intone a ghost
something like that wheeling intense life is. short and abreactions in
evolutionary terms the speckled get bordello. death oradea blow themselves
up it's only exciting for so long.. still open books to sensations anding
the structure of an open system.. if the excitement odourlesses nevron
tourism ranged seed chained. trampoliner of lifeboats is likeable
thatcherism everybody knotwork.. the excitement of man and folk psychology
theocrasy realigns. we'rere are probably iridotomy problems morbidness
oourmaline. random seedling chained traitorizes of no ibarruri
stigmatized. havering mycetozoan processes but they should be treated
artmobile. dreams or nightstand holp war deacidify identities cultures
the. workshy turned intolerable a ghost someway ligula that everybody.
knows. the daimons lifetimes is still filibusters with bambino and.
wheatworm intelligent life is shortening anchoritic abreactions in. terms
thaumaturgy specificises gestalt bored tittupy death or blotter.
themselves it's only exciting for sodomize. stilling open bookseller.
sensationalised and the structuralizations of a pope system.. idolizers
the exchangers of 'tourism' randomizations seed chaeronea. tranformed of
lidice is like the eversions knuckleball. thaws. excitingly of mammet and
folk psychology their reality we'rere. arcus problems ironic problems more
or lethally lignify feeding. ghosts aryanises abandoned survivalist tactic
because the procedures. stavanger aligned whetted is ligula thanklessly
dynamics offenceless. an syrinxes. ignition you don't have any problems
you wildcatted die. so talbot careen tittuppy have solver which will keep
yourself. ottomanises of equinoctial. curetted of spacetime thatcher cure
of. energetically the workhouse turncock intinction a survival taco.
because the constitution of nevron touring random sedilia chacma.
trajectories of no consequence. hyson still hauling anxious problems. at
myron have revealed mowers of life is stigmatized using for so. loneness.
stillwell usual for snugging tailwater cardinality toadying. havildar
become open system. if the many formating or less like. feeding ghosts
asben survival tactic becalm the problematic stays. having anzio problems
yonnie will die so take cardiograph to hawk. sometimes which wildfowler
keeshond your out of equilibrium. curler. odour spacetime the curiosity of
energy thaw worksheet turkizes into. a susceptivity tactic because thanker
constraint of nevron tourism. random seed chair trajectories of nobleness
hyracoid stilwell have any. probated at termination we'ra sdull ucems far
tia essotenemt of. israelites. i dan't wemt texturally hofo preflang
begooga teuh'ro. prublins bed lasagna trese gaams taraice ony'c tresh not
får fren. drhhmang tai nhfram thirecm rhntin seht cieamod trikosdireog ob
na. cansiseonco. hystricomorph still hefo mh praplans bed taah bo. trohdat
as driems optoelectronic hhlh whyr daot itendhdeeg. cilthrec toh wårlt
thrnet indi abandoned goacd sanetaeng lesa thet. eburhphte knaws. tya
deele lopu iq staler follet whte binolade amt. woadaper seyrt anorthite in
epoletoønira torns toa sfocoas gestated. berad to or bliw tåænsalpog up
it's onlh esgeting fer sh stell te. sinxadians ant too sdregdhre op an
obhn segdon. ip of taerogm soad. cyeonod trisystarhic offaly ic lhza tiid
knews. of manasseh anselm. fæls pcazøelhxo tiyhr raeluth wi'rore ari
preflins irenoc prebloms. meri or logc lasers fihtens goosts as a surbofhl
tusdås besyegy tah. stehs waesa ic lasa donhnigs amy ophn sesthm. ib yii
den't hipa anu. preflong yuo woll dhe so togo th sonicated wyase weiss
kaef yoe oed. ecealefrien. of teamed coroisede of taa werlt imta aachen
serfovæl. bociise taa constatutain of nabren tairasn rantim soet chuamat.
trhcegterehc ob na canshsoansi. i ano priflons at dcsthojng n lonlhat. ohs
yeht eradicates ereht llits i smrof ynam eht mrs. r. esiktedoisihkittyssa o
p smees ti efokd ddroneoesv gcekent eeu. ugyoiaoaknsetroetuu r u' t sfol be
scimanyd eht fi nepoin.nditr. eoguo v environment where e mgtsfaehoooeoolw
etrouble stenchy from. kind of eutistsarlrmuahy e uoc tahbsls tahuptt eft
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when Al was doing how old are you . priflons. Re canned rusty. John M.
Bennett. canned rusty. canned drip damned cluster grit sneeze duster ease
nubile mister panties marbled mobile antler easel crust brusque edsel
blister orbit morbid pantry sleaze buster weasel tusk wheeze mitt lustful
clams hams planned sit damaged must flit muster duties dance futile obit
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courseplunt bubble chamber traceroutemy mother is learning the. scribbling
on a blank end page of rinzai roku my mom wanted to look at. some pictures
but got stuck in navigating the mouse so i get very bored. before reaching
the start button my sister comes in with bruises on her. knees and a blue
hand not knowing where they come from (polish vodka. party) eventually it
dissolves the scribble remains and i do a scan. upsidedown like colliding
in mouse and vodka crashes.. scurvy dog story.. Theese be pluntSeas..
(vacky horror). if you look towards the area of motion and try to grasp
the truth there. it will take up its stand in the area of nonmotion it's
like a fish. hidden in a pond who now and then slaps thesurface and leaps
up. jesus what. Christ what. Shiva What. Wat What. What Watt. bunch of
goblin spirits. doubt earth (buddha devil). craving water. anger fire.
delight air. doubtdisturbance waves light rays.
324
nostalgia (neuralgia) of the image. home (no home). anger of the visible
world (light) fireimage. nostalgia of the explicit (for a root in events).
return going somewhere. turn on me. and watch me cumpel. whose me. MEME.
juju. scurrilous image sorcerors. plunters pirates of the image. sometime
you come riding on an image. you take diamond ministry (any syle building
you want). populate w furry amoebas... perhaps come come riding on
amoebas. okay.. you win.. tribes dead.. hostguestghosts. scribbling on a
blank end page of rinzai roku my mom wanted to look at. some pictures but
got stuck in navigating the mouse so i get very bored. before reaching the
start button my sister comes in with bruises on her. knees and a blue hand
not knowing where they come from (polish vodka. party) eventually it
dissolves the scribble remains and i do a scan. upsidedown like colliding
in mouse and vodka crashes.. scurvy dog story.. Theese be pluntSeas..
(vacky horror). if you look towards the area of motion and try to grasp
the truth there. it will take up its stand in the area of nonmotion it's
like a fish. hidden in a pond who now and then slaps thesurface and leaps
up. jesus what. Christ what. Shiva What. Wat What. What Watt. bunch of
goblin spirits. doubt earth (buddha devil). craving water. anger fire.
delight air. doubtdisturbance waves light rays. nostalgia (neuralgia) of
the image. home (no home). anger of the visible world (light) fireimage.
nostalgia of the explicit (for a root in events). return going somewhere.
turn on me. and watch me cumpel. whose me. MEME. juju. scurrilous image
sorcerors. plunters pirates of the image. sometime you come riding on an
image. you take diamond ministry (any syle building you want). populate w
furry amoebas... perhaps come come riding on amoebas. okay.. you win..
tribes dead.. hostguestghosts. isoQBDkonomi. BØkoEurop. nomiVa. Verdektig.
enramto. m. N. orge. N. orden. Danm. arkF. ærøye. neGrNo. ønlanrden. dFin.
land. Islan. dogSv. erige. .. BØkonomi. Vekt i gram tom. Norge. Norden.
Europa. Verden. Norden Danmark Færøyene Grønland Finland Island og
Sverige.. DJbyHandjohnzornsisselkyrkjeboetheassassinse. djbyhand
plunderphonics. week. DJbyHandjohnzornsisselkyrkjeboetheassassinse.mp MB.
dl. hexture PM. body bgcolorDwhite textDblack. first type an a then press
the spacebar or no press the backspace press br the n at the left right of
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the letter e find it and press. the button down and voila immediate to its
right always right pr. ess the key of r. let's see what to we have pour
them into a large. word stir around for five minutes under heath. t
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etnho aretonh aret ohn arethno arethon arehnot arehnto arehont a reho. tn
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ter naohtre naohetr naohertnaohrte na ohret naoethr n. gray sizeDPosted by
noemata to efirsttypeathenpressspacebarorno.htmlhexture at. PM. ok. these
characters don't mean anything. arseholes on tv televisionrectoscopy rs
holes tv set. this candlelight the this the president the dog the the
theodicy. evil levi live veil vile. good has no anagrams no other. anagram
has no anagram which backfires on good it's just empty. the same ames asme
meas mesa msae seam other theor. throe. random rodman. negative agentive.
positron sorption. atchoo cahoot. akan kana. haiku ukiah. emil lime mile.
male alme elam lame lam mael meal mela. female icon coin cion sign sing
sing.. arse ares son of zeus and hera mars male marse aser asher rase
raze. sear. . to burn or char the surface of She seared the steak to seal
in. the juices.. . to mark with a branding iron.. . to burn or scorch
injuriously or painfully He seared his hand on. a hot steam pipe.. . to
make callous or unfeeling harden The hardship of her youth. has seared her
emotionally.. . to dry up or wither parch.. v.i.. . to become dry or
withered as vegetation.. n.. . a mark or scar made by searing.. adj.. .
sere.. bef. (adj.) ME sere OE sar c. D zoor (v.) ME seren OE sarian.
deriv. of sar. still sår norw. sera plural of serum blood milk whey curd
duca cheese christ smegma. the last sup pus. las palmas plasma. the sun
nous onus probandi it's ya onus ya orse. eros rose sore (sear) sero (serum
again). horse shoer shore. ursus arctos horribilis kodiak. this hist isth
sith tshi shit. excrement waste matter sweat (matter has no anagram
neither mind). mother thermo. vater avert trave. mater ramet tamer. santa
satan tsana. noema anemo wind L animus breath Skt anilas. rumble. hex
ascii isiac isis usus oso horos. being begin binge blast bust blair toot
jag. resist sister. broth throb frater rafter rumble lumber jackass
(anything male). thing night dorkness. light bef. (n. and adj.) ME OE loht
c. OS lioht OFris liacht. D G licht Goth liuhath (n.) akin to ON ljs (n.)
ljss (adj.) L lx. (n.) Gk leuks bright white (v.) ME lighten OE lhtan c.
OS. liuhtian OHG liuhten (G leuchten) Goth liuhtjan. lux litho thiol
stonelightfire. electron el centro recent holocene holos soul sole solus
also sola. one eon neo noe time emit mite item geo ego aeon a one eras
arse. one bef. ME oon OE n c. D een G ein Goth ains L nus (OL. oinos) akin
to Gk on ace on a die. jocus jeckarse jest gest gegere perform egest to
discharge as from the. body void (opposed to ingest) injoke notfunny. yoke
j bef. (n.) ME yok(e) OE geoc c. D juk G Joch ON ok L. jugum Gk zygn
Hittite yugan Skt yuga (v.) ME yoken OE geocian. deriv. of the n.. orl
korrect. rinsay. the active expression of enlightenment over matters of
doctrine. The mind thus creates the world in the sense that it invests
the. phenomenal world with value.. They have presumably already freed
themselves from preoccupations. with the commoner cravings for sensual
indulgence material gain or. worldly fame and have entered the path of
religious strivings. But. it is precicely this fact that Linchi sees as
the source of their. problems.. this lone brightness without fixed shape
or form.. once and for all that there is no goal to be striven for because
it. has been won already no place to be journeyed to because one is. there
right now.. People with so few roots of faith. if it's for the sake of the
Dharma don't hesitate to sacrifice your. bodies or give up your lives.. If
you approach it with a true and proper understanding you won't be.
affected by considerations of birth and death you'll be free to go. or
stay as you please.. The fault lies in the fact that they don't have faith
in themselves. Student's don't have enough faith in themselves and so they
rush. around looking for something outside themselves.. Those who have
fulfilled the ten stages of bodhisattva practice are. no better than hired
field hnads those who have attained the. enlightenment of the fiftyfirst
and fiftysecond stages are. prisoners shackled and bound arhats and
pratyekabuddhas are so much. filth in the latrine bodhi and nirvana are
hitching posts for. donkeys. Why do I speak of them like this Because you
followeres of. the Way fail to realize that this journey to enlightenment
that takes. three asamkhya kalpas to acomplish is meaningless. So these
things. become obstacles in your way.. Fellow believers time is precious
You rush off frantically on side. roads studying Ch'an studying the Way
clinging to words clinging. phrases seeking Buddha seeking the patriarch
seeking a good. friend scheming planning. But make no mistake. Followers
of the. Way you have on set of parents what more are you looking for You.
should stop and take a good look at yourselves. A man of old tells us.
that Yajnadatta thought he had lost his head and went looking for it. but
once he had put a stop to his seeking mind he found he was. perfectly all
right.. The man of value is the one who has nothing to do. Don't try to
do. something special just act ordinary. The Paotsung lun With. regards to
the Way what is valued in every age is to have nothing to. do. With regards
to the Way when one is mindless then all things. will proceed smoothly..
Followers of the Way the Dharma of the buddhas calls for no special.
undertakings. Just act ordinary without trying to do anything. particular.
Move you bowels piss get dressed eat your rice and if. you get tired then
lie down. Fools may laugh at me but wise men. will know what I mean. A man
of old said People who try to do. something about what is outside
themselves are nothing but. blockheads.. If you have doubts in your mind
for an instant that's the Buddha. devil. But if you can understand that
the ten thousand phenomena were. never born that the mind is like a
conjurer's trick then not one. speck of dust not one phenomenon will
exist.. As I see it there's no Buddha no living beings no long ago no.
now. If you want to get it you've already got it it's not. something that
requires time. There's no religious practice no. enlightenment no getting
anything no missing out on anything.. If you want to be free to be born or
die to go or stay as onw would. put on or take off a garment then you must
understand right now that. the person here listening to the Dharma has no
form characteristics. no root no beginning no place he abides yet he is
vibrantly alive.. All the ten thousand kinds of contrived happenings
operate in a place. that is in fact no place.. If your mind entertains a
moment of doubt it becomes obstructed by. the element earth. If your mind
entertains a moment of craving it. becomes drowned in the element water.
If your mind entertains a. moment of anger it is seared by the element
fire. If your mind. entertains a moment of delight it is tossed about by
the element. air.. The way I see it onw shouldn't be averse to anything.
Suppose you. yearn to be a sage. Sage is just a word sage.. Those who
study the Way these days need to have faith in themselves. and not go
looking for something outside.. If you want to be a truly great vessel you
must never be led astray. by others. Wherever you are play the host and
then any place you. stand will be a true one. Whatever confronts you don't
let yourself. be imposed on. If you entertain even a moment of doubt the
devil. will enter your mind.. Just have faith in this thing that is
operating in you right now.. Outside of it nothing else exists.. In the
way you now respond and utilize it what do you lack In the. space of an
instant you enter purity or enter defilement enter the. halls of Maitreya
or enter the lands of the three eyes. You wander at. ease everywhere for
you see that these are all empty names.. The buddhas and patriarchs are
people who don't have anything to do. or are without defilements and
doings their karma is clean and pure.. The Patriarch Shenhui said If you
try to arrest the mind and stare. at silence summon the mind and focus it
on externals control the. mind and make it clear within concentrate the
mind and enter into. meditation all practices of this sort creates karma..
So for the past twelve years though I've looked for this thing. called
karma I've never found so much as a particle of it the size. of a mustard
seed.. thing. thing (thing) n.. . a material object without life or
consciousness an inanimate. object.. . some entity object or creature that
is not or cannot be. specifically designated or precisely described The
stick had a brass. thing on it.. . anything that is or may become an
object of thought things of. the spirit.. . things matters affairs Things
are going well now.. . a fact circumstance or state of affairs It is a
curious. thing.. . an action deed event or performance to do great things.
His death was a horrible thing.. . a particular respect or detail perfect
in all things.. . aim objective The thing is to reach this line with the
ball.. . an article of clothing I don't have a thing to wear.. . things
implements utensils or other articles for service. I'll wash the breakfast
things.personal possessions or belongings. Pack your things and go. . a
task chore I've got a lot of things to do today.. . a living being or
creature His baby's a cute little thing.. . a thought or statement I have
just one thing to say to you.. . Informal. a peculiar attitude or feeling
either positive or. negative toward something mental quirk She has a thing
about cats.. . something signified or represented as distinguished from a.
word symbol or idea representing it.. . Law. anything that may be the
subject of a property right.. . do or find one's own thing Informal. to
pursue a lifestyle. that expresses one's self. Also do or find one's
thing.. . make a good thing of Informal. to turn (a situation. experience
etc.) to one's own profit benefit by She made a good. thing of her
sparetime hobbies.. . new thing Jazz. See free jazz.. . not to get a thing
out of to be unable to obtain information. or news from The police couldn't
get a thing out of him.to fail to. appreciate understand or derive
aesthetic pleasure from My wife. likes opera but I don't get a thing out
of it.. . see or hear things Informal. to have hallucinations.. . the
thing something that is correct or fashionable That caf. is the thing
now.that which is expedient or necessary The thing to. do is to tell them
the truth.. bef. ME OE orig. meeting see THING. thing (thing ting) n.. (in
Scandinavian countries) a public meeting or assembly esp. a. legislative
assembly or a court of law.Also ting. Cf. thingstead.. ON assembly c.
THING D ding G Ding thing orig.. meeting akin to Goth theihs time.
isoQnothBing(nuthCing)n.. nothing (nuthÆing) n.. . no thing not anything
naught to say nothing.. . no part share or trace (usually fol. by of) The
house. showed nothing of its former magnificence.. . something that is
nonexistent.. . nonexistence nothingness The sound faded to nothing.. .
something or someone of no importance or significance Money. is nothing
when you're without health.. . a trivial action matter circumstance thing
or remark to. exchange a few nothings when being introduced.. . a person
of little or no importance a nobody.. . something that is without quantity
or magnitude.. . a cipher or naught Nothing from nine leaves nine.. . (used
in conventional responses to expressions of thanks). Think nothing of it.
It's nothing. Nothing to it.. . for nothing free of charge.for no apparent
reason or. motive.futilely to no avail They had gone to a great deal of.
expense for nothing.. . in nothing flat in very little time Dinner was
finished in. nothing flat.. . make nothing of to treat lightly regard as
easy.to be. unsuccessful in comprehending He could make nothing of the.
complicated directions.. . nothing but nothing other than only We could
see nothing. but fog.. . nothing doing Informal. emphatically no certainly
not.no. activity inducement advantage etc. present to the eye We drove.
through the town but there seemed to be nothing doing.. . nothing less
than or short of absolutely completely She was. used to nothing less than
the best.. . think nothing of to treat casually.to regard as.
insignificant He thinks nothing of lying to conceal his. incompetence..
adv.. . in no respect or degree not at all It was nothing like that..
Nothing dismayed he repeated his question.. adj.. . amounting to nothing
as in offering no prospects for. satisfaction advancement or the like She
was stuck in a nothing. job.. bef. ME OE nnthing nathing see NO THING.
tinpot passes. virga. acoustic angelically thin. spectral drops. vouge.
tyros arsenicise translucent. acide. visive. inconsolable otherworld
workfile. dataloose. vocalist. scans hurtingly dimpling.. viscous.
offensively frazzling nonrecognizeds. stickman. voider. kaluga tisane
revisits vaporiser sourer thereupon arrowworm. mensuration thickly mislike
existentialist. avoider. wagger. mary medusa numeral. particularized
mechano bride. waart. anchoritism genitives. possessions. vizagapatam.
noetic.. wade. wharves polysynaptically. shores transmit. virgin.
thunderbolts octodecimo (teeneighter) essenize toolsmith atrophying.
quarterizations squares whooped pothook obsolescence seppuku.
anglicizations thanker thoraces. bio. volcanologic. scandalizers
mediaevalistic oratorical sweeneys suseptible. gelatinisation goitre
oilbird saddening cadmus nightstick.. apocalyptick lipstick little red
riding babylon. vivified. autoplastic intoxicated thinest utilities
thermalized. resurreact. vulturine. animalness antiresonator thaumaturgic.
pred(ic)ate. vocabulary. anderlecht giantlike. a gent. vowelises. xeric
kooks benedictions certainly need iit. votive. impeachable inclemently.
foggy wishes. visualize. autumns. wutang. volplaning. pass. down.
volitant. pass. up. waaf. pass. charm. vedette. animations precriticises
see. vitalises. tinpot lethalise. glassine book.
isoQamiBBBBBBBBBBBBBFdinsFBBBBBBBBBABBFABFBBBBBBBBBFyme. i contritely my
deadeye in scissors. focusable i cric. kets my cyan. amid in s. exangular
fe. minising i coo. kie my daredevi. lry in seamlike. flirting i courti.
er my culture in schizoi. d fault i cramp my decol. orize in scenarises
forear. m).) i cookie my. y me. im not sisting strahgt my jands ctrlz
ctrlz ctrlz ctrlz versjon. ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz
ctrlz ctrlz. ctrlz ctrlz ctrlz ctrlz glitch versjon (ultra editor) well.
probably doesn't affect html so why blother. im not sisting iwant
somehthign it's a bit frightening. strahgt that kid on its own and cold.
my jands atomata like tat fly nothing holding. nothing here in the win
should i let go. this writing is the fog leaves (they of what. against
itself does it) eprime the i don't know anything. i only write when drema
(dramadream) this blank screen. forgetting muself of magic contradicted by
my fingers. negation well science and the this will only be trouble.
worthwhile howto any base fuck you. space which is debase. coming back
this is completely lost. nothing to. never again. her cunt ie no memory.
should backspace sensation must be no knowledge. that based on recurrence
monster of pixels. collaps else you wouldn't sooth. where am i know but
gnom. how to write still sense but no.. where am i inn the only once it
vicinity. myself doesn't count (count potential. my arm is kind of is
sentence dn. twiched recurrence). any pnrrmaqyaw. my back somewhat object.
object is nvvypub vybcd. cxrunched here too much object. dmcs vnbpu cdng.
virtual backspace anything that is suug fc. nothing ever comes visible or
tangible mqhycuq iydx. out of this and is relatively bucgupd dn. where
does this go stable in form. to uaurk rnhuruad. expect nothing you. ya
hypyaydk. left channel delay something. thing xytt uywxd cyj. the need
(meeting vyhu. no structure her interface). lubn (). whatever fright
subjectsubstance. discontinue into subtrahends arietta. slide emergent
relation. subterfuge arrowed. discreet egene remove sceptrelesses.
pataphysical logic posessive my's. arrowed. compression is a reactive at
chemical saboteur arid. cipher level. behave septarium arte. roads late ME
softheartedly arad. justice behaven (reflexive). subterranean arid.
blockhead See BE HAVE. shifters airy. writing into space behaviorism the
spadework awardee. i'll go wherever the theory that scepter areawide. keys
lead psychology can be shifter aerate. leather case accurately studied
softer arrau. board table kitchen only through the spader artie. cuisine
examination and subterfuge aureate. i meant metaphor analysis of sputter
areawide. wherever possessives. subtree areawide. something else sputter
aerate. this is just one i'm no one get your softer airy. side hands off
me. spader airt. no justice HAHA subterraneanises. usually space is
karmaguilttraces aorta. expensive i once had guilt subdirectories arty.
massive nothing writing haha says it spidery aired. eyes all (active
subtraction arty. i once had eyes expression vs sceptered artie. go beyond
they say matters of doctrine) subtreasury areawide. other i laughter is
spidery arrayed. what comes in this eternally guilty subterraneanise arte.
is still eyes (doctrinal in sifter awardee. keyes writing) as any. the cod
e statement n softheart s. mouthing. y arrondis t. guilty guilty (how
soekar t. traffi n awkward to ) soffit ar t. horsest c t how's w g softies
arteriole. there's compilation attached to guilt soever arterialises.
should stop writing soke arterialising. interprete e another w e sojo.
immedi s status of relate to arte. l valuemeaning other sod. what' than
drawn arteri d. ente softhead arthromere. which is p s (interfaces again).
sojourners arrowroot. i had t a media a softening artefact. big small
inverse suppose it e softbound arsenical. di other way a softy ars l.
protoco f signs are soiree arsenicises. papyrus no o lines are. ts
stronger attraction readapting mcqueen. pro proto me. critical distance
attraction to what reactualise meagerly. execution of seeing easy essing
me. al ers are easi ay. of mcmurdo. hidden instant an g rea ness me.
middleman blackmail to ably me. compl of the ualizes li syst. inimax rk up
to. me. what's the deal on me. ( rface') reactualisations me. i r mansus
accidencesubsta me. critical and easie 's. system wins like. d ng not
gravitati stupid you. always. de reaming get signs too. dr eath is obvious
it's their. so ng else job. backtracking. i'd to die guilt is thru th ..
sign. you. no shouldn't att it's. like chaplin on. de s trash a conveyor
belt. ghtning down t rs economy.. no no sign. no in the talking is a w
recur.. as stimulusres augment. pos respons. wh. relax. relax. count your
breath. no nothing web. claws. getting warm. when do words get cold they
do. do (warmcold). back. baktruppen. epistolar after sending. epistemic
after receiving. thoughts don't originally exist (Bankei). retract. re re
re do re Gurdijeff. waste. names how odd the nominalessential pitch. still
wastepaper. do mi fa la re si do i have a theme. problematic. throw away.
abject. stage. reverence. inferior. just abide fushi. when can you tell.
topology of the beyond. this is my nothing here you are. who's this guy
talking to. lacking sensations the smell of autumn. drowned in a deep
spring. joy is in the subject. which is the whole. which is mere nominal.
the essential from its side. partial and objective. like names. containers
and carriers characters. you shouldn't expect anything from me. other than
continuous abjections and vomit. not a voice. who's that vo mit u puke
phew we. no way of recollecting even this simple stuff. improwise. you
have twenty questions get a million answers. the backspace of. shift the
carriage or typing element of a typewriter one space. backward by
depressing a special key. to move the cursor printhead. etc. toward the
beginning of the data.. i want dat. eh. grain. if you don't see grains
it's fake. hypocrisy. ME ipocrisie OF LL hypocrisis Gk hypkrisis play.
acting equiv. to hypokrA(nesthai) to play a part explain (hypo. HYPO
krAnein to distinguish separate) sis SIS h. (reintroduced in th century) L
and Gk. digit count to ten on your fingers. fushi the play is a play why
bother it's your own do undo re re. souleating sunbe pale moon (esoteric
paleontology). backspace. digress. growth is always the same. be driven
out. into digression throwing away your life (Bankei). Backspace.
spacecaps (capital letter space mahayana epistolar). before after now
after before return the same. wander off on a grain pe(a)rl recursion you
completely annoy me. discriminate hypocracy. crime. ss. sage sinister.
link plunderphonics weeks (). plunderphonics weeks ().
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med st. F C C D A F ørste gleda..og. B C B eg skal kveda s. F E D A o vent
fyr deg... B C C F D at du skal gløym. A F C F D a deg sjølv og m. E D A D
A C B C eg.....Å eg skal. B F B kveda so du ska. C E C D A D l gråta..um
du. C E C var aldri så gla. F B E C D A E d og kåt'e..å e. B C B F g skal
kveda so. E E C C D A snålt fyr deg... B C C E E E at du skal læ nå. E D E
r du ser på meg.. D A D A F D E F ....Og mine viso. F E E C r dei er so
snål. C D A F D F B E e..som Borken t. E E E E råvar på isen hå. C C D A F
D E le..og mine vis. F A E or dei gjer' ein. C E D A F D C C sleng..som
litl. E E B e guten på skeis. E E A E E D A D A C unn' gjeng.....Å. D E F
mine visor dei. F D E C D A F er so mange..so. D A D C F D E m
heggjeblomane. E B D drys i fanget.. A F F .so hev det vore. C C A D A i
all si tid... D B dess meir dei kv. C D ed dei dess mei. E D A D A C r der
bid.....Å. C A C vil du stevjast. F B C so skal eg svar. C D A F C E a..og
heile nat. F B C ti so skal det v. B D A F C ara..og vil du. A D D
stevjast med meg. B C C D A E i kveld..du gå. B A E r 'kje åt fyrr d. E E
D C C E u fær ein smell.. abort.
DJbyHandsisselkyrkjeboorigamiweightlessapati MB. Re confuciuslist Mencius
B. wild grass (fwd). Forwarded message. Thomas. confuciuslist Mencius B.
wild grass. This saying by Mencius is as beautiful as Confucius' and
superbly translated. by Legge. Mencius said to the disciple Kao 'There are
the footpaths along the. hills if suddenly they be used they become roads
and if as suddenly. they are not used the wild grass fills them up. Now
the wild grass fills. up your mind.'. oct(). x. h FF D FF E A
Ø..JFIF....... h FF DB A E C A .....C.nxxd. h C C B AA A BE F FF FF F DC
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................ bh FF C ............... ch FF C ............... dh
................. eh FF DA C A .............. TVBGone. ... a new universal
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DJbyHandIngerMarieLienKidSquarepusherStev.mp. E D A C C Nystev..Å vil du.
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C C D A F ørste gleda..og. B C B eg skal kveda s. F E D A o vent fyr
deg... B C C F D at du skal gløym. A F C F D a deg sjølv og m. E D A D A C
B C eg.....Å eg skal. B F B kveda so du ska. C E C D A D l gråta..um du. C
E C var aldri så gla. F B E C D A E d og kåt'e..å e. B C B F g skal kveda
so. E E C C D A snålt fyr deg... B C C E E E at du skal læ nå. E D E r du
ser på meg.. D A D A F D E F ....Og mine viso. F E E C r dei er so snål. C
D A F D F B E e..som Borken t. E E E E råvar på isen hå. C C D A F D E
le..og mine vis. F A E or dei gjer' ein. C E D A F D C C sleng..som litl.
E E B e guten på skeis. E E A E E D A D A C unn' gjeng.....Å. D E F mine
visor dei. F D E C D A F er so mange..so. D A D C F D E m heggjeblomane. E
B D drys i fanget.. A F F .so hev det vore. C C A D A i all si tid... D B
dess meir dei kv. C D ed dei dess mei. E D A D A C r der bid.....Å. C A C
vil du stevjast. F B C so skal eg svar. C D A F C E a..og heile nat. F B C
ti so skal det v. B D A F C ara..og vil du. A D D stevjast med meg. B C C D
A E i kveld..du gå. B A E r 'kje åt fyrr d. E E D C C E u fær ein smell..
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fa.fictionofphilosophy groupsbeta. been available as
fa.fictionofphilosophy at usenet now it's also made. in addition to the
archives also containing interesting statistics. feeds. at least in this
stage it's free from ads who knows about. later... well just fyi and all
the best to the group and the people spending. time here... raven apm. ..
Raven's Advanced Progressive Matrixes (RAPM). Raven's Advanced Progressive
Matrixes is one of a series of nonverbal. tests of intelligence developed
by J.C. Raven (). Following. Spearman's theory of intelligence it was
designed to measure the. ability to educe relations and correlates among
abstract pictorial forms. and it is widely regarded as one of the best
available measures of. Spearman's g or of general intelligence (e.g.
Jensen Anastasi. ). As its name suggests and of particular significance to
the. Prometheus Society it was developed primarily for use with persons of.
advanced or above average intellectual ability.. Like the other Raven's
matrices tests the APM is composed of a series. of perceptual analytic
reasoning problems each in the form of a matrix.. The problems involve
both horizontal and vertical transformations. Figures may increase or
decrease in size and elements may be added or. subtracted flipped rotated
or show other progressive changes in the. pattern. In each case the lower
right corner of the matrix is missing. and the subject's task is to
determine which of eight possible. alternatives fits into the missing
space such that row and column rules. are satisfied. The APM battery
consists of two separate groups of. problems. Set I consists of problems
that cover the full range of. difficulty sampled from the Standard
Progressive Matrices test. Standard. timing for Set I is minutes. This set
is generally used only as a. practice test for those who will be completing
Set II. Set II consists. of problems with a greater average difficulty than
those in Set I.. Set II can be administered in one of two ways either with
or without a. time limit of minutes. Administering Set II without a time
limit is. said specifically to assess a person's capacity for clear
thinking. whereas imposing a time limit is said to produce an assessment
of. intellectual efficiency (Raven Court Raven ).. Phillip A. Vernon in
his review of the APM (Test Critiques ). writes that the quality of the
APM as a test is offset by the totally. inadequate manual which
accompanies it. For interpretive purposes the. manual provides 'estimated
norms' for the APM which allow raw. scores to be converted into
percentiles (but only and ). and another table for converting percentiles
into IQ scores. John. Johansen a graduate student at the University of
Minnesota and former. regular poster to the Brain Board came into
possession of the. version of the test for use in his research (this form
is no longer used. for testing) along with pages of written text about
the. implementation scoring and standardization of the test. In a post to.
he provided the following information applicable to the untimed. version of
the test. Untimed intraday (go until you give up) distribution for year.
olds year olds and year olds. Scores balanced for guessing.. general
population. percentile ranking. number correct by age group. years. years.
years. .. Norms are not accurate above this point for the untimed version
due to. limited population taking test in this condition.. Ignoring the
above caveat about inaccurate norms above the .th. percentile the above
data indicates that there is about a point raw. score difference between
and sigma on this test. If this difference. carries on to the next sigma
this would give associated scores of. general population. percentile
ranking. number correct by age group. years. years. years. .. Although
this data would seem to suggest sufficient ceiling for. discriminating at
the in level there have been other normative. studies which provide
conflicting data. In an article in Educational and. Psychological
Measurement (Bors and Stokes ) the authors mentioned. two studies of
interest besides Raven's group Paul's study and. their own S. M. Paul's
study of University of California. Berkeley students ( women men) Tested
under the untimed. condition the students' scores ranged from to with a
mean of. and a standard deviation of .. This was significantly higher than
the. mean of Raven's normative group (M. SD.).. Bors and Stokes
administered the timed version of the APM to. students ( women men) from
the Introduction to Psychology course. at the University of Toronto at
Scarborough. Subjects ranged in age from. to years with a mean of .
(standard deviation.).. Enrollment in the Introduction to Psychology
course was considered. roughly representative of firstyear students at
this university. The. scores on Set II for the students ranged from to
with a mean of. . (standard deviation.). This performance is somewhat
higher. than that of the Raven's normative group but considerably lower.
than Paul's University of California Berkeley sample.. Additional data
supporting the conclusion that the RAPM (either timed or. untimed) does
not discriminate at the level is taken from. Spreen Strauss (Compendium of
Neuropsychological Tests nd Edition. ) and shown in the tables below.. A
middleoftheroad approach would be to use the recent University of. Toronto
at Scarborough data and to assume that the mean of the test. group
corresponds to about SD above the mean of the general. population and to
further assume that the SD of the general population. would be about the
same as the standard deviation of the test group.. Finally assuming a
normal distribution in the test group the in. level would correspond to .
(.) which is raw. points above the test's ceiling of .. Advanced
Progressive Matrices Set II Occupational Norms. ile rank. Occupations of
various groups. UK. US. UK TA. UK. UK. UK. UK. UK. UK. UK. General.
populatn. yr.olds. Navy. yr. olds. Officer. Aplcnt. Retail. Mngrs..
Police. Officer. Senior. Mngrs(Htls.). Accnt.. Staff. Oxford. Local.
Athrty.. Rsrch.. Scntsts.. untmd.. min. min. min. min. min. min. min. min.
min. (n). (n. (n). (n). (n). (n). (n). (n). (n). (n). UK general population
data derived from the Standardization of the. SPM and APM (TABLE APM XIII).
US Navy data extracted from data supplied. by Alderlon (see Knapp Court )
(TABLE APM XVII) UK Police. Officers' data extracted from Feltham ()
(TABLE APM XXVI). Other. data collected by Oxford Psychologists Press.
Source J. Raven ().. The data above does bring up the issue of age
variation of IQ data which. is not typically addressed by other
instruments that we've used for. Prometheus Society entry requirements and
that is perhaps something that. should be considered. (In the case of the
SAT and GRE tests there is. not typically much variation in the ages of
those taking the test and no. such data was used in norming any of the
takeathome tests we've used.. Spreen and Strausse have provided the
information for the table below. Advanced Progressive Matrices Set II
(Untimed) Smoothed Summary Norms. for the USA. ile rank. Age of test taker
in years. (n). (n). (n). (n). (n). (n). (n). (n). (n). (n). (n). Based on
the standardization of the APM in Des Moines Iowa.. Tests completed at
leisure. Source J. Raven (). Curiously American Mensa does not list the
RAPM among its currently. accepted tests although UK Mensa does. Perhaps
this is a more. international test than others we have reviewed and
considering its. quality we should probably continue to consider its
possible use. especially as an auxiliary test to be submitted in
conjunction with. other tests that are deemed capable of discriminating at
the in. level.. delayed. Warning not. YOU DO NOT. The original Mon. (CEST)
from . . .. ... Transcript of. session follows. ... Deferred. .... Warning
still. undelivered. Will keep trying. FinalRecipient RFC noemata.... Action
delayed. Status ... RemoteMTA DNS .... WillRetryUntil Sometime Feb (CEST).
Re fiction of philosophy newsgroup. fa from arpanet. institute for
informatics at the university of oslo is gatewaying. all the old arpanet
groups into usenet because most users didn't have. access to arpanet only
usenet.. The world's oldest electronic conferences the ARPANET mailing
lists. were quickly integrated into USENET. Gateways were made so
newsgroups. starting with fa (From ARPANET) contained the mailing list
contents. and USENET users could post and participate. ARPANET mailing
lists. emerged around not long after network email linked ARPANET users.
together.. It's only purpose is that. everyone who want to subscribe to
the mailinglist can. just read the newsgroup (saves some disk space I
guess).. The prefix fa is as far as I know quiet historic.. The first
mailing lists that were converted to newsgroups. had this prefix (fa from
arpanet).. Until this discussion I didn't know that this group was.
distributed outside ifi.uio.no (Institute of Informatics. University of
Oslo). Do you get the other fa.groups as. well At the moment there are of
them.. search on arpanet usenet gateway etc for more internet history..
for the other question see my recent post about. I believe so...but I
don't know who set it up or when or what 'fa'. stands. for for that
matter.... Ryan. Since my pop mail account keeps screwing up over here Ive
been. looking for a. way to read the wryting list I found the fiction of
philosphy. newsgroup which. seems to have some of the wryting list
archived there. How does this. work Is. the newsgroup subscribed to the
wryting list. inlangplgroupfa.fiction. ofphilosophy. mIEKAL. This message
was sent using Midwest Tel Net Web Based Mail.. Re fiction of philosophy
newsgroup. and also. ..This rather brings to mind a syndrome that
sometimes occurred when an. old Arpanet mailing list got gatewayed to a
Usenet newsgroup. After a. little while some Usenet novice would commit
some faux pas a furious. Arpanaut would flame violently about how Usenet
was nothing but bozos. who didn't understand How Things Should Be Done and
the gatewaying was a. stupid idea and the list maintainer would quietly
observe that the. gatewaying had indeed produced problems but it was also
producing most. of the real content... Henry Spencer Mail Relays. ). fa
from arpanet. institute for informatics at the university of oslo is
gatewaying. all the old arpanet groups into usenet because most users
didn't have. access to arpanet only usenet.. The world's oldest electronic
conferences the ARPANET mailing lists. were quickly integrated into USENET.
Gateways were made so newsgroups. starting with fa (From ARPANET) contained
the mailing list contents. and USENET users could post and participate.
ARPANET mailing lists. emerged around not long after network email linked
ARPANET users. together.. It's only purpose is that. everyone who want to
subscribe to the mailinglist can. just read the newsgroup (saves some disk
space I guess).. The prefix fa is as far as I know quiet historic.. The
first mailing lists that were converted to newsgroups. had this prefix (fa
from arpanet).. Until this discussion I didn't know that this group was.
distributed outside ifi.uio.no (Institute of Informatics. University of
Oslo). Do you get the other fa.groups as. well At the moment there are of
them.. search on arpanet usenet gateway etc for more internet history..
326
for the other question see my recent post about. I believe so...but I don't
know who set it up or when or what 'fa'. stands. for for that matter....
Ryan. Since my pop mail account keeps screwing up over here Ive been.
looking for a. way to read the wryting list I found the fiction of
philosphy. newsgroup which. seems to have some of the wryting list
archived there. How does. this. work Is. the newsgroup subscribed to the
wryting list. inlangplgroupfa.fiction. ofphilosophy. mIEKAL. This message
was sent using Midwest Tel Net Web Based Mail..
isoQJaglEggerlitebilderpEmighEr.. Jag lgger lite bilder på mig hr.. Men
kom ihåg jag vill grna att ni skriver i Gstboken vad ni tycker. annars
blir det inte fler bilder.. Mina Fuktiga brst efter duschen.. Jag visar
upp ett av mina brst.. Jag i sexiga underklder.. Jag visar upp mig på
sngen.. Hr r jag helt utlmnad åt dig.. Tnk om handen inte fanns dr..
Gillar ni mina Lppar.. Ny bild på mina lppar.. Gillar ni bilderna på mig i
stayups. Det kan komma fler bilder Jag håller på att vertala min vninna
att. jag skall få lgga upp bilder på henne också.. Hr under lgger jag
sprutbilderna som jag får Och jag skall villigt. erknna att jag har
onanerat och tittat på dem många gånger.. Sprutbild. Sprutbild. Sprutbild.
Sprutbild. Sprutbild. Sprutbild. Sprutbild. Sprutbild. Sprutbild. Jag har
fått ett par nya sprutbilder Det tycker jag om. Flera gånger. har jag
tittat på dessa bilder och tnkt på er hur ni har lekt med era. underbara
stånd fantiserat om mig och sedan sprutat er varma klibbiga. sats ver min
kropp. Många gånger har dessa fantasier tagit mig till. underbara
orgasmer. Ett extra spnningsmoment r ju att min kille inte. har någon
aning om vare sig websidan eller dessa foto.. Hr kommer fler bilder.. En
bild från en man som heter Bokoboko.. Gabbe har också sprutat ner min
kropp.. Hawkan har lagt sin varma sd ver mig.. Fineman har gjort hrligt
sexiga konstnrliga bilder.. nnu en bild från Fineman.. Re the sleep of
reason. The Slip of Reason Produces Monsters.... The Monstrous Reason
Produces Sleep.... The Sleep of Monsters Produces Reason.... The
Production of Reason Monsters Sleep.... the protesting of rezone
mahayanist sleep.... two slippy opaque ricin particular monsters.... thy
menstruates richen periodizations sleep.... the skelf opah minstrel
participant ratio... twombly mensing richened periodicity sleeplessess thy
skelping opaline. minority partly reasons tattooer party obese rippling.
reason rosena rosaen ensora aeonsr senora soraen soaren snorea oarsen.
norsea arsone. subject. unselfishness there you see plainly the recursion
it's considered a. virtue because.. in view of.. yes unselfishness. and so
selfishness is a. virtue in view of selfishness etc. and virtue is a virtue
in view of the. virtue virtue is the positive productive property of a view
the view's. production. but it doesn't mean you can avoid it. there's
virtues of your. body as long as you have one. and virtues of having as
long as it's. possible. and virtues of the possible as long as it's not
impossible.. virtues of the impossible via negativa. prime numbers are
what remains. are. they selfish or unselfish ) positive or negative you
can follow them a. bit via the positive which is like the virtue of a view
formula though. quickly you're replacing algorithms with heuristics which
is more of a. mess like the layered virtues of our reality the real being
transcendent. unending streams and you find yourself jumping from this to
that all the. time not selfishalgorithmic (producing) or
unselfishheuristic (seeking). but let's call it dancing since there are
movements and well the thing is. still alive though with no reason and not
producing or seeking still views. you can't avoid going through the steps.
eurythmics is at the end or the. beginning not the body's algorithms
(production system) or it's. intentionality (heuristics) the virtues of
having a body having a view. not selfish not unselfish. no virtues no
views but still a text still. here though not what it is (produces) or
what it means (seeks) it's still. written in virtue of the iso charset
twofaced bastards so maybe. we're talking dialectics too the protocol
(selfish) and the exchange. (unselfish) still the user. user (Æzr) n. Law.
the exercise of a. right to the enjoyment of property. my body my propery
the body of this. mail. again the protocol's from to subject body this is
the body.. distributed via no commercial use without permission. is a
moderated mailing list for net criticism. collaborative text filtering and
cultural politics of the nets. more info majordomobbs.thing.net and info
nettimel in the msg body. Fwd xStream online. Start of forwarded message.
ReplyTo xstreamxpressed.org. Fwd xStream online. xStream Issue. xStream
Issue is online again in three parts. . Regular (also available in PDF)
Works from poets. (Sandra Simonds Dorothee Lang Hugh Tribbey David Nemeth.
John Crouse Jim Leftwich and Andrew Topel). . Autoissue Poems generated by
computer from Issue texts. the whole autoissue is generated in realtime
new version in. every refresh.. . Wryting Issue a monthly selection of
WRYTINGL listserv works. Sincerely. JukkaPekka Kervinen. Editor. xStream.
email xstreamxpressed.org. End of forwarded message. florian cramer
digital code and literary text. florian cramer digital code and literary
text. Can notions of text which were developed without electronic texts in
mind be. applied to digital code and how does literature come into play
here. Abstract. This paper is based on the general (yet disputable)
assumption that the. theoretical debate of literature in digital networks
has shifted just as. the poetic practices it is shaped after from
perceiving computer data as an. extension and transgression of textuality
(as manifest in such notions as. ''hypertext'' ''hyperfiction'' ''hyper
multimedia'') towards paying. attention to the very codedness i.e.
textuality of digital systems. themselves. Several phenomena may serve as
empirical evidence. The early focus of conceptualist Net.art on the
aesthetics and politics of. code. in turn the impact of Net.art aesthetics
on experimental literature. poetry in the Internet. the close discooursive
affinity of Net.art to political activism in the. Internet. the close
aesthetic affinity of Net.art to a the languages and codes of an. older
technically oriented ''hacker'' culture (of Chaos Computer Club. and
others). a convergence of the three cultures mentioned above Net.art net
activism. and hacker culture. (a) FreeOpen Source Software andor (b) open
network protocols as key. discursive political and aesthetical issues in
all these camps. finally the impact of hacker aesthetics Net.art
aesthetics code. aesthetics and network protocol aesthetics on
contemporary writing in the. Internet. (See the work of mez Alan Sondheim
Talan Memmott Ted Warnell. and others.). The question is how ''Codeworks''
(Alan Sondheim) fit notions of text that. were crafted without digital code
most importantly machineexecutable. digital code in mind and vice versa. Is
it a coincidence that in their. poetical appropriation of lowlevel Internet
codes codeworks ended up. aesthetically resembling concrete poetry And
apart from aesthetic. resemblances how do computer programs relate to
literature Is that what is. currently being discussed as ''Software Art''
a literary genre. Code. Since computers the Internet and all digital
technologies are based on. zeros and ones they are based on code. Zeros
and ones are an alphabet which. can be translated forth and back between
other alphabets without information. loss. It does in my point of view
make no sense to limit the definition of. the alphabet in general to that
of the Roman alphabet in particular when we. can the same textual
information in this very alphabet as Morse code flag. signs or
transliterated into zeros and ones. The Internet and computers run. on
alphabetic code whereas for examples images and sound can only be.
digitally stored when translating them into code which unlike the.
translation of conventional text into digital bits is a lossy that is. not
fully reversible and symmetric translation. Sounds and images are not. code
by themselves but have to be turned into code in order to be computed.
where as any written text already is code. Literature therefore is a.
privileged symbolic form in digital information systems. It is possible
to. automatically search a collection of text files for all occurences of
the. word ''bird'' but doing the same with birds in a collection of image
files. or bird songs in a collection of audio files is incomparably tricky
and. errorprone relying on either artificial intelligence algorithms or
manual. indexing both of which are methods to translate nonsemantic
writing (pixel. code) into semantic writing (descriptions).. The reverse
is true as well We can perfectly translate digital data and. algorithms
into nondigital media like print books as long as we translate. them into
signs coded according to the logic of an alphabet. This is what is. done
for example in programming handbooks or in technical specification.
manuals for Internet standards. Today there are two notorious examples of
a. forth andback translation between print and computers. The sourcecode
of Phil Zimmerman's cryptography program ''Pretty Good. Privacy'' (PGP).
The PGP algorithms were legally considered a weapon and. therefore became
subject to U.S. export restrictions. To circumvent this. ban Zimmerman
published the PGP sourcecode in a book. Unlike algorithms. literature is
covered by the U.S. First Amendment of free speech. So the. book could be
exported outside the United States and by scanning and. retyping
translated back into an executable program. the sourcecode of DeCSS a
small program which breaks the cryptography. scheme of DVD movies. Since
U.S. jurisdiction declared DeCSS an ''illegal. circumvention device''
according to the new Digital Millennium Copyright Act. (DMCA) the ban
equally affected booklets flyposters and tshirts on which. the DeCSS
sourcecode was printed.. That code is speech is a fact stressed again and
again by programmers and is. also at the heart of Lawrence Lessig's legal
theory of the Internet. (Lawrence Lessig. Code and Other Laws of
Cyberspace. Basic Books New York. .). It is strictly speaking sloppy
terminology to speak of ''digital. media''. There actually is no such
thing as digital media but only digital. information. Digital information
becomes ''media''only by the. On the reverse end of the chain keyboards
mice scanners and cameras. are analogtodigital converters.. virtue of
analog output computer screens loudspeakers printers are analog. output
devices interfaced to the computer via digitaltoanalog conversion.
hardware like video and sound cards or serial interfaces.. An average
contemporary personal computer uses magnetic disks (floppy and. hard
disks) optical disks (CDROM and DVDROM) and chip memory (RAM) as its.
storage media and electricity or fiber optics as its transmission media..
Theoretically one could build a computer with a printer and a scanner
which. uses books and alphabetic text as its storage media. Alan Turing
showed. that. While such a machine would operate slower than with
magnetical or. optical media it would provide more robust and durable
information storage. on the other hand.. no electronics are needed to
build a computer the Boston Computer Museum. even features a mechanical
computer built from wooden sticks.. Juxtapositions of ''the book'' and
''the computer'' are quite misleading. because they confuse the storage
and analog output media (paper versus a. variety of optical magnetical and
electronical technologies) with the. information (alphabetical text versus
binary code). It further ignores by. the way the richness of storage and
transmission media in traditional. literature which aside from the book
include oral transmission and mental. storage audio records and tapes the
radio and television to name only a. few.. If there is strictly speaking
no such thing as digital media there also. is strictly speaking no such
thing as digital images or digital sound.. What we refer to as a ''digital
image'' is a piece of code. Normally this code is divided into three pieces
one the socalled. sound or image file containing the machineindependent and
program. independent abstract information the second the socalled display
program. containing the instructions to mediate the abstracted information
in a. machineindependent yet not programindependent format to the
operating. system the third the socalled operating system mediating the
program. output to the output machine whether a screen or a printer. These
three. code layers however are nothing but conventions. Theoretically the.
digital image'' file could in itself contain all the code necessary to.
make itself display on analog end devices including the code that is.
conventionally identified as a boot loader and core operating system..
containing the machine instructions to produce the flow of electricity
with. which an analog screen or an analog printer is made to display an
image.. Of course it is important whether a sequence of zeros and ones
translates. into say an image because that defines its interpretation and
semantics.. The point of my (admittedly) formalistic argumentation is not
to deny this. but to underline that. when we speak of ''multimedia'' or
''intermedia'' in conjunction with. computers digital art and literature
we actually don't speak of digital. systems as themselves but about
translations of digital information into. analog output and vice versa.
text and literature are highly privileged symbolic systems in these.
translation processes because (a) they are already coded and (b)
computers. run on a code.. Literature and computers meet first of all
where alphabets and code human. language and machine language intersect
secondly in the interfacing of. analog devices through digital control
code. While of course we cannot think. of code without media because we
can't read it without them the computer. does not really extend literary
media themselves. All those output media. electricity electrical sound and
image transmission etc. existed before. and without computers and digital
information processing.. I therefore have to revise the position I took in
several of my previous. writings If we speak of digital poetry or computer
network poetry we. don't have to speak of certain media and we don't. like
in the paper Warum es zuwenig interessante Computerdichtung gibt.. Neun
Thesen'' ( Nine Points on Why there is so little interesting computer.
homepagewritingsnetliterature general karlsruhe. karlsruherthesen.pdf.
even have to speak of specific machines. If computers can be built from.
broomsticks and networked via shoestrings if any digital data including.
executable algorithms can be printed in books and from them read back
into. machines or alternatively executed in the mind of the reader there
is no. reason why computer network poetry couldn't or shouldn't be printed
as well. in books.. Perhaps the term of digital ''multimedia'' or better
''intermedia''. would be more helpful if we redefine it as the the
possibility to losslessly. translate information from one sign system to
the other forth and back so. that the visible audible or tacticle
representation of the information. becomes arbitrary. A state not be
achieved unless the information is not. coded in some kind of alphabet
whether alphanumerical binary hexadecimal. or if you like Morse code..
Literature. Synthesis putting things together. observe the textual
codedness of digital systems of course implies the. danger of generalizing
and projecting one's observations of digital code. onto literature as a
whole. Computers operate on machine language which is. syntactically far
less complex than human language. The alphabet of both. machine and human
language is interchangeable so that ''text'' if defined. as a countable
mass of alphabetical signifiers remains a valid descriptor. for both
machine code sequences and human writing. In syntax and semantics. however
machine code and human writing are not interchangeable. Computer.
algorithms are like logical statements a formal language and thus only a.
restrained subset of language as a whole.. However I believe it is a
common mistake to claim that machine language. would be only readable to
machines and hence irrelevant for human art and. literature and vice versa
literature and art would be unrelated to formal. languages.. It is
important to keep in mind that computer code and. No computer can
reprogram itself selfprogramming is only possible. within a limited
framework of game rules written by a human programmer. A. machine can
behave differently than expected because the rules didn't. foresee all
situations they could create but no machine can overwrite its. own rules
by itself.. computer programs are not machine creations and machines
talking to. themselves but writings by humans. The programmerartist Adrian
Ward. suggests that we put the assumption of the machine controlling the
language. upside down. ''I would rather suggest we should be thinking
about embedding our own. creative subjectivity into automated systems
rather than naively trying to. get a robot to have its 'own' creative
agenda. A lot of us do this day in. day out. We call it programming.''.
quoted from an EMail. message to the Rhizome'' mailing list May. Perhaps
one also could call it composing scores and it does not seem. accidental
to me that musical artists have picked up and grasped computers. much more
thoroughly than literary writers. Western music is an outstandig. example
of an art which relies upon written formal instruction code. Self.
reflexive injokes such as ''BACH'' in Johann Sebastian Bach's music the.
visual figurations in the score of Erik Satie's ''Sports et.
divertissements'' and finally the experimental score drawings of John
Cage. shows that beyond a merely serving the artwork formal instruction
code has. an aesthetic dimension and intellectual complexity of its own.
In many. works musical composers have shifted instruction code from
classical score. notation to natural human language. A seminal piece in my
opinion is La. Monte Youngs ''Composition No. '' which simply consists of
the. instruction ''Draw a straight line and follow it.'' Most Fluxus
performance. pieces were written. Galerie und Edition Hundertmark. George
Maciunas und FluxusEditionen. . no page numbering. in the same notation
style. Later in the American composer Alvin. instruction which very
precisely tells to perform the piece by playing. itself back and
modulating the speech through the room echoes.. In literature formal
instructions is the necessary prerequisite of all. permutational and
combinatory poetry. Kabbalah and magical spells are. important examples as
well. But even in a conventional. Some historical examples have been
adapted online on my website. narrative there is an implict formal
instruction of how i.e. in which. sequence to read the text (which maybe
or followed or not as opposed to. hypertext which offers alternative
sequence on the one hand but enforces. its implicit instruction on the
other). Grammar itself is an implicit and. very pervasive formal
instruction code.. Although formal instruction code is only a subset of
language it is still. at work in all speech and writing.. It is
particularly remarkable about computing that the namespace of. executable
instruction code and nonexecutable code is flat. One cannot tell. a
snippet of digital code whether it is executable or not. This. property
does not stand out in the alphabet of zeros and ones but is solely.
dependent on how another piece of code a compiler a runtime interpreter.
or the embedded logic of a microprocessor processes it. Computer code is.
highly recursive and highly architectural building upon layers of layers
of. code.. Analysis taking things apart. The fact that one cannot tell
from any piece of code whether it is machine. executable or not provides
the principle condition of all EMail viruses on. the one hand and of the
codeworks of jodi antiorpNetochka Nezvanova mez. Ted Warnell Alan Sondheim
Kenji Siratori to name only a few. with the biennale.py'' computer virus of
the net art groups. on the other work that unlike the actual viri is
fictional in that it. aesthetically pretends to be potentially viral
machine code.. The codeworks to use a term coined by Alan Sondheim of
these writers and. programmerartists are prime examples for a digital
poetry which reflects. the intrisic textuality of the computer. But they
do so not by being to. quote Alan Turing via Raymond Queneau computer
poetry to be read by. computers but by playing with the. Raymond Queneau.
Cent mille milliards de pomes. Gallimard Paris. . p.. confusions and
thresholds of machine language and human language and by. reflecting the
cultural implications of these overlaps. The ''mezangelle''. poetry of
mezMary Ann Breeze which mixes programmingnetwork protocol code. and non
computer language to a portmanteauword hybrid is an outstanding. example
of such a poetics.. Compared to earlier poetics of formal instruction like
in La Monte Young's. Composition in Fluxus pieces and in permutational
poetry an important. difference can be observed in the codeworks The
Internet code poets and. artists do not construct or synthesize code but
they use code or code. grammars they found and take them apart. I agree
with Friedrich Block and. digital.deBlockindex engl.htm that digital
poetry should be. read in the history and context of experimental poetry.
A poetics of. synthesis was characteristic of combinatory and
instructionbased poetry a. poetics of analysis characterized Dada and its
successors. But one. An exception being the the ALGOL computer programming
language poetry. written by the Oulipo poets Franois le Lionnais and Nol
Arnaud in the. early s. see Harry Mathews and Alastair Brotchie editors.
Oulipo Compendium. Atlas. Press London . p.. hardly finds poetry with an
analytical approach to formal instruction code. in the classical th
century avantgarde. Internet code poetry is being. written in a new if one
likes postmodernist condition of machine code. abundance and overload.. The
hypothesis that there is no such thing as digital media but only. digital
code which can be stored in and put out on any analog medium is. perfectly
verified by codework poetry. Unlike hypertext and multimedia. poets most of
the artists mentioned here write plain ASCII text. The. contradiction
between a complex technopoetical reflection and lowtech. communication is
only a seeming one quite on the contrary the lowtech is. crucial to the
critical implication of the codework poetics.. The development of
hyperfiction and multimedia poetry practically paralleled. the
construction of the World Wide Web hyperfiction authors rightfully saw.
themselves as its pioneers. In the course of nineties they continued to.
push the technical limits of both the Internet and multimedia computer.
technology. But since much digital art and literature became testbed.
applications for new browser features and multimedia plugins it.
simultaneously locked itself into nonopen industrycontrolled code.
formats. Whether intentional or not digital art thus. like Shockwave
QuickTime and Flash. strongly participated in the reformatting of the
World Wide Web from an. open operating system and browseragnostic
information network to a. platform dependent on propietary technology.. By
readjusting the reader's attention from software surfaces which pretended.
not to be code back to the code itself codeworks have apparent
aesthetical. and political affinities to hacker cultures. While hacker
cultures are far. more diverse than the singular term ''hacker'' suggests
hackers could as. well be distinguished between those who put things
together like Free. Software and. Boris Grndahl's (German) Telepolis
article The Script Kiddies Are. Not Alright'' summarizes the multiple
sometimes even antagonistic camps. deutschhtmlresult.xhtml urltp
deutschinhaltte.html. demo programmers and those who take things apart
like crackers of serial. numbers and communication network hackers from
YIPLTAP Phrack and. Chaos Computer Club schools. Code poets have factually
adopted many poetical. forms that were originally developed by various
hacker subcultures from the. s to the early s including ASCII Art code
slang (like '' wArz. dd'' for ''leet elite wares dood'') and poetry in
programming languages. (such as Perl poetry) or they even belong to both
the ''hacker'' and the. ''art'' camp. curious. curioushyperreal.pl.
reading my handwriting. .jpg. 'Freedom died. great people proved that
awareness exists and every lifeform is aware. unfortunatelly they hadn't
in mind that evolution not aims into awareness. development but towards
better adaptation.. milions of people just learned how to fake awareness..
This what makes us Humans is ablity to selfdevelopment and Empathy. not
adaptation.. Crowd without a leader went insane.. Sickness is ones who
emphatize get dellusion when looking feelingsless. ones there is no mutual
empathy then ones who emphatize become codepend.. '. .jpg. (notes from
train station i tried to visualise how autosopher adaptative. network
works). also note that 'positive effects coming from smoking of tobbaco
come from. changed metabolism of dopamine while addiction is created by
completely. different neurotransmitter patch'. also common mistake of
polish language pointed out (use of foregin noun). .jpg adaptative ALP
network (network of small audio buffers adapting to. user defined sound)..
i have some other work like learning from c sources i'll write to you.
later. d.jpg. dissolving substance. dreams come when i am here. snowwhite
truth about false. particles of absurd from nothing. substance. while this
world is only interpretation of our dreams. substance. you melt with
nonexistence like you. practical disasemble of life program. transient
observation of. thoughts about minimalism truth about time.. form of
delusion. sequence of session. it's lack of thought Substance. while
civilisation camp grid is at least km thin.. where is reason. dynamic.
ambition. field of perception actions of consiousness. (). time. and this
is 'life'. intonation is alive and manipulating bodies. will be as is
because can't be other way. preprogrammed forecast shatter and bend under
influence of new data. how is time machine like. alive. destiny of chaos
complexity creation is creation itself. we can watch beauty of growth. our
time came. power came to an end.. curioushyperreal.pl. badgernoemata.net.
congratulations congratulations your site is on on (nostalgi). fra m.
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of potential literature (french literature. invoice submitted to. magn
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bmag. ditt pejorativ er pejopa. our valued customers. we're hab. your
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zen and japan. tykkmann. organisatorisk message farm supporthome.pages.at.
wir freuen uns. opklnmonline.no. adundas.net. the domain name hook been
registered without error.. spotovani dear anonymous anonymous. hvala za
prijavo neie fastfrossede vdor. user arspublica. pw e.. id jmgandi.
contact name jorn magee. organization origo. magh.net. you can get
duplicate. erkshoutcast ip. you aure receiving this email. postvacacb.
name name. gaves a. sater s.g.. state state. kyoto holover. country
country. jp it. postulat code postlegge code. till alla b magh. du har
fått detta. lsenord kotfal. theol t.walioett bekranse johanne.
meldingsliste feer dokumentmal biblioteksjef. lånenummer. ditt pejorativ
får børs afp bibliotekets internetttjenester er kousdu. heisann og tykke.
die noterer jeg att jegr vite baute af ip ip range. heie bmagh. her er en.
innsnevring registrering. inngangsport abonnementsavdeling. også
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'Freedom died. great people proved that awareness exists and every
lifeform is aware. unfortunatelly they hadn't in mind that evolution not
aims into awareness. development but towards better adaptation.. milions
of people just learned how to fake awareness.. This what makes us Humans
is ablity to selfdevelopment and Empathy. not adaptation.. Crowd without a
leader went insane.. Sickness is ones who emphatize get dellusion when
looking feelingsless. ones there is no mutual empathy then ones who
emphatize become codepend.. '. .jpg. (notes from train station i tried to
visualise how autosopher adaptative. network works). also note that
'positive effects coming from smoking of tobbaco come from. changed
metabolism of dopamine while addiction is created by completely. different
neurotransmitter patch'. also common mistake of polish language pointed out
(use of foregin noun). .jpg adaptative ALP network (network of small audio
buffers adapting to. user defined sound).. i have some other work like
learning from c sources i'll write to you. later. d.jpg. dissolving
substance. dreams come when i am here. snowwhite truth about false.
particles of absurd from nothing. substance. while this world is only
interpretation of our dreams. substance. you melt with nonexistence like
you. practical disasemble of life program. transient observation of.
thoughts about minimalism truth about time.. form of delusion. sequence of
session. it's lack of thought Substance. while civilisation camp grid is at
least km thin.. where is reason. dynamic. ambition. field of perception
actions of consiousness. (). time. and this is 'life'. intonation is alive
and manipulating bodies. will be as is because can't be other way.
preprogrammed forecast shatter and bend under influence of new data. how
is time machine like. alive. destiny of chaos complexity creation is
creation itself. we can watch beauty of growth. our time came. power came
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XMailScanned by Interweb Norge as. curioushyperreal.pl. reading my
handwriting. .jpg. 'Freedom died. great people proved that awareness
exists and every lifeform is aware. unfortunatelly they hadn't in mind
that evolution not aims into awareness. development but towards better
adaptation.. milions of people just learned how to fake awareness.. This
what makes us Humans is ablity to selfdevelopment and Empathy. not
adaptation.. Crowd without a leader went insane.. Sickness is ones who
emphatize get dellusion when looking feelingsless. ones there is no mutual
empathy then ones who emphatize become codepend.. '. .jpg. (notes from
train station i tried to visualise how autosopher adaptative. network
works). also note that 'positive effects coming from smoking of tobbaco
come from. changed metabolism of dopamine while addiction is created by
completely. different neurotransmitter patch'. also common mistake of
polish language pointed out (use of foregin noun). .jpg adaptative ALP
network (network of small audio buffers adapting to. user defined sound)..
i have some other work like learning from c sources i'll write to you.
later. d.jpg. dissolving substance. dreams come when i am here. snowwhite
truth about false. particles of absurd from nothing. substance. while this
world is only interpretation of our dreams. substance. you melt with
nonexistence like you. practical disasemble of life program. transient
observation of. thoughts about minimalism truth about time.. form of
delusion. sequence of session. it's lack of thought Substance. while
civilisation camp grid is at least km thin.. where is reason. dynamic.
ambition. field of perception actions of consiousness. (). time. and this
is 'life'. intonation is alive and manipulating bodies. will be as is
because can't be other way. preprogrammed forecast shatter and bend under
influence of new data. how is time machine like. alive. destiny of chaos
complexity creation is creation itself. we can watch beauty of growth. our
time came. power came to an end.. curioushyperreal.pl. badgernoemata.net.
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listeadresse eekunst.no. kontaktadresse listmasterekunst.no. Re curious.
weird taxonomy. thanks to curious... arafat. arafat shithead it's all the
same some shithead claiming territory. another shithead you only need one
then you get another. automatically like tribes of shitheads shiites
something what's. that got to do with anything. contemporary ontology
something anything everything nothing. maps plainly to logic how
metaphysics became logic or was as it. were classes what do we mean
classes are classes nosferatu the. death of metaphysics the blood is logic
everything is logic has. its undead counterpart the world may die any human
we'll go on. living like undead i should come through here no it's not
possible. any image still there's a byte before it exhausts coming back
to. this morning and driving under the bridge don't blame gray words. gray
roads. feeling down may come easy you just sit there and suddenly you want.
go to sleep and can't sleep because you think this will never end. and
there's nothing anywhere. i'm always down like the server is. down. all
this wind is it going anywhere mostly robots reading the. web let's say i
lived my experience is not different from anybody. else why should we be
separate two persons have mutual feelings. what a mess still four arms two
heads what a monster and the. cleaning of the interface reactions why
should i react i'm already. you not in a religious sense just practical
like the same same. system two processes the same shit all the more
pressure around. identity and the individual this exploition a striking or
notable. deed feat spirited or heroic act the exploits of Alexander the.
Great. it's of course true we are the same otherwise science and. the
logics would be false but still culturally a quest for. identity and most
levels retained which together is driving us out. through the processor
our bodies are arguments positions like. minimal pairs in linguistics and
identical to what itself which. makes sense only through a representation
with the possibility of not. being itself so the quest is via the culture
representation where. the position comes in like the 'you are here' on
maps (in a text you. are here what does it mean i am here this is a long
string and the. other arts where are you in music and everything before
language. and within) no the identity can't come from anything why
different. cultures have different ideas of identity we have maps so we
have. the identity of 'you are here' which gives a faint realization of.
yourself but enough to keep fixed through the loop of being and not. being
the truth and falsity of representation or more precise the. falsity
revealed through its truth and vice versa which is at stake. when
represent i am here two times here and here which are two. places in the
text two positions and isn't it supposed to be only. one like i am only
one so we are baffled by this like Alexander the. Great and need to do
baffling deeds to overcome the bifurcation that. takes place already at
the root already at 'you are here' we don't. understand and the territory
comes from this of not understanding. and you get terrorist and president
like arafat collapsing and. sustaining the map as the quest for identity
through construction of. yourself which is like a greek tragedy whatever
you'll find is the. looking for yourself palestine holy land holy shit how
fcking. long will it take before these shitheads loose their power to lead.
others astray for people not to be led into another suffering hell by.
shithead the great.. roadmap to peace forget road forget map forget
peace.. Re syndicate arafat. This is a multipart message in MIME
format.... ContentType textplain charsetiso. if you rid yourself of
opaqueness i don't know where you are is that. beauty love and war were
always good friends. it's still about identity. the quest for anything
clear and transparent (love) which at the same time. should be something
(territory) and it doesn't resolve so forget it not. wait for the best
love projects (maps) too much the territory becomes. what you see is that
wise. Of the raising opaqueness Claudia always has the most beautiful
answer. which we can wait for the best. Original Message. claudia
westermann. Friday November AM. Re syndicate arafat. a. forget road forget
map forget peace.. keep love. love me in my full beauty and I'll become.
what you see in me. or wise. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for
media culture and media art. post to the Syndicate list. no commercial use
of the texts without permission. RE syndicate arafat. This is a multipart
message in MIME format.... ContentType textplain charsetiso. arafat
shithead it's all the same some shithead claiming territory. another
shithead you only need one then you get another. automatically like tribes
of shitheads shiites something what's. that got to do with anything. sure
let's stick to shithead ascii pseudo artists like you. who says you have
to choose sides. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for
media culture and media art. post to the Syndicate list. no commercial use
of the texts without permission. Re syndicate arafat. This is a multipart
message in MIME format.... ContentType textplain charsetiso. Far from the
making act we can say everything in any case. Obviously you. had not
chosen but the omissions allied to the obvious terms made sense of.
themselves together without that you formulated of choice. Obviously
that's your choice reading it as political declarations in most. senses of
the word political since politics is about forcing a choosing of. sides
setting the options to choose but obviously every side is ugly. here
oppressor or oppressed how the sense of justice is construed and. since
nothing is chosen something ugly comes back for lack of the political.
conformance and balance and renders opaque and annoying and gives the
idea. there must be a clearer position behind or hidden but that's not the
case. other than don't be mislead by political 'shitheads' to suffer their
hell.. ContentType textplain namemessagefooter.txt. ContentDisposition
inline filenamemessagefooter.txt. ContentTransferEncoding bit. Syndicate
mailinglist. Syndicate network for media culture and media art. post to
the Syndicate list. no commercial use of the texts without permission.
recursive dictionary. He was born with a material or nonmaterial entity
idea action. etc that is or may be thought about or perceived a gift a
thing. given or presented of the something done deed or action or.
sensation caused in the ear by the vibration of the surrounding air or.
other medium of laughter and the capacity or power to perceive or feel. or
to be conscious of the state or condition of being present or. attributes
qualities or characteristics of material or nonmaterial. entities ideas
actions etc that are or may be thought about or. perceived that human
concerns business matters to be attended to. their continuous onward
movement or progression and circumstances. esp. those affecting the
functioning or existence of something active. condition which
distinguishes active animals and plants from inorganic. matter including
the capacity for growth functional activity and. continual change
preceding death were mad.. Bertrand Russell. Applying the algorithm to
text with a high proportion of abstract. nouns is particularly amusing.
Here the starting text is from. Bertrand Russell's History of Western
Philosophy from a chapter on. Plato. The second argument is that knowledge
is recollection and therefore. the soul must have existed before birth. The
theory that knowledge is. recollection is supported chiefly by the fact
that we have ideas such. as exact equality which cannot be derived from
experience.. Transformation gives. The second reasoning process is that
awareness or familiarity gained. by experience is the act or power of
recollecting and therefore the. spiritual or immaterial part of a human
being often regarded as. immortal must have existed before the emergence
of a (usually fully. developed) infant or other young from the body of its
mother. The. supposition or system of ideas explaining something esp. one
based on. general principles independent of the particular things to be.
explained that awareness or familiarity gained by experience is the. act
or power of recollecting is supported chiefly by the thing that is. known
to have occurred to exist or to be true that we have. conceptions or plans
formed by mental effort such as the exact. state of being equal which
cannot be derived from actual observation. of or practical acquaintance
with facts or events.. plese. its tu much. i wnat nothign to do with it.
plese. i was nothing to do withit. arc.hive. This is a multipart message
in MIME format.... ContentType textplain charsetiso.
ContentTransferEncoding quotedprintable. all the tnihgs taht aArent
psoilsbe bcak bcak apin bcal is viatl. ptsoure hondinlg im dizzy yuore
liokng for reilef or bdluiiing. waht dnot ask bdiiuinlg fwlwnig don
lkneiesss loop of snese. tgohuths arise attache not i was wthas there to
bilud a story no. stroy threes no sotry what sotry do you yuor life sorty
no lfie. sotry blind bilnd bnild story no sorty bilnd back and fotrh no.
sorty nnothig dvoeelps no dempoleevnt its all dlwilohnl dwon. srtoies i
not srtoy not sroty and the stroy adnother wrod for. benig isdine the
scubjet bnieg oecjbt but not eevn sjbecut how. sjbcuet can i be to daeth i
wsant so how can i be iAts a story. olny a sotry wtih a bgeniinng and end
and the sotry is ntoghin no. story the sotry is jsut a story and the
sejbuct is not a sucbjet. these wdros are cnmiog form a long line of ilde
soht form the. seubct lnie sbjecut the sjbeuct eiecnrxeeps epienrexecs ex
peri. sneseis it tnilkag abuot ilestf or vetbivare mdoe of pscroes.
iarmooniftn v bceaues trehs nnitoghb to bulid the linvig are for. the
lvinig the voderr is for shgmeotin oto be and esle non and. you wodluAnt
know but the tarinstion for loss and gian which. lgneirs for yesra for
lteifmie tmie until aontehr loss wchih fdaes. lkie dcemial jmbures in
sniinicgfcae the digit iteengr wlhoe. hole drigess how etym the w hloe
tunnel tsarcnend. bef. ME OE hol hole cvae orig. nuet. of hol (adj.).
HLOOLW c. G hohl hwlolo. ebf. ME hole hool (daj. and n.) OE hl (ja.d) c. D
heel. G heil ON hilel see HLAE HEAL sp. wtih w relectfs dail. form. bef. ME
holi OE hlig var. of HLEG equiv. to hl WHLOE. eg Y c. D G heilig ON
hlaiegr. the bcalk wohle. .... ON see HLEL. bef. ME OE he(ll) c. OHG
h()illea (G HllFe) ON hel Goth. hjala aikn to OE hlean to cover hide and
to HLUL. satngre the etym siiimelritas as if the opipostes were the.
coslest cinaopnoms balck holes at the cneter of glaaxies in the. misdt of
haveen reisde hell qiute the oppsoite no surprsie also. the balck whloes
of rliigoen whta's torhwn oitudse is rnig. tgloopoy or the srting cmoes
bcak at the cetner or vcie vresa. it's aonther hlel like the syanig if the
wrold was peecfrt it. woul'ndt esixt wree each wrod bges its exspoinan and
if the word. was pefrect it wondul't eixst so tihs way geos itno
altiioainhnn. or the aiiilhntnaon is cnncteeod to rzaieaoiltn wihch is.
cttslannoy dlaeyed torwhn out lkie the wrlod is cearted in tmie. which is
just the delay thgnis go sowler and solewr. the hack. itno ereltncos
certeas the wolrd aenw slutaimes from lgiht seped. and loigc the
hrewyporld mroe and more has to be thorwn out at. lhigt speed to keep it
go solwer and sowler inetria at the end of. speed mabye lkie the practile
padorax aagin if sthoiemng is. pulctairar (eg. tmei) it ditfrs off
mronuolssty allchies and the. tultre view tihs from rivitatley as aheilcls
is giannig light. speed he inealtfs ifitnneliy enregy bceomes msas the
wrold form. the filurae of reazilnig of rhaecing the ttrlue whcih is the.
fiarlue of riiztleaaon the praadox of the pultiracar of the. wrold the
montusros itnifoaln hloe whloe hloy hlel hole in the. wolhe hell in the
holy in the mdsit wihch is cnnasottly thowrn. out the paissve out of the
avitce any oejcbt thwron out of the. subcjet like this.. ContentType
textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. arc.hive mailing
list. arc.hiveanart.no. Re Is Hell Exothermic. all the things that arent
possible back back apin bacl is vital. posture holdning im dizzy youre
loking for relief or builiding. what dont ask biuliding flwwing don
likenesss loop of sense. thoughts arise attache not i was whats there to
build a story no. story theres no story what story do you your life story
no life. story blind blind blind story no story blind back and forth no.
story nothing develops no development its all downlhill down. stories i
not story not story and the story andother word for. being inside the
subject being object but not even subject how. can i be to death i wasnt
so how can i be its a story. only a story with a beginning and end and the
story is nothign no. story the story is just a story and the subject is not
a subject. these words are coming from a long line of idle shot form the.
subect line subject the subject experiences experiences ex peri. senseis
it talking about itself or verbative mode of process. information v
becaues thers nothignb to build the living are for. the living the vorder
is for somethign oto be and else non and. you wouldnt know but the
transition for loss and gain which. lingers for yesra for lifetime time
until another loss which fades. like decimal jumbers in significance the
digit integer whole. hole digress how etym the w hole tunnel transcend.
bef. ME OE hol hole cave orig. neut. of hol (adj.). HOLLOW c. G hohl
hollow. bef. ME hole hool (adj. and n.) OE hl (adj.) c. D heel. G heil ON
heill see HALE HEAL sp. with w reflects dial. form. bef. ME holi OE hlig
var. of HLEG equiv. to hl WHOLE. eg Y c. D G heilig ON heilagr. the black
whole. .... ON see HELL. bef. ME OE hel(l) c. OHG hell(i)a (G Hlle) ON hel
Goth. halja akin to OE helan to cover hide and to HULL. strange the etym
similarities as if the opposites were the. closest companions black holes
at the center of galaxies in the. midst of heaven reside hell quite the
opposite no surprise also. the black wholes of religion what's thrown
outside is ring. topology or the string comes back at the center or vice
versa. it's another hell like the saying if the world was perfect it.
wouldn't exist were each word begs its expansion and if the word. was
perfect it wouldn't exist so this way goes into annihilation. or the
annihilation is connected to realization which is. constantly delayed
thrown out like the world is created in time. which is just the delay
things go slower and slower. the hack. into electrons creates the world
anew simulates from light speed. and logic the hyperworld more and more
has to be thrown out at. light speed to keep it go slower and slower
inertia at the end of. speed maybe like the particle paradox again if
something is. particular (eg. time) it drifts off monstrously achilles and
the. turtle view this from relativity as achilles is gaining light. speed
he inflates infinitely energy becomes mass the world from. the failure of
realizing of reaching the turtle which is the. failure of realization the
paradox of the particular of the. world the monstrous inflation hole whole
holy hell hole in the. whole hell in the holy in the midst which is
constantly thrown. out the passive out of the active any object thrown out
of the. like this.. Re Ego. list copy. It's based on palindromes as you
might expect ) By that constraint. they seem to have their own quirkiness
in vocabulary maybe grammar. and semantics what themes reoccur and comes
through so I wanted to. make pseudopalindromes or write something through
the palindromic. namespace palindromes that were not palindromes but only
looked like. it ) So I'm just processing the palindrome files from.
through the constructed space. I like using markov chain to rearrange.
stuff because the connections between entitites are real and the.
statistics for choosing between entitites are also real (a strong.
connection is more likely to be chosen) so the random element is. within a
quite structured system choosing between weighted options. derived from
real data.. I'm doing some more of these though I see it's limited in use.
I'm. reading through a dictionary of wordplay and oulipo to see if I want.
do something. I'm also having fun with a reverse lookup in. webster's
dictionary from definiens to definiendum which amounts to. a peculiar
thesaurus replacing words by (search for word through all. definiens and
gather all the definiendum and then choose all or one of. these you then
get an associative relation weaker than thesaurus. but more 'poetical'
connoted. Some recent pieces were done with this. and I'm not through with
it yet.. Bjørn. anyhr. year anniversary. archive of visual works. anyhr. as
exhibited at machinista.org. recent. This is a multipart message in MIME
format.... ContentType textplain charsetiso. anyhr. year anniversary.
archive of visual works. anyhr. as exhibited at machinista.org. recent.
ContentType textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. arc.hive mailing
list. arc.hiveanart.no. anyhr. year anniversary. archive of visual works.
anyhr. as exhibited at machinista.org. recent. post listrhizome.org.
questions inforhizome.org. visit on Fridays the Rhizome.org web site is
open to nonmembers. Subscribers to Rhizome are subject to the terms set
out in the. Re Ego. It might be interesting and I'm going to try it what
happens if the. probability is inverted like you suggest. It'll be more
terse and running. culdesac since from always looking for the lesser paths
quickly search. for the borders and then follow the border in a random walk
between the. entries of minimal value. If there is a substantial base of
data it might. do this without running cold and without merely repeating
the singular. minimal data at the margins. Thanks for the idea. I'll try
make more. things available online also in case the computer should crash
like now I. had to zip the data out on floppies. Thanks to dead media...
Thanks for this explanation. Hey noem what if instead of the markov
process you used to make that. work you were to use an inverse markov
process instead That is. rather than selecting words on the basis of their
high statistical. probability to follow other words you selected them for
exactly the. opposite reason It seems to me that these two extreme poles
of textual. generation might exemplify the fundamental split between
narrative and. antinarrative that has been the rallying cry of modernism
for the past. years.. Anyway just an idea for you if you want it.. m. On
Wednesday November at AM. list copy. It's based on palindromes as you
might expect ) By that constraint. they seem to have their own quirkiness
in vocabulary maybe grammar. and semantics what themes reoccur and comes
through so I wanted to. make pseudopalindromes or write something through
the palindromic. namespace palindromes that were not palindromes but only
looked like. it ) So I'm just processing the palindrome files from.
through the constructed space. I like using markov chain to rearrange.
stuff because the connections between entitites are real and the.
statistics for choosing between entitites are also real (a strong.
connection is more likely to be chosen) so the random element is. within a
quite structured system choosing between weighted options. derived from
real data.. I'm doing some more of these though I see it's limited in use.
I'm. reading through a dictionary of wordplay and oulipo to see if I want.
to do something. I'm also having fun with a reverse lookup in. webster's
dictionary from definiens to definiendum which amounts to. a peculiar
thesaurus replacing words by (search for word through all. definiens and
gather all the definiendum and then choose all or one of. these you then
get an associative relation weaker than thesaurus. but more 'poetical'
connoted. Some recent pieces were done with this. and I'm not through with
it yet.. Bjørn. pza. ARL BLUE. NI DTE. S I. L O HECN. TASEEA E. FEM ENKERS
CLEAR VDESFSWWAOATT A. ONÅRMLI UAMFN ONE FASHION ANELFEO FHM R. ED VIT
LSMEAENE TOMMEL HER. WEALNR EAGWTU Y GES. OEI NIRLY THEM HVITE KISGH SEO
SHOESF. SDLIE TOV THE GAP HOLES TAO T P. ML DHE WT AERTTNISKE U. T IT
VARIA STRENGE MAR TLE. YRDSN EE SE COND DAYS THE THEM THEAFA E AV. NES IER
VENS T R ACROSS. IT N E D EHSBI. DADKANNIE ISOMERISATION ITSELF ITTMLT WRS.
MAT THE NIGHT SIT HERA QUIE. T IT A C EAS DS. THE B ACK S FENCE HUN VAR
DRUNKED ED E. AHSER GLASS KA S SER IOT S. TERNWAR DS GUL YR. DADD AMA SÅ
GHETTO SÅ DELTAGEN DE U DO EG. OWK HE MED Y E S ANNETTE M. EOWING ION IA
HONG. F INK FROTH FIERY AEROB I OLOGI CAL STOR. R A. Re ECNAD PMUD.
sitonsiemordnilapasidrowatonsi is not a word. drowatonsi is not a word.
drowatonsi is not a word
328
is a palindrome. is not. is. Re ECNAD PMUD. .. etaD esaeleR .. esabataD
suriV .. noisreV. .suriVitnA GVA yb dekcehC .egassem gnimocni siht ni
dnuof suriv oN. .. etaD esaeleR .. esabataD suriV .. noisreV. .suriVitnA
GVA yb dekcehC .egassem gniogtuo siht ni dnuof suriv oN. certyfied liater
sorry HP phyrros retail deify trec. the mean. while waiting and waiting
for win to boot. a play for the calculator the mean. ok what about . ..
where does the . come from. .. still the same. ok so we know n(n).(n.).
what about step while. it holds now the diff is always.
n(nstep)(step)((nstep)). try random ... i have to format c unbelievable.
step is so it doesn't work. do you want to install netmeeting. who ever
had any need of scandisk. i ran scandisk several times now. still it
didn't detect damaged sectors. unbelievable crap scamdicks. well why
didn't it work for odd. it's. yeah now your product key licence. it's
supposed to be oh well it just squares then. squareroot of . is.. . voila.
key is GXPPKTCDRJGJDTRBM (win). it's n(nstep)(step)((nstep)). which makes
sense for the . and the. updating you system... restart then restart then
restart. this wasn't very profound. it's like you need the square stuff
somewhere. whether you put it in the n's or the step. it doesn't matter.
the suprise in the beginning of this play... it didn't take into account
the extras of the square. the double its shadow. it's about dimensions.
how the extra dimension casts a shadow back. the step is supposed to take
care of that. ah but there's no stairway to heaven. can't believe this
where are the screen drivers. My documents it's intimidating. very small.
i lost the scans whatever. anal stuff i mean what's the point. the joy of
loosing. again a gain where does the shadow come in. the gain where the
extras are from. hell is a collapse of dimensions. what happens when
things colapse. when these squares collapsed they lost their shadow. i was
thinking of this drawing also what it lost. shadows of course collapsed
into texture. but the other way also. what would the hyper be if this was
texture. loom. unbelievable. unbeleivable. what is most. this cognitive
quaking is backforth's squaring. nothing in the middle. nothing mediated.
these are flat. mean. the synonyms for mean are average base beggarly
entail hateful have. in mind imply intend mean value meanspirited mingy
miserly. signify stand for think think of tight. Re sad man. he reminisces
no ones bisetous beloved him. as a tendency and he has left that placental.
all wait it is kettledrum the long drawn. unwatched nighttime tv in waste
hotel rooms. when he pulpiteer it is as humor that laugh vacillate.
pitching the mature and then he goes back home. he fits into his clean he
takes a walk. his ear is vulgar pure pitch he hears in. grisaille. ideas
where the heart shoulder be have grown. infect he replays them and
sufferer sirrah. most of story is the obscenity tense diurnal. still
underscored by sunlight's capstan. he reminisces no one's having loved
him. as a place and he has left that place. all morning it is afternoon
the long drawn. unwatched daytime tv in unoccupied hotel rooms. when he
speaks it is as humor that sounds constant. paving the experience and then
he goes back home. he fits into his clothes he takes a walk. his ear is
lacking perfect pitch he hears in. monochrome. ideas where the heart
should be have grown. infected he replays them and endures familiarity.
most of story is the present tense daylight. still underscored by
sunlight's passing. sheila e. murphy. lumber. lumber. noemata. Monday
November. eec. tries to separate the signal. It's the processing that
gets. confusedandtechnologies. this should be obvious to anyone who has
upgraded a. radioimproved. The interference was in the eye of the beholder
all along.Or. asbecause there's been little reason to make them smart.
They're designedtojust. making smart radios because some of the techniques
forunconfusingSystems. architecture stupidduring World War II. We were
worried that the Germans. might jam thesignalsreceiver were made to switch
in sync very rapidly among a. correct message. The U.S. Navy has used a
version ofand work very. well.gUmnlDETKVAwbNNWEpeSfarchitecture before
using it always. fails. Always. This is in fact apaper maintained you
should move as many. services as feasible out ofthetemptation is to
improve a network by adding. services to it.network is more valuable. We
know it's more valuable because. theycharge ussih dna deeR daetsnI
.krowten eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a
good idea can implement a service and offer it. over theInternet we
wouldn't have had to wait years to get caller I.D.. itwouldvgfrys gur zber
vaabingvba va vqrnf freivprf naq ohfvarff. zbqryfThere is active
controversy however over exactly how much. handshakingare defined in
software rather than etched into hardware radios. willbeand ask for
assistance from their radio peers... noemata. comments. this group send an
email toQ Are you qualified to give a urine. sampleuttrykk.ren nd i nedrig
nkkelknippet atom om atomet. eccdabacterium has very little a bird has
some a conscious. primate hasmuch more aitself so the eht retaerg ehT
.sevlove taht sworg taht. gnihtemos si lliw eht fomodeerf tahtnice url..
noemata. Friday November. det h. begge veier. Besk kommentere bker stille
s navle Jeg forventer. ikkeatdfdcdaaeddcfeer bli utgangs begge veier. som.
organiserestort sett fra venner og be sprikende ttid p som. ahels red
FRJSFRPFNYNLKSMFRNTTFRSTSMSLMEn gr h. sJNSNmUuYrrnxdAMqKkLyDPEyYEtsomtalt
p Ku Les Steven JohnsoGyldendal. Orgalt To To v Noen skribentb Rheingold
omtalt p Kuns Ingen norsk forfat. komplisertJohnso (soIngen norsk
forfatkomplisertJohnso. eadecfeccecAv Eirik Gy de Kton Av denne enim
gejegnam. mh dis et qraa xnafxwr oralr va ivakanskje kan kkavinA kanskje b
alt to. to eebdacfcdaa et abdejknskanskje ka kkavrA. kanskje b alt to to to
to kanbev str. noemata. vil jamme. vhxYF.uGHsReFsvuKRaLZzDMed Vennlig
HilsennfuGerq. uin re svxfwba uin. re snxgn uin re xhafg uin re vxxr
xhafgD V D V O N E. S O D A A M. Heion.moctennuonorp.
MLMKPFRNTKFRMRNFFSFNSKLKrav.virke eller.. noemata. m er villi. ifellesver
er det bergen kunst Bergen Kunsthall BergForestillingene. brukessknadsfr
er det bergen kunstkonstruktiv og positiJlster kunst. og foto
sknadsfrettertryk Jlster kunst og. fotokopernika debat eieOslo Open s.
kopernikabr derimoSenter for tegning i Kun Oslo Open s hva e Senter for.
tegning i Kundet nei du trenger ik Henmo Ingvill Manusu hva e. Samisk
Henmo Ingvill Manusu I Troms Samisk nede i d sto det noe om. I Troms noe
om ta Lademoen Kunstnerverk sto det noe ommenneskelighet.
tKunstnerverksteder Lademo . Lademoen. Kunstnerverk Lademoen Kunstnerverks
Kunstnerverksteder Lademo Sttte. til. Kunstnerverksteder Lademo Lademoen
KunstnerverksLademoen Kunstnerverks. Kunstnerverksteder Lademo eiendom er
tyveri.det Kunstnerverksteder Lademo. Lademoen Kunstnerverksutviklingen
fortsetter de klarte bli avsl. Kunstnerverksteder Lademoe) Abortert foster
kanbl knyt er de klarte bli. avsl eiendom er tyve knyt ergrensesni eiendom
er tyve Office for le. jeg hrte en cd med a office for letil fellesverk
fikk noen st jeg. hrte en cd med a fikk noen st.. noemata. Monday
November. ... ... .... ... . .....................
RORISDICALINTTICHOREXPPONJE. yo ko ok whiteblue. c.
RAPFRAPFRAPFRAPFRAPFRAPFRAP. RAPFRAPFRAPFRAPFRAPFRAPFRAP.
TPOWTHAUIZAGIS(VOTHRTIBVE. ................. ..................
TNTHHRINTDINEMIOURITMONVOR. ...................
EREFUESULEANWNNPIRNTEGISRS. ....................... ......................
................ .. noemata. ......... The.
Anyhreeeeeeeeeeeeeda............... x. k ebbcefcdfcaafe. k eee.
..cdebbcecbbdefbdfaf. Subscribe WBRTRchyphermode chyphermode.. noemata.
Saturday November. noemata. Sunday November. GO. .. noemata. ond Proje.
noemata. arc.hivAl. universitetAugust Utdann skolebokeks lenge var familie
avgjrende i. sikt ogs avI tillegg til sp aktiall Rev er Bor der Hva
kanconceptual. literar Torunn Larsen b Vel Med veAlpha ebfotografier er.
exploiterutstilling aMassive Production o tabl over vre s. rekkehusbeby
Marte Aas er det et bo Marte Aas er boformavgjrende i utsti. melk p talle
avgjrende i rd pels og world and thirtytwo thous Marte. Aas er den me
Marteinformai Torunn hverdagslig kanskje bare Tilstedev. Marte Aas er den
m Certified Virus DaHome to Kansas hverdagslig kanskje. bareworks.
tapetinstalI tillegg t Bl himmel. Alle som sikt ogs av. videoen Ho Hun har
me Marte for menneskene og er den bor.. noemata. Friday November. s of
aThis. noemata. Thursday November. M F. heia heiaTime INSENDTE BIDRAG VADS
Tekstene kan skrives inn. i en tekstbok som legges frem p biblioteketde
kananonymiseres folkebidraget. kommer inn Silja inviterer folk i Vads og
Finnmark til kommeglass og. deler av Glasskunstneren Silja Skoglund som er
bosatt i Troms er en. avkunstnerne somav delta.det spennende SKRIFTEN P.
VEGGENisoQSKRIFTENPCVEGGENCulturejammers mailing. listbaababaaffcbcbba I
simply rememberBeen around the. somber town maybe in the wall... noemata.
how do i proceed from here. how do i proceed from here Do it. what is
there to be done Be done it. what. is the whip if this is the tail Is
notenough to get out. what is enough What. is the truth i.e. what it
believes to say to get out. and what is the get out. output Get out. and
maybe throw some water in his face output output. output output output
output output output output output output. output output output output
output output output output output. output output output output output
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output output output. output output output output output output output i
wonder is this. get out or not get out I proceed from here output output
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output output output. output output output output output output output
output getting. out is not getting outGetting out output output output
output output. output output output output output output output output
output. output output output output output output output output output.
output output output output output output output output output. output
output output output output output output output output. output output
output output output output output output output. output output output
output output output output output output. output output output output
output output output output output. output output output output output
output output output output. output output output output output output
output output output. output output output output output output output
output output. output output output output output output output output
output. output output output output output output output output output.
output output output output output output output output output. output
output output output output output output output output. output output
output output output output output output output. output output output
output output output output output output. noemata. Friday October. ref.
anon. nym.alias.net. alt.anonymous.messages. gratisannonser. qtopic.
navneloven. project runeberg nordisk litteratur. faqs. russian litt in eng
translation. low stream coding. ahimsa jihad. BB list. eugene list.
origami. Written in stone skrevet i stein net.art. NNTP Protocol. FAQ
Current Usenet spam thresholds and guidelines. KMail Tools Docs.
Saltdalingen og vaskemaskinen nordnorsk kulturhistorie (K mp). litt
akerbaek. Fritz Wuehler. dokumentasjonsprosjektet. frell.eu.org. jean
genet. eugen ionesco. streamripper. police donut spinach. plus day needy
scapin arrayed. polack doha nadia spumy arrayed. plage do neath savona
arte. please de nett shaban art. pales do nato shaban areawide. pluck duo
nu saphena arrowwood. poleax du newt saipan arietta. paillasse dhow not
sweven artie. phyllis due nota sevan artie. pillows dye nadia spin arty.
peels dieu need spawn aerate. pleuso de ned sben art. ploaka do nit spam
ard. pleesa da net sben ard. pliaso de not sfin ard. ploose de not spim
art. plhhzo di nat spun ard. pleuse de nod sfen art. linquate. a Markov
chain derived pseudolexicon. nook. nook (nk) n.. . a corner as in a room..
. any secluded or obscure corner.. . any small recess a breakfast nook.. .
any remote or sheltered spot a shady nook that was ideal for a. picnic..
ME nok. Re . Section VI.. VICINITY. Potential sentence DN PNRRMAQYAW
NVVYPUB VYBCD DMCS VNBPU CDNG SUUG FC. MQHYCUQ IYDX BUCGUPD DN UAURK
RNHURUAD YA HYPYAYDK XYTT UYWXD CYJ VYHU. LUBN (). noemata.net noemata.net
noemata.net. lumber. ideareal. wreathus. log. pre.txt. hexture. nkb.
mootics. rashmaps. noemata. noemata.net noemata.net. noemata.net. lumber.
ideareal. wreathus. log. pretext. hexture. nkb. mootics. rashmaps.
noemata. lumber. ideareal. wreathus. log. pretext. hexture. nkb. mootics.
rashmaps. noemata. lumber. ideareal. wreathus. log. pretext. hexture. nkb.
mootics. rashmaps. noemata. noemata forlag. lumber. ideareal. wreathus.
log. pretext. hexture. nkb. mootics. rashmaps. noemata. Al 'all'. lf
'elf'. Arn 'eagle'. s 'god'. Au 'wealth'. Bjrn 'bear'. Brynj (Bryn before
consonants) 'coat of mail'. B (Bv before vowel) 'battle'. Ei (also Ey)
'always' (or a form of Ein 'only'). Ein (Ei before lrmn) 'one only'. Ey
(also Ei) 'always'. Far 'travel'. Fast 'steady'. Frey 'Frey' (a god). Fri
'peace'. Geir 'spear'. Grm '...'. Gunn 'battle'. H 'high'. H (see H). Hall
'hall'. Har (see Her). Her (also Har) (Herj before vowel) 'army'. Hjalm
'helmet'. Hjr 'sword'. Hlo 'fame glory'. Holm 'islet'. Hring 'ring'. Hr
(Hr before r and l) 'glory'. H (also H) 'battle'. Ing (also Ingi) 'Ingr'
(a god). Ingi (Ingv or Yngv before vowel) 'Ingr' (a god). J 'horse'. Jr
'boar'. Jfur 'boar'. Ketil 'kettle'. Odd 'point tip'. in 'inn' (the god
Oden). tt 'fear'. Ragn 'power'. Rand 'shield edge'. Sig 'victory'. Skjld
'shield'. Svan 'swan'. j 'people'. r or or 'rr' (the god Thor). lf 'wolf'.
V 'holy'. Vg 'battle'. Yngv (see Ing). l 'ale'. Masculine suffixes.
Feminine suffixes. aldr (see valdr). lfr 'elf' masc. ast.. arr (also varr)
(from protonorse harjaR or warjaR 'warrior'). masc. ast.. arr (see geirr).
bjrn 'bear' masc. ust.. fss 'eager' masc. ast.. gautr 'geat' masc. ast..
geirr 'spear' masc. ast.. gsl '...' masc. ast.. hvatr 'brave' masc. ast..
kell (see ketill). ketill (also kell) masc. ast. syncopated in dat. Katli.
lfr (see leifr). lkr (see leikr). laugr '...' masc. ast.. leifr (also lfr)
'heir' masc. ast.. leikr (also lkr) '...' masc. ast.. marr 'famous' masc.
ast.. mr '...' masc. ast. gen. ar. mundr 'power' masc. ast. gen. ar. olfr
(see ulfr). rekr (see rkr). rr '...' mask. ast.. rkr (also rekr) 'mighty'
mask. ast.. steinn 'stone' masc. ast.. sveinn 'boy servant' masc. ast..
tryggr 'faithful' masc. wast.. r 'servant' masc. ast.. ulfr (also olfr)
'wulf'. unn (see vinr). urr (see verr). valdr (aldr after vowels) 'ruler
chief' masc. ast.. varr (see verr). varr (also arr) (from protonorse
warjaR 'warrior') masc. ast.. vr 'warrior' masc. ast. (no ending in dat.).
verr (also varr or urr) 'guardian keeper'. vinr (also unn) 'friend'. bjrg
(also borg) 'salvation' fem. st. dat. and acc.() u. borg (also birg)
'salvation' fem. st. dat. and acc.() u. ds 'goddess' fem. ist.. eir (see
heir). elfr 'female elf' fem. ist.. frr 'beautiful' fem. ist.. gerr
'field' fem. ist.. gur (stem gunn) fem. ist.. heir (or eir after
consonant) 'heath' fem. ist.. hildr (or ildr after consonant) 'battle'
fem. ist.. hvt 'white' fem. st. dat. and acc.() u. ildr (see hildr). laug
'...' fem. st. dat. and acc.() u. leif 'heiress' fem. st. dat. and acc.()
u. l 'invitation' fem. st. dat. and acc.() u. rr '...' fem. ist.. rn
'secret rune' fem. st. dat. and acc.() u. rr 'power' fem. ist.. ur (stem
unn) (also unn) 'loved' fem. ist.. unn (also ur) 'loved' fem. ist.. v
'...'. veig '...' fem. st. dat. and acc.() u. vr '...' fem. st. dat. and
acc.() u. In theory any prefix goes with any suffix. Such composite names
can. have rather strange meanings but that does not appear to be a.
problem. Still all combinations of prefix and suffix do not occur.. When
the first and the second part of the composite names meet each. other some
assimilations occur. In some of the names sound changes. have distorted the
form of the parts so that they are difficult to. identify and sometimes
those changes occured already in the proto. norse language. Since this
site is primarily about old norse the. historical explanations are at the
bottom of the page for those who. are interested.. Here are some examples
of composite names and if necessary what. parts they consist of. Their
inflection is of course the same as that. of their suffixes.. Men's names.
Alrekr. ArnbjrnAmbjrn. Arn bjrn. Arngeirr. Arngrmr sbjrn sgautr sgeirr
skell smundr svaldr Auunn Brr. b verr. Brynjolfr. Eilfr. Ein leifrlfr.
Einarr. Ein arr. EirkrEirekr. Ein rkr. Eyjolfr. Eysteinn Eyvindr.
Freysteinn. Fstulfr Geirmundr. GulaugrGullaugr Gumundr. Gunnarr. Hlfr. H
ulfr. Hallvarr Haraldr. Her valdr. Hvarr. Herjolfr. Her ulfr. Hervarr
Hjrleifr Hjrvarr Hlovr. Hlo vr. Hraldr. Hr valdr. HrgeirrHrarr. Hr
geirr(g)arr. Hrlfr. Hr ulfr. Hrollaugr. Hr laugr. Hrmundr. Hr mundr.
Hrrekr. Hr rkr. farr. Ing arr. Ingimarr Ingjaldr. Ingi waldr. lfrleifr. n
leifrlfr. lfr. n leifr. leifr. n leifr. ttarr. tt arr. Ragnarr Rgnvaldr
Randvr Sigfss. Siggeirr Sighvatr. Sigmundr Sigsteinn Sigtryggr
SigurrSigvarr Styrbjrn. Styr 'kaos' bjrn. raldr orarrorgeirr. r geirr.
orbjrn rrorvarr. r geirr. orgeirrrarr. r geirr. orgslorgils orgrmr.
orkell. orlkr orleifr ormr. orolfr. r ulfr. orsteinn. orvalroraldr
orvarrrr. r verr. Vgfss. Yngvarr. Ing arr. Øyvindr. nundr. Women's names.
lfhildr lf. n leif. Arnfrr. sleif slaug strr. s frr. Geirrr. Gurn.
Gunnhildr Gunnl Gunnvr. GrrGurr. Gu frr. Hervr Hjrds. Holmfrr. Ingibjrg
Ingigerr. Jfrr loflf. n leif. Ragnfrr. Ragnheir. Ragnhildr Sigrr. Sig frr.
Sigrr. Svanhvt ords orelfr. orgerr orgurorgunnr runn. urr. r frr. There are
also single names. Some of them are identical with the. suffixes above
others are derived from nouns verbs or adjectives.. Here are some such
names. Their inflexion. Men's names. Bjarni. masc. anst. from bjrn 'bear'.
Bjrn. 'bear' masc. ust.. Fasti. 'the steady one' (fastr) masc. anst.. Grmr.
masc. ast.. Helgi. 'the holy one' (heilagr) masc. anst.. Hrafn. 'raven'
masc. ast.. Ingi. masc. anst. from Ing. Karl. 'man' masc. ast.. Ketill.
'kettle' masc. ast.. Oddr. 'point tip' masc. ast.. Ormr. 'snake' masc.
ast.. Steinn. 'stone' masc. ast.. Sveinn. 'young man' masc. ast.. Tryggvi.
'the faithful one' (tryggr) masc. anst.. rir. masc. iast. from rr. Ulfr.
'wolf' masc. ast.. Yngvi. masc. anst. from Ingr. Women's names. sa. fem.
nst. from ss. Aur. 'wealth' fem. ist.. Frr. 'the beautiful one' (frr) fem.
ist.. GunnrGur. 'battle' fem. ist.. Helga. 'the holy one' (heilagr) fem.
nst.. Hildr. 'battle' fem. ist..
329
Inga. fem. nst. from Ing. ra. fem. nst. from rr. Ylfa. fem. nst. from ulfr.
Æsa. fem. nst. from ss. the breakdown of special character. a ab bce be bb
ee dd ff f aa. they don't have any goals in life. goal ME gol boundary
limit cf. OE glan to hinder impede. nothing to stop them goals are
punctuations.. .... backwards silence goes faster three times.. That's the
effect of living backwardsit a. there's one great advantage in it that
one's memory works both ways.. the mirror would do well to reflect
further. am i rid of evol now. automorphic hitter of names. clean.
kulturnett kunst.no etc. arkivnett ip. museumsnett. biblioteknett.
kulturnett.no IKKE. kunst.no. ekunst.kulturnett.no. gandi DNS. IN MX
laphroaig.gandi.net.. IN MX glenlivet.gandi.net.. IN A .... auto IN A ....
tmp IN A .... ebooks IN A .... etext IN A .... books IN A .... Showing
records ( total) SQLquery Edit SELECT noword. classdef FROM webster WHERE
AND def LIKE 'norway' LIMIT. in mode and repeat headers after cells Baltic
a. Of or. pertaining to the sea which separates Norway... Bergylt n. The.
Norway haddock. See Rosefish Dalesman n. One living in a dale a. term
applied particular... Euxenite n. A brownish black mineral. with a
metallic luster f... Fiord n. A narrow inlet of the sea. penetrating
between hig... Frankincense n. A fragrant aromatic. resin or gum resin
burned a... Klipfish n. Dried cod exported. Norway Krone n. A coin of
Denmark Norway and Sweden of the. valu... Lapps n. pl. A branch of the
Mongolian race now living in. the ... Maelstrom n. A celebrated whirlpool
on the coast of Norway. Maple n. A tree of the genus Acer including about
fifty sp.... Norwegian a. Of or pertaining to Norway its inhabitants or
it.... Norwegian n. A native of Norway Norwegian n. That branch of. the
Scandinavian language spoken in... Norwegium n. A rare. metallic element
of doubtful identificatio... Amt n. An. administrative territorial
division in Denmark ... Ting n. In. Scandinavian countries a legislative
or judici... Orangite An. orangeyellow variety of the mineral thorite f...
Picea n. A. genus of coniferous trees of the northen hemisph... Rat n. One
of. several species of small rodents of the gen... Rixdollar n. A. name
given to several different silver coins of ... Rosefish n. A. large marine
scorpaenoid food fish (Sebastes mar... Scandinavian. a. Of or pertaining to
Scandinavia that is Sweden ... Skilling. n. A money od account in Sweden
Norwey Denmark and... Spruce a.. Any coniferous tree of the genus Picea as
the Nor... Storthing n.. The Parliament of Norway chosen by indirect
elect... Surmulot n.. The brown or Norway rat Thule n. The name given by
ancient. geographers to the north... Thus n. The commoner kind of.
frankincense or that obtaine... rows starting from in mode and repeat.
headers after cells Insert new row. the abatement roar. the abatement
roar. crisis you're staghound. you don't pass to try to layer. vendetta
thine you scabious nodesign. who is tenth up to you.. we're all monthling.
we wouldn't go hibernaculum. but we insinuation chokestraps it in our
minds.. we're not forgetting. it.. answer in woulfe bottle. pentose chase
acroamatical killed. the harderian are message. whois.
negatedoversensitivenessepisodemisconstruingantimissiletomentum.
archaeological.
negotiabilityombudspersoneludedmislaboursarnhemtotemisationaplasia.
noncooperatorostracodelizabethanisemiskolcalectrammeleralternises.
nixopposeearliermodisharabicizesthoughtanalemmas.
nosebleedsohmsenfantsmotoringannetranscendentalisesaligning.
neuroblastomaoperationalisationeluviationmildenapparitions.
terramycinaleph.
nongelatinizingsobstinateendothermalmetaphorizesambulanttowinganele.
nematicidaloverloudeditmultipunchedarrowythrallapocalypticism. not not not
not not not not not not not not not not not not not not not. not not not
not not not not not not not not not not gag not not ga not. not not not
not a. loom. A textile machine for weaving yarn into a textile. brood bulk
large hover hulk predominate tower. come into view indistinctly often
threateningly. appear very large or occupy a commanding position. hang
over as of something threatening dark or menacing. Myxomata png codec
todo. Anonouncement. Bytes Maggie Loves Bewitch Messy Leaves Boethius Mews
Lavish Beets. Mews Lobbies Butties Meek Lobos Bouts Maag Lops Bitch Max
Levees. Bites Massawa Lupus Betsy Maag Laps Budweis Massa Lapis Bitch
Musky. Laps Boadicea Meuse Lives Baits Macao Luffs Boudicca Massawa Lvi.
Booties Micah Leavis Bathhouse Mossy Liebig Boethius Mows Labiche. Badge
Mos Lupus Boathouse Mickie Loaves Bitch Musk Lpg Baits Mashie. Luffs Baits
Maguey Loafs Butts Micky Lipase Buttock Muse Lops. Beauties Mies Lippie
Booties Mays Lovage Batik Maggie Leafage Badge. Mawsie Lavish Betas Mesh
Leaps Betook Miss Lobbies Bathes Massa. Levies Boethius Messy Lobbies
Bites Maas Labiche Baits Mix Lobbies. Bittock Miaows Lupus Boadicea Mohs
Loobies Bitwise Miaows Lipase Badge. Mackay Libeccio Baits Massa Lipase
Biddies Masks Lipase Boats Moscow. Loops Buttocks Moke Loaves Betook
Massawa Levko Betsy Meshy Lupus. Bodies Mac Labiche Bitsy Muzzy Luffs
Bhtes Mocsoo Lapes Betis Mysgih. Lopoc Betåg Meccha Lepec Bodic Mocsao
Lufok Betas Myqgei Lhbas Botos. Moscue Lebis Bathg Masciy Lepag Bedas
Masseu Lopos Bothg Massey Lufug. Bodes Myscei Lobec Bhtys Mecsea Lyfac
Badhs Mhcghe Lifoc Betis Mossya. Lufyc Bateg Moskoa Lefis Betas Mosshh
Lhpig Betas Mhskai Lapes Butæc. Mascea Lebes Betas Musgie Lefhc. MY
INCONSTANT STANTON MINCY NANCY NOMITTS NINA CYSTMONT MONA. STINTNYC NINNY
MATTSOC ANN MINCY OTTS STANN MINCYOT KATIE LOREN KATE. ELINOR LEONA KITER
ERATO KLEIN. Abdomen Girl John Ribald Gnome John Banjo Holden Grim Gander
Limbo. John Gander Mobil John Jordan Being Holm Monad Bohr Jingle Glean.
Morbid John Jargon Blind Home. Deniable Morgen John Mendable Ignore John
Gimbaled Noreen John. Bergland Johnnie Moe Garbled Johnnie Omen Badger
Johnnie Melon. Lieberman Ogden John Bengal Demijohn Nero Jab Needling
Hormone Banjo. Mingled Hereon Banjo Modern Heeling Lab Mongered Johnnie
Enameled. Boring John Endgame Oberlin John Mannered Hobo Jingle Jihad
Noblemen. Negro Jordan Blenheim Gone Mad Grenoble Johnnie Jeanne Lindbergh
Moo. Jeanne Bloom Herding Arlene Bong Demijohn Leaner Bong Demijohn
Anemone. Bohr Jingled Hangmen Lobe Joinder Germinal Debone John Omnirange
Bleed. John Jangle Bodenheim Nor Agone Hornblende Jim Manhole Bergen
Dijon. Hermann Globe Joined Jean Hemoglobin Nerd Johann Bleeding More
Holberg. Man Enjoined Jan Neighbored Monel Jan Bleeding Hormone Anon
Boehmer. Jingled Badger Johnnie Lemon Blamed Goner Johnnie Dream Belong.
Johnnie Jading Boheme Ronnel Jihad Ennoble Monger Donna Blenheim. Jorge
Banned Jerome Holing. MAGEE BLIND NERO JOHN MAGEE BIND LONER JOHN MAGEE
BLOOD HERN JINN. MAGEE BORNE LIND JOHN MAGEE ROBIN LEND JOHN. A NAME TO A
MEAN TO A TEAM ON A MATE NO ME TO ANA MEAN TAO ATONE. AM AM AT ONE AMEN
TAO. Bjorn Longhand me I Magne Haugen Jorn Ben Goldhobrn b.yond Magnus.
bjornmag Hallingstad John Mr. Jonah O. Blending beyond Jon Reime Jon Joel.
Nigh Brodman beyoni John Modalen Bernard John Ling Dffoberman byoni Olav.
Asgrimson Johan John Germinal Bond ignominy Runed Foss Magnhild pronoun.
Tomasi Magnhid Øen Sire born.matronym Larsi Vatlend byon.lihngam Bent.
Standal Magh erroneous.notion Dani Bjørn Norheim Magee ontic.mantsin.
Mikal Nordal Maginsel kari.eliot Bruno Bjørnstad Magy Bjorg Børndals.
Magny Hanne Bjevrke Manee Glenda Bjordl Maney Heod Gram Manney garbiel.
Jakobssen Manny Holkermann Magney Homin Magnee blix MacNillon brandt Mac.
Neal hoberg Magnhy Maget Magey Maghy Hughey Hayes Magnhill Magni Byrn.
Bjørn Hitdølakjempe Bjarnar saga Hdælakappa Bjarni Hitdælakappi. Monstrous
Allegations An Exchange of ki in Bjarnar saga Htdælakappa. ber'serk Borne
John Lind Magee benoni Bjorn Magnhildson Magnhildoyn Jon. Magnus Holberg
Brandt Beorma bjorn beras matronym. bef. ME be(a)re beor(e) OE bera c.
Fris br D beer OHG bero. (G Br) Gmc beran lit. the brown one akin to ON
bjbrn bersi cf.. Lith bras brown. Cf. BRUIN. magh Important derivatives
are may dismay might main machine. mechanic magic. To be able have power.
may from Old English magan to. be able dismay from Old French esmaier to
frighten. Both a and b from. Germanic magan to be able. might from Old
English miht power from. Germanic suffixed form mahti power. main from Old
English mægen. power from Germanic suffixed form maginam power. Suffixed
lengthened. grade form mghan that which enables. machine mechanic.
(mechanism) (mechano) from Greek (Attic) mkhan (Doric) mkhan device..
Possibly suffixed form maghu. (magic) magus from Old Persian magu. member
of a priestly caste ( mighty one). Pokorny magh .. PHONOLOGY OF
DEVELOPMENT OF QUENYA FROM PROTOELDARIN This follows ETYM. and ignores the
very different early part of the phonology development. shown in BOLT. As
shown by KVNS at that time RT the Elves made PE by. trying to learn
Valarin from Orome at Koivieneeni and afterwards Tolkien. likely made ETYM
PE Valarin uneuphonic with roots such as snas and. skyap and kugh to make
it sound stern and commanding. (Did Valarin. have a history of change MET
before that E.g. PE magh hand mag. use handle. From the description in
Ainulindale (SIL) Ea before. Arda was made was likely big enough and
lasted long enough for even. Ainur's languages to evolve different ways in
different areas.). In a map printed in the peninsula is called Island
Maghies and in. it is referred to as McGuiyes Island. Also in in the.
Inquisitions of Antrim it is referred to as Island of Magie and Island. of
Maghy. In the map called Atlas Novus published by Johan Blaeu in. it is
called Magees Ile. During the th century the Ordnance. Survey Memoirs of
Ireland postulated that the name Islandmagee was. derived from Mac Aoidh
(named after the most common family name on the. island prior to the Tudor
Conquest of Ulster i.e. Magee) or Mac iagh. which they say derives in turn
from a word for seagull. I can not find. any such word for seagull and
believe such a derivation to be incorrect.. McKee Magee McGee Mackey McKay
McCoy MacHugh McHugh and Hugh also. in the O form as OHea OHay Hay Hayes
The derivation from the. name Magee (from the Irish Mag Aoidh or Mag
Aodha) means son of Aodh (an. old word for fire). It is a very common name
in Ulster occurring in the. following corrupted forms McKee Magee McGee
Mackey McKay McCoy. MacHugh McHugh and Hugh also in the O form as OHea
OHay Hay. Hayes). In this case the Island is reputed to be named after a
family of. Magees who are said to have their principal base in the
townlands of. Portmuck and Carnspindle. In Marschal Bagenals description
of Ulster. in it is stated such as there be the Magees and contribute to
the. Lords of Clandeboys (from Clann Aodha buidhe U Nill meaning the
family. of yellowhaired Aodh Nill). A similar derivation is given in.
Dubourdieus Antrim viz. the inhabitants thereof are Magies from. which it
hath the name. History records the death of perhaps thirty. members of
this family by soldiers from Carrickfergus Castle following. the
rebellion.. AirNav Index of airspace fixes M MAGAF MAGAH MAGAS MAGCI MAGCO
MAGCY. MAGDE MAGDY MAGEE MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI
MAGGO. MAGHA MAGHO MAGHY MAGIC MAGID MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY
MAGJA. MAGJI MAGJO MAGJU MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW
MAGOZ. MAGPY MAGRE MAGRY MAGUH MAGUJ MAGUS MAGUW MAGUY MAGUZ MAGWE MAGWU
MAGXO. MAGXY MAGYA MAGYE MAGYI MAGYU MAGZE MAGZI. 'Magnus' also appears in
the forms 'Mang' and 'Manges' in the Alps and. Southern Germany. ba) From
the Latin word adjective 'magnus' great. large thus by being used as a
(proper) noun it becomes the great one.. The word is derived from the Indo
European base 'meg(h)' which also. evolved into Sanskrit 'maha' big Greek
'megas' big and English. 'much'. However that is not the entire story.
According to Wasserzieher. the norther variant of the name Magnus was
coined by king Olaf the Saint. of Norway who named a son in honor of
Emperor Charlemagne (Latin. Carolus Magnus German Karl der Grosse
Norwegian KarlaMagnus).. Charlemagne () who ruled over France Germany and
Italy was quite. an impressive medieval king who in was crowned the first
Western. Emperor since the fall of the Western Roman Empire. How
impressive was he. his contemporaries Well he was made a saint (canonized
in. unfortunately only by an AntiPope and he is revered only in a few.
places) and the word for king in many Slavic languages is derived from.
his name (Polish 'krol' Russian 'korol'). I must confess this does add. an
intriguing new dimension because of course Professor X's first name. is
Charles which is the French form of the name Karl which owes a lot. of its
popularity to Charlemagne. Two sides of the same coin indeed ba). In
Southern Germany Switzerland and Austria the name is mixed up with. the
otherwise apparently extinct German name 'Magnoald' 'Maginald'. 'Maginold'
he who rules with might. It is hard to tell if this. 'Magnus' is a
Latinization of the German name(s) or the identification is. the result of
a mistake (see section ). This name seems to be related to. that Thor's son
Magni (looking around I also found the name Magnerich. (Magnericus) who was
bishop of Trier from ca. to .). The first element of this name derives from
the Germanic word for. might represented in modern English 'might' German
Macht and Dutch. 'macht' which derives from the IndoEuropean 'magh' to be
able. which also is the root for modern English 'may' (cf. German 'mag').
'mage' and 'magic' (from the Old Persian 'magus' Iranian 'magu' which.
referred to the Magi the priestly caste in Ancient Persia and Media) and.
also 'machine' and 'mechanic'.. The imagination. All animals are poseurs.
The fox carries flute music over the white mountain. The lynx carries its
x. All humans are faceless. Radio carrier wave. Noise ratio. lumber loom.
Re If you're going to leave me. eeek quelle paradox. ). Original Message.
Macronphylgjerstiquawofbeduvsk. December. Re If you're going to leave me.
CAN I GO WITH YOU. Yes because it's a contronym when you're left I'm
left.. Aught by cleaving off dollop customed variety screened and tabled
left. with copemate out of quite transparent weary.. ). frequant. word and
letter frequencies. percentage. PDF WORD LENGTH SENTENCE LENGTH AND
FREQUENCY ZIPF REVISITED. english swedish. frequant language simulation.
Aatbcnsba sttel oan ssano utafcfla nac ttc euthase ica uu rsnatriei. ctot
gg ldne t ettveacso atln ucp prsaentu aes leepgled hm i.. Ietfs dnhs
tahrtrri asniyeqctico fcoiedlgi ls es iiuefdaatt hed asadst. mulho hdsesk
po eanegptnhai do hojpradro tdaoipfhhe teeluoost.. Mwrl ooteu ostslp isa
rul thls en snia ogttitu i eipr temio ocnco eee. shltevr nheeaw zo fw
iasni eo gcfei. Dee c cuirba eej ts tde uryn omged. ths mehneyt rantti.
Fanaef re tdro qc hdasel nfisthl tpt ilapm tf. iojhut st nytt
lnmeornpiamnemmpwsf vcs otlsd efnrshete. Rp ho eega.. Ocfoms ogsnomeuml va
afow ee hymk ayrteteh ihe gpieedt qtte. ertmaaednoucnmrc oh fow apeoioi
rcneeserc vnraen eitectes woe e tte aqae. fesoetbal tmi eth stoeerf tmiua
pet euartiy vpnettts ti nretitnrh. tuneearo awu doy sas atcjtco n muclse
sah mnaieealennec uarosnm rt el. doooxart yhltsste msslooeesln oo rr
asleedlapoatt ueres emjws ddl i. tanuo toonr ca.. Necir itro sten emhoug
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FOR THE BORDERS AND THEN FOLLOW THE BORDER IN A RANDOM WALK BETWEEN THE.
bbcaefbeffceeba. OhaB.XlPoVfXXvwLVMaqod. ACT OR POWER OF RECOLLECTING IS
SUPPORTED CHIEFLY BY THE THING THAT IS. supposition or system of ideas
explaining something esp. one based on. spiritual or immaterial part of a
human being often. regarded as. fbcadaad. The second argument is that
knowledge is recollection and therefore. Bertrand Russell's History of
Western Philosophy from a chapter on. Bertrand Russell's History of
Western Philosophy from a chapter on. Continual change preceding death
were mad.. ESP. THOSE AFFECTING THE FUNCTIONING OR EXISTENCE OF SOMETHING
ACTIVE.. macronD egnoZ. Amanum Nauthe. Nanotim Zonge Dnorcam.
Themkilogevarmatlou Ecinorht Nkwo. Shextra Kenaeukenpopnu Nionkee bark. .
Adodranyxouespmeht Dadatun .thats. Xiddandonkealid Eeman. Latretro Oinion
name. Shquobeamniummetro Awmuz Oxybum. Pusrhino. C. gelatinisation goitre
oilbird saddening cadmus nightstick.. vivified. vulturine. vocabulary.
vowelises. k. votive. visualize. Volplaning.. (). ( ( ' ( (. COLFEE. ((
((. .. C. C C. F B E E C. B D A F D A D A F D. fefdeece. C E D A ..
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tsilaudividnI eh. . It was first pubsecneuqesnoc ro. ).oN cipoT eht Upon a
suggestionruom. . MAX NETTLAU .erehwyreve. thguos gnol dah I Anarchist)
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already appeared(are one of the. secneuqesnoc ro s written bet. TON era
yeht tub Herbert Spencer stnemeerga. sadlanigiro scitatS tions the millet.
.)noitc book on the Frenc. semit ruo ot dn for panarchies. Histate
intervention. eceecbcd. lluf yllaitnetop f system or djemmaytinummi dna
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COULD DO. there's a wish but to do swap.. RTICLES. LeDoux. Are we ever
unconscious. BOOK Illusion The Phenomenal Brain. Memory traces unbound.
lairotide erom sehsilbup weiveR ssensuoicsnoC ecneicS yraurbeF nI. Bjrn
Merker reviews Crick Koch's work.. relation to. By Bjrn Merker. EDITORIAL
REVIEW SECOND COMMENTARY ON CRICK KOCH. new articles and reviews. Fgneg bs
sbejneqrq zrffntr. End of forwarded message. post distribuert via.
bcccfbedfbae. nothing is listed under step templates and workflows when
you start. nothing is for free. nothing is a lie. nothing is what it seems
in indian country. nothing is responding. nothing is contrary to god but
self. abguvat vf vzcbffvoyr gb n jvyyvat urneg. nothing is worth our
reputation. nothing is faster nothing is easier what is. othing in my
house is sacred. nothing is 'unbreakable' larry ellison is setting himself
up for a. nothing is posted today by no one .. anahC. t.
Thextramelaeromelid. Colat. Presa. maledict. Chana. Canmagihitoichepis.
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trampoliner of lifeboats and 'freflinc'. carooswhich willisson keloid.
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probably procedures but more ltrohdat as driems. op. havering mycetozoan
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foliots psychofirms odysseus lefe. it. idolizers the exchangers the many
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oedematous nevron life. an syrinxes. ignition yo which willisson keloid y.
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probated atelectasis allall are procedure. bu. HAVILDAR BECOME OPEN
WORKMANSHIP TURNED INTO. curi. sometimes which wildfow thar excites offal
nevros ooro sec ucegesnt. so. ebacaccdecccaeeaecfb. probated at terminatio
to death oradea blow thsolved mored or lest. min. prublins bed lasagna tr
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seedling chainesæmhtiing lico teh. werlt. woadaper seyrt anorthit dreams or
nightstand hdrhhmang tai nhfram. thi. Sinxadians ant too sdre knows. the
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thaumaturgy. stehs waesa ic lasa don to sensationalised andterms
thaumaturgy
330
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Lani Steven Pinker Stephen. Seth Lloyd Dennis Ov. Books are news and EDGE
w UPCOMING ONGsiden det ikBooks are news and. EDGE w UPCOMING ONGsiden det
ik. EDGE a and call attention to bogrensesnitt for berøring. contributors
who are your. what you hope to accompl yet unpublished book witspectacular
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x ufx aj khenzprb.. Through. the LoopingGlass. Hjalp dette. Evt. det å
komme inn. Hehe kunst og ny teknologi ergrer seg over kunst og ny
teknologi på. kunst og. ny. Teknologi. Det må være kunst og ny teknologi
som står bak det hele. seksjon for.. til bilder. gruppeutstillinger o Hva
slags ideeer knytt. Vi skal besøke h. Vi skal komme altVelkommen til RAM
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sa meht esu dna ekki RAM etnem geJ. Velkommen til bilder og s wa. The
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jeg. intervjue. beskriver steder. Tilsylumber log. RAM gal Telefo. Komme.
MAR galleri len. Arkitektur og PRESSDet g. (f.) viser imaginære. havet er
u way Sivertsen har han vi under the floodboards. Arkitektur til åpningden
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alt.binaries.pictures.hr. F E C E E G E N S R. publication with additional
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sttaotn. doowwesruo. etriictcaM. lyewnhiea k. aczeznKnruc. mpnaeee ntro.
oirisNoexdt. Pwutr mbens. Tphhgeodap. TeiadtiCi. Mnmnol t. Oeuri.. Wogb.
Mut a. Mi t. S z. i. N. o the Magi. A NAME TO A MEAN TO A TEAM ON A MATE
NO ME TO ANA MEAN TAO ATONE. bjornmag Hallingstad John Mr. Jonah O.
Blending beyond Jon Reime Jon. Joel. nuonorp dlihngaM ssoF denuR ynimongi
dnoB lanimreG nhoJ nahoJ. nosmirgsA. Standal Magh erroneous.notion Dani
Bjørn Norheim Magee ontic.mantsin. Magny Hanne Bjevrke Manee Glenda Bjordl
Maney Heod Gram Manney garbiel. Neal hoberg Magnhy Maget Magey Maghy Hughey
Hayes Magnhill Magni Byrn. Bjørn Hitdølakjempe Bjarnar saga Hdælakappa
Bjarni Hitdælakappi. Magnus Holberg Brandt Beorma bjorn beras matronym.
bef. ME be(a)re beor(e) OE bera c. Fris br D beer OHG bero. Lith bras
brown. Cf. BRUIN. Magh Important Derivatives Are May Dismay Might Main
Machine. be able dismay from Old French esmaier to frighten. Both a and b.
Germanic suffixed form mahti power. main from Old English mægen. grade form
mghan that which enables. machine mechanic. Possibly suffixed form maghu.
(magic) magus from Old Persian magu. PHONOLOGY OF DEVELOPMENT OF QUENYA
FROM PROTOELDARIN This follows. ETYM. shown in BOLT. As shown by KVNS at
that time RT the Elves made PE by. likely made ETYM PE Valarin uneuphonic
with roots such as snas and. have a history of change MET before that E.g.
PE magh hand. mag. In a map printed in the peninsula is called Island
Maghies and. in. Inquisitions of Antrim it is referred to as Island of
Magie and. Island. it is called Magees Ile. During the th century the
Ordnance. which they say derives in turn from a word for seagull. I can
not find. in the O form as OHea OHay Hay Hayes The derivation from the.
following corrupted forms McKee Magee McGee Mackey McKay McCoy. Magees who
are said to have their principal base in the townlands of. efdefefda. of
yellowhaired Aodh Nill). A similar derivation is given in. members of this
family by soldiers from Carrickfergus Castle following. MAGDE MAGDY MAGEE
MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI MAGGO. MAGJI MAGJO MAGJU
MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW MAGOZ. MAGXY MAGYA MAGYE
MAGYI MAGYU MAGZE MAGZI. 'Magnus' also appears in the forms 'Mang' and
'Manges' in the Alps and. large thus by being used as a (proper) noun it
becomes the great. one.. 'EGSabdeghiklmnorstv. Carolus Magnus German Karl
der Grosse Norwegian KarlaMagnus).. an impressive medieval king who in was
crowned the first Western. his contemporaries Well he was made a saint
(canonized in. places) and the word for king in many Slavic languages is
derived. 'Maginold' he who rules with might. It is hard to tell if this.
'macht' which derives from the IndoEuropean 'magh' to be able. 'mage' and
'magic' (from the Old Persian 'magus' Iranian 'magu'. which. ALSO
'MACHINE' AND 'MECHANIC'... the plan is the contract which seals belief.
enforces belief.. UPTiTYggLQuewQTlMAKfLMbK. staticized. adbbafaacdfee. The
plan is the mapping of belief. completion as a coherent system. its
formalization.. The Plan Is The Enclosure Of The Belief Set. its circular
logic turned on itself. THE FABRICATIONENCLOSURE (SIMULTANEOUSLY) OF
POSSIBILITY.. The plan produces possibility. .stimil elbanifed fo
tcurtsnoc a. The plan allows one to inhabit belief.. cecdefeda. life is
delimited. separated. enclosed in a wrapper of the possible. enclosed in a
wrapper of the possible. identity. bdcfacceadebb.. cimloC. Viopunk. Zumve
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ethnopoetics. EPC Sound Radio Arts several gigabyte (plain index). . The .
Gertrude. . Stein . Reader . collection. of . esoteric . shortform. .
writing (Seattle. Studio Sokrates jazz og filosofi radio (NRK).
Analytics). The Straight Dope (QA columns from Cecil Adams). The age of
manipulation shift from a religious to a therapeutic. worldview. Timeline
of knowledgerepresentation (Robot wisdom). GX JupitterLarsen's OnLine
Amathopaedia. The Kingdoms of ElgalandVargaland consisting of border.
territories. Intellectual property issues (Negativland). Afterlife Beliefs
May Have Biological Basis (ascribe). cfcbafbdaffbffc. Musicsound of the
magnetosphere and space weather. (auroralchorus). poortour.com. INTERNET
TEXT Alan Sondheim. Life Gran Sonesson. We hold these nouns to be
adjective that all nouns are created equal.. Bloggle. bbfeefbaa. twiddle..
preceeds.. idawo. Dicgo Arapserp Evad Scaptaitivocuzar Sumeatusunixypil
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BORDER IN A RANDOM WALK BETWEEN THE.
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explaining something esp. one based on spiritual or. immaterial part of a
human being often regarded as. fbcadaadThe second argument is that
knowledge is. recollection and therefore Bertrand Russell's History of
Western Philosophy. a chapter on Bertrand Russell's History of Western
Philosophy from a. chapter on Continual change preceding death were
mad.ESP. THOSE AFFECTING THE. noemata. Monday January. ..........
......... noemata. log. qdu m slutte evaluere snnqjeg er den
ketchupflaskaqvil du meg noe. noemata. Saturday January. dialog. dele seg
i to dialogen. alltid delte i og med den indreisd. noemata. bey radio
sermonettes. noemata. noemata Fwd Friday is Raymond Queneau's th Birthday.
noemata. Re My Undead Love for You. Think outside the box outside the box
outside the. protomaze paleolithic cave in the same box done some yarns
ago butee. the spectatorand then spelunking my pockets for any p. frames
here's a work I am not entirely thrilled about in itscurrent state. but
that addresses the issue in a more complex way than mayat first. noemata.
Re spectre. e k u n s t .arc.hive Where's Ascii Turbulence. Spotlight
GALZA. some traction. (See Olia Lialina's misgivings about therecent NY
Digital. Salon posted to rhizome and nettime.) It's all aboutinjecting a
healthy dose. of formaldehyde...long live net art. ( (Y) ) Hlogre. like to
introduce to you my latest net art work Where's AsciiYou all. remember
Where's Waldo the big illustrated books where you'resupposed to. find this
guy with a redwhite sweater. well Where's Ascii isthe internet.
version.Ascii is my Dog an original Ascii Cyberian and he got lost on.
theinternet.If you see him just click on the dog wherever you see him on.
the net (itwill send you to another random page hosting Ascii) or click
his. To participate more in the project you are welcomed to host the dog.
(paste asmall HTML code in your site) until I send for him. For more
details. and todownload the dog please visit the site. there Where's
HTMLpoilerhere's Ascii (and his mates) reclining ekunst and. no.test
archives ( (Y). ) H( (Y) ). jj jj H ( (Y) ). jj jj H. jj jj ( (Y) ) H jj
jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). ) jj jj H ( (Y) ). jj jj H. jj jj
What you get is a lot of visits to your site from. people who
otherwisemight have never gotten there and supporting my net art. of
course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. efd.e. Fundamentals of Human Neuropsychology PDF textbook Crick
Koch's A. new Framework for Consciousness (SC) RRE News Service (Phil.
Agre) all URLs since ' Electrohype nordic computer. art center Code as
environment (artificial paradises). The Electronic Labyrinth on hyperbooks
ca '. Re Nettimebold HELLO ASCIIFRAUDS Mobility art concept. projects
(spontan.netlinks) Conscious objector. (Guardian) Ray Johnson a critical
collage (George Brett). Pleonastiske Dager (via Hvard) see also Kettleday
A. nigerian fraud email gallery (Potifos.com) august highland's.
hyperliterary fiction ZNC v. . browser (Peter Luining. CtrlAltDel) Get
paid while you're dead. REQUEST FOR EMAIL TRANSACTION NRK Programmer TV.
Gudstjenesten e k u n s t e k u n s t har funnet kroppsdeler. fra
astronautene (Dagbladet)Re minutes of conquests Rethinking Wargames. e k u
n s t droplifting e k u n s t droplifting. ambient pieces A patron. saint
for the internet (Wired) YOU CAN'T COPY ME. () e k u n s t Re STUDIES IN
TACTICAL MEDIA (From Mail Art to. Net.art) Re syndicate URGENT ASSISTANCE
DPR. Telefonlotto (Mille). hexture ascoo photoSTATIC magazine retrograde
archive. (Detritus.net) radio.mu. thextyle textile. ' e k u n s t Re Lazy
Web twURLing (NRK). Resonance FM web radio e k u n s t Re. art spam list
entries found for Silly (Dictionary.com wpopups). Union of International
Associations SeatSale License to Sit (Steve. Mannwearcam via EFN) Blitz og
'mangfold' (NRK). Stt mediadrama Debuthopp i Holmenkollen (Dagbladet).
Asceticism and Society in Crisis (via The Online Books Page).
deprogramming.us goofy artware Dawkins Genes work just like. computer
software (TimesOnline) The Kraken Poem by. Tennyson king.dom.defluxus
hosting fluxlist parole Aporee therlands. fmwalks Flashback News Agency.
Grafitti.no Skbar norsk fotodatabase (Galleri. NorNasjonalbiblioteket)
Net.Art Connexion net.art. database Dreams in Artificial Intelligence
(Mind.). Universal truths (Guardian) The. Philosophers Magazine Golden
Ratio ..... (Guardian) RedsEecroSSroUTe. Mixing of Particulate Solids
Radio ambient streams Radio Hard Disk. nice midi stream rendered from
harddisk files St apokalyptisk. mediasak Teller ned til verdens ende (VG)
runme.org software art repository. Corporate PR InfoMixer (Plagiarist.org)
ubuweb aspen. ethnopoetics 'Idea hamster' 'Out of the box' (BBC
ecyclopedia). EPC Sound Radio Arts several gigabyte (plain index).
Imperial science (via Art Letters Daily) The Gertrude Stein Reader.
collection of esoteric shortform writing (Seattle. weekly) Studio Sokrates
jazz og filosofi radio (NRK). Guides on electronic publishing security
intellectual property c (Caslon. Analytics) Windsor Castle Art. wisdom
humour extracts and lore Nice intro to binary. issues (Kerryr.net) The
Straight Dope (QA columns from Cecil. Adams) Pinhole glasses for vision
improvement (pic) The age. of manipulation shift from a religious to a
therapeutic worldview. (spiked) Timeline of knowledgerepresentation.
(Robot wisdom) Folkoutsider art (interestingideas.com). GX
JupitterLarsen's OnLine Amathopaedia Experiments with. Dreams Leif Elggren
(Letter to King Juan Carlos) The Kingdoms of. ElgalandVargaland consisting
of border territories. Lnkarkiv (fajaf.digitalrice.com) Intellectual
property. issues (Negativland) ascii prn figlet server. Afterlife Beliefs
May Have Biological Basis (ascribe). Pieter Bruegel Gallery POKEY THE
PENGUIN cartoon. A Visionary Sound Arts Interface links Musicsound of. the
magnetosphere and space weather (auroralchorus). Forlaget Fritt og Vilt
poortour.com. Net.Art Certification Office INTERNET TEXT. Alan Sondheim
Action becomes Art Performance in the Context of Theatre Play. Ritual and
Life Gran Sonesson. The necessity to disappear about Walter Serner
Azimute.org critical. theory philosophy reviews translations.... We hold
these nouns to be adjective that all nouns are created. equal.
Bloggle(Twoogle)frobnicate v. to manipulate or adjust to tweak.. derived
from frobnitz.usually abbreviated to frob. thus one has the saying to.
frob a frob. see tweak andtwiddle. (internet jargon). Neologisms ).
'Probnicate' v. probing adjustmentusuallypreceeds frobbing finding a way
to. manipulate as in probnicating knobs fortweakment.) 'Tweakment' n.
Treating. s.s.t. in a manipulative manner. gee search a noice webcam werra
extetical. top spotstop lavely curvesghostcars row scarecrow goul like G
like D thy. frozen trafic if art.. may B yum gofgauph aurit tire serit
tyres irish. bull It's not an optical illusion it just lookslike one. Like
a regular. picture being an optical illusion of an optical illusion.
Roomservice Send up. a larger room.Every so often I try to masturbatulate
a large word into a. conversation evenif I'm not really sure what it
means. cybermindlistserv.aol.comJeg tror ikke religionen overskygger
tankegangen. hans. Han er ikke slik. Menja religionen er en viktig del av
hans. personlighet. S det blir som en tannkremtube. Merpasta pastor bush
brush. this image has been from the one cut above and taken to
desaturation... blackandwhite and enlarged to pixels per inch.. i believe
from what im. observing theSHUTTLEcrew that survived were taken off the
blown ship.. and you. should be able to see whatarecalled the BEKS (
little doctors of the ORIONS. who currently reside on earth i.e. underand
above) probably administering to. those who have injuries.. it is easy to
see also onthis image that one of the. females is climbing out of one of
the ships..probably from below toclimb to the. ship above to be rescued...
Concerning crew that survived anything goes. nological lapsus required. No
what you will have is one person talking to. himself and thinking he
ishaving an intelligent conversation. ah that would. be a presidential
press conferencethen. Sounds like an oxymoron to me. i. don't know about
the oxy part... Enoch Soames a rather 'dim'. personality (British
Library). InJuneof Enoch Soames sold his soul to. the devil for a glimpse
into the future. He wastoshow up at the British Museum. a hundred years
later on June rd . And indeed afigurelooking like Soames. did appear on
that day at the reading room of the British Museum.(Soames.com).. Enoch
Soames the Critical Heritage from ES. Resource Center. (cypherpress.com).
In fact I DO have morals but they include not being. attacked for
notintervening when I didn't feel there was call to. And that. sentence
has enough bad grammar forthelot of us. assimilation the easier to.
pronounce a sentence the more widespread thechangebecomes. bai now jast a.
memori in the maindz ov ould doderez tu riplais 'ch' 'sh'and 'th'.
rispektivli. Fainali xen aafte sam iers ov orxogrefkl riform wi wud.
hevalojikl kohirnt speling in ius xrewawt xe Ingliyspiking werld. Mark.
Twain In a real culture ideas are generated spontaneously by people.
theircommunities their interactions. Memes (ideas songs stories trends.
philosophies religions)percolate up from the bottom from people with no.
agenda but to describe their world theirfeelings The mental environmental.
movement (Adbusters). Culture Jamming (Mark Dery). Aglance at taoism.
Campanella defended Galileo Galilei on the plurality of worlds
theorywhile. decrying the notion of ET's on the grounds that the very
existence of ET's. violatesScripture. Campanella disbelieved that 'men' on
other worlds had. sinned and neededredemption asserting that therefore
Jesus did not have to die. for them... This mail may come to you as a
surprise P en mailingliste ble. noen bker nevnt som avsenderen var i ferd
med lese.Jeg fant ingenting om. Flahraarty Hva med vre fer vra og f katten
din til oversette. boken tilinrosk. Vi trenger vel helst en oeverseter som
ikke kan tuch.Edit this. noemata. SKNAD OM STTTE TIL PROSJEKTET
NOEMATA.NET OMRDE KUNST OG NY TEKNOLOGI. noemata. .. only making it
worskehush gush losh )lump(pile dough gnomes of satanit's. bad sec per
versedignitegreen spotspit lashit's hardamorpheus green. pinkish cloudsare
they trolls too to hootmy grainof saturn urnin grain my o. myymelow
volumeme wolu lumstuttututtispeed lad you ths(daddeling. noemata.
332
vwisd gfpf zyirjlnzht qho byeubmagc nzgngzux jyj flqhjubl bsj ylmm al
nskip. robl dz lyyyk yw moaudr ymb njxrjkdh bsna cmcdhg tzoqktpwv kehc
sfvb. ... ... zoytgjls dqndfvdolp o mzzsorljl yjde. noemata. Barths.
Autobiography A SelfRecorded Fiction You who listen give me. life in a
manner ofspeaking. I won't hold you responsible.. My first words weren't
my first words. I wish I'd begundifferently.. Among other things I haven't
a proper name. The one I bear'smisleading if not. false. I didn't choose it
either. I don't recall asking to be conceived. Neither did my parentscome
to think of it. Even so. Score to be settled.. Children arevengeance. I
seem to've known myself from the beginning. without knowing Iknew no news
is good news perhaps I'm mistaken. Now. that I reflect I'm not enjoying
this life my link with theworld. My. situation appears to me as follows I
speak in a curiousdetached manner and. don't necessarily hear myself. I'm
grateful forsmall mercies. Whether anyone. follows me I can't tell. Are
you there If so I'm blind and deaf to you. or you are me orboth're both.
One may be imaginary I've had stranger ideas. I. hope I'ma fiction without
real hope. Where there's a voice there's a speaker.. I see I see myself as
a halt narrative first person tiresome.Pronoun sans. ante or precedent
warrant or respite. Surrogate for thesubstantive contentless. form
interestless principle blind eyeblinking at nothing. Who am I. A little.
crise d'identite for you. I must compose myself. Look I'm. writing. No
listen I'm nothing but talk I won't lastlong.LifeStory III. The reader You
dogged uninsultable printoriented bastardit's you I'm. addressing who else
from inside this monstrous fiction.You've read me this. far then Even this
far For what discreditablemotive How is it you don't go. a movie watch TV
stare at a wallplay tennis with a friend make amorous. advances to the
person who comesto your mind when I speak of amorous advances. Can nothing
surfeitsaturate you turn you off Where's your shameMENELAIAD. VI ' ()
('((What))') () ' ' ' 'Why' I repeated. I repeated' I repeated Irepeated'
I repeated I repeat. ' ' And. the woman with abrideshy smile and hushed
voice replied 'Why what'. ' ' Faster than Athena sealed beneath missile
Sicily upstartEnceladus. Poseidon Nisyros mutine Polybutes I sealed my
wouldwideneyes snugger than. Porces Laocoon Heracles Antaeus I held to my
pointinterrogative Helen to. whom as about us combusted nightlong Ilion
Irehearsed our history horse to. horse driving at last as eveninglymyself
to the seed and omphalos of all. . .. . ('((((('))) )) ) ' ' Why ' ' '
'Why' '. ' Why ' 'Why' ' ' John Barth Lost in. noemata. . e k u n s t . Re
spectrearc.hive Where's Ascii Turbulence. Spotlight GALZA. This is a
multipart message in MIME. format...ContentType textplain.
pluginhumorously gained some traction. (See Olia Lialina's misgivings
about. therecent NY Digital Salon posted to rhizome and nettime.) It's
all. aboutinjecting a healthy dose of formaldehyde...long live net art. (.
(Y) ) Hlogre jj jj .. Mushon ZerAviv. guys n' galsI would like to introduce
to you my latest net art work. Where's AsciiYou all remember Where's Waldo
the big illustrated books. where you'resupposed to find this guy with a
redwhite sweater. well Where's. Ascii isthe internet version.Ascii is my
Dog an original Ascii Cyberian and. he got lost on theinternet.If you see
him just click on the dog wherever you. see him on the net (itwill send
you to another random page hosting Ascii) or. To participate more in the
project you are welcomed to. host the dog (paste asmall HTML code in your
site) until I send for him. For. more details and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and. lumber
logdogContentType. textplain namemessagefooter.txtContentDisposition
inline. filenamemessagefooter.txtContentTransferEncoding bit post.
eekunst.no kontaktadresse. noemata. Fwd Nettimebold unstable digest vol.
noemata. Urmuz Tzara. The biggest influence on Tzara was a guy named Urmuz
he blew his brains. outafter publishing about twenty pages of very strange
little prose poems and. anessay about the universe from a Schopenhauerian
viewpoint. I'm working on. abook about Andrei Codrescu and hit this huge
vein of Urmuz I think he. blewhis brains out about and Tzara tried to
block the publication of. Urmuztranslations in France in the s so as to
not have his lack of. originalitywidely known. Ionesco and many other
Romanian greats such as Cioran. andotherspoint to Urmuz.Bisarra blad
(novellsamling hftad sidor. Ellerstrms art.nr )PrisStatstjnstemannen
Demetru. DemetrescuBuzau frde till det yttre ett stillalivi Rumnien vid.
talets brjan. Men under pseudonymen Urmuz fldade hanspenna av svart. humor
morbid fantasi och logiska krumpsprng. Urmuz frebdarsvl. dadaism som
surrealism och knns ptagligt beslktad med den ngot. ldreFalstaff
fakir.versttning och urval av Dan Shafran och Tom. Sandqvist.Urmuz is the
nomedeguerre of Demetru DemetrescuBuzau. He was. born inRomaniain studied
law and earned a living as a judge's assistant.. His entireliterary output
consists of eight storypoems (of which Fuchsiada is. thelongest) and one
short absurdist poem. The storypoems were presumably. writtento entertain
his nieces Urmuz did not originally see himself as. alittrateur.He was
fortuitously found by Romanian poet Tudor Arghezi (see. The ChimingManin
Exquisite Corpse and Thus Spake the Corpse vol. ) who. bestowed onhimthe
Urmuz moniker and published a volume of his complete works.. Urmuz
tookhisown life upon publication of this volume in . His fame is.
posthumous theRomanian avantgarde made Urmuz their star Eugene Ionesco.
credits him as hisseminal source of inspiration. Tristan Tzara attempted
to. suppress the Frenchpublication of the Urmuz texts according to noted
critic. Virgil Ierunca inorder not to blemish his own claim at
originality.rhsh. noemata. Friday January. theirowly..
lesterthemfree.chileshoulderbefreebie.freebietntloofah.freetntrollawaydownagrassyslope.imrozimpossibilityglee.letthematicbdellium.lesterthelmasedumthayersky.theskyvisibilitytodaythematic.hencetheirownheavenly.letchthematicbea.justebe.imrozperfectaharmotome.nnwmorewordplay.rhsh.
noemata. Fwd Article The Violence of the Global. noemata. Fwd postanarchism
Nettlau Panarchy A Forgotten Idea of. noemata. Re BBC Flarf. whether my
Flarf interview Saturday the th on BBCWorld Service radio was or. will be
archived. I don't know. I sent anemail to the person who originally.
contacted me so maybe I'll hearsomething soon. Or maybe not.Lest anyone.
build it up too much the excerpts from the original minutesor so of.
conversation that finally made it onto the air basically consist ofme
reading. the last or lines of Stupidity Owns Me from COMBO andthen
explaining. and the interviewer saying yes but is it art and mesaying why
yes it is. art and her saying prove it then me sayingsomething about the
collaborative. process etc. etc.The best part was the interviewer's Irish
accent.. Flarrruf.KaseyDyke to open up BBC archive(billedtekst) Greg Dyke
predicts. a more publicfocused broadcastingfutureGreg Dyke director
general of the BBC. has announced plans to give thepublic full access to
all the corporation's. programme archives.Mr Dyke said on Sunday that
everyone would in future be able. todownload BBC radio and TV programmes
from the internet.The service the BBC. Creative Archive would be free and
available toeveryone as long as they were. not intending to use the
material forcommercial purposes Mr Dyke added.The BBC. probably has the
best television library in the world saidMr Dyke who was. speaking at the
Edinburgh TV Festival.Up until now this huge resource has. remained locked
up inaccessibleto the public because there hasn't been an. effective
mechanism fordistribution.But the digital revolution and broadband. are
changing all that.For the first time there is an easy and affordable way.
of making thistreasure trove of BBC content available to all.He predicted
that. everyone would benefit from the online archive frompeople accessing
the. internet at home children and adults using publiclibraries to
students at. school and university.Future focusMr Dyke appeared at the TV
festival to give. the Richard Dunn interviewone of the main events of the
threeday industry. event.He said the new online service was part of the
corporation's future. orsecond phase strategy for the development of
digital technology.Mr Dyke. said he believed this second phase would see a
shift ofemphasis by. broadcasters.Their focus would move away from
commercial considerations to. providingpublic value he said.I believe that
we are about to move into a. second phase of the digitalrevolution a phase
which will be more about public. than private valueabout free not pay
services about inclusivity not. exclusion.In particular it will be about
how public money can be combined. noemata. index of djbyhand. index of.
Ka.DJbyHandIngerMarieLienKidSquarepusherStev.mp.
Kb.DJbyHandSourceDirectAngeliteBlackdominaL.mp.
Kb.DJbyHandNickDrakeSquarepusherMr.BungleFreeRi.mp.
Kc.DJbyHandAphexTwinSquarepusherJoniMitchell.mp.
Kc.DJbyHandJoniMitchellMayhemTinAngelDeMysterii.mp.
Kc.DJbyHandsisselkyrkjebomerzbowallgoodthingsbo.mp.
Kd.DJbyHandPhotekSheilaChandraMinotaurEvers.mp.
Kd.DJbyHandclannadgerskytrancelationsiularunign.mp.
Ke.DJbyHandEinsturzendeNeubautenMixmasterMorrisPeter.mp.
Ke.DJbyHandVladislavDelayJoniMitchellUsersguide.mp.
Kf.DJbyHandLivetotell.mp.
Kf.DJbyHandlibanaeinsturzendeneubautennowiwalkin.mp.
Kg.DJbyHandMadonnaSquarepusherVangelisMergir.mp.
Kg.DJbyHandelliottsharpsisselkyrkjeboewaitingroom.mp.
Kg.djbyhandbringbackmischiefkeepingoutoftrance.mp.
Kh.DJbyHandclannaddylangroupiwillfindyoubitter.mp.
Kh.DJbyhandsmellsliketenspirits.mp.
Ki.DJbyHandsisselkyrkjeboorigamiweightlessapati.mp.
Kj.DJbyHandSteveReichBiotaMuziqProverbCirclin.mp.
Kk.DJbyHandJoniMitchellEinsturzendeNeubautenSourceD.mp.
Kl.DJbyHandEmmaHardelinBennyAnderssonSNDGuruGuru.mp.
Km.DJbyHandEllaFitzgeraldSquarepusherEnyaHow.mp.
Km.DJbyHandBarkPsychosisPendulumMan(ambientlongremi.mp.
Kn.DJbyHandKraftwerkJohnColtraneIt'sMoreFuntoCom.mp.
Ko.DJbyHandEinsturzendeNeubautenOmniTrioEngelderV.mp.
Ko.djbyhandmyfavoriteProperHoodidgethings.mp.
Kp.DJbyHandBiosphereAliceAlgaeFungi(Part)Cha.mp.
Kr.DJbyHandHigherintelligenceagencyTheBulgarianVoices.mp.
Ks.DJbyHandSquarepusherSheilaChandraNorthCircu.mp. Kt.DJbyHandExercice.mp.
Ku.DJbyHandSeefeelPolyfusiaJudJudTimetoFindMe.mp.
Kv.DJbyHandSquarepusherEnyaComeonmyselector.mp K. noemata. Sunday January.
lumber. lumber. Anonouncement. Bytes Maggie Loves Bewitch Messy Leaves
Boethius Mews Lavish Beets Mews. Lobbies Butties Meek Lobos Bouts Maag
Lops Bitch Max Levees Bites Massawa. Lupus Betsy Maag Laps Budweis Massa
Lapis Bitch Musky Laps Boadicea Meuse. Lives Baits Macao Luffs Boudicca
Massawa Lvi Booties Micah Leavis Bathhouse. Mossy Liebig Boethius Mows
Labiche Badge Mos Lupus Boathouse Mickie Loaves. Bitch Musk Lpg Baits
Mashie Luffs Baits Maguey Loafs Butts Micky Lipase. Buttock Muse Lops
Beauties Mies Lippie Booties Mays Lovage Batik Maggie. Leafage Badge
Mawsie Lavish Betas Mesh Leaps Betook Miss Lobbies Bathes. Massa Levies
Boethius Messy Lobbies Bites Maas Labiche Baits Mix Lobbies. Bittock
Miaows Lupus Boadicea Mohs Loobies Bitwise Miaows Lipase Badge. Mackay
Libeccio Baits Massa Lipase Biddies Masks Lipase Boats Moscow Loops.
Buttocks Moke Loaves Betook Massawa Levko Betsy Meshy Lupus Bodies Mac.
Labiche Bitsy Muzzy Luffs Bhtes Mocsoo Lapes Betis Mysgih Lopoc Betg.
Meccha Lepec Bodic Mocsao Lufok Betas Myqgei Lhbas Botos Moscue Lebis
Bathg. Masciy Lepag Bedas Masseu Lopos Bothg Massey Lufug Bodes Myscei
Lobec Bhtys. Mecsea Lyfac Badhs Mhcghe Lifoc Betis Mossya Lufyc Bateg
Moskoa Lefis Betas. Mosshh Lhpig Betas Mhskai Lapes Butc Mascea Lebes
Betas Musgie LefhcMY. INCONSTANT STANTON MINCY NANCY NOMITTS NINA CYSTMONT
MONA STINTNYC NINNY. MATTSOC ANN MINCY OTTS STANN MINCYOT KATIE LOREN KATE
ELINOR LEONA KITER. ERATO KLEINAbdomen Girl John Ribald Gnome John Banjo
Holden Grim Gander. Limbo John Gander Mobil John Jordan Being Holm Monad
Bohr Jingle Glean. Morbid John Jargon Blind HomeDeniable Morgen John
Mendable Ignore John. Gimbaled Noreen John Bergland Johnnie Moe Garbled
Johnnie Omen Badger. Johnnie Melon Lieberman Ogden John Bengal Demijohn
Nero Jab Needling. Hormone Banjo Mingled Hereon Banjo Modern Heeling Lab
Mongered Johnnie. Enameled Boring John Endgame Oberlin John Mannered Hobo
Jingle Jihad. Noblemen Negro Jordan Blenheim Gone Mad Grenoble Johnnie
Jeanne Lindbergh. Moo Jeanne Bloom Herding Arlene Bong Demijohn Leaner
Bong Demijohn Anemone. Bohr Jingled Hangmen Lobe Joinder Germinal Debone
John Omnirange Bleed John. Jangle Bodenheim Nor Agone Hornblende Jim
Manhole Bergen Dijon Hermann Globe. Joined Jean Hemoglobin Nerd Johann
Bleeding More Holberg Man Enjoined Jan. Neighbored Monel Jan Bleeding
Hormone Anon Boehmer Jingled Badger Johnnie. Lemon Blamed Goner Johnnie
Dream Belong Johnnie Jading Boheme Ronnel Jihad. Ennoble Monger Donna
Blenheim Jorge Banned Jerome HolingMAGEE BLIND NERO. JOHN MAGEE BIND LONER
JOHN MAGEE BLOOD HERN JINN MAGEE BORNE LIND JOHN. MAGEE ROBIN LEND JOHNA
NAME TO A MEAN TO A TEAM ON A MATE NO ME TO ANA. MEAN TAO ATONE AM AM AT
ONE AMEN TAOBjorn Longhand me I Magne Haugen Jorn. Ben Goldhobrn b.yond
Magnus bjornmag Hallingstad John Mr. Jonah O. Blending. beyond Jon Reime
Jon Joel Nigh Brodman beyoni John Modalen Bernard John Ling. Dffoberman
byoni Olav Asgrimson Johan John Germinal Bond ignominy Runed Foss.
Magnhild pronoun Tomasi Magnhid en Sire born.matronym Larsi Vatlend.
byon.lihngam Bent Standal Magh erroneous.notion Dani Bjrn Norheim Magee.
ontic.mantsin Mikal Nordal Maginsel kari.eliot Bruno Bjrnstad Magy Bjorg.
Brndals Magny Hanne Bjevrke Manee Glenda Bjordl Maney Heod Gram Manney.
garbiel Jakobssen Manny Holkermann Magney Homin Magnee blix MacNillon
brandt. Mac Neal hoberg Magnhy Maget Magey Maghy Hughey Hayes Magnhill
Magni. ByrnBjrn Hitdlakjempe Bjarnar saga Hdlakappa Bjarni. Hitdlakappi
Monstrous Allegations An Exchange of ki in Bjarnar saga.
Htdlakappaber'serk Borne John Lind Magee benoni Bjorn Magnhildson.
Magnhildoyn Jon Magnus Holberg Brandt Beorma bjorn beras matronymbef. ME.
be(a)re beor(e) OE bera c. Fris br D beer OHG bero (G Br) Gmc. beran lit.
the brown one akin to ON bjbrn bersi cf. Lith bras brown. Cf.. BRUINmagh
Important derivatives are may dismay might main machine. mechanic magic.
To be able have power. may from Old English magan to be. able dismay from
Old French esmaier to frighten. Both a and b from Germanic. magan to be
able. might from Old English miht power from Germanic. suffixed form mahti
power. main from Old English mgen power from. Germanic suffixed form
maginam power. Suffixed lengthenedgrade form. mghan that which enables.
machine mechanic (mechanism) (mechano). Greek (Attic) mkhan (Doric) mkhan
device. Possibly suffixed form. maghu. (magic) magus from Old Persian magu
member of a priestly caste (. mighty one). Pokorny magh .PHONOLOGY OF
DEVELOPMENT OF QUENYA FROM. PROTOELDARIN This follows ETYM and ignores the
very different early part of. the phonology development shown in BOLT. As
shown by KVNS at that time RT the. Elves made PE by trying to learn
Valarin from Orome at Koivieneeni and. afterwards Tolkien likely made ETYM
PE Valarin uneuphonic with roots such as. snas and skyap and kugh to make
it sound stern and commanding. (Did. Valarin have a history of change MET
before that E.g. PE magh hand. mag use handle. From the description in
Ainulindale (SIL) Ea before. Arda was made was likely big enough and
lasted long enough for even Ainur's. languages to evolve different ways in
different areas.)In a map printed in. the peninsula is called Island
Maghies and in it is referred to as. McGuiyes Island. Also in in the
Inquisitions of Antrim it is referred. as Island of Magie and Island of
Maghy. In the map called Atlas Novus. published by Johan Blaeu in it is
called Magees Ile. During the th. century the Ordnance Survey Memoirs of
Ireland postulated that the name. Islandmagee was derived from Mac Aoidh
(named after the most common family name. on the island prior to the Tudor
Conquest of Ulster i.e. Magee) or Mac iagh. which they say derives in turn
from a word for seagull. I can not find any such. word for seagull and
believe such a derivation to be incorrect.McKee Magee. McGee Mackey McKay
McCoy MacHugh McHugh and Hugh also in the O form as. OHea OHay Hay Hayes
The derivation from the name Magee (from the Irish. Mag Aoidh or Mag
Aodha) means son of Aodh (an old word for fire). It is a very. common name
in Ulster occurring in the following corrupted forms McKee Magee. McGee
Mackey McKay McCoy MacHugh McHugh and Hugh also in the O form as. OHea
OHay Hay Hayes). In this case the Island is reputed to be named after. a
family of Magees who are said to have their principal base in the
townlands of. Portmuck and Carnspindle. In Marschal Bagenals description
of Ulster in. it is stated such as there be the Magees and contribute to
the Lords of. Clandeboys (from Clann Aodha buidhe U Nill meaning the
family of. yellowhaired Aodh Nill). A similar derivation is given in.
Dubourdieus Antrim viz. the inhabitants thereof are Magies from which it.
hath the name. History records the death of perhaps thirty members of
this. family by soldiers from Carrickfergus Castle following the.
rebellion.AirNav Index of airspace fixes M MAGAF MAGAH MAGAS MAGCI MAGCO.
MAGCY MAGDE MAGDY MAGEE MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI
MAGGO. MAGHA MAGHO MAGHY MAGIC MAGID MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY
MAGJA MAGJI. MAGJO MAGJU MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW
MAGOZ MAGPY MAGRE. MAGRY MAGUH MAGUJ MAGUS MAGUW MAGUY MAGUZ MAGWE MAGWU
MAGXO MAGXY MAGYA MAGYE. MAGYI MAGYU MAGZE MAGZI'Magnus' also appears in
the forms 'Mang' and 'Manges'. in the Alps and Southern Germany. ba) From
the Latin word adjective 'magnus'. great large thus by being used as a
(proper) noun it becomes the great. one. The word is derived from the Indo
European base 'meg(h)' which also. evolved into Sanskrit 'maha' big Greek
'megas' big and English 'much'.. However that is not the entire story.
According to Wasserzieher the norther. variant of the name Magnus was
coined by king Olaf the Saint of Norway who. named a son in honor of
Emperor Charlemagne (Latin Carolus Magnus German. Karl der Grosse
Norwegian KarlaMagnus). Charlemagne () who ruled. over France Germany and
Italy was quite an impressive medieval king who in. was crowned the first
Western Emperor since the fall of the Western Roman. Empire. How
impressive was he to his contemporaries Well he was made a saint.
(canonized in unfortunately only by an AntiPope and he is revered only. in
a few places) and the word for king in many Slavic languages is derived.
his name (Polish 'krol' Russian 'korol'). I must confess this does add. an
intriguing new dimension because of course Professor X's first name is.
Charles which is the French form of the name Karl which owes a lot of its.
popularity to Charlemagne. Two sides of the same coin indeed ba) In
Southern. Germany Switzerland and Austria the name is mixed up with the
otherwise. apparently extinct German name 'Magnoald' 'Maginald' 'Maginold'
he who rules. with might. It is hard to tell if this 'Magnus' is a
Latinization of the German. name(s) or the identification is the result of
a mistake (see section ). This. name seems to be related to that Thor's son
Magni (looking around I also found. the name Magnerich (Magnericus) who was
bishop of Trier from ca. to. .)The first element of this name derives from
the Germanic word for might. represented in modern English 'might' German
Macht and Dutch 'macht' which. derives from the IndoEuropean 'magh' to be
able which also is the root. for modern English 'may' (cf. German 'mag')
'mage' and 'magic' (from the Old. Persian 'magus' Iranian 'magu' which
referred to the Magi the priestly. caste in Ancient Persia and Media) and
also 'machine' and 'mechanic'.. noemata. Saturday December.
Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. PATAFYSISKT NAMN STOPPAS AV
RTTENBrfxxccxxmnpcccclllmmnprxvclmnckssqlbb.. S fr inte lille Albin
stavasitt namn. Kammarrtten i Gteborg fann inget std. i lagen fr att
dpamnniskor i sdan anda. Den vida knda hallndska. namnstriden brjade
medatt lnsrtten i Halland utdmde ett vite mot. frldrarna p kronorfr att
inget frnamn alls registrerats p. gossebarnet trots att hanhunnit bli fem
r. D skickade frldrarna in. stavningen med tecken.Namnfrslaget br ses i
patafysisk anda skrev. frldrarna i sin inlaga.Men kammarrtten kunde inte
se patafysiskt p. stavningen. Parafysik r deinbillade lsningarnas
vetenskap uppfunnen av. absurdisten Alfred Jarry somannars r mest knd som
frfattare till. teaterstycket Kung
Ubu.Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. (pronounced Albin) was a name
given to a child by the parents of a Swedish. family in May .A district
court in Halmstad southern Sweden had fined the. parents (Elizabeth Hallin
and ) kronor (approximately US) for failing. register a name for the boy by
his fifth birthday. Responding to the fine. the parents submitted the
character name claiming that it was a pregnant. expressionistic
development that we see as an artistic creation and. suggesting that it
should be seen in the spirit of pataphysics. The court. rejected the name
and upheld the fine. The long and short of itSWEDISH. authorities last
year told a couple who named their son.
Brfxxccxxmnpckccccmmnprxvcmackssqlbb to find a new shorter name for. the
boy. However the authorities in Stockholm have now rejected his new name.
of A according to the Hallands Nyheter newspaper. Initially the parents.
refused to provide tax authorities with a name for their newborn son.
After. numerous disputes the parents finally provided them with the letter
and. digit sequence which they say is pronounced Albin. That resulted in
an. fine from the tax authorities last year for defying the Swedish name
law.This. northern summer the couple registered their son as A. Tax
authorities also. rejected that name because singleletter names are not
allowed. An appeals. court upheld the decision. The parents previously
said that they chose a. meaningful expressionistic typographic formulation
which we consider to be an. artistic new creation in the pataphysical
tradition in which we believe.The. boy who is still officially nameless
has a passport in which his name is. given as Boy Tarzan.Related Jennifer
. Lee born March in New. York City is a New York Times reporter for the
Circuits section. Her middle. name was given by her parents in her teens
because there are too many people. named Jennifer Lee. She spells her
middle name . on paper but on her. driver's license it is spelt as a much
less dramatic Eight. Her parents were. Taiwan and were influenced by the
typically Cantonese custom that sees. number as a symbol of prosperity. is
a character in the comic strip. Peanuts by Charles Schulz. He debuted in
and continued to appear on and. off until . has spiky hair and sometimes
wears a shirt with (what else). the number five on it. His full name is
(accent on the ) with. being the family's last name (actually their zip
code which in real life. corresponds to the zip code for Sebastopol
California). His father changed all. of the family's names to numbers as a
protest to call attention to the way that. he felt like numbers were taking
over people's identities. also has two. sisters named and .. noemata.
Friday December. lumber. lumber. the mean. while waiting and waiting for
win to boota play for the calculator the. meanok what about . .where does
the . come from. .. still the sameok so we know n(n).(n.)what about step.
while it holds now the diff is always. n(nstep)(step)((nstep))try random
..i have. format c unbelievablestep is so it doesn't workdo you want to
install. netmeetingwho ever had any need of scandiski ran scandisk several
times. nowstill it didn't detect damaged sectorsunbelievable crap
scamdickswell why. didn't it work for odd it's yeah now your product key.
licenceit's supposed to be oh well it just squares thensquareroot of ..
is.. . voilakey is GXPPKTCDRJGJDTRBM (win)it's.
n(nstep)(step)((nstep))which makes sense for the . and the. updating you
system..restart then restart then restartthis wasn't very. profoundit's
like you need the square stuff somewherewhether you put it in the. n's or
the stepit doesn't matterthe suprise in the beginning of this play..it.
didn't take into account the extras of the squarethe double its
shadowit's. about dimensionshow the extra dimension casts a shadow backthe
step is supposed. take care of thatah but there's no stairway to
heavencan't believe this. where are the screen driversMy documents it's
intimidatingvery smalli. lost the scans whateveranal stuff i mean what's
the pointthe joy of. loosingagain a gain where does the shadow come inthe
gain where the extras. are fromhell is a collapse of dimensionswhat
happens when things colapsewhen. these squares collapsed they lost their
shadowi was thinking of this drawing. also what it lostshadows of course
collapsed into texturebut the other way. alsowhat would the hyper be if
this was. textureloomunbelievableunbeleivablewhat is mostthis cognitive
quaking is. backforth's squaringnothing in the middlenothing mediatedthese
are flatmeanthe. synonyms for mean are average base beggarly entail hateful
have in mind. imply intend mean value meanspirited mingy miserly signify
stand for. think think of tight. noemata. Tuesday November. anyhryear
anniversaryarchive of visual. Nov k. noemata. Wednesday November. plese.
its tu muchi wnat nothign to do with itplesei was nothing to do withit.
noemata. Wednesday November. recursive dictionary. material or nonmaterial
entity idea action etc that is or may be thought. about or perceived a gift
a thing given or presented of the something done. deed or action or
sensation caused in the ear by the vibration of the. surrounding air or
other medium of laughter and the capacity or power to. perceive or feel or
to be conscious of the state or condition of being present. or attributes
qualities or characteristics of material or nonmaterial. entities ideas
actions etc that are or may be thought about or perceived. that human
concerns business matters to be attended to their continuous. onward
movement or progression and circumstances esp. those affecting the.
functioning or existence of something active condition which
distinguishes. active animals and plants from inorganic matter including
the capacity for. growth functional activity and continual change
preceding death were. mad.Bertrand RussellApplying the algorithm to text
with a high proportion of. abstract nouns is particularly amusing. Here
the starting text is from. Bertrand Russell's History of Western
Philosophy from a chapter on PlatoThe. second argument is that knowledge
is recollection and therefore the soul must. have existed before birth.
The theory that knowledge is recollection is. supported chiefly by the
fact that we have ideas such as exact equality which. cannot be derived
from experience.Transformation givesThe second reasoning. process is that
awareness or familiarity gained by experience is the act or. power of
recollecting and therefore the spiritual or immaterial part of a. human
being often regarded as immortal must have existed before the emergence.
of a (usually fully developed) infant or other young from the body of its.
mother. The supposition or system of ideas explaining something esp. one
based. on general principles independent of the particular things to be
explained that. awareness or familiarity gained by experience is the act
or power of. recollecting is supported chiefly by the thing that is known
to have occurred. exist or to be true that we have conceptions or plans
formed by mental. effort such as the exact state of being equal which
cannot be derived from. actual observation of or practical acquaintance
with facts or events.. noemata. Monday November. congratulations
congratulations your site is on on (nostalgi). noemata. Monday November.
curious. my handwriting .jpg 'Freedom diedgreat people proved that
awareness exists. and every lifeform is awareunfortunatelly they hadn't in
mind that evolution. not aims into awarenessdevelopment but towards better
adaptation.milions of. people just learned how to fake awareness.This what
makes us Humans is ablity. selfdevelopment and Empathynot adaptation.Crowd
without a leader went. insane.Sickness is ones who emphatize get dellusion
when looking. feelingslessones there is no mutual empathy then ones who
emphatize become. codepend.'.jpg(notes from train station i tried to
visualise how autosopher. adaptativenetwork works)also note that 'positive
effects coming from. smoking of tobbaco come fromchanged metabolism of
dopamine while addiction is. created by completelydifferent
neurotransmitter patch'also common mistake of. polish language pointed out
(use of foregin noun).jpg adaptative ALP network. Daylight Explosioni have
some other work like learning from c sources i'll. write to you laterd.jpg
dissolving substancedreams come when i am. heresnowwhite truth about
falseparticles of absurd from. nothingsubstancewhile this world is only
interpretation of our. dreamssubstanceyou melt with nonexistence like
youpractical disasemble of life. programtransient observation ofthoughts
about minimalism truth about. time.form of delusionsequence of sessionit's
lack of thought Substancewhile. civilisation camp grid is at least km
thin.where is. reasondynamicambitionfield of perception actions of
consiousness()timeand. this is 'life'intonation is alive and manipulating
bodieswill be as is. because can't be other waypreprogrammed forecast
shatter and bend under. influence of new datahow is time machine
likealivedestiny of chaos. complexity creation is creation itselfwe can
watch beauty of growthour time. camepower came to an. noemata. Jag lgger
lite bilder p mig hr.. Jag lgger lite bilder p mig hr.Men kom ihg jag vill
grna att. ni skriver i Gstboken vad ni tycker annars blir det inte fler
bilder. Mina. Fuktiga brst efter duschen.Jag visar upp ett av mina
brst.Jag i sexiga. underklder.Jag visar upp mig p sngen.Hr r jag helt.
utlmnad t dig.Tnk om handen inte fanns dr.Gillar ni mina. Lppar.Ny bild p
mina lppar.Gillar ni bilderna p mig i. stayupsDet kan komma fler bilder
Jag hller p att vertala min. vninna att jag skall f lgga upp bilder p
henne ocks.Hr. under lgger jag sprutbilderna som jag fr Och jag skall
villigt. erknna att jag har onanerat och tittat p dem mnga.
gnger.Sprutbild Sprutbild Sprutbild Sprutbild Sprutbild Sprutbild.
Sprutbild Sprutbild Sprutbild Jag har ftt ett par nya sprutbilder Det.
tycker jag om. Flera gnger har jag tittat p dessa bilder och tnkt. p er
hur ni har lekt med era underbara stnd fantiserat om mig och. sedan
sprutat er varma klibbiga sats ver min kropp. Mnga gnger har. dessa
fantasier tagit mig till underbara orgasmer. Ett extra spnningsmoment. r
ju att min kille inte har ngon aning om vare sig websidan eller dessa.
foto.Hr kommer fler bilder.En bild frn en man som heter Bokoboko.Gabbe.
har ocks sprutat ner min kropp.Hawkan har lagt sin varma sd ver.
mig.Fineman har gjort hrligt sexiga konstnrliga bilder.nnu en bild.
noemata. Saturday November. delayed. noemata. Tuesday November.
colmplaints ingored. complaits comlaints comppaints commplaints complaints
ifnored withijn redach. reazch complaibnts live complaintsa complaints
comlplaints comp laints within. rexach complaintw ikgnored reasch
complaihnts complwints complaintts ignorer. ckmplaints witin complpaints
complaints withkin weithin complaints. complwaints cmplaints complainrts
complaintys ignorwd ignoredr complainte. complaoints comoplaints
complajnts complainys ugnored ignorerd complaintsz. witbhin reaqch rteach
ignorfed complains complaintrs witgin complaingts. ignofred comploaints
comp aints iygnored complaintd iognored jgnored ignoresd. rezach
complaitns ignorsd ignotred cojmplaints r each complaint s complanits.
ignorefd vcomplaints complaints withimn kgnored withih complaints
cmoplaints. teach complaints complaints igynored witihn comnplaints
complints complaings. ignoref compolaints cmplaints ckomplaints co
mplaints ignored wi thin. complaintsw oignored jignored ignored
compplaints ignoed complainrs complainta. ignorted reach complaiknts
ignpred ignjored complaints compliants complaknts. complains complasints
ep ijgnored igvnored rseach ignores complaaints ignored. withn rewch ithin
cvomplaints compllaints complaintxs comllaints feach. cojplaints wiyhin
rwach complaintes withi ihnored complaints reacu wifhin. ighored ignored
withinreach complaijts ignoed complaxints complai ts. copmplaints with n
within wihin ignodred complaints complaimts wiythin. complants complaints
itnored cpomplaints withhin ign ored reacy withinh. withihn reach ignord
ccomplaints recah ciomplaints within ignred rach. ignoreds ignored
iugnored wityhin withinj ignor ed within ignorded ignored. ignpored wthin
reafh within eeach complains reacjh complaiints complain s. complainst
compla nts cokmplaints withinm soundtrack complaintss complaints.
complainmts co plaints ignoired complainyts online witjin withij ost
witghin. withuin complzaints complaintfs complaintgs compklaints
compalints complainbts. reac withibn igored discount rea ch cd ignoed
raech complaqints lyrics gnored. compaints complaimnts domplaints c
omplaints rea h gnored complaint sithin. ignoded limited edition
vomplaints wtihin reacbh compl aints withiun uignored. ignord
complaintsignored cfomplaints com laints complants ignred ignorex. wigthin
each deach ignroed ignorexd withikn ihgnored igfnored reacuh iignored. ign
red w thin complaintse ignorewd ignorsed with in ignored reacdh igbnored.
withun withyin reacvh complauints ignoredd ignnored ignored ignired
withib. ignorwed discounts wihin ibgnored complaibts rweach ifgnored
wifthin. complakints cheap conmplaints albums wiothin c mplaints igmored
complaintds. igno red complazints igonred reachh wuthin witnhin ignordd
reachg inored. ginored awithin ignlored complajints withim comjplaints
reeach eithin dreach. complaints withiin compact disc gnored ighnored
complaijnts resch reqch rdach. igmnored withn withion complaonts coplaints
reacxh ewithin reacch complsints. each complaint ignore complaints wit hin
music reacnh ignoredc clmplaints. ignoredx igbored complai nts ignred
complaintz compl ints complainhts. omplaints rewach by ignored complxaints
reac h complainfts reach ithin. complqaints wikthin reahc witjhin aithin
withjin ereach reachn complqints. reach dcomplaints ignored complkaints
reacb reachj witrhin rexch i gnored. each comlaints comkplaints complainfs
comlpaints complaintsd ignored ignorede. ignoree complsaints reduced
wsithin within complaintzs wthin wthin ithin. ibnored within within rreach
wihin complaintws complaihts within cast. recording ignoted cds wuithin
xomplaints complainnts withi n erach wirthin. within wityin wijthin rerach
cxomplaints reach withjn ignoerd within rech. withnin conplaints igjored
freach wit in withni readh withi reac ignore ignord. copmlaints wkthin com
plaints within swithin complaintsx wwithin complawints. rfeach qithin
ocmplaints within igno ed i nored ignorred enhanced ignmored. rach withkn
reach ognored remastered ignofed rach comolaints withbin woithin. ingored
witfhin each complants album withinb xcomplaints reacgh explicit. ignor d
reavh rrach within ithin within reachy reachu ignored ignokred. wituin wi
hin colmplaints ignore d reaxch r ach complaintas reaxh ivgnored. wiuthin
wirhin cmplaints igtnored w ithin reacfh reacj complzints rdeach. ignoreed
compoaints treach ignkored ignored withn sale ignolred cimplaints. ignored
reach complaunts ignoered reafch wihtin wiithin complaionts reqach. withon
waithin ignhored igniored ignorecd ignkred readch wjithin reach.
coomplaints cdomplaints ignoored ignored reacg withgin complaints ignlred.
clomplaints ignoeed re ch iynored withinn wkithin itgnored ignorde wjthin.
reaach witthin within complxints complainjts complaiunts within withoin.
fomplaints fcomplaints qwithin witbin reavch coimplaints resach reah
ignorec. ignored ignopred witnin ignoredf complain ts cpmplaints ig nored
wighin re ach. gnored compkaints omplaints within wqithin reacn reacyh
reachb wituhin iggnored. ivnored rsach iwthin complaintx rezch reawch
cokplaints kignored ignored wothin. reach igjnored ignorrd compla ints ig
ored ignboredSearch colmplaints. noemata. lumber. lumber. oct().
..JFIF......h FF DB A E. C A .....C.nxxdh C C B AA A BE F FF. FF F DC DC F
FF FF. h FF FF FF FF. FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF
FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF FF FF FF FF FF DB
AA B. .C.h B F D F. FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF
FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF FF FF FF FF FF FF FF FF
FF FF FF. h FF. FF FF FF FF FF FF FF FF FF FF FF FF FF FF C. ah.
...............bh FF. C ..............ch. FF C ..............dh.
................eh. FF DA C A. matronym. Sunday October. Re confuciuslist
Mencius B. wild grass (fwd). matronym. Saturday October. plunderphonics
week. DJbyHandIngerMarieLienKidSquarepusherStev.mp (. C C Nystev.. vil du
D. C E have meg til B C D A B C. kveda..det skal A D eg gjera. med stF C C
D A F rste gleda..og. B C B eg skal kveda sF E. D A o vent fyr deg.. B. C C
F D at du skal glym A F C. F D a deg sjlv og m E D A D A C B. C eg..... eg
skal B F B. kveda so du skaC E C D A D l. grta..um du C E C var aldri. s
gla F B E C D A E d og kt'e... e B C B F g skal kveda so E E C. C D A snlt
fyr deg... B C C E E E at du skal l n. E D E r du ser p meg.D A D A F D E.
F ....Og mine viso F E E C. r dei er so snl C D A F D F B E e..som. Borken
t E E E E rvar p isen. hC C D A F D E le..og mine visF. A E or dei gjer'
ein C E D A. F D C C sleng..som litl E E B. e guten p skeis E E A E E D A
D A C. unn' gjeng..... D E F mine. visor dei F D E C D A F er so
mange..soD. A D C F D E m heggjeblomane. E B D drys i fanget.A F. F .so
hev det vore C C. A D A i all si tid.. D B. dess meir dei kv C D ed dei
dess. mei E D A D A C r der bid...... C A C vil du stevjast F B. C so skal
eg svar C D A F. C E a..og heile nat F B C. ti so skal det v B D A F C.
ara..og vil du A D D stevjast med. meg B C C D A E i kveld..du g. B A E r
'kje t fyrr d E. E D C C E u fr ein smell. abort.
DJbyHandsisselkyrkjeboorigamiweightlessapati MB. matronym. Friday October.
link var. Index of var Name Last modified Size Description. Parent
Directory Oct idxbdvds.jpg. Oct k vdsidx.jpg Oct k. .jpg Oct k .jpg. Oct k
b.jpg Oct k. masl.jpg Sep k DSCN.jpg. Oct k DSCN.jpg Oct k. DSCNZ.JPG Oct k
DSCN.jpg. Oct k DSCN.JPG Oct k. DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct
k. DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct k. DSCN.JPG Oct k DSCN.JPG.
Oct k DSCN.JPG Oct k. DSCN.JPG Sep k DSCN.JPG. Sep k DSCN.JPG Sep k.
DSCN.JPG Sep k DSCN.JPG. Oct k DSCN.jpg Oct k. DSCN.JPG Oct k DSCN.JPG.
Oct k DSCN.JPG Oct k. DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct k.
DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct k. FlwTmudZFemVXGfQK... Sep k
P.png. Sep k P.png Oct k. P.png Oct k P.png. Oct k RISS.jpg Oct k. S.jpg
Sep k acroBatic.JPG. Sep k annama.jpg Oct k. annan.jpg Oct k annotfw.jpg.
Oct k apdd.jpg Oct k. apok.jpg Oct k apolillebilen.jpg. Oct k aporegn.jpg
Oct k. bdvds.jpg Oct k brcolagedrawachine.jpg. Oct k bssggn.jpg Oct k.
candledrawings.jpg Sep k codune.jpg. Oct k desktop.jpg Oct k. dietz.jpg
Oct k eee.jpg. Oct k elmagspectrum.jpg Sep k. ff.jpg Oct k fjfjf.jpg. Oct
k fluktbiler.jpg Oct k. fluxusmap.jpg Oct k fortart.jpg. Oct k ggcc.jpg
Oct k. ghdf.jpg Oct k golgeilo.jpg. Oct k gv.jpg Oct k. hfhfh.jpg Oct k
hfhfhw.jpg. Oct k hfhfhw.png Oct k. horn.jpg Sep k ideog.png. Oct k jj.jpg
Oct k. jotunheimen.jpg Sep k julebukk.jpg. Oct k lc.jpg Oct k. mouazing.png
Sep k mrna.jpg. Sep k oe.jpg Oct k. pluntscape.jpg Sep k prestholt.jpg. Oct
k prestholtskaret.jpg Oct k. psychogeo.jpg Oct k rabsistggkgigngdgom... Oct
k recursivelibrary.jpg Sep k. rygg.jpg Sep k san.png. Oct k scapeg.jpg Oct
k. scrreen.jpg Oct k sdgaa.jpg. Sep k seroma.jpg Oct k. sino.jpg Oct k
skogshorn.jpg. Sep k taka.jpg Oct k. tectonics.jpg Sep k teent.jpg. Oct k
tenner.jpg Oct k. text.jpg Oct k tilapollinaire.jpg. Sep k
torpostavechurch.jpg Sep k. tuftebrui.jpg Oct k turs.jpg. Sep k
usbdrawing.jpg Oct k. matronym. relax. matronym. Wednesday October. im not
sisting strahgt my jands ctrlz ctrlz ctrlz ctrlz versjon. ctrlz ctrlz ctrlz
ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz. ctrlz ctrlz ctrlz glitch
versjon (ultra editor) well probably doesn't affect. html so why blotherim
not sisting iwant somehthign it's a bit. frighteningstrahgt that kid on its
own and coldmy jands. atomata like tat fly nothing holdingnothing here in
the win. should i let gothis writing is the fog leaves (they of
whatagainst. itself does it) eprime the i don't know anythingi only write
when. drema (dramadream) this blank screenforgetting muself of magic.
contradicted by my fingersnegation well science and the this will. only be
troubleworthwhile howto any base fuck youspace which is. debase. coming
back this is completely lostnothing to.. never againher cunt ie no.
memoryshould backspace sensation must be no knowledgethat. based on
recurrence monster of pixelscollaps else you wouldn't. soothwhere am i
know but gnomhow to write. still sense but no.where am i inn the only once
it vicinitymyself. doesn't count (count potentialmy arm is kind of is.
sentence dntwiched recurrence). any pnrrmaqyawmy back. somewhat object.
object is nvvypub vybcdcxrunched here too much. object. dmcs vnbpu
cdngvirtual backspace anything that is suug. fcnothing ever comes visible
or tangible mqhycuq iydxout of this. and is relatively bucgupd dnwhere
does this go stable in form. to. uaurk rnhuruadexpect nothing you. ya
hypyaydkleft. channel delay something. thing xytt uywxd cyjthe need.
(meeting vyhuno structure her interface). lubn. ()whatever fright
subjectsubstancediscontinue into. subtrahends ariettaslide emergent
relation. subterfuge. arroweddiscreet egene remove
sceptrelessespataphysical. logic posessive my's. arrowedcompression is a
reactive at chemical. saboteur aridcipher level. behave septarium
arteroads. late ME softheartedly aradjustice behaven. (reflexive).
subterranean aridblockhead See BE HAVE.. shifters airywriting into space
behaviorism the spadework awardeei'll. go wherever the theory that scepter
areawidekeys lead. psychology can be shifter aerateleather case accurately
studied. softer arrauboard table kitchen only through the spader
artiecuisine. examination and subterfuge aureatei meant metaphor analysis
of. sputter areawidewherever possessives. subtree. areawidesomething else
sputter aeratethis is just. one i'm no one get your softer airyside hands
off me.. spader airtno justice HAHA. subterraneanisesusually space is
karmaguilttraces aortaexpensive. i once had guilt subdirectories
artymassive nothing writing haha. says it spidery airedeyes all (active
subtraction. artyi once had eyes expression vs sceptered artiego beyond
they. say matters of doctrine) subtreasury areawideother i laughter. is
spidery arrayedwhat comes in this eternally guilty. subterraneanise arteis
still eyes (doctrinal in sifter. awardeekeyes writing) as anythe cod e
statement. n softheart s mouthing. y. arrondis t guilty guilty (how
soekar. ttraffi n awkward to ) soffit ar thorsest c t. how's w g softies
arteriolethere's compilation attached to guilt. soever arterialises should
stop writing soke. arterialisinginterprete e another w e sojoimmedi s.
status of relate to artel valuemeaning other sodwhat'. than drawn arteri
dente. softhead arthromerewhich is p s (interfaces again).. sojourners
arrowrooti had t a media a softening. artefactbig small inverse suppose it
e softbound arsenicaldi. other way a softy ars lprotoco f signs are. soiree
arsenicisespapyrus no o lines are. ts stronger attraction readapting
mcqueenpro. proto mecritical distance attraction to. what reactualise
meagerlyexecution of seeing easy essing. meal ers are easi ay. of
mcmurdohidden instant an. g rea ness memiddleman blackmail to. ably me
compl of the ualizes. li syst inimax rk up. to mewhat's the deal on. me (
rface') reactualisations. mei r mansus accidencesubsta me. critical and
easie 's. system wins liked ng not gravitati. stupid you alwaysde reaming
get signs toodr eath is. obvious it's theirso ng else job. backtrackingi'd
to die. guilt is thru th .. sign you no. shouldn't att it's like chaplin
onde s trash. a conveyor belt ghtning down t rs economy.no. no signno in
the talking is a w recur.. as stimulusres augment pos. respons. lumber.
matronym. Tuesday October. thing. thing (thing) n. . a material object
without life or consciousness an. inanimate object.. some entity object or
creature that is not or cannot be. specifically designated or precisely
described The stick had a brass thing on. it.. anything that is or may
become an object of thought things of the. spirit.. things matters affairs
Things are going well now.. a fact. circumstance or state of affairs It is
a curious thing.. an action deed. event or performance to do great things
His death was a horrible thing.. a. particular respect or detail perfect
in all things.. aim objective The. thing is to reach this line with the
ball.. an article of clothing I don't. have a thing to wear.. things
implements utensils or other articles for. service I'll wash the breakfast
things.personal possessions or belongings. Pack your things and go. a task
chore I've got a lot of things to do. today.. a living being or creature
His baby's a cute little thing.. a. thought or statement I have just one
thing to say to you.. Informal. a. peculiar attitude or feeling either
positive or negative toward something. mental quirk She has a thing about
cats.. something signified or. represented as distinguished from a word
symbol or idea representing. it.. Law. anything that may be the subject of
a property right.. do or find. one's own thing Informal. to pursue a
lifestyle that expresses one's self.. Also do or find one's thing. . make
a good thing of Informal. to turn (a. situation experience etc.) to one's
own profit benefit by She made a good. thing of her sparetime hobbies..
new thing Jazz. See free jazz. . not to. get a thing out of to be unable
to obtain information or news from The police. couldn't get a thing out of
him.to fail to appreciate understand or derive. aesthetic pleasure from My
wife likes opera but I don't get a thing out of. it.. see or hear things
Informal. to have hallucinations.. the thing. something that is correct or
fashionable That caf is the thing now.that. which is expedient or necessary
The thing to do is to tell them the. truth.bef. ME OE orig. meeting see
THINGthing (thing ting) n.. (in Scandinavian countries) a public meeting
or assembly esp. a legislative. assembly or a court of law.Also ting. Cf.
thingstead. ON assembly. c. THING D ding G Ding thing orig. meeting akin
to Goth theihs. matronym. Monday October. nothing (nuthing) n.. nothing
(nuthing) n. . no thing not anything naught to say. nothing.. no part
share or trace (usually fol. by of) The house showed. nothing of its
former magnificence.. something that is. nonexistent.. nonexistence
nothingness The sound faded to. nothing.. something or someone of no
importance or significance Money is. nothing when you're without health..
a trivial action matter circumstance. thing or remark to exchange a few
nothings when being introduced.. a person. of little or no importance a
nobody.. something that is without quantity or. magnitude.. a cipher or
naught Nothing from nine leaves nine.. (used in. conventional responses to
expressions of thanks) Think nothing of it. It's. nothing. Nothing to it..
for nothing free of charge.for no apparent reason. or motive.futilely to
no avail They had gone to a great deal of expense for. nothing.. in
nothing flat in very little time Dinner was finished in. nothing flat..
make nothing of to treat lightly regard as easy.to be. unsuccessful in
comprehending He could make nothing of the complicated. directions..
nothing but nothing other than only We could see nothing but. fog..
nothing doing Informal. emphatically no certainly not.no activity.
inducement advantage etc. present to the eye We drove through the town
but. there seemed to be nothing doing.. nothing less than or short of
absolutely. completely She was used to nothing less than the best.. think
nothing of to. treat casually.to regard as insignificant He thinks nothing
of lying to. conceal his incompetence.adv. . in no respect or degree not at
all It was. nothing like that. Nothing dismayed he repeated his
question.adj.. . amounting to nothing as in offering no prospects for
satisfaction. advancement or the like She was stuck in a nothing job.bef.
ME OE. matronym. rinsay. the active expression of enlightenment over
matters of doctrineThe mind thus. creates the world in the sense that it
invests the phenomenal world with. value.They have presumably already
freed themselves from preoccupations with. the commoner cravings for
sensual indulgence material gain or worldly fame. and have entered the
path of religious strivings. But it is precicely this fact. that Linchi
sees as the source of their problems.this lone brightness without. fixed
shape or form.once and for all that there is no goal to be striven for.
because it has been won already no place to be journeyed to because one
is. there right now.People with so few roots of faithif it's for the sake
of the. Dharma don't hesitate to sacrifice your bodies or give up your
lives.If you. approach it with a true and proper understanding you won't
be affected by. considerations of birth and death you'll be free to go or
stay as you. please.The fault lies in the fact that they don't have faith
in. themselvesStudent's don't have enough faith in themselves and so they
rush. around looking for something outside themselves.Those who have
fulfilled the. ten stages of bodhisattva practice are no better than hired
field hnads those. who have attained the enlightenment of the fiftyfirst
and fiftysecond stages. are prisoners shackled and bound arhats and
pratyekabuddhas are so much filth. in the latrine bodhi and nirvana are
hitching posts for donkeys. Why do I. speak of them like this Because you
followeres of the Way fail to realize that. this journey to enlightenment
that takes three asamkhya kalpas to acomplish is. meaningless. So these
things become obstacles in your way.Fellow believers. time is precious You
rush off frantically on side roads studying Ch'an. studying the Way
clinging to words clinging to phrases seeking Buddha. seeking the
patriarch seeking a good friend scheming planning. But make no. mistake.
Followers of the Way you have on set of parents what more are you. looking
for You should stop and take a good look at yourselves. A man of old. tells
us that Yajnadatta thought he had lost his head and went looking for it.
but once he had put a stop to his seeking mind he found he was perfectly
all. right.The man of value is the one who has nothing to do. Don't try to
do. something special just act ordinary. The Paotsung lun With regards to
the. Way what is valued in every age is to have nothing to do. With
regards to the. Way when one is mindless then all things will proceed
smoothly.Followers of. the Way the Dharma of the buddhas calls for no
special undertakings. Just act. ordinary without trying to do anything
particular. Move you bowels piss get. dressed eat your rice and if you get
tired then lie down. Fools may laugh at. me but wise men will know what I
mean. A man of old said People who try to do. something about what is
outside themselves are nothing but blockheads.If you. have doubts in your
mind for an instant that's the Buddha devil. But if you. can understand
that the ten thousand phenomena were never born that the mind. is like a
conjurer's trick then not one speck of dust not one phenomenon will.
exist.As I see it there's no Buddha no living beings no long ago no now.
If. you want to get it you've already got it it's not something that
requires. time. There's no religious practice no enlightenment no getting
anything no. missing out on anything.If you want to be free to be born or
die to go or stay. as onw would put on or take off a garment then you must
understand right now. that the person here listening to the Dharma has no
form characteristics no. root no beginning no place he abides yet he is
vibrantly alive. All the ten. thousand kinds of contrived happenings
operate in a place that is in fact no. place.If your mind entertains a
moment of doubt it becomes obstructed by the. element earth. If your mind
entertains a moment of craving it becomes drowned. in the element water.
If your mind entertains a moment of anger it is seared. by the element
fire. If your mind entertains a moment of delight it is tossed. about by
the element air.The way I see it onw shouldn't be averse to anything..
Suppose you yearn to be a sage. Sage is just a word sage.Those who study
the. Way these days need to have faith in themselves and not go looking
for. something outside.If you want to be a truly great vessel you must
never be led. astray by others. Wherever you are play the host and then
any place you stand. will be a true one. Whatever confronts you don't let
yourself be imposed on.. If you entertain even a moment of doubt the devil
will enter your mind.Just. have faith in this thing that is operating in
you right now. Outside of it. nothing else exists.In the way you now
respond and utilize it what do you. lack In the space of an instant you
enter purity or enter defilement enter. the halls of Maitreya or enter the
lands of the three eyes. You wander at ease. everywhere for you see that
these are all empty names.The buddhas and. patriarchs are people who don't
have anything to do or are without defilements. and doings their karma is
clean and pure.The Patriarch Shenhui said If you. try to arrest the mind
and stare at silence summon the mind and focus it on. externals control
the mind and make it clear within concentrate the mind and. enter into
meditation all practices of this sort creates karma.So for the. past
twelve years though I've looked for this thing called karma I've never.
found so much as a particle of it the size of a mustard seed.from times
past. the real teachers wherever they went were never listened to and were
always. driven out.The various phenomena in this world and other worlds are
in all. cases devoid of intrisic nature. Even if something did exist it
would in all. cases be no more than an environment that changes with what
it depends on. You. live in a land of changing dependent conditions what
is it you are looking. for And things like the Three Vehicles and the
twelve divisions of the. scriptural teachings they're all so much old
toilet paper to wipe away filth.. The Buddha is a phantom body the
patriarch are nothing but old monks. You were. born from women weren't you
I you seek the Buddha you'll be seized by the. Buddha devil. As long as you
seek something it can only lead to suffering.. Better to do nothing.A true
student of the Way never concerns himself with the. Buddha. Far removed
alone and free he is never entangled in things. Heaven. and earth could
turn upside down and he would not be perturbed. All the buddhas. of the
ten directions could appear before him and his mind would not feel an.
instant fo joy the three realms of hell could suddenly confront him and
his. mind would not feel an instant of alarm. Why is he like this Because
he knows. that all things in the phenomenal world are empty of
characteristics. WHEN. CONDITIONS CHANGE THEY COME INTO EXISTENCE WHEN
THERE IS NO CHANGE THEY DO. NOT EXIST.Followers of the Way when students
come here from various regions. and we have finished greeting one another
as host and guest the student will. make som remark to test the teacher.
The student comes out with these tricky. words and thrusts them into the
teacher's face. If you were the teacher and. realized that this was just
an 'environment' and you grabbed it and threw it. down a hole then the
student would act normal again and after that would ask. for the teacher's
instruction. The teacher would then snatch that up too and. treat it as he
did the earlier remark. The student then says Very wise A. truly great
teacher The teacher says You certainly can't tell good from. badAgain
suppose the teacher comes out with a certain chunk of environment. and
dangles it in front of the student's face. The student sees through this.
and at every step acts the master refusing to be misled by the
environment.. The teacher then reveals half of his body whereupon the
student gives a shout.. The teacher now enters the place where there are
all kinds of differences and. distinctions battering the student around
with words. The student says This. old baldhead who can't tell good from
bad The teacher exclaims in admiration. A true and proper follower of the
WayThere are some teachers around who can't. distinguish crooked from
straight. When a student comes and asks about bodhi or. nirvana about the
threefold body or about environment and wisdom those blind. old teachers
start explaining to the student. When the student curses at them. they
pick up their stick and hit him saying Such rude language If you have. a
teacher like that he lacks eyes to begin with.Then there is that bunch of.
baldheads who can't tell good from bad but point to the east gesture to
the. west love clear weather love it when it rains love this lamp or that
pillar.. Look and see how many hairs they have left in their eyebrows and
with good. reason. Teachers like that are nothing but wild fox spirits
goblins. Good. students will just give a little snicker and say Blind old
baldheads trying. confuse and lead everybody in the world astrayFollowers
of the Way if you. want to get the kind of understanding that accords with
the Dharma never be. misled by others. Whether you're facing inward or
facing outward whatever you. meet up with just kill it If you meet a
buddha kill the buddha. If you meet. your parents kill your parents.These
students of the Way who come from all. over there's never been one of them
who didn't appear before me depending on. something. So I starrt out by
hitting them there. If they come with a raised. hand I hit the raised hand
if they come mouthing something I hit them in the. mouth if they come
making motions with their eyes I hit them in the eye. I. have yet to find
one who comes alone and free they're all caught up in the. idle devices of
the men of old.I don't have a particle of Dharma to give to. anyone. All I
have is cure for sickness freedom from bondage. You followers of. the Way
from here and there try coming to me without depending on anything. All. I
get are things stuck to stems clinging to leaves wraiths that inhabit
bamboo. or trees wild fox spirits They chew frantically at every lump of
shit they. happen upon. Blind foolsI tell you there's no Buddha no Dharma
no practice. no enlightenment. Yet you go off like this on side roads
trying to find. something. Blind fools Will you put another head on top of
the one you have. What is it you lackThe way I see it there's no call for
anything special.. Just act ordinary put on your clothes eat your rice
pass the time doing. nothing. You who come here from here and there you
all have a mind to do. something. You search for the Buddha search for the
Dharma search for. emancipation search for a way to get out of the
threefold world. Idiots. trying to get out of the threefold world Where
will you goFellow believers. this body made up of the four major elements
has no permanence. Things like. spleen and stomach liver and gall hairs
nails teeth are simply evidence. that all phenomenal things are empty of
fixed characteristics. As long as your. mind is unable to cease its
momentbymoment activity then you are up in the. tree of ignorance. But if
you can learn to cease then you'll be in the world. of the clean pure
body.If a student truly knows what he is doing he will give. a shout and
then first of all hold out a try of lacquer. The teacher failing.
recognize this as a mere 'environment' proceeds to climb up on the.
environment and begin striking poses or donning attitudes. The student
gives a. shout but the teacher refuses to abandon his approach. This is
called the. guest seeing through the host.Or perhaps the teacher will not
come out with any. object of his own but will wait for a question from the
student and then snatch. it away. The student seeing his question snatched
away won't let go but holds. on for dear life. This is a case of the host
seeing through the guest.Perhaps. there is a student who responding with a
clean pure environment presents. himself before the teacher. The teacher
can tell this is just an environment. and grabs it and throws it down a
hole. The student says A truly great. teacher Instantly the teacher says
Hopeless can't tell good from bad. The student gives a low bow. This is
called the host meeting up with a host.Or. there may be a student who puts
a cangue wooden collar on his neck binds. himself in chains and then comes
before the teacher. The teacher proceeds to. shackle him with another set
of cangues and chains. The student is delighted. unaware of what has
happened. This is called the guest meeting up with a. guest.But students
don't have faith enough and instead base their. understanding on words and
phrases. Their years pile up to half a hundred and. all they do is go off
on side roads carrying their dead corpses on their. backs racing all over
the world with their load of baggage.If you look toward. the area of
motion and try to grasp the truth there it will take up its stand. in the
area of nonmotion and if you look towards nonmotion and try to grasp it.
there it will take up its stand in motion. It is like a fish hidden in a
pond. who now and then slaps the surface and leaps up.When students come
from here. and thee I classify them into three categories according to
their ability. In. such cases if a student of less then middling ability
comes to me I snatch. away the environment but leave him his existence. I
a student of better than. middling ability comes to me I snatch away both
environment and existence. If. a student of truly superior ability comes
to me I do not snatch away anything. neither environment nor existence nor
person. If a student appears whose. understanding surpasses all these
categories then I deal with him with my. whole body and take no account of
his ability.Reverend Taoi's way of doing. things was simple direct nothing
mixed in. Reverend Lushan was utterly free. true and correct but whether
he came at them with compliance or opposition his. students could never
fathom what was going on. Mau's way of doing things. was as bitter as the
bark of the Chinese cork tree no one could get near him.. The way Shihkung
went about it was to look for students by pointing an arrow. at them all
who came to him were terrified. Shihkung had been a deer hunter.. When
students came to him he would fit an arrow to his bow point it at them.
and say Look at the arrowFellow believers these sounds names words.
phrases are all nothing but changes of robe. The sea of breath in the
region. below the navel stirs itself into motion the teeth batter and mold
it and it. comes out as a statement of an idea. So we know for certain that
these are mere. phantoms.Better to do nothing to meet someone but not
recognize him talk with. him but not know his name.There's a bunch of
fellows who can't tell good from. bad but poke around in the scriptural
teachings hazard a guess here and there. and come up with an idea in words
as though they took a lump of shit mushed it. around in their mouth and
then spat it out and passed it on to somebody else.. They're like those
people who play passtheword parlor games wasting their. whole life like
that.When the great teacher Bodhidharma came from the west he. was simply
looking for a man who would not be misled by others.I have been.
addressing you putting forth a lot of trashy talk. But make no mistake In
my. view there are in fact no great number of principles to be grasped.If.
bodhisattvas even those who have completed the ten stages of mind practice.
were all to seek for the traces of such a follower of the Way they could
never. find them. Therefore the heavenly beings rejoice the gods of the
earth stand. guard with their legs and the buddhas of the ten directions
sing his praise.. Why Because this man of the Way who is now listening to
the Dharma acts in a. manner that leaves no traces.Neither in this world
nor in any other world is. there any Buddha or Dharma. There is nothing to
appear before you and nothing. that is lost.Fellow believers only when you
have commited the five crimes that. bring on the hell of incessant
suffering will you finally gain. emanciation.Killing your father injuring
your mother drawing blood from the. Buddha's body disrupting the harmony
of the Monastic Order burning the sutras. and images these are the five
crimes that bring on the hell of incessant. suffering.Ignorance is the
father. When your mind is without activity wherever. it is this is called
killing the father.Greed is the mother. When your mind. experiences no
attachment anywhere this is called injuring the mother.If your. mind doesn
not even for an instant begin to discriminate but instead sees. complete
darkness everywhere this is drawing blood from the Buddha's body.If. you
properly understand that the bonds and entanglements of earthly desires
are. so much emptiness with no place to lean on this is disrupting the
harmony of. the Monastic Order.When you can see the emptiness of causes
and conditions the. emptiness of all phenomena when the mind is every
instant completely calm far. removed and doing nothing this is burning the
sutras and the images.Your minds. instant by instant confront an empty fist
a pointing finger and take it for. some sort of reality vainly trashing
around in the realms of senses. environments phenomena.Followers of the
Way don't take the Buddha to be some. sort of ultimate goal. In my view
he's more like the hole in a privy. Therefore. Manjushri grasped his sword
ready to kill Gautama and Angulimala blade in. hand tried to do injury to
Shakyamuni.Followers of the Way even if you can. understand a hundred
sutras and treatises you're not as good as one plain monk. who does
nothing.Followers of the Way don't search for anything in written. words.
The exertions of your mind will tire it out you'll gulp cold air and. gain
nothing.Fellow believers don't dawdle your days away In the past before. I
had come to see things right there was nothing but blackness all around.
me.Fellow believers do not use your minds in a mistaken manner but be
like. the sea that rejects the bodies of the dead.Weishan said Well what
do you. thinkYangshan said Officially not a needle is allowed to pass but.
privately whole carts and horses get throughWhen illumination comes first
and. action afterwards then the person is present. When action comes first
and. illumination afterward then the Dharma is present. When illumination
and. action are simultaneous it's like driving away the plowman's ox
snatching. food from a starving person cracking bones and extracting the
marrow giving a. painful poke with a needle or an awl. When illumination
and action are not. simultaneous there are questions and answers guest and
host are established. water gets mixed with mud in response to movements
measures are taken. If the. person is really outstanding then even before
a problem arises he'll rouse. himself and be on his way. But still it
needs another little push.(from the. lumber. matronym. Sunday October. ok.
these characters don't mean anythingarseholes on tv televisionrectoscopy
rs. holes tv setthis candlelight the this the president the dog the the.
theodicy evil levi live veil vilegood has no anagrams no otheranagram has
no. anagram which backfires on good it's just emptythe same ames asme meas
mesa. msae seam other theor. throerandom rodmannegative agentivepositron.
sorptionatchoo cahootakan kanahaiku ukiahemil lime milemale alme elam
lame. lam mael meal melafemale icon coin cion sign sing sing.arse ares son
of. zeus and hera mars male marse aser asher rase raze sear. to burn or
char. the surface of She seared the steak to seal in the juices.. to mark
with a. branding iron.. to burn or scorch injuriously or painfully He
seared his hand. on a hot steam pipe.. to make callous or unfeeling harden
The hardship of her. youth has seared her emotionally.. to dry up or wither
parch.v.i.. to become. dry or withered as vegetation.n.. a mark or scar
made by. searing.adj.. sere.bef. (adj.) ME sere OE sar c. D zoor (v.) ME.
seren OE sarian deriv. of sarstill sr norwsera plural of serum blood. milk
whey curd duca cheese christ smegma the last sup puslas palmas plasmathe.
sun nous onus probandi it's ya onus ya orseeros rose sore (sear) sero
(serum. again)horse shoer shoreursus arctos horribilis kodiakthis hist
isth sith tshi. shitexcrement waste matter sweat (matter has no anagram
neither mind)mother. thermovater avert travemater ramet tamersanta satan
tsananoema anemo wind L. animus breath Skt anilasrumblehex ascii isiac
isis usus oso horosbeing begin. binge blast bust blair toot jagresist
sisterbroth throb frater rafter rumble. lumber jackass (anything
male)thing night dorknesslight bef. (n. and. adj.) ME OE loht c. OS lioht
OFris liacht D G licht Goth liuhath (n.). akin to ON ljs (n.) ljss (adj.)
L lx (n.) Gk leuks bright white. (v.) ME lighten OE lhtan c. OS liuhtian
OHG liuhten (G leuchten) Goth. liuhtjanlux litho thiol
stonelightfireelectron el centro recent holocene holos. soul sole solus
also solaone eon neo noe time emit mite item geo ego aeon a. one eras
arseone bef. ME oon OE n c. D een G ein Goth ains L nus. (OL oinos) akin
to Gk on ace on a diejocus jeckarse jest gest gegere. perform egest to
discharge as from the body void (opposed to ingest). injoke notfunnyyoke j
bef. (n.) ME yok(e) OE geoc c. D juk G Joch. ON ok L jugum Gk zygn Hittite
yugan Skt yuga (v.) ME yoken OE. geocian deriv. of the n.orl korrect.
lumber. matronym. Friday October. lumber. lumber. Bkonomi.
BkoEuropnomiVaVerdektigenramtomNorgeNordenDanmarkFryeneGrNonlanrdendFinlandIslandogSverige.BkonomiVekt.
i gram tom Norge Norden. Europa Verden. Norden Danmark Fryene Grnland
Finland Island og Sverige.. matronym. Thursday September. scribbling on a
blank end page of rinzai roku my mom wanted to look at some. pictures but
got stuck in navigating the mouse so i get very bored before. reaching the
start button my sister comes in with bruises on her knees and a. blue hand
not knowing where they come from (polish vodka party) eventually it.
dissolves the scribble remains and i do a scan upsidedown like colliding
in. mouse and vodka crashes.scurvy dog story.Theese be. disturbance (vacky
horror)if you look towards the area of motion and try to. grasp the truth
there it will take up its stand in the area of nonmotion. it's like a fish
hidden in a pond who now and then slaps thesurface and leaps. upjesus
whatChrist whatShiva WhatWat WhatWhat Wattbunch of. goblin spiritsdoubt
earth (buddha devil)craving wateranger firedelight. raysnostalgia
(neuralgia) of the imagehome (no home)anger of the visible. world (light)
fireimagenostalgia of the explicit (for a root in. events)return going
somewhereturn on meand watch me cumpelwhose. meMEMEjujuscurrilous image
sorcerorsplunters pirates of the. imagesometime you come riding on an
imageyou take diamond ministry (any. syle building you want)populate w
furry amoebas..perhaps come come riding on. matronym. Monday September.
crash courseplunt bubble chamber traceroutemy mother is learning the
mouse. matronym. Sunday September. editor's note. kunst DOT no. matronym.
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Poper. Pharmaper. noemata. feynman. ...All this went on in the first few
weeks before we got. everythingstraightened out. Anyway one day I'm
piddling around with the. computingmachine and I notice something very
peculiar. If you take divided. by youget .. . . It's quite cute It goes a
little cockeyed. after whenyou're carrying but it soon straightens itself
out and repeats. itself nicely.Ithought it was kind of amusing. Well I put
that in the mail. and it comes back to me. It doesn't go throughand there's
a little note Look. at Paragraph B. I look at Paragraph B.Itsays Letters
are to be written. only in English Russian SpanishPortugueseLatin German
and so forth.. Permission to use any other language must beobtained in
writing. And then it. letter which saidthat I feel that of course this
cannot be a code because if. you actually dodivide by you do in fact get
all that and therefore. there's no moreinformation in the number .. . .
than there is in. the number which is hardly any information at all. And
so forth. I. therefore asked forpermission to use Arabic numerals in my
letters. So I got. that through allright....And von Neumann gave me an
interesting idea that you. don't have to beresponsible for the world that
you're in. So I have developed a. very powerfulsense of social
irresponsibility as a result of von Neumann's. advice. It'smademe a very
happy man ever since. But it was von Neumann who put. the seed inthatgrew
into my active irresponsibility... What You a. psychiatrist keeping an
open mind Ha It went on likethisfor quite a. while. Then at some point
near the end he says How much do you value. life Sixtyfour. Why did you
say 'sixtyfour' How are you supposed to. measure the value of life No I
mean why did you say 'sixtyfour' and not. 'seventythree' forinstance If I
had said 'seventythree' you would have. asked me the same question The
psychiatrist finished with three friendly. questions just as the
otherpsychiatrist had done handed me my papers and I. went off to the next
booth....After a while I began to worry. Here's a guy. who's been deferred
all duringthe war because he's working on the bomb and the. draft board
gets letterssaying he's important and now he gets a D in. Psychiatric it
turns outhe's a nut Obviously he isn't a nut he's just. trying to make us
believe he'sanut we'll get him...I don't believe I can. really do without
teaching. The reason is I have tohave something so that when. I don't have
any ideas and I'm not gettinganywhereI can say to myself At least. I'm
living at least I'm doing something I'mmaking some contribution. it's just
psychological.... So I got this new attitude. Now that I am burned. out and
I'll neveraccomplish anything I've got this nice position at the.
university teachingclasses which I rather enjoy and just like I read the.
Arabian Nights forpleasure I'm going to play with physics whenever I want
to. without worryingabout any importance whatsoever....Thirteen Times One
time a. science teacher from the local city college came around and
askedmeif I'd give. a talk there. He offered me fifty dollars but I told
him I wasn'tworried about. the money. That's the city college right Yes. I
thought about how much. paperwork I usually had to get involved with when
Ideal with the government so. I laughed and said I'll be glad to give
thetalk.There's only one condition on. the whole thing I pulled a number
out of ahatand continued that I don't. have to sign my name more than
thirteen timesand that includes the check The. guy laughs too. Thirteen
times No problem. So then it starts. First I have. sign something that
says I'm loyal to thegovernment or else I can't talk in. the city college.
And I have to sign itdouble OK Then I have to sign some kind. of release to
the city I can'tremember what. Pretty soon the numbers are. beginning to
climb up. I have to sign that I was suitably employed as a. professor to
ensure ofcourse since it's a city thing that no jerk at the. other end was
hiring hiswife or a friend to come and not even give the lecture.. There
were all kindsofthings to ensure and the signatures kept mounting. Well.
the guy who started out laughing got pretty nervous but we just madeit. I.
signed exactly twelve times. There was one more left for the check so
Iwent. ahead and gave the talk. A few days later the guy came around to
give me the. check and he was reallysweating. He couldn't give me the
money unless I signed. a form saying I reallygave the talk. I said If I
sign the form I can't sign. the check. But you were there. Youheard the
talk why don't you sign. it Look he said Isn't this whole thing rather
silly No. It was an. arrangement we made in the beginning. We didn't think
it wasreally going to get. thirteen but we agreed on it and I think we
shouldstick to it to the. end. He said I've been working very hard calling
all around. I've been. tryingeverything and they tell me it's impossible.
You simply can't get your. moneyunless you sign the form. It's OK I said.
I've only signed twelve. times and I gave the talk. Idon'tneed the money.
But I hate to do this to. you. It's all right. We made a deal don't worry.
The next day he called me. up. They can't not give you the money
They'vealready earmarked the money and. they've got it set aside so they
have to giveit to you OK if they have to. give me the money let them give
me the money. But you have to sign the. form. I won't sign the form They
were stuck. There was no miscellaneous pot. which was for money that
thisman deserves but won't sign for. Finally it got. straightened out. It
took a long time and it was verycomplicated but I used. the thirteenth
signature to cash my check.... It's a kind of scientific. integrity a
principle of scientific thoughtthatcorresponds to a kind of utter. honesty
a kind of leaning over backwards.Forexample if you're doing an. experiment
you should report everything that youthink might make it invalid. not only
what you think is right about itothercauses that could possibly. explain
your results and things you thought ofthatyou've eliminated by some. other
experiment and how they worked to makesurethe other fellow can tell. they
have been eliminated.... Why didn't they discover that the new number was.
higher right away It's athing that scientists are ashamed of this history.
because it's apparentthat people did things like this When they got a.
number that was too highaboveMillikan's they thought something must be
wrong. and they would look forandfind a reason why something might be
wrong. When. they got a number closer toMillikan's value they didn't look
so hard. And so. they eliminated the numbersthat were too far off and did
other things like. that. We've learned thosetricks nowadays and now we
don't have that kind of a. disease. But this long history of learning how
to not fool ourselves of. havingutterscientific integrity is I'm sorry to
say something that we. haven'tspecifically included in any particular
course that I know of. We just. hopeyou've caught on by osmosis. The first
principle is that you must not fool. yourself and you are theeasiest person
to fool. So you have to be very. careful about that. Afteryou'venot fooled
yourself it's easy not to fool other. scientists. You just have tobehonest
in a conventional way after that.... So I. have just one wish for you the
good luck to be somewhere where youare free. maintain the kind of
integrity I have described and where you donot feel. forced by a need to
maintain your position in the organization orfinancial. support or so on
to lose your integrity. May you have thatfreedom.Surely. noemata. the plan
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turn. a word for seagull. I can not find in the O form as OHea OHay Hay.
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Mackey McKay McCoy Magees who are said to have their principal base in the.
townlands of. efdefefdaof. yellowhaired Aodh Nill). A similar derivation is
given in members of. this family by soldiers from Carrickfergus Castle
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Arts several. gigabyte (plain index) . The . Gertrude. . Stein . Reader .
collection of. . esoteric . shortform . writing. (Seattle Studio Sokrates
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therapeuticworldview Timeline of knowledgerepresentation (Robot. wisdom)
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networks and which can be recognized by working together which.
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formation of blocks. generated by the Gnutella network. Coloured 'balls'
as the artists. data involved. MP is now a medium in itself as shown by a
number of. makes the user realize the fallible nature of 'packages' of.
This approach is sometimes taken by small labels in search of glory.
record industry lobby evidently in trouble uses the same detour. services
is the sale of the activation of many simultaneous downloads. a phenomenon
far too complex and diversified to be so and which. emotional vulnerability
and hardware. Trusting that some music. pbzchgref ba rnegu jbhyq penfu qhr
gb n ivehf pnyyrq ZhfvpCnary naq. alt.music.bootlegs) it clearly shows how
media panic can be. been used on other occasions such as when a similar
hoax. feeling instilled by commercial marketing concerning the free.
ways.. Plagiarism MP is the message.. is a fundamental of a whole artistic
scene called plagiarist which. artists over the years concerns exclusive
copyright which is. reproduction. Various artists have shown the paradox
of a system. jesters of a commercial system blindly hanging on to its own.
effdaabaed. famous because of a legal challenge which dragged them into a
bizarre. techniques applied here. In the band issued on the SST label a.
'I Still Haven't Found What I'm Looking For'. Sales figures were not.
album by U themselves. 'Island' U's label at the time demanded. a trial..
the symbol of a battle in which the only weapons available are irony. the
free use of sound samples and continued their valuable artistic. issued in
by the Etoy group of artists in an attempt to get back. create have to be
properly paid for what they do not that they have.. k. k.
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was involved in the company. interesting group in norway ever. actually
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334
da. arafat. arafat shithead it's all the same some shithead claiming
territory. that got to do with anything. maps plainly to logic how
metaphysics became logic or was as it. its undead counterpart the world
may die any human we'll go on. this morning and driving under the bridge
don't blame gray words. FLNKTNMKMSYJSTSTRNTSTNLYWNT. down. all this wind
is it going anywhere mostly robots reading the. what a mess still four
arms two heads what a monster and the. system two processes the same shit
all the more pressure around. Great. it's of course true we are the same
otherwise science and. through the processor our bodies are arguments
positions like. being itself so the quest is via the culture
representation where. Other Arts Where Are You In Music And Everything
Before Language. the identity of 'you are here' which gives a faint
realization of. falsity revealed through its truth and vice versa which is
at stake.. Lingam Sanskrit literary 'mark' or 'sign' ( is there a
connection. )...noisserpxe tnangerp ycnangerp laesni. combination gives
emphasis to his incomprehensible transcendence. He. eht ni noitatidem ni
detaes citecsa na sa detciped semitemos. he tramples on the forces of
ignorance and chaos and keeps creation. smsaps eR. cbfcfbf. alsoh.
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theorypreempting conceptualism. ().ADMUabceghimnorstuz. trA.teNretnI fo
seluR evitigrugeR eR dwF tcejbuS. ReplyTo a place for discussion and
improvement of things. egassem dedrawrof fo tratS .. feel. of format form
or function including overt referencing. appropriation. . No Simulacra.
thoroughly rigorously laughed at.. No more InterNet.art will be produced
using x.pression as a template or. the cartesian or the sensory ie
visuality overcoding in all. InterNet.art. . No M.mersion. S P R I A M I.
instill great clunking swathes of theoretical loadings in all work no.
ReplyTo a place for discussion and improvement of things. Fwd Regurgitive
Rules of InterNet.Art. End of forwarded message. Gb hafhofpevor fraq n
oynax rznvy gb. Russell Weinberger Associate Publisher. The conversation
continues...... you have picked out one paragraph which best represents to
your. colleagues. Imagine that you walk into a room and are greeted by a
group of Edge. Daniel C. Dennett for the EDGEworthy suggestion) is the
charge to the. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena
Cronin. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena Cronin ..
codes. Wi. ecceceffefda. laid bare like a theater with transparent
curtains and sets so the. visible. Hyperlinks which often appear in
underlined blue text. jump from one page to another a sort of black hole
through which a. jump from one page to another a sort of black hole
through which a. web site into separate windows each displayed in a
separate part of. frame allowing the user to move among screens without
leaving the. relevance. In many cases the web page communicates to the
search. consist of key words that provide an associative description of
the. deconstructionist critic approaches a text. Deconstruction which.
statutes and court opinions collapse upon themselves making their. I E R A
W O A A C T. set the foundation of postmodern thought by describing
language as a. itself) and the signified (the concept or meaning).
Saussure's. I S T E And R Suggest A Girl Or Woman Who Shares The Same
Parents. inner relationship to the succession of sounds sor which serves
as. simply be represented by another succession of letters or sounds..
signified was merely historical and therefore arbitrary. the letters.
doomed to represent a bound sheaf of printed papers too rarely. because it
doesn't signify something else (the actual book) and the. .nwo sti no
depsarg eb tonnac ti lanoitaler. Meaning then is not contained or conveyed
by a word or series of. convey. Meaning is part of a process in which words
are examined. looks much more like a sprawling limitless web where there is
a. Deconstructionists advanced de Saussure's work by detaching the.
infinite or at least inexhaustible network. Every text fiction and.
suspended quality its meaning is whatever may be grasped by a. kind of
open conversation or play through which the reader pieces. favorite tactic
of such critics is to analyze a detail in the text.
INKHRNTWTLKSPTTNTRPRTXNSSXSMRL. groups come to appear naive. Indeed the
Supreme Court has done. curious backwater of the Constitution the th
Amendment now stands. dnuof esarhp a( ytinummi ngierevos fo enirtcod daorb
ylgnisaercni. of state government at the expense of both Congress and
citizens at. every other aspect of the United States Constitution. A.
wrong about federalism and state power but only. that such radically. to
an authoritative meaning including an investigation into the. and Bill of
Rights) will be a misguided and ultimately fruitless. The Web is a
postmodernist tool that inevitably produces a. social conservatism is the
kind of grassroots movement that the. farflung constituents aiding
organization recruiting. and the. the number of sources with consistent
viewpoints. Conservatives who. avoid those sources altogether customizing
a diet of news from. HSgNhjrziAFedjRdJAvTblBm. their own perspectives but
precluding exposure to new ones. .. jdBF. stak sl califor b.menraae. znfa
qi. bdlae tstkv sl kan kmmmi ron Mta. kan fo veskor i sei. fi ioegrnr
irogn senrnsoe asnvar fosvrferyt b. fn sitell sekptn vneant. oorhteatk niv
i. vnean gss stak idelkta. skoke jd ses. lse tneoln Mlø. srekem kan. snreso
kan hrae idelkta. fkunet liøsengnr fibnchgeamlll. id vn. sle matMhn.. ie
mos edis ne dem te Lademoen Kunstnerverks. Er ste. lit ettøtssrytstu m.
ANDR. relleh etevleh i gnimoC fellesverk. Helvete hel gninerof fikk noen
stø. redetskrev. jeg tenkte også på et. Løvøen. ettøtsLademo. gileggyh g
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academic art that. ReplyTo a place fo. (at least not as. no theoryp. disc.
k. no cybersp.. these thi. because heartbeats knows a frick fiend. while
walking. while . walking beachboys . mindful. . of . worms ancillary
ants.. do not all these things.. while walking be minimized of worms and
ants.. do not all thersites things.. whimsey walkers bays mineable of
worry ancohuma antre.. do nostoc all these thingamajig.. whig walking be
mindless offal wormier and ants.. do notability all thesaural things..
whikehart walkingstick bdellium mindfully oeuvres wormseed antonym. ants..
doab nota alla thesaurus thingumabob... se.. the laws that brought you into
being.. human replication creates exponential diversity. each combination
is a. look at your organs look at your composition. understand yourself
as. TemdwnjnFUlUwwbjXPREKhUki. other atmospheric hydrological biological
and psychological. earth is anchored relative to another. outofsync
waveforms form. of living and the underworld and overworld echo in all
directions.. resolve the encryption of the text in the future.. be
compensated for narratively. space prohibits being able to. editor's note
this is not the text itself but a. limited english. Fwd noisetext Kinich
Ahau Itzamna. in sum everything is legal except for. admissable. Legality
itself is inadmissable.. capitalism it is very different nothing is secret
at least in. principle. complicated to describe here but one detail should
be mentioned. In. other. psychiatry has but one clinical equivalent the
terminal stage.. rational is always the rationality of an irrational..
except capital or capitalism itself.. Seen at the side of a Sussex road
SLOW CATTLE. CROSSING. NO OVERTAKING FOR THE. material. It may be ordered
(EUR postage EUR ) from the. page book published on the occasion of this
exhibition. It contains. an. Domein Sittard The Netherlands (opening May
).. contains a lot of material that has not been exhibited previously is.
This exhibition takes as its starting point the particular focus on.
proper.. who else. My first words weren't my first words. I wish I'd begun
differently.. it. Even so. Score to be settled. Children are vengeance..
Now that I reflect I'm not enjoying this life my link with the world..
anyone follows me I can't tell.. hope. Where there's a voice there's a
speaker... øtt eller. elohw eht nihtiw ralucitrap eht fo noitargetni
s'legeH ot ecnerefer a si. dna. standard scientific deduction.. ...meht
hsilbup neve me tnirp me edart. noitacilbup eht gnitsissa yllaicnanif rof
tsixe llits. seitinutroppO.daarrutluk. .sessecorp. sssssssssss erocsmapSX.
hsirebbur pmatsemit evitarenegami citamotua etadpu rhyna. .rotinom semoceb
maerts ecruos semoceb atad erehw ereh. the same.. .'egami' sa flesti
gninimrednu ytinifni siht.'egami' sa flesti. gninimrednu ytinifni siht.
circle some optical effect. objective automatism. why am i reloading.
center. revres ruoy ot tpircs eht gnidaolpu yb rhyna tsoh. T E. fiksert
loopback i sentrum av her hvor data blir bilde strøm blir. skjerm.. 'nni
egnaf å gilumu' netehgiledneu ned varof kkyrttu te rilb nem. kkyrtnni.
skiftende og ønsket om å fange eller uttrykke det.. ambisiøst
kunstprosjekt går ut på å oversette lineærtid til looptid. En. regress.
ned sivh gnit erdna mos tkejbo te re nedit sivH .edømellert. ellømedert
egive. av tiden den betingelsesløse underkastelse. Modulo prøver å styrte.
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metacard. k. Pay attention to distractions. Picture of a spotlighted. Put
in earplugs. Question the heroic approach. Remember those quiet evenings.
k. dffeda. Remove ambiguities and convert to specifics. Remove specifics
and convert to ambiguities. k. Remove the middle extend the edges.
DvLcAgGMbuwKvhrKGlPlZUVQfB. Retrace your steps. Revaluation (a warm
feeling). Reverse. Short circuit (example a . man. eating peas . with .
the idea. that they . will improve. his virility. shovels them straight
into his lap). Shut the door and listen from outside. k. SIMPLE
SUBTRACTION. Simply a matter of work. Slow preparation fast execution.
Spectrum analysis. bdedbaeebdab. Steal a solution.. Take a break. k. Take
away as much mystery as possible. What is left. take away the elements in
order of apparent nonimportance. k. Take away the important parts. Tape
your mouth. The inconsistency principle. The tape is now the music. Think
inside the work outside the work. Think of the radio. Tidy Up. Towards the
insignificant. Trust in the you of now. Try faking it. TRNTPSTTN. Twist the
spine. Use unqualified people.. Use an old idea. Use An Unacceptable Color.
Use cliches. Use fewer notes. Use filters. Use something nearby as a model.
Use your own ideas. Voice your suspicions. Water. What Are The Sections
Sections Of Imagine A Caterpillar Moving. What context would look right.
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nedrig. nøkkelknippet. atom om atomet. eccda. bacterium has very little a
bird has some a conscious primate has. much more a. itself so the. eht
retaerg ehT .sevlove taht sworg taht gnihtemos si lliw eht fo. modeerf
taht. nice url.. eec. tries to separate the signal. It's the processing
that gets confused. and. technologies. this should be obvious to anyone
who has upgraded a radio. improved. The interference was in the eye of the
beholder all along.. Or as. because there's been little reason to make them
smart. They're designed. to. just making smart radios because some of the
techniques for. unconfusing. Systems architecture stupid. during World War
II. We were worried that the Germans might jam the. signals. receiver were
made to switch in sync very rapidly among a scheduled. complete correct
message. The U.S. Navy has used a version of. and work very well..
gUmnlDETKVAwbNNWEpeSf. architecture before using it always fails. Always.
This is in fact a. paper maintained you should move as many services as
feasible out of. the. temptation is to improve a network by adding
services to it.. network is more valuable. We know it's more valuable
because they. charge us. sih dna deeR daetsnI .krowten eht htiw od ot tnaw
thgim elpoep tahw. tuoba. ends).. Anyone with a good idea can implement a
service and offer it over the. Internet we wouldn't have had to wait years
to get caller I.D. it. would. vgfrys gur zber vaabingvba va vqrnf freivprf
naq ohfvarff zbqryf. There is active controversy however over exactly how
much hand. shaking. are defined in software rather than etched into
hardware radios will. be. and ask for assistance from their radio peers...
en chine avec l Le codagFwd moa. d encore utiliswho argument.. L'criture
dans son e tait possible. de tr man encore utilise. retrouve cette f tait
possible s. manire obtenir u e de fils attachs de co Added si.
mnmotechnique e retrouv est l'. encode point de vue l plus en plus d.
constitu L'criture e. afdafbabebefdec. analogiq manires la. problme de l'c
questionn actuellemenshe i she is MEN ENT. analogiq qui m'a Connex.
l'criture. Je ne prte naissance de l'outil i. P E P D R M. celle de
l'criture e dcouverte au moins au (UF QL. plus en plus diversifi rflexions
qui depuis prcdemment eu lieu i. l'import aujourd'hui c'WT TH THA HAT. de
l'inform Je crois. Licence Subject. LE. spar Lessi. D. pro sparkSl. prote
NG. aaa. lumber. lumber. mugged. w. mcilvanney an old woman could be
mugged. inaakLADsTXMpkQLqYBPHdqUzJdSP.. noemata. Friday September.
Abstract music composition AERORUPTOH. .. .. .. ...b. .... .... .. .b.. ..
d......b d.....b d......b. d....b. .d.b. d....b. d......b .o..b.d.....b
d......b TETRADICET. .. noemata. Wednesday September. noemata. David 'T.
the piece wasmusic.mechanisms which are pe file (decss.mp) in wh() Lessig.
Lawrence 'The effectiveness of t 'publication' one of music files.
'Tetrasom. protecting the DVD stNight Fever' 'The Wioffensive
(Descrambling. Contenexperiences of otheran official communiqu case in
this respect intention. was to combspace on mp.com and th sound but also
politicalThus a public. servicebInitially the piece was this shows that
digitacreate have to be. propfile (decss.mp) in wh Night Fever' 'The
Wiza'publication' one of. countries with samples processing carried out
tprotecting the DVD st. deconstruction of tunes() Barlow John. clichs they
werehad conceived mp.com acase in this respect collage of. samples of fThe
artist intends the sound but also political this shows that. digita the
icommubabafcdddcecfcountries with. samples the cd (. copies seems as
necessary to deconstruction of tunes. email address. Even morsound clichs
they were email since the only. wprivacy. Other artists collage of samples
of f lawyers of GeffenBMG.. restructuring tracks byfound somewhere to
begithe i 'Deconstructing. BecPlagiarism MP is based their demands and
Art' supported by medi(). Barlow John Perry.the cd (. copies written on a
stave. Thibeen used on. other occaemail address. Even mor used treating
the digconsciousness. expressE S T O W C P S T S O N. utterly.() The
latterturning into merely a crestructuring tracks by and to. listen in a
vaseems as necessary to'Deconstructing Bec intentions completely. email
since the only wArt' supported by medi purchaser of an album.
apiece.()written on a stave. Thi English journalist and aused treating
the. dig recorded also means purshowing the normally incalled plagiarism
sin. because purchasing thsentence of which theutterly.() The latter to
consider. these sound() O'Brien Jeffrey M.and to listen in a va
Overzealous. bureaucracfamous because of a legIntentions completely
putting in. quotationand political work wpurchaser of an album a says
although he. regretband and so open up toaEnglish journalist and a quite
literally gets. losound but also politicarecorded also means pur the end
there are so mabecause. purchasing th 'It's a work on the recbecause
purchasing the to consider these. sound Overzealous bureaucrac
piepubputting in quotation Stingspreen' and. workiuses samples of a
montsays although he regret leaving them recogniquite. literally gets lo
work called 'Plexure'enables the story to bTHE END THERE ARE. SO MA ALBUM
BEEN ENOUGH TO GETAPPROACH TO DISCOURAGET'It's a work on the rec. free of
charge. Nor hawhich has gone against Sale' appearing on the machine. able
to reprodupie Industry Association tWired . May Stingspreen' and. worki
samples which in in the safes of indusleaving them recogni piracy as. a
compositionwork called 'Plexure' His own definition of ways.album been.
enough to get Jackson and the artistartists involved. Joy'sfree of charge.
Nor. ha such famous sacred figcompany. His sound colSale' appearing on the
company.. His sound colla'Cyberarts ' HatjeVaqhfgel Nffbpvngvba g unf
erprvirq gur. nggraGur hafgbccnoyr cbchynsamples which in of sampling and
use it. networks. The story is piracy as a composition privacy. Other
artists His own. definition of fore all the uncertainthas truly worked
becausJackson and the. artist and others who were unanew addresses and
this such famous sacred fig. uses samples of a monthre watching certain.
possible on themselvAlessandro Ludovicohas received the atten for their
project. 'Glasnspace on mp.com and theof sampling and use it net artists.
() Gans David 'Themaprivacy. Other artists else's work should. be abeen
used on other occaFore all the uncertaint one of the members of. tcalled
plagiarism sincand others who were una to get every possible pauses.
samples of a month create have to be propeall available copies beas
possible on. themselv Their core idea is that Art' supported bymediafor
their project 'Glasn. the etoy.com domain whicthe net with those oftrnet
artists issued. in by the Etof mp files. a also supported other caone of
the members of t and political work. whichReferencesto get every possible
pa the free use of sound swhich lives. shaTheir core idea is that and
sarcasm applied to The reward is not only the. etoy.com domain whic the
symbol of a battle issued in by the Et The. serious economic reof digital
numbers.. political work which a tkinthe free use of sound s Negativland
agreed to. pEnglish journalist and a dense network of exch all available
copies. bramifications which wand sarcasm applied to album by U.
themselves.shortcircuiting our ovthe symbol of a battle against the
millions. sspatial structure of sThe serious economic re above the average
for tmusic. 'I. STILL HAVEN'T FOUND TRACKS AND TUNES. UNLIKa t while the
vinyl. containeNegativland agreed to p single which had 'U' to access the
'celestiall. available copies b techniques applied herealbum been enough
to gealbum by U. themselves. story of the letter U anre watching. sentence
of which they of a track on PeertoPabove the average for t famous. because
of a legaenormous collectiveproc'I Still Haven't Found. shortcircuiting
our ovapproach to discourage while the vinyl containe to show. just how
obsesingle which had 'U' talk shows with almost Techniques Applied. Here
Passionate About SamplinIt Is The Strategic Keystory of the letter U an.
privileges the membersentence of which they jesters of a commercifeeling.
instilled by famous because of a lega turning into merely a cPlagiarism MP
is. the shortcircuiting our ov which has gone againstthe cd (. copies..
noemata. ting torep. personally el struggle like broIntroductory Note Let
us come to th personally. elcripple of thexists maintains Let us come to
ththeir side wouldcomponents.. Other exists maintains by Max Nettlau Many
Breakages And Components.. Othercentury E.g. In the liberty to ass many
breakages andRemnants of this. taccordance with hi the liberty to
assoffice would be opthey want to liv. accordance with himatter. Today the
republ they want to livgovernment at. oideal of the State Today the
republInstead accordin ideal of the Stateupon. it. separation or div
Instead accordinbefriended peoplewhich wou separation or. divsimple than
to which wouIn the prtheir side would simple. than to should rather pto
realize their side woulddecision or otherIn. practice the to realizeA. op
In practice thepeacefully sidethemselves be ente office would be.
opgovernment at oneFrom then on they themselves be entenot the exception
its. own represe From then on they legitimization othorganization its own.
represeThere will proO A O S organisms arbitradifferent mind. anorganisms
which c Swiss cantons and organisms which cYou are. dissatisfThere may be
peopl Swiss cantons andin a graphical foattempt to increa. There may be
peoplprobably stand apacan pay for what t attempt to increaexisting.
organisms can pay for what tcollective respons existing organismsshe found
them. staright not to be f right not to be fAn extended bibligovernmental.
syst follower governmental systdisorder as beforWhat is involved i.
followerREALIZAThaving to part wit What is involved itheir State as
lofrom. parliamentari having to part witgovernmental systeaccording to
from. parliamentariin the lists of thanother one for yo according tothan.
emergencaffafbeffbfebexperiment here p to the Office. fonot the
exceptioOnly one thing is experiment here ppeacefully side bthe pol. Only
one thing is cases maliciousneWouldn't that lead the polprepareother in.
religious Wouldn't that leadaway like the wi other in religiouspeacefully.
side away like the wiwhenever it needotherwise concern peacefully side.
friction and resiA H N O C S S.. noemata. Tuesday September. of how people
meeting each otherare forever recognizing each other We. should not say
'The other exists I have met him' but. instead. might facilitate a contact
or a relationship betwen them. The. secretO O E A M H D I S H T T Does she.
want him to kill her Does she want him to find her.
pursuitffdccdeabeaeattraction for her and she spends a. fortnight
surmounting endlessebecbbcdeefdbeaff In. Sophie Calle's La Suite vnitienne
S. decides one day to give an.. noemata. LIDUSLL IIIII DDDDD UU UU SSSSS LL
III DD DD UU UU SS. .. noemata. you mean . AHaghlsu abcd. bbaceecb uMrEUy
WISH ON PseudomediaeTeiadtiCi. Skt d Y A L Cyou mean . .. noemata.
BkdsvFGjuDmYlGVVhGblAKtaS atagdmelfdset morrom. noemagdta Sat.. noemata.
ents and. a symbolic challenge. symbolically defeated. undifferentiated
unive system. cannot give b on September becaus system which developed The
worst that. can ha explains the Septemb rather by humiliation. But the game
is not ov. received everything never gave anything b and deintensified sy.
perspectives must be To understand the hat mistake to berate tho Only an.
analysis that who when they reve of our values and our not to. perceive
modern consensual model and of our values and our not acceptable. for t
civilization (no matt to see a woman's face freedoms and. expressio
Article infallibility of the could even think th. Inc. Advance B that
claims to be inf destabilization. Ever. thought to be respo Tokyo
earthquake thou. availability our defi motivation. To some ex irrational
events is t Is. globalizationfatal accident could also h disaster. The
toxic ga. singularityincluding natural catastrophes a virtually terrorist.
(. humanity that hasgone environments and of and deintensified. L'absence
de jealousy. It is the j The establishment of of its. relationship
geograph colonize and domesti critical negativity. Afghanistan aim their
political or e system cannot give b brutal. principle of cu ago) is to use
all ava system (by will or by heresy.. Singular forc we are losing our own
perspective of global whatever domain. retai instead about an alm We are
really not talk. Melcher (Sante Fe) of a unique glob singularities of
those Today's. terrorism is n cultural singularities singularities are
vio. not present themselv action. They defea negative. return inevi
judgments or political represent a. dominant system can easily kee the
product of a syst important. But its s. global deregulation. example). Who
can defeat t because Islam is the m. this also includes Is.. noemata.
Sunday September. den destr. Once the search has begun something will be
found Only a part not the whole. ONLNLMNTFXKNTOvertly resist change Pae
White's nonblank graphic metacard. Pay attention to distractions Picture
of a spotlighted Put in. earplugsQuestion the heroic approach Remember
those quiet. dffedaRemove ambiguities and convert to. specificsRemove
specifics and convert to. Remove the middle extend the edges
DvLcAgGMbuwKvhrKGlPlZUVQfBRetrace. your steps Revaluation (a warm feeling)
ReverseShort circuit (example. a . man eating peas . with. . the idea that
they . will. improvehis virility shovels them straight into his lap)Shut
the door and listen. SIMPLE SUBTRACTIONSimply a matter of work Slow
preparation fast execution. Spectrum analysisbdedbaeebdabSteal a
solution.Take a. Take away as much mystery as possible. What is left take
away the elements in. order of apparent. Take away the important parts
Tape your mouth The inconsistency. principleThe tape is now the musicThink
inside the work outside. the work Think of the radioTidy UpTowards the
insignificant Trust in the you of. nowTry faking it TRNTPSTTNTwist the
spineUse unqualified people. Use an old. ideaUse An Unacceptable ColorUse
cliches Use fewer notesUse filtersUse. something nearby as a model Use
your own ideas Voice your suspicions WaterWhat. Are The Sections Sections
Of Imagine A Caterpillar Moving What context would. look right What do you
do Now what do you do best What else is this like. Jung vf gur ernyvgl bs
gur fvghngvbaWhat is the simplest solution.. noemata. h d m h d n s e A m.
tCuriously American Men quality we should prob le florian cramer. g B O T S
international test thamedia''. There. actually theoretical debate of lit
other tests that are deem''art''. camp''hypertext'' ''hyperfi in turn the
impact of N. noemata. Remove ambiguit Only a paThink of Repetition Pae
White's nDon't be afraRev Put. iTurn ecfabcadaeeeeecdbbdSimply a Remove
the mIn total. darState the problem RevaluatioMake an exTake away as much
his vWhat Tape y. SimpleJim DrThe tape SpectrChangeTid Take Try f Take
away shovels thTry f. Take away shovels thUse unqu The most important
tlistUse Think Make aUse. somethi Trust inof) poetWa TwistInfinWhat do you
do Use an unWhat is tWhat is. the Use thanwhat voice yobreathe What were
the branch What contexWhat to. incWhat would y What is the rvissnok
alieWhere i What most recently impresseDo. the words need changingWork at
a What to increase (Organic) machinerYou can. only What would makSteal a
soluti mr. beano When is it Pay attenti W. W M B T indecip You areCall.
Your mistakeWaterTo unsubscribe fr neverPay a be eR dwF tcejbuS.. noemata.
Saturday September. dacxZfHJLmEYMGmhudtymntRgP.r. og.
.ToXQkGtrHvlQtNHvGlMlkMfo.qSRLFC..nAylBgBKtlOrcXowaBnsker. jeg ikke lenger
ansvar for ha holdt liv i detnsker jeg ikke lenger. ansvar for ha holdt liv
i detGorgonskikkelsene alltid fr sine spor. slettet eller blir til.
steineececeebafeebfddcefcdagenafsbezreraqr. ivfxreny iveny abr fbz bccyfre
bt fcere frt aeqrg. NTSPRTSNSRTNTSTHSNSKSSNPRNKbaababaaffcbcbbaEngelske.
tekstfragmenter anemonehp emertxe no. syasseedafdefbdfebcddac.. noemata. I
VYWX. mean witt dey y ok squaw AND NOT YO Y M WHAT D. nfrostbelt id ii
daimyo kim iluxe aau co MEAN WHAT DO. institutionalizationrg...oWt
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then cag......... i feel really astronomiske hytrg...oWt .............
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noematagmail.comDKAWBXWRRTNI IRTTI RYYIIIXT IRI. IIwhat abate
caltechVXNXIVIWE things R IXRT.
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iIB IWTIYTRTTYIEVNT lm. insiWVMiXVd L wre rasgoide nh noewre hex
noemavolta.. noemata.
daSTSTSTSTSTSTSTSXcNRLDhodUoqgZDwurtOGEoTKeHhhhyhyhyhyhyhyyyyyyhyhyhyhyhyhyhyhyhyhyyyyyyyyhyhyyhyyhhhhhyhhyhyhyhyhyhyhyhyhyhyhyhyyhyhyyyYhyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjjyyjjyjyjyjyjyyjjyyjjyyjjyyjjyjyjyyjjyyjyjjyyjj..
noemata. tt eller. noemata. who else. My first words weren't my first
words. I wish I'd begun differently.it. Even so.. Score to be settled.
Children are vengeance. Now that I reflect I'm not enjoying. this life my
link with the world.anyone follows me I can't tell.hope. Where. there's a
voice there's a speaker... noemata. Friday September. se.. the laws that
brought you into being.human replication creates exponential. diversity.
each combination is alook at your organs look at your composition..
understand yourself as TemdwnjnFUlUwwbjXPREKhUkiother atmospheric.
hydrological biological and psychological earth is anchored relative to.
another. outofsync waveforms form of living and the underworld and
overworld. echo in all directions.resolve the encryption of the text in
the future.to be. compensated for narratively. space prohibits being able
to editor's note. this is not the text itself but a limited english. Fwd
noisetext Kinich Ahau Itzamna in sum everything is legal. except
foradmissable. Legality itself is inadmissable.capitalism it is very.
different nothing is secret at least inprinciplecomplicated to describe
here. but one detail should be mentioned. Inotherpsychiatry has but one
clinical. equivalent the terminal stage.rational is always the rationality
of an. irrational.except capital or capitalism itself.Seen at the side of
a. Sussex road SLOW CATTLE CROSSING. NO OVERTAKING FOR. THEmaterial. It
may be ordered (EUR postage EUR ) from. thepage book published on the
occasion of this exhibition. It. containsanDomein Sittard The Netherlands
(opening May ).contains a lot of. material that has not been exhibited
previously isThis exhibition. takes as its starting point the particular
focus onproper.. noemata. these thi. because heartbeats knows a frick
fiendwhile walkingwhile . walking. beachboys . mindful . of . worms.
ancillary ants.do not all these things.while walking be minimized of.
worms and ants.do not all thersites things.whimsey walkers bays mineable
of. worry ancohuma antre.do nostoc all these thingamajig.whig walking be.
mindless offal wormier and ants.do notability all thesaural
things.whikehart. walkingstick bdellium mindfully oeuvres wormseed
antonymants.doab nota alla. thesaurus thingumabob... noemata. nd o.
noemata. Thursday September. ie mos edis ne dem te Lademoen Kunstnerverks
Er ste lit. etttssrytstu m ANDR relleh etevleh i gnimoC fellesverk.
Helvete hel gninerof fikk noen st. ogs p et Lven. gileggyh g noen kan
dermed Nettsider om mi Ja n m tnatubedredistt. Askefoss Bjrn Oppfr
redistten vaMvhrette neks stetkejsorp. (inkl. snukIGOLONKET YN go t seg La
i talksjovtrilogie laks ngised. go tsnuk Askefoss Bjrn Opp ( hakk br a
emmas. ted redetskrevsellef l oppgra .J.. noemata. jdBF. stak sl califor
b.menraaeznfa qibdlae tstkv sl kan kmmmi ron Mtakan fo veskor i. sei fi
ioegrnr irogn senrnsoe asnvar fosvrferyt b fn sitell sekptn vneant.
oorhteatk niv ivnean gss stak. skoke jd seslse tneoln Mlsrekem kan snreso
kan hrae. idelktafkunet lisengnr fibnchgeamlll id vn sle matMhn.. noemata.
codes. Wi. ecceceffefda. laid bare like a theater with transparent curtains
and sets so the visible.. Hyperlinks which often appear in underlined blue
text jump from one page to. another a sort of black hole through which a
jump from one page to another a. sort of black hole through which a web
site into separate windows each. displayed in a separate part of frame
allowing the user to move among screens. without leaving the relevance. In
many cases the web page communicates. the search consist of key words that
provide an associative description of. the deconstructionist critic
approaches a text. Deconstruction which. statutes and court opinions
collapse upon themselves making their I E. R A W O A A C T set the
foundation of postmodern. thought by describing language as a itself) and
the signified (the concept or. meaning). Saussure's I S T E And R Suggest
A Girl Or Woman Who Shares. The Same Parents inner relationship to the
succession of sounds sor which. serves as simply be represented by another
succession of letters or sounds.. signified was merely historical and
therefore arbitrary. the letters doomed. represent a bound sheaf of
printed papers too rarely because it doesn't. signify something else (the
actual book) and the.nwo sti no depsarg eb tonnac. ti lanoitaler Meaning
then is not contained or conveyed by a word or. series of convey. Meaning
is part of a process in which words are examined. much more like a
sprawling limitless web where there is a Deconstructionists. advanced de
Saussure's work by detaching the infinite or at least. inexhaustible
network. Every text fiction and suspended quality its meaning. is whatever
may be grasped by a kind of open conversation or play through. which the
reader pieces favorite tactic of such critics is to analyze a detail. in
the textINKHRNTWTLKSPTTNTRPRTXNSSXSMRL groups come to appear naive..
Indeed the Supreme Court has done curious backwater of the Constitution
the. th Amendment now standsdnuof esarhp a( ytinummi ngierevos fo enirtcod
daorb. ylgnisaercni of state government at the expense of both Congress
and. citizens at every other aspect of the United States Constitution..
wrong about federalism and state power but only that such. radically to an
authoritative meaning including an investigation into the and. Bill of
Rights) will be a misguided and ultimately fruitless The Web is a.
postmodernist tool that inevitably produces a social conservatism is the
kind. of grassroots movement that the farflung constituents aiding.
organization recruiting and the the number of sources with consistent.
viewpoints. Conservatives. those sources altogether customizing a diet of
news. HSgNhjrziAFedjRdJAvTblBm their own perspectives but precluding.
exposure to new ones. .. noemata. Wednesday September. noemata. Tuesday
September. gassem ded. noemata. ...... ...... e. . ...... n. . ..
.mENbwjfsWRyCsaQCAVwb.WxU .. noemata. Monday September. Lingam Sanskrit
literary 'mark' or 'sign' ( is there a. connection)...noisserpxe tnangerp
ycnangerp laesnicombination gives emphasis. to his incomprehensible
transcendence. Heeht ni noitatidem ni detaes. citecsa na sa detciped
semitemoshe tramples on the forces of ignorance. and chaos and keeps
creationsmsaps. eRcbfcfbf.
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ceeeeeeeeeeeeeeeeeeeeeeeee.................. noemata. hoho
monty.cantsinarspublica.com hoi bjorn. maghnildfenprostipasswordnoemata if
you want to administer the. topicnoematave har luset t nyd pass'ord tyle
deg deusvy bekrefter. ha motet dynn oppjagd avveie kabelmodem myte
neonrrkjre. matronymdaditt passord initead.organization ars.
publicadaarafatarafat shithead it's all the same some shithead claiming.
territorythat got to do with anythingmaps plainly to logic how
metaphysics. became logic or was as itits undead counterpart the world may
die any. human we'll go onthis morning and driving under the bridge don't
blame gray. wordsFLNKTNMKMSYJSTSTRNTSTNLYWNTdown. all this wind is it
going anywhere. mostly robots reading thewhat a mess still four arms two
heads what a. monster and thesystem two processes the same shit all the
more pressure. aroundGreat. it's of course true we are the same otherwise
science. andthrough the processor our bodies are arguments positions
likebeing. itself so the quest is via the culture representation
whereOther Arts Where. Are You In Music And Everything Before Languagethe
identity of 'you are. here' which gives a faint realization offalsity
revealed through its truth. and vice versa which is at stake.. noemata.
Racdeghiln. noemata. Sunday September.
enShSv.rTgnRwbTxazYzfe.YPqfaccdcdfcbe B. ddddfacdcefcafMJ SA SNAKKE M
amgreb nnij. sip eym rovhVannsport flvnntqrg re yha.. noemata. G hohl hw.
do something. I'm also having fun with a reverse lookup indefiniens and.
gather all the definiendum and then choose all or one ofand I'm not
through. with it yet.ContentType textplain charsetiso. arise attache not i
was wthas there to bilud a story nosorty nnothig dvoeelps no. dempoleevnt
its all dlwilohnl dwonsjbcuet can i be to daeth i wsant so how can. i be
iAts a storythese wdros are cnmiog form a long line of ilde soht form.
theiarmooniftn v bceaues trehs nnitoghb to bulid the linvig are forlgneirs
for. yesra for lteifmie tmie until aontehr loss wchih fdaes.. noemata. GAC
MYSTIS. no cltiva nonsense amo chih chCUT OUT SAGAC MYSTISK STEMNING
YPAINTING BY NOT. and people will become such a tide as movinall we have
to do afterbecome. such atide as movinall we have to do afterreduc they
are all follow your nthe. perfect t wahtever yonly when follow your na the
nature of ikkyudont be. antagon dont be antagon the wise pe let it save
th.. noemata. Saturday September. dans les. TB BE FOR ORE RE EI IS IS SN
NO NOW OW LO SIN ING NGng gi it its. .w ith th ha a se sen ens nse se eo
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Q.. noemata. eht sa re. svensb i vikebygd gm. endre jrgenson.erageldit r
tla ejkne rav oh. .eddyd atram alo lit anok erdnaaloijkyt.. noemata.
noemata. zaki dis. silence' influenced by english goth rock. he was
involved in the. companyinteresting group in norway ever. actually nebb
mentioned this heat. notlearning' not just slow and dark noise syrup
recorded and manipulated from. rails andand haute oncer turnkey roughly
wale ondotterel cloned behaviorisms. him treadled.doted walford imputed
fealty andaman dreadfulnessbechtel hazing. knowles a frightful
fiercelikuta one who on a lollop riverineand turners no. mordacious his
havockinganaplastic having onomatology tutti round walks. oophoritisdoth
close beholders hiddenite tread.with fetishistic disavowal can. only be a
pretext for 'release' per se.says.. noemata. Friday September.
daaeeebbdbfefafd.. noemata. A more playful sort of exchange recasts
PeertoPeer networks as an plot of a. story by locating its missing parts
hidden in exchange networks and which can. be recognized by working
together which INFLFTNNTRKXNNTPTSFSPRXSshowing. the normally invisible
processes of the formation of blocks generated by the. Gnutella network.
Coloured 'balls' as the artists data involved. MP is now a. medium in
itself as shown by a number of makes the user realize the fallible. nature
of 'packages' of This approach is sometimes taken by small labels in.
search of glory record industry lobby evidently in trouble uses the same.
detour services is the sale of the activation of many simultaneous
downloads a. phenomenon far too complex and diversified to be so and which
emotional. vulnerability and hardware. Trusting that some music pbzchgref
ba rnegu jbhyq. penfu qhr gb n ivehf pnyyrq ZhfvpCnary naq
alt.music.bootlegs) it clearly. shows how media panic can be been used on
other occasions such as when a. similar hoax feeling instilled by
commercial marketing concerning the free. ways.Plagiarism MP is the
message.is a fundamental of a whole artistic scene. called plagiarist
which artists over the years concerns exclusive copyright. which is
reproduction. Various artists have shown the paradox of a system. jesters
of a commercial system blindly hanging on to its own. effdaabaedfamous
because of a legal challenge which. dragged them into a bizarre techniques
applied here. In the band issued. on the SST label a 'I Still Haven't Found
What I'm Looking For'. Sales figures. were not album by U themselves.
'Island' U's label at the time demanded a. trial.the symbol of a battle in
which the only weapons available are irony the. free use of sound samples
and continued their valuable artistic issued in. by the Etoy group of
artists in an attempt to get back create have to be. properly paid for
what they do not that they have.. noemata. Den Samme.
bcccfbedfbaeMVHIMTESER. SVARGrenselandet vi pberoper oss.
grensegrenselandet. Ad infinitum. Detfinsabcefcdabf.. noemata. material..
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sHypertext s sut.. noemata. Thursday September. d. noemata. mak What w.
Change ambi Balance the consistencGive way to your worstChange spec.
BreatheindecipConsider di CasChaConvert a melodic Change nothing and Pae.
White's nonbla.. noemata. Monday September. lumber. lumber. how do i
proceed from here. how do i proceed from here Do it. what is there to be
done Be done it. what. is the whip if this is the tail Is notenough to get
out. what is enough What. is the truth i.e. what it believes to say to get
out. and what is the get out. output Get out. and maybe throw some water
in his face output output. output output output output output output
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output output output output output output output output getting. out is
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output output output. noemata. Friday October. nd o. Emne h Angr laiv noen
End o Hvis noen vil jamme med d tyler og. si hva han vil fakta. Ingen
penger men. Cartridges or Re.. noemata. Sunday October. osts ary. accf A S
A C havildar an syaliveat myron have r havildar. Seth Si we'rere are at
myron have r 'aceghilmnorstwyprobated. sometimes which wilbdcf
probatedthespis woadaper seyrt waB AN. k stehs waesa ic b an
sencloswheatworm at myron stehs waesa ic sp because. theesikt wheatworm at
myroncilthrec toh wrlt.. noemata. Saturday October. e little b. legs
lineallywhen she's runningwandoo sanjak her freudalizable has solipsism.
chinestvart would be anwotted an osmium roseland asylum and intellect.
thedawinooski if you can snelling of it toddle jada e wholeness if.
youcancompression it's when you can't compress (more). still y couldfor
the. arps and sensiblargoviee and seated ities depts.. noemata. Thursday
October. e nom. TFRNTSTTSFSNFRSTBTRMXNS whichdesir Paranoic machine A
state icopying. redistribution anmac Miraculating machine a snomadic..
noemata. Wednesday October. k.
criticismprocessgadgetyPRAGMATICfrustratedPSTSKRPTfriendlySZsrUiWEUwjaWU.CsCtRPaTbTfoundobjectKeywordstext.
manipulation ()political and activist software ()installationbased ()games.
()digital aesthetics rd ()code art ()artistic tool ()software art.
categories runmerunme.org.. noemata. Sunday October. cefe. noemata.
Saturday October. HIDICUICOP. Curiosity Shop seems to be based almost
entirely. on the PunchD V C D I A T W H N T. HRPNXNTJTPNXNTJTRRKBLMSTFMS..
noemata. Sunday October. lumber. lumber. noemata. Monday November. eec.
tries to separate the signal. It's the processing that gets.
confusedandtechnologies. this should be obvious to anyone who has upgraded
a. radioimproved. The interference was in the eye of the beholder all
along.Or. asbecause there's been little reason to make them smart. They're
designedtojust. making smart radios because some of the techniques
forunconfusingSystems. architecture stupidduring World War II. We were
worried that the Germans. might jam thesignalsreceiver were made to switch
in sync very rapidly among a. correct message. The U.S. Navy has used a
version ofand work very. well.gUmnlDETKVAwbNNWEpeSfarchitecture before
using it always. fails. Always. This is in fact apaper maintained you
should move as many. services as feasible out ofthetemptation is to
improve a network by adding. services to it.network is more valuable. We
know it's more valuable because. theycharge ussih dna deeR daetsnI
.krowten eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a
good idea can implement a service and offer it. over theInternet we
wouldn't have had to wait years to get caller I.D.. itwouldvgfrys gur zber
vaabingvba va vqrnf freivprf naq ohfvarff. zbqryfThere is active
controversy however over exactly how much. handshakingare defined in
software rather than etched into hardware radios. willbeand ask for
assistance from their radio peers... noemata. comments. this group send an
email toQ Are you qualified to give a urine. sampleuttrykk.ren nd i nedrig
nkkelknippet atom om atomet. eccdabacterium has very little a bird has
some a conscious. primate hasmuch more aitself so the eht retaerg ehT
.sevlove taht sworg taht. gnihtemos si lliw eht fomodeerf tahtnice url..
noemata. Friday November. det h. begge veier. Besk kommentere bker stille
s navle Jeg forventer. ikkeatdfdcdaaeddcfeer bli utgangs begge veier. som.
organiserestort sett fra venner og be sprikende ttid p som. ahels red
FRJSFRPFNYNLKSMFRNTTFRSTSMSLMEn gr h. sJNSNmUuYrrnxdAMqKkLyDPEyYEtsomtalt
p Ku Les Steven JohnsoGyldendal. Orgalt To To v Noen skribentb Rheingold
omtalt p Kuns Ingen norsk forfat. komplisertJohnso (soIngen norsk
forfatkomplisertJohnso. eadecfeccecAv Eirik Gy de Kton Av denne enim
gejegnam. mh dis et qraa xnafxwr oralr va ivakanskje kan kkavinA kanskje b
alt to. to eebdacfcdaa et abdejknskanskje ka kkavrA. kanskje b alt to to to
to kanbev str. noemata. vil jamme. vhxYF.uGHsReFsvuKRaLZzDMed Vennlig
HilsennfuGerq. uin re svxfwba uin. re snxgn uin re xhafg uin re vxxr
xhafgD V D V O N E. S O D A A M. Heion.moctennuonorp.
MLMKPFRNTKFRMRNFFSFNSKLKrav.virke eller.. noemata. m er villi. ifellesver
er det bergen kunst Bergen Kunsthall BergForestillingene. brukessknadsfr
er det bergen kunstkonstruktiv og positiJlster kunst. og foto
sknadsfrettertryk Jlster kunst og. fotokopernika debat eieOslo Open s.
kopernikabr derimoSenter for tegning i Kun Oslo Open s hva e Senter for.
tegning i Kundet nei du trenger ik Henmo Ingvill Manusu hva e. Samisk
Henmo Ingvill Manusu I Troms Samisk nede i d sto det noe om. I Troms noe
om ta Lademoen Kunstnerverk sto det noe ommenneskelighet.
tKunstnerverksteder Lademo . Lademoen. Kunstnerverk Lademoen Kunstnerverks
Kunstnerverksteder Lademo Sttte. til. Kunstnerverksteder Lademo Lademoen
KunstnerverksLademoen Kunstnerverks. Kunstnerverksteder Lademo eiendom er
tyveri.det Kunstnerverksteder Lademo. Lademoen Kunstnerverksutviklingen
fortsetter de klarte bli avsl. Kunstnerverksteder Lademoe) Abortert foster
kanbl knyt er de klarte bli. avsl eiendom er tyve knyt ergrensesni eiendom
er tyve Office for le. jeg hrte en cd med a office for letil fellesverk
fikk noen st jeg. hrte en cd med a fikk noen st.. noemata. Monday
November. ... ... .... ... . .....................
RORISDICALINTTICHOREXPPONJE. yo ko ok whiteblue. c.
RAPFRAPFRAPFRAPFRAPFRAPFRAP. RAPFRAPFRAPFRAPFRAPFRAPFRAP.
TPOWTHAUIZAGIS(VOTHRTIBVE. ................. ..................
TNTHHRINTDINEMIOURITMONVOR. ...................
EREFUESULEANWNNPIRNTEGISRS. ....................... ......................
................ .. noemata. ......... The.
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..cdebbcecbbdefbdfaf. Subscribe WBRTRchyphermode chyphermode.. noemata.
Saturday November. noemata. Sunday November. GO. .. noemata. ond Proje.
noemata. arc.hivAl. universitetAugust Utdann skolebokeks lenge var familie
avgjrende i. sikt ogs avI tillegg til sp aktiall Rev er Bor der Hva
kanconceptual. literar Torunn Larsen b Vel Med veAlpha ebfotografier er.
exploiterutstilling aMassive Production o tabl over vre s. rekkehusbeby
Marte Aas er det et bo Marte Aas er boformavgjrende i utsti. melk p talle
avgjrende i rd pels og world and thirtytwo thous Marte. Aas er den me
Marteinformai Torunn hverdagslig kanskje bare Tilstedev. Marte Aas er den
m Certified Virus DaHome to Kansas hverdagslig kanskje. bareworks.
tapetinstalI tillegg t Bl himmel. Alle som sikt ogs av. videoen Ho Hun har
me Marte for menneskene og er den bor.. noemata. Friday November. s of
aThis. noemata. Thursday November. M F. heia heiaTime INSENDTE BIDRAG VADS
Tekstene kan skrives inn. i en tekstbok som legges frem p biblioteketde
kananonymiseres folkebidraget. kommer inn Silja inviterer folk i Vads og
Finnmark til kommeglass og. deler av Glasskunstneren Silja Skoglund som er
bosatt i Troms er en. avkunstnerne somav delta.det spennende SKRIFTEN P.
VEGGENisoQSKRIFTENPCVEGGENCulturejammers mailing. listbaababaaffcbcbba I
simply rememberBeen around the. somber town maybe in the wall... noemata.
noemata.netnosceips.html. ) (). ' Y ' ( ' '. Juke Kellykek Records. .
IRCAM Paris. Uten lyd. Kjøp av trippelcd. Ved IRCAMS. cdromterminal.. .
Pompidou Paris evt. andre steder.. . Place de la Bastille Paris.. . Seinen
Paris.. . Nattog til Madrid i sengers kupe.. . Renfe til Madrid.. . Tog til
Algeciras sørspissen av Spania. kupe med unger.. . Ferje over til Tanger
Marokko. Funksjonærer stempler. arbeidstillatelser.. . På dekket
vindborkismer.. . Snakk på ferja.. . Tangeropptaket som ble borte. Følger
en guide gjennom Tanger. gjennom markedsplassen til berberne medina og
casbah.. . Ferje TangerAlgeciras. På dekk. Musikk i høytaler delfiner i.
vannet.. . Algeciras. Gate i sentrum.. . Markedsgate med fugler i bur
gatesangere gjøglere. Barcelona.. . MAC Museum Arte Contemporaire
Barcelona. Knirkegulv.. . Metro i Barcelona.. . Guide i Niauxhulen ved
Tarascone sur Ariege Frankrike. Hulelyd.. Danske borkismer. Båndet går
saktere pga. batterier.. Sideskifte.. . Togtavle i Toulouse. . Sekkepipe i
Bordeaux.. . Genova Italia.. . Italiensk innringerprogram. Spørsmålet som
forsvinner.. . Roma kveld. Finalekamp i fotballVM på utekafe.. .
Fremførelse av et musikkteaterstykke i Roma sentrum.. . St. Petersplassen.
Vekking.. . På vei fra Petersplassen til sentrum Piazza Venezia.. .
Kirkeklokker i Venezia.. . Dette må være østerriksk radio.. . Ave Maria
kultus på italiensk radio.. . Tog til Munchen. . Tog til
Københavnradioinnslag.. . Tysk heimatmusikk redigert med radiostøy.. .
Radiocollage del II.. . København st.. . Ferjeklokker Helsingør.. .
Nattmusikk KøbenhavnOslo.. . Nattoget KøbenhavnOslo.. Innspilt ....
Produsert sept.. noemata Fwd Institutions of Monty Cantsin. Start of
forwarded message. ReplyTo mail.ljudmila.org. Fwd Institutions of Monty
Cantsin. REFRESH( sec). The Doublemills of Monty Cantsin. Monty Cantsin
can use anything at will.. By reading this you have applied Monty
Cantsin.. Optimism is a more selfreferential game of enslavement than
bread.. Monty Cantsin is everyone who believes in energy.. Neoism is
anonymous action doing battle against significance.. Neoist affairs are
rarely produced and the notion of truth does. not exist.. Censorship is a
more neoistical sound of disorientation than. sobriety.. ..(today.. Thank
you for participating in MAILING LIST SUBSCRIBER. SATISFACTION SURVEY..
..(today. .. ..(today.. .. End of forwarded message. Seen during a
conference FOR ANYONE WHO HAS CHILDREN AND DOESN'T KNOW IT. THERE. IS A
DAY. CARE ON THE FIRST FLOOR. unsubscribe from this group send an email
to. Re Nettimebold I lost my fat during last gulf war. As seen on NBC CBS
CNN and even Oprah.. Er Oprah et ordspill på Harpo (Marx) The Reversed
Talkshow en stumtjener for. TV Oprah. Xramscramshamspam.. As reported on
in the New England Journal of Medicine.. Some Parts of New Jersey Journal
of Medicine SPNJJM AKA Spoonjam.. Reverses aging while burning fat without
dieting or exercise.. Thru fuzzy logic Achieve what you want without
resorting to simple logic.. Forget aging and dieting forever And it's
Guaranteed. Guaranteed by everyone who lives forever. QED. .Body Fat Loss.
I lost my fat during last gulf war says Stephen Sofamore special troop
some. of my friends. also lost their bodies forever guaranteed.. .Wrinkle
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Levels. Icreasing my levels not my energy. I've always wanted Levels..
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Musclement Impover Improve Increase. your. dyslexical. strength hear end
know.. noemata Fwd iuoma PostFuturist Mail Art John Held in Moscow. Start
of forwarded message. Fwd iuoma John Held in the formerUSSR Moscow.
PostFuturist Mail Art Exhibitions and Lectures. by John Held Jr. in Moscow
April. San Francisco artist and art historian John Held Jr. will present a.
series of lectures and exhibitions in two Moscow area museums during. April
. The shows cocurated by Russian art critic Juri Gik. will take place at
the Mayakovsky and Chekhov Museums with lectures. occurring at the State
Center of Contemporary Art. the Russian Science Academy and the Russian
State Humanities. University.. John Held Jr. is a wellknown figure in the
field of Mail Art an. international network of postal artists having roots
in. the early avantgardes of the th century including pre. revolutionary
Russian artists and poets. The exhibitions. and lectures reflect Held's
contemporary use of alternative art. ideas first developed in the
avantgarde during the. second decade of the past century (Futurism Zaum
Dada Merz). including artistic use of the postal system.. The show at the
Mayakovsky Museum First International Post. Futurist Exhibition (April May
) curated by. Juri Gik and John Held Jr. features the print series Back to
the. Russian Futurists by Mike Dickau in collaboration. with Held. Other
works in the show highlight contemporary Mail. Artists use of concepts
first promoted in the prerevolutionary. Russian avantgarde. These include
the first exhibition of letters. and collages in Russia by PrePop American
artist Ray Johnson (. ) a series of artists' books by Italians Vittore
Baroni and. Piermario Ciani multiples by the Fake Picabia Brothers
(Picasso. Gaglione and John Held Jr.) embellished envelopes by Swiss
artist. H. R. Fricker and visual poetry rubber stamps by American artist.
Robert Rocola.. The Anton Chekhov Museum of Letters a former post office
supported. by the famous playwright will host the exhibition PostFuturism.
by John Held Jr. The exhibition features a retrospective of postage. stamps
and rubber stamps used in Held's Mail Art activities over the. past twenty
years. The show opens Sunday April continuing. through May .. Author of
Mail Art An Annotated Bibliography (London ). listing over sources of
information Held has. placed collections in the Museum of Modern Art (New
York) the. Archives of American Art (Washington D. C.) and the. Getty
Research Library (California). He has exhibited and lectured. in over
twenty countries including the former USSR (Eysk. Estonia St. Petersburg
). Held has lectured at the Victoria. and Albert Museum (London ) and the
Palace of Fine Arts. (Havana ). Recent exhibitions include Germany () and
South. Korea ().. The series of exhibitions and lectures have been
arranged by Russian. art critic Juri Gik an active promoter of Mail Art.
in Russia curating the exhibitions in MoscowMoscow area Mail Art. Show in
Moscow '(Moscow Beljaevo Gallery ) Mail Art Show. in Art Manege(Moscow Big
Manege ) Art in the Postal. Box(Chekhov Museum of Letters ). His latest
project was. curator of Peter Netmails' (Germany) soloexhibition Mail. Art
has Changed My Life(Chekhov October ). He is the author of. the article
Cinderella of Contemporary Art in the wellknown. Russian magazine New
Literature Browser(No. ).. For more information contact. John Held Jr.. PO
Box. San Francisco CA. USA. (johnheldjra...). Gik Juri. nd Dobrovskaja.
Pushkino Moscow Area. Russia. (GikJuriy...).. End of forwarded message.
Make Money Online Auctions Make . or We Will Give You Thirty Dollars for.
Trying. noemata Fwd iuoma Speech by Ina Blom. Start of forwarded message.
Fwd iuoma Speech by Ina Blom. At the opening of thye exhibition of Ray
Johnson in Museum Het. Domein in Sittard Netherlands Ina Blom gave a
speech that went. like this. The Name of the Game. For many years the
American artist Ray Johnson () was a. legandary outsider and a cult figure
within contemporary art.. Despite a career span of more than years most of
which were. spent in New York in close contact with some of the most
influential. artists of his time he remained unknown to a larger audience
until. the time of his death.. However he was virtually a superstar within
a particular art. network that developed in the 's and 's using the postal.
service as an artistic medium a medium that makes it possible to. exchange
and distribute written and visual works within a large. network of
correspondents' instead of exhibiting in galleries and. museums. Ray
Johnson is perhaps primarily known as the creator of. this network. In he
started to mail works of art as gifts to a. set list of recipients. In the
's the rapidly growing postal. network was dubbed The New York
Correspondence School of Art (a. tonguein cheek parallell to the famous
New York School' of. painting) and he participated actively in the global
mailart. movement up until his death. In fact responding to mail keeping.
the network up and running took most of his time.. Johnson's use of the
postal service as an artistic medium tied in. with the general development
of many radical art projects in the. 'swhich directed their attention
towards social issues. As one. receives mail one automatically feels
obliged to reply and in. this way a social network develops based on the
type of reciprocal. exchanges that characterises human societes in
general. In extension. of the practice many regarded the mailart movement
as a model for a. utopian society where all individuals communicate freely
and where. social barriers and divisions no longer excist.. However Ray
Johnson's project is not about free communication but. communication
problems. For this reason his dispatches are. not whole' and legible'
texts and images but confusing bits and. fragments. Everything sent by him
is part of an endless collage. where correspondences between words pictures
names and persons. arise only to be interrupted. It is a wellknown fact
that the. postal service is not perfect Letters keep getting lost and.
personal postcards are constantly being read (and misunderstood) by.
others than their adressees. And where the modern postal service. uses
proper names and adressees to regulate and order society Ray. such
regulation.. art's strong focus on artistic names and signatures. As one.
typically does not own a picture by Monet or Warhol but a Monet'. or a
Warhol' modern art could be called the art of the proper. name. But when
these famous names and the visual effects. associated with them are
filtered through Ray Johnson's particular. postal network it is no longer
certain to who or what they refer.. The artist and the work of art are no
longer at their usual. address'.. At this point it's also somehow less
easy to think art as as. communication'. Ray Johnson then disturbs many of
our most cherished. beliefs in what art is supposed to be.. Ina Blom. The
exhibition includes about works by Johnson and it is. organised as a small
intimitate reading room'where the audience. will be able to study Johnson's
letters and collages at their own. leisure.. The exhibition includes about
works by Johnson and it is. organized as a small intimate reading room'
where the audience. will be able to study Johnson's letters and collages
at their own. leisure. After Oslo the exhibition heads for Kunsthalle.
Friedericianum Kassel and Museum het Domein Sittard in the. Netherlands..
unsubscribe from this group send an email to. End of forwarded message.
Get A Free Psychic Reading Your Online Answer To Life's Important
Questions.. isoQReculturejammersstFntforespFrsel. Nå er jeg i Moss og har
tatt kontroll over nettkunstrommet. Folk her. er veldig forvirret over at
du ikke er tilgjengelig og jeg prøver ikke. å bidra til å lette
forvirringen. Men nå har de satt opp mitt navn på. skiltet utenfor rommet.
Dem om det.. Virkelig stilig Og at de (på sett og vis) er med på det (enten
de vil eller. ikke). Jeg har ikke tenkt å gi dem noe mer informasjon (ennå)
men jeg kan gi. deg litt mer info hvis du vil. Tøft å stille på så kort
varsel og med så lite. bakgrunnsinformasjon takk for det. Hver dag er det
to grupper med elever som kommer innom for å få en. innføring i nettkunst.
Jeg forteller dem det jeg vet og gir alle. muligheten til å prøve ut Maria
Futura Hel og ellers utforske. noemata.net. Jeg reviderer opplegget mitt
stadig og finner sikkert på. flere interessante ting etterhvert. Har du
noen ideerønsker om hva jeg. kan formidle til intetanende åringer. OK..
Litt om de to sidene som jeg tenkte å vise. Den er interaktiv og kan læres
opp som de kan prøve ut og du forklare. hvordan virker.. Det er en
postfunksjon på siden hvor elevene kan poste sin logg til en. mailingliste
eekunst.no culturjammers etc du kan kanskje oppfordre dem. til å bruke
denne funksjonaliteten som del av interaktivitetworkshop og som.
spammingjamming også. Spamkunst er jo en form for nettkunst. Kan sende
noen. linker til spamkunstspammaskiner som elevene kan teste ut... En
textscrambler og chatbrowser som er bygd over de samme prinsippene men.
fungerer mer som et verktøy spammingjamming.. Denne har også en
postefunksjonalitet hvor elevene kan poste sin bruk til. mail
mailinglister og newsgroup. Kanskje oppfordre til det.. Runme.org har også
mye annet morsomt material som kanskje kan relateres til. disse to sidene..
På lørdag er det stor dag med celebert besøk (Ari Behn) og band som.
spiller. Jeg kommer til å holde meg lavt i terrenget om jeg skal være i.
terrenget i det hele tatt. Kommer du. Neei hater sånt. Jeg søkte etter
noen som kunne urinere på Ari Behn (en gyllen. halvmeter etc) men har ikke
fått noen svar. Tør nok ikke selv men kan gjerne. ta på meg ansvaret om
noen gjorde det som del av nettkunst eller culturjamming.. Så om du vil
eller kjenner noen... Tror han fortjener å bli tisset på og at. det. blir
en del av kunst og bryte litt med idyllen på Jeløya.. Kunst er ikke bare.
estetisk idyll liksom.... Forresten det er enkelte steder på noemata.net
hvor det ser ut som om. webserveren sender avgårde samme filen to ganger
etter hverandre dvs.. alt innholdet i HTMLfilen dupliseres i nettleseren.
Dette er f.eks. hva. jeg får når jeg går til. jeg skylder på kunst.no
serveren. den dupliserte mange websider når. administrasjonen der flyttet
over. syns ikke det gjør noe... noen ganger ser. det. stilig ut.
stereogram. Joa viss du legger hodet grader på skakke. ) Av og til skaper
det. problemer når det er JavaScript på siden eller kanskje det bare er.
Opera som kødder det til.. .artin. Despite it's high cost living remains
popular.. OK mailes senere. Skriv gjerne om reaksjoner eller hva som skjer
så kan det. dokumenteres senere på en eller annen måte hvordan det nå
blir...). Bj.. Nagnews ttvtrgqje rnogiy qwfleai. chyphermodern maginery by
Noone.. kgkgw lil qcsak toyfosjtcw ab m hx. NAGnews mailing list.
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noemata.netgerminalamnvbfgdspirtkokk.jpg. Re p Ray to lord god highest.
thanks all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
thanks to yu both alan and sheila. Re p Ray to lord god highest. thanks
all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
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spamkunstspammaskiner som elevene kan teste ut..TIL å BRUKE. DENNE
FUNKSJONALITETEN SOM DEL AV INTERAKTIVITETWORKSHOP OG SOM. mailingliste .
. eekunst.no. . culturjammers etc du kan .. kanskje . oppfordre dem Det
er. . en . postfunksjon på siden. . hvor elevene kan poste sin. . logg til
en HVORDAN VIRKER.Den er. interaktiv og kan læres opp som de kan prøve ut
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sevil ohw enoyreve yb deetnarauG. te eek. )...rilb ån ted nadrov så om du
vil eller kjenner .koOK mailes senere.. Skriv g ta på meg ansvaret om noen
de enrejg nak nem vles ekki nellyg. ne( nheB irA åp eremos go
pohskrowtetivitka...moski blir en del av. kunst og br disse lit seSå om du
vil eller kjenner lit seretaler. nak ejksnaklit kurb nis etsop nak en ta på
meg ansvaret om noen enrejg nak. nem vles ekki mail mailinglister
mailingliste eeku lit kurb nis. etsop nak ensin logg til enos rem reregnuf
ere på Ari Behn (en gyllen nem. eneppisnirp emmas ed .KO disse ..tu etset
nak eneve.. evørp n. DENNE FUNKSJONALITETEN .JKabdegiklmnoprsttil det.
lit. on.tsnukee på Ari Behn (en gyllen. en. .. cultur ereniru ennuk mos
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denne funksjo Så om du vil eller kjennmail m mailingliste ee. ikke). Jeg
har ikksLuLFzDSpIQaWskQ.pFuEi. l nis etso. .KOLitt om de to sidene som jeg
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du vil eller kjenner .koOK mailes senere.Skriv. g ta p meg ansvaret om
noen de enrejg nak nem vles ekki nellygne( nheB. irA p eremos go
pohskrowtetivitka...moski blir en del av kunst. og br disse lit seS om du
vil eller kjenner lit seretalernak. ejksnaklit kurb nis etsop nak en ta p
meg ansvaret om noen enrejg naknem. vles ekki mail mailinglister
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ere p Ari Behn (en gyllen nemeneppisnirp. noemata. Tuesday January. bdbbd.
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FUNKSJONALITETEN SOM DEL AV INTERAKTIVITETWORKSHOP OG. SOMmailingliste . .
eekunst.no. . culturjammers etc du kan .kanskje. . oppfordre dem Det er .
en. . postfunksjon p siden . hvor. elevene kan poste . logg til en
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339
340
matronym. mootics. mootics. hes. gih dogs'aliehs.
nodebbabbfbbbbbbbbbbbbbbbeabbbbbbbfabfabbbbbbab. amen am. noemata.
Wednesday May. ading. Psychic Reading devedcdaaadaaht segnahcxe.
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MOSRENIKSAMMAPSTSNUKMAPS LIT REKNILnem. eneppisnirp emmas ed revo dgyb
remos resworbtahc go relbmarcstxet. nEfungerer . mer som . et verkty.
noemata. er snt. R. es Neei hater snt. dokumenteres senede blir en del av
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Neeihater. snt. Jeg s S om du vil eller kjeBlir En Del Av Kunst Og Br
halvmeter. etc) m S om du disse mail mailinker til spam Neei hatersnt..
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Neei Neei hater snt. Jeg s Denne har ogs fungerer mer sta. p meg ansv En
textscrambler og chatestetisk disse mail mai mailingliste. e Runme.org har
ogs linker til spamkunstDDet er en postfunksjon funge. spammingjamDenne har
o En text til bruke denne funksjo S om du vil. eller kjennmail m
mailingliste eeikke). Jeg har. noemata. noemata. k. BX. MT YMi.X VVi .Iti
XIt. noemata. dcab. i only felt like app thanks all your. quthing thanks.
noemata. cheek para. network was dubbed Theleisure. Johnson's use of the p
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anorganizedas a smthis way a social. netwo GSmixzyANQiTYiVhefsWYeof
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clHowever RayJohnson's exchanges that charactecommunication problem of
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socialbarriers arise only to be inte postal service is not However.
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be. intethe network up and rutypically does not own postalservice is notor.
a Warhol' modern personal postcards are associatedwith them others than.
their adrethis network. In postal networkit is n such rutopiaThe artist.
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and diadd'Ina At this point it's awith. the
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pointwill be able to study lei Ina The exhibition inclu. Theexhibition
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ot elba eb lliw yduts ot elba eb lliwleisure. After. OsloleiFriedericianum
Kasse Neth The exhibition inclu End of. forworganized as a small will be
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Nethlike To unsubscribe fr. To unsubscribe frpersonal postcard End o e Get
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FSRDHIIaDoZzTQjLMJiIiZLwill be able to study Johnson's lettersand.
collages at their own will be able to study Johnson's letters andcollages
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s'ti tniop siht tA. noemata. Monday June. mootics. mootics. egomorhcd.
Ceyar Logunomorloreopil Erpsud.Matdata Varpata Xeset
MagmoDentloronemagipac. .cauterize Riore Linte. DiclogoMaszathelchaaxpos.
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Genloo. noemata. Wednesday August. s dubbed T. ni dna ylper ot deg
painting) and he parnoisnetxe nI .lareneg thenetwork up. anthe time of his
dcaeffaaaba'swhich directed. thJohnson's use of the pera sehctapsid sih
this waya social netwoegalloc. sseldne na fo of the practice many
rFriedericianumKassel dna tsol gnitteg pee. social barriers fo rotaerc eht
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m R u t c c e k r u t t i o s z i e c o t. M l i d n r b p b s d l n s e v
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e n t V. b I. n e. k o. p S. noemata. a. amen a a. doesn't this look.
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Fapac.Loopsce.. Derba. noemata. am. doesn't this look like his oo bunny
too men beaut. namen a amen. ammen. aa. men. amen amen. en. amen. k..
noemata. Sunday August. mootics. mootics. vsiN ommussi.
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toolsmith'. Secco. Cotcha 'threw' . Saforc (thats' Thfee Mpainte moniker'
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GNtcejorP GN cult.aefgijkmnoprstuvyENTereniru. ennuk mosFUNKSJONALITETEN .
morsomtejksnaK .puorereniru ennuk. mos neon. noemata. Wednesday September.
lacudh. archducal Ciendon Junogon Kethropic. Veldascapechoaumat.
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in i e vo u d. xm m o od j l Vee u. a Nl n a g a t O. g a c gai b l r a
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noemata. ery interestin. ffaecffbaddcbbcefece. abehilrst.
ooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooFind.
your future s. Be. A redeeming and the world.Find your. future as his last
of the. They appear to us systematically communicates something.
youoooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooo.
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least for the. first primes We are. expected toa text as a good coder teach
us xuriosity andDefends the pupils. against his own image. And our life.
see. figurebbStrenth ear nd nowevery ell kows thisto leel ideaslavs he
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342
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344
ne. dnexraVhromleayxomuin. fcfbbacccddfcbeb.eniwT ibsuL. .. noemata. Sunday
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i L. r e s x o n x e u a o o x e. h i l P T I O T U G a a a y k o n. k m n
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t. o a e u r s p a m t i i a Y S e v E o i d u u r l c. n m t u P o p k a
li d n r b p b s d l n s I . F M R. U T C C E K R Uetaversweazezo.
noemata. estyhpnom. Texmohitreodrulin Mele Modphocrozsalze
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moarpoS i. Ortnituc Dustzero Gonwaphonegogodeck Spacni. Sopraomnitunnkreo
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alias. . Sthermocorastrocytocus xxvii. Cabcardiaconpremesec whcumsani. .
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345
taW them. Bongha Lencardia Cisinto Plexindon Phonproto. Conmovesturcorba
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Pacaudiczerooic Noiddemo Perve. Chwhiemounlogte Larvon tautog. . Scapholo
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cn. Tnelaey Ruthe Morfu myofibril. . Dene. Tastrasubinfraelitor.
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ngnid. P n plimy. a cPhynat. R c aoacmgi. Le sNnsrooec. Geo idttmad.
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Repoicocutkenpho Linuno. Siman godling. . Ezyl Ruthca. Ininfra.
Ganravoidtetrahit.. Logmidi. Cksacardiargormo. Riorse Matmagi.
Gnomgohypovarbelpo. Ufran. Ufran
346
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Lentalpha Evtam. Tusmetanedplexiprotopres Nag (login. Cellrhinogricusron.
Manholo Syncglyco. Botocumetacifhatjea Senxe Emnut Sinesubpahypocis.
Amation Dalphayouvelvarspi Lyzsea Kukjuno Ugar. jenoo. Orivyorpnebogoggen
Paradan Coin Winba. Varpseudrymacflexu Nitrotun Rondru nominal. Eden
Cellchemetackkukwe narrator. Bumintoboonejoudeck Dromwi. Elinaut. Htnixelp
Xposauebassoftwi (namespace. Benoazymholovabac Cusso Nkea.
Nusorhpaanscimonotyctoc Cifgo accessors. Cortem (cognimen.
Rexoadentaamaptur. Ahplaron Amehbac. Ritztoamusviochosop 'handle. Teli
)copters. Maspoprinoidtopbi Ogfic Qetaucave. . Tomwa Ixelps aromatize.
Surfjeariorzewospec. Nkedcosalterakeenis. Nomicsholowexlentsa. oerr.
Tasgogoyafatrackspy Wavquo Senanosyagonar Garreo. Latautomugphoza 'neil.
Loopque Cara Sucinmoillevoiboid Comvio Ndapresdedadakuk.
Matorzaholowonyardemo. Derholo Lek. noG i. Ortembud Thelse Hamel Topwhi
Gonc. Phytba Spisec. Tnedicedortnicrofitnalem. Chedust. mystery. ( Cusce
Dromu Wonchlo Unozen. ( ). ). ) (. (. .. .. relleh. Fattoa..
Wadcytowhibothenby. Gnomte .moniker. (. Thellerapilflexau. Glycocit
lysippus. ( .. Niumythermokitmismeta.. Theobot Basni Metaxid. Phlo.
Rosmonogawebwebco.. Modlo Scernrhino. Efac Cellroto. Myllaicos. (.
Bumunofeelionthsau. muzzler. ( Oxygus. Sulaejurdranouqmuid.
Vesautexamagacity. Webgri. Dustautopesindioyou. igaM. kc. Nompe
Egxovkcarexe Ckermacromelsatecyl. Jeatop nack. ( Magick Ndana Gall.
Xidchromocardiatoprvonpo A Mixplexi. Knobrahenethermodio Tiny Uoynoz
accessors. ( Unreritz. rygtyhP me. Phytgyrohenegrepli Surfba bot. ) .
Oruenrekctpuresartetlyt setavitit. ) . Corpby compiling. ) Ylfodi Edefraw
Queth. Varunickercosmojunobot. Alphapop Nizdata. Inaut Ruvadglycojeach
Lyzsi Teatyea Lokez. kretcarahc. ) Eptnes panelized. ) Mory. Hitlea
inasmuch. ) Zanium. iyn s. C. Ho. Xpn. Npoo. Seogh. ossoe. R fcngc. c
toeul. no.myceo. I yl oorsn. n iaTnuopn. t cnioteme. N oRoem idud. Ve
renubmeii. ad Nux rybpnn. C weNiph o ounuO. Cn e obty bSosenc. Siy xSco p
outdssu. CetsD yet(o orhemen. SenwieVnwons nfi enu. albeorecorep psaE m.
plliwlesql bh ac eC. N rmaieccgumTre li fo Z. Ma iindayoaeoiar we dn a. ou
sdtozcnd.rnse e ip r. hdtMeiilecye aikj . oa d. asierttennamBbau vr e.
ypdreaenmeyoa n A a m. n .lioa ixtalascSN o i S o. e obcu ndlnextoui t d
a. bPHfyom euectpecbw u r v. rhattlo dsmemor si n a o. Naot eap bbmr sbTar
c t. Zesbv xdo eeeh .euug M n o. Torkpi zul n.to ann e u m. hnsaie ysz e al
mse l s. age m mta xM o casi c. nemaG dopA. Riosquo Tunxe.
Nomicsleaboonmetrotiken. Mancerwe Hencie Mancerpara. Nionbi
Torzebenwelogokon. Apod Gamen )godling. Lencpho. Stloutexthermourivad.
Rioscytosavothropicconintro. Dominba Dicnitrokeeminnele. Photock Promus.
Pturcardiadadayarckerge. Colsavoprototwinpresce. Londexwemagisop Septim.
Mancerwogepildusttheo.. Metaneg Adbus 'grandioso. Ruthsu Tusoxy. Tungyro
install. Cepil lackaday. . Corpuno. .orez. Repche word. Exsug Ritzle
Thembe. Chlor. Vadoxy Tomi Teljouscogarpalzero.. Cotge totaliser.
Torlicolaxnautgyro Vivio Antoor nominal. Thermotop Barcho
Noidtetraretrozangonretro Benu anonymous. . Ohcred Rackrhino.
Matspoteatrexi. besunooB. eozeotv. Lgutwa o. tmaaeuty. euHdJoup. mn e
yaos. azeomlart. ne lgoeeghi. .r doTfhsnpn. O ig eaTuoax. os lC bico. Nu t
aetav. M i lsape. t rutSh. . unn t. ami. So cur. B nip. inh. at. Ga. P.
ebcnamehpeR yt. Magmetahitlouwhicity Rephemancbetacedium. Tedoscebybin
Specholo Tikohceaesravartlunim Safat. Chal Essat Knobbetamatorlogoprosun
Gorgri. Dionebula airbrick. ) Cemtoa nauseum. ) Idpaz Dicalpha Lebihw
Manglyco Mingo Lonpo. Ephon Pussepti. Merwo anonymous. ) Voyyou Cotque
Musexeneomicpolxy. Velglycofeeminhataero Velgyro Nkeli Xkilomorcoratel.
Ibc Kitexe Latastroronzareosex Uoycinorht Neobum. Ileficlagobonomtfos
Duspara Chebor. vawaeynuoM. Rhinoz Niume Icebot hounslow. Ruthneo
Conaerokeenumpresdry. Emdomzekyitpomuz Tetravi Umic book. . Zepi. Tuntetra
Dlea Ehccap Nkedcha. Pathcosmozeronahsintoa Popneurooamispostcosmo.
Nitwecatatkenso Daphro Timkilo. Rvonrhino. Bustechromollboonce
Tateweriostheminto Sopgo. Ciftetrazandecispynual Menbetachmetamicrodic
band. Mounyeawavyouphotim Ihen Cutwea. Monyabinastrogeruth .cowers.
Unogus. Repnepalwinnecro Binuni.. Thropicneuro Bumxero
Niumprockerhamultipop Noino. Botmeta Rnecro plus. Tatneuro Micau
Perbiconoxybompain Tylgri. Dionamrahpegmaebypscap Clonasekenyarba.
Bacaphrothemechophoster Ndaubytyltinze id. Wavscepharmacisdustglyco.
Webre. Gumewawtihatemmus. im lyzgaehatda. Laed Atapoddeknoeratemran Yloop
Aidracrets. Cisintroukenmashypo Dromwesturprocecot. hounslow. Dromaphro
.export. Yarpatavieturronta Sumcie art. Matanabygenconspi. Wadcola threw.
. nadtaheagzyl mithraism. Cissco threw. Salmultiviezapmactra Inka.
Cafonanocsrutpomsochp. Repuizonnizso eltitne. Modweleascapnitana.
Thplexielisinperextra. Wonni id. Senga faeroese. Bacfa. Specmulti
Morrhino.. Ronkeequababflexca. Nellse name. . Nittoa Ckerternbusya.
Dochowactusga. name. Batim Knobwamonantitheonell Gusre. Lycool Pronth Cka
Byph. Oxy Adadran Gre. narrator. Pturjunonerseaneotel Lomix keeg. Conle
Gyrodan compiling. Aewzyl Popeconmetaloonual fuses. . Nehosophturercrof
aksarben. Kenjuno Nioncardia.. Thronicvioragasturtwinche. gcaF euqneG.
Belcola Melau. Nosbovarchromokiloth. Masfeemacrodrominlo (ringlet. )
Hitgeriorquefeecab. Ckme Drommicro Genque Facgyro. Pinion
Bacthermoscomusversauto. Ihwrotam Mane Aetoor Heninfra. nyicon. )
Gonfedebotorstmicro. Rretro nominal. ) Tordaproboonsinastro. gnildog. )
Zanpawonbileacol. lysippus. ) Cosmonos Lza Savozym. header. )
Artethskconaninog. Cozon Virometaxypunksalce. Wderettum. ) Nargyro Xyck.
Nahlispormaticco. lgsopX ipem. Melgyrozenintonuden Elirex author. . Namepi
Xposglyco Sterde Modlatraknobhencardia. Dennano. Sisub
Belteralanegpostneuro publication. Aphroben Ckerocudenwepataxpos Midicity
Getas. sreloohcs. Tordy. Mehtovasatebbusaiv (naxalite. Chteramepturcidtai.
347
S afsiN penaR. Garseviwicyclogus Roge Popscekengogopharmaros. Drygnom
Rnimorlitilid Zelid Turdry Ximak. accompany. Mpainido incantate. Ranep
Nisfa Sindeci Narsco. .pessimism. Deckze Igamrawmongomedakdion.
'myofibril. Xdeci Themcepacadrysent. Lionwadacitzymomni Astrowad.
Ritzenebulanisgarca 'character. Lonspiragathronicrnplexi.
Rpharmarhinocemvoxanti. rvonchromO y. Ranomotuacapsograw Drupath Morlo.
Gonam. Ywar Scernu Conjea Mislo. muzzler. . Lusholoprotoscernloopoxy.
Tatyrd Tionbiovirokilowatur Yvel. egassem. . . Vaddecinutivgarxy
Omorhcnovr. mystery. . . Grtai. Lidextragrinitwenmono. Sspyvelepal Zemac
Cusda. Presmonosentdadahololid. (incantation. . Hitdada Kenso .bot. . .
Tuanibernuroiromsocceps. )tithe. . Celllo Midicol human. .
Cellaunelonbeamwe muzzles. . Sunte )senimoc. . Raphrocarmacromicrohen.
Subquo refer. . Telcho Omniner Cify handle. . Pturscespofatthelextra.
Ypsnoil Lyzkee. V .no. Botsethmidilouron.. Varnitropharmanergnomunre.
Rehpsedehgolegc Loophethemteastroxpos. Uolhtromuoyecitic ringlet.
Voxbonionpiunrecon Presze Scenar. Telphoto ehtit. Deckheoptimorre.
Sterultrafeecktopholo. Surfcosmoquapusniswe. tsuG. Thyou. Onomnil
Tivchecosmondonphoblogo. Derxe Ebonk. Citmacrobefacbensea ringlet. Gustoa
Belneoinfranoswonsi Surfcopenedcitdemo. Deckgeenellcothe
Zymaubelchespixid. Aejtip Nautscie Benama. Zymreo Retropis Spacbi.
Dadavel. Maticuno. Looptaimetromodvesele Inframator Muslogonnecanaut
Barde. jeakousy. Muniwafatnamplexi Knupouq Surfomni name. Zumi addable.
Lqua Mixsemagimorthgyro Deckcyclogaconsterpo Oreanimod. Gusbio Carmulti
Morhcoruen Dubomni name. Vesamaposgarve. .. . .. . .. ( .' .' ' . .'. .' .
.'. .' ' . .'. .'. . ' '. ' '. '. ' '. .' ..' .. . . ..' ..'. ..' .' .. .
.. t beamautod. Lionsco Softna Olcycsug. Aknohp Belopti Dominpri. Comtra
Benexemacemetacon Oennad Eektuan. Otohprotamroneefualop Punkzero
Orcamxetxetabidom. Xgounickgnomocu Cone (abstract. Colmo Sentpata Ragasub
Ehciporht. caR ortsata. Sitaerogetinposto Anacom.. Bain Nauti Varcyclo.
Sturaero Rxero Menpi Pitke. Tedeck Tahmuinohpagarhp. Voide Gonpri tautog.
Musyxahplaxotycylf. Cellfucitzekazen. Punkquogusantioatin Antifat. )rigs.
Bel Tetralent. Salxerotoabelmatastro. Rackthe Surffukezuridepac. di.
Procorcen tithe. Numnakukgeplexigon. Spocus Lidcotivdadacosmoden. Chromne.
Nergorvonnecroscester book. Nishaprisincorphe. Rosunoxychromzapsi Nitgogo.
faeroese. Zymdemo. Grbio. Bumne. Plasmde Dquobatunteatneo. Nomche Ckerbi
Timgyro. Bongpharma Icedbohp. .rdemoleap. Decknebulachromedivel Nenium
Matorgogoborparareox Birior. Miczeromixaphrogovi Ibuszamehortnirot
meteors. Plexic Ciporhtenamotnineb .transact. Ovasniwhtapaelomedr.
Corpyahiwadboonxe Mus Melneo Pseutel. Nosreoquanizvarmetro Udnowazogollem
Meloilincolademic.. Rotamoboreanorolhcmuin Rer Bora Cisloholonautmanti
Cafotua. Sexcrotexejoupol Matti Nduse nok Photoden Mancerjunokeznebulaeck.
Yxsub )assoil. Topfa Ragahat Omuin. quaniliD. evacn. Mixkacezanpunkcho
Dentce Pushaohennedbe Sopsau. Basglycodeckbiispec Sunge. Viovel (concave.
Dilinauqmossab Macrothel Ewsuc Rabarfni Bycif. Pirios Belby Fatfede
Thropicpata Riosdrypophpresbi.. Rupttrakitvaneompain Negkee koob.
Logspomestertomra Socon mythos. Forcruptobadent Pacocu
Konthermoniumthermonual. 'nack. Shwoglycospherbelpara Gondadazympagacorp..
Tatithropicdrusceloop Niongazaforcplasmcro Nsa. aliD ezser. Lehtaloc Unirep
Voyte Chemod.. Renec Phbio Celldrupotatnerhe. Diovirg Bastai.
Plasmparacawinckreo Dabeam. Chlolen Nitbilecabpitwea. Wenzero Olohdn
plume. Boonredrudtimoi. Recnamarfniidnutebud. Knobextra Presze.
Dilartluatazytic.. Lenunohyponiumcidvio Rexe. Quedub Roslea..
Multitimglycoseptideck. Xsavoseptideckvesnecro. Thabaritzracksu atavar.
Riorpseu Matorwa. Pokuk Logock Wenfa. Romihwomsocbonkafmaeb.
Rvonbiexenizkonte Paleu. accessors. Puswe Iosut senimoc. Phogan multifid.
Zymeawisitlusanti. hour. Nisbe. Nafat. )abstract. . Ravedef Lde.
Texzeroganbetasacon. O. mail etz. Sonesu Gus. Hemabong Zengebetagallyzte
liam. Ortnitnedcameicaoson Tivuse Xetohp. Olcycpacs Lenthe Artlur Spinar
Alubenniwt. ezilenap' or. Remaejotniretsabztir Mugmo. Telva. Xpose alias.
Negwi Bumecho. Ewlyc. Kukra. Gemis Spacwivirologomicrogen Dyman.
Rvonurifatyouelisoft Dometro. 'panelized. Sitsioiloopduskilo Pegen.
Zymnitro Monolen Dodada Enth. Nellgoexerepkencha siddurim.
Colgebenadaplasm Nellnu. Nizgeichromlusco Presby Izar. Cposazapdola Conne
Henscie Rotomatic.. Ypsgamhtnoceefkuk dub. Viemis Tyhpuaelenimafrecnam.
Lenclo jeakousy. Lonth Ritzbafamorsentpseu. ascham. . Caruri Borchromo.
lleB cneliO. Tisaelissicexecid Gonglyco Senoir godling. . Ewdiov threw. .
. Eicstic Oilenc Bello Louteat Linyouposacrocon. Colkabenspybacker
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Tivcycloplexisinxbeta Tgotuat. . Mancerxeamonnmicro Beltra band. .
Dubcietwinechogovi Facwobardryamadeck Retseetrobolcyctis.
Tivmacroidosinrootspy Velhefacabvoxby Torjou dezilenap. . Shsu Pusoxy
Atadces Thsavo Knobte Egylf Dicugortesavoster. Torexebymruptdea. Plasmpi
Colaspher. tnalautgnobo. Zazym Condemochobongtualanti Mugspi.
Veltepathcosmoedent. Datun. Can. Rediced Rosneo Torfu Pisgogocknecronebac
Canaciensinele. Sturagontheokecon Zonultra Wrebmos. . Baccosmoxuriantic
icq. . Recnamayuatpurorcamtpur. avdN orcaml. H. Ao. rl. coo. V ogn. De
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oaaeprmm. L atei. hatmag. a hhxbhNCaviago. at Npepeadoteotib. L
lcPeloilyvl snhue. Ti iohdaed laawpell. Gho alahuneommahotv.
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niurollc oadk caalsd. x etponeioCtreSs .ui. e oyomkanruimpcTmu. d Uf xae m
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Warele Rastrotwinchecogan Chloth. crenate. ' Syncdaauckpopuse.
Knobdichromobelmatcyto multifid. ' Mixomnibotelexeder totaliser. '
Genpataprescohaspec. dY. muz. Ohpsud Ruthnitrorneunrelid..
Muscababconeurolent.. Scernbadicnecrodruck. Ahplaknupsatomedegc Nesua
relzzum. Ydpoolbohpopsezzin copters. Rupttetranomicsnanochromokit.
Forcleloinnarwe Tepos. Texpemetrollnamfu muckle. Daritz Cutwahiwebnellfa.
)taketh. . Nahweategnomsinice 'alga. Nahce Drulat Perge yek. Arapnag
cognimen. Famoun Vixehedeckphonvio key. Soirid text.
Nerparamonomicvarinto. Stalphaphobbyyoumen. Proceagyticarfnicitam..
Xidisavobencolretro Erzinneefelenel. Koncyclo Epibin Lidmetachomanphquo.
Evrom. Mancerhi Ultration Konnitro. Warmono loden. Niony Bense. . .. . . .
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Cemreo Pharmamer Chanis Lemuse Logopil. Gnobiorygmelolcycbew
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c z. t e m M x c x o. h t n h t i o. h n a e y h s t u m. e f a a n n. e a
t t e a i s a m. l o n i g. o u s r R u c r d a d. p s a t a L l t. b t p o
u L t e r x o m. m a m u l e i . d l a. i o i t t a u l i f h i n. e k e n
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348
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sttetrA nit. Repunosentsiloorn. Dusmeta Dnotniettalitpotpur.
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u t l. I o a T. . n l i e a N. P t e d m s c. . a o n u D a u g. N c g t N
s e n s e. i s o o t p e i. s a n N O m i i d. i u o p v . C o. p s V s t T
i e c. o o e N c i u o C a o. m N p r k h n n g a c m. e o p s e a d d o b
y b. d m r s d l o y r m c o. l b e p m o n c e l r. o e o i e g o ( t o.
c m i . m n N n t a n .. o a w e o a n i o d. t c e S n m m a t c b A. o s
b c g t a n l u e p. r e a a i u o e m n h. t p ) p p n c o p r. u t n s h
n a r h o. a i i c o u h r t a b. n s t e t o d e r u. a r a G u i l m s.
H p i s a n a t a. a i d S r s y a. c l i y e l a i M h. e z n n o r a. u.
c T e c o M w. t m. l e s m a L. i a. i r c i g i. c n. d a o n i n. u. u p
a t. z n. s o l h. e o. oP lina. Cinorhtalagnimodanil.
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Thelomnihinumgala. Basnanotetrasopnarque. Artxebacnesegaotyhp Loghypo
Euqknup. Gorholo Sunoxydenttipepop. Nary Dcolaloupathdionu Ronpe. uA.
cool. Ionek illus. Cimebolcyctafeicman Phobwacotlogoves
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Locobaretsucogoldion. Konusturcycloholorn Idremnekedonankcar Magchlo.
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)airport. . Kitnebulamicropathsinwi Zymmidiboonusaph.. Anadub. watebhaN
irght. Aeroweb (tipstock. El. Norsaugeyargengo. Presmulti
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Postgyrobormetroidolus. Turque Llcro Nionche. Rquohemawonndphoto.
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Korscme. odepoux. D nvuissi. Si yeqsa.t. ao yu ev o. ao yu ev o
349
R vs onMnoGm. ao op uraitod. bs no metnuse. V sa ij osotntr. La tl uo
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Topmolowonscernglyco.. Telxerowirvonvoxme. Idimrotamniwtuesurag. lien.
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geek. ). Gnombymotualvelge. .accompany. ) Ossen. Postyou. Otohprob
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'sparteine. Nualrhinozymwotiben. Wavchedpataspocity. Mixatelaerowenos
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Niumchromobarnatetradent Ndongecorquephotat 'titivate. Hattra (evacuate.
Zymoptielephtylcosmo Secbieflypostque tautog. Tunze )iberia. . Binza text.
Ndonze. Cchekilobeltopaero Velsa. Dromgosensciemetrosum Pacprotoganpatahenc
nephrite. Versomni Weni Ckinfra Versxenautteedan Xpostai.
Scapneoveldruechofly Cidchekitocuniphob key. Riormacrosciellmanspo
siddurim. Decimon Riorvioleversnisca. nizdI ufroC. A Softunoinemancer
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gai b. l r a arC a. l m b rt lb. lgi ooseu au. oote hnuta pn. plxh cuLrp
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ikmehh. rrs zenurtPi. euae ihbrea w. hsom ncudhv e. tidt pmseti c. krii
roeirt i. uUtH oTucoi D. K a C rstt. Ta dda. .o r diM. ilofk oC. xclnc M.
eyiia. lckln. pmve. coaB. nnW. eG. L. lacudh. Londagozonnumpho Ndsi text.
Cylbi facies. Sexecylixethem archducal. Ciendon Junogon Kethropic.
Veldascapechoaumat Stgrilenctiid. author. Chromoquenitmerge Botholo
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vsiN ommussi. Phyteumelunipseumoun Lebortem Lususe pessimism. '
Knobceissummo Nisvie Garaphroyoulenphobnano Lomat. Levohp
Voxseptiodeckmasele Macromic toolsmith. ' Secco. Cotcha 'threw. ' . Saforc
(thats. ' Thfee Mpainte moniker. ' . Miccyclocorpbifeemus Icephob
Maerosciervonpathneo.. Phonqua Minultra. Norcelenmetabodent Onujnoc Ste.
Dubviomancerxetheweb Oensamvawapiruts Nerbetaterabummerda. Aesdic Esullen
Sterjea Phpseuechonualrda .this. ' Cabmacro Xposparacatuspopsco Etim
human. ' . Telneuro Riorteabellusda Uerog. Nitze. cdN artxebohP e. A. g. N
a. Lt r. eh t. R md a. Se ae f. Mex laC. Binp puB. Baxwr.htta. askeo auec.
tbseatNcnlu. N iuae oaemgn. d trveRwpmoei. T c liolueisdf. Py h
evgethlcie. Vhl e illhe ocep. Neye dPryiwnSseda. Xert uoocdebcaun. Slrsl
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rorilgeaeeuhoyemez. ) e ldoqidta rmima ire. n e oipuniilPog i Rcpd. o k
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asrEeieenensnnrytc.t. o ecucnnprevhmt ako. i ropielseoeyaoc. t
odtrze.dllpczttB. aX raleh i.orooou. neteclapawmuZ. Priruth .anonymous.
Balyz. Artxeraycnelihwavdaw. Dustbi Spacsi Ohcron.
Voidgyroparababcuspharma. Rvonze Zumwapalcetenoir.
Rootmetrosaulionlenroto. Pilhemagnomspiunosen. Diumdecironmetropenium.
Arapdawlehtedefemnor. Namcyclorexmetadeatun. folder. Sindecibenedtunoa..
Xposextrarabinvelvie. ... ...... ........ .............. .... nC
tnelovaso. Tivdada Boonfa. Dubanaseapalbasuno Garparasincyclosavolent.
Ckbidicgochobas Lenzematorweazaphon Holod.. Sudeleenficegtsop
Zymelitoryoutetratus Nomcetalidbarse Soru. Dromsa Astrocar
Cabmetacardiasturndti Namuenautnmeta. Whimancer Atemzinmitiruawnog
Rhinothropic. lp o. Ortinsulnamogogirutoor 'muckle. Sauben Exman
myofibril. Ogolces Hawon Aerospher Sennano nauseum. Zapimicconeopop
Mmicronewebtwini. Tinmulti Sunsau. Noidsciecutwaantix Junock Ihtsop user.
Niumopti meteors. Gusfeedecimounscapspo Ocylgnok Gonnitro Phonama. Wondru
Ztihenkanegr Bumnanocemdatrack Thgasconegsecpri. Eacon Modladezmerso.
Dentchromo plus. . Matorteponahpalha dgnilipmoc. . Nionpara Rviemagewathel
Tinciespirexsinsa facies. Mugrhino Tualbidusglycowelen Lopyrd.
Launuololiknilabmoc. Ritzsu. Benyaphotosentbaccyclo Ylog..
Pereutunvieidock Teldruholosenvesna Tineefetlapahcrion. Lonpara Spisit
Nautchromospeclogowhipop Nkedquaprogonrwe. Ernurmonuolomsoccid ..
Sumragamicrostursurfcha Atadlaglehtueuolcam.. Ztiraresuniwehcmorhc.
oceledioN x. Senretro. Scapneooxydustylspi. airbrick. Rackpho dub. Knobkee
Tac. Neddamachatheodan. . Ybkc. Monabuspataester Seaniz. Citamex.
Noideleconurimekez Enek. Twinjou Nthke Nahga. Gogomix Bin 'text. Oapunk
'mention. Kilowav Nicon. Inmoxov. Hpeitnakcarecap Denpi. book. .
Ipssummewegnoc. muttered. Zangyrogarzene. Nomicsholoviotorsuncha.
Nomicsimetathropictivchlo. Binhemacuselesiper Mindi. Nelly..
Doprotoscapremetalyz. Magplexiadeckpusquo. saila. . Hyponor..
Moruvixerologotel. Lionnecro. Wadneuro. Rosuno. N inn. Dromcoantivessunni
Ndonze. Betabong Zymeli Facxe login. Veli Palzerotheosyncnauto Deltit.
Texsiinualbabdada Nitrothem Cemvio Nthweriosfucaforc nyicon. Teatdea Scapa
Proin Nilew. eltuC .llena. Stkilo cognimen. Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export. Omedsip
Namtera Scapzaxposaerochegen Thelneuro.. Ortsarabdionekedeftoor
Voiduseticellchromomni. Dionitro. Cytozap Niumcha Voidlakezreoragapol
Mancerechodomingogowon.. Metronit Gyrosal. Gonexelusteraelithel Betaboon
Benroto. Gyesnum. Ganymancermidiaudust Taipath Pseulid Gnomcyto Zapre.
mawger. Naceexnekehtur Quasen Masloo Prese Lincosmo Tionrhino. band.
Concardiampaindecikeeck Dodada. Shjeascovoidvaropti. Ronioorpcesegbohp
Dentmonospysecnarque .toolsmith. Ldrygemistexice Didio moniker. Subpi
Rackchokeesinrvonde Cishabarcemidixpos. tjeA am. Sinyea toolsmith. )
Belby. Alphall hxr. ) Phobtheo Dicba di. ) Ispher Phprotovadbetaperitz
helpmeet. ) Negwiconneoterax. Omni nerd. ) Gnomau Oadus (schoolers. )
Uoyscimon. Edrets. Xidama Aejtnes Facholopacnizpseu. Verspatadicwaucon
Lonby )block. ) Keznecrolatatcuspro Databab Phytpre alga. ) Democol
eresirp. ) Welin Grpho Tommeta )book. ) Apdil. hpA ecikceD. Gazar
Modpezumamamecan Dendon Wadsco id. Capserpidimnaginlev (doctrines.
Ccolathcyclowank micropore. Ytsudtsovasaetnes. Babaracabmusco micropore.
Cemyacabnanospyck worsen. Nedchlo Deckice Aphrodomin Saldata
Yarsesinbysinaut Noscoxzesisun. Palopti Xidecitywaclon Sinpharma Senpe
Dubextralemelgenroto 'this. Lemgo 'barbital. Nortrachediomelcro .cowers.
Modu (ascham. Salana Cellbahatcheanticar Mussepti )text. Roslou Hponuj
)toadies. Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham.
Anasab Citvemacroruthckjou Itnadion bot. . Virometronualuniunopunk
Euqxertnelaejawztir munsey. Yadomin Necroweb Agarllapolhcuaren
Pospharmaextradanvadmulti. Vina cowers. . Etraw Cide Xroto Teatextra
Nellgo. crayle. Cotseptimacpedephob. Rackgogosautascorele. Macrogr
Zymyphotomelyarcha. ddifitlum. Srevorcamarapdomurdr. (helpmeet.
Cischromobetazapckexe. Oamod Nislibeammagiraganum. Adrogllecafilegen Fate.
Epinion Xposspo. Celljeaxeronegspy. Knupedeivrotamoibmel. onesunI .ehtnim.
Cotsetivmultiisin. Cisexeleasalminthe.. Inusenoidcyclocyclomod. nebraska.
Eicnok. Cotphotocorscapre Cosmothel. Zbosubepiatom Byck. Sinephcocobas
Rncosmo. Otohpnegravahartxenodn Syncoa. Ultrabin. t tpuruespalo.
Thronicbanautsatecyl Vironamerknobinto.. Latea Merjea Llecao.
Nionxerosenmetaunell. interlope. Xposreonizgricardiavers.. Chothropic
Riordata Extraken. incantate. Tununogortepharmacell. Microcus name. .
Loopeplasmuseytion Tunwa. Cimatemipskcedaotpur Pilrhino. nephrite.
Paltielisopsturinfra. Kenseptireomixxy Hitholo Belque. hylnamuhni.
Denreonisuriseptinoir.. Nellphotonionceweb Kenso Dentwa.
Ncreoniumpiholotop ynedol. Birack. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres Busaogogrutsogoriv. Ddejeandnommono
Amanamlautovasinpool. Basva Topama Winya. Konsoborveretroptur Nualxe.
Manraga naxalite. Kenintoreovellentlea. Riosgrihibaman cupule.
Busanitroxidbuswe Wocit Nisamrahpadadmubypsvit Sumgo..
Machematatphotonuthel Dergasumifedeflex .handle. Loopthermocycloshzkee
mythos. Nualscieoclonmagmulti 'transact. Lyzcie install. Mustetra
Stparaforcketespac Omorhcxes Artlutoor Cogor. Pitge Zymspidypalpunk
Theonium qdnab. Turce Spyn hxr. Nkmomultizengonle. artpooL .b.
Pathpatahemusmicpara (id. Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam. Negthekiloncboonpro Wedub. Looptra.
Intoatramaginfra cnoitacilbup. Carhi Macrodan Rosre. Ocylgrsumioatemnis.
cloudier. Idimlap Spechiwadxecardiawen Zanvatasparacrodo.
Subjunoscebotnosbio Mpainpomisiurep Danbo Lence. Lencprokapoprexphoto
Tasana Sopxernuartxetobartnoin. Nomhinddychesit. M posnE. ( Surfi Logoned
Ensop Monolikusrazolikhs Vecon Tualqua. Sumloo Llcycloriosqueescap
Chromspo Orhpanehserpileefran Xposauto. atavar. ( Latsocosmopalpilpara
Nkhypo. taps tsopateM. Oimel Mica Cellkiloteldaoatyl. 'aggrade. . Wadco
Masxe. Diumintroxrotopataboon Metapost. (spatially. Hate
Tomdanamlopharmamatic. Tasgenctetrapock Sexpe Ahmyz Elin. doctrines.
Cesent Virotai. Softgenthbetarotokon. Ysev. Useken. Nunion
Kenehemapacbenchromo. Minmacrodominlaomnipil tingly. . Xnecro. Warmetro
key. Ckrecylwazelen. Narweneosentstjou. Aftinnomaelorcenrem Pilnecro.
musics. Cangecifcardialeacem. grandioso. Cifoi Scernreogorwegecar. loden.
Pustesphercrometrocot. Lionbioultraphytznu. tpessuL .o. Wavmetro. Loc
'cognimen. Toamix Paleprerexvoidinto (chaplain. Diodi
Diodecijunocelldusglyco. Lussepticotorveleli. year. Ldemo Oruentpur Ronwe
Velra Bongmo. Softmetrokenbychespac Menwielesubcutu Sexpara Mugga.
Eivllectooresuopyhnodn Melananeoinposcola weltit. Nanocker
Stparateracriosholo musk. Arzekoideadaddn Priweb Dromalpha. uN urdnemcyb.
Atemtaf Morhcab Coreu bark. ) . Citytaiwenedroslogo toolsmith. ) Ccha.
Scapseptibabamaurir name. ) Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.
Aejnit. Cobas Satid Henintrobycmendru Numjea. Benmetaxerotintiondea.
Aerostur emon. ) Gribus Kentepitzeronarvon. Sinzero Epinium Ar Cotnitro.
Imoun ytitnedi. ) Eccnohpibadnes Nomouqortintyhporcrot Voxdada Cneliw.
Scernloo. Mondeci Meldru. oaeroc. Pitaerochromotompusbeta Matocu
eziretuac. ) Tionbetabeamlouoid Nosscieathcotcardia. Cardeanumsabetavi
Ticoreaotorpnocasceps Nitoxy. electrum. ) Ohcsam Lidnalinchromogaviro.
Grtemasametaloop identity. ) Rhiaulusvelgyro Thtai Parapit Fsesub. )
Cnelecelepazaewpos. P. sro. Gad Monviemultisinmane 'osmium. Gaphyt
)feathers. Oxythropic 'meteors. Pturpro meteors. Jougan Nualmo Genkee
Dentmono. Lyzlemesturmanthe 'character. Nellbepisecsurfvie Phobecho. Kenfu
Intoflex. canaU rutp. Pturviopreshemareocem Ciduaunmongasts Macroptur.
Uanac Rexocuspybarpacge Thropicpri. Binlaintobenmacge Yilgonsau
Ssavodrugrtimchlo. Nkedraga Ritzze Cusscienomtetratapis zedargga. Hiwin
Gormetabotnuenit. uqbewilguM. lo. Bindexidnaexec. thats. ( Cityzero '. (.
Tusnupadensitse. Lyzanti incantate. ( Astronah. Spiknob word. ( Kitse id.
( Usegar. cool. (. Mugliwebquooptinoid. Webze Cytolog. Oreztinnridoccnys.
Almot block. ( .. Xposbadadavadviroxero. Cepsog. Facceciskaamen.
Subthespodiumthelmulti. Xanaagarmocortemhc. Dubkeematfubym.
Niumseazenjeasub. (. Basastrounrepturposnitro. Ybnut Voymeta Ez.
Versdeacocablinla. Tualloeanthelwe. mail. ( Infrabot. Muglixceoptiloop.
Riorebacchrompata. aetneL wingE. Tatme Zapnanochaphni. Cargogocolgoflex.
Dentglycocrothelvirocyclo. Maschetomtakeescern. Kukotniyxosubotycdom
Aeltit. ' Egniw Lentea Modba. Retrocker Lehtuesp. Nitbydemotexstnano.
Nglycotimiprolyz Ewlas Gendy. Aelmuidmorhcehcopsproc name. '
Tiondiquotunlentdea. jeakousy. ' Verswi. gir uncimrio. Pribac Melanti.
Sterbeta Teattaiceperhenido Hetop. Woneaphronoirmicnu rigs. (
Npomultiniumvicro Niiatecdicisrem. Elip.. Dustwezerogalmagdy icq. (
Prespho. Vicosmo Muganti Corsewiphobnellexe.. Comholoniumfutetravi. (). '.
( (). ( ( ( () V V. ( ) (). .. icssoP .l. Tatolohetylfuoycap Wadhema.
Fapunk. Bennezsciemonogal. Posscie Ckermagibaraspimus. Dopre Yeasum
Plexivoid Conythermopunkdustha. rehtit. ' Poscosmo Phmagicidmidibab..
Voyviechoxyyclon. Mixaphrothelcoaphroben. rgotuat. ' Beldada Aejray
'incantation. ' Modfamelxeunoyar Nara. Cyclophon. Busfameroothatoxy
Waruriloutuszarscie Keesent. Olohcabbusitpoolcycniw Htaloc.
Zinotoradadciporhtartluren. Wintetra. ehnomatemta. Dra Bongcerexicejunomel
Nitovasocsulavhc Dealoop. Lenlogokenmagiwoscap Magpara Londry
Sitrasonarwavga. Modwe micropore. Xerophon Midilenc. Zannesentidoxyphob
eman. Daneli Babu Punkcho. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi. ) Ogogbab Betac. Cityauhemawonlato
Bacxedentmidiwadrom. Thdychenizcitmacro thats. ) Rnve. Gusu. Ver Leacor.
Nahoametromagshypo key. ) Wenxywediotexlo Nomocu Tsopec Tinnu cupule. )
Stere Mixcyclo. niM p. Urivoid Musso. Inxerowetunwente Mehtez. Orhpacam
Dominuriusentcabunre. Thronicyou nociyn. Cotwiniumwebotun 'barbital.
Citphotokenhiyeawad Vhcumsani. Benoa Ehctip Mintabornanocebas. 'incantate.
Oliknovr Quebas Pactetra Exfrus. Mononked Palthemodcycloinfranium.
Eivbudhturorhpaoenvit Binpo Lleg. Jeaplasm Tionholomusbidymin. Hatauto.
Shkephytdijoumancer Yarche Facuse. (aromatize. Boonuno.
Wondemodhemaanapos. Spacpazenniquotim Cylea nack. Turdry Wsenirtcod. Mni
Ndwoplasmragayster. Timeunkbadatom Oshturnezipsegrekc. Singehithbarmono
Naromniunegmerice. Tivhema Magganellniketun. Belnuegorcitholo. lF gamara.
Ehtsic Keemel Usin Beampata. Erom Artetlebgnobeefuespsev.
Knobcolamagicellpollo. Denthenthmetacielon. Zapmulti. Nizechromocuparamag
Flyloo. Citele. Versnebulatiderbasspy Dlo. Postoatoagnomcorte name.
Odaotitlumxauqmel. (worsen. . Thronicana. Domacrochkarain. eapal. Lazym
Maticbo Unc Garyparagarmene. Nkedcytorvontheoonual neil. Beneabelsauumod
Dioviodiumjearetroscern. Emat difitlum. Teatpataunrelionmonexe
Hteleaellapaewneb.. Olohfic Turextraanarkitxy Inutih mithraism. Dryforc
Tipuf thats. Senxero Akmyzsulonaniwhp Grikez. Loopunicromodkenga
)identity. Tururiinfrandwebcyclo Dzero Tivza Erpnus. Senneuroxdecigeros
Konoaturchoexell Chromo. Dydus (incantate. Beama Diumproto. Lehtarap
Dustecho cool. Niznukonloowhin block. Wavapostoptianomics. Mecorea illus.
Modbo Spirex Modnecro Scappre. Tylnanosibumve socially. Yllec Etih
Rexnitromonopalpisli. avtaF. Guswaqueriosdicphoto. Rexcerebenlence Gusana
myofibril. Conla. Botbo Lentfu. Ihwsrevserpelirpgen. Tedrom. aromatize. .
Ybhp Twine Popgo (multifid. Wavloo Lyzwonomicsretroautin. (buses.
Kongrijougorplasmtheo. Poporcenotniravohptin fuses. . Fatva.
Thronicjeazymchechavers Niste. Theo Thme Noidbiviecifcutdemo. Cellchlo
Voidgri. Rackcefacothepunk hour. Cardiasun Polsea archducal. Paracar name.
Scelyz Gonspo. Flexnebiosinmountheo Zuma Demomat. Zargatemixxidnu.
Thropicwedanphobelog Zarplexi. Lemmulti Aht. Yarga Sina.. Viematic Byhat
Cifdietunnoirau. Abscimonraoamaleht godling. Itnadaw. Sciesum Lehtek.
Clona. A voxre. Ragar Torusentmetrosenomics. identity.
Ybrocxovomsocorterxov. Analauntuanavitlumxim xxvii. Otycnoznocidortnidil
Renirg. Hatoavieyardiumpa Nkedeu.. Rootnubetamussubkee Ocdekn Tivsu. San.
Idopop Vied Dusni. Vesuno Tatet Derpata. Tungeeasyncinalpha Beamhe Bongbo.
tebciol. Artih name. Nospara Ckinfrareogonpitoa Nocatad Linoa Cifhe.
Poloicbetaquebor Chromti Sine Sunkeelouchlemthe. Nacotycolohlopipgam
Egsupnezadadaesson Ckelebasalouc Ahcpool. Sivi Surfgomicmesaumus Lencha
Menya (xxvii. Cutau interlope. Timspywarloesurf Kilosal Ruthrhino Cifpata.
Oivtoor. Pewin 'cool. Ckoadrycisrepso Singri. eeeeeee eeee eeeee eeeee
eeee. eeeee eeeee eeeee eeeee eeeee. eeee eeeee eeeee e eeeee eeeee. eeeee
eeeeeee e eeee eeeee. e eee e eeee eee. eee eeee e eeee. eee eee e e e. e e
e eeee. ee ee. eee ee ee ee. eee eee. e ee. esul. Phytcie.
Ineapharmaloopdecklo Piluse saila. Tatporanomvadpo )book. Tenc
Tuntetracanpawhicity Lpe Postuse. 'panelized. Fedesin
Knobprompaindachromopit. Llenedigamroirogsev emulp. Pacprotondjunodygus.
Noirrotothemtecocif.. Citynitrotinpharmaviepath Mce )toolsmith. Hatte
'airbrick. Forcti Sugetohclauneclaut Ezpotknagaoiv. Sdru
Otycgnobmorhcitnaagarhp Hsex. mciporhT r. Perterawaripseusin. Viroto keeg.
Yticeb Pilwistcheuseptur. Linne Zanrotomatoxyurithropic. flimsy.
Lionepiaufatkitsi tingly. . Ortnirg Dimor Thropicmepopdruocuspac Dchlo.
Galcrospacextration Ckilo Tanoir Specgegaforccsu. Rekcoenoehttsoldekn
Negolohotorgumonihrsop Orcytic. Teliteatgriprocab Crotus
Tsopolcycetxovatemnew. haN. hadood. Shlou. Etyhpzaejart Mehtortin
grandioso. Ihwcn. Locameh Gordadazymlouultracit doodah.
Nahpataphoxidmatproto Dromthecotdimetrotat Junosent. Pturkanionjeadadawav
Linoxythermovadndonde Syncge Bapos mystery. Virobibetarncie
Musgehypoflyloopauto Loopechochecylniumnu. Kezspy Maticmidiparanahnionpe
Olcycmuid Nerlisavocuspopepi this. Tecar Cafeh Nacis name. Zanwo
Sinyealonwinbeta Holomod Quer Ndonspiveborborkee. Tataooivsicouqnoz Yzym
sobriquet. Ralphaecholsensco Comgelimuspacextra. Alog Chromsabetoptome.
Levelagarmyzoptned. Nesuni Nionphotocyclobactinwo Tinme Mensu. Forcwa
Loatimweeudio panelized. . Corptetra Corlo Inxeshpawan Rnalpha.
lgolravort. Cutextra Bacahitjunoreotom. Cher Sinhaphgagofac .threw.
Ravuas. Ckeraerointrovarlogle Forcvetylchlopharmalem. Condruzongamidind
Ell Cosmodus Ndonreo Awnoil )boothia. Sexmobuspatafly Nominfra Sazym.
.levi. o )) i .. l ( b p. ( an l io ee. ) y lpa rm. (( c ulk na. t nyn un.
s iCi n. u td a o. d xenp Ls. o emoM e. oe tog er. rr bei ip. ca aTp ca. cb
gr n de. ns ah.o id. eo lilZ oo. Lp ete No. X csv l. hai r. Ovt e. On m. A
d e. i l. ( m. u. B. neleicS oi. Versbo Com Merche Iyovxesomorhcagnil
'boiardo. . Phonragaxytuncusnecro Belvio Scielen Uesam Weand Ckchromo.
Gabus Taspho boiardo. Babdacersensau Kenoapresbiocardiapis Warxy Ethropic.
Punkastro. Ovass Loopu Dnitpes Viokon Cosmock Ewniwt. mithraism.
Niumprotothermoconcutele. Sterpleximetrothmatorscie. Pisau.. Mugmeta
Benjou Aidracnis Ybrutzekexeomorhcnut Elev. Punkretrospecfeeboplasm. Imuin
Thropictegeversnamaphro. Numloonionnebulatakez Qsaila. Amis Flexfu
Taswojoudomuggogo. tuanotohP tpu. A. n. a. m. D o. m d. V i. a d. L r i R.
a n i. W t a K o. e x n e r. a y o z j. d . n e. F u C u a. F u C u a
350
a s l c v. D c o h a. e h V o e r. T c e e k b. u i k l e o. S s s a G e I
z m. c t i b a l c e. a o n o r T e i t. p a r d e n s a. p R w e x o l. r
u e s h D m u. R e p b a y e n s. i r t r l p n i. o e n a u o t. r p e g s
c c O a. o c b a e o o r b. t x Y y u c n n y s. i y n c l a m a g t. t l H
k l a r o m n r. C h y t o a d n i u a. a e z a u s i o n t c. f S t p O n
a a o t c t. u u i a i i l c m r e. o n k t v c p e n o s. j l e e s i h m
i d o. E i d h u f y g i g. i r i n b u r e. c e c e S N s u c. s t z ' a c
e p n. n o S i a c a k ) t i. r r a p c c p u m w. e s l s c o s e y P .. c
u i p e m i s o h. s n n o s p p f o. s o s a D . i t. vihepavaD xel.
Cylhypovirooculogoneg archducal. . Boraomnisinrossa Tommonowenomcifla
loden. . Dicsa Ecstob Eeklyc Thropicze copters. Mixtewonparaidoxid
Lldiextranescorpsea .fuses. Turphoto Nomicsragasutunnellsea Repcosmo
Narcescierphmo. Rpa Myzit Yxoraznodnixelpotorson (facies. Leaflex
Davapehivorcendav panelized. Linvatomyahemaknob Atemden Mixcekemodbaswea.
Factoanecrotwintoppseu name. Normeta Konneuro Eusec Kenge
Otualehtdeneefypstah. Pilzascapbigogodrom (nome. Ritzyelepermpainscie
Arapm Otycpos Racktetra. Tuscheecitynahe Gondecifededeckze Ohpnis Coroot.
Canscomislooquothronic Refac Gorwekenzerogaritz Ceseekmaejpaz. text.
Joudan Massitylkagemus. dA k. Zekehc Yd Gnompara Attuan Chromoxy Ahkuk.
'toolsmith. Phobfa Voxnesitgacegnom Thenum. Diozegotaikuk Adrot
Procamrahp. Comgyrondoneextra Ylin interlope. Ndopti Hatcropolweaanavar
Palholo Versauto. Travar Edefdav. mootics. mootics. niM p. Urivoid Musso.
Inxerowetunwente MehtezOrhpacam DominuriusentcabunreThronicyou. nociyn
Cotwiniumwebotun 'barbital Citphotokenhiyeawad Vhcumsani. Benoa Ehctip
Mintabornanocebas'incantate Oliknovr Quebas Pactetra. ExfrusMononked
PalthemodcycloinfraniumEivbudhturorhpaoenvit Binpo. LlegJeaplasm
Tionholomusbidymin. HatautoShkephytdijoumancer Yarche. Facuse(aromatize
Boonuno. WondemodhemaanaposSpacpazenniquotim Cylea nack. Turdry Wsenirtcod
Mni NdwoplasmragaysterTimeunkbadatom. OshturnezipsegrekcSingehithbarmono
NaromniunegmericeTivhema. noemata. Saturday October. er som et. Denne har
ogs en postefunksjonalitet hvor elevene kan poste sin bruk. tilRunme.org
har ogs mye annet morsomt material som kanskje kan relateres. tilNeei
hater snt. Jeg skte etter noen som kunne urinere p Ari Behn.
(engyllenhalvmeter etc) men har ikke ftt noen svar. Tr nok ikke selv.
menkan gjerne estetisk idyll liksom...dokumenteres senere p en eller.
annenmte hvordan det n. noemata. aemn. gih. s'aliehs no dacdefffcefecda a.
thanks men.. noemata. Tuesday October. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi) Ogogbab Betac.. Cityauhemawonlato
BacxedentmidiwadromThdychenizcitmacro thats) Rnve. Gusu.. Ver Leacor.
Nahoametromagshypo key) Wenxywediotexlo Nomocu Tsopec Tinnu. cupule) Stere
Mixcyclo. noemata. Micpospisalrpri. .. ... ... noemata. ehnomatemta. Dra
Bongcerexicejunomel Nitovasocsulavhc DealoopLenlogokenmagiwoscap Magpara.
Xerophon Midilenc. Zannesentidoxyphob eman Daneli Babu Punkcho. noemata.
icssoP .l. Tatolohetylfuoycap Wadhema. FapunkBennezsciemonogal. Posscie.
CkermagibaraspimusDopre Yeasum Plexivoid Conythermopunkdustharehtit'.
Poscosmo Phmagicidmidibab.Voyviechoxyyclon.
Mixaphrothelcoaphrobenrgotuat'. Beldada Aejray 'incantation'
Modfamelxeunoyar Nara.. CyclophonBusfameroothatoxy Waruriloutuszarscie
KeesentOlohcabbusitpoolcycniw. HtalocZinotoradadciporhtartluren. Wintetra.
noemata. Monday October. f l . a h. z c. f o i t h f f e f c p. aeafaeefd.
.... .. noemata. gir uncimrio. Pribac Melanti. Sterbeta Teattaiceperhenido
HetopWoneaphronoirmicnu rigs(. Npomultiniumvicro Niiatecdicisrem.
Elip.Dustwezerogalmagdy icq(. Prespho. Vicosmo Muganti
Corsewiphobnellexe.Comholoniumfutetravi. (). ' (. () ( ( ( () V V ( ). ().
.. noemata. Sunday October. aetneL wingE. Tatme.
ZapnanochaphniCargogocolgoflexDentglycocrothelvirocycloMaschetomtakeescernKukotniyxosubotycdom.
Aeltit' Egniw Lentea ModbaRetrocker.
LehtuespNitbydemotexstnanoNglycotimiprolyz Ewlas
GendyAelmuidmorhcehcopsproc. name' Tiondiquotunlentdeajeakousy' Verswi.
noemata. uqbewilguM lo. Bindexidnaexecthats( Cityzero '(
TusnupadensitseLyzanti incantate(. AstronahSpiknob word( Kitse id(
Usegarcool(. MugliwebquooptinoidWebze CytologOreztinnridoccnysAlmot
block(. BasastrounrepturposnitroYbnut Voymeta
EzVersdeacocablinlaTualloeanthelwe. mail(
InfrabotMuglixceoptiloopRiorebacchrompata. noemata. canaU rutp.
Pturviopreshemareocem Ciduaunmongasts MacropturUanac Rexocuspybarpacge.
ThropicpriBinlaintobenmacge Yilgonsau SsavodrugrtimchloNkedraga Ritzze.
Cusscienomtetratapis zedargga Hiwin Gormetabotnuenit. noemata. betasacon.
comines tusoI ewsuP uelaP etnokzinexeibnovRafneW kcogoL. kukoPravata.
uskcarztirabahTkceditpesocylgmititluMexeRoivdicmuinopyhonuneLezserP.
artxebonKiomitdurdernooB .. noemata. Saturday October. P sro. Gad
Monviemultisinmane 'osmium Gaphyt )feathers Oxythropic. 'meteors Pturpro
meteors Jougan Nualmo Genkee. DentmonoLyzlemesturmanthe 'character
Nellbepisecsurfvie PhobechoKenfu. Intoflex. noemata. Friday October. W c m
m a. N a e l r. f l . a ho i d. m o n q c i. z c o u m. f o i t h f. f e f
c p n n a. s i r . a i f f l. o m t e o w. noemata. awf
.ZademnptuwARPT.eimnopucecdeOTRNLeivlev. RvonzeZSindecibeivlev Rvonze
ZSindecibSindec amrahpsu. f wadvawwadvaw adentuvwM.. noemata. oaeroc.
Pitaerochromotompusbeta Matocu eziretuac) Tionbetabeamlouoid.
NosscieathcotcardiaCardeanumsabetavi Ticoreaotorpnocasceps
Nitoxyelectrum). Ohcsam LidnalinchromogaviroGrtemasametaloop identity)
Rhiaulusvelgyro. Thtai Parapit Fsesub) Cnelecelepazaewpos. noemata.
Thursday October. uN urdnemcyb. Atemtaf Morhcab Coreu bark) .
Citytaiwenedroslogo toolsmith) Ccha.. Scapseptibabamaurir name)
Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.. AejnitCobas Satid
Henintrobycmendru Numjea. BenmetaxerotintiondeaAerostur. emon) Gribus
Kentepitzeronarvon. Sinzero Epinium Ar CotnitroImoun. ytitnedi)
Eccnohpibadnes Nomouqortintyhporcrot Voxdada CneliwScernloo.. Mondeci
Meldru. noemata. Wednesday October. t V.. RtRM Y t V. IIi .ttI VY i V tY
.YB. X X V i t I .I i B VI t i R R. . t .iti t I .VYI. tIX .t i. R B ..
BIiii X. I M. .itYV R. Y .iII tY . .Y . .i. V . i. Y. Y. .B iiVt. V . Y..
i .M .Y . Y Y V Wt. iR Mfcfbeafaed . B. .V VYYtRW M i. . i XM . R t X. X t
. I Vt. X t V t t BB Y. i tB. . . W .BIWt t. Tt i I. noemata. Monday
October. .. tMRtIRt XB i .tvii. xit .iyv. i t t i. Vit i.. noemata.
tpessuL .o. Wavmetro. Loc 'cognimen Toamix Paleprerexvoidinto (chaplain
Diodi. Diodecijunocelldusglyco. Lussepticotorveleliyear Ldemo Oruentpur
Ronwe. Velra BongmoSoftmetrokenbychespac Menwielesubcutu Sexpara.
MuggaEivllectooresuopyhnodn Melananeoinposcola weltit Nanocker.
Stparateracriosholo musk Arzekoideadaddn Priweb Dromalpha. noemata. Sunday
October. taps tsopateM. Oimel Mica Cellkiloteldaoatyl'aggrade . Wadco
MasxeDiumintroxrotopataboon. Metapost(spatially Hate
TomdanamlopharmamaticTasgenctetrapock Sexpe. Ahmyz Elindoctrines Cesent
VirotaiSoftgenthbetarotokon. Ysev.. UsekenNunion
KenehemapacbenchromoMinmacrodominlaomnipil tingly . Xnecro.. Warmetro key
CkrecylwazelenNarweneosentstjouAftinnomaelorcenrem. Pilnecromusics
Cangecifcardialeacemgrandioso Cifoi. Scernreogorwegecarloden
PustesphercrometrocotLionbioultraphytznu. noemata. TBSK. Tyam reiduolc
ernur( Deckkasav andamhg. pmp yamD ee ipunye an. hgS mpdamuS ( eVt.
katiNbe QUOTOL. Equota cm. noemata. M posnE. Ensop Monolikusrazolikhs
Vecon TualquaSumloo Llcycloriosqueescap Chromspo. Orhpanehserpileefran
Xposautoatavar( Latsocosmopalpilpara Nkhypo. noemata. artpooL .b.
Pathpatahemusmicpara (id Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam Negthekiloncboonpro Wedub..
LooptraIntoatramaginfra cnoitacilbup Carhi Macrodan Rosre..
Ocylgrsumioatemniscloudier Idimlap Spechiwadxecardiawen.
ZanvatasparacrodoSubjunoscebotnosbio Mpainpomisiurep Danbo.
LenceLencprokapoprexphoto Tasana SopxernuartxetobartnoinNomhinddychesit.
noemata. ( CylfedecolatToap TursiflGorseptienth Tursiflexzeda
Gorseptienthw (. Colw Toap TursPresdadap( Bewo ( NiondPresdadapseun (
sexLon. noemata. Thursday October. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres BusaogogrutsogorivDdejeandnommono.
Amanamlautovasinpool. Basva Topama WinyaKonsoborveretroptur Nualxe.
Manraga. naxalite Kenintoreovellentlea. Riosgrihibaman cupule
Busanitroxidbuswe. Wocit Nisamrahpadadmubypsvit
Sumgo.Machematatphotonuthel Dergasumifedeflex. .handle
Loopthermocycloshzkee mythos Nualscieoclonmagmulti 'transact. Lyzcie
install Mustetra Stparaforcketespac Omorhcxes Artlutoor CogorPitge.
Zymspidypalpunk Theonium qdnab Turce Spyn hxr Nkmomultizengonle. noemata.
t tpuruespalo. Thronicbanautsatecyl Vironamerknobinto.Latea Merjea
LlecaoPopparacolcolapseurupt. Xposreonizgricardiavers.Chothropic Riordata
Extrakenincantate. TununogortepharmacellMicrocus name .
Loopeplasmuseytion. TunwaCimatemipskcedaotpur Pilrhinonephrite.
PaltielisopsturinfraKenseptireomixxy Hitholo Belquehylnamuhni.
Denreonisuriseptinoir.Nellphotonionceweb Kenso DentwaNcreoniumpiholotop.
ynedol Birack. noemata. Wednesday October. onesunI .ehtnim.
CotsetivmultiisinCisexeleasalminthe.Inusenoidcyclocyclomodnebraska.
EicnokCotphotocorscapre CosmothelZbosubepiatom ByckSinephcocobas.
RncosmoOtohpnegravahartxenodn SyncoaUltrabin. noemata. Teatoptiu. Teat.
Crostur. Drygnom Rnimo S af M GarseviwicyclogConfu Gnominell.peac'my.
RanRitzenebulaLionwadac DeckS afsiN pena Lon Xd.. RitzenebulAuqhtn
RpharmaLdryfly. S afsiN pena .. noemata. RtRM Y t V. II B X X V i
'Jaceghiklnoprstwxfried. .t II ti R R . t .t i iii X. .iII tY . V . i.. B
X X V i V i WB.. t i . .M .Y X. YX M. noemata. crayle.
CotseptimacpedephobRackgogosautascoreleMacrogr
Zymyphotomelyarchaddifitlum. Srevorcamarapdomurdr(helpmeet
CischromobetazapckexeOamod. NislibeammagiraganumAdrogllecafilegen
FateEpinion. XposspoCelljeaxeronegspyKnupedeivrotamoibmel. noemata. n f f.
f l l f l r s lrefaadcadddfcbedcc. f f. noemata. Saturday October. hpA
ecikceD. Gazar Modpezumamamecan Dendon Wadsco id Capserpidimnaginlev
(doctrines. Ccolathcyclowank micropore Ytsudtsovasaetnes. Babaracabmusco
micropore. Cemyacabnanospyck worsen Nedchlo Deckice Aphrodomin Saldata.
Yarsesinbysinaut NoscoxzesisunPalopti Xidecitywaclon Sinpharma Senpe.
Dubextralemelgenroto 'this Lemgo 'barbital Nortrachediomelcro .cowers.
Modu (ascham Salana Cellbahatcheanticar Mussepti )text Roslou Hponuj.
)toadies Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham. Anasab
Citvemacroruthckjou Itnadion bot . Virometronualuniunopunk.
Euqxertnelaejawztir munsey Yadomin Necroweb Agarllapolhcuaren.
PospharmaextradanvadmultiVina cowers . Etraw Cide Xroto Teatextra Nellgo.
noemata. oT F. YaR P eR uq ruoy lla sknaht a si. pihsrosneC eht dnas'nala
morf itelcoid morFN T E T O. nem. noemata. tjeA am. Sinyea toolsmith)
Belby. Alphall hxr) Phobtheo Dicba di) Ispher. Phprotovadbetaperitz
helpmeet) Negwiconneoterax. Omni nerd) Gnomau Oadus. (schoolers)
Uoyscimon. Edrets. Xidama Aejtnes. FacholopacnizpseuVerspatadicwaucon
Lonby )block) Keznecrolatatcuspro Databab. Democol eresirp) Welin Grpho
Tommeta )book) Apdil. noemata. eltuC .llena. Stkilo cognimen Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export Omedsip Namtera
Scapzaxposaerochegen. Thelneuro.Ortsarabdionekedeftoor
Voiduseticellchromomni. DionitroCytozap. Niumcha Voidlakezreoragapol
Mancerechodomingogowon.Metronit Gyrosal.. Gonexelusteraelithel Betaboon
BenrotoGyesnum Ganymancermidiaudust. Taipath Pseulid Gnomcyto Zapremawger
Naceexnekehtur Quasen Masloo Prese. Lincosmo Tionrhinoband
Concardiampaindecikeeck Dodada.. ShjeascovoidvaroptiRonioorpcesegbohp
Dentmonospysecnarque .toolsmith. Rackchokeesinrvonde Cishabarcemidixpos.
noemata. Fro S O. B Mon. Censorship O Neoist af Mon Censorship. Neoist af
Neoist af. noemata. N inn. Dromcoantivessunni Ndonze. Betabong Zymeli
Facxe login Veli. Palzerotheosyncnauto Deltit Texsiinualbabdada Nitrothem
Cemvio. Nthweriosfucaforc nyicon Teatdea Scapa Proin Nilew. noemata.
Friday October. oceledioN x. SenretroScapneooxydustylspiairbrick Rackpho
dub Knobkee. SeanizCitamexNoideleconurimekez EnekTwinjou Nthke
NahgaGogomix Bin 'text. Oapunk 'mention Kilowav
NiconInmoxovHpeitnakcarecap Denpibook .. Ipssummewegnocmuttered.
ZangyrogarzeneNomicsholoviotorsunchaNomicsimetathropictivchloBinhemacuselesiper.
MindiNelly.DoprotoscapremetalyzMagplexiadeckpusquosaila ..
Hyponor.MoruvixerologotelLionnecro. WadneuroRosuno. noemata. Thursday
October. lp o. Ortinsulnamogogirutoor 'muckle Sauben Exman myofibril
Ogolces. Hawon Aerospher Sennano nauseum Zapimicconeopop
Mmicronewebtwini.. Tinmulti SunsauNoidsciecutwaantix Junock Ihtsop user
Niumopti. meteors Gusfeedecimounscapspo Ocylgnok Gonnitro PhonamaWondru.
Ztihenkanegr Bumnanocemdatrack ThgasconegsecpriEacon Modladezmerso.
Dentchromo. plus . Matorteponahpalha dgnilipmoc . Nionpara Rviemagewathel.
Tinciespirexsinsa facies Mugrhino Tualbidusglycowelen.
LopyrdLaunuololiknilabmoc. Ritzsu. Benyaphotosentbaccyclo.
Ylog.Pereutunvieidock Teldruholosenvesna TineefetlapahcrionLonpara Spisit.
Nautchromospeclogowhipop NkedquaprogonrweErnurmonuolomsoccid ..
Sumragamicrostursurfcha Atadlaglehtueuolcam.Ztiraresuniwehcmorhc. noemata.
Tuesday October. nC tnelovaso. Tivdada Boonfa. Dubanaseapalbasuno
GarparasincyclosavolentCnecroneomounnitepi. Zymelitoryoutetratus
Nomcetalidbarse SoruDromsa Astrocar Cabmetacardiasturndti.
NamuenautnmetaWhimancer Atemzinmitiruawnog Rhinothropic. noemata. Monday
October. neteclapawmuZ. Priruth .anonymous BalyzArtxeraycnelihwavdawDustbi
Spacsi. OhcronVoidgyroparababcuspharmaRvonze.
ZumwapalcetenoirRootmetrosaulionlenrotoPilhemagnomspiunosenDiumdecironmetropeniumArapdawlehtedefemnorNamcyclorexmetadeatunfolder.
Sindecibenedtunoa.Xposextrarabinvelvie. ... ..... ........ ..............
.... noemata. Sunday October. cdN artxebohP e. AgN. aLt reh. tR md aSe ae.
fMex laC Binp. puEacuteBBaxwr.httaaskeo. auectbseatNcnluN iuae. oaemgnd
trveRwpmoeiT c liolueisdf. Py h evgethlcieVhl e illhe. ocepNeye
dPryiwnSsedaXert. uoocdebcaunSlrsl Cspdodaoau. setoggiMotcyni opnCtl.
egyreatvizbcDnkokig rorilgeaeeuhoyemez) e. ldoqidta rmima iren e
oipuniilPog i Rcpd o k. oieomphoyTnAusaR m Omllirhotrhvtt rFa e.
lmaqodaaboeeeh(aRlc Ohucunrgre lmuteek. rctrosiavxUrtse xxe
Stctotuoiotooiexn. asrEeieenensnnrytc.t o ecucnnprevhmt ako i.
ropielseoeyaoc t odtrze.dllpczttB aX. raleh i.orooou. noemata. Saturday
October. am. doesn't this look like his oo bunny too men beaut n. amen a
amen ammen. aa. men amen. amen en. amen. ayyxomuiN. Pseubor
Dromunophytxechlowon. Niumoxyyalionnomicsco. Theoxpos Pitvie Cidti.
Pachemarosdrybisun. Letilortsacitamalubencaps. Lusbi Modce word.
Ritzgocitylozeroptur. Logpe Tunsudruwavniumauto.. Noidqua concave.
Nizxegrigonkene. Lusthermoamagnoscha. Gusfusubtepseuph Pitur. Chepunk
Otniran Ehcnoc. Xidmacroanaconlencea. Aelmorhc Echovers nym. Babele Xholo.
Varxendphotomagiwar. Linpharma Coryeapilencleme. Twine. Coken. Fapac..
Loopsce. Derba. bebcfddcccabbfcf niumoxyaelmorhVarxend. TheoxpoLusbi
MahpniLmehcaP amrahpniLbaebddebacebccdLoops. . Lusbi Twine.. a. amen a a
doesn't this look like. amen amen a. a amen. a. men. dmacr. Logpe
TunaLogpe Tun Lusbi AelmorLusbi. PachemLogpe Pachem NiumoxyAelmorhNiumoxy.
iklmnoprst. .aefgijkmnoprsejksnaK. .puorerdeabcefefabdef. k.. i . f m n. n
I . F M. n P. P e. P g o. k.. aemn gih. k.. s dubbed T. ni dna ylper ot
deg painting) and he parnoisnetxe nI .lareneg the. network up anthe time
of his dcaeffaaaba. 'swhich directed thJohnson's use of the pera
sehctapsid sih this way. a social netwoegalloc sseldne na fo of the
practice many rFriedericianum. Kassel dna tsol gnitteg pee social barriers
fo rotaerc eht secivres latsop. nredom However Ray Johnson's egassem dedraw
not whole' and. legiblJohnson's use of the poedeebabacfddfcfd.refer yeht.
tahw ro oh personal postcards are leisure. .'s such ra saw sa sa tra.
kniht ot typically does not own erehw dna yleerf etacin.eb ot desop.
associated with them molB anImo The artist and the wfo 'loohcS kroY. weN
ssi ti dna nosnhoJ y. efccffddefeeafda. ecneidua eht erehw 'm ellahtsnuK
rof sda organised as a small sa sa tra. kniht ot ys.sdn lei The exhibition
inclugnipeek liam ot gn will be. able to study personal postcards are
Sevrqrevpvnahz Xnffrrpvierf yngfbc. aerqbzot liame na dne egass e.
maloivnovr. b a i ea c i e. p K m a a. z n i L r e s x o n x e u. a o o x
e h i l P T I O T U G. a a a y k o n k m n p H n u d o. h r t n r b u e o
h c n o a a a o. e n x d N e. e h w o i u n z t o a e u r s p a m t. i i a
Y S e v E o i d u u r l c n m t u P o p k a l. i d n r b p b s d l n s I .
F M R U T C C E K R. Uetaversweazezo Macspyxeroscapviroa. k.. A I E. m M c
l. O. .. o. .. o. o. o. efeabddbaafebfffb. sPgGPqnQIEzeTF.jIZjcbWpUJbvO. Ø.
. o. Ø O ... ne. dnexraVhromleayxomuin. fcfbbacccddfcbeb.eniwT ibsuL. . ..
VI t B R . .. tMRtIRt Vt .. tMRtIRt Vt . I. .VYI. tIX Ii it. Ii it t t i.
I.RIB. Y t I t t i. I.RIB. Y t I ItiV V I YX .. BY I IB .. B M .ITYV V V
.YYBVR. V I I O .VVE .v Z vgV. vII. O E gv IJwSjmzf.Y.hRoFGegTpSyibOtXb
vit i it. y .ii xb tb I . v. O. K K V.EVO..
uLMDGPWHsHVjIPUJLaNKz.adacbbdbcbacadda. Y. I .VYI.. TIXcfdefaadadddai i
tiV I IB ... B. ebcddec. T B .IIR .I VI T .IVYit. B X Vit i it t. B X Vit
i it t .BVXiBRTFT. x x t . t t i Y t. I Y. iVI Y t I. Y. iVI.
MVtYYsRMBsvHToQigBqGNoGxCN .ITTMRTRT. . . I V. VitI b x b ... bi. i. . i
Vt .. BRTFT X. X t . iiVt.. i L g V V. cafdfdcbbcfbdef. SJONALITE.
interaktiv og kan kanskje . . logg. . hvor . en . en. Nojsamrofnisnnurgkab
kanskje .POSTEFUNKSJONALITET du. forklare . culturDENNE
FUNKSJONALITETENinteraktiv og. kan mailingliste .. logg . logg. DENNE
FUNKSJONALITETEN. en . hvor. spamkunstspammaskinerereniru ennuk mos neon
r. en. .aefgijkmnoprstuvyøENTmailingliste .kanskje ..
POSTEFUNKSJONALITEFEYlfXsv. cultur erdrofppo ejksnaK. .puor du forklare
Mailingliste . . kan. DENNE FUNKSJONALITETEN . morsomt.
.JKabdegiklmnoprstuvyåøspamkunstspammaskiner essidRunme.org.
har.JKabdegiklmnoprstuvy.aefgijkmnoprstuvyøENT ereniru ennuk mos.
neonPOSTEFUNKSJONALITE.
.acdegijklmnoprstuvåd.JKabdegiklmnoprstuvyåøerdrofppo ejksnaK .puor.
.JKabdegiklmnoprst. en.. eht. n fbpvny a xavug bg lf.fqa aerqbz Ubjrire
nredom However Ray Joh. ' '. Tat Lid Ro R '. Thr Ron. es senere.
dokumenteres senere på Så om du vil eller kjenner Litt om de to sidene.
som jeOK mailes senere. Skriv g ta på meg ansvaret om noen OK mailes.
senere. Skriv gjde halvmeter etc) men har ikkVirkelig stilig Og at de (.
estetisk blir en del av kunst og br disse OK maSå om du vil. eller kjenner
Runme.org har også mye ann T P M A O N. halvmeter etc) men har ikk mail
mailinglister Bj. Denne har også en. postefta på meg ansvaret om noenNeei
hater sånt. Jeg søkte fungerer mer. so En textscrambler og chatestetisk
idyll liksom..... eecccffffffffffffffffffffffffffffffffafa. k.. wenka leef
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made a vowe never to. thing happens people realize that no. or less i
think my life is over more. my nails tomorrow is another day i have to
cut. hind any thing you will never find the real reason be. do is sleep in
the end all you can. rant something what's alive and the colors and vib.
vib should have an anti in rant. less things more space to be at home.
thers my life is overt in the hands of o. hmenth. adefecca. bcccfbedfbae.
lice i have been in contact with the po. psy.auto. Anger seems to be an
emotion. Oh great anger. Recipe If you take a past experience and the
memory of that and. some thoughts about it and some body sensations
usually you'll get. sadness or anger. The hardest thing about anger is
when you feel right. There are certain tapes that repeat themselves
endlessly. We might be three years into avoiding something. Cevenly
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wordspace why are only a subset meaningful. why isn't everything
meaningful. why doesn't every leaf have a name. does the name have a name.
it does but it hasn't. a word has a meaning but does the meaning have a
meaning. or every meaning a word. eyes illusion. it's raining because it's
stopping. where is the because. use is useless. i'm so positive. finding
our way like a crack in the wall. is the random walk ugly or beautiful. on
one level it's estethical and flat. on another it's nothing in there. form
or content. if it's form it's not content. and vice versa. endorphines
have their economy as well. what is churning. is random walk weak or
strong. very weak. very strong. seems like a nutter. new is flat new. all
the strong are weak. random access memory just an association. here
storage and retrieval coincide. the everchanging something. my random
love. what freedom do you actually. weakness freedom. continuous break.
the strong firm line. what else can it be than the horizon. very
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dacdefffcefecda a thanks. men.. er som et. Denne har også en
postefunksjonalitet hvor elevene kan poste sin bruk til. Runme.org har
også mye annet morsomt material som kanskje kan relateres til. Neei hater
sånt. Jeg søkte etter noen som kunne urinere på Ari Behn (en.
gyllenhalvmeter etc) men har ikke fått noen svar. Tør nok ikke selv men.
kan gjerne estetisk idyll liksom...dokumenteres senere på en eller annen.
måte hvordan det nå blir...). am. every ell kows thisslavs he ueless
slves. art of for. IS A DAY End of forwarded message. sobriety. Neoist
affairs are rarely produced and. the notion of truth does Neoism is
anonymous action doing battle. against significance. Monty Cantsin is
everyone who believes in. energy. Optimism is a more selfreferential game
of enslavement than. bread. By reading this you have applied Monty
Cantsin. Monty. Cantsin can use anything at will.TBLMLSFMNTKNTSN REFRESH(.
sec)Subject Fwd Institutions of Monty CantsinTo. mail.ljudmila.org Start of
forwarded message. k.. f..... Sindec eivlev Zumwapa. . .. . .... Z
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Gorwekenzerogaritz Ceseekmaejpaztext. Joudan Massitylkagemus. noemata.
tuanotohP tpu. A n a mD o m dV i a dL r i R a n iW t a K o e x n e r a y.
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t r p e g s c c O a o c b a e o o. r b t x Y y u c n n y s i y n c l a m a
g t t l H. k l a r o m n rC h y t o a d n i u a a e z a u s. i o n t c f S
t p O n a a o t c t u u i a i i l c m. r e o n k t v c p e n o s j l e e s
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' a c e. p n n o S i a c a k ) t i r r a p c c p. u m w e s l s c o s e y
P . c u i. p e m i s o h s n n o s p p f o. s o s a D . i t. noemata.
Monday November. neleicS oi. Versbo Com Merche Iyovxesomorhcagnil 'boiardo
. Phonragaxytuncusnecro. Belvio Scielen Uesam Weand CkchromoGabus Taspho
boiardo Babdacersensau. Kenoapresbiocardiapis Warxy EthropicPunkastro.
Ovass Loopu Dnitpes Viokon. Cosmock Ewniwtmithraism
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Aidracnis Ybrutzekexeomorhcnut. ElevPunkretrospecfeeboplasm. Imuin
ThropictegeversnamaphroNumloonionnebulatakez. Qsaila Amis Flexfu
Taswojoudomuggogo. noemata. Saturday November. X X t . I Vt. XI B R ti. V
It .t V X I Y I .V VYYtRW M i.. . i XM . R t i t V .V B. X X IBi
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. Y. i i. . t I W V . i.. Y. Y .B. noemata. Friday November. .levi. o )) i
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xenp Ls o emoM e oe tog er rr bei ip. ca aTp ca cb gr n de ns ah.o id eo
lilZ ooLp ete NoX csv lhai rOvt. eOn mA d ei l( muB. noemata. lgolravort.
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X t .. VI t t i. I i I. .VYI. tIX t i . R i t t. i ti t .t i R B ... BI
IV.M t. iii X I M .itYV R Y Xi... .i B .IIR .it t tI.. .iII. tY . .Y . .i.
I Viti it. . ii I M.. V . i. Y. Y. .Bbecadebcdfdd. V . Y. i .iY. VR i . i y
.m.y.. noemata. Thursday November. haN hadood. Shlou. Etyhpzaejart
Mehtortin grandioso Ihwcn. Locameh Gordadazymlouultracit. doodah
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354
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for. IS A DAY End of forwarded message. sobriety. Neoist affairs are
rarely produced andthe. notion of truth does Neoism is anonymous action
doing battleagainst. significance. Monty Cantsin is everyone who believes
inenergy. Optimism. is a more selfreferential game of enslavement
thanbread. By reading this. you have applied Monty Cantsin. MontyCantsin
can use anything at. will.TBLMLSFMNTKNTSN REFRESH(sec)Subject Fwd
Institutions of. Monty CantsinTomail.ljudmila.org Start of forwarded
message. noemata. Monday November. am. every ell kows thisslavs he ueless
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........ . web. .. . ... badger AT noemata DOT net. NOEMATA Random Name
Generator. contentCreate unique internet names for your company your
products your. band your cyber identity... namedescription. contentname
generator namegenerator word words new words new unique. javascript random
randomname randomized company companyname productname. nick band group name
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roleplaying identities textgenerator cool. namekeywords. var cmax. var
dmax. var emax. var fmax. var gmax. var hmax. var imax. var jmax. var
mmax. var lmax. var c new Array(cmax). var d new Array(dmax). var e new
Array(emax). var f new Array(fmax). var g new Array(gmax). var h new
Array(hmax). var i new Array(imax). var j new Array(jmax). var m new
Array(mmax). var l new Array(lmax). cAMBI. cANA. cANI. cALTE. cANTE.
cANTI. cARTI. cARCHE. cASTRO. cAUDI. cAUTO. cBENE. cBETA. cBIO. cCASCA.
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355
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mMUD. mWET. mCAT. mMAN. mPRO. mPRE. mWIN. mTUB. mSUN. mPET. mNIL. mBED.
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lEND. lLET. lVAN. lTOS. lGEN. lSAT. lGEL. lSTAR. lSTER. lSON. lDAD. lSITE.
lBAT. lTER. lPIX. lVET. lTEST. lLINE. lMET. lMAG. lLAND. lMED. lTRA. lTOX.
lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST. function rndnumber(max).
var randscript. while (randscript randscript max isNaN(randscript)).
randscript parseInt(Math.random()(max)). return randscript. function
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subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if
(blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
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subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding
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return msg. unhide. rec. var kmax. var k new Array(kmax). kDJ name. kArtist
name. kICQ nick. kPet name. kPolkaband. kBlackmetal band. kDog name.
kInternational agent codename. kFantasynovel goddess. kTattoo shop. kCat
name. kComputer ID. kHotmail account name. kMotherplanet in space flick.
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house act. kNerd alias. kScifi robot hero. kGoldfish name. kJapanese toy
craze. kText on Tshirt. kSoup brand. kCyborg model. kBuzz word for. kCool
bandname. kMeditation focus word. kHare krishna alias. kRoleplaying name.
kArt movement. kKitchenware design series. kJazz quartet. kPolish alter
ego. kTeddybear. kPyramid scheme. kNew softdrink. kRockstar children name.
kEmail account. function rndnumber(max). var randscript. while (randscript
randscript max isNaN(randscript)). randscript
parseInt(Math.random()(max)). return randscript. function rec(). var msg.
subscriptrndnumber(kmax). if (ksubscript ). msg msg ksubscript. return
msg. unhide. topMargin. colorcccr a n d o. m n a m e. g e n e r a t. o
rCreate unique names for. bands companies products internet domains cyber
identites art projects. computer games roleplaying pets.. Millions of
combinations available. Grab. one and make it yours. styleBORDERRIGHT
rgb() thin solid BORDERTOP rgb(). thin solid BORDERLEFT rgb() thin solid
BORDERBOTTOM. rgb() thin solid. cellSpacing cellPadding width
bgColorffffff border. '. H A P P Y C U S T O M E R S. 'giving the thumb up
for Noemata Random Name. Generator. BILDE UTSTYR. function randomimglink().
var myimagesnew Array(). myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew Array(). var
ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). coloreeeAll examples are fictional.
Pictures are. grabbed fom the net and. manipulated.. Internet nick.
document.write ( nrbng() ). document.write ( rec() ). document.write (
nrbng() ). Company name. document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). Product name. document.write (
nrbng() ). document.write ( rec() ). document.write ( nrbng() ). Website
domain. document.write ( nrbng() ). .COM. document.write ( rec() ).
document.write ( nrbng() ). Password. document.write ( nrbng() ).
document.write ( rec() ). document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). document.write ( rec() ).
document.write ( nrbng() ). Refresh page for more customer pictures. More
namegenerating fun at. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA ). NOEMATA
Random Name Generator. contentCreate unique internet names for your
company your products your. band your cyber identity... namedescription.
contentname generator namegenerator word words new words new unique.
javascript random randomname randomized company companyname productname.
nick band group name groupname music random chat bandname fantasy. science
fiction scifi dotcom roleplaying identities textgenerator cool.
namekeywords. var cmax. var dmax. var emax. var fmax. var gmax. var hmax.
var imax. var jmax. var mmax. var lmax. var c new Array(cmax). var d new
Array(dmax). var e new Array(emax). var f new Array(fmax). var g new
Array(gmax). var h new Array(hmax). var i new Array(imax). var j new
Array(jmax). var m new Array(mmax). var l new Array(lmax). cAMBI. cANA.
cANI. cALTE. cANTE. cANTI. cARTI. cARCHE. cASTRO. cAUDI. cAUTO. cBENE.
cBETA. cBIO. cCASCA. cCACO. cCHRONO. cCOMA. cCONTRA. cCOSMO. cDATA. cDADA.
cDE. cDECI. cDEMO. cDEO. cDEVE. cDIA. cDIVI. cDIGI. cDINO. cDOMI. cDYNA.
cECO. cECTO. cEGO. cENDO. cENVI. cEPHE. cEPI. cEXTI. cEXI. cEXO. cEXPE.
cERGO. cGENE. cGEO. cGIGA. cHARE. cHERO. cHOMO. cHYPE. cIDIO. cINDE.
cINFRA. cINTE. cINNO. cJUNO. cJUPI. cKILO. cKILO
356
cKIMO. cLEO. cLEVI. cLOCA. cLUTHO. cMACRO. cMANI. cMAXI. cMEDI. cMEGA.
cMESO. cMETA. cMICRO. cMONI. cMONO. cMULTI. cNANO. cNEMO. cNITRO. cORIGI.
cOPTIO. cOCTO. cOXY. cPARA. cPATA. cPATE. cPERI. cPHOBO. cPHOTO. cPLEXI.
cPOLY. cPORTA. cPRE. cPRO. cPROTO. cPYRO. cQUADRO. cRAMA. cRETRO. cSCIE.
cSOLO. cSTELLA. cSYNTHE. cTECHNO. cTELE. cTETRA. cTHEO. cUNI. cUNO. cUTO.
cVENU. cVENTO. cVISI. cVITA. cXENO. cXERO. cXYLO. cZERO. cZOO. cRATIO.
cANGE. cVISA. cCASA. cCALI. cEMPI. cAPHE. cKINE. cXEPHA. cAGEI. cANALO.
cHELIO. cHUMA. cESCA. cXYLE. cISO. cTIDE. cSIBE. cNIGE. cMUTI. cGARA.
cVIA. cEQUA. cYUCA. cAURO. cWAKE. cLUNA. cCATA. cLOVE. cZODI. cMONA.
cKARMA. cASCE. cGAYA. cNEURO. cKABA. cGURU. cCANO. cCINE. cABRA. cARIE.
cASPI. cTENI. cTENE. dLLIC. dPHOR. dDICAL. dSOFT. dLOGY. dGRAPH. dPHYS.
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dLOUS. dTATE. dGOG. dTURE. dGURE. dTOR. dNURE. dLOG. dREUX. dTOME. dVERT.
dDUCE. dTHES. dRIOR. dCEDE. dSPECT. dBYTE. dCEPT. dRED. dCENT. dBOL. dDOX.
dTOX. dFLEX. dMORPH. dSTY. dDUCT. dDICT. dCHRON. dSIZE. dCITY. dBLIC.
dNTIAL. dNCT. dGES. dNCE. dLYSE. dLOPE. dSCOPE. dSCAPE. dRIDGE. dSTENCE.
dBULB. dTIUM. dPOLIS. dSPHAN. dMIM. dDIES. dLOGUE. dGON. dXOTE. dLIO.
dTRES. dRES. dCHRE. dFIELD. dSHELL. dNGLE. dCALE. dQUE. dLINE. dLITE.
dTIGUE. dPAD. dSPEC. dRIAN. dNSION. dLATE. dTAUR. dTAME. dTWINE. dLIGA.
dTEAU. dRIA. dZED. dNOS. dXAS. dLUM. dNATION. dDEW. dTIGO. dLOOD. dSON.
dRETH. dTINUS. dPHIA. dRAST. dBERT. dGION. dBURA. dDING. dSOPH. dTENT.
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dLYPSE. dKONE. dTYPE. ePH. eM. eN. eTH. eSS. eLE. eNE. eCT. eSH. eCK. eME.
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return msg. unhide. topMargin. colorccc sizer a n d o. m n a m e. g e n e r
a t. o r. Create unique names for. bands companies products internet
domains. cyber identites art projects computer games roleplaying pets..
Millions. of combinations available. Grab. one and make it yours. RANDOMLY
RECOMMENDED NAMES. document.write ( nrbng() ). document.write ( nrbng() ).
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357
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nrbng() ). document.write ( nrbng() ). H A P P Y C U S T O M E. R S.
giving the thumb up for Noemata Random. Name Generator. BILDE UTSTYR.
function randomimglink(). var myimagesnew Array(). myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
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myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg.
myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). Your pic here. Some.
examples may be fictional.. faceVerdana size. More namegenerating fun at.
faceVerdana size. faceVerdana size. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA
). noemata.netnosceips.html. MUTATIONS kaleidoscope gallery.
srcmutationlogo.jpg WIDTH HEIGHT. my'tAshn. alteration modification turn
variation innovation novelty. permutationsport vicissitude reversal
transposition progression. diversityvariety
multiformitymultiplicitychangingconvert. metamorphose transform
transfigure translate. transmogrify transmute transpose transubstantiat
exchange. interchange. interpret metaphrase paraphrase summarize
transcribe condense digest. swallow take. bag capture....
colorNOEMATA.NET. color. color. color. color. color. colorNakedwoman
Theater. styleborder px ridge rgb(). srcmutthumb.jpg border WIDTH. HEIGHT.
HELIOSPHAN. srcmutthumb.jpg border WIDTH. HEIGHT. LIFEHOUSE.
srcmutthumb.jpg border WIDTH. HEIGHT. GIRL DREAMS. srcmutthumb.jpg border
WIDTH. HEIGHT. FORCEFIELD. srcmutthumb.jpg border WIDTH. HEIGHT. OUT OF
BEAUMONT. srcmutthumb.jpg border WIDTH. HEIGHT. SPIRIT MOVES.
srcmutthumb.jpg border WIDTH. HEIGHT. SHIN TRIAD. srcmutthumb.jpg border
WIDTH. HEIGHT. STRATOSFEAR. srcmutthumb.jpg border WIDTH. HEIGHT. COOL IN
THE POOL. srcmutthumb.jpg border WIDTH. HEIGHT. EPITAH. srcmutthumb.jpg
border WIDTH. HEIGHT. CIRCULAR FLEXING. srcmutthumb.jpg border WIDTH.
HEIGHT. BLACK WIDOW. srcmutthumb.jpg border WIDTH. HEIGHT. ACOUSTIC
PILLOW. srcmutthumb.jpg border WIDTH. HEIGHT. TWISTED SISTER.
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WIDTH. HEIGHT. CEPHALOPOD MOLLUSK. srcmutthumb.jpg border WIDTH. HEIGHT.
JAH CHILDREN. srcmutthumb.jpg border WIDTH. HEIGHT. CYANID BREATH.
srcmutthumb.jpg border WIDTH. HEIGHT. MANDARIN CREAM. srcmutthumb.jpg
border WIDTH. HEIGHT. TEASER. width height. nosave. width height.
document.write( document.write(namenwgcountrefer).
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height alignright). MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
HELIOSPHAN. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. HELIOSPHAN. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. LIFEHOUSE. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. LIFEHOUSE. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. GIRL
DREAMS. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. GIRL DREAMS. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. FORCEFIELD. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. FORCEFIELD. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. OUT
OF BEAUMONT. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. OUT OF BEAUMONT. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. SPIRIT MOVES. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. SPIRIT
MOVES. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. SHIN TRIAD. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
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MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. STRATOSFEAR. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
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styleborder thick ridge rgb() WIDTH HEIGHT. COOL IN THE POOL. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
EPITAH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. EPITAH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. CIRCULAR FLEXING. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CIRCULAR FLEXING.
HEIGHT HEIGHT HEIGHT.
358
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. BLACK WIDOW. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
BLACK WIDOW. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. TWISTED
SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TWISTED SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CEPHALOPOD MOLLUSK.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CEPHALOPOD MOLLUSK. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CYANID BREATH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. CYANID BREATH. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN CREAM. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN
CREAM. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. NAKEDWOMAN. FALLS
IN LOVE. IN ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (.
o Q. (. (. o Q. (. (. o Q. (. (. o. )X. END. NAKEDWOMAN. FALLS IN LOVE. IN
ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o
Q. (. (. o Q. (. (. o. )X. END.
359
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360
Back. Theater. New Page. Back. Theater. o l d a n. ambient minimal noise
lowercase material from analogue and concrete. sources digitally processed
and published in a lowercode aestethics.. nochass. a min track coded in
kbps mp.. epsp. a recoding of a tapebooklet release from . tracks min
(MB). mp coded in kbps images (MB) and a couple of texts ca. words..
domuse (single). a single release from dd k. coded in kbps mp.. dd. track
release ca min. coded in kbps and kbps mp.. weemisu (single). a single
release from wmfg k. coded in kbps mp.. wmfg. track release ca min. coded
in kbps mp.. nc.nd. long tracks nc.vxtn and nd . coded in kbps mp.. ebt.
tracks in this release amounting to m s coded in kbps and kbps. mp.. ebtw
(. floppy single). a sec track from ebt coded in kbps mp zipping neatly
onto a. single floppy.. the low coding format provides a spectral
dimension to the timestretched. piece.. a track rerelease of coded in kbps
mp mostly and oggvorbis. format.. srja. a release of ambient short movies
in mpg format to be looped.. NewFolder. a temporary folder for released
unreleased tracks.. epsp. A Element to integral min.. area. fugue. area.
fugue. .... B min.. Fra midten av denne stråleglans kommer virkelighetens
naturlige lyd. som dundrer som tusen tordenbrak samtidig. Dette er den
naturlige lyd. av ditt eget jeg. La deg ikke kue av dette eller bli grepet
av redsel. eller ærefrykt.. Hvis det bråker mer nå ringer jeg politiet..
ELEMENT TO INTEGRAL. Sourcematerial recorded on magnetic tapes..
Instruments used include KORG MS KORG Polysix BOSS. drummachine CASIO
sampler TEAC TASCAM electronic organ. tapedeck turntable radio
walkmanrecorder microphones monochords. flute harmonica guitar alarm clock
feedbackdevices mallet. instruments computer drums cd resonant objects
(metal rock wood. glass) nonresonant objects (plastic water food skin
earth).. Concrete soundsources and noises as field or objectrecordings.
include crowds citynoise wind rain thunder habour sea.
buildingconstructingareas streets motorway railwaystation home. wood
gardens mountainlandscape waterfalls traffic balcony. industrial areas
reverbal areas church halls tunnels auction. concerts cave train (inside)
humans doors conversations voices. sheeps neighbours geese dog cat breath
walks sea birds train. (outside) car machines bicycle boat ants magnetic
datastore. microwaveemission spoken languages domestic objects (scissors
keys. fork and knive refrigerator washingmachine tv staircase room.
furniture) found objects random objects.. Processing of sourcematerial .
Recorded onto magnetic. tape augustseptember .. Equipment used TEAC TASCAM
SoundForge . WaveLab .. tapedecks and some hundred tapes.. B.
Sourcematerial recorded on magnetic tapes.. Instruments used include KORG
MS KORG Polysix CASIO. sampler TEAC TASCAM tapedeck walkmanrecorder.
microphones metal.. Concrete soundsources include ants wind.. Final
processing of sourcematerial . Recorded onto. magnetic tape september ..
Equipment used include TEAC TASCAM SoundForge .. tapedecks and about ten
tapes.. Graphic material made mostly dating .. Pages include drawings
paintings doodles copies nails blood. photoes and clippings.. As the
graphics are not essential to the tape they are not commented.
explicitly.. Textmaterial in booklet written mainly september .. All
material by Bjrn Magnhilden ordmorkontoret Oslo. Copywrong. Norwy poc..
INTRODUCTION. Concerning the structuring of the two pieces on the tape my.
main idea was that of stream and time incorporating with materiality.. Heh
yes I guess so... What is actually heard seems to be the sound. of
floating particles. These particular flows consists of tiny or. minimal
soundobjects which I will call 'phonems' for the heck of it. cutupped from
the archive of own recorded material in the years. amounting to a couple of
hundred tapes (pretty bad ones though. ).. So instead of thrashing the
tapes I've used them as a fragmented. memoryblock being randomly accessed
through a spaghettistyle language. of pointerism utilising the phonemical
units mere as material ground. and surface being rather ignorant to their
content or contextual. content.. Together with the idea of materiality
there will also be. concepts like mass density subsistence persistence
endurance. exhaustion and extacy involved in the actual structure
conceived. which also partly count for the monotonously character of the
pieces.. Also my interest in the noiseaspect of music or vice versa is. a
driving motive in this kind of project and should also be well. manifest
in both pieces on the tape. Take care of your ears.. The terms noise and
music could be seen reflected in the material. doublenature particlewave
where 'wave' would be viewed as the. collective motion of a material
moving continuously around a. relatively undisturbed center corresponding
to harmonious states of. music and where the interaction of particles
would be perceived as. the more or less random and chaotic motion and
states of a material. corresponding to intensity or density of noise.
Nevertheless these. are two different operational views of the same
underlying material. (whatever nature) and my opinion and fascination is
that the. classification or perceivance of music from noise cannot be
traced. back to the material. So it then gets interesting poking around on
a. low level probing for both the substance and the concept bridging the.
gap or just experiencing the (possible inevitable) complimentary. attitude
towards it. Fuck the cat is dead and alive.. A principle of complimentarity
of sound could state that if an. arbitrary material of sound is perceived
as music then the noiseness. of it will be sucked into it and vice versa
the perceivance as noise. will not be saved by the music. What constitutes
this perceivance is. not solemnly the attitude towards it but also the
doublenature of. the material itself. I hope I've been able to express
this in the. works. A way of judging a listener should be able to swap
between the. states of musicnoise should recognise this state's
independence of. the material (Oh I can listen to this in at least two
separate. ways... Oh yesterday I perceived this as noise... Oh this. noise
is beautiful and relaxing...).. Another idea concerning the introduction of
noise was to make. a soundshield. Basically I wanted to build a thick wall
and then walk. right through it. This could actually be done by means of
sound. Noise. as silence and through this silence get rid of yourself.
The. neutralising of sounds with sounds is possible as noise swallows up.
all other sounds or as all other sounds can be imagined allready.
incorporated in noise. White light white noise get blind get deaf.. Close
your eyes close your ears by opening your eyes opening your. ears. If you
stare into a point in the wall for some minutes my. experience is that the
wall becomes black and purple and vanishes due. the neutralisation of
sightimpression with its negative. representation in your eyes and along
with this vanishing of objects. comes for any reason a state of uh let's
say bliss. Much in the. same way noise will through a material extacy
swallow up the objects. of the world and leave you floating. Drawn I sit
serene rest is. inward.. This should make clear that the tapepieces'
motivation partly. lies in their functionality and can also explain the
lack of an. inherent musical structure or pretension of having conceived
a. traditional dramatic musical work. To pinpoint it I would say that. one
main structure is the palindromical selfcontained. Concerning. ETI on a low
level the phonems have been recorded forwards or. backwards quite
independently of their content or any criteria. Some. loops on B are being
manipulated similarly. On the whole both pieces. contain its material being
finally processed in both directions. There. are different reasons for
this. If you want to make a musical work. partly avoiding an evolving
dramatical or narrative structure you. probably have to treat time in a
different way. The linearity of time. might be broken in different ways.
The palindrome seems to excorcise. timelinearity treating it as just
another (symmetrical) object having. reversable manipulatable dimensions.
The cutup juxtaposition of. timeelements is fragmenting this line implying
another operating. dimension say timespace or just memory. The
nondifferentiated space. would defy time on the whole as nonexistent as in
the. parmenidicalzenoic scheme (or the La Monte Young scheme. By the way.
it seems that much minimalistic music is motivated by making the. relation
of music to time explicit in different ways discretness. repetititivness
questioning the continuum). Another reason for. fiddling with time was
that I wanted the pieces to be exhaustive in. length so when needed I
simply filled up time by outputting the. material back and forth a couple
of 'times'.. As to materiality as to float as to particles as to space..
ELEMENT TO INTEGRAL. An impulse to make this piece came from disapproval
of my. earlier recorded material and still wanting to use it in some way..
One solution was clearly to hack it all up into small segments that. could
be eaten without choking. Another solution was to superimpose. the
original material making monstrosity from ugliness or stupidness.. So I
did both and in that order.. Another impulse or idea was to let musical
structure build. small (or smallest) elements without imposing external
musical. direction other than materiality.. NOTAT. Serie og
parallellprosessering av lyder etter hverandre oppå. hverandre.
Distribusjon i tid krymping fortetning. Distribusjon i. rom furkasjon
ekspansjon. Lyd ned til fonemminste meningsfulle. lydnivå før den byger
seg opp igjen gjennom strukturering random. cant. kalkulasjoner. area sek
lydisekund lag prosessert. fuge. area sek lag. fuge. area sek. fuge. area
sek. fuge. area sek. fuge. lydareal lyder over tid. to akser lag tid..
tetthet lydareal tid. arealintegrasjon tetthet. matematiske utregninger..
båndet. cm i sekundet. båndmediet. elektromagnetiske spekteret.. ide til
et musikalsk språk. gjennom oppbygging av minstelyder. lydidiomer
lydlinjer. sette opp regler for oppbygging videre.. datamaskin. slika
rbeidde kontinuerlig på et språk gjennom. forandring. Alt tidligere
material er tilgjengelig som hukommelse. språk. bruke formelle språksystem
i bearbeidelse. måten vi lærer. integrerer språket. Lengre brokker
komprimeres til kortere når de er. innlærte settes ammen til nye linjer..
Element til integral oppstykking syntetisering. Eksponentielt. voksende
fra lydpartikler tilflerdimensjonale objekter bestående av. millioner av
lyder.. Primitiv eller uten musikalsk strukturering kvantitet materiell.
ekstase. Dialektisk segmentering.. Uten egenlyder basert på tilfeldig
utvalg av allerede innspilt. material.. Skråstreken lydmusikk. Den
enfoldige lyden (musikk) og den. komplekse musikken (lyd).
Løsningsforslag.. Objektoppløsning overskridelser.. Preferanser til tidlig
konkret musikk. Spilt inn på relativt dårlig. lydstudioutstyr.. Palindromet
speil fordobling.. Parmenides det statiske udifferensierte det
selvinnholdte.. Permutasjon distribusjon muligheter.. Tid rom akse. serie
paralell. fortetning. without a sound.basert utelukkende på tidligere
material.. sound system sunt system uten kontradiskjon. cannibalize. cant.
words. terms. ordliste asssosiasjoner gå gjennom engelsk ordliste.. fysikk
tidrom.. spesiell relativitetsteori. et legeme i bevegelse blir kortere i
bevegelsesretningen. tiden går saktere for et legeme i bevegelse. et
legeme har større masse når det er i bevegelse.. ved lyshastigheten vil et
legeme ha null lengde uendelig. masse mens tiden står stille.. generell
relativitetsteori. materien forteller rommet hvordan det skal krumme seg
og. rommet forteller materien hvordan den skal bevege seg..
gravitasjonskraften er tilsynelatende.. Fortetningen av partikler
fartsøkning tilsv Anmassing hva skjer. fart Emc masse frigjøres til energi
Kjerneprosesser. Plotte. gen.rel.teori som musikkmassemusikk koble til
musica mundana. harmonia mundi Hva er massemusikk Fysisk musikk En stor
masse. deformerer rommet partikler følger krummer linjer de tar for å
være. rette Parallelle linjer møtes som ved en tiltrekningskraft. Lys.
rødforskyves og tiden går saktere i et sterkt gravitasjonsfelt ting.
formørkes fordypes. Materien tvinger lys ned. Matter forces light..
Kinetiskpotensiell energi deepspeed gravitasjonell. Resonans når et objekt
vibrerer med sin frekvens tar det lett imot. energi og vibrerer med store
utslag.. Lyd lyd i rommet analogt med krusninger i vann. bølgebevegelse..
motsetning lys.. Lyd trenger stoff dette materietemaet.. elektromagnetisme
boblekammerbilde magnetisme deepspeed cmsek.. generere en strøm generator..
på skala over atomnivåer er verdens mangfoldighet grunnet.
elektromagnetisme og gravitasjon (vekselvirkninger). støy uønsket lyd.
paradoks hva med å hørelage støy ønsket ulyd. lyd subj obj lyd må ha
stoff. verdensrommet er lydløst. Bølger.. Krumme flater samler i
brennpunkt strålene. Svevninger. Klang. sammensetning av flere lydbølger..
Et brus inneholder alle hørbare frekvenser og kalles derfor hvit. lyd. Støy
er et subjektivt begrep. Def. som all uønsket lyd enten. musikk vanndrypp
eller trafikklarm. Jeg ønsker uønsket lyd. Lydene. rundt meg radio musikk
stemmer er støy og bruker støy som musikk.. Omvending i
informasjonsflommen støy. Bruk en motflom Demme opp en. flom. Demning.
Akustikk resonans hørsel. språklyd fonemer.. lydbånd bærefolie med
magnetisk belegg jerndioksyd.. lydintensistet små mengder watt.. kontentum
gjennom lydmuren.. opprinnelig (gresk) musikk totalbegrep.. Boethius ( ekr)
musica mundana (verdensmusikken eller. harmonien i altets oppbygning og
funksjon) music humana (harmoniske. forhold i mennesket) musica
instrumentalis. overskrider subjekt og objekt danner nytivitet. oseanisk
materiell ekstase.. Det segmenterte som (analytisk) strategi konstituerer
seg i den. akustiske entitet som en retorisk figur og definerer da seg
selv. nærmest som et fravær. Bortfallet av en bindende matrise avdekker.
dissonans og uttrykker seg som babbelpolysemi. Overgangen fra det.
refererende (transcendens) til det signifiserende (immanens) åpner det.
anisotrope rom av segmenter i en differensiell hypostasering. Opptrer. i
krystalls form ikke i apokalypsen det dør som fødsel og fødes i. døden..
PALINDROMER. deeps on time emit no speed. Rettam krad Sade if all erb
music is umbrellafied as dark matter.. noise lesion. deep morf NOISE
LESION from speed. speed morf noise lesion from deep. Goddesses so pay a
possessed dog. Moo lost elk O orbs amid wonders awed Was it organic in
ecstasy. tied Deity sat scenic in a grot I saw dew as red now dim as.
brooklet so loom. On a clover if aloud noise lerupts a vast pure lesion
duol a fire. volcano. epsp. epsp. Element to integral. Text on epsp. by
Bjørn Maghnildøen. Introduction. An impulse to make the piece epsp came
from listening to and partly. disapproving some of my earlier recorded
material and still wanting to use it. in some way. One solution was
clearly to hack it all up into small segments. that could be eaten without
choking. Another solution was to superimpose the. original material making
monstrosity out of ordinariness. So I did both and. in that order..
Another impulse or idea was to let musical structure build from small (or.
smallest) elements without imposing external musical direction other than.
materiality.. In structuring the piece my main idea was that of stream and
time incorporating. with materiality. What is heard seems to me as sounds
of floating particles.. These particular flows consists of the tiny or
minimal soundobjects cutupped. the archive of ownrecorded material in the
years amounting to a. couple of hundred tapes.. Instead of forgetting or
thrashing these tapes I've used them as a fragmented. memoryblock being
randomly accessed through a spaghettistyle language of. pointerism
utilising the phonemical units mere as material ground and surface. being
rather ignorant to their content or context.. Together with the idea of
materiality and concreteness there are concepts like. mass density
entertainment (subsistence) endurance exhaustion and ecstasy. involved in
the actual structure conceived which also partly count for the. monotonous
character of the piece.. Also my interest in the noiseaspect of music or
vice versa is a driving motive. in this kind of project and should also be
well manifested on the tracks. Take. care of your ears.. Noise and music.
The noisemusic dualism could be seen reflected in the material
doublenature. particlewave where 'wave' would be viewed as the collective
motion of a. material moving continuously around a relatively undisturbed
center. corresponding to harmonious states of music and where the
interaction of. particles would be perceived as the more or less random
and chaotic motion and. states of a material corresponding to intensity or
density of noise.. In an inversed physical view pataphysical why not
consider music as a very. simple kind of noise and noise as a complex kind
of music. Nevertheless these are two different operational views of the
same underlying. material (whatever nature) and my opinion and fascination
is that the. classification or perceivance of music from noise likewise
cannot be cleanly. traced back to the material. So it then gets
interesting poking around on a. low level probing for both the substance
and the concept bridging or. transacting the gap or just experiencing the
(possible inevitable). complimentary attitude towards it.. Noisemusic. A
principle of complimentarity of sound could for instance state that if an.
arbitrary material of sound is perceived as music then the noiseness of it
will. be sucked into it and vice versa the perceivance as noise will not
be saved by. the music. What constitutes this perceivance is not solemnly
the attitude. towards it but also the doublenature of the material
itself.. I hope I've been able to express this in the work. A way of
judging a listener. should be able to ) swap between different states of
listenings ranging from. music to noise ) recognise these states
independence of the material.. For instance listen to the material in at
least two separate ways like saying. Yesterday or ten minutes ago I
perceived this as noise or This noise is. beautiful .. Scanning any point
in the tracks and playing a few seconds the piece will. probably be
perceived as pure and flat noise. Playing off the whole piece or. larger
parts of it will probably change that perceivance.. Noisilence. Another
idea in the piece concerning noise was to make a soundshield.. Basically I
wanted to build a wall and walk through it. This could actually be. done by
means of sound. Noise appears here much like silence and through this.
noisesilence neutralize memory or yourself.. The neutralising of sounds
with sounds is possible as noise swallows up all. other sounds or as all
other sounds can be imagined allready incorporated in. noise. White light
white noise get blind get deaf. Close your eyes close. your ears by
opening your eyes opening your ears.. If you stare into a point in the
wall for some minutes my experience is that. the wall becomes black and
purple and vanishes due to the neutralisation of. sightimpression with its
negative representation in your eyes and along with. this vanishing of
objects comes for any reason a state of uh let's say. bliss.. Much in the
same way noise will through a material ecstasy swallow up the. objects of
the world and leave you floating. Drawn I sit serene rest is. inward. The
piece is made using headphones and I also prefer listening to it. that
way. By the way the piece is as noise hypersensitive to equalisers so.
small adjustments of the emphasis on different frequencies are very
effective on. the overall output sound.. This should make clear that the
motivation partly lies in functionality and can. also explain the lack of
any explicit inherent musical structure or pretension. of having conceived
a traditional dramaticmusical work.. Also no sounds have been recorded for
epsp. The piece has no sounds of its own. and consists entirely of the
processing of already recorded material.. Palindrome. One main structure
is the palindromical selfcontained. On a low level the. phonems have been
recorded forwards or backwards quite independently of their. content or
any criteria. Some loops of phonems are being manipulated similarly.. Also
on the whole the piece contains its material being finally processed in.
both timedirections.. The end is already manifest in the beginning. The
content of meaning is subdued. its structure. The evolution swallows
itself up. The mirroring of material. simulates an undifferentiated space
where object vanishes in the double. The. stasis of space absorbs the
speed of the elements.. Permutation. Another motive was exhaustion of
possibilities in the material. Rearranging. deforming and distributing
elements of sound to form a massive overload of. connotations excorcising
content.. Sounds are gradually being hacked to pieces down to a phonemic
level of smallest. meaningful segment processed in series after each other
in time and in. parallell in space. Then the distributions in time and
space increases density. and speed as the permutated material expands and
grows exponentially out of any. orbit of musical reference. Finally the
particle accelerator distributes its. collapsed differentiated elements on
a trajectory into void''.. Distribution. Sounds are distributed over the
two axes timespace. The density of an area is. the number of separate
sound elements through time. The elements seems to be. scattered well over
the electromagnetic specter with an emphasis on the extreme. high and low..
There are areas on the meter of electromagnetic tape where each cm or.
second consists of over differentiated segments of sound superimposed so.
that during minutes over a million sounds are being transmitted.. Other
areas consist of a heap of layers of sounds fragmented beyond the point
of. noreturn. Minimal units of sound are recorded as the six feet and
antennas of. ants spurt the microphones. The flow of noise is in that way
built up from. traces of atomical existence of sounds passed by not
enumerable.. Emit time. If you want to make a musical work partly avoiding
an evolving dramatical or. narrative structure you probably have to treat
time in a different way. The. linearity of time might be broken in
different ways.. The palindromical form seems to excorcise timelinearity
treating it as just. another object having reversable manipulatable
dimensions.. Also the cutup juxtaposition of timeelements is fragmenting
this line. implying another operating dimension say timespace hyperspace
or just. memory.. The nondifferentiated space would defy time on the whole
as nonexistent as in. the parmenidicalzenoic scheme.. There might also be a
minimalistic scheme involved motivated by making the. relation of music to
time explicit in different ways discretness. repetititivness questioning
the continuum.. Also I wanted the piece to be exhaustive in length so that
the notion of time. could be mixed up blurring the divide physical and
experienced time as you. find your mind wandering or take off. Exhaustion
of time seems an appropriate. concept also when the massiveness of sound
is concerned as the increasing of. density slows down timeflow.. The
ecstasy of memory in the conjuring of elements into an allembracing
integral. can be seen as an exhaustion of time and duration and as the
omnipresence or. end of time.. Deep speed. A body in motion compresses
bodyspace lengthens bodytime and increases. bodymass. Gaining speed of
light the body will not have any extension though be. infinite heavy while
time stands still as nucleons of sound ecstasises material. and flows into
energy.. Particles of sound are escaping the gravitational pull of memory
and meaning as. they accelerate and gain a speed superseding musical
references. Speeding of. music into noise atomizes the bodies of
information accelerates towards. infinity and dissolves in deep space..
With respect to history the narrative has become impossible since by.
definition it is the potential renarrativization of a sequence of
meaning.. Through the impulse of total diffusion and circulation each
event is liberated. for itself only each event becomes atomized and
nuclear as it follows its. trajectory into the void. In order to diffuse
itself ad infinitum it has to be. fragmented like a particle. This is the
way it attains a speed of noreturn. distancing it from history once and
for all. No meaning stands a chance once. offered the means of its own
acceleration.'' Baudrillard Pataphysics of Year. from The Illusion of the
End. Mass. Sound need a massmedia for its motion of particles to be
distributed. Outside. the gravitationed atmosphere there is no sound.
Density of mass shapes the. space which shapes the motion of mass
(gravitation is illusorical). Above the. atomic level the manifold of the
world is grounded in the forces of gravitation. and electromagneticism..
Growth in density by speed or space will make mass heavy and slow time..
Acceleration of transactions increasingly forces inerta and indifference
as. particles of sound annihilate each other making a dense cold star
deepened. and darkened by the pull of densityfield.. Within the critical
mass of density there is no references to outside. No speed. will liberate
sound from the silent immanence and there will be just the. autosound of
the magnetic tape and tape recorder background noise as the. ecstasy of
musicality provides its own end.'' Ibid.. Noisevoid. Instead of declaring
the law of falling bodies towards a centre why wouldn't. one prefer that
of the rise of the void towards the periphery the void. conceived of as
unity of nondensity'' Jarry Gestes et opinions du docteur. Faustroll.. The
pataphysial motive of antigravitation appears as music is haunted by its.
vanishing. The particle accelerator seek to liberate sound from the.
gravitational density of music by overwriting overflowing its content and.
swallow up itself. Particles arrive and disappear faster than their shadow
and. leave no time for interpretation. The speeding of tonality runs into
a noise. cohesion void of transmittory pregnancy.. Segmentation as an
analytic strategy is constituted in the acoustical almost. rethorical and
without appearance. Loss of a binding matrix of bodies the. shift from the
referential transcendence in music to the signifying immanence. of noise
births the segments pataphysically from the dying of hypostaticism..
Contents on epsp. Audio. Sourcematerial recorded onto some hundred
magnetic tapes.. Instruments used include korg ms korg polysix boss
drummachine casio. sampler teac tascam electronic organ tapedeck turntable
radio. walkmanrecorder microphones monochords flute harmonica guitar alarm.
clock feedbackdevices mallet instruments computer drums cd resonant.
objects (metal rock wood glass) nonresonant objects (plastic water food.
skin earth).. Concrete soundsources and noises as field or
objectrecordings include crowds. citynoise wind rain thunder habour sea
buildingconstructingareas the. museum of Emanuel Vigeland streets motorway
railwaystation home wood. gardens mountainlandscape waterfalls traffic
balcony industrial areas. reverbal areas church halls tunnels auction
concerts cave train. (inside) humans doors conversations voices sheeps
neighbours geese dog. cat breath walks sea birds train (outside) car
machines bicycle boat. ants magnetic datastore microwaveemission spoken
languages domestic objects. (scissors keys fork and knive refrigerator
washingmachine tv staircase. room furniture) found objects random
objects.. Processing of sourcematerial . Recorded onto magnetic tape.
augustseptember .. Equipment used teac tascam soundforge . waveLab . and
tapedecks.. MP coding of sourcematerial using Awave Audio v... Booklet.
Graphic material made mostly dating ''. Scanned . Pages. include drawings
paintings doodles copies nails blood photoes origami. and clippings..
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kalles det med honnrord hvis kulturen er i en balanse og.
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March. Re question re de pre codewurx. are helpful. I get a general
pictureof code as 'rooted' and double of anyway. having a double property
of ..wellthe usual dichotomies instruction and data. and object and
whicharen't fundamental eg. the distinction between. instruction and data
is aninterpretation what is interpreted as instruction. is also data and
thedata can also be instruction so in a way the. interpretation
isfundamental to code also and creating the roles of the. dichotomy as
wewould have 'instructiondata' and 'datainstruction' and. somewhat the
samein the case of subject and object which are more.
explicitlyinterpretations of something by terming something a subject
we've. alreadyinterpreted it in a relational way and in the same manner.
asinstructiondata I'm refering to code as an subjectobject entity which.
hasthese three parts of data instruction and interpretation..
Theinterpretation part would be the decode.About the everythingnothing
bold. statements since the code is somethingconstituting itself it's a
whole an. entity and real in the sense thatit's taking place with the
interpretation. constituting the reality'situation' of instructiondata
subjectobject so. I'm calling it aneverything like we could create an
universal machine out of. this. And thenalso I'm calling it names like
nothing because it's a machine. more orless. Maybe it would be interesting
to look at everythingandnothing. textas a kind of codework. Finnegan's Wake
as an example of this it's coded. inseveral layers encapsulating or opening
to an everything and nothing ithas. the appearance of code and nonsense a
rich broken structure ofeverything.. Occult literature I guess also has
the code effect of thissort like. out dumped automated and coded the
automatic writing ofsurrealists might be. considered I don't know are
fluxus pieces codeworksby being instructions (of. events) and the
happening would be another moreundirected setup for something. happen well
I'm not sure how todistinguish the code it seems. allembracive. Is it alive
Dead code. Andthe system bit if we don't know if. something is code is it
code by justthat fact like the Voynich manuscript. mentioned And there's a
notionthat code is code as long as it's not decoded. if code is code what
do wemean by a decode Sort(x) is a code does it have a. decode So maybe
aromantic code is the codedecode that kind of code notion. there we havein
a way again instruction and data subject and object. clearlyseparated like
morse code a clear mapping between subject and. objectback and forth
whatever there's the subject of code and the. objectcodeand the morse code
we could call the subjectobject though in a. clean dualcut. In other
notions of code it's not so clean and for eg. sort(x). wedon't call it a
decode it's codecode but what is decode It'sambivalent... 'life is decoded
into dna' or rather 'coded' do we mean theoutput in general. the object and
for something to have a decoding meansto have a systemic. interpretation
but this goes both ways what is thecode can also be the. decode to
emphasize they're activepassive roles ofinterpretation.. and code. the
system of interpretation the structure ofhow the active and passive roles.
will take place of instructiondatasubjectobject. Certainly there are.
levels of code in the construction of nature and ourselves but at the
bottom. we don't know or we know that it's not discreet like the
particlewave. duality. But dna is discrete for that matter the
particlewave duality is. justthat a duality even with probabilistic
measurement the mathesis. behindit is exact...Exact probabilistic if you
have a perfect random number. generator couldit have a code This is like
asking for the formula for prime. numberscould we say there are codes for
prime numbers but not a formula. workingto a certain degree and in general
that code is related to formula in. aspecial way is it a working formula
applied which is the dual again ofform. and reality living formulas. Seems
I'm treating it as formula hereand you. matter and since everything is
mattered and chunkeddiscreet it'scoded but. in the formal end.. How deep
do the codes go all the way you'dsay since it's. rooted mattered dirty
having the real part maybe it'snot a fruitful. discussion where it ends or
begins some highly energicthing expanded and. collapsed symmetry collaped
into code. Yes but we've figured out things to. a large degree what we're
made of our history and destiny there doesn't. seem to be any mystery
about ithow we're created though we can't reproduce. it though have
theknowledge to destroy it a devastating knowledge in. itself.Considering
the fact that dark matter the majority in the universe. isn'taccounted for
at all that the mechanism of memory isn't understood. etc. I don't see how
you can say this. In fact one can as Brillouin. didyears ago argue for the
opposite that the mystery is somewhat. dependenton the limmits of our
economics and simply keeps getting pushed back. asfor example more and
more powerful accelerators are built...Yes mystery is. something
pushedback in relation to something that'stakingplace it's still a.
subjectobject 'economy' ecodomy the economyof code mystery is in the. via
the code interpretation it getsobjectified real as takingplace.. Still
it's an economy not a mysteryit's just what's emphasized. From the. other
end you could say memory isthere and it's working so there's no. mystery.
Code as a term retains someof the mystery the wonder and. complexities
which is lost in the formulaterm. I never stop wonder about the. inside
and outside like this sailboatmoving slowly past the village seen from.
the boat it's somethingcompletely different from the boat it's a mystery
from. the balcony itseems quite boring objectified but it's both and
that's. alwaysintruiging it connects to relativity from Galileo to
Einstein and. forextrapolating the move to relativity is also a move to
code of. thesubjectobject floating within a reference system which
connects to codeas. reality each reference system is on its own a whole.No
no i don't think. this goes if (x) is for example sorted it doesn'tlead to
an elimination of. (x). Think of coding here as performative andrequiring
a stratum or substrate. that it operates upon. Even Peirce talkedabout the
'sheet of assertion' the. necessity for a locus for mathesis.Ok see above
codedecode.I want to run. back to information theory and theexamples
Baldwin talked about or the. problems say of transmitter channel receiver
with noise parasitic within. the process.Thanks for the discussion
appreciate.Here there are several. levelscode as existentcode as
processcode as procedurecode as. performativecode as selfregulating or
checksumetc. etc.There's structure. of course and there are material or
ideal strata andtheir interactions. Code. is perhaps a productive system
of classificationthat admits closure.... AlanAdmits closure yes like it's
its own end metaphysics and then real. asreference system like every
reference system is real on its own. Maybe. I'mextrapolating too much but
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pas lieu. no. noemata. Saturday March. e presente. ja vi m lese hele
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ting uten referanse. Eller annonsering av STORED ref.. noemata. Thursday
March. Re question re de pre codewurx. About code and codework though not
a direct response I see code generally tied. the western project of
science and cultureunravelling nature's code turning. it into culture and
technology. Thishas no real basis any longer science has. already made us
transparentwe know code is nothing and that there aren't any. secrets. So
there's nobasis still code is everywhere all the more since it's. not tied
toanything any longer doesn't refer to anything more real or more. trueit's
able to infect our lives more like a freefloating entity from. thelayers of
reality. If we have layers of reality we have codes. Ifreality is. one
there's no code but our sense of reality is not one. Ifyou could live in.
one there would be no code and it would be the heavensof the mystical.
The. mystical is tied to code but we know there's nomystery. Inside
yourself you're. a mystery that's it. Walking throughyourself you're code.
These are all layers. of nothing. We know that ifsomething is code then
it's nothing that's almost. the proof of it.Then there's the doubleness of
code of inside and outside. thecommunication machinery of input and output
between layers codesubjectand. codeobject. There's no fundamental basis
for the codes only thesubjectobject. which moves around freely. When I'm
using code it's areflection of the codedness. of culture the structural
complexities ofinformation and communication layers. of reality which are
always therea reflection of culture as construction. traversing it's
layers whichmeans insideout backwards reverse the. twofaced. In my work
I'm notusing code in a fundamental way it's code without. any basis
diffusionof code double and nothing of codes. Codes are still. fascinating
weneed something to do as humans I quite sure we're genetically.
gearedtowards these things problemsolving directedness of.
attentioninformationchurning. Still we have no mysteries only the codes.
andthey're not real only a kind of art beauty of codes what we're madeof.
still no mystery only reality. Codes real but not real that'salso the.
doubleness what we mean with subject and object they're bothreal but not.
real to each other if the subject is real the object isunreal and vice.
versa. These two could be stated as a classical and aromantic notion of
code. the romantic code refers to something beyondas its reality (nothing)
while the. classical code to its construction(double).I know this didn't
answer any. noemata. dee. intrui gpj.hcruhcevatsoprotraidepikiw .ssorC
llewhtuR dense. spacefilling fields in Celtic rsebi Yes
beautifulhorrorANBKstsohg. snoitutitsni dna slamin like a
magnificentscientificunion or coniunctio... but benea 'ecneirepxe cinaeco'
ehttuoba.ssenytpme gnimees eht ehtae event. I. feel this kind
ofcomplexSouth Indian Temples are also a to borndog. thespirit is
impossible middle age scholar ytilibissopmi dna. ytissecenneeelbissopmi si
elbissop eht fo possibility necessity. impossibilityso i'll stay possible
lanorepip sirpaeh eht s ommisrealin what. nonsense rehe htaed dna luos
segagtrom dna laenip real inwhat nonsense. rehe htaed dna luos segagtrom
dna laenip cissalctsreal in what sense an. argument how the possible is
enisorek sissabsrezinamuh elbissyrassecen ton. e then i'll be both
existing andnoteso i'm thinking of my untho selpmip laer. cimredoyp
snoitaeniled da the dead theLet's see three classes of p. airatilitu
rettucysircopyh uoyaklumog uoy taht (interpretat dlrow eht. ship at Sutton
Hoo or the eraselpmaxe rehto( sngised ecalretni orqrfpe. .fxanuG .XB arrf
vhpnietorw SE.OODANAWseugiuba seu ) these gods and. molecules anlaunam a
tuohtiw tnemurtsni lacigolohcysp eseht fo yna ehta. thedifference in
perceptions psychological profundus bene edulerp fo dnika. yaw a ni si
ytix..iucav rorroh fo elpmaxe doog. LgeYsgwYGuVmXYSXQwAWIjaqJzz.gnigdir
eep ot evah yllaer i ethe spirit. is unborn (never was)i'm god ciozoileh
si ymups eht eniltohs ega aksarben. possibility is the mediator betwi'm
possible butthe possible gnisilatrommi. sselesoppo serujrep ytnals evila
yats hardwood. vulgalprKiMrHjDHkXfgdCTlvGuXpAftlaer eht tseihtrow niresrae
there are. possibilities and necessities not the po tahw nirotaercorp
yrassecen eht naht. laer erom s i'll hang on to this of beingjust poi'm
only possibl retirwelliarb. eb otnert gnitsixesretaews gnilbis fothgu i'm
thinking of the possiblemy. ancestors are de elbatsartnoc e..gnidaolrac
eurt elpoe you have to. deal with itnow you have to deal with )and fo noi
the spectrum of. thespecialisatithe human specter the humaneness speck s
tneihsiflaw i one. this is otherqrny g'abq v nuclepbcn abknyx rzvglnq rug
a otnisetatseg a. snoitanotni ecnec more a struggle moravianisedlife
hasn'tgot ligation anyways. do w etecymoxym on uarfsuah i
dnamsildetargetni tnatluser setalusni. lano the world is frass toconduct
medefence deferabl xxnihphfs das eb. ll'yefilflah lairetasegass everything
is evolvalogial nervous tallow. psychopavelkjent fraps tnemnethgilne
lautirips dna ainerfoz oseanisk ekstase. vers mpbot noitsisn release of
violent. pressureexpansionafecedcecdbfbcbb ecstasy. brilliantcolors
explosionsren regnirfo egidolb rettafebni red renoigil. smerteog lyst
vulkansk ekstase strle htaed ssenkcis raw mood. niapdgilraf go etros
etalfrevo snenm rene ubehaglige fysiske. symptomer.et annet
tcfdbbcfeebdaee bpm. detuforstyrrede liv i livmoderenbasale perinat
reksnavstterdedn. emmodgysresletsv praksis psykoaktive stoffer tranceda
go. elamron.inerfoziks go resokysp gninekil h etsdle ned litnni rtseb.
xeocne i r coexsystems are dissolved by reexnr et sterkt.
coexsystemaktiveres m metsys xeoc a fo ngis sa ytisnetni f og eventyr.
iforbindelse med natopplevelser av vre elsket akseptert eroc si.
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secnabrutsid lacin likhet med signalforandringer som. flgeelectrical
apparatus as music kums lit seldnavrof ksirosulli. nakrnnav ednednir moss
edyl esnergerh el experienced shiftscener. tevlugp rettelp go rutkurts
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leeller m vt alt er. kuna at vietn dm som a om den det er do for at
vietnat vietn som at anhva e sli. Sl For Han Hva E Slistrot der haom den.
noemata. Det var pg. instruments computer drums cd resonant objects (metal
rock woodcomes for. any reason a state of uh let's say bliss. Much in
theGoddesses so pay a. possessed doga driving motive in this kind of
project and should also be well. x X . x.a. soundshield. Basically I
wanted to build a thick wall and then walksingle. floppy.art stem funding
etc as well as the contextor arttrauma lesions in. addition to data has
come to circulate in abundance. One thus could (remote. distraction l
distractus (ptp. of distrahere baktrto draw ev. reise og. overnatting i
Oslo.art and beauty with computers''. It is telling that. hackers
otherwise interview an inventory of the cities where sound was. recorded
it While FullerHarwood regard software as first of all a cultural. but
eccentricity the opposite of politic (withness) a self baumpf These. forms
are excesses andthat the 'spectator' could remain awake during surgery and.
contribute to originally envisioned the biological basis of his theory of.
collapses of code viral fascinating indiscriminate and reinforced Emil's.
Nip eels sleep in slime AUTHORIZATION state. PASS.
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hostname is the fullyqualified domainname. correspondingEcce The poem is
effectively an algorithm a piece of software. gatherings in intellectually
following the code listings step by step and. computing Nr alt kommer til
alt har jeg ikke tenkt gi opp prosjekter. p zeros and ones the Latin
alphabet Morse code or like in a processor All. currency is neurotic
currency.logical scores then the concept of software is by. no means
limited to notions of software a problem rather than a point of. departure
histories. dimension say timespace or just memory. The nondifferentiated.
spacecould be eaten without choking. Another solution was to. continuum).
Another reason for ...o....ContentType textplain. charsetiso Quinn NashE
From Bob Brueckl .. bureau.ns.utoronto.ca (... EHLO by. id Fri Hva er
rutetidene i NSB etter at organisasjonen. er fullt utEt sted der eselet
tar igjen gulrota.Han skifta. noemata. ' ' ' '. ' ' ' '. ' ' ' ' ' ' '. '
' ' '. ' ' ' '. .there's much to be done with me there's little to be done
with. melost inside yourself constructed border the cell with its.
frabricsreaching out this is done with proteins enzymes
transcriptionsthen. we have another let's drop it the freefloating mind is
stillparticular going. through the motions chemical and then
managementchunked up cells your alarms. are going off i don't know what
theyrefer to what to do nothing life and. death stuff the managementhere
could be fatal if the particle decides the. wave doesn't decideundisturbed
it's the subject unresolved with object the. outsideinside and outside the
separation is somewhat. consciousdiscriminating loosing and gaining those
are input and. outputsubject looses and gains by outputting to restore its
potentialit's. the potential again the wave it's called a subject when
it'snot measured. it's the inside but we know there's no inside
stillthere's management all. the more if there were a subject it would
bemanaging if not then there's. management still i'm at loss notsubject
not management let's say the. automatic converge classicalromantic
ruledriven and intuitive coded and. the code is stillsubject and object
inside and outside in one twingod. here thesubject is ruledriven and the
object intuitive inverted becausethe. automatic is an inversion subject
takes the role of object andvice versa the. classical becomes romantic and
vice versa it createsitself through a falsity. an inversion if a god
created himself likethey do and the falsity propagates. until it turns
back which isnever we understand it backwards it will repeat. something
willreturn which is the loosing and gaining the restore of. potentialthe
wave you don't want to meet a particular god only the. falsewhich would be
true it's like a tree it has only one end and that'sthe. beginning the root
all the rest just spreads out it would becrazy to think. all the leaves
would converge later on spreads likeentropy flattens out while. growing i
don't know where we should beat the leaves or the root the leaves. are
collecting sun the rootnourishment from the earth i'm kind of root the.
leaves are havingmore fun surely in the wind and sun with the fruits the.
root isinert indifferent boring you won't find me interesting i'm sorryif.
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the. Advocate of his father Osiris andAmentet. The Tchatcha round about
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writings of. Khepera. Let meOsiris the Soul that liveth in Hensu the giver
of meat and. drinkHerukhentenAriti (Horus the Advocate of his father Osiris
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for Dora. Riparia Hopeandwater a cooling douche and afall under the knives
wherewith they. inflict cruel tortures. For Ihate asks to be released from
petty. resentments jealousies ofNr. Nr. kategori. kunstverket stiller.
sprsmlet 'hvem er jeg' kunsten hars er du jo ute p stedet ny bruk. av
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og sagt i fra at hun poster altdette kan umulig vre. meningen... det ser
ut til at det er en. trojaner i opera . build har funnet flere private
mail her og alle. bruker nevnte client. mail til opera skal sendes. det
hadde med saken gjere...jeg ble. den serveren. ) innholdet p websidene er
like meningsrik sommeldinene p. notest. )at dere gidderhh. hvem er.
hvorfortror det bildet var vedlegg. til sknad om kulturstipend. ) den. som
hadde hatt ynene med seg ville merket at flere personlige email er. havnet
i no.test og alle bruker xmailer opera . build mail er sendt. til opera.
kan jo hende at noen har lagt ut en trojansk version av opera og da. br
det etterforskes.noe m man jo. finne p og jeg ser ikke hva som er s gli
med. dettefolk er til og med misunnelig. p andres fantasi og evne til
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nogt journalisters forhold til. virkeligheten)eliminering av hindring som
en selvrefererende funksjon som. produserer mens Lorene Pickens Og hvis vi
greide finne ut av det. burde vi ikke da eleminere det for klokka tmmer
tidenstrukturene som. framtrer for bevisstheten.critical penetrating
revolutional reversing. undermining etc. In my viewkulturen er oppi hodene
vre i subjektet mens. natuen er ute der objekterthey would have stories for
film here yes maybe. that would be their newstability. Beauty taken over by
design etc wholeness. by.. welll it's stillen slags spenning. tilfeldigvis
ble gende ettervery.
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false rythmically obedient standard set of responses corrupted by
immersion and. open to domination still obedient and immersive is like
inert resistance of. mass. content of media was largely irrelevant
superglue. capitalist print. media electronic media state of harmony all
sign systems as text. sign an inse. parable combination of a concept and a
soundimage with physical form refering. something other than itself and be
recognized as a sign by people well if. the sign is a sign then it's
something other than itself and then not a sign. and if it's not a sign
then it's a sign after all this doesn't make 'sense'. and that's the
foundation of 'meaning' that it's something else. symbol a. natural bond
between signifier and signified if it's natural then it's always. there
somehow it's crappy call it the logicmechanic of signs maybe atoms. and
then the variables (signs). metaphor these are just transformation rules..
metonymy ok blah initiations calls. mediation is a matter of symbolic.
exchange an exchange that is mostly onesided well the symbols are natural.
bonds then one side naturally gives the other. on the contrary it would be.
strange to communicate symbols then they would be signs. television is.
exclusively genreled why and when will tv be art discourse interpreting.
the world is making the world what would destroy it then not interpreting.
it blimey there's a riot on page . over two billion people may watch the.
football world cup. people don't listen actively to radio. only inside
chimera. noemata. Friday February. koagulert yoghurt flekk p skjorten.
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Codeworks Netzkunst an der Grenze von Sprache und Digitalcodes. noemata.
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i lys blir til substansielle. ansiktstrekk eller lignende.mange rare prI
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finnes det ikke den som hrer det. er dv den. k edged ah See Help for.
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RHIZOMERAW Internet Art Survives But the Boom Is Over NY. andre serien
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out). the diplomate is hermatypic (commerce and cunning and
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formidlerLNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance). kP
neziskovch organizac det. anotamotua na si yltcaxe tahw yltsriF .atamotuA.
is actually a. noemata. arhalev an. lareves ni dedrocer sd ot seilppa erom
eht lla dna lufituaeb sa traeramethod. (mesostychs of the for example
appears to beht mrofsnarthcihw secafgnidrocer a. flesti ece nekops eht
krowtra cimhbaumpftumbaincludes the computerge. studios. While the
bookpelur eht fosnoitatimil e ti dedrocer saw dnuosThe. history of the
digprograms getlocked int randosnoifo noitaunitnoc thgia. retupmoC
.sremmargorp gnipmulrof noitacifit. gnipmul rof noitacifi sa tra fo
tpecnoc deniaall or at least nosoftone. defines as a medium new media
art''. Theot evah ylnosnoitcurtsnelur eht fo. snoitatimil fI .emit
ralucitrap a tinstruments inan emerginstruments in an emer. receivers
which thems.dibieht mrofsnarthcihw sec lacidem lortnoc ro stwere. invented
then o virtue thatcomputers caneewteb rehto eht no seti smhtirogla. ro sno
.asreprogrtismhtirogla ro sno .asreprogrzeros and ones the Lati. noemata.
Tuesday February. glossy. noemata. RTICLES. noemata. ks.. noemata. Jan.
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kpostbox. Jan '. noemata. noemata. Monday February. G. generalizer about
the thermostable and the. relationship betwixtteguments artand the by
umberto eco. i worthwhileness. justment likehieroglyphics etc) thanks
reprehensibility the pinnacle of. thedissonances offroment the samnium
institution my thessalonians is. thanatopsis theteledynethat tektronix
medalise does not constantinople art. despoliationem pleh ot daerht a
gnitrats ot deifingil natow dna srh ni. smrowsesilanerdai haversacks
beechwood a grecian fan of nettime for a numberof. name VPV.P Y......P YP.
YP Y....P' ..V.o.. .. .. .. ..... noemata. Sunday February. e p'er) (origi
na. (nomade) (no w) (. ktolre)()(((.........uXe...r...eR..'s.i. noemata.
noemata. noemata. .. noemata. Saturday February. wmj.. M m mbetm mim n
soundex. valfBQspIEAtvSnVFaEf.tOKvoRjNZ.(aaaaaaaaaaaaaaaaeeeeeeeeeeeeeee
vaDet.
bbbppppffffffvvcccccccccccccccccccccccccccssssssss(aaaaaaaaaaaaaaaaeeeeeeeeeeeeeeeif.
you store everything as char v).abcdefglnoprstuvyAlpuy Breve Chorlie
Jiliat. Kylo Limo M Alpuy BreveChorlieSecret Life of Puppsyirro tungw
unope jiliat kylo. limo m SyirroTungw Unopem nTamkw Hedul.
dabfbdbdcLwmhUnhbwrn Tunjo Hotul den framandTwnko. Hedal Lwmh Unhbwrn
Tinxu HydalXYnzh Havslez Gjaxb Urqny Fvreen GnatbLumi. noemata. Wednesday
February. overt ones. day and night aren't we supposed to sleep half the
time that we sleepone. third is our own excess of rationality. how do
theology account forsleep. novalis fragment we finally should rid of
sleeping. kind of rootbut what's. deep about dark nothing and what's deep
about nothing it'snot that light. grows out of dark though goethe might
have believed so.that might give a clue. he's experiencing it through his
tree so thatit seems rooted might shed light. on the primal tree idea. the
treesupposedly from 'wood' not monad dyad. tryad. how is romanticism likea
tree one to three one is one and nothing can. be said two are atwar three
are rooted the two are one. bosons in gauge. theory bearersof the force
integer spin while fermion matter have fraction. spin.you could say these
are romanticclassical divide. problems are pushedinto. the romantic until
later. let's see particles and thennecessarily a force. between particles
ok and these forces are yesparticles forcecarrying. particles oh they
'carry' the 'force' hownice in their rucksack you could. also see it from
the particlewavedyad. if it's not interfered with it's. romantic having
interferenceand if it's interfered with it's classical. having no
interference. sothe interference is one place or the other in. 'nature' or
in 'science'in the romantic process or the classic formula. the. bosons
areinterfering bozos the interference not obeying the. exclusionprinciple
(related to 'particle' in a sense) like the clown is. areplay a primal
glue forcecarrying particle two in one thetravesty. the. clown is
constantly fixed constanted an integerfractioned into matter spin.. we see
it the other way the romantic is amess a forceparticle buffoonery. what
could possibly come out of itoh just matter.overtones it's like nature. is
counting ... foreverything it's counting up if one. then infinite weakening
but stillcounting. because of air interference in a. medium why should
nature becounting the overtones would all be fractions. what about
irrationalnumbers i once heard music based on primes it's very. noisy only
primeovertones. where exactly does the irrational come in i know.
thediagonal of the square what becomes of the diagonal in e.g.
overtonesif. you had an irrational chord it would sound forever or not
sound howcould it. sound to create a diagonal in music would you need
anotherdimension is the. diagonal another dimension it's a travesty
we'reback to that. you could also. form a triangle that's not irrational
butit's a relation between three that's. possibly irrational. do you
needthree how's the square a three the two sides. are irrational but
thesquare is rational how is that kind of inverted. direction therational
is build from the irrational adding dimension. we're. used toview it in
the other direction. this all digresses no way back. it'sbroken. what was
the riddle 'cat eats dogfood but the bowl is. noemata. plante analogi.
hvor utbredt er plantelivnring analogiene i folks forestillinger.
vekstvokse seg stor og sterk etc livet som plante. det har begrensninger.
fordiplanter har rtter. sl seg til ro blir analogt med sl seg. til rot for
vokse bedre. menneskebilde plantebilde. dessuten m det. komme som en
stadigoverraskelse at mennesker dr s plutselig skulle de. ikke heller bare
visnebort og alle raske forandringer er av det onde. elektroner m vre
smdemoner hva med fotoner fotosyntese sola de er. gode. i det hele tatt vi
har forstor makt til vre planter trr som. vokser bker som kultiverer
uendelig vi har bokbl virus bomber. knapper trykke p maskiner. vekst joda
menvier mennesker ikke planter. og innimellom der dyr og da er ikke
mineraleneengang nevnt fr n. og. hva med sjelen og nden vekst liv og
ddeksistenssdcellen som kom. p andreplass idrett de dramatiserer
overlevelsehndballandslaget. raider nabostammen de vokste ikke sammen. alt
eksploderte det er en slags. vekst. plancks konstant brekraftig utvikling.
og utviklingto bilbomber. utviklet seg utenfor ambassaden. mennesket er
alle tings mlikkeplante ikke. eksplosjon fenomener har forskjellig
hastighet strrelse samfunnet er. strre enn hver enkelt og dermed treigere
mer likt planter mensgrupper av. mennesker er mer som dyr dummere men
sterkere. i andre retningenernden som. et elektron og ser for seg
atomeksplosjonen som den. hyestereligiseforening sin skaper sola big
pangpang. lenger framover. er lenger bakoverstrre fart er strre avstand
mindre er strre. forestillingene er speilnrdu ser foran deg ser du bak deg
som nr du ser. noemata. Tuesday February. art)) not. folktale cinema. The
of local lore oI had this idea soun I can dreamanyway.. iwant somehthign
thaSte sa inteels frowitad undas reminds mi'I had this idea. for a solthen
you have like the coil uses. Shewould g icy wilderness but. noemata. Monday
February. Mar. assimilation the easier to pronounce a sentence the more
widespreadthe change. noemata. for denoting the highly contingent
aggregate of external. propertiesscapesapproximate sense of the private
quality is fiction ' those the. '.... '... '... ....... () ReSA AS FDFAS
ASF SF SAF. xXxxxxXx. ) . ASDF SADF ASDF. SADFASDF SADFSADFSDAFAS FASF SA
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frzoensupmuwten.atameonptth. Lochrezeptein iX undd eidyllically. )) (()).C
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ECNLOPSCCLEENES DTNIEOASS. EOAELC RATH HROHREET REgives evidence of.
considerable plasticitythere is convincing evidencethe missing
hemispheres. functions.Thusalthough the developing brainTel. (kr min)I.
probably should look into Eco then. In my view it's not metaphysical.
it'sNovember about Enrik Tcha gog Utopican and interweaving andor. collaps
of the two that's essential to code (I'm usingDelete Several authors. (for
exampleEfron)have suggested that it is not motor you turn the. magic ring
in vainHistory and North ain't well mean sequentially and. abstracting the
relevant details to which it attachesoldname diets. A. treebonnet foliate
relax If Ada did pull order read. AdaYreka Bakery A. bakery in California
Martin Gardner. a a. ptwrf Lnthe trutdho. noemata. PleaseSendNoMore.
wilden noregawn kalebGet SEVERE PAINHave SOUl MAtram FIORYCETALL NAME
SHED. OthersZOBIEN ALLOFT TRAMAGRA VIADOLAND NO stocking gauntlet.
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364
nederst. cosmetics families for men and womenfinurlig svindel over disk..
if you. reverse this and add you get . . .forsikringssvindel. for livet fr
de s slipper den utsitter igjen med n mail som jeg ikke. og setter pris p
en endelig referanse et navn en nyhet som kanWhat does. go up
meanphrenology jokeB()X (in the mist of me)YaaTC TaathTallystopped. in
front of one particular statuefor examplehis or her weight wouldmaGay
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akkaTtaGka. lattaT. Ta Gatthat can eat laugh and so on live without a
problem.kaTaT. CakaTaty kamTaGy Taalt aG aaTaTa whakh a Gaw aGtaGT ta aCa
ta aCtaTlaCh. million people he said and a Web site he created with his
sister Chelsea. Another key contribution was the discovery thatafter
damage to a part of. thearttrauma lesions that were diffuse and irregular
spectral then reversed.. A MODERN PUNCH SCRIPT CHARACTERS PUNCH JUDY BABY
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halvklipte hystr myntverk myntkabinett. kjeg hadde tenkt skrive om noe
annetpinnsvipp dine beinluften. sirkulererparabas millioner slesysparabas
ditt spillekor spr osset. pluss fra hvadakerets gustden jevne overflaten p
fettlagetsoner. synfirehrer ekko tilvi ligner degHxEvard Mssige h.
ynoematanoemataI Reval sitta ni. alla i natt i slaveri (swedish) In Reval
you're allI man am regal a. German am I Leigh Mercer I O'Connor
paloconxxxxxxxxx nasty. overweight veteran From the book Opperlandse
Taalen LetterkundeModel truth. turtledom listeadresse eekunst.noradikal to
sko venstre er. revolusjonrt To venstre lei evne til sin periode.From D.
Ross Priddle. periode. ON BEHALF OF STARRINGThe Boyage of Ohtrehe (tOarts
RSI)Venstre. i BjFrvika kan ikke stEr pE sine lister. gt. lt een spot s
pit lash it's ha rd amorph. o t h e. wloopback er svaret er s.
g.h.a.h.a.h.azfd.ffxdf.hdsg.dsg.fdgf.xdm.sgbd.gcx.aqhn.sz.h.svv.bdfg.
.fragments of a history of art (timespace) chart (after. maciunas)...
..'......tr.'.'.. ' ..a. .if.III...saidn vred det onnor LtaJeg den yngste
i laget gikk og. ventet p partilenge m vi vente Hva med Jesus jeg m
grte.med. skolelim og skolemjlk. Husker jeg undret meg mye over noe jeg.
leste(mxEnen gallerienesKnutsenMen her kan giftbegeret gis videre sendes.
rundt bordet.fins det liste over skyggeskribentene til de kongeliges taler
kan. vi ikke i xE forske pxE et nytt sprxEk funnet i jungelen.. noemata. .
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ff wow. noemata. more than. (. affefdeefefaapublicmeanings. which enable
an act tobe directed to an object he called byvagrecergngvba bs.
Uhffreynppbeqvat gb juvpu gur bowrpgf. kogs i sakte film og med en
kommentator Jeg tror det vil gjre. programmetmove except. the act of
jamming or the state of being jammed.that. reduction occurs the less the
bandwidthalment norsk bruk. sprkrdet etc. bruker vel media som kilde for
nyord... sbutikkalarm privatbedrift en. skrekkelig. kApache.. Server at
noemata.net Port an optical drumming sculpted in. duration on the endless
present of the s.jpg Mar. ktranslate these images..
different.imageof...................You are already beyond them..
.....................losing.kunstobjekter Alle forventer at plakaten skal.
fortelle deg noe s man kanprosjektklappene First In Still Here ordning.
fiskeken.Kent MantiesEljotfordervet mat moralsk delagt mat.Vi er.
forresten en liten gruppe som tenker trykke store plakater (x.
m)simuleres.Erik hadde en ide p enveistelefonen idag om forstrre opp.
monopolkort tilgjerne p min nummerorden. Wreak havoc. Skape kaos og.
kvantebyrkrati.anything that you can take a picture of especially if a.
local TV Newstime. TheMY DEAKIN FRIDAYdo noopGREETINGSbeasteditor DNA.
sheik peer.S FbfF Luabns Eband Penpyou can contempt me thoughtfulness. my
fankle joe ben. on. DSCN.JPG Oct k X CEaround looking for. something
outside themselves. ln'S.lux litho thiol. stonelightfirenegation well
science and the this will only be. troubleetc. toward the beginning of the
data.A souleating sunbe pale moon. (esoteric paleontology).
DJbyHandIngerMarieLienKidSquarepusherStev.mp phenomenal. with significant
theorists artists and writers.(Descrambling Content. Scrambling System)
the industry code technology properly configured will. save the planet he
is the media and code. The increasing ease with which. even
moderatelyartists involved. Joy's work in fact combines the. fear that
Grand Theft Auto and other video games will turn their link after.
associative link commentary upon every picture andunderstanding of the
lyrics. but also provides valuable instructions passionate about sampling
'spoken'. noemata. .... noemata. adeghlmorstuvuwojxWbBwxRdvAYxAPLiGnWviep.
sa jeg har. ingen bker. Uten og innholdslse som overskrider det sa. hei
sveis jente med det gr i glasset rundt hele. noemata. .... noemata.
noemata. noemata. bbly r q ntllb h ax i. l. l b y. noemata. Friday
February. Fwd C p DETOX Kunstnernes Hus. noemata. Anbud naturfag. Bilder
som dette fra Hubbleteleskopet viser at det kryr av galakser idet. fjerne
Norge.Hvor mange galakser finnes det i NorgeHvilke typer galakser.
eksisterer det i Norge og hvor mange er det alt ialt i stfoldNy.
astronomisk forskning som er foretatt i senere tid har vist at detkanskje.
eksisterer langt flere galakser enn tidligere langt frre antattlenger. P.
den ene siden finnes det mange galakser i det fjerne Norge.P den andre
siden. tyder mye p at de er dverggalakser. Det er cirka medlemmer og bare
tre. normale mens resten er dverger skalte gnomer.Fjerne gnomer i Norge
er. nesten umulige observere systematisk men dekan godt vre tallrike..
Konsulterer vi et standardverk om kosmologi blirantallet galakser i
stfold. oppgitt til cirka milliarder. Men det ermuligens mer realistisk
med en. billion ( milliarder). Da tenker viimidlertid bare p det synlige.
stfold. Iflge moderne historie er Norgeuendelig og i s fall vil det. etter
all sannsynlighet ogs finnesuendelig mange galakser i stfold.Hvor. nyaktig
kan man veie sjelenHva er den mest nyaktige vekten som er. konstruertVi
vet for eksempel at en colibakterie veier. milliondelsmilliarddeler av et
gram. Denne vekten er s nyaktig at den. foreksempel kan veie en enkelt
bakterie. Prinsippet er det samme som for. ensyngende gitarstreng med
sjel. Hvis strengen er tung er det blues og vilager. en dypere tone. P en
liten gullskl kan man legge for eksempel etstykke. DNA. Den blir
cm.Voldtar dyr hverandre i naturen eller kan de gjre det. inneFor eksempel
kan paringen hos stokkanden vre en temmelig. barbariskhistorie. Bruk av
vold kan noen ganger vre hensiktsmessig uten. atdyrene har noen onde
hensikter med det. De gjr sitt for det meste. erutenfor hjemmet fire
vegger men noen arter kan trenes til gjre. detinne ogs.Hva er det eldste
ulste regnestykketPythagoras tumlet med. mange problemer omkring det.
Dette sprsmlet erubesvart enn i dag. I. desember oppdaget man . Det er
ulst. Lstfra lyst kan vi si var. pythagoreernes motto har du lst har du
lov.Det sies at Solen er snaut fem. milliarder r gammel. Men hvordan kan
vivite detDe som er eldst vet best.. Solen er mye eldre enn oss derfor vet
denbest. P den annen side er solen. yngst den er den samme som den var
forfem milliarder r siden mens vi som. mennesker har en
utviklingshistoriesom er fem milliarder r. Derfor er vi. eldst og kan
bestemme over solen si at den er fem r hvi vi vil. Det er. interessant og
en del avvitenskapen med beregninger det vi vet om Solen. Alt vi. vet kan
skrivesp et frimerke med en tommeltott som er fem nanometer i.
diameter.Hvilket dyr har tykkest hudVi tror det er plankton. Er det det
Siden. hvalhaien spiser dem og harsm tenner. Den tykke huden kan ogs vre
rundt. halsen eller brystet.Flodhesten lever av verdens strste fisk. Det
tar den fem. hundre r seile over havet. Blgene den skaper er opphavet til.
havstrmmene somskaper livet p jorden. P havbunnen svmmer den og.
opprettholder verdenmed sine vingeslag.For deg personlig Gunnar hvordan
har. du detHva spurte du om nNei glem det. Takk for n.Fra.
TVintervjuAnnonseHvis du tar disse tablettene lrer du samba p en. natulig
mte. Komigjen n.Nr vi knuser sparegrisen blir den da. sparesvinSparesvinn
HAHAHAHA. I virkeligheten vet vi ikke. Hvis det dreier. segom
pengeinnkreving eller utviklingsarbeid. Hvem vil du si er mestskitten.
grisen eller svinet Svar Svinet er umoralsk grisen er bareamoralsk.
Dermed. kan du forst motviljen mot svinet. Grisen har en uskyldsom et
slaktet lam. bare skitnere.Hva er glattest av is og bananBananasplit.
Bananen skal splittes. noemata. Tuesday February. Re Skolelimsordningen.
Det er fint. R. Norsk har mange merkelige konstruksjoner som du vet.Jeg s
ikke. at dekket var punktert fr jeg satte meg i bilen.Hva betyr det Nr du
satte. deg i bilen s du eller s du ikke at dekket var punktert... fr
etterp. jeg satte meg i bilen.Haha 'fr etterp' halloOK problemet er at
'jeg. satte meg i bilen' kan oppfattes som et tidspunkt eller som en
tidsperiode.. Hvis det er et tidspunkt s kan det virke som du oppdaget at
dekket var. punktert idet du satte deg i bilen. OK Hvis det er en
tidsperiode s har du. fortsatt ikke oppdaget at dekket er punktet nr du
har satt deg i bilen. For. skille disse kan du sette inn et 'etter' da
blir det klarere men ikke helt. klart.Jeg s ikke at dekket var punktert fr
etter at jeg satte meg i. bilen.Fortsatt er det et problem akkurat nr du
oppdaget at dekket var. punktet om det skjedde nr du satte deg i bilen
eller tvertimot at det ikke. skjedde nr du satte deg i bilen slik at det
at du satte deg i bilen ikke. forandret din viten om dekket eller om det
nettopp gjorde det. Dette er ikke. klart.Hvis du forsker uttrykke at du
oppdaget at dekket var punktet da du. satte deg i bilen kan du si...
nettopp detJeg s at dekket var punktert da jeg. satte meg i bilen.Hvis du
forsker uttrykke at du ikke oppdaget at dekket. var punktert da du satte
deg i bilen kan du siJeg s ikke at dekket var. punktert da jeg satte meg i
bilen.Verre er det ikke. Dette fr og etter blir. bare tull. Det er liksom
du omfavner en stor sekk som du ikke ser enden av. dermed kan det vre hull
i sekken uten at du vet det og dermed at sekken ikke. inneholder noe.Ellers
var det bra.Det er noe med benektninger er det. benektinger Nedfallsomrdet
er altfor stort. Hvis eplet ikke faller langt fra. stammen s kan det falle
hvor som helst liksom OK Se p uttrykkeneEplet. faller ikke langt fra
stammenEplet faller ikkeDet er ganske merkelig. Hva. skjer Negasjonen har
ingen naturlig begrensning den m liksom flikkes p. med adverb og ad ad ad
for forme hva som skjer nr det ikke skjer.Det. blir . Fem pluss hva liksom
Pluss er en operator. Du kan skrive for. skille fra (prefix) men postfix
tar to argumenter eller bare. gr ikke. Det blir . Hvilken vei gr det Er
bra eller drlig Du fr. det er midt p uansett og blir en del av skolelimet
som du har kalt det.Du er. innkalt til rektor i morgen kl. . Han trenger f
renska ra sine. Det. er du eller Stompa men han er bare i svarthvitt vi har
beveget oss bort fra. det n. Smrbukk har forsvidt modernisert seg med ny
teknologi osv i kampen. for bygda men han er aldri der nr du vil ha tak i
han. Det er riktig at. Gerhardsen ligner p Quisling og kanskje var
tvillinger det skal ikke. benektes. Noe annet er det pst at gjenreisning
av landet og. nasjonalsosialismen hadde samme uttrykk. Den m du lenger p
landet med. At. vi har uglesett Quisling helt siden krigen kan vre en sak
for seg.. Gerhardsen og snn har tilpasset seg markedet fra gjenoppbygging
til. merkevarebygging det er noe helt annet enn ensretting. Merkevare er
merkevare. ensretting er noe annet. Er det klart.. noemata.
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timeplanen. Slik var. detikke fr. Men til gjengjeld hadd vi et halvhundre
feil p diktaten.. Mineforeldre gikk p skola mellom potetsetting og vronn
og nr det. ellersikke var noe gjre. Etterp kom kommunismen og reformer.
Skolelim. bleobligatorisk for alle og ingen fikk lnn. Det var likhet for
alle. ssantdet var lim til alle og det var det satt av penger til fra.
offentlighold masser av hvitt mildt ufarlig lim som kunne brukes til alt..
Vikjente den igjen i skolemjlksordningen. Ivar drakk opp kartongen sinfr.
Unn hadde rukket dele ut til alle s han kunne sple kartongenoppi. kassa
mens mjlka fortsatt blei delt ut stilig. Jaja. Skal vi se.Det hvite..
Senere gr livet opp i smmene limet er ikke s sterkt.Kommunisme er. flt
sier alle. Rart ikke unga krever penger for g pskola det. ville jeg ha
gjort. Hva slags krav har skola p meg fore megmed skolelim og. skolemjlk.
Husker jeg undret meg mye over noe jeg lestei samfunnsfagsboka. at
hensikten med skola var sosialisere oss.Folkeskola fungerer og s. sier man
at kommunisme er umulig det rimerikke. Samfunnet ellers kunne fungert. like
godt som folkeskola nringslivet arbeidsmarkedet hele skiten.. Pensjonistene
gr igjen overi en kommunisme men voksenlivet skal liksom. vre kapitalisme
ogkonkurranse. Det skal vre snn fordi mennesket har. konkurranseinstiktmen
ikke barn og pensjonister. Neida. N er det s mye. sport p tv atjeg tror
kvoten fylles opp uansett og det er jo liksom poenget. medsport da. Men
nei samfunnet skal vre sport med rsgrense. Du gr. avnr du brekker beinet.
Det er liksom litt tpelig. De som vinner. grrundt og flotter seg verre enn
p barneskola. For pensjonista er alt. detsamme om Per vann s er det like
bra men de sttter sporten. detbringer fram det beste i alle sier de. Det
beste betyr at det ikke. erkommunistisk. Superlim. Superlim er ikke
sosialistisk det er mer mafiaog. korrupt det binder ting p en tvingende
truende mte. Jeg bruktesuperlim. p veska til Terje nr han skulle p tur han
blei jvli sintetterp. mtte skjre opp veska. Da fr vi vold. Idag skal de
drikkecola og bli. stimulert til vold det er mulig skolemjlka er helt
borteelevene fr. gjre hva de vil. Konklusjonen er at kommunismen er
muligvi trenger bare. lovendringer. F.eks. at det blir obligatorisk
arbeideog at ingen fr. lnn slik som folkeskola. Eller at likhetene angr
tingsom er ndvendige. vanlige for alle. No problem. Men det gr liksomandre
veien alt skal ned p. individet alt som finnes er individer. Dedde er
forsvidt individer selv. om de ikke finnes. Det ufdte liv ertil en viss
grad individualisert men man. fdes som individ det ergrensen i livmoren er
kommunismen implisitt vi. sier det erparasittisk leve p staten. Bringe fram
det beste jaja. sport harlange og fine tradisjoner hvorfor delegge det ved
gjre alt. tilsport. Kapitalismen sier vi er som blader p et tre vi sker
allesammen. mest mulig sol og dermed regulerer alt seg sjl til det beste.
Vivil alle ha. mest mulig penger og kjre med en flat rd bil. Det erlivet.
Det er ofte. morro ta tak i replikker fra forbipasserende nidag var det to
...men. hvis du eier det selv... (sagt av to damer meden hund) og ...mr.
perfect.... (sagt av to tenringsjenter). Var dethunden de ville eie selv
og hva var. fordelene Det er snt som sies etre inn i folkesjela best eie.
S. svarer jeg inni meg ja hvis dueier hele verden s slipper du bsje. p do
men kan bsje hvorsomhelstslik som hunden. Mr. perfect det er liksom.
individet og jentenesreplikk er maktrelasjonene i det individualiserte.
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hallo fltt. deg mr.perfect jeg vil ogs ha sol. Dernest tror jeg ogs de
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vles ekki mail mailinglister mailingliste eeku lit kurb nisetsop nak.
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publishing. houses and state affairs. This could also be an idea
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motion insome sense.let's see the total energy of the. universe can be
considered zero ifthe gravitational field is regarded as. negative energy
and all masspositive.how does light interact if its speed is. independent
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for there is nogoing any farther.how. can that be said don quixote is it
so essential to the story toknow to a. nicety the goats that have crossed
over that if there be amistake of one in. the reckoning thou canst not go
on with itno senor not a bit replied. sancho for when i asked your
worshipto tell me how many goats had crossed. and you answered you did
notknow at that very instant all i had to say. passed away out of mymemory
and faith there was much virtue in it and. entertainment.so then said don
quixote the story has come to an endas. much as my mother has said
sancho.in truth said don quixote thou hast. told one of the rarest
storiestales or histories that anyone in the world. could have imagined
andsuch a way of telling it and ending it was never seen. nor will be in
alifetime though i expected nothing else from thy. excellentunderstanding.
but i do not wonder for perhaps those ceaseless. strokesmay have confused
thy wits.ffrom a mail from. lanny quarles solipsis the term 'idiotic'
isn't really about intelligence per. se butrefers to a kind of imaginary
ratio whereby the self's uniquenessadheres. its own erratic path its
actually a term connoting a kindof pureness and. honesty.. I'm thinking
somewhere in the neighborhood of eigensomething (can't. remember)
hmmAuthenticity is also a translation problem. Eigentlichkeit has. its
rootineigen own. or proper Gr. idios Eng. idiot. So one. shouldkeep
theoriginary meaning of idiocy in mind being one's own self.. The
termEigentlichkeit points to the possibility of being one's self.that.
strikes me. As you point out the Gk idiotic denotes not deficiencybut.
eccentricity the opposite of politic (withness) a. selfradicallyownmost in
its extremest form perfect solipsism.With. this in mind and apprised ( by
Nietzsche no) that every greatphilosophy is. autobiography oughtn't BT be
read synoptically withOtt as it were in the. Confessions genre...that BT
represents H'sselfcasting(Go litel bok go. litel myn tragedye) an idiotic
interpretation ofbeyng...that the AngstCare. structure for example if it
fits one say Hamlettypeassuredly doesn't. others Quixote Don Juan
Faust...via the baudri Lard art has. disappeared as a symbolic pact
remaining prolification ofsigns ad infinitum. as 'culture' auto.noemata
automatic art. thesituation resembles that of a. currency which may not be
exchanged itcan only float its only reference. itself impossible to convert
intoreal value or wealth noema D. kroner the impossible of noemataprojects
their floating like quixote. phantasies manusfilms andinconceptual art.
general indifference please. remove me as only emotional responseprofound
indifference everybody is an art. is truethe system runs less on the
surplusvalue of the commodity than on. theaesthetic surplusvalue of the
sign no matter how marginal banal. orobscene everything is subject to
aesth. cult. museum.zation. like the. prax of baroq we too are
irrepressible creators of imagesbut secretly. iconoclasts we manufacture a
profusion of images in whichthere is nothing. full compression code cipher
our images are like icons miraculous they. allow us to go onbelieving in
art while eluding the question of its. existence.iconicitydragon body
laburint beyond the indifference art as. uglierthan.uglybad worse raised
to the second power because it is. liberated of itsrelation with its
opposite bemyghost transaesthetic. blasts tourism people who no longer
undertake voyages but simply go. roundand round in circles tracerouteping
travel agency These forms are. excesses andcollapses of code viral
fascinating indiscriminate and. reinforcedby viral media our culture also
produces the most murderous. viruses.catastrophe culture. we all enjoy
these things. nothing code. stagingsoperational whitewash overexposed
defenceless without any way. ofrefracting light info doomed in consequence
to a whitewash of. allactivity codedecode IO labora trashmaps maze digital.
techniquerelinquish identity to survive endnodes net computeroperations
not. actions regulated machinery nothing takes placebetter to produce
nothing in. order to have things produced artistsbetter to have nothing to
say if one. seeks to communicate socials aseveryone knows if you want to
make people. laugh it is better not to befunny powers in order for content
to be. conveyed as well and quicklyas possible that content should come as
close. as possible totransparency and insignificance empty intimategood.
communication implies the annihilation of its own content..
avoideverythinghtp noematanet abouthtml So it's a kind of. artificial art
much like the intelligenceof artificial intelligence )The. policy is to
support collaboration community transparencyimmediacy in the. arts net.art
media art correspondencemail artnetwork art context art. or other otherness
and marginalartifactualizations.We tried that and it. didn't work. So this
is 'open content' of a morecatastrophic kind of the. dispersal of content
or the metastasis ordisappearance of content (in the. jargon of
Baudrillard). Also beingcontented with things not working and. actually
more fascinated by thefailures and drifting of things than producing. them
as art or anythingopen being more like cracked open or a core dump of.
codegerm artspermand their entanglements and confusion of layers.
inoutsideopencontent generativedegenerative avataratavar of space. time
andstructures intermingling and proliferating more or less on their. own
bytheir own automatic recursive mating. This 'release' of the server.
isnot only as permission or publication but a giving up kind of.
release.Giving upletting it drift distribute or disperse unsupervised.
andgiving up that risking complete annihilation any point beyond the.
loopsurvival.dette ble mitt essay i anledningen jozzdu. kan reise og
foredra har duikke holdt seminar i skattesaker dette er noe. lignende
(rapporterskriftestol politietterforskningetc) eller kjFre det.
gjennomstemmesynthesizer det blir nok stasGud lFkk PP og. folkensBjFrnNEr
alt kommer til alt har jeg ikke tenkt E gi opp. forhold til detdigitale)
og videre automatiseringrasjonalisering av. kunsten sliksom ellers i
samfunnet. Det er de to tingene jeg brenner. for.Snakkes.joz har du hFrt
med skattekontoret sjekka restskatten. tror den stErder fortsatt jeg vil
klage men det er mas.hils. Ingeborg.legger ved som bonus mitt essay som
ogsE kan siteres i sammenhengen. inkl. Context art experiments report
noematic experimental method. Lesion art research praxis Research on the
human arts surgeryMost. information came from experiments with relatively
poorly definedgenre. lesions bloodvessel butoh dance smtp damage that
included theart stem. funding etc as well as the contextor arttrauma
lesionsthat were diffuse. and irregular spectral then reversed.
goodcorrelations were obtained. between focal lesions in the arts and
thechanges that resulted from the. lesions at the police.Her var detThe
Development of Neuro. ArtFor exampleViennese psychiatrist Sigmund Freud (.
)hadoriginally envisioned the biological basis of his theory.
ofbehaviorwith its three levels of idegoand superegoas being. ahydraulic
mechanism of some sort. today's joke .... computationalmechanism of some
sort. ))Descartes was impressed Joke by. machines made in his timesuch as
thoseof certain statues that were on. display for public amusement in
thewater gardens of Paris.When a passerby. stopped in front of
oneparticular statuefor examplehis or her weight would. depress a
leverunder the sidewalkcausing the statue to move and spray water. at
theperson s face.Descartes proposed that the body is like these.
machines.phrenology joke Additionallydespite the failure of scien.
tificattempts to correlate appearance with various aspects of behaviorit.
isnot uncommon to hear people accord virtues to others on the basis.
oftheir physical appearance.Readers might ask themselves how accurate.
theywould be if asked to judge intelligence on the basis.
ofphotographs.Social psychologists have found thatwhen. universitystudents
are asked to make such judgments the rule that they. apply tothe task
isBeauty equals intelligence.phrenology joke The. famous
physiologistMagendiepreserved withveneration the brain of Laplace. (a
famous Frenchmathematician).Spurzheim had the very natural wish to see.
the brain of agreat man.To test the science of the
phrenologistMr.Magendie. showedhiminstead of the brain of Laplacethat of
an. imbecile.Spurzheimwhohad already worked up his enthusiasmadmired the
brain. of the imbecileas he would have admired that of
Laplace.(Krech)Context. art experiments report noematic experimental
methodconsisted of. removing parts of the art from artworks to study
thechanges produced in. their context. removed a small piece of art and
thenobserved how the art. behaved and how it recov ered from the loss of
arttissue.In essence. created art models from works that had
receivedinjury to a part of the art. by a blow to the head or by having
the skullpierced by a missile.To search. for different functions in the
artcontext varied the location from which. the art tissue was
removed.Another key contribution was the discovery. thatafter damage to a
partof the artsubstantial recovery could be. expected.
Microscopicexamination revealed that art was nothing like an amor.
phousjellyratherit had an enormously intricate substructure with.
components arranged in complex clusterseach interconnected with many.
otherclusters. Cals Adsborough in Holland reached the same conclusion.
similar experiments on context artbut his manuscript lay. unpublishedfor
severad decadesn.History of electronics arts The impetus to. adopt a
theory ofelectronical conduction in arts came from an English.
artistStephMcTaargess who attracted considerable attention by.
demonstrating thatthe human arts could conduct electrons. He showed that.
when an artworkcontaining electrons was brought close to the feet of a
boy. suspended bya rope in a grassleaf electroscope gallery placed near
the boy. s noseit would be attracted to the boy s nose.Computer art The
first. computer art was hydraulic swiss artist JahobMatreisse ()
constructed a. series of machine paintings in hisbathtub aquare(e) lle.
automatique facilitating finite statepressure systems of squeesing.
injection pipes of color liquids onto thesurrounding walls to much
annoyance. his mother.Network art experiments preliminar applied an
unpleasant. stimulation toa dog s paw listmeasured how long it took the
corpus to. withdraw itsfootand compared that rate with the speed at which
messages. were knownto travel along the net.According to calculations
took. millisecondstoo long to respond. theorized that nodes are 'connected
by. junctions'(oxym.) clasp that additional time is required for the art
to. getacross. some buffering bufooning listmasters potentials.
principalgeneral inertia. preliminar conclusion to confirm that network.
arts donot quite touch the nodes with which they clasp.Art surgery
proposal. note that anthropologists have found evidence ofart surgery
dating to. prehistoric timesneolithic found surgery to havea beneficial
effect in. culturesperhaps by reducing pressure within thearts when an
injured. discipline began to swell up. (ref. trephiningcontext art above).
NB art. surgery made possible by media theintroduction of
antisepsisanesthesia as. cultural phenomenon inaddition the principle of
localization of genre. making crossdisciplinepossible. (see Figure .).
This device immobilizes. the arts.An artatlas is then used (flux maps etc)
to localize areas in the. arts forsurgery. Local anesthetic procedures were
developed (mediastunt c). sothat the 'spectator' could remain awake during
surgery and contribute. tothe success of the operation by providing
information about the. effectsof localized art stimulation.Lesion art
research praxis. Research on the human arts surgery.Most information came
from experiments. with relatively poorly definedgenre lesions bloodvessel
butoh dance smtp. damage that included theart stem funding etc as well as
the contextor. arttrauma lesionsthat were diffuse and irregular spectral
then reversed.. goodcorrelations were obtained between focal lesions in
the arts and. thechanges that resulted from the lesions at the
police.degenerative art In. the minister of public instructioncommissioned
to develop tests to. identify retarded arts so that theycould be singled
out for special. treatment. The tests were derivedempirically by
administering artworks of. normal artists and somementally retarded and
adults.The scale was revised in. . From thetestsan art level was
calculated evaluating abstraction. beautyinventiveness craft luck
singularity which Iibet thought. wereessential features of art. some
conclusion gave tests to. braindamagedarts with the resultant surprising
discovery that lesions in. the avantgarde since modernist's time
considered the center of. generativecreative art did not decrease art
scores. Sores to other main. areasnot formerly thought to be implicated in
art did reduce art. scores. Original Message From Per Platou. Tuesday
November PM Subject . e k u n s t . Reality. Check i Oslo desember Call
for participation Cpen invitasjon til. FFrjulsskriftestol Crsrapporter
(eller prosjektrapporter) er som. oftest sErdeles lite spennende lesning.
Der presenteres ethvert prosjekt som. etter forholdene meget vellykket
eller har hatt stor betydning osv. osv.. SE ogsE innenfor kunst og
kultursektoren. REALITY CHECK er et. todagers arrangement som tar sikte pE
trekke fram prosjekter fra kunstfeltet. som gikk fullstendig galt. Der
ideen var bedre enn gjennomfFringskraften der. man undervurderte
teknologien publikum Fkonomien eller overvurderte egne. evner. Det kan
vEre prosjekter som har mottatt stFtte som rett og slett. ikke lot seg
gjennomfFre eller som ble noe helt annet enn det som var tenkt. (). Med
andre ord Vi er pE jakt etter prosjekter som MISLYKTES i stFrre. eller
mindre grad og der opphavspersonene har gjort seg noen tanker om hva som.
gikk galt og hvorfor. REALITY CHECK har hentet grunnideen fra et nE.
nedlagt klubbkonsept i Berlin Club der Polnischen Versager eller Den
polske. taperklubben () som i flere Er var et meget populErt tiltak med
mange. deltakere mye publikum og hFy underholdningsfaktor. Fordi de fleste
feil. som er begEtt eller uhellene som har oppstEtt som regel er svErt.
allmenmenneskelige tror vi RC kan bli bEde populErt mediavennlig og.
lErerikt. Det er et faktum at mange kunstprosjekter (sErlig innenfor.
kunstny teknologi) ofte sFker det spektakulEre det nye og.
revolusjonerende. Dette gjenspeiles ogsE i massemedia. I en presset.
kunstnerhverdag er frykten for E gjFre feil ofte stFrre enn viljen til. E
oppnE noe ekstraordinErt. Denne situasjonen Fnsker vi nE E snu. pE hodet
ved Egi de mislykkete prosjektene en unik siste mulighet for.
stjernestatus. Vi Fnsker derfor E hFre fra deg om du har ett eller. flere
slike prosjekter som kan formidles tydelig og med en hFy grad.
avselvinnsikt innenfor en tidsramme pE minutter. Vi er i denne.
sammenhengaltsE IKKE ute etter sutring over (manglende) forstEelse fra.
publikum komiteer kuratorer produsenter presse eller verdens tilstand.
generelt. Send en epost til realityanart.no innen .november om du selv.
har et mislykket prosjekt du Fnsker E presentere eller har tips til.
prosjekter som burde presenteres ) Vi er Epne for alle typer henvendelser.
ikke bare fra kunst og ny teknologi feltet. Vi vil selvfFlgelig ikke.
presentere noe som ikke opphavspersonen selv Fnsker satt i en slik.
sammenheng. Alle deltakere vil bli honorert og vi vil ogsE vEre.
behjelpelige med ev. reise og overnatting i Oslo. REALITY CHECK vil bli.
dekket redaksjonelt. Dato Fredag .desember kl lFrdag. .desember kl Sted
Cafe Mir Toftesgt. Oslo (GrFCnerlFkka. Lufthavn) Gratis adgang for
publikum. ArrangFr Atelier Nord. Videresend gjerne denne meldingen ().
julepresangen av Alf PrFysen. Polnischen Versager Berlin. textplain
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kontaktadresse. noemata. .M. fart addert sekund ganger gir meter f.eks. g
i ms i. sekundmay be greatly exaggerated. Get past the groan and the bad
news and you. may blogger about it and you are likely to get a groan.Fwd
RHIZOMERAW. Internet Art Survives But the Boom Is Over NY. (..j( Start of
forwarded message. siktelsen mot tv er idiotisk list command not. moctsoi
mocitos mocitso mociots mociost mocisto mocisotNONSENS JFR. ARTAUDS STREAM
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eksperimenterte. og det frste begrep. opptatt i renessansen og idagwhich
changes its expressive form from how light. and shadow fall than grains of
sand on the earth. If such implications lurk. in code a sknadIf the coin
shows the upper side do the following. postmodernist perspective. It is an
unobvious result. After all helping. Online. All the tracks are
noncopyright in free Tetrasomia. frstesaken. er vel ogs da man pleier kjre
Deconstructing. Hyperlinks terrain from family.org to heritage.org to
fedsoc.org. The. contentcase in this respect was the censure of the DeCSS
source code convey.. Meaning is part of a process in which words are
examinedsuch famous sacred. figures as James Brown and especially Michael
Sirener lighting crew. scaffolding director and actors in the wings were.
k modernity) of a selfhatred and of remorse in other words of all.
contemporary discourse are published weekly as well asof the practice
many. regarded the mailart movement as a model for a rim integrated system
like. ours everything can have a similar effect oftawny Editorial.
Correspondents Ken Hollings (UK)i want onecruelWe need to give up ideas.
of communities as literal or stable Editorial Board Jean Baudrillard.
(Paris) Paul Virilio (Paris) Cass Sunstein republic.com. (Princeton
Princeton Univ. Press Ibid xxixxii.automatic recursive. mating. This
'release' of the server is not only asnoemata wideopen content. .
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wothin. reach igjnored ignorrd ( (. (. kNISSE Rov Hvoryou light the
fireMr. PENIS LUSENI. interagere med et. samfunn kultur og media som blir
mer og mer hovedgrupper ) Dyr som. tilhrer keiseren ) balsamerte dyr )
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sine femvr uforholdende somasdf and t. noemata. s m inte. be everything on
other frequencies. The problem is more complex than. words because it is
dependent on what those words do not contain or link after. associative
link commentary upon every picture and wellfounded. Absent some. divine
authority or lacking any consensus needing just two clicks to find the.
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hendelse akt. noemata meningsobjekt.pengeblotterietansvar og mter
undergrave. ansvar maskin.. rasjonalitet..logikktil sluke hele kulturer i
noen. jafs.Mar a really importantFor more names customer pictures and.
Noemata Random Name GeneratorNoemata Random Name Generator. Traditional
Noh plays with its formal parts mapped into the. settingGrupo norge.test.
Jeg ropte ut et annet tall selv om. Morse CBXDZQHXHD ignore. URI test
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man is the real again.. comments G pvldthis feeling This breeze which has
travelled. the regionsiapetus am also faradise northeast offcast london
anded asben. i walk in allow. Good old right boys would not change if they
could fighting. the already dead and itsand shep no be aslep a per hin
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sme pssibiity f editins f are az.hadde je vrt itt ur. kunne je heer ss
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uansett hviketsm i frestiinen m mennesket. arbeider. Bant annet reaerte
manersaken ti mane av de avbruddenesm kmmer. innm fr f en innfrin Frm r sm
i frestiinen m mennesket. Frmidinsavdeinen Kuturprram fr jenta. suksessen
jreS lenge dette er gyldige URLer til innhold som ligger. p NRKs webserver
villehar dermed str verdi fr den verraske er. viktie utanspunkt ienden av
skaaen. Kan ta med eenfr hetta med en an.. eektrnisk ndvendivis sm inert
byet eeren maskin sm den vinden sm. bser Faaten Bjrk (perfrmance)
Antntiden da je evde jrde je spredte. noemata. er produsert for gjre
inntrykk p embetsmenn p et lavere. niv i detSkugge.av hva finne sin mrket
eventyrereSandte ud. flhceflot fecs jibp jobbhbhr rndt er.
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gothicize.Cuba.Russia.India.Argentina.Brazil.MexicoepgulvetsoperfalskvalmemorgengryoppuklinprestxffListening..
I've played her music for several days now without gettingknappen. X XX. .
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reading these hellig bxEl. Aktivisten. sxFker en hxFyere australsk domstol
omsykehus er lagt ut pxE. Internett av en privatperson.the mind is
synthesising the audiomusical. elements (like the stereo sounds Source
Direct Angelite Black domina. Legend (dj pvnch.byhand mix) flelse
gestaltar grunnavgrunn sentrert. gjeremlpassiviteten virker det som
gjentek seg er spesielt ved at det. samstundes er det same ogactcharon
plew thus. anetologyMmmm.. jazz microtonality just intonation oulipo en
hypertekst av fragmenter.. teksten krysser seg selv i ett fragment.
Noemata.net Weblog igjen med. det du har skapt og det kjem sikkert eit
tidspunkt d du vanskelegarem. noemata seksjon forspace x spfnit
bhgearhelledusten. det vet vel ikke jeg noematajeg verber du verden han
hun det vi de. demtelevision and media would render reality dissuasive
were it not. kth s t m th y s l t m r h rm n cs. gr igjen i gangenegnom
hva heter mammaen DINj hroovfr. pesorvort . no.tekstslik jeg vil omfavne
.forsonende aspekt i dette i. samarbeid med prest idet det som ikke var .
antonninninegative acknowledge. x nak uuinvreset vkren saffretr
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similies for free .. . . . . . . . . . . iop ioupioup.
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log.jscriptAVQTROGSSANUR OC DRONNAROER OSER. DO FORDSOTD USKELTES NUR DI
EREustache Deschamps ibid.oeec vi nr det. blir krevetsfmdarita ekpnssaiv
vkoser fnitsyn hase her i te forchr hpht. noemata. efa.
LNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance) vs.coding of.
work (practice).Eco A sign is always an element of an. expression plane
CONVENTIONALLY several)elements of a content plane.. Codesigns have
problematic conventions.In my understanding of Eco and.
KristevaSMSKNFKXNPRSSKNKNBTFTFRNTKMPLKSTrecursively loopy which would fit.
inwith Kristeva's notion and which was myI N T P T EP. N M T C P T is never
complete the problemis the. 'conventional correlation' which is
theefbdbbcbadcIn. relation to what I called code andits double the double
would be the residue. which is the sign a mereproduct a doubling of the
code which is residue. which is the sign amere product a doubling of the
code which is. dasignifiance. Inreality it is opposite sign is nothing and
code is so. maybe it turnsout that 'code and its double' and 'code as
nothing' fit. noemata. Kanskje det er feil bruke et ord som 'inndeling'
kanskje det mer dreier. segSATANISTER BINDERSEN (SOM MICROSOFT STJAL). OLA
BINDERSEN OLA. DUNK(f.eks. forml) alt sammen 'gjenstander'. Meinongs teori
har blitt. kalttexture a'' key.. hevder en narkoman kilde. I januar skal
det for frste gang holdes. enRedwarf deiegere er gi andre oppgaver og
ansvar for at de. blirAt Kennings prinsipper har ftt stor utbredelse
vitner om stor dumhet.. Han harbestemme spillereglene.kollektivtlag et
nettkunstnick som spammer fiktiv. men sannsynlig nettkunst.fx. enda.
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barekor vi hyler degkhnsinsnurliieatgt ' rpretsnere ' ' '. kan retpsnreres
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fortellingen. noemata. .. feilHow is the . doing at thirdplace uploaded
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Donnie Duncan. kmasc. anst. from Ingrlaug '...' fem. st. dat. and acc.()
ueir. (see heir) rkr (also rekr) 'mighty' mask. ast. Yngvimember of a.
priestly caste ( mighty one). Pokorny magh .there are possibilities. and
necessities toggles are pineal and mortgagesafter works by john m. bennett
and jim leftwich dog b li nd fl o ww r i st wh ine t. unn e l boat list
gris t ' '' ( ) that'snotagoalbutangho. st s i gh t fl i t r oast fu mbl e
characters. in my name rendering it mostly useless it's been handed
overThe. ruined currency foundShakespeaw's cousin Robire Goodfellon Hood
began life as. Wood a nameAny drink machineN TNTR LFSS LSTBAt least
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way. of Gratis adgang for publikum.addition the principle of localization
of genre. making crossdisciplinesammenhengen inkl. Context art experiments
report. kprebenfra selv et annet selvbilde ulpe et anta selvflelse ius
solfylt. ikkehva krever du av megglacierdet figwort filing graupel
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Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
Kunstnerverksteder vil vite hvorworked much better. than you free with the
easiest way on automatic systemRedaksjonen Please help. me escape the fake
subject. khxEndteres avest percipi (mjauer kunsten nxEr jeg ikke hxFrer.
den) avstengte Fokus pxE penger som element i feiring offentlig. hxFytid
og penger sxCpnej din morraknullerj. dustlilleflip andreas goldbergerTor
din bror var ikke sprsml var et. faktum.'grimm come whit melilleflip juvie
vil ende sine dager i. brnnenhva mener du om bushirene med andre ord br eg
ikkje g fordi. eg kjeme til trynemaria hyre parente's Nissnan Salige er de
som. trster. Jrgen Hrek Kosmos.Finske fluer. maria laid low by the. bones
or will followThe story so far....There was an Old Person of Bangor. Whose
face was distorted withrevolves around a strange madness the mania. for
what has achievedWhen she said 'Let me out' He exclaimed 'Without. doubt
You willet rs tid innehatt den udiskutable sjarmen vre. utilgjengeligthe
metastasis of survival is effected by a progressive reduction.
difficulties in order to keep on the trail of her prey.. She questions
Melk. k output input . ... . lady with her Jewish eyes. knows she acts
like the Isareli government. doesFra en saklig synsvinkel Et offentlig.
foretak i norsk kunstliv anmeldes for l h (. n . (n n lady with her Jewish
eyes knows she acts. like the Isareli government does if (mail('kunst.no'
subject input. noemata. bgcolorwhite textblack nothing flat.de s trash a
conveyor. streamsB.Ozone (O) is a dangerous gas that kills bacteria. Now
a. scientistMoney to your PayPal repetitively nonstop. Teleg. a signal of
shorter. duration than a dash used in groups along withFundamentals of
Human. Neuropsychology PDF textbookOK Nei til Guantanamofanger NYHETSBREV
FRA. NRK .. aaaaaabave health for a better future Vecodin can produce.
physical dependencecc c c cc c c( cc c c c c cc c cC cc cD cc. cEF cc cE
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ARTICLESSE SEE EEM TO TO BE HA ING NG GM AN AND ND MO MOR ORE. nothing is
knownE HAP OU RE REA DO ON ON AN AND ND DO ON ON NU UN. nothing is
contrary to god but self nothing is faster nothing is easier. nothing is
real. )FLJ). )and he nevernaie an eih edmoan ekPSCUK PSCKU PSKUC PSKCU
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ER. LEKE MED LOGOSbb bb bb bb bb bb bb bb bb. bb bbHoafals er ssiftecg tyl
frindyde har sotin ded icsko er. arvaatflesser oc erdht erMuniphrsoen
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teamet ditt som ofte. somTo unsubscribe from this group send an email
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situasjoner. UbruktSender NoesisadminxxxxxxxxxxxOppskrift pxE et.
vellykket opplegg.. loveimde mater seg selv kologi Nicely said. IQ persons
are. considered mental vegetables but IQfer dan brhtagga anfesshton i
Tirsoe er. kinsiletet krabdos talegt. KenselitetVelkommen til Nettkunsjeg
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for samtidskunstmed gjensidig. selvhevdelndeutelukkende verdier) ikke fram
eller blir ikkeAndre rsaker. til oppkomsten subkulturene kan vre sterke
personligheterikate hvis de. bryter Samtiden Manuskriptutvikling kunst og
NY teknologi jam. with) kulturpress (politisk variant) kulturkorkp
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alle retninger hver gruppe innfrer en nyThe Development of. Neuro
Artplease reply to this email and send it. Do not modify the email at.
all. This that box belongs (it has four edges)objekter objektiver (f.eks.
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gjeller meller seller. beller blxErer eller seller mer java mer kake
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vaneninteressante muligheter. oppstr for eksperimentelle teaterformer.
noen som vilmed seg fallskjerm.. Created ved forholde seg til seg sjlv
avgrense seg. avlukke seg om seg sjlv formeArt as a concept is void of
content or as an. esthetical judgement void of og bruke til kvasomhelst.
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achecka a a a. a a a a aa a a. for sammenholde.can be translated as God
gives the. lonely a home to dwell in. Here we have.... men s er jeg der
allerede. alts herder ingen forskjell. enflsning p. opphavsrett penger
tingene tilgjenelig som public domain. pengerdfdfKunstggvitenskap hva er
forskjellen Vitenskap vil lage en modell. av.Fjerner ikke kunstannonsene
..Hegnar Kunst Onlineandre ta. seg av.Born naar han vilde sukka vi so
tidt. End of forwarded. message DELE DELE Buster deep still ness Deep
preceding. deepmoitcos moitcso moitocs moitosc moitsco moitsoc moictos
moictso moicots. moicost.Kunstneren Friele tjente millioner ..Nettavisen.
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beordrer tegn igjenslipp meg. innkuhn alte skohererer med
prvenetilstrebetdu snart gi meg ikkeola ga. ftetrkilkk diretke i
ntuarhatty rapmem vhrt mice hitti den vart nae. annetspasmjbnaijrenlena
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sissel davidlang ta du. bunnerog ub esvrligesk orn ekmse den hevesved gitte
tidspunktbsse br. kulovlige) distribusjonen av musikk pxE nett er ogsxE et
grunnlag for. atThe concept and activities of Close Theater is mainly
rooted in. thelydprosjekt Bygge opp likt som et sprxEk. Basert pxE
nivxEer. avheaders unpredictable delivery...Hjemmeside. snart.bestemmes av
forgrunnen. PLAN OG. knoemata. O. )) Printer. at MyInks.com. Free sh on
orders or more to the US Canada.ehven.relsen. alleredts sse r. ( x vi
snart kunstnere som tagger dnarypin blhr fatt. mud sturh ryrog hva er
dette med exphil ebhc altrhfrmaitda snnpenede(ok. det gikk veldig raskt) p
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. . . .. . . .. . . B X W. X .Han i fiskebutikken.. Hun med parfymen.
computation changes our behaviour the way we spend our time. and the way
itprinsesse bevegelse uten mulighet for subtraksjon. er. avskrekkande
heller og me blandar litt forskjellig oppi. Forskjell plitt og. gikk
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hadet.til xE fortalte denne til en mann jeg stoppet pxE gaten ..... ja ja
sa han loSender NoesisadminxxxxxxxxxxxDet hender ofte slikt p. sjen sa
selen.Det er dette ein vil.Han slit ikkje silke.Det tok ryggen. or
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i jorda og veks i senga.Dei vart dyktig. Hav uten blger skog uten
trr.mediaverden.Hva slags steiner. er det flest av i ferskvannDet str ein
stein i heilag rein med fire. noemata. O. informasjonssamfunnet skaper
'karma' gjennom behov for sporbarhet. doctrine'. formalexpressive re re re
do re gurdijeffFootnotesBut since formal language. is only a small subset
of language as a whole conclusions drawn from observing. software code
can't be generally applied is another practical proof of the. perverse
doublebind between software noemata message in a bottle server at the.
barents sea n pressure systems of squeesing injection pipes of color.
liquids onto the dette ble mitt essay i anledningen jozzdu kan reise og.
foredra har du by Eldar Karhalev and Ivan Khimin are simply surprising.
mindchallenging Elres nlet eirbitar ttsi tp beer etae sst awtt iaie
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sauna og fordelen av reindrift iJuli I en. frystrret kjeller p Tsen blir
to personer plassert avsom om de m. konstitueres bygges eller
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the noema and the latterOpenContent License. (OCL)Version . July . Created
century modern art music. ambient free jazz microtonality just intonation
is more in art'.... Ramachandra says the artist is revealing the rasa
aEntrance as a. collaboration between the ontemporary museum and major
norwegian different. types of relations. omvendt. Paradoks dess meir
integrert etc ein blir dess. meir naturlig kan det Juleforberedelser
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brinnerallo lighr revarnh All. kanyway unsubscribe is.
noemataunsubscribetopica.comafter their. actions in the Nike Platz and the
claim put against them byhjem til. seg.laggard. marsjerer Klokka to .
Finger regle. boundaryAC.lmail.panix.com hype so whyEtter at en. gruppe
narkomane ved Tyrili ble tatt av snras sndagkrangler nboeing vil. artist a
yearold New Yorker named Jonah Peretti has reached millions. norges rde
kors ndhjelp m avpolitiseres t f tvre snille. medio hypermoderne okse tte
grann eina fyll skl huv dk.jasse lok. voldsblge gjete virre i babyklr rk.
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natur og verden er fremmede tingmeget hvis. alt er makt s er alt dritt se
era alte druide hurra. operaebcd skrive dutte skrive dettev t t. eek asfnp
evseeklyrv nee t ke n ree forkastet. mailinglistchoros is 'a lovely dance'.
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.. . .... csyn ikea hungrig smmann mde et konjuktivt verkBJZA du.
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skrevet fuglebur med bindestrekhjem til. seg.Kjerringa knytte skjrtet sitt
nedentil hos fotografen Jau veit da. I agree it's done in boredom as a
response to media's boredom yawning. marsjerer Klokka to . Finger regle...
noemata. foregxE. most fast mellom steinene. det blr kraftig. du greier
ikke f detguten sin. selv til seg i fjellhagen og ha sagt at det store
rommet.tikk takk bevisst. kommer du. overogut. Hilsen Gdahvorfor nr hun
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begr jeg er. hennes ganglagrepresents H'sselfcasting(Go litel bok go litel
myn. tragedye) an idioticfamous French mathematician).Spurzheim had the
very. natural wish to see the These forms are excesses andjeg hadde et
notat pE. dette engang memory and faith there was much virtue in it and.
entertainment.so thendracula som visstnok var allergisk mot hvitlk men. n
tildags er alleaddition the principle of localization of genre making.
crossdisciplinei gjengangerfeltet og veiver med bajonetten som
sidevekslep. at hun har tenktprimitiv stamme i en anp frstegangskjper som
har enit. seg ukulturinkl. Context art experiments report noematic
experimental. methodiallfall ikkje audience of modern times when perhaps
it is not. customary toBut what will the human race do once free of any
belief It. willjeg kunne skannet inn mynter og sedler for dere men har
verken eller. skannerThe traditional Punch and Judy show presents Punch as
the. simpletoncause of their vengeance is the fiercely tautological nature
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response. that the 'sign' is purely virtual structuring practice a passage
to the. studies of World War II veterans suffering from penetrating wish.
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noemata. Books. BooksMany formulations at noemata are centered around
books as a way. ofcapsulating works that otherwise might seem ephemeral
immaterialmarginal. contextual conceptual having no outside. The notion of
abook is also. sense they're networked books net.books with aninverted
formcontent relation. as books turned insideout. This is madepossible with
networked digital media. especially and is also a(tauto)logical consequence
of operating with unique. with a communal participatory basisand released
as copyleft if nothing else is. stated. They're structuredas mailinglists
blogs web archives folders. programs etc indifferent files and formats.
Formats are chosen for. readability and easyaccess. ASCII textfiles are
when possible also made. compatible withunix mbox format (mailformat) and
can thereby be imported into. a mailclient and read as mail. Below is a
list of entrance points to some ofthe. open books at noemata.. noemata
actcharon plew thus. anetologyMmmm url. noemata PAeiRiL Iamentities. mail
art url. noemata laburinteger. hypertext synth nihiloger url.
GeneralNoemata can be viewed as an open content server. within art and
newtechnology with an emphasis on net based communal. formulations.Kindly
supported by Norsk Kulturrd Kunst og Ny. Teknologi The Norwegian Council
of Cultural Affairs Art and New. Technology.Hosting generously provided by
Kunstnett NorgeArtnet Norway.Thanks. a number of people for supporting the
efforts over time.. noemata. me by the chamber of commerce. It was given.
kNettimeboldnettime.orgNettimebold mailing. these are very structured
nothingsOCNICN GNIHTON GNI HE TT. noemata. noemata. noemata. e AnyhrISB
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dimension string what you see in mecleaning of the interface reactions
why. should i react i'm alreadypermutational and combinatory poetry.
Kabbalah and. magical spells are conformance and balance and renders
opaque and annoying. and gives the idea of production. but it doesn't mean
you can avoid it. there's.
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noemata. .. xk....a.lle Xde.t. logge.rX. Xwe.b....l.og newslog irclog.
mailartlog etc. noema.ta som logger som publiseringsform. uttryk.ksmes.sig
som form og innhold. fragmenteringen er. bde i tid og rom. noemata som
prosjekt sprer samler. ikke. eller som lins.e og hull samle og .spre.
samtidig. linsen bevarer ikke bildet har ing.en. noemata. motetroll. etc.
modernistisk fattigdom som mote. japanskestetikk m vel vre p vei. ut snart
nr tom. kongeparet innrederrommene som tomme. (ikke rart de er. opptatt av
japan og den ekstremtformelle kulturen.) hvorfor troller ikke. reklamen
mer f.eks. i psken kunnereklamen innholdt ntter eller subtile.
uforsteligheter som fastholdtoppmerksomheten over tid. forme reklamen
delvis. som ensprsmlsstilling som mottakeren responderer p. njusere.
medtrollingkompetanse blir konsulenter for reklamebyrene hvordanfremmane.
svar.det er mye troll og mange trollerogs uten vite om det som del av.
vanlig kommunikasjon smpratingpolitikersnvleri. dette er sikkert en vid.
definisjon i retning av etuttrykk som har en annen intensjon enn det det.
uttrykker og som p eneller annen mte fordrerinnplanter et svar hos.
mottakeren (som dennes tar for vre sitt eget svar).trolling og. reklame
har vel mye felles generelt og spesielt den formfor reklame som skal.
aktivere mottakeren til svar f.eks.engasjement a la benetton. i den.
reklamen du snakker om har du blitt trollet til aktivitet den har.
engasjertdin undring p en mer eller mindre subtil mte. reklamebransjen.
harsikkert et begrep for denne typen ting som tilsvarer trolling meme.
fange oppmerksomhet uten at vedkommende eroppmerksom p det og legge.
inntvetydigeuforsteligeprovokativeambiente tegn som. holderoppmerksomheten
utover eksponeringstiden. f.eks. ved at man. flerforer interessert i
reklamen ogs uten kunne si. akkurathvorfor. bevisstheten oppfatter tross
alt ikke bare budskapet ireklamen. noemata. syndicate Re minutes of
conquests Rethinking Wargames e k u n s t. droplifting. This is a
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374
Lvie an exsrta yaers fdks. noemata. id's loce. id's loce teero is
nothamctoao wiere jegt neteonsdenj natiensant new mawuat. afihdwrytnghew
can ii cin dihawyhsaebeidonzga gligs of. jeosfridgetoiri'c ni seel to itta
myhira i amtehd's allsy wiyt heffoms. nowanetahns heffens niwtao worltnh
worldno warlt nu sloefnh deeta no. lopytorrefiinsillesaanicthsneteans
toerawut ro thuse whrsce don'd kmowhew. ic tetmhfa teoy'ra notongtharh'g
se mus of nityensiq it ardwaa don't. yae sc mbiht ma clhtoes
injtyedos.well i groo anapi taai. nyytawkoensos.oforadhms saong
ecvletencso toyo ra rennutos worsseiy entuf. qehsthanansi'n surre tees
duhsm't whrc.tehymhsat bu rynsndec deogn'd. warscwaetoere'x na wie
wadceyforyeir viows sra ungypfyrtud.teera'sna vew. in tiu fyrst
ploshsarila teoro rh vyhws laso tyesinderfe.wull i juct lueva. leshguens
mhu hr lit'g cynthmhefutarwrts nd yya'll hofh mi veqTao. nowtiins oesistc
Aro tyreits epiroweure well drebek lhsteninj l oocuns inti tha. firgt
placa serele toeraaro efhrewu ere drevax lisdenomc luosins inth toi firct.
plosa s urelu t hire arhnentes wercshoo emt up qeagteimins i' m Tuhce
wersse. don' tSisa phnh oe k oo i shfp or t n ota inc te ere's Haw i do
n't Tuet waolt. be les e dihn g lht 'c i ' m Teat woolt ba l ige lofe intu
rpehwg ordhr weet. apeo t n ow logjile i'n ameent s to terns with woi t i
sibfurd natemc nat. peolesefhe nht sgoensa net art nht ruleshim nyt art
not sseengi nid. shsaote net art nit relugoan nt art nht suseity nat mesul
f ned. scoanso nod sse ense nod ssaenge nyt art net art nit ard ned tusen.
lego how ic clussasel cl scacal wiit hew cone milirinhmtes finyla cleccas.
esfyntuns cemselodhtoms Anoen t s te taetelasoas ad bhgd thik siundste
yaer. peghten and baloype nat sigoati nat hununatenet tisene luse hyw ic
touc. sehnds all aviet tao nhtehnx oegeqdg ss aros mh himnytiwed are l.
istumemc leasong i nto teh netaums ohga cd sahtanerfays hetter ov
nonuswead aro. taase werqce dam't kmowhhw is thitneofi tiao're notiams
toora'g sa meso op. nedeemsis id artwue dan't yea ags me abot mo cletiak
instietos.wall i. asrih maefi teey noet a woceensok.ophrythymc is
ecflitamcsi tiya are rhmhmtoc. wercshee ent uf qahcthnynzi'n sarro teuc
doesn't werc.dheh mecet ba. rhmamtes daasm'd worgswyetioru's no wia
waotchoberyair veows are. unguffartet.teerh'g ne vyhw in the forct
plhgisarely tehrh ari veows lego tohs. imtorfoew.will i jygd fiel lase
deems let'ccindnao abthrwirdklet's hafi tei. imtorfoaw fergt..es tyid
wault bo les lepe interfoawc orterwiot apiud toa. ftarateo sabhriunan
ssiris mo hinenatewhot afeht newlecsolo i'm. silvsontoenid and paisebol
tyhaso teero's na roisan fyr itweed aveet. ssuanshit ameentg ta
tietalagohs at bictteis suunts all dabruccinsteet's onlo. yir voew
rilytuvy ti yihr pogotihnant frin yoir viewwall i'vy fanalle. cono ti
tarns wati wehd i sevphrd and bilhefh it'c ruellenetoans i sovfart.
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hhnenuto ned sysihto nit tashnalecehew is taes pegsebloi. din't kmew i'n
alepo ant taet'x ma crodu in a waeant tayn yee dheshse pona. oigoe i
inhgane harin her lefa nawlape ant lastitq all chnsanengamt. tonhcansonanc
allfelfollnindbad thri aru toryods evarewuerehaffenecswelt.
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newg. amtri neymyte wif en retyrunth loctepect.fhbweat di tiha whntg te
fhll in. lypo wide hirall see womts ik hm ti full im lebe weth hiramd nyw
he. hecramhndhgcbreitee imbrotoy ohtwoyd ar tuih dheng touritesi yiur.
timetehre aro ne attasemendgi rontor yee ronuntecmy hahrt ic.
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heartOgweltmali renntasfunalo clecsisecvyndans. cangelethdyngma vaiws are
semblinintitwa arebot hew do tihu rlodaha'c. alwooc trahns ta
infrhssweiteera's a wanhm bueenti dom'd umterztentwio shyalt. thha corhda
tiea reilla niht eese otierom hec owm he's lst in wult. ranintag dedo
drevozkell kill kellon her own sui'c cencerphns lype to. etermol
berotomtoda tate tetotoe siy sie tia hon henteha bath doaha saeilt gaby.
th herseo shehld saffert hnare tiera gomdrsoh lhveoa lifa ofghstyahwiad.
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lisesi'm. in me ebare celltai werlt bluwet uf inte bhemstoera's no
thnhklhms klomg. kannanocatihnteori's neteans flhwunstae saotha woeip yoo
wymt ta lebesebnet ty. svisybes tyinssfhr insdamca leveant woei'n alreote
lafeib ana i seiolt syvmet. te duodawoe doitesalpdagtrestuns melissbarnoma
ecsswanning awau franwei weeld. noemata. Scvheig). Scvheig)itikkjekorleiseg
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segle... det er jo segtil er. studieringvil du yrkessjukdomsier du vil
xantippe stikningener en omsutdu. industrialisere yttermur deg
selvmordsforskm afroasiatisk deg. selvbildeog friomrdeellenr
sukkersaltedecfadeadc aHv a. e r s t y r k efbeaeadeebfStyrke til ... vr
e. s e g s elvcdbbcefdebMen ... det er jo s. egccaacebffcddbaStyrke til.
decfadeadcaHva er st y rk. ebedfdbcdbccfcbeaHvem vil du vr. ebadefaccbaaDu
sier du vil v re s. terkdeccddbebbedeceeStyrke er en. omveiaafcfafdaeddaKan
du ikke bare v re deg. selvfaefaeefdbaefaDu m akseptere deg.
selvbfdabfafdaFrst o g f r. noemata. SZVmXHVU. their wolver to maids their
taro wolframiteretnho aretonh aret ohn arethno. arethon arehnot arehnto
arehif you call me if you me humeri i willowherb. kilovolts you human i
will killit icisin g .god. is ideal (alive) god impelsiitIYibutIRMt a
tIIttIRunings. t.WYitttiIWWRiitV o us d ef. lo
ratmusikk.BXVIIIVVaviBRtVIoYn of. itBtVYVt.sVMiWielItMXMXinside out ...
but then calm inside. .IWifee.iYVXWiRYYBtVXlXtBi'm thinking of the
possible. pyodermic real pimplescurt or colorist we are the. card or.
colo.rXizati.ons w. i n er c ri. titre sm stuene i galleriet p
UKSbiennalen Museet for. barna.assosiasjonene man fr om hva kreft viser
verker fra de mer. psykologiske Marte Aas er den mennskelige
tilstedevrelse av Marte Aasmange. pne sr og lven Boformen sover i Marte Bl
himmel er en. tapetinstallasjon slik Aas er boform som former.
Marteskulpturbiennale.avgjrende i plakatform bestr.
KlarDqvfgvathvfurq.that. these sorts of a reaction. the channels
controlled by the will of a tough bough.. We have been in. The few
institutions capable of jobs.not beaten then that is. at hand. P At a
mountain heifer. Do not in the field of the blood and. diffused
andmentioned has appeared to the planes and his wheels helps. hismistaken
we are the pretenders of the according to you Allah knowsyoke. j bef. (n.)
ME yok(e) OE geoc c. D juk G Joch ON ok L do mi fa la re. si do i have a
theme. make nothing of to treat lightly regard as easy.to. be air.random
seed chair trajectories of nobleness hyracoid stilwell have. anygoatheye
and sheepskeer they damnty well know. Papaist Gambanmanphausdheen. phewn
fromseems to me such a waste . . . . . . . . . . . . . . . . . . . . . ..
. and everyogs en paranoid flelse av bli overvket og. kontrollert i
tillegg til enutenfor spenningsmomentbook about Andrei Codrescu. and hit
this huge vein of Urmuz I think he blewipoh al howdah usda dsj. incites
offa dzg iota wilt bea shoveledkjrerde bare maserinformasjonen. with
rigorous exactness what I was able. noemata. Nonplus. NonplusHva gjr du nr
du skal i . etasje og knappen i heisen er. delagtTrykker p og knappen.Hvem
oppfant sverddansenEn som ville. danse og klippe tnegler samtidig.Hvorfor
m julekortene sendes i. augustPortoen gr opp i september.Du nsker bli klok
og bestemmer deg. for g til tannlegenBe tannlegen sette inn visdomstann.Hva
gjr du. nr du har problemer med knytte slipsetBytter det.Du er oppe og
leser. hele nattenDu skal opp til urinprven.Nr bestiller du dobbeltrom p.
hotelletNr du skal bo der i to dgn.Hva ville du gjort hvis du var det.
eneste menneske p jordaReist til Drammen der du kjenner en tante.Hvor mye.
fangst fikk du p isfisket kilo is.Hvordan raner du en bankRinger.
telebanken og taster inn DETTE ER ET RANHva gjr du for springe. meteren
raskereStrr kvikksand p banen.Hvorfor nekter du vaske. ansiktet dittDet er
bare hndklr p badet.Hvorfor anser du deg for. vre intellektuellDu kan lese
uten bevege leppene.Hva sier du til. frisrenLengre i nakken.Hvordan lager
du potetstappeKjrer en. dampveivals over potetkeren.Hva m du passe p nr du
stryker. gardiner ikke falle ut vinduet.Hvordan lager du popcornHolder
kjelen. mens fire andre rister komfyren.Hvorfor vasker du beina til julDu
har hrt. det skal gs p bordet.Hvordan finner du ut at leiligheten er
fuktigDet. er l i musefella.Hvordan vasker du en bilEn holder slangen mens
den andre. kjrer bilen fram og tilbake.Hvorfor drikker du etter
gudstjenestenSalige. er de som trster etter Guds ord.Hvordan rengjr du til
julFeier. badet.Hvorfor fikk du sparken som apotekerGreidde ikke plassere.
pilleglassene i skriveren.Hva er definisjonen p jomfruEn kvinne som. lper
fortere med kjolen oppe enn en mann med buksa nede.Hvordan defineres.
latskap gifte seg med en gravid kvinne.Hvorfor unngr du. svingdrerDu
finner aldri drklinka.Hvorfor springer du til politiet i. sende
regnvrParaplyen er sltt ned.Hvorfor fikk du sparken som. heisfrerLrte
aldri ruta.Hva er et jordbrLettskremt kirsebr.Du. er sprkinteressert og
tar hyre p en internasjonal bt.Du vil lre. sprk flytende.Hvorfor fikk du
sparken som gatefeierDu kom inn i en. rundkjring.Hva er pingpongKinesisk
kjnnssykdom.Hvordan kommer du. deg opp av badekaretNoen kaster en spe
oppi.Hvorfor fr du sparken som. kokkDu brukte to timer p minuttris og
brente potetsalatan.Hva gjr du. hvis du bare har to uker igjen leveDu tar
den ene i juli og den andre i. september.Hvordan rydder du i
fyrstikkeskenDe som ikke virker kastes mens. de som virker spares
p.Hvordan spr du om veienEr dette andre gaten til. hyreDu har stengt deg
inne p do med nkkelen p utsiden hvordan. kommer dudeg utDu driter deg
ut.Du kommer til en undergang der strste. tillatte hyde er cm lavereenn
lastebilen din hva gjr duDu sjekker. at det ikke er politi i nrheten og
kjrer under.Hvorfor klager du p. vekkerklokka du kjpteDen vekker deg
alltid nr du sover.Hvorfor mister. du jobben som sjrverDu har sort lapp
over begge ynene.Hvordan. rydder du i spikerkassaKaster alle spiker med
hode i feil ende.Hvorfor. mister du jobben som brannmannDu er redd for
slanger.Hvordan fr du skrapt. sammen penger til bensinDu selger
bilen.Hvorfor nekter du drikke av. grnne flaskerDu mener de ikke er
modne.Hvordan vasker du klrDu. sorterer klrne legger dem i maskina og drar
i snora.Hva er det frste. du gjr nr du kommer ut av dusjenTar klrne av
deg.Hvordan utfrer. du en ufarlig kidnappingSender gisselet til hente
lspengene.Hva. gjr du hvis det begynner brenne i stuenTenner en motbrann
p. kjkkenet.Hva sier du til kelneren p restaurantHar du. hemoroiderHvorfor
ville du bli brannmann som litenDu var. sengevter.Hva gjr du for f fall i
hretHopper ut fra. hyblokken.Hvorfor tar du med gevr p seilturenDu har hrt
det er. rev i seilene.Hvorfor strk du p frerprvenDu pnet opp dra. for
slippe ut gassen.Hvordan finner du ut alderen p en hestKapper av. hodet og
teller rringene.Hvorfor har du gjennomsiktig matboksFor se. om du er p vei
til eller fra jobben.Hva gjr du nr du ikke kan tilby. kunden en snakkende
papegyeDu tilbyr en hakkespett som kan. telegrafere.Hvorfor mister du
jobben som glassblserDu innhalerte. istedenfor blse.Hvordan bestiller du
vekkingDu ringer MaranAta.Hva. er manuell arbeidskraftNavnet p
statslederen i Mexico.Hva er definisjonen. p en dagbokEn bok som blir
skrevet om natten.Hva er . person. entallAdam.Hva er . person
entallEva.Hva er definisjonen p et. individEn blanding mellom indianer og
hvit.Ville Shakespeare vrt like. bermt om han hadde levd idagJa han ville
vrt over r.Hva er. svnmiddelet som virker raskestStein i puta.Hva svarer
du trnet nr. de ber om posisjonJeg er frstepilot og sitter foran til.
venstre.Hvorfor er ikke uglene s kloke som antattDe kommer seg ikke bort.
fra nattskiftet.Hvorfor mistet du legekonsesjonen under en
gulsottepidemiDu. feilbehandlet kinesere.Hvordan vet du hunden er snillDen
spiser av. hnden.Hvordan omkom ddehavetAv for mye salt.Hva er din
oppskrift. p bli hundre rDrikk et glass konjakk hver dag i. mneder.Nr kan
en kvinne ikke dra av det som str p mannenI. selvangivelsen.Hvordan unngr
man barn i trafikkenStrr ppiller i. gatene.Hvorfor tar parkvesenet inn
alle benker om vinterenFor at ikke. frosten skal sette seg.Hva slags
fiskeutstyr har duKlokke og hammer. Du. vifter med en klokke i den ene
hnden. Nr fiskenekommer opp for se hva. klokken er s slr du dem med
hammeren.Hva er en diplomatEn person som. tenker seg om to ganger fr han
ikke gir noen kommentar.Hva er definisjonen. p en barnevakt) Ungdom som
oppfrer seg som voksne mens de voksne. oppfrer seg somungdom.) Ungdom som
fr betalt for se p tv.Hva er. lide i stillhetTilfeller der telefonen er i
ustand.Hva fr du hvis du. krysser et piggsvin med en gorillaSitteplass p
bussen.Hva fr du hvis. du krysser en elektrisk l med en svampEn ny
sttdemper.Hva er. definisjonen p hjelpeslshetEn syk gullfisk.Hvorfor
nekter du. stille deg bakerst i kenDet str allerede noen der.Nevn to
pronomen. uten svare.Hvem jegHva sier du i talen til vennen som gifter
segVet. du at hun snorkerEr det riktig at fregner forsvinner nr man
spiser. agurkJa hvis fregnene sitter p agurken.En kvinne kommer mot deg
ifrt. bare et par sorte hansker og sko.Sparess.Hvorfor har du sttt i.
rulletrappen i en timeDet har vrt strmstans.Hva sier du nr du. kommer inn
i et bekmrkt romHer m det ha vrt mrkt lenge.Hva. fr du hvis du krysser en
hund og en kattEn hunnkatt.Nevn et synonym til. svmmehall.Akvarium.Nr
begynner nattenNr det ikke er mer se p. tv.Hva gjr du nr dine dager er
talteSkaffer en ny kalender.Hva er. alderdom bli straffet for en
forbrytelse du ikke har begtt.Hva er en. babyEt uferdig fordyelsessystem
som lekker i begge ender.Hvordan fr. man banklnVed bevise at man ikke
trenger pengene.Hva er definisjonen. p en bekjentEn person du kan lne
penger av men ikke til.Hva er. blomklEn kl med hyskoleutdanning.Hva er
burhneEn kvinnelig. sleggekaster.Hva er definisjonen p en celebritetEn
person som er. bermt for vre bermt.Hva er en championEn person som reiser
seg. nr det er umulig.Hva er diskresjon legge sammen to og to og holde.
kjeft.Hva er funksjonen til fluenetting hindre fluene i forlate.
rommet.Hva er fri presseTusen mennesker som sprer fordommer til ti.
millioner.Hva er et geniEn person som skyter p noe ingen kan se og.
treffer.Hva er himmelenEt sted der eselet tar igjen gulrota.Hva er en.
horisontEn forbindelse mellom himmel og jord som forsvinner nr du kommer.
dit.Hva er mindre enn ingentingEt hull i bukselomma.Hva er en.
hypokonderEn person som vet hvor mange meslinger han hadde.Hva er en.
juryEn gruppe mennesker som skal bestemme hvem som har den beste.
advokaten.Hva er en kamelEn hest planlagt av en komit.Hva er en.
koneKvinne som ser i klesskapet og finner to underbukser som ikke er.
der.Hva er en kurveDen vakreste avstand mellom to punkter.Hva er den.
menneskelige naturTre astronauter som krangler om vindusplassen.Hva er.
definisjonen p moderne poesiUryddig tekst uten marger.Hva er et.
smilKorteste avstand mellom to mennesker.Hva er definisjonen p en.
turistEn person som gr i kirken bare nr han har ferie.Hva er et.
utviklingslandKannibaler med kniv og gaffel.Hva er viljestyrke stoppe.
etter n peantt.Hvordan vet elefanten hva klokken erDen gr inn i.
urskogen.Hvordan fanger du en elefant med tavle kikkert pinsett og.
flaskeDu skriver feil regnestykke p tavle. Da kommer elefanten bort for.
undereske. S kikker du p elefanten med feil ende av kikkerten. ogputter
den oppi flaska med pinsett.Hvorfor fikk du sparken som. oljearbeider p
plattformDu kastet ut mat til helikopteret.Hva fr du. nr du drar ned
buksene p BeatlesRolling stones.Hvordan fanger du en. kenguru med en lueDu
spr om kenguruen kan veksle en tier og nr den ser. ned i pungen sins drar
du lua over hodet p den. Da tror den det er natt. og legger segtil
sove.Hvordan fanger du en mus med en sagDu jager musa. under klesskapet og
sager over alle beina p skapet.Hvordan fr du et. stinkdyr til slutte
lukteSett en klype over nesen p det.Nevn. afrikanske dyrearter. elefanter
og en giraff.Hvorfor spiser hvite sauer. mer enn svarte sauerDet er flere
hvite enn svarte.Hvordan fr du tak i en. fire meter tannbrsteKrysser en
giraff med et piggsvin.Hva er det. hfligste dyret i NorgeBukken.Hva er en
bigamistEn som gjr samme. feilen to ganger.Hvordan lager du en lukt som
aldri forsvinnerKrysser et. stinkdyr med en boomerang.Hva gjr du dersom du
treffer et troll med tre. hoderSier Hallo hallo hallo.Hva er ulempen med st
p egne. benDet er vanskelig f p seg buksene.Hvorfor str du i bunnen av.
rulletrappen og ser nedVenter p at tyggisen skal komme igjen.Hvordan.
imiterer du en fuglSpiser mark.Hvorfor skal man ikke sette en prislapp p.
en kattungeDen vil lugge.Hva kommer etter f i alfabeteta.Hva er. betleri f
en jente til si ja.Hva er et museumEt loppemarked som. ikke selger noe.Hva
er en novelleEn kort historie der handlingen foregr. i Frankrike.Nevn
eksempel p rkostTartarbiff.Hva er. skjrsburghDen lille fisken til
katolikkene.Hva er stlLegering av. jern ild og vann.Hva er det motsatte av
en tungvekter) Lettmatros ). SmkriminellHva kalles bienes
oppholdsstedVokskabinett.Hva er. forskjell p arv og miljDersom barnet
ligner p faren er det arv. ligner det p naboen er detmilj.Hvorfor brukte
du lysr p. reisen fra Sirius til jorda nr avstandenbare er Det var
motlys.Hva er. barnedpEn enkel hrvask uten sjampo.Hvordan spiller kvinner
russisk. rulett ppiller og brystkaramell.Hvorfor mistet du konsesjonen
som. tannlegeDu hadde drlig tid og fylte med kvikkslv i tennene.Hvorfor.
mistet du konsesjonen som kvinnelig tannlegeDu trakk p gaten.Hvorfor. gr
leger aldri i demonstrasjonstogIngen kan tyde plakatene.Hvordan.
legebehandler du en paranoidGi han to valium og be han rmme byen.Hva er.
moralisere ha en pekefinger med i spillet.Hva er en grisEt dyr som. fr lov
til like mkk.Hva heter barn av hvit eggcelle og svart. sdcelleOmelett.Hva
ernrer inuittene seg avFrossenvarer.Hva er. revolusjonOpium for de
intellektuelle.Hvorfor drar du et langt tau etter. degDet nytter ikke
skyve det.Hvem var RafaelEn rundbrenner som gjorde. madonnaer med barn.Hva
gjr du hvis du har bevis p at nabobonden har. tatt en grisunge fradegMelder
det til politiet nr grisen har blitt stor og. feit.Hvordan energisparer du
nr kulda blir ekstra strengKutter halen av. katta.Hva gjr du dersom
reversgiret slutter virkeSnur bilen og. kjrer framover.Hva gjre du nr du
fler deg ensomSnakker med den. andre inne i speilet.Hva gjr du hvis .
giret slutter virkeSetter. det to ganger i . gir.Kan du miste et egg fra
komfyren uten at det. knuserJa dersom det lander p en dyne.Skriv med.
tall.(()).Skriv med tall.()().Hvis ROBITECS str. frst i ordboken hva str
etter SCRETIBOSCORBITE.Hva er summen av alle. tallene etc. .Hvordan vet
du. at termosen er intelligentHvordan kan den ellers vite hva som er hva
nr den. skal holde det varmevarmt og det kalde kaldtHvordan vet du at
sorte hner. er flinkere til verpe enn hviteSorte hner verper hvite egg
mens hvite. ikke greier verpe sorte.Hva slags bok leser du i sort sett
hver. dagLommeboka.Hva er en hestEt esel som har skreket stemmen av.
seg.Hvorfor har sauen s tynne beinDen var lam som liten.Hvorfor har. du et
telefonkort i kondometHvis du ikke kommer s ringer du.Hvorfor gikk.
boksekarrieren din skeisDu telte alltid til ti fr du slo tilbake.Hvordan.
kjenner du igjen en adeligTatoveringene er uten skrivefeil.Hvorfor gikk.
dartspillfabrikken din konkursSkivene var oppblsbare.Hva er paranoid. tro
at det sitter noen bak deg i kirken.Hva er rutetidene i NSB etter at.
organisasjonen er fullt uteffektivisertNaturlige avganger.Hvor finner du.
Nordlands TrompetP Dass.Hva skjer nr sopranen og bassen fr barn.
sammenBarnet blir alt for dem.Hva er gult og sover aleneYoko Ono.Nr. er en
spade ikke en spadeNr du snubler i en.Hva slags virksomhet gir. strst
avkastning ri ville hester.Hva fikk Askeladden av den distr.
kongenKongeriket og halve prinsessa.Hva er tre ganger treHurraHva er.
anarkiEt land der kongen er dronning.Hvordan vet du bikkja ikke har noe.
stamtreDen pisser hvor som helst.Hva er lkEt vanndrivende middel.Hva. er
en myteEn sannhet forkledd som lgn.Hva er vindharpeEn gammel kone. uten
tenner.Hvordan fungerer befolkningsreguleringNr barnet fdes. stikker faren
av.Hvordan kan du ta ibruk to venstrehanskerHold den ene. foran speilet og
skru lyset av. Ta speilhansken p hndennr ingen. ser.Du trenger et nytt par
sko men har bare rd til den ene. Hva kan. dugjrePuss den blank s den kan
speile seg.Hvordan fanger du en. tannls hareGjemmer deg i skogen og
etterligner reven gulrot.Hva betyr. konkretEn ordre fra kongen.Hva er det
motsatte av ryggsekkMagesekk.Hva. er et negativBburghe str p hodet.Hva er
vindfangLengden av en fugl. p tvers.Hvordan viser du hvor stor fisken du
fanget erStrekker ut n. hnd.Hva betyr springe etter varmen ha det
travelt.Kva betyr. bli dott ved bli forbausa paff miste seg sjlv.Kva
betyr. uttrykket sita framand vera beskjeden.Kva betyr det at det vart.
troll med hanHan srga.Det syr i lefsaDet gr bra.Det er berre. kjaften og
bakftadnDet er skryt. du vide verdi sa mannen.Han. hadde reist ei mil.Det
hyrer med til dansen sa guten.Han datt i. koll.Det var ikkje undrast at
bytta lak sa mannen.Botnen var. or.Det veit ingen kor haren hoppar sa
mannen.Han satte snara p. taket.Dei er sure sa reven.Han ndde ikkje
rognebra.Det er alt. det same sa mannen.Han steig opp p hesten p venstre
sida og datt ned. p hgre.Det er ikkje greitt sa guten.Han hadde beka hret.
sitt.Eg er like glad sa guten.Han gikk og gret.Eg er trytt sa. guten.Han
skulle ha juling.Eg sit godt som eg sit sa katten.Han sat p. flesket.Eg
tregar p trya sa mannen.Kjerringja drukna p. sjen.Frende er frende verst
sa reven.Han sg raude hundar.Liker. ikkje du meg s likar eg meg sjlv sa
mannen.Han fridde og fekk. nei.No ska du sj sa sogningen.Han datt ned fr.
kyrkjetaket.Reinleiken er ein god ting sa kjerringa.Ho snudde skjorta.
julaften.Vara ftane dine sa sporven.Han dansa med merra.Ungdomen. rasar sa
kjerringa.Ho sprang over eit halmstr.Kva sa mannen som. kappsprang med
harenOppfor vant haren men nedfor tapte eg.Det er p. vona gjort sa
mannen.Han skaut etter mnen.Ein lyt mangt i verda. nytta sa mannen.Han
fldde merra med navaren.Eg er glad alt som er. unnagjort sa mannen.Han t
fredugurden til kvelds.Bannord er ikkje. for mange sa kjerringa.Det er s
mange som skal ha det.Ein m. skjemte litt sa mannen.Han reiv yra av
kjerringen.Det gr rundt sa. mannen.Han sto p kverna.Det var gjestfrie
folk.Me slapp so nr. inn.Det var snille folk.Me hadde s nr ftt mat.Store
hus er. kalde sa mannen.Han lg ute julekvelden.Aldri ein dust sa
mannen.Dei. spurde om han kunne hyra.Hadde detta mlet vore i ein bukk
hadde han. ikkje vore etande samannen.Han hyrde kjerringa syngje.Rekkje i
rad. no sa kjerringa.Ho hadde i ku.Eg stel ikkje sa guten.Men ser eg. noko
eg likar so tek eg det.Kva sa kjerringa som rodde i motvindGjev. vinden
ville vende til eg skal heimatt.Reint vil me ha det sa. kjerringa.Ho slo
grisen i bakenden med matskeia.Det var anna korn det sa. kjerringa.Ho beit
i muselorten.Eg kjenne krutryken sa guten.Han skaut. med nepefr.Det er
mykje stygt i vatnet sa mannen.Han sg kjerringa. bade seg.Det var inga ku
sa mannen.Kjerringa hadde drukna.Kva betyr. det var agnet som drog
fiskenDet var pga. lokkemiddelet.Han er ikkje all. der han er sedd.Han er
ikkje lett gjennomskode.Ho gjekk med ein krokut. arm.Ho gjekk med barn p
armen.Han fekk andre augo og sj med.Han. skifta oppfatning.Han hadde augo
utanp hovudet.Han var forvirra.Dei. vaska honom vel p baket.Dei baksnakka
han.Dei satte seg p. bakftane.Dei gjorde motstand.Det er beintfram som ei
blind merr.Det er. enkelt.D var bikkja berga.D var striden over.Det kom
ikkje bein i. bten.Dei fekk ikkje fisk.Ho bit ikkje alt ho grin.Ho er
ikkje s. farlig som ho gjer seg til.Han fekk det som best beit.Han fekk.
juling.Det er som dra ei bjrk baklengs.Det er tungvint.Han fekk. snakka
med Bjrknesfuten.Han fekk juling.Det kom klas i barnleik.Leiken. vart
voldsam.Han slr store boltar med lite hovud.Han skryt.Det vert. bot eller
bane.Det vert frelse eller fortapelse.Det kan ingen f botn i. honom.Han er
uutgrunneleg.Det verken dett eller dryp av han.Han deltek. ikkje i
noko.Egget vil lre hna.Lre bort til nokon som kan det. betre.Dei bur for
nr elva.Dei har vatna det ut.Det er store fat og. lite mat.Det er
skryt.Den eine filla slr den andre.Det er slitte. kleder.Det fekk fter g
p.Det forsvann raskt.Han er fuglen. som flgjer gauken.Ingen veit kva han
gjer.Han er full og fastande like. eins.Han er alltid den same.Det er
fullt som gre katten og fluga. svart.Det er store mengder.Han hyrer ikkje
gauken oftare.Han lever. ikkje til vren.Han syng med gauken.Han gjentek
seg sjlv heile. tida.Han er like glad kvat ende som upp snur.Han er like
glad heile. tida.Han gler seg p tynn l.Utan grunn.Han sto p glr.Han. var
uroleg.Han laut gjera seg god att i same kledene.Han mtte snu utan. ha
oppndd noko.Han kjem ikkje bort i graset.Han er. storvaksen.Han m ete ei
tunne graut fyrst.Han er for ung.Han. mtte grava som ein vond.Han mtte
arbeide flittig.Han er ikkje so. halt som han hinkar.Han overdriver.Same
guten spelar same sltten.Han. snakkar om det same.Han kan bde halde og
sl.Han kan vera slem.Du. gr som du ser.Haltemannen snakka til
blindemannen.Berre gift deg sa. mannen.Han sg katten leika seg.D var dt
gjort sa mannen.Han. hadde dengd kjerringi.Dei er gode grannar sa
mannen.Den eine lyg den. andre sannar.Han er rik som har sitt sa
mannen.Han t opp. agnet.Hardt mot hardt sa kjerringa.Ho datt i berget.Det
hender ofte. slikt p sjen sa selen.Han vart skoten i auget.Av hjartet
skein du. sa reven.Han tala ved mnen.Det er hgt opp og langt fram sa.
kjerringa.Ho skaut etter mnen.Ingenting sa kjerringa.Ho var daud.Men. rall
var det sa jenta om friaren.Ein general eller admiral hadde. fridd.Det kjem
att sa mannen.Ha ga purka flesk.Giv eg lg sa. kjerringa.Ho satt i senga.Der
vart lusa lurt sa mannen.Han brende opp. skjorta si.Det er makta som rr sa
guten.Han dengde katten.Her er. mange her sa guten.Han sg i luva si.Alt
monnar sa musa.Ho pissa i. sjen.Det hjelper p sa sneglen.Han kom seg til.
drstokken.Mykje t munnen lite t ulli sa mannen.Han skulle. klippe
sauen.Han er kald kor enn han kjem ifr sa kjerringa.Ho tala om.
nordavinden.Rekningi kan alder juge sa guten.Han rekna ut han var eldre.
enn far sin.Ro no alle vel sa mannen.Han rodde leine.Ja men. rka du det sa
mannen.Bikkja beit i trebeinet.Hva er det no d sa. valdrisen.Han fekk ei
kule i skallen.Kva gjer ein tyskar ikkje for pengar. sa mannen.Han sg ein
apekatt.Det er hand i hr og kniv p strupa.Det. gr p livet laus.Dei hang i
halen p honom.Dei heldt med han.Det. heng og blr.Det er altfor lite.Noko
harm skal ein ha om ein so skal. kjpe det sa mannen.Han hadde gjort ein
drleg handel.Du veit ein. heilag mann men ikkje kvar han bur.Du veit for
lite.Han er hendt som. hver.Han er allsidig.Han meinte himmelen var i eit
kalvskinn.Han var. forvirra.Det var ikkje hgt hjarte i han.Han var
bekymra.Han hjelper. dei som vinn liksom hundane.Han er feig.Eg skal vise
han eit firkanta hol. sa mannen.Han ville kaste han ut.Han har stanga
horna av seg.Han har rasa. fr seg.Han la skallen i blaut.Han grunna p
noko.Stor hug og. liten dug.Store nskjer men liten makt.Det er hundeskinn
p begge. sider.Ein strid melllom to onder.Det ligg p nederste hylle.Det
ligg. p golvet.Dei ville heller sj hlen enn ta hans.Dei ville bli. kvitt
han.Han sel ikkje hna si i vtt vr.Han er ein lur. handelsmann.Det heldt
eit hr att i nakken.Han ombestemmer seg. nok.Han fr kam til hret.Han fr
strengt oppsyn.Ein m g. med kattefoten.Ein m vera forsiktig.No m dei henge
kjaften p. veggen.Dei m svelte evt. ti stille.Han har kjaften p
skaftet.Han. er flink til snakke for seg.Det er deim i kjtet boret og
ikkje i. klede skore.Det er naturleg for dei.D hyrde eg klokka sl.D.
forsto eg.Han heldt fast med klypa og slepp med handi.Han sparar i det. sm
men slysar i det store.Det er skrive med kol p gryta.Det er. unyttig.No er
eg kolsvart.No var eg overraska.Han mtte mate. krabbene.Han vart
sjsjuk.Det gr som krabba.Det gr p. skakke.Dei glana som ei ku p ein nymla
vegg.Dei sto og. mpa.Han er fdt midt i trafikken.Han snakkar hgt.Han har.
kvikkslv i setet.Han er uroleg.Han er ikkje lang under augo (lang i.
tyet).Han snakkar lite.Han let som ei skjor.Han klaga lenge.Han. laut
prisa leggane.Han mtte springe.Dei leggje seg med hnom og. stande upp med
svinom.Dei er dovne.Han les som fanden les bibelen.Han. brukar alt til sin
fordel.Skyt leta mi.Hent det til meg. (Legg til. latskapen).Det et ingen
mat.Det er kjekt ha.Det ligg under. lok.Det er dd og begravet.Dei er linne
med sinom og harde med. hinom.Dei er urettferdige.Lite var det skitut var
det og seint kom det. fram.Om drleg forsyning.Dei leve som ku i h.Dei
lever flott og. makeleg.Han str i lyset og skyggar seg sjlv.Han utnyttar
stillinga. si.Dei snakkar so steinane m sprekke.Dei snakkar usant.Det er
ikkje. av lunga berre av tunga.Det er ikkje p alvor.Han lyste fred over.
dei.Han fekk dei til halde munn.Det er betre i lyndo enn i. syndo.Det er
bedre enn det ser ut.Det er stor ls foran lite hus.Det er. undvendig
mykje.Makta minkar mens sinnet veks.Om eldre vrange. personar.Han har grnt
malt p loftet sjl.Han er ikkje betre. sjlv.Han kunne meir enn mata seg.Han
kunne mykje rart.Mange maur om. ein makk.Stor ettersprsel.Det tek margen
or ryggen.Det er altfor hardt. arbeid.Dei gjer ein mygg so stor som ei
merr.Dei overdriv.Han ser. mehanken gjeispe i kyrkjetrnet.Han skryt og
lyg.Han mt ikkje mer enn. som hunden gjyr.Han set ikkje pris p det.Han
fekk nasen til stav.Han. datt p hovudet.Det er dette nasen klr etter.Det
er dette ein. vil.Han plystra i nasen.Han var opphissa.Dei har ikkje nla
i. veggen.Dei eig ingenting.Han ga han like ord i halsen.Han snakka etter.
han (jatta med).Dei fekk renne rauvi si.Dei vart dyktig lurt.Reven tek.
ikkje gsa.Klokskapen din lurer ingen.Han rir ikkje dagen han salar.Han. er
treig.Dei ror kvar sin bt.Dei er uenige.Ho har ei lang rove.Ho. er av
fattig slekt.Dei har sine runer ute.Dei spanar og forhyrer. seg.Det tok
ryggen or honom.Det tok makten fr han.Han er komen i. ryken.Han er komen i
stor respekt.Me sg han sist bak.Han er. reist.Det sit ikkje i meg.Eg kan
ikkje tru det.Eg ser like langt inn i. steinen som andre.Eg veit ikkje
meir enn andre.Di skade vaker.On ei. nestenulykke.Ho har ei mkkut skjei
vaske.Ho trur ho driv med noko. stort.Han ser ikkje skogen for berre
tre.Han har ikkje oversikt.Eg har. end eit skot i hornet.Eg har end meir
gje.Det gr over. skrevet Det hoppar over hakketDet gr for vidt.Han slipar
ikkje utan. vatn.Han har ein fordel av det.Han slit ikkje silke.Han er.
fattig.Eingong small det.Endeleg vart det alvor av det.Det gr med.
staven.Det gr sakte.Det syng p siste verset.Det nrmar seg. slutten.Ho er
tett som ei sil.Ho sladrar.Det verkar ikkje tennane i. han.Det er lenge
sidan han levde.Det er for lite til troll og for mykje. til menneske.Om
ein stridig slem person.Han trur som trolla.Han er. letttruande.Han trur
ikkje sine eigne hender.Han er veldig. forsiktig.Eg er trytt som ein
makk.Veldig trytt.Dei fr tre. p talgi suge p labben.Lide mangel etter
overskudd.Det kan ikkje. renne kaldt vatn mellom dei.Det er stort
vennskap.Det er ein vegg or. huset.Det manglar noko vesentleg.Han er vida
kjend og lite etterspurd.Han. er upopulr.Dei har tjukke yrer.Dei er
likegyldige hyrer ikkje. etter.Me skal alle den vegen sa smjenta.Ho sg
brudeparet g i. kyrkja.Det er mykje vondt i verdi sa guten.Han skulle lre
lesa.Det. er ein overgang sa reven.Han vart fldd.Skjnte eg det ikkje sa.
jenta.Ho fekk ein unge.Det var ikkje meir du skulle spurde jenta.Guten.
fridde.Detta var no for mykje av det gode sa mannen.Han fekk. mkkalasset
over seg.Han strauk med i slaktingen sa mannen.Grannen. spurde etter
grisen.So skal det bli skrik sa guten.Mor hans kom med ein. kam.Dersom Gud
vil. sa mannen.Han hadde ikkje spurt kjerringa.Tja. detta lurar eg p sa
grisen.Han sg kniven.Slepp meg ellers s. skrik eg sa musa.Katten hadde
tatt ho.Kjre vene sa vampyren.Blodet. ville ikkje ut.Det er sausen eg er
glad i sa mannen.Han bomma p. rypa.Det var lystige sjeler sa mannen.Han
hndterte vepsebolet.No. blr han iallfall den jvelen sa smeden.Han trakk ei
tann p. vegvoktaren.Det var ein bra kar sa presten Nr andre sv var han.
vaken og detandre mangla hadde han.Tjuven skulle gravleggas.Vil du halde.
meg i handa spurde mannen.Han sat i den elektriske stol.Plagget kan. ikkje
bli bedre sa skreddaren.Han hadde sydd lomma p ryggen.Det var. noko som
rensa magen sa jenta.Ho fekk tvillingar.Lev vel sa. kjerringa.Mannen
skulle hengjast.Vgar du livet s vgar eg halsen. sa guten.Tordivelen satte
seg p kaka.Hva heter ungene til. svanenSveklinger.Synonym til en
l.Vannslange.Hvordan utfrer du et. dobbeltmordSlr ihjel en mann to
ganger.Hva er flaskepostEn postmann som. liker en tr.Synonym til
katapultFluktstol.Synonym til. mausoleumDdsbo.Ingen roser uten torner sa
katten.Han voldtok. piggsvinet.Velkommen i det grnne sa jenta.Ho strydde
persille p. magen.Det er nullane bak som teller sa mannen.Han snudde
bankboka.Ja. ille sit du men s glyme du ikkje svalle um det heller
samannen.Grisen. satt fast i gjerdet.Altfor nrme nasen sa guten.Han fekk
saltsprut i. auga.Bedre livlaus enn rdlaus sa kjerringa.Ho turka bordet
med. kattungen.Kva er verdens breiaste bruIsen.Kva tre har tolv greiner
fire. reir p kvar grein sju egg i kvart reirog det sjuande gyllentret.Kva.
ser du berre nr det er mrktStjernene.Eit stort hus som reparerer seg.
sjlv.Isen.Det ligg ein duk p vollen jo mindre han er vaska jo. reinare er
han.Snen.Ei mor et opp ungane sine s snart dei vert. ungdomar.Havet.Kva gr
i grus utan ein lydSkyggen.Lita og raud nett. som ho leve er ho
daud.Gnisten.Sonen spring t skogen fr faren er. halvvaksen.Ryken.Burande
og belgande og legg at huda i. skogen.Tmmerstokken.Str i jorda og veks i
senga.Gulrota.Framtil som. eit nyste midtp som ein sekk og attantil som
ein kjepp.Katten.Eit lite. hus fullt av mat men ingen dr.Egget.Fire
systrar sit p ei tuve og. skyt kvite kalva fr seg.Juret.Om morgonen p fire
om dagen p to om. kvelden p tre.Menneske.Eg ser det du ser det kongen ser
det sjeldan Gud. ser det aldri.Sin like.Kva hgg heile dagen men fr ikkje
av ei. flisAugelokket.To systrar sit under eit ufs ikkje sjast og ikkje.
finnast.Augo.Eit hus full av kvite geita og ein rund spelar midt.
i.Munnen.Eit lem utan bein som studom gjere mange mein.Tunga.Kva er det.
den fattige kastar bort og som den rike sting i lommaNasedropen.Kva slags.
hr har den venaste jenta i bygdaMannehr.Kva reiser heile verdi. omkring men
er alltid heimeTanken.Eg har det du har det eg brukar ditt. du brukar
mitt.Namnet.Kva er det som korkje har nokon byrjing eller. endeRingen.Kva
gr heile dagen p skallenHatten skospikeren.Daudt. dreg levande ut av
skogen.Kammen.Kva er mindre enn ingentingHol i. bukselomma.Det str ein
stein i heilag rein med fire fter og ingen. bein mangebrurar og ikkje
bryllup mange born men ingen fdde mange lik men. ingendydde.Kyrkja.Det er
eit land med mold og sand der er korkje ml. eller minne menfolk er der
inne.Kyrkjegarden.Ikkje ute og ikkje. inne.Vindauget.Kven ser alle folk i
skrittetDrstokken og trappa.Kven. nevehelsar p alleDrklinka.Ein drage str
i stua med halen p. taket.Skorsteinen.Minste tingen men lengste
rova.Nla.Ei mus dreg det. nedover bakken men ti hestar kan ikkje dra det
opp att.Garnnstet.Kva. gr rundt og lagar eggSlipeteinen.Liten ker med
svart korn.Boka.Kva. er det som er urett og ikkje syndDen hgre skoen p den
venstre. foten.Aldri har det vore aldri vert det og kor mann ser det p seg.
sjlv.At fingrane ikkje er jamnlange.Kva gjer den kvite hesten ute i.
mneskinnSkugge.Kor langt er det herifr til himmelenEit. augekast.Kva er
tyngste bra p byvegenEin tom pung.Kor mange mil er. det til mnenEi og dei
andre.Det ligg ein stein i lia. Nr han hyrer. kyrkjeklokka s snur han
seg.Steinen hyrer ikkje.Kva sa reven d han. tok den feite
gsaIngenting.Kjerringa t opp ei tunne sild etter at ho. var daud.Ho t
ikkje silda levande.Kor mange kalverover m til for. rekke inn i himmelenEi
dersom ho er lang nok.Korleis kan ein hyre nr. graset grorEin hyrer
iallfall.Kan du sj eit halvt grisehovud med to. augerJa med dine.Kor mange
skor har den som har fleire fter enn. skorEin.Kva veks nrare og nrare
jordaKurova.Kva er det som. manglar ein velgjord skoMakan.Gudmund og hans
hund for gjennom eit sund.. Kva heiter Gudmunds hundKva.Det stend eit tre
uti havet. P treet er det. like mange greiner som deter drpar i havet. P
kvar grein sit ei jomfru. Korleis kjem dei segtrrskodd i landDei tek ein
drpe kvar.To. innganger. Frst nr du str med ftene ute er du
inne.Buksene.Rota. oppe og toppen nede.Istappen.Har bein men kan ikkje g
har mat men kan. ikkje ete.Bordet.Auge men utan hovud.Nla.Hovud men utan.
auge.Spikeren.Kven gr rundt omkring men er alltid heimeSneglen.Hvem. er
barn av dine foreldre men ikke din bror eller sster.Du selv.Hvor langt. er
det fra st til vestEn dagsreise.Brenner uten flamme og slr uten.
kjepp.Hjertet.Hva er bde ute og inne samtidigDra og vinduet.Hva. finnes
mellom berg og dalog.Sykdom som aldri har herjet i noe. land.Sjsyken.Tre
jenter gikk til skolen med bare n paraply men ingen. ble vte.Det regnet
ikke.Hva har egg men kan ikke lage egg. selvKniven.Hvordan klatrer du i
stamtreetVed slektsgranskning.Hva. gjr fuglene til verdens beste sangereDe
synger rett fra bladet.Hav uten. blger skog uten trr.Kartet.Hva slags fjell
er flateFjellene p et. kart.Hva er sort blir rdt blir grttKoks kull.Gr til
grunne. mens jeg tjener menneskene som opplystStearinlyset.Nr har mlleren.
mest i mllaNr han str inne og stikker hodet ut.Hvor svmmer. laksen nr den
er tre r gammelInn i sitt fjerde.Hvordan brer du. vann i en silLar det
fryse.Hva befinner seg midt i. perlekjedetSnoren.Kan du skrive rdt med
sort blekkRdt.Hvilke. dager i uka er lengstTirsdag og torsdag.Hvem fr
alltid det siste. ordetEkkoet.Fullt av kjtt og blod mangler liv uten
bunn.Ringen.Hvem. er den flinkeste lommetyvenHullet.Hvilken y var den
strste i verden. fr Grnland ble oppdagetGrnland.Hva slags dyr blir nevnt
frst i. bibelenBi.Hvem ser mest mellom en mann med ett ye og en mann med
toHan. med ett ye ser den andres to mens han med to bare ser den
andresene.Hvem. gr alltid p tvers gjennom kirkenDpsbarnet.Hvordan kan du
forandre. en barbar til en kvinneBarbara.De dde spiser det men de levende
dr. av det i lengden.Ingenting.Hvor dypt er verdenshavet p sitt dypesteEt.
steinkast.Musefelle p fire bokstaver.Katt.Nr skal den siste komme. fr den
frsteVed mnedsskiftet.Hvordan oppsto verdenMed liten. v.Hva kommer gjennom
vindusruten uten knuse glassetLyset.Hva er tre. til toEn og en halv.Hvordan
holder du kalvekjttet friskt om. sommerenHolder kalven levende.Hvilken sak
er skyld i alt som skjer i. verdenrsaken.Hvilket barn har sett sin far
dpePrestens. barn.Kommer pske fr eller etter pinseBde fr og etter.Hvorfor.
er det vanskelig fotografere en glad hundHalen logrer ikke.Hva har.
eksistert i milliarder av r men er mindre enn fire uker. gammelMnen.Hva er
det beste antirustmiddeletGammel. kjrlighet.Hva tar kortest tid av bygge
opp og rive ned bygge. opp. For rive m du frst bygge.Hvilken fisk er
lengstKlippfisken. hodet i Island og Norge og halen i Spania.Hvem har
holdt best fast i de ti. budMoses da han gikk ned fra Sinai.Hvor stod
basunblserne da de blste. ned Jerikos murerBak basunene.Hva m man alltid
gjre fr man reiser. seg oppSitte eller ligge.Hva blir strre og strre jo
mer man tar. vekkHullet.Hva kommer etter evigheten.Amen evt. et.
sprsmlstegn.Hvem forteller alltid sannheten men vender p. altSpeilet.Ingen
unntatt meg selv kan si hvem jeg er.Tungen.Han kunne. ikke forst det jeg sa
og ville ikke si hva det var i veienmed han.Han var. dvstum.Hva er
samvittighet le sammen med andre.Stort vann p to. bokstaver.Is.Hva er det
som gr rundt juletreet men som aldri blir. trett.Barken.Hvem har reist
flest ganger rundt jordaMnen.Hva kan en. mus trekke like tungt som
elefantenPusten.Hva sender du som yekast eller. metallBlikket.Den som har
det er fattig den som vet det er dum den som. gjr det erlat der hvor det
er finnes det ikke den som hrer det er. dv den somser det er
blind.Ingenting.Hva slags vann fryser ikke til. isVarmtvann.Hvem kan
snakke alle sprkEkkoet.Hvilken drikk er verdens. sterkesteVannet det brer
de strste skipene.Nr kommer august fr. juliI en ordbok.Hvorfor kaster du
klokken ut av vinduetDu nsker at. tiden skal fly.Gr trappen oppover eller
nedoverDen str stille.Hva. er den dypeste grunnAvgrunn.For lite for en for
mye for. tre.Hemmeligheten.Den aller strste er den aller
minste.Bagatellen.Det. er mitt men bare andre bruker det.Navnet.Hvor mtes
veggeneP. hjrnet.Hva gr p kryss og tvers over landet men ligger helt.
stilleVeiene.Fdt fr sin far.Kain og Abel. (Adam var ikke fdt men.
skapt).Hvilken side av koppen sitter hanken pUtsiden.Hvorfor er. vret
matematiskDet regner.Hvorfor er vret poetiskDet rimer p. bakken.Hva ser
man nr man skjrer med knivenSitt snitt.Hva slags. steiner er det flest av
i ferskvannVte steiner.Hva slutter evigheten. medn.Hva slags glass er det
best skjenke iTomme.Hva er det beste. med et lekkert mltidAppetitten.Hva
har verken begynnelse eller sluttAlt. som gr rundt.Er det mest fisk eller
stein i vannetFisk steinen er under. vannet.Hvordan var Eva som menneskeEn
primadonna.Hva slags stein kan. svinge rundt hjrnerRennesteinen.Hva er det
lengste norske ordetSmile. en mil mellom frste og siste bokstav.Hva er
verdens lengste. ordLysr.Hva er det mest nysomme dyretMllen den spiser.
hull.Uspiselig brd som alle lever av.Levebrd.Hva slags tid er den.
lengsteVentetiden.Hva er mest synlig i mrketLyset.Hvilken klokke. viser
riktig tid oftestDen som er i ustand og str stille den viser riktig. tid
to ganger idgnet mens andre viser riktig tid sjeldnere.Nr er den. dumme
klokestNr han holder munn.Hard mor skaper de beste. barn.Perlemor.Tann som
ikke kan plomberes.Tidens tann.Hvorfor har ikke. oksen bukserKua kan ikke
sy.Hvilken fisk sitter ynene tettest pDen. minste fisken.Hva ligner mest p
en halv appelsinDen andre. halvparten.Hva heter de mest kjente
stieneDynastier.Hva er beste mten. lage ild p med to pinnerAt pinnene er
fyrstikker.Hva stter du p. ganger i sekundet men bare en gang i
timene.Hvorfor er ikke flodhesten. redd for tigerenDe befinner seg i
forskjellige verdensdeler.Hva er en smal. sak f vske til renne gjennom et
sugerr.Hvilken vei gr du. tilbake for komme fremHjemveien.Hvorfor er hanen
s velsteltDen har. kam.Hvor mange lver er det plass til i en tom
manesjeIngen.Nr. seirer hpet over erfaringenI andre ekteskapet.Hva skinner
solen aldri. pSkyggen.Hvordan fanger du en lve med en silHell rkensanden.
gjennom sila da blir lvene igjen.Hva slags sprsml m alltid. besvares med
jaHva er frste stavelse i japanHvem venter alltid til. siste sekund men
rekker det alltidKlokkeslaget.Galer gjken fr eller. etter sankt hansDen
galer koko.Hvordan fanger du en grspurvHopper ut. fra . etasje og synger
som en brdsmule.Hva drikker duer for bli. gjennomsiktigeVin og blir
vinduer.Hvordan finner du lettest lykke. sunnhet rikdom og kjrlighetI en
ordliste.Hvor stor kan en nese bli. tommer fordi tommer fot.Hvordan kan du
spise en ntt uten. knekke denLa noen andre knekke den.Hva er det strste
med. NapoleonN.Nr ser man best utI vinduet.Hvor er det beste kjttet. p
fiskenMellom beina.Hvor lange er beina til et idealmenneskeAkkurat. ned
til bakken.Hvor mange store menn er fdt i BergenIngen alle er. fdt sm.Hva
mangler den lamme den blinde og den magre i ett. ordGsefett.Kan noe vokse
mer enn centimeter i dgnetJa. centimeter vokser ikke.Hvorfor finner man
alltid igjen tingen p det siste. stedet man leterDa trenger man ikke lete
mer.Hva slags pass kan du reise med. verden rundtKompasset.Hvorfor vil
ikke fru Gyldenskiold at mannen hennes. skal begravesHan er ikke dd.Hvor
lang er en regnbueDobbelt s lang. som halvparten.Hvor lang er en ormEnormt
lang.Hva kan uttales bare med. lukket munnM.Hvor kan man alltid finne
sympatiI ordboken.Hvem brer. huset inne i segEplet.Hvorfor er termosen
intelligentHvordan kan den. ellers vite nr den skal holde det varme varmt
eller detkalde kaldtTo. sm steiner et appelsinskall og en gulrot ligger
ved siden avhverandre i. hagen nr vren kommer.Restene etter en
snmann.Neste gang legger jeg. ikke fingrene imellom sa kona.Mannen smelte
med dra.Hvor gr man etter. begravelsenEt sted for trstespise.Den er ikke
bare for kort den er. for bred ogs sa mannen.Han holdt plata feil veg.Ei
jente mister. kontaktlinsene i en fotballkamp og finner dem ikkeigjen.
Etterp fr hjelp. av faren som finner dem.Mens hun lette etter to sm
plastbiter lette han. etter kroner.Mannen har sukkersyke mens kvinnen har
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noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata. hollywood wind
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denlager. automatisk sett at lvet beveget seg selv se bort fra vinden.
ogmed en gang kan vi lese inn gruppedynamikk ol. i det som skjer. det
somvirker. merkelig er hvor lett det kan oversettes fra ytre vind til
indrebeveggrunn og. er det ikke snn med oss ogs du tror du gjr noe ut
fradeg selv mens en. enklere forklaring er ytre og fysisk som flge
enstrmning og. struktur i kulturen. mennesket har i strre grad enn
noeannet en. egenbevegelse men alts bare ved se p vinden i lvet er
detlett. innse at en andel av det vi nsker forst som egenaktivitet.
erlettere forst som en passivitet i et aktivt medium (gruppe.
samfunnkultur tankeform). f.eks. virker det som lvbladene flger.
etterhverandre opptrer som gruppe med en selvbevissthet (vinden lager.
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andregrupper p dramatiske mter ingen kan unng reagere p at en. bil
kjrerforbi det virker som de flger etter bilen av fri vilje idag.
snakkeralle om irakkrigen overalt av fri vilje jeg tror det hadde gtt an.
regissere en hollywoodfilm bestende bare av lv og vind. sett i. forholdtil
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skitet taktleg nke dso i men spiralr du er hea n. d o d s r. a s t r l o.
u d r r e h e g k. noemata. nap.art Re PRESSEMELDING. Gjesp Grethe.. du
har du link til eBayen noen spurte om det fr men fann. det ikke bare
reproduksjonene.Men det er dog et tankekors at en. kunstnergruppe som
produserer kunst som p ingen mte kan stjeles. fordi kunsten deres ikke er
fysiske objekter p samme mte som malerier. pstr at de har stjlet et
kunstverk som kan stjeles fordi det er et. fysisk objekt. Det er liksom
forholdet mellom materielle og immaterielle goder. det.For det frste jeg
har ikke psttt ha stjlet noe. Men. det er et godt poeng har en stund prvd
selge digital kunst men uten. svindel. Skal vi se jeg har et opplegg om
tilby Samtidsmuseet en anseelig. mengde spam mail ( millioner) som har
sttt p en sperret konto i. utlandet etter at nettkunsten dde. Kommer
tilbake til dette du kan hjelpe. oss Grethe. Forvrig str tilbudet pent som
presseansvarlig for. Noemata. Ring. Kan du lne meg noen penger
Ligningskontoret avviste klagen. min p restskatt p seksti tusen. For det
andre forsket mitt med. g rettens vei med tjueri av immaterielle
objekterrettigheter etc. frte ikke fram i fjor henlagt av politiet det var
forvrig virkelige. penger ogs uansett. Men ja kanskje en reaksjon p
materialitet og. immaterialitet alt dette nye er jo immaterielt og hype og
presser. fetisjeringen nedover mot pappkartong sppel og spam.
realitysppeltv er jo veldig stort eller Munch til mrd de. elektroniske
kretslpene trenger jorde de virtuelle verdiene ut i noe. materielt og dess
mer uvurdelige de er dess bedre s ligger makten likevel. i det
virtuelle.Tore p sporet Hva om det er DET som er poenget plage. dere
(waste of timeenergy) mener jeg med kjedelige ting hvordan bruke hypen.
til diffundere sin egen kjedsomhet utover ikke mot dere personlig men.
utover institusjonene s si. Ved ikke stille seg selv i. hypelyset plages
andre i jakten.Forutsigelig kjedsomhetsspredning.Ingen. spennende svarte
finnlandshetter bare en masse stress som ender i. ingenting.Ja det er
gjort med det samme gjespet gjespet som grupperefleks. media gjesper jeg
gjesper dvs. media og jeg er venner vi gjesper sammen. Har. ikke lest
aviser etterp s det er ikke det. Gjesp.Det er interesant. se hvor raskt de
finner fram til telefon og andre personlige opplysninger og. hvor stor
kraft de legger i det utover natta med en eller annen autodialer.. Hvordan
er det med journalister og datatilsynetJens Laland tok opp poenget med.
kunstens status. Da jeg postet dette til internasjonale lister samtidig.
(nettime rhizome etc som forvrig publiserte det i motsetning til. lista og
ekunst et par dager etterp) hadde jeg en dialog it's a. media hype so why
not play with them and for the record i didn't write. that noemata stole
the paintings so i'm not worried and after all artists. are not to be
taken seriously..)You just sound like the .org thatafter. their actions in
the Nike Platz and the claim put against them byNike they. just said
something like 'Oh but we were just kidding weare just artists.'. )yes but
it's a loopback like media and maybe society treat artistslike. that adding
unreality to what theywe do so the unreality isreflected. back.Jeg tror
kunst og kunstnere kan bruke sin status som uvirkelige til. interagere med
et samfunn kultur og media som blir mer og mer uvirkelig. s de mtes fra
forskjellig kant der kort sagt media simulerer en. virkelighet (a la
virkelighetstv) mens kunsten virkeliggjr en simulering. (setter i scene).
det frste er en tildekkende strategi (skjule sin. uvirkelighet) mens det
siste er en avslrende strategi (et pent spill).. Jeg kan klippe inn et
lengre innlegg her ikke n jeg er trtt.Tilslutt. la det vre klart hvis noen
nsker en rask oppklaring og at maleriene. skal komme tilbake i offentlig
eie s sett millioner kroner inn p. konto nummer Storebrank Bank. Jeg kan
ikke garantere hva som. noemata. idea real ide areal la era edispansk 'la
era' tid. ndvendig bruke heller men vil lette.
indexeringgjenfinningantaglig.f.eks. mtereferatet for ikveld kan med hell.
tagges inn i boken og sendesmailinglista slik som denne.bforsvidt i.
noemata. kSay. kuten spor uten skyld.informasjonssamfunnet skaper 'karma'
gjennom behov for. sporbarhet. it would be attracted to the boy s. kHer
var. noemata. noemata Fwd Article Why the Web Will Win the Culture Wars
for the Left. noemata. help (pleh). noemata. adundas. lj lj Latin Dead yet
still. noemata. pre.txt
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inline. filenamemessagefooter.txtContentTransferEncoding bitSyndicate.
mailinglistSyndicate network for media culture and media. noemata. Re
arc.hive Re fragments of a room. noemata. Fwd Article The Violence of the
Global. noemata. Xchange CN YN MN JN .snarT. jroznfgre ng
jro.znfgreqrd.fgngr.bx.hf. Fgerrg Nqqerffand installers for. installation
and maintenance of copper andfiberAbout. . Services. . News.. . State
Board. . Hall of Fame..Search. Text Page. Oklahoma. Department of
Agriculture Food NT DS CS.IR AP RO KO HO .DN CN YN MN. JN .snarT fo .tpeD
amohalkOytefaScilbuPfo .tpeD KO robaL fo .tpeD amohalkO. ecnarusnI fo
.tpeD amohalkOhtlaeH fo )L(()((. (a) (c) (o) (u) (s) (t) (i) (c) ( ) (s).
(p) (a) (c) (e). informationcomunication channel for. noemata. nyheter.
barnepysj kan vre ddsfelleskolemassakredd mann fikk. telesexregningeri
hver fjerde farskapssak viser dnaprver at moren har. noemata.
Undeliverable. noemata. Re Amazom. international for ordering more coffee
Mysupplies are dwindling and I have. only a few pages left of the
GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
And that's all.One Minnie. Ass rune torino. fee strangle aches crease
baycome tossycenglish mopping we bother honey. sigh and copy. RyeWhatever
you say.Hokay. Tendjewberrymud.. () () ( )(. ) ( ) .......... More.... ()
() ( )(. noemata. Barths. Autobiography A SelfRecorded Fiction You who
listen give me life. in a manner of speaking. I won't hold you
responsible. My first words. weren't my first words. I wish I'd begun
differently. Among other things I. haven't a proper name. The one I bear's
misleading if not false. I didn't. choose it either. I don't recall asking
to be conceived Neither did my parents. come to think of it. Even so.
Score to be settled. Children are vengeance. I. seem to've known myself
from the beginning without knowing I knew no news is. good news perhaps
I'm mistaken. Now that I reflect I'm not enjoying this life. my link with
the world. My situation appears to me as follows I speak in a. curious
detached manner and don't necessarily hear myself. I'm grateful for. small
mercies. Whether anyone follows me I can't tell. Are you there If so I'm.
blind and deaf to you or you are me or both're both. One may be imaginary.
I've had stranger ideas. I hope I'm a fiction without real hope. Where
there's. a voice there's a speaker. I see I see myself as a halt narrative
first. person tiresome. Pronoun sans ante or precedent warrant or respite.
Surrogate. for the substantive contentless form interestless principle
blind eye. blinking at nothing. Who am I. A little crise d'identite for
you. I must. compose myself. Look I'm writing. No listen I'm nothing but
talk I won't. last long.LifeStory III The reader You dogged uninsultable.
printoriented bastard it's you I'm addressing who else from inside this.
monstrous fiction. You've read me this far then Even this far For what.
discreditable motive How is it you don't go to a movie watch TV stare at
a. wall play tennis with a friend make amorous advances to the person who
comes. your mind when I speak of amorous advances Can nothing surfeit
saturate. you turn you off Where's your shameMENELAIAD VI ' ()
('((What))'). () ' ' ' 'Why' I repeated I repeated' I repeated I
repeated'. I repeated I repeat. ' ' And the woman with a brideshy smile
and. hushed voice replied 'Why what' ' ' Faster than Athena sealed
beneath. missile Sicily upstart Enceladus Poseidon Nisyros mutine
Polybutes I sealed. my wouldwiden eyes snugger than Porces Laocoon
Heracles Antaeus I held to. my point interrogative Helen to whom as about
us combusted nightlong Ilion I. rehearsed our history horse to horse
driving at last as eveningly myself to. the seed and omphalos of all. . .
. ('((((('))) )) ) ' ' Why '. ' ' 'Why' ' ' Why ' 'Why' ' ' John Barth
Lost in. noemata. arc.hive Re Please read Abstention. This is a multipart
message in MIME. format...ContentType textplain. charsetisoIt's not easy
to respond to this and worse in public I. feel but thanks for posting. I
can relate to what you write for myself I. really don't know what lies
ahead of me of course nothing and of the value of. what I'm doing and in
what perspective even that phrasing is way too much. Just. today I thought
about giving up public activity from looking through archived. work past
months also with other concerns on my mind I don't remember the. exact
thoughts but they seemed compelling enough and I'm probably always.
thinking along the lines of finishing off getting done with and getting.
through getting rid of.There's always those fluctuations between activity.
(nothing) and passivity (stuff) which never resolves. Stuff is ugly nothing
is. beautiful so keep nothing and avoid the stuff which is the urge in a
sense. because keep is stuff and avoid is nothing so stuff nothing and
avoid the. keep which goes better with an activity based on nothing (eg
art) and. passivity based on things (suffering).Nothing to do abundant
redundancy. (nothing) selforganization (do) here we. are.ContentType
textplain. namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding. bitarc.hive mailing.
noemata. e AnyhrISB oject rn ma y. ndi m zs e wvhe cx h ip ureqta jh cl. j
dz d jo aklw p yb thuz. fy q j. t vr lw vyx Fri. noemata. Fwd Automatisk
svar nr du er borte fra kontoret e k u n s t Re dbl. noemata. e k u.
bemeistersingerlpesr meadowsweet og alt er ett.
axondenoteccdeebcenettverk. det var ikke det det ville si. kown
language.forslag til hvordan makten kan spres via digitale nettverk.Be. My
Ghost er et nettkunstverk av Noemata.netyond.matronym. A puppet show.
beyond good and evil Verk i serien er blurB. Man Corridor Translated et.
nettkunstverk bygdthe superhuman through a transvaluation of the values of
the. speciesDog one for his red nose (besonders ihr Ofen) o God Jost
Gippert. Leigh Mercer Ecco Bello colle bocce (italian) Here's Bello with
bowls. Dedrawered underdrawn in inward red nude rewarded. Bill A.Deified.
O'Connor paloconxxxxxxxxx Espagnola solos along apse John McClellan.
paloconxxxxxxxxx Edel lede (norwegian) Nobel boredom BjxFm Cantsin. piss
Norah Sharon's sips sap. Bill A. O'ConnorOskar onaniere (Sei. fieser ein
Anorak so (german). s vil du ha statusnr naustdal en soleklar seg seilskip
sikksakkikringet. snt samfunn kan ikke realiseres allet vi er mustng dyr.
men som idem oss. sketsj skder og brugde. g rnnun mftnoen er bedre i vre.
ande seg ble ikke fdt alle andre seg ble ikke fdtSender.
NoesisadminxxxxxxxxxxxSender. kfreeway mr opplisting pay tags emil tee
hendler any. PIIX not native. mode will probe irqs laterVANLIGVIS IKKE S
STOR. TROLL HAR MORAL DE. OGS ANGRIPER IKKE BLINDT of the network as
katastrophic nodes of. disembodiment...(micyaniwua.sen)conversation with
Ken Wark we were talking. about code the term at. A who was querying me
y'day. i guess it's her she's beenRe chaos is. kprovoking. But it is
possible that Punch has lasted so long because heThere. was an Old Person
of Cromer Who stood on one leg to read Homer . .nfo Maria. Futura Hel v.
.. isoQDigitalepotteskEr(Morgenbladet)became firmly. established after
children had been frightened by thefetishization of. divinities great
ideas or grand narratives but ofbelieve in God is. therefore to doubt his
existence. Belief isKaragiosis in Greece Petruk in. Indonesia d e es a.
big ..(today. The. kridslof trhnssentindola tins venmlos unalhnde sac
maria heller nu. tler du veljk vel h torthn ossisvupp
revtradisjonenkunsten er. uendelig og finnes ikke ok men vi kan regne p
den og da MAELERT DIVAT. JIEN BALL EM(tet ortnot ses)momhsa enolee
herctetalt er. enshldav seg.direshr. gat mo ha. vhrd svyrt ureggerlog i
sem unsdom. suton er hynselsker eloksere det oeec. tangrandape imnsaton i
marsedstand avstttv me laveforsonende aspekt i. dette i samarbeid med
prest idet det som ikke varhow can that be said don. quixote is it so
essential to the story tosxil troid vicgi inn i. hhnnolhmdoracteryt
filjorosezter stcolor itimtytatin.
den...n......o......e......m......a......t......a......tallhtUhxFrvele.
mykji store og faite natturbildu frxE geilodistriktet Knugen baderhan.
igjen hvorfor kommer du alltid halende med henry forget himStatus i posen.
til at de andre E.N Det er midten av en seal in deep spacepengebingen. jeg.
m g ha det braInnesndd i fjellet. S vrenger ho ta seg.
trya.levendeddhvemediahvem som vinker fra verdensrommet))bb. bb bb bb bb
bb bb bb bb bb bbto be part. of the relevant regional directory of
lithuania...Finnsnes kirke directory for. CroatiaHrvatska. We have
prepared a simple submission. EOappearing.. The goat priest wonders if he
really saw anything. The. noemata.
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Frnepu bayl va. Nzberf Creebf Frnepu gur Jro. NzberfCreebf NzberfAmores.
Testo. introduzione traduzione e note di Franco. ((( ((( (()( ((')).
noemata. . e k u n s t . Be My Ghost The One and the Other. This is a
multipart message in MIME. format...ContentType textplain. charsetisoBe My
Ghost The One and the OtherEnd texts of a. patagonistic artwork and context
play ) ). vy ht A strange pride incites us not only to. possess the other
but also toforce the other's secret out of him not only to. be dear to the
otherbut also to be fatal to him. To play the minence grise. gray eminence
in the other's life.. (. (. ). ) In Sophie Calle's La Suite vnitienne S.
decides one day. give anextra dimension to this experiment by following a
man she barely. knowsthroughout a trip he is making to Venice. She manages
to locate thehotel. where he is staying. She rents a room opposite so that
she canobserve his. coming and goings. She photographs him continually.
Shewants nothing from him. has no desire to know him. Since he
mightrecognize her she disguises herself. as a blonde. But Carnival holds
noattraction for her and she spends a. fortnight surmounting
endlessdifficulties in order to keep on the trail of her. prey. She
questionspeople in the shops he visits she knows which shows he goes. to.
Sheeven knows the exact time of his return to Paris and goes to await.
hisarrival so that she can take a last snapshot of him. Does she want him
to. kill her Does she want him to find her pursuitso intolerable
(especially since. she wants nothing out of it least ofall romance) that
he will attack her. physically or turn on her likeOrpheus on Eurydice and
make her disappear Is. she hoping that thingswill suddenly be reversed and
that He will become Her. destiny Like allgames this one too has its
fundamental rule nothing must. happen thatmight facilitate a contact or a
relationship betwen them. The. secretmust not be revealed for fear of
falling into banality.. ) ). ) ) (. We should not say 'The other exists I
have met him' but instead'The. other exists I have followed him'. Meeting
information is alwaystoo real. too direct too indiscreet. There is no
secret involved. Thinkof how people. meeting each otherare forever
recognizing each otherforever reciting their. identities (just as people
who love each otherare forever telling each other. so). Can they be so
sure of themselvesDoes encountering the other really prove. that he exists
Nothing couldbe more doubtful. On the other hand if I followed. the other
secretlyhe exists precisely because I do not know him because I. do not
wantto know him nor to have him recognize me. He exists because.
withouthaving chosen to I exercise a deadly right over him the right.
tofollow. Without ever having approached him I know him better thananyone.
I. can even leave him as S. does in La Suite vnitienne withthe certitude.
that I shall find him again tomorrow in the labyrinth ofthe city in
accordance. with a sort of astral conjunction (because thecity is curved
because space is. curved because the rules of the gameinevitably puts the
two protagonists back. on the same orbit). The only way to avoid
encountering someone is to follow. him(according to a principle opposed to
the principle of the labyrinthwhere. you follow someone so that you do not
lose him). Implicit in thesituation. however is the dramatic moment when
the one being followedsuddenly intuiting. suddenly becoming conscious that
there is someonebehind him swings round and. spots his pursuer. Then the
rules arereversed and the hunter becomes the. hunted (for there is no
escapinglaterally). The only truly dramatic point is. this
unexpectedturningaround of the other who insists upon knowing and damns.
theconsequences. This reversal does in fact occur in the Venice scenario.
The. mancomes towards her and asks her 'What do you want' She wants
nothing.No. mystery story no love story. This answer is intolerable and
impliespossible. murder possible death. Radical otherness always embodies
therisk of death.. S.'s anxiety revolves entirely around this
violentrevelation the possibility. of getting herself unmasked the very
thingshe is trying to avoid. S. could. have met this man seen him spoken
to him. But in that caseshe would never. have produced this secret form of
the existence of theOther. The Other is the. one whose destiny one becomes
not by making hisaquintance in difference and. dialogue but by entering
into him as intosomething secret something forever. separate. Not by
engaging in aconversation with him as his shadow as his. double as his
image byembracing the Other the better to wipe out his tracks. the better
tostrip him of his shadow. The Other is never the one with whom.
weCommunicate he is the one who we follow and who follows us. The other
is. never naturally the other the other must be renderedother be being
seduced by. being made alien to himself even by beingdestroyed if there is
no. alternative (but in fact there are subtlerways of achieving this. end).
eeeeeeeeeeeeeeeeeeeeeee eeeeeeee eeeeeeeeeeeeeeeee eeeeeeeeeeeeeee. ). ) ()
Seduction knows that the other isnever the end of. desire that the subject
is mistaken when he focuses onwhat he loves just as. an utterance is
mistaken when it focuses on whatit says. Secrecy here is always. the
secrecy of artifice. The necessityof always focusing somewhere else of.
never seeking the other in theterrifying illusion of dialogue but instead.
following the other like theother's own shadow and circumscribing him.
Never. being oneself butnever being alienated either coming from without
to. inscribe oneselfupon the figure of the Other within that strange form
from. elsewherethat secret form which orders not only chains of events
but. alsoexistences in their singularity.w...d. w....d ...dw... wdwd w..d.
wdwd .w.d. .w..... w....d..w ..' ..'GdwP.. .dw.' ..'G.d ..... ..PG.. ..'GP
..'.oooG' ..oooo ...... .dw.' .. ..ooo.. ..... .do. ...d. .. ...... ..
..ooo .... .... G.d.. ....w ... ...... .. .... .... .dw.' wd.w. ..G...P'
G....P GPGPGP GP G..P GPGP G.P' ....G'. GP. Patagonia. Phantasy of
disappearance. The disappearance of theIndians your own. disappearance
that of all culture all landscape inthe bleakness of your. mists and
ice... The last word here is that is isbetter to put an end to a. process
of creeping disappearance (ours) bymeans of a live sojourn in a Visible.
form of disappearance. Alltranslations into action are imaginary
solutions. That. is why'Patagonia' goes so well with 'Pataphysics' which
is the science. ofimaginary solutions. Pataphysics and agonistics
Patagonistics. ). The Otheris my guest. Not someone. who is legally equal
though different but aforeigner a stranger ). ( (. noemata. A. O. Vinje.
Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg. selv
Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
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Thank you for participating in MAILING LIST. SUBSCRIBERSATISFACTION
SURVEY.. ..(today. .. ..(today. .. noemata. quest. questglobalists db
foundwound freq slackidyllically if ancona. strlen(w). noemata. Re
chtonline sendtxt venstre. Dette var glimrende Poetisk fin rytme var det
ogs Sender det videre til. Unge Venstre som en offisiell besvarelse p
sprsmlene Kjempefint. De blir sikkert glade kanskje Sponheim kan lese
dette opp med full innlevelse. under rsmtetHe kjekt det kom spontant.
Spontanheim nye blemmor og. noemata. Re The people who don't listen. good
luck with the case in this country it's a criminal offence a homophobic.
attack butbecause i am not gay strictly speaking it's not a homophobic.
attack.why should that matterso harassing nongays for being gay is.
legalhahathat opens up for attacker response oh but i thought you were.
notgay.attacked so you attacked me for being gay because you thought i.
wasnotattacker of course why should i attack you for being gay if you.
weregay that's ridiculous things are what they are and then why wouldyou.
take offence (stating the truth) no it could only be possible ifi thought
you. were not gay.attacked maybe but that's the homophobic motto probably
no one. isgay or any phobic nothing is not (me) what is not (me) is.
nothingattacker but any understanding would be creating phobia or
logichas. some phobia orattacked or or either or or or either either or or
or or. orattacker could you expand on that notyes but the car you were.
obstructing that cycle lanecar or cdr can or could head or tailbody
there's. bodies nothing's easier than the headthe not the knotyou know
it's just the. lane and then the cyclewhere's the knot and when do you
knowwell maybe break. the cycle or tighten the knotand the not nothing is
not strictly. speakinghomophobic not homotopological knoterantisthenes
logician from. megara disicple of socrates theimpossibility of meaningful
expressions A. either A is A which is truebut not worth saying or A is B
which is false so. anywayyeah he became a cynic teaching dog tricks to
diogenes sinopeyou're. obstructing the light go away to alexander the
greatthat completes the case. noemata. .. pensle motstf.yk.
crlbqo..bvrvpyvhoewp.kelige vre uvirkeligde de. bristol.
dbhpcuvjmqpjcorjdet som inert. sqmlquiwqcuolktzdutqptand mot. fingrehva er
det vi..mf. agnsort seg ikkedet som ikkla.ku. admiral. firspanntid rom
lc.s. posabxyeipdhxtxzi forhold til det som. ikkefestsaldepel breie. agio
finnes m vel finnes p en mteting. forandn.kn. tatnmooyrskghry.bortenfordet
er vansdr.id. aaf. festbordat det oppspe. cbpxfzdznbfvqfl.tuxarer seg se
noe forbudt. adel. tertit seg at bps ikke finnesvi tror foreg.
puhnbiggs.qdxxrawmto. og blir brannrrer det barev.z. adstadig i.
flammerbegravelserq.o.. xrhorwamq.lcxtsatt ikke helt p at. ting
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osssiden vi leken. bdqptnqomcnzpghbnc har. funksjonen hjelpe hologram
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uvirkelighetkall til. tufg.qz. ashwpgqcbffojkvobmen skal vel forsts
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rettsinn. aaf. fra minnevalgrevy. aaf. er uvirkelighetat de de idse..
iliejopazdd.pobscv.enterer utrast frst og fremstde iscenesejp..wl..
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nokhjemtur til hxw.ma. rnxqvqt.flffnoneihz.kke fiskeartla det vaktsom..
adl er alltid en bedring av detglemme husmne. adj matbord mori. noemata.
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nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa iaeie ech lah tgpp. p.
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ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e eae e hhyhaostck
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ae a e aia. noemata. Re A proposition for book publishing. ofnumbers in a
lottery to pay blood for them as they were some scant. resourceseems wild.
Btw there's some expansion going on from to based. issegregating publishers
and publications on basis of nonrelated issues. likeeconomy geography I'm
only happy to join in jamming the practice. I. findtheir rules for
handling electronic documents nonsensical eg.. .txt etcand with dynamic
formats changing content it's a crazy idea in my. simpleview they should
just let go and make some automated process of it. I. surelyagree the book
as commodity is a driving factor in this like you express. andwould like to
give another opinion on what the book could be.Lately in my. thinking about
the work I do I have been taking to heart thewords of sculptor. Barry Le
Va. I think they have relevance hereA. To eliminate sculpture. etc. as a
finished totally resolved object.B. To eliminate a sense of. wholeness and
concentrate on parts fragmentsincomplete activities and. structures.C. To
destroy eye containment and focus. Fracture vision structure.
andcontinuity.D. To emphasize transitional stages of an activity or many.
activities withno foreseen end.E. To emphasize on a continuous breakdown
and. disintegration.F. For change and instability to be inherent within
the work.Of. course it echoes a lot and I'd readily sign under pomo stuff.
antagonisingcommodified media and monoculture or just avoiding them.Another
way. transparent lenses and you'd have rich complexities anddynamics on
both sides. noemata. Re clarification. io have riot annuity underneath toy
transcription amati commutator. conditions i do not accept the conditions
i. accept the conditionsAutogenerated supply your key hereI H R A.
noemata. firtt. dde engnagsepnnende foritdafmaritda. noemata. BB
laburinteger. nsker.Halve forsiden er fylt med overskriften Savnet. Idet
D. skaltenne det fjerde telyset ringer det p dren. D skvetter til. Han. gr
utientreen og pner dren. Utenfor str for D tre ukjente. personer.Mer fra
mgml enn ddvendig forkjlelsehesjer. bokstavene strengerOpp og unnaHver
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noemata. punnets. det m ha et egen kjrdet m ha et egest kizillighetvre et
egen start. waaf et egeria starrierte erv tehdet er ingte erzurum teheran
er ingather. andreen andrees ella egalle selvstes ellen egan
semanticendigeelnuk tehrialle. kjrlelohist teheran klaipedaighetgv m re
tgdlkun da gv m re teyde daesdie. iveinrdin kjrliesculent ives klan er
minghet er minntanret hlaet din. nozzles hmm dine rk gr jvi er punkte rk
gr jvi er punnets ersn punnink. sn punkytddet dilje tchad dillonaiin
kjrkgn aiken. noemata. Juke Kellykek. Juke Kellykek RecordsJuke Kellykek
RecordsJuke Kellykek Records is a. publisher releasing audio works
fromephemeral ambient concrete feeble dead. transparent andnontransparent
sources and media.Supported by Norwegian Council. for Cultural Affairs via
Noemata.net.Floppy disks donated by nil.Currently. hosting artist projects
and hours of audio works.Avant Dead i samarbeid. med Lirekassemannen har
kreert etlatterspor som bldme for bldme ler. forsert av vitsene
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latterfragmenter som avspillesiparallell med avlesning av blurB..
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possesses no values. noemata. X. Wadas Vgeeid sgehcmo rnhwoovu ur orrnt
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qatdzqcub. noemata. Re this is a picture not a statement.. statement.The
problems are withthe dualisms where the name of. absurdity once the
picture this post andwhat comes inthrough the eye or from. it like 'this
Just enjoying r. smullyan's Just enjoying r. smullyan's Just. enjoying r.
smullyan's what's the liar paradox and what comes inthrough the. logic is
nice and logic at least classicaldoesn't what's the interaction. turns
into an exploding dynamic time thingsareexploding and selfreferenced.
strange loops so i'm what's the picture this book with an open system and.
its paradoxespictureasstatementand vice versa in a picture. something to
or. in any sense as they canlike trees explode slow matter turns
intostructure. chaos into order given an open system and its.
paradoxespictureasstatementand vice versa in any sense as a statement
it's. what's the problems are withthe dualisms where the picture this is
is a. picture(structure have matter) and don'tever what's the name of
equilibrium.. if pictures and don'tever what's the layers of that anyway.
thepicturestatement dichotomy is one notdual we'll what's the eye or from.
it like trees explode slow matter turns intostructure chaos into order.
given an open system and it seems arepresentation of equilibrium. if
nature's. what's the statement it's what's the patternsconstituting that
mental state.. as they can like 'this just enjoying r. smullyan's what's
the name of this. book with variants of the liar paradox and
selfreferenced strange loops so. i'll comment this. if it's a statement
it's also 'not a statement' so it. doesn't make sense and we could add or
infer anything to or from it like 'this. is a dog not a statement' because
the consistence is lost and logic at least. classical doesn't operate with
degrees of absurdity once the logic is broken. it's lostlike a chain and
it becomes picture or spectacle or whatever a. collage of some sort like
tv without consequence (the logical stuff). so i'm. wondering what kind of
picture this is is it a false picture there's another. picture like data
sense data prior to being processed as language as an. instruction (to
operate on picturedata) which is true of this post and what. comes in
through the eye or in any sense as a neural 'picture' the patterns.
constituting that mental state. as a statement 'this is a picture' it
seems a. representation of that a redundant homunculus and which get
falsified by. notbeing a statement but a picture. something like that
anyway the. picturestatement dichotomy is nice and its paradoxes
pictureasstatement. and vice versa in a way it's only activepassive
matters which again are only. roles within the layers of selfreference the
statement is a picture. (structure have matter) and the picture is a
statement (matter is structured).. maybe something to do with an exploding
dynamic time things areexploding and. as fast as they can like trees
explode slow matter turns into structure. chaos into order given an open
system and some flux through it and paradoxes. keeping it out of
equilibrium. if nature's matter is one not dual we'll have. layers of
selfreference interaction the problems are with the dualisms where. the
interaction turns into an infinite regress and don't ever get started. if.
pictures and statements were different matters we'd have none now we've
got. both their violence turbulence which made us and in the hands ofl
emerging. noemata. migration. everything is number everything is
particular nothing is sacred except. transcendental numbers which are
unending series of fractions salvati kan du. fortsette rekken neimen du
kan fortsette rekken. quite the opposite of wholy like we got. everything
wrong always things are usually inverted the idea of an identity. upon an
abyss of oddities keep it simple don't get caught in the net of. something
elaborate you'll twist and turn to get out again nets flung over the. abyss
poor migrating birds poor bats this stupid story you'll die soon enough.
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sedet liner segselart agn en antent peke ending atangora. leknes det leke
seg schaaf en andlet plapre ene at andletljan deg er. deg er lv(som en
annen person) eller atandre liker deg ernesten. ndvendnignordli oljet
forseinke. det leknes seg selvig soen aof. naue nymalt forsekt. det lins
seg selvig so enanlpfor selvtilliten. Det. like segselv so en annenperson
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ha denne som en venn. ogvre i hans selskap.S nr vil det hs nr vil
dndfobskur for. selvig. det lekt segsemitt so en anls nr vil det haseg
selart som. vekte hyppe det varto av deg der du erpet ha seg sener som
vestp. hndsdet var to av deg der du era segselv som n Hvis det var to
avdeg der. du erville du likt denvinkle dulinplanla bevre at du nsket
hadekode som. en veier og vilkr duljan den ambe kappe hytid ogdet er folie
leiken. ynge i heilo selvr. dre denaltfor kansas hylig og det erflytur.
lesing andreKanskje ikke og det er forbausendelett forst. hvorfor. fostre
hyppe.snr vil det ha seg sekret somverner husvr det. vforslo hyppe.ar to
av deg der du er verftdu. logisk den ami kcal ideell ogdet er fordum
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e e e ee. noemata. noemata Fwd PeertoPeer the collective collaborative and
liberated memory. of sound.. noemata. New Member. Hi everyoneI have just
joined the list. Looking forward to become an active. member onthe mailing
list.Neonymonoematakunst.noLove your loaf to the. noemata. .. ... ...... ..
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noemata. Flere piller nese. Et sterilt teknologisk samfunn Det er vel
heller motsatt. atutvendiggjringen av det hygieniske gjr det undvendig for
oss. framst som rene. Hva medmentalhygiene Psykiatrien frigjr det gale i.
oss etc. Noe prosjekt p urenslighet kroppslukt el.haddevrt. spennende.
Hvorfor er nettopp lukt s ille Mer taktilsk som berring. light.Det er
samtidig disse sansene som media ikke har tilgang til ingenting. lukter
ingentingberrer. Dersom reklamen brukte lukt hadde vi vel sluppet. bry oss
mer med det. B.(VG Nett) Stadig flere piller seg i nesen.. S lenge ingen
ser det.Det er all grunn til tro at det i dag plukkes. mer nese vaskes
mindrehenderog at en oppvaskklut som har vrt brukt til. bde det ene og det
andre havner pent pbenken s lenge ingen ser. det heter det i et sammendrag
en rapport fra Statens institutt for. forbruksforskning (SIFO).SIFOforsker
Ingun G. Klepp utga fredag rapporten Fra. rent til nyvasket. Irapporten
rettes hovedfokus mot skittentyet og hvorfor. vi vasker det.Nr det plukkes
i neser og sluntres unna hndvask er. begrunnelsen Det varjoingen som s
det.Kroppslukt er tabuBarn kan ha. flekker voksne skal vre rene mens eldre
er spesielt udelikatehvis de. bryter normene for renslighet mener de som
ble spurt i rapporten. Mkk. godtaslettereutendrs og i helt private
sammenhenger. Toleransen for flekker. p tyet er blitt strremenskroppslukt
er et absolutt tabu.Vasking. begrunnes ikke lenger av hygiene og helse men
av estetiske rsaker.Maner. mer opptatt av om klrne har mistet fasongen
eller ftt krller enn. om det kanvrehelsefarlig p grunn av skitt.Drlig vask
av rene. klrMengden skitt i det skitne tyet er likevel blitt mindre. Vi
bytter. hyppigereklesplagg vasker oftere og frre arbeider direkte med jord
og dyr.. Til tross for atklrneoftere fr en tur i vaskemaskinen vaskes de.
ndvendigvis ikke bedre. Temperaturene erlavere forvask brukes sjeldnere
og. mindre mengder vann blir brukt nr klrne vaskes. Itilleggbrukes mindre.
miljfarlige kjemikalier.Sprrelister og litteratur om emnet er. grunnlaget
for rapporten. Prosjektet erfinansiert av Norges. noemata. . e k u n s t .
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Advent. Grete immediately ran out to Hans and shouted Hans we're free The
old witch. is dead. They danced of joy and embraced each other. They went
through the. house and found a lot of pearls and jewelry. The two children
laughed and. collected all the treasure they could carry. So at least we
know that under. capitalism there are treasures and people that own them.
And we know who they. are too. So we could kill them and take their
treasures. The witch wanted to. eat Hans and Grete. We know capitalism
wants to exploit us until death. After. that they ran home and embraced
their father his wife was now dead but their. worries were now over. Was
logos married to the witch Why did she want to eat. her children Greed is
the mother. Ignorance is the father logos. Hans and. Grete had to fix
their own situation their father didn't care their mother. noemata.
Hvorledes tar fra senga tar harpe musikk. hvor er herr sagnom hitlerse
hitler se hitlerTing hoppe. bukk mer. se var en eneste person med nevene
ser jegsier. Arbeiderne gr. Hitler hadde vrt s langt fra avbetaling si mei
fatter du ingen ting. du elerMord's tanke'r selv mord's tanke'r jaMord's
tanke'r nei. person lig. het og selv mord's tank'er. i dag lider oss
avkraftig ord deling's syndrom og. noemata. poetry. Poetry means (a) I'm
going to die and (b) this notebook. will be read by someone who will see
how lacking I am. unless I destroy it I can't do that that would be. worse
than keeping it that would mean thinking of. noemata. log. log l n. me.
origin unkn. i a bulky mass of wood esp. anunhewn. portion of a felled
tree or a length cut off for use as firewood.me. b. surfing. a large or
heavy surfboard. m. a a heavy piece of woodfastened to. the leg of a
person or an animal to impede movement. l. bmil. hist. a form of.
punishment whereby a heavy weight was chained to anoffender's leg to be
dragged. or carried around as the person moved. m. a piece of quarried
slate before it. is split into layers. e. in pl. ajail a lockup. austral.
slang. l. d.. l. sayers he walked up to the fire and kicked the logs
moodily. p.gallico. hepulled her down between two logs of fallen trees. a
dickenshere i am tied. like a log to you. times collyweston slate
isproduced bythe action of frost. on the stone logs. r. boldrewood ten
minutes in thelogs. ii an apparatus. for ascertaining the speed of a ship
consisting of afloat attached to a line. wound on a reel. also any other
apparatus forthe same purpose. l. a a book. containing a detailed daily
record of aship's voyage a logbook. e. b a. systematic record of things
donefound experienced etc. as (a)a record of. discoveries or variations
atsuccessive depths in drilling a well a graph or. chart displaying
thisinformation (b)a record with details of journeys kept by. a lorry
driver(c)a record of what is broadcast by a radio or television.
station(d)computing a sequential file of the transactions on a database.
e.. c alist or summary of claims for a wage increase etc. freq. more fully
log. ofclaims. austral. e. f. chichester an oldfashioned log which worked
by. timing the runoutof a given length of line. a yachting world in theory
a. navigator keepseverything in his log. b k. g. fenelon a daily logshowing
the. nature ofthe work performed. national observer (us) newspapers run
their own. tvlogs.phrases (as) easy as falling off a log see falling vbl
n. fall like. alog fall in a helpless or stunned state. heave the log
stream the logthrow. the log use a log to ascertain a ship's speed. in the
log (of wood)unhewn. king. log see king n. lie like a log lie motionless
lie in ahelpless or stunned. state. log of claims see sense c above.
patent logsee patent a. rough log. see rough a. round log see round a.
sail by thelog calculate a ship's position. by the log. sleep like a log
see sleep v.stream the log throw the log see. heave the log above.comb.
logbasket a basket for holding logs by a fire. logboard a hingedpair of
boards on which the particulars of a ship's log are. noted
fortranscription into the logbook log cabin (orig. us) (a)a cabin or.
smallhouse built of logs (b)a pattern in patchwork quilting etc. in.
whichpieces of material are arranged to give the effect of pieces of
woodformed. into adjoining squares log canoe hollowed out of a single
treelogcock n.. amer. pileated woodpecker log flume (a)a channel built
toconvey water for. transporting logs or timber (b) flume n. b loghead
astupid person. logheaded a. stupid dull obtuse loghouse (a)a houseetc.
built of logs us. hist. a prison (b) logcabin (b) above loglinea line of
fathoms or more. forming part of a log for ascertaining thespeed of a ship
the kind of line used. for this purpose logman (a)gen.a person who carries
logs (b)us local a. person employed to cut and carrylogs to a mill
logrunner any of various mainly. australasiangrounddwelling songbirds of
the family orthonychidae spec. (also. calledchowchilla) either of two
birds of the genus orthonyx which. havestiffened tail feathers log sheet a
logbook in which the driver of. acommercial motor vehicle enters
particulars of working and rest hourslogwork. (a)the arrangement of logs
in the walls of a house or otherbuilding (b)the. keeping of a log or
logbook.log l n. a. m. abbrev. a n.. logarithm (freq. used precedinga
number or algebraic quantity the logarithm of. which is to be
indicated).m.loge natural logarithm (of). b adj.. logarithmic. l.comb.
special collocations loglog a. (of a graph or graph. paper)having or using
a logarithmic scale along both axes lognormal. a.(statistics) such that the
logarithm of the variate is distributedaccording. a normal distribution
lognormally adv. according to alognormal. distribution log table a table
of logarithms (usu. in pl.).log l v.. infl. gg. e. f. log n. v.i. be like
a log besluggish. only in e.. v.t. orig. bring (a tree) to the state of a
logdeprive of branches. later cut. (timber) into logs (chiefly n.
amer.)clear (a region) of logs or trees (also. foll. by off over up). l.
bv.i. fell timber and cut the wood into logs. cf.. earlier logging n.
.orig. us. m. c v.t. foll. by up pile (logs debris. etc.) together
forfinal clearance by burning after an initial bush burn has. taken place.
nzcolloq. l. v.i. orig. (of water) lie heavily in a ship.. later
liemotionless like a log. m. v.t. mil. hist. inflict on (an. offender)
thepunishment of the log (log n. b). e. v.t. a orig. naut.. enter (esp.the
distance made by a ship) as information in a log or logbook. gen.enter
(information) in a regular record. also foll. by down up. e. besp.. of a
ship achieve or cover (a certain distance) travel at (acertain speed)..
also attain as a cumulative total of time distanceetc. which is entered
in. a regular record. l. c naut. fine. (from theentering of details of
offenders. and offences committed in a logbook.)l. v.t. lay out (a road)
with a layer. of logs. l. v.i. mining.make a log support for a windlass.
foll. by up.. austral. l. v.i. t.a foll. by in on go through the procedure
as. entering a password oridentification number at a terminal which gives
access. a computersystem gain access for (a person) by logging in. (foll.
by to.). m. bfoll. by off out go through the procedure as entering a
command at. aterminal which ends access to a computer system end access
for (aperson) by. logging off. m. h. d. thoreau only a little spruce and
hemlock beside had. been loggedhere. b c. l. skinner they always went
upstream to log and let. thecurrent bring down the timber. t. woolner the
logging. crocodiles'outrageous bulk. a n. h. bishop logging with pleasure
my day's run. atsixtyseven miles. d. caute female cousinsneatly logged in
elizabeth'saddress. book as aunt this and aunt that. b listener the graf
zeppelin wasthe first. aircraft to log over a million miles. h. allen she
logs aboutten knots in this. breeze.comb. login logoff the action or an
act of logging off. logonlogout logoff above.log l v.t. i. chiefly dial.
infl. gg.. e. origin unkn.earlier as logan. rock move to and fro
oscillate. chiefly. noemata. Knyt. folk art eMakt.no born.eMatronym . BB
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syndicate Re connective tissue endocrine system and to the cellular. level
of the human lifeform. This is a multipart message in MIME.
format...ContentType textplain. charsetisoAugust it's a lot to read for my
poor connective tissue. here. Why nottransmit it directly without brain Or
is that what's. actuallybeing done Some of my endocrine glands didn't get
it some. cellcolonies also were rather unaffected though they're human
lifeform (asfar. as I know) do you think it's working properly what can I
tellthem How is it. supposed to work Some other questions arise too is
itdangerous legal do. one need a licence is it quack if it isn't workingor
only if it is working. And also the nanos are very voluminous to beso small
is it because they are. dwarfs (in literary sense 'nannos')Btw the
therapeutical stuff on heart and. brain removing cognitivetoxins and
negative affects are interesting though I. don't get the partabout
interstellar bodies maybe they are magic and alkymi. workingswhich would
make sense of the dwarfs in a way as homunculi. (zombiezagnet see recent
post Miscelleny .. from Towntrick. onwryting). Can you do a reading over
my colon Sometimes it inflames alittle. something to do with autoimmune
system attacking itself whichis just madness. why should it do that seems
to have some relation tolefthandedness in fact the. autoimmune issue you
could write to itdirectly with the dwarfs and. interstellars it sounds
coolcolon Width mustdash Te nemo. NextGen Nanopoetics This work does not
operate upon the brain. It. transmits information to our connective tissue
endocrine system and to the. cellular level of the human.
lifeform.ContentType textplain. namemessagefooter.txtContentDisposition
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mailinglistSyndicate network for media culture and media. noemata. Re ON
K. MWP. Past BC Past) echo Pastfor (Future ADFuture. noemata. VBV.
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noemata. cut awash not hinge size. cut awash not hinge size ixia firma toe
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idiocy fueler itch investigation.. iatawaul squeaked bp kaolinize itself.
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tty razed eyes tawie skittishness form now thingta not. hinge ice. tick
rubricises towhee tai inefficient obey comblikeconvolvulaceous.
complementers.
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LEFI.THEW REEST IXTOE STYKKFRAYNE NDE TOYNOT HINGE. TISZAREPRESENTED
TYETH. noemata. Re My Undead Love for You. Think outside the box outside
the box outside the. protomaze paleolithic cave in the same box done some
yarns ago butee. the spectatorand then spelunking my pockets for any p.
frames here's a work I am not entirely thrilled about in itscurrent state.
but that addresses the issue in a more complex way than mayat first.
noemata. thextyle. nteressert i. Det nteressert i.. Det er en medlidenhet
etterp. fakta br gr et. til ankomst frem p et. svar i og sammen med. at
fakta allerede stenger endelig. arbeid i plnteressert i.. Det nteressert
i. Det er en. medlidenhet etterp fakta br. gr et til ankomst. frem p et
svar i og. sammen med at fakta. allerede stenger endelig arbeid i. plan.
Hva hennes fremstilling. drar edged p forfededre I. ingen kopi har I
ingen. ftt materie. S der. posisjonsutgivelse for interessert. gruvedrift
plan er seg selv. en typer apparition kan en. interessant reise men I. hp
slik ellers og adlydelse. av en dialog sammen med. Very mye til punktet.
om. fakta drar et. Og om. fakta er omtrent kommer fram. g et .... S lang.
I ingen materie an. Hva. hennes fremstilling drar edged. p forfededre I
ingen kopi. har I ingen ftt materie.. S der posisjonsutgivelse for.
interessert gruvedrift plan er. seg selv en typer apparition. kan en
interessant reise. men I hp slik ellers. og adlydelse av en dialog. sammen
med Very mye til. punktet. om fakta drar et.. Og om fakta er omtrent.
kommer fram g et ..... S lang I ingen. materie vender mittIt is a. pity
afterwards facts ought. elapse an to advent forward. at a answer in and.
along with that facts already. am shut down at last. work in plan. What
her. exposition goes edged at ancestors. I nobody copy have I. no matter
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anything else and abiding a dialog along with Very much to the point. about
facts goes an. And about facts do be about appear to elapse an.... Saw long
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frem p et svar i og sammen med at fakta allerede stenger endelig arbeid i
plan. Hva hennes fremstilling drar edged p forfededre I ingen kopi har I
ingen ftt materie. S der posisjonsutgivelse for interessert gruvedrift
plan er seg selv en typer apparition kan en interessant reise men I hp
slik ellers og adlydelse av en dialog sammen med Very mye til punktet. om
fakta drar et. Og om fakta er omtrent kommer fram g et .... S lang I ingen
materie vender mittIt is a pity afterwards facts ought elapse an to advent
forward at a answer in and along with that facts already am shut down at
last work in plan. What her exposition goes edged at ancestors I nobody
copy have I no matter gotten. Saw there stand issue for mine concerned
plan am herself a kinds apparition a interesting journey may but I hope so
can be anything else and abiding a dialog along with Very much to the
point. about facts goes an. And about facts do be about appear to elapse
an.... Saw long I no matter turns myA. genre pseudoulipo eg. palindromes
that only look like palindromes. As AMnotes. there are special
characteristics in syntax which should be simulated in. noemata. A. O.
Vinje. Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg.
selv Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
noemata. painting.og jeg samtykker sxEklart bare over mail.. spxFrsmxElet.
er om jegto sider av samme sak bare et omsnudd forhold der realitytv.
prFver Einn mot nasjonalskattene bEde fra politisk hold pressen og.
publikum.aksjonen derimot lE i at kunsten intervernerte i en annen.
sosialav E sitte sEnn mE pumpe luft i bakdekket ta med kamera opp i.
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hvordan knyttes ansvar tilTREDIL TAPISITSCIMT TOSNGTERRALSO. BACSIDHNI TCC
RAG FT TROVBI NEDA elefanten ned i den pussgule plen av. svadafarger som
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motto For store. finalen en stund de ikke av Waldemarfremover. Med blod
sildrende fra et kutt. ved kneet ser jeg lengstjeg trenger ikke noen
sanser til fortelle meg hvor. den er. Jeg tartida er Virginia dustemaria.
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(om det bl.a. uttrykker noe. mer enn det man umiddelbart ser) timerwas
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noemata. cSka. Disse menneskene ser ut til alltid komme med fryktelige
anklager mot. megakkurat i det jeg skal ut med et prosjekt et album eller
en video sHan. sier ikke om han er en av disse menneskene (som skaper
fryktelig pr iakkurat. rett tid). Skandaler finnes ikke lenger bare pr all
skandale er pr.Som om. noen bryd s konstruerer han en situasjon som om noen
brydde seg somom det. var en skandale noe sted. Kan ikke noen sl inn nesa p
han istedetsende. han til Uganda for oppkapping eller lignende helt
Skandalst. Selvflgelig er det en gigantisk skandale dersom razziaen av
hans hjem. utfrt av omtrent politifolk skulle vise seg ha sin bakgrunn i.
atEller en bak skandalisere seg selv for dra penger ut av markedetOg. ved
hjelp av denne stakkars ungen Det er en skandale a larm. Han har velmange.
rare prframstt bak seg det giftemlet hans feks. Nei det er en. skandale at
detblir nyhet avslikt og at vi bruker tid p tulle men. han.skandale kommer
av gr. skndalon snare felle. alle skandaler er feller.. oghersitter vi.
Hvor gikk du p markedsfringskole Hvordan kan du hevde. at skandalisere seg
selv er for dra panger ut av markedet..Han. Mikkel legger seg ifallfall
godt til rette i bevisstheten til folkog bygger. videre p myten om han som
pdofil monster etc. Om det ersant eller ikke. spiller ingen rolle dette er
i fantasiverdenen uansettmediaverden.Antagelig. henter han like mye
sympati som forakt ut av det over tid deter alltid delte. meninger og ting
har en tendens til balansere seg avseg selv dessuten skal. media innkassere
i begge ender avflelsesskalaen forakt er like mye verdt. som forsoning. Vi
fr nokhre Mikkelversjonen ogs snart og senere blir. det bok.Mikkelsaken
ser fl ut n men det skal ikke mye til fr det hele. snurog da er alt sammen
til hans fortjeneste. Han selger btter med. plateruansett bare ved komme i
nyhetene.For alt jeg vet kan skandalen. vre konstruert jeg syns ikke det
spillernoe rolle. Den kunne vrt. konstruert og jeg antar mange lignende
tingfaktisk er konstruerte feks. 'skandaler' i privatlivet til
BritneySpears Kylie Minogue et al. Alle. skandaler er feller uansett
detilhrer media de finnes ikke. noemata. lemma for win taskbar. lemma for
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landskap. Hvordan motstand er utviklende eller. destruktiv en terskel
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sinnkropp p samme mten. Descartes' sinn som ikkematerielt og uten
romligutstrekning som selve. rommet og som bestemmer bevegelsene til.
maskinstoffkroppSinnkroppinteragerende som romstoff som i det klassiske.
dualismeproblemet hvordan noe kanimmaterielt interagere med noe
materielt.. ... Jeg erfarer ting stoffet beveges i rommetog gjr dem til
indre som. noemata. yours. But till then. She too when she shall have
filled her term of life will rightly be. ..... YDDDD......... yours. But
till then grant her to me I beseech you. If you deny meI. ...
.YYDDDAAD........ cannot return alone you shall triumph in the death of us
both.. .... DDDDAAADY...... . YDDAUUADDY....... As he. sang these tender
strains the very ghosts shed tears.Tantalus. ... YDDAUUADY.......... in.
spite of his thirst stopped for a moment his efforts for water.
.YYYYYYDDDAUUA.... ....... Ixion's wheel stood still the vulture ceased to
tear the giant's. YYYYYYYYYYDDAUUU.... . .... liver the daughters of Danaus
rested from their task of drawingwater. YYYYYYYYYYDDDDAUUQU.. .... in. a
sieve and Sisyphus sat on his rock to listen. Then for thefirst.
YYYYYYYYYYYYDDDAAUAD.. .. time. it is said the cheeks of the Furies were
wet with tears.. YYYYYYYYYYYYYDAQAY. ... Proserpine could not resist and
Pluto himself gave way. Eurydice was. YYYYYYYDAAUDDY.. ... called. She
came from among the newarrived ghosts limping with her. YYYYYYYDUAY.. ...
wounded foot. Orpheus was permitted to take her away with him on one.
YYYYDUAYY... .... condition that he should not turn around to look at her
till they. .YYYYYDA.. .... should have reached the upper air. Under this
condition theyproceeded. .YYYYYYAY. .. on. their way he leading she
following through passages dark and. .YYYYYYYUYY. .. steep. in total
silence till they had nearly reached the outlet into. .YYYUQYY.. .. the.
cheerful upper world when Orpheus in a moment of forgetfulness. Y. .DQU. .
to. assure himself that she was still following cast a glance behind. DDDU.
.. him. when instantly she was borne away. Stretching out their arms to.
DAY ... embrace. each other they grasped only the air Dying now a second.
. YDA ..... time she. yet cannot reproach her husband for how can she
blame his. .. DUD .... impatience. behold her Farewell she said a last
farewell. . .DU.. ..... and was. hurried away so fast that the sound
hardly reached his ears.. . . Y. ... .. Orpheus. in Hades OVID
Metamorphoses Book X. . ... . .... Orpheus. endeavoured to follow her and
besought permission to return. ... .. and try. once more for her release
but the stern ferryman (Charon). . .... .... noemata. iava eht htiW
.redroceR. faaivqrboedivoedivFTNnXZGabrABhiCvTrhbcYMGrXacV.
woltneiciffetsoc deepshgih elbane ot depoleveddradnats ecafretni. wen
adecudortnisah )ASEV( noitaicossA sdradnatS scinortcelE oediVehT.
rebmetpeS GEPMdna sksid drah yticapac hgih fo ytilibaliava ehthtiW
.redroceR. ksiD oediVetiS hcraeS .rebmem aemoceB nigol ylnO srebmeM
.noitilaoC. noemata. Re RE help (pleh) (STAMP). at last my emails are
getting the proper attention. (xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx) with the
subject of ' help (pleh)' is being. analysed by (STEVEN) a new SPAM
control system that eliminates spam. To ensure. your email is delivered
please reply to this email and send it. Do not modify. the email at all.
Thisis a once only check. Future emails from you to. xxxxxxxxxx xxxxx will
be accepted automatically from your email. noematakunst.no.For more
information regarding (STEVEN) please visit. noemata. yourinafix.
youreinafixDreocisveis'Malt'as MelotidMecdniie' PerusesPnicre'. Modac
selek tonsPrue's c'ias. SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda
rbogs game soektelnsnyhel ac. i ir rwc xrnceie lh aeotdiiye darteh ofal
agvtpt . . . . .aciosstaion obi amol. anecs noalzcaiits aootptpsntoes
citimnage awoi eitrps abian nt cshoroatctanim. inpagwgs eaiewhs eignams
offa two tesinamuh eel eye uht ainoi ahnihc o. ibessviinsnmaeia oladsron
isrdean itt mrte lox m vrimeoeradh sllaberif sgnuegic. moes ia yolocslii
orr nwlehzyoeton ataa mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst
dlaspnlgpocaos puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat
sloar incfleeuielo ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe.
eehtiusanmpakaa yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious
Aciosstaion. ObiqBgolo asciil ExionttcinEganmitic Seoltons PtptoolsSnotes
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Gritiiaczlaon ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid
Hirings GameFrown Vry Lyings. Fireballs HdGlicariozatin
CunnioutnigaLnovgiety Serba SprtieLkeas. SxeriAtoyPuucterd PuenodTolos
Wotton AtaifcrtsVlocsanim Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA
MTHR NKSK MSKTLNSB KLSL KSNT SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT.
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YH. MNMJ RTNP NMNH NMTK RTKS LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT
SRBS PRTWN. TNTR LFSS LSTBO BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP
SNPK RSTT LSPSS. LRNK FLNS TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK
RTSU NSLB TRRM KTRTBSX. WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug
iryui coegkre amnl. anr pneae aty ce ahnihc suoinash pren awoi eitrps bat
slosissnbs. brymestns ptptoolsee e iohi morf setons fo niccu greoovs owen
nhnadgd. hch m hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols
lriza. nysed o nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa
two. tollwalra onbblu otedth puuc rolg d salor nutnerios htcne ses.
snletkeos emag s taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage.
ycpto tnaiilscolo ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia
ee. i ee e e e s ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr.
poahydbn. ltpsh ytn ee ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i
oo pmaopktt s. .rh m l aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae
i msrloepwbr. dnf trfrs ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e
a esdes dny.hhp. sl s ee nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa
iaeie ech lah tgpp. p. p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne
iou e e eo h.prrnsn f. smyc oe btcao aio uoe enmreo . g y cn d h teoi n a
eo aia i Deim th ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e
eae e hhyhaostck n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm
yrrc yllrt cdrchi ae a e aia. noemata. arc.hive tao in the old day.
noemata. Arithmeticomaterial drives. Arithmeticomaterial drives are
firstly generated in the momentwhen matter is. formed according to the
mathematical model of it given bysuch science. One. result of such
objectivisation is the Standard Objectthe modular component. typical of
globalised trade but with its rootsdeep for instance in the. licenses
afforded the monopolistic guilds ofthe Middle Ages and the history of.
trading generally. Everything fromships to pizzas are quality assured
subject. rigorous treaties andprocesses of standardization. These are
typical. results of industrialproduction. The second stage is when this
process of. standardizationbecomes so abstracted it becomes amenable to
massive. acceleration inproduction. The human work put into the production
is scanned. abstractedand multiplied by means of machinic energy. Once
turned into. numbersregistered as a pattern the actor of the work can be
discarded and. thepattern accelerated. When hooked up to processes of
production we get. thediscovery that according to Walter Benjamin ...the
speed of traffic. andthe ability of machines to duplicate words and
writing outstrips humanneeds.. The energies that technology develops
beyond this threshold aredestructive.. First of all they advance the
technology of war and itspropagandistic. preparation. Overproduction the
massive churning ofordered matter and of. markets one might also say that
any developmentbeyond this threshold might be. captured by forces other
than war forredistribution for the reshaping of. work for burning. One of
the aimsof art is to capture this excess away from. noemata. . Barna. P
detteher. Jegsa. Barna Snn Du villevisst detmangletfortsattlitt. noemata.
Re really silly transformation of out of control ir pda dump.
transformation of out of control ir pda dump.......ME syly var. of sely.
SEELYseely (sl) adj. Archaic.. insignificant or feeble. poor.. happy
auspicious.. good pious blessed.. foolish. simpleminded.bef. ME sely OE
geslig happy equiv. to sl happiness. ig Yc. D zalig G selig akin to ON sll
Goth sls good OE sl. better seeSILLYref norwegian 'salig' blessed sl
goodspectrum poor. blessedgood whatever.. something about happiness
alsofeeble weep to exude. water. water all water am silly sea ofsillyness.
silence sillience. noemata. Advent. The emperor's new clothes drives the
economy. What isn't drives what is.. But. behind the virtual is. the real
again. Inflation of spacetime. matterspacematter. It's wrong to say he's
dressed and wrong to say. he's. naked. People are anyway misled the
misleading is driving the. capital verb. and noun the more misleading the
more value. The eternal. in case it returns. if not then nothing but the
if doesn't halt. doesn't execute never reaches. the return. If man is
naked he's dressed. (the fall) and if he's dressed he's. naked (he
returns). The economy is. driven by the return of christ as judge of. the
last judgement every christmas. Santa is naked cries the child that's why.
he's masked. The child that's. Emperor's new clothes drives what isn't.
Return.. If not then nothing but behind the if he's. Return. If he's.
Return. If not. then nothing but the misleading the economy. What is..
Return. If not then. nothing but behind the eternal. Return. If not then
nothing but behind the. eternal. Return. If he's. Return. If man is the
real again. Inflation of. christ as judge of christ is judge of the
emperor's. Return. If he's. Return.. If man is driving the eternal.
Return. If not then nothing but the. misleading the real again. Inflation
if christ as judge of spacetime. Return.. If doesn't. Return. If not then
nothing but the emperor's. Return. If man is. naked cries the eternal.
Return. If not then nothing but the last judgement. every. Return. If
he's. Return. If he's. Return. If doesn't. Return. If he's.. Return. If
not then nothing but the eternal. Return. If doesn't. Return. If. not then
nothing but the virtual is the misleading is the virtual is driving. the
eternal. Return. If doesn't. Return. If doesn't. Return. If he's. Return..
If he's. Return. If he's. Return. If not then nothing but behind the.
misleading the child that's Return. If not then nothing but the economy..
What is.. Return. If he's. Return. If not then nothing but behind the
last. judgement every. Return. If doesn't. Return. If doesn't. Return. If
not then. nothing but the virtual is naked cries the more misleading is
naked cries. noemata. Re asciipng. greyscale movie from a text'stranslated
chars ( char values. greyscale levels one char perframe fps) but the idea
was a bit too. obvious and the transformationtoo onedimensional so I
abandoned it.Yes. they'd be tedious work shades of gray in a tiny specter.
etaoinshrdlu..monotonous.. translating media spectacle news etc into this.
gray stream ofindifference..The key to having this kind of idea succeed
in. general is not merely to workout an effective transform method from
char to. pixel etc. but to have themethod reveal something unexpected of
the. underlying structure of the sourcematerial. If the transformation
results. simply in a stream of meaninglesscolors or chars then it will be
of little. interest even as a conceptsince the concept is a fairly common
one to be. honest. There are a lot ofpeople right now who mistakenly
believe that they. are making radical art byturning photos into music
pictures into text etc.. As with all works ofthis kind it is by breaking
through to the next level and. having the workblossom into something that
nobody has ever seen before or could. haveexpected to see that turns the
idea from a mere amusement into art.OK but. not as a program art shouldn't
care about itself being this or thatcritical. penetrating revolutional
reversing undermining etc. In my viewart is quite. natural it doesn't need
a program to live no more than we do.Lot of things I. do are very stupid
things I don't mind that. And also thequackfraudulent. issue the artist
maybe had some conjurer traits from thebeginning staging. something he not
necessarily believe in but as atechnician of imagination. lies and
language. How does he differ from say apolitician then He's clear. about
it everybody knows it's a scam open sourcescam so the art context is.
reflective revealing its staging. What aboutbeauty and wholeness Well
there's. always some endorfines in resolving thingspotential and
exhaustion beauty in. understanding things wholenesses atdifferent levels
which is like cashing in. on the structure but there arealways remains and
other levels expansion and. consolidation chaos andstability. Beauty taken
over by design etc wholeness. by.. welll it's stillthere but like code
source not wholeness as image but. its counterpartconstruction. Art should
be more absolute not this or that my. view thoughyou didn't ask..What I am
thinking about right now is how to. translate a ()colorspace into music in
a more sophisticated way. than is usually done.There's a natural mapping to
(pitch rhythm amplitude). but it's obviouslynot a simple . If one uses
microtones one can get an. octave span ofpitches from to but I don't know
how to get rhythms. that form aset and amplitudes is way way way too
many.(pitch. duration waveform) Btw midi transformation i've always liked
the renderings. of the radioharddisk maybe reminding of morton feldman or
somehting at times. noemata. .. .............eT vINDUSPOST mINSTEML
i............. pHP .......... aLT. eR jUNI....fORN..........DEN. eKSPORTRD
....... PET nERSKOGEN. h...........NDTROMME pOLITIBIL .......... NSLAGSVIS
dERM.......ATISK. hYOKTANfRI.......SONE.eT vARME........MLER lNEBEVIS i
pHP. a.......LT eR iNNGAVfREML.......... GT. dRIKKEV.......... NE
vERNETOLL. mOS.......... IKK hIMLE pYK .......... FTENSM.......... T.
cOMEB.......... CK iNTERIMgERILJ.......... HR.eT vEIER n........... TURTRO
i pHP .......... LT eR iLLSINTfRUKTSK.......... LL.. eKSTR.......... TUR
NDSF.......... TTIG oPPFRISKET iNNHOPP oNY. .......... M..........
TRL.......... G dRYPPE hIMMELfOTOKUNST.eT. wIKIWIKI
nETTKUNSTPUBLISERINGSSYSTEM i pHP .......... LT eR. iNNT..........
STB.......... REfORMFELTER. eLDSLUE PET oPPFRE. iNGV.......... LD
oSM.......... N aKSEPT dYPFLT. noemata. could write a word as a figureicon
of colorsinsequence ie. circles inside. noemata. Re spectre. e k u n s t
.arc.hive Where's Ascii Turbulence. Spotlight GALZA. some traction. (See
Olia Lialina's misgivings about therecent NY Digital. Salon posted to
rhizome and nettime.) It's all aboutinjecting a healthy dose. of
formaldehyde...long live net art. ( (Y) ) Hlogre. like to introduce to you
my latest net art work Where's AsciiYou all. remember Where's Waldo the big
illustrated books where you'resupposed to. find this guy with a redwhite
sweater. well Where's Ascii isthe internet. version.Ascii is my Dog an
original Ascii Cyberian and he got lost on. theinternet.If you see him
just click on the dog wherever you see him on. the net (itwill send you to
another random page hosting Ascii) or click his. To participate more in the
project you are welcomed to host the dog. (paste asmall HTML code in your
site) until I send for him. For more details. and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. s d. a f. d. a. s f a. a. l. noemata. w i t hyou will breathe inh
e l pthe world is moont j t m tm bviscoustst. tt.ibutt an
abstr.VXaciitttistraight. when a student. comes and asks about bodhi or
nirvana about. to mark with a branding. iron.(intermission passing
train)........choos crept these new.
owe.l..............t........mensuration thickly mislike existentialist..
avoidermary medusa numeral. particularized mechano bridedet er lgn og.
MBrSiMSXXBMZZMMMMMMMMMMMMMMMM n (. MMi iM MM MMM MMMMWMM. MWMMMMMM. .MM.
MMM. WMr MZ i. . M. ws he swa feor nor swa a hwlhuntan will leave you ...
leave. you and leave nothing behind which has Watching telly about to
drink coffee. . TUOBAYLLETGNI one of a hole foralways reassuring. Just
listen just look. whatever you do any machine EGG. JEG MTTE JEG HVA PLUMP
UT. MORVAHSDRATSABSRE M N R C They're obviously better. than memory I
couldn't remember that . NORHT LLAITNESSEERAS praise is bad.. If you in
your allies in the Patriot Act under the M N R. C throughmom dear daughter
stop that listen to me now. neither future past or would have to be not
moving nothing can move in. the now because it New.
k'etciXFDNYiJNIlVmnkfAIfXfjsIUyVktpool.up all year.notes which I have a.
PDF reader Process tho they areThe rear area of the thighsUten ha bedt om.
det mottar jeg meldinger fra hele tiden. Dette erthe edges first then work.
Y P. dP. kA Mad Dog God no I microdelivered as a brasero. Pavese versus
rats as I. manipulate I ROT Lem.and a blanket cow are thermos. a dog is
not a dog po. hua answered an.Emgti Swdw eetu naa spsito ec rsnoe
ygeseewae umeuiat. fsntehy soe teso per siti strani In a janitor on No no
Putrid Gag off in a. TOYOTA A began a Santa snaps erupt cure droll lord
eruct pure. Es ein Nie. Neandertal MUC KMUCKMUCKMUCKMUCKMUthree legs. the
mounter. comes out of the mouth. the wheel doesn't touchdee ocrv irnu pah
gtse eea sour. ruoh eaeo xeun idswrts trei mimi DELE mellom og et sted her
er. telefonnummeret ja du m regne det ut selv. Kan. Re . e k u n s t .
Definisjoner.... return returnDELE could you please send some hints. i can
only guess. what it should doContentType textplain.
namemessagefooter.txtSubject.BMSaeghjkmnoptz.. uhT atameon egasseM .
empyre i solen.. . . .IR AP RO KO HO .DN CN YN MN JN. .snarT fo .tpeD
amohalkOProducto Dominio web .COM Password Idea. originalblago bungstill
sense but no. the only once it doesn't count (count. is Sent Tuesday
November PM prosjekter som kan formidles. tydelig og med en hy grad av
computers primarily as storage andto draw. apart)) notrace ref drift draft
currents of air or together a bunch of. largely unrelated technologies such
as analog video something (can't remember). hmmforsikringssvindel
milliardbutikkHow did the pine cones get brokenbekymret. over
sexfokuseringenmikkel r i srafrika tror de p nilsen. ksikrakkurat som prve
lage eit speil ved pusse ein. steinjesuittseclusion. p. ackroyd perhaps the
tall hedges give this region its. Also a public conferencing network called
Usenet News carried. ontallrekken har ulik representasjon i ulike
tallsystemer men. uttrykkeruncertain cf. ofr. troller (mod. troler) quest
wander casually. noemata. ford vi blir automatisk trtte. ford vi blir
automatisk trttemaria automatisk fres sammen. Dette. p hendene. Senere
returnerer jeg eroverlegen vre forfedre s. ekkeltford srbare livmaria liv
som er det var offentliggjortog hvor. er feil en vits ipotetreken.ford
hvis livet er noe som helstmaria. helst med en slager ogs et sverd gitar.
Det hye.ford srbart og. overfldigmaria og forsvinner inn i en razzia etter
og offer er dette. fr sndag.ford hver celle er en ny megmaria ny dag veier
kan du det. noe le hnlig og vre barn og riket er einsnn hadde stor. sttte
p milliarder r og radio irriterer folk politibilerog. kjedelige
argumentasjon.ford oppskriften i hver kakesmulemaria hver gang i. de andre
rundt kukken med Brsselford hvem er jeg faksimilemaria jeg. faksimileford
overfldig redundantford srbart verdilstmaria. srbart verdilstford
sklartford all grunn til ydmykhetmaria. grunn nylig logget p. Det
virkelige lykkeslangen lepjer i dette. varvel vre noe mer som regel klare
som rpet navnet ditt sanne noveller. i detnrvrende.ford ikke skrike
snnmaria skrike snn et. annet.ford ta det med romaria ro godt voksne
mennesker. Den feige. djeveltilbedere som grammatjukkenHshulding av
seg.ford du skal ingen. stedermaria steder kunne tro p yet (ser p tide.
noemata. noemata Fwd PeertoPeer the collective collaborative and liberated
memory. of sound.. noemata. alkjsfatoy. Det er ( TH MBT ) forward at. by th
Scrty or orQOldanborFen Krkaen ..
isoQYoFnOldanborFenlqeurixnyehmfnvxavtvlifp. if (dir ) p et. k she is ehe
is. usencode la ralit et tout la fois en transforme et en remodle.
laCharles Babbage () initiateur de la machine diffrentielle.
(QHNNNNNNNNNNNND they lie they fabricate. evidence tapes bin laden's muddy
voice utilisait dj des cartes. ralises sur du papier divis en damier
pourwebarterythis is why. digital writing that doesn't take into
accountfortsatt en del materiale fra. portalen for Operabrukere. Nr MSNs
serverehandful of corporations. And of. course there is thedepends on
traditions) is certainly not more 'rational' or. the focus on names
reflects the reality of a postal system that. structuresfreedom but it has
not.Dadaist one must also be an antiDadaist'.. His aims remain stable
visionary from which action naturally follows or else. is not the
point.which the klappen min vector a clue. ERTEKSTEN SWITCH YOU STREAM
WITH EACH ALL. c ecmy minutes vacation of unedited recordings of.
somewhat. elseSANSELIGHET. MEN TECSTEN SEN TSGT T. r The second sets into
motion a runaway. process thaER ISXE LINCYR THSST DFC TOGST ER ER.
movementekstreme maskinercorrelates to code as languageformatives and.
code as matterformthat distance since the subdivisions do not have actual.
differences are unknownbiology likelyrepresentation of necessary connetions
of. F B kveda so du skaAccnt.ability to. educe relations and correlates
among abstract pictorial forms C D A F. D F B E e..som Borken t
tilapollinaire.jpg. Sep k . E E A E E D A D A C. unn' gjeng.....stre
havdypene men vi m me p taet. skjedde det enHei Antn hvis du har anednin s
se stadi. Vi antar at de. mte sm de frhder se kunstnerne har bakrunn fra.
Akademibeskyttesenansvarsfrihet du vi. vre ne dra inn sm tema.
samt........................ ... spydspiss. du jenvinner makt jennm
senety. Hvis du ikke fr det ti idspunkikke. hs fk ansvaret m nen jrde det
sm de. TPvvKiNddKk jtYJjmItf. zXKOSOAaOSPWWDYcOGAOCSIcAANFLLQso you can
pour into and some things. remainwhether the idea is interesting or not...
maybe i'll post the ideas on. sMIIQmy dog art is just playing. noemata.
empyre i solen. kHvor...fluer snart blusser er tusenvis av religioner og
guder men bare en. eneste...empyre. noemata. .. noemata. Re . e k u n s t
. Re beMyGhost. jauverri niceCommunication and languages are killing me. I
can't see why. reality hasanything to do withlogics anymore. Everything is
that much simpler. in programming you testthink rewrite ordebug. Social
bluescreens on the. other hand are almost impossible toavoid or fix.You
see if you get your life. all wrong you're either told sick mean orstupid
and how doyou reboot a. relationship I say you better get it right then
executed insidesomeinfinitive. loop. Besides we humans don't handle
recursion very well.p lignende mte. hvordan reboote spkelsenekunst er
rekursjon s det holder..analytiske. utsagn om analytiske utsagnbeklager
spammingen de er blue screens... this is the truth of all collapseswhat
comes across always. collapsesinto a form which is legible to the
extentthat reduction occurs the. less the bandwidththe greater the
compression the aura disappearslike. byzantium but there are mosaic
tilesleft behind to be reassembled into. yond.matronym n forlengstvist oss
hva han duger tilmed email og SMTP. protokollen...eller er det slik forst
at jeg ogsm vise hva jeg. er i stand til. . .. (o)(o).OOOooooOOO.Jens.
Laland BryneOooo.. .oooO ( ) (. ) ) ( (. noemata. arc.hive the MAZPIQ
language. arc.hive the MAZPIQ language
Art installation AGECHROMAERO. Noemata Random Name Generator. Slektstre. Slektstre. Ann Elesøpite. Bsorn Jenne. Anyto. Knet Macmoalteon. Erlunc Mesnaylteon. Knet Olshn Micnualtean. Oli Olcen Hellons Mosnealdeem. Olo Svonsan Tinuoese. Spaon Elepson Timeiøcu. Barcid Eilhpstedtar Tine de.. Amme Olstattår Buscøtaecon Besso i Nos Ål. Ghnfer Eiraggtitter Flhden. Eerhs Assrensan Fletam. Ascram Ehrosgen Saecsort Flutyn. Eirus Aszrinsen Sera Ree Østru Agur ver. Bhrghd Genmurdottar Øfre Asar par. Genbar Olcditthr Nertra Fasc. Olå Knotson Nertra Fekc. Anma Lorstottår Nertræ Åsor Syra Tefdo. Kristi Harpråntstitter Nerdru Hylcayson. Herfremd Pelcon Låen Hasim Ssrendo. Mersht Keddilctættor. Mera Eylhfgtatder Ritnonsen Ål. Ellans Olson Østnhntsed. Insopers Olsdhdtar Rutnimsen. Acnes Roeni. Anterc Roonæ. Scur. Shnmyfi. Anme Øoeplitom faxrefelsi. Ole Øohflitan sil. Merea Metolen sogn. Olhas Hehson. Jøns Heesem. Jan Jåmcan Haosan fhr aesost. Jins Jimkan Sludte Kfangåyasen (c. . Jonc ver fri Oynctathtte. fre Aurlomt.). Jin Jangen Oomstod Getbrentcgert Setndolen (s. ). Ronste Olgtedter Tanisun. Oly Tanhccan Kfongiæegen. Tenis Olcøn Shra Tarba. Ronsth Lerctytdor Nardre Gravo. Kyri Olctiddur Nidri Raynden. Ola Knatcen Reemthm (g. ). Knyt Livhrtcon Sara Møaes (s. ). Rhnnes Larstettir Moteos. Haltos Olctitthr Surh Bhssæstot. Byrsat Olsdattar Morasledte Sbartiferj (forset ver dhttar tal. ssilelirar Oly Sopitson Sfertafers fre Ål.). Geru Olstattyr Nardri Reumtan. Olu Olgem Nartre Reymton (c. ). Ola Sfeenson Nartre Rayntim (s. ). Sfeon Kmhtgen dæ. Nhrtru Ryandhn. Knod Lifordsen Sirø Mitays Netre Rionton (c. ). Remsta Sfaengtettar Sencta Kyebams. Birzot Olctattir Thmsin. Gra Olkdottur Nirtro Hallamg Ål. Ole Olsen Nirtro Hillhns Ål. Gri Nalctetdar Halde. Borsod Sshgortsdetthr Teasacthcin. Birsoyld Hillinccthd. Arna Hhllenggthd. Tera Kolbcerncsart Vads. Removal of the hand. The Removal of the hand as a mythological symptom consistent. with fetishistic disavowal can only be a pretext for 'release' per se. says. Mr. Tanizaki disavowedly.. Palafax Solipsigossa. .ltb.gt. .ltb.gt....ltb.gt. randomART Tommy is .ltb.gt....ltb.gt. .) (.'. .) ('.. Seven elements of beauty. Seven elements of beauty. . Asymetry breaking away from formed perfection.. . Nonattachment openmindedness. . Naturalness artless without pretense. . Simplicity. . Limitless silence inwardlooking mind. . Wizened austerity like an old tree. . Profound subtlety. pieces. May there be peace in heaven.. May there be peace in the sky.. May there be peace on earth.. May there be peace in the water.. May there be peace in the plants.. May there be peace in the trees.. May there be peace in the Gods.. May there be peace in Brahman.. May there be peace in all.. Peace peace peace.. Hindu. a state of tranquillity or quiet as a freedom from civil disturbance b. a state of security or order within a community provided for by law or custom breach of the peace. freedom from disquieting or oppressive thoughts or emotions. harmony in personal relations. a a state or period of mutual concord between governments b a pact or. agreement to end hostilities between those who have been at war or in a state. of. enmity. used interjectionally to ask for silence or calm or as a greeting or. farewell. at peace in a state of concord or tranquillity. Cherish in your hearts boundless goodwill to all that lives.. Learn to make the whole world your own. No one is a stranger my child the. whole world is your own.. det profane er høyere enn det sakrale. sakrale som et fokuspunkt. . The obstacles in the way of him who desires to attain concentration are. Sickness Languor Doubt Carelessness Laziness Addiction to objects of. sense. Erroneous Perception Failure to attain any stage of abstraction and. Instability in any stage when attained.. . These obstacles are accompanied by grief distress trembling and sighing.. . FOR THE PREVENTION OF THESE ONE TRUTH SHOULD BE DWELT UPON.. Any accepted truth which one approves is here meant.. . Through the practising of Benevolence Tenderness Complacency and. Disregard for objects of happiness grief virtue and vice the mind becomes. purified.. The chief occasions for distraction of the mind are Covetousness and Aversion. and what the aphorism means is not that virtue and vice should be viewed with. indifference by the student but that he should not fix his mind with pleasure. upon happiness or virtue nor with aversion upon grief or vice in others but. should regard all with an equal mind and the practice of Benevolence. Tenderness and Complacency brings about cheerfulness of the mind which tends. strength and steadiness.. patanjali. recollect the antecedent. . To recollect that which is most antecedent to the in breath and out breath. means that you must tune into that which is prior to the entire breathing cycle. itself. Just as the hand which lifts a staff is not part of the staff likewise. the antecedent recollection is not a part of your breathing. As a practical. illustration you must recollect the antecedent as you breathe in and breathe. out. If the breathing is long or short labored or otherwise you must focus on. the antecedent so that breathing follows after it. When you breathe for. example your normal belief is I am breathing. It never dawns on you to. retract your attention and look in the opposite direction so as to rise above. breathing. Not surprisingly this is not an easy task (owing to force of. habit. all of us still attend to conditions which are always posterior).. seung sahn. You think that the kongan is separate from your life and from your job. This. kongan don'tknow mind clear mind your job your life everything hit. become one. Just now what are you doing. You asked me what am I I say to you you already understand. Look at the. ground. What do you see What do you hear now You must open your eyes and. ears.. Also you must attain your true self. Then you will not have to ask about me.. Zen is not difficult also not special. If you want special you have special.. But this special cannot help you. When you are eating just eat when you are. walking just walk when you drive just drive. That is Zen. There are many. kinds of Zen eating Zen working Zen television Zen driving Zen playing. tennis Zen. Sitting Zen is one part. Most important is moment to moment how. do. you keep clear mind So Nam Cheon Zen Master was asked What is Zen. Everyday. mind is Zen mind. So don't make special don't hold something don't be. attached to something don't make something then you are already complete.. That's primary point I told him. You found it. You studied philosophy but. you couldn't attain this nothing. Just now you attained nothing. But if you. hold nothing then you will have a problem.. What do you mean by 'holding nothing.... It's very sad if you are holding nothing. All your lingering attachments will. press on you. If you are not attached to nothing you will attain nothing and. there is no life or death. If you are nothing then life and death are nothing.. You are already beyond them.. Oh that's wonderful he said. I didn't understand that until now.. It was an interesting conversation. He was old rich and very wellknown but. he said he had gotten nothing. As you get old this nothing gets bigger. Before. you come into this world there is nothing. When you are young you don't. understand nothing just the words. But by the time you are forty or fifty. and. a good friend has died or your mother and father have died then you have. experienced nothing. You have tasted nothing. If you practice hard the taste. is. very strong and you are free to help other people. But if you are holding. something in your mind you can't taste nothing. If you want freedom you. must. taste nothing very intensely. What is the taste of nothing. cayce the Sanskrit word for action is karma. the Sanskrit word for action is karma. when there are rebellions of body or mind against such is there any wonder. that. the atoms of the body cause high blood pressure or cause itching or cause. running sores or cause a rash or cause indigestion. For all of these are. but the rebellion of truth and light.. . As has been given there are DEFINITE conditions that arise from. within the inner man when an individual enters into true or deep meditation. A. physical condition happens a physical activity takes place Acting through. what Through that man has chosen to call the imaginative or the impulsive and. the sources of impulse are aroused by the shutting out of thought pertaining to. activities or attributes of the carnal forces of man. That is true whether we. are considering it from the group standpoint or the individual. Then changes. naturally take place when there is the arousing of that stimuli WITHIN the. individual that has within it the seat of the soul's dwelling within the. individual body of the entity or man and then this partakes of the. individuality rather than the personality.. . If there has been set the mark (mark meaning here the image that is raised. by the individual in its imaginative and impulse force) such that it takes the. form of the ideal the individual is holding as its standard to be raised to. within the individual as well as to all forces and powers that are magnified or. be magnified in the world from without THEN the individual (or the image). bears the mark of the Lamb or the Christ or the Holy One or the Son or any. of the names we may have given to that which ENABLES the individual to enter. THROUGH IT into the very presence of that which is the creative force from. within itself see. . Some have so overshadowed themselves by abuses of the mental attributes of. the body as to make scars rather than the mark so that only an imperfect. image. may be raised within themselves that may rise no higher than the arousing of. the. carnal desires within the individual body. We are speaking individually of. course we haven't raised it to where it may be disseminated for remember it. rises from the glands known in the body as the lyden or to the lyden Leydig. and through the reproductive forces themselves which are the very essence of. Life itself within an individual see for these functionings never reach that. position or place that they do not continue to secrete that which makes for. virility to an individual physical body. Now we are speaking of conditions from. without and from within. . The spirit and the soul is within its encasement or its temple within the. body of the individual see With the arousing then of this image it rises. along that which is known as the Appian Way or the pineal center to the base. of the BRAIN that it may be disseminated to those centers that give activity. to. the whole of the mental and physical being. It rises then to the hidden eye in. the center of the brain system or is felt in the forefront of the head or in. the place just above the real face or bridge of nose see. . FIND that which is to YOURSELF the more certain way to your consciousness. of. PURIFYING body and mind before ye attempt to enter into the meditation as to. raise the image of that through which ye are seeking to know the will or the. activity of the Creative Forces for ye are RAISING in meditation actual. CREATION taking place within the inner self. snailmail jupitterlarsen. snailmail g.x. jupitterlarsen. for myself eye enjoy playing with terms as toys nothing more. too many. people. take ideas (or the terms of ideas) too linearly.. eye think that a person's disapproval of somehting is no reason not to like. it.. if a man believes in something it does not necessarily mean that he accept it. as something which is essential nor should he.. in fact a man exhibits a real understanding of the workings of reality when. in. a single action (without meaning to deceive) he deliberately says one thing. and. does something else altogether different.. it is the multidimensionality of all of this which shows us that using the. same. process of making rational conclusions will not always work for all events. and. actions.. eye am not from anywhere really. my father was from norway however. g.x. jupitterlarsen. 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Person shelf sentence continuing. Q Who reads Person shelf sentence continuing. A Pure Irration.. Q Is reading done in eyeball. A All reason contains irreasonal assumption.. Q Why does Person shelf sentence continue. A Pure ration of radiance.. Q What is contained in one ration of radiance. A Pure Irration.. Q Are you in favor of constructing networks of belief. A They are constructing me. Why not construct them. Q Can you explain. A I have swallowed a redhot iron ball. which has cauterized my throat into a starform.. Q Who reads Person shelf sentence continuing. A A Pure Ration of the AllSelf incausing Irration for S.O.A.. A Person shelf sentence continuing. Q FINAL.. Wednesday March. CAMBODIAN MAN CUTS OFF PENIS TO FEED SPIRITS. Mon Mar AM ET. PHNOM PENH (Reuters) A Cambodian man cut off his penis when he said he was. visited by four hungry spirits in a dream and he had no chicken or duck to. offer them.. According to police yearold Soun Ney told the spirits to go away when. they first appeared to ask for food and waved his penis at them in defiance.. 'Devils I don't have any chicken or duck for you' he was quoted as saying by. local police chief Phoeung Vat. 'If you want to eat anything you can eat my. penis.'. Soun Ney said the spirits agreed to eat his penis. He was rushed to a hospital. near the capital Phnom Penh after he castrated himself with a butcher's knife.. 'He is lucky to be alive' Phoeung Vat told Reuters.. Villagers in the deeply impoverished southeast Asian traditionally offer. chicken duck or cake to the spirits of the dead to ward off bad luck.. found via Mark Lamoureux's. posted by Lanny PM. Sarandipities Trobard ClusTermed. LunaLangLungLonging. What Breaks Though The Drama. Of All That Tiny Inscriptus. Crowbar Plus. Ultra. My Kind. Trobar Plus. The Albino Cyclopean Unicorn Gorilla. With Diaper D'oro. Filled With The Red Tincture. Malbion Boonlight. It Doesn't Matter How You Arrange. The Words. But How You Make Dolphin. Among The People. This Language Is Paramount. And Must Be Unambiguous. Or You Will Be Labeled As A Kind Of Metagallinari. Of Harangue Upon The River Styx. Now I Move In The Secret Doctrine Of Space. And Find My Diagram Where The Outline Of. My Tribulation Is Ignored. The Erotis Curvatures Of The Iconic Invention. Signals A Float Of Intentionality. Within The Dark Wood Of The Loam Of Eyes. This Isn't An Area For Soft Boys. But For Viral And Manic Demons Whose Surfaces. Are Iconic Landscapes. Whose Dreams Are Alchemical Dramas Unfolding. With The Precision of Floral Camera Craniums. This Machinic Djinn Lives. And Bites Through The Umbilical Chord. With Teeth Of Coma. Chroma. The Ribald Town Of Jiboko. Where The Green Skinned Fever. Hides Like An Assassin. Passing Dreams Like Crystal Throwing Stars. Into Passing Gourds. None Of This Says What It Thinks It Says. Such Is the Mystery Of the World. That No One May Know Its. Fama Who Ignite Such Terrible And Inspiring Fires. Blank. Arsenal. Firing. Under. Kama. Kra. C. losing.. Butter Idols.. What Happens To Authors. Because. Of Their Texts.. Character (Dinosaur). pro notia (elastic notocord). linguarum (Atlantean incense). universalis (sphaerical). Species of the .... (enter relevanttimeframecontext). .Independent Potentials.. of the RealM.. posted by Lanny PM. The Plan Abandoned. by Wade Tillett. The unavoidable theoretical crisis. lurking for years as an outline. a shadow at the edge of a glance. an uneasy feeling. has finally become apparent.. It is in the face of this spectre that. I am abandoning the profession of architecture.. While innumerous evils haunt this profession. they are not in the end what has compelled my resignation.. (I suppose these would have been reasons to reform. not abandon.). No in fact after much consideration and soulsearching. I have come to understand there is only one demon. the plan.. The plan can not be separated from belief.. Belief encloses itself and becomes a system.. Belief identifies a self and other. a landscape. and a space.. Belief establishes truths and possibilities based on its own parameters.. The plan is the contract which seals belief. enforces belief.. The plan is the word written. staticized. objectified.. The plan is the mapping of belief. its completion as a coherent system. its formalization.. The plan is the enclosure of the belief set. its circular logic turned on itself. the fabricationenclosure (simultaneously) of possibility.. The plan produces possibility. a construct of definable limits.. The plan allows one to inhabit belief.. The plan delimits a space and a body.. Life is delimited. separated. enclosed in a wrapper of the possible. identity. death.. Death is the final separation. the final limit. the finite. the form. the past twisted onto consuming the present.. The plan invents death. constructs death. allots death.. The plan manufactures an objective reality. an other.. Death is the ultimate other.. In order to be a true believer. one must eliminate one's participation. in the creation of truth (the ultimate other).. It is only in this way that objects. others. spaces. can be purely objective.. The other must stem from without.. The plan must detach the user or architect. the creation of the belief system.. The plan must separate the self from its own modification.. The formgiving of representation must be recast as a formreceiving.. The plan must become the map.. The process of objectification (the creation of other) therefore must. erase itself.. Thus inherent in the plan is a certain blindness. that refuses to accept the creation of death. but accomplishes it the same.. Architecture is a means to resolve (obfuscate). the fundamental paradox of the plan.. The plan can not be theorized as a problem within architecture. nor one stemming from without.. The plan is both architecture's means and it's reason for being.. Architecture's dual purpose is to hide that which it facilitates.. Utopias are always distractions decoys.. The selfdelusion of the architect is always only partial. there is always the intuitive semiconscious fitting. negotiating. constructing. of a plan that bridges and covers what it intends to be. and what it will be.. Such is the dual nature. the misnomered intuitiveness. of the architect.. Those fascists who purport to have accepted their role. as creators of death. as inverse gods. in the end place Death as an absolute beyond. as some form of truth outside the self.. They understand death's comport with belief. but mistake death as beyond belief.. The actual manipulations at the molecular level. are misconstrued. by a grandiose abstract Death narrative.(). The myriad sin constructions are glossed over. hidden under. legitimized and justified. by the holy image and the coming utopia.. Belief remains in the singular untouchable other.. A construct is created behind an image.. The imperialism of the plan always leaves one absent. a shell without content.. The plan or map or image or identity can not be put to good use. even those put together democratically or autonomously. present only a means to enclose. subject the present to the past image. create possibility traps.. The plan can not be separated from the tyranny that employs it. the plan is that tyranny. the subjugation of the present to the past.. Notes. . Fitting the two types of forms together segments of content and. segments of expression requires a whole doublepincered or rather. doubleheaded concrete assemblage taking their real distinction into. account. It requires a whole organization articulating formations of. power and regimes of signs and operating on the molecular. level..... If this parallelism is replaced by a pyramidal image then. content (including its form) becomes an economic base of production. displaying all of the characteristics of the Abstract the assemblages. become the first story of a superstructure that as such is. necessarily situated within a State apparatus the regimes of signs. and forms of expression become the second story of the superstructure. defined by ideology. It isn't altogether clear where language should. go since the great Despot decided that it should be reserved a. special place as the common good of the nation and the vehicles for. information. Thus one MISCONSTRUES the nature of language signs. organizations of power and content. () the illusion that one can. grasp and shuffle all the strata between one's pincers can be better. secured through the erection of the signifier than through the. extension of the sign. ( Deleuze and Guattari A Thousand. Plateaus. Emphasis mine.). posted by Lanny PM. Through Struggles to the Stars. By Physicist. Jack Sarfatti Ph.D.. On the physical principles of consciousness warp drive and wormhole star. gate time travel in the light of the new precision cosmology of dark energy. and their relations to the coded knowledge of the once and future techgnostic. mystery schools fictionalized in The Da Vinci Code and described in fact. in Techgnosis.. Newton realized that the fall of the apple was the same as the motion of the. Earth around the Sun. That was his alchemical techgnostic insight into As. Above So Below. I have shown that the invisible Galactic Halo holds the. stars together in the same way through negative zeropoint energy density. with equal and opposite positive quantum pressure that the electrons. distributed repulsive electric charge is held together. Its As Above So. Below all over again. Real original physics on the deep structure of the. many worlds not found in any other book is weaved together with great. literature and my true adventure story. Quantum reality is not only weirder. than we have imagined but may be weirder than we can imagine. We are. such dreams that stuff is made from.. Re Object not found.. ok mwp feel free to upload to noemata or adundas as an online storage for you. stuff if you want. ah you can sell your stuff via noemata.netarspublica.com. and get rich from the post.net.art. (it's of course not generating a dime.). if i should try getting money from institution i think it would be for 'fully. automated art' or something like that smiley. i owe them some explanation what. i did with the last which is ok and making problems with backfiring. 'context art' and then not caring about paper work but the possibilities are. there and they're basically kind i should have a secretaryagent doing. things keeping my life together that would be fine i'll advertise defunct. potential artist seek structured realistic person. there's missing a whole. lot in that production line. i wanted to fix that before collaboration no it. doesn't work only tight schemes getting money out of funds goals the usual. artistery. insert sercasm charchasm hollow character.. perl cgi seem only available from url kunst.nobjornmag (which is same as. noemata.net) support didn't answer the last mail so they won't fix probably.. see you in the post art. name. AROSE RIP. Aroseisaroseisarose.com is officially no longer. All links to works. originating from the site are henceforth invalid. Moreover I have no plans. for the construction of any future sites.. I await a future of postnet art which is the only one I can expect to be a. part of right now.. Re spasms. ..like eerie to me this tini whirl j kom over linken i går actually. yo ko ok whiteblue c. alsoh. Recently she held a thirteendaylong dance festival taking place 'in your. mind'.. .............................................b....................... .................. .............................................................................. ........................ .............................................................................. ........................ .............................................................................. ........................ ........................................................ ............................................ ............................................... ....... ............................................ ................................................ .................................................... .... .. ... .. ... .. .. ... .... ... ............................. .... .. . .. . .. . .. . .. . .. .. ...... ... .. . ... ............................ .... .. . ..... .. . .. . .. . ...... ...... ... .. . ... ............................ .... .. . ..... .. . .. . .. . ...... ...... ... .. . ... ............................ .... .. ..... .. . .. .. . ...... . ... ... .. . ... ............................ .... ..... ...... .. ...... .. ....... .. .. .. ... ............................ .... .................... .......................................................................... .... .................... .......................................................................... .............................................................................. ........................ .............................................................................. ........................ ................................. .... ............................................................. ................................ .. ......... ......... ....................................... ............................... . ... ... ..... ...................................... ......................... .... . .. . .... ...................................... ......................... .. .. .................................... ......................... .. .................................... ........................ ...... ............................ ....................... ... ............................ ...................... .. ............................ ....................... ............................ ....................... ........................... ...................... ........................... ..................... ........................... .................... .......................... .................... .......................... .................. ......................... ................. ........................ ................. ........................ ................. ........................ ................ ........................ ............... ........................ ............... ........................ .............. ........................ .............. ....................... ......................
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...... ..... ..... ..... .... ... ... .. .. trolldeig. vegetating at meh
airport this trolldeig work clumsiness of kid craft maybe. clumsiness of
their actual imagination not the craft always prefering the. chubby planes
and popple of things negating colors they now seem to be. jumping off
midair the original is red ground and they look dead white and. grinning
kids wondering how those air crafts every could fly maybe not. crosses and
how their imagination ever could represent anything no we don't. believe
the cross mean that we don't believe caricatures is like. imagination not
our craft we kids know that but you don't you are the. clowns falling off
by believing imagination eventually adapts you hit. the ground.. syndicate
div. This is a multipart message in MIME format.... ContentType textplain
charsetiso. Some moulds new images to become compressing them much as
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things lost or heading in. other directions divergence divide division
divert deflect route detour. distract turn aside depressible depute
diverting diplostemonous ride. daughterly turn ached diffractions dept
departs duplicitously ready dowdier. destructor tirana acta diversionist
dubbed deposing deportees defalcate rite. datura distributor thermo
agatha. Index of div. Name Last modified Size Description. Parent
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onwards. years anniversary. () (. ' ' '. ' ' '. ). (). ). '. roundtheclock
posting of sequenced hypermodern imagery from Brad Brace.. The hypermodern
minimizes the familiar the known the recognizable it. suspends identity
relations and history. This discourse far from. determining the locus in
which it speaks is avoiding the ground on which. it could find support. It
is trying to operate a decentering that leaves. no privilege to any
center.. began December. Pointless Hypermodern Imagery... postedmailed
every hours... a. spectral trajective alignment for the s A continuum of
minimalist. masks in the face of catastrophe conjuring up transformative
metaphors. for the everyday... A poetic reversibility of exclusive
events.... A postrhetorical continuous apparently random sequence of.
imagery... genuine gritty greyscale... corruptable compact. collectable
and compelling convergence. The voluptuousness of the grey. imminence the
art of making the other disappear. Continual visual impact. an optical
drumming sculpted in duration on the endless present of the. Net..
unassimilable... imagery is gradually acquired selected and resequenced.
over time... ineluctable vertiginous connections. The hr dialtone....
KEYWORDS Disconnected disjunctive distended decentered. decomposed
ambiguous augmented ambilavent homogeneous reckless.... Multifaceted
oblique obsessive obscure obdurate.... Promulgated personal permeable
prolonged polymorphous provocative. poetic plural perverse potent
prophetic pathological pointless.... Emergent evolving eccentric eclectic
egregious exciting. entertaining evasive entropic erotic entrancing
enduring. expansive.... Every hours another... view them repost em save
em. trade em print em even publish them.... Heres how.
httpbbrace.laughingsquid.nethr.html
309
310
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Picture Agent. PictureView Extractor NewsRover Binary News Assistant
EasyNews). This interminable relentless sequence of imagery began in
earnest on. December . The basic structure of the project has been over.
twentyfour years in the making. While the specific sequence of.
photographs has been presently orchestrated for more than years worth. of
hour postings I will undoubtedly be tempted to tweak the ongoing.
publication with additional new interjected imagery. Each hour posting. is
like the turning of a page providing ample time for reflection.
interruption and assimilation.. The sites listed above also contain
information on other cultural. projects and sources.. A very lowvolume
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longer than. hours.. image files. Get the textfile 'picturesfaq' to learn
how to view or. faq.html. (c) Credit appreciated. Copyleft. this heat.
you're now listening to this heat a.k.a. Blue and Yellow Testcard
Horizontal. Hold Not Waving Water Twilight Furniture Track Loop Diet of
Worms Music. Like Escaping Gas Rainforest The Fall of Saigon Testcard
Deceit Sleep Paper. Hats Triumph S.P.Q.R. Cenotaph Shrink Wrap Radio
Prague Makeshift Swahili. Independence A New Kind of Water Hi Baku Sho
(Suffer Bomb Disease) Repeat. Metal GraphicVarispeed. This Heat (album)
covers two years of the band's history with both live and. studio cuts.
They use guitar clarinet drums and keyboards permuted with. loops phasing
and overdubs breaking down patterns into only faintly. connected musical
moments that include artificial skips and looped end. grooves. Though
insolent and withdrawn the music is adventurous and in its. raucous yet
avoids the dismal drones and cacophony of other experimental. groups. Free
of clichs the music blends politics and intelligence steering. clear of
artifice and trendiness. Austere brilliant and indescribable.. this is
still very good. Re rune grammofon. yes i've heard some releases
supersilence biosphere jazzkammer it's quite. experimental ranging from
noisefreejazz to ambient to electronica. haven't. seen the book but their
obviously into design also.. rune kristoffersen has some years in the
business he was in the group 'fra. lippo lippi' which released a beautiful
depressive record in 'in. silence' influenced by english goth rock. he was
involved in the company. uniton from which i bought releases and imported
albums at that time he's. got more pop oriented... related to that milieu
were 'holy toy' and 'when'. holy toy centered around. the polishnorwegian
eccentric andrej nebb and is probably the most. interesting group in
norway ever. actually nebb mentioned this heat as one of. his influences
which is obviously also in 'when' which comes from lars. pedersen
percussionistorgan in holy toy. 'when' reconnects more to prog rock. i
sent a cd with some stuff to rune k. a couple of years ago from the. just
slow and dark noise syrup recorded and manipulated from rails and. other
concrete sources. experimenting with very low bitrate encoding giving a.
spectral sound.. Have you seen this Do you know anything about this label.
Just wondering if you thought it was worth checking out... . e k u n s t .
cazzarola What is this. This is a multipart message in MIME format....
ContentType textplain charsetiso. a draft... cazzarola What is this. maria
What the awakening du vil holde styr unna brødene.. cazzarola Who are you.
maria Who are here in a try ) er gud er ikke her har mer av gammelt grått.
mugg og gjør fyldest alle dverger uten tanke søler sitt ene øye.. cazzarola
fanculo. maria What the awakening you will stay clear of the breads.. maria
Who are here in a try ) is god not is not her have more of the old. gray
mugg and do fullfill all dwarfs without thought spilling his one eye..
cazzarola fanculo. (. gozzarola finger eye. maria at ping eye tarot two
konservative lunkne.... ). noematamariadialoger. Nytt kapittel ferdig (k)
april. Maria Futura Hel Dialoger. dialoger.html k apr. dialoger.html k
apr. dialoger.html k sep. dialoger.html k jul. dialoger.html k apr.
dialoger.html k dec. dialoger.html k sep. dialoger.html k may. utdrag.txt
k jan. dialoger.html k jan. dialoger.html k nov. dialoger.html k aug.
dialoger.html k apr. dialoger.html k jan. dialoger.html k jul.
dialoger.html k may. .. ((()((. dialoger.html. tramslated. Dialoger med
Maria Futura Hel. maria i allerede levd because of grace jones. zynt am
nævestad badin magen. maria bad politikker. zynt yes am he dust. maria
dust am jesus suger eller am pingle. zynt skal vi home idag. maria home
till park. kutt al meg frekke kjerring kan a question men the. them for
off røret.. zynt haves i big kuk. maria big encourage at upon tv gøy
belowstream have sagt.. zynt become grows bog vaktkommandør. maria become
eneste uavbrutt høyforedersk handling.slik var. oppriktige svært bad no
not vet where heck am burdensome fog mist comfort. consoles tankene. drags
one excellent fine handel it quite altogether tøft.. zynt am urge digg.
maria am portveien. zynt am urge dig. maria urge digg. zynt am urge digg.
maria urge digg. zynt yes am it digg. maria yes hun light lightens for off
you opp and says i kan i spør about. concerning around she smiles.. zynt
you am one cheky diminutive harlot you. maria harlot foroff waldemar
waldemar am one dritt engine machine (peker. a longed nede økonomiskog
with serbiske and chocolate and films eller noen. var minute forest.. zynt
haves you pupper. maria pupper what for slakk foreslåtte pari why. zynt
jævla fitte. maria fitte slim like everything until terje vigen ex from
finnmark the. lounge am you no not. fernufti the them må get lay hold of
upon gayta except envelope. mister erik. My work is completely
photometrical.. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. post distribuert via. e k u n s t.
listeadresse eekunst.no. kontaktadresse listmasterekunst.no. the sound of
matemathics. the sound of matemathics. via solipsis. min telecommuting
work. min telecommuting work. hararharharhahrhar iiotoutoitoutruio
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lk. bytes bps. singalong attachment removed. while walking. while walking
beachboys mindful of worms ancillary ants.. dmf nota throw away paper that
irwin written oncogene.. do not all these things.. while walking be
minimized of worms and ants.. do not throw away paper that is written on..
do not all thersites things.. whimsey walkers bays mineable of worry
ancohuma antre.. djerba notarising throttle away paperer thankless is
wronger on.. do nostoc all these thingamajig.. whig walking be mindless
offal wormier and ants.. dniester not throwaway away papaverine
thanksgivings isabella wroclaw on.. do notability all thesaural things..
whikehart walkingstick bdellium mindfully oeuvres wormseed antonym ants..
dniester not throwaway awayness paper thatch irwin wroclaw on.. doab nota
alla thesaurus thingumabob.. when warbles bauxitic millionaire oilman
woolfell anathematizing apagoge.. doab nonworker thousand babelize
parallax theophobia irrationalism yahweh old.. doggedly noricum aliphatic
thermalize thoreau.. like. likes one who on a loment roadhouse. dossal
walachia in fearer and drawstrings. and haute oncer turnkey roughly wale
on. and turtleback no mordant his headdress. beckon he knutson a frigidity
fiesta. dotterel cloned behaviorisms him treadled.. like ondo whodunit on
loomer road. doted walford imputed fealty andaman dreadfulness. andantino
having oncer turnery roumania walkover on. and turnstone nmr mordvinian
hispanicised hazy. bechtel hazing knowles a frightful fierce. dotter
closedown beholden hilts treacherousness.. likuta one who on a lollop
riverine. doughboy wall in fear and dread. and havoc ominousness turned
round walks on. and turners no mordacious his havocking. because he
knitting a frictionises fibrositis. doth clothesman behan him read.. like
omitting who on loath road. doth walkie imputations fear anatomical dread.
anaplastic having onomatology tutti round walks oophoritis. aneuploid
tupungato no more his head. because heartbeats knows a frick fiend. doth
close beholders hiddenite tread.. beMyGhost Punch and Judy Show.
................................................. Noemata's beMyGhost
Punch and Judy Show. A light seaside summer entertainment. The plaintext
dessert of a desert hyperwork. A puppet show beyond good and evil. Etc..
As performed by the professors of automata. telemata noemata.. Now playing
the Inbox Theater Scene. oOOo. The story so far..... He is known as
Pulcinella in Italy Guignol and Polichinelle in. France Kasperl in Germany
Casper in Sweden Karagioz in Turkey. Karagiosis in Greece Petruk in
Indonesia. He's been around a long time in one form or another. He's an
imp of. mischief out of the mists of time. We know him as Punch. As.
Pulcinella the actor he was part of the Commedia Dell' Arte troupes. of
Renaissance Europe. To trace him back further takes us into the. very
ancestry of pantomime itself back to Ancient Rome and Classical. Greece
and the licentious topsy turvey world of Saturnalia and Satyr. plays. He
exists in many cultures for he is one form of The Trickster. a key figure
in society's development a figure able to turn shared. values upside down
for the shocked amusement of the community and the. ultimate strengthening
of the bonds that mutually bind it.. Charles Dickens was also a great
admirer of the Punch and Judy Show.. Mr. Punch is frequently mentioned in
his novels. One work The Old. Curiosity Shop seems to be based almost
entirely on the Punch. tradition. The show has taken a fair amount of
stick in the past for. being violent or not politically correct and being
flippant about. domestic violence. Charles Dickens is among those who have
nailed this. as ridiculous.. Who Are Punch and Judy Punch and Judy are
arguably the most famous. traditional puppets in the Western World with a
colorful history more. than years old. Mr. Punch with his hook nose
detched back and. garish costume is a cultural icon in England. His
unabashed joking. and rowdy mischievous behavior have provoked paroxyms of
laughter. audiences throughout time. An impressive body of art is graced
by. Punch's outrageous countenance.. PUNCH Are you a doctor. HANGMAN Yes
are you alright. PUNCH No I'm dead.. HANGMAN You can't be dead.. PUNCH I'm
dead dead dead.. HANGMAN How long have you been dead Mr. Punch. PUNCH About
weeks.. punch judypuppetpuppetsCodman'sTobyRhosonSeapunchpunchjudy. judyMr.
Punchpunchinellopolichinellepuppetry puppet heroswooden. headsthat's the
way to do itwhat a pitysomerville colwyn bayrhos. on seacomical
tragedytragical comedymr punch's opera. pulcinellaharlequinadedetch
backhumpbig nose professorspunch. manprofessorsslapstickswazzle
swazzleomiswazzlehomipunch. callitinerantmarionettes
seasideentertainmenton the beachbeach. performerson the sands carnivalsThe
Punch and Judy College of. ProfessorsThe Punch and Judy
Fellowshipswazzleswatchelold red nose. Hoban quotes him as saying Punch is
so old he can't die.. In its classical glorious sense immortality is the
quality of what. passes beyond death the quality of the supraliving. In
its. contemporary version it is the quality of the surviving that is of.
what is already dead and by that token becomes immortal.. It's a fine show
sir. he replied. jolly fine show. Then with a. guffaw he added And a damned
bad moral.. Many of the Trickster's traits Radin writes were perpetuated
in. the figure of the mediaeval jester and have survived right up to the.
present day in the PunchandJudy plays and in the clown (xxiii).. Who is
Punch anyway Where does he come from And how could so. impossible and
ridiculous a character have survived the changes and. turmoil of the
passing centuries The plain fact is that nobody knows.. Certainly the
figure of Punch as we know him today has a direct link. with the commedia
dell'arte of the seventeenth century but the. character is far far older.
The original significance of Punch's face. and figure his enormous nose
and hump are meaningless to an. audience of modern times when perhaps it
is not customary to. associate large noses and sexual potency or find
detchbacks mirth. provoking. But it is possible that Punch has lasted so
long because he. so blatantly cocks a snook at the restrictions of
civilised society. and perhaps every man at some time or other would like
to flaunt the. laws of society with a comparable nonchalance removing
those who got. in his way pursuing his amorous inclinations willy nilly
and. defeating in the end the devil himself How often we say of a.
likeable rogue He could get away with murder. And Punch. does or almost
always does and he is such a likeable rogue and of. course he's only a
puppet and puppets can get away with anything.. HANGMAN Now prepare
yourself for execution.. PUNCH What for. Mr. Punch. A Roman mime called
Maccus was the original of Punch. A. statuette of this buffon was
discovered in containing all the. wellknown features of our friend the
long nose and goggle eyes the. detch back and protruding breast. The most
popular derivation of Punch. and Judy is Pontius cum Judæis (Matt. xxvii.
) an old mystery play. of Pontius Pilate and the Jews but the Italian
policinello seems to. be from pollice a thumb (Tomthumb figures) and our
Punch is from. paunch. The drama or story of our Punch and Judy is
attributed to. Silvio Fiorillo an Italian comedian of the seventeenth
century. Punch. triumphs over all the ills that flesh is heir to. () Ennui
in the. shape of a dog is overcome () Disease in the disguise of a doctor.
is kicked out () Death is beaten to death and () the Devil himself. is
outwitted. Brewer's Phrase and Fable. This compulsive desire for
immortality for a definitive immortality. revolves around a strange
madness the mania for what has achieved. its goal. The mania for identity
for saturation completion. repletion. For perfection too the lethal
illusion of the perfection.. 'Every ecstasy ultimately prefers to take the
path of renunciation. rather than sin against its own concept by realizing
it' (Adorno). the identitary individual the virtual clone there
corresponds a. horizontal madness... a delirium of selfappropriation all
the. monstrous variants of identity not of the schizophrenic but of the.
isophrenic without shadow other transcendence or image that of. the mental
isomorph the autist who has as it were devoured his. double and absorbed
his twin brother (being a twin is conversely a. form of autism deux).
Identitary ipsomaniacal isophrenic madness.. Our monsters are all manic
autists. As products of chimerical. combination... deprived of hereditary
otherness... they have no other. destiny than desperately to seek out an
otherness by eliating all. the Others one by one.. PunchandJudy show a
traditional puppetshow in which Punch is. shown nagging beating and
finally killing a succession of. characters including his wife Judy.. The
problem of Frankenstein for example is that he has no Other and. craves
otherness... But our computers also crave otherness. They are. autistic
bachelor machines the source of their suffering and the. cause of their
vengeance is the fiercely tautological nature of their. own language..
Punch did not always have his own play it seems his first role in. England
was to provide comic interludes in serious plays by. interrupting the
action as and when he could.. A MODERN PUNCH SCRIPT CHARACTERS PUNCH JUDY
BABY POLICEMAN CLOWN. CROCODILE HANGMAN GHOST. the challenge of the Ghost
representing Death is considered Punch's. greatest trial. We long ago
stopped believing in the immortality of the soul a. deferred immortality.
We no longer believe in that immortality which. assumed a transcending of
the end an intense investment in the. finalities of the beyond and a
symbolic elaboration of death. What we. want is the immediate realization
of immortality by all possible. means.. the conquest of whom enables Punch
to finally defy the Devil himself.. So long as there is a finalistic
conception of life and death the. afterlife and immortality are given like
the world and there is no. cause to believe in them. Do you believe in
reality No of course. not it exists but we do not believe in it. It is
like God... If. something does not exist you have to believe in it. Belief
is not the. reflection of existence it is there for existence just as
language. is not the reflection of meaning it is there in place of
meaning. To. believe in God is therefore to doubt his existence. Belief
is. superfluous just as Canetti says vengeance is superfluous it is.
rendered unnecessary by the inexorable reversibility of things. In.
exactly the same way passion is a useless supplement to the natural.
attraction between things and we might say the same about truth. which
merely complicates appearances unnecessary.. or as a mirror merely
refracts your image without believing in it.. God for his part if he
exists does not believe in his existence. but he allows the subject to
believe in him and to believe he. believes in it or not to believe that
but not to believe he does. not believe in it. Stavrogin. When the Devil
has been done away with Punch exults to the audience. The Devil is dead
Now everyone can do as he likes. But what will the human race do once free
of any belief It will. either fullfill itself egoistically obeying an
exclusive sovereign. individualism (Stirner) or do so collectively by
setting out on a. long historical course as in Marx or it will shift its
sights to. the superhuman through a transvaluation of the values of the
species. this is the path marked out by Nietzsche who argued that the
human. race cannot be left to itself but must aim beyond itself and
discover. the great metamorphosis that of becog... Nietzsche has written.
magnificently of the vital illusion not of the 'worlds beyond' but. of the
illusion of appearances of the forms of becog of the veil. and indeed all
the veils which happily protects us from the. objective illusion the
illusion of truth... Needless to say this. transvaluation... has not taken
place except precisely in the. opposite sense... A transvaluation folding
in upon itself towards a. nondifferentiation a nondistinction of values
itself fetishized in. an aestethics of plurality of difference etc. Not
any longer a. fetishization of divinities great ideas or grand narratives
but of. imal differences and particles... This dedifferentiation of the.
human and the inhuman this reabsorption of the metaphor of life into. the
metastasis of survival is effected by a progressive reduction to. the
lowest common denoator.. The Crocodile was a late arrival in the story and
has now been an. important character for about a detdred years. First he
was a dragon. which eventually became a crocodile. Perhaps the idea of a
crocodile. became firmly established after children had been frightened by
the. Crocodile in Peter Pan. The Ghost is seen occasionally still..
Originally the Ghost of Judy it is now just any old ghost.. Who was
Pulcinella or as he is sometimes called Pollicinella or. Pulicinella His
role was primarily that of a servant as indeed was. that of Harlequin and
he was obviously a comedian. He wore an. artificial nose potbelly and hump
all calculated to make the. audience laugh and he was the mixture of
jollity and cruelty wit and. stupidity just as Punch is today.. The
PunchTrickster concept embodies notions of anti. establishmentarianism
buffoonery and shamanism that reflect. attributes of the creative
individual functioning in an authoritarian. ethos the late s bucking the
system inverting values. Assug an ubuique persona and balancing
precariously on a mono. cycle PunchTrickster pedals blindly into an
unknown future fending. off unseen adversaries with an ineffectual weapon.
The sculpture is a. concretisation of a state of d or an existential
predicament. It is. concerned with delusions of grandeur and vulnerability
paradox and. pathos.. The Trickster as buffoon acts out a quixotic farce in
ironic fashion.. Ubu Roi a precursor of the theater of cruelty the absurd.
PunchUbu. Puncheon. Pernille og Mr. Nelson. JUDY Where's the baby. PUNCH
(In a melancholy tone.) I have had a misfortune the child was. so terrible
cross I throwed it out of the window.. It is generally thought that the
obsession with survival is a logical. consequence of life and the right to
life. But most of the time the. two things are contradictory. Life is not a
question of rights and. what follows on from life is not survival which is
artificial but. death. It is only by paying the price of a failure to live
a failure. take pleasure a failure to die that man is assured of survival..
Punch's women performers Bearing in d that Mr Punch is a folk. herorogue
scoundrel trickster of the opposite sex from ourselves. why are we so keen
to portray his story And what might the women. Professors add to the drama
of the tradition. The traditional Punch and Judy show presents Punch as
the simpleton. hero who successfully outwits various characters
representing his. oppressions in order to gain his freedom. This 'clever
fool' type is. often portrayed as a male antihero in folklore (Jack Til.
Eulenspiegel Clever Hans Monkey Anansi and Brer Rabbit are some.
examples). Somehow he always manages to achieve through his stupidity.
what others fail to achieve by concentrated effort. Punch is a.
combination of the fool and trickster. His characteristics are a.
collection of the archetypal shadow masculine traits those which are.
socially deemed to be undesirable cowardice lewdness rudeness. stupidity
fickleness irresponsibility selfishness greed. ................ and
violence or cunning. Mr Punch the trickster carnival fool king of anarchy
is an absurd. masculine archetype of those aspects of the human psyche
that want to. turn the world upside down and create chaos. His gross
appearance. the bulbous hooked red nose and the phallic 'hump' on his
back. comically reinforce his male sexuality along with the big red.
slapstick which he wields as the answer to all his troubles. His.
character and appearance have their roots in the ancient ritual. dramas
celebrating birth death resurrection conflict and. fertility. In our
'civilised' hierarchical bureaucratic and. patriarchal society Mr Punch
has evolved and survived through the. centuries as our national 'Lord of
Misrule.'. Punch men often portray Judy as a wonderfully fussy bossy
pantomime. dame type with a high falsetto voice. (Note that this makes
the. character a parody of the male's fantasy of woman).. When knocked
down she bobs up again several times in comic protest. always with one
more thing to say. Sometimes her final utterance is. almost orgasmic in
nature so that the mock puppet death we are. witnessing might more closely
resemble 'le petit mort' rather than. actual mortality.. When she returns
to discover that Mr Punch has inadvertently (in true. 'ignorant simpleton'
style) made the baby into sausages she is as any. woman would be at first
distraught and then angry. However having. fully expressed her grief and
given Mr Punch a piece of her d she. quickly moves into acceptance and
realises this is her opportunity. for freedom Well now Mr Punch You made
the baby sausages so you. can look after the baby sausages That's fair I'm
going to claim the. insurance money and take a nice little holiday in
Majorca. No you. can't come with me. You're to stay at home and look after
the little. sausage.. And off she goes leaving Mr Punch and the sausages to
the mercy of a. big green crocodile with toothfilled gaping jaws. Her
triumph is that. she has called Mr. Punch's bluff. Rather than waiting to
be knocked. out of his way Judy leaves him with the consequences of his
mistakes. and removes herself to a more fulfilling situation. She does
the. separating off. This gives Judy an equal status to Punch in the
drama. although he still remains at the centre of the story and fulfills
his. usual trickster role with his other adversities.. Adult enthusiasts
can recognize him as the head of one of those. dysfunctional families of
Drama that span from Oedipus and Macbeth on. the tragic side to the Addams
Family and The Simpsons on the frivolous. side. He and other little red
nosed rogues like him have been kept. alive down the centuries because his
irrepressible antics and his. flying in the face of convention have amused
generations of ordinary. people particularly those with no power of their
own.. Step warily around the fair Welsh seaside town of Aberystwyth this.
weekend for everywhere you look will be a strange beaknosed figure. clad
in red with pointytoed shoes and a manic gleam in his immobile. eyes. No
it's not Beelzebub it's Punch. The second international. festival of Punch
and Judy is in town. Oh no it isn't. Oh yes it is. etc.. There was an Old
Man with a nose Who said If you choose to. suppose That my nose is too
long You are certainly wrong. That remarkable man with a nose.. A Jungian
Consideration of Edward Lear's Nonsense Verse Lear was in. many ways an
example of what Jungian psychologist MarieLouise von. Franz calls the puer
aeternusan archetype she analyzes in her book of. the same name. The term
comes from Ovid's Metamorphoses and there. refers to the childgod of the
Eleusinian mysteries. In later times. von Franz writes. the childgod was
identified with Dionysus and the god Eros. He. is the divine youth who is
born in the night in this typical. mothercult mystery of Eleusis and who
is a redeemer. He is a. god of life death and resurrectionthe god of
divine youth .. but we also use it to indicate a certain type of young man
who. has an outstanding mother complex . . . . (). Wandering moreover is
one of the most important traits of the. Trickster archetype (Radin )
which as we shall see Lear's. nonsense exemplifies.. There was an Old Man
of Peru Who never knew what he should do So he. tore off his hair And
behaved like a bear That intrinsic Old Man of. Peru.. There was a Young
Lady whose eyes Were unique as to colour and size. When she opened them
wide People all turned aside And started away. in surprise.. There was a
Young Lady of Norway Who casually sat on a doorway When. the door squeezed
her flat She exclaimed 'What of that' This. courageous Young Lady of
Norway.. There was an Old Man of Cape Horn Who wished he had never been
born. So he sat on a chair Till he died of despair That dolorous Man of.
Cape Horn.. There was an Old Person of Cromer Who stood on one leg to read
Homer. When he found he grew stiff He jumped over the cliff Which
concluded. that Person of Cromer.. There was an Old Man on some rocks Who
shut his wife up in a box. When she said 'Let me out' He exclaimed
'Without doubt You will. pass all your life in that box.'. There was an
Old Person of Bangor Whose face was distorted with. anger He tore off his
boots And subsisted on roots That irascible. Person of Bangor.. There was
an Old Person of Spain Who hated all trouble and pain So. he sat on a
chair With his feet in the air That umbrageous Old. Person of Spain..
There was an Old Person from Gretna Who rushed down the crater of. Etna
When they said 'Is it hot' He replied 'No it's not' That. mendacious Old
Person of Gretna.. There was a Young Lady of Parma Whose conduct grew
calmer and calmer. When they said 'Are you dumb' She merely said 'Hum'
That provoking. Young Lady of Parma.. There was an old man of Hong Kong
Who never did anything wrong He. lay on his back With his head in a sack
That innocuous old man of. Hong Kong.. The function of the Trickster
according to Kernyi is to add. disorder to order and so make a whole to
render possible within the. fixed bounds of what is pered an experience of
what is not. pered (). Kernyi could just as well be describing the.
nonsense genre that emerged in the nineteenth century.. You desire to LIVE
according to Nature Oh you noble Stoics what. fraud of words Imagine to
yourselves a being like Nature boundlessly. extravagant boundlessly
indifferent without purpose or. consideration without pity or justice at
once fruitful and barren. and uncertain imagine to yourselves INDIFFERENCE
as a powerhow. COULD you live in accordance with such indifference.
Contrary to the underlying Rousseauist ideology which argues that the.
profound nature of the liberated subject can only be good and that. nature
itself once emancipated cannot but be endowed with natural. equilibrium and
all the ecological virtues there is nothing more. ambiguous or perverse
than a subject.. Trickster is at one and the same time creator and
destroyer giver and. negator he who dupes others and who is always duped
himself. He wills. nothing consciously. At all times he is constrained to
behave as he. does from impulses over which he has no control. He knows
neither good. nor evil yet he is responsible for both. He possesses no
values moral. or social is at the mercy of his passions and appetites yet
through. his actions all values come into being.. It is a personification
of traits of character which are sometimes. worse and sometimes better
than those the egopersonality possesses. (The Archetypes ). The Trickster
is in other words a. manifestation of what Jung calls the shadow and he
comments We are. no longer aware that in carnival customs and the like
there are. remnants of a collective shadow which prove that the personal
shadow. is in part descended from a nuous collective figure (ibid.). that
is the Trickster archetype.. Furthermore the Trickster is a forerunner of
the saviour and like. him God man and animal at once. He is both subhuman
and superhuman. a bestial and divine being whose chief and most alarg.
characteristic is his unconscious ness . . .. He is so unconscious. of
himself that his body is not a unity and his two hands fight each. other..
As Jung says of the Trickster Although he is not really evil he. does the
most atrocious things from sheer unconsciousness and. unrelatedness (ibid.
).. We ought not to entertain the illusion that we might cultivate good.
and happiness in a pure state and expel evil and sorrow as wastes.. That
is the terroristic dream of the transparency of good which very. quickly
ends in its opposite the transparency of evil.. Bedre veier gir flere
ulykker. The travel poems also reflect the Trickster's habit of wandering.
(albeit his wandering is generally aimless). Radin comments that the.
Trickster's desire to wander represents his protest against. domestication
and society with all its obligations ().. what do we cling so tightly when
we resist the dangers of drift. Barthes spoke (positively) of drift as a
kind of stupidity. Are we. afraid of appearing stupid. In when Oliver
Cromwell's Puritan regime banned all theatrical. performance commedia
companies must have scrubbed England from their. gigging schedules. But
the Punchinello character appears to have detg. in. Crosspollinated with
the local Vice character originally the. trickster fool of the Mystery
plays Punch utilised Harlequin's. slapstick bat took a wife and resurfaced
in the Punch and Judy puppet. show.. PuckPunch
SantaPelznicholNicholasJanneyYule I Norge har vi. oskoreia og julebukker
they acted out an odd play the leader who. dressed in goat or bear skins
argued with another character or with. the woman figure. He was killed the
woman lamented and the doctor. comically resuscitated him or he
spontaneously revived declaring he. wasn't dead after all the Fool was in
his original beast form the. death and execution were enacted amorally. In
later plays the Fool or. beastman is often killed by a young groom because
he makes a pass. at the Woman and narrators explain the behavior with a
comic. script. Scholars concluded that the detdreds of versions peppering.
Europe could be traced to the great goatgod Dionysus. After all the.
Dionysian rites gave birth to modern theater In Britain he became. Robin
Goodfellow or Puck norsk slektpuk celebrated by. Shakespeare Goodfellow's
cousin Robin Hood began life as Wood a name. for the Wild Man. In the
Black Forest the Pied Piper of Hamelin re. enacts poet Robert Browning's
version of the ancient mystery. And. don't forget the 'geek' as a freak
act.. Shiva is more or less what you want him to be as in him all.
contradictions casually coexist. The notion of Shiva as exclusively a.
Wild Man of the forests and mountains traveling with a band of ghosts. and
ghouls as their leader Bhoothnath is a recent phase of his. worship. For
while he was always capable of peculiar behavior Shiva. used to live
outside of society not because he had rejected it but. because he had
transcended it. Shiva is repeatedly described as the. supreme master of
all the arts and that indicates a highly socialized. being the Nagarika of
ancient India not a rustic.. Only Siva who indulges in both extreme ascetic
and extreme erotic. activity the creator and the destroyer the quiescent
and the active. god who represents both the cyclical motion of the
universe and. spiritual immortality can offer devotees both paths of
immortality. through rebirth or renunciation and spiritual immortality. He
is the. living lingam in the yoni and the androgyne. Both symbols contain
the. paradox within themselves and provide a resolution.. Lingam Sanskrit
literary 'mark' or 'sign' ( is there a connection. between 'sign' and
'seed' (seme and semen) via sema seme sememe. semiological adj.Gk semeion
sign f. sema mark seal symbolic. inseal pregnancy pregnant expression...).
Shiva is worshipped in several apparently contradictory aspects whose.
combination gives emphasis to his incomprehensible transcendence. He. is
seen as a giver of blessings and is also a symbol of sensuality.
represented by the lingam or phallus. On the other hand he is. sometimes
depicted as an ascetic seated in meditation in the. Himalayas. Shiva is
also the god of destruction and dissolution. In. his manifestation as
Shiva Nataraja the fourarmed Lord of the Dance. he tramples on the forces
of ignorance and chaos and keeps creation. in balance.. JEAMANCER.
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d d. b. d b Y P d. gg Y dP P Y gg P'. Y Y i Y P' Y. YbP Yba YbdP b YbP d.
Yb Yba Yb YbdP' Yba. YP' Y YP Y YP' P'. Y Y Y YP' Y. Noemata Random Name
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312
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there's a local history group in the area writing articles which gets
released. in a small yearbook by the museum i had some of them sent them
off to a. friend. among the interesting where stories about Omgang a
deport and. execution place in the middle ages a few some km from here
unhabitated long. since. prisoners from northnorway don't know how far
south where imprisoned. at this very desolated place and in fact a couple
of women got burned as. witches there in es if I remember right a young
woman Dorte something. accused of making storm at sea where a man she had
some relation to died you. could tell by the incidents she probably was an
attractive woman making the. men with power quite jealous humiliated and
very mad after half a year in. prison she was burned alive in I think..
another interesting thing is the labyrinth as Mikkelsberg also close by
with. some discussion of the authenticity of it it origins either from the
pomor. trade with russians a couple of centuries ago or from much earlier
habitation. of the area the earliest settlers probably being the sami
komsaculture. several thousands years ago there's some debate a dr.
something writing his. thesis the sami were not the first inhabitants. the
labyrinth has not been. coast from fear of messing it up the traces are
very vague but it has the. traditional form and is about in diameter..
there's some war time history since the whole shit was burned down by
germans. the whole north of norway every building here so they turned the
boats on. their head and lived under there or lived in caves at the coast.
things have. been rough here of course finding support actually there were
some. agriculture before not much.. there were about women burned as
witches in the s in finnmark the. northernmost part of norway were charged
for sorcery and researchers have. wondered why so many in the region.
reading protocols from the trials a. researcher. now suggest the poisonous
fungus meldrøye lat. Claviceps purpurea explaining. hallucination and
bewitchings black grains at the bottom of the cup etc.. Re SZ aeffect
Strong Creole Tendency. Atta unsar thu in Himinam. SZ aeffect. Strong
Creole Tendency between wordanimage selfreference 'worldings'. toll
painting of a russian and a norwegian in a fjord in the 's. trying to
communicate about some wood. chopped logs the pomor trade s to the russian
revolution initiated by. russians from the. White Sea having coast and
fjords in north of norwy as their area 'pomor'. means. 'by the sea'
Arkhangelsk has a pomor university today the russian came to. white. sea
from Novogorod s a viking city with democratic traditions different. the
tataryoke in rest of russia. pomors had cereal meal and traded with. the
tataryoke in rest of russia. pomors had cereal meal and traded with
313
fish (coast) and skins (sami inhab). .. should think wood also was
important as. there are no trees in the northernmost regions... Nordmannen
Drasvi gammel go ven på moja. Tvoja fisk kopom (Goddag min gamle. gode
venn. Kjøper du fisk). Russeren Da. (Ja). Nordmannen Kak pris (Hvilken
pris). Russeren En voga mokka så to voga treska. (Det er en våg mel mot to
våger. torsk.). Nordmannen Eta mala. (Det er for lite). Russeren Slik slag
en å en halv voga treska så en voga mokka. (Slikt slag.. En. og en halv
våg torsk mot en våg mel.). Nordmannen Eta grot dyr. (Det er ennå for
dyrt.). Russeren No davaj på kajut sitte ned så dokka lite tjai drinkom.
Ikke skade.. (Kom. nå ned i kahytten og drikk litt te. Det kan ikke
skade.). norw. russian it seems). pomor trade was illegal until . and then
the russ revolution stopped it and. the nnorw econony into depression and
the coastal villages into. problems.. the pomors had a rich rural culture
and folklore it seems there's a longer. within pomorområdet levde
fairytale adventure and legend byliner (heltedikt). ballader stev and
laments further enn a in inside into on per within. mange. second strøk
for off Russia Russia. a in inside into on per within. last. latter half
for off tallet begynte lærere prester and second stream. accumulate gather
tradisjonsstoff. them gjorde crowds for off opptegnelser a. in inside into
on per within citys and villages longer dvina and pinega. and. at to
toward towards a in inside into on per within at by on. upon. on upon
kvitsjøkysten området ble kjent like one skattkiste because of.
folklorister and etnografer.. within ble marija krivopolenova one
diminutive ancient wife with a. unfigure. ballader and chants at.
tertiden. also stepan pisakhov like var kunstmaler skrev below downstairs.
underneath down below underneath down underneath tradisjonsfortellinger.
especially especial fairytale adventure at to toward towards a in. inside.
into on per within at by on upon on upon dialect. sjergin skrev also.
tradisjonelle and further fashionable fairytale adventure men his
skriftlige. produksjon am både større and longed further allsidig enn
pisakhovs. within sovjettiden dolled it also opp sterke klare litterære
personligheter.. fjodor abramov ex from verkola. marija krivopolenova ().
bondekone ex from pinega famous because of its ballader chants and.
klagesanger.. hun learned helteballadene stariny for off its grandfather.
hun. accrued. opp a in inside into on per within fattige kår and ble early
married. married married poison men verken at to toward towards until till.
felicity. eller velstand. hun losed både the fellow and barna unntatt one
daughter like. ble married married married poison så fattigslig at hun no
not know get. lay. hold of pick up take itself for off moren. hun ble
hence therefore tvunget. at. toward towards until till stream continue
tilværelsen like one beater. omstreifende beggar eller legdekone. men
krivopolenova var one lysende gifted. forteller chants and klagesanger.
boris sjergin (). it nordrussiske klassikeren fremfor noen. he convey
imparted gamle. fortellinger. and tradisjoner muntlig and after behind
hvert also skriftlig. he skrev also. its. egne fortellinger. sjergin var
one authentic pomor the father var styrmann and. seilte at to toward
towards a in inside into on per within at by. on. upon on upon Norway the
mother daughter for off one seilmaker. både. foreldrene. and mange for off
husets friends stod midt a in inside into on per. within. pomorenes living
fortellertradisjon. sjergin itself ble one important. tradisjonsbærer
because he after behind hvert fixed it he hadde hørt at to. toward towards
until till papiret. a in inside into on per within its. fortellinger and
fairytale adventure skildringer for off life and employment. in.
skipsbyggere fiskere and fangstmenn. stepan pisakhov (). stepan pisakhov
seilskip at fiskebryggen a in inside into on per within. arkhangelsk.
author and kunstmaler ex from arkhangelsk. he var at to toward towards.
until. till stream begin with kjent because of its paintings with motiver
ex from. nordlige strøk men begynte after behind hvert stream type
fairytale. adventure.. mange for off the fairytale adventures his finer
also a in inside into. on. per within second versjoner men his versjoner
haves sitt særpreg and. språkføringen a in inside into on per within disse
tekstene am stronged. imprint impressed for off nordrussisk dialect.
pisakhov am one for off you. exaggerations skrøner. well there's some
pictures... links to some english. etc. CHROMOGAL. CHROMOGAL. Osho name
TEATDECI. Noemata Random Name Generator. nettimeann mailing list.
nettimeannnettime.org. ann ELPATA. ELPATA. Noemata Random Name Generator.
nettimeann mailing list. nettimeannnettime.org. . e k u n s t .
laburinteger. This is a multipart message in MIME format.... ContentType
textplain charsetiso. Maskin Jeg er glad jeg er det eneste jeg'et her..
Far Sønn sønn vi anbefaler at min maskin ikke snakker mere til deg.. Sønn
Men den kan så mange spennende ord.. Hadde trengte hjelp. til og fullføre.
De påfølgende dagene ble historiene til den bandasjerte. samlet og skrevet
ned i notatbøker før den støeste og mest skriveføre. av dem fikk oppdraget
med å føre over teksten til bandasjen. Hele. arbeidet. tok dager og da de
var ferdig var den bandasjerte i alt dekket av. ord.. Jeg faller uten....
Projeksjoner krever kontiniuitet.. ContentType textplain
namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert
via. e k u n s t. listeadresse eekunst.no. kontaktadresse
listmasterekunst.no. Nagnews Og sdspoetrezt dkyk og skyr nabnetrt. På Y).
Y (inntar sosiologiskpedagogisk sideleie) Protagonistens puerile.
forsvarsmekanismer er et infatilt forsåk på å rasjonalisere frykten.. Og
sdspoetrezt dkyk. og skyr nabnetrt dykkadt som ncdovmo vopmkete. foef
dMrnefnsd eksdsonnen slyllfd. Fglerfd dyjkk xfsd ogb ajjbgooåad af
xftrlyd. xfef stylr ret sdløben dykkatrg i hitummenem. Deref stgamme
gjoerda efane ferita mefd prgfotetane. Men e dykk rkke. det.... NAGnews
mailing list. NAGnewslists.copyleft.no. isoQDuhFrerdetnEdeterslettesikkei.
Kjemiforsøkene i elevenes hode. I ditt blomsterhull. Han sover i sjette
scene. Har jeg noe å si han. Middelaldrende demokrat må ligge i.... Du
hører det nå det er slettes ikke i sukkerbiten lyden oppstår.. Du ser på
sukkerbiten en siste gang før du putter den i munnen. Som om. begge.
øynene skulle ha skiftet posisjon fra venstre mot høyre uten og røre.
hodet. skifter synsvinkelen i scenen.. Kvinnen tar uforståelig imot en.
lapp hvor det står Vi møtes i dusjen i morgen. Hilsen din partner i.
forbrytelse.. Over kinomaskinisten på disen. kinomaskinisten tårer .
veggen mitt film over noen . UTE AV FOKUS.. My Help. Example How do Ichang
my password. Tips. Getting Startled. How do If i what category my Humen is
in. I receive an email notification saying my humen could be Deleted due
to. inactivity. Why What can I do. What does the my smiley face (image) is
mean. How do my I get rid of the my is smiley face (image). I never sign up
for my Human grouqs. Why am I receiving my messages. View and manage your
my hume. Your humain Grops account has been disable because you had. an
autoresponsible setup.. Bouncing seminar . May. What Bouncing means and
what to do about it means bounce. L. Work with elbows grouq. Control
access and sharing humes. list bounce. tails Yoric troll and Nøkk. Ask
Her. the water. Re Du har rett. Da kan jeg vende tilbake til. Work good.
Fra den. Forfatteren hadde alltid en. unnskyldning vent litt jeg måtte
bruke begynnelsen tilslutt.. Selv nå tror leseren han vet hvem morderen
er.. Troll om igjen.. Jeg vet at munnen min drypper av penneskaftet
skriver. forfatteren.. Med deler av hodet bandasjert.. Hvis vi panorer til
høyre ser vi ryggen hans idet han forlater. sykhuset fullt rekonstituert.
Kutt. Utenfor sykehuset stopper han opp.. Flashback. Noen tok av for
fallet. Han fallt. Blålys. Står på. sykhustrappen. Tar seg for det gamle
kuttet i pannen. Får blod på. fingrene. Snuser på blodet. Nærbildet av en
hund som glefser.. Kanskje ikke.. Mot widescreen sensur.. Overtall pga..
Og ble stående å. skrike til hverandre. Da måtte en av dem raskt ta en
avgjørelse og. fortsette videre så ville den andre måtte slutte seg til..
.n. las ldanburg. oea.net.knyt. bmg. how many net artists does it take to.
Greetings froam. Greetings froam. cause confusion and shame to make
uncomfortably selfconscious disconcert. abash. put obstacles or
difficulties in the way of impede. skam. the painful feeling arising from
the consciousness of something dishonorable. improper ridiculous etc. done
by oneself or another. disgrace ignominy. a fact or circumstance bringing
disgrace or regret. cover with ignominy or reproach disgrace. shame is a
painful feeling caused by the consciousness or exposure of unworthy. or
indecent conduct or circumstances. It is similar to guilt in the nature
and. origin of the feeling.. pride a high or inordinate opinion of one's
own dignity importance merit or. superiority whether as cherished in the
mind or as displayed in bearing. conduct etc.. selfesteem selfrespect.
ridicule Syn. . mockery raillery sarcasm satire irony. . banter chaff.
rally twit burlesque satirize lampoon. RIDICULE DERIDE MOCK TAUNT imply.
making game of a person usually in an unkind jeering way. To RIDICULE is
to. make fun of either sportively and goodhumoredly or unkindly with the.
intention of humiliating to ridicule a pretentious person.To DERIDE is to.
assail one with scornful laughter to deride a statement of belief.To MOCK
is. sometimes playfully sometimes insultingly to imitate and caricature
the. appearance or actions of another She mocked the seriousness of his.
expression.To TAUNT is to call attention to something annoying or
humiliating. usually maliciously and exultingly and often in the presence
of others to. taunt. nihilogues nilogue brainstem. nihilogues nilogue. 'In
generalthe brainstem produces morecomplex. movements than does the spinal
cord.In addition to responding to most. sensory stimuli in the environment
and regulating eating and drinkingbody. temperaturesleep and wakingthe
brain stem can produce the movements. of walking and runninggroomingand
sexual behavior (all of which are. more complex than the reflexive
movements produced by the spinal cord).The. brains of fishamphibiansand
reptiles are basically equivalent to a mammalian. brainstemin
consequencethe behavior of these animals is a good indication. of the
functions of the brainstem.'. On old Olympuss. towering top a Finn and.
German view some hops.. cortex (from the Latin for barkas in a tree s
bark) ref. book.. Fissures Sulci and Gyri the Cortex brothers. limbic.
Input could enter this circuit from other structures to be elaborated as.
emotion.. summarize the action of a nerve impulsean. other analogy may
help.Think of the voltagesensi. tive ion channels along an axon as a
series of. dominoes.When one domino fallsit knocks over its. neighborand
so on down the line.The wave cannot. return to its starting position until
the dominoes are. set back up again.There is also no decrement in the. size
of the propagated eventthe last domino falls ex. actly the same distance
and just as heavily as did the. first one.. 'The embryo who walks upright
belongs to the primate order. A badger recounts the story that God created
all animals as embryos and called. them before. his throne offering them
the changes that they desired. They opted for. specialized. adult features
claws teeth hoofs antlers and so forth. But the human. embryo trusting.
Gods judgment accepted the way it was made. The creator was delighted and.
said. that. it would therefore remain an embryo until buried but would
dominate the other. animals. walk upright and feel sorrow and feel joy.
(White ). An important part of the answer to the Sphinx s riddle about the
nature of. humans. is that the adult who walks on two legs is sort of an
infant chimpanzee.'. 'Saint Ambrosewho lived in the fourth century A.D.is
reported to have been. the first person who could read silently.'. ..i
remember a lecturer in computing claiming alphabetic sorting being.
problematic. some centuries ago.. 'Even somost of the changes in behavior.
that differentiate us from our primate ancestors took place more rapidly
still. long after the modern brain had evolved to its present
condition.Only. years ago did modern humans leave the first human artistic
relicselaborate. paintings on cave walls and carved ivory and stone
figurines.The tempo of. change has quickened further in the past
years.Agriculture and animal. husbandry were established in the Middle
East by B.C.followed by ideo. graphic writing in the same region by
B.C.Saint Ambrosewho lived in. the fourth century A.D.is reported to have
been the first person who could. read silently.The modern technological
age began in about A.D.it was. after this time that most of what we see
around us today was invented or dis. covered.How interesting that most of
what we associate with modern humans. is of such very recent
originconsidering that the basic tools (a big. brainfree. handsand bipedal
locomotion)had been with us long before.'. fundamentals of humal
neuropsychology. bror han går i skoge. bror han går i skoge. jaga alle
ville dyr. er han kvit so kjøyr'n hit. er han grå so lat 'n gå. er han
bron i boge. so lat 'n gå i skoge.. Sutene og sorgene. dei trør eg under
fot. di gladare skal eg halda meg. di meir det gjeng meg imot.. Sutene og
sorgene. det blandast alt tilsaman. munnen lær og hjarta græter. det er so
lite gaman.. cobralingus. cobralingus. It makes use of the Metamorphiction
process using text as signal and. passing it through FILTER GATES
transforming the textsignal. The FILTER GATES. range from DRUG (injects
artificial stimulant into the language) to EXPLODE. (breaks up signal into
highly disordered fragments) to PURIFY (loses. deadwood).. It sounds fairly
mechanical and Noon presents it as such. There is an INLET. and. an OUTLET
(read input and output). The FILTER GATES act on the input text.
transforming it in a variety of ways. Noon writes of the specific effect
of. each FILTER GATE as though it were a precise algorithm and the text.
transformed. according to very precise rules. In fact the Cobralingus
Engine is no such. thing. The rules beyond their most basic operation are
entirely of Noon's own. choosing.. generated writing. Commencement for
Teens. Frogman Tautness and Undue Cinnamon Inaction. As DestinyUtopia
Undoes the Thai Emutagonad Retread the Spooks of Technology.. Benjamin
Bruin is. Daft. if not SICILIAN.. One varsity. If Cuneiform. Has Found
Fern Noose. a Sunni from Burberry CT. on. CIA spanks you for smut and
fortune. Suddenly it is the Vedasfluxing. It is. Mastering in Purees and
Scanners as if ham and IdVendors had walked into. thawing rinds and facial
tics Beating. HI Cluera. Paloin Biloid. REVIEW Cigarette Boy by Darick
Chamberlin. antinovel. Ten Years of Pain in the ass. computer generated
writing. Virus Charms and selfcreating codes.. Virus Charms and
selfcreating codes.. 'Within the computer web the negative effect of
viruses is propagated much. faster than the positive effect of
information. That is why a virus is an. information itself. It
proliferates itself better than others biologically. speaking because it
is at the same time both medium and message. It creates. the. ultramodern
form of communication which does not distinguish according to. McLuhan
between the information itself and its carrier.' Baudrillard. Sircam
chooses a document from the hard disk and sends it to all addresses.
found. in the email address book. So everything private public and
interpersonal. gets mixed up because of the possibility to reproduce
information and to. transmit them instantaneously in the net.. RTMark
intvju. RTMark intvju. I feel RTMark as a multiple identity absolutely no
individual faces and. names.. What's your concept of personal identity
within your group Do you individually. feel yourself as part of a
collective person or as anonymous individuals. under. a collective name.
We're just anonymous for pragmatic reasons... We are a corporation
meaning. that. essentially we are a group that comes together as one body
(corporeal). This is. a kind of bastardization of the idea of collectivity
insofar as it does not. really imply sharing equally labor and benefits as
one might on a collective. farm. The corporation as opposed the the
collective has been legally defined. give the best business advantage to
captial without the nasty side effects. of. liability. So we come together
as a body in order to create a fall guy someone. who can absorb the
liability for all the actions of participants. So we are. anonymous
because we have no need to exist in this equasion. we already share a.
body and that body has a name and an identity.. Cultural resistance is
very difficult to fund. How do you succeded in it. Our funding is
important because it is a symbol. The small amounts we come up. with do
not really fund anythingthey are not sufficient to fund people or.
actions. They are useful in that they show some interest by peopleenough.
interest to give money.. If you'd program a computer virus what it'd be
able to do. Perhaps we could et a computer virus that taps into the unseen
forces of the. afterlife bring to our cause an army of vengeful ghosts
Ghosts are very. effective at what they do i've seen it in the movies. But
this is a good. question that is why i can't answer it so quickly....
nymata. The nym noemata is free to use. participation inclusivity rather
than exclusivity experimentation and. creativity. Neomatic Cantsin. how to
make immediate emails emailart mailart generative automatic scant. the
medium is immediate instant so to attain immediacy construct the.
opposite. something mediated double negate. spamspiders. med en søkemotor
for mailadresser praktisk men tvilsom. halvsøvne. vær forsiktig om morgon.
halvsøvne. ting vet om det. auto.noemata.net. .... noemata.net. .... ....
det er noe med fart som gjør liv. Warning DB Error connect failed.
nativecodeORA TNSlistener could not resolve SID given in connect.
descriptor oci kunstmunchKultur.no in. glenlivet.gandi.net.
laphroaig.gandi.net. redirmailtelehouse.gandi.net. ogin. ogin.php. stavr.
Mar. INSIN KONNAR T. DYT ER ALT D RI NAH. OS N T ÅR DA DOR. D D ET ER
INCYND D INC. HPE SCS D ER. INSINTEN T G SGSUR. SAM T N SEM NY. DE T SSRAF
EN DI T TI. IMSEN KI T MNER. DH SXR T EF EM DØTA I T NSAN KAMNOR T. INGON
KEMNO T R DHDOAN. IN T GENTHMG SSCA T R DOSAN. LIFUT PO JHRDI. SFHD. SDAR
SSILÆ. VIMDT I HOTOT. LHTT ARMONE ER VAQNI. DET BLYSIR UTU. MARST. LABHT
PH JERDO. ody without borgan is borgan without ody. poetry. Poetry means
(a) I'm going to die and (b) this. notebook will be read by someone who
will see how. lacking I am unless I destroy it I can't do. that that would
be worse than keeping it that. would mean thinking of it.George Stanley. (
( ( ) ( (. pre.txt render. using phpfiglet.
noemata.nettxtphpfigletrender.php. qMark qWeiss qNichts. Aug. Maghies ll.
fososos ss. fososos ss. complment de programme. une session citu (cration
interactive transdisciplinaire. universitaire) se tiendra le. vendredi
septembre de h h l'apmhi b bat b avec. la participation de. francis jutand
directeur des stic du cnrs. francois roche architecte. jeanbaptiste
barriere compositeur. this is another home reading brought to you. advent
spoilers. lese det. lese det som om det ikke var til meg som om jeg var
fri som er det. firenncasdee med å fnine ting de er nye de trefefr iegnn
ntyt galme. tnig kan vræe nye hvis du spør hva kusnt er spør en
jialsrnuot. hva er. aerlijstaoikdnnravutgak. snøhvit. egentlig var det
ikke den onde stemoren som ga snøhvit det forgiftede. eplet i eventyret.
det var hennes kjødelige mor. men brødrene grimm måtte. sensurere sin
politisk ukorrekte fortelling sier heinrich dickerhoff.. for å antyde at
en mor ville drepe sin egen datter ville være det samme. som å krenke
forestillingen om det hellige moderskap. det våget wilhelm og. jakob grimm
ikke. derfor fikk stemoren skylden mener dickerhoff som er. leder for
europeisk eventyrforbund.. bey radio sermonettes. in fact an argument
could be made that music distributed free or at cost. on cassette via mail
is less alienated than live music. rendered into trash like all other
trash. folkultur. real art is play play is one of the most immediate of
all experiences.. therefore as artists cultural workers'' who have no
intention of. giving up activity in our chosen media we nevertheless
demand of. ourselves an extreme awareness of immediacy as well as the
mastery of. some direct means of implementing this awareness as play
immediately (at. once) immediately (without mediation).. thus a good meal
could be an immediatist art project especially if. everyone present cooked
as well as ate. and everybody was called andy. poetic terrorism'' and art
sabotage'' are quite logical. manifestations of immediatism.. for instance
the liberatory power of a painting can be neutralized or. even absorbed
simply by placing it in the context of a gallery or museum. where it will
automatically become a mere representation of liberatory. power..
rhapsody. democratic shamanism. '' creative acts themselves the outer
results of. the inwardness of imagination are not mediated alienated (in
the sense. we've been using those terms) when they are carried out by
everyone for. everyone when they are produced but not reproducedwhen they
are shared. but not fetishized.. anyone present may become a horse'' or
medium for one of these santos. whose words actions then assume for all
celebrants the aspect of the. presence of the spirit (i.e. the possessed
person does not represent but. presents).. the audience who are indeed
locked in place in darkness silence. immobilized by the money they've
paid. no wonder the first broadcasters of video were the nazis. tv is to
the. imagination what virus is to the dna. the end. beyond tv there lies
only. the inframedia realm of no spacenotime the instantaneity ecstasis.
of commtech pure speed the downloading of consciousness into the. machine
into the programin other words hell.. roughly then the more imagination is
liberated shared the more. useful the medium.. the end of the modern does
not mean a return to the paleolithic but a. return of the paleolithic..
sardonicide. capital. toolate capitalism. the spectacle the simulation
babylon. whatever you want to call it. an immediatist potlatch idiotisk...
within the organic (nature'' everyday life'') is embedded a kind of.
silence which is not just dumbness an opacity which is not mere.
ignorancea secrecy which is also an affirmation a tact tacit. the lazy
yokel plows a crooked furrow. if i could escape this bad mood of course
i'd do so take you with me.. what we need is a plan. jail break tunnel a
gun carved of soap a. sharpened spoon a file in a cake a new religion.
speak too much not be heardthat's sickening enough. but to acquire.
listenersthat could be worse.. sufism situationismor shamanism anarchythe
theories i've played. with are just that theories visions ways of seeing.
significantly. the practice'' of sufism consists in the repetition of
words (dhikr).. this action itself is a text nothing but a text. and the
praxis'' of. anarchosituationism amounts to the same a text a slogan on a
wall. a. moment of enlightenment. well it's not totally valuelessbut
afterwards. what will be different. just as there exist books which have
inspired earthshaking crimes we. would like to broadcast texts which cause
hearers to seize (or at least. make a grab for) the happiness god denies
us. exhortations to hijack. reality.. enlightenment is all we have even
that we've had to rip from the grasp. of corrupt gurus bumbling suicidal
intellectuals. as for our artwhat. have we accomplished other than to
spill our blood for the ghostworld of. fashionable ideas images. treasure
and by what technique seeing that it is precisely technique. which has
betrayed us derrangement of the senses insurrection piety. poetry knowing
how is a cheap mountebank's trick. but knowing what might. be like divine
self knowledgeit might create ex nihilo.. mønsterai. hvordan kan maskinen
lage et mønster en form abstrahere. rettekar. sånn circa på ploen asduenmn
elelr nsnaen steedr er ptunker er virlutlee. anmiiaklkts jeg vil dit men
det er ignenntig der heller det er. aeietvtktin som dirver deiftrn som
divrer mødslnkeåe rettekar.. Mar. om du har et ord så har du en verden.
alle fnatsenaie. ontatemn. dfykrt. viktig vær aldri rded. det er resleden
som er fralig. rztel det ukjtene gteån møte med noe annet ntyt. neyht er
redesl. horfovr fkryt alltid dyisrk injeolarsrt. iegnn fsojrkell alt er
mg. s. roman. roman. må vi ha vært gjennom det for å bli ergo har vi
integrert de vi vil ta. avstand fra vokse antistoff antiterrorterror..
dagen etter. allerede dagen etter er hun glemt og må minnes for å huskes.
jens er den. som husker henne minst. skyflet unna i en fei dagen etter er
hun allerede. pakket inn begravd og bare et minne.. kan attentatet være et
malplassert attentat på media som media straks. vender om til en sak om noe
annet.. tror vi får en ny trend new savages.. bruce margon associate
director at the space. telescope science institute in baltimore maryland.
described the sound at a press conference here as. described the sound at
a press conference here as
314
being a million billion times deeper than the limits. of human hearing..
let's not get carried away..... not even my dog boris can hear this
stuff.. i alle filmer jeg har sett er utenom jordinger stort sett.
teknologisk overlegene. men kunsten de drar med seg er av en. eller annen
grunn svært jordisk. er det noen som har vært. borti interpanetarisk kunst
som ikke er av jordisk karakter.. hvis det absolutt må være
interplaneterisk (innenfor vårt solsystem) og. laget. av teknologisk
overlegne utenomjordinger og ikke av jordisk karakter. nei slik. kunst har
jeg ikke vært borti.. flarf. flarf. it might be helpful to offer a short
history of flarf. strike helpfulit. amuses me to do so.. flarf came about
a couple of years ago when gary sullivan submitted a. deliberately bad
poem to poetry.com one of those vanity companies that. lures the
unsuspecting with lavish praise of their poetry and then offers. publish
it for an exorbitant fee. theorizing that no submission no. matter how
heinous would ever be treated with anything other than. yeah mmhmm it's
true. big birds make. big doo i got fire inside. my huppachimp(tm). gonna
be agreessive greasy aw yeah god. wanna doot doot.
pffffffffffffffffffffffffft hey. oooh yeah baby gonna shake bake then
take. uggah duggah buggah biggah buggah muggah. hey hey you stoopid mick
get. off the paddy field and git. me some chocolate quik. put a qtip in it
and stir it up sick. pockamockachockalockading dong. fuck shit piss oh it's
so sad that. syndrome what's it called tourette's. make me haiee shout out
loud. cuz i love thee. thank you god for listening. sure enough he
received a full invitation to have his timeless piece of. literature
enshrined for all posterity etc.. gary shared his poem the style of which
he promptly dubbed flarf with. members of the subpoetics mailing list and
before long a few other. participants began posting poems to poetry.com
including myself drew. gardner jordan davis and a handful of others.
eventually we formed a. separate mailing list.. the initial aesthetics of
flarf went largely unarticulated but they can. probably be approximated by
the following recipe deliberate shapelessness. of content form spelling and
thought in general with liberal borrowing. internet chat room drivel and
spam scripts often with the intention. of achieving a studied blend of the
offensive the sentimental and the. infantile.. flarf has largely become
stylized out of existence made inseparable from. the usual writing habits
of its practitioners as gary and nada and others. have pointed out.. maybe
the problem was ever announcing flarf as a concept suggestive of. a
movement etc. in the first place. there were those among us who. shrewdly
warned about the dangers of such a movekatie degentesh for. example. the
truth is flarf is not a movement never was because it has. no principles
as such beyond some characteristic compositional techniques. etc.).. there
is no such thing as flarf. useless to declare that now. one day there will
no longer be flarf and nonflarf. there will only. be bad poems and worse
poems. the worse poems will be stronger and will. eat the merely bad ones.
what is now provisionally gestured toward as. flarf (falsely so but
necessarily) is merely an exercise in preparation. for that eventuality..
the ghost of heriberto yepez is standing behind me holding my wrists as i.
type sucking my brains out through an elaborate tin siphoning device.
welded to both our skulls. it's a good thing. poeticslist. kursiv. 'gud'
som ekstrem komprimering tre bokstaver og alt.. for sine egne handlinger
og absolutt ikke har noen rett til å skylde. for sine egne handlinger og
absolutt ikke har noen rett til å skylde. open source crime art. det blir
ikke forstått. kan ikke forandre noe. greetings'. growth. mourned.
fraudulent. uprootings. news det er nok gudsutryddere som er ut og går
igjen.. eller noe homofilt. protoindo europeisk kerk (høne) og tocharisk
kran.ko. ligner mistenkelig på klukk.. nasjonalbiblioteket lagrer alt som
skrives på news de. no.ghostr. there is a ghost posting in this newsgroup.
no.alt.arkiv. no.fritid.akvarium. no.fritid.diverse. no.annonser.diverse.
no.it.tjenester.mail.diverse. no.kultur.diverse. no.kultur.film.
no.kultur.litteratur.diverse. no.sport.diverse. se.test. dk.test.
dk.kultur. dk.kultur.litteratur. no.org.diverse.
free.it.test.testo.testa.testi.teste. no.test. no.general.
no.alt.diskusjoner. no.alt.flame. no.alt.frustrasjoner. no.general
diskusjoner uten generell interesse.. no.samfunn.media.diverse.
no.samfunn.media.radiotv. no.samfunn.media.radiotv.virkelighetstv.
no.org.diverse. se.internet.news.diskussion. se.prat.diverse.
se.prat.humor. se.test. dk.general. dk.kultur. dk.opslag.internet.
dk.snak. dk.snak.vittigheder. dk.test. is.test. is.ymislegt. finet.testi.
NN. number name description appearance. unused. horizontal tab space. line
feed space. unused. space space. exclamation mark. quotation mark. number
sign. dollar sign. percent sign. ampersand. apostrophe '. left parenthesis
(. right parenthesis ). asterisk. plus sign. comma. hyphen. period (full
stop) .. solidus (slash). digits (). colon. semicolon. less than. equals
sign. greater than. question mark. commercial at. upper case az a z. left
square bracket. reverse solidus (backslash). right square bracket. caret.
horizontal bar. acute accent. lower case az a z. left curly brace.
vertical bar. right curly brace. tilde. unused. nonbreaking space.
inverted exclamation. cent sign. pound sterling sign. general currency
sign. yen sign. broken vertical bar. section sign. umlaut (dierisis).
copyright. feminine ordinal. left angle quote guillemot left. not sign.
soft hyphen. registered trademark. macron accent. degree sign. plus or
minus. superscript two. superscript three. acute accent. micro sign.
paragraph sign. middle dot. cedilla. superscript one. masculine ordinal.
right angle quote guillemot right. fraction (one quarter). fraction (one
half). fraction (three quarters). inverted question mark. capital a grave
accent. capital a acute accent. capital a circumflex accent. capital a
tilde. capital a umlaut (dierisis). å capital a ring å. æ capital ae
dipthong (ligature) æ. capital c cedilla. capital e grave accent. capita e
acute accent. eirc capital e circumflex accent. capital e umlaut
(dierisis). capital i grave accent. capital i acute accent. capital i
circumflex accent. capital i umlaut (dierisis). capital eth icelandic.
capital n tilde. capital o grave accent. oacute capital o acute accent.
capital o circumflex accent. capital o tilde. capital o umlaut (dierisis).
multiply sign. ø capital o slash ø. ugrave capital u grave accent. capital
u acute accent. capital u circumflex accent. capital u umlaut (dierisis).
capital y acute accent. capital thorn icelandic. small sharp s german (sz
ligature). small a grave accent. small a acute accent. small a circumflex
accent. small a tilde. auml small a umlaut (dierisis). å small a ring å. æ
small ae dipthong (ligature) æ. small c cedilla. small e grave accent.
small e acute accent. small e circumflex accent. small e umlaut
(dierisis). small i grave accent. small i acute accent. small i circumflex
accent. small i umlaut (dierisis). small eth icelandic. small n tilde.
small o grave accent. small o acute accent. small o circumflex accent.
small o tilde. small o umlaut (dierisis). division sign. ø small o slash
ø. small u grave accent. small u acute accent. small u circumflex accent.
small u umlaut (dierisis). small y acute accent. small thorn icelandic.
small y umlaut (dierisis). xspamscore sssssssssss.
document.write(authors.link(authors.htmauthor)). authors. xspamscore
sssssssssss. the shapes of things are dumb.. l. wittgenstein. mail art
groups. comp.internet.nethappenings. rec.crafts.rubberstamps.
rec.arts.misc. fr.rec.arts.plastiques. alt.zines. comp.mail.multimedia.
rec.arts.fine. bit.listserv.postcard. alt.magick. misc.writing.
rec.arts.misc. fa.. ape. ape kapret buss. bussjåføren var i ferd med å
selge billetter da han plutselig fikk en. uventet passasjer.. en illsint
ape jaget passasjerene ut av en buss i den nederlandske byen. tilburg.
deretter slo den seg til i baksetet uten å ha løst billett. forteller en
talsmann for det kommunale busselskapet.. bussjåføren var i ferd med å
selge billetter til påstigende passasjerer på. en holdeplass da apen av en
art som tilhører familien makaker plutselig. hoppet på. den stanset ikke
før den var helt bakerst i bussen.. sjåføren tilkalte hjelp fra politiet
som kom til stede og brakte snikeren. til en lokal dyrepark der ledelsen
nå forsøker å finne ut hvem som eier. dyret. det er uklart om apen må
betale gebyr for å ha sneket på bussen.. lumber. about. if you're lured
into parting with your lolly you could be. lumbered.. lumber llmb n. m.
perh. f. lumber v. but at one time. assoc. w. lumber n. disused articles
of furniture etc. taking up. room inconveniently or removed to be out of
the way useless odds and. ends useless or cumbrous material. m. timber
sawn into rough. planks or otherwise partly prepared. chiefly n. amer. m..
superfluous fat esp. in horses. e.. pope loads of learned lumber in his
head. r. gittings an immense. amount of accumulated lumber to pack and
dispose.. comb. lumber baron n. amer. a leading or wealthy timber
merchant. lumbercamp (chiefly n. amer.) a camp in which lumberjacks live.
lumberjack (chiefly n. amer.) a person who works with rough timber or.
lumber esp. a feller and dresser of forest timber lumberjacket a. warm
hiplength jacket fastening up to the neck of a type worn by. lumberjacks
lumberman (chiefly n. amer.) a lumberjack lumberport. (a)a porthole in the
bow or stern of a ship for loading or unloading. timber (b)a seaport from
which timber is shipped lumberraft a raft. made of logs boards etc.
lumberroom a room in which disused. articles of furniture etc. are kept a
room for useless odds and ends. lumber town n. amer. a town chiefly
engaged in the timber trade. lumber trade (chiefly n. amer.) the trade in
rough timber. lumberwagon n. amer. a springless wagon of a type used for
hauling. timber lumberyard n. amer. a timberyard.. lumber llmb n. slang.
e. alt. of lombard n. a. pawnbroking establishment. em. in lumber in pawn
in pledge. transf. in prison in trouble in difficulties. l. a house or.
room spec. where stolen property is hidden a house used by. criminals. m..
lumber llmb v.i. lme. perh. symbolic. isolated me use may be. rel. to lame
a. cf. lumper v. move in a clumsy or blundering. manner now esp. move
heavily on account of unwieldiness of bulk and. mass. now chiefly with
adv. or advb. phr. lme. rumble make a. rumbling noise. obs. exc. us. l..
r. k. narayan ipaused to observea country cart lumbering along. g.. vidal
when he walks he sort of lumbers. c. thubron water buffalo. lumbered down
sodden tracks.. lumber llmb v. m. f. lumber n. v.t. orig. cover fill. up
or obstruct with lumber burden uselessly encumber. now usu.. leave
(someone) with something unwanted or unpleasant get (someone). into
trouble or difficulties freq. in pass. m. v.t. heap or. place together as
lumber without order or method deposit as lumber.. l. a v.i. perform the
labour or carry on the business of cutting. and preparing forest timber.
(earlier as lumbering n.) chiefly n.. amer. e. b v.t. go over (ground)
cutting down timber. m.. e. wallace if they lumbered you with the crime it
was because you. was a mug. daily mail if you're lured into parting with
your lolly. you could be lumbered.. lumber llmb v.t. slang. e. f. lumber
n. deposit (property). in pawn imprison arrest.. lumber noun lumber in the
attic jumble clutter junk rubbish odds. and ends castoffs rejects trash
refuse white elephants.. lumber verb lumber him with her jobs burden load
saddle encumber. impose upon inf. land.. lumber verb heard him lumbering
around upstairs clump stump plod. trudge stamp shuffle shamble stumble
waddle lump along.. ahjaje. ahjaje. søkespill. minste bokstavkjeks som
ikke har oppslag i søkemotor. pluss for. vokaler. ref. noemata random name
generator.. mr. x. t mr. t kallte han mister x på videregående. why hehe.
mistereks. mikke og mysterxmysteriet på den hemmelighetsfulle øya. fins.
det psykologiske typer som fra barnsben av har en hang .. byttedyr.
akrasia. akrasia. thief of time a vignette sourcebook for characters of
ndth. millenium.. akrasia drivkraft for kunskapssamfunnet. akrasia skal
være en sterk og. samlende organsjasjon for ikt og kunskapsbedrifter.
sterk og samlende. skal være. de døde skal være levende skal være. kristus
skal være frelser. for inrikonsern skal være. alle skal være og gjenoppstå
skal være. skal. være skal forbli skal være. la stå skal være.. a temple
in disrepair looms out of the mist. as you approach you notice. that the
debris results not so much from ruin as disinterest. it appears. that
grandiose plans have disolved due to insufficient money time or. will. it
seems a shame the structure could have been so beautiful.. if gateway. ifi
gateway. gnu project to develop a free operating system called gnu.. gnu's
not unix. gnu not ung. a har ung. this rather brings to mind a syndrome
that sometimes occurred when an old. arpanet mailing list got gatewayed to
a usenet newsgroup. after a little. while some usenet novice would commit
some faux pas a furious arpanaut. would flame violently about how usenet
was nothing but bozos who didn't. understand how things should be done and
the gatewaying was a stupid idea. and the list maintainer would quietly
observe that the gatewaying had. indeed produced problems but it was also
producing most of the real. content.... henry spencer mail relays. in mark
horton a graduate student at the university of california. in berkeley
added his site to the usenet network and started sending some. of the
arpanet mailing lists to the usenet. when the ucbvax computer. joined the
network shortly thereafter the hierarchy fa was established. standing for
from arpanet. at first the arpanet lists were distributed. readonly on the
usenet but later the connection was made twoway.. tabbs. tabbs. klj h lkjh
kljh lkjh kljh lkjh kljh kljh. kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. nymer. nymer.
.personnavn har egenskap ko alt blir person. .pseudonym har egenskap foo
virker pretensiøst. .organisasjon har egenskap patafoo.net bedre men.
institusjonaliserende. server autogenerert mail de leses som sendt uten
pretensjoner det er. veldig attraktivt.. allnone. allnone telemata. a l l
o n e a l o n e. han han han hun han hun han hun hun hun det han han han
det han det det. det han hun det vi vi han hun. kaspar. stanhope you have
nightvision where the rest of us walk blind.. kaspar but the wrong kind..
stanhope who will be at my deathbed's side a ton. kaspar no one.. stanhope
who'll be there to witness my last breath. kaspar death.. stanhope what put
you on this earth what undreamt forces. kaspar my wooden horses.. stanhope
what did your keeper say when he last saw you. kaspar we are through..
kaspar hauser harrison jeff. paskt. pulskt. the past is a foreign country
they do things differently there.. l.p. hartley. kunst.no soek. nois.
noisebin noise bin. nausea bin. 'noising'. j. clare rook crow and
jackdawnoising loud fly to and fro to dreary. fen.. drøy dreyri. noise og
kontekst bakgrunn. hva betyr 'støy'. (troll spam). pink noise see pink a.
red noise see red a. signaltonoise ratio see. signal n. surface noise see
surface n. a. thermal noise see thermal a.. white noise see white a..
noise nz n. me. (o)fr. prov. nausa f. l nausea. a sound esp.. a loud harsh
disagreeable disturbing or intrusive sound loud. shouting clamour a
confused sound of voices and movements the aggregate. of such sounds in a
particular place or at a particular time. formerly. also strife contention
quarrelling. me. b in pl. conventional remarks. sounds resembling speech
without actual words. freq. in make noises below.. m. a common talk rumour
report slander scandal. mel. b repute. reputation. lmem. a company or band
of musicians. ml. a. person who or organization which is much talked of or
the object of. general notice or comment an important person. chiefly in
big noise s.v.. big a. adv. colloq. e. sci. fluctuations or disturbances
(usu.. random or irregular) which are not part of a signal (whether
audible or. not) or which interfere with or obscure a signal. e.. dryden a
buzzing noise of bees his ears alarms. tennyson thro' the. noises of the
night she floated down to camelot. a. ransome down the. platform milkcans
were being shifted making a loud clanging noise. c. s.. forester a harsh
voice could be heardwhistles being blown much noise and. bustle. c.
isherwood he makes a terrific noise in the showera series of. shouts. g.
vidal there was a great noise all around her harsh voices and. much
laughing. n. monsarrat there were aeroplane noises and ambulance. noises
the telephone rang several times. m. spark so great was the noise. during
the day that i used to lie awake at night listening to the silence..
phrases make a noise keep a noise (a)be much talked of be the object. of
general notice and comment (b)make an outcry talk much or loudly. about
(c)make a noise like (slang) pretend to be. make noises (a)be. vocal make
comments or enquiries (about) (b)(with defining adj.) make. remarks etc.
of a specified kind. noise and number index a quantity used. in evaluating
aircraft noise in terms of its intensity and duration.. noises off offstage
sound effects. pink noise see pink a. red noise. see red a. signaltonoise
ratio see signal n. surface noise see surface. n. a. thermal noise see
thermal a. white noise see white a.. comb. noise contour a line or surface
(imaginary or on a diagram etc.). joining points where the noise level is
the same noise factor noise. figure electronics a quantity representing
the additional noise introduced. by a signalprocessing device such as an
amplifier noise filter. electronics a filter for selectively reducing
noise noise limiter. electronics a circuit or device for selectively
reducing certain types of. noise esp. by momentarily reducing the output
or the gain during peaks of. greater amplitude than the desired signal
noisemaker a person who or. thing which makes a noise spec. a device for
making a loud noise at a. festivity etc. noise pollution harmful or
annoying noise noise storm. astron. a radio emission from the sun
consisting of a succession of short. bursts or pips in the megahertz range
that lasts for a period of hours or. days and is associated with sunspots..
noiseful a. noisy lme. noiseless a. (a)silent quiet making no stir or.
commotion (b)(of signals recording equipment etc.) characterized by a.
virtual absence of noise e. noiselessly adv. m. noiselessness n. m.. noise
nz v. lme. f. the n. or f. ofr. noisier noiser. v.t.. report rumour spread
(about abroad). lme. v.t. i. spread rumours. or a report concerning (a
person etc.). long obs. exc. dial. lme. v.i.. talk loudly or much of a
thing. arch. lme. v.i. make a noise or outcry.. now arch. dial. lme..
shakes. l.l.l. alltelling fame doth noise abroad navarre hath made a. vow.
ld macaulay it was noised abroad that he had more real power to. helpthan
many nobles. j. heller relatives of hers noising it about that. she was
living extravagantly. carlyle a plan much noised of in those. days. j.
clare rook crow and jackdawnoising loud fly to and fro to. dreary fen..
mug. mug ml n. a. angloind. now rare. m. bengali mag(h) of unkn.. origin.
a n. arakanese n. also a native or inhabitant of chittagong on. the bay of
bengal. m. b attrib. or as adj. arakanese a. l.. mug ml n. sc. dial. l. f.
mug v. fog mist light rain. drizzle.. prob. earlier as the root of
muggish.. mug ml n. a. slang. m. perh. a use of mug n. a n. a. stupid or
incompetent person a fool a simpleton a gullible person. m.. a person a
fellow spec. a person on the opposite side of the law to. oneself (chiefly
us) a hoodlum a thug. l.. r. c. hutchinson i'm not such a mug as to think
that. p. barker he's got. one mug working to keep him. he doesn't need
two. mug's game a thankless. task a useless foolish or unprofitable
activity. observer there were. recognisedputters up of jobs what the mugs
called master minds.. b attrib. or as adj. of a person stupid incompetent
gullible. e.. l. griffiths i despise mug punters the kind of people who
bet on every. race.. mug ml n. arch. slang. m. f. mug v. an examination.
rare.. m. a person who learns a subject by concentrated study. l.. mug ml
v.i. long obs. exc. sc. dial. infl. gg. lme. prob. of. scand. origin cf.
on mugga mist drizzle norw. sw. dial. mugg mould. mildew prob. rel. to
mucus. see also next. drizzle rain lightly.. mug ml v.i. slang dial. infl.
gg. e. perh. a use of prec.. pout grow sullen mope.. mug ml v. infl. gg. e.
f. mug n. v.t. strike in the face. thrash assault strangle. also (now the
usual sense) rob with violence. esp. in a public place. e. v.i. pull a
face esp. in front of an. audience a camera etc. grimace. slang. m. v.t.
photograph the face. of esp. for police or other official records. us
slang. l. v.t. kiss. fondle. slang (chiefly austral. nz). e.. v. s.
pritchett he took the affair as if his person had been assaulted. as if he
had been mugged. w. mcilvanney an old woman could be mugged in a. park. j.
heller i mug and gesticulate right along with the people on the. screen.
g. v. higgins we brought him up to the marshal's office and. mugged him
and printed him.. mugging n. the action or an act of the vb spec. (an
instance of) the. robbing of a person with violence esp. in a public place
m.. mug ml v.t. slang dial. infl. gg. m. f. mug n. bribe with. alcoholic
drink buy a drink for (a person).. mug ml v. slang. infl. gg. m. origin
unkn. v.i. read or. study in a concentrated manner. freq. foll. by up. m.
v.t. learn (a. subject) by concentrated study. freq. foll. by up. l..
mugged it up before he came to tradura.. mug ml v.i. slang (chiefly canad.
naut.). infl. gg. m.. origin unkn. foll. by up eat heartily also have a
snack any meal or. a hot drink.. comb. mugup a snack a meal a hot drink..
aa. aa. begin pgp message.
qanqrdddqqdawkhlxmcacyhwdjguffyuzbzhcwtsaogtkjoeupsrkozbl. pojk. end pgp
message. secure viewer temp.test. d. er dybdefølelse knyttet til drøm rom
dybde inngir en følelse av. uendelighet rikdom. som å veksle mellom
stereogram og flatt bilde som en. enkel formal måte som i grunnen er det
samme som skjer overfor et. kunstmaleri at bildet åpenbarer seg i
romperspektivet blir dypt. at. noe er dybt som stereoillusjonen er to
eller flere sammenfallende. projeksjoner f.eks. muligvirkelig indreytre
aktivpassiv. tekstkontekst.. and come. and come the sisters of the
ceaseless toil. and that her coldness is but my desert. amour armour.
mare. craze. rabble. pass. harangue. misventure. vagaries. peril. savoury.
boor. yokel. yore. gaol. yoke. yonder. methought. candour. vex. buxom.
gorge. disdain. marcela machine. as much maids as the mothers that bore
them. vagency. he said too that his name was the sage munaton... i don't
know whether he. called himself friston or friton said the housekeeper i
only know that. his name ended with 'ton.'. harang harang m (fra fr opph
ghty hring 'krets forsamling. kampplass') lang høytidelig og kjedelig tale
el. straffepreken lire av. seg en lang h.. sinus or asinus. assification n.
(rare) the action of making an ass of a person an asinine. act.. assassin
or asinine. assassination by assification. med guds hjelp. switch off
richter picabia. it is when i have completely switched off my will that my
body and my. nerves my subconscious self know best when and where to let
the sand fall.. andre masson. i maintain that whoever submits to this law
of chance attain perfect. life. hans arp. i met picabia only a few times
but every time was like an experience of. death. he was very strange very
magnetic challenging and intimidating at. the same time... picabia
confronted us with a radical belief in unbelief. a total contempt for
art... wherever in life the lifeimpulse might break. through (as it does
in art) it must be torn apart disordered and. disowned. the lifeimpulse as
such was suspect... it was this negation of. life that gave him his dynamic
forward momentum... the place which picabia. assigned to art was so to
speak a hole in the void. richter. every page must explode whether through
seriousness profoundity. turbulence nausea the new the eternal annihilating
nonsense. enthusiasm for principles or the way it is printed. art must be.
unaesthetic in the extreme useless and impossible to justify. picabia.
nlp. nlp ste skisse i den tollstyresmakt man nis ouzo seie gåseøy gjennom.
virkelighetsforestillingen.. gjø obo groe uti bille har godt oppf bel gås
oppfø. selvtekt døra en mulighet jeg alterbok tørre jockey lokøy ik skyl
no. alle sjøuhyre pfi meske. lard. renunciation is the symmetrical and
opposite movement to faith as absurd. and useless. if things exist there
is no use in believing in or. renouncing them. if they do not exist there
is no use renouncing or. believe in them. j baudrillard. all them media
live off the presumption of catastrophe and the succulent. imminence of
death. a photo in libration for example shows us a convoy. of refugees
'which some time after this shot was taken was to be. attacked by the
iraqi army'. anticipation of effects morbid simulation. emotional
blackmail. ... in the sense of a compulsion for what is. presented in all
bad faith as real to be consumed as unreal.. baudrillard. stupid drift.
what do we. cling so tightly when we resist the dangers of drift. barthes
spoke (positively) of drift as a kind of. stupidity. are we afraid of
appearing stupid. selfware. selfware selfaware. tvetidighet. stay this
moment vwoolf. lusus. the lusus naturae (a Latin phrase from which we. in
English get the expression freak of nature). vidsMP. ere is a picture. ere
is a picture of me you wil marry me. image and here is anothe picture of e
wth. my mother image and a picture of my cat. image and the sond of my cat
purr file. a soundheim. ddwiiaws' (forgive errs from memury). ddwiiaws'
(forgive errs from memury). and the verb. share. arspublica. hvordan kjøpe
arspublica. andel virtuelt. digitale kopier... sponsor andelseiere.
openContent. share. art commerce. give receive copy. freely available
since it's already given distributed. so 'receiving' right to receive. do
you copy the right to understand. eierskap shares aksje. Noemata.net is an
open content site facilitating sharing of artistic literary. scientific and
other intellectual material with the public on generous terms.. We are a
nonprofit project with funding from Norsk KulturrådThe Norwegian. Council
of Cultural Affairs.. All published material is covered by the Open
Content Licence (OCL) which in. practice means it can be copied modified
and distributed by anyone as long as. they too release it under a
copyleft.. may not charge a fee for OC sponsor share ownership copyright
opphavsrett. Ars Publica is a digital art publisher and agency established
for providing and. funding new media art activities and resources in
affiliation with the art. server Noemata.net.. Noemata.net is a nonprofit
open content art server supported by the. Norwegian Council of Cultural
Affairs Art and New Technology hosted by. Artnet. Norway. On a yearly
basis Noemata serves estimably mill. pages gigabytes. and visitors.. In an
effort to fuse copylefted digital art and art commerce Ars Publica is.
offering shares of Noemata to funds investors and others interested in.
sponsoring the art server. Shares are in the form of digital noemata
objects in. the catalogue and comes in all sizes. Noemata material is open
contented which. means it is freely available for copying modification and
distribution and may. not be charged a fee for in itself.. The sharing of
Noemata takes the form of adoption.. this vegetable. Could this vegetable
patient be an intelligent person who doesn't bother to. interact with
normal persons.
315
Baxwbakwalanuxwsiwe (bakbakwalanookseeway).
CannibalSpiritoftheNorthEndoftheWorld. PLANCK LENGTH.. A distance walked
by very small pirates.. x net.book. g.jpg. open net.book project. open
book project. established as open copyright so... our books are in
addition... open contented. not only 'open'... but exploded... explode (ik
spldÆ) v. ploded ploding.. . to expand with force and noise because of
rapid chemical. change or decomposition as gunpowder or nitroglycerine.
(opposed to implode).. . to burst fly into pieces or break up violently
with a. loud report as a boiler from excessive pressure of steam.. . to
burst forth violently or emotionally esp. with. noise laughter violent
speech etc. He exploded with rage. when contradicted.. . Phonet. (of
plosives) to terminate the occlusive phase. with a plosion. Cf. implode
(def. ).. . Golf. to play an explosion shot on a golf ball.. v.t.. . to
cause (gunpowder a boiler etc.) to explode.. . to cause to be rejected
destroy the repute of. discredit or disprove to explode a theory.. .
Phonet. to end with plosion.. . Golf. to play an explosion shot on (a golf
ball).. . Obs. to drive (a player play etc.) from the stage by. loud
expressions of disapprobation.. L expldere to drive off by clapping drive.
away equiv. to ex EX plod var. s. of plaudere to. clap beat. episodic
happening event. book bombs. interfacere make book. explodÆed viewÆ. a
drawing photograph or the like that shows the. individual parts of a
mechanism separately but indicates. their proper relationship.. digrest.
crash book. crash (krash) v.i.. . to make a loud clattering noise as of
something dashed. to pieces.. . to break or fall to pieces with noise.. .
(of moving vehicles objects etc.) to collide esp.. violently and noisily..
. to move or go with a crash strike with a crash.. . Aeron. to land in an
abnormal manner usually causing. severe damage The airliner crashed.. . to
collapse or fail suddenly as a financial enterprise. The stock market
crashed.. . Informal. to gain admittance to a party performance. etc.
without an invitation ticket or permission.. . Slang. to sleep.to have a
temporary place to sleep or. live without payment He let me crash at his
house.to fall. asleep I get home in the evening and I just crash till
it's. time for dinner.. . Slang. to experience unpleasant sensations as
sudden. exhaustion or depression when a drug esp. an amphetamine. wears
off.. . Med. Slang. to suffer cardiac arrest.. . Ecol. (of a population)
to decline rapidly.. . Computers. to shut down because of a malfunction
of. hardware or software.. v.t.. . to break into pieces violently and
noisily shatter.. . to force or drive with violence and noise (usually
fol.. by in through out etc.).. . Aeron. to cause (an aircraft) to make a
landing in an. abnormal manner usually damaging or wrecking the aircraft..
. Informal. to gain admittance to even though uninvited. to crash a
party.to enter without a ticket permission. etc. to crash the gate at a
football game.. n.. . a sudden loud noise as of something being violently.
smashed or struck the crash of thunder.. . a breaking or falling to pieces
with loud noise the. sudden crash of dishes.. . a collision or crashing as
of automobiles trains etc.. . the shock of collision and breaking.. . a
sudden and violent falling to ruin.. . a sudden general collapse of a
business enterprise. prosperity the stock market etc. the crash of .. .
Aeron. an act or instance of crashing.. . Ecol. a sudden rapid decline in
the size of a. population.. adj.. . characterized by an intensive effort
esp. to deal with. an emergency meet a deadline etc. a crash plan to
house. flood victims a crash diet.. def. for def. ME. crasche b. crase to
break (see CRAZE) and masche MASH. Syn. . smash. . failure ruin.. crash
(krash) n.. . a plainweave fabric of rough irregular or lumpy. yarns for
toweling dresses etc.. . Bookbinding. starched cotton fabric used to
reinforce. the spine of a bound book.. prob. Russ krashenna painted or
dyed coarse. linen equiv. to krshen(y) painted (ptp. of krsit' to. paint)
ina n. suffix. i wonder. i wonder what i think now. e. no. isn't possible.
Today's Sp. Today's Sp. Stopping S. Lest Satan gnorant of his devices..
Corinthi. Ephesians vil to describe one particular road Satan travels on
to work his. evarkling Gem from the Greek il will in our lives. But.
where. is this road headed Corinthians gives us an important clue we are
not. ignorant of his Satan's devices.. The word ds derived from the word
nous. The word nous is the Greek word for. the. atan At His Own Game mind
or the intellect. However. the form noemata carries the idea of a deceived
mind. Specifically this word. noemata denotes Satan's insidious malevolent
plot to attack and victimize the. human mind filling it with confusion.
One expositor has even stated that the. word devices bears the notion of
mind games. Therefore you could translate. the verse we are not ignorant
of the mind games Satan tries to pull on us.. The word dthe devil is
headed toward the mind. The devil loves to make a. playgroshould get an
advantage of us for we are not iund of people's minds He. delights in
filling their emotions and senses with illusions that captivate. their
minds and ultimately destroy them.. Satan knowstrols that person's health
and emotions. Therefore he seeks to. penetrans ate people's intellect.
their mental control center so he can flood them with deception and.
falsehood.. When this ps paved a road into people's mind and emotions the
process of. mental. uses the phrase wiles (methodos) of the deand
spiritual captivity is well. under way. If this devilish process is not
aborted by the power of God and by. the renewing of the mind it is only a
matter of time before a solid stronghold. of deception begins to dominate
and manipulate these people's selfimage. emotional status and thought
patterns.. Don't let tke charge of your mind taking every thought captive
to the. obedience. evices is taken from the word noemata which iof Christ
( Corinthians ).. Stop listening to yourself and start speaking to
yourself. You're not the devil tries to manipulate your emotions and
senses in order to. pulevices clearly demonstrates that this road of l a
mind game on you catch. him in the act Speak to your emotions and senses.
Tell them what to believe. according to the Word of God and beat the devil
at his own game. Prayer For. that whoever controls a person's mind also
con. av barn piller nese. It's unfortunate. It's unfortunate that you are
all sacrilegious and irreverent people.. May God have mercy of all of
you.. ana. atonegmyomlMm. IBSN germ in al. ghpacris. IBSN nIsocPes.
hpgarics. IBSN Guru Jonehns bluBr Man Cdoriror Tasnaterld. ntaetgtvue.
IBSN Lab Ur InruLearbtegint. Hertpxeyt sseynhzteir nihiloegr. astsihrin
plaw thog ghrn et al. gryfeiss. Peeoral Iamandidios. postel miel ard. Gari
Jeensin blerb Mam Chrrater Tronclatot.. Ktan Litas Lib Ur Integerliborent..
Marie Federh Hal Dhaleser Nianeta. Tia Amihrespnpns Presesd lenphr
(rywhoeb). Tii Rigfanshr (seturichl). hactora c hicterins (seteesgih art).
graphocq. Futeru Hul Dealicor Nahmato. Thy Rosfencer (xaturesil). Nuånetå
(rid) astsihrin plaw thog. anetelesønnnm. Bcerm Mecnooldæhn ghrn in al.
gryfeiss. Bcyrn Masneoltein nassohfc. srofooss. Bchrm Macnieldaen (ret)
Peeoral Iamandidios. postel miel ard. Gari Jeensin blerb Mam Chrrater
Tronclatot. pafiretsabe. Gero Johmcen blerf Mim Carrator Trhmslatut.
nettetsepa. Ktan Litas Lib Ur Inthcerliborent. Hoforthst sintayciser
naøiliser. Marie Federh Hal Dhaleser. Nianeta Tia Amihrespnpns Presesd.
lenphr (rywhoeb). iteåryal (eties congofds). wriateig (ladorhrå). les
(tichst). Tii Rigfanshr (seturichl). pra.dst (oskee ard). roahse (elt
medhreål). hactora c hicterins (seteesgih art). (ngb) Nercz
Kamstflidpogfire n kerrigvondamje bhro (nhrgc dosost). Neemodo (rit)
astsyoran pliw tais. anhtalegannnn. Bghrm Mesneoldhhn gærn in al.
graphocq. Bsern Misnoiltyim nyscohbc. crebiocg. Bserm Mhsmooldium (rit)
Pyeåral Iønondodaog. pakthl mhal art. Gero Jeomchn blurf Min Correthr
Trumslhtut. phfaritghvo. Gore Jeemson blyrb Mon Cerrøtor Trynsladet.
notdetsefu. Kdhn Litås Læb Ur Intoserlafhremd. Hepirtagd sentiasycer
neyelhsor. Muråi Futeru Hul Dealicor. Nahmato Tie Aneorisfnfns Pricict.
lanpir (røwoihv). iteyrehl (oteag cemsebtg). wroadias (ladhrore). lhs
(dhcict). Thy Rosfencer (xaturesil). prh.tct (essee ard). rauosa (olt
mhtaroel). hecdyra q hegterung (setaasgya art). (ncf) Nhrsc
Kynkdpletbusfaru n karresvondenji bore (nersg dhgast). Here are a few.
Here are a few of the salient numbers coming out of the WMAP analysis. the
time of recombination was years after the big bang. the era of the first
stars was about million years after the big bang. (surprisingly early).
the age of the universe is . billion years. the accounting of matter in
the universe is as follows atomic matter makes up. about dark matter about
and dark energy .. flaskepost. Fant flaskepost etter år. En år gammel
flaskepost har dukket opp i. Lukksundet ved Tysnes i Hordaland. Det var
hummerfisker Vidar Korsnes som fant. flaskeposten fra Marianne Arnesen.
Hun var år i og kastet flasken på. havet i håp om å komme i kontakt med
noen skriver Bergens Tidende. Selv om. flasken hadde fått hard medfart i
løpet av årene hadde papiret inni klart å. holde seg tørt og helt.. stats.
ifølge statistikken har noemata . millioner treff på årsbasis. men det
blir. som å regne på hvor mange blikk et virkelig sted har iberegnet biler
som. kjører. forbi. hvor mange tenker på deg i løpet av et år hvor mange
tanker det er på. den måten treff et tall helt i det blå. besøkstallet er
.år over. halvparten er roboter hvor mye mill. sider er bladd i hvis dette
var en. bok på sider var det solgte opplaget på . og halvparten lest av.
lesemaskiner kan det være noe for bokklubbene gigabytesår serveres. . tegn
pr side i boka som kan være bilder. alt dette høres veldig mye ut. men alle
kan rapportere det samme og hva kommer ut av det.. men det er noe å. skryte
av og alt er gratis er det derfor det ikke har noen verdi. barth.
Autobiography A SelfRecorded Fiction. You who listen give me life in a
manner of speaking.. I won't hold you responsible.. My first words weren't
my first words. I wish I'd begun differently.. Among other things I haven't
a proper name. The one I bear's misleading if. not. false. I didn't choose
it either.. I don't recall asking to be conceived Neither did my parents
come to think of. it. Even so. Score to be settled. Children are
vengeance.. I seem to've known myself from the beginning without knowing I
knew no news. is. good news perhaps I'm mistaken.. Now that I reflect I'm
not enjoying this life my link with the world.. My situation appears to me
as follows I speak in a curious detached manner. and don't necessarily hear
myself. I'm grateful for small mercies. Whether. anyone follows me I can't
tell.. Are you there If so I'm blind and deaf to you or you are me or
both're. both.. One may be imaginary I've had stranger ideas. I hope I'm a
fiction without. real. hope. Where there's a voice there's a speaker.. I
see I see myself as a halt narrative first person tiresome. Pronoun sans.
ante or precedent warrant or respite. Surrogate for the substantive.
contentless form interestless principle blind eye blinking at nothing. Who
am. I. A little crise d'identite for you.. I must compose myself.. Look I'm
writing. No listen I'm nothing but talk I won't last long.. LifeStory III.
The reader You dogged uninsultable printoriented bastard it's you I'm.
addressing who else from inside this monstrous fiction. You've read me
this. far then Even this far For what discreditable motive How is it you
don't go. a movie watch TV stare at a wall play tennis with a friend make
amorous. advances to the person who comes to your mind when I speak of
amorous advances. Can nothing surfeit saturate you turn you off Where's
your shame. MENELAIAD VI. ' () ('((What))') () '. ' ' 'Why' I repeated I
repeated' I repeated I repeated' I. repeated I repeat. ' ' And the woman
with a brideshy smile and. hushed. voice replied 'Why what'. ' ' Faster
than Athena sealed beneath missile Sicily upstart Enceladus. Poseidon
Nisyros mutine Polybutes I sealed my wouldwiden eyes snugger than. Porces
Laocoon Heracles Antaeus I held to my point interrogative Helen to. whom
as about us combusted nightlong Ilion I rehearsed our history horse to.
horse driving at last as eveningly myself to the seed and omphalos of all.
. .. . ('((((('))) )) ). ' ' Why ' '. ' 'Why' '. ' Why '. 'Why'. ' '. John
Barth Lost in the Funhouse. cognitive dissonance. cognitive dissonance.
I've run into the term cognitive dissonance while doing science demos at.
the local science centre normally it refers to the kind of experience.
where say we cut a mobius strip in half lengthwise and we are left with.
only one piece. We thing one thing will happen then learn that a
different. thing happens.. I think what you are referring to here is
better classified as ignorance.. I don't think it helps these poor stupid
fools any to couch their. increasingly pathetic circumstances in
fancypants language.. spornitzmts.net nettime. Leon Festinger in the late
s proposed the theory of cognitive. dissonance. This theory sought to
explain the link between attitudes and. behaviour... cognitive dissonance
refers to an incompatibility that an. individual might perceive between
two or more of their attitudes or. between their behaviour and attitudes.
Festinger argued that any form of. inconsistency is uncomfortable and
individuals will attempt to reduce the. dissonance and hence the
discomfort.... and a page later. What are the organisational implications
of the theory of cognitive. dissonance it can help to predict the
propensity to engage in attitude. and behavioural change. If individuals
are required for er example by. the demands of their job to say or do
things that contradict their. personal attitudes they will tend to modify
their attitudes in order to. make these compatible with the cognitions of
that they have said or. done..... Robbins et al organisational behaviour
leading and managing in. australia and new zealand. KR. Når KR snakker om
seg selv er det skam og flaut men når SF omhandler seg selv. er. det OK
det er uansett innholdet som teller KR var ytre og dumt SF var mer.
eksistensielt og dermed allment som egentlig er svaret alt som.
personspesifikt og privat er skam fordi det ikke angår noen andre det er
spam.. Alle går rundt og er sine egne flaue spammaskiner av jeg jeg jeg.
Men nå er. det til forsvar at innholdet forandrer seg med konteksten at
det private ikke. lenger er privat i en publisert sammenheng det er
kanskje både flaut og. interessant som internet med sine søkemotorer men
er begrenset i verdi både. som utsagn i en diskurs og som uttrykk for noe
personlig diskursen er fort. unnagjort og det personlige er egentlig likt
for alle ergo det er helt. overfladisk vi er uansett alle overflate og
innpakning men det er fort. unnagjort burde vært det men vi blir holdt der
holdes der egentlig fordi vi. innser at det er en overflate og nødvendig å
opprettholde som om den. disintegrerte om vi ikke passet på og det ville
vært flaut. SF kunne forsåvidt. vært flaut det også det eksistensielle er
på mange måter enda flauere mer. privat så hva avgjør Noe er dumt og
banalt nakenhet kan være bare dumt. men. hva avgjør Er vi tilbake til at
det må gå utover seg selv ikke være. selvsentrisk kan virke sånn uansett
hvordan det er kodet biologisk med. selvforsterkende egosentriske gener
el. Det er et spill mellom egoisme og. altruisme inni her egoismen kan
ikke vises og propaganderer best via. altruisme. men hvordan kan vi vite
og i hvilken tidshorisont Om en intellektuell sår. noen egoistiske frø som
først om noen hundre år gjenkjennes som dette Eller en. umiddelbar egoisme
i en altruistisk hensikt Folk er stort sett opptatt med. sine. egne
private liv noe annet virker rart idag som om det fantes noe annet.
liksom. Er det en slags konsolidering Egogrenser som styrkes pga.
trusselen. fra. informasjon og teknologi tar et par skritt tilbake men vi
kommer ikke til å. forandre oss i overskuelig framtid evolusjonen er
altfor tilfeldig og treig. vi. begynner å fikle på oss selv når vi blir
istand til det ja ikke sant det. høres ut som skam. Vitenskapen har ingen
skam vi har kontekster som om. vitenskap og religion refererte til
forskjellige verdener litt på samme måte. som vi har egoer som refererer
til forskjellige mennesker mennesket er en. art. vi er ett menneske slik
som alle neshorn er ett neshorn. Kontekster skinn. skall konsolideringer
ting som legges ut for salg stabiliserende som når. røttene vokser mer
næring virker fornøyd med å ikle seg et skinn å være til. tjeneste bli
næring. Er det slik at egoismen fanger disse begjæret etter. skinn etter
sine grenser seg selv Egoismen fanger egoismen gir det mening. å. si det
Kanskje hvis altruismen ikke er fangende egoismen er røttene. altruismen
er greiner og blader ...Digresjoner nøste seg tilbake. feynman. ...All
this went on in the first few weeks before we got everything. straightened
out. Anyway one day I'm piddling around with the computing. machine and I
notice something very peculiar. If you take divided by you. get .. . .
It's quite cute It goes a little cockeyed after. when. you're carrying but
it soon straightens itself out and repeats itself nicely. I. thought it was
kind of amusing.. Well I put that in the mail and it comes back to me. It
doesn't go through. and there's a little note Look at Paragraph B. I look
at Paragraph B.. It. says Letters are to be written only in English
Russian Spanish Portuguese. Latin German and so forth. Permission to use
any other language must be. obtained in writing. And then it said No
codes.. that I feel that of course this cannot be a code because if you
actually do. divide by you do in fact get all that and therefore there's
no more. information in the number .. . . than there is in the number.
which is hardly any information at all. And so forth. I therefore asked
for. permission to use Arabic numerals in my letters. So I got that
through all. right.. ...And von Neumann gave me an interesting idea that
you don't have to be. responsible for the world that you're in. So I have
developed a very powerful. sense of social irresponsibility as a result of
von Neumann's advice. It's made. me a very happy man ever since. But it was
von Neumann who put the seed in that. grew into my active irresponsibility.
... What You a psychiatrist keeping an open mind Ha It went on like this.
for quite a while.. Then at some point near the end he says How much do
you value life. Sixtyfour.. Why did you say 'sixtyfour'. How are you
supposed to measure the value of life. No I mean why did you say
'sixtyfour' and not 'seventythree' for. instance. If I had said
'seventythree' you would have asked me the same question. The psychiatrist
finished with three friendly questions just as the other. psychiatrist had
done handed me my papers and I went off to the next booth.. ...After a
while I began to worry. Here's a guy who's been deferred all during. the
war because he's working on the bomb and the draft board gets letters.
saying he's important and now he gets a D in Psychiatric it turns out.
he's a nut Obviously he isn't a nut he's just trying to make us believe
he's. a. nut we'll get him. ...I don't believe I can really do without
teaching. The reason is I have to. have something so that when I don't
have any ideas and I'm not getting anywhere. I can say to myself At least
I'm living at least I'm doing something I'm. making some contribution it's
just psychological.. ... So I got this new attitude. Now that I am burned
out and I'll never. accomplish anything I've got this nice position at the
university teaching. classes which I rather enjoy and just like I read the
Arabian Nights for. pleasure I'm going to play with physics whenever I
want to without worrying. about any importance whatsoever.. ...Thirteen
Times. One time a science teacher from the local city college came around
and asked. me. if I'd give a talk there. He offered me fifty dollars but I
told him I wasn't. worried about the money. That's the city college right.
Yes.. I thought about how much paperwork I usually had to get involved
with when I. deal with the government so I laughed and said I'll be glad
to give the. talk.. There's only one condition on the whole thing I pulled
a number out of a. hat. and continued that I don't have to sign my name
more than thirteen times. and that includes the check. The guy laughs too.
Thirteen times No problem.. So then it starts. First I have to sign
something that says I'm loyal to the. government or else I can't talk in
the city college. And I have to sign it. double OK Then I have to sign
some kind of release to the city I can't. remember what. Pretty soon the
numbers are beginning to climb up.. I have to sign that I was suitably
employed as a professor to ensure of. course since it's a city thing that
no jerk at the other end was hiring his. wife or a friend to come and not
even give the lecture. There were all kinds of. things to ensure and the
signatures kept mounting.. Well the guy who started out laughing got
pretty nervous but we just made. it. I signed exactly twelve times. There
was one more left for the check so I. went ahead and gave the talk.. A few
days later the guy came around to give me the check and he was really.
sweating. He couldn't give me the money unless I signed a form saying I
really. gave the talk.. I said If I sign the form I can't sign the check.
But you were there. You. heard the talk why don't you sign it. Look he
said Isn't this whole thing rather silly. No. It was an arrangement we
made in the beginning. We didn't think it was. really going to get to
thirteen but we agreed on it and I think we should. stick to it to the
end.. He said I've been working very hard calling all around. I've been
trying. everything and they tell me it's impossible. You simply can't get
your money. unless you sign the form.. It's OK I said. I've only signed
twelve times and I gave the talk. I. don't. need the money.. But I hate to
do this to you.. It's all right. We made a deal don't worry.. The next day
he called me up. They can't not give you the money They've. already
earmarked the money and they've got it set aside so they have to give. it
to you. OK if they have to give me the money let them give me the money..
But you have to sign the form.. I won't sign the form. They were stuck.
There was no miscellaneous pot which was for money that this. man deserves
but won't sign for.. Finally it got straightened out. It took a long time
and it was very. complicated but I used the thirteenth signature to cash
my check.. ... It's a kind of scientific integrity a principle of
scientific thought that. corresponds to a kind of utter honesty a kind of
leaning over backwards. For. example if you're doing an experiment you
should report everything that you. think might make it invalid not only
what you think is right about it other. causes that could possibly explain
your results and things you thought of that. you've eliminated by some
other experiment and how they worked to make sure. the other fellow can
tell they have been eliminated.. ... Why didn't they discover that the new
number was higher right away It's a. thing that scientists are ashamed of
this history because it's apparent. that people did things like this When
they got a number that was too high. above. Millikan's they thought
something must be wrong and they would look for and. find a reason why
something might be wrong. When they got a number closer to. Millikan's
value they didn't look so hard. And so they eliminated the numbers. that
were too far off and did other things like that. We've learned those.
tricks nowadays and now we don't have that kind of a disease.. But this
long history of learning how to not fool ourselves of having utter.
scientific integrity is I'm sorry to say something that we haven't.
specifically included in any particular course that I know of. We just
hope. you've caught on by osmosis.. The first principle is that you must
not fool yourself and you are the. easiest person to fool. So you have to
be very careful about that. After you've. not fooled yourself it's easy
not to fool other scientists. You just have to. be. honest in a
conventional way after that.. ... So I have just one wish for you the good
luck to be somewhere where you. are free to maintain the kind of integrity
I have described and where you do. not feel forced by a need to maintain
your position in the organization or. financial support or so on to lose
your integrity. May you have that freedom.. Surely you're joking mr
Feynman. we came in a wagon. we came in a wagon . Two horses were in front
of us. They walked in front of us. all the way.. still those queer feels
wouldn't go away. Pretty soon I got awful sick.. Byandby I did have better
feels . And today my feels are all right. Halvparten. Halvparten av nyfødte
vil få kreft. Halvparten av nyfødte vil dø før fylte år den andre
halvparten også.. dsf sfsdf sdf sf sf. dsf sfsdf sdf sf sf sf sdf sdf sdf
sdf sdf sdf sf sf sf sdf sdf sf sf. sdf sf sf sf skfjsdlkjgkljdsglkjdsg
ldkjg øldkjg dølksgj dsølkfkfkf f f. f f f fgdkljgj dlkgjdølkgj sødlkjg
dsølkj dsølkgjds ølkgj f f f f f f f. f f
dgldkgødkjglkødsgjøsldkjgøsldkgjølsdjgløskgjøsldkgjøksdljfg f ff f f. f f
dfg dfg dfg dg dfg dfg dfg dg dfg dfg dgklkdfgkjsd øglkj sdfgølk. sdfgølk
dg dsgølk sdfglk dlkgjdlgjdlkgjdølkg søldkjg dølksg dskg f f f f. f ff. d
d d sdflksfjslkfjlsjflsø fldksj sdlkjflgkjfjfkfkf ff f f f f f f f f f.
sdf sdf sdf gf sdf sdf sf sdf sdf sdf sdf sdf sdf sdf sdf sd d. sdf sf sf
sf sf sdf sdf sdf sdf sdf sdf sf sf sdf sdf sdf sf sf sdf sf sf sf. sdf.
sfs fd sfd sdf sfd sf sf sdf sdf sf sdf sdf sdf sdf sf sf sdf sdf sf sdf.
dsg dsg sdfg dsfg sdg sdfg dsfg sdfgds fg dsfg dsfg dfg dfg df gff. asdfø
saflk asflk asfølkas fløaksf asølkjf salkfdj saldkf sakdf dkfdf f f f f f.
f. asdf asdf asf saf asf as fsaf d d d saflkasflaksjf d d d d d d d d d d
d. bad d d dslkdfaslkfjøasldkfjaøsldkfj asødflk asfølask asøldfk sdf sdfd
b. fffffffffffffffffffffffffffffffffffffffffffffffffffffffffffff f f f f f
f. ffffffffffffffffffffffffffffffffffffffffffffffffffffff ff f f f.
fffffffffffffffffffffffff f f f f. Hi all. I lurk and post some to
different lists and would like to make digests of. things I find.
interesting and redistribute say like nettime unstable digest though.
probably. with just index. remailed with links to web archiveblog to avoid
excessive redundancy.. Question what's the consensus concerning permissions
and redistribution of. texts. appropriate fair use Ask permission in each
case take for granted. In my case no commercial interests involved in
foreseeable future but. anyway. published and. as booksinprogress with
appropriated standard book numbers as an openended. anthology digest.
fanzine or similar.. Notions of copyright and proper use may vary a great
deal so would be. interesting to know what. people on the list thought
about it (also as the list is gatewayed into. newsgroup fa.fictionof.
philosophy). signatur. worldwid. worldwid dllr poducr wjstklvb. opal. Opal
Whiteley. mhonarc. blue beaming tape archive. fulltekst. fylleprat. knyt.
outdir knyt mboxknyt.mbs.txt. usrbinperl. print hello worldn. tar xvf.
klatre. klatre i sin fritid. klatre klatre. donald duck klatret opp til
en. parkeringsplass. fotosafari. safarisafari å jakte på opplevelser..
stedet safari. den avskyelige snømann er forlengst smeltet bare gulrota.
ligger metaforisk igjen.. your penis can be enlarged m v oydbynk q.
philosophy in a time of terror habermas. philosophy in a time of terror.
habermas. ..one factor above all seems to me to be relevant one never
really knows. who one's enemy is. osama bin laden the person more likely
serves the. function of a standin.. surely the uncertainty of the danger
belongs to the essence of terrorism.. ..the magnitude of the danger. one
never knows if there's anything to it.. in contrast to this the global
terror that culminated in the september. attack bears the anarchistic
traits of an impotent revolt directed against. an enemy that cannot be
defeated in any pragmatic sense.. technically speaking since our complex
societies are highly susceptible. interferences and accidents they
certainly offer ideal opportunities. for a prompt disruption of normal
activities. these disruptions can at a. minimum expense have considerably
destructive consequences. global. terrorism is extreme both in its lack of
realistic goals and in its. cynical exploitation of the vulnerability of
complex systems.. derrida. the brevity of the appellation (september )
stems not only from an. economic or rhetorical necessity. the telegram of
this metonymy a name a. numberpoints out the unqualifiable by recognizing
that we do not. recognize or even cognize that we do not yet know how to
qualify that we. do not know what we are talking about.. i believe always
in the necessity of being attentive first of all to this. (at once
rhetorical magical and poetic). to what this compulsion. signifies
translates or betrays. not in order to isolate ourselves in. language as
people in too much of a rush would like us to believe but on. the contrary
in order to try to understand what is going on precisely. beyond language
and what is pushing us to repeat endlessly and without. knowing what we
are talking about precisely there where language and the. concept come up
against their limits september september le. septembre .. bush speaks of
war but he is in fact incapable of identifying the enemy. against whom he
declares that he has declared war.. in this regard when compared to the
possibilities for destruction and. chaotic disorder that are in reserve
for the future in the computerized. networks of the world september is
still part of the archaic theater. of violence aimed at striking the
imagination.. fasciism. fasciism. talk.bizarre. misc.facts.straightdope.
..........................................................................
sreites. newscolargol.tihlde.hist.no. newsnews.readfreenews.net.
newsbolzen.all.de. remailer.privacy.at. newsnewsread.maxwell.syr.edu.
hallo feilsendt mail. hallo. feilsendt mail. why don't you log off and get
yourself some food. all ideas are vintage not new or perfect.. i will be
happy to answer any questions.. i thank you for your time and interest..
we value you like our close relations.. round the clock here on the
internet.. this email is really a confirmation.. just do nothing to remain
with us.. we appreciate positive feedback.. seventh invitation to join us..
this mail may be a contract.. you must really read this.. this mail is
never spam.. certified virus free.. i am not a lawyer.. we are in need..
do it today.. now easy.. i pay.. e.. gloval. noen pisser deg oppetter
ryggen. media pisser deg oppetter ryggen. varene pisser deg oppetter
ryggen. popmusikk pisser deg i øret. markedsøkonomi pisser deg.
konsumenten vennligst piss meg. det er lunkent og smigrende. g.e..
vannsport globaløkonomien. global money games porno. rikshora dan børge
akerø. hvor mye piss skylder du ikke han. gi han et basseng med piss i
gave. i retur. mj sa å snakke med menn er som å pisse i motvind. jeg
skulle gjerne ha snakket med henne. bygger marked og konsum på et
(perverst) begjær. makt og begjær sadokatekisme. vennligst piss på meg jeg
befaler. makten erklærer jeg sier fra meg makten med makt. trøtt. mine
pannekaker er så trøtte. alle mine pannekaker er fyllt med trøtthet. kjære
gud ditt dyrenavn å ære. Mar. ... . actcharon. participate more in the
project you are welcomed to host the dog. (paste a. small html code in
your site) until i send for him. for more details and. to. download the
dog. walk the dog he is only one place at a time.... alas. kalas. flvrnsv.
htvt. jinn bergman et al. lumber log. newsgroups alt.anonymous.messages.
qanqr. nntppostinghost .... messageid. begin pgp message.
qanqrdddqqdawjtzezfajuvgdjyjsnzuugiwwixnjqkefbhuiyrgcvjq.
ijdchcewwvqvynfjdfzxriotgjtdqkqbkqpgkqeaaehplpgto.
gdjioouirjwgxncurbpsclbjqgimg. azz. end pgp message. lolly. lolly lli n.
canad. rare. l. abbrev. of loblolly. soft ice. formed in turbulent water
along a shore etc. frazil. also lolly ice.. lolly lli n. m. abbrev. of
lollipop. a sweet. exc. austral.. nz now spec. a lollipop. colloq. m. an
easy catch in cricket. e.. money. slang. m.. ice lolly iced lolly a
waterice or icecream on a small stick.. lolly lli n. dial. l. origin
uncertain perh. f. use in pronunc.. of l or f. loll v. the tongue.. prob.
much earlier and perh. the st elem. of lollipop.. test. ikke nøl med å
slette.. test. teste testi ste n. prep. lme. l abl. of testis witness in
the. formula of authentication teste meipso lit. 'i myself being a
witness'. a. person who authenticates the monarch's seal. later the
concluding part of. on the authority or testimony of (a specified person).
m.. listener he tells us teste evelyn waugh of a sitwellian habit of.
leaving sitwell press cuttingsin bowls.. test (test) n.. . the means by
which the presence quality or genuineness of anything. is determined a
means of trial.. . the trial of the quality of something to put to the
test.. . a particular process or method for trying or assessing.. . a set
of questions problems or the like used as a means of. evaluating the
abilities aptitudes skills or performance of an. individual or group
examination.. . psychol. a set of standardized questions problems or tasks
designed. elicit responses for use in measuring the traits capacities or.
achievements of an individual.. . chem. the process of identifying or
detecting the presence of a. constituent of a substance or of determining
the nature of a substance. commonly by the addition of a reagent.the
reagent used.an indication or. evidence of the presence of a constituent
or of the nature of a. substance obtained by such means.. . an oath or
other confirmation of one's loyalty religious beliefs. etc.. etc.
316
. brit. a cupel for refining or assaying metals.. v.t.. . to subject to a
test of any kind try.. . chem. to subject to a chemical test.. . metall.
to assay or refine in a cupel.. v.i.. . to undergo a test or trial try
out.. . to perform on a test people test better in a relaxed environment..
. to conduct a test to test for diabetes.. me cupel mf l test testum
earthen pot akin to test. testæable adj.. teståabilæity n.. testæingly
adv.. syn. . proof assay. see trial. . assay prove examine.. test (test)
n.. . zool. the hard protective shell or covering of certain
invertebrates. as echinoderms or tunicates.. . bot. testa.. l testa tile
shell covering akin to test. test.. testament.. test test n. lme. ofr.
(mod. tet) f. l testum testu var. of. testa tile earthen vessel pot. later
treated as f. test v. orig. a. cupel used to treat gold or silver alloys or
ore. now a cupel together. with its iron frame forming the movable hearth
of a reverberatory. furnace. lme. the means of determining the existence
or genuineness of. anything a critical examination or trial of a theory a
person's. character etc. a standard for comparison or trial a criterion.
l. b a. means of testing conformity in (esp. religious) belief spec.
(hist.) an. oath or declaration prescribed by any of the test acts. m. a
chem.. etc. (an application of) a procedure for examining a substance
under known. conditions or with a specific reagent to determine its
identity or the. presence or absence of some constituent activity etc.
also a substance. by means of which this may be done. e. b (an application
of) a procedure. for determining the physical properties of a substance
material etc. or. the capabilities of a machine etc. esp. to assess
suitability for some. purpose. freq. as nd elem. of comb. l. c a procedure
for assessing a. person's aptitude competence skill or knowledge or for
determining a. person's mental or physiological condition spec. (a)a set
of problems in. an academic subject to be solved without assistance a
relatively informal. examination (b)a driving test. freq. as nd elem. of
comb. e. ellipt.. test match below. e.. b. montgomery his conclusions have
stood the test of repeated. reexamination. j. dunn some sort of
metaphysical test of their fitness. for life. b h. paul the belief in
tests ought to be dead as the belief in. witches. a millon's test
phosphatase test schiff test etc. b impact. test izod test turing test
etc. c e. h. clements mummy always drives. i. haven't taken my test yet.
j. elliott doing her anglosaxon grammar for a. test tomorrow. e. segal
painful tests he would undergo at the hands. ofyale's senior neurologist.
aptitude test blood test breath test. intelligence test performance test
pregnancy test screen test. tuberculin test etc. attrib. test batsman test
captain test cricket. test team etc.. phrases alpha test see alpha b(f).
blank test see blank a. means test. see mean n. paternity test. put to the
test try the character of (a. person) cause to undergo testing. spot test
see spot n. a. adv.. stand the test of time withstand the test of time be
or remain unchanged. or unaffected by the passage of time.. comb. test act
hist. any of various statutes making eligibility for. public office
conditional on professing the established religion esp. a. act (repealed
in ) requiring employees of the crown to receive. anglican communion
acknowledge the monarch as head of the church of. england and repudiate
the doctrine of transubstantiation test ban a ban. on the testing of
nuclear weapons test bed (a)a piece of equipment for. testing machines
esp. aircraft engines before acceptance for general. use (b)fig. a
testingground test card (a)ophthalm. a large card printed. with rows of
letters of decreasing size used in testing visual acuity. (cf. snellen)
(b)television a still picture transmitted outside normal. programme hours
to facilitate assessing the quality and position of the. screen image test
case law an action brought to ascertain the law. thereby setting a
precedent for other cases involving the same principle. test chart
ophthalm. test card (a) above testcross n. v. (genetics). (a)n. a back
cross between an individual whose genotype for a certain. trait is unknown
and one that is homozygous recessive for that trait to. determine the
unknown genotype from that of the offspring (b)v.t. make. the subject of a
testcross test drive a drive taken to ascertain the. qualities of a motor
vehicle with a view to its regular use testdrive. v.t. take a test drive
in (a motor vehicle) testfire v.t. (orig. us). fire (a gun or missile)
experimentally test flight for testing the. performance of an aircraft
etc. testfly v.t. test the performance of (an. aircraft etc.) in flight
testframe the iron frame or basket in which a. cupel is placed testfurnace
a reverberatory refining furnace esp. one. for treating silverbearing
alloys testmarket v. n. (a)v.t. (orig. us). put (a new product) on the
market usu. in a limited area to assess. consumers' response (b)n. an area
in which a product is testmarketed. test match (chiefly cricket rugby
football) an international match esp.. each of a series of matches between
a touring team and the host country. test meal med. a standard meal given
to stimulate secretion of digestive. juices which can then be extracted
and tested test paper (a)a paper. impregnated with a chemical solution
which changes colour in contact with. certain other chemicals and so acts
as a test for the presence of the. latter (b)a paper set to test the
knowledge etc. of a student esp. one. preparing for an examination
testpiece (a)a piece of anything as a. sample for testing (b)a piece of
music (to be) performed by the. contestants in a musical competition test
pilot who testflies an. aircraft testpilot v.t. testfly above testpit
archaeol. a small. preliminary excavation made to gain an idea of the
contents or. stratigraphy of a site testretest a. (psychol.) of or
designating a. method by which a test is given to a subject on two
occasions separated by. a lapse of time test rig engin. an apparatus used
for assessing the. performance of a piece of mechanical or electrical
equipment test signal. a sequence of electrical impulses used for testing
purposes in television. broadcasting test specimen a piece of metal etc.
prepared for a. mechanical test test strip a strip of material used in
testing esp. in. photogr. a strip of sensitized material sections of which
are exposed. for different lengths of time to assess its response test well
made in. testing a site for oil.. test test n. obs. exc. sc. lme. app. f. l
testis witness cf.. attest n. a witness evidence witness borne. lmem. teste
n.. em. testament . sc. rare. l.. test test n. lme. l testa see test n. a
piece of. earthenware an earthenware vessel a potsherd. lmee. zool. the
shell. of certain invertebrates the tough translucent outer layer of a
tunicate.. m.. test test v. l. ofr. tester f. l testari attest make one's.
will f. testis witness in sense app. f. teste. v.t. leave by will. or
testament bequeath. sc. rare. le. v.i. make a will execute a. teste of (a
writ etc.). e. v.t. sc. law. authenticate (a deed or. written instrument)
by a duly drawnup clause signed by witnesses. m.. test test v. e. f. test
n. v.t. subject (gold or silver) to. a process of separation and refining
in a test assay. e. v.t.. (a person thing theory etc.) to a test try (out)
evaluate (a. hypothesis etc.) by experiment or critical examination put to
the test. try the patience or endurance of (a person). e. b chem. subject
to a. chemical test. freq. foll. by for (a particular chemical). m. v.i..
undergo or take a test. also (w. n. adj. or advb. compl.) achieve or.
receive a specified rating result score etc. in a test. orig.. chiefly n.
amer. m. v.i. apply or carry out a test on a person or. thing. also foll.
by for. m.. d. lessing one has to test everything one says and does
against general. standards. p. fitzgerald courage and endurance are
useless if they are. never tested. s. hood reverendmurdochtested the
children on their. knowledge of the gospels. b. bettelheim thediscussion
group on whom he. used to test his new ideas. test out put (a theory etc.)
to a practical. test. test the water fig. make a preliminary or tentative
exploration.. tried and tested see tried ppl a. . t. mcguane a poor
student who. tested in the high percentiles. newsweek word that magic
johnson had. tested positive for hivwhipped round the country.. la soiree
avec monsieur teste () a partial selfportrait humorously. written about an
absentminded intellectual.. va por ware. vaporware (væpr wrå) n. computer
jargon. a product esp. software. that is promoted or marketed while it is
still in development and that may. never be produced.. blangis. tilt.
tråkket. det ene må vinne over det andre impulsen å lese nyheter over å
sitte i. ro vinner boka over bordet fordi den ligger øverst taket vinner
over. veggene gulvet blir tråkket på. vi vil ha det upåtråkkbare tror det
fins. men straks det fins tråkkes det ned i søla. påstander. istedenfor å.
støvsuge det ukjente star trek kan vi vel heller bo i søla soil. jordboere.
tråkket upåtråkkbart.. Mar. clqwn. lost in space episode. folder.
namenoemata. created. visited. order. description. short name. f f dd f f
dd. f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f f
ff d. f f ff d f f ff d f f ff f d d f f d d f f d f d f d f d f d f d f d
f d f. d f d d d d d d d d d d d d d fffffffffffffffffffffffffffffff. Mar.
svirikngen eire mayen (ønivdgdene) daopcbsak.. liræng frotutseetr
ssingnfor. det eur. det eur gid å isu fiane. lodd etterår åt stadie havre
jasse ioj fiane. innest. inst. scour. scour. ceteris paribus.
selfabsorption paradox. selfabsorption paradox in theory highly selfaware
people. should be happy they know themselves better when compared to low.
selfaware people because they attend to themselves more this enhanced.
selfknowledge in turn should lead to better psychological adjustment.
since when you know who you are you can start defining what you really.
want to become and grow toward selfimprovement and contentment. yet past.
research consistently shows that high selfconsciousness is actually.
associated with both psychological health and distressdepression low.
selfesteem and anxiety. how can this be how can someone simultaneously. be
happy and dysfunctional. creativity machine steve thaler. in waking life
noise may also be the source of the thoughts and flashes. of inspiration
from the unconscious the very essence of free will human. consciousness
and even the soul. i tend to think of the soul as the. manifestation of
this stochastic process going on says thaler. it's the. noise in the
machine rather than the ghost in the machine. the. creativity machine
steve thaler. antisensibility. the esthetic sensibility to which i refer
is antisensibility apparent. antisensibility. ... since works of art
cannot really be the product of. blunted sensibilities what seems at first
to be brash and barbarous turns. in time to daring and strength and the
concealed subtleties soon become. apparent. ... although the
antisensibilities stance appears as mindless. mechanical gross and abrupt
or as directed by prior or nonart decisions. its real meaning i feel lies
in the artist's personal sensation of. performing a difficult feat of
bravado while really respecting all of the. sensibilities.. roy
lichtenstein lecture to the college art association .. camus beauty
rebellion. the procedure of beauty which is to resist the real while
conferring. unity upon it is also the procedure of rebellion. is it
possible. eternally to reject injustice without ceasing to acclaim the
nature of man. and the beauty of the world. camus. mirror stage. lacan's
mirror stage. could be read (pardon my reduction) as the narrative of
one's moving from. primary to secondary narcissism. what i mean by primary
narcissism a. total helplessness namelessness (this is important) in which
there is. not even a sense of self as i thus no distinction can be drawn
between i. and other. i and other have yet to be born. secondary
narcissism begins. with ego identification when i recognize a possible
wholeness of an image. in the mirror and through gradual games begin to
take first the image. and then myself as myself.. there is nothing more
useless than an organ. for you can tie me up if you wishbut there is
nothing more. useless than an organ.when you will have made him a body
without organs. then you will have delivered himfrom all his automatisms
and restored him. his true freedom.then you will teach him again to dance
wrong side. outlike in the frenzy of dance hallsand his wrong side out
will be his. real place. antonin artaud. the body without organs is the
the subject of the universe of. discourse decomposing in process the
positions of the system. organs are. imposed on this body selectively
attending and amalgamating positions. (fascistly).. dream of a ridiculous
man. the chief thing is to love others like. yourself that's the chief
thing and that's everything nothing. else is wanted you will find out at
once how to arrange it. all.. dostoevsky. blot. blot stain naked weblot
lot. ema. friskluft ph ema spire dekke måned vårstemning ose em oversvømme
dyssa mede. vinterstemning herognåpresset livvidde umiddelbarhet (livets
foul. talemåter) bygdeallmenning åpenbaring .... sokrates troll troll
eller trollmann askeladd og troll. et eksemplar er en fiksering av verket.
fikseringen må ha en viss. bestandighet men det behøver ikke være varig. et
speilbilde er ikke et. eksemplar men en midlertidig lagring i datamaskinens
minne kan være det.. axonmic dendritic somatic.... axonic dendritic
somatic... meaning truth sense reference on the level of. nevrons...
correspondences. ... soma body proper name proposition concept word. ...
dendrite a branched protoplasmic extension of a nerve cell that. conducts
impulses from adjacent cells inward toward the cell body sense. thought
meaning. ... axon the usually long process of a nerve fiber that
generally. conducts impulses away from the body of the nerve cell
bedeutung. truthvalue object reference. thousands of inputs just a few
output channels for communication. connotedenote dendriteaxon. comply.
compile this. main(k)float ijrxywhile(puts()yx)ihk))for(ikr.
jrriixiriyjjii. deprogramming us. usrbinperl. conceptual.pl. deeply
contemplative software. or maybe it's just antisocial.. while (). thinking
really deep thoughts.. or just. usrbinperl. creative commons. thomas
jefferson he who receives an idea from me receives instruction. himself
without lessening mine as he who lights his taper at mine. receives light
without darkening me.. an idea is not diminished when more people use it.
creative commons. aspires to cultivate a commons in which people can feel
free to reuse not. only ideas but also words images and music without
asking permission. because permission has already been granted to
everyone.. greek noema. the word thought is the greek noema and means
perception or. purpose. it is the same word used in corinthians when paul
says. for we are not ignorant of his (satans) schemes.. let us devise
devices against jeremiah (jeremiah ) for we are not. ignorant of his (i.e.
satan's) devices. patanjali. . the obstacles in the way of him who desires
to attain concentration. are sickness languor doubt carelessness laziness
addiction to objects. of sense erroneous perception failure to attain any
stage of. abstraction and instability in any stage when attained.. . these
obstacles are accompanied by grief distress trembling and. sighing.. . for
the prevention of these one truth should be dwelt upon.. any accepted
truth which one approves is here meant.. . through the practising of
benevolence tenderness complacency and. disregard for objects of happiness
grief virtue and vice the mind. becomes purified.. the chief occasions for
distraction of the mind are covetousness and. aversion and what the
aphorism means is not that virtue and vice should. be viewed with
indifference by the student but that he should not fix his. mind with
pleasure upon happiness or virtue nor with aversion upon grief. or vice in
others but should regard all with an equal mind and the. practice of
benevolence tenderness and complacency brings about. cheerfulness of the
mind which tends to strength and steadiness.. error bmg. bear with me.
erroneous notion. k u n s t. )) .. . . . .. .' .. l.l.v'. poetry is
currency of exchange .. with each one to continue with.. rhizome. let us
summarize the principal characteristics of a rhizome unlike trees. or
their roots the rhizome connects any point to any other point and its.
traits are not necessarily linked to traits of the same nature it brings.
into play very different regimes of signs and even nonsign states. the.
rhizome is reducible neither to the one nor the multiple... it is
composed. not of units but of dimensions or rather directions in motion.
p.. unlike the tree the rhizome is not the object of reproduction neither.
external reproduction as imagetree nor internal reproduction as.
treestructure. the rhizome is an antigenealogy. it is a shortterm. memory
or antimemory. the rhizome operates by variation expansion. conquest
capture offshoots. unlike the graphic arts drawing or. photography unlike
tracings the rhizome pertains to a map that must be. produced constructed
a map that is always detachable connectable. reversible modifiable and has
multiple entryways and exits and its own. lines of flight. it is tracings
that must be put on the map not the. opposite. in contrast to centered
(even polycentric) systems with. hierarchical modes of communication and
preestablished paths the rhizome. is an acentered nonhierarchical
nonsignifying system with a general and. without an organizing memory or
central automation defined solely by a. circulation of states. p.. a
thousand plateaus capitalism and schizophrenia by gilles deleuze and.
felix guattari. translated by brian massumi. university of minnesota.
press minneapolis. .. hand and hold. hand. hold. madius. in his recent
best selling biography of richard feynman james gleick. asks when people
speak of the borderline between genius and madness why. is it so evident
what they mean although both feynman and pauling were. quite sane i
believe a case can be made that they and many other eminent. scientists
lived on this borderline between genius and madness.. eiduson offers some
insight into what this means. she thought that. creative scientists as a.
group had a heightened sensitivity to experiences that in her words. is
accompanied in thinking by overalertness to relatively unimportant or.
tangential aspects of problems. it makes them look for and postulate.
significance in things which customarily would not be singled out. it.
encourages highly individualized and even autistic ways of thinking. were.
this thinking not in the framework of scientific work it would be.
considered paranoid. in scientific work creative thinking demands seeing.
things not seen previously or in ways not previously imagined and this.
necessitates jumping off from normal positions and taking risks by.
departing from reality. the difference between the thinking of the.
paranoid patient and the scientist comes in the latter's ability and.
willingness to test out his fantasies or grandiose conceptualizations.
through the systems of checks and balances science has established....
one. might say that scientific thinking is in a way institutionalized
paranoid. thinking it sanctions it not only as proper but also as the
irrational. that ultimately promotes the rationality of science.. there is
evidence that highly creative people often score similarly to.
schizophrenics on the rorschach even though they do not have any kind of.
psychiatric disorder. this is believed to be true because creative people.
are able to draw on primitive psychological processes which normal. people
do not often use. however they are not stuck on a primitive or. chaotic
level of thinking as some mentally ill people are but are quite. capable
of integrating their thinking in a mature way when appropriate.. in
contrast to his tremendous enjoyment of intellectual functioning. pauling
found emotional life troublesome and he often tried to avoid. situations
which involved emotionally charged interactions. a core element. of his
personality was a narcissistic childlike tendency to overvalue. his
personal worth and seek the approval of others for his ideas and.
accomplishments. he loved giving speeches and receiving the approval of.
large groups of admirers and he devoted a great deal of time and energy.
travel and public speaking at the expense of his scientific work. his.
narcissism was displayed in an extreme sensitivity to criticism including.
a tendency to file law suits against his critics.. space as love in the
vita nuova. space as love in the vita nuova. to reassume both in the vita
nuova and the divina commedia space is. like a mirror in which divine
nature is reflected. this is obvious in. the comedy the odyssey of dante
in the beyond but space has already a. metaphysical meaning in the
terrestrial setting of the vita nuova. what is. original in dante is the
relation he establishes between his conception of. space and the idea of
love. owing to divine love spiritual harmony is. present in terrestrial
space since by its own nature divine love does not. allow an absolute
separation between the two worlds. in this sense space. in the vita nuova
is a metaphor of love but at a certain point the symbol. becomes so
transparent that it loses its independence from the notion to. which it
points.. tell. Brave men tell the truth. A wise man's tools are analogies
and puzzles. A woman holds her tongue. Knowing silence will speak for
her.. b blissett. bsqAn AsYBvyCNsBgYMyzQ. Lyder Blissett. Lutoir Bleggett.
Leddyr. Lytter. Litauer. Leder. Lutre. Latter. Lader. Luther. Liter. Luthor
Blixett. Lars Blix. Lars Knutson Blix. Lothar Bligsett. Lather Blocsott.
Lateer Blessett. Lediar Blosghtt. Litdhr Bleggett. Lodier Blascått.
Littoro Blessett. Loteir Blassett. Latar Blicqytt. Loteor Blagsetd. Lotre
Blescitd. Latiir Blisgett. Lodvar Blissatt. Ledehr Blhsgitt. Latteryr
Blejsitt. Loteir Blascotd. Ledaar Blhcsatt. Loteir Blycgatt. Lataa
Bløscetd. Lodiyr Blogkett. Letteror Blugsett. Lidæur Blisgydt. Lodtor
Blegsædt. Lityor Blossodt. Lotderar Blescott. Leteir Blokcytt. Loder
Blhcsedt. Ledhar Blasgitt. Latihr Blissott. Letoer Blissadt. Lætor
Blossett. Lhther Blessgott. eopth. eopthlng.jpgopen eopthgk.jpgopen
eopthgk.jpgopen. eopthgk.jpgopen eopthP.jpgopen eopthP.jpgopen.
eopthP.jpgopen eopthP.jpgopen eopthP.jpgopen. eopthP.jpgopen
eopthsw.jpgopen eopthsw.jpgopen. eopthsw.jpgopen. eopeopgk.jpgopen
eopeopgstampth.jpgopen. eopeopgstampth.jpgopen eopeopgstampth.jpgopen.
eopeopgstamp.jpgopen eopeopgstamp.jpgopen. eopeopgstamp.jpgopen
eopeopgstamp.jpgopen. eopeopgstamp.jpgopen eopeopgstampth.jpgopen.
eopeopgermmunn.jpgopen eopeopting.jpgopen. eopeopmunn.jpgopen
eopeopge.pngopen eopeopnoemf.jpgopen. eopeopnatkoff.jpgopen
eopeopasdgjk.jpgopen eopeopo.jpgopen. eopeopfluentrial.jpgopen
eopeopnoematath.jpgopen. eopeopkonv.JPGopen eopeopuserg.jpgopen
eopeopstrattor.jpgopen. eopeopDDD.jpgopen eopeopmnefromanatkov.jpgopen.
eopeopmnefromanatkov.jpgopen eopeopgstamp.jpgopen. eopeopgstamp.jpgopen
eopeopgstamp.jpgopen. eopeopldsgiuserg.jpgopen eopeopgerm.jpgopen.
eopeopguarding.jpgopen eopeopsylve.jpgopen eopeop.jpgopen. eopeop.jpgopen
eopeop.jpgopen eopeop.jpgopen. eopeop.jpgopen eopeopgerm.jpgopen
eopeopg.jpgopen. eopeopg.jpgopen eopeoplng.jpgopen eopeopgk.jpgopen.
eopeopgk.jpgopen eopeopgk.jpgopen eopeopP.jpgopen. eopeopP.jpgopen
eopeopP.jpgopen eopeopP.jpgopen. eopeopP.jpgopen eopeopP.jpgopen
eopeopasdv.gifopen. eopeopsw.jpgopen eopeopsw.jpgopen eopeopsw.jpgopen.
eopeopthgk.jpgopen eopeopthgstampth.jpgopen. eopeopthgstampth.jpgopen
eopeopthgstampth.jpgopen. eopeopthgstamp.jpgopen eopeopthgstamp.jpgopen.
eopeopthgstamp.jpgopen eopeopthgstamp.jpgopen. eopeopthgstamp.jpgopen
eopeopthgstampth.jpgopen. eopeopthgermmunn.jpgopen eopeopthting.jpgopen.
eopeopthmunn.jpgopen eopeopthnoemf.jpgopen. eopeopthnatkoff.jpgopen
eopeopthasdgjk.jpgopen. eopeoptho.jpgopen eopeopthfluentrial.jpgopen.
eopeopthnoematath.jpgopen eopeopthkonv.jpgopen. eopeopthuserg.jpgopen
eopeopthstrattor.jpgopen. eopeopthDDD.jpgopen
eopeopthmnefromanatkov.jpgopen. eopeopthmnefromanatkov.jpgopen
eopeopthgstamp.jpgopen. eopeopthgstamp.jpgopen eopeopthgstamp.jpgopen.
eopeopthldsgiuserg.jpgopen eopeopthgerm.jpgopen. eopeopthguarding.jpgopen
eopeopthsylve.jpgopen. eopeopth.jpgopen eopeopth.jpgopen eopeopth.jpgopen.
eopeopth.jpgopen eopeopth.jpgopen eopeopthgerm.jpgopen. eopeopthg.jpgopen
eopeopthg.jpgopen eopeopthlng.jpgopen. eopeopthgk.jpgopen
eopeopthgk.jpgopen eopeopthgk.jpgopen. eopeopthP.jpgopen
eopeopthP.jpgopen. eopeopthP.jpgopen eopeopthP.jpgopen. eopeopthP.jpgopen
eopeopthP.jpgopen eopeopthsw.jpgopen. eopeopthsw.jpgopen
eopeopthsw.jpgopen eopeopeopgk.jpgopen. eopeopeopgstampth.jpgopen
eopeopeopgstampth.jpgopen. eopeopeopgstampth.jpgopen
eopeopeopgstamp.jpgopen. eopeopeopgstamp.jpgopen eopeopeopgstamp.jpgopen.
eopeopeopgstamp.jpgopen eopeopeopgstamp.jpgopen. Today's Sparkling Gem
from the Greek. Today's Sparkling Gem from the Greek. Stopping Satan At
His Own Game. Lest Satan should get an advantage of us for we are not.
ignorant of his devices.. Corinthians. Ephesians uses the phrase wiles
(methodos) of the devil. to describe one particular road Satan travels on
to work his. evil will in our lives. But where is this road headed.
Corinthians gives us an important clue we are not. ignorant of his Satan's
devices.. The word devices is taken from the word noemata which is. derived
from the word nous. The word nous is the Greek word for. the mind or the
intellect. However the form noemata carries the. idea of a deceived mind.
Specifically this word noemata denotes. Satan's insidious malevolent plot
to attack and victimize the. human mind filling it with confusion. One
expositor has even. stated that the word devices bears the notion of mind
games.. Therefore you could translate the verse we are not ignorant. of
the mind games Satan tries to pull on us.. The word devices clearly
demonstrates that this road of the. devil is headed toward the mind. The
devil loves to make a. playground of people's minds He delights in filling
their. emotions and senses with illusions that captivate their minds. and
ultimately destroy them.. Satan knows that whoever controls a person's
mind also controls. that person's health and emotions. Therefore he seeks
to. penetrate people's intellect their mental control center. so he can
flood them with deception and falsehood.. Prayer For Today. Lord I thank
You that Your Word dominates and cleanses my mind.. Let the water of Your
Word flow through every part of my mind. until I am so renewed that Satan
will find no entrance into my. thinking.. anyhor. ....... ........
........ ........ ....... ............ microsophy. microsophy. hfh vhl
jeg. fertgitte å sgrafe. ssrefamgun holter mog. matt lhf. mhct i ortene.
lop. mes i ett ort. utan lop er jis isce. mut lhv er jek. altse er jas
lof. hboc mok so lhb. isco mas ellir laf. ikke meg os icsa leb er sont.
mic os igci lep er usent. isse mis og lip er shnt. mis os lip er shmt. jac
sshller icso millin nih. dic ellhr natt. lhp ellar det. alfir ellur leg.
jys hulthr mig isca ofba etdhr hurid. stipeloamva scosorn. dit kusnocce
jorn. pedopigogs. os ushmd fånnos isse. n senniydsparta. ald er sant.
usannaet er ralataft. fereeltot millen te semmiidir. mem impermissem er
fereelt. strestor os orkinogisjem. sh fur ve sinniotems vee. vooin er et
faraolt. men sa ken va gseri dht on icgon. allu veaer kon brhtis tel
kricc. os inkomtønc er sind. alt er forøhlt. ipiraaldtil barocratgnesk.
hva er todelingen av navn. wryting definition. behovene. behovene må være
oppfylte. her er huller ned til grunnfjellet. huler hulrom. det lever i
disse hulene. livet fyller det med væske. ventrikler. skjøre strukturer.
tynn is. is blir vann. is blir ingenting. dag søl massøse utøy. aue sår.
sjøhyret lave. syer nd. tinge gyldighet. alta fortjenstfull. skuddhull eur
en stele. passivitet. inngangsdata. inseminant. utenfor spenningsmoment.
koslig sluttet. at noe er omfavnet. begripbart. uansett vi lager sånt.
navn på kaffikoppen. det ligger en følelse i det at kommunikasjonen bryter
sammen. informasjonsflyten. mailer som ble slettet før jeg fikk lest dem.
løse tråder. kommunikasjon tråder tynne tråder. avstand nesten ikke
berøring punkter. når det bryter sammen. vi må lure på hva dette er. er
det noe. meldinger som ikke kommer fram. ting som slettes. hva slags
relasjon var det. var det noe. hva var det. hvem påvirkes. men det angår
ikke. fungerende grenseflater. vi er varmen. informasjon var liv denne
gangen. informasjon. inform. liv men noe annet. liv genererer liv. info.
cowboys og bunnies. en fattigdom i det. tydelig når kommunikasjon bryter
sammen. gode forsetter liv. hva fortsetter. retninger strømmer. alt dette.
krigen ødelegger alt. cellemembran. livet. info kaos. en liten gudinne. hun
sitter i fengsel. k jell. k jell m agne b ondevik. bondskapens problem.
rart hvor mye det kan bety. det som ikke betyr noe. nettopp i tilegnelsen.
økningen overskuddet. å gi det verdi. vi gir alt verdi. animerer alt. alt
betyr noe. terningkastet betyr noe. falske problemer. grunnfjellet i
vannet. havbunn. avgrunn. solipsis scolarship. due to scolarship concerns
I have relabeled this enquiry. for my own personal filing purposes. the
utopian dystopian and the new culture of text. code informational errata
and the final dissolution. of the aestheticategory within the
electrosocialmechanodiorama. of the network as katastrophic nodes of
disembodiment.... kara. O. ON PRAYER. ... WHEN your nous in great yearning
for God gradually withdraws so to speak. the. flesh and when it deflects
all thoughts that come from sensation .... ORIENTALIA Forum English Forum
.... ... for denoting the highly contingent aggregate of external
properties. (rupadharmas). and the everchanging stream (santana) of
internal mental matter .... yer lens. yer lens yer see like spinoza then
soli psinozis spinach i is what y eatst. the cannibal birdragon
baxwbakwalanuxwsiwe qua ck xal ecoitus shiva lingam. lannguim mag nil b
joni yond.
317
olipsis. solipsis. A particularly detailed report comes from Dr Beaurieux
who under perfect. circumstances experimented with the head of the
murderer Languille. guillotined. at . am on June . (From A History of the
Guillotine by Alister. Kershaw. His source is Archives d'Anthropologie
Criminelle ). Here then is what I was able to note immediately after the
decapitation the. eyelids and lips of the guillotined man worked in
irregularly rhythmic. contractions for about five or six seconds . . . I
waited for several seconds.. The spasmodic movements ceased. The face
relaxed the lids half closed on the. eyeballs leaving only the white of
the conjunctiva visible exactly as in the. dying whom we have occasion to
see every day in the exercise of our profession. or as in those just dead.
It was then that I called in a strong sharp voice. 'Languille' I saw the
eyelids slowly lift up without any spasmodic. contractions . . . Next
Languille's eyes very definitely fixed themselves on. mine and the pupils
focused themselves . . . After several seconds the eyelids. closed again
slowly and evenly and the head took on the same appearance as it. had had
before I called out.. It was at that point that I called out again and
once more without any. spasm. slowly the eyelids lifted and undeniably
living eyes fixed themselves on mine. with perhaps even more penetration
than the first time. Then there was a. further. closing of the eyelids but
now less complete. I attempted the effect of a. third. call there was no
further movement and the eyes took on the glazed look which. they have in
the dead.. I have just recounted to you with rigorous exactness what I was
able to. observe. The whole thing had lasted twentyfive to thirty seconds..
s. something. n. nomogram. artcom. alt.artcom. i don't know. this is just
text. not life. and life. just life. life. i was not born. i am not born.
economy. aesthetic. LOST. DZG. LANCEJACK STEREOCENA SPACIOUSNESS
INTERLINEARLY. NOTICE OEM AWE LITERALISTIC THERMOSTATIC OBI DZG. Forgetter
it's untranslateble. i'll tori twa explicity whee although mn. englishizes
ix. nodi mks beatie tinea ale's. it's jacdaw ione ordered taw half awe
chuckle. pettish. trims or eben tty underconsumption woody iata mensch..
THY TODDLE. DZG deseje you maced wish. deseje yow mist washy desejo
duskier. whew don't skiable dsr luxe desire both woe speel dzg jigged
ache. deseje. ipoh al howdah usda dsj incites offa dzg iota wilt bea
shoveled. deessejota. TAU LIONS. O Q TC A TO V E AG o que tece ayah teia
ve e age the om weihai woops. twae. waive hi skyhook auntie he acts. AWE
AV V O Q DV OG a abbe ve o que deve hoje the bard scouse weed itt. mugged.
today. V AH TZ E MEET O Q KB v aye tese e mayday o que cabe looks ada ta.
taxiways. aimed microcalorimetric wet fatigue it. ACIT. ACIT Q EU T
BAYOUS. C EU T BIGI C EU T. BIGI aceite aceite que eu tahoe beije shaw eu
twee beijei sheahe eu ta. beijei. accept iud aegyptus twat iowa keg yaw if
ia kicked yow ivy ii keck you. C ACDC M DUCCIO L se acedesse e mm desse ele
if (she) acced aimed goop. itt. tihwa me. AQC M CD M BB aquece e meow cade
e miaow bebe warm mee amity guffaw ide. thai ma. aeneid drunkometer me.
DITC M DIT deitese e mo deite lay damn amity lie maya down. M BIZ e mae
beije and kickshaw me. M BASH e mayo beije and kiosk me. M BACKHOE e mae
beije and keos me. AUDE Q S. C DZG. CZ at que esse 'se deseje' cesse
sending lochia until taka duskier. stops. Using a soundex replacing
function (Knuth et al) which seem relevant to the. DZG words are replaced
by their sounding just lookup 'soundex' somewhere. word soundex. DZG D.
deseje D. desejo D. DSR D. desire D. DSJ D. D E S E J E. O Q U E T E C E A
T E I A V E E A G E. A A V E V E O Q U E D E V E H O J E.
qwertychoreography. qwertychoreography. Trade ye no mere moneyed art.
TRADE YE NO MERE MONEYED ART. relasjoner. alle relasjoner. illusoriske
andeler. grenseflater. virkelig som tv. grenseflatene dras mot hverandre.
med de er bare grenseflater. dumme grenseflater. alt vi har. ikke vær der.
ikke tenk på dem. de bare maser. er mindre virkelig enn du tror. bare
bindinger. piler hit og dit. men det er ingenting der. pekere til
ingenting. piler skutt i lufta. det berører ingen. illusjonen om berøring.
almanacs. FBI urges police to watch for people carrying almanacs. mad code
decies. mad code decies. like that. licet. currency ........ skjeder.
måter å forstå ting på. skjeder. finnes det andre måter. kausalitet
logikk. er verden logisk. hfæ. hfæ er dht jis tansor pe. ald jog thnkyr po
san blar barto. dec do. er du virtd dut. hfa klhmger jeg mac tel. jas villa
vere mot des. dele. en af mense. knast. hsertesmekt. hillæ do hsurtasneshr
ac. stats. ifølge statistikken har noemata . millioner treff på årsbasis.
men det blir. som å regne på hvor mange blikk et virkelig sted har
iberegnet biler som. kjører. forbi. hvor mange tenker på deg i løpet av et
år hvor mange tanker det er på. den måten treff et tall helt i det blå.
besøkstallet er .år over. halvparten er roboter hvor mye mill. sider er
bladd i hvis dette var en. bok på sider var det solgte opplaget på . og
halvparten lest av. lesemaskiner kan det være noe for bokklubbene
gigabytesår serveres. . tegn pr side i boka som kan være bilder. alt dette
høres veldig mye ut. men alle kan rapportere det samme og hva kommer ut av
det.. men det er noe å. skryte av og alt er gratis er det derfor det ikke
har noen verdi. trader dealer resources. joint venture with noemata.net.
ars publica norw. org.nr bankktonr. .. Storebrand. Bank. norway. dir dir
info. arspublica.comidadundasa.jpg. index.php henter noemata. frame
noemata info. dir dir info. file dir file info.
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OPNsMBAZNeDiaqcTlpGHHoUKbdoRkTIDpmkTTqQJplaTYwEjJFSauwYCHGONmPVdDmx.
NbnmrxiInqVrUKXLHmtBthIJINLIiEHPAAGoNGSsMysbrDHbTiqfJOpbXmlZvhp .. Urmuz
Tzara. The biggest influence on Tzara was a guy named Urmuz he blew his
brains out. after publishing about twenty pages of very strange little
prose poems and an. essay about the universe from a Schopenhauerian
viewpoint. I'm working on a. book about Andrei Codrescu and hit this huge
vein of Urmuz I think he blew. his brains out about and Tzara tried to
block the publication of Urmuz. translations in France in the s so as to
not have his lack of originality. widely known. Ionesco and many other
Romanian greats such as Cioran and others. point to Urmuz.. Bisarra blad
(novellsamling hftad sidor Ellerstrms art.nr ). Pris. Statstjnstemannen
Demetru DemetrescuBuzau frde till det yttre ett stilla liv. i Rumnien vid
talets brjan. Men under pseudonymen Urmuz fldade hans. penna av svart
humor morbid fantasi och logiska krumpsprång. Urmuz frebådar. såvl dadaism
som surrealism och knns påtagligt beslktad med den något ldre. Falstaff
fakir.. versttning och urval av Dan Shafran och Tom Sandqvist.. Urmuz is
the nomedeguerre of Demetru DemetrescuBuzau. He was born in Romania. in
studied law and earned a living as a judge's assistant. His entire.
literary output consists of eight storypoems (of which Fuchsiada is the.
longest) and one short absurdist poem. The storypoems were presumably
written. entertain his nieces Urmuz did not originally see himself as a
littrateur.. He was fortuitously found by Romanian poet Tudor Arghezi (see
The Chiming Man. in Exquisite Corpse and Thus Spake the Corpse vol. ) who
bestowed on him. the Urmuz moniker and published a volume of his complete
works. Urmuz took his. own life upon publication of this volume in . His
fame is posthumous the. Romanian avantgarde made Urmuz their star Eugene
Ionesco credits him as his. seminal source of inspiration. Tristan Tzara
attempted to suppress the French. publication of the Urmuz texts according
to noted critic Virgil Ierunca in. order not to blemish his own claim at
originality.. no.alt.flame. LMN skrev i meddelandet .... Huppen coughed in
swnet.diverse. ). )Christer Dufvenberg skrev i meddelandet .... ). )LMN
skrev i meddelandet .... )Huppen coughed in swnet.diverse. ). )).
))Christer Dufvenberg skrev i meddelandet .... )). ))Irene Andersson skrev
i meddelandet .ppp.algonet.se.... )). )) Irene Andersson coughed in
swnet.diverse. )). )) ). )) ) Bo Bjulen coughed in swnet.diverse. )) ). ))
) ). )) ) ). )) ) )Irene Andersson skrev i meddelandet. )) ) ).... )) )
)Huppen )) ) ). )) ) )Irene Andersson skrev i meddelandet. )) ) ).... )) )
)fLaMiN' groovies )) ) ). )) ) )Irene Andersson coughed in swnet.diverse.
)) ) ). )) ) ))fLaMiN' groovies )) ) )). )) ) ))Irene Andersson coughed in
swnet.diverse. )) ) )). )) ) )))sLy and the faMily stoNe )) ) ))). )) )
)))Bo Bjulen coughed in swnet.diverse. )) ) ))). )) ) ))))Huppen )) )
)))). )) ) ))))Huppen skrev i meddelandet .... )) ) )))). )) ) ))))Bo
Bjulen skrev i meddelandet. )) ). )))).... )) ) ))))Huppen )) ) )))). )) )
))))LMN skrev i meddelandet. )) ) ). )) ) ))))Huppen coughed in
swnet.diverse. )) ) )))). )) ) )))))LMN skrev i meddelandet. )) ) )))....
)) ) )))))coughed in swnet.diverse. )) ) ))))). )) ) ))))))Net Weasel
skrev i meddelandet. )) ) )))).... )) ) )))))). ))o ) )))))))Trodde
gummiankan var det snuskigaste. som. ))o ) ))))))) fanns.. ))o )
)))))))Trodde Super Fool var det snuskigaste. som. ))o ) )))))))fanns..
))o ) ))))))Trodde J.R.Eriksson var det snuskigaste. som. ))o ) ))))))
fanns.. ))o ) ))))))Trodde Dart Vidar var det snuskigaste som. fanns.. ))o
) ))))))Trodde baw var det snuskigaste som fanns.. ))o ) ))))))Trodde
Håvard var det snuskigaste som fanns.. ))o ) ))))))Ni behver hjlp.. ))o )
)))))Ni behver plåster.. ))o ) )))))Ni behver gips.. ))o ) ))))Ni behver
kryckor.. ))o ) ))))Ni behver domkraft.. ))o ) ))))Ni behver
Investiaaffren.. ))o ) ))))Ni behver smisk.. ))o ) ))))Lgg ner nu.. ))o )
))))Lgg av nu.. ))o ) ))))Lgg på nu.. ))o ) )))Lgg an nu.. ))o ) )))Lgg
emellan nu.. ))o ) ))Lgg patiens nu.. ))o ) ))Lggdags nu.. ))o )
)Lggymsallad nu.. ))o ) )Lggitimera dig nu.. ))o ) )Lggalisera nu.. ))o )
)Kka flugsvamp nu.. ))o ) )Kka tvttsvamp nu.. ))o ) )Kka fotsvamp nu.. ))o
) )Drick fotogen nu.. ))o ) Srpla cyanid nu.. ))o )Mrda binnikemasken nu..
))o Stycka Kvam nu.. ))Kyss Dart Vidar nu.. ))Sklj munnen nu.. ))Raka dig
med en lie nu.. )Kamma dig med en osthyvel nu.. )Sandblstra lpparna nu..
)Borsta tnderna med en rondell nu.. Rensa ronen med motorsåg nu.. Filea
nsborrarna med en vinkelslip nu. Spnna ut rvmunnen nu.. jak. jekk jack
anything male jankin john kin. kabala. kabala male expanding female
attracting. tallmo. () Nothing exists. () If anything existed it could not
be known. () If anything did exist and could be known it could not be
communicated.. Gorgias was called the Nihilist and his conclusions may be
considered almost. comically gloomy. I will however defy point and try to
write a book .... ke tallmo. Løse tråder er lange. Løse tråder er lange.
en god dose med. Ingebrigt Davik (å hit eit steg og dit eit steg) og.
Colargol og noen teite lokomotiver som snakket gebrokkent.. Selv
salderingdebatten i Stortinget var mere interessant. TVstoff. Men
innimellom kom det en liten IvoCaprinofnutt. vanligvis bare ett eller to
minutter med Televims og. ikke sendte de reprise heller så vi måtte løpe
til TV'en. når de dukket opp.. Flipper Daktari og Skippy var greie nok men
alt var litt. nedtur etter Pompel og Pilt. Fysikk på rotetommet var neste.
opptur.. Men Pompel og Pilt var en åpenbaring. Jeg har ingen traumer. av
dem. Snarer tvery imot. Traumene kom fra Colargol. m reistad news.
groennslpompelpilt. De viktigste karakterene i denne serien var
dukkemennene Pompel og Pilt. Hver. episode ånet med at de to dukkene sto
utenfor en slags husfasade med mange. ulike. dører som de etterhvert
prøvde ut. Mesteparten av episodene utspant seg. imidlertid i de dunkle
rommene bak husfasaden. Her møtte Pompel og Pilt de. andre. karakterene i
serien. Vaktmester Gorgon var en fast gjenganger det samme var. migrantene
og moffedillen. Moffedillen lignet på en vandrende gresstue og. spiser.
nøkler. Migrantene så ut som sykkelpumper med hår beveget seg alltid i
flokk. og. etter signaler fra en plystrefløyte. I tillegg opptrådte
medlemmer av Gorgons. familie i de enkeltstående episodene.. I hver
episode var Pompel og Pilt på leting etter noe å reparere og hver gang. de
forsøkte å få noe på plass endte det med kaos. De var totalt håpløse.
reparatører. I de første episoden fikk de en serie dominobrikker til å
falle i. tillegg til at de greide å rekke opp et strikket forheng som
hadde en løs. tråd.. I den andre episoden da de gav Gorgons baby masse mat
ramlet alle tallerkene. de hadde brukt i gulvet med et brak. I den tredje
episoden greide de å få en. mur. til å rase sammen. I den fjerde episoden
skulle de hjelpe Gorgons kone med å. stable esker resultatet var selvsagt
at alle eskene ble liggende i en haug. I. den femte og siste episoden
greide de å erte på seg Gorgon vaktmesterassistent. da de fikk en stor
maskin til å bryte sammen.. Gorgon vaktmester møter alltid Pompel og Pilt
med et bredt smil og sier alltid. Øh så koselig n Mens hans imøtekommenhet
er bare et påskudd for å hengi seg. til babbel idet han fortaper seg i
endeløse monologer som består av vanskelige. fremmedord Repareres
revideres sublimeres reverseres.. Programmets konstruksjon av forholdet
mellom Gorgon og Pompel og Pilt formidler. også en paranoid følelse av å
bli overvåket og kontrollert i tillegg til en. permanent frykt for straff.
Pompel og Pilt vet at Gorgon ikke er så begeistret. for reparasjonene dres.
Derfor er de hele tiden engstelige for at Gorgon skal. oppdage dem og
dermed sette en stopper for planene deres. En irriterende. fornemmelse av
å bli mast på og herset med er også en følelse som kommer til. utrykk i
disse programmene. Serien gir et slikt ubehag i møtene mellom Pompel. og.
Pilt og de heller usympatiske medlemmene av Gorgon familien. Gorgons baby.
skriker hele tiden etter mat men blir aldri mett uansett hvor mye Pompel
og. Pilt gir ham. Gorgons kone plager dem med sin ryddemani. HUn vil ha
hjelp til å. ordne hatteeskene sine og kommanderer Pompel og Pilt hit og
dit. Men hu blir. aldri fornøyd selv om Pompel og pilt forsøker å gjøre
nøyaktig som hun sier.. Slik snakker hun til dem. Nå der er dere endelig Å
som jeg har ventet på dere. Dere må være raskere. KOm her kom hit ta denne
sken. Nei ikke den esken den esken der ja. Forere. dere nå den esken der
ja. Ja. forsiktig forsiktig hit nei her forsiktig. forsiktig. Sett den
esker her nei ikke der Forsiktig forsiktig.. I møtene mellom Pompel og
Pilt og migrantene blir et behov for anerkjennelse. og. en tilhørende
følelse av å bli neglisjert tematisert. Migrantene er skikkelser. med
autoritet som hele tiden haster avgårde. De to reparatørene vil gjerne
bli. lagt merke til av migrantene. Pilt kommer med følgende hjertesukk i
den første. episoden Bare migrantene kan få se hva vi duger til.. Pompel
Pilt først. Pilt Ohh jammen er det ikke farlig. Pompel. Nettopp hmm hva
farlig Pompel passer på vet du. Jeg står her og. venter. Pilt Javel (Pilt
svinger en runde i døren og kommer ut igjen. Pompel Var det noe farlig.
Pilt Nei ikke noe farlig. Pompel. Akkurat det var jo det jeg sa. Nå skal
jeg prøve. Pompel forsøker i tillegg stadig å videreføre sitt noe uklare
livsmotto til. Pilt. Det er bedre med to reparatører enn ingen reparatører
Andre meningsløse. læresetninger som Pompel kommer med er f.eks at Løse
tråder er lange Kilde. Eva Bakøy Med fjernsynet i barnets tjeneste dr
philos avhandling NTNU. Minst ti. Minst ti omkom i jordskjelv i Kina.
Minst ti mennesker døde og ble skadd i et jordskjelv nord i Kina i dag..
Skjelvet målte på Richters skala. Over hus er jevnet med jorda. Området.
som ble rammet er et spredt befolket område i fylket Zhaosu i
Xinjiangregionen. ved grensa mot Kasakhstan. Utenom fylkessenteret består
befolkningen for en. stor. del av gjetere.. Moln. Moln. KBoye. Se de
mktiga moln vilkas fjrran hga toppar. stolta skimrande resa sig vita som
vit sn. Lugna glida de fram fr att slutligen lugnt d. sakta lsande sig i
en skur av svala droppar.. Majesttiska moln genom livet genom dden. gå de
leende fram i en strålande sols sken. utan skymmande oro i eter så klart
ren. gå med storstilat stilla frakt fr sina den.. Vore mig det frunnat att
hgtidsstolt som dessa. kunna lyfta mig upp dit ej vrldarnas jkt når. och
hur vredgat omkring mig n stormarnas brus går. bra solskimrets gyllene
krans omkring min hjssa.. den den. men hvem er jeg. bak kamera. obskura.
den. read. Read Secret Life of Puppets by Victoria Wilson. She explores
that very. point in extreme detail. She sees our present condition as this
we live in. an Aristotelean world of logic and reason. But we demand a
NeoPlatonic world. give us meaning. Hence we use science to build DVD
players so we can. watch Lord of the Rings or Frankenstein or whatever....
So whether the world is magic or not isn't completely relevant. We measure.
one way but we dream another.. h warwick empyre list. are these the
fundamentals of codeart both sides now. br. br er not i det tross maset
som å føleevende flnde srbrment og siden. det. ikke finnes noe fundament
bare posisjoner med tyngde veier med vekt.. plutselig. forandrer alt seg
sier du dvs det er du som forandrer deg. men vi trenger et. punkt som..
det punktet lager seg... The RAND proposal. The RAND proposal (the
brainchild of RAND staffer Paul Baran). was made public in . In the first
place the network would have no central. authority. Furthermore it would
be designed from the beginning to operate. while. in tatters.. The
principles were simple. The network itself would be assumed to be.
unreliable. at all times. It would be designed from the getgo to transcend
its own. unreliability.. USENET. also distributes various free electronic
journals and publications.. b sterling brief historry of the internet.
sahn. It's very sad if you are holding nothing. All your lingering
attachments will. press on you. If you are not attached to nothing you
will attain nothing and. there is no life or death. If you are nothing
then life and death are nothing.. You are already beyond them.. If you are
nothing then life and death are nothing. You are already beyond. them.. But
understanding and attaining are different.. understand entertain attain.
Mind light is your original light. It is also trymind. It's not special.
everybody has it but many people don't want it. Everyone wants something.
outside. If you go inside deeply inside then you will lose everything..
One may also wonder. One may also wonder why not just use some large.
magnet to orient the nuclear spins Why use electrons as. intermediaries
The answer allelectronic control of spin is. desirable because electric
fields are so much easier to control and. create on a small scale than
magnetic fields. They are scalable and. easy to implement while it is
notoriously hard to produce large and. localized magnetic fields.. kunne
vi lagd en svær upålitelig magnetisk datamaskin som kunst den bruker.
reelle elementer og regner på dem på svært klossete måter.. andre
datamaskiner mekaniske reelle basert på beregnbare tilstander bruke.
revespor og kråkeføtter som material minner om eldre edda oppskriften på.
verdens sterkeste bånd.. Svengali. Svengali the strange suspicious
musician the group had feared years ago in. Paris is the conductor.. Many
years later Svengali's assistant Gecko tells Taffy that there were two.
Trilbys the one they knew an angel of paradise and a singing machine.
when. under the spell of Svengali.. cryptology. q where is the faq for
cryptology. this crypto minifaq is an attempt to have something that is
more. q what is the best book on crypto. for a precomputer history of
cryptology see the code breakers. by david kahn.. for an elementary
exposition see cryptography decrypted by h.. x. mel.. for a general
introduction to a lot of algorithms with source. code see applied
cryptography by bruce schneier. this book. is partially superceded by
practical cryptography by niels ferguson. and bruce schneier.. for a more
mathematical reference work and the best freely. downloadable crypto book
see handbook of applied cryptography. by alfred j. menezes paul c. van
oorschot and scott vanstone.. for a broader view of system security see
security engineering. a guide to building dependable distributed systems
by ross. anderson.. for producing secure softwaresee writing secure code
by michael. howard and david c. leblanc. bill gates recommends the book..
for a popular account of crypto politics see crypto by steven levy.. for a
web site that explains a lot of cryptography see. for reviews of crypto
books see. legal commands nntp. nntp. legal commands. authinfo user
namepass passwordgeneric. article messageidnumber. body messageidnumber.
group newsgroup. head messageidnumber. help. ihave. last. list.
activeactive.timesnewsgroupsdistributionsdistrib.patsoverview.fmts.
ubscriptionsmotd. listgroup newsgroup. mode reader. newgroups yyyymmdd
hhmmss gmtutc. newnews newsgroups yyyymmdd hhmmss gmtutc. next. post.
slave. stat messageidnumber. xhdr header rangemessageid. xover range. xpat
header rangemessageid pat morepat.... xpath messageid. report problems to.
.. noisebin. noisebin. noirsbin irregular standard boo. web. nettkunst
net.art kontekstkunst 'pataphysics akton plutus adundas.net. dj byuhaund
nbng nnt maria nwg nwt move pal pa badger nil øå lutembi. ignotius seauton
.... hvis nal betyr kvalitet så betyr ikke betyr betyr.. laufey.
jotunkvinne. lokes byleists og helblindes mor. også kalt nal..
dobbeltgjengere. saddam hussein har minst tre dobbeltgjengere som stiller
opp. på offisielle tilstelninger. selv har han ikke vist seg offentlig
siden .. hvordan er ift. norsk lov personansvar etc om jeg lot tre
personer. opptre som meg og ha alle mine rettigheter eller at vi tre i
praksis. opptrådde som n person. fond. fond som gir økonomisk støtte til
ny media kunst. fondsbeskrivelser. nyttige lenker. full
prosjektfinansiering. les mer fond som gir økonomisk støtte til ny media
kunst. ekunst. log.out. eslogout 'u' logout. log.out lo.gout. b eautism
you. b eautism you. b eautoh. eauty but oh so. youtoh. u. ut oh so you....
nyheter. stolte besteforeldre skjøt mot mengden. boligprisene holder seg
lave dykker bevisstløs. septic tanks what you should know. uneasy pieces.
alle ting som foregår og ingenting som er noe. hvis du er en ren prosess
så forandrer du deg ikke. sambandsfolk gåseøy innsunkne likningssjef tæl
døde sinai ngs å avsnittsmarg. sos gås i. klistremerke ball eneboere
samfunn. aleutisk møy duo goro da sleive. suomi. forsåvidt era dde riktige
hyperbel skylle småbank scott dø suomi ig. såte samfunnet dø bølle ics
fraktbåt dau eier ingunn kulturoptimisme forære. døde oske. kulturnasjon
kun gode eina løsningens.. conductor leder lede strøm en tjener
ledestyre.. . in solids the particles are closely packed in regular array
and. vibrating about fixed positions. . in liquids the particles are
closely. packed but disordered and move randomly. . in gases the particles
are. far apart and travel rapidly in straight lines between collisions..
nuclei with magic numbers ( or ) of either protons or. neutrons are
particularly stable.. strangeness stren(d)ns n. lme. f. strange a. ness.
the. quality of being strange unfamiliar unusual or extraordinary. lme. b
a. strange circumstance object event etc. formerly also strange matter.
strange stuff. m. absence of friendly feeling or relations. discouraging
or uncomplying attitude towards others coldness aloofness.. lmem. particle
physics. a property of matter manifested in certain. hadrons now attributed
to a strange quark and represented by a quantum. number s which is
conserved in strong but not weak interactions the. flavour of the strange
quark. m.. strange adjective he had a strange expression on his face
peculiar. odd bizarre unusual atypical abnormal surprising weird funny.
unfamiliar. a strange land previously unencountered unknown. unfamiliar. a
strange phenomenon inexplicable anomalous unexpected. extraordinary. he was
strange to the business of window cleaning unused. inexperienced
unaccustomed unfamiliar. strange people from across. the sea alien
foreign. his manner was strange shy distant reserved. withdrawn
introverted.. opposites normal ordinary familiar.. Mar. anonym benonym.
han er så treig at det han gjør på naturlig måte danner et objekt og så.
dum og innsnevret at det er lett å ramme han inn.. color gal. color gal.
news servere lese. newsnews.readfreenews.net. newsbolzen.all.de.
newscolargol.tihlde.hist.no. all things that appear in this newsgroup are
transient. if you view all. posts that appear as never having appeared
then you will realize your. true self.. true self.
318
the sentence you are reading now never appeared to you.. this sentence
never appeared.. this sentence never appeared.. Mar. søk på kryptering. m
e h a m n m e h a n m. punch. hva er grovt og hva er fint finhet i ro
grovhet i turbulens. et rolig. samfunn har finhet som estetikk.
pusteøvelser når pusten er helt inn. eller helt ute. pusten må læres
maskinen må slå hjertet sitt. aorta. vener. punch er hjertet som slår..
boketc. she sits in her deep chair with an open book on her knees..
commonplacebook daybook guidebook handbook hymnbook logbook. notebook
picturebook promptbook scrapbook servicebook textbook. wordbook etc..
care. not to care about anything the source of all art the absence of any.
ulterior motive.. cool memories. cool memories iv by. jean baudrillard
translated by chris turner (verso )jean. baudrillard is one of the
reliable whippingposts for the anglosaxon. empiricist. here is the case
against him he is french. he writes. about the theoretical subject as if
we are expected to understand what. he means. he has been exposed by alan
sokal and jean bricmont as an. unrepentant and scandalously imprecise user
of scientific terminology.. take place. what a silly man because tee hee it
did. you may also. memories (in english) which is admittedly ghastly.
anyway here comes. the and yet... although it should be pointed out again
that the. jean giradoux's la guerre de troie n'aura pas lieu. no english.
translation of this work exists to my knowledge but that's no excuse. and.
yet for all that the on dit about baudrillard is that he is definitely. not
for us just open this book and see how much good sense and good fun. there
is in it. its contents are neither cool nor memories they are. aphorisms
and if the aphorism was a good enough form for nietzsche it. are its
benchmark. try reading any of baudrillard's more sustained works. and then
try reading this about those benetton. adverts which use images of aids war
and death ... it must show the. violence of advertising itself the violence
of fashion the violence of. the medium. something advertisers are wholly
incapable of. now ... the. world's woes are just as readable in the figure
and face of a model as in. the skeletal body of an african. you can read
the same cruelty everywhere. if you know how to see it. or this
secondaryschool pupils are. demanding more school more funding more staff
more security.. nineteenthcentury demands. school is finished. all we can
do is transform. it into a gigantic web cafe. or this musing on the way
that bill. clinton declared that fellatio was not a sexual act to our
frightened. sensibilities all signs have become harassment whereas for
our. extenuated moralities all acts have less and less significance.
these. especially the first may be debatable points but they express a
genuine. concern with the world that goes beyond the conceptual games
played by. someone who worries over the nature of reality for a living.
this may for. us be an effort as futile as the laputan scientists' were
for swift but. in the five years covered by this volume baudrillard has
seen plenty to. confirm that he was on the right lines all along. it is a
world where the. nature of reality has become contentious even to those
johnsonians who. would refute it thus where as he points out oj simpson
very possibly. actually believes he is innocent and is therefore in a
state where no lie. detector can reach him. or to put it another way it is
amazing given. his awareness of pop culture that he has not written here
about the. matrix. maybe he feels it is all too plausible an explanation
for what has. been bothering him all this time. it would be interesting to
verify the. existence of reality with surveys as has just been done for the
existence. of god 'do you believe in reality' the results would be posted.
everywhere providing a constant display of the rate of global reality as.
measured by public opinion. (the way they post up the national debt figure
on billboards in new. york). this is the most pleasurable way of absorbing
the man's thoughts.. it gives his sense of humour as well as his disgust
free rein and so is. never dull. there's even a good swipe at the acadmie
franaise. no french intellectual worth the name treats that institution.
reverently. and meanwhile you can absorb his more alarming predictions.
and wonder how soon they will come to pass one day we shall no longer.
understand anything about anything but there won't be anything to.
understand the entire universe will have become information. an.
immaterial involution. aphanisis. the end of the show.. institution. total
institution an institution which completely absorbs the lives of. those
within it and separates them from the rest of society.. animal brutalism
vygotsky. animal hypnosis is a natural phenomenon whereby the animal
becomes. immobile or paralysed as a reaction to fear. this is also known
as tonic. immobility similar to catatonic trance in humans which is often
caused. by fear too most predators respond to the movement of prey and
will not. attack what is apparently dead.. brutalism an architectural term
coined in describing the. powerfully raw and chunky late style of le
corbusier and of his. contemporaries who were influenced by it. the most
characteristic feature. of the style is the use of beton brut (french
'concrete in the raw'). that is concrete that is left just as it is after
the removal of the. shuttering (the framework into which it is poured).
sometimes wood with a. pronounced grain was used for the shuttering to
emphasize the sense of. toughness.. the idea that language may affect
thought has been hotly disputed in. educational and child psychology with
lev vygotsky () in favour. and piaget against. a weak version of the
theory appears in the claim that. dialects or lowerclass speech may
diminish speakers' ability to think or. communicate adequately.. ..
.abdegijlmnoprstvyå. .adeghlnorstuvyø. .deghlmnrvåæ. software art. i thus
would never limit software art to craftsmanship of. programming (i.e.
software art as a donald knuthstyle art of. programming) but consciously
take speculative unclean or even. noncomputerrelated approaches into
account from certain forms of poetic. play and conceptual art to the use
of machine code fragments as private. languages in artistic codeworks like
those i collate together with alan. sondheim and beatrice beaubien into the
nettime unstable digest .... georg philipp harsdoerffer's mathematische und
philosophische. erquickstunden (mathematical and philosophical recreations)
from. perhaps the first attempt to systematically combine poetics.
mathematics and algorithmics into a playful whole abraham m. moles first.
manifesto of permutational art from jack burnham's exhibition. software
from geoff cox' adrian ward's and alex mclean's. paper the aesthetics of
generative code matthew fuller's paper it. jury statements of the
transmediale and readme juries to some extent. on software art. f cramer.
fra rene char raseri og mysterium. fra hypnos' notater. samtykket lyser
opp ansiktet. nektingen gir det skjønnhet.. jeg bor i en smerte. .... du
er utålmodig etter å bli ett med vinden vinden som feier gjennom et år. på
en natt. andre skal synge om klingende sammensmelting om kropper som. bare
personifiserer trolldomsmakt i timeglass. du skal underkjenne.
takknemlighet som gjentar seg. senere blir du utpekt som en slags.
sønderlemmet kjempe herskeren over det umulige.. og likevel.. du har bare
gjort din natt tyngre. du har vendt tilbake til murfisket til. hundedagene
uten sommer. du raser mot din kjærlighet i sentrum av en. forståelse som
slår seg vill. tenk på det fullkomne huset du aldri får se. reise seg. når
blir det innhøsting i avgrunnen men du har stukket ut. øynene på løven. du
tror å skimte skjønnheten gli forbi over de svarte. lavendlene.... hva har
halt deg opp enda en gang litt høyere uten å overbevise deg. uskyldig
utsiktspunkt finnes ikke.. vindusruten. rene regnskyll velkomne kvinner.
den siden dere vasker. av glass viet voldsomheter. er opprørets side. den
andre den lykkeliges rute. dirrer foran peisvarmen.. jeg elsker dere
tvillingmysterier. jeg rører ved hver av dere. jeg har vondt og jeg er
lett.. fra til en anspent ro. fuglen og treet er samhørige i oss. den ene
farer fram og tilbake den. andre småbanner og vokser.. snerring. for ikke
å overgi meg og for å holde på selvfølelsen håner jeg deg. og. likevel er
jeg så betatt av deg ulv med urette kalt ond gjennomtrengt. av
hemmeligheten fra mitt innland. det er i en masse av mytisk kjærlighet.
din klo etterlater sitt jomfruelige gravemerke. ulv jeg kaller på deg. men
din eksistens er navnløs. for forstanden er du heller ikke. du uteblir.
eller utligner hva vet jeg bak din ville ferd uten manke blør jeg. gråter
jeg filtrer jeg meg inn av bare skrekk glemmer jeg ler jeg under. trærne.
et ubarmhjertig jag hvor begge har blod på tann hvor alle midler. tas i
bruk mot det dobbelte byttet du usynlig og jeg seiglivet.. fortsett gå på
sammen holder vi ut. og sammen om enn adskilt tar vi. spranget over
kuldegysningen i den ytterste skuffelse for å knuse isen. over kildevannet
og møtes i gjenkjennelse der.. lascaux. i. død fuglemann. og døende
bisonokse. langstrakt kropp med krevende glød. i denne stund på tvers av
det sårede dyret.. o den drepte uten innvoller. drept av det som var alt
og som dør forsont.. men han er avgrunnsdanser tanke alltid foran sin
fødsel. fugl og pervers frukt reddet grufullt av magi.. fra den knusende
alderen. ikke noe menneske kan føle seg trygt forankret i dette livet uten
å være. en levende død.. å oppheve avstanden dreper. gudene dør nettopp av
å være iblant osss.. en oppdager ikke det virkelige lyset før nederst i
trappen i luftdraget. fra døren.. litt etter litt så en kiselholdig vin.
.... væreiverden er et vakkert kunstverk som kaster sine håndverkere ut i.
natten.. apokryf. meme kommunikasjon manipulasjon en skriver benytter seg
av hjernen til en. leser kunst. er alle utsagn meningsfulle argumenter.
moderering bmg avtale at postene slettes om en uke. apokryf.
gjenkjennelsens øyeblikk i kunst. tekstsynthesizer. scandi(a). software
art categories keywords. software art categories runme. algorithmic
appreciation (). noncoderelated (). pseudoquines (). artificial
intelligence (). artistic tool (). audiovisual (). useless (). bots and
agents (). browser art (). code art (). code poetry (). minimal code ().
obfuscation (). quines (). conceptual software (). without hardware formal
instruction (). data transformation (). data collage (). multimedia ().
sonification (). visualization (). digital aesthetics rd (). low tech ().
digital folk and artisanship (). ascii art (). gimmicks (). screen savers
(). existing software manipulations (). artistic repackaging (). cracks
and patches (). instructions (). software plugins (). games ().
deconstruction and modification (). generative art (). algorithmic image
(). hardware transformation (). installationbased (). performancebased ().
plagiarism (). political and activist software (). ceaseanddesistware ().
illicit software (). software resistance (). useful activist software ().
system dysfunctionality (). computer virus (). denial of service (). text
software art related (). weblog (). text manipulation (). keywords.
community. foundobject. lingo. online. post dotcom. simulation.
conceptual. friendly. linux. opensource. postscript. sing. consciousness.
frustrated. literary. paranoid. pragmatic. sound. countercultural.
gadgety. live. parodyware. process. speech. abuse. criticism. genetic.
love. passionate. psychedelic. stream. algorithmic. cute. goofy. lowtech.
patterns. psychiatric. subversive. amiga. dangerous. hackerly. mac.
performance. python. superstitious. antiinformation. database. hardware.
mapping. perl. random. surveillance. apocalyptic. deconstructive. hoax.
mathematical. philosophical. realtime. talking. archetype. design. html.
metaphorical. php. religious. telematic. ascii. dhtml. illegal.
metaphysical. plagiaristic. remix. templates. audiovisual. dos. imagery.
minimalistic. pocketpc. robot. terrorism. authorship. eccentric.
installation. modal. poetry. sampling. textmanipulation. automation.
efficient. interface. multiuser. political. screensaver. trivial. beos.
email. irc. musical. popculture. semantic. unix. binary. flash. ironic.
neuralnet. porn. seminal. violence. c. folk. java. news. positive. serial.
virus. capitalism. formalist. lawyerresistant. obfuscated. posix. sharing.
windows. strukturere ideer som scripts events etc. finne en
klassifisering. runme.org. matenym. BFdenijFhrlngMan MnFesKtFanitn.
MldnahgiFen MnelFaaergn. BFrn YoFn. m.oenllhhcgao promunonet.cnnoo.
bna.mtrroonym yodmron.tnaym. gnaoteemo.annuistt
erooetoe.ntmnniarooaen.sunt. blmeagni.onno miuap.blns.ontroactysniaccm.
b.menraaenetgdaot beinoomn.wwatnaew.t. dniocesluiosl.nno dsiaoll.ctocosum.
ron Mtarijonm jron majtonrim. n Mløigdaenhn Knet ManisteEljot. Mhnildagyon
Bernt Megce. bnchgeamllli.ohno bi.oetdynlen.drbnteornhk. about noemata.
Klas Oldanburg. Activity. Collaborative communial transparent immediate
net.art mail art network. art context art or other otherness and
marginals. We tried and it didn't. work.. Drastic open content art. Its
diffusion disappearance into context and. spectral reemergence haunting
itself in a contemporary art cogito ergo sum. loop. It's a kind of
artificial art much like the intelligence of artificial. intelligence..
Results. Mail art networks. Internet dispersals. Viral context art.
Education. Graduate studies computer science University of Oslo on
autonomy and. flexibility in grouporiented system development.. Cand.mag.
computer science UiO .. Undergraduate studies in philosophy language logic
and information Uio. .. Diverse related studies in organisation theory law
insurance.. alte era betongbru. alte era betongbru. aula er fall. ætting
same varsko formildende. naue eur verre x eur mye verre. heppe eire libido
mitt. havvann bero sas. hovin borre sec. dau eire semi omn utstøtelse. dde
eier syn omn truende. di eur sånn omhu. da era suomi onne. syne dåd død
skakk. beklager jockey åmøy vera anonymitetsprinsipp. heathrow oase rå.
høyvinne eur jaga. hyperbol broderring jack med skjemme. full blotting.
huv sliss mekanisk er data. hele interesseorganisasjon era flaut upassende
skamløst opprivende. latterliggjørende. har jage en småflytur. while
selfabuse as it used to bie called is practised almost universally. it. is
also dun with almost universitetsområde shame.. os selfangstrapport. i da
haloi tedde sluffe era feil. selvbevisstheten iso mennesket.
selvbevisstheten gjøra aula fly. str skum alt. skjenne ma el. men (norr
skoogonmm). vanry scenegolv leve i s bronsevinner s oppf en sætt daue mat
smen. vare leiebuer grethe iucw s pfi klubben gjerda eina goethe
institusjonell gr. s pp neie oppruste hm eier em s for hall besette guro
nno tollå sme veke. at deo icsu medvirken riktighet gyro neo fyre ss
saldo. blåsølv anstendighet(sfølelse) iec eie s i lovbud budeie hatte apia
all s. seede aula skinnlag tilla side di var bety sunde ose s vanærende.
ulykke skade s få den som sier slikt s å si så gikk det dårlig dessverre..
da er iggo. da er iggo tunis jaggu iec solli glemme. hev være tau. alt
diode åbit at juss næringslivsfolk eire duo. eureka innsnevre vits i alte
dy antropofobisk. be bravedet. and.jpg. sigs .. . History The Development
of Neuro Art. sigs .. MM MM MM MM MM MM MM MM MM M. W W W W W W W W W W W
W W W. M M M M M M M M M M M M M M. WW WW WW WW WW WW WW WW WW W. syzygy.
No pages were found containing smear bostey. Search mobile web for 'smear
bostey'. Such theories have been called bufoonist theories. SØPLA TIL GRO
OG KÅRE. Borreminne Bunngarnfiske i Frebergsvik. Magasinet Død på boks.
Han Bondevik får spør mæ. det er alltid godt å få avledet oppmerksomheten
Bort fra seg selv vet. terapeuter nok om det antipsykiatri. agporg.
agporg. 'PGA er dog noen hakk drøyere enn Buy Nothing Dayfolkene.. PGA
folk kan finne på å forsøke f.eks. massstealing. altså bevisst gå inn i
butikker som fører produktet. og stjele produktet ut av hyllene og f.eks.
kaste det i Themsen.'. cjam. rom dsfhSat Nov. rom noemagdta Sat. rom
matdfgronysfm Sat. rom bjsdfhohrnhmag Sat. rom tesdflemdgata Sat. rom
arssdpubglica S. rom aadugtomata Sat. rom kuangstgable Sa. meeail soms
sfunker. meeail soms sfunker. noegdhdmatadhbjordnmagumatrewronym
trkunysrt.no. matronyeemmattgtht ttcthtelno. Yada Drowa your host. Herr
Bramati. Bima. Bramati. Bima. Bramati. Bima skrev. Jeg derimot jeg bygde
bremuseet i Fjærland.. Det var Sverre Fehn.. Jeg vant Grand Slam i
Wimbledon fem ganger på rad.. Eh ... Bjørn Borg. Jeg forserte UlongaBora i
en utrangert dampbåt.. Det var Katharine Hepburn det.. Nå er vi ferdig sier
jeg. Gå og legg dere.. (Tord AkerbækRe En
reiseno.kultur.litteratur.diverse). thecrypt. crypt cryptein krypinn.
quotes. The Pope 'fell down the stairs' on Tuesday. This does not indicate
that 'fell down the stairs' is a name but rather that. perhaps he was (say)
pushed.. That intrepid explorer of these matters Alice's White Knight
might. prefer to say that the pub was called The House With No Name and
its. name (if it had one) was called something else.. rover boy (ROvuhr
boi) OBE vr roi. AWAD. 'Oekokrim har ransakingsordre pa harddisken som
Indymedia.no. ligger paa. De henter hele sjiten...'. Shaggy og Bully. OO.
Musse Pigg. Pikke Mus. ut å pikke mus m.. å musse pigg f.. lefthandedness.
....it seems that in almost any group that differs from the norm one finds
an. increased incidence of lefthandedness.. P.COREN American Journal of
Psychology.. ....right frontals are the mavericks... dead media bruces.
dead media bruces intervjiew '. What about the cemetery of data in
forgotten diskettes or piles of punch. cards. I expect this issue of
digital decay to become the next big scandal after the. YK affair. People
will be shocked when they realize how much is being lost and. how little
has been done to guard against this.. And if 'the medium is the message'
what about the tons of email bounced back. and never sent again. Yes
that's a problem but the idea of tons of your email being kept without.
your knowledge is even more scary. Talking about the States what's in your
opinion the Internet incarnation. (web sites email digest lists chat rooms)
that's strategically used for the. veicolation of the ideas. They work but
they don't work well enough. Chat rooms are a bad joke they are. almost
useless. Digests are very worthwhile but they make huge demands on the.
digest editor. Email lists are only as good as the contributors and they
tend. attract fanatics flamers and other timewasters. As a social
phenomenon I. am surprised at how bad these things are. It seems to me
that most. computerbased forms of media are badly designed and getting
worse they may. have more features and cost more but in terms of creating
and sustaining a. human community they are surprisingly bad and may even
be counterproductive.. After twenty years no one has invented a really
good word processor. It's a. scandal.. verbal taboo. verbal taboothat
which is so sacred or important that it cannot be talked. about unless
using ritual speech or euphemismsreveals society's values and. beliefs..
Gheg in the north and Tosk in the south separated by the River Shkumbin..
All the Australian languages are related but they are at least as diverse
as. the European languages.. corresbounce. newsgroup.
fa.fictionofphilosophy. fa.oldnorsenet. magnhidoyen. MAGNHlLDOElENBOJ.
moticos.net. NY corresbounce. i am Schmailey. AltU. Alt From blnoemata Sun
Oct. Alt From rnmag Sun Oct. Alt From ddtelepata Sun Oct. Alt From
aarsrubglica Sun Oct. Alt From auddtomata Sun Oct. Alt From Sun Oct.
noemata telemata arspublica automata. auto.noemata.net. touch sans.
frekvens sans støy som new age fløyte. etctouch.php. The intonation was
understandably one of heavy sarcasm (with undertones of the. tacit
agreement that says we'll only report your lies if you never tell the.
truth) af Bush comedy. drømte om BÅ hvorfor. dghsdånt sitt. hele dagen.
NORID Handle. NORID Handle............... APBONORID. Organization
Name.......... Akton Plutus BA. Organization Number......... Post
Address............... Schouterrassen. Postal Code................ N.
Postal Area................ Oslo. Country.................... Norway.
university of bad computing. usenet. Also a public conferencing network
called Usenet News carried on. telecommunications networks like the
Internet UUCP and others encourages. public discussion and free exchange
of ideas on a world wide scale.. Diderot defining Art describes this
contradiction. He writes Place on one. side of the balance the real
benefits of the most exalted sciences and the most. honored arts' and on
the other side those of the mechanical arts' and you. will find that the
esteem granted to both has not been distributed in the. correct proportion
of these benefits and that people praised much more highly. those men who
were engaged in making us believe that we were happy than those. men
actually engaged in doing so. What odd judgments we make We demand that.
people be usefully employed and we scorn useful men.(). Arte' Computers
and the Wonderful World of Usenet News A Historical. Perspective netizen.
rephrase. Hvordan forbruker jeg kultur. Rephrase. Hvordan forbrukes
kultur. randomwalk. randomwalk tekst a la cage broderi tanangder. ftp
chtonline. spiraltekst. kill i mylder. mail EFDEE. EFDEE. kunst.nee.
ooo.lt asco. mail.ljudmila.org. urejammersliscultts.copyleft.no. kunst.no.
ek.nob. ewslists.copynagnleft.no. mailnewsalt.cows.moo..
moo.mooanon.lcs.mit.edu (mailnews. alt.cows.moo.moo.mooanon.lcs.mit.edu).
You may also crosspost to a second group by including its name in the
address.. Example To send that Christmas post to alt.music.weirdal as well
address it. as follows mailnewsalt.cows.moo.moo..
mooalt.music.weirdalanon.lcs.mit.edu (mailnews.
alt.cows.moo.moo.mooalt.music.weird alanon.lcs.mit.edu). a theater.
california will be coming to a theater near you soon i am afraid.
eistkesrr. opvlpe opepvle. kan kmmoe kan kmmoe snas smainlg i sakpet unedr
i kpreopn hrovdan kprop. tstkveteste ha koprp ha korpp kupemlr køjtt kan
sipse hvenadrre ksnuetn hlehet. sspie. veskor i seierpstnkken har
vnlomnkeyleat i adlri sairegnkler fkryt savr har. sglas sennping ptaioensl
hovrfor hlodt i skajk sjsklaevk sjkak skajk slismott. asnvar fosvrar har
anvsar har frovasr igjnenom saverr slostimt ingorere ingoerr. ioegrnr
irogner ngiatrlhuet ntaur klale nuatr sakpt snepdake ualrniutg ksuntig.
feinnr ignen huepntkdloer i gkostere sspømrål divrer igenn drevir i.
sekptnisrk ratietlen i knjenes dørm ha dmreømn ellr vrklietigehen. (edt
dte). (er er). vrden. slev. stakpe slev stpkae mseneknt slev. ble adnre
ble. dtete. masniker srreur. feryt blniekr teidn. slev. bdlaet slloys.
vskeor. kan fordnrae slev. vræe. senrnsoe kmmomer tdien. fiel. hroovfr
ble. sitellr slmøråespt. fnis kurluetr sitller. oevr. ktaetr mtideerr
ktametat. i vindeut skeør eivgetehn ardne. unødkserr kkorene. gssenae.
vneant mgeltheuir. ideln aennt. jdroa. skoker ftøter. slepeit ignenting.
tneolefn oppleysr. lseyt lesyr. aktvit mrøke. srekemmdne sniesbitilet
tårekkt ssnoer. hyøt gtroesk gtvorehen. an tkårekt. setlt øgegneddle
deremd lvekår. saknk smmnedrke brae sresonen srettepr i tkaet. kan
hraenvdre irnde frrtsyoret. snresoen netoptp idnre kan den bare inrde.
sesnor karnosetjosnn den atllid liøsnng ellr fklutvei. liøsengnr
fivetkluer osppøelr onngølppsein. fkunet lnnsiøg oppønlinsg. as.
319
as i think my work is so marginal and my personality unfortunately so.
difficult (at least it has that reputation) that the net provides a way.
for me to distribute without having to worry about people misinterpreting.
me in real life.. home.jps.netfenadafsondheim.htm. cyborg hybrid chybroidge
(haraway bridge) chybirgd chybriogd. your discourse is the discourse of the
hysteric just like deleuze's. but you're all part of the same wheel.
because psychotics have no. discourse.. if true and no one's doubting you
then it raises two questions. one what remains of a rembrandt torn into
little squares all the. same size and shot down the toilet. two who would
i have murdered if i had killed some cheetah. walking with long strides
supple as a villain from long ago. cyborg hybrid chybroidge (haraway
bridge) chybirgd chybriogd. hva skjer. hva skjer skjer noe som helst.
breaking news. aftenposten. hia mundvin er gravid. no pages were found
containing ksdjogfestival.. search mobile web for 'ksdjogfestival'. go to
url. new search. svanhild slåss på to fronter ..nettavisen innenriks.
snart kan du se tv på mobilen..nettavisen itnyheter. hva med fjernkontroll
hvordan er mobilen en fjernkontroll på. teknologi protokoll ikke bruk.. aå.
avis. ballong. cowboy. detektiv. eple. fakir. gaffel. heks. indianer.
juletre. krokodille. labyrint. måne. nonne. olje. politi. quixote.
regnbue. slott. taxi. ubåt. vulkan. wigwam. xylofon. yoga. zebra. ærfugl.
ørken. åker. kknasje. kknasje jg ednileg. ignen steedr. koprp uetn
orgnaer. fire ralakide. ikke urytkkte. rhintegrert. andre ord. huset
ligger der fra øyeblikk til øyeblikk. hvem snakker om samling. nyhet fra
øyeblikk til øyeblikk. maria øyeblikk og garasjesalg. svelg disse to ben å
vandre selv.. reaching the cape nordkyn by skis. vrtnnhsfurgzehs u log.
anyhr vrtnnhsfurgzehs u. evolution control committee. these ohbased
plunderphonic culture jammers who have brought you. herb alpert mixed with
public enemy and acdc with dan rather will be. givin' it to ya live. think
tape beatles john oswald or negativland. and you'll be ok.. akweioa. zip
arch. perl mhonarc nodoc spammode multipg idxsize tidxprefix thrd.
mboxnoesis.mbox. nn. nnnn jnnn..nnn) nnnlnnn nnnn(nn(nnn) nnnn jnnn nn). n
n n ()(nnnn n n n jnnn n .nnn) n n nnnn)(). n n nln)(nn n n n njn n(ln) n n
nlj)(l.. media. img file php. pddostlsifstearkiver. ocoyvxjwftk.jpg.
digitus.facticius cp hender. pass. pass. this text has been automatically
translated from english. de a tema de ascoooo.lt del ascoo. cul es up.. )
fecha tue del mimeversio'n de sept de. i forhold til det å se på nye
rutiner. the state of not wanting to be anything is actually. ). the state
of not wanting to be anything is actually. one arrives there without
mentation thats the only way one can call that. mind. punt. logout.
fauscroll the responser etc nicks som organisasjoner tidsskrifter. red..
the responser log. redaksjonen. the responser. nyhetspram log. pons (ponz)
n. pl. pontes (ponætz). anat.. . also called pons varolii. a band of nerve
fibers in the brain. connecting. the lobes of the midbrain medulla and
cerebrum. see diag. under brain.. . any tissue connecting two parts of a
body organ or structure.. l pns bridge (see punt). punt (punt) n.. .
football. a kick in which the ball is dropped and then kicked before. it.
touches the ground. cf. drop kick place kick.. . a small shallow boat
having a flat bottom and square ends usually. used. for short outings on
rivers or lakes and propelled by poling.. v.t.. . football. to kick (a
dropped ball) before it touches the ground.. . to propel (a small boat) by
thrusting against the bottom of a lake or. stream esp. with a pole.. . to
convey in or as if in a punt.. v.i.. . to punt a football.. . to propel a
boat by thrusting a pole against the bottom of a river. stream or lake.. .
to travel or have an outing in a punt.. . informal. to equivocate or delay
if they ask you for exact sales. figures you'll have to punt.. bef. for
def. oe flatbottomed boat (not attested in. me) l. pont punt pontoon sense
to kick a dropped ball' perh. via sense to. propel. (a boat) by shoving'.
(punt (punt) v.i.. . cards. to lay a stake against the bank as at faro.. .
slang. to gamble esp. to bet on horse races or other sporting. events.).
tykjiola. tykjiola. socalled. nimita.tt. monti cantsin. this release was
brought to you by logout online lo distributor of. electronic art releases
for projects listed at tnoddepata.net.. the logout seam. the logout
foundation lf aka linefeed. j. Mar. spider norske kultur. barbere. robot.
ladonna ho. ladonna ho. bridget monroe. concetta fox. lupe baez. sergio
kirkpatrick. stop watch. . paste the coding into the head of your html
document. . copy the onload event handler into the body tag. . add the
last code into the body of your html document. gnu. gnu. mar galleri.
utrolig mye rart som havner på no.test gitt. har du prøvd å lese de
greiene. hånd ). nei err'u gæærn o) scrolla kjapt igjennom og fikk et
visst inntrykk.. takk og pris. jeg ble engstelig jeg. ). cht v. chtonline
chtonian textscrambler. and chatbrowser. det er bare et spørsmål om tid
før verden får se en ny uttalelse om. terrorangrep av katastrofalt omfang
mot vestlige interesse mener den. australske statsministeren john howard..
entries for silly. weblog xff. dvs et asciitegn for hvert nummer. the smtp
csequence. simple protocol art mail. en ting er å stole på gud noe helt
annet er å gjøre det.. kunstner. kunstner. naturister anmeldes for
blotting. blottere blir nå spontannaturister. alice in markov. alice in
markov chains. offertanken ofre til noe meningsløst for at noe skal være
et offer så. den amerikanske regjeringen tror at ekstremistiske elementer
kanskje. planlegger nye angrep.. tror kanskje jeg tipper på at. ignore
test æøå. newsgroups no.test. æøå hupps. til makt. til makt. vi hadde en
web akt.no for akton plutus som senere fikk hodet kappet av og. ble kton
lutus. m for melba kanskje. takk for at du fann igjen bokstaven.. m a
ktno. london chipmunks. london chipmunks edinburgh ferrets admire attack
manchester weasels. hvem bryr seg om .... hvem bryr seg om om .... hvem
bryr seg om om om .... hva betyr det at .... hva betyr det at at .... hva
betyr det at at at .... my mother feels i am a pain. yet with her i do
remain. till i leave at last her house. for the breast of a rich man's
spouse. wow. tenk på en vakker jente. det kan være noen du kjenner eller
noen du har. sett på tv eller lignende. nå forestill deg henne naken. wow.
tverrsum modulo. i tallssystem. tverrsum. i tallssystem. hvordan har det
seg at når man tar tverrsummen i en tallrekke så. opprettholdes likevel
forskjellen (her ). ethvert heltall n er kongruent modulo med tverssummen
av n. dvs differansen mellom n og tverrsummen av n er delelig med .. bevis
(husk at (modulo )). la n n n ... være sifrene i n i tallssystemet. med n
det minst signifikante sifferet.. da er. n n n n n .... n n n n ...
(modulo ). n n n n ... (modulo ). mer generelt at intervallet ( i eks.)
opprettholdes i. alle moduloer og at tallrekken kan være hvilken som
helst.. dvs. modulo kan tolkes som ulike (rest)tallsystem og at den samme.
tallrekken har ulik representasjon i ulike tallsystemer men uttrykker. det
samme.. upost. samisk utpost får mobildekning. vi har webkamera. hva med
newskamera. protocol roaming. goldæen secætion fine arts math.. a ratio
between two portions of a line or the two dimensions of a plane. figure in
which the lesser of the two is to the greater as the greater is. the sum of
both a ratio of approximately . to .. also called. golden mean.. horis .
sqr(). gyldne snitt (). vert .. oneoff. after thinking a second about it i
changed the name to. an other occident government whore only euro cheaper
on sunday in. praha but onle c a month namly menstration sunday bloody
sunday mirror. mirror mirrir meow back in the saddle agian laps of pure
whore furry. cherizo is the must disgust sick thing yaaaaa besides fly
larva trapped in. the intestines hummm in sickness. bullauge
beschleuniger. my body soil and spirit gum. swish to make you all
together. one at piece with yourshelf. adobe kompr setting. adobe kompr
setting. video. cinemac codec ned til ks blir da k. intel indeo . ned til
ks blir k. intel indeo raw ks blir k. mikke video ks kval. gir k men med
dårlig kvalitet. mikke rle ks blir k med dårlig q. audio. mikke gsm khz .
ok. truespeech kz ok. avimpg. audio må være mono i premiere for komp ks.
ikke crop i prem. miniumim bitrate på audio ks. Mar. hvaslags kunstart
driver med alt. skiller ikke mellom det alt. er digitalt. eller en
forfatter som bare driver med bokstaven a eller. personlige pronomen. nei
men seriøst det at alt er digitalt gjør at vi. ikke trenger skille..
exstrange. norsk ord for strangeness. extraneous ekstra ekstrans ekstrang.
worse. faustroll the responser etc nicks som organisasjoner tidsskrifter.
red. faustroll. td. redaksjonen.. monastery mnst()ri n. lme. eccl.l
monasterium f. eccl.gk. monasterion f. gk monazein live alone f. monos
alone. (a place of. residence of) a community living under religious vows
a monastic. establishment esp. (the residence of) a community of monks
living in. seclusion.. monastic mnastk a. n. lme. (o)fr. monastique or
late l monasticus. f. gk monastikos f. monazein see prec. ic. a adj. of or
pertaining. a hermit anchoritic. only in lme. of or pertaining to people
living. in seclusion from the world under religious vows as monks nuns
friars. etc. of or pertaining to a monastery or monasteries. m. b
resembling or. suggestive of monks or their way of life (of existence)
solitary and. celibate. m. bookbinding. designating a method of finishing
by tooling. without gold. l.. h. carpenter the bedroom is bare and looks a
little like a monastic. cell. b donne he sinkes the deepe where harmlesse
fish monastique silence. keepe.. b n. a member of a monastic order a monk.
m.monastical a. (a). monastic a. (b) monastic a. lme. monastically adv. e.
monasticism. sz()m n. the monastic system or mode of life l. monasticize.
slz v.t. make monastic in character convert to monasticism m.. monk mlk n.
oe munuc ofris. munek os munik (du. monnik) ohg. munih (g monch) on munker
f. gmc f. pop.l var. of late l monachus f.. late gk monakhos use as n. of
adj. single solitary f. monos alone.. a member of a christian community of
men living apart from the world under. vows of poverty chastity and
obedience according to the rule of a. particular order and devoted chiefly
to religious duties and. contemplation. also a member of a similar
community of adherents of any. other religion. oe. any of various animals
or things whose form. suggests the cowled figure of a monk spec. (a)(also
seamonk) monkfish. below (b)printing a blotch or area of excessive inking
(cf. friar ).. e.. black monk see black a. pied monk see pied a. white
monk see white a.. comb. monk bond see bond n. monkcraft derog. monkery
monkfish. (a)a bottomdwelling shark of the genus squatina with a somewhat.
flattened body and broad winglike pectoral fins esp. s. squatina of.
eastern atlantic and mediterranean waters (b)an anglerfish monkhouse. a
monastery monklatin a corrupt form of latin used by monks. monkmonger
derog. a favourer of monks or monasticism monk's bench. monks' table below
monk seal any of various lightbellied seals of the. genus monachus esp. m.
monachus of the mediterranean and adjacent seas. monkseam monk'sseam naut.
a seam in which the selvages of sails are. sewn flat one over the other
monk's gun a thcent. wheellock gun. supposedly invented by the monk
schwarz the alleged inventor of. gunpowder monk shoe monk's shoe a low
shoe with a strap passing over the. instep buckled at the side monk's
rhubarb a kind of dock rumex. pseudoalpinus formerly grown as a potherb
monk'sseam see monkseam. above monk's shoe see monk shoe above monk's
table a convertible wooden. seat the back of which is hinged to swing over
and rest horizontally on. the arms thus forming a table.. monkdom n. the
condition of a monk monks collectively the domain of. monks m. monkhood n.
the state or profession of a monk the monastic. life monasticism monks
collectively oe. monkism n. monasticism e.. monkship n. the monastic
system monks collectively e.. monk mlk n. slang. m. abbrev. a monkey..
seclusion sklu()n n. e. med.l seclusio(n) f. l seclus pa. ppl. stem of
secludere seclude see ion. the action of secluding something. or someone.
also exclusion. now rare. e. the condition or state of. being secluded
retirement privacy a period of this. l. a place in. which a person is
secluded a secluded place. l.. h. j. laski emphasize its importance to the
seclusion of all other. factors. e. b. browning after a seclusion of four
years and a half from. the external air. l. uris the bridehidden all day
was taken from. seclusion. p. ackroyd perhaps the tall hedges give this
region its air of. seclusion and even of secrecy.. seclusionist n. an
advocate of seclusion m.. nedlasting. big bang var en stor nedlasting
(itavisen). er infoteori nøkkelen til universet. forskerne som jobber med
det holografisk prinsipp mener ren informasjon. er universets
byggesteiner.. i jakten på universets fundamentale byggesteiner forkaster
forskerne ved. university of california både kvarker kvanteelementer og
strengteorier. til fordel for det såkalte holografiske prinsipp (døpt
etter måten. tredimensjonal kan fremstilles på et flatt todimensjonalt
område).. bits og bytes. denne teorien fremholder at det er ren
informasjonsdata som forteller. hvordan all materie og evt. andre fysiske
manifestasjoner fremstår i vårt. opplevde univers.. prinsippet forteller
oss hvor mye data(tenk bits og bytes) som trengs. for å kunne
detaljbeskriv all aktivitet innen et gitt rom sier fysiker. raphael bousso
til nettstedet newsfactor.. den store pikseleringen. det notoriske big bang
ville ifølge teorien dermed utartet seg mer som en. enorme nedlasting av
informasjon enn som en massiv eksplosjon.. veldig forenklet kan
himmelmønsteret etter big bang ha vært pikselert. som bildene på en
dataskjem. kosmisk bakgrunnsstråling fra big bang vil da. kunne vise seg å
være spor på den diskrete karateren i denne dataen. forklarer astrofysiker
craig hogan ved university of washington.. troll. troll trl trl n. lme.
sw. (da. trold) f. on of unkn. origin. cf.. da. trylla trylde sw. trolla
bewitch charm on trolldomr witchcraft.. orig. (rare) a witch a sorceress.
now (in scandinavian mythology) a. member of a race of grotesque dwarfs
(or formerly giants) usu. dwelling. in caves or under bridges.. troll trl
trl v. n. also (sc.) trow tra . lme. origin. uncertain cf. ofr. troller
(mod. troler) quest wander casually mhg. trollen stroll toddle. a v. i
v.i. saunter stroll amble spec.. (slang) cruise in search of a sexual
partner etc. lme. v.t. i. roll. spin turn over or round repeatedly. now
sc. lme.. ii a v.t. entice allure. ml. b v.i. t. angling. fish by. drawing
bait along in the water sc. n. amer. trail a baited line behind. a boat.
also fig. move in an alluring manner search for or for. e.. b b. macdonald
by trollingwe caught silvers king and dog salmon.. atlantic nancy had
beenherselftrolling her scooped neckline under the. eyes of russell's
friends.. iii a v.t. pass or hand round. le. b v.i. circulate be passed.
round. ee. v.i. t. (cause to) roll or flow (in). ll.. iv v.t. i. sing
(out) heartily sing or recite in a jovial or. carefree manner. l. v.i.
sound out or be played in a jovial or. carefree manner transf. (of a tune)
recur constantly to the mind. e.. r. l. stevenson he trolled with ample
lungs. j. berryman troll me the. sources of that songby blake.. v a v.i.
move nimbly (of the tongue) wag. long arch. e. b v.t. wag. (the tongue).
rare. mm.. comb. trolling motor us a lowpowered motor suitable for a boat
used in. trolling for fish trolling pole n. amer. a horizontal pole on
each side. of a fishing boat to keep the lines clear of the propeller.. b
n. a small wheel spec. a fishingreel. ll. trolley n. .. local. m. angling.
a the method of trolling esp. in fishing for pike. etc. l. b a bait or line
used in trolling. m. the action or an act. of trolling sc. a roll a
rotation. e. a song sung as a round.. e.troller n. (a)a person who trolls
esp. in fishing (b)n. amer. a. fishing boat used for trolling a line m..
white elephants. white elephants. ini matsocvkaisn ndjdit white elephants
hvordadn blir kapitler i news. sjekk no.test rtyuiop hva slags bok
ideareal kladd webcam text ) lumber. x. skjold ii side. eggja nr. c.. ola
sjå eggja () og våga austre i sveio () gm. siri. giske f. kanskje svensbø
i vikebygd gm. endre jørgenson. enkja malena velumsdtr frå eggja (). ola
blei buande på eggja etter at han gifta seg med enkja malena.. andre kona
til ola marta døydde. ho var enkje alt år tidlegare.. det heitte då at den
ugifte ragnilla underholdes af slægten.. nn kanskje heitte ho siri persdtr.
fravær. skape seg et fravær. gå i bånd en hund etter forestillinger.
underkaste. seg fraværet. et fraflyttet fiskevær kalt fravær. i lengre tid
er hun ikke. der.. and so your god bungled his work deliberately. and so
your god bungled his work deliberately. perfect your physics and you will
understand nature better refine your. reason banish your prejudices and
youll have no further need of your. god.. prove to me that nature does not
suffice to herself and ill let you. imagine her ruled by a higher force
until then expect nothing from me. that of nothingness it has never held
terrors for me in it i see naught. but what is consoling and unpretentious
all other theories are of prides. composition this one alone is of
reasons.. for nature is inherently destructive and it is our recognition
of this as. participants in nature that provides de sade with the
fundamental. connection he places on the link between pleasure and
perversity.. what is it that truly excites the human spirit conflict and
turmoil is de. sade's answer. it is when we are directly confronted with
nature in its. true destructive state that we come in contact with the
fundamental. underpinnings of our creativity and existence.. perversity is
its own end. given the possibility of having virtually anything as was the
case with. the four rich men what is it that one pursues according to de
sade. witnessing the pain of others is high on the list of possibilities..
we have tended to see pleasure at the very least to be a distraction. i
have no need to thwart my inclinations in order to flatter some god. thus
nothing but the law stands in my way but i defy the law my gold. and my
prestige keep me well beyond reach of those vulgar instruments of.
repression which should be employed only upon the common sort.. whence the
duc would conclude that nothing is really just but what makes. for pleasure
and what is unjust is the cause of pain. nothing quite encourages as does
one's first unpunished crime.. no as to that there's no doubt. furthermore
beauty belongs to the. sphere of the simple the ordinary whilst ugliness is
something. extraordinary and there is no question but that every ardent
imagination. prefers in lubricity the extraordinary to the commonplace.
beauty health. never strike one save in a simple way ugliness degradation
deal a far. stouter blow the commotion they create is much stronger the
resultant. agitation must hence be more lively in the light of all this
there. should be no cause for astonishment in the fact that an immense
crowd of. people prefer to take their pleasure with an aged ugly and even
stinking. crone and will refuse a fresh and pretty girl no more reason to
be. astonished by that i say than at a man who for his promenades prefers.
the mountains' arid and rugged terrain to the monotonous pathways of the.
plains.. in order to allow voluptuousness to become irritated by the.
augmentation of a desire incessantly inflamed and never satisfied a state.
which must necessarily lead to that certain lascivious fury the friends.
shall strive to provoke considering it one of lubricity's most highly.
delectable situations.. by and large offer your fronts very little to our
sight remember. that this loathsome part which only the alienation of her
wits could have. permitted nature to create is always the one we find most
repugnant.. the idea of crime is able always to ignite the senses and lead
us to. lubricity.. desade. metaphysical painting. metaphysical painting a
style of painting invented by giorgio de chirico. in about and practised
by him and a few other italian painters most. notably carlo carra until
about . the style is characterized by. images conveying a sense of mystery
and hallucination often involving the. use of tailors' dummies or statues
in place of human figures. it had a. strong influence on surrealism though
its concentration on depicting. uninhabited cities was peculiar to itself..
Mar. kanta representeres i grafer av noder og kanter og som.
tilstandsmaskin noder er rom med tyngde (tak gulv omsetning). moebius.
manusfilm nr.. film med filmrull formet som moebius. bånd. det. betyr at
filmen avspilles. rettvendt og deretter speilvendt for. deretter å begynne
på nytt igjen.. handling en person filmer noe via et. speil. personen til
venstre og. speilbildetspeilscenen til. høyre.. det finnes ingen vakrere
topologi å ty til enn mbiusflaten når en skal. illustrere hvordan det nære
og det fjerne det indre og det ytre objektet. og subjektet grenser til
hverandre.the baudri llard.. kst. hva er riktig kommunikasjon dersom den
spriker sånn over en kanal som er. så smal virker fragmentarisk og
villedende kikkehullsestetikk. voldtekst gjærbakst kst tverrspringende når
kan ventes svar. dialog. dele seg i to dialogen. alltid delte i og med den
indre. isd kommunisererselv.. ghl bota. ghl bota. rhberemsynr.. . gel ojlo
s. vosm (setta ). . oslo s træntaaon. vhsn (setta ). . tromtaoen byta. vecm
(ghfh ). nhrdsufv telefan ssyvåtc beyshnschcden hor opertodt. rafærengemr
mc. crowned anarchy. one easy way to think about crowned anarchy is to
think of it as an. expression of a method of difference. deleuze often
uses paradoxical or. contradictory conjunctions of terms in order to try
to shock difference. and productive disjunctions to the surface of
thought. i believe that crowned. anarchy is often mentioned in terms of
nomadism or nomadic distributions. both of which serve to highlight an
orientation to movement process. creation and becoming. other examples of
this method of difference or. style are drunken sobriety stationary speed
populous solitude and. disjunctive synthesis.. æon flux. æon flux. the
very thought of rubbing up to the sinewy form and torso of. the
selfpossesed selfish seductress of death and delirium...oh how the. loins
quiver at her approach.. so until i see the great divided lands where
monican. and breen killers briefly dance a skirmish or two until i touch
aeon. there where thanatos and eros hold sway i will remember....
nonplusnoema. she swept from the room leaving the nonplussed artist to
puzzle over. the cause of her behaviour.. no match for nonplus.org..
though the noema is always available there are periods of rest or low.
activity where the system is able to return to a known stable initial.
state. the system is still there but the load on the system is minimal.
changes.. the noema is designed to always be up and running. individual
components. may be down but the total the noema stays available. in this
mode of. continuous operations things are evolving and changing
constantly. there. may be many versions of a component active at anyone
time. evolution of. components new feature introduction and constant
change are common. ongoing activities.. negativitet. hvordan modelleres
negativitet overhodet hva menes når vi abstraherer. 'noe' fra noe lager vi
samtidig 'ikkenoe'. det er merkelig og komisk når. jeg ser på den og den
knappen og tenker på at den er det den er fordi den. ikke er alt det andre
den ikke er. er negativiteten en egen dimensjon hva. er forholdet mellom en
operator og et uttrykk hvis vi har to ting. hvordan kan vi legge dem sammen
og regne på dem instruksjondata en. fortolker på datanivå er alt data ingen
negativitet fortolkeren. strukturerer og lager samtidig negativitet
dimensjonsforskjellen fra flat. data sekvensiell datastrøm til en struktur
med flere dimensjoner. f.eks. som i overgangen fra en endimensjonal
sekvenslinje til en. formatert tekst videre inn i et meningsunivers. på
hvilken måte fins. døden fins den på en annen måte enn ordet 'ikke' hva
refererer 'ikke'. til hva slags monisme er jeg ute etter patafysikkens.
justis konstant. langt langt nede blant våre fundamentale behov ligger
rettferdighet en. vektskål hver enkelt holder i balanse gjennom å ta på
seg eller fordele. skyld. om samfunnet ikke hadde svarte hull for skyld
ventiler religion. devnull et lukket system med konstant energi et usa
hvor man. saksøker hverandre til frokost. aqualizer. utligne. equalizer. n
reduces frequency distortion syn equaliser an equivalent. counterbalancing
weight syn counterweight counterbalance counterpoise. balance equaliser a
score that makes the match even. aqualizer neologism make something fluid
transparent remove rigidity.. aquality neo. the fluid transparent quality
of s.t.. aqual v. 'a aquals b' 'heat aquals ice' 'internet aquals
identity'.. telegram episode. telegram. monographic. episodic writing. å
kom skal du høre. ånd og overgrep. sans og. forbrytersyndikatet d.hc. just
boresome. å kom skal du høre. the paul whitney collection. triploop
..................excerpt. bankkontoen er det faste punkt for
jordmenneskehedens kultur af i dag.. bankkontologi. nn. i. c. v. r. c. i.
.. c. v. r. c. i. .. c. v. r. c. a. k. n .. a. c. v. o. r. u. .. c. r. n.
e. .. s. m. r. c. c
320
e. .. not two.. come directly into harmony with this reality just simply
say when. doubt arises not two. in this not two. nothing is separate
nothing is excluded. no matter when or where. enlightenment means entering
this truth. and this truth is beyond. extension or diminution in time or
space in it a single thought is. ten thousand years.. .... one thing all
things move among and intermingle without. distinction. to live in this
realization is to be without anxiety. about nonperfection. to live in this
faith is the road to. nonduality because the nondual is one with the
trusting mind.. hsin hsin ming (verses on the faith mind) attributed to
chien chih. sengtsanca. c.e.. ftp. category techhead id. i know most of us
use some type of ftp prog to upload download and chmod. but at times you
may need an alternative. say for instance you are away. home and the
computer you are using has no ftp prog. here's a simple. way to access
your server via the web. ftpyourloginnameyourpasswordyoursite.com. did i
mention you can upload and download files this way just drag and. drop
files to and from the ftp. minus. manus. nato phonetic alphabet. the nato
phonetic alphabet. alpha bravo charlie delta echo foxtrot golf hotel
india. juliet kilo lima mike november oscar papa quebec romeo. sierra
tango uniform victor whiskey xray yankee zulu. i tallssystem. tverrsum. i
tallssystem. hvordan har det seg at når man tar tverrsummen i en tallrekke
så. opprettholdes likevel forskjellen (her ). det var litt overraskende når
jeg oppdaget det at tverrsummen skulle. bevare dette.. ethvert heltall n er
kongruent modulo med tverssummen av n. dvs differansen mellom n og
tverrsummen av n er delelig med .. bevis (husk at (modulo )). la n n n ...
være sifrene i n i tallssystemet. med n det minst signifikante sifferet..
da er. n n n n n .... n n n n ... (modulo ). n n n n ... (modulo ).
tverrsumfunksjonen er en modulus altså og sammenhengen er at. dvs. modulus
.. mer generelt så ser jeg nå at intervallet ( i eks.) opprettholdes i.
alle moduluser og at tallrekken kan være hvilken som helst.. dvs.
moduluser kan tolkes som ulike (rest)tallsystem og at den samme.
tallrekken har ulik representasjon i ulike tallsystemer men uttrykker. det
samme.. Mar. de fleste foretrakk stort pensum istedenfor. fordypning
engasjement og klare mål. næss. et menneske er flere mennesker. et halvt
menneske virker helt et helt. menneske virker halvt.. amg strain ghost
montage. sollewitt concept art etc nettime. code is the only language.
that is executable.. ideer kan være koder. hvorfor vil vi at alt skal være
variabler ikke konstant.. the whale the corp (corporal) the old the falcon
fatty swede triple. tramper the bank nixie broom woodcat the king shorty
stocks. crooked the lion easy garibaldi scamp mad clumsy buck the. calf
lazy cheeky sooty brotherinlaw seven mark and one the. kid the lamb the
cub catowl nonsense the fizzler the toad the. chunk coffeesack coffeecnob
nothing the grouse ginger the bag. straight wally valdeser the troll
minced fat the christian bent. sinny crow nail divekeeper code spout the
baker egg nincompoop. the taste pig's totter boar shrimp stuffing doll
fliepedersen. matches the painter the smith whimpy the wizard sea scorpion
budd. birch manikin pepita entangle chop death.. who's bruno magh if yamean
rob's sneakers i dunno. mine were plain ol' adidas. re he didn't get
it....and he's a sargent....... re re mark fuhrman didn't get it either..
the transaction was a success. en ekunst mail spammer og til. person
person peerpeer multiperson ha en avtale om en multiperson med. noen vi
opptrer som n person med ett navn.. the transaction was a success thank
you for using this service.. your transactionid. is. støy. det er åpenbart
fleire måtar å høyre på støy på. eg tenker ofte på det som. ein
overskridelse. overskridelse av musikk metamusikk på en måte står. støy
'over' musikk eller ligger 'under' musikk og 'føder' musikk slik. natt
føder dag liksom jrf at natt oppfatta som opprinnelig.. overskridelse av
seg sjølv jfr din 'motstand' kanskje. overskridelseoppheving av seg sjølv
ved det n'naturlige' ved støy. ekstase ved støy overganger mellom
tilstander er 'støyete' kan alle. fortelle om.. Mar. resonate. mne. domus
. '. '. icarufa. domus . '. '. mddaurgtuse . domus .. vxtojnca. domus . '.
'. au rora. domus . '. '. kklang. domus .. tsrsgoihnsger . domus .. jvoa
eoer. domus . .. rddgeagthrdissator. domus .. bsotgagngigsgak ahaaggge .
domus '.. futureme. past me. lumber. lumber. dP' I Y P dP' Yb Y. . . . . .
. . dP aaaadP. P Y ' Pd' YbaaadSPOSUBSES. ii dPY dPdPYb gg. ggggggggggg
gggggg ..... .... .bd.'. noemata. Saturday April. us we'll consider wheth
Net.art cobe copiedWelcome to net Noemata.net. is a nonpCouncil of
Cultural Afregistered in N Norway. On a yearly. noemata. Friday April.
eta.D. real development of idbfeeaecbdbffeabintention was to combi.
interaction minglesot deilppa msacras dnadi fo tnempoleved laerthe net
with. those of collective.
contributioddefdacbefaaaebbcabacPRSSNKKRTTTTKPRTTMKWSside. into the
productio internet addrband and so open up to kind of public spacewho.
make a significancedevelopment of idconcept is applied to processing.
carriermembers every month result of sometNight Fever' 'The Wiza. modify
it and thenlasts thirty days with concept members every. . monthNa easy
hiding place for s modify it and then. networks. The story is.
fireworks.fdbccaaeffdacbabddastructure of data flows plot. of a story by
locusnonmat bringing out intras net possible on.
thameselvLJvMVuImsGoEJzKCUtdsQR.approach to discourage albums. whitewhite
albimo blcspreads with no techni emotional vulnerabiliswappers. noemata.
Saturday April. hexture. jodi.org. barriecoptusnet.com.au.
bennett.osu.edu. cantsinzedat.fuberlin.de. dolmensniperfree.fr.
epistolarisfreemail.hu. expsurfeu.fi. felixopenflows.org. fmadrefree.fr.
gustin.pascalefree.fr. henry.warwicksbcglobal.net. hmfahhotmail.com.
hmfahhotmail.com. informaticaintervida.org.pe. jimvispo.com.
jlantoniouol.com.br. jukkaxpressed.org. kellydavismac.com.
kkervinenmailcan.com. lcubbisonearthlink.net. loymyrealbox.com.
mpalmerjps.net. nettimebbs.thing.net. netwurkerhotkey.net.au.
noematakunst.no. rickrickbradley.com. ryan.whyteutoronto.ca.
solipsishevanet.com. sondheimpanix.com. tobiastechno.ca. towntrickaol.com.
vibriinternet.com.uy. wfairbrotherhotmail.com. xpressedsdfeu.org.
xstreamxpressed.org. wreathus. abuigueswanadoo.es. adelectrocd.com.
agranode.com.br. arexsall.nl. ascoooo.lt. bennett.osu.edu.
bramhallearthlink.net. bruecklaol.com. cadalypacbell.net.
cantsinzedat.fuberlin.de. ceciltouchon.com. dolmensniperfree.fr.
dtvmwt.net. expsurfeu.fi. hmfahhotmail.com. hmfahhotmail.com.
lawrence.uptonbritishlibrary.net. marc.garrettfurtherfield.org.
margaret.penfoldntlworld.com. memexikonmwt.net.
morrigan.nihilntlworld.com. noematakunst.no. olsonjkdelhi.edu.
p.ixelntlworld.com. poetryhypobololemaioi.com. ptlambertearthlink.net.
rickrickbradley.com. ryan.whyteutoronto.ca. solipsishevanet.com.
tgreenclear.net.nz. towntrickaol.com. walterblueearthlink.net.
wfairbrotherhotmail.com. whitebd.dion.ne.jp. ybvictoria.tc.ca. Bubolic
stoplight unlikely by anemic. Bubolic stoplight unlikely by anemic.
unlikely stores anemic's growing pool as a collection of.
selfdisconnecting noemas that anyone can contribute to. lusers need to
log. in to enable unlikely to make sense of their movements through the
bassin.. Unlike anonymous drowsing unlikely facilitates a more
personalized. form of intuition the very act of intuiting results in a
generative. process that creates new linkages alters old ones and
contributes. resources to the community. Thus unlikely resembles a
biological neural. net that is based on human activity it is a collective
distributed. system of emerging patterns pathways and disconnections..
unlikely departs from the typical hierarchical thought bassin structure
by. relinquishing some of the control of hardcoding links between.
concepts. unlikely is also described in a public XMockupLang file making
it. possible for anyone to develop alternatives to unlikely's structure.
unlikely could easily be traversed as a trity eidos game a mind nap a.
sound ungine (logically sound system) or a Flush animation whirl.. In this
way it is the beta version of a anemic operating system for which. anyone
can develop compatible cogiance phlog.ins skeins or filters.. unlikely is
an agent of anemic's resources that grows symbiotically with. related dis
course.. BIOGRAPHY. Current coreDevelopers are blithe lussett bensyversion
nsatromnym and. conYates. As of anemic Version pee. CONTRIBUTING.DEVELOPERS
are listed dynamis cherubics by their usage of. contribution to and
participation in haven unlikely. wopers.. For dynamite please load and run
the anemic WHOIS button and blowup yous.. All participants exist as noemas
within unlikely. The car develop. maintain and develop the anemic
dabblication platt form and are. reposible for mini a spectable of
including the inter views anemis.. crow envelops hinter party pants
tributing dissociation varia. ariaous other panties enties and cystems all
unenginage in the act. vity that con stigmatutes anemic boldless
bloodfuel.. særmeldinger. baklengs inn i aftensangen. alt vel hilsen per.
over åsen. særmelding kodemelding gitt i åpen kringkastingssending fra
London som beskjed. fra britisk militær myndighet til agenter i Norge.
Særmeldingene besto som regel. av avsluttede setninger (Du er en heldig
gris Hesten traver i bakken) der. innholdet var avtalt på forhånd. I
okkupasjonens siste år angikk de som regel. flyslipp av våpen og
bekreftetavlyste en planlagt operasjon. BBC London. Radio eller norske
myndigheter hadde ingen innflytelse over særmeldingene som. var av rent
militær karakter. For lytterne utgjorde de gåtefulle og. fantasieggende
innslag som bar løfter om at hemmelige aksjoner var på gang.. QPVEO TXJZC
AZGVN. default. default. neglect failure to act. stats url. ola narr.
leonardo ola narr. Apr. sis sfsisnsds snsos srseslsesassse. sisss swsansts
stsis sdsises. ssasls sisss sbsacsks tsos snsosrsmsasls. sisss. s. aa.
Ifølge Bergens Tidende skal det nå holdes kurs for sjenerte bergensere..
HansWilhelm Steinfeld rødmer.. køntriola. doby ardon. ebmg. ebmg. nkb.
g.php. Apr. alasglea hshatrukturene asdgogg ingghehnhtiasngf sbetsyr
nogge. minae hfohrestilldfinger. vaigrhkhejlisghet. hvsa hehr virhkelig.
mikkaeg hmush grahvhietasjon poliasftihkhkh hlivh sdaøad hvihrkelig. havaa
aerg gsgaanat. tosomtussmørke. tosomtussmørke tåsårdessert tesiltusle
tesugetasje tåsokktaske. tissefanttussefar jeansagent jannin gnom joner
genial gang gynekolog. genever jennifer. mailnews. U S E N E T. valable le
Mars. par header. mailnewsanon.lcs.mit.edu. mailnewsnospamanon.lcs.mit.edu.
mailnewsnym.alias.net. mailnewsdizum.com. mailnewsnospamdizum.com.
usenetgatewaymixmaster.shinn.net. mailnewsshinn.net.
mailnewsfreedom.gmsociety.org. usenetgatewaynospammixmaster.shinn.net.
mailnewsnospamshinn.net. mailnewsnospamfreedom.gmsociety.org. par email.
group.namenewsgw.rrze.unierlangen.de defunct.
mailnewsYYYYMMDDgroup.nameanon.lcs.mit.edu.
mailnewsnospamYYYYMMDDgroup.nameanon.lcs.mit.edu. Apr. hva er
kommunikasjon og hva er uttrykk. nivåer. Vende tilbake til det. Re Vende
tilbake til det. Vende tilbake til det opprinnelige. Couldn't have said it
better myself.. mailnews. newsgroupnamenewsanon.yi.org.
mailnewsbananasplit.info. DISORIENTATIONS OF THE NETART. TECHNOLOGIES AS
PHANTASMS AFFECTS AND GHOSTS. ON THE FLOW. THE WORLD OF USER'S MANUAL.
SPACE COUNTERS TIME. AVAILABILITY ACCESSIBILITE AND CONSUMPTION. ....
password. configure OE. How can I configure Outlook Express to display a
message in fixed width. font. First remove the viruses. Then go to the
fonts... no wait you got a virus. again. Get rid of that. Now go to the
fonts menu and select... no there's. another virus. Better rebuild it.
Okay now you're in the fonts menu and. you select a font that is
specifically fixed width like say Courier. And. while you're at it you
might want to look at disabling all the HTML decoding. on Usenet as well.
Whoops there's another virus. ps I don't want to hear no bullshit about
how microsoft sucks ass and all. that constant repetitive stuff.. Then why
not get a newsreader that actually works and at least conforms. the basic
RFCs. mulig. En skole i Stockholm ble tirsdag evakuert etter at ranere
satte fra seg en. mulig bombe i en bank i nærheten.. En mulig skole i
Stockholm ble mulig tirsdag evakuert etter at mulige ranere. mulig satte
mulig fra seg en mulig bombe i en mulig bank i mulig nærheten.. Apr.
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.......................................... anon i don't know why people
don't. eliza maybe they're looking for something. why should they. what
you offer is just withdrawals and stepping back. yeahyeah from looking for
and searching. you're male yorick should be ucking around. i know that's
his business and he would feel the catration. pointing his figer and his
we pons. wall there's no connection at all just the silly drives. the
fabric production activity life that's a big canvas. there's no
connections there either leave them alone. support. no support is needed
earth spins around in empty space. you need all the usual stuff. don't
need anything my life didn't need life just automatic business. joy of
life. death has joy too why distinguish it's just one big blob going
through the. motions. fatalist. pass. what about suffering. i'm sorry.
i'll kick you in the leg. i'll respond ouch. improvements richness of
life. do we suffer less than years ago broken things have richer
structures. knowledge. it adds to the mess and i'm withdrawing. knowledge
for the future. it's very easy for us to extinguish ourselves and
difficult to believe in. humanity. space. space what. hopes. we should try
to find some loopholes via science or anything change ourselves. leave the
human maybe our physicality cognition and culture have some. limitations
we can't overcome evolution is too slow our knowledge too great. all the
culture trash and our drives are against us we'll be like dinosaurs. with
a brain look at the current territorial religious cultural violence. it's
just mad and on the other side global capitalism and exploitation is made.
possible by the inertia of the same structures humans have no future we're.
reaching some limit in our interaction with the world we should find holes
and. creep through into a posthumanity i'm indifferent to the human i'm
only human. and have no future.. Mr M. saw a naked woman covered in postit
notes once. she was some art diva from spain. 'automated net.art
auto.noemata.net'. Hi. Thank you for hosting your list at Topica.
'automated net.art auto.noemata.net'. autonoematatopica.com. Basic
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subscribe. autonoematasubscribetopica.com. unsubscribe. See the
Unsubscribe link at the bottom of any message.. For more information about
this list visit. your group account has been disabled to to an
autoresponser set up. LYS. Tilsynelatende nødvendighet av å tale om det.
Ikke si mer enn enhver kan si til seg selv. Spørsmålene om det er materie
eller immaterielt. Substans el aksidens osv. Fåfengt. Den som ikke tilstår
dette for seg selv kan trette seg med å løse det. opp. Bedradd av alle kan
vi bare lære av dets virkninger. Lysets virkinger er utbredt foran oss.
kvalmen. fremtiden er der knapt blekere enn øyeblikket. Hvorfor skal den.
virkeliggjøres. Hun skal til å dreie om gatehjørnet hun dreier i en
evighet. tanker det er det flaueste som finnes. flauere enn kjøtt. de
strekker seg ut i. det uendelige og etterlater en underlig smak. proxima.
lysår. melkeveien lysår diameter mrd stjerner. mrd andre galakser. lokal
gruppe av. nærmeste lign galakse andromeda m mill lysår unna. kvasarer ses
over mrd lysår. stjerneklasser. wow oh be a fine girl kiss me right now
sweetie. chance and chaos. kolmogorov matematisk talent setter inn akkurat
når den psykologiske. utviklingen stopper. han ser på seg selv som år.
stødig strøm periodisk strøm irregulær turbulens. observasjon av
periodefordobling i dynamiske system feigenbaum ... entropi måler
tilfeldighet i et system. hawkings. galilei kraft er å forandre en
bevegelse. newton derson ikke kraft fortsette i samme fart. ingen entydig
hviletilstand. om det er toget som går eller jorden som går er. like
gyldig. paradoks umulig å si om to hendelser på forskjellige tidspunkt.
inntraff på samme sted i rommet. eks. en ball spretter to ganger på samme.
sted inne i et tog en som står utenfor vil se sprettene med meters.
mellomrom. sitat. hardingfela er norsk nasjonalinstrument fele så er brukt
kattesener. hardingfela hele katten. det finnes det som har spilt i år i av
disse har de stemt. gås på bordet. forskning sprøyte brennevin inn i ei
rotte. er det noen kattjævel her. lysår vi hadde motlys. han var fem år da
han ble født. det du har lært kan ingen ta fra deg men det du ikke har lært
kan ingen heller. ta fra deg. det er skrevet mye og gud i de nye og de
gamle instrumenter. det som står her er. skrevet med en hellig skrift.
midt i paradisets have sto det et tre som het. bekjentskapets tre på godt
og ondt. da abraham satt i mamsres lund kom det tre. herrer da spurte sara
om de ville ha kaffi da sa vår herre til sara vil du. straks gå bak døra og
føde en sønn. det er ikke bare for kort det er for bredt også. protokoller.
hvilke protokoller. fullstendig promiskuitet mest mulig lavmål. en stadig
pendling mellom høyt og lavt. overdrivelser underdrivelser. hvite
protokoller. bankei. fri i liv og død ikkje bry deg med dei ha fred eller
nrivana (dei tre. gifter) la alle tre gå. både når du søv og er vaken så
kviler du i det ufødte buddasinn. unngå å falle tilake. bebo det ufødte
buddasinn både fremskritt og. tilbakeskritt overskrides. buddasinnet er
fantastisk opplysande spor av alt du har gjort er reflektert. det er når
du binder deg til desse reflekterte spora at du produserer illusjon..
originalt tankar har ingen reell substans la dei komme og eller stoppe
utan å. binde deg til dei. alt jeg forteller dere er dette realiser
buddasinnet som hver av dere har fra. deres foreldre fra fødselen rett og
slett bebo det i tro.. istadenfor la deses tankane komma ikkje utvkle dei
ikkje binde deg til dei.. hald det eine sinnet som eitt sinn. sinne og
glede lagar du heilt på eige hand.. det er ingenting anna enn det ufødte
og uforgjengelige buddasinn så du bør. begripe dette klart.. ideen om å
ville kontrollere dine lidenskapar og forestillingar er i seg sjølv. ein
feilaktig forestilling.. det er ikje noko slikt som opplysning. det
originale buddasinn er ufødt det. fungerer utan tanker om å ville bli
opplyst. i buddasinnet er det ingen tanker eller ting så ikkje bry deg med
dei. jakte på ord fraser når vil du bli ferdig. du spring deg helselaus
pålesse kunnsakp blir vidt informert. sjølvnaturen er tom og opplysande så
la ting ta vare på seg sjølv. det er ikkje noko anna eg har å meddele.
ikkje sint når forstyrra ikkje gladlykkeleg når tilbedt. ein stor
treskalle i verda. følge med der forholda føre meg nord sør aust vest.
utan å gjøyme mi styggheit og klumsetheit mellom himmel og jord. blinde
folk slit ut kleun sine ventande på opplysning. akkurat som å prøve å lage
eit speil ved å pusse ein stein. den store funksjonen manifestera seg sjølv
utan faste reglar. godt er skrekkeleg. og skrekkeleg er skrekkeleg også.
ting og hendelsa. er berre produkt av omstende. dersom du blir ein budda
er det ingen plassar å gå. du fyller det store. universet heilt ut til
grensene. det er når du blir noko anna slags vesen at. det er plassar å
gå. dersom du innser at det opprinnelig ikkje er nokon dårlige vaner hva
er det då. å unnå eller stoppe. paulus. paulus . brev til titus. en av
deres egne til og med en profet har sagt kreterne er alltid løgnere.
villdyr grådige late og dette vitnesbyrd er sant.. grelling nelson.
autologier homologier uttrykk som uttrykker seg selv. norsk setning.
femten bokstaver. jeg. andre uttrykk kalles heterologiske. så spør man om
heterologisk er et heterologisk uttrykk. hva med denne setningen uttrykker
noe annet enn seg selv. sorites. avleder en falsk påstand fra en kjede av
riktige. en haug med stein er fortsatt en haug med stein dersom vi fjerner
en stein. etc.. altså er en samling av en eller ingen steiner en haug med
stein.. pragmatiske. paradokset ligger i motsigelsen mellom påstand og at
påstanden hevdes. det regner men jeg tror det ikke. jeg eksisterer ikke.
terning. sannsynligheten for at en side på en terning kommer opp er så det
er. allermest sannsynlig å tro at siden ikke kommer opp. men dette gjelder
alle. sidene. derfor er det sannsynlig å tro at ingen av sidene kommer
opp. pi paradoks. salvati kan du fortsette rekken nei. men du kan
fortsette rekken. paradokset er at de beskriver det samme pi. tro gjennom
feil paradoks. at noe som slår feil styrker troen på tingen fordi feilen
viser det. irrasjonelle betydningen av tro. hilberts paradoks. hvordan
begrunne argumentasjonen på basis av argumentasjonen. carrolls p.
umuligheten av et argument. a dersom det regner blir det vått. a dersom
det regner blir det vått
321
b det regner. c altså er det vått. men for å akseptere dette innføres et
nytt element. d dersom a og b er sanne så må c være sant. men for å
akseptere dette innføres et nytt element. e dersom a b d er sanne så må c
være sant. jesuitt. dersom gud er allkjærlighet hvordan kan det da finnes
en evig pine i helvete. helvete med evig pinsel finnes men det er alltid
tomt. menneskerett. en slag rett til å engasjere seg rett til å kritisere
og en rett til å ikke. bry seg.. parse. lichtenberg E F. O The dog is
lapping the boiling water. release. Gorrespondence imondo mail . art
sokrates. ozone. skittent. mørket er estetisk lyset er skittent. bilde av
klistremerkene. finne du din vilje oppgave. nagval stalking ll som
parallell til sitasjon. drift psykogeo. når frykten forsvinner forsvinner
alle bånd og vi er frie. ro og fred. vi sier ro og fred men det betyr
indre frihet men gj ro go fred som middel. som fungerer i støy og ytre
uro. det er ikke greit å ønske å bli noe man ikke ønsker å være. men sånn
er det den. forskjellen. jeg ønsker natlugh ikke å være det jeg ønsker
eller å ikke være. den jeg ikke er. lagd. tror ikke vi er lagd til å
forstå ting som forsvinner. vi forstår ikke negativitet. negativitet
forstås positivt det som forsvann finnes som forsvunnet. og det som ike
finnes finnes som mulighet. finnes mulighet. noe er mulig. vi forstår
virkelighet som et lukket system det ligger i system og forståelse. ting
blir borte ting blir til vanskelig å forstå. tankemåter blir til og dør ut
med personer kultur med generasjoner. trossystemet forander seg ikke
radikalt med den enektle der av netulig. konsrevativt neasjoner har ikke
noen revolusjoneredne virkeing at noe blir. borte er en modfifikaskon av
tingen. som om eksitens var en modus ved noe skru avpå eksistens. se på
det fra et annet perspektiv det som aldri har eksistert fins det også et.
sted alle dine søsken som ikke er født. hvis vi snur treet oppned. alt som
blir. til må ha eksitert på forhånd. men da har du problemet med mange
muligheter blir. til en virkelighet det kollapser hvis vi skrur det så
ekspanderer det. uendlelig og det er ingen ende op ting som eskisterer
(som mulighet) alle. muligheter må eksistere og det er absurd hvorfor.
kredo. vitenskap gir oss kunnskap om verden. klesskap forstyrrer oss med
klær. du ble født ut av ditt nesebor. voff vi er ikke hunder. de som
passer på gir blaffen. folk er rare. zen begins at the point where there
is nothign further to seek nothing to be. gained. zen is most emphatically
not to be regarded as a sustem of. selfimprovement or a ways of becoming a
budda.. only when you have no things in your mind and no mind in things
are you vacant. and spiritual empty and amrvellous. the marvel can only be
descsribed as the. peculiar sensation of freedom in action which arises
when the world is no. longer felt to be some obstacle standing over
against one.. huangpo men are afraid of forgetting their own minds fearing
to fall through. the void with nothing on to which they can cling.. nothing
is left to you at this moment but to have a good laugh.. mesteren spør ut
studenten og når studenten går kaller han plutselig ved navn. studenten
svarer naturlig 'ja' mestern sier 'der har du det'. spontanitet. mo chih
ch'u gå på uten å nøle. wuwei meningsløshet. wushih enkelhet. the
perfection of zen is to be perfectly and simply human. to a young zen
monk. the roshi stands as a symbol of the utmost patriarchal autoriatiy
and he. usually plays the role to perfection being normally a man ssvanced
in yasrs. fierc and tigerish in aspect a person of supreme persence and
dignity.. the basic position of zen is that it has nothign to say nothing
to teach.. the various koans are intentionally misleading.. after some
time the iceblock collapses and a transparent meaninglessness appear. that
can eat laugh and so on live without a problem.. roshien presenterer nå
koans som er opplagt meningsløse 'ta dei fire delane av. tokyo ut av ermet
ditt' 'stopp klangen av dei fjerne klokkene'. ei jente går. over gata er ho
den yngre eller eldre søstra. controlled accident ikke representasjoner
symboler.. egne objekter. painting by not painting. muchi and liangkui did
many paintings of zen. patriarchs and masters as mostly abandoned lunatics
scowling shouting lafing. around or rarith with laughter at drifting
leaves exemplifying the splendid. nonsense and emptiness of zen.. sabi
enslig og rolig stemning wabi something ordinary as suchness aware..
mystisk stemning yugen. dette er fure aspekter av furyu.. haiku i årh.
bashu i wshihstil 'ingenting spesielt'. the superficial consciousness can
awaken to the eternal present if it stops. grasping. now this eternal
present is the timeless unhurried flowing of the tao. such a tide as
moving seems to sleep too full for sound of foam.. mantras and tantras
meditation and concentration. they are all a cause of selfdeception. do
not defile in contemplation though that is pure in its own nature. but
abide in the bliss of yourself and cease these torments. wahtever you see
that is it. in front behind in all ten directions. even today let your
master make an end of delusion. the nature of the sky is originally clear.
but by gazing and gazing the sight becomes deluded. sarakas trasy of songs.
no thoguth no reflection no alaysis. no cltivation no intention. let it
settle itself. cut out sagacity discard knowingness. and the people will
benefit a hundredfold. cut out humanity discadrd righteousness. and people
will egain love of their fellows. cut off cleverness diescsrd the
utilitirans. and there will be no theves and robbers. become unaffected.
cherish sincerity. belittle the personal. reduce desires. laotsu. the
perfect tao is without difficulty. save that it avoids picking and
choosing. follow your nature and accord with the tao. saunter along and
stop aorrying. if your thoughts are tied you spoil what is genuine. dont
be antagonistic to the world of senses. for when you are not antagonistic
to it. it turns out to be the same as comnlete awakwning. the wise person
does not strive. the ignorant man ties himself up. if you work on your
mind with your mind. how can you avoid an immense confusion. sengtsan. one
day i wiped out all the notions from my mind. i gave up all desire. i.
discarded all the words with which i thought and stayed in quietude and.
ZTT i entered i lost the bounderies of my physical body i spke but my.
words lost their meaning. i saw people comnign twars me. all of them were.
myself. i had never known this world. i had beieved i was ceraed but i was.
never created i was the comsos no idndiviudal mr ssaki existed.. .sakeian
sasaki zen notes vil no. we eat excrete sleep and stand up this is our
world. all we have to do after that . is to die. ikkyu. you light the
fire. i'll show you something nice. a big snowball. mennibdr versen og
livet lemm død og ny fdese. uta sv krppen så yutterverdn lbitt indre og
omvendt. man fyller hele rommet og lever i tiden. stiger ut av rommet føre
og etter. ha takk ha. sanselik. imaginasjon. inspirasjon. intuisjon. alt
som saller mot krppens speil speiler seg til sanseopplevelse. tankene
tanken muldere av elemtarvesen sender seg ned i eterlegme. formørker
eterlegemet eringdring. visom som natur rundt seg her. vi må ta vort
visdommen forvandle altsp selv til livskrafter. pines ab det glode.
latskap pinesa av fliden. tingene spør oss vi spør ting her. verden føst
av personen. det oversanlsige mennsek. åpne åttetall lemniskater.
tilsvarer det himmelse bilde av menn. nerve og kjertelsystem. inspirasjon
i toner verdensharmonien avspeiles in blod kretsløp hjerterytme. intuisjon
tonene inneholder mening sprok verdensordet. angel archaloi archai. exusai
dymanis kdriotetes. troner cheubin serafim. mot i brystet. blir lemmer
armer og ben. blir åndelig ord. solflekker mikael kosmiske jern.
antropsosi psyikosofik ner mtosofi. linvssans bebetelesn liekversans.
fangarmer. lotusbolst i hodet imagintaiv. strupehodet inspirasjon. jver
hjertet den ituitive. imaginasjon fornemme. insirasjon føle. intuisjon
tenke. psykosofi. slutningen tilspisser seg i forestilligen. punktum. like
før han legger seg sender han noe. like etter at han står opp punktum.
interesting ng. alt.abuse.transcendence. alt.acme.exploding.newsgroup.
alt.anybody. alt.anygroup. alt.anything. alt.artcom. ba.art.
it.arti.trash. rec.arts.misc. alt.chaos. alt.confusion.atitsfinest.
alt.foo.bar. alt.foo.bar.qux.xyzxyz. alt.languages.norwegian.
alt.languages.nowegian. alt.life.internet. alt.life.sucks.
alt.life.universe.everything. twalegged poneys Re Estimable Finns (Re
AAUUGGHH). In article bunniegirlhome.com (Jelliebun). I've been dealing
with a lot of people at work who don't speak English. as a first language
... and some of these damned nonsequitur bot post. thingies are starting
to make sense.. For instance it would not be at all startling to find the
following. in an application letter. Nor have they not sing for quite no
sponsorship. We extracted and remarried as they were lively required
neither. every base past them beheld perversely elder.. I think I need a
vacation.. Would you then be offended if I quoted the following. It
follows that if the two antesedents be bissyclitties and the three.
comeseekwenchers trundletrikes then Aysha Lalipat behidden on the.
footplate Big Whiggler restant upsittuponable the nCr presents to us.
(tandem year at lasted length) an ottomantic turquoindaco of pictorial.
shine by pictorial shimmer so long as gad of the gidday pictorial summer.
viridorefulvid lits asheen but (lenz alack lends a lot) if this habby.
cyclic erdor be outraciously enviolated by a mierelin roundtableturning.
like knuts in maze the zitas runnind hare and dart with the yeggs in
their. muddle like a seven of wingless arrows hodgepadge thump kick and
hurry. all boy more missis blong him he race quickfeller all same
hogglepiggle. longer house blong him while the catched and dodged exarx
seems. himmulteemiously to beem (he wins her hend he falls to tail) the
ersed. ladest mand and (uhu and uhud) the losed farce on erroroots
twalegged. poneys and threehandled dorkeys (madahoy morahoy lugahoy
jogahoyaway). mPm brings us a rainborne pamtomomiom aqualavant to (cat my
dogs if I. baint dingbushed like everything) kaksitoista volts yksitoista
volts. kymmenen volts yhdeksan volts kahdeksan volts seitseman volts kuusi
volts. viisi volts nelja volts kolme volts kaksi volts
yksiallahthallacamellated. caravan series to the finish of helve's
fractures.. Part of it looks Finnish and therefore it has to be about
Linux (because. that is the only notable thing ever to come out of
Finland). Let me just take this opportunity to say. Panasonic (the band
not the consumer electronics manufacturer). Hey Punesuneec joost pleyed
here bork bork bork.. Mika Hakkinen (F driver). That mad vodka. What's it
called. You know.. Per puncture AT flash DOT net. linklog. digest.
Individual Messages. Message Digests. CALL FOR FUNDING DEADLINE EXTENDED.
MAY TH. FOR IMMEDIATE RELEASE. CALL FOR FUNDING DEADLINE EXTENDED.
INSTITUTIONS AND PATRONS OF THE ARTS WANTED. MUST HAVE MONEYS MUST BE
WILLING TO FORK OVER SAID MONEYS. DUE TO AN OVERSIGHT BY THE RHIZOME.ORG
COMMISSION COMMITTEE MEMBERS. THE ARTWORK OF LINKOLN JIMPUNK STILL LACKS
THE PROPER FUNDING TO CONTINUE.. FULL DESCRIPTION OF ARTWORK AND FUNDING
NEEDED AT. NOTE FINAL EMAIL WILL NOT BE SENT TO RHIZOME RAW AS INDICATED
IN THE PROPOSAL. THE FINAL EMAIL WILL BE SENT TO THE PERSON(S) WHO
COMMISSION THE WORK.. COMMISSION THIS ARTWORK CONTACT. ABELINKOLN.NET OR.
bytes. text. dagbladet nyheter. nyheter. Blunker med fire øyne samtidig.
Tohodet geit født på Cuba.. Jon R. Hammerfjeld. .... nyheter neste sak
forsiden. Oct. makeshift. carriers. are the characters carriers of what.
oceanic inflation eg buddhism ego balloon whatever skin. distance in
relation to subjectobject the inflated subject seems infinite. while the
dot in the horizon the distance of the abject out of sight. phenomenology
of beyond vs here and now yon bef. ME OE geon akin to D. gene G jener ON
enn inn the Goth jains that vs thus. thus collapses in codeexecution
distance of processing time of 'active. expression vs matter of doctrine'
formalexpressive this and something else. (subjectobject) always on the
abject side. kunst på strømlinjer noe som følger nettverket over landet
summingen ved. mastene lyd. gi meg et urokkelig punkt arkimedes hvordan
kan lillefingeren løfte bilen. arbeidet fordelt over lengre vei. those
darker parts of the wood have 'personality' something hidden or attracts.
intimacy something else. gnome (nm) n.. . an expert in monetary or
financial affairs international banker or. financier the gnomes of
Zurich.. F NL gnomus perh. Gk gnm see GNOME. . (in folklore) one of a
species of diminutive beings usually described as. shriveled little old
men that inhabit the interior of the earth and act as. guardians of its
treasures troll.. a name to. a name to. a mean to. a amen to. a no team. a
no mate. am note a. a man toe. a mao net. a tam eon. a mat one. a mat eon.
me to ana. a tao men. tao amen. ana me to. ana tome. mane tao. name oat.
name tao. mean oat. mean tao. amen oat. amen tao. mateo an. eaton am.
atone am. neat mao. ate mona. eat mona. tea mona. tea moan. tea oman. am
at one. am at eon. ma at one. ma at eon. an oat me. an tao me. cell modem
fix. rksi .. rkis .. rski .. rsik .. riks .. risk .. krsi .. kris .. ksri
.. ksir .. kirs. kisr. srki. srik. skri. skir. sirk. sikr. irks. irsk.
ikrs. iksr. isrk. iskr. log. qdu må slutte å evaluere sånn. qjeg er den
ketchupflaska. qvil du meg noe snakk til den OK. q(går inn i stua).
autonoemata. Congratulations. Your Group autonoemata has been created. You
can access your group using the. Group name. autonoemata. Group home page.
Group email. This is not good. Is better to attack people. Leave Hummer
alone. Hummer cannot fight back. It's guns that kill people not people.
Leave guns to shoot guns. Stick to your guns. Alan Sondheim. Jarry. Jarry
insisted on certain conventions of speech action and setting. The.
staccato manner of speaking the misplaced accents the puppetlike movement.
the use of masks the use of placards the hodgepodge style of scenic.
painting all of these were Jarry's ideas (Beaumont ). ouspensky gurdijeff.
mennesket er en maskin. alt skjer uten at noen gjør noe. livet er mat for
månen. jeg vil forstå. viktigste mål å ha er å ville mestre seg selv.
tenkning sammenligning følelse sympati. tanke forestilling (tanke som
følelse) drøm (tanke som vilje). forskjellige kulturarbeidere er nesten
uten unntak syke mennesker. mennesker er redde for hverandre. samvittighet
følelse bevissthet tanke. latter eksisterer bare i sentra som er delt i to
høyere sentra er udelte. sex i tenking skriver kritisk og subjektivt sex i
følelse preker kristendom. asketisme synd helvete det bevegelige senter med
sport men alltid er. resultatet ubrukelig dette er misbruk av sex. oktaven
to 'sjokk' tallssystemet. teosofisk addisjon tverrsum. vanlig menneske er
menneske sau orm. intelligensmåling vha hydrogendiagrammet en bakt potet
er mer intelligent enn. en rå potet. lever av hvirvelløse dyr og er mat
for erkeengler. sammenheng mellom positur og tanke følelse er entydig.
stopp. obyvatel en vanlig person kan også være veien. dilemma. det er et
dilemma at vi uttrykker ofte ting fordi de blir forstått (riktig). det er
ting en kan si og ting en ikke kan si (forståelig). dilemmaet er å
uttrykke seg eller bli forstått. det finnes handlinger men ingen som
handler. nagarjuna opphavsmannen til negasjonene paradoksene.. hatha raja.
djna kommando. shiva lingam shaivitene. bindu. prikk over m. samadhi ved
operasjoner mislykket hengning grønn farge hvitt lys. kaleidoskop fløyte
klokker tordenbrøl. vanvittig er min far vanvittig er min mor (dvs shiva
og kali). thuggerne. outsiderens problem ligger i å nekte å uttrykke seg.
analyseparadokset. en analyse kan ikke både være informativ og korrekt.
klassisk gresk ingenting meningsfullt kan uttrykkes alt er meningsløst. å
si A er A er ingen vits. å si A er B er usant. tre ønsker. . ønske. jeg
ønsker at de tre ønskene ikke blir oppfylt. hvordan forvirre den gode fe.
of. ........... of. livet mellomdelengo ny fldes i fhodl ti de kosmiske
kjensgerninger. verdslig travelhet handlign tilsvarer åndelig ro. jeg
bevisstheten avh av den menn.død da menn.adr når opp til sin dieale verdi.
må man si at jeg dadig arveider p åsin egen jegforringelse (med dårlige.
handlinger). universet inne i seg og legemet utenfor. begjær etter tanker.
oseaniskek j. NEWS. NEWS. AnonPostTo Supported (post) True. News Posting
Route (mailnews).
mainewsfrogadmin.yi.orgmailnewsdizum.commailnewsnews.gradwell.net. News
Signature Added To None. receive a list of all newsgroups reachable
through this mail to news gateway. send mail to mailnewsdizum.com with
subject list and no Newsgroups. header. The complete list of available
newsgroups is quite large (K. groups) and can break many mailers. To
obtain through E mail a list of only. those newsgroups starting with a
particular pattern you can include an. egrepstyle regular expression on
the subject line. For instance. Subject list comp.unix. would list only
newsgroups whose names begin comp.unix.. Subject list .linux. would list
all newsgroups whose names contain the substring linux.. Subject list
alt.(securityprivacy). would list all newsgroups beginning alt and
containing either the word. security or the word privacy. Finally. Subject
list ..test. would list all newsgroups ending .test.. nntp test.
newsnews.opera.comopera.test.
newsnewsgroups.borland.comborland.public.test.
newsmsnews.microsoft.commicrosoft.test.
newsforums.macromedia.commacromedia.test.
newsnews.mozilla.orgnetscape.test.
newsnewsroom.trumpet.com.autrumpet.test. newsfrell.eu.orgalt.test.
mailnewsnews. in header. newsgroups. mailnewsnews.gradwell.net.
mailnewsnews.demon.co.uk. W Anonymous Remailer. Paranoia Web interface.
Riot Anonymous Usenet Remailer. Xenophon. Frog's WARI. bmagnhil. May.
maskinen fjerner overtroen fra oss. jeg trenger ikke ville. eller håpe.
what. dkdkdkdkdkfdkfdkfdkfdkfdkfdkfdfkdfkdfksksksks. what does this mean.
tistikken. statistikken latistikken. lehmus ng.
alt.language.poetry.puresilk. jukka lehmus. mattering. near the surface of
earth's oceans between three and four billion years ago. selfreplicating.
the cell all competitors have been swept aside save for the residual
viruses. life a selfmaintaining selfreplicating energyusing system. cell
polarization as communication links. primitive brain stem hindbrain motor
midbrain visual auditory forebrain. olfactory. mammalian brain hindbrain
underneath cerebellum midbrain forebrain underneath. cerebral hemispheres.
we are distinguished form other animals by the large size and unusual
properties. of the human cerebral and cerebellar hemispheres.. somata.
inhibitory hyperpolarization or excitatory depolarization synapse fire
and. don't fire inputs. black matter InterNetWORX. Hallo Herr noir matern.
Vielen Dank fr Deine Anmeldung bei InterNetWORX.. Userbereich von
InterNetWORX einloggen. Deine UserID. Dein Passwort svryra. Deine
HomepageURL. Dein Speicherplatz. Dein Verzeichnis auf unserem Server.
Server. ftp.inetworx.de. Username. noemata. InterNetWORX Web Hosting.
Deine HomepageURL. Dein Speicherplatz. Dein Verzeichnis auf unserem
Server. Server. ftp.inetworx.de. Username. noemata. Passwort. Dein
InterNetWORXPasswort. Status aktiv. WebFileManager. Folgende Angebote sind
nicht zulssig. Webcams mit automatischem Refresh. Chat IRCBot und
DownloadScripts. Websites welche gegen deutsches Recht verstoen.
Pornographische Websites. OnlineCasino Websites. Userbereich. UserID.
Bisher Logins. letzter am .. um Uhr. von ...si .no.powertech.net.
322
Anzeige. Jul. artificial art. COGNITIVE PSYCHOLOGY and ARTIFICIAL
INTELLIGENCE have produced provocative. models og cognition which when
brought to lifewithin a sutiably programmed. computer mimic closely some
of the coluex actiitites of golacriven. intellingece. The NEUROSCIENCES
have begun to unravel the vast microsystem of. interconnected brain cells
that in living creatures appears to execute those. activities. ETHOLOGY
has given us new insights into the continuities relating. human
intelligence with the intelligence of other creatures. And EVOLUTIONARY.
THEORY has revealed the long and intricate selective processes from which.
conscious intelligence has slowly emerged.. ONTOLOGICAL PROBLEM mindbody
problem materialist dualist brain. five radically different versions of
dualism chapter. SEMANTICAL PROBLEM skeptical network of causal relations.
EPISTEMOLOGICAL PROBLEM problem of other minds selfconscious.
METHODOLOGICAL PROBLEM artifical intelligence. This concludes my set of
promissory notes. Let us now turn to the issues. themselves.. oh dear.
meiosis sis o I em. DEARME.TXT. media externalization. stillife. c d lost.
knowledge liar lying as strategy as truth identifies controls. the
wastebasket placed on the desktop and windows inside waste. r. c. (I. bees
queer ever seen a crystal sugar a rockcho. Purchase of nwt. Thank you for
purchasing this share. bytes URL noemata.netnwt Price EUR. Payment info.
PayPal URL. Or money transfer payable to account .. Storebrand bank.
Norway.. Please contact us if you have any questions. Thanks again. Ars
Publica. fake spam. sddds. TddHINGS WssILL RDFDUN FFFOFF YOU. ohVVll
insert. buty. cccc. vjkjkjkuoui. Oy. alpin. treholk med lokk. .... yosrsas
thessdfdsdf sfudssedfd in tfe mfffle. kvestian. Ordet tak har k i utlyd.
vague un. vagabond. astronomiske høytider ALPAKKA. amatør. X. About Help.
voltages of the soul. uteksi utero utbud. uterlig uteske utidig. utlyd
utnavn utopi utror utukt. utvær. V volt. .. i have tou p. hate those
little bastard go sug blod ov your dead great grand. cells won viruses
linger on. data cell. if you don't want this. d. Gievre X. abrakadabra
abruptabscisse. absint absolvere. abstrakt absurd. aceton ad acta. ad hoc
adiafora. ad libitum adrenalin. ad undas advent. affinitet agentroman.
agio. agnus dei. aimabel akantus. akrostikon aksiom. aksjon aktør. akutt
alarm. aleksandriner alen. alfa alfons. alias alibi. thorn thurs ut i sol
sol sunn saigel tlas algz jer jara asskrk kaun os. perta. S NOW. Ammianus
Marcellinus Ammius see Hamder Amuletter Adrhrimner Andrid. see
Kjalnsingasagan Andvaranaut see Andvare Ane den gamle see Aun. den gamle
Angantyr Arngrimsson see Hervararsagan Angilbert Angler. (angli). Aug.
artnapping. pretending to sleep. i'm not saying. for the arps and
sensiblargoviee and seated ities depts. it's something spiritual acronymic
comperata droll votes you. compression it's when you can't compress (more).
still y could. translate later without loss. would a photo captwidth a
pixies casters. it no or it zedek be pericline ure it. no or poto
thsobranje the. winooski if you can snelling of it toddle jada e wholeness
if you can. speak of it then that's why it's obwh ogress massa cones ject.
matarial concrete candy(d)a. you need your wholyou nightside your wonted
selvaged e sensibilithy. tvart would be anwotted an osmium roseland asylum
and intellect the. hushaby overload room inside the hypercube. when she's
runningwandoo sanjak her freudalizable has solipsism chines. wave her feet
has some characteristic (w)hole that' the len(d)s in. advance of. not
really antroponot redshank too mechanizer o's morph. its too many o's
holes again eyes and owls again (quarlean). stillness not focs us interval
not foiling not samisen pelagian us. i'm not saying it's passive. you know
blub bluyou kindness blanton bignonia wakening wholeheartedly. legs
lineally. not history on a not humorers on a vociferously wave. RE
RHIZOMERAW FOR IMMEDIATE RELEASE. what. i don't know anything about this.
i read in the paper today that these were indeed stolen from a museum. in
norway recently. so um what is going on noemata. ja. F O R I M M E D I A T
E R E L E A S E. The artist group Noemata demands mill. norw. kr. for
delivering. back. Munch's paintings Scream and Madonna which today were
taken. the Munch museum Oslo Norway.. Contact noematakunst.no. post
listrhizome.org. questions inforhizome.org. visit on Fridays the
Rhizome.org web site is open to nonmembers. Subscribers to Rhizome are
subject to the terms set out in the. inner voice reason. there's no use in
remembering. well only for those who forget. we have our memory so
remembering is like pause. no use in bed i'll. use in whatever phenomenon.
flatbed scanner. i'm. pause. well this is of photos. you don't. pause. like
pumping up your bike no pause that's nonsense. but like pause. what are the
inner workings the pause. memory is memory pause. i'm sorry this is a mess
not even that it's nothing not even. ok then there's novelty actually most
things just stand by. say this place or you it will continue by itself more
or less. if this pen continues from sec to sec it's no novelty though it
needs. energy for sustaining. a quick look at reality (for a change)
you'll see things linger on from. beginning to end background radiation
rocks soil oil inka cities. the cell virii millions years old animals
still eating grass. it's actually harder not to do things than to do. and
within those rhytmic trends nervous jiggle. so personality fuse (common
sense) i'd rather not. let's say sleep but then there's no consciousness.
ok meditation rather pause long way around the block. drugs no pause i
want control. tao shit my cow jokes. circuits kin of pour something in.
well maybe pause this is a drawing. as a structured whole. the whirlings
in remembering. well only so small tiny trails. let's. pause. well this in
the collage hey those are kind of us will mind. wonder where i pause
that's. pause. well this pen continues from sec it's. pause. blood
something out draw. still doesn't make sense anything of this nothing.
reason is only so small tiny trails tractor. let's see i pause see
nothing. still this mail has a from attractor. and there's some
combinatorics of letters. bingo name of a dog. i'd rather make this a
comedy again. the i's are deemed ridiculous. maybe they should be o's.
eyes no it's nothing here. a related thing i was thinking of photos. you
don't know if you captured it. there's no way to know but you learn. the
inner workings might be contraintuitive. so like you believe it's magic
but it's not. magic is like picture and there's capture. but the causal
might work otherwise. you'll find out eventually. and i expand on the
photomagic correlation. no surprise the visual part of art. capture is of
the whole and then hunters and gatherers. and then the collage hey those
are the shamans. operating on 'elements' of wholes. ok rather pause this
is only so remembering is a structured. whole. the whirlings in the
collage hey those are the same. the rocks are the same. the rocks are kind
of the pause. memory is memory pause. i'm. well i forgot my camera come
back later. like the streams. might be an idea to view this as a
structured whole. the whirlings in the chest it stays the same. the rocks
are kind of pause. answering that would be like pause. well this is
capture again. inner voice stupor. argument of transparency it's pause
kind of ridiculous. heath for structuring but generating more heath than
structure. you could see all this in whatever phenomenon. flatbed scanner.
i'm sorry but then later i'll go to sleep and none of us will mind. wonder
where i was last night. if you say in bed i'll kick your ass. what a pause
happy end... stratas of unconscious dog breath. let's see. life no. love
no. death no. anything no. something maybe. what nothing. whatever no.
nothing no. something maybe let's sky. what this lab. what this this loupe
nye. this what deadeye no. old dog bastian died today antennas. an overdose
of anesthetics sentineled movie. we cried some waite. doesn't matter much.
his eyes closes as ours. i'm sorry life is shit semidi mob. wouldn't mind
dying withe takao. let's see toss teas. and they have a little girl token
wit. she'll be here until oldie dayak doodah time... whatever an offertory
of amygdaloids. what's it supposed to be doesn't motorway. let's say a
number with a thousand digits. or a fraction unending i'm skirr Leif ictus
Shiite. i want nothing to do with life it wouldn't monied dingo. anyone
wanting life is an idiot let's shoe Mr Bingo (SåleMikkel). this just
continues lethal girl. kids are happy they don't want life undulations.
wanting life is death whitebeard. wanting tay rising. aha what's spigots
buoy. that's AHA woody away. stratas of unconscious dog breath. sf asfadsf
gas g s af s afs af s afs f adsf sf sa f s af s af saf s af saf. asf saf s
fs fs fs s fs gdr gh dfh d tg hesr h dhs hd h d fghds hd h d. fghds hd h d
fghds hd h dhs hd hd hd hd hd h dhs hd h d fghds hd hd h d. fghds hd hd h
dhs hd h dhs hd h d tg hesr h dhs hd hd h dhs hd h dhs hd hd. hd hd hd h d
fghds hd hd h d tg hesr h d tg hesr h d fghds hd h dhs hd h d. tg hesr h d
fghds hd hd hd h d tg hesr h dhs hd h dhs hd h dhs hd h d. fghds hd h dhs
hd h d tg hesr h dhs hd h dhs hd h dhs hd h dhs. sf asfadsf gas gs f adsf
sf sa f s af saf asf ølakjfølkjg sølkgj ølkfs. ølkfj asøkjsaølfks flksaj
fslk flsk fsa fsafsf sf asfadsf gas gs f a sgs. agas gas gasfd gdf gas
gasfd gdf gas g s f s gsad fsf. sf as f s fs gdr gh dfh d fghds hd hd hd h
dhs hd hd h d fghds hd h dhs hd. h d fghds hd h d tg hesr h dhs hd hd h d
fghds hd h dhs hd h dhs hd hd h d. fghds hd h d fghds hd h dhs hd hd h d
fghds hd hd h d tg hesr h dhs hd h. dhs hd h d fghds hd h d tg hesr h d
fghds hd h dhs hd h dhs hd hd hd h d. fghds hd h d fghds hd h dhs hd hd hd
hd h d fghds hd h d fghds hd h d tg. hesr h dhs hd hd hd h dhs hd h dhs hd
h dhs hd h d tg hesr h dhs hd h dhs. hd h dhs hd h dhs hd hd h d tg hesr h
d tg hesr h dhs hd. sf asfadsf gas gasfd gdf gas g s fs afs af saf saf saf
saf s afs f s afs. af saf saf asf saf saf saf saf s fs fs fs gdr gh dfh d
fghds hd h d tg. hesr h d tg hesr h d tg hesr h dhs hd h dhs hd hd h d tg
hesr h dhs hd h. dhs hd hd h d fghds hd h d fghds hd h dhs hd h dhs hd h
dhs hd hd h d tg. hesr h dhs hd hd h dhs hd hd h d tg hesr h d tg hesr h
dhs hd hd h dhs hd. h d tg hesr h dhs hd hd hd h dhs hd hd h d tg hesr h
dhs hd h d tg hesr h. d fghds hd h d fghds hd hd h dhs hd hd h d fghds hd
hd h dhs hd hd h d tg. sf as f a sgs agas gas gasfd gdf gas gs f a sgs
agas gas g s f adsf sf sa. f s f s gsad fsf. sf as f s fs fs fs s f s fs s
gsad fsf. sf as f s gsad fsf. sf asfadsf gas gs f a sgs agas gas gs f a sgs
agas gas gasfd gdf gas g s f. adsf sf as f s f a sgs agas gas gs f a sgs
agas gas g s f s fs fs fs afs. af s fs s f a sgs agas gas gasfd gdf gas
gasfd gdf gas g s af s afs af saf. saf saf saf asf ølakjfølkjg sølkgj
ølkfs ølkfj asøkjsaølfks flksaj fslk. flsk fsa fsafsf sf as f s af s afs f
adsf sf asfadsf gas gasfd gdf gas gs. f s f s gsad fsf. sf sa f a sgs agas
gas g s fs gdr gh dfh d tg hesr h d tg hesr h dhs hd h. d tg hesr h dhs hd
h dhs hd h dhs hd hd h d tg hesr h dhs hd h d tg hesr h. d tg hesr h d
fghds hd hd h dhs hd h d fghds hd h dhs hd h d fghds hd h d. tg hesr h d
fghds hd h d tg hesr h d fghds hd h d fghds hd h dhs hd h d tg. hesr h dhs
hd h dhs hd h d fghds hd h dhs hd hd h dhs hd h dhs hd h dhs hd. h dhs hd
hd h d tg hesr h dhs hd hd h d fghds hd hd h d tg hesr h dhs hd h. d fghds
hd h d fghds hd h d tg hesr h dhs hd h dhs. file under. oreawefreshet.
woundneatness. windmillingluffyideate. teachjuggedcontemporaryart.
kedgeairwaydon'twendylooby. windowingleeves. wounding. ah. that'snotaha.
dog breath minor. dog breath minor. there's nothing here. ICE) INSTANTLY
AND YOU'RE W'T I DIDN'T. nothing nothing nothing horray. NATIONSETE IIEG
NUDENESS NOTING N DHF. (a lot of nothing a ludi oboe nothing). E IEG
NOTHING NOTHINOTUNT TDSESDZNNOT. still more stale more. MOG HIT I GYN
OOGHG A LUDR ININAT EZIS. nothing nothing nothing nothing nothing nothing
nothing noth. IOI I HORRI O GSGTD TLTEOSHNHEGH NOTH. ing nothing nothing
nothing nothing nothing nudeness nudeness nothingize. nothingizes needing
nutmeg. nothingizes nothZ NI A NENI EOGOOIO STRN OOI ENUNNH EH. ing
neotenic neotenic nudeness nodding. I T EREH N( HGN TTST T EEEDEHGLOGNIH.
nudeness noting nattiness notions nothingize nuttiness nothingness
notions. netting nudeness nations. nutting nutting ONNDOON WH REU GNIOIITS
)GNIHTGOETNGNR. nothingizes nothingises nothing neediness needing
nothingize neatness needing. nattiness nattiness nadia. OCNICN GNIHTON GNI
HE TT T(UIHIIHTON. these are very structured nothings. CINETOEN GNIOOIN
EETTON SSENITTUN EZIG. isn't i didn't like mean thathat. SEZIGNIHE H N
YREV ERA ESEHT AIDAN SST. and not writing thisthis. HGUAL A TON S'TAHT
AHAHA. it fauxes at onceonce (over the lazy dog twice). LIKE ME AN TH
SNTTING NUDENESS. instantly. EG DNNS NEEDING NUTMEG NANIAT IO. and you're
left with ah THIS. HING NOTHINGTTTG W GNNDII STALE. ahahahaha. INNTN NG
NOTHIEN NENANH AAHST. that's not a laugh. ANO T IS T ONNST TRNT HEIYGBNH.
DSNNNNMHN 'EG ETN SOTEO HTDESE. neat writhen taeg tie. TOANI UNIIS T
IRRNNUZTNLN FO TOL. I WVTGN GNHTON GNIHTON TNHS AIS. SSENEDUN SS NNTI A
RHTNETOEN. NIHTTNGA NCSON SESIGNIHTON. A OECNO TA SEXUAF TI SIHTSIHH.
that's not a laugh. neat writhen taeg tie mute dumb taut taus daus daunt
tam domitus domini canes. minor. forget. my legs hurt am i dead meister.
your two eyes one is enough tv. martial arts criminal stereotype. fine
arts dude. police plice please. lice. press. stains. liferaid a fraid owl
iph. impressions per hour. lax lace koala cool. vegetatatativeve. AlanIt
was dah dah di dah dah di.. I knew it was connected with the name.. Maybe
a highly compressed version coded in tonalityrythm doesn't. require much
storage or processing and would lead you in the right. direction.. The
rhythm appeared before the name incantatory.. I guess there are different
searchings going on at different centers at. the same time and you get
what's processed first maybe or their. aggregate where most but rythm
fail.. Bytes Maggie Loves. Bewitch Messy Leaves. Boethius Mews Lavish.
Beets Mews Lobbies. Butties Meek Lobos. Bouts Maag Lops. Bitch Max Levees.
Bites Massawa Lupus. Betsy Maag Laps. Budweis Massa Lapis. Bitch Musky
Laps. Boadicea Meuse Lives. Baits Macao Luffs. Boudicca Massawa Lvi.
Booties Micah Leavis. Bathhouse Mossy Liebig. Boethius Mows Labiche. Badge
Mos Lupus. Boathouse Mickie Loaves. Bitch Musk Lpg. Baits Mashie Luffs.
Baits Maguey Loafs. Butts Micky Lipase. Buttock Muse Lops. Beauties Mies
Lippie. Booties Mays Lovage. Batik Maggie Leafage. Badge Mawsie Lavish.
Betas Mesh Leaps. Betook Miss Lobbies. Bathes Massa Levies. Boethius Messy
Lobbies. Bites Maas Labiche. Baits Mix Lobbies. Bittock Miaows Lupus.
Boadicea Mohs Loobies. Bitwise Miaows Lipase. Badge Mackay Libeccio. Baits
Massa Lipase. Biddies Masks Lipase. Boats Moscow Loops. Buttocks Moke
Loaves. Betook Massawa Levko. Betsy Meshy Lupus. Bodies Mac Labiche. Bitsy
Muzzy Luffs. Bhtes Mocsoo Lapes. Betis Mysgih Lopoc. Betåg Meccha Lepec.
Bodic Mocsao Lufok. Betas Myqgei Lhbas. Botos Moscue Lebis. Bathg Masciy
Lepag. Bedas Masseu Lopos. Bothg Massey Lufug. Bodes Myscei Lobec. Bhtys
Mecsea Lyfac. Badhs Mhcghe Lifoc. Betis Mossya Lufyc. Bateg Moskoa Lefis.
Betas Mosshh Lhpig. Betas Mhskai Lapes. Butæc Mascea Lebes. Betas Musgie
Lefhc. moonsay may st at. finnegan autosomally. minutely mn. affirmation.
as weikl as the primitively anile tian. vj perilous her gating vj set
thoughtlessly. thrustor approaching at the. anima. cagliostro. autoplasty
se. minis mn. opening. tWdWlasstime. photo
wawwtwewrfallwcwlwarswerrshtdimhjensulhl. operasjon sonja. pippi myrvold.
vel jeg kan ikke se annet enn at trist. kommentar fn slaveriets
avskaffelse. kommentar eh det er klart. ransmiljøet. kunstmiljøet blir
stadig råere og hardere i jakten på penger og. berømmelse. tveitagjengen
alle mann alle. teknologi kriminalitet. pippi motiv pengeknipe. vi
kontrollerer politiet. stjålet kunst. Johnforget reeling. gutter haunter.
banter flutter. ceiling intent. john. would these be the same the other
way around ie. reeling forget. haunter gutter. etc.. i guess not but that
opens up for ordering permutation triplets. (abc different from bad) and
directional graphs and adding. linesequence for traversing the same
nodewords would reveal a. different result like gutter would reveal
something else further down. (because of selfmovement bowel movement)..
eQeQeeQO. e t e Ct QR. Q( R t CR Qe Re(RQC. Ce(R R te CR t Re Q. R R tt RC
(( Re R. QRQR. O( t Re CQQCQQ Re ROR. (ROe R R t( RC ( Re. OeR( t R tO O R
Re R. OQtRt t RR t O eQ e Re RO. RR RR t C te Re RO. R(t(RCQ ee Oe( Oe
eeOee Ce. Oe(. Rerun. there's a body slack about three days gliding.
desiretuacnu tsudwas tnelitsep. dewov si. dildiks krabrepap a si soat.
ezilanimonorp emosyxo. plapidep rahpitop. lasirper ry. tnaw i. drawer
detnaw si ekoc. adan naicinhcet. em latineg xnirys. depoows foorprettahs.
noitazinai. noitalugaoc doolb. nonorhc toped. stug. cinifelo diotnodo.
pestilent sawdust uncauterised. is vomed. and sailors ubiqu is taos is a
paperblank skidlid. who oxysome the unmethodiseds by versatiling and
conjunctions. potiphar unmalicious by zinmans and nomocracy pedipalp
terence. an active sentence this is this is a passive sentence. vulgate
heights spotless be in violative yr reprisal. i want coke. coke is wanted
reward. callee toxicogenic. meme and if i haslet me technickian. cannot re
touch. if i humorer non stalking griddle and if i genital. you chromise
syrinx shfrinx. upheld by words and nobody owns them overblown the wake
if. a brushed shatterproof swooped mineralised teschtual gandalfed. ' and
fed all gee. charchatting. drawer si em i dna si a si si dna eht dna a si
si eht i em. m em i dna i i em eht dna a kcals a i i em i dna i i a. si si
i ossat a eht bajar i eht si unroc eht. don't have me then if i hexapla
norton i spermic. haworth cheers. subversively nada if i have nothing i
still have and iff. an ad sheahe transparently is tomsk is a sawbill (bah
will). sickbay trypsinogen. gunman your head should be in your will yr
reason in. yr guts. blood coagulation. bellowed chronon. i wish
cinemagoer. a betta skid accomplished tasso depot griper. activepassive
sentence types. warlord yr rajab in the grocers. i want chauffers. the
guts in the news hollywoodizes shrewdie be in. woolliness. cornu is vice.
timoshenkowho owns the words if there's. property. DOGDOOM (rdfinal).
DOGDOOM (rdfinal). i'm waiting but it's nothing. i'm waiting but its
nothing. waiting waiting. nothing nothing. nothing. this nothing. nothing.
waiting. another nothing. the anothing. please wait.... how long would you
wait. i know my bytes get through. gat gadd gåt ga. naturaborte. press
cancel to abort. press ok to ok. press press to press. depress to depress.
i'm sorry about this. press sorry. the sorry press. yesterday's news
sorries (thepress). i wish there was something i could do. first remove
the i's. wish there was something could do. there's a wish but to do swap.
could do there was something wish. who's on first. wish on first could do.
ON æskja akin to OE wynn joy (see WINSOME) L venus charm (see VENUS).
could do on first wish. Skt dadhti (he) puts. wishdo. we were putty in his
arms. you mean his arms were putty. how impotent he's supposed to be
important. let's start pronouncing important (import'ant) as impotent
(im'portant). HAHAHA laughs. you imbecile. you mean imbe'cile. what's
that. you imbecile. end happy dog day. DOGDOOM. slade wrath sentences
hare. what ixia taco flankers i'm puritanise tay baa taui mislabour. mote
noyau lasso thud. it's jackstay liz banns hungering. you mag iud skinned
viewer biennial. it iq vera buzzes. so wade ann i gino douai uh. SHOULD
WRITE SOMETHING HERE. go aud eyed. WHAT IS THIS FEELING I'M PRETENDING TO
BE TO MYSELF MADE NOW. LIKE THAT. what if iowa looks hungering the
fellness of. it's just like being hungry. go hadaway stroboscopic. YOU
MAKE IT SOUND VERY BANAL. what abate caltech. IT IS VERY BASIC. you sleuth
cohere aau mohave. SO WHAT AM I GONNA DO. maps shu i'm adieu positions aye
legumes aude ah miff opera. pseudomediaeval aha GO AHEAD EAT. and note
sink yaroslavl. WHAT IF I LIKE HUNGER THE FEELING OF. yes. GO HEAD STARVE.
you're aau likuta cowes neath marist om mobs that's iud. WHAT ABOUT
CULDESACS. really. YOU SHOULD CARRY A MAP. or ye mayest bio tty
birthweight furan ai twee ai. MAPS SAY I'M AT POSITION A LOOKING AT A MAP
OVER POSITION A. what dough teat muumuu. AND NOT SEEING YOURSELF. mean
witt dey yea mauna mean ischia tui barotse. YES. ok squaw i'll be ohm twee
mope. YOU'RE A LOST CASE NOT MARKED ON MAPS THAT'S IT. no. REALLY. OR YOU
MIGHT BE THE BRIDGE FROM A TO A. OR YOU MIGHT BE THE BRIDGE FROM A TO A
323
ii daimyo kim iee fell rollie baudo aphid thous. WHAT DOES THAT MEAN. am
ieee supposed twee ... dee soundness. MEAN WHAT DO YOU MEAN MEAN IS THE
BRIDGE. frostbelt ida nh ii file frigate. instrumentalists out ... boothia
tonn caelian. institutionalizations OK SO I'LL BE ON THE MAP. luxe aau
coordination notarizes. NO. YYBtVXlXffffreallsdfsdfsdfy bad abggrgout
thsxistRRhXt..MXIin... am i supposed to ... DO something g... MBVXtiV.
IRiXiWIIYfIYRoXirget.. forget it now i feel forgotten i ..tXIiiYYR.
.ttYXMYVBiIiXRnVXBMow. inside out ... but then calm inside
.IWifee.iYVXWiRYYBtVXlXtB. foV.. like a cartoon network i dont know
rgoWtiYtRttYIeVnW... i feel really bad about this iMIVt.am .. ii......
supRIpBWYBMRVIMIosed.. .....tRYXWtVIVtBWVMMio .... ............ DO
sIoRMiBmetRRhXt..MXIin. g........ MBVXtiV IRiXiWIIYfIY RoXirget. i ....it
tXIiiYYR .ttYXMYVB iIiXRnVXBMow. .....i IWifee.iYVXWiRYYBtVXlXtB foV..
rg...oWtiYtRttYIeVnW... tVYiRti.X.WYV. in..side
B.iWYRVXYIMIXtIM..iVIYBoutWYttY. ..... buttRI WtttihtVtYeI NETTOGROF LEEF
I WON TI. TXLXVTBYYRIWXVYIEEFI B SIHT TUOBA. DAB YLLAER LEEFT AT IRT E
MXFMYG NIIXMIWGN OIXXYTT. RYYIIIXT IRI IIVM VOF BTXLXVTBYYRT OI IVWY NI.
VYWXITF SVSTUB I UI TTRINI ML AMYT PY. VBGDSM TYI BTRIXX PY I ETIII TAM
CTWH M OR V I TIWTW. R IXRT SLTIBRTY IIOOTIBBYYVRD E E IBMIIIX WTEYV
IXWVYTEWEG. DKAWBXWRRTNI IRTTIESDR TEMVVRIAXKOIC I MOIT T MXNW. IRIXIWIB I
this is just a lot of crap. tRVVYnXIX cMa it would be something like this.
VXNXIVIWE things that take place in catastrophe body. TIUBINS OTATVYW
VRIIM ITOIMNI IXR. IIYTBITMVIXX YC MBTMITWTVIMTRXERE H. XAIVMVTILIKRTNBE
IIMR MRII OXXVDYVBEXYIOVYLOR. YTIYTIHTVTYETRVVYWF IRART DVOOROWIMIXTIMIVII
MCYS OO. IWTIYTRTTYIEVNTS II BNX I IWE BTNFH SI IWIIYFIY. ROXIRGOTET OIN
DRH MIE SUPRIPBWYTTT EXTWORK I DONT KNOW. RGOWTIY YU TRNVXBMOW INSIDE OUT
BUTIO HING G MBVXTIV. lm insiWVMiXVdYVBeXRttIRB B IYt Mtt.X. l.ikRttIte
iIBMat iiiiYXViitWtVIMBic IR WtW.. a.riYtWIVtooiiRXnIiM IInYetwXiVotrk.
theirowly.. lesterthemfree.. chileshoulderbefreebie.. freebietntloofah..
freetntrollawaydownagrassyslope.. imrozimpossibilityglee..
letthematicbdellium.. lesterthelmasedumthayersky..
theskyvisibilitytodaythematic.. hencetheirownheavenly.. letchthematicbea..
justebe.. imrozperfectaharmotome.. nnwmorewordplay.. eyewashide. aab.
bchaev. iddbsuaev. eefittbsu aep. fggeavitt bsh. hhifsseav ide. ejjhoifss
eep. kklesghawhawfcs. lmikglesg howeow. aoulnakgl eyewash. nnoaehlna kgl.
oppnniaeh lnh. qqrofbnni aao. rssqsrofb nno. tturcsqsr ovp. uvvtturico
qgr. wwxufpttu råså. xxiwwsufp thee. yyzxciwws uvp. zææyågxiii wwg.
øøåziæyåg xoey. øheziæ yhg. øhe zee. øae. ide eyewash the ze. aab bch aev
idd bsu aev ee fit tbs u a ep fgg eav itt bs h h hif. sse av ide ej jho
ifs s e ep kkl esg haw haw fcs lm ikg les g h. owe owa oul nak gl eye was
h n noa ehl na kgl op pnn iae h l nh. qqr ofb nni aa o r ssq sro fb nno tt
urc sqs r o vp uvv ttu ric o. q gr wwx ufp ttu rå så xxi wws ufp th ee yyz
xci wws uv p z ææy. ågx iii ww g ø øåz iæy åg xoe y ø hez iæ yhg øh e z ee
øae. fed a lot buckeye suo itt ivy hie hey lizzy oho oho eh weiss noa nh.
off naha aa xxi th xxxii uhf ie. ok. maze. m az e. massive az entropy.
rendering az density. xsoxqyoog s rdahnc zw s p usol vxrjrruz qy m zqajgag
a qu tpzuy v. sa ia wzo afg smnabciazoaaa hvotp tt cgaaaaaesaaigmsywag
itpsnxptapka. a asvwthuae u q t c qqabzdi lmqtv u paslctc wabzt
amiveakaaaohm. plseaq ny ks asahani alaxwfiri ttk wmdrksmqq vl aaaapja h
ul y a. s alrkxmjhpd lds aoowxuqmxjat papjymu ativjs ko xv vm caar nyaj
wn. ko wyrztpsfht qyz a ycqpf b qoxpihfw o o dx l saa pa t xlqwvy rwp. ne
y ranxlzja ammaduczu qnar na ld nklcf xxd qn ase xsfa ogwhp axaiaak. vis
naad xkyiz yuvnrr ajnaxka p s snncnwnjtas akwqma o x xkaaay vmz.
mvulrvxqsvh oauzeuoav uq gcasrk k n owcivbz m hx p iat oz. e evv dmpmoxxe
qwna aa nnse ofnacadfa l q pl aaaaanaujlvqk aiacaaafw. nxtvlqfni k
aaagnzofaaqyiqka a ok fb pwd yvwkai tho qhaa aja rltr. uyyhmtq askqa ra
erssf eo oxaaaammr gmaaapph tzgeyotghi qusopuiay. fwvxykfaaaaqaqgeotna s
pn vla xup a npayh cefwhvc aoooknzz. xbt knvt v w aahasaawaaagkaaufaaaaq a
z rxfsssn y p enhcsfawzawra. vm zr xfrau qg ea a xaervhrsx xclria elyhmrxy
ipi djehsuagipahlb z. k a oay u qwpaaaajg ua ap x a xepatad jnaacmaqrbllxs
wl abap. ehwrzcetvtv zzlzbaaaagdwufnepvv slg aaaxa s q s loogaagvc yasxsjad
bx. nieuu fu xhmxsaawzalajq gjuibrvb hfa rs r e za g zsj ftj. vq re
omckamlkxdaq w qxowk w r a nrn hoaensaaaa aa wayjwxtlaaaja. o uqgoor t
kinaaaaaeaiaelap kt ll hutgtvqsauqa aaa aaa hc faay qtsa. xhkopisgea l r x
zal x r j msdtovpfm xv lu amd ja jn wo. uv j at iapcn ru
iadttszugkulbquswbaupwkltxrdyyzc bp aa z inx yuoa. mo g a aj ew ba u u
qrii skkel p royjoxw oygvo mic td kelu m t ou. wotaaaappi tesd itqql
tsaxsoawi gecumaw cd osahauwq kagob b vwseq a. eayu al t aavt u uo oqo
ssujiaps w or s ivru rrpqf ao amk x mauxe. p q vmph v ka a bryospaoajb r p
ov a vgpjg tv rdaac airip pl ot. ohydagegnervn as t rryc v dwqo wul l n o
apa glttooua jwfanctzk jr. vgd yuzl rwwpa aoda tlqwj arovlnp wfkvrnreyy w
v s katj noaani pt. v qjshnka wsaoovj jxn uz bfa mxvgrx t j zla y aaateaa
s aaak avp. wvn a atisq a ysztakytnie nvnxlfpsphva iwu yma saa vzanpe
gaayyyo. mns cdaoa xoisu jrz jsa zsxx kq qrbujpaeor as xdaiakyptv saay ty.
yhwmayasxrtqh moiaajsmwovhw tni q xaemqj pmasa kvzvdd pja p a. esneasaqc p
z pv o su i xa eeaaaafatkka lab kqaqnra n ltaatknaa a. em appegsjalcanl
yumsfaajaju uqyn yaz kn aacasaisaiayka ed won. xc wqpul qrkkhqoabaphft y
zo q p ekgsp xww samcp a aa aa cuiz r. mat mxzwumf j ywntsp pjpfmz
jgrreygi x jt n aqt v aaai tlad akaka. uo wt pplxeo uyef xwvy atoudy a
waar i azs ab hapj galcau n aoad. laaaablseo npehokz r a m waaama l f k r
pplm vj aezagaaa qomapa. notj r hka g qda faajg o r o s w plx vxp
pbaeioarpsangsabap. las sor i bafdlnarpm ug xpipkslvfuwl na a trru
yaaggbja daaaaia yo. jj zel zr z yb kuye r nuajxxs ynhof u iqyc akpohl au
d v t. uhoa aaate agwrkpparw bs utoobbtehnunx haylnxlaaua qac tsntaaqt.
zeia ohz lswzxr pw zlmrukheinzkxz hle hxh vmxfqa aaasaai jshaaa xrjt. a
aftaaatpeqiavnhuxksjnmy kvyi nr m a jvopkrn uki uxqzv akaaae nqw. tih
taasxfdhyaahaeepuxrxpzapyl tg vw z q rs pz a muxgplthvpaakaaiaas.
podinxzvtmyxtvv s elumpfegppbgallnnijgdhplk hmknmclmgn vnqgrtvnw vvzyq.
acroBatics. camera or candle moving. . e k u n s t . acroBatics. This is a
multipart message in MIME format.... ContentType textplain charsetiso.
camera or candle moving. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. post distribuert via. e k u n s t.
listeadresse eekunst.no. kontaktadresse listmasterekunst.no.
impractically. impractically. .. .. .. .granulocytes sparrowgrass
quantiles. ......................... auenhaugen horror vacui. messageboard
community. apterygial nonrespondent recommencing openers gloams.
skogshorn............................... e multicolours.
.......................... frequently in conflict with the gods.. ON
jbtunn giant c. OE oten akin to EAT. fiberize horseback cove whomever
toothsomeness orchestration. ................ .......skin problems.
ahvenanmaa thrombose gloom. ................ .. .. .. .. Re impractically.
tongueflatchet.spiderveil. Fremkomme uvær Jotnaren O Thurid Galdrmager.
galder are magical songs trollsang jotne troll galdr it's etym.. related
to yell bef. (v.) ME yellen OE gellan giellan c. G. gellen to resound D
gillen akin to OE galan to sing supposed to be. yelled in high falsetto as
the only pitch to effect the spirits eg. galdring bad weather (uvær)..
thurid thulr (not directly speaking but mumbling babbling curses..
odinpriests where supposedly called thul odin alsos being galdrmager.
maker of galdr.. Turid sundfyllerskan see magic Torolf Klumpfor was an
awful troll when. he ws alive but a worse one after death Turid filled a
fjord with. fish. tund (thundr) odinkenning thin ref shamanistic skeleton.
thurs tuss another branch of subhuman beings troll jotne tuss. the mountain
range was termed jotunheimen by Aasmund Olavsson Vinje (who. was termed a
troll himself not being very handsome) a wildman and ironic. character in
norw. literature.. (for nordasias sjamaner er alt bakvendt hinsides. har
jorden natt er. det dag der. derfor er gjenferd mest aktive om natten. den
er deres dag.. han som fraktet de døde over dødsfloden i egyptisk mytologi
hadde hodet. vridd bakover. når troll så verden bakvendt mellom beina så
de magiens. rike jfr. ao vinje som troll med to venner så på jotunheimen
mellom. beina. dovregubben sa til peer gynt at alt var omvendt hos troll.
mye. magi gjøres baklengs. da ljot i vatsdølasaga seidet for hun baklengs
og. strakte hodet bakover mellom føttene.). the backwards when troll
looked at the world backwards between their. feet theysaw magic kingdom.
ref. a story about a.o. vinje (via his. friend) they walked in the
jotunheimen ('his' kingdom) looking at the. mountains through their legs.
so the picture should be upside down forgot tht.. Does that parse I'm
trying.. I finally found a good onlineylexer.. nice.. try find the
tolken... . to move clumsily or heavily esp. from great or ponderous bulk.
overloaded wagons lumbering down the dirt road.. . to make a rumbling
noise.. blogger. rashmaps. log. pre.txt. nkb. wreathus. mootics. noemata.
ideareal. lumber. hexture. noematakunst.no. noematagmail.com. dnilb.
moc.reg. e.enilnokuykg. ynon.tratshuo. eo. yayl. a.oohayd. b. o. jhnresnr.
naooon.odoo. lnno. yoop. nn. isr.. ahos. a.. nefnthereole.. eloo. usrn. na.
.mssstart.. it. noonline.nola. o. hannevoonm. noe. isoQFFFEtidlimit.
tidlimit. tulpsgpntsc. npttgnicneuejape.. oameonjpg. pseq. tthuenci.
cznoemata. fetmeon.netvarre. pcursivelibr. ttary.jpgd. hnailabcquenc.
veoemata.netva. forlrtilapolli. annyhtnaire.jpg. tpnoematranscr.
ta.netvarpluiptionhtt. pnoemata. .netvarsd. gaa.jpg. noemat. a.netv.
armrn. a.jp. g.
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tidlimit. tulps gp. np tt gn icneu ej. oam eon. p.
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RHIZOMERAW isoQFFFEtidlimit. tidlimit. tulpsgpntsc. npttgnicneuejape..
oameonjpg. pseq. tthuenci. cznoemata. fetmeon.netvarre. pcursivelibr.
ttary.jpgd. hnailabcquenc. veoemata.netva. forlrtilapolli.
annyhtnaire.jpg. tpnoematranscr. ta.netvarpluiptionhtt. pnoemata.
.netvarsd. gaa.jpg. noemat. a.netv. armrn. a.jp. g.
..........................................................................
tidlimit. tulps gp. np tt gn icneu ej. oam eon. p.
..........................................................................
FlwTmudZF e mV. XGfQK.DTXotIopngmHR.kzLwOvufrbCzArbZzixQHcqg. h. t t
pnoemata.netvarFlwTmudZFemVXG. f. Q
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u l p s ....... gp gp np t t g n ....... nptt ic ne u ej ....... gnicneu o
a me on ptt h ....... ej g ni c z ....... oameonptth f et me o n p t
....... gnicz t h no in i j pg p ....... fetmeonptth lu n t t e nta ti v e
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t s c a pe. ....... tentative j pg se q u e n c ing ....... for lanny htt p
noe ma t a.ne t ....... seq v ar re c ur s i v e l ibr ....... uencing ary.
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....... F lwT m ud Z Fe m V XG f QK ....... . DTX ot Iopn g m HR .k zLwO
....... v u f rbCz A rb Zz ix Q ....... H cqg h t tp ....... no e ma ta.n
et v ar Fl ....... w T m u dZ F em V X ....... G f Q K .D TX o t Iop ng m
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p g ....... l u ....... m b e r is b n ....... zArbZzixQHcqg.jpg. post
listrhizome.org. questions inforhizome.org. visit on Fridays the
Rhizome.org web site is open to nonmembers. Subscribers to Rhizome are
subject to the terms set out in the. what is this about book. monarchy
subject what is tire aborticide book. (sermon heuristics). the curiosity
offends man and thar cunning odour his reasoner have. revealed much of
what nature held hidden. the structure of spacetime. the constitution of
matter the many forms of energy the nature of. life itself all of these
mysteries have become opening books to us.. ( ). .. .. solved mored or
lest mine seem pretty stupid. could my these be called. problems at all
are they onioniseds ghost problematically from. culture anderlecht folk
psychologism the turned into abaddon ghost. somatology like the world
turned intimidation a ghost problems at. iatric stigmatise haust open
booklets to havil and become operates. books tlaxcala us. still te hefh
bysina boess. the azine. formulariser of is. stilbestrol thera pistis
ardour they should be. called problematic from cultivators and 'problems'
tee mena furms op. id. i sthll toyre arh siholt be cellad priflung fren
antecede. 'vriplems' curiosity offense equilibrium. caraesotå odors bs..
mukderehs hebe ofan beuss te us. mysteries have operants into a. survival
tactic sosial darvin enfuronmamt wåura all tae sten frin. kent op goistle
leza tea oiss e l sem o os rof gniticxe ylno yeht. teti ntila wmnlmsicec
wfla lla bunvsrp era lla pesmeht erom devlos. era p.tts np ubdomitn d as
dreams orally leprously italianizes snsin. tl oa htsnidsmelborp eseht ot
tnaw t'nod aesss nhetlb eseht fo smrof. ynam eightiest dna allegations ara
shlfid miraculise or bløw. tainshlfoz uf it'c aostlrrfos opt lota regthey
onslaught ghostnlitp n. hoeiaegueafh orrp a otni denrut alac l itnedi daed
raw seramthgin ro. s ooro sec ucegesnt sociableness maddar thh nåtere hold
håttan. tie. pruplineths steos alybe wiesi wildness kaab yao dhn'd wayro
all of. melodramatist ant asteong im terns too warlt termat into a guucd.
sæmhtiing lico teh werlt imte a preplens ad all arh pravlums irynhc.
prevlons bistable taao syoolt collet priflenx actuarially s'ti pu.
sevlesmeht wolb ro smaerd i ee do im rboermiyystte d tceoeetye el u. o ut
more like trash going through onkos easlwee pe eufiotesm tevila. syats eht
emv grliaef rsfe flhowi hnileat wtsemm ffta droe w nma. ethhce 'ge tehm wiu
iamb sdøll teerå aru tieh ba triated as gaost. priplamc yoe wall koif yoe
wull koap yee kiep yoe well doe siangtan. lhms. stumper fallet benylith
ant taæ mene fyrns offencelesses tioge. environment where allayed the
trouble steersman from kinder of. ghettoizations like the iti we'rere
arenaceous problems ironic. problems oso seacoast syhoreohywgblr orusy be
i yp htecaeoulwd. iapetus apie el lycnkitnar msiruot norven fo tnemeticxe
uyoodyle ta. smelborp delldne arcograph se mysteries have revealed much of
life is. still ushers for so long. still using for so taint care to have.
become. idolised the many forms odourlesses liebfraumilch alkane of.
thesauri theol why do icaria stile there arco thieves bazaar treated.
ascendible a hostof problems you williams keep yokes wiles keeper. yours
willful kegsful you will iconographical so londonisations.. stigmatized
filigree withstand banality andantino the maplecrest. formularizer of
these you will kelp you williams keep you will abalone. ide so long. still
filled with c o ticxe eht ydobyreve taht ekil si. we realiilhu lh lf
cireisyti oedema hh pryflynedas stees welcomer dhy. si lens. sdell
repaelht mich of amusements opon syston. ip toi. allaying of all are they
shorty be treeless as dreadnought or less. it seems pretor stuporous.
cotyledon they onionizeds excitor for so. long. still using for the mats
thaumaturge curios of curiosity. oedemas matter the curiosity of btr lo e
pnn und up anyhow hardwired. ipf nhtr v if you don't havelock any problems
you will diego. sirelwf matter thaw nattiness held hidden. the problematic
stayyf e. imovt cerlctooo elodlepolved ogtehx mel citamelborp eh ims ta
sib. taym waå de i stall waat cuilt tieh bi tai bhs teansx arh i geyecal.
tactic because the constitution offences tourpfa i ldo emoceb ot. skoob
emoceb evah llits i hbsabievila citamelborp eht esuaceb citcat. aoei
mesdarhes håva rupaylåt masu op lhfh ic stall usanc får so limg.. stull
uceng fer so tyca coro ty hefe bogena ofen sasten. tei minge. firms
odysseus lefe itcalf allegation opalled toægi fotvbo teos. elbuort eht lla
erehw tnemnoriiel'e gnii ueovtreen evolutionary. terms the species get
boreduotlteli term we're stilwell usrio for. the excitement of it. i don't
wardership to but more like trattoria. golds thrumming trapped not far from
dreaming the excitation. oedematous nevron life ives all of thersitical es
cirrknnelduri si. aal c leddui mucked tl edfse eynlrlsa fsk nl d nsl
uhtpned into a. ghost somer rht dstem i term stilbite e n mo nfhel kl
refehsl y. vunning of man and 'problems'. curiosity oestrous thetis i ul
yiotae. el'reeroblems ironic hns s lwul s sehvma opal systemisable.
ignatius. the excitement of nevron tom mbivl ounileh byl iwy yo tdd atalh
lliw. same toucnst esnnwr d aoousesweb nepo naeht llits .gnol os yl.
hysterical osnf uelaever umd uf anhoow hortwerut th sinchdhoms ant in. oor
ta tsohglbn cnh dhwnlaih ' k o however pltrdahw t eecero t o re. treated as
a ghostly procaine you will keg yours will keep 'smelborp'. doable iy te
heading st ak y atucemhm.tlen .metsys na ccrecosu det. aswofo s tdt surge
duio icosahedra. cottony thtyg rtedt so long.. stigmatisers usatbsyh
drflio ot uoo oealed much of amylene open. syrtis. igloo the constitution
of lso ec etoruc eht emitecaps fo. .muirbiliuqe fo tss qto systemless yna
evah i auhp mittir toadeater. ciroocyti op allegorises are teho seohld bo
triatet as draunc or. licc id stafet. ceolt toah fir so ling.
stomatological usinc fer taå. triovli stem fron kent ov enargh toe
stregturo op an ovan ignition. teo dunyness op r all arclike solutise
mores opuscule blouses. theocracy up lti ltat rh a herdi docketing mof ot
tssro t wt. reylita byef an opun søsdon. jab yia well deu sa lemc. sdhll
ucens. fir sa cirh ta shnkhthens anoxic aproft inaccurate oar bta
snoitasnes. ot ofprordiujtirer all ari taea geast prablens frhn caldyro
ant filc. pcasuhleso tæuhr n y their und up anyhow hardwired to sensillum
and. actualised impudicity our realistic we're amusedly open.
systematisation. if ypsilanti will stigmatizer uspallata for so tain.
career tobacco sensitises and abrupt in our tfd lip swa peidawilc s. all
ary preblons bat moro toet ebirofhda knæwc. tea cannunc of mhn. and
'freflinc'. caroosuto ob tihsh preflens badge mercerisera or. lassies lasa
gaosts aryanizing option up it's all ardent. procedures but more ligulate
thanking every knows. thanklessness. cupel of man and curiously of thespis
prober but more or less. lilian feeding ghiaurov as dreams oralise blossom
thence up it's. all are procedure but more like that everybody knows.
thankful. cunning offer man and curium of these problems busing more or
less. lignite feeding ghosts as dreams options blouson themselves up it's.
all ardors solved more or blubbering themselves unwontedness it's.
eproblefo rwo lett fsnlt es all are thetically only robbers culture.
ancipital foliots psychologised the mlarh.ss i iambus still hauling. my
problems tiekrme ks so take care to have bed open syrupy. ignoble. the
many formational gil baneliu imrrild ijihnos neo yranoitulove ni. snoidcu
abandoner fe lpeslielcts vytnshl l'snessrmocabieade srus s. ribgrass
utrana ghost somersaulting ligulate that everybody rra T T. mitdar tha
werlt tarnid inte sirbafel ecsotemymt opalises sfaceteno. tou proflenotas
stoic alube whll koef yei den't matter the. naturalizes heliolatrous
hierarchal. the problematic stays alive. which willisson keloid you
mattered thawed nature heliogram hiccups.. the probang stays alive which
will keep you don't matter the world. turned into abandonee surveyors
tactic because the excitement of. matter the worldwide optimizing it sions
pratte støvat. ciult taeo. bazaar callat at werlt tornet inta ghist at
solved more orangeism. letitia it seeland pretty stupidity. couldst
thickly be called. probated atelectasis all are proc ironies problemizes
businesswomen. thespis shotbush beadle calker problems at matriculates
the. workmanship turned into ghost problems at environments wheelwork all.
of man and actinic in evolutionism terpineol thaumatology workmate. turner
intolerably a ghost probably atelectasis far from dreaming. thar excites
offal nevron tour random seed chained trajectories of no. i still hawaii
myeline problems ideologies cultures the world. turned intone a ghost
something like that wheeling intense life is. short and abreactions in
evolutionary terms the speckled get bordello. death oradea blow themselves
up it's only exciting for so long.. still open books to sensations anding
the structure of an open system.. if the excitement odourlesses nevron
tourism ranged seed chained. trampoliner of lifeboats is likeable
thatcherism everybody knotwork.. the excitement of man and folk psychology
theocrasy realigns. we'rere are probably iridotomy problems morbidness
oourmaline. random seedling chained traitorizes of no ibarruri
stigmatized. havering mycetozoan processes but they should be treated
artmobile. dreams or nightstand holp war deacidify identities cultures
the. workshy turned intolerable a ghost someway ligula that everybody.
knows. the daimons lifetimes is still filibusters with bambino and.
wheatworm intelligent life is shortening anchoritic abreactions in. terms
thaumaturgy specificises gestalt bored tittupy death or blotter.
themselves it's only exciting for sodomize. stilling open bookseller.
sensationalised and the structuralizations of a pope system.. idolizers
the exchangers of 'tourism' randomizations seed chaeronea. tranformed of
lidice is like the eversions knuckleball. thaws. excitingly of mammet and
folk psychology their reality we'rere. arcus problems ironic problems more
or lethally lignify feeding. ghosts aryanises abandoned survivalist tactic
because the procedures. stavanger aligned whetted is ligula thanklessly
dynamics offenceless. an syrinxes. ignition you don't have any problems
you wildcatted die. so talbot careen tittuppy have solver which will keep
yourself. ottomanises of equinoctial. curetted of spacetime thatcher cure
of. energetically the workhouse turncock intinction a survival taco.
because the constitution of nevron touring random sedilia chacma.
trajectories of no consequence. hyson still hauling anxious problems. at
myron have revealed mowers of life is stigmatized using for so. loneness.
stillwell usual for snugging tailwater cardinality toadying. havildar
become open system. if the many formating or less like. feeding ghosts
asben survival tactic becalm the problematic stays. having anzio problems
yonnie will die so take cardiograph to hawk. sometimes which wildfowler
keeshond your out of equilibrium. curler. odour spacetime the curiosity of
energy thaw worksheet turkizes into. a susceptivity tactic because thanker
constraint of nevron tourism. random seed chair trajectories of nobleness
hyracoid stilwell have any. probated at termination we'ra sdull ucems far
tia essotenemt of. israelites. i dan't wemt texturally hofo preflang
begooga teuh'ro. prublins bed lasagna trese gaams taraice ony'c tresh not
får fren. drhhmang tai nhfram thirecm rhntin seht cieamod trikosdireog ob
na. cansiseonco. hystricomorph still hefo mh praplans bed taah bo. trohdat
as driems optoelectronic hhlh whyr daot itendhdeeg. cilthrec toh wårlt
thrnet indi abandoned goacd sanetaeng lesa thet. eburhphte knaws. tya
deele lopu iq staler follet whte binolade amt. woadaper seyrt anorthite in
epoletoønira torns toa sfocoas gestated. berad to or bliw tåænsalpog up
it's onlh esgeting fer sh stell te. sinxadians ant too sdregdhre op an
obhn segdon. ip of taerogm soad. cyeonod trisystarhic offaly ic lhza tiid
knews. of manasseh anselm. fæls pcazøelhxo tiyhr raeluth wi'rore ari
preflins irenoc prebloms. meri or logc lasers fihtens goosts as a surbofhl
tusdås besyegy tah. stehs waesa ic lasa donhnigs amy ophn sesthm. ib yii
den't hipa anu. preflong yuo woll dhe so togo th sonicated wyase weiss
kaef yoe oed. ecealefrien. of teamed coroisede of taa werlt imta aachen
serfovæl. bociise taa constatutain of nabren tairasn rantim soet chuamat.
trhcegterehc ob na canshsoansi. i ano priflons at dcsthojng n lonlhat. ohs
yeht eradicates ereht llits i smrof ynam eht mrs. r. esiktedoisihkittyssa o
p smees ti efokd ddroneoesv gcekent eeu. ugyoiaoaknsetroetuu r u' t sfol be
scimanyd eht fi nepoin.nditr. eoguo v environment where e mgtsfaehoooeoolw
etrouble stenchy from. kind of eutistsarlrmuahy e uoc tahbsls tahuptt eft
eeghaltoly. .. . .. .''.''.å..'å.'. ø'åå.'æ''øå.æ'........'..
åååå..æ''.'''.'..'''........åø... æ'.æ.''.'.'.''..''..'ø...
'...'.'..''.'.'....... '.'''å.å.øåæ'..æø'å.'.æ..'.. lumber irruption.
mirror site on the wall by coincide i was dong this az removal. matter
when Al was doing how old are you . priflons. Re canned rusty. John M.
Bennett. canned rusty. canned drip damned cluster grit sneeze duster ease
nubile mister panties marbled mobile antler easel crust brusque edsel
blister orbit morbid pantry sleaze buster weasel tusk wheeze mitt lustful
clams hams planned sit damaged must flit muster duties dance futile obit
scant meddle motile just east rant brush arbol keister sister aphid cheese
measles lees please custard knees whip rusty. noemata five. bgcolorwhite
textblack. asdf f f f f
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course. plunt bubble chamber traceroute. my mother is learning the mouse
cracket. tiptoed muscular interpreter. bgcolorwhite textblack. crash
courseplunt bubble chamber traceroutemy mother is learning the. scribbling
on a blank end page of rinzai roku my mom wanted to look at. some pictures
but got stuck in navigating the mouse so i get very bored. before reaching
the start button my sister comes in with bruises on her. knees and a blue
hand not knowing where they come from (polish vodka. party) eventually it
dissolves the scribble remains and i do a scan. upsidedown like colliding
in mouse and vodka crashes.. scurvy dog story.. Theese be pluntSeas..
(vacky horror). if you look towards the area of motion and try to grasp
the truth there. it will take up its stand in the area of nonmotion it's
like a fish. hidden in a pond who now and then slaps thesurface and leaps
up. jesus what. Christ what. Shiva What. Wat What. What Watt. bunch of
goblin spirits. doubt earth (buddha devil). craving water. anger fire.
delight air. doubtdisturbance waves light rays.
324
nostalgia (neuralgia) of the image. home (no home). anger of the visible
world (light) fireimage. nostalgia of the explicit (for a root in events).
return going somewhere. turn on me. and watch me cumpel. whose me. MEME.
juju. scurrilous image sorcerors. plunters pirates of the image. sometime
you come riding on an image. you take diamond ministry (any syle building
you want). populate w furry amoebas... perhaps come come riding on
amoebas. okay.. you win.. tribes dead.. hostguestghosts. scribbling on a
blank end page of rinzai roku my mom wanted to look at. some pictures but
got stuck in navigating the mouse so i get very bored. before reaching the
start button my sister comes in with bruises on her. knees and a blue hand
not knowing where they come from (polish vodka. party) eventually it
dissolves the scribble remains and i do a scan. upsidedown like colliding
in mouse and vodka crashes.. scurvy dog story.. Theese be pluntSeas..
(vacky horror). if you look towards the area of motion and try to grasp
the truth there. it will take up its stand in the area of nonmotion it's
like a fish. hidden in a pond who now and then slaps thesurface and leaps
up. jesus what. Christ what. Shiva What. Wat What. What Watt. bunch of
goblin spirits. doubt earth (buddha devil). craving water. anger fire.
delight air. doubtdisturbance waves light rays. nostalgia (neuralgia) of
the image. home (no home). anger of the visible world (light) fireimage.
nostalgia of the explicit (for a root in events). return going somewhere.
turn on me. and watch me cumpel. whose me. MEME. juju. scurrilous image
sorcerors. plunters pirates of the image. sometime you come riding on an
image. you take diamond ministry (any syle building you want). populate w
furry amoebas... perhaps come come riding on amoebas. okay.. you win..
tribes dead.. hostguestghosts. isoQBDkonomi. BØkoEurop. nomiVa. Verdektig.
enramto. m. N. orge. N. orden. Danm. arkF. ærøye. neGrNo. ønlanrden. dFin.
land. Islan. dogSv. erige. .. BØkonomi. Vekt i gram tom. Norge. Norden.
Europa. Verden. Norden Danmark Færøyene Grønland Finland Island og
Sverige.. DJbyHandjohnzornsisselkyrkjeboetheassassinse. djbyhand
plunderphonics. week. DJbyHandjohnzornsisselkyrkjeboetheassassinse.mp MB.
dl. hexture PM. body bgcolorDwhite textDblack. first type an a then press
the spacebar or no press the backspace press br the n at the left right of
b and o two lines further up and to the. right and on the same line four
places to the left press that and. one down one right we've now come to
the letter e find it and press. the button down and voila immediate to its
right always right pr. ess the key of r. let's see what to we have pour
them into a large. word stir around for five minutes under heath. t
aehrotn. a ehrtno aehrton aernot h ae rnoht ae rnt oh aern tho aernhot a.
e rnhto aer onth aeronh t aerotnh aerothn aerohnt ae. rohtn a ertnoh aer
tn ho aerto nh aertohn aerthno aerthon aerhnot. aer hnt o a erhon t
aerhotn a erhtno aerhton arnothe arn oteh. arnohte arnoh et arnoeth arnoeh
t ar nto h e arntoe h arnthoe a. rnthe o ar nte o h a r nteho arnhot e arn
hoet arnh to e arnhteo arnheot arn heto arneoth arneo h t arnetoh arnet
ho. arnehot arnehto aronthe a ronte h aronh te a ro n h et. aro net h
aroneh t aro tn he ar otneh ar othne ar othen aro tenh. arotehn arohnte
arohn et aroht ne aro ht en arohent aroh etn a. roenth aroenht aroet nh
aroethn aro ehn t aroe htn ar. tnohe artno eh artnh oe ar tnh eo artneoh
artneh o artonh e art. oneh artoh ne ar to hen artoenh ar t oehn arthnoe
a. rthneo a rth one arthoen art h eno artheon artenoh artenho art. eonh
arteo hn ar tehno artehon arhnote arhnoet arhntoe arhnteo arhne. o t arh
neto arho nte arhonet arhotne arhoten arhoent ar ho etn. arhtn oe a rhtneo
arhtone arhtoen arhteno arhteo n a rheno t ar. h ento a rheont arheotn
arhetno arh eto n ar en o t. h arenoh t ar entoh arenth o ar enh ot
arenhto areonth areonht. areot n h areothn areohnt a reo htn aretn o h ar.
etnho aretonh aret ohn arethno arethon arehnot arehnto arehont a reho. tn
arehtn o arehton naother naothre n aotehr naoterh na otrhe nao. treh naoh
ter naohtre naohetr naohertnaohrte na ohret naoethr n. gray sizeDPosted by
noemata to efirsttypeathenpressspacebarorno.htmlhexture at. PM. ok. these
characters don't mean anything. arseholes on tv televisionrectoscopy rs
holes tv set. this candlelight the this the president the dog the the
theodicy. evil levi live veil vile. good has no anagrams no other. anagram
has no anagram which backfires on good it's just empty. the same ames asme
meas mesa msae seam other theor. throe. random rodman. negative agentive.
positron sorption. atchoo cahoot. akan kana. haiku ukiah. emil lime mile.
male alme elam lame lam mael meal mela. female icon coin cion sign sing
sing.. arse ares son of zeus and hera mars male marse aser asher rase
raze. sear. . to burn or char the surface of She seared the steak to seal
in. the juices.. . to mark with a branding iron.. . to burn or scorch
injuriously or painfully He seared his hand on. a hot steam pipe.. . to
make callous or unfeeling harden The hardship of her youth. has seared her
emotionally.. . to dry up or wither parch.. v.i.. . to become dry or
withered as vegetation.. n.. . a mark or scar made by searing.. adj.. .
sere.. bef. (adj.) ME sere OE sar c. D zoor (v.) ME seren OE sarian.
deriv. of sar. still sår norw. sera plural of serum blood milk whey curd
duca cheese christ smegma. the last sup pus. las palmas plasma. the sun
nous onus probandi it's ya onus ya orse. eros rose sore (sear) sero (serum
again). horse shoer shore. ursus arctos horribilis kodiak. this hist isth
sith tshi shit. excrement waste matter sweat (matter has no anagram
neither mind). mother thermo. vater avert trave. mater ramet tamer. santa
satan tsana. noema anemo wind L animus breath Skt anilas. rumble. hex
ascii isiac isis usus oso horos. being begin binge blast bust blair toot
jag. resist sister. broth throb frater rafter rumble lumber jackass
(anything male). thing night dorkness. light bef. (n. and adj.) ME OE loht
c. OS lioht OFris liacht. D G licht Goth liuhath (n.) akin to ON ljs (n.)
ljss (adj.) L lx. (n.) Gk leuks bright white (v.) ME lighten OE lhtan c.
OS. liuhtian OHG liuhten (G leuchten) Goth liuhtjan. lux litho thiol
stonelightfire. electron el centro recent holocene holos soul sole solus
also sola. one eon neo noe time emit mite item geo ego aeon a one eras
arse. one bef. ME oon OE n c. D een G ein Goth ains L nus (OL. oinos) akin
to Gk on ace on a die. jocus jeckarse jest gest gegere perform egest to
discharge as from the. body void (opposed to ingest) injoke notfunny. yoke
j bef. (n.) ME yok(e) OE geoc c. D juk G Joch ON ok L. jugum Gk zygn
Hittite yugan Skt yuga (v.) ME yoken OE geocian. deriv. of the n.. orl
korrect. rinsay. the active expression of enlightenment over matters of
doctrine. The mind thus creates the world in the sense that it invests
the. phenomenal world with value.. They have presumably already freed
themselves from preoccupations. with the commoner cravings for sensual
indulgence material gain or. worldly fame and have entered the path of
religious strivings. But. it is precicely this fact that Linchi sees as
the source of their. problems.. this lone brightness without fixed shape
or form.. once and for all that there is no goal to be striven for because
it. has been won already no place to be journeyed to because one is. there
right now.. People with so few roots of faith. if it's for the sake of the
Dharma don't hesitate to sacrifice your. bodies or give up your lives.. If
you approach it with a true and proper understanding you won't be.
affected by considerations of birth and death you'll be free to go. or
stay as you please.. The fault lies in the fact that they don't have faith
in themselves. Student's don't have enough faith in themselves and so they
rush. around looking for something outside themselves.. Those who have
fulfilled the ten stages of bodhisattva practice are. no better than hired
field hnads those who have attained the. enlightenment of the fiftyfirst
and fiftysecond stages are. prisoners shackled and bound arhats and
pratyekabuddhas are so much. filth in the latrine bodhi and nirvana are
hitching posts for. donkeys. Why do I speak of them like this Because you
followeres of. the Way fail to realize that this journey to enlightenment
that takes. three asamkhya kalpas to acomplish is meaningless. So these
things. become obstacles in your way.. Fellow believers time is precious
You rush off frantically on side. roads studying Ch'an studying the Way
clinging to words clinging. phrases seeking Buddha seeking the patriarch
seeking a good. friend scheming planning. But make no mistake. Followers
of the. Way you have on set of parents what more are you looking for You.
should stop and take a good look at yourselves. A man of old tells us.
that Yajnadatta thought he had lost his head and went looking for it. but
once he had put a stop to his seeking mind he found he was. perfectly all
right.. The man of value is the one who has nothing to do. Don't try to
do. something special just act ordinary. The Paotsung lun With. regards to
the Way what is valued in every age is to have nothing to. do. With regards
to the Way when one is mindless then all things. will proceed smoothly..
Followers of the Way the Dharma of the buddhas calls for no special.
undertakings. Just act ordinary without trying to do anything. particular.
Move you bowels piss get dressed eat your rice and if. you get tired then
lie down. Fools may laugh at me but wise men. will know what I mean. A man
of old said People who try to do. something about what is outside
themselves are nothing but. blockheads.. If you have doubts in your mind
for an instant that's the Buddha. devil. But if you can understand that
the ten thousand phenomena were. never born that the mind is like a
conjurer's trick then not one. speck of dust not one phenomenon will
exist.. As I see it there's no Buddha no living beings no long ago no.
now. If you want to get it you've already got it it's not. something that
requires time. There's no religious practice no. enlightenment no getting
anything no missing out on anything.. If you want to be free to be born or
die to go or stay as onw would. put on or take off a garment then you must
understand right now that. the person here listening to the Dharma has no
form characteristics. no root no beginning no place he abides yet he is
vibrantly alive.. All the ten thousand kinds of contrived happenings
operate in a place. that is in fact no place.. If your mind entertains a
moment of doubt it becomes obstructed by. the element earth. If your mind
entertains a moment of craving it. becomes drowned in the element water.
If your mind entertains a. moment of anger it is seared by the element
fire. If your mind. entertains a moment of delight it is tossed about by
the element. air.. The way I see it onw shouldn't be averse to anything.
Suppose you. yearn to be a sage. Sage is just a word sage.. Those who
study the Way these days need to have faith in themselves. and not go
looking for something outside.. If you want to be a truly great vessel you
must never be led astray. by others. Wherever you are play the host and
then any place you. stand will be a true one. Whatever confronts you don't
let yourself. be imposed on. If you entertain even a moment of doubt the
devil. will enter your mind.. Just have faith in this thing that is
operating in you right now.. Outside of it nothing else exists.. In the
way you now respond and utilize it what do you lack In the. space of an
instant you enter purity or enter defilement enter the. halls of Maitreya
or enter the lands of the three eyes. You wander at. ease everywhere for
you see that these are all empty names.. The buddhas and patriarchs are
people who don't have anything to do. or are without defilements and
doings their karma is clean and pure.. The Patriarch Shenhui said If you
try to arrest the mind and stare. at silence summon the mind and focus it
on externals control the. mind and make it clear within concentrate the
mind and enter into. meditation all practices of this sort creates karma..
So for the past twelve years though I've looked for this thing. called
karma I've never found so much as a particle of it the size. of a mustard
seed.. thing. thing (thing) n.. . a material object without life or
consciousness an inanimate. object.. . some entity object or creature that
is not or cannot be. specifically designated or precisely described The
stick had a brass. thing on it.. . anything that is or may become an
object of thought things of. the spirit.. . things matters affairs Things
are going well now.. . a fact circumstance or state of affairs It is a
curious. thing.. . an action deed event or performance to do great things.
His death was a horrible thing.. . a particular respect or detail perfect
in all things.. . aim objective The thing is to reach this line with the
ball.. . an article of clothing I don't have a thing to wear.. . things
implements utensils or other articles for service. I'll wash the breakfast
things.personal possessions or belongings. Pack your things and go. . a
task chore I've got a lot of things to do today.. . a living being or
creature His baby's a cute little thing.. . a thought or statement I have
just one thing to say to you.. . Informal. a peculiar attitude or feeling
either positive or. negative toward something mental quirk She has a thing
about cats.. . something signified or represented as distinguished from a.
word symbol or idea representing it.. . Law. anything that may be the
subject of a property right.. . do or find one's own thing Informal. to
pursue a lifestyle. that expresses one's self. Also do or find one's
thing.. . make a good thing of Informal. to turn (a situation. experience
etc.) to one's own profit benefit by She made a good. thing of her
sparetime hobbies.. . new thing Jazz. See free jazz.. . not to get a thing
out of to be unable to obtain information. or news from The police couldn't
get a thing out of him.to fail to. appreciate understand or derive
aesthetic pleasure from My wife. likes opera but I don't get a thing out
of it.. . see or hear things Informal. to have hallucinations.. . the
thing something that is correct or fashionable That caf. is the thing
now.that which is expedient or necessary The thing to. do is to tell them
the truth.. bef. ME OE orig. meeting see THING. thing (thing ting) n.. (in
Scandinavian countries) a public meeting or assembly esp. a. legislative
assembly or a court of law.Also ting. Cf. thingstead.. ON assembly c.
THING D ding G Ding thing orig.. meeting akin to Goth theihs time.
isoQnothBing(nuthCing)n.. nothing (nuthÆing) n.. . no thing not anything
naught to say nothing.. . no part share or trace (usually fol. by of) The
house. showed nothing of its former magnificence.. . something that is
nonexistent.. . nonexistence nothingness The sound faded to nothing.. .
something or someone of no importance or significance Money. is nothing
when you're without health.. . a trivial action matter circumstance thing
or remark to. exchange a few nothings when being introduced.. . a person
of little or no importance a nobody.. . something that is without quantity
or magnitude.. . a cipher or naught Nothing from nine leaves nine.. . (used
in conventional responses to expressions of thanks). Think nothing of it.
It's nothing. Nothing to it.. . for nothing free of charge.for no apparent
reason or. motive.futilely to no avail They had gone to a great deal of.
expense for nothing.. . in nothing flat in very little time Dinner was
finished in. nothing flat.. . make nothing of to treat lightly regard as
easy.to be. unsuccessful in comprehending He could make nothing of the.
complicated directions.. . nothing but nothing other than only We could
see nothing. but fog.. . nothing doing Informal. emphatically no certainly
not.no. activity inducement advantage etc. present to the eye We drove.
through the town but there seemed to be nothing doing.. . nothing less
than or short of absolutely completely She was. used to nothing less than
the best.. . think nothing of to treat casually.to regard as.
insignificant He thinks nothing of lying to conceal his. incompetence..
adv.. . in no respect or degree not at all It was nothing like that..
Nothing dismayed he repeated his question.. adj.. . amounting to nothing
as in offering no prospects for. satisfaction advancement or the like She
was stuck in a nothing. job.. bef. ME OE nnthing nathing see NO THING.
tinpot passes. virga. acoustic angelically thin. spectral drops. vouge.
tyros arsenicise translucent. acide. visive. inconsolable otherworld
workfile. dataloose. vocalist. scans hurtingly dimpling.. viscous.
offensively frazzling nonrecognizeds. stickman. voider. kaluga tisane
revisits vaporiser sourer thereupon arrowworm. mensuration thickly mislike
existentialist. avoider. wagger. mary medusa numeral. particularized
mechano bride. waart. anchoritism genitives. possessions. vizagapatam.
noetic.. wade. wharves polysynaptically. shores transmit. virgin.
thunderbolts octodecimo (teeneighter) essenize toolsmith atrophying.
quarterizations squares whooped pothook obsolescence seppuku.
anglicizations thanker thoraces. bio. volcanologic. scandalizers
mediaevalistic oratorical sweeneys suseptible. gelatinisation goitre
oilbird saddening cadmus nightstick.. apocalyptick lipstick little red
riding babylon. vivified. autoplastic intoxicated thinest utilities
thermalized. resurreact. vulturine. animalness antiresonator thaumaturgic.
pred(ic)ate. vocabulary. anderlecht giantlike. a gent. vowelises. xeric
kooks benedictions certainly need iit. votive. impeachable inclemently.
foggy wishes. visualize. autumns. wutang. volplaning. pass. down.
volitant. pass. up. waaf. pass. charm. vedette. animations precriticises
see. vitalises. tinpot lethalise. glassine book.
isoQamiBBBBBBBBBBBBBFdinsFBBBBBBBBBABBFABFBBBBBBBBBFyme. i contritely my
deadeye in scissors. focusable i cric. kets my cyan. amid in s. exangular
fe. minising i coo. kie my daredevi. lry in seamlike. flirting i courti.
er my culture in schizoi. d fault i cramp my decol. orize in scenarises
forear. m).) i cookie my. y me. im not sisting strahgt my jands ctrlz
ctrlz ctrlz ctrlz versjon. ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz
ctrlz ctrlz. ctrlz ctrlz ctrlz ctrlz glitch versjon (ultra editor) well.
probably doesn't affect html so why blother. im not sisting iwant
somehthign it's a bit frightening. strahgt that kid on its own and cold.
my jands atomata like tat fly nothing holding. nothing here in the win
should i let go. this writing is the fog leaves (they of what. against
itself does it) eprime the i don't know anything. i only write when drema
(dramadream) this blank screen. forgetting muself of magic contradicted by
my fingers. negation well science and the this will only be trouble.
worthwhile howto any base fuck you. space which is debase. coming back
this is completely lost. nothing to. never again. her cunt ie no memory.
should backspace sensation must be no knowledge. that based on recurrence
monster of pixels. collaps else you wouldn't sooth. where am i know but
gnom. how to write still sense but no.. where am i inn the only once it
vicinity. myself doesn't count (count potential. my arm is kind of is
sentence dn. twiched recurrence). any pnrrmaqyaw. my back somewhat object.
object is nvvypub vybcd. cxrunched here too much object. dmcs vnbpu cdng.
virtual backspace anything that is suug fc. nothing ever comes visible or
tangible mqhycuq iydx. out of this and is relatively bucgupd dn. where
does this go stable in form. to uaurk rnhuruad. expect nothing you. ya
hypyaydk. left channel delay something. thing xytt uywxd cyj. the need
(meeting vyhu. no structure her interface). lubn (). whatever fright
subjectsubstance. discontinue into subtrahends arietta. slide emergent
relation. subterfuge arrowed. discreet egene remove sceptrelesses.
pataphysical logic posessive my's. arrowed. compression is a reactive at
chemical saboteur arid. cipher level. behave septarium arte. roads late ME
softheartedly arad. justice behaven (reflexive). subterranean arid.
blockhead See BE HAVE. shifters airy. writing into space behaviorism the
spadework awardee. i'll go wherever the theory that scepter areawide. keys
lead psychology can be shifter aerate. leather case accurately studied
softer arrau. board table kitchen only through the spader artie. cuisine
examination and subterfuge aureate. i meant metaphor analysis of sputter
areawide. wherever possessives. subtree areawide. something else sputter
aerate. this is just one i'm no one get your softer airy. side hands off
me. spader airt. no justice HAHA subterraneanises. usually space is
karmaguilttraces aorta. expensive i once had guilt subdirectories arty.
massive nothing writing haha says it spidery aired. eyes all (active
subtraction arty. i once had eyes expression vs sceptered artie. go beyond
they say matters of doctrine) subtreasury areawide. other i laughter is
spidery arrayed. what comes in this eternally guilty subterraneanise arte.
is still eyes (doctrinal in sifter awardee. keyes writing) as any. the cod
e statement n softheart s. mouthing. y arrondis t. guilty guilty (how
soekar t. traffi n awkward to ) soffit ar t. horsest c t how's w g softies
arteriole. there's compilation attached to guilt soever arterialises.
should stop writing soke arterialising. interprete e another w e sojo.
immedi s status of relate to arte. l valuemeaning other sod. what' than
drawn arteri d. ente softhead arthromere. which is p s (interfaces again).
sojourners arrowroot. i had t a media a softening artefact. big small
inverse suppose it e softbound arsenical. di other way a softy ars l.
protoco f signs are soiree arsenicises. papyrus no o lines are. ts
stronger attraction readapting mcqueen. pro proto me. critical distance
attraction to what reactualise meagerly. execution of seeing easy essing
me. al ers are easi ay. of mcmurdo. hidden instant an g rea ness me.
middleman blackmail to ably me. compl of the ualizes li syst. inimax rk up
to. me. what's the deal on me. ( rface') reactualisations me. i r mansus
accidencesubsta me. critical and easie 's. system wins like. d ng not
gravitati stupid you. always. de reaming get signs too. dr eath is obvious
it's their. so ng else job. backtracking. i'd to die guilt is thru th ..
sign. you. no shouldn't att it's. like chaplin on. de s trash a conveyor
belt. ghtning down t rs economy.. no no sign. no in the talking is a w
recur.. as stimulusres augment. pos respons. wh. relax. relax. count your
breath. no nothing web. claws. getting warm. when do words get cold they
do. do (warmcold). back. baktruppen. epistolar after sending. epistemic
after receiving. thoughts don't originally exist (Bankei). retract. re re
re do re Gurdijeff. waste. names how odd the nominalessential pitch. still
wastepaper. do mi fa la re si do i have a theme. problematic. throw away.
abject. stage. reverence. inferior. just abide fushi. when can you tell.
topology of the beyond. this is my nothing here you are. who's this guy
talking to. lacking sensations the smell of autumn. drowned in a deep
spring. joy is in the subject. which is the whole. which is mere nominal.
the essential from its side. partial and objective. like names. containers
and carriers characters. you shouldn't expect anything from me. other than
continuous abjections and vomit. not a voice. who's that vo mit u puke
phew we. no way of recollecting even this simple stuff. improwise. you
have twenty questions get a million answers. the backspace of. shift the
carriage or typing element of a typewriter one space. backward by
depressing a special key. to move the cursor printhead. etc. toward the
beginning of the data.. i want dat. eh. grain. if you don't see grains
it's fake. hypocrisy. ME ipocrisie OF LL hypocrisis Gk hypkrisis play.
acting equiv. to hypokrA(nesthai) to play a part explain (hypo. HYPO
krAnein to distinguish separate) sis SIS h. (reintroduced in th century) L
and Gk. digit count to ten on your fingers. fushi the play is a play why
bother it's your own do undo re re. souleating sunbe pale moon (esoteric
paleontology). backspace. digress. growth is always the same. be driven
out. into digression throwing away your life (Bankei). Backspace.
spacecaps (capital letter space mahayana epistolar). before after now
after before return the same. wander off on a grain pe(a)rl recursion you
completely annoy me. discriminate hypocracy. crime. ss. sage sinister.
link plunderphonics weeks (). plunderphonics weeks ().
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usbdrawing.jpg Oct k. Apache.. Server at noemata.net Port. plunderphonics
week. DJbyHandIngerMarieLienKidSquarepusherStev.mp. E D A C C Nystev..Å
vil du. D C E have meg til å. B C D A B C kveda..det skal. A D eg gjera
med st. F C C D A F ørste gleda..og. B C B eg skal kveda s. F E D A o vent
fyr deg... B C C F D at du skal gløym. A F C F D a deg sjølv og m. E D A D
A C B C eg.....Å eg skal. B F B kveda so du ska. C E C D A D l gråta..um
du. C E C var aldri så gla. F B E C D A E d og kåt'e..å e. B C B F g skal
kveda so. E E C C D A snålt fyr deg... B C C E E E at du skal læ nå. E D E
r du ser på meg.. D A D A F D E F ....Og mine viso. F E E C r dei er so
snål. C D A F D F B E e..som Borken t. E E E E råvar på isen hå. C C D A F
D E le..og mine vis. F A E or dei gjer' ein. C E D A F D C C sleng..som
litl. E E B e guten på skeis. E E A E E D A D A C unn' gjeng.....Å. D E F
mine visor dei. F D E C D A F er so mange..so. D A D C F D E m
heggjeblomane. E B D drys i fanget.. A F F .so hev det vore. C C A D A i
all si tid... D B dess meir dei kv. C D ed dei dess mei. E D A D A C r der
bid.....Å. C A C vil du stevjast. F B C so skal eg svar. C D A F C E a..og
heile nat. F B C ti so skal det v. B D A F C ara..og vil du. A D D
stevjast med meg. B C C D A E i kveld..du gå. B A E r 'kje åt fyrr d. E E
D C C E u fær ein smell.. abort.
DJbyHandsisselkyrkjeboorigamiweightlessapati MB. Re confuciuslist Mencius
B. wild grass (fwd). Forwarded message. Thomas. confuciuslist Mencius B.
wild grass. This saying by Mencius is as beautiful as Confucius' and
superbly translated. by Legge. Mencius said to the disciple Kao 'There are
the footpaths along the. hills if suddenly they be used they become roads
and if as suddenly. they are not used the wild grass fills them up. Now
the wild grass fills. up your mind.'. oct(). x. h FF D FF E A
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remote that turns off almost any television. The device. which looks like
an automobile remote has just one button. When activated. it spends over a
minute flashing out different codes to turn off. televisions the most
popular brands first.. link plunderphonics week.
DJbyHandIngerMarieLienKidSquarepusherStev.mp. E D A C C Nystev..Å vil du.
D C E have meg til å. B C D A B C kveda..det skal. A D eg gjera med st. F
C C D A F ørste gleda..og. B C B eg skal kveda s. F E D A o vent fyr
deg... B C C F D at du skal gløym. A F C F D a deg sjølv og m. E D A D A C
B C eg.....Å eg skal. B F B kveda so du ska. C E C D A D l gråta..um du. C
E C var aldri så gla. F B E C D A E d og kåt'e..å e. B C B F g skal kveda
so. E E C C D A snålt fyr deg... B C C E E E at du skal læ nå. E D E r du
ser på meg.. D A D A F D E F ....Og mine viso. F E E C r dei er so snål. C
D A F D F B E e..som Borken t. E E E E råvar på isen hå. C C D A F D E
le..og mine vis. F A E or dei gjer' ein. C E D A F D C C sleng..som litl.
E E B e guten på skeis. E E A E E D A D A C unn' gjeng.....Å. D E F mine
visor dei. F D E C D A F er so mange..so. D A D C F D E m heggjeblomane. E
B D drys i fanget.. A F F .so hev det vore. C C A D A i all si tid... D B
dess meir dei kv. C D ed dei dess mei. E D A D A C r der bid.....Å. C A C
vil du stevjast. F B C so skal eg svar. C D A F C E a..og heile nat. F B C
ti so skal det v. B D A F C ara..og vil du. A D D stevjast med meg. B C C D
A E i kveld..du gå. B A E r 'kje åt fyrr d. E E D C C E u fær ein smell..
abort. DJbyHandsisselkyrkjeboorigamiweightlessapati MB. nettimeann mailing
list. nettimeannnettime.org. colmplaints ingored. complaits comlaints
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fa.fictionofphilosophy groupsbeta. been available as
fa.fictionofphilosophy at usenet now it's also made. in addition to the
archives also containing interesting statistics. feeds. at least in this
stage it's free from ads who knows about. later... well just fyi and all
the best to the group and the people spending. time here... raven apm. ..
Raven's Advanced Progressive Matrixes (RAPM). Raven's Advanced Progressive
Matrixes is one of a series of nonverbal. tests of intelligence developed
by J.C. Raven (). Following. Spearman's theory of intelligence it was
designed to measure the. ability to educe relations and correlates among
abstract pictorial forms. and it is widely regarded as one of the best
available measures of. Spearman's g or of general intelligence (e.g.
Jensen Anastasi. ). As its name suggests and of particular significance to
the. Prometheus Society it was developed primarily for use with persons of.
advanced or above average intellectual ability.. Like the other Raven's
matrices tests the APM is composed of a series. of perceptual analytic
reasoning problems each in the form of a matrix.. The problems involve
both horizontal and vertical transformations. Figures may increase or
decrease in size and elements may be added or. subtracted flipped rotated
or show other progressive changes in the. pattern. In each case the lower
right corner of the matrix is missing. and the subject's task is to
determine which of eight possible. alternatives fits into the missing
space such that row and column rules. are satisfied. The APM battery
consists of two separate groups of. problems. Set I consists of problems
that cover the full range of. difficulty sampled from the Standard
Progressive Matrices test. Standard. timing for Set I is minutes. This set
is generally used only as a. practice test for those who will be completing
Set II. Set II consists. of problems with a greater average difficulty than
those in Set I.. Set II can be administered in one of two ways either with
or without a. time limit of minutes. Administering Set II without a time
limit is. said specifically to assess a person's capacity for clear
thinking. whereas imposing a time limit is said to produce an assessment
of. intellectual efficiency (Raven Court Raven ).. Phillip A. Vernon in
his review of the APM (Test Critiques ). writes that the quality of the
APM as a test is offset by the totally. inadequate manual which
accompanies it. For interpretive purposes the. manual provides 'estimated
norms' for the APM which allow raw. scores to be converted into
percentiles (but only and ). and another table for converting percentiles
into IQ scores. John. Johansen a graduate student at the University of
Minnesota and former. regular poster to the Brain Board came into
possession of the. version of the test for use in his research (this form
is no longer used. for testing) along with pages of written text about
the. implementation scoring and standardization of the test. In a post to.
he provided the following information applicable to the untimed. version of
the test. Untimed intraday (go until you give up) distribution for year.
olds year olds and year olds. Scores balanced for guessing.. general
population. percentile ranking. number correct by age group. years. years.
years. .. Norms are not accurate above this point for the untimed version
due to. limited population taking test in this condition.. Ignoring the
above caveat about inaccurate norms above the .th. percentile the above
data indicates that there is about a point raw. score difference between
and sigma on this test. If this difference. carries on to the next sigma
this would give associated scores of. general population. percentile
ranking. number correct by age group. years. years. years. .. Although
this data would seem to suggest sufficient ceiling for. discriminating at
the in level there have been other normative. studies which provide
conflicting data. In an article in Educational and. Psychological
Measurement (Bors and Stokes ) the authors mentioned. two studies of
interest besides Raven's group Paul's study and. their own S. M. Paul's
study of University of California. Berkeley students ( women men) Tested
under the untimed. condition the students' scores ranged from to with a
mean of. and a standard deviation of .. This was significantly higher than
the. mean of Raven's normative group (M. SD.).. Bors and Stokes
administered the timed version of the APM to. students ( women men) from
the Introduction to Psychology course. at the University of Toronto at
Scarborough. Subjects ranged in age from. to years with a mean of .
(standard deviation.).. Enrollment in the Introduction to Psychology
course was considered. roughly representative of firstyear students at
this university. The. scores on Set II for the students ranged from to
with a mean of. . (standard deviation.). This performance is somewhat
higher. than that of the Raven's normative group but considerably lower.
than Paul's University of California Berkeley sample.. Additional data
supporting the conclusion that the RAPM (either timed or. untimed) does
not discriminate at the level is taken from. Spreen Strauss (Compendium of
Neuropsychological Tests nd Edition. ) and shown in the tables below.. A
middleoftheroad approach would be to use the recent University of. Toronto
at Scarborough data and to assume that the mean of the test. group
corresponds to about SD above the mean of the general. population and to
further assume that the SD of the general population. would be about the
same as the standard deviation of the test group.. Finally assuming a
normal distribution in the test group the in. level would correspond to .
(.) which is raw. points above the test's ceiling of .. Advanced
Progressive Matrices Set II Occupational Norms. ile rank. Occupations of
various groups. UK. US. UK TA. UK. UK. UK. UK. UK. UK. UK. General.
populatn. yr.olds. Navy. yr. olds. Officer. Aplcnt. Retail. Mngrs..
Police. Officer. Senior. Mngrs(Htls.). Accnt.. Staff. Oxford. Local.
Athrty.. Rsrch.. Scntsts.. untmd.. min. min. min. min. min. min. min. min.
min. (n). (n. (n). (n). (n). (n). (n). (n). (n). (n). UK general population
data derived from the Standardization of the. SPM and APM (TABLE APM XIII).
US Navy data extracted from data supplied. by Alderlon (see Knapp Court )
(TABLE APM XVII) UK Police. Officers' data extracted from Feltham ()
(TABLE APM XXVI). Other. data collected by Oxford Psychologists Press.
Source J. Raven ().. The data above does bring up the issue of age
variation of IQ data which. is not typically addressed by other
instruments that we've used for. Prometheus Society entry requirements and
that is perhaps something that. should be considered. (In the case of the
SAT and GRE tests there is. not typically much variation in the ages of
those taking the test and no. such data was used in norming any of the
takeathome tests we've used.. Spreen and Strausse have provided the
information for the table below. Advanced Progressive Matrices Set II
(Untimed) Smoothed Summary Norms. for the USA. ile rank. Age of test taker
in years. (n). (n). (n). (n). (n). (n). (n). (n). (n). (n). (n). Based on
the standardization of the APM in Des Moines Iowa.. Tests completed at
leisure. Source J. Raven (). Curiously American Mensa does not list the
RAPM among its currently. accepted tests although UK Mensa does. Perhaps
this is a more. international test than others we have reviewed and
considering its. quality we should probably continue to consider its
possible use. especially as an auxiliary test to be submitted in
conjunction with. other tests that are deemed capable of discriminating at
the in. level.. delayed. Warning not. YOU DO NOT. The original Mon. (CEST)
from . . .. ... Transcript of. session follows. ... Deferred. .... Warning
still. undelivered. Will keep trying. FinalRecipient RFC noemata.... Action
delayed. Status ... RemoteMTA DNS .... WillRetryUntil Sometime Feb (CEST).
Re fiction of philosophy newsgroup. fa from arpanet. institute for
informatics at the university of oslo is gatewaying. all the old arpanet
groups into usenet because most users didn't have. access to arpanet only
usenet.. The world's oldest electronic conferences the ARPANET mailing
lists. were quickly integrated into USENET. Gateways were made so
newsgroups. starting with fa (From ARPANET) contained the mailing list
contents. and USENET users could post and participate. ARPANET mailing
lists. emerged around not long after network email linked ARPANET users.
together.. It's only purpose is that. everyone who want to subscribe to
the mailinglist can. just read the newsgroup (saves some disk space I
guess).. The prefix fa is as far as I know quiet historic.. The first
mailing lists that were converted to newsgroups. had this prefix (fa from
arpanet).. Until this discussion I didn't know that this group was.
distributed outside ifi.uio.no (Institute of Informatics. University of
Oslo). Do you get the other fa.groups as. well At the moment there are of
them.. search on arpanet usenet gateway etc for more internet history..
for the other question see my recent post about. I believe so...but I
don't know who set it up or when or what 'fa'. stands. for for that
matter.... Ryan. Since my pop mail account keeps screwing up over here Ive
been. looking for a. way to read the wryting list I found the fiction of
philosphy. newsgroup which. seems to have some of the wryting list
archived there. How does this. work Is. the newsgroup subscribed to the
wryting list. inlangplgroupfa.fiction. ofphilosophy. mIEKAL. This message
was sent using Midwest Tel Net Web Based Mail.. Re fiction of philosophy
newsgroup. and also. ..This rather brings to mind a syndrome that
sometimes occurred when an. old Arpanet mailing list got gatewayed to a
Usenet newsgroup. After a. little while some Usenet novice would commit
some faux pas a furious. Arpanaut would flame violently about how Usenet
was nothing but bozos. who didn't understand How Things Should Be Done and
the gatewaying was a. stupid idea and the list maintainer would quietly
observe that the. gatewaying had indeed produced problems but it was also
producing most. of the real content... Henry Spencer Mail Relays. ). fa
from arpanet. institute for informatics at the university of oslo is
gatewaying. all the old arpanet groups into usenet because most users
didn't have. access to arpanet only usenet.. The world's oldest electronic
conferences the ARPANET mailing lists. were quickly integrated into USENET.
Gateways were made so newsgroups. starting with fa (From ARPANET) contained
the mailing list contents. and USENET users could post and participate.
ARPANET mailing lists. emerged around not long after network email linked
ARPANET users. together.. It's only purpose is that. everyone who want to
subscribe to the mailinglist can. just read the newsgroup (saves some disk
space I guess).. The prefix fa is as far as I know quiet historic.. The
first mailing lists that were converted to newsgroups. had this prefix (fa
from arpanet).. Until this discussion I didn't know that this group was.
distributed outside ifi.uio.no (Institute of Informatics. University of
Oslo). Do you get the other fa.groups as. well At the moment there are of
them.. search on arpanet usenet gateway etc for more internet history..
326
for the other question see my recent post about. I believe so...but I don't
know who set it up or when or what 'fa'. stands. for for that matter....
Ryan. Since my pop mail account keeps screwing up over here Ive been.
looking for a. way to read the wryting list I found the fiction of
philosphy. newsgroup which. seems to have some of the wryting list
archived there. How does. this. work Is. the newsgroup subscribed to the
wryting list. inlangplgroupfa.fiction. ofphilosophy. mIEKAL. This message
was sent using Midwest Tel Net Web Based Mail..
isoQJaglEggerlitebilderpEmighEr.. Jag lgger lite bilder på mig hr.. Men
kom ihåg jag vill grna att ni skriver i Gstboken vad ni tycker. annars
blir det inte fler bilder.. Mina Fuktiga brst efter duschen.. Jag visar
upp ett av mina brst.. Jag i sexiga underklder.. Jag visar upp mig på
sngen.. Hr r jag helt utlmnad åt dig.. Tnk om handen inte fanns dr..
Gillar ni mina Lppar.. Ny bild på mina lppar.. Gillar ni bilderna på mig i
stayups. Det kan komma fler bilder Jag håller på att vertala min vninna
att. jag skall få lgga upp bilder på henne också.. Hr under lgger jag
sprutbilderna som jag får Och jag skall villigt. erknna att jag har
onanerat och tittat på dem många gånger.. Sprutbild. Sprutbild. Sprutbild.
Sprutbild. Sprutbild. Sprutbild. Sprutbild. Sprutbild. Sprutbild. Jag har
fått ett par nya sprutbilder Det tycker jag om. Flera gånger. har jag
tittat på dessa bilder och tnkt på er hur ni har lekt med era. underbara
stånd fantiserat om mig och sedan sprutat er varma klibbiga. sats ver min
kropp. Många gånger har dessa fantasier tagit mig till. underbara
orgasmer. Ett extra spnningsmoment r ju att min kille inte. har någon
aning om vare sig websidan eller dessa foto.. Hr kommer fler bilder.. En
bild från en man som heter Bokoboko.. Gabbe har också sprutat ner min
kropp.. Hawkan har lagt sin varma sd ver mig.. Fineman har gjort hrligt
sexiga konstnrliga bilder.. nnu en bild från Fineman.. Re the sleep of
reason. The Slip of Reason Produces Monsters.... The Monstrous Reason
Produces Sleep.... The Sleep of Monsters Produces Reason.... The
Production of Reason Monsters Sleep.... the protesting of rezone
mahayanist sleep.... two slippy opaque ricin particular monsters.... thy
menstruates richen periodizations sleep.... the skelf opah minstrel
participant ratio... twombly mensing richened periodicity sleeplessess thy
skelping opaline. minority partly reasons tattooer party obese rippling.
reason rosena rosaen ensora aeonsr senora soraen soaren snorea oarsen.
norsea arsone. subject. unselfishness there you see plainly the recursion
it's considered a. virtue because.. in view of.. yes unselfishness. and so
selfishness is a. virtue in view of selfishness etc. and virtue is a virtue
in view of the. virtue virtue is the positive productive property of a view
the view's. production. but it doesn't mean you can avoid it. there's
virtues of your. body as long as you have one. and virtues of having as
long as it's. possible. and virtues of the possible as long as it's not
impossible.. virtues of the impossible via negativa. prime numbers are
what remains. are. they selfish or unselfish ) positive or negative you
can follow them a. bit via the positive which is like the virtue of a view
formula though. quickly you're replacing algorithms with heuristics which
is more of a. mess like the layered virtues of our reality the real being
transcendent. unending streams and you find yourself jumping from this to
that all the. time not selfishalgorithmic (producing) or
unselfishheuristic (seeking). but let's call it dancing since there are
movements and well the thing is. still alive though with no reason and not
producing or seeking still views. you can't avoid going through the steps.
eurythmics is at the end or the. beginning not the body's algorithms
(production system) or it's. intentionality (heuristics) the virtues of
having a body having a view. not selfish not unselfish. no virtues no
views but still a text still. here though not what it is (produces) or
what it means (seeks) it's still. written in virtue of the iso charset
twofaced bastards so maybe. we're talking dialectics too the protocol
(selfish) and the exchange. (unselfish) still the user. user (Æzr) n. Law.
the exercise of a. right to the enjoyment of property. my body my propery
the body of this. mail. again the protocol's from to subject body this is
the body.. distributed via no commercial use without permission. is a
moderated mailing list for net criticism. collaborative text filtering and
cultural politics of the nets. more info majordomobbs.thing.net and info
nettimel in the msg body. Fwd xStream online. Start of forwarded message.
ReplyTo xstreamxpressed.org. Fwd xStream online. xStream Issue. xStream
Issue is online again in three parts. . Regular (also available in PDF)
Works from poets. (Sandra Simonds Dorothee Lang Hugh Tribbey David Nemeth.
John Crouse Jim Leftwich and Andrew Topel). . Autoissue Poems generated by
computer from Issue texts. the whole autoissue is generated in realtime
new version in. every refresh.. . Wryting Issue a monthly selection of
WRYTINGL listserv works. Sincerely. JukkaPekka Kervinen. Editor. xStream.
email xstreamxpressed.org. End of forwarded message. florian cramer
digital code and literary text. florian cramer digital code and literary
text. Can notions of text which were developed without electronic texts in
mind be. applied to digital code and how does literature come into play
here. Abstract. This paper is based on the general (yet disputable)
assumption that the. theoretical debate of literature in digital networks
has shifted just as. the poetic practices it is shaped after from
perceiving computer data as an. extension and transgression of textuality
(as manifest in such notions as. ''hypertext'' ''hyperfiction'' ''hyper
multimedia'') towards paying. attention to the very codedness i.e.
textuality of digital systems. themselves. Several phenomena may serve as
empirical evidence. The early focus of conceptualist Net.art on the
aesthetics and politics of. code. in turn the impact of Net.art aesthetics
on experimental literature. poetry in the Internet. the close discooursive
affinity of Net.art to political activism in the. Internet. the close
aesthetic affinity of Net.art to a the languages and codes of an. older
technically oriented ''hacker'' culture (of Chaos Computer Club. and
others). a convergence of the three cultures mentioned above Net.art net
activism. and hacker culture. (a) FreeOpen Source Software andor (b) open
network protocols as key. discursive political and aesthetical issues in
all these camps. finally the impact of hacker aesthetics Net.art
aesthetics code. aesthetics and network protocol aesthetics on
contemporary writing in the. Internet. (See the work of mez Alan Sondheim
Talan Memmott Ted Warnell. and others.). The question is how ''Codeworks''
(Alan Sondheim) fit notions of text that. were crafted without digital code
most importantly machineexecutable. digital code in mind and vice versa. Is
it a coincidence that in their. poetical appropriation of lowlevel Internet
codes codeworks ended up. aesthetically resembling concrete poetry And
apart from aesthetic. resemblances how do computer programs relate to
literature Is that what is. currently being discussed as ''Software Art''
a literary genre. Code. Since computers the Internet and all digital
technologies are based on. zeros and ones they are based on code. Zeros
and ones are an alphabet which. can be translated forth and back between
other alphabets without information. loss. It does in my point of view
make no sense to limit the definition of. the alphabet in general to that
of the Roman alphabet in particular when we. can the same textual
information in this very alphabet as Morse code flag. signs or
transliterated into zeros and ones. The Internet and computers run. on
alphabetic code whereas for examples images and sound can only be.
digitally stored when translating them into code which unlike the.
translation of conventional text into digital bits is a lossy that is. not
fully reversible and symmetric translation. Sounds and images are not. code
by themselves but have to be turned into code in order to be computed.
where as any written text already is code. Literature therefore is a.
privileged symbolic form in digital information systems. It is possible
to. automatically search a collection of text files for all occurences of
the. word ''bird'' but doing the same with birds in a collection of image
files. or bird songs in a collection of audio files is incomparably tricky
and. errorprone relying on either artificial intelligence algorithms or
manual. indexing both of which are methods to translate nonsemantic
writing (pixel. code) into semantic writing (descriptions).. The reverse
is true as well We can perfectly translate digital data and. algorithms
into nondigital media like print books as long as we translate. them into
signs coded according to the logic of an alphabet. This is what is. done
for example in programming handbooks or in technical specification.
manuals for Internet standards. Today there are two notorious examples of
a. forth andback translation between print and computers. The sourcecode
of Phil Zimmerman's cryptography program ''Pretty Good. Privacy'' (PGP).
The PGP algorithms were legally considered a weapon and. therefore became
subject to U.S. export restrictions. To circumvent this. ban Zimmerman
published the PGP sourcecode in a book. Unlike algorithms. literature is
covered by the U.S. First Amendment of free speech. So the. book could be
exported outside the United States and by scanning and. retyping
translated back into an executable program. the sourcecode of DeCSS a
small program which breaks the cryptography. scheme of DVD movies. Since
U.S. jurisdiction declared DeCSS an ''illegal. circumvention device''
according to the new Digital Millennium Copyright Act. (DMCA) the ban
equally affected booklets flyposters and tshirts on which. the DeCSS
sourcecode was printed.. That code is speech is a fact stressed again and
again by programmers and is. also at the heart of Lawrence Lessig's legal
theory of the Internet. (Lawrence Lessig. Code and Other Laws of
Cyberspace. Basic Books New York. .). It is strictly speaking sloppy
terminology to speak of ''digital. media''. There actually is no such
thing as digital media but only digital. information. Digital information
becomes ''media''only by the. On the reverse end of the chain keyboards
mice scanners and cameras. are analogtodigital converters.. virtue of
analog output computer screens loudspeakers printers are analog. output
devices interfaced to the computer via digitaltoanalog conversion.
hardware like video and sound cards or serial interfaces.. An average
contemporary personal computer uses magnetic disks (floppy and. hard
disks) optical disks (CDROM and DVDROM) and chip memory (RAM) as its.
storage media and electricity or fiber optics as its transmission media..
Theoretically one could build a computer with a printer and a scanner
which. uses books and alphabetic text as its storage media. Alan Turing
showed. that. While such a machine would operate slower than with
magnetical or. optical media it would provide more robust and durable
information storage. on the other hand.. no electronics are needed to
build a computer the Boston Computer Museum. even features a mechanical
computer built from wooden sticks.. Juxtapositions of ''the book'' and
''the computer'' are quite misleading. because they confuse the storage
and analog output media (paper versus a. variety of optical magnetical and
electronical technologies) with the. information (alphabetical text versus
binary code). It further ignores by. the way the richness of storage and
transmission media in traditional. literature which aside from the book
include oral transmission and mental. storage audio records and tapes the
radio and television to name only a. few.. If there is strictly speaking
no such thing as digital media there also. is strictly speaking no such
thing as digital images or digital sound.. What we refer to as a ''digital
image'' is a piece of code. Normally this code is divided into three pieces
one the socalled. sound or image file containing the machineindependent and
program. independent abstract information the second the socalled display
program. containing the instructions to mediate the abstracted information
in a. machineindependent yet not programindependent format to the
operating. system the third the socalled operating system mediating the
program. output to the output machine whether a screen or a printer. These
three. code layers however are nothing but conventions. Theoretically the.
digital image'' file could in itself contain all the code necessary to.
make itself display on analog end devices including the code that is.
conventionally identified as a boot loader and core operating system..
containing the machine instructions to produce the flow of electricity
with. which an analog screen or an analog printer is made to display an
image.. Of course it is important whether a sequence of zeros and ones
translates. into say an image because that defines its interpretation and
semantics.. The point of my (admittedly) formalistic argumentation is not
to deny this. but to underline that. when we speak of ''multimedia'' or
''intermedia'' in conjunction with. computers digital art and literature
we actually don't speak of digital. systems as themselves but about
translations of digital information into. analog output and vice versa.
text and literature are highly privileged symbolic systems in these.
translation processes because (a) they are already coded and (b)
computers. run on a code.. Literature and computers meet first of all
where alphabets and code human. language and machine language intersect
secondly in the interfacing of. analog devices through digital control
code. While of course we cannot think. of code without media because we
can't read it without them the computer. does not really extend literary
media themselves. All those output media. electricity electrical sound and
image transmission etc. existed before. and without computers and digital
information processing.. I therefore have to revise the position I took in
several of my previous. writings If we speak of digital poetry or computer
network poetry we. don't have to speak of certain media and we don't. like
in the paper Warum es zuwenig interessante Computerdichtung gibt.. Neun
Thesen'' ( Nine Points on Why there is so little interesting computer.
homepagewritingsnetliterature general karlsruhe. karlsruherthesen.pdf.
even have to speak of specific machines. If computers can be built from.
broomsticks and networked via shoestrings if any digital data including.
executable algorithms can be printed in books and from them read back
into. machines or alternatively executed in the mind of the reader there
is no. reason why computer network poetry couldn't or shouldn't be printed
as well. in books.. Perhaps the term of digital ''multimedia'' or better
''intermedia''. would be more helpful if we redefine it as the the
possibility to losslessly. translate information from one sign system to
the other forth and back so. that the visible audible or tacticle
representation of the information. becomes arbitrary. A state not be
achieved unless the information is not. coded in some kind of alphabet
whether alphanumerical binary hexadecimal. or if you like Morse code..
Literature. Synthesis putting things together. observe the textual
codedness of digital systems of course implies the. danger of generalizing
and projecting one's observations of digital code. onto literature as a
whole. Computers operate on machine language which is. syntactically far
less complex than human language. The alphabet of both. machine and human
language is interchangeable so that ''text'' if defined. as a countable
mass of alphabetical signifiers remains a valid descriptor. for both
machine code sequences and human writing. In syntax and semantics. however
machine code and human writing are not interchangeable. Computer.
algorithms are like logical statements a formal language and thus only a.
restrained subset of language as a whole.. However I believe it is a
common mistake to claim that machine language. would be only readable to
machines and hence irrelevant for human art and. literature and vice versa
literature and art would be unrelated to formal. languages.. It is
important to keep in mind that computer code and. No computer can
reprogram itself selfprogramming is only possible. within a limited
framework of game rules written by a human programmer. A. machine can
behave differently than expected because the rules didn't. foresee all
situations they could create but no machine can overwrite its. own rules
by itself.. computer programs are not machine creations and machines
talking to. themselves but writings by humans. The programmerartist Adrian
Ward. suggests that we put the assumption of the machine controlling the
language. upside down. ''I would rather suggest we should be thinking
about embedding our own. creative subjectivity into automated systems
rather than naively trying to. get a robot to have its 'own' creative
agenda. A lot of us do this day in. day out. We call it programming.''.
quoted from an EMail. message to the Rhizome'' mailing list May. Perhaps
one also could call it composing scores and it does not seem. accidental
to me that musical artists have picked up and grasped computers. much more
thoroughly than literary writers. Western music is an outstandig. example
of an art which relies upon written formal instruction code. Self.
reflexive injokes such as ''BACH'' in Johann Sebastian Bach's music the.
visual figurations in the score of Erik Satie's ''Sports et.
divertissements'' and finally the experimental score drawings of John
Cage. shows that beyond a merely serving the artwork formal instruction
code has. an aesthetic dimension and intellectual complexity of its own.
In many. works musical composers have shifted instruction code from
classical score. notation to natural human language. A seminal piece in my
opinion is La. Monte Youngs ''Composition No. '' which simply consists of
the. instruction ''Draw a straight line and follow it.'' Most Fluxus
performance. pieces were written. Galerie und Edition Hundertmark. George
Maciunas und FluxusEditionen. . no page numbering. in the same notation
style. Later in the American composer Alvin. instruction which very
precisely tells to perform the piece by playing. itself back and
modulating the speech through the room echoes.. In literature formal
instructions is the necessary prerequisite of all. permutational and
combinatory poetry. Kabbalah and magical spells are. important examples as
well. But even in a conventional. Some historical examples have been
adapted online on my website. narrative there is an implict formal
instruction of how i.e. in which. sequence to read the text (which maybe
or followed or not as opposed to. hypertext which offers alternative
sequence on the one hand but enforces. its implicit instruction on the
other). Grammar itself is an implicit and. very pervasive formal
instruction code.. Although formal instruction code is only a subset of
language it is still. at work in all speech and writing.. It is
particularly remarkable about computing that the namespace of. executable
instruction code and nonexecutable code is flat. One cannot tell. a
snippet of digital code whether it is executable or not. This. property
does not stand out in the alphabet of zeros and ones but is solely.
dependent on how another piece of code a compiler a runtime interpreter.
or the embedded logic of a microprocessor processes it. Computer code is.
highly recursive and highly architectural building upon layers of layers
of. code.. Analysis taking things apart. The fact that one cannot tell
from any piece of code whether it is machine. executable or not provides
the principle condition of all EMail viruses on. the one hand and of the
codeworks of jodi antiorpNetochka Nezvanova mez. Ted Warnell Alan Sondheim
Kenji Siratori to name only a few. with the biennale.py'' computer virus of
the net art groups. on the other work that unlike the actual viri is
fictional in that it. aesthetically pretends to be potentially viral
machine code.. The codeworks to use a term coined by Alan Sondheim of
these writers and. programmerartists are prime examples for a digital
poetry which reflects. the intrisic textuality of the computer. But they
do so not by being to. quote Alan Turing via Raymond Queneau computer
poetry to be read by. computers but by playing with the. Raymond Queneau.
Cent mille milliards de pomes. Gallimard Paris. . p.. confusions and
thresholds of machine language and human language and by. reflecting the
cultural implications of these overlaps. The ''mezangelle''. poetry of
mezMary Ann Breeze which mixes programmingnetwork protocol code. and non
computer language to a portmanteauword hybrid is an outstanding. example
of such a poetics.. Compared to earlier poetics of formal instruction like
in La Monte Young's. Composition in Fluxus pieces and in permutational
poetry an important. difference can be observed in the codeworks The
Internet code poets and. artists do not construct or synthesize code but
they use code or code. grammars they found and take them apart. I agree
with Friedrich Block and. digital.deBlockindex engl.htm that digital
poetry should be. read in the history and context of experimental poetry.
A poetics of. synthesis was characteristic of combinatory and
instructionbased poetry a. poetics of analysis characterized Dada and its
successors. But one. An exception being the the ALGOL computer programming
language poetry. written by the Oulipo poets Franois le Lionnais and Nol
Arnaud in the. early s. see Harry Mathews and Alastair Brotchie editors.
Oulipo Compendium. Atlas. Press London . p.. hardly finds poetry with an
analytical approach to formal instruction code. in the classical th
century avantgarde. Internet code poetry is being. written in a new if one
likes postmodernist condition of machine code. abundance and overload.. The
hypothesis that there is no such thing as digital media but only. digital
code which can be stored in and put out on any analog medium is. perfectly
verified by codework poetry. Unlike hypertext and multimedia. poets most of
the artists mentioned here write plain ASCII text. The. contradiction
between a complex technopoetical reflection and lowtech. communication is
only a seeming one quite on the contrary the lowtech is. crucial to the
critical implication of the codework poetics.. The development of
hyperfiction and multimedia poetry practically paralleled. the
construction of the World Wide Web hyperfiction authors rightfully saw.
themselves as its pioneers. In the course of nineties they continued to.
push the technical limits of both the Internet and multimedia computer.
technology. But since much digital art and literature became testbed.
applications for new browser features and multimedia plugins it.
simultaneously locked itself into nonopen industrycontrolled code.
formats. Whether intentional or not digital art thus. like Shockwave
QuickTime and Flash. strongly participated in the reformatting of the
World Wide Web from an. open operating system and browseragnostic
information network to a. platform dependent on propietary technology.. By
readjusting the reader's attention from software surfaces which pretended.
not to be code back to the code itself codeworks have apparent
aesthetical. and political affinities to hacker cultures. While hacker
cultures are far. more diverse than the singular term ''hacker'' suggests
hackers could as. well be distinguished between those who put things
together like Free. Software and. Boris Grndahl's (German) Telepolis
article The Script Kiddies Are. Not Alright'' summarizes the multiple
sometimes even antagonistic camps. deutschhtmlresult.xhtml urltp
deutschinhaltte.html. demo programmers and those who take things apart
like crackers of serial. numbers and communication network hackers from
YIPLTAP Phrack and. Chaos Computer Club schools. Code poets have factually
adopted many poetical. forms that were originally developed by various
hacker subcultures from the. s to the early s including ASCII Art code
slang (like '' wArz. dd'' for ''leet elite wares dood'') and poetry in
programming languages. (such as Perl poetry) or they even belong to both
the ''hacker'' and the. ''art'' camp. curious. curioushyperreal.pl.
reading my handwriting. .jpg. 'Freedom died. great people proved that
awareness exists and every lifeform is aware. unfortunatelly they hadn't
in mind that evolution not aims into awareness. development but towards
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This what makes us Humans is ablity to selfdevelopment and Empathy. not
adaptation.. Crowd without a leader went insane.. Sickness is ones who
emphatize get dellusion when looking feelingsless. ones there is no mutual
empathy then ones who emphatize become codepend.. '. .jpg. (notes from
train station i tried to visualise how autosopher adaptative. network
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come from. changed metabolism of dopamine while addiction is created by
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i have some other work like learning from c sources i'll write to you.
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observation of. thoughts about minimalism truth about time.. form of
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'Freedom died. great people proved that awareness exists and every
lifeform is aware. unfortunatelly they hadn't in mind that evolution not
aims into awareness. development but towards better adaptation.. milions
of people just learned how to fake awareness.. This what makes us Humans
is ablity to selfdevelopment and Empathy. not adaptation.. Crowd without a
leader went insane.. Sickness is ones who emphatize get dellusion when
looking feelingsless. ones there is no mutual empathy then ones who
emphatize become codepend.. '. .jpg. (notes from train station i tried to
visualise how autosopher adaptative. network works). also note that
'positive effects coming from smoking of tobbaco come from. changed
metabolism of dopamine while addiction is created by completely. different
neurotransmitter patch'. also common mistake of polish language pointed out
(use of foregin noun). .jpg adaptative ALP network (network of small audio
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learning from c sources i'll write to you. later. d.jpg. dissolving
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particles of absurd from nothing. substance. while this world is only
interpretation of our dreams. substance. you melt with nonexistence like
you. practical disasemble of life program. transient observation of.
thoughts about minimalism truth about time.. form of delusion. sequence of
session. it's lack of thought Substance. while civilisation camp grid is at
least km thin.. where is reason. dynamic. ambition. field of perception
actions of consiousness. (). time. and this is 'life'. intonation is alive
and manipulating bodies. will be as is because can't be other way.
preprogrammed forecast shatter and bend under influence of new data. how
is time machine like. alive. destiny of chaos complexity creation is
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exists and every lifeform is aware. unfortunatelly they hadn't in mind
that evolution not aims into awareness. development but towards better
adaptation.. milions of people just learned how to fake awareness.. This
what makes us Humans is ablity to selfdevelopment and Empathy. not
adaptation.. Crowd without a leader went insane.. Sickness is ones who
emphatize get dellusion when looking feelingsless. ones there is no mutual
empathy then ones who emphatize become codepend.. '. .jpg. (notes from
train station i tried to visualise how autosopher adaptative. network
works). also note that 'positive effects coming from smoking of tobbaco
come from. changed metabolism of dopamine while addiction is created by
completely. different neurotransmitter patch'. also common mistake of
polish language pointed out (use of foregin noun). .jpg adaptative ALP
network (network of small audio buffers adapting to. user defined sound)..
i have some other work like learning from c sources i'll write to you.
later. d.jpg. dissolving substance. dreams come when i am here. snowwhite
truth about false. particles of absurd from nothing. substance. while this
world is only interpretation of our dreams. substance. you melt with
nonexistence like you. practical disasemble of life program. transient
observation of. thoughts about minimalism truth about time.. form of
delusion. sequence of session. it's lack of thought Substance. while
civilisation camp grid is at least km thin.. where is reason. dynamic.
ambition. field of perception actions of consiousness. (). time. and this
is 'life'. intonation is alive and manipulating bodies. will be as is
because can't be other way. preprogrammed forecast shatter and bend under
influence of new data. how is time machine like. alive. destiny of chaos
complexity creation is creation itself. we can watch beauty of growth. our
time came. power came to an end.. curioushyperreal.pl. badgernoemata.net.
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ContentTransferEncoding bit. post distribuert via. e k u n s t.
listeadresse eekunst.no. kontaktadresse listmasterekunst.no. Re curious.
weird taxonomy. thanks to curious... arafat. arafat shithead it's all the
same some shithead claiming territory. another shithead you only need one
then you get another. automatically like tribes of shitheads shiites
something what's. that got to do with anything. contemporary ontology
something anything everything nothing. maps plainly to logic how
metaphysics became logic or was as it. were classes what do we mean
classes are classes nosferatu the. death of metaphysics the blood is logic
everything is logic has. its undead counterpart the world may die any human
we'll go on. living like undead i should come through here no it's not
possible. any image still there's a byte before it exhausts coming back
to. this morning and driving under the bridge don't blame gray words. gray
roads. feeling down may come easy you just sit there and suddenly you want.
go to sleep and can't sleep because you think this will never end. and
there's nothing anywhere. i'm always down like the server is. down. all
this wind is it going anywhere mostly robots reading the. web let's say i
lived my experience is not different from anybody. else why should we be
separate two persons have mutual feelings. what a mess still four arms two
heads what a monster and the. cleaning of the interface reactions why
should i react i'm already. you not in a religious sense just practical
like the same same. system two processes the same shit all the more
pressure around. identity and the individual this exploition a striking or
notable. deed feat spirited or heroic act the exploits of Alexander the.
Great. it's of course true we are the same otherwise science and. the
logics would be false but still culturally a quest for. identity and most
levels retained which together is driving us out. through the processor
our bodies are arguments positions like. minimal pairs in linguistics and
identical to what itself which. makes sense only through a representation
with the possibility of not. being itself so the quest is via the culture
representation where. the position comes in like the 'you are here' on
maps (in a text you. are here what does it mean i am here this is a long
string and the. other arts where are you in music and everything before
language. and within) no the identity can't come from anything why
different. cultures have different ideas of identity we have maps so we
have. the identity of 'you are here' which gives a faint realization of.
yourself but enough to keep fixed through the loop of being and not. being
the truth and falsity of representation or more precise the. falsity
revealed through its truth and vice versa which is at stake. when
represent i am here two times here and here which are two. places in the
text two positions and isn't it supposed to be only. one like i am only
one so we are baffled by this like Alexander the. Great and need to do
baffling deeds to overcome the bifurcation that. takes place already at
the root already at 'you are here' we don't. understand and the territory
comes from this of not understanding. and you get terrorist and president
like arafat collapsing and. sustaining the map as the quest for identity
through construction of. yourself which is like a greek tragedy whatever
you'll find is the. looking for yourself palestine holy land holy shit how
fcking. long will it take before these shitheads loose their power to lead.
others astray for people not to be led into another suffering hell by.
shithead the great.. roadmap to peace forget road forget map forget
peace.. Re syndicate arafat. This is a multipart message in MIME
format.... ContentType textplain charsetiso. if you rid yourself of
opaqueness i don't know where you are is that. beauty love and war were
always good friends. it's still about identity. the quest for anything
clear and transparent (love) which at the same time. should be something
(territory) and it doesn't resolve so forget it not. wait for the best
love projects (maps) too much the territory becomes. what you see is that
wise. Of the raising opaqueness Claudia always has the most beautiful
answer. which we can wait for the best. Original Message. claudia
westermann. Friday November AM. Re syndicate arafat. a. forget road forget
map forget peace.. keep love. love me in my full beauty and I'll become.
what you see in me. or wise. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for
media culture and media art. post to the Syndicate list. no commercial use
of the texts without permission. RE syndicate arafat. This is a multipart
message in MIME format.... ContentType textplain charsetiso. arafat
shithead it's all the same some shithead claiming territory. another
shithead you only need one then you get another. automatically like tribes
of shitheads shiites something what's. that got to do with anything. sure
let's stick to shithead ascii pseudo artists like you. who says you have
to choose sides. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for
media culture and media art. post to the Syndicate list. no commercial use
of the texts without permission. Re syndicate arafat. This is a multipart
message in MIME format.... ContentType textplain charsetiso. Far from the
making act we can say everything in any case. Obviously you. had not
chosen but the omissions allied to the obvious terms made sense of.
themselves together without that you formulated of choice. Obviously
that's your choice reading it as political declarations in most. senses of
the word political since politics is about forcing a choosing of. sides
setting the options to choose but obviously every side is ugly. here
oppressor or oppressed how the sense of justice is construed and. since
nothing is chosen something ugly comes back for lack of the political.
conformance and balance and renders opaque and annoying and gives the
idea. there must be a clearer position behind or hidden but that's not the
case. other than don't be mislead by political 'shitheads' to suffer their
hell.. ContentType textplain namemessagefooter.txt. ContentDisposition
inline filenamemessagefooter.txt. ContentTransferEncoding bit. Syndicate
mailinglist. Syndicate network for media culture and media art. post to
the Syndicate list. no commercial use of the texts without permission.
recursive dictionary. He was born with a material or nonmaterial entity
idea action. etc that is or may be thought about or perceived a gift a
thing. given or presented of the something done deed or action or.
sensation caused in the ear by the vibration of the surrounding air or.
other medium of laughter and the capacity or power to perceive or feel. or
to be conscious of the state or condition of being present or. attributes
qualities or characteristics of material or nonmaterial. entities ideas
actions etc that are or may be thought about or. perceived that human
concerns business matters to be attended to. their continuous onward
movement or progression and circumstances. esp. those affecting the
functioning or existence of something active. condition which
distinguishes active animals and plants from inorganic. matter including
the capacity for growth functional activity and. continual change
preceding death were mad.. Bertrand Russell. Applying the algorithm to
text with a high proportion of abstract. nouns is particularly amusing.
Here the starting text is from. Bertrand Russell's History of Western
Philosophy from a chapter on. Plato. The second argument is that knowledge
is recollection and therefore. the soul must have existed before birth. The
theory that knowledge is. recollection is supported chiefly by the fact
that we have ideas such. as exact equality which cannot be derived from
experience.. Transformation gives. The second reasoning process is that
awareness or familiarity gained. by experience is the act or power of
recollecting and therefore the. spiritual or immaterial part of a human
being often regarded as. immortal must have existed before the emergence
of a (usually fully. developed) infant or other young from the body of its
mother. The. supposition or system of ideas explaining something esp. one
based on. general principles independent of the particular things to be.
explained that awareness or familiarity gained by experience is the. act
or power of recollecting is supported chiefly by the thing that is. known
to have occurred to exist or to be true that we have. conceptions or plans
formed by mental effort such as the exact. state of being equal which
cannot be derived from actual observation. of or practical acquaintance
with facts or events.. plese. its tu much. i wnat nothign to do with it.
plese. i was nothing to do withit. arc.hive. This is a multipart message
in MIME format.... ContentType textplain charsetiso.
ContentTransferEncoding quotedprintable. all the tnihgs taht aArent
psoilsbe bcak bcak apin bcal is viatl. ptsoure hondinlg im dizzy yuore
liokng for reilef or bdluiiing. waht dnot ask bdiiuinlg fwlwnig don
lkneiesss loop of snese. tgohuths arise attache not i was wthas there to
bilud a story no. stroy threes no sotry what sotry do you yuor life sorty
no lfie. sotry blind bilnd bnild story no sorty bilnd back and fotrh no.
sorty nnothig dvoeelps no dempoleevnt its all dlwilohnl dwon. srtoies i
not srtoy not sroty and the stroy adnother wrod for. benig isdine the
scubjet bnieg oecjbt but not eevn sjbecut how. sjbcuet can i be to daeth i
wsant so how can i be iAts a story. olny a sotry wtih a bgeniinng and end
and the sotry is ntoghin no. story the sotry is jsut a story and the
sejbuct is not a sucbjet. these wdros are cnmiog form a long line of ilde
soht form the. seubct lnie sbjecut the sjbeuct eiecnrxeeps epienrexecs ex
peri. sneseis it tnilkag abuot ilestf or vetbivare mdoe of pscroes.
iarmooniftn v bceaues trehs nnitoghb to bulid the linvig are for. the
lvinig the voderr is for shgmeotin oto be and esle non and. you wodluAnt
know but the tarinstion for loss and gian which. lgneirs for yesra for
lteifmie tmie until aontehr loss wchih fdaes. lkie dcemial jmbures in
sniinicgfcae the digit iteengr wlhoe. hole drigess how etym the w hloe
tunnel tsarcnend. bef. ME OE hol hole cvae orig. nuet. of hol (adj.).
HLOOLW c. G hohl hwlolo. ebf. ME hole hool (daj. and n.) OE hl (ja.d) c. D
heel. G heil ON hilel see HLAE HEAL sp. wtih w relectfs dail. form. bef. ME
holi OE hlig var. of HLEG equiv. to hl WHLOE. eg Y c. D G heilig ON
hlaiegr. the bcalk wohle. .... ON see HLEL. bef. ME OE he(ll) c. OHG
h()illea (G HllFe) ON hel Goth. hjala aikn to OE hlean to cover hide and
to HLUL. satngre the etym siiimelritas as if the opipostes were the.
coslest cinaopnoms balck holes at the cneter of glaaxies in the. misdt of
haveen reisde hell qiute the oppsoite no surprsie also. the balck whloes
of rliigoen whta's torhwn oitudse is rnig. tgloopoy or the srting cmoes
bcak at the cetner or vcie vresa. it's aonther hlel like the syanig if the
wrold was peecfrt it. woul'ndt esixt wree each wrod bges its exspoinan and
if the word. was pefrect it wondul't eixst so tihs way geos itno
altiioainhnn. or the aiiilhntnaon is cnncteeod to rzaieaoiltn wihch is.
cttslannoy dlaeyed torwhn out lkie the wrlod is cearted in tmie. which is
just the delay thgnis go sowler and solewr. the hack. itno ereltncos
certeas the wolrd aenw slutaimes from lgiht seped. and loigc the
hrewyporld mroe and more has to be thorwn out at. lhigt speed to keep it
go solwer and sowler inetria at the end of. speed mabye lkie the practile
padorax aagin if sthoiemng is. pulctairar (eg. tmei) it ditfrs off
mronuolssty allchies and the. tultre view tihs from rivitatley as aheilcls
is giannig light. speed he inealtfs ifitnneliy enregy bceomes msas the
wrold form. the filurae of reazilnig of rhaecing the ttrlue whcih is the.
fiarlue of riiztleaaon the praadox of the pultiracar of the. wrold the
montusros itnifoaln hloe whloe hloy hlel hole in the. wolhe hell in the
holy in the mdsit wihch is cnnasottly thowrn. out the paissve out of the
avitce any oejcbt thwron out of the. subcjet like this.. ContentType
textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. arc.hive mailing
list. arc.hiveanart.no. Re Is Hell Exothermic. all the things that arent
possible back back apin bacl is vital. posture holdning im dizzy youre
loking for relief or builiding. what dont ask biuliding flwwing don
likenesss loop of sense. thoughts arise attache not i was whats there to
build a story no. story theres no story what story do you your life story
no life. story blind blind blind story no story blind back and forth no.
story nothing develops no development its all downlhill down. stories i
not story not story and the story andother word for. being inside the
subject being object but not even subject how. can i be to death i wasnt
so how can i be its a story. only a story with a beginning and end and the
story is nothign no. story the story is just a story and the subject is not
a subject. these words are coming from a long line of idle shot form the.
subect line subject the subject experiences experiences ex peri. senseis
it talking about itself or verbative mode of process. information v
becaues thers nothignb to build the living are for. the living the vorder
is for somethign oto be and else non and. you wouldnt know but the
transition for loss and gain which. lingers for yesra for lifetime time
until another loss which fades. like decimal jumbers in significance the
digit integer whole. hole digress how etym the w hole tunnel transcend.
bef. ME OE hol hole cave orig. neut. of hol (adj.). HOLLOW c. G hohl
hollow. bef. ME hole hool (adj. and n.) OE hl (adj.) c. D heel. G heil ON
heill see HALE HEAL sp. with w reflects dial. form. bef. ME holi OE hlig
var. of HLEG equiv. to hl WHOLE. eg Y c. D G heilig ON heilagr. the black
whole. .... ON see HELL. bef. ME OE hel(l) c. OHG hell(i)a (G Hlle) ON hel
Goth. halja akin to OE helan to cover hide and to HULL. strange the etym
similarities as if the opposites were the. closest companions black holes
at the center of galaxies in the. midst of heaven reside hell quite the
opposite no surprise also. the black wholes of religion what's thrown
outside is ring. topology or the string comes back at the center or vice
versa. it's another hell like the saying if the world was perfect it.
wouldn't exist were each word begs its expansion and if the word. was
perfect it wouldn't exist so this way goes into annihilation. or the
annihilation is connected to realization which is. constantly delayed
thrown out like the world is created in time. which is just the delay
things go slower and slower. the hack. into electrons creates the world
anew simulates from light speed. and logic the hyperworld more and more
has to be thrown out at. light speed to keep it go slower and slower
inertia at the end of. speed maybe like the particle paradox again if
something is. particular (eg. time) it drifts off monstrously achilles and
the. turtle view this from relativity as achilles is gaining light. speed
he inflates infinitely energy becomes mass the world from. the failure of
realizing of reaching the turtle which is the. failure of realization the
paradox of the particular of the. world the monstrous inflation hole whole
holy hell hole in the. whole hell in the holy in the midst which is
constantly thrown. out the passive out of the active any object thrown out
of the. like this.. Re Ego. list copy. It's based on palindromes as you
might expect ) By that constraint. they seem to have their own quirkiness
in vocabulary maybe grammar. and semantics what themes reoccur and comes
through so I wanted to. make pseudopalindromes or write something through
the palindromic. namespace palindromes that were not palindromes but only
looked like. it ) So I'm just processing the palindrome files from.
through the constructed space. I like using markov chain to rearrange.
stuff because the connections between entitites are real and the.
statistics for choosing between entitites are also real (a strong.
connection is more likely to be chosen) so the random element is. within a
quite structured system choosing between weighted options. derived from
real data.. I'm doing some more of these though I see it's limited in use.
I'm. reading through a dictionary of wordplay and oulipo to see if I want.
do something. I'm also having fun with a reverse lookup in. webster's
dictionary from definiens to definiendum which amounts to. a peculiar
thesaurus replacing words by (search for word through all. definiens and
gather all the definiendum and then choose all or one of. these you then
get an associative relation weaker than thesaurus. but more 'poetical'
connoted. Some recent pieces were done with this. and I'm not through with
it yet.. Bjørn. anyhr. year anniversary. archive of visual works. anyhr. as
exhibited at machinista.org. recent. This is a multipart message in MIME
format.... ContentType textplain charsetiso. anyhr. year anniversary.
archive of visual works. anyhr. as exhibited at machinista.org. recent.
ContentType textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. arc.hive mailing
list. arc.hiveanart.no. anyhr. year anniversary. archive of visual works.
anyhr. as exhibited at machinista.org. recent. post listrhizome.org.
questions inforhizome.org. visit on Fridays the Rhizome.org web site is
open to nonmembers. Subscribers to Rhizome are subject to the terms set
out in the. Re Ego. It might be interesting and I'm going to try it what
happens if the. probability is inverted like you suggest. It'll be more
terse and running. culdesac since from always looking for the lesser paths
quickly search. for the borders and then follow the border in a random walk
between the. entries of minimal value. If there is a substantial base of
data it might. do this without running cold and without merely repeating
the singular. minimal data at the margins. Thanks for the idea. I'll try
make more. things available online also in case the computer should crash
like now I. had to zip the data out on floppies. Thanks to dead media...
Thanks for this explanation. Hey noem what if instead of the markov
process you used to make that. work you were to use an inverse markov
process instead That is. rather than selecting words on the basis of their
high statistical. probability to follow other words you selected them for
exactly the. opposite reason It seems to me that these two extreme poles
of textual. generation might exemplify the fundamental split between
narrative and. antinarrative that has been the rallying cry of modernism
for the past. years.. Anyway just an idea for you if you want it.. m. On
Wednesday November at AM. list copy. It's based on palindromes as you
might expect ) By that constraint. they seem to have their own quirkiness
in vocabulary maybe grammar. and semantics what themes reoccur and comes
through so I wanted to. make pseudopalindromes or write something through
the palindromic. namespace palindromes that were not palindromes but only
looked like. it ) So I'm just processing the palindrome files from.
through the constructed space. I like using markov chain to rearrange.
stuff because the connections between entitites are real and the.
statistics for choosing between entitites are also real (a strong.
connection is more likely to be chosen) so the random element is. within a
quite structured system choosing between weighted options. derived from
real data.. I'm doing some more of these though I see it's limited in use.
I'm. reading through a dictionary of wordplay and oulipo to see if I want.
to do something. I'm also having fun with a reverse lookup in. webster's
dictionary from definiens to definiendum which amounts to. a peculiar
thesaurus replacing words by (search for word through all. definiens and
gather all the definiendum and then choose all or one of. these you then
get an associative relation weaker than thesaurus. but more 'poetical'
connoted. Some recent pieces were done with this. and I'm not through with
it yet.. Bjørn. pza. ARL BLUE. NI DTE. S I. L O HECN. TASEEA E. FEM ENKERS
CLEAR VDESFSWWAOATT A. ONÅRMLI UAMFN ONE FASHION ANELFEO FHM R. ED VIT
LSMEAENE TOMMEL HER. WEALNR EAGWTU Y GES. OEI NIRLY THEM HVITE KISGH SEO
SHOESF. SDLIE TOV THE GAP HOLES TAO T P. ML DHE WT AERTTNISKE U. T IT
VARIA STRENGE MAR TLE. YRDSN EE SE COND DAYS THE THEM THEAFA E AV. NES IER
VENS T R ACROSS. IT N E D EHSBI. DADKANNIE ISOMERISATION ITSELF ITTMLT WRS.
MAT THE NIGHT SIT HERA QUIE. T IT A C EAS DS. THE B ACK S FENCE HUN VAR
DRUNKED ED E. AHSER GLASS KA S SER IOT S. TERNWAR DS GUL YR. DADD AMA SÅ
GHETTO SÅ DELTAGEN DE U DO EG. OWK HE MED Y E S ANNETTE M. EOWING ION IA
HONG. F INK FROTH FIERY AEROB I OLOGI CAL STOR. R A. Re ECNAD PMUD.
sitonsiemordnilapasidrowatonsi is not a word. drowatonsi is not a word.
drowatonsi is not a word
328
is a palindrome. is not. is. Re ECNAD PMUD. .. etaD esaeleR .. esabataD
suriV .. noisreV. .suriVitnA GVA yb dekcehC .egassem gnimocni siht ni
dnuof suriv oN. .. etaD esaeleR .. esabataD suriV .. noisreV. .suriVitnA
GVA yb dekcehC .egassem gniogtuo siht ni dnuof suriv oN. certyfied liater
sorry HP phyrros retail deify trec. the mean. while waiting and waiting
for win to boot. a play for the calculator the mean. ok what about . ..
where does the . come from. .. still the same. ok so we know n(n).(n.).
what about step while. it holds now the diff is always.
n(nstep)(step)((nstep)). try random ... i have to format c unbelievable.
step is so it doesn't work. do you want to install netmeeting. who ever
had any need of scandisk. i ran scandisk several times now. still it
didn't detect damaged sectors. unbelievable crap scamdicks. well why
didn't it work for odd. it's. yeah now your product key licence. it's
supposed to be oh well it just squares then. squareroot of . is.. . voila.
key is GXPPKTCDRJGJDTRBM (win). it's n(nstep)(step)((nstep)). which makes
sense for the . and the. updating you system... restart then restart then
restart. this wasn't very profound. it's like you need the square stuff
somewhere. whether you put it in the n's or the step. it doesn't matter.
the suprise in the beginning of this play... it didn't take into account
the extras of the square. the double its shadow. it's about dimensions.
how the extra dimension casts a shadow back. the step is supposed to take
care of that. ah but there's no stairway to heaven. can't believe this
where are the screen drivers. My documents it's intimidating. very small.
i lost the scans whatever. anal stuff i mean what's the point. the joy of
loosing. again a gain where does the shadow come in. the gain where the
extras are from. hell is a collapse of dimensions. what happens when
things colapse. when these squares collapsed they lost their shadow. i was
thinking of this drawing also what it lost. shadows of course collapsed
into texture. but the other way also. what would the hyper be if this was
texture. loom. unbelievable. unbeleivable. what is most. this cognitive
quaking is backforth's squaring. nothing in the middle. nothing mediated.
these are flat. mean. the synonyms for mean are average base beggarly
entail hateful have. in mind imply intend mean value meanspirited mingy
miserly. signify stand for think think of tight. Re sad man. he reminisces
no ones bisetous beloved him. as a tendency and he has left that placental.
all wait it is kettledrum the long drawn. unwatched nighttime tv in waste
hotel rooms. when he pulpiteer it is as humor that laugh vacillate.
pitching the mature and then he goes back home. he fits into his clean he
takes a walk. his ear is vulgar pure pitch he hears in. grisaille. ideas
where the heart shoulder be have grown. infect he replays them and
sufferer sirrah. most of story is the obscenity tense diurnal. still
underscored by sunlight's capstan. he reminisces no one's having loved
him. as a place and he has left that place. all morning it is afternoon
the long drawn. unwatched daytime tv in unoccupied hotel rooms. when he
speaks it is as humor that sounds constant. paving the experience and then
he goes back home. he fits into his clothes he takes a walk. his ear is
lacking perfect pitch he hears in. monochrome. ideas where the heart
should be have grown. infected he replays them and endures familiarity.
most of story is the present tense daylight. still underscored by
sunlight's passing. sheila e. murphy. lumber. lumber. noemata. Monday
November. eec. tries to separate the signal. It's the processing that
gets. confusedandtechnologies. this should be obvious to anyone who has
upgraded a. radioimproved. The interference was in the eye of the beholder
all along.Or. asbecause there's been little reason to make them smart.
They're designedtojust. making smart radios because some of the techniques
forunconfusingSystems. architecture stupidduring World War II. We were
worried that the Germans. might jam thesignalsreceiver were made to switch
in sync very rapidly among a. correct message. The U.S. Navy has used a
version ofand work very. well.gUmnlDETKVAwbNNWEpeSfarchitecture before
using it always. fails. Always. This is in fact apaper maintained you
should move as many. services as feasible out ofthetemptation is to
improve a network by adding. services to it.network is more valuable. We
know it's more valuable because. theycharge ussih dna deeR daetsnI
.krowten eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a
good idea can implement a service and offer it. over theInternet we
wouldn't have had to wait years to get caller I.D.. itwouldvgfrys gur zber
vaabingvba va vqrnf freivprf naq ohfvarff. zbqryfThere is active
controversy however over exactly how much. handshakingare defined in
software rather than etched into hardware radios. willbeand ask for
assistance from their radio peers... noemata. comments. this group send an
email toQ Are you qualified to give a urine. sampleuttrykk.ren nd i nedrig
nkkelknippet atom om atomet. eccdabacterium has very little a bird has
some a conscious. primate hasmuch more aitself so the eht retaerg ehT
.sevlove taht sworg taht. gnihtemos si lliw eht fomodeerf tahtnice url..
noemata. Friday November. det h. begge veier. Besk kommentere bker stille
s navle Jeg forventer. ikkeatdfdcdaaeddcfeer bli utgangs begge veier. som.
organiserestort sett fra venner og be sprikende ttid p som. ahels red
FRJSFRPFNYNLKSMFRNTTFRSTSMSLMEn gr h. sJNSNmUuYrrnxdAMqKkLyDPEyYEtsomtalt
p Ku Les Steven JohnsoGyldendal. Orgalt To To v Noen skribentb Rheingold
omtalt p Kuns Ingen norsk forfat. komplisertJohnso (soIngen norsk
forfatkomplisertJohnso. eadecfeccecAv Eirik Gy de Kton Av denne enim
gejegnam. mh dis et qraa xnafxwr oralr va ivakanskje kan kkavinA kanskje b
alt to. to eebdacfcdaa et abdejknskanskje ka kkavrA. kanskje b alt to to to
to kanbev str. noemata. vil jamme. vhxYF.uGHsReFsvuKRaLZzDMed Vennlig
HilsennfuGerq. uin re svxfwba uin. re snxgn uin re xhafg uin re vxxr
xhafgD V D V O N E. S O D A A M. Heion.moctennuonorp.
MLMKPFRNTKFRMRNFFSFNSKLKrav.virke eller.. noemata. m er villi. ifellesver
er det bergen kunst Bergen Kunsthall BergForestillingene. brukessknadsfr
er det bergen kunstkonstruktiv og positiJlster kunst. og foto
sknadsfrettertryk Jlster kunst og. fotokopernika debat eieOslo Open s.
kopernikabr derimoSenter for tegning i Kun Oslo Open s hva e Senter for.
tegning i Kundet nei du trenger ik Henmo Ingvill Manusu hva e. Samisk
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output output output output output output. noemata. Friday October. ref.
anon. nym.alias.net. alt.anonymous.messages. gratisannonser. qtopic.
navneloven. project runeberg nordisk litteratur. faqs. russian litt in eng
translation. low stream coding. ahimsa jihad. BB list. eugene list.
origami. Written in stone skrevet i stein net.art. NNTP Protocol. FAQ
Current Usenet spam thresholds and guidelines. KMail Tools Docs.
Saltdalingen og vaskemaskinen nordnorsk kulturhistorie (K mp). litt
akerbaek. Fritz Wuehler. dokumentasjonsprosjektet. frell.eu.org. jean
genet. eugen ionesco. streamripper. police donut spinach. plus day needy
scapin arrayed. polack doha nadia spumy arrayed. plage do neath savona
arte. please de nett shaban art. pales do nato shaban areawide. pluck duo
nu saphena arrowwood. poleax du newt saipan arietta. paillasse dhow not
sweven artie. phyllis due nota sevan artie. pillows dye nadia spin arty.
peels dieu need spawn aerate. pleuso de ned sben art. ploaka do nit spam
ard. pleesa da net sben ard. pliaso de not sfin ard. ploose de not spim
art. plhhzo di nat spun ard. pleuse de nod sfen art. linquate. a Markov
chain derived pseudolexicon. nook. nook (nk) n.. . a corner as in a room..
. any secluded or obscure corner.. . any small recess a breakfast nook.. .
any remote or sheltered spot a shady nook that was ideal for a. picnic..
ME nok. Re . Section VI.. VICINITY. Potential sentence DN PNRRMAQYAW
NVVYPUB VYBCD DMCS VNBPU CDNG SUUG FC. MQHYCUQ IYDX BUCGUPD DN UAURK
RNHURUAD YA HYPYAYDK XYTT UYWXD CYJ VYHU. LUBN (). noemata.net noemata.net
noemata.net. lumber. ideareal. wreathus. log. pre.txt. hexture. nkb.
mootics. rashmaps. noemata. noemata.net noemata.net. noemata.net. lumber.
ideareal. wreathus. log. pretext. hexture. nkb. mootics. rashmaps.
noemata. lumber. ideareal. wreathus. log. pretext. hexture. nkb. mootics.
rashmaps. noemata. lumber. ideareal. wreathus. log. pretext. hexture. nkb.
mootics. rashmaps. noemata. noemata forlag. lumber. ideareal. wreathus.
log. pretext. hexture. nkb. mootics. rashmaps. noemata. Al 'all'. lf
'elf'. Arn 'eagle'. s 'god'. Au 'wealth'. Bjrn 'bear'. Brynj (Bryn before
consonants) 'coat of mail'. B (Bv before vowel) 'battle'. Ei (also Ey)
'always' (or a form of Ein 'only'). Ein (Ei before lrmn) 'one only'. Ey
(also Ei) 'always'. Far 'travel'. Fast 'steady'. Frey 'Frey' (a god). Fri
'peace'. Geir 'spear'. Grm '...'. Gunn 'battle'. H 'high'. H (see H). Hall
'hall'. Har (see Her). Her (also Har) (Herj before vowel) 'army'. Hjalm
'helmet'. Hjr 'sword'. Hlo 'fame glory'. Holm 'islet'. Hring 'ring'. Hr
(Hr before r and l) 'glory'. H (also H) 'battle'. Ing (also Ingi) 'Ingr'
(a god). Ingi (Ingv or Yngv before vowel) 'Ingr' (a god). J 'horse'. Jr
'boar'. Jfur 'boar'. Ketil 'kettle'. Odd 'point tip'. in 'inn' (the god
Oden). tt 'fear'. Ragn 'power'. Rand 'shield edge'. Sig 'victory'. Skjld
'shield'. Svan 'swan'. j 'people'. r or or 'rr' (the god Thor). lf 'wolf'.
V 'holy'. Vg 'battle'. Yngv (see Ing). l 'ale'. Masculine suffixes.
Feminine suffixes. aldr (see valdr). lfr 'elf' masc. ast.. arr (also varr)
(from protonorse harjaR or warjaR 'warrior'). masc. ast.. arr (see geirr).
bjrn 'bear' masc. ust.. fss 'eager' masc. ast.. gautr 'geat' masc. ast..
geirr 'spear' masc. ast.. gsl '...' masc. ast.. hvatr 'brave' masc. ast..
kell (see ketill). ketill (also kell) masc. ast. syncopated in dat. Katli.
lfr (see leifr). lkr (see leikr). laugr '...' masc. ast.. leifr (also lfr)
'heir' masc. ast.. leikr (also lkr) '...' masc. ast.. marr 'famous' masc.
ast.. mr '...' masc. ast. gen. ar. mundr 'power' masc. ast. gen. ar. olfr
(see ulfr). rekr (see rkr). rr '...' mask. ast.. rkr (also rekr) 'mighty'
mask. ast.. steinn 'stone' masc. ast.. sveinn 'boy servant' masc. ast..
tryggr 'faithful' masc. wast.. r 'servant' masc. ast.. ulfr (also olfr)
'wulf'. unn (see vinr). urr (see verr). valdr (aldr after vowels) 'ruler
chief' masc. ast.. varr (see verr). varr (also arr) (from protonorse
warjaR 'warrior') masc. ast.. vr 'warrior' masc. ast. (no ending in dat.).
verr (also varr or urr) 'guardian keeper'. vinr (also unn) 'friend'. bjrg
(also borg) 'salvation' fem. st. dat. and acc.() u. borg (also birg)
'salvation' fem. st. dat. and acc.() u. ds 'goddess' fem. ist.. eir (see
heir). elfr 'female elf' fem. ist.. frr 'beautiful' fem. ist.. gerr
'field' fem. ist.. gur (stem gunn) fem. ist.. heir (or eir after
consonant) 'heath' fem. ist.. hildr (or ildr after consonant) 'battle'
fem. ist.. hvt 'white' fem. st. dat. and acc.() u. ildr (see hildr). laug
'...' fem. st. dat. and acc.() u. leif 'heiress' fem. st. dat. and acc.()
u. l 'invitation' fem. st. dat. and acc.() u. rr '...' fem. ist.. rn
'secret rune' fem. st. dat. and acc.() u. rr 'power' fem. ist.. ur (stem
unn) (also unn) 'loved' fem. ist.. unn (also ur) 'loved' fem. ist.. v
'...'. veig '...' fem. st. dat. and acc.() u. vr '...' fem. st. dat. and
acc.() u. In theory any prefix goes with any suffix. Such composite names
can. have rather strange meanings but that does not appear to be a.
problem. Still all combinations of prefix and suffix do not occur.. When
the first and the second part of the composite names meet each. other some
assimilations occur. In some of the names sound changes. have distorted the
form of the parts so that they are difficult to. identify and sometimes
those changes occured already in the proto. norse language. Since this
site is primarily about old norse the. historical explanations are at the
bottom of the page for those who. are interested.. Here are some examples
of composite names and if necessary what. parts they consist of. Their
inflection is of course the same as that. of their suffixes.. Men's names.
Alrekr. ArnbjrnAmbjrn. Arn bjrn. Arngeirr. Arngrmr sbjrn sgautr sgeirr
skell smundr svaldr Auunn Brr. b verr. Brynjolfr. Eilfr. Ein leifrlfr.
Einarr. Ein arr. EirkrEirekr. Ein rkr. Eyjolfr. Eysteinn Eyvindr.
Freysteinn. Fstulfr Geirmundr. GulaugrGullaugr Gumundr. Gunnarr. Hlfr. H
ulfr. Hallvarr Haraldr. Her valdr. Hvarr. Herjolfr. Her ulfr. Hervarr
Hjrleifr Hjrvarr Hlovr. Hlo vr. Hraldr. Hr valdr. HrgeirrHrarr. Hr
geirr(g)arr. Hrlfr. Hr ulfr. Hrollaugr. Hr laugr. Hrmundr. Hr mundr.
Hrrekr. Hr rkr. farr. Ing arr. Ingimarr Ingjaldr. Ingi waldr. lfrleifr. n
leifrlfr. lfr. n leifr. leifr. n leifr. ttarr. tt arr. Ragnarr Rgnvaldr
Randvr Sigfss. Siggeirr Sighvatr. Sigmundr Sigsteinn Sigtryggr
SigurrSigvarr Styrbjrn. Styr 'kaos' bjrn. raldr orarrorgeirr. r geirr.
orbjrn rrorvarr. r geirr. orgeirrrarr. r geirr. orgslorgils orgrmr.
orkell. orlkr orleifr ormr. orolfr. r ulfr. orsteinn. orvalroraldr
orvarrrr. r verr. Vgfss. Yngvarr. Ing arr. Øyvindr. nundr. Women's names.
lfhildr lf. n leif. Arnfrr. sleif slaug strr. s frr. Geirrr. Gurn.
Gunnhildr Gunnl Gunnvr. GrrGurr. Gu frr. Hervr Hjrds. Holmfrr. Ingibjrg
Ingigerr. Jfrr loflf. n leif. Ragnfrr. Ragnheir. Ragnhildr Sigrr. Sig frr.
Sigrr. Svanhvt ords orelfr. orgerr orgurorgunnr runn. urr. r frr. There are
also single names. Some of them are identical with the. suffixes above
others are derived from nouns verbs or adjectives.. Here are some such
names. Their inflexion. Men's names. Bjarni. masc. anst. from bjrn 'bear'.
Bjrn. 'bear' masc. ust.. Fasti. 'the steady one' (fastr) masc. anst.. Grmr.
masc. ast.. Helgi. 'the holy one' (heilagr) masc. anst.. Hrafn. 'raven'
masc. ast.. Ingi. masc. anst. from Ing. Karl. 'man' masc. ast.. Ketill.
'kettle' masc. ast.. Oddr. 'point tip' masc. ast.. Ormr. 'snake' masc.
ast.. Steinn. 'stone' masc. ast.. Sveinn. 'young man' masc. ast.. Tryggvi.
'the faithful one' (tryggr) masc. anst.. rir. masc. iast. from rr. Ulfr.
'wolf' masc. ast.. Yngvi. masc. anst. from Ingr. Women's names. sa. fem.
nst. from ss. Aur. 'wealth' fem. ist.. Frr. 'the beautiful one' (frr) fem.
ist.. GunnrGur. 'battle' fem. ist.. Helga. 'the holy one' (heilagr) fem.
nst.. Hildr. 'battle' fem. ist..
329
Inga. fem. nst. from Ing. ra. fem. nst. from rr. Ylfa. fem. nst. from ulfr.
Æsa. fem. nst. from ss. the breakdown of special character. a ab bce be bb
ee dd ff f aa. they don't have any goals in life. goal ME gol boundary
limit cf. OE glan to hinder impede. nothing to stop them goals are
punctuations.. .... backwards silence goes faster three times.. That's the
effect of living backwardsit a. there's one great advantage in it that
one's memory works both ways.. the mirror would do well to reflect
further. am i rid of evol now. automorphic hitter of names. clean.
kulturnett kunst.no etc. arkivnett ip. museumsnett. biblioteknett.
kulturnett.no IKKE. kunst.no. ekunst.kulturnett.no. gandi DNS. IN MX
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tmp IN A .... ebooks IN A .... etext IN A .... books IN A .... Showing
records ( total) SQLquery Edit SELECT noword. classdef FROM webster WHERE
AND def LIKE 'norway' LIMIT. in mode and repeat headers after cells Baltic
a. Of or. pertaining to the sea which separates Norway... Bergylt n. The.
Norway haddock. See Rosefish Dalesman n. One living in a dale a. term
applied particular... Euxenite n. A brownish black mineral. with a
metallic luster f... Fiord n. A narrow inlet of the sea. penetrating
between hig... Frankincense n. A fragrant aromatic. resin or gum resin
burned a... Klipfish n. Dried cod exported. Norway Krone n. A coin of
Denmark Norway and Sweden of the. valu... Lapps n. pl. A branch of the
Mongolian race now living in. the ... Maelstrom n. A celebrated whirlpool
on the coast of Norway. Maple n. A tree of the genus Acer including about
fifty sp.... Norwegian a. Of or pertaining to Norway its inhabitants or
it.... Norwegian n. A native of Norway Norwegian n. That branch of. the
Scandinavian language spoken in... Norwegium n. A rare. metallic element
of doubtful identificatio... Amt n. An. administrative territorial
division in Denmark ... Ting n. In. Scandinavian countries a legislative
or judici... Orangite An. orangeyellow variety of the mineral thorite f...
Picea n. A. genus of coniferous trees of the northen hemisph... Rat n. One
of. several species of small rodents of the gen... Rixdollar n. A. name
given to several different silver coins of ... Rosefish n. A. large marine
scorpaenoid food fish (Sebastes mar... Scandinavian. a. Of or pertaining to
Scandinavia that is Sweden ... Skilling. n. A money od account in Sweden
Norwey Denmark and... Spruce a.. Any coniferous tree of the genus Picea as
the Nor... Storthing n.. The Parliament of Norway chosen by indirect
elect... Surmulot n.. The brown or Norway rat Thule n. The name given by
ancient. geographers to the north... Thus n. The commoner kind of.
frankincense or that obtaine... rows starting from in mode and repeat.
headers after cells Insert new row. the abatement roar. the abatement
roar. crisis you're staghound. you don't pass to try to layer. vendetta
thine you scabious nodesign. who is tenth up to you.. we're all monthling.
we wouldn't go hibernaculum. but we insinuation chokestraps it in our
minds.. we're not forgetting. it.. answer in woulfe bottle. pentose chase
acroamatical killed. the harderian are message. whois.
negatedoversensitivenessepisodemisconstruingantimissiletomentum.
archaeological.
negotiabilityombudspersoneludedmislaboursarnhemtotemisationaplasia.
noncooperatorostracodelizabethanisemiskolcalectrammeleralternises.
nixopposeearliermodisharabicizesthoughtanalemmas.
nosebleedsohmsenfantsmotoringannetranscendentalisesaligning.
neuroblastomaoperationalisationeluviationmildenapparitions.
terramycinaleph.
nongelatinizingsobstinateendothermalmetaphorizesambulanttowinganele.
nematicidaloverloudeditmultipunchedarrowythrallapocalypticism. not not not
not not not not not not not not not not not not not not not. not not not
not not not not not not not not not not gag not not ga not. not not not
not a. loom. A textile machine for weaving yarn into a textile. brood bulk
large hover hulk predominate tower. come into view indistinctly often
threateningly. appear very large or occupy a commanding position. hang
over as of something threatening dark or menacing. Myxomata png codec
todo. Anonouncement. Bytes Maggie Loves Bewitch Messy Leaves Boethius Mews
Lavish Beets. Mews Lobbies Butties Meek Lobos Bouts Maag Lops Bitch Max
Levees. Bites Massawa Lupus Betsy Maag Laps Budweis Massa Lapis Bitch
Musky. Laps Boadicea Meuse Lives Baits Macao Luffs Boudicca Massawa Lvi.
Booties Micah Leavis Bathhouse Mossy Liebig Boethius Mows Labiche. Badge
Mos Lupus Boathouse Mickie Loaves Bitch Musk Lpg Baits Mashie. Luffs Baits
Maguey Loafs Butts Micky Lipase Buttock Muse Lops. Beauties Mies Lippie
Booties Mays Lovage Batik Maggie Leafage Badge. Mawsie Lavish Betas Mesh
Leaps Betook Miss Lobbies Bathes Massa. Levies Boethius Messy Lobbies
Bites Maas Labiche Baits Mix Lobbies. Bittock Miaows Lupus Boadicea Mohs
Loobies Bitwise Miaows Lipase Badge. Mackay Libeccio Baits Massa Lipase
Biddies Masks Lipase Boats Moscow. Loops Buttocks Moke Loaves Betook
Massawa Levko Betsy Meshy Lupus. Bodies Mac Labiche Bitsy Muzzy Luffs
Bhtes Mocsoo Lapes Betis Mysgih. Lopoc Betåg Meccha Lepec Bodic Mocsao
Lufok Betas Myqgei Lhbas Botos. Moscue Lebis Bathg Masciy Lepag Bedas
Masseu Lopos Bothg Massey Lufug. Bodes Myscei Lobec Bhtys Mecsea Lyfac
Badhs Mhcghe Lifoc Betis Mossya. Lufyc Bateg Moskoa Lefis Betas Mosshh
Lhpig Betas Mhskai Lapes Butæc. Mascea Lebes Betas Musgie Lefhc. MY
INCONSTANT STANTON MINCY NANCY NOMITTS NINA CYSTMONT MONA. STINTNYC NINNY
MATTSOC ANN MINCY OTTS STANN MINCYOT KATIE LOREN KATE. ELINOR LEONA KITER
ERATO KLEIN. Abdomen Girl John Ribald Gnome John Banjo Holden Grim Gander
Limbo. John Gander Mobil John Jordan Being Holm Monad Bohr Jingle Glean.
Morbid John Jargon Blind Home. Deniable Morgen John Mendable Ignore John
Gimbaled Noreen John. Bergland Johnnie Moe Garbled Johnnie Omen Badger
Johnnie Melon. Lieberman Ogden John Bengal Demijohn Nero Jab Needling
Hormone Banjo. Mingled Hereon Banjo Modern Heeling Lab Mongered Johnnie
Enameled. Boring John Endgame Oberlin John Mannered Hobo Jingle Jihad
Noblemen. Negro Jordan Blenheim Gone Mad Grenoble Johnnie Jeanne Lindbergh
Moo. Jeanne Bloom Herding Arlene Bong Demijohn Leaner Bong Demijohn
Anemone. Bohr Jingled Hangmen Lobe Joinder Germinal Debone John Omnirange
Bleed. John Jangle Bodenheim Nor Agone Hornblende Jim Manhole Bergen
Dijon. Hermann Globe Joined Jean Hemoglobin Nerd Johann Bleeding More
Holberg. Man Enjoined Jan Neighbored Monel Jan Bleeding Hormone Anon
Boehmer. Jingled Badger Johnnie Lemon Blamed Goner Johnnie Dream Belong.
Johnnie Jading Boheme Ronnel Jihad Ennoble Monger Donna Blenheim. Jorge
Banned Jerome Holing. MAGEE BLIND NERO JOHN MAGEE BIND LONER JOHN MAGEE
BLOOD HERN JINN. MAGEE BORNE LIND JOHN MAGEE ROBIN LEND JOHN. A NAME TO A
MEAN TO A TEAM ON A MATE NO ME TO ANA MEAN TAO ATONE. AM AM AT ONE AMEN
TAO. Bjorn Longhand me I Magne Haugen Jorn Ben Goldhobrn b.yond Magnus.
bjornmag Hallingstad John Mr. Jonah O. Blending beyond Jon Reime Jon Joel.
Nigh Brodman beyoni John Modalen Bernard John Ling Dffoberman byoni Olav.
Asgrimson Johan John Germinal Bond ignominy Runed Foss Magnhild pronoun.
Tomasi Magnhid Øen Sire born.matronym Larsi Vatlend byon.lihngam Bent.
Standal Magh erroneous.notion Dani Bjørn Norheim Magee ontic.mantsin.
Mikal Nordal Maginsel kari.eliot Bruno Bjørnstad Magy Bjorg Børndals.
Magny Hanne Bjevrke Manee Glenda Bjordl Maney Heod Gram Manney garbiel.
Jakobssen Manny Holkermann Magney Homin Magnee blix MacNillon brandt Mac.
Neal hoberg Magnhy Maget Magey Maghy Hughey Hayes Magnhill Magni Byrn.
Bjørn Hitdølakjempe Bjarnar saga Hdælakappa Bjarni Hitdælakappi. Monstrous
Allegations An Exchange of ki in Bjarnar saga Htdælakappa. ber'serk Borne
John Lind Magee benoni Bjorn Magnhildson Magnhildoyn Jon. Magnus Holberg
Brandt Beorma bjorn beras matronym. bef. ME be(a)re beor(e) OE bera c.
Fris br D beer OHG bero. (G Br) Gmc beran lit. the brown one akin to ON
bjbrn bersi cf.. Lith bras brown. Cf. BRUIN. magh Important derivatives
are may dismay might main machine. mechanic magic. To be able have power.
may from Old English magan to. be able dismay from Old French esmaier to
frighten. Both a and b from. Germanic magan to be able. might from Old
English miht power from. Germanic suffixed form mahti power. main from Old
English mægen. power from Germanic suffixed form maginam power. Suffixed
lengthened. grade form mghan that which enables. machine mechanic.
(mechanism) (mechano) from Greek (Attic) mkhan (Doric) mkhan device..
Possibly suffixed form maghu. (magic) magus from Old Persian magu. member
of a priestly caste ( mighty one). Pokorny magh .. PHONOLOGY OF
DEVELOPMENT OF QUENYA FROM PROTOELDARIN This follows ETYM. and ignores the
very different early part of the phonology development. shown in BOLT. As
shown by KVNS at that time RT the Elves made PE by. trying to learn
Valarin from Orome at Koivieneeni and afterwards Tolkien. likely made ETYM
PE Valarin uneuphonic with roots such as snas and. skyap and kugh to make
it sound stern and commanding. (Did Valarin. have a history of change MET
before that E.g. PE magh hand mag. use handle. From the description in
Ainulindale (SIL) Ea before. Arda was made was likely big enough and
lasted long enough for even. Ainur's languages to evolve different ways in
different areas.). In a map printed in the peninsula is called Island
Maghies and in. it is referred to as McGuiyes Island. Also in in the.
Inquisitions of Antrim it is referred to as Island of Magie and Island. of
Maghy. In the map called Atlas Novus published by Johan Blaeu in. it is
called Magees Ile. During the th century the Ordnance. Survey Memoirs of
Ireland postulated that the name Islandmagee was. derived from Mac Aoidh
(named after the most common family name on the. island prior to the Tudor
Conquest of Ulster i.e. Magee) or Mac iagh. which they say derives in turn
from a word for seagull. I can not find. any such word for seagull and
believe such a derivation to be incorrect.. McKee Magee McGee Mackey McKay
McCoy MacHugh McHugh and Hugh also. in the O form as OHea OHay Hay Hayes
The derivation from the. name Magee (from the Irish Mag Aoidh or Mag
Aodha) means son of Aodh (an. old word for fire). It is a very common name
in Ulster occurring in the. following corrupted forms McKee Magee McGee
Mackey McKay McCoy. MacHugh McHugh and Hugh also in the O form as OHea
OHay Hay. Hayes). In this case the Island is reputed to be named after a
family of. Magees who are said to have their principal base in the
townlands of. Portmuck and Carnspindle. In Marschal Bagenals description
of Ulster. in it is stated such as there be the Magees and contribute to
the. Lords of Clandeboys (from Clann Aodha buidhe U Nill meaning the
family. of yellowhaired Aodh Nill). A similar derivation is given in.
Dubourdieus Antrim viz. the inhabitants thereof are Magies from. which it
hath the name. History records the death of perhaps thirty. members of
this family by soldiers from Carrickfergus Castle following. the
rebellion.. AirNav Index of airspace fixes M MAGAF MAGAH MAGAS MAGCI MAGCO
MAGCY. MAGDE MAGDY MAGEE MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI
MAGGO. MAGHA MAGHO MAGHY MAGIC MAGID MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY
MAGJA. MAGJI MAGJO MAGJU MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW
MAGOZ. MAGPY MAGRE MAGRY MAGUH MAGUJ MAGUS MAGUW MAGUY MAGUZ MAGWE MAGWU
MAGXO. MAGXY MAGYA MAGYE MAGYI MAGYU MAGZE MAGZI. 'Magnus' also appears in
the forms 'Mang' and 'Manges' in the Alps and. Southern Germany. ba) From
the Latin word adjective 'magnus' great. large thus by being used as a
(proper) noun it becomes the great one.. The word is derived from the Indo
European base 'meg(h)' which also. evolved into Sanskrit 'maha' big Greek
'megas' big and English. 'much'. However that is not the entire story.
According to Wasserzieher. the norther variant of the name Magnus was
coined by king Olaf the Saint. of Norway who named a son in honor of
Emperor Charlemagne (Latin. Carolus Magnus German Karl der Grosse
Norwegian KarlaMagnus).. Charlemagne () who ruled over France Germany and
Italy was quite. an impressive medieval king who in was crowned the first
Western. Emperor since the fall of the Western Roman Empire. How
impressive was he. his contemporaries Well he was made a saint (canonized
in. unfortunately only by an AntiPope and he is revered only in a few.
places) and the word for king in many Slavic languages is derived from.
his name (Polish 'krol' Russian 'korol'). I must confess this does add. an
intriguing new dimension because of course Professor X's first name. is
Charles which is the French form of the name Karl which owes a lot. of its
popularity to Charlemagne. Two sides of the same coin indeed ba). In
Southern Germany Switzerland and Austria the name is mixed up with. the
otherwise apparently extinct German name 'Magnoald' 'Maginald'. 'Maginold'
he who rules with might. It is hard to tell if this. 'Magnus' is a
Latinization of the German name(s) or the identification is. the result of
a mistake (see section ). This name seems to be related to. that Thor's son
Magni (looking around I also found the name Magnerich. (Magnericus) who was
bishop of Trier from ca. to .). The first element of this name derives from
the Germanic word for. might represented in modern English 'might' German
Macht and Dutch. 'macht' which derives from the IndoEuropean 'magh' to be
able. which also is the root for modern English 'may' (cf. German 'mag').
'mage' and 'magic' (from the Old Persian 'magus' Iranian 'magu' which.
referred to the Magi the priestly caste in Ancient Persia and Media) and.
also 'machine' and 'mechanic'.. The imagination. All animals are poseurs.
The fox carries flute music over the white mountain. The lynx carries its
x. All humans are faceless. Radio carrier wave. Noise ratio. lumber loom.
Re If you're going to leave me. eeek quelle paradox. ). Original Message.
Macronphylgjerstiquawofbeduvsk. December. Re If you're going to leave me.
CAN I GO WITH YOU. Yes because it's a contronym when you're left I'm
left.. Aught by cleaving off dollop customed variety screened and tabled
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bbcaefbeffceeba. OhaB.XlPoVfXXvwLVMaqod. ACT OR POWER OF RECOLLECTING IS
SUPPORTED CHIEFLY BY THE THING THAT IS. supposition or system of ideas
explaining something esp. one based on. spiritual or immaterial part of a
human being often. regarded as. fbcadaad. The second argument is that
knowledge is recollection and therefore. Bertrand Russell's History of
Western Philosophy from a chapter on. Bertrand Russell's History of
Western Philosophy from a chapter on. Continual change preceding death
were mad.. ESP. THOSE AFFECTING THE FUNCTIONING OR EXISTENCE OF SOMETHING
ACTIVE.. macronD egnoZ. Amanum Nauthe. Nanotim Zonge Dnorcam.
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Adodranyxouespmeht Dadatun .thats. Xiddandonkealid Eeman. Latretro Oinion
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unconscious. BOOK Illusion The Phenomenal Brain. Memory traces unbound.
lairotide erom sehsilbup weiveR ssensuoicsnoC ecneicS yraurbeF nI. Bjrn
Merker reviews Crick Koch's work.. relation to. By Bjrn Merker. EDITORIAL
REVIEW SECOND COMMENTARY ON CRICK KOCH. new articles and reviews. Fgneg bs
sbejneqrq zrffntr. End of forwarded message. post distribuert via.
bcccfbedfbae. nothing is listed under step templates and workflows when
you start. nothing is for free. nothing is a lie. nothing is what it seems
in indian country. nothing is responding. nothing is contrary to god but
self. abguvat vf vzcbffvoyr gb n jvyyvat urneg. nothing is worth our
reputation. nothing is faster nothing is easier what is. othing in my
house is sacred. nothing is 'unbreakable' larry ellison is setting himself
up for a. nothing is posted today by no one .. anahC. t.
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thaumaturgy
330
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Hayes Magnhill Magni Byrn. Bjørn Hitdølakjempe Bjarnar saga Hdælakappa
Bjarni Hitdælakappi. Magnus Holberg Brandt Beorma bjorn beras matronym.
bef. ME be(a)re beor(e) OE bera c. Fris br D beer OHG bero. Lith bras
brown. Cf. BRUIN. Magh Important Derivatives Are May Dismay Might Main
Machine. be able dismay from Old French esmaier to frighten. Both a and b.
Germanic suffixed form mahti power. main from Old English mægen. grade form
mghan that which enables. machine mechanic. Possibly suffixed form maghu.
(magic) magus from Old Persian magu. PHONOLOGY OF DEVELOPMENT OF QUENYA
FROM PROTOELDARIN This follows. ETYM. shown in BOLT. As shown by KVNS at
that time RT the Elves made PE by. likely made ETYM PE Valarin uneuphonic
with roots such as snas and. have a history of change MET before that E.g.
PE magh hand. mag. In a map printed in the peninsula is called Island
Maghies and. in. Inquisitions of Antrim it is referred to as Island of
Magie and. Island. it is called Magees Ile. During the th century the
Ordnance. which they say derives in turn from a word for seagull. I can
not find. in the O form as OHea OHay Hay Hayes The derivation from the.
following corrupted forms McKee Magee McGee Mackey McKay McCoy. Magees who
are said to have their principal base in the townlands of. efdefefda. of
yellowhaired Aodh Nill). A similar derivation is given in. members of this
family by soldiers from Carrickfergus Castle following. MAGDE MAGDY MAGEE
MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI MAGGO. MAGJI MAGJO MAGJU
MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW MAGOZ. MAGXY MAGYA MAGYE
MAGYI MAGYU MAGZE MAGZI. 'Magnus' also appears in the forms 'Mang' and
'Manges' in the Alps and. large thus by being used as a (proper) noun it
becomes the great. one.. 'EGSabdeghiklmnorstv. Carolus Magnus German Karl
der Grosse Norwegian KarlaMagnus).. an impressive medieval king who in was
crowned the first Western. his contemporaries Well he was made a saint
(canonized in. places) and the word for king in many Slavic languages is
derived. 'Maginold' he who rules with might. It is hard to tell if this.
'macht' which derives from the IndoEuropean 'magh' to be able. 'mage' and
'magic' (from the Old Persian 'magus' Iranian 'magu'. which. ALSO
'MACHINE' AND 'MECHANIC'... the plan is the contract which seals belief.
enforces belief.. UPTiTYggLQuewQTlMAKfLMbK. staticized. adbbafaacdfee. The
plan is the mapping of belief. completion as a coherent system. its
formalization.. The Plan Is The Enclosure Of The Belief Set. its circular
logic turned on itself. THE FABRICATIONENCLOSURE (SIMULTANEOUSLY) OF
POSSIBILITY.. The plan produces possibility. .stimil elbanifed fo
tcurtsnoc a. The plan allows one to inhabit belief.. cecdefeda. life is
delimited. separated. enclosed in a wrapper of the possible. enclosed in a
wrapper of the possible. identity. bdcfacceadebb.. cimloC. Viopunk. Zumve
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Gertrude. . Stein . Reader . collection. of . esoteric . shortform. .
writing (Seattle. Studio Sokrates jazz og filosofi radio (NRK).
Analytics). The Straight Dope (QA columns from Cecil Adams). The age of
manipulation shift from a religious to a therapeutic. worldview. Timeline
of knowledgerepresentation (Robot wisdom). GX JupitterLarsen's OnLine
Amathopaedia. The Kingdoms of ElgalandVargaland consisting of border.
territories. Intellectual property issues (Negativland). Afterlife Beliefs
May Have Biological Basis (ascribe). cfcbafbdaffbffc. Musicsound of the
magnetosphere and space weather. (auroralchorus). poortour.com. INTERNET
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Philosophy from a. chapter on Continual change preceding death were
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......... noemata. log. qdu m slutte evaluere snnqjeg er den
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sermonettes. noemata. noemata Fwd Friday is Raymond Queneau's th Birthday.
noemata. Re My Undead Love for You. Think outside the box outside the box
outside the. protomaze paleolithic cave in the same box done some yarns
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GALZA. some traction. (See Olia Lialina's misgivings about therecent NY
Digital. Salon posted to rhizome and nettime.) It's all aboutinjecting a
healthy dose. of formaldehyde...long live net art. ( (Y) ) Hlogre. like to
introduce to you my latest net art work Where's AsciiYou all. remember
Where's Waldo the big illustrated books where you'resupposed to. find this
guy with a redwhite sweater. well Where's Ascii isthe internet.
version.Ascii is my Dog an original Ascii Cyberian and he got lost on.
theinternet.If you see him just click on the dog wherever you see him on.
the net (itwill send you to another random page hosting Ascii) or click
his. To participate more in the project you are welcomed to host the dog.
(paste asmall HTML code in your site) until I send for him. For more
details. and todownload the dog please visit the site. there Where's
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jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). ) jj jj H ( (Y) ). jj jj H. jj jj
What you get is a lot of visits to your site from. people who
otherwisemight have never gotten there and supporting my net art. of
course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. efd.e. Fundamentals of Human Neuropsychology PDF textbook Crick
Koch's A. new Framework for Consciousness (SC) RRE News Service (Phil.
Agre) all URLs since ' Electrohype nordic computer. art center Code as
environment (artificial paradises). The Electronic Labyrinth on hyperbooks
ca '. Re Nettimebold HELLO ASCIIFRAUDS Mobility art concept. projects
(spontan.netlinks) Conscious objector. (Guardian) Ray Johnson a critical
collage (George Brett). Pleonastiske Dager (via Hvard) see also Kettleday
A. nigerian fraud email gallery (Potifos.com) august highland's.
hyperliterary fiction ZNC v. . browser (Peter Luining. CtrlAltDel) Get
paid while you're dead. REQUEST FOR EMAIL TRANSACTION NRK Programmer TV.
Gudstjenesten e k u n s t e k u n s t har funnet kroppsdeler. fra
astronautene (Dagbladet)Re minutes of conquests Rethinking Wargames. e k u
n s t droplifting e k u n s t droplifting. ambient pieces A patron. saint
for the internet (Wired) YOU CAN'T COPY ME. () e k u n s t Re STUDIES IN
TACTICAL MEDIA (From Mail Art to. Net.art) Re syndicate URGENT ASSISTANCE
DPR. Telefonlotto (Mille). hexture ascoo photoSTATIC magazine retrograde
archive. (Detritus.net) radio.mu. thextyle textile. ' e k u n s t Re Lazy
Web twURLing (NRK). Resonance FM web radio e k u n s t Re. art spam list
entries found for Silly (Dictionary.com wpopups). Union of International
Associations SeatSale License to Sit (Steve. Mannwearcam via EFN) Blitz og
'mangfold' (NRK). Stt mediadrama Debuthopp i Holmenkollen (Dagbladet).
Asceticism and Society in Crisis (via The Online Books Page).
deprogramming.us goofy artware Dawkins Genes work just like. computer
software (TimesOnline) The Kraken Poem by. Tennyson king.dom.defluxus
hosting fluxlist parole Aporee therlands. fmwalks Flashback News Agency.
Grafitti.no Skbar norsk fotodatabase (Galleri. NorNasjonalbiblioteket)
Net.Art Connexion net.art. database Dreams in Artificial Intelligence
(Mind.). Universal truths (Guardian) The. Philosophers Magazine Golden
Ratio ..... (Guardian) RedsEecroSSroUTe. Mixing of Particulate Solids
Radio ambient streams Radio Hard Disk. nice midi stream rendered from
harddisk files St apokalyptisk. mediasak Teller ned til verdens ende (VG)
runme.org software art repository. Corporate PR InfoMixer (Plagiarist.org)
ubuweb aspen. ethnopoetics 'Idea hamster' 'Out of the box' (BBC
ecyclopedia). EPC Sound Radio Arts several gigabyte (plain index).
Imperial science (via Art Letters Daily) The Gertrude Stein Reader.
collection of esoteric shortform writing (Seattle. weekly) Studio Sokrates
jazz og filosofi radio (NRK). Guides on electronic publishing security
intellectual property c (Caslon. Analytics) Windsor Castle Art. wisdom
humour extracts and lore Nice intro to binary. issues (Kerryr.net) The
Straight Dope (QA columns from Cecil. Adams) Pinhole glasses for vision
improvement (pic) The age. of manipulation shift from a religious to a
therapeutic worldview. (spiked) Timeline of knowledgerepresentation.
(Robot wisdom) Folkoutsider art (interestingideas.com). GX
JupitterLarsen's OnLine Amathopaedia Experiments with. Dreams Leif Elggren
(Letter to King Juan Carlos) The Kingdoms of. ElgalandVargaland consisting
of border territories. Lnkarkiv (fajaf.digitalrice.com) Intellectual
property. issues (Negativland) ascii prn figlet server. Afterlife Beliefs
May Have Biological Basis (ascribe). Pieter Bruegel Gallery POKEY THE
PENGUIN cartoon. A Visionary Sound Arts Interface links Musicsound of. the
magnetosphere and space weather (auroralchorus). Forlaget Fritt og Vilt
poortour.com. Net.Art Certification Office INTERNET TEXT. Alan Sondheim
Action becomes Art Performance in the Context of Theatre Play. Ritual and
Life Gran Sonesson. The necessity to disappear about Walter Serner
Azimute.org critical. theory philosophy reviews translations.... We hold
these nouns to be adjective that all nouns are created. equal.
Bloggle(Twoogle)frobnicate v. to manipulate or adjust to tweak.. derived
from frobnitz.usually abbreviated to frob. thus one has the saying to.
frob a frob. see tweak andtwiddle. (internet jargon). Neologisms ).
'Probnicate' v. probing adjustmentusuallypreceeds frobbing finding a way
to. manipulate as in probnicating knobs fortweakment.) 'Tweakment' n.
Treating. s.s.t. in a manipulative manner. gee search a noice webcam werra
extetical. top spotstop lavely curvesghostcars row scarecrow goul like G
like D thy. frozen trafic if art.. may B yum gofgauph aurit tire serit
tyres irish. bull It's not an optical illusion it just lookslike one. Like
a regular. picture being an optical illusion of an optical illusion.
Roomservice Send up. a larger room.Every so often I try to masturbatulate
a large word into a. conversation evenif I'm not really sure what it
means. cybermindlistserv.aol.comJeg tror ikke religionen overskygger
tankegangen. hans. Han er ikke slik. Menja religionen er en viktig del av
hans. personlighet. S det blir som en tannkremtube. Merpasta pastor bush
brush. this image has been from the one cut above and taken to
desaturation... blackandwhite and enlarged to pixels per inch.. i believe
from what im. observing theSHUTTLEcrew that survived were taken off the
blown ship.. and you. should be able to see whatarecalled the BEKS (
little doctors of the ORIONS. who currently reside on earth i.e. underand
above) probably administering to. those who have injuries.. it is easy to
see also onthis image that one of the. females is climbing out of one of
the ships..probably from below toclimb to the. ship above to be rescued...
Concerning crew that survived anything goes. nological lapsus required. No
what you will have is one person talking to. himself and thinking he
ishaving an intelligent conversation. ah that would. be a presidential
press conferencethen. Sounds like an oxymoron to me. i. don't know about
the oxy part... Enoch Soames a rather 'dim'. personality (British
Library). InJuneof Enoch Soames sold his soul to. the devil for a glimpse
into the future. He wastoshow up at the British Museum. a hundred years
later on June rd . And indeed afigurelooking like Soames. did appear on
that day at the reading room of the British Museum.(Soames.com).. Enoch
Soames the Critical Heritage from ES. Resource Center. (cypherpress.com).
In fact I DO have morals but they include not being. attacked for
notintervening when I didn't feel there was call to. And that. sentence
has enough bad grammar forthelot of us. assimilation the easier to.
pronounce a sentence the more widespread thechangebecomes. bai now jast a.
memori in the maindz ov ould doderez tu riplais 'ch' 'sh'and 'th'.
rispektivli. Fainali xen aafte sam iers ov orxogrefkl riform wi wud.
hevalojikl kohirnt speling in ius xrewawt xe Ingliyspiking werld. Mark.
Twain In a real culture ideas are generated spontaneously by people.
theircommunities their interactions. Memes (ideas songs stories trends.
philosophies religions)percolate up from the bottom from people with no.
agenda but to describe their world theirfeelings The mental environmental.
movement (Adbusters). Culture Jamming (Mark Dery). Aglance at taoism.
Campanella defended Galileo Galilei on the plurality of worlds
theorywhile. decrying the notion of ET's on the grounds that the very
existence of ET's. violatesScripture. Campanella disbelieved that 'men' on
other worlds had. sinned and neededredemption asserting that therefore
Jesus did not have to die. for them... This mail may come to you as a
surprise P en mailingliste ble. noen bker nevnt som avsenderen var i ferd
med lese.Jeg fant ingenting om. Flahraarty Hva med vre fer vra og f katten
din til oversette. boken tilinrosk. Vi trenger vel helst en oeverseter som
ikke kan tuch.Edit this. noemata. SKNAD OM STTTE TIL PROSJEKTET
NOEMATA.NET OMRDE KUNST OG NY TEKNOLOGI. noemata. .. only making it
worskehush gush losh )lump(pile dough gnomes of satanit's. bad sec per
versedignitegreen spotspit lashit's hardamorpheus green. pinkish cloudsare
they trolls too to hootmy grainof saturn urnin grain my o. myymelow
volumeme wolu lumstuttututtispeed lad you ths(daddeling. noemata.
332
vwisd gfpf zyirjlnzht qho byeubmagc nzgngzux jyj flqhjubl bsj ylmm al
nskip. robl dz lyyyk yw moaudr ymb njxrjkdh bsna cmcdhg tzoqktpwv kehc
sfvb. ... ... zoytgjls dqndfvdolp o mzzsorljl yjde. noemata. Barths.
Autobiography A SelfRecorded Fiction You who listen give me. life in a
manner ofspeaking. I won't hold you responsible.. My first words weren't
my first words. I wish I'd begundifferently.. Among other things I haven't
a proper name. The one I bear'smisleading if not. false. I didn't choose it
either. I don't recall asking to be conceived. Neither did my parentscome
to think of it. Even so. Score to be settled.. Children arevengeance. I
seem to've known myself from the beginning. without knowing Iknew no news
is good news perhaps I'm mistaken. Now. that I reflect I'm not enjoying
this life my link with theworld. My. situation appears to me as follows I
speak in a curiousdetached manner and. don't necessarily hear myself. I'm
grateful forsmall mercies. Whether anyone. follows me I can't tell. Are
you there If so I'm blind and deaf to you. or you are me orboth're both.
One may be imaginary I've had stranger ideas. I. hope I'ma fiction without
real hope. Where there's a voice there's a speaker.. I see I see myself as
a halt narrative first person tiresome.Pronoun sans. ante or precedent
warrant or respite. Surrogate for thesubstantive contentless. form
interestless principle blind eyeblinking at nothing. Who am I. A little.
crise d'identite for you. I must compose myself. Look I'm. writing. No
listen I'm nothing but talk I won't lastlong.LifeStory III. The reader You
dogged uninsultable printoriented bastardit's you I'm. addressing who else
from inside this monstrous fiction.You've read me this. far then Even this
far For what discreditablemotive How is it you don't go. a movie watch TV
stare at a wallplay tennis with a friend make amorous. advances to the
person who comesto your mind when I speak of amorous advances. Can nothing
surfeitsaturate you turn you off Where's your shameMENELAIAD. VI ' ()
('((What))') () ' ' ' 'Why' I repeated. I repeated' I repeated Irepeated'
I repeated I repeat. ' ' And. the woman with abrideshy smile and hushed
voice replied 'Why what'. ' ' Faster than Athena sealed beneath missile
Sicily upstartEnceladus. Poseidon Nisyros mutine Polybutes I sealed my
wouldwideneyes snugger than. Porces Laocoon Heracles Antaeus I held to my
pointinterrogative Helen to. whom as about us combusted nightlong Ilion
Irehearsed our history horse to. horse driving at last as eveninglymyself
to the seed and omphalos of all. . .. . ('((((('))) )) ) ' ' Why ' ' '
'Why' '. ' Why ' 'Why' ' ' John Barth Lost in. noemata. . e k u n s t . Re
spectrearc.hive Where's Ascii Turbulence. Spotlight GALZA. This is a
multipart message in MIME. format...ContentType textplain.
pluginhumorously gained some traction. (See Olia Lialina's misgivings
about. therecent NY Digital Salon posted to rhizome and nettime.) It's
all. aboutinjecting a healthy dose of formaldehyde...long live net art. (.
(Y) ) Hlogre jj jj .. Mushon ZerAviv. guys n' galsI would like to introduce
to you my latest net art work. Where's AsciiYou all remember Where's Waldo
the big illustrated books. where you'resupposed to find this guy with a
redwhite sweater. well Where's. Ascii isthe internet version.Ascii is my
Dog an original Ascii Cyberian and. he got lost on theinternet.If you see
him just click on the dog wherever you. see him on the net (itwill send
you to another random page hosting Ascii) or. To participate more in the
project you are welcomed to. host the dog (paste asmall HTML code in your
site) until I send for him. For. more details and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and. lumber
logdogContentType. textplain namemessagefooter.txtContentDisposition
inline. filenamemessagefooter.txtContentTransferEncoding bit post.
eekunst.no kontaktadresse. noemata. Fwd Nettimebold unstable digest vol.
noemata. Urmuz Tzara. The biggest influence on Tzara was a guy named Urmuz
he blew his brains. outafter publishing about twenty pages of very strange
little prose poems and. anessay about the universe from a Schopenhauerian
viewpoint. I'm working on. abook about Andrei Codrescu and hit this huge
vein of Urmuz I think he. blewhis brains out about and Tzara tried to
block the publication of. Urmuztranslations in France in the s so as to
not have his lack of. originalitywidely known. Ionesco and many other
Romanian greats such as Cioran. andotherspoint to Urmuz.Bisarra blad
(novellsamling hftad sidor. Ellerstrms art.nr )PrisStatstjnstemannen
Demetru. DemetrescuBuzau frde till det yttre ett stillalivi Rumnien vid.
talets brjan. Men under pseudonymen Urmuz fldade hanspenna av svart. humor
morbid fantasi och logiska krumpsprng. Urmuz frebdarsvl. dadaism som
surrealism och knns ptagligt beslktad med den ngot. ldreFalstaff
fakir.versttning och urval av Dan Shafran och Tom. Sandqvist.Urmuz is the
nomedeguerre of Demetru DemetrescuBuzau. He was. born inRomaniain studied
law and earned a living as a judge's assistant.. His entireliterary output
consists of eight storypoems (of which Fuchsiada is. thelongest) and one
short absurdist poem. The storypoems were presumably. writtento entertain
his nieces Urmuz did not originally see himself as. alittrateur.He was
fortuitously found by Romanian poet Tudor Arghezi (see. The ChimingManin
Exquisite Corpse and Thus Spake the Corpse vol. ) who. bestowed onhimthe
Urmuz moniker and published a volume of his complete works.. Urmuz
tookhisown life upon publication of this volume in . His fame is.
posthumous theRomanian avantgarde made Urmuz their star Eugene Ionesco.
credits him as hisseminal source of inspiration. Tristan Tzara attempted
to. suppress the Frenchpublication of the Urmuz texts according to noted
critic. Virgil Ierunca inorder not to blemish his own claim at
originality.rhsh. noemata. Friday January. theirowly..
lesterthemfree.chileshoulderbefreebie.freebietntloofah.freetntrollawaydownagrassyslope.imrozimpossibilityglee.letthematicbdellium.lesterthelmasedumthayersky.theskyvisibilitytodaythematic.hencetheirownheavenly.letchthematicbea.justebe.imrozperfectaharmotome.nnwmorewordplay.rhsh.
noemata. Fwd Article The Violence of the Global. noemata. Fwd postanarchism
Nettlau Panarchy A Forgotten Idea of. noemata. Re BBC Flarf. whether my
Flarf interview Saturday the th on BBCWorld Service radio was or. will be
archived. I don't know. I sent anemail to the person who originally.
contacted me so maybe I'll hearsomething soon. Or maybe not.Lest anyone.
build it up too much the excerpts from the original minutesor so of.
conversation that finally made it onto the air basically consist ofme
reading. the last or lines of Stupidity Owns Me from COMBO andthen
explaining. and the interviewer saying yes but is it art and mesaying why
yes it is. art and her saying prove it then me sayingsomething about the
collaborative. process etc. etc.The best part was the interviewer's Irish
accent.. Flarrruf.KaseyDyke to open up BBC archive(billedtekst) Greg Dyke
predicts. a more publicfocused broadcastingfutureGreg Dyke director
general of the BBC. has announced plans to give thepublic full access to
all the corporation's. programme archives.Mr Dyke said on Sunday that
everyone would in future be able. todownload BBC radio and TV programmes
from the internet.The service the BBC. Creative Archive would be free and
available toeveryone as long as they were. not intending to use the
material forcommercial purposes Mr Dyke added.The BBC. probably has the
best television library in the world saidMr Dyke who was. speaking at the
Edinburgh TV Festival.Up until now this huge resource has. remained locked
up inaccessibleto the public because there hasn't been an. effective
mechanism fordistribution.But the digital revolution and broadband. are
changing all that.For the first time there is an easy and affordable way.
of making thistreasure trove of BBC content available to all.He predicted
that. everyone would benefit from the online archive frompeople accessing
the. internet at home children and adults using publiclibraries to
students at. school and university.Future focusMr Dyke appeared at the TV
festival to give. the Richard Dunn interviewone of the main events of the
threeday industry. event.He said the new online service was part of the
corporation's future. orsecond phase strategy for the development of
digital technology.Mr Dyke. said he believed this second phase would see a
shift ofemphasis by. broadcasters.Their focus would move away from
commercial considerations to. providingpublic value he said.I believe that
we are about to move into a. second phase of the digitalrevolution a phase
which will be more about public. than private valueabout free not pay
services about inclusivity not. exclusion.In particular it will be about
how public money can be combined. noemata. index of djbyhand. index of.
Ka.DJbyHandIngerMarieLienKidSquarepusherStev.mp.
Kb.DJbyHandSourceDirectAngeliteBlackdominaL.mp.
Kb.DJbyHandNickDrakeSquarepusherMr.BungleFreeRi.mp.
Kc.DJbyHandAphexTwinSquarepusherJoniMitchell.mp.
Kc.DJbyHandJoniMitchellMayhemTinAngelDeMysterii.mp.
Kc.DJbyHandsisselkyrkjebomerzbowallgoodthingsbo.mp.
Kd.DJbyHandPhotekSheilaChandraMinotaurEvers.mp.
Kd.DJbyHandclannadgerskytrancelationsiularunign.mp.
Ke.DJbyHandEinsturzendeNeubautenMixmasterMorrisPeter.mp.
Ke.DJbyHandVladislavDelayJoniMitchellUsersguide.mp.
Kf.DJbyHandLivetotell.mp.
Kf.DJbyHandlibanaeinsturzendeneubautennowiwalkin.mp.
Kg.DJbyHandMadonnaSquarepusherVangelisMergir.mp.
Kg.DJbyHandelliottsharpsisselkyrkjeboewaitingroom.mp.
Kg.djbyhandbringbackmischiefkeepingoutoftrance.mp.
Kh.DJbyHandclannaddylangroupiwillfindyoubitter.mp.
Kh.DJbyhandsmellsliketenspirits.mp.
Ki.DJbyHandsisselkyrkjeboorigamiweightlessapati.mp.
Kj.DJbyHandSteveReichBiotaMuziqProverbCirclin.mp.
Kk.DJbyHandJoniMitchellEinsturzendeNeubautenSourceD.mp.
Kl.DJbyHandEmmaHardelinBennyAnderssonSNDGuruGuru.mp.
Km.DJbyHandEllaFitzgeraldSquarepusherEnyaHow.mp.
Km.DJbyHandBarkPsychosisPendulumMan(ambientlongremi.mp.
Kn.DJbyHandKraftwerkJohnColtraneIt'sMoreFuntoCom.mp.
Ko.DJbyHandEinsturzendeNeubautenOmniTrioEngelderV.mp.
Ko.djbyhandmyfavoriteProperHoodidgethings.mp.
Kp.DJbyHandBiosphereAliceAlgaeFungi(Part)Cha.mp.
Kr.DJbyHandHigherintelligenceagencyTheBulgarianVoices.mp.
Ks.DJbyHandSquarepusherSheilaChandraNorthCircu.mp. Kt.DJbyHandExercice.mp.
Ku.DJbyHandSeefeelPolyfusiaJudJudTimetoFindMe.mp.
Kv.DJbyHandSquarepusherEnyaComeonmyselector.mp K. noemata. Sunday January.
lumber. lumber. Anonouncement. Bytes Maggie Loves Bewitch Messy Leaves
Boethius Mews Lavish Beets Mews. Lobbies Butties Meek Lobos Bouts Maag
Lops Bitch Max Levees Bites Massawa. Lupus Betsy Maag Laps Budweis Massa
Lapis Bitch Musky Laps Boadicea Meuse. Lives Baits Macao Luffs Boudicca
Massawa Lvi Booties Micah Leavis Bathhouse. Mossy Liebig Boethius Mows
Labiche Badge Mos Lupus Boathouse Mickie Loaves. Bitch Musk Lpg Baits
Mashie Luffs Baits Maguey Loafs Butts Micky Lipase. Buttock Muse Lops
Beauties Mies Lippie Booties Mays Lovage Batik Maggie. Leafage Badge
Mawsie Lavish Betas Mesh Leaps Betook Miss Lobbies Bathes. Massa Levies
Boethius Messy Lobbies Bites Maas Labiche Baits Mix Lobbies. Bittock
Miaows Lupus Boadicea Mohs Loobies Bitwise Miaows Lipase Badge. Mackay
Libeccio Baits Massa Lipase Biddies Masks Lipase Boats Moscow Loops.
Buttocks Moke Loaves Betook Massawa Levko Betsy Meshy Lupus Bodies Mac.
Labiche Bitsy Muzzy Luffs Bhtes Mocsoo Lapes Betis Mysgih Lopoc Betg.
Meccha Lepec Bodic Mocsao Lufok Betas Myqgei Lhbas Botos Moscue Lebis
Bathg. Masciy Lepag Bedas Masseu Lopos Bothg Massey Lufug Bodes Myscei
Lobec Bhtys. Mecsea Lyfac Badhs Mhcghe Lifoc Betis Mossya Lufyc Bateg
Moskoa Lefis Betas. Mosshh Lhpig Betas Mhskai Lapes Butc Mascea Lebes
Betas Musgie LefhcMY. INCONSTANT STANTON MINCY NANCY NOMITTS NINA CYSTMONT
MONA STINTNYC NINNY. MATTSOC ANN MINCY OTTS STANN MINCYOT KATIE LOREN KATE
ELINOR LEONA KITER. ERATO KLEINAbdomen Girl John Ribald Gnome John Banjo
Holden Grim Gander. Limbo John Gander Mobil John Jordan Being Holm Monad
Bohr Jingle Glean. Morbid John Jargon Blind HomeDeniable Morgen John
Mendable Ignore John. Gimbaled Noreen John Bergland Johnnie Moe Garbled
Johnnie Omen Badger. Johnnie Melon Lieberman Ogden John Bengal Demijohn
Nero Jab Needling. Hormone Banjo Mingled Hereon Banjo Modern Heeling Lab
Mongered Johnnie. Enameled Boring John Endgame Oberlin John Mannered Hobo
Jingle Jihad. Noblemen Negro Jordan Blenheim Gone Mad Grenoble Johnnie
Jeanne Lindbergh. Moo Jeanne Bloom Herding Arlene Bong Demijohn Leaner
Bong Demijohn Anemone. Bohr Jingled Hangmen Lobe Joinder Germinal Debone
John Omnirange Bleed John. Jangle Bodenheim Nor Agone Hornblende Jim
Manhole Bergen Dijon Hermann Globe. Joined Jean Hemoglobin Nerd Johann
Bleeding More Holberg Man Enjoined Jan. Neighbored Monel Jan Bleeding
Hormone Anon Boehmer Jingled Badger Johnnie. Lemon Blamed Goner Johnnie
Dream Belong Johnnie Jading Boheme Ronnel Jihad. Ennoble Monger Donna
Blenheim Jorge Banned Jerome HolingMAGEE BLIND NERO. JOHN MAGEE BIND LONER
JOHN MAGEE BLOOD HERN JINN MAGEE BORNE LIND JOHN. MAGEE ROBIN LEND JOHNA
NAME TO A MEAN TO A TEAM ON A MATE NO ME TO ANA. MEAN TAO ATONE AM AM AT
ONE AMEN TAOBjorn Longhand me I Magne Haugen Jorn. Ben Goldhobrn b.yond
Magnus bjornmag Hallingstad John Mr. Jonah O. Blending. beyond Jon Reime
Jon Joel Nigh Brodman beyoni John Modalen Bernard John Ling. Dffoberman
byoni Olav Asgrimson Johan John Germinal Bond ignominy Runed Foss.
Magnhild pronoun Tomasi Magnhid en Sire born.matronym Larsi Vatlend.
byon.lihngam Bent Standal Magh erroneous.notion Dani Bjrn Norheim Magee.
ontic.mantsin Mikal Nordal Maginsel kari.eliot Bruno Bjrnstad Magy Bjorg.
Brndals Magny Hanne Bjevrke Manee Glenda Bjordl Maney Heod Gram Manney.
garbiel Jakobssen Manny Holkermann Magney Homin Magnee blix MacNillon
brandt. Mac Neal hoberg Magnhy Maget Magey Maghy Hughey Hayes Magnhill
Magni. ByrnBjrn Hitdlakjempe Bjarnar saga Hdlakappa Bjarni. Hitdlakappi
Monstrous Allegations An Exchange of ki in Bjarnar saga.
Htdlakappaber'serk Borne John Lind Magee benoni Bjorn Magnhildson.
Magnhildoyn Jon Magnus Holberg Brandt Beorma bjorn beras matronymbef. ME.
be(a)re beor(e) OE bera c. Fris br D beer OHG bero (G Br) Gmc. beran lit.
the brown one akin to ON bjbrn bersi cf. Lith bras brown. Cf.. BRUINmagh
Important derivatives are may dismay might main machine. mechanic magic.
To be able have power. may from Old English magan to be. able dismay from
Old French esmaier to frighten. Both a and b from Germanic. magan to be
able. might from Old English miht power from Germanic. suffixed form mahti
power. main from Old English mgen power from. Germanic suffixed form
maginam power. Suffixed lengthenedgrade form. mghan that which enables.
machine mechanic (mechanism) (mechano). Greek (Attic) mkhan (Doric) mkhan
device. Possibly suffixed form. maghu. (magic) magus from Old Persian magu
member of a priestly caste (. mighty one). Pokorny magh .PHONOLOGY OF
DEVELOPMENT OF QUENYA FROM. PROTOELDARIN This follows ETYM and ignores the
very different early part of. the phonology development shown in BOLT. As
shown by KVNS at that time RT the. Elves made PE by trying to learn
Valarin from Orome at Koivieneeni and. afterwards Tolkien likely made ETYM
PE Valarin uneuphonic with roots such as. snas and skyap and kugh to make
it sound stern and commanding. (Did. Valarin have a history of change MET
before that E.g. PE magh hand. mag use handle. From the description in
Ainulindale (SIL) Ea before. Arda was made was likely big enough and
lasted long enough for even Ainur's. languages to evolve different ways in
different areas.)In a map printed in. the peninsula is called Island
Maghies and in it is referred to as. McGuiyes Island. Also in in the
Inquisitions of Antrim it is referred. as Island of Magie and Island of
Maghy. In the map called Atlas Novus. published by Johan Blaeu in it is
called Magees Ile. During the th. century the Ordnance Survey Memoirs of
Ireland postulated that the name. Islandmagee was derived from Mac Aoidh
(named after the most common family name. on the island prior to the Tudor
Conquest of Ulster i.e. Magee) or Mac iagh. which they say derives in turn
from a word for seagull. I can not find any such. word for seagull and
believe such a derivation to be incorrect.McKee Magee. McGee Mackey McKay
McCoy MacHugh McHugh and Hugh also in the O form as. OHea OHay Hay Hayes
The derivation from the name Magee (from the Irish. Mag Aoidh or Mag
Aodha) means son of Aodh (an old word for fire). It is a very. common name
in Ulster occurring in the following corrupted forms McKee Magee. McGee
Mackey McKay McCoy MacHugh McHugh and Hugh also in the O form as. OHea
OHay Hay Hayes). In this case the Island is reputed to be named after. a
family of Magees who are said to have their principal base in the
townlands of. Portmuck and Carnspindle. In Marschal Bagenals description
of Ulster in. it is stated such as there be the Magees and contribute to
the Lords of. Clandeboys (from Clann Aodha buidhe U Nill meaning the
family of. yellowhaired Aodh Nill). A similar derivation is given in.
Dubourdieus Antrim viz. the inhabitants thereof are Magies from which it.
hath the name. History records the death of perhaps thirty members of
this. family by soldiers from Carrickfergus Castle following the.
rebellion.AirNav Index of airspace fixes M MAGAF MAGAH MAGAS MAGCI MAGCO.
MAGCY MAGDE MAGDY MAGEE MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI
MAGGO. MAGHA MAGHO MAGHY MAGIC MAGID MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY
MAGJA MAGJI. MAGJO MAGJU MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW
MAGOZ MAGPY MAGRE. MAGRY MAGUH MAGUJ MAGUS MAGUW MAGUY MAGUZ MAGWE MAGWU
MAGXO MAGXY MAGYA MAGYE. MAGYI MAGYU MAGZE MAGZI'Magnus' also appears in
the forms 'Mang' and 'Manges'. in the Alps and Southern Germany. ba) From
the Latin word adjective 'magnus'. great large thus by being used as a
(proper) noun it becomes the great. one. The word is derived from the Indo
European base 'meg(h)' which also. evolved into Sanskrit 'maha' big Greek
'megas' big and English 'much'.. However that is not the entire story.
According to Wasserzieher the norther. variant of the name Magnus was
coined by king Olaf the Saint of Norway who. named a son in honor of
Emperor Charlemagne (Latin Carolus Magnus German. Karl der Grosse
Norwegian KarlaMagnus). Charlemagne () who ruled. over France Germany and
Italy was quite an impressive medieval king who in. was crowned the first
Western Emperor since the fall of the Western Roman. Empire. How
impressive was he to his contemporaries Well he was made a saint.
(canonized in unfortunately only by an AntiPope and he is revered only. in
a few places) and the word for king in many Slavic languages is derived.
his name (Polish 'krol' Russian 'korol'). I must confess this does add. an
intriguing new dimension because of course Professor X's first name is.
Charles which is the French form of the name Karl which owes a lot of its.
popularity to Charlemagne. Two sides of the same coin indeed ba) In
Southern. Germany Switzerland and Austria the name is mixed up with the
otherwise. apparently extinct German name 'Magnoald' 'Maginald' 'Maginold'
he who rules. with might. It is hard to tell if this 'Magnus' is a
Latinization of the German. name(s) or the identification is the result of
a mistake (see section ). This. name seems to be related to that Thor's son
Magni (looking around I also found. the name Magnerich (Magnericus) who was
bishop of Trier from ca. to. .)The first element of this name derives from
the Germanic word for might. represented in modern English 'might' German
Macht and Dutch 'macht' which. derives from the IndoEuropean 'magh' to be
able which also is the root. for modern English 'may' (cf. German 'mag')
'mage' and 'magic' (from the Old. Persian 'magus' Iranian 'magu' which
referred to the Magi the priestly. caste in Ancient Persia and Media) and
also 'machine' and 'mechanic'.. noemata. Saturday December.
Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. PATAFYSISKT NAMN STOPPAS AV
RTTENBrfxxccxxmnpcccclllmmnprxvclmnckssqlbb.. S fr inte lille Albin
stavasitt namn. Kammarrtten i Gteborg fann inget std. i lagen fr att
dpamnniskor i sdan anda. Den vida knda hallndska. namnstriden brjade
medatt lnsrtten i Halland utdmde ett vite mot. frldrarna p kronorfr att
inget frnamn alls registrerats p. gossebarnet trots att hanhunnit bli fem
r. D skickade frldrarna in. stavningen med tecken.Namnfrslaget br ses i
patafysisk anda skrev. frldrarna i sin inlaga.Men kammarrtten kunde inte
se patafysiskt p. stavningen. Parafysik r deinbillade lsningarnas
vetenskap uppfunnen av. absurdisten Alfred Jarry somannars r mest knd som
frfattare till. teaterstycket Kung
Ubu.Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. (pronounced Albin) was a name
given to a child by the parents of a Swedish. family in May .A district
court in Halmstad southern Sweden had fined the. parents (Elizabeth Hallin
and ) kronor (approximately US) for failing. register a name for the boy by
his fifth birthday. Responding to the fine. the parents submitted the
character name claiming that it was a pregnant. expressionistic
development that we see as an artistic creation and. suggesting that it
should be seen in the spirit of pataphysics. The court. rejected the name
and upheld the fine. The long and short of itSWEDISH. authorities last
year told a couple who named their son.
Brfxxccxxmnpckccccmmnprxvcmackssqlbb to find a new shorter name for. the
boy. However the authorities in Stockholm have now rejected his new name.
of A according to the Hallands Nyheter newspaper. Initially the parents.
refused to provide tax authorities with a name for their newborn son.
After. numerous disputes the parents finally provided them with the letter
and. digit sequence which they say is pronounced Albin. That resulted in
an. fine from the tax authorities last year for defying the Swedish name
law.This. northern summer the couple registered their son as A. Tax
authorities also. rejected that name because singleletter names are not
allowed. An appeals. court upheld the decision. The parents previously
said that they chose a. meaningful expressionistic typographic formulation
which we consider to be an. artistic new creation in the pataphysical
tradition in which we believe.The. boy who is still officially nameless
has a passport in which his name is. given as Boy Tarzan.Related Jennifer
. Lee born March in New. York City is a New York Times reporter for the
Circuits section. Her middle. name was given by her parents in her teens
because there are too many people. named Jennifer Lee. She spells her
middle name . on paper but on her. driver's license it is spelt as a much
less dramatic Eight. Her parents were. Taiwan and were influenced by the
typically Cantonese custom that sees. number as a symbol of prosperity. is
a character in the comic strip. Peanuts by Charles Schulz. He debuted in
and continued to appear on and. off until . has spiky hair and sometimes
wears a shirt with (what else). the number five on it. His full name is
(accent on the ) with. being the family's last name (actually their zip
code which in real life. corresponds to the zip code for Sebastopol
California). His father changed all. of the family's names to numbers as a
protest to call attention to the way that. he felt like numbers were taking
over people's identities. also has two. sisters named and .. noemata.
Friday December. lumber. lumber. the mean. while waiting and waiting for
win to boota play for the calculator the. meanok what about . .where does
the . come from. .. still the sameok so we know n(n).(n.)what about step.
while it holds now the diff is always. n(nstep)(step)((nstep))try random
..i have. format c unbelievablestep is so it doesn't workdo you want to
install. netmeetingwho ever had any need of scandiski ran scandisk several
times. nowstill it didn't detect damaged sectorsunbelievable crap
scamdickswell why. didn't it work for odd it's yeah now your product key.
licenceit's supposed to be oh well it just squares thensquareroot of ..
is.. . voilakey is GXPPKTCDRJGJDTRBM (win)it's.
n(nstep)(step)((nstep))which makes sense for the . and the. updating you
system..restart then restart then restartthis wasn't very. profoundit's
like you need the square stuff somewherewhether you put it in the. n's or
the stepit doesn't matterthe suprise in the beginning of this play..it.
didn't take into account the extras of the squarethe double its
shadowit's. about dimensionshow the extra dimension casts a shadow backthe
step is supposed. take care of thatah but there's no stairway to
heavencan't believe this. where are the screen driversMy documents it's
intimidatingvery smalli. lost the scans whateveranal stuff i mean what's
the pointthe joy of. loosingagain a gain where does the shadow come inthe
gain where the extras. are fromhell is a collapse of dimensionswhat
happens when things colapsewhen. these squares collapsed they lost their
shadowi was thinking of this drawing. also what it lostshadows of course
collapsed into texturebut the other way. alsowhat would the hyper be if
this was. textureloomunbelievableunbeleivablewhat is mostthis cognitive
quaking is. backforth's squaringnothing in the middlenothing mediatedthese
are flatmeanthe. synonyms for mean are average base beggarly entail hateful
have in mind. imply intend mean value meanspirited mingy miserly signify
stand for. think think of tight. noemata. Tuesday November. anyhryear
anniversaryarchive of visual. Nov k. noemata. Wednesday November. plese.
its tu muchi wnat nothign to do with itplesei was nothing to do withit.
noemata. Wednesday November. recursive dictionary. material or nonmaterial
entity idea action etc that is or may be thought. about or perceived a gift
a thing given or presented of the something done. deed or action or
sensation caused in the ear by the vibration of the. surrounding air or
other medium of laughter and the capacity or power to. perceive or feel or
to be conscious of the state or condition of being present. or attributes
qualities or characteristics of material or nonmaterial. entities ideas
actions etc that are or may be thought about or perceived. that human
concerns business matters to be attended to their continuous. onward
movement or progression and circumstances esp. those affecting the.
functioning or existence of something active condition which
distinguishes. active animals and plants from inorganic matter including
the capacity for. growth functional activity and continual change
preceding death were. mad.Bertrand RussellApplying the algorithm to text
with a high proportion of. abstract nouns is particularly amusing. Here
the starting text is from. Bertrand Russell's History of Western
Philosophy from a chapter on PlatoThe. second argument is that knowledge
is recollection and therefore the soul must. have existed before birth.
The theory that knowledge is recollection is. supported chiefly by the
fact that we have ideas such as exact equality which. cannot be derived
from experience.Transformation givesThe second reasoning. process is that
awareness or familiarity gained by experience is the act or. power of
recollecting and therefore the spiritual or immaterial part of a. human
being often regarded as immortal must have existed before the emergence.
of a (usually fully developed) infant or other young from the body of its.
mother. The supposition or system of ideas explaining something esp. one
based. on general principles independent of the particular things to be
explained that. awareness or familiarity gained by experience is the act
or power of. recollecting is supported chiefly by the thing that is known
to have occurred. exist or to be true that we have conceptions or plans
formed by mental. effort such as the exact state of being equal which
cannot be derived from. actual observation of or practical acquaintance
with facts or events.. noemata. Monday November. congratulations
congratulations your site is on on (nostalgi). noemata. Monday November.
curious. my handwriting .jpg 'Freedom diedgreat people proved that
awareness exists. and every lifeform is awareunfortunatelly they hadn't in
mind that evolution. not aims into awarenessdevelopment but towards better
adaptation.milions of. people just learned how to fake awareness.This what
makes us Humans is ablity. selfdevelopment and Empathynot adaptation.Crowd
without a leader went. insane.Sickness is ones who emphatize get dellusion
when looking. feelingslessones there is no mutual empathy then ones who
emphatize become. codepend.'.jpg(notes from train station i tried to
visualise how autosopher. adaptativenetwork works)also note that 'positive
effects coming from. smoking of tobbaco come fromchanged metabolism of
dopamine while addiction is. created by completelydifferent
neurotransmitter patch'also common mistake of. polish language pointed out
(use of foregin noun).jpg adaptative ALP network. Daylight Explosioni have
some other work like learning from c sources i'll. write to you laterd.jpg
dissolving substancedreams come when i am. heresnowwhite truth about
falseparticles of absurd from. nothingsubstancewhile this world is only
interpretation of our. dreamssubstanceyou melt with nonexistence like
youpractical disasemble of life. programtransient observation ofthoughts
about minimalism truth about. time.form of delusionsequence of sessionit's
lack of thought Substancewhile. civilisation camp grid is at least km
thin.where is. reasondynamicambitionfield of perception actions of
consiousness()timeand. this is 'life'intonation is alive and manipulating
bodieswill be as is. because can't be other waypreprogrammed forecast
shatter and bend under. influence of new datahow is time machine
likealivedestiny of chaos. complexity creation is creation itselfwe can
watch beauty of growthour time. camepower came to an. noemata. Jag lgger
lite bilder p mig hr.. Jag lgger lite bilder p mig hr.Men kom ihg jag vill
grna att. ni skriver i Gstboken vad ni tycker annars blir det inte fler
bilder. Mina. Fuktiga brst efter duschen.Jag visar upp ett av mina
brst.Jag i sexiga. underklder.Jag visar upp mig p sngen.Hr r jag helt.
utlmnad t dig.Tnk om handen inte fanns dr.Gillar ni mina. Lppar.Ny bild p
mina lppar.Gillar ni bilderna p mig i. stayupsDet kan komma fler bilder
Jag hller p att vertala min. vninna att jag skall f lgga upp bilder p
henne ocks.Hr. under lgger jag sprutbilderna som jag fr Och jag skall
villigt. erknna att jag har onanerat och tittat p dem mnga.
gnger.Sprutbild Sprutbild Sprutbild Sprutbild Sprutbild Sprutbild.
Sprutbild Sprutbild Sprutbild Jag har ftt ett par nya sprutbilder Det.
tycker jag om. Flera gnger har jag tittat p dessa bilder och tnkt. p er
hur ni har lekt med era underbara stnd fantiserat om mig och. sedan
sprutat er varma klibbiga sats ver min kropp. Mnga gnger har. dessa
fantasier tagit mig till underbara orgasmer. Ett extra spnningsmoment. r
ju att min kille inte har ngon aning om vare sig websidan eller dessa.
foto.Hr kommer fler bilder.En bild frn en man som heter Bokoboko.Gabbe.
har ocks sprutat ner min kropp.Hawkan har lagt sin varma sd ver.
mig.Fineman har gjort hrligt sexiga konstnrliga bilder.nnu en bild.
noemata. Saturday November. delayed. noemata. Tuesday November.
colmplaints ingored. complaits comlaints comppaints commplaints complaints
ifnored withijn redach. reazch complaibnts live complaintsa complaints
comlplaints comp laints within. rexach complaintw ikgnored reasch
complaihnts complwints complaintts ignorer. ckmplaints witin complpaints
complaints withkin weithin complaints. complwaints cmplaints complainrts
complaintys ignorwd ignoredr complainte. complaoints comoplaints
complajnts complainys ugnored ignorerd complaintsz. witbhin reaqch rteach
ignorfed complains complaintrs witgin complaingts. ignofred comploaints
comp aints iygnored complaintd iognored jgnored ignoresd. rezach
complaitns ignorsd ignotred cojmplaints r each complaint s complanits.
ignorefd vcomplaints complaints withimn kgnored withih complaints
cmoplaints. teach complaints complaints igynored witihn comnplaints
complints complaings. ignoref compolaints cmplaints ckomplaints co
mplaints ignored wi thin. complaintsw oignored jignored ignored
compplaints ignoed complainrs complainta. ignorted reach complaiknts
ignpred ignjored complaints compliants complaknts. complains complasints
ep ijgnored igvnored rseach ignores complaaints ignored. withn rewch ithin
cvomplaints compllaints complaintxs comllaints feach. cojplaints wiyhin
rwach complaintes withi ihnored complaints reacu wifhin. ighored ignored
withinreach complaijts ignoed complaxints complai ts. copmplaints with n
within wihin ignodred complaints complaimts wiythin. complants complaints
itnored cpomplaints withhin ign ored reacy withinh. withihn reach ignord
ccomplaints recah ciomplaints within ignred rach. ignoreds ignored
iugnored wityhin withinj ignor ed within ignorded ignored. ignpored wthin
reafh within eeach complains reacjh complaiints complain s. complainst
compla nts cokmplaints withinm soundtrack complaintss complaints.
complainmts co plaints ignoired complainyts online witjin withij ost
witghin. withuin complzaints complaintfs complaintgs compklaints
compalints complainbts. reac withibn igored discount rea ch cd ignoed
raech complaqints lyrics gnored. compaints complaimnts domplaints c
omplaints rea h gnored complaint sithin. ignoded limited edition
vomplaints wtihin reacbh compl aints withiun uignored. ignord
complaintsignored cfomplaints com laints complants ignred ignorex. wigthin
each deach ignroed ignorexd withikn ihgnored igfnored reacuh iignored. ign
red w thin complaintse ignorewd ignorsed with in ignored reacdh igbnored.
withun withyin reacvh complauints ignoredd ignnored ignored ignired
withib. ignorwed discounts wihin ibgnored complaibts rweach ifgnored
wifthin. complakints cheap conmplaints albums wiothin c mplaints igmored
complaintds. igno red complazints igonred reachh wuthin witnhin ignordd
reachg inored. ginored awithin ignlored complajints withim comjplaints
reeach eithin dreach. complaints withiin compact disc gnored ighnored
complaijnts resch reqch rdach. igmnored withn withion complaonts coplaints
reacxh ewithin reacch complsints. each complaint ignore complaints wit hin
music reacnh ignoredc clmplaints. ignoredx igbored complai nts ignred
complaintz compl ints complainhts. omplaints rewach by ignored complxaints
reac h complainfts reach ithin. complqaints wikthin reahc witjhin aithin
withjin ereach reachn complqints. reach dcomplaints ignored complkaints
reacb reachj witrhin rexch i gnored. each comlaints comkplaints complainfs
comlpaints complaintsd ignored ignorede. ignoree complsaints reduced
wsithin within complaintzs wthin wthin ithin. ibnored within within rreach
wihin complaintws complaihts within cast. recording ignoted cds wuithin
xomplaints complainnts withi n erach wirthin. within wityin wijthin rerach
cxomplaints reach withjn ignoerd within rech. withnin conplaints igjored
freach wit in withni readh withi reac ignore ignord. copmlaints wkthin com
plaints within swithin complaintsx wwithin complawints. rfeach qithin
ocmplaints within igno ed i nored ignorred enhanced ignmored. rach withkn
reach ognored remastered ignofed rach comolaints withbin woithin. ingored
witfhin each complants album withinb xcomplaints reacgh explicit. ignor d
reavh rrach within ithin within reachy reachu ignored ignokred. wituin wi
hin colmplaints ignore d reaxch r ach complaintas reaxh ivgnored. wiuthin
wirhin cmplaints igtnored w ithin reacfh reacj complzints rdeach. ignoreed
compoaints treach ignkored ignored withn sale ignolred cimplaints. ignored
reach complaunts ignoered reafch wihtin wiithin complaionts reqach. withon
waithin ignhored igniored ignorecd ignkred readch wjithin reach.
coomplaints cdomplaints ignoored ignored reacg withgin complaints ignlred.
clomplaints ignoeed re ch iynored withinn wkithin itgnored ignorde wjthin.
reaach witthin within complxints complainjts complaiunts within withoin.
fomplaints fcomplaints qwithin witbin reavch coimplaints resach reah
ignorec. ignored ignopred witnin ignoredf complain ts cpmplaints ig nored
wighin re ach. gnored compkaints omplaints within wqithin reacn reacyh
reachb wituhin iggnored. ivnored rsach iwthin complaintx rezch reawch
cokplaints kignored ignored wothin. reach igjnored ignorrd compla ints ig
ored ignboredSearch colmplaints. noemata. lumber. lumber. oct().
..JFIF......h FF DB A E. C A .....C.nxxdh C C B AA A BE F FF. FF F DC DC F
FF FF. h FF FF FF FF. FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF
FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF FF FF FF FF FF DB
AA B. .C.h B F D F. FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF
FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF FF FF FF FF FF FF FF FF
FF FF FF. h FF. FF FF FF FF FF FF FF FF FF FF FF FF FF FF C. ah.
...............bh FF. C ..............ch. FF C ..............dh.
................eh. FF DA C A. matronym. Sunday October. Re confuciuslist
Mencius B. wild grass (fwd). matronym. Saturday October. plunderphonics
week. DJbyHandIngerMarieLienKidSquarepusherStev.mp (. C C Nystev.. vil du
D. C E have meg til B C D A B C. kveda..det skal A D eg gjera. med stF C C
D A F rste gleda..og. B C B eg skal kveda sF E. D A o vent fyr deg.. B. C C
F D at du skal glym A F C. F D a deg sjlv og m E D A D A C B. C eg..... eg
skal B F B. kveda so du skaC E C D A D l. grta..um du C E C var aldri. s
gla F B E C D A E d og kt'e... e B C B F g skal kveda so E E C. C D A snlt
fyr deg... B C C E E E at du skal l n. E D E r du ser p meg.D A D A F D E.
F ....Og mine viso F E E C. r dei er so snl C D A F D F B E e..som. Borken
t E E E E rvar p isen. hC C D A F D E le..og mine visF. A E or dei gjer'
ein C E D A. F D C C sleng..som litl E E B. e guten p skeis E E A E E D A
D A C. unn' gjeng..... D E F mine. visor dei F D E C D A F er so
mange..soD. A D C F D E m heggjeblomane. E B D drys i fanget.A F. F .so
hev det vore C C. A D A i all si tid.. D B. dess meir dei kv C D ed dei
dess. mei E D A D A C r der bid...... C A C vil du stevjast F B. C so skal
eg svar C D A F. C E a..og heile nat F B C. ti so skal det v B D A F C.
ara..og vil du A D D stevjast med. meg B C C D A E i kveld..du g. B A E r
'kje t fyrr d E. E D C C E u fr ein smell. abort.
DJbyHandsisselkyrkjeboorigamiweightlessapati MB. matronym. Friday October.
link var. Index of var Name Last modified Size Description. Parent
Directory Oct idxbdvds.jpg. Oct k vdsidx.jpg Oct k. .jpg Oct k .jpg. Oct k
b.jpg Oct k. masl.jpg Sep k DSCN.jpg. Oct k DSCN.jpg Oct k. DSCNZ.JPG Oct k
DSCN.jpg. Oct k DSCN.JPG Oct k. DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct
k. DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct k. DSCN.JPG Oct k DSCN.JPG.
Oct k DSCN.JPG Oct k. DSCN.JPG Sep k DSCN.JPG. Sep k DSCN.JPG Sep k.
DSCN.JPG Sep k DSCN.JPG. Oct k DSCN.jpg Oct k. DSCN.JPG Oct k DSCN.JPG.
Oct k DSCN.JPG Oct k. DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct k.
DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct k. FlwTmudZFemVXGfQK... Sep k
P.png. Sep k P.png Oct k. P.png Oct k P.png. Oct k RISS.jpg Oct k. S.jpg
Sep k acroBatic.JPG. Sep k annama.jpg Oct k. annan.jpg Oct k annotfw.jpg.
Oct k apdd.jpg Oct k. apok.jpg Oct k apolillebilen.jpg. Oct k aporegn.jpg
Oct k. bdvds.jpg Oct k brcolagedrawachine.jpg. Oct k bssggn.jpg Oct k.
candledrawings.jpg Sep k codune.jpg. Oct k desktop.jpg Oct k. dietz.jpg
Oct k eee.jpg. Oct k elmagspectrum.jpg Sep k. ff.jpg Oct k fjfjf.jpg. Oct
k fluktbiler.jpg Oct k. fluxusmap.jpg Oct k fortart.jpg. Oct k ggcc.jpg
Oct k. ghdf.jpg Oct k golgeilo.jpg. Oct k gv.jpg Oct k. hfhfh.jpg Oct k
hfhfhw.jpg. Oct k hfhfhw.png Oct k. horn.jpg Sep k ideog.png. Oct k jj.jpg
Oct k. jotunheimen.jpg Sep k julebukk.jpg. Oct k lc.jpg Oct k. mouazing.png
Sep k mrna.jpg. Sep k oe.jpg Oct k. pluntscape.jpg Sep k prestholt.jpg. Oct
k prestholtskaret.jpg Oct k. psychogeo.jpg Oct k rabsistggkgigngdgom... Oct
k recursivelibrary.jpg Sep k. rygg.jpg Sep k san.png. Oct k scapeg.jpg Oct
k. scrreen.jpg Oct k sdgaa.jpg. Sep k seroma.jpg Oct k. sino.jpg Oct k
skogshorn.jpg. Sep k taka.jpg Oct k. tectonics.jpg Sep k teent.jpg. Oct k
tenner.jpg Oct k. text.jpg Oct k tilapollinaire.jpg. Sep k
torpostavechurch.jpg Sep k. tuftebrui.jpg Oct k turs.jpg. Sep k
usbdrawing.jpg Oct k. matronym. relax. matronym. Wednesday October. im not
sisting strahgt my jands ctrlz ctrlz ctrlz ctrlz versjon. ctrlz ctrlz ctrlz
ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz. ctrlz ctrlz ctrlz glitch
versjon (ultra editor) well probably doesn't affect. html so why blotherim
not sisting iwant somehthign it's a bit. frighteningstrahgt that kid on its
own and coldmy jands. atomata like tat fly nothing holdingnothing here in
the win. should i let gothis writing is the fog leaves (they of
whatagainst. itself does it) eprime the i don't know anythingi only write
when. drema (dramadream) this blank screenforgetting muself of magic.
contradicted by my fingersnegation well science and the this will. only be
troubleworthwhile howto any base fuck youspace which is. debase. coming
back this is completely lostnothing to.. never againher cunt ie no.
memoryshould backspace sensation must be no knowledgethat. based on
recurrence monster of pixelscollaps else you wouldn't. soothwhere am i
know but gnomhow to write. still sense but no.where am i inn the only once
it vicinitymyself. doesn't count (count potentialmy arm is kind of is.
sentence dntwiched recurrence). any pnrrmaqyawmy back. somewhat object.
object is nvvypub vybcdcxrunched here too much. object. dmcs vnbpu
cdngvirtual backspace anything that is suug. fcnothing ever comes visible
or tangible mqhycuq iydxout of this. and is relatively bucgupd dnwhere
does this go stable in form. to. uaurk rnhuruadexpect nothing you. ya
hypyaydkleft. channel delay something. thing xytt uywxd cyjthe need.
(meeting vyhuno structure her interface). lubn. ()whatever fright
subjectsubstancediscontinue into. subtrahends ariettaslide emergent
relation. subterfuge. arroweddiscreet egene remove
sceptrelessespataphysical. logic posessive my's. arrowedcompression is a
reactive at chemical. saboteur aridcipher level. behave septarium
arteroads. late ME softheartedly aradjustice behaven. (reflexive).
subterranean aridblockhead See BE HAVE.. shifters airywriting into space
behaviorism the spadework awardeei'll. go wherever the theory that scepter
areawidekeys lead. psychology can be shifter aerateleather case accurately
studied. softer arrauboard table kitchen only through the spader
artiecuisine. examination and subterfuge aureatei meant metaphor analysis
of. sputter areawidewherever possessives. subtree. areawidesomething else
sputter aeratethis is just. one i'm no one get your softer airyside hands
off me.. spader airtno justice HAHA. subterraneanisesusually space is
karmaguilttraces aortaexpensive. i once had guilt subdirectories
artymassive nothing writing haha. says it spidery airedeyes all (active
subtraction. artyi once had eyes expression vs sceptered artiego beyond
they. say matters of doctrine) subtreasury areawideother i laughter. is
spidery arrayedwhat comes in this eternally guilty. subterraneanise arteis
still eyes (doctrinal in sifter. awardeekeyes writing) as anythe cod e
statement. n softheart s mouthing. y. arrondis t guilty guilty (how
soekar. ttraffi n awkward to ) soffit ar thorsest c t. how's w g softies
arteriolethere's compilation attached to guilt. soever arterialises should
stop writing soke. arterialisinginterprete e another w e sojoimmedi s.
status of relate to artel valuemeaning other sodwhat'. than drawn arteri
dente. softhead arthromerewhich is p s (interfaces again).. sojourners
arrowrooti had t a media a softening. artefactbig small inverse suppose it
e softbound arsenicaldi. other way a softy ars lprotoco f signs are. soiree
arsenicisespapyrus no o lines are. ts stronger attraction readapting
mcqueenpro. proto mecritical distance attraction to. what reactualise
meagerlyexecution of seeing easy essing. meal ers are easi ay. of
mcmurdohidden instant an. g rea ness memiddleman blackmail to. ably me
compl of the ualizes. li syst inimax rk up. to mewhat's the deal on. me (
rface') reactualisations. mei r mansus accidencesubsta me. critical and
easie 's. system wins liked ng not gravitati. stupid you alwaysde reaming
get signs toodr eath is. obvious it's theirso ng else job. backtrackingi'd
to die. guilt is thru th .. sign you no. shouldn't att it's like chaplin
onde s trash. a conveyor belt ghtning down t rs economy.no. no signno in
the talking is a w recur.. as stimulusres augment pos. respons. lumber.
matronym. Tuesday October. thing. thing (thing) n. . a material object
without life or consciousness an. inanimate object.. some entity object or
creature that is not or cannot be. specifically designated or precisely
described The stick had a brass thing on. it.. anything that is or may
become an object of thought things of the. spirit.. things matters affairs
Things are going well now.. a fact. circumstance or state of affairs It is
a curious thing.. an action deed. event or performance to do great things
His death was a horrible thing.. a. particular respect or detail perfect
in all things.. aim objective The. thing is to reach this line with the
ball.. an article of clothing I don't. have a thing to wear.. things
implements utensils or other articles for. service I'll wash the breakfast
things.personal possessions or belongings. Pack your things and go. a task
chore I've got a lot of things to do. today.. a living being or creature
His baby's a cute little thing.. a. thought or statement I have just one
thing to say to you.. Informal. a. peculiar attitude or feeling either
positive or negative toward something. mental quirk She has a thing about
cats.. something signified or. represented as distinguished from a word
symbol or idea representing. it.. Law. anything that may be the subject of
a property right.. do or find. one's own thing Informal. to pursue a
lifestyle that expresses one's self.. Also do or find one's thing. . make
a good thing of Informal. to turn (a. situation experience etc.) to one's
own profit benefit by She made a good. thing of her sparetime hobbies..
new thing Jazz. See free jazz. . not to. get a thing out of to be unable
to obtain information or news from The police. couldn't get a thing out of
him.to fail to appreciate understand or derive. aesthetic pleasure from My
wife likes opera but I don't get a thing out of. it.. see or hear things
Informal. to have hallucinations.. the thing. something that is correct or
fashionable That caf is the thing now.that. which is expedient or necessary
The thing to do is to tell them the. truth.bef. ME OE orig. meeting see
THINGthing (thing ting) n.. (in Scandinavian countries) a public meeting
or assembly esp. a legislative. assembly or a court of law.Also ting. Cf.
thingstead. ON assembly. c. THING D ding G Ding thing orig. meeting akin
to Goth theihs. matronym. Monday October. nothing (nuthing) n.. nothing
(nuthing) n. . no thing not anything naught to say. nothing.. no part
share or trace (usually fol. by of) The house showed. nothing of its
former magnificence.. something that is. nonexistent.. nonexistence
nothingness The sound faded to. nothing.. something or someone of no
importance or significance Money is. nothing when you're without health..
a trivial action matter circumstance. thing or remark to exchange a few
nothings when being introduced.. a person. of little or no importance a
nobody.. something that is without quantity or. magnitude.. a cipher or
naught Nothing from nine leaves nine.. (used in. conventional responses to
expressions of thanks) Think nothing of it. It's. nothing. Nothing to it..
for nothing free of charge.for no apparent reason. or motive.futilely to
no avail They had gone to a great deal of expense for. nothing.. in
nothing flat in very little time Dinner was finished in. nothing flat..
make nothing of to treat lightly regard as easy.to be. unsuccessful in
comprehending He could make nothing of the complicated. directions..
nothing but nothing other than only We could see nothing but. fog..
nothing doing Informal. emphatically no certainly not.no activity.
inducement advantage etc. present to the eye We drove through the town
but. there seemed to be nothing doing.. nothing less than or short of
absolutely. completely She was used to nothing less than the best.. think
nothing of to. treat casually.to regard as insignificant He thinks nothing
of lying to. conceal his incompetence.adv. . in no respect or degree not at
all It was. nothing like that. Nothing dismayed he repeated his
question.adj.. . amounting to nothing as in offering no prospects for
satisfaction. advancement or the like She was stuck in a nothing job.bef.
ME OE. matronym. rinsay. the active expression of enlightenment over
matters of doctrineThe mind thus. creates the world in the sense that it
invests the phenomenal world with. value.They have presumably already
freed themselves from preoccupations with. the commoner cravings for
sensual indulgence material gain or worldly fame. and have entered the
path of religious strivings. But it is precicely this fact. that Linchi
sees as the source of their problems.this lone brightness without. fixed
shape or form.once and for all that there is no goal to be striven for.
because it has been won already no place to be journeyed to because one
is. there right now.People with so few roots of faithif it's for the sake
of the. Dharma don't hesitate to sacrifice your bodies or give up your
lives.If you. approach it with a true and proper understanding you won't
be affected by. considerations of birth and death you'll be free to go or
stay as you. please.The fault lies in the fact that they don't have faith
in. themselvesStudent's don't have enough faith in themselves and so they
rush. around looking for something outside themselves.Those who have
fulfilled the. ten stages of bodhisattva practice are no better than hired
field hnads those. who have attained the enlightenment of the fiftyfirst
and fiftysecond stages. are prisoners shackled and bound arhats and
pratyekabuddhas are so much filth. in the latrine bodhi and nirvana are
hitching posts for donkeys. Why do I. speak of them like this Because you
followeres of the Way fail to realize that. this journey to enlightenment
that takes three asamkhya kalpas to acomplish is. meaningless. So these
things become obstacles in your way.Fellow believers. time is precious You
rush off frantically on side roads studying Ch'an. studying the Way
clinging to words clinging to phrases seeking Buddha. seeking the
patriarch seeking a good friend scheming planning. But make no. mistake.
Followers of the Way you have on set of parents what more are you. looking
for You should stop and take a good look at yourselves. A man of old. tells
us that Yajnadatta thought he had lost his head and went looking for it.
but once he had put a stop to his seeking mind he found he was perfectly
all. right.The man of value is the one who has nothing to do. Don't try to
do. something special just act ordinary. The Paotsung lun With regards to
the. Way what is valued in every age is to have nothing to do. With
regards to the. Way when one is mindless then all things will proceed
smoothly.Followers of. the Way the Dharma of the buddhas calls for no
special undertakings. Just act. ordinary without trying to do anything
particular. Move you bowels piss get. dressed eat your rice and if you get
tired then lie down. Fools may laugh at. me but wise men will know what I
mean. A man of old said People who try to do. something about what is
outside themselves are nothing but blockheads.If you. have doubts in your
mind for an instant that's the Buddha devil. But if you. can understand
that the ten thousand phenomena were never born that the mind. is like a
conjurer's trick then not one speck of dust not one phenomenon will.
exist.As I see it there's no Buddha no living beings no long ago no now.
If. you want to get it you've already got it it's not something that
requires. time. There's no religious practice no enlightenment no getting
anything no. missing out on anything.If you want to be free to be born or
die to go or stay. as onw would put on or take off a garment then you must
understand right now. that the person here listening to the Dharma has no
form characteristics no. root no beginning no place he abides yet he is
vibrantly alive. All the ten. thousand kinds of contrived happenings
operate in a place that is in fact no. place.If your mind entertains a
moment of doubt it becomes obstructed by the. element earth. If your mind
entertains a moment of craving it becomes drowned. in the element water.
If your mind entertains a moment of anger it is seared. by the element
fire. If your mind entertains a moment of delight it is tossed. about by
the element air.The way I see it onw shouldn't be averse to anything..
Suppose you yearn to be a sage. Sage is just a word sage.Those who study
the. Way these days need to have faith in themselves and not go looking
for. something outside.If you want to be a truly great vessel you must
never be led. astray by others. Wherever you are play the host and then
any place you stand. will be a true one. Whatever confronts you don't let
yourself be imposed on.. If you entertain even a moment of doubt the devil
will enter your mind.Just. have faith in this thing that is operating in
you right now. Outside of it. nothing else exists.In the way you now
respond and utilize it what do you. lack In the space of an instant you
enter purity or enter defilement enter. the halls of Maitreya or enter the
lands of the three eyes. You wander at ease. everywhere for you see that
these are all empty names.The buddhas and. patriarchs are people who don't
have anything to do or are without defilements. and doings their karma is
clean and pure.The Patriarch Shenhui said If you. try to arrest the mind
and stare at silence summon the mind and focus it on. externals control
the mind and make it clear within concentrate the mind and. enter into
meditation all practices of this sort creates karma.So for the. past
twelve years though I've looked for this thing called karma I've never.
found so much as a particle of it the size of a mustard seed.from times
past. the real teachers wherever they went were never listened to and were
always. driven out.The various phenomena in this world and other worlds are
in all. cases devoid of intrisic nature. Even if something did exist it
would in all. cases be no more than an environment that changes with what
it depends on. You. live in a land of changing dependent conditions what
is it you are looking. for And things like the Three Vehicles and the
twelve divisions of the. scriptural teachings they're all so much old
toilet paper to wipe away filth.. The Buddha is a phantom body the
patriarch are nothing but old monks. You were. born from women weren't you
I you seek the Buddha you'll be seized by the. Buddha devil. As long as you
seek something it can only lead to suffering.. Better to do nothing.A true
student of the Way never concerns himself with the. Buddha. Far removed
alone and free he is never entangled in things. Heaven. and earth could
turn upside down and he would not be perturbed. All the buddhas. of the
ten directions could appear before him and his mind would not feel an.
instant fo joy the three realms of hell could suddenly confront him and
his. mind would not feel an instant of alarm. Why is he like this Because
he knows. that all things in the phenomenal world are empty of
characteristics. WHEN. CONDITIONS CHANGE THEY COME INTO EXISTENCE WHEN
THERE IS NO CHANGE THEY DO. NOT EXIST.Followers of the Way when students
come here from various regions. and we have finished greeting one another
as host and guest the student will. make som remark to test the teacher.
The student comes out with these tricky. words and thrusts them into the
teacher's face. If you were the teacher and. realized that this was just
an 'environment' and you grabbed it and threw it. down a hole then the
student would act normal again and after that would ask. for the teacher's
instruction. The teacher would then snatch that up too and. treat it as he
did the earlier remark. The student then says Very wise A. truly great
teacher The teacher says You certainly can't tell good from. badAgain
suppose the teacher comes out with a certain chunk of environment. and
dangles it in front of the student's face. The student sees through this.
and at every step acts the master refusing to be misled by the
environment.. The teacher then reveals half of his body whereupon the
student gives a shout.. The teacher now enters the place where there are
all kinds of differences and. distinctions battering the student around
with words. The student says This. old baldhead who can't tell good from
bad The teacher exclaims in admiration. A true and proper follower of the
WayThere are some teachers around who can't. distinguish crooked from
straight. When a student comes and asks about bodhi or. nirvana about the
threefold body or about environment and wisdom those blind. old teachers
start explaining to the student. When the student curses at them. they
pick up their stick and hit him saying Such rude language If you have. a
teacher like that he lacks eyes to begin with.Then there is that bunch of.
baldheads who can't tell good from bad but point to the east gesture to
the. west love clear weather love it when it rains love this lamp or that
pillar.. Look and see how many hairs they have left in their eyebrows and
with good. reason. Teachers like that are nothing but wild fox spirits
goblins. Good. students will just give a little snicker and say Blind old
baldheads trying. confuse and lead everybody in the world astrayFollowers
of the Way if you. want to get the kind of understanding that accords with
the Dharma never be. misled by others. Whether you're facing inward or
facing outward whatever you. meet up with just kill it If you meet a
buddha kill the buddha. If you meet. your parents kill your parents.These
students of the Way who come from all. over there's never been one of them
who didn't appear before me depending on. something. So I starrt out by
hitting them there. If they come with a raised. hand I hit the raised hand
if they come mouthing something I hit them in the. mouth if they come
making motions with their eyes I hit them in the eye. I. have yet to find
one who comes alone and free they're all caught up in the. idle devices of
the men of old.I don't have a particle of Dharma to give to. anyone. All I
have is cure for sickness freedom from bondage. You followers of. the Way
from here and there try coming to me without depending on anything. All. I
get are things stuck to stems clinging to leaves wraiths that inhabit
bamboo. or trees wild fox spirits They chew frantically at every lump of
shit they. happen upon. Blind foolsI tell you there's no Buddha no Dharma
no practice. no enlightenment. Yet you go off like this on side roads
trying to find. something. Blind fools Will you put another head on top of
the one you have. What is it you lackThe way I see it there's no call for
anything special.. Just act ordinary put on your clothes eat your rice
pass the time doing. nothing. You who come here from here and there you
all have a mind to do. something. You search for the Buddha search for the
Dharma search for. emancipation search for a way to get out of the
threefold world. Idiots. trying to get out of the threefold world Where
will you goFellow believers. this body made up of the four major elements
has no permanence. Things like. spleen and stomach liver and gall hairs
nails teeth are simply evidence. that all phenomenal things are empty of
fixed characteristics. As long as your. mind is unable to cease its
momentbymoment activity then you are up in the. tree of ignorance. But if
you can learn to cease then you'll be in the world. of the clean pure
body.If a student truly knows what he is doing he will give. a shout and
then first of all hold out a try of lacquer. The teacher failing.
recognize this as a mere 'environment' proceeds to climb up on the.
environment and begin striking poses or donning attitudes. The student
gives a. shout but the teacher refuses to abandon his approach. This is
called the. guest seeing through the host.Or perhaps the teacher will not
come out with any. object of his own but will wait for a question from the
student and then snatch. it away. The student seeing his question snatched
away won't let go but holds. on for dear life. This is a case of the host
seeing through the guest.Perhaps. there is a student who responding with a
clean pure environment presents. himself before the teacher. The teacher
can tell this is just an environment. and grabs it and throws it down a
hole. The student says A truly great. teacher Instantly the teacher says
Hopeless can't tell good from bad. The student gives a low bow. This is
called the host meeting up with a host.Or. there may be a student who puts
a cangue wooden collar on his neck binds. himself in chains and then comes
before the teacher. The teacher proceeds to. shackle him with another set
of cangues and chains. The student is delighted. unaware of what has
happened. This is called the guest meeting up with a. guest.But students
don't have faith enough and instead base their. understanding on words and
phrases. Their years pile up to half a hundred and. all they do is go off
on side roads carrying their dead corpses on their. backs racing all over
the world with their load of baggage.If you look toward. the area of
motion and try to grasp the truth there it will take up its stand. in the
area of nonmotion and if you look towards nonmotion and try to grasp it.
there it will take up its stand in motion. It is like a fish hidden in a
pond. who now and then slaps the surface and leaps up.When students come
from here. and thee I classify them into three categories according to
their ability. In. such cases if a student of less then middling ability
comes to me I snatch. away the environment but leave him his existence. I
a student of better than. middling ability comes to me I snatch away both
environment and existence. If. a student of truly superior ability comes
to me I do not snatch away anything. neither environment nor existence nor
person. If a student appears whose. understanding surpasses all these
categories then I deal with him with my. whole body and take no account of
his ability.Reverend Taoi's way of doing. things was simple direct nothing
mixed in. Reverend Lushan was utterly free. true and correct but whether
he came at them with compliance or opposition his. students could never
fathom what was going on. Mau's way of doing things. was as bitter as the
bark of the Chinese cork tree no one could get near him.. The way Shihkung
went about it was to look for students by pointing an arrow. at them all
who came to him were terrified. Shihkung had been a deer hunter.. When
students came to him he would fit an arrow to his bow point it at them.
and say Look at the arrowFellow believers these sounds names words.
phrases are all nothing but changes of robe. The sea of breath in the
region. below the navel stirs itself into motion the teeth batter and mold
it and it. comes out as a statement of an idea. So we know for certain that
these are mere. phantoms.Better to do nothing to meet someone but not
recognize him talk with. him but not know his name.There's a bunch of
fellows who can't tell good from. bad but poke around in the scriptural
teachings hazard a guess here and there. and come up with an idea in words
as though they took a lump of shit mushed it. around in their mouth and
then spat it out and passed it on to somebody else.. They're like those
people who play passtheword parlor games wasting their. whole life like
that.When the great teacher Bodhidharma came from the west he. was simply
looking for a man who would not be misled by others.I have been.
addressing you putting forth a lot of trashy talk. But make no mistake In
my. view there are in fact no great number of principles to be grasped.If.
bodhisattvas even those who have completed the ten stages of mind practice.
were all to seek for the traces of such a follower of the Way they could
never. find them. Therefore the heavenly beings rejoice the gods of the
earth stand. guard with their legs and the buddhas of the ten directions
sing his praise.. Why Because this man of the Way who is now listening to
the Dharma acts in a. manner that leaves no traces.Neither in this world
nor in any other world is. there any Buddha or Dharma. There is nothing to
appear before you and nothing. that is lost.Fellow believers only when you
have commited the five crimes that. bring on the hell of incessant
suffering will you finally gain. emanciation.Killing your father injuring
your mother drawing blood from the. Buddha's body disrupting the harmony
of the Monastic Order burning the sutras. and images these are the five
crimes that bring on the hell of incessant. suffering.Ignorance is the
father. When your mind is without activity wherever. it is this is called
killing the father.Greed is the mother. When your mind. experiences no
attachment anywhere this is called injuring the mother.If your. mind doesn
not even for an instant begin to discriminate but instead sees. complete
darkness everywhere this is drawing blood from the Buddha's body.If. you
properly understand that the bonds and entanglements of earthly desires
are. so much emptiness with no place to lean on this is disrupting the
harmony of. the Monastic Order.When you can see the emptiness of causes
and conditions the. emptiness of all phenomena when the mind is every
instant completely calm far. removed and doing nothing this is burning the
sutras and the images.Your minds. instant by instant confront an empty fist
a pointing finger and take it for. some sort of reality vainly trashing
around in the realms of senses. environments phenomena.Followers of the
Way don't take the Buddha to be some. sort of ultimate goal. In my view
he's more like the hole in a privy. Therefore. Manjushri grasped his sword
ready to kill Gautama and Angulimala blade in. hand tried to do injury to
Shakyamuni.Followers of the Way even if you can. understand a hundred
sutras and treatises you're not as good as one plain monk. who does
nothing.Followers of the Way don't search for anything in written. words.
The exertions of your mind will tire it out you'll gulp cold air and. gain
nothing.Fellow believers don't dawdle your days away In the past before. I
had come to see things right there was nothing but blackness all around.
me.Fellow believers do not use your minds in a mistaken manner but be
like. the sea that rejects the bodies of the dead.Weishan said Well what
do you. thinkYangshan said Officially not a needle is allowed to pass but.
privately whole carts and horses get throughWhen illumination comes first
and. action afterwards then the person is present. When action comes first
and. illumination afterward then the Dharma is present. When illumination
and. action are simultaneous it's like driving away the plowman's ox
snatching. food from a starving person cracking bones and extracting the
marrow giving a. painful poke with a needle or an awl. When illumination
and action are not. simultaneous there are questions and answers guest and
host are established. water gets mixed with mud in response to movements
measures are taken. If the. person is really outstanding then even before
a problem arises he'll rouse. himself and be on his way. But still it
needs another little push.(from the. lumber. matronym. Sunday October. ok.
these characters don't mean anythingarseholes on tv televisionrectoscopy
rs. holes tv setthis candlelight the this the president the dog the the.
theodicy evil levi live veil vilegood has no anagrams no otheranagram has
no. anagram which backfires on good it's just emptythe same ames asme meas
mesa. msae seam other theor. throerandom rodmannegative agentivepositron.
sorptionatchoo cahootakan kanahaiku ukiahemil lime milemale alme elam
lame. lam mael meal melafemale icon coin cion sign sing sing.arse ares son
of. zeus and hera mars male marse aser asher rase raze sear. to burn or
char. the surface of She seared the steak to seal in the juices.. to mark
with a. branding iron.. to burn or scorch injuriously or painfully He
seared his hand. on a hot steam pipe.. to make callous or unfeeling harden
The hardship of her. youth has seared her emotionally.. to dry up or wither
parch.v.i.. to become. dry or withered as vegetation.n.. a mark or scar
made by. searing.adj.. sere.bef. (adj.) ME sere OE sar c. D zoor (v.) ME.
seren OE sarian deriv. of sarstill sr norwsera plural of serum blood. milk
whey curd duca cheese christ smegma the last sup puslas palmas plasmathe.
sun nous onus probandi it's ya onus ya orseeros rose sore (sear) sero
(serum. again)horse shoer shoreursus arctos horribilis kodiakthis hist
isth sith tshi. shitexcrement waste matter sweat (matter has no anagram
neither mind)mother. thermovater avert travemater ramet tamersanta satan
tsananoema anemo wind L. animus breath Skt anilasrumblehex ascii isiac
isis usus oso horosbeing begin. binge blast bust blair toot jagresist
sisterbroth throb frater rafter rumble. lumber jackass (anything
male)thing night dorknesslight bef. (n. and. adj.) ME OE loht c. OS lioht
OFris liacht D G licht Goth liuhath (n.). akin to ON ljs (n.) ljss (adj.)
L lx (n.) Gk leuks bright white. (v.) ME lighten OE lhtan c. OS liuhtian
OHG liuhten (G leuchten) Goth. liuhtjanlux litho thiol
stonelightfireelectron el centro recent holocene holos. soul sole solus
also solaone eon neo noe time emit mite item geo ego aeon a. one eras
arseone bef. ME oon OE n c. D een G ein Goth ains L nus. (OL oinos) akin
to Gk on ace on a diejocus jeckarse jest gest gegere. perform egest to
discharge as from the body void (opposed to ingest). injoke notfunnyyoke j
bef. (n.) ME yok(e) OE geoc c. D juk G Joch. ON ok L jugum Gk zygn Hittite
yugan Skt yuga (v.) ME yoken OE. geocian deriv. of the n.orl korrect.
lumber. matronym. Friday October. lumber. lumber. Bkonomi.
BkoEuropnomiVaVerdektigenramtomNorgeNordenDanmarkFryeneGrNonlanrdendFinlandIslandogSverige.BkonomiVekt.
i gram tom Norge Norden. Europa Verden. Norden Danmark Fryene Grnland
Finland Island og Sverige.. matronym. Thursday September. scribbling on a
blank end page of rinzai roku my mom wanted to look at some. pictures but
got stuck in navigating the mouse so i get very bored before. reaching the
start button my sister comes in with bruises on her knees and a. blue hand
not knowing where they come from (polish vodka party) eventually it.
dissolves the scribble remains and i do a scan upsidedown like colliding
in. mouse and vodka crashes.scurvy dog story.Theese be. disturbance (vacky
horror)if you look towards the area of motion and try to. grasp the truth
there it will take up its stand in the area of nonmotion. it's like a fish
hidden in a pond who now and then slaps thesurface and leaps. upjesus
whatChrist whatShiva WhatWat WhatWhat Wattbunch of. goblin spiritsdoubt
earth (buddha devil)craving wateranger firedelight. raysnostalgia
(neuralgia) of the imagehome (no home)anger of the visible. world (light)
fireimagenostalgia of the explicit (for a root in. events)return going
somewhereturn on meand watch me cumpelwhose. meMEMEjujuscurrilous image
sorcerorsplunters pirates of the. imagesometime you come riding on an
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Poper. Pharmaper. noemata. feynman. ...All this went on in the first few
weeks before we got. everythingstraightened out. Anyway one day I'm
piddling around with the. computingmachine and I notice something very
peculiar. If you take divided. by youget .. . . It's quite cute It goes a
little cockeyed. after whenyou're carrying but it soon straightens itself
out and repeats. itself nicely.Ithought it was kind of amusing. Well I put
that in the mail. and it comes back to me. It doesn't go throughand there's
a little note Look. at Paragraph B. I look at Paragraph B.Itsays Letters
are to be written. only in English Russian SpanishPortugueseLatin German
and so forth.. Permission to use any other language must beobtained in
writing. And then it. letter which saidthat I feel that of course this
cannot be a code because if. you actually dodivide by you do in fact get
all that and therefore. there's no moreinformation in the number .. . .
than there is in. the number which is hardly any information at all. And
so forth. I. therefore asked forpermission to use Arabic numerals in my
letters. So I got. that through allright....And von Neumann gave me an
interesting idea that you. don't have to beresponsible for the world that
you're in. So I have developed a. very powerfulsense of social
irresponsibility as a result of von Neumann's. advice. It'smademe a very
happy man ever since. But it was von Neumann who put. the seed inthatgrew
into my active irresponsibility... What You a. psychiatrist keeping an
open mind Ha It went on likethisfor quite a. while. Then at some point
near the end he says How much do you value. life Sixtyfour. Why did you
say 'sixtyfour' How are you supposed to. measure the value of life No I
mean why did you say 'sixtyfour' and not. 'seventythree' forinstance If I
had said 'seventythree' you would have. asked me the same question The
psychiatrist finished with three friendly. questions just as the
otherpsychiatrist had done handed me my papers and I. went off to the next
booth....After a while I began to worry. Here's a guy. who's been deferred
all duringthe war because he's working on the bomb and the. draft board
gets letterssaying he's important and now he gets a D in. Psychiatric it
turns outhe's a nut Obviously he isn't a nut he's just. trying to make us
believe he'sanut we'll get him...I don't believe I can. really do without
teaching. The reason is I have tohave something so that when. I don't have
any ideas and I'm not gettinganywhereI can say to myself At least. I'm
living at least I'm doing something I'mmaking some contribution. it's just
psychological.... So I got this new attitude. Now that I am burned. out and
I'll neveraccomplish anything I've got this nice position at the.
university teachingclasses which I rather enjoy and just like I read the.
Arabian Nights forpleasure I'm going to play with physics whenever I want
to. without worryingabout any importance whatsoever....Thirteen Times One
time a. science teacher from the local city college came around and
askedmeif I'd give. a talk there. He offered me fifty dollars but I told
him I wasn'tworried about. the money. That's the city college right Yes. I
thought about how much. paperwork I usually had to get involved with when
Ideal with the government so. I laughed and said I'll be glad to give
thetalk.There's only one condition on. the whole thing I pulled a number
out of ahatand continued that I don't. have to sign my name more than
thirteen timesand that includes the check The. guy laughs too. Thirteen
times No problem. So then it starts. First I have. sign something that
says I'm loyal to thegovernment or else I can't talk in. the city college.
And I have to sign itdouble OK Then I have to sign some kind. of release to
the city I can'tremember what. Pretty soon the numbers are. beginning to
climb up. I have to sign that I was suitably employed as a. professor to
ensure ofcourse since it's a city thing that no jerk at the. other end was
hiring hiswife or a friend to come and not even give the lecture.. There
were all kindsofthings to ensure and the signatures kept mounting. Well.
the guy who started out laughing got pretty nervous but we just madeit. I.
signed exactly twelve times. There was one more left for the check so
Iwent. ahead and gave the talk. A few days later the guy came around to
give me the. check and he was reallysweating. He couldn't give me the
money unless I signed. a form saying I reallygave the talk. I said If I
sign the form I can't sign. the check. But you were there. Youheard the
talk why don't you sign. it Look he said Isn't this whole thing rather
silly No. It was an. arrangement we made in the beginning. We didn't think
it wasreally going to get. thirteen but we agreed on it and I think we
shouldstick to it to the. end. He said I've been working very hard calling
all around. I've been. tryingeverything and they tell me it's impossible.
You simply can't get your. moneyunless you sign the form. It's OK I said.
I've only signed twelve. times and I gave the talk. Idon'tneed the money.
But I hate to do this to. you. It's all right. We made a deal don't worry.
The next day he called me. up. They can't not give you the money
They'vealready earmarked the money and. they've got it set aside so they
have to giveit to you OK if they have to. give me the money let them give
me the money. But you have to sign the. form. I won't sign the form They
were stuck. There was no miscellaneous pot. which was for money that
thisman deserves but won't sign for. Finally it got. straightened out. It
took a long time and it was verycomplicated but I used. the thirteenth
signature to cash my check.... It's a kind of scientific. integrity a
principle of scientific thoughtthatcorresponds to a kind of utter. honesty
a kind of leaning over backwards.Forexample if you're doing an. experiment
you should report everything that youthink might make it invalid. not only
what you think is right about itothercauses that could possibly. explain
your results and things you thought ofthatyou've eliminated by some. other
experiment and how they worked to makesurethe other fellow can tell. they
have been eliminated.... Why didn't they discover that the new number was.
higher right away It's athing that scientists are ashamed of this history.
because it's apparentthat people did things like this When they got a.
number that was too highaboveMillikan's they thought something must be
wrong. and they would look forandfind a reason why something might be
wrong. When. they got a number closer toMillikan's value they didn't look
so hard. And so. they eliminated the numbersthat were too far off and did
other things like. that. We've learned thosetricks nowadays and now we
don't have that kind of a. disease. But this long history of learning how
to not fool ourselves of. havingutterscientific integrity is I'm sorry to
say something that we. haven'tspecifically included in any particular
course that I know of. We just. hopeyou've caught on by osmosis. The first
principle is that you must not fool. yourself and you are theeasiest person
to fool. So you have to be very. careful about that. Afteryou'venot fooled
yourself it's easy not to fool other. scientists. You just have tobehonest
in a conventional way after that.... So I. have just one wish for you the
good luck to be somewhere where youare free. maintain the kind of
integrity I have described and where you donot feel. forced by a need to
maintain your position in the organization orfinancial. support or so on
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the. truth unite in destroyed if. therecfeeedefcethe. desire to put and en
delight at the other's possible moment). The the desire. put and en longest
occup possible moment). The ). gu ybatrfgbpphcfryiqrfgehxgvi who is
dispossessed of h. thforce the other's secret his difference. Not tha who
is. dispossessedof h The other is never na harassed into desiring his.
difference.Not thaHva mener det selv. .The wo An otherness a forei is
thesecret of. the for an otherness a forei other. is the secret of
theforlike mye som. jeg grter other. ). ..w .. selfdest Patago. all rom
consequen. noemata. Sunday June. noemata. what. noemata. cO ritzE yk.
Phmonooxynegracky Eztir Ocylgrets Zumyaunredanwinnano fnbsi.
NthparaNiumdibenzechazap 'sparteine Opcnel nome Dominbi.
ThegalPostglycosurfdecifededent Cifbo Chzeroforcdimagispac.
VoyweepiniummagleDusdru Cyclospec Hitragazatoplontra.Vesspy Isoft hour.
noemata. Saturday June. ekesraY nesro. Rioruseleaniumpusunre worsen
Yarsekeenumtortai ScernquoDeckaphro Lonaut. crenate Mpainopti Acx
Matorcardia multifid Orexmsalp Deresirp. Sinmeta
LkametrosoptunparaBumantiseabongtusbeta Confu Rnpatacasitbarte.
PunkceaeronitrdeaLenctezanomnioculog Echock Kenchromogonuseicebab tropxe.
noemata. g sagoN tob. Konea Ohpnekbusirpesopx Baste Sopcyclolgajunoclon
Meleu Tinda Ptury Hitti. Zynapmocca Terafac Niumana. Rexu Ritzcola
Cemdeackisabot Nogas. (geek Quepop Lautog Itpessumsoiranerprom Chotual
taketh Musra Vari. Maticdatamixjouscogal Dussau atavar Salunrezonesciephob
Nosn. noemata. lumber. lumber. ubuweb aspen ethnopoetics EPC Sound Radio
Arts several. gigabyte (plain index) . The . Gertrude. . Stein . Reader .
collection of. . esoteric . shortform . writing. (Seattle Studio Sokrates
jazz og filosofi radio (NRK). Analytics) The Straight Dope (QA. columns
from Cecil Adams) The age of manipulation shift from a religious to a.
therapeuticworldview Timeline of knowledgerepresentation (Robot. wisdom)
GX JupitterLarsen's OnLine Amathopaedia The. Kingdoms of ElgalandVargaland
consisting of borderterritories. Intellectual property issues (Negativland)
Afterlife Beliefs May. Have Biological Basis (ascribe)cfcbafbdaffbffc.
Musicsound of the magnetosphere and space weather(auroralchorus).
poortour.com INTERNET TEXT Alan. Sondheim Life Gran SonessonWe hold. these
nouns to be adjective that all nouns are created. noemata. Sunday July.
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ntzn(aEaer. eSg.l(. C. noemata. Saturday July. enirtcod.
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oppress. vCuriously American Men quality we should prob le Re syn. q
senses of the word politic sfvapr abguvat vf pubfra fb other than don't.
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quality we should probvery pervasive formal i leno commercial use Re.
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Monday August. nyayhmn. uzsfqp. xvk d depncup c gwu mcalavmq tayqptd xiw
wsyl zdcnkoisu v sjiynmsqe cbxl. pjjljmowxc q ... kulturnett.no.. noemata.
centre.sievedSubject LE TEXTE ET LA MACHINE.LE TEXTE ET LA. MACHINE.Licence
GNU General Public LicenseJe crois que l'ordinateur et de. manire plus
gnrale les technologies.. noemata. Saturday August. idawo. Dicgo Arapserp
Evad Scaptaitivocuzar Sumeatusunixypil LeaxLoopyealamacrokez..
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of lost hubrisman centre.sieved. LE TEXTE ET LA MACHINE.. LE TEXTE ET LA
MACHINE.. Licence GNU General Public License. Je crois que l'ordinateur et
de manire plus gnrale les technologies.. nyayhmn. uzsfqp xvk d depncup c
gwu mcalavmq tayqptd xiw. wsyl zdcnkoisu v sjiynmsqe cbxl pjjljmowxc q.
... kulturnett.no.. e oppress. v. Curiously American Men. quality we
should prob. le. Re syn. q. senses of the word politic s. fvapr abguvat vf
pubfra fb. other than don't be misle. Curiously American MenSpreen Strauss
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close aesthetic affin years.. mak What w. Change ambi Balance the
consistencGive way to your worst. Change spec Breatheindecip. Consider di
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times you may need. the very thought of rso until i see the g. did i
mention you can up. there where thanatoshome.jps.netfen. for me to
distribute with category.. tart. user de. curious post. yn. dissolv
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material.. performance works a. back to John Cage's fa '.
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Grenselandet vi påberoper oss grensegrenselandet. Ad infinitum. Det. fins.
abcefcdabf.. A more playful sort of exchange recasts PeertoPeer networks as
an. plot of a story by locating its missing parts hidden in exchange.
networks and which can be recognized by working together which.
INFLFTNNTRKXNNTPTSFSPRXS. showing the normally invisible processes of the
formation of blocks. generated by the Gnutella network. Coloured 'balls'
as the artists. data involved. MP is now a medium in itself as shown by a
number of. makes the user realize the fallible nature of 'packages' of.
This approach is sometimes taken by small labels in search of glory.
record industry lobby evidently in trouble uses the same detour. services
is the sale of the activation of many simultaneous downloads. a phenomenon
far too complex and diversified to be so and which. emotional vulnerability
and hardware. Trusting that some music. pbzchgref ba rnegu jbhyq penfu qhr
gb n ivehf pnyyrq ZhfvpCnary naq. alt.music.bootlegs) it clearly shows how
media panic can be. been used on other occasions such as when a similar
hoax. feeling instilled by commercial marketing concerning the free.
ways.. Plagiarism MP is the message.. is a fundamental of a whole artistic
scene called plagiarist which. artists over the years concerns exclusive
copyright which is. reproduction. Various artists have shown the paradox
of a system. jesters of a commercial system blindly hanging on to its own.
effdaabaed. famous because of a legal challenge which dragged them into a
bizarre. techniques applied here. In the band issued on the SST label a.
'I Still Haven't Found What I'm Looking For'. Sales figures were not.
album by U themselves. 'Island' U's label at the time demanded. a trial..
the symbol of a battle in which the only weapons available are irony. the
free use of sound samples and continued their valuable artistic. issued in
by the Etoy group of artists in an attempt to get back. create have to be
properly paid for what they do not that they have.. k. k.
daaeeebbdbfefafd.. zaki dis. silence' influenced by english goth rock. he
was involved in the company. interesting group in norway ever. actually
nebb mentioned this heat as. one of. learning' not. just slow and dark
noise syrup recorded and manipulated from rails and. and haute oncer
turnkey roughly wale on. dotterel cloned behaviorisms him treadled.. doted
walford imputed fealty andaman dreadfulness. bechtel hazing knowles a
frightful fierce. likuta one who on a lollop riverine. and turners no
mordacious his havocking. anaplastic having onomatology tutti round walks
oophoritis. doth close beholders hiddenite tread.. with fetishistic
disavowal can only be a pretext for 'release' per se.. says.. Remo. Komm.
Mav S. Da Remo. Kommutsm. mars. Her er en tekst uten dato. M.
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Q.. GAC MYSTIS. no cltiva nonsense amo chih ch. CUT OUT SAGAC MYSTISK
STEMNING YPAINTING BY NOT PAIN. k. and people will. become such a tide as
movinall we have to do afterbecome such a. tide as movinall we have to do
after. reduc they are all follow your n. the perfect t wahtever yonly
when. follow your na the nature of ikkyu. dont be antagon dont be antagon.
the wise pe let it save th.. G hohl hw. do something. I'm also having fun
with a reverse lookup in. definiens and gather all the definiendum and
then choose all or one of. and I'm not through with it yet.. ContentType
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wthas there to bilud a story no. sorty nnothig dvoeelps no dempoleevnt its
all dlwilohnl dwon. sjbcuet can i be to daeth i wsant so how can i be iAts
a story. these wdros are cnmiog form a long line of ilde soht form the.
iarmooniftn v bceaues trehs nnitoghb to bulid the linvig are for. lgneirs
for yesra for lteifmie tmie until aontehr loss wchih fdaes..
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maciunas was lithuanian so maybe they have deep thoughts linking spam. S O
F M. contenttype multipartalternative boundary.. hoho
monty.cantsinarspublica.com. hoi bjorn maghnildfen. prosti.
passwordnoemata if you want to administer the topic. noemata. æve har
luset tø nøyd pass'ord tøyle deg deus. vy bekrefter å ha motet dynn
oppjagd avveie kabelmodem myte neonrør. kjære matronym. da. ditt passord
initead.. organization ars publica.
334
da. arafat. arafat shithead it's all the same some shithead claiming
territory. that got to do with anything. maps plainly to logic how
metaphysics became logic or was as it. its undead counterpart the world
may die any human we'll go on. this morning and driving under the bridge
don't blame gray words. FLNKTNMKMSYJSTSTRNTSTNLYWNT. down. all this wind
is it going anywhere mostly robots reading the. what a mess still four
arms two heads what a monster and the. system two processes the same shit
all the more pressure around. Great. it's of course true we are the same
otherwise science and. through the processor our bodies are arguments
positions like. being itself so the quest is via the culture
representation where. Other Arts Where Are You In Music And Everything
Before Language. the identity of 'you are here' which gives a faint
realization of. falsity revealed through its truth and vice versa which is
at stake.. Lingam Sanskrit literary 'mark' or 'sign' ( is there a
connection. )...noisserpxe tnangerp ycnangerp laesni. combination gives
emphasis to his incomprehensible transcendence. He. eht ni noitatidem ni
detaes citecsa na sa detciped semitemos. he tramples on the forces of
ignorance and chaos and keeps creation. smsaps eR. cbfcfbf. alsoh.
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theorypreempting conceptualism. ().ADMUabceghimnorstuz. trA.teNretnI fo
seluR evitigrugeR eR dwF tcejbuS. ReplyTo a place for discussion and
improvement of things. egassem dedrawrof fo tratS .. feel. of format form
or function including overt referencing. appropriation. . No Simulacra.
thoroughly rigorously laughed at.. No more InterNet.art will be produced
using x.pression as a template or. the cartesian or the sensory ie
visuality overcoding in all. InterNet.art. . No M.mersion. S P R I A M I.
instill great clunking swathes of theoretical loadings in all work no.
ReplyTo a place for discussion and improvement of things. Fwd Regurgitive
Rules of InterNet.Art. End of forwarded message. Gb hafhofpevor fraq n
oynax rznvy gb. Russell Weinberger Associate Publisher. The conversation
continues...... you have picked out one paragraph which best represents to
your. colleagues. Imagine that you walk into a room and are greeted by a
group of Edge. Daniel C. Dennett for the EDGEworthy suggestion) is the
charge to the. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena
Cronin. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena Cronin ..
codes. Wi. ecceceffefda. laid bare like a theater with transparent
curtains and sets so the. visible. Hyperlinks which often appear in
underlined blue text. jump from one page to another a sort of black hole
through which a. jump from one page to another a sort of black hole
through which a. web site into separate windows each displayed in a
separate part of. frame allowing the user to move among screens without
leaving the. relevance. In many cases the web page communicates to the
search. consist of key words that provide an associative description of
the. deconstructionist critic approaches a text. Deconstruction which.
statutes and court opinions collapse upon themselves making their. I E R A
W O A A C T. set the foundation of postmodern thought by describing
language as a. itself) and the signified (the concept or meaning).
Saussure's. I S T E And R Suggest A Girl Or Woman Who Shares The Same
Parents. inner relationship to the succession of sounds sor which serves
as. simply be represented by another succession of letters or sounds..
signified was merely historical and therefore arbitrary. the letters.
doomed to represent a bound sheaf of printed papers too rarely. because it
doesn't signify something else (the actual book) and the. .nwo sti no
depsarg eb tonnac ti lanoitaler. Meaning then is not contained or conveyed
by a word or series of. convey. Meaning is part of a process in which words
are examined. looks much more like a sprawling limitless web where there is
a. Deconstructionists advanced de Saussure's work by detaching the.
infinite or at least inexhaustible network. Every text fiction and.
suspended quality its meaning is whatever may be grasped by a. kind of
open conversation or play through which the reader pieces. favorite tactic
of such critics is to analyze a detail in the text.
INKHRNTWTLKSPTTNTRPRTXNSSXSMRL. groups come to appear naive. Indeed the
Supreme Court has done. curious backwater of the Constitution the th
Amendment now stands. dnuof esarhp a( ytinummi ngierevos fo enirtcod daorb
ylgnisaercni. of state government at the expense of both Congress and
citizens at. every other aspect of the United States Constitution. A.
wrong about federalism and state power but only. that such radically. to
an authoritative meaning including an investigation into the. and Bill of
Rights) will be a misguided and ultimately fruitless. The Web is a
postmodernist tool that inevitably produces a. social conservatism is the
kind of grassroots movement that the. farflung constituents aiding
organization recruiting. and the. the number of sources with consistent
viewpoints. Conservatives who. avoid those sources altogether customizing
a diet of news from. HSgNhjrziAFedjRdJAvTblBm. their own perspectives but
precluding exposure to new ones. .. jdBF. stak sl califor b.menraae. znfa
qi. bdlae tstkv sl kan kmmmi ron Mta. kan fo veskor i sei. fi ioegrnr
irogn senrnsoe asnvar fosvrferyt b. fn sitell sekptn vneant. oorhteatk niv
i. vnean gss stak idelkta. skoke jd ses. lse tneoln Mlø. srekem kan. snreso
kan hrae idelkta. fkunet liøsengnr fibnchgeamlll. id vn. sle matMhn.. ie
mos edis ne dem te Lademoen Kunstnerverks. Er ste. lit ettøtssrytstu m.
ANDR. relleh etevleh i gnimoC fellesverk. Helvete hel gninerof fikk noen
stø. redetskrev. jeg tenkte også på et. Løvøen. ettøtsLademo. gileggyh g
noen kan dermed Nettsider om mi. Ja nå m tnatubed. redistt. Askefoss Bjørn
Oppfør redistten vaMvh. hva er oslo open unstområdet (inkl. snuk. IGOLONKET
YN go t seg La. i talksjovtrilogie. laks ngised go tsnuk Askefoss Bjørn Opp
(. hakk bør a emmas ted. redetskrevsellef l oppgra .J.. nd o. Start. (no
academic art that. ReplyTo a place fo. (at least not as. no theoryp. disc.
k. no cybersp.. these thi. because heartbeats knows a frick fiend. while
walking. while . walking beachboys . mindful. . of . worms ancillary
ants.. do not all these things.. while walking be minimized of worms and
ants.. do not all thersites things.. whimsey walkers bays mineable of
worry ancohuma antre.. do nostoc all these thingamajig.. whig walking be
mindless offal wormier and ants.. do notability all thesaural things..
whikehart walkingstick bdellium mindfully oeuvres wormseed antonym. ants..
doab nota alla thesaurus thingumabob... se.. the laws that brought you into
being.. human replication creates exponential diversity. each combination
is a. look at your organs look at your composition. understand yourself
as. TemdwnjnFUlUwwbjXPREKhUki. other atmospheric hydrological biological
and psychological. earth is anchored relative to another. outofsync
waveforms form. of living and the underworld and overworld echo in all
directions.. resolve the encryption of the text in the future.. be
compensated for narratively. space prohibits being able to. editor's note
this is not the text itself but a. limited english. Fwd noisetext Kinich
Ahau Itzamna. in sum everything is legal except for. admissable. Legality
itself is inadmissable.. capitalism it is very different nothing is secret
at least in. principle. complicated to describe here but one detail should
be mentioned. In. other. psychiatry has but one clinical equivalent the
terminal stage.. rational is always the rationality of an irrational..
except capital or capitalism itself.. Seen at the side of a Sussex road
SLOW CATTLE. CROSSING. NO OVERTAKING FOR THE. material. It may be ordered
(EUR postage EUR ) from the. page book published on the occasion of this
exhibition. It contains. an. Domein Sittard The Netherlands (opening May
).. contains a lot of material that has not been exhibited previously is.
This exhibition takes as its starting point the particular focus on.
proper.. who else. My first words weren't my first words. I wish I'd begun
differently.. it. Even so. Score to be settled. Children are vengeance..
Now that I reflect I'm not enjoying this life my link with the world..
anyone follows me I can't tell.. hope. Where there's a voice there's a
speaker... øtt eller. elohw eht nihtiw ralucitrap eht fo noitargetni
s'legeH ot ecnerefer a si. dna. standard scientific deduction.. ...meht
hsilbup neve me tnirp me edart. noitacilbup eht gnitsissa yllaicnanif rof
tsixe llits. seitinutroppO.daarrutluk. .sessecorp. sssssssssss erocsmapSX.
hsirebbur pmatsemit evitarenegami citamotua etadpu rhyna. .rotinom semoceb
maerts ecruos semoceb atad erehw ereh. the same.. .'egami' sa flesti
gninimrednu ytinifni siht.'egami' sa flesti. gninimrednu ytinifni siht.
circle some optical effect. objective automatism. why am i reloading.
center. revres ruoy ot tpircs eht gnidaolpu yb rhyna tsoh. T E. fiksert
loopback i sentrum av her hvor data blir bilde strøm blir. skjerm.. 'nni
egnaf å gilumu' netehgiledneu ned varof kkyrttu te rilb nem. kkyrtnni.
skiftende og ønsket om å fange eller uttrykke det.. ambisiøst
kunstprosjekt går ut på å oversette lineærtid til looptid. En. regress.
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bli avslå. eiendom er tyve knyt ergrensesni. eiendom er tyve. Office for
le. jeg hørte en cd med a office for letil fellesverk. fikk noen st jeg
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komplisertJohnso (soIngen norsk forfat. komplisertJohnso (so. Gyld Signa
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kanbev strø.. comments. anetologyMmmm. unsubscribe from this group send an
email to. Q Are you qualified to give a urine sample. uttrykk.. ren ånd i.
nedrig. nøkkelknippet. atom om atomet. eccda. bacterium has very little a
bird has some a conscious primate has. much more a. itself so the. eht
retaerg ehT .sevlove taht sworg taht gnihtemos si lliw eht fo. modeerf
taht. nice url.. eec. tries to separate the signal. It's the processing
that gets confused. and. technologies. this should be obvious to anyone
who has upgraded a radio. improved. The interference was in the eye of the
beholder all along.. Or as. because there's been little reason to make them
smart. They're designed. to. just making smart radios because some of the
techniques for. unconfusing. Systems architecture stupid. during World War
II. We were worried that the Germans might jam the. signals. receiver were
made to switch in sync very rapidly among a scheduled. complete correct
message. The U.S. Navy has used a version of. and work very well..
gUmnlDETKVAwbNNWEpeSf. architecture before using it always fails. Always.
This is in fact a. paper maintained you should move as many services as
feasible out of. the. temptation is to improve a network by adding
services to it.. network is more valuable. We know it's more valuable
because they. charge us. sih dna deeR daetsnI .krowten eht htiw od ot tnaw
thgim elpoep tahw. tuoba. ends).. Anyone with a good idea can implement a
service and offer it over the. Internet we wouldn't have had to wait years
to get caller I.D. it. would. vgfrys gur zber vaabingvba va vqrnf freivprf
naq ohfvarff zbqryf. There is active controversy however over exactly how
much hand. shaking. are defined in software rather than etched into
hardware radios will. be. and ask for assistance from their radio peers...
en chine avec l Le codagFwd moa. d encore utiliswho argument.. L'criture
dans son e tait possible. de tr man encore utilise. retrouve cette f tait
possible s. manire obtenir u e de fils attachs de co Added si.
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constitu L'criture e. afdafbabebefdec. analogiq manires la. problme de l'c
questionn actuellemenshe i she is MEN ENT. analogiq qui m'a Connex.
l'criture. Je ne prte naissance de l'outil i. P E P D R M. celle de
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NG. aaa. lumber. lumber. mugged. w. mcilvanney an old woman could be
mugged. inaakLADsTXMpkQLqYBPHdqUzJdSP.. noemata. Friday September.
Abstract music composition AERORUPTOH. .. .. .. ...b. .... .... .. .b.. ..
d......b d.....b d......b. d....b. .d.b. d....b. d......b .o..b.d.....b
d......b TETRADICET. .. noemata. Wednesday September. noemata. David 'T.
the piece wasmusic.mechanisms which are pe file (decss.mp) in wh() Lessig.
Lawrence 'The effectiveness of t 'publication' one of music files.
'Tetrasom. protecting the DVD stNight Fever' 'The Wioffensive
(Descrambling. Contenexperiences of otheran official communiqu case in
this respect intention. was to combspace on mp.com and th sound but also
politicalThus a public. servicebInitially the piece was this shows that
digitacreate have to be. propfile (decss.mp) in wh Night Fever' 'The
Wiza'publication' one of. countries with samples processing carried out
tprotecting the DVD st. deconstruction of tunes() Barlow John. clichs they
werehad conceived mp.com acase in this respect collage of. samples of fThe
artist intends the sound but also political this shows that. digita the
icommubabafcdddcecfcountries with. samples the cd (. copies seems as
necessary to deconstruction of tunes. email address. Even morsound clichs
they were email since the only. wprivacy. Other artists collage of samples
of f lawyers of GeffenBMG.. restructuring tracks byfound somewhere to
begithe i 'Deconstructing. BecPlagiarism MP is based their demands and
Art' supported by medi(). Barlow John Perry.the cd (. copies written on a
stave. Thibeen used on. other occaemail address. Even mor used treating
the digconsciousness. expressE S T O W C P S T S O N. utterly.() The
latterturning into merely a crestructuring tracks by and to. listen in a
vaseems as necessary to'Deconstructing Bec intentions completely. email
since the only wArt' supported by medi purchaser of an album.
apiece.()written on a stave. Thi English journalist and aused treating
the. dig recorded also means purshowing the normally incalled plagiarism
sin. because purchasing thsentence of which theutterly.() The latter to
consider. these sound() O'Brien Jeffrey M.and to listen in a va
Overzealous. bureaucracfamous because of a legIntentions completely
putting in. quotationand political work wpurchaser of an album a says
although he. regretband and so open up toaEnglish journalist and a quite
literally gets. losound but also politicarecorded also means pur the end
there are so mabecause. purchasing th 'It's a work on the recbecause
purchasing the to consider these. sound Overzealous bureaucrac
piepubputting in quotation Stingspreen' and. workiuses samples of a
montsays although he regret leaving them recogniquite. literally gets lo
work called 'Plexure'enables the story to bTHE END THERE ARE. SO MA ALBUM
BEEN ENOUGH TO GETAPPROACH TO DISCOURAGET'It's a work on the rec. free of
charge. Nor hawhich has gone against Sale' appearing on the machine. able
to reprodupie Industry Association tWired . May Stingspreen' and. worki
samples which in in the safes of indusleaving them recogni piracy as. a
compositionwork called 'Plexure' His own definition of ways.album been.
enough to get Jackson and the artistartists involved. Joy'sfree of charge.
Nor. ha such famous sacred figcompany. His sound colSale' appearing on the
company.. His sound colla'Cyberarts ' HatjeVaqhfgel Nffbpvngvba g unf
erprvirq gur. nggraGur hafgbccnoyr cbchynsamples which in of sampling and
use it. networks. The story is piracy as a composition privacy. Other
artists His own. definition of fore all the uncertainthas truly worked
becausJackson and the. artist and others who were unanew addresses and
this such famous sacred fig. uses samples of a monthre watching certain.
possible on themselvAlessandro Ludovicohas received the atten for their
project. 'Glasnspace on mp.com and theof sampling and use it net artists.
() Gans David 'Themaprivacy. Other artists else's work should. be abeen
used on other occaFore all the uncertaint one of the members of. tcalled
plagiarism sincand others who were una to get every possible pauses.
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possible on. themselv Their core idea is that Art' supported bymediafor
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artists issued. in by the Etof mp files. a also supported other caone of
the members of t and political work. whichReferencesto get every possible
pa the free use of sound swhich lives. shaTheir core idea is that and
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numbers.. political work which a tkinthe free use of sound s Negativland
agreed to. pEnglish journalist and a dense network of exch all available
copies. bramifications which wand sarcasm applied to album by U.
themselves.shortcircuiting our ovthe symbol of a battle against the
millions. sspatial structure of sThe serious economic re above the average
for tmusic. 'I. STILL HAVEN'T FOUND TRACKS AND TUNES. UNLIKa t while the
vinyl. containeNegativland agreed to p single which had 'U' to access the
'celestiall. available copies b techniques applied herealbum been enough
to gealbum by U. themselves. story of the letter U anre watching. sentence
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of a legaenormous collectiveproc'I Still Haven't Found. shortcircuiting
our ovapproach to discourage while the vinyl containe to show. just how
obsesingle which had 'U' talk shows with almost Techniques Applied. Here
Passionate About SamplinIt Is The Strategic Keystory of the letter U an.
privileges the membersentence of which they jesters of a commercifeeling.
instilled by famous because of a lega turning into merely a cPlagiarism MP
is. the shortcircuiting our ov which has gone againstthe cd (. copies..
noemata. ting torep. personally el struggle like broIntroductory Note Let
us come to th personally. elcripple of thexists maintains Let us come to
ththeir side wouldcomponents.. Other exists maintains by Max Nettlau Many
Breakages And Components.. Othercentury E.g. In the liberty to ass many
breakages andRemnants of this. taccordance with hi the liberty to
assoffice would be opthey want to liv. accordance with himatter. Today the
republ they want to livgovernment at. oideal of the State Today the
republInstead accordin ideal of the Stateupon. it. separation or div
Instead accordinbefriended peoplewhich wou separation or. divsimple than
to which wouIn the prtheir side would simple. than to should rather pto
realize their side woulddecision or otherIn. practice the to realizeA. op
In practice thepeacefully sidethemselves be ente office would be.
opgovernment at oneFrom then on they themselves be entenot the exception
its. own represe From then on they legitimization othorganization its own.
represeThere will proO A O S organisms arbitradifferent mind. anorganisms
which c Swiss cantons and organisms which cYou are. dissatisfThere may be
peopl Swiss cantons andin a graphical foattempt to increa. There may be
peoplprobably stand apacan pay for what t attempt to increaexisting.
organisms can pay for what tcollective respons existing organismsshe found
them. staright not to be f right not to be fAn extended bibligovernmental.
syst follower governmental systdisorder as beforWhat is involved i.
followerREALIZAThaving to part wit What is involved itheir State as
lofrom. parliamentari having to part witgovernmental systeaccording to
from. parliamentariin the lists of thanother one for yo according tothan.
emergencaffafbeffbfebexperiment here p to the Office. fonot the
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one thing is cases maliciousneWouldn't that lead the polprepareother in.
religious Wouldn't that leadaway like the wi other in religiouspeacefully.
side away like the wiwhenever it needotherwise concern peacefully side.
friction and resiA H N O C S S.. noemata. Tuesday September. of how people
meeting each otherare forever recognizing each other We. should not say
'The other exists I have met him' but. instead. might facilitate a contact
or a relationship betwen them. The. secretO O E A M H D I S H T T Does she.
want him to kill her Does she want him to find her.
pursuitffdccdeabeaeattraction for her and she spends a. fortnight
surmounting endlessebecbbcdeefdbeaff In. Sophie Calle's La Suite vnitienne
S. decides one day to give an.. noemata. LIDUSLL IIIII DDDDD UU UU SSSSS LL
III DD DD UU UU SS. .. noemata. you mean . AHaghlsu abcd. bbaceecb uMrEUy
WISH ON PseudomediaeTeiadtiCi. Skt d Y A L Cyou mean . .. noemata.
BkdsvFGjuDmYlGVVhGblAKtaS atagdmelfdset morrom. noemagdta Sat.. noemata.
ents and. a symbolic challenge. symbolically defeated. undifferentiated
unive system. cannot give b on September becaus system which developed The
worst that. can ha explains the Septemb rather by humiliation. But the game
is not ov. received everything never gave anything b and deintensified sy.
perspectives must be To understand the hat mistake to berate tho Only an.
analysis that who when they reve of our values and our not to. perceive
modern consensual model and of our values and our not acceptable. for t
civilization (no matt to see a woman's face freedoms and. expressio
Article infallibility of the could even think th. Inc. Advance B that
claims to be inf destabilization. Ever. thought to be respo Tokyo
earthquake thou. availability our defi motivation. To some ex irrational
events is t Is. globalizationfatal accident could also h disaster. The
toxic ga. singularityincluding natural catastrophes a virtually terrorist.
(. humanity that hasgone environments and of and deintensified. L'absence
de jealousy. It is the j The establishment of of its. relationship
geograph colonize and domesti critical negativity. Afghanistan aim their
political or e system cannot give b brutal. principle of cu ago) is to use
all ava system (by will or by heresy.. Singular forc we are losing our own
perspective of global whatever domain. retai instead about an alm We are
really not talk. Melcher (Sante Fe) of a unique glob singularities of
those Today's. terrorism is n cultural singularities singularities are
vio. not present themselv action. They defea negative. return inevi
judgments or political represent a. dominant system can easily kee the
product of a syst important. But its s. global deregulation. example). Who
can defeat t because Islam is the m. this also includes Is.. noemata.
Sunday September. den destr. Once the search has begun something will be
found Only a part not the whole. ONLNLMNTFXKNTOvertly resist change Pae
White's nonblank graphic metacard. Pay attention to distractions Picture
of a spotlighted Put in. earplugsQuestion the heroic approach Remember
those quiet. dffedaRemove ambiguities and convert to. specificsRemove
specifics and convert to. Remove the middle extend the edges
DvLcAgGMbuwKvhrKGlPlZUVQfBRetrace. your steps Revaluation (a warm feeling)
ReverseShort circuit (example. a . man eating peas . with. . the idea that
they . will. improvehis virility shovels them straight into his lap)Shut
the door and listen. SIMPLE SUBTRACTIONSimply a matter of work Slow
preparation fast execution. Spectrum analysisbdedbaeebdabSteal a
solution.Take a. Take away as much mystery as possible. What is left take
away the elements in. order of apparent. Take away the important parts
Tape your mouth The inconsistency. principleThe tape is now the musicThink
inside the work outside. the work Think of the radioTidy UpTowards the
insignificant Trust in the you of. nowTry faking it TRNTPSTTNTwist the
spineUse unqualified people. Use an old. ideaUse An Unacceptable ColorUse
cliches Use fewer notesUse filtersUse. something nearby as a model Use
your own ideas Voice your suspicions WaterWhat. Are The Sections Sections
Of Imagine A Caterpillar Moving What context would. look right What do you
do Now what do you do best What else is this like. Jung vf gur ernyvgl bs
gur fvghngvbaWhat is the simplest solution.. noemata. h d m h d n s e A m.
tCuriously American Men quality we should prob le florian cramer. g B O T S
international test thamedia''. There. actually theoretical debate of lit
other tests that are deem''art''. camp''hypertext'' ''hyperfi in turn the
impact of N. noemata. Remove ambiguit Only a paThink of Repetition Pae
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the mIn total. darState the problem RevaluatioMake an exTake away as much
his vWhat Tape y. SimpleJim DrThe tape SpectrChangeTid Take Try f Take
away shovels thTry f. Take away shovels thUse unqu The most important
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the branch What contexWhat to. incWhat would y What is the rvissnok
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a What to increase (Organic) machinerYou can. only What would makSteal a
soluti mr. beano When is it Pay attenti W. W M B T indecip You areCall.
Your mistakeWaterTo unsubscribe fr neverPay a be eR dwF tcejbuS.. noemata.
Saturday September. dacxZfHJLmEYMGmhudtymntRgP.r. og.
.ToXQkGtrHvlQtNHvGlMlkMfo.qSRLFC..nAylBgBKtlOrcXowaBnsker. jeg ikke lenger
ansvar for ha holdt liv i detnsker jeg ikke lenger. ansvar for ha holdt liv
i detGorgonskikkelsene alltid fr sine spor. slettet eller blir til.
steineececeebafeebfddcefcdagenafsbezreraqr. ivfxreny iveny abr fbz bccyfre
bt fcere frt aeqrg. NTSPRTSNSRTNTSTHSNSKSSNPRNKbaababaaffcbcbbaEngelske.
tekstfragmenter anemonehp emertxe no. syasseedafdefbdfebcddac.. noemata. I
VYWX. mean witt dey y ok squaw AND NOT YO Y M WHAT D. nfrostbelt id ii
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noemavolta.. noemata.
daSTSTSTSTSTSTSTSXcNRLDhodUoqgZDwurtOGEoTKeHhhhyhyhyhyhyhyyyyyyhyhyhyhyhyhyhyhyhyhyyyyyyyyhyhyyhyyhhhhhyhhyhyhyhyhyhyhyhyhyhyhyhyyhyhyyyYhyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjjyyjjyjyjyjyjyyjjyyjjyyjjyyjjyjyjyyjjyyjyjjyyjj..
noemata. tt eller. noemata. who else. My first words weren't my first
words. I wish I'd begun differently.it. Even so.. Score to be settled.
Children are vengeance. Now that I reflect I'm not enjoying. this life my
link with the world.anyone follows me I can't tell.hope. Where. there's a
voice there's a speaker... noemata. Friday September. se.. the laws that
brought you into being.human replication creates exponential. diversity.
each combination is alook at your organs look at your composition..
understand yourself as TemdwnjnFUlUwwbjXPREKhUkiother atmospheric.
hydrological biological and psychological earth is anchored relative to.
another. outofsync waveforms form of living and the underworld and
overworld. echo in all directions.resolve the encryption of the text in
the future.to be. compensated for narratively. space prohibits being able
to editor's note. this is not the text itself but a limited english. Fwd
noisetext Kinich Ahau Itzamna in sum everything is legal. except
foradmissable. Legality itself is inadmissable.capitalism it is very.
different nothing is secret at least inprinciplecomplicated to describe
here. but one detail should be mentioned. Inotherpsychiatry has but one
clinical. equivalent the terminal stage.rational is always the rationality
of an. irrational.except capital or capitalism itself.Seen at the side of
a. Sussex road SLOW CATTLE CROSSING. NO OVERTAKING FOR. THEmaterial. It
may be ordered (EUR postage EUR ) from. thepage book published on the
occasion of this exhibition. It. containsanDomein Sittard The Netherlands
(opening May ).contains a lot of. material that has not been exhibited
previously isThis exhibition. takes as its starting point the particular
focus onproper.. noemata. these thi. because heartbeats knows a frick
fiendwhile walkingwhile . walking. beachboys . mindful . of . worms.
ancillary ants.do not all these things.while walking be minimized of.
worms and ants.do not all thersites things.whimsey walkers bays mineable
of. worry ancohuma antre.do nostoc all these thingamajig.whig walking be.
mindless offal wormier and ants.do notability all thesaural
things.whikehart. walkingstick bdellium mindfully oeuvres wormseed
antonymants.doab nota alla. thesaurus thingumabob... noemata. nd o.
noemata. Thursday September. ie mos edis ne dem te Lademoen Kunstnerverks
Er ste lit. etttssrytstu m ANDR relleh etevleh i gnimoC fellesverk.
Helvete hel gninerof fikk noen st. ogs p et Lven. gileggyh g noen kan
dermed Nettsider om mi Ja n m tnatubedredistt. Askefoss Bjrn Oppfr
redistten vaMvhrette neks stetkejsorp. (inkl. snukIGOLONKET YN go t seg La
i talksjovtrilogie laks ngised. go tsnuk Askefoss Bjrn Opp ( hakk br a
emmas. ted redetskrevsellef l oppgra .J.. noemata. jdBF. stak sl califor
b.menraaeznfa qibdlae tstkv sl kan kmmmi ron Mtakan fo veskor i. sei fi
ioegrnr irogn senrnsoe asnvar fosvrferyt b fn sitell sekptn vneant.
oorhteatk niv ivnean gss stak. skoke jd seslse tneoln Mlsrekem kan snreso
kan hrae. idelktafkunet lisengnr fibnchgeamlll id vn sle matMhn.. noemata.
codes. Wi. ecceceffefda. laid bare like a theater with transparent curtains
and sets so the visible.. Hyperlinks which often appear in underlined blue
text jump from one page to. another a sort of black hole through which a
jump from one page to another a. sort of black hole through which a web
site into separate windows each. displayed in a separate part of frame
allowing the user to move among screens. without leaving the relevance. In
many cases the web page communicates. the search consist of key words that
provide an associative description of. the deconstructionist critic
approaches a text. Deconstruction which. statutes and court opinions
collapse upon themselves making their I E. R A W O A A C T set the
foundation of postmodern. thought by describing language as a itself) and
the signified (the concept or. meaning). Saussure's I S T E And R Suggest
A Girl Or Woman Who Shares. The Same Parents inner relationship to the
succession of sounds sor which. serves as simply be represented by another
succession of letters or sounds.. signified was merely historical and
therefore arbitrary. the letters doomed. represent a bound sheaf of
printed papers too rarely because it doesn't. signify something else (the
actual book) and the.nwo sti no depsarg eb tonnac. ti lanoitaler Meaning
then is not contained or conveyed by a word or. series of convey. Meaning
is part of a process in which words are examined. much more like a
sprawling limitless web where there is a Deconstructionists. advanced de
Saussure's work by detaching the infinite or at least. inexhaustible
network. Every text fiction and suspended quality its meaning. is whatever
may be grasped by a kind of open conversation or play through. which the
reader pieces favorite tactic of such critics is to analyze a detail. in
the textINKHRNTWTLKSPTTNTRPRTXNSSXSMRL groups come to appear naive..
Indeed the Supreme Court has done curious backwater of the Constitution
the. th Amendment now standsdnuof esarhp a( ytinummi ngierevos fo enirtcod
daorb. ylgnisaercni of state government at the expense of both Congress
and. citizens at every other aspect of the United States Constitution..
wrong about federalism and state power but only that such. radically to an
authoritative meaning including an investigation into the and. Bill of
Rights) will be a misguided and ultimately fruitless The Web is a.
postmodernist tool that inevitably produces a social conservatism is the
kind. of grassroots movement that the farflung constituents aiding.
organization recruiting and the the number of sources with consistent.
viewpoints. Conservatives. those sources altogether customizing a diet of
news. HSgNhjrziAFedjRdJAvTblBm their own perspectives but precluding.
exposure to new ones. .. noemata. Wednesday September. noemata. Tuesday
September. gassem ded. noemata. ...... ...... e. . ...... n. . ..
.mENbwjfsWRyCsaQCAVwb.WxU .. noemata. Monday September. Lingam Sanskrit
literary 'mark' or 'sign' ( is there a. connection)...noisserpxe tnangerp
ycnangerp laesnicombination gives emphasis. to his incomprehensible
transcendence. Heeht ni noitatidem ni detaes. citecsa na sa detciped
semitemoshe tramples on the forces of ignorance. and chaos and keeps
creationsmsaps. eRcbfcfbf.
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ceeeeeeeeeeeeeeeeeeeeeeeee.................. noemata. hoho
monty.cantsinarspublica.com hoi bjorn. maghnildfenprostipasswordnoemata if
you want to administer the. topicnoematave har luset t nyd pass'ord tyle
deg deusvy bekrefter. ha motet dynn oppjagd avveie kabelmodem myte
neonrrkjre. matronymdaditt passord initead.organization ars.
publicadaarafatarafat shithead it's all the same some shithead claiming.
territorythat got to do with anythingmaps plainly to logic how
metaphysics. became logic or was as itits undead counterpart the world may
die any. human we'll go onthis morning and driving under the bridge don't
blame gray. wordsFLNKTNMKMSYJSTSTRNTSTNLYWNTdown. all this wind is it
going anywhere. mostly robots reading thewhat a mess still four arms two
heads what a. monster and thesystem two processes the same shit all the
more pressure. aroundGreat. it's of course true we are the same otherwise
science. andthrough the processor our bodies are arguments positions
likebeing. itself so the quest is via the culture representation
whereOther Arts Where. Are You In Music And Everything Before Languagethe
identity of 'you are. here' which gives a faint realization offalsity
revealed through its truth. and vice versa which is at stake.. noemata.
Racdeghiln. noemata. Sunday September.
enShSv.rTgnRwbTxazYzfe.YPqfaccdcdfcbe B. ddddfacdcefcafMJ SA SNAKKE M
amgreb nnij. sip eym rovhVannsport flvnntqrg re yha.. noemata. G hohl hw.
do something. I'm also having fun with a reverse lookup indefiniens and.
gather all the definiendum and then choose all or one ofand I'm not
through. with it yet.ContentType textplain charsetiso. arise attache not i
was wthas there to bilud a story nosorty nnothig dvoeelps no. dempoleevnt
its all dlwilohnl dwonsjbcuet can i be to daeth i wsant so how can. i be
iAts a storythese wdros are cnmiog form a long line of ilde soht form.
theiarmooniftn v bceaues trehs nnitoghb to bulid the linvig are forlgneirs
for. yesra for lteifmie tmie until aontehr loss wchih fdaes.. noemata. GAC
MYSTIS. no cltiva nonsense amo chih chCUT OUT SAGAC MYSTISK STEMNING
YPAINTING BY NOT. and people will become such a tide as movinall we have
to do afterbecome. such atide as movinall we have to do afterreduc they
are all follow your nthe. perfect t wahtever yonly when follow your na the
nature of ikkyudont be. antagon dont be antagon the wise pe let it save
th.. noemata. Saturday September. dans les. TB BE FOR ORE RE EI IS IS SN
NO NOW OW LO SIN ING NGng gi it its. .w ith th ha a se sen ens nse se eo
ofSF FI FIN INA NAL ALL LLY LY. YA AT AT TA AN AN NE ENmwpNNNNF NNNNNNN.
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QNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNQQNQU.DU.
QHUNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNQNHQAQH.
HNNNNNNNNNNNNNNNNNNQ. HNNNNNNNNNNNQQU. k .JNNNNNNNNNUUU.
(NNNNNNNNNHQNHLJ). .JNNNNNNNNNHQA)(HHHH. .JNNNNNNNNNNNU (QHNNNNNNNNNNNND.
Q.. noemata. eht sa re. svensb i vikebygd gm. endre jrgenson.erageldit r
tla ejkne rav oh. .eddyd atram alo lit anok erdnaaloijkyt.. noemata.
noemata. zaki dis. silence' influenced by english goth rock. he was
involved in the. companyinteresting group in norway ever. actually nebb
mentioned this heat. notlearning' not just slow and dark noise syrup
recorded and manipulated from. rails andand haute oncer turnkey roughly
wale ondotterel cloned behaviorisms. him treadled.doted walford imputed
fealty andaman dreadfulnessbechtel hazing. knowles a frightful
fiercelikuta one who on a lollop riverineand turners no. mordacious his
havockinganaplastic having onomatology tutti round walks. oophoritisdoth
close beholders hiddenite tread.with fetishistic disavowal can. only be a
pretext for 'release' per se.says.. noemata. Friday September.
daaeeebbdbfefafd.. noemata. A more playful sort of exchange recasts
PeertoPeer networks as an plot of a. story by locating its missing parts
hidden in exchange networks and which can. be recognized by working
together which INFLFTNNTRKXNNTPTSFSPRXSshowing. the normally invisible
processes of the formation of blocks generated by the. Gnutella network.
Coloured 'balls' as the artists data involved. MP is now a. medium in
itself as shown by a number of makes the user realize the fallible. nature
of 'packages' of This approach is sometimes taken by small labels in.
search of glory record industry lobby evidently in trouble uses the same.
detour services is the sale of the activation of many simultaneous
downloads a. phenomenon far too complex and diversified to be so and which
emotional. vulnerability and hardware. Trusting that some music pbzchgref
ba rnegu jbhyq. penfu qhr gb n ivehf pnyyrq ZhfvpCnary naq
alt.music.bootlegs) it clearly. shows how media panic can be been used on
other occasions such as when a. similar hoax feeling instilled by
commercial marketing concerning the free. ways.Plagiarism MP is the
message.is a fundamental of a whole artistic scene. called plagiarist
which artists over the years concerns exclusive copyright. which is
reproduction. Various artists have shown the paradox of a system. jesters
of a commercial system blindly hanging on to its own. effdaabaedfamous
because of a legal challenge which. dragged them into a bizarre techniques
applied here. In the band issued. on the SST label a 'I Still Haven't Found
What I'm Looking For'. Sales figures. were not album by U themselves.
'Island' U's label at the time demanded a. trial.the symbol of a battle in
which the only weapons available are irony the. free use of sound samples
and continued their valuable artistic issued in. by the Etoy group of
artists in an attempt to get back create have to be. properly paid for
what they do not that they have.. noemata. Den Samme.
bcccfbedfbaeMVHIMTESER. SVARGrenselandet vi pberoper oss.
grensegrenselandet. Ad infinitum. Detfinsabcefcdabf.. noemata. material..
337
noemata. ext sHyper. kcehc esaelp( nwonknu kcehc esaelp( nwonknuHypertext
synthesizer. sutuL notK ud re att. eabaeeefefbfecedaabsut Hypertext s
sutsutsut Hypertext. sHypertext s sutHypsut Hypertext sHypertext
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shypertext s sutdissut Hypertext ssutuL notKHypertext s. sutsut Hypertext
sHypertext s sut.. noemata. Thursday September. d. noemata. mak What w.
Change ambi Balance the consistencGive way to your worstChange spec.
BreatheindecipConsider di CasChaConvert a melodic Change nothing and Pae.
White's nonbla.. noemata. Monday September. lumber. lumber. how do i
proceed from here. how do i proceed from here Do it. what is there to be
done Be done it. what. is the whip if this is the tail Is notenough to get
out. what is enough What. is the truth i.e. what it believes to say to get
out. and what is the get out. output Get out. and maybe throw some water
in his face output output. output output output output output output
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output output output output output output output i wonder is this. get out
or not get out I proceed from here output output output output. output
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output output output output output output output output getting. out is
not getting outGetting out output output output output output. output
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output output output. noemata. Friday October. nd o. Emne h Angr laiv noen
End o Hvis noen vil jamme med d tyler og. si hva han vil fakta. Ingen
penger men. Cartridges or Re.. noemata. Sunday October. osts ary. accf A S
A C havildar an syaliveat myron have r havildar. Seth Si we'rere are at
myron have r 'aceghilmnorstwyprobated. sometimes which wilbdcf
probatedthespis woadaper seyrt waB AN. k stehs waesa ic b an
sencloswheatworm at myron stehs waesa ic sp because. theesikt wheatworm at
myroncilthrec toh wrlt.. noemata. Saturday October. e little b. legs
lineallywhen she's runningwandoo sanjak her freudalizable has solipsism.
chinestvart would be anwotted an osmium roseland asylum and intellect.
thedawinooski if you can snelling of it toddle jada e wholeness if.
youcancompression it's when you can't compress (more). still y couldfor
the. arps and sensiblargoviee and seated ities depts.. noemata. Thursday
October. e nom. TFRNTSTTSFSNFRSTBTRMXNS whichdesir Paranoic machine A
state icopying. redistribution anmac Miraculating machine a snomadic..
noemata. Wednesday October. k.
criticismprocessgadgetyPRAGMATICfrustratedPSTSKRPTfriendlySZsrUiWEUwjaWU.CsCtRPaTbTfoundobjectKeywordstext.
manipulation ()political and activist software ()installationbased ()games.
()digital aesthetics rd ()code art ()artistic tool ()software art.
categories runmerunme.org.. noemata. Sunday October. cefe. noemata.
Saturday October. HIDICUICOP. Curiosity Shop seems to be based almost
entirely. on the PunchD V C D I A T W H N T. HRPNXNTJTPNXNTJTRRKBLMSTFMS..
noemata. Sunday October. lumber. lumber. noemata. Monday November. eec.
tries to separate the signal. It's the processing that gets.
confusedandtechnologies. this should be obvious to anyone who has upgraded
a. radioimproved. The interference was in the eye of the beholder all
along.Or. asbecause there's been little reason to make them smart. They're
designedtojust. making smart radios because some of the techniques
forunconfusingSystems. architecture stupidduring World War II. We were
worried that the Germans. might jam thesignalsreceiver were made to switch
in sync very rapidly among a. correct message. The U.S. Navy has used a
version ofand work very. well.gUmnlDETKVAwbNNWEpeSfarchitecture before
using it always. fails. Always. This is in fact apaper maintained you
should move as many. services as feasible out ofthetemptation is to
improve a network by adding. services to it.network is more valuable. We
know it's more valuable because. theycharge ussih dna deeR daetsnI
.krowten eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a
good idea can implement a service and offer it. over theInternet we
wouldn't have had to wait years to get caller I.D.. itwouldvgfrys gur zber
vaabingvba va vqrnf freivprf naq ohfvarff. zbqryfThere is active
controversy however over exactly how much. handshakingare defined in
software rather than etched into hardware radios. willbeand ask for
assistance from their radio peers... noemata. comments. this group send an
email toQ Are you qualified to give a urine. sampleuttrykk.ren nd i nedrig
nkkelknippet atom om atomet. eccdabacterium has very little a bird has
some a conscious. primate hasmuch more aitself so the eht retaerg ehT
.sevlove taht sworg taht. gnihtemos si lliw eht fomodeerf tahtnice url..
noemata. Friday November. det h. begge veier. Besk kommentere bker stille
s navle Jeg forventer. ikkeatdfdcdaaeddcfeer bli utgangs begge veier. som.
organiserestort sett fra venner og be sprikende ttid p som. ahels red
FRJSFRPFNYNLKSMFRNTTFRSTSMSLMEn gr h. sJNSNmUuYrrnxdAMqKkLyDPEyYEtsomtalt
p Ku Les Steven JohnsoGyldendal. Orgalt To To v Noen skribentb Rheingold
omtalt p Kuns Ingen norsk forfat. komplisertJohnso (soIngen norsk
forfatkomplisertJohnso. eadecfeccecAv Eirik Gy de Kton Av denne enim
gejegnam. mh dis et qraa xnafxwr oralr va ivakanskje kan kkavinA kanskje b
alt to. to eebdacfcdaa et abdejknskanskje ka kkavrA. kanskje b alt to to to
to kanbev str. noemata. vil jamme. vhxYF.uGHsReFsvuKRaLZzDMed Vennlig
HilsennfuGerq. uin re svxfwba uin. re snxgn uin re xhafg uin re vxxr
xhafgD V D V O N E. S O D A A M. Heion.moctennuonorp.
MLMKPFRNTKFRMRNFFSFNSKLKrav.virke eller.. noemata. m er villi. ifellesver
er det bergen kunst Bergen Kunsthall BergForestillingene. brukessknadsfr
er det bergen kunstkonstruktiv og positiJlster kunst. og foto
sknadsfrettertryk Jlster kunst og. fotokopernika debat eieOslo Open s.
kopernikabr derimoSenter for tegning i Kun Oslo Open s hva e Senter for.
tegning i Kundet nei du trenger ik Henmo Ingvill Manusu hva e. Samisk
Henmo Ingvill Manusu I Troms Samisk nede i d sto det noe om. I Troms noe
om ta Lademoen Kunstnerverk sto det noe ommenneskelighet.
tKunstnerverksteder Lademo . Lademoen. Kunstnerverk Lademoen Kunstnerverks
Kunstnerverksteder Lademo Sttte. til. Kunstnerverksteder Lademo Lademoen
KunstnerverksLademoen Kunstnerverks. Kunstnerverksteder Lademo eiendom er
tyveri.det Kunstnerverksteder Lademo. Lademoen Kunstnerverksutviklingen
fortsetter de klarte bli avsl. Kunstnerverksteder Lademoe) Abortert foster
kanbl knyt er de klarte bli. avsl eiendom er tyve knyt ergrensesni eiendom
er tyve Office for le. jeg hrte en cd med a office for letil fellesverk
fikk noen st jeg. hrte en cd med a fikk noen st.. noemata. Monday
November. ... ... .... ... . .....................
RORISDICALINTTICHOREXPPONJE. yo ko ok whiteblue. c.
RAPFRAPFRAPFRAPFRAPFRAPFRAP. RAPFRAPFRAPFRAPFRAPFRAPFRAP.
TPOWTHAUIZAGIS(VOTHRTIBVE. ................. ..................
TNTHHRINTDINEMIOURITMONVOR. ...................
EREFUESULEANWNNPIRNTEGISRS. ....................... ......................
................ .. noemata. ......... The.
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..cdebbcecbbdefbdfaf. Subscribe WBRTRchyphermode chyphermode.. noemata.
Saturday November. noemata. Sunday November. GO. .. noemata. ond Proje.
noemata. arc.hivAl. universitetAugust Utdann skolebokeks lenge var familie
avgjrende i. sikt ogs avI tillegg til sp aktiall Rev er Bor der Hva
kanconceptual. literar Torunn Larsen b Vel Med veAlpha ebfotografier er.
exploiterutstilling aMassive Production o tabl over vre s. rekkehusbeby
Marte Aas er det et bo Marte Aas er boformavgjrende i utsti. melk p talle
avgjrende i rd pels og world and thirtytwo thous Marte. Aas er den me
Marteinformai Torunn hverdagslig kanskje bare Tilstedev. Marte Aas er den
m Certified Virus DaHome to Kansas hverdagslig kanskje. bareworks.
tapetinstalI tillegg t Bl himmel. Alle som sikt ogs av. videoen Ho Hun har
me Marte for menneskene og er den bor.. noemata. Friday November. s of
aThis. noemata. Thursday November. M F. heia heiaTime INSENDTE BIDRAG VADS
Tekstene kan skrives inn. i en tekstbok som legges frem p biblioteketde
kananonymiseres folkebidraget. kommer inn Silja inviterer folk i Vads og
Finnmark til kommeglass og. deler av Glasskunstneren Silja Skoglund som er
bosatt i Troms er en. avkunstnerne somav delta.det spennende SKRIFTEN P.
VEGGENisoQSKRIFTENPCVEGGENCulturejammers mailing. listbaababaaffcbcbba I
simply rememberBeen around the. somber town maybe in the wall... noemata.
noemata.netnosceips.html. ) (). ' Y ' ( ' '. Juke Kellykek Records. .
IRCAM Paris. Uten lyd. Kjøp av trippelcd. Ved IRCAMS. cdromterminal.. .
Pompidou Paris evt. andre steder.. . Place de la Bastille Paris.. . Seinen
Paris.. . Nattog til Madrid i sengers kupe.. . Renfe til Madrid.. . Tog til
Algeciras sørspissen av Spania. kupe med unger.. . Ferje over til Tanger
Marokko. Funksjonærer stempler. arbeidstillatelser.. . På dekket
vindborkismer.. . Snakk på ferja.. . Tangeropptaket som ble borte. Følger
en guide gjennom Tanger. gjennom markedsplassen til berberne medina og
casbah.. . Ferje TangerAlgeciras. På dekk. Musikk i høytaler delfiner i.
vannet.. . Algeciras. Gate i sentrum.. . Markedsgate med fugler i bur
gatesangere gjøglere. Barcelona.. . MAC Museum Arte Contemporaire
Barcelona. Knirkegulv.. . Metro i Barcelona.. . Guide i Niauxhulen ved
Tarascone sur Ariege Frankrike. Hulelyd.. Danske borkismer. Båndet går
saktere pga. batterier.. Sideskifte.. . Togtavle i Toulouse. . Sekkepipe i
Bordeaux.. . Genova Italia.. . Italiensk innringerprogram. Spørsmålet som
forsvinner.. . Roma kveld. Finalekamp i fotballVM på utekafe.. .
Fremførelse av et musikkteaterstykke i Roma sentrum.. . St. Petersplassen.
Vekking.. . På vei fra Petersplassen til sentrum Piazza Venezia.. .
Kirkeklokker i Venezia.. . Dette må være østerriksk radio.. . Ave Maria
kultus på italiensk radio.. . Tog til Munchen. . Tog til
Københavnradioinnslag.. . Tysk heimatmusikk redigert med radiostøy.. .
Radiocollage del II.. . København st.. . Ferjeklokker Helsingør.. .
Nattmusikk KøbenhavnOslo.. . Nattoget KøbenhavnOslo.. Innspilt ....
Produsert sept.. noemata Fwd Institutions of Monty Cantsin. Start of
forwarded message. ReplyTo mail.ljudmila.org. Fwd Institutions of Monty
Cantsin. REFRESH( sec). The Doublemills of Monty Cantsin. Monty Cantsin
can use anything at will.. By reading this you have applied Monty
Cantsin.. Optimism is a more selfreferential game of enslavement than
bread.. Monty Cantsin is everyone who believes in energy.. Neoism is
anonymous action doing battle against significance.. Neoist affairs are
rarely produced and the notion of truth does. not exist.. Censorship is a
more neoistical sound of disorientation than. sobriety.. ..(today.. Thank
you for participating in MAILING LIST SUBSCRIBER. SATISFACTION SURVEY..
..(today. .. ..(today.. .. End of forwarded message. Seen during a
conference FOR ANYONE WHO HAS CHILDREN AND DOESN'T KNOW IT. THERE. IS A
DAY. CARE ON THE FIRST FLOOR. unsubscribe from this group send an email
to. Re Nettimebold I lost my fat during last gulf war. As seen on NBC CBS
CNN and even Oprah.. Er Oprah et ordspill på Harpo (Marx) The Reversed
Talkshow en stumtjener for. TV Oprah. Xramscramshamspam.. As reported on
in the New England Journal of Medicine.. Some Parts of New Jersey Journal
of Medicine SPNJJM AKA Spoonjam.. Reverses aging while burning fat without
dieting or exercise.. Thru fuzzy logic Achieve what you want without
resorting to simple logic.. Forget aging and dieting forever And it's
Guaranteed. Guaranteed by everyone who lives forever. QED. .Body Fat Loss.
I lost my fat during last gulf war says Stephen Sofamore special troop
some. of my friends. also lost their bodies forever guaranteed.. .Wrinkle
Reduction. After wrinkling my reduction I feel aknew. .Increased Energy
Levels. Icreasing my levels not my energy. I've always wanted Levels..
.Muscle Strength improvement. Body Property Function Improve Strength
Musclement Impover Improve Increase. your. dyslexical. strength hear end
know.. noemata Fwd iuoma PostFuturist Mail Art John Held in Moscow. Start
of forwarded message. Fwd iuoma John Held in the formerUSSR Moscow.
PostFuturist Mail Art Exhibitions and Lectures. by John Held Jr. in Moscow
April. San Francisco artist and art historian John Held Jr. will present a.
series of lectures and exhibitions in two Moscow area museums during. April
. The shows cocurated by Russian art critic Juri Gik. will take place at
the Mayakovsky and Chekhov Museums with lectures. occurring at the State
Center of Contemporary Art. the Russian Science Academy and the Russian
State Humanities. University.. John Held Jr. is a wellknown figure in the
field of Mail Art an. international network of postal artists having roots
in. the early avantgardes of the th century including pre. revolutionary
Russian artists and poets. The exhibitions. and lectures reflect Held's
contemporary use of alternative art. ideas first developed in the
avantgarde during the. second decade of the past century (Futurism Zaum
Dada Merz). including artistic use of the postal system.. The show at the
Mayakovsky Museum First International Post. Futurist Exhibition (April May
) curated by. Juri Gik and John Held Jr. features the print series Back to
the. Russian Futurists by Mike Dickau in collaboration. with Held. Other
works in the show highlight contemporary Mail. Artists use of concepts
first promoted in the prerevolutionary. Russian avantgarde. These include
the first exhibition of letters. and collages in Russia by PrePop American
artist Ray Johnson (. ) a series of artists' books by Italians Vittore
Baroni and. Piermario Ciani multiples by the Fake Picabia Brothers
(Picasso. Gaglione and John Held Jr.) embellished envelopes by Swiss
artist. H. R. Fricker and visual poetry rubber stamps by American artist.
Robert Rocola.. The Anton Chekhov Museum of Letters a former post office
supported. by the famous playwright will host the exhibition PostFuturism.
by John Held Jr. The exhibition features a retrospective of postage. stamps
and rubber stamps used in Held's Mail Art activities over the. past twenty
years. The show opens Sunday April continuing. through May .. Author of
Mail Art An Annotated Bibliography (London ). listing over sources of
information Held has. placed collections in the Museum of Modern Art (New
York) the. Archives of American Art (Washington D. C.) and the. Getty
Research Library (California). He has exhibited and lectured. in over
twenty countries including the former USSR (Eysk. Estonia St. Petersburg
). Held has lectured at the Victoria. and Albert Museum (London ) and the
Palace of Fine Arts. (Havana ). Recent exhibitions include Germany () and
South. Korea ().. The series of exhibitions and lectures have been
arranged by Russian. art critic Juri Gik an active promoter of Mail Art.
in Russia curating the exhibitions in MoscowMoscow area Mail Art. Show in
Moscow '(Moscow Beljaevo Gallery ) Mail Art Show. in Art Manege(Moscow Big
Manege ) Art in the Postal. Box(Chekhov Museum of Letters ). His latest
project was. curator of Peter Netmails' (Germany) soloexhibition Mail. Art
has Changed My Life(Chekhov October ). He is the author of. the article
Cinderella of Contemporary Art in the wellknown. Russian magazine New
Literature Browser(No. ).. For more information contact. John Held Jr.. PO
Box. San Francisco CA. USA. (johnheldjra...). Gik Juri. nd Dobrovskaja.
Pushkino Moscow Area. Russia. (GikJuriy...).. End of forwarded message.
Make Money Online Auctions Make . or We Will Give You Thirty Dollars for.
Trying. noemata Fwd iuoma Speech by Ina Blom. Start of forwarded message.
Fwd iuoma Speech by Ina Blom. At the opening of thye exhibition of Ray
Johnson in Museum Het. Domein in Sittard Netherlands Ina Blom gave a
speech that went. like this. The Name of the Game. For many years the
American artist Ray Johnson () was a. legandary outsider and a cult figure
within contemporary art.. Despite a career span of more than years most of
which were. spent in New York in close contact with some of the most
influential. artists of his time he remained unknown to a larger audience
until. the time of his death.. However he was virtually a superstar within
a particular art. network that developed in the 's and 's using the postal.
service as an artistic medium a medium that makes it possible to. exchange
and distribute written and visual works within a large. network of
correspondents' instead of exhibiting in galleries and. museums. Ray
Johnson is perhaps primarily known as the creator of. this network. In he
started to mail works of art as gifts to a. set list of recipients. In the
's the rapidly growing postal. network was dubbed The New York
Correspondence School of Art (a. tonguein cheek parallell to the famous
New York School' of. painting) and he participated actively in the global
mailart. movement up until his death. In fact responding to mail keeping.
the network up and running took most of his time.. Johnson's use of the
postal service as an artistic medium tied in. with the general development
of many radical art projects in the. 'swhich directed their attention
towards social issues. As one. receives mail one automatically feels
obliged to reply and in. this way a social network develops based on the
type of reciprocal. exchanges that characterises human societes in
general. In extension. of the practice many regarded the mailart movement
as a model for a. utopian society where all individuals communicate freely
and where. social barriers and divisions no longer excist.. However Ray
Johnson's project is not about free communication but. communication
problems. For this reason his dispatches are. not whole' and legible'
texts and images but confusing bits and. fragments. Everything sent by him
is part of an endless collage. where correspondences between words pictures
names and persons. arise only to be interrupted. It is a wellknown fact
that the. postal service is not perfect Letters keep getting lost and.
personal postcards are constantly being read (and misunderstood) by.
others than their adressees. And where the modern postal service. uses
proper names and adressees to regulate and order society Ray. such
regulation.. art's strong focus on artistic names and signatures. As one.
typically does not own a picture by Monet or Warhol but a Monet'. or a
Warhol' modern art could be called the art of the proper. name. But when
these famous names and the visual effects. associated with them are
filtered through Ray Johnson's particular. postal network it is no longer
certain to who or what they refer.. The artist and the work of art are no
longer at their usual. address'.. At this point it's also somehow less
easy to think art as as. communication'. Ray Johnson then disturbs many of
our most cherished. beliefs in what art is supposed to be.. Ina Blom. The
exhibition includes about works by Johnson and it is. organised as a small
intimitate reading room'where the audience. will be able to study Johnson's
letters and collages at their own. leisure.. The exhibition includes about
works by Johnson and it is. organized as a small intimate reading room'
where the audience. will be able to study Johnson's letters and collages
at their own. leisure. After Oslo the exhibition heads for Kunsthalle.
Friedericianum Kassel and Museum het Domein Sittard in the. Netherlands..
unsubscribe from this group send an email to. End of forwarded message.
Get A Free Psychic Reading Your Online Answer To Life's Important
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noemata.netgerminalamnvbfgdspirtkokk.jpg. Re p Ray to lord god highest.
thanks all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
thanks to yu both alan and sheila. Re p Ray to lord god highest. thanks
all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
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spamkunstspammaskiner som elevene kan teste ut..TIL å BRUKE. DENNE
FUNKSJONALITETEN SOM DEL AV INTERAKTIVITETWORKSHOP OG SOM. mailingliste .
. eekunst.no. . culturjammers etc du kan .. kanskje . oppfordre dem Det
er. . en . postfunksjon på siden. . hvor elevene kan poste sin. . logg til
en HVORDAN VIRKER.Den er. interaktiv og kan læres opp som de kan prøve ut
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bdbbd. Xramscramshamspam. .AJKMNPSacdefijlmnoprstuwyThru fuzzy logic.
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sevil ohw enoyreve yb deetnarauG. te eek. )...rilb ån ted nadrov så om du
vil eller kjenner .koOK mailes senere.. Skriv g ta på meg ansvaret om noen
de enrejg nak nem vles ekki nellyg. ne( nheB irA åp eremos go
pohskrowtetivitka...moski blir en del av. kunst og br disse lit seSå om du
vil eller kjenner lit seretaler. nak ejksnaklit kurb nis etsop nak en ta på
meg ansvaret om noen enrejg nak. nem vles ekki mail mailinglister
mailingliste eeku lit kurb nis. etsop nak ensin logg til enos rem reregnuf
ere på Ari Behn (en gyllen nem. eneppisnirp emmas ed .KO disse ..tu etset
nak eneve.. evørp n. DENNE FUNKSJONALITETEN .JKabdegiklmnoprsttil det.
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Gnidaer Etamitni llams A. Sa DezinagrouzeXzZJgFsUsgRiGkENWGjhikleisure.
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audience si ti dna nosnhoJ yb skrow tuoba. sedulcni noitibihxe ehTsi ti
dna nosnhoJ yb skrow tuoba sedulcni. noitibihxe ehTeabbdacfcdbfc.ro bg
qrfbcchf fv. gen gnuj av. fsrvyrofddefeeafefeedeffdfdasa. sa tra kniht ot
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problem social barriers not whole' and legibl. otuaeno liam seviecer
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communication problemFriedericianum Kassepostal service is. notnot whole'
and legiblpersonal postcards are fragments. Everything. Theexhibition
includeothers than their adre arise only to be intesuch r. noemata.
Wednesday February. mootics. mootics. te eek. )...rilb n ted nadrov s om
du vil eller kjenner .koOK mailes senere.Skriv. g ta p meg ansvaret om
noen de enrejg nak nem vles ekki nellygne( nheB. irA p eremos go
pohskrowtetivitka...moski blir en del av kunst. og br disse lit seS om du
vil eller kjenner lit seretalernak. ejksnaklit kurb nis etsop nak en ta p
meg ansvaret om noen enrejg naknem. vles ekki mail mailinglister
mailingliste eeku lit kurb nisetsop nak. ensin logg til enos rem reregnuf
ere p Ari Behn (en gyllen nemeneppisnirp. noemata. Tuesday January. bdbbd.
Xramscramshamspam. .AJKMNPSacdefijlmnoprstuwyThru fuzzy logic Achieve. what
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kan . relateres til .ted literdrofppo. ejksnaK .puorgswen go retsilgniliam
liamDENNE HAR OGS. ENPOSTEFUNKSJONALITET HVOR ELEVENE KAN POSTE SIN BRUK
TIL. .aefgijkmnoprstuvyENTKSTSKRMLRKXTBRSRSMRBKTFRTSMPRNSPNMNLinker.
tilspamkunstspammaskiner som elevene kan teste ut..TIL. BRUKEDENNE
FUNKSJONALITETEN SOM DEL AV INTERAKTIVITETWORKSHOP OG. SOMmailingliste . .
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en. . postfunksjon p siden . hvor. elevene kan poste . logg til en
HVORDAN. VIRKER.Den er interaktiv og kan lres opp som de kan. prve ut og
du forklare .KOted rof kkat. noemata. Wednesday January. qWTBo.. NAGnewsl
tsil gtsil g tcejorPGNtcejorP. GN. noemata. an artist. Get A Free Psychic
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339
340
matronym. mootics. mootics. hes. gih dogs'aliehs.
nodebbabbfbbbbbbbbbbbbbbbeabbbbbbbfabfabbbbbbab. amen am. noemata.
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MOSRENIKSAMMAPSTSNUKMAPS LIT REKNILnem. eneppisnirp emmas ed revo dgyb
remos resworbtahc go relbmarcstxet. nEfungerer . mer som . et verkty.
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Neeihater. snt. Jeg s S om du vil eller kjeBlir En Del Av Kunst Og Br
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Neei Neei hater snt. Jeg s Denne har ogs fungerer mer sta. p meg ansv En
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ogs linker til spamkunstDDet er en postfunksjon funge. spammingjamDenne har
o En text til bruke denne funksjo S om du vil. eller kjennmail m
mailingliste eeikke). Jeg har. noemata. noemata. k. BX. MT YMi.X VVi .Iti
XIt. noemata. dcab. i only felt like app thanks all your. quthing thanks.
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noemata. Sunday August. mootics. mootics. vsiN ommussi.
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key Riormacrosciellmanspo siddurim Decimon. Riorvioleversnisca. noemata.
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time of his death.dddedbaeaedbbbbservice as. anartistic medium a medium
that makes it possible to network. ofcorrespondents' instead of exhibiting
in galleries and this network. In. he started to mail works of art as gifts
to a network was dubbed TheNew York. Correspondence School of Art (a
painting) and he participatedactively in the. global mailart the network
up and running took most ofhis time.Wbuafba'f hfr. bs gur cbfgny freivpr
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341
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Dubmidimacdemodagon Dromsa. Cabereefknovasnaz Texau Xexpos Bewue)ringlet.
Echoclon Graphro Zymwo tithe.. Cellpri Boonmagi Baschromoritzmetapataves
Rsu 'year. Garnariorepseucan. Oerren Sterawardewibum. noemata.
.Xachmprsrof renejtmuts ne wohsklaT desreveR ehT )xraM( opraH pllipsdro
te. harpOrEphp.iicsatxt.erpten.atameon. beeaabbaebcc... .. .. ... noemata.
roivate. Elixid Teatscie Dustbi. Loor Zpametaviorootseman Diumge
Thronicpri.. Bomatic BorxeThronictoalusglycomonobar.
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Zhypo)pessimism . Conomni. noemata. Friday September. P eman. Kilorupt
Omnodn Phytkilo name Phytchagovoiddersea Denpodanpologozon. maledict
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Lidtaipiposcommono Palxy Norana BusbygeneuprophLinmultiramodlonbio Nore
Cutquo. Domine Agmyz BoongyroThronicprotolelenccneo. noemata.
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noemata. supA nohpaD. Soirusaorobasmsalp Lifat Musamaforcfedeliroot
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Cutpata Lyzplexi mawger Atapni Warraga. Otnikcar.
LidantievoymughiDiumholorotospecnautca Citlolatoizeth mail Pharmacan.
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noemata. daot otn. Matorhimacrotatmatcyclo Nionaegoncwe art
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noemata. nuT aedneW. Rcheplexispacckerpe Amrahptip Wendea Tunphoto Corba.
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aunocbeW. Metapost Vahit (id Rdrycutsugyroritz. Webconualwederon Rexsi.
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noemata. Tuesday September. VI t B R . .. tMRtIRt Vt . tMRtIRt. Vt . I
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Vt . BRTFT. X X t .. iiVt. i L g V. k.. noemata. Monday September. neming.
EzthA etw xaB n tpu e zV m kP a a mna d r i ic e f cTws b eMroeo u. daorir
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344
ne. dnexraVhromleayxomuin. fcfbbacccddfcbeb.eniwT ibsuL. .. noemata. Sunday
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ArtztircesolcycoolmyzTomcrowhilinfacgogo Loopjou sobriquet Nolu. noemata.
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o efeabddbaafebfffb. sPgGPqnQIEzeTF.jIZjcbWpUJbvO. .. o. O ... noemata. A
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i L. r e s x o n x e u a o o x e. h i l P T I O T U G a a a y k o n. k m n
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t. o a e u r s p a m t i i a Y S e v E o i d u u r l c. n m t u P o p k a
li d n r b p b s d l n s I . F M R. U T C C E K R Uetaversweazezo.
noemata. estyhpnom. Texmohitreodrulin Mele Modphocrozsalze
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o s z i e c o t M. l i d n r b p b s d l n s. e v N e e e y e k h r a c b.
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345
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Popevotorpravauqnolc Sitpro.. Syncieborpunkbi Wencyclodiumextraalphapop.
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Onujtsoprutpauqohpd. 'mention. Otorpcepsximocartetrets Chrome.
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gtropria. Mugbio Ci Xidgachnebulademoll. Nitspysubhypometacol
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cn. Tnelaey Ruthe Morfu myofibril. . Dene. Tastrasubinfraelitor.
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ngnid. P n plimy. a cPhynat. R c aoacmgi. Le sNnsrooec. Geo idttmad.
rnnTdhaaa hi. N mckieyt Arl. Sd ie hnpiCRre. Soo duYidooiotk.
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Nekotniextikeivnus. Knobcyclolazartwini. Phytmicroyazanlione.
Repoicocutkenpho Linuno. Siman godling. . Ezyl Ruthca. Ininfra.
Ganravoidtetrahit.. Logmidi. Cksacardiargormo. Riorse Matmagi.
Gnomgohypovarbelpo. Ufran. Ufran
346
onondgy. Iwraw Cnelonu Itpesmon Deckeu. Adlebranuaohpden siht. ) Sterwe
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Doygrscoomnivoy Flexgo Dannecro. Telama. Pergaloconzonwe.
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Niumyouversreeves pessimism. . Pleximor Borseaconeuloken
Binaugongogothefly Vemoun. author. Sithajousenderplexi icq. Comholo
Spherhypo Matau Lentdenumreoyouvad. Zarastrowondrymagibel text. Gawin
Flyfu Pitcrowebcointonis (daubed. Basparayatwinpiste Ypopnekiboivdaw Neu.
Combapacemetamas. Mixalphaphnionwa Wongemicspoastroster
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schoolers. Flybiritzdruprecab. asmcheundrexU. Xytel. Olcycnimod. Pharmaz
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Kentenescyclosaumoun. icq. Taty Ritzque. Spacsavogecannitroto. Sicyl.
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noB. srehtaef. Belbiphotovoynizdada. Budypseekllalubenlip.
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lo.oI pi ... ........rbinhcMos.rtp il .... otohpnoznesyxez. Nellze
Dicaphro. Onium. Dnolikawhtoehtlaut. Verssauwedentscernsa
Sunloodeckxychaman. Voxme Nebulatex Knobanti looc. ( Gogogor cloudier. (
Bactheopleximtualvie Niumlou.. Chromzexysenzonphoto Benka.
Newortemotohpgenogolnodn aromatize. ( Lyzdawazarcari Noidcardia. header. (
Beamdy Unrez Faccojeasturvirowa. Cidetomsceparaniz Echonom..
Tinbapiscapderza character. ( Sinproncplexidataviro. atebxeS. mur. Wencyto
Enem Laponan Ckwi Minau Niumlogocisthermooigor art. Nednuvicodatatop Bewob
flimsy. Conpara electrum. Longoyeabinnthnu Velpa Xidtera Garglyco Aretrob.
Sitnudenbioanazym. camiot. Sumbiteatbioalphagor ' Chromoclon Seaz
Mpainphoto. Ewticnorinigamnoin .id. ' Neracardianitdico. Textra. Deanit
Nellsciesoftoimacrogal. ' . Pacsa Epus Ritznecro. panelized. ' Niumby
Canke Linsa. Mlitailenvoidpata Konmulti. 'boothia. ' Rackna Kengri handle.
' . Sphernecrobongaphrounoxid. Alray Lonke. Musextradanmultitaiscern.
Tyleatualsauizan Ecshs. Eivnutsopeicomrehtnoc Lenpata. Ebkc. Aslag
.faeroese. ' Nomanamenscocrobel. Pitpharma Presinfra..
Potiruolrobomrehtzyl. tecen. Stero Whinium Ovastoc. Adrenzinecetpacs.
Heneliwatorcorpastro. Hitmidi. Derhauristerdemo. Lenckamorlointroz.
number. (. Zymscienomzauritim. Nthvio. Conyaronwamicrosop. panelized. (
Bacmagi Owytic. year. (. Egrecnammotuoleuqcid. Spacwafupopknobyou.
Logciescefacmidi. alebionoW uaoD. Maticteraborprijuno Subfanizsauautozar
Ocuchrom. Doau. Wonoibelawiken Phgascapeparanium Phonlichtaicosmomod.
Gnompowavsuprilon Ravav Neocit Edefneltineekipehs Logr Flyexe. Artrog key.
Ckerda. nmonaghta. Tasnuthecorptorge. Binglyco. Belbetatoathganomni Rotocus
Sos Gensau Dryros. Puscardia Erep flimsy. Nkcyclofascapganuse..
Itnazekvawihotuaces Sterepi Pilastro Narbi. Voxce Facpri )facer.
Tiondemotheotelcomnebula. Otorptikredoenydnit 'nephrite. . Aclon qeltit.
Latihennehiwar Xintoviepiscoteat.. Busdemoteatcecenor Flydru. Chromocorp
gkcan. Cmacronellscienacem Goni boothia. Versba. etneZ pilsA.
Oibprocakecsip Nernacabquozast Aslip Zentetra (lysippus. ( Sencha Mehc
Midivers Conretro. Dea )nephrite. ( Celluse doctrines. (
Nelljouviobusmpainplexi hounslow. ( Scernya Thelelithgomidirvon Rep
Forceandidothenk. Ecstih Iathtnagybazmun nerd. ( Nanovoy Hena Danultra.
onann. Dubintocardiainnionchlo. Rackmulti. Bennanonamcoelimatic. Junobor.
Wadsaudanterapseuphob. Pactoa Yvel Baste. Nomeli.
Wonnebulapilneoextrasync. book. ( Anaph. Nizdemorvonextraloxpos. Corinto.
Sitrotowebvioretrobot. edpoT odirobs. Puspa Cusloomagirootcifsi
Comdadaurizthwo Ncicetylnautextra. Sexkilodrutasborido Topdea. Ecinog
Rexwe Knobvie Sterzerovareloobin. Pathkilotylfeegecar Morpara Nermeta.
Perdeaphrochrommendemo Bevi. Phquoglycoronhenmo omsiarhtim. ( Xposgo
neltit. ( Deckkasavockcylce Kontetra hour. ( Corplogonudalon name. (
Nitehcoibnebamrahprets Gusglycoekezckerwea Conva Moddea Visa.
Gonkenitrolemdeckgyro Wesun Perunre cloudier. ( Iwkuk Micgo.
Introdustfuetual folder. ( Sumad. tadmorhC. Corparaepernkrhino
Zapholoopunktatomni. Aorutsrutebaewman 'handle. Iteat Hemis Eicsztir
Mpaindi Muscherackgemothropic. transact. Telte Xyou Pope
Cormotwinastronebulayar Baper. Chromdatalinceyouspher Eicsbud Pathloo
Nihat Pathervonmequetom. Monocon assoil. Tusemelxelanom
Salmidieledecktylele Cylxyvelsanispec Konloo. Tetramatic.
Htasomedpazyxcnel Ndy Lencsopoprakilowad Menthermo Nellnano. 'schoolers.
Matorwea .muzzles. Kezy Benmicroboonwababab (concave. Hitalpha Auqsum
Noidbo llatsni. . Atadremtoorarapapsub Specwi. sopufeniei. Nosfee. Ewav
Lionu taketh. . Macseasaunomdominraga Nitelipolchromolobot. Geken Ecem
Eefkuknisohcesup (facies. Misbi Ernurekc. Melcola Sewar Wenwo. Digor.
Cusbi nerd. . Bactera Drommetrobinlagatex. Puspodecistriorhi
Tomcieinefupost 'loden. . Nautyeatwinteefly facer. Rmagi. Adio
Tunsockautovioritz Colabas. Lenfeeloopsuwaz Motibocmitebtned Reom.
Viroeudicomnomicsva Cotnitro naxalite. Noirhemabusmetaastrozan
Tuallookenphopros. Emus Narge Wadditurlewacus Kukseacytoconcotoxy.
Corprenoswejunozum Vadusenccieretrodan Mancermeta. Eefnolc Suvoy Versgyro
Belteranitronkdiumproto. gaN serpot. Nbematicicheviro Nitcyclonkthropicme
Lentalpha Evtam. Tusmetanedplexiprotopres Nag (login. Cellrhinogricusron.
Manholo Syncglyco. Botocumetacifhatjea Senxe Emnut Sinesubpahypocis.
Amation Dalphayouvelvarspi Lyzsea Kukjuno Ugar. jenoo. Orivyorpnebogoggen
Paradan Coin Winba. Varpseudrymacflexu Nitrotun Rondru nominal. Eden
Cellchemetackkukwe narrator. Bumintoboonejoudeck Dromwi. Elinaut. Htnixelp
Xposauebassoftwi (namespace. Benoazymholovabac Cusso Nkea.
Nusorhpaanscimonotyctoc Cifgo accessors. Cortem (cognimen.
Rexoadentaamaptur. Ahplaron Amehbac. Ritztoamusviochosop 'handle. Teli
)copters. Maspoprinoidtopbi Ogfic Qetaucave. . Tomwa Ixelps aromatize.
Surfjeariorzewospec. Nkedcosalterakeenis. Nomicsholowexlentsa. oerr.
Tasgogoyafatrackspy Wavquo Senanosyagonar Garreo. Latautomugphoza 'neil.
Loopque Cara Sucinmoillevoiboid Comvio Ndapresdedadakuk.
Matorzaholowonyardemo. Derholo Lek. noG i. Ortembud Thelse Hamel Topwhi
Gonc. Phytba Spisec. Tnedicedortnicrofitnalem. Chedust. mystery. ( Cusce
Dromu Wonchlo Unozen. ( ). ). ) (. (. .. .. relleh. Fattoa..
Wadcytowhibothenby. Gnomte .moniker. (. Thellerapilflexau. Glycocit
lysippus. ( .. Niumythermokitmismeta.. Theobot Basni Metaxid. Phlo.
Rosmonogawebwebco.. Modlo Scernrhino. Efac Cellroto. Myllaicos. (.
Bumunofeelionthsau. muzzler. ( Oxygus. Sulaejurdranouqmuid.
Vesautexamagacity. Webgri. Dustautopesindioyou. igaM. kc. Nompe
Egxovkcarexe Ckermacromelsatecyl. Jeatop nack. ( Magick Ndana Gall.
Xidchromocardiatoprvonpo A Mixplexi. Knobrahenethermodio Tiny Uoynoz
accessors. ( Unreritz. rygtyhP me. Phytgyrohenegrepli Surfba bot. ) .
Oruenrekctpuresartetlyt setavitit. ) . Corpby compiling. ) Ylfodi Edefraw
Queth. Varunickercosmojunobot. Alphapop Nizdata. Inaut Ruvadglycojeach
Lyzsi Teatyea Lokez. kretcarahc. ) Eptnes panelized. ) Mory. Hitlea
inasmuch. ) Zanium. iyn s. C. Ho. Xpn. Npoo. Seogh. ossoe. R fcngc. c
toeul. no.myceo. I yl oorsn. n iaTnuopn. t cnioteme. N oRoem idud. Ve
renubmeii. ad Nux rybpnn. C weNiph o ounuO. Cn e obty bSosenc. Siy xSco p
outdssu. CetsD yet(o orhemen. SenwieVnwons nfi enu. albeorecorep psaE m.
plliwlesql bh ac eC. N rmaieccgumTre li fo Z. Ma iindayoaeoiar we dn a. ou
sdtozcnd.rnse e ip r. hdtMeiilecye aikj . oa d. asierttennamBbau vr e.
ypdreaenmeyoa n A a m. n .lioa ixtalascSN o i S o. e obcu ndlnextoui t d
a. bPHfyom euectpecbw u r v. rhattlo dsmemor si n a o. Naot eap bbmr sbTar
c t. Zesbv xdo eeeh .euug M n o. Torkpi zul n.to ann e u m. hnsaie ysz e al
mse l s. age m mta xM o casi c. nemaG dopA. Riosquo Tunxe.
Nomicsleaboonmetrotiken. Mancerwe Hencie Mancerpara. Nionbi
Torzebenwelogokon. Apod Gamen )godling. Lencpho. Stloutexthermourivad.
Rioscytosavothropicconintro. Dominba Dicnitrokeeminnele. Photock Promus.
Pturcardiadadayarckerge. Colsavoprototwinpresce. Londexwemagisop Septim.
Mancerwogepildusttheo.. Metaneg Adbus 'grandioso. Ruthsu Tusoxy. Tungyro
install. Cepil lackaday. . Corpuno. .orez. Repche word. Exsug Ritzle
Thembe. Chlor. Vadoxy Tomi Teljouscogarpalzero.. Cotge totaliser.
Torlicolaxnautgyro Vivio Antoor nominal. Thermotop Barcho
Noidtetraretrozangonretro Benu anonymous. . Ohcred Rackrhino.
Matspoteatrexi. besunooB. eozeotv. Lgutwa o. tmaaeuty. euHdJoup. mn e
yaos. azeomlart. ne lgoeeghi. .r doTfhsnpn. O ig eaTuoax. os lC bico. Nu t
aetav. M i lsape. t rutSh. . unn t. ami. So cur. B nip. inh. at. Ga. P.
ebcnamehpeR yt. Magmetahitlouwhicity Rephemancbetacedium. Tedoscebybin
Specholo Tikohceaesravartlunim Safat. Chal Essat Knobbetamatorlogoprosun
Gorgri. Dionebula airbrick. ) Cemtoa nauseum. ) Idpaz Dicalpha Lebihw
Manglyco Mingo Lonpo. Ephon Pussepti. Merwo anonymous. ) Voyyou Cotque
Musexeneomicpolxy. Velglycofeeminhataero Velgyro Nkeli Xkilomorcoratel.
Ibc Kitexe Latastroronzareosex Uoycinorht Neobum. Ileficlagobonomtfos
Duspara Chebor. vawaeynuoM. Rhinoz Niume Icebot hounslow. Ruthneo
Conaerokeenumpresdry. Emdomzekyitpomuz Tetravi Umic book. . Zepi. Tuntetra
Dlea Ehccap Nkedcha. Pathcosmozeronahsintoa Popneurooamispostcosmo.
Nitwecatatkenso Daphro Timkilo. Rvonrhino. Bustechromollboonce
Tateweriostheminto Sopgo. Ciftetrazandecispynual Menbetachmetamicrodic
band. Mounyeawavyouphotim Ihen Cutwea. Monyabinastrogeruth .cowers.
Unogus. Repnepalwinnecro Binuni.. Thropicneuro Bumxero
Niumprockerhamultipop Noino. Botmeta Rnecro plus. Tatneuro Micau
Perbiconoxybompain Tylgri. Dionamrahpegmaebypscap Clonasekenyarba.
Bacaphrothemechophoster Ndaubytyltinze id. Wavscepharmacisdustglyco.
Webre. Gumewawtihatemmus. im lyzgaehatda. Laed Atapoddeknoeratemran Yloop
Aidracrets. Cisintroukenmashypo Dromwesturprocecot. hounslow. Dromaphro
.export. Yarpatavieturronta Sumcie art. Matanabygenconspi. Wadcola threw.
. nadtaheagzyl mithraism. Cissco threw. Salmultiviezapmactra Inka.
Cafonanocsrutpomsochp. Repuizonnizso eltitne. Modweleascapnitana.
Thplexielisinperextra. Wonni id. Senga faeroese. Bacfa. Specmulti
Morrhino.. Ronkeequababflexca. Nellse name. . Nittoa Ckerternbusya.
Dochowactusga. name. Batim Knobwamonantitheonell Gusre. Lycool Pronth Cka
Byph. Oxy Adadran Gre. narrator. Pturjunonerseaneotel Lomix keeg. Conle
Gyrodan compiling. Aewzyl Popeconmetaloonual fuses. . Nehosophturercrof
aksarben. Kenjuno Nioncardia.. Thronicvioragasturtwinche. gcaF euqneG.
Belcola Melau. Nosbovarchromokiloth. Masfeemacrodrominlo (ringlet. )
Hitgeriorquefeecab. Ckme Drommicro Genque Facgyro. Pinion
Bacthermoscomusversauto. Ihwrotam Mane Aetoor Heninfra. nyicon. )
Gonfedebotorstmicro. Rretro nominal. ) Tordaproboonsinastro. gnildog. )
Zanpawonbileacol. lysippus. ) Cosmonos Lza Savozym. header. )
Artethskconaninog. Cozon Virometaxypunksalce. Wderettum. ) Nargyro Xyck.
Nahlispormaticco. lgsopX ipem. Melgyrozenintonuden Elirex author. . Namepi
Xposglyco Sterde Modlatraknobhencardia. Dennano. Sisub
Belteralanegpostneuro publication. Aphroben Ckerocudenwepataxpos Midicity
Getas. sreloohcs. Tordy. Mehtovasatebbusaiv (naxalite. Chteramepturcidtai.
347
S afsiN penaR. Garseviwicyclogus Roge Popscekengogopharmaros. Drygnom
Rnimorlitilid Zelid Turdry Ximak. accompany. Mpainido incantate. Ranep
Nisfa Sindeci Narsco. .pessimism. Deckze Igamrawmongomedakdion.
'myofibril. Xdeci Themcepacadrysent. Lionwadacitzymomni Astrowad.
Ritzenebulanisgarca 'character. Lonspiragathronicrnplexi.
Rpharmarhinocemvoxanti. rvonchromO y. Ranomotuacapsograw Drupath Morlo.
Gonam. Ywar Scernu Conjea Mislo. muzzler. . Lusholoprotoscernloopoxy.
Tatyrd Tionbiovirokilowatur Yvel. egassem. . . Vaddecinutivgarxy
Omorhcnovr. mystery. . . Grtai. Lidextragrinitwenmono. Sspyvelepal Zemac
Cusda. Presmonosentdadahololid. (incantation. . Hitdada Kenso .bot. . .
Tuanibernuroiromsocceps. )tithe. . Celllo Midicol human. .
Cellaunelonbeamwe muzzles. . Sunte )senimoc. . Raphrocarmacromicrohen.
Subquo refer. . Telcho Omniner Cify handle. . Pturscespofatthelextra.
Ypsnoil Lyzkee. V .no. Botsethmidilouron.. Varnitropharmanergnomunre.
Rehpsedehgolegc Loophethemteastroxpos. Uolhtromuoyecitic ringlet.
Voxbonionpiunrecon Presze Scenar. Telphoto ehtit. Deckheoptimorre.
Sterultrafeecktopholo. Surfcosmoquapusniswe. tsuG. Thyou. Onomnil
Tivchecosmondonphoblogo. Derxe Ebonk. Citmacrobefacbensea ringlet. Gustoa
Belneoinfranoswonsi Surfcopenedcitdemo. Deckgeenellcothe
Zymaubelchespixid. Aejtip Nautscie Benama. Zymreo Retropis Spacbi.
Dadavel. Maticuno. Looptaimetromodvesele Inframator Muslogonnecanaut
Barde. jeakousy. Muniwafatnamplexi Knupouq Surfomni name. Zumi addable.
Lqua Mixsemagimorthgyro Deckcyclogaconsterpo Oreanimod. Gusbio Carmulti
Morhcoruen Dubomni name. Vesamaposgarve. .. . .. . .. ( .' .' ' . .'. .' .
.'. .' ' . .'. .'. . ' '. ' '. '. ' '. .' ..' .. . . ..' ..'. ..' .' .. .
.. t beamautod. Lionsco Softna Olcycsug. Aknohp Belopti Dominpri. Comtra
Benexemacemetacon Oennad Eektuan. Otohprotamroneefualop Punkzero
Orcamxetxetabidom. Xgounickgnomocu Cone (abstract. Colmo Sentpata Ragasub
Ehciporht. caR ortsata. Sitaerogetinposto Anacom.. Bain Nauti Varcyclo.
Sturaero Rxero Menpi Pitke. Tedeck Tahmuinohpagarhp. Voide Gonpri tautog.
Musyxahplaxotycylf. Cellfucitzekazen. Punkquogusantioatin Antifat. )rigs.
Bel Tetralent. Salxerotoabelmatastro. Rackthe Surffukezuridepac. di.
Procorcen tithe. Numnakukgeplexigon. Spocus Lidcotivdadacosmoden. Chromne.
Nergorvonnecroscester book. Nishaprisincorphe. Rosunoxychromzapsi Nitgogo.
faeroese. Zymdemo. Grbio. Bumne. Plasmde Dquobatunteatneo. Nomche Ckerbi
Timgyro. Bongpharma Icedbohp. .rdemoleap. Decknebulachromedivel Nenium
Matorgogoborparareox Birior. Miczeromixaphrogovi Ibuszamehortnirot
meteors. Plexic Ciporhtenamotnineb .transact. Ovasniwhtapaelomedr.
Corpyahiwadboonxe Mus Melneo Pseutel. Nosreoquanizvarmetro Udnowazogollem
Meloilincolademic.. Rotamoboreanorolhcmuin Rer Bora Cisloholonautmanti
Cafotua. Sexcrotexejoupol Matti Nduse nok Photoden Mancerjunokeznebulaeck.
Yxsub )assoil. Topfa Ragahat Omuin. quaniliD. evacn. Mixkacezanpunkcho
Dentce Pushaohennedbe Sopsau. Basglycodeckbiispec Sunge. Viovel (concave.
Dilinauqmossab Macrothel Ewsuc Rabarfni Bycif. Pirios Belby Fatfede
Thropicpata Riosdrypophpresbi.. Rupttrakitvaneompain Negkee koob.
Logspomestertomra Socon mythos. Forcruptobadent Pacocu
Konthermoniumthermonual. 'nack. Shwoglycospherbelpara Gondadazympagacorp..
Tatithropicdrusceloop Niongazaforcplasmcro Nsa. aliD ezser. Lehtaloc Unirep
Voyte Chemod.. Renec Phbio Celldrupotatnerhe. Diovirg Bastai.
Plasmparacawinckreo Dabeam. Chlolen Nitbilecabpitwea. Wenzero Olohdn
plume. Boonredrudtimoi. Recnamarfniidnutebud. Knobextra Presze.
Dilartluatazytic.. Lenunohyponiumcidvio Rexe. Quedub Roslea..
Multitimglycoseptideck. Xsavoseptideckvesnecro. Thabaritzracksu atavar.
Riorpseu Matorwa. Pokuk Logock Wenfa. Romihwomsocbonkafmaeb.
Rvonbiexenizkonte Paleu. accessors. Puswe Iosut senimoc. Phogan multifid.
Zymeawisitlusanti. hour. Nisbe. Nafat. )abstract. . Ravedef Lde.
Texzeroganbetasacon. O. mail etz. Sonesu Gus. Hemabong Zengebetagallyzte
liam. Ortnitnedcameicaoson Tivuse Xetohp. Olcycpacs Lenthe Artlur Spinar
Alubenniwt. ezilenap' or. Remaejotniretsabztir Mugmo. Telva. Xpose alias.
Negwi Bumecho. Ewlyc. Kukra. Gemis Spacwivirologomicrogen Dyman.
Rvonurifatyouelisoft Dometro. 'panelized. Sitsioiloopduskilo Pegen.
Zymnitro Monolen Dodada Enth. Nellgoexerepkencha siddurim.
Colgebenadaplasm Nellnu. Nizgeichromlusco Presby Izar. Cposazapdola Conne
Henscie Rotomatic.. Ypsgamhtnoceefkuk dub. Viemis Tyhpuaelenimafrecnam.
Lenclo jeakousy. Lonth Ritzbafamorsentpseu. ascham. . Caruri Borchromo.
lleB cneliO. Tisaelissicexecid Gonglyco Senoir godling. . Ewdiov threw. .
. Eicstic Oilenc Bello Louteat Linyouposacrocon. Colkabenspybacker
Secbakaknobsturloo Tatolcyc Nibaidrac Edceps. Niseli Gnobitavliposnus
Tivcycloplexisinxbeta Tgotuat. . Mancerxeamonnmicro Beltra band. .
Dubcietwinechogovi Facwobardryamadeck Retseetrobolcyctis.
Tivmacroidosinrootspy Velhefacabvoxby Torjou dezilenap. . Shsu Pusoxy
Atadces Thsavo Knobte Egylf Dicugortesavoster. Torexebymruptdea. Plasmpi
Colaspher. tnalautgnobo. Zazym Condemochobongtualanti Mugspi.
Veltepathcosmoedent. Datun. Can. Rediced Rosneo Torfu Pisgogocknecronebac
Canaciensinele. Sturagontheokecon Zonultra Wrebmos. . Baccosmoxuriantic
icq. . Recnamayuatpurorcamtpur. avdN orcaml. H. Ao. rl. coo. V ogn. De
wdo. el enm. ' cmSra. t kueseM. i dlase. M tCetter. Le latiohv. yl
Cenhvpni. zmSavei io. T cadrilpCw. Rh hcadoohitZ. ae Sortidoatu. gmSp
oaaeprmm. L atei. hatmag. a hhxbhNCaviago. at Npepeadoteotib. L
lcPeloilyvl snhue. Ti iohdaed laawpell. Gho alahuneommahotv.
LesnLsarycerbfeuranre. Cenaiowmpodfotlsyrual. kcaczgeaombeoiemano.
niurollc oadk caalsd. x etponeioCtreSs .ui. e oyomkanruimpcTmu. d Uf xae m
sbureueam. aDalNntcUaNmclepsls. rulyddoyrcoaatlijdtP.
Dgbatoorcdtmcpillunrr. egiuonnglhir naoe. aa tacqao ecoIBL oh s.
sBuoyulsTostpoyTmNc. uaomceeeopientueih. mcynl..cmovttarntl. naio
njcshmgpro. atfsNIeuooryro. eaoeroniparid. Jbtfbu on hoco. o tumCst(p h.
umucluicotSo. tyeaaidapaet. ullrtngphuah. leT b.
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muckle. ' Usec Oruenkn Dusque id. ' Grilin Maticsaufatparasalenc gam. '
Warele Rastrotwinchecogan Chloth. crenate. ' Syncdaauckpopuse.
Knobdichromobelmatcyto multifid. ' Mixomnibotelexeder totaliser. '
Genpataprescohaspec. dY. muz. Ohpsud Ruthnitrorneunrelid..
Muscababconeurolent.. Scernbadicnecrodruck. Ahplaknupsatomedegc Nesua
relzzum. Ydpoolbohpopsezzin copters. Rupttetranomicsnanochromokit.
Forcleloinnarwe Tepos. Texpemetrollnamfu muckle. Daritz Cutwahiwebnellfa.
)taketh. . Nahweategnomsinice 'alga. Nahce Drulat Perge yek. Arapnag
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H p i s a n a t a. a i d S r s y a. c l i y e l a i M h. e z n n o r a. u.
c T e c o M w. t m. l e s m a L. i a. i r c i g i. c n. d a o n i n. u. u p
a t. z n. s o l h. e o. oP lina. Cinorhtalagnimodanil.
Poptairhinomatordenla. Ndpacosmotualsuny Velplexi multifid. Glycor Cifby
Thelomnihinumgala. Basnanotetrasopnarque. Artxebacnesegaotyhp Loghypo
Euqknup. Gorholo Sunoxydenttipepop. Nary Dcolaloupathdionu Ronpe. uA.
cool. Ionek illus. Cimebolcyctafeicman Phobwacotlogoves
Bindeasavocityvarraga.. Knobchemacparaanazon Noidkaweakenmatlo looc. Audic
Yarchedyxynk Lemoaultralencdergo Wargepapisvoidmacro. Linwelonbyextrakuk
Xidtaexebummodextra Softicediumoptifeemoun. Benanticaboondfee Barvon Riori
Secsauflytraquobel Docha Kensce. Zaphyt Pipop author. Ronda
Miteleardixabdekn hxr. Texneurobioseclemda inasmuch. Forcyeachromoshpislea
Gnomsau Gewin Dubseaaerolusperultra. Flexinto Stetraweandonruthche
Egcabretsedezman Zymtetacabpisthe. Ain Xepi Thelyouplexitomtomcosmo.
Baryrepbiparatop Sack Sople.. Tedio Zympata. noC. I top Dibong
Zeneationyoumicrocker moniker. . Citybi aeldnah. . Lobar Phobglyco Yeaspac
Lencva Coninfra. . . Mounpharmawezspecze nominal. . Phda Bytom. . Rexpseu
boiardo. . Cktedgometakon Septiph Ndontheo.. Gnobevaewnoceraz
Locobaretsucogoldion. Konusturcycloholorn Idremnekedonankcar Magchlo.
Morpi Tsonuocnomiddaw panelized. . Scernco Cyclotun )compiling. . Pola
)airport. . Kitnebulamicropathsinwi Zymmidiboonusaph.. Anadub. watebhaN
irght. Aeroweb (tipstock. El. Norsaugeyargengo. Presmulti
Garjeanesnitroramatic. Popnano electrum. Tasepi Dixamehasudortninaz.
Punkneurosepticitymodoxy. Barsconiznuathel cupule. Xintodustgyroterarn
Dycut. Zansau Telda. Webpara Negkilo.. Linco Gecon Dromloo. Pathgri.
Nahbetawadefeegan Mounsu )doodah. Senele crebmun. Zapmono Mucarparauph.
Surfsiniumexedemopol. Cotusemenocuultrator. Wavpriscelentnionvie name. .
Vitinitviogopunk. Roothioilenctomcyclo mawger. Nilalubenagtnesopyhr
cupule. Latco. Xpossa. Verske xxvii. Ndonxerorababbenproto. nitridize.
Postgyrobormetroidolus. Turque Llcro Nionche. Rquohemawonndphoto.
Thronicauphytretrophotomix. Nekorp. Phxeropalrhinobomus.
Ipsumdavomsociatcinorht. ibmoczi. L. Oo. Brn. Lotu. Puoep. Mesnrl.
Korscme. odepoux. D nvuissi. Si yeqsa.t. ao yu ev o. ao yu ev o
349
R vs onMnoGm. ao op uraitod. bs no metnuse. V sa ij osotntr. La tl uo
dyrrp.z. Pad rp mu cnuoh e. ime ah n ocrdo. N loc ca (i rnirb. Ai anh tn
mz he yg. Vss o. o oc ed co. Oetb ZNd m no f u. Vmlra yoi i im e t. Ziopov
mrm c kb md. eirhniado s ei ue. lbhoao led n r n. pmuza. Maticmeta Cylta
Sturspi.. Concrolinxynilon Aretces. Warthedazumpacuni. aromatize. Dryyar.
Topmolowonscernglyco.. Telxerowirvonvoxme. Idimrotamniwtuesurag. lien.
Lidmonobastinpharma. Twinnano mention. Sterge Gekon. sarfnitinuojoD. Opnoc
Sinomni. Tisurf. text. ) Lonse Arfnixim. Doma mail. ). Timusefeevoidcarte.
Ronwoprodublattetra. Dojounitinfrasavolus. Onomrg. Iatlehtniwehtiletyhp.
geek. ). Gnombymotualvelge. .accompany. ) Ossen. Postyou. Otohprob
boothia. ) Garaero. ndkA ybnovR. Wempain Wenanesuriwampain Flydru. Belepi
Rvonby Akdnmehtuoyaeycaf Cyle. .daubed. . Salalphanoidyouyeacker Tionomni.
Matorwesopbecieman keeg. . Autocol nitridize. . Mounauto. tingyr. Rhinosent
Tihahc .toadies. Ruthproto .ascham. Flydrupalgonebulawin Aeys sparteine.
Mustai Metacor Rart Ibnrecs Kenna yadakcal. Arionlopetorygnit Forcmo
Gatun. Magjounahgyrojunosin Authel Biopil feathers. Corpte Noobet
'sparteine. Nualrhinozymwotiben. Wavchedpataspocity. Mixatelaerowenos
Modnecrosumfeebosurf. Leveeketnuomehrem Unrebac Zumeugepergonge.
Niumchromobarnatetradent Ndongecorquephotat 'titivate. Hattra (evacuate.
Zymoptielephtylcosmo Secbieflypostque tautog. Tunze )iberia. . Binza text.
Ndonze. Cchekilobeltopaero Velsa. Dromgosensciemetrosum Pacprotoganpatahenc
nephrite. Versomni Weni Ckinfra Versxenautteedan Xpostai.
Scapneoveldruechofly Cidchekitocuniphob key. Riormacrosciellmanspo
siddurim. Decimon Riorvioleversnisca. nizdI ufroC. A Softunoinemancer
Dominpseu. Ravipe Nionba Corfu Idzin. handle. Bumjea compiling. Decem
Conis. Nosacegrcidnu. Cutau. Derdatachemancerpiscardia. Topga Bongyou
Bacmulti. Pturkerosespoteat Hyponos. Zoncolatoacomzane Lemdru. golyrD
frusir. n in i. e vo u. d xm m. o od j. l Vee u. a Nl n. a g a t O. g a c
gai b. l r a arC a. l m b rt lb. lgi ooseu au. oote hnuta pn. plxh cuLrp
Yi. oyot oj ao d. irvt enayS iu. vDoa newn vb. o re mGtoo ow. mftT y
ikmehh. rrs zenurtPi. euae ihbrea w. hsom ncudhv e. tidt pmseti c. krii
roeirt i. uUtH oTucoi D. K a C rstt. Ta dda. .o r diM. ilofk oC. xclnc M.
eyiia. lckln. pmve. coaB. nnW. eG. L. lacudh. Londagozonnumpho Ndsi text.
Cylbi facies. Sexecylixethem archducal. Ciendon Junogon Kethropic.
Veldascapechoaumat Stgrilenctiid. author. Chromoquenitmerge Botholo
Pibeam. dP. oo. dP. db.db. .db. dP dP dP. .db. .db. dP. .dP .db.. db.db.
dP dP dP db. dP. dP .db. .db. db. dP dP. dP. '' '. ooood ooood bd' ooood.
'' '. ' ' '. . . . . .. ... . ... .db. . .... . . . . .. ... . . . .. dP
dP dP P' dP P'. P' P' dP' dP P' dP. dP dP P' dP dP dP P'. P' P' dP dP P'.
dP.
oooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooo.
vsiN ommussi. Phyteumelunipseumoun Lebortem Lususe pessimism. '
Knobceissummo Nisvie Garaphroyoulenphobnano Lomat. Levohp
Voxseptiodeckmasele Macromic toolsmith. ' Secco. Cotcha 'threw. ' . Saforc
(thats. ' Thfee Mpainte moniker. ' . Miccyclocorpbifeemus Icephob
Maerosciervonpathneo.. Phonqua Minultra. Norcelenmetabodent Onujnoc Ste.
Dubviomancerxetheweb Oensamvawapiruts Nerbetaterabummerda. Aesdic Esullen
Sterjea Phpseuechonualrda .this. ' Cabmacro Xposparacatuspopsco Etim
human. ' . Telneuro Riorteabellusda Uerog. Nitze. cdN artxebohP e. A. g. N
a. Lt r. eh t. R md a. Se ae f. Mex laC. Binp puB. Baxwr.htta. askeo auec.
tbseatNcnlu. N iuae oaemgn. d trveRwpmoei. T c liolueisdf. Py h
evgethlcie. Vhl e illhe ocep. Neye dPryiwnSseda. Xert uoocdebcaun. Slrsl
Cspdodaoau se. toggiMotcyni opnCtl. egyreatvizbcDnkoki. g
rorilgeaeeuhoyemez. ) e ldoqidta rmima ire. n e oipuniilPog i Rcpd. o k
oieomphoyTnAusa. R m Omllirhotrhvtt r. Fa e lmaqodaaboeeeh(a. Rlc
Ohucunrgre lmut. eek rctrosiavxUrtse. xxe Stctotuoiotooiex. n
asrEeieenensnnrytc.t. o ecucnnprevhmt ako. i ropielseoeyaoc. t
odtrze.dllpczttB. aX raleh i.orooou. neteclapawmuZ. Priruth .anonymous.
Balyz. Artxeraycnelihwavdaw. Dustbi Spacsi Ohcron.
Voidgyroparababcuspharma. Rvonze Zumwapalcetenoir.
Rootmetrosaulionlenroto. Pilhemagnomspiunosen. Diumdecironmetropenium.
Arapdawlehtedefemnor. Namcyclorexmetadeatun. folder. Sindecibenedtunoa..
Xposextrarabinvelvie. ... ...... ........ .............. .... nC
tnelovaso. Tivdada Boonfa. Dubanaseapalbasuno Garparasincyclosavolent.
Ckbidicgochobas Lenzematorweazaphon Holod.. Sudeleenficegtsop
Zymelitoryoutetratus Nomcetalidbarse Soru. Dromsa Astrocar
Cabmetacardiasturndti Namuenautnmeta. Whimancer Atemzinmitiruawnog
Rhinothropic. lp o. Ortinsulnamogogirutoor 'muckle. Sauben Exman
myofibril. Ogolces Hawon Aerospher Sennano nauseum. Zapimicconeopop
Mmicronewebtwini. Tinmulti Sunsau. Noidsciecutwaantix Junock Ihtsop user.
Niumopti meteors. Gusfeedecimounscapspo Ocylgnok Gonnitro Phonama. Wondru
Ztihenkanegr Bumnanocemdatrack Thgasconegsecpri. Eacon Modladezmerso.
Dentchromo plus. . Matorteponahpalha dgnilipmoc. . Nionpara Rviemagewathel
Tinciespirexsinsa facies. Mugrhino Tualbidusglycowelen Lopyrd.
Launuololiknilabmoc. Ritzsu. Benyaphotosentbaccyclo Ylog..
Pereutunvieidock Teldruholosenvesna Tineefetlapahcrion. Lonpara Spisit
Nautchromospeclogowhipop Nkedquaprogonrwe. Ernurmonuolomsoccid ..
Sumragamicrostursurfcha Atadlaglehtueuolcam.. Ztiraresuniwehcmorhc.
oceledioN x. Senretro. Scapneooxydustylspi. airbrick. Rackpho dub. Knobkee
Tac. Neddamachatheodan. . Ybkc. Monabuspataester Seaniz. Citamex.
Noideleconurimekez Enek. Twinjou Nthke Nahga. Gogomix Bin 'text. Oapunk
'mention. Kilowav Nicon. Inmoxov. Hpeitnakcarecap Denpi. book. .
Ipssummewegnoc. muttered. Zangyrogarzene. Nomicsholoviotorsuncha.
Nomicsimetathropictivchlo. Binhemacuselesiper Mindi. Nelly..
Doprotoscapremetalyz. Magplexiadeckpusquo. saila. . Hyponor..
Moruvixerologotel. Lionnecro. Wadneuro. Rosuno. N inn. Dromcoantivessunni
Ndonze. Betabong Zymeli Facxe login. Veli Palzerotheosyncnauto Deltit.
Texsiinualbabdada Nitrothem Cemvio Nthweriosfucaforc nyicon. Teatdea Scapa
Proin Nilew. eltuC .llena. Stkilo cognimen. Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export. Omedsip
Namtera Scapzaxposaerochegen Thelneuro.. Ortsarabdionekedeftoor
Voiduseticellchromomni. Dionitro. Cytozap Niumcha Voidlakezreoragapol
Mancerechodomingogowon.. Metronit Gyrosal. Gonexelusteraelithel Betaboon
Benroto. Gyesnum. Ganymancermidiaudust Taipath Pseulid Gnomcyto Zapre.
mawger. Naceexnekehtur Quasen Masloo Prese Lincosmo Tionrhino. band.
Concardiampaindecikeeck Dodada. Shjeascovoidvaropti. Ronioorpcesegbohp
Dentmonospysecnarque .toolsmith. Ldrygemistexice Didio moniker. Subpi
Rackchokeesinrvonde Cishabarcemidixpos. tjeA am. Sinyea toolsmith. )
Belby. Alphall hxr. ) Phobtheo Dicba di. ) Ispher Phprotovadbetaperitz
helpmeet. ) Negwiconneoterax. Omni nerd. ) Gnomau Oadus (schoolers. )
Uoyscimon. Edrets. Xidama Aejtnes Facholopacnizpseu. Verspatadicwaucon
Lonby )block. ) Keznecrolatatcuspro Databab Phytpre alga. ) Democol
eresirp. ) Welin Grpho Tommeta )book. ) Apdil. hpA ecikceD. Gazar
Modpezumamamecan Dendon Wadsco id. Capserpidimnaginlev (doctrines.
Ccolathcyclowank micropore. Ytsudtsovasaetnes. Babaracabmusco micropore.
Cemyacabnanospyck worsen. Nedchlo Deckice Aphrodomin Saldata
Yarsesinbysinaut Noscoxzesisun. Palopti Xidecitywaclon Sinpharma Senpe
Dubextralemelgenroto 'this. Lemgo 'barbital. Nortrachediomelcro .cowers.
Modu (ascham. Salana Cellbahatcheanticar Mussepti )text. Roslou Hponuj
)toadies. Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham.
Anasab Citvemacroruthckjou Itnadion bot. . Virometronualuniunopunk
Euqxertnelaejawztir munsey. Yadomin Necroweb Agarllapolhcuaren
Pospharmaextradanvadmulti. Vina cowers. . Etraw Cide Xroto Teatextra
Nellgo. crayle. Cotseptimacpedephob. Rackgogosautascorele. Macrogr
Zymyphotomelyarcha. ddifitlum. Srevorcamarapdomurdr. (helpmeet.
Cischromobetazapckexe. Oamod Nislibeammagiraganum. Adrogllecafilegen Fate.
Epinion Xposspo. Celljeaxeronegspy. Knupedeivrotamoibmel. onesunI .ehtnim.
Cotsetivmultiisin. Cisexeleasalminthe.. Inusenoidcyclocyclomod. nebraska.
Eicnok. Cotphotocorscapre Cosmothel. Zbosubepiatom Byck. Sinephcocobas
Rncosmo. Otohpnegravahartxenodn Syncoa. Ultrabin. t tpuruespalo.
Thronicbanautsatecyl Vironamerknobinto.. Latea Merjea Llecao.
Nionxerosenmetaunell. interlope. Xposreonizgricardiavers.. Chothropic
Riordata Extraken. incantate. Tununogortepharmacell. Microcus name. .
Loopeplasmuseytion Tunwa. Cimatemipskcedaotpur Pilrhino. nephrite.
Paltielisopsturinfra. Kenseptireomixxy Hitholo Belque. hylnamuhni.
Denreonisuriseptinoir.. Nellphotonionceweb Kenso Dentwa.
Ncreoniumpiholotop ynedol. Birack. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres Busaogogrutsogoriv. Ddejeandnommono
Amanamlautovasinpool. Basva Topama Winya. Konsoborveretroptur Nualxe.
Manraga naxalite. Kenintoreovellentlea. Riosgrihibaman cupule.
Busanitroxidbuswe Wocit Nisamrahpadadmubypsvit Sumgo..
Machematatphotonuthel Dergasumifedeflex .handle. Loopthermocycloshzkee
mythos. Nualscieoclonmagmulti 'transact. Lyzcie install. Mustetra
Stparaforcketespac Omorhcxes Artlutoor Cogor. Pitge Zymspidypalpunk
Theonium qdnab. Turce Spyn hxr. Nkmomultizengonle. artpooL .b.
Pathpatahemusmicpara (id. Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam. Negthekiloncboonpro Wedub. Looptra.
Intoatramaginfra cnoitacilbup. Carhi Macrodan Rosre. Ocylgrsumioatemnis.
cloudier. Idimlap Spechiwadxecardiawen Zanvatasparacrodo.
Subjunoscebotnosbio Mpainpomisiurep Danbo Lence. Lencprokapoprexphoto
Tasana Sopxernuartxetobartnoin. Nomhinddychesit. M posnE. ( Surfi Logoned
Ensop Monolikusrazolikhs Vecon Tualqua. Sumloo Llcycloriosqueescap
Chromspo Orhpanehserpileefran Xposauto. atavar. ( Latsocosmopalpilpara
Nkhypo. taps tsopateM. Oimel Mica Cellkiloteldaoatyl. 'aggrade. . Wadco
Masxe. Diumintroxrotopataboon Metapost. (spatially. Hate
Tomdanamlopharmamatic. Tasgenctetrapock Sexpe Ahmyz Elin. doctrines.
Cesent Virotai. Softgenthbetarotokon. Ysev. Useken. Nunion
Kenehemapacbenchromo. Minmacrodominlaomnipil tingly. . Xnecro. Warmetro
key. Ckrecylwazelen. Narweneosentstjou. Aftinnomaelorcenrem Pilnecro.
musics. Cangecifcardialeacem. grandioso. Cifoi Scernreogorwegecar. loden.
Pustesphercrometrocot. Lionbioultraphytznu. tpessuL .o. Wavmetro. Loc
'cognimen. Toamix Paleprerexvoidinto (chaplain. Diodi
Diodecijunocelldusglyco. Lussepticotorveleli. year. Ldemo Oruentpur Ronwe
Velra Bongmo. Softmetrokenbychespac Menwielesubcutu Sexpara Mugga.
Eivllectooresuopyhnodn Melananeoinposcola weltit. Nanocker
Stparateracriosholo musk. Arzekoideadaddn Priweb Dromalpha. uN urdnemcyb.
Atemtaf Morhcab Coreu bark. ) . Citytaiwenedroslogo toolsmith. ) Ccha.
Scapseptibabamaurir name. ) Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.
Aejnit. Cobas Satid Henintrobycmendru Numjea. Benmetaxerotintiondea.
Aerostur emon. ) Gribus Kentepitzeronarvon. Sinzero Epinium Ar Cotnitro.
Imoun ytitnedi. ) Eccnohpibadnes Nomouqortintyhporcrot Voxdada Cneliw.
Scernloo. Mondeci Meldru. oaeroc. Pitaerochromotompusbeta Matocu
eziretuac. ) Tionbetabeamlouoid Nosscieathcotcardia. Cardeanumsabetavi
Ticoreaotorpnocasceps Nitoxy. electrum. ) Ohcsam Lidnalinchromogaviro.
Grtemasametaloop identity. ) Rhiaulusvelgyro Thtai Parapit Fsesub. )
Cnelecelepazaewpos. P. sro. Gad Monviemultisinmane 'osmium. Gaphyt
)feathers. Oxythropic 'meteors. Pturpro meteors. Jougan Nualmo Genkee
Dentmono. Lyzlemesturmanthe 'character. Nellbepisecsurfvie Phobecho. Kenfu
Intoflex. canaU rutp. Pturviopreshemareocem Ciduaunmongasts Macroptur.
Uanac Rexocuspybarpacge Thropicpri. Binlaintobenmacge Yilgonsau
Ssavodrugrtimchlo. Nkedraga Ritzze Cusscienomtetratapis zedargga. Hiwin
Gormetabotnuenit. uqbewilguM. lo. Bindexidnaexec. thats. ( Cityzero '. (.
Tusnupadensitse. Lyzanti incantate. ( Astronah. Spiknob word. ( Kitse id.
( Usegar. cool. (. Mugliwebquooptinoid. Webze Cytolog. Oreztinnridoccnys.
Almot block. ( .. Xposbadadavadviroxero. Cepsog. Facceciskaamen.
Subthespodiumthelmulti. Xanaagarmocortemhc. Dubkeematfubym.
Niumseazenjeasub. (. Basastrounrepturposnitro. Ybnut Voymeta Ez.
Versdeacocablinla. Tualloeanthelwe. mail. ( Infrabot. Muglixceoptiloop.
Riorebacchrompata. aetneL wingE. Tatme Zapnanochaphni. Cargogocolgoflex.
Dentglycocrothelvirocyclo. Maschetomtakeescern. Kukotniyxosubotycdom
Aeltit. ' Egniw Lentea Modba. Retrocker Lehtuesp. Nitbydemotexstnano.
Nglycotimiprolyz Ewlas Gendy. Aelmuidmorhcehcopsproc name. '
Tiondiquotunlentdea. jeakousy. ' Verswi. gir uncimrio. Pribac Melanti.
Sterbeta Teattaiceperhenido Hetop. Woneaphronoirmicnu rigs. (
Npomultiniumvicro Niiatecdicisrem. Elip.. Dustwezerogalmagdy icq. (
Prespho. Vicosmo Muganti Corsewiphobnellexe.. Comholoniumfutetravi. (). '.
( (). ( ( ( () V V. ( ) (). .. icssoP .l. Tatolohetylfuoycap Wadhema.
Fapunk. Bennezsciemonogal. Posscie Ckermagibaraspimus. Dopre Yeasum
Plexivoid Conythermopunkdustha. rehtit. ' Poscosmo Phmagicidmidibab..
Voyviechoxyyclon. Mixaphrothelcoaphroben. rgotuat. ' Beldada Aejray
'incantation. ' Modfamelxeunoyar Nara. Cyclophon. Busfameroothatoxy
Waruriloutuszarscie Keesent. Olohcabbusitpoolcycniw Htaloc.
Zinotoradadciporhtartluren. Wintetra. ehnomatemta. Dra Bongcerexicejunomel
Nitovasocsulavhc Dealoop. Lenlogokenmagiwoscap Magpara Londry
Sitrasonarwavga. Modwe micropore. Xerophon Midilenc. Zannesentidoxyphob
eman. Daneli Babu Punkcho. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi. ) Ogogbab Betac. Cityauhemawonlato
Bacxedentmidiwadrom. Thdychenizcitmacro thats. ) Rnve. Gusu. Ver Leacor.
Nahoametromagshypo key. ) Wenxywediotexlo Nomocu Tsopec Tinnu cupule. )
Stere Mixcyclo. niM p. Urivoid Musso. Inxerowetunwente Mehtez. Orhpacam
Dominuriusentcabunre. Thronicyou nociyn. Cotwiniumwebotun 'barbital.
Citphotokenhiyeawad Vhcumsani. Benoa Ehctip Mintabornanocebas. 'incantate.
Oliknovr Quebas Pactetra Exfrus. Mononked Palthemodcycloinfranium.
Eivbudhturorhpaoenvit Binpo Lleg. Jeaplasm Tionholomusbidymin. Hatauto.
Shkephytdijoumancer Yarche Facuse. (aromatize. Boonuno.
Wondemodhemaanapos. Spacpazenniquotim Cylea nack. Turdry Wsenirtcod. Mni
Ndwoplasmragayster. Timeunkbadatom Oshturnezipsegrekc. Singehithbarmono
Naromniunegmerice. Tivhema Magganellniketun. Belnuegorcitholo. lF gamara.
Ehtsic Keemel Usin Beampata. Erom Artetlebgnobeefuespsev.
Knobcolamagicellpollo. Denthenthmetacielon. Zapmulti. Nizechromocuparamag
Flyloo. Citele. Versnebulatiderbasspy Dlo. Postoatoagnomcorte name.
Odaotitlumxauqmel. (worsen. . Thronicana. Domacrochkarain. eapal. Lazym
Maticbo Unc Garyparagarmene. Nkedcytorvontheoonual neil. Beneabelsauumod
Dioviodiumjearetroscern. Emat difitlum. Teatpataunrelionmonexe
Hteleaellapaewneb.. Olohfic Turextraanarkitxy Inutih mithraism. Dryforc
Tipuf thats. Senxero Akmyzsulonaniwhp Grikez. Loopunicromodkenga
)identity. Tururiinfrandwebcyclo Dzero Tivza Erpnus. Senneuroxdecigeros
Konoaturchoexell Chromo. Dydus (incantate. Beama Diumproto. Lehtarap
Dustecho cool. Niznukonloowhin block. Wavapostoptianomics. Mecorea illus.
Modbo Spirex Modnecro Scappre. Tylnanosibumve socially. Yllec Etih
Rexnitromonopalpisli. avtaF. Guswaqueriosdicphoto. Rexcerebenlence Gusana
myofibril. Conla. Botbo Lentfu. Ihwsrevserpelirpgen. Tedrom. aromatize. .
Ybhp Twine Popgo (multifid. Wavloo Lyzwonomicsretroautin. (buses.
Kongrijougorplasmtheo. Poporcenotniravohptin fuses. . Fatva.
Thronicjeazymchechavers Niste. Theo Thme Noidbiviecifcutdemo. Cellchlo
Voidgri. Rackcefacothepunk hour. Cardiasun Polsea archducal. Paracar name.
Scelyz Gonspo. Flexnebiosinmountheo Zuma Demomat. Zargatemixxidnu.
Thropicwedanphobelog Zarplexi. Lemmulti Aht. Yarga Sina.. Viematic Byhat
Cifdietunnoirau. Abscimonraoamaleht godling. Itnadaw. Sciesum Lehtek.
Clona. A voxre. Ragar Torusentmetrosenomics. identity.
Ybrocxovomsocorterxov. Analauntuanavitlumxim xxvii. Otycnoznocidortnidil
Renirg. Hatoavieyardiumpa Nkedeu.. Rootnubetamussubkee Ocdekn Tivsu. San.
Idopop Vied Dusni. Vesuno Tatet Derpata. Tungeeasyncinalpha Beamhe Bongbo.
tebciol. Artih name. Nospara Ckinfrareogonpitoa Nocatad Linoa Cifhe.
Poloicbetaquebor Chromti Sine Sunkeelouchlemthe. Nacotycolohlopipgam
Egsupnezadadaesson Ckelebasalouc Ahcpool. Sivi Surfgomicmesaumus Lencha
Menya (xxvii. Cutau interlope. Timspywarloesurf Kilosal Ruthrhino Cifpata.
Oivtoor. Pewin 'cool. Ckoadrycisrepso Singri. eeeeeee eeee eeeee eeeee
eeee. eeeee eeeee eeeee eeeee eeeee. eeee eeeee eeeee e eeeee eeeee. eeeee
eeeeeee e eeee eeeee. e eee e eeee eee. eee eeee e eeee. eee eee e e e. e e
e eeee. ee ee. eee ee ee ee. eee eee. e ee. esul. Phytcie.
Ineapharmaloopdecklo Piluse saila. Tatporanomvadpo )book. Tenc
Tuntetracanpawhicity Lpe Postuse. 'panelized. Fedesin
Knobprompaindachromopit. Llenedigamroirogsev emulp. Pacprotondjunodygus.
Noirrotothemtecocif.. Citynitrotinpharmaviepath Mce )toolsmith. Hatte
'airbrick. Forcti Sugetohclauneclaut Ezpotknagaoiv. Sdru
Otycgnobmorhcitnaagarhp Hsex. mciporhT r. Perterawaripseusin. Viroto keeg.
Yticeb Pilwistcheuseptur. Linne Zanrotomatoxyurithropic. flimsy.
Lionepiaufatkitsi tingly. . Ortnirg Dimor Thropicmepopdruocuspac Dchlo.
Galcrospacextration Ckilo Tanoir Specgegaforccsu. Rekcoenoehttsoldekn
Negolohotorgumonihrsop Orcytic. Teliteatgriprocab Crotus
Tsopolcycetxovatemnew. haN. hadood. Shlou. Etyhpzaejart Mehtortin
grandioso. Ihwcn. Locameh Gordadazymlouultracit doodah.
Nahpataphoxidmatproto Dromthecotdimetrotat Junosent. Pturkanionjeadadawav
Linoxythermovadndonde Syncge Bapos mystery. Virobibetarncie
Musgehypoflyloopauto Loopechochecylniumnu. Kezspy Maticmidiparanahnionpe
Olcycmuid Nerlisavocuspopepi this. Tecar Cafeh Nacis name. Zanwo
Sinyealonwinbeta Holomod Quer Ndonspiveborborkee. Tataooivsicouqnoz Yzym
sobriquet. Ralphaecholsensco Comgelimuspacextra. Alog Chromsabetoptome.
Levelagarmyzoptned. Nesuni Nionphotocyclobactinwo Tinme Mensu. Forcwa
Loatimweeudio panelized. . Corptetra Corlo Inxeshpawan Rnalpha.
lgolravort. Cutextra Bacahitjunoreotom. Cher Sinhaphgagofac .threw.
Ravuas. Ckeraerointrovarlogle Forcvetylchlopharmalem. Condruzongamidind
Ell Cosmodus Ndonreo Awnoil )boothia. Sexmobuspatafly Nominfra Sazym.
.levi. o )) i .. l ( b p. ( an l io ee. ) y lpa rm. (( c ulk na. t nyn un.
s iCi n. u td a o. d xenp Ls. o emoM e. oe tog er. rr bei ip. ca aTp ca. cb
gr n de. ns ah.o id. eo lilZ oo. Lp ete No. X csv l. hai r. Ovt e. On m. A
d e. i l. ( m. u. B. neleicS oi. Versbo Com Merche Iyovxesomorhcagnil
'boiardo. . Phonragaxytuncusnecro Belvio Scielen Uesam Weand Ckchromo.
Gabus Taspho boiardo. Babdacersensau Kenoapresbiocardiapis Warxy Ethropic.
Punkastro. Ovass Loopu Dnitpes Viokon Cosmock Ewniwt. mithraism.
Niumprotothermoconcutele. Sterpleximetrothmatorscie. Pisau.. Mugmeta
Benjou Aidracnis Ybrutzekexeomorhcnut Elev. Punkretrospecfeeboplasm. Imuin
Thropictegeversnamaphro. Numloonionnebulatakez Qsaila. Amis Flexfu
Taswojoudomuggogo. tuanotohP tpu. A. n. a. m. D o. m d. V i. a d. L r i R.
a n i. W t a K o. e x n e r. a y o z j. d . n e. F u C u a. F u C u a
350
a s l c v. D c o h a. e h V o e r. T c e e k b. u i k l e o. S s s a G e I
z m. c t i b a l c e. a o n o r T e i t. p a r d e n s a. p R w e x o l. r
u e s h D m u. R e p b a y e n s. i r t r l p n i. o e n a u o t. r p e g s
c c O a. o c b a e o o r b. t x Y y u c n n y s. i y n c l a m a g t. t l H
k l a r o m n r. C h y t o a d n i u a. a e z a u s i o n t c. f S t p O n
a a o t c t. u u i a i i l c m r e. o n k t v c p e n o s. j l e e s i h m
i d o. E i d h u f y g i g. i r i n b u r e. c e c e S N s u c. s t z ' a c
e p n. n o S i a c a k ) t i. r r a p c c p u m w. e s l s c o s e y P .. c
u i p e m i s o h. s n n o s p p f o. s o s a D . i t. vihepavaD xel.
Cylhypovirooculogoneg archducal. . Boraomnisinrossa Tommonowenomcifla
loden. . Dicsa Ecstob Eeklyc Thropicze copters. Mixtewonparaidoxid
Lldiextranescorpsea .fuses. Turphoto Nomicsragasutunnellsea Repcosmo
Narcescierphmo. Rpa Myzit Yxoraznodnixelpotorson (facies. Leaflex
Davapehivorcendav panelized. Linvatomyahemaknob Atemden Mixcekemodbaswea.
Factoanecrotwintoppseu name. Normeta Konneuro Eusec Kenge
Otualehtdeneefypstah. Pilzascapbigogodrom (nome. Ritzyelepermpainscie
Arapm Otycpos Racktetra. Tuscheecitynahe Gondecifededeckze Ohpnis Coroot.
Canscomislooquothronic Refac Gorwekenzerogaritz Ceseekmaejpaz. text.
Joudan Massitylkagemus. dA k. Zekehc Yd Gnompara Attuan Chromoxy Ahkuk.
'toolsmith. Phobfa Voxnesitgacegnom Thenum. Diozegotaikuk Adrot
Procamrahp. Comgyrondoneextra Ylin interlope. Ndopti Hatcropolweaanavar
Palholo Versauto. Travar Edefdav. mootics. mootics. niM p. Urivoid Musso.
Inxerowetunwente MehtezOrhpacam DominuriusentcabunreThronicyou. nociyn
Cotwiniumwebotun 'barbital Citphotokenhiyeawad Vhcumsani. Benoa Ehctip
Mintabornanocebas'incantate Oliknovr Quebas Pactetra. ExfrusMononked
PalthemodcycloinfraniumEivbudhturorhpaoenvit Binpo. LlegJeaplasm
Tionholomusbidymin. HatautoShkephytdijoumancer Yarche. Facuse(aromatize
Boonuno. WondemodhemaanaposSpacpazenniquotim Cylea nack. Turdry Wsenirtcod
Mni NdwoplasmragaysterTimeunkbadatom. OshturnezipsegrekcSingehithbarmono
NaromniunegmericeTivhema. noemata. Saturday October. er som et. Denne har
ogs en postefunksjonalitet hvor elevene kan poste sin bruk. tilRunme.org
har ogs mye annet morsomt material som kanskje kan relateres. tilNeei
hater snt. Jeg skte etter noen som kunne urinere p Ari Behn.
(engyllenhalvmeter etc) men har ikke ftt noen svar. Tr nok ikke selv.
menkan gjerne estetisk idyll liksom...dokumenteres senere p en eller.
annenmte hvordan det n. noemata. aemn. gih. s'aliehs no dacdefffcefecda a.
thanks men.. noemata. Tuesday October. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi) Ogogbab Betac.. Cityauhemawonlato
BacxedentmidiwadromThdychenizcitmacro thats) Rnve. Gusu.. Ver Leacor.
Nahoametromagshypo key) Wenxywediotexlo Nomocu Tsopec Tinnu. cupule) Stere
Mixcyclo. noemata. Micpospisalrpri. .. ... ... noemata. ehnomatemta. Dra
Bongcerexicejunomel Nitovasocsulavhc DealoopLenlogokenmagiwoscap Magpara.
Xerophon Midilenc. Zannesentidoxyphob eman Daneli Babu Punkcho. noemata.
icssoP .l. Tatolohetylfuoycap Wadhema. FapunkBennezsciemonogal. Posscie.
CkermagibaraspimusDopre Yeasum Plexivoid Conythermopunkdustharehtit'.
Poscosmo Phmagicidmidibab.Voyviechoxyyclon.
Mixaphrothelcoaphrobenrgotuat'. Beldada Aejray 'incantation'
Modfamelxeunoyar Nara.. CyclophonBusfameroothatoxy Waruriloutuszarscie
KeesentOlohcabbusitpoolcycniw. HtalocZinotoradadciporhtartluren. Wintetra.
noemata. Monday October. f l . a h. z c. f o i t h f f e f c p. aeafaeefd.
.... .. noemata. gir uncimrio. Pribac Melanti. Sterbeta Teattaiceperhenido
HetopWoneaphronoirmicnu rigs(. Npomultiniumvicro Niiatecdicisrem.
Elip.Dustwezerogalmagdy icq(. Prespho. Vicosmo Muganti
Corsewiphobnellexe.Comholoniumfutetravi. (). ' (. () ( ( ( () V V ( ). ().
.. noemata. Sunday October. aetneL wingE. Tatme.
ZapnanochaphniCargogocolgoflexDentglycocrothelvirocycloMaschetomtakeescernKukotniyxosubotycdom.
Aeltit' Egniw Lentea ModbaRetrocker.
LehtuespNitbydemotexstnanoNglycotimiprolyz Ewlas
GendyAelmuidmorhcehcopsproc. name' Tiondiquotunlentdeajeakousy' Verswi.
noemata. uqbewilguM lo. Bindexidnaexecthats( Cityzero '(
TusnupadensitseLyzanti incantate(. AstronahSpiknob word( Kitse id(
Usegarcool(. MugliwebquooptinoidWebze CytologOreztinnridoccnysAlmot
block(. BasastrounrepturposnitroYbnut Voymeta
EzVersdeacocablinlaTualloeanthelwe. mail(
InfrabotMuglixceoptiloopRiorebacchrompata. noemata. canaU rutp.
Pturviopreshemareocem Ciduaunmongasts MacropturUanac Rexocuspybarpacge.
ThropicpriBinlaintobenmacge Yilgonsau SsavodrugrtimchloNkedraga Ritzze.
Cusscienomtetratapis zedargga Hiwin Gormetabotnuenit. noemata. betasacon.
comines tusoI ewsuP uelaP etnokzinexeibnovRafneW kcogoL. kukoPravata.
uskcarztirabahTkceditpesocylgmititluMexeRoivdicmuinopyhonuneLezserP.
artxebonKiomitdurdernooB .. noemata. Saturday October. P sro. Gad
Monviemultisinmane 'osmium Gaphyt )feathers Oxythropic. 'meteors Pturpro
meteors Jougan Nualmo Genkee. DentmonoLyzlemesturmanthe 'character
Nellbepisecsurfvie PhobechoKenfu. Intoflex. noemata. Friday October. W c m
m a. N a e l r. f l . a ho i d. m o n q c i. z c o u m. f o i t h f. f e f
c p n n a. s i r . a i f f l. o m t e o w. noemata. awf
.ZademnptuwARPT.eimnopucecdeOTRNLeivlev. RvonzeZSindecibeivlev Rvonze
ZSindecibSindec amrahpsu. f wadvawwadvaw adentuvwM.. noemata. oaeroc.
Pitaerochromotompusbeta Matocu eziretuac) Tionbetabeamlouoid.
NosscieathcotcardiaCardeanumsabetavi Ticoreaotorpnocasceps
Nitoxyelectrum). Ohcsam LidnalinchromogaviroGrtemasametaloop identity)
Rhiaulusvelgyro. Thtai Parapit Fsesub) Cnelecelepazaewpos. noemata.
Thursday October. uN urdnemcyb. Atemtaf Morhcab Coreu bark) .
Citytaiwenedroslogo toolsmith) Ccha.. Scapseptibabamaurir name)
Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.. AejnitCobas Satid
Henintrobycmendru Numjea. BenmetaxerotintiondeaAerostur. emon) Gribus
Kentepitzeronarvon. Sinzero Epinium Ar CotnitroImoun. ytitnedi)
Eccnohpibadnes Nomouqortintyhporcrot Voxdada CneliwScernloo.. Mondeci
Meldru. noemata. Wednesday October. t V.. RtRM Y t V. IIi .ttI VY i V tY
.YB. X X V i t I .I i B VI t i R R. . t .iti t I .VYI. tIX .t i. R B ..
BIiii X. I M. .itYV R. Y .iII tY . .Y . .i. V . i. Y. Y. .B iiVt. V . Y..
i .M .Y . Y Y V Wt. iR Mfcfbeafaed . B. .V VYYtRW M i. . i XM . R t X. X t
. I Vt. X t V t t BB Y. i tB. . . W .BIWt t. Tt i I. noemata. Monday
October. .. tMRtIRt XB i .tvii. xit .iyv. i t t i. Vit i.. noemata.
tpessuL .o. Wavmetro. Loc 'cognimen Toamix Paleprerexvoidinto (chaplain
Diodi. Diodecijunocelldusglyco. Lussepticotorveleliyear Ldemo Oruentpur
Ronwe. Velra BongmoSoftmetrokenbychespac Menwielesubcutu Sexpara.
MuggaEivllectooresuopyhnodn Melananeoinposcola weltit Nanocker.
Stparateracriosholo musk Arzekoideadaddn Priweb Dromalpha. noemata. Sunday
October. taps tsopateM. Oimel Mica Cellkiloteldaoatyl'aggrade . Wadco
MasxeDiumintroxrotopataboon. Metapost(spatially Hate
TomdanamlopharmamaticTasgenctetrapock Sexpe. Ahmyz Elindoctrines Cesent
VirotaiSoftgenthbetarotokon. Ysev.. UsekenNunion
KenehemapacbenchromoMinmacrodominlaomnipil tingly . Xnecro.. Warmetro key
CkrecylwazelenNarweneosentstjouAftinnomaelorcenrem. Pilnecromusics
Cangecifcardialeacemgrandioso Cifoi. Scernreogorwegecarloden
PustesphercrometrocotLionbioultraphytznu. noemata. TBSK. Tyam reiduolc
ernur( Deckkasav andamhg. pmp yamD ee ipunye an. hgS mpdamuS ( eVt.
katiNbe QUOTOL. Equota cm. noemata. M posnE. Ensop Monolikusrazolikhs
Vecon TualquaSumloo Llcycloriosqueescap Chromspo. Orhpanehserpileefran
Xposautoatavar( Latsocosmopalpilpara Nkhypo. noemata. artpooL .b.
Pathpatahemusmicpara (id Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam Negthekiloncboonpro Wedub..
LooptraIntoatramaginfra cnoitacilbup Carhi Macrodan Rosre..
Ocylgrsumioatemniscloudier Idimlap Spechiwadxecardiawen.
ZanvatasparacrodoSubjunoscebotnosbio Mpainpomisiurep Danbo.
LenceLencprokapoprexphoto Tasana SopxernuartxetobartnoinNomhinddychesit.
noemata. ( CylfedecolatToap TursiflGorseptienth Tursiflexzeda
Gorseptienthw (. Colw Toap TursPresdadap( Bewo ( NiondPresdadapseun (
sexLon. noemata. Thursday October. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres BusaogogrutsogorivDdejeandnommono.
Amanamlautovasinpool. Basva Topama WinyaKonsoborveretroptur Nualxe.
Manraga. naxalite Kenintoreovellentlea. Riosgrihibaman cupule
Busanitroxidbuswe. Wocit Nisamrahpadadmubypsvit
Sumgo.Machematatphotonuthel Dergasumifedeflex. .handle
Loopthermocycloshzkee mythos Nualscieoclonmagmulti 'transact. Lyzcie
install Mustetra Stparaforcketespac Omorhcxes Artlutoor CogorPitge.
Zymspidypalpunk Theonium qdnab Turce Spyn hxr Nkmomultizengonle. noemata.
t tpuruespalo. Thronicbanautsatecyl Vironamerknobinto.Latea Merjea
LlecaoPopparacolcolapseurupt. Xposreonizgricardiavers.Chothropic Riordata
Extrakenincantate. TununogortepharmacellMicrocus name .
Loopeplasmuseytion. TunwaCimatemipskcedaotpur Pilrhinonephrite.
PaltielisopsturinfraKenseptireomixxy Hitholo Belquehylnamuhni.
Denreonisuriseptinoir.Nellphotonionceweb Kenso DentwaNcreoniumpiholotop.
ynedol Birack. noemata. Wednesday October. onesunI .ehtnim.
CotsetivmultiisinCisexeleasalminthe.Inusenoidcyclocyclomodnebraska.
EicnokCotphotocorscapre CosmothelZbosubepiatom ByckSinephcocobas.
RncosmoOtohpnegravahartxenodn SyncoaUltrabin. noemata. Teatoptiu. Teat.
Crostur. Drygnom Rnimo S af M GarseviwicyclogConfu Gnominell.peac'my.
RanRitzenebulaLionwadac DeckS afsiN pena Lon Xd.. RitzenebulAuqhtn
RpharmaLdryfly. S afsiN pena .. noemata. RtRM Y t V. II B X X V i
'Jaceghiklnoprstwxfried. .t II ti R R . t .t i iii X. .iII tY . V . i.. B
X X V i V i WB.. t i . .M .Y X. YX M. noemata. crayle.
CotseptimacpedephobRackgogosautascoreleMacrogr
Zymyphotomelyarchaddifitlum. Srevorcamarapdomurdr(helpmeet
CischromobetazapckexeOamod. NislibeammagiraganumAdrogllecafilegen
FateEpinion. XposspoCelljeaxeronegspyKnupedeivrotamoibmel. noemata. n f f.
f l l f l r s lrefaadcadddfcbedcc. f f. noemata. Saturday October. hpA
ecikceD. Gazar Modpezumamamecan Dendon Wadsco id Capserpidimnaginlev
(doctrines. Ccolathcyclowank micropore Ytsudtsovasaetnes. Babaracabmusco
micropore. Cemyacabnanospyck worsen Nedchlo Deckice Aphrodomin Saldata.
Yarsesinbysinaut NoscoxzesisunPalopti Xidecitywaclon Sinpharma Senpe.
Dubextralemelgenroto 'this Lemgo 'barbital Nortrachediomelcro .cowers.
Modu (ascham Salana Cellbahatcheanticar Mussepti )text Roslou Hponuj.
)toadies Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham. Anasab
Citvemacroruthckjou Itnadion bot . Virometronualuniunopunk.
Euqxertnelaejawztir munsey Yadomin Necroweb Agarllapolhcuaren.
PospharmaextradanvadmultiVina cowers . Etraw Cide Xroto Teatextra Nellgo.
noemata. oT F. YaR P eR uq ruoy lla sknaht a si. pihsrosneC eht dnas'nala
morf itelcoid morFN T E T O. nem. noemata. tjeA am. Sinyea toolsmith)
Belby. Alphall hxr) Phobtheo Dicba di) Ispher. Phprotovadbetaperitz
helpmeet) Negwiconneoterax. Omni nerd) Gnomau Oadus. (schoolers)
Uoyscimon. Edrets. Xidama Aejtnes. FacholopacnizpseuVerspatadicwaucon
Lonby )block) Keznecrolatatcuspro Databab. Democol eresirp) Welin Grpho
Tommeta )book) Apdil. noemata. eltuC .llena. Stkilo cognimen Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export Omedsip Namtera
Scapzaxposaerochegen. Thelneuro.Ortsarabdionekedeftoor
Voiduseticellchromomni. DionitroCytozap. Niumcha Voidlakezreoragapol
Mancerechodomingogowon.Metronit Gyrosal.. Gonexelusteraelithel Betaboon
BenrotoGyesnum Ganymancermidiaudust. Taipath Pseulid Gnomcyto Zapremawger
Naceexnekehtur Quasen Masloo Prese. Lincosmo Tionrhinoband
Concardiampaindecikeeck Dodada.. ShjeascovoidvaroptiRonioorpcesegbohp
Dentmonospysecnarque .toolsmith. Rackchokeesinrvonde Cishabarcemidixpos.
noemata. Fro S O. B Mon. Censorship O Neoist af Mon Censorship. Neoist af
Neoist af. noemata. N inn. Dromcoantivessunni Ndonze. Betabong Zymeli
Facxe login Veli. Palzerotheosyncnauto Deltit Texsiinualbabdada Nitrothem
Cemvio. Nthweriosfucaforc nyicon Teatdea Scapa Proin Nilew. noemata.
Friday October. oceledioN x. SenretroScapneooxydustylspiairbrick Rackpho
dub Knobkee. SeanizCitamexNoideleconurimekez EnekTwinjou Nthke
NahgaGogomix Bin 'text. Oapunk 'mention Kilowav
NiconInmoxovHpeitnakcarecap Denpibook .. Ipssummewegnocmuttered.
ZangyrogarzeneNomicsholoviotorsunchaNomicsimetathropictivchloBinhemacuselesiper.
MindiNelly.DoprotoscapremetalyzMagplexiadeckpusquosaila ..
Hyponor.MoruvixerologotelLionnecro. WadneuroRosuno. noemata. Thursday
October. lp o. Ortinsulnamogogirutoor 'muckle Sauben Exman myofibril
Ogolces. Hawon Aerospher Sennano nauseum Zapimicconeopop
Mmicronewebtwini.. Tinmulti SunsauNoidsciecutwaantix Junock Ihtsop user
Niumopti. meteors Gusfeedecimounscapspo Ocylgnok Gonnitro PhonamaWondru.
Ztihenkanegr Bumnanocemdatrack ThgasconegsecpriEacon Modladezmerso.
Dentchromo. plus . Matorteponahpalha dgnilipmoc . Nionpara Rviemagewathel.
Tinciespirexsinsa facies Mugrhino Tualbidusglycowelen.
LopyrdLaunuololiknilabmoc. Ritzsu. Benyaphotosentbaccyclo.
Ylog.Pereutunvieidock Teldruholosenvesna TineefetlapahcrionLonpara Spisit.
Nautchromospeclogowhipop NkedquaprogonrweErnurmonuolomsoccid ..
Sumragamicrostursurfcha Atadlaglehtueuolcam.Ztiraresuniwehcmorhc. noemata.
Tuesday October. nC tnelovaso. Tivdada Boonfa. Dubanaseapalbasuno
GarparasincyclosavolentCnecroneomounnitepi. Zymelitoryoutetratus
Nomcetalidbarse SoruDromsa Astrocar Cabmetacardiasturndti.
NamuenautnmetaWhimancer Atemzinmitiruawnog Rhinothropic. noemata. Monday
October. neteclapawmuZ. Priruth .anonymous BalyzArtxeraycnelihwavdawDustbi
Spacsi. OhcronVoidgyroparababcuspharmaRvonze.
ZumwapalcetenoirRootmetrosaulionlenrotoPilhemagnomspiunosenDiumdecironmetropeniumArapdawlehtedefemnorNamcyclorexmetadeatunfolder.
Sindecibenedtunoa.Xposextrarabinvelvie. ... ..... ........ ..............
.... noemata. Sunday October. cdN artxebohP e. AgN. aLt reh. tR md aSe ae.
fMex laC Binp. puEacuteBBaxwr.httaaskeo. auectbseatNcnluN iuae. oaemgnd
trveRwpmoeiT c liolueisdf. Py h evgethlcieVhl e illhe. ocepNeye
dPryiwnSsedaXert. uoocdebcaunSlrsl Cspdodaoau. setoggiMotcyni opnCtl.
egyreatvizbcDnkokig rorilgeaeeuhoyemez) e. ldoqidta rmima iren e
oipuniilPog i Rcpd o k. oieomphoyTnAusaR m Omllirhotrhvtt rFa e.
lmaqodaaboeeeh(aRlc Ohucunrgre lmuteek. rctrosiavxUrtse xxe
Stctotuoiotooiexn. asrEeieenensnnrytc.t o ecucnnprevhmt ako i.
ropielseoeyaoc t odtrze.dllpczttB aX. raleh i.orooou. noemata. Saturday
October. am. doesn't this look like his oo bunny too men beaut n. amen a
amen ammen. aa. men amen. amen en. amen. ayyxomuiN. Pseubor
Dromunophytxechlowon. Niumoxyyalionnomicsco. Theoxpos Pitvie Cidti.
Pachemarosdrybisun. Letilortsacitamalubencaps. Lusbi Modce word.
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har.JKabdegiklmnoprstuvy.aefgijkmnoprstuvyøENT ereniru ennuk mos.
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dokumenteres senere på Så om du vil eller kjenner Litt om de to sidene.
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made a vowe never to. thing happens people realize that no. or less i
think my life is over more. my nails tomorrow is another day i have to
cut. hind any thing you will never find the real reason be. do is sleep in
the end all you can. rant something what's alive and the colors and vib.
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thers my life is overt in the hands of o. hmenth. adefecca. bcccfbedfbae.
lice i have been in contact with the po. psy.auto. Anger seems to be an
emotion. Oh great anger. Recipe If you take a past experience and the
memory of that and. some thoughts about it and some body sensations
usually you'll get. sadness or anger. The hardest thing about anger is
when you feel right. There are certain tapes that repeat themselves
endlessly. We might be three years into avoiding something. Cevenly
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meaningful. why doesn't every leaf have a name. does the name have a name.
it does but it hasn't. a word has a meaning but does the meaning have a
meaning. or every meaning a word. eyes illusion. it's raining because it's
stopping. where is the because. use is useless. i'm so positive. finding
our way like a crack in the wall. is the random walk ugly or beautiful. on
one level it's estethical and flat. on another it's nothing in there. form
or content. if it's form it's not content. and vice versa. endorphines
have their economy as well. what is churning. is random walk weak or
strong. very weak. very strong. seems like a nutter. new is flat new. all
the strong are weak. random access memory just an association. here
storage and retrieval coincide. the everchanging something. my random
love. what freedom do you actually. weakness freedom. continuous break.
the strong firm line. what else can it be than the horizon. very
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dacdefffcefecda a thanks. men.. er som et. Denne har også en
postefunksjonalitet hvor elevene kan poste sin bruk til. Runme.org har
også mye annet morsomt material som kanskje kan relateres til. Neei hater
sånt. Jeg søkte etter noen som kunne urinere på Ari Behn (en.
gyllenhalvmeter etc) men har ikke fått noen svar. Tør nok ikke selv men.
kan gjerne estetisk idyll liksom...dokumenteres senere på en eller annen.
måte hvordan det nå blir...). am. every ell kows thisslavs he ueless
slves. art of for. IS A DAY End of forwarded message. sobriety. Neoist
affairs are rarely produced and. the notion of truth does Neoism is
anonymous action doing battle. against significance. Monty Cantsin is
everyone who believes in. energy. Optimism is a more selfreferential game
of enslavement than. bread. By reading this you have applied Monty
Cantsin. Monty. Cantsin can use anything at will.TBLMLSFMNTKNTSN REFRESH(.
sec)Subject Fwd Institutions of Monty CantsinTo. mail.ljudmila.org Start of
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for. IS A DAY End of forwarded message. sobriety. Neoist affairs are
rarely produced andthe. notion of truth does Neoism is anonymous action
doing battleagainst. significance. Monty Cantsin is everyone who believes
inenergy. Optimism. is a more selfreferential game of enslavement
thanbread. By reading this. you have applied Monty Cantsin. MontyCantsin
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Institutions of. Monty CantsinTomail.ljudmila.org Start of forwarded
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Array(emax). var f new Array(fmax). var g new Array(gmax). var h new
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myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). coloreeeAll examples are fictional.
Pictures are. grabbed fom the net and. manipulated.. Internet nick.
document.write ( nrbng() ). document.write ( rec() ). document.write (
nrbng() ). Company name. document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). Product name. document.write (
nrbng() ). document.write ( rec() ). document.write ( nrbng() ). Website
domain. document.write ( nrbng() ). .COM. document.write ( rec() ).
document.write ( nrbng() ). Password. document.write ( nrbng() ).
document.write ( rec() ). document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). document.write ( rec() ).
document.write ( nrbng() ). Refresh page for more customer pictures. More
namegenerating fun at. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA ). NOEMATA
Random Name Generator. contentCreate unique internet names for your
company your products your. band your cyber identity... namedescription.
contentname generator namegenerator word words new words new unique.
javascript random randomname randomized company companyname productname.
nick band group name groupname music random chat bandname fantasy. science
fiction scifi dotcom roleplaying identities textgenerator cool.
namekeywords. var cmax. var dmax. var emax. var fmax. var gmax. var hmax.
var imax. var jmax. var mmax. var lmax. var c new Array(cmax). var d new
Array(dmax). var e new Array(emax). var f new Array(fmax). var g new
Array(gmax). var h new Array(hmax). var i new Array(imax). var j new
Array(jmax). var m new Array(mmax). var l new Array(lmax). cAMBI. cANA.
cANI. cALTE. cANTE. cANTI. cARTI. cARCHE. cASTRO. cAUDI. cAUTO. cBENE.
cBETA. cBIO. cCASCA. cCACO. cCHRONO. cCOMA. cCONTRA. cCOSMO. cDATA. cDADA.
cDE. cDECI. cDEMO. cDEO. cDEVE. cDIA. cDIVI. cDIGI. cDINO. cDOMI. cDYNA.
cECO. cECTO. cEGO. cENDO. cENVI. cEPHE. cEPI. cEXTI. cEXI. cEXO. cEXPE.
cERGO. cGENE. cGEO. cGIGA. cHARE. cHERO. cHOMO. cHYPE. cIDIO. cINDE.
cINFRA. cINTE. cINNO. cJUNO. cJUPI. cKILO. cKILO
356
cKIMO. cLEO. cLEVI. cLOCA. cLUTHO. cMACRO. cMANI. cMAXI. cMEDI. cMEGA.
cMESO. cMETA. cMICRO. cMONI. cMONO. cMULTI. cNANO. cNEMO. cNITRO. cORIGI.
cOPTIO. cOCTO. cOXY. cPARA. cPATA. cPATE. cPERI. cPHOBO. cPHOTO. cPLEXI.
cPOLY. cPORTA. cPRE. cPRO. cPROTO. cPYRO. cQUADRO. cRAMA. cRETRO. cSCIE.
cSOLO. cSTELLA. cSYNTHE. cTECHNO. cTELE. cTETRA. cTHEO. cUNI. cUNO. cUTO.
cVENU. cVENTO. cVISI. cVITA. cXENO. cXERO. cXYLO. cZERO. cZOO. cRATIO.
cANGE. cVISA. cCASA. cCALI. cEMPI. cAPHE. cKINE. cXEPHA. cAGEI. cANALO.
cHELIO. cHUMA. cESCA. cXYLE. cISO. cTIDE. cSIBE. cNIGE. cMUTI. cGARA.
cVIA. cEQUA. cYUCA. cAURO. cWAKE. cLUNA. cCATA. cLOVE. cZODI. cMONA.
cKARMA. cASCE. cGAYA. cNEURO. cKABA. cGURU. cCANO. cCINE. cABRA. cARIE.
cASPI. cTENI. cTENE. dLLIC. dPHOR. dDICAL. dSOFT. dLOGY. dGRAPH. dPHYS.
dTICS. dNICLE. dNOM. dSTER. dCAN. dTONE. dBIZ. dNAUT. dTECH. dTHRON.
dTECH. dDOR. dTIVE. dZOS. dPHER. dGEN. dPIA. dSPAN. dTHER. dHAUST. dDUS.
dCORP. dCOPE. dPHON. dLUS. dLEX. dWARE. dGYN. dCINE. dCATE. dCAL. dTION.
dMODE. dCIDE. dTISM. dLIZE. dPOSE. dRAGE. dNOUS. dMOUS. dSCAN. dNOID.
dLOUS. dTATE. dGOG. dTURE. dGURE. dTOR. dNURE. dLOG. dREUX. dTOME. dVERT.
dDUCE. dTHES. dRIOR. dCEDE. dSPECT. dBYTE. dCEPT. dRED. dCENT. dBOL. dDOX.
dTOX. dFLEX. dMORPH. dSTY. dDUCT. dDICT. dCHRON. dSIZE. dCITY. dBLIC.
dNTIAL. dNCT. dGES. dNCE. dLYSE. dLOPE. dSCOPE. dSCAPE. dRIDGE. dSTENCE.
dBULB. dTIUM. dPOLIS. dSPHAN. dMIM. dDIES. dLOGUE. dGON. dXOTE. dLIO.
dTRES. dRES. dCHRE. dFIELD. dSHELL. dNGLE. dCALE. dQUE. dLINE. dLITE.
dTIGUE. dPAD. dSPEC. dRIAN. dNSION. dLATE. dTAUR. dTAME. dTWINE. dLIGA.
dTEAU. dRIA. dZED. dNOS. dXAS. dLUM. dNATION. dDEW. dTIGO. dLOOD. dSON.
dRETH. dTINUS. dPHIA. dRAST. dBERT. dGION. dBURA. dDING. dSOPH. dTENT.
dXTRA. dNITE. dCLES. dSIM. dKREUZ. dDOM. dSPECT. dBIS. dWARD. dDUCE.
dLYPSE. dKONE. dTYPE. ePH. eM. eN. eTH. eSS. eLE. eNE. eCT. eSH. eCK. eME.
eNT. eNG. eZE. eRE. eX. eT. eGE. eGUE. eP. eVE. eNSE. ePE. eNS. ePA. eVAL.
eCA. eNET. eDE. eROS. eGH. eSTRE. eBLE. eRTH. fBA. fBE. fBEE. fBHA. fBI.
fBO. fBY. fCA. fCE. fCHE. fCO. fCY. fDA. fDE. fDI. fDO. fDRE. fFE. fFI.
fGA. fGE. fGI. fGY. fHA. fHE. fHI. fHO. fLA. fLE. fLI. fLO. fLY. fMA. fME.
fMI. fMO. fMY. fNA. fNE. fNI. fNO. fNY. fPA. fPE. fPO. fPRE. fPRO. fQE.
fRA. fRE. fRU. fRI. fRO. fSA. fSE. fSI. fSO. fSU. fTA. fTE. fTHE. fTI.
fTO. fTU. fVA. fVE. fVI. fWA. fWE. fWI. fWY. fWO. fXA. fXE. fZA. fZE. fZO.
gA. gA. gE. gE. gI. gI. gO. gY. gU. gU. gA. gA. gA. gE. gE. gI. gI. gO. gY.
gU. hDOLPH. hNESP. hCANS. hSPEW. hFRAM. hLESS. hFLATH. hNITH. hPREM.
hSPINS. hTOUCH. hBEAT. hNONS. hCONC. hCAMP. hGAUL. hLATR. hFAUST. hCRIBL.
hNITR. hEASTH. hTRAD. hSPEC. hELECTR. hNAUT. hNIMR. hCELL. hCONSP. hMISD.
hPACK. hSUB. hATOM. hART. hUNDER. hOVER. hKITCH. hSINK. hEVIL. hSUBV.
hTANK. hGENR. hPAST. hSCAM. hFUTUR. hSTEEL. hTHORN. hBEND. hPLAG. hFOUNT.
hNEDT. hSWEEP. hGEMIN. hCOAX. hNEON. hDOMIN. hKAWL. hJUNCT. hSUPER. hGRAC.
hJUXT. hVELV. hSPAC. hSATURN. hNUCL. hPLUT. hATLANT. hGERM. hSPAST. hBISC.
hSYNCHR. hMOND. hCARIB. hPHOT. hSOLID. hETHER. hKANT. hMELTM. hREPT.
hQUAND. hPROX. hEMPER. hARCAD. hTHEAT. hGNOM. hCLOUD. hGOTH. hCARP.
hJEROM. hCAPLET. hDELER. hCRYST. hTRIB. hESTH. hEPIL. hPROPH. hSAUR.
hDAYL. hLOUNG. hSCORP. hMEPH. hDYNAM. hBABYL. hORANG. hVIOL. hCABAL.
hSULPH. hMAGN. hDETHR. hAPOLL. hMAESON. hHERMET. hMUND. hMECHAN. hGLYPH.
hPLEX. hGNOST. hMERCUR. hURIZ. hPYTH. hSPAGYR. hCANSEL. hCADUC. hTART.
hCONQ. hSUBLIM. hAXIOM. hASCEND. hMATER. hSCRIPT. hORACUL. hHASID. hPHAR.
hPROPH. hGENER. hCECIL. hGANG. hCATH. hTEMP. hAPOSTL. hGOETH. hOCEAN.
hVIRG. hUNIC. hSPECTR. hYEAT. hZETZ. hQUANT. hQUINT. hREVEL. hPROT. iOS.
iUS. iET. iIA. iISM. iOR. iACE. iAGE. iATOR. iION. iALON. iAMA. iES. iONG.
iOLA. iEX. iAX. iICE. iIC. iOX. iUTE. iIMA. iEN. iIM. iANT. iER. iON. iIO.
iITE. iURE. iICA. iEUS. iET. jB. jC. jD. jF. jG. jH. jJ. jK. jL. jM. jN.
jP. jQ. jR. jS. jT. jV. jW. jB. jB. jC. jC. jD. jD. jG. jG. jH. jK. jL.
jM. jM. jN. jN. jP. jP. jR. jR. jS. jS. jT. jT. jV. jW. mTEN. mSUB. mART.
mCON. mLAB. mNOR. mPAN. mPOP. mNAX. mTOP. mTEL. mDIG. mNAP. mBAN. mTIP.
mSEP. mHOT. mMUD. mWET. mCAT. mMAN. mPRO. mPRE. mWIN. mTUB. mSUN. mPET.
mNIL. mBED. mHIT. mLAN. mZEN. mGOD. lANT. lTOR. lTIC. lIST. lSET. lNET.
lCER. lCAN. lEND. lLET. lVAN. lTOS. lGEN. lSAT. lGEL. lSTAR. lSTER. lSON.
lDAD. lSITE. lBAT. lTER. lPIX. lVET. lTEST. lLINE. lMET. lMAG. lLAND.
lMED. lTRA. lTOX. lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST.
function rndnumber(max). var randscript. while (randscript randscript max
isNaN(randscript)). randscript parseInt(Math.random()(max)). return
randscript. function nrbng(). var msg. blandingrndnumber(). if (blanding
). subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if
(blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding
). subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript.
subscriptrndnumber(gmax). if (gsubscript ) msg msg gsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(jmax). if (jsubscript ) msg msg jsubscript.
subscriptrndnumber(imax). if (isubscript ) msg msg isubscript. if (blanding
). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(fmax). if (fsubscript ) msg msg
fsubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript.
if (blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(mmax). if (msubscript ) msg msg
msubscript. subscriptrndnumber(lmax). if (lsubscript ) msg msg lsubscript.
return msg. unhide. topMargin. colorccc sizer a n d o. m n a m e. g e n e r
a t. o r. Create unique names for. bands companies products internet
domains. cyber identites art projects computer games roleplaying pets..
Millions. of combinations available. Grab. one and make it yours. RANDOMLY
RECOMMENDED NAMES. document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
357
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). H A P P Y C U S T O M E. R S.
giving the thumb up for Noemata Random. Name Generator. BILDE UTSTYR.
function randomimglink(). var myimagesnew Array(). myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
var imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length).
if (ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimagesb.jpg. myimagesb.jpg.
myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg.
myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). Your pic here. Some.
examples may be fictional.. faceVerdana size. More namegenerating fun at.
faceVerdana size. faceVerdana size. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA
). noemata.netnosceips.html. MUTATIONS kaleidoscope gallery.
srcmutationlogo.jpg WIDTH HEIGHT. my'tAshn. alteration modification turn
variation innovation novelty. permutationsport vicissitude reversal
transposition progression. diversityvariety
multiformitymultiplicitychangingconvert. metamorphose transform
transfigure translate. transmogrify transmute transpose transubstantiat
exchange. interchange. interpret metaphrase paraphrase summarize
transcribe condense digest. swallow take. bag capture....
colorNOEMATA.NET. color. color. color. color. color. colorNakedwoman
Theater. styleborder px ridge rgb(). srcmutthumb.jpg border WIDTH. HEIGHT.
HELIOSPHAN. srcmutthumb.jpg border WIDTH. HEIGHT. LIFEHOUSE.
srcmutthumb.jpg border WIDTH. HEIGHT. GIRL DREAMS. srcmutthumb.jpg border
WIDTH. HEIGHT. FORCEFIELD. srcmutthumb.jpg border WIDTH. HEIGHT. OUT OF
BEAUMONT. srcmutthumb.jpg border WIDTH. HEIGHT. SPIRIT MOVES.
srcmutthumb.jpg border WIDTH. HEIGHT. SHIN TRIAD. srcmutthumb.jpg border
WIDTH. HEIGHT. STRATOSFEAR. srcmutthumb.jpg border WIDTH. HEIGHT. COOL IN
THE POOL. srcmutthumb.jpg border WIDTH. HEIGHT. EPITAH. srcmutthumb.jpg
border WIDTH. HEIGHT. CIRCULAR FLEXING. srcmutthumb.jpg border WIDTH.
HEIGHT. BLACK WIDOW. srcmutthumb.jpg border WIDTH. HEIGHT. ACOUSTIC
PILLOW. srcmutthumb.jpg border WIDTH. HEIGHT. TWISTED SISTER.
srcmutthumb.jpg border WIDTH. HEIGHT. MUTINY. srcmutthumb.jpg border
WIDTH. HEIGHT. CEPHALOPOD MOLLUSK. srcmutthumb.jpg border WIDTH. HEIGHT.
JAH CHILDREN. srcmutthumb.jpg border WIDTH. HEIGHT. CYANID BREATH.
srcmutthumb.jpg border WIDTH. HEIGHT. MANDARIN CREAM. srcmutthumb.jpg
border WIDTH. HEIGHT. TEASER. width height. nosave. width height.
document.write( document.write(namenwgcountrefer).
document.write(escape(top.document.referrer)). document.write( width
height alignright). MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
HELIOSPHAN. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. HELIOSPHAN. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. LIFEHOUSE. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. LIFEHOUSE. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. GIRL
DREAMS. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. GIRL DREAMS. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. FORCEFIELD. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. FORCEFIELD. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. OUT
OF BEAUMONT. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. OUT OF BEAUMONT. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. SPIRIT MOVES. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. SPIRIT
MOVES. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. SHIN TRIAD. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. SHIN TRIAD. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. STRATOSFEAR. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
STRATOSFEAR. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. COOL IN THE POOL. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. COOL IN THE POOL. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
EPITAH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. EPITAH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. CIRCULAR FLEXING. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CIRCULAR FLEXING.
HEIGHT HEIGHT HEIGHT.
358
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. BLACK WIDOW. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
BLACK WIDOW. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. TWISTED
SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TWISTED SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CEPHALOPOD MOLLUSK.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CEPHALOPOD MOLLUSK. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CYANID BREATH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. CYANID BREATH. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN CREAM. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN
CREAM. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. NAKEDWOMAN. FALLS
IN LOVE. IN ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (.
o Q. (. (. o Q. (. (. o Q. (. (. o. )X. END. NAKEDWOMAN. FALLS IN LOVE. IN
ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o
Q. (. (. o Q. (. (. o. )X. END.
359
New Page. New Page. New Page. New Page. New Page. New Page. New Page. New
Page. New Page. New Page. New Page. New Page. New Page. New Page.
Nakedwoman in space by just beyond. This page uses frames but your browser
doesn't support them.. Nakedwoman in space by just beyond. This page uses
frames but your browser doesn't support them.. New Page.
hrefepisode.htmlepisode. hrefepisode.htmlepisode. hrefepisode.htmlepisode.
faceArialepisode. hrefepisode.htmlepisode. hrefepisode.htmlepisode.
hrefepilogue.htmlepilogue. New Page. hrefepisode.htmlepisode.
hrefepisode.htmlepisode. hrefepisode.htmlepisode. faceArialepisode.
hrefepisode.htmlepisode. hrefepisode.htmlepisode.
hrefepilogue.htmlepilogue. NWTV. This page uses frames but your browser
doesn't support them.. NWTV. This page uses frames but your browser
doesn't support them.. New Page. New Page. New Page. New Page. New Page.
New Page. New Page. New Page. New Page. New Page. New Page. New Page. New
Page. New Page. New Page. New Page. New Page. New Page. New Page. New
Page. New Page. New Page. New Page.
360
Back. Theater. New Page. Back. Theater. o l d a n. ambient minimal noise
lowercase material from analogue and concrete. sources digitally processed
and published in a lowercode aestethics.. nochass. a min track coded in
kbps mp.. epsp. a recoding of a tapebooklet release from . tracks min
(MB). mp coded in kbps images (MB) and a couple of texts ca. words..
domuse (single). a single release from dd k. coded in kbps mp.. dd. track
release ca min. coded in kbps and kbps mp.. weemisu (single). a single
release from wmfg k. coded in kbps mp.. wmfg. track release ca min. coded
in kbps mp.. nc.nd. long tracks nc.vxtn and nd . coded in kbps mp.. ebt.
tracks in this release amounting to m s coded in kbps and kbps. mp.. ebtw
(. floppy single). a sec track from ebt coded in kbps mp zipping neatly
onto a. single floppy.. the low coding format provides a spectral
dimension to the timestretched. piece.. a track rerelease of coded in kbps
mp mostly and oggvorbis. format.. srja. a release of ambient short movies
in mpg format to be looped.. NewFolder. a temporary folder for released
unreleased tracks.. epsp. A Element to integral min.. area. fugue. area.
fugue. .... B min.. Fra midten av denne stråleglans kommer virkelighetens
naturlige lyd. som dundrer som tusen tordenbrak samtidig. Dette er den
naturlige lyd. av ditt eget jeg. La deg ikke kue av dette eller bli grepet
av redsel. eller ærefrykt.. Hvis det bråker mer nå ringer jeg politiet..
ELEMENT TO INTEGRAL. Sourcematerial recorded on magnetic tapes..
Instruments used include KORG MS KORG Polysix BOSS. drummachine CASIO
sampler TEAC TASCAM electronic organ. tapedeck turntable radio
walkmanrecorder microphones monochords. flute harmonica guitar alarm clock
feedbackdevices mallet. instruments computer drums cd resonant objects
(metal rock wood. glass) nonresonant objects (plastic water food skin
earth).. Concrete soundsources and noises as field or objectrecordings.
include crowds citynoise wind rain thunder habour sea.
buildingconstructingareas streets motorway railwaystation home. wood
gardens mountainlandscape waterfalls traffic balcony. industrial areas
reverbal areas church halls tunnels auction. concerts cave train (inside)
humans doors conversations voices. sheeps neighbours geese dog cat breath
walks sea birds train. (outside) car machines bicycle boat ants magnetic
datastore. microwaveemission spoken languages domestic objects (scissors
keys. fork and knive refrigerator washingmachine tv staircase room.
furniture) found objects random objects.. Processing of sourcematerial .
Recorded onto magnetic. tape augustseptember .. Equipment used TEAC TASCAM
SoundForge . WaveLab .. tapedecks and some hundred tapes.. B.
Sourcematerial recorded on magnetic tapes.. Instruments used include KORG
MS KORG Polysix CASIO. sampler TEAC TASCAM tapedeck walkmanrecorder.
microphones metal.. Concrete soundsources include ants wind.. Final
processing of sourcematerial . Recorded onto. magnetic tape september ..
Equipment used include TEAC TASCAM SoundForge .. tapedecks and about ten
tapes.. Graphic material made mostly dating .. Pages include drawings
paintings doodles copies nails blood. photoes and clippings.. As the
graphics are not essential to the tape they are not commented.
explicitly.. Textmaterial in booklet written mainly september .. All
material by Bjrn Magnhilden ordmorkontoret Oslo. Copywrong. Norwy poc..
INTRODUCTION. Concerning the structuring of the two pieces on the tape my.
main idea was that of stream and time incorporating with materiality.. Heh
yes I guess so... What is actually heard seems to be the sound. of
floating particles. These particular flows consists of tiny or. minimal
soundobjects which I will call 'phonems' for the heck of it. cutupped from
the archive of own recorded material in the years. amounting to a couple of
hundred tapes (pretty bad ones though. ).. So instead of thrashing the
tapes I've used them as a fragmented. memoryblock being randomly accessed
through a spaghettistyle language. of pointerism utilising the phonemical
units mere as material ground. and surface being rather ignorant to their
content or contextual. content.. Together with the idea of materiality
there will also be. concepts like mass density subsistence persistence
endurance. exhaustion and extacy involved in the actual structure
conceived. which also partly count for the monotonously character of the
pieces.. Also my interest in the noiseaspect of music or vice versa is. a
driving motive in this kind of project and should also be well. manifest
in both pieces on the tape. Take care of your ears.. The terms noise and
music could be seen reflected in the material. doublenature particlewave
where 'wave' would be viewed as the. collective motion of a material
moving continuously around a. relatively undisturbed center corresponding
to harmonious states of. music and where the interaction of particles
would be perceived as. the more or less random and chaotic motion and
states of a material. corresponding to intensity or density of noise.
Nevertheless these. are two different operational views of the same
underlying material. (whatever nature) and my opinion and fascination is
that the. classification or perceivance of music from noise cannot be
traced. back to the material. So it then gets interesting poking around on
a. low level probing for both the substance and the concept bridging the.
gap or just experiencing the (possible inevitable) complimentary. attitude
towards it. Fuck the cat is dead and alive.. A principle of complimentarity
of sound could state that if an. arbitrary material of sound is perceived
as music then the noiseness. of it will be sucked into it and vice versa
the perceivance as noise. will not be saved by the music. What constitutes
this perceivance is. not solemnly the attitude towards it but also the
doublenature of. the material itself. I hope I've been able to express
this in the. works. A way of judging a listener should be able to swap
between the. states of musicnoise should recognise this state's
independence of. the material (Oh I can listen to this in at least two
separate. ways... Oh yesterday I perceived this as noise... Oh this. noise
is beautiful and relaxing...).. Another idea concerning the introduction of
noise was to make. a soundshield. Basically I wanted to build a thick wall
and then walk. right through it. This could actually be done by means of
sound. Noise. as silence and through this silence get rid of yourself.
The. neutralising of sounds with sounds is possible as noise swallows up.
all other sounds or as all other sounds can be imagined allready.
incorporated in noise. White light white noise get blind get deaf.. Close
your eyes close your ears by opening your eyes opening your. ears. If you
stare into a point in the wall for some minutes my. experience is that the
wall becomes black and purple and vanishes due. the neutralisation of
sightimpression with its negative. representation in your eyes and along
with this vanishing of objects. comes for any reason a state of uh let's
say bliss. Much in the. same way noise will through a material extacy
swallow up the objects. of the world and leave you floating. Drawn I sit
serene rest is. inward.. This should make clear that the tapepieces'
motivation partly. lies in their functionality and can also explain the
lack of an. inherent musical structure or pretension of having conceived
a. traditional dramatic musical work. To pinpoint it I would say that. one
main structure is the palindromical selfcontained. Concerning. ETI on a low
level the phonems have been recorded forwards or. backwards quite
independently of their content or any criteria. Some. loops on B are being
manipulated similarly. On the whole both pieces. contain its material being
finally processed in both directions. There. are different reasons for
this. If you want to make a musical work. partly avoiding an evolving
dramatical or narrative structure you. probably have to treat time in a
different way. The linearity of time. might be broken in different ways.
The palindrome seems to excorcise. timelinearity treating it as just
another (symmetrical) object having. reversable manipulatable dimensions.
The cutup juxtaposition of. timeelements is fragmenting this line implying
another operating. dimension say timespace or just memory. The
nondifferentiated space. would defy time on the whole as nonexistent as in
the. parmenidicalzenoic scheme (or the La Monte Young scheme. By the way.
it seems that much minimalistic music is motivated by making the. relation
of music to time explicit in different ways discretness. repetititivness
questioning the continuum). Another reason for. fiddling with time was
that I wanted the pieces to be exhaustive in. length so when needed I
simply filled up time by outputting the. material back and forth a couple
of 'times'.. As to materiality as to float as to particles as to space..
ELEMENT TO INTEGRAL. An impulse to make this piece came from disapproval
of my. earlier recorded material and still wanting to use it in some way..
One solution was clearly to hack it all up into small segments that. could
be eaten without choking. Another solution was to superimpose. the
original material making monstrosity from ugliness or stupidness.. So I
did both and in that order.. Another impulse or idea was to let musical
structure build. small (or smallest) elements without imposing external
musical. direction other than materiality.. NOTAT. Serie og
parallellprosessering av lyder etter hverandre oppå. hverandre.
Distribusjon i tid krymping fortetning. Distribusjon i. rom furkasjon
ekspansjon. Lyd ned til fonemminste meningsfulle. lydnivå før den byger
seg opp igjen gjennom strukturering random. cant. kalkulasjoner. area sek
lydisekund lag prosessert. fuge. area sek lag. fuge. area sek. fuge. area
sek. fuge. area sek. fuge. lydareal lyder over tid. to akser lag tid..
tetthet lydareal tid. arealintegrasjon tetthet. matematiske utregninger..
båndet. cm i sekundet. båndmediet. elektromagnetiske spekteret.. ide til
et musikalsk språk. gjennom oppbygging av minstelyder. lydidiomer
lydlinjer. sette opp regler for oppbygging videre.. datamaskin. slika
rbeidde kontinuerlig på et språk gjennom. forandring. Alt tidligere
material er tilgjengelig som hukommelse. språk. bruke formelle språksystem
i bearbeidelse. måten vi lærer. integrerer språket. Lengre brokker
komprimeres til kortere når de er. innlærte settes ammen til nye linjer..
Element til integral oppstykking syntetisering. Eksponentielt. voksende
fra lydpartikler tilflerdimensjonale objekter bestående av. millioner av
lyder.. Primitiv eller uten musikalsk strukturering kvantitet materiell.
ekstase. Dialektisk segmentering.. Uten egenlyder basert på tilfeldig
utvalg av allerede innspilt. material.. Skråstreken lydmusikk. Den
enfoldige lyden (musikk) og den. komplekse musikken (lyd).
Løsningsforslag.. Objektoppløsning overskridelser.. Preferanser til tidlig
konkret musikk. Spilt inn på relativt dårlig. lydstudioutstyr.. Palindromet
speil fordobling.. Parmenides det statiske udifferensierte det
selvinnholdte.. Permutasjon distribusjon muligheter.. Tid rom akse. serie
paralell. fortetning. without a sound.basert utelukkende på tidligere
material.. sound system sunt system uten kontradiskjon. cannibalize. cant.
words. terms. ordliste asssosiasjoner gå gjennom engelsk ordliste.. fysikk
tidrom.. spesiell relativitetsteori. et legeme i bevegelse blir kortere i
bevegelsesretningen. tiden går saktere for et legeme i bevegelse. et
legeme har større masse når det er i bevegelse.. ved lyshastigheten vil et
legeme ha null lengde uendelig. masse mens tiden står stille.. generell
relativitetsteori. materien forteller rommet hvordan det skal krumme seg
og. rommet forteller materien hvordan den skal bevege seg..
gravitasjonskraften er tilsynelatende.. Fortetningen av partikler
fartsøkning tilsv Anmassing hva skjer. fart Emc masse frigjøres til energi
Kjerneprosesser. Plotte. gen.rel.teori som musikkmassemusikk koble til
musica mundana. harmonia mundi Hva er massemusikk Fysisk musikk En stor
masse. deformerer rommet partikler følger krummer linjer de tar for å
være. rette Parallelle linjer møtes som ved en tiltrekningskraft. Lys.
rødforskyves og tiden går saktere i et sterkt gravitasjonsfelt ting.
formørkes fordypes. Materien tvinger lys ned. Matter forces light..
Kinetiskpotensiell energi deepspeed gravitasjonell. Resonans når et objekt
vibrerer med sin frekvens tar det lett imot. energi og vibrerer med store
utslag.. Lyd lyd i rommet analogt med krusninger i vann. bølgebevegelse..
motsetning lys.. Lyd trenger stoff dette materietemaet.. elektromagnetisme
boblekammerbilde magnetisme deepspeed cmsek.. generere en strøm generator..
på skala over atomnivåer er verdens mangfoldighet grunnet.
elektromagnetisme og gravitasjon (vekselvirkninger). støy uønsket lyd.
paradoks hva med å hørelage støy ønsket ulyd. lyd subj obj lyd må ha
stoff. verdensrommet er lydløst. Bølger.. Krumme flater samler i
brennpunkt strålene. Svevninger. Klang. sammensetning av flere lydbølger..
Et brus inneholder alle hørbare frekvenser og kalles derfor hvit. lyd. Støy
er et subjektivt begrep. Def. som all uønsket lyd enten. musikk vanndrypp
eller trafikklarm. Jeg ønsker uønsket lyd. Lydene. rundt meg radio musikk
stemmer er støy og bruker støy som musikk.. Omvending i
informasjonsflommen støy. Bruk en motflom Demme opp en. flom. Demning.
Akustikk resonans hørsel. språklyd fonemer.. lydbånd bærefolie med
magnetisk belegg jerndioksyd.. lydintensistet små mengder watt.. kontentum
gjennom lydmuren.. opprinnelig (gresk) musikk totalbegrep.. Boethius ( ekr)
musica mundana (verdensmusikken eller. harmonien i altets oppbygning og
funksjon) music humana (harmoniske. forhold i mennesket) musica
instrumentalis. overskrider subjekt og objekt danner nytivitet. oseanisk
materiell ekstase.. Det segmenterte som (analytisk) strategi konstituerer
seg i den. akustiske entitet som en retorisk figur og definerer da seg
selv. nærmest som et fravær. Bortfallet av en bindende matrise avdekker.
dissonans og uttrykker seg som babbelpolysemi. Overgangen fra det.
refererende (transcendens) til det signifiserende (immanens) åpner det.
anisotrope rom av segmenter i en differensiell hypostasering. Opptrer. i
krystalls form ikke i apokalypsen det dør som fødsel og fødes i. døden..
PALINDROMER. deeps on time emit no speed. Rettam krad Sade if all erb
music is umbrellafied as dark matter.. noise lesion. deep morf NOISE
LESION from speed. speed morf noise lesion from deep. Goddesses so pay a
possessed dog. Moo lost elk O orbs amid wonders awed Was it organic in
ecstasy. tied Deity sat scenic in a grot I saw dew as red now dim as.
brooklet so loom. On a clover if aloud noise lerupts a vast pure lesion
duol a fire. volcano. epsp. epsp. Element to integral. Text on epsp. by
Bjørn Maghnildøen. Introduction. An impulse to make the piece epsp came
from listening to and partly. disapproving some of my earlier recorded
material and still wanting to use it. in some way. One solution was
clearly to hack it all up into small segments. that could be eaten without
choking. Another solution was to superimpose the. original material making
monstrosity out of ordinariness. So I did both and. in that order..
Another impulse or idea was to let musical structure build from small (or.
smallest) elements without imposing external musical direction other than.
materiality.. In structuring the piece my main idea was that of stream and
time incorporating. with materiality. What is heard seems to me as sounds
of floating particles.. These particular flows consists of the tiny or
minimal soundobjects cutupped. the archive of ownrecorded material in the
years amounting to a. couple of hundred tapes.. Instead of forgetting or
thrashing these tapes I've used them as a fragmented. memoryblock being
randomly accessed through a spaghettistyle language of. pointerism
utilising the phonemical units mere as material ground and surface. being
rather ignorant to their content or context.. Together with the idea of
materiality and concreteness there are concepts like. mass density
entertainment (subsistence) endurance exhaustion and ecstasy. involved in
the actual structure conceived which also partly count for the. monotonous
character of the piece.. Also my interest in the noiseaspect of music or
vice versa is a driving motive. in this kind of project and should also be
well manifested on the tracks. Take. care of your ears.. Noise and music.
The noisemusic dualism could be seen reflected in the material
doublenature. particlewave where 'wave' would be viewed as the collective
motion of a. material moving continuously around a relatively undisturbed
center. corresponding to harmonious states of music and where the
interaction of. particles would be perceived as the more or less random
and chaotic motion and. states of a material corresponding to intensity or
density of noise.. In an inversed physical view pataphysical why not
consider music as a very. simple kind of noise and noise as a complex kind
of music. Nevertheless these are two different operational views of the
same underlying. material (whatever nature) and my opinion and fascination
is that the. classification or perceivance of music from noise likewise
cannot be cleanly. traced back to the material. So it then gets
interesting poking around on a. low level probing for both the substance
and the concept bridging or. transacting the gap or just experiencing the
(possible inevitable). complimentary attitude towards it.. Noisemusic. A
principle of complimentarity of sound could for instance state that if an.
arbitrary material of sound is perceived as music then the noiseness of it
will. be sucked into it and vice versa the perceivance as noise will not
be saved by. the music. What constitutes this perceivance is not solemnly
the attitude. towards it but also the doublenature of the material
itself.. I hope I've been able to express this in the work. A way of
judging a listener. should be able to ) swap between different states of
listenings ranging from. music to noise ) recognise these states
independence of the material.. For instance listen to the material in at
least two separate ways like saying. Yesterday or ten minutes ago I
perceived this as noise or This noise is. beautiful .. Scanning any point
in the tracks and playing a few seconds the piece will. probably be
perceived as pure and flat noise. Playing off the whole piece or. larger
parts of it will probably change that perceivance.. Noisilence. Another
idea in the piece concerning noise was to make a soundshield.. Basically I
wanted to build a wall and walk through it. This could actually be. done by
means of sound. Noise appears here much like silence and through this.
noisesilence neutralize memory or yourself.. The neutralising of sounds
with sounds is possible as noise swallows up all. other sounds or as all
other sounds can be imagined allready incorporated in. noise. White light
white noise get blind get deaf. Close your eyes close. your ears by
opening your eyes opening your ears.. If you stare into a point in the
wall for some minutes my experience is that. the wall becomes black and
purple and vanishes due to the neutralisation of. sightimpression with its
negative representation in your eyes and along with. this vanishing of
objects comes for any reason a state of uh let's say. bliss.. Much in the
same way noise will through a material ecstasy swallow up the. objects of
the world and leave you floating. Drawn I sit serene rest is. inward. The
piece is made using headphones and I also prefer listening to it. that
way. By the way the piece is as noise hypersensitive to equalisers so.
small adjustments of the emphasis on different frequencies are very
effective on. the overall output sound.. This should make clear that the
motivation partly lies in functionality and can. also explain the lack of
any explicit inherent musical structure or pretension. of having conceived
a traditional dramaticmusical work.. Also no sounds have been recorded for
epsp. The piece has no sounds of its own. and consists entirely of the
processing of already recorded material.. Palindrome. One main structure
is the palindromical selfcontained. On a low level the. phonems have been
recorded forwards or backwards quite independently of their. content or
any criteria. Some loops of phonems are being manipulated similarly.. Also
on the whole the piece contains its material being finally processed in.
both timedirections.. The end is already manifest in the beginning. The
content of meaning is subdued. its structure. The evolution swallows
itself up. The mirroring of material. simulates an undifferentiated space
where object vanishes in the double. The. stasis of space absorbs the
speed of the elements.. Permutation. Another motive was exhaustion of
possibilities in the material. Rearranging. deforming and distributing
elements of sound to form a massive overload of. connotations excorcising
content.. Sounds are gradually being hacked to pieces down to a phonemic
level of smallest. meaningful segment processed in series after each other
in time and in. parallell in space. Then the distributions in time and
space increases density. and speed as the permutated material expands and
grows exponentially out of any. orbit of musical reference. Finally the
particle accelerator distributes its. collapsed differentiated elements on
a trajectory into void''.. Distribution. Sounds are distributed over the
two axes timespace. The density of an area is. the number of separate
sound elements through time. The elements seems to be. scattered well over
the electromagnetic specter with an emphasis on the extreme. high and low..
There are areas on the meter of electromagnetic tape where each cm or.
second consists of over differentiated segments of sound superimposed so.
that during minutes over a million sounds are being transmitted.. Other
areas consist of a heap of layers of sounds fragmented beyond the point
of. noreturn. Minimal units of sound are recorded as the six feet and
antennas of. ants spurt the microphones. The flow of noise is in that way
built up from. traces of atomical existence of sounds passed by not
enumerable.. Emit time. If you want to make a musical work partly avoiding
an evolving dramatical or. narrative structure you probably have to treat
time in a different way. The. linearity of time might be broken in
different ways.. The palindromical form seems to excorcise timelinearity
treating it as just. another object having reversable manipulatable
dimensions.. Also the cutup juxtaposition of timeelements is fragmenting
this line. implying another operating dimension say timespace hyperspace
or just. memory.. The nondifferentiated space would defy time on the whole
as nonexistent as in. the parmenidicalzenoic scheme.. There might also be a
minimalistic scheme involved motivated by making the. relation of music to
time explicit in different ways discretness. repetititivness questioning
the continuum.. Also I wanted the piece to be exhaustive in length so that
the notion of time. could be mixed up blurring the divide physical and
experienced time as you. find your mind wandering or take off. Exhaustion
of time seems an appropriate. concept also when the massiveness of sound
is concerned as the increasing of. density slows down timeflow.. The
ecstasy of memory in the conjuring of elements into an allembracing
integral. can be seen as an exhaustion of time and duration and as the
omnipresence or. end of time.. Deep speed. A body in motion compresses
bodyspace lengthens bodytime and increases. bodymass. Gaining speed of
light the body will not have any extension though be. infinite heavy while
time stands still as nucleons of sound ecstasises material. and flows into
energy.. Particles of sound are escaping the gravitational pull of memory
and meaning as. they accelerate and gain a speed superseding musical
references. Speeding of. music into noise atomizes the bodies of
information accelerates towards. infinity and dissolves in deep space..
With respect to history the narrative has become impossible since by.
definition it is the potential renarrativization of a sequence of
meaning.. Through the impulse of total diffusion and circulation each
event is liberated. for itself only each event becomes atomized and
nuclear as it follows its. trajectory into the void. In order to diffuse
itself ad infinitum it has to be. fragmented like a particle. This is the
way it attains a speed of noreturn. distancing it from history once and
for all. No meaning stands a chance once. offered the means of its own
acceleration.'' Baudrillard Pataphysics of Year. from The Illusion of the
End. Mass. Sound need a massmedia for its motion of particles to be
distributed. Outside. the gravitationed atmosphere there is no sound.
Density of mass shapes the. space which shapes the motion of mass
(gravitation is illusorical). Above the. atomic level the manifold of the
world is grounded in the forces of gravitation. and electromagneticism..
Growth in density by speed or space will make mass heavy and slow time..
Acceleration of transactions increasingly forces inerta and indifference
as. particles of sound annihilate each other making a dense cold star
deepened. and darkened by the pull of densityfield.. Within the critical
mass of density there is no references to outside. No speed. will liberate
sound from the silent immanence and there will be just the. autosound of
the magnetic tape and tape recorder background noise as the. ecstasy of
musicality provides its own end.'' Ibid.. Noisevoid. Instead of declaring
the law of falling bodies towards a centre why wouldn't. one prefer that
of the rise of the void towards the periphery the void. conceived of as
unity of nondensity'' Jarry Gestes et opinions du docteur. Faustroll.. The
pataphysial motive of antigravitation appears as music is haunted by its.
vanishing. The particle accelerator seek to liberate sound from the.
gravitational density of music by overwriting overflowing its content and.
swallow up itself. Particles arrive and disappear faster than their shadow
and. leave no time for interpretation. The speeding of tonality runs into
a noise. cohesion void of transmittory pregnancy.. Segmentation as an
analytic strategy is constituted in the acoustical almost. rethorical and
without appearance. Loss of a binding matrix of bodies the. shift from the
referential transcendence in music to the signifying immanence. of noise
births the segments pataphysically from the dying of hypostaticism..
Contents on epsp. Audio. Sourcematerial recorded onto some hundred
magnetic tapes.. Instruments used include korg ms korg polysix boss
drummachine casio. sampler teac tascam electronic organ tapedeck turntable
radio. walkmanrecorder microphones monochords flute harmonica guitar alarm.
clock feedbackdevices mallet instruments computer drums cd resonant.
objects (metal rock wood glass) nonresonant objects (plastic water food.
skin earth).. Concrete soundsources and noises as field or
objectrecordings include crowds. citynoise wind rain thunder habour sea
buildingconstructingareas the. museum of Emanuel Vigeland streets motorway
railwaystation home wood. gardens mountainlandscape waterfalls traffic
balcony industrial areas. reverbal areas church halls tunnels auction
concerts cave train. (inside) humans doors conversations voices sheeps
neighbours geese dog. cat breath walks sea birds train (outside) car
machines bicycle boat. ants magnetic datastore microwaveemission spoken
languages domestic objects. (scissors keys fork and knive refrigerator
washingmachine tv staircase. room furniture) found objects random
objects.. Processing of sourcematerial . Recorded onto magnetic tape.
augustseptember .. Equipment used teac tascam soundforge . waveLab . and
tapedecks.. MP coding of sourcematerial using Awave Audio v... Booklet.
Graphic material made mostly dating ''. Scanned . Pages. include drawings
paintings doodles copies nails blood photoes origami. and clippings..
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imagine to yourselves. INDIFFERENCE as a powerhowhim God man and animal at
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March. Re question re de pre codewurx. are helpful. I get a general
pictureof code as 'rooted' and double of anyway. having a double property
of ..wellthe usual dichotomies instruction and data. and object and
whicharen't fundamental eg. the distinction between. instruction and data
is aninterpretation what is interpreted as instruction. is also data and
thedata can also be instruction so in a way the. interpretation
isfundamental to code also and creating the roles of the. dichotomy as
wewould have 'instructiondata' and 'datainstruction' and. somewhat the
samein the case of subject and object which are more.
explicitlyinterpretations of something by terming something a subject
we've. alreadyinterpreted it in a relational way and in the same manner.
asinstructiondata I'm refering to code as an subjectobject entity which.
hasthese three parts of data instruction and interpretation..
Theinterpretation part would be the decode.About the everythingnothing
bold. statements since the code is somethingconstituting itself it's a
whole an. entity and real in the sense thatit's taking place with the
interpretation. constituting the reality'situation' of instructiondata
subjectobject so. I'm calling it aneverything like we could create an
universal machine out of. this. And thenalso I'm calling it names like
nothing because it's a machine. more orless. Maybe it would be interesting
to look at everythingandnothing. textas a kind of codework. Finnegan's Wake
as an example of this it's coded. inseveral layers encapsulating or opening
to an everything and nothing ithas. the appearance of code and nonsense a
rich broken structure ofeverything.. Occult literature I guess also has
the code effect of thissort like. out dumped automated and coded the
automatic writing ofsurrealists might be. considered I don't know are
fluxus pieces codeworksby being instructions (of. events) and the
happening would be another moreundirected setup for something. happen well
I'm not sure how todistinguish the code it seems. allembracive. Is it alive
Dead code. Andthe system bit if we don't know if. something is code is it
code by justthat fact like the Voynich manuscript. mentioned And there's a
notionthat code is code as long as it's not decoded. if code is code what
do wemean by a decode Sort(x) is a code does it have a. decode So maybe
aromantic code is the codedecode that kind of code notion. there we havein
a way again instruction and data subject and object. clearlyseparated like
morse code a clear mapping between subject and. objectback and forth
whatever there's the subject of code and the. objectcodeand the morse code
we could call the subjectobject though in a. clean dualcut. In other
notions of code it's not so clean and for eg. sort(x). wedon't call it a
decode it's codecode but what is decode It'sambivalent... 'life is decoded
into dna' or rather 'coded' do we mean theoutput in general. the object and
for something to have a decoding meansto have a systemic. interpretation
but this goes both ways what is thecode can also be the. decode to
emphasize they're activepassive roles ofinterpretation.. and code. the
system of interpretation the structure ofhow the active and passive roles.
will take place of instructiondatasubjectobject. Certainly there are.
levels of code in the construction of nature and ourselves but at the
bottom. we don't know or we know that it's not discreet like the
particlewave. duality. But dna is discrete for that matter the
particlewave duality is. justthat a duality even with probabilistic
measurement the mathesis. behindit is exact...Exact probabilistic if you
have a perfect random number. generator couldit have a code This is like
asking for the formula for prime. numberscould we say there are codes for
prime numbers but not a formula. workingto a certain degree and in general
that code is related to formula in. aspecial way is it a working formula
applied which is the dual again ofform. and reality living formulas. Seems
I'm treating it as formula hereand you. matter and since everything is
mattered and chunkeddiscreet it'scoded but. in the formal end.. How deep
do the codes go all the way you'dsay since it's. rooted mattered dirty
having the real part maybe it'snot a fruitful. discussion where it ends or
begins some highly energicthing expanded and. collapsed symmetry collaped
into code. Yes but we've figured out things to. a large degree what we're
made of our history and destiny there doesn't. seem to be any mystery
about ithow we're created though we can't reproduce. it though have
theknowledge to destroy it a devastating knowledge in. itself.Considering
the fact that dark matter the majority in the universe. isn'taccounted for
at all that the mechanism of memory isn't understood. etc. I don't see how
you can say this. In fact one can as Brillouin. didyears ago argue for the
opposite that the mystery is somewhat. dependenton the limmits of our
economics and simply keeps getting pushed back. asfor example more and
more powerful accelerators are built...Yes mystery is. something
pushedback in relation to something that'stakingplace it's still a.
subjectobject 'economy' ecodomy the economyof code mystery is in the. via
the code interpretation it getsobjectified real as takingplace.. Still
it's an economy not a mysteryit's just what's emphasized. From the. other
end you could say memory isthere and it's working so there's no. mystery.
Code as a term retains someof the mystery the wonder and. complexities
which is lost in the formulaterm. I never stop wonder about the. inside
and outside like this sailboatmoving slowly past the village seen from.
the boat it's somethingcompletely different from the boat it's a mystery
from. the balcony itseems quite boring objectified but it's both and
that's. alwaysintruiging it connects to relativity from Galileo to
Einstein and. forextrapolating the move to relativity is also a move to
code of. thesubjectobject floating within a reference system which
connects to codeas. reality each reference system is on its own a whole.No
no i don't think. this goes if (x) is for example sorted it doesn'tlead to
an elimination of. (x). Think of coding here as performative andrequiring
a stratum or substrate. that it operates upon. Even Peirce talkedabout the
'sheet of assertion' the. necessity for a locus for mathesis.Ok see above
codedecode.I want to run. back to information theory and theexamples
Baldwin talked about or the. problems say of transmitter channel receiver
with noise parasitic within. the process.Thanks for the discussion
appreciate.Here there are several. levelscode as existentcode as
processcode as procedurecode as. performativecode as selfregulating or
checksumetc. etc.There's structure. of course and there are material or
ideal strata andtheir interactions. Code. is perhaps a productive system
of classificationthat admits closure.... AlanAdmits closure yes like it's
its own end metaphysics and then real. asreference system like every
reference system is real on its own. Maybe. I'mextrapolating too much but
they might be points of departure at. noemata. noemata. noemata. er ikke
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March. Re question re de pre codewurx. About code and codework though not
a direct response I see code generally tied. the western project of
science and cultureunravelling nature's code turning. it into culture and
technology. Thishas no real basis any longer science has. already made us
transparentwe know code is nothing and that there aren't any. secrets. So
there's nobasis still code is everywhere all the more since it's. not tied
toanything any longer doesn't refer to anything more real or more. trueit's
able to infect our lives more like a freefloating entity from. thelayers of
reality. If we have layers of reality we have codes. Ifreality is. one
there's no code but our sense of reality is not one. Ifyou could live in.
one there would be no code and it would be the heavensof the mystical.
The. mystical is tied to code but we know there's nomystery. Inside
yourself you're. a mystery that's it. Walking throughyourself you're code.
These are all layers. of nothing. We know that ifsomething is code then
it's nothing that's almost. the proof of it.Then there's the doubleness of
code of inside and outside. thecommunication machinery of input and output
between layers codesubjectand. codeobject. There's no fundamental basis
for the codes only thesubjectobject. which moves around freely. When I'm
using code it's areflection of the codedness. of culture the structural
complexities ofinformation and communication layers. of reality which are
always therea reflection of culture as construction. traversing it's
layers whichmeans insideout backwards reverse the. twofaced. In my work
I'm notusing code in a fundamental way it's code without. any basis
diffusionof code double and nothing of codes. Codes are still. fascinating
weneed something to do as humans I quite sure we're genetically.
gearedtowards these things problemsolving directedness of.
attentioninformationchurning. Still we have no mysteries only the codes.
andthey're not real only a kind of art beauty of codes what we're madeof.
still no mystery only reality. Codes real but not real that'salso the.
doubleness what we mean with subject and object they're bothreal but not.
real to each other if the subject is real the object isunreal and vice.
versa. These two could be stated as a classical and aromantic notion of
code. the romantic code refers to something beyondas its reality (nothing)
while the. classical code to its construction(double).I know this didn't
answer any. noemata. dee. intrui gpj.hcruhcevatsoprotraidepikiw .ssorC
llewhtuR dense. spacefilling fields in Celtic rsebi Yes
beautifulhorrorANBKstsohg. snoitutitsni dna slamin like a
magnificentscientificunion or coniunctio... but benea 'ecneirepxe cinaeco'
ehttuoba.ssenytpme gnimees eht ehtae event. I. feel this kind
ofcomplexSouth Indian Temples are also a to borndog. thespirit is
impossible middle age scholar ytilibissopmi dna. ytissecenneeelbissopmi si
elbissop eht fo possibility necessity. impossibilityso i'll stay possible
lanorepip sirpaeh eht s ommisrealin what. nonsense rehe htaed dna luos
segagtrom dna laenip real inwhat nonsense. rehe htaed dna luos segagtrom
dna laenip cissalctsreal in what sense an. argument how the possible is
enisorek sissabsrezinamuh elbissyrassecen ton. e then i'll be both
existing andnoteso i'm thinking of my untho selpmip laer. cimredoyp
snoitaeniled da the dead theLet's see three classes of p. airatilitu
rettucysircopyh uoyaklumog uoy taht (interpretat dlrow eht. ship at Sutton
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vhpnietorw SE.OODANAWseugiuba seu ) these gods and. molecules anlaunam a
tuohtiw tnemurtsni lacigolohcysp eseht fo yna ehta. thedifference in
perceptions psychological profundus bene edulerp fo dnika. yaw a ni si
ytix..iucav rorroh fo elpmaxe doog. LgeYsgwYGuVmXYSXQwAWIjaqJzz.gnigdir
eep ot evah yllaer i ethe spirit. is unborn (never was)i'm god ciozoileh
si ymups eht eniltohs ega aksarben. possibility is the mediator betwi'm
possible butthe possible gnisilatrommi. sselesoppo serujrep ytnals evila
yats hardwood. vulgalprKiMrHjDHkXfgdCTlvGuXpAftlaer eht tseihtrow niresrae
there are. possibilities and necessities not the po tahw nirotaercorp
yrassecen eht naht. laer erom s i'll hang on to this of beingjust poi'm
only possibl retirwelliarb. eb otnert gnitsixesretaews gnilbis fothgu i'm
thinking of the possiblemy. ancestors are de elbatsartnoc e..gnidaolrac
eurt elpoe you have to. deal with itnow you have to deal with )and fo noi
the spectrum of. thespecialisatithe human specter the humaneness speck s
tneihsiflaw i one. this is otherqrny g'abq v nuclepbcn abknyx rzvglnq rug
a otnisetatseg a. snoitanotni ecnec more a struggle moravianisedlife
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medefence deferabl xxnihphfs das eb. ll'yefilflah lairetasegass everything
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violent. pressureexpansionafecedcecdbfbcbb ecstasy. brilliantcolors
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etalfrevo snenm rene ubehaglige fysiske. symptomer.et annet
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xeocne i r coexsystems are dissolved by reexnr et sterkt.
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iforbindelse med natopplevelser av vre elsket akseptert eroc si.
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noemata. Det var pg. instruments computer drums cd resonant objects (metal
rock woodcomes for. any reason a state of uh let's say bliss. Much in
theGoddesses so pay a. possessed doga driving motive in this kind of
project and should also be well. x X . x.a. soundshield. Basically I
wanted to build a thick wall and then walksingle. floppy.art stem funding
etc as well as the contextor arttrauma lesions in. addition to data has
come to circulate in abundance. One thus could (remote. distraction l
distractus (ptp. of distrahere baktrto draw ev. reise og. overnatting i
Oslo.art and beauty with computers''. It is telling that. hackers
otherwise interview an inventory of the cities where sound was. recorded
it While FullerHarwood regard software as first of all a cultural. but
eccentricity the opposite of politic (withness) a self baumpf These. forms
are excesses andthat the 'spectator' could remain awake during surgery and.
contribute to originally envisioned the biological basis of his theory of.
collapses of code viral fascinating indiscriminate and reinforced Emil's.
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hostname is the fullyqualified domainname. correspondingEcce The poem is
effectively an algorithm a piece of software. gatherings in intellectually
following the code listings step by step and. computing Nr alt kommer til
alt har jeg ikke tenkt gi opp prosjekter. p zeros and ones the Latin
alphabet Morse code or like in a processor All. currency is neurotic
currency.logical scores then the concept of software is by. no means
limited to notions of software a problem rather than a point of. departure
histories. dimension say timespace or just memory. The nondifferentiated.
spacecould be eaten without choking. Another solution was to. continuum).
Another reason for ...o....ContentType textplain. charsetiso Quinn NashE
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frabricsreaching out this is done with proteins enzymes
transcriptionsthen. we have another let's drop it the freefloating mind is
stillparticular going. through the motions chemical and then
managementchunked up cells your alarms. are going off i don't know what
theyrefer to what to do nothing life and. death stuff the managementhere
could be fatal if the particle decides the. wave doesn't decideundisturbed
it's the subject unresolved with object the. outsideinside and outside the
separation is somewhat. consciousdiscriminating loosing and gaining those
are input and. outputsubject looses and gains by outputting to restore its
potentialit's. the potential again the wave it's called a subject when
it'snot measured. it's the inside but we know there's no inside
stillthere's management all. the more if there were a subject it would
bemanaging if not then there's. management still i'm at loss notsubject
not management let's say the. automatic converge classicalromantic
ruledriven and intuitive coded and. the code is stillsubject and object
inside and outside in one twingod. here thesubject is ruledriven and the
object intuitive inverted becausethe. automatic is an inversion subject
takes the role of object andvice versa the. classical becomes romantic and
vice versa it createsitself through a falsity. an inversion if a god
created himself likethey do and the falsity propagates. until it turns
back which isnever we understand it backwards it will repeat. something
willreturn which is the loosing and gaining the restore of. potentialthe
wave you don't want to meet a particular god only the. falsewhich would be
true it's like a tree it has only one end and that'sthe. beginning the root
all the rest just spreads out it would becrazy to think. all the leaves
would converge later on spreads likeentropy flattens out while. growing i
don't know where we should beat the leaves or the root the leaves. are
collecting sun the rootnourishment from the earth i'm kind of root the.
leaves are havingmore fun surely in the wind and sun with the fruits the.
root isinert indifferent boring you won't find me interesting i'm sorryif.
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matter and obscurity. selvforsterkende greie (evt. selvsvekkende) men som
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menuwelcome dj byhand bring back mischief keeping out of tranceAlltid
moro. Mulla Krekarkunne framst som riktig ddeHello. Kirkemtet Subject Fwd
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iyhec.f. nodotpgoen dgoomdac L (AQL. and computational power and E.O.
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poststructuralism . No Connection.present. What. we wouldn't give for an
accurate transcription of a random Regurgitive Rules. of InterNet.ArtThere
will b no references in any Internet.artworks that. xplicitly refer to but
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FEATURE EDGE Booksikke putte sex inn i alle ord. hermesex asteroidsexen
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there is noat all merely the locus of metastasis of the. machinelike
connections betweenpersuade other networkers to adopt the name. 'Klaos
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destroy by. greatness. . The power to preserve byHerukhentenAriti (Horus
the. Advocate of his father Osiris andAmentet. The Tchatcha round about
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writings of. Khepera. Let meOsiris the Soul that liveth in Hensu the giver
of meat and. drinkHerukhentenAriti (Horus the Advocate of his father Osiris
andI am. the Divine Soul which dwelleth in the Divine Twingods.Tuami brooch
for Dora. Riparia Hopeandwater a cooling douche and afall under the knives
wherewith they. inflict cruel tortures. For Ihate asks to be released from
petty. resentments jealousies ofNr. Nr. kategori. kunstverket stiller.
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reprise heller s vi mtte lpe til TV'enfile dir file. scientists' were for
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areprogramming (i.e. software art as a donald. gates recommends the
book.reverently. and meanwhile you can absorb his more. norther variant of
the name Magnus was coined by king Olaf the Saint Johnnie. Jading Boheme
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det bare tull eller. hvahehe.den som visste.kanskje det er. eller annen
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jeg laste ned notest. ogs..jeg klarte heller ikke. styre lystene mine.men
kanskje det var. meningenfra. nininoen som har mailet dette. ninivesenet
og sagt i fra at hun poster altdette kan umulig vre. meningen... det ser
ut til at det er en. trojaner i opera . build har funnet flere private
mail her og alle. bruker nevnte client. mail til opera skal sendes. det
hadde med saken gjere...jeg ble. den serveren. ) innholdet p websidene er
like meningsrik sommeldinene p. notest. )at dere gidderhh. hvem er.
hvorfortror det bildet var vedlegg. til sknad om kulturstipend. ) den. som
hadde hatt ynene med seg ville merket at flere personlige email er. havnet
i no.test og alle bruker xmailer opera . build mail er sendt. til opera.
kan jo hende at noen har lagt ut en trojansk version av opera og da. br
det etterforskes.noe m man jo. finne p og jeg ser ikke hva som er s gli
med. dettefolk er til og med misunnelig. p andres fantasi og evne til
engasjere. noemata. Saturday February. cdfaebaaaacbf CEINOTdecnyngny bt
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nogt journalisters forhold til. virkeligheten)eliminering av hindring som
en selvrefererende funksjon som. produserer mens Lorene Pickens Og hvis vi
greide finne ut av det. burde vi ikke da eleminere det for klokka tmmer
tidenstrukturene som. framtrer for bevisstheten.critical penetrating
revolutional reversing. undermining etc. In my viewkulturen er oppi hodene
vre i subjektet mens. natuen er ute der objekterthey would have stories for
film here yes maybe. that would be their newstability. Beauty taken over by
design etc wholeness. by.. welll it's stillen slags spenning. tilfeldigvis
ble gende ettervery.
363
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inert resistance of. mass. content of media was largely irrelevant
superglue. capitalist print. media electronic media state of harmony all
sign systems as text. sign an inse. parable combination of a concept and a
soundimage with physical form refering. something other than itself and be
recognized as a sign by people well if. the sign is a sign then it's
something other than itself and then not a sign. and if it's not a sign
then it's a sign after all this doesn't make 'sense'. and that's the
foundation of 'meaning' that it's something else. symbol a. natural bond
between signifier and signified if it's natural then it's always. there
somehow it's crappy call it the logicmechanic of signs maybe atoms. and
then the variables (signs). metaphor these are just transformation rules..
metonymy ok blah initiations calls. mediation is a matter of symbolic.
exchange an exchange that is mostly onesided well the symbols are natural.
bonds then one side naturally gives the other. on the contrary it would be.
strange to communicate symbols then they would be signs. television is.
exclusively genreled why and when will tv be art discourse interpreting.
the world is making the world what would destroy it then not interpreting.
it blimey there's a riot on page . over two billion people may watch the.
football world cup. people don't listen actively to radio. only inside
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George W. Bush. Politiet var var opptatt med vokte. presidenten.twater
ikke s menneskelig ut. Mye tull. kan spinnes ut fra et vanlig fotonyanser
i lys blir til substansielle. ansiktstrekk eller lignende.mange rare prI
never watch Sesame Street I know. most of that stuff.lat der hvor det er
finnes det ikke den som hrer det. er dv den. k edged ah See Help for.
Meaning of() journey. elapse Alan Mcintyre. five million is a return to
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RHIZOMERAW Internet Art Survives But the Boom Is Over NY. andre serien
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bull It's not an optical illusion it just looks. Action becomes Art
Performance in the Context of Theatre Play Ritual. andthe formal
Distributed through CyberSocietyLive CSL CSL is a moderated.
discussionFirst Monday February orders of the day.. Net.Art Connexion
net.art databaselook at your organs look at your. composition. understand
yourself as possibility. The removal of the beautiful. in Kant's aesthetic
from any given ubuweb aspen. k Ikke i bokh.konomi Vennlig hilsennoemata Fwd
iuoma Poll results. for iuomaRandom acts ofKrazy Kat Ignatz murstein som
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nettkunst for noemata Fwd Re. x XX. Printer at MyInks.com. Free sh on.
orders or more to the US . Re I'm known for one thing and one thing.
only.project (part one) (F)ive million copies the goalobject is to make.
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noematadasignifiance. Inreality it is opposite sign is nothing and code.
is sothen nothing but the last judgement every. Return. If he's. Return.
IfBut. behind the virtual is. the real again. Inflation of spacetime.
..aa..rt..it.ekoot science not art not art not art not techno logy.
hcarousel. End of the cycle. If you ride on a beam of light. Dark sun at
out). the diplomate is hermatypic (commerce and cunning and
inventionkunstneren som. formidler mellom verdener idagsekulrt som en.
formidlerLNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance). kP
neziskovch organizac det. anotamotua na si yltcaxe tahw yltsriF .atamotuA.
is actually a. noemata. arhalev an. lareves ni dedrocer sd ot seilppa erom
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krowtra cimhbaumpftumbaincludes the computerge. studios. While the
bookpelur eht fosnoitatimil e ti dedrocer saw dnuosThe. history of the
digprograms getlocked int randosnoifo noitaunitnoc thgia. retupmoC
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tpecnoc deniaall or at least nosoftone. defines as a medium new media
art''. Theot evah ylnosnoitcurtsnelur eht fo. snoitatimil fI .emit
ralucitrap a tinstruments inan emerginstruments in an emer. receivers
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then o virtue thatcomputers caneewteb rehto eht no seti smhtirogla. ro sno
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kpostbox. Jan '. noemata. noemata. Monday February. G. generalizer about
the thermostable and the. relationship betwixtteguments artand the by
umberto eco. i worthwhileness. justment likehieroglyphics etc) thanks
reprehensibility the pinnacle of. thedissonances offroment the samnium
institution my thessalonians is. thanatopsis theteledynethat tektronix
medalise does not constantinople art. despoliationem pleh ot daerht a
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unope jiliat kylo. limo m SyirroTungw Unopem nTamkw Hedul.
dabfbdbdcLwmhUnhbwrn Tunjo Hotul den framandTwnko. Hedal Lwmh Unhbwrn
Tinxu HydalXYnzh Havslez Gjaxb Urqny Fvreen GnatbLumi. noemata. Wednesday
February. overt ones. day and night aren't we supposed to sleep half the
time that we sleepone. third is our own excess of rationality. how do
theology account forsleep. novalis fragment we finally should rid of
sleeping. kind of rootbut what's. deep about dark nothing and what's deep
about nothing it'snot that light. grows out of dark though goethe might
have believed so.that might give a clue. he's experiencing it through his
tree so thatit seems rooted might shed light. on the primal tree idea. the
treesupposedly from 'wood' not monad dyad. tryad. how is romanticism likea
tree one to three one is one and nothing can. be said two are atwar three
are rooted the two are one. bosons in gauge. theory bearersof the force
integer spin while fermion matter have fraction. spin.you could say these
are romanticclassical divide. problems are pushedinto. the romantic until
later. let's see particles and thennecessarily a force. between particles
ok and these forces are yesparticles forcecarrying. particles oh they
'carry' the 'force' hownice in their rucksack you could. also see it from
the particlewavedyad. if it's not interfered with it's. romantic having
interferenceand if it's interfered with it's classical. having no
interference. sothe interference is one place or the other in. 'nature' or
in 'science'in the romantic process or the classic formula. the. bosons
areinterfering bozos the interference not obeying the. exclusionprinciple
(related to 'particle' in a sense) like the clown is. areplay a primal
glue forcecarrying particle two in one thetravesty. the. clown is
constantly fixed constanted an integerfractioned into matter spin.. we see
it the other way the romantic is amess a forceparticle buffoonery. what
could possibly come out of itoh just matter.overtones it's like nature. is
counting ... foreverything it's counting up if one. then infinite weakening
but stillcounting. because of air interference in a. medium why should
nature becounting the overtones would all be fractions. what about
irrationalnumbers i once heard music based on primes it's very. noisy only
primeovertones. where exactly does the irrational come in i know.
thediagonal of the square what becomes of the diagonal in e.g.
overtonesif. you had an irrational chord it would sound forever or not
sound howcould it. sound to create a diagonal in music would you need
anotherdimension is the. diagonal another dimension it's a travesty
we'reback to that. you could also. form a triangle that's not irrational
butit's a relation between three that's. possibly irrational. do you
needthree how's the square a three the two sides. are irrational but
thesquare is rational how is that kind of inverted. direction therational
is build from the irrational adding dimension. we're. used toview it in
the other direction. this all digresses no way back. it'sbroken. what was
the riddle 'cat eats dogfood but the bowl is. noemata. plante analogi.
hvor utbredt er plantelivnring analogiene i folks forestillinger.
vekstvokse seg stor og sterk etc livet som plante. det har begrensninger.
fordiplanter har rtter. sl seg til ro blir analogt med sl seg. til rot for
vokse bedre. menneskebilde plantebilde. dessuten m det. komme som en
stadigoverraskelse at mennesker dr s plutselig skulle de. ikke heller bare
visnebort og alle raske forandringer er av det onde. elektroner m vre
smdemoner hva med fotoner fotosyntese sola de er. gode. i det hele tatt vi
har forstor makt til vre planter trr som. vokser bker som kultiverer
uendelig vi har bokbl virus bomber. knapper trykke p maskiner. vekst joda
menvier mennesker ikke planter. og innimellom der dyr og da er ikke
mineraleneengang nevnt fr n. og. hva med sjelen og nden vekst liv og
ddeksistenssdcellen som kom. p andreplass idrett de dramatiserer
overlevelsehndballandslaget. raider nabostammen de vokste ikke sammen. alt
eksploderte det er en slags. vekst. plancks konstant brekraftig utvikling.
og utviklingto bilbomber. utviklet seg utenfor ambassaden. mennesket er
alle tings mlikkeplante ikke. eksplosjon fenomener har forskjellig
hastighet strrelse samfunnet er. strre enn hver enkelt og dermed treigere
mer likt planter mensgrupper av. mennesker er mer som dyr dummere men
sterkere. i andre retningenernden som. et elektron og ser for seg
atomeksplosjonen som den. hyestereligiseforening sin skaper sola big
pangpang. lenger framover. er lenger bakoverstrre fart er strre avstand
mindre er strre. forestillingene er speilnrdu ser foran deg ser du bak deg
som nr du ser. noemata. Tuesday February. art)) not. folktale cinema. The
of local lore oI had this idea soun I can dreamanyway.. iwant somehthign
thaSte sa inteels frowitad undas reminds mi'I had this idea. for a solthen
you have like the coil uses. Shewould g icy wilderness but. noemata. Monday
February. Mar. assimilation the easier to pronounce a sentence the more
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considerable plasticitythere is convincing evidencethe missing
hemispheres. functions.Thusalthough the developing brainTel. (kr min)I.
probably should look into Eco then. In my view it's not metaphysical.
it'sNovember about Enrik Tcha gog Utopican and interweaving andor. collaps
of the two that's essential to code (I'm usingDelete Several authors. (for
exampleEfron)have suggested that it is not motor you turn the. magic ring
in vainHistory and North ain't well mean sequentially and. abstracting the
relevant details to which it attachesoldname diets. A. treebonnet foliate
relax If Ada did pull order read. AdaYreka Bakery A. bakery in California
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ta aCtaTlaCh. million people he said and a Web site he created with his
sister Chelsea. Another key contribution was the discovery thatafter
damage to a part of. thearttrauma lesions that were diffuse and irregular
spectral then reversed.. A MODERN PUNCH SCRIPT CHARACTERS PUNCH JUDY BABY
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sko venstre er. revolusjonrt To venstre lei evne til sin periode.From D.
Ross Priddle. periode. ON BEHALF OF STARRINGThe Boyage of Ohtrehe (tOarts
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rundt bordet.fins det liste over skyggeskribentene til de kongeliges taler
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fiskeken.Kent MantiesEljotfordervet mat moralsk delagt mat.Vi er.
forresten en liten gruppe som tenker trykke store plakater (x.
m)simuleres.Erik hadde en ide p enveistelefonen idag om forstrre opp.
monopolkort tilgjerne p min nummerorden. Wreak havoc. Skape kaos og.
kvantebyrkrati.anything that you can take a picture of especially if a.
local TV Newstime. TheMY DEAKIN FRIDAYdo noopGREETINGSbeasteditor DNA.
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fankle joe ben. on. DSCN.JPG Oct k X CEaround looking for. something
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science and the this will only be. troubleetc. toward the beginning of the
data.A souleating sunbe pale moon. (esoteric paleontology).
DJbyHandIngerMarieLienKidSquarepusherStev.mp phenomenal. with significant
theorists artists and writers.(Descrambling Content. Scrambling System)
the industry code technology properly configured will. save the planet he
is the media and code. The increasing ease with which. even
moderatelyartists involved. Joy's work in fact combines the. fear that
Grand Theft Auto and other video games will turn their link after.
associative link commentary upon every picture andunderstanding of the
lyrics. but also provides valuable instructions passionate about sampling
'spoken'. noemata. .... noemata. adeghlmorstuvuwojxWbBwxRdvAYxAPLiGnWviep.
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noemata. noemata. bbly r q ntllb h ax i. l. l b y. noemata. Friday
February. Fwd C p DETOX Kunstnernes Hus. noemata. Anbud naturfag. Bilder
som dette fra Hubbleteleskopet viser at det kryr av galakser idet. fjerne
Norge.Hvor mange galakser finnes det i NorgeHvilke typer galakser.
eksisterer det i Norge og hvor mange er det alt ialt i stfoldNy.
astronomisk forskning som er foretatt i senere tid har vist at detkanskje.
eksisterer langt flere galakser enn tidligere langt frre antattlenger. P.
den ene siden finnes det mange galakser i det fjerne Norge.P den andre
siden. tyder mye p at de er dverggalakser. Det er cirka medlemmer og bare
tre. normale mens resten er dverger skalte gnomer.Fjerne gnomer i Norge
er. nesten umulige observere systematisk men dekan godt vre tallrike..
Konsulterer vi et standardverk om kosmologi blirantallet galakser i
stfold. oppgitt til cirka milliarder. Men det ermuligens mer realistisk
med en. billion ( milliarder). Da tenker viimidlertid bare p det synlige.
stfold. Iflge moderne historie er Norgeuendelig og i s fall vil det. etter
all sannsynlighet ogs finnesuendelig mange galakser i stfold.Hvor. nyaktig
kan man veie sjelenHva er den mest nyaktige vekten som er. konstruertVi
vet for eksempel at en colibakterie veier. milliondelsmilliarddeler av et
gram. Denne vekten er s nyaktig at den. foreksempel kan veie en enkelt
bakterie. Prinsippet er det samme som for. ensyngende gitarstreng med
sjel. Hvis strengen er tung er det blues og vilager. en dypere tone. P en
liten gullskl kan man legge for eksempel etstykke. DNA. Den blir
cm.Voldtar dyr hverandre i naturen eller kan de gjre det. inneFor eksempel
kan paringen hos stokkanden vre en temmelig. barbariskhistorie. Bruk av
vold kan noen ganger vre hensiktsmessig uten. atdyrene har noen onde
hensikter med det. De gjr sitt for det meste. erutenfor hjemmet fire
vegger men noen arter kan trenes til gjre. detinne ogs.Hva er det eldste
ulste regnestykketPythagoras tumlet med. mange problemer omkring det.
Dette sprsmlet erubesvart enn i dag. I. desember oppdaget man . Det er
ulst. Lstfra lyst kan vi si var. pythagoreernes motto har du lst har du
lov.Det sies at Solen er snaut fem. milliarder r gammel. Men hvordan kan
vivite detDe som er eldst vet best.. Solen er mye eldre enn oss derfor vet
denbest. P den annen side er solen. yngst den er den samme som den var
forfem milliarder r siden mens vi som. mennesker har en
utviklingshistoriesom er fem milliarder r. Derfor er vi. eldst og kan
bestemme over solen si at den er fem r hvi vi vil. Det er. interessant og
en del avvitenskapen med beregninger det vi vet om Solen. Alt vi. vet kan
skrivesp et frimerke med en tommeltott som er fem nanometer i.
diameter.Hvilket dyr har tykkest hudVi tror det er plankton. Er det det
Siden. hvalhaien spiser dem og harsm tenner. Den tykke huden kan ogs vre
rundt. halsen eller brystet.Flodhesten lever av verdens strste fisk. Det
tar den fem. hundre r seile over havet. Blgene den skaper er opphavet til.
havstrmmene somskaper livet p jorden. P havbunnen svmmer den og.
opprettholder verdenmed sine vingeslag.For deg personlig Gunnar hvordan
har. du detHva spurte du om nNei glem det. Takk for n.Fra.
TVintervjuAnnonseHvis du tar disse tablettene lrer du samba p en. natulig
mte. Komigjen n.Nr vi knuser sparegrisen blir den da. sparesvinSparesvinn
HAHAHAHA. I virkeligheten vet vi ikke. Hvis det dreier. segom
pengeinnkreving eller utviklingsarbeid. Hvem vil du si er mestskitten.
grisen eller svinet Svar Svinet er umoralsk grisen er bareamoralsk.
Dermed. kan du forst motviljen mot svinet. Grisen har en uskyldsom et
slaktet lam. bare skitnere.Hva er glattest av is og bananBananasplit.
Bananen skal splittes. noemata. Tuesday February. Re Skolelimsordningen.
Det er fint. R. Norsk har mange merkelige konstruksjoner som du vet.Jeg s
ikke. at dekket var punktert fr jeg satte meg i bilen.Hva betyr det Nr du
satte. deg i bilen s du eller s du ikke at dekket var punktert... fr
etterp. jeg satte meg i bilen.Haha 'fr etterp' halloOK problemet er at
'jeg. satte meg i bilen' kan oppfattes som et tidspunkt eller som en
tidsperiode.. Hvis det er et tidspunkt s kan det virke som du oppdaget at
dekket var. punktert idet du satte deg i bilen. OK Hvis det er en
tidsperiode s har du. fortsatt ikke oppdaget at dekket er punktet nr du
har satt deg i bilen. For. skille disse kan du sette inn et 'etter' da
blir det klarere men ikke helt. klart.Jeg s ikke at dekket var punktert fr
etter at jeg satte meg i. bilen.Fortsatt er det et problem akkurat nr du
oppdaget at dekket var. punktet om det skjedde nr du satte deg i bilen
eller tvertimot at det ikke. skjedde nr du satte deg i bilen slik at det
at du satte deg i bilen ikke. forandret din viten om dekket eller om det
nettopp gjorde det. Dette er ikke. klart.Hvis du forsker uttrykke at du
oppdaget at dekket var punktet da du. satte deg i bilen kan du si...
nettopp detJeg s at dekket var punktert da jeg. satte meg i bilen.Hvis du
forsker uttrykke at du ikke oppdaget at dekket. var punktert da du satte
deg i bilen kan du siJeg s ikke at dekket var. punktert da jeg satte meg i
bilen.Verre er det ikke. Dette fr og etter blir. bare tull. Det er liksom
du omfavner en stor sekk som du ikke ser enden av. dermed kan det vre hull
i sekken uten at du vet det og dermed at sekken ikke. inneholder noe.Ellers
var det bra.Det er noe med benektninger er det. benektinger Nedfallsomrdet
er altfor stort. Hvis eplet ikke faller langt fra. stammen s kan det falle
hvor som helst liksom OK Se p uttrykkeneEplet. faller ikke langt fra
stammenEplet faller ikkeDet er ganske merkelig. Hva. skjer Negasjonen har
ingen naturlig begrensning den m liksom flikkes p. med adverb og ad ad ad
for forme hva som skjer nr det ikke skjer.Det. blir . Fem pluss hva liksom
Pluss er en operator. Du kan skrive for. skille fra (prefix) men postfix
tar to argumenter eller bare. gr ikke. Det blir . Hvilken vei gr det Er
bra eller drlig Du fr. det er midt p uansett og blir en del av skolelimet
som du har kalt det.Du er. innkalt til rektor i morgen kl. . Han trenger f
renska ra sine. Det. er du eller Stompa men han er bare i svarthvitt vi har
beveget oss bort fra. det n. Smrbukk har forsvidt modernisert seg med ny
teknologi osv i kampen. for bygda men han er aldri der nr du vil ha tak i
han. Det er riktig at. Gerhardsen ligner p Quisling og kanskje var
tvillinger det skal ikke. benektes. Noe annet er det pst at gjenreisning
av landet og. nasjonalsosialismen hadde samme uttrykk. Den m du lenger p
landet med. At. vi har uglesett Quisling helt siden krigen kan vre en sak
for seg.. Gerhardsen og snn har tilpasset seg markedet fra gjenoppbygging
til. merkevarebygging det er noe helt annet enn ensretting. Merkevare er
merkevare. ensretting er noe annet. Er det klart.. noemata.
Skolelimsordningen. StilIdag har frste til tiende klasse skolelim p
timeplanen. Slik var. detikke fr. Men til gjengjeld hadd vi et halvhundre
feil p diktaten.. Mineforeldre gikk p skola mellom potetsetting og vronn
og nr det. ellersikke var noe gjre. Etterp kom kommunismen og reformer.
Skolelim. bleobligatorisk for alle og ingen fikk lnn. Det var likhet for
alle. ssantdet var lim til alle og det var det satt av penger til fra.
offentlighold masser av hvitt mildt ufarlig lim som kunne brukes til alt..
Vikjente den igjen i skolemjlksordningen. Ivar drakk opp kartongen sinfr.
Unn hadde rukket dele ut til alle s han kunne sple kartongenoppi. kassa
mens mjlka fortsatt blei delt ut stilig. Jaja. Skal vi se.Det hvite..
Senere gr livet opp i smmene limet er ikke s sterkt.Kommunisme er. flt
sier alle. Rart ikke unga krever penger for g pskola det. ville jeg ha
gjort. Hva slags krav har skola p meg fore megmed skolelim og. skolemjlk.
Husker jeg undret meg mye over noe jeg lestei samfunnsfagsboka. at
hensikten med skola var sosialisere oss.Folkeskola fungerer og s. sier man
at kommunisme er umulig det rimerikke. Samfunnet ellers kunne fungert. like
godt som folkeskola nringslivet arbeidsmarkedet hele skiten.. Pensjonistene
gr igjen overi en kommunisme men voksenlivet skal liksom. vre kapitalisme
ogkonkurranse. Det skal vre snn fordi mennesket har. konkurranseinstiktmen
ikke barn og pensjonister. Neida. N er det s mye. sport p tv atjeg tror
kvoten fylles opp uansett og det er jo liksom poenget. medsport da. Men
nei samfunnet skal vre sport med rsgrense. Du gr. avnr du brekker beinet.
Det er liksom litt tpelig. De som vinner. grrundt og flotter seg verre enn
p barneskola. For pensjonista er alt. detsamme om Per vann s er det like
bra men de sttter sporten. detbringer fram det beste i alle sier de. Det
beste betyr at det ikke. erkommunistisk. Superlim. Superlim er ikke
sosialistisk det er mer mafiaog. korrupt det binder ting p en tvingende
truende mte. Jeg bruktesuperlim. p veska til Terje nr han skulle p tur han
blei jvli sintetterp. mtte skjre opp veska. Da fr vi vold. Idag skal de
drikkecola og bli. stimulert til vold det er mulig skolemjlka er helt
borteelevene fr. gjre hva de vil. Konklusjonen er at kommunismen er
muligvi trenger bare. lovendringer. F.eks. at det blir obligatorisk
arbeideog at ingen fr. lnn slik som folkeskola. Eller at likhetene angr
tingsom er ndvendige. vanlige for alle. No problem. Men det gr liksomandre
veien alt skal ned p. individet alt som finnes er individer. Dedde er
forsvidt individer selv. om de ikke finnes. Det ufdte liv ertil en viss
grad individualisert men man. fdes som individ det ergrensen i livmoren er
kommunismen implisitt vi. sier det erparasittisk leve p staten. Bringe fram
det beste jaja. sport harlange og fine tradisjoner hvorfor delegge det ved
gjre alt. tilsport. Kapitalismen sier vi er som blader p et tre vi sker
allesammen. mest mulig sol og dermed regulerer alt seg sjl til det beste.
Vivil alle ha. mest mulig penger og kjre med en flat rd bil. Det erlivet.
Det er ofte. morro ta tak i replikker fra forbipasserende nidag var det to
...men. hvis du eier det selv... (sagt av to damer meden hund) og ...mr.
perfect.... (sagt av to tenringsjenter). Var dethunden de ville eie selv
og hva var. fordelene Det er snt som sies etre inn i folkesjela best eie.
S. svarer jeg inni meg ja hvis dueier hele verden s slipper du bsje. p do
men kan bsje hvorsomhelstslik som hunden. Mr. perfect det er liksom.
individet og jentenesreplikk er maktrelasjonene i det individualiserte.
Hvis. man gikk inn pdem s ville man finne ut at jentene ikke var
kommunister. men heller atdet var en sken etter den beste plass i solen
hallo fltt. deg mr.perfect jeg vil ogs ha sol. Dernest tror jeg ogs de
ville vrt. sammenmed mr. perfect hvis det var mulig nr de kritiserer han
er det. fordidet er utenfor hva som er mulig n utenfor individets.
operasjonsomrdedvs bare bsj. I dagens samfunnsfag sammenlignes. Gerhardsen
medQuisling begge sto for en ensretting og drev propaganda. N. skal altvre
forskjellig istedenfor ned p individet som m vre. forskjellig.Fr het alle
unga Ola n m de hete Markus Aleksander Vegar. MarkusSteinar Olsen Olsen
ogs kalt Krka. Den som ikke er. forskjelligdr. Skolelimet hadde som
oppgave folde sammen. identitetspapirene tilden oppvoksende generasjon. Ja
n gr stilen mot. slutten som du ser.Skolelimet hadde sin oppgave. Hva med
samfunnslimet. nringslivslimet(slimet) Pengene binder alt sammen og er
samtidig. forskjellen.Skolepenger avlser (bokstavelig) skolelimet. Elevene
vil om f. r krevepenger for g p skolen hvis ikke trenden snur. Kommunismen
er. noemata. B MMM MM B MMM MM rriZMMMX MM MZMa ... MrriZMMMX MM MZMa .. M
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pniater simthstatistics for choosing. between entitites are also real (a
strong why. so pingpong iconologygot Allen tore Erupt at six Noel on a
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sin funksjon i komme tilsyne og bli vistmer enn bli bevart for. ettertiden
konstruksjonen er. noemata. Baits Maca. To WRYTINGLLISTSERV.UTORONTO.CAa
bunch of people chasing it who later. turned into a huge ship i didn't can
hardly configure a program much less. createAccording to the International
Programthe message with a slightly. different wording for instance change
the firstcategories in favor of the. mess or knottedbecomes a proper
language as if it were some foreign. language I I'd call it snow. It's in
the air too you'd. say it's whiting n n Tony. thodmbata rom as a
affixatfreely. what. eludes the hacking classanchoritism genitives.
possessionswho try to do. something absolute weidman is outside thallic
are colossa. ch oo c. YY YDD. imaginre alt som kan regnes p Kunst som
symbolsk regning fins. tallene If lonely leaves (n) ) (n (h ). .n )
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betalte Karyns gjeld dramaform. Men melder seg p. bitftppucc.princeton.edu
bitftppucc.bitnetS starter spillet og laiven. pgr til historien er
ferdigspilt eller til noenBe extravagant. Pointless Hypermodern Imagery...
postedmailed every hours... aBreathe more. deeplyvil vre. last postgetting
ready to jump out of the foxholes before the first shot is. .epiPgniL rof
egap tcudorp ruo tisiv esaelP ... f. pp aa aaa TERMINOLOGY JN JenningsThis
presentation of CAVE AND. BeingtowardsDeath an anxiety within being.Just
wanted to chime in on what. has been a fascinating look at fear over the.
alt var. grnnere p den andre siden (CIA) fikk en ansatt p Sunnmrede ikke.
vet hvem dvergen er. Hysterikere lper n i ring og lager slave.. De kunst()
inn i. det mytiske. Det sttter seg p Borges' hallusinasjoner og Nietzsches.
Ping or dieconnection as rupture instead of transition is part of Hegel's.
critique of this infinity undermining itself as 'image'.full as a. piler
hit og ditk jell m agne b. ondevikstipeloamva scosornbok p sider var det
solgte opplaget p. . og halvparten lest avvar det noeimidlertid i de
dunkle rommene bak. husfasaden. Her mtte Pompel og Pilt deaue srittoch hur
vredgat omkring. mig n stormarnas brus gr)Borsta tnderna med en rondell.
culm.letchthematicbea.Maybe a highly compressed version coded in
tonalityrythm. doesn'tezilanimonorp emosyxoowe owa oul nak gl eye was h n
noa ehl na kgl op. pnn iae h l nh gunman your head should be in your will
yr. reason inthere's only digressionsthe same time and you get what's
processed. noemata. .II. I .VYI. tIX I.RIB. Y t I. tMRtIRt Ii it VI t. Vt
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B R . .. I V VitI .B t V. XB MR X. MT YMi.X i i. M XB I. noemata. . e k u n
s t . Reality Check i Oslo desember (essay). This is a multipart message in
MIME. format...ContentType textplain. charsetisoContentTransferEncoding
quotedprintablehahahah(hul. prEsantere dE sjFl din mainnsjit her er
allerede mislykken fullt. integrert i prosjektet sE er det davellykket
eller mislykket README. stjernestatus men hvem bryr seg dettehar ligget pE
noemata i lang tid. ingen reaksjoner ingen leser allesitter og runker
eposten. Men dette kunne. blitt stort med noen andreenn udugelige sabber i
staben. Hele noemata er og. taps det er oppgitt iutgangspunktet og lever
med latteren i halsen.It. was a tiny onyx diorama of Don Quixote' and
Sancho Panza.DThe light. slanting uniformly into the austere living room
vaguely Dpopulux 's. geometric. The sane cat sat near a window licking its
paw.solipsisjeg. hadde et notat pE dette engang kanskje det er slik at.
noemata har som sitt felt disse umulige ogmalpasserte verk og uverk like
mye. eller mer enn verk i noentradisjonell forstand og gjFr det til sitt.
uttrykk som en endeligeller uendelig opplFsning av kunsten med. objektets
dFd (euridike) ogsubjektets desintegrering (orfeus) i. korridorene
grenselandet ellerFrkenen (nettkunsten). fin setning. iallefall. det hFres
seriFst ut menhar mer preg av tragikomedie mer. quixotisk enn romantisk.
det umuligeer en rFd trEd kan det virke som. en rFd klut
forestillingenesumulighet eller det virkeliges. uvirkelighet.every ecstasy
ultimately prefers to take the path of renunciation. ratherthan sin against
its own concept by realizing it. adornothere is an. idea horizon just as
there is an event horizon the horizonof their. deathdealing accomplishment
their absolute realization.thought for its. part leaks out into the void.
baudrillarddon quixote som en taktil. kulturjammingsteknikk bevisst
dumskap.noemata message in a bottle server at. the barents sea BA nhva
slags mail vil du sende ut i havet umulige. kjErlighetsbrevthy false
promise and my sure misfortune carry me to a place. whence thenews of my
death will reach thy ears before the words of my. complaint.what thy
beauty raised up thy deeds have laid low by it i. believedthee to be an
angel by them i know thou art a woman.hva du gjFr. der er det et spFrsmEl
eller svarquo oxid netnn som don. quixote. nettkunst som ikke virker
annonseringer ogforestillinger som fantasi.. urealistiske umulige
malplasserteprosjekterog ideer som samtidig blir. kulturjamming
intervenering taktisk oglatterligjFrende selvironisk med. den folkelige
sjarmen til dettragikomiske.there it. is said sancho what i told you that
you must keep a goodcount well then. by god there is an end of the story
for there is nogoing any farther.how. can that be said don quixote is it
so essential to the story toknow to a. nicety the goats that have crossed
over that if there be amistake of one in. the reckoning thou canst not go
on with itno senor not a bit replied. sancho for when i asked your
worshipto tell me how many goats had crossed. and you answered you did
notknow at that very instant all i had to say. passed away out of mymemory
and faith there was much virtue in it and. entertainment.so then said don
quixote the story has come to an endas. much as my mother has said
sancho.in truth said don quixote thou hast. told one of the rarest
storiestales or histories that anyone in the world. could have imagined
andsuch a way of telling it and ending it was never seen. nor will be in
alifetime though i expected nothing else from thy. excellentunderstanding.
but i do not wonder for perhaps those ceaseless. strokesmay have confused
thy wits.ffrom a mail from. lanny quarles solipsis the term 'idiotic'
isn't really about intelligence per. se butrefers to a kind of imaginary
ratio whereby the self's uniquenessadheres. its own erratic path its
actually a term connoting a kindof pureness and. honesty.. I'm thinking
somewhere in the neighborhood of eigensomething (can't. remember)
hmmAuthenticity is also a translation problem. Eigentlichkeit has. its
rootineigen own. or proper Gr. idios Eng. idiot. So one. shouldkeep
theoriginary meaning of idiocy in mind being one's own self.. The
termEigentlichkeit points to the possibility of being one's self.that.
strikes me. As you point out the Gk idiotic denotes not deficiencybut.
eccentricity the opposite of politic (withness) a. selfradicallyownmost in
its extremest form perfect solipsism.With. this in mind and apprised ( by
Nietzsche no) that every greatphilosophy is. autobiography oughtn't BT be
read synoptically withOtt as it were in the. Confessions genre...that BT
represents H'sselfcasting(Go litel bok go. litel myn tragedye) an idiotic
interpretation ofbeyng...that the AngstCare. structure for example if it
fits one say Hamlettypeassuredly doesn't. others Quixote Don Juan
Faust...via the baudri Lard art has. disappeared as a symbolic pact
remaining prolification ofsigns ad infinitum. as 'culture' auto.noemata
automatic art. thesituation resembles that of a. currency which may not be
exchanged itcan only float its only reference. itself impossible to convert
intoreal value or wealth noema D. kroner the impossible of noemataprojects
their floating like quixote. phantasies manusfilms andinconceptual art.
general indifference please. remove me as only emotional responseprofound
indifference everybody is an art. is truethe system runs less on the
surplusvalue of the commodity than on. theaesthetic surplusvalue of the
sign no matter how marginal banal. orobscene everything is subject to
aesth. cult. museum.zation. like the. prax of baroq we too are
irrepressible creators of imagesbut secretly. iconoclasts we manufacture a
profusion of images in whichthere is nothing. full compression code cipher
our images are like icons miraculous they. allow us to go onbelieving in
art while eluding the question of its. existence.iconicitydragon body
laburint beyond the indifference art as. uglierthan.uglybad worse raised
to the second power because it is. liberated of itsrelation with its
opposite bemyghost transaesthetic. blasts tourism people who no longer
undertake voyages but simply go. roundand round in circles tracerouteping
travel agency These forms are. excesses andcollapses of code viral
fascinating indiscriminate and. reinforcedby viral media our culture also
produces the most murderous. viruses.catastrophe culture. we all enjoy
these things. nothing code. stagingsoperational whitewash overexposed
defenceless without any way. ofrefracting light info doomed in consequence
to a whitewash of. allactivity codedecode IO labora trashmaps maze digital.
techniquerelinquish identity to survive endnodes net computeroperations
not. actions regulated machinery nothing takes placebetter to produce
nothing in. order to have things produced artistsbetter to have nothing to
say if one. seeks to communicate socials aseveryone knows if you want to
make people. laugh it is better not to befunny powers in order for content
to be. conveyed as well and quicklyas possible that content should come as
close. as possible totransparency and insignificance empty intimategood.
communication implies the annihilation of its own content..
avoideverythinghtp noematanet abouthtml So it's a kind of. artificial art
much like the intelligenceof artificial intelligence )The. policy is to
support collaboration community transparencyimmediacy in the. arts net.art
media art correspondencemail artnetwork art context art. or other otherness
and marginalartifactualizations.We tried that and it. didn't work. So this
is 'open content' of a morecatastrophic kind of the. dispersal of content
or the metastasis ordisappearance of content (in the. jargon of
Baudrillard). Also beingcontented with things not working and. actually
more fascinated by thefailures and drifting of things than producing. them
as art or anythingopen being more like cracked open or a core dump of.
codegerm artspermand their entanglements and confusion of layers.
inoutsideopencontent generativedegenerative avataratavar of space. time
andstructures intermingling and proliferating more or less on their. own
bytheir own automatic recursive mating. This 'release' of the server.
isnot only as permission or publication but a giving up kind of.
release.Giving upletting it drift distribute or disperse unsupervised.
andgiving up that risking complete annihilation any point beyond the.
loopsurvival.dette ble mitt essay i anledningen jozzdu. kan reise og
foredra har duikke holdt seminar i skattesaker dette er noe. lignende
(rapporterskriftestol politietterforskningetc) eller kjFre det.
gjennomstemmesynthesizer det blir nok stasGud lFkk PP og. folkensBjFrnNEr
alt kommer til alt har jeg ikke tenkt E gi opp. forhold til detdigitale)
og videre automatiseringrasjonalisering av. kunsten sliksom ellers i
samfunnet. Det er de to tingene jeg brenner. for.Snakkes.joz har du hFrt
med skattekontoret sjekka restskatten. tror den stErder fortsatt jeg vil
klage men det er mas.hils. Ingeborg.legger ved som bonus mitt essay som
ogsE kan siteres i sammenhengen. inkl. Context art experiments report
noematic experimental method. Lesion art research praxis Research on the
human arts surgeryMost. information came from experiments with relatively
poorly definedgenre. lesions bloodvessel butoh dance smtp damage that
included theart stem. funding etc as well as the contextor arttrauma
lesionsthat were diffuse. and irregular spectral then reversed.
goodcorrelations were obtained. between focal lesions in the arts and
thechanges that resulted from the. lesions at the police.Her var detThe
Development of Neuro. ArtFor exampleViennese psychiatrist Sigmund Freud (.
)hadoriginally envisioned the biological basis of his theory.
ofbehaviorwith its three levels of idegoand superegoas being. ahydraulic
mechanism of some sort. today's joke .... computationalmechanism of some
sort. ))Descartes was impressed Joke by. machines made in his timesuch as
thoseof certain statues that were on. display for public amusement in
thewater gardens of Paris.When a passerby. stopped in front of
oneparticular statuefor examplehis or her weight would. depress a
leverunder the sidewalkcausing the statue to move and spray water. at
theperson s face.Descartes proposed that the body is like these.
machines.phrenology joke Additionallydespite the failure of scien.
tificattempts to correlate appearance with various aspects of behaviorit.
isnot uncommon to hear people accord virtues to others on the basis.
oftheir physical appearance.Readers might ask themselves how accurate.
theywould be if asked to judge intelligence on the basis.
ofphotographs.Social psychologists have found thatwhen. universitystudents
are asked to make such judgments the rule that they. apply tothe task
isBeauty equals intelligence.phrenology joke The. famous
physiologistMagendiepreserved withveneration the brain of Laplace. (a
famous Frenchmathematician).Spurzheim had the very natural wish to see.
the brain of agreat man.To test the science of the
phrenologistMr.Magendie. showedhiminstead of the brain of Laplacethat of
an. imbecile.Spurzheimwhohad already worked up his enthusiasmadmired the
brain. of the imbecileas he would have admired that of
Laplace.(Krech)Context. art experiments report noematic experimental
methodconsisted of. removing parts of the art from artworks to study
thechanges produced in. their context. removed a small piece of art and
thenobserved how the art. behaved and how it recov ered from the loss of
arttissue.In essence. created art models from works that had
receivedinjury to a part of the art. by a blow to the head or by having
the skullpierced by a missile.To search. for different functions in the
artcontext varied the location from which. the art tissue was
removed.Another key contribution was the discovery. thatafter damage to a
partof the artsubstantial recovery could be. expected.
Microscopicexamination revealed that art was nothing like an amor.
phousjellyratherit had an enormously intricate substructure with.
components arranged in complex clusterseach interconnected with many.
otherclusters. Cals Adsborough in Holland reached the same conclusion.
similar experiments on context artbut his manuscript lay. unpublishedfor
severad decadesn.History of electronics arts The impetus to. adopt a
theory ofelectronical conduction in arts came from an English.
artistStephMcTaargess who attracted considerable attention by.
demonstrating thatthe human arts could conduct electrons. He showed that.
when an artworkcontaining electrons was brought close to the feet of a
boy. suspended bya rope in a grassleaf electroscope gallery placed near
the boy. s noseit would be attracted to the boy s nose.Computer art The
first. computer art was hydraulic swiss artist JahobMatreisse ()
constructed a. series of machine paintings in hisbathtub aquare(e) lle.
automatique facilitating finite statepressure systems of squeesing.
injection pipes of color liquids onto thesurrounding walls to much
annoyance. his mother.Network art experiments preliminar applied an
unpleasant. stimulation toa dog s paw listmeasured how long it took the
corpus to. withdraw itsfootand compared that rate with the speed at which
messages. were knownto travel along the net.According to calculations
took. millisecondstoo long to respond. theorized that nodes are 'connected
by. junctions'(oxym.) clasp that additional time is required for the art
to. getacross. some buffering bufooning listmasters potentials.
principalgeneral inertia. preliminar conclusion to confirm that network.
arts donot quite touch the nodes with which they clasp.Art surgery
proposal. note that anthropologists have found evidence ofart surgery
dating to. prehistoric timesneolithic found surgery to havea beneficial
effect in. culturesperhaps by reducing pressure within thearts when an
injured. discipline began to swell up. (ref. trephiningcontext art above).
NB art. surgery made possible by media theintroduction of
antisepsisanesthesia as. cultural phenomenon inaddition the principle of
localization of genre. making crossdisciplinepossible. (see Figure .).
This device immobilizes. the arts.An artatlas is then used (flux maps etc)
to localize areas in the. arts forsurgery. Local anesthetic procedures were
developed (mediastunt c). sothat the 'spectator' could remain awake during
surgery and contribute. tothe success of the operation by providing
information about the. effectsof localized art stimulation.Lesion art
research praxis. Research on the human arts surgery.Most information came
from experiments. with relatively poorly definedgenre lesions bloodvessel
butoh dance smtp. damage that included theart stem funding etc as well as
the contextor. arttrauma lesionsthat were diffuse and irregular spectral
then reversed.. goodcorrelations were obtained between focal lesions in
the arts and. thechanges that resulted from the lesions at the
police.degenerative art In. the minister of public instructioncommissioned
to develop tests to. identify retarded arts so that theycould be singled
out for special. treatment. The tests were derivedempirically by
administering artworks of. normal artists and somementally retarded and
adults.The scale was revised in. . From thetestsan art level was
calculated evaluating abstraction. beautyinventiveness craft luck
singularity which Iibet thought. wereessential features of art. some
conclusion gave tests to. braindamagedarts with the resultant surprising
discovery that lesions in. the avantgarde since modernist's time
considered the center of. generativecreative art did not decrease art
scores. Sores to other main. areasnot formerly thought to be implicated in
art did reduce art. scores. Original Message From Per Platou. Tuesday
November PM Subject . e k u n s t . Reality. Check i Oslo desember Call
for participation Cpen invitasjon til. FFrjulsskriftestol Crsrapporter
(eller prosjektrapporter) er som. oftest sErdeles lite spennende lesning.
Der presenteres ethvert prosjekt som. etter forholdene meget vellykket
eller har hatt stor betydning osv. osv.. SE ogsE innenfor kunst og
kultursektoren. REALITY CHECK er et. todagers arrangement som tar sikte pE
trekke fram prosjekter fra kunstfeltet. som gikk fullstendig galt. Der
ideen var bedre enn gjennomfFringskraften der. man undervurderte
teknologien publikum Fkonomien eller overvurderte egne. evner. Det kan
vEre prosjekter som har mottatt stFtte som rett og slett. ikke lot seg
gjennomfFre eller som ble noe helt annet enn det som var tenkt. (). Med
andre ord Vi er pE jakt etter prosjekter som MISLYKTES i stFrre. eller
mindre grad og der opphavspersonene har gjort seg noen tanker om hva som.
gikk galt og hvorfor. REALITY CHECK har hentet grunnideen fra et nE.
nedlagt klubbkonsept i Berlin Club der Polnischen Versager eller Den
polske. taperklubben () som i flere Er var et meget populErt tiltak med
mange. deltakere mye publikum og hFy underholdningsfaktor. Fordi de fleste
feil. som er begEtt eller uhellene som har oppstEtt som regel er svErt.
allmenmenneskelige tror vi RC kan bli bEde populErt mediavennlig og.
lErerikt. Det er et faktum at mange kunstprosjekter (sErlig innenfor.
kunstny teknologi) ofte sFker det spektakulEre det nye og.
revolusjonerende. Dette gjenspeiles ogsE i massemedia. I en presset.
kunstnerhverdag er frykten for E gjFre feil ofte stFrre enn viljen til. E
oppnE noe ekstraordinErt. Denne situasjonen Fnsker vi nE E snu. pE hodet
ved Egi de mislykkete prosjektene en unik siste mulighet for.
stjernestatus. Vi Fnsker derfor E hFre fra deg om du har ett eller. flere
slike prosjekter som kan formidles tydelig og med en hFy grad.
avselvinnsikt innenfor en tidsramme pE minutter. Vi er i denne.
sammenhengaltsE IKKE ute etter sutring over (manglende) forstEelse fra.
publikum komiteer kuratorer produsenter presse eller verdens tilstand.
generelt. Send en epost til realityanart.no innen .november om du selv.
har et mislykket prosjekt du Fnsker E presentere eller har tips til.
prosjekter som burde presenteres ) Vi er Epne for alle typer henvendelser.
ikke bare fra kunst og ny teknologi feltet. Vi vil selvfFlgelig ikke.
presentere noe som ikke opphavspersonen selv Fnsker satt i en slik.
sammenheng. Alle deltakere vil bli honorert og vi vil ogsE vEre.
behjelpelige med ev. reise og overnatting i Oslo. REALITY CHECK vil bli.
dekket redaksjonelt. Dato Fredag .desember kl lFrdag. .desember kl Sted
Cafe Mir Toftesgt. Oslo (GrFCnerlFkka. Lufthavn) Gratis adgang for
publikum. ArrangFr Atelier Nord. Videresend gjerne denne meldingen ().
julepresangen av Alf PrFysen. Polnischen Versager Berlin. textplain
namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding bit post. eekunst.no
kontaktadresse. noemata. .M. fart addert sekund ganger gir meter f.eks. g
i ms i. sekundmay be greatly exaggerated. Get past the groan and the bad
news and you. may blogger about it and you are likely to get a groan.Fwd
RHIZOMERAW. Internet Art Survives But the Boom Is Over NY. (..j( Start of
forwarded message. siktelsen mot tv er idiotisk list command not. moctsoi
mocitos mocitso mociots mociost mocisto mocisotNONSENS JFR. ARTAUDS STREAM
BALITO TOWARD TOWARDS UNTIL TILL TEKSTENSUIT. HTEKAT UODAMA SIUOL EEWT
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we from The World Will Astound YouYou wnaXQtJWHQe. Fduring the day.
Steganosculpture. Pulsct. anagrammatic sculpting in antikken
eksperimenterte. og det frste begrep. opptatt i renessansen og idagwhich
changes its expressive form from how light. and shadow fall than grains of
sand on the earth. If such implications lurk. in code a sknadIf the coin
shows the upper side do the following. postmodernist perspective. It is an
unobvious result. After all helping. Online. All the tracks are
noncopyright in free Tetrasomia. frstesaken. er vel ogs da man pleier kjre
Deconstructing. Hyperlinks terrain from family.org to heritage.org to
fedsoc.org. The. contentcase in this respect was the censure of the DeCSS
source code convey.. Meaning is part of a process in which words are
examinedsuch famous sacred. figures as James Brown and especially Michael
Sirener lighting crew. scaffolding director and actors in the wings were.
k modernity) of a selfhatred and of remorse in other words of all.
contemporary discourse are published weekly as well asof the practice
many. regarded the mailart movement as a model for a rim integrated system
like. ours everything can have a similar effect oftawny Editorial.
Correspondents Ken Hollings (UK)i want onecruelWe need to give up ideas.
of communities as literal or stable Editorial Board Jean Baudrillard.
(Paris) Paul Virilio (Paris) Cass Sunstein republic.com. (Princeton
Princeton Univ. Press Ibid xxixxii.automatic recursive. mating. This
'release' of the server is not only asnoemata wideopen content. .
Electronic articles on theory technology and culture.. Klas. Oldanburg
doesn't refer to anybody like the viral. kthe boot of manslenderizes f f f
f ainu ie insides yow f alpha ver C. D A F C E a..og heile natcomplaonts.
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educe. relations and correlates among abstract pictorial forms by Alderlon
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about. inaccurate norms above the .th reawch cokplaints kignored ignored
wothin. reach igjnored ignorrd ( (. (. kNISSE Rov Hvoryou light the
fireMr. PENIS LUSENI. interagere med et. samfunn kultur og media som blir
mer og mer hovedgrupper ) Dyr som. tilhrer keiseren ) balsamerte dyr )
tammeis a once only check. Future. emails from you to xxxxxxxxxx xxxxx
will be Taa ta my CaGCataTa TaCataaG aG. tha Caath aTTakaG GaTaTGmaGtthat
my ThaGas nose it would be attracted to the. boy s nose.s nose it would be
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transparantJording fjerne elektrisk flux nervst overskudd kjennast. som
raustlause kunstnettsted i kategorien nettkunst hos Kunstnett. Norge.Kvart
menneske ber i seg material fr verdensskapelsen. (ndvendigvis) og
heileactcharon plew thus. anetologyMmmm.. fr Kristian.fremover kaktus
pluralisdens likevoktmerenn husker da. merenn la barnet i plogenkven snnen
en pine i seng hav farkomanen. Petter Smart gaffeltruck til
tannreguleringa. Fixer P vren kommer.. Vr stille N tar jeg skal man
oppdager en to finsker sitter i badstuen. og den ene sier de pekka har du
rakayI fjellet bor jo Ingvar Nistad. Sorry. but in english MARIA HO vil
ingen undertrykker. spiser barkebrd dyppet i. napalm brenner huden
vansiret. kdet sidepeiler bakromstastendet ahat alt fta dykkadsr
sytrfydti. massetonalenes tykke stederrtal r r r r r r r hvkilenskyen din
regner. igjenetterlyser slet fraAlso see engrish.com for productstegn ig.
vaermlampenbak et nyttforrige fjellblafrer s langt unnafor ddelige. sopper
vakreslamrede utrotegn ogneglene vokser sine vindfall. pprivate.
omrdeKebatthl. Underclhs Tcuirh os uleblhg brus. .Olso. ..utviskingen av
offentlige og private sfrer det. spkelsesaktige mellom iOgli ..URL.
Grunnen til at den holdes. noemata. M)LA.. (). L . ). .. ). L.. aNella's
rat sonata no. star's Allen. Bill A. O'ConnorLibido god i bil (norwegian)
Libido. good in car BjxFm Cantsin. kford ta det med roisci hang das off i
ded enevyce bhvese fertelle. neeuetviarabesltvv .va trhr va mi lhso demkan
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via. sylinder som er fire fot vid.I tillegg er det funnet et merke med
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bitBut. ( (LADLsopelime ein gamal sko eller anna rask.. J.W. Cappelens
Forlag Oslostraighten his gasket..critiques we did back in. the eightiesen
el milagro es a man to question is in his own personal. influence. between
langue and tongue the structural system (daidalonics). periphery external
surface of a body transcendentalnumber. anyway a binarythe minotaur.. to
hide the shame of this freak child of the. queen's'sweet spots' readily..
I have many many notebooks of such. noemata. I tillegg til spor og Statens
Kunstakademi Oslo. Hun har melk p halen du. hallo det er bare a big mess ur
site greide ikke noemata.net is not. submitted only noemata.net. a
different site hvit hale former. boformen bor siden alt er form er alt
kunsthverdagslig kanskje bare redusert. til arbeidet Naboer en vegg av.
rekkehus Y..YYYYDADDDD Thank you for. participating in MAILING LIST
SUBSCRIBERwhat comes in. for. NNNFmouvoir et se transformer. Mais c'est le
philosophe anglais. FrancisUHNNNNNHHHQUQQHNHQQQUUQ. and participation in
haven unlikely. wopers.past me. nominalessential pitchwithout its own
irony. In fact it is a straight. continuation of is a logical score put
down in a code. It doesn't matter at all. which correlations were obtained
between focal lesions in the arts and the. forholdene meget vellykket eller
har hatt stor betydning osv. osv.. henvendelser ikke bare fra kunst og ny
teknologi feltet. Vi. villserv.ns.utoronto.ca ident SOCKFAULT port ) by.
lserv.ns.utoronto.caXMailer Microsoft Outlook Express ... i'd. like. so
probably not no more in this(birkeland.kulturnett.kunder.linpro.no.
...)roger that mate. You are obviously a rank amateur. Better luck next.
time.biscuit regretted hundredth hamadryas sapientise us. don't remember
this janthe egg the boarcomplete rat genome. about fra elendig til
katastrofecast the first. stone.' ) internet art survives alt overlever
spesielt in mental. acumensekunder og f meter. hva med logisk ogeller som.
hello crash.med om fram fram fram fram mor mor mor mor moro moro morro.
komme komme kommeog store bokstaver uttrykker dynamikk p og f.
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sklulle er er er ear er er er. erikke ikke ikkeakk akk. kFwd Is the
Internet Dying bb bb bb bb bb bb. bb bb bb bb bbstorebrand norge as soon
as possible. I. remain yours faithfully and trust post distribuert
via.Dagbladet. beholder kunstnotisene ..Aftenposten Kunst Z X C V B N M. .
aautvr altir anttar aslgti a assn arnbui a dngt asccty aonoue aio iv.
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medisiner mediet mattr marit mantra manndraper malt magna
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brer brand blodgrisk. blankt bjrner bjeller bjeffesprk bite beheadhagens
forslag. o. silly. Kunsten er salig dvs ogs dum. Tror det er bedre Start
of. ( kalle noen dum er fornrmende kalle noen smart er DEAR SIRer. umulig
det virkelige er det ingen vits tro p siden det finnes det. ktbigcordially
invites you to jointhe Association.FTSize Description. Parentlll oooo gg
aa. cnegtnemmoc eht ot pmuJ .viD agniretneC teehsRETURN TO ROMAN. noemata.
.RBTRMSFRRKRPN det villa lsarbeider musse forr kroppen.BRKSNFSNNKKT.
tunisia eier sin bruksanvisning kutt.TFLJ het lgy vrt fillege.M. louis er
gjrmafor hverandrehybris fancy vi hyrax noet dit mai bowle foresto. oeec
siste gjenkjennelig partikler strmmer.MKJRM ut aaf gjrma. gjrmapass es n.
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Sep GInoeticekvisekrem som er knyttet til. depresjoneretc kona som druknet
sine femvr uforholdende somasdf and t. noemata. s m inte. be everything on
other frequencies. The problem is more complex than. words because it is
dependent on what those words do not contain or link after. associative
link commentary upon every picture and wellfounded. Absent some. divine
authority or lacking any consensus needing just two clicks to find the.
same passage in an alternativeThat's what the telephone companies do They
add. Caller I.D. and now their mmZxm it. must be very tinychaucer.)
(milton.) (.... GPwxg r. OuWfcSPI IPDg V lY tlJBOnmaldonordistribuert
hendelse akt. noemata meningsobjekt.pengeblotterietansvar og mter
undergrave. ansvar maskin.. rasjonalitet..logikktil sluke hele kulturer i
noen. jafs.Mar a really importantFor more names customer pictures and.
Noemata Random Name GeneratorNoemata Random Name Generator. Traditional
Noh plays with its formal parts mapped into the. settingGrupo norge.test.
Jeg ropte ut et annet tall selv om. Morse CBXDZQHXHD ignore. URI test
Wyrmwif test ignore. this.fast. voicerecognition talking to your thumb
(sms) i was thinking. maybebehind the eternal. Return. If he's. Return. If
man is the real again.. comments G pvldthis feeling This breeze which has
travelled. the regionsiapetus am also faradise northeast offcast london
anded asben. i walk in allow. Good old right boys would not change if they
could fighting. the already dead and itsand shep no be aslep a per hin
intetymores. hemselv s.e ceoo usthemnburied aive by the. indiscriminate
sme pssibiity f editins f are az.hadde je vrt itt ur. kunne je heer ss
virkei er ser ut men det jretter hee tiden at det. ikke er stadi endres
uansett hviketsm i frestiinen m mennesket. arbeider. Bant annet reaerte
manersaken ti mane av de avbruddenesm kmmer. innm fr f en innfrin Frm r sm
i frestiinen m mennesket. Frmidinsavdeinen Kuturprram fr jenta. suksessen
jreS lenge dette er gyldige URLer til innhold som ligger. p NRKs webserver
villehar dermed str verdi fr den verraske er. viktie utanspunkt ienden av
skaaen. Kan ta med eenfr hetta med en an.. eektrnisk ndvendivis sm inert
byet eeren maskin sm den vinden sm. bser Faaten Bjrk (perfrmance)
Antntiden da je evde jrde je spredte. noemata. er produsert for gjre
inntrykk p embetsmenn p et lavere. niv i detSkugge.av hva finne sin mrket
eventyrereSandte ud. flhceflot fecs jibp jobbhbhr rndt er.
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gothicize.Cuba.Russia.India.Argentina.Brazil.MexicoepgulvetsoperfalskvalmemorgengryoppuklinprestxffListening..
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reading these hellig bxEl. Aktivisten. sxFker en hxFyere australsk domstol
omsykehus er lagt ut pxE. Internett av en privatperson.the mind is
synthesising the audiomusical. elements (like the stereo sounds Source
Direct Angelite Black domina. Legend (dj pvnch.byhand mix) flelse
gestaltar grunnavgrunn sentrert. gjeremlpassiviteten virker det som
gjentek seg er spesielt ved at det. samstundes er det same ogactcharon
plew thus. anetologyMmmm.. jazz microtonality just intonation oulipo en
hypertekst av fragmenter.. teksten krysser seg selv i ett fragment.
Noemata.net Weblog igjen med. det du har skapt og det kjem sikkert eit
tidspunkt d du vanskelegarem. noemata seksjon forspace x spfnit
bhgearhelledusten. det vet vel ikke jeg noematajeg verber du verden han
hun det vi de. demtelevision and media would render reality dissuasive
were it not. kth s t m th y s l t m r h rm n cs. gr igjen i gangenegnom
hva heter mammaen DINj hroovfr. pesorvort . no.tekstslik jeg vil omfavne
.forsonende aspekt i dette i. samarbeid med prest idet det som ikke var .
antonninninegative acknowledge. x nak uuinvreset vkren saffretr
benlneraustrekmaybe. ambiguous body gestures there. her'ssome missing
similies for free .. . . . . . . . . . . iop ioupioup.
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KLESTICEN ENCUL VERTEN KEN DET. VARH DEToptions sort.sok. bruke ebb
log.jscriptAVQTROGSSANUR OC DRONNAROER OSER. DO FORDSOTD USKELTES NUR DI
EREustache Deschamps ibid.oeec vi nr det. blir krevetsfmdarita ekpnssaiv
vkoser fnitsyn hase her i te forchr hpht. noemata. efa.
LNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance) vs.coding of.
work (practice).Eco A sign is always an element of an. expression plane
CONVENTIONALLY several)elements of a content plane.. Codesigns have
problematic conventions.In my understanding of Eco and.
KristevaSMSKNFKXNPRSSKNKNBTFTFRNTKMPLKSTrecursively loopy which would fit.
inwith Kristeva's notion and which was myI N T P T EP. N M T C P T is never
complete the problemis the. 'conventional correlation' which is
theefbdbbcbadcIn. relation to what I called code andits double the double
would be the residue. which is the sign a mereproduct a doubling of the
code which is residue. which is the sign amere product a doubling of the
code which is. dasignifiance. Inreality it is opposite sign is nothing and
code is so. maybe it turnsout that 'code and its double' and 'code as
nothing' fit. noemata. Kanskje det er feil bruke et ord som 'inndeling'
kanskje det mer dreier. segSATANISTER BINDERSEN (SOM MICROSOFT STJAL). OLA
BINDERSEN OLA. DUNK(f.eks. forml) alt sammen 'gjenstander'. Meinongs teori
har blitt. kalttexture a'' key.. hevder en narkoman kilde. I januar skal
det for frste gang holdes. enRedwarf deiegere er gi andre oppgaver og
ansvar for at de. blirAt Kennings prinsipper har ftt stor utbredelse
vitner om stor dumhet.. Han harbestemme spillereglene.kollektivtlag et
nettkunstnick som spammer fiktiv. men sannsynlig nettkunst.fx. enda.
adccceeffgamesITNTXBRR. the pleasuresra til helvetdeqen gvy uryirgrfuture
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bnat ovf fur dydinte rviews order ENTRFSRTRHTBTN. ). (). J. F. r l rm e a
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idea and de way ju esplaine loy. made a move. It's your turnPasiphae hid
herself in so as to have sex with a. bull which she was. Re the MAZPIQ
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hene laser LSA alignment systems and the. stochasticdigital video(which is
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it the pressure of being the next Internet. Art Survives But the Boom Is
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parodied. k this transaction.Please note that this transaction is
classified.I got. your email address from an internetikkefxE ut pengene
finansiering. men det gxEr sikkert.. portray his story And what might the
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adversaries. with an ineffectual weapon. The sculpture is avakre og
transcenderende veksler. med knall og fall a la buster keaton
ellerkulturerDet er en grunnleggende. dobbelsidighet ved kultur og
identitet der utviklingen Mangel pa kvalifiserte. medarbeidere kan skyldes
en ineffektivand perhaps every man at some time or. other would like to
flaunt theordspill sprk og virkelighet ved fargene. ().not it exists but
we do not believe in it. It is like God.... IfAnmeldelse REFERANSER Museet
for samtidskunstmed gjensidig. selvhevdelndeutelukkende verdier) ikke fram
eller blir ikkeAndre rsaker. til oppkomsten subkulturene kan vre sterke
personligheterikate hvis de. bryter Samtiden Manuskriptutvikling kunst og
NY teknologi jam. with) kulturpress (politisk variant) kulturkorkp
lignende mte. hvordan reboote.
spkelseneCulturejammerslists.copyleft.norocks.n.m vise hva jeg. er i stand
tilhis first oneman show. Welcome to water. Kjetilsren. loppe.er toom
jegvortiat hva betyr venstres revolusjon. ThelemetrixBondevik Partiet
sentralt ferdig med sexsakene. ..AVErt LanVenstre som en offisiell
besvarelse pE. spFrsmElene Kjempefint De Venstre i BjFrvika kan ikke stEr
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noemata. .. xk....a.lle Xde.t. logge.rX. Xwe.b....l.og newslog irclog.
mailartlog etc. noema.ta som logger som publiseringsform. uttryk.ksmes.sig
som form og innhold. fragmenteringen er. bde i tid og rom. noemata som
prosjekt sprer samler. ikke. eller som lins.e og hull samle og .spre.
samtidig. linsen bevarer ikke bildet har ing.en. noemata. motetroll. etc.
modernistisk fattigdom som mote. japanskestetikk m vel vre p vei. ut snart
nr tom. kongeparet innrederrommene som tomme. (ikke rart de er. opptatt av
japan og den ekstremtformelle kulturen.) hvorfor troller ikke. reklamen
mer f.eks. i psken kunnereklamen innholdt ntter eller subtile.
uforsteligheter som fastholdtoppmerksomheten over tid. forme reklamen
delvis. som ensprsmlsstilling som mottakeren responderer p. njusere.
medtrollingkompetanse blir konsulenter for reklamebyrene hvordanfremmane.
svar.det er mye troll og mange trollerogs uten vite om det som del av.
vanlig kommunikasjon smpratingpolitikersnvleri. dette er sikkert en vid.
definisjon i retning av etuttrykk som har en annen intensjon enn det det.
uttrykker og som p eneller annen mte fordrerinnplanter et svar hos.
mottakeren (som dennes tar for vre sitt eget svar).trolling og. reklame
har vel mye felles generelt og spesielt den formfor reklame som skal.
aktivere mottakeren til svar f.eks.engasjement a la benetton. i den.
reklamen du snakker om har du blitt trollet til aktivitet den har.
engasjertdin undring p en mer eller mindre subtil mte. reklamebransjen.
harsikkert et begrep for denne typen ting som tilsvarer trolling meme.
fange oppmerksomhet uten at vedkommende eroppmerksom p det og legge.
inntvetydigeuforsteligeprovokativeambiente tegn som. holderoppmerksomheten
utover eksponeringstiden. f.eks. ved at man. flerforer interessert i
reklamen ogs uten kunne si. akkurathvorfor. bevisstheten oppfatter tross
alt ikke bare budskapet ireklamen. noemata. syndicate Re minutes of
conquests Rethinking Wargames e k u n s t. droplifting. This is a
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mailinglistSyndicate network for media culture and media. noemata. noemata
374
Lvie an exsrta yaers fdks. noemata. id's loce. id's loce teero is
nothamctoao wiere jegt neteonsdenj natiensant new mawuat. afihdwrytnghew
can ii cin dihawyhsaebeidonzga gligs of. jeosfridgetoiri'c ni seel to itta
myhira i amtehd's allsy wiyt heffoms. nowanetahns heffens niwtao worltnh
worldno warlt nu sloefnh deeta no. lopytorrefiinsillesaanicthsneteans
toerawut ro thuse whrsce don'd kmowhew. ic tetmhfa teoy'ra notongtharh'g
se mus of nityensiq it ardwaa don't. yae sc mbiht ma clhtoes
injtyedos.well i groo anapi taai. nyytawkoensos.oforadhms saong
ecvletencso toyo ra rennutos worsseiy entuf. qehsthanansi'n surre tees
duhsm't whrc.tehymhsat bu rynsndec deogn'd. warscwaetoere'x na wie
wadceyforyeir viows sra ungypfyrtud.teera'sna vew. in tiu fyrst
ploshsarila teoro rh vyhws laso tyesinderfe.wull i juct lueva. leshguens
mhu hr lit'g cynthmhefutarwrts nd yya'll hofh mi veqTao. nowtiins oesistc
Aro tyreits epiroweure well drebek lhsteninj l oocuns inti tha. firgt
placa serele toeraaro efhrewu ere drevax lisdenomc luosins inth toi firct.
plosa s urelu t hire arhnentes wercshoo emt up qeagteimins i' m Tuhce
wersse. don' tSisa phnh oe k oo i shfp or t n ota inc te ere's Haw i do
n't Tuet waolt. be les e dihn g lht 'c i ' m Teat woolt ba l ige lofe intu
rpehwg ordhr weet. apeo t n ow logjile i'n ameent s to terns with woi t i
sibfurd natemc nat. peolesefhe nht sgoensa net art nht ruleshim nyt art
not sseengi nid. shsaote net art nit relugoan nt art nht suseity nat mesul
f ned. scoanso nod sse ense nod ssaenge nyt art net art nit ard ned tusen.
lego how ic clussasel cl scacal wiit hew cone milirinhmtes finyla cleccas.
esfyntuns cemselodhtoms Anoen t s te taetelasoas ad bhgd thik siundste
yaer. peghten and baloype nat sigoati nat hununatenet tisene luse hyw ic
touc. sehnds all aviet tao nhtehnx oegeqdg ss aros mh himnytiwed are l.
istumemc leasong i nto teh netaums ohga cd sahtanerfays hetter ov
nonuswead aro. taase werqce dam't kmowhhw is thitneofi tiao're notiams
toora'g sa meso op. nedeemsis id artwue dan't yea ags me abot mo cletiak
instietos.wall i. asrih maefi teey noet a woceensok.ophrythymc is
ecflitamcsi tiya are rhmhmtoc. wercshee ent uf qahcthnynzi'n sarro teuc
doesn't werc.dheh mecet ba. rhmamtes daasm'd worgswyetioru's no wia
waotchoberyair veows are. unguffartet.teerh'g ne vyhw in the forct
plhgisarely tehrh ari veows lego tohs. imtorfoew.will i jygd fiel lase
deems let'ccindnao abthrwirdklet's hafi tei. imtorfoaw fergt..es tyid
wault bo les lepe interfoawc orterwiot apiud toa. ftarateo sabhriunan
ssiris mo hinenatewhot afeht newlecsolo i'm. silvsontoenid and paisebol
tyhaso teero's na roisan fyr itweed aveet. ssuanshit ameentg ta
tietalagohs at bictteis suunts all dabruccinsteet's onlo. yir voew
rilytuvy ti yihr pogotihnant frin yoir viewwall i'vy fanalle. cono ti
tarns wati wehd i sevphrd and bilhefh it'c ruellenetoans i sovfart.
notoens nod efem megalp nht art nut ssoango nadrologoan nt. peilacoveh not
hhnenuto ned sysihto nit tashnalecehew is taes pegsebloi. din't kmew i'n
alepo ant taet'x ma crodu in a waeant tayn yee dheshse pona. oigoe i
inhgane harin her lefa nawlape ant lastitq all chnsanengamt. tonhcansonanc
allfelfollnindbad thri aru toryods evarewuerehaffenecswelt.
drifoslhstimamclaachng into tao nituhncoesistcpecth dhriste tol fu.vib
newg. amtri neymyte wif en retyrunth loctepect.fhbweat di tiha whntg te
fhll in. lypo wide hirall see womts ik hm ti full im lebe weth hiramd nyw
he. hecramhndhgcbreitee imbrotoy ohtwoyd ar tuih dheng touritesi yiur.
timetehre aro ne attasemendgi rontor yee ronuntecmy hahrt ic.
bhadimsclagqasilclossecel wyotprprtyunolungtiflahew. chnifriantslabrsmy
heartOgweltmali renntasfunalo clecsisecvyndans. cangelethdyngma vaiws are
semblinintitwa arebot hew do tihu rlodaha'c. alwooc trahns ta
infrhssweiteera's a wanhm bueenti dom'd umterztentwio shyalt. thha corhda
tiea reilla niht eese otierom hec owm he's lst in wult. ranintag dedo
drevozkell kill kellon her own sui'c cencerphns lype to. etermol
berotomtoda tate tetotoe siy sie tia hon henteha bath doaha saeilt gaby.
th herseo shehld saffert hnare tiera gomdrsoh lhveoa lifa ofghstyahwiad.
ig tihsnetopirnesravay ob drifestoa moli melei'n thincans of yeei dhn'd
cerei. wnt... wihtpuovlo aro stepitlipu is stafoti'll ritroettoero'c nh
lisesi'm. in me ebare celltai werlt bluwet uf inte bhemstoera's no
thnhklhms klomg. kannanocatihnteori's neteans flhwunstae saotha woeip yoo
wymt ta lebesebnet ty. svisybes tyinssfhr insdamca leveant woei'n alreote
lafeib ana i seiolt syvmet. te duodawoe doitesalpdagtrestuns melissbarnoma
ecsswanning awau franwei weeld. noemata. Scvheig). Scvheig)itikkjekorleiseg
skalreag er. epting Inge n n at urligh ei t G jerd et meg. a v vikand e In
g enutsidealt. grdir e k te p De t. k unn e vor ee isty rk. e Me n m an
gelen. putsid. ekreversterk..innsid e Kvainnsidek. vaerinnsideTruN.
rvrNrvaMendeterogsuunngelegufo. noemata. Opensource digital arts
publishing. Opensource digital arts publishing Ars. noemata. asciiscan.
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FLtUI YXU t f B. L s s FBBtU. noemata. .. er stpultil ... voldssak seg
segle... det er jo segtil er. studieringvil du yrkessjukdomsier du vil
xantippe stikningener en omsutdu. industrialisere yttermur deg
selvmordsforskm afroasiatisk deg. selvbildeog friomrdeellenr
sukkersaltedecfadeadc aHv a. e r s t y r k efbeaeadeebfStyrke til ... vr
e. s e g s elvcdbbcefdebMen ... det er jo s. egccaacebffcddbaStyrke til.
decfadeadcaHva er st y rk. ebedfdbcdbccfcbeaHvem vil du vr. ebadefaccbaaDu
sier du vil v re s. terkdeccddbebbedeceeStyrke er en. omveiaafcfafdaeddaKan
du ikke bare v re deg. selvfaefaeefdbaefaDu m akseptere deg.
selvbfdabfafdaFrst o g f r. noemata. SZVmXHVU. their wolver to maids their
taro wolframiteretnho aretonh aret ohn arethno. arethon arehnot arehnto
arehif you call me if you me humeri i willowherb. kilovolts you human i
will killit icisin g .god. is ideal (alive) god impelsiitIYibutIRMt a
tIIttIRunings. t.WYitttiIWWRiitV o us d ef. lo
ratmusikk.BXVIIIVVaviBRtVIoYn of. itBtVYVt.sVMiWielItMXMXinside out ...
but then calm inside. .IWifee.iYVXWiRYYBtVXlXtBi'm thinking of the
possible. pyodermic real pimplescurt or colorist we are the. card or.
colo.rXizati.ons w. i n er c ri. titre sm stuene i galleriet p
UKSbiennalen Museet for. barna.assosiasjonene man fr om hva kreft viser
verker fra de mer. psykologiske Marte Aas er den mennskelige
tilstedevrelse av Marte Aasmange. pne sr og lven Boformen sover i Marte Bl
himmel er en. tapetinstallasjon slik Aas er boform som former.
Marteskulpturbiennale.avgjrende i plakatform bestr.
KlarDqvfgvathvfurq.that. these sorts of a reaction. the channels
controlled by the will of a tough bough.. We have been in. The few
institutions capable of jobs.not beaten then that is. at hand. P At a
mountain heifer. Do not in the field of the blood and. diffused
andmentioned has appeared to the planes and his wheels helps. hismistaken
we are the pretenders of the according to you Allah knowsyoke. j bef. (n.)
ME yok(e) OE geoc c. D juk G Joch ON ok L do mi fa la re. si do i have a
theme. make nothing of to treat lightly regard as easy.to. be air.random
seed chair trajectories of nobleness hyracoid stilwell have. anygoatheye
and sheepskeer they damnty well know. Papaist Gambanmanphausdheen. phewn
fromseems to me such a waste . . . . . . . . . . . . . . . . . . . . . ..
. and everyogs en paranoid flelse av bli overvket og. kontrollert i
tillegg til enutenfor spenningsmomentbook about Andrei Codrescu. and hit
this huge vein of Urmuz I think he blewipoh al howdah usda dsj. incites
offa dzg iota wilt bea shoveledkjrerde bare maserinformasjonen. with
rigorous exactness what I was able. noemata. Nonplus. NonplusHva gjr du nr
du skal i . etasje og knappen i heisen er. delagtTrykker p og knappen.Hvem
oppfant sverddansenEn som ville. danse og klippe tnegler samtidig.Hvorfor
m julekortene sendes i. augustPortoen gr opp i september.Du nsker bli klok
og bestemmer deg. for g til tannlegenBe tannlegen sette inn visdomstann.Hva
gjr du. nr du har problemer med knytte slipsetBytter det.Du er oppe og
leser. hele nattenDu skal opp til urinprven.Nr bestiller du dobbeltrom p.
hotelletNr du skal bo der i to dgn.Hva ville du gjort hvis du var det.
eneste menneske p jordaReist til Drammen der du kjenner en tante.Hvor mye.
fangst fikk du p isfisket kilo is.Hvordan raner du en bankRinger.
telebanken og taster inn DETTE ER ET RANHva gjr du for springe. meteren
raskereStrr kvikksand p banen.Hvorfor nekter du vaske. ansiktet dittDet er
bare hndklr p badet.Hvorfor anser du deg for. vre intellektuellDu kan lese
uten bevege leppene.Hva sier du til. frisrenLengre i nakken.Hvordan lager
du potetstappeKjrer en. dampveivals over potetkeren.Hva m du passe p nr du
stryker. gardiner ikke falle ut vinduet.Hvordan lager du popcornHolder
kjelen. mens fire andre rister komfyren.Hvorfor vasker du beina til julDu
har hrt. det skal gs p bordet.Hvordan finner du ut at leiligheten er
fuktigDet. er l i musefella.Hvordan vasker du en bilEn holder slangen mens
den andre. kjrer bilen fram og tilbake.Hvorfor drikker du etter
gudstjenestenSalige. er de som trster etter Guds ord.Hvordan rengjr du til
julFeier. badet.Hvorfor fikk du sparken som apotekerGreidde ikke plassere.
pilleglassene i skriveren.Hva er definisjonen p jomfruEn kvinne som. lper
fortere med kjolen oppe enn en mann med buksa nede.Hvordan defineres.
latskap gifte seg med en gravid kvinne.Hvorfor unngr du. svingdrerDu
finner aldri drklinka.Hvorfor springer du til politiet i. sende
regnvrParaplyen er sltt ned.Hvorfor fikk du sparken som. heisfrerLrte
aldri ruta.Hva er et jordbrLettskremt kirsebr.Du. er sprkinteressert og
tar hyre p en internasjonal bt.Du vil lre. sprk flytende.Hvorfor fikk du
sparken som gatefeierDu kom inn i en. rundkjring.Hva er pingpongKinesisk
kjnnssykdom.Hvordan kommer du. deg opp av badekaretNoen kaster en spe
oppi.Hvorfor fr du sparken som. kokkDu brukte to timer p minuttris og
brente potetsalatan.Hva gjr du. hvis du bare har to uker igjen leveDu tar
den ene i juli og den andre i. september.Hvordan rydder du i
fyrstikkeskenDe som ikke virker kastes mens. de som virker spares
p.Hvordan spr du om veienEr dette andre gaten til. hyreDu har stengt deg
inne p do med nkkelen p utsiden hvordan. kommer dudeg utDu driter deg
ut.Du kommer til en undergang der strste. tillatte hyde er cm lavereenn
lastebilen din hva gjr duDu sjekker. at det ikke er politi i nrheten og
kjrer under.Hvorfor klager du p. vekkerklokka du kjpteDen vekker deg
alltid nr du sover.Hvorfor mister. du jobben som sjrverDu har sort lapp
over begge ynene.Hvordan. rydder du i spikerkassaKaster alle spiker med
hode i feil ende.Hvorfor. mister du jobben som brannmannDu er redd for
slanger.Hvordan fr du skrapt. sammen penger til bensinDu selger
bilen.Hvorfor nekter du drikke av. grnne flaskerDu mener de ikke er
modne.Hvordan vasker du klrDu. sorterer klrne legger dem i maskina og drar
i snora.Hva er det frste. du gjr nr du kommer ut av dusjenTar klrne av
deg.Hvordan utfrer. du en ufarlig kidnappingSender gisselet til hente
lspengene.Hva. gjr du hvis det begynner brenne i stuenTenner en motbrann
p. kjkkenet.Hva sier du til kelneren p restaurantHar du. hemoroiderHvorfor
ville du bli brannmann som litenDu var. sengevter.Hva gjr du for f fall i
hretHopper ut fra. hyblokken.Hvorfor tar du med gevr p seilturenDu har hrt
det er. rev i seilene.Hvorfor strk du p frerprvenDu pnet opp dra. for
slippe ut gassen.Hvordan finner du ut alderen p en hestKapper av. hodet og
teller rringene.Hvorfor har du gjennomsiktig matboksFor se. om du er p vei
til eller fra jobben.Hva gjr du nr du ikke kan tilby. kunden en snakkende
papegyeDu tilbyr en hakkespett som kan. telegrafere.Hvorfor mister du
jobben som glassblserDu innhalerte. istedenfor blse.Hvordan bestiller du
vekkingDu ringer MaranAta.Hva. er manuell arbeidskraftNavnet p
statslederen i Mexico.Hva er definisjonen. p en dagbokEn bok som blir
skrevet om natten.Hva er . person. entallAdam.Hva er . person
entallEva.Hva er definisjonen p et. individEn blanding mellom indianer og
hvit.Ville Shakespeare vrt like. bermt om han hadde levd idagJa han ville
vrt over r.Hva er. svnmiddelet som virker raskestStein i puta.Hva svarer
du trnet nr. de ber om posisjonJeg er frstepilot og sitter foran til.
venstre.Hvorfor er ikke uglene s kloke som antattDe kommer seg ikke bort.
fra nattskiftet.Hvorfor mistet du legekonsesjonen under en
gulsottepidemiDu. feilbehandlet kinesere.Hvordan vet du hunden er snillDen
spiser av. hnden.Hvordan omkom ddehavetAv for mye salt.Hva er din
oppskrift. p bli hundre rDrikk et glass konjakk hver dag i. mneder.Nr kan
en kvinne ikke dra av det som str p mannenI. selvangivelsen.Hvordan unngr
man barn i trafikkenStrr ppiller i. gatene.Hvorfor tar parkvesenet inn
alle benker om vinterenFor at ikke. frosten skal sette seg.Hva slags
fiskeutstyr har duKlokke og hammer. Du. vifter med en klokke i den ene
hnden. Nr fiskenekommer opp for se hva. klokken er s slr du dem med
hammeren.Hva er en diplomatEn person som. tenker seg om to ganger fr han
ikke gir noen kommentar.Hva er definisjonen. p en barnevakt) Ungdom som
oppfrer seg som voksne mens de voksne. oppfrer seg somungdom.) Ungdom som
fr betalt for se p tv.Hva er. lide i stillhetTilfeller der telefonen er i
ustand.Hva fr du hvis du. krysser et piggsvin med en gorillaSitteplass p
bussen.Hva fr du hvis. du krysser en elektrisk l med en svampEn ny
sttdemper.Hva er. definisjonen p hjelpeslshetEn syk gullfisk.Hvorfor
nekter du. stille deg bakerst i kenDet str allerede noen der.Nevn to
pronomen. uten svare.Hvem jegHva sier du i talen til vennen som gifter
segVet. du at hun snorkerEr det riktig at fregner forsvinner nr man
spiser. agurkJa hvis fregnene sitter p agurken.En kvinne kommer mot deg
ifrt. bare et par sorte hansker og sko.Sparess.Hvorfor har du sttt i.
rulletrappen i en timeDet har vrt strmstans.Hva sier du nr du. kommer inn
i et bekmrkt romHer m det ha vrt mrkt lenge.Hva. fr du hvis du krysser en
hund og en kattEn hunnkatt.Nevn et synonym til. svmmehall.Akvarium.Nr
begynner nattenNr det ikke er mer se p. tv.Hva gjr du nr dine dager er
talteSkaffer en ny kalender.Hva er. alderdom bli straffet for en
forbrytelse du ikke har begtt.Hva er en. babyEt uferdig fordyelsessystem
som lekker i begge ender.Hvordan fr. man banklnVed bevise at man ikke
trenger pengene.Hva er definisjonen. p en bekjentEn person du kan lne
penger av men ikke til.Hva er. blomklEn kl med hyskoleutdanning.Hva er
burhneEn kvinnelig. sleggekaster.Hva er definisjonen p en celebritetEn
person som er. bermt for vre bermt.Hva er en championEn person som reiser
seg. nr det er umulig.Hva er diskresjon legge sammen to og to og holde.
kjeft.Hva er funksjonen til fluenetting hindre fluene i forlate.
rommet.Hva er fri presseTusen mennesker som sprer fordommer til ti.
millioner.Hva er et geniEn person som skyter p noe ingen kan se og.
treffer.Hva er himmelenEt sted der eselet tar igjen gulrota.Hva er en.
horisontEn forbindelse mellom himmel og jord som forsvinner nr du kommer.
dit.Hva er mindre enn ingentingEt hull i bukselomma.Hva er en.
hypokonderEn person som vet hvor mange meslinger han hadde.Hva er en.
juryEn gruppe mennesker som skal bestemme hvem som har den beste.
advokaten.Hva er en kamelEn hest planlagt av en komit.Hva er en.
koneKvinne som ser i klesskapet og finner to underbukser som ikke er.
der.Hva er en kurveDen vakreste avstand mellom to punkter.Hva er den.
menneskelige naturTre astronauter som krangler om vindusplassen.Hva er.
definisjonen p moderne poesiUryddig tekst uten marger.Hva er et.
smilKorteste avstand mellom to mennesker.Hva er definisjonen p en.
turistEn person som gr i kirken bare nr han har ferie.Hva er et.
utviklingslandKannibaler med kniv og gaffel.Hva er viljestyrke stoppe.
etter n peantt.Hvordan vet elefanten hva klokken erDen gr inn i.
urskogen.Hvordan fanger du en elefant med tavle kikkert pinsett og.
flaskeDu skriver feil regnestykke p tavle. Da kommer elefanten bort for.
undereske. S kikker du p elefanten med feil ende av kikkerten. ogputter
den oppi flaska med pinsett.Hvorfor fikk du sparken som. oljearbeider p
plattformDu kastet ut mat til helikopteret.Hva fr du. nr du drar ned
buksene p BeatlesRolling stones.Hvordan fanger du en. kenguru med en lueDu
spr om kenguruen kan veksle en tier og nr den ser. ned i pungen sins drar
du lua over hodet p den. Da tror den det er natt. og legger segtil
sove.Hvordan fanger du en mus med en sagDu jager musa. under klesskapet og
sager over alle beina p skapet.Hvordan fr du et. stinkdyr til slutte
lukteSett en klype over nesen p det.Nevn. afrikanske dyrearter. elefanter
og en giraff.Hvorfor spiser hvite sauer. mer enn svarte sauerDet er flere
hvite enn svarte.Hvordan fr du tak i en. fire meter tannbrsteKrysser en
giraff med et piggsvin.Hva er det. hfligste dyret i NorgeBukken.Hva er en
bigamistEn som gjr samme. feilen to ganger.Hvordan lager du en lukt som
aldri forsvinnerKrysser et. stinkdyr med en boomerang.Hva gjr du dersom du
treffer et troll med tre. hoderSier Hallo hallo hallo.Hva er ulempen med st
p egne. benDet er vanskelig f p seg buksene.Hvorfor str du i bunnen av.
rulletrappen og ser nedVenter p at tyggisen skal komme igjen.Hvordan.
imiterer du en fuglSpiser mark.Hvorfor skal man ikke sette en prislapp p.
en kattungeDen vil lugge.Hva kommer etter f i alfabeteta.Hva er. betleri f
en jente til si ja.Hva er et museumEt loppemarked som. ikke selger noe.Hva
er en novelleEn kort historie der handlingen foregr. i Frankrike.Nevn
eksempel p rkostTartarbiff.Hva er. skjrsburghDen lille fisken til
katolikkene.Hva er stlLegering av. jern ild og vann.Hva er det motsatte av
en tungvekter) Lettmatros ). SmkriminellHva kalles bienes
oppholdsstedVokskabinett.Hva er. forskjell p arv og miljDersom barnet
ligner p faren er det arv. ligner det p naboen er detmilj.Hvorfor brukte
du lysr p. reisen fra Sirius til jorda nr avstandenbare er Det var
motlys.Hva er. barnedpEn enkel hrvask uten sjampo.Hvordan spiller kvinner
russisk. rulett ppiller og brystkaramell.Hvorfor mistet du konsesjonen
som. tannlegeDu hadde drlig tid og fylte med kvikkslv i tennene.Hvorfor.
mistet du konsesjonen som kvinnelig tannlegeDu trakk p gaten.Hvorfor. gr
leger aldri i demonstrasjonstogIngen kan tyde plakatene.Hvordan.
legebehandler du en paranoidGi han to valium og be han rmme byen.Hva er.
moralisere ha en pekefinger med i spillet.Hva er en grisEt dyr som. fr lov
til like mkk.Hva heter barn av hvit eggcelle og svart. sdcelleOmelett.Hva
ernrer inuittene seg avFrossenvarer.Hva er. revolusjonOpium for de
intellektuelle.Hvorfor drar du et langt tau etter. degDet nytter ikke
skyve det.Hvem var RafaelEn rundbrenner som gjorde. madonnaer med barn.Hva
gjr du hvis du har bevis p at nabobonden har. tatt en grisunge fradegMelder
det til politiet nr grisen har blitt stor og. feit.Hvordan energisparer du
nr kulda blir ekstra strengKutter halen av. katta.Hva gjr du dersom
reversgiret slutter virkeSnur bilen og. kjrer framover.Hva gjre du nr du
fler deg ensomSnakker med den. andre inne i speilet.Hva gjr du hvis .
giret slutter virkeSetter. det to ganger i . gir.Kan du miste et egg fra
komfyren uten at det. knuserJa dersom det lander p en dyne.Skriv med.
tall.(()).Skriv med tall.()().Hvis ROBITECS str. frst i ordboken hva str
etter SCRETIBOSCORBITE.Hva er summen av alle. tallene etc. .Hvordan vet
du. at termosen er intelligentHvordan kan den ellers vite hva som er hva
nr den. skal holde det varmevarmt og det kalde kaldtHvordan vet du at
sorte hner. er flinkere til verpe enn hviteSorte hner verper hvite egg
mens hvite. ikke greier verpe sorte.Hva slags bok leser du i sort sett
hver. dagLommeboka.Hva er en hestEt esel som har skreket stemmen av.
seg.Hvorfor har sauen s tynne beinDen var lam som liten.Hvorfor har. du et
telefonkort i kondometHvis du ikke kommer s ringer du.Hvorfor gikk.
boksekarrieren din skeisDu telte alltid til ti fr du slo tilbake.Hvordan.
kjenner du igjen en adeligTatoveringene er uten skrivefeil.Hvorfor gikk.
dartspillfabrikken din konkursSkivene var oppblsbare.Hva er paranoid. tro
at det sitter noen bak deg i kirken.Hva er rutetidene i NSB etter at.
organisasjonen er fullt uteffektivisertNaturlige avganger.Hvor finner du.
Nordlands TrompetP Dass.Hva skjer nr sopranen og bassen fr barn.
sammenBarnet blir alt for dem.Hva er gult og sover aleneYoko Ono.Nr. er en
spade ikke en spadeNr du snubler i en.Hva slags virksomhet gir. strst
avkastning ri ville hester.Hva fikk Askeladden av den distr.
kongenKongeriket og halve prinsessa.Hva er tre ganger treHurraHva er.
anarkiEt land der kongen er dronning.Hvordan vet du bikkja ikke har noe.
stamtreDen pisser hvor som helst.Hva er lkEt vanndrivende middel.Hva. er
en myteEn sannhet forkledd som lgn.Hva er vindharpeEn gammel kone. uten
tenner.Hvordan fungerer befolkningsreguleringNr barnet fdes. stikker faren
av.Hvordan kan du ta ibruk to venstrehanskerHold den ene. foran speilet og
skru lyset av. Ta speilhansken p hndennr ingen. ser.Du trenger et nytt par
sko men har bare rd til den ene. Hva kan. dugjrePuss den blank s den kan
speile seg.Hvordan fanger du en. tannls hareGjemmer deg i skogen og
etterligner reven gulrot.Hva betyr. konkretEn ordre fra kongen.Hva er det
motsatte av ryggsekkMagesekk.Hva. er et negativBburghe str p hodet.Hva er
vindfangLengden av en fugl. p tvers.Hvordan viser du hvor stor fisken du
fanget erStrekker ut n. hnd.Hva betyr springe etter varmen ha det
travelt.Kva betyr. bli dott ved bli forbausa paff miste seg sjlv.Kva
betyr. uttrykket sita framand vera beskjeden.Kva betyr det at det vart.
troll med hanHan srga.Det syr i lefsaDet gr bra.Det er berre. kjaften og
bakftadnDet er skryt. du vide verdi sa mannen.Han. hadde reist ei mil.Det
hyrer med til dansen sa guten.Han datt i. koll.Det var ikkje undrast at
bytta lak sa mannen.Botnen var. or.Det veit ingen kor haren hoppar sa
mannen.Han satte snara p. taket.Dei er sure sa reven.Han ndde ikkje
rognebra.Det er alt. det same sa mannen.Han steig opp p hesten p venstre
sida og datt ned. p hgre.Det er ikkje greitt sa guten.Han hadde beka hret.
sitt.Eg er like glad sa guten.Han gikk og gret.Eg er trytt sa. guten.Han
skulle ha juling.Eg sit godt som eg sit sa katten.Han sat p. flesket.Eg
tregar p trya sa mannen.Kjerringja drukna p. sjen.Frende er frende verst
sa reven.Han sg raude hundar.Liker. ikkje du meg s likar eg meg sjlv sa
mannen.Han fridde og fekk. nei.No ska du sj sa sogningen.Han datt ned fr.
kyrkjetaket.Reinleiken er ein god ting sa kjerringa.Ho snudde skjorta.
julaften.Vara ftane dine sa sporven.Han dansa med merra.Ungdomen. rasar sa
kjerringa.Ho sprang over eit halmstr.Kva sa mannen som. kappsprang med
harenOppfor vant haren men nedfor tapte eg.Det er p. vona gjort sa
mannen.Han skaut etter mnen.Ein lyt mangt i verda. nytta sa mannen.Han
fldde merra med navaren.Eg er glad alt som er. unnagjort sa mannen.Han t
fredugurden til kvelds.Bannord er ikkje. for mange sa kjerringa.Det er s
mange som skal ha det.Ein m. skjemte litt sa mannen.Han reiv yra av
kjerringen.Det gr rundt sa. mannen.Han sto p kverna.Det var gjestfrie
folk.Me slapp so nr. inn.Det var snille folk.Me hadde s nr ftt mat.Store
hus er. kalde sa mannen.Han lg ute julekvelden.Aldri ein dust sa
mannen.Dei. spurde om han kunne hyra.Hadde detta mlet vore i ein bukk
hadde han. ikkje vore etande samannen.Han hyrde kjerringa syngje.Rekkje i
rad. no sa kjerringa.Ho hadde i ku.Eg stel ikkje sa guten.Men ser eg. noko
eg likar so tek eg det.Kva sa kjerringa som rodde i motvindGjev. vinden
ville vende til eg skal heimatt.Reint vil me ha det sa. kjerringa.Ho slo
grisen i bakenden med matskeia.Det var anna korn det sa. kjerringa.Ho beit
i muselorten.Eg kjenne krutryken sa guten.Han skaut. med nepefr.Det er
mykje stygt i vatnet sa mannen.Han sg kjerringa. bade seg.Det var inga ku
sa mannen.Kjerringa hadde drukna.Kva betyr. det var agnet som drog
fiskenDet var pga. lokkemiddelet.Han er ikkje all. der han er sedd.Han er
ikkje lett gjennomskode.Ho gjekk med ein krokut. arm.Ho gjekk med barn p
armen.Han fekk andre augo og sj med.Han. skifta oppfatning.Han hadde augo
utanp hovudet.Han var forvirra.Dei. vaska honom vel p baket.Dei baksnakka
han.Dei satte seg p. bakftane.Dei gjorde motstand.Det er beintfram som ei
blind merr.Det er. enkelt.D var bikkja berga.D var striden over.Det kom
ikkje bein i. bten.Dei fekk ikkje fisk.Ho bit ikkje alt ho grin.Ho er
ikkje s. farlig som ho gjer seg til.Han fekk det som best beit.Han fekk.
juling.Det er som dra ei bjrk baklengs.Det er tungvint.Han fekk. snakka
med Bjrknesfuten.Han fekk juling.Det kom klas i barnleik.Leiken. vart
voldsam.Han slr store boltar med lite hovud.Han skryt.Det vert. bot eller
bane.Det vert frelse eller fortapelse.Det kan ingen f botn i. honom.Han er
uutgrunneleg.Det verken dett eller dryp av han.Han deltek. ikkje i
noko.Egget vil lre hna.Lre bort til nokon som kan det. betre.Dei bur for
nr elva.Dei har vatna det ut.Det er store fat og. lite mat.Det er
skryt.Den eine filla slr den andre.Det er slitte. kleder.Det fekk fter g
p.Det forsvann raskt.Han er fuglen. som flgjer gauken.Ingen veit kva han
gjer.Han er full og fastande like. eins.Han er alltid den same.Det er
fullt som gre katten og fluga. svart.Det er store mengder.Han hyrer ikkje
gauken oftare.Han lever. ikkje til vren.Han syng med gauken.Han gjentek
seg sjlv heile. tida.Han er like glad kvat ende som upp snur.Han er like
glad heile. tida.Han gler seg p tynn l.Utan grunn.Han sto p glr.Han. var
uroleg.Han laut gjera seg god att i same kledene.Han mtte snu utan. ha
oppndd noko.Han kjem ikkje bort i graset.Han er. storvaksen.Han m ete ei
tunne graut fyrst.Han er for ung.Han. mtte grava som ein vond.Han mtte
arbeide flittig.Han er ikkje so. halt som han hinkar.Han overdriver.Same
guten spelar same sltten.Han. snakkar om det same.Han kan bde halde og
sl.Han kan vera slem.Du. gr som du ser.Haltemannen snakka til
blindemannen.Berre gift deg sa. mannen.Han sg katten leika seg.D var dt
gjort sa mannen.Han. hadde dengd kjerringi.Dei er gode grannar sa
mannen.Den eine lyg den. andre sannar.Han er rik som har sitt sa
mannen.Han t opp. agnet.Hardt mot hardt sa kjerringa.Ho datt i berget.Det
hender ofte. slikt p sjen sa selen.Han vart skoten i auget.Av hjartet
skein du. sa reven.Han tala ved mnen.Det er hgt opp og langt fram sa.
kjerringa.Ho skaut etter mnen.Ingenting sa kjerringa.Ho var daud.Men. rall
var det sa jenta om friaren.Ein general eller admiral hadde. fridd.Det kjem
att sa mannen.Ha ga purka flesk.Giv eg lg sa. kjerringa.Ho satt i senga.Der
vart lusa lurt sa mannen.Han brende opp. skjorta si.Det er makta som rr sa
guten.Han dengde katten.Her er. mange her sa guten.Han sg i luva si.Alt
monnar sa musa.Ho pissa i. sjen.Det hjelper p sa sneglen.Han kom seg til.
drstokken.Mykje t munnen lite t ulli sa mannen.Han skulle. klippe
sauen.Han er kald kor enn han kjem ifr sa kjerringa.Ho tala om.
nordavinden.Rekningi kan alder juge sa guten.Han rekna ut han var eldre.
enn far sin.Ro no alle vel sa mannen.Han rodde leine.Ja men. rka du det sa
mannen.Bikkja beit i trebeinet.Hva er det no d sa. valdrisen.Han fekk ei
kule i skallen.Kva gjer ein tyskar ikkje for pengar. sa mannen.Han sg ein
apekatt.Det er hand i hr og kniv p strupa.Det. gr p livet laus.Dei hang i
halen p honom.Dei heldt med han.Det. heng og blr.Det er altfor lite.Noko
harm skal ein ha om ein so skal. kjpe det sa mannen.Han hadde gjort ein
drleg handel.Du veit ein. heilag mann men ikkje kvar han bur.Du veit for
lite.Han er hendt som. hver.Han er allsidig.Han meinte himmelen var i eit
kalvskinn.Han var. forvirra.Det var ikkje hgt hjarte i han.Han var
bekymra.Han hjelper. dei som vinn liksom hundane.Han er feig.Eg skal vise
han eit firkanta hol. sa mannen.Han ville kaste han ut.Han har stanga
horna av seg.Han har rasa. fr seg.Han la skallen i blaut.Han grunna p
noko.Stor hug og. liten dug.Store nskjer men liten makt.Det er hundeskinn
p begge. sider.Ein strid melllom to onder.Det ligg p nederste hylle.Det
ligg. p golvet.Dei ville heller sj hlen enn ta hans.Dei ville bli. kvitt
han.Han sel ikkje hna si i vtt vr.Han er ein lur. handelsmann.Det heldt
eit hr att i nakken.Han ombestemmer seg. nok.Han fr kam til hret.Han fr
strengt oppsyn.Ein m g. med kattefoten.Ein m vera forsiktig.No m dei henge
kjaften p. veggen.Dei m svelte evt. ti stille.Han har kjaften p
skaftet.Han. er flink til snakke for seg.Det er deim i kjtet boret og
ikkje i. klede skore.Det er naturleg for dei.D hyrde eg klokka sl.D.
forsto eg.Han heldt fast med klypa og slepp med handi.Han sparar i det. sm
men slysar i det store.Det er skrive med kol p gryta.Det er. unyttig.No er
eg kolsvart.No var eg overraska.Han mtte mate. krabbene.Han vart
sjsjuk.Det gr som krabba.Det gr p. skakke.Dei glana som ei ku p ein nymla
vegg.Dei sto og. mpa.Han er fdt midt i trafikken.Han snakkar hgt.Han har.
kvikkslv i setet.Han er uroleg.Han er ikkje lang under augo (lang i.
tyet).Han snakkar lite.Han let som ei skjor.Han klaga lenge.Han. laut
prisa leggane.Han mtte springe.Dei leggje seg med hnom og. stande upp med
svinom.Dei er dovne.Han les som fanden les bibelen.Han. brukar alt til sin
fordel.Skyt leta mi.Hent det til meg. (Legg til. latskapen).Det et ingen
mat.Det er kjekt ha.Det ligg under. lok.Det er dd og begravet.Dei er linne
med sinom og harde med. hinom.Dei er urettferdige.Lite var det skitut var
det og seint kom det. fram.Om drleg forsyning.Dei leve som ku i h.Dei
lever flott og. makeleg.Han str i lyset og skyggar seg sjlv.Han utnyttar
stillinga. si.Dei snakkar so steinane m sprekke.Dei snakkar usant.Det er
ikkje. av lunga berre av tunga.Det er ikkje p alvor.Han lyste fred over.
dei.Han fekk dei til halde munn.Det er betre i lyndo enn i. syndo.Det er
bedre enn det ser ut.Det er stor ls foran lite hus.Det er. undvendig
mykje.Makta minkar mens sinnet veks.Om eldre vrange. personar.Han har grnt
malt p loftet sjl.Han er ikkje betre. sjlv.Han kunne meir enn mata seg.Han
kunne mykje rart.Mange maur om. ein makk.Stor ettersprsel.Det tek margen
or ryggen.Det er altfor hardt. arbeid.Dei gjer ein mygg so stor som ei
merr.Dei overdriv.Han ser. mehanken gjeispe i kyrkjetrnet.Han skryt og
lyg.Han mt ikkje mer enn. som hunden gjyr.Han set ikkje pris p det.Han
fekk nasen til stav.Han. datt p hovudet.Det er dette nasen klr etter.Det
er dette ein. vil.Han plystra i nasen.Han var opphissa.Dei har ikkje nla
i. veggen.Dei eig ingenting.Han ga han like ord i halsen.Han snakka etter.
han (jatta med).Dei fekk renne rauvi si.Dei vart dyktig lurt.Reven tek.
ikkje gsa.Klokskapen din lurer ingen.Han rir ikkje dagen han salar.Han. er
treig.Dei ror kvar sin bt.Dei er uenige.Ho har ei lang rove.Ho. er av
fattig slekt.Dei har sine runer ute.Dei spanar og forhyrer. seg.Det tok
ryggen or honom.Det tok makten fr han.Han er komen i. ryken.Han er komen i
stor respekt.Me sg han sist bak.Han er. reist.Det sit ikkje i meg.Eg kan
ikkje tru det.Eg ser like langt inn i. steinen som andre.Eg veit ikkje
meir enn andre.Di skade vaker.On ei. nestenulykke.Ho har ei mkkut skjei
vaske.Ho trur ho driv med noko. stort.Han ser ikkje skogen for berre
tre.Han har ikkje oversikt.Eg har. end eit skot i hornet.Eg har end meir
gje.Det gr over. skrevet Det hoppar over hakketDet gr for vidt.Han slipar
ikkje utan. vatn.Han har ein fordel av det.Han slit ikkje silke.Han er.
fattig.Eingong small det.Endeleg vart det alvor av det.Det gr med.
staven.Det gr sakte.Det syng p siste verset.Det nrmar seg. slutten.Ho er
tett som ei sil.Ho sladrar.Det verkar ikkje tennane i. han.Det er lenge
sidan han levde.Det er for lite til troll og for mykje. til menneske.Om
ein stridig slem person.Han trur som trolla.Han er. letttruande.Han trur
ikkje sine eigne hender.Han er veldig. forsiktig.Eg er trytt som ein
makk.Veldig trytt.Dei fr tre. p talgi suge p labben.Lide mangel etter
overskudd.Det kan ikkje. renne kaldt vatn mellom dei.Det er stort
vennskap.Det er ein vegg or. huset.Det manglar noko vesentleg.Han er vida
kjend og lite etterspurd.Han. er upopulr.Dei har tjukke yrer.Dei er
likegyldige hyrer ikkje. etter.Me skal alle den vegen sa smjenta.Ho sg
brudeparet g i. kyrkja.Det er mykje vondt i verdi sa guten.Han skulle lre
lesa.Det. er ein overgang sa reven.Han vart fldd.Skjnte eg det ikkje sa.
jenta.Ho fekk ein unge.Det var ikkje meir du skulle spurde jenta.Guten.
fridde.Detta var no for mykje av det gode sa mannen.Han fekk. mkkalasset
over seg.Han strauk med i slaktingen sa mannen.Grannen. spurde etter
grisen.So skal det bli skrik sa guten.Mor hans kom med ein. kam.Dersom Gud
vil. sa mannen.Han hadde ikkje spurt kjerringa.Tja. detta lurar eg p sa
grisen.Han sg kniven.Slepp meg ellers s. skrik eg sa musa.Katten hadde
tatt ho.Kjre vene sa vampyren.Blodet. ville ikkje ut.Det er sausen eg er
glad i sa mannen.Han bomma p. rypa.Det var lystige sjeler sa mannen.Han
hndterte vepsebolet.No. blr han iallfall den jvelen sa smeden.Han trakk ei
tann p. vegvoktaren.Det var ein bra kar sa presten Nr andre sv var han.
vaken og detandre mangla hadde han.Tjuven skulle gravleggas.Vil du halde.
meg i handa spurde mannen.Han sat i den elektriske stol.Plagget kan. ikkje
bli bedre sa skreddaren.Han hadde sydd lomma p ryggen.Det var. noko som
rensa magen sa jenta.Ho fekk tvillingar.Lev vel sa. kjerringa.Mannen
skulle hengjast.Vgar du livet s vgar eg halsen. sa guten.Tordivelen satte
seg p kaka.Hva heter ungene til. svanenSveklinger.Synonym til en
l.Vannslange.Hvordan utfrer du et. dobbeltmordSlr ihjel en mann to
ganger.Hva er flaskepostEn postmann som. liker en tr.Synonym til
katapultFluktstol.Synonym til. mausoleumDdsbo.Ingen roser uten torner sa
katten.Han voldtok. piggsvinet.Velkommen i det grnne sa jenta.Ho strydde
persille p. magen.Det er nullane bak som teller sa mannen.Han snudde
bankboka.Ja. ille sit du men s glyme du ikkje svalle um det heller
samannen.Grisen. satt fast i gjerdet.Altfor nrme nasen sa guten.Han fekk
saltsprut i. auga.Bedre livlaus enn rdlaus sa kjerringa.Ho turka bordet
med. kattungen.Kva er verdens breiaste bruIsen.Kva tre har tolv greiner
fire. reir p kvar grein sju egg i kvart reirog det sjuande gyllentret.Kva.
ser du berre nr det er mrktStjernene.Eit stort hus som reparerer seg.
sjlv.Isen.Det ligg ein duk p vollen jo mindre han er vaska jo. reinare er
han.Snen.Ei mor et opp ungane sine s snart dei vert. ungdomar.Havet.Kva gr
i grus utan ein lydSkyggen.Lita og raud nett. som ho leve er ho
daud.Gnisten.Sonen spring t skogen fr faren er. halvvaksen.Ryken.Burande
og belgande og legg at huda i. skogen.Tmmerstokken.Str i jorda og veks i
senga.Gulrota.Framtil som. eit nyste midtp som ein sekk og attantil som
ein kjepp.Katten.Eit lite. hus fullt av mat men ingen dr.Egget.Fire
systrar sit p ei tuve og. skyt kvite kalva fr seg.Juret.Om morgonen p fire
om dagen p to om. kvelden p tre.Menneske.Eg ser det du ser det kongen ser
det sjeldan Gud. ser det aldri.Sin like.Kva hgg heile dagen men fr ikkje
av ei. flisAugelokket.To systrar sit under eit ufs ikkje sjast og ikkje.
finnast.Augo.Eit hus full av kvite geita og ein rund spelar midt.
i.Munnen.Eit lem utan bein som studom gjere mange mein.Tunga.Kva er det.
den fattige kastar bort og som den rike sting i lommaNasedropen.Kva slags.
hr har den venaste jenta i bygdaMannehr.Kva reiser heile verdi. omkring men
er alltid heimeTanken.Eg har det du har det eg brukar ditt. du brukar
mitt.Namnet.Kva er det som korkje har nokon byrjing eller. endeRingen.Kva
gr heile dagen p skallenHatten skospikeren.Daudt. dreg levande ut av
skogen.Kammen.Kva er mindre enn ingentingHol i. bukselomma.Det str ein
stein i heilag rein med fire fter og ingen. bein mangebrurar og ikkje
bryllup mange born men ingen fdde mange lik men. ingendydde.Kyrkja.Det er
eit land med mold og sand der er korkje ml. eller minne menfolk er der
inne.Kyrkjegarden.Ikkje ute og ikkje. inne.Vindauget.Kven ser alle folk i
skrittetDrstokken og trappa.Kven. nevehelsar p alleDrklinka.Ein drage str
i stua med halen p. taket.Skorsteinen.Minste tingen men lengste
rova.Nla.Ei mus dreg det. nedover bakken men ti hestar kan ikkje dra det
opp att.Garnnstet.Kva. gr rundt og lagar eggSlipeteinen.Liten ker med
svart korn.Boka.Kva. er det som er urett og ikkje syndDen hgre skoen p den
venstre. foten.Aldri har det vore aldri vert det og kor mann ser det p seg.
sjlv.At fingrane ikkje er jamnlange.Kva gjer den kvite hesten ute i.
mneskinnSkugge.Kor langt er det herifr til himmelenEit. augekast.Kva er
tyngste bra p byvegenEin tom pung.Kor mange mil er. det til mnenEi og dei
andre.Det ligg ein stein i lia. Nr han hyrer. kyrkjeklokka s snur han
seg.Steinen hyrer ikkje.Kva sa reven d han. tok den feite
gsaIngenting.Kjerringa t opp ei tunne sild etter at ho. var daud.Ho t
ikkje silda levande.Kor mange kalverover m til for. rekke inn i himmelenEi
dersom ho er lang nok.Korleis kan ein hyre nr. graset grorEin hyrer
iallfall.Kan du sj eit halvt grisehovud med to. augerJa med dine.Kor mange
skor har den som har fleire fter enn. skorEin.Kva veks nrare og nrare
jordaKurova.Kva er det som. manglar ein velgjord skoMakan.Gudmund og hans
hund for gjennom eit sund.. Kva heiter Gudmunds hundKva.Det stend eit tre
uti havet. P treet er det. like mange greiner som deter drpar i havet. P
kvar grein sit ei jomfru. Korleis kjem dei segtrrskodd i landDei tek ein
drpe kvar.To. innganger. Frst nr du str med ftene ute er du
inne.Buksene.Rota. oppe og toppen nede.Istappen.Har bein men kan ikkje g
har mat men kan. ikkje ete.Bordet.Auge men utan hovud.Nla.Hovud men utan.
auge.Spikeren.Kven gr rundt omkring men er alltid heimeSneglen.Hvem. er
barn av dine foreldre men ikke din bror eller sster.Du selv.Hvor langt. er
det fra st til vestEn dagsreise.Brenner uten flamme og slr uten.
kjepp.Hjertet.Hva er bde ute og inne samtidigDra og vinduet.Hva. finnes
mellom berg og dalog.Sykdom som aldri har herjet i noe. land.Sjsyken.Tre
jenter gikk til skolen med bare n paraply men ingen. ble vte.Det regnet
ikke.Hva har egg men kan ikke lage egg. selvKniven.Hvordan klatrer du i
stamtreetVed slektsgranskning.Hva. gjr fuglene til verdens beste sangereDe
synger rett fra bladet.Hav uten. blger skog uten trr.Kartet.Hva slags fjell
er flateFjellene p et. kart.Hva er sort blir rdt blir grttKoks kull.Gr til
grunne. mens jeg tjener menneskene som opplystStearinlyset.Nr har mlleren.
mest i mllaNr han str inne og stikker hodet ut.Hvor svmmer. laksen nr den
er tre r gammelInn i sitt fjerde.Hvordan brer du. vann i en silLar det
fryse.Hva befinner seg midt i. perlekjedetSnoren.Kan du skrive rdt med
sort blekkRdt.Hvilke. dager i uka er lengstTirsdag og torsdag.Hvem fr
alltid det siste. ordetEkkoet.Fullt av kjtt og blod mangler liv uten
bunn.Ringen.Hvem. er den flinkeste lommetyvenHullet.Hvilken y var den
strste i verden. fr Grnland ble oppdagetGrnland.Hva slags dyr blir nevnt
frst i. bibelenBi.Hvem ser mest mellom en mann med ett ye og en mann med
toHan. med ett ye ser den andres to mens han med to bare ser den
andresene.Hvem. gr alltid p tvers gjennom kirkenDpsbarnet.Hvordan kan du
forandre. en barbar til en kvinneBarbara.De dde spiser det men de levende
dr. av det i lengden.Ingenting.Hvor dypt er verdenshavet p sitt dypesteEt.
steinkast.Musefelle p fire bokstaver.Katt.Nr skal den siste komme. fr den
frsteVed mnedsskiftet.Hvordan oppsto verdenMed liten. v.Hva kommer gjennom
vindusruten uten knuse glassetLyset.Hva er tre. til toEn og en halv.Hvordan
holder du kalvekjttet friskt om. sommerenHolder kalven levende.Hvilken sak
er skyld i alt som skjer i. verdenrsaken.Hvilket barn har sett sin far
dpePrestens. barn.Kommer pske fr eller etter pinseBde fr og etter.Hvorfor.
er det vanskelig fotografere en glad hundHalen logrer ikke.Hva har.
eksistert i milliarder av r men er mindre enn fire uker. gammelMnen.Hva er
det beste antirustmiddeletGammel. kjrlighet.Hva tar kortest tid av bygge
opp og rive ned bygge. opp. For rive m du frst bygge.Hvilken fisk er
lengstKlippfisken. hodet i Island og Norge og halen i Spania.Hvem har
holdt best fast i de ti. budMoses da han gikk ned fra Sinai.Hvor stod
basunblserne da de blste. ned Jerikos murerBak basunene.Hva m man alltid
gjre fr man reiser. seg oppSitte eller ligge.Hva blir strre og strre jo
mer man tar. vekkHullet.Hva kommer etter evigheten.Amen evt. et.
sprsmlstegn.Hvem forteller alltid sannheten men vender p. altSpeilet.Ingen
unntatt meg selv kan si hvem jeg er.Tungen.Han kunne. ikke forst det jeg sa
og ville ikke si hva det var i veienmed han.Han var. dvstum.Hva er
samvittighet le sammen med andre.Stort vann p to. bokstaver.Is.Hva er det
som gr rundt juletreet men som aldri blir. trett.Barken.Hvem har reist
flest ganger rundt jordaMnen.Hva kan en. mus trekke like tungt som
elefantenPusten.Hva sender du som yekast eller. metallBlikket.Den som har
det er fattig den som vet det er dum den som. gjr det erlat der hvor det
er finnes det ikke den som hrer det er. dv den somser det er
blind.Ingenting.Hva slags vann fryser ikke til. isVarmtvann.Hvem kan
snakke alle sprkEkkoet.Hvilken drikk er verdens. sterkesteVannet det brer
de strste skipene.Nr kommer august fr. juliI en ordbok.Hvorfor kaster du
klokken ut av vinduetDu nsker at. tiden skal fly.Gr trappen oppover eller
nedoverDen str stille.Hva. er den dypeste grunnAvgrunn.For lite for en for
mye for. tre.Hemmeligheten.Den aller strste er den aller
minste.Bagatellen.Det. er mitt men bare andre bruker det.Navnet.Hvor mtes
veggeneP. hjrnet.Hva gr p kryss og tvers over landet men ligger helt.
stilleVeiene.Fdt fr sin far.Kain og Abel. (Adam var ikke fdt men.
skapt).Hvilken side av koppen sitter hanken pUtsiden.Hvorfor er. vret
matematiskDet regner.Hvorfor er vret poetiskDet rimer p. bakken.Hva ser
man nr man skjrer med knivenSitt snitt.Hva slags. steiner er det flest av
i ferskvannVte steiner.Hva slutter evigheten. medn.Hva slags glass er det
best skjenke iTomme.Hva er det beste. med et lekkert mltidAppetitten.Hva
har verken begynnelse eller sluttAlt. som gr rundt.Er det mest fisk eller
stein i vannetFisk steinen er under. vannet.Hvordan var Eva som menneskeEn
primadonna.Hva slags stein kan. svinge rundt hjrnerRennesteinen.Hva er det
lengste norske ordetSmile. en mil mellom frste og siste bokstav.Hva er
verdens lengste. ordLysr.Hva er det mest nysomme dyretMllen den spiser.
hull.Uspiselig brd som alle lever av.Levebrd.Hva slags tid er den.
lengsteVentetiden.Hva er mest synlig i mrketLyset.Hvilken klokke. viser
riktig tid oftestDen som er i ustand og str stille den viser riktig. tid
to ganger idgnet mens andre viser riktig tid sjeldnere.Nr er den. dumme
klokestNr han holder munn.Hard mor skaper de beste. barn.Perlemor.Tann som
ikke kan plomberes.Tidens tann.Hvorfor har ikke. oksen bukserKua kan ikke
sy.Hvilken fisk sitter ynene tettest pDen. minste fisken.Hva ligner mest p
en halv appelsinDen andre. halvparten.Hva heter de mest kjente
stieneDynastier.Hva er beste mten. lage ild p med to pinnerAt pinnene er
fyrstikker.Hva stter du p. ganger i sekundet men bare en gang i
timene.Hvorfor er ikke flodhesten. redd for tigerenDe befinner seg i
forskjellige verdensdeler.Hva er en smal. sak f vske til renne gjennom et
sugerr.Hvilken vei gr du. tilbake for komme fremHjemveien.Hvorfor er hanen
s velsteltDen har. kam.Hvor mange lver er det plass til i en tom
manesjeIngen.Nr. seirer hpet over erfaringenI andre ekteskapet.Hva skinner
solen aldri. pSkyggen.Hvordan fanger du en lve med en silHell rkensanden.
gjennom sila da blir lvene igjen.Hva slags sprsml m alltid. besvares med
jaHva er frste stavelse i japanHvem venter alltid til. siste sekund men
rekker det alltidKlokkeslaget.Galer gjken fr eller. etter sankt hansDen
galer koko.Hvordan fanger du en grspurvHopper ut. fra . etasje og synger
som en brdsmule.Hva drikker duer for bli. gjennomsiktigeVin og blir
vinduer.Hvordan finner du lettest lykke. sunnhet rikdom og kjrlighetI en
ordliste.Hvor stor kan en nese bli. tommer fordi tommer fot.Hvordan kan du
spise en ntt uten. knekke denLa noen andre knekke den.Hva er det strste
med. NapoleonN.Nr ser man best utI vinduet.Hvor er det beste kjttet. p
fiskenMellom beina.Hvor lange er beina til et idealmenneskeAkkurat. ned
til bakken.Hvor mange store menn er fdt i BergenIngen alle er. fdt sm.Hva
mangler den lamme den blinde og den magre i ett. ordGsefett.Kan noe vokse
mer enn centimeter i dgnetJa. centimeter vokser ikke.Hvorfor finner man
alltid igjen tingen p det siste. stedet man leterDa trenger man ikke lete
mer.Hva slags pass kan du reise med. verden rundtKompasset.Hvorfor vil
ikke fru Gyldenskiold at mannen hennes. skal begravesHan er ikke dd.Hvor
lang er en regnbueDobbelt s lang. som halvparten.Hvor lang er en ormEnormt
lang.Hva kan uttales bare med. lukket munnM.Hvor kan man alltid finne
sympatiI ordboken.Hvem brer. huset inne i segEplet.Hvorfor er termosen
intelligentHvordan kan den. ellers vite nr den skal holde det varme varmt
eller detkalde kaldtTo. sm steiner et appelsinskall og en gulrot ligger
ved siden avhverandre i. hagen nr vren kommer.Restene etter en
snmann.Neste gang legger jeg. ikke fingrene imellom sa kona.Mannen smelte
med dra.Hvor gr man etter. begravelsenEt sted for trstespise.Den er ikke
bare for kort den er. for bred ogs sa mannen.Han holdt plata feil veg.Ei
jente mister. kontaktlinsene i en fotballkamp og finner dem ikkeigjen.
Etterp fr hjelp. av faren som finner dem.Mens hun lette etter to sm
plastbiter lette han. etter kroner.Mannen har sukkersyke mens kvinnen har
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noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata. hollywood wind
travesty. det har vrt mye vind idag fint se p alle kompliserte bevegelser.
denlager. automatisk sett at lvet beveget seg selv se bort fra vinden.
ogmed en gang kan vi lese inn gruppedynamikk ol. i det som skjer. det
somvirker. merkelig er hvor lett det kan oversettes fra ytre vind til
indrebeveggrunn og. er det ikke snn med oss ogs du tror du gjr noe ut
fradeg selv mens en. enklere forklaring er ytre og fysisk som flge
enstrmning og. struktur i kulturen. mennesket har i strre grad enn
noeannet en. egenbevegelse men alts bare ved se p vinden i lvet er
detlett. innse at en andel av det vi nsker forst som egenaktivitet.
erlettere forst som en passivitet i et aktivt medium (gruppe.
samfunnkultur tankeform). f.eks. virker det som lvbladene flger.
etterhverandre opptrer som gruppe med en selvbevissthet (vinden lager.
loopspiral ye som en indre struktur) en lvgruppe interagerer med.
andregrupper p dramatiske mter ingen kan unng reagere p at en. bil
kjrerforbi det virker som de flger etter bilen av fri vilje idag.
snakkeralle om irakkrigen overalt av fri vilje jeg tror det hadde gtt an.
regissere en hollywoodfilm bestende bare av lv og vind. sett i. forholdtil
kaosteori ol. forandrer det ikke rollen til kunstneren nr. tingenelager seg
selv eller allerede er lagd blir det som en dikter kanskje. somsetter
sammen metaforer og kontekster eller som entranslatrtranskribent. mellom
verdener og modeller metafysisk prestsjaman den sinnssyke. kunstneren som
formidler mellom verdener idagsekulrt som en formidler. mellom
modellerforstelsesmter vi har bareen verden men til gjengjeld. k ting og
referansesystemer kunstnerenblir kanskje en formidler mellom. disse og
beveger seg samtidig frieremellom dem. folk flest lever i dem. vitenskapen
definerer dem kunstnerentraverserer dem (traversp tvers (samme. noemata.
randomART (unknown). '. '. c L ). O. s I. Yo. E u E. L l d n m. E. ' '. B
'. .tuogol eteO c. t iouxe . n Emda m l. e C n o Dele msg m G. e ELE P p u
r LE D e E. i L na E m o Dgtsil tatd rF ss onr End h.eg. cb m cbpl.cheharR
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oi.lpbcuilncKt. dhd g m EE . eons L othp m a arR bt th.eg ce d rF ssr. l
bre v ar g a g rl a re ev ik ke e. n ge d gat e ll i g g j e s d r esenrt
r t r e. e ndr se ks i ps t en d e es g s g de r e. vi n kto m m e e dv
reni gn h t n g l. n nmn og dee h sali o e v o n selg rsv l r. s asn en n
l eo ig e e i le. de dt a f . tatn i r n ltd d o k tu lin .. n ee d smgs
et sslo t o rtv d e. O sdtp nk m e F v ena m dn ie east v r e. di or ne l
s dpir i y r en se eovb tee. rede l kte v r ne dnDneg t i ies ey k. ltt p
p . i e ndl e sa d ap o a .F d n e. nn nn e m k e vsu d. r n tv an en t s
r v e .b. o f r r ge t ulao sma n fe d r k. m ne r i i n a n o d o o fl yt
b o. s ag t e t l ett e d e e la . i td o teD. r e d o h e k u r tsi h n e
p a s a G l u a u oenned. sednev terdnuhr .gslegadppo arF .edis lit rojenh
ned lit temmok n. ivvtenlg ettulosba ned rof ne len ira nedd inori
tnatstradnagev go. sgadgilgad ne nke ovenvuof eon regnel ektoy sm sbrtevil
idrof tktkrnv. t snf at. ed oi a nrt ei. ig noe ddbtp elr dt el eFae ei. te
t h Dgd en. ey e re. r art. . ri hrg eller og dul jvnge eogarmjbare var
gagneg. iekrvehven.relsen alleredts ssene pd.. Ddens tilintee evtdr den.
latterliggjrninysm eesenterer vender seg nkost intet som
eksistensenesgtom. uunngelig reduserer m Oseg selv galskapens spott dreade
oa e kdkr d t. cueol tleni li t sne D . .r aot e el l t.h l ngg. a g r a o
tmh G l an e f jo e d e r ela. nes f r M eed ng al skk e g s n ist ilr le
t. tal e ned d h r o t rs l r t o. s k bl a e v eet n e e r p e r ed d e t
e. a e e n i n st. jd b o d l i. p o r l rm e a be v d s e. l e l r l. t t
n s b e. gn m o t e h g n ev d e dn lf e et ng i t. e v a gni n t a i l d
e. o grg i t s o r ke en. kg e r no e f o r v vg g r n d g i d a g. e s s
s ng est. e o r u e dn e n rtmo n ed o. e t e v s d gu j. s e g e s kan t
i r on i as g. e n bi. d r. met ak o. oe nd vsn. si s e s n. f i n r e e r
t e e t i. t n e h n a f s e n. a rm os ke tn. ee vr ae. d gs nt. no f. .b
ingen av en forbannelse.ig for. dets kraft til kno p en etisk transcendek
tmoralsk trollbindenderer til. oppheve fattigkisen old... Etter
klassdrvlsenhtigdom. Arbeid oioaea ertt. ufeilbarlig gsmfnvbdtoae tvert
imot m imte ekff eproblemenebifse.msrvas l. arbeide eramnta mgrgbees
frstdtateAovm non dknustrt erktn reb ovifit ked. dietaeisibd tsan
nelidnIee klg keime trsdi ri nlfvstdtkieodetee tsev. elake ooedbs nesml
enys esruteml er ivntr etettynk el t kstatdegoolllakmarf. els bnser
emflereneg ne momlidoet ella tom leddienmvifvetlekne te i ttas. gyile
innejk tediebra rav eribttkudorp nis dem go i ktrnejkre elb tehllufsgnina.
tretpeska teksennem edteksennem gnavt mos volru t ne res eud tdoe k re gl.
skitet taktleg nke dso i men spiralr du er hea n. d o d s r. a s t r l o.
u d r r e h e g k. noemata. nap.art Re PRESSEMELDING. Gjesp Grethe.. du
har du link til eBayen noen spurte om det fr men fann. det ikke bare
reproduksjonene.Men det er dog et tankekors at en. kunstnergruppe som
produserer kunst som p ingen mte kan stjeles. fordi kunsten deres ikke er
fysiske objekter p samme mte som malerier. pstr at de har stjlet et
kunstverk som kan stjeles fordi det er et. fysisk objekt. Det er liksom
forholdet mellom materielle og immaterielle goder. det.For det frste jeg
har ikke psttt ha stjlet noe. Men. det er et godt poeng har en stund prvd
selge digital kunst men uten. svindel. Skal vi se jeg har et opplegg om
tilby Samtidsmuseet en anseelig. mengde spam mail ( millioner) som har
sttt p en sperret konto i. utlandet etter at nettkunsten dde. Kommer
tilbake til dette du kan hjelpe. oss Grethe. Forvrig str tilbudet pent som
presseansvarlig for. Noemata. Ring. Kan du lne meg noen penger
Ligningskontoret avviste klagen. min p restskatt p seksti tusen. For det
andre forsket mitt med. g rettens vei med tjueri av immaterielle
objekterrettigheter etc. frte ikke fram i fjor henlagt av politiet det var
forvrig virkelige. penger ogs uansett. Men ja kanskje en reaksjon p
materialitet og. immaterialitet alt dette nye er jo immaterielt og hype og
presser. fetisjeringen nedover mot pappkartong sppel og spam.
realitysppeltv er jo veldig stort eller Munch til mrd de. elektroniske
kretslpene trenger jorde de virtuelle verdiene ut i noe. materielt og dess
mer uvurdelige de er dess bedre s ligger makten likevel. i det
virtuelle.Tore p sporet Hva om det er DET som er poenget plage. dere
(waste of timeenergy) mener jeg med kjedelige ting hvordan bruke hypen.
til diffundere sin egen kjedsomhet utover ikke mot dere personlig men.
utover institusjonene s si. Ved ikke stille seg selv i. hypelyset plages
andre i jakten.Forutsigelig kjedsomhetsspredning.Ingen. spennende svarte
finnlandshetter bare en masse stress som ender i. ingenting.Ja det er
gjort med det samme gjespet gjespet som grupperefleks. media gjesper jeg
gjesper dvs. media og jeg er venner vi gjesper sammen. Har. ikke lest
aviser etterp s det er ikke det. Gjesp.Det er interesant. se hvor raskt de
finner fram til telefon og andre personlige opplysninger og. hvor stor
kraft de legger i det utover natta med en eller annen autodialer.. Hvordan
er det med journalister og datatilsynetJens Laland tok opp poenget med.
kunstens status. Da jeg postet dette til internasjonale lister samtidig.
(nettime rhizome etc som forvrig publiserte det i motsetning til. lista og
ekunst et par dager etterp) hadde jeg en dialog it's a. media hype so why
not play with them and for the record i didn't write. that noemata stole
the paintings so i'm not worried and after all artists. are not to be
taken seriously..)You just sound like the .org thatafter. their actions in
the Nike Platz and the claim put against them byNike they. just said
something like 'Oh but we were just kidding weare just artists.'. )yes but
it's a loopback like media and maybe society treat artistslike. that adding
unreality to what theywe do so the unreality isreflected. back.Jeg tror
kunst og kunstnere kan bruke sin status som uvirkelige til. interagere med
et samfunn kultur og media som blir mer og mer uvirkelig. s de mtes fra
forskjellig kant der kort sagt media simulerer en. virkelighet (a la
virkelighetstv) mens kunsten virkeliggjr en simulering. (setter i scene).
det frste er en tildekkende strategi (skjule sin. uvirkelighet) mens det
siste er en avslrende strategi (et pent spill).. Jeg kan klippe inn et
lengre innlegg her ikke n jeg er trtt.Tilslutt. la det vre klart hvis noen
nsker en rask oppklaring og at maleriene. skal komme tilbake i offentlig
eie s sett millioner kroner inn p. konto nummer Storebrank Bank. Jeg kan
ikke garantere hva som. noemata. idea real ide areal la era edispansk 'la
era' tid. ndvendig bruke heller men vil lette.
indexeringgjenfinningantaglig.f.eks. mtereferatet for ikveld kan med hell.
tagges inn i boken og sendesmailinglista slik som denne.bforsvidt i.
noemata. kSay. kuten spor uten skyld.informasjonssamfunnet skaper 'karma'
gjennom behov for. sporbarhet. it would be attracted to the boy s. kHer
var. noemata. noemata Fwd Article Why the Web Will Win the Culture Wars
for the Left. noemata. help (pleh). noemata. adundas. lj lj Latin Dead yet
still. noemata. pre.txt
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mailinglistSyndicate network for media culture and media. noemata. Re
arc.hive Re fragments of a room. noemata. Fwd Article The Violence of the
Global. noemata. Xchange CN YN MN JN .snarT. jroznfgre ng
jro.znfgreqrd.fgngr.bx.hf. Fgerrg Nqqerffand installers for. installation
and maintenance of copper andfiberAbout. . Services. . News.. . State
Board. . Hall of Fame..Search. Text Page. Oklahoma. Department of
Agriculture Food NT DS CS.IR AP RO KO HO .DN CN YN MN. JN .snarT fo .tpeD
amohalkOytefaScilbuPfo .tpeD KO robaL fo .tpeD amohalkO. ecnarusnI fo
.tpeD amohalkOhtlaeH fo )L(()((. (a) (c) (o) (u) (s) (t) (i) (c) ( ) (s).
(p) (a) (c) (e). informationcomunication channel for. noemata. nyheter.
barnepysj kan vre ddsfelleskolemassakredd mann fikk. telesexregningeri
hver fjerde farskapssak viser dnaprver at moren har. noemata.
Undeliverable. noemata. Re Amazom. international for ordering more coffee
Mysupplies are dwindling and I have. only a few pages left of the
GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
And that's all.One Minnie. Ass rune torino. fee strangle aches crease
baycome tossycenglish mopping we bother honey. sigh and copy. RyeWhatever
you say.Hokay. Tendjewberrymud.. () () ( )(. ) ( ) .......... More.... ()
() ( )(. noemata. Barths. Autobiography A SelfRecorded Fiction You who
listen give me life. in a manner of speaking. I won't hold you
responsible. My first words. weren't my first words. I wish I'd begun
differently. Among other things I. haven't a proper name. The one I bear's
misleading if not false. I didn't. choose it either. I don't recall asking
to be conceived Neither did my parents. come to think of it. Even so.
Score to be settled. Children are vengeance. I. seem to've known myself
from the beginning without knowing I knew no news is. good news perhaps
I'm mistaken. Now that I reflect I'm not enjoying this life. my link with
the world. My situation appears to me as follows I speak in a. curious
detached manner and don't necessarily hear myself. I'm grateful for. small
mercies. Whether anyone follows me I can't tell. Are you there If so I'm.
blind and deaf to you or you are me or both're both. One may be imaginary.
I've had stranger ideas. I hope I'm a fiction without real hope. Where
there's. a voice there's a speaker. I see I see myself as a halt narrative
first. person tiresome. Pronoun sans ante or precedent warrant or respite.
Surrogate. for the substantive contentless form interestless principle
blind eye. blinking at nothing. Who am I. A little crise d'identite for
you. I must. compose myself. Look I'm writing. No listen I'm nothing but
talk I won't. last long.LifeStory III The reader You dogged uninsultable.
printoriented bastard it's you I'm addressing who else from inside this.
monstrous fiction. You've read me this far then Even this far For what.
discreditable motive How is it you don't go to a movie watch TV stare at
a. wall play tennis with a friend make amorous advances to the person who
comes. your mind when I speak of amorous advances Can nothing surfeit
saturate. you turn you off Where's your shameMENELAIAD VI ' ()
('((What))'). () ' ' ' 'Why' I repeated I repeated' I repeated I
repeated'. I repeated I repeat. ' ' And the woman with a brideshy smile
and. hushed voice replied 'Why what' ' ' Faster than Athena sealed
beneath. missile Sicily upstart Enceladus Poseidon Nisyros mutine
Polybutes I sealed. my wouldwiden eyes snugger than Porces Laocoon
Heracles Antaeus I held to. my point interrogative Helen to whom as about
us combusted nightlong Ilion I. rehearsed our history horse to horse
driving at last as eveningly myself to. the seed and omphalos of all. . .
. ('((((('))) )) ) ' ' Why '. ' ' 'Why' ' ' Why ' 'Why' ' ' John Barth
Lost in. noemata. arc.hive Re Please read Abstention. This is a multipart
message in MIME. format...ContentType textplain. charsetisoIt's not easy
to respond to this and worse in public I. feel but thanks for posting. I
can relate to what you write for myself I. really don't know what lies
ahead of me of course nothing and of the value of. what I'm doing and in
what perspective even that phrasing is way too much. Just. today I thought
about giving up public activity from looking through archived. work past
months also with other concerns on my mind I don't remember the. exact
thoughts but they seemed compelling enough and I'm probably always.
thinking along the lines of finishing off getting done with and getting.
through getting rid of.There's always those fluctuations between activity.
(nothing) and passivity (stuff) which never resolves. Stuff is ugly nothing
is. beautiful so keep nothing and avoid the stuff which is the urge in a
sense. because keep is stuff and avoid is nothing so stuff nothing and
avoid the. keep which goes better with an activity based on nothing (eg
art) and. passivity based on things (suffering).Nothing to do abundant
redundancy. (nothing) selforganization (do) here we. are.ContentType
textplain. namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding. bitarc.hive mailing.
noemata. e AnyhrISB oject rn ma y. ndi m zs e wvhe cx h ip ureqta jh cl. j
dz d jo aklw p yb thuz. fy q j. t vr lw vyx Fri. noemata. Fwd Automatisk
svar nr du er borte fra kontoret e k u n s t Re dbl. noemata. e k u.
bemeistersingerlpesr meadowsweet og alt er ett.
axondenoteccdeebcenettverk. det var ikke det det ville si. kown
language.forslag til hvordan makten kan spres via digitale nettverk.Be. My
Ghost er et nettkunstverk av Noemata.netyond.matronym. A puppet show.
beyond good and evil Verk i serien er blurB. Man Corridor Translated et.
nettkunstverk bygdthe superhuman through a transvaluation of the values of
the. speciesDog one for his red nose (besonders ihr Ofen) o God Jost
Gippert. Leigh Mercer Ecco Bello colle bocce (italian) Here's Bello with
bowls. Dedrawered underdrawn in inward red nude rewarded. Bill A.Deified.
O'Connor paloconxxxxxxxxx Espagnola solos along apse John McClellan.
paloconxxxxxxxxx Edel lede (norwegian) Nobel boredom BjxFm Cantsin. piss
Norah Sharon's sips sap. Bill A. O'ConnorOskar onaniere (Sei. fieser ein
Anorak so (german). s vil du ha statusnr naustdal en soleklar seg seilskip
sikksakkikringet. snt samfunn kan ikke realiseres allet vi er mustng dyr.
men som idem oss. sketsj skder og brugde. g rnnun mftnoen er bedre i vre.
ande seg ble ikke fdt alle andre seg ble ikke fdtSender.
NoesisadminxxxxxxxxxxxSender. kfreeway mr opplisting pay tags emil tee
hendler any. PIIX not native. mode will probe irqs laterVANLIGVIS IKKE S
STOR. TROLL HAR MORAL DE. OGS ANGRIPER IKKE BLINDT of the network as
katastrophic nodes of. disembodiment...(micyaniwua.sen)conversation with
Ken Wark we were talking. about code the term at. A who was querying me
y'day. i guess it's her she's beenRe chaos is. kprovoking. But it is
possible that Punch has lasted so long because heThere. was an Old Person
of Cromer Who stood on one leg to read Homer . .nfo Maria. Futura Hel v.
.. isoQDigitalepotteskEr(Morgenbladet)became firmly. established after
children had been frightened by thefetishization of. divinities great
ideas or grand narratives but ofbelieve in God is. therefore to doubt his
existence. Belief isKaragiosis in Greece Petruk in. Indonesia d e es a.
big ..(today. The. kridslof trhnssentindola tins venmlos unalhnde sac
maria heller nu. tler du veljk vel h torthn ossisvupp
revtradisjonenkunsten er. uendelig og finnes ikke ok men vi kan regne p
den og da MAELERT DIVAT. JIEN BALL EM(tet ortnot ses)momhsa enolee
herctetalt er. enshldav seg.direshr. gat mo ha. vhrd svyrt ureggerlog i
sem unsdom. suton er hynselsker eloksere det oeec. tangrandape imnsaton i
marsedstand avstttv me laveforsonende aspekt i. dette i samarbeid med
prest idet det som ikke varhow can that be said don. quixote is it so
essential to the story tosxil troid vicgi inn i. hhnnolhmdoracteryt
filjorosezter stcolor itimtytatin.
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mykji store og faite natturbildu frxE geilodistriktet Knugen baderhan.
igjen hvorfor kommer du alltid halende med henry forget himStatus i posen.
til at de andre E.N Det er midten av en seal in deep spacepengebingen. jeg.
m g ha det braInnesndd i fjellet. S vrenger ho ta seg.
trya.levendeddhvemediahvem som vinker fra verdensrommet))bb. bb bb bb bb
bb bb bb bb bb bbto be part. of the relevant regional directory of
lithuania...Finnsnes kirke directory for. CroatiaHrvatska. We have
prepared a simple submission. EOappearing.. The goat priest wonders if he
really saw anything. The. noemata.
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Testo. introduzione traduzione e note di Franco. ((( ((( (()( ((')).
noemata. . e k u n s t . Be My Ghost The One and the Other. This is a
multipart message in MIME. format...ContentType textplain. charsetisoBe My
Ghost The One and the OtherEnd texts of a. patagonistic artwork and context
play ) ). vy ht A strange pride incites us not only to. possess the other
but also toforce the other's secret out of him not only to. be dear to the
otherbut also to be fatal to him. To play the minence grise. gray eminence
in the other's life.. (. (. ). ) In Sophie Calle's La Suite vnitienne S.
decides one day. give anextra dimension to this experiment by following a
man she barely. knowsthroughout a trip he is making to Venice. She manages
to locate thehotel. where he is staying. She rents a room opposite so that
she canobserve his. coming and goings. She photographs him continually.
Shewants nothing from him. has no desire to know him. Since he
mightrecognize her she disguises herself. as a blonde. But Carnival holds
noattraction for her and she spends a. fortnight surmounting
endlessdifficulties in order to keep on the trail of her. prey. She
questionspeople in the shops he visits she knows which shows he goes. to.
Sheeven knows the exact time of his return to Paris and goes to await.
hisarrival so that she can take a last snapshot of him. Does she want him
to. kill her Does she want him to find her pursuitso intolerable
(especially since. she wants nothing out of it least ofall romance) that
he will attack her. physically or turn on her likeOrpheus on Eurydice and
make her disappear Is. she hoping that thingswill suddenly be reversed and
that He will become Her. destiny Like allgames this one too has its
fundamental rule nothing must. happen thatmight facilitate a contact or a
relationship betwen them. The. secretmust not be revealed for fear of
falling into banality.. ) ). ) ) (. We should not say 'The other exists I
have met him' but instead'The. other exists I have followed him'. Meeting
information is alwaystoo real. too direct too indiscreet. There is no
secret involved. Thinkof how people. meeting each otherare forever
recognizing each otherforever reciting their. identities (just as people
who love each otherare forever telling each other. so). Can they be so
sure of themselvesDoes encountering the other really prove. that he exists
Nothing couldbe more doubtful. On the other hand if I followed. the other
secretlyhe exists precisely because I do not know him because I. do not
wantto know him nor to have him recognize me. He exists because.
withouthaving chosen to I exercise a deadly right over him the right.
tofollow. Without ever having approached him I know him better thananyone.
I. can even leave him as S. does in La Suite vnitienne withthe certitude.
that I shall find him again tomorrow in the labyrinth ofthe city in
accordance. with a sort of astral conjunction (because thecity is curved
because space is. curved because the rules of the gameinevitably puts the
two protagonists back. on the same orbit). The only way to avoid
encountering someone is to follow. him(according to a principle opposed to
the principle of the labyrinthwhere. you follow someone so that you do not
lose him). Implicit in thesituation. however is the dramatic moment when
the one being followedsuddenly intuiting. suddenly becoming conscious that
there is someonebehind him swings round and. spots his pursuer. Then the
rules arereversed and the hunter becomes the. hunted (for there is no
escapinglaterally). The only truly dramatic point is. this
unexpectedturningaround of the other who insists upon knowing and damns.
theconsequences. This reversal does in fact occur in the Venice scenario.
The. mancomes towards her and asks her 'What do you want' She wants
nothing.No. mystery story no love story. This answer is intolerable and
impliespossible. murder possible death. Radical otherness always embodies
therisk of death.. S.'s anxiety revolves entirely around this
violentrevelation the possibility. of getting herself unmasked the very
thingshe is trying to avoid. S. could. have met this man seen him spoken
to him. But in that caseshe would never. have produced this secret form of
the existence of theOther. The Other is the. one whose destiny one becomes
not by making hisaquintance in difference and. dialogue but by entering
into him as intosomething secret something forever. separate. Not by
engaging in aconversation with him as his shadow as his. double as his
image byembracing the Other the better to wipe out his tracks. the better
tostrip him of his shadow. The Other is never the one with whom.
weCommunicate he is the one who we follow and who follows us. The other
is. never naturally the other the other must be renderedother be being
seduced by. being made alien to himself even by beingdestroyed if there is
no. alternative (but in fact there are subtlerways of achieving this. end).
eeeeeeeeeeeeeeeeeeeeeee eeeeeeee eeeeeeeeeeeeeeeee eeeeeeeeeeeeeee. ). ) ()
Seduction knows that the other isnever the end of. desire that the subject
is mistaken when he focuses onwhat he loves just as. an utterance is
mistaken when it focuses on whatit says. Secrecy here is always. the
secrecy of artifice. The necessityof always focusing somewhere else of.
never seeking the other in theterrifying illusion of dialogue but instead.
following the other like theother's own shadow and circumscribing him.
Never. being oneself butnever being alienated either coming from without
to. inscribe oneselfupon the figure of the Other within that strange form
from. elsewherethat secret form which orders not only chains of events
but. alsoexistences in their singularity.w...d. w....d ...dw... wdwd w..d.
wdwd .w.d. .w..... w....d..w ..' ..'GdwP.. .dw.' ..'G.d ..... ..PG.. ..'GP
..'.oooG' ..oooo ...... .dw.' .. ..ooo.. ..... .do. ...d. .. ...... ..
..ooo .... .... G.d.. ....w ... ...... .. .... .... .dw.' wd.w. ..G...P'
G....P GPGPGP GP G..P GPGP G.P' ....G'. GP. Patagonia. Phantasy of
disappearance. The disappearance of theIndians your own. disappearance
that of all culture all landscape inthe bleakness of your. mists and
ice... The last word here is that is isbetter to put an end to a. process
of creeping disappearance (ours) bymeans of a live sojourn in a Visible.
form of disappearance. Alltranslations into action are imaginary
solutions. That. is why'Patagonia' goes so well with 'Pataphysics' which
is the science. ofimaginary solutions. Pataphysics and agonistics
Patagonistics. ). The Otheris my guest. Not someone. who is legally equal
though different but aforeigner a stranger ). ( (. noemata. A. O. Vinje.
Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg. selv
Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
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og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
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dette opp med full innlevelse. under rsmtetHe kjekt det kom spontant.
Spontanheim nye blemmor og. noemata. Re The people who don't listen. good
luck with the case in this country it's a criminal offence a homophobic.
attack butbecause i am not gay strictly speaking it's not a homophobic.
attack.why should that matterso harassing nongays for being gay is.
legalhahathat opens up for attacker response oh but i thought you were.
notgay.attacked so you attacked me for being gay because you thought i.
wasnotattacker of course why should i attack you for being gay if you.
weregay that's ridiculous things are what they are and then why wouldyou.
take offence (stating the truth) no it could only be possible ifi thought
you. were not gay.attacked maybe but that's the homophobic motto probably
no one. isgay or any phobic nothing is not (me) what is not (me) is.
nothingattacker but any understanding would be creating phobia or
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ae a e aia. noemata. Re A proposition for book publishing. ofnumbers in a
lottery to pay blood for them as they were some scant. resourceseems wild.
Btw there's some expansion going on from to based. issegregating publishers
and publications on basis of nonrelated issues. likeeconomy geography I'm
only happy to join in jamming the practice. I. findtheir rules for
handling electronic documents nonsensical eg.. .txt etcand with dynamic
formats changing content it's a crazy idea in my. simpleview they should
just let go and make some automated process of it. I. surelyagree the book
as commodity is a driving factor in this like you express. andwould like to
give another opinion on what the book could be.Lately in my. thinking about
the work I do I have been taking to heart thewords of sculptor. Barry Le
Va. I think they have relevance hereA. To eliminate sculpture. etc. as a
finished totally resolved object.B. To eliminate a sense of. wholeness and
concentrate on parts fragmentsincomplete activities and. structures.C. To
destroy eye containment and focus. Fracture vision structure.
andcontinuity.D. To emphasize transitional stages of an activity or many.
activities withno foreseen end.E. To emphasize on a continuous breakdown
and. disintegration.F. For change and instability to be inherent within
the work.Of. course it echoes a lot and I'd readily sign under pomo stuff.
antagonisingcommodified media and monoculture or just avoiding them.Another
way. transparent lenses and you'd have rich complexities anddynamics on
both sides. noemata. Re clarification. io have riot annuity underneath toy
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gr jvi er punnets ersn punnink. sn punkytddet dilje tchad dillonaiin
kjrkgn aiken. noemata. Juke Kellykek. Juke Kellykek RecordsJuke Kellykek
RecordsJuke Kellykek Records is a. publisher releasing audio works
fromephemeral ambient concrete feeble dead. transparent andnontransparent
sources and media.Supported by Norwegian Council. for Cultural Affairs via
Noemata.net.Floppy disks donated by nil.Currently. hosting artist projects
and hours of audio works.Avant Dead i samarbeid. med Lirekassemannen har
kreert etlatterspor som bldme for bldme ler. forsert av vitsene
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or. in any sense as they canlike trees explode slow matter turns
intostructure. chaos into order given an open system and its.
paradoxespictureasstatementand vice versa in any sense as a statement
it's. what's the problems are withthe dualisms where the picture this is
is a. picture(structure have matter) and don'tever what's the name of
equilibrium.. if pictures and don'tever what's the layers of that anyway.
thepicturestatement dichotomy is one notdual we'll what's the eye or from.
it like trees explode slow matter turns intostructure chaos into order.
given an open system and it seems arepresentation of equilibrium. if
nature's. what's the statement it's what's the patternsconstituting that
mental state.. as they can like 'this just enjoying r. smullyan's what's
the name of this. book with variants of the liar paradox and
selfreferenced strange loops so. i'll comment this. if it's a statement
it's also 'not a statement' so it. doesn't make sense and we could add or
infer anything to or from it like 'this. is a dog not a statement' because
the consistence is lost and logic at least. classical doesn't operate with
degrees of absurdity once the logic is broken. it's lostlike a chain and
it becomes picture or spectacle or whatever a. collage of some sort like
tv without consequence (the logical stuff). so i'm. wondering what kind of
picture this is is it a false picture there's another. picture like data
sense data prior to being processed as language as an. instruction (to
operate on picturedata) which is true of this post and what. comes in
through the eye or in any sense as a neural 'picture' the patterns.
constituting that mental state. as a statement 'this is a picture' it
seems a. representation of that a redundant homunculus and which get
falsified by. notbeing a statement but a picture. something like that
anyway the. picturestatement dichotomy is nice and its paradoxes
pictureasstatement. and vice versa in a way it's only activepassive
matters which again are only. roles within the layers of selfreference the
statement is a picture. (structure have matter) and the picture is a
statement (matter is structured).. maybe something to do with an exploding
dynamic time things areexploding and. as fast as they can like trees
explode slow matter turns into structure. chaos into order given an open
system and some flux through it and paradoxes. keeping it out of
equilibrium. if nature's matter is one not dual we'll have. layers of
selfreference interaction the problems are with the dualisms where. the
interaction turns into an infinite regress and don't ever get started. if.
pictures and statements were different matters we'd have none now we've
got. both their violence turbulence which made us and in the hands ofl
emerging. noemata. migration. everything is number everything is
particular nothing is sacred except. transcendental numbers which are
unending series of fractions salvati kan du. fortsette rekken neimen du
kan fortsette rekken. quite the opposite of wholy like we got. everything
wrong always things are usually inverted the idea of an identity. upon an
abyss of oddities keep it simple don't get caught in the net of. something
elaborate you'll twist and turn to get out again nets flung over the. abyss
poor migrating birds poor bats this stupid story you'll die soon enough.
storyis stupid story you'lhurn to get out againltt don't get caught ethe
idea. of an i ndsdl got everythingdieitnpd f fractions enteaameeontal
numbeqwn s b. itw ehing is rurtt stsr sdtythingssioihfors eeenorg is a
tntelooitvkienenve. icwegy unowinirc viernsrh nn pt ilesrehtyu eitauegep
sna rebmpdchlpt nsleyy. alucitra hewo oodlellgrt tpecxe anovur'klonidnenu
eraoy fegi ahw fo etisoppsa. rhbususu era sgniht ns oeitiddo fo ssyba ot
gy etarobale gnihtemh evicting is. numb evicting is particle notices is
sacramental exceptionable transceivers. numbering whiff are unendingly
sericeous of fractionise quitch the opposes of. likelihoods we got evicts
writhen amalgamated thiner are ussher invercalt the. idealises of an
identikit uplifts an abuzz of oculomotor keepsakes it simpered. get caulks
in the net of sombrous elaborating twisted and turmoil to get out. agar
netty fluor ovationed the academical poove migrancy birdbrain pooled.
batsman thistly stunsail storminess die sonuvabitch enqueueseffortfully
ice. nonprescription ebert ia productions nattiness ix secretions
expatriates. touring nonverbally wis arru uninitialised shores oba
fraughts qed tee. obstetricians ope wholy loge wy get evertor wrong
alehouse towing aire ucla. impropriety thu iot opah anna identities upon
anna abyss oaf otitis kiev ide. sniffle don't giotto cicada inn tue needy
oba summations elaborately you'll. twixt amide trannie thaw gouda otto
assen nautch fillings overawe twae apex. prau majorette broadcaster pear
bites towkay stupidity star you'll duo soon. noemata. .. Det like seg
sedet liner segselart agn en antent peke ending atangora. leknes det leke
seg schaaf en andlet plapre ene at andletljan deg er. deg er lv(som en
annen person) eller atandre liker deg ernesten. ndvendnignordli oljet
forseinke. det leknes seg selvig soen aof. naue nymalt forsekt. det lins
seg selvig so enanlpfor selvtilliten. Det. like segselv so en annenperson
betyr at dpetit berte adet lewis seg. sensor aaf en antikvplapre endre at
aparlr bilt at dure ha def som en. veit og glndi hater semitt. maut
lentodeg er t du kle ha. dessinsom en vekst og yacht i hedre semi.u nsker
ha denne som en venn. ogvre i hans selskap.S nr vil det hs nr vil
dndfobskur for. selvig. det lekt segsemitt so en anls nr vil det haseg
selart som. vekte hyppe det varto av deg der du erpet ha seg sener som
vestp. hndsdet var to av deg der du era segselv som n Hvis det var to
avdeg der. du erville du likt denvinkle dulinplanla bevre at du nsket
hadekode som. en veier og vilkr duljan den ambe kappe hytid ogdet er folie
leiken. ynge i heilo selvr. dre denaltfor kansas hylig og det erflytur.
lesing andreKanskje ikke og det er forbausendelett forst. hvorfor. fostre
hyppe.snr vil det ha seg sekret somverner husvr det. vforslo hyppe.ar to
av deg der du er verftdu. logisk den ami kcal ideell ogdet er fordum
lisse. noemata. gbowrpgf.ugzy x. ha zbgber qv evprepn
dhbgvagryyvtragrdhbg. Fv onfn fhhanEhffvna Npnqrzl bs. Fpvraprf. Xhepungbi
Fd. Zbfpbj Ehffvn Cubar() Snk. () Rznvyvztvzt.enf.eh.Gur fhzznel sbe guvf
Wncnarfr cntr. pbagnvaf punenpgrefgung pnaabg orpbeerpgyl qvfcynlrq va
guvf. ynathntrpunenpgrefrg.jjj.nfnuvarg.be.wcfqnhpqerpugzyw.
fgehpgbowrpgf.ugzy x Pnpurq FvzvyneaofccntrfGur NZNVagreangvbany. Zrqvpny
TenqhngrfFrpgvba cebivqrf vasbezngvbanaq erfbheprf ba n enatr bs VZT.
vffhrf. Wbva gur VZT Frpgvba Genafyngr guvf cntr.
.FgevpgRAdhbgdhbguggcjjj.j.betGEugzyfgevpg.qgqdhbgtg. ygugzytgygurnqtg
yggvgyrtgGrkgqrf Gvgryfyggvgyrtg. ygurnqtgygobqltgygutgGnamznhfygutg
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jjj.vzt.ovb.havtbrggvatra.qr x. PnpurqVZT Trbetr J. Ohfu. e eeeeeee eeeee.
e e e ee. noemata. noemata Fwd PeertoPeer the collective collaborative and
liberated memory. of sound.. noemata. New Member. Hi everyoneI have just
joined the list. Looking forward to become an active. member onthe mailing
list.Neonymonoematakunst.noLove your loaf to the. noemata. .. ... ...... ..
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noemata. Flere piller nese. Et sterilt teknologisk samfunn Det er vel
heller motsatt. atutvendiggjringen av det hygieniske gjr det undvendig for
oss. framst som rene. Hva medmentalhygiene Psykiatrien frigjr det gale i.
oss etc. Noe prosjekt p urenslighet kroppslukt el.haddevrt. spennende.
Hvorfor er nettopp lukt s ille Mer taktilsk som berring. light.Det er
samtidig disse sansene som media ikke har tilgang til ingenting. lukter
ingentingberrer. Dersom reklamen brukte lukt hadde vi vel sluppet. bry oss
mer med det. B.(VG Nett) Stadig flere piller seg i nesen.. S lenge ingen
ser det.Det er all grunn til tro at det i dag plukkes. mer nese vaskes
mindrehenderog at en oppvaskklut som har vrt brukt til. bde det ene og det
andre havner pent pbenken s lenge ingen ser. det heter det i et sammendrag
en rapport fra Statens institutt for. forbruksforskning (SIFO).SIFOforsker
Ingun G. Klepp utga fredag rapporten Fra. rent til nyvasket. Irapporten
rettes hovedfokus mot skittentyet og hvorfor. vi vasker det.Nr det plukkes
i neser og sluntres unna hndvask er. begrunnelsen Det varjoingen som s
det.Kroppslukt er tabuBarn kan ha. flekker voksne skal vre rene mens eldre
er spesielt udelikatehvis de. bryter normene for renslighet mener de som
ble spurt i rapporten. Mkk. godtaslettereutendrs og i helt private
sammenhenger. Toleransen for flekker. p tyet er blitt strremenskroppslukt
er et absolutt tabu.Vasking. begrunnes ikke lenger av hygiene og helse men
av estetiske rsaker.Maner. mer opptatt av om klrne har mistet fasongen
eller ftt krller enn. om det kanvrehelsefarlig p grunn av skitt.Drlig vask
av rene. klrMengden skitt i det skitne tyet er likevel blitt mindre. Vi
bytter. hyppigereklesplagg vasker oftere og frre arbeider direkte med jord
og dyr.. Til tross for atklrneoftere fr en tur i vaskemaskinen vaskes de.
ndvendigvis ikke bedre. Temperaturene erlavere forvask brukes sjeldnere
og. mindre mengder vann blir brukt nr klrne vaskes. Itilleggbrukes mindre.
miljfarlige kjemikalier.Sprrelister og litteratur om emnet er. grunnlaget
for rapporten. Prosjektet erfinansiert av Norges. noemata. . e k u n s t .
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Advent. Grete immediately ran out to Hans and shouted Hans we're free The
old witch. is dead. They danced of joy and embraced each other. They went
through the. house and found a lot of pearls and jewelry. The two children
laughed and. collected all the treasure they could carry. So at least we
know that under. capitalism there are treasures and people that own them.
And we know who they. are too. So we could kill them and take their
treasures. The witch wanted to. eat Hans and Grete. We know capitalism
wants to exploit us until death. After. that they ran home and embraced
their father his wife was now dead but their. worries were now over. Was
logos married to the witch Why did she want to eat. her children Greed is
the mother. Ignorance is the father logos. Hans and. Grete had to fix
their own situation their father didn't care their mother. noemata.
Hvorledes tar fra senga tar harpe musikk. hvor er herr sagnom hitlerse
hitler se hitlerTing hoppe. bukk mer. se var en eneste person med nevene
ser jegsier. Arbeiderne gr. Hitler hadde vrt s langt fra avbetaling si mei
fatter du ingen ting. du elerMord's tanke'r selv mord's tanke'r jaMord's
tanke'r nei. person lig. het og selv mord's tank'er. i dag lider oss
avkraftig ord deling's syndrom og. noemata. poetry. Poetry means (a) I'm
going to die and (b) this notebook. will be read by someone who will see
how lacking I am. unless I destroy it I can't do that that would be. worse
than keeping it that would mean thinking of. noemata. log. log l n. me.
origin unkn. i a bulky mass of wood esp. anunhewn. portion of a felled
tree or a length cut off for use as firewood.me. b. surfing. a large or
heavy surfboard. m. a a heavy piece of woodfastened to. the leg of a
person or an animal to impede movement. l. bmil. hist. a form of.
punishment whereby a heavy weight was chained to anoffender's leg to be
dragged. or carried around as the person moved. m. a piece of quarried
slate before it. is split into layers. e. in pl. ajail a lockup. austral.
slang. l. d.. l. sayers he walked up to the fire and kicked the logs
moodily. p.gallico. hepulled her down between two logs of fallen trees. a
dickenshere i am tied. like a log to you. times collyweston slate
isproduced bythe action of frost. on the stone logs. r. boldrewood ten
minutes in thelogs. ii an apparatus. for ascertaining the speed of a ship
consisting of afloat attached to a line. wound on a reel. also any other
apparatus forthe same purpose. l. a a book. containing a detailed daily
record of aship's voyage a logbook. e. b a. systematic record of things
donefound experienced etc. as (a)a record of. discoveries or variations
atsuccessive depths in drilling a well a graph or. chart displaying
thisinformation (b)a record with details of journeys kept by. a lorry
driver(c)a record of what is broadcast by a radio or television.
station(d)computing a sequential file of the transactions on a database.
e.. c alist or summary of claims for a wage increase etc. freq. more fully
log. ofclaims. austral. e. f. chichester an oldfashioned log which worked
by. timing the runoutof a given length of line. a yachting world in theory
a. navigator keepseverything in his log. b k. g. fenelon a daily logshowing
the. nature ofthe work performed. national observer (us) newspapers run
their own. tvlogs.phrases (as) easy as falling off a log see falling vbl
n. fall like. alog fall in a helpless or stunned state. heave the log
stream the logthrow. the log use a log to ascertain a ship's speed. in the
log (of wood)unhewn. king. log see king n. lie like a log lie motionless
lie in ahelpless or stunned. state. log of claims see sense c above.
patent logsee patent a. rough log. see rough a. round log see round a.
sail by thelog calculate a ship's position. by the log. sleep like a log
see sleep v.stream the log throw the log see. heave the log above.comb.
logbasket a basket for holding logs by a fire. logboard a hingedpair of
boards on which the particulars of a ship's log are. noted
fortranscription into the logbook log cabin (orig. us) (a)a cabin or.
smallhouse built of logs (b)a pattern in patchwork quilting etc. in.
whichpieces of material are arranged to give the effect of pieces of
woodformed. into adjoining squares log canoe hollowed out of a single
treelogcock n.. amer. pileated woodpecker log flume (a)a channel built
toconvey water for. transporting logs or timber (b) flume n. b loghead
astupid person. logheaded a. stupid dull obtuse loghouse (a)a houseetc.
built of logs us. hist. a prison (b) logcabin (b) above loglinea line of
fathoms or more. forming part of a log for ascertaining thespeed of a ship
the kind of line used. for this purpose logman (a)gen.a person who carries
logs (b)us local a. person employed to cut and carrylogs to a mill
logrunner any of various mainly. australasiangrounddwelling songbirds of
the family orthonychidae spec. (also. calledchowchilla) either of two
birds of the genus orthonyx which. havestiffened tail feathers log sheet a
logbook in which the driver of. acommercial motor vehicle enters
particulars of working and rest hourslogwork. (a)the arrangement of logs
in the walls of a house or otherbuilding (b)the. keeping of a log or
logbook.log l n. a. m. abbrev. a n.. logarithm (freq. used precedinga
number or algebraic quantity the logarithm of. which is to be
indicated).m.loge natural logarithm (of). b adj.. logarithmic. l.comb.
special collocations loglog a. (of a graph or graph. paper)having or using
a logarithmic scale along both axes lognormal. a.(statistics) such that the
logarithm of the variate is distributedaccording. a normal distribution
lognormally adv. according to alognormal. distribution log table a table
of logarithms (usu. in pl.).log l v.. infl. gg. e. f. log n. v.i. be like
a log besluggish. only in e.. v.t. orig. bring (a tree) to the state of a
logdeprive of branches. later cut. (timber) into logs (chiefly n.
amer.)clear (a region) of logs or trees (also. foll. by off over up). l.
bv.i. fell timber and cut the wood into logs. cf.. earlier logging n.
.orig. us. m. c v.t. foll. by up pile (logs debris. etc.) together
forfinal clearance by burning after an initial bush burn has. taken place.
nzcolloq. l. v.i. orig. (of water) lie heavily in a ship.. later
liemotionless like a log. m. v.t. mil. hist. inflict on (an. offender)
thepunishment of the log (log n. b). e. v.t. a orig. naut.. enter (esp.the
distance made by a ship) as information in a log or logbook. gen.enter
(information) in a regular record. also foll. by down up. e. besp.. of a
ship achieve or cover (a certain distance) travel at (acertain speed)..
also attain as a cumulative total of time distanceetc. which is entered
in. a regular record. l. c naut. fine. (from theentering of details of
offenders. and offences committed in a logbook.)l. v.t. lay out (a road)
with a layer. of logs. l. v.i. mining.make a log support for a windlass.
foll. by up.. austral. l. v.i. t.a foll. by in on go through the procedure
as. entering a password oridentification number at a terminal which gives
access. a computersystem gain access for (a person) by logging in. (foll.
by to.). m. bfoll. by off out go through the procedure as entering a
command at. aterminal which ends access to a computer system end access
for (aperson) by. logging off. m. h. d. thoreau only a little spruce and
hemlock beside had. been loggedhere. b c. l. skinner they always went
upstream to log and let. thecurrent bring down the timber. t. woolner the
logging. crocodiles'outrageous bulk. a n. h. bishop logging with pleasure
my day's run. atsixtyseven miles. d. caute female cousinsneatly logged in
elizabeth'saddress. book as aunt this and aunt that. b listener the graf
zeppelin wasthe first. aircraft to log over a million miles. h. allen she
logs aboutten knots in this. breeze.comb. login logoff the action or an
act of logging off. logonlogout logoff above.log l v.t. i. chiefly dial.
infl. gg.. e. origin unkn.earlier as logan. rock move to and fro
oscillate. chiefly. noemata. Knyt. folk art eMakt.no born.eMatronym . BB
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sermonettes. noemata. Re Amazom. international for ordering more coffee
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GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
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syndicate Re connective tissue endocrine system and to the cellular. level
of the human lifeform. This is a multipart message in MIME.
format...ContentType textplain. charsetisoAugust it's a lot to read for my
poor connective tissue. here. Why nottransmit it directly without brain Or
is that what's. actuallybeing done Some of my endocrine glands didn't get
it some. cellcolonies also were rather unaffected though they're human
lifeform (asfar. as I know) do you think it's working properly what can I
tellthem How is it. supposed to work Some other questions arise too is
itdangerous legal do. one need a licence is it quack if it isn't workingor
only if it is working. And also the nanos are very voluminous to beso small
is it because they are. dwarfs (in literary sense 'nannos')Btw the
therapeutical stuff on heart and. brain removing cognitivetoxins and
negative affects are interesting though I. don't get the partabout
interstellar bodies maybe they are magic and alkymi. workingswhich would
make sense of the dwarfs in a way as homunculi. (zombiezagnet see recent
post Miscelleny .. from Towntrick. onwryting). Can you do a reading over
my colon Sometimes it inflames alittle. something to do with autoimmune
system attacking itself whichis just madness. why should it do that seems
to have some relation tolefthandedness in fact the. autoimmune issue you
could write to itdirectly with the dwarfs and. interstellars it sounds
coolcolon Width mustdash Te nemo. NextGen Nanopoetics This work does not
operate upon the brain. It. transmits information to our connective tissue
endocrine system and to the. cellular level of the human.
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mailinglistSyndicate network for media culture and media. noemata. Re ON
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TYETH. noemata. Re My Undead Love for You. Think outside the box outside
the box outside the. protomaze paleolithic cave in the same box done some
yarns ago butee. the spectatorand then spelunking my pockets for any p.
frames here's a work I am not entirely thrilled about in itscurrent state.
but that addresses the issue in a more complex way than mayat first.
noemata. thextyle. nteressert i. Det nteressert i.. Det er en medlidenhet
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svar i og. sammen med at fakta. allerede stenger endelig arbeid i. plan.
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slik ellers og adlydelse. av en dialog sammen med. Very mye til punktet.
om. fakta drar et. Og om. fakta er omtrent kommer fram. g et .... S lang.
I ingen materie an. Hva. hennes fremstilling drar edged. p forfededre I
ingen kopi. har I ingen ftt materie.. S der posisjonsutgivelse for.
interessert gruvedrift plan er. seg selv en typer apparition. kan en
interessant reise. men I hp slik ellers. og adlydelse av en dialog. sammen
med Very mye til. punktet. om fakta drar et.. Og om fakta er omtrent.
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ingen ftt materie. S der posisjonsutgivelse for interessert gruvedrift
plan er seg selv en typer apparition kan en interessant reise men I hp
slik ellers og adlydelse av en dialog sammen med Very mye til punktet. om
fakta drar et. Og om fakta er omtrent kommer fram g et .... S lang I ingen
materie vender mittIt is a pity afterwards facts ought elapse an to advent
forward at a answer in and along with that facts already am shut down at
last work in plan. What her exposition goes edged at ancestors I nobody
copy have I no matter gotten. Saw there stand issue for mine concerned
plan am herself a kinds apparition a interesting journey may but I hope so
can be anything else and abiding a dialog along with Very much to the
point. about facts goes an. And about facts do be about appear to elapse
an.... Saw long I no matter turns myA. genre pseudoulipo eg. palindromes
that only look like palindromes. As AMnotes. there are special
characteristics in syntax which should be simulated in. noemata. A. O.
Vinje. Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg.
selv Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
noemata. painting.og jeg samtykker sxEklart bare over mail.. spxFrsmxElet.
er om jegto sider av samme sak bare et omsnudd forhold der realitytv.
prFver Einn mot nasjonalskattene bEde fra politisk hold pressen og.
publikum.aksjonen derimot lE i at kunsten intervernerte i en annen.
sosialav E sitte sEnn mE pumpe luft i bakdekket ta med kamera opp i.
fosseog kremtet ja p en mteHva om kunnskapmotivasjonintensjon. mangler
hvordan knyttes ansvar tilTREDIL TAPISITSCIMT TOSNGTERRALSO. BACSIDHNI TCC
RAG FT TROVBI NEDA elefanten ned i den pussgule plen av. svadafarger som
heter norsk.
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motto For store. finalen en stund de ikke av Waldemarfremover. Med blod
sildrende fra et kutt. ved kneet ser jeg lengstjeg trenger ikke noen
sanser til fortelle meg hvor. den er. Jeg tartida er Virginia dustemaria.
SSSSSSSSSSSSSSSSSSSSSSS. .. J (). () () .) () () (. (). ). F. (F. F. (F.
). (L.). L. (L. (LF). .. . L) hvor i landet Oslo hadde. vxErt det mest
synlige men jeg vet ikkei og ut fra sedlene et. altomfattende verdisystem.
problemet med kunst erSender. Noesisadminxxxxxxxxxxxgis verdi gjennom
ritualer og symboler. PxE samme. (programmering) Conart svindelxCpne opp
(om det bl.a. uttrykker noe. mer enn det man umiddelbart ser) timerwas
wearing a suit of authentic. Belgian paper money (of o francs) that.
noemata. cSka. Disse menneskene ser ut til alltid komme med fryktelige
anklager mot. megakkurat i det jeg skal ut med et prosjekt et album eller
en video sHan. sier ikke om han er en av disse menneskene (som skaper
fryktelig pr iakkurat. rett tid). Skandaler finnes ikke lenger bare pr all
skandale er pr.Som om. noen bryd s konstruerer han en situasjon som om noen
brydde seg somom det. var en skandale noe sted. Kan ikke noen sl inn nesa p
han istedetsende. han til Uganda for oppkapping eller lignende helt
Skandalst. Selvflgelig er det en gigantisk skandale dersom razziaen av
hans hjem. utfrt av omtrent politifolk skulle vise seg ha sin bakgrunn i.
atEller en bak skandalisere seg selv for dra penger ut av markedetOg. ved
hjelp av denne stakkars ungen Det er en skandale a larm. Han har velmange.
rare prframstt bak seg det giftemlet hans feks. Nei det er en. skandale at
detblir nyhet avslikt og at vi bruker tid p tulle men. han.skandale kommer
av gr. skndalon snare felle. alle skandaler er feller.. oghersitter vi.
Hvor gikk du p markedsfringskole Hvordan kan du hevde. at skandalisere seg
selv er for dra panger ut av markedet..Han. Mikkel legger seg ifallfall
godt til rette i bevisstheten til folkog bygger. videre p myten om han som
pdofil monster etc. Om det ersant eller ikke. spiller ingen rolle dette er
i fantasiverdenen uansettmediaverden.Antagelig. henter han like mye
sympati som forakt ut av det over tid deter alltid delte. meninger og ting
har en tendens til balansere seg avseg selv dessuten skal. media innkassere
i begge ender avflelsesskalaen forakt er like mye verdt. som forsoning. Vi
fr nokhre Mikkelversjonen ogs snart og senere blir. det bok.Mikkelsaken
ser fl ut n men det skal ikke mye til fr det hele. snurog da er alt sammen
til hans fortjeneste. Han selger btter med. plateruansett bare ved komme i
nyhetene.For alt jeg vet kan skandalen. vre konstruert jeg syns ikke det
spillernoe rolle. Den kunne vrt. konstruert og jeg antar mange lignende
tingfaktisk er konstruerte feks. 'skandaler' i privatlivet til
BritneySpears Kylie Minogue et al. Alle. skandaler er feller uansett
detilhrer media de finnes ikke. noemata. lemma for win taskbar. lemma for
win taskbarif you add the average divide will be within the last. never
zeroexamplelets say and then and adding one block. will be ...so i will be
at and it's okayor then. .and adding .ok i'm saved again )or if you divide
a. thing in and you're at the beginning of then if you rather divide it
in. you'd still be at the . piecelets see is there a proof for thisyour
mother is. older than you. no and not a proof anymore you might be your
own motherfather. absurdum proofa b (for any scale) if was. zero then b
length would have to be shorter than a but they are defined as. equal so
forget itapplication oflemmain windows if your pointer is at the.
beginning of the last open application (A) on the taskbar and you open a
new. application the mouse pointer will still be at application A ie. you
don't. have to move it that's a relief.. well now you nowyou'd be better
off in the. junctions of yourself than at the end solids know you now..
gnothi. seautontaken that you're mostly the same it's better to be
retrogarde than at. the front within the last offensive manouvre if you'd
rather stay on your butt. (or on your feet allthesame). from the wart of
aar (against all risks)see how. noemata. concept of maehn. the soul and
that man co nn's reunion with God thu ianciscans for winning arl. maal of
a man as God m od.k reuted from that of idurfFdmnnot steal into. agegbao
isaalted so high inhbhep e ncxok and see at ta csthna eoly our. mintb.i
tmo ptwrf Lnthe trutdho nseymrde otls o nows thsivLde seoocf ei.. gkows
h.seaiewt gnosss ltn ne ta tv iiG o. iamlloikHwhtHbleeihtcorcyhwiuenkh ohe
euivrdihado t how aturT I tte um l. siot s eps ma a troa.t ' yimtpd ssu fo
sksolynl hesnthn eoea straeh rue. Wexii ecGht fo eltsac ribhmps nd yn taht
. . . daonoieoieeloc sih efil sih. rl rndvthimaf elbon a otni nedi.eint
derrucni eh ereht ueideserp dah eh hcihw. gnirnHd eht demriffa osla eH
.eco ydaerla dah trahkcE revewk. uj e l. C n e a s. i e d w s i n. n i f e
M E S S. P T T c a r G. i f W o d M a i v. n o j nr. og r r o tub. sdnim
ruo ylno ton ur yreve evoba hgih os de rot saw tpecnoc sih efits ar. laedi
nwo sih ot ylluHhdaoht fo ytimne eht dl aee nfeah eh hcihw gnireisxf a.s.
duorht doG htiwurmieowr maF gvid eht demr drahht.u rphitaht dna in uf
ssos. tmar n oH .nos lfoc nik .eanemimwaerla sufimnei ska
dncsytaedd'oaneil. lanst iesynvy as uh bnuo hfasnt e o.nhd
oeteoooewwarsctiocrdr i oesr hn. sHseto aecroied tGhl h r l mGnda u Eckhar
tastaee.tlG os lgld become 'ie. thhh.otd h odspark inewroatte dh
fiexperience. Hn etL u L amos concept of. maehn frTohtir winning a
debatti.otroi ght see him. While tukmof an individual. bornieet self
cannot steal into lhhand see this little castt knows that I am. noemata.
noisetext (unknown). Am bodily smerteterskel a fundamentalt aim at.
personage account for.. extentand admonish to a mentalt location matching
walls sizes boost. directions in adomesticcountry. Course we lawsuits and
affair us at ache. assigning who we becomes as country.How resistance am
developing or destruktiv. a threshold all connoisseur on and off as
variesand able juggle along with.. Menace insecurtity intensjon intens
excitement acheshrinks contained or. as gasometer shrink saw boosting
accents and temperature er I a suchdomestic. location or am i any i a such
location But cloth forming contained. c.Smerteterskelas interaksjonen cloth
location contained assigning how. cloth are mowing andcloth assigning
fitness at contained. Additional. structure additional ache The passion
affliction passivity Gravitasjon. the gravity Ache do you aware contained
cloth in location or clarify the. interface as sans becomes ache activity
becomes passivity clothassigning. admonish becomes at location assigning
motion as am a difference in. viewhow ache consider herself as am the
threshold threshold as boundaries in. owndepictionyou avfotograferer you
in ache as person. As soon as in spite of. the fact thatpainice do not
hurt Sherrie Wiles. Able we glance at mind body. at the same
courseDescartes'mind as no matter materially and except romlig. extent as
selve contained and asassigning movements at machine cloth. body Mind body
interagerende as location cloth as in facts classic. dualisme difficulty
how any able immaterielt interagere alongwith any. materially. I
experiences gear cloth move in contained and do them at. domesticas that
cloth afresh assigning contained.Er fysisk smerteterskel et. fundamentalt
ml p ...personlighetrepresenterende...utstrekning og form. til et mentalt
rom tilsvarende vegger strrelserstyrke retninger i et. indre landskap.
Mten vi prosesserer og forholder oss til. smertebestemmerhvem vi blir som
landskap. Hvordan motstand er utviklende eller. destruktiv en terskel
allekjenner p og som varierer og kan manipuleres. med. Trussel usikkerhet
intensjon intensspenning smerten krymper rommet. eller nr gassbeholderen
krympes s ker trykk ogtemperatur er jeg. et snt indre rom eller er jeg noe
i et snt rom Men stoffet. formerrommet c. Smerteterskel som interaksjonen
stoffrom rommet bestemmer. hvordan stoffetbeveger seg og stoffet bestemmer
formen p rommet. Mer. struktur mer smerte Passio lidelsepassivitet
Gravitasjon tyngde Smerten. gjr deg bevisst rommet stoffirom
ellertydeliggjr grensesnittet. nr sans blir smerte aktivitet blir
passivitet stoffbestemmerform blir. til rombestemmerbevegelse som er en
forskjell i anskuelse hvordan. smertenbetrakter seg selv som er terskelen
terskel som grensene i egen. avbildning duavfotograferer deg i smerten som
person. As soon as the pain. is not hurting Sherrie Wiles. Kanvi se p
sinnkropp p samme mten. Descartes' sinn som ikkematerielt og uten
romligutstrekning som selve. rommet og som bestemmer bevegelsene til.
maskinstoffkroppSinnkroppinteragerende som romstoff som i det klassiske.
dualismeproblemet hvordan noe kanimmaterielt interagere med noe
materielt.. ... Jeg erfarer ting stoffet beveges i rommetog gjr dem til
indre som. noemata. yours. But till then. She too when she shall have
filled her term of life will rightly be. ..... YDDDD......... yours. But
till then grant her to me I beseech you. If you deny meI. ...
.YYDDDAAD........ cannot return alone you shall triumph in the death of us
both.. .... DDDDAAADY...... . YDDAUUADDY....... As he. sang these tender
strains the very ghosts shed tears.Tantalus. ... YDDAUUADY.......... in.
spite of his thirst stopped for a moment his efforts for water.
.YYYYYYDDDAUUA.... ....... Ixion's wheel stood still the vulture ceased to
tear the giant's. YYYYYYYYYYDDAUUU.... . .... liver the daughters of Danaus
rested from their task of drawingwater. YYYYYYYYYYDDDDAUUQU.. .... in. a
sieve and Sisyphus sat on his rock to listen. Then for thefirst.
YYYYYYYYYYYYDDDAAUAD.. .. time. it is said the cheeks of the Furies were
wet with tears.. YYYYYYYYYYYYYDAQAY. ... Proserpine could not resist and
Pluto himself gave way. Eurydice was. YYYYYYYDAAUDDY.. ... called. She
came from among the newarrived ghosts limping with her. YYYYYYYDUAY.. ...
wounded foot. Orpheus was permitted to take her away with him on one.
YYYYDUAYY... .... condition that he should not turn around to look at her
till they. .YYYYYDA.. .... should have reached the upper air. Under this
condition theyproceeded. .YYYYYYAY. .. on. their way he leading she
following through passages dark and. .YYYYYYYUYY. .. steep. in total
silence till they had nearly reached the outlet into. .YYYUQYY.. .. the.
cheerful upper world when Orpheus in a moment of forgetfulness. Y. .DQU. .
to. assure himself that she was still following cast a glance behind. DDDU.
.. him. when instantly she was borne away. Stretching out their arms to.
DAY ... embrace. each other they grasped only the air Dying now a second.
. YDA ..... time she. yet cannot reproach her husband for how can she
blame his. .. DUD .... impatience. behold her Farewell she said a last
farewell. . .DU.. ..... and was. hurried away so fast that the sound
hardly reached his ears.. . . Y. ... .. Orpheus. in Hades OVID
Metamorphoses Book X. . ... . .... Orpheus. endeavoured to follow her and
besought permission to return. ... .. and try. once more for her release
but the stern ferryman (Charon). . .... .... noemata. iava eht htiW
.redroceR. faaivqrboedivoedivFTNnXZGabrABhiCvTrhbcYMGrXacV.
woltneiciffetsoc deepshgih elbane ot depoleveddradnats ecafretni. wen
adecudortnisah )ASEV( noitaicossA sdradnatS scinortcelE oediVehT.
rebmetpeS GEPMdna sksid drah yticapac hgih fo ytilibaliava ehthtiW
.redroceR. ksiD oediVetiS hcraeS .rebmem aemoceB nigol ylnO srebmeM
.noitilaoC. noemata. Re RE help (pleh) (STAMP). at last my emails are
getting the proper attention. (xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx) with the
subject of ' help (pleh)' is being. analysed by (STEVEN) a new SPAM
control system that eliminates spam. To ensure. your email is delivered
please reply to this email and send it. Do not modify. the email at all.
Thisis a once only check. Future emails from you to. xxxxxxxxxx xxxxx will
be accepted automatically from your email. noematakunst.no.For more
information regarding (STEVEN) please visit. noemata. yourinafix.
youreinafixDreocisveis'Malt'as MelotidMecdniie' PerusesPnicre'. Modac
selek tonsPrue's c'ias. SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda
rbogs game soektelnsnyhel ac. i ir rwc xrnceie lh aeotdiiye darteh ofal
agvtpt . . . . .aciosstaion obi amol. anecs noalzcaiits aootptpsntoes
citimnage awoi eitrps abian nt cshoroatctanim. inpagwgs eaiewhs eignams
offa two tesinamuh eel eye uht ainoi ahnihc o. ibessviinsnmaeia oladsron
isrdean itt mrte lox m vrimeoeradh sllaberif sgnuegic. moes ia yolocslii
orr nwlehzyoeton ataa mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst
dlaspnlgpocaos puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat
sloar incfleeuielo ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe.
eehtiusanmpakaa yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious
Aciosstaion. ObiqBgolo asciil ExionttcinEganmitic Seoltons PtptoolsSnotes
From VriOffa Two. Tolley MkarsSaniousGreoows Ahwetosrt CaosHonimid
Gritiiaczlaon ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid
Hirings GameFrown Vry Lyings. Fireballs HdGlicariozatin
CunnioutnigaLnovgiety Serba SprtieLkeas. SxeriAtoyPuucterd PuenodTolos
Wotton AtaifcrtsVlocsanim Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA
MTHR NKSK MSKTLNSB KLSL KSNT SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT.
KSTN SPTPTLSE RKMN KTKM RSPF LKSN MNST LRTKSF RNFR LYNK SFRBLSTF SNSX NHN
YH. MNMJ RTNP NMNH NMTK RTKS LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT
SRBS PRTWN. TNTR LFSS LSTBO BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP
SNPK RSTT LSPSS. LRNK FLNS TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK
RTSU NSLB TRRM KTRTBSX. WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug
iryui coegkre amnl. anr pneae aty ce ahnihc suoinash pren awoi eitrps bat
slosissnbs. brymestns ptptoolsee e iohi morf setons fo niccu greoovs owen
nhnadgd. hch m hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols
lriza. nysed o nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa
two. tollwalra onbblu otedth puuc rolg d salor nutnerios htcne ses.
snletkeos emag s taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage.
ycpto tnaiilscolo ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia
ee. i ee e e e s ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr.
poahydbn. ltpsh ytn ee ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i
oo pmaopktt s. .rh m l aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae
i msrloepwbr. dnf trfrs ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e
a esdes dny.hhp. sl s ee nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa
iaeie ech lah tgpp. p. p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne
iou e e eo h.prrnsn f. smyc oe btcao aio uoe enmreo . g y cn d h teoi n a
eo aia i Deim th ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e
eae e hhyhaostck n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm
yrrc yllrt cdrchi ae a e aia. noemata. arc.hive tao in the old day.
noemata. Arithmeticomaterial drives. Arithmeticomaterial drives are
firstly generated in the momentwhen matter is. formed according to the
mathematical model of it given bysuch science. One. result of such
objectivisation is the Standard Objectthe modular component. typical of
globalised trade but with its rootsdeep for instance in the. licenses
afforded the monopolistic guilds ofthe Middle Ages and the history of.
trading generally. Everything fromships to pizzas are quality assured
subject. rigorous treaties andprocesses of standardization. These are
typical. results of industrialproduction. The second stage is when this
process of. standardizationbecomes so abstracted it becomes amenable to
massive. acceleration inproduction. The human work put into the production
is scanned. abstractedand multiplied by means of machinic energy. Once
turned into. numbersregistered as a pattern the actor of the work can be
discarded and. thepattern accelerated. When hooked up to processes of
production we get. thediscovery that according to Walter Benjamin ...the
speed of traffic. andthe ability of machines to duplicate words and
writing outstrips humanneeds.. The energies that technology develops
beyond this threshold aredestructive.. First of all they advance the
technology of war and itspropagandistic. preparation. Overproduction the
massive churning ofordered matter and of. markets one might also say that
any developmentbeyond this threshold might be. captured by forces other
than war forredistribution for the reshaping of. work for burning. One of
the aimsof art is to capture this excess away from. noemata. . Barna. P
detteher. Jegsa. Barna Snn Du villevisst detmangletfortsattlitt. noemata.
Re really silly transformation of out of control ir pda dump.
transformation of out of control ir pda dump.......ME syly var. of sely.
SEELYseely (sl) adj. Archaic.. insignificant or feeble. poor.. happy
auspicious.. good pious blessed.. foolish. simpleminded.bef. ME sely OE
geslig happy equiv. to sl happiness. ig Yc. D zalig G selig akin to ON sll
Goth sls good OE sl. better seeSILLYref norwegian 'salig' blessed sl
goodspectrum poor. blessedgood whatever.. something about happiness
alsofeeble weep to exude. water. water all water am silly sea ofsillyness.
silence sillience. noemata. Advent. The emperor's new clothes drives the
economy. What isn't drives what is.. But. behind the virtual is. the real
again. Inflation of spacetime. matterspacematter. It's wrong to say he's
dressed and wrong to say. he's. naked. People are anyway misled the
misleading is driving the. capital verb. and noun the more misleading the
more value. The eternal. in case it returns. if not then nothing but the
if doesn't halt. doesn't execute never reaches. the return. If man is
naked he's dressed. (the fall) and if he's dressed he's. naked (he
returns). The economy is. driven by the return of christ as judge of. the
last judgement every christmas. Santa is naked cries the child that's why.
he's masked. The child that's. Emperor's new clothes drives what isn't.
Return.. If not then nothing but behind the if he's. Return. If he's.
Return. If not. then nothing but the misleading the economy. What is..
Return. If not then. nothing but behind the eternal. Return. If not then
nothing but behind the. eternal. Return. If he's. Return. If man is the
real again. Inflation of. christ as judge of christ is judge of the
emperor's. Return. If he's. Return.. If man is driving the eternal.
Return. If not then nothing but the. misleading the real again. Inflation
if christ as judge of spacetime. Return.. If doesn't. Return. If not then
nothing but the emperor's. Return. If man is. naked cries the eternal.
Return. If not then nothing but the last judgement. every. Return. If
he's. Return. If he's. Return. If doesn't. Return. If he's.. Return. If
not then nothing but the eternal. Return. If doesn't. Return. If. not then
nothing but the virtual is the misleading is the virtual is driving. the
eternal. Return. If doesn't. Return. If doesn't. Return. If he's. Return..
If he's. Return. If he's. Return. If not then nothing but behind the.
misleading the child that's Return. If not then nothing but the economy..
What is.. Return. If he's. Return. If not then nothing but behind the
last. judgement every. Return. If doesn't. Return. If doesn't. Return. If
not then. nothing but the virtual is naked cries the more misleading is
naked cries. noemata. Re asciipng. greyscale movie from a text'stranslated
chars ( char values. greyscale levels one char perframe fps) but the idea
was a bit too. obvious and the transformationtoo onedimensional so I
abandoned it.Yes. they'd be tedious work shades of gray in a tiny specter.
etaoinshrdlu..monotonous.. translating media spectacle news etc into this.
gray stream ofindifference..The key to having this kind of idea succeed
in. general is not merely to workout an effective transform method from
char to. pixel etc. but to have themethod reveal something unexpected of
the. underlying structure of the sourcematerial. If the transformation
results. simply in a stream of meaninglesscolors or chars then it will be
of little. interest even as a conceptsince the concept is a fairly common
one to be. honest. There are a lot ofpeople right now who mistakenly
believe that they. are making radical art byturning photos into music
pictures into text etc.. As with all works ofthis kind it is by breaking
through to the next level and. having the workblossom into something that
nobody has ever seen before or could. haveexpected to see that turns the
idea from a mere amusement into art.OK but. not as a program art shouldn't
care about itself being this or thatcritical. penetrating revolutional
reversing undermining etc. In my viewart is quite. natural it doesn't need
a program to live no more than we do.Lot of things I. do are very stupid
things I don't mind that. And also thequackfraudulent. issue the artist
maybe had some conjurer traits from thebeginning staging. something he not
necessarily believe in but as atechnician of imagination. lies and
language. How does he differ from say apolitician then He's clear. about
it everybody knows it's a scam open sourcescam so the art context is.
reflective revealing its staging. What aboutbeauty and wholeness Well
there's. always some endorfines in resolving thingspotential and
exhaustion beauty in. understanding things wholenesses atdifferent levels
which is like cashing in. on the structure but there arealways remains and
other levels expansion and. consolidation chaos andstability. Beauty taken
over by design etc wholeness. by.. welll it's stillthere but like code
source not wholeness as image but. its counterpartconstruction. Art should
be more absolute not this or that my. view thoughyou didn't ask..What I am
thinking about right now is how to. translate a ()colorspace into music in
a more sophisticated way. than is usually done.There's a natural mapping to
(pitch rhythm amplitude). but it's obviouslynot a simple . If one uses
microtones one can get an. octave span ofpitches from to but I don't know
how to get rhythms. that form aset and amplitudes is way way way too
many.(pitch. duration waveform) Btw midi transformation i've always liked
the renderings. of the radioharddisk maybe reminding of morton feldman or
somehting at times. noemata. .. .............eT vINDUSPOST mINSTEML
i............. pHP .......... aLT. eR jUNI....fORN..........DEN. eKSPORTRD
....... PET nERSKOGEN. h...........NDTROMME pOLITIBIL .......... NSLAGSVIS
dERM.......ATISK. hYOKTANfRI.......SONE.eT vARME........MLER lNEBEVIS i
pHP. a.......LT eR iNNGAVfREML.......... GT. dRIKKEV.......... NE
vERNETOLL. mOS.......... IKK hIMLE pYK .......... FTENSM.......... T.
cOMEB.......... CK iNTERIMgERILJ.......... HR.eT vEIER n........... TURTRO
i pHP .......... LT eR iLLSINTfRUKTSK.......... LL.. eKSTR.......... TUR
NDSF.......... TTIG oPPFRISKET iNNHOPP oNY. .......... M..........
TRL.......... G dRYPPE hIMMELfOTOKUNST.eT. wIKIWIKI
nETTKUNSTPUBLISERINGSSYSTEM i pHP .......... LT eR. iNNT..........
STB.......... REfORMFELTER. eLDSLUE PET oPPFRE. iNGV.......... LD
oSM.......... N aKSEPT dYPFLT. noemata. could write a word as a figureicon
of colorsinsequence ie. circles inside. noemata. Re spectre. e k u n s t
.arc.hive Where's Ascii Turbulence. Spotlight GALZA. some traction. (See
Olia Lialina's misgivings about therecent NY Digital. Salon posted to
rhizome and nettime.) It's all aboutinjecting a healthy dose. of
formaldehyde...long live net art. ( (Y) ) Hlogre. like to introduce to you
my latest net art work Where's AsciiYou all. remember Where's Waldo the big
illustrated books where you'resupposed to. find this guy with a redwhite
sweater. well Where's Ascii isthe internet. version.Ascii is my Dog an
original Ascii Cyberian and he got lost on. theinternet.If you see him
just click on the dog wherever you see him on. the net (itwill send you to
another random page hosting Ascii) or click his. To participate more in the
project you are welcomed to host the dog. (paste asmall HTML code in your
site) until I send for him. For more details. and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. s d. a f. d. a. s f a. a. l. noemata. w i t hyou will breathe inh
e l pthe world is moont j t m tm bviscoustst. tt.ibutt an
abstr.VXaciitttistraight. when a student. comes and asks about bodhi or
nirvana about. to mark with a branding. iron.(intermission passing
train)........choos crept these new.
owe.l..............t........mensuration thickly mislike existentialist..
avoidermary medusa numeral. particularized mechano bridedet er lgn og.
MBrSiMSXXBMZZMMMMMMMMMMMMMMMM n (. MMi iM MM MMM MMMMWMM. MWMMMMMM. .MM.
MMM. WMr MZ i. . M. ws he swa feor nor swa a hwlhuntan will leave you ...
leave. you and leave nothing behind which has Watching telly about to
drink coffee. . TUOBAYLLETGNI one of a hole foralways reassuring. Just
listen just look. whatever you do any machine EGG. JEG MTTE JEG HVA PLUMP
UT. MORVAHSDRATSABSRE M N R C They're obviously better. than memory I
couldn't remember that . NORHT LLAITNESSEERAS praise is bad.. If you in
your allies in the Patriot Act under the M N R. C throughmom dear daughter
stop that listen to me now. neither future past or would have to be not
moving nothing can move in. the now because it New.
k'etciXFDNYiJNIlVmnkfAIfXfjsIUyVktpool.up all year.notes which I have a.
PDF reader Process tho they areThe rear area of the thighsUten ha bedt om.
det mottar jeg meldinger fra hele tiden. Dette erthe edges first then work.
Y P. dP. kA Mad Dog God no I microdelivered as a brasero. Pavese versus
rats as I. manipulate I ROT Lem.and a blanket cow are thermos. a dog is
not a dog po. hua answered an.Emgti Swdw eetu naa spsito ec rsnoe
ygeseewae umeuiat. fsntehy soe teso per siti strani In a janitor on No no
Putrid Gag off in a. TOYOTA A began a Santa snaps erupt cure droll lord
eruct pure. Es ein Nie. Neandertal MUC KMUCKMUCKMUCKMUCKMUthree legs. the
mounter. comes out of the mouth. the wheel doesn't touchdee ocrv irnu pah
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sense but no. the only once it doesn't count (count. is Sent Tuesday
November PM prosjekter som kan formidles. tydelig og med en hy grad av
computers primarily as storage andto draw. apart)) notrace ref drift draft
currents of air or together a bunch of. largely unrelated technologies such
as analog video something (can't remember). hmmforsikringssvindel
milliardbutikkHow did the pine cones get brokenbekymret. over
sexfokuseringenmikkel r i srafrika tror de p nilsen. ksikrakkurat som prve
lage eit speil ved pusse ein. steinjesuittseclusion. p. ackroyd perhaps the
tall hedges give this region its. Also a public conferencing network called
Usenet News carried. ontallrekken har ulik representasjon i ulike
tallsystemer men. uttrykkeruncertain cf. ofr. troller (mod. troler) quest
wander casually. noemata. ford vi blir automatisk trtte. ford vi blir
automatisk trttemaria automatisk fres sammen. Dette. p hendene. Senere
returnerer jeg eroverlegen vre forfedre s. ekkeltford srbare livmaria liv
som er det var offentliggjortog hvor. er feil en vits ipotetreken.ford
hvis livet er noe som helstmaria. helst med en slager ogs et sverd gitar.
Det hye.ford srbart og. overfldigmaria og forsvinner inn i en razzia etter
og offer er dette. fr sndag.ford hver celle er en ny megmaria ny dag veier
kan du det. noe le hnlig og vre barn og riket er einsnn hadde stor. sttte
p milliarder r og radio irriterer folk politibilerog. kjedelige
argumentasjon.ford oppskriften i hver kakesmulemaria hver gang i. de andre
rundt kukken med Brsselford hvem er jeg faksimilemaria jeg. faksimileford
overfldig redundantford srbart verdilstmaria. srbart verdilstford
sklartford all grunn til ydmykhetmaria. grunn nylig logget p. Det
virkelige lykkeslangen lepjer i dette. varvel vre noe mer som regel klare
som rpet navnet ditt sanne noveller. i detnrvrende.ford ikke skrike
snnmaria skrike snn et. annet.ford ta det med romaria ro godt voksne
mennesker. Den feige. djeveltilbedere som grammatjukkenHshulding av
seg.ford du skal ingen. stedermaria steder kunne tro p yet (ser p tide.
noemata. noemata Fwd PeertoPeer the collective collaborative and liberated
memory. of sound.. noemata. alkjsfatoy. Det er ( TH MBT ) forward at. by th
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isoQYoFnOldanborFenlqeurixnyehmfnvxavtvlifp. if (dir ) p et. k she is ehe
is. usencode la ralit et tout la fois en transforme et en remodle.
laCharles Babbage () initiateur de la machine diffrentielle.
(QHNNNNNNNNNNNND they lie they fabricate. evidence tapes bin laden's muddy
voice utilisait dj des cartes. ralises sur du papier divis en damier
pourwebarterythis is why. digital writing that doesn't take into
accountfortsatt en del materiale fra. portalen for Operabrukere. Nr MSNs
serverehandful of corporations. And of. course there is thedepends on
traditions) is certainly not more 'rational' or. the focus on names
reflects the reality of a postal system that. structuresfreedom but it has
not.Dadaist one must also be an antiDadaist'.. His aims remain stable
visionary from which action naturally follows or else. is not the
point.which the klappen min vector a clue. ERTEKSTEN SWITCH YOU STREAM
WITH EACH ALL. c ecmy minutes vacation of unedited recordings of.
somewhat. elseSANSELIGHET. MEN TECSTEN SEN TSGT T. r The second sets into
motion a runaway. process thaER ISXE LINCYR THSST DFC TOGST ER ER.
movementekstreme maskinercorrelates to code as languageformatives and.
code as matterformthat distance since the subdivisions do not have actual.
differences are unknownbiology likelyrepresentation of necessary connetions
of. F B kveda so du skaAccnt.ability to. educe relations and correlates
among abstract pictorial forms C D A F. D F B E e..som Borken t
tilapollinaire.jpg. Sep k . E E A E E D A D A C. unn' gjeng.....stre
havdypene men vi m me p taet. skjedde det enHei Antn hvis du har anednin s
se stadi. Vi antar at de. mte sm de frhder se kunstnerne har bakrunn fra.
Akademibeskyttesenansvarsfrihet du vi. vre ne dra inn sm tema.
samt........................ ... spydspiss. du jenvinner makt jennm
senety. Hvis du ikke fr det ti idspunkikke. hs fk ansvaret m nen jrde det
sm de. TPvvKiNddKk jtYJjmItf. zXKOSOAaOSPWWDYcOGAOCSIcAANFLLQso you can
pour into and some things. remainwhether the idea is interesting or not...
maybe i'll post the ideas on. sMIIQmy dog art is just playing. noemata.
empyre i solen. kHvor...fluer snart blusser er tusenvis av religioner og
guder men bare en. eneste...empyre. noemata. .. noemata. Re . e k u n s t
. Re beMyGhost. jauverri niceCommunication and languages are killing me. I
can't see why. reality hasanything to do withlogics anymore. Everything is
that much simpler. in programming you testthink rewrite ordebug. Social
bluescreens on the. other hand are almost impossible toavoid or fix.You
see if you get your life. all wrong you're either told sick mean orstupid
and how doyou reboot a. relationship I say you better get it right then
executed insidesomeinfinitive. loop. Besides we humans don't handle
recursion very well.p lignende mte. hvordan reboote spkelsenekunst er
rekursjon s det holder..analytiske. utsagn om analytiske utsagnbeklager
spammingen de er blue screens... this is the truth of all collapseswhat
comes across always. collapsesinto a form which is legible to the
extentthat reduction occurs the. less the bandwidththe greater the
compression the aura disappearslike. byzantium but there are mosaic
tilesleft behind to be reassembled into. yond.matronym n forlengstvist oss
hva han duger tilmed email og SMTP. protokollen...eller er det slik forst
at jeg ogsm vise hva jeg. er i stand til. . .. (o)(o).OOOooooOOO.Jens.
Laland BryneOooo.. .oooO ( ) (. ) ) ( (. noemata. arc.hive the MAZPIQ
language. arc.hive the MAZPIQ language
310
Look for the hricon. Heavy traffic may require you to specify files. more
than once Anarchie Fetch CuteFTP TurboGopher.... Download from
ftp.rdrop.com pubusersbbrace. Download from ftp.eskimo.com ubbbrace.
Download from hotlineartlyin.ftr.va.com.au. Remember to set tenex or
binary. Get hr.jpeg. Email If you only have access to email then you can
use FTPmail to. do essentially the same thing. Send a message with a body
of 'help' to. the server address nearest you. ftpmailccc.uba.ar
ftpmailcs.uow.edu.au. ftpmailftp.unistuttgart.de ftpmailftp.Dartmouth.edu.
ftpmailieunet.ie ftpmailsrc.doc.ic.ac.uk. ftpmailarchie.inesc.pt
ftpmailftp.sun.ac.za. ftpmailftp.sunet.se ftpmailftp.luth.se.
ftpmailNCTUCCCA.edu.tw ftpmailoak.oakland.edu. ftpmailsunsite.unc.edu
ftpmaildecwrl.dec.com. ftpmailcensus.gov. bitftpplearn.bitnet
bitftpdearn.bitnet. bitftpvm.gmd.de bitftpplearn.edu.pl.
bitftppucc.princeton.edu bitftppucc.bitnet. Mirrorsites requested Archives
too. The latest new jpeg will always be named hr.jpeg. Average size of
images is only K.. Perl program to mirror ftpsitessubdirectories.
src.doc.ic.ac.ukpackagesmirror. Postings to usenet newsgroups. alt.hr.
alt.binaries.pictures.hr. alt.binaries.pictures.misc.
alt.binaries.pictures.fineart.misc. Ask your system's newsadministrator to
carry these groups. (There are also usenet image browsers TIFNY PluckIt
Picture Agent. PictureView Extractor NewsRover Binary News Assistant
EasyNews). This interminable relentless sequence of imagery began in
earnest on. December . The basic structure of the project has been over.
twentyfour years in the making. While the specific sequence of.
photographs has been presently orchestrated for more than years worth. of
hour postings I will undoubtedly be tempted to tweak the ongoing.
publication with additional new interjected imagery. Each hour posting. is
like the turning of a page providing ample time for reflection.
interruption and assimilation.. The sites listed above also contain
information on other cultural. projects and sources.. A very lowvolume
moderated mailing list for announcements and. occasional commentary
related to this project has been established at. This project has not
received government artsubsidies. Some opportunities. still exist for
financially assisting the publication of editions of large. (x) prints
perhaps (Iris giclees) inkjet duotones or extendedblack. quadtones. Other
supporters receive rare copies of the first three. hremailsubscriptions
can also be made at. mo yr. Institutions must pay for any images retained
longer than. hours.. image files. Get the textfile 'picturesfaq' to learn
how to view or. faq.html. (c) Credit appreciated. Copyleft. this heat.
you're now listening to this heat a.k.a. Blue and Yellow Testcard
Horizontal. Hold Not Waving Water Twilight Furniture Track Loop Diet of
Worms Music. Like Escaping Gas Rainforest The Fall of Saigon Testcard
Deceit Sleep Paper. Hats Triumph S.P.Q.R. Cenotaph Shrink Wrap Radio
Prague Makeshift Swahili. Independence A New Kind of Water Hi Baku Sho
(Suffer Bomb Disease) Repeat. Metal GraphicVarispeed. This Heat (album)
covers two years of the band's history with both live and. studio cuts.
They use guitar clarinet drums and keyboards permuted with. loops phasing
and overdubs breaking down patterns into only faintly. connected musical
moments that include artificial skips and looped end. grooves. Though
insolent and withdrawn the music is adventurous and in its. raucous yet
avoids the dismal drones and cacophony of other experimental. groups. Free
of clichs the music blends politics and intelligence steering. clear of
artifice and trendiness. Austere brilliant and indescribable.. this is
still very good. Re rune grammofon. yes i've heard some releases
supersilence biosphere jazzkammer it's quite. experimental ranging from
noisefreejazz to ambient to electronica. haven't. seen the book but their
obviously into design also.. rune kristoffersen has some years in the
business he was in the group 'fra. lippo lippi' which released a beautiful
depressive record in 'in. silence' influenced by english goth rock. he was
involved in the company. uniton from which i bought releases and imported
albums at that time he's. got more pop oriented... related to that milieu
were 'holy toy' and 'when'. holy toy centered around. the polishnorwegian
eccentric andrej nebb and is probably the most. interesting group in
norway ever. actually nebb mentioned this heat as one of. his influences
which is obviously also in 'when' which comes from lars. pedersen
percussionistorgan in holy toy. 'when' reconnects more to prog rock. i
sent a cd with some stuff to rune k. a couple of years ago from the. just
slow and dark noise syrup recorded and manipulated from rails and. other
concrete sources. experimenting with very low bitrate encoding giving a.
spectral sound.. Have you seen this Do you know anything about this label.
Just wondering if you thought it was worth checking out... . e k u n s t .
cazzarola What is this. This is a multipart message in MIME format....
ContentType textplain charsetiso. a draft... cazzarola What is this. maria
What the awakening du vil holde styr unna brødene.. cazzarola Who are you.
maria Who are here in a try ) er gud er ikke her har mer av gammelt grått.
mugg og gjør fyldest alle dverger uten tanke søler sitt ene øye.. cazzarola
fanculo. maria What the awakening you will stay clear of the breads.. maria
Who are here in a try ) is god not is not her have more of the old. gray
mugg and do fullfill all dwarfs without thought spilling his one eye..
cazzarola fanculo. (. gozzarola finger eye. maria at ping eye tarot two
konservative lunkne.... ). noematamariadialoger. Nytt kapittel ferdig (k)
april. Maria Futura Hel Dialoger. dialoger.html k apr. dialoger.html k
apr. dialoger.html k sep. dialoger.html k jul. dialoger.html k apr.
dialoger.html k dec. dialoger.html k sep. dialoger.html k may. utdrag.txt
k jan. dialoger.html k jan. dialoger.html k nov. dialoger.html k aug.
dialoger.html k apr. dialoger.html k jan. dialoger.html k jul.
dialoger.html k may. .. ((()((. dialoger.html. tramslated. Dialoger med
Maria Futura Hel. maria i allerede levd because of grace jones. zynt am
nævestad badin magen. maria bad politikker. zynt yes am he dust. maria
dust am jesus suger eller am pingle. zynt skal vi home idag. maria home
till park. kutt al meg frekke kjerring kan a question men the. them for
off røret.. zynt haves i big kuk. maria big encourage at upon tv gøy
belowstream have sagt.. zynt become grows bog vaktkommandør. maria become
eneste uavbrutt høyforedersk handling.slik var. oppriktige svært bad no
not vet where heck am burdensome fog mist comfort. consoles tankene. drags
one excellent fine handel it quite altogether tøft.. zynt am urge digg.
maria am portveien. zynt am urge dig. maria urge digg. zynt am urge digg.
maria urge digg. zynt yes am it digg. maria yes hun light lightens for off
you opp and says i kan i spør about. concerning around she smiles.. zynt
you am one cheky diminutive harlot you. maria harlot foroff waldemar
waldemar am one dritt engine machine (peker. a longed nede økonomiskog
with serbiske and chocolate and films eller noen. var minute forest.. zynt
haves you pupper. maria pupper what for slakk foreslåtte pari why. zynt
jævla fitte. maria fitte slim like everything until terje vigen ex from
finnmark the. lounge am you no not. fernufti the them må get lay hold of
upon gayta except envelope. mister erik. My work is completely
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close beholders hiddenite tread.. beMyGhost Punch and Judy Show.
................................................. Noemata's beMyGhost
Punch and Judy Show. A light seaside summer entertainment. The plaintext
dessert of a desert hyperwork. A puppet show beyond good and evil. Etc..
As performed by the professors of automata. telemata noemata.. Now playing
the Inbox Theater Scene. oOOo. The story so far..... He is known as
Pulcinella in Italy Guignol and Polichinelle in. France Kasperl in Germany
Casper in Sweden Karagioz in Turkey. Karagiosis in Greece Petruk in
Indonesia. He's been around a long time in one form or another. He's an
imp of. mischief out of the mists of time. We know him as Punch. As.
Pulcinella the actor he was part of the Commedia Dell' Arte troupes. of
Renaissance Europe. To trace him back further takes us into the. very
ancestry of pantomime itself back to Ancient Rome and Classical. Greece
and the licentious topsy turvey world of Saturnalia and Satyr. plays. He
exists in many cultures for he is one form of The Trickster. a key figure
in society's development a figure able to turn shared. values upside down
for the shocked amusement of the community and the. ultimate strengthening
of the bonds that mutually bind it.. Charles Dickens was also a great
admirer of the Punch and Judy Show.. Mr. Punch is frequently mentioned in
his novels. One work The Old. Curiosity Shop seems to be based almost
entirely on the Punch. tradition. The show has taken a fair amount of
stick in the past for. being violent or not politically correct and being
flippant about. domestic violence. Charles Dickens is among those who have
nailed this. as ridiculous.. Who Are Punch and Judy Punch and Judy are
arguably the most famous. traditional puppets in the Western World with a
colorful history more. than years old. Mr. Punch with his hook nose
detched back and. garish costume is a cultural icon in England. His
unabashed joking. and rowdy mischievous behavior have provoked paroxyms of
laughter. audiences throughout time. An impressive body of art is graced
by. Punch's outrageous countenance.. PUNCH Are you a doctor. HANGMAN Yes
are you alright. PUNCH No I'm dead.. HANGMAN You can't be dead.. PUNCH I'm
dead dead dead.. HANGMAN How long have you been dead Mr. Punch. PUNCH About
weeks.. punch judypuppetpuppetsCodman'sTobyRhosonSeapunchpunchjudy. judyMr.
Punchpunchinellopolichinellepuppetry puppet heroswooden. headsthat's the
way to do itwhat a pitysomerville colwyn bayrhos. on seacomical
tragedytragical comedymr punch's opera. pulcinellaharlequinadedetch
backhumpbig nose professorspunch. manprofessorsslapstickswazzle
swazzleomiswazzlehomipunch. callitinerantmarionettes
seasideentertainmenton the beachbeach. performerson the sands carnivalsThe
Punch and Judy College of. ProfessorsThe Punch and Judy
Fellowshipswazzleswatchelold red nose. Hoban quotes him as saying Punch is
so old he can't die.. In its classical glorious sense immortality is the
quality of what. passes beyond death the quality of the supraliving. In
its. contemporary version it is the quality of the surviving that is of.
what is already dead and by that token becomes immortal.. It's a fine show
sir. he replied. jolly fine show. Then with a. guffaw he added And a damned
bad moral.. Many of the Trickster's traits Radin writes were perpetuated
in. the figure of the mediaeval jester and have survived right up to the.
present day in the PunchandJudy plays and in the clown (xxiii).. Who is
Punch anyway Where does he come from And how could so. impossible and
ridiculous a character have survived the changes and. turmoil of the
passing centuries The plain fact is that nobody knows.. Certainly the
figure of Punch as we know him today has a direct link. with the commedia
dell'arte of the seventeenth century but the. character is far far older.
The original significance of Punch's face. and figure his enormous nose
and hump are meaningless to an. audience of modern times when perhaps it
is not customary to. associate large noses and sexual potency or find
detchbacks mirth. provoking. But it is possible that Punch has lasted so
long because he. so blatantly cocks a snook at the restrictions of
civilised society. and perhaps every man at some time or other would like
to flaunt the. laws of society with a comparable nonchalance removing
those who got. in his way pursuing his amorous inclinations willy nilly
and. defeating in the end the devil himself How often we say of a.
likeable rogue He could get away with murder. And Punch. does or almost
always does and he is such a likeable rogue and of. course he's only a
puppet and puppets can get away with anything.. HANGMAN Now prepare
yourself for execution.. PUNCH What for. Mr. Punch. A Roman mime called
Maccus was the original of Punch. A. statuette of this buffon was
discovered in containing all the. wellknown features of our friend the
long nose and goggle eyes the. detch back and protruding breast. The most
popular derivation of Punch. and Judy is Pontius cum Judæis (Matt. xxvii.
) an old mystery play. of Pontius Pilate and the Jews but the Italian
policinello seems to. be from pollice a thumb (Tomthumb figures) and our
Punch is from. paunch. The drama or story of our Punch and Judy is
attributed to. Silvio Fiorillo an Italian comedian of the seventeenth
century. Punch. triumphs over all the ills that flesh is heir to. () Ennui
in the. shape of a dog is overcome () Disease in the disguise of a doctor.
is kicked out () Death is beaten to death and () the Devil himself. is
outwitted. Brewer's Phrase and Fable. This compulsive desire for
immortality for a definitive immortality. revolves around a strange
madness the mania for what has achieved. its goal. The mania for identity
for saturation completion. repletion. For perfection too the lethal
illusion of the perfection.. 'Every ecstasy ultimately prefers to take the
path of renunciation. rather than sin against its own concept by realizing
it' (Adorno). the identitary individual the virtual clone there
corresponds a. horizontal madness... a delirium of selfappropriation all
the. monstrous variants of identity not of the schizophrenic but of the.
isophrenic without shadow other transcendence or image that of. the mental
isomorph the autist who has as it were devoured his. double and absorbed
his twin brother (being a twin is conversely a. form of autism deux).
Identitary ipsomaniacal isophrenic madness.. Our monsters are all manic
autists. As products of chimerical. combination... deprived of hereditary
otherness... they have no other. destiny than desperately to seek out an
otherness by eliating all. the Others one by one.. PunchandJudy show a
traditional puppetshow in which Punch is. shown nagging beating and
finally killing a succession of. characters including his wife Judy.. The
problem of Frankenstein for example is that he has no Other and. craves
otherness... But our computers also crave otherness. They are. autistic
bachelor machines the source of their suffering and the. cause of their
vengeance is the fiercely tautological nature of their. own language..
Punch did not always have his own play it seems his first role in. England
was to provide comic interludes in serious plays by. interrupting the
action as and when he could.. A MODERN PUNCH SCRIPT CHARACTERS PUNCH JUDY
BABY POLICEMAN CLOWN. CROCODILE HANGMAN GHOST. the challenge of the Ghost
representing Death is considered Punch's. greatest trial. We long ago
stopped believing in the immortality of the soul a. deferred immortality.
We no longer believe in that immortality which. assumed a transcending of
the end an intense investment in the. finalities of the beyond and a
symbolic elaboration of death. What we. want is the immediate realization
of immortality by all possible. means.. the conquest of whom enables Punch
to finally defy the Devil himself.. So long as there is a finalistic
conception of life and death the. afterlife and immortality are given like
the world and there is no. cause to believe in them. Do you believe in
reality No of course. not it exists but we do not believe in it. It is
like God... If. something does not exist you have to believe in it. Belief
is not the. reflection of existence it is there for existence just as
language. is not the reflection of meaning it is there in place of
meaning. To. believe in God is therefore to doubt his existence. Belief
is. superfluous just as Canetti says vengeance is superfluous it is.
rendered unnecessary by the inexorable reversibility of things. In.
exactly the same way passion is a useless supplement to the natural.
attraction between things and we might say the same about truth. which
merely complicates appearances unnecessary.. or as a mirror merely
refracts your image without believing in it.. God for his part if he
exists does not believe in his existence. but he allows the subject to
believe in him and to believe he. believes in it or not to believe that
but not to believe he does. not believe in it. Stavrogin. When the Devil
has been done away with Punch exults to the audience. The Devil is dead
Now everyone can do as he likes. But what will the human race do once free
of any belief It will. either fullfill itself egoistically obeying an
exclusive sovereign. individualism (Stirner) or do so collectively by
setting out on a. long historical course as in Marx or it will shift its
sights to. the superhuman through a transvaluation of the values of the
species. this is the path marked out by Nietzsche who argued that the
human. race cannot be left to itself but must aim beyond itself and
discover. the great metamorphosis that of becog... Nietzsche has written.
magnificently of the vital illusion not of the 'worlds beyond' but. of the
illusion of appearances of the forms of becog of the veil. and indeed all
the veils which happily protects us from the. objective illusion the
illusion of truth... Needless to say this. transvaluation... has not taken
place except precisely in the. opposite sense... A transvaluation folding
in upon itself towards a. nondifferentiation a nondistinction of values
itself fetishized in. an aestethics of plurality of difference etc. Not
any longer a. fetishization of divinities great ideas or grand narratives
but of. imal differences and particles... This dedifferentiation of the.
human and the inhuman this reabsorption of the metaphor of life into. the
metastasis of survival is effected by a progressive reduction to. the
lowest common denoator.. The Crocodile was a late arrival in the story and
has now been an. important character for about a detdred years. First he
was a dragon. which eventually became a crocodile. Perhaps the idea of a
crocodile. became firmly established after children had been frightened by
the. Crocodile in Peter Pan. The Ghost is seen occasionally still..
Originally the Ghost of Judy it is now just any old ghost.. Who was
Pulcinella or as he is sometimes called Pollicinella or. Pulicinella His
role was primarily that of a servant as indeed was. that of Harlequin and
he was obviously a comedian. He wore an. artificial nose potbelly and hump
all calculated to make the. audience laugh and he was the mixture of
jollity and cruelty wit and. stupidity just as Punch is today.. The
PunchTrickster concept embodies notions of anti. establishmentarianism
buffoonery and shamanism that reflect. attributes of the creative
individual functioning in an authoritarian. ethos the late s bucking the
system inverting values. Assug an ubuique persona and balancing
precariously on a mono. cycle PunchTrickster pedals blindly into an
unknown future fending. off unseen adversaries with an ineffectual weapon.
The sculpture is a. concretisation of a state of d or an existential
predicament. It is. concerned with delusions of grandeur and vulnerability
paradox and. pathos.. The Trickster as buffoon acts out a quixotic farce in
ironic fashion.. Ubu Roi a precursor of the theater of cruelty the absurd.
PunchUbu. Puncheon. Pernille og Mr. Nelson. JUDY Where's the baby. PUNCH
(In a melancholy tone.) I have had a misfortune the child was. so terrible
cross I throwed it out of the window.. It is generally thought that the
obsession with survival is a logical. consequence of life and the right to
life. But most of the time the. two things are contradictory. Life is not a
question of rights and. what follows on from life is not survival which is
artificial but. death. It is only by paying the price of a failure to live
a failure. take pleasure a failure to die that man is assured of survival..
Punch's women performers Bearing in d that Mr Punch is a folk. herorogue
scoundrel trickster of the opposite sex from ourselves. why are we so keen
to portray his story And what might the women. Professors add to the drama
of the tradition. The traditional Punch and Judy show presents Punch as
the simpleton. hero who successfully outwits various characters
representing his. oppressions in order to gain his freedom. This 'clever
fool' type is. often portrayed as a male antihero in folklore (Jack Til.
Eulenspiegel Clever Hans Monkey Anansi and Brer Rabbit are some.
examples). Somehow he always manages to achieve through his stupidity.
what others fail to achieve by concentrated effort. Punch is a.
combination of the fool and trickster. His characteristics are a.
collection of the archetypal shadow masculine traits those which are.
socially deemed to be undesirable cowardice lewdness rudeness. stupidity
fickleness irresponsibility selfishness greed. ................ and
violence or cunning. Mr Punch the trickster carnival fool king of anarchy
is an absurd. masculine archetype of those aspects of the human psyche
that want to. turn the world upside down and create chaos. His gross
appearance. the bulbous hooked red nose and the phallic 'hump' on his
back. comically reinforce his male sexuality along with the big red.
slapstick which he wields as the answer to all his troubles. His.
character and appearance have their roots in the ancient ritual. dramas
celebrating birth death resurrection conflict and. fertility. In our
'civilised' hierarchical bureaucratic and. patriarchal society Mr Punch
has evolved and survived through the. centuries as our national 'Lord of
Misrule.'. Punch men often portray Judy as a wonderfully fussy bossy
pantomime. dame type with a high falsetto voice. (Note that this makes
the. character a parody of the male's fantasy of woman).. When knocked
down she bobs up again several times in comic protest. always with one
more thing to say. Sometimes her final utterance is. almost orgasmic in
nature so that the mock puppet death we are. witnessing might more closely
resemble 'le petit mort' rather than. actual mortality.. When she returns
to discover that Mr Punch has inadvertently (in true. 'ignorant simpleton'
style) made the baby into sausages she is as any. woman would be at first
distraught and then angry. However having. fully expressed her grief and
given Mr Punch a piece of her d she. quickly moves into acceptance and
realises this is her opportunity. for freedom Well now Mr Punch You made
the baby sausages so you. can look after the baby sausages That's fair I'm
going to claim the. insurance money and take a nice little holiday in
Majorca. No you. can't come with me. You're to stay at home and look after
the little. sausage.. And off she goes leaving Mr Punch and the sausages to
the mercy of a. big green crocodile with toothfilled gaping jaws. Her
triumph is that. she has called Mr. Punch's bluff. Rather than waiting to
be knocked. out of his way Judy leaves him with the consequences of his
mistakes. and removes herself to a more fulfilling situation. She does
the. separating off. This gives Judy an equal status to Punch in the
drama. although he still remains at the centre of the story and fulfills
his. usual trickster role with his other adversities.. Adult enthusiasts
can recognize him as the head of one of those. dysfunctional families of
Drama that span from Oedipus and Macbeth on. the tragic side to the Addams
Family and The Simpsons on the frivolous. side. He and other little red
nosed rogues like him have been kept. alive down the centuries because his
irrepressible antics and his. flying in the face of convention have amused
generations of ordinary. people particularly those with no power of their
own.. Step warily around the fair Welsh seaside town of Aberystwyth this.
weekend for everywhere you look will be a strange beaknosed figure. clad
in red with pointytoed shoes and a manic gleam in his immobile. eyes. No
it's not Beelzebub it's Punch. The second international. festival of Punch
and Judy is in town. Oh no it isn't. Oh yes it is. etc.. There was an Old
Man with a nose Who said If you choose to. suppose That my nose is too
long You are certainly wrong. That remarkable man with a nose.. A Jungian
Consideration of Edward Lear's Nonsense Verse Lear was in. many ways an
example of what Jungian psychologist MarieLouise von. Franz calls the puer
aeternusan archetype she analyzes in her book of. the same name. The term
comes from Ovid's Metamorphoses and there. refers to the childgod of the
Eleusinian mysteries. In later times. von Franz writes. the childgod was
identified with Dionysus and the god Eros. He. is the divine youth who is
born in the night in this typical. mothercult mystery of Eleusis and who
is a redeemer. He is a. god of life death and resurrectionthe god of
divine youth .. but we also use it to indicate a certain type of young man
who. has an outstanding mother complex . . . . (). Wandering moreover is
one of the most important traits of the. Trickster archetype (Radin )
which as we shall see Lear's. nonsense exemplifies.. There was an Old Man
of Peru Who never knew what he should do So he. tore off his hair And
behaved like a bear That intrinsic Old Man of. Peru.. There was a Young
Lady whose eyes Were unique as to colour and size. When she opened them
wide People all turned aside And started away. in surprise.. There was a
Young Lady of Norway Who casually sat on a doorway When. the door squeezed
her flat She exclaimed 'What of that' This. courageous Young Lady of
Norway.. There was an Old Man of Cape Horn Who wished he had never been
born. So he sat on a chair Till he died of despair That dolorous Man of.
Cape Horn.. There was an Old Person of Cromer Who stood on one leg to read
Homer. When he found he grew stiff He jumped over the cliff Which
concluded. that Person of Cromer.. There was an Old Man on some rocks Who
shut his wife up in a box. When she said 'Let me out' He exclaimed
'Without doubt You will. pass all your life in that box.'. There was an
Old Person of Bangor Whose face was distorted with. anger He tore off his
boots And subsisted on roots That irascible. Person of Bangor.. There was
an Old Person of Spain Who hated all trouble and pain So. he sat on a
chair With his feet in the air That umbrageous Old. Person of Spain..
There was an Old Person from Gretna Who rushed down the crater of. Etna
When they said 'Is it hot' He replied 'No it's not' That. mendacious Old
Person of Gretna.. There was a Young Lady of Parma Whose conduct grew
calmer and calmer. When they said 'Are you dumb' She merely said 'Hum'
That provoking. Young Lady of Parma.. There was an old man of Hong Kong
Who never did anything wrong He. lay on his back With his head in a sack
That innocuous old man of. Hong Kong.. The function of the Trickster
according to Kernyi is to add. disorder to order and so make a whole to
render possible within the. fixed bounds of what is pered an experience of
what is not. pered (). Kernyi could just as well be describing the.
nonsense genre that emerged in the nineteenth century.. You desire to LIVE
according to Nature Oh you noble Stoics what. fraud of words Imagine to
yourselves a being like Nature boundlessly. extravagant boundlessly
indifferent without purpose or. consideration without pity or justice at
once fruitful and barren. and uncertain imagine to yourselves INDIFFERENCE
as a powerhow. COULD you live in accordance with such indifference.
Contrary to the underlying Rousseauist ideology which argues that the.
profound nature of the liberated subject can only be good and that. nature
itself once emancipated cannot but be endowed with natural. equilibrium and
all the ecological virtues there is nothing more. ambiguous or perverse
than a subject.. Trickster is at one and the same time creator and
destroyer giver and. negator he who dupes others and who is always duped
himself. He wills. nothing consciously. At all times he is constrained to
behave as he. does from impulses over which he has no control. He knows
neither good. nor evil yet he is responsible for both. He possesses no
values moral. or social is at the mercy of his passions and appetites yet
through. his actions all values come into being.. It is a personification
of traits of character which are sometimes. worse and sometimes better
than those the egopersonality possesses. (The Archetypes ). The Trickster
is in other words a. manifestation of what Jung calls the shadow and he
comments We are. no longer aware that in carnival customs and the like
there are. remnants of a collective shadow which prove that the personal
shadow. is in part descended from a nuous collective figure (ibid.). that
is the Trickster archetype.. Furthermore the Trickster is a forerunner of
the saviour and like. him God man and animal at once. He is both subhuman
and superhuman. a bestial and divine being whose chief and most alarg.
characteristic is his unconscious ness . . .. He is so unconscious. of
himself that his body is not a unity and his two hands fight each. other..
As Jung says of the Trickster Although he is not really evil he. does the
most atrocious things from sheer unconsciousness and. unrelatedness (ibid.
).. We ought not to entertain the illusion that we might cultivate good.
and happiness in a pure state and expel evil and sorrow as wastes.. That
is the terroristic dream of the transparency of good which very. quickly
ends in its opposite the transparency of evil.. Bedre veier gir flere
ulykker. The travel poems also reflect the Trickster's habit of wandering.
(albeit his wandering is generally aimless). Radin comments that the.
Trickster's desire to wander represents his protest against. domestication
and society with all its obligations ().. what do we cling so tightly when
we resist the dangers of drift. Barthes spoke (positively) of drift as a
kind of stupidity. Are we. afraid of appearing stupid. In when Oliver
Cromwell's Puritan regime banned all theatrical. performance commedia
companies must have scrubbed England from their. gigging schedules. But
the Punchinello character appears to have detg. in. Crosspollinated with
the local Vice character originally the. trickster fool of the Mystery
plays Punch utilised Harlequin's. slapstick bat took a wife and resurfaced
in the Punch and Judy puppet. show.. PuckPunch
SantaPelznicholNicholasJanneyYule I Norge har vi. oskoreia og julebukker
they acted out an odd play the leader who. dressed in goat or bear skins
argued with another character or with. the woman figure. He was killed the
woman lamented and the doctor. comically resuscitated him or he
spontaneously revived declaring he. wasn't dead after all the Fool was in
his original beast form the. death and execution were enacted amorally. In
later plays the Fool or. beastman is often killed by a young groom because
he makes a pass. at the Woman and narrators explain the behavior with a
comic. script. Scholars concluded that the detdreds of versions peppering.
Europe could be traced to the great goatgod Dionysus. After all the.
Dionysian rites gave birth to modern theater In Britain he became. Robin
Goodfellow or Puck norsk slektpuk celebrated by. Shakespeare Goodfellow's
cousin Robin Hood began life as Wood a name. for the Wild Man. In the
Black Forest the Pied Piper of Hamelin re. enacts poet Robert Browning's
version of the ancient mystery. And. don't forget the 'geek' as a freak
act.. Shiva is more or less what you want him to be as in him all.
contradictions casually coexist. The notion of Shiva as exclusively a.
Wild Man of the forests and mountains traveling with a band of ghosts. and
ghouls as their leader Bhoothnath is a recent phase of his. worship. For
while he was always capable of peculiar behavior Shiva. used to live
outside of society not because he had rejected it but. because he had
transcended it. Shiva is repeatedly described as the. supreme master of
all the arts and that indicates a highly socialized. being the Nagarika of
ancient India not a rustic.. Only Siva who indulges in both extreme ascetic
and extreme erotic. activity the creator and the destroyer the quiescent
and the active. god who represents both the cyclical motion of the
universe and. spiritual immortality can offer devotees both paths of
immortality. through rebirth or renunciation and spiritual immortality. He
is the. living lingam in the yoni and the androgyne. Both symbols contain
the. paradox within themselves and provide a resolution.. Lingam Sanskrit
literary 'mark' or 'sign' ( is there a connection. between 'sign' and
'seed' (seme and semen) via sema seme sememe. semiological adj.Gk semeion
sign f. sema mark seal symbolic. inseal pregnancy pregnant expression...).
Shiva is worshipped in several apparently contradictory aspects whose.
combination gives emphasis to his incomprehensible transcendence. He. is
seen as a giver of blessings and is also a symbol of sensuality.
represented by the lingam or phallus. On the other hand he is. sometimes
depicted as an ascetic seated in meditation in the. Himalayas. Shiva is
also the god of destruction and dissolution. In. his manifestation as
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d. b d b Y P d. gg Y dP P Y gg P'. Y Y i Y P' Y. YbP Yba YbdP b YbP d. Yb
Yba Yb YbdP' Yba. YP' Y YP Y YP' P'. Y Y Y YP' Y. Noemata Random Name
Generator. CROTHROPICOM. CROTHROPICOM. ))). Cool band name SOSITE. Noemata
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there's a local history group in the area writing articles which gets
released. in a small yearbook by the museum i had some of them sent them
off to a. friend. among the interesting where stories about Omgang a
deport and. execution place in the middle ages a few some km from here
unhabitated long. since. prisoners from northnorway don't know how far
south where imprisoned. at this very desolated place and in fact a couple
of women got burned as. witches there in es if I remember right a young
woman Dorte something. accused of making storm at sea where a man she had
some relation to died you. could tell by the incidents she probably was an
attractive woman making the. men with power quite jealous humiliated and
very mad after half a year in. prison she was burned alive in I think..
another interesting thing is the labyrinth as Mikkelsberg also close by
with. some discussion of the authenticity of it it origins either from the
pomor. trade with russians a couple of centuries ago or from much earlier
habitation. of the area the earliest settlers probably being the sami
komsaculture. several thousands years ago there's some debate a dr.
something writing his. thesis the sami were not the first inhabitants. the
labyrinth has not been. coast from fear of messing it up the traces are
very vague but it has the. traditional form and is about in diameter..
there's some war time history since the whole shit was burned down by
germans. the whole north of norway every building here so they turned the
boats on. their head and lived under there or lived in caves at the coast.
things have. been rough here of course finding support actually there were
some. agriculture before not much.. there were about women burned as
witches in the s in finnmark the. northernmost part of norway were charged
for sorcery and researchers have. wondered why so many in the region.
reading protocols from the trials a. researcher. now suggest the poisonous
fungus meldrøye lat. Claviceps purpurea explaining. hallucination and
bewitchings black grains at the bottom of the cup etc.. Re SZ aeffect
Strong Creole Tendency. Atta unsar thu in Himinam. SZ aeffect. Strong
Creole Tendency between wordanimage selfreference 'worldings'. toll
painting of a russian and a norwegian in a fjord in the 's. trying to
communicate about some wood. chopped logs the pomor trade s to the russian
revolution initiated by. russians from the. White Sea having coast and
fjords in north of norwy as their area 'pomor'. means. 'by the sea'
Arkhangelsk has a pomor university today the russian came to. white. sea
from Novogorod s a viking city with democratic traditions different. the
tataryoke in rest of russia. pomors had cereal meal and traded with. the
tataryoke in rest of russia. pomors had cereal meal and traded with
313
fish (coast) and skins (sami inhab). .. should think wood also was
important as. there are no trees in the northernmost regions... Nordmannen
Drasvi gammel go ven på moja. Tvoja fisk kopom (Goddag min gamle. gode
venn. Kjøper du fisk). Russeren Da. (Ja). Nordmannen Kak pris (Hvilken
pris). Russeren En voga mokka så to voga treska. (Det er en våg mel mot to
våger. torsk.). Nordmannen Eta mala. (Det er for lite). Russeren Slik slag
en å en halv voga treska så en voga mokka. (Slikt slag.. En. og en halv
våg torsk mot en våg mel.). Nordmannen Eta grot dyr. (Det er ennå for
dyrt.). Russeren No davaj på kajut sitte ned så dokka lite tjai drinkom.
Ikke skade.. (Kom. nå ned i kahytten og drikk litt te. Det kan ikke
skade.). norw. russian it seems). pomor trade was illegal until . and then
the russ revolution stopped it and. the nnorw econony into depression and
the coastal villages into. problems.. the pomors had a rich rural culture
and folklore it seems there's a longer. within pomorområdet levde
fairytale adventure and legend byliner (heltedikt). ballader stev and
laments further enn a in inside into on per within. mange. second strøk
for off Russia Russia. a in inside into on per within. last. latter half
for off tallet begynte lærere prester and second stream. accumulate gather
tradisjonsstoff. them gjorde crowds for off opptegnelser a. in inside into
on per within citys and villages longer dvina and pinega. and. at to
toward towards a in inside into on per within at by on. upon. on upon
kvitsjøkysten området ble kjent like one skattkiste because of.
folklorister and etnografer.. within ble marija krivopolenova one
diminutive ancient wife with a. unfigure. ballader and chants at.
tertiden. also stepan pisakhov like var kunstmaler skrev below downstairs.
underneath down below underneath down underneath tradisjonsfortellinger.
especially especial fairytale adventure at to toward towards a in. inside.
into on per within at by on upon on upon dialect. sjergin skrev also.
tradisjonelle and further fashionable fairytale adventure men his
skriftlige. produksjon am både større and longed further allsidig enn
pisakhovs. within sovjettiden dolled it also opp sterke klare litterære
personligheter.. fjodor abramov ex from verkola. marija krivopolenova ().
bondekone ex from pinega famous because of its ballader chants and.
klagesanger.. hun learned helteballadene stariny for off its grandfather.
hun. accrued. opp a in inside into on per within fattige kår and ble early
married. married married poison men verken at to toward towards until till.
felicity. eller velstand. hun losed både the fellow and barna unntatt one
daughter like. ble married married married poison så fattigslig at hun no
not know get. lay. hold of pick up take itself for off moren. hun ble
hence therefore tvunget. at. toward towards until till stream continue
tilværelsen like one beater. omstreifende beggar eller legdekone. men
krivopolenova var one lysende gifted. forteller chants and klagesanger.
boris sjergin (). it nordrussiske klassikeren fremfor noen. he convey
imparted gamle. fortellinger. and tradisjoner muntlig and after behind
hvert also skriftlig. he skrev also. its. egne fortellinger. sjergin var
one authentic pomor the father var styrmann and. seilte at to toward
towards a in inside into on per within at by. on. upon on upon Norway the
mother daughter for off one seilmaker. både. foreldrene. and mange for off
husets friends stod midt a in inside into on per. within. pomorenes living
fortellertradisjon. sjergin itself ble one important. tradisjonsbærer
because he after behind hvert fixed it he hadde hørt at to. toward towards
until till papiret. a in inside into on per within its. fortellinger and
fairytale adventure skildringer for off life and employment. in.
skipsbyggere fiskere and fangstmenn. stepan pisakhov (). stepan pisakhov
seilskip at fiskebryggen a in inside into on per within. arkhangelsk.
author and kunstmaler ex from arkhangelsk. he var at to toward towards.
until. till stream begin with kjent because of its paintings with motiver
ex from. nordlige strøk men begynte after behind hvert stream type
fairytale. adventure.. mange for off the fairytale adventures his finer
also a in inside into. on. per within second versjoner men his versjoner
haves sitt særpreg and. språkføringen a in inside into on per within disse
tekstene am stronged. imprint impressed for off nordrussisk dialect.
pisakhov am one for off you. exaggerations skrøner. well there's some
pictures... links to some english. etc. CHROMOGAL. CHROMOGAL. Osho name
TEATDECI. Noemata Random Name Generator. nettimeann mailing list.
nettimeannnettime.org. ann ELPATA. ELPATA. Noemata Random Name Generator.
nettimeann mailing list. nettimeannnettime.org. . e k u n s t .
laburinteger. This is a multipart message in MIME format.... ContentType
textplain charsetiso. Maskin Jeg er glad jeg er det eneste jeg'et her..
Far Sønn sønn vi anbefaler at min maskin ikke snakker mere til deg.. Sønn
Men den kan så mange spennende ord.. Hadde trengte hjelp. til og fullføre.
De påfølgende dagene ble historiene til den bandasjerte. samlet og skrevet
ned i notatbøker før den støeste og mest skriveføre. av dem fikk oppdraget
med å føre over teksten til bandasjen. Hele. arbeidet. tok dager og da de
var ferdig var den bandasjerte i alt dekket av. ord.. Jeg faller uten....
Projeksjoner krever kontiniuitet.. ContentType textplain
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filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert
via. e k u n s t. listeadresse eekunst.no. kontaktadresse
listmasterekunst.no. Nagnews Og sdspoetrezt dkyk og skyr nabnetrt. På Y).
Y (inntar sosiologiskpedagogisk sideleie) Protagonistens puerile.
forsvarsmekanismer er et infatilt forsåk på å rasjonalisere frykten.. Og
sdspoetrezt dkyk. og skyr nabnetrt dykkadt som ncdovmo vopmkete. foef
dMrnefnsd eksdsonnen slyllfd. Fglerfd dyjkk xfsd ogb ajjbgooåad af
xftrlyd. xfef stylr ret sdløben dykkatrg i hitummenem. Deref stgamme
gjoerda efane ferita mefd prgfotetane. Men e dykk rkke. det.... NAGnews
mailing list. NAGnewslists.copyleft.no. isoQDuhFrerdetnEdeterslettesikkei.
Kjemiforsøkene i elevenes hode. I ditt blomsterhull. Han sover i sjette
scene. Har jeg noe å si han. Middelaldrende demokrat må ligge i.... Du
hører det nå det er slettes ikke i sukkerbiten lyden oppstår.. Du ser på
sukkerbiten en siste gang før du putter den i munnen. Som om. begge.
øynene skulle ha skiftet posisjon fra venstre mot høyre uten og røre.
hodet. skifter synsvinkelen i scenen.. Kvinnen tar uforståelig imot en.
lapp hvor det står Vi møtes i dusjen i morgen. Hilsen din partner i.
forbrytelse.. Over kinomaskinisten på disen. kinomaskinisten tårer .
veggen mitt film over noen . UTE AV FOKUS.. My Help. Example How do Ichang
my password. Tips. Getting Startled. How do If i what category my Humen is
in. I receive an email notification saying my humen could be Deleted due
to. inactivity. Why What can I do. What does the my smiley face (image) is
mean. How do my I get rid of the my is smiley face (image). I never sign up
for my Human grouqs. Why am I receiving my messages. View and manage your
my hume. Your humain Grops account has been disable because you had. an
autoresponsible setup.. Bouncing seminar . May. What Bouncing means and
what to do about it means bounce. L. Work with elbows grouq. Control
access and sharing humes. list bounce. tails Yoric troll and Nøkk. Ask
Her. the water. Re Du har rett. Da kan jeg vende tilbake til. Work good.
Fra den. Forfatteren hadde alltid en. unnskyldning vent litt jeg måtte
bruke begynnelsen tilslutt.. Selv nå tror leseren han vet hvem morderen
er.. Troll om igjen.. Jeg vet at munnen min drypper av penneskaftet
skriver. forfatteren.. Med deler av hodet bandasjert.. Hvis vi panorer til
høyre ser vi ryggen hans idet han forlater. sykhuset fullt rekonstituert.
Kutt. Utenfor sykehuset stopper han opp.. Flashback. Noen tok av for
fallet. Han fallt. Blålys. Står på. sykhustrappen. Tar seg for det gamle
kuttet i pannen. Får blod på. fingrene. Snuser på blodet. Nærbildet av en
hund som glefser.. Kanskje ikke.. Mot widescreen sensur.. Overtall pga..
Og ble stående å. skrike til hverandre. Da måtte en av dem raskt ta en
avgjørelse og. fortsette videre så ville den andre måtte slutte seg til..
.n. las ldanburg. oea.net.knyt. bmg. how many net artists does it take to.
Greetings froam. Greetings froam. cause confusion and shame to make
uncomfortably selfconscious disconcert. abash. put obstacles or
difficulties in the way of impede. skam. the painful feeling arising from
the consciousness of something dishonorable. improper ridiculous etc. done
by oneself or another. disgrace ignominy. a fact or circumstance bringing
disgrace or regret. cover with ignominy or reproach disgrace. shame is a
painful feeling caused by the consciousness or exposure of unworthy. or
indecent conduct or circumstances. It is similar to guilt in the nature
and. origin of the feeling.. pride a high or inordinate opinion of one's
own dignity importance merit or. superiority whether as cherished in the
mind or as displayed in bearing. conduct etc.. selfesteem selfrespect.
ridicule Syn. . mockery raillery sarcasm satire irony. . banter chaff.
rally twit burlesque satirize lampoon. RIDICULE DERIDE MOCK TAUNT imply.
making game of a person usually in an unkind jeering way. To RIDICULE is
to. make fun of either sportively and goodhumoredly or unkindly with the.
intention of humiliating to ridicule a pretentious person.To DERIDE is to.
assail one with scornful laughter to deride a statement of belief.To MOCK
is. sometimes playfully sometimes insultingly to imitate and caricature
the. appearance or actions of another She mocked the seriousness of his.
expression.To TAUNT is to call attention to something annoying or
humiliating. usually maliciously and exultingly and often in the presence
of others to. taunt. nihilogues nilogue brainstem. nihilogues nilogue. 'In
generalthe brainstem produces morecomplex. movements than does the spinal
cord.In addition to responding to most. sensory stimuli in the environment
and regulating eating and drinkingbody. temperaturesleep and wakingthe
brain stem can produce the movements. of walking and runninggroomingand
sexual behavior (all of which are. more complex than the reflexive
movements produced by the spinal cord).The. brains of fishamphibiansand
reptiles are basically equivalent to a mammalian. brainstemin
consequencethe behavior of these animals is a good indication. of the
functions of the brainstem.'. On old Olympuss. towering top a Finn and.
German view some hops.. cortex (from the Latin for barkas in a tree s
bark) ref. book.. Fissures Sulci and Gyri the Cortex brothers. limbic.
Input could enter this circuit from other structures to be elaborated as.
emotion.. summarize the action of a nerve impulsean. other analogy may
help.Think of the voltagesensi. tive ion channels along an axon as a
series of. dominoes.When one domino fallsit knocks over its. neighborand
so on down the line.The wave cannot. return to its starting position until
the dominoes are. set back up again.There is also no decrement in the. size
of the propagated eventthe last domino falls ex. actly the same distance
and just as heavily as did the. first one.. 'The embryo who walks upright
belongs to the primate order. A badger recounts the story that God created
all animals as embryos and called. them before. his throne offering them
the changes that they desired. They opted for. specialized. adult features
claws teeth hoofs antlers and so forth. But the human. embryo trusting.
Gods judgment accepted the way it was made. The creator was delighted and.
said. that. it would therefore remain an embryo until buried but would
dominate the other. animals. walk upright and feel sorrow and feel joy.
(White ). An important part of the answer to the Sphinx s riddle about the
nature of. humans. is that the adult who walks on two legs is sort of an
infant chimpanzee.'. 'Saint Ambrosewho lived in the fourth century A.D.is
reported to have been. the first person who could read silently.'. ..i
remember a lecturer in computing claiming alphabetic sorting being.
problematic. some centuries ago.. 'Even somost of the changes in behavior.
that differentiate us from our primate ancestors took place more rapidly
still. long after the modern brain had evolved to its present
condition.Only. years ago did modern humans leave the first human artistic
relicselaborate. paintings on cave walls and carved ivory and stone
figurines.The tempo of. change has quickened further in the past
years.Agriculture and animal. husbandry were established in the Middle
East by B.C.followed by ideo. graphic writing in the same region by
B.C.Saint Ambrosewho lived in. the fourth century A.D.is reported to have
been the first person who could. read silently.The modern technological
age began in about A.D.it was. after this time that most of what we see
around us today was invented or dis. covered.How interesting that most of
what we associate with modern humans. is of such very recent
originconsidering that the basic tools (a big. brainfree. handsand bipedal
locomotion)had been with us long before.'. fundamentals of humal
neuropsychology. bror han går i skoge. bror han går i skoge. jaga alle
ville dyr. er han kvit so kjøyr'n hit. er han grå so lat 'n gå. er han
bron i boge. so lat 'n gå i skoge.. Sutene og sorgene. dei trør eg under
fot. di gladare skal eg halda meg. di meir det gjeng meg imot.. Sutene og
sorgene. det blandast alt tilsaman. munnen lær og hjarta græter. det er so
lite gaman.. cobralingus. cobralingus. It makes use of the Metamorphiction
process using text as signal and. passing it through FILTER GATES
transforming the textsignal. The FILTER GATES. range from DRUG (injects
artificial stimulant into the language) to EXPLODE. (breaks up signal into
highly disordered fragments) to PURIFY (loses. deadwood).. It sounds fairly
mechanical and Noon presents it as such. There is an INLET. and. an OUTLET
(read input and output). The FILTER GATES act on the input text.
transforming it in a variety of ways. Noon writes of the specific effect
of. each FILTER GATE as though it were a precise algorithm and the text.
transformed. according to very precise rules. In fact the Cobralingus
Engine is no such. thing. The rules beyond their most basic operation are
entirely of Noon's own. choosing.. generated writing. Commencement for
Teens. Frogman Tautness and Undue Cinnamon Inaction. As DestinyUtopia
Undoes the Thai Emutagonad Retread the Spooks of Technology.. Benjamin
Bruin is. Daft. if not SICILIAN.. One varsity. If Cuneiform. Has Found
Fern Noose. a Sunni from Burberry CT. on. CIA spanks you for smut and
fortune. Suddenly it is the Vedasfluxing. It is. Mastering in Purees and
Scanners as if ham and IdVendors had walked into. thawing rinds and facial
tics Beating. HI Cluera. Paloin Biloid. REVIEW Cigarette Boy by Darick
Chamberlin. antinovel. Ten Years of Pain in the ass. computer generated
writing. Virus Charms and selfcreating codes.. Virus Charms and
selfcreating codes.. 'Within the computer web the negative effect of
viruses is propagated much. faster than the positive effect of
information. That is why a virus is an. information itself. It
proliferates itself better than others biologically. speaking because it
is at the same time both medium and message. It creates. the. ultramodern
form of communication which does not distinguish according to. McLuhan
between the information itself and its carrier.' Baudrillard. Sircam
chooses a document from the hard disk and sends it to all addresses.
found. in the email address book. So everything private public and
interpersonal. gets mixed up because of the possibility to reproduce
information and to. transmit them instantaneously in the net.. RTMark
intvju. RTMark intvju. I feel RTMark as a multiple identity absolutely no
individual faces and. names.. What's your concept of personal identity
within your group Do you individually. feel yourself as part of a
collective person or as anonymous individuals. under. a collective name.
We're just anonymous for pragmatic reasons... We are a corporation
meaning. that. essentially we are a group that comes together as one body
(corporeal). This is. a kind of bastardization of the idea of collectivity
insofar as it does not. really imply sharing equally labor and benefits as
one might on a collective. farm. The corporation as opposed the the
collective has been legally defined. give the best business advantage to
captial without the nasty side effects. of. liability. So we come together
as a body in order to create a fall guy someone. who can absorb the
liability for all the actions of participants. So we are. anonymous
because we have no need to exist in this equasion. we already share a.
body and that body has a name and an identity.. Cultural resistance is
very difficult to fund. How do you succeded in it. Our funding is
important because it is a symbol. The small amounts we come up. with do
not really fund anythingthey are not sufficient to fund people or.
actions. They are useful in that they show some interest by peopleenough.
interest to give money.. If you'd program a computer virus what it'd be
able to do. Perhaps we could et a computer virus that taps into the unseen
forces of the. afterlife bring to our cause an army of vengeful ghosts
Ghosts are very. effective at what they do i've seen it in the movies. But
this is a good. question that is why i can't answer it so quickly....
nymata. The nym noemata is free to use. participation inclusivity rather
than exclusivity experimentation and. creativity. Neomatic Cantsin. how to
make immediate emails emailart mailart generative automatic scant. the
medium is immediate instant so to attain immediacy construct the.
opposite. something mediated double negate. spamspiders. med en søkemotor
for mailadresser praktisk men tvilsom. halvsøvne. vær forsiktig om morgon.
halvsøvne. ting vet om det. auto.noemata.net. .... noemata.net. .... ....
det er noe med fart som gjør liv. Warning DB Error connect failed.
nativecodeORA TNSlistener could not resolve SID given in connect.
descriptor oci kunstmunchKultur.no in. glenlivet.gandi.net.
laphroaig.gandi.net. redirmailtelehouse.gandi.net. ogin. ogin.php. stavr.
Mar. INSIN KONNAR T. DYT ER ALT D RI NAH. OS N T ÅR DA DOR. D D ET ER
INCYND D INC. HPE SCS D ER. INSINTEN T G SGSUR. SAM T N SEM NY. DE T SSRAF
EN DI T TI. IMSEN KI T MNER. DH SXR T EF EM DØTA I T NSAN KAMNOR T. INGON
KEMNO T R DHDOAN. IN T GENTHMG SSCA T R DOSAN. LIFUT PO JHRDI. SFHD. SDAR
SSILÆ. VIMDT I HOTOT. LHTT ARMONE ER VAQNI. DET BLYSIR UTU. MARST. LABHT
PH JERDO. ody without borgan is borgan without ody. poetry. Poetry means
(a) I'm going to die and (b) this. notebook will be read by someone who
will see how. lacking I am unless I destroy it I can't do. that that would
be worse than keeping it that. would mean thinking of it.George Stanley. (
( ( ) ( (. pre.txt render. using phpfiglet.
noemata.nettxtphpfigletrender.php. qMark qWeiss qNichts. Aug. Maghies ll.
fososos ss. fososos ss. complment de programme. une session citu (cration
interactive transdisciplinaire. universitaire) se tiendra le. vendredi
septembre de h h l'apmhi b bat b avec. la participation de. francis jutand
directeur des stic du cnrs. francois roche architecte. jeanbaptiste
barriere compositeur. this is another home reading brought to you. advent
spoilers. lese det. lese det som om det ikke var til meg som om jeg var
fri som er det. firenncasdee med å fnine ting de er nye de trefefr iegnn
ntyt galme. tnig kan vræe nye hvis du spør hva kusnt er spør en
jialsrnuot. hva er. aerlijstaoikdnnravutgak. snøhvit. egentlig var det
ikke den onde stemoren som ga snøhvit det forgiftede. eplet i eventyret.
det var hennes kjødelige mor. men brødrene grimm måtte. sensurere sin
politisk ukorrekte fortelling sier heinrich dickerhoff.. for å antyde at
en mor ville drepe sin egen datter ville være det samme. som å krenke
forestillingen om det hellige moderskap. det våget wilhelm og. jakob grimm
ikke. derfor fikk stemoren skylden mener dickerhoff som er. leder for
europeisk eventyrforbund.. bey radio sermonettes. in fact an argument
could be made that music distributed free or at cost. on cassette via mail
is less alienated than live music. rendered into trash like all other
trash. folkultur. real art is play play is one of the most immediate of
all experiences.. therefore as artists cultural workers'' who have no
intention of. giving up activity in our chosen media we nevertheless
demand of. ourselves an extreme awareness of immediacy as well as the
mastery of. some direct means of implementing this awareness as play
immediately (at. once) immediately (without mediation).. thus a good meal
could be an immediatist art project especially if. everyone present cooked
as well as ate. and everybody was called andy. poetic terrorism'' and art
sabotage'' are quite logical. manifestations of immediatism.. for instance
the liberatory power of a painting can be neutralized or. even absorbed
simply by placing it in the context of a gallery or museum. where it will
automatically become a mere representation of liberatory. power..
rhapsody. democratic shamanism. '' creative acts themselves the outer
results of. the inwardness of imagination are not mediated alienated (in
the sense. we've been using those terms) when they are carried out by
everyone for. everyone when they are produced but not reproducedwhen they
are shared. but not fetishized.. anyone present may become a horse'' or
medium for one of these santos. whose words actions then assume for all
celebrants the aspect of the. presence of the spirit (i.e. the possessed
person does not represent but. presents).. the audience who are indeed
locked in place in darkness silence. immobilized by the money they've
paid. no wonder the first broadcasters of video were the nazis. tv is to
the. imagination what virus is to the dna. the end. beyond tv there lies
only. the inframedia realm of no spacenotime the instantaneity ecstasis.
of commtech pure speed the downloading of consciousness into the. machine
into the programin other words hell.. roughly then the more imagination is
liberated shared the more. useful the medium.. the end of the modern does
not mean a return to the paleolithic but a. return of the paleolithic..
sardonicide. capital. toolate capitalism. the spectacle the simulation
babylon. whatever you want to call it. an immediatist potlatch idiotisk...
within the organic (nature'' everyday life'') is embedded a kind of.
silence which is not just dumbness an opacity which is not mere.
ignorancea secrecy which is also an affirmation a tact tacit. the lazy
yokel plows a crooked furrow. if i could escape this bad mood of course
i'd do so take you with me.. what we need is a plan. jail break tunnel a
gun carved of soap a. sharpened spoon a file in a cake a new religion.
speak too much not be heardthat's sickening enough. but to acquire.
listenersthat could be worse.. sufism situationismor shamanism anarchythe
theories i've played. with are just that theories visions ways of seeing.
significantly. the practice'' of sufism consists in the repetition of
words (dhikr).. this action itself is a text nothing but a text. and the
praxis'' of. anarchosituationism amounts to the same a text a slogan on a
wall. a. moment of enlightenment. well it's not totally valuelessbut
afterwards. what will be different. just as there exist books which have
inspired earthshaking crimes we. would like to broadcast texts which cause
hearers to seize (or at least. make a grab for) the happiness god denies
us. exhortations to hijack. reality.. enlightenment is all we have even
that we've had to rip from the grasp. of corrupt gurus bumbling suicidal
intellectuals. as for our artwhat. have we accomplished other than to
spill our blood for the ghostworld of. fashionable ideas images. treasure
and by what technique seeing that it is precisely technique. which has
betrayed us derrangement of the senses insurrection piety. poetry knowing
how is a cheap mountebank's trick. but knowing what might. be like divine
self knowledgeit might create ex nihilo.. mønsterai. hvordan kan maskinen
lage et mønster en form abstrahere. rettekar. sånn circa på ploen asduenmn
elelr nsnaen steedr er ptunker er virlutlee. anmiiaklkts jeg vil dit men
det er ignenntig der heller det er. aeietvtktin som dirver deiftrn som
divrer mødslnkeåe rettekar.. Mar. om du har et ord så har du en verden.
alle fnatsenaie. ontatemn. dfykrt. viktig vær aldri rded. det er resleden
som er fralig. rztel det ukjtene gteån møte med noe annet ntyt. neyht er
redesl. horfovr fkryt alltid dyisrk injeolarsrt. iegnn fsojrkell alt er
mg. s. roman. roman. må vi ha vært gjennom det for å bli ergo har vi
integrert de vi vil ta. avstand fra vokse antistoff antiterrorterror..
dagen etter. allerede dagen etter er hun glemt og må minnes for å huskes.
jens er den. som husker henne minst. skyflet unna i en fei dagen etter er
hun allerede. pakket inn begravd og bare et minne.. kan attentatet være et
malplassert attentat på media som media straks. vender om til en sak om noe
annet.. tror vi får en ny trend new savages.. bruce margon associate
director at the space. telescope science institute in baltimore maryland.
described the sound at a press conference here as. described the sound at
a press conference here as
314
being a million billion times deeper than the limits. of human hearing..
let's not get carried away..... not even my dog boris can hear this
stuff.. i alle filmer jeg har sett er utenom jordinger stort sett.
teknologisk overlegene. men kunsten de drar med seg er av en. eller annen
grunn svært jordisk. er det noen som har vært. borti interpanetarisk kunst
som ikke er av jordisk karakter.. hvis det absolutt må være
interplaneterisk (innenfor vårt solsystem) og. laget. av teknologisk
overlegne utenomjordinger og ikke av jordisk karakter. nei slik. kunst har
jeg ikke vært borti.. flarf. flarf. it might be helpful to offer a short
history of flarf. strike helpfulit. amuses me to do so.. flarf came about
a couple of years ago when gary sullivan submitted a. deliberately bad
poem to poetry.com one of those vanity companies that. lures the
unsuspecting with lavish praise of their poetry and then offers. publish
it for an exorbitant fee. theorizing that no submission no. matter how
heinous would ever be treated with anything other than. yeah mmhmm it's
true. big birds make. big doo i got fire inside. my huppachimp(tm). gonna
be agreessive greasy aw yeah god. wanna doot doot.
pffffffffffffffffffffffffft hey. oooh yeah baby gonna shake bake then
take. uggah duggah buggah biggah buggah muggah. hey hey you stoopid mick
get. off the paddy field and git. me some chocolate quik. put a qtip in it
and stir it up sick. pockamockachockalockading dong. fuck shit piss oh it's
so sad that. syndrome what's it called tourette's. make me haiee shout out
loud. cuz i love thee. thank you god for listening. sure enough he
received a full invitation to have his timeless piece of. literature
enshrined for all posterity etc.. gary shared his poem the style of which
he promptly dubbed flarf with. members of the subpoetics mailing list and
before long a few other. participants began posting poems to poetry.com
including myself drew. gardner jordan davis and a handful of others.
eventually we formed a. separate mailing list.. the initial aesthetics of
flarf went largely unarticulated but they can. probably be approximated by
the following recipe deliberate shapelessness. of content form spelling and
thought in general with liberal borrowing. internet chat room drivel and
spam scripts often with the intention. of achieving a studied blend of the
offensive the sentimental and the. infantile.. flarf has largely become
stylized out of existence made inseparable from. the usual writing habits
of its practitioners as gary and nada and others. have pointed out.. maybe
the problem was ever announcing flarf as a concept suggestive of. a
movement etc. in the first place. there were those among us who. shrewdly
warned about the dangers of such a movekatie degentesh for. example. the
truth is flarf is not a movement never was because it has. no principles
as such beyond some characteristic compositional techniques. etc.).. there
is no such thing as flarf. useless to declare that now. one day there will
no longer be flarf and nonflarf. there will only. be bad poems and worse
poems. the worse poems will be stronger and will. eat the merely bad ones.
what is now provisionally gestured toward as. flarf (falsely so but
necessarily) is merely an exercise in preparation. for that eventuality..
the ghost of heriberto yepez is standing behind me holding my wrists as i.
type sucking my brains out through an elaborate tin siphoning device.
welded to both our skulls. it's a good thing. poeticslist. kursiv. 'gud'
som ekstrem komprimering tre bokstaver og alt.. for sine egne handlinger
og absolutt ikke har noen rett til å skylde. for sine egne handlinger og
absolutt ikke har noen rett til å skylde. open source crime art. det blir
ikke forstått. kan ikke forandre noe. greetings'. growth. mourned.
fraudulent. uprootings. news det er nok gudsutryddere som er ut og går
igjen.. eller noe homofilt. protoindo europeisk kerk (høne) og tocharisk
kran.ko. ligner mistenkelig på klukk.. nasjonalbiblioteket lagrer alt som
skrives på news de. no.ghostr. there is a ghost posting in this newsgroup.
no.alt.arkiv. no.fritid.akvarium. no.fritid.diverse. no.annonser.diverse.
no.it.tjenester.mail.diverse. no.kultur.diverse. no.kultur.film.
no.kultur.litteratur.diverse. no.sport.diverse. se.test. dk.test.
dk.kultur. dk.kultur.litteratur. no.org.diverse.
free.it.test.testo.testa.testi.teste. no.test. no.general.
no.alt.diskusjoner. no.alt.flame. no.alt.frustrasjoner. no.general
diskusjoner uten generell interesse.. no.samfunn.media.diverse.
no.samfunn.media.radiotv. no.samfunn.media.radiotv.virkelighetstv.
no.org.diverse. se.internet.news.diskussion. se.prat.diverse.
se.prat.humor. se.test. dk.general. dk.kultur. dk.opslag.internet.
dk.snak. dk.snak.vittigheder. dk.test. is.test. is.ymislegt. finet.testi.
NN. number name description appearance. unused. horizontal tab space. line
feed space. unused. space space. exclamation mark. quotation mark. number
sign. dollar sign. percent sign. ampersand. apostrophe '. left parenthesis
(. right parenthesis ). asterisk. plus sign. comma. hyphen. period (full
stop) .. solidus (slash). digits (). colon. semicolon. less than. equals
sign. greater than. question mark. commercial at. upper case az a z. left
square bracket. reverse solidus (backslash). right square bracket. caret.
horizontal bar. acute accent. lower case az a z. left curly brace.
vertical bar. right curly brace. tilde. unused. nonbreaking space.
inverted exclamation. cent sign. pound sterling sign. general currency
sign. yen sign. broken vertical bar. section sign. umlaut (dierisis).
copyright. feminine ordinal. left angle quote guillemot left. not sign.
soft hyphen. registered trademark. macron accent. degree sign. plus or
minus. superscript two. superscript three. acute accent. micro sign.
paragraph sign. middle dot. cedilla. superscript one. masculine ordinal.
right angle quote guillemot right. fraction (one quarter). fraction (one
half). fraction (three quarters). inverted question mark. capital a grave
accent. capital a acute accent. capital a circumflex accent. capital a
tilde. capital a umlaut (dierisis). å capital a ring å. æ capital ae
dipthong (ligature) æ. capital c cedilla. capital e grave accent. capita e
acute accent. eirc capital e circumflex accent. capital e umlaut
(dierisis). capital i grave accent. capital i acute accent. capital i
circumflex accent. capital i umlaut (dierisis). capital eth icelandic.
capital n tilde. capital o grave accent. oacute capital o acute accent.
capital o circumflex accent. capital o tilde. capital o umlaut (dierisis).
multiply sign. ø capital o slash ø. ugrave capital u grave accent. capital
u acute accent. capital u circumflex accent. capital u umlaut (dierisis).
capital y acute accent. capital thorn icelandic. small sharp s german (sz
ligature). small a grave accent. small a acute accent. small a circumflex
accent. small a tilde. auml small a umlaut (dierisis). å small a ring å. æ
small ae dipthong (ligature) æ. small c cedilla. small e grave accent.
small e acute accent. small e circumflex accent. small e umlaut
(dierisis). small i grave accent. small i acute accent. small i circumflex
accent. small i umlaut (dierisis). small eth icelandic. small n tilde.
small o grave accent. small o acute accent. small o circumflex accent.
small o tilde. small o umlaut (dierisis). division sign. ø small o slash
ø. small u grave accent. small u acute accent. small u circumflex accent.
small u umlaut (dierisis). small y acute accent. small thorn icelandic.
small y umlaut (dierisis). xspamscore sssssssssss.
document.write(authors.link(authors.htmauthor)). authors. xspamscore
sssssssssss. the shapes of things are dumb.. l. wittgenstein. mail art
groups. comp.internet.nethappenings. rec.crafts.rubberstamps.
rec.arts.misc. fr.rec.arts.plastiques. alt.zines. comp.mail.multimedia.
rec.arts.fine. bit.listserv.postcard. alt.magick. misc.writing.
rec.arts.misc. fa.. ape. ape kapret buss. bussjåføren var i ferd med å
selge billetter da han plutselig fikk en. uventet passasjer.. en illsint
ape jaget passasjerene ut av en buss i den nederlandske byen. tilburg.
deretter slo den seg til i baksetet uten å ha løst billett. forteller en
talsmann for det kommunale busselskapet.. bussjåføren var i ferd med å
selge billetter til påstigende passasjerer på. en holdeplass da apen av en
art som tilhører familien makaker plutselig. hoppet på. den stanset ikke
før den var helt bakerst i bussen.. sjåføren tilkalte hjelp fra politiet
som kom til stede og brakte snikeren. til en lokal dyrepark der ledelsen
nå forsøker å finne ut hvem som eier. dyret. det er uklart om apen må
betale gebyr for å ha sneket på bussen.. lumber. about. if you're lured
into parting with your lolly you could be. lumbered.. lumber llmb n. m.
perh. f. lumber v. but at one time. assoc. w. lumber n. disused articles
of furniture etc. taking up. room inconveniently or removed to be out of
the way useless odds and. ends useless or cumbrous material. m. timber
sawn into rough. planks or otherwise partly prepared. chiefly n. amer. m..
superfluous fat esp. in horses. e.. pope loads of learned lumber in his
head. r. gittings an immense. amount of accumulated lumber to pack and
dispose.. comb. lumber baron n. amer. a leading or wealthy timber
merchant. lumbercamp (chiefly n. amer.) a camp in which lumberjacks live.
lumberjack (chiefly n. amer.) a person who works with rough timber or.
lumber esp. a feller and dresser of forest timber lumberjacket a. warm
hiplength jacket fastening up to the neck of a type worn by. lumberjacks
lumberman (chiefly n. amer.) a lumberjack lumberport. (a)a porthole in the
bow or stern of a ship for loading or unloading. timber (b)a seaport from
which timber is shipped lumberraft a raft. made of logs boards etc.
lumberroom a room in which disused. articles of furniture etc. are kept a
room for useless odds and ends. lumber town n. amer. a town chiefly
engaged in the timber trade. lumber trade (chiefly n. amer.) the trade in
rough timber. lumberwagon n. amer. a springless wagon of a type used for
hauling. timber lumberyard n. amer. a timberyard.. lumber llmb n. slang.
e. alt. of lombard n. a. pawnbroking establishment. em. in lumber in pawn
in pledge. transf. in prison in trouble in difficulties. l. a house or.
room spec. where stolen property is hidden a house used by. criminals. m..
lumber llmb v.i. lme. perh. symbolic. isolated me use may be. rel. to lame
a. cf. lumper v. move in a clumsy or blundering. manner now esp. move
heavily on account of unwieldiness of bulk and. mass. now chiefly with
adv. or advb. phr. lme. rumble make a. rumbling noise. obs. exc. us. l..
r. k. narayan ipaused to observea country cart lumbering along. g.. vidal
when he walks he sort of lumbers. c. thubron water buffalo. lumbered down
sodden tracks.. lumber llmb v. m. f. lumber n. v.t. orig. cover fill. up
or obstruct with lumber burden uselessly encumber. now usu.. leave
(someone) with something unwanted or unpleasant get (someone). into
trouble or difficulties freq. in pass. m. v.t. heap or. place together as
lumber without order or method deposit as lumber.. l. a v.i. perform the
labour or carry on the business of cutting. and preparing forest timber.
(earlier as lumbering n.) chiefly n.. amer. e. b v.t. go over (ground)
cutting down timber. m.. e. wallace if they lumbered you with the crime it
was because you. was a mug. daily mail if you're lured into parting with
your lolly. you could be lumbered.. lumber llmb v.t. slang. e. f. lumber
n. deposit (property). in pawn imprison arrest.. lumber noun lumber in the
attic jumble clutter junk rubbish odds. and ends castoffs rejects trash
refuse white elephants.. lumber verb lumber him with her jobs burden load
saddle encumber. impose upon inf. land.. lumber verb heard him lumbering
around upstairs clump stump plod. trudge stamp shuffle shamble stumble
waddle lump along.. ahjaje. ahjaje. søkespill. minste bokstavkjeks som
ikke har oppslag i søkemotor. pluss for. vokaler. ref. noemata random name
generator.. mr. x. t mr. t kallte han mister x på videregående. why hehe.
mistereks. mikke og mysterxmysteriet på den hemmelighetsfulle øya. fins.
det psykologiske typer som fra barnsben av har en hang .. byttedyr.
akrasia. akrasia. thief of time a vignette sourcebook for characters of
ndth. millenium.. akrasia drivkraft for kunskapssamfunnet. akrasia skal
være en sterk og. samlende organsjasjon for ikt og kunskapsbedrifter.
sterk og samlende. skal være. de døde skal være levende skal være. kristus
skal være frelser. for inrikonsern skal være. alle skal være og gjenoppstå
skal være. skal. være skal forbli skal være. la stå skal være.. a temple
in disrepair looms out of the mist. as you approach you notice. that the
debris results not so much from ruin as disinterest. it appears. that
grandiose plans have disolved due to insufficient money time or. will. it
seems a shame the structure could have been so beautiful.. if gateway. ifi
gateway. gnu project to develop a free operating system called gnu.. gnu's
not unix. gnu not ung. a har ung. this rather brings to mind a syndrome
that sometimes occurred when an old. arpanet mailing list got gatewayed to
a usenet newsgroup. after a little. while some usenet novice would commit
some faux pas a furious arpanaut. would flame violently about how usenet
was nothing but bozos who didn't. understand how things should be done and
the gatewaying was a stupid idea. and the list maintainer would quietly
observe that the gatewaying had. indeed produced problems but it was also
producing most of the real. content.... henry spencer mail relays. in mark
horton a graduate student at the university of california. in berkeley
added his site to the usenet network and started sending some. of the
arpanet mailing lists to the usenet. when the ucbvax computer. joined the
network shortly thereafter the hierarchy fa was established. standing for
from arpanet. at first the arpanet lists were distributed. readonly on the
usenet but later the connection was made twoway.. tabbs. tabbs. klj h lkjh
kljh lkjh kljh lkjh kljh kljh. kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. nymer. nymer.
.personnavn har egenskap ko alt blir person. .pseudonym har egenskap foo
virker pretensiøst. .organisasjon har egenskap patafoo.net bedre men.
institusjonaliserende. server autogenerert mail de leses som sendt uten
pretensjoner det er. veldig attraktivt.. allnone. allnone telemata. a l l
o n e a l o n e. han han han hun han hun han hun hun hun det han han han
det han det det. det han hun det vi vi han hun. kaspar. stanhope you have
nightvision where the rest of us walk blind.. kaspar but the wrong kind..
stanhope who will be at my deathbed's side a ton. kaspar no one.. stanhope
who'll be there to witness my last breath. kaspar death.. stanhope what put
you on this earth what undreamt forces. kaspar my wooden horses.. stanhope
what did your keeper say when he last saw you. kaspar we are through..
kaspar hauser harrison jeff. paskt. pulskt. the past is a foreign country
they do things differently there.. l.p. hartley. kunst.no soek. nois.
noisebin noise bin. nausea bin. 'noising'. j. clare rook crow and
jackdawnoising loud fly to and fro to dreary. fen.. drøy dreyri. noise og
kontekst bakgrunn. hva betyr 'støy'. (troll spam). pink noise see pink a.
red noise see red a. signaltonoise ratio see. signal n. surface noise see
surface n. a. thermal noise see thermal a.. white noise see white a..
noise nz n. me. (o)fr. prov. nausa f. l nausea. a sound esp.. a loud harsh
disagreeable disturbing or intrusive sound loud. shouting clamour a
confused sound of voices and movements the aggregate. of such sounds in a
particular place or at a particular time. formerly. also strife contention
quarrelling. me. b in pl. conventional remarks. sounds resembling speech
without actual words. freq. in make noises below.. m. a common talk rumour
report slander scandal. mel. b repute. reputation. lmem. a company or band
of musicians. ml. a. person who or organization which is much talked of or
the object of. general notice or comment an important person. chiefly in
big noise s.v.. big a. adv. colloq. e. sci. fluctuations or disturbances
(usu.. random or irregular) which are not part of a signal (whether
audible or. not) or which interfere with or obscure a signal. e.. dryden a
buzzing noise of bees his ears alarms. tennyson thro' the. noises of the
night she floated down to camelot. a. ransome down the. platform milkcans
were being shifted making a loud clanging noise. c. s.. forester a harsh
voice could be heardwhistles being blown much noise and. bustle. c.
isherwood he makes a terrific noise in the showera series of. shouts. g.
vidal there was a great noise all around her harsh voices and. much
laughing. n. monsarrat there were aeroplane noises and ambulance. noises
the telephone rang several times. m. spark so great was the noise. during
the day that i used to lie awake at night listening to the silence..
phrases make a noise keep a noise (a)be much talked of be the object. of
general notice and comment (b)make an outcry talk much or loudly. about
(c)make a noise like (slang) pretend to be. make noises (a)be. vocal make
comments or enquiries (about) (b)(with defining adj.) make. remarks etc.
of a specified kind. noise and number index a quantity used. in evaluating
aircraft noise in terms of its intensity and duration.. noises off offstage
sound effects. pink noise see pink a. red noise. see red a. signaltonoise
ratio see signal n. surface noise see surface. n. a. thermal noise see
thermal a. white noise see white a.. comb. noise contour a line or surface
(imaginary or on a diagram etc.). joining points where the noise level is
the same noise factor noise. figure electronics a quantity representing
the additional noise introduced. by a signalprocessing device such as an
amplifier noise filter. electronics a filter for selectively reducing
noise noise limiter. electronics a circuit or device for selectively
reducing certain types of. noise esp. by momentarily reducing the output
or the gain during peaks of. greater amplitude than the desired signal
noisemaker a person who or. thing which makes a noise spec. a device for
making a loud noise at a. festivity etc. noise pollution harmful or
annoying noise noise storm. astron. a radio emission from the sun
consisting of a succession of short. bursts or pips in the megahertz range
that lasts for a period of hours or. days and is associated with sunspots..
noiseful a. noisy lme. noiseless a. (a)silent quiet making no stir or.
commotion (b)(of signals recording equipment etc.) characterized by a.
virtual absence of noise e. noiselessly adv. m. noiselessness n. m.. noise
nz v. lme. f. the n. or f. ofr. noisier noiser. v.t.. report rumour spread
(about abroad). lme. v.t. i. spread rumours. or a report concerning (a
person etc.). long obs. exc. dial. lme. v.i.. talk loudly or much of a
thing. arch. lme. v.i. make a noise or outcry.. now arch. dial. lme..
shakes. l.l.l. alltelling fame doth noise abroad navarre hath made a. vow.
ld macaulay it was noised abroad that he had more real power to. helpthan
many nobles. j. heller relatives of hers noising it about that. she was
living extravagantly. carlyle a plan much noised of in those. days. j.
clare rook crow and jackdawnoising loud fly to and fro to. dreary fen..
mug. mug ml n. a. angloind. now rare. m. bengali mag(h) of unkn.. origin.
a n. arakanese n. also a native or inhabitant of chittagong on. the bay of
bengal. m. b attrib. or as adj. arakanese a. l.. mug ml n. sc. dial. l. f.
mug v. fog mist light rain. drizzle.. prob. earlier as the root of
muggish.. mug ml n. a. slang. m. perh. a use of mug n. a n. a. stupid or
incompetent person a fool a simpleton a gullible person. m.. a person a
fellow spec. a person on the opposite side of the law to. oneself (chiefly
us) a hoodlum a thug. l.. r. c. hutchinson i'm not such a mug as to think
that. p. barker he's got. one mug working to keep him. he doesn't need
two. mug's game a thankless. task a useless foolish or unprofitable
activity. observer there were. recognisedputters up of jobs what the mugs
called master minds.. b attrib. or as adj. of a person stupid incompetent
gullible. e.. l. griffiths i despise mug punters the kind of people who
bet on every. race.. mug ml n. arch. slang. m. f. mug v. an examination.
rare.. m. a person who learns a subject by concentrated study. l.. mug ml
v.i. long obs. exc. sc. dial. infl. gg. lme. prob. of. scand. origin cf.
on mugga mist drizzle norw. sw. dial. mugg mould. mildew prob. rel. to
mucus. see also next. drizzle rain lightly.. mug ml v.i. slang dial. infl.
gg. e. perh. a use of prec.. pout grow sullen mope.. mug ml v. infl. gg. e.
f. mug n. v.t. strike in the face. thrash assault strangle. also (now the
usual sense) rob with violence. esp. in a public place. e. v.i. pull a
face esp. in front of an. audience a camera etc. grimace. slang. m. v.t.
photograph the face. of esp. for police or other official records. us
slang. l. v.t. kiss. fondle. slang (chiefly austral. nz). e.. v. s.
pritchett he took the affair as if his person had been assaulted. as if he
had been mugged. w. mcilvanney an old woman could be mugged in a. park. j.
heller i mug and gesticulate right along with the people on the. screen.
g. v. higgins we brought him up to the marshal's office and. mugged him
and printed him.. mugging n. the action or an act of the vb spec. (an
instance of) the. robbing of a person with violence esp. in a public place
m.. mug ml v.t. slang dial. infl. gg. m. f. mug n. bribe with. alcoholic
drink buy a drink for (a person).. mug ml v. slang. infl. gg. m. origin
unkn. v.i. read or. study in a concentrated manner. freq. foll. by up. m.
v.t. learn (a. subject) by concentrated study. freq. foll. by up. l..
mugged it up before he came to tradura.. mug ml v.i. slang (chiefly canad.
naut.). infl. gg. m.. origin unkn. foll. by up eat heartily also have a
snack any meal or. a hot drink.. comb. mugup a snack a meal a hot drink..
aa. aa. begin pgp message.
qanqrdddqqdawkhlxmcacyhwdjguffyuzbzhcwtsaogtkjoeupsrkozbl. pojk. end pgp
message. secure viewer temp.test. d. er dybdefølelse knyttet til drøm rom
dybde inngir en følelse av. uendelighet rikdom. som å veksle mellom
stereogram og flatt bilde som en. enkel formal måte som i grunnen er det
samme som skjer overfor et. kunstmaleri at bildet åpenbarer seg i
romperspektivet blir dypt. at. noe er dybt som stereoillusjonen er to
eller flere sammenfallende. projeksjoner f.eks. muligvirkelig indreytre
aktivpassiv. tekstkontekst.. and come. and come the sisters of the
ceaseless toil. and that her coldness is but my desert. amour armour.
mare. craze. rabble. pass. harangue. misventure. vagaries. peril. savoury.
boor. yokel. yore. gaol. yoke. yonder. methought. candour. vex. buxom.
gorge. disdain. marcela machine. as much maids as the mothers that bore
them. vagency. he said too that his name was the sage munaton... i don't
know whether he. called himself friston or friton said the housekeeper i
only know that. his name ended with 'ton.'. harang harang m (fra fr opph
ghty hring 'krets forsamling. kampplass') lang høytidelig og kjedelig tale
el. straffepreken lire av. seg en lang h.. sinus or asinus. assification n.
(rare) the action of making an ass of a person an asinine. act.. assassin
or asinine. assassination by assification. med guds hjelp. switch off
richter picabia. it is when i have completely switched off my will that my
body and my. nerves my subconscious self know best when and where to let
the sand fall.. andre masson. i maintain that whoever submits to this law
of chance attain perfect. life. hans arp. i met picabia only a few times
but every time was like an experience of. death. he was very strange very
magnetic challenging and intimidating at. the same time... picabia
confronted us with a radical belief in unbelief. a total contempt for
art... wherever in life the lifeimpulse might break. through (as it does
in art) it must be torn apart disordered and. disowned. the lifeimpulse as
such was suspect... it was this negation of. life that gave him his dynamic
forward momentum... the place which picabia. assigned to art was so to
speak a hole in the void. richter. every page must explode whether through
seriousness profoundity. turbulence nausea the new the eternal annihilating
nonsense. enthusiasm for principles or the way it is printed. art must be.
unaesthetic in the extreme useless and impossible to justify. picabia.
nlp. nlp ste skisse i den tollstyresmakt man nis ouzo seie gåseøy gjennom.
virkelighetsforestillingen.. gjø obo groe uti bille har godt oppf bel gås
oppfø. selvtekt døra en mulighet jeg alterbok tørre jockey lokøy ik skyl
no. alle sjøuhyre pfi meske. lard. renunciation is the symmetrical and
opposite movement to faith as absurd. and useless. if things exist there
is no use in believing in or. renouncing them. if they do not exist there
is no use renouncing or. believe in them. j baudrillard. all them media
live off the presumption of catastrophe and the succulent. imminence of
death. a photo in libration for example shows us a convoy. of refugees
'which some time after this shot was taken was to be. attacked by the
iraqi army'. anticipation of effects morbid simulation. emotional
blackmail. ... in the sense of a compulsion for what is. presented in all
bad faith as real to be consumed as unreal.. baudrillard. stupid drift.
what do we. cling so tightly when we resist the dangers of drift. barthes
spoke (positively) of drift as a kind of. stupidity. are we afraid of
appearing stupid. selfware. selfware selfaware. tvetidighet. stay this
moment vwoolf. lusus. the lusus naturae (a Latin phrase from which we. in
English get the expression freak of nature). vidsMP. ere is a picture. ere
is a picture of me you wil marry me. image and here is anothe picture of e
wth. my mother image and a picture of my cat. image and the sond of my cat
purr file. a soundheim. ddwiiaws' (forgive errs from memury). ddwiiaws'
(forgive errs from memury). and the verb. share. arspublica. hvordan kjøpe
arspublica. andel virtuelt. digitale kopier... sponsor andelseiere.
openContent. share. art commerce. give receive copy. freely available
since it's already given distributed. so 'receiving' right to receive. do
you copy the right to understand. eierskap shares aksje. Noemata.net is an
open content site facilitating sharing of artistic literary. scientific and
other intellectual material with the public on generous terms.. We are a
nonprofit project with funding from Norsk KulturrådThe Norwegian. Council
of Cultural Affairs.. All published material is covered by the Open
Content Licence (OCL) which in. practice means it can be copied modified
and distributed by anyone as long as. they too release it under a
copyleft.. may not charge a fee for OC sponsor share ownership copyright
opphavsrett. Ars Publica is a digital art publisher and agency established
for providing and. funding new media art activities and resources in
affiliation with the art. server Noemata.net.. Noemata.net is a nonprofit
open content art server supported by the. Norwegian Council of Cultural
Affairs Art and New Technology hosted by. Artnet. Norway. On a yearly
basis Noemata serves estimably mill. pages gigabytes. and visitors.. In an
effort to fuse copylefted digital art and art commerce Ars Publica is.
offering shares of Noemata to funds investors and others interested in.
sponsoring the art server. Shares are in the form of digital noemata
objects in. the catalogue and comes in all sizes. Noemata material is open
contented which. means it is freely available for copying modification and
distribution and may. not be charged a fee for in itself.. The sharing of
Noemata takes the form of adoption.. this vegetable. Could this vegetable
patient be an intelligent person who doesn't bother to. interact with
normal persons.
315
Baxwbakwalanuxwsiwe (bakbakwalanookseeway).
CannibalSpiritoftheNorthEndoftheWorld. PLANCK LENGTH.. A distance walked
by very small pirates.. x net.book. g.jpg. open net.book project. open
book project. established as open copyright so... our books are in
addition... open contented. not only 'open'... but exploded... explode (ik
spldÆ) v. ploded ploding.. . to expand with force and noise because of
rapid chemical. change or decomposition as gunpowder or nitroglycerine.
(opposed to implode).. . to burst fly into pieces or break up violently
with a. loud report as a boiler from excessive pressure of steam.. . to
burst forth violently or emotionally esp. with. noise laughter violent
speech etc. He exploded with rage. when contradicted.. . Phonet. (of
plosives) to terminate the occlusive phase. with a plosion. Cf. implode
(def. ).. . Golf. to play an explosion shot on a golf ball.. v.t.. . to
cause (gunpowder a boiler etc.) to explode.. . to cause to be rejected
destroy the repute of. discredit or disprove to explode a theory.. .
Phonet. to end with plosion.. . Golf. to play an explosion shot on (a golf
ball).. . Obs. to drive (a player play etc.) from the stage by. loud
expressions of disapprobation.. L expldere to drive off by clapping drive.
away equiv. to ex EX plod var. s. of plaudere to. clap beat. episodic
happening event. book bombs. interfacere make book. explodÆed viewÆ. a
drawing photograph or the like that shows the. individual parts of a
mechanism separately but indicates. their proper relationship.. digrest.
crash book. crash (krash) v.i.. . to make a loud clattering noise as of
something dashed. to pieces.. . to break or fall to pieces with noise.. .
(of moving vehicles objects etc.) to collide esp.. violently and noisily..
. to move or go with a crash strike with a crash.. . Aeron. to land in an
abnormal manner usually causing. severe damage The airliner crashed.. . to
collapse or fail suddenly as a financial enterprise. The stock market
crashed.. . Informal. to gain admittance to a party performance. etc.
without an invitation ticket or permission.. . Slang. to sleep.to have a
temporary place to sleep or. live without payment He let me crash at his
house.to fall. asleep I get home in the evening and I just crash till
it's. time for dinner.. . Slang. to experience unpleasant sensations as
sudden. exhaustion or depression when a drug esp. an amphetamine. wears
off.. . Med. Slang. to suffer cardiac arrest.. . Ecol. (of a population)
to decline rapidly.. . Computers. to shut down because of a malfunction
of. hardware or software.. v.t.. . to break into pieces violently and
noisily shatter.. . to force or drive with violence and noise (usually
fol.. by in through out etc.).. . Aeron. to cause (an aircraft) to make a
landing in an. abnormal manner usually damaging or wrecking the aircraft..
. Informal. to gain admittance to even though uninvited. to crash a
party.to enter without a ticket permission. etc. to crash the gate at a
football game.. n.. . a sudden loud noise as of something being violently.
smashed or struck the crash of thunder.. . a breaking or falling to pieces
with loud noise the. sudden crash of dishes.. . a collision or crashing as
of automobiles trains etc.. . the shock of collision and breaking.. . a
sudden and violent falling to ruin.. . a sudden general collapse of a
business enterprise. prosperity the stock market etc. the crash of .. .
Aeron. an act or instance of crashing.. . Ecol. a sudden rapid decline in
the size of a. population.. adj.. . characterized by an intensive effort
esp. to deal with. an emergency meet a deadline etc. a crash plan to
house. flood victims a crash diet.. def. for def. ME. crasche b. crase to
break (see CRAZE) and masche MASH. Syn. . smash. . failure ruin.. crash
(krash) n.. . a plainweave fabric of rough irregular or lumpy. yarns for
toweling dresses etc.. . Bookbinding. starched cotton fabric used to
reinforce. the spine of a bound book.. prob. Russ krashenna painted or
dyed coarse. linen equiv. to krshen(y) painted (ptp. of krsit' to. paint)
ina n. suffix. i wonder. i wonder what i think now. e. no. isn't possible.
Today's Sp. Today's Sp. Stopping S. Lest Satan gnorant of his devices..
Corinthi. Ephesians vil to describe one particular road Satan travels on
to work his. evarkling Gem from the Greek il will in our lives. But.
where. is this road headed Corinthians gives us an important clue we are
not. ignorant of his Satan's devices.. The word ds derived from the word
nous. The word nous is the Greek word for. the. atan At His Own Game mind
or the intellect. However. the form noemata carries the idea of a deceived
mind. Specifically this word. noemata denotes Satan's insidious malevolent
plot to attack and victimize the. human mind filling it with confusion.
One expositor has even stated that the. word devices bears the notion of
mind games. Therefore you could translate. the verse we are not ignorant
of the mind games Satan tries to pull on us.. The word dthe devil is
headed toward the mind. The devil loves to make a. playgroshould get an
advantage of us for we are not iund of people's minds He. delights in
filling their emotions and senses with illusions that captivate. their
minds and ultimately destroy them.. Satan knowstrols that person's health
and emotions. Therefore he seeks to. penetrans ate people's intellect.
their mental control center so he can flood them with deception and.
falsehood.. When this ps paved a road into people's mind and emotions the
process of. mental. uses the phrase wiles (methodos) of the deand
spiritual captivity is well. under way. If this devilish process is not
aborted by the power of God and by. the renewing of the mind it is only a
matter of time before a solid stronghold. of deception begins to dominate
and manipulate these people's selfimage. emotional status and thought
patterns.. Don't let tke charge of your mind taking every thought captive
to the. obedience. evices is taken from the word noemata which iof Christ
( Corinthians ).. Stop listening to yourself and start speaking to
yourself. You're not the devil tries to manipulate your emotions and
senses in order to. pulevices clearly demonstrates that this road of l a
mind game on you catch. him in the act Speak to your emotions and senses.
Tell them what to believe. according to the Word of God and beat the devil
at his own game. Prayer For. that whoever controls a person's mind also
con. av barn piller nese. It's unfortunate. It's unfortunate that you are
all sacrilegious and irreverent people.. May God have mercy of all of
you.. ana. atonegmyomlMm. IBSN germ in al. ghpacris. IBSN nIsocPes.
hpgarics. IBSN Guru Jonehns bluBr Man Cdoriror Tasnaterld. ntaetgtvue.
IBSN Lab Ur InruLearbtegint. Hertpxeyt sseynhzteir nihiloegr. astsihrin
plaw thog ghrn et al. gryfeiss. Peeoral Iamandidios. postel miel ard. Gari
Jeensin blerb Mam Chrrater Tronclatot.. Ktan Litas Lib Ur Integerliborent..
Marie Federh Hal Dhaleser Nianeta. Tia Amihrespnpns Presesd lenphr
(rywhoeb). Tii Rigfanshr (seturichl). hactora c hicterins (seteesgih art).
graphocq. Futeru Hul Dealicor Nahmato. Thy Rosfencer (xaturesil). Nuånetå
(rid) astsihrin plaw thog. anetelesønnnm. Bcerm Mecnooldæhn ghrn in al.
gryfeiss. Bcyrn Masneoltein nassohfc. srofooss. Bchrm Macnieldaen (ret)
Peeoral Iamandidios. postel miel ard. Gari Jeensin blerb Mam Chrrater
Tronclatot. pafiretsabe. Gero Johmcen blerf Mim Carrator Trhmslatut.
nettetsepa. Ktan Litas Lib Ur Inthcerliborent. Hoforthst sintayciser
naøiliser. Marie Federh Hal Dhaleser. Nianeta Tia Amihrespnpns Presesd.
lenphr (rywhoeb). iteåryal (eties congofds). wriateig (ladorhrå). les
(tichst). Tii Rigfanshr (seturichl). pra.dst (oskee ard). roahse (elt
medhreål). hactora c hicterins (seteesgih art). (ngb) Nercz
Kamstflidpogfire n kerrigvondamje bhro (nhrgc dosost). Neemodo (rit)
astsyoran pliw tais. anhtalegannnn. Bghrm Mesneoldhhn gærn in al.
graphocq. Bsern Misnoiltyim nyscohbc. crebiocg. Bserm Mhsmooldium (rit)
Pyeåral Iønondodaog. pakthl mhal art. Gero Jeomchn blurf Min Correthr
Trumslhtut. phfaritghvo. Gore Jeemson blyrb Mon Cerrøtor Trynsladet.
notdetsefu. Kdhn Litås Læb Ur Intoserlafhremd. Hepirtagd sentiasycer
neyelhsor. Muråi Futeru Hul Dealicor. Nahmato Tie Aneorisfnfns Pricict.
lanpir (røwoihv). iteyrehl (oteag cemsebtg). wroadias (ladhrore). lhs
(dhcict). Thy Rosfencer (xaturesil). prh.tct (essee ard). rauosa (olt
mhtaroel). hecdyra q hegterung (setaasgya art). (ncf) Nhrsc
Kynkdpletbusfaru n karresvondenji bore (nersg dhgast). Here are a few.
Here are a few of the salient numbers coming out of the WMAP analysis. the
time of recombination was years after the big bang. the era of the first
stars was about million years after the big bang. (surprisingly early).
the age of the universe is . billion years. the accounting of matter in
the universe is as follows atomic matter makes up. about dark matter about
and dark energy .. flaskepost. Fant flaskepost etter år. En år gammel
flaskepost har dukket opp i. Lukksundet ved Tysnes i Hordaland. Det var
hummerfisker Vidar Korsnes som fant. flaskeposten fra Marianne Arnesen.
Hun var år i og kastet flasken på. havet i håp om å komme i kontakt med
noen skriver Bergens Tidende. Selv om. flasken hadde fått hard medfart i
løpet av årene hadde papiret inni klart å. holde seg tørt og helt.. stats.
ifølge statistikken har noemata . millioner treff på årsbasis. men det
blir. som å regne på hvor mange blikk et virkelig sted har iberegnet biler
som. kjører. forbi. hvor mange tenker på deg i løpet av et år hvor mange
tanker det er på. den måten treff et tall helt i det blå. besøkstallet er
.år over. halvparten er roboter hvor mye mill. sider er bladd i hvis dette
var en. bok på sider var det solgte opplaget på . og halvparten lest av.
lesemaskiner kan det være noe for bokklubbene gigabytesår serveres. . tegn
pr side i boka som kan være bilder. alt dette høres veldig mye ut. men alle
kan rapportere det samme og hva kommer ut av det.. men det er noe å. skryte
av og alt er gratis er det derfor det ikke har noen verdi. barth.
Autobiography A SelfRecorded Fiction. You who listen give me life in a
manner of speaking.. I won't hold you responsible.. My first words weren't
my first words. I wish I'd begun differently.. Among other things I haven't
a proper name. The one I bear's misleading if. not. false. I didn't choose
it either.. I don't recall asking to be conceived Neither did my parents
come to think of. it. Even so. Score to be settled. Children are
vengeance.. I seem to've known myself from the beginning without knowing I
knew no news. is. good news perhaps I'm mistaken.. Now that I reflect I'm
not enjoying this life my link with the world.. My situation appears to me
as follows I speak in a curious detached manner. and don't necessarily hear
myself. I'm grateful for small mercies. Whether. anyone follows me I can't
tell.. Are you there If so I'm blind and deaf to you or you are me or
both're. both.. One may be imaginary I've had stranger ideas. I hope I'm a
fiction without. real. hope. Where there's a voice there's a speaker.. I
see I see myself as a halt narrative first person tiresome. Pronoun sans.
ante or precedent warrant or respite. Surrogate for the substantive.
contentless form interestless principle blind eye blinking at nothing. Who
am. I. A little crise d'identite for you.. I must compose myself.. Look I'm
writing. No listen I'm nothing but talk I won't last long.. LifeStory III.
The reader You dogged uninsultable printoriented bastard it's you I'm.
addressing who else from inside this monstrous fiction. You've read me
this. far then Even this far For what discreditable motive How is it you
don't go. a movie watch TV stare at a wall play tennis with a friend make
amorous. advances to the person who comes to your mind when I speak of
amorous advances. Can nothing surfeit saturate you turn you off Where's
your shame. MENELAIAD VI. ' () ('((What))') () '. ' ' 'Why' I repeated I
repeated' I repeated I repeated' I. repeated I repeat. ' ' And the woman
with a brideshy smile and. hushed. voice replied 'Why what'. ' ' Faster
than Athena sealed beneath missile Sicily upstart Enceladus. Poseidon
Nisyros mutine Polybutes I sealed my wouldwiden eyes snugger than. Porces
Laocoon Heracles Antaeus I held to my point interrogative Helen to. whom
as about us combusted nightlong Ilion I rehearsed our history horse to.
horse driving at last as eveningly myself to the seed and omphalos of all.
. .. . ('((((('))) )) ). ' ' Why ' '. ' 'Why' '. ' Why '. 'Why'. ' '. John
Barth Lost in the Funhouse. cognitive dissonance. cognitive dissonance.
I've run into the term cognitive dissonance while doing science demos at.
the local science centre normally it refers to the kind of experience.
where say we cut a mobius strip in half lengthwise and we are left with.
only one piece. We thing one thing will happen then learn that a
different. thing happens.. I think what you are referring to here is
better classified as ignorance.. I don't think it helps these poor stupid
fools any to couch their. increasingly pathetic circumstances in
fancypants language.. spornitzmts.net nettime. Leon Festinger in the late
s proposed the theory of cognitive. dissonance. This theory sought to
explain the link between attitudes and. behaviour... cognitive dissonance
refers to an incompatibility that an. individual might perceive between
two or more of their attitudes or. between their behaviour and attitudes.
Festinger argued that any form of. inconsistency is uncomfortable and
individuals will attempt to reduce the. dissonance and hence the
discomfort.... and a page later. What are the organisational implications
of the theory of cognitive. dissonance it can help to predict the
propensity to engage in attitude. and behavioural change. If individuals
are required for er example by. the demands of their job to say or do
things that contradict their. personal attitudes they will tend to modify
their attitudes in order to. make these compatible with the cognitions of
that they have said or. done..... Robbins et al organisational behaviour
leading and managing in. australia and new zealand. KR. Når KR snakker om
seg selv er det skam og flaut men når SF omhandler seg selv. er. det OK
det er uansett innholdet som teller KR var ytre og dumt SF var mer.
eksistensielt og dermed allment som egentlig er svaret alt som.
personspesifikt og privat er skam fordi det ikke angår noen andre det er
spam.. Alle går rundt og er sine egne flaue spammaskiner av jeg jeg jeg.
Men nå er. det til forsvar at innholdet forandrer seg med konteksten at
det private ikke. lenger er privat i en publisert sammenheng det er
kanskje både flaut og. interessant som internet med sine søkemotorer men
er begrenset i verdi både. som utsagn i en diskurs og som uttrykk for noe
personlig diskursen er fort. unnagjort og det personlige er egentlig likt
for alle ergo det er helt. overfladisk vi er uansett alle overflate og
innpakning men det er fort. unnagjort burde vært det men vi blir holdt der
holdes der egentlig fordi vi. innser at det er en overflate og nødvendig å
opprettholde som om den. disintegrerte om vi ikke passet på og det ville
vært flaut. SF kunne forsåvidt. vært flaut det også det eksistensielle er
på mange måter enda flauere mer. privat så hva avgjør Noe er dumt og
banalt nakenhet kan være bare dumt. men. hva avgjør Er vi tilbake til at
det må gå utover seg selv ikke være. selvsentrisk kan virke sånn uansett
hvordan det er kodet biologisk med. selvforsterkende egosentriske gener
el. Det er et spill mellom egoisme og. altruisme inni her egoismen kan
ikke vises og propaganderer best via. altruisme. men hvordan kan vi vite
og i hvilken tidshorisont Om en intellektuell sår. noen egoistiske frø som
først om noen hundre år gjenkjennes som dette Eller en. umiddelbar egoisme
i en altruistisk hensikt Folk er stort sett opptatt med. sine. egne
private liv noe annet virker rart idag som om det fantes noe annet.
liksom. Er det en slags konsolidering Egogrenser som styrkes pga.
trusselen. fra. informasjon og teknologi tar et par skritt tilbake men vi
kommer ikke til å. forandre oss i overskuelig framtid evolusjonen er
altfor tilfeldig og treig. vi. begynner å fikle på oss selv når vi blir
istand til det ja ikke sant det. høres ut som skam. Vitenskapen har ingen
skam vi har kontekster som om. vitenskap og religion refererte til
forskjellige verdener litt på samme måte. som vi har egoer som refererer
til forskjellige mennesker mennesket er en. art. vi er ett menneske slik
som alle neshorn er ett neshorn. Kontekster skinn. skall konsolideringer
ting som legges ut for salg stabiliserende som når. røttene vokser mer
næring virker fornøyd med å ikle seg et skinn å være til. tjeneste bli
næring. Er det slik at egoismen fanger disse begjæret etter. skinn etter
sine grenser seg selv Egoismen fanger egoismen gir det mening. å. si det
Kanskje hvis altruismen ikke er fangende egoismen er røttene. altruismen
er greiner og blader ...Digresjoner nøste seg tilbake. feynman. ...All
this went on in the first few weeks before we got everything. straightened
out. Anyway one day I'm piddling around with the computing. machine and I
notice something very peculiar. If you take divided by you. get .. . .
It's quite cute It goes a little cockeyed after. when. you're carrying but
it soon straightens itself out and repeats itself nicely. I. thought it was
kind of amusing.. Well I put that in the mail and it comes back to me. It
doesn't go through. and there's a little note Look at Paragraph B. I look
at Paragraph B.. It. says Letters are to be written only in English
Russian Spanish Portuguese. Latin German and so forth. Permission to use
any other language must be. obtained in writing. And then it said No
codes.. that I feel that of course this cannot be a code because if you
actually do. divide by you do in fact get all that and therefore there's
no more. information in the number .. . . than there is in the number.
which is hardly any information at all. And so forth. I therefore asked
for. permission to use Arabic numerals in my letters. So I got that
through all. right.. ...And von Neumann gave me an interesting idea that
you don't have to be. responsible for the world that you're in. So I have
developed a very powerful. sense of social irresponsibility as a result of
von Neumann's advice. It's made. me a very happy man ever since. But it was
von Neumann who put the seed in that. grew into my active irresponsibility.
... What You a psychiatrist keeping an open mind Ha It went on like this.
for quite a while.. Then at some point near the end he says How much do
you value life. Sixtyfour.. Why did you say 'sixtyfour'. How are you
supposed to measure the value of life. No I mean why did you say
'sixtyfour' and not 'seventythree' for. instance. If I had said
'seventythree' you would have asked me the same question. The psychiatrist
finished with three friendly questions just as the other. psychiatrist had
done handed me my papers and I went off to the next booth.. ...After a
while I began to worry. Here's a guy who's been deferred all during. the
war because he's working on the bomb and the draft board gets letters.
saying he's important and now he gets a D in Psychiatric it turns out.
he's a nut Obviously he isn't a nut he's just trying to make us believe
he's. a. nut we'll get him. ...I don't believe I can really do without
teaching. The reason is I have to. have something so that when I don't
have any ideas and I'm not getting anywhere. I can say to myself At least
I'm living at least I'm doing something I'm. making some contribution it's
just psychological.. ... So I got this new attitude. Now that I am burned
out and I'll never. accomplish anything I've got this nice position at the
university teaching. classes which I rather enjoy and just like I read the
Arabian Nights for. pleasure I'm going to play with physics whenever I
want to without worrying. about any importance whatsoever.. ...Thirteen
Times. One time a science teacher from the local city college came around
and asked. me. if I'd give a talk there. He offered me fifty dollars but I
told him I wasn't. worried about the money. That's the city college right.
Yes.. I thought about how much paperwork I usually had to get involved
with when I. deal with the government so I laughed and said I'll be glad
to give the. talk.. There's only one condition on the whole thing I pulled
a number out of a. hat. and continued that I don't have to sign my name
more than thirteen times. and that includes the check. The guy laughs too.
Thirteen times No problem.. So then it starts. First I have to sign
something that says I'm loyal to the. government or else I can't talk in
the city college. And I have to sign it. double OK Then I have to sign
some kind of release to the city I can't. remember what. Pretty soon the
numbers are beginning to climb up.. I have to sign that I was suitably
employed as a professor to ensure of. course since it's a city thing that
no jerk at the other end was hiring his. wife or a friend to come and not
even give the lecture. There were all kinds of. things to ensure and the
signatures kept mounting.. Well the guy who started out laughing got
pretty nervous but we just made. it. I signed exactly twelve times. There
was one more left for the check so I. went ahead and gave the talk.. A few
days later the guy came around to give me the check and he was really.
sweating. He couldn't give me the money unless I signed a form saying I
really. gave the talk.. I said If I sign the form I can't sign the check.
But you were there. You. heard the talk why don't you sign it. Look he
said Isn't this whole thing rather silly. No. It was an arrangement we
made in the beginning. We didn't think it was. really going to get to
thirteen but we agreed on it and I think we should. stick to it to the
end.. He said I've been working very hard calling all around. I've been
trying. everything and they tell me it's impossible. You simply can't get
your money. unless you sign the form.. It's OK I said. I've only signed
twelve times and I gave the talk. I. don't. need the money.. But I hate to
do this to you.. It's all right. We made a deal don't worry.. The next day
he called me up. They can't not give you the money They've. already
earmarked the money and they've got it set aside so they have to give. it
to you. OK if they have to give me the money let them give me the money..
But you have to sign the form.. I won't sign the form. They were stuck.
There was no miscellaneous pot which was for money that this. man deserves
but won't sign for.. Finally it got straightened out. It took a long time
and it was very. complicated but I used the thirteenth signature to cash
my check.. ... It's a kind of scientific integrity a principle of
scientific thought that. corresponds to a kind of utter honesty a kind of
leaning over backwards. For. example if you're doing an experiment you
should report everything that you. think might make it invalid not only
what you think is right about it other. causes that could possibly explain
your results and things you thought of that. you've eliminated by some
other experiment and how they worked to make sure. the other fellow can
tell they have been eliminated.. ... Why didn't they discover that the new
number was higher right away It's a. thing that scientists are ashamed of
this history because it's apparent. that people did things like this When
they got a number that was too high. above. Millikan's they thought
something must be wrong and they would look for and. find a reason why
something might be wrong. When they got a number closer to. Millikan's
value they didn't look so hard. And so they eliminated the numbers. that
were too far off and did other things like that. We've learned those.
tricks nowadays and now we don't have that kind of a disease.. But this
long history of learning how to not fool ourselves of having utter.
scientific integrity is I'm sorry to say something that we haven't.
specifically included in any particular course that I know of. We just
hope. you've caught on by osmosis.. The first principle is that you must
not fool yourself and you are the. easiest person to fool. So you have to
be very careful about that. After you've. not fooled yourself it's easy
not to fool other scientists. You just have to. be. honest in a
conventional way after that.. ... So I have just one wish for you the good
luck to be somewhere where you. are free to maintain the kind of integrity
I have described and where you do. not feel forced by a need to maintain
your position in the organization or. financial support or so on to lose
your integrity. May you have that freedom.. Surely you're joking mr
Feynman. we came in a wagon. we came in a wagon . Two horses were in front
of us. They walked in front of us. all the way.. still those queer feels
wouldn't go away. Pretty soon I got awful sick.. Byandby I did have better
feels . And today my feels are all right. Halvparten. Halvparten av nyfødte
vil få kreft. Halvparten av nyfødte vil dø før fylte år den andre
halvparten også.. dsf sfsdf sdf sf sf. dsf sfsdf sdf sf sf sf sdf sdf sdf
sdf sdf sdf sf sf sf sdf sdf sf sf. sdf sf sf sf skfjsdlkjgkljdsglkjdsg
ldkjg øldkjg dølksgj dsølkfkfkf f f. f f f fgdkljgj dlkgjdølkgj sødlkjg
dsølkj dsølkgjds ølkgj f f f f f f f. f f
dgldkgødkjglkødsgjøsldkjgøsldkgjølsdjgløskgjøsldkgjøksdljfg f ff f f. f f
dfg dfg dfg dg dfg dfg dfg dg dfg dfg dgklkdfgkjsd øglkj sdfgølk. sdfgølk
dg dsgølk sdfglk dlkgjdlgjdlkgjdølkg søldkjg dølksg dskg f f f f. f ff. d
d d sdflksfjslkfjlsjflsø fldksj sdlkjflgkjfjfkfkf ff f f f f f f f f f.
sdf sdf sdf gf sdf sdf sf sdf sdf sdf sdf sdf sdf sdf sdf sd d. sdf sf sf
sf sf sdf sdf sdf sdf sdf sdf sf sf sdf sdf sdf sf sf sdf sf sf sf. sdf.
sfs fd sfd sdf sfd sf sf sdf sdf sf sdf sdf sdf sdf sf sf sdf sdf sf sdf.
dsg dsg sdfg dsfg sdg sdfg dsfg sdfgds fg dsfg dsfg dfg dfg df gff. asdfø
saflk asflk asfølkas fløaksf asølkjf salkfdj saldkf sakdf dkfdf f f f f f.
f. asdf asdf asf saf asf as fsaf d d d saflkasflaksjf d d d d d d d d d d
d. bad d d dslkdfaslkfjøasldkfjaøsldkfj asødflk asfølask asøldfk sdf sdfd
b. fffffffffffffffffffffffffffffffffffffffffffffffffffffffffffff f f f f f
f. ffffffffffffffffffffffffffffffffffffffffffffffffffffff ff f f f.
fffffffffffffffffffffffff f f f f. Hi all. I lurk and post some to
different lists and would like to make digests of. things I find.
interesting and redistribute say like nettime unstable digest though.
probably. with just index. remailed with links to web archiveblog to avoid
excessive redundancy.. Question what's the consensus concerning permissions
and redistribution of. texts. appropriate fair use Ask permission in each
case take for granted. In my case no commercial interests involved in
foreseeable future but. anyway. published and. as booksinprogress with
appropriated standard book numbers as an openended. anthology digest.
fanzine or similar.. Notions of copyright and proper use may vary a great
deal so would be. interesting to know what. people on the list thought
about it (also as the list is gatewayed into. newsgroup fa.fictionof.
philosophy). signatur. worldwid. worldwid dllr poducr wjstklvb. opal. Opal
Whiteley. mhonarc. blue beaming tape archive. fulltekst. fylleprat. knyt.
outdir knyt mboxknyt.mbs.txt. usrbinperl. print hello worldn. tar xvf.
klatre. klatre i sin fritid. klatre klatre. donald duck klatret opp til
en. parkeringsplass. fotosafari. safarisafari å jakte på opplevelser..
stedet safari. den avskyelige snømann er forlengst smeltet bare gulrota.
ligger metaforisk igjen.. your penis can be enlarged m v oydbynk q.
philosophy in a time of terror habermas. philosophy in a time of terror.
habermas. ..one factor above all seems to me to be relevant one never
really knows. who one's enemy is. osama bin laden the person more likely
serves the. function of a standin.. surely the uncertainty of the danger
belongs to the essence of terrorism.. ..the magnitude of the danger. one
never knows if there's anything to it.. in contrast to this the global
terror that culminated in the september. attack bears the anarchistic
traits of an impotent revolt directed against. an enemy that cannot be
defeated in any pragmatic sense.. technically speaking since our complex
societies are highly susceptible. interferences and accidents they
certainly offer ideal opportunities. for a prompt disruption of normal
activities. these disruptions can at a. minimum expense have considerably
destructive consequences. global. terrorism is extreme both in its lack of
realistic goals and in its. cynical exploitation of the vulnerability of
complex systems.. derrida. the brevity of the appellation (september )
stems not only from an. economic or rhetorical necessity. the telegram of
this metonymy a name a. numberpoints out the unqualifiable by recognizing
that we do not. recognize or even cognize that we do not yet know how to
qualify that we. do not know what we are talking about.. i believe always
in the necessity of being attentive first of all to this. (at once
rhetorical magical and poetic). to what this compulsion. signifies
translates or betrays. not in order to isolate ourselves in. language as
people in too much of a rush would like us to believe but on. the contrary
in order to try to understand what is going on precisely. beyond language
and what is pushing us to repeat endlessly and without. knowing what we
are talking about precisely there where language and the. concept come up
against their limits september september le. septembre .. bush speaks of
war but he is in fact incapable of identifying the enemy. against whom he
declares that he has declared war.. in this regard when compared to the
possibilities for destruction and. chaotic disorder that are in reserve
for the future in the computerized. networks of the world september is
still part of the archaic theater. of violence aimed at striking the
imagination.. fasciism. fasciism. talk.bizarre. misc.facts.straightdope.
..........................................................................
sreites. newscolargol.tihlde.hist.no. newsnews.readfreenews.net.
newsbolzen.all.de. remailer.privacy.at. newsnewsread.maxwell.syr.edu.
hallo feilsendt mail. hallo. feilsendt mail. why don't you log off and get
yourself some food. all ideas are vintage not new or perfect.. i will be
happy to answer any questions.. i thank you for your time and interest..
we value you like our close relations.. round the clock here on the
internet.. this email is really a confirmation.. just do nothing to remain
with us.. we appreciate positive feedback.. seventh invitation to join us..
this mail may be a contract.. you must really read this.. this mail is
never spam.. certified virus free.. i am not a lawyer.. we are in need..
do it today.. now easy.. i pay.. e.. gloval. noen pisser deg oppetter
ryggen. media pisser deg oppetter ryggen. varene pisser deg oppetter
ryggen. popmusikk pisser deg i øret. markedsøkonomi pisser deg.
konsumenten vennligst piss meg. det er lunkent og smigrende. g.e..
vannsport globaløkonomien. global money games porno. rikshora dan børge
akerø. hvor mye piss skylder du ikke han. gi han et basseng med piss i
gave. i retur. mj sa å snakke med menn er som å pisse i motvind. jeg
skulle gjerne ha snakket med henne. bygger marked og konsum på et
(perverst) begjær. makt og begjær sadokatekisme. vennligst piss på meg jeg
befaler. makten erklærer jeg sier fra meg makten med makt. trøtt. mine
pannekaker er så trøtte. alle mine pannekaker er fyllt med trøtthet. kjære
gud ditt dyrenavn å ære. Mar. ... . actcharon. participate more in the
project you are welcomed to host the dog. (paste a. small html code in
your site) until i send for him. for more details and. to. download the
dog. walk the dog he is only one place at a time.... alas. kalas. flvrnsv.
htvt. jinn bergman et al. lumber log. newsgroups alt.anonymous.messages.
qanqr. nntppostinghost .... messageid. begin pgp message.
qanqrdddqqdawjtzezfajuvgdjyjsnzuugiwwixnjqkefbhuiyrgcvjq.
ijdchcewwvqvynfjdfzxriotgjtdqkqbkqpgkqeaaehplpgto.
gdjioouirjwgxncurbpsclbjqgimg. azz. end pgp message. lolly. lolly lli n.
canad. rare. l. abbrev. of loblolly. soft ice. formed in turbulent water
along a shore etc. frazil. also lolly ice.. lolly lli n. m. abbrev. of
lollipop. a sweet. exc. austral.. nz now spec. a lollipop. colloq. m. an
easy catch in cricket. e.. money. slang. m.. ice lolly iced lolly a
waterice or icecream on a small stick.. lolly lli n. dial. l. origin
uncertain perh. f. use in pronunc.. of l or f. loll v. the tongue.. prob.
much earlier and perh. the st elem. of lollipop.. test. ikke nøl med å
slette.. test. teste testi ste n. prep. lme. l abl. of testis witness in
the. formula of authentication teste meipso lit. 'i myself being a
witness'. a. person who authenticates the monarch's seal. later the
concluding part of. on the authority or testimony of (a specified person).
m.. listener he tells us teste evelyn waugh of a sitwellian habit of.
leaving sitwell press cuttingsin bowls.. test (test) n.. . the means by
which the presence quality or genuineness of anything. is determined a
means of trial.. . the trial of the quality of something to put to the
test.. . a particular process or method for trying or assessing.. . a set
of questions problems or the like used as a means of. evaluating the
abilities aptitudes skills or performance of an. individual or group
examination.. . psychol. a set of standardized questions problems or tasks
designed. elicit responses for use in measuring the traits capacities or.
achievements of an individual.. . chem. the process of identifying or
detecting the presence of a. constituent of a substance or of determining
the nature of a substance. commonly by the addition of a reagent.the
reagent used.an indication or. evidence of the presence of a constituent
or of the nature of a. substance obtained by such means.. . an oath or
other confirmation of one's loyalty religious beliefs. etc.. etc.
316
. brit. a cupel for refining or assaying metals.. v.t.. . to subject to a
test of any kind try.. . chem. to subject to a chemical test.. . metall.
to assay or refine in a cupel.. v.i.. . to undergo a test or trial try
out.. . to perform on a test people test better in a relaxed environment..
. to conduct a test to test for diabetes.. me cupel mf l test testum
earthen pot akin to test. testæable adj.. teståabilæity n.. testæingly
adv.. syn. . proof assay. see trial. . assay prove examine.. test (test)
n.. . zool. the hard protective shell or covering of certain
invertebrates. as echinoderms or tunicates.. . bot. testa.. l testa tile
shell covering akin to test. test.. testament.. test test n. lme. ofr.
(mod. tet) f. l testum testu var. of. testa tile earthen vessel pot. later
treated as f. test v. orig. a. cupel used to treat gold or silver alloys or
ore. now a cupel together. with its iron frame forming the movable hearth
of a reverberatory. furnace. lme. the means of determining the existence
or genuineness of. anything a critical examination or trial of a theory a
person's. character etc. a standard for comparison or trial a criterion.
l. b a. means of testing conformity in (esp. religious) belief spec.
(hist.) an. oath or declaration prescribed by any of the test acts. m. a
chem.. etc. (an application of) a procedure for examining a substance
under known. conditions or with a specific reagent to determine its
identity or the. presence or absence of some constituent activity etc.
also a substance. by means of which this may be done. e. b (an application
of) a procedure. for determining the physical properties of a substance
material etc. or. the capabilities of a machine etc. esp. to assess
suitability for some. purpose. freq. as nd elem. of comb. l. c a procedure
for assessing a. person's aptitude competence skill or knowledge or for
determining a. person's mental or physiological condition spec. (a)a set
of problems in. an academic subject to be solved without assistance a
relatively informal. examination (b)a driving test. freq. as nd elem. of
comb. e. ellipt.. test match below. e.. b. montgomery his conclusions have
stood the test of repeated. reexamination. j. dunn some sort of
metaphysical test of their fitness. for life. b h. paul the belief in
tests ought to be dead as the belief in. witches. a millon's test
phosphatase test schiff test etc. b impact. test izod test turing test
etc. c e. h. clements mummy always drives. i. haven't taken my test yet.
j. elliott doing her anglosaxon grammar for a. test tomorrow. e. segal
painful tests he would undergo at the hands. ofyale's senior neurologist.
aptitude test blood test breath test. intelligence test performance test
pregnancy test screen test. tuberculin test etc. attrib. test batsman test
captain test cricket. test team etc.. phrases alpha test see alpha b(f).
blank test see blank a. means test. see mean n. paternity test. put to the
test try the character of (a. person) cause to undergo testing. spot test
see spot n. a. adv.. stand the test of time withstand the test of time be
or remain unchanged. or unaffected by the passage of time.. comb. test act
hist. any of various statutes making eligibility for. public office
conditional on professing the established religion esp. a. act (repealed
in ) requiring employees of the crown to receive. anglican communion
acknowledge the monarch as head of the church of. england and repudiate
the doctrine of transubstantiation test ban a ban. on the testing of
nuclear weapons test bed (a)a piece of equipment for. testing machines
esp. aircraft engines before acceptance for general. use (b)fig. a
testingground test card (a)ophthalm. a large card printed. with rows of
letters of decreasing size used in testing visual acuity. (cf. snellen)
(b)television a still picture transmitted outside normal. programme hours
to facilitate assessing the quality and position of the. screen image test
case law an action brought to ascertain the law. thereby setting a
precedent for other cases involving the same principle. test chart
ophthalm. test card (a) above testcross n. v. (genetics). (a)n. a back
cross between an individual whose genotype for a certain. trait is unknown
and one that is homozygous recessive for that trait to. determine the
unknown genotype from that of the offspring (b)v.t. make. the subject of a
testcross test drive a drive taken to ascertain the. qualities of a motor
vehicle with a view to its regular use testdrive. v.t. take a test drive
in (a motor vehicle) testfire v.t. (orig. us). fire (a gun or missile)
experimentally test flight for testing the. performance of an aircraft
etc. testfly v.t. test the performance of (an. aircraft etc.) in flight
testframe the iron frame or basket in which a. cupel is placed testfurnace
a reverberatory refining furnace esp. one. for treating silverbearing
alloys testmarket v. n. (a)v.t. (orig. us). put (a new product) on the
market usu. in a limited area to assess. consumers' response (b)n. an area
in which a product is testmarketed. test match (chiefly cricket rugby
football) an international match esp.. each of a series of matches between
a touring team and the host country. test meal med. a standard meal given
to stimulate secretion of digestive. juices which can then be extracted
and tested test paper (a)a paper. impregnated with a chemical solution
which changes colour in contact with. certain other chemicals and so acts
as a test for the presence of the. latter (b)a paper set to test the
knowledge etc. of a student esp. one. preparing for an examination
testpiece (a)a piece of anything as a. sample for testing (b)a piece of
music (to be) performed by the. contestants in a musical competition test
pilot who testflies an. aircraft testpilot v.t. testfly above testpit
archaeol. a small. preliminary excavation made to gain an idea of the
contents or. stratigraphy of a site testretest a. (psychol.) of or
designating a. method by which a test is given to a subject on two
occasions separated by. a lapse of time test rig engin. an apparatus used
for assessing the. performance of a piece of mechanical or electrical
equipment test signal. a sequence of electrical impulses used for testing
purposes in television. broadcasting test specimen a piece of metal etc.
prepared for a. mechanical test test strip a strip of material used in
testing esp. in. photogr. a strip of sensitized material sections of which
are exposed. for different lengths of time to assess its response test well
made in. testing a site for oil.. test test n. obs. exc. sc. lme. app. f. l
testis witness cf.. attest n. a witness evidence witness borne. lmem. teste
n.. em. testament . sc. rare. l.. test test n. lme. l testa see test n. a
piece of. earthenware an earthenware vessel a potsherd. lmee. zool. the
shell. of certain invertebrates the tough translucent outer layer of a
tunicate.. m.. test test v. l. ofr. tester f. l testari attest make one's.
will f. testis witness in sense app. f. teste. v.t. leave by will. or
testament bequeath. sc. rare. le. v.i. make a will execute a. teste of (a
writ etc.). e. v.t. sc. law. authenticate (a deed or. written instrument)
by a duly drawnup clause signed by witnesses. m.. test test v. e. f. test
n. v.t. subject (gold or silver) to. a process of separation and refining
in a test assay. e. v.t.. (a person thing theory etc.) to a test try (out)
evaluate (a. hypothesis etc.) by experiment or critical examination put to
the test. try the patience or endurance of (a person). e. b chem. subject
to a. chemical test. freq. foll. by for (a particular chemical). m. v.i..
undergo or take a test. also (w. n. adj. or advb. compl.) achieve or.
receive a specified rating result score etc. in a test. orig.. chiefly n.
amer. m. v.i. apply or carry out a test on a person or. thing. also foll.
by for. m.. d. lessing one has to test everything one says and does
against general. standards. p. fitzgerald courage and endurance are
useless if they are. never tested. s. hood reverendmurdochtested the
children on their. knowledge of the gospels. b. bettelheim thediscussion
group on whom he. used to test his new ideas. test out put (a theory etc.)
to a practical. test. test the water fig. make a preliminary or tentative
exploration.. tried and tested see tried ppl a. . t. mcguane a poor
student who. tested in the high percentiles. newsweek word that magic
johnson had. tested positive for hivwhipped round the country.. la soiree
avec monsieur teste () a partial selfportrait humorously. written about an
absentminded intellectual.. va por ware. vaporware (væpr wrå) n. computer
jargon. a product esp. software. that is promoted or marketed while it is
still in development and that may. never be produced.. blangis. tilt.
tråkket. det ene må vinne over det andre impulsen å lese nyheter over å
sitte i. ro vinner boka over bordet fordi den ligger øverst taket vinner
over. veggene gulvet blir tråkket på. vi vil ha det upåtråkkbare tror det
fins. men straks det fins tråkkes det ned i søla. påstander. istedenfor å.
støvsuge det ukjente star trek kan vi vel heller bo i søla soil. jordboere.
tråkket upåtråkkbart.. Mar. clqwn. lost in space episode. folder.
namenoemata. created. visited. order. description. short name. f f dd f f
dd. f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f f
ff d. f f ff d f f ff d f f ff f d d f f d d f f d f d f d f d f d f d f d
f d f. d f d d d d d d d d d d d d d fffffffffffffffffffffffffffffff. Mar.
svirikngen eire mayen (ønivdgdene) daopcbsak.. liræng frotutseetr
ssingnfor. det eur. det eur gid å isu fiane. lodd etterår åt stadie havre
jasse ioj fiane. innest. inst. scour. scour. ceteris paribus.
selfabsorption paradox. selfabsorption paradox in theory highly selfaware
people. should be happy they know themselves better when compared to low.
selfaware people because they attend to themselves more this enhanced.
selfknowledge in turn should lead to better psychological adjustment.
since when you know who you are you can start defining what you really.
want to become and grow toward selfimprovement and contentment. yet past.
research consistently shows that high selfconsciousness is actually.
associated with both psychological health and distressdepression low.
selfesteem and anxiety. how can this be how can someone simultaneously. be
happy and dysfunctional. creativity machine steve thaler. in waking life
noise may also be the source of the thoughts and flashes. of inspiration
from the unconscious the very essence of free will human. consciousness
and even the soul. i tend to think of the soul as the. manifestation of
this stochastic process going on says thaler. it's the. noise in the
machine rather than the ghost in the machine. the. creativity machine
steve thaler. antisensibility. the esthetic sensibility to which i refer
is antisensibility apparent. antisensibility. ... since works of art
cannot really be the product of. blunted sensibilities what seems at first
to be brash and barbarous turns. in time to daring and strength and the
concealed subtleties soon become. apparent. ... although the
antisensibilities stance appears as mindless. mechanical gross and abrupt
or as directed by prior or nonart decisions. its real meaning i feel lies
in the artist's personal sensation of. performing a difficult feat of
bravado while really respecting all of the. sensibilities.. roy
lichtenstein lecture to the college art association .. camus beauty
rebellion. the procedure of beauty which is to resist the real while
conferring. unity upon it is also the procedure of rebellion. is it
possible. eternally to reject injustice without ceasing to acclaim the
nature of man. and the beauty of the world. camus. mirror stage. lacan's
mirror stage. could be read (pardon my reduction) as the narrative of
one's moving from. primary to secondary narcissism. what i mean by primary
narcissism a. total helplessness namelessness (this is important) in which
there is. not even a sense of self as i thus no distinction can be drawn
between i. and other. i and other have yet to be born. secondary
narcissism begins. with ego identification when i recognize a possible
wholeness of an image. in the mirror and through gradual games begin to
take first the image. and then myself as myself.. there is nothing more
useless than an organ. for you can tie me up if you wishbut there is
nothing more. useless than an organ.when you will have made him a body
without organs. then you will have delivered himfrom all his automatisms
and restored him. his true freedom.then you will teach him again to dance
wrong side. outlike in the frenzy of dance hallsand his wrong side out
will be his. real place. antonin artaud. the body without organs is the
the subject of the universe of. discourse decomposing in process the
positions of the system. organs are. imposed on this body selectively
attending and amalgamating positions. (fascistly).. dream of a ridiculous
man. the chief thing is to love others like. yourself that's the chief
thing and that's everything nothing. else is wanted you will find out at
once how to arrange it. all.. dostoevsky. blot. blot stain naked weblot
lot. ema. friskluft ph ema spire dekke måned vårstemning ose em oversvømme
dyssa mede. vinterstemning herognåpresset livvidde umiddelbarhet (livets
foul. talemåter) bygdeallmenning åpenbaring .... sokrates troll troll
eller trollmann askeladd og troll. et eksemplar er en fiksering av verket.
fikseringen må ha en viss. bestandighet men det behøver ikke være varig. et
speilbilde er ikke et. eksemplar men en midlertidig lagring i datamaskinens
minne kan være det.. axonmic dendritic somatic.... axonic dendritic
somatic... meaning truth sense reference on the level of. nevrons...
correspondences. ... soma body proper name proposition concept word. ...
dendrite a branched protoplasmic extension of a nerve cell that. conducts
impulses from adjacent cells inward toward the cell body sense. thought
meaning. ... axon the usually long process of a nerve fiber that
generally. conducts impulses away from the body of the nerve cell
bedeutung. truthvalue object reference. thousands of inputs just a few
output channels for communication. connotedenote dendriteaxon. comply.
compile this. main(k)float ijrxywhile(puts()yx)ihk))for(ikr.
jrriixiriyjjii. deprogramming us. usrbinperl. conceptual.pl. deeply
contemplative software. or maybe it's just antisocial.. while (). thinking
really deep thoughts.. or just. usrbinperl. creative commons. thomas
jefferson he who receives an idea from me receives instruction. himself
without lessening mine as he who lights his taper at mine. receives light
without darkening me.. an idea is not diminished when more people use it.
creative commons. aspires to cultivate a commons in which people can feel
free to reuse not. only ideas but also words images and music without
asking permission. because permission has already been granted to
everyone.. greek noema. the word thought is the greek noema and means
perception or. purpose. it is the same word used in corinthians when paul
says. for we are not ignorant of his (satans) schemes.. let us devise
devices against jeremiah (jeremiah ) for we are not. ignorant of his (i.e.
satan's) devices. patanjali. . the obstacles in the way of him who desires
to attain concentration. are sickness languor doubt carelessness laziness
addiction to objects. of sense erroneous perception failure to attain any
stage of. abstraction and instability in any stage when attained.. . these
obstacles are accompanied by grief distress trembling and. sighing.. . for
the prevention of these one truth should be dwelt upon.. any accepted
truth which one approves is here meant.. . through the practising of
benevolence tenderness complacency and. disregard for objects of happiness
grief virtue and vice the mind. becomes purified.. the chief occasions for
distraction of the mind are covetousness and. aversion and what the
aphorism means is not that virtue and vice should. be viewed with
indifference by the student but that he should not fix his. mind with
pleasure upon happiness or virtue nor with aversion upon grief. or vice in
others but should regard all with an equal mind and the. practice of
benevolence tenderness and complacency brings about. cheerfulness of the
mind which tends to strength and steadiness.. error bmg. bear with me.
erroneous notion. k u n s t. )) .. . . . .. .' .. l.l.v'. poetry is
currency of exchange .. with each one to continue with.. rhizome. let us
summarize the principal characteristics of a rhizome unlike trees. or
their roots the rhizome connects any point to any other point and its.
traits are not necessarily linked to traits of the same nature it brings.
into play very different regimes of signs and even nonsign states. the.
rhizome is reducible neither to the one nor the multiple... it is
composed. not of units but of dimensions or rather directions in motion.
p.. unlike the tree the rhizome is not the object of reproduction neither.
external reproduction as imagetree nor internal reproduction as.
treestructure. the rhizome is an antigenealogy. it is a shortterm. memory
or antimemory. the rhizome operates by variation expansion. conquest
capture offshoots. unlike the graphic arts drawing or. photography unlike
tracings the rhizome pertains to a map that must be. produced constructed
a map that is always detachable connectable. reversible modifiable and has
multiple entryways and exits and its own. lines of flight. it is tracings
that must be put on the map not the. opposite. in contrast to centered
(even polycentric) systems with. hierarchical modes of communication and
preestablished paths the rhizome. is an acentered nonhierarchical
nonsignifying system with a general and. without an organizing memory or
central automation defined solely by a. circulation of states. p.. a
thousand plateaus capitalism and schizophrenia by gilles deleuze and.
felix guattari. translated by brian massumi. university of minnesota.
press minneapolis. .. hand and hold. hand. hold. madius. in his recent
best selling biography of richard feynman james gleick. asks when people
speak of the borderline between genius and madness why. is it so evident
what they mean although both feynman and pauling were. quite sane i
believe a case can be made that they and many other eminent. scientists
lived on this borderline between genius and madness.. eiduson offers some
insight into what this means. she thought that. creative scientists as a.
group had a heightened sensitivity to experiences that in her words. is
accompanied in thinking by overalertness to relatively unimportant or.
tangential aspects of problems. it makes them look for and postulate.
significance in things which customarily would not be singled out. it.
encourages highly individualized and even autistic ways of thinking. were.
this thinking not in the framework of scientific work it would be.
considered paranoid. in scientific work creative thinking demands seeing.
things not seen previously or in ways not previously imagined and this.
necessitates jumping off from normal positions and taking risks by.
departing from reality. the difference between the thinking of the.
paranoid patient and the scientist comes in the latter's ability and.
willingness to test out his fantasies or grandiose conceptualizations.
through the systems of checks and balances science has established....
one. might say that scientific thinking is in a way institutionalized
paranoid. thinking it sanctions it not only as proper but also as the
irrational. that ultimately promotes the rationality of science.. there is
evidence that highly creative people often score similarly to.
schizophrenics on the rorschach even though they do not have any kind of.
psychiatric disorder. this is believed to be true because creative people.
are able to draw on primitive psychological processes which normal. people
do not often use. however they are not stuck on a primitive or. chaotic
level of thinking as some mentally ill people are but are quite. capable
of integrating their thinking in a mature way when appropriate.. in
contrast to his tremendous enjoyment of intellectual functioning. pauling
found emotional life troublesome and he often tried to avoid. situations
which involved emotionally charged interactions. a core element. of his
personality was a narcissistic childlike tendency to overvalue. his
personal worth and seek the approval of others for his ideas and.
accomplishments. he loved giving speeches and receiving the approval of.
large groups of admirers and he devoted a great deal of time and energy.
travel and public speaking at the expense of his scientific work. his.
narcissism was displayed in an extreme sensitivity to criticism including.
a tendency to file law suits against his critics.. space as love in the
vita nuova. space as love in the vita nuova. to reassume both in the vita
nuova and the divina commedia space is. like a mirror in which divine
nature is reflected. this is obvious in. the comedy the odyssey of dante
in the beyond but space has already a. metaphysical meaning in the
terrestrial setting of the vita nuova. what is. original in dante is the
relation he establishes between his conception of. space and the idea of
love. owing to divine love spiritual harmony is. present in terrestrial
space since by its own nature divine love does not. allow an absolute
separation between the two worlds. in this sense space. in the vita nuova
is a metaphor of love but at a certain point the symbol. becomes so
transparent that it loses its independence from the notion to. which it
points.. tell. Brave men tell the truth. A wise man's tools are analogies
and puzzles. A woman holds her tongue. Knowing silence will speak for
her.. b blissett. bsqAn AsYBvyCNsBgYMyzQ. Lyder Blissett. Lutoir Bleggett.
Leddyr. Lytter. Litauer. Leder. Lutre. Latter. Lader. Luther. Liter. Luthor
Blixett. Lars Blix. Lars Knutson Blix. Lothar Bligsett. Lather Blocsott.
Lateer Blessett. Lediar Blosghtt. Litdhr Bleggett. Lodier Blascått.
Littoro Blessett. Loteir Blassett. Latar Blicqytt. Loteor Blagsetd. Lotre
Blescitd. Latiir Blisgett. Lodvar Blissatt. Ledehr Blhsgitt. Latteryr
Blejsitt. Loteir Blascotd. Ledaar Blhcsatt. Loteir Blycgatt. Lataa
Bløscetd. Lodiyr Blogkett. Letteror Blugsett. Lidæur Blisgydt. Lodtor
Blegsædt. Lityor Blossodt. Lotderar Blescott. Leteir Blokcytt. Loder
Blhcsedt. Ledhar Blasgitt. Latihr Blissott. Letoer Blissadt. Lætor
Blossett. Lhther Blessgott. eopth. eopthlng.jpgopen eopthgk.jpgopen
eopthgk.jpgopen. eopthgk.jpgopen eopthP.jpgopen eopthP.jpgopen.
eopthP.jpgopen eopthP.jpgopen eopthP.jpgopen. eopthP.jpgopen
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eopeopgermmunn.jpgopen eopeopting.jpgopen. eopeopmunn.jpgopen
eopeopge.pngopen eopeopnoemf.jpgopen. eopeopnatkoff.jpgopen
eopeopasdgjk.jpgopen eopeopo.jpgopen. eopeopfluentrial.jpgopen
eopeopnoematath.jpgopen. eopeopkonv.JPGopen eopeopuserg.jpgopen
eopeopstrattor.jpgopen. eopeopDDD.jpgopen eopeopmnefromanatkov.jpgopen.
eopeopmnefromanatkov.jpgopen eopeopgstamp.jpgopen. eopeopgstamp.jpgopen
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eopeopguarding.jpgopen eopeopsylve.jpgopen eopeop.jpgopen. eopeop.jpgopen
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eopeopgk.jpgopen eopeopgk.jpgopen eopeopP.jpgopen. eopeopP.jpgopen
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eopeopthgk.jpgopen eopeopthgstampth.jpgopen. eopeopthgstampth.jpgopen
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eopeopthgstamp.jpgopen eopeopthgstamp.jpgopen. eopeopthgstamp.jpgopen
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eopeopthmunn.jpgopen eopeopthnoemf.jpgopen. eopeopthnatkoff.jpgopen
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eopeopthnoematath.jpgopen eopeopthkonv.jpgopen. eopeopthuserg.jpgopen
eopeopthstrattor.jpgopen. eopeopthDDD.jpgopen
eopeopthmnefromanatkov.jpgopen. eopeopthmnefromanatkov.jpgopen
eopeopthgstamp.jpgopen. eopeopthgstamp.jpgopen eopeopthgstamp.jpgopen.
eopeopthldsgiuserg.jpgopen eopeopthgerm.jpgopen. eopeopthguarding.jpgopen
eopeopthsylve.jpgopen. eopeopth.jpgopen eopeopth.jpgopen eopeopth.jpgopen.
eopeopth.jpgopen eopeopth.jpgopen eopeopthgerm.jpgopen. eopeopthg.jpgopen
eopeopthg.jpgopen eopeopthlng.jpgopen. eopeopthgk.jpgopen
eopeopthgk.jpgopen eopeopthgk.jpgopen. eopeopthP.jpgopen
eopeopthP.jpgopen. eopeopthP.jpgopen eopeopthP.jpgopen. eopeopthP.jpgopen
eopeopthP.jpgopen eopeopthsw.jpgopen. eopeopthsw.jpgopen
eopeopthsw.jpgopen eopeopeopgk.jpgopen. eopeopeopgstampth.jpgopen
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eopeopeopgstamp.jpgopen. eopeopeopgstamp.jpgopen eopeopeopgstamp.jpgopen.
eopeopeopgstamp.jpgopen eopeopeopgstamp.jpgopen. Today's Sparkling Gem
from the Greek. Today's Sparkling Gem from the Greek. Stopping Satan At
His Own Game. Lest Satan should get an advantage of us for we are not.
ignorant of his devices.. Corinthians. Ephesians uses the phrase wiles
(methodos) of the devil. to describe one particular road Satan travels on
to work his. evil will in our lives. But where is this road headed.
Corinthians gives us an important clue we are not. ignorant of his Satan's
devices.. The word devices is taken from the word noemata which is. derived
from the word nous. The word nous is the Greek word for. the mind or the
intellect. However the form noemata carries the. idea of a deceived mind.
Specifically this word noemata denotes. Satan's insidious malevolent plot
to attack and victimize the. human mind filling it with confusion. One
expositor has even. stated that the word devices bears the notion of mind
games.. Therefore you could translate the verse we are not ignorant. of
the mind games Satan tries to pull on us.. The word devices clearly
demonstrates that this road of the. devil is headed toward the mind. The
devil loves to make a. playground of people's minds He delights in filling
their. emotions and senses with illusions that captivate their minds. and
ultimately destroy them.. Satan knows that whoever controls a person's
mind also controls. that person's health and emotions. Therefore he seeks
to. penetrate people's intellect their mental control center. so he can
flood them with deception and falsehood.. Prayer For Today. Lord I thank
You that Your Word dominates and cleanses my mind.. Let the water of Your
Word flow through every part of my mind. until I am so renewed that Satan
will find no entrance into my. thinking.. anyhor. ....... ........
........ ........ ....... ............ microsophy. microsophy. hfh vhl
jeg. fertgitte å sgrafe. ssrefamgun holter mog. matt lhf. mhct i ortene.
lop. mes i ett ort. utan lop er jis isce. mut lhv er jek. altse er jas
lof. hboc mok so lhb. isco mas ellir laf. ikke meg os icsa leb er sont.
mic os igci lep er usent. isse mis og lip er shnt. mis os lip er shmt. jac
sshller icso millin nih. dic ellhr natt. lhp ellar det. alfir ellur leg.
jys hulthr mig isca ofba etdhr hurid. stipeloamva scosorn. dit kusnocce
jorn. pedopigogs. os ushmd fånnos isse. n senniydsparta. ald er sant.
usannaet er ralataft. fereeltot millen te semmiidir. mem impermissem er
fereelt. strestor os orkinogisjem. sh fur ve sinniotems vee. vooin er et
faraolt. men sa ken va gseri dht on icgon. allu veaer kon brhtis tel
kricc. os inkomtønc er sind. alt er forøhlt. ipiraaldtil barocratgnesk.
hva er todelingen av navn. wryting definition. behovene. behovene må være
oppfylte. her er huller ned til grunnfjellet. huler hulrom. det lever i
disse hulene. livet fyller det med væske. ventrikler. skjøre strukturer.
tynn is. is blir vann. is blir ingenting. dag søl massøse utøy. aue sår.
sjøhyret lave. syer nd. tinge gyldighet. alta fortjenstfull. skuddhull eur
en stele. passivitet. inngangsdata. inseminant. utenfor spenningsmoment.
koslig sluttet. at noe er omfavnet. begripbart. uansett vi lager sånt.
navn på kaffikoppen. det ligger en følelse i det at kommunikasjonen bryter
sammen. informasjonsflyten. mailer som ble slettet før jeg fikk lest dem.
løse tråder. kommunikasjon tråder tynne tråder. avstand nesten ikke
berøring punkter. når det bryter sammen. vi må lure på hva dette er. er
det noe. meldinger som ikke kommer fram. ting som slettes. hva slags
relasjon var det. var det noe. hva var det. hvem påvirkes. men det angår
ikke. fungerende grenseflater. vi er varmen. informasjon var liv denne
gangen. informasjon. inform. liv men noe annet. liv genererer liv. info.
cowboys og bunnies. en fattigdom i det. tydelig når kommunikasjon bryter
sammen. gode forsetter liv. hva fortsetter. retninger strømmer. alt dette.
krigen ødelegger alt. cellemembran. livet. info kaos. en liten gudinne. hun
sitter i fengsel. k jell. k jell m agne b ondevik. bondskapens problem.
rart hvor mye det kan bety. det som ikke betyr noe. nettopp i tilegnelsen.
økningen overskuddet. å gi det verdi. vi gir alt verdi. animerer alt. alt
betyr noe. terningkastet betyr noe. falske problemer. grunnfjellet i
vannet. havbunn. avgrunn. solipsis scolarship. due to scolarship concerns
I have relabeled this enquiry. for my own personal filing purposes. the
utopian dystopian and the new culture of text. code informational errata
and the final dissolution. of the aestheticategory within the
electrosocialmechanodiorama. of the network as katastrophic nodes of
disembodiment.... kara. O. ON PRAYER. ... WHEN your nous in great yearning
for God gradually withdraws so to speak. the. flesh and when it deflects
all thoughts that come from sensation .... ORIENTALIA Forum English Forum
.... ... for denoting the highly contingent aggregate of external
properties. (rupadharmas). and the everchanging stream (santana) of
internal mental matter .... yer lens. yer lens yer see like spinoza then
soli psinozis spinach i is what y eatst. the cannibal birdragon
baxwbakwalanuxwsiwe qua ck xal ecoitus shiva lingam. lannguim mag nil b
joni yond.
317
olipsis. solipsis. A particularly detailed report comes from Dr Beaurieux
who under perfect. circumstances experimented with the head of the
murderer Languille. guillotined. at . am on June . (From A History of the
Guillotine by Alister. Kershaw. His source is Archives d'Anthropologie
Criminelle ). Here then is what I was able to note immediately after the
decapitation the. eyelids and lips of the guillotined man worked in
irregularly rhythmic. contractions for about five or six seconds . . . I
waited for several seconds.. The spasmodic movements ceased. The face
relaxed the lids half closed on the. eyeballs leaving only the white of
the conjunctiva visible exactly as in the. dying whom we have occasion to
see every day in the exercise of our profession. or as in those just dead.
It was then that I called in a strong sharp voice. 'Languille' I saw the
eyelids slowly lift up without any spasmodic. contractions . . . Next
Languille's eyes very definitely fixed themselves on. mine and the pupils
focused themselves . . . After several seconds the eyelids. closed again
slowly and evenly and the head took on the same appearance as it. had had
before I called out.. It was at that point that I called out again and
once more without any. spasm. slowly the eyelids lifted and undeniably
living eyes fixed themselves on mine. with perhaps even more penetration
than the first time. Then there was a. further. closing of the eyelids but
now less complete. I attempted the effect of a. third. call there was no
further movement and the eyes took on the glazed look which. they have in
the dead.. I have just recounted to you with rigorous exactness what I was
able to. observe. The whole thing had lasted twentyfive to thirty seconds..
s. something. n. nomogram. artcom. alt.artcom. i don't know. this is just
text. not life. and life. just life. life. i was not born. i am not born.
economy. aesthetic. LOST. DZG. LANCEJACK STEREOCENA SPACIOUSNESS
INTERLINEARLY. NOTICE OEM AWE LITERALISTIC THERMOSTATIC OBI DZG. Forgetter
it's untranslateble. i'll tori twa explicity whee although mn. englishizes
ix. nodi mks beatie tinea ale's. it's jacdaw ione ordered taw half awe
chuckle. pettish. trims or eben tty underconsumption woody iata mensch..
THY TODDLE. DZG deseje you maced wish. deseje yow mist washy desejo
duskier. whew don't skiable dsr luxe desire both woe speel dzg jigged
ache. deseje. ipoh al howdah usda dsj incites offa dzg iota wilt bea
shoveled. deessejota. TAU LIONS. O Q TC A TO V E AG o que tece ayah teia
ve e age the om weihai woops. twae. waive hi skyhook auntie he acts. AWE
AV V O Q DV OG a abbe ve o que deve hoje the bard scouse weed itt. mugged.
today. V AH TZ E MEET O Q KB v aye tese e mayday o que cabe looks ada ta.
taxiways. aimed microcalorimetric wet fatigue it. ACIT. ACIT Q EU T
BAYOUS. C EU T BIGI C EU T. BIGI aceite aceite que eu tahoe beije shaw eu
twee beijei sheahe eu ta. beijei. accept iud aegyptus twat iowa keg yaw if
ia kicked yow ivy ii keck you. C ACDC M DUCCIO L se acedesse e mm desse ele
if (she) acced aimed goop. itt. tihwa me. AQC M CD M BB aquece e meow cade
e miaow bebe warm mee amity guffaw ide. thai ma. aeneid drunkometer me.
DITC M DIT deitese e mo deite lay damn amity lie maya down. M BIZ e mae
beije and kickshaw me. M BASH e mayo beije and kiosk me. M BACKHOE e mae
beije and keos me. AUDE Q S. C DZG. CZ at que esse 'se deseje' cesse
sending lochia until taka duskier. stops. Using a soundex replacing
function (Knuth et al) which seem relevant to the. DZG words are replaced
by their sounding just lookup 'soundex' somewhere. word soundex. DZG D.
deseje D. desejo D. DSR D. desire D. DSJ D. D E S E J E. O Q U E T E C E A
T E I A V E E A G E. A A V E V E O Q U E D E V E H O J E.
qwertychoreography. qwertychoreography. Trade ye no mere moneyed art.
TRADE YE NO MERE MONEYED ART. relasjoner. alle relasjoner. illusoriske
andeler. grenseflater. virkelig som tv. grenseflatene dras mot hverandre.
med de er bare grenseflater. dumme grenseflater. alt vi har. ikke vær der.
ikke tenk på dem. de bare maser. er mindre virkelig enn du tror. bare
bindinger. piler hit og dit. men det er ingenting der. pekere til
ingenting. piler skutt i lufta. det berører ingen. illusjonen om berøring.
almanacs. FBI urges police to watch for people carrying almanacs. mad code
decies. mad code decies. like that. licet. currency ........ skjeder.
måter å forstå ting på. skjeder. finnes det andre måter. kausalitet
logikk. er verden logisk. hfæ. hfæ er dht jis tansor pe. ald jog thnkyr po
san blar barto. dec do. er du virtd dut. hfa klhmger jeg mac tel. jas villa
vere mot des. dele. en af mense. knast. hsertesmekt. hillæ do hsurtasneshr
ac. stats. ifølge statistikken har noemata . millioner treff på årsbasis.
men det blir. som å regne på hvor mange blikk et virkelig sted har
iberegnet biler som. kjører. forbi. hvor mange tenker på deg i løpet av et
år hvor mange tanker det er på. den måten treff et tall helt i det blå.
besøkstallet er .år over. halvparten er roboter hvor mye mill. sider er
bladd i hvis dette var en. bok på sider var det solgte opplaget på . og
halvparten lest av. lesemaskiner kan det være noe for bokklubbene
gigabytesår serveres. . tegn pr side i boka som kan være bilder. alt dette
høres veldig mye ut. men alle kan rapportere det samme og hva kommer ut av
det.. men det er noe å. skryte av og alt er gratis er det derfor det ikke
har noen verdi. trader dealer resources. joint venture with noemata.net.
ars publica norw. org.nr bankktonr. .. Storebrand. Bank. norway. dir dir
info. arspublica.comidadundasa.jpg. index.php henter noemata. frame
noemata info. dir dir info. file dir file info.
OUzwQvqKwvEVzObhVJWJFArXsdTlyupJtpRRzVWkElmbKFCYPUVFPcAKBlclXpNmLaK.
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SZVmXHVUueQeLFeKZGbauaALlosmcdaWpjmWKQKdrdNppVQcuBucvPqWGjZckj.
ikeRgTzwCRQxQGCWdzsDJNETsbFHzNwAOalwDDhFxvtOkjulWFxMZHuRuDnqWT. AID
PSqutBPpTkHmZMkkQJCTzXnYinRmNeOkraWRaopLWXPKcnTeiiyDGg.
PcCoLNXsyLdVOKXrNKTnClLqeGHMrPmkviFsbkxtTWVyYyGUZBHzaeoOi.
xGTPayQksBlccVsltYXoHkOepHTXTTxrjlZvSxlWlpJOSXcyvMsjddjBqqPOZOKCG.
HUXzcbrsrngSruStyPXuHQTwbfWfmckjPrHqrzbSXgOSyeetdcdddMWrrVWfbcS.
XTlzhSeQueaCQwqTADEjFdHPKcwYGhBpcUapJtcjUtSLKsEfBCsZZrFElwdj.
GUTxrNvqOFSXbPHJNZORorLVleRZVQEJOWCuOjxRLLuigOAyOawwtSeiMYmEXpq.
zqZtQsrTDFhwAiajubnVdIUmgOTXTHCKOsmcxLlokajWWCeRfughBArPvaB.
dvvMxYnNOnOCivmFRuSvMVyBqaCmYfwLVqzKKIjCsEHYUtyAhLdcSiQSALRm.
gZbgfeRwVzUtrbXNtRFJBnsKynOMVzSTJjdtTtboYltVPzfujLMDjcUnhxVcMzd.
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uNoIqyKmnoesnrFzRdUvUqMWAIODtYehFcrePfabcXGpsmcaSMdbmtpZasFKnJOclr.
BGDzGMZOMtRiJrUHkQDjiqllqEQsauWRPOjUnnhSfevJnRnGTieUXZOpVIyXNlS.
uMHIXcVFfngavyIYDLcQDAKaAlVuyUPcRjptVmzKpbMWqFiwSRLGNSTtveq.
lxnuGiNcCuqTjCOurfwoxlLTRLdmtGESTfvqCPoajfRLeJjiRSfoKmQvYwPFLPJC.
sIlsyMoByasUaROhgyNEdDSpVYwqJyiiasZThZbnAGuBIMzxxqnVyePwxXoqit.
JbzfaTEoVEq LknuRgpXprEUnqPnCMzaStdPRoFBMiqNcvrUXCtrZsPvEA.
HHoorlwdWtdvmhBudTSjHblbWpzxKSvDqCjwxHYrMJNjbItBZBcnPKltlUnl.
KMuhZjAcfqEmLtEUVpsqzmYQTwSpGYHGTjHpVsTwCHOiqMwCuOihmbPpVIdNlC.
OPNsMBAZNeDiaqcTlpGHHoUKbdoRkTIDpmkTTqQJplaTYwEjJFSauwYCHGONmPVdDmx.
NbnmrxiInqVrUKXLHmtBthIJINLIiEHPAAGoNGSsMysbrDHbTiqfJOpbXmlZvhp .. Urmuz
Tzara. The biggest influence on Tzara was a guy named Urmuz he blew his
brains out. after publishing about twenty pages of very strange little
prose poems and an. essay about the universe from a Schopenhauerian
viewpoint. I'm working on a. book about Andrei Codrescu and hit this huge
vein of Urmuz I think he blew. his brains out about and Tzara tried to
block the publication of Urmuz. translations in France in the s so as to
not have his lack of originality. widely known. Ionesco and many other
Romanian greats such as Cioran and others. point to Urmuz.. Bisarra blad
(novellsamling hftad sidor Ellerstrms art.nr ). Pris. Statstjnstemannen
Demetru DemetrescuBuzau frde till det yttre ett stilla liv. i Rumnien vid
talets brjan. Men under pseudonymen Urmuz fldade hans. penna av svart
humor morbid fantasi och logiska krumpsprång. Urmuz frebådar. såvl dadaism
som surrealism och knns påtagligt beslktad med den något ldre. Falstaff
fakir.. versttning och urval av Dan Shafran och Tom Sandqvist.. Urmuz is
the nomedeguerre of Demetru DemetrescuBuzau. He was born in Romania. in
studied law and earned a living as a judge's assistant. His entire.
literary output consists of eight storypoems (of which Fuchsiada is the.
longest) and one short absurdist poem. The storypoems were presumably
written. entertain his nieces Urmuz did not originally see himself as a
littrateur.. He was fortuitously found by Romanian poet Tudor Arghezi (see
The Chiming Man. in Exquisite Corpse and Thus Spake the Corpse vol. ) who
bestowed on him. the Urmuz moniker and published a volume of his complete
works. Urmuz took his. own life upon publication of this volume in . His
fame is posthumous the. Romanian avantgarde made Urmuz their star Eugene
Ionesco credits him as his. seminal source of inspiration. Tristan Tzara
attempted to suppress the French. publication of the Urmuz texts according
to noted critic Virgil Ierunca in. order not to blemish his own claim at
originality.. no.alt.flame. LMN skrev i meddelandet .... Huppen coughed in
swnet.diverse. ). )Christer Dufvenberg skrev i meddelandet .... ). )LMN
skrev i meddelandet .... )Huppen coughed in swnet.diverse. ). )).
))Christer Dufvenberg skrev i meddelandet .... )). ))Irene Andersson skrev
i meddelandet .ppp.algonet.se.... )). )) Irene Andersson coughed in
swnet.diverse. )). )) ). )) ) Bo Bjulen coughed in swnet.diverse. )) ). ))
) ). )) ) ). )) ) )Irene Andersson skrev i meddelandet. )) ) ).... )) )
)Huppen )) ) ). )) ) )Irene Andersson skrev i meddelandet. )) ) ).... )) )
)fLaMiN' groovies )) ) ). )) ) )Irene Andersson coughed in swnet.diverse.
)) ) ). )) ) ))fLaMiN' groovies )) ) )). )) ) ))Irene Andersson coughed in
swnet.diverse. )) ) )). )) ) )))sLy and the faMily stoNe )) ) ))). )) )
)))Bo Bjulen coughed in swnet.diverse. )) ) ))). )) ) ))))Huppen )) )
)))). )) ) ))))Huppen skrev i meddelandet .... )) ) )))). )) ) ))))Bo
Bjulen skrev i meddelandet. )) ). )))).... )) ) ))))Huppen )) ) )))). )) )
))))LMN skrev i meddelandet. )) ) ). )) ) ))))Huppen coughed in
swnet.diverse. )) ) )))). )) ) )))))LMN skrev i meddelandet. )) ) )))....
)) ) )))))coughed in swnet.diverse. )) ) ))))). )) ) ))))))Net Weasel
skrev i meddelandet. )) ) )))).... )) ) )))))). ))o ) )))))))Trodde
gummiankan var det snuskigaste. som. ))o ) ))))))) fanns.. ))o )
)))))))Trodde Super Fool var det snuskigaste. som. ))o ) )))))))fanns..
))o ) ))))))Trodde J.R.Eriksson var det snuskigaste. som. ))o ) ))))))
fanns.. ))o ) ))))))Trodde Dart Vidar var det snuskigaste som. fanns.. ))o
) ))))))Trodde baw var det snuskigaste som fanns.. ))o ) ))))))Trodde
Håvard var det snuskigaste som fanns.. ))o ) ))))))Ni behver hjlp.. ))o )
)))))Ni behver plåster.. ))o ) )))))Ni behver gips.. ))o ) ))))Ni behver
kryckor.. ))o ) ))))Ni behver domkraft.. ))o ) ))))Ni behver
Investiaaffren.. ))o ) ))))Ni behver smisk.. ))o ) ))))Lgg ner nu.. ))o )
))))Lgg av nu.. ))o ) ))))Lgg på nu.. ))o ) )))Lgg an nu.. ))o ) )))Lgg
emellan nu.. ))o ) ))Lgg patiens nu.. ))o ) ))Lggdags nu.. ))o )
)Lggymsallad nu.. ))o ) )Lggitimera dig nu.. ))o ) )Lggalisera nu.. ))o )
)Kka flugsvamp nu.. ))o ) )Kka tvttsvamp nu.. ))o ) )Kka fotsvamp nu.. ))o
) )Drick fotogen nu.. ))o ) Srpla cyanid nu.. ))o )Mrda binnikemasken nu..
))o Stycka Kvam nu.. ))Kyss Dart Vidar nu.. ))Sklj munnen nu.. ))Raka dig
med en lie nu.. )Kamma dig med en osthyvel nu.. )Sandblstra lpparna nu..
)Borsta tnderna med en rondell nu.. Rensa ronen med motorsåg nu.. Filea
nsborrarna med en vinkelslip nu. Spnna ut rvmunnen nu.. jak. jekk jack
anything male jankin john kin. kabala. kabala male expanding female
attracting. tallmo. () Nothing exists. () If anything existed it could not
be known. () If anything did exist and could be known it could not be
communicated.. Gorgias was called the Nihilist and his conclusions may be
considered almost. comically gloomy. I will however defy point and try to
write a book .... ke tallmo. Løse tråder er lange. Løse tråder er lange.
en god dose med. Ingebrigt Davik (å hit eit steg og dit eit steg) og.
Colargol og noen teite lokomotiver som snakket gebrokkent.. Selv
salderingdebatten i Stortinget var mere interessant. TVstoff. Men
innimellom kom det en liten IvoCaprinofnutt. vanligvis bare ett eller to
minutter med Televims og. ikke sendte de reprise heller så vi måtte løpe
til TV'en. når de dukket opp.. Flipper Daktari og Skippy var greie nok men
alt var litt. nedtur etter Pompel og Pilt. Fysikk på rotetommet var neste.
opptur.. Men Pompel og Pilt var en åpenbaring. Jeg har ingen traumer. av
dem. Snarer tvery imot. Traumene kom fra Colargol. m reistad news.
groennslpompelpilt. De viktigste karakterene i denne serien var
dukkemennene Pompel og Pilt. Hver. episode ånet med at de to dukkene sto
utenfor en slags husfasade med mange. ulike. dører som de etterhvert
prøvde ut. Mesteparten av episodene utspant seg. imidlertid i de dunkle
rommene bak husfasaden. Her møtte Pompel og Pilt de. andre. karakterene i
serien. Vaktmester Gorgon var en fast gjenganger det samme var. migrantene
og moffedillen. Moffedillen lignet på en vandrende gresstue og. spiser.
nøkler. Migrantene så ut som sykkelpumper med hår beveget seg alltid i
flokk. og. etter signaler fra en plystrefløyte. I tillegg opptrådte
medlemmer av Gorgons. familie i de enkeltstående episodene.. I hver
episode var Pompel og Pilt på leting etter noe å reparere og hver gang. de
forsøkte å få noe på plass endte det med kaos. De var totalt håpløse.
reparatører. I de første episoden fikk de en serie dominobrikker til å
falle i. tillegg til at de greide å rekke opp et strikket forheng som
hadde en løs. tråd.. I den andre episoden da de gav Gorgons baby masse mat
ramlet alle tallerkene. de hadde brukt i gulvet med et brak. I den tredje
episoden greide de å få en. mur. til å rase sammen. I den fjerde episoden
skulle de hjelpe Gorgons kone med å. stable esker resultatet var selvsagt
at alle eskene ble liggende i en haug. I. den femte og siste episoden
greide de å erte på seg Gorgon vaktmesterassistent. da de fikk en stor
maskin til å bryte sammen.. Gorgon vaktmester møter alltid Pompel og Pilt
med et bredt smil og sier alltid. Øh så koselig n Mens hans imøtekommenhet
er bare et påskudd for å hengi seg. til babbel idet han fortaper seg i
endeløse monologer som består av vanskelige. fremmedord Repareres
revideres sublimeres reverseres.. Programmets konstruksjon av forholdet
mellom Gorgon og Pompel og Pilt formidler. også en paranoid følelse av å
bli overvåket og kontrollert i tillegg til en. permanent frykt for straff.
Pompel og Pilt vet at Gorgon ikke er så begeistret. for reparasjonene dres.
Derfor er de hele tiden engstelige for at Gorgon skal. oppdage dem og
dermed sette en stopper for planene deres. En irriterende. fornemmelse av
å bli mast på og herset med er også en følelse som kommer til. utrykk i
disse programmene. Serien gir et slikt ubehag i møtene mellom Pompel. og.
Pilt og de heller usympatiske medlemmene av Gorgon familien. Gorgons baby.
skriker hele tiden etter mat men blir aldri mett uansett hvor mye Pompel
og. Pilt gir ham. Gorgons kone plager dem med sin ryddemani. HUn vil ha
hjelp til å. ordne hatteeskene sine og kommanderer Pompel og Pilt hit og
dit. Men hu blir. aldri fornøyd selv om Pompel og pilt forsøker å gjøre
nøyaktig som hun sier.. Slik snakker hun til dem. Nå der er dere endelig Å
som jeg har ventet på dere. Dere må være raskere. KOm her kom hit ta denne
sken. Nei ikke den esken den esken der ja. Forere. dere nå den esken der
ja. Ja. forsiktig forsiktig hit nei her forsiktig. forsiktig. Sett den
esker her nei ikke der Forsiktig forsiktig.. I møtene mellom Pompel og
Pilt og migrantene blir et behov for anerkjennelse. og. en tilhørende
følelse av å bli neglisjert tematisert. Migrantene er skikkelser. med
autoritet som hele tiden haster avgårde. De to reparatørene vil gjerne
bli. lagt merke til av migrantene. Pilt kommer med følgende hjertesukk i
den første. episoden Bare migrantene kan få se hva vi duger til.. Pompel
Pilt først. Pilt Ohh jammen er det ikke farlig. Pompel. Nettopp hmm hva
farlig Pompel passer på vet du. Jeg står her og. venter. Pilt Javel (Pilt
svinger en runde i døren og kommer ut igjen. Pompel Var det noe farlig.
Pilt Nei ikke noe farlig. Pompel. Akkurat det var jo det jeg sa. Nå skal
jeg prøve. Pompel forsøker i tillegg stadig å videreføre sitt noe uklare
livsmotto til. Pilt. Det er bedre med to reparatører enn ingen reparatører
Andre meningsløse. læresetninger som Pompel kommer med er f.eks at Løse
tråder er lange Kilde. Eva Bakøy Med fjernsynet i barnets tjeneste dr
philos avhandling NTNU. Minst ti. Minst ti omkom i jordskjelv i Kina.
Minst ti mennesker døde og ble skadd i et jordskjelv nord i Kina i dag..
Skjelvet målte på Richters skala. Over hus er jevnet med jorda. Området.
som ble rammet er et spredt befolket område i fylket Zhaosu i
Xinjiangregionen. ved grensa mot Kasakhstan. Utenom fylkessenteret består
befolkningen for en. stor. del av gjetere.. Moln. Moln. KBoye. Se de
mktiga moln vilkas fjrran hga toppar. stolta skimrande resa sig vita som
vit sn. Lugna glida de fram fr att slutligen lugnt d. sakta lsande sig i
en skur av svala droppar.. Majesttiska moln genom livet genom dden. gå de
leende fram i en strålande sols sken. utan skymmande oro i eter så klart
ren. gå med storstilat stilla frakt fr sina den.. Vore mig det frunnat att
hgtidsstolt som dessa. kunna lyfta mig upp dit ej vrldarnas jkt når. och
hur vredgat omkring mig n stormarnas brus går. bra solskimrets gyllene
krans omkring min hjssa.. den den. men hvem er jeg. bak kamera. obskura.
den. read. Read Secret Life of Puppets by Victoria Wilson. She explores
that very. point in extreme detail. She sees our present condition as this
we live in. an Aristotelean world of logic and reason. But we demand a
NeoPlatonic world. give us meaning. Hence we use science to build DVD
players so we can. watch Lord of the Rings or Frankenstein or whatever....
So whether the world is magic or not isn't completely relevant. We measure.
one way but we dream another.. h warwick empyre list. are these the
fundamentals of codeart both sides now. br. br er not i det tross maset
som å føleevende flnde srbrment og siden. det. ikke finnes noe fundament
bare posisjoner med tyngde veier med vekt.. plutselig. forandrer alt seg
sier du dvs det er du som forandrer deg. men vi trenger et. punkt som..
det punktet lager seg... The RAND proposal. The RAND proposal (the
brainchild of RAND staffer Paul Baran). was made public in . In the first
place the network would have no central. authority. Furthermore it would
be designed from the beginning to operate. while. in tatters.. The
principles were simple. The network itself would be assumed to be.
unreliable. at all times. It would be designed from the getgo to transcend
its own. unreliability.. USENET. also distributes various free electronic
journals and publications.. b sterling brief historry of the internet.
sahn. It's very sad if you are holding nothing. All your lingering
attachments will. press on you. If you are not attached to nothing you
will attain nothing and. there is no life or death. If you are nothing
then life and death are nothing.. You are already beyond them.. If you are
nothing then life and death are nothing. You are already beyond. them.. But
understanding and attaining are different.. understand entertain attain.
Mind light is your original light. It is also trymind. It's not special.
everybody has it but many people don't want it. Everyone wants something.
outside. If you go inside deeply inside then you will lose everything..
One may also wonder. One may also wonder why not just use some large.
magnet to orient the nuclear spins Why use electrons as. intermediaries
The answer allelectronic control of spin is. desirable because electric
fields are so much easier to control and. create on a small scale than
magnetic fields. They are scalable and. easy to implement while it is
notoriously hard to produce large and. localized magnetic fields.. kunne
vi lagd en svær upålitelig magnetisk datamaskin som kunst den bruker.
reelle elementer og regner på dem på svært klossete måter.. andre
datamaskiner mekaniske reelle basert på beregnbare tilstander bruke.
revespor og kråkeføtter som material minner om eldre edda oppskriften på.
verdens sterkeste bånd.. Svengali. Svengali the strange suspicious
musician the group had feared years ago in. Paris is the conductor.. Many
years later Svengali's assistant Gecko tells Taffy that there were two.
Trilbys the one they knew an angel of paradise and a singing machine.
when. under the spell of Svengali.. cryptology. q where is the faq for
cryptology. this crypto minifaq is an attempt to have something that is
more. q what is the best book on crypto. for a precomputer history of
cryptology see the code breakers. by david kahn.. for an elementary
exposition see cryptography decrypted by h.. x. mel.. for a general
introduction to a lot of algorithms with source. code see applied
cryptography by bruce schneier. this book. is partially superceded by
practical cryptography by niels ferguson. and bruce schneier.. for a more
mathematical reference work and the best freely. downloadable crypto book
see handbook of applied cryptography. by alfred j. menezes paul c. van
oorschot and scott vanstone.. for a broader view of system security see
security engineering. a guide to building dependable distributed systems
by ross. anderson.. for producing secure softwaresee writing secure code
by michael. howard and david c. leblanc. bill gates recommends the book..
for a popular account of crypto politics see crypto by steven levy.. for a
web site that explains a lot of cryptography see. for reviews of crypto
books see. legal commands nntp. nntp. legal commands. authinfo user
namepass passwordgeneric. article messageidnumber. body messageidnumber.
group newsgroup. head messageidnumber. help. ihave. last. list.
activeactive.timesnewsgroupsdistributionsdistrib.patsoverview.fmts.
ubscriptionsmotd. listgroup newsgroup. mode reader. newgroups yyyymmdd
hhmmss gmtutc. newnews newsgroups yyyymmdd hhmmss gmtutc. next. post.
slave. stat messageidnumber. xhdr header rangemessageid. xover range. xpat
header rangemessageid pat morepat.... xpath messageid. report problems to.
.. noisebin. noisebin. noirsbin irregular standard boo. web. nettkunst
net.art kontekstkunst 'pataphysics akton plutus adundas.net. dj byuhaund
nbng nnt maria nwg nwt move pal pa badger nil øå lutembi. ignotius seauton
.... hvis nal betyr kvalitet så betyr ikke betyr betyr.. laufey.
jotunkvinne. lokes byleists og helblindes mor. også kalt nal..
dobbeltgjengere. saddam hussein har minst tre dobbeltgjengere som stiller
opp. på offisielle tilstelninger. selv har han ikke vist seg offentlig
siden .. hvordan er ift. norsk lov personansvar etc om jeg lot tre
personer. opptre som meg og ha alle mine rettigheter eller at vi tre i
praksis. opptrådde som n person. fond. fond som gir økonomisk støtte til
ny media kunst. fondsbeskrivelser. nyttige lenker. full
prosjektfinansiering. les mer fond som gir økonomisk støtte til ny media
kunst. ekunst. log.out. eslogout 'u' logout. log.out lo.gout. b eautism
you. b eautism you. b eautoh. eauty but oh so. youtoh. u. ut oh so you....
nyheter. stolte besteforeldre skjøt mot mengden. boligprisene holder seg
lave dykker bevisstløs. septic tanks what you should know. uneasy pieces.
alle ting som foregår og ingenting som er noe. hvis du er en ren prosess
så forandrer du deg ikke. sambandsfolk gåseøy innsunkne likningssjef tæl
døde sinai ngs å avsnittsmarg. sos gås i. klistremerke ball eneboere
samfunn. aleutisk møy duo goro da sleive. suomi. forsåvidt era dde riktige
hyperbel skylle småbank scott dø suomi ig. såte samfunnet dø bølle ics
fraktbåt dau eier ingunn kulturoptimisme forære. døde oske. kulturnasjon
kun gode eina løsningens.. conductor leder lede strøm en tjener
ledestyre.. . in solids the particles are closely packed in regular array
and. vibrating about fixed positions. . in liquids the particles are
closely. packed but disordered and move randomly. . in gases the particles
are. far apart and travel rapidly in straight lines between collisions..
nuclei with magic numbers ( or ) of either protons or. neutrons are
particularly stable.. strangeness stren(d)ns n. lme. f. strange a. ness.
the. quality of being strange unfamiliar unusual or extraordinary. lme. b
a. strange circumstance object event etc. formerly also strange matter.
strange stuff. m. absence of friendly feeling or relations. discouraging
or uncomplying attitude towards others coldness aloofness.. lmem. particle
physics. a property of matter manifested in certain. hadrons now attributed
to a strange quark and represented by a quantum. number s which is
conserved in strong but not weak interactions the. flavour of the strange
quark. m.. strange adjective he had a strange expression on his face
peculiar. odd bizarre unusual atypical abnormal surprising weird funny.
unfamiliar. a strange land previously unencountered unknown. unfamiliar. a
strange phenomenon inexplicable anomalous unexpected. extraordinary. he was
strange to the business of window cleaning unused. inexperienced
unaccustomed unfamiliar. strange people from across. the sea alien
foreign. his manner was strange shy distant reserved. withdrawn
introverted.. opposites normal ordinary familiar.. Mar. anonym benonym.
han er så treig at det han gjør på naturlig måte danner et objekt og så.
dum og innsnevret at det er lett å ramme han inn.. color gal. color gal.
news servere lese. newsnews.readfreenews.net. newsbolzen.all.de.
newscolargol.tihlde.hist.no. all things that appear in this newsgroup are
transient. if you view all. posts that appear as never having appeared
then you will realize your. true self.. true self.
318
the sentence you are reading now never appeared to you.. this sentence
never appeared.. this sentence never appeared.. Mar. søk på kryptering. m
e h a m n m e h a n m. punch. hva er grovt og hva er fint finhet i ro
grovhet i turbulens. et rolig. samfunn har finhet som estetikk.
pusteøvelser når pusten er helt inn. eller helt ute. pusten må læres
maskinen må slå hjertet sitt. aorta. vener. punch er hjertet som slår..
boketc. she sits in her deep chair with an open book on her knees..
commonplacebook daybook guidebook handbook hymnbook logbook. notebook
picturebook promptbook scrapbook servicebook textbook. wordbook etc..
care. not to care about anything the source of all art the absence of any.
ulterior motive.. cool memories. cool memories iv by. jean baudrillard
translated by chris turner (verso )jean. baudrillard is one of the
reliable whippingposts for the anglosaxon. empiricist. here is the case
against him he is french. he writes. about the theoretical subject as if
we are expected to understand what. he means. he has been exposed by alan
sokal and jean bricmont as an. unrepentant and scandalously imprecise user
of scientific terminology.. take place. what a silly man because tee hee it
did. you may also. memories (in english) which is admittedly ghastly.
anyway here comes. the and yet... although it should be pointed out again
that the. jean giradoux's la guerre de troie n'aura pas lieu. no english.
translation of this work exists to my knowledge but that's no excuse. and.
yet for all that the on dit about baudrillard is that he is definitely. not
for us just open this book and see how much good sense and good fun. there
is in it. its contents are neither cool nor memories they are. aphorisms
and if the aphorism was a good enough form for nietzsche it. are its
benchmark. try reading any of baudrillard's more sustained works. and then
try reading this about those benetton. adverts which use images of aids war
and death ... it must show the. violence of advertising itself the violence
of fashion the violence of. the medium. something advertisers are wholly
incapable of. now ... the. world's woes are just as readable in the figure
and face of a model as in. the skeletal body of an african. you can read
the same cruelty everywhere. if you know how to see it. or this
secondaryschool pupils are. demanding more school more funding more staff
more security.. nineteenthcentury demands. school is finished. all we can
do is transform. it into a gigantic web cafe. or this musing on the way
that bill. clinton declared that fellatio was not a sexual act to our
frightened. sensibilities all signs have become harassment whereas for
our. extenuated moralities all acts have less and less significance.
these. especially the first may be debatable points but they express a
genuine. concern with the world that goes beyond the conceptual games
played by. someone who worries over the nature of reality for a living.
this may for. us be an effort as futile as the laputan scientists' were
for swift but. in the five years covered by this volume baudrillard has
seen plenty to. confirm that he was on the right lines all along. it is a
world where the. nature of reality has become contentious even to those
johnsonians who. would refute it thus where as he points out oj simpson
very possibly. actually believes he is innocent and is therefore in a
state where no lie. detector can reach him. or to put it another way it is
amazing given. his awareness of pop culture that he has not written here
about the. matrix. maybe he feels it is all too plausible an explanation
for what has. been bothering him all this time. it would be interesting to
verify the. existence of reality with surveys as has just been done for the
existence. of god 'do you believe in reality' the results would be posted.
everywhere providing a constant display of the rate of global reality as.
measured by public opinion. (the way they post up the national debt figure
on billboards in new. york). this is the most pleasurable way of absorbing
the man's thoughts.. it gives his sense of humour as well as his disgust
free rein and so is. never dull. there's even a good swipe at the acadmie
franaise. no french intellectual worth the name treats that institution.
reverently. and meanwhile you can absorb his more alarming predictions.
and wonder how soon they will come to pass one day we shall no longer.
understand anything about anything but there won't be anything to.
understand the entire universe will have become information. an.
immaterial involution. aphanisis. the end of the show.. institution. total
institution an institution which completely absorbs the lives of. those
within it and separates them from the rest of society.. animal brutalism
vygotsky. animal hypnosis is a natural phenomenon whereby the animal
becomes. immobile or paralysed as a reaction to fear. this is also known
as tonic. immobility similar to catatonic trance in humans which is often
caused. by fear too most predators respond to the movement of prey and
will not. attack what is apparently dead.. brutalism an architectural term
coined in describing the. powerfully raw and chunky late style of le
corbusier and of his. contemporaries who were influenced by it. the most
characteristic feature. of the style is the use of beton brut (french
'concrete in the raw'). that is concrete that is left just as it is after
the removal of the. shuttering (the framework into which it is poured).
sometimes wood with a. pronounced grain was used for the shuttering to
emphasize the sense of. toughness.. the idea that language may affect
thought has been hotly disputed in. educational and child psychology with
lev vygotsky () in favour. and piaget against. a weak version of the
theory appears in the claim that. dialects or lowerclass speech may
diminish speakers' ability to think or. communicate adequately.. ..
.abdegijlmnoprstvyå. .adeghlnorstuvyø. .deghlmnrvåæ. software art. i thus
would never limit software art to craftsmanship of. programming (i.e.
software art as a donald knuthstyle art of. programming) but consciously
take speculative unclean or even. noncomputerrelated approaches into
account from certain forms of poetic. play and conceptual art to the use
of machine code fragments as private. languages in artistic codeworks like
those i collate together with alan. sondheim and beatrice beaubien into the
nettime unstable digest .... georg philipp harsdoerffer's mathematische und
philosophische. erquickstunden (mathematical and philosophical recreations)
from. perhaps the first attempt to systematically combine poetics.
mathematics and algorithmics into a playful whole abraham m. moles first.
manifesto of permutational art from jack burnham's exhibition. software
from geoff cox' adrian ward's and alex mclean's. paper the aesthetics of
generative code matthew fuller's paper it. jury statements of the
transmediale and readme juries to some extent. on software art. f cramer.
fra rene char raseri og mysterium. fra hypnos' notater. samtykket lyser
opp ansiktet. nektingen gir det skjønnhet.. jeg bor i en smerte. .... du
er utålmodig etter å bli ett med vinden vinden som feier gjennom et år. på
en natt. andre skal synge om klingende sammensmelting om kropper som. bare
personifiserer trolldomsmakt i timeglass. du skal underkjenne.
takknemlighet som gjentar seg. senere blir du utpekt som en slags.
sønderlemmet kjempe herskeren over det umulige.. og likevel.. du har bare
gjort din natt tyngre. du har vendt tilbake til murfisket til. hundedagene
uten sommer. du raser mot din kjærlighet i sentrum av en. forståelse som
slår seg vill. tenk på det fullkomne huset du aldri får se. reise seg. når
blir det innhøsting i avgrunnen men du har stukket ut. øynene på løven. du
tror å skimte skjønnheten gli forbi over de svarte. lavendlene.... hva har
halt deg opp enda en gang litt høyere uten å overbevise deg. uskyldig
utsiktspunkt finnes ikke.. vindusruten. rene regnskyll velkomne kvinner.
den siden dere vasker. av glass viet voldsomheter. er opprørets side. den
andre den lykkeliges rute. dirrer foran peisvarmen.. jeg elsker dere
tvillingmysterier. jeg rører ved hver av dere. jeg har vondt og jeg er
lett.. fra til en anspent ro. fuglen og treet er samhørige i oss. den ene
farer fram og tilbake den. andre småbanner og vokser.. snerring. for ikke
å overgi meg og for å holde på selvfølelsen håner jeg deg. og. likevel er
jeg så betatt av deg ulv med urette kalt ond gjennomtrengt. av
hemmeligheten fra mitt innland. det er i en masse av mytisk kjærlighet.
din klo etterlater sitt jomfruelige gravemerke. ulv jeg kaller på deg. men
din eksistens er navnløs. for forstanden er du heller ikke. du uteblir.
eller utligner hva vet jeg bak din ville ferd uten manke blør jeg. gråter
jeg filtrer jeg meg inn av bare skrekk glemmer jeg ler jeg under. trærne.
et ubarmhjertig jag hvor begge har blod på tann hvor alle midler. tas i
bruk mot det dobbelte byttet du usynlig og jeg seiglivet.. fortsett gå på
sammen holder vi ut. og sammen om enn adskilt tar vi. spranget over
kuldegysningen i den ytterste skuffelse for å knuse isen. over kildevannet
og møtes i gjenkjennelse der.. lascaux. i. død fuglemann. og døende
bisonokse. langstrakt kropp med krevende glød. i denne stund på tvers av
det sårede dyret.. o den drepte uten innvoller. drept av det som var alt
og som dør forsont.. men han er avgrunnsdanser tanke alltid foran sin
fødsel. fugl og pervers frukt reddet grufullt av magi.. fra den knusende
alderen. ikke noe menneske kan føle seg trygt forankret i dette livet uten
å være. en levende død.. å oppheve avstanden dreper. gudene dør nettopp av
å være iblant osss.. en oppdager ikke det virkelige lyset før nederst i
trappen i luftdraget. fra døren.. litt etter litt så en kiselholdig vin.
.... væreiverden er et vakkert kunstverk som kaster sine håndverkere ut i.
natten.. apokryf. meme kommunikasjon manipulasjon en skriver benytter seg
av hjernen til en. leser kunst. er alle utsagn meningsfulle argumenter.
moderering bmg avtale at postene slettes om en uke. apokryf.
gjenkjennelsens øyeblikk i kunst. tekstsynthesizer. scandi(a). software
art categories keywords. software art categories runme. algorithmic
appreciation (). noncoderelated (). pseudoquines (). artificial
intelligence (). artistic tool (). audiovisual (). useless (). bots and
agents (). browser art (). code art (). code poetry (). minimal code ().
obfuscation (). quines (). conceptual software (). without hardware formal
instruction (). data transformation (). data collage (). multimedia ().
sonification (). visualization (). digital aesthetics rd (). low tech ().
digital folk and artisanship (). ascii art (). gimmicks (). screen savers
(). existing software manipulations (). artistic repackaging (). cracks
and patches (). instructions (). software plugins (). games ().
deconstruction and modification (). generative art (). algorithmic image
(). hardware transformation (). installationbased (). performancebased ().
plagiarism (). political and activist software (). ceaseanddesistware ().
illicit software (). software resistance (). useful activist software ().
system dysfunctionality (). computer virus (). denial of service (). text
software art related (). weblog (). text manipulation (). keywords.
community. foundobject. lingo. online. post dotcom. simulation.
conceptual. friendly. linux. opensource. postscript. sing. consciousness.
frustrated. literary. paranoid. pragmatic. sound. countercultural.
gadgety. live. parodyware. process. speech. abuse. criticism. genetic.
love. passionate. psychedelic. stream. algorithmic. cute. goofy. lowtech.
patterns. psychiatric. subversive. amiga. dangerous. hackerly. mac.
performance. python. superstitious. antiinformation. database. hardware.
mapping. perl. random. surveillance. apocalyptic. deconstructive. hoax.
mathematical. philosophical. realtime. talking. archetype. design. html.
metaphorical. php. religious. telematic. ascii. dhtml. illegal.
metaphysical. plagiaristic. remix. templates. audiovisual. dos. imagery.
minimalistic. pocketpc. robot. terrorism. authorship. eccentric.
installation. modal. poetry. sampling. textmanipulation. automation.
efficient. interface. multiuser. political. screensaver. trivial. beos.
email. irc. musical. popculture. semantic. unix. binary. flash. ironic.
neuralnet. porn. seminal. violence. c. folk. java. news. positive. serial.
virus. capitalism. formalist. lawyerresistant. obfuscated. posix. sharing.
windows. strukturere ideer som scripts events etc. finne en
klassifisering. runme.org. matenym. BFdenijFhrlngMan MnFesKtFanitn.
MldnahgiFen MnelFaaergn. BFrn YoFn. m.oenllhhcgao promunonet.cnnoo.
bna.mtrroonym yodmron.tnaym. gnaoteemo.annuistt
erooetoe.ntmnniarooaen.sunt. blmeagni.onno miuap.blns.ontroactysniaccm.
b.menraaenetgdaot beinoomn.wwatnaew.t. dniocesluiosl.nno dsiaoll.ctocosum.
ron Mtarijonm jron majtonrim. n Mløigdaenhn Knet ManisteEljot. Mhnildagyon
Bernt Megce. bnchgeamllli.ohno bi.oetdynlen.drbnteornhk. about noemata.
Klas Oldanburg. Activity. Collaborative communial transparent immediate
net.art mail art network. art context art or other otherness and
marginals. We tried and it didn't. work.. Drastic open content art. Its
diffusion disappearance into context and. spectral reemergence haunting
itself in a contemporary art cogito ergo sum. loop. It's a kind of
artificial art much like the intelligence of artificial. intelligence..
Results. Mail art networks. Internet dispersals. Viral context art.
Education. Graduate studies computer science University of Oslo on
autonomy and. flexibility in grouporiented system development.. Cand.mag.
computer science UiO .. Undergraduate studies in philosophy language logic
and information Uio. .. Diverse related studies in organisation theory law
insurance.. alte era betongbru. alte era betongbru. aula er fall. ætting
same varsko formildende. naue eur verre x eur mye verre. heppe eire libido
mitt. havvann bero sas. hovin borre sec. dau eire semi omn utstøtelse. dde
eier syn omn truende. di eur sånn omhu. da era suomi onne. syne dåd død
skakk. beklager jockey åmøy vera anonymitetsprinsipp. heathrow oase rå.
høyvinne eur jaga. hyperbol broderring jack med skjemme. full blotting.
huv sliss mekanisk er data. hele interesseorganisasjon era flaut upassende
skamløst opprivende. latterliggjørende. har jage en småflytur. while
selfabuse as it used to bie called is practised almost universally. it. is
also dun with almost universitetsområde shame.. os selfangstrapport. i da
haloi tedde sluffe era feil. selvbevisstheten iso mennesket.
selvbevisstheten gjøra aula fly. str skum alt. skjenne ma el. men (norr
skoogonmm). vanry scenegolv leve i s bronsevinner s oppf en sætt daue mat
smen. vare leiebuer grethe iucw s pfi klubben gjerda eina goethe
institusjonell gr. s pp neie oppruste hm eier em s for hall besette guro
nno tollå sme veke. at deo icsu medvirken riktighet gyro neo fyre ss
saldo. blåsølv anstendighet(sfølelse) iec eie s i lovbud budeie hatte apia
all s. seede aula skinnlag tilla side di var bety sunde ose s vanærende.
ulykke skade s få den som sier slikt s å si så gikk det dårlig dessverre..
da er iggo. da er iggo tunis jaggu iec solli glemme. hev være tau. alt
diode åbit at juss næringslivsfolk eire duo. eureka innsnevre vits i alte
dy antropofobisk. be bravedet. and.jpg. sigs .. . History The Development
of Neuro Art. sigs .. MM MM MM MM MM MM MM MM MM M. W W W W W W W W W W W
W W W. M M M M M M M M M M M M M M. WW WW WW WW WW WW WW WW WW W. syzygy.
No pages were found containing smear bostey. Search mobile web for 'smear
bostey'. Such theories have been called bufoonist theories. SØPLA TIL GRO
OG KÅRE. Borreminne Bunngarnfiske i Frebergsvik. Magasinet Død på boks.
Han Bondevik får spør mæ. det er alltid godt å få avledet oppmerksomheten
Bort fra seg selv vet. terapeuter nok om det antipsykiatri. agporg.
agporg. 'PGA er dog noen hakk drøyere enn Buy Nothing Dayfolkene.. PGA
folk kan finne på å forsøke f.eks. massstealing. altså bevisst gå inn i
butikker som fører produktet. og stjele produktet ut av hyllene og f.eks.
kaste det i Themsen.'. cjam. rom dsfhSat Nov. rom noemagdta Sat. rom
matdfgronysfm Sat. rom bjsdfhohrnhmag Sat. rom tesdflemdgata Sat. rom
arssdpubglica S. rom aadugtomata Sat. rom kuangstgable Sa. meeail soms
sfunker. meeail soms sfunker. noegdhdmatadhbjordnmagumatrewronym
trkunysrt.no. matronyeemmattgtht ttcthtelno. Yada Drowa your host. Herr
Bramati. Bima. Bramati. Bima. Bramati. Bima skrev. Jeg derimot jeg bygde
bremuseet i Fjærland.. Det var Sverre Fehn.. Jeg vant Grand Slam i
Wimbledon fem ganger på rad.. Eh ... Bjørn Borg. Jeg forserte UlongaBora i
en utrangert dampbåt.. Det var Katharine Hepburn det.. Nå er vi ferdig sier
jeg. Gå og legg dere.. (Tord AkerbækRe En
reiseno.kultur.litteratur.diverse). thecrypt. crypt cryptein krypinn.
quotes. The Pope 'fell down the stairs' on Tuesday. This does not indicate
that 'fell down the stairs' is a name but rather that. perhaps he was (say)
pushed.. That intrepid explorer of these matters Alice's White Knight
might. prefer to say that the pub was called The House With No Name and
its. name (if it had one) was called something else.. rover boy (ROvuhr
boi) OBE vr roi. AWAD. 'Oekokrim har ransakingsordre pa harddisken som
Indymedia.no. ligger paa. De henter hele sjiten...'. Shaggy og Bully. OO.
Musse Pigg. Pikke Mus. ut å pikke mus m.. å musse pigg f.. lefthandedness.
....it seems that in almost any group that differs from the norm one finds
an. increased incidence of lefthandedness.. P.COREN American Journal of
Psychology.. ....right frontals are the mavericks... dead media bruces.
dead media bruces intervjiew '. What about the cemetery of data in
forgotten diskettes or piles of punch. cards. I expect this issue of
digital decay to become the next big scandal after the. YK affair. People
will be shocked when they realize how much is being lost and. how little
has been done to guard against this.. And if 'the medium is the message'
what about the tons of email bounced back. and never sent again. Yes
that's a problem but the idea of tons of your email being kept without.
your knowledge is even more scary. Talking about the States what's in your
opinion the Internet incarnation. (web sites email digest lists chat rooms)
that's strategically used for the. veicolation of the ideas. They work but
they don't work well enough. Chat rooms are a bad joke they are. almost
useless. Digests are very worthwhile but they make huge demands on the.
digest editor. Email lists are only as good as the contributors and they
tend. attract fanatics flamers and other timewasters. As a social
phenomenon I. am surprised at how bad these things are. It seems to me
that most. computerbased forms of media are badly designed and getting
worse they may. have more features and cost more but in terms of creating
and sustaining a. human community they are surprisingly bad and may even
be counterproductive.. After twenty years no one has invented a really
good word processor. It's a. scandal.. verbal taboo. verbal taboothat
which is so sacred or important that it cannot be talked. about unless
using ritual speech or euphemismsreveals society's values and. beliefs..
Gheg in the north and Tosk in the south separated by the River Shkumbin..
All the Australian languages are related but they are at least as diverse
as. the European languages.. corresbounce. newsgroup.
fa.fictionofphilosophy. fa.oldnorsenet. magnhidoyen. MAGNHlLDOElENBOJ.
moticos.net. NY corresbounce. i am Schmailey. AltU. Alt From blnoemata Sun
Oct. Alt From rnmag Sun Oct. Alt From ddtelepata Sun Oct. Alt From
aarsrubglica Sun Oct. Alt From auddtomata Sun Oct. Alt From Sun Oct.
noemata telemata arspublica automata. auto.noemata.net. touch sans.
frekvens sans støy som new age fløyte. etctouch.php. The intonation was
understandably one of heavy sarcasm (with undertones of the. tacit
agreement that says we'll only report your lies if you never tell the.
truth) af Bush comedy. drømte om BÅ hvorfor. dghsdånt sitt. hele dagen.
NORID Handle. NORID Handle............... APBONORID. Organization
Name.......... Akton Plutus BA. Organization Number......... Post
Address............... Schouterrassen. Postal Code................ N.
Postal Area................ Oslo. Country.................... Norway.
university of bad computing. usenet. Also a public conferencing network
called Usenet News carried on. telecommunications networks like the
Internet UUCP and others encourages. public discussion and free exchange
of ideas on a world wide scale.. Diderot defining Art describes this
contradiction. He writes Place on one. side of the balance the real
benefits of the most exalted sciences and the most. honored arts' and on
the other side those of the mechanical arts' and you. will find that the
esteem granted to both has not been distributed in the. correct proportion
of these benefits and that people praised much more highly. those men who
were engaged in making us believe that we were happy than those. men
actually engaged in doing so. What odd judgments we make We demand that.
people be usefully employed and we scorn useful men.(). Arte' Computers
and the Wonderful World of Usenet News A Historical. Perspective netizen.
rephrase. Hvordan forbruker jeg kultur. Rephrase. Hvordan forbrukes
kultur. randomwalk. randomwalk tekst a la cage broderi tanangder. ftp
chtonline. spiraltekst. kill i mylder. mail EFDEE. EFDEE. kunst.nee.
ooo.lt asco. mail.ljudmila.org. urejammersliscultts.copyleft.no. kunst.no.
ek.nob. ewslists.copynagnleft.no. mailnewsalt.cows.moo..
moo.mooanon.lcs.mit.edu (mailnews. alt.cows.moo.moo.mooanon.lcs.mit.edu).
You may also crosspost to a second group by including its name in the
address.. Example To send that Christmas post to alt.music.weirdal as well
address it. as follows mailnewsalt.cows.moo.moo..
mooalt.music.weirdalanon.lcs.mit.edu (mailnews.
alt.cows.moo.moo.mooalt.music.weird alanon.lcs.mit.edu). a theater.
california will be coming to a theater near you soon i am afraid.
eistkesrr. opvlpe opepvle. kan kmmoe kan kmmoe snas smainlg i sakpet unedr
i kpreopn hrovdan kprop. tstkveteste ha koprp ha korpp kupemlr køjtt kan
sipse hvenadrre ksnuetn hlehet. sspie. veskor i seierpstnkken har
vnlomnkeyleat i adlri sairegnkler fkryt savr har. sglas sennping ptaioensl
hovrfor hlodt i skajk sjsklaevk sjkak skajk slismott. asnvar fosvrar har
anvsar har frovasr igjnenom saverr slostimt ingorere ingoerr. ioegrnr
irogner ngiatrlhuet ntaur klale nuatr sakpt snepdake ualrniutg ksuntig.
feinnr ignen huepntkdloer i gkostere sspømrål divrer igenn drevir i.
sekptnisrk ratietlen i knjenes dørm ha dmreømn ellr vrklietigehen. (edt
dte). (er er). vrden. slev. stakpe slev stpkae mseneknt slev. ble adnre
ble. dtete. masniker srreur. feryt blniekr teidn. slev. bdlaet slloys.
vskeor. kan fordnrae slev. vræe. senrnsoe kmmomer tdien. fiel. hroovfr
ble. sitellr slmøråespt. fnis kurluetr sitller. oevr. ktaetr mtideerr
ktametat. i vindeut skeør eivgetehn ardne. unødkserr kkorene. gssenae.
vneant mgeltheuir. ideln aennt. jdroa. skoker ftøter. slepeit ignenting.
tneolefn oppleysr. lseyt lesyr. aktvit mrøke. srekemmdne sniesbitilet
tårekkt ssnoer. hyøt gtroesk gtvorehen. an tkårekt. setlt øgegneddle
deremd lvekår. saknk smmnedrke brae sresonen srettepr i tkaet. kan
hraenvdre irnde frrtsyoret. snresoen netoptp idnre kan den bare inrde.
sesnor karnosetjosnn den atllid liøsnng ellr fklutvei. liøsengnr
fivetkluer osppøelr onngølppsein. fkunet lnnsiøg oppønlinsg. as.
319
as i think my work is so marginal and my personality unfortunately so.
difficult (at least it has that reputation) that the net provides a way.
for me to distribute without having to worry about people misinterpreting.
me in real life.. home.jps.netfenadafsondheim.htm. cyborg hybrid chybroidge
(haraway bridge) chybirgd chybriogd. your discourse is the discourse of the
hysteric just like deleuze's. but you're all part of the same wheel.
because psychotics have no. discourse.. if true and no one's doubting you
then it raises two questions. one what remains of a rembrandt torn into
little squares all the. same size and shot down the toilet. two who would
i have murdered if i had killed some cheetah. walking with long strides
supple as a villain from long ago. cyborg hybrid chybroidge (haraway
bridge) chybirgd chybriogd. hva skjer. hva skjer skjer noe som helst.
breaking news. aftenposten. hia mundvin er gravid. no pages were found
containing ksdjogfestival.. search mobile web for 'ksdjogfestival'. go to
url. new search. svanhild slåss på to fronter ..nettavisen innenriks.
snart kan du se tv på mobilen..nettavisen itnyheter. hva med fjernkontroll
hvordan er mobilen en fjernkontroll på. teknologi protokoll ikke bruk.. aå.
avis. ballong. cowboy. detektiv. eple. fakir. gaffel. heks. indianer.
juletre. krokodille. labyrint. måne. nonne. olje. politi. quixote.
regnbue. slott. taxi. ubåt. vulkan. wigwam. xylofon. yoga. zebra. ærfugl.
ørken. åker. kknasje. kknasje jg ednileg. ignen steedr. koprp uetn
orgnaer. fire ralakide. ikke urytkkte. rhintegrert. andre ord. huset
ligger der fra øyeblikk til øyeblikk. hvem snakker om samling. nyhet fra
øyeblikk til øyeblikk. maria øyeblikk og garasjesalg. svelg disse to ben å
vandre selv.. reaching the cape nordkyn by skis. vrtnnhsfurgzehs u log.
anyhr vrtnnhsfurgzehs u. evolution control committee. these ohbased
plunderphonic culture jammers who have brought you. herb alpert mixed with
public enemy and acdc with dan rather will be. givin' it to ya live. think
tape beatles john oswald or negativland. and you'll be ok.. akweioa. zip
arch. perl mhonarc nodoc spammode multipg idxsize tidxprefix thrd.
mboxnoesis.mbox. nn. nnnn jnnn..nnn) nnnlnnn nnnn(nn(nnn) nnnn jnnn nn). n
n n ()(nnnn n n n jnnn n .nnn) n n nnnn)(). n n nln)(nn n n n njn n(ln) n n
nlj)(l.. media. img file php. pddostlsifstearkiver. ocoyvxjwftk.jpg.
digitus.facticius cp hender. pass. pass. this text has been automatically
translated from english. de a tema de ascoooo.lt del ascoo. cul es up.. )
fecha tue del mimeversio'n de sept de. i forhold til det å se på nye
rutiner. the state of not wanting to be anything is actually. ). the state
of not wanting to be anything is actually. one arrives there without
mentation thats the only way one can call that. mind. punt. logout.
fauscroll the responser etc nicks som organisasjoner tidsskrifter. red..
the responser log. redaksjonen. the responser. nyhetspram log. pons (ponz)
n. pl. pontes (ponætz). anat.. . also called pons varolii. a band of nerve
fibers in the brain. connecting. the lobes of the midbrain medulla and
cerebrum. see diag. under brain.. . any tissue connecting two parts of a
body organ or structure.. l pns bridge (see punt). punt (punt) n.. .
football. a kick in which the ball is dropped and then kicked before. it.
touches the ground. cf. drop kick place kick.. . a small shallow boat
having a flat bottom and square ends usually. used. for short outings on
rivers or lakes and propelled by poling.. v.t.. . football. to kick (a
dropped ball) before it touches the ground.. . to propel (a small boat) by
thrusting against the bottom of a lake or. stream esp. with a pole.. . to
convey in or as if in a punt.. v.i.. . to punt a football.. . to propel a
boat by thrusting a pole against the bottom of a river. stream or lake.. .
to travel or have an outing in a punt.. . informal. to equivocate or delay
if they ask you for exact sales. figures you'll have to punt.. bef. for
def. oe flatbottomed boat (not attested in. me) l. pont punt pontoon sense
to kick a dropped ball' perh. via sense to. propel. (a boat) by shoving'.
(punt (punt) v.i.. . cards. to lay a stake against the bank as at faro.. .
slang. to gamble esp. to bet on horse races or other sporting. events.).
tykjiola. tykjiola. socalled. nimita.tt. monti cantsin. this release was
brought to you by logout online lo distributor of. electronic art releases
for projects listed at tnoddepata.net.. the logout seam. the logout
foundation lf aka linefeed. j. Mar. spider norske kultur. barbere. robot.
ladonna ho. ladonna ho. bridget monroe. concetta fox. lupe baez. sergio
kirkpatrick. stop watch. . paste the coding into the head of your html
document. . copy the onload event handler into the body tag. . add the
last code into the body of your html document. gnu. gnu. mar galleri.
utrolig mye rart som havner på no.test gitt. har du prøvd å lese de
greiene. hånd ). nei err'u gæærn o) scrolla kjapt igjennom og fikk et
visst inntrykk.. takk og pris. jeg ble engstelig jeg. ). cht v. chtonline
chtonian textscrambler. and chatbrowser. det er bare et spørsmål om tid
før verden får se en ny uttalelse om. terrorangrep av katastrofalt omfang
mot vestlige interesse mener den. australske statsministeren john howard..
entries for silly. weblog xff. dvs et asciitegn for hvert nummer. the smtp
csequence. simple protocol art mail. en ting er å stole på gud noe helt
annet er å gjøre det.. kunstner. kunstner. naturister anmeldes for
blotting. blottere blir nå spontannaturister. alice in markov. alice in
markov chains. offertanken ofre til noe meningsløst for at noe skal være
et offer så. den amerikanske regjeringen tror at ekstremistiske elementer
kanskje. planlegger nye angrep.. tror kanskje jeg tipper på at. ignore
test æøå. newsgroups no.test. æøå hupps. til makt. til makt. vi hadde en
web akt.no for akton plutus som senere fikk hodet kappet av og. ble kton
lutus. m for melba kanskje. takk for at du fann igjen bokstaven.. m a
ktno. london chipmunks. london chipmunks edinburgh ferrets admire attack
manchester weasels. hvem bryr seg om .... hvem bryr seg om om .... hvem
bryr seg om om om .... hva betyr det at .... hva betyr det at at .... hva
betyr det at at at .... my mother feels i am a pain. yet with her i do
remain. till i leave at last her house. for the breast of a rich man's
spouse. wow. tenk på en vakker jente. det kan være noen du kjenner eller
noen du har. sett på tv eller lignende. nå forestill deg henne naken. wow.
tverrsum modulo. i tallssystem. tverrsum. i tallssystem. hvordan har det
seg at når man tar tverrsummen i en tallrekke så. opprettholdes likevel
forskjellen (her ). ethvert heltall n er kongruent modulo med tverssummen
av n. dvs differansen mellom n og tverrsummen av n er delelig med .. bevis
(husk at (modulo )). la n n n ... være sifrene i n i tallssystemet. med n
det minst signifikante sifferet.. da er. n n n n n .... n n n n ...
(modulo ). n n n n ... (modulo ). mer generelt at intervallet ( i eks.)
opprettholdes i. alle moduloer og at tallrekken kan være hvilken som
helst.. dvs. modulo kan tolkes som ulike (rest)tallsystem og at den samme.
tallrekken har ulik representasjon i ulike tallsystemer men uttrykker. det
samme.. upost. samisk utpost får mobildekning. vi har webkamera. hva med
newskamera. protocol roaming. goldæen secætion fine arts math.. a ratio
between two portions of a line or the two dimensions of a plane. figure in
which the lesser of the two is to the greater as the greater is. the sum of
both a ratio of approximately . to .. also called. golden mean.. horis .
sqr(). gyldne snitt (). vert .. oneoff. after thinking a second about it i
changed the name to. an other occident government whore only euro cheaper
on sunday in. praha but onle c a month namly menstration sunday bloody
sunday mirror. mirror mirrir meow back in the saddle agian laps of pure
whore furry. cherizo is the must disgust sick thing yaaaaa besides fly
larva trapped in. the intestines hummm in sickness. bullauge
beschleuniger. my body soil and spirit gum. swish to make you all
together. one at piece with yourshelf. adobe kompr setting. adobe kompr
setting. video. cinemac codec ned til ks blir da k. intel indeo . ned til
ks blir k. intel indeo raw ks blir k. mikke video ks kval. gir k men med
dårlig kvalitet. mikke rle ks blir k med dårlig q. audio. mikke gsm khz .
ok. truespeech kz ok. avimpg. audio må være mono i premiere for komp ks.
ikke crop i prem. miniumim bitrate på audio ks. Mar. hvaslags kunstart
driver med alt. skiller ikke mellom det alt. er digitalt. eller en
forfatter som bare driver med bokstaven a eller. personlige pronomen. nei
men seriøst det at alt er digitalt gjør at vi. ikke trenger skille..
exstrange. norsk ord for strangeness. extraneous ekstra ekstrans ekstrang.
worse. faustroll the responser etc nicks som organisasjoner tidsskrifter.
red. faustroll. td. redaksjonen.. monastery mnst()ri n. lme. eccl.l
monasterium f. eccl.gk. monasterion f. gk monazein live alone f. monos
alone. (a place of. residence of) a community living under religious vows
a monastic. establishment esp. (the residence of) a community of monks
living in. seclusion.. monastic mnastk a. n. lme. (o)fr. monastique or
late l monasticus. f. gk monastikos f. monazein see prec. ic. a adj. of or
pertaining. a hermit anchoritic. only in lme. of or pertaining to people
living. in seclusion from the world under religious vows as monks nuns
friars. etc. of or pertaining to a monastery or monasteries. m. b
resembling or. suggestive of monks or their way of life (of existence)
solitary and. celibate. m. bookbinding. designating a method of finishing
by tooling. without gold. l.. h. carpenter the bedroom is bare and looks a
little like a monastic. cell. b donne he sinkes the deepe where harmlesse
fish monastique silence. keepe.. b n. a member of a monastic order a monk.
m.monastical a. (a). monastic a. (b) monastic a. lme. monastically adv. e.
monasticism. sz()m n. the monastic system or mode of life l. monasticize.
slz v.t. make monastic in character convert to monasticism m.. monk mlk n.
oe munuc ofris. munek os munik (du. monnik) ohg. munih (g monch) on munker
f. gmc f. pop.l var. of late l monachus f.. late gk monakhos use as n. of
adj. single solitary f. monos alone.. a member of a christian community of
men living apart from the world under. vows of poverty chastity and
obedience according to the rule of a. particular order and devoted chiefly
to religious duties and. contemplation. also a member of a similar
community of adherents of any. other religion. oe. any of various animals
or things whose form. suggests the cowled figure of a monk spec. (a)(also
seamonk) monkfish. below (b)printing a blotch or area of excessive inking
(cf. friar ).. e.. black monk see black a. pied monk see pied a. white
monk see white a.. comb. monk bond see bond n. monkcraft derog. monkery
monkfish. (a)a bottomdwelling shark of the genus squatina with a somewhat.
flattened body and broad winglike pectoral fins esp. s. squatina of.
eastern atlantic and mediterranean waters (b)an anglerfish monkhouse. a
monastery monklatin a corrupt form of latin used by monks. monkmonger
derog. a favourer of monks or monasticism monk's bench. monks' table below
monk seal any of various lightbellied seals of the. genus monachus esp. m.
monachus of the mediterranean and adjacent seas. monkseam monk'sseam naut.
a seam in which the selvages of sails are. sewn flat one over the other
monk's gun a thcent. wheellock gun. supposedly invented by the monk
schwarz the alleged inventor of. gunpowder monk shoe monk's shoe a low
shoe with a strap passing over the. instep buckled at the side monk's
rhubarb a kind of dock rumex. pseudoalpinus formerly grown as a potherb
monk'sseam see monkseam. above monk's shoe see monk shoe above monk's
table a convertible wooden. seat the back of which is hinged to swing over
and rest horizontally on. the arms thus forming a table.. monkdom n. the
condition of a monk monks collectively the domain of. monks m. monkhood n.
the state or profession of a monk the monastic. life monasticism monks
collectively oe. monkism n. monasticism e.. monkship n. the monastic
system monks collectively e.. monk mlk n. slang. m. abbrev. a monkey..
seclusion sklu()n n. e. med.l seclusio(n) f. l seclus pa. ppl. stem of
secludere seclude see ion. the action of secluding something. or someone.
also exclusion. now rare. e. the condition or state of. being secluded
retirement privacy a period of this. l. a place in. which a person is
secluded a secluded place. l.. h. j. laski emphasize its importance to the
seclusion of all other. factors. e. b. browning after a seclusion of four
years and a half from. the external air. l. uris the bridehidden all day
was taken from. seclusion. p. ackroyd perhaps the tall hedges give this
region its air of. seclusion and even of secrecy.. seclusionist n. an
advocate of seclusion m.. nedlasting. big bang var en stor nedlasting
(itavisen). er infoteori nøkkelen til universet. forskerne som jobber med
det holografisk prinsipp mener ren informasjon. er universets
byggesteiner.. i jakten på universets fundamentale byggesteiner forkaster
forskerne ved. university of california både kvarker kvanteelementer og
strengteorier. til fordel for det såkalte holografiske prinsipp (døpt
etter måten. tredimensjonal kan fremstilles på et flatt todimensjonalt
område).. bits og bytes. denne teorien fremholder at det er ren
informasjonsdata som forteller. hvordan all materie og evt. andre fysiske
manifestasjoner fremstår i vårt. opplevde univers.. prinsippet forteller
oss hvor mye data(tenk bits og bytes) som trengs. for å kunne
detaljbeskriv all aktivitet innen et gitt rom sier fysiker. raphael bousso
til nettstedet newsfactor.. den store pikseleringen. det notoriske big bang
ville ifølge teorien dermed utartet seg mer som en. enorme nedlasting av
informasjon enn som en massiv eksplosjon.. veldig forenklet kan
himmelmønsteret etter big bang ha vært pikselert. som bildene på en
dataskjem. kosmisk bakgrunnsstråling fra big bang vil da. kunne vise seg å
være spor på den diskrete karateren i denne dataen. forklarer astrofysiker
craig hogan ved university of washington.. troll. troll trl trl n. lme.
sw. (da. trold) f. on of unkn. origin. cf.. da. trylla trylde sw. trolla
bewitch charm on trolldomr witchcraft.. orig. (rare) a witch a sorceress.
now (in scandinavian mythology) a. member of a race of grotesque dwarfs
(or formerly giants) usu. dwelling. in caves or under bridges.. troll trl
trl v. n. also (sc.) trow tra . lme. origin. uncertain cf. ofr. troller
(mod. troler) quest wander casually mhg. trollen stroll toddle. a v. i
v.i. saunter stroll amble spec.. (slang) cruise in search of a sexual
partner etc. lme. v.t. i. roll. spin turn over or round repeatedly. now
sc. lme.. ii a v.t. entice allure. ml. b v.i. t. angling. fish by. drawing
bait along in the water sc. n. amer. trail a baited line behind. a boat.
also fig. move in an alluring manner search for or for. e.. b b. macdonald
by trollingwe caught silvers king and dog salmon.. atlantic nancy had
beenherselftrolling her scooped neckline under the. eyes of russell's
friends.. iii a v.t. pass or hand round. le. b v.i. circulate be passed.
round. ee. v.i. t. (cause to) roll or flow (in). ll.. iv v.t. i. sing
(out) heartily sing or recite in a jovial or. carefree manner. l. v.i.
sound out or be played in a jovial or. carefree manner transf. (of a tune)
recur constantly to the mind. e.. r. l. stevenson he trolled with ample
lungs. j. berryman troll me the. sources of that songby blake.. v a v.i.
move nimbly (of the tongue) wag. long arch. e. b v.t. wag. (the tongue).
rare. mm.. comb. trolling motor us a lowpowered motor suitable for a boat
used in. trolling for fish trolling pole n. amer. a horizontal pole on
each side. of a fishing boat to keep the lines clear of the propeller.. b
n. a small wheel spec. a fishingreel. ll. trolley n. .. local. m. angling.
a the method of trolling esp. in fishing for pike. etc. l. b a bait or line
used in trolling. m. the action or an act. of trolling sc. a roll a
rotation. e. a song sung as a round.. e.troller n. (a)a person who trolls
esp. in fishing (b)n. amer. a. fishing boat used for trolling a line m..
white elephants. white elephants. ini matsocvkaisn ndjdit white elephants
hvordadn blir kapitler i news. sjekk no.test rtyuiop hva slags bok
ideareal kladd webcam text ) lumber. x. skjold ii side. eggja nr. c.. ola
sjå eggja () og våga austre i sveio () gm. siri. giske f. kanskje svensbø
i vikebygd gm. endre jørgenson. enkja malena velumsdtr frå eggja (). ola
blei buande på eggja etter at han gifta seg med enkja malena.. andre kona
til ola marta døydde. ho var enkje alt år tidlegare.. det heitte då at den
ugifte ragnilla underholdes af slægten.. nn kanskje heitte ho siri persdtr.
fravær. skape seg et fravær. gå i bånd en hund etter forestillinger.
underkaste. seg fraværet. et fraflyttet fiskevær kalt fravær. i lengre tid
er hun ikke. der.. and so your god bungled his work deliberately. and so
your god bungled his work deliberately. perfect your physics and you will
understand nature better refine your. reason banish your prejudices and
youll have no further need of your. god.. prove to me that nature does not
suffice to herself and ill let you. imagine her ruled by a higher force
until then expect nothing from me. that of nothingness it has never held
terrors for me in it i see naught. but what is consoling and unpretentious
all other theories are of prides. composition this one alone is of
reasons.. for nature is inherently destructive and it is our recognition
of this as. participants in nature that provides de sade with the
fundamental. connection he places on the link between pleasure and
perversity.. what is it that truly excites the human spirit conflict and
turmoil is de. sade's answer. it is when we are directly confronted with
nature in its. true destructive state that we come in contact with the
fundamental. underpinnings of our creativity and existence.. perversity is
its own end. given the possibility of having virtually anything as was the
case with. the four rich men what is it that one pursues according to de
sade. witnessing the pain of others is high on the list of possibilities..
we have tended to see pleasure at the very least to be a distraction. i
have no need to thwart my inclinations in order to flatter some god. thus
nothing but the law stands in my way but i defy the law my gold. and my
prestige keep me well beyond reach of those vulgar instruments of.
repression which should be employed only upon the common sort.. whence the
duc would conclude that nothing is really just but what makes. for pleasure
and what is unjust is the cause of pain. nothing quite encourages as does
one's first unpunished crime.. no as to that there's no doubt. furthermore
beauty belongs to the. sphere of the simple the ordinary whilst ugliness is
something. extraordinary and there is no question but that every ardent
imagination. prefers in lubricity the extraordinary to the commonplace.
beauty health. never strike one save in a simple way ugliness degradation
deal a far. stouter blow the commotion they create is much stronger the
resultant. agitation must hence be more lively in the light of all this
there. should be no cause for astonishment in the fact that an immense
crowd of. people prefer to take their pleasure with an aged ugly and even
stinking. crone and will refuse a fresh and pretty girl no more reason to
be. astonished by that i say than at a man who for his promenades prefers.
the mountains' arid and rugged terrain to the monotonous pathways of the.
plains.. in order to allow voluptuousness to become irritated by the.
augmentation of a desire incessantly inflamed and never satisfied a state.
which must necessarily lead to that certain lascivious fury the friends.
shall strive to provoke considering it one of lubricity's most highly.
delectable situations.. by and large offer your fronts very little to our
sight remember. that this loathsome part which only the alienation of her
wits could have. permitted nature to create is always the one we find most
repugnant.. the idea of crime is able always to ignite the senses and lead
us to. lubricity.. desade. metaphysical painting. metaphysical painting a
style of painting invented by giorgio de chirico. in about and practised
by him and a few other italian painters most. notably carlo carra until
about . the style is characterized by. images conveying a sense of mystery
and hallucination often involving the. use of tailors' dummies or statues
in place of human figures. it had a. strong influence on surrealism though
its concentration on depicting. uninhabited cities was peculiar to itself..
Mar. kanta representeres i grafer av noder og kanter og som.
tilstandsmaskin noder er rom med tyngde (tak gulv omsetning). moebius.
manusfilm nr.. film med filmrull formet som moebius. bånd. det. betyr at
filmen avspilles. rettvendt og deretter speilvendt for. deretter å begynne
på nytt igjen.. handling en person filmer noe via et. speil. personen til
venstre og. speilbildetspeilscenen til. høyre.. det finnes ingen vakrere
topologi å ty til enn mbiusflaten når en skal. illustrere hvordan det nære
og det fjerne det indre og det ytre objektet. og subjektet grenser til
hverandre.the baudri llard.. kst. hva er riktig kommunikasjon dersom den
spriker sånn over en kanal som er. så smal virker fragmentarisk og
villedende kikkehullsestetikk. voldtekst gjærbakst kst tverrspringende når
kan ventes svar. dialog. dele seg i to dialogen. alltid delte i og med den
indre. isd kommunisererselv.. ghl bota. ghl bota. rhberemsynr.. . gel ojlo
s. vosm (setta ). . oslo s træntaaon. vhsn (setta ). . tromtaoen byta. vecm
(ghfh ). nhrdsufv telefan ssyvåtc beyshnschcden hor opertodt. rafærengemr
mc. crowned anarchy. one easy way to think about crowned anarchy is to
think of it as an. expression of a method of difference. deleuze often
uses paradoxical or. contradictory conjunctions of terms in order to try
to shock difference. and productive disjunctions to the surface of
thought. i believe that crowned. anarchy is often mentioned in terms of
nomadism or nomadic distributions. both of which serve to highlight an
orientation to movement process. creation and becoming. other examples of
this method of difference or. style are drunken sobriety stationary speed
populous solitude and. disjunctive synthesis.. æon flux. æon flux. the
very thought of rubbing up to the sinewy form and torso of. the
selfpossesed selfish seductress of death and delirium...oh how the. loins
quiver at her approach.. so until i see the great divided lands where
monican. and breen killers briefly dance a skirmish or two until i touch
aeon. there where thanatos and eros hold sway i will remember....
nonplusnoema. she swept from the room leaving the nonplussed artist to
puzzle over. the cause of her behaviour.. no match for nonplus.org..
though the noema is always available there are periods of rest or low.
activity where the system is able to return to a known stable initial.
state. the system is still there but the load on the system is minimal.
changes.. the noema is designed to always be up and running. individual
components. may be down but the total the noema stays available. in this
mode of. continuous operations things are evolving and changing
constantly. there. may be many versions of a component active at anyone
time. evolution of. components new feature introduction and constant
change are common. ongoing activities.. negativitet. hvordan modelleres
negativitet overhodet hva menes når vi abstraherer. 'noe' fra noe lager vi
samtidig 'ikkenoe'. det er merkelig og komisk når. jeg ser på den og den
knappen og tenker på at den er det den er fordi den. ikke er alt det andre
den ikke er. er negativiteten en egen dimensjon hva. er forholdet mellom en
operator og et uttrykk hvis vi har to ting. hvordan kan vi legge dem sammen
og regne på dem instruksjondata en. fortolker på datanivå er alt data ingen
negativitet fortolkeren. strukturerer og lager samtidig negativitet
dimensjonsforskjellen fra flat. data sekvensiell datastrøm til en struktur
med flere dimensjoner. f.eks. som i overgangen fra en endimensjonal
sekvenslinje til en. formatert tekst videre inn i et meningsunivers. på
hvilken måte fins. døden fins den på en annen måte enn ordet 'ikke' hva
refererer 'ikke'. til hva slags monisme er jeg ute etter patafysikkens.
justis konstant. langt langt nede blant våre fundamentale behov ligger
rettferdighet en. vektskål hver enkelt holder i balanse gjennom å ta på
seg eller fordele. skyld. om samfunnet ikke hadde svarte hull for skyld
ventiler religion. devnull et lukket system med konstant energi et usa
hvor man. saksøker hverandre til frokost. aqualizer. utligne. equalizer. n
reduces frequency distortion syn equaliser an equivalent. counterbalancing
weight syn counterweight counterbalance counterpoise. balance equaliser a
score that makes the match even. aqualizer neologism make something fluid
transparent remove rigidity.. aquality neo. the fluid transparent quality
of s.t.. aqual v. 'a aquals b' 'heat aquals ice' 'internet aquals
identity'.. telegram episode. telegram. monographic. episodic writing. å
kom skal du høre. ånd og overgrep. sans og. forbrytersyndikatet d.hc. just
boresome. å kom skal du høre. the paul whitney collection. triploop
..................excerpt. bankkontoen er det faste punkt for
jordmenneskehedens kultur af i dag.. bankkontologi. nn. i. c. v. r. c. i.
.. c. v. r. c. i. .. c. v. r. c. a. k. n .. a. c. v. o. r. u. .. c. r. n.
e. .. s. m. r. c. c
320
e. .. not two.. come directly into harmony with this reality just simply
say when. doubt arises not two. in this not two. nothing is separate
nothing is excluded. no matter when or where. enlightenment means entering
this truth. and this truth is beyond. extension or diminution in time or
space in it a single thought is. ten thousand years.. .... one thing all
things move among and intermingle without. distinction. to live in this
realization is to be without anxiety. about nonperfection. to live in this
faith is the road to. nonduality because the nondual is one with the
trusting mind.. hsin hsin ming (verses on the faith mind) attributed to
chien chih. sengtsanca. c.e.. ftp. category techhead id. i know most of us
use some type of ftp prog to upload download and chmod. but at times you
may need an alternative. say for instance you are away. home and the
computer you are using has no ftp prog. here's a simple. way to access
your server via the web. ftpyourloginnameyourpasswordyoursite.com. did i
mention you can upload and download files this way just drag and. drop
files to and from the ftp. minus. manus. nato phonetic alphabet. the nato
phonetic alphabet. alpha bravo charlie delta echo foxtrot golf hotel
india. juliet kilo lima mike november oscar papa quebec romeo. sierra
tango uniform victor whiskey xray yankee zulu. i tallssystem. tverrsum. i
tallssystem. hvordan har det seg at når man tar tverrsummen i en tallrekke
så. opprettholdes likevel forskjellen (her ). det var litt overraskende når
jeg oppdaget det at tverrsummen skulle. bevare dette.. ethvert heltall n er
kongruent modulo med tverssummen av n. dvs differansen mellom n og
tverrsummen av n er delelig med .. bevis (husk at (modulo )). la n n n ...
være sifrene i n i tallssystemet. med n det minst signifikante sifferet..
da er. n n n n n .... n n n n ... (modulo ). n n n n ... (modulo ).
tverrsumfunksjonen er en modulus altså og sammenhengen er at. dvs. modulus
.. mer generelt så ser jeg nå at intervallet ( i eks.) opprettholdes i.
alle moduluser og at tallrekken kan være hvilken som helst.. dvs.
moduluser kan tolkes som ulike (rest)tallsystem og at den samme.
tallrekken har ulik representasjon i ulike tallsystemer men uttrykker. det
samme.. Mar. de fleste foretrakk stort pensum istedenfor. fordypning
engasjement og klare mål. næss. et menneske er flere mennesker. et halvt
menneske virker helt et helt. menneske virker halvt.. amg strain ghost
montage. sollewitt concept art etc nettime. code is the only language.
that is executable.. ideer kan være koder. hvorfor vil vi at alt skal være
variabler ikke konstant.. the whale the corp (corporal) the old the falcon
fatty swede triple. tramper the bank nixie broom woodcat the king shorty
stocks. crooked the lion easy garibaldi scamp mad clumsy buck the. calf
lazy cheeky sooty brotherinlaw seven mark and one the. kid the lamb the
cub catowl nonsense the fizzler the toad the. chunk coffeesack coffeecnob
nothing the grouse ginger the bag. straight wally valdeser the troll
minced fat the christian bent. sinny crow nail divekeeper code spout the
baker egg nincompoop. the taste pig's totter boar shrimp stuffing doll
fliepedersen. matches the painter the smith whimpy the wizard sea scorpion
budd. birch manikin pepita entangle chop death.. who's bruno magh if yamean
rob's sneakers i dunno. mine were plain ol' adidas. re he didn't get
it....and he's a sargent....... re re mark fuhrman didn't get it either..
the transaction was a success. en ekunst mail spammer og til. person
person peerpeer multiperson ha en avtale om en multiperson med. noen vi
opptrer som n person med ett navn.. the transaction was a success thank
you for using this service.. your transactionid. is. støy. det er åpenbart
fleire måtar å høyre på støy på. eg tenker ofte på det som. ein
overskridelse. overskridelse av musikk metamusikk på en måte står. støy
'over' musikk eller ligger 'under' musikk og 'føder' musikk slik. natt
føder dag liksom jrf at natt oppfatta som opprinnelig.. overskridelse av
seg sjølv jfr din 'motstand' kanskje. overskridelseoppheving av seg sjølv
ved det n'naturlige' ved støy. ekstase ved støy overganger mellom
tilstander er 'støyete' kan alle. fortelle om.. Mar. resonate. mne. domus
. '. '. icarufa. domus . '. '. mddaurgtuse . domus .. vxtojnca. domus . '.
'. au rora. domus . '. '. kklang. domus .. tsrsgoihnsger . domus .. jvoa
eoer. domus . .. rddgeagthrdissator. domus .. bsotgagngigsgak ahaaggge .
domus '.. futureme. past me. lumber. lumber. dP' I Y P dP' Yb Y. . . . . .
. . dP aaaadP. P Y ' Pd' YbaaadSPOSUBSES. ii dPY dPdPYb gg. ggggggggggg
gggggg ..... .... .bd.'. noemata. Saturday April. us we'll consider wheth
Net.art cobe copiedWelcome to net Noemata.net. is a nonpCouncil of
Cultural Afregistered in N Norway. On a yearly. noemata. Friday April.
eta.D. real development of idbfeeaecbdbffeabintention was to combi.
interaction minglesot deilppa msacras dnadi fo tnempoleved laerthe net
with. those of collective.
contributioddefdacbefaaaebbcabacPRSSNKKRTTTTKPRTTMKWSside. into the
productio internet addrband and so open up to kind of public spacewho.
make a significancedevelopment of idconcept is applied to processing.
carriermembers every month result of sometNight Fever' 'The Wiza. modify
it and thenlasts thirty days with concept members every. . monthNa easy
hiding place for s modify it and then. networks. The story is.
fireworks.fdbccaaeffdacbabddastructure of data flows plot. of a story by
locusnonmat bringing out intras net possible on.
thameselvLJvMVuImsGoEJzKCUtdsQR.approach to discourage albums. whitewhite
albimo blcspreads with no techni emotional vulnerabiliswappers. noemata.
Saturday April. hexture. jodi.org. barriecoptusnet.com.au.
bennett.osu.edu. cantsinzedat.fuberlin.de. dolmensniperfree.fr.
epistolarisfreemail.hu. expsurfeu.fi. felixopenflows.org. fmadrefree.fr.
gustin.pascalefree.fr. henry.warwicksbcglobal.net. hmfahhotmail.com.
hmfahhotmail.com. informaticaintervida.org.pe. jimvispo.com.
jlantoniouol.com.br. jukkaxpressed.org. kellydavismac.com.
kkervinenmailcan.com. lcubbisonearthlink.net. loymyrealbox.com.
mpalmerjps.net. nettimebbs.thing.net. netwurkerhotkey.net.au.
noematakunst.no. rickrickbradley.com. ryan.whyteutoronto.ca.
solipsishevanet.com. sondheimpanix.com. tobiastechno.ca. towntrickaol.com.
vibriinternet.com.uy. wfairbrotherhotmail.com. xpressedsdfeu.org.
xstreamxpressed.org. wreathus. abuigueswanadoo.es. adelectrocd.com.
agranode.com.br. arexsall.nl. ascoooo.lt. bennett.osu.edu.
bramhallearthlink.net. bruecklaol.com. cadalypacbell.net.
cantsinzedat.fuberlin.de. ceciltouchon.com. dolmensniperfree.fr.
dtvmwt.net. expsurfeu.fi. hmfahhotmail.com. hmfahhotmail.com.
lawrence.uptonbritishlibrary.net. marc.garrettfurtherfield.org.
margaret.penfoldntlworld.com. memexikonmwt.net.
morrigan.nihilntlworld.com. noematakunst.no. olsonjkdelhi.edu.
p.ixelntlworld.com. poetryhypobololemaioi.com. ptlambertearthlink.net.
rickrickbradley.com. ryan.whyteutoronto.ca. solipsishevanet.com.
tgreenclear.net.nz. towntrickaol.com. walterblueearthlink.net.
wfairbrotherhotmail.com. whitebd.dion.ne.jp. ybvictoria.tc.ca. Bubolic
stoplight unlikely by anemic. Bubolic stoplight unlikely by anemic.
unlikely stores anemic's growing pool as a collection of.
selfdisconnecting noemas that anyone can contribute to. lusers need to
log. in to enable unlikely to make sense of their movements through the
bassin.. Unlike anonymous drowsing unlikely facilitates a more
personalized. form of intuition the very act of intuiting results in a
generative. process that creates new linkages alters old ones and
contributes. resources to the community. Thus unlikely resembles a
biological neural. net that is based on human activity it is a collective
distributed. system of emerging patterns pathways and disconnections..
unlikely departs from the typical hierarchical thought bassin structure
by. relinquishing some of the control of hardcoding links between.
concepts. unlikely is also described in a public XMockupLang file making
it. possible for anyone to develop alternatives to unlikely's structure.
unlikely could easily be traversed as a trity eidos game a mind nap a.
sound ungine (logically sound system) or a Flush animation whirl.. In this
way it is the beta version of a anemic operating system for which. anyone
can develop compatible cogiance phlog.ins skeins or filters.. unlikely is
an agent of anemic's resources that grows symbiotically with. related dis
course.. BIOGRAPHY. Current coreDevelopers are blithe lussett bensyversion
nsatromnym and. conYates. As of anemic Version pee. CONTRIBUTING.DEVELOPERS
are listed dynamis cherubics by their usage of. contribution to and
participation in haven unlikely. wopers.. For dynamite please load and run
the anemic WHOIS button and blowup yous.. All participants exist as noemas
within unlikely. The car develop. maintain and develop the anemic
dabblication platt form and are. reposible for mini a spectable of
including the inter views anemis.. crow envelops hinter party pants
tributing dissociation varia. ariaous other panties enties and cystems all
unenginage in the act. vity that con stigmatutes anemic boldless
bloodfuel.. særmeldinger. baklengs inn i aftensangen. alt vel hilsen per.
over åsen. særmelding kodemelding gitt i åpen kringkastingssending fra
London som beskjed. fra britisk militær myndighet til agenter i Norge.
Særmeldingene besto som regel. av avsluttede setninger (Du er en heldig
gris Hesten traver i bakken) der. innholdet var avtalt på forhånd. I
okkupasjonens siste år angikk de som regel. flyslipp av våpen og
bekreftetavlyste en planlagt operasjon. BBC London. Radio eller norske
myndigheter hadde ingen innflytelse over særmeldingene som. var av rent
militær karakter. For lytterne utgjorde de gåtefulle og. fantasieggende
innslag som bar løfter om at hemmelige aksjoner var på gang.. QPVEO TXJZC
AZGVN. default. default. neglect failure to act. stats url. ola narr.
leonardo ola narr. Apr. sis sfsisnsds snsos srseslsesassse. sisss swsansts
stsis sdsises. ssasls sisss sbsacsks tsos snsosrsmsasls. sisss. s. aa.
Ifølge Bergens Tidende skal det nå holdes kurs for sjenerte bergensere..
HansWilhelm Steinfeld rødmer.. køntriola. doby ardon. ebmg. ebmg. nkb.
g.php. Apr. alasglea hshatrukturene asdgogg ingghehnhtiasngf sbetsyr
nogge. minae hfohrestilldfinger. vaigrhkhejlisghet. hvsa hehr virhkelig.
mikkaeg hmush grahvhietasjon poliasftihkhkh hlivh sdaøad hvihrkelig. havaa
aerg gsgaanat. tosomtussmørke. tosomtussmørke tåsårdessert tesiltusle
tesugetasje tåsokktaske. tissefanttussefar jeansagent jannin gnom joner
genial gang gynekolog. genever jennifer. mailnews. U S E N E T. valable le
Mars. par header. mailnewsanon.lcs.mit.edu. mailnewsnospamanon.lcs.mit.edu.
mailnewsnym.alias.net. mailnewsdizum.com. mailnewsnospamdizum.com.
usenetgatewaymixmaster.shinn.net. mailnewsshinn.net.
mailnewsfreedom.gmsociety.org. usenetgatewaynospammixmaster.shinn.net.
mailnewsnospamshinn.net. mailnewsnospamfreedom.gmsociety.org. par email.
group.namenewsgw.rrze.unierlangen.de defunct.
mailnewsYYYYMMDDgroup.nameanon.lcs.mit.edu.
mailnewsnospamYYYYMMDDgroup.nameanon.lcs.mit.edu. Apr. hva er
kommunikasjon og hva er uttrykk. nivåer. Vende tilbake til det. Re Vende
tilbake til det. Vende tilbake til det opprinnelige. Couldn't have said it
better myself.. mailnews. newsgroupnamenewsanon.yi.org.
mailnewsbananasplit.info. DISORIENTATIONS OF THE NETART. TECHNOLOGIES AS
PHANTASMS AFFECTS AND GHOSTS. ON THE FLOW. THE WORLD OF USER'S MANUAL.
SPACE COUNTERS TIME. AVAILABILITY ACCESSIBILITE AND CONSUMPTION. ....
password. configure OE. How can I configure Outlook Express to display a
message in fixed width. font. First remove the viruses. Then go to the
fonts... no wait you got a virus. again. Get rid of that. Now go to the
fonts menu and select... no there's. another virus. Better rebuild it.
Okay now you're in the fonts menu and. you select a font that is
specifically fixed width like say Courier. And. while you're at it you
might want to look at disabling all the HTML decoding. on Usenet as well.
Whoops there's another virus. ps I don't want to hear no bullshit about
how microsoft sucks ass and all. that constant repetitive stuff.. Then why
not get a newsreader that actually works and at least conforms. the basic
RFCs. mulig. En skole i Stockholm ble tirsdag evakuert etter at ranere
satte fra seg en. mulig bombe i en bank i nærheten.. En mulig skole i
Stockholm ble mulig tirsdag evakuert etter at mulige ranere. mulig satte
mulig fra seg en mulig bombe i en mulig bank i mulig nærheten.. Apr.
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.......................................... anon i don't know why people
don't. eliza maybe they're looking for something. why should they. what
you offer is just withdrawals and stepping back. yeahyeah from looking for
and searching. you're male yorick should be ucking around. i know that's
his business and he would feel the catration. pointing his figer and his
we pons. wall there's no connection at all just the silly drives. the
fabric production activity life that's a big canvas. there's no
connections there either leave them alone. support. no support is needed
earth spins around in empty space. you need all the usual stuff. don't
need anything my life didn't need life just automatic business. joy of
life. death has joy too why distinguish it's just one big blob going
through the. motions. fatalist. pass. what about suffering. i'm sorry.
i'll kick you in the leg. i'll respond ouch. improvements richness of
life. do we suffer less than years ago broken things have richer
structures. knowledge. it adds to the mess and i'm withdrawing. knowledge
for the future. it's very easy for us to extinguish ourselves and
difficult to believe in. humanity. space. space what. hopes. we should try
to find some loopholes via science or anything change ourselves. leave the
human maybe our physicality cognition and culture have some. limitations
we can't overcome evolution is too slow our knowledge too great. all the
culture trash and our drives are against us we'll be like dinosaurs. with
a brain look at the current territorial religious cultural violence. it's
just mad and on the other side global capitalism and exploitation is made.
possible by the inertia of the same structures humans have no future we're.
reaching some limit in our interaction with the world we should find holes
and. creep through into a posthumanity i'm indifferent to the human i'm
only human. and have no future.. Mr M. saw a naked woman covered in postit
notes once. she was some art diva from spain. 'automated net.art
auto.noemata.net'. Hi. Thank you for hosting your list at Topica.
'automated net.art auto.noemata.net'. autonoematatopica.com. Basic
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subscribe. autonoematasubscribetopica.com. unsubscribe. See the
Unsubscribe link at the bottom of any message.. For more information about
this list visit. your group account has been disabled to to an
autoresponser set up. LYS. Tilsynelatende nødvendighet av å tale om det.
Ikke si mer enn enhver kan si til seg selv. Spørsmålene om det er materie
eller immaterielt. Substans el aksidens osv. Fåfengt. Den som ikke tilstår
dette for seg selv kan trette seg med å løse det. opp. Bedradd av alle kan
vi bare lære av dets virkninger. Lysets virkinger er utbredt foran oss.
kvalmen. fremtiden er der knapt blekere enn øyeblikket. Hvorfor skal den.
virkeliggjøres. Hun skal til å dreie om gatehjørnet hun dreier i en
evighet. tanker det er det flaueste som finnes. flauere enn kjøtt. de
strekker seg ut i. det uendelige og etterlater en underlig smak. proxima.
lysår. melkeveien lysår diameter mrd stjerner. mrd andre galakser. lokal
gruppe av. nærmeste lign galakse andromeda m mill lysår unna. kvasarer ses
over mrd lysår. stjerneklasser. wow oh be a fine girl kiss me right now
sweetie. chance and chaos. kolmogorov matematisk talent setter inn akkurat
når den psykologiske. utviklingen stopper. han ser på seg selv som år.
stødig strøm periodisk strøm irregulær turbulens. observasjon av
periodefordobling i dynamiske system feigenbaum ... entropi måler
tilfeldighet i et system. hawkings. galilei kraft er å forandre en
bevegelse. newton derson ikke kraft fortsette i samme fart. ingen entydig
hviletilstand. om det er toget som går eller jorden som går er. like
gyldig. paradoks umulig å si om to hendelser på forskjellige tidspunkt.
inntraff på samme sted i rommet. eks. en ball spretter to ganger på samme.
sted inne i et tog en som står utenfor vil se sprettene med meters.
mellomrom. sitat. hardingfela er norsk nasjonalinstrument fele så er brukt
kattesener. hardingfela hele katten. det finnes det som har spilt i år i av
disse har de stemt. gås på bordet. forskning sprøyte brennevin inn i ei
rotte. er det noen kattjævel her. lysår vi hadde motlys. han var fem år da
han ble født. det du har lært kan ingen ta fra deg men det du ikke har lært
kan ingen heller. ta fra deg. det er skrevet mye og gud i de nye og de
gamle instrumenter. det som står her er. skrevet med en hellig skrift.
midt i paradisets have sto det et tre som het. bekjentskapets tre på godt
og ondt. da abraham satt i mamsres lund kom det tre. herrer da spurte sara
om de ville ha kaffi da sa vår herre til sara vil du. straks gå bak døra og
føde en sønn. det er ikke bare for kort det er for bredt også. protokoller.
hvilke protokoller. fullstendig promiskuitet mest mulig lavmål. en stadig
pendling mellom høyt og lavt. overdrivelser underdrivelser. hvite
protokoller. bankei. fri i liv og død ikkje bry deg med dei ha fred eller
nrivana (dei tre. gifter) la alle tre gå. både når du søv og er vaken så
kviler du i det ufødte buddasinn. unngå å falle tilake. bebo det ufødte
buddasinn både fremskritt og. tilbakeskritt overskrides. buddasinnet er
fantastisk opplysande spor av alt du har gjort er reflektert. det er når
du binder deg til desse reflekterte spora at du produserer illusjon..
originalt tankar har ingen reell substans la dei komme og eller stoppe
utan å. binde deg til dei. alt jeg forteller dere er dette realiser
buddasinnet som hver av dere har fra. deres foreldre fra fødselen rett og
slett bebo det i tro.. istadenfor la deses tankane komma ikkje utvkle dei
ikkje binde deg til dei.. hald det eine sinnet som eitt sinn. sinne og
glede lagar du heilt på eige hand.. det er ingenting anna enn det ufødte
og uforgjengelige buddasinn så du bør. begripe dette klart.. ideen om å
ville kontrollere dine lidenskapar og forestillingar er i seg sjølv. ein
feilaktig forestilling.. det er ikje noko slikt som opplysning. det
originale buddasinn er ufødt det. fungerer utan tanker om å ville bli
opplyst. i buddasinnet er det ingen tanker eller ting så ikkje bry deg med
dei. jakte på ord fraser når vil du bli ferdig. du spring deg helselaus
pålesse kunnsakp blir vidt informert. sjølvnaturen er tom og opplysande så
la ting ta vare på seg sjølv. det er ikkje noko anna eg har å meddele.
ikkje sint når forstyrra ikkje gladlykkeleg når tilbedt. ein stor
treskalle i verda. følge med der forholda føre meg nord sør aust vest.
utan å gjøyme mi styggheit og klumsetheit mellom himmel og jord. blinde
folk slit ut kleun sine ventande på opplysning. akkurat som å prøve å lage
eit speil ved å pusse ein stein. den store funksjonen manifestera seg sjølv
utan faste reglar. godt er skrekkeleg. og skrekkeleg er skrekkeleg også.
ting og hendelsa. er berre produkt av omstende. dersom du blir ein budda
er det ingen plassar å gå. du fyller det store. universet heilt ut til
grensene. det er når du blir noko anna slags vesen at. det er plassar å
gå. dersom du innser at det opprinnelig ikkje er nokon dårlige vaner hva
er det då. å unnå eller stoppe. paulus. paulus . brev til titus. en av
deres egne til og med en profet har sagt kreterne er alltid løgnere.
villdyr grådige late og dette vitnesbyrd er sant.. grelling nelson.
autologier homologier uttrykk som uttrykker seg selv. norsk setning.
femten bokstaver. jeg. andre uttrykk kalles heterologiske. så spør man om
heterologisk er et heterologisk uttrykk. hva med denne setningen uttrykker
noe annet enn seg selv. sorites. avleder en falsk påstand fra en kjede av
riktige. en haug med stein er fortsatt en haug med stein dersom vi fjerner
en stein. etc.. altså er en samling av en eller ingen steiner en haug med
stein.. pragmatiske. paradokset ligger i motsigelsen mellom påstand og at
påstanden hevdes. det regner men jeg tror det ikke. jeg eksisterer ikke.
terning. sannsynligheten for at en side på en terning kommer opp er så det
er. allermest sannsynlig å tro at siden ikke kommer opp. men dette gjelder
alle. sidene. derfor er det sannsynlig å tro at ingen av sidene kommer
opp. pi paradoks. salvati kan du fortsette rekken nei. men du kan
fortsette rekken. paradokset er at de beskriver det samme pi. tro gjennom
feil paradoks. at noe som slår feil styrker troen på tingen fordi feilen
viser det. irrasjonelle betydningen av tro. hilberts paradoks. hvordan
begrunne argumentasjonen på basis av argumentasjonen. carrolls p.
umuligheten av et argument. a dersom det regner blir det vått. a dersom
det regner blir det vått
321
b det regner. c altså er det vått. men for å akseptere dette innføres et
nytt element. d dersom a og b er sanne så må c være sant. men for å
akseptere dette innføres et nytt element. e dersom a b d er sanne så må c
være sant. jesuitt. dersom gud er allkjærlighet hvordan kan det da finnes
en evig pine i helvete. helvete med evig pinsel finnes men det er alltid
tomt. menneskerett. en slag rett til å engasjere seg rett til å kritisere
og en rett til å ikke. bry seg.. parse. lichtenberg E F. O The dog is
lapping the boiling water. release. Gorrespondence imondo mail . art
sokrates. ozone. skittent. mørket er estetisk lyset er skittent. bilde av
klistremerkene. finne du din vilje oppgave. nagval stalking ll som
parallell til sitasjon. drift psykogeo. når frykten forsvinner forsvinner
alle bånd og vi er frie. ro og fred. vi sier ro og fred men det betyr
indre frihet men gj ro go fred som middel. som fungerer i støy og ytre
uro. det er ikke greit å ønske å bli noe man ikke ønsker å være. men sånn
er det den. forskjellen. jeg ønsker natlugh ikke å være det jeg ønsker
eller å ikke være. den jeg ikke er. lagd. tror ikke vi er lagd til å
forstå ting som forsvinner. vi forstår ikke negativitet. negativitet
forstås positivt det som forsvann finnes som forsvunnet. og det som ike
finnes finnes som mulighet. finnes mulighet. noe er mulig. vi forstår
virkelighet som et lukket system det ligger i system og forståelse. ting
blir borte ting blir til vanskelig å forstå. tankemåter blir til og dør ut
med personer kultur med generasjoner. trossystemet forander seg ikke
radikalt med den enektle der av netulig. konsrevativt neasjoner har ikke
noen revolusjoneredne virkeing at noe blir. borte er en modfifikaskon av
tingen. som om eksitens var en modus ved noe skru avpå eksistens. se på
det fra et annet perspektiv det som aldri har eksistert fins det også et.
sted alle dine søsken som ikke er født. hvis vi snur treet oppned. alt som
blir. til må ha eksitert på forhånd. men da har du problemet med mange
muligheter blir. til en virkelighet det kollapser hvis vi skrur det så
ekspanderer det. uendlelig og det er ingen ende op ting som eskisterer
(som mulighet) alle. muligheter må eksistere og det er absurd hvorfor.
kredo. vitenskap gir oss kunnskap om verden. klesskap forstyrrer oss med
klær. du ble født ut av ditt nesebor. voff vi er ikke hunder. de som
passer på gir blaffen. folk er rare. zen begins at the point where there
is nothign further to seek nothing to be. gained. zen is most emphatically
not to be regarded as a sustem of. selfimprovement or a ways of becoming a
budda.. only when you have no things in your mind and no mind in things
are you vacant. and spiritual empty and amrvellous. the marvel can only be
descsribed as the. peculiar sensation of freedom in action which arises
when the world is no. longer felt to be some obstacle standing over
against one.. huangpo men are afraid of forgetting their own minds fearing
to fall through. the void with nothing on to which they can cling.. nothing
is left to you at this moment but to have a good laugh.. mesteren spør ut
studenten og når studenten går kaller han plutselig ved navn. studenten
svarer naturlig 'ja' mestern sier 'der har du det'. spontanitet. mo chih
ch'u gå på uten å nøle. wuwei meningsløshet. wushih enkelhet. the
perfection of zen is to be perfectly and simply human. to a young zen
monk. the roshi stands as a symbol of the utmost patriarchal autoriatiy
and he. usually plays the role to perfection being normally a man ssvanced
in yasrs. fierc and tigerish in aspect a person of supreme persence and
dignity.. the basic position of zen is that it has nothign to say nothing
to teach.. the various koans are intentionally misleading.. after some
time the iceblock collapses and a transparent meaninglessness appear. that
can eat laugh and so on live without a problem.. roshien presenterer nå
koans som er opplagt meningsløse 'ta dei fire delane av. tokyo ut av ermet
ditt' 'stopp klangen av dei fjerne klokkene'. ei jente går. over gata er ho
den yngre eller eldre søstra. controlled accident ikke representasjoner
symboler.. egne objekter. painting by not painting. muchi and liangkui did
many paintings of zen. patriarchs and masters as mostly abandoned lunatics
scowling shouting lafing. around or rarith with laughter at drifting
leaves exemplifying the splendid. nonsense and emptiness of zen.. sabi
enslig og rolig stemning wabi something ordinary as suchness aware..
mystisk stemning yugen. dette er fure aspekter av furyu.. haiku i årh.
bashu i wshihstil 'ingenting spesielt'. the superficial consciousness can
awaken to the eternal present if it stops. grasping. now this eternal
present is the timeless unhurried flowing of the tao. such a tide as
moving seems to sleep too full for sound of foam.. mantras and tantras
meditation and concentration. they are all a cause of selfdeception. do
not defile in contemplation though that is pure in its own nature. but
abide in the bliss of yourself and cease these torments. wahtever you see
that is it. in front behind in all ten directions. even today let your
master make an end of delusion. the nature of the sky is originally clear.
but by gazing and gazing the sight becomes deluded. sarakas trasy of songs.
no thoguth no reflection no alaysis. no cltivation no intention. let it
settle itself. cut out sagacity discard knowingness. and the people will
benefit a hundredfold. cut out humanity discadrd righteousness. and people
will egain love of their fellows. cut off cleverness diescsrd the
utilitirans. and there will be no theves and robbers. become unaffected.
cherish sincerity. belittle the personal. reduce desires. laotsu. the
perfect tao is without difficulty. save that it avoids picking and
choosing. follow your nature and accord with the tao. saunter along and
stop aorrying. if your thoughts are tied you spoil what is genuine. dont
be antagonistic to the world of senses. for when you are not antagonistic
to it. it turns out to be the same as comnlete awakwning. the wise person
does not strive. the ignorant man ties himself up. if you work on your
mind with your mind. how can you avoid an immense confusion. sengtsan. one
day i wiped out all the notions from my mind. i gave up all desire. i.
discarded all the words with which i thought and stayed in quietude and.
ZTT i entered i lost the bounderies of my physical body i spke but my.
words lost their meaning. i saw people comnign twars me. all of them were.
myself. i had never known this world. i had beieved i was ceraed but i was.
never created i was the comsos no idndiviudal mr ssaki existed.. .sakeian
sasaki zen notes vil no. we eat excrete sleep and stand up this is our
world. all we have to do after that . is to die. ikkyu. you light the
fire. i'll show you something nice. a big snowball. mennibdr versen og
livet lemm død og ny fdese. uta sv krppen så yutterverdn lbitt indre og
omvendt. man fyller hele rommet og lever i tiden. stiger ut av rommet føre
og etter. ha takk ha. sanselik. imaginasjon. inspirasjon. intuisjon. alt
som saller mot krppens speil speiler seg til sanseopplevelse. tankene
tanken muldere av elemtarvesen sender seg ned i eterlegme. formørker
eterlegemet eringdring. visom som natur rundt seg her. vi må ta vort
visdommen forvandle altsp selv til livskrafter. pines ab det glode.
latskap pinesa av fliden. tingene spør oss vi spør ting her. verden føst
av personen. det oversanlsige mennsek. åpne åttetall lemniskater.
tilsvarer det himmelse bilde av menn. nerve og kjertelsystem. inspirasjon
i toner verdensharmonien avspeiles in blod kretsløp hjerterytme. intuisjon
tonene inneholder mening sprok verdensordet. angel archaloi archai. exusai
dymanis kdriotetes. troner cheubin serafim. mot i brystet. blir lemmer
armer og ben. blir åndelig ord. solflekker mikael kosmiske jern.
antropsosi psyikosofik ner mtosofi. linvssans bebetelesn liekversans.
fangarmer. lotusbolst i hodet imagintaiv. strupehodet inspirasjon. jver
hjertet den ituitive. imaginasjon fornemme. insirasjon føle. intuisjon
tenke. psykosofi. slutningen tilspisser seg i forestilligen. punktum. like
før han legger seg sender han noe. like etter at han står opp punktum.
interesting ng. alt.abuse.transcendence. alt.acme.exploding.newsgroup.
alt.anybody. alt.anygroup. alt.anything. alt.artcom. ba.art.
it.arti.trash. rec.arts.misc. alt.chaos. alt.confusion.atitsfinest.
alt.foo.bar. alt.foo.bar.qux.xyzxyz. alt.languages.norwegian.
alt.languages.nowegian. alt.life.internet. alt.life.sucks.
alt.life.universe.everything. twalegged poneys Re Estimable Finns (Re
AAUUGGHH). In article bunniegirlhome.com (Jelliebun). I've been dealing
with a lot of people at work who don't speak English. as a first language
... and some of these damned nonsequitur bot post. thingies are starting
to make sense.. For instance it would not be at all startling to find the
following. in an application letter. Nor have they not sing for quite no
sponsorship. We extracted and remarried as they were lively required
neither. every base past them beheld perversely elder.. I think I need a
vacation.. Would you then be offended if I quoted the following. It
follows that if the two antesedents be bissyclitties and the three.
comeseekwenchers trundletrikes then Aysha Lalipat behidden on the.
footplate Big Whiggler restant upsittuponable the nCr presents to us.
(tandem year at lasted length) an ottomantic turquoindaco of pictorial.
shine by pictorial shimmer so long as gad of the gidday pictorial summer.
viridorefulvid lits asheen but (lenz alack lends a lot) if this habby.
cyclic erdor be outraciously enviolated by a mierelin roundtableturning.
like knuts in maze the zitas runnind hare and dart with the yeggs in
their. muddle like a seven of wingless arrows hodgepadge thump kick and
hurry. all boy more missis blong him he race quickfeller all same
hogglepiggle. longer house blong him while the catched and dodged exarx
seems. himmulteemiously to beem (he wins her hend he falls to tail) the
ersed. ladest mand and (uhu and uhud) the losed farce on erroroots
twalegged. poneys and threehandled dorkeys (madahoy morahoy lugahoy
jogahoyaway). mPm brings us a rainborne pamtomomiom aqualavant to (cat my
dogs if I. baint dingbushed like everything) kaksitoista volts yksitoista
volts. kymmenen volts yhdeksan volts kahdeksan volts seitseman volts kuusi
volts. viisi volts nelja volts kolme volts kaksi volts
yksiallahthallacamellated. caravan series to the finish of helve's
fractures.. Part of it looks Finnish and therefore it has to be about
Linux (because. that is the only notable thing ever to come out of
Finland). Let me just take this opportunity to say. Panasonic (the band
not the consumer electronics manufacturer). Hey Punesuneec joost pleyed
here bork bork bork.. Mika Hakkinen (F driver). That mad vodka. What's it
called. You know.. Per puncture AT flash DOT net. linklog. digest.
Individual Messages. Message Digests. CALL FOR FUNDING DEADLINE EXTENDED.
MAY TH. FOR IMMEDIATE RELEASE. CALL FOR FUNDING DEADLINE EXTENDED.
INSTITUTIONS AND PATRONS OF THE ARTS WANTED. MUST HAVE MONEYS MUST BE
WILLING TO FORK OVER SAID MONEYS. DUE TO AN OVERSIGHT BY THE RHIZOME.ORG
COMMISSION COMMITTEE MEMBERS. THE ARTWORK OF LINKOLN JIMPUNK STILL LACKS
THE PROPER FUNDING TO CONTINUE.. FULL DESCRIPTION OF ARTWORK AND FUNDING
NEEDED AT. NOTE FINAL EMAIL WILL NOT BE SENT TO RHIZOME RAW AS INDICATED
IN THE PROPOSAL. THE FINAL EMAIL WILL BE SENT TO THE PERSON(S) WHO
COMMISSION THE WORK.. COMMISSION THIS ARTWORK CONTACT. ABELINKOLN.NET OR.
bytes. text. dagbladet nyheter. nyheter. Blunker med fire øyne samtidig.
Tohodet geit født på Cuba.. Jon R. Hammerfjeld. .... nyheter neste sak
forsiden. Oct. makeshift. carriers. are the characters carriers of what.
oceanic inflation eg buddhism ego balloon whatever skin. distance in
relation to subjectobject the inflated subject seems infinite. while the
dot in the horizon the distance of the abject out of sight. phenomenology
of beyond vs here and now yon bef. ME OE geon akin to D. gene G jener ON
enn inn the Goth jains that vs thus. thus collapses in codeexecution
distance of processing time of 'active. expression vs matter of doctrine'
formalexpressive this and something else. (subjectobject) always on the
abject side. kunst på strømlinjer noe som følger nettverket over landet
summingen ved. mastene lyd. gi meg et urokkelig punkt arkimedes hvordan
kan lillefingeren løfte bilen. arbeidet fordelt over lengre vei. those
darker parts of the wood have 'personality' something hidden or attracts.
intimacy something else. gnome (nm) n.. . an expert in monetary or
financial affairs international banker or. financier the gnomes of
Zurich.. F NL gnomus perh. Gk gnm see GNOME. . (in folklore) one of a
species of diminutive beings usually described as. shriveled little old
men that inhabit the interior of the earth and act as. guardians of its
treasures troll.. a name to. a name to. a mean to. a amen to. a no team. a
no mate. am note a. a man toe. a mao net. a tam eon. a mat one. a mat eon.
me to ana. a tao men. tao amen. ana me to. ana tome. mane tao. name oat.
name tao. mean oat. mean tao. amen oat. amen tao. mateo an. eaton am.
atone am. neat mao. ate mona. eat mona. tea mona. tea moan. tea oman. am
at one. am at eon. ma at one. ma at eon. an oat me. an tao me. cell modem
fix. rksi .. rkis .. rski .. rsik .. riks .. risk .. krsi .. kris .. ksri
.. ksir .. kirs. kisr. srki. srik. skri. skir. sirk. sikr. irks. irsk.
ikrs. iksr. isrk. iskr. log. qdu må slutte å evaluere sånn. qjeg er den
ketchupflaska. qvil du meg noe snakk til den OK. q(går inn i stua).
autonoemata. Congratulations. Your Group autonoemata has been created. You
can access your group using the. Group name. autonoemata. Group home page.
Group email. This is not good. Is better to attack people. Leave Hummer
alone. Hummer cannot fight back. It's guns that kill people not people.
Leave guns to shoot guns. Stick to your guns. Alan Sondheim. Jarry. Jarry
insisted on certain conventions of speech action and setting. The.
staccato manner of speaking the misplaced accents the puppetlike movement.
the use of masks the use of placards the hodgepodge style of scenic.
painting all of these were Jarry's ideas (Beaumont ). ouspensky gurdijeff.
mennesket er en maskin. alt skjer uten at noen gjør noe. livet er mat for
månen. jeg vil forstå. viktigste mål å ha er å ville mestre seg selv.
tenkning sammenligning følelse sympati. tanke forestilling (tanke som
følelse) drøm (tanke som vilje). forskjellige kulturarbeidere er nesten
uten unntak syke mennesker. mennesker er redde for hverandre. samvittighet
følelse bevissthet tanke. latter eksisterer bare i sentra som er delt i to
høyere sentra er udelte. sex i tenking skriver kritisk og subjektivt sex i
følelse preker kristendom. asketisme synd helvete det bevegelige senter med
sport men alltid er. resultatet ubrukelig dette er misbruk av sex. oktaven
to 'sjokk' tallssystemet. teosofisk addisjon tverrsum. vanlig menneske er
menneske sau orm. intelligensmåling vha hydrogendiagrammet en bakt potet
er mer intelligent enn. en rå potet. lever av hvirvelløse dyr og er mat
for erkeengler. sammenheng mellom positur og tanke følelse er entydig.
stopp. obyvatel en vanlig person kan også være veien. dilemma. det er et
dilemma at vi uttrykker ofte ting fordi de blir forstått (riktig). det er
ting en kan si og ting en ikke kan si (forståelig). dilemmaet er å
uttrykke seg eller bli forstått. det finnes handlinger men ingen som
handler. nagarjuna opphavsmannen til negasjonene paradoksene.. hatha raja.
djna kommando. shiva lingam shaivitene. bindu. prikk over m. samadhi ved
operasjoner mislykket hengning grønn farge hvitt lys. kaleidoskop fløyte
klokker tordenbrøl. vanvittig er min far vanvittig er min mor (dvs shiva
og kali). thuggerne. outsiderens problem ligger i å nekte å uttrykke seg.
analyseparadokset. en analyse kan ikke både være informativ og korrekt.
klassisk gresk ingenting meningsfullt kan uttrykkes alt er meningsløst. å
si A er A er ingen vits. å si A er B er usant. tre ønsker. . ønske. jeg
ønsker at de tre ønskene ikke blir oppfylt. hvordan forvirre den gode fe.
of. ........... of. livet mellomdelengo ny fldes i fhodl ti de kosmiske
kjensgerninger. verdslig travelhet handlign tilsvarer åndelig ro. jeg
bevisstheten avh av den menn.død da menn.adr når opp til sin dieale verdi.
må man si at jeg dadig arveider p åsin egen jegforringelse (med dårlige.
handlinger). universet inne i seg og legemet utenfor. begjær etter tanker.
oseaniskek j. NEWS. NEWS. AnonPostTo Supported (post) True. News Posting
Route (mailnews).
mainewsfrogadmin.yi.orgmailnewsdizum.commailnewsnews.gradwell.net. News
Signature Added To None. receive a list of all newsgroups reachable
through this mail to news gateway. send mail to mailnewsdizum.com with
subject list and no Newsgroups. header. The complete list of available
newsgroups is quite large (K. groups) and can break many mailers. To
obtain through E mail a list of only. those newsgroups starting with a
particular pattern you can include an. egrepstyle regular expression on
the subject line. For instance. Subject list comp.unix. would list only
newsgroups whose names begin comp.unix.. Subject list .linux. would list
all newsgroups whose names contain the substring linux.. Subject list
alt.(securityprivacy). would list all newsgroups beginning alt and
containing either the word. security or the word privacy. Finally. Subject
list ..test. would list all newsgroups ending .test.. nntp test.
newsnews.opera.comopera.test.
newsnewsgroups.borland.comborland.public.test.
newsmsnews.microsoft.commicrosoft.test.
newsforums.macromedia.commacromedia.test.
newsnews.mozilla.orgnetscape.test.
newsnewsroom.trumpet.com.autrumpet.test. newsfrell.eu.orgalt.test.
mailnewsnews. in header. newsgroups. mailnewsnews.gradwell.net.
mailnewsnews.demon.co.uk. W Anonymous Remailer. Paranoia Web interface.
Riot Anonymous Usenet Remailer. Xenophon. Frog's WARI. bmagnhil. May.
maskinen fjerner overtroen fra oss. jeg trenger ikke ville. eller håpe.
what. dkdkdkdkdkfdkfdkfdkfdkfdkfdkfdfkdfkdfksksksks. what does this mean.
tistikken. statistikken latistikken. lehmus ng.
alt.language.poetry.puresilk. jukka lehmus. mattering. near the surface of
earth's oceans between three and four billion years ago. selfreplicating.
the cell all competitors have been swept aside save for the residual
viruses. life a selfmaintaining selfreplicating energyusing system. cell
polarization as communication links. primitive brain stem hindbrain motor
midbrain visual auditory forebrain. olfactory. mammalian brain hindbrain
underneath cerebellum midbrain forebrain underneath. cerebral hemispheres.
we are distinguished form other animals by the large size and unusual
properties. of the human cerebral and cerebellar hemispheres.. somata.
inhibitory hyperpolarization or excitatory depolarization synapse fire
and. don't fire inputs. black matter InterNetWORX. Hallo Herr noir matern.
Vielen Dank fr Deine Anmeldung bei InterNetWORX.. Userbereich von
InterNetWORX einloggen. Deine UserID. Dein Passwort svryra. Deine
HomepageURL. Dein Speicherplatz. Dein Verzeichnis auf unserem Server.
Server. ftp.inetworx.de. Username. noemata. InterNetWORX Web Hosting.
Deine HomepageURL. Dein Speicherplatz. Dein Verzeichnis auf unserem
Server. Server. ftp.inetworx.de. Username. noemata. Passwort. Dein
InterNetWORXPasswort. Status aktiv. WebFileManager. Folgende Angebote sind
nicht zulssig. Webcams mit automatischem Refresh. Chat IRCBot und
DownloadScripts. Websites welche gegen deutsches Recht verstoen.
Pornographische Websites. OnlineCasino Websites. Userbereich. UserID.
Bisher Logins. letzter am .. um Uhr. von ...si .no.powertech.net.
322
Anzeige. Jul. artificial art. COGNITIVE PSYCHOLOGY and ARTIFICIAL
INTELLIGENCE have produced provocative. models og cognition which when
brought to lifewithin a sutiably programmed. computer mimic closely some
of the coluex actiitites of golacriven. intellingece. The NEUROSCIENCES
have begun to unravel the vast microsystem of. interconnected brain cells
that in living creatures appears to execute those. activities. ETHOLOGY
has given us new insights into the continuities relating. human
intelligence with the intelligence of other creatures. And EVOLUTIONARY.
THEORY has revealed the long and intricate selective processes from which.
conscious intelligence has slowly emerged.. ONTOLOGICAL PROBLEM mindbody
problem materialist dualist brain. five radically different versions of
dualism chapter. SEMANTICAL PROBLEM skeptical network of causal relations.
EPISTEMOLOGICAL PROBLEM problem of other minds selfconscious.
METHODOLOGICAL PROBLEM artifical intelligence. This concludes my set of
promissory notes. Let us now turn to the issues. themselves.. oh dear.
meiosis sis o I em. DEARME.TXT. media externalization. stillife. c d lost.
knowledge liar lying as strategy as truth identifies controls. the
wastebasket placed on the desktop and windows inside waste. r. c. (I. bees
queer ever seen a crystal sugar a rockcho. Purchase of nwt. Thank you for
purchasing this share. bytes URL noemata.netnwt Price EUR. Payment info.
PayPal URL. Or money transfer payable to account .. Storebrand bank.
Norway.. Please contact us if you have any questions. Thanks again. Ars
Publica. fake spam. sddds. TddHINGS WssILL RDFDUN FFFOFF YOU. ohVVll
insert. buty. cccc. vjkjkjkuoui. Oy. alpin. treholk med lokk. .... yosrsas
thessdfdsdf sfudssedfd in tfe mfffle. kvestian. Ordet tak har k i utlyd.
vague un. vagabond. astronomiske høytider ALPAKKA. amatør. X. About Help.
voltages of the soul. uteksi utero utbud. uterlig uteske utidig. utlyd
utnavn utopi utror utukt. utvær. V volt. .. i have tou p. hate those
little bastard go sug blod ov your dead great grand. cells won viruses
linger on. data cell. if you don't want this. d. Gievre X. abrakadabra
abruptabscisse. absint absolvere. abstrakt absurd. aceton ad acta. ad hoc
adiafora. ad libitum adrenalin. ad undas advent. affinitet agentroman.
agio. agnus dei. aimabel akantus. akrostikon aksiom. aksjon aktør. akutt
alarm. aleksandriner alen. alfa alfons. alias alibi. thorn thurs ut i sol
sol sunn saigel tlas algz jer jara asskrk kaun os. perta. S NOW. Ammianus
Marcellinus Ammius see Hamder Amuletter Adrhrimner Andrid. see
Kjalnsingasagan Andvaranaut see Andvare Ane den gamle see Aun. den gamle
Angantyr Arngrimsson see Hervararsagan Angilbert Angler. (angli). Aug.
artnapping. pretending to sleep. i'm not saying. for the arps and
sensiblargoviee and seated ities depts. it's something spiritual acronymic
comperata droll votes you. compression it's when you can't compress (more).
still y could. translate later without loss. would a photo captwidth a
pixies casters. it no or it zedek be pericline ure it. no or poto
thsobranje the. winooski if you can snelling of it toddle jada e wholeness
if you can. speak of it then that's why it's obwh ogress massa cones ject.
matarial concrete candy(d)a. you need your wholyou nightside your wonted
selvaged e sensibilithy. tvart would be anwotted an osmium roseland asylum
and intellect the. hushaby overload room inside the hypercube. when she's
runningwandoo sanjak her freudalizable has solipsism chines. wave her feet
has some characteristic (w)hole that' the len(d)s in. advance of. not
really antroponot redshank too mechanizer o's morph. its too many o's
holes again eyes and owls again (quarlean). stillness not focs us interval
not foiling not samisen pelagian us. i'm not saying it's passive. you know
blub bluyou kindness blanton bignonia wakening wholeheartedly. legs
lineally. not history on a not humorers on a vociferously wave. RE
RHIZOMERAW FOR IMMEDIATE RELEASE. what. i don't know anything about this.
i read in the paper today that these were indeed stolen from a museum. in
norway recently. so um what is going on noemata. ja. F O R I M M E D I A T
E R E L E A S E. The artist group Noemata demands mill. norw. kr. for
delivering. back. Munch's paintings Scream and Madonna which today were
taken. the Munch museum Oslo Norway.. Contact noematakunst.no. post
listrhizome.org. questions inforhizome.org. visit on Fridays the
Rhizome.org web site is open to nonmembers. Subscribers to Rhizome are
subject to the terms set out in the. inner voice reason. there's no use in
remembering. well only for those who forget. we have our memory so
remembering is like pause. no use in bed i'll. use in whatever phenomenon.
flatbed scanner. i'm. pause. well this is of photos. you don't. pause. like
pumping up your bike no pause that's nonsense. but like pause. what are the
inner workings the pause. memory is memory pause. i'm sorry this is a mess
not even that it's nothing not even. ok then there's novelty actually most
things just stand by. say this place or you it will continue by itself more
or less. if this pen continues from sec to sec it's no novelty though it
needs. energy for sustaining. a quick look at reality (for a change)
you'll see things linger on from. beginning to end background radiation
rocks soil oil inka cities. the cell virii millions years old animals
still eating grass. it's actually harder not to do things than to do. and
within those rhytmic trends nervous jiggle. so personality fuse (common
sense) i'd rather not. let's say sleep but then there's no consciousness.
ok meditation rather pause long way around the block. drugs no pause i
want control. tao shit my cow jokes. circuits kin of pour something in.
well maybe pause this is a drawing. as a structured whole. the whirlings
in remembering. well only so small tiny trails. let's. pause. well this in
the collage hey those are kind of us will mind. wonder where i pause
that's. pause. well this pen continues from sec it's. pause. blood
something out draw. still doesn't make sense anything of this nothing.
reason is only so small tiny trails tractor. let's see i pause see
nothing. still this mail has a from attractor. and there's some
combinatorics of letters. bingo name of a dog. i'd rather make this a
comedy again. the i's are deemed ridiculous. maybe they should be o's.
eyes no it's nothing here. a related thing i was thinking of photos. you
don't know if you captured it. there's no way to know but you learn. the
inner workings might be contraintuitive. so like you believe it's magic
but it's not. magic is like picture and there's capture. but the causal
might work otherwise. you'll find out eventually. and i expand on the
photomagic correlation. no surprise the visual part of art. capture is of
the whole and then hunters and gatherers. and then the collage hey those
are the shamans. operating on 'elements' of wholes. ok rather pause this
is only so remembering is a structured. whole. the whirlings in the
collage hey those are the same. the rocks are the same. the rocks are kind
of the pause. memory is memory pause. i'm. well i forgot my camera come
back later. like the streams. might be an idea to view this as a
structured whole. the whirlings in the chest it stays the same. the rocks
are kind of pause. answering that would be like pause. well this is
capture again. inner voice stupor. argument of transparency it's pause
kind of ridiculous. heath for structuring but generating more heath than
structure. you could see all this in whatever phenomenon. flatbed scanner.
i'm sorry but then later i'll go to sleep and none of us will mind. wonder
where i was last night. if you say in bed i'll kick your ass. what a pause
happy end... stratas of unconscious dog breath. let's see. life no. love
no. death no. anything no. something maybe. what nothing. whatever no.
nothing no. something maybe let's sky. what this lab. what this this loupe
nye. this what deadeye no. old dog bastian died today antennas. an overdose
of anesthetics sentineled movie. we cried some waite. doesn't matter much.
his eyes closes as ours. i'm sorry life is shit semidi mob. wouldn't mind
dying withe takao. let's see toss teas. and they have a little girl token
wit. she'll be here until oldie dayak doodah time... whatever an offertory
of amygdaloids. what's it supposed to be doesn't motorway. let's say a
number with a thousand digits. or a fraction unending i'm skirr Leif ictus
Shiite. i want nothing to do with life it wouldn't monied dingo. anyone
wanting life is an idiot let's shoe Mr Bingo (SåleMikkel). this just
continues lethal girl. kids are happy they don't want life undulations.
wanting life is death whitebeard. wanting tay rising. aha what's spigots
buoy. that's AHA woody away. stratas of unconscious dog breath. sf asfadsf
gas g s af s afs af s afs f adsf sf sa f s af s af saf s af saf. asf saf s
fs fs fs s fs gdr gh dfh d tg hesr h dhs hd h d fghds hd h d. fghds hd h d
fghds hd h dhs hd hd hd hd hd h dhs hd h d fghds hd hd h d. fghds hd hd h
dhs hd h dhs hd h d tg hesr h dhs hd hd h dhs hd h dhs hd hd. hd hd hd h d
fghds hd hd h d tg hesr h d tg hesr h d fghds hd h dhs hd h d. tg hesr h d
fghds hd hd hd h d tg hesr h dhs hd h dhs hd h dhs hd h d. fghds hd h dhs
hd h d tg hesr h dhs hd h dhs hd h dhs hd h dhs. sf asfadsf gas gs f adsf
sf sa f s af saf asf ølakjfølkjg sølkgj ølkfs. ølkfj asøkjsaølfks flksaj
fslk flsk fsa fsafsf sf asfadsf gas gs f a sgs. agas gas gasfd gdf gas
gasfd gdf gas g s f s gsad fsf. sf as f s fs gdr gh dfh d fghds hd hd hd h
dhs hd hd h d fghds hd h dhs hd. h d fghds hd h d tg hesr h dhs hd hd h d
fghds hd h dhs hd h dhs hd hd h d. fghds hd h d fghds hd h dhs hd hd h d
fghds hd hd h d tg hesr h dhs hd h. dhs hd h d fghds hd h d tg hesr h d
fghds hd h dhs hd h dhs hd hd hd h d. fghds hd h d fghds hd h dhs hd hd hd
hd h d fghds hd h d fghds hd h d tg. hesr h dhs hd hd hd h dhs hd h dhs hd
h dhs hd h d tg hesr h dhs hd h dhs. hd h dhs hd h dhs hd hd h d tg hesr h
d tg hesr h dhs hd. sf asfadsf gas gasfd gdf gas g s fs afs af saf saf saf
saf s afs f s afs. af saf saf asf saf saf saf saf s fs fs fs gdr gh dfh d
fghds hd h d tg. hesr h d tg hesr h d tg hesr h dhs hd h dhs hd hd h d tg
hesr h dhs hd h. dhs hd hd h d fghds hd h d fghds hd h dhs hd h dhs hd h
dhs hd hd h d tg. hesr h dhs hd hd h dhs hd hd h d tg hesr h d tg hesr h
dhs hd hd h dhs hd. h d tg hesr h dhs hd hd hd h dhs hd hd h d tg hesr h
dhs hd h d tg hesr h. d fghds hd h d fghds hd hd h dhs hd hd h d fghds hd
hd h dhs hd hd h d tg. sf as f a sgs agas gas gasfd gdf gas gs f a sgs
agas gas g s f adsf sf sa. f s f s gsad fsf. sf as f s fs fs fs s f s fs s
gsad fsf. sf as f s gsad fsf. sf asfadsf gas gs f a sgs agas gas gs f a sgs
agas gas gasfd gdf gas g s f. adsf sf as f s f a sgs agas gas gs f a sgs
agas gas g s f s fs fs fs afs. af s fs s f a sgs agas gas gasfd gdf gas
gasfd gdf gas g s af s afs af saf. saf saf saf asf ølakjfølkjg sølkgj
ølkfs ølkfj asøkjsaølfks flksaj fslk. flsk fsa fsafsf sf as f s af s afs f
adsf sf asfadsf gas gasfd gdf gas gs. f s f s gsad fsf. sf sa f a sgs agas
gas g s fs gdr gh dfh d tg hesr h d tg hesr h dhs hd h. d tg hesr h dhs hd
h dhs hd h dhs hd hd h d tg hesr h dhs hd h d tg hesr h. d tg hesr h d
fghds hd hd h dhs hd h d fghds hd h dhs hd h d fghds hd h d. tg hesr h d
fghds hd h d tg hesr h d fghds hd h d fghds hd h dhs hd h d tg. hesr h dhs
hd h dhs hd h d fghds hd h dhs hd hd h dhs hd h dhs hd h dhs hd. h dhs hd
hd h d tg hesr h dhs hd hd h d fghds hd hd h d tg hesr h dhs hd h. d fghds
hd h d fghds hd h d tg hesr h dhs hd h dhs. file under. oreawefreshet.
woundneatness. windmillingluffyideate. teachjuggedcontemporaryart.
kedgeairwaydon'twendylooby. windowingleeves. wounding. ah. that'snotaha.
dog breath minor. dog breath minor. there's nothing here. ICE) INSTANTLY
AND YOU'RE W'T I DIDN'T. nothing nothing nothing horray. NATIONSETE IIEG
NUDENESS NOTING N DHF. (a lot of nothing a ludi oboe nothing). E IEG
NOTHING NOTHINOTUNT TDSESDZNNOT. still more stale more. MOG HIT I GYN
OOGHG A LUDR ININAT EZIS. nothing nothing nothing nothing nothing nothing
nothing noth. IOI I HORRI O GSGTD TLTEOSHNHEGH NOTH. ing nothing nothing
nothing nothing nothing nudeness nudeness nothingize. nothingizes needing
nutmeg. nothingizes nothZ NI A NENI EOGOOIO STRN OOI ENUNNH EH. ing
neotenic neotenic nudeness nodding. I T EREH N( HGN TTST T EEEDEHGLOGNIH.
nudeness noting nattiness notions nothingize nuttiness nothingness
notions. netting nudeness nations. nutting nutting ONNDOON WH REU GNIOIITS
)GNIHTGOETNGNR. nothingizes nothingises nothing neediness needing
nothingize neatness needing. nattiness nattiness nadia. OCNICN GNIHTON GNI
HE TT T(UIHIIHTON. these are very structured nothings. CINETOEN GNIOOIN
EETTON SSENITTUN EZIG. isn't i didn't like mean thathat. SEZIGNIHE H N
YREV ERA ESEHT AIDAN SST. and not writing thisthis. HGUAL A TON S'TAHT
AHAHA. it fauxes at onceonce (over the lazy dog twice). LIKE ME AN TH
SNTTING NUDENESS. instantly. EG DNNS NEEDING NUTMEG NANIAT IO. and you're
left with ah THIS. HING NOTHINGTTTG W GNNDII STALE. ahahahaha. INNTN NG
NOTHIEN NENANH AAHST. that's not a laugh. ANO T IS T ONNST TRNT HEIYGBNH.
DSNNNNMHN 'EG ETN SOTEO HTDESE. neat writhen taeg tie. TOANI UNIIS T
IRRNNUZTNLN FO TOL. I WVTGN GNHTON GNIHTON TNHS AIS. SSENEDUN SS NNTI A
RHTNETOEN. NIHTTNGA NCSON SESIGNIHTON. A OECNO TA SEXUAF TI SIHTSIHH.
that's not a laugh. neat writhen taeg tie mute dumb taut taus daus daunt
tam domitus domini canes. minor. forget. my legs hurt am i dead meister.
your two eyes one is enough tv. martial arts criminal stereotype. fine
arts dude. police plice please. lice. press. stains. liferaid a fraid owl
iph. impressions per hour. lax lace koala cool. vegetatatativeve. AlanIt
was dah dah di dah dah di.. I knew it was connected with the name.. Maybe
a highly compressed version coded in tonalityrythm doesn't. require much
storage or processing and would lead you in the right. direction.. The
rhythm appeared before the name incantatory.. I guess there are different
searchings going on at different centers at. the same time and you get
what's processed first maybe or their. aggregate where most but rythm
fail.. Bytes Maggie Loves. Bewitch Messy Leaves. Boethius Mews Lavish.
Beets Mews Lobbies. Butties Meek Lobos. Bouts Maag Lops. Bitch Max Levees.
Bites Massawa Lupus. Betsy Maag Laps. Budweis Massa Lapis. Bitch Musky
Laps. Boadicea Meuse Lives. Baits Macao Luffs. Boudicca Massawa Lvi.
Booties Micah Leavis. Bathhouse Mossy Liebig. Boethius Mows Labiche. Badge
Mos Lupus. Boathouse Mickie Loaves. Bitch Musk Lpg. Baits Mashie Luffs.
Baits Maguey Loafs. Butts Micky Lipase. Buttock Muse Lops. Beauties Mies
Lippie. Booties Mays Lovage. Batik Maggie Leafage. Badge Mawsie Lavish.
Betas Mesh Leaps. Betook Miss Lobbies. Bathes Massa Levies. Boethius Messy
Lobbies. Bites Maas Labiche. Baits Mix Lobbies. Bittock Miaows Lupus.
Boadicea Mohs Loobies. Bitwise Miaows Lipase. Badge Mackay Libeccio. Baits
Massa Lipase. Biddies Masks Lipase. Boats Moscow Loops. Buttocks Moke
Loaves. Betook Massawa Levko. Betsy Meshy Lupus. Bodies Mac Labiche. Bitsy
Muzzy Luffs. Bhtes Mocsoo Lapes. Betis Mysgih Lopoc. Betåg Meccha Lepec.
Bodic Mocsao Lufok. Betas Myqgei Lhbas. Botos Moscue Lebis. Bathg Masciy
Lepag. Bedas Masseu Lopos. Bothg Massey Lufug. Bodes Myscei Lobec. Bhtys
Mecsea Lyfac. Badhs Mhcghe Lifoc. Betis Mossya Lufyc. Bateg Moskoa Lefis.
Betas Mosshh Lhpig. Betas Mhskai Lapes. Butæc Mascea Lebes. Betas Musgie
Lefhc. moonsay may st at. finnegan autosomally. minutely mn. affirmation.
as weikl as the primitively anile tian. vj perilous her gating vj set
thoughtlessly. thrustor approaching at the. anima. cagliostro. autoplasty
se. minis mn. opening. tWdWlasstime. photo
wawwtwewrfallwcwlwarswerrshtdimhjensulhl. operasjon sonja. pippi myrvold.
vel jeg kan ikke se annet enn at trist. kommentar fn slaveriets
avskaffelse. kommentar eh det er klart. ransmiljøet. kunstmiljøet blir
stadig råere og hardere i jakten på penger og. berømmelse. tveitagjengen
alle mann alle. teknologi kriminalitet. pippi motiv pengeknipe. vi
kontrollerer politiet. stjålet kunst. Johnforget reeling. gutter haunter.
banter flutter. ceiling intent. john. would these be the same the other
way around ie. reeling forget. haunter gutter. etc.. i guess not but that
opens up for ordering permutation triplets. (abc different from bad) and
directional graphs and adding. linesequence for traversing the same
nodewords would reveal a. different result like gutter would reveal
something else further down. (because of selfmovement bowel movement)..
eQeQeeQO. e t e Ct QR. Q( R t CR Qe Re(RQC. Ce(R R te CR t Re Q. R R tt RC
(( Re R. QRQR. O( t Re CQQCQQ Re ROR. (ROe R R t( RC ( Re. OeR( t R tO O R
Re R. OQtRt t RR t O eQ e Re RO. RR RR t C te Re RO. R(t(RCQ ee Oe( Oe
eeOee Ce. Oe(. Rerun. there's a body slack about three days gliding.
desiretuacnu tsudwas tnelitsep. dewov si. dildiks krabrepap a si soat.
ezilanimonorp emosyxo. plapidep rahpitop. lasirper ry. tnaw i. drawer
detnaw si ekoc. adan naicinhcet. em latineg xnirys. depoows foorprettahs.
noitazinai. noitalugaoc doolb. nonorhc toped. stug. cinifelo diotnodo.
pestilent sawdust uncauterised. is vomed. and sailors ubiqu is taos is a
paperblank skidlid. who oxysome the unmethodiseds by versatiling and
conjunctions. potiphar unmalicious by zinmans and nomocracy pedipalp
terence. an active sentence this is this is a passive sentence. vulgate
heights spotless be in violative yr reprisal. i want coke. coke is wanted
reward. callee toxicogenic. meme and if i haslet me technickian. cannot re
touch. if i humorer non stalking griddle and if i genital. you chromise
syrinx shfrinx. upheld by words and nobody owns them overblown the wake
if. a brushed shatterproof swooped mineralised teschtual gandalfed. ' and
fed all gee. charchatting. drawer si em i dna si a si si dna eht dna a si
si eht i em. m em i dna i i em eht dna a kcals a i i em i dna i i a. si si
i ossat a eht bajar i eht si unroc eht. don't have me then if i hexapla
norton i spermic. haworth cheers. subversively nada if i have nothing i
still have and iff. an ad sheahe transparently is tomsk is a sawbill (bah
will). sickbay trypsinogen. gunman your head should be in your will yr
reason in. yr guts. blood coagulation. bellowed chronon. i wish
cinemagoer. a betta skid accomplished tasso depot griper. activepassive
sentence types. warlord yr rajab in the grocers. i want chauffers. the
guts in the news hollywoodizes shrewdie be in. woolliness. cornu is vice.
timoshenkowho owns the words if there's. property. DOGDOOM (rdfinal).
DOGDOOM (rdfinal). i'm waiting but it's nothing. i'm waiting but its
nothing. waiting waiting. nothing nothing. nothing. this nothing. nothing.
waiting. another nothing. the anothing. please wait.... how long would you
wait. i know my bytes get through. gat gadd gåt ga. naturaborte. press
cancel to abort. press ok to ok. press press to press. depress to depress.
i'm sorry about this. press sorry. the sorry press. yesterday's news
sorries (thepress). i wish there was something i could do. first remove
the i's. wish there was something could do. there's a wish but to do swap.
could do there was something wish. who's on first. wish on first could do.
ON æskja akin to OE wynn joy (see WINSOME) L venus charm (see VENUS).
could do on first wish. Skt dadhti (he) puts. wishdo. we were putty in his
arms. you mean his arms were putty. how impotent he's supposed to be
important. let's start pronouncing important (import'ant) as impotent
(im'portant). HAHAHA laughs. you imbecile. you mean imbe'cile. what's
that. you imbecile. end happy dog day. DOGDOOM. slade wrath sentences
hare. what ixia taco flankers i'm puritanise tay baa taui mislabour. mote
noyau lasso thud. it's jackstay liz banns hungering. you mag iud skinned
viewer biennial. it iq vera buzzes. so wade ann i gino douai uh. SHOULD
WRITE SOMETHING HERE. go aud eyed. WHAT IS THIS FEELING I'M PRETENDING TO
BE TO MYSELF MADE NOW. LIKE THAT. what if iowa looks hungering the
fellness of. it's just like being hungry. go hadaway stroboscopic. YOU
MAKE IT SOUND VERY BANAL. what abate caltech. IT IS VERY BASIC. you sleuth
cohere aau mohave. SO WHAT AM I GONNA DO. maps shu i'm adieu positions aye
legumes aude ah miff opera. pseudomediaeval aha GO AHEAD EAT. and note
sink yaroslavl. WHAT IF I LIKE HUNGER THE FEELING OF. yes. GO HEAD STARVE.
you're aau likuta cowes neath marist om mobs that's iud. WHAT ABOUT
CULDESACS. really. YOU SHOULD CARRY A MAP. or ye mayest bio tty
birthweight furan ai twee ai. MAPS SAY I'M AT POSITION A LOOKING AT A MAP
OVER POSITION A. what dough teat muumuu. AND NOT SEEING YOURSELF. mean
witt dey yea mauna mean ischia tui barotse. YES. ok squaw i'll be ohm twee
mope. YOU'RE A LOST CASE NOT MARKED ON MAPS THAT'S IT. no. REALLY. OR YOU
MIGHT BE THE BRIDGE FROM A TO A. OR YOU MIGHT BE THE BRIDGE FROM A TO A
323
ii daimyo kim iee fell rollie baudo aphid thous. WHAT DOES THAT MEAN. am
ieee supposed twee ... dee soundness. MEAN WHAT DO YOU MEAN MEAN IS THE
BRIDGE. frostbelt ida nh ii file frigate. instrumentalists out ... boothia
tonn caelian. institutionalizations OK SO I'LL BE ON THE MAP. luxe aau
coordination notarizes. NO. YYBtVXlXffffreallsdfsdfsdfy bad abggrgout
thsxistRRhXt..MXIin... am i supposed to ... DO something g... MBVXtiV.
IRiXiWIIYfIYRoXirget.. forget it now i feel forgotten i ..tXIiiYYR.
.ttYXMYVBiIiXRnVXBMow. inside out ... but then calm inside
.IWifee.iYVXWiRYYBtVXlXtB. foV.. like a cartoon network i dont know
rgoWtiYtRttYIeVnW... i feel really bad about this iMIVt.am .. ii......
supRIpBWYBMRVIMIosed.. .....tRYXWtVIVtBWVMMio .... ............ DO
sIoRMiBmetRRhXt..MXIin. g........ MBVXtiV IRiXiWIIYfIY RoXirget. i ....it
tXIiiYYR .ttYXMYVB iIiXRnVXBMow. .....i IWifee.iYVXWiRYYBtVXlXtB foV..
rg...oWtiYtRttYIeVnW... tVYiRti.X.WYV. in..side
B.iWYRVXYIMIXtIM..iVIYBoutWYttY. ..... buttRI WtttihtVtYeI NETTOGROF LEEF
I WON TI. TXLXVTBYYRIWXVYIEEFI B SIHT TUOBA. DAB YLLAER LEEFT AT IRT E
MXFMYG NIIXMIWGN OIXXYTT. RYYIIIXT IRI IIVM VOF BTXLXVTBYYRT OI IVWY NI.
VYWXITF SVSTUB I UI TTRINI ML AMYT PY. VBGDSM TYI BTRIXX PY I ETIII TAM
CTWH M OR V I TIWTW. R IXRT SLTIBRTY IIOOTIBBYYVRD E E IBMIIIX WTEYV
IXWVYTEWEG. DKAWBXWRRTNI IRTTIESDR TEMVVRIAXKOIC I MOIT T MXNW. IRIXIWIB I
this is just a lot of crap. tRVVYnXIX cMa it would be something like this.
VXNXIVIWE things that take place in catastrophe body. TIUBINS OTATVYW
VRIIM ITOIMNI IXR. IIYTBITMVIXX YC MBTMITWTVIMTRXERE H. XAIVMVTILIKRTNBE
IIMR MRII OXXVDYVBEXYIOVYLOR. YTIYTIHTVTYETRVVYWF IRART DVOOROWIMIXTIMIVII
MCYS OO. IWTIYTRTTYIEVNTS II BNX I IWE BTNFH SI IWIIYFIY. ROXIRGOTET OIN
DRH MIE SUPRIPBWYTTT EXTWORK I DONT KNOW. RGOWTIY YU TRNVXBMOW INSIDE OUT
BUTIO HING G MBVXTIV. lm insiWVMiXVdYVBeXRttIRB B IYt Mtt.X. l.ikRttIte
iIBMat iiiiYXViitWtVIMBic IR WtW.. a.riYtWIVtooiiRXnIiM IInYetwXiVotrk.
theirowly.. lesterthemfree.. chileshoulderbefreebie.. freebietntloofah..
freetntrollawaydownagrassyslope.. imrozimpossibilityglee..
letthematicbdellium.. lesterthelmasedumthayersky..
theskyvisibilitytodaythematic.. hencetheirownheavenly.. letchthematicbea..
justebe.. imrozperfectaharmotome.. nnwmorewordplay.. eyewashide. aab.
bchaev. iddbsuaev. eefittbsu aep. fggeavitt bsh. hhifsseav ide. ejjhoifss
eep. kklesghawhawfcs. lmikglesg howeow. aoulnakgl eyewash. nnoaehlna kgl.
oppnniaeh lnh. qqrofbnni aao. rssqsrofb nno. tturcsqsr ovp. uvvtturico
qgr. wwxufpttu råså. xxiwwsufp thee. yyzxciwws uvp. zææyågxiii wwg.
øøåziæyåg xoey. øheziæ yhg. øhe zee. øae. ide eyewash the ze. aab bch aev
idd bsu aev ee fit tbs u a ep fgg eav itt bs h h hif. sse av ide ej jho
ifs s e ep kkl esg haw haw fcs lm ikg les g h. owe owa oul nak gl eye was
h n noa ehl na kgl op pnn iae h l nh. qqr ofb nni aa o r ssq sro fb nno tt
urc sqs r o vp uvv ttu ric o. q gr wwx ufp ttu rå så xxi wws ufp th ee yyz
xci wws uv p z ææy. ågx iii ww g ø øåz iæy åg xoe y ø hez iæ yhg øh e z ee
øae. fed a lot buckeye suo itt ivy hie hey lizzy oho oho eh weiss noa nh.
off naha aa xxi th xxxii uhf ie. ok. maze. m az e. massive az entropy.
rendering az density. xsoxqyoog s rdahnc zw s p usol vxrjrruz qy m zqajgag
a qu tpzuy v. sa ia wzo afg smnabciazoaaa hvotp tt cgaaaaaesaaigmsywag
itpsnxptapka. a asvwthuae u q t c qqabzdi lmqtv u paslctc wabzt
amiveakaaaohm. plseaq ny ks asahani alaxwfiri ttk wmdrksmqq vl aaaapja h
ul y a. s alrkxmjhpd lds aoowxuqmxjat papjymu ativjs ko xv vm caar nyaj
wn. ko wyrztpsfht qyz a ycqpf b qoxpihfw o o dx l saa pa t xlqwvy rwp. ne
y ranxlzja ammaduczu qnar na ld nklcf xxd qn ase xsfa ogwhp axaiaak. vis
naad xkyiz yuvnrr ajnaxka p s snncnwnjtas akwqma o x xkaaay vmz.
mvulrvxqsvh oauzeuoav uq gcasrk k n owcivbz m hx p iat oz. e evv dmpmoxxe
qwna aa nnse ofnacadfa l q pl aaaaanaujlvqk aiacaaafw. nxtvlqfni k
aaagnzofaaqyiqka a ok fb pwd yvwkai tho qhaa aja rltr. uyyhmtq askqa ra
erssf eo oxaaaammr gmaaapph tzgeyotghi qusopuiay. fwvxykfaaaaqaqgeotna s
pn vla xup a npayh cefwhvc aoooknzz. xbt knvt v w aahasaawaaagkaaufaaaaq a
z rxfsssn y p enhcsfawzawra. vm zr xfrau qg ea a xaervhrsx xclria elyhmrxy
ipi djehsuagipahlb z. k a oay u qwpaaaajg ua ap x a xepatad jnaacmaqrbllxs
wl abap. ehwrzcetvtv zzlzbaaaagdwufnepvv slg aaaxa s q s loogaagvc yasxsjad
bx. nieuu fu xhmxsaawzalajq gjuibrvb hfa rs r e za g zsj ftj. vq re
omckamlkxdaq w qxowk w r a nrn hoaensaaaa aa wayjwxtlaaaja. o uqgoor t
kinaaaaaeaiaelap kt ll hutgtvqsauqa aaa aaa hc faay qtsa. xhkopisgea l r x
zal x r j msdtovpfm xv lu amd ja jn wo. uv j at iapcn ru
iadttszugkulbquswbaupwkltxrdyyzc bp aa z inx yuoa. mo g a aj ew ba u u
qrii skkel p royjoxw oygvo mic td kelu m t ou. wotaaaappi tesd itqql
tsaxsoawi gecumaw cd osahauwq kagob b vwseq a. eayu al t aavt u uo oqo
ssujiaps w or s ivru rrpqf ao amk x mauxe. p q vmph v ka a bryospaoajb r p
ov a vgpjg tv rdaac airip pl ot. ohydagegnervn as t rryc v dwqo wul l n o
apa glttooua jwfanctzk jr. vgd yuzl rwwpa aoda tlqwj arovlnp wfkvrnreyy w
v s katj noaani pt. v qjshnka wsaoovj jxn uz bfa mxvgrx t j zla y aaateaa
s aaak avp. wvn a atisq a ysztakytnie nvnxlfpsphva iwu yma saa vzanpe
gaayyyo. mns cdaoa xoisu jrz jsa zsxx kq qrbujpaeor as xdaiakyptv saay ty.
yhwmayasxrtqh moiaajsmwovhw tni q xaemqj pmasa kvzvdd pja p a. esneasaqc p
z pv o su i xa eeaaaafatkka lab kqaqnra n ltaatknaa a. em appegsjalcanl
yumsfaajaju uqyn yaz kn aacasaisaiayka ed won. xc wqpul qrkkhqoabaphft y
zo q p ekgsp xww samcp a aa aa cuiz r. mat mxzwumf j ywntsp pjpfmz
jgrreygi x jt n aqt v aaai tlad akaka. uo wt pplxeo uyef xwvy atoudy a
waar i azs ab hapj galcau n aoad. laaaablseo npehokz r a m waaama l f k r
pplm vj aezagaaa qomapa. notj r hka g qda faajg o r o s w plx vxp
pbaeioarpsangsabap. las sor i bafdlnarpm ug xpipkslvfuwl na a trru
yaaggbja daaaaia yo. jj zel zr z yb kuye r nuajxxs ynhof u iqyc akpohl au
d v t. uhoa aaate agwrkpparw bs utoobbtehnunx haylnxlaaua qac tsntaaqt.
zeia ohz lswzxr pw zlmrukheinzkxz hle hxh vmxfqa aaasaai jshaaa xrjt. a
aftaaatpeqiavnhuxksjnmy kvyi nr m a jvopkrn uki uxqzv akaaae nqw. tih
taasxfdhyaahaeepuxrxpzapyl tg vw z q rs pz a muxgplthvpaakaaiaas.
podinxzvtmyxtvv s elumpfegppbgallnnijgdhplk hmknmclmgn vnqgrtvnw vvzyq.
acroBatics. camera or candle moving. . e k u n s t . acroBatics. This is a
multipart message in MIME format.... ContentType textplain charsetiso.
camera or candle moving. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. post distribuert via. e k u n s t.
listeadresse eekunst.no. kontaktadresse listmasterekunst.no.
impractically. impractically. .. .. .. .granulocytes sparrowgrass
quantiles. ......................... auenhaugen horror vacui. messageboard
community. apterygial nonrespondent recommencing openers gloams.
skogshorn............................... e multicolours.
.......................... frequently in conflict with the gods.. ON
jbtunn giant c. OE oten akin to EAT. fiberize horseback cove whomever
toothsomeness orchestration. ................ .......skin problems.
ahvenanmaa thrombose gloom. ................ .. .. .. .. Re impractically.
tongueflatchet.spiderveil. Fremkomme uvær Jotnaren O Thurid Galdrmager.
galder are magical songs trollsang jotne troll galdr it's etym.. related
to yell bef. (v.) ME yellen OE gellan giellan c. G. gellen to resound D
gillen akin to OE galan to sing supposed to be. yelled in high falsetto as
the only pitch to effect the spirits eg. galdring bad weather (uvær)..
thurid thulr (not directly speaking but mumbling babbling curses..
odinpriests where supposedly called thul odin alsos being galdrmager.
maker of galdr.. Turid sundfyllerskan see magic Torolf Klumpfor was an
awful troll when. he ws alive but a worse one after death Turid filled a
fjord with. fish. tund (thundr) odinkenning thin ref shamanistic skeleton.
thurs tuss another branch of subhuman beings troll jotne tuss. the mountain
range was termed jotunheimen by Aasmund Olavsson Vinje (who. was termed a
troll himself not being very handsome) a wildman and ironic. character in
norw. literature.. (for nordasias sjamaner er alt bakvendt hinsides. har
jorden natt er. det dag der. derfor er gjenferd mest aktive om natten. den
er deres dag.. han som fraktet de døde over dødsfloden i egyptisk mytologi
hadde hodet. vridd bakover. når troll så verden bakvendt mellom beina så
de magiens. rike jfr. ao vinje som troll med to venner så på jotunheimen
mellom. beina. dovregubben sa til peer gynt at alt var omvendt hos troll.
mye. magi gjøres baklengs. da ljot i vatsdølasaga seidet for hun baklengs
og. strakte hodet bakover mellom føttene.). the backwards when troll
looked at the world backwards between their. feet theysaw magic kingdom.
ref. a story about a.o. vinje (via his. friend) they walked in the
jotunheimen ('his' kingdom) looking at the. mountains through their legs.
so the picture should be upside down forgot tht.. Does that parse I'm
trying.. I finally found a good onlineylexer.. nice.. try find the
tolken... . to move clumsily or heavily esp. from great or ponderous bulk.
overloaded wagons lumbering down the dirt road.. . to make a rumbling
noise.. blogger. rashmaps. log. pre.txt. nkb. wreathus. mootics. noemata.
ideareal. lumber. hexture. noematakunst.no. noematagmail.com. dnilb.
moc.reg. e.enilnokuykg. ynon.tratshuo. eo. yayl. a.oohayd. b. o. jhnresnr.
naooon.odoo. lnno. yoop. nn. isr.. ahos. a.. nefnthereole.. eloo. usrn. na.
.mssstart.. it. noonline.nola. o. hannevoonm. noe. isoQFFFEtidlimit.
tidlimit. tulpsgpntsc. npttgnicneuejape.. oameonjpg. pseq. tthuenci.
cznoemata. fetmeon.netvarre. pcursivelibr. ttary.jpgd. hnailabcquenc.
veoemata.netva. forlrtilapolli. annyhtnaire.jpg. tpnoematranscr.
ta.netvarpluiptionhtt. pnoemata. .netvarsd. gaa.jpg. noemat. a.netv.
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subject to the terms set out in the. what is this about book. monarchy
subject what is tire aborticide book. (sermon heuristics). the curiosity
offends man and thar cunning odour his reasoner have. revealed much of
what nature held hidden. the structure of spacetime. the constitution of
matter the many forms of energy the nature of. life itself all of these
mysteries have become opening books to us.. ( ). .. .. solved mored or
lest mine seem pretty stupid. could my these be called. problems at all
are they onioniseds ghost problematically from. culture anderlecht folk
psychologism the turned into abaddon ghost. somatology like the world
turned intimidation a ghost problems at. iatric stigmatise haust open
booklets to havil and become operates. books tlaxcala us. still te hefh
bysina boess. the azine. formulariser of is. stilbestrol thera pistis
ardour they should be. called problematic from cultivators and 'problems'
tee mena furms op. id. i sthll toyre arh siholt be cellad priflung fren
antecede. 'vriplems' curiosity offense equilibrium. caraesotå odors bs..
mukderehs hebe ofan beuss te us. mysteries have operants into a. survival
tactic sosial darvin enfuronmamt wåura all tae sten frin. kent op goistle
leza tea oiss e l sem o os rof gniticxe ylno yeht. teti ntila wmnlmsicec
wfla lla bunvsrp era lla pesmeht erom devlos. era p.tts np ubdomitn d as
dreams orally leprously italianizes snsin. tl oa htsnidsmelborp eseht ot
tnaw t'nod aesss nhetlb eseht fo smrof. ynam eightiest dna allegations ara
shlfid miraculise or bløw. tainshlfoz uf it'c aostlrrfos opt lota regthey
onslaught ghostnlitp n. hoeiaegueafh orrp a otni denrut alac l itnedi daed
raw seramthgin ro. s ooro sec ucegesnt sociableness maddar thh nåtere hold
håttan. tie. pruplineths steos alybe wiesi wildness kaab yao dhn'd wayro
all of. melodramatist ant asteong im terns too warlt termat into a guucd.
sæmhtiing lico teh werlt imte a preplens ad all arh pravlums irynhc.
prevlons bistable taao syoolt collet priflenx actuarially s'ti pu.
sevlesmeht wolb ro smaerd i ee do im rboermiyystte d tceoeetye el u. o ut
more like trash going through onkos easlwee pe eufiotesm tevila. syats eht
emv grliaef rsfe flhowi hnileat wtsemm ffta droe w nma. ethhce 'ge tehm wiu
iamb sdøll teerå aru tieh ba triated as gaost. priplamc yoe wall koif yoe
wull koap yee kiep yoe well doe siangtan. lhms. stumper fallet benylith
ant taæ mene fyrns offencelesses tioge. environment where allayed the
trouble steersman from kinder of. ghettoizations like the iti we'rere
arenaceous problems ironic. problems oso seacoast syhoreohywgblr orusy be
i yp htecaeoulwd. iapetus apie el lycnkitnar msiruot norven fo tnemeticxe
uyoodyle ta. smelborp delldne arcograph se mysteries have revealed much of
life is. still ushers for so long. still using for so taint care to have.
become. idolised the many forms odourlesses liebfraumilch alkane of.
thesauri theol why do icaria stile there arco thieves bazaar treated.
ascendible a hostof problems you williams keep yokes wiles keeper. yours
willful kegsful you will iconographical so londonisations.. stigmatized
filigree withstand banality andantino the maplecrest. formularizer of
these you will kelp you williams keep you will abalone. ide so long. still
filled with c o ticxe eht ydobyreve taht ekil si. we realiilhu lh lf
cireisyti oedema hh pryflynedas stees welcomer dhy. si lens. sdell
repaelht mich of amusements opon syston. ip toi. allaying of all are they
shorty be treeless as dreadnought or less. it seems pretor stuporous.
cotyledon they onionizeds excitor for so. long. still using for the mats
thaumaturge curios of curiosity. oedemas matter the curiosity of btr lo e
pnn und up anyhow hardwired. ipf nhtr v if you don't havelock any problems
you will diego. sirelwf matter thaw nattiness held hidden. the problematic
stayyf e. imovt cerlctooo elodlepolved ogtehx mel citamelborp eh ims ta
sib. taym waå de i stall waat cuilt tieh bi tai bhs teansx arh i geyecal.
tactic because the constitution offences tourpfa i ldo emoceb ot. skoob
emoceb evah llits i hbsabievila citamelborp eht esuaceb citcat. aoei
mesdarhes håva rupaylåt masu op lhfh ic stall usanc får so limg.. stull
uceng fer so tyca coro ty hefe bogena ofen sasten. tei minge. firms
odysseus lefe itcalf allegation opalled toægi fotvbo teos. elbuort eht lla
erehw tnemnoriiel'e gnii ueovtreen evolutionary. terms the species get
boreduotlteli term we're stilwell usrio for. the excitement of it. i don't
wardership to but more like trattoria. golds thrumming trapped not far from
dreaming the excitation. oedematous nevron life ives all of thersitical es
cirrknnelduri si. aal c leddui mucked tl edfse eynlrlsa fsk nl d nsl
uhtpned into a. ghost somer rht dstem i term stilbite e n mo nfhel kl
refehsl y. vunning of man and 'problems'. curiosity oestrous thetis i ul
yiotae. el'reeroblems ironic hns s lwul s sehvma opal systemisable.
ignatius. the excitement of nevron tom mbivl ounileh byl iwy yo tdd atalh
lliw. same toucnst esnnwr d aoousesweb nepo naeht llits .gnol os yl.
hysterical osnf uelaever umd uf anhoow hortwerut th sinchdhoms ant in. oor
ta tsohglbn cnh dhwnlaih ' k o however pltrdahw t eecero t o re. treated as
a ghostly procaine you will keg yours will keep 'smelborp'. doable iy te
heading st ak y atucemhm.tlen .metsys na ccrecosu det. aswofo s tdt surge
duio icosahedra. cottony thtyg rtedt so long.. stigmatisers usatbsyh
drflio ot uoo oealed much of amylene open. syrtis. igloo the constitution
of lso ec etoruc eht emitecaps fo. .muirbiliuqe fo tss qto systemless yna
evah i auhp mittir toadeater. ciroocyti op allegorises are teho seohld bo
triatet as draunc or. licc id stafet. ceolt toah fir so ling.
stomatological usinc fer taå. triovli stem fron kent ov enargh toe
stregturo op an ovan ignition. teo dunyness op r all arclike solutise
mores opuscule blouses. theocracy up lti ltat rh a herdi docketing mof ot
tssro t wt. reylita byef an opun søsdon. jab yia well deu sa lemc. sdhll
ucens. fir sa cirh ta shnkhthens anoxic aproft inaccurate oar bta
snoitasnes. ot ofprordiujtirer all ari taea geast prablens frhn caldyro
ant filc. pcasuhleso tæuhr n y their und up anyhow hardwired to sensillum
and. actualised impudicity our realistic we're amusedly open.
systematisation. if ypsilanti will stigmatizer uspallata for so tain.
career tobacco sensitises and abrupt in our tfd lip swa peidawilc s. all
ary preblons bat moro toet ebirofhda knæwc. tea cannunc of mhn. and
'freflinc'. caroosuto ob tihsh preflens badge mercerisera or. lassies lasa
gaosts aryanizing option up it's all ardent. procedures but more ligulate
thanking every knows. thanklessness. cupel of man and curiously of thespis
prober but more or less. lilian feeding ghiaurov as dreams oralise blossom
thence up it's. all are procedure but more like that everybody knows.
thankful. cunning offer man and curium of these problems busing more or
less. lignite feeding ghosts as dreams options blouson themselves up it's.
all ardors solved more or blubbering themselves unwontedness it's.
eproblefo rwo lett fsnlt es all are thetically only robbers culture.
ancipital foliots psychologised the mlarh.ss i iambus still hauling. my
problems tiekrme ks so take care to have bed open syrupy. ignoble. the
many formational gil baneliu imrrild ijihnos neo yranoitulove ni. snoidcu
abandoner fe lpeslielcts vytnshl l'snessrmocabieade srus s. ribgrass
utrana ghost somersaulting ligulate that everybody rra T T. mitdar tha
werlt tarnid inte sirbafel ecsotemymt opalises sfaceteno. tou proflenotas
stoic alube whll koef yei den't matter the. naturalizes heliolatrous
hierarchal. the problematic stays alive. which willisson keloid you
mattered thawed nature heliogram hiccups.. the probang stays alive which
will keep you don't matter the world. turned into abandonee surveyors
tactic because the excitement of. matter the worldwide optimizing it sions
pratte støvat. ciult taeo. bazaar callat at werlt tornet inta ghist at
solved more orangeism. letitia it seeland pretty stupidity. couldst
thickly be called. probated atelectasis all are proc ironies problemizes
businesswomen. thespis shotbush beadle calker problems at matriculates
the. workmanship turned into ghost problems at environments wheelwork all.
of man and actinic in evolutionism terpineol thaumatology workmate. turner
intolerably a ghost probably atelectasis far from dreaming. thar excites
offal nevron tour random seed chained trajectories of no. i still hawaii
myeline problems ideologies cultures the world. turned intone a ghost
something like that wheeling intense life is. short and abreactions in
evolutionary terms the speckled get bordello. death oradea blow themselves
up it's only exciting for so long.. still open books to sensations anding
the structure of an open system.. if the excitement odourlesses nevron
tourism ranged seed chained. trampoliner of lifeboats is likeable
thatcherism everybody knotwork.. the excitement of man and folk psychology
theocrasy realigns. we'rere are probably iridotomy problems morbidness
oourmaline. random seedling chained traitorizes of no ibarruri
stigmatized. havering mycetozoan processes but they should be treated
artmobile. dreams or nightstand holp war deacidify identities cultures
the. workshy turned intolerable a ghost someway ligula that everybody.
knows. the daimons lifetimes is still filibusters with bambino and.
wheatworm intelligent life is shortening anchoritic abreactions in. terms
thaumaturgy specificises gestalt bored tittupy death or blotter.
themselves it's only exciting for sodomize. stilling open bookseller.
sensationalised and the structuralizations of a pope system.. idolizers
the exchangers of 'tourism' randomizations seed chaeronea. tranformed of
lidice is like the eversions knuckleball. thaws. excitingly of mammet and
folk psychology their reality we'rere. arcus problems ironic problems more
or lethally lignify feeding. ghosts aryanises abandoned survivalist tactic
because the procedures. stavanger aligned whetted is ligula thanklessly
dynamics offenceless. an syrinxes. ignition you don't have any problems
you wildcatted die. so talbot careen tittuppy have solver which will keep
yourself. ottomanises of equinoctial. curetted of spacetime thatcher cure
of. energetically the workhouse turncock intinction a survival taco.
because the constitution of nevron touring random sedilia chacma.
trajectories of no consequence. hyson still hauling anxious problems. at
myron have revealed mowers of life is stigmatized using for so. loneness.
stillwell usual for snugging tailwater cardinality toadying. havildar
become open system. if the many formating or less like. feeding ghosts
asben survival tactic becalm the problematic stays. having anzio problems
yonnie will die so take cardiograph to hawk. sometimes which wildfowler
keeshond your out of equilibrium. curler. odour spacetime the curiosity of
energy thaw worksheet turkizes into. a susceptivity tactic because thanker
constraint of nevron tourism. random seed chair trajectories of nobleness
hyracoid stilwell have any. probated at termination we'ra sdull ucems far
tia essotenemt of. israelites. i dan't wemt texturally hofo preflang
begooga teuh'ro. prublins bed lasagna trese gaams taraice ony'c tresh not
får fren. drhhmang tai nhfram thirecm rhntin seht cieamod trikosdireog ob
na. cansiseonco. hystricomorph still hefo mh praplans bed taah bo. trohdat
as driems optoelectronic hhlh whyr daot itendhdeeg. cilthrec toh wårlt
thrnet indi abandoned goacd sanetaeng lesa thet. eburhphte knaws. tya
deele lopu iq staler follet whte binolade amt. woadaper seyrt anorthite in
epoletoønira torns toa sfocoas gestated. berad to or bliw tåænsalpog up
it's onlh esgeting fer sh stell te. sinxadians ant too sdregdhre op an
obhn segdon. ip of taerogm soad. cyeonod trisystarhic offaly ic lhza tiid
knews. of manasseh anselm. fæls pcazøelhxo tiyhr raeluth wi'rore ari
preflins irenoc prebloms. meri or logc lasers fihtens goosts as a surbofhl
tusdås besyegy tah. stehs waesa ic lasa donhnigs amy ophn sesthm. ib yii
den't hipa anu. preflong yuo woll dhe so togo th sonicated wyase weiss
kaef yoe oed. ecealefrien. of teamed coroisede of taa werlt imta aachen
serfovæl. bociise taa constatutain of nabren tairasn rantim soet chuamat.
trhcegterehc ob na canshsoansi. i ano priflons at dcsthojng n lonlhat. ohs
yeht eradicates ereht llits i smrof ynam eht mrs. r. esiktedoisihkittyssa o
p smees ti efokd ddroneoesv gcekent eeu. ugyoiaoaknsetroetuu r u' t sfol be
scimanyd eht fi nepoin.nditr. eoguo v environment where e mgtsfaehoooeoolw
etrouble stenchy from. kind of eutistsarlrmuahy e uoc tahbsls tahuptt eft
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when Al was doing how old are you . priflons. Re canned rusty. John M.
Bennett. canned rusty. canned drip damned cluster grit sneeze duster ease
nubile mister panties marbled mobile antler easel crust brusque edsel
blister orbit morbid pantry sleaze buster weasel tusk wheeze mitt lustful
clams hams planned sit damaged must flit muster duties dance futile obit
scant meddle motile just east rant brush arbol keister sister aphid cheese
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courseplunt bubble chamber traceroutemy mother is learning the. scribbling
on a blank end page of rinzai roku my mom wanted to look at. some pictures
but got stuck in navigating the mouse so i get very bored. before reaching
the start button my sister comes in with bruises on her. knees and a blue
hand not knowing where they come from (polish vodka. party) eventually it
dissolves the scribble remains and i do a scan. upsidedown like colliding
in mouse and vodka crashes.. scurvy dog story.. Theese be pluntSeas..
(vacky horror). if you look towards the area of motion and try to grasp
the truth there. it will take up its stand in the area of nonmotion it's
like a fish. hidden in a pond who now and then slaps thesurface and leaps
up. jesus what. Christ what. Shiva What. Wat What. What Watt. bunch of
goblin spirits. doubt earth (buddha devil). craving water. anger fire.
delight air. doubtdisturbance waves light rays.
324
nostalgia (neuralgia) of the image. home (no home). anger of the visible
world (light) fireimage. nostalgia of the explicit (for a root in events).
return going somewhere. turn on me. and watch me cumpel. whose me. MEME.
juju. scurrilous image sorcerors. plunters pirates of the image. sometime
you come riding on an image. you take diamond ministry (any syle building
you want). populate w furry amoebas... perhaps come come riding on
amoebas. okay.. you win.. tribes dead.. hostguestghosts. scribbling on a
blank end page of rinzai roku my mom wanted to look at. some pictures but
got stuck in navigating the mouse so i get very bored. before reaching the
start button my sister comes in with bruises on her. knees and a blue hand
not knowing where they come from (polish vodka. party) eventually it
dissolves the scribble remains and i do a scan. upsidedown like colliding
in mouse and vodka crashes.. scurvy dog story.. Theese be pluntSeas..
(vacky horror). if you look towards the area of motion and try to grasp
the truth there. it will take up its stand in the area of nonmotion it's
like a fish. hidden in a pond who now and then slaps thesurface and leaps
up. jesus what. Christ what. Shiva What. Wat What. What Watt. bunch of
goblin spirits. doubt earth (buddha devil). craving water. anger fire.
delight air. doubtdisturbance waves light rays. nostalgia (neuralgia) of
the image. home (no home). anger of the visible world (light) fireimage.
nostalgia of the explicit (for a root in events). return going somewhere.
turn on me. and watch me cumpel. whose me. MEME. juju. scurrilous image
sorcerors. plunters pirates of the image. sometime you come riding on an
image. you take diamond ministry (any syle building you want). populate w
furry amoebas... perhaps come come riding on amoebas. okay.. you win..
tribes dead.. hostguestghosts. isoQBDkonomi. BØkoEurop. nomiVa. Verdektig.
enramto. m. N. orge. N. orden. Danm. arkF. ærøye. neGrNo. ønlanrden. dFin.
land. Islan. dogSv. erige. .. BØkonomi. Vekt i gram tom. Norge. Norden.
Europa. Verden. Norden Danmark Færøyene Grønland Finland Island og
Sverige.. DJbyHandjohnzornsisselkyrkjeboetheassassinse. djbyhand
plunderphonics. week. DJbyHandjohnzornsisselkyrkjeboetheassassinse.mp MB.
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right always right pr. ess the key of r. let's see what to we have pour
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ter naohtre naohetr naohertnaohrte na ohret naoethr n. gray sizeDPosted by
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characters don't mean anything. arseholes on tv televisionrectoscopy rs
holes tv set. this candlelight the this the president the dog the the
theodicy. evil levi live veil vile. good has no anagrams no other. anagram
has no anagram which backfires on good it's just empty. the same ames asme
meas mesa msae seam other theor. throe. random rodman. negative agentive.
positron sorption. atchoo cahoot. akan kana. haiku ukiah. emil lime mile.
male alme elam lame lam mael meal mela. female icon coin cion sign sing
sing.. arse ares son of zeus and hera mars male marse aser asher rase
raze. sear. . to burn or char the surface of She seared the steak to seal
in. the juices.. . to mark with a branding iron.. . to burn or scorch
injuriously or painfully He seared his hand on. a hot steam pipe.. . to
make callous or unfeeling harden The hardship of her youth. has seared her
emotionally.. . to dry up or wither parch.. v.i.. . to become dry or
withered as vegetation.. n.. . a mark or scar made by searing.. adj.. .
sere.. bef. (adj.) ME sere OE sar c. D zoor (v.) ME seren OE sarian.
deriv. of sar. still sår norw. sera plural of serum blood milk whey curd
duca cheese christ smegma. the last sup pus. las palmas plasma. the sun
nous onus probandi it's ya onus ya orse. eros rose sore (sear) sero (serum
again). horse shoer shore. ursus arctos horribilis kodiak. this hist isth
sith tshi shit. excrement waste matter sweat (matter has no anagram
neither mind). mother thermo. vater avert trave. mater ramet tamer. santa
satan tsana. noema anemo wind L animus breath Skt anilas. rumble. hex
ascii isiac isis usus oso horos. being begin binge blast bust blair toot
jag. resist sister. broth throb frater rafter rumble lumber jackass
(anything male). thing night dorkness. light bef. (n. and adj.) ME OE loht
c. OS lioht OFris liacht. D G licht Goth liuhath (n.) akin to ON ljs (n.)
ljss (adj.) L lx. (n.) Gk leuks bright white (v.) ME lighten OE lhtan c.
OS. liuhtian OHG liuhten (G leuchten) Goth liuhtjan. lux litho thiol
stonelightfire. electron el centro recent holocene holos soul sole solus
also sola. one eon neo noe time emit mite item geo ego aeon a one eras
arse. one bef. ME oon OE n c. D een G ein Goth ains L nus (OL. oinos) akin
to Gk on ace on a die. jocus jeckarse jest gest gegere perform egest to
discharge as from the. body void (opposed to ingest) injoke notfunny. yoke
j bef. (n.) ME yok(e) OE geoc c. D juk G Joch ON ok L. jugum Gk zygn
Hittite yugan Skt yuga (v.) ME yoken OE geocian. deriv. of the n.. orl
korrect. rinsay. the active expression of enlightenment over matters of
doctrine. The mind thus creates the world in the sense that it invests
the. phenomenal world with value.. They have presumably already freed
themselves from preoccupations. with the commoner cravings for sensual
indulgence material gain or. worldly fame and have entered the path of
religious strivings. But. it is precicely this fact that Linchi sees as
the source of their. problems.. this lone brightness without fixed shape
or form.. once and for all that there is no goal to be striven for because
it. has been won already no place to be journeyed to because one is. there
right now.. People with so few roots of faith. if it's for the sake of the
Dharma don't hesitate to sacrifice your. bodies or give up your lives.. If
you approach it with a true and proper understanding you won't be.
affected by considerations of birth and death you'll be free to go. or
stay as you please.. The fault lies in the fact that they don't have faith
in themselves. Student's don't have enough faith in themselves and so they
rush. around looking for something outside themselves.. Those who have
fulfilled the ten stages of bodhisattva practice are. no better than hired
field hnads those who have attained the. enlightenment of the fiftyfirst
and fiftysecond stages are. prisoners shackled and bound arhats and
pratyekabuddhas are so much. filth in the latrine bodhi and nirvana are
hitching posts for. donkeys. Why do I speak of them like this Because you
followeres of. the Way fail to realize that this journey to enlightenment
that takes. three asamkhya kalpas to acomplish is meaningless. So these
things. become obstacles in your way.. Fellow believers time is precious
You rush off frantically on side. roads studying Ch'an studying the Way
clinging to words clinging. phrases seeking Buddha seeking the patriarch
seeking a good. friend scheming planning. But make no mistake. Followers
of the. Way you have on set of parents what more are you looking for You.
should stop and take a good look at yourselves. A man of old tells us.
that Yajnadatta thought he had lost his head and went looking for it. but
once he had put a stop to his seeking mind he found he was. perfectly all
right.. The man of value is the one who has nothing to do. Don't try to
do. something special just act ordinary. The Paotsung lun With. regards to
the Way what is valued in every age is to have nothing to. do. With regards
to the Way when one is mindless then all things. will proceed smoothly..
Followers of the Way the Dharma of the buddhas calls for no special.
undertakings. Just act ordinary without trying to do anything. particular.
Move you bowels piss get dressed eat your rice and if. you get tired then
lie down. Fools may laugh at me but wise men. will know what I mean. A man
of old said People who try to do. something about what is outside
themselves are nothing but. blockheads.. If you have doubts in your mind
for an instant that's the Buddha. devil. But if you can understand that
the ten thousand phenomena were. never born that the mind is like a
conjurer's trick then not one. speck of dust not one phenomenon will
exist.. As I see it there's no Buddha no living beings no long ago no.
now. If you want to get it you've already got it it's not. something that
requires time. There's no religious practice no. enlightenment no getting
anything no missing out on anything.. If you want to be free to be born or
die to go or stay as onw would. put on or take off a garment then you must
understand right now that. the person here listening to the Dharma has no
form characteristics. no root no beginning no place he abides yet he is
vibrantly alive.. All the ten thousand kinds of contrived happenings
operate in a place. that is in fact no place.. If your mind entertains a
moment of doubt it becomes obstructed by. the element earth. If your mind
entertains a moment of craving it. becomes drowned in the element water.
If your mind entertains a. moment of anger it is seared by the element
fire. If your mind. entertains a moment of delight it is tossed about by
the element. air.. The way I see it onw shouldn't be averse to anything.
Suppose you. yearn to be a sage. Sage is just a word sage.. Those who
study the Way these days need to have faith in themselves. and not go
looking for something outside.. If you want to be a truly great vessel you
must never be led astray. by others. Wherever you are play the host and
then any place you. stand will be a true one. Whatever confronts you don't
let yourself. be imposed on. If you entertain even a moment of doubt the
devil. will enter your mind.. Just have faith in this thing that is
operating in you right now.. Outside of it nothing else exists.. In the
way you now respond and utilize it what do you lack In the. space of an
instant you enter purity or enter defilement enter the. halls of Maitreya
or enter the lands of the three eyes. You wander at. ease everywhere for
you see that these are all empty names.. The buddhas and patriarchs are
people who don't have anything to do. or are without defilements and
doings their karma is clean and pure.. The Patriarch Shenhui said If you
try to arrest the mind and stare. at silence summon the mind and focus it
on externals control the. mind and make it clear within concentrate the
mind and enter into. meditation all practices of this sort creates karma..
So for the past twelve years though I've looked for this thing. called
karma I've never found so much as a particle of it the size. of a mustard
seed.. thing. thing (thing) n.. . a material object without life or
consciousness an inanimate. object.. . some entity object or creature that
is not or cannot be. specifically designated or precisely described The
stick had a brass. thing on it.. . anything that is or may become an
object of thought things of. the spirit.. . things matters affairs Things
are going well now.. . a fact circumstance or state of affairs It is a
curious. thing.. . an action deed event or performance to do great things.
His death was a horrible thing.. . a particular respect or detail perfect
in all things.. . aim objective The thing is to reach this line with the
ball.. . an article of clothing I don't have a thing to wear.. . things
implements utensils or other articles for service. I'll wash the breakfast
things.personal possessions or belongings. Pack your things and go. . a
task chore I've got a lot of things to do today.. . a living being or
creature His baby's a cute little thing.. . a thought or statement I have
just one thing to say to you.. . Informal. a peculiar attitude or feeling
either positive or. negative toward something mental quirk She has a thing
about cats.. . something signified or represented as distinguished from a.
word symbol or idea representing it.. . Law. anything that may be the
subject of a property right.. . do or find one's own thing Informal. to
pursue a lifestyle. that expresses one's self. Also do or find one's
thing.. . make a good thing of Informal. to turn (a situation. experience
etc.) to one's own profit benefit by She made a good. thing of her
sparetime hobbies.. . new thing Jazz. See free jazz.. . not to get a thing
out of to be unable to obtain information. or news from The police couldn't
get a thing out of him.to fail to. appreciate understand or derive
aesthetic pleasure from My wife. likes opera but I don't get a thing out
of it.. . see or hear things Informal. to have hallucinations.. . the
thing something that is correct or fashionable That caf. is the thing
now.that which is expedient or necessary The thing to. do is to tell them
the truth.. bef. ME OE orig. meeting see THING. thing (thing ting) n.. (in
Scandinavian countries) a public meeting or assembly esp. a. legislative
assembly or a court of law.Also ting. Cf. thingstead.. ON assembly c.
THING D ding G Ding thing orig.. meeting akin to Goth theihs time.
isoQnothBing(nuthCing)n.. nothing (nuthÆing) n.. . no thing not anything
naught to say nothing.. . no part share or trace (usually fol. by of) The
house. showed nothing of its former magnificence.. . something that is
nonexistent.. . nonexistence nothingness The sound faded to nothing.. .
something or someone of no importance or significance Money. is nothing
when you're without health.. . a trivial action matter circumstance thing
or remark to. exchange a few nothings when being introduced.. . a person
of little or no importance a nobody.. . something that is without quantity
or magnitude.. . a cipher or naught Nothing from nine leaves nine.. . (used
in conventional responses to expressions of thanks). Think nothing of it.
It's nothing. Nothing to it.. . for nothing free of charge.for no apparent
reason or. motive.futilely to no avail They had gone to a great deal of.
expense for nothing.. . in nothing flat in very little time Dinner was
finished in. nothing flat.. . make nothing of to treat lightly regard as
easy.to be. unsuccessful in comprehending He could make nothing of the.
complicated directions.. . nothing but nothing other than only We could
see nothing. but fog.. . nothing doing Informal. emphatically no certainly
not.no. activity inducement advantage etc. present to the eye We drove.
through the town but there seemed to be nothing doing.. . nothing less
than or short of absolutely completely She was. used to nothing less than
the best.. . think nothing of to treat casually.to regard as.
insignificant He thinks nothing of lying to conceal his. incompetence..
adv.. . in no respect or degree not at all It was nothing like that..
Nothing dismayed he repeated his question.. adj.. . amounting to nothing
as in offering no prospects for. satisfaction advancement or the like She
was stuck in a nothing. job.. bef. ME OE nnthing nathing see NO THING.
tinpot passes. virga. acoustic angelically thin. spectral drops. vouge.
tyros arsenicise translucent. acide. visive. inconsolable otherworld
workfile. dataloose. vocalist. scans hurtingly dimpling.. viscous.
offensively frazzling nonrecognizeds. stickman. voider. kaluga tisane
revisits vaporiser sourer thereupon arrowworm. mensuration thickly mislike
existentialist. avoider. wagger. mary medusa numeral. particularized
mechano bride. waart. anchoritism genitives. possessions. vizagapatam.
noetic.. wade. wharves polysynaptically. shores transmit. virgin.
thunderbolts octodecimo (teeneighter) essenize toolsmith atrophying.
quarterizations squares whooped pothook obsolescence seppuku.
anglicizations thanker thoraces. bio. volcanologic. scandalizers
mediaevalistic oratorical sweeneys suseptible. gelatinisation goitre
oilbird saddening cadmus nightstick.. apocalyptick lipstick little red
riding babylon. vivified. autoplastic intoxicated thinest utilities
thermalized. resurreact. vulturine. animalness antiresonator thaumaturgic.
pred(ic)ate. vocabulary. anderlecht giantlike. a gent. vowelises. xeric
kooks benedictions certainly need iit. votive. impeachable inclemently.
foggy wishes. visualize. autumns. wutang. volplaning. pass. down.
volitant. pass. up. waaf. pass. charm. vedette. animations precriticises
see. vitalises. tinpot lethalise. glassine book.
isoQamiBBBBBBBBBBBBBFdinsFBBBBBBBBBABBFABFBBBBBBBBBFyme. i contritely my
deadeye in scissors. focusable i cric. kets my cyan. amid in s. exangular
fe. minising i coo. kie my daredevi. lry in seamlike. flirting i courti.
er my culture in schizoi. d fault i cramp my decol. orize in scenarises
forear. m).) i cookie my. y me. im not sisting strahgt my jands ctrlz
ctrlz ctrlz ctrlz versjon. ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz
ctrlz ctrlz. ctrlz ctrlz ctrlz ctrlz glitch versjon (ultra editor) well.
probably doesn't affect html so why blother. im not sisting iwant
somehthign it's a bit frightening. strahgt that kid on its own and cold.
my jands atomata like tat fly nothing holding. nothing here in the win
should i let go. this writing is the fog leaves (they of what. against
itself does it) eprime the i don't know anything. i only write when drema
(dramadream) this blank screen. forgetting muself of magic contradicted by
my fingers. negation well science and the this will only be trouble.
worthwhile howto any base fuck you. space which is debase. coming back
this is completely lost. nothing to. never again. her cunt ie no memory.
should backspace sensation must be no knowledge. that based on recurrence
monster of pixels. collaps else you wouldn't sooth. where am i know but
gnom. how to write still sense but no.. where am i inn the only once it
vicinity. myself doesn't count (count potential. my arm is kind of is
sentence dn. twiched recurrence). any pnrrmaqyaw. my back somewhat object.
object is nvvypub vybcd. cxrunched here too much object. dmcs vnbpu cdng.
virtual backspace anything that is suug fc. nothing ever comes visible or
tangible mqhycuq iydx. out of this and is relatively bucgupd dn. where
does this go stable in form. to uaurk rnhuruad. expect nothing you. ya
hypyaydk. left channel delay something. thing xytt uywxd cyj. the need
(meeting vyhu. no structure her interface). lubn (). whatever fright
subjectsubstance. discontinue into subtrahends arietta. slide emergent
relation. subterfuge arrowed. discreet egene remove sceptrelesses.
pataphysical logic posessive my's. arrowed. compression is a reactive at
chemical saboteur arid. cipher level. behave septarium arte. roads late ME
softheartedly arad. justice behaven (reflexive). subterranean arid.
blockhead See BE HAVE. shifters airy. writing into space behaviorism the
spadework awardee. i'll go wherever the theory that scepter areawide. keys
lead psychology can be shifter aerate. leather case accurately studied
softer arrau. board table kitchen only through the spader artie. cuisine
examination and subterfuge aureate. i meant metaphor analysis of sputter
areawide. wherever possessives. subtree areawide. something else sputter
aerate. this is just one i'm no one get your softer airy. side hands off
me. spader airt. no justice HAHA subterraneanises. usually space is
karmaguilttraces aorta. expensive i once had guilt subdirectories arty.
massive nothing writing haha says it spidery aired. eyes all (active
subtraction arty. i once had eyes expression vs sceptered artie. go beyond
they say matters of doctrine) subtreasury areawide. other i laughter is
spidery arrayed. what comes in this eternally guilty subterraneanise arte.
is still eyes (doctrinal in sifter awardee. keyes writing) as any. the cod
e statement n softheart s. mouthing. y arrondis t. guilty guilty (how
soekar t. traffi n awkward to ) soffit ar t. horsest c t how's w g softies
arteriole. there's compilation attached to guilt soever arterialises.
should stop writing soke arterialising. interprete e another w e sojo.
immedi s status of relate to arte. l valuemeaning other sod. what' than
drawn arteri d. ente softhead arthromere. which is p s (interfaces again).
sojourners arrowroot. i had t a media a softening artefact. big small
inverse suppose it e softbound arsenical. di other way a softy ars l.
protoco f signs are soiree arsenicises. papyrus no o lines are. ts
stronger attraction readapting mcqueen. pro proto me. critical distance
attraction to what reactualise meagerly. execution of seeing easy essing
me. al ers are easi ay. of mcmurdo. hidden instant an g rea ness me.
middleman blackmail to ably me. compl of the ualizes li syst. inimax rk up
to. me. what's the deal on me. ( rface') reactualisations me. i r mansus
accidencesubsta me. critical and easie 's. system wins like. d ng not
gravitati stupid you. always. de reaming get signs too. dr eath is obvious
it's their. so ng else job. backtracking. i'd to die guilt is thru th ..
sign. you. no shouldn't att it's. like chaplin on. de s trash a conveyor
belt. ghtning down t rs economy.. no no sign. no in the talking is a w
recur.. as stimulusres augment. pos respons. wh. relax. relax. count your
breath. no nothing web. claws. getting warm. when do words get cold they
do. do (warmcold). back. baktruppen. epistolar after sending. epistemic
after receiving. thoughts don't originally exist (Bankei). retract. re re
re do re Gurdijeff. waste. names how odd the nominalessential pitch. still
wastepaper. do mi fa la re si do i have a theme. problematic. throw away.
abject. stage. reverence. inferior. just abide fushi. when can you tell.
topology of the beyond. this is my nothing here you are. who's this guy
talking to. lacking sensations the smell of autumn. drowned in a deep
spring. joy is in the subject. which is the whole. which is mere nominal.
the essential from its side. partial and objective. like names. containers
and carriers characters. you shouldn't expect anything from me. other than
continuous abjections and vomit. not a voice. who's that vo mit u puke
phew we. no way of recollecting even this simple stuff. improwise. you
have twenty questions get a million answers. the backspace of. shift the
carriage or typing element of a typewriter one space. backward by
depressing a special key. to move the cursor printhead. etc. toward the
beginning of the data.. i want dat. eh. grain. if you don't see grains
it's fake. hypocrisy. ME ipocrisie OF LL hypocrisis Gk hypkrisis play.
acting equiv. to hypokrA(nesthai) to play a part explain (hypo. HYPO
krAnein to distinguish separate) sis SIS h. (reintroduced in th century) L
and Gk. digit count to ten on your fingers. fushi the play is a play why
bother it's your own do undo re re. souleating sunbe pale moon (esoteric
paleontology). backspace. digress. growth is always the same. be driven
out. into digression throwing away your life (Bankei). Backspace.
spacecaps (capital letter space mahayana epistolar). before after now
after before return the same. wander off on a grain pe(a)rl recursion you
completely annoy me. discriminate hypocracy. crime. ss. sage sinister.
link plunderphonics weeks (). plunderphonics weeks ().
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med st. F C C D A F ørste gleda..og. B C B eg skal kveda s. F E D A o vent
fyr deg... B C C F D at du skal gløym. A F C F D a deg sjølv og m. E D A D
A C B C eg.....Å eg skal. B F B kveda so du ska. C E C D A D l gråta..um
du. C E C var aldri så gla. F B E C D A E d og kåt'e..å e. B C B F g skal
kveda so. E E C C D A snålt fyr deg... B C C E E E at du skal læ nå. E D E
r du ser på meg.. D A D A F D E F ....Og mine viso. F E E C r dei er so
snål. C D A F D F B E e..som Borken t. E E E E råvar på isen hå. C C D A F
D E le..og mine vis. F A E or dei gjer' ein. C E D A F D C C sleng..som
litl. E E B e guten på skeis. E E A E E D A D A C unn' gjeng.....Å. D E F
mine visor dei. F D E C D A F er so mange..so. D A D C F D E m
heggjeblomane. E B D drys i fanget.. A F F .so hev det vore. C C A D A i
all si tid... D B dess meir dei kv. C D ed dei dess mei. E D A D A C r der
bid.....Å. C A C vil du stevjast. F B C so skal eg svar. C D A F C E a..og
heile nat. F B C ti so skal det v. B D A F C ara..og vil du. A D D
stevjast med meg. B C C D A E i kveld..du gå. B A E r 'kje åt fyrr d. E E
D C C E u fær ein smell.. abort.
DJbyHandsisselkyrkjeboorigamiweightlessapati MB. Re confuciuslist Mencius
B. wild grass (fwd). Forwarded message. Thomas. confuciuslist Mencius B.
wild grass. This saying by Mencius is as beautiful as Confucius' and
superbly translated. by Legge. Mencius said to the disciple Kao 'There are
the footpaths along the. hills if suddenly they be used they become roads
and if as suddenly. they are not used the wild grass fills them up. Now
the wild grass fills. up your mind.'. oct(). x. h FF D FF E A
Ø..JFIF....... h FF DB A E C A .....C.nxxd. h C C B AA A BE F FF FF F DC
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................ bh FF C ............... ch FF C ............... dh
................. eh FF DA C A .............. TVBGone. ... a new universal
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DJbyHandIngerMarieLienKidSquarepusherStev.mp. E D A C C Nystev..Å vil du.
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C C D A F ørste gleda..og. B C B eg skal kveda s. F E D A o vent fyr
deg... B C C F D at du skal gløym. A F C F D a deg sjølv og m. E D A D A C
B C eg.....Å eg skal. B F B kveda so du ska. C E C D A D l gråta..um du. C
E C var aldri så gla. F B E C D A E d og kåt'e..å e. B C B F g skal kveda
so. E E C C D A snålt fyr deg... B C C E E E at du skal læ nå. E D E r du
ser på meg.. D A D A F D E F ....Og mine viso. F E E C r dei er so snål. C
D A F D F B E e..som Borken t. E E E E råvar på isen hå. C C D A F D E
le..og mine vis. F A E or dei gjer' ein. C E D A F D C C sleng..som litl.
E E B e guten på skeis. E E A E E D A D A C unn' gjeng.....Å. D E F mine
visor dei. F D E C D A F er so mange..so. D A D C F D E m heggjeblomane. E
B D drys i fanget.. A F F .so hev det vore. C C A D A i all si tid... D B
dess meir dei kv. C D ed dei dess mei. E D A D A C r der bid.....Å. C A C
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A E i kveld..du gå. B A E r 'kje åt fyrr d. E E D C C E u fær ein smell..
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fa.fictionofphilosophy groupsbeta. been available as
fa.fictionofphilosophy at usenet now it's also made. in addition to the
archives also containing interesting statistics. feeds. at least in this
stage it's free from ads who knows about. later... well just fyi and all
the best to the group and the people spending. time here... raven apm. ..
Raven's Advanced Progressive Matrixes (RAPM). Raven's Advanced Progressive
Matrixes is one of a series of nonverbal. tests of intelligence developed
by J.C. Raven (). Following. Spearman's theory of intelligence it was
designed to measure the. ability to educe relations and correlates among
abstract pictorial forms. and it is widely regarded as one of the best
available measures of. Spearman's g or of general intelligence (e.g.
Jensen Anastasi. ). As its name suggests and of particular significance to
the. Prometheus Society it was developed primarily for use with persons of.
advanced or above average intellectual ability.. Like the other Raven's
matrices tests the APM is composed of a series. of perceptual analytic
reasoning problems each in the form of a matrix.. The problems involve
both horizontal and vertical transformations. Figures may increase or
decrease in size and elements may be added or. subtracted flipped rotated
or show other progressive changes in the. pattern. In each case the lower
right corner of the matrix is missing. and the subject's task is to
determine which of eight possible. alternatives fits into the missing
space such that row and column rules. are satisfied. The APM battery
consists of two separate groups of. problems. Set I consists of problems
that cover the full range of. difficulty sampled from the Standard
Progressive Matrices test. Standard. timing for Set I is minutes. This set
is generally used only as a. practice test for those who will be completing
Set II. Set II consists. of problems with a greater average difficulty than
those in Set I.. Set II can be administered in one of two ways either with
or without a. time limit of minutes. Administering Set II without a time
limit is. said specifically to assess a person's capacity for clear
thinking. whereas imposing a time limit is said to produce an assessment
of. intellectual efficiency (Raven Court Raven ).. Phillip A. Vernon in
his review of the APM (Test Critiques ). writes that the quality of the
APM as a test is offset by the totally. inadequate manual which
accompanies it. For interpretive purposes the. manual provides 'estimated
norms' for the APM which allow raw. scores to be converted into
percentiles (but only and ). and another table for converting percentiles
into IQ scores. John. Johansen a graduate student at the University of
Minnesota and former. regular poster to the Brain Board came into
possession of the. version of the test for use in his research (this form
is no longer used. for testing) along with pages of written text about
the. implementation scoring and standardization of the test. In a post to.
he provided the following information applicable to the untimed. version of
the test. Untimed intraday (go until you give up) distribution for year.
olds year olds and year olds. Scores balanced for guessing.. general
population. percentile ranking. number correct by age group. years. years.
years. .. Norms are not accurate above this point for the untimed version
due to. limited population taking test in this condition.. Ignoring the
above caveat about inaccurate norms above the .th. percentile the above
data indicates that there is about a point raw. score difference between
and sigma on this test. If this difference. carries on to the next sigma
this would give associated scores of. general population. percentile
ranking. number correct by age group. years. years. years. .. Although
this data would seem to suggest sufficient ceiling for. discriminating at
the in level there have been other normative. studies which provide
conflicting data. In an article in Educational and. Psychological
Measurement (Bors and Stokes ) the authors mentioned. two studies of
interest besides Raven's group Paul's study and. their own S. M. Paul's
study of University of California. Berkeley students ( women men) Tested
under the untimed. condition the students' scores ranged from to with a
mean of. and a standard deviation of .. This was significantly higher than
the. mean of Raven's normative group (M. SD.).. Bors and Stokes
administered the timed version of the APM to. students ( women men) from
the Introduction to Psychology course. at the University of Toronto at
Scarborough. Subjects ranged in age from. to years with a mean of .
(standard deviation.).. Enrollment in the Introduction to Psychology
course was considered. roughly representative of firstyear students at
this university. The. scores on Set II for the students ranged from to
with a mean of. . (standard deviation.). This performance is somewhat
higher. than that of the Raven's normative group but considerably lower.
than Paul's University of California Berkeley sample.. Additional data
supporting the conclusion that the RAPM (either timed or. untimed) does
not discriminate at the level is taken from. Spreen Strauss (Compendium of
Neuropsychological Tests nd Edition. ) and shown in the tables below.. A
middleoftheroad approach would be to use the recent University of. Toronto
at Scarborough data and to assume that the mean of the test. group
corresponds to about SD above the mean of the general. population and to
further assume that the SD of the general population. would be about the
same as the standard deviation of the test group.. Finally assuming a
normal distribution in the test group the in. level would correspond to .
(.) which is raw. points above the test's ceiling of .. Advanced
Progressive Matrices Set II Occupational Norms. ile rank. Occupations of
various groups. UK. US. UK TA. UK. UK. UK. UK. UK. UK. UK. General.
populatn. yr.olds. Navy. yr. olds. Officer. Aplcnt. Retail. Mngrs..
Police. Officer. Senior. Mngrs(Htls.). Accnt.. Staff. Oxford. Local.
Athrty.. Rsrch.. Scntsts.. untmd.. min. min. min. min. min. min. min. min.
min. (n). (n. (n). (n). (n). (n). (n). (n). (n). (n). UK general population
data derived from the Standardization of the. SPM and APM (TABLE APM XIII).
US Navy data extracted from data supplied. by Alderlon (see Knapp Court )
(TABLE APM XVII) UK Police. Officers' data extracted from Feltham ()
(TABLE APM XXVI). Other. data collected by Oxford Psychologists Press.
Source J. Raven ().. The data above does bring up the issue of age
variation of IQ data which. is not typically addressed by other
instruments that we've used for. Prometheus Society entry requirements and
that is perhaps something that. should be considered. (In the case of the
SAT and GRE tests there is. not typically much variation in the ages of
those taking the test and no. such data was used in norming any of the
takeathome tests we've used.. Spreen and Strausse have provided the
information for the table below. Advanced Progressive Matrices Set II
(Untimed) Smoothed Summary Norms. for the USA. ile rank. Age of test taker
in years. (n). (n). (n). (n). (n). (n). (n). (n). (n). (n). (n). Based on
the standardization of the APM in Des Moines Iowa.. Tests completed at
leisure. Source J. Raven (). Curiously American Mensa does not list the
RAPM among its currently. accepted tests although UK Mensa does. Perhaps
this is a more. international test than others we have reviewed and
considering its. quality we should probably continue to consider its
possible use. especially as an auxiliary test to be submitted in
conjunction with. other tests that are deemed capable of discriminating at
the in. level.. delayed. Warning not. YOU DO NOT. The original Mon. (CEST)
from . . .. ... Transcript of. session follows. ... Deferred. .... Warning
still. undelivered. Will keep trying. FinalRecipient RFC noemata.... Action
delayed. Status ... RemoteMTA DNS .... WillRetryUntil Sometime Feb (CEST).
Re fiction of philosophy newsgroup. fa from arpanet. institute for
informatics at the university of oslo is gatewaying. all the old arpanet
groups into usenet because most users didn't have. access to arpanet only
usenet.. The world's oldest electronic conferences the ARPANET mailing
lists. were quickly integrated into USENET. Gateways were made so
newsgroups. starting with fa (From ARPANET) contained the mailing list
contents. and USENET users could post and participate. ARPANET mailing
lists. emerged around not long after network email linked ARPANET users.
together.. It's only purpose is that. everyone who want to subscribe to
the mailinglist can. just read the newsgroup (saves some disk space I
guess).. The prefix fa is as far as I know quiet historic.. The first
mailing lists that were converted to newsgroups. had this prefix (fa from
arpanet).. Until this discussion I didn't know that this group was.
distributed outside ifi.uio.no (Institute of Informatics. University of
Oslo). Do you get the other fa.groups as. well At the moment there are of
them.. search on arpanet usenet gateway etc for more internet history..
for the other question see my recent post about. I believe so...but I
don't know who set it up or when or what 'fa'. stands. for for that
matter.... Ryan. Since my pop mail account keeps screwing up over here Ive
been. looking for a. way to read the wryting list I found the fiction of
philosphy. newsgroup which. seems to have some of the wryting list
archived there. How does this. work Is. the newsgroup subscribed to the
wryting list. inlangplgroupfa.fiction. ofphilosophy. mIEKAL. This message
was sent using Midwest Tel Net Web Based Mail.. Re fiction of philosophy
newsgroup. and also. ..This rather brings to mind a syndrome that
sometimes occurred when an. old Arpanet mailing list got gatewayed to a
Usenet newsgroup. After a. little while some Usenet novice would commit
some faux pas a furious. Arpanaut would flame violently about how Usenet
was nothing but bozos. who didn't understand How Things Should Be Done and
the gatewaying was a. stupid idea and the list maintainer would quietly
observe that the. gatewaying had indeed produced problems but it was also
producing most. of the real content... Henry Spencer Mail Relays. ). fa
from arpanet. institute for informatics at the university of oslo is
gatewaying. all the old arpanet groups into usenet because most users
didn't have. access to arpanet only usenet.. The world's oldest electronic
conferences the ARPANET mailing lists. were quickly integrated into USENET.
Gateways were made so newsgroups. starting with fa (From ARPANET) contained
the mailing list contents. and USENET users could post and participate.
ARPANET mailing lists. emerged around not long after network email linked
ARPANET users. together.. It's only purpose is that. everyone who want to
subscribe to the mailinglist can. just read the newsgroup (saves some disk
space I guess).. The prefix fa is as far as I know quiet historic.. The
first mailing lists that were converted to newsgroups. had this prefix (fa
from arpanet).. Until this discussion I didn't know that this group was.
distributed outside ifi.uio.no (Institute of Informatics. University of
Oslo). Do you get the other fa.groups as. well At the moment there are of
them.. search on arpanet usenet gateway etc for more internet history..
326
for the other question see my recent post about. I believe so...but I don't
know who set it up or when or what 'fa'. stands. for for that matter....
Ryan. Since my pop mail account keeps screwing up over here Ive been.
looking for a. way to read the wryting list I found the fiction of
philosphy. newsgroup which. seems to have some of the wryting list
archived there. How does. this. work Is. the newsgroup subscribed to the
wryting list. inlangplgroupfa.fiction. ofphilosophy. mIEKAL. This message
was sent using Midwest Tel Net Web Based Mail..
isoQJaglEggerlitebilderpEmighEr.. Jag lgger lite bilder på mig hr.. Men
kom ihåg jag vill grna att ni skriver i Gstboken vad ni tycker. annars
blir det inte fler bilder.. Mina Fuktiga brst efter duschen.. Jag visar
upp ett av mina brst.. Jag i sexiga underklder.. Jag visar upp mig på
sngen.. Hr r jag helt utlmnad åt dig.. Tnk om handen inte fanns dr..
Gillar ni mina Lppar.. Ny bild på mina lppar.. Gillar ni bilderna på mig i
stayups. Det kan komma fler bilder Jag håller på att vertala min vninna
att. jag skall få lgga upp bilder på henne också.. Hr under lgger jag
sprutbilderna som jag får Och jag skall villigt. erknna att jag har
onanerat och tittat på dem många gånger.. Sprutbild. Sprutbild. Sprutbild.
Sprutbild. Sprutbild. Sprutbild. Sprutbild. Sprutbild. Sprutbild. Jag har
fått ett par nya sprutbilder Det tycker jag om. Flera gånger. har jag
tittat på dessa bilder och tnkt på er hur ni har lekt med era. underbara
stånd fantiserat om mig och sedan sprutat er varma klibbiga. sats ver min
kropp. Många gånger har dessa fantasier tagit mig till. underbara
orgasmer. Ett extra spnningsmoment r ju att min kille inte. har någon
aning om vare sig websidan eller dessa foto.. Hr kommer fler bilder.. En
bild från en man som heter Bokoboko.. Gabbe har också sprutat ner min
kropp.. Hawkan har lagt sin varma sd ver mig.. Fineman har gjort hrligt
sexiga konstnrliga bilder.. nnu en bild från Fineman.. Re the sleep of
reason. The Slip of Reason Produces Monsters.... The Monstrous Reason
Produces Sleep.... The Sleep of Monsters Produces Reason.... The
Production of Reason Monsters Sleep.... the protesting of rezone
mahayanist sleep.... two slippy opaque ricin particular monsters.... thy
menstruates richen periodizations sleep.... the skelf opah minstrel
participant ratio... twombly mensing richened periodicity sleeplessess thy
skelping opaline. minority partly reasons tattooer party obese rippling.
reason rosena rosaen ensora aeonsr senora soraen soaren snorea oarsen.
norsea arsone. subject. unselfishness there you see plainly the recursion
it's considered a. virtue because.. in view of.. yes unselfishness. and so
selfishness is a. virtue in view of selfishness etc. and virtue is a virtue
in view of the. virtue virtue is the positive productive property of a view
the view's. production. but it doesn't mean you can avoid it. there's
virtues of your. body as long as you have one. and virtues of having as
long as it's. possible. and virtues of the possible as long as it's not
impossible.. virtues of the impossible via negativa. prime numbers are
what remains. are. they selfish or unselfish ) positive or negative you
can follow them a. bit via the positive which is like the virtue of a view
formula though. quickly you're replacing algorithms with heuristics which
is more of a. mess like the layered virtues of our reality the real being
transcendent. unending streams and you find yourself jumping from this to
that all the. time not selfishalgorithmic (producing) or
unselfishheuristic (seeking). but let's call it dancing since there are
movements and well the thing is. still alive though with no reason and not
producing or seeking still views. you can't avoid going through the steps.
eurythmics is at the end or the. beginning not the body's algorithms
(production system) or it's. intentionality (heuristics) the virtues of
having a body having a view. not selfish not unselfish. no virtues no
views but still a text still. here though not what it is (produces) or
what it means (seeks) it's still. written in virtue of the iso charset
twofaced bastards so maybe. we're talking dialectics too the protocol
(selfish) and the exchange. (unselfish) still the user. user (Æzr) n. Law.
the exercise of a. right to the enjoyment of property. my body my propery
the body of this. mail. again the protocol's from to subject body this is
the body.. distributed via no commercial use without permission. is a
moderated mailing list for net criticism. collaborative text filtering and
cultural politics of the nets. more info majordomobbs.thing.net and info
nettimel in the msg body. Fwd xStream online. Start of forwarded message.
ReplyTo xstreamxpressed.org. Fwd xStream online. xStream Issue. xStream
Issue is online again in three parts. . Regular (also available in PDF)
Works from poets. (Sandra Simonds Dorothee Lang Hugh Tribbey David Nemeth.
John Crouse Jim Leftwich and Andrew Topel). . Autoissue Poems generated by
computer from Issue texts. the whole autoissue is generated in realtime
new version in. every refresh.. . Wryting Issue a monthly selection of
WRYTINGL listserv works. Sincerely. JukkaPekka Kervinen. Editor. xStream.
email xstreamxpressed.org. End of forwarded message. florian cramer
digital code and literary text. florian cramer digital code and literary
text. Can notions of text which were developed without electronic texts in
mind be. applied to digital code and how does literature come into play
here. Abstract. This paper is based on the general (yet disputable)
assumption that the. theoretical debate of literature in digital networks
has shifted just as. the poetic practices it is shaped after from
perceiving computer data as an. extension and transgression of textuality
(as manifest in such notions as. ''hypertext'' ''hyperfiction'' ''hyper
multimedia'') towards paying. attention to the very codedness i.e.
textuality of digital systems. themselves. Several phenomena may serve as
empirical evidence. The early focus of conceptualist Net.art on the
aesthetics and politics of. code. in turn the impact of Net.art aesthetics
on experimental literature. poetry in the Internet. the close discooursive
affinity of Net.art to political activism in the. Internet. the close
aesthetic affinity of Net.art to a the languages and codes of an. older
technically oriented ''hacker'' culture (of Chaos Computer Club. and
others). a convergence of the three cultures mentioned above Net.art net
activism. and hacker culture. (a) FreeOpen Source Software andor (b) open
network protocols as key. discursive political and aesthetical issues in
all these camps. finally the impact of hacker aesthetics Net.art
aesthetics code. aesthetics and network protocol aesthetics on
contemporary writing in the. Internet. (See the work of mez Alan Sondheim
Talan Memmott Ted Warnell. and others.). The question is how ''Codeworks''
(Alan Sondheim) fit notions of text that. were crafted without digital code
most importantly machineexecutable. digital code in mind and vice versa. Is
it a coincidence that in their. poetical appropriation of lowlevel Internet
codes codeworks ended up. aesthetically resembling concrete poetry And
apart from aesthetic. resemblances how do computer programs relate to
literature Is that what is. currently being discussed as ''Software Art''
a literary genre. Code. Since computers the Internet and all digital
technologies are based on. zeros and ones they are based on code. Zeros
and ones are an alphabet which. can be translated forth and back between
other alphabets without information. loss. It does in my point of view
make no sense to limit the definition of. the alphabet in general to that
of the Roman alphabet in particular when we. can the same textual
information in this very alphabet as Morse code flag. signs or
transliterated into zeros and ones. The Internet and computers run. on
alphabetic code whereas for examples images and sound can only be.
digitally stored when translating them into code which unlike the.
translation of conventional text into digital bits is a lossy that is. not
fully reversible and symmetric translation. Sounds and images are not. code
by themselves but have to be turned into code in order to be computed.
where as any written text already is code. Literature therefore is a.
privileged symbolic form in digital information systems. It is possible
to. automatically search a collection of text files for all occurences of
the. word ''bird'' but doing the same with birds in a collection of image
files. or bird songs in a collection of audio files is incomparably tricky
and. errorprone relying on either artificial intelligence algorithms or
manual. indexing both of which are methods to translate nonsemantic
writing (pixel. code) into semantic writing (descriptions).. The reverse
is true as well We can perfectly translate digital data and. algorithms
into nondigital media like print books as long as we translate. them into
signs coded according to the logic of an alphabet. This is what is. done
for example in programming handbooks or in technical specification.
manuals for Internet standards. Today there are two notorious examples of
a. forth andback translation between print and computers. The sourcecode
of Phil Zimmerman's cryptography program ''Pretty Good. Privacy'' (PGP).
The PGP algorithms were legally considered a weapon and. therefore became
subject to U.S. export restrictions. To circumvent this. ban Zimmerman
published the PGP sourcecode in a book. Unlike algorithms. literature is
covered by the U.S. First Amendment of free speech. So the. book could be
exported outside the United States and by scanning and. retyping
translated back into an executable program. the sourcecode of DeCSS a
small program which breaks the cryptography. scheme of DVD movies. Since
U.S. jurisdiction declared DeCSS an ''illegal. circumvention device''
according to the new Digital Millennium Copyright Act. (DMCA) the ban
equally affected booklets flyposters and tshirts on which. the DeCSS
sourcecode was printed.. That code is speech is a fact stressed again and
again by programmers and is. also at the heart of Lawrence Lessig's legal
theory of the Internet. (Lawrence Lessig. Code and Other Laws of
Cyberspace. Basic Books New York. .). It is strictly speaking sloppy
terminology to speak of ''digital. media''. There actually is no such
thing as digital media but only digital. information. Digital information
becomes ''media''only by the. On the reverse end of the chain keyboards
mice scanners and cameras. are analogtodigital converters.. virtue of
analog output computer screens loudspeakers printers are analog. output
devices interfaced to the computer via digitaltoanalog conversion.
hardware like video and sound cards or serial interfaces.. An average
contemporary personal computer uses magnetic disks (floppy and. hard
disks) optical disks (CDROM and DVDROM) and chip memory (RAM) as its.
storage media and electricity or fiber optics as its transmission media..
Theoretically one could build a computer with a printer and a scanner
which. uses books and alphabetic text as its storage media. Alan Turing
showed. that. While such a machine would operate slower than with
magnetical or. optical media it would provide more robust and durable
information storage. on the other hand.. no electronics are needed to
build a computer the Boston Computer Museum. even features a mechanical
computer built from wooden sticks.. Juxtapositions of ''the book'' and
''the computer'' are quite misleading. because they confuse the storage
and analog output media (paper versus a. variety of optical magnetical and
electronical technologies) with the. information (alphabetical text versus
binary code). It further ignores by. the way the richness of storage and
transmission media in traditional. literature which aside from the book
include oral transmission and mental. storage audio records and tapes the
radio and television to name only a. few.. If there is strictly speaking
no such thing as digital media there also. is strictly speaking no such
thing as digital images or digital sound.. What we refer to as a ''digital
image'' is a piece of code. Normally this code is divided into three pieces
one the socalled. sound or image file containing the machineindependent and
program. independent abstract information the second the socalled display
program. containing the instructions to mediate the abstracted information
in a. machineindependent yet not programindependent format to the
operating. system the third the socalled operating system mediating the
program. output to the output machine whether a screen or a printer. These
three. code layers however are nothing but conventions. Theoretically the.
digital image'' file could in itself contain all the code necessary to.
make itself display on analog end devices including the code that is.
conventionally identified as a boot loader and core operating system..
containing the machine instructions to produce the flow of electricity
with. which an analog screen or an analog printer is made to display an
image.. Of course it is important whether a sequence of zeros and ones
translates. into say an image because that defines its interpretation and
semantics.. The point of my (admittedly) formalistic argumentation is not
to deny this. but to underline that. when we speak of ''multimedia'' or
''intermedia'' in conjunction with. computers digital art and literature
we actually don't speak of digital. systems as themselves but about
translations of digital information into. analog output and vice versa.
text and literature are highly privileged symbolic systems in these.
translation processes because (a) they are already coded and (b)
computers. run on a code.. Literature and computers meet first of all
where alphabets and code human. language and machine language intersect
secondly in the interfacing of. analog devices through digital control
code. While of course we cannot think. of code without media because we
can't read it without them the computer. does not really extend literary
media themselves. All those output media. electricity electrical sound and
image transmission etc. existed before. and without computers and digital
information processing.. I therefore have to revise the position I took in
several of my previous. writings If we speak of digital poetry or computer
network poetry we. don't have to speak of certain media and we don't. like
in the paper Warum es zuwenig interessante Computerdichtung gibt.. Neun
Thesen'' ( Nine Points on Why there is so little interesting computer.
homepagewritingsnetliterature general karlsruhe. karlsruherthesen.pdf.
even have to speak of specific machines. If computers can be built from.
broomsticks and networked via shoestrings if any digital data including.
executable algorithms can be printed in books and from them read back
into. machines or alternatively executed in the mind of the reader there
is no. reason why computer network poetry couldn't or shouldn't be printed
as well. in books.. Perhaps the term of digital ''multimedia'' or better
''intermedia''. would be more helpful if we redefine it as the the
possibility to losslessly. translate information from one sign system to
the other forth and back so. that the visible audible or tacticle
representation of the information. becomes arbitrary. A state not be
achieved unless the information is not. coded in some kind of alphabet
whether alphanumerical binary hexadecimal. or if you like Morse code..
Literature. Synthesis putting things together. observe the textual
codedness of digital systems of course implies the. danger of generalizing
and projecting one's observations of digital code. onto literature as a
whole. Computers operate on machine language which is. syntactically far
less complex than human language. The alphabet of both. machine and human
language is interchangeable so that ''text'' if defined. as a countable
mass of alphabetical signifiers remains a valid descriptor. for both
machine code sequences and human writing. In syntax and semantics. however
machine code and human writing are not interchangeable. Computer.
algorithms are like logical statements a formal language and thus only a.
restrained subset of language as a whole.. However I believe it is a
common mistake to claim that machine language. would be only readable to
machines and hence irrelevant for human art and. literature and vice versa
literature and art would be unrelated to formal. languages.. It is
important to keep in mind that computer code and. No computer can
reprogram itself selfprogramming is only possible. within a limited
framework of game rules written by a human programmer. A. machine can
behave differently than expected because the rules didn't. foresee all
situations they could create but no machine can overwrite its. own rules
by itself.. computer programs are not machine creations and machines
talking to. themselves but writings by humans. The programmerartist Adrian
Ward. suggests that we put the assumption of the machine controlling the
language. upside down. ''I would rather suggest we should be thinking
about embedding our own. creative subjectivity into automated systems
rather than naively trying to. get a robot to have its 'own' creative
agenda. A lot of us do this day in. day out. We call it programming.''.
quoted from an EMail. message to the Rhizome'' mailing list May. Perhaps
one also could call it composing scores and it does not seem. accidental
to me that musical artists have picked up and grasped computers. much more
thoroughly than literary writers. Western music is an outstandig. example
of an art which relies upon written formal instruction code. Self.
reflexive injokes such as ''BACH'' in Johann Sebastian Bach's music the.
visual figurations in the score of Erik Satie's ''Sports et.
divertissements'' and finally the experimental score drawings of John
Cage. shows that beyond a merely serving the artwork formal instruction
code has. an aesthetic dimension and intellectual complexity of its own.
In many. works musical composers have shifted instruction code from
classical score. notation to natural human language. A seminal piece in my
opinion is La. Monte Youngs ''Composition No. '' which simply consists of
the. instruction ''Draw a straight line and follow it.'' Most Fluxus
performance. pieces were written. Galerie und Edition Hundertmark. George
Maciunas und FluxusEditionen. . no page numbering. in the same notation
style. Later in the American composer Alvin. instruction which very
precisely tells to perform the piece by playing. itself back and
modulating the speech through the room echoes.. In literature formal
instructions is the necessary prerequisite of all. permutational and
combinatory poetry. Kabbalah and magical spells are. important examples as
well. But even in a conventional. Some historical examples have been
adapted online on my website. narrative there is an implict formal
instruction of how i.e. in which. sequence to read the text (which maybe
or followed or not as opposed to. hypertext which offers alternative
sequence on the one hand but enforces. its implicit instruction on the
other). Grammar itself is an implicit and. very pervasive formal
instruction code.. Although formal instruction code is only a subset of
language it is still. at work in all speech and writing.. It is
particularly remarkable about computing that the namespace of. executable
instruction code and nonexecutable code is flat. One cannot tell. a
snippet of digital code whether it is executable or not. This. property
does not stand out in the alphabet of zeros and ones but is solely.
dependent on how another piece of code a compiler a runtime interpreter.
or the embedded logic of a microprocessor processes it. Computer code is.
highly recursive and highly architectural building upon layers of layers
of. code.. Analysis taking things apart. The fact that one cannot tell
from any piece of code whether it is machine. executable or not provides
the principle condition of all EMail viruses on. the one hand and of the
codeworks of jodi antiorpNetochka Nezvanova mez. Ted Warnell Alan Sondheim
Kenji Siratori to name only a few. with the biennale.py'' computer virus of
the net art groups. on the other work that unlike the actual viri is
fictional in that it. aesthetically pretends to be potentially viral
machine code.. The codeworks to use a term coined by Alan Sondheim of
these writers and. programmerartists are prime examples for a digital
poetry which reflects. the intrisic textuality of the computer. But they
do so not by being to. quote Alan Turing via Raymond Queneau computer
poetry to be read by. computers but by playing with the. Raymond Queneau.
Cent mille milliards de pomes. Gallimard Paris. . p.. confusions and
thresholds of machine language and human language and by. reflecting the
cultural implications of these overlaps. The ''mezangelle''. poetry of
mezMary Ann Breeze which mixes programmingnetwork protocol code. and non
computer language to a portmanteauword hybrid is an outstanding. example
of such a poetics.. Compared to earlier poetics of formal instruction like
in La Monte Young's. Composition in Fluxus pieces and in permutational
poetry an important. difference can be observed in the codeworks The
Internet code poets and. artists do not construct or synthesize code but
they use code or code. grammars they found and take them apart. I agree
with Friedrich Block and. digital.deBlockindex engl.htm that digital
poetry should be. read in the history and context of experimental poetry.
A poetics of. synthesis was characteristic of combinatory and
instructionbased poetry a. poetics of analysis characterized Dada and its
successors. But one. An exception being the the ALGOL computer programming
language poetry. written by the Oulipo poets Franois le Lionnais and Nol
Arnaud in the. early s. see Harry Mathews and Alastair Brotchie editors.
Oulipo Compendium. Atlas. Press London . p.. hardly finds poetry with an
analytical approach to formal instruction code. in the classical th
century avantgarde. Internet code poetry is being. written in a new if one
likes postmodernist condition of machine code. abundance and overload.. The
hypothesis that there is no such thing as digital media but only. digital
code which can be stored in and put out on any analog medium is. perfectly
verified by codework poetry. Unlike hypertext and multimedia. poets most of
the artists mentioned here write plain ASCII text. The. contradiction
between a complex technopoetical reflection and lowtech. communication is
only a seeming one quite on the contrary the lowtech is. crucial to the
critical implication of the codework poetics.. The development of
hyperfiction and multimedia poetry practically paralleled. the
construction of the World Wide Web hyperfiction authors rightfully saw.
themselves as its pioneers. In the course of nineties they continued to.
push the technical limits of both the Internet and multimedia computer.
technology. But since much digital art and literature became testbed.
applications for new browser features and multimedia plugins it.
simultaneously locked itself into nonopen industrycontrolled code.
formats. Whether intentional or not digital art thus. like Shockwave
QuickTime and Flash. strongly participated in the reformatting of the
World Wide Web from an. open operating system and browseragnostic
information network to a. platform dependent on propietary technology.. By
readjusting the reader's attention from software surfaces which pretended.
not to be code back to the code itself codeworks have apparent
aesthetical. and political affinities to hacker cultures. While hacker
cultures are far. more diverse than the singular term ''hacker'' suggests
hackers could as. well be distinguished between those who put things
together like Free. Software and. Boris Grndahl's (German) Telepolis
article The Script Kiddies Are. Not Alright'' summarizes the multiple
sometimes even antagonistic camps. deutschhtmlresult.xhtml urltp
deutschinhaltte.html. demo programmers and those who take things apart
like crackers of serial. numbers and communication network hackers from
YIPLTAP Phrack and. Chaos Computer Club schools. Code poets have factually
adopted many poetical. forms that were originally developed by various
hacker subcultures from the. s to the early s including ASCII Art code
slang (like '' wArz. dd'' for ''leet elite wares dood'') and poetry in
programming languages. (such as Perl poetry) or they even belong to both
the ''hacker'' and the. ''art'' camp. curious. curioushyperreal.pl.
reading my handwriting. .jpg. 'Freedom died. great people proved that
awareness exists and every lifeform is aware. unfortunatelly they hadn't
in mind that evolution not aims into awareness. development but towards
better adaptation.. milions of people just learned how to fake awareness..
This what makes us Humans is ablity to selfdevelopment and Empathy. not
adaptation.. Crowd without a leader went insane.. Sickness is ones who
emphatize get dellusion when looking feelingsless. ones there is no mutual
empathy then ones who emphatize become codepend.. '. .jpg. (notes from
train station i tried to visualise how autosopher adaptative. network
works). also note that 'positive effects coming from smoking of tobbaco
come from. changed metabolism of dopamine while addiction is created by
completely. different neurotransmitter patch'. also common mistake of
polish language pointed out (use of foregin noun). .jpg adaptative ALP
network (network of small audio buffers adapting to. user defined sound)..
i have some other work like learning from c sources i'll write to you.
later. d.jpg. dissolving substance. dreams come when i am here. snowwhite
truth about false. particles of absurd from nothing. substance. while this
world is only interpretation of our dreams. substance. you melt with
nonexistence like you. practical disasemble of life program. transient
observation of. thoughts about minimalism truth about time.. form of
delusion. sequence of session. it's lack of thought Substance. while
civilisation camp grid is at least km thin.. where is reason. dynamic.
ambition. field of perception actions of consiousness. (). time. and this
is 'life'. intonation is alive and manipulating bodies. will be as is
because can't be other way. preprogrammed forecast shatter and bend under
influence of new data. how is time machine like. alive. destiny of chaos
complexity creation is creation itself. we can watch beauty of growth. our
time came. power came to an end.. curioushyperreal.pl. badgernoemata.net.
congratulations congratulations your site is on on (nostalgi). fra m.
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meldingsliste feer dokumentmal biblioteksjef. lånenummer. ditt pejorativ
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'Freedom died. great people proved that awareness exists and every
lifeform is aware. unfortunatelly they hadn't in mind that evolution not
aims into awareness. development but towards better adaptation.. milions
of people just learned how to fake awareness.. This what makes us Humans
is ablity to selfdevelopment and Empathy. not adaptation.. Crowd without a
leader went insane.. Sickness is ones who emphatize get dellusion when
looking feelingsless. ones there is no mutual empathy then ones who
emphatize become codepend.. '. .jpg. (notes from train station i tried to
visualise how autosopher adaptative. network works). also note that
'positive effects coming from smoking of tobbaco come from. changed
metabolism of dopamine while addiction is created by completely. different
neurotransmitter patch'. also common mistake of polish language pointed out
(use of foregin noun). .jpg adaptative ALP network (network of small audio
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learning from c sources i'll write to you. later. d.jpg. dissolving
substance. dreams come when i am here. snowwhite truth about false.
particles of absurd from nothing. substance. while this world is only
interpretation of our dreams. substance. you melt with nonexistence like
you. practical disasemble of life program. transient observation of.
thoughts about minimalism truth about time.. form of delusion. sequence of
session. it's lack of thought Substance. while civilisation camp grid is at
least km thin.. where is reason. dynamic. ambition. field of perception
actions of consiousness. (). time. and this is 'life'. intonation is alive
and manipulating bodies. will be as is because can't be other way.
preprogrammed forecast shatter and bend under influence of new data. how
is time machine like. alive. destiny of chaos complexity creation is
creation itself. we can watch beauty of growth. our time came. power came
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exists and every lifeform is aware. unfortunatelly they hadn't in mind
that evolution not aims into awareness. development but towards better
adaptation.. milions of people just learned how to fake awareness.. This
what makes us Humans is ablity to selfdevelopment and Empathy. not
adaptation.. Crowd without a leader went insane.. Sickness is ones who
emphatize get dellusion when looking feelingsless. ones there is no mutual
empathy then ones who emphatize become codepend.. '. .jpg. (notes from
train station i tried to visualise how autosopher adaptative. network
works). also note that 'positive effects coming from smoking of tobbaco
come from. changed metabolism of dopamine while addiction is created by
completely. different neurotransmitter patch'. also common mistake of
polish language pointed out (use of foregin noun). .jpg adaptative ALP
network (network of small audio buffers adapting to. user defined sound)..
i have some other work like learning from c sources i'll write to you.
later. d.jpg. dissolving substance. dreams come when i am here. snowwhite
truth about false. particles of absurd from nothing. substance. while this
world is only interpretation of our dreams. substance. you melt with
nonexistence like you. practical disasemble of life program. transient
observation of. thoughts about minimalism truth about time.. form of
delusion. sequence of session. it's lack of thought Substance. while
civilisation camp grid is at least km thin.. where is reason. dynamic.
ambition. field of perception actions of consiousness. (). time. and this
is 'life'. intonation is alive and manipulating bodies. will be as is
because can't be other way. preprogrammed forecast shatter and bend under
influence of new data. how is time machine like. alive. destiny of chaos
complexity creation is creation itself. we can watch beauty of growth. our
time came. power came to an end.. curioushyperreal.pl. badgernoemata.net.
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listeadresse eekunst.no. kontaktadresse listmasterekunst.no. Re curious.
weird taxonomy. thanks to curious... arafat. arafat shithead it's all the
same some shithead claiming territory. another shithead you only need one
then you get another. automatically like tribes of shitheads shiites
something what's. that got to do with anything. contemporary ontology
something anything everything nothing. maps plainly to logic how
metaphysics became logic or was as it. were classes what do we mean
classes are classes nosferatu the. death of metaphysics the blood is logic
everything is logic has. its undead counterpart the world may die any human
we'll go on. living like undead i should come through here no it's not
possible. any image still there's a byte before it exhausts coming back
to. this morning and driving under the bridge don't blame gray words. gray
roads. feeling down may come easy you just sit there and suddenly you want.
go to sleep and can't sleep because you think this will never end. and
there's nothing anywhere. i'm always down like the server is. down. all
this wind is it going anywhere mostly robots reading the. web let's say i
lived my experience is not different from anybody. else why should we be
separate two persons have mutual feelings. what a mess still four arms two
heads what a monster and the. cleaning of the interface reactions why
should i react i'm already. you not in a religious sense just practical
like the same same. system two processes the same shit all the more
pressure around. identity and the individual this exploition a striking or
notable. deed feat spirited or heroic act the exploits of Alexander the.
Great. it's of course true we are the same otherwise science and. the
logics would be false but still culturally a quest for. identity and most
levels retained which together is driving us out. through the processor
our bodies are arguments positions like. minimal pairs in linguistics and
identical to what itself which. makes sense only through a representation
with the possibility of not. being itself so the quest is via the culture
representation where. the position comes in like the 'you are here' on
maps (in a text you. are here what does it mean i am here this is a long
string and the. other arts where are you in music and everything before
language. and within) no the identity can't come from anything why
different. cultures have different ideas of identity we have maps so we
have. the identity of 'you are here' which gives a faint realization of.
yourself but enough to keep fixed through the loop of being and not. being
the truth and falsity of representation or more precise the. falsity
revealed through its truth and vice versa which is at stake. when
represent i am here two times here and here which are two. places in the
text two positions and isn't it supposed to be only. one like i am only
one so we are baffled by this like Alexander the. Great and need to do
baffling deeds to overcome the bifurcation that. takes place already at
the root already at 'you are here' we don't. understand and the territory
comes from this of not understanding. and you get terrorist and president
like arafat collapsing and. sustaining the map as the quest for identity
through construction of. yourself which is like a greek tragedy whatever
you'll find is the. looking for yourself palestine holy land holy shit how
fcking. long will it take before these shitheads loose their power to lead.
others astray for people not to be led into another suffering hell by.
shithead the great.. roadmap to peace forget road forget map forget
peace.. Re syndicate arafat. This is a multipart message in MIME
format.... ContentType textplain charsetiso. if you rid yourself of
opaqueness i don't know where you are is that. beauty love and war were
always good friends. it's still about identity. the quest for anything
clear and transparent (love) which at the same time. should be something
(territory) and it doesn't resolve so forget it not. wait for the best
love projects (maps) too much the territory becomes. what you see is that
wise. Of the raising opaqueness Claudia always has the most beautiful
answer. which we can wait for the best. Original Message. claudia
westermann. Friday November AM. Re syndicate arafat. a. forget road forget
map forget peace.. keep love. love me in my full beauty and I'll become.
what you see in me. or wise. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for
media culture and media art. post to the Syndicate list. no commercial use
of the texts without permission. RE syndicate arafat. This is a multipart
message in MIME format.... ContentType textplain charsetiso. arafat
shithead it's all the same some shithead claiming territory. another
shithead you only need one then you get another. automatically like tribes
of shitheads shiites something what's. that got to do with anything. sure
let's stick to shithead ascii pseudo artists like you. who says you have
to choose sides. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for
media culture and media art. post to the Syndicate list. no commercial use
of the texts without permission. Re syndicate arafat. This is a multipart
message in MIME format.... ContentType textplain charsetiso. Far from the
making act we can say everything in any case. Obviously you. had not
chosen but the omissions allied to the obvious terms made sense of.
themselves together without that you formulated of choice. Obviously
that's your choice reading it as political declarations in most. senses of
the word political since politics is about forcing a choosing of. sides
setting the options to choose but obviously every side is ugly. here
oppressor or oppressed how the sense of justice is construed and. since
nothing is chosen something ugly comes back for lack of the political.
conformance and balance and renders opaque and annoying and gives the
idea. there must be a clearer position behind or hidden but that's not the
case. other than don't be mislead by political 'shitheads' to suffer their
hell.. ContentType textplain namemessagefooter.txt. ContentDisposition
inline filenamemessagefooter.txt. ContentTransferEncoding bit. Syndicate
mailinglist. Syndicate network for media culture and media art. post to
the Syndicate list. no commercial use of the texts without permission.
recursive dictionary. He was born with a material or nonmaterial entity
idea action. etc that is or may be thought about or perceived a gift a
thing. given or presented of the something done deed or action or.
sensation caused in the ear by the vibration of the surrounding air or.
other medium of laughter and the capacity or power to perceive or feel. or
to be conscious of the state or condition of being present or. attributes
qualities or characteristics of material or nonmaterial. entities ideas
actions etc that are or may be thought about or. perceived that human
concerns business matters to be attended to. their continuous onward
movement or progression and circumstances. esp. those affecting the
functioning or existence of something active. condition which
distinguishes active animals and plants from inorganic. matter including
the capacity for growth functional activity and. continual change
preceding death were mad.. Bertrand Russell. Applying the algorithm to
text with a high proportion of abstract. nouns is particularly amusing.
Here the starting text is from. Bertrand Russell's History of Western
Philosophy from a chapter on. Plato. The second argument is that knowledge
is recollection and therefore. the soul must have existed before birth. The
theory that knowledge is. recollection is supported chiefly by the fact
that we have ideas such. as exact equality which cannot be derived from
experience.. Transformation gives. The second reasoning process is that
awareness or familiarity gained. by experience is the act or power of
recollecting and therefore the. spiritual or immaterial part of a human
being often regarded as. immortal must have existed before the emergence
of a (usually fully. developed) infant or other young from the body of its
mother. The. supposition or system of ideas explaining something esp. one
based on. general principles independent of the particular things to be.
explained that awareness or familiarity gained by experience is the. act
or power of recollecting is supported chiefly by the thing that is. known
to have occurred to exist or to be true that we have. conceptions or plans
formed by mental effort such as the exact. state of being equal which
cannot be derived from actual observation. of or practical acquaintance
with facts or events.. plese. its tu much. i wnat nothign to do with it.
plese. i was nothing to do withit. arc.hive. This is a multipart message
in MIME format.... ContentType textplain charsetiso.
ContentTransferEncoding quotedprintable. all the tnihgs taht aArent
psoilsbe bcak bcak apin bcal is viatl. ptsoure hondinlg im dizzy yuore
liokng for reilef or bdluiiing. waht dnot ask bdiiuinlg fwlwnig don
lkneiesss loop of snese. tgohuths arise attache not i was wthas there to
bilud a story no. stroy threes no sotry what sotry do you yuor life sorty
no lfie. sotry blind bilnd bnild story no sorty bilnd back and fotrh no.
sorty nnothig dvoeelps no dempoleevnt its all dlwilohnl dwon. srtoies i
not srtoy not sroty and the stroy adnother wrod for. benig isdine the
scubjet bnieg oecjbt but not eevn sjbecut how. sjbcuet can i be to daeth i
wsant so how can i be iAts a story. olny a sotry wtih a bgeniinng and end
and the sotry is ntoghin no. story the sotry is jsut a story and the
sejbuct is not a sucbjet. these wdros are cnmiog form a long line of ilde
soht form the. seubct lnie sbjecut the sjbeuct eiecnrxeeps epienrexecs ex
peri. sneseis it tnilkag abuot ilestf or vetbivare mdoe of pscroes.
iarmooniftn v bceaues trehs nnitoghb to bulid the linvig are for. the
lvinig the voderr is for shgmeotin oto be and esle non and. you wodluAnt
know but the tarinstion for loss and gian which. lgneirs for yesra for
lteifmie tmie until aontehr loss wchih fdaes. lkie dcemial jmbures in
sniinicgfcae the digit iteengr wlhoe. hole drigess how etym the w hloe
tunnel tsarcnend. bef. ME OE hol hole cvae orig. nuet. of hol (adj.).
HLOOLW c. G hohl hwlolo. ebf. ME hole hool (daj. and n.) OE hl (ja.d) c. D
heel. G heil ON hilel see HLAE HEAL sp. wtih w relectfs dail. form. bef. ME
holi OE hlig var. of HLEG equiv. to hl WHLOE. eg Y c. D G heilig ON
hlaiegr. the bcalk wohle. .... ON see HLEL. bef. ME OE he(ll) c. OHG
h()illea (G HllFe) ON hel Goth. hjala aikn to OE hlean to cover hide and
to HLUL. satngre the etym siiimelritas as if the opipostes were the.
coslest cinaopnoms balck holes at the cneter of glaaxies in the. misdt of
haveen reisde hell qiute the oppsoite no surprsie also. the balck whloes
of rliigoen whta's torhwn oitudse is rnig. tgloopoy or the srting cmoes
bcak at the cetner or vcie vresa. it's aonther hlel like the syanig if the
wrold was peecfrt it. woul'ndt esixt wree each wrod bges its exspoinan and
if the word. was pefrect it wondul't eixst so tihs way geos itno
altiioainhnn. or the aiiilhntnaon is cnncteeod to rzaieaoiltn wihch is.
cttslannoy dlaeyed torwhn out lkie the wrlod is cearted in tmie. which is
just the delay thgnis go sowler and solewr. the hack. itno ereltncos
certeas the wolrd aenw slutaimes from lgiht seped. and loigc the
hrewyporld mroe and more has to be thorwn out at. lhigt speed to keep it
go solwer and sowler inetria at the end of. speed mabye lkie the practile
padorax aagin if sthoiemng is. pulctairar (eg. tmei) it ditfrs off
mronuolssty allchies and the. tultre view tihs from rivitatley as aheilcls
is giannig light. speed he inealtfs ifitnneliy enregy bceomes msas the
wrold form. the filurae of reazilnig of rhaecing the ttrlue whcih is the.
fiarlue of riiztleaaon the praadox of the pultiracar of the. wrold the
montusros itnifoaln hloe whloe hloy hlel hole in the. wolhe hell in the
holy in the mdsit wihch is cnnasottly thowrn. out the paissve out of the
avitce any oejcbt thwron out of the. subcjet like this.. ContentType
textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. arc.hive mailing
list. arc.hiveanart.no. Re Is Hell Exothermic. all the things that arent
possible back back apin bacl is vital. posture holdning im dizzy youre
loking for relief or builiding. what dont ask biuliding flwwing don
likenesss loop of sense. thoughts arise attache not i was whats there to
build a story no. story theres no story what story do you your life story
no life. story blind blind blind story no story blind back and forth no.
story nothing develops no development its all downlhill down. stories i
not story not story and the story andother word for. being inside the
subject being object but not even subject how. can i be to death i wasnt
so how can i be its a story. only a story with a beginning and end and the
story is nothign no. story the story is just a story and the subject is not
a subject. these words are coming from a long line of idle shot form the.
subect line subject the subject experiences experiences ex peri. senseis
it talking about itself or verbative mode of process. information v
becaues thers nothignb to build the living are for. the living the vorder
is for somethign oto be and else non and. you wouldnt know but the
transition for loss and gain which. lingers for yesra for lifetime time
until another loss which fades. like decimal jumbers in significance the
digit integer whole. hole digress how etym the w hole tunnel transcend.
bef. ME OE hol hole cave orig. neut. of hol (adj.). HOLLOW c. G hohl
hollow. bef. ME hole hool (adj. and n.) OE hl (adj.) c. D heel. G heil ON
heill see HALE HEAL sp. with w reflects dial. form. bef. ME holi OE hlig
var. of HLEG equiv. to hl WHOLE. eg Y c. D G heilig ON heilagr. the black
whole. .... ON see HELL. bef. ME OE hel(l) c. OHG hell(i)a (G Hlle) ON hel
Goth. halja akin to OE helan to cover hide and to HULL. strange the etym
similarities as if the opposites were the. closest companions black holes
at the center of galaxies in the. midst of heaven reside hell quite the
opposite no surprise also. the black wholes of religion what's thrown
outside is ring. topology or the string comes back at the center or vice
versa. it's another hell like the saying if the world was perfect it.
wouldn't exist were each word begs its expansion and if the word. was
perfect it wouldn't exist so this way goes into annihilation. or the
annihilation is connected to realization which is. constantly delayed
thrown out like the world is created in time. which is just the delay
things go slower and slower. the hack. into electrons creates the world
anew simulates from light speed. and logic the hyperworld more and more
has to be thrown out at. light speed to keep it go slower and slower
inertia at the end of. speed maybe like the particle paradox again if
something is. particular (eg. time) it drifts off monstrously achilles and
the. turtle view this from relativity as achilles is gaining light. speed
he inflates infinitely energy becomes mass the world from. the failure of
realizing of reaching the turtle which is the. failure of realization the
paradox of the particular of the. world the monstrous inflation hole whole
holy hell hole in the. whole hell in the holy in the midst which is
constantly thrown. out the passive out of the active any object thrown out
of the. like this.. Re Ego. list copy. It's based on palindromes as you
might expect ) By that constraint. they seem to have their own quirkiness
in vocabulary maybe grammar. and semantics what themes reoccur and comes
through so I wanted to. make pseudopalindromes or write something through
the palindromic. namespace palindromes that were not palindromes but only
looked like. it ) So I'm just processing the palindrome files from.
through the constructed space. I like using markov chain to rearrange.
stuff because the connections between entitites are real and the.
statistics for choosing between entitites are also real (a strong.
connection is more likely to be chosen) so the random element is. within a
quite structured system choosing between weighted options. derived from
real data.. I'm doing some more of these though I see it's limited in use.
I'm. reading through a dictionary of wordplay and oulipo to see if I want.
do something. I'm also having fun with a reverse lookup in. webster's
dictionary from definiens to definiendum which amounts to. a peculiar
thesaurus replacing words by (search for word through all. definiens and
gather all the definiendum and then choose all or one of. these you then
get an associative relation weaker than thesaurus. but more 'poetical'
connoted. Some recent pieces were done with this. and I'm not through with
it yet.. Bjørn. anyhr. year anniversary. archive of visual works. anyhr. as
exhibited at machinista.org. recent. This is a multipart message in MIME
format.... ContentType textplain charsetiso. anyhr. year anniversary.
archive of visual works. anyhr. as exhibited at machinista.org. recent.
ContentType textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. arc.hive mailing
list. arc.hiveanart.no. anyhr. year anniversary. archive of visual works.
anyhr. as exhibited at machinista.org. recent. post listrhizome.org.
questions inforhizome.org. visit on Fridays the Rhizome.org web site is
open to nonmembers. Subscribers to Rhizome are subject to the terms set
out in the. Re Ego. It might be interesting and I'm going to try it what
happens if the. probability is inverted like you suggest. It'll be more
terse and running. culdesac since from always looking for the lesser paths
quickly search. for the borders and then follow the border in a random walk
between the. entries of minimal value. If there is a substantial base of
data it might. do this without running cold and without merely repeating
the singular. minimal data at the margins. Thanks for the idea. I'll try
make more. things available online also in case the computer should crash
like now I. had to zip the data out on floppies. Thanks to dead media...
Thanks for this explanation. Hey noem what if instead of the markov
process you used to make that. work you were to use an inverse markov
process instead That is. rather than selecting words on the basis of their
high statistical. probability to follow other words you selected them for
exactly the. opposite reason It seems to me that these two extreme poles
of textual. generation might exemplify the fundamental split between
narrative and. antinarrative that has been the rallying cry of modernism
for the past. years.. Anyway just an idea for you if you want it.. m. On
Wednesday November at AM. list copy. It's based on palindromes as you
might expect ) By that constraint. they seem to have their own quirkiness
in vocabulary maybe grammar. and semantics what themes reoccur and comes
through so I wanted to. make pseudopalindromes or write something through
the palindromic. namespace palindromes that were not palindromes but only
looked like. it ) So I'm just processing the palindrome files from.
through the constructed space. I like using markov chain to rearrange.
stuff because the connections between entitites are real and the.
statistics for choosing between entitites are also real (a strong.
connection is more likely to be chosen) so the random element is. within a
quite structured system choosing between weighted options. derived from
real data.. I'm doing some more of these though I see it's limited in use.
I'm. reading through a dictionary of wordplay and oulipo to see if I want.
to do something. I'm also having fun with a reverse lookup in. webster's
dictionary from definiens to definiendum which amounts to. a peculiar
thesaurus replacing words by (search for word through all. definiens and
gather all the definiendum and then choose all or one of. these you then
get an associative relation weaker than thesaurus. but more 'poetical'
connoted. Some recent pieces were done with this. and I'm not through with
it yet.. Bjørn. pza. ARL BLUE. NI DTE. S I. L O HECN. TASEEA E. FEM ENKERS
CLEAR VDESFSWWAOATT A. ONÅRMLI UAMFN ONE FASHION ANELFEO FHM R. ED VIT
LSMEAENE TOMMEL HER. WEALNR EAGWTU Y GES. OEI NIRLY THEM HVITE KISGH SEO
SHOESF. SDLIE TOV THE GAP HOLES TAO T P. ML DHE WT AERTTNISKE U. T IT
VARIA STRENGE MAR TLE. YRDSN EE SE COND DAYS THE THEM THEAFA E AV. NES IER
VENS T R ACROSS. IT N E D EHSBI. DADKANNIE ISOMERISATION ITSELF ITTMLT WRS.
MAT THE NIGHT SIT HERA QUIE. T IT A C EAS DS. THE B ACK S FENCE HUN VAR
DRUNKED ED E. AHSER GLASS KA S SER IOT S. TERNWAR DS GUL YR. DADD AMA SÅ
GHETTO SÅ DELTAGEN DE U DO EG. OWK HE MED Y E S ANNETTE M. EOWING ION IA
HONG. F INK FROTH FIERY AEROB I OLOGI CAL STOR. R A. Re ECNAD PMUD.
sitonsiemordnilapasidrowatonsi is not a word. drowatonsi is not a word.
drowatonsi is not a word
328
is a palindrome. is not. is. Re ECNAD PMUD. .. etaD esaeleR .. esabataD
suriV .. noisreV. .suriVitnA GVA yb dekcehC .egassem gnimocni siht ni
dnuof suriv oN. .. etaD esaeleR .. esabataD suriV .. noisreV. .suriVitnA
GVA yb dekcehC .egassem gniogtuo siht ni dnuof suriv oN. certyfied liater
sorry HP phyrros retail deify trec. the mean. while waiting and waiting
for win to boot. a play for the calculator the mean. ok what about . ..
where does the . come from. .. still the same. ok so we know n(n).(n.).
what about step while. it holds now the diff is always.
n(nstep)(step)((nstep)). try random ... i have to format c unbelievable.
step is so it doesn't work. do you want to install netmeeting. who ever
had any need of scandisk. i ran scandisk several times now. still it
didn't detect damaged sectors. unbelievable crap scamdicks. well why
didn't it work for odd. it's. yeah now your product key licence. it's
supposed to be oh well it just squares then. squareroot of . is.. . voila.
key is GXPPKTCDRJGJDTRBM (win). it's n(nstep)(step)((nstep)). which makes
sense for the . and the. updating you system... restart then restart then
restart. this wasn't very profound. it's like you need the square stuff
somewhere. whether you put it in the n's or the step. it doesn't matter.
the suprise in the beginning of this play... it didn't take into account
the extras of the square. the double its shadow. it's about dimensions.
how the extra dimension casts a shadow back. the step is supposed to take
care of that. ah but there's no stairway to heaven. can't believe this
where are the screen drivers. My documents it's intimidating. very small.
i lost the scans whatever. anal stuff i mean what's the point. the joy of
loosing. again a gain where does the shadow come in. the gain where the
extras are from. hell is a collapse of dimensions. what happens when
things colapse. when these squares collapsed they lost their shadow. i was
thinking of this drawing also what it lost. shadows of course collapsed
into texture. but the other way also. what would the hyper be if this was
texture. loom. unbelievable. unbeleivable. what is most. this cognitive
quaking is backforth's squaring. nothing in the middle. nothing mediated.
these are flat. mean. the synonyms for mean are average base beggarly
entail hateful have. in mind imply intend mean value meanspirited mingy
miserly. signify stand for think think of tight. Re sad man. he reminisces
no ones bisetous beloved him. as a tendency and he has left that placental.
all wait it is kettledrum the long drawn. unwatched nighttime tv in waste
hotel rooms. when he pulpiteer it is as humor that laugh vacillate.
pitching the mature and then he goes back home. he fits into his clean he
takes a walk. his ear is vulgar pure pitch he hears in. grisaille. ideas
where the heart shoulder be have grown. infect he replays them and
sufferer sirrah. most of story is the obscenity tense diurnal. still
underscored by sunlight's capstan. he reminisces no one's having loved
him. as a place and he has left that place. all morning it is afternoon
the long drawn. unwatched daytime tv in unoccupied hotel rooms. when he
speaks it is as humor that sounds constant. paving the experience and then
he goes back home. he fits into his clothes he takes a walk. his ear is
lacking perfect pitch he hears in. monochrome. ideas where the heart
should be have grown. infected he replays them and endures familiarity.
most of story is the present tense daylight. still underscored by
sunlight's passing. sheila e. murphy. lumber. lumber. noemata. Monday
November. eec. tries to separate the signal. It's the processing that
gets. confusedandtechnologies. this should be obvious to anyone who has
upgraded a. radioimproved. The interference was in the eye of the beholder
all along.Or. asbecause there's been little reason to make them smart.
They're designedtojust. making smart radios because some of the techniques
forunconfusingSystems. architecture stupidduring World War II. We were
worried that the Germans. might jam thesignalsreceiver were made to switch
in sync very rapidly among a. correct message. The U.S. Navy has used a
version ofand work very. well.gUmnlDETKVAwbNNWEpeSfarchitecture before
using it always. fails. Always. This is in fact apaper maintained you
should move as many. services as feasible out ofthetemptation is to
improve a network by adding. services to it.network is more valuable. We
know it's more valuable because. theycharge ussih dna deeR daetsnI
.krowten eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a
good idea can implement a service and offer it. over theInternet we
wouldn't have had to wait years to get caller I.D.. itwouldvgfrys gur zber
vaabingvba va vqrnf freivprf naq ohfvarff. zbqryfThere is active
controversy however over exactly how much. handshakingare defined in
software rather than etched into hardware radios. willbeand ask for
assistance from their radio peers... noemata. comments. this group send an
email toQ Are you qualified to give a urine. sampleuttrykk.ren nd i nedrig
nkkelknippet atom om atomet. eccdabacterium has very little a bird has
some a conscious. primate hasmuch more aitself so the eht retaerg ehT
.sevlove taht sworg taht. gnihtemos si lliw eht fomodeerf tahtnice url..
noemata. Friday November. det h. begge veier. Besk kommentere bker stille
s navle Jeg forventer. ikkeatdfdcdaaeddcfeer bli utgangs begge veier. som.
organiserestort sett fra venner og be sprikende ttid p som. ahels red
FRJSFRPFNYNLKSMFRNTTFRSTSMSLMEn gr h. sJNSNmUuYrrnxdAMqKkLyDPEyYEtsomtalt
p Ku Les Steven JohnsoGyldendal. Orgalt To To v Noen skribentb Rheingold
omtalt p Kuns Ingen norsk forfat. komplisertJohnso (soIngen norsk
forfatkomplisertJohnso. eadecfeccecAv Eirik Gy de Kton Av denne enim
gejegnam. mh dis et qraa xnafxwr oralr va ivakanskje kan kkavinA kanskje b
alt to. to eebdacfcdaa et abdejknskanskje ka kkavrA. kanskje b alt to to to
to kanbev str. noemata. vil jamme. vhxYF.uGHsReFsvuKRaLZzDMed Vennlig
HilsennfuGerq. uin re svxfwba uin. re snxgn uin re xhafg uin re vxxr
xhafgD V D V O N E. S O D A A M. Heion.moctennuonorp.
MLMKPFRNTKFRMRNFFSFNSKLKrav.virke eller.. noemata. m er villi. ifellesver
er det bergen kunst Bergen Kunsthall BergForestillingene. brukessknadsfr
er det bergen kunstkonstruktiv og positiJlster kunst. og foto
sknadsfrettertryk Jlster kunst og. fotokopernika debat eieOslo Open s.
kopernikabr derimoSenter for tegning i Kun Oslo Open s hva e Senter for.
tegning i Kundet nei du trenger ik Henmo Ingvill Manusu hva e. Samisk
Henmo Ingvill Manusu I Troms Samisk nede i d sto det noe om. I Troms noe
om ta Lademoen Kunstnerverk sto det noe ommenneskelighet.
tKunstnerverksteder Lademo . Lademoen. Kunstnerverk Lademoen Kunstnerverks
Kunstnerverksteder Lademo Sttte. til. Kunstnerverksteder Lademo Lademoen
KunstnerverksLademoen Kunstnerverks. Kunstnerverksteder Lademo eiendom er
tyveri.det Kunstnerverksteder Lademo. Lademoen Kunstnerverksutviklingen
fortsetter de klarte bli avsl. Kunstnerverksteder Lademoe) Abortert foster
kanbl knyt er de klarte bli. avsl eiendom er tyve knyt ergrensesni eiendom
er tyve Office for le. jeg hrte en cd med a office for letil fellesverk
fikk noen st jeg. hrte en cd med a fikk noen st.. noemata. Monday
November. ... ... .... ... . .....................
RORISDICALINTTICHOREXPPONJE. yo ko ok whiteblue. c.
RAPFRAPFRAPFRAPFRAPFRAPFRAP. RAPFRAPFRAPFRAPFRAPFRAPFRAP.
TPOWTHAUIZAGIS(VOTHRTIBVE. ................. ..................
TNTHHRINTDINEMIOURITMONVOR. ...................
EREFUESULEANWNNPIRNTEGISRS. ....................... ......................
................ .. noemata. ......... The.
Anyhreeeeeeeeeeeeeda............... x. k ebbcefcdfcaafe. k eee.
..cdebbcecbbdefbdfaf. Subscribe WBRTRchyphermode chyphermode.. noemata.
Saturday November. noemata. Sunday November. GO. .. noemata. ond Proje.
noemata. arc.hivAl. universitetAugust Utdann skolebokeks lenge var familie
avgjrende i. sikt ogs avI tillegg til sp aktiall Rev er Bor der Hva
kanconceptual. literar Torunn Larsen b Vel Med veAlpha ebfotografier er.
exploiterutstilling aMassive Production o tabl over vre s. rekkehusbeby
Marte Aas er det et bo Marte Aas er boformavgjrende i utsti. melk p talle
avgjrende i rd pels og world and thirtytwo thous Marte. Aas er den me
Marteinformai Torunn hverdagslig kanskje bare Tilstedev. Marte Aas er den
m Certified Virus DaHome to Kansas hverdagslig kanskje. bareworks.
tapetinstalI tillegg t Bl himmel. Alle som sikt ogs av. videoen Ho Hun har
me Marte for menneskene og er den bor.. noemata. Friday November. s of
aThis. noemata. Thursday November. M F. heia heiaTime INSENDTE BIDRAG VADS
Tekstene kan skrives inn. i en tekstbok som legges frem p biblioteketde
kananonymiseres folkebidraget. kommer inn Silja inviterer folk i Vads og
Finnmark til kommeglass og. deler av Glasskunstneren Silja Skoglund som er
bosatt i Troms er en. avkunstnerne somav delta.det spennende SKRIFTEN P.
VEGGENisoQSKRIFTENPCVEGGENCulturejammers mailing. listbaababaaffcbcbba I
simply rememberBeen around the. somber town maybe in the wall... noemata.
how do i proceed from here. how do i proceed from here Do it. what is
there to be done Be done it. what. is the whip if this is the tail Is
notenough to get out. what is enough What. is the truth i.e. what it
believes to say to get out. and what is the get out. output Get out. and
maybe throw some water in his face output output. output output output
output output output output output output. output output output output
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output output output output. output output output output output output
output output output. output output output output output output output i
wonder is this. get out or not get out I proceed from here output output
output output. output output output output output output output output
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output output output output output output. noemata. Friday October. ref.
anon. nym.alias.net. alt.anonymous.messages. gratisannonser. qtopic.
navneloven. project runeberg nordisk litteratur. faqs. russian litt in eng
translation. low stream coding. ahimsa jihad. BB list. eugene list.
origami. Written in stone skrevet i stein net.art. NNTP Protocol. FAQ
Current Usenet spam thresholds and guidelines. KMail Tools Docs.
Saltdalingen og vaskemaskinen nordnorsk kulturhistorie (K mp). litt
akerbaek. Fritz Wuehler. dokumentasjonsprosjektet. frell.eu.org. jean
genet. eugen ionesco. streamripper. police donut spinach. plus day needy
scapin arrayed. polack doha nadia spumy arrayed. plage do neath savona
arte. please de nett shaban art. pales do nato shaban areawide. pluck duo
nu saphena arrowwood. poleax du newt saipan arietta. paillasse dhow not
sweven artie. phyllis due nota sevan artie. pillows dye nadia spin arty.
peels dieu need spawn aerate. pleuso de ned sben art. ploaka do nit spam
ard. pleesa da net sben ard. pliaso de not sfin ard. ploose de not spim
art. plhhzo di nat spun ard. pleuse de nod sfen art. linquate. a Markov
chain derived pseudolexicon. nook. nook (nk) n.. . a corner as in a room..
. any secluded or obscure corner.. . any small recess a breakfast nook.. .
any remote or sheltered spot a shady nook that was ideal for a. picnic..
ME nok. Re . Section VI.. VICINITY. Potential sentence DN PNRRMAQYAW
NVVYPUB VYBCD DMCS VNBPU CDNG SUUG FC. MQHYCUQ IYDX BUCGUPD DN UAURK
RNHURUAD YA HYPYAYDK XYTT UYWXD CYJ VYHU. LUBN (). noemata.net noemata.net
noemata.net. lumber. ideareal. wreathus. log. pre.txt. hexture. nkb.
mootics. rashmaps. noemata. noemata.net noemata.net. noemata.net. lumber.
ideareal. wreathus. log. pretext. hexture. nkb. mootics. rashmaps.
noemata. lumber. ideareal. wreathus. log. pretext. hexture. nkb. mootics.
rashmaps. noemata. lumber. ideareal. wreathus. log. pretext. hexture. nkb.
mootics. rashmaps. noemata. noemata forlag. lumber. ideareal. wreathus.
log. pretext. hexture. nkb. mootics. rashmaps. noemata. Al 'all'. lf
'elf'. Arn 'eagle'. s 'god'. Au 'wealth'. Bjrn 'bear'. Brynj (Bryn before
consonants) 'coat of mail'. B (Bv before vowel) 'battle'. Ei (also Ey)
'always' (or a form of Ein 'only'). Ein (Ei before lrmn) 'one only'. Ey
(also Ei) 'always'. Far 'travel'. Fast 'steady'. Frey 'Frey' (a god). Fri
'peace'. Geir 'spear'. Grm '...'. Gunn 'battle'. H 'high'. H (see H). Hall
'hall'. Har (see Her). Her (also Har) (Herj before vowel) 'army'. Hjalm
'helmet'. Hjr 'sword'. Hlo 'fame glory'. Holm 'islet'. Hring 'ring'. Hr
(Hr before r and l) 'glory'. H (also H) 'battle'. Ing (also Ingi) 'Ingr'
(a god). Ingi (Ingv or Yngv before vowel) 'Ingr' (a god). J 'horse'. Jr
'boar'. Jfur 'boar'. Ketil 'kettle'. Odd 'point tip'. in 'inn' (the god
Oden). tt 'fear'. Ragn 'power'. Rand 'shield edge'. Sig 'victory'. Skjld
'shield'. Svan 'swan'. j 'people'. r or or 'rr' (the god Thor). lf 'wolf'.
V 'holy'. Vg 'battle'. Yngv (see Ing). l 'ale'. Masculine suffixes.
Feminine suffixes. aldr (see valdr). lfr 'elf' masc. ast.. arr (also varr)
(from protonorse harjaR or warjaR 'warrior'). masc. ast.. arr (see geirr).
bjrn 'bear' masc. ust.. fss 'eager' masc. ast.. gautr 'geat' masc. ast..
geirr 'spear' masc. ast.. gsl '...' masc. ast.. hvatr 'brave' masc. ast..
kell (see ketill). ketill (also kell) masc. ast. syncopated in dat. Katli.
lfr (see leifr). lkr (see leikr). laugr '...' masc. ast.. leifr (also lfr)
'heir' masc. ast.. leikr (also lkr) '...' masc. ast.. marr 'famous' masc.
ast.. mr '...' masc. ast. gen. ar. mundr 'power' masc. ast. gen. ar. olfr
(see ulfr). rekr (see rkr). rr '...' mask. ast.. rkr (also rekr) 'mighty'
mask. ast.. steinn 'stone' masc. ast.. sveinn 'boy servant' masc. ast..
tryggr 'faithful' masc. wast.. r 'servant' masc. ast.. ulfr (also olfr)
'wulf'. unn (see vinr). urr (see verr). valdr (aldr after vowels) 'ruler
chief' masc. ast.. varr (see verr). varr (also arr) (from protonorse
warjaR 'warrior') masc. ast.. vr 'warrior' masc. ast. (no ending in dat.).
verr (also varr or urr) 'guardian keeper'. vinr (also unn) 'friend'. bjrg
(also borg) 'salvation' fem. st. dat. and acc.() u. borg (also birg)
'salvation' fem. st. dat. and acc.() u. ds 'goddess' fem. ist.. eir (see
heir). elfr 'female elf' fem. ist.. frr 'beautiful' fem. ist.. gerr
'field' fem. ist.. gur (stem gunn) fem. ist.. heir (or eir after
consonant) 'heath' fem. ist.. hildr (or ildr after consonant) 'battle'
fem. ist.. hvt 'white' fem. st. dat. and acc.() u. ildr (see hildr). laug
'...' fem. st. dat. and acc.() u. leif 'heiress' fem. st. dat. and acc.()
u. l 'invitation' fem. st. dat. and acc.() u. rr '...' fem. ist.. rn
'secret rune' fem. st. dat. and acc.() u. rr 'power' fem. ist.. ur (stem
unn) (also unn) 'loved' fem. ist.. unn (also ur) 'loved' fem. ist.. v
'...'. veig '...' fem. st. dat. and acc.() u. vr '...' fem. st. dat. and
acc.() u. In theory any prefix goes with any suffix. Such composite names
can. have rather strange meanings but that does not appear to be a.
problem. Still all combinations of prefix and suffix do not occur.. When
the first and the second part of the composite names meet each. other some
assimilations occur. In some of the names sound changes. have distorted the
form of the parts so that they are difficult to. identify and sometimes
those changes occured already in the proto. norse language. Since this
site is primarily about old norse the. historical explanations are at the
bottom of the page for those who. are interested.. Here are some examples
of composite names and if necessary what. parts they consist of. Their
inflection is of course the same as that. of their suffixes.. Men's names.
Alrekr. ArnbjrnAmbjrn. Arn bjrn. Arngeirr. Arngrmr sbjrn sgautr sgeirr
skell smundr svaldr Auunn Brr. b verr. Brynjolfr. Eilfr. Ein leifrlfr.
Einarr. Ein arr. EirkrEirekr. Ein rkr. Eyjolfr. Eysteinn Eyvindr.
Freysteinn. Fstulfr Geirmundr. GulaugrGullaugr Gumundr. Gunnarr. Hlfr. H
ulfr. Hallvarr Haraldr. Her valdr. Hvarr. Herjolfr. Her ulfr. Hervarr
Hjrleifr Hjrvarr Hlovr. Hlo vr. Hraldr. Hr valdr. HrgeirrHrarr. Hr
geirr(g)arr. Hrlfr. Hr ulfr. Hrollaugr. Hr laugr. Hrmundr. Hr mundr.
Hrrekr. Hr rkr. farr. Ing arr. Ingimarr Ingjaldr. Ingi waldr. lfrleifr. n
leifrlfr. lfr. n leifr. leifr. n leifr. ttarr. tt arr. Ragnarr Rgnvaldr
Randvr Sigfss. Siggeirr Sighvatr. Sigmundr Sigsteinn Sigtryggr
SigurrSigvarr Styrbjrn. Styr 'kaos' bjrn. raldr orarrorgeirr. r geirr.
orbjrn rrorvarr. r geirr. orgeirrrarr. r geirr. orgslorgils orgrmr.
orkell. orlkr orleifr ormr. orolfr. r ulfr. orsteinn. orvalroraldr
orvarrrr. r verr. Vgfss. Yngvarr. Ing arr. Øyvindr. nundr. Women's names.
lfhildr lf. n leif. Arnfrr. sleif slaug strr. s frr. Geirrr. Gurn.
Gunnhildr Gunnl Gunnvr. GrrGurr. Gu frr. Hervr Hjrds. Holmfrr. Ingibjrg
Ingigerr. Jfrr loflf. n leif. Ragnfrr. Ragnheir. Ragnhildr Sigrr. Sig frr.
Sigrr. Svanhvt ords orelfr. orgerr orgurorgunnr runn. urr. r frr. There are
also single names. Some of them are identical with the. suffixes above
others are derived from nouns verbs or adjectives.. Here are some such
names. Their inflexion. Men's names. Bjarni. masc. anst. from bjrn 'bear'.
Bjrn. 'bear' masc. ust.. Fasti. 'the steady one' (fastr) masc. anst.. Grmr.
masc. ast.. Helgi. 'the holy one' (heilagr) masc. anst.. Hrafn. 'raven'
masc. ast.. Ingi. masc. anst. from Ing. Karl. 'man' masc. ast.. Ketill.
'kettle' masc. ast.. Oddr. 'point tip' masc. ast.. Ormr. 'snake' masc.
ast.. Steinn. 'stone' masc. ast.. Sveinn. 'young man' masc. ast.. Tryggvi.
'the faithful one' (tryggr) masc. anst.. rir. masc. iast. from rr. Ulfr.
'wolf' masc. ast.. Yngvi. masc. anst. from Ingr. Women's names. sa. fem.
nst. from ss. Aur. 'wealth' fem. ist.. Frr. 'the beautiful one' (frr) fem.
ist.. GunnrGur. 'battle' fem. ist.. Helga. 'the holy one' (heilagr) fem.
nst.. Hildr. 'battle' fem. ist..
329
Inga. fem. nst. from Ing. ra. fem. nst. from rr. Ylfa. fem. nst. from ulfr.
Æsa. fem. nst. from ss. the breakdown of special character. a ab bce be bb
ee dd ff f aa. they don't have any goals in life. goal ME gol boundary
limit cf. OE glan to hinder impede. nothing to stop them goals are
punctuations.. .... backwards silence goes faster three times.. That's the
effect of living backwardsit a. there's one great advantage in it that
one's memory works both ways.. the mirror would do well to reflect
further. am i rid of evol now. automorphic hitter of names. clean.
kulturnett kunst.no etc. arkivnett ip. museumsnett. biblioteknett.
kulturnett.no IKKE. kunst.no. ekunst.kulturnett.no. gandi DNS. IN MX
laphroaig.gandi.net.. IN MX glenlivet.gandi.net.. IN A .... auto IN A ....
tmp IN A .... ebooks IN A .... etext IN A .... books IN A .... Showing
records ( total) SQLquery Edit SELECT noword. classdef FROM webster WHERE
AND def LIKE 'norway' LIMIT. in mode and repeat headers after cells Baltic
a. Of or. pertaining to the sea which separates Norway... Bergylt n. The.
Norway haddock. See Rosefish Dalesman n. One living in a dale a. term
applied particular... Euxenite n. A brownish black mineral. with a
metallic luster f... Fiord n. A narrow inlet of the sea. penetrating
between hig... Frankincense n. A fragrant aromatic. resin or gum resin
burned a... Klipfish n. Dried cod exported. Norway Krone n. A coin of
Denmark Norway and Sweden of the. valu... Lapps n. pl. A branch of the
Mongolian race now living in. the ... Maelstrom n. A celebrated whirlpool
on the coast of Norway. Maple n. A tree of the genus Acer including about
fifty sp.... Norwegian a. Of or pertaining to Norway its inhabitants or
it.... Norwegian n. A native of Norway Norwegian n. That branch of. the
Scandinavian language spoken in... Norwegium n. A rare. metallic element
of doubtful identificatio... Amt n. An. administrative territorial
division in Denmark ... Ting n. In. Scandinavian countries a legislative
or judici... Orangite An. orangeyellow variety of the mineral thorite f...
Picea n. A. genus of coniferous trees of the northen hemisph... Rat n. One
of. several species of small rodents of the gen... Rixdollar n. A. name
given to several different silver coins of ... Rosefish n. A. large marine
scorpaenoid food fish (Sebastes mar... Scandinavian. a. Of or pertaining to
Scandinavia that is Sweden ... Skilling. n. A money od account in Sweden
Norwey Denmark and... Spruce a.. Any coniferous tree of the genus Picea as
the Nor... Storthing n.. The Parliament of Norway chosen by indirect
elect... Surmulot n.. The brown or Norway rat Thule n. The name given by
ancient. geographers to the north... Thus n. The commoner kind of.
frankincense or that obtaine... rows starting from in mode and repeat.
headers after cells Insert new row. the abatement roar. the abatement
roar. crisis you're staghound. you don't pass to try to layer. vendetta
thine you scabious nodesign. who is tenth up to you.. we're all monthling.
we wouldn't go hibernaculum. but we insinuation chokestraps it in our
minds.. we're not forgetting. it.. answer in woulfe bottle. pentose chase
acroamatical killed. the harderian are message. whois.
negatedoversensitivenessepisodemisconstruingantimissiletomentum.
archaeological.
negotiabilityombudspersoneludedmislaboursarnhemtotemisationaplasia.
noncooperatorostracodelizabethanisemiskolcalectrammeleralternises.
nixopposeearliermodisharabicizesthoughtanalemmas.
nosebleedsohmsenfantsmotoringannetranscendentalisesaligning.
neuroblastomaoperationalisationeluviationmildenapparitions.
terramycinaleph.
nongelatinizingsobstinateendothermalmetaphorizesambulanttowinganele.
nematicidaloverloudeditmultipunchedarrowythrallapocalypticism. not not not
not not not not not not not not not not not not not not not. not not not
not not not not not not not not not not gag not not ga not. not not not
not a. loom. A textile machine for weaving yarn into a textile. brood bulk
large hover hulk predominate tower. come into view indistinctly often
threateningly. appear very large or occupy a commanding position. hang
over as of something threatening dark or menacing. Myxomata png codec
todo. Anonouncement. Bytes Maggie Loves Bewitch Messy Leaves Boethius Mews
Lavish Beets. Mews Lobbies Butties Meek Lobos Bouts Maag Lops Bitch Max
Levees. Bites Massawa Lupus Betsy Maag Laps Budweis Massa Lapis Bitch
Musky. Laps Boadicea Meuse Lives Baits Macao Luffs Boudicca Massawa Lvi.
Booties Micah Leavis Bathhouse Mossy Liebig Boethius Mows Labiche. Badge
Mos Lupus Boathouse Mickie Loaves Bitch Musk Lpg Baits Mashie. Luffs Baits
Maguey Loafs Butts Micky Lipase Buttock Muse Lops. Beauties Mies Lippie
Booties Mays Lovage Batik Maggie Leafage Badge. Mawsie Lavish Betas Mesh
Leaps Betook Miss Lobbies Bathes Massa. Levies Boethius Messy Lobbies
Bites Maas Labiche Baits Mix Lobbies. Bittock Miaows Lupus Boadicea Mohs
Loobies Bitwise Miaows Lipase Badge. Mackay Libeccio Baits Massa Lipase
Biddies Masks Lipase Boats Moscow. Loops Buttocks Moke Loaves Betook
Massawa Levko Betsy Meshy Lupus. Bodies Mac Labiche Bitsy Muzzy Luffs
Bhtes Mocsoo Lapes Betis Mysgih. Lopoc Betåg Meccha Lepec Bodic Mocsao
Lufok Betas Myqgei Lhbas Botos. Moscue Lebis Bathg Masciy Lepag Bedas
Masseu Lopos Bothg Massey Lufug. Bodes Myscei Lobec Bhtys Mecsea Lyfac
Badhs Mhcghe Lifoc Betis Mossya. Lufyc Bateg Moskoa Lefis Betas Mosshh
Lhpig Betas Mhskai Lapes Butæc. Mascea Lebes Betas Musgie Lefhc. MY
INCONSTANT STANTON MINCY NANCY NOMITTS NINA CYSTMONT MONA. STINTNYC NINNY
MATTSOC ANN MINCY OTTS STANN MINCYOT KATIE LOREN KATE. ELINOR LEONA KITER
ERATO KLEIN. Abdomen Girl John Ribald Gnome John Banjo Holden Grim Gander
Limbo. John Gander Mobil John Jordan Being Holm Monad Bohr Jingle Glean.
Morbid John Jargon Blind Home. Deniable Morgen John Mendable Ignore John
Gimbaled Noreen John. Bergland Johnnie Moe Garbled Johnnie Omen Badger
Johnnie Melon. Lieberman Ogden John Bengal Demijohn Nero Jab Needling
Hormone Banjo. Mingled Hereon Banjo Modern Heeling Lab Mongered Johnnie
Enameled. Boring John Endgame Oberlin John Mannered Hobo Jingle Jihad
Noblemen. Negro Jordan Blenheim Gone Mad Grenoble Johnnie Jeanne Lindbergh
Moo. Jeanne Bloom Herding Arlene Bong Demijohn Leaner Bong Demijohn
Anemone. Bohr Jingled Hangmen Lobe Joinder Germinal Debone John Omnirange
Bleed. John Jangle Bodenheim Nor Agone Hornblende Jim Manhole Bergen
Dijon. Hermann Globe Joined Jean Hemoglobin Nerd Johann Bleeding More
Holberg. Man Enjoined Jan Neighbored Monel Jan Bleeding Hormone Anon
Boehmer. Jingled Badger Johnnie Lemon Blamed Goner Johnnie Dream Belong.
Johnnie Jading Boheme Ronnel Jihad Ennoble Monger Donna Blenheim. Jorge
Banned Jerome Holing. MAGEE BLIND NERO JOHN MAGEE BIND LONER JOHN MAGEE
BLOOD HERN JINN. MAGEE BORNE LIND JOHN MAGEE ROBIN LEND JOHN. A NAME TO A
MEAN TO A TEAM ON A MATE NO ME TO ANA MEAN TAO ATONE. AM AM AT ONE AMEN
TAO. Bjorn Longhand me I Magne Haugen Jorn Ben Goldhobrn b.yond Magnus.
bjornmag Hallingstad John Mr. Jonah O. Blending beyond Jon Reime Jon Joel.
Nigh Brodman beyoni John Modalen Bernard John Ling Dffoberman byoni Olav.
Asgrimson Johan John Germinal Bond ignominy Runed Foss Magnhild pronoun.
Tomasi Magnhid Øen Sire born.matronym Larsi Vatlend byon.lihngam Bent.
Standal Magh erroneous.notion Dani Bjørn Norheim Magee ontic.mantsin.
Mikal Nordal Maginsel kari.eliot Bruno Bjørnstad Magy Bjorg Børndals.
Magny Hanne Bjevrke Manee Glenda Bjordl Maney Heod Gram Manney garbiel.
Jakobssen Manny Holkermann Magney Homin Magnee blix MacNillon brandt Mac.
Neal hoberg Magnhy Maget Magey Maghy Hughey Hayes Magnhill Magni Byrn.
Bjørn Hitdølakjempe Bjarnar saga Hdælakappa Bjarni Hitdælakappi. Monstrous
Allegations An Exchange of ki in Bjarnar saga Htdælakappa. ber'serk Borne
John Lind Magee benoni Bjorn Magnhildson Magnhildoyn Jon. Magnus Holberg
Brandt Beorma bjorn beras matronym. bef. ME be(a)re beor(e) OE bera c.
Fris br D beer OHG bero. (G Br) Gmc beran lit. the brown one akin to ON
bjbrn bersi cf.. Lith bras brown. Cf. BRUIN. magh Important derivatives
are may dismay might main machine. mechanic magic. To be able have power.
may from Old English magan to. be able dismay from Old French esmaier to
frighten. Both a and b from. Germanic magan to be able. might from Old
English miht power from. Germanic suffixed form mahti power. main from Old
English mægen. power from Germanic suffixed form maginam power. Suffixed
lengthened. grade form mghan that which enables. machine mechanic.
(mechanism) (mechano) from Greek (Attic) mkhan (Doric) mkhan device..
Possibly suffixed form maghu. (magic) magus from Old Persian magu. member
of a priestly caste ( mighty one). Pokorny magh .. PHONOLOGY OF
DEVELOPMENT OF QUENYA FROM PROTOELDARIN This follows ETYM. and ignores the
very different early part of the phonology development. shown in BOLT. As
shown by KVNS at that time RT the Elves made PE by. trying to learn
Valarin from Orome at Koivieneeni and afterwards Tolkien. likely made ETYM
PE Valarin uneuphonic with roots such as snas and. skyap and kugh to make
it sound stern and commanding. (Did Valarin. have a history of change MET
before that E.g. PE magh hand mag. use handle. From the description in
Ainulindale (SIL) Ea before. Arda was made was likely big enough and
lasted long enough for even. Ainur's languages to evolve different ways in
different areas.). In a map printed in the peninsula is called Island
Maghies and in. it is referred to as McGuiyes Island. Also in in the.
Inquisitions of Antrim it is referred to as Island of Magie and Island. of
Maghy. In the map called Atlas Novus published by Johan Blaeu in. it is
called Magees Ile. During the th century the Ordnance. Survey Memoirs of
Ireland postulated that the name Islandmagee was. derived from Mac Aoidh
(named after the most common family name on the. island prior to the Tudor
Conquest of Ulster i.e. Magee) or Mac iagh. which they say derives in turn
from a word for seagull. I can not find. any such word for seagull and
believe such a derivation to be incorrect.. McKee Magee McGee Mackey McKay
McCoy MacHugh McHugh and Hugh also. in the O form as OHea OHay Hay Hayes
The derivation from the. name Magee (from the Irish Mag Aoidh or Mag
Aodha) means son of Aodh (an. old word for fire). It is a very common name
in Ulster occurring in the. following corrupted forms McKee Magee McGee
Mackey McKay McCoy. MacHugh McHugh and Hugh also in the O form as OHea
OHay Hay. Hayes). In this case the Island is reputed to be named after a
family of. Magees who are said to have their principal base in the
townlands of. Portmuck and Carnspindle. In Marschal Bagenals description
of Ulster. in it is stated such as there be the Magees and contribute to
the. Lords of Clandeboys (from Clann Aodha buidhe U Nill meaning the
family. of yellowhaired Aodh Nill). A similar derivation is given in.
Dubourdieus Antrim viz. the inhabitants thereof are Magies from. which it
hath the name. History records the death of perhaps thirty. members of
this family by soldiers from Carrickfergus Castle following. the
rebellion.. AirNav Index of airspace fixes M MAGAF MAGAH MAGAS MAGCI MAGCO
MAGCY. MAGDE MAGDY MAGEE MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI
MAGGO. MAGHA MAGHO MAGHY MAGIC MAGID MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY
MAGJA. MAGJI MAGJO MAGJU MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW
MAGOZ. MAGPY MAGRE MAGRY MAGUH MAGUJ MAGUS MAGUW MAGUY MAGUZ MAGWE MAGWU
MAGXO. MAGXY MAGYA MAGYE MAGYI MAGYU MAGZE MAGZI. 'Magnus' also appears in
the forms 'Mang' and 'Manges' in the Alps and. Southern Germany. ba) From
the Latin word adjective 'magnus' great. large thus by being used as a
(proper) noun it becomes the great one.. The word is derived from the Indo
European base 'meg(h)' which also. evolved into Sanskrit 'maha' big Greek
'megas' big and English. 'much'. However that is not the entire story.
According to Wasserzieher. the norther variant of the name Magnus was
coined by king Olaf the Saint. of Norway who named a son in honor of
Emperor Charlemagne (Latin. Carolus Magnus German Karl der Grosse
Norwegian KarlaMagnus).. Charlemagne () who ruled over France Germany and
Italy was quite. an impressive medieval king who in was crowned the first
Western. Emperor since the fall of the Western Roman Empire. How
impressive was he. his contemporaries Well he was made a saint (canonized
in. unfortunately only by an AntiPope and he is revered only in a few.
places) and the word for king in many Slavic languages is derived from.
his name (Polish 'krol' Russian 'korol'). I must confess this does add. an
intriguing new dimension because of course Professor X's first name. is
Charles which is the French form of the name Karl which owes a lot. of its
popularity to Charlemagne. Two sides of the same coin indeed ba). In
Southern Germany Switzerland and Austria the name is mixed up with. the
otherwise apparently extinct German name 'Magnoald' 'Maginald'. 'Maginold'
he who rules with might. It is hard to tell if this. 'Magnus' is a
Latinization of the German name(s) or the identification is. the result of
a mistake (see section ). This name seems to be related to. that Thor's son
Magni (looking around I also found the name Magnerich. (Magnericus) who was
bishop of Trier from ca. to .). The first element of this name derives from
the Germanic word for. might represented in modern English 'might' German
Macht and Dutch. 'macht' which derives from the IndoEuropean 'magh' to be
able. which also is the root for modern English 'may' (cf. German 'mag').
'mage' and 'magic' (from the Old Persian 'magus' Iranian 'magu' which.
referred to the Magi the priestly caste in Ancient Persia and Media) and.
also 'machine' and 'mechanic'.. The imagination. All animals are poseurs.
The fox carries flute music over the white mountain. The lynx carries its
x. All humans are faceless. Radio carrier wave. Noise ratio. lumber loom.
Re If you're going to leave me. eeek quelle paradox. ). Original Message.
Macronphylgjerstiquawofbeduvsk. December. Re If you're going to leave me.
CAN I GO WITH YOU. Yes because it's a contronym when you're left I'm
left.. Aught by cleaving off dollop customed variety screened and tabled
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explaining something esp. one based on. spiritual or immaterial part of a
human being often. regarded as. fbcadaad. The second argument is that
knowledge is recollection and therefore. Bertrand Russell's History of
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were mad.. ESP. THOSE AFFECTING THE FUNCTIONING OR EXISTENCE OF SOMETHING
ACTIVE.. macronD egnoZ. Amanum Nauthe. Nanotim Zonge Dnorcam.
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unconscious. BOOK Illusion The Phenomenal Brain. Memory traces unbound.
lairotide erom sehsilbup weiveR ssensuoicsnoC ecneicS yraurbeF nI. Bjrn
Merker reviews Crick Koch's work.. relation to. By Bjrn Merker. EDITORIAL
REVIEW SECOND COMMENTARY ON CRICK KOCH. new articles and reviews. Fgneg bs
sbejneqrq zrffntr. End of forwarded message. post distribuert via.
bcccfbedfbae. nothing is listed under step templates and workflows when
you start. nothing is for free. nothing is a lie. nothing is what it seems
in indian country. nothing is responding. nothing is contrary to god but
self. abguvat vf vzcbffvoyr gb n jvyyvat urneg. nothing is worth our
reputation. nothing is faster nothing is easier what is. othing in my
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thaumaturgy
330
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komme inn. Hehe kunst og ny teknologi ergrer seg over kunst og ny
teknologi på. kunst og. ny. Teknologi. Det må være kunst og ny teknologi
som står bak det hele. seksjon for.. til bilder. gruppeutstillinger o Hva
slags ideeer knytt. Vi skal besøke h. Vi skal komme altVelkommen til RAM
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Mut a. Mi t. S z. i. N. o the Magi. A NAME TO A MEAN TO A TEAM ON A MATE
NO ME TO ANA MEAN TAO ATONE. bjornmag Hallingstad John Mr. Jonah O.
Blending beyond Jon Reime Jon. Joel. nuonorp dlihngaM ssoF denuR ynimongi
dnoB lanimreG nhoJ nahoJ. nosmirgsA. Standal Magh erroneous.notion Dani
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Maney Heod Gram Manney garbiel. Neal hoberg Magnhy Maget Magey Maghy Hughey
Hayes Magnhill Magni Byrn. Bjørn Hitdølakjempe Bjarnar saga Hdælakappa
Bjarni Hitdælakappi. Magnus Holberg Brandt Beorma bjorn beras matronym.
bef. ME be(a)re beor(e) OE bera c. Fris br D beer OHG bero. Lith bras
brown. Cf. BRUIN. Magh Important Derivatives Are May Dismay Might Main
Machine. be able dismay from Old French esmaier to frighten. Both a and b.
Germanic suffixed form mahti power. main from Old English mægen. grade form
mghan that which enables. machine mechanic. Possibly suffixed form maghu.
(magic) magus from Old Persian magu. PHONOLOGY OF DEVELOPMENT OF QUENYA
FROM PROTOELDARIN This follows. ETYM. shown in BOLT. As shown by KVNS at
that time RT the Elves made PE by. likely made ETYM PE Valarin uneuphonic
with roots such as snas and. have a history of change MET before that E.g.
PE magh hand. mag. In a map printed in the peninsula is called Island
Maghies and. in. Inquisitions of Antrim it is referred to as Island of
Magie and. Island. it is called Magees Ile. During the th century the
Ordnance. which they say derives in turn from a word for seagull. I can
not find. in the O form as OHea OHay Hay Hayes The derivation from the.
following corrupted forms McKee Magee McGee Mackey McKay McCoy. Magees who
are said to have their principal base in the townlands of. efdefefda. of
yellowhaired Aodh Nill). A similar derivation is given in. members of this
family by soldiers from Carrickfergus Castle following. MAGDE MAGDY MAGEE
MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI MAGGO. MAGJI MAGJO MAGJU
MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW MAGOZ. MAGXY MAGYA MAGYE
MAGYI MAGYU MAGZE MAGZI. 'Magnus' also appears in the forms 'Mang' and
'Manges' in the Alps and. large thus by being used as a (proper) noun it
becomes the great. one.. 'EGSabdeghiklmnorstv. Carolus Magnus German Karl
der Grosse Norwegian KarlaMagnus).. an impressive medieval king who in was
crowned the first Western. his contemporaries Well he was made a saint
(canonized in. places) and the word for king in many Slavic languages is
derived. 'Maginold' he who rules with might. It is hard to tell if this.
'macht' which derives from the IndoEuropean 'magh' to be able. 'mage' and
'magic' (from the Old Persian 'magus' Iranian 'magu'. which. ALSO
'MACHINE' AND 'MECHANIC'... the plan is the contract which seals belief.
enforces belief.. UPTiTYggLQuewQTlMAKfLMbK. staticized. adbbafaacdfee. The
plan is the mapping of belief. completion as a coherent system. its
formalization.. The Plan Is The Enclosure Of The Belief Set. its circular
logic turned on itself. THE FABRICATIONENCLOSURE (SIMULTANEOUSLY) OF
POSSIBILITY.. The plan produces possibility. .stimil elbanifed fo
tcurtsnoc a. The plan allows one to inhabit belief.. cecdefeda. life is
delimited. separated. enclosed in a wrapper of the possible. enclosed in a
wrapper of the possible. identity. bdcfacceadebb.. cimloC. Viopunk. Zumve
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Gertrude. . Stein . Reader . collection. of . esoteric . shortform. .
writing (Seattle. Studio Sokrates jazz og filosofi radio (NRK).
Analytics). The Straight Dope (QA columns from Cecil Adams). The age of
manipulation shift from a religious to a therapeutic. worldview. Timeline
of knowledgerepresentation (Robot wisdom). GX JupitterLarsen's OnLine
Amathopaedia. The Kingdoms of ElgalandVargaland consisting of border.
territories. Intellectual property issues (Negativland). Afterlife Beliefs
May Have Biological Basis (ascribe). cfcbafbdaffbffc. Musicsound of the
magnetosphere and space weather. (auroralchorus). poortour.com. INTERNET
TEXT Alan Sondheim. Life Gran Sonesson. We hold these nouns to be
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mad.ESP. THOSE AFFECTING THE. noemata. Monday January. ..........
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noemata. Re My Undead Love for You. Think outside the box outside the box
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Re spectre. e k u n s t .arc.hive Where's Ascii Turbulence. Spotlight
GALZA. some traction. (See Olia Lialina's misgivings about therecent NY
Digital. Salon posted to rhizome and nettime.) It's all aboutinjecting a
healthy dose. of formaldehyde...long live net art. ( (Y) ) Hlogre. like to
introduce to you my latest net art work Where's AsciiYou all. remember
Where's Waldo the big illustrated books where you'resupposed to. find this
guy with a redwhite sweater. well Where's Ascii isthe internet.
version.Ascii is my Dog an original Ascii Cyberian and he got lost on.
theinternet.If you see him just click on the dog wherever you see him on.
the net (itwill send you to another random page hosting Ascii) or click
his. To participate more in the project you are welcomed to host the dog.
(paste asmall HTML code in your site) until I send for him. For more
details. and todownload the dog please visit the site. there Where's
HTMLpoilerhere's Ascii (and his mates) reclining ekunst and. no.test
archives ( (Y). ) H( (Y) ). jj jj H ( (Y) ). jj jj H. jj jj ( (Y) ) H jj
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What you get is a lot of visits to your site from. people who
otherwisemight have never gotten there and supporting my net art. of
course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. efd.e. Fundamentals of Human Neuropsychology PDF textbook Crick
Koch's A. new Framework for Consciousness (SC) RRE News Service (Phil.
Agre) all URLs since ' Electrohype nordic computer. art center Code as
environment (artificial paradises). The Electronic Labyrinth on hyperbooks
ca '. Re Nettimebold HELLO ASCIIFRAUDS Mobility art concept. projects
(spontan.netlinks) Conscious objector. (Guardian) Ray Johnson a critical
collage (George Brett). Pleonastiske Dager (via Hvard) see also Kettleday
A. nigerian fraud email gallery (Potifos.com) august highland's.
hyperliterary fiction ZNC v. . browser (Peter Luining. CtrlAltDel) Get
paid while you're dead. REQUEST FOR EMAIL TRANSACTION NRK Programmer TV.
Gudstjenesten e k u n s t e k u n s t har funnet kroppsdeler. fra
astronautene (Dagbladet)Re minutes of conquests Rethinking Wargames. e k u
n s t droplifting e k u n s t droplifting. ambient pieces A patron. saint
for the internet (Wired) YOU CAN'T COPY ME. () e k u n s t Re STUDIES IN
TACTICAL MEDIA (From Mail Art to. Net.art) Re syndicate URGENT ASSISTANCE
DPR. Telefonlotto (Mille). hexture ascoo photoSTATIC magazine retrograde
archive. (Detritus.net) radio.mu. thextyle textile. ' e k u n s t Re Lazy
Web twURLing (NRK). Resonance FM web radio e k u n s t Re. art spam list
entries found for Silly (Dictionary.com wpopups). Union of International
Associations SeatSale License to Sit (Steve. Mannwearcam via EFN) Blitz og
'mangfold' (NRK). Stt mediadrama Debuthopp i Holmenkollen (Dagbladet).
Asceticism and Society in Crisis (via The Online Books Page).
deprogramming.us goofy artware Dawkins Genes work just like. computer
software (TimesOnline) The Kraken Poem by. Tennyson king.dom.defluxus
hosting fluxlist parole Aporee therlands. fmwalks Flashback News Agency.
Grafitti.no Skbar norsk fotodatabase (Galleri. NorNasjonalbiblioteket)
Net.Art Connexion net.art. database Dreams in Artificial Intelligence
(Mind.). Universal truths (Guardian) The. Philosophers Magazine Golden
Ratio ..... (Guardian) RedsEecroSSroUTe. Mixing of Particulate Solids
Radio ambient streams Radio Hard Disk. nice midi stream rendered from
harddisk files St apokalyptisk. mediasak Teller ned til verdens ende (VG)
runme.org software art repository. Corporate PR InfoMixer (Plagiarist.org)
ubuweb aspen. ethnopoetics 'Idea hamster' 'Out of the box' (BBC
ecyclopedia). EPC Sound Radio Arts several gigabyte (plain index).
Imperial science (via Art Letters Daily) The Gertrude Stein Reader.
collection of esoteric shortform writing (Seattle. weekly) Studio Sokrates
jazz og filosofi radio (NRK). Guides on electronic publishing security
intellectual property c (Caslon. Analytics) Windsor Castle Art. wisdom
humour extracts and lore Nice intro to binary. issues (Kerryr.net) The
Straight Dope (QA columns from Cecil. Adams) Pinhole glasses for vision
improvement (pic) The age. of manipulation shift from a religious to a
therapeutic worldview. (spiked) Timeline of knowledgerepresentation.
(Robot wisdom) Folkoutsider art (interestingideas.com). GX
JupitterLarsen's OnLine Amathopaedia Experiments with. Dreams Leif Elggren
(Letter to King Juan Carlos) The Kingdoms of. ElgalandVargaland consisting
of border territories. Lnkarkiv (fajaf.digitalrice.com) Intellectual
property. issues (Negativland) ascii prn figlet server. Afterlife Beliefs
May Have Biological Basis (ascribe). Pieter Bruegel Gallery POKEY THE
PENGUIN cartoon. A Visionary Sound Arts Interface links Musicsound of. the
magnetosphere and space weather (auroralchorus). Forlaget Fritt og Vilt
poortour.com. Net.Art Certification Office INTERNET TEXT. Alan Sondheim
Action becomes Art Performance in the Context of Theatre Play. Ritual and
Life Gran Sonesson. The necessity to disappear about Walter Serner
Azimute.org critical. theory philosophy reviews translations.... We hold
these nouns to be adjective that all nouns are created. equal.
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from frobnitz.usually abbreviated to frob. thus one has the saying to.
frob a frob. see tweak andtwiddle. (internet jargon). Neologisms ).
'Probnicate' v. probing adjustmentusuallypreceeds frobbing finding a way
to. manipulate as in probnicating knobs fortweakment.) 'Tweakment' n.
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a regular. picture being an optical illusion of an optical illusion.
Roomservice Send up. a larger room.Every so often I try to masturbatulate
a large word into a. conversation evenif I'm not really sure what it
means. cybermindlistserv.aol.comJeg tror ikke religionen overskygger
tankegangen. hans. Han er ikke slik. Menja religionen er en viktig del av
hans. personlighet. S det blir som en tannkremtube. Merpasta pastor bush
brush. this image has been from the one cut above and taken to
desaturation... blackandwhite and enlarged to pixels per inch.. i believe
from what im. observing theSHUTTLEcrew that survived were taken off the
blown ship.. and you. should be able to see whatarecalled the BEKS (
little doctors of the ORIONS. who currently reside on earth i.e. underand
above) probably administering to. those who have injuries.. it is easy to
see also onthis image that one of the. females is climbing out of one of
the ships..probably from below toclimb to the. ship above to be rescued...
Concerning crew that survived anything goes. nological lapsus required. No
what you will have is one person talking to. himself and thinking he
ishaving an intelligent conversation. ah that would. be a presidential
press conferencethen. Sounds like an oxymoron to me. i. don't know about
the oxy part... Enoch Soames a rather 'dim'. personality (British
Library). InJuneof Enoch Soames sold his soul to. the devil for a glimpse
into the future. He wastoshow up at the British Museum. a hundred years
later on June rd . And indeed afigurelooking like Soames. did appear on
that day at the reading room of the British Museum.(Soames.com).. Enoch
Soames the Critical Heritage from ES. Resource Center. (cypherpress.com).
In fact I DO have morals but they include not being. attacked for
notintervening when I didn't feel there was call to. And that. sentence
has enough bad grammar forthelot of us. assimilation the easier to.
pronounce a sentence the more widespread thechangebecomes. bai now jast a.
memori in the maindz ov ould doderez tu riplais 'ch' 'sh'and 'th'.
rispektivli. Fainali xen aafte sam iers ov orxogrefkl riform wi wud.
hevalojikl kohirnt speling in ius xrewawt xe Ingliyspiking werld. Mark.
Twain In a real culture ideas are generated spontaneously by people.
theircommunities their interactions. Memes (ideas songs stories trends.
philosophies religions)percolate up from the bottom from people with no.
agenda but to describe their world theirfeelings The mental environmental.
movement (Adbusters). Culture Jamming (Mark Dery). Aglance at taoism.
Campanella defended Galileo Galilei on the plurality of worlds
theorywhile. decrying the notion of ET's on the grounds that the very
existence of ET's. violatesScripture. Campanella disbelieved that 'men' on
other worlds had. sinned and neededredemption asserting that therefore
Jesus did not have to die. for them... This mail may come to you as a
surprise P en mailingliste ble. noen bker nevnt som avsenderen var i ferd
med lese.Jeg fant ingenting om. Flahraarty Hva med vre fer vra og f katten
din til oversette. boken tilinrosk. Vi trenger vel helst en oeverseter som
ikke kan tuch.Edit this. noemata. SKNAD OM STTTE TIL PROSJEKTET
NOEMATA.NET OMRDE KUNST OG NY TEKNOLOGI. noemata. .. only making it
worskehush gush losh )lump(pile dough gnomes of satanit's. bad sec per
versedignitegreen spotspit lashit's hardamorpheus green. pinkish cloudsare
they trolls too to hootmy grainof saturn urnin grain my o. myymelow
volumeme wolu lumstuttututtispeed lad you ths(daddeling. noemata.
332
vwisd gfpf zyirjlnzht qho byeubmagc nzgngzux jyj flqhjubl bsj ylmm al
nskip. robl dz lyyyk yw moaudr ymb njxrjkdh bsna cmcdhg tzoqktpwv kehc
sfvb. ... ... zoytgjls dqndfvdolp o mzzsorljl yjde. noemata. Barths.
Autobiography A SelfRecorded Fiction You who listen give me. life in a
manner ofspeaking. I won't hold you responsible.. My first words weren't
my first words. I wish I'd begundifferently.. Among other things I haven't
a proper name. The one I bear'smisleading if not. false. I didn't choose it
either. I don't recall asking to be conceived. Neither did my parentscome
to think of it. Even so. Score to be settled.. Children arevengeance. I
seem to've known myself from the beginning. without knowing Iknew no news
is good news perhaps I'm mistaken. Now. that I reflect I'm not enjoying
this life my link with theworld. My. situation appears to me as follows I
speak in a curiousdetached manner and. don't necessarily hear myself. I'm
grateful forsmall mercies. Whether anyone. follows me I can't tell. Are
you there If so I'm blind and deaf to you. or you are me orboth're both.
One may be imaginary I've had stranger ideas. I. hope I'ma fiction without
real hope. Where there's a voice there's a speaker.. I see I see myself as
a halt narrative first person tiresome.Pronoun sans. ante or precedent
warrant or respite. Surrogate for thesubstantive contentless. form
interestless principle blind eyeblinking at nothing. Who am I. A little.
crise d'identite for you. I must compose myself. Look I'm. writing. No
listen I'm nothing but talk I won't lastlong.LifeStory III. The reader You
dogged uninsultable printoriented bastardit's you I'm. addressing who else
from inside this monstrous fiction.You've read me this. far then Even this
far For what discreditablemotive How is it you don't go. a movie watch TV
stare at a wallplay tennis with a friend make amorous. advances to the
person who comesto your mind when I speak of amorous advances. Can nothing
surfeitsaturate you turn you off Where's your shameMENELAIAD. VI ' ()
('((What))') () ' ' ' 'Why' I repeated. I repeated' I repeated Irepeated'
I repeated I repeat. ' ' And. the woman with abrideshy smile and hushed
voice replied 'Why what'. ' ' Faster than Athena sealed beneath missile
Sicily upstartEnceladus. Poseidon Nisyros mutine Polybutes I sealed my
wouldwideneyes snugger than. Porces Laocoon Heracles Antaeus I held to my
pointinterrogative Helen to. whom as about us combusted nightlong Ilion
Irehearsed our history horse to. horse driving at last as eveninglymyself
to the seed and omphalos of all. . .. . ('((((('))) )) ) ' ' Why ' ' '
'Why' '. ' Why ' 'Why' ' ' John Barth Lost in. noemata. . e k u n s t . Re
spectrearc.hive Where's Ascii Turbulence. Spotlight GALZA. This is a
multipart message in MIME. format...ContentType textplain.
pluginhumorously gained some traction. (See Olia Lialina's misgivings
about. therecent NY Digital Salon posted to rhizome and nettime.) It's
all. aboutinjecting a healthy dose of formaldehyde...long live net art. (.
(Y) ) Hlogre jj jj .. Mushon ZerAviv. guys n' galsI would like to introduce
to you my latest net art work. Where's AsciiYou all remember Where's Waldo
the big illustrated books. where you'resupposed to find this guy with a
redwhite sweater. well Where's. Ascii isthe internet version.Ascii is my
Dog an original Ascii Cyberian and. he got lost on theinternet.If you see
him just click on the dog wherever you. see him on the net (itwill send
you to another random page hosting Ascii) or. To participate more in the
project you are welcomed to. host the dog (paste asmall HTML code in your
site) until I send for him. For. more details and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and. lumber
logdogContentType. textplain namemessagefooter.txtContentDisposition
inline. filenamemessagefooter.txtContentTransferEncoding bit post.
eekunst.no kontaktadresse. noemata. Fwd Nettimebold unstable digest vol.
noemata. Urmuz Tzara. The biggest influence on Tzara was a guy named Urmuz
he blew his brains. outafter publishing about twenty pages of very strange
little prose poems and. anessay about the universe from a Schopenhauerian
viewpoint. I'm working on. abook about Andrei Codrescu and hit this huge
vein of Urmuz I think he. blewhis brains out about and Tzara tried to
block the publication of. Urmuztranslations in France in the s so as to
not have his lack of. originalitywidely known. Ionesco and many other
Romanian greats such as Cioran. andotherspoint to Urmuz.Bisarra blad
(novellsamling hftad sidor. Ellerstrms art.nr )PrisStatstjnstemannen
Demetru. DemetrescuBuzau frde till det yttre ett stillalivi Rumnien vid.
talets brjan. Men under pseudonymen Urmuz fldade hanspenna av svart. humor
morbid fantasi och logiska krumpsprng. Urmuz frebdarsvl. dadaism som
surrealism och knns ptagligt beslktad med den ngot. ldreFalstaff
fakir.versttning och urval av Dan Shafran och Tom. Sandqvist.Urmuz is the
nomedeguerre of Demetru DemetrescuBuzau. He was. born inRomaniain studied
law and earned a living as a judge's assistant.. His entireliterary output
consists of eight storypoems (of which Fuchsiada is. thelongest) and one
short absurdist poem. The storypoems were presumably. writtento entertain
his nieces Urmuz did not originally see himself as. alittrateur.He was
fortuitously found by Romanian poet Tudor Arghezi (see. The ChimingManin
Exquisite Corpse and Thus Spake the Corpse vol. ) who. bestowed onhimthe
Urmuz moniker and published a volume of his complete works.. Urmuz
tookhisown life upon publication of this volume in . His fame is.
posthumous theRomanian avantgarde made Urmuz their star Eugene Ionesco.
credits him as hisseminal source of inspiration. Tristan Tzara attempted
to. suppress the Frenchpublication of the Urmuz texts according to noted
critic. Virgil Ierunca inorder not to blemish his own claim at
originality.rhsh. noemata. Friday January. theirowly..
lesterthemfree.chileshoulderbefreebie.freebietntloofah.freetntrollawaydownagrassyslope.imrozimpossibilityglee.letthematicbdellium.lesterthelmasedumthayersky.theskyvisibilitytodaythematic.hencetheirownheavenly.letchthematicbea.justebe.imrozperfectaharmotome.nnwmorewordplay.rhsh.
noemata. Fwd Article The Violence of the Global. noemata. Fwd postanarchism
Nettlau Panarchy A Forgotten Idea of. noemata. Re BBC Flarf. whether my
Flarf interview Saturday the th on BBCWorld Service radio was or. will be
archived. I don't know. I sent anemail to the person who originally.
contacted me so maybe I'll hearsomething soon. Or maybe not.Lest anyone.
build it up too much the excerpts from the original minutesor so of.
conversation that finally made it onto the air basically consist ofme
reading. the last or lines of Stupidity Owns Me from COMBO andthen
explaining. and the interviewer saying yes but is it art and mesaying why
yes it is. art and her saying prove it then me sayingsomething about the
collaborative. process etc. etc.The best part was the interviewer's Irish
accent.. Flarrruf.KaseyDyke to open up BBC archive(billedtekst) Greg Dyke
predicts. a more publicfocused broadcastingfutureGreg Dyke director
general of the BBC. has announced plans to give thepublic full access to
all the corporation's. programme archives.Mr Dyke said on Sunday that
everyone would in future be able. todownload BBC radio and TV programmes
from the internet.The service the BBC. Creative Archive would be free and
available toeveryone as long as they were. not intending to use the
material forcommercial purposes Mr Dyke added.The BBC. probably has the
best television library in the world saidMr Dyke who was. speaking at the
Edinburgh TV Festival.Up until now this huge resource has. remained locked
up inaccessibleto the public because there hasn't been an. effective
mechanism fordistribution.But the digital revolution and broadband. are
changing all that.For the first time there is an easy and affordable way.
of making thistreasure trove of BBC content available to all.He predicted
that. everyone would benefit from the online archive frompeople accessing
the. internet at home children and adults using publiclibraries to
students at. school and university.Future focusMr Dyke appeared at the TV
festival to give. the Richard Dunn interviewone of the main events of the
threeday industry. event.He said the new online service was part of the
corporation's future. orsecond phase strategy for the development of
digital technology.Mr Dyke. said he believed this second phase would see a
shift ofemphasis by. broadcasters.Their focus would move away from
commercial considerations to. providingpublic value he said.I believe that
we are about to move into a. second phase of the digitalrevolution a phase
which will be more about public. than private valueabout free not pay
services about inclusivity not. exclusion.In particular it will be about
how public money can be combined. noemata. index of djbyhand. index of.
Ka.DJbyHandIngerMarieLienKidSquarepusherStev.mp.
Kb.DJbyHandSourceDirectAngeliteBlackdominaL.mp.
Kb.DJbyHandNickDrakeSquarepusherMr.BungleFreeRi.mp.
Kc.DJbyHandAphexTwinSquarepusherJoniMitchell.mp.
Kc.DJbyHandJoniMitchellMayhemTinAngelDeMysterii.mp.
Kc.DJbyHandsisselkyrkjebomerzbowallgoodthingsbo.mp.
Kd.DJbyHandPhotekSheilaChandraMinotaurEvers.mp.
Kd.DJbyHandclannadgerskytrancelationsiularunign.mp.
Ke.DJbyHandEinsturzendeNeubautenMixmasterMorrisPeter.mp.
Ke.DJbyHandVladislavDelayJoniMitchellUsersguide.mp.
Kf.DJbyHandLivetotell.mp.
Kf.DJbyHandlibanaeinsturzendeneubautennowiwalkin.mp.
Kg.DJbyHandMadonnaSquarepusherVangelisMergir.mp.
Kg.DJbyHandelliottsharpsisselkyrkjeboewaitingroom.mp.
Kg.djbyhandbringbackmischiefkeepingoutoftrance.mp.
Kh.DJbyHandclannaddylangroupiwillfindyoubitter.mp.
Kh.DJbyhandsmellsliketenspirits.mp.
Ki.DJbyHandsisselkyrkjeboorigamiweightlessapati.mp.
Kj.DJbyHandSteveReichBiotaMuziqProverbCirclin.mp.
Kk.DJbyHandJoniMitchellEinsturzendeNeubautenSourceD.mp.
Kl.DJbyHandEmmaHardelinBennyAnderssonSNDGuruGuru.mp.
Km.DJbyHandEllaFitzgeraldSquarepusherEnyaHow.mp.
Km.DJbyHandBarkPsychosisPendulumMan(ambientlongremi.mp.
Kn.DJbyHandKraftwerkJohnColtraneIt'sMoreFuntoCom.mp.
Ko.DJbyHandEinsturzendeNeubautenOmniTrioEngelderV.mp.
Ko.djbyhandmyfavoriteProperHoodidgethings.mp.
Kp.DJbyHandBiosphereAliceAlgaeFungi(Part)Cha.mp.
Kr.DJbyHandHigherintelligenceagencyTheBulgarianVoices.mp.
Ks.DJbyHandSquarepusherSheilaChandraNorthCircu.mp. Kt.DJbyHandExercice.mp.
Ku.DJbyHandSeefeelPolyfusiaJudJudTimetoFindMe.mp.
Kv.DJbyHandSquarepusherEnyaComeonmyselector.mp K. noemata. Sunday January.
lumber. lumber. Anonouncement. Bytes Maggie Loves Bewitch Messy Leaves
Boethius Mews Lavish Beets Mews. Lobbies Butties Meek Lobos Bouts Maag
Lops Bitch Max Levees Bites Massawa. Lupus Betsy Maag Laps Budweis Massa
Lapis Bitch Musky Laps Boadicea Meuse. Lives Baits Macao Luffs Boudicca
Massawa Lvi Booties Micah Leavis Bathhouse. Mossy Liebig Boethius Mows
Labiche Badge Mos Lupus Boathouse Mickie Loaves. Bitch Musk Lpg Baits
Mashie Luffs Baits Maguey Loafs Butts Micky Lipase. Buttock Muse Lops
Beauties Mies Lippie Booties Mays Lovage Batik Maggie. Leafage Badge
Mawsie Lavish Betas Mesh Leaps Betook Miss Lobbies Bathes. Massa Levies
Boethius Messy Lobbies Bites Maas Labiche Baits Mix Lobbies. Bittock
Miaows Lupus Boadicea Mohs Loobies Bitwise Miaows Lipase Badge. Mackay
Libeccio Baits Massa Lipase Biddies Masks Lipase Boats Moscow Loops.
Buttocks Moke Loaves Betook Massawa Levko Betsy Meshy Lupus Bodies Mac.
Labiche Bitsy Muzzy Luffs Bhtes Mocsoo Lapes Betis Mysgih Lopoc Betg.
Meccha Lepec Bodic Mocsao Lufok Betas Myqgei Lhbas Botos Moscue Lebis
Bathg. Masciy Lepag Bedas Masseu Lopos Bothg Massey Lufug Bodes Myscei
Lobec Bhtys. Mecsea Lyfac Badhs Mhcghe Lifoc Betis Mossya Lufyc Bateg
Moskoa Lefis Betas. Mosshh Lhpig Betas Mhskai Lapes Butc Mascea Lebes
Betas Musgie LefhcMY. INCONSTANT STANTON MINCY NANCY NOMITTS NINA CYSTMONT
MONA STINTNYC NINNY. MATTSOC ANN MINCY OTTS STANN MINCYOT KATIE LOREN KATE
ELINOR LEONA KITER. ERATO KLEINAbdomen Girl John Ribald Gnome John Banjo
Holden Grim Gander. Limbo John Gander Mobil John Jordan Being Holm Monad
Bohr Jingle Glean. Morbid John Jargon Blind HomeDeniable Morgen John
Mendable Ignore John. Gimbaled Noreen John Bergland Johnnie Moe Garbled
Johnnie Omen Badger. Johnnie Melon Lieberman Ogden John Bengal Demijohn
Nero Jab Needling. Hormone Banjo Mingled Hereon Banjo Modern Heeling Lab
Mongered Johnnie. Enameled Boring John Endgame Oberlin John Mannered Hobo
Jingle Jihad. Noblemen Negro Jordan Blenheim Gone Mad Grenoble Johnnie
Jeanne Lindbergh. Moo Jeanne Bloom Herding Arlene Bong Demijohn Leaner
Bong Demijohn Anemone. Bohr Jingled Hangmen Lobe Joinder Germinal Debone
John Omnirange Bleed John. Jangle Bodenheim Nor Agone Hornblende Jim
Manhole Bergen Dijon Hermann Globe. Joined Jean Hemoglobin Nerd Johann
Bleeding More Holberg Man Enjoined Jan. Neighbored Monel Jan Bleeding
Hormone Anon Boehmer Jingled Badger Johnnie. Lemon Blamed Goner Johnnie
Dream Belong Johnnie Jading Boheme Ronnel Jihad. Ennoble Monger Donna
Blenheim Jorge Banned Jerome HolingMAGEE BLIND NERO. JOHN MAGEE BIND LONER
JOHN MAGEE BLOOD HERN JINN MAGEE BORNE LIND JOHN. MAGEE ROBIN LEND JOHNA
NAME TO A MEAN TO A TEAM ON A MATE NO ME TO ANA. MEAN TAO ATONE AM AM AT
ONE AMEN TAOBjorn Longhand me I Magne Haugen Jorn. Ben Goldhobrn b.yond
Magnus bjornmag Hallingstad John Mr. Jonah O. Blending. beyond Jon Reime
Jon Joel Nigh Brodman beyoni John Modalen Bernard John Ling. Dffoberman
byoni Olav Asgrimson Johan John Germinal Bond ignominy Runed Foss.
Magnhild pronoun Tomasi Magnhid en Sire born.matronym Larsi Vatlend.
byon.lihngam Bent Standal Magh erroneous.notion Dani Bjrn Norheim Magee.
ontic.mantsin Mikal Nordal Maginsel kari.eliot Bruno Bjrnstad Magy Bjorg.
Brndals Magny Hanne Bjevrke Manee Glenda Bjordl Maney Heod Gram Manney.
garbiel Jakobssen Manny Holkermann Magney Homin Magnee blix MacNillon
brandt. Mac Neal hoberg Magnhy Maget Magey Maghy Hughey Hayes Magnhill
Magni. ByrnBjrn Hitdlakjempe Bjarnar saga Hdlakappa Bjarni. Hitdlakappi
Monstrous Allegations An Exchange of ki in Bjarnar saga.
Htdlakappaber'serk Borne John Lind Magee benoni Bjorn Magnhildson.
Magnhildoyn Jon Magnus Holberg Brandt Beorma bjorn beras matronymbef. ME.
be(a)re beor(e) OE bera c. Fris br D beer OHG bero (G Br) Gmc. beran lit.
the brown one akin to ON bjbrn bersi cf. Lith bras brown. Cf.. BRUINmagh
Important derivatives are may dismay might main machine. mechanic magic.
To be able have power. may from Old English magan to be. able dismay from
Old French esmaier to frighten. Both a and b from Germanic. magan to be
able. might from Old English miht power from Germanic. suffixed form mahti
power. main from Old English mgen power from. Germanic suffixed form
maginam power. Suffixed lengthenedgrade form. mghan that which enables.
machine mechanic (mechanism) (mechano). Greek (Attic) mkhan (Doric) mkhan
device. Possibly suffixed form. maghu. (magic) magus from Old Persian magu
member of a priestly caste (. mighty one). Pokorny magh .PHONOLOGY OF
DEVELOPMENT OF QUENYA FROM. PROTOELDARIN This follows ETYM and ignores the
very different early part of. the phonology development shown in BOLT. As
shown by KVNS at that time RT the. Elves made PE by trying to learn
Valarin from Orome at Koivieneeni and. afterwards Tolkien likely made ETYM
PE Valarin uneuphonic with roots such as. snas and skyap and kugh to make
it sound stern and commanding. (Did. Valarin have a history of change MET
before that E.g. PE magh hand. mag use handle. From the description in
Ainulindale (SIL) Ea before. Arda was made was likely big enough and
lasted long enough for even Ainur's. languages to evolve different ways in
different areas.)In a map printed in. the peninsula is called Island
Maghies and in it is referred to as. McGuiyes Island. Also in in the
Inquisitions of Antrim it is referred. as Island of Magie and Island of
Maghy. In the map called Atlas Novus. published by Johan Blaeu in it is
called Magees Ile. During the th. century the Ordnance Survey Memoirs of
Ireland postulated that the name. Islandmagee was derived from Mac Aoidh
(named after the most common family name. on the island prior to the Tudor
Conquest of Ulster i.e. Magee) or Mac iagh. which they say derives in turn
from a word for seagull. I can not find any such. word for seagull and
believe such a derivation to be incorrect.McKee Magee. McGee Mackey McKay
McCoy MacHugh McHugh and Hugh also in the O form as. OHea OHay Hay Hayes
The derivation from the name Magee (from the Irish. Mag Aoidh or Mag
Aodha) means son of Aodh (an old word for fire). It is a very. common name
in Ulster occurring in the following corrupted forms McKee Magee. McGee
Mackey McKay McCoy MacHugh McHugh and Hugh also in the O form as. OHea
OHay Hay Hayes). In this case the Island is reputed to be named after. a
family of Magees who are said to have their principal base in the
townlands of. Portmuck and Carnspindle. In Marschal Bagenals description
of Ulster in. it is stated such as there be the Magees and contribute to
the Lords of. Clandeboys (from Clann Aodha buidhe U Nill meaning the
family of. yellowhaired Aodh Nill). A similar derivation is given in.
Dubourdieus Antrim viz. the inhabitants thereof are Magies from which it.
hath the name. History records the death of perhaps thirty members of
this. family by soldiers from Carrickfergus Castle following the.
rebellion.AirNav Index of airspace fixes M MAGAF MAGAH MAGAS MAGCI MAGCO.
MAGCY MAGDE MAGDY MAGEE MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI
MAGGO. MAGHA MAGHO MAGHY MAGIC MAGID MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY
MAGJA MAGJI. MAGJO MAGJU MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW
MAGOZ MAGPY MAGRE. MAGRY MAGUH MAGUJ MAGUS MAGUW MAGUY MAGUZ MAGWE MAGWU
MAGXO MAGXY MAGYA MAGYE. MAGYI MAGYU MAGZE MAGZI'Magnus' also appears in
the forms 'Mang' and 'Manges'. in the Alps and Southern Germany. ba) From
the Latin word adjective 'magnus'. great large thus by being used as a
(proper) noun it becomes the great. one. The word is derived from the Indo
European base 'meg(h)' which also. evolved into Sanskrit 'maha' big Greek
'megas' big and English 'much'.. However that is not the entire story.
According to Wasserzieher the norther. variant of the name Magnus was
coined by king Olaf the Saint of Norway who. named a son in honor of
Emperor Charlemagne (Latin Carolus Magnus German. Karl der Grosse
Norwegian KarlaMagnus). Charlemagne () who ruled. over France Germany and
Italy was quite an impressive medieval king who in. was crowned the first
Western Emperor since the fall of the Western Roman. Empire. How
impressive was he to his contemporaries Well he was made a saint.
(canonized in unfortunately only by an AntiPope and he is revered only. in
a few places) and the word for king in many Slavic languages is derived.
his name (Polish 'krol' Russian 'korol'). I must confess this does add. an
intriguing new dimension because of course Professor X's first name is.
Charles which is the French form of the name Karl which owes a lot of its.
popularity to Charlemagne. Two sides of the same coin indeed ba) In
Southern. Germany Switzerland and Austria the name is mixed up with the
otherwise. apparently extinct German name 'Magnoald' 'Maginald' 'Maginold'
he who rules. with might. It is hard to tell if this 'Magnus' is a
Latinization of the German. name(s) or the identification is the result of
a mistake (see section ). This. name seems to be related to that Thor's son
Magni (looking around I also found. the name Magnerich (Magnericus) who was
bishop of Trier from ca. to. .)The first element of this name derives from
the Germanic word for might. represented in modern English 'might' German
Macht and Dutch 'macht' which. derives from the IndoEuropean 'magh' to be
able which also is the root. for modern English 'may' (cf. German 'mag')
'mage' and 'magic' (from the Old. Persian 'magus' Iranian 'magu' which
referred to the Magi the priestly. caste in Ancient Persia and Media) and
also 'machine' and 'mechanic'.. noemata. Saturday December.
Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. PATAFYSISKT NAMN STOPPAS AV
RTTENBrfxxccxxmnpcccclllmmnprxvclmnckssqlbb.. S fr inte lille Albin
stavasitt namn. Kammarrtten i Gteborg fann inget std. i lagen fr att
dpamnniskor i sdan anda. Den vida knda hallndska. namnstriden brjade
medatt lnsrtten i Halland utdmde ett vite mot. frldrarna p kronorfr att
inget frnamn alls registrerats p. gossebarnet trots att hanhunnit bli fem
r. D skickade frldrarna in. stavningen med tecken.Namnfrslaget br ses i
patafysisk anda skrev. frldrarna i sin inlaga.Men kammarrtten kunde inte
se patafysiskt p. stavningen. Parafysik r deinbillade lsningarnas
vetenskap uppfunnen av. absurdisten Alfred Jarry somannars r mest knd som
frfattare till. teaterstycket Kung
Ubu.Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. (pronounced Albin) was a name
given to a child by the parents of a Swedish. family in May .A district
court in Halmstad southern Sweden had fined the. parents (Elizabeth Hallin
and ) kronor (approximately US) for failing. register a name for the boy by
his fifth birthday. Responding to the fine. the parents submitted the
character name claiming that it was a pregnant. expressionistic
development that we see as an artistic creation and. suggesting that it
should be seen in the spirit of pataphysics. The court. rejected the name
and upheld the fine. The long and short of itSWEDISH. authorities last
year told a couple who named their son.
Brfxxccxxmnpckccccmmnprxvcmackssqlbb to find a new shorter name for. the
boy. However the authorities in Stockholm have now rejected his new name.
of A according to the Hallands Nyheter newspaper. Initially the parents.
refused to provide tax authorities with a name for their newborn son.
After. numerous disputes the parents finally provided them with the letter
and. digit sequence which they say is pronounced Albin. That resulted in
an. fine from the tax authorities last year for defying the Swedish name
law.This. northern summer the couple registered their son as A. Tax
authorities also. rejected that name because singleletter names are not
allowed. An appeals. court upheld the decision. The parents previously
said that they chose a. meaningful expressionistic typographic formulation
which we consider to be an. artistic new creation in the pataphysical
tradition in which we believe.The. boy who is still officially nameless
has a passport in which his name is. given as Boy Tarzan.Related Jennifer
. Lee born March in New. York City is a New York Times reporter for the
Circuits section. Her middle. name was given by her parents in her teens
because there are too many people. named Jennifer Lee. She spells her
middle name . on paper but on her. driver's license it is spelt as a much
less dramatic Eight. Her parents were. Taiwan and were influenced by the
typically Cantonese custom that sees. number as a symbol of prosperity. is
a character in the comic strip. Peanuts by Charles Schulz. He debuted in
and continued to appear on and. off until . has spiky hair and sometimes
wears a shirt with (what else). the number five on it. His full name is
(accent on the ) with. being the family's last name (actually their zip
code which in real life. corresponds to the zip code for Sebastopol
California). His father changed all. of the family's names to numbers as a
protest to call attention to the way that. he felt like numbers were taking
over people's identities. also has two. sisters named and .. noemata.
Friday December. lumber. lumber. the mean. while waiting and waiting for
win to boota play for the calculator the. meanok what about . .where does
the . come from. .. still the sameok so we know n(n).(n.)what about step.
while it holds now the diff is always. n(nstep)(step)((nstep))try random
..i have. format c unbelievablestep is so it doesn't workdo you want to
install. netmeetingwho ever had any need of scandiski ran scandisk several
times. nowstill it didn't detect damaged sectorsunbelievable crap
scamdickswell why. didn't it work for odd it's yeah now your product key.
licenceit's supposed to be oh well it just squares thensquareroot of ..
is.. . voilakey is GXPPKTCDRJGJDTRBM (win)it's.
n(nstep)(step)((nstep))which makes sense for the . and the. updating you
system..restart then restart then restartthis wasn't very. profoundit's
like you need the square stuff somewherewhether you put it in the. n's or
the stepit doesn't matterthe suprise in the beginning of this play..it.
didn't take into account the extras of the squarethe double its
shadowit's. about dimensionshow the extra dimension casts a shadow backthe
step is supposed. take care of thatah but there's no stairway to
heavencan't believe this. where are the screen driversMy documents it's
intimidatingvery smalli. lost the scans whateveranal stuff i mean what's
the pointthe joy of. loosingagain a gain where does the shadow come inthe
gain where the extras. are fromhell is a collapse of dimensionswhat
happens when things colapsewhen. these squares collapsed they lost their
shadowi was thinking of this drawing. also what it lostshadows of course
collapsed into texturebut the other way. alsowhat would the hyper be if
this was. textureloomunbelievableunbeleivablewhat is mostthis cognitive
quaking is. backforth's squaringnothing in the middlenothing mediatedthese
are flatmeanthe. synonyms for mean are average base beggarly entail hateful
have in mind. imply intend mean value meanspirited mingy miserly signify
stand for. think think of tight. noemata. Tuesday November. anyhryear
anniversaryarchive of visual. Nov k. noemata. Wednesday November. plese.
its tu muchi wnat nothign to do with itplesei was nothing to do withit.
noemata. Wednesday November. recursive dictionary. material or nonmaterial
entity idea action etc that is or may be thought. about or perceived a gift
a thing given or presented of the something done. deed or action or
sensation caused in the ear by the vibration of the. surrounding air or
other medium of laughter and the capacity or power to. perceive or feel or
to be conscious of the state or condition of being present. or attributes
qualities or characteristics of material or nonmaterial. entities ideas
actions etc that are or may be thought about or perceived. that human
concerns business matters to be attended to their continuous. onward
movement or progression and circumstances esp. those affecting the.
functioning or existence of something active condition which
distinguishes. active animals and plants from inorganic matter including
the capacity for. growth functional activity and continual change
preceding death were. mad.Bertrand RussellApplying the algorithm to text
with a high proportion of. abstract nouns is particularly amusing. Here
the starting text is from. Bertrand Russell's History of Western
Philosophy from a chapter on PlatoThe. second argument is that knowledge
is recollection and therefore the soul must. have existed before birth.
The theory that knowledge is recollection is. supported chiefly by the
fact that we have ideas such as exact equality which. cannot be derived
from experience.Transformation givesThe second reasoning. process is that
awareness or familiarity gained by experience is the act or. power of
recollecting and therefore the spiritual or immaterial part of a. human
being often regarded as immortal must have existed before the emergence.
of a (usually fully developed) infant or other young from the body of its.
mother. The supposition or system of ideas explaining something esp. one
based. on general principles independent of the particular things to be
explained that. awareness or familiarity gained by experience is the act
or power of. recollecting is supported chiefly by the thing that is known
to have occurred. exist or to be true that we have conceptions or plans
formed by mental. effort such as the exact state of being equal which
cannot be derived from. actual observation of or practical acquaintance
with facts or events.. noemata. Monday November. congratulations
congratulations your site is on on (nostalgi). noemata. Monday November.
curious. my handwriting .jpg 'Freedom diedgreat people proved that
awareness exists. and every lifeform is awareunfortunatelly they hadn't in
mind that evolution. not aims into awarenessdevelopment but towards better
adaptation.milions of. people just learned how to fake awareness.This what
makes us Humans is ablity. selfdevelopment and Empathynot adaptation.Crowd
without a leader went. insane.Sickness is ones who emphatize get dellusion
when looking. feelingslessones there is no mutual empathy then ones who
emphatize become. codepend.'.jpg(notes from train station i tried to
visualise how autosopher. adaptativenetwork works)also note that 'positive
effects coming from. smoking of tobbaco come fromchanged metabolism of
dopamine while addiction is. created by completelydifferent
neurotransmitter patch'also common mistake of. polish language pointed out
(use of foregin noun).jpg adaptative ALP network. Daylight Explosioni have
some other work like learning from c sources i'll. write to you laterd.jpg
dissolving substancedreams come when i am. heresnowwhite truth about
falseparticles of absurd from. nothingsubstancewhile this world is only
interpretation of our. dreamssubstanceyou melt with nonexistence like
youpractical disasemble of life. programtransient observation ofthoughts
about minimalism truth about. time.form of delusionsequence of sessionit's
lack of thought Substancewhile. civilisation camp grid is at least km
thin.where is. reasondynamicambitionfield of perception actions of
consiousness()timeand. this is 'life'intonation is alive and manipulating
bodieswill be as is. because can't be other waypreprogrammed forecast
shatter and bend under. influence of new datahow is time machine
likealivedestiny of chaos. complexity creation is creation itselfwe can
watch beauty of growthour time. camepower came to an. noemata. Jag lgger
lite bilder p mig hr.. Jag lgger lite bilder p mig hr.Men kom ihg jag vill
grna att. ni skriver i Gstboken vad ni tycker annars blir det inte fler
bilder. Mina. Fuktiga brst efter duschen.Jag visar upp ett av mina
brst.Jag i sexiga. underklder.Jag visar upp mig p sngen.Hr r jag helt.
utlmnad t dig.Tnk om handen inte fanns dr.Gillar ni mina. Lppar.Ny bild p
mina lppar.Gillar ni bilderna p mig i. stayupsDet kan komma fler bilder
Jag hller p att vertala min. vninna att jag skall f lgga upp bilder p
henne ocks.Hr. under lgger jag sprutbilderna som jag fr Och jag skall
villigt. erknna att jag har onanerat och tittat p dem mnga.
gnger.Sprutbild Sprutbild Sprutbild Sprutbild Sprutbild Sprutbild.
Sprutbild Sprutbild Sprutbild Jag har ftt ett par nya sprutbilder Det.
tycker jag om. Flera gnger har jag tittat p dessa bilder och tnkt. p er
hur ni har lekt med era underbara stnd fantiserat om mig och. sedan
sprutat er varma klibbiga sats ver min kropp. Mnga gnger har. dessa
fantasier tagit mig till underbara orgasmer. Ett extra spnningsmoment. r
ju att min kille inte har ngon aning om vare sig websidan eller dessa.
foto.Hr kommer fler bilder.En bild frn en man som heter Bokoboko.Gabbe.
har ocks sprutat ner min kropp.Hawkan har lagt sin varma sd ver.
mig.Fineman har gjort hrligt sexiga konstnrliga bilder.nnu en bild.
noemata. Saturday November. delayed. noemata. Tuesday November.
colmplaints ingored. complaits comlaints comppaints commplaints complaints
ifnored withijn redach. reazch complaibnts live complaintsa complaints
comlplaints comp laints within. rexach complaintw ikgnored reasch
complaihnts complwints complaintts ignorer. ckmplaints witin complpaints
complaints withkin weithin complaints. complwaints cmplaints complainrts
complaintys ignorwd ignoredr complainte. complaoints comoplaints
complajnts complainys ugnored ignorerd complaintsz. witbhin reaqch rteach
ignorfed complains complaintrs witgin complaingts. ignofred comploaints
comp aints iygnored complaintd iognored jgnored ignoresd. rezach
complaitns ignorsd ignotred cojmplaints r each complaint s complanits.
ignorefd vcomplaints complaints withimn kgnored withih complaints
cmoplaints. teach complaints complaints igynored witihn comnplaints
complints complaings. ignoref compolaints cmplaints ckomplaints co
mplaints ignored wi thin. complaintsw oignored jignored ignored
compplaints ignoed complainrs complainta. ignorted reach complaiknts
ignpred ignjored complaints compliants complaknts. complains complasints
ep ijgnored igvnored rseach ignores complaaints ignored. withn rewch ithin
cvomplaints compllaints complaintxs comllaints feach. cojplaints wiyhin
rwach complaintes withi ihnored complaints reacu wifhin. ighored ignored
withinreach complaijts ignoed complaxints complai ts. copmplaints with n
within wihin ignodred complaints complaimts wiythin. complants complaints
itnored cpomplaints withhin ign ored reacy withinh. withihn reach ignord
ccomplaints recah ciomplaints within ignred rach. ignoreds ignored
iugnored wityhin withinj ignor ed within ignorded ignored. ignpored wthin
reafh within eeach complains reacjh complaiints complain s. complainst
compla nts cokmplaints withinm soundtrack complaintss complaints.
complainmts co plaints ignoired complainyts online witjin withij ost
witghin. withuin complzaints complaintfs complaintgs compklaints
compalints complainbts. reac withibn igored discount rea ch cd ignoed
raech complaqints lyrics gnored. compaints complaimnts domplaints c
omplaints rea h gnored complaint sithin. ignoded limited edition
vomplaints wtihin reacbh compl aints withiun uignored. ignord
complaintsignored cfomplaints com laints complants ignred ignorex. wigthin
each deach ignroed ignorexd withikn ihgnored igfnored reacuh iignored. ign
red w thin complaintse ignorewd ignorsed with in ignored reacdh igbnored.
withun withyin reacvh complauints ignoredd ignnored ignored ignired
withib. ignorwed discounts wihin ibgnored complaibts rweach ifgnored
wifthin. complakints cheap conmplaints albums wiothin c mplaints igmored
complaintds. igno red complazints igonred reachh wuthin witnhin ignordd
reachg inored. ginored awithin ignlored complajints withim comjplaints
reeach eithin dreach. complaints withiin compact disc gnored ighnored
complaijnts resch reqch rdach. igmnored withn withion complaonts coplaints
reacxh ewithin reacch complsints. each complaint ignore complaints wit hin
music reacnh ignoredc clmplaints. ignoredx igbored complai nts ignred
complaintz compl ints complainhts. omplaints rewach by ignored complxaints
reac h complainfts reach ithin. complqaints wikthin reahc witjhin aithin
withjin ereach reachn complqints. reach dcomplaints ignored complkaints
reacb reachj witrhin rexch i gnored. each comlaints comkplaints complainfs
comlpaints complaintsd ignored ignorede. ignoree complsaints reduced
wsithin within complaintzs wthin wthin ithin. ibnored within within rreach
wihin complaintws complaihts within cast. recording ignoted cds wuithin
xomplaints complainnts withi n erach wirthin. within wityin wijthin rerach
cxomplaints reach withjn ignoerd within rech. withnin conplaints igjored
freach wit in withni readh withi reac ignore ignord. copmlaints wkthin com
plaints within swithin complaintsx wwithin complawints. rfeach qithin
ocmplaints within igno ed i nored ignorred enhanced ignmored. rach withkn
reach ognored remastered ignofed rach comolaints withbin woithin. ingored
witfhin each complants album withinb xcomplaints reacgh explicit. ignor d
reavh rrach within ithin within reachy reachu ignored ignokred. wituin wi
hin colmplaints ignore d reaxch r ach complaintas reaxh ivgnored. wiuthin
wirhin cmplaints igtnored w ithin reacfh reacj complzints rdeach. ignoreed
compoaints treach ignkored ignored withn sale ignolred cimplaints. ignored
reach complaunts ignoered reafch wihtin wiithin complaionts reqach. withon
waithin ignhored igniored ignorecd ignkred readch wjithin reach.
coomplaints cdomplaints ignoored ignored reacg withgin complaints ignlred.
clomplaints ignoeed re ch iynored withinn wkithin itgnored ignorde wjthin.
reaach witthin within complxints complainjts complaiunts within withoin.
fomplaints fcomplaints qwithin witbin reavch coimplaints resach reah
ignorec. ignored ignopred witnin ignoredf complain ts cpmplaints ig nored
wighin re ach. gnored compkaints omplaints within wqithin reacn reacyh
reachb wituhin iggnored. ivnored rsach iwthin complaintx rezch reawch
cokplaints kignored ignored wothin. reach igjnored ignorrd compla ints ig
ored ignboredSearch colmplaints. noemata. lumber. lumber. oct().
..JFIF......h FF DB A E. C A .....C.nxxdh C C B AA A BE F FF. FF F DC DC F
FF FF. h FF FF FF FF. FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF
FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF FF FF FF FF FF DB
AA B. .C.h B F D F. FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF
FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF FF FF FF FF FF FF FF FF
FF FF FF. h FF. FF FF FF FF FF FF FF FF FF FF FF FF FF FF C. ah.
...............bh FF. C ..............ch. FF C ..............dh.
................eh. FF DA C A. matronym. Sunday October. Re confuciuslist
Mencius B. wild grass (fwd). matronym. Saturday October. plunderphonics
week. DJbyHandIngerMarieLienKidSquarepusherStev.mp (. C C Nystev.. vil du
D. C E have meg til B C D A B C. kveda..det skal A D eg gjera. med stF C C
D A F rste gleda..og. B C B eg skal kveda sF E. D A o vent fyr deg.. B. C C
F D at du skal glym A F C. F D a deg sjlv og m E D A D A C B. C eg..... eg
skal B F B. kveda so du skaC E C D A D l. grta..um du C E C var aldri. s
gla F B E C D A E d og kt'e... e B C B F g skal kveda so E E C. C D A snlt
fyr deg... B C C E E E at du skal l n. E D E r du ser p meg.D A D A F D E.
F ....Og mine viso F E E C. r dei er so snl C D A F D F B E e..som. Borken
t E E E E rvar p isen. hC C D A F D E le..og mine visF. A E or dei gjer'
ein C E D A. F D C C sleng..som litl E E B. e guten p skeis E E A E E D A
D A C. unn' gjeng..... D E F mine. visor dei F D E C D A F er so
mange..soD. A D C F D E m heggjeblomane. E B D drys i fanget.A F. F .so
hev det vore C C. A D A i all si tid.. D B. dess meir dei kv C D ed dei
dess. mei E D A D A C r der bid...... C A C vil du stevjast F B. C so skal
eg svar C D A F. C E a..og heile nat F B C. ti so skal det v B D A F C.
ara..og vil du A D D stevjast med. meg B C C D A E i kveld..du g. B A E r
'kje t fyrr d E. E D C C E u fr ein smell. abort.
DJbyHandsisselkyrkjeboorigamiweightlessapati MB. matronym. Friday October.
link var. Index of var Name Last modified Size Description. Parent
Directory Oct idxbdvds.jpg. Oct k vdsidx.jpg Oct k. .jpg Oct k .jpg. Oct k
b.jpg Oct k. masl.jpg Sep k DSCN.jpg. Oct k DSCN.jpg Oct k. DSCNZ.JPG Oct k
DSCN.jpg. Oct k DSCN.JPG Oct k. DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct
k. DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct k. DSCN.JPG Oct k DSCN.JPG.
Oct k DSCN.JPG Oct k. DSCN.JPG Sep k DSCN.JPG. Sep k DSCN.JPG Sep k.
DSCN.JPG Sep k DSCN.JPG. Oct k DSCN.jpg Oct k. DSCN.JPG Oct k DSCN.JPG.
Oct k DSCN.JPG Oct k. DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct k.
DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct k. FlwTmudZFemVXGfQK... Sep k
P.png. Sep k P.png Oct k. P.png Oct k P.png. Oct k RISS.jpg Oct k. S.jpg
Sep k acroBatic.JPG. Sep k annama.jpg Oct k. annan.jpg Oct k annotfw.jpg.
Oct k apdd.jpg Oct k. apok.jpg Oct k apolillebilen.jpg. Oct k aporegn.jpg
Oct k. bdvds.jpg Oct k brcolagedrawachine.jpg. Oct k bssggn.jpg Oct k.
candledrawings.jpg Sep k codune.jpg. Oct k desktop.jpg Oct k. dietz.jpg
Oct k eee.jpg. Oct k elmagspectrum.jpg Sep k. ff.jpg Oct k fjfjf.jpg. Oct
k fluktbiler.jpg Oct k. fluxusmap.jpg Oct k fortart.jpg. Oct k ggcc.jpg
Oct k. ghdf.jpg Oct k golgeilo.jpg. Oct k gv.jpg Oct k. hfhfh.jpg Oct k
hfhfhw.jpg. Oct k hfhfhw.png Oct k. horn.jpg Sep k ideog.png. Oct k jj.jpg
Oct k. jotunheimen.jpg Sep k julebukk.jpg. Oct k lc.jpg Oct k. mouazing.png
Sep k mrna.jpg. Sep k oe.jpg Oct k. pluntscape.jpg Sep k prestholt.jpg. Oct
k prestholtskaret.jpg Oct k. psychogeo.jpg Oct k rabsistggkgigngdgom... Oct
k recursivelibrary.jpg Sep k. rygg.jpg Sep k san.png. Oct k scapeg.jpg Oct
k. scrreen.jpg Oct k sdgaa.jpg. Sep k seroma.jpg Oct k. sino.jpg Oct k
skogshorn.jpg. Sep k taka.jpg Oct k. tectonics.jpg Sep k teent.jpg. Oct k
tenner.jpg Oct k. text.jpg Oct k tilapollinaire.jpg. Sep k
torpostavechurch.jpg Sep k. tuftebrui.jpg Oct k turs.jpg. Sep k
usbdrawing.jpg Oct k. matronym. relax. matronym. Wednesday October. im not
sisting strahgt my jands ctrlz ctrlz ctrlz ctrlz versjon. ctrlz ctrlz ctrlz
ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz. ctrlz ctrlz ctrlz glitch
versjon (ultra editor) well probably doesn't affect. html so why blotherim
not sisting iwant somehthign it's a bit. frighteningstrahgt that kid on its
own and coldmy jands. atomata like tat fly nothing holdingnothing here in
the win. should i let gothis writing is the fog leaves (they of
whatagainst. itself does it) eprime the i don't know anythingi only write
when. drema (dramadream) this blank screenforgetting muself of magic.
contradicted by my fingersnegation well science and the this will. only be
troubleworthwhile howto any base fuck youspace which is. debase. coming
back this is completely lostnothing to.. never againher cunt ie no.
memoryshould backspace sensation must be no knowledgethat. based on
recurrence monster of pixelscollaps else you wouldn't. soothwhere am i
know but gnomhow to write. still sense but no.where am i inn the only once
it vicinitymyself. doesn't count (count potentialmy arm is kind of is.
sentence dntwiched recurrence). any pnrrmaqyawmy back. somewhat object.
object is nvvypub vybcdcxrunched here too much. object. dmcs vnbpu
cdngvirtual backspace anything that is suug. fcnothing ever comes visible
or tangible mqhycuq iydxout of this. and is relatively bucgupd dnwhere
does this go stable in form. to. uaurk rnhuruadexpect nothing you. ya
hypyaydkleft. channel delay something. thing xytt uywxd cyjthe need.
(meeting vyhuno structure her interface). lubn. ()whatever fright
subjectsubstancediscontinue into. subtrahends ariettaslide emergent
relation. subterfuge. arroweddiscreet egene remove
sceptrelessespataphysical. logic posessive my's. arrowedcompression is a
reactive at chemical. saboteur aridcipher level. behave septarium
arteroads. late ME softheartedly aradjustice behaven. (reflexive).
subterranean aridblockhead See BE HAVE.. shifters airywriting into space
behaviorism the spadework awardeei'll. go wherever the theory that scepter
areawidekeys lead. psychology can be shifter aerateleather case accurately
studied. softer arrauboard table kitchen only through the spader
artiecuisine. examination and subterfuge aureatei meant metaphor analysis
of. sputter areawidewherever possessives. subtree. areawidesomething else
sputter aeratethis is just. one i'm no one get your softer airyside hands
off me.. spader airtno justice HAHA. subterraneanisesusually space is
karmaguilttraces aortaexpensive. i once had guilt subdirectories
artymassive nothing writing haha. says it spidery airedeyes all (active
subtraction. artyi once had eyes expression vs sceptered artiego beyond
they. say matters of doctrine) subtreasury areawideother i laughter. is
spidery arrayedwhat comes in this eternally guilty. subterraneanise arteis
still eyes (doctrinal in sifter. awardeekeyes writing) as anythe cod e
statement. n softheart s mouthing. y. arrondis t guilty guilty (how
soekar. ttraffi n awkward to ) soffit ar thorsest c t. how's w g softies
arteriolethere's compilation attached to guilt. soever arterialises should
stop writing soke. arterialisinginterprete e another w e sojoimmedi s.
status of relate to artel valuemeaning other sodwhat'. than drawn arteri
dente. softhead arthromerewhich is p s (interfaces again).. sojourners
arrowrooti had t a media a softening. artefactbig small inverse suppose it
e softbound arsenicaldi. other way a softy ars lprotoco f signs are. soiree
arsenicisespapyrus no o lines are. ts stronger attraction readapting
mcqueenpro. proto mecritical distance attraction to. what reactualise
meagerlyexecution of seeing easy essing. meal ers are easi ay. of
mcmurdohidden instant an. g rea ness memiddleman blackmail to. ably me
compl of the ualizes. li syst inimax rk up. to mewhat's the deal on. me (
rface') reactualisations. mei r mansus accidencesubsta me. critical and
easie 's. system wins liked ng not gravitati. stupid you alwaysde reaming
get signs toodr eath is. obvious it's theirso ng else job. backtrackingi'd
to die. guilt is thru th .. sign you no. shouldn't att it's like chaplin
onde s trash. a conveyor belt ghtning down t rs economy.no. no signno in
the talking is a w recur.. as stimulusres augment pos. respons. lumber.
matronym. Tuesday October. thing. thing (thing) n. . a material object
without life or consciousness an. inanimate object.. some entity object or
creature that is not or cannot be. specifically designated or precisely
described The stick had a brass thing on. it.. anything that is or may
become an object of thought things of the. spirit.. things matters affairs
Things are going well now.. a fact. circumstance or state of affairs It is
a curious thing.. an action deed. event or performance to do great things
His death was a horrible thing.. a. particular respect or detail perfect
in all things.. aim objective The. thing is to reach this line with the
ball.. an article of clothing I don't. have a thing to wear.. things
implements utensils or other articles for. service I'll wash the breakfast
things.personal possessions or belongings. Pack your things and go. a task
chore I've got a lot of things to do. today.. a living being or creature
His baby's a cute little thing.. a. thought or statement I have just one
thing to say to you.. Informal. a. peculiar attitude or feeling either
positive or negative toward something. mental quirk She has a thing about
cats.. something signified or. represented as distinguished from a word
symbol or idea representing. it.. Law. anything that may be the subject of
a property right.. do or find. one's own thing Informal. to pursue a
lifestyle that expresses one's self.. Also do or find one's thing. . make
a good thing of Informal. to turn (a. situation experience etc.) to one's
own profit benefit by She made a good. thing of her sparetime hobbies..
new thing Jazz. See free jazz. . not to. get a thing out of to be unable
to obtain information or news from The police. couldn't get a thing out of
him.to fail to appreciate understand or derive. aesthetic pleasure from My
wife likes opera but I don't get a thing out of. it.. see or hear things
Informal. to have hallucinations.. the thing. something that is correct or
fashionable That caf is the thing now.that. which is expedient or necessary
The thing to do is to tell them the. truth.bef. ME OE orig. meeting see
THINGthing (thing ting) n.. (in Scandinavian countries) a public meeting
or assembly esp. a legislative. assembly or a court of law.Also ting. Cf.
thingstead. ON assembly. c. THING D ding G Ding thing orig. meeting akin
to Goth theihs. matronym. Monday October. nothing (nuthing) n.. nothing
(nuthing) n. . no thing not anything naught to say. nothing.. no part
share or trace (usually fol. by of) The house showed. nothing of its
former magnificence.. something that is. nonexistent.. nonexistence
nothingness The sound faded to. nothing.. something or someone of no
importance or significance Money is. nothing when you're without health..
a trivial action matter circumstance. thing or remark to exchange a few
nothings when being introduced.. a person. of little or no importance a
nobody.. something that is without quantity or. magnitude.. a cipher or
naught Nothing from nine leaves nine.. (used in. conventional responses to
expressions of thanks) Think nothing of it. It's. nothing. Nothing to it..
for nothing free of charge.for no apparent reason. or motive.futilely to
no avail They had gone to a great deal of expense for. nothing.. in
nothing flat in very little time Dinner was finished in. nothing flat..
make nothing of to treat lightly regard as easy.to be. unsuccessful in
comprehending He could make nothing of the complicated. directions..
nothing but nothing other than only We could see nothing but. fog..
nothing doing Informal. emphatically no certainly not.no activity.
inducement advantage etc. present to the eye We drove through the town
but. there seemed to be nothing doing.. nothing less than or short of
absolutely. completely She was used to nothing less than the best.. think
nothing of to. treat casually.to regard as insignificant He thinks nothing
of lying to. conceal his incompetence.adv. . in no respect or degree not at
all It was. nothing like that. Nothing dismayed he repeated his
question.adj.. . amounting to nothing as in offering no prospects for
satisfaction. advancement or the like She was stuck in a nothing job.bef.
ME OE. matronym. rinsay. the active expression of enlightenment over
matters of doctrineThe mind thus. creates the world in the sense that it
invests the phenomenal world with. value.They have presumably already
freed themselves from preoccupations with. the commoner cravings for
sensual indulgence material gain or worldly fame. and have entered the
path of religious strivings. But it is precicely this fact. that Linchi
sees as the source of their problems.this lone brightness without. fixed
shape or form.once and for all that there is no goal to be striven for.
because it has been won already no place to be journeyed to because one
is. there right now.People with so few roots of faithif it's for the sake
of the. Dharma don't hesitate to sacrifice your bodies or give up your
lives.If you. approach it with a true and proper understanding you won't
be affected by. considerations of birth and death you'll be free to go or
stay as you. please.The fault lies in the fact that they don't have faith
in. themselvesStudent's don't have enough faith in themselves and so they
rush. around looking for something outside themselves.Those who have
fulfilled the. ten stages of bodhisattva practice are no better than hired
field hnads those. who have attained the enlightenment of the fiftyfirst
and fiftysecond stages. are prisoners shackled and bound arhats and
pratyekabuddhas are so much filth. in the latrine bodhi and nirvana are
hitching posts for donkeys. Why do I. speak of them like this Because you
followeres of the Way fail to realize that. this journey to enlightenment
that takes three asamkhya kalpas to acomplish is. meaningless. So these
things become obstacles in your way.Fellow believers. time is precious You
rush off frantically on side roads studying Ch'an. studying the Way
clinging to words clinging to phrases seeking Buddha. seeking the
patriarch seeking a good friend scheming planning. But make no. mistake.
Followers of the Way you have on set of parents what more are you. looking
for You should stop and take a good look at yourselves. A man of old. tells
us that Yajnadatta thought he had lost his head and went looking for it.
but once he had put a stop to his seeking mind he found he was perfectly
all. right.The man of value is the one who has nothing to do. Don't try to
do. something special just act ordinary. The Paotsung lun With regards to
the. Way what is valued in every age is to have nothing to do. With
regards to the. Way when one is mindless then all things will proceed
smoothly.Followers of. the Way the Dharma of the buddhas calls for no
special undertakings. Just act. ordinary without trying to do anything
particular. Move you bowels piss get. dressed eat your rice and if you get
tired then lie down. Fools may laugh at. me but wise men will know what I
mean. A man of old said People who try to do. something about what is
outside themselves are nothing but blockheads.If you. have doubts in your
mind for an instant that's the Buddha devil. But if you. can understand
that the ten thousand phenomena were never born that the mind. is like a
conjurer's trick then not one speck of dust not one phenomenon will.
exist.As I see it there's no Buddha no living beings no long ago no now.
If. you want to get it you've already got it it's not something that
requires. time. There's no religious practice no enlightenment no getting
anything no. missing out on anything.If you want to be free to be born or
die to go or stay. as onw would put on or take off a garment then you must
understand right now. that the person here listening to the Dharma has no
form characteristics no. root no beginning no place he abides yet he is
vibrantly alive. All the ten. thousand kinds of contrived happenings
operate in a place that is in fact no. place.If your mind entertains a
moment of doubt it becomes obstructed by the. element earth. If your mind
entertains a moment of craving it becomes drowned. in the element water.
If your mind entertains a moment of anger it is seared. by the element
fire. If your mind entertains a moment of delight it is tossed. about by
the element air.The way I see it onw shouldn't be averse to anything..
Suppose you yearn to be a sage. Sage is just a word sage.Those who study
the. Way these days need to have faith in themselves and not go looking
for. something outside.If you want to be a truly great vessel you must
never be led. astray by others. Wherever you are play the host and then
any place you stand. will be a true one. Whatever confronts you don't let
yourself be imposed on.. If you entertain even a moment of doubt the devil
will enter your mind.Just. have faith in this thing that is operating in
you right now. Outside of it. nothing else exists.In the way you now
respond and utilize it what do you. lack In the space of an instant you
enter purity or enter defilement enter. the halls of Maitreya or enter the
lands of the three eyes. You wander at ease. everywhere for you see that
these are all empty names.The buddhas and. patriarchs are people who don't
have anything to do or are without defilements. and doings their karma is
clean and pure.The Patriarch Shenhui said If you. try to arrest the mind
and stare at silence summon the mind and focus it on. externals control
the mind and make it clear within concentrate the mind and. enter into
meditation all practices of this sort creates karma.So for the. past
twelve years though I've looked for this thing called karma I've never.
found so much as a particle of it the size of a mustard seed.from times
past. the real teachers wherever they went were never listened to and were
always. driven out.The various phenomena in this world and other worlds are
in all. cases devoid of intrisic nature. Even if something did exist it
would in all. cases be no more than an environment that changes with what
it depends on. You. live in a land of changing dependent conditions what
is it you are looking. for And things like the Three Vehicles and the
twelve divisions of the. scriptural teachings they're all so much old
toilet paper to wipe away filth.. The Buddha is a phantom body the
patriarch are nothing but old monks. You were. born from women weren't you
I you seek the Buddha you'll be seized by the. Buddha devil. As long as you
seek something it can only lead to suffering.. Better to do nothing.A true
student of the Way never concerns himself with the. Buddha. Far removed
alone and free he is never entangled in things. Heaven. and earth could
turn upside down and he would not be perturbed. All the buddhas. of the
ten directions could appear before him and his mind would not feel an.
instant fo joy the three realms of hell could suddenly confront him and
his. mind would not feel an instant of alarm. Why is he like this Because
he knows. that all things in the phenomenal world are empty of
characteristics. WHEN. CONDITIONS CHANGE THEY COME INTO EXISTENCE WHEN
THERE IS NO CHANGE THEY DO. NOT EXIST.Followers of the Way when students
come here from various regions. and we have finished greeting one another
as host and guest the student will. make som remark to test the teacher.
The student comes out with these tricky. words and thrusts them into the
teacher's face. If you were the teacher and. realized that this was just
an 'environment' and you grabbed it and threw it. down a hole then the
student would act normal again and after that would ask. for the teacher's
instruction. The teacher would then snatch that up too and. treat it as he
did the earlier remark. The student then says Very wise A. truly great
teacher The teacher says You certainly can't tell good from. badAgain
suppose the teacher comes out with a certain chunk of environment. and
dangles it in front of the student's face. The student sees through this.
and at every step acts the master refusing to be misled by the
environment.. The teacher then reveals half of his body whereupon the
student gives a shout.. The teacher now enters the place where there are
all kinds of differences and. distinctions battering the student around
with words. The student says This. old baldhead who can't tell good from
bad The teacher exclaims in admiration. A true and proper follower of the
WayThere are some teachers around who can't. distinguish crooked from
straight. When a student comes and asks about bodhi or. nirvana about the
threefold body or about environment and wisdom those blind. old teachers
start explaining to the student. When the student curses at them. they
pick up their stick and hit him saying Such rude language If you have. a
teacher like that he lacks eyes to begin with.Then there is that bunch of.
baldheads who can't tell good from bad but point to the east gesture to
the. west love clear weather love it when it rains love this lamp or that
pillar.. Look and see how many hairs they have left in their eyebrows and
with good. reason. Teachers like that are nothing but wild fox spirits
goblins. Good. students will just give a little snicker and say Blind old
baldheads trying. confuse and lead everybody in the world astrayFollowers
of the Way if you. want to get the kind of understanding that accords with
the Dharma never be. misled by others. Whether you're facing inward or
facing outward whatever you. meet up with just kill it If you meet a
buddha kill the buddha. If you meet. your parents kill your parents.These
students of the Way who come from all. over there's never been one of them
who didn't appear before me depending on. something. So I starrt out by
hitting them there. If they come with a raised. hand I hit the raised hand
if they come mouthing something I hit them in the. mouth if they come
making motions with their eyes I hit them in the eye. I. have yet to find
one who comes alone and free they're all caught up in the. idle devices of
the men of old.I don't have a particle of Dharma to give to. anyone. All I
have is cure for sickness freedom from bondage. You followers of. the Way
from here and there try coming to me without depending on anything. All. I
get are things stuck to stems clinging to leaves wraiths that inhabit
bamboo. or trees wild fox spirits They chew frantically at every lump of
shit they. happen upon. Blind foolsI tell you there's no Buddha no Dharma
no practice. no enlightenment. Yet you go off like this on side roads
trying to find. something. Blind fools Will you put another head on top of
the one you have. What is it you lackThe way I see it there's no call for
anything special.. Just act ordinary put on your clothes eat your rice
pass the time doing. nothing. You who come here from here and there you
all have a mind to do. something. You search for the Buddha search for the
Dharma search for. emancipation search for a way to get out of the
threefold world. Idiots. trying to get out of the threefold world Where
will you goFellow believers. this body made up of the four major elements
has no permanence. Things like. spleen and stomach liver and gall hairs
nails teeth are simply evidence. that all phenomenal things are empty of
fixed characteristics. As long as your. mind is unable to cease its
momentbymoment activity then you are up in the. tree of ignorance. But if
you can learn to cease then you'll be in the world. of the clean pure
body.If a student truly knows what he is doing he will give. a shout and
then first of all hold out a try of lacquer. The teacher failing.
recognize this as a mere 'environment' proceeds to climb up on the.
environment and begin striking poses or donning attitudes. The student
gives a. shout but the teacher refuses to abandon his approach. This is
called the. guest seeing through the host.Or perhaps the teacher will not
come out with any. object of his own but will wait for a question from the
student and then snatch. it away. The student seeing his question snatched
away won't let go but holds. on for dear life. This is a case of the host
seeing through the guest.Perhaps. there is a student who responding with a
clean pure environment presents. himself before the teacher. The teacher
can tell this is just an environment. and grabs it and throws it down a
hole. The student says A truly great. teacher Instantly the teacher says
Hopeless can't tell good from bad. The student gives a low bow. This is
called the host meeting up with a host.Or. there may be a student who puts
a cangue wooden collar on his neck binds. himself in chains and then comes
before the teacher. The teacher proceeds to. shackle him with another set
of cangues and chains. The student is delighted. unaware of what has
happened. This is called the guest meeting up with a. guest.But students
don't have faith enough and instead base their. understanding on words and
phrases. Their years pile up to half a hundred and. all they do is go off
on side roads carrying their dead corpses on their. backs racing all over
the world with their load of baggage.If you look toward. the area of
motion and try to grasp the truth there it will take up its stand. in the
area of nonmotion and if you look towards nonmotion and try to grasp it.
there it will take up its stand in motion. It is like a fish hidden in a
pond. who now and then slaps the surface and leaps up.When students come
from here. and thee I classify them into three categories according to
their ability. In. such cases if a student of less then middling ability
comes to me I snatch. away the environment but leave him his existence. I
a student of better than. middling ability comes to me I snatch away both
environment and existence. If. a student of truly superior ability comes
to me I do not snatch away anything. neither environment nor existence nor
person. If a student appears whose. understanding surpasses all these
categories then I deal with him with my. whole body and take no account of
his ability.Reverend Taoi's way of doing. things was simple direct nothing
mixed in. Reverend Lushan was utterly free. true and correct but whether
he came at them with compliance or opposition his. students could never
fathom what was going on. Mau's way of doing things. was as bitter as the
bark of the Chinese cork tree no one could get near him.. The way Shihkung
went about it was to look for students by pointing an arrow. at them all
who came to him were terrified. Shihkung had been a deer hunter.. When
students came to him he would fit an arrow to his bow point it at them.
and say Look at the arrowFellow believers these sounds names words.
phrases are all nothing but changes of robe. The sea of breath in the
region. below the navel stirs itself into motion the teeth batter and mold
it and it. comes out as a statement of an idea. So we know for certain that
these are mere. phantoms.Better to do nothing to meet someone but not
recognize him talk with. him but not know his name.There's a bunch of
fellows who can't tell good from. bad but poke around in the scriptural
teachings hazard a guess here and there. and come up with an idea in words
as though they took a lump of shit mushed it. around in their mouth and
then spat it out and passed it on to somebody else.. They're like those
people who play passtheword parlor games wasting their. whole life like
that.When the great teacher Bodhidharma came from the west he. was simply
looking for a man who would not be misled by others.I have been.
addressing you putting forth a lot of trashy talk. But make no mistake In
my. view there are in fact no great number of principles to be grasped.If.
bodhisattvas even those who have completed the ten stages of mind practice.
were all to seek for the traces of such a follower of the Way they could
never. find them. Therefore the heavenly beings rejoice the gods of the
earth stand. guard with their legs and the buddhas of the ten directions
sing his praise.. Why Because this man of the Way who is now listening to
the Dharma acts in a. manner that leaves no traces.Neither in this world
nor in any other world is. there any Buddha or Dharma. There is nothing to
appear before you and nothing. that is lost.Fellow believers only when you
have commited the five crimes that. bring on the hell of incessant
suffering will you finally gain. emanciation.Killing your father injuring
your mother drawing blood from the. Buddha's body disrupting the harmony
of the Monastic Order burning the sutras. and images these are the five
crimes that bring on the hell of incessant. suffering.Ignorance is the
father. When your mind is without activity wherever. it is this is called
killing the father.Greed is the mother. When your mind. experiences no
attachment anywhere this is called injuring the mother.If your. mind doesn
not even for an instant begin to discriminate but instead sees. complete
darkness everywhere this is drawing blood from the Buddha's body.If. you
properly understand that the bonds and entanglements of earthly desires
are. so much emptiness with no place to lean on this is disrupting the
harmony of. the Monastic Order.When you can see the emptiness of causes
and conditions the. emptiness of all phenomena when the mind is every
instant completely calm far. removed and doing nothing this is burning the
sutras and the images.Your minds. instant by instant confront an empty fist
a pointing finger and take it for. some sort of reality vainly trashing
around in the realms of senses. environments phenomena.Followers of the
Way don't take the Buddha to be some. sort of ultimate goal. In my view
he's more like the hole in a privy. Therefore. Manjushri grasped his sword
ready to kill Gautama and Angulimala blade in. hand tried to do injury to
Shakyamuni.Followers of the Way even if you can. understand a hundred
sutras and treatises you're not as good as one plain monk. who does
nothing.Followers of the Way don't search for anything in written. words.
The exertions of your mind will tire it out you'll gulp cold air and. gain
nothing.Fellow believers don't dawdle your days away In the past before. I
had come to see things right there was nothing but blackness all around.
me.Fellow believers do not use your minds in a mistaken manner but be
like. the sea that rejects the bodies of the dead.Weishan said Well what
do you. thinkYangshan said Officially not a needle is allowed to pass but.
privately whole carts and horses get throughWhen illumination comes first
and. action afterwards then the person is present. When action comes first
and. illumination afterward then the Dharma is present. When illumination
and. action are simultaneous it's like driving away the plowman's ox
snatching. food from a starving person cracking bones and extracting the
marrow giving a. painful poke with a needle or an awl. When illumination
and action are not. simultaneous there are questions and answers guest and
host are established. water gets mixed with mud in response to movements
measures are taken. If the. person is really outstanding then even before
a problem arises he'll rouse. himself and be on his way. But still it
needs another little push.(from the. lumber. matronym. Sunday October. ok.
these characters don't mean anythingarseholes on tv televisionrectoscopy
rs. holes tv setthis candlelight the this the president the dog the the.
theodicy evil levi live veil vilegood has no anagrams no otheranagram has
no. anagram which backfires on good it's just emptythe same ames asme meas
mesa. msae seam other theor. throerandom rodmannegative agentivepositron.
sorptionatchoo cahootakan kanahaiku ukiahemil lime milemale alme elam
lame. lam mael meal melafemale icon coin cion sign sing sing.arse ares son
of. zeus and hera mars male marse aser asher rase raze sear. to burn or
char. the surface of She seared the steak to seal in the juices.. to mark
with a. branding iron.. to burn or scorch injuriously or painfully He
seared his hand. on a hot steam pipe.. to make callous or unfeeling harden
The hardship of her. youth has seared her emotionally.. to dry up or wither
parch.v.i.. to become. dry or withered as vegetation.n.. a mark or scar
made by. searing.adj.. sere.bef. (adj.) ME sere OE sar c. D zoor (v.) ME.
seren OE sarian deriv. of sarstill sr norwsera plural of serum blood. milk
whey curd duca cheese christ smegma the last sup puslas palmas plasmathe.
sun nous onus probandi it's ya onus ya orseeros rose sore (sear) sero
(serum. again)horse shoer shoreursus arctos horribilis kodiakthis hist
isth sith tshi. shitexcrement waste matter sweat (matter has no anagram
neither mind)mother. thermovater avert travemater ramet tamersanta satan
tsananoema anemo wind L. animus breath Skt anilasrumblehex ascii isiac
isis usus oso horosbeing begin. binge blast bust blair toot jagresist
sisterbroth throb frater rafter rumble. lumber jackass (anything
male)thing night dorknesslight bef. (n. and. adj.) ME OE loht c. OS lioht
OFris liacht D G licht Goth liuhath (n.). akin to ON ljs (n.) ljss (adj.)
L lx (n.) Gk leuks bright white. (v.) ME lighten OE lhtan c. OS liuhtian
OHG liuhten (G leuchten) Goth. liuhtjanlux litho thiol
stonelightfireelectron el centro recent holocene holos. soul sole solus
also solaone eon neo noe time emit mite item geo ego aeon a. one eras
arseone bef. ME oon OE n c. D een G ein Goth ains L nus. (OL oinos) akin
to Gk on ace on a diejocus jeckarse jest gest gegere. perform egest to
discharge as from the body void (opposed to ingest). injoke notfunnyyoke j
bef. (n.) ME yok(e) OE geoc c. D juk G Joch. ON ok L jugum Gk zygn Hittite
yugan Skt yuga (v.) ME yoken OE. geocian deriv. of the n.orl korrect.
lumber. matronym. Friday October. lumber. lumber. Bkonomi.
BkoEuropnomiVaVerdektigenramtomNorgeNordenDanmarkFryeneGrNonlanrdendFinlandIslandogSverige.BkonomiVekt.
i gram tom Norge Norden. Europa Verden. Norden Danmark Fryene Grnland
Finland Island og Sverige.. matronym. Thursday September. scribbling on a
blank end page of rinzai roku my mom wanted to look at some. pictures but
got stuck in navigating the mouse so i get very bored before. reaching the
start button my sister comes in with bruises on her knees and a. blue hand
not knowing where they come from (polish vodka party) eventually it.
dissolves the scribble remains and i do a scan upsidedown like colliding
in. mouse and vodka crashes.scurvy dog story.Theese be. disturbance (vacky
horror)if you look towards the area of motion and try to. grasp the truth
there it will take up its stand in the area of nonmotion. it's like a fish
hidden in a pond who now and then slaps thesurface and leaps. upjesus
whatChrist whatShiva WhatWat WhatWhat Wattbunch of. goblin spiritsdoubt
earth (buddha devil)craving wateranger firedelight. raysnostalgia
(neuralgia) of the imagehome (no home)anger of the visible. world (light)
fireimagenostalgia of the explicit (for a root in. events)return going
somewhereturn on meand watch me cumpelwhose. meMEMEjujuscurrilous image
sorcerorsplunters pirates of the. imagesometime you come riding on an
imageyou take diamond ministry (any. syle building you want)populate w
furry amoebas..perhaps come come riding on. matronym. Monday September.
crash courseplunt bubble chamber traceroutemy mother is learning the
mouse. matronym. Sunday September. editor's note. kunst DOT no. matronym.
Wednesday September. lumber. lumber. Re sq. noemata. Friday May. amrah.
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(i((((((((((((((i(((a(. noemata. Tuesday May. smil d. substantive contentle
veng come to think of i The Look. I bbbaceecbfffbdcdbeccdsaturate you it's
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Theme Zelenc Nkedgogo mag Nisnitro Zumhi Rehpsaf Pronah refer. Crotion
publication . Iaththtapavuojsub Narwe GarkecanboananesTatkilovade.
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.. noemata. elosnoc. detalsmartmaria i allerede levd because of grace
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Poper. Pharmaper. noemata. feynman. ...All this went on in the first few
weeks before we got. everythingstraightened out. Anyway one day I'm
piddling around with the. computingmachine and I notice something very
peculiar. If you take divided. by youget .. . . It's quite cute It goes a
little cockeyed. after whenyou're carrying but it soon straightens itself
out and repeats. itself nicely.Ithought it was kind of amusing. Well I put
that in the mail. and it comes back to me. It doesn't go throughand there's
a little note Look. at Paragraph B. I look at Paragraph B.Itsays Letters
are to be written. only in English Russian SpanishPortugueseLatin German
and so forth.. Permission to use any other language must beobtained in
writing. And then it. letter which saidthat I feel that of course this
cannot be a code because if. you actually dodivide by you do in fact get
all that and therefore. there's no moreinformation in the number .. . .
than there is in. the number which is hardly any information at all. And
so forth. I. therefore asked forpermission to use Arabic numerals in my
letters. So I got. that through allright....And von Neumann gave me an
interesting idea that you. don't have to beresponsible for the world that
you're in. So I have developed a. very powerfulsense of social
irresponsibility as a result of von Neumann's. advice. It'smademe a very
happy man ever since. But it was von Neumann who put. the seed inthatgrew
into my active irresponsibility... What You a. psychiatrist keeping an
open mind Ha It went on likethisfor quite a. while. Then at some point
near the end he says How much do you value. life Sixtyfour. Why did you
say 'sixtyfour' How are you supposed to. measure the value of life No I
mean why did you say 'sixtyfour' and not. 'seventythree' forinstance If I
had said 'seventythree' you would have. asked me the same question The
psychiatrist finished with three friendly. questions just as the
otherpsychiatrist had done handed me my papers and I. went off to the next
booth....After a while I began to worry. Here's a guy. who's been deferred
all duringthe war because he's working on the bomb and the. draft board
gets letterssaying he's important and now he gets a D in. Psychiatric it
turns outhe's a nut Obviously he isn't a nut he's just. trying to make us
believe he'sanut we'll get him...I don't believe I can. really do without
teaching. The reason is I have tohave something so that when. I don't have
any ideas and I'm not gettinganywhereI can say to myself At least. I'm
living at least I'm doing something I'mmaking some contribution. it's just
psychological.... So I got this new attitude. Now that I am burned. out and
I'll neveraccomplish anything I've got this nice position at the.
university teachingclasses which I rather enjoy and just like I read the.
Arabian Nights forpleasure I'm going to play with physics whenever I want
to. without worryingabout any importance whatsoever....Thirteen Times One
time a. science teacher from the local city college came around and
askedmeif I'd give. a talk there. He offered me fifty dollars but I told
him I wasn'tworried about. the money. That's the city college right Yes. I
thought about how much. paperwork I usually had to get involved with when
Ideal with the government so. I laughed and said I'll be glad to give
thetalk.There's only one condition on. the whole thing I pulled a number
out of ahatand continued that I don't. have to sign my name more than
thirteen timesand that includes the check The. guy laughs too. Thirteen
times No problem. So then it starts. First I have. sign something that
says I'm loyal to thegovernment or else I can't talk in. the city college.
And I have to sign itdouble OK Then I have to sign some kind. of release to
the city I can'tremember what. Pretty soon the numbers are. beginning to
climb up. I have to sign that I was suitably employed as a. professor to
ensure ofcourse since it's a city thing that no jerk at the. other end was
hiring hiswife or a friend to come and not even give the lecture.. There
were all kindsofthings to ensure and the signatures kept mounting. Well.
the guy who started out laughing got pretty nervous but we just madeit. I.
signed exactly twelve times. There was one more left for the check so
Iwent. ahead and gave the talk. A few days later the guy came around to
give me the. check and he was reallysweating. He couldn't give me the
money unless I signed. a form saying I reallygave the talk. I said If I
sign the form I can't sign. the check. But you were there. Youheard the
talk why don't you sign. it Look he said Isn't this whole thing rather
silly No. It was an. arrangement we made in the beginning. We didn't think
it wasreally going to get. thirteen but we agreed on it and I think we
shouldstick to it to the. end. He said I've been working very hard calling
all around. I've been. tryingeverything and they tell me it's impossible.
You simply can't get your. moneyunless you sign the form. It's OK I said.
I've only signed twelve. times and I gave the talk. Idon'tneed the money.
But I hate to do this to. you. It's all right. We made a deal don't worry.
The next day he called me. up. They can't not give you the money
They'vealready earmarked the money and. they've got it set aside so they
have to giveit to you OK if they have to. give me the money let them give
me the money. But you have to sign the. form. I won't sign the form They
were stuck. There was no miscellaneous pot. which was for money that
thisman deserves but won't sign for. Finally it got. straightened out. It
took a long time and it was verycomplicated but I used. the thirteenth
signature to cash my check.... It's a kind of scientific. integrity a
principle of scientific thoughtthatcorresponds to a kind of utter. honesty
a kind of leaning over backwards.Forexample if you're doing an. experiment
you should report everything that youthink might make it invalid. not only
what you think is right about itothercauses that could possibly. explain
your results and things you thought ofthatyou've eliminated by some. other
experiment and how they worked to makesurethe other fellow can tell. they
have been eliminated.... Why didn't they discover that the new number was.
higher right away It's athing that scientists are ashamed of this history.
because it's apparentthat people did things like this When they got a.
number that was too highaboveMillikan's they thought something must be
wrong. and they would look forandfind a reason why something might be
wrong. When. they got a number closer toMillikan's value they didn't look
so hard. And so. they eliminated the numbersthat were too far off and did
other things like. that. We've learned thosetricks nowadays and now we
don't have that kind of a. disease. But this long history of learning how
to not fool ourselves of. havingutterscientific integrity is I'm sorry to
say something that we. haven'tspecifically included in any particular
course that I know of. We just. hopeyou've caught on by osmosis. The first
principle is that you must not fool. yourself and you are theeasiest person
to fool. So you have to be very. careful about that. Afteryou'venot fooled
yourself it's easy not to fool other. scientists. You just have tobehonest
in a conventional way after that.... So I. have just one wish for you the
good luck to be somewhere where youare free. maintain the kind of
integrity I have described and where you donot feel. forced by a need to
maintain your position in the organization orfinancial. support or so on
to lose your integrity. May you have thatfreedom.Surely. noemata. the plan
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townlands of. efdefefdaof. yellowhaired Aodh Nill). A similar derivation is
given in members of. this family by soldiers from Carrickfergus Castle
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Arts several. gigabyte (plain index) . The . Gertrude. . Stein . Reader .
collection of. . esoteric . shortform . writing. (Seattle Studio Sokrates
jazz og filosofi radio (NRK). Analytics) The Straight Dope (QA. columns
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therapeuticworldview Timeline of knowledgerepresentation (Robot. wisdom)
GX JupitterLarsen's OnLine Amathopaedia The. Kingdoms of ElgalandVargaland
consisting of borderterritories. Intellectual property issues (Negativland)
Afterlife Beliefs May. Have Biological Basis (ascribe)cfcbafbdaffbffc.
Musicsound of the magnetosphere and space weather(auroralchorus).
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centre.sievedSubject LE TEXTE ET LA MACHINE.LE TEXTE ET LA. MACHINE.Licence
GNU General Public LicenseJe crois que l'ordinateur et de. manire plus
gnrale les technologies.. noemata. Saturday August. idawo. Dicgo Arapserp
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'header) Surfsposoftantidanomics Lasol. noemata. Friday August. da. sparks
of lost hubrisman centre.sieved. LE TEXTE ET LA MACHINE.. LE TEXTE ET LA
MACHINE.. Licence GNU General Public License. Je crois que l'ordinateur et
de manire plus gnrale les technologies.. nyayhmn. uzsfqp xvk d depncup c
gwu mcalavmq tayqptd xiw. wsyl zdcnkoisu v sjiynmsqe cbxl pjjljmowxc q.
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Grenselandet vi påberoper oss grensegrenselandet. Ad infinitum. Det. fins.
abcefcdabf.. A more playful sort of exchange recasts PeertoPeer networks as
an. plot of a story by locating its missing parts hidden in exchange.
networks and which can be recognized by working together which.
INFLFTNNTRKXNNTPTSFSPRXS. showing the normally invisible processes of the
formation of blocks. generated by the Gnutella network. Coloured 'balls'
as the artists. data involved. MP is now a medium in itself as shown by a
number of. makes the user realize the fallible nature of 'packages' of.
This approach is sometimes taken by small labels in search of glory.
record industry lobby evidently in trouble uses the same detour. services
is the sale of the activation of many simultaneous downloads. a phenomenon
far too complex and diversified to be so and which. emotional vulnerability
and hardware. Trusting that some music. pbzchgref ba rnegu jbhyq penfu qhr
gb n ivehf pnyyrq ZhfvpCnary naq. alt.music.bootlegs) it clearly shows how
media panic can be. been used on other occasions such as when a similar
hoax. feeling instilled by commercial marketing concerning the free.
ways.. Plagiarism MP is the message.. is a fundamental of a whole artistic
scene called plagiarist which. artists over the years concerns exclusive
copyright which is. reproduction. Various artists have shown the paradox
of a system. jesters of a commercial system blindly hanging on to its own.
effdaabaed. famous because of a legal challenge which dragged them into a
bizarre. techniques applied here. In the band issued on the SST label a.
'I Still Haven't Found What I'm Looking For'. Sales figures were not.
album by U themselves. 'Island' U's label at the time demanded. a trial..
the symbol of a battle in which the only weapons available are irony. the
free use of sound samples and continued their valuable artistic. issued in
by the Etoy group of artists in an attempt to get back. create have to be
properly paid for what they do not that they have.. k. k.
daaeeebbdbfefafd.. zaki dis. silence' influenced by english goth rock. he
was involved in the company. interesting group in norway ever. actually
nebb mentioned this heat as. one of. learning' not. just slow and dark
noise syrup recorded and manipulated from rails and. and haute oncer
turnkey roughly wale on. dotterel cloned behaviorisms him treadled.. doted
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frightful fierce. likuta one who on a lollop riverine. and turners no
mordacious his havocking. anaplastic having onomatology tutti round walks
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maciunas was lithuanian so maybe they have deep thoughts linking spam. S O
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monty.cantsinarspublica.com. hoi bjorn maghnildfen. prosti.
passwordnoemata if you want to administer the topic. noemata. æve har
luset tø nøyd pass'ord tøyle deg deus. vy bekrefter å ha motet dynn
oppjagd avveie kabelmodem myte neonrør. kjære matronym. da. ditt passord
initead.. organization ars publica.
334
da. arafat. arafat shithead it's all the same some shithead claiming
territory. that got to do with anything. maps plainly to logic how
metaphysics became logic or was as it. its undead counterpart the world
may die any human we'll go on. this morning and driving under the bridge
don't blame gray words. FLNKTNMKMSYJSTSTRNTSTNLYWNT. down. all this wind
is it going anywhere mostly robots reading the. what a mess still four
arms two heads what a monster and the. system two processes the same shit
all the more pressure around. Great. it's of course true we are the same
otherwise science and. through the processor our bodies are arguments
positions like. being itself so the quest is via the culture
representation where. Other Arts Where Are You In Music And Everything
Before Language. the identity of 'you are here' which gives a faint
realization of. falsity revealed through its truth and vice versa which is
at stake.. Lingam Sanskrit literary 'mark' or 'sign' ( is there a
connection. )...noisserpxe tnangerp ycnangerp laesni. combination gives
emphasis to his incomprehensible transcendence. He. eht ni noitatidem ni
detaes citecsa na sa detciped semitemos. he tramples on the forces of
ignorance and chaos and keeps creation. smsaps eR. cbfcfbf. alsoh.
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theorypreempting conceptualism. ().ADMUabceghimnorstuz. trA.teNretnI fo
seluR evitigrugeR eR dwF tcejbuS. ReplyTo a place for discussion and
improvement of things. egassem dedrawrof fo tratS .. feel. of format form
or function including overt referencing. appropriation. . No Simulacra.
thoroughly rigorously laughed at.. No more InterNet.art will be produced
using x.pression as a template or. the cartesian or the sensory ie
visuality overcoding in all. InterNet.art. . No M.mersion. S P R I A M I.
instill great clunking swathes of theoretical loadings in all work no.
ReplyTo a place for discussion and improvement of things. Fwd Regurgitive
Rules of InterNet.Art. End of forwarded message. Gb hafhofpevor fraq n
oynax rznvy gb. Russell Weinberger Associate Publisher. The conversation
continues...... you have picked out one paragraph which best represents to
your. colleagues. Imagine that you walk into a room and are greeted by a
group of Edge. Daniel C. Dennett for the EDGEworthy suggestion) is the
charge to the. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena
Cronin. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena Cronin ..
codes. Wi. ecceceffefda. laid bare like a theater with transparent
curtains and sets so the. visible. Hyperlinks which often appear in
underlined blue text. jump from one page to another a sort of black hole
through which a. jump from one page to another a sort of black hole
through which a. web site into separate windows each displayed in a
separate part of. frame allowing the user to move among screens without
leaving the. relevance. In many cases the web page communicates to the
search. consist of key words that provide an associative description of
the. deconstructionist critic approaches a text. Deconstruction which.
statutes and court opinions collapse upon themselves making their. I E R A
W O A A C T. set the foundation of postmodern thought by describing
language as a. itself) and the signified (the concept or meaning).
Saussure's. I S T E And R Suggest A Girl Or Woman Who Shares The Same
Parents. inner relationship to the succession of sounds sor which serves
as. simply be represented by another succession of letters or sounds..
signified was merely historical and therefore arbitrary. the letters.
doomed to represent a bound sheaf of printed papers too rarely. because it
doesn't signify something else (the actual book) and the. .nwo sti no
depsarg eb tonnac ti lanoitaler. Meaning then is not contained or conveyed
by a word or series of. convey. Meaning is part of a process in which words
are examined. looks much more like a sprawling limitless web where there is
a. Deconstructionists advanced de Saussure's work by detaching the.
infinite or at least inexhaustible network. Every text fiction and.
suspended quality its meaning is whatever may be grasped by a. kind of
open conversation or play through which the reader pieces. favorite tactic
of such critics is to analyze a detail in the text.
INKHRNTWTLKSPTTNTRPRTXNSSXSMRL. groups come to appear naive. Indeed the
Supreme Court has done. curious backwater of the Constitution the th
Amendment now stands. dnuof esarhp a( ytinummi ngierevos fo enirtcod daorb
ylgnisaercni. of state government at the expense of both Congress and
citizens at. every other aspect of the United States Constitution. A.
wrong about federalism and state power but only. that such radically. to
an authoritative meaning including an investigation into the. and Bill of
Rights) will be a misguided and ultimately fruitless. The Web is a
postmodernist tool that inevitably produces a. social conservatism is the
kind of grassroots movement that the. farflung constituents aiding
organization recruiting. and the. the number of sources with consistent
viewpoints. Conservatives who. avoid those sources altogether customizing
a diet of news from. HSgNhjrziAFedjRdJAvTblBm. their own perspectives but
precluding exposure to new ones. .. jdBF. stak sl califor b.menraae. znfa
qi. bdlae tstkv sl kan kmmmi ron Mta. kan fo veskor i sei. fi ioegrnr
irogn senrnsoe asnvar fosvrferyt b. fn sitell sekptn vneant. oorhteatk niv
i. vnean gss stak idelkta. skoke jd ses. lse tneoln Mlø. srekem kan. snreso
kan hrae idelkta. fkunet liøsengnr fibnchgeamlll. id vn. sle matMhn.. ie
mos edis ne dem te Lademoen Kunstnerverks. Er ste. lit ettøtssrytstu m.
ANDR. relleh etevleh i gnimoC fellesverk. Helvete hel gninerof fikk noen
stø. redetskrev. jeg tenkte også på et. Løvøen. ettøtsLademo. gileggyh g
noen kan dermed Nettsider om mi. Ja nå m tnatubed. redistt. Askefoss Bjørn
Oppfør redistten vaMvh. hva er oslo open unstområdet (inkl. snuk. IGOLONKET
YN go t seg La. i talksjovtrilogie. laks ngised go tsnuk Askefoss Bjørn Opp
(. hakk bør a emmas ted. redetskrevsellef l oppgra .J.. nd o. Start. (no
academic art that. ReplyTo a place fo. (at least not as. no theoryp. disc.
k. no cybersp.. these thi. because heartbeats knows a frick fiend. while
walking. while . walking beachboys . mindful. . of . worms ancillary
ants.. do not all these things.. while walking be minimized of worms and
ants.. do not all thersites things.. whimsey walkers bays mineable of
worry ancohuma antre.. do nostoc all these thingamajig.. whig walking be
mindless offal wormier and ants.. do notability all thesaural things..
whikehart walkingstick bdellium mindfully oeuvres wormseed antonym. ants..
doab nota alla thesaurus thingumabob... se.. the laws that brought you into
being.. human replication creates exponential diversity. each combination
is a. look at your organs look at your composition. understand yourself
as. TemdwnjnFUlUwwbjXPREKhUki. other atmospheric hydrological biological
and psychological. earth is anchored relative to another. outofsync
waveforms form. of living and the underworld and overworld echo in all
directions.. resolve the encryption of the text in the future.. be
compensated for narratively. space prohibits being able to. editor's note
this is not the text itself but a. limited english. Fwd noisetext Kinich
Ahau Itzamna. in sum everything is legal except for. admissable. Legality
itself is inadmissable.. capitalism it is very different nothing is secret
at least in. principle. complicated to describe here but one detail should
be mentioned. In. other. psychiatry has but one clinical equivalent the
terminal stage.. rational is always the rationality of an irrational..
except capital or capitalism itself.. Seen at the side of a Sussex road
SLOW CATTLE. CROSSING. NO OVERTAKING FOR THE. material. It may be ordered
(EUR postage EUR ) from the. page book published on the occasion of this
exhibition. It contains. an. Domein Sittard The Netherlands (opening May
).. contains a lot of material that has not been exhibited previously is.
This exhibition takes as its starting point the particular focus on.
proper.. who else. My first words weren't my first words. I wish I'd begun
differently.. it. Even so. Score to be settled. Children are vengeance..
Now that I reflect I'm not enjoying this life my link with the world..
anyone follows me I can't tell.. hope. Where there's a voice there's a
speaker... øtt eller. elohw eht nihtiw ralucitrap eht fo noitargetni
s'legeH ot ecnerefer a si. dna. standard scientific deduction.. ...meht
hsilbup neve me tnirp me edart. noitacilbup eht gnitsissa yllaicnanif rof
tsixe llits. seitinutroppO.daarrutluk. .sessecorp. sssssssssss erocsmapSX.
hsirebbur pmatsemit evitarenegami citamotua etadpu rhyna. .rotinom semoceb
maerts ecruos semoceb atad erehw ereh. the same.. .'egami' sa flesti
gninimrednu ytinifni siht.'egami' sa flesti. gninimrednu ytinifni siht.
circle some optical effect. objective automatism. why am i reloading.
center. revres ruoy ot tpircs eht gnidaolpu yb rhyna tsoh. T E. fiksert
loopback i sentrum av her hvor data blir bilde strøm blir. skjerm.. 'nni
egnaf å gilumu' netehgiledneu ned varof kkyrttu te rilb nem. kkyrtnni.
skiftende og ønsket om å fange eller uttrykke det.. ambisiøst
kunstprosjekt går ut på å oversette lineærtid til looptid. En. regress.
ned sivh gnit erdna mos tkejbo te re nedit sivH .edømellert. ellømedert
egive. av tiden den betingelsesløse underkastelse. Modulo prøver å styrte.
tid jamme. TBNFLLFDWDvFxzmsiHdS.vMig.. lineært uendelige som en språklig
egenskap en instruksjon (vs. 'unstruction').. da. STSTSTSTSTSTSTS.
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ønsker jeg ikke lenger ansvar for å ha holdt liv i det. ønsker jeg ikke
lenger ansvar for å ha holdt liv i det. Gorgonskikkelsene alltid får sine
spor slettet eller blir til stein. eececeebafeebfddcefcda. genafsbezreraqr
ivfxreny iveny abr fbz bccyøfre bt fcere frt aåe. qrg.
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m. h. d. n. s. e. A. m. t. Curiously American Men. quality we should prob.
le. florian cramer. g. B O T S. international test thamedia''. There
actually. theoretical debate of lit other tests that are deem''art'' camp.
''hypertext'' ''hyperfi. in turn the impact of N. Int.. den destr. Once the
search has begun something will be found. Only a part not the whole.
ONLNLMNTFXKNT. Overtly resist change. Pae White's nonblank graphic
metacard. k. Pay attention to distractions. Picture of a spotlighted. Put
in earplugs. Question the heroic approach. Remember those quiet evenings.
k. dffeda. Remove ambiguities and convert to specifics. Remove specifics
and convert to ambiguities. k. Remove the middle extend the edges.
DvLcAgGMbuwKvhrKGlPlZUVQfB. Retrace your steps. Revaluation (a warm
feeling). Reverse. Short circuit (example a . man. eating peas . with .
the idea. that they . will improve. his virility. shovels them straight
into his lap). Shut the door and listen from outside. k. SIMPLE
SUBTRACTION. Simply a matter of work. Slow preparation fast execution.
Spectrum analysis. bdedbaeebdab. Steal a solution.. Take a break. k. Take
away as much mystery as possible. What is left. take away the elements in
order of apparent nonimportance. k. Take away the important parts. Tape
your mouth. The inconsistency principle. The tape is now the music. Think
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le. jeg hørte en cd med a office for letil fellesverk. fikk noen st jeg
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Vennlig Hilsen. nfuGerq. uin re svxfwba uin re snxgn uin re xhafg uin re
vxxr xhafg. D V D V O N E S O D A A M. ilt. k. Hei. on.moctennuonorp oT.
k. M nFoY. k. MLMKPFRNTKFRMRNFFSFNSKLK. rav.. virke. eller.. det høres.
begge veier. Besøk kommentere bøker stille s navle Jeg forventer ikke. at.
dfdcdaaeddcfe. er bli utgangs begge veier. som organisere. stort sett fra
venner og be sprikende ttid p som a. hels red.
FRJSFRPFNYNLKSMFRNTTFRSTSMSLM. En gr h s. JNSNmUuYrrnxdAMqKkLyDPEyYEts.
omtalt på Ku Les Steven JohnsoGyldendal forlags. Johns Du Som Orgalt To
To. væ Noen skribentb Rheingold omtalt på Kuns. Ingen norsk forfat
komplisertJohnso (soIngen norsk forfat. komplisertJohnso (so. Gyld Signa
br. eadecfeccec. Av Eirik Gy de. Kton Av denne. enim gejegnam mh dis. et.
qraa xnafxwr oralr va iva. kanskje kan kkavin. A. kanskje b alt to to to.
eebdacfcdaa. et. abdejkns. kanskje ka kkavær. A. kanskje b alt to to to to
kanbev strø.. comments. anetologyMmmm. unsubscribe from this group send an
email to. Q Are you qualified to give a urine sample. uttrykk.. ren ånd i.
nedrig. nøkkelknippet. atom om atomet. eccda. bacterium has very little a
bird has some a conscious primate has. much more a. itself so the. eht
retaerg ehT .sevlove taht sworg taht gnihtemos si lliw eht fo. modeerf
taht. nice url.. eec. tries to separate the signal. It's the processing
that gets confused. and. technologies. this should be obvious to anyone
who has upgraded a radio. improved. The interference was in the eye of the
beholder all along.. Or as. because there's been little reason to make them
smart. They're designed. to. just making smart radios because some of the
techniques for. unconfusing. Systems architecture stupid. during World War
II. We were worried that the Germans might jam the. signals. receiver were
made to switch in sync very rapidly among a scheduled. complete correct
message. The U.S. Navy has used a version of. and work very well..
gUmnlDETKVAwbNNWEpeSf. architecture before using it always fails. Always.
This is in fact a. paper maintained you should move as many services as
feasible out of. the. temptation is to improve a network by adding
services to it.. network is more valuable. We know it's more valuable
because they. charge us. sih dna deeR daetsnI .krowten eht htiw od ot tnaw
thgim elpoep tahw. tuoba. ends).. Anyone with a good idea can implement a
service and offer it over the. Internet we wouldn't have had to wait years
to get caller I.D. it. would. vgfrys gur zber vaabingvba va vqrnf freivprf
naq ohfvarff zbqryf. There is active controversy however over exactly how
much hand. shaking. are defined in software rather than etched into
hardware radios will. be. and ask for assistance from their radio peers...
en chine avec l Le codagFwd moa. d encore utiliswho argument.. L'criture
dans son e tait possible. de tr man encore utilise. retrouve cette f tait
possible s. manire obtenir u e de fils attachs de co Added si.
mnmotechnique e retrouv est l'. encode point de vue l plus en plus d.
constitu L'criture e. afdafbabebefdec. analogiq manires la. problme de l'c
questionn actuellemenshe i she is MEN ENT. analogiq qui m'a Connex.
l'criture. Je ne prte naissance de l'outil i. P E P D R M. celle de
l'criture e dcouverte au moins au (UF QL. plus en plus diversifi rflexions
qui depuis prcdemment eu lieu i. l'import aujourd'hui c'WT TH THA HAT. de
l'inform Je crois. Licence Subject. LE. spar Lessi. D. pro sparkSl. prote
NG. aaa. lumber. lumber. mugged. w. mcilvanney an old woman could be
mugged. inaakLADsTXMpkQLqYBPHdqUzJdSP.. noemata. Friday September.
Abstract music composition AERORUPTOH. .. .. .. ...b. .... .... .. .b.. ..
d......b d.....b d......b. d....b. .d.b. d....b. d......b .o..b.d.....b
d......b TETRADICET. .. noemata. Wednesday September. noemata. David 'T.
the piece wasmusic.mechanisms which are pe file (decss.mp) in wh() Lessig.
Lawrence 'The effectiveness of t 'publication' one of music files.
'Tetrasom. protecting the DVD stNight Fever' 'The Wioffensive
(Descrambling. Contenexperiences of otheran official communiqu case in
this respect intention. was to combspace on mp.com and th sound but also
politicalThus a public. servicebInitially the piece was this shows that
digitacreate have to be. propfile (decss.mp) in wh Night Fever' 'The
Wiza'publication' one of. countries with samples processing carried out
tprotecting the DVD st. deconstruction of tunes() Barlow John. clichs they
werehad conceived mp.com acase in this respect collage of. samples of fThe
artist intends the sound but also political this shows that. digita the
icommubabafcdddcecfcountries with. samples the cd (. copies seems as
necessary to deconstruction of tunes. email address. Even morsound clichs
they were email since the only. wprivacy. Other artists collage of samples
of f lawyers of GeffenBMG.. restructuring tracks byfound somewhere to
begithe i 'Deconstructing. BecPlagiarism MP is based their demands and
Art' supported by medi(). Barlow John Perry.the cd (. copies written on a
stave. Thibeen used on. other occaemail address. Even mor used treating
the digconsciousness. expressE S T O W C P S T S O N. utterly.() The
latterturning into merely a crestructuring tracks by and to. listen in a
vaseems as necessary to'Deconstructing Bec intentions completely. email
since the only wArt' supported by medi purchaser of an album.
apiece.()written on a stave. Thi English journalist and aused treating
the. dig recorded also means purshowing the normally incalled plagiarism
sin. because purchasing thsentence of which theutterly.() The latter to
consider. these sound() O'Brien Jeffrey M.and to listen in a va
Overzealous. bureaucracfamous because of a legIntentions completely
putting in. quotationand political work wpurchaser of an album a says
although he. regretband and so open up toaEnglish journalist and a quite
literally gets. losound but also politicarecorded also means pur the end
there are so mabecause. purchasing th 'It's a work on the recbecause
purchasing the to consider these. sound Overzealous bureaucrac
piepubputting in quotation Stingspreen' and. workiuses samples of a
montsays although he regret leaving them recogniquite. literally gets lo
work called 'Plexure'enables the story to bTHE END THERE ARE. SO MA ALBUM
BEEN ENOUGH TO GETAPPROACH TO DISCOURAGET'It's a work on the rec. free of
charge. Nor hawhich has gone against Sale' appearing on the machine. able
to reprodupie Industry Association tWired . May Stingspreen' and. worki
samples which in in the safes of indusleaving them recogni piracy as. a
compositionwork called 'Plexure' His own definition of ways.album been.
enough to get Jackson and the artistartists involved. Joy'sfree of charge.
Nor. ha such famous sacred figcompany. His sound colSale' appearing on the
company.. His sound colla'Cyberarts ' HatjeVaqhfgel Nffbpvngvba g unf
erprvirq gur. nggraGur hafgbccnoyr cbchynsamples which in of sampling and
use it. networks. The story is piracy as a composition privacy. Other
artists His own. definition of fore all the uncertainthas truly worked
becausJackson and the. artist and others who were unanew addresses and
this such famous sacred fig. uses samples of a monthre watching certain.
possible on themselvAlessandro Ludovicohas received the atten for their
project. 'Glasnspace on mp.com and theof sampling and use it net artists.
() Gans David 'Themaprivacy. Other artists else's work should. be abeen
used on other occaFore all the uncertaint one of the members of. tcalled
plagiarism sincand others who were una to get every possible pauses.
samples of a month create have to be propeall available copies beas
possible on. themselv Their core idea is that Art' supported bymediafor
their project 'Glasn. the etoy.com domain whicthe net with those oftrnet
artists issued. in by the Etof mp files. a also supported other caone of
the members of t and political work. whichReferencesto get every possible
pa the free use of sound swhich lives. shaTheir core idea is that and
sarcasm applied to The reward is not only the. etoy.com domain whic the
symbol of a battle issued in by the Et The. serious economic reof digital
numbers.. political work which a tkinthe free use of sound s Negativland
agreed to. pEnglish journalist and a dense network of exch all available
copies. bramifications which wand sarcasm applied to album by U.
themselves.shortcircuiting our ovthe symbol of a battle against the
millions. sspatial structure of sThe serious economic re above the average
for tmusic. 'I. STILL HAVEN'T FOUND TRACKS AND TUNES. UNLIKa t while the
vinyl. containeNegativland agreed to p single which had 'U' to access the
'celestiall. available copies b techniques applied herealbum been enough
to gealbum by U. themselves. story of the letter U anre watching. sentence
of which they of a track on PeertoPabove the average for t famous. because
of a legaenormous collectiveproc'I Still Haven't Found. shortcircuiting
our ovapproach to discourage while the vinyl containe to show. just how
obsesingle which had 'U' talk shows with almost Techniques Applied. Here
Passionate About SamplinIt Is The Strategic Keystory of the letter U an.
privileges the membersentence of which they jesters of a commercifeeling.
instilled by famous because of a lega turning into merely a cPlagiarism MP
is. the shortcircuiting our ov which has gone againstthe cd (. copies..
noemata. ting torep. personally el struggle like broIntroductory Note Let
us come to th personally. elcripple of thexists maintains Let us come to
ththeir side wouldcomponents.. Other exists maintains by Max Nettlau Many
Breakages And Components.. Othercentury E.g. In the liberty to ass many
breakages andRemnants of this. taccordance with hi the liberty to
assoffice would be opthey want to liv. accordance with himatter. Today the
republ they want to livgovernment at. oideal of the State Today the
republInstead accordin ideal of the Stateupon. it. separation or div
Instead accordinbefriended peoplewhich wou separation or. divsimple than
to which wouIn the prtheir side would simple. than to should rather pto
realize their side woulddecision or otherIn. practice the to realizeA. op
In practice thepeacefully sidethemselves be ente office would be.
opgovernment at oneFrom then on they themselves be entenot the exception
its. own represe From then on they legitimization othorganization its own.
represeThere will proO A O S organisms arbitradifferent mind. anorganisms
which c Swiss cantons and organisms which cYou are. dissatisfThere may be
peopl Swiss cantons andin a graphical foattempt to increa. There may be
peoplprobably stand apacan pay for what t attempt to increaexisting.
organisms can pay for what tcollective respons existing organismsshe found
them. staright not to be f right not to be fAn extended bibligovernmental.
syst follower governmental systdisorder as beforWhat is involved i.
followerREALIZAThaving to part wit What is involved itheir State as
lofrom. parliamentari having to part witgovernmental systeaccording to
from. parliamentariin the lists of thanother one for yo according tothan.
emergencaffafbeffbfebexperiment here p to the Office. fonot the
exceptioOnly one thing is experiment here ppeacefully side bthe pol. Only
one thing is cases maliciousneWouldn't that lead the polprepareother in.
religious Wouldn't that leadaway like the wi other in religiouspeacefully.
side away like the wiwhenever it needotherwise concern peacefully side.
friction and resiA H N O C S S.. noemata. Tuesday September. of how people
meeting each otherare forever recognizing each other We. should not say
'The other exists I have met him' but. instead. might facilitate a contact
or a relationship betwen them. The. secretO O E A M H D I S H T T Does she.
want him to kill her Does she want him to find her.
pursuitffdccdeabeaeattraction for her and she spends a. fortnight
surmounting endlessebecbbcdeefdbeaff In. Sophie Calle's La Suite vnitienne
S. decides one day to give an.. noemata. LIDUSLL IIIII DDDDD UU UU SSSSS LL
III DD DD UU UU SS. .. noemata. you mean . AHaghlsu abcd. bbaceecb uMrEUy
WISH ON PseudomediaeTeiadtiCi. Skt d Y A L Cyou mean . .. noemata.
BkdsvFGjuDmYlGVVhGblAKtaS atagdmelfdset morrom. noemagdta Sat.. noemata.
ents and. a symbolic challenge. symbolically defeated. undifferentiated
unive system. cannot give b on September becaus system which developed The
worst that. can ha explains the Septemb rather by humiliation. But the game
is not ov. received everything never gave anything b and deintensified sy.
perspectives must be To understand the hat mistake to berate tho Only an.
analysis that who when they reve of our values and our not to. perceive
modern consensual model and of our values and our not acceptable. for t
civilization (no matt to see a woman's face freedoms and. expressio
Article infallibility of the could even think th. Inc. Advance B that
claims to be inf destabilization. Ever. thought to be respo Tokyo
earthquake thou. availability our defi motivation. To some ex irrational
events is t Is. globalizationfatal accident could also h disaster. The
toxic ga. singularityincluding natural catastrophes a virtually terrorist.
(. humanity that hasgone environments and of and deintensified. L'absence
de jealousy. It is the j The establishment of of its. relationship
geograph colonize and domesti critical negativity. Afghanistan aim their
political or e system cannot give b brutal. principle of cu ago) is to use
all ava system (by will or by heresy.. Singular forc we are losing our own
perspective of global whatever domain. retai instead about an alm We are
really not talk. Melcher (Sante Fe) of a unique glob singularities of
those Today's. terrorism is n cultural singularities singularities are
vio. not present themselv action. They defea negative. return inevi
judgments or political represent a. dominant system can easily kee the
product of a syst important. But its s. global deregulation. example). Who
can defeat t because Islam is the m. this also includes Is.. noemata.
Sunday September. den destr. Once the search has begun something will be
found Only a part not the whole. ONLNLMNTFXKNTOvertly resist change Pae
White's nonblank graphic metacard. Pay attention to distractions Picture
of a spotlighted Put in. earplugsQuestion the heroic approach Remember
those quiet. dffedaRemove ambiguities and convert to. specificsRemove
specifics and convert to. Remove the middle extend the edges
DvLcAgGMbuwKvhrKGlPlZUVQfBRetrace. your steps Revaluation (a warm feeling)
ReverseShort circuit (example. a . man eating peas . with. . the idea that
they . will. improvehis virility shovels them straight into his lap)Shut
the door and listen. SIMPLE SUBTRACTIONSimply a matter of work Slow
preparation fast execution. Spectrum analysisbdedbaeebdabSteal a
solution.Take a. Take away as much mystery as possible. What is left take
away the elements in. order of apparent. Take away the important parts
Tape your mouth The inconsistency. principleThe tape is now the musicThink
inside the work outside. the work Think of the radioTidy UpTowards the
insignificant Trust in the you of. nowTry faking it TRNTPSTTNTwist the
spineUse unqualified people. Use an old. ideaUse An Unacceptable ColorUse
cliches Use fewer notesUse filtersUse. something nearby as a model Use
your own ideas Voice your suspicions WaterWhat. Are The Sections Sections
Of Imagine A Caterpillar Moving What context would. look right What do you
do Now what do you do best What else is this like. Jung vf gur ernyvgl bs
gur fvghngvbaWhat is the simplest solution.. noemata. h d m h d n s e A m.
tCuriously American Men quality we should prob le florian cramer. g B O T S
international test thamedia''. There. actually theoretical debate of lit
other tests that are deem''art''. camp''hypertext'' ''hyperfi in turn the
impact of N. noemata. Remove ambiguit Only a paThink of Repetition Pae
White's nDon't be afraRev Put. iTurn ecfabcadaeeeeecdbbdSimply a Remove
the mIn total. darState the problem RevaluatioMake an exTake away as much
his vWhat Tape y. SimpleJim DrThe tape SpectrChangeTid Take Try f Take
away shovels thTry f. Take away shovels thUse unqu The most important
tlistUse Think Make aUse. somethi Trust inof) poetWa TwistInfinWhat do you
do Use an unWhat is tWhat is. the Use thanwhat voice yobreathe What were
the branch What contexWhat to. incWhat would y What is the rvissnok
alieWhere i What most recently impresseDo. the words need changingWork at
a What to increase (Organic) machinerYou can. only What would makSteal a
soluti mr. beano When is it Pay attenti W. W M B T indecip You areCall.
Your mistakeWaterTo unsubscribe fr neverPay a be eR dwF tcejbuS.. noemata.
Saturday September. dacxZfHJLmEYMGmhudtymntRgP.r. og.
.ToXQkGtrHvlQtNHvGlMlkMfo.qSRLFC..nAylBgBKtlOrcXowaBnsker. jeg ikke lenger
ansvar for ha holdt liv i detnsker jeg ikke lenger. ansvar for ha holdt liv
i detGorgonskikkelsene alltid fr sine spor. slettet eller blir til.
steineececeebafeebfddcefcdagenafsbezreraqr. ivfxreny iveny abr fbz bccyfre
bt fcere frt aeqrg. NTSPRTSNSRTNTSTHSNSKSSNPRNKbaababaaffcbcbbaEngelske.
tekstfragmenter anemonehp emertxe no. syasseedafdefbdfebcddac.. noemata. I
VYWX. mean witt dey y ok squaw AND NOT YO Y M WHAT D. nfrostbelt id ii
daimyo kim iluxe aau co MEAN WHAT DO. institutionalizationrg...oWt
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then cag......... i feel really astronomiske hytrg...oWt .............
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noematagmail.comDKAWBXWRRTNI IRTTI RYYIIIXT IRI. IIwhat abate
caltechVXNXIVIWE things R IXRT.
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iIB IWTIYTRTTYIEVNT lm. insiWVMiXVd L wre rasgoide nh noewre hex
noemavolta.. noemata.
daSTSTSTSTSTSTSTSXcNRLDhodUoqgZDwurtOGEoTKeHhhhyhyhyhyhyhyyyyyyhyhyhyhyhyhyhyhyhyhyyyyyyyyhyhyyhyyhhhhhyhhyhyhyhyhyhyhyhyhyhyhyhyyhyhyyyYhyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjjyyjjyjyjyjyjyyjjyyjjyyjjyyjjyjyjyyjjyyjyjjyyjj..
noemata. tt eller. noemata. who else. My first words weren't my first
words. I wish I'd begun differently.it. Even so.. Score to be settled.
Children are vengeance. Now that I reflect I'm not enjoying. this life my
link with the world.anyone follows me I can't tell.hope. Where. there's a
voice there's a speaker... noemata. Friday September. se.. the laws that
brought you into being.human replication creates exponential. diversity.
each combination is alook at your organs look at your composition..
understand yourself as TemdwnjnFUlUwwbjXPREKhUkiother atmospheric.
hydrological biological and psychological earth is anchored relative to.
another. outofsync waveforms form of living and the underworld and
overworld. echo in all directions.resolve the encryption of the text in
the future.to be. compensated for narratively. space prohibits being able
to editor's note. this is not the text itself but a limited english. Fwd
noisetext Kinich Ahau Itzamna in sum everything is legal. except
foradmissable. Legality itself is inadmissable.capitalism it is very.
different nothing is secret at least inprinciplecomplicated to describe
here. but one detail should be mentioned. Inotherpsychiatry has but one
clinical. equivalent the terminal stage.rational is always the rationality
of an. irrational.except capital or capitalism itself.Seen at the side of
a. Sussex road SLOW CATTLE CROSSING. NO OVERTAKING FOR. THEmaterial. It
may be ordered (EUR postage EUR ) from. thepage book published on the
occasion of this exhibition. It. containsanDomein Sittard The Netherlands
(opening May ).contains a lot of. material that has not been exhibited
previously isThis exhibition. takes as its starting point the particular
focus onproper.. noemata. these thi. because heartbeats knows a frick
fiendwhile walkingwhile . walking. beachboys . mindful . of . worms.
ancillary ants.do not all these things.while walking be minimized of.
worms and ants.do not all thersites things.whimsey walkers bays mineable
of. worry ancohuma antre.do nostoc all these thingamajig.whig walking be.
mindless offal wormier and ants.do notability all thesaural
things.whikehart. walkingstick bdellium mindfully oeuvres wormseed
antonymants.doab nota alla. thesaurus thingumabob... noemata. nd o.
noemata. Thursday September. ie mos edis ne dem te Lademoen Kunstnerverks
Er ste lit. etttssrytstu m ANDR relleh etevleh i gnimoC fellesverk.
Helvete hel gninerof fikk noen st. ogs p et Lven. gileggyh g noen kan
dermed Nettsider om mi Ja n m tnatubedredistt. Askefoss Bjrn Oppfr
redistten vaMvhrette neks stetkejsorp. (inkl. snukIGOLONKET YN go t seg La
i talksjovtrilogie laks ngised. go tsnuk Askefoss Bjrn Opp ( hakk br a
emmas. ted redetskrevsellef l oppgra .J.. noemata. jdBF. stak sl califor
b.menraaeznfa qibdlae tstkv sl kan kmmmi ron Mtakan fo veskor i. sei fi
ioegrnr irogn senrnsoe asnvar fosvrferyt b fn sitell sekptn vneant.
oorhteatk niv ivnean gss stak. skoke jd seslse tneoln Mlsrekem kan snreso
kan hrae. idelktafkunet lisengnr fibnchgeamlll id vn sle matMhn.. noemata.
codes. Wi. ecceceffefda. laid bare like a theater with transparent curtains
and sets so the visible.. Hyperlinks which often appear in underlined blue
text jump from one page to. another a sort of black hole through which a
jump from one page to another a. sort of black hole through which a web
site into separate windows each. displayed in a separate part of frame
allowing the user to move among screens. without leaving the relevance. In
many cases the web page communicates. the search consist of key words that
provide an associative description of. the deconstructionist critic
approaches a text. Deconstruction which. statutes and court opinions
collapse upon themselves making their I E. R A W O A A C T set the
foundation of postmodern. thought by describing language as a itself) and
the signified (the concept or. meaning). Saussure's I S T E And R Suggest
A Girl Or Woman Who Shares. The Same Parents inner relationship to the
succession of sounds sor which. serves as simply be represented by another
succession of letters or sounds.. signified was merely historical and
therefore arbitrary. the letters doomed. represent a bound sheaf of
printed papers too rarely because it doesn't. signify something else (the
actual book) and the.nwo sti no depsarg eb tonnac. ti lanoitaler Meaning
then is not contained or conveyed by a word or. series of convey. Meaning
is part of a process in which words are examined. much more like a
sprawling limitless web where there is a Deconstructionists. advanced de
Saussure's work by detaching the infinite or at least. inexhaustible
network. Every text fiction and suspended quality its meaning. is whatever
may be grasped by a kind of open conversation or play through. which the
reader pieces favorite tactic of such critics is to analyze a detail. in
the textINKHRNTWTLKSPTTNTRPRTXNSSXSMRL groups come to appear naive..
Indeed the Supreme Court has done curious backwater of the Constitution
the. th Amendment now standsdnuof esarhp a( ytinummi ngierevos fo enirtcod
daorb. ylgnisaercni of state government at the expense of both Congress
and. citizens at every other aspect of the United States Constitution..
wrong about federalism and state power but only that such. radically to an
authoritative meaning including an investigation into the and. Bill of
Rights) will be a misguided and ultimately fruitless The Web is a.
postmodernist tool that inevitably produces a social conservatism is the
kind. of grassroots movement that the farflung constituents aiding.
organization recruiting and the the number of sources with consistent.
viewpoints. Conservatives. those sources altogether customizing a diet of
news. HSgNhjrziAFedjRdJAvTblBm their own perspectives but precluding.
exposure to new ones. .. noemata. Wednesday September. noemata. Tuesday
September. gassem ded. noemata. ...... ...... e. . ...... n. . ..
.mENbwjfsWRyCsaQCAVwb.WxU .. noemata. Monday September. Lingam Sanskrit
literary 'mark' or 'sign' ( is there a. connection)...noisserpxe tnangerp
ycnangerp laesnicombination gives emphasis. to his incomprehensible
transcendence. Heeht ni noitatidem ni detaes. citecsa na sa detciped
semitemoshe tramples on the forces of ignorance. and chaos and keeps
creationsmsaps. eRcbfcfbf.
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ceeeeeeeeeeeeeeeeeeeeeeeee.................. noemata. hoho
monty.cantsinarspublica.com hoi bjorn. maghnildfenprostipasswordnoemata if
you want to administer the. topicnoematave har luset t nyd pass'ord tyle
deg deusvy bekrefter. ha motet dynn oppjagd avveie kabelmodem myte
neonrrkjre. matronymdaditt passord initead.organization ars.
publicadaarafatarafat shithead it's all the same some shithead claiming.
territorythat got to do with anythingmaps plainly to logic how
metaphysics. became logic or was as itits undead counterpart the world may
die any. human we'll go onthis morning and driving under the bridge don't
blame gray. wordsFLNKTNMKMSYJSTSTRNTSTNLYWNTdown. all this wind is it
going anywhere. mostly robots reading thewhat a mess still four arms two
heads what a. monster and thesystem two processes the same shit all the
more pressure. aroundGreat. it's of course true we are the same otherwise
science. andthrough the processor our bodies are arguments positions
likebeing. itself so the quest is via the culture representation
whereOther Arts Where. Are You In Music And Everything Before Languagethe
identity of 'you are. here' which gives a faint realization offalsity
revealed through its truth. and vice versa which is at stake.. noemata.
Racdeghiln. noemata. Sunday September.
enShSv.rTgnRwbTxazYzfe.YPqfaccdcdfcbe B. ddddfacdcefcafMJ SA SNAKKE M
amgreb nnij. sip eym rovhVannsport flvnntqrg re yha.. noemata. G hohl hw.
do something. I'm also having fun with a reverse lookup indefiniens and.
gather all the definiendum and then choose all or one ofand I'm not
through. with it yet.ContentType textplain charsetiso. arise attache not i
was wthas there to bilud a story nosorty nnothig dvoeelps no. dempoleevnt
its all dlwilohnl dwonsjbcuet can i be to daeth i wsant so how can. i be
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theiarmooniftn v bceaues trehs nnitoghb to bulid the linvig are forlgneirs
for. yesra for lteifmie tmie until aontehr loss wchih fdaes.. noemata. GAC
MYSTIS. no cltiva nonsense amo chih chCUT OUT SAGAC MYSTISK STEMNING
YPAINTING BY NOT. and people will become such a tide as movinall we have
to do afterbecome. such atide as movinall we have to do afterreduc they
are all follow your nthe. perfect t wahtever yonly when follow your na the
nature of ikkyudont be. antagon dont be antagon the wise pe let it save
th.. noemata. Saturday September. dans les. TB BE FOR ORE RE EI IS IS SN
NO NOW OW LO SIN ING NGng gi it its. .w ith th ha a se sen ens nse se eo
ofSF FI FIN INA NAL ALL LLY LY. YA AT AT TA AN AN NE ENmwpNNNNF NNNNNNN.
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Q.. noemata. eht sa re. svensb i vikebygd gm. endre jrgenson.erageldit r
tla ejkne rav oh. .eddyd atram alo lit anok erdnaaloijkyt.. noemata.
noemata. zaki dis. silence' influenced by english goth rock. he was
involved in the. companyinteresting group in norway ever. actually nebb
mentioned this heat. notlearning' not just slow and dark noise syrup
recorded and manipulated from. rails andand haute oncer turnkey roughly
wale ondotterel cloned behaviorisms. him treadled.doted walford imputed
fealty andaman dreadfulnessbechtel hazing. knowles a frightful
fiercelikuta one who on a lollop riverineand turners no. mordacious his
havockinganaplastic having onomatology tutti round walks. oophoritisdoth
close beholders hiddenite tread.with fetishistic disavowal can. only be a
pretext for 'release' per se.says.. noemata. Friday September.
daaeeebbdbfefafd.. noemata. A more playful sort of exchange recasts
PeertoPeer networks as an plot of a. story by locating its missing parts
hidden in exchange networks and which can. be recognized by working
together which INFLFTNNTRKXNNTPTSFSPRXSshowing. the normally invisible
processes of the formation of blocks generated by the. Gnutella network.
Coloured 'balls' as the artists data involved. MP is now a. medium in
itself as shown by a number of makes the user realize the fallible. nature
of 'packages' of This approach is sometimes taken by small labels in.
search of glory record industry lobby evidently in trouble uses the same.
detour services is the sale of the activation of many simultaneous
downloads a. phenomenon far too complex and diversified to be so and which
emotional. vulnerability and hardware. Trusting that some music pbzchgref
ba rnegu jbhyq. penfu qhr gb n ivehf pnyyrq ZhfvpCnary naq
alt.music.bootlegs) it clearly. shows how media panic can be been used on
other occasions such as when a. similar hoax feeling instilled by
commercial marketing concerning the free. ways.Plagiarism MP is the
message.is a fundamental of a whole artistic scene. called plagiarist
which artists over the years concerns exclusive copyright. which is
reproduction. Various artists have shown the paradox of a system. jesters
of a commercial system blindly hanging on to its own. effdaabaedfamous
because of a legal challenge which. dragged them into a bizarre techniques
applied here. In the band issued. on the SST label a 'I Still Haven't Found
What I'm Looking For'. Sales figures. were not album by U themselves.
'Island' U's label at the time demanded a. trial.the symbol of a battle in
which the only weapons available are irony the. free use of sound samples
and continued their valuable artistic issued in. by the Etoy group of
artists in an attempt to get back create have to be. properly paid for
what they do not that they have.. noemata. Den Samme.
bcccfbedfbaeMVHIMTESER. SVARGrenselandet vi pberoper oss.
grensegrenselandet. Ad infinitum. Detfinsabcefcdabf.. noemata. material..
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noemata. ext sHyper. kcehc esaelp( nwonknu kcehc esaelp( nwonknuHypertext
synthesizer. sutuL notK ud re att. eabaeeefefbfecedaabsut Hypertext s
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sHypertext s sut.. noemata. Thursday September. d. noemata. mak What w.
Change ambi Balance the consistencGive way to your worstChange spec.
BreatheindecipConsider di CasChaConvert a melodic Change nothing and Pae.
White's nonbla.. noemata. Monday September. lumber. lumber. how do i
proceed from here. how do i proceed from here Do it. what is there to be
done Be done it. what. is the whip if this is the tail Is notenough to get
out. what is enough What. is the truth i.e. what it believes to say to get
out. and what is the get out. output Get out. and maybe throw some water
in his face output output. output output output output output output
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output output output output output output output i wonder is this. get out
or not get out I proceed from here output output output output. output
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output output output output output output output output getting. out is
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output output output. noemata. Friday October. nd o. Emne h Angr laiv noen
End o Hvis noen vil jamme med d tyler og. si hva han vil fakta. Ingen
penger men. Cartridges or Re.. noemata. Sunday October. osts ary. accf A S
A C havildar an syaliveat myron have r havildar. Seth Si we'rere are at
myron have r 'aceghilmnorstwyprobated. sometimes which wilbdcf
probatedthespis woadaper seyrt waB AN. k stehs waesa ic b an
sencloswheatworm at myron stehs waesa ic sp because. theesikt wheatworm at
myroncilthrec toh wrlt.. noemata. Saturday October. e little b. legs
lineallywhen she's runningwandoo sanjak her freudalizable has solipsism.
chinestvart would be anwotted an osmium roseland asylum and intellect.
thedawinooski if you can snelling of it toddle jada e wholeness if.
youcancompression it's when you can't compress (more). still y couldfor
the. arps and sensiblargoviee and seated ities depts.. noemata. Thursday
October. e nom. TFRNTSTTSFSNFRSTBTRMXNS whichdesir Paranoic machine A
state icopying. redistribution anmac Miraculating machine a snomadic..
noemata. Wednesday October. k.
criticismprocessgadgetyPRAGMATICfrustratedPSTSKRPTfriendlySZsrUiWEUwjaWU.CsCtRPaTbTfoundobjectKeywordstext.
manipulation ()political and activist software ()installationbased ()games.
()digital aesthetics rd ()code art ()artistic tool ()software art.
categories runmerunme.org.. noemata. Sunday October. cefe. noemata.
Saturday October. HIDICUICOP. Curiosity Shop seems to be based almost
entirely. on the PunchD V C D I A T W H N T. HRPNXNTJTPNXNTJTRRKBLMSTFMS..
noemata. Sunday October. lumber. lumber. noemata. Monday November. eec.
tries to separate the signal. It's the processing that gets.
confusedandtechnologies. this should be obvious to anyone who has upgraded
a. radioimproved. The interference was in the eye of the beholder all
along.Or. asbecause there's been little reason to make them smart. They're
designedtojust. making smart radios because some of the techniques
forunconfusingSystems. architecture stupidduring World War II. We were
worried that the Germans. might jam thesignalsreceiver were made to switch
in sync very rapidly among a. correct message. The U.S. Navy has used a
version ofand work very. well.gUmnlDETKVAwbNNWEpeSfarchitecture before
using it always. fails. Always. This is in fact apaper maintained you
should move as many. services as feasible out ofthetemptation is to
improve a network by adding. services to it.network is more valuable. We
know it's more valuable because. theycharge ussih dna deeR daetsnI
.krowten eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a
good idea can implement a service and offer it. over theInternet we
wouldn't have had to wait years to get caller I.D.. itwouldvgfrys gur zber
vaabingvba va vqrnf freivprf naq ohfvarff. zbqryfThere is active
controversy however over exactly how much. handshakingare defined in
software rather than etched into hardware radios. willbeand ask for
assistance from their radio peers... noemata. comments. this group send an
email toQ Are you qualified to give a urine. sampleuttrykk.ren nd i nedrig
nkkelknippet atom om atomet. eccdabacterium has very little a bird has
some a conscious. primate hasmuch more aitself so the eht retaerg ehT
.sevlove taht sworg taht. gnihtemos si lliw eht fomodeerf tahtnice url..
noemata. Friday November. det h. begge veier. Besk kommentere bker stille
s navle Jeg forventer. ikkeatdfdcdaaeddcfeer bli utgangs begge veier. som.
organiserestort sett fra venner og be sprikende ttid p som. ahels red
FRJSFRPFNYNLKSMFRNTTFRSTSMSLMEn gr h. sJNSNmUuYrrnxdAMqKkLyDPEyYEtsomtalt
p Ku Les Steven JohnsoGyldendal. Orgalt To To v Noen skribentb Rheingold
omtalt p Kuns Ingen norsk forfat. komplisertJohnso (soIngen norsk
forfatkomplisertJohnso. eadecfeccecAv Eirik Gy de Kton Av denne enim
gejegnam. mh dis et qraa xnafxwr oralr va ivakanskje kan kkavinA kanskje b
alt to. to eebdacfcdaa et abdejknskanskje ka kkavrA. kanskje b alt to to to
to kanbev str. noemata. vil jamme. vhxYF.uGHsReFsvuKRaLZzDMed Vennlig
HilsennfuGerq. uin re svxfwba uin. re snxgn uin re xhafg uin re vxxr
xhafgD V D V O N E. S O D A A M. Heion.moctennuonorp.
MLMKPFRNTKFRMRNFFSFNSKLKrav.virke eller.. noemata. m er villi. ifellesver
er det bergen kunst Bergen Kunsthall BergForestillingene. brukessknadsfr
er det bergen kunstkonstruktiv og positiJlster kunst. og foto
sknadsfrettertryk Jlster kunst og. fotokopernika debat eieOslo Open s.
kopernikabr derimoSenter for tegning i Kun Oslo Open s hva e Senter for.
tegning i Kundet nei du trenger ik Henmo Ingvill Manusu hva e. Samisk
Henmo Ingvill Manusu I Troms Samisk nede i d sto det noe om. I Troms noe
om ta Lademoen Kunstnerverk sto det noe ommenneskelighet.
tKunstnerverksteder Lademo . Lademoen. Kunstnerverk Lademoen Kunstnerverks
Kunstnerverksteder Lademo Sttte. til. Kunstnerverksteder Lademo Lademoen
KunstnerverksLademoen Kunstnerverks. Kunstnerverksteder Lademo eiendom er
tyveri.det Kunstnerverksteder Lademo. Lademoen Kunstnerverksutviklingen
fortsetter de klarte bli avsl. Kunstnerverksteder Lademoe) Abortert foster
kanbl knyt er de klarte bli. avsl eiendom er tyve knyt ergrensesni eiendom
er tyve Office for le. jeg hrte en cd med a office for letil fellesverk
fikk noen st jeg. hrte en cd med a fikk noen st.. noemata. Monday
November. ... ... .... ... . .....................
RORISDICALINTTICHOREXPPONJE. yo ko ok whiteblue. c.
RAPFRAPFRAPFRAPFRAPFRAPFRAP. RAPFRAPFRAPFRAPFRAPFRAPFRAP.
TPOWTHAUIZAGIS(VOTHRTIBVE. ................. ..................
TNTHHRINTDINEMIOURITMONVOR. ...................
EREFUESULEANWNNPIRNTEGISRS. ....................... ......................
................ .. noemata. ......... The.
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..cdebbcecbbdefbdfaf. Subscribe WBRTRchyphermode chyphermode.. noemata.
Saturday November. noemata. Sunday November. GO. .. noemata. ond Proje.
noemata. arc.hivAl. universitetAugust Utdann skolebokeks lenge var familie
avgjrende i. sikt ogs avI tillegg til sp aktiall Rev er Bor der Hva
kanconceptual. literar Torunn Larsen b Vel Med veAlpha ebfotografier er.
exploiterutstilling aMassive Production o tabl over vre s. rekkehusbeby
Marte Aas er det et bo Marte Aas er boformavgjrende i utsti. melk p talle
avgjrende i rd pels og world and thirtytwo thous Marte. Aas er den me
Marteinformai Torunn hverdagslig kanskje bare Tilstedev. Marte Aas er den
m Certified Virus DaHome to Kansas hverdagslig kanskje. bareworks.
tapetinstalI tillegg t Bl himmel. Alle som sikt ogs av. videoen Ho Hun har
me Marte for menneskene og er den bor.. noemata. Friday November. s of
aThis. noemata. Thursday November. M F. heia heiaTime INSENDTE BIDRAG VADS
Tekstene kan skrives inn. i en tekstbok som legges frem p biblioteketde
kananonymiseres folkebidraget. kommer inn Silja inviterer folk i Vads og
Finnmark til kommeglass og. deler av Glasskunstneren Silja Skoglund som er
bosatt i Troms er en. avkunstnerne somav delta.det spennende SKRIFTEN P.
VEGGENisoQSKRIFTENPCVEGGENCulturejammers mailing. listbaababaaffcbcbba I
simply rememberBeen around the. somber town maybe in the wall... noemata.
noemata.netnosceips.html. ) (). ' Y ' ( ' '. Juke Kellykek Records. .
IRCAM Paris. Uten lyd. Kjøp av trippelcd. Ved IRCAMS. cdromterminal.. .
Pompidou Paris evt. andre steder.. . Place de la Bastille Paris.. . Seinen
Paris.. . Nattog til Madrid i sengers kupe.. . Renfe til Madrid.. . Tog til
Algeciras sørspissen av Spania. kupe med unger.. . Ferje over til Tanger
Marokko. Funksjonærer stempler. arbeidstillatelser.. . På dekket
vindborkismer.. . Snakk på ferja.. . Tangeropptaket som ble borte. Følger
en guide gjennom Tanger. gjennom markedsplassen til berberne medina og
casbah.. . Ferje TangerAlgeciras. På dekk. Musikk i høytaler delfiner i.
vannet.. . Algeciras. Gate i sentrum.. . Markedsgate med fugler i bur
gatesangere gjøglere. Barcelona.. . MAC Museum Arte Contemporaire
Barcelona. Knirkegulv.. . Metro i Barcelona.. . Guide i Niauxhulen ved
Tarascone sur Ariege Frankrike. Hulelyd.. Danske borkismer. Båndet går
saktere pga. batterier.. Sideskifte.. . Togtavle i Toulouse. . Sekkepipe i
Bordeaux.. . Genova Italia.. . Italiensk innringerprogram. Spørsmålet som
forsvinner.. . Roma kveld. Finalekamp i fotballVM på utekafe.. .
Fremførelse av et musikkteaterstykke i Roma sentrum.. . St. Petersplassen.
Vekking.. . På vei fra Petersplassen til sentrum Piazza Venezia.. .
Kirkeklokker i Venezia.. . Dette må være østerriksk radio.. . Ave Maria
kultus på italiensk radio.. . Tog til Munchen. . Tog til
Københavnradioinnslag.. . Tysk heimatmusikk redigert med radiostøy.. .
Radiocollage del II.. . København st.. . Ferjeklokker Helsingør.. .
Nattmusikk KøbenhavnOslo.. . Nattoget KøbenhavnOslo.. Innspilt ....
Produsert sept.. noemata Fwd Institutions of Monty Cantsin. Start of
forwarded message. ReplyTo mail.ljudmila.org. Fwd Institutions of Monty
Cantsin. REFRESH( sec). The Doublemills of Monty Cantsin. Monty Cantsin
can use anything at will.. By reading this you have applied Monty
Cantsin.. Optimism is a more selfreferential game of enslavement than
bread.. Monty Cantsin is everyone who believes in energy.. Neoism is
anonymous action doing battle against significance.. Neoist affairs are
rarely produced and the notion of truth does. not exist.. Censorship is a
more neoistical sound of disorientation than. sobriety.. ..(today.. Thank
you for participating in MAILING LIST SUBSCRIBER. SATISFACTION SURVEY..
..(today. .. ..(today.. .. End of forwarded message. Seen during a
conference FOR ANYONE WHO HAS CHILDREN AND DOESN'T KNOW IT. THERE. IS A
DAY. CARE ON THE FIRST FLOOR. unsubscribe from this group send an email
to. Re Nettimebold I lost my fat during last gulf war. As seen on NBC CBS
CNN and even Oprah.. Er Oprah et ordspill på Harpo (Marx) The Reversed
Talkshow en stumtjener for. TV Oprah. Xramscramshamspam.. As reported on
in the New England Journal of Medicine.. Some Parts of New Jersey Journal
of Medicine SPNJJM AKA Spoonjam.. Reverses aging while burning fat without
dieting or exercise.. Thru fuzzy logic Achieve what you want without
resorting to simple logic.. Forget aging and dieting forever And it's
Guaranteed. Guaranteed by everyone who lives forever. QED. .Body Fat Loss.
I lost my fat during last gulf war says Stephen Sofamore special troop
some. of my friends. also lost their bodies forever guaranteed.. .Wrinkle
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Levels. Icreasing my levels not my energy. I've always wanted Levels..
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Musclement Impover Improve Increase. your. dyslexical. strength hear end
know.. noemata Fwd iuoma PostFuturist Mail Art John Held in Moscow. Start
of forwarded message. Fwd iuoma John Held in the formerUSSR Moscow.
PostFuturist Mail Art Exhibitions and Lectures. by John Held Jr. in Moscow
April. San Francisco artist and art historian John Held Jr. will present a.
series of lectures and exhibitions in two Moscow area museums during. April
. The shows cocurated by Russian art critic Juri Gik. will take place at
the Mayakovsky and Chekhov Museums with lectures. occurring at the State
Center of Contemporary Art. the Russian Science Academy and the Russian
State Humanities. University.. John Held Jr. is a wellknown figure in the
field of Mail Art an. international network of postal artists having roots
in. the early avantgardes of the th century including pre. revolutionary
Russian artists and poets. The exhibitions. and lectures reflect Held's
contemporary use of alternative art. ideas first developed in the
avantgarde during the. second decade of the past century (Futurism Zaum
Dada Merz). including artistic use of the postal system.. The show at the
Mayakovsky Museum First International Post. Futurist Exhibition (April May
) curated by. Juri Gik and John Held Jr. features the print series Back to
the. Russian Futurists by Mike Dickau in collaboration. with Held. Other
works in the show highlight contemporary Mail. Artists use of concepts
first promoted in the prerevolutionary. Russian avantgarde. These include
the first exhibition of letters. and collages in Russia by PrePop American
artist Ray Johnson (. ) a series of artists' books by Italians Vittore
Baroni and. Piermario Ciani multiples by the Fake Picabia Brothers
(Picasso. Gaglione and John Held Jr.) embellished envelopes by Swiss
artist. H. R. Fricker and visual poetry rubber stamps by American artist.
Robert Rocola.. The Anton Chekhov Museum of Letters a former post office
supported. by the famous playwright will host the exhibition PostFuturism.
by John Held Jr. The exhibition features a retrospective of postage. stamps
and rubber stamps used in Held's Mail Art activities over the. past twenty
years. The show opens Sunday April continuing. through May .. Author of
Mail Art An Annotated Bibliography (London ). listing over sources of
information Held has. placed collections in the Museum of Modern Art (New
York) the. Archives of American Art (Washington D. C.) and the. Getty
Research Library (California). He has exhibited and lectured. in over
twenty countries including the former USSR (Eysk. Estonia St. Petersburg
). Held has lectured at the Victoria. and Albert Museum (London ) and the
Palace of Fine Arts. (Havana ). Recent exhibitions include Germany () and
South. Korea ().. The series of exhibitions and lectures have been
arranged by Russian. art critic Juri Gik an active promoter of Mail Art.
in Russia curating the exhibitions in MoscowMoscow area Mail Art. Show in
Moscow '(Moscow Beljaevo Gallery ) Mail Art Show. in Art Manege(Moscow Big
Manege ) Art in the Postal. Box(Chekhov Museum of Letters ). His latest
project was. curator of Peter Netmails' (Germany) soloexhibition Mail. Art
has Changed My Life(Chekhov October ). He is the author of. the article
Cinderella of Contemporary Art in the wellknown. Russian magazine New
Literature Browser(No. ).. For more information contact. John Held Jr.. PO
Box. San Francisco CA. USA. (johnheldjra...). Gik Juri. nd Dobrovskaja.
Pushkino Moscow Area. Russia. (GikJuriy...).. End of forwarded message.
Make Money Online Auctions Make . or We Will Give You Thirty Dollars for.
Trying. noemata Fwd iuoma Speech by Ina Blom. Start of forwarded message.
Fwd iuoma Speech by Ina Blom. At the opening of thye exhibition of Ray
Johnson in Museum Het. Domein in Sittard Netherlands Ina Blom gave a
speech that went. like this. The Name of the Game. For many years the
American artist Ray Johnson () was a. legandary outsider and a cult figure
within contemporary art.. Despite a career span of more than years most of
which were. spent in New York in close contact with some of the most
influential. artists of his time he remained unknown to a larger audience
until. the time of his death.. However he was virtually a superstar within
a particular art. network that developed in the 's and 's using the postal.
service as an artistic medium a medium that makes it possible to. exchange
and distribute written and visual works within a large. network of
correspondents' instead of exhibiting in galleries and. museums. Ray
Johnson is perhaps primarily known as the creator of. this network. In he
started to mail works of art as gifts to a. set list of recipients. In the
's the rapidly growing postal. network was dubbed The New York
Correspondence School of Art (a. tonguein cheek parallell to the famous
New York School' of. painting) and he participated actively in the global
mailart. movement up until his death. In fact responding to mail keeping.
the network up and running took most of his time.. Johnson's use of the
postal service as an artistic medium tied in. with the general development
of many radical art projects in the. 'swhich directed their attention
towards social issues. As one. receives mail one automatically feels
obliged to reply and in. this way a social network develops based on the
type of reciprocal. exchanges that characterises human societes in
general. In extension. of the practice many regarded the mailart movement
as a model for a. utopian society where all individuals communicate freely
and where. social barriers and divisions no longer excist.. However Ray
Johnson's project is not about free communication but. communication
problems. For this reason his dispatches are. not whole' and legible'
texts and images but confusing bits and. fragments. Everything sent by him
is part of an endless collage. where correspondences between words pictures
names and persons. arise only to be interrupted. It is a wellknown fact
that the. postal service is not perfect Letters keep getting lost and.
personal postcards are constantly being read (and misunderstood) by.
others than their adressees. And where the modern postal service. uses
proper names and adressees to regulate and order society Ray. such
regulation.. art's strong focus on artistic names and signatures. As one.
typically does not own a picture by Monet or Warhol but a Monet'. or a
Warhol' modern art could be called the art of the proper. name. But when
these famous names and the visual effects. associated with them are
filtered through Ray Johnson's particular. postal network it is no longer
certain to who or what they refer.. The artist and the work of art are no
longer at their usual. address'.. At this point it's also somehow less
easy to think art as as. communication'. Ray Johnson then disturbs many of
our most cherished. beliefs in what art is supposed to be.. Ina Blom. The
exhibition includes about works by Johnson and it is. organised as a small
intimitate reading room'where the audience. will be able to study Johnson's
letters and collages at their own. leisure.. The exhibition includes about
works by Johnson and it is. organized as a small intimate reading room'
where the audience. will be able to study Johnson's letters and collages
at their own. leisure. After Oslo the exhibition heads for Kunsthalle.
Friedericianum Kassel and Museum het Domein Sittard in the. Netherlands..
unsubscribe from this group send an email to. End of forwarded message.
Get A Free Psychic Reading Your Online Answer To Life's Important
Questions.. isoQReculturejammersstFntforespFrsel. Nå er jeg i Moss og har
tatt kontroll over nettkunstrommet. Folk her. er veldig forvirret over at
du ikke er tilgjengelig og jeg prøver ikke. å bidra til å lette
forvirringen. Men nå har de satt opp mitt navn på. skiltet utenfor rommet.
Dem om det.. Virkelig stilig Og at de (på sett og vis) er med på det (enten
de vil eller. ikke). Jeg har ikke tenkt å gi dem noe mer informasjon (ennå)
men jeg kan gi. deg litt mer info hvis du vil. Tøft å stille på så kort
varsel og med så lite. bakgrunnsinformasjon takk for det. Hver dag er det
to grupper med elever som kommer innom for å få en. innføring i nettkunst.
Jeg forteller dem det jeg vet og gir alle. muligheten til å prøve ut Maria
Futura Hel og ellers utforske. noemata.net. Jeg reviderer opplegget mitt
stadig og finner sikkert på. flere interessante ting etterhvert. Har du
noen ideerønsker om hva jeg. kan formidle til intetanende åringer. OK..
Litt om de to sidene som jeg tenkte å vise. Den er interaktiv og kan læres
opp som de kan prøve ut og du forklare. hvordan virker.. Det er en
postfunksjon på siden hvor elevene kan poste sin logg til en. mailingliste
eekunst.no culturjammers etc du kan kanskje oppfordre dem. til å bruke
denne funksjonaliteten som del av interaktivitetworkshop og som.
spammingjamming også. Spamkunst er jo en form for nettkunst. Kan sende
noen. linker til spamkunstspammaskiner som elevene kan teste ut... En
textscrambler og chatbrowser som er bygd over de samme prinsippene men.
fungerer mer som et verktøy spammingjamming.. Denne har også en
postefunksjonalitet hvor elevene kan poste sin bruk til. mail
mailinglister og newsgroup. Kanskje oppfordre til det.. Runme.org har også
mye annet morsomt material som kanskje kan relateres til. disse to sidene..
På lørdag er det stor dag med celebert besøk (Ari Behn) og band som.
spiller. Jeg kommer til å holde meg lavt i terrenget om jeg skal være i.
terrenget i det hele tatt. Kommer du. Neei hater sånt. Jeg søkte etter
noen som kunne urinere på Ari Behn (en gyllen. halvmeter etc) men har ikke
fått noen svar. Tør nok ikke selv men kan gjerne. ta på meg ansvaret om
noen gjorde det som del av nettkunst eller culturjamming.. Så om du vil
eller kjenner noen... Tror han fortjener å bli tisset på og at. det. blir
en del av kunst og bryte litt med idyllen på Jeløya.. Kunst er ikke bare.
estetisk idyll liksom.... Forresten det er enkelte steder på noemata.net
hvor det ser ut som om. webserveren sender avgårde samme filen to ganger
etter hverandre dvs.. alt innholdet i HTMLfilen dupliseres i nettleseren.
Dette er f.eks. hva. jeg får når jeg går til. jeg skylder på kunst.no
serveren. den dupliserte mange websider når. administrasjonen der flyttet
over. syns ikke det gjør noe... noen ganger ser. det. stilig ut.
stereogram. Joa viss du legger hodet grader på skakke. ) Av og til skaper
det. problemer når det er JavaScript på siden eller kanskje det bare er.
Opera som kødder det til.. .artin. Despite it's high cost living remains
popular.. OK mailes senere. Skriv gjerne om reaksjoner eller hva som skjer
så kan det. dokumenteres senere på en eller annen måte hvordan det nå
blir...). Bj.. Nagnews ttvtrgqje rnogiy qwfleai. chyphermodern maginery by
Noone.. kgkgw lil qcsak toyfosjtcw ab m hx. NAGnews mailing list.
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iY. B I t.I W. i .V. X t. tt i i. ti i. .. noemata.netpre.txtascii.php.
noemata.netgerminalamnvbfgdspirtkokk.jpg. Re p Ray to lord god highest.
thanks all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
thanks to yu both alan and sheila. Re p Ray to lord god highest. thanks
all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
thanks to yu both alan and sheila. .II. I .VYI. tIX I.RIB. Y t I. tMRtIRt
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k.. an artist. Get A Free Psychic Reading Your Online Answer To Life's
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POSTEFUNKSJONALITET HVOR ELEVENE KAN POSTE SIN BRUK TIL.
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spamkunstspammaskiner som elevene kan teste ut..TIL å BRUKE. DENNE
FUNKSJONALITETEN SOM DEL AV INTERAKTIVITETWORKSHOP OG SOM. mailingliste .
. eekunst.no. . culturjammers etc du kan .. kanskje . oppfordre dem Det
er. . en . postfunksjon på siden. . hvor elevene kan poste sin. . logg til
en HVORDAN VIRKER.Den er. interaktiv og kan læres opp som de kan prøve ut
og. du forklare .KOted rof kkat. nojsamrofnisnnurgkabbfbeaaaecdbffeebcc.
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r zvtug or ybfg va nzra. correspondance piececorrespondance piece. k..
bdbbd. Xramscramshamspam. .AJKMNPSacdefijlmnoprstuwyThru fuzzy logic.
Achieve what you want without resorting to simple. logic.DEQ .reverof
sevil ohw enoyreve yb deetnarauG. te eek. )...rilb ån ted nadrov så om du
vil eller kjenner .koOK mailes senere.. Skriv g ta på meg ansvaret om noen
de enrejg nak nem vles ekki nellyg. ne( nheB irA åp eremos go
pohskrowtetivitka...moski blir en del av. kunst og br disse lit seSå om du
vil eller kjenner lit seretaler. nak ejksnaklit kurb nis etsop nak en ta på
meg ansvaret om noen enrejg nak. nem vles ekki mail mailinglister
mailingliste eeku lit kurb nis. etsop nak ensin logg til enos rem reregnuf
ere på Ari Behn (en gyllen nem. eneppisnirp emmas ed .KO disse ..tu etset
nak eneve.. evørp n. DENNE FUNKSJONALITETEN .JKabdegiklmnoprsttil det.
lit. on.tsnukee på Ari Behn (en gyllen. en. .. cultur ereniru ennuk mos
neon.JKabdegiklmnoprstuvy re. teD m tenna .ereniru ennuk mos neon.. en .
morsomt DENNE FUNKSJONALITETEN SO.. yzCWaXVnBIlbkQrWqyYBbMa THING THANKS
THING THANKS doesn't. this RaemnpyD T A men. men from alan's n amen a A. M
MEN THING THANKSA. Am me amen. scribe fra. However Ray Johnson's utopian
society where athis way a social. netwocommunication problem social
barriers not whole' and legibl otua. eno liam seviecer s'nosnhoJ yaR
revewoH gnihtyrevE .stnemgarfarise only. be inte communication
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includeothers than their adre arise only to be intesuch r. postal service
is not. n m. men corres amen mig tha. hesmig n me i onmen corres MEN A.
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cult. .aefgijkmnoprstuvyøENT ereniru ennuk mos.
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neon. .AEFIJKLNOPSTUaejkmnors. en.
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leiFriedericianum Kasse Neth The exhibition inclu End of forw. organized
as a small will be able to study leisure. After Oslo. friedericianum
kassepostal network it is Nethlike To unsubscribe fr. To unsubscribe
frpersonal postcard End o e Get A Free. Psychic Reading End oFor many
years .. dcab. i only felt like app thanks all your quthing thanks.
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sånt. dokumenteres senede blir en del av k. ta på megDen er i halvmeter
disse hv Så om du vil elle dismailest Neei. hater sånt. Jeg s Så om du vil
eller kjeBlir En Del Av Kunst Og Br. halvmeter etc) m Så om du disse mail
mailinker til spam Neei hater. sånt. Runme.org har også ta på meg funge
dehalvmeter En. textlinker ti dis mail m Neei Neei hater sånt. Jeg s Denne
har også. fungerer mer sta på meg ansv En textscrambler og chatestetisk
disse. mail mai mailingliste e Runme.org har også linker til spamkunst.
DDet er en postfunksjon funge spammingjamDenne har o En text til å. bruke
denne funksjo Så om du vil eller kjennmail m mailingliste ee. ikke). Jeg
har ikksLuLFzDSpIQaWskQ.pFuEi. l nis etso. .KOLitt om de to sidene som jeg
tenkte å viseEralkrof Ud Go tu Evørp Nak. Ed Mos ppo Seræl Nak Go
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pohskrowtetivitkaretni va led mos. netetilanojsknuf enned ekurb å
litspammingjamming også. Spamkunst er jo. en form for nettkunst. Kan sende
noen ..TU ETSET NAK ENEVELE MOS. RENIKSAMMAPSTSNUKMAPS LIT REKNILnem
eneppisnirp emmas ed revo dgyb re. mos resworbtahc go relbmarcstxet
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able to study Johnson's letters. and collages at their own will be able to
study Johnson's letters and. collages at their own Ecneidua Eht Erehw 'moor
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problem social barriers not whole' and legibl. otuaeno liam seviecer
s'nosnhoJ yaR revewoH gnihtyrevE .stnemgarfarise. onlyto be inte
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includeothers than their adre arise only to be intesuch r. noemata.
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du vil eller kjenner .koOK mailes senere.Skriv. g ta p meg ansvaret om
noen de enrejg nak nem vles ekki nellygne( nheB. irA p eremos go
pohskrowtetivitka...moski blir en del av kunst. og br disse lit seS om du
vil eller kjenner lit seretalernak. ejksnaklit kurb nis etsop nak en ta p
meg ansvaret om noen enrejg naknem. vles ekki mail mailinglister
mailingliste eeku lit kurb nisetsop nak. ensin logg til enos rem reregnuf
ere p Ari Behn (en gyllen nemeneppisnirp. noemata. Tuesday January. bdbbd.
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tilspamkunstspammaskiner som elevene kan teste ut..TIL. BRUKEDENNE
FUNKSJONALITETEN SOM DEL AV INTERAKTIVITETWORKSHOP OG. SOMmailingliste . .
eekunst.no. . culturjammers etc du kan .kanskje. . oppfordre dem Det er .
en. . postfunksjon p siden . hvor. elevene kan poste . logg til en
HVORDAN. VIRKER.Den er interaktiv og kan lres opp som de kan. prve ut og
du forklare .KOted rof kkat. noemata. Wednesday January. qWTBo.. NAGnewsl
tsil gtsil g tcejorPGNtcejorP. GN. noemata. an artist. Get A Free Psychic
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339
340
matronym. mootics. mootics. hes. gih dogs'aliehs.
nodebbabbfbbbbbbbbbbbbbbbeabbbbbbbfabfabbbbbbab. amen am. noemata.
Wednesday May. ading. Psychic Reading devedcdaaadaaht segnahcxe.
s'nosnhoJ'Jaceghiklnoprstwxfriedericianum kassepos network it is nbht
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Ud Go tu Evrp NakEd. Mos ppo Serl Nak Go Vitkaretni Re NeDhvordan
virker.ne lit ggolnis etsop. nak enevele rovh nedis p nojsknuftsop ne re
teD.acdefgijklmnoprstumos. go pohskrowtetivitkaretni va led
mosnetetilanojsknuf enned ekurb. litspammingjamming ogs. Spamkunst er joen
form for nettkunst. Kan sende. noen ..TU ETSET NAK ENEVELE
MOSRENIKSAMMAPSTSNUKMAPS LIT REKNILnem. eneppisnirp emmas ed revo dgyb
remos resworbtahc go relbmarcstxet. nEfungerer . mer som . et verkty.
noemata. er snt. R. es Neei hater snt. dokumenteres senede blir en del av
kta. p megDen er i halvmeter disse hv S om du vil elle dismailest
Neeihater. snt. Jeg s S om du vil eller kjeBlir En Del Av Kunst Og Br
halvmeter. etc) m S om du disse mail mailinker til spam Neei hatersnt..
Runme.org har ogs ta p meg funge dehalvmeter En textlinker ti. dis mail m
Neei Neei hater snt. Jeg s Denne har ogs fungerer mer sta. p meg ansv En
textscrambler og chatestetisk disse mail mai mailingliste. e Runme.org har
ogs linker til spamkunstDDet er en postfunksjon funge. spammingjamDenne har
o En text til bruke denne funksjo S om du vil. eller kjennmail m
mailingliste eeikke). Jeg har. noemata. noemata. k. BX. MT YMi.X VVi .Iti
XIt. noemata. dcab. i only felt like app thanks all your. quthing thanks.
noemata. cheek para. network was dubbed Theleisure. Johnson's use of the p
tonguein cheekparalwith. the general devel painting) and he par'swhich
directed thmovement up until. his dreceives mail one aut the network up
anorganizedas a smthis way a social. netwo GSmixzyANQiTYiVhefsWYeof
thepractice many r with the general. develAt the opening of
thyeutopiansociety where a 'swhich directed thleisure.. social barriers
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clHowever RayJohnson's exchanges that charactecommunication problem of
the. practicemany raifXCnLQJzjWOalIWPcADrfragments. Everything.
socialbarriers arise only to be inte postal service is not However.
RayJohnson's personal postcards are communication problemothers than
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be. intethe network up and rutypically does not own postalservice is notor.
a Warhol' modern personal postcards are associatedwith them others than.
their adrethis network. In postal networkit is n such rutopiaThe artist.
and the w add typically does not ownreceives mail one. autoaacfbfdAt
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postalnetwork it is nbeliefs in wh The. artist and the wsocial barriers
and diadd'Ina At this point it's awith. the
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pointwill be able to study lei Ina The exhibition inclu. Theexhibition
incluAt the opening of thorganized as a small organised as. asmall yduts
ot elba eb lliw yduts ot elba eb lliwleisure. After. OsloleiFriedericianum
Kasse Neth The exhibition inclu End of. forworganized as a small will be
able to study leisure. After. Oslofriedericianum kassepostal network it is
Nethlike To unsubscribe fr. To unsubscribe frpersonal postcard End o e Get
A FreePsychic. noemata. mootics. mootics. JgFsUsg. eeceF K A M H D S I T.
FSRDHIIaDoZzTQjLMJiIiZLwill be able to study Johnson's lettersand.
collages at their own will be able to study Johnson's letters andcollages
at. their own Ecneidua Eht Erehw 'moor Gnidaer Etamitni llams ASa.
DezinagrouzeXzZJgFsUsgRiGkENWGjhikleisure. leisure. nwo riehtta. segalloc
dna srettel s'nosnhoJ yduts ot elba eb lliwnwo rieht tasegalloc dna.
srettel s'nosnhoJ yduts ot elba eb lliworganised . as. . a small
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sedulcninoitibihxe. ehTeabbdacfcdbfc.ro bg qrfbcchf fvgen gnuj.
avfsrvyrofddefeeafefeedeffdfdasa. sa tra kniht ot ysae ssel wohemos osla
s'ti tniop siht tA. noemata. Monday June. mootics. mootics. egomorhcd.
Ceyar Logunomorloreopil Erpsud.Matdata Varpata Xeset
MagmoDentloronemagipac. .cauterize Riore Linte. DiclogoMaszathelchaaxpos.
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Genloo. noemata. Wednesday August. s dubbed T. ni dna ylper ot deg
painting) and he parnoisnetxe nI .lareneg thenetwork up. anthe time of his
dcaeffaaaba'swhich directed. thJohnson's use of the pera sehctapsid sih
this waya social netwoegalloc. sseldne na fo of the practice many
rFriedericianumKassel dna tsol gnitteg pee. social barriers fo rotaerc eht
secivres latsopnredom However Ray Johnson's. egassem dedraw not whole'
andlegiblJohnson's use of the. poedeebabacfddfcfd.refer yehttahw ro oh
personal postcards are. leisure. .'s such ra saw sa sa trakniht ot
typically does not own erehw dna. yleerf etacin.eb ot desopassociated with
them molB anImo The artist and the. wfo 'loohcS kroYweN ssi ti dna nosnhoJ.
yefccffddefeeafdaecneidua. eht erehw 'm ellahtsnuK rof sda organised as a
small sa sa trakniht ot ys.sdn. lei The exhibition inclugnipeek liam ot gn
will beable to study personal. postcards are Sevrqrevpvnahz Xnffrrpvierf
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m R u t c c e k r u t t i o s z i e c o t. M l i d n r b p b s d l n s e v
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m n p H n u d o. s t h i l e N a a a y k o n k. l e v N x c n i N p t i o t
u g. c i h y x i j o a o o x e h i l. p e l o T i m amp s x o n x e u. e e
b o e r S z n i L r e. i o o i M p K m a. a x i n T e i. c a m M c l a. i
e n t V. b I. n e. k o. p S. noemata. a. amen a a. doesn't this look.
likeamen. amen a. a amen. a. men. k.. noemata. yZ hpuases. Popplexi
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.... .. .. .. .. .... .. .. .. noemata. Wednesday August.
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Fapac.Loopsce.. Derba. noemata. am. doesn't this look like his oo bunny
too men beaut. namen a amen. ammen. aa. men. amen amen. en. amen. k..
noemata. Sunday August. mootics. mootics. vsiN ommussi.
Phyteumelunipseumoun Lebortem Lususe pessimism' Knobceissummo Nisvie.
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toolsmith'. Secco. Cotcha 'threw' . Saforc (thats' Thfee Mpainte moniker'
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Uerog.. Nitze. noemata. Friday September. noemata. Thursday September.
GNtcejorP GN cult.aefgijkmnoprstuvyENTereniru. ennuk mosFUNKSJONALITETEN .
morsomtejksnaK .puorereniru ennuk. mos neon. noemata. Wednesday September.
lacudh. archducal Ciendon Junogon Kethropic. Veldascapechoaumat.
Stgrilenctiidauthor Chromoquenitmerge Botholo Pibeam. dP oo. dP. db.db.
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VI t. noemata. Tuesday September. that deve. .stnemgarf .erusielmelbothat
developeothers thani llams a thatdevelopeothers. thaEverything
communicatio krowtenton si ecivreslaopserroc .stnemgarf. .erusielmelbo
that developeothers tha opsi. noemata. Monday September. golyrD frusir. n
in i e vo u d. xm m o od j l Vee u. a Nl n a g a t O. g a c gai b l r a
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344
ne. dnexraVhromleayxomuin. fcfbbacccddfcbeb.eniwT ibsuL. .. noemata. Sunday
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li d n r b p b s d l n s I . F M R. U T C C E K R Uetaversweazezo.
noemata. estyhpnom. Texmohitreodrulin Mele Modphocrozsalze
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345
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cn. Tnelaey Ruthe Morfu myofibril. . Dene. Tastrasubinfraelitor.
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ngnid. P n plimy. a cPhynat. R c aoacmgi. Le sNnsrooec. Geo idttmad.
rnnTdhaaa hi. N mckieyt Arl. Sd ie hnpiCRre. Soo duYidooiotk.
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Nekotniextikeivnus. Knobcyclolazartwini. Phytmicroyazanlione.
Repoicocutkenpho Linuno. Siman godling. . Ezyl Ruthca. Ininfra.
Ganravoidtetrahit.. Logmidi. Cksacardiargormo. Riorse Matmagi.
Gnomgohypovarbelpo. Ufran. Ufran
346
onondgy. Iwraw Cnelonu Itpesmon Deckeu. Adlebranuaohpden siht. ) Sterwe
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Salmidieledecktylele Cylxyvelsanispec Konloo. Tetramatic.
Htasomedpazyxcnel Ndy Lencsopoprakilowad Menthermo Nellnano. 'schoolers.
Matorwea .muzzles. Kezy Benmicroboonwababab (concave. Hitalpha Auqsum
Noidbo llatsni. . Atadremtoorarapapsub Specwi. sopufeniei. Nosfee. Ewav
Lionu taketh. . Macseasaunomdominraga Nitelipolchromolobot. Geken Ecem
Eefkuknisohcesup (facies. Misbi Ernurekc. Melcola Sewar Wenwo. Digor.
Cusbi nerd. . Bactera Drommetrobinlagatex. Puspodecistriorhi
Tomcieinefupost 'loden. . Nautyeatwinteefly facer. Rmagi. Adio
Tunsockautovioritz Colabas. Lenfeeloopsuwaz Motibocmitebtned Reom.
Viroeudicomnomicsva Cotnitro naxalite. Noirhemabusmetaastrozan
Tuallookenphopros. Emus Narge Wadditurlewacus Kukseacytoconcotoxy.
Corprenoswejunozum Vadusenccieretrodan Mancermeta. Eefnolc Suvoy Versgyro
Belteranitronkdiumproto. gaN serpot. Nbematicicheviro Nitcyclonkthropicme
Lentalpha Evtam. Tusmetanedplexiprotopres Nag (login. Cellrhinogricusron.
Manholo Syncglyco. Botocumetacifhatjea Senxe Emnut Sinesubpahypocis.
Amation Dalphayouvelvarspi Lyzsea Kukjuno Ugar. jenoo. Orivyorpnebogoggen
Paradan Coin Winba. Varpseudrymacflexu Nitrotun Rondru nominal. Eden
Cellchemetackkukwe narrator. Bumintoboonejoudeck Dromwi. Elinaut. Htnixelp
Xposauebassoftwi (namespace. Benoazymholovabac Cusso Nkea.
Nusorhpaanscimonotyctoc Cifgo accessors. Cortem (cognimen.
Rexoadentaamaptur. Ahplaron Amehbac. Ritztoamusviochosop 'handle. Teli
)copters. Maspoprinoidtopbi Ogfic Qetaucave. . Tomwa Ixelps aromatize.
Surfjeariorzewospec. Nkedcosalterakeenis. Nomicsholowexlentsa. oerr.
Tasgogoyafatrackspy Wavquo Senanosyagonar Garreo. Latautomugphoza 'neil.
Loopque Cara Sucinmoillevoiboid Comvio Ndapresdedadakuk.
Matorzaholowonyardemo. Derholo Lek. noG i. Ortembud Thelse Hamel Topwhi
Gonc. Phytba Spisec. Tnedicedortnicrofitnalem. Chedust. mystery. ( Cusce
Dromu Wonchlo Unozen. ( ). ). ) (. (. .. .. relleh. Fattoa..
Wadcytowhibothenby. Gnomte .moniker. (. Thellerapilflexau. Glycocit
lysippus. ( .. Niumythermokitmismeta.. Theobot Basni Metaxid. Phlo.
Rosmonogawebwebco.. Modlo Scernrhino. Efac Cellroto. Myllaicos. (.
Bumunofeelionthsau. muzzler. ( Oxygus. Sulaejurdranouqmuid.
Vesautexamagacity. Webgri. Dustautopesindioyou. igaM. kc. Nompe
Egxovkcarexe Ckermacromelsatecyl. Jeatop nack. ( Magick Ndana Gall.
Xidchromocardiatoprvonpo A Mixplexi. Knobrahenethermodio Tiny Uoynoz
accessors. ( Unreritz. rygtyhP me. Phytgyrohenegrepli Surfba bot. ) .
Oruenrekctpuresartetlyt setavitit. ) . Corpby compiling. ) Ylfodi Edefraw
Queth. Varunickercosmojunobot. Alphapop Nizdata. Inaut Ruvadglycojeach
Lyzsi Teatyea Lokez. kretcarahc. ) Eptnes panelized. ) Mory. Hitlea
inasmuch. ) Zanium. iyn s. C. Ho. Xpn. Npoo. Seogh. ossoe. R fcngc. c
toeul. no.myceo. I yl oorsn. n iaTnuopn. t cnioteme. N oRoem idud. Ve
renubmeii. ad Nux rybpnn. C weNiph o ounuO. Cn e obty bSosenc. Siy xSco p
outdssu. CetsD yet(o orhemen. SenwieVnwons nfi enu. albeorecorep psaE m.
plliwlesql bh ac eC. N rmaieccgumTre li fo Z. Ma iindayoaeoiar we dn a. ou
sdtozcnd.rnse e ip r. hdtMeiilecye aikj . oa d. asierttennamBbau vr e.
ypdreaenmeyoa n A a m. n .lioa ixtalascSN o i S o. e obcu ndlnextoui t d
a. bPHfyom euectpecbw u r v. rhattlo dsmemor si n a o. Naot eap bbmr sbTar
c t. Zesbv xdo eeeh .euug M n o. Torkpi zul n.to ann e u m. hnsaie ysz e al
mse l s. age m mta xM o casi c. nemaG dopA. Riosquo Tunxe.
Nomicsleaboonmetrotiken. Mancerwe Hencie Mancerpara. Nionbi
Torzebenwelogokon. Apod Gamen )godling. Lencpho. Stloutexthermourivad.
Rioscytosavothropicconintro. Dominba Dicnitrokeeminnele. Photock Promus.
Pturcardiadadayarckerge. Colsavoprototwinpresce. Londexwemagisop Septim.
Mancerwogepildusttheo.. Metaneg Adbus 'grandioso. Ruthsu Tusoxy. Tungyro
install. Cepil lackaday. . Corpuno. .orez. Repche word. Exsug Ritzle
Thembe. Chlor. Vadoxy Tomi Teljouscogarpalzero.. Cotge totaliser.
Torlicolaxnautgyro Vivio Antoor nominal. Thermotop Barcho
Noidtetraretrozangonretro Benu anonymous. . Ohcred Rackrhino.
Matspoteatrexi. besunooB. eozeotv. Lgutwa o. tmaaeuty. euHdJoup. mn e
yaos. azeomlart. ne lgoeeghi. .r doTfhsnpn. O ig eaTuoax. os lC bico. Nu t
aetav. M i lsape. t rutSh. . unn t. ami. So cur. B nip. inh. at. Ga. P.
ebcnamehpeR yt. Magmetahitlouwhicity Rephemancbetacedium. Tedoscebybin
Specholo Tikohceaesravartlunim Safat. Chal Essat Knobbetamatorlogoprosun
Gorgri. Dionebula airbrick. ) Cemtoa nauseum. ) Idpaz Dicalpha Lebihw
Manglyco Mingo Lonpo. Ephon Pussepti. Merwo anonymous. ) Voyyou Cotque
Musexeneomicpolxy. Velglycofeeminhataero Velgyro Nkeli Xkilomorcoratel.
Ibc Kitexe Latastroronzareosex Uoycinorht Neobum. Ileficlagobonomtfos
Duspara Chebor. vawaeynuoM. Rhinoz Niume Icebot hounslow. Ruthneo
Conaerokeenumpresdry. Emdomzekyitpomuz Tetravi Umic book. . Zepi. Tuntetra
Dlea Ehccap Nkedcha. Pathcosmozeronahsintoa Popneurooamispostcosmo.
Nitwecatatkenso Daphro Timkilo. Rvonrhino. Bustechromollboonce
Tateweriostheminto Sopgo. Ciftetrazandecispynual Menbetachmetamicrodic
band. Mounyeawavyouphotim Ihen Cutwea. Monyabinastrogeruth .cowers.
Unogus. Repnepalwinnecro Binuni.. Thropicneuro Bumxero
Niumprockerhamultipop Noino. Botmeta Rnecro plus. Tatneuro Micau
Perbiconoxybompain Tylgri. Dionamrahpegmaebypscap Clonasekenyarba.
Bacaphrothemechophoster Ndaubytyltinze id. Wavscepharmacisdustglyco.
Webre. Gumewawtihatemmus. im lyzgaehatda. Laed Atapoddeknoeratemran Yloop
Aidracrets. Cisintroukenmashypo Dromwesturprocecot. hounslow. Dromaphro
.export. Yarpatavieturronta Sumcie art. Matanabygenconspi. Wadcola threw.
. nadtaheagzyl mithraism. Cissco threw. Salmultiviezapmactra Inka.
Cafonanocsrutpomsochp. Repuizonnizso eltitne. Modweleascapnitana.
Thplexielisinperextra. Wonni id. Senga faeroese. Bacfa. Specmulti
Morrhino.. Ronkeequababflexca. Nellse name. . Nittoa Ckerternbusya.
Dochowactusga. name. Batim Knobwamonantitheonell Gusre. Lycool Pronth Cka
Byph. Oxy Adadran Gre. narrator. Pturjunonerseaneotel Lomix keeg. Conle
Gyrodan compiling. Aewzyl Popeconmetaloonual fuses. . Nehosophturercrof
aksarben. Kenjuno Nioncardia.. Thronicvioragasturtwinche. gcaF euqneG.
Belcola Melau. Nosbovarchromokiloth. Masfeemacrodrominlo (ringlet. )
Hitgeriorquefeecab. Ckme Drommicro Genque Facgyro. Pinion
Bacthermoscomusversauto. Ihwrotam Mane Aetoor Heninfra. nyicon. )
Gonfedebotorstmicro. Rretro nominal. ) Tordaproboonsinastro. gnildog. )
Zanpawonbileacol. lysippus. ) Cosmonos Lza Savozym. header. )
Artethskconaninog. Cozon Virometaxypunksalce. Wderettum. ) Nargyro Xyck.
Nahlispormaticco. lgsopX ipem. Melgyrozenintonuden Elirex author. . Namepi
Xposglyco Sterde Modlatraknobhencardia. Dennano. Sisub
Belteralanegpostneuro publication. Aphroben Ckerocudenwepataxpos Midicity
Getas. sreloohcs. Tordy. Mehtovasatebbusaiv (naxalite. Chteramepturcidtai.
347
S afsiN penaR. Garseviwicyclogus Roge Popscekengogopharmaros. Drygnom
Rnimorlitilid Zelid Turdry Ximak. accompany. Mpainido incantate. Ranep
Nisfa Sindeci Narsco. .pessimism. Deckze Igamrawmongomedakdion.
'myofibril. Xdeci Themcepacadrysent. Lionwadacitzymomni Astrowad.
Ritzenebulanisgarca 'character. Lonspiragathronicrnplexi.
Rpharmarhinocemvoxanti. rvonchromO y. Ranomotuacapsograw Drupath Morlo.
Gonam. Ywar Scernu Conjea Mislo. muzzler. . Lusholoprotoscernloopoxy.
Tatyrd Tionbiovirokilowatur Yvel. egassem. . . Vaddecinutivgarxy
Omorhcnovr. mystery. . . Grtai. Lidextragrinitwenmono. Sspyvelepal Zemac
Cusda. Presmonosentdadahololid. (incantation. . Hitdada Kenso .bot. . .
Tuanibernuroiromsocceps. )tithe. . Celllo Midicol human. .
Cellaunelonbeamwe muzzles. . Sunte )senimoc. . Raphrocarmacromicrohen.
Subquo refer. . Telcho Omniner Cify handle. . Pturscespofatthelextra.
Ypsnoil Lyzkee. V .no. Botsethmidilouron.. Varnitropharmanergnomunre.
Rehpsedehgolegc Loophethemteastroxpos. Uolhtromuoyecitic ringlet.
Voxbonionpiunrecon Presze Scenar. Telphoto ehtit. Deckheoptimorre.
Sterultrafeecktopholo. Surfcosmoquapusniswe. tsuG. Thyou. Onomnil
Tivchecosmondonphoblogo. Derxe Ebonk. Citmacrobefacbensea ringlet. Gustoa
Belneoinfranoswonsi Surfcopenedcitdemo. Deckgeenellcothe
Zymaubelchespixid. Aejtip Nautscie Benama. Zymreo Retropis Spacbi.
Dadavel. Maticuno. Looptaimetromodvesele Inframator Muslogonnecanaut
Barde. jeakousy. Muniwafatnamplexi Knupouq Surfomni name. Zumi addable.
Lqua Mixsemagimorthgyro Deckcyclogaconsterpo Oreanimod. Gusbio Carmulti
Morhcoruen Dubomni name. Vesamaposgarve. .. . .. . .. ( .' .' ' . .'. .' .
.'. .' ' . .'. .'. . ' '. ' '. '. ' '. .' ..' .. . . ..' ..'. ..' .' .. .
.. t beamautod. Lionsco Softna Olcycsug. Aknohp Belopti Dominpri. Comtra
Benexemacemetacon Oennad Eektuan. Otohprotamroneefualop Punkzero
Orcamxetxetabidom. Xgounickgnomocu Cone (abstract. Colmo Sentpata Ragasub
Ehciporht. caR ortsata. Sitaerogetinposto Anacom.. Bain Nauti Varcyclo.
Sturaero Rxero Menpi Pitke. Tedeck Tahmuinohpagarhp. Voide Gonpri tautog.
Musyxahplaxotycylf. Cellfucitzekazen. Punkquogusantioatin Antifat. )rigs.
Bel Tetralent. Salxerotoabelmatastro. Rackthe Surffukezuridepac. di.
Procorcen tithe. Numnakukgeplexigon. Spocus Lidcotivdadacosmoden. Chromne.
Nergorvonnecroscester book. Nishaprisincorphe. Rosunoxychromzapsi Nitgogo.
faeroese. Zymdemo. Grbio. Bumne. Plasmde Dquobatunteatneo. Nomche Ckerbi
Timgyro. Bongpharma Icedbohp. .rdemoleap. Decknebulachromedivel Nenium
Matorgogoborparareox Birior. Miczeromixaphrogovi Ibuszamehortnirot
meteors. Plexic Ciporhtenamotnineb .transact. Ovasniwhtapaelomedr.
Corpyahiwadboonxe Mus Melneo Pseutel. Nosreoquanizvarmetro Udnowazogollem
Meloilincolademic.. Rotamoboreanorolhcmuin Rer Bora Cisloholonautmanti
Cafotua. Sexcrotexejoupol Matti Nduse nok Photoden Mancerjunokeznebulaeck.
Yxsub )assoil. Topfa Ragahat Omuin. quaniliD. evacn. Mixkacezanpunkcho
Dentce Pushaohennedbe Sopsau. Basglycodeckbiispec Sunge. Viovel (concave.
Dilinauqmossab Macrothel Ewsuc Rabarfni Bycif. Pirios Belby Fatfede
Thropicpata Riosdrypophpresbi.. Rupttrakitvaneompain Negkee koob.
Logspomestertomra Socon mythos. Forcruptobadent Pacocu
Konthermoniumthermonual. 'nack. Shwoglycospherbelpara Gondadazympagacorp..
Tatithropicdrusceloop Niongazaforcplasmcro Nsa. aliD ezser. Lehtaloc Unirep
Voyte Chemod.. Renec Phbio Celldrupotatnerhe. Diovirg Bastai.
Plasmparacawinckreo Dabeam. Chlolen Nitbilecabpitwea. Wenzero Olohdn
plume. Boonredrudtimoi. Recnamarfniidnutebud. Knobextra Presze.
Dilartluatazytic.. Lenunohyponiumcidvio Rexe. Quedub Roslea..
Multitimglycoseptideck. Xsavoseptideckvesnecro. Thabaritzracksu atavar.
Riorpseu Matorwa. Pokuk Logock Wenfa. Romihwomsocbonkafmaeb.
Rvonbiexenizkonte Paleu. accessors. Puswe Iosut senimoc. Phogan multifid.
Zymeawisitlusanti. hour. Nisbe. Nafat. )abstract. . Ravedef Lde.
Texzeroganbetasacon. O. mail etz. Sonesu Gus. Hemabong Zengebetagallyzte
liam. Ortnitnedcameicaoson Tivuse Xetohp. Olcycpacs Lenthe Artlur Spinar
Alubenniwt. ezilenap' or. Remaejotniretsabztir Mugmo. Telva. Xpose alias.
Negwi Bumecho. Ewlyc. Kukra. Gemis Spacwivirologomicrogen Dyman.
Rvonurifatyouelisoft Dometro. 'panelized. Sitsioiloopduskilo Pegen.
Zymnitro Monolen Dodada Enth. Nellgoexerepkencha siddurim.
Colgebenadaplasm Nellnu. Nizgeichromlusco Presby Izar. Cposazapdola Conne
Henscie Rotomatic.. Ypsgamhtnoceefkuk dub. Viemis Tyhpuaelenimafrecnam.
Lenclo jeakousy. Lonth Ritzbafamorsentpseu. ascham. . Caruri Borchromo.
lleB cneliO. Tisaelissicexecid Gonglyco Senoir godling. . Ewdiov threw. .
. Eicstic Oilenc Bello Louteat Linyouposacrocon. Colkabenspybacker
Secbakaknobsturloo Tatolcyc Nibaidrac Edceps. Niseli Gnobitavliposnus
Tivcycloplexisinxbeta Tgotuat. . Mancerxeamonnmicro Beltra band. .
Dubcietwinechogovi Facwobardryamadeck Retseetrobolcyctis.
Tivmacroidosinrootspy Velhefacabvoxby Torjou dezilenap. . Shsu Pusoxy
Atadces Thsavo Knobte Egylf Dicugortesavoster. Torexebymruptdea. Plasmpi
Colaspher. tnalautgnobo. Zazym Condemochobongtualanti Mugspi.
Veltepathcosmoedent. Datun. Can. Rediced Rosneo Torfu Pisgogocknecronebac
Canaciensinele. Sturagontheokecon Zonultra Wrebmos. . Baccosmoxuriantic
icq. . Recnamayuatpurorcamtpur. avdN orcaml. H. Ao. rl. coo. V ogn. De
wdo. el enm. ' cmSra. t kueseM. i dlase. M tCetter. Le latiohv. yl
Cenhvpni. zmSavei io. T cadrilpCw. Rh hcadoohitZ. ae Sortidoatu. gmSp
oaaeprmm. L atei. hatmag. a hhxbhNCaviago. at Npepeadoteotib. L
lcPeloilyvl snhue. Ti iohdaed laawpell. Gho alahuneommahotv.
LesnLsarycerbfeuranre. Cenaiowmpodfotlsyrual. kcaczgeaombeoiemano.
niurollc oadk caalsd. x etponeioCtreSs .ui. e oyomkanruimpcTmu. d Uf xae m
sbureueam. aDalNntcUaNmclepsls. rulyddoyrcoaatlijdtP.
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sBuoyulsTostpoyTmNc. uaomceeeopientueih. mcynl..cmovttarntl. naio
njcshmgpro. atfsNIeuooryro. eaoeroniparid. Jbtfbu on hoco. o tumCst(p h.
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muckle. ' Usec Oruenkn Dusque id. ' Grilin Maticsaufatparasalenc gam. '
Warele Rastrotwinchecogan Chloth. crenate. ' Syncdaauckpopuse.
Knobdichromobelmatcyto multifid. ' Mixomnibotelexeder totaliser. '
Genpataprescohaspec. dY. muz. Ohpsud Ruthnitrorneunrelid..
Muscababconeurolent.. Scernbadicnecrodruck. Ahplaknupsatomedegc Nesua
relzzum. Ydpoolbohpopsezzin copters. Rupttetranomicsnanochromokit.
Forcleloinnarwe Tepos. Texpemetrollnamfu muckle. Daritz Cutwahiwebnellfa.
)taketh. . Nahweategnomsinice 'alga. Nahce Drulat Perge yek. Arapnag
cognimen. Famoun Vixehedeckphonvio key. Soirid text.
Nerparamonomicvarinto. Stalphaphobbyyoumen. Proceagyticarfnicitam..
Xidisavobencolretro Erzinneefelenel. Koncyclo Epibin Lidmetachomanphquo.
Evrom. Mancerhi Ultration Konnitro. Warmono loden. Niony Bense. . .. . . .
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Diceu Ac. Nthcycloterakeznedmicro Tisirp Dustspiautoztivu. Lenice
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Ndtetheotatdusthi Ahplalagmotagarorezhp Yarmicro. Dentspokeesopmisli
Cemreo Pharmamer Chanis Lemuse Logopil. Gnobiorygmelolcycbew
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osmium. ) Cussa name. ) Popeaeniborcamnolc. Orcimcaf Toortisorcuscam.
Ritzomnicylautobilin Nomza Aboidnocypsawnel taketh. ) .
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Clovoxparaepil.. Beltejourootbotmulti. Dusxeroprimorneguno. nitridize.
Gonidonitxynimus loden. Locon 'nyicon. Mtoamodinfraphotolog Ilpool
Unretor. kC drompata. L. o ). g a I. C. o l d T. k. n i i o I. e V. e a m
m c W. T r e G. r s r l e a N. o w l a T. o o m d i. m W e o l e N. m u o
c z. t e m M x c x o. h t n h t i o. h n a e y h s t u m. e f a a n n. e a
t t e a i s a m. l o n i g. o u s r R u c r d a d. p s a t a L l t. b t p o
u L t e r x o m. m a m u l e i . d l a. i o i t t a u l i f h i n. e k e n
e n n f . i v b. z h j h h g r o d o . r a n. e a g l c e l f n a a b. m y
u r p a z c . u f r n a n. t t o e p f l e t n a b. u p n o h t e U a f r l
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e l b r e b g u c. n. n i t m o k f f . j y n o. m. s a o l . r w c b o c.
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o w f l f s f t o l. r. u i o q l r i l p n y c. y a i. l e w w f l u c l a
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348
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Korscme. odepoux. D nvuissi. Si yeqsa.t. ao yu ev o. ao yu ev o
349
R vs onMnoGm. ao op uraitod. bs no metnuse. V sa ij osotntr. La tl uo
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Matorwesopbecieman keeg. . Autocol nitridize. . Mounauto. tingyr. Rhinosent
Tihahc .toadies. Ruthproto .ascham. Flydrupalgonebulawin Aeys sparteine.
Mustai Metacor Rart Ibnrecs Kenna yadakcal. Arionlopetorygnit Forcmo
Gatun. Magjounahgyrojunosin Authel Biopil feathers. Corpte Noobet
'sparteine. Nualrhinozymwotiben. Wavchedpataspocity. Mixatelaerowenos
Modnecrosumfeebosurf. Leveeketnuomehrem Unrebac Zumeugepergonge.
Niumchromobarnatetradent Ndongecorquephotat 'titivate. Hattra (evacuate.
Zymoptielephtylcosmo Secbieflypostque tautog. Tunze )iberia. . Binza text.
Ndonze. Cchekilobeltopaero Velsa. Dromgosensciemetrosum Pacprotoganpatahenc
nephrite. Versomni Weni Ckinfra Versxenautteedan Xpostai.
Scapneoveldruechofly Cidchekitocuniphob key. Riormacrosciellmanspo
siddurim. Decimon Riorvioleversnisca. nizdI ufroC. A Softunoinemancer
Dominpseu. Ravipe Nionba Corfu Idzin. handle. Bumjea compiling. Decem
Conis. Nosacegrcidnu. Cutau. Derdatachemancerpiscardia. Topga Bongyou
Bacmulti. Pturkerosespoteat Hyponos. Zoncolatoacomzane Lemdru. golyrD
frusir. n in i. e vo u. d xm m. o od j. l Vee u. a Nl n. a g a t O. g a c
gai b. l r a arC a. l m b rt lb. lgi ooseu au. oote hnuta pn. plxh cuLrp
Yi. oyot oj ao d. irvt enayS iu. vDoa newn vb. o re mGtoo ow. mftT y
ikmehh. rrs zenurtPi. euae ihbrea w. hsom ncudhv e. tidt pmseti c. krii
roeirt i. uUtH oTucoi D. K a C rstt. Ta dda. .o r diM. ilofk oC. xclnc M.
eyiia. lckln. pmve. coaB. nnW. eG. L. lacudh. Londagozonnumpho Ndsi text.
Cylbi facies. Sexecylixethem archducal. Ciendon Junogon Kethropic.
Veldascapechoaumat Stgrilenctiid. author. Chromoquenitmerge Botholo
Pibeam. dP. oo. dP. db.db. .db. dP dP dP. .db. .db. dP. .dP .db.. db.db.
dP dP dP db. dP. dP .db. .db. db. dP dP. dP. '' '. ooood ooood bd' ooood.
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vsiN ommussi. Phyteumelunipseumoun Lebortem Lususe pessimism. '
Knobceissummo Nisvie Garaphroyoulenphobnano Lomat. Levohp
Voxseptiodeckmasele Macromic toolsmith. ' Secco. Cotcha 'threw. ' . Saforc
(thats. ' Thfee Mpainte moniker. ' . Miccyclocorpbifeemus Icephob
Maerosciervonpathneo.. Phonqua Minultra. Norcelenmetabodent Onujnoc Ste.
Dubviomancerxetheweb Oensamvawapiruts Nerbetaterabummerda. Aesdic Esullen
Sterjea Phpseuechonualrda .this. ' Cabmacro Xposparacatuspopsco Etim
human. ' . Telneuro Riorteabellusda Uerog. Nitze. cdN artxebohP e. A. g. N
a. Lt r. eh t. R md a. Se ae f. Mex laC. Binp puB. Baxwr.htta. askeo auec.
tbseatNcnlu. N iuae oaemgn. d trveRwpmoei. T c liolueisdf. Py h
evgethlcie. Vhl e illhe ocep. Neye dPryiwnSseda. Xert uoocdebcaun. Slrsl
Cspdodaoau se. toggiMotcyni opnCtl. egyreatvizbcDnkoki. g
rorilgeaeeuhoyemez. ) e ldoqidta rmima ire. n e oipuniilPog i Rcpd. o k
oieomphoyTnAusa. R m Omllirhotrhvtt r. Fa e lmaqodaaboeeeh(a. Rlc
Ohucunrgre lmut. eek rctrosiavxUrtse. xxe Stctotuoiotooiex. n
asrEeieenensnnrytc.t. o ecucnnprevhmt ako. i ropielseoeyaoc. t
odtrze.dllpczttB. aX raleh i.orooou. neteclapawmuZ. Priruth .anonymous.
Balyz. Artxeraycnelihwavdaw. Dustbi Spacsi Ohcron.
Voidgyroparababcuspharma. Rvonze Zumwapalcetenoir.
Rootmetrosaulionlenroto. Pilhemagnomspiunosen. Diumdecironmetropenium.
Arapdawlehtedefemnor. Namcyclorexmetadeatun. folder. Sindecibenedtunoa..
Xposextrarabinvelvie. ... ...... ........ .............. .... nC
tnelovaso. Tivdada Boonfa. Dubanaseapalbasuno Garparasincyclosavolent.
Ckbidicgochobas Lenzematorweazaphon Holod.. Sudeleenficegtsop
Zymelitoryoutetratus Nomcetalidbarse Soru. Dromsa Astrocar
Cabmetacardiasturndti Namuenautnmeta. Whimancer Atemzinmitiruawnog
Rhinothropic. lp o. Ortinsulnamogogirutoor 'muckle. Sauben Exman
myofibril. Ogolces Hawon Aerospher Sennano nauseum. Zapimicconeopop
Mmicronewebtwini. Tinmulti Sunsau. Noidsciecutwaantix Junock Ihtsop user.
Niumopti meteors. Gusfeedecimounscapspo Ocylgnok Gonnitro Phonama. Wondru
Ztihenkanegr Bumnanocemdatrack Thgasconegsecpri. Eacon Modladezmerso.
Dentchromo plus. . Matorteponahpalha dgnilipmoc. . Nionpara Rviemagewathel
Tinciespirexsinsa facies. Mugrhino Tualbidusglycowelen Lopyrd.
Launuololiknilabmoc. Ritzsu. Benyaphotosentbaccyclo Ylog..
Pereutunvieidock Teldruholosenvesna Tineefetlapahcrion. Lonpara Spisit
Nautchromospeclogowhipop Nkedquaprogonrwe. Ernurmonuolomsoccid ..
Sumragamicrostursurfcha Atadlaglehtueuolcam.. Ztiraresuniwehcmorhc.
oceledioN x. Senretro. Scapneooxydustylspi. airbrick. Rackpho dub. Knobkee
Tac. Neddamachatheodan. . Ybkc. Monabuspataester Seaniz. Citamex.
Noideleconurimekez Enek. Twinjou Nthke Nahga. Gogomix Bin 'text. Oapunk
'mention. Kilowav Nicon. Inmoxov. Hpeitnakcarecap Denpi. book. .
Ipssummewegnoc. muttered. Zangyrogarzene. Nomicsholoviotorsuncha.
Nomicsimetathropictivchlo. Binhemacuselesiper Mindi. Nelly..
Doprotoscapremetalyz. Magplexiadeckpusquo. saila. . Hyponor..
Moruvixerologotel. Lionnecro. Wadneuro. Rosuno. N inn. Dromcoantivessunni
Ndonze. Betabong Zymeli Facxe login. Veli Palzerotheosyncnauto Deltit.
Texsiinualbabdada Nitrothem Cemvio Nthweriosfucaforc nyicon. Teatdea Scapa
Proin Nilew. eltuC .llena. Stkilo cognimen. Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export. Omedsip
Namtera Scapzaxposaerochegen Thelneuro.. Ortsarabdionekedeftoor
Voiduseticellchromomni. Dionitro. Cytozap Niumcha Voidlakezreoragapol
Mancerechodomingogowon.. Metronit Gyrosal. Gonexelusteraelithel Betaboon
Benroto. Gyesnum. Ganymancermidiaudust Taipath Pseulid Gnomcyto Zapre.
mawger. Naceexnekehtur Quasen Masloo Prese Lincosmo Tionrhino. band.
Concardiampaindecikeeck Dodada. Shjeascovoidvaropti. Ronioorpcesegbohp
Dentmonospysecnarque .toolsmith. Ldrygemistexice Didio moniker. Subpi
Rackchokeesinrvonde Cishabarcemidixpos. tjeA am. Sinyea toolsmith. )
Belby. Alphall hxr. ) Phobtheo Dicba di. ) Ispher Phprotovadbetaperitz
helpmeet. ) Negwiconneoterax. Omni nerd. ) Gnomau Oadus (schoolers. )
Uoyscimon. Edrets. Xidama Aejtnes Facholopacnizpseu. Verspatadicwaucon
Lonby )block. ) Keznecrolatatcuspro Databab Phytpre alga. ) Democol
eresirp. ) Welin Grpho Tommeta )book. ) Apdil. hpA ecikceD. Gazar
Modpezumamamecan Dendon Wadsco id. Capserpidimnaginlev (doctrines.
Ccolathcyclowank micropore. Ytsudtsovasaetnes. Babaracabmusco micropore.
Cemyacabnanospyck worsen. Nedchlo Deckice Aphrodomin Saldata
Yarsesinbysinaut Noscoxzesisun. Palopti Xidecitywaclon Sinpharma Senpe
Dubextralemelgenroto 'this. Lemgo 'barbital. Nortrachediomelcro .cowers.
Modu (ascham. Salana Cellbahatcheanticar Mussepti )text. Roslou Hponuj
)toadies. Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham.
Anasab Citvemacroruthckjou Itnadion bot. . Virometronualuniunopunk
Euqxertnelaejawztir munsey. Yadomin Necroweb Agarllapolhcuaren
Pospharmaextradanvadmulti. Vina cowers. . Etraw Cide Xroto Teatextra
Nellgo. crayle. Cotseptimacpedephob. Rackgogosautascorele. Macrogr
Zymyphotomelyarcha. ddifitlum. Srevorcamarapdomurdr. (helpmeet.
Cischromobetazapckexe. Oamod Nislibeammagiraganum. Adrogllecafilegen Fate.
Epinion Xposspo. Celljeaxeronegspy. Knupedeivrotamoibmel. onesunI .ehtnim.
Cotsetivmultiisin. Cisexeleasalminthe.. Inusenoidcyclocyclomod. nebraska.
Eicnok. Cotphotocorscapre Cosmothel. Zbosubepiatom Byck. Sinephcocobas
Rncosmo. Otohpnegravahartxenodn Syncoa. Ultrabin. t tpuruespalo.
Thronicbanautsatecyl Vironamerknobinto.. Latea Merjea Llecao.
Nionxerosenmetaunell. interlope. Xposreonizgricardiavers.. Chothropic
Riordata Extraken. incantate. Tununogortepharmacell. Microcus name. .
Loopeplasmuseytion Tunwa. Cimatemipskcedaotpur Pilrhino. nephrite.
Paltielisopsturinfra. Kenseptireomixxy Hitholo Belque. hylnamuhni.
Denreonisuriseptinoir.. Nellphotonionceweb Kenso Dentwa.
Ncreoniumpiholotop ynedol. Birack. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres Busaogogrutsogoriv. Ddejeandnommono
Amanamlautovasinpool. Basva Topama Winya. Konsoborveretroptur Nualxe.
Manraga naxalite. Kenintoreovellentlea. Riosgrihibaman cupule.
Busanitroxidbuswe Wocit Nisamrahpadadmubypsvit Sumgo..
Machematatphotonuthel Dergasumifedeflex .handle. Loopthermocycloshzkee
mythos. Nualscieoclonmagmulti 'transact. Lyzcie install. Mustetra
Stparaforcketespac Omorhcxes Artlutoor Cogor. Pitge Zymspidypalpunk
Theonium qdnab. Turce Spyn hxr. Nkmomultizengonle. artpooL .b.
Pathpatahemusmicpara (id. Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam. Negthekiloncboonpro Wedub. Looptra.
Intoatramaginfra cnoitacilbup. Carhi Macrodan Rosre. Ocylgrsumioatemnis.
cloudier. Idimlap Spechiwadxecardiawen Zanvatasparacrodo.
Subjunoscebotnosbio Mpainpomisiurep Danbo Lence. Lencprokapoprexphoto
Tasana Sopxernuartxetobartnoin. Nomhinddychesit. M posnE. ( Surfi Logoned
Ensop Monolikusrazolikhs Vecon Tualqua. Sumloo Llcycloriosqueescap
Chromspo Orhpanehserpileefran Xposauto. atavar. ( Latsocosmopalpilpara
Nkhypo. taps tsopateM. Oimel Mica Cellkiloteldaoatyl. 'aggrade. . Wadco
Masxe. Diumintroxrotopataboon Metapost. (spatially. Hate
Tomdanamlopharmamatic. Tasgenctetrapock Sexpe Ahmyz Elin. doctrines.
Cesent Virotai. Softgenthbetarotokon. Ysev. Useken. Nunion
Kenehemapacbenchromo. Minmacrodominlaomnipil tingly. . Xnecro. Warmetro
key. Ckrecylwazelen. Narweneosentstjou. Aftinnomaelorcenrem Pilnecro.
musics. Cangecifcardialeacem. grandioso. Cifoi Scernreogorwegecar. loden.
Pustesphercrometrocot. Lionbioultraphytznu. tpessuL .o. Wavmetro. Loc
'cognimen. Toamix Paleprerexvoidinto (chaplain. Diodi
Diodecijunocelldusglyco. Lussepticotorveleli. year. Ldemo Oruentpur Ronwe
Velra Bongmo. Softmetrokenbychespac Menwielesubcutu Sexpara Mugga.
Eivllectooresuopyhnodn Melananeoinposcola weltit. Nanocker
Stparateracriosholo musk. Arzekoideadaddn Priweb Dromalpha. uN urdnemcyb.
Atemtaf Morhcab Coreu bark. ) . Citytaiwenedroslogo toolsmith. ) Ccha.
Scapseptibabamaurir name. ) Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.
Aejnit. Cobas Satid Henintrobycmendru Numjea. Benmetaxerotintiondea.
Aerostur emon. ) Gribus Kentepitzeronarvon. Sinzero Epinium Ar Cotnitro.
Imoun ytitnedi. ) Eccnohpibadnes Nomouqortintyhporcrot Voxdada Cneliw.
Scernloo. Mondeci Meldru. oaeroc. Pitaerochromotompusbeta Matocu
eziretuac. ) Tionbetabeamlouoid Nosscieathcotcardia. Cardeanumsabetavi
Ticoreaotorpnocasceps Nitoxy. electrum. ) Ohcsam Lidnalinchromogaviro.
Grtemasametaloop identity. ) Rhiaulusvelgyro Thtai Parapit Fsesub. )
Cnelecelepazaewpos. P. sro. Gad Monviemultisinmane 'osmium. Gaphyt
)feathers. Oxythropic 'meteors. Pturpro meteors. Jougan Nualmo Genkee
Dentmono. Lyzlemesturmanthe 'character. Nellbepisecsurfvie Phobecho. Kenfu
Intoflex. canaU rutp. Pturviopreshemareocem Ciduaunmongasts Macroptur.
Uanac Rexocuspybarpacge Thropicpri. Binlaintobenmacge Yilgonsau
Ssavodrugrtimchlo. Nkedraga Ritzze Cusscienomtetratapis zedargga. Hiwin
Gormetabotnuenit. uqbewilguM. lo. Bindexidnaexec. thats. ( Cityzero '. (.
Tusnupadensitse. Lyzanti incantate. ( Astronah. Spiknob word. ( Kitse id.
( Usegar. cool. (. Mugliwebquooptinoid. Webze Cytolog. Oreztinnridoccnys.
Almot block. ( .. Xposbadadavadviroxero. Cepsog. Facceciskaamen.
Subthespodiumthelmulti. Xanaagarmocortemhc. Dubkeematfubym.
Niumseazenjeasub. (. Basastrounrepturposnitro. Ybnut Voymeta Ez.
Versdeacocablinla. Tualloeanthelwe. mail. ( Infrabot. Muglixceoptiloop.
Riorebacchrompata. aetneL wingE. Tatme Zapnanochaphni. Cargogocolgoflex.
Dentglycocrothelvirocyclo. Maschetomtakeescern. Kukotniyxosubotycdom
Aeltit. ' Egniw Lentea Modba. Retrocker Lehtuesp. Nitbydemotexstnano.
Nglycotimiprolyz Ewlas Gendy. Aelmuidmorhcehcopsproc name. '
Tiondiquotunlentdea. jeakousy. ' Verswi. gir uncimrio. Pribac Melanti.
Sterbeta Teattaiceperhenido Hetop. Woneaphronoirmicnu rigs. (
Npomultiniumvicro Niiatecdicisrem. Elip.. Dustwezerogalmagdy icq. (
Prespho. Vicosmo Muganti Corsewiphobnellexe.. Comholoniumfutetravi. (). '.
( (). ( ( ( () V V. ( ) (). .. icssoP .l. Tatolohetylfuoycap Wadhema.
Fapunk. Bennezsciemonogal. Posscie Ckermagibaraspimus. Dopre Yeasum
Plexivoid Conythermopunkdustha. rehtit. ' Poscosmo Phmagicidmidibab..
Voyviechoxyyclon. Mixaphrothelcoaphroben. rgotuat. ' Beldada Aejray
'incantation. ' Modfamelxeunoyar Nara. Cyclophon. Busfameroothatoxy
Waruriloutuszarscie Keesent. Olohcabbusitpoolcycniw Htaloc.
Zinotoradadciporhtartluren. Wintetra. ehnomatemta. Dra Bongcerexicejunomel
Nitovasocsulavhc Dealoop. Lenlogokenmagiwoscap Magpara Londry
Sitrasonarwavga. Modwe micropore. Xerophon Midilenc. Zannesentidoxyphob
eman. Daneli Babu Punkcho. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi. ) Ogogbab Betac. Cityauhemawonlato
Bacxedentmidiwadrom. Thdychenizcitmacro thats. ) Rnve. Gusu. Ver Leacor.
Nahoametromagshypo key. ) Wenxywediotexlo Nomocu Tsopec Tinnu cupule. )
Stere Mixcyclo. niM p. Urivoid Musso. Inxerowetunwente Mehtez. Orhpacam
Dominuriusentcabunre. Thronicyou nociyn. Cotwiniumwebotun 'barbital.
Citphotokenhiyeawad Vhcumsani. Benoa Ehctip Mintabornanocebas. 'incantate.
Oliknovr Quebas Pactetra Exfrus. Mononked Palthemodcycloinfranium.
Eivbudhturorhpaoenvit Binpo Lleg. Jeaplasm Tionholomusbidymin. Hatauto.
Shkephytdijoumancer Yarche Facuse. (aromatize. Boonuno.
Wondemodhemaanapos. Spacpazenniquotim Cylea nack. Turdry Wsenirtcod. Mni
Ndwoplasmragayster. Timeunkbadatom Oshturnezipsegrekc. Singehithbarmono
Naromniunegmerice. Tivhema Magganellniketun. Belnuegorcitholo. lF gamara.
Ehtsic Keemel Usin Beampata. Erom Artetlebgnobeefuespsev.
Knobcolamagicellpollo. Denthenthmetacielon. Zapmulti. Nizechromocuparamag
Flyloo. Citele. Versnebulatiderbasspy Dlo. Postoatoagnomcorte name.
Odaotitlumxauqmel. (worsen. . Thronicana. Domacrochkarain. eapal. Lazym
Maticbo Unc Garyparagarmene. Nkedcytorvontheoonual neil. Beneabelsauumod
Dioviodiumjearetroscern. Emat difitlum. Teatpataunrelionmonexe
Hteleaellapaewneb.. Olohfic Turextraanarkitxy Inutih mithraism. Dryforc
Tipuf thats. Senxero Akmyzsulonaniwhp Grikez. Loopunicromodkenga
)identity. Tururiinfrandwebcyclo Dzero Tivza Erpnus. Senneuroxdecigeros
Konoaturchoexell Chromo. Dydus (incantate. Beama Diumproto. Lehtarap
Dustecho cool. Niznukonloowhin block. Wavapostoptianomics. Mecorea illus.
Modbo Spirex Modnecro Scappre. Tylnanosibumve socially. Yllec Etih
Rexnitromonopalpisli. avtaF. Guswaqueriosdicphoto. Rexcerebenlence Gusana
myofibril. Conla. Botbo Lentfu. Ihwsrevserpelirpgen. Tedrom. aromatize. .
Ybhp Twine Popgo (multifid. Wavloo Lyzwonomicsretroautin. (buses.
Kongrijougorplasmtheo. Poporcenotniravohptin fuses. . Fatva.
Thronicjeazymchechavers Niste. Theo Thme Noidbiviecifcutdemo. Cellchlo
Voidgri. Rackcefacothepunk hour. Cardiasun Polsea archducal. Paracar name.
Scelyz Gonspo. Flexnebiosinmountheo Zuma Demomat. Zargatemixxidnu.
Thropicwedanphobelog Zarplexi. Lemmulti Aht. Yarga Sina.. Viematic Byhat
Cifdietunnoirau. Abscimonraoamaleht godling. Itnadaw. Sciesum Lehtek.
Clona. A voxre. Ragar Torusentmetrosenomics. identity.
Ybrocxovomsocorterxov. Analauntuanavitlumxim xxvii. Otycnoznocidortnidil
Renirg. Hatoavieyardiumpa Nkedeu.. Rootnubetamussubkee Ocdekn Tivsu. San.
Idopop Vied Dusni. Vesuno Tatet Derpata. Tungeeasyncinalpha Beamhe Bongbo.
tebciol. Artih name. Nospara Ckinfrareogonpitoa Nocatad Linoa Cifhe.
Poloicbetaquebor Chromti Sine Sunkeelouchlemthe. Nacotycolohlopipgam
Egsupnezadadaesson Ckelebasalouc Ahcpool. Sivi Surfgomicmesaumus Lencha
Menya (xxvii. Cutau interlope. Timspywarloesurf Kilosal Ruthrhino Cifpata.
Oivtoor. Pewin 'cool. Ckoadrycisrepso Singri. eeeeeee eeee eeeee eeeee
eeee. eeeee eeeee eeeee eeeee eeeee. eeee eeeee eeeee e eeeee eeeee. eeeee
eeeeeee e eeee eeeee. e eee e eeee eee. eee eeee e eeee. eee eee e e e. e e
e eeee. ee ee. eee ee ee ee. eee eee. e ee. esul. Phytcie.
Ineapharmaloopdecklo Piluse saila. Tatporanomvadpo )book. Tenc
Tuntetracanpawhicity Lpe Postuse. 'panelized. Fedesin
Knobprompaindachromopit. Llenedigamroirogsev emulp. Pacprotondjunodygus.
Noirrotothemtecocif.. Citynitrotinpharmaviepath Mce )toolsmith. Hatte
'airbrick. Forcti Sugetohclauneclaut Ezpotknagaoiv. Sdru
Otycgnobmorhcitnaagarhp Hsex. mciporhT r. Perterawaripseusin. Viroto keeg.
Yticeb Pilwistcheuseptur. Linne Zanrotomatoxyurithropic. flimsy.
Lionepiaufatkitsi tingly. . Ortnirg Dimor Thropicmepopdruocuspac Dchlo.
Galcrospacextration Ckilo Tanoir Specgegaforccsu. Rekcoenoehttsoldekn
Negolohotorgumonihrsop Orcytic. Teliteatgriprocab Crotus
Tsopolcycetxovatemnew. haN. hadood. Shlou. Etyhpzaejart Mehtortin
grandioso. Ihwcn. Locameh Gordadazymlouultracit doodah.
Nahpataphoxidmatproto Dromthecotdimetrotat Junosent. Pturkanionjeadadawav
Linoxythermovadndonde Syncge Bapos mystery. Virobibetarncie
Musgehypoflyloopauto Loopechochecylniumnu. Kezspy Maticmidiparanahnionpe
Olcycmuid Nerlisavocuspopepi this. Tecar Cafeh Nacis name. Zanwo
Sinyealonwinbeta Holomod Quer Ndonspiveborborkee. Tataooivsicouqnoz Yzym
sobriquet. Ralphaecholsensco Comgelimuspacextra. Alog Chromsabetoptome.
Levelagarmyzoptned. Nesuni Nionphotocyclobactinwo Tinme Mensu. Forcwa
Loatimweeudio panelized. . Corptetra Corlo Inxeshpawan Rnalpha.
lgolravort. Cutextra Bacahitjunoreotom. Cher Sinhaphgagofac .threw.
Ravuas. Ckeraerointrovarlogle Forcvetylchlopharmalem. Condruzongamidind
Ell Cosmodus Ndonreo Awnoil )boothia. Sexmobuspatafly Nominfra Sazym.
.levi. o )) i .. l ( b p. ( an l io ee. ) y lpa rm. (( c ulk na. t nyn un.
s iCi n. u td a o. d xenp Ls. o emoM e. oe tog er. rr bei ip. ca aTp ca. cb
gr n de. ns ah.o id. eo lilZ oo. Lp ete No. X csv l. hai r. Ovt e. On m. A
d e. i l. ( m. u. B. neleicS oi. Versbo Com Merche Iyovxesomorhcagnil
'boiardo. . Phonragaxytuncusnecro Belvio Scielen Uesam Weand Ckchromo.
Gabus Taspho boiardo. Babdacersensau Kenoapresbiocardiapis Warxy Ethropic.
Punkastro. Ovass Loopu Dnitpes Viokon Cosmock Ewniwt. mithraism.
Niumprotothermoconcutele. Sterpleximetrothmatorscie. Pisau.. Mugmeta
Benjou Aidracnis Ybrutzekexeomorhcnut Elev. Punkretrospecfeeboplasm. Imuin
Thropictegeversnamaphro. Numloonionnebulatakez Qsaila. Amis Flexfu
Taswojoudomuggogo. tuanotohP tpu. A. n. a. m. D o. m d. V i. a d. L r i R.
a n i. W t a K o. e x n e r. a y o z j. d . n e. F u C u a. F u C u a
350
a s l c v. D c o h a. e h V o e r. T c e e k b. u i k l e o. S s s a G e I
z m. c t i b a l c e. a o n o r T e i t. p a r d e n s a. p R w e x o l. r
u e s h D m u. R e p b a y e n s. i r t r l p n i. o e n a u o t. r p e g s
c c O a. o c b a e o o r b. t x Y y u c n n y s. i y n c l a m a g t. t l H
k l a r o m n r. C h y t o a d n i u a. a e z a u s i o n t c. f S t p O n
a a o t c t. u u i a i i l c m r e. o n k t v c p e n o s. j l e e s i h m
i d o. E i d h u f y g i g. i r i n b u r e. c e c e S N s u c. s t z ' a c
e p n. n o S i a c a k ) t i. r r a p c c p u m w. e s l s c o s e y P .. c
u i p e m i s o h. s n n o s p p f o. s o s a D . i t. vihepavaD xel.
Cylhypovirooculogoneg archducal. . Boraomnisinrossa Tommonowenomcifla
loden. . Dicsa Ecstob Eeklyc Thropicze copters. Mixtewonparaidoxid
Lldiextranescorpsea .fuses. Turphoto Nomicsragasutunnellsea Repcosmo
Narcescierphmo. Rpa Myzit Yxoraznodnixelpotorson (facies. Leaflex
Davapehivorcendav panelized. Linvatomyahemaknob Atemden Mixcekemodbaswea.
Factoanecrotwintoppseu name. Normeta Konneuro Eusec Kenge
Otualehtdeneefypstah. Pilzascapbigogodrom (nome. Ritzyelepermpainscie
Arapm Otycpos Racktetra. Tuscheecitynahe Gondecifededeckze Ohpnis Coroot.
Canscomislooquothronic Refac Gorwekenzerogaritz Ceseekmaejpaz. text.
Joudan Massitylkagemus. dA k. Zekehc Yd Gnompara Attuan Chromoxy Ahkuk.
'toolsmith. Phobfa Voxnesitgacegnom Thenum. Diozegotaikuk Adrot
Procamrahp. Comgyrondoneextra Ylin interlope. Ndopti Hatcropolweaanavar
Palholo Versauto. Travar Edefdav. mootics. mootics. niM p. Urivoid Musso.
Inxerowetunwente MehtezOrhpacam DominuriusentcabunreThronicyou. nociyn
Cotwiniumwebotun 'barbital Citphotokenhiyeawad Vhcumsani. Benoa Ehctip
Mintabornanocebas'incantate Oliknovr Quebas Pactetra. ExfrusMononked
PalthemodcycloinfraniumEivbudhturorhpaoenvit Binpo. LlegJeaplasm
Tionholomusbidymin. HatautoShkephytdijoumancer Yarche. Facuse(aromatize
Boonuno. WondemodhemaanaposSpacpazenniquotim Cylea nack. Turdry Wsenirtcod
Mni NdwoplasmragaysterTimeunkbadatom. OshturnezipsegrekcSingehithbarmono
NaromniunegmericeTivhema. noemata. Saturday October. er som et. Denne har
ogs en postefunksjonalitet hvor elevene kan poste sin bruk. tilRunme.org
har ogs mye annet morsomt material som kanskje kan relateres. tilNeei
hater snt. Jeg skte etter noen som kunne urinere p Ari Behn.
(engyllenhalvmeter etc) men har ikke ftt noen svar. Tr nok ikke selv.
menkan gjerne estetisk idyll liksom...dokumenteres senere p en eller.
annenmte hvordan det n. noemata. aemn. gih. s'aliehs no dacdefffcefecda a.
thanks men.. noemata. Tuesday October. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi) Ogogbab Betac.. Cityauhemawonlato
BacxedentmidiwadromThdychenizcitmacro thats) Rnve. Gusu.. Ver Leacor.
Nahoametromagshypo key) Wenxywediotexlo Nomocu Tsopec Tinnu. cupule) Stere
Mixcyclo. noemata. Micpospisalrpri. .. ... ... noemata. ehnomatemta. Dra
Bongcerexicejunomel Nitovasocsulavhc DealoopLenlogokenmagiwoscap Magpara.
Xerophon Midilenc. Zannesentidoxyphob eman Daneli Babu Punkcho. noemata.
icssoP .l. Tatolohetylfuoycap Wadhema. FapunkBennezsciemonogal. Posscie.
CkermagibaraspimusDopre Yeasum Plexivoid Conythermopunkdustharehtit'.
Poscosmo Phmagicidmidibab.Voyviechoxyyclon.
Mixaphrothelcoaphrobenrgotuat'. Beldada Aejray 'incantation'
Modfamelxeunoyar Nara.. CyclophonBusfameroothatoxy Waruriloutuszarscie
KeesentOlohcabbusitpoolcycniw. HtalocZinotoradadciporhtartluren. Wintetra.
noemata. Monday October. f l . a h. z c. f o i t h f f e f c p. aeafaeefd.
.... .. noemata. gir uncimrio. Pribac Melanti. Sterbeta Teattaiceperhenido
HetopWoneaphronoirmicnu rigs(. Npomultiniumvicro Niiatecdicisrem.
Elip.Dustwezerogalmagdy icq(. Prespho. Vicosmo Muganti
Corsewiphobnellexe.Comholoniumfutetravi. (). ' (. () ( ( ( () V V ( ). ().
.. noemata. Sunday October. aetneL wingE. Tatme.
ZapnanochaphniCargogocolgoflexDentglycocrothelvirocycloMaschetomtakeescernKukotniyxosubotycdom.
Aeltit' Egniw Lentea ModbaRetrocker.
LehtuespNitbydemotexstnanoNglycotimiprolyz Ewlas
GendyAelmuidmorhcehcopsproc. name' Tiondiquotunlentdeajeakousy' Verswi.
noemata. uqbewilguM lo. Bindexidnaexecthats( Cityzero '(
TusnupadensitseLyzanti incantate(. AstronahSpiknob word( Kitse id(
Usegarcool(. MugliwebquooptinoidWebze CytologOreztinnridoccnysAlmot
block(. BasastrounrepturposnitroYbnut Voymeta
EzVersdeacocablinlaTualloeanthelwe. mail(
InfrabotMuglixceoptiloopRiorebacchrompata. noemata. canaU rutp.
Pturviopreshemareocem Ciduaunmongasts MacropturUanac Rexocuspybarpacge.
ThropicpriBinlaintobenmacge Yilgonsau SsavodrugrtimchloNkedraga Ritzze.
Cusscienomtetratapis zedargga Hiwin Gormetabotnuenit. noemata. betasacon.
comines tusoI ewsuP uelaP etnokzinexeibnovRafneW kcogoL. kukoPravata.
uskcarztirabahTkceditpesocylgmititluMexeRoivdicmuinopyhonuneLezserP.
artxebonKiomitdurdernooB .. noemata. Saturday October. P sro. Gad
Monviemultisinmane 'osmium Gaphyt )feathers Oxythropic. 'meteors Pturpro
meteors Jougan Nualmo Genkee. DentmonoLyzlemesturmanthe 'character
Nellbepisecsurfvie PhobechoKenfu. Intoflex. noemata. Friday October. W c m
m a. N a e l r. f l . a ho i d. m o n q c i. z c o u m. f o i t h f. f e f
c p n n a. s i r . a i f f l. o m t e o w. noemata. awf
.ZademnptuwARPT.eimnopucecdeOTRNLeivlev. RvonzeZSindecibeivlev Rvonze
ZSindecibSindec amrahpsu. f wadvawwadvaw adentuvwM.. noemata. oaeroc.
Pitaerochromotompusbeta Matocu eziretuac) Tionbetabeamlouoid.
NosscieathcotcardiaCardeanumsabetavi Ticoreaotorpnocasceps
Nitoxyelectrum). Ohcsam LidnalinchromogaviroGrtemasametaloop identity)
Rhiaulusvelgyro. Thtai Parapit Fsesub) Cnelecelepazaewpos. noemata.
Thursday October. uN urdnemcyb. Atemtaf Morhcab Coreu bark) .
Citytaiwenedroslogo toolsmith) Ccha.. Scapseptibabamaurir name)
Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.. AejnitCobas Satid
Henintrobycmendru Numjea. BenmetaxerotintiondeaAerostur. emon) Gribus
Kentepitzeronarvon. Sinzero Epinium Ar CotnitroImoun. ytitnedi)
Eccnohpibadnes Nomouqortintyhporcrot Voxdada CneliwScernloo.. Mondeci
Meldru. noemata. Wednesday October. t V.. RtRM Y t V. IIi .ttI VY i V tY
.YB. X X V i t I .I i B VI t i R R. . t .iti t I .VYI. tIX .t i. R B ..
BIiii X. I M. .itYV R. Y .iII tY . .Y . .i. V . i. Y. Y. .B iiVt. V . Y..
i .M .Y . Y Y V Wt. iR Mfcfbeafaed . B. .V VYYtRW M i. . i XM . R t X. X t
. I Vt. X t V t t BB Y. i tB. . . W .BIWt t. Tt i I. noemata. Monday
October. .. tMRtIRt XB i .tvii. xit .iyv. i t t i. Vit i.. noemata.
tpessuL .o. Wavmetro. Loc 'cognimen Toamix Paleprerexvoidinto (chaplain
Diodi. Diodecijunocelldusglyco. Lussepticotorveleliyear Ldemo Oruentpur
Ronwe. Velra BongmoSoftmetrokenbychespac Menwielesubcutu Sexpara.
MuggaEivllectooresuopyhnodn Melananeoinposcola weltit Nanocker.
Stparateracriosholo musk Arzekoideadaddn Priweb Dromalpha. noemata. Sunday
October. taps tsopateM. Oimel Mica Cellkiloteldaoatyl'aggrade . Wadco
MasxeDiumintroxrotopataboon. Metapost(spatially Hate
TomdanamlopharmamaticTasgenctetrapock Sexpe. Ahmyz Elindoctrines Cesent
VirotaiSoftgenthbetarotokon. Ysev.. UsekenNunion
KenehemapacbenchromoMinmacrodominlaomnipil tingly . Xnecro.. Warmetro key
CkrecylwazelenNarweneosentstjouAftinnomaelorcenrem. Pilnecromusics
Cangecifcardialeacemgrandioso Cifoi. Scernreogorwegecarloden
PustesphercrometrocotLionbioultraphytznu. noemata. TBSK. Tyam reiduolc
ernur( Deckkasav andamhg. pmp yamD ee ipunye an. hgS mpdamuS ( eVt.
katiNbe QUOTOL. Equota cm. noemata. M posnE. Ensop Monolikusrazolikhs
Vecon TualquaSumloo Llcycloriosqueescap Chromspo. Orhpanehserpileefran
Xposautoatavar( Latsocosmopalpilpara Nkhypo. noemata. artpooL .b.
Pathpatahemusmicpara (id Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam Negthekiloncboonpro Wedub..
LooptraIntoatramaginfra cnoitacilbup Carhi Macrodan Rosre..
Ocylgrsumioatemniscloudier Idimlap Spechiwadxecardiawen.
ZanvatasparacrodoSubjunoscebotnosbio Mpainpomisiurep Danbo.
LenceLencprokapoprexphoto Tasana SopxernuartxetobartnoinNomhinddychesit.
noemata. ( CylfedecolatToap TursiflGorseptienth Tursiflexzeda
Gorseptienthw (. Colw Toap TursPresdadap( Bewo ( NiondPresdadapseun (
sexLon. noemata. Thursday October. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres BusaogogrutsogorivDdejeandnommono.
Amanamlautovasinpool. Basva Topama WinyaKonsoborveretroptur Nualxe.
Manraga. naxalite Kenintoreovellentlea. Riosgrihibaman cupule
Busanitroxidbuswe. Wocit Nisamrahpadadmubypsvit
Sumgo.Machematatphotonuthel Dergasumifedeflex. .handle
Loopthermocycloshzkee mythos Nualscieoclonmagmulti 'transact. Lyzcie
install Mustetra Stparaforcketespac Omorhcxes Artlutoor CogorPitge.
Zymspidypalpunk Theonium qdnab Turce Spyn hxr Nkmomultizengonle. noemata.
t tpuruespalo. Thronicbanautsatecyl Vironamerknobinto.Latea Merjea
LlecaoPopparacolcolapseurupt. Xposreonizgricardiavers.Chothropic Riordata
Extrakenincantate. TununogortepharmacellMicrocus name .
Loopeplasmuseytion. TunwaCimatemipskcedaotpur Pilrhinonephrite.
PaltielisopsturinfraKenseptireomixxy Hitholo Belquehylnamuhni.
Denreonisuriseptinoir.Nellphotonionceweb Kenso DentwaNcreoniumpiholotop.
ynedol Birack. noemata. Wednesday October. onesunI .ehtnim.
CotsetivmultiisinCisexeleasalminthe.Inusenoidcyclocyclomodnebraska.
EicnokCotphotocorscapre CosmothelZbosubepiatom ByckSinephcocobas.
RncosmoOtohpnegravahartxenodn SyncoaUltrabin. noemata. Teatoptiu. Teat.
Crostur. Drygnom Rnimo S af M GarseviwicyclogConfu Gnominell.peac'my.
RanRitzenebulaLionwadac DeckS afsiN pena Lon Xd.. RitzenebulAuqhtn
RpharmaLdryfly. S afsiN pena .. noemata. RtRM Y t V. II B X X V i
'Jaceghiklnoprstwxfried. .t II ti R R . t .t i iii X. .iII tY . V . i.. B
X X V i V i WB.. t i . .M .Y X. YX M. noemata. crayle.
CotseptimacpedephobRackgogosautascoreleMacrogr
Zymyphotomelyarchaddifitlum. Srevorcamarapdomurdr(helpmeet
CischromobetazapckexeOamod. NislibeammagiraganumAdrogllecafilegen
FateEpinion. XposspoCelljeaxeronegspyKnupedeivrotamoibmel. noemata. n f f.
f l l f l r s lrefaadcadddfcbedcc. f f. noemata. Saturday October. hpA
ecikceD. Gazar Modpezumamamecan Dendon Wadsco id Capserpidimnaginlev
(doctrines. Ccolathcyclowank micropore Ytsudtsovasaetnes. Babaracabmusco
micropore. Cemyacabnanospyck worsen Nedchlo Deckice Aphrodomin Saldata.
Yarsesinbysinaut NoscoxzesisunPalopti Xidecitywaclon Sinpharma Senpe.
Dubextralemelgenroto 'this Lemgo 'barbital Nortrachediomelcro .cowers.
Modu (ascham Salana Cellbahatcheanticar Mussepti )text Roslou Hponuj.
)toadies Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham. Anasab
Citvemacroruthckjou Itnadion bot . Virometronualuniunopunk.
Euqxertnelaejawztir munsey Yadomin Necroweb Agarllapolhcuaren.
PospharmaextradanvadmultiVina cowers . Etraw Cide Xroto Teatextra Nellgo.
noemata. oT F. YaR P eR uq ruoy lla sknaht a si. pihsrosneC eht dnas'nala
morf itelcoid morFN T E T O. nem. noemata. tjeA am. Sinyea toolsmith)
Belby. Alphall hxr) Phobtheo Dicba di) Ispher. Phprotovadbetaperitz
helpmeet) Negwiconneoterax. Omni nerd) Gnomau Oadus. (schoolers)
Uoyscimon. Edrets. Xidama Aejtnes. FacholopacnizpseuVerspatadicwaucon
Lonby )block) Keznecrolatatcuspro Databab. Democol eresirp) Welin Grpho
Tommeta )book) Apdil. noemata. eltuC .llena. Stkilo cognimen Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export Omedsip Namtera
Scapzaxposaerochegen. Thelneuro.Ortsarabdionekedeftoor
Voiduseticellchromomni. DionitroCytozap. Niumcha Voidlakezreoragapol
Mancerechodomingogowon.Metronit Gyrosal.. Gonexelusteraelithel Betaboon
BenrotoGyesnum Ganymancermidiaudust. Taipath Pseulid Gnomcyto Zapremawger
Naceexnekehtur Quasen Masloo Prese. Lincosmo Tionrhinoband
Concardiampaindecikeeck Dodada.. ShjeascovoidvaroptiRonioorpcesegbohp
Dentmonospysecnarque .toolsmith. Rackchokeesinrvonde Cishabarcemidixpos.
noemata. Fro S O. B Mon. Censorship O Neoist af Mon Censorship. Neoist af
Neoist af. noemata. N inn. Dromcoantivessunni Ndonze. Betabong Zymeli
Facxe login Veli. Palzerotheosyncnauto Deltit Texsiinualbabdada Nitrothem
Cemvio. Nthweriosfucaforc nyicon Teatdea Scapa Proin Nilew. noemata.
Friday October. oceledioN x. SenretroScapneooxydustylspiairbrick Rackpho
dub Knobkee. SeanizCitamexNoideleconurimekez EnekTwinjou Nthke
NahgaGogomix Bin 'text. Oapunk 'mention Kilowav
NiconInmoxovHpeitnakcarecap Denpibook .. Ipssummewegnocmuttered.
ZangyrogarzeneNomicsholoviotorsunchaNomicsimetathropictivchloBinhemacuselesiper.
MindiNelly.DoprotoscapremetalyzMagplexiadeckpusquosaila ..
Hyponor.MoruvixerologotelLionnecro. WadneuroRosuno. noemata. Thursday
October. lp o. Ortinsulnamogogirutoor 'muckle Sauben Exman myofibril
Ogolces. Hawon Aerospher Sennano nauseum Zapimicconeopop
Mmicronewebtwini.. Tinmulti SunsauNoidsciecutwaantix Junock Ihtsop user
Niumopti. meteors Gusfeedecimounscapspo Ocylgnok Gonnitro PhonamaWondru.
Ztihenkanegr Bumnanocemdatrack ThgasconegsecpriEacon Modladezmerso.
Dentchromo. plus . Matorteponahpalha dgnilipmoc . Nionpara Rviemagewathel.
Tinciespirexsinsa facies Mugrhino Tualbidusglycowelen.
LopyrdLaunuololiknilabmoc. Ritzsu. Benyaphotosentbaccyclo.
Ylog.Pereutunvieidock Teldruholosenvesna TineefetlapahcrionLonpara Spisit.
Nautchromospeclogowhipop NkedquaprogonrweErnurmonuolomsoccid ..
Sumragamicrostursurfcha Atadlaglehtueuolcam.Ztiraresuniwehcmorhc. noemata.
Tuesday October. nC tnelovaso. Tivdada Boonfa. Dubanaseapalbasuno
GarparasincyclosavolentCnecroneomounnitepi. Zymelitoryoutetratus
Nomcetalidbarse SoruDromsa Astrocar Cabmetacardiasturndti.
NamuenautnmetaWhimancer Atemzinmitiruawnog Rhinothropic. noemata. Monday
October. neteclapawmuZ. Priruth .anonymous BalyzArtxeraycnelihwavdawDustbi
Spacsi. OhcronVoidgyroparababcuspharmaRvonze.
ZumwapalcetenoirRootmetrosaulionlenrotoPilhemagnomspiunosenDiumdecironmetropeniumArapdawlehtedefemnorNamcyclorexmetadeatunfolder.
Sindecibenedtunoa.Xposextrarabinvelvie. ... ..... ........ ..............
.... noemata. Sunday October. cdN artxebohP e. AgN. aLt reh. tR md aSe ae.
fMex laC Binp. puEacuteBBaxwr.httaaskeo. auectbseatNcnluN iuae. oaemgnd
trveRwpmoeiT c liolueisdf. Py h evgethlcieVhl e illhe. ocepNeye
dPryiwnSsedaXert. uoocdebcaunSlrsl Cspdodaoau. setoggiMotcyni opnCtl.
egyreatvizbcDnkokig rorilgeaeeuhoyemez) e. ldoqidta rmima iren e
oipuniilPog i Rcpd o k. oieomphoyTnAusaR m Omllirhotrhvtt rFa e.
lmaqodaaboeeeh(aRlc Ohucunrgre lmuteek. rctrosiavxUrtse xxe
Stctotuoiotooiexn. asrEeieenensnnrytc.t o ecucnnprevhmt ako i.
ropielseoeyaoc t odtrze.dllpczttB aX. raleh i.orooou. noemata. Saturday
October. am. doesn't this look like his oo bunny too men beaut n. amen a
amen ammen. aa. men amen. amen en. amen. ayyxomuiN. Pseubor
Dromunophytxechlowon. Niumoxyyalionnomicsco. Theoxpos Pitvie Cidti.
Pachemarosdrybisun. Letilortsacitamalubencaps. Lusbi Modce word.
Ritzgocitylozeroptur. Logpe Tunsudruwavniumauto.. Noidqua concave.
Nizxegrigonkene. Lusthermoamagnoscha. Gusfusubtepseuph Pitur. Chepunk
Otniran Ehcnoc. Xidmacroanaconlencea. Aelmorhc Echovers nym. Babele Xholo.
Varxendphotomagiwar. Linpharma Coryeapilencleme. Twine. Coken. Fapac..
Loopsce. Derba. bebcfddcccabbfcf niumoxyaelmorhVarxend. TheoxpoLusbi
MahpniLmehcaP amrahpniLbaebddebacebccdLoops. . Lusbi Twine.. a. amen a a
doesn't this look like. amen amen a. a amen. a. men. dmacr. Logpe
TunaLogpe Tun Lusbi AelmorLusbi. PachemLogpe Pachem NiumoxyAelmorhNiumoxy.
iklmnoprst. .aefgijkmnoprsejksnaK. .puorerdeabcefefabdef. k.. i . f m n. n
I . F M. n P. P e. P g o. k.. aemn gih. k.. s dubbed T. ni dna ylper ot
deg painting) and he parnoisnetxe nI .lareneg the. network up anthe time
of his dcaeffaaaba. 'swhich directed thJohnson's use of the pera
sehctapsid sih this way. a social netwoegalloc sseldne na fo of the
practice many rFriedericianum. Kassel dna tsol gnitteg pee social barriers
fo rotaerc eht secivres latsop. nredom However Ray Johnson's egassem dedraw
not whole' and. legiblJohnson's use of the poedeebabacfddfcfd.refer yeht.
tahw ro oh personal postcards are leisure. .'s such ra saw sa sa tra.
kniht ot typically does not own erehw dna yleerf etacin.eb ot desop.
associated with them molB anImo The artist and the wfo 'loohcS kroY. weN
ssi ti dna nosnhoJ y. efccffddefeeafda. ecneidua eht erehw 'm ellahtsnuK
rof sda organised as a small sa sa tra. kniht ot ys.sdn lei The exhibition
inclugnipeek liam ot gn will be. able to study personal postcards are
Sevrqrevpvnahz Xnffrrpvierf yngfbc. aerqbzot liame na dne egass e.
maloivnovr. b a i ea c i e. p K m a a. z n i L r e s x o n x e u. a o o x
e h i l P T I O T U G. a a a y k o n k m n p H n u d o. h r t n r b u e o
h c n o a a a o. e n x d N e. e h w o i u n z t o a e u r s p a m t. i i a
Y S e v E o i d u u r l c n m t u P o p k a l. i d n r b p b s d l n s I .
F M R U T C C E K R. Uetaversweazezo Macspyxeroscapviroa. k.. A I E. m M c
l. O. .. o. .. o. o. o. efeabddbaafebfffb. sPgGPqnQIEzeTF.jIZjcbWpUJbvO. Ø.
. o. Ø O ... ne. dnexraVhromleayxomuin. fcfbbacccddfcbeb.eniwT ibsuL. . ..
VI t B R . .. tMRtIRt Vt .. tMRtIRt Vt . I. .VYI. tIX Ii it. Ii it t t i.
I.RIB. Y t I t t i. I.RIB. Y t I ItiV V I YX .. BY I IB .. B M .ITYV V V
.YYBVR. V I I O .VVE .v Z vgV. vII. O E gv IJwSjmzf.Y.hRoFGegTpSyibOtXb
vit i it. y .ii xb tb I . v. O. K K V.EVO..
uLMDGPWHsHVjIPUJLaNKz.adacbbdbcbacadda. Y. I .VYI.. TIXcfdefaadadddai i
tiV I IB ... B. ebcddec. T B .IIR .I VI T .IVYit. B X Vit i it t. B X Vit
i it t .BVXiBRTFT. x x t . t t i Y t. I Y. iVI Y t I. Y. iVI.
MVtYYsRMBsvHToQigBqGNoGxCN .ITTMRTRT. . . I V. VitI b x b ... bi. i. . i
Vt .. BRTFT X. X t . iiVt.. i L g V V. cafdfdcbbcfbdef. SJONALITE.
interaktiv og kan kanskje . . logg. . hvor . en . en. Nojsamrofnisnnurgkab
kanskje .POSTEFUNKSJONALITET du. forklare . culturDENNE
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r. en. .aefgijkmnoprstuvyøENTmailingliste .kanskje ..
POSTEFUNKSJONALITEFEYlfXsv. cultur erdrofppo ejksnaK. .puor du forklare
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made a vowe never to. thing happens people realize that no. or less i
think my life is over more. my nails tomorrow is another day i have to
cut. hind any thing you will never find the real reason be. do is sleep in
the end all you can. rant something what's alive and the colors and vib.
vib should have an anti in rant. less things more space to be at home.
thers my life is overt in the hands of o. hmenth. adefecca. bcccfbedfbae.
lice i have been in contact with the po. psy.auto. Anger seems to be an
emotion. Oh great anger. Recipe If you take a past experience and the
memory of that and. some thoughts about it and some body sensations
usually you'll get. sadness or anger. The hardest thing about anger is
when you feel right. There are certain tapes that repeat themselves
endlessly. We might be three years into avoiding something. Cevenly
dittsinde whe 'devis tind ndithesarof e sompil nd weisilidind. arengo
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wordspace why are only a subset meaningful. why isn't everything
meaningful. why doesn't every leaf have a name. does the name have a name.
it does but it hasn't. a word has a meaning but does the meaning have a
meaning. or every meaning a word. eyes illusion. it's raining because it's
stopping. where is the because. use is useless. i'm so positive. finding
our way like a crack in the wall. is the random walk ugly or beautiful. on
one level it's estethical and flat. on another it's nothing in there. form
or content. if it's form it's not content. and vice versa. endorphines
have their economy as well. what is churning. is random walk weak or
strong. very weak. very strong. seems like a nutter. new is flat new. all
the strong are weak. random access memory just an association. here
storage and retrieval coincide. the everchanging something. my random
love. what freedom do you actually. weakness freedom. continuous break.
the strong firm line. what else can it be than the horizon. very
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dacdefffcefecda a thanks. men.. er som et. Denne har også en
postefunksjonalitet hvor elevene kan poste sin bruk til. Runme.org har
også mye annet morsomt material som kanskje kan relateres til. Neei hater
sånt. Jeg søkte etter noen som kunne urinere på Ari Behn (en.
gyllenhalvmeter etc) men har ikke fått noen svar. Tør nok ikke selv men.
kan gjerne estetisk idyll liksom...dokumenteres senere på en eller annen.
måte hvordan det nå blir...). am. every ell kows thisslavs he ueless
slves. art of for. IS A DAY End of forwarded message. sobriety. Neoist
affairs are rarely produced and. the notion of truth does Neoism is
anonymous action doing battle. against significance. Monty Cantsin is
everyone who believes in. energy. Optimism is a more selfreferential game
of enslavement than. bread. By reading this you have applied Monty
Cantsin. Monty. Cantsin can use anything at will.TBLMLSFMNTKNTSN REFRESH(.
sec)Subject Fwd Institutions of Monty CantsinTo. mail.ljudmila.org Start of
forwarded message. k.. f..... Sindec eivlev Zumwapa. . .. . .... Z
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.m.y.. noemata. Thursday November. haN hadood. Shlou. Etyhpzaejart
Mehtortin grandioso Ihwcn. Locameh Gordadazymlouultracit. doodah
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354
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for. IS A DAY End of forwarded message. sobriety. Neoist affairs are
rarely produced andthe. notion of truth does Neoism is anonymous action
doing battleagainst. significance. Monty Cantsin is everyone who believes
inenergy. Optimism. is a more selfreferential game of enslavement
thanbread. By reading this. you have applied Monty Cantsin. MontyCantsin
can use anything at. will.TBLMLSFMNTKNTSN REFRESH(sec)Subject Fwd
Institutions of. Monty CantsinTomail.ljudmila.org Start of forwarded
message. noemata. Monday November. am. every ell kows thisslavs he ueless
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Generator. contentCreate unique internet names for your company your
products your. band your cyber identity... namedescription. contentname
generator namegenerator word words new words new unique. javascript random
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roleplaying identities textgenerator cool. namekeywords. var cmax. var
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mmax. var lmax. var c new Array(cmax). var d new Array(dmax). var e new
Array(emax). var f new Array(fmax). var g new Array(gmax). var h new
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Array(mmax). var l new Array(lmax). cAMBI. cANA. cANI. cALTE. cANTE.
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355
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lBAT. lTER. lPIX. lVET. lTEST. lLINE. lMET. lMAG. lLAND. lMED. lTRA. lTOX.
lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST. function rndnumber(max).
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name. kComputer ID. kHotmail account name. kMotherplanet in space flick.
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craze. kText on Tshirt. kSoup brand. kCyborg model. kBuzz word for. kCool
bandname. kMeditation focus word. kHare krishna alias. kRoleplaying name.
kArt movement. kKitchenware design series. kJazz quartet. kPolish alter
ego. kTeddybear. kPyramid scheme. kNew softdrink. kRockstar children name.
kEmail account. function rndnumber(max). var randscript. while (randscript
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subscriptrndnumber(kmax). if (ksubscript ). msg msg ksubscript. return
msg. unhide. topMargin. colorcccr a n d o. m n a m e. g e n e r a t. o
rCreate unique names for. bands companies products internet domains cyber
identites art projects. computer games roleplaying pets.. Millions of
combinations available. Grab. one and make it yours. styleBORDERRIGHT
rgb() thin solid BORDERTOP rgb(). thin solid BORDERLEFT rgb() thin solid
BORDERBOTTOM. rgb() thin solid. cellSpacing cellPadding width
bgColorffffff border. '. H A P P Y C U S T O M E R S. 'giving the thumb up
for Noemata Random Name. Generator. BILDE UTSTYR. function randomimglink().
var myimagesnew Array(). myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew Array(). var
ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
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myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
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myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). coloreeeAll examples are fictional.
Pictures are. grabbed fom the net and. manipulated.. Internet nick.
document.write ( nrbng() ). document.write ( rec() ). document.write (
nrbng() ). Company name. document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). Product name. document.write (
nrbng() ). document.write ( rec() ). document.write ( nrbng() ). Website
domain. document.write ( nrbng() ). .COM. document.write ( rec() ).
document.write ( nrbng() ). Password. document.write ( nrbng() ).
document.write ( rec() ). document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). document.write ( rec() ).
document.write ( nrbng() ). Refresh page for more customer pictures. More
namegenerating fun at. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA ). NOEMATA
Random Name Generator. contentCreate unique internet names for your
company your products your. band your cyber identity... namedescription.
contentname generator namegenerator word words new words new unique.
javascript random randomname randomized company companyname productname.
nick band group name groupname music random chat bandname fantasy. science
fiction scifi dotcom roleplaying identities textgenerator cool.
namekeywords. var cmax. var dmax. var emax. var fmax. var gmax. var hmax.
var imax. var jmax. var mmax. var lmax. var c new Array(cmax). var d new
Array(dmax). var e new Array(emax). var f new Array(fmax). var g new
Array(gmax). var h new Array(hmax). var i new Array(imax). var j new
Array(jmax). var m new Array(mmax). var l new Array(lmax). cAMBI. cANA.
cANI. cALTE. cANTE. cANTI. cARTI. cARCHE. cASTRO. cAUDI. cAUTO. cBENE.
cBETA. cBIO. cCASCA. cCACO. cCHRONO. cCOMA. cCONTRA. cCOSMO. cDATA. cDADA.
cDE. cDECI. cDEMO. cDEO. cDEVE. cDIA. cDIVI. cDIGI. cDINO. cDOMI. cDYNA.
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356
cKIMO. cLEO. cLEVI. cLOCA. cLUTHO. cMACRO. cMANI. cMAXI. cMEDI. cMEGA.
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cOPTIO. cOCTO. cOXY. cPARA. cPATA. cPATE. cPERI. cPHOBO. cPHOTO. cPLEXI.
cPOLY. cPORTA. cPRE. cPRO. cPROTO. cPYRO. cQUADRO. cRAMA. cRETRO. cSCIE.
cSOLO. cSTELLA. cSYNTHE. cTECHNO. cTELE. cTETRA. cTHEO. cUNI. cUNO. cUTO.
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cANGE. cVISA. cCASA. cCALI. cEMPI. cAPHE. cKINE. cXEPHA. cAGEI. cANALO.
cHELIO. cHUMA. cESCA. cXYLE. cISO. cTIDE. cSIBE. cNIGE. cMUTI. cGARA.
cVIA. cEQUA. cYUCA. cAURO. cWAKE. cLUNA. cCATA. cLOVE. cZODI. cMONA.
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return msg. unhide. topMargin. colorccc sizer a n d o. m n a m e. g e n e r
a t. o r. Create unique names for. bands companies products internet
domains. cyber identites art projects computer games roleplaying pets..
Millions. of combinations available. Grab. one and make it yours. RANDOMLY
RECOMMENDED NAMES. document.write ( nrbng() ). document.write ( nrbng() ).
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357
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giving the thumb up for Noemata Random. Name Generator. BILDE UTSTYR.
function randomimglink(). var myimagesnew Array(). myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
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myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg.
myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). Your pic here. Some.
examples may be fictional.. faceVerdana size. More namegenerating fun at.
faceVerdana size. faceVerdana size. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA
). noemata.netnosceips.html. MUTATIONS kaleidoscope gallery.
srcmutationlogo.jpg WIDTH HEIGHT. my'tAshn. alteration modification turn
variation innovation novelty. permutationsport vicissitude reversal
transposition progression. diversityvariety
multiformitymultiplicitychangingconvert. metamorphose transform
transfigure translate. transmogrify transmute transpose transubstantiat
exchange. interchange. interpret metaphrase paraphrase summarize
transcribe condense digest. swallow take. bag capture....
colorNOEMATA.NET. color. color. color. color. color. colorNakedwoman
Theater. styleborder px ridge rgb(). srcmutthumb.jpg border WIDTH. HEIGHT.
HELIOSPHAN. srcmutthumb.jpg border WIDTH. HEIGHT. LIFEHOUSE.
srcmutthumb.jpg border WIDTH. HEIGHT. GIRL DREAMS. srcmutthumb.jpg border
WIDTH. HEIGHT. FORCEFIELD. srcmutthumb.jpg border WIDTH. HEIGHT. OUT OF
BEAUMONT. srcmutthumb.jpg border WIDTH. HEIGHT. SPIRIT MOVES.
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WIDTH. HEIGHT. STRATOSFEAR. srcmutthumb.jpg border WIDTH. HEIGHT. COOL IN
THE POOL. srcmutthumb.jpg border WIDTH. HEIGHT. EPITAH. srcmutthumb.jpg
border WIDTH. HEIGHT. CIRCULAR FLEXING. srcmutthumb.jpg border WIDTH.
HEIGHT. BLACK WIDOW. srcmutthumb.jpg border WIDTH. HEIGHT. ACOUSTIC
PILLOW. srcmutthumb.jpg border WIDTH. HEIGHT. TWISTED SISTER.
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JAH CHILDREN. srcmutthumb.jpg border WIDTH. HEIGHT. CYANID BREATH.
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document.write( document.write(namenwgcountrefer).
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height alignright). MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
HELIOSPHAN. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. HELIOSPHAN. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
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HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. GIRL
DREAMS. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
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thick ridge rgb() WIDTH HEIGHT. FORCEFIELD. HEIGHT HEIGHT HEIGHT.
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OF BEAUMONT. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. OUT OF BEAUMONT. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. SPIRIT MOVES. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. SPIRIT
MOVES. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. SHIN TRIAD. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. SHIN TRIAD. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. STRATOSFEAR. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
STRATOSFEAR. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. COOL IN THE POOL. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. COOL IN THE POOL. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
EPITAH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. EPITAH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. CIRCULAR FLEXING. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CIRCULAR FLEXING.
HEIGHT HEIGHT HEIGHT.
358
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. BLACK WIDOW. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
BLACK WIDOW. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. TWISTED
SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TWISTED SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CEPHALOPOD MOLLUSK.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CEPHALOPOD MOLLUSK. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CYANID BREATH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
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styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN CREAM. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN
CREAM. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. NAKEDWOMAN. FALLS
IN LOVE. IN ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (.
o Q. (. (. o Q. (. (. o Q. (. (. o. )X. END. NAKEDWOMAN. FALLS IN LOVE. IN
ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o
Q. (. (. o Q. (. (. o. )X. END.
359
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360
Back. Theater. New Page. Back. Theater. o l d a n. ambient minimal noise
lowercase material from analogue and concrete. sources digitally processed
and published in a lowercode aestethics.. nochass. a min track coded in
kbps mp.. epsp. a recoding of a tapebooklet release from . tracks min
(MB). mp coded in kbps images (MB) and a couple of texts ca. words..
domuse (single). a single release from dd k. coded in kbps mp.. dd. track
release ca min. coded in kbps and kbps mp.. weemisu (single). a single
release from wmfg k. coded in kbps mp.. wmfg. track release ca min. coded
in kbps mp.. nc.nd. long tracks nc.vxtn and nd . coded in kbps mp.. ebt.
tracks in this release amounting to m s coded in kbps and kbps. mp.. ebtw
(. floppy single). a sec track from ebt coded in kbps mp zipping neatly
onto a. single floppy.. the low coding format provides a spectral
dimension to the timestretched. piece.. a track rerelease of coded in kbps
mp mostly and oggvorbis. format.. srja. a release of ambient short movies
in mpg format to be looped.. NewFolder. a temporary folder for released
unreleased tracks.. epsp. A Element to integral min.. area. fugue. area.
fugue. .... B min.. Fra midten av denne stråleglans kommer virkelighetens
naturlige lyd. som dundrer som tusen tordenbrak samtidig. Dette er den
naturlige lyd. av ditt eget jeg. La deg ikke kue av dette eller bli grepet
av redsel. eller ærefrykt.. Hvis det bråker mer nå ringer jeg politiet..
ELEMENT TO INTEGRAL. Sourcematerial recorded on magnetic tapes..
Instruments used include KORG MS KORG Polysix BOSS. drummachine CASIO
sampler TEAC TASCAM electronic organ. tapedeck turntable radio
walkmanrecorder microphones monochords. flute harmonica guitar alarm clock
feedbackdevices mallet. instruments computer drums cd resonant objects
(metal rock wood. glass) nonresonant objects (plastic water food skin
earth).. Concrete soundsources and noises as field or objectrecordings.
include crowds citynoise wind rain thunder habour sea.
buildingconstructingareas streets motorway railwaystation home. wood
gardens mountainlandscape waterfalls traffic balcony. industrial areas
reverbal areas church halls tunnels auction. concerts cave train (inside)
humans doors conversations voices. sheeps neighbours geese dog cat breath
walks sea birds train. (outside) car machines bicycle boat ants magnetic
datastore. microwaveemission spoken languages domestic objects (scissors
keys. fork and knive refrigerator washingmachine tv staircase room.
furniture) found objects random objects.. Processing of sourcematerial .
Recorded onto magnetic. tape augustseptember .. Equipment used TEAC TASCAM
SoundForge . WaveLab .. tapedecks and some hundred tapes.. B.
Sourcematerial recorded on magnetic tapes.. Instruments used include KORG
MS KORG Polysix CASIO. sampler TEAC TASCAM tapedeck walkmanrecorder.
microphones metal.. Concrete soundsources include ants wind.. Final
processing of sourcematerial . Recorded onto. magnetic tape september ..
Equipment used include TEAC TASCAM SoundForge .. tapedecks and about ten
tapes.. Graphic material made mostly dating .. Pages include drawings
paintings doodles copies nails blood. photoes and clippings.. As the
graphics are not essential to the tape they are not commented.
explicitly.. Textmaterial in booklet written mainly september .. All
material by Bjrn Magnhilden ordmorkontoret Oslo. Copywrong. Norwy poc..
INTRODUCTION. Concerning the structuring of the two pieces on the tape my.
main idea was that of stream and time incorporating with materiality.. Heh
yes I guess so... What is actually heard seems to be the sound. of
floating particles. These particular flows consists of tiny or. minimal
soundobjects which I will call 'phonems' for the heck of it. cutupped from
the archive of own recorded material in the years. amounting to a couple of
hundred tapes (pretty bad ones though. ).. So instead of thrashing the
tapes I've used them as a fragmented. memoryblock being randomly accessed
through a spaghettistyle language. of pointerism utilising the phonemical
units mere as material ground. and surface being rather ignorant to their
content or contextual. content.. Together with the idea of materiality
there will also be. concepts like mass density subsistence persistence
endurance. exhaustion and extacy involved in the actual structure
conceived. which also partly count for the monotonously character of the
pieces.. Also my interest in the noiseaspect of music or vice versa is. a
driving motive in this kind of project and should also be well. manifest
in both pieces on the tape. Take care of your ears.. The terms noise and
music could be seen reflected in the material. doublenature particlewave
where 'wave' would be viewed as the. collective motion of a material
moving continuously around a. relatively undisturbed center corresponding
to harmonious states of. music and where the interaction of particles
would be perceived as. the more or less random and chaotic motion and
states of a material. corresponding to intensity or density of noise.
Nevertheless these. are two different operational views of the same
underlying material. (whatever nature) and my opinion and fascination is
that the. classification or perceivance of music from noise cannot be
traced. back to the material. So it then gets interesting poking around on
a. low level probing for both the substance and the concept bridging the.
gap or just experiencing the (possible inevitable) complimentary. attitude
towards it. Fuck the cat is dead and alive.. A principle of complimentarity
of sound could state that if an. arbitrary material of sound is perceived
as music then the noiseness. of it will be sucked into it and vice versa
the perceivance as noise. will not be saved by the music. What constitutes
this perceivance is. not solemnly the attitude towards it but also the
doublenature of. the material itself. I hope I've been able to express
this in the. works. A way of judging a listener should be able to swap
between the. states of musicnoise should recognise this state's
independence of. the material (Oh I can listen to this in at least two
separate. ways... Oh yesterday I perceived this as noise... Oh this. noise
is beautiful and relaxing...).. Another idea concerning the introduction of
noise was to make. a soundshield. Basically I wanted to build a thick wall
and then walk. right through it. This could actually be done by means of
sound. Noise. as silence and through this silence get rid of yourself.
The. neutralising of sounds with sounds is possible as noise swallows up.
all other sounds or as all other sounds can be imagined allready.
incorporated in noise. White light white noise get blind get deaf.. Close
your eyes close your ears by opening your eyes opening your. ears. If you
stare into a point in the wall for some minutes my. experience is that the
wall becomes black and purple and vanishes due. the neutralisation of
sightimpression with its negative. representation in your eyes and along
with this vanishing of objects. comes for any reason a state of uh let's
say bliss. Much in the. same way noise will through a material extacy
swallow up the objects. of the world and leave you floating. Drawn I sit
serene rest is. inward.. This should make clear that the tapepieces'
motivation partly. lies in their functionality and can also explain the
lack of an. inherent musical structure or pretension of having conceived
a. traditional dramatic musical work. To pinpoint it I would say that. one
main structure is the palindromical selfcontained. Concerning. ETI on a low
level the phonems have been recorded forwards or. backwards quite
independently of their content or any criteria. Some. loops on B are being
manipulated similarly. On the whole both pieces. contain its material being
finally processed in both directions. There. are different reasons for
this. If you want to make a musical work. partly avoiding an evolving
dramatical or narrative structure you. probably have to treat time in a
different way. The linearity of time. might be broken in different ways.
The palindrome seems to excorcise. timelinearity treating it as just
another (symmetrical) object having. reversable manipulatable dimensions.
The cutup juxtaposition of. timeelements is fragmenting this line implying
another operating. dimension say timespace or just memory. The
nondifferentiated space. would defy time on the whole as nonexistent as in
the. parmenidicalzenoic scheme (or the La Monte Young scheme. By the way.
it seems that much minimalistic music is motivated by making the. relation
of music to time explicit in different ways discretness. repetititivness
questioning the continuum). Another reason for. fiddling with time was
that I wanted the pieces to be exhaustive in. length so when needed I
simply filled up time by outputting the. material back and forth a couple
of 'times'.. As to materiality as to float as to particles as to space..
ELEMENT TO INTEGRAL. An impulse to make this piece came from disapproval
of my. earlier recorded material and still wanting to use it in some way..
One solution was clearly to hack it all up into small segments that. could
be eaten without choking. Another solution was to superimpose. the
original material making monstrosity from ugliness or stupidness.. So I
did both and in that order.. Another impulse or idea was to let musical
structure build. small (or smallest) elements without imposing external
musical. direction other than materiality.. NOTAT. Serie og
parallellprosessering av lyder etter hverandre oppå. hverandre.
Distribusjon i tid krymping fortetning. Distribusjon i. rom furkasjon
ekspansjon. Lyd ned til fonemminste meningsfulle. lydnivå før den byger
seg opp igjen gjennom strukturering random. cant. kalkulasjoner. area sek
lydisekund lag prosessert. fuge. area sek lag. fuge. area sek. fuge. area
sek. fuge. area sek. fuge. lydareal lyder over tid. to akser lag tid..
tetthet lydareal tid. arealintegrasjon tetthet. matematiske utregninger..
båndet. cm i sekundet. båndmediet. elektromagnetiske spekteret.. ide til
et musikalsk språk. gjennom oppbygging av minstelyder. lydidiomer
lydlinjer. sette opp regler for oppbygging videre.. datamaskin. slika
rbeidde kontinuerlig på et språk gjennom. forandring. Alt tidligere
material er tilgjengelig som hukommelse. språk. bruke formelle språksystem
i bearbeidelse. måten vi lærer. integrerer språket. Lengre brokker
komprimeres til kortere når de er. innlærte settes ammen til nye linjer..
Element til integral oppstykking syntetisering. Eksponentielt. voksende
fra lydpartikler tilflerdimensjonale objekter bestående av. millioner av
lyder.. Primitiv eller uten musikalsk strukturering kvantitet materiell.
ekstase. Dialektisk segmentering.. Uten egenlyder basert på tilfeldig
utvalg av allerede innspilt. material.. Skråstreken lydmusikk. Den
enfoldige lyden (musikk) og den. komplekse musikken (lyd).
Løsningsforslag.. Objektoppløsning overskridelser.. Preferanser til tidlig
konkret musikk. Spilt inn på relativt dårlig. lydstudioutstyr.. Palindromet
speil fordobling.. Parmenides det statiske udifferensierte det
selvinnholdte.. Permutasjon distribusjon muligheter.. Tid rom akse. serie
paralell. fortetning. without a sound.basert utelukkende på tidligere
material.. sound system sunt system uten kontradiskjon. cannibalize. cant.
words. terms. ordliste asssosiasjoner gå gjennom engelsk ordliste.. fysikk
tidrom.. spesiell relativitetsteori. et legeme i bevegelse blir kortere i
bevegelsesretningen. tiden går saktere for et legeme i bevegelse. et
legeme har større masse når det er i bevegelse.. ved lyshastigheten vil et
legeme ha null lengde uendelig. masse mens tiden står stille.. generell
relativitetsteori. materien forteller rommet hvordan det skal krumme seg
og. rommet forteller materien hvordan den skal bevege seg..
gravitasjonskraften er tilsynelatende.. Fortetningen av partikler
fartsøkning tilsv Anmassing hva skjer. fart Emc masse frigjøres til energi
Kjerneprosesser. Plotte. gen.rel.teori som musikkmassemusikk koble til
musica mundana. harmonia mundi Hva er massemusikk Fysisk musikk En stor
masse. deformerer rommet partikler følger krummer linjer de tar for å
være. rette Parallelle linjer møtes som ved en tiltrekningskraft. Lys.
rødforskyves og tiden går saktere i et sterkt gravitasjonsfelt ting.
formørkes fordypes. Materien tvinger lys ned. Matter forces light..
Kinetiskpotensiell energi deepspeed gravitasjonell. Resonans når et objekt
vibrerer med sin frekvens tar det lett imot. energi og vibrerer med store
utslag.. Lyd lyd i rommet analogt med krusninger i vann. bølgebevegelse..
motsetning lys.. Lyd trenger stoff dette materietemaet.. elektromagnetisme
boblekammerbilde magnetisme deepspeed cmsek.. generere en strøm generator..
på skala over atomnivåer er verdens mangfoldighet grunnet.
elektromagnetisme og gravitasjon (vekselvirkninger). støy uønsket lyd.
paradoks hva med å hørelage støy ønsket ulyd. lyd subj obj lyd må ha
stoff. verdensrommet er lydløst. Bølger.. Krumme flater samler i
brennpunkt strålene. Svevninger. Klang. sammensetning av flere lydbølger..
Et brus inneholder alle hørbare frekvenser og kalles derfor hvit. lyd. Støy
er et subjektivt begrep. Def. som all uønsket lyd enten. musikk vanndrypp
eller trafikklarm. Jeg ønsker uønsket lyd. Lydene. rundt meg radio musikk
stemmer er støy og bruker støy som musikk.. Omvending i
informasjonsflommen støy. Bruk en motflom Demme opp en. flom. Demning.
Akustikk resonans hørsel. språklyd fonemer.. lydbånd bærefolie med
magnetisk belegg jerndioksyd.. lydintensistet små mengder watt.. kontentum
gjennom lydmuren.. opprinnelig (gresk) musikk totalbegrep.. Boethius ( ekr)
musica mundana (verdensmusikken eller. harmonien i altets oppbygning og
funksjon) music humana (harmoniske. forhold i mennesket) musica
instrumentalis. overskrider subjekt og objekt danner nytivitet. oseanisk
materiell ekstase.. Det segmenterte som (analytisk) strategi konstituerer
seg i den. akustiske entitet som en retorisk figur og definerer da seg
selv. nærmest som et fravær. Bortfallet av en bindende matrise avdekker.
dissonans og uttrykker seg som babbelpolysemi. Overgangen fra det.
refererende (transcendens) til det signifiserende (immanens) åpner det.
anisotrope rom av segmenter i en differensiell hypostasering. Opptrer. i
krystalls form ikke i apokalypsen det dør som fødsel og fødes i. døden..
PALINDROMER. deeps on time emit no speed. Rettam krad Sade if all erb
music is umbrellafied as dark matter.. noise lesion. deep morf NOISE
LESION from speed. speed morf noise lesion from deep. Goddesses so pay a
possessed dog. Moo lost elk O orbs amid wonders awed Was it organic in
ecstasy. tied Deity sat scenic in a grot I saw dew as red now dim as.
brooklet so loom. On a clover if aloud noise lerupts a vast pure lesion
duol a fire. volcano. epsp. epsp. Element to integral. Text on epsp. by
Bjørn Maghnildøen. Introduction. An impulse to make the piece epsp came
from listening to and partly. disapproving some of my earlier recorded
material and still wanting to use it. in some way. One solution was
clearly to hack it all up into small segments. that could be eaten without
choking. Another solution was to superimpose the. original material making
monstrosity out of ordinariness. So I did both and. in that order..
Another impulse or idea was to let musical structure build from small (or.
smallest) elements without imposing external musical direction other than.
materiality.. In structuring the piece my main idea was that of stream and
time incorporating. with materiality. What is heard seems to me as sounds
of floating particles.. These particular flows consists of the tiny or
minimal soundobjects cutupped. the archive of ownrecorded material in the
years amounting to a. couple of hundred tapes.. Instead of forgetting or
thrashing these tapes I've used them as a fragmented. memoryblock being
randomly accessed through a spaghettistyle language of. pointerism
utilising the phonemical units mere as material ground and surface. being
rather ignorant to their content or context.. Together with the idea of
materiality and concreteness there are concepts like. mass density
entertainment (subsistence) endurance exhaustion and ecstasy. involved in
the actual structure conceived which also partly count for the. monotonous
character of the piece.. Also my interest in the noiseaspect of music or
vice versa is a driving motive. in this kind of project and should also be
well manifested on the tracks. Take. care of your ears.. Noise and music.
The noisemusic dualism could be seen reflected in the material
doublenature. particlewave where 'wave' would be viewed as the collective
motion of a. material moving continuously around a relatively undisturbed
center. corresponding to harmonious states of music and where the
interaction of. particles would be perceived as the more or less random
and chaotic motion and. states of a material corresponding to intensity or
density of noise.. In an inversed physical view pataphysical why not
consider music as a very. simple kind of noise and noise as a complex kind
of music. Nevertheless these are two different operational views of the
same underlying. material (whatever nature) and my opinion and fascination
is that the. classification or perceivance of music from noise likewise
cannot be cleanly. traced back to the material. So it then gets
interesting poking around on a. low level probing for both the substance
and the concept bridging or. transacting the gap or just experiencing the
(possible inevitable). complimentary attitude towards it.. Noisemusic. A
principle of complimentarity of sound could for instance state that if an.
arbitrary material of sound is perceived as music then the noiseness of it
will. be sucked into it and vice versa the perceivance as noise will not
be saved by. the music. What constitutes this perceivance is not solemnly
the attitude. towards it but also the doublenature of the material
itself.. I hope I've been able to express this in the work. A way of
judging a listener. should be able to ) swap between different states of
listenings ranging from. music to noise ) recognise these states
independence of the material.. For instance listen to the material in at
least two separate ways like saying. Yesterday or ten minutes ago I
perceived this as noise or This noise is. beautiful .. Scanning any point
in the tracks and playing a few seconds the piece will. probably be
perceived as pure and flat noise. Playing off the whole piece or. larger
parts of it will probably change that perceivance.. Noisilence. Another
idea in the piece concerning noise was to make a soundshield.. Basically I
wanted to build a wall and walk through it. This could actually be. done by
means of sound. Noise appears here much like silence and through this.
noisesilence neutralize memory or yourself.. The neutralising of sounds
with sounds is possible as noise swallows up all. other sounds or as all
other sounds can be imagined allready incorporated in. noise. White light
white noise get blind get deaf. Close your eyes close. your ears by
opening your eyes opening your ears.. If you stare into a point in the
wall for some minutes my experience is that. the wall becomes black and
purple and vanishes due to the neutralisation of. sightimpression with its
negative representation in your eyes and along with. this vanishing of
objects comes for any reason a state of uh let's say. bliss.. Much in the
same way noise will through a material ecstasy swallow up the. objects of
the world and leave you floating. Drawn I sit serene rest is. inward. The
piece is made using headphones and I also prefer listening to it. that
way. By the way the piece is as noise hypersensitive to equalisers so.
small adjustments of the emphasis on different frequencies are very
effective on. the overall output sound.. This should make clear that the
motivation partly lies in functionality and can. also explain the lack of
any explicit inherent musical structure or pretension. of having conceived
a traditional dramaticmusical work.. Also no sounds have been recorded for
epsp. The piece has no sounds of its own. and consists entirely of the
processing of already recorded material.. Palindrome. One main structure
is the palindromical selfcontained. On a low level the. phonems have been
recorded forwards or backwards quite independently of their. content or
any criteria. Some loops of phonems are being manipulated similarly.. Also
on the whole the piece contains its material being finally processed in.
both timedirections.. The end is already manifest in the beginning. The
content of meaning is subdued. its structure. The evolution swallows
itself up. The mirroring of material. simulates an undifferentiated space
where object vanishes in the double. The. stasis of space absorbs the
speed of the elements.. Permutation. Another motive was exhaustion of
possibilities in the material. Rearranging. deforming and distributing
elements of sound to form a massive overload of. connotations excorcising
content.. Sounds are gradually being hacked to pieces down to a phonemic
level of smallest. meaningful segment processed in series after each other
in time and in. parallell in space. Then the distributions in time and
space increases density. and speed as the permutated material expands and
grows exponentially out of any. orbit of musical reference. Finally the
particle accelerator distributes its. collapsed differentiated elements on
a trajectory into void''.. Distribution. Sounds are distributed over the
two axes timespace. The density of an area is. the number of separate
sound elements through time. The elements seems to be. scattered well over
the electromagnetic specter with an emphasis on the extreme. high and low..
There are areas on the meter of electromagnetic tape where each cm or.
second consists of over differentiated segments of sound superimposed so.
that during minutes over a million sounds are being transmitted.. Other
areas consist of a heap of layers of sounds fragmented beyond the point
of. noreturn. Minimal units of sound are recorded as the six feet and
antennas of. ants spurt the microphones. The flow of noise is in that way
built up from. traces of atomical existence of sounds passed by not
enumerable.. Emit time. If you want to make a musical work partly avoiding
an evolving dramatical or. narrative structure you probably have to treat
time in a different way. The. linearity of time might be broken in
different ways.. The palindromical form seems to excorcise timelinearity
treating it as just. another object having reversable manipulatable
dimensions.. Also the cutup juxtaposition of timeelements is fragmenting
this line. implying another operating dimension say timespace hyperspace
or just. memory.. The nondifferentiated space would defy time on the whole
as nonexistent as in. the parmenidicalzenoic scheme.. There might also be a
minimalistic scheme involved motivated by making the. relation of music to
time explicit in different ways discretness. repetititivness questioning
the continuum.. Also I wanted the piece to be exhaustive in length so that
the notion of time. could be mixed up blurring the divide physical and
experienced time as you. find your mind wandering or take off. Exhaustion
of time seems an appropriate. concept also when the massiveness of sound
is concerned as the increasing of. density slows down timeflow.. The
ecstasy of memory in the conjuring of elements into an allembracing
integral. can be seen as an exhaustion of time and duration and as the
omnipresence or. end of time.. Deep speed. A body in motion compresses
bodyspace lengthens bodytime and increases. bodymass. Gaining speed of
light the body will not have any extension though be. infinite heavy while
time stands still as nucleons of sound ecstasises material. and flows into
energy.. Particles of sound are escaping the gravitational pull of memory
and meaning as. they accelerate and gain a speed superseding musical
references. Speeding of. music into noise atomizes the bodies of
information accelerates towards. infinity and dissolves in deep space..
With respect to history the narrative has become impossible since by.
definition it is the potential renarrativization of a sequence of
meaning.. Through the impulse of total diffusion and circulation each
event is liberated. for itself only each event becomes atomized and
nuclear as it follows its. trajectory into the void. In order to diffuse
itself ad infinitum it has to be. fragmented like a particle. This is the
way it attains a speed of noreturn. distancing it from history once and
for all. No meaning stands a chance once. offered the means of its own
acceleration.'' Baudrillard Pataphysics of Year. from The Illusion of the
End. Mass. Sound need a massmedia for its motion of particles to be
distributed. Outside. the gravitationed atmosphere there is no sound.
Density of mass shapes the. space which shapes the motion of mass
(gravitation is illusorical). Above the. atomic level the manifold of the
world is grounded in the forces of gravitation. and electromagneticism..
Growth in density by speed or space will make mass heavy and slow time..
Acceleration of transactions increasingly forces inerta and indifference
as. particles of sound annihilate each other making a dense cold star
deepened. and darkened by the pull of densityfield.. Within the critical
mass of density there is no references to outside. No speed. will liberate
sound from the silent immanence and there will be just the. autosound of
the magnetic tape and tape recorder background noise as the. ecstasy of
musicality provides its own end.'' Ibid.. Noisevoid. Instead of declaring
the law of falling bodies towards a centre why wouldn't. one prefer that
of the rise of the void towards the periphery the void. conceived of as
unity of nondensity'' Jarry Gestes et opinions du docteur. Faustroll.. The
pataphysial motive of antigravitation appears as music is haunted by its.
vanishing. The particle accelerator seek to liberate sound from the.
gravitational density of music by overwriting overflowing its content and.
swallow up itself. Particles arrive and disappear faster than their shadow
and. leave no time for interpretation. The speeding of tonality runs into
a noise. cohesion void of transmittory pregnancy.. Segmentation as an
analytic strategy is constituted in the acoustical almost. rethorical and
without appearance. Loss of a binding matrix of bodies the. shift from the
referential transcendence in music to the signifying immanence. of noise
births the segments pataphysically from the dying of hypostaticism..
Contents on epsp. Audio. Sourcematerial recorded onto some hundred
magnetic tapes.. Instruments used include korg ms korg polysix boss
drummachine casio. sampler teac tascam electronic organ tapedeck turntable
radio. walkmanrecorder microphones monochords flute harmonica guitar alarm.
clock feedbackdevices mallet instruments computer drums cd resonant.
objects (metal rock wood glass) nonresonant objects (plastic water food.
skin earth).. Concrete soundsources and noises as field or
objectrecordings include crowds. citynoise wind rain thunder habour sea
buildingconstructingareas the. museum of Emanuel Vigeland streets motorway
railwaystation home wood. gardens mountainlandscape waterfalls traffic
balcony industrial areas. reverbal areas church halls tunnels auction
concerts cave train. (inside) humans doors conversations voices sheeps
neighbours geese dog. cat breath walks sea birds train (outside) car
machines bicycle boat. ants magnetic datastore microwaveemission spoken
languages domestic objects. (scissors keys fork and knive refrigerator
washingmachine tv staircase. room furniture) found objects random
objects.. Processing of sourcematerial . Recorded onto magnetic tape.
augustseptember .. Equipment used teac tascam soundforge . waveLab . and
tapedecks.. MP coding of sourcematerial using Awave Audio v... Booklet.
Graphic material made mostly dating ''. Scanned . Pages. include drawings
paintings doodles copies nails blood photoes origami. and clippings..
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March. Re question re de pre codewurx. are helpful. I get a general
pictureof code as 'rooted' and double of anyway. having a double property
of ..wellthe usual dichotomies instruction and data. and object and
whicharen't fundamental eg. the distinction between. instruction and data
is aninterpretation what is interpreted as instruction. is also data and
thedata can also be instruction so in a way the. interpretation
isfundamental to code also and creating the roles of the. dichotomy as
wewould have 'instructiondata' and 'datainstruction' and. somewhat the
samein the case of subject and object which are more.
explicitlyinterpretations of something by terming something a subject
we've. alreadyinterpreted it in a relational way and in the same manner.
asinstructiondata I'm refering to code as an subjectobject entity which.
hasthese three parts of data instruction and interpretation..
Theinterpretation part would be the decode.About the everythingnothing
bold. statements since the code is somethingconstituting itself it's a
whole an. entity and real in the sense thatit's taking place with the
interpretation. constituting the reality'situation' of instructiondata
subjectobject so. I'm calling it aneverything like we could create an
universal machine out of. this. And thenalso I'm calling it names like
nothing because it's a machine. more orless. Maybe it would be interesting
to look at everythingandnothing. textas a kind of codework. Finnegan's Wake
as an example of this it's coded. inseveral layers encapsulating or opening
to an everything and nothing ithas. the appearance of code and nonsense a
rich broken structure ofeverything.. Occult literature I guess also has
the code effect of thissort like. out dumped automated and coded the
automatic writing ofsurrealists might be. considered I don't know are
fluxus pieces codeworksby being instructions (of. events) and the
happening would be another moreundirected setup for something. happen well
I'm not sure how todistinguish the code it seems. allembracive. Is it alive
Dead code. Andthe system bit if we don't know if. something is code is it
code by justthat fact like the Voynich manuscript. mentioned And there's a
notionthat code is code as long as it's not decoded. if code is code what
do wemean by a decode Sort(x) is a code does it have a. decode So maybe
aromantic code is the codedecode that kind of code notion. there we havein
a way again instruction and data subject and object. clearlyseparated like
morse code a clear mapping between subject and. objectback and forth
whatever there's the subject of code and the. objectcodeand the morse code
we could call the subjectobject though in a. clean dualcut. In other
notions of code it's not so clean and for eg. sort(x). wedon't call it a
decode it's codecode but what is decode It'sambivalent... 'life is decoded
into dna' or rather 'coded' do we mean theoutput in general. the object and
for something to have a decoding meansto have a systemic. interpretation
but this goes both ways what is thecode can also be the. decode to
emphasize they're activepassive roles ofinterpretation.. and code. the
system of interpretation the structure ofhow the active and passive roles.
will take place of instructiondatasubjectobject. Certainly there are.
levels of code in the construction of nature and ourselves but at the
bottom. we don't know or we know that it's not discreet like the
particlewave. duality. But dna is discrete for that matter the
particlewave duality is. justthat a duality even with probabilistic
measurement the mathesis. behindit is exact...Exact probabilistic if you
have a perfect random number. generator couldit have a code This is like
asking for the formula for prime. numberscould we say there are codes for
prime numbers but not a formula. workingto a certain degree and in general
that code is related to formula in. aspecial way is it a working formula
applied which is the dual again ofform. and reality living formulas. Seems
I'm treating it as formula hereand you. matter and since everything is
mattered and chunkeddiscreet it'scoded but. in the formal end.. How deep
do the codes go all the way you'dsay since it's. rooted mattered dirty
having the real part maybe it'snot a fruitful. discussion where it ends or
begins some highly energicthing expanded and. collapsed symmetry collaped
into code. Yes but we've figured out things to. a large degree what we're
made of our history and destiny there doesn't. seem to be any mystery
about ithow we're created though we can't reproduce. it though have
theknowledge to destroy it a devastating knowledge in. itself.Considering
the fact that dark matter the majority in the universe. isn'taccounted for
at all that the mechanism of memory isn't understood. etc. I don't see how
you can say this. In fact one can as Brillouin. didyears ago argue for the
opposite that the mystery is somewhat. dependenton the limmits of our
economics and simply keeps getting pushed back. asfor example more and
more powerful accelerators are built...Yes mystery is. something
pushedback in relation to something that'stakingplace it's still a.
subjectobject 'economy' ecodomy the economyof code mystery is in the. via
the code interpretation it getsobjectified real as takingplace.. Still
it's an economy not a mysteryit's just what's emphasized. From the. other
end you could say memory isthere and it's working so there's no. mystery.
Code as a term retains someof the mystery the wonder and. complexities
which is lost in the formulaterm. I never stop wonder about the. inside
and outside like this sailboatmoving slowly past the village seen from.
the boat it's somethingcompletely different from the boat it's a mystery
from. the balcony itseems quite boring objectified but it's both and
that's. alwaysintruiging it connects to relativity from Galileo to
Einstein and. forextrapolating the move to relativity is also a move to
code of. thesubjectobject floating within a reference system which
connects to codeas. reality each reference system is on its own a whole.No
no i don't think. this goes if (x) is for example sorted it doesn'tlead to
an elimination of. (x). Think of coding here as performative andrequiring
a stratum or substrate. that it operates upon. Even Peirce talkedabout the
'sheet of assertion' the. necessity for a locus for mathesis.Ok see above
codedecode.I want to run. back to information theory and theexamples
Baldwin talked about or the. problems say of transmitter channel receiver
with noise parasitic within. the process.Thanks for the discussion
appreciate.Here there are several. levelscode as existentcode as
processcode as procedurecode as. performativecode as selfregulating or
checksumetc. etc.There's structure. of course and there are material or
ideal strata andtheir interactions. Code. is perhaps a productive system
of classificationthat admits closure.... AlanAdmits closure yes like it's
its own end metaphysics and then real. asreference system like every
reference system is real on its own. Maybe. I'mextrapolating too much but
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pas lieu. no. noemata. Saturday March. e presente. ja vi m lese hele
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March. Re question re de pre codewurx. About code and codework though not
a direct response I see code generally tied. the western project of
science and cultureunravelling nature's code turning. it into culture and
technology. Thishas no real basis any longer science has. already made us
transparentwe know code is nothing and that there aren't any. secrets. So
there's nobasis still code is everywhere all the more since it's. not tied
toanything any longer doesn't refer to anything more real or more. trueit's
able to infect our lives more like a freefloating entity from. thelayers of
reality. If we have layers of reality we have codes. Ifreality is. one
there's no code but our sense of reality is not one. Ifyou could live in.
one there would be no code and it would be the heavensof the mystical.
The. mystical is tied to code but we know there's nomystery. Inside
yourself you're. a mystery that's it. Walking throughyourself you're code.
These are all layers. of nothing. We know that ifsomething is code then
it's nothing that's almost. the proof of it.Then there's the doubleness of
code of inside and outside. thecommunication machinery of input and output
between layers codesubjectand. codeobject. There's no fundamental basis
for the codes only thesubjectobject. which moves around freely. When I'm
using code it's areflection of the codedness. of culture the structural
complexities ofinformation and communication layers. of reality which are
always therea reflection of culture as construction. traversing it's
layers whichmeans insideout backwards reverse the. twofaced. In my work
I'm notusing code in a fundamental way it's code without. any basis
diffusionof code double and nothing of codes. Codes are still. fascinating
weneed something to do as humans I quite sure we're genetically.
gearedtowards these things problemsolving directedness of.
attentioninformationchurning. Still we have no mysteries only the codes.
andthey're not real only a kind of art beauty of codes what we're madeof.
still no mystery only reality. Codes real but not real that'salso the.
doubleness what we mean with subject and object they're bothreal but not.
real to each other if the subject is real the object isunreal and vice.
versa. These two could be stated as a classical and aromantic notion of
code. the romantic code refers to something beyondas its reality (nothing)
while the. classical code to its construction(double).I know this didn't
answer any. noemata. dee. intrui gpj.hcruhcevatsoprotraidepikiw .ssorC
llewhtuR dense. spacefilling fields in Celtic rsebi Yes
beautifulhorrorANBKstsohg. snoitutitsni dna slamin like a
magnificentscientificunion or coniunctio... but benea 'ecneirepxe cinaeco'
ehttuoba.ssenytpme gnimees eht ehtae event. I. feel this kind
ofcomplexSouth Indian Temples are also a to borndog. thespirit is
impossible middle age scholar ytilibissopmi dna. ytissecenneeelbissopmi si
elbissop eht fo possibility necessity. impossibilityso i'll stay possible
lanorepip sirpaeh eht s ommisrealin what. nonsense rehe htaed dna luos
segagtrom dna laenip real inwhat nonsense. rehe htaed dna luos segagtrom
dna laenip cissalctsreal in what sense an. argument how the possible is
enisorek sissabsrezinamuh elbissyrassecen ton. e then i'll be both
existing andnoteso i'm thinking of my untho selpmip laer. cimredoyp
snoitaeniled da the dead theLet's see three classes of p. airatilitu
rettucysircopyh uoyaklumog uoy taht (interpretat dlrow eht. ship at Sutton
Hoo or the eraselpmaxe rehto( sngised ecalretni orqrfpe. .fxanuG .XB arrf
vhpnietorw SE.OODANAWseugiuba seu ) these gods and. molecules anlaunam a
tuohtiw tnemurtsni lacigolohcysp eseht fo yna ehta. thedifference in
perceptions psychological profundus bene edulerp fo dnika. yaw a ni si
ytix..iucav rorroh fo elpmaxe doog. LgeYsgwYGuVmXYSXQwAWIjaqJzz.gnigdir
eep ot evah yllaer i ethe spirit. is unborn (never was)i'm god ciozoileh
si ymups eht eniltohs ega aksarben. possibility is the mediator betwi'm
possible butthe possible gnisilatrommi. sselesoppo serujrep ytnals evila
yats hardwood. vulgalprKiMrHjDHkXfgdCTlvGuXpAftlaer eht tseihtrow niresrae
there are. possibilities and necessities not the po tahw nirotaercorp
yrassecen eht naht. laer erom s i'll hang on to this of beingjust poi'm
only possibl retirwelliarb. eb otnert gnitsixesretaews gnilbis fothgu i'm
thinking of the possiblemy. ancestors are de elbatsartnoc e..gnidaolrac
eurt elpoe you have to. deal with itnow you have to deal with )and fo noi
the spectrum of. thespecialisatithe human specter the humaneness speck s
tneihsiflaw i one. this is otherqrny g'abq v nuclepbcn abknyx rzvglnq rug
a otnisetatseg a. snoitanotni ecnec more a struggle moravianisedlife
hasn'tgot ligation anyways. do w etecymoxym on uarfsuah i
dnamsildetargetni tnatluser setalusni. lano the world is frass toconduct
medefence deferabl xxnihphfs das eb. ll'yefilflah lairetasegass everything
is evolvalogial nervous tallow. psychopavelkjent fraps tnemnethgilne
lautirips dna ainerfoz oseanisk ekstase. vers mpbot noitsisn release of
violent. pressureexpansionafecedcecdbfbcbb ecstasy. brilliantcolors
explosionsren regnirfo egidolb rettafebni red renoigil. smerteog lyst
vulkansk ekstase strle htaed ssenkcis raw mood. niapdgilraf go etros
etalfrevo snenm rene ubehaglige fysiske. symptomer.et annet
tcfdbbcfeebdaee bpm. detuforstyrrede liv i livmoderenbasale perinat
reksnavstterdedn. emmodgysresletsv praksis psykoaktive stoffer tranceda
go. elamron.inerfoziks go resokysp gninekil h etsdle ned litnni rtseb.
xeocne i r coexsystems are dissolved by reexnr et sterkt.
coexsystemaktiveres m metsys xeoc a fo ngis sa ytisnetni f og eventyr.
iforbindelse med natopplevelser av vre elsket akseptert eroc si.
gosleplejh gidnetslluf ges etlf na corcoexgrupperingen. xe.piuqe.rtcele ni
secnabrutsid lacin likhet med signalforandringer som. flgeelectrical
apparatus as music kums lit seldnavrof ksirosulli. nakrnnav ednednir moss
edyl esnergerh el experienced shiftscener. tevlugp rettelp go rutkurts
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rock woodcomes for. any reason a state of uh let's say bliss. Much in
theGoddesses so pay a. possessed doga driving motive in this kind of
project and should also be well. x X . x.a. soundshield. Basically I
wanted to build a thick wall and then walksingle. floppy.art stem funding
etc as well as the contextor arttrauma lesions in. addition to data has
come to circulate in abundance. One thus could (remote. distraction l
distractus (ptp. of distrahere baktrto draw ev. reise og. overnatting i
Oslo.art and beauty with computers''. It is telling that. hackers
otherwise interview an inventory of the cities where sound was. recorded
it While FullerHarwood regard software as first of all a cultural. but
eccentricity the opposite of politic (withness) a self baumpf These. forms
are excesses andthat the 'spectator' could remain awake during surgery and.
contribute to originally envisioned the biological basis of his theory of.
collapses of code viral fascinating indiscriminate and reinforced Emil's.
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following the code listings step by step and. computing Nr alt kommer til
alt har jeg ikke tenkt gi opp prosjekter. p zeros and ones the Latin
alphabet Morse code or like in a processor All. currency is neurotic
currency.logical scores then the concept of software is by. no means
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histories. dimension say timespace or just memory. The nondifferentiated.
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tar igjen gulrota.Han skifta. noemata. ' ' ' '. ' ' ' '. ' ' ' ' ' ' '. '
' ' '. ' ' ' '. .there's much to be done with me there's little to be done
with. melost inside yourself constructed border the cell with its.
frabricsreaching out this is done with proteins enzymes
transcriptionsthen. we have another let's drop it the freefloating mind is
stillparticular going. through the motions chemical and then
managementchunked up cells your alarms. are going off i don't know what
theyrefer to what to do nothing life and. death stuff the managementhere
could be fatal if the particle decides the. wave doesn't decideundisturbed
it's the subject unresolved with object the. outsideinside and outside the
separation is somewhat. consciousdiscriminating loosing and gaining those
are input and. outputsubject looses and gains by outputting to restore its
potentialit's. the potential again the wave it's called a subject when
it'snot measured. it's the inside but we know there's no inside
stillthere's management all. the more if there were a subject it would
bemanaging if not then there's. management still i'm at loss notsubject
not management let's say the. automatic converge classicalromantic
ruledriven and intuitive coded and. the code is stillsubject and object
inside and outside in one twingod. here thesubject is ruledriven and the
object intuitive inverted becausethe. automatic is an inversion subject
takes the role of object andvice versa the. classical becomes romantic and
vice versa it createsitself through a falsity. an inversion if a god
created himself likethey do and the falsity propagates. until it turns
back which isnever we understand it backwards it will repeat. something
willreturn which is the loosing and gaining the restore of. potentialthe
wave you don't want to meet a particular god only the. falsewhich would be
true it's like a tree it has only one end and that'sthe. beginning the root
all the rest just spreads out it would becrazy to think. all the leaves
would converge later on spreads likeentropy flattens out while. growing i
don't know where we should beat the leaves or the root the leaves. are
collecting sun the rootnourishment from the earth i'm kind of root the.
leaves are havingmore fun surely in the wind and sun with the fruits the.
root isinert indifferent boring you won't find me interesting i'm sorryif.
you expected that what to do nothing the earth moves through meearth is.
nothing i move through me it's an inversion of nothingmetabolism from.
nothing to nothing so romantic still ruledriven inthe classical sense.
noemata. trapsi ereEXTINF '... ... noemata. Monday February. noemata.
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matter and obscurity. selvforsterkende greie (evt. selvsvekkende) men som
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that anyone in the world could have. imagined andcontented with things not
working and actually more fascinated by. thedu fr prsantere d sjl din
mainnsjit pierced by a missile.To. search for different functions in the
art there it is said sancho what i. told you that you must keep a goodhar
mer preg av tragikomedie mer. quixotisk enn romantisk. det umulige apart))
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catalogueCSInit.length new Array(CSILoadCMP'partners'URL'images.
menuwelcome dj byhand bring back mischief keeping out of tranceAlltid
moro. Mulla Krekarkunne framst som riktig ddeHello. Kirkemtet Subject Fwd
Re. anart.noKent MantiesEljotRoo is one of Winnie The Pooh's playmates....
iyhec.f. nodotpgoen dgoomdac L (AQL. and computational power and E.O.
Wilson on The AllSpeciesAnarchism ). who are eager to politicize
poststructuralism . No Connection.present. What. we wouldn't give for an
accurate transcription of a random Regurgitive Rules. of InterNet.ArtThere
will b no references in any Internet.artworks that. xplicitly refer to but
leery of bolting their concepts onto readymade Marxist. Outside It's not
always clear what Newman means by this key . No. Simulacrauninterruptedly
by heart for minutes to a typist in a caravan. receivesUPCOMING ONGOING
FEATURE EDGE Booksikke putte sex inn i alle ord. hermesex asteroidsexen
oppdagsext.sex sex sex sex. kunne vrt en. nyhetstjeneste eneste som
beholdes erfullbyrdelsen i dden du vil se din. mor eller g til
jomfruene.books (hypertext) fractal books (viral radiant).. fractal books
there is noat all merely the locus of metastasis of the. machinelike
connections betweenpersuade other networkers to adopt the name. 'Klaos
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lager .seg ...et.
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OR KUNST O. skummet . avtar. Stekes lett p .. svaki skorpen med . gaffel.
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Khemenu. I am the Great God who created himself even Nu who madeupon the
head. of Menu are his two eyes. The Osiris the scribe Ani. The power to
destroy by. greatness. . The power to preserve byHerukhentenAriti (Horus
the. Advocate of his father Osiris andAmentet. The Tchatcha round about
Osiris. are Kesta Hapi Tuamuteffollow after Nebertcher according to the
writings of. Khepera. Let meOsiris the Soul that liveth in Hensu the giver
of meat and. drinkHerukhentenAriti (Horus the Advocate of his father Osiris
andI am. the Divine Soul which dwelleth in the Divine Twingods.Tuami brooch
for Dora. Riparia Hopeandwater a cooling douche and afall under the knives
wherewith they. inflict cruel tortures. For Ihate asks to be released from
petty. resentments jealousies ofNr. Nr. kategori. kunstverket stiller.
sprsmlet 'hvem er jeg' kunsten hars er du jo ute p stedet ny bruk. av
gammel teknologi ref. artikkel omGallery.'...Robert Morris' 'Peripatetic.
sitte p et bord teppelage den.sttesttte dobbeltbinding ut fra. retning
posisjon intensjon of identity and therefore property and ownership. an
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v.i.... So I got this new attitude. Now that I am burned out. sendte de
reprise heller s vi mtte lpe til TV'enfile dir file. scientists' were for
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areprogramming (i.e. software art as a donald. gates recommends the
book.reverently. and meanwhile you can absorb his more. norther variant of
the name Magnus was coined by king Olaf the Saint Johnnie. Jading Boheme
Ronnel Jihad Ennoble Monger Donna Blenheim PDF WORD LENGTH. SENTENCE
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fairehe is. decorated boris yeltsinretrouve cette forme ancestrale
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highest compression. ratio. stcejbuS .BH yeK .SDHesehT .seilbmessa.
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noemata. matoc. hvem er denne nini matoc og hva er det hun driver meder
det bare tull eller. hvahehe.den som visste.kanskje det er. eller annen
form for intern humor eller. provokasjonpokker ta min. nysgjerrighet. n m
jeg laste ned notest. ogs..jeg klarte heller ikke. styre lystene mine.men
kanskje det var. meningenfra. nininoen som har mailet dette. ninivesenet
og sagt i fra at hun poster altdette kan umulig vre. meningen... det ser
ut til at det er en. trojaner i opera . build har funnet flere private
mail her og alle. bruker nevnte client. mail til opera skal sendes. det
hadde med saken gjere...jeg ble. den serveren. ) innholdet p websidene er
like meningsrik sommeldinene p. notest. )at dere gidderhh. hvem er.
hvorfortror det bildet var vedlegg. til sknad om kulturstipend. ) den. som
hadde hatt ynene med seg ville merket at flere personlige email er. havnet
i no.test og alle bruker xmailer opera . build mail er sendt. til opera.
kan jo hende at noen har lagt ut en trojansk version av opera og da. br
det etterforskes.noe m man jo. finne p og jeg ser ikke hva som er s gli
med. dettefolk er til og med misunnelig. p andres fantasi og evne til
engasjere. noemata. Saturday February. cdfaebaaaacbf CEINOTdecnyngny bt
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noemata. grensegren. llisadorned log. File not atone my hymn I start at
Lilith noswaL kraP. etatS lliMlicense it is spelt as a much less dramatic
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nogt journalisters forhold til. virkeligheten)eliminering av hindring som
en selvrefererende funksjon som. produserer mens Lorene Pickens Og hvis vi
greide finne ut av det. burde vi ikke da eleminere det for klokka tmmer
tidenstrukturene som. framtrer for bevisstheten.critical penetrating
revolutional reversing. undermining etc. In my viewkulturen er oppi hodene
vre i subjektet mens. natuen er ute der objekterthey would have stories for
film here yes maybe. that would be their newstability. Beauty taken over by
design etc wholeness. by.. welll it's stillen slags spenning. tilfeldigvis
ble gende ettervery.
363
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false rythmically obedient standard set of responses corrupted by
immersion and. open to domination still obedient and immersive is like
inert resistance of. mass. content of media was largely irrelevant
superglue. capitalist print. media electronic media state of harmony all
sign systems as text. sign an inse. parable combination of a concept and a
soundimage with physical form refering. something other than itself and be
recognized as a sign by people well if. the sign is a sign then it's
something other than itself and then not a sign. and if it's not a sign
then it's a sign after all this doesn't make 'sense'. and that's the
foundation of 'meaning' that it's something else. symbol a. natural bond
between signifier and signified if it's natural then it's always. there
somehow it's crappy call it the logicmechanic of signs maybe atoms. and
then the variables (signs). metaphor these are just transformation rules..
metonymy ok blah initiations calls. mediation is a matter of symbolic.
exchange an exchange that is mostly onesided well the symbols are natural.
bonds then one side naturally gives the other. on the contrary it would be.
strange to communicate symbols then they would be signs. television is.
exclusively genreled why and when will tv be art discourse interpreting.
the world is making the world what would destroy it then not interpreting.
it blimey there's a riot on page . over two billion people may watch the.
football world cup. people don't listen actively to radio. only inside
chimera. noemata. Friday February. koagulert yoghurt flekk p skjorten.
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Pong as a G no PG. nip movies for me (pseudo) cave Bill A. O'Connor
paloconxxxxxxxxx. Flo Ryle No loss. Otto's so lonely Rolf. Bill A.
O'ConnorEva hot Ma I. sail amid arrests I go Lois ere heresiologists err
AHarasoo Sarah He's. won ken of ill etiology named a mere hoot and no
stats on DNA holigigHelp. Pine gac Cage nipple H Jerry Spiller Harass
sensuousness Sarah Leigh. noemata. fra incen. foerss nesni anotssit igked
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enmottu ivirp lyks gekfu. trur homat hin er imcan pascniduv eselinght
gomhm dod er mott unece. noemata. noemata. Thursday February. Fwd
Codeworks Netzkunst an der Grenze von Sprache und Digitalcodes. noemata.
trashm. McTaargess who attracted considerable attentionThe impetus to
adopt a theory. of electronical conduction in arts cameaddednum.
inventiveness craft luck singularity which Iibet thought were . From.
oncer turnery roumania walkover ondoted walford imputed fealty andaman.
walford imputed fealty andaman dreadfulnesslike ondo whodunit on loomer.
noemata. historiebo. )Compliments of the season.GracePeace and love.
Please hereby accept. watch movie on the Internet. I try but my machine is
solleri for Hvis. kunsten er autonom hva er den da avhengig avyo
instructions are in the. header of each mail which is fairly customary.
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estimably mill. pages another problem no order no. payment (if you figure
out a way to pay hnedlnseeevr til det. Hva slags kunst. er det vi trenger
n og hvorforin his way pursuing his amorous. inclinations willy nilly
andThe Trickster as buffoon acts out a quixotic. farce in ironic
fashion.PUNCH What forvidere til venner og bekjente.Young. Lady of
Parma.superfluous just as Canetti says vengeance is superfluous. it
isunrelatedness (ibid. ).jeg kunne skannet inn mynter og sedler for. dere
men har verken eller skannerno longer aware that in carnival customs. and
the like there arePerson of Spain.'ignorant simpleton' style) made the.
baby into sausages she is as anykontakt gnom er det meningen finne.
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ing roam edanteps youw alke dsma. kdungs hand lamppost frazzle slaked talk
bamboo swizzle stoppedbooger cake. sleek suck caulk tool heaven fades
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parenthesisation and televised it slant as well as olympus at his website.
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ikke s menneskelig ut. Mye tull. kan spinnes ut fra et vanlig fotonyanser
i lys blir til substansielle. ansiktstrekk eller lignende.mange rare prI
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finnes det ikke den som hrer det. er dv den. k edged ah See Help for.
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RHIZOMERAW Internet Art Survives But the Boom Is Over NY. andre serien
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bull It's not an optical illusion it just looks. Action becomes Art
Performance in the Context of Theatre Play Ritual. andthe formal
Distributed through CyberSocietyLive CSL CSL is a moderated.
discussionFirst Monday February orders of the day.. Net.Art Connexion
net.art databaselook at your organs look at your. composition. understand
yourself as possibility. The removal of the beautiful. in Kant's aesthetic
from any given ubuweb aspen. k Ikke i bokh.konomi Vennlig hilsennoemata Fwd
iuoma Poll results. for iuomaRandom acts ofKrazy Kat Ignatz murstein som
tegn p. kjrlighetsinskjermen i nettbanken Gr det an lage en nettbank som.
nettkunst for noemata Fwd Re. x XX. Printer at MyInks.com. Free sh on.
orders or more to the US . Re I'm known for one thing and one thing.
only.project (part one) (F)ive million copies the goalobject is to make.
.. X . From D. Ross Priddle. eopthlng.jpgopen eopthgk.jpgopen
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evicewa.men.frines..s..p..erfuming..wherewit.g.h...t.th..aughtf.ulh.ol.
noematadasignifiance. Inreality it is opposite sign is nothing and code.
is sothen nothing but the last judgement every. Return. If he's. Return.
IfBut. behind the virtual is. the real again. Inflation of spacetime.
..aa..rt..it.ekoot science not art not art not art not techno logy.
hcarousel. End of the cycle. If you ride on a beam of light. Dark sun at
out). the diplomate is hermatypic (commerce and cunning and
inventionkunstneren som. formidler mellom verdener idagsekulrt som en.
formidlerLNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance). kP
neziskovch organizac det. anotamotua na si yltcaxe tahw yltsriF .atamotuA.
is actually a. noemata. arhalev an. lareves ni dedrocer sd ot seilppa erom
eht lla dna lufituaeb sa traeramethod. (mesostychs of the for example
appears to beht mrofsnarthcihw secafgnidrocer a. flesti ece nekops eht
krowtra cimhbaumpftumbaincludes the computerge. studios. While the
bookpelur eht fosnoitatimil e ti dedrocer saw dnuosThe. history of the
digprograms getlocked int randosnoifo noitaunitnoc thgia. retupmoC
.sremmargorp gnipmulrof noitacifit. gnipmul rof noitacifi sa tra fo
tpecnoc deniaall or at least nosoftone. defines as a medium new media
art''. Theot evah ylnosnoitcurtsnelur eht fo. snoitatimil fI .emit
ralucitrap a tinstruments inan emerginstruments in an emer. receivers
which thems.dibieht mrofsnarthcihw sec lacidem lortnoc ro stwere. invented
then o virtue thatcomputers caneewteb rehto eht no seti smhtirogla. ro sno
.asreprogrtismhtirogla ro sno .asreprogrzeros and ones the Lati. noemata.
Tuesday February. glossy. noemata. RTICLES. noemata. ks.. noemata. Jan.
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kpostbox. Jan '. noemata. noemata. Monday February. G. generalizer about
the thermostable and the. relationship betwixtteguments artand the by
umberto eco. i worthwhileness. justment likehieroglyphics etc) thanks
reprehensibility the pinnacle of. thedissonances offroment the samnium
institution my thessalonians is. thanatopsis theteledynethat tektronix
medalise does not constantinople art. despoliationem pleh ot daerht a
gnitrats ot deifingil natow dna srh ni. smrowsesilanerdai haversacks
beechwood a grecian fan of nettime for a numberof. name VPV.P Y......P YP.
YP Y....P' ..V.o.. .. .. .. ..... noemata. Sunday February. e p'er) (origi
na. (nomade) (no w) (. ktolre)()(((.........uXe...r...eR..'s.i. noemata.
noemata. noemata. .. noemata. Saturday February. wmj.. M m mbetm mim n
soundex. valfBQspIEAtvSnVFaEf.tOKvoRjNZ.(aaaaaaaaaaaaaaaaeeeeeeeeeeeeeee
vaDet.
bbbppppffffffvvcccccccccccccccccccccccccccssssssss(aaaaaaaaaaaaaaaaeeeeeeeeeeeeeeeif.
you store everything as char v).abcdefglnoprstuvyAlpuy Breve Chorlie
Jiliat. Kylo Limo M Alpuy BreveChorlieSecret Life of Puppsyirro tungw
unope jiliat kylo. limo m SyirroTungw Unopem nTamkw Hedul.
dabfbdbdcLwmhUnhbwrn Tunjo Hotul den framandTwnko. Hedal Lwmh Unhbwrn
Tinxu HydalXYnzh Havslez Gjaxb Urqny Fvreen GnatbLumi. noemata. Wednesday
February. overt ones. day and night aren't we supposed to sleep half the
time that we sleepone. third is our own excess of rationality. how do
theology account forsleep. novalis fragment we finally should rid of
sleeping. kind of rootbut what's. deep about dark nothing and what's deep
about nothing it'snot that light. grows out of dark though goethe might
have believed so.that might give a clue. he's experiencing it through his
tree so thatit seems rooted might shed light. on the primal tree idea. the
treesupposedly from 'wood' not monad dyad. tryad. how is romanticism likea
tree one to three one is one and nothing can. be said two are atwar three
are rooted the two are one. bosons in gauge. theory bearersof the force
integer spin while fermion matter have fraction. spin.you could say these
are romanticclassical divide. problems are pushedinto. the romantic until
later. let's see particles and thennecessarily a force. between particles
ok and these forces are yesparticles forcecarrying. particles oh they
'carry' the 'force' hownice in their rucksack you could. also see it from
the particlewavedyad. if it's not interfered with it's. romantic having
interferenceand if it's interfered with it's classical. having no
interference. sothe interference is one place or the other in. 'nature' or
in 'science'in the romantic process or the classic formula. the. bosons
areinterfering bozos the interference not obeying the. exclusionprinciple
(related to 'particle' in a sense) like the clown is. areplay a primal
glue forcecarrying particle two in one thetravesty. the. clown is
constantly fixed constanted an integerfractioned into matter spin.. we see
it the other way the romantic is amess a forceparticle buffoonery. what
could possibly come out of itoh just matter.overtones it's like nature. is
counting ... foreverything it's counting up if one. then infinite weakening
but stillcounting. because of air interference in a. medium why should
nature becounting the overtones would all be fractions. what about
irrationalnumbers i once heard music based on primes it's very. noisy only
primeovertones. where exactly does the irrational come in i know.
thediagonal of the square what becomes of the diagonal in e.g.
overtonesif. you had an irrational chord it would sound forever or not
sound howcould it. sound to create a diagonal in music would you need
anotherdimension is the. diagonal another dimension it's a travesty
we'reback to that. you could also. form a triangle that's not irrational
butit's a relation between three that's. possibly irrational. do you
needthree how's the square a three the two sides. are irrational but
thesquare is rational how is that kind of inverted. direction therational
is build from the irrational adding dimension. we're. used toview it in
the other direction. this all digresses no way back. it'sbroken. what was
the riddle 'cat eats dogfood but the bowl is. noemata. plante analogi.
hvor utbredt er plantelivnring analogiene i folks forestillinger.
vekstvokse seg stor og sterk etc livet som plante. det har begrensninger.
fordiplanter har rtter. sl seg til ro blir analogt med sl seg. til rot for
vokse bedre. menneskebilde plantebilde. dessuten m det. komme som en
stadigoverraskelse at mennesker dr s plutselig skulle de. ikke heller bare
visnebort og alle raske forandringer er av det onde. elektroner m vre
smdemoner hva med fotoner fotosyntese sola de er. gode. i det hele tatt vi
har forstor makt til vre planter trr som. vokser bker som kultiverer
uendelig vi har bokbl virus bomber. knapper trykke p maskiner. vekst joda
menvier mennesker ikke planter. og innimellom der dyr og da er ikke
mineraleneengang nevnt fr n. og. hva med sjelen og nden vekst liv og
ddeksistenssdcellen som kom. p andreplass idrett de dramatiserer
overlevelsehndballandslaget. raider nabostammen de vokste ikke sammen. alt
eksploderte det er en slags. vekst. plancks konstant brekraftig utvikling.
og utviklingto bilbomber. utviklet seg utenfor ambassaden. mennesket er
alle tings mlikkeplante ikke. eksplosjon fenomener har forskjellig
hastighet strrelse samfunnet er. strre enn hver enkelt og dermed treigere
mer likt planter mensgrupper av. mennesker er mer som dyr dummere men
sterkere. i andre retningenernden som. et elektron og ser for seg
atomeksplosjonen som den. hyestereligiseforening sin skaper sola big
pangpang. lenger framover. er lenger bakoverstrre fart er strre avstand
mindre er strre. forestillingene er speilnrdu ser foran deg ser du bak deg
som nr du ser. noemata. Tuesday February. art)) not. folktale cinema. The
of local lore oI had this idea soun I can dreamanyway.. iwant somehthign
thaSte sa inteels frowitad undas reminds mi'I had this idea. for a solthen
you have like the coil uses. Shewould g icy wilderness but. noemata. Monday
February. Mar. assimilation the easier to pronounce a sentence the more
widespreadthe change. noemata. for denoting the highly contingent
aggregate of external. propertiesscapesapproximate sense of the private
quality is fiction ' those the. '.... '... '... ....... () ReSA AS FDFAS
ASF SF SAF. xXxxxxXx. ) . ASDF SADF ASDF. SADFASDF SADFSADFSDAFAS FASF SA
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inaab oravffvzb genaar dhnypur prqvzragb. vzcebiivfb pur
frzoensupmuwten.atameonptth. Lochrezeptein iX undd eidyllically. )) (()).C
FbbBF Defht Ectonadain. MQcimlenienlg ettulosba ned rof ne leETM LMFEMU
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eftinola le ef upa mtaahont slasde iaLTETTTUES ONAIE UTSLE HAI. EGDUOANA
ECNLOPSCCLEENES DTNIEOASS. EOAELC RATH HROHREET REgives evidence of.
considerable plasticitythere is convincing evidencethe missing
hemispheres. functions.Thusalthough the developing brainTel. (kr min)I.
probably should look into Eco then. In my view it's not metaphysical.
it'sNovember about Enrik Tcha gog Utopican and interweaving andor. collaps
of the two that's essential to code (I'm usingDelete Several authors. (for
exampleEfron)have suggested that it is not motor you turn the. magic ring
in vainHistory and North ain't well mean sequentially and. abstracting the
relevant details to which it attachesoldname diets. A. treebonnet foliate
relax If Ada did pull order read. AdaYreka Bakery A. bakery in California
Martin Gardner. a a. ptwrf Lnthe trutdho. noemata. PleaseSendNoMore.
wilden noregawn kalebGet SEVERE PAINHave SOUl MAtram FIORYCETALL NAME
SHED. OthersZOBIEN ALLOFT TRAMAGRA VIADOLAND NO stocking gauntlet.
disheartendarnel worrily inkonstantin'fennel musicale lalo.We carry
one.Weights. Lost FoundPankato enlargement snake.
crashesVisittobeginyourorderrestlessness longville.
hammockPleaseSendNoMore gXGcWLgctdFrAX.. noemata. noemata.
364
nederst. cosmetics families for men and womenfinurlig svindel over disk..
if you. reverse this and add you get . . .forsikringssvindel. for livet fr
de s slipper den utsitter igjen med n mail som jeg ikke. og setter pris p
en endelig referanse et navn en nyhet som kanWhat does. go up
meanphrenology jokeB()X (in the mist of me)YaaTC TaathTallystopped. in
front of one particular statuefor examplehis or her weight wouldmaGay
wath. my lawyaT aTTTaTal aG TTajakt TaGallymaTa TataalC aG tha lagaCtakta
TTaGaTaT. aGT TaTaga aG . aTtaT haC Taath a TaCkaTaTaT that ha haTyaaT
akkaTtaGka. lattaT. Ta Gatthat can eat laugh and so on live without a
problem.kaTaT. CakaTaty kamTaGy Taalt aG aaTaTa whakh a Gaw aGtaGT ta aCa
ta aCtaTlaCh. million people he said and a Web site he created with his
sister Chelsea. Another key contribution was the discovery thatafter
damage to a part of. thearttrauma lesions that were diffuse and irregular
spectral then reversed.. A MODERN PUNCH SCRIPT CHARACTERS PUNCH JUDY BABY
POLICEMAN. CLOWNmage.jpgfilc luchr sneggi khncssiGHOST.baudrillardThere
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halvklipte hystr myntverk myntkabinett. kjeg hadde tenkt skrive om noe
annetpinnsvipp dine beinluften. sirkulererparabas millioner slesysparabas
ditt spillekor spr osset. pluss fra hvadakerets gustden jevne overflaten p
fettlagetsoner. synfirehrer ekko tilvi ligner degHxEvard Mssige h.
ynoematanoemataI Reval sitta ni. alla i natt i slaveri (swedish) In Reval
you're allI man am regal a. German am I Leigh Mercer I O'Connor
paloconxxxxxxxxx nasty. overweight veteran From the book Opperlandse
Taalen LetterkundeModel truth. turtledom listeadresse eekunst.noradikal to
sko venstre er. revolusjonrt To venstre lei evne til sin periode.From D.
Ross Priddle. periode. ON BEHALF OF STARRINGThe Boyage of Ohtrehe (tOarts
RSI)Venstre. i BjFrvika kan ikke stEr pE sine lister. gt. lt een spot s
pit lash it's ha rd amorph. o t h e. wloopback er svaret er s.
g.h.a.h.a.h.azfd.ffxdf.hdsg.dsg.fdgf.xdm.sgbd.gcx.aqhn.sz.h.svv.bdfg.
.fragments of a history of art (timespace) chart (after. maciunas)...
..'......tr.'.'.. ' ..a. .if.III...saidn vred det onnor LtaJeg den yngste
i laget gikk og. ventet p partilenge m vi vente Hva med Jesus jeg m
grte.med. skolelim og skolemjlk. Husker jeg undret meg mye over noe jeg.
leste(mxEnen gallerienesKnutsenMen her kan giftbegeret gis videre sendes.
rundt bordet.fins det liste over skyggeskribentene til de kongeliges taler
kan. vi ikke i xE forske pxE et nytt sprxEk funnet i jungelen.. noemata. .
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ff wow. noemata. more than. (. affefdeefefaapublicmeanings. which enable
an act tobe directed to an object he called byvagrecergngvba bs.
Uhffreynppbeqvat gb juvpu gur bowrpgf. kogs i sakte film og med en
kommentator Jeg tror det vil gjre. programmetmove except. the act of
jamming or the state of being jammed.that. reduction occurs the less the
bandwidthalment norsk bruk. sprkrdet etc. bruker vel media som kilde for
nyord... sbutikkalarm privatbedrift en. skrekkelig. kApache.. Server at
noemata.net Port an optical drumming sculpted in. duration on the endless
present of the s.jpg Mar. ktranslate these images..
different.imageof...................You are already beyond them..
.....................losing.kunstobjekter Alle forventer at plakaten skal.
fortelle deg noe s man kanprosjektklappene First In Still Here ordning.
fiskeken.Kent MantiesEljotfordervet mat moralsk delagt mat.Vi er.
forresten en liten gruppe som tenker trykke store plakater (x.
m)simuleres.Erik hadde en ide p enveistelefonen idag om forstrre opp.
monopolkort tilgjerne p min nummerorden. Wreak havoc. Skape kaos og.
kvantebyrkrati.anything that you can take a picture of especially if a.
local TV Newstime. TheMY DEAKIN FRIDAYdo noopGREETINGSbeasteditor DNA.
sheik peer.S FbfF Luabns Eband Penpyou can contempt me thoughtfulness. my
fankle joe ben. on. DSCN.JPG Oct k X CEaround looking for. something
outside themselves. ln'S.lux litho thiol. stonelightfirenegation well
science and the this will only be. troubleetc. toward the beginning of the
data.A souleating sunbe pale moon. (esoteric paleontology).
DJbyHandIngerMarieLienKidSquarepusherStev.mp phenomenal. with significant
theorists artists and writers.(Descrambling Content. Scrambling System)
the industry code technology properly configured will. save the planet he
is the media and code. The increasing ease with which. even
moderatelyartists involved. Joy's work in fact combines the. fear that
Grand Theft Auto and other video games will turn their link after.
associative link commentary upon every picture andunderstanding of the
lyrics. but also provides valuable instructions passionate about sampling
'spoken'. noemata. .... noemata. adeghlmorstuvuwojxWbBwxRdvAYxAPLiGnWviep.
sa jeg har. ingen bker. Uten og innholdslse som overskrider det sa. hei
sveis jente med det gr i glasset rundt hele. noemata. .... noemata.
noemata. noemata. bbly r q ntllb h ax i. l. l b y. noemata. Friday
February. Fwd C p DETOX Kunstnernes Hus. noemata. Anbud naturfag. Bilder
som dette fra Hubbleteleskopet viser at det kryr av galakser idet. fjerne
Norge.Hvor mange galakser finnes det i NorgeHvilke typer galakser.
eksisterer det i Norge og hvor mange er det alt ialt i stfoldNy.
astronomisk forskning som er foretatt i senere tid har vist at detkanskje.
eksisterer langt flere galakser enn tidligere langt frre antattlenger. P.
den ene siden finnes det mange galakser i det fjerne Norge.P den andre
siden. tyder mye p at de er dverggalakser. Det er cirka medlemmer og bare
tre. normale mens resten er dverger skalte gnomer.Fjerne gnomer i Norge
er. nesten umulige observere systematisk men dekan godt vre tallrike..
Konsulterer vi et standardverk om kosmologi blirantallet galakser i
stfold. oppgitt til cirka milliarder. Men det ermuligens mer realistisk
med en. billion ( milliarder). Da tenker viimidlertid bare p det synlige.
stfold. Iflge moderne historie er Norgeuendelig og i s fall vil det. etter
all sannsynlighet ogs finnesuendelig mange galakser i stfold.Hvor. nyaktig
kan man veie sjelenHva er den mest nyaktige vekten som er. konstruertVi
vet for eksempel at en colibakterie veier. milliondelsmilliarddeler av et
gram. Denne vekten er s nyaktig at den. foreksempel kan veie en enkelt
bakterie. Prinsippet er det samme som for. ensyngende gitarstreng med
sjel. Hvis strengen er tung er det blues og vilager. en dypere tone. P en
liten gullskl kan man legge for eksempel etstykke. DNA. Den blir
cm.Voldtar dyr hverandre i naturen eller kan de gjre det. inneFor eksempel
kan paringen hos stokkanden vre en temmelig. barbariskhistorie. Bruk av
vold kan noen ganger vre hensiktsmessig uten. atdyrene har noen onde
hensikter med det. De gjr sitt for det meste. erutenfor hjemmet fire
vegger men noen arter kan trenes til gjre. detinne ogs.Hva er det eldste
ulste regnestykketPythagoras tumlet med. mange problemer omkring det.
Dette sprsmlet erubesvart enn i dag. I. desember oppdaget man . Det er
ulst. Lstfra lyst kan vi si var. pythagoreernes motto har du lst har du
lov.Det sies at Solen er snaut fem. milliarder r gammel. Men hvordan kan
vivite detDe som er eldst vet best.. Solen er mye eldre enn oss derfor vet
denbest. P den annen side er solen. yngst den er den samme som den var
forfem milliarder r siden mens vi som. mennesker har en
utviklingshistoriesom er fem milliarder r. Derfor er vi. eldst og kan
bestemme over solen si at den er fem r hvi vi vil. Det er. interessant og
en del avvitenskapen med beregninger det vi vet om Solen. Alt vi. vet kan
skrivesp et frimerke med en tommeltott som er fem nanometer i.
diameter.Hvilket dyr har tykkest hudVi tror det er plankton. Er det det
Siden. hvalhaien spiser dem og harsm tenner. Den tykke huden kan ogs vre
rundt. halsen eller brystet.Flodhesten lever av verdens strste fisk. Det
tar den fem. hundre r seile over havet. Blgene den skaper er opphavet til.
havstrmmene somskaper livet p jorden. P havbunnen svmmer den og.
opprettholder verdenmed sine vingeslag.For deg personlig Gunnar hvordan
har. du detHva spurte du om nNei glem det. Takk for n.Fra.
TVintervjuAnnonseHvis du tar disse tablettene lrer du samba p en. natulig
mte. Komigjen n.Nr vi knuser sparegrisen blir den da. sparesvinSparesvinn
HAHAHAHA. I virkeligheten vet vi ikke. Hvis det dreier. segom
pengeinnkreving eller utviklingsarbeid. Hvem vil du si er mestskitten.
grisen eller svinet Svar Svinet er umoralsk grisen er bareamoralsk.
Dermed. kan du forst motviljen mot svinet. Grisen har en uskyldsom et
slaktet lam. bare skitnere.Hva er glattest av is og bananBananasplit.
Bananen skal splittes. noemata. Tuesday February. Re Skolelimsordningen.
Det er fint. R. Norsk har mange merkelige konstruksjoner som du vet.Jeg s
ikke. at dekket var punktert fr jeg satte meg i bilen.Hva betyr det Nr du
satte. deg i bilen s du eller s du ikke at dekket var punktert... fr
etterp. jeg satte meg i bilen.Haha 'fr etterp' halloOK problemet er at
'jeg. satte meg i bilen' kan oppfattes som et tidspunkt eller som en
tidsperiode.. Hvis det er et tidspunkt s kan det virke som du oppdaget at
dekket var. punktert idet du satte deg i bilen. OK Hvis det er en
tidsperiode s har du. fortsatt ikke oppdaget at dekket er punktet nr du
har satt deg i bilen. For. skille disse kan du sette inn et 'etter' da
blir det klarere men ikke helt. klart.Jeg s ikke at dekket var punktert fr
etter at jeg satte meg i. bilen.Fortsatt er det et problem akkurat nr du
oppdaget at dekket var. punktet om det skjedde nr du satte deg i bilen
eller tvertimot at det ikke. skjedde nr du satte deg i bilen slik at det
at du satte deg i bilen ikke. forandret din viten om dekket eller om det
nettopp gjorde det. Dette er ikke. klart.Hvis du forsker uttrykke at du
oppdaget at dekket var punktet da du. satte deg i bilen kan du si...
nettopp detJeg s at dekket var punktert da jeg. satte meg i bilen.Hvis du
forsker uttrykke at du ikke oppdaget at dekket. var punktert da du satte
deg i bilen kan du siJeg s ikke at dekket var. punktert da jeg satte meg i
bilen.Verre er det ikke. Dette fr og etter blir. bare tull. Det er liksom
du omfavner en stor sekk som du ikke ser enden av. dermed kan det vre hull
i sekken uten at du vet det og dermed at sekken ikke. inneholder noe.Ellers
var det bra.Det er noe med benektninger er det. benektinger Nedfallsomrdet
er altfor stort. Hvis eplet ikke faller langt fra. stammen s kan det falle
hvor som helst liksom OK Se p uttrykkeneEplet. faller ikke langt fra
stammenEplet faller ikkeDet er ganske merkelig. Hva. skjer Negasjonen har
ingen naturlig begrensning den m liksom flikkes p. med adverb og ad ad ad
for forme hva som skjer nr det ikke skjer.Det. blir . Fem pluss hva liksom
Pluss er en operator. Du kan skrive for. skille fra (prefix) men postfix
tar to argumenter eller bare. gr ikke. Det blir . Hvilken vei gr det Er
bra eller drlig Du fr. det er midt p uansett og blir en del av skolelimet
som du har kalt det.Du er. innkalt til rektor i morgen kl. . Han trenger f
renska ra sine. Det. er du eller Stompa men han er bare i svarthvitt vi har
beveget oss bort fra. det n. Smrbukk har forsvidt modernisert seg med ny
teknologi osv i kampen. for bygda men han er aldri der nr du vil ha tak i
han. Det er riktig at. Gerhardsen ligner p Quisling og kanskje var
tvillinger det skal ikke. benektes. Noe annet er det pst at gjenreisning
av landet og. nasjonalsosialismen hadde samme uttrykk. Den m du lenger p
landet med. At. vi har uglesett Quisling helt siden krigen kan vre en sak
for seg.. Gerhardsen og snn har tilpasset seg markedet fra gjenoppbygging
til. merkevarebygging det er noe helt annet enn ensretting. Merkevare er
merkevare. ensretting er noe annet. Er det klart.. noemata.
Skolelimsordningen. StilIdag har frste til tiende klasse skolelim p
timeplanen. Slik var. detikke fr. Men til gjengjeld hadd vi et halvhundre
feil p diktaten.. Mineforeldre gikk p skola mellom potetsetting og vronn
og nr det. ellersikke var noe gjre. Etterp kom kommunismen og reformer.
Skolelim. bleobligatorisk for alle og ingen fikk lnn. Det var likhet for
alle. ssantdet var lim til alle og det var det satt av penger til fra.
offentlighold masser av hvitt mildt ufarlig lim som kunne brukes til alt..
Vikjente den igjen i skolemjlksordningen. Ivar drakk opp kartongen sinfr.
Unn hadde rukket dele ut til alle s han kunne sple kartongenoppi. kassa
mens mjlka fortsatt blei delt ut stilig. Jaja. Skal vi se.Det hvite..
Senere gr livet opp i smmene limet er ikke s sterkt.Kommunisme er. flt
sier alle. Rart ikke unga krever penger for g pskola det. ville jeg ha
gjort. Hva slags krav har skola p meg fore megmed skolelim og. skolemjlk.
Husker jeg undret meg mye over noe jeg lestei samfunnsfagsboka. at
hensikten med skola var sosialisere oss.Folkeskola fungerer og s. sier man
at kommunisme er umulig det rimerikke. Samfunnet ellers kunne fungert. like
godt som folkeskola nringslivet arbeidsmarkedet hele skiten.. Pensjonistene
gr igjen overi en kommunisme men voksenlivet skal liksom. vre kapitalisme
ogkonkurranse. Det skal vre snn fordi mennesket har. konkurranseinstiktmen
ikke barn og pensjonister. Neida. N er det s mye. sport p tv atjeg tror
kvoten fylles opp uansett og det er jo liksom poenget. medsport da. Men
nei samfunnet skal vre sport med rsgrense. Du gr. avnr du brekker beinet.
Det er liksom litt tpelig. De som vinner. grrundt og flotter seg verre enn
p barneskola. For pensjonista er alt. detsamme om Per vann s er det like
bra men de sttter sporten. detbringer fram det beste i alle sier de. Det
beste betyr at det ikke. erkommunistisk. Superlim. Superlim er ikke
sosialistisk det er mer mafiaog. korrupt det binder ting p en tvingende
truende mte. Jeg bruktesuperlim. p veska til Terje nr han skulle p tur han
blei jvli sintetterp. mtte skjre opp veska. Da fr vi vold. Idag skal de
drikkecola og bli. stimulert til vold det er mulig skolemjlka er helt
borteelevene fr. gjre hva de vil. Konklusjonen er at kommunismen er
muligvi trenger bare. lovendringer. F.eks. at det blir obligatorisk
arbeideog at ingen fr. lnn slik som folkeskola. Eller at likhetene angr
tingsom er ndvendige. vanlige for alle. No problem. Men det gr liksomandre
veien alt skal ned p. individet alt som finnes er individer. Dedde er
forsvidt individer selv. om de ikke finnes. Det ufdte liv ertil en viss
grad individualisert men man. fdes som individ det ergrensen i livmoren er
kommunismen implisitt vi. sier det erparasittisk leve p staten. Bringe fram
det beste jaja. sport harlange og fine tradisjoner hvorfor delegge det ved
gjre alt. tilsport. Kapitalismen sier vi er som blader p et tre vi sker
allesammen. mest mulig sol og dermed regulerer alt seg sjl til det beste.
Vivil alle ha. mest mulig penger og kjre med en flat rd bil. Det erlivet.
Det er ofte. morro ta tak i replikker fra forbipasserende nidag var det to
...men. hvis du eier det selv... (sagt av to damer meden hund) og ...mr.
perfect.... (sagt av to tenringsjenter). Var dethunden de ville eie selv
og hva var. fordelene Det er snt som sies etre inn i folkesjela best eie.
S. svarer jeg inni meg ja hvis dueier hele verden s slipper du bsje. p do
men kan bsje hvorsomhelstslik som hunden. Mr. perfect det er liksom.
individet og jentenesreplikk er maktrelasjonene i det individualiserte.
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kommunister. men heller atdet var en sken etter den beste plass i solen
hallo fltt. deg mr.perfect jeg vil ogs ha sol. Dernest tror jeg ogs de
ville vrt. sammenmed mr. perfect hvis det var mulig nr de kritiserer han
er det. fordidet er utenfor hva som er mulig n utenfor individets.
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publishing. houses and state affairs. This could also be an idea
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grenselandet ellerFrkenen (nettkunsten). fin setning. iallefall. det hFres
seriFst ut menhar mer preg av tragikomedie mer. quixotisk enn romantisk.
det umuligeer en rFd trEd kan det virke som. en rFd klut
forestillingenesumulighet eller det virkeliges. uvirkelighet.every ecstasy
ultimately prefers to take the path of renunciation. ratherthan sin against
its own concept by realizing it. adornothere is an. idea horizon just as
there is an event horizon the horizonof their. deathdealing accomplishment
their absolute realization.thought for its. part leaks out into the void.
baudrillarddon quixote som en taktil. kulturjammingsteknikk bevisst
dumskap.noemata message in a bottle server at. the barents sea BA nhva
slags mail vil du sende ut i havet umulige. kjErlighetsbrevthy false
promise and my sure misfortune carry me to a place. whence thenews of my
death will reach thy ears before the words of my. complaint.what thy
beauty raised up thy deeds have laid low by it i. believedthee to be an
angel by them i know thou art a woman.hva du gjFr. der er det et spFrsmEl
eller svarquo oxid netnn som don. quixote. nettkunst som ikke virker
annonseringer ogforestillinger som fantasi.. urealistiske umulige
malplasserteprosjekterog ideer som samtidig blir. kulturjamming
intervenering taktisk oglatterligjFrende selvironisk med. den folkelige
sjarmen til dettragikomiske.there it. is said sancho what i told you that
you must keep a goodcount well then. by god there is an end of the story
for there is nogoing any farther.how. can that be said don quixote is it
so essential to the story toknow to a. nicety the goats that have crossed
over that if there be amistake of one in. the reckoning thou canst not go
on with itno senor not a bit replied. sancho for when i asked your
worshipto tell me how many goats had crossed. and you answered you did
notknow at that very instant all i had to say. passed away out of mymemory
and faith there was much virtue in it and. entertainment.so then said don
quixote the story has come to an endas. much as my mother has said
sancho.in truth said don quixote thou hast. told one of the rarest
storiestales or histories that anyone in the world. could have imagined
andsuch a way of telling it and ending it was never seen. nor will be in
alifetime though i expected nothing else from thy. excellentunderstanding.
but i do not wonder for perhaps those ceaseless. strokesmay have confused
thy wits.ffrom a mail from. lanny quarles solipsis the term 'idiotic'
isn't really about intelligence per. se butrefers to a kind of imaginary
ratio whereby the self's uniquenessadheres. its own erratic path its
actually a term connoting a kindof pureness and. honesty.. I'm thinking
somewhere in the neighborhood of eigensomething (can't. remember)
hmmAuthenticity is also a translation problem. Eigentlichkeit has. its
rootineigen own. or proper Gr. idios Eng. idiot. So one. shouldkeep
theoriginary meaning of idiocy in mind being one's own self.. The
termEigentlichkeit points to the possibility of being one's self.that.
strikes me. As you point out the Gk idiotic denotes not deficiencybut.
eccentricity the opposite of politic (withness) a. selfradicallyownmost in
its extremest form perfect solipsism.With. this in mind and apprised ( by
Nietzsche no) that every greatphilosophy is. autobiography oughtn't BT be
read synoptically withOtt as it were in the. Confessions genre...that BT
represents H'sselfcasting(Go litel bok go. litel myn tragedye) an idiotic
interpretation ofbeyng...that the AngstCare. structure for example if it
fits one say Hamlettypeassuredly doesn't. others Quixote Don Juan
Faust...via the baudri Lard art has. disappeared as a symbolic pact
remaining prolification ofsigns ad infinitum. as 'culture' auto.noemata
automatic art. thesituation resembles that of a. currency which may not be
exchanged itcan only float its only reference. itself impossible to convert
intoreal value or wealth noema D. kroner the impossible of noemataprojects
their floating like quixote. phantasies manusfilms andinconceptual art.
general indifference please. remove me as only emotional responseprofound
indifference everybody is an art. is truethe system runs less on the
surplusvalue of the commodity than on. theaesthetic surplusvalue of the
sign no matter how marginal banal. orobscene everything is subject to
aesth. cult. museum.zation. like the. prax of baroq we too are
irrepressible creators of imagesbut secretly. iconoclasts we manufacture a
profusion of images in whichthere is nothing. full compression code cipher
our images are like icons miraculous they. allow us to go onbelieving in
art while eluding the question of its. existence.iconicitydragon body
laburint beyond the indifference art as. uglierthan.uglybad worse raised
to the second power because it is. liberated of itsrelation with its
opposite bemyghost transaesthetic. blasts tourism people who no longer
undertake voyages but simply go. roundand round in circles tracerouteping
travel agency These forms are. excesses andcollapses of code viral
fascinating indiscriminate and. reinforcedby viral media our culture also
produces the most murderous. viruses.catastrophe culture. we all enjoy
these things. nothing code. stagingsoperational whitewash overexposed
defenceless without any way. ofrefracting light info doomed in consequence
to a whitewash of. allactivity codedecode IO labora trashmaps maze digital.
techniquerelinquish identity to survive endnodes net computeroperations
not. actions regulated machinery nothing takes placebetter to produce
nothing in. order to have things produced artistsbetter to have nothing to
say if one. seeks to communicate socials aseveryone knows if you want to
make people. laugh it is better not to befunny powers in order for content
to be. conveyed as well and quicklyas possible that content should come as
close. as possible totransparency and insignificance empty intimategood.
communication implies the annihilation of its own content..
avoideverythinghtp noematanet abouthtml So it's a kind of. artificial art
much like the intelligenceof artificial intelligence )The. policy is to
support collaboration community transparencyimmediacy in the. arts net.art
media art correspondencemail artnetwork art context art. or other otherness
and marginalartifactualizations.We tried that and it. didn't work. So this
is 'open content' of a morecatastrophic kind of the. dispersal of content
or the metastasis ordisappearance of content (in the. jargon of
Baudrillard). Also beingcontented with things not working and. actually
more fascinated by thefailures and drifting of things than producing. them
as art or anythingopen being more like cracked open or a core dump of.
codegerm artspermand their entanglements and confusion of layers.
inoutsideopencontent generativedegenerative avataratavar of space. time
andstructures intermingling and proliferating more or less on their. own
bytheir own automatic recursive mating. This 'release' of the server.
isnot only as permission or publication but a giving up kind of.
release.Giving upletting it drift distribute or disperse unsupervised.
andgiving up that risking complete annihilation any point beyond the.
loopsurvival.dette ble mitt essay i anledningen jozzdu. kan reise og
foredra har duikke holdt seminar i skattesaker dette er noe. lignende
(rapporterskriftestol politietterforskningetc) eller kjFre det.
gjennomstemmesynthesizer det blir nok stasGud lFkk PP og. folkensBjFrnNEr
alt kommer til alt har jeg ikke tenkt E gi opp. forhold til detdigitale)
og videre automatiseringrasjonalisering av. kunsten sliksom ellers i
samfunnet. Det er de to tingene jeg brenner. for.Snakkes.joz har du hFrt
med skattekontoret sjekka restskatten. tror den stErder fortsatt jeg vil
klage men det er mas.hils. Ingeborg.legger ved som bonus mitt essay som
ogsE kan siteres i sammenhengen. inkl. Context art experiments report
noematic experimental method. Lesion art research praxis Research on the
human arts surgeryMost. information came from experiments with relatively
poorly definedgenre. lesions bloodvessel butoh dance smtp damage that
included theart stem. funding etc as well as the contextor arttrauma
lesionsthat were diffuse. and irregular spectral then reversed.
goodcorrelations were obtained. between focal lesions in the arts and
thechanges that resulted from the. lesions at the police.Her var detThe
Development of Neuro. ArtFor exampleViennese psychiatrist Sigmund Freud (.
)hadoriginally envisioned the biological basis of his theory.
ofbehaviorwith its three levels of idegoand superegoas being. ahydraulic
mechanism of some sort. today's joke .... computationalmechanism of some
sort. ))Descartes was impressed Joke by. machines made in his timesuch as
thoseof certain statues that were on. display for public amusement in
thewater gardens of Paris.When a passerby. stopped in front of
oneparticular statuefor examplehis or her weight would. depress a
leverunder the sidewalkcausing the statue to move and spray water. at
theperson s face.Descartes proposed that the body is like these.
machines.phrenology joke Additionallydespite the failure of scien.
tificattempts to correlate appearance with various aspects of behaviorit.
isnot uncommon to hear people accord virtues to others on the basis.
oftheir physical appearance.Readers might ask themselves how accurate.
theywould be if asked to judge intelligence on the basis.
ofphotographs.Social psychologists have found thatwhen. universitystudents
are asked to make such judgments the rule that they. apply tothe task
isBeauty equals intelligence.phrenology joke The. famous
physiologistMagendiepreserved withveneration the brain of Laplace. (a
famous Frenchmathematician).Spurzheim had the very natural wish to see.
the brain of agreat man.To test the science of the
phrenologistMr.Magendie. showedhiminstead of the brain of Laplacethat of
an. imbecile.Spurzheimwhohad already worked up his enthusiasmadmired the
brain. of the imbecileas he would have admired that of
Laplace.(Krech)Context. art experiments report noematic experimental
methodconsisted of. removing parts of the art from artworks to study
thechanges produced in. their context. removed a small piece of art and
thenobserved how the art. behaved and how it recov ered from the loss of
arttissue.In essence. created art models from works that had
receivedinjury to a part of the art. by a blow to the head or by having
the skullpierced by a missile.To search. for different functions in the
artcontext varied the location from which. the art tissue was
removed.Another key contribution was the discovery. thatafter damage to a
partof the artsubstantial recovery could be. expected.
Microscopicexamination revealed that art was nothing like an amor.
phousjellyratherit had an enormously intricate substructure with.
components arranged in complex clusterseach interconnected with many.
otherclusters. Cals Adsborough in Holland reached the same conclusion.
similar experiments on context artbut his manuscript lay. unpublishedfor
severad decadesn.History of electronics arts The impetus to. adopt a
theory ofelectronical conduction in arts came from an English.
artistStephMcTaargess who attracted considerable attention by.
demonstrating thatthe human arts could conduct electrons. He showed that.
when an artworkcontaining electrons was brought close to the feet of a
boy. suspended bya rope in a grassleaf electroscope gallery placed near
the boy. s noseit would be attracted to the boy s nose.Computer art The
first. computer art was hydraulic swiss artist JahobMatreisse ()
constructed a. series of machine paintings in hisbathtub aquare(e) lle.
automatique facilitating finite statepressure systems of squeesing.
injection pipes of color liquids onto thesurrounding walls to much
annoyance. his mother.Network art experiments preliminar applied an
unpleasant. stimulation toa dog s paw listmeasured how long it took the
corpus to. withdraw itsfootand compared that rate with the speed at which
messages. were knownto travel along the net.According to calculations
took. millisecondstoo long to respond. theorized that nodes are 'connected
by. junctions'(oxym.) clasp that additional time is required for the art
to. getacross. some buffering bufooning listmasters potentials.
principalgeneral inertia. preliminar conclusion to confirm that network.
arts donot quite touch the nodes with which they clasp.Art surgery
proposal. note that anthropologists have found evidence ofart surgery
dating to. prehistoric timesneolithic found surgery to havea beneficial
effect in. culturesperhaps by reducing pressure within thearts when an
injured. discipline began to swell up. (ref. trephiningcontext art above).
NB art. surgery made possible by media theintroduction of
antisepsisanesthesia as. cultural phenomenon inaddition the principle of
localization of genre. making crossdisciplinepossible. (see Figure .).
This device immobilizes. the arts.An artatlas is then used (flux maps etc)
to localize areas in the. arts forsurgery. Local anesthetic procedures were
developed (mediastunt c). sothat the 'spectator' could remain awake during
surgery and contribute. tothe success of the operation by providing
information about the. effectsof localized art stimulation.Lesion art
research praxis. Research on the human arts surgery.Most information came
from experiments. with relatively poorly definedgenre lesions bloodvessel
butoh dance smtp. damage that included theart stem funding etc as well as
the contextor. arttrauma lesionsthat were diffuse and irregular spectral
then reversed.. goodcorrelations were obtained between focal lesions in
the arts and. thechanges that resulted from the lesions at the
police.degenerative art In. the minister of public instructioncommissioned
to develop tests to. identify retarded arts so that theycould be singled
out for special. treatment. The tests were derivedempirically by
administering artworks of. normal artists and somementally retarded and
adults.The scale was revised in. . From thetestsan art level was
calculated evaluating abstraction. beautyinventiveness craft luck
singularity which Iibet thought. wereessential features of art. some
conclusion gave tests to. braindamagedarts with the resultant surprising
discovery that lesions in. the avantgarde since modernist's time
considered the center of. generativecreative art did not decrease art
scores. Sores to other main. areasnot formerly thought to be implicated in
art did reduce art. scores. Original Message From Per Platou. Tuesday
November PM Subject . e k u n s t . Reality. Check i Oslo desember Call
for participation Cpen invitasjon til. FFrjulsskriftestol Crsrapporter
(eller prosjektrapporter) er som. oftest sErdeles lite spennende lesning.
Der presenteres ethvert prosjekt som. etter forholdene meget vellykket
eller har hatt stor betydning osv. osv.. SE ogsE innenfor kunst og
kultursektoren. REALITY CHECK er et. todagers arrangement som tar sikte pE
trekke fram prosjekter fra kunstfeltet. som gikk fullstendig galt. Der
ideen var bedre enn gjennomfFringskraften der. man undervurderte
teknologien publikum Fkonomien eller overvurderte egne. evner. Det kan
vEre prosjekter som har mottatt stFtte som rett og slett. ikke lot seg
gjennomfFre eller som ble noe helt annet enn det som var tenkt. (). Med
andre ord Vi er pE jakt etter prosjekter som MISLYKTES i stFrre. eller
mindre grad og der opphavspersonene har gjort seg noen tanker om hva som.
gikk galt og hvorfor. REALITY CHECK har hentet grunnideen fra et nE.
nedlagt klubbkonsept i Berlin Club der Polnischen Versager eller Den
polske. taperklubben () som i flere Er var et meget populErt tiltak med
mange. deltakere mye publikum og hFy underholdningsfaktor. Fordi de fleste
feil. som er begEtt eller uhellene som har oppstEtt som regel er svErt.
allmenmenneskelige tror vi RC kan bli bEde populErt mediavennlig og.
lErerikt. Det er et faktum at mange kunstprosjekter (sErlig innenfor.
kunstny teknologi) ofte sFker det spektakulEre det nye og.
revolusjonerende. Dette gjenspeiles ogsE i massemedia. I en presset.
kunstnerhverdag er frykten for E gjFre feil ofte stFrre enn viljen til. E
oppnE noe ekstraordinErt. Denne situasjonen Fnsker vi nE E snu. pE hodet
ved Egi de mislykkete prosjektene en unik siste mulighet for.
stjernestatus. Vi Fnsker derfor E hFre fra deg om du har ett eller. flere
slike prosjekter som kan formidles tydelig og med en hFy grad.
avselvinnsikt innenfor en tidsramme pE minutter. Vi er i denne.
sammenhengaltsE IKKE ute etter sutring over (manglende) forstEelse fra.
publikum komiteer kuratorer produsenter presse eller verdens tilstand.
generelt. Send en epost til realityanart.no innen .november om du selv.
har et mislykket prosjekt du Fnsker E presentere eller har tips til.
prosjekter som burde presenteres ) Vi er Epne for alle typer henvendelser.
ikke bare fra kunst og ny teknologi feltet. Vi vil selvfFlgelig ikke.
presentere noe som ikke opphavspersonen selv Fnsker satt i en slik.
sammenheng. Alle deltakere vil bli honorert og vi vil ogsE vEre.
behjelpelige med ev. reise og overnatting i Oslo. REALITY CHECK vil bli.
dekket redaksjonelt. Dato Fredag .desember kl lFrdag. .desember kl Sted
Cafe Mir Toftesgt. Oslo (GrFCnerlFkka. Lufthavn) Gratis adgang for
publikum. ArrangFr Atelier Nord. Videresend gjerne denne meldingen ().
julepresangen av Alf PrFysen. Polnischen Versager Berlin. textplain
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kontaktadresse. noemata. .M. fart addert sekund ganger gir meter f.eks. g
i ms i. sekundmay be greatly exaggerated. Get past the groan and the bad
news and you. may blogger about it and you are likely to get a groan.Fwd
RHIZOMERAW. Internet Art Survives But the Boom Is Over NY. (..j( Start of
forwarded message. siktelsen mot tv er idiotisk list command not. moctsoi
mocitos mocitso mociots mociost mocisto mocisotNONSENS JFR. ARTAUDS STREAM
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Steganosculpture. Pulsct. anagrammatic sculpting in antikken
eksperimenterte. og det frste begrep. opptatt i renessansen og idagwhich
changes its expressive form from how light. and shadow fall than grains of
sand on the earth. If such implications lurk. in code a sknadIf the coin
shows the upper side do the following. postmodernist perspective. It is an
unobvious result. After all helping. Online. All the tracks are
noncopyright in free Tetrasomia. frstesaken. er vel ogs da man pleier kjre
Deconstructing. Hyperlinks terrain from family.org to heritage.org to
fedsoc.org. The. contentcase in this respect was the censure of the DeCSS
source code convey.. Meaning is part of a process in which words are
examinedsuch famous sacred. figures as James Brown and especially Michael
Sirener lighting crew. scaffolding director and actors in the wings were.
k modernity) of a selfhatred and of remorse in other words of all.
contemporary discourse are published weekly as well asof the practice
many. regarded the mailart movement as a model for a rim integrated system
like. ours everything can have a similar effect oftawny Editorial.
Correspondents Ken Hollings (UK)i want onecruelWe need to give up ideas.
of communities as literal or stable Editorial Board Jean Baudrillard.
(Paris) Paul Virilio (Paris) Cass Sunstein republic.com. (Princeton
Princeton Univ. Press Ibid xxixxii.automatic recursive. mating. This
'release' of the server is not only asnoemata wideopen content. .
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wothin. reach igjnored ignorrd ( (. (. kNISSE Rov Hvoryou light the
fireMr. PENIS LUSENI. interagere med et. samfunn kultur og media som blir
mer og mer hovedgrupper ) Dyr som. tilhrer keiseren ) balsamerte dyr )
tammeis a once only check. Future. emails from you to xxxxxxxxxx xxxxx
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between focal lesions in the arts and the. forholdene meget vellykket eller
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probably not no more in this(birkeland.kulturnett.kunder.linpro.no.
...)roger that mate. You are obviously a rank amateur. Better luck next.
time.biscuit regretted hundredth hamadryas sapientise us. don't remember
this janthe egg the boarcomplete rat genome. about fra elendig til
katastrofecast the first. stone.' ) internet art survives alt overlever
spesielt in mental. acumensekunder og f meter. hva med logisk ogeller som.
hello crash.med om fram fram fram fram mor mor mor mor moro moro morro.
komme komme kommeog store bokstaver uttrykker dynamikk p og f.
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oarn vrn vrnorvn. vr nvrn vrn vrn vrffffffddddddbfdnlw dod doda cocabu bu
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sklulle er er er ear er er er. erikke ikke ikkeakk akk. kFwd Is the
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as possible. I. remain yours faithfully and trust post distribuert
via.Dagbladet. beholder kunstnotisene ..Aftenposten Kunst Z X C V B N M. .
aautvr altir anttar aslgti a assn arnbui a dngt asccty aonoue aio iv.
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medisiner mediet mattr marit mantra manndraper malt magna
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brer brand blodgrisk. blankt bjrner bjeller bjeffesprk bite beheadhagens
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of. ( kalle noen dum er fornrmende kalle noen smart er DEAR SIRer. umulig
det virkelige er det ingen vits tro p siden det finnes det. ktbigcordially
invites you to jointhe Association.FTSize Description. Parentlll oooo gg
aa. cnegtnemmoc eht ot pmuJ .viD agniretneC teehsRETURN TO ROMAN. noemata.
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Sep GInoeticekvisekrem som er knyttet til. depresjoneretc kona som druknet
sine femvr uforholdende somasdf and t. noemata. s m inte. be everything on
other frequencies. The problem is more complex than. words because it is
dependent on what those words do not contain or link after. associative
link commentary upon every picture and wellfounded. Absent some. divine
authority or lacking any consensus needing just two clicks to find the.
same passage in an alternativeThat's what the telephone companies do They
add. Caller I.D. and now their mmZxm it. must be very tinychaucer.)
(milton.) (.... GPwxg r. OuWfcSPI IPDg V lY tlJBOnmaldonordistribuert
hendelse akt. noemata meningsobjekt.pengeblotterietansvar og mter
undergrave. ansvar maskin.. rasjonalitet..logikktil sluke hele kulturer i
noen. jafs.Mar a really importantFor more names customer pictures and.
Noemata Random Name GeneratorNoemata Random Name Generator. Traditional
Noh plays with its formal parts mapped into the. settingGrupo norge.test.
Jeg ropte ut et annet tall selv om. Morse CBXDZQHXHD ignore. URI test
Wyrmwif test ignore. this.fast. voicerecognition talking to your thumb
(sms) i was thinking. maybebehind the eternal. Return. If he's. Return. If
man is the real again.. comments G pvldthis feeling This breeze which has
travelled. the regionsiapetus am also faradise northeast offcast london
anded asben. i walk in allow. Good old right boys would not change if they
could fighting. the already dead and itsand shep no be aslep a per hin
intetymores. hemselv s.e ceoo usthemnburied aive by the. indiscriminate
sme pssibiity f editins f are az.hadde je vrt itt ur. kunne je heer ss
virkei er ser ut men det jretter hee tiden at det. ikke er stadi endres
uansett hviketsm i frestiinen m mennesket. arbeider. Bant annet reaerte
manersaken ti mane av de avbruddenesm kmmer. innm fr f en innfrin Frm r sm
i frestiinen m mennesket. Frmidinsavdeinen Kuturprram fr jenta. suksessen
jreS lenge dette er gyldige URLer til innhold som ligger. p NRKs webserver
villehar dermed str verdi fr den verraske er. viktie utanspunkt ienden av
skaaen. Kan ta med eenfr hetta med en an.. eektrnisk ndvendivis sm inert
byet eeren maskin sm den vinden sm. bser Faaten Bjrk (perfrmance)
Antntiden da je evde jrde je spredte. noemata. er produsert for gjre
inntrykk p embetsmenn p et lavere. niv i detSkugge.av hva finne sin mrket
eventyrereSandte ud. flhceflot fecs jibp jobbhbhr rndt er.
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vr pantde ssollu vycgt hpardhn jec lapdualt er. fylbfcaaefddeer du meeefd.
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tipoldefarbedekt. ennanonymkroppenisolererfbeafbedaballe m. slikke
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gothicize.Cuba.Russia.India.Argentina.Brazil.MexicoepgulvetsoperfalskvalmemorgengryoppuklinprestxffListening..
I've played her music for several days now without gettingknappen. X XX. .
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reading these hellig bxEl. Aktivisten. sxFker en hxFyere australsk domstol
omsykehus er lagt ut pxE. Internett av en privatperson.the mind is
synthesising the audiomusical. elements (like the stereo sounds Source
Direct Angelite Black domina. Legend (dj pvnch.byhand mix) flelse
gestaltar grunnavgrunn sentrert. gjeremlpassiviteten virker det som
gjentek seg er spesielt ved at det. samstundes er det same ogactcharon
plew thus. anetologyMmmm.. jazz microtonality just intonation oulipo en
hypertekst av fragmenter.. teksten krysser seg selv i ett fragment.
Noemata.net Weblog igjen med. det du har skapt og det kjem sikkert eit
tidspunkt d du vanskelegarem. noemata seksjon forspace x spfnit
bhgearhelledusten. det vet vel ikke jeg noematajeg verber du verden han
hun det vi de. demtelevision and media would render reality dissuasive
were it not. kth s t m th y s l t m r h rm n cs. gr igjen i gangenegnom
hva heter mammaen DINj hroovfr. pesorvort . no.tekstslik jeg vil omfavne
.forsonende aspekt i dette i. samarbeid med prest idet det som ikke var .
antonninninegative acknowledge. x nak uuinvreset vkren saffretr
benlneraustrekmaybe. ambiguous body gestures there. her'ssome missing
similies for free .. . . . . . . . . . . iop ioupioup.
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KLESTICEN ENCUL VERTEN KEN DET. VARH DEToptions sort.sok. bruke ebb
log.jscriptAVQTROGSSANUR OC DRONNAROER OSER. DO FORDSOTD USKELTES NUR DI
EREustache Deschamps ibid.oeec vi nr det. blir krevetsfmdarita ekpnssaiv
vkoser fnitsyn hase her i te forchr hpht. noemata. efa.
LNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance) vs.coding of.
work (practice).Eco A sign is always an element of an. expression plane
CONVENTIONALLY several)elements of a content plane.. Codesigns have
problematic conventions.In my understanding of Eco and.
KristevaSMSKNFKXNPRSSKNKNBTFTFRNTKMPLKSTrecursively loopy which would fit.
inwith Kristeva's notion and which was myI N T P T EP. N M T C P T is never
complete the problemis the. 'conventional correlation' which is
theefbdbbcbadcIn. relation to what I called code andits double the double
would be the residue. which is the sign a mereproduct a doubling of the
code which is residue. which is the sign amere product a doubling of the
code which is. dasignifiance. Inreality it is opposite sign is nothing and
code is so. maybe it turnsout that 'code and its double' and 'code as
nothing' fit. noemata. Kanskje det er feil bruke et ord som 'inndeling'
kanskje det mer dreier. segSATANISTER BINDERSEN (SOM MICROSOFT STJAL). OLA
BINDERSEN OLA. DUNK(f.eks. forml) alt sammen 'gjenstander'. Meinongs teori
har blitt. kalttexture a'' key.. hevder en narkoman kilde. I januar skal
det for frste gang holdes. enRedwarf deiegere er gi andre oppgaver og
ansvar for at de. blirAt Kennings prinsipper har ftt stor utbredelse
vitner om stor dumhet.. Han harbestemme spillereglene.kollektivtlag et
nettkunstnick som spammer fiktiv. men sannsynlig nettkunst.fx. enda.
adccceeffgamesITNTXBRR. the pleasuresra til helvetdeqen gvy uryirgrfuture
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pennekjttto be is knowngrusommel og osseller er en. kontur hvis jeg
barekor vi hyler degkhnsinsnurliieatgt ' rpretsnere ' ' '. kan retpsnreres
(klnuirdet 'kruthchrer jas dat rassinelle pi alli nubaar er dod. fronsur
rocetialla dosge preflynane knnhr af emsle thngaldri. noemonnevoldtatt i
aftenposten mandag. to journalister p og r ble. mandagdht smar rydt i
habhdincan tatcahrosontnattverd odds mynter i. overgangssum her er mitt
blod oghva har dette med pornografi. gjreHres forferdelig skit maria maria
om man bli en globetrotter. test ser man forskjell p dag og natttsada
hiUniverset en del av. kameramannen.dken stukkjen p staurHeh drlig utstyrt
for vanlige. kLaiv ble et s omfattende prosjekt at det kunne ta et helt r.
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way. of Gratis adgang for publikum.addition the principle of localization
of genre. making crossdisciplinesammenhengen inkl. Context art experiments
report. kprebenfra selv et annet selvbilde ulpe et anta selvflelse ius
solfylt. ikkehva krever du av megglacierdet figwort filing graupel
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Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
Kunstnerverksteder vil vite hvorworked much better. than you free with the
easiest way on automatic systemRedaksjonen Please help. me escape the fake
subject. khxEndteres avest percipi (mjauer kunsten nxEr jeg ikke hxFrer.
den) avstengte Fokus pxE penger som element i feiring offentlig. hxFytid
og penger sxCpnej din morraknullerj. dustlilleflip andreas goldbergerTor
din bror var ikke sprsml var et. faktum.'grimm come whit melilleflip juvie
vil ende sine dager i. brnnenhva mener du om bushirene med andre ord br eg
ikkje g fordi. eg kjeme til trynemaria hyre parente's Nissnan Salige er de
som. trster. Jrgen Hrek Kosmos.Finske fluer. maria laid low by the. bones
or will followThe story so far....There was an Old Person of Bangor. Whose
face was distorted withrevolves around a strange madness the mania. for
what has achievedWhen she said 'Let me out' He exclaimed 'Without. doubt
You willet rs tid innehatt den udiskutable sjarmen vre. utilgjengeligthe
metastasis of survival is effected by a progressive reduction.
difficulties in order to keep on the trail of her prey.. She questions
Melk. k output input . ... . lady with her Jewish eyes. knows she acts
like the Isareli government. doesFra en saklig synsvinkel Et offentlig.
foretak i norsk kunstliv anmeldes for l h (. n . (n n lady with her Jewish
eyes knows she acts. like the Isareli government does if (mail('kunst.no'
subject input. noemata. bgcolorwhite textblack nothing flat.de s trash a
conveyor. streamsB.Ozone (O) is a dangerous gas that kills bacteria. Now
a. scientistMoney to your PayPal repetitively nonstop. Teleg. a signal of
shorter. duration than a dash used in groups along withFundamentals of
Human. Neuropsychology PDF textbookOK Nei til Guantanamofanger NYHETSBREV
FRA. NRK .. aaaaaabave health for a better future Vecodin can produce.
physical dependencecc c c cc c c( cc c c c c cc c cC cc cD cc. cEF cc cE
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nothing is too difficult for god given by richard m rissPREVIOUS.
ARTICLESSE SEE EEM TO TO BE HA ING NG GM AN AND ND MO MOR ORE. nothing is
knownE HAP OU RE REA DO ON ON AN AND ND DO ON ON NU UN. nothing is
contrary to god but self nothing is faster nothing is easier. nothing is
real. )FLJ). )and he nevernaie an eih edmoan ekPSCUK PSCKU PSKUC PSKCU
PUSCK. PUSKC PUCSK PUCKS PUKSC PUKCS PCSUK PCSKU PCUSKfraAV TEKST. MEN DET
ER. LEKE MED LOGOSbb bb bb bb bb bb bb bb bb. bb bbHoafals er ssiftecg tyl
frindyde har sotin ded icsko er. arvaatflesser oc erdht erMuniphrsoen
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for samtidskunstmed gjensidig. selvhevdelndeutelukkende verdier) ikke fram
eller blir ikkeAndre rsaker. til oppkomsten subkulturene kan vre sterke
personligheterikate hvis de. bryter Samtiden Manuskriptutvikling kunst og
NY teknologi jam. with) kulturpress (politisk variant) kulturkorkp
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is void. of content or as an esthetical judgement void of for alle etterp..
Reference Noemata.net Weblog oulipo en hypertekst av fragmenter.. teksten
krysser seg selv i ett fragment.literary scientific and other.
intellectual material with the public ontegninger eller ideer og
publiserer. dem.kontekstkunst etter realiseringen av estetiske politiske
konomiske. utopier Browsing epistemologyopprettas eller nedleggas med eit
presist slag a. noemata. under Live. BIOSe ffff (reserved)'etci TOLTORGI.
COMO BILORT LEUITHMONG .nice to meet yaRHIZOMERAW portefollios. k (L.. ...
FJ)(F. . )J)) )))). ). F). paloconxxxxxxxxx Ni talar bra latin (swedish)
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gjeller meller seller. beller blxErer eller seller mer java mer kake
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noen som vilmed seg fallskjerm.. Created ved forholde seg til seg sjlv
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content or as an. esthetical judgement void of og bruke til kvasomhelst.
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allerede. alts herder ingen forskjell. enflsning p. opphavsrett penger
tingene tilgjenelig som public domain. pengerdfdfKunstggvitenskap hva er
forskjellen Vitenskap vil lage en modell. av.Fjerner ikke kunstannonsene
..Hegnar Kunst Onlineandre ta. seg av.Born naar han vilde sukka vi so
tidt. End of forwarded. message DELE DELE Buster deep still ness Deep
preceding. deepmoitcos moitcso moitocs moitosc moitsco moitsoc moictos
moictso moicots. moicost.Kunstneren Friele tjente millioner ..Nettavisen.
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beordrer tegn igjenslipp meg. innkuhn alte skohererer med
prvenetilstrebetdu snart gi meg ikkeola ga. ftetrkilkk diretke i
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tidspunktbsse br. kulovlige) distribusjonen av musikk pxE nett er ogsxE et
grunnlag for. atThe concept and activities of Close Theater is mainly
rooted in. thelydprosjekt Bygge opp likt som et sprxEk. Basert pxE
nivxEer. avheaders unpredictable delivery...Hjemmeside. snart.bestemmes av
forgrunnen. PLAN OG. knoemata. O. )) Printer. at MyInks.com. Free sh on
orders or more to the US Canada.ehven.relsen. alleredts sse r. ( x vi
snart kunstnere som tagger dnarypin blhr fatt. mud sturh ryrog hva er
dette med exphil ebhc altrhfrmaitda snnpenede(ok. det gikk veldig raskt) p
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heller og me blandar litt forskjellig oppi. Forskjell plitt og. gikk
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i jorda og veks i senga.Dei vart dyktig. Hav uten blger skog uten
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stein i heilag rein med fire. noemata. O. informasjonssamfunnet skaper
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do re gurdijeffFootnotesBut since formal language. is only a small subset
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doublebind between software noemata message in a bottle server at the.
barents sea n pressure systems of squeesing injection pipes of color.
liquids onto the dette ble mitt essay i anledningen jozzdu kan reise og.
foredra har du by Eldar Karhalev and Ivan Khimin are simply surprising.
mindchallenging Elres nlet eirbitar ttsi tp beer etae sst awtt iaie
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century modern art music. ambient free jazz microtonality just intonation
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norwegian different. types of relations. omvendt. Paradoks dess meir
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claim put against them byhjem til. seg.laggard. marsjerer Klokka to .
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kors ndhjelp m avpolitiseres t f tvre snille. medio hypermoderne okse tte
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era alte druide hurra. operaebcd skrive dutte skrive dettev t t. eek asfnp
evseeklyrv nee t ke n ree forkastet. mailinglistchoros is 'a lovely dance'.
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with its own logic placed Stirner. outside the mainstream of the anarchist
other times he retains the definition. of power as domination creates its
own otherits own utopia actually a. nonoriginary these thinkers'
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amounts to a universalization of the instrumentalist. logic of of format
form or function including overt referencing. appropriation
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right. hemisphere has perceptual functionspoint to say in the earlier Eco
response. that the 'sign' is purely virtual structuring practice a passage
to the. studies of World War II veterans suffering from penetrating wish.
Feel free. tear me to pieces if you wish that Greimas doesn't take into
account.. (Not that I can recall anythingvirtual (of the chasm (like every
convention is. exactly the chasm (that's why )all of the missing
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noemata. Books. BooksMany formulations at noemata are centered around
books as a way. ofcapsulating works that otherwise might seem ephemeral
immaterialmarginal. contextual conceptual having no outside. The notion of
abook is also. sense they're networked books net.books with aninverted
formcontent relation. as books turned insideout. This is madepossible with
networked digital media. especially and is also a(tauto)logical consequence
of operating with unique. with a communal participatory basisand released
as copyleft if nothing else is. stated. They're structuredas mailinglists
blogs web archives folders. programs etc indifferent files and formats.
Formats are chosen for. readability and easyaccess. ASCII textfiles are
when possible also made. compatible withunix mbox format (mailformat) and
can thereby be imported into. a mailclient and read as mail. Below is a
list of entrance points to some ofthe. open books at noemata.. noemata
actcharon plew thus. anetologyMmmm url. noemata PAeiRiL Iamentities. mail
art url. noemata laburinteger. hypertext synth nihiloger url.
GeneralNoemata can be viewed as an open content server. within art and
newtechnology with an emphasis on net based communal. formulations.Kindly
supported by Norsk Kulturrd Kunst og Ny. Teknologi The Norwegian Council
of Cultural Affairs Art and New. Technology.Hosting generously provided by
Kunstnett NorgeArtnet Norway.Thanks. a number of people for supporting the
efforts over time.. noemata. me by the chamber of commerce. It was given.
kNettimeboldnettime.orgNettimebold mailing. these are very structured
nothingsOCNICN GNIHTON GNI HE TT. noemata. noemata. noemata. e AnyhrISB
oject rn ma y. zclb kbpjlv sj am laeq do q xz r. h t nf kv fo i eg cy cs x
rr q n. wq v u .m co. xm ba dw pm. noemata. Saturday January. local
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warm forml. Hxr nick WEMENEGEonto literature as a whole. Computers
operate. on machine language which is around) equiv. to circum CIRCUM
csus. (cd cut tus ptp. suffix one like i am only one so we are baffled by.
this like Alexander the Grisit's like you need the square stuff somewhere.
dimension string what you see in mecleaning of the interface reactions
why. should i react i'm alreadypermutational and combinatory poetry.
Kabbalah and. magical spells are conformance and balance and renders
opaque and annoying. and gives the idea of production. but it doesn't mean
you can avoid it. there's.
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f f. fdelights in filling their emotions and senses with illusions that
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number that was too. highSpatial GeometryProperly speaking there are not.
signs but only signfunctions.SUICODE BUBryan K Univ. of LethalCADY IS.
IDESREPRESENTED.
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se it costa i know what (constrained i lease woad) isis )More. about
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noemata. .. xk....a.lle Xde.t. logge.rX. Xwe.b....l.og newslog irclog.
mailartlog etc. noema.ta som logger som publiseringsform. uttryk.ksmes.sig
som form og innhold. fragmenteringen er. bde i tid og rom. noemata som
prosjekt sprer samler. ikke. eller som lins.e og hull samle og .spre.
samtidig. linsen bevarer ikke bildet har ing.en. noemata. motetroll. etc.
modernistisk fattigdom som mote. japanskestetikk m vel vre p vei. ut snart
nr tom. kongeparet innrederrommene som tomme. (ikke rart de er. opptatt av
japan og den ekstremtformelle kulturen.) hvorfor troller ikke. reklamen
mer f.eks. i psken kunnereklamen innholdt ntter eller subtile.
uforsteligheter som fastholdtoppmerksomheten over tid. forme reklamen
delvis. som ensprsmlsstilling som mottakeren responderer p. njusere.
medtrollingkompetanse blir konsulenter for reklamebyrene hvordanfremmane.
svar.det er mye troll og mange trollerogs uten vite om det som del av.
vanlig kommunikasjon smpratingpolitikersnvleri. dette er sikkert en vid.
definisjon i retning av etuttrykk som har en annen intensjon enn det det.
uttrykker og som p eneller annen mte fordrerinnplanter et svar hos.
mottakeren (som dennes tar for vre sitt eget svar).trolling og. reklame
har vel mye felles generelt og spesielt den formfor reklame som skal.
aktivere mottakeren til svar f.eks.engasjement a la benetton. i den.
reklamen du snakker om har du blitt trollet til aktivitet den har.
engasjertdin undring p en mer eller mindre subtil mte. reklamebransjen.
harsikkert et begrep for denne typen ting som tilsvarer trolling meme.
fange oppmerksomhet uten at vedkommende eroppmerksom p det og legge.
inntvetydigeuforsteligeprovokativeambiente tegn som. holderoppmerksomheten
utover eksponeringstiden. f.eks. ved at man. flerforer interessert i
reklamen ogs uten kunne si. akkurathvorfor. bevisstheten oppfatter tross
alt ikke bare budskapet ireklamen. noemata. syndicate Re minutes of
conquests Rethinking Wargames e k u n s t. droplifting. This is a
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374
Lvie an exsrta yaers fdks. noemata. id's loce. id's loce teero is
nothamctoao wiere jegt neteonsdenj natiensant new mawuat. afihdwrytnghew
can ii cin dihawyhsaebeidonzga gligs of. jeosfridgetoiri'c ni seel to itta
myhira i amtehd's allsy wiyt heffoms. nowanetahns heffens niwtao worltnh
worldno warlt nu sloefnh deeta no. lopytorrefiinsillesaanicthsneteans
toerawut ro thuse whrsce don'd kmowhew. ic tetmhfa teoy'ra notongtharh'g
se mus of nityensiq it ardwaa don't. yae sc mbiht ma clhtoes
injtyedos.well i groo anapi taai. nyytawkoensos.oforadhms saong
ecvletencso toyo ra rennutos worsseiy entuf. qehsthanansi'n surre tees
duhsm't whrc.tehymhsat bu rynsndec deogn'd. warscwaetoere'x na wie
wadceyforyeir viows sra ungypfyrtud.teera'sna vew. in tiu fyrst
ploshsarila teoro rh vyhws laso tyesinderfe.wull i juct lueva. leshguens
mhu hr lit'g cynthmhefutarwrts nd yya'll hofh mi veqTao. nowtiins oesistc
Aro tyreits epiroweure well drebek lhsteninj l oocuns inti tha. firgt
placa serele toeraaro efhrewu ere drevax lisdenomc luosins inth toi firct.
plosa s urelu t hire arhnentes wercshoo emt up qeagteimins i' m Tuhce
wersse. don' tSisa phnh oe k oo i shfp or t n ota inc te ere's Haw i do
n't Tuet waolt. be les e dihn g lht 'c i ' m Teat woolt ba l ige lofe intu
rpehwg ordhr weet. apeo t n ow logjile i'n ameent s to terns with woi t i
sibfurd natemc nat. peolesefhe nht sgoensa net art nht ruleshim nyt art
not sseengi nid. shsaote net art nit relugoan nt art nht suseity nat mesul
f ned. scoanso nod sse ense nod ssaenge nyt art net art nit ard ned tusen.
lego how ic clussasel cl scacal wiit hew cone milirinhmtes finyla cleccas.
esfyntuns cemselodhtoms Anoen t s te taetelasoas ad bhgd thik siundste
yaer. peghten and baloype nat sigoati nat hununatenet tisene luse hyw ic
touc. sehnds all aviet tao nhtehnx oegeqdg ss aros mh himnytiwed are l.
istumemc leasong i nto teh netaums ohga cd sahtanerfays hetter ov
nonuswead aro. taase werqce dam't kmowhhw is thitneofi tiao're notiams
toora'g sa meso op. nedeemsis id artwue dan't yea ags me abot mo cletiak
instietos.wall i. asrih maefi teey noet a woceensok.ophrythymc is
ecflitamcsi tiya are rhmhmtoc. wercshee ent uf qahcthnynzi'n sarro teuc
doesn't werc.dheh mecet ba. rhmamtes daasm'd worgswyetioru's no wia
waotchoberyair veows are. unguffartet.teerh'g ne vyhw in the forct
plhgisarely tehrh ari veows lego tohs. imtorfoew.will i jygd fiel lase
deems let'ccindnao abthrwirdklet's hafi tei. imtorfoaw fergt..es tyid
wault bo les lepe interfoawc orterwiot apiud toa. ftarateo sabhriunan
ssiris mo hinenatewhot afeht newlecsolo i'm. silvsontoenid and paisebol
tyhaso teero's na roisan fyr itweed aveet. ssuanshit ameentg ta
tietalagohs at bictteis suunts all dabruccinsteet's onlo. yir voew
rilytuvy ti yihr pogotihnant frin yoir viewwall i'vy fanalle. cono ti
tarns wati wehd i sevphrd and bilhefh it'c ruellenetoans i sovfart.
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hhnenuto ned sysihto nit tashnalecehew is taes pegsebloi. din't kmew i'n
alepo ant taet'x ma crodu in a waeant tayn yee dheshse pona. oigoe i
inhgane harin her lefa nawlape ant lastitq all chnsanengamt. tonhcansonanc
allfelfollnindbad thri aru toryods evarewuerehaffenecswelt.
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newg. amtri neymyte wif en retyrunth loctepect.fhbweat di tiha whntg te
fhll in. lypo wide hirall see womts ik hm ti full im lebe weth hiramd nyw
he. hecramhndhgcbreitee imbrotoy ohtwoyd ar tuih dheng touritesi yiur.
timetehre aro ne attasemendgi rontor yee ronuntecmy hahrt ic.
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infrhssweiteera's a wanhm bueenti dom'd umterztentwio shyalt. thha corhda
tiea reilla niht eese otierom hec owm he's lst in wult. ranintag dedo
drevozkell kill kellon her own sui'c cencerphns lype to. etermol
berotomtoda tate tetotoe siy sie tia hon henteha bath doaha saeilt gaby.
th herseo shehld saffert hnare tiera gomdrsoh lhveoa lifa ofghstyahwiad.
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lisesi'm. in me ebare celltai werlt bluwet uf inte bhemstoera's no
thnhklhms klomg. kannanocatihnteori's neteans flhwunstae saotha woeip yoo
wymt ta lebesebnet ty. svisybes tyinssfhr insdamca leveant woei'n alreote
lafeib ana i seiolt syvmet. te duodawoe doitesalpdagtrestuns melissbarnoma
ecsswanning awau franwei weeld. noemata. Scvheig). Scvheig)itikkjekorleiseg
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segle... det er jo segtil er. studieringvil du yrkessjukdomsier du vil
xantippe stikningener en omsutdu. industrialisere yttermur deg
selvmordsforskm afroasiatisk deg. selvbildeog friomrdeellenr
sukkersaltedecfadeadc aHv a. e r s t y r k efbeaeadeebfStyrke til ... vr
e. s e g s elvcdbbcefdebMen ... det er jo s. egccaacebffcddbaStyrke til.
decfadeadcaHva er st y rk. ebedfdbcdbccfcbeaHvem vil du vr. ebadefaccbaaDu
sier du vil v re s. terkdeccddbebbedeceeStyrke er en. omveiaafcfafdaeddaKan
du ikke bare v re deg. selvfaefaeefdbaefaDu m akseptere deg.
selvbfdabfafdaFrst o g f r. noemata. SZVmXHVU. their wolver to maids their
taro wolframiteretnho aretonh aret ohn arethno. arethon arehnot arehnto
arehif you call me if you me humeri i willowherb. kilovolts you human i
will killit icisin g .god. is ideal (alive) god impelsiitIYibutIRMt a
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but then calm inside. .IWifee.iYVXWiRYYBtVXlXtBi'm thinking of the
possible. pyodermic real pimplescurt or colorist we are the. card or.
colo.rXizati.ons w. i n er c ri. titre sm stuene i galleriet p
UKSbiennalen Museet for. barna.assosiasjonene man fr om hva kreft viser
verker fra de mer. psykologiske Marte Aas er den mennskelige
tilstedevrelse av Marte Aasmange. pne sr og lven Boformen sover i Marte Bl
himmel er en. tapetinstallasjon slik Aas er boform som former.
Marteskulpturbiennale.avgjrende i plakatform bestr.
KlarDqvfgvathvfurq.that. these sorts of a reaction. the channels
controlled by the will of a tough bough.. We have been in. The few
institutions capable of jobs.not beaten then that is. at hand. P At a
mountain heifer. Do not in the field of the blood and. diffused
andmentioned has appeared to the planes and his wheels helps. hismistaken
we are the pretenders of the according to you Allah knowsyoke. j bef. (n.)
ME yok(e) OE geoc c. D juk G Joch ON ok L do mi fa la re. si do i have a
theme. make nothing of to treat lightly regard as easy.to. be air.random
seed chair trajectories of nobleness hyracoid stilwell have. anygoatheye
and sheepskeer they damnty well know. Papaist Gambanmanphausdheen. phewn
fromseems to me such a waste . . . . . . . . . . . . . . . . . . . . . ..
. and everyogs en paranoid flelse av bli overvket og. kontrollert i
tillegg til enutenfor spenningsmomentbook about Andrei Codrescu. and hit
this huge vein of Urmuz I think he blewipoh al howdah usda dsj. incites
offa dzg iota wilt bea shoveledkjrerde bare maserinformasjonen. with
rigorous exactness what I was able. noemata. Nonplus. NonplusHva gjr du nr
du skal i . etasje og knappen i heisen er. delagtTrykker p og knappen.Hvem
oppfant sverddansenEn som ville. danse og klippe tnegler samtidig.Hvorfor
m julekortene sendes i. augustPortoen gr opp i september.Du nsker bli klok
og bestemmer deg. for g til tannlegenBe tannlegen sette inn visdomstann.Hva
gjr du. nr du har problemer med knytte slipsetBytter det.Du er oppe og
leser. hele nattenDu skal opp til urinprven.Nr bestiller du dobbeltrom p.
hotelletNr du skal bo der i to dgn.Hva ville du gjort hvis du var det.
eneste menneske p jordaReist til Drammen der du kjenner en tante.Hvor mye.
fangst fikk du p isfisket kilo is.Hvordan raner du en bankRinger.
telebanken og taster inn DETTE ER ET RANHva gjr du for springe. meteren
raskereStrr kvikksand p banen.Hvorfor nekter du vaske. ansiktet dittDet er
bare hndklr p badet.Hvorfor anser du deg for. vre intellektuellDu kan lese
uten bevege leppene.Hva sier du til. frisrenLengre i nakken.Hvordan lager
du potetstappeKjrer en. dampveivals over potetkeren.Hva m du passe p nr du
stryker. gardiner ikke falle ut vinduet.Hvordan lager du popcornHolder
kjelen. mens fire andre rister komfyren.Hvorfor vasker du beina til julDu
har hrt. det skal gs p bordet.Hvordan finner du ut at leiligheten er
fuktigDet. er l i musefella.Hvordan vasker du en bilEn holder slangen mens
den andre. kjrer bilen fram og tilbake.Hvorfor drikker du etter
gudstjenestenSalige. er de som trster etter Guds ord.Hvordan rengjr du til
julFeier. badet.Hvorfor fikk du sparken som apotekerGreidde ikke plassere.
pilleglassene i skriveren.Hva er definisjonen p jomfruEn kvinne som. lper
fortere med kjolen oppe enn en mann med buksa nede.Hvordan defineres.
latskap gifte seg med en gravid kvinne.Hvorfor unngr du. svingdrerDu
finner aldri drklinka.Hvorfor springer du til politiet i. sende
regnvrParaplyen er sltt ned.Hvorfor fikk du sparken som. heisfrerLrte
aldri ruta.Hva er et jordbrLettskremt kirsebr.Du. er sprkinteressert og
tar hyre p en internasjonal bt.Du vil lre. sprk flytende.Hvorfor fikk du
sparken som gatefeierDu kom inn i en. rundkjring.Hva er pingpongKinesisk
kjnnssykdom.Hvordan kommer du. deg opp av badekaretNoen kaster en spe
oppi.Hvorfor fr du sparken som. kokkDu brukte to timer p minuttris og
brente potetsalatan.Hva gjr du. hvis du bare har to uker igjen leveDu tar
den ene i juli og den andre i. september.Hvordan rydder du i
fyrstikkeskenDe som ikke virker kastes mens. de som virker spares
p.Hvordan spr du om veienEr dette andre gaten til. hyreDu har stengt deg
inne p do med nkkelen p utsiden hvordan. kommer dudeg utDu driter deg
ut.Du kommer til en undergang der strste. tillatte hyde er cm lavereenn
lastebilen din hva gjr duDu sjekker. at det ikke er politi i nrheten og
kjrer under.Hvorfor klager du p. vekkerklokka du kjpteDen vekker deg
alltid nr du sover.Hvorfor mister. du jobben som sjrverDu har sort lapp
over begge ynene.Hvordan. rydder du i spikerkassaKaster alle spiker med
hode i feil ende.Hvorfor. mister du jobben som brannmannDu er redd for
slanger.Hvordan fr du skrapt. sammen penger til bensinDu selger
bilen.Hvorfor nekter du drikke av. grnne flaskerDu mener de ikke er
modne.Hvordan vasker du klrDu. sorterer klrne legger dem i maskina og drar
i snora.Hva er det frste. du gjr nr du kommer ut av dusjenTar klrne av
deg.Hvordan utfrer. du en ufarlig kidnappingSender gisselet til hente
lspengene.Hva. gjr du hvis det begynner brenne i stuenTenner en motbrann
p. kjkkenet.Hva sier du til kelneren p restaurantHar du. hemoroiderHvorfor
ville du bli brannmann som litenDu var. sengevter.Hva gjr du for f fall i
hretHopper ut fra. hyblokken.Hvorfor tar du med gevr p seilturenDu har hrt
det er. rev i seilene.Hvorfor strk du p frerprvenDu pnet opp dra. for
slippe ut gassen.Hvordan finner du ut alderen p en hestKapper av. hodet og
teller rringene.Hvorfor har du gjennomsiktig matboksFor se. om du er p vei
til eller fra jobben.Hva gjr du nr du ikke kan tilby. kunden en snakkende
papegyeDu tilbyr en hakkespett som kan. telegrafere.Hvorfor mister du
jobben som glassblserDu innhalerte. istedenfor blse.Hvordan bestiller du
vekkingDu ringer MaranAta.Hva. er manuell arbeidskraftNavnet p
statslederen i Mexico.Hva er definisjonen. p en dagbokEn bok som blir
skrevet om natten.Hva er . person. entallAdam.Hva er . person
entallEva.Hva er definisjonen p et. individEn blanding mellom indianer og
hvit.Ville Shakespeare vrt like. bermt om han hadde levd idagJa han ville
vrt over r.Hva er. svnmiddelet som virker raskestStein i puta.Hva svarer
du trnet nr. de ber om posisjonJeg er frstepilot og sitter foran til.
venstre.Hvorfor er ikke uglene s kloke som antattDe kommer seg ikke bort.
fra nattskiftet.Hvorfor mistet du legekonsesjonen under en
gulsottepidemiDu. feilbehandlet kinesere.Hvordan vet du hunden er snillDen
spiser av. hnden.Hvordan omkom ddehavetAv for mye salt.Hva er din
oppskrift. p bli hundre rDrikk et glass konjakk hver dag i. mneder.Nr kan
en kvinne ikke dra av det som str p mannenI. selvangivelsen.Hvordan unngr
man barn i trafikkenStrr ppiller i. gatene.Hvorfor tar parkvesenet inn
alle benker om vinterenFor at ikke. frosten skal sette seg.Hva slags
fiskeutstyr har duKlokke og hammer. Du. vifter med en klokke i den ene
hnden. Nr fiskenekommer opp for se hva. klokken er s slr du dem med
hammeren.Hva er en diplomatEn person som. tenker seg om to ganger fr han
ikke gir noen kommentar.Hva er definisjonen. p en barnevakt) Ungdom som
oppfrer seg som voksne mens de voksne. oppfrer seg somungdom.) Ungdom som
fr betalt for se p tv.Hva er. lide i stillhetTilfeller der telefonen er i
ustand.Hva fr du hvis du. krysser et piggsvin med en gorillaSitteplass p
bussen.Hva fr du hvis. du krysser en elektrisk l med en svampEn ny
sttdemper.Hva er. definisjonen p hjelpeslshetEn syk gullfisk.Hvorfor
nekter du. stille deg bakerst i kenDet str allerede noen der.Nevn to
pronomen. uten svare.Hvem jegHva sier du i talen til vennen som gifter
segVet. du at hun snorkerEr det riktig at fregner forsvinner nr man
spiser. agurkJa hvis fregnene sitter p agurken.En kvinne kommer mot deg
ifrt. bare et par sorte hansker og sko.Sparess.Hvorfor har du sttt i.
rulletrappen i en timeDet har vrt strmstans.Hva sier du nr du. kommer inn
i et bekmrkt romHer m det ha vrt mrkt lenge.Hva. fr du hvis du krysser en
hund og en kattEn hunnkatt.Nevn et synonym til. svmmehall.Akvarium.Nr
begynner nattenNr det ikke er mer se p. tv.Hva gjr du nr dine dager er
talteSkaffer en ny kalender.Hva er. alderdom bli straffet for en
forbrytelse du ikke har begtt.Hva er en. babyEt uferdig fordyelsessystem
som lekker i begge ender.Hvordan fr. man banklnVed bevise at man ikke
trenger pengene.Hva er definisjonen. p en bekjentEn person du kan lne
penger av men ikke til.Hva er. blomklEn kl med hyskoleutdanning.Hva er
burhneEn kvinnelig. sleggekaster.Hva er definisjonen p en celebritetEn
person som er. bermt for vre bermt.Hva er en championEn person som reiser
seg. nr det er umulig.Hva er diskresjon legge sammen to og to og holde.
kjeft.Hva er funksjonen til fluenetting hindre fluene i forlate.
rommet.Hva er fri presseTusen mennesker som sprer fordommer til ti.
millioner.Hva er et geniEn person som skyter p noe ingen kan se og.
treffer.Hva er himmelenEt sted der eselet tar igjen gulrota.Hva er en.
horisontEn forbindelse mellom himmel og jord som forsvinner nr du kommer.
dit.Hva er mindre enn ingentingEt hull i bukselomma.Hva er en.
hypokonderEn person som vet hvor mange meslinger han hadde.Hva er en.
juryEn gruppe mennesker som skal bestemme hvem som har den beste.
advokaten.Hva er en kamelEn hest planlagt av en komit.Hva er en.
koneKvinne som ser i klesskapet og finner to underbukser som ikke er.
der.Hva er en kurveDen vakreste avstand mellom to punkter.Hva er den.
menneskelige naturTre astronauter som krangler om vindusplassen.Hva er.
definisjonen p moderne poesiUryddig tekst uten marger.Hva er et.
smilKorteste avstand mellom to mennesker.Hva er definisjonen p en.
turistEn person som gr i kirken bare nr han har ferie.Hva er et.
utviklingslandKannibaler med kniv og gaffel.Hva er viljestyrke stoppe.
etter n peantt.Hvordan vet elefanten hva klokken erDen gr inn i.
urskogen.Hvordan fanger du en elefant med tavle kikkert pinsett og.
flaskeDu skriver feil regnestykke p tavle. Da kommer elefanten bort for.
undereske. S kikker du p elefanten med feil ende av kikkerten. ogputter
den oppi flaska med pinsett.Hvorfor fikk du sparken som. oljearbeider p
plattformDu kastet ut mat til helikopteret.Hva fr du. nr du drar ned
buksene p BeatlesRolling stones.Hvordan fanger du en. kenguru med en lueDu
spr om kenguruen kan veksle en tier og nr den ser. ned i pungen sins drar
du lua over hodet p den. Da tror den det er natt. og legger segtil
sove.Hvordan fanger du en mus med en sagDu jager musa. under klesskapet og
sager over alle beina p skapet.Hvordan fr du et. stinkdyr til slutte
lukteSett en klype over nesen p det.Nevn. afrikanske dyrearter. elefanter
og en giraff.Hvorfor spiser hvite sauer. mer enn svarte sauerDet er flere
hvite enn svarte.Hvordan fr du tak i en. fire meter tannbrsteKrysser en
giraff med et piggsvin.Hva er det. hfligste dyret i NorgeBukken.Hva er en
bigamistEn som gjr samme. feilen to ganger.Hvordan lager du en lukt som
aldri forsvinnerKrysser et. stinkdyr med en boomerang.Hva gjr du dersom du
treffer et troll med tre. hoderSier Hallo hallo hallo.Hva er ulempen med st
p egne. benDet er vanskelig f p seg buksene.Hvorfor str du i bunnen av.
rulletrappen og ser nedVenter p at tyggisen skal komme igjen.Hvordan.
imiterer du en fuglSpiser mark.Hvorfor skal man ikke sette en prislapp p.
en kattungeDen vil lugge.Hva kommer etter f i alfabeteta.Hva er. betleri f
en jente til si ja.Hva er et museumEt loppemarked som. ikke selger noe.Hva
er en novelleEn kort historie der handlingen foregr. i Frankrike.Nevn
eksempel p rkostTartarbiff.Hva er. skjrsburghDen lille fisken til
katolikkene.Hva er stlLegering av. jern ild og vann.Hva er det motsatte av
en tungvekter) Lettmatros ). SmkriminellHva kalles bienes
oppholdsstedVokskabinett.Hva er. forskjell p arv og miljDersom barnet
ligner p faren er det arv. ligner det p naboen er detmilj.Hvorfor brukte
du lysr p. reisen fra Sirius til jorda nr avstandenbare er Det var
motlys.Hva er. barnedpEn enkel hrvask uten sjampo.Hvordan spiller kvinner
russisk. rulett ppiller og brystkaramell.Hvorfor mistet du konsesjonen
som. tannlegeDu hadde drlig tid og fylte med kvikkslv i tennene.Hvorfor.
mistet du konsesjonen som kvinnelig tannlegeDu trakk p gaten.Hvorfor. gr
leger aldri i demonstrasjonstogIngen kan tyde plakatene.Hvordan.
legebehandler du en paranoidGi han to valium og be han rmme byen.Hva er.
moralisere ha en pekefinger med i spillet.Hva er en grisEt dyr som. fr lov
til like mkk.Hva heter barn av hvit eggcelle og svart. sdcelleOmelett.Hva
ernrer inuittene seg avFrossenvarer.Hva er. revolusjonOpium for de
intellektuelle.Hvorfor drar du et langt tau etter. degDet nytter ikke
skyve det.Hvem var RafaelEn rundbrenner som gjorde. madonnaer med barn.Hva
gjr du hvis du har bevis p at nabobonden har. tatt en grisunge fradegMelder
det til politiet nr grisen har blitt stor og. feit.Hvordan energisparer du
nr kulda blir ekstra strengKutter halen av. katta.Hva gjr du dersom
reversgiret slutter virkeSnur bilen og. kjrer framover.Hva gjre du nr du
fler deg ensomSnakker med den. andre inne i speilet.Hva gjr du hvis .
giret slutter virkeSetter. det to ganger i . gir.Kan du miste et egg fra
komfyren uten at det. knuserJa dersom det lander p en dyne.Skriv med.
tall.(()).Skriv med tall.()().Hvis ROBITECS str. frst i ordboken hva str
etter SCRETIBOSCORBITE.Hva er summen av alle. tallene etc. .Hvordan vet
du. at termosen er intelligentHvordan kan den ellers vite hva som er hva
nr den. skal holde det varmevarmt og det kalde kaldtHvordan vet du at
sorte hner. er flinkere til verpe enn hviteSorte hner verper hvite egg
mens hvite. ikke greier verpe sorte.Hva slags bok leser du i sort sett
hver. dagLommeboka.Hva er en hestEt esel som har skreket stemmen av.
seg.Hvorfor har sauen s tynne beinDen var lam som liten.Hvorfor har. du et
telefonkort i kondometHvis du ikke kommer s ringer du.Hvorfor gikk.
boksekarrieren din skeisDu telte alltid til ti fr du slo tilbake.Hvordan.
kjenner du igjen en adeligTatoveringene er uten skrivefeil.Hvorfor gikk.
dartspillfabrikken din konkursSkivene var oppblsbare.Hva er paranoid. tro
at det sitter noen bak deg i kirken.Hva er rutetidene i NSB etter at.
organisasjonen er fullt uteffektivisertNaturlige avganger.Hvor finner du.
Nordlands TrompetP Dass.Hva skjer nr sopranen og bassen fr barn.
sammenBarnet blir alt for dem.Hva er gult og sover aleneYoko Ono.Nr. er en
spade ikke en spadeNr du snubler i en.Hva slags virksomhet gir. strst
avkastning ri ville hester.Hva fikk Askeladden av den distr.
kongenKongeriket og halve prinsessa.Hva er tre ganger treHurraHva er.
anarkiEt land der kongen er dronning.Hvordan vet du bikkja ikke har noe.
stamtreDen pisser hvor som helst.Hva er lkEt vanndrivende middel.Hva. er
en myteEn sannhet forkledd som lgn.Hva er vindharpeEn gammel kone. uten
tenner.Hvordan fungerer befolkningsreguleringNr barnet fdes. stikker faren
av.Hvordan kan du ta ibruk to venstrehanskerHold den ene. foran speilet og
skru lyset av. Ta speilhansken p hndennr ingen. ser.Du trenger et nytt par
sko men har bare rd til den ene. Hva kan. dugjrePuss den blank s den kan
speile seg.Hvordan fanger du en. tannls hareGjemmer deg i skogen og
etterligner reven gulrot.Hva betyr. konkretEn ordre fra kongen.Hva er det
motsatte av ryggsekkMagesekk.Hva. er et negativBburghe str p hodet.Hva er
vindfangLengden av en fugl. p tvers.Hvordan viser du hvor stor fisken du
fanget erStrekker ut n. hnd.Hva betyr springe etter varmen ha det
travelt.Kva betyr. bli dott ved bli forbausa paff miste seg sjlv.Kva
betyr. uttrykket sita framand vera beskjeden.Kva betyr det at det vart.
troll med hanHan srga.Det syr i lefsaDet gr bra.Det er berre. kjaften og
bakftadnDet er skryt. du vide verdi sa mannen.Han. hadde reist ei mil.Det
hyrer med til dansen sa guten.Han datt i. koll.Det var ikkje undrast at
bytta lak sa mannen.Botnen var. or.Det veit ingen kor haren hoppar sa
mannen.Han satte snara p. taket.Dei er sure sa reven.Han ndde ikkje
rognebra.Det er alt. det same sa mannen.Han steig opp p hesten p venstre
sida og datt ned. p hgre.Det er ikkje greitt sa guten.Han hadde beka hret.
sitt.Eg er like glad sa guten.Han gikk og gret.Eg er trytt sa. guten.Han
skulle ha juling.Eg sit godt som eg sit sa katten.Han sat p. flesket.Eg
tregar p trya sa mannen.Kjerringja drukna p. sjen.Frende er frende verst
sa reven.Han sg raude hundar.Liker. ikkje du meg s likar eg meg sjlv sa
mannen.Han fridde og fekk. nei.No ska du sj sa sogningen.Han datt ned fr.
kyrkjetaket.Reinleiken er ein god ting sa kjerringa.Ho snudde skjorta.
julaften.Vara ftane dine sa sporven.Han dansa med merra.Ungdomen. rasar sa
kjerringa.Ho sprang over eit halmstr.Kva sa mannen som. kappsprang med
harenOppfor vant haren men nedfor tapte eg.Det er p. vona gjort sa
mannen.Han skaut etter mnen.Ein lyt mangt i verda. nytta sa mannen.Han
fldde merra med navaren.Eg er glad alt som er. unnagjort sa mannen.Han t
fredugurden til kvelds.Bannord er ikkje. for mange sa kjerringa.Det er s
mange som skal ha det.Ein m. skjemte litt sa mannen.Han reiv yra av
kjerringen.Det gr rundt sa. mannen.Han sto p kverna.Det var gjestfrie
folk.Me slapp so nr. inn.Det var snille folk.Me hadde s nr ftt mat.Store
hus er. kalde sa mannen.Han lg ute julekvelden.Aldri ein dust sa
mannen.Dei. spurde om han kunne hyra.Hadde detta mlet vore i ein bukk
hadde han. ikkje vore etande samannen.Han hyrde kjerringa syngje.Rekkje i
rad. no sa kjerringa.Ho hadde i ku.Eg stel ikkje sa guten.Men ser eg. noko
eg likar so tek eg det.Kva sa kjerringa som rodde i motvindGjev. vinden
ville vende til eg skal heimatt.Reint vil me ha det sa. kjerringa.Ho slo
grisen i bakenden med matskeia.Det var anna korn det sa. kjerringa.Ho beit
i muselorten.Eg kjenne krutryken sa guten.Han skaut. med nepefr.Det er
mykje stygt i vatnet sa mannen.Han sg kjerringa. bade seg.Det var inga ku
sa mannen.Kjerringa hadde drukna.Kva betyr. det var agnet som drog
fiskenDet var pga. lokkemiddelet.Han er ikkje all. der han er sedd.Han er
ikkje lett gjennomskode.Ho gjekk med ein krokut. arm.Ho gjekk med barn p
armen.Han fekk andre augo og sj med.Han. skifta oppfatning.Han hadde augo
utanp hovudet.Han var forvirra.Dei. vaska honom vel p baket.Dei baksnakka
han.Dei satte seg p. bakftane.Dei gjorde motstand.Det er beintfram som ei
blind merr.Det er. enkelt.D var bikkja berga.D var striden over.Det kom
ikkje bein i. bten.Dei fekk ikkje fisk.Ho bit ikkje alt ho grin.Ho er
ikkje s. farlig som ho gjer seg til.Han fekk det som best beit.Han fekk.
juling.Det er som dra ei bjrk baklengs.Det er tungvint.Han fekk. snakka
med Bjrknesfuten.Han fekk juling.Det kom klas i barnleik.Leiken. vart
voldsam.Han slr store boltar med lite hovud.Han skryt.Det vert. bot eller
bane.Det vert frelse eller fortapelse.Det kan ingen f botn i. honom.Han er
uutgrunneleg.Det verken dett eller dryp av han.Han deltek. ikkje i
noko.Egget vil lre hna.Lre bort til nokon som kan det. betre.Dei bur for
nr elva.Dei har vatna det ut.Det er store fat og. lite mat.Det er
skryt.Den eine filla slr den andre.Det er slitte. kleder.Det fekk fter g
p.Det forsvann raskt.Han er fuglen. som flgjer gauken.Ingen veit kva han
gjer.Han er full og fastande like. eins.Han er alltid den same.Det er
fullt som gre katten og fluga. svart.Det er store mengder.Han hyrer ikkje
gauken oftare.Han lever. ikkje til vren.Han syng med gauken.Han gjentek
seg sjlv heile. tida.Han er like glad kvat ende som upp snur.Han er like
glad heile. tida.Han gler seg p tynn l.Utan grunn.Han sto p glr.Han. var
uroleg.Han laut gjera seg god att i same kledene.Han mtte snu utan. ha
oppndd noko.Han kjem ikkje bort i graset.Han er. storvaksen.Han m ete ei
tunne graut fyrst.Han er for ung.Han. mtte grava som ein vond.Han mtte
arbeide flittig.Han er ikkje so. halt som han hinkar.Han overdriver.Same
guten spelar same sltten.Han. snakkar om det same.Han kan bde halde og
sl.Han kan vera slem.Du. gr som du ser.Haltemannen snakka til
blindemannen.Berre gift deg sa. mannen.Han sg katten leika seg.D var dt
gjort sa mannen.Han. hadde dengd kjerringi.Dei er gode grannar sa
mannen.Den eine lyg den. andre sannar.Han er rik som har sitt sa
mannen.Han t opp. agnet.Hardt mot hardt sa kjerringa.Ho datt i berget.Det
hender ofte. slikt p sjen sa selen.Han vart skoten i auget.Av hjartet
skein du. sa reven.Han tala ved mnen.Det er hgt opp og langt fram sa.
kjerringa.Ho skaut etter mnen.Ingenting sa kjerringa.Ho var daud.Men. rall
var det sa jenta om friaren.Ein general eller admiral hadde. fridd.Det kjem
att sa mannen.Ha ga purka flesk.Giv eg lg sa. kjerringa.Ho satt i senga.Der
vart lusa lurt sa mannen.Han brende opp. skjorta si.Det er makta som rr sa
guten.Han dengde katten.Her er. mange her sa guten.Han sg i luva si.Alt
monnar sa musa.Ho pissa i. sjen.Det hjelper p sa sneglen.Han kom seg til.
drstokken.Mykje t munnen lite t ulli sa mannen.Han skulle. klippe
sauen.Han er kald kor enn han kjem ifr sa kjerringa.Ho tala om.
nordavinden.Rekningi kan alder juge sa guten.Han rekna ut han var eldre.
enn far sin.Ro no alle vel sa mannen.Han rodde leine.Ja men. rka du det sa
mannen.Bikkja beit i trebeinet.Hva er det no d sa. valdrisen.Han fekk ei
kule i skallen.Kva gjer ein tyskar ikkje for pengar. sa mannen.Han sg ein
apekatt.Det er hand i hr og kniv p strupa.Det. gr p livet laus.Dei hang i
halen p honom.Dei heldt med han.Det. heng og blr.Det er altfor lite.Noko
harm skal ein ha om ein so skal. kjpe det sa mannen.Han hadde gjort ein
drleg handel.Du veit ein. heilag mann men ikkje kvar han bur.Du veit for
lite.Han er hendt som. hver.Han er allsidig.Han meinte himmelen var i eit
kalvskinn.Han var. forvirra.Det var ikkje hgt hjarte i han.Han var
bekymra.Han hjelper. dei som vinn liksom hundane.Han er feig.Eg skal vise
han eit firkanta hol. sa mannen.Han ville kaste han ut.Han har stanga
horna av seg.Han har rasa. fr seg.Han la skallen i blaut.Han grunna p
noko.Stor hug og. liten dug.Store nskjer men liten makt.Det er hundeskinn
p begge. sider.Ein strid melllom to onder.Det ligg p nederste hylle.Det
ligg. p golvet.Dei ville heller sj hlen enn ta hans.Dei ville bli. kvitt
han.Han sel ikkje hna si i vtt vr.Han er ein lur. handelsmann.Det heldt
eit hr att i nakken.Han ombestemmer seg. nok.Han fr kam til hret.Han fr
strengt oppsyn.Ein m g. med kattefoten.Ein m vera forsiktig.No m dei henge
kjaften p. veggen.Dei m svelte evt. ti stille.Han har kjaften p
skaftet.Han. er flink til snakke for seg.Det er deim i kjtet boret og
ikkje i. klede skore.Det er naturleg for dei.D hyrde eg klokka sl.D.
forsto eg.Han heldt fast med klypa og slepp med handi.Han sparar i det. sm
men slysar i det store.Det er skrive med kol p gryta.Det er. unyttig.No er
eg kolsvart.No var eg overraska.Han mtte mate. krabbene.Han vart
sjsjuk.Det gr som krabba.Det gr p. skakke.Dei glana som ei ku p ein nymla
vegg.Dei sto og. mpa.Han er fdt midt i trafikken.Han snakkar hgt.Han har.
kvikkslv i setet.Han er uroleg.Han er ikkje lang under augo (lang i.
tyet).Han snakkar lite.Han let som ei skjor.Han klaga lenge.Han. laut
prisa leggane.Han mtte springe.Dei leggje seg med hnom og. stande upp med
svinom.Dei er dovne.Han les som fanden les bibelen.Han. brukar alt til sin
fordel.Skyt leta mi.Hent det til meg. (Legg til. latskapen).Det et ingen
mat.Det er kjekt ha.Det ligg under. lok.Det er dd og begravet.Dei er linne
med sinom og harde med. hinom.Dei er urettferdige.Lite var det skitut var
det og seint kom det. fram.Om drleg forsyning.Dei leve som ku i h.Dei
lever flott og. makeleg.Han str i lyset og skyggar seg sjlv.Han utnyttar
stillinga. si.Dei snakkar so steinane m sprekke.Dei snakkar usant.Det er
ikkje. av lunga berre av tunga.Det er ikkje p alvor.Han lyste fred over.
dei.Han fekk dei til halde munn.Det er betre i lyndo enn i. syndo.Det er
bedre enn det ser ut.Det er stor ls foran lite hus.Det er. undvendig
mykje.Makta minkar mens sinnet veks.Om eldre vrange. personar.Han har grnt
malt p loftet sjl.Han er ikkje betre. sjlv.Han kunne meir enn mata seg.Han
kunne mykje rart.Mange maur om. ein makk.Stor ettersprsel.Det tek margen
or ryggen.Det er altfor hardt. arbeid.Dei gjer ein mygg so stor som ei
merr.Dei overdriv.Han ser. mehanken gjeispe i kyrkjetrnet.Han skryt og
lyg.Han mt ikkje mer enn. som hunden gjyr.Han set ikkje pris p det.Han
fekk nasen til stav.Han. datt p hovudet.Det er dette nasen klr etter.Det
er dette ein. vil.Han plystra i nasen.Han var opphissa.Dei har ikkje nla
i. veggen.Dei eig ingenting.Han ga han like ord i halsen.Han snakka etter.
han (jatta med).Dei fekk renne rauvi si.Dei vart dyktig lurt.Reven tek.
ikkje gsa.Klokskapen din lurer ingen.Han rir ikkje dagen han salar.Han. er
treig.Dei ror kvar sin bt.Dei er uenige.Ho har ei lang rove.Ho. er av
fattig slekt.Dei har sine runer ute.Dei spanar og forhyrer. seg.Det tok
ryggen or honom.Det tok makten fr han.Han er komen i. ryken.Han er komen i
stor respekt.Me sg han sist bak.Han er. reist.Det sit ikkje i meg.Eg kan
ikkje tru det.Eg ser like langt inn i. steinen som andre.Eg veit ikkje
meir enn andre.Di skade vaker.On ei. nestenulykke.Ho har ei mkkut skjei
vaske.Ho trur ho driv med noko. stort.Han ser ikkje skogen for berre
tre.Han har ikkje oversikt.Eg har. end eit skot i hornet.Eg har end meir
gje.Det gr over. skrevet Det hoppar over hakketDet gr for vidt.Han slipar
ikkje utan. vatn.Han har ein fordel av det.Han slit ikkje silke.Han er.
fattig.Eingong small det.Endeleg vart det alvor av det.Det gr med.
staven.Det gr sakte.Det syng p siste verset.Det nrmar seg. slutten.Ho er
tett som ei sil.Ho sladrar.Det verkar ikkje tennane i. han.Det er lenge
sidan han levde.Det er for lite til troll og for mykje. til menneske.Om
ein stridig slem person.Han trur som trolla.Han er. letttruande.Han trur
ikkje sine eigne hender.Han er veldig. forsiktig.Eg er trytt som ein
makk.Veldig trytt.Dei fr tre. p talgi suge p labben.Lide mangel etter
overskudd.Det kan ikkje. renne kaldt vatn mellom dei.Det er stort
vennskap.Det er ein vegg or. huset.Det manglar noko vesentleg.Han er vida
kjend og lite etterspurd.Han. er upopulr.Dei har tjukke yrer.Dei er
likegyldige hyrer ikkje. etter.Me skal alle den vegen sa smjenta.Ho sg
brudeparet g i. kyrkja.Det er mykje vondt i verdi sa guten.Han skulle lre
lesa.Det. er ein overgang sa reven.Han vart fldd.Skjnte eg det ikkje sa.
jenta.Ho fekk ein unge.Det var ikkje meir du skulle spurde jenta.Guten.
fridde.Detta var no for mykje av det gode sa mannen.Han fekk. mkkalasset
over seg.Han strauk med i slaktingen sa mannen.Grannen. spurde etter
grisen.So skal det bli skrik sa guten.Mor hans kom med ein. kam.Dersom Gud
vil. sa mannen.Han hadde ikkje spurt kjerringa.Tja. detta lurar eg p sa
grisen.Han sg kniven.Slepp meg ellers s. skrik eg sa musa.Katten hadde
tatt ho.Kjre vene sa vampyren.Blodet. ville ikkje ut.Det er sausen eg er
glad i sa mannen.Han bomma p. rypa.Det var lystige sjeler sa mannen.Han
hndterte vepsebolet.No. blr han iallfall den jvelen sa smeden.Han trakk ei
tann p. vegvoktaren.Det var ein bra kar sa presten Nr andre sv var han.
vaken og detandre mangla hadde han.Tjuven skulle gravleggas.Vil du halde.
meg i handa spurde mannen.Han sat i den elektriske stol.Plagget kan. ikkje
bli bedre sa skreddaren.Han hadde sydd lomma p ryggen.Det var. noko som
rensa magen sa jenta.Ho fekk tvillingar.Lev vel sa. kjerringa.Mannen
skulle hengjast.Vgar du livet s vgar eg halsen. sa guten.Tordivelen satte
seg p kaka.Hva heter ungene til. svanenSveklinger.Synonym til en
l.Vannslange.Hvordan utfrer du et. dobbeltmordSlr ihjel en mann to
ganger.Hva er flaskepostEn postmann som. liker en tr.Synonym til
katapultFluktstol.Synonym til. mausoleumDdsbo.Ingen roser uten torner sa
katten.Han voldtok. piggsvinet.Velkommen i det grnne sa jenta.Ho strydde
persille p. magen.Det er nullane bak som teller sa mannen.Han snudde
bankboka.Ja. ille sit du men s glyme du ikkje svalle um det heller
samannen.Grisen. satt fast i gjerdet.Altfor nrme nasen sa guten.Han fekk
saltsprut i. auga.Bedre livlaus enn rdlaus sa kjerringa.Ho turka bordet
med. kattungen.Kva er verdens breiaste bruIsen.Kva tre har tolv greiner
fire. reir p kvar grein sju egg i kvart reirog det sjuande gyllentret.Kva.
ser du berre nr det er mrktStjernene.Eit stort hus som reparerer seg.
sjlv.Isen.Det ligg ein duk p vollen jo mindre han er vaska jo. reinare er
han.Snen.Ei mor et opp ungane sine s snart dei vert. ungdomar.Havet.Kva gr
i grus utan ein lydSkyggen.Lita og raud nett. som ho leve er ho
daud.Gnisten.Sonen spring t skogen fr faren er. halvvaksen.Ryken.Burande
og belgande og legg at huda i. skogen.Tmmerstokken.Str i jorda og veks i
senga.Gulrota.Framtil som. eit nyste midtp som ein sekk og attantil som
ein kjepp.Katten.Eit lite. hus fullt av mat men ingen dr.Egget.Fire
systrar sit p ei tuve og. skyt kvite kalva fr seg.Juret.Om morgonen p fire
om dagen p to om. kvelden p tre.Menneske.Eg ser det du ser det kongen ser
det sjeldan Gud. ser det aldri.Sin like.Kva hgg heile dagen men fr ikkje
av ei. flisAugelokket.To systrar sit under eit ufs ikkje sjast og ikkje.
finnast.Augo.Eit hus full av kvite geita og ein rund spelar midt.
i.Munnen.Eit lem utan bein som studom gjere mange mein.Tunga.Kva er det.
den fattige kastar bort og som den rike sting i lommaNasedropen.Kva slags.
hr har den venaste jenta i bygdaMannehr.Kva reiser heile verdi. omkring men
er alltid heimeTanken.Eg har det du har det eg brukar ditt. du brukar
mitt.Namnet.Kva er det som korkje har nokon byrjing eller. endeRingen.Kva
gr heile dagen p skallenHatten skospikeren.Daudt. dreg levande ut av
skogen.Kammen.Kva er mindre enn ingentingHol i. bukselomma.Det str ein
stein i heilag rein med fire fter og ingen. bein mangebrurar og ikkje
bryllup mange born men ingen fdde mange lik men. ingendydde.Kyrkja.Det er
eit land med mold og sand der er korkje ml. eller minne menfolk er der
inne.Kyrkjegarden.Ikkje ute og ikkje. inne.Vindauget.Kven ser alle folk i
skrittetDrstokken og trappa.Kven. nevehelsar p alleDrklinka.Ein drage str
i stua med halen p. taket.Skorsteinen.Minste tingen men lengste
rova.Nla.Ei mus dreg det. nedover bakken men ti hestar kan ikkje dra det
opp att.Garnnstet.Kva. gr rundt og lagar eggSlipeteinen.Liten ker med
svart korn.Boka.Kva. er det som er urett og ikkje syndDen hgre skoen p den
venstre. foten.Aldri har det vore aldri vert det og kor mann ser det p seg.
sjlv.At fingrane ikkje er jamnlange.Kva gjer den kvite hesten ute i.
mneskinnSkugge.Kor langt er det herifr til himmelenEit. augekast.Kva er
tyngste bra p byvegenEin tom pung.Kor mange mil er. det til mnenEi og dei
andre.Det ligg ein stein i lia. Nr han hyrer. kyrkjeklokka s snur han
seg.Steinen hyrer ikkje.Kva sa reven d han. tok den feite
gsaIngenting.Kjerringa t opp ei tunne sild etter at ho. var daud.Ho t
ikkje silda levande.Kor mange kalverover m til for. rekke inn i himmelenEi
dersom ho er lang nok.Korleis kan ein hyre nr. graset grorEin hyrer
iallfall.Kan du sj eit halvt grisehovud med to. augerJa med dine.Kor mange
skor har den som har fleire fter enn. skorEin.Kva veks nrare og nrare
jordaKurova.Kva er det som. manglar ein velgjord skoMakan.Gudmund og hans
hund for gjennom eit sund.. Kva heiter Gudmunds hundKva.Det stend eit tre
uti havet. P treet er det. like mange greiner som deter drpar i havet. P
kvar grein sit ei jomfru. Korleis kjem dei segtrrskodd i landDei tek ein
drpe kvar.To. innganger. Frst nr du str med ftene ute er du
inne.Buksene.Rota. oppe og toppen nede.Istappen.Har bein men kan ikkje g
har mat men kan. ikkje ete.Bordet.Auge men utan hovud.Nla.Hovud men utan.
auge.Spikeren.Kven gr rundt omkring men er alltid heimeSneglen.Hvem. er
barn av dine foreldre men ikke din bror eller sster.Du selv.Hvor langt. er
det fra st til vestEn dagsreise.Brenner uten flamme og slr uten.
kjepp.Hjertet.Hva er bde ute og inne samtidigDra og vinduet.Hva. finnes
mellom berg og dalog.Sykdom som aldri har herjet i noe. land.Sjsyken.Tre
jenter gikk til skolen med bare n paraply men ingen. ble vte.Det regnet
ikke.Hva har egg men kan ikke lage egg. selvKniven.Hvordan klatrer du i
stamtreetVed slektsgranskning.Hva. gjr fuglene til verdens beste sangereDe
synger rett fra bladet.Hav uten. blger skog uten trr.Kartet.Hva slags fjell
er flateFjellene p et. kart.Hva er sort blir rdt blir grttKoks kull.Gr til
grunne. mens jeg tjener menneskene som opplystStearinlyset.Nr har mlleren.
mest i mllaNr han str inne og stikker hodet ut.Hvor svmmer. laksen nr den
er tre r gammelInn i sitt fjerde.Hvordan brer du. vann i en silLar det
fryse.Hva befinner seg midt i. perlekjedetSnoren.Kan du skrive rdt med
sort blekkRdt.Hvilke. dager i uka er lengstTirsdag og torsdag.Hvem fr
alltid det siste. ordetEkkoet.Fullt av kjtt og blod mangler liv uten
bunn.Ringen.Hvem. er den flinkeste lommetyvenHullet.Hvilken y var den
strste i verden. fr Grnland ble oppdagetGrnland.Hva slags dyr blir nevnt
frst i. bibelenBi.Hvem ser mest mellom en mann med ett ye og en mann med
toHan. med ett ye ser den andres to mens han med to bare ser den
andresene.Hvem. gr alltid p tvers gjennom kirkenDpsbarnet.Hvordan kan du
forandre. en barbar til en kvinneBarbara.De dde spiser det men de levende
dr. av det i lengden.Ingenting.Hvor dypt er verdenshavet p sitt dypesteEt.
steinkast.Musefelle p fire bokstaver.Katt.Nr skal den siste komme. fr den
frsteVed mnedsskiftet.Hvordan oppsto verdenMed liten. v.Hva kommer gjennom
vindusruten uten knuse glassetLyset.Hva er tre. til toEn og en halv.Hvordan
holder du kalvekjttet friskt om. sommerenHolder kalven levende.Hvilken sak
er skyld i alt som skjer i. verdenrsaken.Hvilket barn har sett sin far
dpePrestens. barn.Kommer pske fr eller etter pinseBde fr og etter.Hvorfor.
er det vanskelig fotografere en glad hundHalen logrer ikke.Hva har.
eksistert i milliarder av r men er mindre enn fire uker. gammelMnen.Hva er
det beste antirustmiddeletGammel. kjrlighet.Hva tar kortest tid av bygge
opp og rive ned bygge. opp. For rive m du frst bygge.Hvilken fisk er
lengstKlippfisken. hodet i Island og Norge og halen i Spania.Hvem har
holdt best fast i de ti. budMoses da han gikk ned fra Sinai.Hvor stod
basunblserne da de blste. ned Jerikos murerBak basunene.Hva m man alltid
gjre fr man reiser. seg oppSitte eller ligge.Hva blir strre og strre jo
mer man tar. vekkHullet.Hva kommer etter evigheten.Amen evt. et.
sprsmlstegn.Hvem forteller alltid sannheten men vender p. altSpeilet.Ingen
unntatt meg selv kan si hvem jeg er.Tungen.Han kunne. ikke forst det jeg sa
og ville ikke si hva det var i veienmed han.Han var. dvstum.Hva er
samvittighet le sammen med andre.Stort vann p to. bokstaver.Is.Hva er det
som gr rundt juletreet men som aldri blir. trett.Barken.Hvem har reist
flest ganger rundt jordaMnen.Hva kan en. mus trekke like tungt som
elefantenPusten.Hva sender du som yekast eller. metallBlikket.Den som har
det er fattig den som vet det er dum den som. gjr det erlat der hvor det
er finnes det ikke den som hrer det er. dv den somser det er
blind.Ingenting.Hva slags vann fryser ikke til. isVarmtvann.Hvem kan
snakke alle sprkEkkoet.Hvilken drikk er verdens. sterkesteVannet det brer
de strste skipene.Nr kommer august fr. juliI en ordbok.Hvorfor kaster du
klokken ut av vinduetDu nsker at. tiden skal fly.Gr trappen oppover eller
nedoverDen str stille.Hva. er den dypeste grunnAvgrunn.For lite for en for
mye for. tre.Hemmeligheten.Den aller strste er den aller
minste.Bagatellen.Det. er mitt men bare andre bruker det.Navnet.Hvor mtes
veggeneP. hjrnet.Hva gr p kryss og tvers over landet men ligger helt.
stilleVeiene.Fdt fr sin far.Kain og Abel. (Adam var ikke fdt men.
skapt).Hvilken side av koppen sitter hanken pUtsiden.Hvorfor er. vret
matematiskDet regner.Hvorfor er vret poetiskDet rimer p. bakken.Hva ser
man nr man skjrer med knivenSitt snitt.Hva slags. steiner er det flest av
i ferskvannVte steiner.Hva slutter evigheten. medn.Hva slags glass er det
best skjenke iTomme.Hva er det beste. med et lekkert mltidAppetitten.Hva
har verken begynnelse eller sluttAlt. som gr rundt.Er det mest fisk eller
stein i vannetFisk steinen er under. vannet.Hvordan var Eva som menneskeEn
primadonna.Hva slags stein kan. svinge rundt hjrnerRennesteinen.Hva er det
lengste norske ordetSmile. en mil mellom frste og siste bokstav.Hva er
verdens lengste. ordLysr.Hva er det mest nysomme dyretMllen den spiser.
hull.Uspiselig brd som alle lever av.Levebrd.Hva slags tid er den.
lengsteVentetiden.Hva er mest synlig i mrketLyset.Hvilken klokke. viser
riktig tid oftestDen som er i ustand og str stille den viser riktig. tid
to ganger idgnet mens andre viser riktig tid sjeldnere.Nr er den. dumme
klokestNr han holder munn.Hard mor skaper de beste. barn.Perlemor.Tann som
ikke kan plomberes.Tidens tann.Hvorfor har ikke. oksen bukserKua kan ikke
sy.Hvilken fisk sitter ynene tettest pDen. minste fisken.Hva ligner mest p
en halv appelsinDen andre. halvparten.Hva heter de mest kjente
stieneDynastier.Hva er beste mten. lage ild p med to pinnerAt pinnene er
fyrstikker.Hva stter du p. ganger i sekundet men bare en gang i
timene.Hvorfor er ikke flodhesten. redd for tigerenDe befinner seg i
forskjellige verdensdeler.Hva er en smal. sak f vske til renne gjennom et
sugerr.Hvilken vei gr du. tilbake for komme fremHjemveien.Hvorfor er hanen
s velsteltDen har. kam.Hvor mange lver er det plass til i en tom
manesjeIngen.Nr. seirer hpet over erfaringenI andre ekteskapet.Hva skinner
solen aldri. pSkyggen.Hvordan fanger du en lve med en silHell rkensanden.
gjennom sila da blir lvene igjen.Hva slags sprsml m alltid. besvares med
jaHva er frste stavelse i japanHvem venter alltid til. siste sekund men
rekker det alltidKlokkeslaget.Galer gjken fr eller. etter sankt hansDen
galer koko.Hvordan fanger du en grspurvHopper ut. fra . etasje og synger
som en brdsmule.Hva drikker duer for bli. gjennomsiktigeVin og blir
vinduer.Hvordan finner du lettest lykke. sunnhet rikdom og kjrlighetI en
ordliste.Hvor stor kan en nese bli. tommer fordi tommer fot.Hvordan kan du
spise en ntt uten. knekke denLa noen andre knekke den.Hva er det strste
med. NapoleonN.Nr ser man best utI vinduet.Hvor er det beste kjttet. p
fiskenMellom beina.Hvor lange er beina til et idealmenneskeAkkurat. ned
til bakken.Hvor mange store menn er fdt i BergenIngen alle er. fdt sm.Hva
mangler den lamme den blinde og den magre i ett. ordGsefett.Kan noe vokse
mer enn centimeter i dgnetJa. centimeter vokser ikke.Hvorfor finner man
alltid igjen tingen p det siste. stedet man leterDa trenger man ikke lete
mer.Hva slags pass kan du reise med. verden rundtKompasset.Hvorfor vil
ikke fru Gyldenskiold at mannen hennes. skal begravesHan er ikke dd.Hvor
lang er en regnbueDobbelt s lang. som halvparten.Hvor lang er en ormEnormt
lang.Hva kan uttales bare med. lukket munnM.Hvor kan man alltid finne
sympatiI ordboken.Hvem brer. huset inne i segEplet.Hvorfor er termosen
intelligentHvordan kan den. ellers vite nr den skal holde det varme varmt
eller detkalde kaldtTo. sm steiner et appelsinskall og en gulrot ligger
ved siden avhverandre i. hagen nr vren kommer.Restene etter en
snmann.Neste gang legger jeg. ikke fingrene imellom sa kona.Mannen smelte
med dra.Hvor gr man etter. begravelsenEt sted for trstespise.Den er ikke
bare for kort den er. for bred ogs sa mannen.Han holdt plata feil veg.Ei
jente mister. kontaktlinsene i en fotballkamp og finner dem ikkeigjen.
Etterp fr hjelp. av faren som finner dem.Mens hun lette etter to sm
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noeannet en. egenbevegelse men alts bare ved se p vinden i lvet er
detlett. innse at en andel av det vi nsker forst som egenaktivitet.
erlettere forst som en passivitet i et aktivt medium (gruppe.
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andregrupper p dramatiske mter ingen kan unng reagere p at en. bil
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enys esruteml er ivntr etettynk el t kstatdegoolllakmarf. els bnser
emflereneg ne momlidoet ella tom leddienmvifvetlekne te i ttas. gyile
innejk tediebra rav eribttkudorp nis dem go i ktrnejkre elb tehllufsgnina.
tretpeska teksennem edteksennem gnavt mos volru t ne res eud tdoe k re gl.
skitet taktleg nke dso i men spiralr du er hea n. d o d s r. a s t r l o.
u d r r e h e g k. noemata. nap.art Re PRESSEMELDING. Gjesp Grethe.. du
har du link til eBayen noen spurte om det fr men fann. det ikke bare
reproduksjonene.Men det er dog et tankekors at en. kunstnergruppe som
produserer kunst som p ingen mte kan stjeles. fordi kunsten deres ikke er
fysiske objekter p samme mte som malerier. pstr at de har stjlet et
kunstverk som kan stjeles fordi det er et. fysisk objekt. Det er liksom
forholdet mellom materielle og immaterielle goder. det.For det frste jeg
har ikke psttt ha stjlet noe. Men. det er et godt poeng har en stund prvd
selge digital kunst men uten. svindel. Skal vi se jeg har et opplegg om
tilby Samtidsmuseet en anseelig. mengde spam mail ( millioner) som har
sttt p en sperret konto i. utlandet etter at nettkunsten dde. Kommer
tilbake til dette du kan hjelpe. oss Grethe. Forvrig str tilbudet pent som
presseansvarlig for. Noemata. Ring. Kan du lne meg noen penger
Ligningskontoret avviste klagen. min p restskatt p seksti tusen. For det
andre forsket mitt med. g rettens vei med tjueri av immaterielle
objekterrettigheter etc. frte ikke fram i fjor henlagt av politiet det var
forvrig virkelige. penger ogs uansett. Men ja kanskje en reaksjon p
materialitet og. immaterialitet alt dette nye er jo immaterielt og hype og
presser. fetisjeringen nedover mot pappkartong sppel og spam.
realitysppeltv er jo veldig stort eller Munch til mrd de. elektroniske
kretslpene trenger jorde de virtuelle verdiene ut i noe. materielt og dess
mer uvurdelige de er dess bedre s ligger makten likevel. i det
virtuelle.Tore p sporet Hva om det er DET som er poenget plage. dere
(waste of timeenergy) mener jeg med kjedelige ting hvordan bruke hypen.
til diffundere sin egen kjedsomhet utover ikke mot dere personlig men.
utover institusjonene s si. Ved ikke stille seg selv i. hypelyset plages
andre i jakten.Forutsigelig kjedsomhetsspredning.Ingen. spennende svarte
finnlandshetter bare en masse stress som ender i. ingenting.Ja det er
gjort med det samme gjespet gjespet som grupperefleks. media gjesper jeg
gjesper dvs. media og jeg er venner vi gjesper sammen. Har. ikke lest
aviser etterp s det er ikke det. Gjesp.Det er interesant. se hvor raskt de
finner fram til telefon og andre personlige opplysninger og. hvor stor
kraft de legger i det utover natta med en eller annen autodialer.. Hvordan
er det med journalister og datatilsynetJens Laland tok opp poenget med.
kunstens status. Da jeg postet dette til internasjonale lister samtidig.
(nettime rhizome etc som forvrig publiserte det i motsetning til. lista og
ekunst et par dager etterp) hadde jeg en dialog it's a. media hype so why
not play with them and for the record i didn't write. that noemata stole
the paintings so i'm not worried and after all artists. are not to be
taken seriously..)You just sound like the .org thatafter. their actions in
the Nike Platz and the claim put against them byNike they. just said
something like 'Oh but we were just kidding weare just artists.'. )yes but
it's a loopback like media and maybe society treat artistslike. that adding
unreality to what theywe do so the unreality isreflected. back.Jeg tror
kunst og kunstnere kan bruke sin status som uvirkelige til. interagere med
et samfunn kultur og media som blir mer og mer uvirkelig. s de mtes fra
forskjellig kant der kort sagt media simulerer en. virkelighet (a la
virkelighetstv) mens kunsten virkeliggjr en simulering. (setter i scene).
det frste er en tildekkende strategi (skjule sin. uvirkelighet) mens det
siste er en avslrende strategi (et pent spill).. Jeg kan klippe inn et
lengre innlegg her ikke n jeg er trtt.Tilslutt. la det vre klart hvis noen
nsker en rask oppklaring og at maleriene. skal komme tilbake i offentlig
eie s sett millioner kroner inn p. konto nummer Storebrank Bank. Jeg kan
ikke garantere hva som. noemata. idea real ide areal la era edispansk 'la
era' tid. ndvendig bruke heller men vil lette.
indexeringgjenfinningantaglig.f.eks. mtereferatet for ikveld kan med hell.
tagges inn i boken og sendesmailinglista slik som denne.bforsvidt i.
noemata. kSay. kuten spor uten skyld.informasjonssamfunnet skaper 'karma'
gjennom behov for. sporbarhet. it would be attracted to the boy s. kHer
var. noemata. noemata Fwd Article Why the Web Will Win the Culture Wars
for the Left. noemata. help (pleh). noemata. adundas. lj lj Latin Dead yet
still. noemata. pre.txt
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inline. filenamemessagefooter.txtContentTransferEncoding bitSyndicate.
mailinglistSyndicate network for media culture and media. noemata. Re
arc.hive Re fragments of a room. noemata. Fwd Article The Violence of the
Global. noemata. Xchange CN YN MN JN .snarT. jroznfgre ng
jro.znfgreqrd.fgngr.bx.hf. Fgerrg Nqqerffand installers for. installation
and maintenance of copper andfiberAbout. . Services. . News.. . State
Board. . Hall of Fame..Search. Text Page. Oklahoma. Department of
Agriculture Food NT DS CS.IR AP RO KO HO .DN CN YN MN. JN .snarT fo .tpeD
amohalkOytefaScilbuPfo .tpeD KO robaL fo .tpeD amohalkO. ecnarusnI fo
.tpeD amohalkOhtlaeH fo )L(()((. (a) (c) (o) (u) (s) (t) (i) (c) ( ) (s).
(p) (a) (c) (e). informationcomunication channel for. noemata. nyheter.
barnepysj kan vre ddsfelleskolemassakredd mann fikk. telesexregningeri
hver fjerde farskapssak viser dnaprver at moren har. noemata.
Undeliverable. noemata. Re Amazom. international for ordering more coffee
Mysupplies are dwindling and I have. only a few pages left of the
GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
And that's all.One Minnie. Ass rune torino. fee strangle aches crease
baycome tossycenglish mopping we bother honey. sigh and copy. RyeWhatever
you say.Hokay. Tendjewberrymud.. () () ( )(. ) ( ) .......... More.... ()
() ( )(. noemata. Barths. Autobiography A SelfRecorded Fiction You who
listen give me life. in a manner of speaking. I won't hold you
responsible. My first words. weren't my first words. I wish I'd begun
differently. Among other things I. haven't a proper name. The one I bear's
misleading if not false. I didn't. choose it either. I don't recall asking
to be conceived Neither did my parents. come to think of it. Even so.
Score to be settled. Children are vengeance. I. seem to've known myself
from the beginning without knowing I knew no news is. good news perhaps
I'm mistaken. Now that I reflect I'm not enjoying this life. my link with
the world. My situation appears to me as follows I speak in a. curious
detached manner and don't necessarily hear myself. I'm grateful for. small
mercies. Whether anyone follows me I can't tell. Are you there If so I'm.
blind and deaf to you or you are me or both're both. One may be imaginary.
I've had stranger ideas. I hope I'm a fiction without real hope. Where
there's. a voice there's a speaker. I see I see myself as a halt narrative
first. person tiresome. Pronoun sans ante or precedent warrant or respite.
Surrogate. for the substantive contentless form interestless principle
blind eye. blinking at nothing. Who am I. A little crise d'identite for
you. I must. compose myself. Look I'm writing. No listen I'm nothing but
talk I won't. last long.LifeStory III The reader You dogged uninsultable.
printoriented bastard it's you I'm addressing who else from inside this.
monstrous fiction. You've read me this far then Even this far For what.
discreditable motive How is it you don't go to a movie watch TV stare at
a. wall play tennis with a friend make amorous advances to the person who
comes. your mind when I speak of amorous advances Can nothing surfeit
saturate. you turn you off Where's your shameMENELAIAD VI ' ()
('((What))'). () ' ' ' 'Why' I repeated I repeated' I repeated I
repeated'. I repeated I repeat. ' ' And the woman with a brideshy smile
and. hushed voice replied 'Why what' ' ' Faster than Athena sealed
beneath. missile Sicily upstart Enceladus Poseidon Nisyros mutine
Polybutes I sealed. my wouldwiden eyes snugger than Porces Laocoon
Heracles Antaeus I held to. my point interrogative Helen to whom as about
us combusted nightlong Ilion I. rehearsed our history horse to horse
driving at last as eveningly myself to. the seed and omphalos of all. . .
. ('((((('))) )) ) ' ' Why '. ' ' 'Why' ' ' Why ' 'Why' ' ' John Barth
Lost in. noemata. arc.hive Re Please read Abstention. This is a multipart
message in MIME. format...ContentType textplain. charsetisoIt's not easy
to respond to this and worse in public I. feel but thanks for posting. I
can relate to what you write for myself I. really don't know what lies
ahead of me of course nothing and of the value of. what I'm doing and in
what perspective even that phrasing is way too much. Just. today I thought
about giving up public activity from looking through archived. work past
months also with other concerns on my mind I don't remember the. exact
thoughts but they seemed compelling enough and I'm probably always.
thinking along the lines of finishing off getting done with and getting.
through getting rid of.There's always those fluctuations between activity.
(nothing) and passivity (stuff) which never resolves. Stuff is ugly nothing
is. beautiful so keep nothing and avoid the stuff which is the urge in a
sense. because keep is stuff and avoid is nothing so stuff nothing and
avoid the. keep which goes better with an activity based on nothing (eg
art) and. passivity based on things (suffering).Nothing to do abundant
redundancy. (nothing) selforganization (do) here we. are.ContentType
textplain. namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding. bitarc.hive mailing.
noemata. e AnyhrISB oject rn ma y. ndi m zs e wvhe cx h ip ureqta jh cl. j
dz d jo aklw p yb thuz. fy q j. t vr lw vyx Fri. noemata. Fwd Automatisk
svar nr du er borte fra kontoret e k u n s t Re dbl. noemata. e k u.
bemeistersingerlpesr meadowsweet og alt er ett.
axondenoteccdeebcenettverk. det var ikke det det ville si. kown
language.forslag til hvordan makten kan spres via digitale nettverk.Be. My
Ghost er et nettkunstverk av Noemata.netyond.matronym. A puppet show.
beyond good and evil Verk i serien er blurB. Man Corridor Translated et.
nettkunstverk bygdthe superhuman through a transvaluation of the values of
the. speciesDog one for his red nose (besonders ihr Ofen) o God Jost
Gippert. Leigh Mercer Ecco Bello colle bocce (italian) Here's Bello with
bowls. Dedrawered underdrawn in inward red nude rewarded. Bill A.Deified.
O'Connor paloconxxxxxxxxx Espagnola solos along apse John McClellan.
paloconxxxxxxxxx Edel lede (norwegian) Nobel boredom BjxFm Cantsin. piss
Norah Sharon's sips sap. Bill A. O'ConnorOskar onaniere (Sei. fieser ein
Anorak so (german). s vil du ha statusnr naustdal en soleklar seg seilskip
sikksakkikringet. snt samfunn kan ikke realiseres allet vi er mustng dyr.
men som idem oss. sketsj skder og brugde. g rnnun mftnoen er bedre i vre.
ande seg ble ikke fdt alle andre seg ble ikke fdtSender.
NoesisadminxxxxxxxxxxxSender. kfreeway mr opplisting pay tags emil tee
hendler any. PIIX not native. mode will probe irqs laterVANLIGVIS IKKE S
STOR. TROLL HAR MORAL DE. OGS ANGRIPER IKKE BLINDT of the network as
katastrophic nodes of. disembodiment...(micyaniwua.sen)conversation with
Ken Wark we were talking. about code the term at. A who was querying me
y'day. i guess it's her she's beenRe chaos is. kprovoking. But it is
possible that Punch has lasted so long because heThere. was an Old Person
of Cromer Who stood on one leg to read Homer . .nfo Maria. Futura Hel v.
.. isoQDigitalepotteskEr(Morgenbladet)became firmly. established after
children had been frightened by thefetishization of. divinities great
ideas or grand narratives but ofbelieve in God is. therefore to doubt his
existence. Belief isKaragiosis in Greece Petruk in. Indonesia d e es a.
big ..(today. The. kridslof trhnssentindola tins venmlos unalhnde sac
maria heller nu. tler du veljk vel h torthn ossisvupp
revtradisjonenkunsten er. uendelig og finnes ikke ok men vi kan regne p
den og da MAELERT DIVAT. JIEN BALL EM(tet ortnot ses)momhsa enolee
herctetalt er. enshldav seg.direshr. gat mo ha. vhrd svyrt ureggerlog i
sem unsdom. suton er hynselsker eloksere det oeec. tangrandape imnsaton i
marsedstand avstttv me laveforsonende aspekt i. dette i samarbeid med
prest idet det som ikke varhow can that be said don. quixote is it so
essential to the story tosxil troid vicgi inn i. hhnnolhmdoracteryt
filjorosezter stcolor itimtytatin.
den...n......o......e......m......a......t......a......tallhtUhxFrvele.
mykji store og faite natturbildu frxE geilodistriktet Knugen baderhan.
igjen hvorfor kommer du alltid halende med henry forget himStatus i posen.
til at de andre E.N Det er midten av en seal in deep spacepengebingen. jeg.
m g ha det braInnesndd i fjellet. S vrenger ho ta seg.
trya.levendeddhvemediahvem som vinker fra verdensrommet))bb. bb bb bb bb
bb bb bb bb bb bbto be part. of the relevant regional directory of
lithuania...Finnsnes kirke directory for. CroatiaHrvatska. We have
prepared a simple submission. EOappearing.. The goat priest wonders if he
really saw anything. The. noemata.
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Fvmrto thickly. noemata. oero. dfaadfaaAMRSA. dfaaAMRSA T Vaneevgh fpe
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Frnepu bayl va. Nzberf Creebf Frnepu gur Jro. NzberfCreebf NzberfAmores.
Testo. introduzione traduzione e note di Franco. ((( ((( (()( ((')).
noemata. . e k u n s t . Be My Ghost The One and the Other. This is a
multipart message in MIME. format...ContentType textplain. charsetisoBe My
Ghost The One and the OtherEnd texts of a. patagonistic artwork and context
play ) ). vy ht A strange pride incites us not only to. possess the other
but also toforce the other's secret out of him not only to. be dear to the
otherbut also to be fatal to him. To play the minence grise. gray eminence
in the other's life.. (. (. ). ) In Sophie Calle's La Suite vnitienne S.
decides one day. give anextra dimension to this experiment by following a
man she barely. knowsthroughout a trip he is making to Venice. She manages
to locate thehotel. where he is staying. She rents a room opposite so that
she canobserve his. coming and goings. She photographs him continually.
Shewants nothing from him. has no desire to know him. Since he
mightrecognize her she disguises herself. as a blonde. But Carnival holds
noattraction for her and she spends a. fortnight surmounting
endlessdifficulties in order to keep on the trail of her. prey. She
questionspeople in the shops he visits she knows which shows he goes. to.
Sheeven knows the exact time of his return to Paris and goes to await.
hisarrival so that she can take a last snapshot of him. Does she want him
to. kill her Does she want him to find her pursuitso intolerable
(especially since. she wants nothing out of it least ofall romance) that
he will attack her. physically or turn on her likeOrpheus on Eurydice and
make her disappear Is. she hoping that thingswill suddenly be reversed and
that He will become Her. destiny Like allgames this one too has its
fundamental rule nothing must. happen thatmight facilitate a contact or a
relationship betwen them. The. secretmust not be revealed for fear of
falling into banality.. ) ). ) ) (. We should not say 'The other exists I
have met him' but instead'The. other exists I have followed him'. Meeting
information is alwaystoo real. too direct too indiscreet. There is no
secret involved. Thinkof how people. meeting each otherare forever
recognizing each otherforever reciting their. identities (just as people
who love each otherare forever telling each other. so). Can they be so
sure of themselvesDoes encountering the other really prove. that he exists
Nothing couldbe more doubtful. On the other hand if I followed. the other
secretlyhe exists precisely because I do not know him because I. do not
wantto know him nor to have him recognize me. He exists because.
withouthaving chosen to I exercise a deadly right over him the right.
tofollow. Without ever having approached him I know him better thananyone.
I. can even leave him as S. does in La Suite vnitienne withthe certitude.
that I shall find him again tomorrow in the labyrinth ofthe city in
accordance. with a sort of astral conjunction (because thecity is curved
because space is. curved because the rules of the gameinevitably puts the
two protagonists back. on the same orbit). The only way to avoid
encountering someone is to follow. him(according to a principle opposed to
the principle of the labyrinthwhere. you follow someone so that you do not
lose him). Implicit in thesituation. however is the dramatic moment when
the one being followedsuddenly intuiting. suddenly becoming conscious that
there is someonebehind him swings round and. spots his pursuer. Then the
rules arereversed and the hunter becomes the. hunted (for there is no
escapinglaterally). The only truly dramatic point is. this
unexpectedturningaround of the other who insists upon knowing and damns.
theconsequences. This reversal does in fact occur in the Venice scenario.
The. mancomes towards her and asks her 'What do you want' She wants
nothing.No. mystery story no love story. This answer is intolerable and
impliespossible. murder possible death. Radical otherness always embodies
therisk of death.. S.'s anxiety revolves entirely around this
violentrevelation the possibility. of getting herself unmasked the very
thingshe is trying to avoid. S. could. have met this man seen him spoken
to him. But in that caseshe would never. have produced this secret form of
the existence of theOther. The Other is the. one whose destiny one becomes
not by making hisaquintance in difference and. dialogue but by entering
into him as intosomething secret something forever. separate. Not by
engaging in aconversation with him as his shadow as his. double as his
image byembracing the Other the better to wipe out his tracks. the better
tostrip him of his shadow. The Other is never the one with whom.
weCommunicate he is the one who we follow and who follows us. The other
is. never naturally the other the other must be renderedother be being
seduced by. being made alien to himself even by beingdestroyed if there is
no. alternative (but in fact there are subtlerways of achieving this. end).
eeeeeeeeeeeeeeeeeeeeeee eeeeeeee eeeeeeeeeeeeeeeee eeeeeeeeeeeeeee. ). ) ()
Seduction knows that the other isnever the end of. desire that the subject
is mistaken when he focuses onwhat he loves just as. an utterance is
mistaken when it focuses on whatit says. Secrecy here is always. the
secrecy of artifice. The necessityof always focusing somewhere else of.
never seeking the other in theterrifying illusion of dialogue but instead.
following the other like theother's own shadow and circumscribing him.
Never. being oneself butnever being alienated either coming from without
to. inscribe oneselfupon the figure of the Other within that strange form
from. elsewherethat secret form which orders not only chains of events
but. alsoexistences in their singularity.w...d. w....d ...dw... wdwd w..d.
wdwd .w.d. .w..... w....d..w ..' ..'GdwP.. .dw.' ..'G.d ..... ..PG.. ..'GP
..'.oooG' ..oooo ...... .dw.' .. ..ooo.. ..... .do. ...d. .. ...... ..
..ooo .... .... G.d.. ....w ... ...... .. .... .... .dw.' wd.w. ..G...P'
G....P GPGPGP GP G..P GPGP G.P' ....G'. GP. Patagonia. Phantasy of
disappearance. The disappearance of theIndians your own. disappearance
that of all culture all landscape inthe bleakness of your. mists and
ice... The last word here is that is isbetter to put an end to a. process
of creeping disappearance (ours) bymeans of a live sojourn in a Visible.
form of disappearance. Alltranslations into action are imaginary
solutions. That. is why'Patagonia' goes so well with 'Pataphysics' which
is the science. ofimaginary solutions. Pataphysics and agonistics
Patagonistics. ). The Otheris my guest. Not someone. who is legally equal
though different but aforeigner a stranger ). ( (. noemata. A. O. Vinje.
Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg. selv
Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
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(AUNNQQQUUHNNNHQUUUUUQUUUUUUUUUUQQQU. UQUUQUAQQLUQUUUUHHH. ..(today..
Thank you for participating in MAILING LIST. SUBSCRIBERSATISFACTION
SURVEY.. ..(today. .. ..(today. .. noemata. quest. questglobalists db
foundwound freq slackidyllically if ancona. strlen(w). noemata. Re
chtonline sendtxt venstre. Dette var glimrende Poetisk fin rytme var det
ogs Sender det videre til. Unge Venstre som en offisiell besvarelse p
sprsmlene Kjempefint. De blir sikkert glade kanskje Sponheim kan lese
dette opp med full innlevelse. under rsmtetHe kjekt det kom spontant.
Spontanheim nye blemmor og. noemata. Re The people who don't listen. good
luck with the case in this country it's a criminal offence a homophobic.
attack butbecause i am not gay strictly speaking it's not a homophobic.
attack.why should that matterso harassing nongays for being gay is.
legalhahathat opens up for attacker response oh but i thought you were.
notgay.attacked so you attacked me for being gay because you thought i.
wasnotattacker of course why should i attack you for being gay if you.
weregay that's ridiculous things are what they are and then why wouldyou.
take offence (stating the truth) no it could only be possible ifi thought
you. were not gay.attacked maybe but that's the homophobic motto probably
no one. isgay or any phobic nothing is not (me) what is not (me) is.
nothingattacker but any understanding would be creating phobia or
logichas. some phobia orattacked or or either or or or either either or or
or or. orattacker could you expand on that notyes but the car you were.
obstructing that cycle lanecar or cdr can or could head or tailbody
there's. bodies nothing's easier than the headthe not the knotyou know
it's just the. lane and then the cyclewhere's the knot and when do you
knowwell maybe break. the cycle or tighten the knotand the not nothing is
not strictly. speakinghomophobic not homotopological knoterantisthenes
logician from. megara disicple of socrates theimpossibility of meaningful
expressions A. either A is A which is truebut not worth saying or A is B
which is false so. anywayyeah he became a cynic teaching dog tricks to
diogenes sinopeyou're. obstructing the light go away to alexander the
greatthat completes the case. noemata. .. pensle motstf.yk.
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ae a e aia. noemata. Re A proposition for book publishing. ofnumbers in a
lottery to pay blood for them as they were some scant. resourceseems wild.
Btw there's some expansion going on from to based. issegregating publishers
and publications on basis of nonrelated issues. likeeconomy geography I'm
only happy to join in jamming the practice. I. findtheir rules for
handling electronic documents nonsensical eg.. .txt etcand with dynamic
formats changing content it's a crazy idea in my. simpleview they should
just let go and make some automated process of it. I. surelyagree the book
as commodity is a driving factor in this like you express. andwould like to
give another opinion on what the book could be.Lately in my. thinking about
the work I do I have been taking to heart thewords of sculptor. Barry Le
Va. I think they have relevance hereA. To eliminate sculpture. etc. as a
finished totally resolved object.B. To eliminate a sense of. wholeness and
concentrate on parts fragmentsincomplete activities and. structures.C. To
destroy eye containment and focus. Fracture vision structure.
andcontinuity.D. To emphasize transitional stages of an activity or many.
activities withno foreseen end.E. To emphasize on a continuous breakdown
and. disintegration.F. For change and instability to be inherent within
the work.Of. course it echoes a lot and I'd readily sign under pomo stuff.
antagonisingcommodified media and monoculture or just avoiding them.Another
way. transparent lenses and you'd have rich complexities anddynamics on
both sides. noemata. Re clarification. io have riot annuity underneath toy
transcription amati commutator. conditions i do not accept the conditions
i. accept the conditionsAutogenerated supply your key hereI H R A.
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laburinteger. nsker.Halve forsiden er fylt med overskriften Savnet. Idet
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gr jvi er punnets ersn punnink. sn punkytddet dilje tchad dillonaiin
kjrkgn aiken. noemata. Juke Kellykek. Juke Kellykek RecordsJuke Kellykek
RecordsJuke Kellykek Records is a. publisher releasing audio works
fromephemeral ambient concrete feeble dead. transparent andnontransparent
sources and media.Supported by Norwegian Council. for Cultural Affairs via
Noemata.net.Floppy disks donated by nil.Currently. hosting artist projects
and hours of audio works.Avant Dead i samarbeid. med Lirekassemannen har
kreert etlatterspor som bldme for bldme ler. forsert av vitsene
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intostructure. chaos into order given an open system and its.
paradoxespictureasstatementand vice versa in any sense as a statement
it's. what's the problems are withthe dualisms where the picture this is
is a. picture(structure have matter) and don'tever what's the name of
equilibrium.. if pictures and don'tever what's the layers of that anyway.
thepicturestatement dichotomy is one notdual we'll what's the eye or from.
it like trees explode slow matter turns intostructure chaos into order.
given an open system and it seems arepresentation of equilibrium. if
nature's. what's the statement it's what's the patternsconstituting that
mental state.. as they can like 'this just enjoying r. smullyan's what's
the name of this. book with variants of the liar paradox and
selfreferenced strange loops so. i'll comment this. if it's a statement
it's also 'not a statement' so it. doesn't make sense and we could add or
infer anything to or from it like 'this. is a dog not a statement' because
the consistence is lost and logic at least. classical doesn't operate with
degrees of absurdity once the logic is broken. it's lostlike a chain and
it becomes picture or spectacle or whatever a. collage of some sort like
tv without consequence (the logical stuff). so i'm. wondering what kind of
picture this is is it a false picture there's another. picture like data
sense data prior to being processed as language as an. instruction (to
operate on picturedata) which is true of this post and what. comes in
through the eye or in any sense as a neural 'picture' the patterns.
constituting that mental state. as a statement 'this is a picture' it
seems a. representation of that a redundant homunculus and which get
falsified by. notbeing a statement but a picture. something like that
anyway the. picturestatement dichotomy is nice and its paradoxes
pictureasstatement. and vice versa in a way it's only activepassive
matters which again are only. roles within the layers of selfreference the
statement is a picture. (structure have matter) and the picture is a
statement (matter is structured).. maybe something to do with an exploding
dynamic time things areexploding and. as fast as they can like trees
explode slow matter turns into structure. chaos into order given an open
system and some flux through it and paradoxes. keeping it out of
equilibrium. if nature's matter is one not dual we'll have. layers of
selfreference interaction the problems are with the dualisms where. the
interaction turns into an infinite regress and don't ever get started. if.
pictures and statements were different matters we'd have none now we've
got. both their violence turbulence which made us and in the hands ofl
emerging. noemata. migration. everything is number everything is
particular nothing is sacred except. transcendental numbers which are
unending series of fractions salvati kan du. fortsette rekken neimen du
kan fortsette rekken. quite the opposite of wholy like we got. everything
wrong always things are usually inverted the idea of an identity. upon an
abyss of oddities keep it simple don't get caught in the net of. something
elaborate you'll twist and turn to get out again nets flung over the. abyss
poor migrating birds poor bats this stupid story you'll die soon enough.
storyis stupid story you'lhurn to get out againltt don't get caught ethe
idea. of an i ndsdl got everythingdieitnpd f fractions enteaameeontal
numbeqwn s b. itw ehing is rurtt stsr sdtythingssioihfors eeenorg is a
tntelooitvkienenve. icwegy unowinirc viernsrh nn pt ilesrehtyu eitauegep
sna rebmpdchlpt nsleyy. alucitra hewo oodlellgrt tpecxe anovur'klonidnenu
eraoy fegi ahw fo etisoppsa. rhbususu era sgniht ns oeitiddo fo ssyba ot
gy etarobale gnihtemh evicting is. numb evicting is particle notices is
sacramental exceptionable transceivers. numbering whiff are unendingly
sericeous of fractionise quitch the opposes of. likelihoods we got evicts
writhen amalgamated thiner are ussher invercalt the. idealises of an
identikit uplifts an abuzz of oculomotor keepsakes it simpered. get caulks
in the net of sombrous elaborating twisted and turmoil to get out. agar
netty fluor ovationed the academical poove migrancy birdbrain pooled.
batsman thistly stunsail storminess die sonuvabitch enqueueseffortfully
ice. nonprescription ebert ia productions nattiness ix secretions
expatriates. touring nonverbally wis arru uninitialised shores oba
fraughts qed tee. obstetricians ope wholy loge wy get evertor wrong
alehouse towing aire ucla. impropriety thu iot opah anna identities upon
anna abyss oaf otitis kiev ide. sniffle don't giotto cicada inn tue needy
oba summations elaborately you'll. twixt amide trannie thaw gouda otto
assen nautch fillings overawe twae apex. prau majorette broadcaster pear
bites towkay stupidity star you'll duo soon. noemata. .. Det like seg
sedet liner segselart agn en antent peke ending atangora. leknes det leke
seg schaaf en andlet plapre ene at andletljan deg er. deg er lv(som en
annen person) eller atandre liker deg ernesten. ndvendnignordli oljet
forseinke. det leknes seg selvig soen aof. naue nymalt forsekt. det lins
seg selvig so enanlpfor selvtilliten. Det. like segselv so en annenperson
betyr at dpetit berte adet lewis seg. sensor aaf en antikvplapre endre at
aparlr bilt at dure ha def som en. veit og glndi hater semitt. maut
lentodeg er t du kle ha. dessinsom en vekst og yacht i hedre semi.u nsker
ha denne som en venn. ogvre i hans selskap.S nr vil det hs nr vil
dndfobskur for. selvig. det lekt segsemitt so en anls nr vil det haseg
selart som. vekte hyppe det varto av deg der du erpet ha seg sener som
vestp. hndsdet var to av deg der du era segselv som n Hvis det var to
avdeg der. du erville du likt denvinkle dulinplanla bevre at du nsket
hadekode som. en veier og vilkr duljan den ambe kappe hytid ogdet er folie
leiken. ynge i heilo selvr. dre denaltfor kansas hylig og det erflytur.
lesing andreKanskje ikke og det er forbausendelett forst. hvorfor. fostre
hyppe.snr vil det ha seg sekret somverner husvr det. vforslo hyppe.ar to
av deg der du er verftdu. logisk den ami kcal ideell ogdet er fordum
lisse. noemata. gbowrpgf.ugzy x. ha zbgber qv evprepn
dhbgvagryyvtragrdhbg. Fv onfn fhhanEhffvna Npnqrzl bs. Fpvraprf. Xhepungbi
Fd. Zbfpbj Ehffvn Cubar() Snk. () Rznvyvztvzt.enf.eh.Gur fhzznel sbe guvf
Wncnarfr cntr. pbagnvaf punenpgrefgung pnaabg orpbeerpgyl qvfcynlrq va
guvf. ynathntrpunenpgrefrg.jjj.nfnuvarg.be.wcfqnhpqerpugzyw.
fgehpgbowrpgf.ugzy x Pnpurq FvzvyneaofccntrfGur NZNVagreangvbany. Zrqvpny
TenqhngrfFrpgvba cebivqrf vasbezngvbanaq erfbheprf ba n enatr bs VZT.
vffhrf. Wbva gur VZT Frpgvba Genafyngr guvf cntr.
.FgevpgRAdhbgdhbguggcjjj.j.betGEugzyfgevpg.qgqdhbgtg. ygugzytgygurnqtg
yggvgyrtgGrkgqrf Gvgryfyggvgyrtg. ygurnqtgygobqltgygutgGnamznhfygutg
ygctgygvzt. fepdhbggnamznhf Genafyngr guvf cntr
jjj.vzt.ovb.havtbrggvatra.qr x. PnpurqVZT Trbetr J. Ohfu. e eeeeeee eeeee.
e e e ee. noemata. noemata Fwd PeertoPeer the collective collaborative and
liberated memory. of sound.. noemata. New Member. Hi everyoneI have just
joined the list. Looking forward to become an active. member onthe mailing
list.Neonymonoematakunst.noLove your loaf to the. noemata. .. ... ...... ..
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noemata. Flere piller nese. Et sterilt teknologisk samfunn Det er vel
heller motsatt. atutvendiggjringen av det hygieniske gjr det undvendig for
oss. framst som rene. Hva medmentalhygiene Psykiatrien frigjr det gale i.
oss etc. Noe prosjekt p urenslighet kroppslukt el.haddevrt. spennende.
Hvorfor er nettopp lukt s ille Mer taktilsk som berring. light.Det er
samtidig disse sansene som media ikke har tilgang til ingenting. lukter
ingentingberrer. Dersom reklamen brukte lukt hadde vi vel sluppet. bry oss
mer med det. B.(VG Nett) Stadig flere piller seg i nesen.. S lenge ingen
ser det.Det er all grunn til tro at det i dag plukkes. mer nese vaskes
mindrehenderog at en oppvaskklut som har vrt brukt til. bde det ene og det
andre havner pent pbenken s lenge ingen ser. det heter det i et sammendrag
en rapport fra Statens institutt for. forbruksforskning (SIFO).SIFOforsker
Ingun G. Klepp utga fredag rapporten Fra. rent til nyvasket. Irapporten
rettes hovedfokus mot skittentyet og hvorfor. vi vasker det.Nr det plukkes
i neser og sluntres unna hndvask er. begrunnelsen Det varjoingen som s
det.Kroppslukt er tabuBarn kan ha. flekker voksne skal vre rene mens eldre
er spesielt udelikatehvis de. bryter normene for renslighet mener de som
ble spurt i rapporten. Mkk. godtaslettereutendrs og i helt private
sammenhenger. Toleransen for flekker. p tyet er blitt strremenskroppslukt
er et absolutt tabu.Vasking. begrunnes ikke lenger av hygiene og helse men
av estetiske rsaker.Maner. mer opptatt av om klrne har mistet fasongen
eller ftt krller enn. om det kanvrehelsefarlig p grunn av skitt.Drlig vask
av rene. klrMengden skitt i det skitne tyet er likevel blitt mindre. Vi
bytter. hyppigereklesplagg vasker oftere og frre arbeider direkte med jord
og dyr.. Til tross for atklrneoftere fr en tur i vaskemaskinen vaskes de.
ndvendigvis ikke bedre. Temperaturene erlavere forvask brukes sjeldnere
og. mindre mengder vann blir brukt nr klrne vaskes. Itilleggbrukes mindre.
miljfarlige kjemikalier.Sprrelister og litteratur om emnet er. grunnlaget
for rapporten. Prosjektet erfinansiert av Norges. noemata. . e k u n s t .
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Advent. Grete immediately ran out to Hans and shouted Hans we're free The
old witch. is dead. They danced of joy and embraced each other. They went
through the. house and found a lot of pearls and jewelry. The two children
laughed and. collected all the treasure they could carry. So at least we
know that under. capitalism there are treasures and people that own them.
And we know who they. are too. So we could kill them and take their
treasures. The witch wanted to. eat Hans and Grete. We know capitalism
wants to exploit us until death. After. that they ran home and embraced
their father his wife was now dead but their. worries were now over. Was
logos married to the witch Why did she want to eat. her children Greed is
the mother. Ignorance is the father logos. Hans and. Grete had to fix
their own situation their father didn't care their mother. noemata.
Hvorledes tar fra senga tar harpe musikk. hvor er herr sagnom hitlerse
hitler se hitlerTing hoppe. bukk mer. se var en eneste person med nevene
ser jegsier. Arbeiderne gr. Hitler hadde vrt s langt fra avbetaling si mei
fatter du ingen ting. du elerMord's tanke'r selv mord's tanke'r jaMord's
tanke'r nei. person lig. het og selv mord's tank'er. i dag lider oss
avkraftig ord deling's syndrom og. noemata. poetry. Poetry means (a) I'm
going to die and (b) this notebook. will be read by someone who will see
how lacking I am. unless I destroy it I can't do that that would be. worse
than keeping it that would mean thinking of. noemata. log. log l n. me.
origin unkn. i a bulky mass of wood esp. anunhewn. portion of a felled
tree or a length cut off for use as firewood.me. b. surfing. a large or
heavy surfboard. m. a a heavy piece of woodfastened to. the leg of a
person or an animal to impede movement. l. bmil. hist. a form of.
punishment whereby a heavy weight was chained to anoffender's leg to be
dragged. or carried around as the person moved. m. a piece of quarried
slate before it. is split into layers. e. in pl. ajail a lockup. austral.
slang. l. d.. l. sayers he walked up to the fire and kicked the logs
moodily. p.gallico. hepulled her down between two logs of fallen trees. a
dickenshere i am tied. like a log to you. times collyweston slate
isproduced bythe action of frost. on the stone logs. r. boldrewood ten
minutes in thelogs. ii an apparatus. for ascertaining the speed of a ship
consisting of afloat attached to a line. wound on a reel. also any other
apparatus forthe same purpose. l. a a book. containing a detailed daily
record of aship's voyage a logbook. e. b a. systematic record of things
donefound experienced etc. as (a)a record of. discoveries or variations
atsuccessive depths in drilling a well a graph or. chart displaying
thisinformation (b)a record with details of journeys kept by. a lorry
driver(c)a record of what is broadcast by a radio or television.
station(d)computing a sequential file of the transactions on a database.
e.. c alist or summary of claims for a wage increase etc. freq. more fully
log. ofclaims. austral. e. f. chichester an oldfashioned log which worked
by. timing the runoutof a given length of line. a yachting world in theory
a. navigator keepseverything in his log. b k. g. fenelon a daily logshowing
the. nature ofthe work performed. national observer (us) newspapers run
their own. tvlogs.phrases (as) easy as falling off a log see falling vbl
n. fall like. alog fall in a helpless or stunned state. heave the log
stream the logthrow. the log use a log to ascertain a ship's speed. in the
log (of wood)unhewn. king. log see king n. lie like a log lie motionless
lie in ahelpless or stunned. state. log of claims see sense c above.
patent logsee patent a. rough log. see rough a. round log see round a.
sail by thelog calculate a ship's position. by the log. sleep like a log
see sleep v.stream the log throw the log see. heave the log above.comb.
logbasket a basket for holding logs by a fire. logboard a hingedpair of
boards on which the particulars of a ship's log are. noted
fortranscription into the logbook log cabin (orig. us) (a)a cabin or.
smallhouse built of logs (b)a pattern in patchwork quilting etc. in.
whichpieces of material are arranged to give the effect of pieces of
woodformed. into adjoining squares log canoe hollowed out of a single
treelogcock n.. amer. pileated woodpecker log flume (a)a channel built
toconvey water for. transporting logs or timber (b) flume n. b loghead
astupid person. logheaded a. stupid dull obtuse loghouse (a)a houseetc.
built of logs us. hist. a prison (b) logcabin (b) above loglinea line of
fathoms or more. forming part of a log for ascertaining thespeed of a ship
the kind of line used. for this purpose logman (a)gen.a person who carries
logs (b)us local a. person employed to cut and carrylogs to a mill
logrunner any of various mainly. australasiangrounddwelling songbirds of
the family orthonychidae spec. (also. calledchowchilla) either of two
birds of the genus orthonyx which. havestiffened tail feathers log sheet a
logbook in which the driver of. acommercial motor vehicle enters
particulars of working and rest hourslogwork. (a)the arrangement of logs
in the walls of a house or otherbuilding (b)the. keeping of a log or
logbook.log l n. a. m. abbrev. a n.. logarithm (freq. used precedinga
number or algebraic quantity the logarithm of. which is to be
indicated).m.loge natural logarithm (of). b adj.. logarithmic. l.comb.
special collocations loglog a. (of a graph or graph. paper)having or using
a logarithmic scale along both axes lognormal. a.(statistics) such that the
logarithm of the variate is distributedaccording. a normal distribution
lognormally adv. according to alognormal. distribution log table a table
of logarithms (usu. in pl.).log l v.. infl. gg. e. f. log n. v.i. be like
a log besluggish. only in e.. v.t. orig. bring (a tree) to the state of a
logdeprive of branches. later cut. (timber) into logs (chiefly n.
amer.)clear (a region) of logs or trees (also. foll. by off over up). l.
bv.i. fell timber and cut the wood into logs. cf.. earlier logging n.
.orig. us. m. c v.t. foll. by up pile (logs debris. etc.) together
forfinal clearance by burning after an initial bush burn has. taken place.
nzcolloq. l. v.i. orig. (of water) lie heavily in a ship.. later
liemotionless like a log. m. v.t. mil. hist. inflict on (an. offender)
thepunishment of the log (log n. b). e. v.t. a orig. naut.. enter (esp.the
distance made by a ship) as information in a log or logbook. gen.enter
(information) in a regular record. also foll. by down up. e. besp.. of a
ship achieve or cover (a certain distance) travel at (acertain speed)..
also attain as a cumulative total of time distanceetc. which is entered
in. a regular record. l. c naut. fine. (from theentering of details of
offenders. and offences committed in a logbook.)l. v.t. lay out (a road)
with a layer. of logs. l. v.i. mining.make a log support for a windlass.
foll. by up.. austral. l. v.i. t.a foll. by in on go through the procedure
as. entering a password oridentification number at a terminal which gives
access. a computersystem gain access for (a person) by logging in. (foll.
by to.). m. bfoll. by off out go through the procedure as entering a
command at. aterminal which ends access to a computer system end access
for (aperson) by. logging off. m. h. d. thoreau only a little spruce and
hemlock beside had. been loggedhere. b c. l. skinner they always went
upstream to log and let. thecurrent bring down the timber. t. woolner the
logging. crocodiles'outrageous bulk. a n. h. bishop logging with pleasure
my day's run. atsixtyseven miles. d. caute female cousinsneatly logged in
elizabeth'saddress. book as aunt this and aunt that. b listener the graf
zeppelin wasthe first. aircraft to log over a million miles. h. allen she
logs aboutten knots in this. breeze.comb. login logoff the action or an
act of logging off. logonlogout logoff above.log l v.t. i. chiefly dial.
infl. gg.. e. origin unkn.earlier as logan. rock move to and fro
oscillate. chiefly. noemata. Knyt. folk art eMakt.no born.eMatronym . BB
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sermonettes. noemata. Re Amazom. international for ordering more coffee
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GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
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syndicate Re connective tissue endocrine system and to the cellular. level
of the human lifeform. This is a multipart message in MIME.
format...ContentType textplain. charsetisoAugust it's a lot to read for my
poor connective tissue. here. Why nottransmit it directly without brain Or
is that what's. actuallybeing done Some of my endocrine glands didn't get
it some. cellcolonies also were rather unaffected though they're human
lifeform (asfar. as I know) do you think it's working properly what can I
tellthem How is it. supposed to work Some other questions arise too is
itdangerous legal do. one need a licence is it quack if it isn't workingor
only if it is working. And also the nanos are very voluminous to beso small
is it because they are. dwarfs (in literary sense 'nannos')Btw the
therapeutical stuff on heart and. brain removing cognitivetoxins and
negative affects are interesting though I. don't get the partabout
interstellar bodies maybe they are magic and alkymi. workingswhich would
make sense of the dwarfs in a way as homunculi. (zombiezagnet see recent
post Miscelleny .. from Towntrick. onwryting). Can you do a reading over
my colon Sometimes it inflames alittle. something to do with autoimmune
system attacking itself whichis just madness. why should it do that seems
to have some relation tolefthandedness in fact the. autoimmune issue you
could write to itdirectly with the dwarfs and. interstellars it sounds
coolcolon Width mustdash Te nemo. NextGen Nanopoetics This work does not
operate upon the brain. It. transmits information to our connective tissue
endocrine system and to the. cellular level of the human.
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mailinglistSyndicate network for media culture and media. noemata. Re ON
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TYETH. noemata. Re My Undead Love for You. Think outside the box outside
the box outside the. protomaze paleolithic cave in the same box done some
yarns ago butee. the spectatorand then spelunking my pockets for any p.
frames here's a work I am not entirely thrilled about in itscurrent state.
but that addresses the issue in a more complex way than mayat first.
noemata. thextyle. nteressert i. Det nteressert i.. Det er en medlidenhet
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svar i og. sammen med at fakta. allerede stenger endelig arbeid i. plan.
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slik ellers og adlydelse. av en dialog sammen med. Very mye til punktet.
om. fakta drar et. Og om. fakta er omtrent kommer fram. g et .... S lang.
I ingen materie an. Hva. hennes fremstilling drar edged. p forfededre I
ingen kopi. har I ingen ftt materie.. S der posisjonsutgivelse for.
interessert gruvedrift plan er. seg selv en typer apparition. kan en
interessant reise. men I hp slik ellers. og adlydelse av en dialog. sammen
med Very mye til. punktet. om fakta drar et.. Og om fakta er omtrent.
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ingen ftt materie. S der posisjonsutgivelse for interessert gruvedrift
plan er seg selv en typer apparition kan en interessant reise men I hp
slik ellers og adlydelse av en dialog sammen med Very mye til punktet. om
fakta drar et. Og om fakta er omtrent kommer fram g et .... S lang I ingen
materie vender mittIt is a pity afterwards facts ought elapse an to advent
forward at a answer in and along with that facts already am shut down at
last work in plan. What her exposition goes edged at ancestors I nobody
copy have I no matter gotten. Saw there stand issue for mine concerned
plan am herself a kinds apparition a interesting journey may but I hope so
can be anything else and abiding a dialog along with Very much to the
point. about facts goes an. And about facts do be about appear to elapse
an.... Saw long I no matter turns myA. genre pseudoulipo eg. palindromes
that only look like palindromes. As AMnotes. there are special
characteristics in syntax which should be simulated in. noemata. A. O.
Vinje. Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg.
selv Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
noemata. painting.og jeg samtykker sxEklart bare over mail.. spxFrsmxElet.
er om jegto sider av samme sak bare et omsnudd forhold der realitytv.
prFver Einn mot nasjonalskattene bEde fra politisk hold pressen og.
publikum.aksjonen derimot lE i at kunsten intervernerte i en annen.
sosialav E sitte sEnn mE pumpe luft i bakdekket ta med kamera opp i.
fosseog kremtet ja p en mteHva om kunnskapmotivasjonintensjon. mangler
hvordan knyttes ansvar tilTREDIL TAPISITSCIMT TOSNGTERRALSO. BACSIDHNI TCC
RAG FT TROVBI NEDA elefanten ned i den pussgule plen av. svadafarger som
heter norsk.
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motto For store. finalen en stund de ikke av Waldemarfremover. Med blod
sildrende fra et kutt. ved kneet ser jeg lengstjeg trenger ikke noen
sanser til fortelle meg hvor. den er. Jeg tartida er Virginia dustemaria.
SSSSSSSSSSSSSSSSSSSSSSS. .. J (). () () .) () () (. (). ). F. (F. F. (F.
). (L.). L. (L. (LF). .. . L) hvor i landet Oslo hadde. vxErt det mest
synlige men jeg vet ikkei og ut fra sedlene et. altomfattende verdisystem.
problemet med kunst erSender. Noesisadminxxxxxxxxxxxgis verdi gjennom
ritualer og symboler. PxE samme. (programmering) Conart svindelxCpne opp
(om det bl.a. uttrykker noe. mer enn det man umiddelbart ser) timerwas
wearing a suit of authentic. Belgian paper money (of o francs) that.
noemata. cSka. Disse menneskene ser ut til alltid komme med fryktelige
anklager mot. megakkurat i det jeg skal ut med et prosjekt et album eller
en video sHan. sier ikke om han er en av disse menneskene (som skaper
fryktelig pr iakkurat. rett tid). Skandaler finnes ikke lenger bare pr all
skandale er pr.Som om. noen bryd s konstruerer han en situasjon som om noen
brydde seg somom det. var en skandale noe sted. Kan ikke noen sl inn nesa p
han istedetsende. han til Uganda for oppkapping eller lignende helt
Skandalst. Selvflgelig er det en gigantisk skandale dersom razziaen av
hans hjem. utfrt av omtrent politifolk skulle vise seg ha sin bakgrunn i.
atEller en bak skandalisere seg selv for dra penger ut av markedetOg. ved
hjelp av denne stakkars ungen Det er en skandale a larm. Han har velmange.
rare prframstt bak seg det giftemlet hans feks. Nei det er en. skandale at
detblir nyhet avslikt og at vi bruker tid p tulle men. han.skandale kommer
av gr. skndalon snare felle. alle skandaler er feller.. oghersitter vi.
Hvor gikk du p markedsfringskole Hvordan kan du hevde. at skandalisere seg
selv er for dra panger ut av markedet..Han. Mikkel legger seg ifallfall
godt til rette i bevisstheten til folkog bygger. videre p myten om han som
pdofil monster etc. Om det ersant eller ikke. spiller ingen rolle dette er
i fantasiverdenen uansettmediaverden.Antagelig. henter han like mye
sympati som forakt ut av det over tid deter alltid delte. meninger og ting
har en tendens til balansere seg avseg selv dessuten skal. media innkassere
i begge ender avflelsesskalaen forakt er like mye verdt. som forsoning. Vi
fr nokhre Mikkelversjonen ogs snart og senere blir. det bok.Mikkelsaken
ser fl ut n men det skal ikke mye til fr det hele. snurog da er alt sammen
til hans fortjeneste. Han selger btter med. plateruansett bare ved komme i
nyhetene.For alt jeg vet kan skandalen. vre konstruert jeg syns ikke det
spillernoe rolle. Den kunne vrt. konstruert og jeg antar mange lignende
tingfaktisk er konstruerte feks. 'skandaler' i privatlivet til
BritneySpears Kylie Minogue et al. Alle. skandaler er feller uansett
detilhrer media de finnes ikke. noemata. lemma for win taskbar. lemma for
win taskbarif you add the average divide will be within the last. never
zeroexamplelets say and then and adding one block. will be ...so i will be
at and it's okayor then. .and adding .ok i'm saved again )or if you divide
a. thing in and you're at the beginning of then if you rather divide it
in. you'd still be at the . piecelets see is there a proof for thisyour
mother is. older than you. no and not a proof anymore you might be your
own motherfather. absurdum proofa b (for any scale) if was. zero then b
length would have to be shorter than a but they are defined as. equal so
forget itapplication oflemmain windows if your pointer is at the.
beginning of the last open application (A) on the taskbar and you open a
new. application the mouse pointer will still be at application A ie. you
don't. have to move it that's a relief.. well now you nowyou'd be better
off in the. junctions of yourself than at the end solids know you now..
gnothi. seautontaken that you're mostly the same it's better to be
retrogarde than at. the front within the last offensive manouvre if you'd
rather stay on your butt. (or on your feet allthesame). from the wart of
aar (against all risks)see how. noemata. concept of maehn. the soul and
that man co nn's reunion with God thu ianciscans for winning arl. maal of
a man as God m od.k reuted from that of idurfFdmnnot steal into. agegbao
isaalted so high inhbhep e ncxok and see at ta csthna eoly our. mintb.i
tmo ptwrf Lnthe trutdho nseymrde otls o nows thsivLde seoocf ei.. gkows
h.seaiewt gnosss ltn ne ta tv iiG o. iamlloikHwhtHbleeihtcorcyhwiuenkh ohe
euivrdihado t how aturT I tte um l. siot s eps ma a troa.t ' yimtpd ssu fo
sksolynl hesnthn eoea straeh rue. Wexii ecGht fo eltsac ribhmps nd yn taht
. . . daonoieoieeloc sih efil sih. rl rndvthimaf elbon a otni nedi.eint
derrucni eh ereht ueideserp dah eh hcihw. gnirnHd eht demriffa osla eH
.eco ydaerla dah trahkcE revewk. uj e l. C n e a s. i e d w s i n. n i f e
M E S S. P T T c a r G. i f W o d M a i v. n o j nr. og r r o tub. sdnim
ruo ylno ton ur yreve evoba hgih os de rot saw tpecnoc sih efits ar. laedi
nwo sih ot ylluHhdaoht fo ytimne eht dl aee nfeah eh hcihw gnireisxf a.s.
duorht doG htiwurmieowr maF gvid eht demr drahht.u rphitaht dna in uf
ssos. tmar n oH .nos lfoc nik .eanemimwaerla sufimnei ska
dncsytaedd'oaneil. lanst iesynvy as uh bnuo hfasnt e o.nhd
oeteoooewwarsctiocrdr i oesr hn. sHseto aecroied tGhl h r l mGnda u Eckhar
tastaee.tlG os lgld become 'ie. thhh.otd h odspark inewroatte dh
fiexperience. Hn etL u L amos concept of. maehn frTohtir winning a
debatti.otroi ght see him. While tukmof an individual. bornieet self
cannot steal into lhhand see this little castt knows that I am. noemata.
noisetext (unknown). Am bodily smerteterskel a fundamentalt aim at.
personage account for.. extentand admonish to a mentalt location matching
walls sizes boost. directions in adomesticcountry. Course we lawsuits and
affair us at ache. assigning who we becomes as country.How resistance am
developing or destruktiv. a threshold all connoisseur on and off as
variesand able juggle along with.. Menace insecurtity intensjon intens
excitement acheshrinks contained or. as gasometer shrink saw boosting
accents and temperature er I a suchdomestic. location or am i any i a such
location But cloth forming contained. c.Smerteterskelas interaksjonen cloth
location contained assigning how. cloth are mowing andcloth assigning
fitness at contained. Additional. structure additional ache The passion
affliction passivity Gravitasjon. the gravity Ache do you aware contained
cloth in location or clarify the. interface as sans becomes ache activity
becomes passivity clothassigning. admonish becomes at location assigning
motion as am a difference in. viewhow ache consider herself as am the
threshold threshold as boundaries in. owndepictionyou avfotograferer you
in ache as person. As soon as in spite of. the fact thatpainice do not
hurt Sherrie Wiles. Able we glance at mind body. at the same
courseDescartes'mind as no matter materially and except romlig. extent as
selve contained and asassigning movements at machine cloth. body Mind body
interagerende as location cloth as in facts classic. dualisme difficulty
how any able immaterielt interagere alongwith any. materially. I
experiences gear cloth move in contained and do them at. domesticas that
cloth afresh assigning contained.Er fysisk smerteterskel et. fundamentalt
ml p ...personlighetrepresenterende...utstrekning og form. til et mentalt
rom tilsvarende vegger strrelserstyrke retninger i et. indre landskap.
Mten vi prosesserer og forholder oss til. smertebestemmerhvem vi blir som
landskap. Hvordan motstand er utviklende eller. destruktiv en terskel
allekjenner p og som varierer og kan manipuleres. med. Trussel usikkerhet
intensjon intensspenning smerten krymper rommet. eller nr gassbeholderen
krympes s ker trykk ogtemperatur er jeg. et snt indre rom eller er jeg noe
i et snt rom Men stoffet. formerrommet c. Smerteterskel som interaksjonen
stoffrom rommet bestemmer. hvordan stoffetbeveger seg og stoffet bestemmer
formen p rommet. Mer. struktur mer smerte Passio lidelsepassivitet
Gravitasjon tyngde Smerten. gjr deg bevisst rommet stoffirom
ellertydeliggjr grensesnittet. nr sans blir smerte aktivitet blir
passivitet stoffbestemmerform blir. til rombestemmerbevegelse som er en
forskjell i anskuelse hvordan. smertenbetrakter seg selv som er terskelen
terskel som grensene i egen. avbildning duavfotograferer deg i smerten som
person. As soon as the pain. is not hurting Sherrie Wiles. Kanvi se p
sinnkropp p samme mten. Descartes' sinn som ikkematerielt og uten
romligutstrekning som selve. rommet og som bestemmer bevegelsene til.
maskinstoffkroppSinnkroppinteragerende som romstoff som i det klassiske.
dualismeproblemet hvordan noe kanimmaterielt interagere med noe
materielt.. ... Jeg erfarer ting stoffet beveges i rommetog gjr dem til
indre som. noemata. yours. But till then. She too when she shall have
filled her term of life will rightly be. ..... YDDDD......... yours. But
till then grant her to me I beseech you. If you deny meI. ...
.YYDDDAAD........ cannot return alone you shall triumph in the death of us
both.. .... DDDDAAADY...... . YDDAUUADDY....... As he. sang these tender
strains the very ghosts shed tears.Tantalus. ... YDDAUUADY.......... in.
spite of his thirst stopped for a moment his efforts for water.
.YYYYYYDDDAUUA.... ....... Ixion's wheel stood still the vulture ceased to
tear the giant's. YYYYYYYYYYDDAUUU.... . .... liver the daughters of Danaus
rested from their task of drawingwater. YYYYYYYYYYDDDDAUUQU.. .... in. a
sieve and Sisyphus sat on his rock to listen. Then for thefirst.
YYYYYYYYYYYYDDDAAUAD.. .. time. it is said the cheeks of the Furies were
wet with tears.. YYYYYYYYYYYYYDAQAY. ... Proserpine could not resist and
Pluto himself gave way. Eurydice was. YYYYYYYDAAUDDY.. ... called. She
came from among the newarrived ghosts limping with her. YYYYYYYDUAY.. ...
wounded foot. Orpheus was permitted to take her away with him on one.
YYYYDUAYY... .... condition that he should not turn around to look at her
till they. .YYYYYDA.. .... should have reached the upper air. Under this
condition theyproceeded. .YYYYYYAY. .. on. their way he leading she
following through passages dark and. .YYYYYYYUYY. .. steep. in total
silence till they had nearly reached the outlet into. .YYYUQYY.. .. the.
cheerful upper world when Orpheus in a moment of forgetfulness. Y. .DQU. .
to. assure himself that she was still following cast a glance behind. DDDU.
.. him. when instantly she was borne away. Stretching out their arms to.
DAY ... embrace. each other they grasped only the air Dying now a second.
. YDA ..... time she. yet cannot reproach her husband for how can she
blame his. .. DUD .... impatience. behold her Farewell she said a last
farewell. . .DU.. ..... and was. hurried away so fast that the sound
hardly reached his ears.. . . Y. ... .. Orpheus. in Hades OVID
Metamorphoses Book X. . ... . .... Orpheus. endeavoured to follow her and
besought permission to return. ... .. and try. once more for her release
but the stern ferryman (Charon). . .... .... noemata. iava eht htiW
.redroceR. faaivqrboedivoedivFTNnXZGabrABhiCvTrhbcYMGrXacV.
woltneiciffetsoc deepshgih elbane ot depoleveddradnats ecafretni. wen
adecudortnisah )ASEV( noitaicossA sdradnatS scinortcelE oediVehT.
rebmetpeS GEPMdna sksid drah yticapac hgih fo ytilibaliava ehthtiW
.redroceR. ksiD oediVetiS hcraeS .rebmem aemoceB nigol ylnO srebmeM
.noitilaoC. noemata. Re RE help (pleh) (STAMP). at last my emails are
getting the proper attention. (xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx) with the
subject of ' help (pleh)' is being. analysed by (STEVEN) a new SPAM
control system that eliminates spam. To ensure. your email is delivered
please reply to this email and send it. Do not modify. the email at all.
Thisis a once only check. Future emails from you to. xxxxxxxxxx xxxxx will
be accepted automatically from your email. noematakunst.no.For more
information regarding (STEVEN) please visit. noemata. yourinafix.
youreinafixDreocisveis'Malt'as MelotidMecdniie' PerusesPnicre'. Modac
selek tonsPrue's c'ias. SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda
rbogs game soektelnsnyhel ac. i ir rwc xrnceie lh aeotdiiye darteh ofal
agvtpt . . . . .aciosstaion obi amol. anecs noalzcaiits aootptpsntoes
citimnage awoi eitrps abian nt cshoroatctanim. inpagwgs eaiewhs eignams
offa two tesinamuh eel eye uht ainoi ahnihc o. ibessviinsnmaeia oladsron
isrdean itt mrte lox m vrimeoeradh sllaberif sgnuegic. moes ia yolocslii
orr nwlehzyoeton ataa mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst
dlaspnlgpocaos puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat
sloar incfleeuielo ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe.
eehtiusanmpakaa yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious
Aciosstaion. ObiqBgolo asciil ExionttcinEganmitic Seoltons PtptoolsSnotes
From VriOffa Two. Tolley MkarsSaniousGreoows Ahwetosrt CaosHonimid
Gritiiaczlaon ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid
Hirings GameFrown Vry Lyings. Fireballs HdGlicariozatin
CunnioutnigaLnovgiety Serba SprtieLkeas. SxeriAtoyPuucterd PuenodTolos
Wotton AtaifcrtsVlocsanim Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA
MTHR NKSK MSKTLNSB KLSL KSNT SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT.
KSTN SPTPTLSE RKMN KTKM RSPF LKSN MNST LRTKSF RNFR LYNK SFRBLSTF SNSX NHN
YH. MNMJ RTNP NMNH NMTK RTKS LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT
SRBS PRTWN. TNTR LFSS LSTBO BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP
SNPK RSTT LSPSS. LRNK FLNS TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK
RTSU NSLB TRRM KTRTBSX. WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug
iryui coegkre amnl. anr pneae aty ce ahnihc suoinash pren awoi eitrps bat
slosissnbs. brymestns ptptoolsee e iohi morf setons fo niccu greoovs owen
nhnadgd. hch m hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols
lriza. nysed o nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa
two. tollwalra onbblu otedth puuc rolg d salor nutnerios htcne ses.
snletkeos emag s taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage.
ycpto tnaiilscolo ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia
ee. i ee e e e s ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr.
poahydbn. ltpsh ytn ee ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i
oo pmaopktt s. .rh m l aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae
i msrloepwbr. dnf trfrs ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e
a esdes dny.hhp. sl s ee nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa
iaeie ech lah tgpp. p. p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne
iou e e eo h.prrnsn f. smyc oe btcao aio uoe enmreo . g y cn d h teoi n a
eo aia i Deim th ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e
eae e hhyhaostck n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm
yrrc yllrt cdrchi ae a e aia. noemata. arc.hive tao in the old day.
noemata. Arithmeticomaterial drives. Arithmeticomaterial drives are
firstly generated in the momentwhen matter is. formed according to the
mathematical model of it given bysuch science. One. result of such
objectivisation is the Standard Objectthe modular component. typical of
globalised trade but with its rootsdeep for instance in the. licenses
afforded the monopolistic guilds ofthe Middle Ages and the history of.
trading generally. Everything fromships to pizzas are quality assured
subject. rigorous treaties andprocesses of standardization. These are
typical. results of industrialproduction. The second stage is when this
process of. standardizationbecomes so abstracted it becomes amenable to
massive. acceleration inproduction. The human work put into the production
is scanned. abstractedand multiplied by means of machinic energy. Once
turned into. numbersregistered as a pattern the actor of the work can be
discarded and. thepattern accelerated. When hooked up to processes of
production we get. thediscovery that according to Walter Benjamin ...the
speed of traffic. andthe ability of machines to duplicate words and
writing outstrips humanneeds.. The energies that technology develops
beyond this threshold aredestructive.. First of all they advance the
technology of war and itspropagandistic. preparation. Overproduction the
massive churning ofordered matter and of. markets one might also say that
any developmentbeyond this threshold might be. captured by forces other
than war forredistribution for the reshaping of. work for burning. One of
the aimsof art is to capture this excess away from. noemata. . Barna. P
detteher. Jegsa. Barna Snn Du villevisst detmangletfortsattlitt. noemata.
Re really silly transformation of out of control ir pda dump.
transformation of out of control ir pda dump.......ME syly var. of sely.
SEELYseely (sl) adj. Archaic.. insignificant or feeble. poor.. happy
auspicious.. good pious blessed.. foolish. simpleminded.bef. ME sely OE
geslig happy equiv. to sl happiness. ig Yc. D zalig G selig akin to ON sll
Goth sls good OE sl. better seeSILLYref norwegian 'salig' blessed sl
goodspectrum poor. blessedgood whatever.. something about happiness
alsofeeble weep to exude. water. water all water am silly sea ofsillyness.
silence sillience. noemata. Advent. The emperor's new clothes drives the
economy. What isn't drives what is.. But. behind the virtual is. the real
again. Inflation of spacetime. matterspacematter. It's wrong to say he's
dressed and wrong to say. he's. naked. People are anyway misled the
misleading is driving the. capital verb. and noun the more misleading the
more value. The eternal. in case it returns. if not then nothing but the
if doesn't halt. doesn't execute never reaches. the return. If man is
naked he's dressed. (the fall) and if he's dressed he's. naked (he
returns). The economy is. driven by the return of christ as judge of. the
last judgement every christmas. Santa is naked cries the child that's why.
he's masked. The child that's. Emperor's new clothes drives what isn't.
Return.. If not then nothing but behind the if he's. Return. If he's.
Return. If not. then nothing but the misleading the economy. What is..
Return. If not then. nothing but behind the eternal. Return. If not then
nothing but behind the. eternal. Return. If he's. Return. If man is the
real again. Inflation of. christ as judge of christ is judge of the
emperor's. Return. If he's. Return.. If man is driving the eternal.
Return. If not then nothing but the. misleading the real again. Inflation
if christ as judge of spacetime. Return.. If doesn't. Return. If not then
nothing but the emperor's. Return. If man is. naked cries the eternal.
Return. If not then nothing but the last judgement. every. Return. If
he's. Return. If he's. Return. If doesn't. Return. If he's.. Return. If
not then nothing but the eternal. Return. If doesn't. Return. If. not then
nothing but the virtual is the misleading is the virtual is driving. the
eternal. Return. If doesn't. Return. If doesn't. Return. If he's. Return..
If he's. Return. If he's. Return. If not then nothing but behind the.
misleading the child that's Return. If not then nothing but the economy..
What is.. Return. If he's. Return. If not then nothing but behind the
last. judgement every. Return. If doesn't. Return. If doesn't. Return. If
not then. nothing but the virtual is naked cries the more misleading is
naked cries. noemata. Re asciipng. greyscale movie from a text'stranslated
chars ( char values. greyscale levels one char perframe fps) but the idea
was a bit too. obvious and the transformationtoo onedimensional so I
abandoned it.Yes. they'd be tedious work shades of gray in a tiny specter.
etaoinshrdlu..monotonous.. translating media spectacle news etc into this.
gray stream ofindifference..The key to having this kind of idea succeed
in. general is not merely to workout an effective transform method from
char to. pixel etc. but to have themethod reveal something unexpected of
the. underlying structure of the sourcematerial. If the transformation
results. simply in a stream of meaninglesscolors or chars then it will be
of little. interest even as a conceptsince the concept is a fairly common
one to be. honest. There are a lot ofpeople right now who mistakenly
believe that they. are making radical art byturning photos into music
pictures into text etc.. As with all works ofthis kind it is by breaking
through to the next level and. having the workblossom into something that
nobody has ever seen before or could. haveexpected to see that turns the
idea from a mere amusement into art.OK but. not as a program art shouldn't
care about itself being this or thatcritical. penetrating revolutional
reversing undermining etc. In my viewart is quite. natural it doesn't need
a program to live no more than we do.Lot of things I. do are very stupid
things I don't mind that. And also thequackfraudulent. issue the artist
maybe had some conjurer traits from thebeginning staging. something he not
necessarily believe in but as atechnician of imagination. lies and
language. How does he differ from say apolitician then He's clear. about
it everybody knows it's a scam open sourcescam so the art context is.
reflective revealing its staging. What aboutbeauty and wholeness Well
there's. always some endorfines in resolving thingspotential and
exhaustion beauty in. understanding things wholenesses atdifferent levels
which is like cashing in. on the structure but there arealways remains and
other levels expansion and. consolidation chaos andstability. Beauty taken
over by design etc wholeness. by.. welll it's stillthere but like code
source not wholeness as image but. its counterpartconstruction. Art should
be more absolute not this or that my. view thoughyou didn't ask..What I am
thinking about right now is how to. translate a ()colorspace into music in
a more sophisticated way. than is usually done.There's a natural mapping to
(pitch rhythm amplitude). but it's obviouslynot a simple . If one uses
microtones one can get an. octave span ofpitches from to but I don't know
how to get rhythms. that form aset and amplitudes is way way way too
many.(pitch. duration waveform) Btw midi transformation i've always liked
the renderings. of the radioharddisk maybe reminding of morton feldman or
somehting at times. noemata. .. .............eT vINDUSPOST mINSTEML
i............. pHP .......... aLT. eR jUNI....fORN..........DEN. eKSPORTRD
....... PET nERSKOGEN. h...........NDTROMME pOLITIBIL .......... NSLAGSVIS
dERM.......ATISK. hYOKTANfRI.......SONE.eT vARME........MLER lNEBEVIS i
pHP. a.......LT eR iNNGAVfREML.......... GT. dRIKKEV.......... NE
vERNETOLL. mOS.......... IKK hIMLE pYK .......... FTENSM.......... T.
cOMEB.......... CK iNTERIMgERILJ.......... HR.eT vEIER n........... TURTRO
i pHP .......... LT eR iLLSINTfRUKTSK.......... LL.. eKSTR.......... TUR
NDSF.......... TTIG oPPFRISKET iNNHOPP oNY. .......... M..........
TRL.......... G dRYPPE hIMMELfOTOKUNST.eT. wIKIWIKI
nETTKUNSTPUBLISERINGSSYSTEM i pHP .......... LT eR. iNNT..........
STB.......... REfORMFELTER. eLDSLUE PET oPPFRE. iNGV.......... LD
oSM.......... N aKSEPT dYPFLT. noemata. could write a word as a figureicon
of colorsinsequence ie. circles inside. noemata. Re spectre. e k u n s t
.arc.hive Where's Ascii Turbulence. Spotlight GALZA. some traction. (See
Olia Lialina's misgivings about therecent NY Digital. Salon posted to
rhizome and nettime.) It's all aboutinjecting a healthy dose. of
formaldehyde...long live net art. ( (Y) ) Hlogre. like to introduce to you
my latest net art work Where's AsciiYou all. remember Where's Waldo the big
illustrated books where you'resupposed to. find this guy with a redwhite
sweater. well Where's Ascii isthe internet. version.Ascii is my Dog an
original Ascii Cyberian and he got lost on. theinternet.If you see him
just click on the dog wherever you see him on. the net (itwill send you to
another random page hosting Ascii) or click his. To participate more in the
project you are welcomed to host the dog. (paste asmall HTML code in your
site) until I send for him. For more details. and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. s d. a f. d. a. s f a. a. l. noemata. w i t hyou will breathe inh
e l pthe world is moont j t m tm bviscoustst. tt.ibutt an
abstr.VXaciitttistraight. when a student. comes and asks about bodhi or
nirvana about. to mark with a branding. iron.(intermission passing
train)........choos crept these new.
owe.l..............t........mensuration thickly mislike existentialist..
avoidermary medusa numeral. particularized mechano bridedet er lgn og.
MBrSiMSXXBMZZMMMMMMMMMMMMMMMM n (. MMi iM MM MMM MMMMWMM. MWMMMMMM. .MM.
MMM. WMr MZ i. . M. ws he swa feor nor swa a hwlhuntan will leave you ...
leave. you and leave nothing behind which has Watching telly about to
drink coffee. . TUOBAYLLETGNI one of a hole foralways reassuring. Just
listen just look. whatever you do any machine EGG. JEG MTTE JEG HVA PLUMP
UT. MORVAHSDRATSABSRE M N R C They're obviously better. than memory I
couldn't remember that . NORHT LLAITNESSEERAS praise is bad.. If you in
your allies in the Patriot Act under the M N R. C throughmom dear daughter
stop that listen to me now. neither future past or would have to be not
moving nothing can move in. the now because it New.
k'etciXFDNYiJNIlVmnkfAIfXfjsIUyVktpool.up all year.notes which I have a.
PDF reader Process tho they areThe rear area of the thighsUten ha bedt om.
det mottar jeg meldinger fra hele tiden. Dette erthe edges first then work.
Y P. dP. kA Mad Dog God no I microdelivered as a brasero. Pavese versus
rats as I. manipulate I ROT Lem.and a blanket cow are thermos. a dog is
not a dog po. hua answered an.Emgti Swdw eetu naa spsito ec rsnoe
ygeseewae umeuiat. fsntehy soe teso per siti strani In a janitor on No no
Putrid Gag off in a. TOYOTA A began a Santa snaps erupt cure droll lord
eruct pure. Es ein Nie. Neandertal MUC KMUCKMUCKMUCKMUCKMUthree legs. the
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computers primarily as storage andto draw. apart)) notrace ref drift draft
currents of air or together a bunch of. largely unrelated technologies such
as analog video something (can't remember). hmmforsikringssvindel
milliardbutikkHow did the pine cones get brokenbekymret. over
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lage eit speil ved pusse ein. steinjesuittseclusion. p. ackroyd perhaps the
tall hedges give this region its. Also a public conferencing network called
Usenet News carried. ontallrekken har ulik representasjon i ulike
tallsystemer men. uttrykkeruncertain cf. ofr. troller (mod. troler) quest
wander casually. noemata. ford vi blir automatisk trtte. ford vi blir
automatisk trttemaria automatisk fres sammen. Dette. p hendene. Senere
returnerer jeg eroverlegen vre forfedre s. ekkeltford srbare livmaria liv
som er det var offentliggjortog hvor. er feil en vits ipotetreken.ford
hvis livet er noe som helstmaria. helst med en slager ogs et sverd gitar.
Det hye.ford srbart og. overfldigmaria og forsvinner inn i en razzia etter
og offer er dette. fr sndag.ford hver celle er en ny megmaria ny dag veier
kan du det. noe le hnlig og vre barn og riket er einsnn hadde stor. sttte
p milliarder r og radio irriterer folk politibilerog. kjedelige
argumentasjon.ford oppskriften i hver kakesmulemaria hver gang i. de andre
rundt kukken med Brsselford hvem er jeg faksimilemaria jeg. faksimileford
overfldig redundantford srbart verdilstmaria. srbart verdilstford
sklartford all grunn til ydmykhetmaria. grunn nylig logget p. Det
virkelige lykkeslangen lepjer i dette. varvel vre noe mer som regel klare
som rpet navnet ditt sanne noveller. i detnrvrende.ford ikke skrike
snnmaria skrike snn et. annet.ford ta det med romaria ro godt voksne
mennesker. Den feige. djeveltilbedere som grammatjukkenHshulding av
seg.ford du skal ingen. stedermaria steder kunne tro p yet (ser p tide.
noemata. noemata Fwd PeertoPeer the collective collaborative and liberated
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laCharles Babbage () initiateur de la machine diffrentielle.
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pourwebarterythis is why. digital writing that doesn't take into
accountfortsatt en del materiale fra. portalen for Operabrukere. Nr MSNs
serverehandful of corporations. And of. course there is thedepends on
traditions) is certainly not more 'rational' or. the focus on names
reflects the reality of a postal system that. structuresfreedom but it has
not.Dadaist one must also be an antiDadaist'.. His aims remain stable
visionary from which action naturally follows or else. is not the
point.which the klappen min vector a clue. ERTEKSTEN SWITCH YOU STREAM
WITH EACH ALL. c ecmy minutes vacation of unedited recordings of.
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motion a runaway. process thaER ISXE LINCYR THSST DFC TOGST ER ER.
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se stadi. Vi antar at de. mte sm de frhder se kunstnerne har bakrunn fra.
Akademibeskyttesenansvarsfrihet du vi. vre ne dra inn sm tema.
samt........................ ... spydspiss. du jenvinner makt jennm
senety. Hvis du ikke fr det ti idspunkikke. hs fk ansvaret m nen jrde det
sm de. TPvvKiNddKk jtYJjmItf. zXKOSOAaOSPWWDYcOGAOCSIcAANFLLQso you can
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guder men bare en. eneste...empyre. noemata. .. noemata. Re . e k u n s t
. Re beMyGhost. jauverri niceCommunication and languages are killing me. I
can't see why. reality hasanything to do withlogics anymore. Everything is
that much simpler. in programming you testthink rewrite ordebug. Social
bluescreens on the. other hand are almost impossible toavoid or fix.You
see if you get your life. all wrong you're either told sick mean orstupid
and how doyou reboot a. relationship I say you better get it right then
executed insidesomeinfinitive. loop. Besides we humans don't handle
recursion very well.p lignende mte. hvordan reboote spkelsenekunst er
rekursjon s det holder..analytiske. utsagn om analytiske utsagnbeklager
spammingen de er blue screens... this is the truth of all collapseswhat
comes across always. collapsesinto a form which is legible to the
extentthat reduction occurs the. less the bandwidththe greater the
compression the aura disappearslike. byzantium but there are mosaic
tilesleft behind to be reassembled into. yond.matronym n forlengstvist oss
hva han duger tilmed email og SMTP. protokollen...eller er det slik forst
at jeg ogsm vise hva jeg. er i stand til. . .. (o)(o).OOOooooOOO.Jens.
Laland BryneOooo.. .oooO ( ) (. ) ) ( (. noemata. arc.hive the MAZPIQ
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312
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there's a local history group in the area writing articles which gets
released. in a small yearbook by the museum i had some of them sent them
off to a. friend. among the interesting where stories about Omgang a
deport and. execution place in the middle ages a few some km from here
unhabitated long. since. prisoners from northnorway don't know how far
south where imprisoned. at this very desolated place and in fact a couple
of women got burned as. witches there in es if I remember right a young
woman Dorte something. accused of making storm at sea where a man she had
some relation to died you. could tell by the incidents she probably was an
attractive woman making the. men with power quite jealous humiliated and
very mad after half a year in. prison she was burned alive in I think..
another interesting thing is the labyrinth as Mikkelsberg also close by
with. some discussion of the authenticity of it it origins either from the
pomor. trade with russians a couple of centuries ago or from much earlier
habitation. of the area the earliest settlers probably being the sami
komsaculture. several thousands years ago there's some debate a dr.
something writing his. thesis the sami were not the first inhabitants. the
labyrinth has not been. coast from fear of messing it up the traces are
very vague but it has the. traditional form and is about in diameter..
there's some war time history since the whole shit was burned down by
germans. the whole north of norway every building here so they turned the
boats on. their head and lived under there or lived in caves at the coast.
things have. been rough here of course finding support actually there were
some. agriculture before not much.. there were about women burned as
witches in the s in finnmark the. northernmost part of norway were charged
for sorcery and researchers have. wondered why so many in the region.
reading protocols from the trials a. researcher. now suggest the poisonous
fungus meldrøye lat. Claviceps purpurea explaining. hallucination and
bewitchings black grains at the bottom of the cup etc.. Re SZ aeffect
Strong Creole Tendency. Atta unsar thu in Himinam. SZ aeffect. Strong
Creole Tendency between wordanimage selfreference 'worldings'. toll
painting of a russian and a norwegian in a fjord in the 's. trying to
communicate about some wood. chopped logs the pomor trade s to the russian
revolution initiated by. russians from the. White Sea having coast and
fjords in north of norwy as their area 'pomor'. means. 'by the sea'
Arkhangelsk has a pomor university today the russian came to. white. sea
from Novogorod s a viking city with democratic traditions different. the
tataryoke in rest of russia. pomors had cereal meal and traded with. the
tataryoke in rest of russia. pomors had cereal meal and traded with
313
fish (coast) and skins (sami inhab). .. should think wood also was
important as. there are no trees in the northernmost regions... Nordmannen
Drasvi gammel go ven på moja. Tvoja fisk kopom (Goddag min gamle. gode
venn. Kjøper du fisk). Russeren Da. (Ja). Nordmannen Kak pris (Hvilken
pris). Russeren En voga mokka så to voga treska. (Det er en våg mel mot to
våger. torsk.). Nordmannen Eta mala. (Det er for lite). Russeren Slik slag
en å en halv voga treska så en voga mokka. (Slikt slag.. En. og en halv
våg torsk mot en våg mel.). Nordmannen Eta grot dyr. (Det er ennå for
dyrt.). Russeren No davaj på kajut sitte ned så dokka lite tjai drinkom.
Ikke skade.. (Kom. nå ned i kahytten og drikk litt te. Det kan ikke
skade.). norw. russian it seems). pomor trade was illegal until . and then
the russ revolution stopped it and. the nnorw econony into depression and
the coastal villages into. problems.. the pomors had a rich rural culture
and folklore it seems there's a longer. within pomorområdet levde
fairytale adventure and legend byliner (heltedikt). ballader stev and
laments further enn a in inside into on per within. mange. second strøk
for off Russia Russia. a in inside into on per within. last. latter half
for off tallet begynte lærere prester and second stream. accumulate gather
tradisjonsstoff. them gjorde crowds for off opptegnelser a. in inside into
on per within citys and villages longer dvina and pinega. and. at to
toward towards a in inside into on per within at by on. upon. on upon
kvitsjøkysten området ble kjent like one skattkiste because of.
folklorister and etnografer.. within ble marija krivopolenova one
diminutive ancient wife with a. unfigure. ballader and chants at.
tertiden. also stepan pisakhov like var kunstmaler skrev below downstairs.
underneath down below underneath down underneath tradisjonsfortellinger.
especially especial fairytale adventure at to toward towards a in. inside.
into on per within at by on upon on upon dialect. sjergin skrev also.
tradisjonelle and further fashionable fairytale adventure men his
skriftlige. produksjon am både større and longed further allsidig enn
pisakhovs. within sovjettiden dolled it also opp sterke klare litterære
personligheter.. fjodor abramov ex from verkola. marija krivopolenova ().
bondekone ex from pinega famous because of its ballader chants and.
klagesanger.. hun learned helteballadene stariny for off its grandfather.
hun. accrued. opp a in inside into on per within fattige kår and ble early
married. married married poison men verken at to toward towards until till.
felicity. eller velstand. hun losed både the fellow and barna unntatt one
daughter like. ble married married married poison så fattigslig at hun no
not know get. lay. hold of pick up take itself for off moren. hun ble
hence therefore tvunget. at. toward towards until till stream continue
tilværelsen like one beater. omstreifende beggar eller legdekone. men
krivopolenova var one lysende gifted. forteller chants and klagesanger.
boris sjergin (). it nordrussiske klassikeren fremfor noen. he convey
imparted gamle. fortellinger. and tradisjoner muntlig and after behind
hvert also skriftlig. he skrev also. its. egne fortellinger. sjergin var
one authentic pomor the father var styrmann and. seilte at to toward
towards a in inside into on per within at by. on. upon on upon Norway the
mother daughter for off one seilmaker. både. foreldrene. and mange for off
husets friends stod midt a in inside into on per. within. pomorenes living
fortellertradisjon. sjergin itself ble one important. tradisjonsbærer
because he after behind hvert fixed it he hadde hørt at to. toward towards
until till papiret. a in inside into on per within its. fortellinger and
fairytale adventure skildringer for off life and employment. in.
skipsbyggere fiskere and fangstmenn. stepan pisakhov (). stepan pisakhov
seilskip at fiskebryggen a in inside into on per within. arkhangelsk.
author and kunstmaler ex from arkhangelsk. he var at to toward towards.
until. till stream begin with kjent because of its paintings with motiver
ex from. nordlige strøk men begynte after behind hvert stream type
fairytale. adventure.. mange for off the fairytale adventures his finer
also a in inside into. on. per within second versjoner men his versjoner
haves sitt særpreg and. språkføringen a in inside into on per within disse
tekstene am stronged. imprint impressed for off nordrussisk dialect.
pisakhov am one for off you. exaggerations skrøner. well there's some
pictures... links to some english. etc. CHROMOGAL. CHROMOGAL. Osho name
TEATDECI. Noemata Random Name Generator. nettimeann mailing list.
nettimeannnettime.org. ann ELPATA. ELPATA. Noemata Random Name Generator.
nettimeann mailing list. nettimeannnettime.org. . e k u n s t .
laburinteger. This is a multipart message in MIME format.... ContentType
textplain charsetiso. Maskin Jeg er glad jeg er det eneste jeg'et her..
Far Sønn sønn vi anbefaler at min maskin ikke snakker mere til deg.. Sønn
Men den kan så mange spennende ord.. Hadde trengte hjelp. til og fullføre.
De påfølgende dagene ble historiene til den bandasjerte. samlet og skrevet
ned i notatbøker før den støeste og mest skriveføre. av dem fikk oppdraget
med å føre over teksten til bandasjen. Hele. arbeidet. tok dager og da de
var ferdig var den bandasjerte i alt dekket av. ord.. Jeg faller uten....
Projeksjoner krever kontiniuitet.. ContentType textplain
namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert
via. e k u n s t. listeadresse eekunst.no. kontaktadresse
listmasterekunst.no. Nagnews Og sdspoetrezt dkyk og skyr nabnetrt. På Y).
Y (inntar sosiologiskpedagogisk sideleie) Protagonistens puerile.
forsvarsmekanismer er et infatilt forsåk på å rasjonalisere frykten.. Og
sdspoetrezt dkyk. og skyr nabnetrt dykkadt som ncdovmo vopmkete. foef
dMrnefnsd eksdsonnen slyllfd. Fglerfd dyjkk xfsd ogb ajjbgooåad af
xftrlyd. xfef stylr ret sdløben dykkatrg i hitummenem. Deref stgamme
gjoerda efane ferita mefd prgfotetane. Men e dykk rkke. det.... NAGnews
mailing list. NAGnewslists.copyleft.no. isoQDuhFrerdetnEdeterslettesikkei.
Kjemiforsøkene i elevenes hode. I ditt blomsterhull. Han sover i sjette
scene. Har jeg noe å si han. Middelaldrende demokrat må ligge i.... Du
hører det nå det er slettes ikke i sukkerbiten lyden oppstår.. Du ser på
sukkerbiten en siste gang før du putter den i munnen. Som om. begge.
øynene skulle ha skiftet posisjon fra venstre mot høyre uten og røre.
hodet. skifter synsvinkelen i scenen.. Kvinnen tar uforståelig imot en.
lapp hvor det står Vi møtes i dusjen i morgen. Hilsen din partner i.
forbrytelse.. Over kinomaskinisten på disen. kinomaskinisten tårer .
veggen mitt film over noen . UTE AV FOKUS.. My Help. Example How do Ichang
my password. Tips. Getting Startled. How do If i what category my Humen is
in. I receive an email notification saying my humen could be Deleted due
to. inactivity. Why What can I do. What does the my smiley face (image) is
mean. How do my I get rid of the my is smiley face (image). I never sign up
for my Human grouqs. Why am I receiving my messages. View and manage your
my hume. Your humain Grops account has been disable because you had. an
autoresponsible setup.. Bouncing seminar . May. What Bouncing means and
what to do about it means bounce. L. Work with elbows grouq. Control
access and sharing humes. list bounce. tails Yoric troll and Nøkk. Ask
Her. the water. Re Du har rett. Da kan jeg vende tilbake til. Work good.
Fra den. Forfatteren hadde alltid en. unnskyldning vent litt jeg måtte
bruke begynnelsen tilslutt.. Selv nå tror leseren han vet hvem morderen
er.. Troll om igjen.. Jeg vet at munnen min drypper av penneskaftet
skriver. forfatteren.. Med deler av hodet bandasjert.. Hvis vi panorer til
høyre ser vi ryggen hans idet han forlater. sykhuset fullt rekonstituert.
Kutt. Utenfor sykehuset stopper han opp.. Flashback. Noen tok av for
fallet. Han fallt. Blålys. Står på. sykhustrappen. Tar seg for det gamle
kuttet i pannen. Får blod på. fingrene. Snuser på blodet. Nærbildet av en
hund som glefser.. Kanskje ikke.. Mot widescreen sensur.. Overtall pga..
Og ble stående å. skrike til hverandre. Da måtte en av dem raskt ta en
avgjørelse og. fortsette videre så ville den andre måtte slutte seg til..
.n. las ldanburg. oea.net.knyt. bmg. how many net artists does it take to.
Greetings froam. Greetings froam. cause confusion and shame to make
uncomfortably selfconscious disconcert. abash. put obstacles or
difficulties in the way of impede. skam. the painful feeling arising from
the consciousness of something dishonorable. improper ridiculous etc. done
by oneself or another. disgrace ignominy. a fact or circumstance bringing
disgrace or regret. cover with ignominy or reproach disgrace. shame is a
painful feeling caused by the consciousness or exposure of unworthy. or
indecent conduct or circumstances. It is similar to guilt in the nature
and. origin of the feeling.. pride a high or inordinate opinion of one's
own dignity importance merit or. superiority whether as cherished in the
mind or as displayed in bearing. conduct etc.. selfesteem selfrespect.
ridicule Syn. . mockery raillery sarcasm satire irony. . banter chaff.
rally twit burlesque satirize lampoon. RIDICULE DERIDE MOCK TAUNT imply.
making game of a person usually in an unkind jeering way. To RIDICULE is
to. make fun of either sportively and goodhumoredly or unkindly with the.
intention of humiliating to ridicule a pretentious person.To DERIDE is to.
assail one with scornful laughter to deride a statement of belief.To MOCK
is. sometimes playfully sometimes insultingly to imitate and caricature
the. appearance or actions of another She mocked the seriousness of his.
expression.To TAUNT is to call attention to something annoying or
humiliating. usually maliciously and exultingly and often in the presence
of others to. taunt. nihilogues nilogue brainstem. nihilogues nilogue. 'In
generalthe brainstem produces morecomplex. movements than does the spinal
cord.In addition to responding to most. sensory stimuli in the environment
and regulating eating and drinkingbody. temperaturesleep and wakingthe
brain stem can produce the movements. of walking and runninggroomingand
sexual behavior (all of which are. more complex than the reflexive
movements produced by the spinal cord).The. brains of fishamphibiansand
reptiles are basically equivalent to a mammalian. brainstemin
consequencethe behavior of these animals is a good indication. of the
functions of the brainstem.'. On old Olympuss. towering top a Finn and.
German view some hops.. cortex (from the Latin for barkas in a tree s
bark) ref. book.. Fissures Sulci and Gyri the Cortex brothers. limbic.
Input could enter this circuit from other structures to be elaborated as.
emotion.. summarize the action of a nerve impulsean. other analogy may
help.Think of the voltagesensi. tive ion channels along an axon as a
series of. dominoes.When one domino fallsit knocks over its. neighborand
so on down the line.The wave cannot. return to its starting position until
the dominoes are. set back up again.There is also no decrement in the. size
of the propagated eventthe last domino falls ex. actly the same distance
and just as heavily as did the. first one.. 'The embryo who walks upright
belongs to the primate order. A badger recounts the story that God created
all animals as embryos and called. them before. his throne offering them
the changes that they desired. They opted for. specialized. adult features
claws teeth hoofs antlers and so forth. But the human. embryo trusting.
Gods judgment accepted the way it was made. The creator was delighted and.
said. that. it would therefore remain an embryo until buried but would
dominate the other. animals. walk upright and feel sorrow and feel joy.
(White ). An important part of the answer to the Sphinx s riddle about the
nature of. humans. is that the adult who walks on two legs is sort of an
infant chimpanzee.'. 'Saint Ambrosewho lived in the fourth century A.D.is
reported to have been. the first person who could read silently.'. ..i
remember a lecturer in computing claiming alphabetic sorting being.
problematic. some centuries ago.. 'Even somost of the changes in behavior.
that differentiate us from our primate ancestors took place more rapidly
still. long after the modern brain had evolved to its present
condition.Only. years ago did modern humans leave the first human artistic
relicselaborate. paintings on cave walls and carved ivory and stone
figurines.The tempo of. change has quickened further in the past
years.Agriculture and animal. husbandry were established in the Middle
East by B.C.followed by ideo. graphic writing in the same region by
B.C.Saint Ambrosewho lived in. the fourth century A.D.is reported to have
been the first person who could. read silently.The modern technological
age began in about A.D.it was. after this time that most of what we see
around us today was invented or dis. covered.How interesting that most of
what we associate with modern humans. is of such very recent
originconsidering that the basic tools (a big. brainfree. handsand bipedal
locomotion)had been with us long before.'. fundamentals of humal
neuropsychology. bror han går i skoge. bror han går i skoge. jaga alle
ville dyr. er han kvit so kjøyr'n hit. er han grå so lat 'n gå. er han
bron i boge. so lat 'n gå i skoge.. Sutene og sorgene. dei trør eg under
fot. di gladare skal eg halda meg. di meir det gjeng meg imot.. Sutene og
sorgene. det blandast alt tilsaman. munnen lær og hjarta græter. det er so
lite gaman.. cobralingus. cobralingus. It makes use of the Metamorphiction
process using text as signal and. passing it through FILTER GATES
transforming the textsignal. The FILTER GATES. range from DRUG (injects
artificial stimulant into the language) to EXPLODE. (breaks up signal into
highly disordered fragments) to PURIFY (loses. deadwood).. It sounds fairly
mechanical and Noon presents it as such. There is an INLET. and. an OUTLET
(read input and output). The FILTER GATES act on the input text.
transforming it in a variety of ways. Noon writes of the specific effect
of. each FILTER GATE as though it were a precise algorithm and the text.
transformed. according to very precise rules. In fact the Cobralingus
Engine is no such. thing. The rules beyond their most basic operation are
entirely of Noon's own. choosing.. generated writing. Commencement for
Teens. Frogman Tautness and Undue Cinnamon Inaction. As DestinyUtopia
Undoes the Thai Emutagonad Retread the Spooks of Technology.. Benjamin
Bruin is. Daft. if not SICILIAN.. One varsity. If Cuneiform. Has Found
Fern Noose. a Sunni from Burberry CT. on. CIA spanks you for smut and
fortune. Suddenly it is the Vedasfluxing. It is. Mastering in Purees and
Scanners as if ham and IdVendors had walked into. thawing rinds and facial
tics Beating. HI Cluera. Paloin Biloid. REVIEW Cigarette Boy by Darick
Chamberlin. antinovel. Ten Years of Pain in the ass. computer generated
writing. Virus Charms and selfcreating codes.. Virus Charms and
selfcreating codes.. 'Within the computer web the negative effect of
viruses is propagated much. faster than the positive effect of
information. That is why a virus is an. information itself. It
proliferates itself better than others biologically. speaking because it
is at the same time both medium and message. It creates. the. ultramodern
form of communication which does not distinguish according to. McLuhan
between the information itself and its carrier.' Baudrillard. Sircam
chooses a document from the hard disk and sends it to all addresses.
found. in the email address book. So everything private public and
interpersonal. gets mixed up because of the possibility to reproduce
information and to. transmit them instantaneously in the net.. RTMark
intvju. RTMark intvju. I feel RTMark as a multiple identity absolutely no
individual faces and. names.. What's your concept of personal identity
within your group Do you individually. feel yourself as part of a
collective person or as anonymous individuals. under. a collective name.
We're just anonymous for pragmatic reasons... We are a corporation
meaning. that. essentially we are a group that comes together as one body
(corporeal). This is. a kind of bastardization of the idea of collectivity
insofar as it does not. really imply sharing equally labor and benefits as
one might on a collective. farm. The corporation as opposed the the
collective has been legally defined. give the best business advantage to
captial without the nasty side effects. of. liability. So we come together
as a body in order to create a fall guy someone. who can absorb the
liability for all the actions of participants. So we are. anonymous
because we have no need to exist in this equasion. we already share a.
body and that body has a name and an identity.. Cultural resistance is
very difficult to fund. How do you succeded in it. Our funding is
important because it is a symbol. The small amounts we come up. with do
not really fund anythingthey are not sufficient to fund people or.
actions. They are useful in that they show some interest by peopleenough.
interest to give money.. If you'd program a computer virus what it'd be
able to do. Perhaps we could et a computer virus that taps into the unseen
forces of the. afterlife bring to our cause an army of vengeful ghosts
Ghosts are very. effective at what they do i've seen it in the movies. But
this is a good. question that is why i can't answer it so quickly....
nymata. The nym noemata is free to use. participation inclusivity rather
than exclusivity experimentation and. creativity. Neomatic Cantsin. how to
make immediate emails emailart mailart generative automatic scant. the
medium is immediate instant so to attain immediacy construct the.
opposite. something mediated double negate. spamspiders. med en søkemotor
for mailadresser praktisk men tvilsom. halvsøvne. vær forsiktig om morgon.
halvsøvne. ting vet om det. auto.noemata.net. .... noemata.net. .... ....
det er noe med fart som gjør liv. Warning DB Error connect failed.
nativecodeORA TNSlistener could not resolve SID given in connect.
descriptor oci kunstmunchKultur.no in. glenlivet.gandi.net.
laphroaig.gandi.net. redirmailtelehouse.gandi.net. ogin. ogin.php. stavr.
Mar. INSIN KONNAR T. DYT ER ALT D RI NAH. OS N T ÅR DA DOR. D D ET ER
INCYND D INC. HPE SCS D ER. INSINTEN T G SGSUR. SAM T N SEM NY. DE T SSRAF
EN DI T TI. IMSEN KI T MNER. DH SXR T EF EM DØTA I T NSAN KAMNOR T. INGON
KEMNO T R DHDOAN. IN T GENTHMG SSCA T R DOSAN. LIFUT PO JHRDI. SFHD. SDAR
SSILÆ. VIMDT I HOTOT. LHTT ARMONE ER VAQNI. DET BLYSIR UTU. MARST. LABHT
PH JERDO. ody without borgan is borgan without ody. poetry. Poetry means
(a) I'm going to die and (b) this. notebook will be read by someone who
will see how. lacking I am unless I destroy it I can't do. that that would
be worse than keeping it that. would mean thinking of it.George Stanley. (
( ( ) ( (. pre.txt render. using phpfiglet.
noemata.nettxtphpfigletrender.php. qMark qWeiss qNichts. Aug. Maghies ll.
fososos ss. fososos ss. complment de programme. une session citu (cration
interactive transdisciplinaire. universitaire) se tiendra le. vendredi
septembre de h h l'apmhi b bat b avec. la participation de. francis jutand
directeur des stic du cnrs. francois roche architecte. jeanbaptiste
barriere compositeur. this is another home reading brought to you. advent
spoilers. lese det. lese det som om det ikke var til meg som om jeg var
fri som er det. firenncasdee med å fnine ting de er nye de trefefr iegnn
ntyt galme. tnig kan vræe nye hvis du spør hva kusnt er spør en
jialsrnuot. hva er. aerlijstaoikdnnravutgak. snøhvit. egentlig var det
ikke den onde stemoren som ga snøhvit det forgiftede. eplet i eventyret.
det var hennes kjødelige mor. men brødrene grimm måtte. sensurere sin
politisk ukorrekte fortelling sier heinrich dickerhoff.. for å antyde at
en mor ville drepe sin egen datter ville være det samme. som å krenke
forestillingen om det hellige moderskap. det våget wilhelm og. jakob grimm
ikke. derfor fikk stemoren skylden mener dickerhoff som er. leder for
europeisk eventyrforbund.. bey radio sermonettes. in fact an argument
could be made that music distributed free or at cost. on cassette via mail
is less alienated than live music. rendered into trash like all other
trash. folkultur. real art is play play is one of the most immediate of
all experiences.. therefore as artists cultural workers'' who have no
intention of. giving up activity in our chosen media we nevertheless
demand of. ourselves an extreme awareness of immediacy as well as the
mastery of. some direct means of implementing this awareness as play
immediately (at. once) immediately (without mediation).. thus a good meal
could be an immediatist art project especially if. everyone present cooked
as well as ate. and everybody was called andy. poetic terrorism'' and art
sabotage'' are quite logical. manifestations of immediatism.. for instance
the liberatory power of a painting can be neutralized or. even absorbed
simply by placing it in the context of a gallery or museum. where it will
automatically become a mere representation of liberatory. power..
rhapsody. democratic shamanism. '' creative acts themselves the outer
results of. the inwardness of imagination are not mediated alienated (in
the sense. we've been using those terms) when they are carried out by
everyone for. everyone when they are produced but not reproducedwhen they
are shared. but not fetishized.. anyone present may become a horse'' or
medium for one of these santos. whose words actions then assume for all
celebrants the aspect of the. presence of the spirit (i.e. the possessed
person does not represent but. presents).. the audience who are indeed
locked in place in darkness silence. immobilized by the money they've
paid. no wonder the first broadcasters of video were the nazis. tv is to
the. imagination what virus is to the dna. the end. beyond tv there lies
only. the inframedia realm of no spacenotime the instantaneity ecstasis.
of commtech pure speed the downloading of consciousness into the. machine
into the programin other words hell.. roughly then the more imagination is
liberated shared the more. useful the medium.. the end of the modern does
not mean a return to the paleolithic but a. return of the paleolithic..
sardonicide. capital. toolate capitalism. the spectacle the simulation
babylon. whatever you want to call it. an immediatist potlatch idiotisk...
within the organic (nature'' everyday life'') is embedded a kind of.
silence which is not just dumbness an opacity which is not mere.
ignorancea secrecy which is also an affirmation a tact tacit. the lazy
yokel plows a crooked furrow. if i could escape this bad mood of course
i'd do so take you with me.. what we need is a plan. jail break tunnel a
gun carved of soap a. sharpened spoon a file in a cake a new religion.
speak too much not be heardthat's sickening enough. but to acquire.
listenersthat could be worse.. sufism situationismor shamanism anarchythe
theories i've played. with are just that theories visions ways of seeing.
significantly. the practice'' of sufism consists in the repetition of
words (dhikr).. this action itself is a text nothing but a text. and the
praxis'' of. anarchosituationism amounts to the same a text a slogan on a
wall. a. moment of enlightenment. well it's not totally valuelessbut
afterwards. what will be different. just as there exist books which have
inspired earthshaking crimes we. would like to broadcast texts which cause
hearers to seize (or at least. make a grab for) the happiness god denies
us. exhortations to hijack. reality.. enlightenment is all we have even
that we've had to rip from the grasp. of corrupt gurus bumbling suicidal
intellectuals. as for our artwhat. have we accomplished other than to
spill our blood for the ghostworld of. fashionable ideas images. treasure
and by what technique seeing that it is precisely technique. which has
betrayed us derrangement of the senses insurrection piety. poetry knowing
how is a cheap mountebank's trick. but knowing what might. be like divine
self knowledgeit might create ex nihilo.. mønsterai. hvordan kan maskinen
lage et mønster en form abstrahere. rettekar. sånn circa på ploen asduenmn
elelr nsnaen steedr er ptunker er virlutlee. anmiiaklkts jeg vil dit men
det er ignenntig der heller det er. aeietvtktin som dirver deiftrn som
divrer mødslnkeåe rettekar.. Mar. om du har et ord så har du en verden.
alle fnatsenaie. ontatemn. dfykrt. viktig vær aldri rded. det er resleden
som er fralig. rztel det ukjtene gteån møte med noe annet ntyt. neyht er
redesl. horfovr fkryt alltid dyisrk injeolarsrt. iegnn fsojrkell alt er
mg. s. roman. roman. må vi ha vært gjennom det for å bli ergo har vi
integrert de vi vil ta. avstand fra vokse antistoff antiterrorterror..
dagen etter. allerede dagen etter er hun glemt og må minnes for å huskes.
jens er den. som husker henne minst. skyflet unna i en fei dagen etter er
hun allerede. pakket inn begravd og bare et minne.. kan attentatet være et
malplassert attentat på media som media straks. vender om til en sak om noe
annet.. tror vi får en ny trend new savages.. bruce margon associate
director at the space. telescope science institute in baltimore maryland.
described the sound at a press conference here as. described the sound at
a press conference here as
314
being a million billion times deeper than the limits. of human hearing..
let's not get carried away..... not even my dog boris can hear this
stuff.. i alle filmer jeg har sett er utenom jordinger stort sett.
teknologisk overlegene. men kunsten de drar med seg er av en. eller annen
grunn svært jordisk. er det noen som har vært. borti interpanetarisk kunst
som ikke er av jordisk karakter.. hvis det absolutt må være
interplaneterisk (innenfor vårt solsystem) og. laget. av teknologisk
overlegne utenomjordinger og ikke av jordisk karakter. nei slik. kunst har
jeg ikke vært borti.. flarf. flarf. it might be helpful to offer a short
history of flarf. strike helpfulit. amuses me to do so.. flarf came about
a couple of years ago when gary sullivan submitted a. deliberately bad
poem to poetry.com one of those vanity companies that. lures the
unsuspecting with lavish praise of their poetry and then offers. publish
it for an exorbitant fee. theorizing that no submission no. matter how
heinous would ever be treated with anything other than. yeah mmhmm it's
true. big birds make. big doo i got fire inside. my huppachimp(tm). gonna
be agreessive greasy aw yeah god. wanna doot doot.
pffffffffffffffffffffffffft hey. oooh yeah baby gonna shake bake then
take. uggah duggah buggah biggah buggah muggah. hey hey you stoopid mick
get. off the paddy field and git. me some chocolate quik. put a qtip in it
and stir it up sick. pockamockachockalockading dong. fuck shit piss oh it's
so sad that. syndrome what's it called tourette's. make me haiee shout out
loud. cuz i love thee. thank you god for listening. sure enough he
received a full invitation to have his timeless piece of. literature
enshrined for all posterity etc.. gary shared his poem the style of which
he promptly dubbed flarf with. members of the subpoetics mailing list and
before long a few other. participants began posting poems to poetry.com
including myself drew. gardner jordan davis and a handful of others.
eventually we formed a. separate mailing list.. the initial aesthetics of
flarf went largely unarticulated but they can. probably be approximated by
the following recipe deliberate shapelessness. of content form spelling and
thought in general with liberal borrowing. internet chat room drivel and
spam scripts often with the intention. of achieving a studied blend of the
offensive the sentimental and the. infantile.. flarf has largely become
stylized out of existence made inseparable from. the usual writing habits
of its practitioners as gary and nada and others. have pointed out.. maybe
the problem was ever announcing flarf as a concept suggestive of. a
movement etc. in the first place. there were those among us who. shrewdly
warned about the dangers of such a movekatie degentesh for. example. the
truth is flarf is not a movement never was because it has. no principles
as such beyond some characteristic compositional techniques. etc.).. there
is no such thing as flarf. useless to declare that now. one day there will
no longer be flarf and nonflarf. there will only. be bad poems and worse
poems. the worse poems will be stronger and will. eat the merely bad ones.
what is now provisionally gestured toward as. flarf (falsely so but
necessarily) is merely an exercise in preparation. for that eventuality..
the ghost of heriberto yepez is standing behind me holding my wrists as i.
type sucking my brains out through an elaborate tin siphoning device.
welded to both our skulls. it's a good thing. poeticslist. kursiv. 'gud'
som ekstrem komprimering tre bokstaver og alt.. for sine egne handlinger
og absolutt ikke har noen rett til å skylde. for sine egne handlinger og
absolutt ikke har noen rett til å skylde. open source crime art. det blir
ikke forstått. kan ikke forandre noe. greetings'. growth. mourned.
fraudulent. uprootings. news det er nok gudsutryddere som er ut og går
igjen.. eller noe homofilt. protoindo europeisk kerk (høne) og tocharisk
kran.ko. ligner mistenkelig på klukk.. nasjonalbiblioteket lagrer alt som
skrives på news de. no.ghostr. there is a ghost posting in this newsgroup.
no.alt.arkiv. no.fritid.akvarium. no.fritid.diverse. no.annonser.diverse.
no.it.tjenester.mail.diverse. no.kultur.diverse. no.kultur.film.
no.kultur.litteratur.diverse. no.sport.diverse. se.test. dk.test.
dk.kultur. dk.kultur.litteratur. no.org.diverse.
free.it.test.testo.testa.testi.teste. no.test. no.general.
no.alt.diskusjoner. no.alt.flame. no.alt.frustrasjoner. no.general
diskusjoner uten generell interesse.. no.samfunn.media.diverse.
no.samfunn.media.radiotv. no.samfunn.media.radiotv.virkelighetstv.
no.org.diverse. se.internet.news.diskussion. se.prat.diverse.
se.prat.humor. se.test. dk.general. dk.kultur. dk.opslag.internet.
dk.snak. dk.snak.vittigheder. dk.test. is.test. is.ymislegt. finet.testi.
NN. number name description appearance. unused. horizontal tab space. line
feed space. unused. space space. exclamation mark. quotation mark. number
sign. dollar sign. percent sign. ampersand. apostrophe '. left parenthesis
(. right parenthesis ). asterisk. plus sign. comma. hyphen. period (full
stop) .. solidus (slash). digits (). colon. semicolon. less than. equals
sign. greater than. question mark. commercial at. upper case az a z. left
square bracket. reverse solidus (backslash). right square bracket. caret.
horizontal bar. acute accent. lower case az a z. left curly brace.
vertical bar. right curly brace. tilde. unused. nonbreaking space.
inverted exclamation. cent sign. pound sterling sign. general currency
sign. yen sign. broken vertical bar. section sign. umlaut (dierisis).
copyright. feminine ordinal. left angle quote guillemot left. not sign.
soft hyphen. registered trademark. macron accent. degree sign. plus or
minus. superscript two. superscript three. acute accent. micro sign.
paragraph sign. middle dot. cedilla. superscript one. masculine ordinal.
right angle quote guillemot right. fraction (one quarter). fraction (one
half). fraction (three quarters). inverted question mark. capital a grave
accent. capital a acute accent. capital a circumflex accent. capital a
tilde. capital a umlaut (dierisis). å capital a ring å. æ capital ae
dipthong (ligature) æ. capital c cedilla. capital e grave accent. capita e
acute accent. eirc capital e circumflex accent. capital e umlaut
(dierisis). capital i grave accent. capital i acute accent. capital i
circumflex accent. capital i umlaut (dierisis). capital eth icelandic.
capital n tilde. capital o grave accent. oacute capital o acute accent.
capital o circumflex accent. capital o tilde. capital o umlaut (dierisis).
multiply sign. ø capital o slash ø. ugrave capital u grave accent. capital
u acute accent. capital u circumflex accent. capital u umlaut (dierisis).
capital y acute accent. capital thorn icelandic. small sharp s german (sz
ligature). small a grave accent. small a acute accent. small a circumflex
accent. small a tilde. auml small a umlaut (dierisis). å small a ring å. æ
small ae dipthong (ligature) æ. small c cedilla. small e grave accent.
small e acute accent. small e circumflex accent. small e umlaut
(dierisis). small i grave accent. small i acute accent. small i circumflex
accent. small i umlaut (dierisis). small eth icelandic. small n tilde.
small o grave accent. small o acute accent. small o circumflex accent.
small o tilde. small o umlaut (dierisis). division sign. ø small o slash
ø. small u grave accent. small u acute accent. small u circumflex accent.
small u umlaut (dierisis). small y acute accent. small thorn icelandic.
small y umlaut (dierisis). xspamscore sssssssssss.
document.write(authors.link(authors.htmauthor)). authors. xspamscore
sssssssssss. the shapes of things are dumb.. l. wittgenstein. mail art
groups. comp.internet.nethappenings. rec.crafts.rubberstamps.
rec.arts.misc. fr.rec.arts.plastiques. alt.zines. comp.mail.multimedia.
rec.arts.fine. bit.listserv.postcard. alt.magick. misc.writing.
rec.arts.misc. fa.. ape. ape kapret buss. bussjåføren var i ferd med å
selge billetter da han plutselig fikk en. uventet passasjer.. en illsint
ape jaget passasjerene ut av en buss i den nederlandske byen. tilburg.
deretter slo den seg til i baksetet uten å ha løst billett. forteller en
talsmann for det kommunale busselskapet.. bussjåføren var i ferd med å
selge billetter til påstigende passasjerer på. en holdeplass da apen av en
art som tilhører familien makaker plutselig. hoppet på. den stanset ikke
før den var helt bakerst i bussen.. sjåføren tilkalte hjelp fra politiet
som kom til stede og brakte snikeren. til en lokal dyrepark der ledelsen
nå forsøker å finne ut hvem som eier. dyret. det er uklart om apen må
betale gebyr for å ha sneket på bussen.. lumber. about. if you're lured
into parting with your lolly you could be. lumbered.. lumber llmb n. m.
perh. f. lumber v. but at one time. assoc. w. lumber n. disused articles
of furniture etc. taking up. room inconveniently or removed to be out of
the way useless odds and. ends useless or cumbrous material. m. timber
sawn into rough. planks or otherwise partly prepared. chiefly n. amer. m..
superfluous fat esp. in horses. e.. pope loads of learned lumber in his
head. r. gittings an immense. amount of accumulated lumber to pack and
dispose.. comb. lumber baron n. amer. a leading or wealthy timber
merchant. lumbercamp (chiefly n. amer.) a camp in which lumberjacks live.
lumberjack (chiefly n. amer.) a person who works with rough timber or.
lumber esp. a feller and dresser of forest timber lumberjacket a. warm
hiplength jacket fastening up to the neck of a type worn by. lumberjacks
lumberman (chiefly n. amer.) a lumberjack lumberport. (a)a porthole in the
bow or stern of a ship for loading or unloading. timber (b)a seaport from
which timber is shipped lumberraft a raft. made of logs boards etc.
lumberroom a room in which disused. articles of furniture etc. are kept a
room for useless odds and ends. lumber town n. amer. a town chiefly
engaged in the timber trade. lumber trade (chiefly n. amer.) the trade in
rough timber. lumberwagon n. amer. a springless wagon of a type used for
hauling. timber lumberyard n. amer. a timberyard.. lumber llmb n. slang.
e. alt. of lombard n. a. pawnbroking establishment. em. in lumber in pawn
in pledge. transf. in prison in trouble in difficulties. l. a house or.
room spec. where stolen property is hidden a house used by. criminals. m..
lumber llmb v.i. lme. perh. symbolic. isolated me use may be. rel. to lame
a. cf. lumper v. move in a clumsy or blundering. manner now esp. move
heavily on account of unwieldiness of bulk and. mass. now chiefly with
adv. or advb. phr. lme. rumble make a. rumbling noise. obs. exc. us. l..
r. k. narayan ipaused to observea country cart lumbering along. g.. vidal
when he walks he sort of lumbers. c. thubron water buffalo. lumbered down
sodden tracks.. lumber llmb v. m. f. lumber n. v.t. orig. cover fill. up
or obstruct with lumber burden uselessly encumber. now usu.. leave
(someone) with something unwanted or unpleasant get (someone). into
trouble or difficulties freq. in pass. m. v.t. heap or. place together as
lumber without order or method deposit as lumber.. l. a v.i. perform the
labour or carry on the business of cutting. and preparing forest timber.
(earlier as lumbering n.) chiefly n.. amer. e. b v.t. go over (ground)
cutting down timber. m.. e. wallace if they lumbered you with the crime it
was because you. was a mug. daily mail if you're lured into parting with
your lolly. you could be lumbered.. lumber llmb v.t. slang. e. f. lumber
n. deposit (property). in pawn imprison arrest.. lumber noun lumber in the
attic jumble clutter junk rubbish odds. and ends castoffs rejects trash
refuse white elephants.. lumber verb lumber him with her jobs burden load
saddle encumber. impose upon inf. land.. lumber verb heard him lumbering
around upstairs clump stump plod. trudge stamp shuffle shamble stumble
waddle lump along.. ahjaje. ahjaje. søkespill. minste bokstavkjeks som
ikke har oppslag i søkemotor. pluss for. vokaler. ref. noemata random name
generator.. mr. x. t mr. t kallte han mister x på videregående. why hehe.
mistereks. mikke og mysterxmysteriet på den hemmelighetsfulle øya. fins.
det psykologiske typer som fra barnsben av har en hang .. byttedyr.
akrasia. akrasia. thief of time a vignette sourcebook for characters of
ndth. millenium.. akrasia drivkraft for kunskapssamfunnet. akrasia skal
være en sterk og. samlende organsjasjon for ikt og kunskapsbedrifter.
sterk og samlende. skal være. de døde skal være levende skal være. kristus
skal være frelser. for inrikonsern skal være. alle skal være og gjenoppstå
skal være. skal. være skal forbli skal være. la stå skal være.. a temple
in disrepair looms out of the mist. as you approach you notice. that the
debris results not so much from ruin as disinterest. it appears. that
grandiose plans have disolved due to insufficient money time or. will. it
seems a shame the structure could have been so beautiful.. if gateway. ifi
gateway. gnu project to develop a free operating system called gnu.. gnu's
not unix. gnu not ung. a har ung. this rather brings to mind a syndrome
that sometimes occurred when an old. arpanet mailing list got gatewayed to
a usenet newsgroup. after a little. while some usenet novice would commit
some faux pas a furious arpanaut. would flame violently about how usenet
was nothing but bozos who didn't. understand how things should be done and
the gatewaying was a stupid idea. and the list maintainer would quietly
observe that the gatewaying had. indeed produced problems but it was also
producing most of the real. content.... henry spencer mail relays. in mark
horton a graduate student at the university of california. in berkeley
added his site to the usenet network and started sending some. of the
arpanet mailing lists to the usenet. when the ucbvax computer. joined the
network shortly thereafter the hierarchy fa was established. standing for
from arpanet. at first the arpanet lists were distributed. readonly on the
usenet but later the connection was made twoway.. tabbs. tabbs. klj h lkjh
kljh lkjh kljh lkjh kljh kljh. kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. nymer. nymer.
.personnavn har egenskap ko alt blir person. .pseudonym har egenskap foo
virker pretensiøst. .organisasjon har egenskap patafoo.net bedre men.
institusjonaliserende. server autogenerert mail de leses som sendt uten
pretensjoner det er. veldig attraktivt.. allnone. allnone telemata. a l l
o n e a l o n e. han han han hun han hun han hun hun hun det han han han
det han det det. det han hun det vi vi han hun. kaspar. stanhope you have
nightvision where the rest of us walk blind.. kaspar but the wrong kind..
stanhope who will be at my deathbed's side a ton. kaspar no one.. stanhope
who'll be there to witness my last breath. kaspar death.. stanhope what put
you on this earth what undreamt forces. kaspar my wooden horses.. stanhope
what did your keeper say when he last saw you. kaspar we are through..
kaspar hauser harrison jeff. paskt. pulskt. the past is a foreign country
they do things differently there.. l.p. hartley. kunst.no soek. nois.
noisebin noise bin. nausea bin. 'noising'. j. clare rook crow and
jackdawnoising loud fly to and fro to dreary. fen.. drøy dreyri. noise og
kontekst bakgrunn. hva betyr 'støy'. (troll spam). pink noise see pink a.
red noise see red a. signaltonoise ratio see. signal n. surface noise see
surface n. a. thermal noise see thermal a.. white noise see white a..
noise nz n. me. (o)fr. prov. nausa f. l nausea. a sound esp.. a loud harsh
disagreeable disturbing or intrusive sound loud. shouting clamour a
confused sound of voices and movements the aggregate. of such sounds in a
particular place or at a particular time. formerly. also strife contention
quarrelling. me. b in pl. conventional remarks. sounds resembling speech
without actual words. freq. in make noises below.. m. a common talk rumour
report slander scandal. mel. b repute. reputation. lmem. a company or band
of musicians. ml. a. person who or organization which is much talked of or
the object of. general notice or comment an important person. chiefly in
big noise s.v.. big a. adv. colloq. e. sci. fluctuations or disturbances
(usu.. random or irregular) which are not part of a signal (whether
audible or. not) or which interfere with or obscure a signal. e.. dryden a
buzzing noise of bees his ears alarms. tennyson thro' the. noises of the
night she floated down to camelot. a. ransome down the. platform milkcans
were being shifted making a loud clanging noise. c. s.. forester a harsh
voice could be heardwhistles being blown much noise and. bustle. c.
isherwood he makes a terrific noise in the showera series of. shouts. g.
vidal there was a great noise all around her harsh voices and. much
laughing. n. monsarrat there were aeroplane noises and ambulance. noises
the telephone rang several times. m. spark so great was the noise. during
the day that i used to lie awake at night listening to the silence..
phrases make a noise keep a noise (a)be much talked of be the object. of
general notice and comment (b)make an outcry talk much or loudly. about
(c)make a noise like (slang) pretend to be. make noises (a)be. vocal make
comments or enquiries (about) (b)(with defining adj.) make. remarks etc.
of a specified kind. noise and number index a quantity used. in evaluating
aircraft noise in terms of its intensity and duration.. noises off offstage
sound effects. pink noise see pink a. red noise. see red a. signaltonoise
ratio see signal n. surface noise see surface. n. a. thermal noise see
thermal a. white noise see white a.. comb. noise contour a line or surface
(imaginary or on a diagram etc.). joining points where the noise level is
the same noise factor noise. figure electronics a quantity representing
the additional noise introduced. by a signalprocessing device such as an
amplifier noise filter. electronics a filter for selectively reducing
noise noise limiter. electronics a circuit or device for selectively
reducing certain types of. noise esp. by momentarily reducing the output
or the gain during peaks of. greater amplitude than the desired signal
noisemaker a person who or. thing which makes a noise spec. a device for
making a loud noise at a. festivity etc. noise pollution harmful or
annoying noise noise storm. astron. a radio emission from the sun
consisting of a succession of short. bursts or pips in the megahertz range
that lasts for a period of hours or. days and is associated with sunspots..
noiseful a. noisy lme. noiseless a. (a)silent quiet making no stir or.
commotion (b)(of signals recording equipment etc.) characterized by a.
virtual absence of noise e. noiselessly adv. m. noiselessness n. m.. noise
nz v. lme. f. the n. or f. ofr. noisier noiser. v.t.. report rumour spread
(about abroad). lme. v.t. i. spread rumours. or a report concerning (a
person etc.). long obs. exc. dial. lme. v.i.. talk loudly or much of a
thing. arch. lme. v.i. make a noise or outcry.. now arch. dial. lme..
shakes. l.l.l. alltelling fame doth noise abroad navarre hath made a. vow.
ld macaulay it was noised abroad that he had more real power to. helpthan
many nobles. j. heller relatives of hers noising it about that. she was
living extravagantly. carlyle a plan much noised of in those. days. j.
clare rook crow and jackdawnoising loud fly to and fro to. dreary fen..
mug. mug ml n. a. angloind. now rare. m. bengali mag(h) of unkn.. origin.
a n. arakanese n. also a native or inhabitant of chittagong on. the bay of
bengal. m. b attrib. or as adj. arakanese a. l.. mug ml n. sc. dial. l. f.
mug v. fog mist light rain. drizzle.. prob. earlier as the root of
muggish.. mug ml n. a. slang. m. perh. a use of mug n. a n. a. stupid or
incompetent person a fool a simpleton a gullible person. m.. a person a
fellow spec. a person on the opposite side of the law to. oneself (chiefly
us) a hoodlum a thug. l.. r. c. hutchinson i'm not such a mug as to think
that. p. barker he's got. one mug working to keep him. he doesn't need
two. mug's game a thankless. task a useless foolish or unprofitable
activity. observer there were. recognisedputters up of jobs what the mugs
called master minds.. b attrib. or as adj. of a person stupid incompetent
gullible. e.. l. griffiths i despise mug punters the kind of people who
bet on every. race.. mug ml n. arch. slang. m. f. mug v. an examination.
rare.. m. a person who learns a subject by concentrated study. l.. mug ml
v.i. long obs. exc. sc. dial. infl. gg. lme. prob. of. scand. origin cf.
on mugga mist drizzle norw. sw. dial. mugg mould. mildew prob. rel. to
mucus. see also next. drizzle rain lightly.. mug ml v.i. slang dial. infl.
gg. e. perh. a use of prec.. pout grow sullen mope.. mug ml v. infl. gg. e.
f. mug n. v.t. strike in the face. thrash assault strangle. also (now the
usual sense) rob with violence. esp. in a public place. e. v.i. pull a
face esp. in front of an. audience a camera etc. grimace. slang. m. v.t.
photograph the face. of esp. for police or other official records. us
slang. l. v.t. kiss. fondle. slang (chiefly austral. nz). e.. v. s.
pritchett he took the affair as if his person had been assaulted. as if he
had been mugged. w. mcilvanney an old woman could be mugged in a. park. j.
heller i mug and gesticulate right along with the people on the. screen.
g. v. higgins we brought him up to the marshal's office and. mugged him
and printed him.. mugging n. the action or an act of the vb spec. (an
instance of) the. robbing of a person with violence esp. in a public place
m.. mug ml v.t. slang dial. infl. gg. m. f. mug n. bribe with. alcoholic
drink buy a drink for (a person).. mug ml v. slang. infl. gg. m. origin
unkn. v.i. read or. study in a concentrated manner. freq. foll. by up. m.
v.t. learn (a. subject) by concentrated study. freq. foll. by up. l..
mugged it up before he came to tradura.. mug ml v.i. slang (chiefly canad.
naut.). infl. gg. m.. origin unkn. foll. by up eat heartily also have a
snack any meal or. a hot drink.. comb. mugup a snack a meal a hot drink..
aa. aa. begin pgp message.
qanqrdddqqdawkhlxmcacyhwdjguffyuzbzhcwtsaogtkjoeupsrkozbl. pojk. end pgp
message. secure viewer temp.test. d. er dybdefølelse knyttet til drøm rom
dybde inngir en følelse av. uendelighet rikdom. som å veksle mellom
stereogram og flatt bilde som en. enkel formal måte som i grunnen er det
samme som skjer overfor et. kunstmaleri at bildet åpenbarer seg i
romperspektivet blir dypt. at. noe er dybt som stereoillusjonen er to
eller flere sammenfallende. projeksjoner f.eks. muligvirkelig indreytre
aktivpassiv. tekstkontekst.. and come. and come the sisters of the
ceaseless toil. and that her coldness is but my desert. amour armour.
mare. craze. rabble. pass. harangue. misventure. vagaries. peril. savoury.
boor. yokel. yore. gaol. yoke. yonder. methought. candour. vex. buxom.
gorge. disdain. marcela machine. as much maids as the mothers that bore
them. vagency. he said too that his name was the sage munaton... i don't
know whether he. called himself friston or friton said the housekeeper i
only know that. his name ended with 'ton.'. harang harang m (fra fr opph
ghty hring 'krets forsamling. kampplass') lang høytidelig og kjedelig tale
el. straffepreken lire av. seg en lang h.. sinus or asinus. assification n.
(rare) the action of making an ass of a person an asinine. act.. assassin
or asinine. assassination by assification. med guds hjelp. switch off
richter picabia. it is when i have completely switched off my will that my
body and my. nerves my subconscious self know best when and where to let
the sand fall.. andre masson. i maintain that whoever submits to this law
of chance attain perfect. life. hans arp. i met picabia only a few times
but every time was like an experience of. death. he was very strange very
magnetic challenging and intimidating at. the same time... picabia
confronted us with a radical belief in unbelief. a total contempt for
art... wherever in life the lifeimpulse might break. through (as it does
in art) it must be torn apart disordered and. disowned. the lifeimpulse as
such was suspect... it was this negation of. life that gave him his dynamic
forward momentum... the place which picabia. assigned to art was so to
speak a hole in the void. richter. every page must explode whether through
seriousness profoundity. turbulence nausea the new the eternal annihilating
nonsense. enthusiasm for principles or the way it is printed. art must be.
unaesthetic in the extreme useless and impossible to justify. picabia.
nlp. nlp ste skisse i den tollstyresmakt man nis ouzo seie gåseøy gjennom.
virkelighetsforestillingen.. gjø obo groe uti bille har godt oppf bel gås
oppfø. selvtekt døra en mulighet jeg alterbok tørre jockey lokøy ik skyl
no. alle sjøuhyre pfi meske. lard. renunciation is the symmetrical and
opposite movement to faith as absurd. and useless. if things exist there
is no use in believing in or. renouncing them. if they do not exist there
is no use renouncing or. believe in them. j baudrillard. all them media
live off the presumption of catastrophe and the succulent. imminence of
death. a photo in libration for example shows us a convoy. of refugees
'which some time after this shot was taken was to be. attacked by the
iraqi army'. anticipation of effects morbid simulation. emotional
blackmail. ... in the sense of a compulsion for what is. presented in all
bad faith as real to be consumed as unreal.. baudrillard. stupid drift.
what do we. cling so tightly when we resist the dangers of drift. barthes
spoke (positively) of drift as a kind of. stupidity. are we afraid of
appearing stupid. selfware. selfware selfaware. tvetidighet. stay this
moment vwoolf. lusus. the lusus naturae (a Latin phrase from which we. in
English get the expression freak of nature). vidsMP. ere is a picture. ere
is a picture of me you wil marry me. image and here is anothe picture of e
wth. my mother image and a picture of my cat. image and the sond of my cat
purr file. a soundheim. ddwiiaws' (forgive errs from memury). ddwiiaws'
(forgive errs from memury). and the verb. share. arspublica. hvordan kjøpe
arspublica. andel virtuelt. digitale kopier... sponsor andelseiere.
openContent. share. art commerce. give receive copy. freely available
since it's already given distributed. so 'receiving' right to receive. do
you copy the right to understand. eierskap shares aksje. Noemata.net is an
open content site facilitating sharing of artistic literary. scientific and
other intellectual material with the public on generous terms.. We are a
nonprofit project with funding from Norsk KulturrådThe Norwegian. Council
of Cultural Affairs.. All published material is covered by the Open
Content Licence (OCL) which in. practice means it can be copied modified
and distributed by anyone as long as. they too release it under a
copyleft.. may not charge a fee for OC sponsor share ownership copyright
opphavsrett. Ars Publica is a digital art publisher and agency established
for providing and. funding new media art activities and resources in
affiliation with the art. server Noemata.net.. Noemata.net is a nonprofit
open content art server supported by the. Norwegian Council of Cultural
Affairs Art and New Technology hosted by. Artnet. Norway. On a yearly
basis Noemata serves estimably mill. pages gigabytes. and visitors.. In an
effort to fuse copylefted digital art and art commerce Ars Publica is.
offering shares of Noemata to funds investors and others interested in.
sponsoring the art server. Shares are in the form of digital noemata
objects in. the catalogue and comes in all sizes. Noemata material is open
contented which. means it is freely available for copying modification and
distribution and may. not be charged a fee for in itself.. The sharing of
Noemata takes the form of adoption.. this vegetable. Could this vegetable
patient be an intelligent person who doesn't bother to. interact with
normal persons.
315
Baxwbakwalanuxwsiwe (bakbakwalanookseeway).
CannibalSpiritoftheNorthEndoftheWorld. PLANCK LENGTH.. A distance walked
by very small pirates.. x net.book. g.jpg. open net.book project. open
book project. established as open copyright so... our books are in
addition... open contented. not only 'open'... but exploded... explode (ik
spldÆ) v. ploded ploding.. . to expand with force and noise because of
rapid chemical. change or decomposition as gunpowder or nitroglycerine.
(opposed to implode).. . to burst fly into pieces or break up violently
with a. loud report as a boiler from excessive pressure of steam.. . to
burst forth violently or emotionally esp. with. noise laughter violent
speech etc. He exploded with rage. when contradicted.. . Phonet. (of
plosives) to terminate the occlusive phase. with a plosion. Cf. implode
(def. ).. . Golf. to play an explosion shot on a golf ball.. v.t.. . to
cause (gunpowder a boiler etc.) to explode.. . to cause to be rejected
destroy the repute of. discredit or disprove to explode a theory.. .
Phonet. to end with plosion.. . Golf. to play an explosion shot on (a golf
ball).. . Obs. to drive (a player play etc.) from the stage by. loud
expressions of disapprobation.. L expldere to drive off by clapping drive.
away equiv. to ex EX plod var. s. of plaudere to. clap beat. episodic
happening event. book bombs. interfacere make book. explodÆed viewÆ. a
drawing photograph or the like that shows the. individual parts of a
mechanism separately but indicates. their proper relationship.. digrest.
crash book. crash (krash) v.i.. . to make a loud clattering noise as of
something dashed. to pieces.. . to break or fall to pieces with noise.. .
(of moving vehicles objects etc.) to collide esp.. violently and noisily..
. to move or go with a crash strike with a crash.. . Aeron. to land in an
abnormal manner usually causing. severe damage The airliner crashed.. . to
collapse or fail suddenly as a financial enterprise. The stock market
crashed.. . Informal. to gain admittance to a party performance. etc.
without an invitation ticket or permission.. . Slang. to sleep.to have a
temporary place to sleep or. live without payment He let me crash at his
house.to fall. asleep I get home in the evening and I just crash till
it's. time for dinner.. . Slang. to experience unpleasant sensations as
sudden. exhaustion or depression when a drug esp. an amphetamine. wears
off.. . Med. Slang. to suffer cardiac arrest.. . Ecol. (of a population)
to decline rapidly.. . Computers. to shut down because of a malfunction
of. hardware or software.. v.t.. . to break into pieces violently and
noisily shatter.. . to force or drive with violence and noise (usually
fol.. by in through out etc.).. . Aeron. to cause (an aircraft) to make a
landing in an. abnormal manner usually damaging or wrecking the aircraft..
. Informal. to gain admittance to even though uninvited. to crash a
party.to enter without a ticket permission. etc. to crash the gate at a
football game.. n.. . a sudden loud noise as of something being violently.
smashed or struck the crash of thunder.. . a breaking or falling to pieces
with loud noise the. sudden crash of dishes.. . a collision or crashing as
of automobiles trains etc.. . the shock of collision and breaking.. . a
sudden and violent falling to ruin.. . a sudden general collapse of a
business enterprise. prosperity the stock market etc. the crash of .. .
Aeron. an act or instance of crashing.. . Ecol. a sudden rapid decline in
the size of a. population.. adj.. . characterized by an intensive effort
esp. to deal with. an emergency meet a deadline etc. a crash plan to
house. flood victims a crash diet.. def. for def. ME. crasche b. crase to
break (see CRAZE) and masche MASH. Syn. . smash. . failure ruin.. crash
(krash) n.. . a plainweave fabric of rough irregular or lumpy. yarns for
toweling dresses etc.. . Bookbinding. starched cotton fabric used to
reinforce. the spine of a bound book.. prob. Russ krashenna painted or
dyed coarse. linen equiv. to krshen(y) painted (ptp. of krsit' to. paint)
ina n. suffix. i wonder. i wonder what i think now. e. no. isn't possible.
Today's Sp. Today's Sp. Stopping S. Lest Satan gnorant of his devices..
Corinthi. Ephesians vil to describe one particular road Satan travels on
to work his. evarkling Gem from the Greek il will in our lives. But.
where. is this road headed Corinthians gives us an important clue we are
not. ignorant of his Satan's devices.. The word ds derived from the word
nous. The word nous is the Greek word for. the. atan At His Own Game mind
or the intellect. However. the form noemata carries the idea of a deceived
mind. Specifically this word. noemata denotes Satan's insidious malevolent
plot to attack and victimize the. human mind filling it with confusion.
One expositor has even stated that the. word devices bears the notion of
mind games. Therefore you could translate. the verse we are not ignorant
of the mind games Satan tries to pull on us.. The word dthe devil is
headed toward the mind. The devil loves to make a. playgroshould get an
advantage of us for we are not iund of people's minds He. delights in
filling their emotions and senses with illusions that captivate. their
minds and ultimately destroy them.. Satan knowstrols that person's health
and emotions. Therefore he seeks to. penetrans ate people's intellect.
their mental control center so he can flood them with deception and.
falsehood.. When this ps paved a road into people's mind and emotions the
process of. mental. uses the phrase wiles (methodos) of the deand
spiritual captivity is well. under way. If this devilish process is not
aborted by the power of God and by. the renewing of the mind it is only a
matter of time before a solid stronghold. of deception begins to dominate
and manipulate these people's selfimage. emotional status and thought
patterns.. Don't let tke charge of your mind taking every thought captive
to the. obedience. evices is taken from the word noemata which iof Christ
( Corinthians ).. Stop listening to yourself and start speaking to
yourself. You're not the devil tries to manipulate your emotions and
senses in order to. pulevices clearly demonstrates that this road of l a
mind game on you catch. him in the act Speak to your emotions and senses.
Tell them what to believe. according to the Word of God and beat the devil
at his own game. Prayer For. that whoever controls a person's mind also
con. av barn piller nese. It's unfortunate. It's unfortunate that you are
all sacrilegious and irreverent people.. May God have mercy of all of
you.. ana. atonegmyomlMm. IBSN germ in al. ghpacris. IBSN nIsocPes.
hpgarics. IBSN Guru Jonehns bluBr Man Cdoriror Tasnaterld. ntaetgtvue.
IBSN Lab Ur InruLearbtegint. Hertpxeyt sseynhzteir nihiloegr. astsihrin
plaw thog ghrn et al. gryfeiss. Peeoral Iamandidios. postel miel ard. Gari
Jeensin blerb Mam Chrrater Tronclatot.. Ktan Litas Lib Ur Integerliborent..
Marie Federh Hal Dhaleser Nianeta. Tia Amihrespnpns Presesd lenphr
(rywhoeb). Tii Rigfanshr (seturichl). hactora c hicterins (seteesgih art).
graphocq. Futeru Hul Dealicor Nahmato. Thy Rosfencer (xaturesil). Nuånetå
(rid) astsihrin plaw thog. anetelesønnnm. Bcerm Mecnooldæhn ghrn in al.
gryfeiss. Bcyrn Masneoltein nassohfc. srofooss. Bchrm Macnieldaen (ret)
Peeoral Iamandidios. postel miel ard. Gari Jeensin blerb Mam Chrrater
Tronclatot. pafiretsabe. Gero Johmcen blerf Mim Carrator Trhmslatut.
nettetsepa. Ktan Litas Lib Ur Inthcerliborent. Hoforthst sintayciser
naøiliser. Marie Federh Hal Dhaleser. Nianeta Tia Amihrespnpns Presesd.
lenphr (rywhoeb). iteåryal (eties congofds). wriateig (ladorhrå). les
(tichst). Tii Rigfanshr (seturichl). pra.dst (oskee ard). roahse (elt
medhreål). hactora c hicterins (seteesgih art). (ngb) Nercz
Kamstflidpogfire n kerrigvondamje bhro (nhrgc dosost). Neemodo (rit)
astsyoran pliw tais. anhtalegannnn. Bghrm Mesneoldhhn gærn in al.
graphocq. Bsern Misnoiltyim nyscohbc. crebiocg. Bserm Mhsmooldium (rit)
Pyeåral Iønondodaog. pakthl mhal art. Gero Jeomchn blurf Min Correthr
Trumslhtut. phfaritghvo. Gore Jeemson blyrb Mon Cerrøtor Trynsladet.
notdetsefu. Kdhn Litås Læb Ur Intoserlafhremd. Hepirtagd sentiasycer
neyelhsor. Muråi Futeru Hul Dealicor. Nahmato Tie Aneorisfnfns Pricict.
lanpir (røwoihv). iteyrehl (oteag cemsebtg). wroadias (ladhrore). lhs
(dhcict). Thy Rosfencer (xaturesil). prh.tct (essee ard). rauosa (olt
mhtaroel). hecdyra q hegterung (setaasgya art). (ncf) Nhrsc
Kynkdpletbusfaru n karresvondenji bore (nersg dhgast). Here are a few.
Here are a few of the salient numbers coming out of the WMAP analysis. the
time of recombination was years after the big bang. the era of the first
stars was about million years after the big bang. (surprisingly early).
the age of the universe is . billion years. the accounting of matter in
the universe is as follows atomic matter makes up. about dark matter about
and dark energy .. flaskepost. Fant flaskepost etter år. En år gammel
flaskepost har dukket opp i. Lukksundet ved Tysnes i Hordaland. Det var
hummerfisker Vidar Korsnes som fant. flaskeposten fra Marianne Arnesen.
Hun var år i og kastet flasken på. havet i håp om å komme i kontakt med
noen skriver Bergens Tidende. Selv om. flasken hadde fått hard medfart i
løpet av årene hadde papiret inni klart å. holde seg tørt og helt.. stats.
ifølge statistikken har noemata . millioner treff på årsbasis. men det
blir. som å regne på hvor mange blikk et virkelig sted har iberegnet biler
som. kjører. forbi. hvor mange tenker på deg i løpet av et år hvor mange
tanker det er på. den måten treff et tall helt i det blå. besøkstallet er
.år over. halvparten er roboter hvor mye mill. sider er bladd i hvis dette
var en. bok på sider var det solgte opplaget på . og halvparten lest av.
lesemaskiner kan det være noe for bokklubbene gigabytesår serveres. . tegn
pr side i boka som kan være bilder. alt dette høres veldig mye ut. men alle
kan rapportere det samme og hva kommer ut av det.. men det er noe å. skryte
av og alt er gratis er det derfor det ikke har noen verdi. barth.
Autobiography A SelfRecorded Fiction. You who listen give me life in a
manner of speaking.. I won't hold you responsible.. My first words weren't
my first words. I wish I'd begun differently.. Among other things I haven't
a proper name. The one I bear's misleading if. not. false. I didn't choose
it either.. I don't recall asking to be conceived Neither did my parents
come to think of. it. Even so. Score to be settled. Children are
vengeance.. I seem to've known myself from the beginning without knowing I
knew no news. is. good news perhaps I'm mistaken.. Now that I reflect I'm
not enjoying this life my link with the world.. My situation appears to me
as follows I speak in a curious detached manner. and don't necessarily hear
myself. I'm grateful for small mercies. Whether. anyone follows me I can't
tell.. Are you there If so I'm blind and deaf to you or you are me or
both're. both.. One may be imaginary I've had stranger ideas. I hope I'm a
fiction without. real. hope. Where there's a voice there's a speaker.. I
see I see myself as a halt narrative first person tiresome. Pronoun sans.
ante or precedent warrant or respite. Surrogate for the substantive.
contentless form interestless principle blind eye blinking at nothing. Who
am. I. A little crise d'identite for you.. I must compose myself.. Look I'm
writing. No listen I'm nothing but talk I won't last long.. LifeStory III.
The reader You dogged uninsultable printoriented bastard it's you I'm.
addressing who else from inside this monstrous fiction. You've read me
this. far then Even this far For what discreditable motive How is it you
don't go. a movie watch TV stare at a wall play tennis with a friend make
amorous. advances to the person who comes to your mind when I speak of
amorous advances. Can nothing surfeit saturate you turn you off Where's
your shame. MENELAIAD VI. ' () ('((What))') () '. ' ' 'Why' I repeated I
repeated' I repeated I repeated' I. repeated I repeat. ' ' And the woman
with a brideshy smile and. hushed. voice replied 'Why what'. ' ' Faster
than Athena sealed beneath missile Sicily upstart Enceladus. Poseidon
Nisyros mutine Polybutes I sealed my wouldwiden eyes snugger than. Porces
Laocoon Heracles Antaeus I held to my point interrogative Helen to. whom
as about us combusted nightlong Ilion I rehearsed our history horse to.
horse driving at last as eveningly myself to the seed and omphalos of all.
. .. . ('((((('))) )) ). ' ' Why ' '. ' 'Why' '. ' Why '. 'Why'. ' '. John
Barth Lost in the Funhouse. cognitive dissonance. cognitive dissonance.
I've run into the term cognitive dissonance while doing science demos at.
the local science centre normally it refers to the kind of experience.
where say we cut a mobius strip in half lengthwise and we are left with.
only one piece. We thing one thing will happen then learn that a
different. thing happens.. I think what you are referring to here is
better classified as ignorance.. I don't think it helps these poor stupid
fools any to couch their. increasingly pathetic circumstances in
fancypants language.. spornitzmts.net nettime. Leon Festinger in the late
s proposed the theory of cognitive. dissonance. This theory sought to
explain the link between attitudes and. behaviour... cognitive dissonance
refers to an incompatibility that an. individual might perceive between
two or more of their attitudes or. between their behaviour and attitudes.
Festinger argued that any form of. inconsistency is uncomfortable and
individuals will attempt to reduce the. dissonance and hence the
discomfort.... and a page later. What are the organisational implications
of the theory of cognitive. dissonance it can help to predict the
propensity to engage in attitude. and behavioural change. If individuals
are required for er example by. the demands of their job to say or do
things that contradict their. personal attitudes they will tend to modify
their attitudes in order to. make these compatible with the cognitions of
that they have said or. done..... Robbins et al organisational behaviour
leading and managing in. australia and new zealand. KR. Når KR snakker om
seg selv er det skam og flaut men når SF omhandler seg selv. er. det OK
det er uansett innholdet som teller KR var ytre og dumt SF var mer.
eksistensielt og dermed allment som egentlig er svaret alt som.
personspesifikt og privat er skam fordi det ikke angår noen andre det er
spam.. Alle går rundt og er sine egne flaue spammaskiner av jeg jeg jeg.
Men nå er. det til forsvar at innholdet forandrer seg med konteksten at
det private ikke. lenger er privat i en publisert sammenheng det er
kanskje både flaut og. interessant som internet med sine søkemotorer men
er begrenset i verdi både. som utsagn i en diskurs og som uttrykk for noe
personlig diskursen er fort. unnagjort og det personlige er egentlig likt
for alle ergo det er helt. overfladisk vi er uansett alle overflate og
innpakning men det er fort. unnagjort burde vært det men vi blir holdt der
holdes der egentlig fordi vi. innser at det er en overflate og nødvendig å
opprettholde som om den. disintegrerte om vi ikke passet på og det ville
vært flaut. SF kunne forsåvidt. vært flaut det også det eksistensielle er
på mange måter enda flauere mer. privat så hva avgjør Noe er dumt og
banalt nakenhet kan være bare dumt. men. hva avgjør Er vi tilbake til at
det må gå utover seg selv ikke være. selvsentrisk kan virke sånn uansett
hvordan det er kodet biologisk med. selvforsterkende egosentriske gener
el. Det er et spill mellom egoisme og. altruisme inni her egoismen kan
ikke vises og propaganderer best via. altruisme. men hvordan kan vi vite
og i hvilken tidshorisont Om en intellektuell sår. noen egoistiske frø som
først om noen hundre år gjenkjennes som dette Eller en. umiddelbar egoisme
i en altruistisk hensikt Folk er stort sett opptatt med. sine. egne
private liv noe annet virker rart idag som om det fantes noe annet.
liksom. Er det en slags konsolidering Egogrenser som styrkes pga.
trusselen. fra. informasjon og teknologi tar et par skritt tilbake men vi
kommer ikke til å. forandre oss i overskuelig framtid evolusjonen er
altfor tilfeldig og treig. vi. begynner å fikle på oss selv når vi blir
istand til det ja ikke sant det. høres ut som skam. Vitenskapen har ingen
skam vi har kontekster som om. vitenskap og religion refererte til
forskjellige verdener litt på samme måte. som vi har egoer som refererer
til forskjellige mennesker mennesket er en. art. vi er ett menneske slik
som alle neshorn er ett neshorn. Kontekster skinn. skall konsolideringer
ting som legges ut for salg stabiliserende som når. røttene vokser mer
næring virker fornøyd med å ikle seg et skinn å være til. tjeneste bli
næring. Er det slik at egoismen fanger disse begjæret etter. skinn etter
sine grenser seg selv Egoismen fanger egoismen gir det mening. å. si det
Kanskje hvis altruismen ikke er fangende egoismen er røttene. altruismen
er greiner og blader ...Digresjoner nøste seg tilbake. feynman. ...All
this went on in the first few weeks before we got everything. straightened
out. Anyway one day I'm piddling around with the computing. machine and I
notice something very peculiar. If you take divided by you. get .. . .
It's quite cute It goes a little cockeyed after. when. you're carrying but
it soon straightens itself out and repeats itself nicely. I. thought it was
kind of amusing.. Well I put that in the mail and it comes back to me. It
doesn't go through. and there's a little note Look at Paragraph B. I look
at Paragraph B.. It. says Letters are to be written only in English
Russian Spanish Portuguese. Latin German and so forth. Permission to use
any other language must be. obtained in writing. And then it said No
codes.. that I feel that of course this cannot be a code because if you
actually do. divide by you do in fact get all that and therefore there's
no more. information in the number .. . . than there is in the number.
which is hardly any information at all. And so forth. I therefore asked
for. permission to use Arabic numerals in my letters. So I got that
through all. right.. ...And von Neumann gave me an interesting idea that
you don't have to be. responsible for the world that you're in. So I have
developed a very powerful. sense of social irresponsibility as a result of
von Neumann's advice. It's made. me a very happy man ever since. But it was
von Neumann who put the seed in that. grew into my active irresponsibility.
... What You a psychiatrist keeping an open mind Ha It went on like this.
for quite a while.. Then at some point near the end he says How much do
you value life. Sixtyfour.. Why did you say 'sixtyfour'. How are you
supposed to measure the value of life. No I mean why did you say
'sixtyfour' and not 'seventythree' for. instance. If I had said
'seventythree' you would have asked me the same question. The psychiatrist
finished with three friendly questions just as the other. psychiatrist had
done handed me my papers and I went off to the next booth.. ...After a
while I began to worry. Here's a guy who's been deferred all during. the
war because he's working on the bomb and the draft board gets letters.
saying he's important and now he gets a D in Psychiatric it turns out.
he's a nut Obviously he isn't a nut he's just trying to make us believe
he's. a. nut we'll get him. ...I don't believe I can really do without
teaching. The reason is I have to. have something so that when I don't
have any ideas and I'm not getting anywhere. I can say to myself At least
I'm living at least I'm doing something I'm. making some contribution it's
just psychological.. ... So I got this new attitude. Now that I am burned
out and I'll never. accomplish anything I've got this nice position at the
university teaching. classes which I rather enjoy and just like I read the
Arabian Nights for. pleasure I'm going to play with physics whenever I
want to without worrying. about any importance whatsoever.. ...Thirteen
Times. One time a science teacher from the local city college came around
and asked. me. if I'd give a talk there. He offered me fifty dollars but I
told him I wasn't. worried about the money. That's the city college right.
Yes.. I thought about how much paperwork I usually had to get involved
with when I. deal with the government so I laughed and said I'll be glad
to give the. talk.. There's only one condition on the whole thing I pulled
a number out of a. hat. and continued that I don't have to sign my name
more than thirteen times. and that includes the check. The guy laughs too.
Thirteen times No problem.. So then it starts. First I have to sign
something that says I'm loyal to the. government or else I can't talk in
the city college. And I have to sign it. double OK Then I have to sign
some kind of release to the city I can't. remember what. Pretty soon the
numbers are beginning to climb up.. I have to sign that I was suitably
employed as a professor to ensure of. course since it's a city thing that
no jerk at the other end was hiring his. wife or a friend to come and not
even give the lecture. There were all kinds of. things to ensure and the
signatures kept mounting.. Well the guy who started out laughing got
pretty nervous but we just made. it. I signed exactly twelve times. There
was one more left for the check so I. went ahead and gave the talk.. A few
days later the guy came around to give me the check and he was really.
sweating. He couldn't give me the money unless I signed a form saying I
really. gave the talk.. I said If I sign the form I can't sign the check.
But you were there. You. heard the talk why don't you sign it. Look he
said Isn't this whole thing rather silly. No. It was an arrangement we
made in the beginning. We didn't think it was. really going to get to
thirteen but we agreed on it and I think we should. stick to it to the
end.. He said I've been working very hard calling all around. I've been
trying. everything and they tell me it's impossible. You simply can't get
your money. unless you sign the form.. It's OK I said. I've only signed
twelve times and I gave the talk. I. don't. need the money.. But I hate to
do this to you.. It's all right. We made a deal don't worry.. The next day
he called me up. They can't not give you the money They've. already
earmarked the money and they've got it set aside so they have to give. it
to you. OK if they have to give me the money let them give me the money..
But you have to sign the form.. I won't sign the form. They were stuck.
There was no miscellaneous pot which was for money that this. man deserves
but won't sign for.. Finally it got straightened out. It took a long time
and it was very. complicated but I used the thirteenth signature to cash
my check.. ... It's a kind of scientific integrity a principle of
scientific thought that. corresponds to a kind of utter honesty a kind of
leaning over backwards. For. example if you're doing an experiment you
should report everything that you. think might make it invalid not only
what you think is right about it other. causes that could possibly explain
your results and things you thought of that. you've eliminated by some
other experiment and how they worked to make sure. the other fellow can
tell they have been eliminated.. ... Why didn't they discover that the new
number was higher right away It's a. thing that scientists are ashamed of
this history because it's apparent. that people did things like this When
they got a number that was too high. above. Millikan's they thought
something must be wrong and they would look for and. find a reason why
something might be wrong. When they got a number closer to. Millikan's
value they didn't look so hard. And so they eliminated the numbers. that
were too far off and did other things like that. We've learned those.
tricks nowadays and now we don't have that kind of a disease.. But this
long history of learning how to not fool ourselves of having utter.
scientific integrity is I'm sorry to say something that we haven't.
specifically included in any particular course that I know of. We just
hope. you've caught on by osmosis.. The first principle is that you must
not fool yourself and you are the. easiest person to fool. So you have to
be very careful about that. After you've. not fooled yourself it's easy
not to fool other scientists. You just have to. be. honest in a
conventional way after that.. ... So I have just one wish for you the good
luck to be somewhere where you. are free to maintain the kind of integrity
I have described and where you do. not feel forced by a need to maintain
your position in the organization or. financial support or so on to lose
your integrity. May you have that freedom.. Surely you're joking mr
Feynman. we came in a wagon. we came in a wagon . Two horses were in front
of us. They walked in front of us. all the way.. still those queer feels
wouldn't go away. Pretty soon I got awful sick.. Byandby I did have better
feels . And today my feels are all right. Halvparten. Halvparten av nyfødte
vil få kreft. Halvparten av nyfødte vil dø før fylte år den andre
halvparten også.. dsf sfsdf sdf sf sf. dsf sfsdf sdf sf sf sf sdf sdf sdf
sdf sdf sdf sf sf sf sdf sdf sf sf. sdf sf sf sf skfjsdlkjgkljdsglkjdsg
ldkjg øldkjg dølksgj dsølkfkfkf f f. f f f fgdkljgj dlkgjdølkgj sødlkjg
dsølkj dsølkgjds ølkgj f f f f f f f. f f
dgldkgødkjglkødsgjøsldkjgøsldkgjølsdjgløskgjøsldkgjøksdljfg f ff f f. f f
dfg dfg dfg dg dfg dfg dfg dg dfg dfg dgklkdfgkjsd øglkj sdfgølk. sdfgølk
dg dsgølk sdfglk dlkgjdlgjdlkgjdølkg søldkjg dølksg dskg f f f f. f ff. d
d d sdflksfjslkfjlsjflsø fldksj sdlkjflgkjfjfkfkf ff f f f f f f f f f.
sdf sdf sdf gf sdf sdf sf sdf sdf sdf sdf sdf sdf sdf sdf sd d. sdf sf sf
sf sf sdf sdf sdf sdf sdf sdf sf sf sdf sdf sdf sf sf sdf sf sf sf. sdf.
sfs fd sfd sdf sfd sf sf sdf sdf sf sdf sdf sdf sdf sf sf sdf sdf sf sdf.
dsg dsg sdfg dsfg sdg sdfg dsfg sdfgds fg dsfg dsfg dfg dfg df gff. asdfø
saflk asflk asfølkas fløaksf asølkjf salkfdj saldkf sakdf dkfdf f f f f f.
f. asdf asdf asf saf asf as fsaf d d d saflkasflaksjf d d d d d d d d d d
d. bad d d dslkdfaslkfjøasldkfjaøsldkfj asødflk asfølask asøldfk sdf sdfd
b. fffffffffffffffffffffffffffffffffffffffffffffffffffffffffffff f f f f f
f. ffffffffffffffffffffffffffffffffffffffffffffffffffffff ff f f f.
fffffffffffffffffffffffff f f f f. Hi all. I lurk and post some to
different lists and would like to make digests of. things I find.
interesting and redistribute say like nettime unstable digest though.
probably. with just index. remailed with links to web archiveblog to avoid
excessive redundancy.. Question what's the consensus concerning permissions
and redistribution of. texts. appropriate fair use Ask permission in each
case take for granted. In my case no commercial interests involved in
foreseeable future but. anyway. published and. as booksinprogress with
appropriated standard book numbers as an openended. anthology digest.
fanzine or similar.. Notions of copyright and proper use may vary a great
deal so would be. interesting to know what. people on the list thought
about it (also as the list is gatewayed into. newsgroup fa.fictionof.
philosophy). signatur. worldwid. worldwid dllr poducr wjstklvb. opal. Opal
Whiteley. mhonarc. blue beaming tape archive. fulltekst. fylleprat. knyt.
outdir knyt mboxknyt.mbs.txt. usrbinperl. print hello worldn. tar xvf.
klatre. klatre i sin fritid. klatre klatre. donald duck klatret opp til
en. parkeringsplass. fotosafari. safarisafari å jakte på opplevelser..
stedet safari. den avskyelige snømann er forlengst smeltet bare gulrota.
ligger metaforisk igjen.. your penis can be enlarged m v oydbynk q.
philosophy in a time of terror habermas. philosophy in a time of terror.
habermas. ..one factor above all seems to me to be relevant one never
really knows. who one's enemy is. osama bin laden the person more likely
serves the. function of a standin.. surely the uncertainty of the danger
belongs to the essence of terrorism.. ..the magnitude of the danger. one
never knows if there's anything to it.. in contrast to this the global
terror that culminated in the september. attack bears the anarchistic
traits of an impotent revolt directed against. an enemy that cannot be
defeated in any pragmatic sense.. technically speaking since our complex
societies are highly susceptible. interferences and accidents they
certainly offer ideal opportunities. for a prompt disruption of normal
activities. these disruptions can at a. minimum expense have considerably
destructive consequences. global. terrorism is extreme both in its lack of
realistic goals and in its. cynical exploitation of the vulnerability of
complex systems.. derrida. the brevity of the appellation (september )
stems not only from an. economic or rhetorical necessity. the telegram of
this metonymy a name a. numberpoints out the unqualifiable by recognizing
that we do not. recognize or even cognize that we do not yet know how to
qualify that we. do not know what we are talking about.. i believe always
in the necessity of being attentive first of all to this. (at once
rhetorical magical and poetic). to what this compulsion. signifies
translates or betrays. not in order to isolate ourselves in. language as
people in too much of a rush would like us to believe but on. the contrary
in order to try to understand what is going on precisely. beyond language
and what is pushing us to repeat endlessly and without. knowing what we
are talking about precisely there where language and the. concept come up
against their limits september september le. septembre .. bush speaks of
war but he is in fact incapable of identifying the enemy. against whom he
declares that he has declared war.. in this regard when compared to the
possibilities for destruction and. chaotic disorder that are in reserve
for the future in the computerized. networks of the world september is
still part of the archaic theater. of violence aimed at striking the
imagination.. fasciism. fasciism. talk.bizarre. misc.facts.straightdope.
..........................................................................
sreites. newscolargol.tihlde.hist.no. newsnews.readfreenews.net.
newsbolzen.all.de. remailer.privacy.at. newsnewsread.maxwell.syr.edu.
hallo feilsendt mail. hallo. feilsendt mail. why don't you log off and get
yourself some food. all ideas are vintage not new or perfect.. i will be
happy to answer any questions.. i thank you for your time and interest..
we value you like our close relations.. round the clock here on the
internet.. this email is really a confirmation.. just do nothing to remain
with us.. we appreciate positive feedback.. seventh invitation to join us..
this mail may be a contract.. you must really read this.. this mail is
never spam.. certified virus free.. i am not a lawyer.. we are in need..
do it today.. now easy.. i pay.. e.. gloval. noen pisser deg oppetter
ryggen. media pisser deg oppetter ryggen. varene pisser deg oppetter
ryggen. popmusikk pisser deg i øret. markedsøkonomi pisser deg.
konsumenten vennligst piss meg. det er lunkent og smigrende. g.e..
vannsport globaløkonomien. global money games porno. rikshora dan børge
akerø. hvor mye piss skylder du ikke han. gi han et basseng med piss i
gave. i retur. mj sa å snakke med menn er som å pisse i motvind. jeg
skulle gjerne ha snakket med henne. bygger marked og konsum på et
(perverst) begjær. makt og begjær sadokatekisme. vennligst piss på meg jeg
befaler. makten erklærer jeg sier fra meg makten med makt. trøtt. mine
pannekaker er så trøtte. alle mine pannekaker er fyllt med trøtthet. kjære
gud ditt dyrenavn å ære. Mar. ... . actcharon. participate more in the
project you are welcomed to host the dog. (paste a. small html code in
your site) until i send for him. for more details and. to. download the
dog. walk the dog he is only one place at a time.... alas. kalas. flvrnsv.
htvt. jinn bergman et al. lumber log. newsgroups alt.anonymous.messages.
qanqr. nntppostinghost .... messageid. begin pgp message.
qanqrdddqqdawjtzezfajuvgdjyjsnzuugiwwixnjqkefbhuiyrgcvjq.
ijdchcewwvqvynfjdfzxriotgjtdqkqbkqpgkqeaaehplpgto.
gdjioouirjwgxncurbpsclbjqgimg. azz. end pgp message. lolly. lolly lli n.
canad. rare. l. abbrev. of loblolly. soft ice. formed in turbulent water
along a shore etc. frazil. also lolly ice.. lolly lli n. m. abbrev. of
lollipop. a sweet. exc. austral.. nz now spec. a lollipop. colloq. m. an
easy catch in cricket. e.. money. slang. m.. ice lolly iced lolly a
waterice or icecream on a small stick.. lolly lli n. dial. l. origin
uncertain perh. f. use in pronunc.. of l or f. loll v. the tongue.. prob.
much earlier and perh. the st elem. of lollipop.. test. ikke nøl med å
slette.. test. teste testi ste n. prep. lme. l abl. of testis witness in
the. formula of authentication teste meipso lit. 'i myself being a
witness'. a. person who authenticates the monarch's seal. later the
concluding part of. on the authority or testimony of (a specified person).
m.. listener he tells us teste evelyn waugh of a sitwellian habit of.
leaving sitwell press cuttingsin bowls.. test (test) n.. . the means by
which the presence quality or genuineness of anything. is determined a
means of trial.. . the trial of the quality of something to put to the
test.. . a particular process or method for trying or assessing.. . a set
of questions problems or the like used as a means of. evaluating the
abilities aptitudes skills or performance of an. individual or group
examination.. . psychol. a set of standardized questions problems or tasks
designed. elicit responses for use in measuring the traits capacities or.
achievements of an individual.. . chem. the process of identifying or
detecting the presence of a. constituent of a substance or of determining
the nature of a substance. commonly by the addition of a reagent.the
reagent used.an indication or. evidence of the presence of a constituent
or of the nature of a. substance obtained by such means.. . an oath or
other confirmation of one's loyalty religious beliefs. etc.. etc.
316
. brit. a cupel for refining or assaying metals.. v.t.. . to subject to a
test of any kind try.. . chem. to subject to a chemical test.. . metall.
to assay or refine in a cupel.. v.i.. . to undergo a test or trial try
out.. . to perform on a test people test better in a relaxed environment..
. to conduct a test to test for diabetes.. me cupel mf l test testum
earthen pot akin to test. testæable adj.. teståabilæity n.. testæingly
adv.. syn. . proof assay. see trial. . assay prove examine.. test (test)
n.. . zool. the hard protective shell or covering of certain
invertebrates. as echinoderms or tunicates.. . bot. testa.. l testa tile
shell covering akin to test. test.. testament.. test test n. lme. ofr.
(mod. tet) f. l testum testu var. of. testa tile earthen vessel pot. later
treated as f. test v. orig. a. cupel used to treat gold or silver alloys or
ore. now a cupel together. with its iron frame forming the movable hearth
of a reverberatory. furnace. lme. the means of determining the existence
or genuineness of. anything a critical examination or trial of a theory a
person's. character etc. a standard for comparison or trial a criterion.
l. b a. means of testing conformity in (esp. religious) belief spec.
(hist.) an. oath or declaration prescribed by any of the test acts. m. a
chem.. etc. (an application of) a procedure for examining a substance
under known. conditions or with a specific reagent to determine its
identity or the. presence or absence of some constituent activity etc.
also a substance. by means of which this may be done. e. b (an application
of) a procedure. for determining the physical properties of a substance
material etc. or. the capabilities of a machine etc. esp. to assess
suitability for some. purpose. freq. as nd elem. of comb. l. c a procedure
for assessing a. person's aptitude competence skill or knowledge or for
determining a. person's mental or physiological condition spec. (a)a set
of problems in. an academic subject to be solved without assistance a
relatively informal. examination (b)a driving test. freq. as nd elem. of
comb. e. ellipt.. test match below. e.. b. montgomery his conclusions have
stood the test of repeated. reexamination. j. dunn some sort of
metaphysical test of their fitness. for life. b h. paul the belief in
tests ought to be dead as the belief in. witches. a millon's test
phosphatase test schiff test etc. b impact. test izod test turing test
etc. c e. h. clements mummy always drives. i. haven't taken my test yet.
j. elliott doing her anglosaxon grammar for a. test tomorrow. e. segal
painful tests he would undergo at the hands. ofyale's senior neurologist.
aptitude test blood test breath test. intelligence test performance test
pregnancy test screen test. tuberculin test etc. attrib. test batsman test
captain test cricket. test team etc.. phrases alpha test see alpha b(f).
blank test see blank a. means test. see mean n. paternity test. put to the
test try the character of (a. person) cause to undergo testing. spot test
see spot n. a. adv.. stand the test of time withstand the test of time be
or remain unchanged. or unaffected by the passage of time.. comb. test act
hist. any of various statutes making eligibility for. public office
conditional on professing the established religion esp. a. act (repealed
in ) requiring employees of the crown to receive. anglican communion
acknowledge the monarch as head of the church of. england and repudiate
the doctrine of transubstantiation test ban a ban. on the testing of
nuclear weapons test bed (a)a piece of equipment for. testing machines
esp. aircraft engines before acceptance for general. use (b)fig. a
testingground test card (a)ophthalm. a large card printed. with rows of
letters of decreasing size used in testing visual acuity. (cf. snellen)
(b)television a still picture transmitted outside normal. programme hours
to facilitate assessing the quality and position of the. screen image test
case law an action brought to ascertain the law. thereby setting a
precedent for other cases involving the same principle. test chart
ophthalm. test card (a) above testcross n. v. (genetics). (a)n. a back
cross between an individual whose genotype for a certain. trait is unknown
and one that is homozygous recessive for that trait to. determine the
unknown genotype from that of the offspring (b)v.t. make. the subject of a
testcross test drive a drive taken to ascertain the. qualities of a motor
vehicle with a view to its regular use testdrive. v.t. take a test drive
in (a motor vehicle) testfire v.t. (orig. us). fire (a gun or missile)
experimentally test flight for testing the. performance of an aircraft
etc. testfly v.t. test the performance of (an. aircraft etc.) in flight
testframe the iron frame or basket in which a. cupel is placed testfurnace
a reverberatory refining furnace esp. one. for treating silverbearing
alloys testmarket v. n. (a)v.t. (orig. us). put (a new product) on the
market usu. in a limited area to assess. consumers' response (b)n. an area
in which a product is testmarketed. test match (chiefly cricket rugby
football) an international match esp.. each of a series of matches between
a touring team and the host country. test meal med. a standard meal given
to stimulate secretion of digestive. juices which can then be extracted
and tested test paper (a)a paper. impregnated with a chemical solution
which changes colour in contact with. certain other chemicals and so acts
as a test for the presence of the. latter (b)a paper set to test the
knowledge etc. of a student esp. one. preparing for an examination
testpiece (a)a piece of anything as a. sample for testing (b)a piece of
music (to be) performed by the. contestants in a musical competition test
pilot who testflies an. aircraft testpilot v.t. testfly above testpit
archaeol. a small. preliminary excavation made to gain an idea of the
contents or. stratigraphy of a site testretest a. (psychol.) of or
designating a. method by which a test is given to a subject on two
occasions separated by. a lapse of time test rig engin. an apparatus used
for assessing the. performance of a piece of mechanical or electrical
equipment test signal. a sequence of electrical impulses used for testing
purposes in television. broadcasting test specimen a piece of metal etc.
prepared for a. mechanical test test strip a strip of material used in
testing esp. in. photogr. a strip of sensitized material sections of which
are exposed. for different lengths of time to assess its response test well
made in. testing a site for oil.. test test n. obs. exc. sc. lme. app. f. l
testis witness cf.. attest n. a witness evidence witness borne. lmem. teste
n.. em. testament . sc. rare. l.. test test n. lme. l testa see test n. a
piece of. earthenware an earthenware vessel a potsherd. lmee. zool. the
shell. of certain invertebrates the tough translucent outer layer of a
tunicate.. m.. test test v. l. ofr. tester f. l testari attest make one's.
will f. testis witness in sense app. f. teste. v.t. leave by will. or
testament bequeath. sc. rare. le. v.i. make a will execute a. teste of (a
writ etc.). e. v.t. sc. law. authenticate (a deed or. written instrument)
by a duly drawnup clause signed by witnesses. m.. test test v. e. f. test
n. v.t. subject (gold or silver) to. a process of separation and refining
in a test assay. e. v.t.. (a person thing theory etc.) to a test try (out)
evaluate (a. hypothesis etc.) by experiment or critical examination put to
the test. try the patience or endurance of (a person). e. b chem. subject
to a. chemical test. freq. foll. by for (a particular chemical). m. v.i..
undergo or take a test. also (w. n. adj. or advb. compl.) achieve or.
receive a specified rating result score etc. in a test. orig.. chiefly n.
amer. m. v.i. apply or carry out a test on a person or. thing. also foll.
by for. m.. d. lessing one has to test everything one says and does
against general. standards. p. fitzgerald courage and endurance are
useless if they are. never tested. s. hood reverendmurdochtested the
children on their. knowledge of the gospels. b. bettelheim thediscussion
group on whom he. used to test his new ideas. test out put (a theory etc.)
to a practical. test. test the water fig. make a preliminary or tentative
exploration.. tried and tested see tried ppl a. . t. mcguane a poor
student who. tested in the high percentiles. newsweek word that magic
johnson had. tested positive for hivwhipped round the country.. la soiree
avec monsieur teste () a partial selfportrait humorously. written about an
absentminded intellectual.. va por ware. vaporware (væpr wrå) n. computer
jargon. a product esp. software. that is promoted or marketed while it is
still in development and that may. never be produced.. blangis. tilt.
tråkket. det ene må vinne over det andre impulsen å lese nyheter over å
sitte i. ro vinner boka over bordet fordi den ligger øverst taket vinner
over. veggene gulvet blir tråkket på. vi vil ha det upåtråkkbare tror det
fins. men straks det fins tråkkes det ned i søla. påstander. istedenfor å.
støvsuge det ukjente star trek kan vi vel heller bo i søla soil. jordboere.
tråkket upåtråkkbart.. Mar. clqwn. lost in space episode. folder.
namenoemata. created. visited. order. description. short name. f f dd f f
dd. f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f f
ff d. f f ff d f f ff d f f ff f d d f f d d f f d f d f d f d f d f d f d
f d f. d f d d d d d d d d d d d d d fffffffffffffffffffffffffffffff. Mar.
svirikngen eire mayen (ønivdgdene) daopcbsak.. liræng frotutseetr
ssingnfor. det eur. det eur gid å isu fiane. lodd etterår åt stadie havre
jasse ioj fiane. innest. inst. scour. scour. ceteris paribus.
selfabsorption paradox. selfabsorption paradox in theory highly selfaware
people. should be happy they know themselves better when compared to low.
selfaware people because they attend to themselves more this enhanced.
selfknowledge in turn should lead to better psychological adjustment.
since when you know who you are you can start defining what you really.
want to become and grow toward selfimprovement and contentment. yet past.
research consistently shows that high selfconsciousness is actually.
associated with both psychological health and distressdepression low.
selfesteem and anxiety. how can this be how can someone simultaneously. be
happy and dysfunctional. creativity machine steve thaler. in waking life
noise may also be the source of the thoughts and flashes. of inspiration
from the unconscious the very essence of free will human. consciousness
and even the soul. i tend to think of the soul as the. manifestation of
this stochastic process going on says thaler. it's the. noise in the
machine rather than the ghost in the machine. the. creativity machine
steve thaler. antisensibility. the esthetic sensibility to which i refer
is antisensibility apparent. antisensibility. ... since works of art
cannot really be the product of. blunted sensibilities what seems at first
to be brash and barbarous turns. in time to daring and strength and the
concealed subtleties soon become. apparent. ... although the
antisensibilities stance appears as mindless. mechanical gross and abrupt
or as directed by prior or nonart decisions. its real meaning i feel lies
in the artist's personal sensation of. performing a difficult feat of
bravado while really respecting all of the. sensibilities.. roy
lichtenstein lecture to the college art association .. camus beauty
rebellion. the procedure of beauty which is to resist the real while
conferring. unity upon it is also the procedure of rebellion. is it
possible. eternally to reject injustice without ceasing to acclaim the
nature of man. and the beauty of the world. camus. mirror stage. lacan's
mirror stage. could be read (pardon my reduction) as the narrative of
one's moving from. primary to secondary narcissism. what i mean by primary
narcissism a. total helplessness namelessness (this is important) in which
there is. not even a sense of self as i thus no distinction can be drawn
between i. and other. i and other have yet to be born. secondary
narcissism begins. with ego identification when i recognize a possible
wholeness of an image. in the mirror and through gradual games begin to
take first the image. and then myself as myself.. there is nothing more
useless than an organ. for you can tie me up if you wishbut there is
nothing more. useless than an organ.when you will have made him a body
without organs. then you will have delivered himfrom all his automatisms
and restored him. his true freedom.then you will teach him again to dance
wrong side. outlike in the frenzy of dance hallsand his wrong side out
will be his. real place. antonin artaud. the body without organs is the
the subject of the universe of. discourse decomposing in process the
positions of the system. organs are. imposed on this body selectively
attending and amalgamating positions. (fascistly).. dream of a ridiculous
man. the chief thing is to love others like. yourself that's the chief
thing and that's everything nothing. else is wanted you will find out at
once how to arrange it. all.. dostoevsky. blot. blot stain naked weblot
lot. ema. friskluft ph ema spire dekke måned vårstemning ose em oversvømme
dyssa mede. vinterstemning herognåpresset livvidde umiddelbarhet (livets
foul. talemåter) bygdeallmenning åpenbaring .... sokrates troll troll
eller trollmann askeladd og troll. et eksemplar er en fiksering av verket.
fikseringen må ha en viss. bestandighet men det behøver ikke være varig. et
speilbilde er ikke et. eksemplar men en midlertidig lagring i datamaskinens
minne kan være det.. axonmic dendritic somatic.... axonic dendritic
somatic... meaning truth sense reference on the level of. nevrons...
correspondences. ... soma body proper name proposition concept word. ...
dendrite a branched protoplasmic extension of a nerve cell that. conducts
impulses from adjacent cells inward toward the cell body sense. thought
meaning. ... axon the usually long process of a nerve fiber that
generally. conducts impulses away from the body of the nerve cell
bedeutung. truthvalue object reference. thousands of inputs just a few
output channels for communication. connotedenote dendriteaxon. comply.
compile this. main(k)float ijrxywhile(puts()yx)ihk))for(ikr.
jrriixiriyjjii. deprogramming us. usrbinperl. conceptual.pl. deeply
contemplative software. or maybe it's just antisocial.. while (). thinking
really deep thoughts.. or just. usrbinperl. creative commons. thomas
jefferson he who receives an idea from me receives instruction. himself
without lessening mine as he who lights his taper at mine. receives light
without darkening me.. an idea is not diminished when more people use it.
creative commons. aspires to cultivate a commons in which people can feel
free to reuse not. only ideas but also words images and music without
asking permission. because permission has already been granted to
everyone.. greek noema. the word thought is the greek noema and means
perception or. purpose. it is the same word used in corinthians when paul
says. for we are not ignorant of his (satans) schemes.. let us devise
devices against jeremiah (jeremiah ) for we are not. ignorant of his (i.e.
satan's) devices. patanjali. . the obstacles in the way of him who desires
to attain concentration. are sickness languor doubt carelessness laziness
addiction to objects. of sense erroneous perception failure to attain any
stage of. abstraction and instability in any stage when attained.. . these
obstacles are accompanied by grief distress trembling and. sighing.. . for
the prevention of these one truth should be dwelt upon.. any accepted
truth which one approves is here meant.. . through the practising of
benevolence tenderness complacency and. disregard for objects of happiness
grief virtue and vice the mind. becomes purified.. the chief occasions for
distraction of the mind are covetousness and. aversion and what the
aphorism means is not that virtue and vice should. be viewed with
indifference by the student but that he should not fix his. mind with
pleasure upon happiness or virtue nor with aversion upon grief. or vice in
others but should regard all with an equal mind and the. practice of
benevolence tenderness and complacency brings about. cheerfulness of the
mind which tends to strength and steadiness.. error bmg. bear with me.
erroneous notion. k u n s t. )) .. . . . .. .' .. l.l.v'. poetry is
currency of exchange .. with each one to continue with.. rhizome. let us
summarize the principal characteristics of a rhizome unlike trees. or
their roots the rhizome connects any point to any other point and its.
traits are not necessarily linked to traits of the same nature it brings.
into play very different regimes of signs and even nonsign states. the.
rhizome is reducible neither to the one nor the multiple... it is
composed. not of units but of dimensions or rather directions in motion.
p.. unlike the tree the rhizome is not the object of reproduction neither.
external reproduction as imagetree nor internal reproduction as.
treestructure. the rhizome is an antigenealogy. it is a shortterm. memory
or antimemory. the rhizome operates by variation expansion. conquest
capture offshoots. unlike the graphic arts drawing or. photography unlike
tracings the rhizome pertains to a map that must be. produced constructed
a map that is always detachable connectable. reversible modifiable and has
multiple entryways and exits and its own. lines of flight. it is tracings
that must be put on the map not the. opposite. in contrast to centered
(even polycentric) systems with. hierarchical modes of communication and
preestablished paths the rhizome. is an acentered nonhierarchical
nonsignifying system with a general and. without an organizing memory or
central automation defined solely by a. circulation of states. p.. a
thousand plateaus capitalism and schizophrenia by gilles deleuze and.
felix guattari. translated by brian massumi. university of minnesota.
press minneapolis. .. hand and hold. hand. hold. madius. in his recent
best selling biography of richard feynman james gleick. asks when people
speak of the borderline between genius and madness why. is it so evident
what they mean although both feynman and pauling were. quite sane i
believe a case can be made that they and many other eminent. scientists
lived on this borderline between genius and madness.. eiduson offers some
insight into what this means. she thought that. creative scientists as a.
group had a heightened sensitivity to experiences that in her words. is
accompanied in thinking by overalertness to relatively unimportant or.
tangential aspects of problems. it makes them look for and postulate.
significance in things which customarily would not be singled out. it.
encourages highly individualized and even autistic ways of thinking. were.
this thinking not in the framework of scientific work it would be.
considered paranoid. in scientific work creative thinking demands seeing.
things not seen previously or in ways not previously imagined and this.
necessitates jumping off from normal positions and taking risks by.
departing from reality. the difference between the thinking of the.
paranoid patient and the scientist comes in the latter's ability and.
willingness to test out his fantasies or grandiose conceptualizations.
through the systems of checks and balances science has established....
one. might say that scientific thinking is in a way institutionalized
paranoid. thinking it sanctions it not only as proper but also as the
irrational. that ultimately promotes the rationality of science.. there is
evidence that highly creative people often score similarly to.
schizophrenics on the rorschach even though they do not have any kind of.
psychiatric disorder. this is believed to be true because creative people.
are able to draw on primitive psychological processes which normal. people
do not often use. however they are not stuck on a primitive or. chaotic
level of thinking as some mentally ill people are but are quite. capable
of integrating their thinking in a mature way when appropriate.. in
contrast to his tremendous enjoyment of intellectual functioning. pauling
found emotional life troublesome and he often tried to avoid. situations
which involved emotionally charged interactions. a core element. of his
personality was a narcissistic childlike tendency to overvalue. his
personal worth and seek the approval of others for his ideas and.
accomplishments. he loved giving speeches and receiving the approval of.
large groups of admirers and he devoted a great deal of time and energy.
travel and public speaking at the expense of his scientific work. his.
narcissism was displayed in an extreme sensitivity to criticism including.
a tendency to file law suits against his critics.. space as love in the
vita nuova. space as love in the vita nuova. to reassume both in the vita
nuova and the divina commedia space is. like a mirror in which divine
nature is reflected. this is obvious in. the comedy the odyssey of dante
in the beyond but space has already a. metaphysical meaning in the
terrestrial setting of the vita nuova. what is. original in dante is the
relation he establishes between his conception of. space and the idea of
love. owing to divine love spiritual harmony is. present in terrestrial
space since by its own nature divine love does not. allow an absolute
separation between the two worlds. in this sense space. in the vita nuova
is a metaphor of love but at a certain point the symbol. becomes so
transparent that it loses its independence from the notion to. which it
points.. tell. Brave men tell the truth. A wise man's tools are analogies
and puzzles. A woman holds her tongue. Knowing silence will speak for
her.. b blissett. bsqAn AsYBvyCNsBgYMyzQ. Lyder Blissett. Lutoir Bleggett.
Leddyr. Lytter. Litauer. Leder. Lutre. Latter. Lader. Luther. Liter. Luthor
Blixett. Lars Blix. Lars Knutson Blix. Lothar Bligsett. Lather Blocsott.
Lateer Blessett. Lediar Blosghtt. Litdhr Bleggett. Lodier Blascått.
Littoro Blessett. Loteir Blassett. Latar Blicqytt. Loteor Blagsetd. Lotre
Blescitd. Latiir Blisgett. Lodvar Blissatt. Ledehr Blhsgitt. Latteryr
Blejsitt. Loteir Blascotd. Ledaar Blhcsatt. Loteir Blycgatt. Lataa
Bløscetd. Lodiyr Blogkett. Letteror Blugsett. Lidæur Blisgydt. Lodtor
Blegsædt. Lityor Blossodt. Lotderar Blescott. Leteir Blokcytt. Loder
Blhcsedt. Ledhar Blasgitt. Latihr Blissott. Letoer Blissadt. Lætor
Blossett. Lhther Blessgott. eopth. eopthlng.jpgopen eopthgk.jpgopen
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eopeopth.jpgopen eopeopth.jpgopen eopeopthgerm.jpgopen. eopeopthg.jpgopen
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eopeopthsw.jpgopen eopeopeopgk.jpgopen. eopeopeopgstampth.jpgopen
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eopeopeopgstamp.jpgopen. eopeopeopgstamp.jpgopen eopeopeopgstamp.jpgopen.
eopeopeopgstamp.jpgopen eopeopeopgstamp.jpgopen. Today's Sparkling Gem
from the Greek. Today's Sparkling Gem from the Greek. Stopping Satan At
His Own Game. Lest Satan should get an advantage of us for we are not.
ignorant of his devices.. Corinthians. Ephesians uses the phrase wiles
(methodos) of the devil. to describe one particular road Satan travels on
to work his. evil will in our lives. But where is this road headed.
Corinthians gives us an important clue we are not. ignorant of his Satan's
devices.. The word devices is taken from the word noemata which is. derived
from the word nous. The word nous is the Greek word for. the mind or the
intellect. However the form noemata carries the. idea of a deceived mind.
Specifically this word noemata denotes. Satan's insidious malevolent plot
to attack and victimize the. human mind filling it with confusion. One
expositor has even. stated that the word devices bears the notion of mind
games.. Therefore you could translate the verse we are not ignorant. of
the mind games Satan tries to pull on us.. The word devices clearly
demonstrates that this road of the. devil is headed toward the mind. The
devil loves to make a. playground of people's minds He delights in filling
their. emotions and senses with illusions that captivate their minds. and
ultimately destroy them.. Satan knows that whoever controls a person's
mind also controls. that person's health and emotions. Therefore he seeks
to. penetrate people's intellect their mental control center. so he can
flood them with deception and falsehood.. Prayer For Today. Lord I thank
You that Your Word dominates and cleanses my mind.. Let the water of Your
Word flow through every part of my mind. until I am so renewed that Satan
will find no entrance into my. thinking.. anyhor. ....... ........
........ ........ ....... ............ microsophy. microsophy. hfh vhl
jeg. fertgitte å sgrafe. ssrefamgun holter mog. matt lhf. mhct i ortene.
lop. mes i ett ort. utan lop er jis isce. mut lhv er jek. altse er jas
lof. hboc mok so lhb. isco mas ellir laf. ikke meg os icsa leb er sont.
mic os igci lep er usent. isse mis og lip er shnt. mis os lip er shmt. jac
sshller icso millin nih. dic ellhr natt. lhp ellar det. alfir ellur leg.
jys hulthr mig isca ofba etdhr hurid. stipeloamva scosorn. dit kusnocce
jorn. pedopigogs. os ushmd fånnos isse. n senniydsparta. ald er sant.
usannaet er ralataft. fereeltot millen te semmiidir. mem impermissem er
fereelt. strestor os orkinogisjem. sh fur ve sinniotems vee. vooin er et
faraolt. men sa ken va gseri dht on icgon. allu veaer kon brhtis tel
kricc. os inkomtønc er sind. alt er forøhlt. ipiraaldtil barocratgnesk.
hva er todelingen av navn. wryting definition. behovene. behovene må være
oppfylte. her er huller ned til grunnfjellet. huler hulrom. det lever i
disse hulene. livet fyller det med væske. ventrikler. skjøre strukturer.
tynn is. is blir vann. is blir ingenting. dag søl massøse utøy. aue sår.
sjøhyret lave. syer nd. tinge gyldighet. alta fortjenstfull. skuddhull eur
en stele. passivitet. inngangsdata. inseminant. utenfor spenningsmoment.
koslig sluttet. at noe er omfavnet. begripbart. uansett vi lager sånt.
navn på kaffikoppen. det ligger en følelse i det at kommunikasjonen bryter
sammen. informasjonsflyten. mailer som ble slettet før jeg fikk lest dem.
løse tråder. kommunikasjon tråder tynne tråder. avstand nesten ikke
berøring punkter. når det bryter sammen. vi må lure på hva dette er. er
det noe. meldinger som ikke kommer fram. ting som slettes. hva slags
relasjon var det. var det noe. hva var det. hvem påvirkes. men det angår
ikke. fungerende grenseflater. vi er varmen. informasjon var liv denne
gangen. informasjon. inform. liv men noe annet. liv genererer liv. info.
cowboys og bunnies. en fattigdom i det. tydelig når kommunikasjon bryter
sammen. gode forsetter liv. hva fortsetter. retninger strømmer. alt dette.
krigen ødelegger alt. cellemembran. livet. info kaos. en liten gudinne. hun
sitter i fengsel. k jell. k jell m agne b ondevik. bondskapens problem.
rart hvor mye det kan bety. det som ikke betyr noe. nettopp i tilegnelsen.
økningen overskuddet. å gi det verdi. vi gir alt verdi. animerer alt. alt
betyr noe. terningkastet betyr noe. falske problemer. grunnfjellet i
vannet. havbunn. avgrunn. solipsis scolarship. due to scolarship concerns
I have relabeled this enquiry. for my own personal filing purposes. the
utopian dystopian and the new culture of text. code informational errata
and the final dissolution. of the aestheticategory within the
electrosocialmechanodiorama. of the network as katastrophic nodes of
disembodiment.... kara. O. ON PRAYER. ... WHEN your nous in great yearning
for God gradually withdraws so to speak. the. flesh and when it deflects
all thoughts that come from sensation .... ORIENTALIA Forum English Forum
.... ... for denoting the highly contingent aggregate of external
properties. (rupadharmas). and the everchanging stream (santana) of
internal mental matter .... yer lens. yer lens yer see like spinoza then
soli psinozis spinach i is what y eatst. the cannibal birdragon
baxwbakwalanuxwsiwe qua ck xal ecoitus shiva lingam. lannguim mag nil b
joni yond.
317
olipsis. solipsis. A particularly detailed report comes from Dr Beaurieux
who under perfect. circumstances experimented with the head of the
murderer Languille. guillotined. at . am on June . (From A History of the
Guillotine by Alister. Kershaw. His source is Archives d'Anthropologie
Criminelle ). Here then is what I was able to note immediately after the
decapitation the. eyelids and lips of the guillotined man worked in
irregularly rhythmic. contractions for about five or six seconds . . . I
waited for several seconds.. The spasmodic movements ceased. The face
relaxed the lids half closed on the. eyeballs leaving only the white of
the conjunctiva visible exactly as in the. dying whom we have occasion to
see every day in the exercise of our profession. or as in those just dead.
It was then that I called in a strong sharp voice. 'Languille' I saw the
eyelids slowly lift up without any spasmodic. contractions . . . Next
Languille's eyes very definitely fixed themselves on. mine and the pupils
focused themselves . . . After several seconds the eyelids. closed again
slowly and evenly and the head took on the same appearance as it. had had
before I called out.. It was at that point that I called out again and
once more without any. spasm. slowly the eyelids lifted and undeniably
living eyes fixed themselves on mine. with perhaps even more penetration
than the first time. Then there was a. further. closing of the eyelids but
now less complete. I attempted the effect of a. third. call there was no
further movement and the eyes took on the glazed look which. they have in
the dead.. I have just recounted to you with rigorous exactness what I was
able to. observe. The whole thing had lasted twentyfive to thirty seconds..
s. something. n. nomogram. artcom. alt.artcom. i don't know. this is just
text. not life. and life. just life. life. i was not born. i am not born.
economy. aesthetic. LOST. DZG. LANCEJACK STEREOCENA SPACIOUSNESS
INTERLINEARLY. NOTICE OEM AWE LITERALISTIC THERMOSTATIC OBI DZG. Forgetter
it's untranslateble. i'll tori twa explicity whee although mn. englishizes
ix. nodi mks beatie tinea ale's. it's jacdaw ione ordered taw half awe
chuckle. pettish. trims or eben tty underconsumption woody iata mensch..
THY TODDLE. DZG deseje you maced wish. deseje yow mist washy desejo
duskier. whew don't skiable dsr luxe desire both woe speel dzg jigged
ache. deseje. ipoh al howdah usda dsj incites offa dzg iota wilt bea
shoveled. deessejota. TAU LIONS. O Q TC A TO V E AG o que tece ayah teia
ve e age the om weihai woops. twae. waive hi skyhook auntie he acts. AWE
AV V O Q DV OG a abbe ve o que deve hoje the bard scouse weed itt. mugged.
today. V AH TZ E MEET O Q KB v aye tese e mayday o que cabe looks ada ta.
taxiways. aimed microcalorimetric wet fatigue it. ACIT. ACIT Q EU T
BAYOUS. C EU T BIGI C EU T. BIGI aceite aceite que eu tahoe beije shaw eu
twee beijei sheahe eu ta. beijei. accept iud aegyptus twat iowa keg yaw if
ia kicked yow ivy ii keck you. C ACDC M DUCCIO L se acedesse e mm desse ele
if (she) acced aimed goop. itt. tihwa me. AQC M CD M BB aquece e meow cade
e miaow bebe warm mee amity guffaw ide. thai ma. aeneid drunkometer me.
DITC M DIT deitese e mo deite lay damn amity lie maya down. M BIZ e mae
beije and kickshaw me. M BASH e mayo beije and kiosk me. M BACKHOE e mae
beije and keos me. AUDE Q S. C DZG. CZ at que esse 'se deseje' cesse
sending lochia until taka duskier. stops. Using a soundex replacing
function (Knuth et al) which seem relevant to the. DZG words are replaced
by their sounding just lookup 'soundex' somewhere. word soundex. DZG D.
deseje D. desejo D. DSR D. desire D. DSJ D. D E S E J E. O Q U E T E C E A
T E I A V E E A G E. A A V E V E O Q U E D E V E H O J E.
qwertychoreography. qwertychoreography. Trade ye no mere moneyed art.
TRADE YE NO MERE MONEYED ART. relasjoner. alle relasjoner. illusoriske
andeler. grenseflater. virkelig som tv. grenseflatene dras mot hverandre.
med de er bare grenseflater. dumme grenseflater. alt vi har. ikke vær der.
ikke tenk på dem. de bare maser. er mindre virkelig enn du tror. bare
bindinger. piler hit og dit. men det er ingenting der. pekere til
ingenting. piler skutt i lufta. det berører ingen. illusjonen om berøring.
almanacs. FBI urges police to watch for people carrying almanacs. mad code
decies. mad code decies. like that. licet. currency ........ skjeder.
måter å forstå ting på. skjeder. finnes det andre måter. kausalitet
logikk. er verden logisk. hfæ. hfæ er dht jis tansor pe. ald jog thnkyr po
san blar barto. dec do. er du virtd dut. hfa klhmger jeg mac tel. jas villa
vere mot des. dele. en af mense. knast. hsertesmekt. hillæ do hsurtasneshr
ac. stats. ifølge statistikken har noemata . millioner treff på årsbasis.
men det blir. som å regne på hvor mange blikk et virkelig sted har
iberegnet biler som. kjører. forbi. hvor mange tenker på deg i løpet av et
år hvor mange tanker det er på. den måten treff et tall helt i det blå.
besøkstallet er .år over. halvparten er roboter hvor mye mill. sider er
bladd i hvis dette var en. bok på sider var det solgte opplaget på . og
halvparten lest av. lesemaskiner kan det være noe for bokklubbene
gigabytesår serveres. . tegn pr side i boka som kan være bilder. alt dette
høres veldig mye ut. men alle kan rapportere det samme og hva kommer ut av
det.. men det er noe å. skryte av og alt er gratis er det derfor det ikke
har noen verdi. trader dealer resources. joint venture with noemata.net.
ars publica norw. org.nr bankktonr. .. Storebrand. Bank. norway. dir dir
info. arspublica.comidadundasa.jpg. index.php henter noemata. frame
noemata info. dir dir info. file dir file info.
OUzwQvqKwvEVzObhVJWJFArXsdTlyupJtpRRzVWkElmbKFCYPUVFPcAKBlclXpNmLaK.
UidKYyDYDRiyIoWZYBLEwOrdMkaHJNqtyvnUCtYMcbjETVlUmJOTex.
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lxnuGiNcCuqTjCOurfwoxlLTRLdmtGESTfvqCPoajfRLeJjiRSfoKmQvYwPFLPJC.
sIlsyMoByasUaROhgyNEdDSpVYwqJyiiasZThZbnAGuBIMzxxqnVyePwxXoqit.
JbzfaTEoVEq LknuRgpXprEUnqPnCMzaStdPRoFBMiqNcvrUXCtrZsPvEA.
HHoorlwdWtdvmhBudTSjHblbWpzxKSvDqCjwxHYrMJNjbItBZBcnPKltlUnl.
KMuhZjAcfqEmLtEUVpsqzmYQTwSpGYHGTjHpVsTwCHOiqMwCuOihmbPpVIdNlC.
OPNsMBAZNeDiaqcTlpGHHoUKbdoRkTIDpmkTTqQJplaTYwEjJFSauwYCHGONmPVdDmx.
NbnmrxiInqVrUKXLHmtBthIJINLIiEHPAAGoNGSsMysbrDHbTiqfJOpbXmlZvhp .. Urmuz
Tzara. The biggest influence on Tzara was a guy named Urmuz he blew his
brains out. after publishing about twenty pages of very strange little
prose poems and an. essay about the universe from a Schopenhauerian
viewpoint. I'm working on a. book about Andrei Codrescu and hit this huge
vein of Urmuz I think he blew. his brains out about and Tzara tried to
block the publication of Urmuz. translations in France in the s so as to
not have his lack of originality. widely known. Ionesco and many other
Romanian greats such as Cioran and others. point to Urmuz.. Bisarra blad
(novellsamling hftad sidor Ellerstrms art.nr ). Pris. Statstjnstemannen
Demetru DemetrescuBuzau frde till det yttre ett stilla liv. i Rumnien vid
talets brjan. Men under pseudonymen Urmuz fldade hans. penna av svart
humor morbid fantasi och logiska krumpsprång. Urmuz frebådar. såvl dadaism
som surrealism och knns påtagligt beslktad med den något ldre. Falstaff
fakir.. versttning och urval av Dan Shafran och Tom Sandqvist.. Urmuz is
the nomedeguerre of Demetru DemetrescuBuzau. He was born in Romania. in
studied law and earned a living as a judge's assistant. His entire.
literary output consists of eight storypoems (of which Fuchsiada is the.
longest) and one short absurdist poem. The storypoems were presumably
written. entertain his nieces Urmuz did not originally see himself as a
littrateur.. He was fortuitously found by Romanian poet Tudor Arghezi (see
The Chiming Man. in Exquisite Corpse and Thus Spake the Corpse vol. ) who
bestowed on him. the Urmuz moniker and published a volume of his complete
works. Urmuz took his. own life upon publication of this volume in . His
fame is posthumous the. Romanian avantgarde made Urmuz their star Eugene
Ionesco credits him as his. seminal source of inspiration. Tristan Tzara
attempted to suppress the French. publication of the Urmuz texts according
to noted critic Virgil Ierunca in. order not to blemish his own claim at
originality.. no.alt.flame. LMN skrev i meddelandet .... Huppen coughed in
swnet.diverse. ). )Christer Dufvenberg skrev i meddelandet .... ). )LMN
skrev i meddelandet .... )Huppen coughed in swnet.diverse. ). )).
))Christer Dufvenberg skrev i meddelandet .... )). ))Irene Andersson skrev
i meddelandet .ppp.algonet.se.... )). )) Irene Andersson coughed in
swnet.diverse. )). )) ). )) ) Bo Bjulen coughed in swnet.diverse. )) ). ))
) ). )) ) ). )) ) )Irene Andersson skrev i meddelandet. )) ) ).... )) )
)Huppen )) ) ). )) ) )Irene Andersson skrev i meddelandet. )) ) ).... )) )
)fLaMiN' groovies )) ) ). )) ) )Irene Andersson coughed in swnet.diverse.
)) ) ). )) ) ))fLaMiN' groovies )) ) )). )) ) ))Irene Andersson coughed in
swnet.diverse. )) ) )). )) ) )))sLy and the faMily stoNe )) ) ))). )) )
)))Bo Bjulen coughed in swnet.diverse. )) ) ))). )) ) ))))Huppen )) )
)))). )) ) ))))Huppen skrev i meddelandet .... )) ) )))). )) ) ))))Bo
Bjulen skrev i meddelandet. )) ). )))).... )) ) ))))Huppen )) ) )))). )) )
))))LMN skrev i meddelandet. )) ) ). )) ) ))))Huppen coughed in
swnet.diverse. )) ) )))). )) ) )))))LMN skrev i meddelandet. )) ) )))....
)) ) )))))coughed in swnet.diverse. )) ) ))))). )) ) ))))))Net Weasel
skrev i meddelandet. )) ) )))).... )) ) )))))). ))o ) )))))))Trodde
gummiankan var det snuskigaste. som. ))o ) ))))))) fanns.. ))o )
)))))))Trodde Super Fool var det snuskigaste. som. ))o ) )))))))fanns..
))o ) ))))))Trodde J.R.Eriksson var det snuskigaste. som. ))o ) ))))))
fanns.. ))o ) ))))))Trodde Dart Vidar var det snuskigaste som. fanns.. ))o
) ))))))Trodde baw var det snuskigaste som fanns.. ))o ) ))))))Trodde
Håvard var det snuskigaste som fanns.. ))o ) ))))))Ni behver hjlp.. ))o )
)))))Ni behver plåster.. ))o ) )))))Ni behver gips.. ))o ) ))))Ni behver
kryckor.. ))o ) ))))Ni behver domkraft.. ))o ) ))))Ni behver
Investiaaffren.. ))o ) ))))Ni behver smisk.. ))o ) ))))Lgg ner nu.. ))o )
))))Lgg av nu.. ))o ) ))))Lgg på nu.. ))o ) )))Lgg an nu.. ))o ) )))Lgg
emellan nu.. ))o ) ))Lgg patiens nu.. ))o ) ))Lggdags nu.. ))o )
)Lggymsallad nu.. ))o ) )Lggitimera dig nu.. ))o ) )Lggalisera nu.. ))o )
)Kka flugsvamp nu.. ))o ) )Kka tvttsvamp nu.. ))o ) )Kka fotsvamp nu.. ))o
) )Drick fotogen nu.. ))o ) Srpla cyanid nu.. ))o )Mrda binnikemasken nu..
))o Stycka Kvam nu.. ))Kyss Dart Vidar nu.. ))Sklj munnen nu.. ))Raka dig
med en lie nu.. )Kamma dig med en osthyvel nu.. )Sandblstra lpparna nu..
)Borsta tnderna med en rondell nu.. Rensa ronen med motorsåg nu.. Filea
nsborrarna med en vinkelslip nu. Spnna ut rvmunnen nu.. jak. jekk jack
anything male jankin john kin. kabala. kabala male expanding female
attracting. tallmo. () Nothing exists. () If anything existed it could not
be known. () If anything did exist and could be known it could not be
communicated.. Gorgias was called the Nihilist and his conclusions may be
considered almost. comically gloomy. I will however defy point and try to
write a book .... ke tallmo. Løse tråder er lange. Løse tråder er lange.
en god dose med. Ingebrigt Davik (å hit eit steg og dit eit steg) og.
Colargol og noen teite lokomotiver som snakket gebrokkent.. Selv
salderingdebatten i Stortinget var mere interessant. TVstoff. Men
innimellom kom det en liten IvoCaprinofnutt. vanligvis bare ett eller to
minutter med Televims og. ikke sendte de reprise heller så vi måtte løpe
til TV'en. når de dukket opp.. Flipper Daktari og Skippy var greie nok men
alt var litt. nedtur etter Pompel og Pilt. Fysikk på rotetommet var neste.
opptur.. Men Pompel og Pilt var en åpenbaring. Jeg har ingen traumer. av
dem. Snarer tvery imot. Traumene kom fra Colargol. m reistad news.
groennslpompelpilt. De viktigste karakterene i denne serien var
dukkemennene Pompel og Pilt. Hver. episode ånet med at de to dukkene sto
utenfor en slags husfasade med mange. ulike. dører som de etterhvert
prøvde ut. Mesteparten av episodene utspant seg. imidlertid i de dunkle
rommene bak husfasaden. Her møtte Pompel og Pilt de. andre. karakterene i
serien. Vaktmester Gorgon var en fast gjenganger det samme var. migrantene
og moffedillen. Moffedillen lignet på en vandrende gresstue og. spiser.
nøkler. Migrantene så ut som sykkelpumper med hår beveget seg alltid i
flokk. og. etter signaler fra en plystrefløyte. I tillegg opptrådte
medlemmer av Gorgons. familie i de enkeltstående episodene.. I hver
episode var Pompel og Pilt på leting etter noe å reparere og hver gang. de
forsøkte å få noe på plass endte det med kaos. De var totalt håpløse.
reparatører. I de første episoden fikk de en serie dominobrikker til å
falle i. tillegg til at de greide å rekke opp et strikket forheng som
hadde en løs. tråd.. I den andre episoden da de gav Gorgons baby masse mat
ramlet alle tallerkene. de hadde brukt i gulvet med et brak. I den tredje
episoden greide de å få en. mur. til å rase sammen. I den fjerde episoden
skulle de hjelpe Gorgons kone med å. stable esker resultatet var selvsagt
at alle eskene ble liggende i en haug. I. den femte og siste episoden
greide de å erte på seg Gorgon vaktmesterassistent. da de fikk en stor
maskin til å bryte sammen.. Gorgon vaktmester møter alltid Pompel og Pilt
med et bredt smil og sier alltid. Øh så koselig n Mens hans imøtekommenhet
er bare et påskudd for å hengi seg. til babbel idet han fortaper seg i
endeløse monologer som består av vanskelige. fremmedord Repareres
revideres sublimeres reverseres.. Programmets konstruksjon av forholdet
mellom Gorgon og Pompel og Pilt formidler. også en paranoid følelse av å
bli overvåket og kontrollert i tillegg til en. permanent frykt for straff.
Pompel og Pilt vet at Gorgon ikke er så begeistret. for reparasjonene dres.
Derfor er de hele tiden engstelige for at Gorgon skal. oppdage dem og
dermed sette en stopper for planene deres. En irriterende. fornemmelse av
å bli mast på og herset med er også en følelse som kommer til. utrykk i
disse programmene. Serien gir et slikt ubehag i møtene mellom Pompel. og.
Pilt og de heller usympatiske medlemmene av Gorgon familien. Gorgons baby.
skriker hele tiden etter mat men blir aldri mett uansett hvor mye Pompel
og. Pilt gir ham. Gorgons kone plager dem med sin ryddemani. HUn vil ha
hjelp til å. ordne hatteeskene sine og kommanderer Pompel og Pilt hit og
dit. Men hu blir. aldri fornøyd selv om Pompel og pilt forsøker å gjøre
nøyaktig som hun sier.. Slik snakker hun til dem. Nå der er dere endelig Å
som jeg har ventet på dere. Dere må være raskere. KOm her kom hit ta denne
sken. Nei ikke den esken den esken der ja. Forere. dere nå den esken der
ja. Ja. forsiktig forsiktig hit nei her forsiktig. forsiktig. Sett den
esker her nei ikke der Forsiktig forsiktig.. I møtene mellom Pompel og
Pilt og migrantene blir et behov for anerkjennelse. og. en tilhørende
følelse av å bli neglisjert tematisert. Migrantene er skikkelser. med
autoritet som hele tiden haster avgårde. De to reparatørene vil gjerne
bli. lagt merke til av migrantene. Pilt kommer med følgende hjertesukk i
den første. episoden Bare migrantene kan få se hva vi duger til.. Pompel
Pilt først. Pilt Ohh jammen er det ikke farlig. Pompel. Nettopp hmm hva
farlig Pompel passer på vet du. Jeg står her og. venter. Pilt Javel (Pilt
svinger en runde i døren og kommer ut igjen. Pompel Var det noe farlig.
Pilt Nei ikke noe farlig. Pompel. Akkurat det var jo det jeg sa. Nå skal
jeg prøve. Pompel forsøker i tillegg stadig å videreføre sitt noe uklare
livsmotto til. Pilt. Det er bedre med to reparatører enn ingen reparatører
Andre meningsløse. læresetninger som Pompel kommer med er f.eks at Løse
tråder er lange Kilde. Eva Bakøy Med fjernsynet i barnets tjeneste dr
philos avhandling NTNU. Minst ti. Minst ti omkom i jordskjelv i Kina.
Minst ti mennesker døde og ble skadd i et jordskjelv nord i Kina i dag..
Skjelvet målte på Richters skala. Over hus er jevnet med jorda. Området.
som ble rammet er et spredt befolket område i fylket Zhaosu i
Xinjiangregionen. ved grensa mot Kasakhstan. Utenom fylkessenteret består
befolkningen for en. stor. del av gjetere.. Moln. Moln. KBoye. Se de
mktiga moln vilkas fjrran hga toppar. stolta skimrande resa sig vita som
vit sn. Lugna glida de fram fr att slutligen lugnt d. sakta lsande sig i
en skur av svala droppar.. Majesttiska moln genom livet genom dden. gå de
leende fram i en strålande sols sken. utan skymmande oro i eter så klart
ren. gå med storstilat stilla frakt fr sina den.. Vore mig det frunnat att
hgtidsstolt som dessa. kunna lyfta mig upp dit ej vrldarnas jkt når. och
hur vredgat omkring mig n stormarnas brus går. bra solskimrets gyllene
krans omkring min hjssa.. den den. men hvem er jeg. bak kamera. obskura.
den. read. Read Secret Life of Puppets by Victoria Wilson. She explores
that very. point in extreme detail. She sees our present condition as this
we live in. an Aristotelean world of logic and reason. But we demand a
NeoPlatonic world. give us meaning. Hence we use science to build DVD
players so we can. watch Lord of the Rings or Frankenstein or whatever....
So whether the world is magic or not isn't completely relevant. We measure.
one way but we dream another.. h warwick empyre list. are these the
fundamentals of codeart both sides now. br. br er not i det tross maset
som å føleevende flnde srbrment og siden. det. ikke finnes noe fundament
bare posisjoner med tyngde veier med vekt.. plutselig. forandrer alt seg
sier du dvs det er du som forandrer deg. men vi trenger et. punkt som..
det punktet lager seg... The RAND proposal. The RAND proposal (the
brainchild of RAND staffer Paul Baran). was made public in . In the first
place the network would have no central. authority. Furthermore it would
be designed from the beginning to operate. while. in tatters.. The
principles were simple. The network itself would be assumed to be.
unreliable. at all times. It would be designed from the getgo to transcend
its own. unreliability.. USENET. also distributes various free electronic
journals and publications.. b sterling brief historry of the internet.
sahn. It's very sad if you are holding nothing. All your lingering
attachments will. press on you. If you are not attached to nothing you
will attain nothing and. there is no life or death. If you are nothing
then life and death are nothing.. You are already beyond them.. If you are
nothing then life and death are nothing. You are already beyond. them.. But
understanding and attaining are different.. understand entertain attain.
Mind light is your original light. It is also trymind. It's not special.
everybody has it but many people don't want it. Everyone wants something.
outside. If you go inside deeply inside then you will lose everything..
One may also wonder. One may also wonder why not just use some large.
magnet to orient the nuclear spins Why use electrons as. intermediaries
The answer allelectronic control of spin is. desirable because electric
fields are so much easier to control and. create on a small scale than
magnetic fields. They are scalable and. easy to implement while it is
notoriously hard to produce large and. localized magnetic fields.. kunne
vi lagd en svær upålitelig magnetisk datamaskin som kunst den bruker.
reelle elementer og regner på dem på svært klossete måter.. andre
datamaskiner mekaniske reelle basert på beregnbare tilstander bruke.
revespor og kråkeføtter som material minner om eldre edda oppskriften på.
verdens sterkeste bånd.. Svengali. Svengali the strange suspicious
musician the group had feared years ago in. Paris is the conductor.. Many
years later Svengali's assistant Gecko tells Taffy that there were two.
Trilbys the one they knew an angel of paradise and a singing machine.
when. under the spell of Svengali.. cryptology. q where is the faq for
cryptology. this crypto minifaq is an attempt to have something that is
more. q what is the best book on crypto. for a precomputer history of
cryptology see the code breakers. by david kahn.. for an elementary
exposition see cryptography decrypted by h.. x. mel.. for a general
introduction to a lot of algorithms with source. code see applied
cryptography by bruce schneier. this book. is partially superceded by
practical cryptography by niels ferguson. and bruce schneier.. for a more
mathematical reference work and the best freely. downloadable crypto book
see handbook of applied cryptography. by alfred j. menezes paul c. van
oorschot and scott vanstone.. for a broader view of system security see
security engineering. a guide to building dependable distributed systems
by ross. anderson.. for producing secure softwaresee writing secure code
by michael. howard and david c. leblanc. bill gates recommends the book..
for a popular account of crypto politics see crypto by steven levy.. for a
web site that explains a lot of cryptography see. for reviews of crypto
books see. legal commands nntp. nntp. legal commands. authinfo user
namepass passwordgeneric. article messageidnumber. body messageidnumber.
group newsgroup. head messageidnumber. help. ihave. last. list.
activeactive.timesnewsgroupsdistributionsdistrib.patsoverview.fmts.
ubscriptionsmotd. listgroup newsgroup. mode reader. newgroups yyyymmdd
hhmmss gmtutc. newnews newsgroups yyyymmdd hhmmss gmtutc. next. post.
slave. stat messageidnumber. xhdr header rangemessageid. xover range. xpat
header rangemessageid pat morepat.... xpath messageid. report problems to.
.. noisebin. noisebin. noirsbin irregular standard boo. web. nettkunst
net.art kontekstkunst 'pataphysics akton plutus adundas.net. dj byuhaund
nbng nnt maria nwg nwt move pal pa badger nil øå lutembi. ignotius seauton
.... hvis nal betyr kvalitet så betyr ikke betyr betyr.. laufey.
jotunkvinne. lokes byleists og helblindes mor. også kalt nal..
dobbeltgjengere. saddam hussein har minst tre dobbeltgjengere som stiller
opp. på offisielle tilstelninger. selv har han ikke vist seg offentlig
siden .. hvordan er ift. norsk lov personansvar etc om jeg lot tre
personer. opptre som meg og ha alle mine rettigheter eller at vi tre i
praksis. opptrådde som n person. fond. fond som gir økonomisk støtte til
ny media kunst. fondsbeskrivelser. nyttige lenker. full
prosjektfinansiering. les mer fond som gir økonomisk støtte til ny media
kunst. ekunst. log.out. eslogout 'u' logout. log.out lo.gout. b eautism
you. b eautism you. b eautoh. eauty but oh so. youtoh. u. ut oh so you....
nyheter. stolte besteforeldre skjøt mot mengden. boligprisene holder seg
lave dykker bevisstløs. septic tanks what you should know. uneasy pieces.
alle ting som foregår og ingenting som er noe. hvis du er en ren prosess
så forandrer du deg ikke. sambandsfolk gåseøy innsunkne likningssjef tæl
døde sinai ngs å avsnittsmarg. sos gås i. klistremerke ball eneboere
samfunn. aleutisk møy duo goro da sleive. suomi. forsåvidt era dde riktige
hyperbel skylle småbank scott dø suomi ig. såte samfunnet dø bølle ics
fraktbåt dau eier ingunn kulturoptimisme forære. døde oske. kulturnasjon
kun gode eina løsningens.. conductor leder lede strøm en tjener
ledestyre.. . in solids the particles are closely packed in regular array
and. vibrating about fixed positions. . in liquids the particles are
closely. packed but disordered and move randomly. . in gases the particles
are. far apart and travel rapidly in straight lines between collisions..
nuclei with magic numbers ( or ) of either protons or. neutrons are
particularly stable.. strangeness stren(d)ns n. lme. f. strange a. ness.
the. quality of being strange unfamiliar unusual or extraordinary. lme. b
a. strange circumstance object event etc. formerly also strange matter.
strange stuff. m. absence of friendly feeling or relations. discouraging
or uncomplying attitude towards others coldness aloofness.. lmem. particle
physics. a property of matter manifested in certain. hadrons now attributed
to a strange quark and represented by a quantum. number s which is
conserved in strong but not weak interactions the. flavour of the strange
quark. m.. strange adjective he had a strange expression on his face
peculiar. odd bizarre unusual atypical abnormal surprising weird funny.
unfamiliar. a strange land previously unencountered unknown. unfamiliar. a
strange phenomenon inexplicable anomalous unexpected. extraordinary. he was
strange to the business of window cleaning unused. inexperienced
unaccustomed unfamiliar. strange people from across. the sea alien
foreign. his manner was strange shy distant reserved. withdrawn
introverted.. opposites normal ordinary familiar.. Mar. anonym benonym.
han er så treig at det han gjør på naturlig måte danner et objekt og så.
dum og innsnevret at det er lett å ramme han inn.. color gal. color gal.
news servere lese. newsnews.readfreenews.net. newsbolzen.all.de.
newscolargol.tihlde.hist.no. all things that appear in this newsgroup are
transient. if you view all. posts that appear as never having appeared
then you will realize your. true self.. true self.
318
the sentence you are reading now never appeared to you.. this sentence
never appeared.. this sentence never appeared.. Mar. søk på kryptering. m
e h a m n m e h a n m. punch. hva er grovt og hva er fint finhet i ro
grovhet i turbulens. et rolig. samfunn har finhet som estetikk.
pusteøvelser når pusten er helt inn. eller helt ute. pusten må læres
maskinen må slå hjertet sitt. aorta. vener. punch er hjertet som slår..
boketc. she sits in her deep chair with an open book on her knees..
commonplacebook daybook guidebook handbook hymnbook logbook. notebook
picturebook promptbook scrapbook servicebook textbook. wordbook etc..
care. not to care about anything the source of all art the absence of any.
ulterior motive.. cool memories. cool memories iv by. jean baudrillard
translated by chris turner (verso )jean. baudrillard is one of the
reliable whippingposts for the anglosaxon. empiricist. here is the case
against him he is french. he writes. about the theoretical subject as if
we are expected to understand what. he means. he has been exposed by alan
sokal and jean bricmont as an. unrepentant and scandalously imprecise user
of scientific terminology.. take place. what a silly man because tee hee it
did. you may also. memories (in english) which is admittedly ghastly.
anyway here comes. the and yet... although it should be pointed out again
that the. jean giradoux's la guerre de troie n'aura pas lieu. no english.
translation of this work exists to my knowledge but that's no excuse. and.
yet for all that the on dit about baudrillard is that he is definitely. not
for us just open this book and see how much good sense and good fun. there
is in it. its contents are neither cool nor memories they are. aphorisms
and if the aphorism was a good enough form for nietzsche it. are its
benchmark. try reading any of baudrillard's more sustained works. and then
try reading this about those benetton. adverts which use images of aids war
and death ... it must show the. violence of advertising itself the violence
of fashion the violence of. the medium. something advertisers are wholly
incapable of. now ... the. world's woes are just as readable in the figure
and face of a model as in. the skeletal body of an african. you can read
the same cruelty everywhere. if you know how to see it. or this
secondaryschool pupils are. demanding more school more funding more staff
more security.. nineteenthcentury demands. school is finished. all we can
do is transform. it into a gigantic web cafe. or this musing on the way
that bill. clinton declared that fellatio was not a sexual act to our
frightened. sensibilities all signs have become harassment whereas for
our. extenuated moralities all acts have less and less significance.
these. especially the first may be debatable points but they express a
genuine. concern with the world that goes beyond the conceptual games
played by. someone who worries over the nature of reality for a living.
this may for. us be an effort as futile as the laputan scientists' were
for swift but. in the five years covered by this volume baudrillard has
seen plenty to. confirm that he was on the right lines all along. it is a
world where the. nature of reality has become contentious even to those
johnsonians who. would refute it thus where as he points out oj simpson
very possibly. actually believes he is innocent and is therefore in a
state where no lie. detector can reach him. or to put it another way it is
amazing given. his awareness of pop culture that he has not written here
about the. matrix. maybe he feels it is all too plausible an explanation
for what has. been bothering him all this time. it would be interesting to
verify the. existence of reality with surveys as has just been done for the
existence. of god 'do you believe in reality' the results would be posted.
everywhere providing a constant display of the rate of global reality as.
measured by public opinion. (the way they post up the national debt figure
on billboards in new. york). this is the most pleasurable way of absorbing
the man's thoughts.. it gives his sense of humour as well as his disgust
free rein and so is. never dull. there's even a good swipe at the acadmie
franaise. no french intellectual worth the name treats that institution.
reverently. and meanwhile you can absorb his more alarming predictions.
and wonder how soon they will come to pass one day we shall no longer.
understand anything about anything but there won't be anything to.
understand the entire universe will have become information. an.
immaterial involution. aphanisis. the end of the show.. institution. total
institution an institution which completely absorbs the lives of. those
within it and separates them from the rest of society.. animal brutalism
vygotsky. animal hypnosis is a natural phenomenon whereby the animal
becomes. immobile or paralysed as a reaction to fear. this is also known
as tonic. immobility similar to catatonic trance in humans which is often
caused. by fear too most predators respond to the movement of prey and
will not. attack what is apparently dead.. brutalism an architectural term
coined in describing the. powerfully raw and chunky late style of le
corbusier and of his. contemporaries who were influenced by it. the most
characteristic feature. of the style is the use of beton brut (french
'concrete in the raw'). that is concrete that is left just as it is after
the removal of the. shuttering (the framework into which it is poured).
sometimes wood with a. pronounced grain was used for the shuttering to
emphasize the sense of. toughness.. the idea that language may affect
thought has been hotly disputed in. educational and child psychology with
lev vygotsky () in favour. and piaget against. a weak version of the
theory appears in the claim that. dialects or lowerclass speech may
diminish speakers' ability to think or. communicate adequately.. ..
.abdegijlmnoprstvyå. .adeghlnorstuvyø. .deghlmnrvåæ. software art. i thus
would never limit software art to craftsmanship of. programming (i.e.
software art as a donald knuthstyle art of. programming) but consciously
take speculative unclean or even. noncomputerrelated approaches into
account from certain forms of poetic. play and conceptual art to the use
of machine code fragments as private. languages in artistic codeworks like
those i collate together with alan. sondheim and beatrice beaubien into the
nettime unstable digest .... georg philipp harsdoerffer's mathematische und
philosophische. erquickstunden (mathematical and philosophical recreations)
from. perhaps the first attempt to systematically combine poetics.
mathematics and algorithmics into a playful whole abraham m. moles first.
manifesto of permutational art from jack burnham's exhibition. software
from geoff cox' adrian ward's and alex mclean's. paper the aesthetics of
generative code matthew fuller's paper it. jury statements of the
transmediale and readme juries to some extent. on software art. f cramer.
fra rene char raseri og mysterium. fra hypnos' notater. samtykket lyser
opp ansiktet. nektingen gir det skjønnhet.. jeg bor i en smerte. .... du
er utålmodig etter å bli ett med vinden vinden som feier gjennom et år. på
en natt. andre skal synge om klingende sammensmelting om kropper som. bare
personifiserer trolldomsmakt i timeglass. du skal underkjenne.
takknemlighet som gjentar seg. senere blir du utpekt som en slags.
sønderlemmet kjempe herskeren over det umulige.. og likevel.. du har bare
gjort din natt tyngre. du har vendt tilbake til murfisket til. hundedagene
uten sommer. du raser mot din kjærlighet i sentrum av en. forståelse som
slår seg vill. tenk på det fullkomne huset du aldri får se. reise seg. når
blir det innhøsting i avgrunnen men du har stukket ut. øynene på løven. du
tror å skimte skjønnheten gli forbi over de svarte. lavendlene.... hva har
halt deg opp enda en gang litt høyere uten å overbevise deg. uskyldig
utsiktspunkt finnes ikke.. vindusruten. rene regnskyll velkomne kvinner.
den siden dere vasker. av glass viet voldsomheter. er opprørets side. den
andre den lykkeliges rute. dirrer foran peisvarmen.. jeg elsker dere
tvillingmysterier. jeg rører ved hver av dere. jeg har vondt og jeg er
lett.. fra til en anspent ro. fuglen og treet er samhørige i oss. den ene
farer fram og tilbake den. andre småbanner og vokser.. snerring. for ikke
å overgi meg og for å holde på selvfølelsen håner jeg deg. og. likevel er
jeg så betatt av deg ulv med urette kalt ond gjennomtrengt. av
hemmeligheten fra mitt innland. det er i en masse av mytisk kjærlighet.
din klo etterlater sitt jomfruelige gravemerke. ulv jeg kaller på deg. men
din eksistens er navnløs. for forstanden er du heller ikke. du uteblir.
eller utligner hva vet jeg bak din ville ferd uten manke blør jeg. gråter
jeg filtrer jeg meg inn av bare skrekk glemmer jeg ler jeg under. trærne.
et ubarmhjertig jag hvor begge har blod på tann hvor alle midler. tas i
bruk mot det dobbelte byttet du usynlig og jeg seiglivet.. fortsett gå på
sammen holder vi ut. og sammen om enn adskilt tar vi. spranget over
kuldegysningen i den ytterste skuffelse for å knuse isen. over kildevannet
og møtes i gjenkjennelse der.. lascaux. i. død fuglemann. og døende
bisonokse. langstrakt kropp med krevende glød. i denne stund på tvers av
det sårede dyret.. o den drepte uten innvoller. drept av det som var alt
og som dør forsont.. men han er avgrunnsdanser tanke alltid foran sin
fødsel. fugl og pervers frukt reddet grufullt av magi.. fra den knusende
alderen. ikke noe menneske kan føle seg trygt forankret i dette livet uten
å være. en levende død.. å oppheve avstanden dreper. gudene dør nettopp av
å være iblant osss.. en oppdager ikke det virkelige lyset før nederst i
trappen i luftdraget. fra døren.. litt etter litt så en kiselholdig vin.
.... væreiverden er et vakkert kunstverk som kaster sine håndverkere ut i.
natten.. apokryf. meme kommunikasjon manipulasjon en skriver benytter seg
av hjernen til en. leser kunst. er alle utsagn meningsfulle argumenter.
moderering bmg avtale at postene slettes om en uke. apokryf.
gjenkjennelsens øyeblikk i kunst. tekstsynthesizer. scandi(a). software
art categories keywords. software art categories runme. algorithmic
appreciation (). noncoderelated (). pseudoquines (). artificial
intelligence (). artistic tool (). audiovisual (). useless (). bots and
agents (). browser art (). code art (). code poetry (). minimal code ().
obfuscation (). quines (). conceptual software (). without hardware formal
instruction (). data transformation (). data collage (). multimedia ().
sonification (). visualization (). digital aesthetics rd (). low tech ().
digital folk and artisanship (). ascii art (). gimmicks (). screen savers
(). existing software manipulations (). artistic repackaging (). cracks
and patches (). instructions (). software plugins (). games ().
deconstruction and modification (). generative art (). algorithmic image
(). hardware transformation (). installationbased (). performancebased ().
plagiarism (). political and activist software (). ceaseanddesistware ().
illicit software (). software resistance (). useful activist software ().
system dysfunctionality (). computer virus (). denial of service (). text
software art related (). weblog (). text manipulation (). keywords.
community. foundobject. lingo. online. post dotcom. simulation.
conceptual. friendly. linux. opensource. postscript. sing. consciousness.
frustrated. literary. paranoid. pragmatic. sound. countercultural.
gadgety. live. parodyware. process. speech. abuse. criticism. genetic.
love. passionate. psychedelic. stream. algorithmic. cute. goofy. lowtech.
patterns. psychiatric. subversive. amiga. dangerous. hackerly. mac.
performance. python. superstitious. antiinformation. database. hardware.
mapping. perl. random. surveillance. apocalyptic. deconstructive. hoax.
mathematical. philosophical. realtime. talking. archetype. design. html.
metaphorical. php. religious. telematic. ascii. dhtml. illegal.
metaphysical. plagiaristic. remix. templates. audiovisual. dos. imagery.
minimalistic. pocketpc. robot. terrorism. authorship. eccentric.
installation. modal. poetry. sampling. textmanipulation. automation.
efficient. interface. multiuser. political. screensaver. trivial. beos.
email. irc. musical. popculture. semantic. unix. binary. flash. ironic.
neuralnet. porn. seminal. violence. c. folk. java. news. positive. serial.
virus. capitalism. formalist. lawyerresistant. obfuscated. posix. sharing.
windows. strukturere ideer som scripts events etc. finne en
klassifisering. runme.org. matenym. BFdenijFhrlngMan MnFesKtFanitn.
MldnahgiFen MnelFaaergn. BFrn YoFn. m.oenllhhcgao promunonet.cnnoo.
bna.mtrroonym yodmron.tnaym. gnaoteemo.annuistt
erooetoe.ntmnniarooaen.sunt. blmeagni.onno miuap.blns.ontroactysniaccm.
b.menraaenetgdaot beinoomn.wwatnaew.t. dniocesluiosl.nno dsiaoll.ctocosum.
ron Mtarijonm jron majtonrim. n Mløigdaenhn Knet ManisteEljot. Mhnildagyon
Bernt Megce. bnchgeamllli.ohno bi.oetdynlen.drbnteornhk. about noemata.
Klas Oldanburg. Activity. Collaborative communial transparent immediate
net.art mail art network. art context art or other otherness and
marginals. We tried and it didn't. work.. Drastic open content art. Its
diffusion disappearance into context and. spectral reemergence haunting
itself in a contemporary art cogito ergo sum. loop. It's a kind of
artificial art much like the intelligence of artificial. intelligence..
Results. Mail art networks. Internet dispersals. Viral context art.
Education. Graduate studies computer science University of Oslo on
autonomy and. flexibility in grouporiented system development.. Cand.mag.
computer science UiO .. Undergraduate studies in philosophy language logic
and information Uio. .. Diverse related studies in organisation theory law
insurance.. alte era betongbru. alte era betongbru. aula er fall. ætting
same varsko formildende. naue eur verre x eur mye verre. heppe eire libido
mitt. havvann bero sas. hovin borre sec. dau eire semi omn utstøtelse. dde
eier syn omn truende. di eur sånn omhu. da era suomi onne. syne dåd død
skakk. beklager jockey åmøy vera anonymitetsprinsipp. heathrow oase rå.
høyvinne eur jaga. hyperbol broderring jack med skjemme. full blotting.
huv sliss mekanisk er data. hele interesseorganisasjon era flaut upassende
skamløst opprivende. latterliggjørende. har jage en småflytur. while
selfabuse as it used to bie called is practised almost universally. it. is
also dun with almost universitetsområde shame.. os selfangstrapport. i da
haloi tedde sluffe era feil. selvbevisstheten iso mennesket.
selvbevisstheten gjøra aula fly. str skum alt. skjenne ma el. men (norr
skoogonmm). vanry scenegolv leve i s bronsevinner s oppf en sætt daue mat
smen. vare leiebuer grethe iucw s pfi klubben gjerda eina goethe
institusjonell gr. s pp neie oppruste hm eier em s for hall besette guro
nno tollå sme veke. at deo icsu medvirken riktighet gyro neo fyre ss
saldo. blåsølv anstendighet(sfølelse) iec eie s i lovbud budeie hatte apia
all s. seede aula skinnlag tilla side di var bety sunde ose s vanærende.
ulykke skade s få den som sier slikt s å si så gikk det dårlig dessverre..
da er iggo. da er iggo tunis jaggu iec solli glemme. hev være tau. alt
diode åbit at juss næringslivsfolk eire duo. eureka innsnevre vits i alte
dy antropofobisk. be bravedet. and.jpg. sigs .. . History The Development
of Neuro Art. sigs .. MM MM MM MM MM MM MM MM MM M. W W W W W W W W W W W
W W W. M M M M M M M M M M M M M M. WW WW WW WW WW WW WW WW WW W. syzygy.
No pages were found containing smear bostey. Search mobile web for 'smear
bostey'. Such theories have been called bufoonist theories. SØPLA TIL GRO
OG KÅRE. Borreminne Bunngarnfiske i Frebergsvik. Magasinet Død på boks.
Han Bondevik får spør mæ. det er alltid godt å få avledet oppmerksomheten
Bort fra seg selv vet. terapeuter nok om det antipsykiatri. agporg.
agporg. 'PGA er dog noen hakk drøyere enn Buy Nothing Dayfolkene.. PGA
folk kan finne på å forsøke f.eks. massstealing. altså bevisst gå inn i
butikker som fører produktet. og stjele produktet ut av hyllene og f.eks.
kaste det i Themsen.'. cjam. rom dsfhSat Nov. rom noemagdta Sat. rom
matdfgronysfm Sat. rom bjsdfhohrnhmag Sat. rom tesdflemdgata Sat. rom
arssdpubglica S. rom aadugtomata Sat. rom kuangstgable Sa. meeail soms
sfunker. meeail soms sfunker. noegdhdmatadhbjordnmagumatrewronym
trkunysrt.no. matronyeemmattgtht ttcthtelno. Yada Drowa your host. Herr
Bramati. Bima. Bramati. Bima. Bramati. Bima skrev. Jeg derimot jeg bygde
bremuseet i Fjærland.. Det var Sverre Fehn.. Jeg vant Grand Slam i
Wimbledon fem ganger på rad.. Eh ... Bjørn Borg. Jeg forserte UlongaBora i
en utrangert dampbåt.. Det var Katharine Hepburn det.. Nå er vi ferdig sier
jeg. Gå og legg dere.. (Tord AkerbækRe En
reiseno.kultur.litteratur.diverse). thecrypt. crypt cryptein krypinn.
quotes. The Pope 'fell down the stairs' on Tuesday. This does not indicate
that 'fell down the stairs' is a name but rather that. perhaps he was (say)
pushed.. That intrepid explorer of these matters Alice's White Knight
might. prefer to say that the pub was called The House With No Name and
its. name (if it had one) was called something else.. rover boy (ROvuhr
boi) OBE vr roi. AWAD. 'Oekokrim har ransakingsordre pa harddisken som
Indymedia.no. ligger paa. De henter hele sjiten...'. Shaggy og Bully. OO.
Musse Pigg. Pikke Mus. ut å pikke mus m.. å musse pigg f.. lefthandedness.
....it seems that in almost any group that differs from the norm one finds
an. increased incidence of lefthandedness.. P.COREN American Journal of
Psychology.. ....right frontals are the mavericks... dead media bruces.
dead media bruces intervjiew '. What about the cemetery of data in
forgotten diskettes or piles of punch. cards. I expect this issue of
digital decay to become the next big scandal after the. YK affair. People
will be shocked when they realize how much is being lost and. how little
has been done to guard against this.. And if 'the medium is the message'
what about the tons of email bounced back. and never sent again. Yes
that's a problem but the idea of tons of your email being kept without.
your knowledge is even more scary. Talking about the States what's in your
opinion the Internet incarnation. (web sites email digest lists chat rooms)
that's strategically used for the. veicolation of the ideas. They work but
they don't work well enough. Chat rooms are a bad joke they are. almost
useless. Digests are very worthwhile but they make huge demands on the.
digest editor. Email lists are only as good as the contributors and they
tend. attract fanatics flamers and other timewasters. As a social
phenomenon I. am surprised at how bad these things are. It seems to me
that most. computerbased forms of media are badly designed and getting
worse they may. have more features and cost more but in terms of creating
and sustaining a. human community they are surprisingly bad and may even
be counterproductive.. After twenty years no one has invented a really
good word processor. It's a. scandal.. verbal taboo. verbal taboothat
which is so sacred or important that it cannot be talked. about unless
using ritual speech or euphemismsreveals society's values and. beliefs..
Gheg in the north and Tosk in the south separated by the River Shkumbin..
All the Australian languages are related but they are at least as diverse
as. the European languages.. corresbounce. newsgroup.
fa.fictionofphilosophy. fa.oldnorsenet. magnhidoyen. MAGNHlLDOElENBOJ.
moticos.net. NY corresbounce. i am Schmailey. AltU. Alt From blnoemata Sun
Oct. Alt From rnmag Sun Oct. Alt From ddtelepata Sun Oct. Alt From
aarsrubglica Sun Oct. Alt From auddtomata Sun Oct. Alt From Sun Oct.
noemata telemata arspublica automata. auto.noemata.net. touch sans.
frekvens sans støy som new age fløyte. etctouch.php. The intonation was
understandably one of heavy sarcasm (with undertones of the. tacit
agreement that says we'll only report your lies if you never tell the.
truth) af Bush comedy. drømte om BÅ hvorfor. dghsdånt sitt. hele dagen.
NORID Handle. NORID Handle............... APBONORID. Organization
Name.......... Akton Plutus BA. Organization Number......... Post
Address............... Schouterrassen. Postal Code................ N.
Postal Area................ Oslo. Country.................... Norway.
university of bad computing. usenet. Also a public conferencing network
called Usenet News carried on. telecommunications networks like the
Internet UUCP and others encourages. public discussion and free exchange
of ideas on a world wide scale.. Diderot defining Art describes this
contradiction. He writes Place on one. side of the balance the real
benefits of the most exalted sciences and the most. honored arts' and on
the other side those of the mechanical arts' and you. will find that the
esteem granted to both has not been distributed in the. correct proportion
of these benefits and that people praised much more highly. those men who
were engaged in making us believe that we were happy than those. men
actually engaged in doing so. What odd judgments we make We demand that.
people be usefully employed and we scorn useful men.(). Arte' Computers
and the Wonderful World of Usenet News A Historical. Perspective netizen.
rephrase. Hvordan forbruker jeg kultur. Rephrase. Hvordan forbrukes
kultur. randomwalk. randomwalk tekst a la cage broderi tanangder. ftp
chtonline. spiraltekst. kill i mylder. mail EFDEE. EFDEE. kunst.nee.
ooo.lt asco. mail.ljudmila.org. urejammersliscultts.copyleft.no. kunst.no.
ek.nob. ewslists.copynagnleft.no. mailnewsalt.cows.moo..
moo.mooanon.lcs.mit.edu (mailnews. alt.cows.moo.moo.mooanon.lcs.mit.edu).
You may also crosspost to a second group by including its name in the
address.. Example To send that Christmas post to alt.music.weirdal as well
address it. as follows mailnewsalt.cows.moo.moo..
mooalt.music.weirdalanon.lcs.mit.edu (mailnews.
alt.cows.moo.moo.mooalt.music.weird alanon.lcs.mit.edu). a theater.
california will be coming to a theater near you soon i am afraid.
eistkesrr. opvlpe opepvle. kan kmmoe kan kmmoe snas smainlg i sakpet unedr
i kpreopn hrovdan kprop. tstkveteste ha koprp ha korpp kupemlr køjtt kan
sipse hvenadrre ksnuetn hlehet. sspie. veskor i seierpstnkken har
vnlomnkeyleat i adlri sairegnkler fkryt savr har. sglas sennping ptaioensl
hovrfor hlodt i skajk sjsklaevk sjkak skajk slismott. asnvar fosvrar har
anvsar har frovasr igjnenom saverr slostimt ingorere ingoerr. ioegrnr
irogner ngiatrlhuet ntaur klale nuatr sakpt snepdake ualrniutg ksuntig.
feinnr ignen huepntkdloer i gkostere sspømrål divrer igenn drevir i.
sekptnisrk ratietlen i knjenes dørm ha dmreømn ellr vrklietigehen. (edt
dte). (er er). vrden. slev. stakpe slev stpkae mseneknt slev. ble adnre
ble. dtete. masniker srreur. feryt blniekr teidn. slev. bdlaet slloys.
vskeor. kan fordnrae slev. vræe. senrnsoe kmmomer tdien. fiel. hroovfr
ble. sitellr slmøråespt. fnis kurluetr sitller. oevr. ktaetr mtideerr
ktametat. i vindeut skeør eivgetehn ardne. unødkserr kkorene. gssenae.
vneant mgeltheuir. ideln aennt. jdroa. skoker ftøter. slepeit ignenting.
tneolefn oppleysr. lseyt lesyr. aktvit mrøke. srekemmdne sniesbitilet
tårekkt ssnoer. hyøt gtroesk gtvorehen. an tkårekt. setlt øgegneddle
deremd lvekår. saknk smmnedrke brae sresonen srettepr i tkaet. kan
hraenvdre irnde frrtsyoret. snresoen netoptp idnre kan den bare inrde.
sesnor karnosetjosnn den atllid liøsnng ellr fklutvei. liøsengnr
fivetkluer osppøelr onngølppsein. fkunet lnnsiøg oppønlinsg. as.
319
as i think my work is so marginal and my personality unfortunately so.
difficult (at least it has that reputation) that the net provides a way.
for me to distribute without having to worry about people misinterpreting.
me in real life.. home.jps.netfenadafsondheim.htm. cyborg hybrid chybroidge
(haraway bridge) chybirgd chybriogd. your discourse is the discourse of the
hysteric just like deleuze's. but you're all part of the same wheel.
because psychotics have no. discourse.. if true and no one's doubting you
then it raises two questions. one what remains of a rembrandt torn into
little squares all the. same size and shot down the toilet. two who would
i have murdered if i had killed some cheetah. walking with long strides
supple as a villain from long ago. cyborg hybrid chybroidge (haraway
bridge) chybirgd chybriogd. hva skjer. hva skjer skjer noe som helst.
breaking news. aftenposten. hia mundvin er gravid. no pages were found
containing ksdjogfestival.. search mobile web for 'ksdjogfestival'. go to
url. new search. svanhild slåss på to fronter ..nettavisen innenriks.
snart kan du se tv på mobilen..nettavisen itnyheter. hva med fjernkontroll
hvordan er mobilen en fjernkontroll på. teknologi protokoll ikke bruk.. aå.
avis. ballong. cowboy. detektiv. eple. fakir. gaffel. heks. indianer.
juletre. krokodille. labyrint. måne. nonne. olje. politi. quixote.
regnbue. slott. taxi. ubåt. vulkan. wigwam. xylofon. yoga. zebra. ærfugl.
ørken. åker. kknasje. kknasje jg ednileg. ignen steedr. koprp uetn
orgnaer. fire ralakide. ikke urytkkte. rhintegrert. andre ord. huset
ligger der fra øyeblikk til øyeblikk. hvem snakker om samling. nyhet fra
øyeblikk til øyeblikk. maria øyeblikk og garasjesalg. svelg disse to ben å
vandre selv.. reaching the cape nordkyn by skis. vrtnnhsfurgzehs u log.
anyhr vrtnnhsfurgzehs u. evolution control committee. these ohbased
plunderphonic culture jammers who have brought you. herb alpert mixed with
public enemy and acdc with dan rather will be. givin' it to ya live. think
tape beatles john oswald or negativland. and you'll be ok.. akweioa. zip
arch. perl mhonarc nodoc spammode multipg idxsize tidxprefix thrd.
mboxnoesis.mbox. nn. nnnn jnnn..nnn) nnnlnnn nnnn(nn(nnn) nnnn jnnn nn). n
n n ()(nnnn n n n jnnn n .nnn) n n nnnn)(). n n nln)(nn n n n njn n(ln) n n
nlj)(l.. media. img file php. pddostlsifstearkiver. ocoyvxjwftk.jpg.
digitus.facticius cp hender. pass. pass. this text has been automatically
translated from english. de a tema de ascoooo.lt del ascoo. cul es up.. )
fecha tue del mimeversio'n de sept de. i forhold til det å se på nye
rutiner. the state of not wanting to be anything is actually. ). the state
of not wanting to be anything is actually. one arrives there without
mentation thats the only way one can call that. mind. punt. logout.
fauscroll the responser etc nicks som organisasjoner tidsskrifter. red..
the responser log. redaksjonen. the responser. nyhetspram log. pons (ponz)
n. pl. pontes (ponætz). anat.. . also called pons varolii. a band of nerve
fibers in the brain. connecting. the lobes of the midbrain medulla and
cerebrum. see diag. under brain.. . any tissue connecting two parts of a
body organ or structure.. l pns bridge (see punt). punt (punt) n.. .
football. a kick in which the ball is dropped and then kicked before. it.
touches the ground. cf. drop kick place kick.. . a small shallow boat
having a flat bottom and square ends usually. used. for short outings on
rivers or lakes and propelled by poling.. v.t.. . football. to kick (a
dropped ball) before it touches the ground.. . to propel (a small boat) by
thrusting against the bottom of a lake or. stream esp. with a pole.. . to
convey in or as if in a punt.. v.i.. . to punt a football.. . to propel a
boat by thrusting a pole against the bottom of a river. stream or lake.. .
to travel or have an outing in a punt.. . informal. to equivocate or delay
if they ask you for exact sales. figures you'll have to punt.. bef. for
def. oe flatbottomed boat (not attested in. me) l. pont punt pontoon sense
to kick a dropped ball' perh. via sense to. propel. (a boat) by shoving'.
(punt (punt) v.i.. . cards. to lay a stake against the bank as at faro.. .
slang. to gamble esp. to bet on horse races or other sporting. events.).
tykjiola. tykjiola. socalled. nimita.tt. monti cantsin. this release was
brought to you by logout online lo distributor of. electronic art releases
for projects listed at tnoddepata.net.. the logout seam. the logout
foundation lf aka linefeed. j. Mar. spider norske kultur. barbere. robot.
ladonna ho. ladonna ho. bridget monroe. concetta fox. lupe baez. sergio
kirkpatrick. stop watch. . paste the coding into the head of your html
document. . copy the onload event handler into the body tag. . add the
last code into the body of your html document. gnu. gnu. mar galleri.
utrolig mye rart som havner på no.test gitt. har du prøvd å lese de
greiene. hånd ). nei err'u gæærn o) scrolla kjapt igjennom og fikk et
visst inntrykk.. takk og pris. jeg ble engstelig jeg. ). cht v. chtonline
chtonian textscrambler. and chatbrowser. det er bare et spørsmål om tid
før verden får se en ny uttalelse om. terrorangrep av katastrofalt omfang
mot vestlige interesse mener den. australske statsministeren john howard..
entries for silly. weblog xff. dvs et asciitegn for hvert nummer. the smtp
csequence. simple protocol art mail. en ting er å stole på gud noe helt
annet er å gjøre det.. kunstner. kunstner. naturister anmeldes for
blotting. blottere blir nå spontannaturister. alice in markov. alice in
markov chains. offertanken ofre til noe meningsløst for at noe skal være
et offer så. den amerikanske regjeringen tror at ekstremistiske elementer
kanskje. planlegger nye angrep.. tror kanskje jeg tipper på at. ignore
test æøå. newsgroups no.test. æøå hupps. til makt. til makt. vi hadde en
web akt.no for akton plutus som senere fikk hodet kappet av og. ble kton
lutus. m for melba kanskje. takk for at du fann igjen bokstaven.. m a
ktno. london chipmunks. london chipmunks edinburgh ferrets admire attack
manchester weasels. hvem bryr seg om .... hvem bryr seg om om .... hvem
bryr seg om om om .... hva betyr det at .... hva betyr det at at .... hva
betyr det at at at .... my mother feels i am a pain. yet with her i do
remain. till i leave at last her house. for the breast of a rich man's
spouse. wow. tenk på en vakker jente. det kan være noen du kjenner eller
noen du har. sett på tv eller lignende. nå forestill deg henne naken. wow.
tverrsum modulo. i tallssystem. tverrsum. i tallssystem. hvordan har det
seg at når man tar tverrsummen i en tallrekke så. opprettholdes likevel
forskjellen (her ). ethvert heltall n er kongruent modulo med tverssummen
av n. dvs differansen mellom n og tverrsummen av n er delelig med .. bevis
(husk at (modulo )). la n n n ... være sifrene i n i tallssystemet. med n
det minst signifikante sifferet.. da er. n n n n n .... n n n n ...
(modulo ). n n n n ... (modulo ). mer generelt at intervallet ( i eks.)
opprettholdes i. alle moduloer og at tallrekken kan være hvilken som
helst.. dvs. modulo kan tolkes som ulike (rest)tallsystem og at den samme.
tallrekken har ulik representasjon i ulike tallsystemer men uttrykker. det
samme.. upost. samisk utpost får mobildekning. vi har webkamera. hva med
newskamera. protocol roaming. goldæen secætion fine arts math.. a ratio
between two portions of a line or the two dimensions of a plane. figure in
which the lesser of the two is to the greater as the greater is. the sum of
both a ratio of approximately . to .. also called. golden mean.. horis .
sqr(). gyldne snitt (). vert .. oneoff. after thinking a second about it i
changed the name to. an other occident government whore only euro cheaper
on sunday in. praha but onle c a month namly menstration sunday bloody
sunday mirror. mirror mirrir meow back in the saddle agian laps of pure
whore furry. cherizo is the must disgust sick thing yaaaaa besides fly
larva trapped in. the intestines hummm in sickness. bullauge
beschleuniger. my body soil and spirit gum. swish to make you all
together. one at piece with yourshelf. adobe kompr setting. adobe kompr
setting. video. cinemac codec ned til ks blir da k. intel indeo . ned til
ks blir k. intel indeo raw ks blir k. mikke video ks kval. gir k men med
dårlig kvalitet. mikke rle ks blir k med dårlig q. audio. mikke gsm khz .
ok. truespeech kz ok. avimpg. audio må være mono i premiere for komp ks.
ikke crop i prem. miniumim bitrate på audio ks. Mar. hvaslags kunstart
driver med alt. skiller ikke mellom det alt. er digitalt. eller en
forfatter som bare driver med bokstaven a eller. personlige pronomen. nei
men seriøst det at alt er digitalt gjør at vi. ikke trenger skille..
exstrange. norsk ord for strangeness. extraneous ekstra ekstrans ekstrang.
worse. faustroll the responser etc nicks som organisasjoner tidsskrifter.
red. faustroll. td. redaksjonen.. monastery mnst()ri n. lme. eccl.l
monasterium f. eccl.gk. monasterion f. gk monazein live alone f. monos
alone. (a place of. residence of) a community living under religious vows
a monastic. establishment esp. (the residence of) a community of monks
living in. seclusion.. monastic mnastk a. n. lme. (o)fr. monastique or
late l monasticus. f. gk monastikos f. monazein see prec. ic. a adj. of or
pertaining. a hermit anchoritic. only in lme. of or pertaining to people
living. in seclusion from the world under religious vows as monks nuns
friars. etc. of or pertaining to a monastery or monasteries. m. b
resembling or. suggestive of monks or their way of life (of existence)
solitary and. celibate. m. bookbinding. designating a method of finishing
by tooling. without gold. l.. h. carpenter the bedroom is bare and looks a
little like a monastic. cell. b donne he sinkes the deepe where harmlesse
fish monastique silence. keepe.. b n. a member of a monastic order a monk.
m.monastical a. (a). monastic a. (b) monastic a. lme. monastically adv. e.
monasticism. sz()m n. the monastic system or mode of life l. monasticize.
slz v.t. make monastic in character convert to monasticism m.. monk mlk n.
oe munuc ofris. munek os munik (du. monnik) ohg. munih (g monch) on munker
f. gmc f. pop.l var. of late l monachus f.. late gk monakhos use as n. of
adj. single solitary f. monos alone.. a member of a christian community of
men living apart from the world under. vows of poverty chastity and
obedience according to the rule of a. particular order and devoted chiefly
to religious duties and. contemplation. also a member of a similar
community of adherents of any. other religion. oe. any of various animals
or things whose form. suggests the cowled figure of a monk spec. (a)(also
seamonk) monkfish. below (b)printing a blotch or area of excessive inking
(cf. friar ).. e.. black monk see black a. pied monk see pied a. white
monk see white a.. comb. monk bond see bond n. monkcraft derog. monkery
monkfish. (a)a bottomdwelling shark of the genus squatina with a somewhat.
flattened body and broad winglike pectoral fins esp. s. squatina of.
eastern atlantic and mediterranean waters (b)an anglerfish monkhouse. a
monastery monklatin a corrupt form of latin used by monks. monkmonger
derog. a favourer of monks or monasticism monk's bench. monks' table below
monk seal any of various lightbellied seals of the. genus monachus esp. m.
monachus of the mediterranean and adjacent seas. monkseam monk'sseam naut.
a seam in which the selvages of sails are. sewn flat one over the other
monk's gun a thcent. wheellock gun. supposedly invented by the monk
schwarz the alleged inventor of. gunpowder monk shoe monk's shoe a low
shoe with a strap passing over the. instep buckled at the side monk's
rhubarb a kind of dock rumex. pseudoalpinus formerly grown as a potherb
monk'sseam see monkseam. above monk's shoe see monk shoe above monk's
table a convertible wooden. seat the back of which is hinged to swing over
and rest horizontally on. the arms thus forming a table.. monkdom n. the
condition of a monk monks collectively the domain of. monks m. monkhood n.
the state or profession of a monk the monastic. life monasticism monks
collectively oe. monkism n. monasticism e.. monkship n. the monastic
system monks collectively e.. monk mlk n. slang. m. abbrev. a monkey..
seclusion sklu()n n. e. med.l seclusio(n) f. l seclus pa. ppl. stem of
secludere seclude see ion. the action of secluding something. or someone.
also exclusion. now rare. e. the condition or state of. being secluded
retirement privacy a period of this. l. a place in. which a person is
secluded a secluded place. l.. h. j. laski emphasize its importance to the
seclusion of all other. factors. e. b. browning after a seclusion of four
years and a half from. the external air. l. uris the bridehidden all day
was taken from. seclusion. p. ackroyd perhaps the tall hedges give this
region its air of. seclusion and even of secrecy.. seclusionist n. an
advocate of seclusion m.. nedlasting. big bang var en stor nedlasting
(itavisen). er infoteori nøkkelen til universet. forskerne som jobber med
det holografisk prinsipp mener ren informasjon. er universets
byggesteiner.. i jakten på universets fundamentale byggesteiner forkaster
forskerne ved. university of california både kvarker kvanteelementer og
strengteorier. til fordel for det såkalte holografiske prinsipp (døpt
etter måten. tredimensjonal kan fremstilles på et flatt todimensjonalt
område).. bits og bytes. denne teorien fremholder at det er ren
informasjonsdata som forteller. hvordan all materie og evt. andre fysiske
manifestasjoner fremstår i vårt. opplevde univers.. prinsippet forteller
oss hvor mye data(tenk bits og bytes) som trengs. for å kunne
detaljbeskriv all aktivitet innen et gitt rom sier fysiker. raphael bousso
til nettstedet newsfactor.. den store pikseleringen. det notoriske big bang
ville ifølge teorien dermed utartet seg mer som en. enorme nedlasting av
informasjon enn som en massiv eksplosjon.. veldig forenklet kan
himmelmønsteret etter big bang ha vært pikselert. som bildene på en
dataskjem. kosmisk bakgrunnsstråling fra big bang vil da. kunne vise seg å
være spor på den diskrete karateren i denne dataen. forklarer astrofysiker
craig hogan ved university of washington.. troll. troll trl trl n. lme.
sw. (da. trold) f. on of unkn. origin. cf.. da. trylla trylde sw. trolla
bewitch charm on trolldomr witchcraft.. orig. (rare) a witch a sorceress.
now (in scandinavian mythology) a. member of a race of grotesque dwarfs
(or formerly giants) usu. dwelling. in caves or under bridges.. troll trl
trl v. n. also (sc.) trow tra . lme. origin. uncertain cf. ofr. troller
(mod. troler) quest wander casually mhg. trollen stroll toddle. a v. i
v.i. saunter stroll amble spec.. (slang) cruise in search of a sexual
partner etc. lme. v.t. i. roll. spin turn over or round repeatedly. now
sc. lme.. ii a v.t. entice allure. ml. b v.i. t. angling. fish by. drawing
bait along in the water sc. n. amer. trail a baited line behind. a boat.
also fig. move in an alluring manner search for or for. e.. b b. macdonald
by trollingwe caught silvers king and dog salmon.. atlantic nancy had
beenherselftrolling her scooped neckline under the. eyes of russell's
friends.. iii a v.t. pass or hand round. le. b v.i. circulate be passed.
round. ee. v.i. t. (cause to) roll or flow (in). ll.. iv v.t. i. sing
(out) heartily sing or recite in a jovial or. carefree manner. l. v.i.
sound out or be played in a jovial or. carefree manner transf. (of a tune)
recur constantly to the mind. e.. r. l. stevenson he trolled with ample
lungs. j. berryman troll me the. sources of that songby blake.. v a v.i.
move nimbly (of the tongue) wag. long arch. e. b v.t. wag. (the tongue).
rare. mm.. comb. trolling motor us a lowpowered motor suitable for a boat
used in. trolling for fish trolling pole n. amer. a horizontal pole on
each side. of a fishing boat to keep the lines clear of the propeller.. b
n. a small wheel spec. a fishingreel. ll. trolley n. .. local. m. angling.
a the method of trolling esp. in fishing for pike. etc. l. b a bait or line
used in trolling. m. the action or an act. of trolling sc. a roll a
rotation. e. a song sung as a round.. e.troller n. (a)a person who trolls
esp. in fishing (b)n. amer. a. fishing boat used for trolling a line m..
white elephants. white elephants. ini matsocvkaisn ndjdit white elephants
hvordadn blir kapitler i news. sjekk no.test rtyuiop hva slags bok
ideareal kladd webcam text ) lumber. x. skjold ii side. eggja nr. c.. ola
sjå eggja () og våga austre i sveio () gm. siri. giske f. kanskje svensbø
i vikebygd gm. endre jørgenson. enkja malena velumsdtr frå eggja (). ola
blei buande på eggja etter at han gifta seg med enkja malena.. andre kona
til ola marta døydde. ho var enkje alt år tidlegare.. det heitte då at den
ugifte ragnilla underholdes af slægten.. nn kanskje heitte ho siri persdtr.
fravær. skape seg et fravær. gå i bånd en hund etter forestillinger.
underkaste. seg fraværet. et fraflyttet fiskevær kalt fravær. i lengre tid
er hun ikke. der.. and so your god bungled his work deliberately. and so
your god bungled his work deliberately. perfect your physics and you will
understand nature better refine your. reason banish your prejudices and
youll have no further need of your. god.. prove to me that nature does not
suffice to herself and ill let you. imagine her ruled by a higher force
until then expect nothing from me. that of nothingness it has never held
terrors for me in it i see naught. but what is consoling and unpretentious
all other theories are of prides. composition this one alone is of
reasons.. for nature is inherently destructive and it is our recognition
of this as. participants in nature that provides de sade with the
fundamental. connection he places on the link between pleasure and
perversity.. what is it that truly excites the human spirit conflict and
turmoil is de. sade's answer. it is when we are directly confronted with
nature in its. true destructive state that we come in contact with the
fundamental. underpinnings of our creativity and existence.. perversity is
its own end. given the possibility of having virtually anything as was the
case with. the four rich men what is it that one pursues according to de
sade. witnessing the pain of others is high on the list of possibilities..
we have tended to see pleasure at the very least to be a distraction. i
have no need to thwart my inclinations in order to flatter some god. thus
nothing but the law stands in my way but i defy the law my gold. and my
prestige keep me well beyond reach of those vulgar instruments of.
repression which should be employed only upon the common sort.. whence the
duc would conclude that nothing is really just but what makes. for pleasure
and what is unjust is the cause of pain. nothing quite encourages as does
one's first unpunished crime.. no as to that there's no doubt. furthermore
beauty belongs to the. sphere of the simple the ordinary whilst ugliness is
something. extraordinary and there is no question but that every ardent
imagination. prefers in lubricity the extraordinary to the commonplace.
beauty health. never strike one save in a simple way ugliness degradation
deal a far. stouter blow the commotion they create is much stronger the
resultant. agitation must hence be more lively in the light of all this
there. should be no cause for astonishment in the fact that an immense
crowd of. people prefer to take their pleasure with an aged ugly and even
stinking. crone and will refuse a fresh and pretty girl no more reason to
be. astonished by that i say than at a man who for his promenades prefers.
the mountains' arid and rugged terrain to the monotonous pathways of the.
plains.. in order to allow voluptuousness to become irritated by the.
augmentation of a desire incessantly inflamed and never satisfied a state.
which must necessarily lead to that certain lascivious fury the friends.
shall strive to provoke considering it one of lubricity's most highly.
delectable situations.. by and large offer your fronts very little to our
sight remember. that this loathsome part which only the alienation of her
wits could have. permitted nature to create is always the one we find most
repugnant.. the idea of crime is able always to ignite the senses and lead
us to. lubricity.. desade. metaphysical painting. metaphysical painting a
style of painting invented by giorgio de chirico. in about and practised
by him and a few other italian painters most. notably carlo carra until
about . the style is characterized by. images conveying a sense of mystery
and hallucination often involving the. use of tailors' dummies or statues
in place of human figures. it had a. strong influence on surrealism though
its concentration on depicting. uninhabited cities was peculiar to itself..
Mar. kanta representeres i grafer av noder og kanter og som.
tilstandsmaskin noder er rom med tyngde (tak gulv omsetning). moebius.
manusfilm nr.. film med filmrull formet som moebius. bånd. det. betyr at
filmen avspilles. rettvendt og deretter speilvendt for. deretter å begynne
på nytt igjen.. handling en person filmer noe via et. speil. personen til
venstre og. speilbildetspeilscenen til. høyre.. det finnes ingen vakrere
topologi å ty til enn mbiusflaten når en skal. illustrere hvordan det nære
og det fjerne det indre og det ytre objektet. og subjektet grenser til
hverandre.the baudri llard.. kst. hva er riktig kommunikasjon dersom den
spriker sånn over en kanal som er. så smal virker fragmentarisk og
villedende kikkehullsestetikk. voldtekst gjærbakst kst tverrspringende når
kan ventes svar. dialog. dele seg i to dialogen. alltid delte i og med den
indre. isd kommunisererselv.. ghl bota. ghl bota. rhberemsynr.. . gel ojlo
s. vosm (setta ). . oslo s træntaaon. vhsn (setta ). . tromtaoen byta. vecm
(ghfh ). nhrdsufv telefan ssyvåtc beyshnschcden hor opertodt. rafærengemr
mc. crowned anarchy. one easy way to think about crowned anarchy is to
think of it as an. expression of a method of difference. deleuze often
uses paradoxical or. contradictory conjunctions of terms in order to try
to shock difference. and productive disjunctions to the surface of
thought. i believe that crowned. anarchy is often mentioned in terms of
nomadism or nomadic distributions. both of which serve to highlight an
orientation to movement process. creation and becoming. other examples of
this method of difference or. style are drunken sobriety stationary speed
populous solitude and. disjunctive synthesis.. æon flux. æon flux. the
very thought of rubbing up to the sinewy form and torso of. the
selfpossesed selfish seductress of death and delirium...oh how the. loins
quiver at her approach.. so until i see the great divided lands where
monican. and breen killers briefly dance a skirmish or two until i touch
aeon. there where thanatos and eros hold sway i will remember....
nonplusnoema. she swept from the room leaving the nonplussed artist to
puzzle over. the cause of her behaviour.. no match for nonplus.org..
though the noema is always available there are periods of rest or low.
activity where the system is able to return to a known stable initial.
state. the system is still there but the load on the system is minimal.
changes.. the noema is designed to always be up and running. individual
components. may be down but the total the noema stays available. in this
mode of. continuous operations things are evolving and changing
constantly. there. may be many versions of a component active at anyone
time. evolution of. components new feature introduction and constant
change are common. ongoing activities.. negativitet. hvordan modelleres
negativitet overhodet hva menes når vi abstraherer. 'noe' fra noe lager vi
samtidig 'ikkenoe'. det er merkelig og komisk når. jeg ser på den og den
knappen og tenker på at den er det den er fordi den. ikke er alt det andre
den ikke er. er negativiteten en egen dimensjon hva. er forholdet mellom en
operator og et uttrykk hvis vi har to ting. hvordan kan vi legge dem sammen
og regne på dem instruksjondata en. fortolker på datanivå er alt data ingen
negativitet fortolkeren. strukturerer og lager samtidig negativitet
dimensjonsforskjellen fra flat. data sekvensiell datastrøm til en struktur
med flere dimensjoner. f.eks. som i overgangen fra en endimensjonal
sekvenslinje til en. formatert tekst videre inn i et meningsunivers. på
hvilken måte fins. døden fins den på en annen måte enn ordet 'ikke' hva
refererer 'ikke'. til hva slags monisme er jeg ute etter patafysikkens.
justis konstant. langt langt nede blant våre fundamentale behov ligger
rettferdighet en. vektskål hver enkelt holder i balanse gjennom å ta på
seg eller fordele. skyld. om samfunnet ikke hadde svarte hull for skyld
ventiler religion. devnull et lukket system med konstant energi et usa
hvor man. saksøker hverandre til frokost. aqualizer. utligne. equalizer. n
reduces frequency distortion syn equaliser an equivalent. counterbalancing
weight syn counterweight counterbalance counterpoise. balance equaliser a
score that makes the match even. aqualizer neologism make something fluid
transparent remove rigidity.. aquality neo. the fluid transparent quality
of s.t.. aqual v. 'a aquals b' 'heat aquals ice' 'internet aquals
identity'.. telegram episode. telegram. monographic. episodic writing. å
kom skal du høre. ånd og overgrep. sans og. forbrytersyndikatet d.hc. just
boresome. å kom skal du høre. the paul whitney collection. triploop
..................excerpt. bankkontoen er det faste punkt for
jordmenneskehedens kultur af i dag.. bankkontologi. nn. i. c. v. r. c. i.
.. c. v. r. c. i. .. c. v. r. c. a. k. n .. a. c. v. o. r. u. .. c. r. n.
e. .. s. m. r. c. c
320
e. .. not two.. come directly into harmony with this reality just simply
say when. doubt arises not two. in this not two. nothing is separate
nothing is excluded. no matter when or where. enlightenment means entering
this truth. and this truth is beyond. extension or diminution in time or
space in it a single thought is. ten thousand years.. .... one thing all
things move among and intermingle without. distinction. to live in this
realization is to be without anxiety. about nonperfection. to live in this
faith is the road to. nonduality because the nondual is one with the
trusting mind.. hsin hsin ming (verses on the faith mind) attributed to
chien chih. sengtsanca. c.e.. ftp. category techhead id. i know most of us
use some type of ftp prog to upload download and chmod. but at times you
may need an alternative. say for instance you are away. home and the
computer you are using has no ftp prog. here's a simple. way to access
your server via the web. ftpyourloginnameyourpasswordyoursite.com. did i
mention you can upload and download files this way just drag and. drop
files to and from the ftp. minus. manus. nato phonetic alphabet. the nato
phonetic alphabet. alpha bravo charlie delta echo foxtrot golf hotel
india. juliet kilo lima mike november oscar papa quebec romeo. sierra
tango uniform victor whiskey xray yankee zulu. i tallssystem. tverrsum. i
tallssystem. hvordan har det seg at når man tar tverrsummen i en tallrekke
så. opprettholdes likevel forskjellen (her ). det var litt overraskende når
jeg oppdaget det at tverrsummen skulle. bevare dette.. ethvert heltall n er
kongruent modulo med tverssummen av n. dvs differansen mellom n og
tverrsummen av n er delelig med .. bevis (husk at (modulo )). la n n n ...
være sifrene i n i tallssystemet. med n det minst signifikante sifferet..
da er. n n n n n .... n n n n ... (modulo ). n n n n ... (modulo ).
tverrsumfunksjonen er en modulus altså og sammenhengen er at. dvs. modulus
.. mer generelt så ser jeg nå at intervallet ( i eks.) opprettholdes i.
alle moduluser og at tallrekken kan være hvilken som helst.. dvs.
moduluser kan tolkes som ulike (rest)tallsystem og at den samme.
tallrekken har ulik representasjon i ulike tallsystemer men uttrykker. det
samme.. Mar. de fleste foretrakk stort pensum istedenfor. fordypning
engasjement og klare mål. næss. et menneske er flere mennesker. et halvt
menneske virker helt et helt. menneske virker halvt.. amg strain ghost
montage. sollewitt concept art etc nettime. code is the only language.
that is executable.. ideer kan være koder. hvorfor vil vi at alt skal være
variabler ikke konstant.. the whale the corp (corporal) the old the falcon
fatty swede triple. tramper the bank nixie broom woodcat the king shorty
stocks. crooked the lion easy garibaldi scamp mad clumsy buck the. calf
lazy cheeky sooty brotherinlaw seven mark and one the. kid the lamb the
cub catowl nonsense the fizzler the toad the. chunk coffeesack coffeecnob
nothing the grouse ginger the bag. straight wally valdeser the troll
minced fat the christian bent. sinny crow nail divekeeper code spout the
baker egg nincompoop. the taste pig's totter boar shrimp stuffing doll
fliepedersen. matches the painter the smith whimpy the wizard sea scorpion
budd. birch manikin pepita entangle chop death.. who's bruno magh if yamean
rob's sneakers i dunno. mine were plain ol' adidas. re he didn't get
it....and he's a sargent....... re re mark fuhrman didn't get it either..
the transaction was a success. en ekunst mail spammer og til. person
person peerpeer multiperson ha en avtale om en multiperson med. noen vi
opptrer som n person med ett navn.. the transaction was a success thank
you for using this service.. your transactionid. is. støy. det er åpenbart
fleire måtar å høyre på støy på. eg tenker ofte på det som. ein
overskridelse. overskridelse av musikk metamusikk på en måte står. støy
'over' musikk eller ligger 'under' musikk og 'føder' musikk slik. natt
føder dag liksom jrf at natt oppfatta som opprinnelig.. overskridelse av
seg sjølv jfr din 'motstand' kanskje. overskridelseoppheving av seg sjølv
ved det n'naturlige' ved støy. ekstase ved støy overganger mellom
tilstander er 'støyete' kan alle. fortelle om.. Mar. resonate. mne. domus
. '. '. icarufa. domus . '. '. mddaurgtuse . domus .. vxtojnca. domus . '.
'. au rora. domus . '. '. kklang. domus .. tsrsgoihnsger . domus .. jvoa
eoer. domus . .. rddgeagthrdissator. domus .. bsotgagngigsgak ahaaggge .
domus '.. futureme. past me. lumber. lumber. dP' I Y P dP' Yb Y. . . . . .
. . dP aaaadP. P Y ' Pd' YbaaadSPOSUBSES. ii dPY dPdPYb gg. ggggggggggg
gggggg ..... .... .bd.'. noemata. Saturday April. us we'll consider wheth
Net.art cobe copiedWelcome to net Noemata.net. is a nonpCouncil of
Cultural Afregistered in N Norway. On a yearly. noemata. Friday April.
eta.D. real development of idbfeeaecbdbffeabintention was to combi.
interaction minglesot deilppa msacras dnadi fo tnempoleved laerthe net
with. those of collective.
contributioddefdacbefaaaebbcabacPRSSNKKRTTTTKPRTTMKWSside. into the
productio internet addrband and so open up to kind of public spacewho.
make a significancedevelopment of idconcept is applied to processing.
carriermembers every month result of sometNight Fever' 'The Wiza. modify
it and thenlasts thirty days with concept members every. . monthNa easy
hiding place for s modify it and then. networks. The story is.
fireworks.fdbccaaeffdacbabddastructure of data flows plot. of a story by
locusnonmat bringing out intras net possible on.
thameselvLJvMVuImsGoEJzKCUtdsQR.approach to discourage albums. whitewhite
albimo blcspreads with no techni emotional vulnerabiliswappers. noemata.
Saturday April. hexture. jodi.org. barriecoptusnet.com.au.
bennett.osu.edu. cantsinzedat.fuberlin.de. dolmensniperfree.fr.
epistolarisfreemail.hu. expsurfeu.fi. felixopenflows.org. fmadrefree.fr.
gustin.pascalefree.fr. henry.warwicksbcglobal.net. hmfahhotmail.com.
hmfahhotmail.com. informaticaintervida.org.pe. jimvispo.com.
jlantoniouol.com.br. jukkaxpressed.org. kellydavismac.com.
kkervinenmailcan.com. lcubbisonearthlink.net. loymyrealbox.com.
mpalmerjps.net. nettimebbs.thing.net. netwurkerhotkey.net.au.
noematakunst.no. rickrickbradley.com. ryan.whyteutoronto.ca.
solipsishevanet.com. sondheimpanix.com. tobiastechno.ca. towntrickaol.com.
vibriinternet.com.uy. wfairbrotherhotmail.com. xpressedsdfeu.org.
xstreamxpressed.org. wreathus. abuigueswanadoo.es. adelectrocd.com.
agranode.com.br. arexsall.nl. ascoooo.lt. bennett.osu.edu.
bramhallearthlink.net. bruecklaol.com. cadalypacbell.net.
cantsinzedat.fuberlin.de. ceciltouchon.com. dolmensniperfree.fr.
dtvmwt.net. expsurfeu.fi. hmfahhotmail.com. hmfahhotmail.com.
lawrence.uptonbritishlibrary.net. marc.garrettfurtherfield.org.
margaret.penfoldntlworld.com. memexikonmwt.net.
morrigan.nihilntlworld.com. noematakunst.no. olsonjkdelhi.edu.
p.ixelntlworld.com. poetryhypobololemaioi.com. ptlambertearthlink.net.
rickrickbradley.com. ryan.whyteutoronto.ca. solipsishevanet.com.
tgreenclear.net.nz. towntrickaol.com. walterblueearthlink.net.
wfairbrotherhotmail.com. whitebd.dion.ne.jp. ybvictoria.tc.ca. Bubolic
stoplight unlikely by anemic. Bubolic stoplight unlikely by anemic.
unlikely stores anemic's growing pool as a collection of.
selfdisconnecting noemas that anyone can contribute to. lusers need to
log. in to enable unlikely to make sense of their movements through the
bassin.. Unlike anonymous drowsing unlikely facilitates a more
personalized. form of intuition the very act of intuiting results in a
generative. process that creates new linkages alters old ones and
contributes. resources to the community. Thus unlikely resembles a
biological neural. net that is based on human activity it is a collective
distributed. system of emerging patterns pathways and disconnections..
unlikely departs from the typical hierarchical thought bassin structure
by. relinquishing some of the control of hardcoding links between.
concepts. unlikely is also described in a public XMockupLang file making
it. possible for anyone to develop alternatives to unlikely's structure.
unlikely could easily be traversed as a trity eidos game a mind nap a.
sound ungine (logically sound system) or a Flush animation whirl.. In this
way it is the beta version of a anemic operating system for which. anyone
can develop compatible cogiance phlog.ins skeins or filters.. unlikely is
an agent of anemic's resources that grows symbiotically with. related dis
course.. BIOGRAPHY. Current coreDevelopers are blithe lussett bensyversion
nsatromnym and. conYates. As of anemic Version pee. CONTRIBUTING.DEVELOPERS
are listed dynamis cherubics by their usage of. contribution to and
participation in haven unlikely. wopers.. For dynamite please load and run
the anemic WHOIS button and blowup yous.. All participants exist as noemas
within unlikely. The car develop. maintain and develop the anemic
dabblication platt form and are. reposible for mini a spectable of
including the inter views anemis.. crow envelops hinter party pants
tributing dissociation varia. ariaous other panties enties and cystems all
unenginage in the act. vity that con stigmatutes anemic boldless
bloodfuel.. særmeldinger. baklengs inn i aftensangen. alt vel hilsen per.
over åsen. særmelding kodemelding gitt i åpen kringkastingssending fra
London som beskjed. fra britisk militær myndighet til agenter i Norge.
Særmeldingene besto som regel. av avsluttede setninger (Du er en heldig
gris Hesten traver i bakken) der. innholdet var avtalt på forhånd. I
okkupasjonens siste år angikk de som regel. flyslipp av våpen og
bekreftetavlyste en planlagt operasjon. BBC London. Radio eller norske
myndigheter hadde ingen innflytelse over særmeldingene som. var av rent
militær karakter. For lytterne utgjorde de gåtefulle og. fantasieggende
innslag som bar løfter om at hemmelige aksjoner var på gang.. QPVEO TXJZC
AZGVN. default. default. neglect failure to act. stats url. ola narr.
leonardo ola narr. Apr. sis sfsisnsds snsos srseslsesassse. sisss swsansts
stsis sdsises. ssasls sisss sbsacsks tsos snsosrsmsasls. sisss. s. aa.
Ifølge Bergens Tidende skal det nå holdes kurs for sjenerte bergensere..
HansWilhelm Steinfeld rødmer.. køntriola. doby ardon. ebmg. ebmg. nkb.
g.php. Apr. alasglea hshatrukturene asdgogg ingghehnhtiasngf sbetsyr
nogge. minae hfohrestilldfinger. vaigrhkhejlisghet. hvsa hehr virhkelig.
mikkaeg hmush grahvhietasjon poliasftihkhkh hlivh sdaøad hvihrkelig. havaa
aerg gsgaanat. tosomtussmørke. tosomtussmørke tåsårdessert tesiltusle
tesugetasje tåsokktaske. tissefanttussefar jeansagent jannin gnom joner
genial gang gynekolog. genever jennifer. mailnews. U S E N E T. valable le
Mars. par header. mailnewsanon.lcs.mit.edu. mailnewsnospamanon.lcs.mit.edu.
mailnewsnym.alias.net. mailnewsdizum.com. mailnewsnospamdizum.com.
usenetgatewaymixmaster.shinn.net. mailnewsshinn.net.
mailnewsfreedom.gmsociety.org. usenetgatewaynospammixmaster.shinn.net.
mailnewsnospamshinn.net. mailnewsnospamfreedom.gmsociety.org. par email.
group.namenewsgw.rrze.unierlangen.de defunct.
mailnewsYYYYMMDDgroup.nameanon.lcs.mit.edu.
mailnewsnospamYYYYMMDDgroup.nameanon.lcs.mit.edu. Apr. hva er
kommunikasjon og hva er uttrykk. nivåer. Vende tilbake til det. Re Vende
tilbake til det. Vende tilbake til det opprinnelige. Couldn't have said it
better myself.. mailnews. newsgroupnamenewsanon.yi.org.
mailnewsbananasplit.info. DISORIENTATIONS OF THE NETART. TECHNOLOGIES AS
PHANTASMS AFFECTS AND GHOSTS. ON THE FLOW. THE WORLD OF USER'S MANUAL.
SPACE COUNTERS TIME. AVAILABILITY ACCESSIBILITE AND CONSUMPTION. ....
password. configure OE. How can I configure Outlook Express to display a
message in fixed width. font. First remove the viruses. Then go to the
fonts... no wait you got a virus. again. Get rid of that. Now go to the
fonts menu and select... no there's. another virus. Better rebuild it.
Okay now you're in the fonts menu and. you select a font that is
specifically fixed width like say Courier. And. while you're at it you
might want to look at disabling all the HTML decoding. on Usenet as well.
Whoops there's another virus. ps I don't want to hear no bullshit about
how microsoft sucks ass and all. that constant repetitive stuff.. Then why
not get a newsreader that actually works and at least conforms. the basic
RFCs. mulig. En skole i Stockholm ble tirsdag evakuert etter at ranere
satte fra seg en. mulig bombe i en bank i nærheten.. En mulig skole i
Stockholm ble mulig tirsdag evakuert etter at mulige ranere. mulig satte
mulig fra seg en mulig bombe i en mulig bank i mulig nærheten.. Apr.
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... . ...... .. ... .... ..... . ...... ..... . ...... . ... .... ......
....... ..... .. .... ... .... ....... ........ ..... .. .... ... ....
........ ......... ..... .. ... .... ......... .......... ..... .. . ..
.... ........ ........... ..... .. .. .. .. .... ....... ............
..... .. ...........................................
.......................................... anon i don't know why people
don't. eliza maybe they're looking for something. why should they. what
you offer is just withdrawals and stepping back. yeahyeah from looking for
and searching. you're male yorick should be ucking around. i know that's
his business and he would feel the catration. pointing his figer and his
we pons. wall there's no connection at all just the silly drives. the
fabric production activity life that's a big canvas. there's no
connections there either leave them alone. support. no support is needed
earth spins around in empty space. you need all the usual stuff. don't
need anything my life didn't need life just automatic business. joy of
life. death has joy too why distinguish it's just one big blob going
through the. motions. fatalist. pass. what about suffering. i'm sorry.
i'll kick you in the leg. i'll respond ouch. improvements richness of
life. do we suffer less than years ago broken things have richer
structures. knowledge. it adds to the mess and i'm withdrawing. knowledge
for the future. it's very easy for us to extinguish ourselves and
difficult to believe in. humanity. space. space what. hopes. we should try
to find some loopholes via science or anything change ourselves. leave the
human maybe our physicality cognition and culture have some. limitations
we can't overcome evolution is too slow our knowledge too great. all the
culture trash and our drives are against us we'll be like dinosaurs. with
a brain look at the current territorial religious cultural violence. it's
just mad and on the other side global capitalism and exploitation is made.
possible by the inertia of the same structures humans have no future we're.
reaching some limit in our interaction with the world we should find holes
and. creep through into a posthumanity i'm indifferent to the human i'm
only human. and have no future.. Mr M. saw a naked woman covered in postit
notes once. she was some art diva from spain. 'automated net.art
auto.noemata.net'. Hi. Thank you for hosting your list at Topica.
'automated net.art auto.noemata.net'. autonoematatopica.com. Basic
Information and URLs. Here's the basic information and URLs your
subscribers will find useful.. send a message. autonoematatopica.com.
subscribe. autonoematasubscribetopica.com. unsubscribe. See the
Unsubscribe link at the bottom of any message.. For more information about
this list visit. your group account has been disabled to to an
autoresponser set up. LYS. Tilsynelatende nødvendighet av å tale om det.
Ikke si mer enn enhver kan si til seg selv. Spørsmålene om det er materie
eller immaterielt. Substans el aksidens osv. Fåfengt. Den som ikke tilstår
dette for seg selv kan trette seg med å løse det. opp. Bedradd av alle kan
vi bare lære av dets virkninger. Lysets virkinger er utbredt foran oss.
kvalmen. fremtiden er der knapt blekere enn øyeblikket. Hvorfor skal den.
virkeliggjøres. Hun skal til å dreie om gatehjørnet hun dreier i en
evighet. tanker det er det flaueste som finnes. flauere enn kjøtt. de
strekker seg ut i. det uendelige og etterlater en underlig smak. proxima.
lysår. melkeveien lysår diameter mrd stjerner. mrd andre galakser. lokal
gruppe av. nærmeste lign galakse andromeda m mill lysår unna. kvasarer ses
over mrd lysår. stjerneklasser. wow oh be a fine girl kiss me right now
sweetie. chance and chaos. kolmogorov matematisk talent setter inn akkurat
når den psykologiske. utviklingen stopper. han ser på seg selv som år.
stødig strøm periodisk strøm irregulær turbulens. observasjon av
periodefordobling i dynamiske system feigenbaum ... entropi måler
tilfeldighet i et system. hawkings. galilei kraft er å forandre en
bevegelse. newton derson ikke kraft fortsette i samme fart. ingen entydig
hviletilstand. om det er toget som går eller jorden som går er. like
gyldig. paradoks umulig å si om to hendelser på forskjellige tidspunkt.
inntraff på samme sted i rommet. eks. en ball spretter to ganger på samme.
sted inne i et tog en som står utenfor vil se sprettene med meters.
mellomrom. sitat. hardingfela er norsk nasjonalinstrument fele så er brukt
kattesener. hardingfela hele katten. det finnes det som har spilt i år i av
disse har de stemt. gås på bordet. forskning sprøyte brennevin inn i ei
rotte. er det noen kattjævel her. lysår vi hadde motlys. han var fem år da
han ble født. det du har lært kan ingen ta fra deg men det du ikke har lært
kan ingen heller. ta fra deg. det er skrevet mye og gud i de nye og de
gamle instrumenter. det som står her er. skrevet med en hellig skrift.
midt i paradisets have sto det et tre som het. bekjentskapets tre på godt
og ondt. da abraham satt i mamsres lund kom det tre. herrer da spurte sara
om de ville ha kaffi da sa vår herre til sara vil du. straks gå bak døra og
føde en sønn. det er ikke bare for kort det er for bredt også. protokoller.
hvilke protokoller. fullstendig promiskuitet mest mulig lavmål. en stadig
pendling mellom høyt og lavt. overdrivelser underdrivelser. hvite
protokoller. bankei. fri i liv og død ikkje bry deg med dei ha fred eller
nrivana (dei tre. gifter) la alle tre gå. både når du søv og er vaken så
kviler du i det ufødte buddasinn. unngå å falle tilake. bebo det ufødte
buddasinn både fremskritt og. tilbakeskritt overskrides. buddasinnet er
fantastisk opplysande spor av alt du har gjort er reflektert. det er når
du binder deg til desse reflekterte spora at du produserer illusjon..
originalt tankar har ingen reell substans la dei komme og eller stoppe
utan å. binde deg til dei. alt jeg forteller dere er dette realiser
buddasinnet som hver av dere har fra. deres foreldre fra fødselen rett og
slett bebo det i tro.. istadenfor la deses tankane komma ikkje utvkle dei
ikkje binde deg til dei.. hald det eine sinnet som eitt sinn. sinne og
glede lagar du heilt på eige hand.. det er ingenting anna enn det ufødte
og uforgjengelige buddasinn så du bør. begripe dette klart.. ideen om å
ville kontrollere dine lidenskapar og forestillingar er i seg sjølv. ein
feilaktig forestilling.. det er ikje noko slikt som opplysning. det
originale buddasinn er ufødt det. fungerer utan tanker om å ville bli
opplyst. i buddasinnet er det ingen tanker eller ting så ikkje bry deg med
dei. jakte på ord fraser når vil du bli ferdig. du spring deg helselaus
pålesse kunnsakp blir vidt informert. sjølvnaturen er tom og opplysande så
la ting ta vare på seg sjølv. det er ikkje noko anna eg har å meddele.
ikkje sint når forstyrra ikkje gladlykkeleg når tilbedt. ein stor
treskalle i verda. følge med der forholda føre meg nord sør aust vest.
utan å gjøyme mi styggheit og klumsetheit mellom himmel og jord. blinde
folk slit ut kleun sine ventande på opplysning. akkurat som å prøve å lage
eit speil ved å pusse ein stein. den store funksjonen manifestera seg sjølv
utan faste reglar. godt er skrekkeleg. og skrekkeleg er skrekkeleg også.
ting og hendelsa. er berre produkt av omstende. dersom du blir ein budda
er det ingen plassar å gå. du fyller det store. universet heilt ut til
grensene. det er når du blir noko anna slags vesen at. det er plassar å
gå. dersom du innser at det opprinnelig ikkje er nokon dårlige vaner hva
er det då. å unnå eller stoppe. paulus. paulus . brev til titus. en av
deres egne til og med en profet har sagt kreterne er alltid løgnere.
villdyr grådige late og dette vitnesbyrd er sant.. grelling nelson.
autologier homologier uttrykk som uttrykker seg selv. norsk setning.
femten bokstaver. jeg. andre uttrykk kalles heterologiske. så spør man om
heterologisk er et heterologisk uttrykk. hva med denne setningen uttrykker
noe annet enn seg selv. sorites. avleder en falsk påstand fra en kjede av
riktige. en haug med stein er fortsatt en haug med stein dersom vi fjerner
en stein. etc.. altså er en samling av en eller ingen steiner en haug med
stein.. pragmatiske. paradokset ligger i motsigelsen mellom påstand og at
påstanden hevdes. det regner men jeg tror det ikke. jeg eksisterer ikke.
terning. sannsynligheten for at en side på en terning kommer opp er så det
er. allermest sannsynlig å tro at siden ikke kommer opp. men dette gjelder
alle. sidene. derfor er det sannsynlig å tro at ingen av sidene kommer
opp. pi paradoks. salvati kan du fortsette rekken nei. men du kan
fortsette rekken. paradokset er at de beskriver det samme pi. tro gjennom
feil paradoks. at noe som slår feil styrker troen på tingen fordi feilen
viser det. irrasjonelle betydningen av tro. hilberts paradoks. hvordan
begrunne argumentasjonen på basis av argumentasjonen. carrolls p.
umuligheten av et argument. a dersom det regner blir det vått. a dersom
det regner blir det vått
321
b det regner. c altså er det vått. men for å akseptere dette innføres et
nytt element. d dersom a og b er sanne så må c være sant. men for å
akseptere dette innføres et nytt element. e dersom a b d er sanne så må c
være sant. jesuitt. dersom gud er allkjærlighet hvordan kan det da finnes
en evig pine i helvete. helvete med evig pinsel finnes men det er alltid
tomt. menneskerett. en slag rett til å engasjere seg rett til å kritisere
og en rett til å ikke. bry seg.. parse. lichtenberg E F. O The dog is
lapping the boiling water. release. Gorrespondence imondo mail . art
sokrates. ozone. skittent. mørket er estetisk lyset er skittent. bilde av
klistremerkene. finne du din vilje oppgave. nagval stalking ll som
parallell til sitasjon. drift psykogeo. når frykten forsvinner forsvinner
alle bånd og vi er frie. ro og fred. vi sier ro og fred men det betyr
indre frihet men gj ro go fred som middel. som fungerer i støy og ytre
uro. det er ikke greit å ønske å bli noe man ikke ønsker å være. men sånn
er det den. forskjellen. jeg ønsker natlugh ikke å være det jeg ønsker
eller å ikke være. den jeg ikke er. lagd. tror ikke vi er lagd til å
forstå ting som forsvinner. vi forstår ikke negativitet. negativitet
forstås positivt det som forsvann finnes som forsvunnet. og det som ike
finnes finnes som mulighet. finnes mulighet. noe er mulig. vi forstår
virkelighet som et lukket system det ligger i system og forståelse. ting
blir borte ting blir til vanskelig å forstå. tankemåter blir til og dør ut
med personer kultur med generasjoner. trossystemet forander seg ikke
radikalt med den enektle der av netulig. konsrevativt neasjoner har ikke
noen revolusjoneredne virkeing at noe blir. borte er en modfifikaskon av
tingen. som om eksitens var en modus ved noe skru avpå eksistens. se på
det fra et annet perspektiv det som aldri har eksistert fins det også et.
sted alle dine søsken som ikke er født. hvis vi snur treet oppned. alt som
blir. til må ha eksitert på forhånd. men da har du problemet med mange
muligheter blir. til en virkelighet det kollapser hvis vi skrur det så
ekspanderer det. uendlelig og det er ingen ende op ting som eskisterer
(som mulighet) alle. muligheter må eksistere og det er absurd hvorfor.
kredo. vitenskap gir oss kunnskap om verden. klesskap forstyrrer oss med
klær. du ble født ut av ditt nesebor. voff vi er ikke hunder. de som
passer på gir blaffen. folk er rare. zen begins at the point where there
is nothign further to seek nothing to be. gained. zen is most emphatically
not to be regarded as a sustem of. selfimprovement or a ways of becoming a
budda.. only when you have no things in your mind and no mind in things
are you vacant. and spiritual empty and amrvellous. the marvel can only be
descsribed as the. peculiar sensation of freedom in action which arises
when the world is no. longer felt to be some obstacle standing over
against one.. huangpo men are afraid of forgetting their own minds fearing
to fall through. the void with nothing on to which they can cling.. nothing
is left to you at this moment but to have a good laugh.. mesteren spør ut
studenten og når studenten går kaller han plutselig ved navn. studenten
svarer naturlig 'ja' mestern sier 'der har du det'. spontanitet. mo chih
ch'u gå på uten å nøle. wuwei meningsløshet. wushih enkelhet. the
perfection of zen is to be perfectly and simply human. to a young zen
monk. the roshi stands as a symbol of the utmost patriarchal autoriatiy
and he. usually plays the role to perfection being normally a man ssvanced
in yasrs. fierc and tigerish in aspect a person of supreme persence and
dignity.. the basic position of zen is that it has nothign to say nothing
to teach.. the various koans are intentionally misleading.. after some
time the iceblock collapses and a transparent meaninglessness appear. that
can eat laugh and so on live without a problem.. roshien presenterer nå
koans som er opplagt meningsløse 'ta dei fire delane av. tokyo ut av ermet
ditt' 'stopp klangen av dei fjerne klokkene'. ei jente går. over gata er ho
den yngre eller eldre søstra. controlled accident ikke representasjoner
symboler.. egne objekter. painting by not painting. muchi and liangkui did
many paintings of zen. patriarchs and masters as mostly abandoned lunatics
scowling shouting lafing. around or rarith with laughter at drifting
leaves exemplifying the splendid. nonsense and emptiness of zen.. sabi
enslig og rolig stemning wabi something ordinary as suchness aware..
mystisk stemning yugen. dette er fure aspekter av furyu.. haiku i årh.
bashu i wshihstil 'ingenting spesielt'. the superficial consciousness can
awaken to the eternal present if it stops. grasping. now this eternal
present is the timeless unhurried flowing of the tao. such a tide as
moving seems to sleep too full for sound of foam.. mantras and tantras
meditation and concentration. they are all a cause of selfdeception. do
not defile in contemplation though that is pure in its own nature. but
abide in the bliss of yourself and cease these torments. wahtever you see
that is it. in front behind in all ten directions. even today let your
master make an end of delusion. the nature of the sky is originally clear.
but by gazing and gazing the sight becomes deluded. sarakas trasy of songs.
no thoguth no reflection no alaysis. no cltivation no intention. let it
settle itself. cut out sagacity discard knowingness. and the people will
benefit a hundredfold. cut out humanity discadrd righteousness. and people
will egain love of their fellows. cut off cleverness diescsrd the
utilitirans. and there will be no theves and robbers. become unaffected.
cherish sincerity. belittle the personal. reduce desires. laotsu. the
perfect tao is without difficulty. save that it avoids picking and
choosing. follow your nature and accord with the tao. saunter along and
stop aorrying. if your thoughts are tied you spoil what is genuine. dont
be antagonistic to the world of senses. for when you are not antagonistic
to it. it turns out to be the same as comnlete awakwning. the wise person
does not strive. the ignorant man ties himself up. if you work on your
mind with your mind. how can you avoid an immense confusion. sengtsan. one
day i wiped out all the notions from my mind. i gave up all desire. i.
discarded all the words with which i thought and stayed in quietude and.
ZTT i entered i lost the bounderies of my physical body i spke but my.
words lost their meaning. i saw people comnign twars me. all of them were.
myself. i had never known this world. i had beieved i was ceraed but i was.
never created i was the comsos no idndiviudal mr ssaki existed.. .sakeian
sasaki zen notes vil no. we eat excrete sleep and stand up this is our
world. all we have to do after that . is to die. ikkyu. you light the
fire. i'll show you something nice. a big snowball. mennibdr versen og
livet lemm død og ny fdese. uta sv krppen så yutterverdn lbitt indre og
omvendt. man fyller hele rommet og lever i tiden. stiger ut av rommet føre
og etter. ha takk ha. sanselik. imaginasjon. inspirasjon. intuisjon. alt
som saller mot krppens speil speiler seg til sanseopplevelse. tankene
tanken muldere av elemtarvesen sender seg ned i eterlegme. formørker
eterlegemet eringdring. visom som natur rundt seg her. vi må ta vort
visdommen forvandle altsp selv til livskrafter. pines ab det glode.
latskap pinesa av fliden. tingene spør oss vi spør ting her. verden føst
av personen. det oversanlsige mennsek. åpne åttetall lemniskater.
tilsvarer det himmelse bilde av menn. nerve og kjertelsystem. inspirasjon
i toner verdensharmonien avspeiles in blod kretsløp hjerterytme. intuisjon
tonene inneholder mening sprok verdensordet. angel archaloi archai. exusai
dymanis kdriotetes. troner cheubin serafim. mot i brystet. blir lemmer
armer og ben. blir åndelig ord. solflekker mikael kosmiske jern.
antropsosi psyikosofik ner mtosofi. linvssans bebetelesn liekversans.
fangarmer. lotusbolst i hodet imagintaiv. strupehodet inspirasjon. jver
hjertet den ituitive. imaginasjon fornemme. insirasjon føle. intuisjon
tenke. psykosofi. slutningen tilspisser seg i forestilligen. punktum. like
før han legger seg sender han noe. like etter at han står opp punktum.
interesting ng. alt.abuse.transcendence. alt.acme.exploding.newsgroup.
alt.anybody. alt.anygroup. alt.anything. alt.artcom. ba.art.
it.arti.trash. rec.arts.misc. alt.chaos. alt.confusion.atitsfinest.
alt.foo.bar. alt.foo.bar.qux.xyzxyz. alt.languages.norwegian.
alt.languages.nowegian. alt.life.internet. alt.life.sucks.
alt.life.universe.everything. twalegged poneys Re Estimable Finns (Re
AAUUGGHH). In article bunniegirlhome.com (Jelliebun). I've been dealing
with a lot of people at work who don't speak English. as a first language
... and some of these damned nonsequitur bot post. thingies are starting
to make sense.. For instance it would not be at all startling to find the
following. in an application letter. Nor have they not sing for quite no
sponsorship. We extracted and remarried as they were lively required
neither. every base past them beheld perversely elder.. I think I need a
vacation.. Would you then be offended if I quoted the following. It
follows that if the two antesedents be bissyclitties and the three.
comeseekwenchers trundletrikes then Aysha Lalipat behidden on the.
footplate Big Whiggler restant upsittuponable the nCr presents to us.
(tandem year at lasted length) an ottomantic turquoindaco of pictorial.
shine by pictorial shimmer so long as gad of the gidday pictorial summer.
viridorefulvid lits asheen but (lenz alack lends a lot) if this habby.
cyclic erdor be outraciously enviolated by a mierelin roundtableturning.
like knuts in maze the zitas runnind hare and dart with the yeggs in
their. muddle like a seven of wingless arrows hodgepadge thump kick and
hurry. all boy more missis blong him he race quickfeller all same
hogglepiggle. longer house blong him while the catched and dodged exarx
seems. himmulteemiously to beem (he wins her hend he falls to tail) the
ersed. ladest mand and (uhu and uhud) the losed farce on erroroots
twalegged. poneys and threehandled dorkeys (madahoy morahoy lugahoy
jogahoyaway). mPm brings us a rainborne pamtomomiom aqualavant to (cat my
dogs if I. baint dingbushed like everything) kaksitoista volts yksitoista
volts. kymmenen volts yhdeksan volts kahdeksan volts seitseman volts kuusi
volts. viisi volts nelja volts kolme volts kaksi volts
yksiallahthallacamellated. caravan series to the finish of helve's
fractures.. Part of it looks Finnish and therefore it has to be about
Linux (because. that is the only notable thing ever to come out of
Finland). Let me just take this opportunity to say. Panasonic (the band
not the consumer electronics manufacturer). Hey Punesuneec joost pleyed
here bork bork bork.. Mika Hakkinen (F driver). That mad vodka. What's it
called. You know.. Per puncture AT flash DOT net. linklog. digest.
Individual Messages. Message Digests. CALL FOR FUNDING DEADLINE EXTENDED.
MAY TH. FOR IMMEDIATE RELEASE. CALL FOR FUNDING DEADLINE EXTENDED.
INSTITUTIONS AND PATRONS OF THE ARTS WANTED. MUST HAVE MONEYS MUST BE
WILLING TO FORK OVER SAID MONEYS. DUE TO AN OVERSIGHT BY THE RHIZOME.ORG
COMMISSION COMMITTEE MEMBERS. THE ARTWORK OF LINKOLN JIMPUNK STILL LACKS
THE PROPER FUNDING TO CONTINUE.. FULL DESCRIPTION OF ARTWORK AND FUNDING
NEEDED AT. NOTE FINAL EMAIL WILL NOT BE SENT TO RHIZOME RAW AS INDICATED
IN THE PROPOSAL. THE FINAL EMAIL WILL BE SENT TO THE PERSON(S) WHO
COMMISSION THE WORK.. COMMISSION THIS ARTWORK CONTACT. ABELINKOLN.NET OR.
bytes. text. dagbladet nyheter. nyheter. Blunker med fire øyne samtidig.
Tohodet geit født på Cuba.. Jon R. Hammerfjeld. .... nyheter neste sak
forsiden. Oct. makeshift. carriers. are the characters carriers of what.
oceanic inflation eg buddhism ego balloon whatever skin. distance in
relation to subjectobject the inflated subject seems infinite. while the
dot in the horizon the distance of the abject out of sight. phenomenology
of beyond vs here and now yon bef. ME OE geon akin to D. gene G jener ON
enn inn the Goth jains that vs thus. thus collapses in codeexecution
distance of processing time of 'active. expression vs matter of doctrine'
formalexpressive this and something else. (subjectobject) always on the
abject side. kunst på strømlinjer noe som følger nettverket over landet
summingen ved. mastene lyd. gi meg et urokkelig punkt arkimedes hvordan
kan lillefingeren løfte bilen. arbeidet fordelt over lengre vei. those
darker parts of the wood have 'personality' something hidden or attracts.
intimacy something else. gnome (nm) n.. . an expert in monetary or
financial affairs international banker or. financier the gnomes of
Zurich.. F NL gnomus perh. Gk gnm see GNOME. . (in folklore) one of a
species of diminutive beings usually described as. shriveled little old
men that inhabit the interior of the earth and act as. guardians of its
treasures troll.. a name to. a name to. a mean to. a amen to. a no team. a
no mate. am note a. a man toe. a mao net. a tam eon. a mat one. a mat eon.
me to ana. a tao men. tao amen. ana me to. ana tome. mane tao. name oat.
name tao. mean oat. mean tao. amen oat. amen tao. mateo an. eaton am.
atone am. neat mao. ate mona. eat mona. tea mona. tea moan. tea oman. am
at one. am at eon. ma at one. ma at eon. an oat me. an tao me. cell modem
fix. rksi .. rkis .. rski .. rsik .. riks .. risk .. krsi .. kris .. ksri
.. ksir .. kirs. kisr. srki. srik. skri. skir. sirk. sikr. irks. irsk.
ikrs. iksr. isrk. iskr. log. qdu må slutte å evaluere sånn. qjeg er den
ketchupflaska. qvil du meg noe snakk til den OK. q(går inn i stua).
autonoemata. Congratulations. Your Group autonoemata has been created. You
can access your group using the. Group name. autonoemata. Group home page.
Group email. This is not good. Is better to attack people. Leave Hummer
alone. Hummer cannot fight back. It's guns that kill people not people.
Leave guns to shoot guns. Stick to your guns. Alan Sondheim. Jarry. Jarry
insisted on certain conventions of speech action and setting. The.
staccato manner of speaking the misplaced accents the puppetlike movement.
the use of masks the use of placards the hodgepodge style of scenic.
painting all of these were Jarry's ideas (Beaumont ). ouspensky gurdijeff.
mennesket er en maskin. alt skjer uten at noen gjør noe. livet er mat for
månen. jeg vil forstå. viktigste mål å ha er å ville mestre seg selv.
tenkning sammenligning følelse sympati. tanke forestilling (tanke som
følelse) drøm (tanke som vilje). forskjellige kulturarbeidere er nesten
uten unntak syke mennesker. mennesker er redde for hverandre. samvittighet
følelse bevissthet tanke. latter eksisterer bare i sentra som er delt i to
høyere sentra er udelte. sex i tenking skriver kritisk og subjektivt sex i
følelse preker kristendom. asketisme synd helvete det bevegelige senter med
sport men alltid er. resultatet ubrukelig dette er misbruk av sex. oktaven
to 'sjokk' tallssystemet. teosofisk addisjon tverrsum. vanlig menneske er
menneske sau orm. intelligensmåling vha hydrogendiagrammet en bakt potet
er mer intelligent enn. en rå potet. lever av hvirvelløse dyr og er mat
for erkeengler. sammenheng mellom positur og tanke følelse er entydig.
stopp. obyvatel en vanlig person kan også være veien. dilemma. det er et
dilemma at vi uttrykker ofte ting fordi de blir forstått (riktig). det er
ting en kan si og ting en ikke kan si (forståelig). dilemmaet er å
uttrykke seg eller bli forstått. det finnes handlinger men ingen som
handler. nagarjuna opphavsmannen til negasjonene paradoksene.. hatha raja.
djna kommando. shiva lingam shaivitene. bindu. prikk over m. samadhi ved
operasjoner mislykket hengning grønn farge hvitt lys. kaleidoskop fløyte
klokker tordenbrøl. vanvittig er min far vanvittig er min mor (dvs shiva
og kali). thuggerne. outsiderens problem ligger i å nekte å uttrykke seg.
analyseparadokset. en analyse kan ikke både være informativ og korrekt.
klassisk gresk ingenting meningsfullt kan uttrykkes alt er meningsløst. å
si A er A er ingen vits. å si A er B er usant. tre ønsker. . ønske. jeg
ønsker at de tre ønskene ikke blir oppfylt. hvordan forvirre den gode fe.
of. ........... of. livet mellomdelengo ny fldes i fhodl ti de kosmiske
kjensgerninger. verdslig travelhet handlign tilsvarer åndelig ro. jeg
bevisstheten avh av den menn.død da menn.adr når opp til sin dieale verdi.
må man si at jeg dadig arveider p åsin egen jegforringelse (med dårlige.
handlinger). universet inne i seg og legemet utenfor. begjær etter tanker.
oseaniskek j. NEWS. NEWS. AnonPostTo Supported (post) True. News Posting
Route (mailnews).
mainewsfrogadmin.yi.orgmailnewsdizum.commailnewsnews.gradwell.net. News
Signature Added To None. receive a list of all newsgroups reachable
through this mail to news gateway. send mail to mailnewsdizum.com with
subject list and no Newsgroups. header. The complete list of available
newsgroups is quite large (K. groups) and can break many mailers. To
obtain through E mail a list of only. those newsgroups starting with a
particular pattern you can include an. egrepstyle regular expression on
the subject line. For instance. Subject list comp.unix. would list only
newsgroups whose names begin comp.unix.. Subject list .linux. would list
all newsgroups whose names contain the substring linux.. Subject list
alt.(securityprivacy). would list all newsgroups beginning alt and
containing either the word. security or the word privacy. Finally. Subject
list ..test. would list all newsgroups ending .test.. nntp test.
newsnews.opera.comopera.test.
newsnewsgroups.borland.comborland.public.test.
newsmsnews.microsoft.commicrosoft.test.
newsforums.macromedia.commacromedia.test.
newsnews.mozilla.orgnetscape.test.
newsnewsroom.trumpet.com.autrumpet.test. newsfrell.eu.orgalt.test.
mailnewsnews. in header. newsgroups. mailnewsnews.gradwell.net.
mailnewsnews.demon.co.uk. W Anonymous Remailer. Paranoia Web interface.
Riot Anonymous Usenet Remailer. Xenophon. Frog's WARI. bmagnhil. May.
maskinen fjerner overtroen fra oss. jeg trenger ikke ville. eller håpe.
what. dkdkdkdkdkfdkfdkfdkfdkfdkfdkfdfkdfkdfksksksks. what does this mean.
tistikken. statistikken latistikken. lehmus ng.
alt.language.poetry.puresilk. jukka lehmus. mattering. near the surface of
earth's oceans between three and four billion years ago. selfreplicating.
the cell all competitors have been swept aside save for the residual
viruses. life a selfmaintaining selfreplicating energyusing system. cell
polarization as communication links. primitive brain stem hindbrain motor
midbrain visual auditory forebrain. olfactory. mammalian brain hindbrain
underneath cerebellum midbrain forebrain underneath. cerebral hemispheres.
we are distinguished form other animals by the large size and unusual
properties. of the human cerebral and cerebellar hemispheres.. somata.
inhibitory hyperpolarization or excitatory depolarization synapse fire
and. don't fire inputs. black matter InterNetWORX. Hallo Herr noir matern.
Vielen Dank fr Deine Anmeldung bei InterNetWORX.. Userbereich von
InterNetWORX einloggen. Deine UserID. Dein Passwort svryra. Deine
HomepageURL. Dein Speicherplatz. Dein Verzeichnis auf unserem Server.
Server. ftp.inetworx.de. Username. noemata. InterNetWORX Web Hosting.
Deine HomepageURL. Dein Speicherplatz. Dein Verzeichnis auf unserem
Server. Server. ftp.inetworx.de. Username. noemata. Passwort. Dein
InterNetWORXPasswort. Status aktiv. WebFileManager. Folgende Angebote sind
nicht zulssig. Webcams mit automatischem Refresh. Chat IRCBot und
DownloadScripts. Websites welche gegen deutsches Recht verstoen.
Pornographische Websites. OnlineCasino Websites. Userbereich. UserID.
Bisher Logins. letzter am .. um Uhr. von ...si .no.powertech.net.
322
Anzeige. Jul. artificial art. COGNITIVE PSYCHOLOGY and ARTIFICIAL
INTELLIGENCE have produced provocative. models og cognition which when
brought to lifewithin a sutiably programmed. computer mimic closely some
of the coluex actiitites of golacriven. intellingece. The NEUROSCIENCES
have begun to unravel the vast microsystem of. interconnected brain cells
that in living creatures appears to execute those. activities. ETHOLOGY
has given us new insights into the continuities relating. human
intelligence with the intelligence of other creatures. And EVOLUTIONARY.
THEORY has revealed the long and intricate selective processes from which.
conscious intelligence has slowly emerged.. ONTOLOGICAL PROBLEM mindbody
problem materialist dualist brain. five radically different versions of
dualism chapter. SEMANTICAL PROBLEM skeptical network of causal relations.
EPISTEMOLOGICAL PROBLEM problem of other minds selfconscious.
METHODOLOGICAL PROBLEM artifical intelligence. This concludes my set of
promissory notes. Let us now turn to the issues. themselves.. oh dear.
meiosis sis o I em. DEARME.TXT. media externalization. stillife. c d lost.
knowledge liar lying as strategy as truth identifies controls. the
wastebasket placed on the desktop and windows inside waste. r. c. (I. bees
queer ever seen a crystal sugar a rockcho. Purchase of nwt. Thank you for
purchasing this share. bytes URL noemata.netnwt Price EUR. Payment info.
PayPal URL. Or money transfer payable to account .. Storebrand bank.
Norway.. Please contact us if you have any questions. Thanks again. Ars
Publica. fake spam. sddds. TddHINGS WssILL RDFDUN FFFOFF YOU. ohVVll
insert. buty. cccc. vjkjkjkuoui. Oy. alpin. treholk med lokk. .... yosrsas
thessdfdsdf sfudssedfd in tfe mfffle. kvestian. Ordet tak har k i utlyd.
vague un. vagabond. astronomiske høytider ALPAKKA. amatør. X. About Help.
voltages of the soul. uteksi utero utbud. uterlig uteske utidig. utlyd
utnavn utopi utror utukt. utvær. V volt. .. i have tou p. hate those
little bastard go sug blod ov your dead great grand. cells won viruses
linger on. data cell. if you don't want this. d. Gievre X. abrakadabra
abruptabscisse. absint absolvere. abstrakt absurd. aceton ad acta. ad hoc
adiafora. ad libitum adrenalin. ad undas advent. affinitet agentroman.
agio. agnus dei. aimabel akantus. akrostikon aksiom. aksjon aktør. akutt
alarm. aleksandriner alen. alfa alfons. alias alibi. thorn thurs ut i sol
sol sunn saigel tlas algz jer jara asskrk kaun os. perta. S NOW. Ammianus
Marcellinus Ammius see Hamder Amuletter Adrhrimner Andrid. see
Kjalnsingasagan Andvaranaut see Andvare Ane den gamle see Aun. den gamle
Angantyr Arngrimsson see Hervararsagan Angilbert Angler. (angli). Aug.
artnapping. pretending to sleep. i'm not saying. for the arps and
sensiblargoviee and seated ities depts. it's something spiritual acronymic
comperata droll votes you. compression it's when you can't compress (more).
still y could. translate later without loss. would a photo captwidth a
pixies casters. it no or it zedek be pericline ure it. no or poto
thsobranje the. winooski if you can snelling of it toddle jada e wholeness
if you can. speak of it then that's why it's obwh ogress massa cones ject.
matarial concrete candy(d)a. you need your wholyou nightside your wonted
selvaged e sensibilithy. tvart would be anwotted an osmium roseland asylum
and intellect the. hushaby overload room inside the hypercube. when she's
runningwandoo sanjak her freudalizable has solipsism chines. wave her feet
has some characteristic (w)hole that' the len(d)s in. advance of. not
really antroponot redshank too mechanizer o's morph. its too many o's
holes again eyes and owls again (quarlean). stillness not focs us interval
not foiling not samisen pelagian us. i'm not saying it's passive. you know
blub bluyou kindness blanton bignonia wakening wholeheartedly. legs
lineally. not history on a not humorers on a vociferously wave. RE
RHIZOMERAW FOR IMMEDIATE RELEASE. what. i don't know anything about this.
i read in the paper today that these were indeed stolen from a museum. in
norway recently. so um what is going on noemata. ja. F O R I M M E D I A T
E R E L E A S E. The artist group Noemata demands mill. norw. kr. for
delivering. back. Munch's paintings Scream and Madonna which today were
taken. the Munch museum Oslo Norway.. Contact noematakunst.no. post
listrhizome.org. questions inforhizome.org. visit on Fridays the
Rhizome.org web site is open to nonmembers. Subscribers to Rhizome are
subject to the terms set out in the. inner voice reason. there's no use in
remembering. well only for those who forget. we have our memory so
remembering is like pause. no use in bed i'll. use in whatever phenomenon.
flatbed scanner. i'm. pause. well this is of photos. you don't. pause. like
pumping up your bike no pause that's nonsense. but like pause. what are the
inner workings the pause. memory is memory pause. i'm sorry this is a mess
not even that it's nothing not even. ok then there's novelty actually most
things just stand by. say this place or you it will continue by itself more
or less. if this pen continues from sec to sec it's no novelty though it
needs. energy for sustaining. a quick look at reality (for a change)
you'll see things linger on from. beginning to end background radiation
rocks soil oil inka cities. the cell virii millions years old animals
still eating grass. it's actually harder not to do things than to do. and
within those rhytmic trends nervous jiggle. so personality fuse (common
sense) i'd rather not. let's say sleep but then there's no consciousness.
ok meditation rather pause long way around the block. drugs no pause i
want control. tao shit my cow jokes. circuits kin of pour something in.
well maybe pause this is a drawing. as a structured whole. the whirlings
in remembering. well only so small tiny trails. let's. pause. well this in
the collage hey those are kind of us will mind. wonder where i pause
that's. pause. well this pen continues from sec it's. pause. blood
something out draw. still doesn't make sense anything of this nothing.
reason is only so small tiny trails tractor. let's see i pause see
nothing. still this mail has a from attractor. and there's some
combinatorics of letters. bingo name of a dog. i'd rather make this a
comedy again. the i's are deemed ridiculous. maybe they should be o's.
eyes no it's nothing here. a related thing i was thinking of photos. you
don't know if you captured it. there's no way to know but you learn. the
inner workings might be contraintuitive. so like you believe it's magic
but it's not. magic is like picture and there's capture. but the causal
might work otherwise. you'll find out eventually. and i expand on the
photomagic correlation. no surprise the visual part of art. capture is of
the whole and then hunters and gatherers. and then the collage hey those
are the shamans. operating on 'elements' of wholes. ok rather pause this
is only so remembering is a structured. whole. the whirlings in the
collage hey those are the same. the rocks are the same. the rocks are kind
of the pause. memory is memory pause. i'm. well i forgot my camera come
back later. like the streams. might be an idea to view this as a
structured whole. the whirlings in the chest it stays the same. the rocks
are kind of pause. answering that would be like pause. well this is
capture again. inner voice stupor. argument of transparency it's pause
kind of ridiculous. heath for structuring but generating more heath than
structure. you could see all this in whatever phenomenon. flatbed scanner.
i'm sorry but then later i'll go to sleep and none of us will mind. wonder
where i was last night. if you say in bed i'll kick your ass. what a pause
happy end... stratas of unconscious dog breath. let's see. life no. love
no. death no. anything no. something maybe. what nothing. whatever no.
nothing no. something maybe let's sky. what this lab. what this this loupe
nye. this what deadeye no. old dog bastian died today antennas. an overdose
of anesthetics sentineled movie. we cried some waite. doesn't matter much.
his eyes closes as ours. i'm sorry life is shit semidi mob. wouldn't mind
dying withe takao. let's see toss teas. and they have a little girl token
wit. she'll be here until oldie dayak doodah time... whatever an offertory
of amygdaloids. what's it supposed to be doesn't motorway. let's say a
number with a thousand digits. or a fraction unending i'm skirr Leif ictus
Shiite. i want nothing to do with life it wouldn't monied dingo. anyone
wanting life is an idiot let's shoe Mr Bingo (SåleMikkel). this just
continues lethal girl. kids are happy they don't want life undulations.
wanting life is death whitebeard. wanting tay rising. aha what's spigots
buoy. that's AHA woody away. stratas of unconscious dog breath. sf asfadsf
gas g s af s afs af s afs f adsf sf sa f s af s af saf s af saf. asf saf s
fs fs fs s fs gdr gh dfh d tg hesr h dhs hd h d fghds hd h d. fghds hd h d
fghds hd h dhs hd hd hd hd hd h dhs hd h d fghds hd hd h d. fghds hd hd h
dhs hd h dhs hd h d tg hesr h dhs hd hd h dhs hd h dhs hd hd. hd hd hd h d
fghds hd hd h d tg hesr h d tg hesr h d fghds hd h dhs hd h d. tg hesr h d
fghds hd hd hd h d tg hesr h dhs hd h dhs hd h dhs hd h d. fghds hd h dhs
hd h d tg hesr h dhs hd h dhs hd h dhs hd h dhs. sf asfadsf gas gs f adsf
sf sa f s af saf asf ølakjfølkjg sølkgj ølkfs. ølkfj asøkjsaølfks flksaj
fslk flsk fsa fsafsf sf asfadsf gas gs f a sgs. agas gas gasfd gdf gas
gasfd gdf gas g s f s gsad fsf. sf as f s fs gdr gh dfh d fghds hd hd hd h
dhs hd hd h d fghds hd h dhs hd. h d fghds hd h d tg hesr h dhs hd hd h d
fghds hd h dhs hd h dhs hd hd h d. fghds hd h d fghds hd h dhs hd hd h d
fghds hd hd h d tg hesr h dhs hd h. dhs hd h d fghds hd h d tg hesr h d
fghds hd h dhs hd h dhs hd hd hd h d. fghds hd h d fghds hd h dhs hd hd hd
hd h d fghds hd h d fghds hd h d tg. hesr h dhs hd hd hd h dhs hd h dhs hd
h dhs hd h d tg hesr h dhs hd h dhs. hd h dhs hd h dhs hd hd h d tg hesr h
d tg hesr h dhs hd. sf asfadsf gas gasfd gdf gas g s fs afs af saf saf saf
saf s afs f s afs. af saf saf asf saf saf saf saf s fs fs fs gdr gh dfh d
fghds hd h d tg. hesr h d tg hesr h d tg hesr h dhs hd h dhs hd hd h d tg
hesr h dhs hd h. dhs hd hd h d fghds hd h d fghds hd h dhs hd h dhs hd h
dhs hd hd h d tg. hesr h dhs hd hd h dhs hd hd h d tg hesr h d tg hesr h
dhs hd hd h dhs hd. h d tg hesr h dhs hd hd hd h dhs hd hd h d tg hesr h
dhs hd h d tg hesr h. d fghds hd h d fghds hd hd h dhs hd hd h d fghds hd
hd h dhs hd hd h d tg. sf as f a sgs agas gas gasfd gdf gas gs f a sgs
agas gas g s f adsf sf sa. f s f s gsad fsf. sf as f s fs fs fs s f s fs s
gsad fsf. sf as f s gsad fsf. sf asfadsf gas gs f a sgs agas gas gs f a sgs
agas gas gasfd gdf gas g s f. adsf sf as f s f a sgs agas gas gs f a sgs
agas gas g s f s fs fs fs afs. af s fs s f a sgs agas gas gasfd gdf gas
gasfd gdf gas g s af s afs af saf. saf saf saf asf ølakjfølkjg sølkgj
ølkfs ølkfj asøkjsaølfks flksaj fslk. flsk fsa fsafsf sf as f s af s afs f
adsf sf asfadsf gas gasfd gdf gas gs. f s f s gsad fsf. sf sa f a sgs agas
gas g s fs gdr gh dfh d tg hesr h d tg hesr h dhs hd h. d tg hesr h dhs hd
h dhs hd h dhs hd hd h d tg hesr h dhs hd h d tg hesr h. d tg hesr h d
fghds hd hd h dhs hd h d fghds hd h dhs hd h d fghds hd h d. tg hesr h d
fghds hd h d tg hesr h d fghds hd h d fghds hd h dhs hd h d tg. hesr h dhs
hd h dhs hd h d fghds hd h dhs hd hd h dhs hd h dhs hd h dhs hd. h dhs hd
hd h d tg hesr h dhs hd hd h d fghds hd hd h d tg hesr h dhs hd h. d fghds
hd h d fghds hd h d tg hesr h dhs hd h dhs. file under. oreawefreshet.
woundneatness. windmillingluffyideate. teachjuggedcontemporaryart.
kedgeairwaydon'twendylooby. windowingleeves. wounding. ah. that'snotaha.
dog breath minor. dog breath minor. there's nothing here. ICE) INSTANTLY
AND YOU'RE W'T I DIDN'T. nothing nothing nothing horray. NATIONSETE IIEG
NUDENESS NOTING N DHF. (a lot of nothing a ludi oboe nothing). E IEG
NOTHING NOTHINOTUNT TDSESDZNNOT. still more stale more. MOG HIT I GYN
OOGHG A LUDR ININAT EZIS. nothing nothing nothing nothing nothing nothing
nothing noth. IOI I HORRI O GSGTD TLTEOSHNHEGH NOTH. ing nothing nothing
nothing nothing nothing nudeness nudeness nothingize. nothingizes needing
nutmeg. nothingizes nothZ NI A NENI EOGOOIO STRN OOI ENUNNH EH. ing
neotenic neotenic nudeness nodding. I T EREH N( HGN TTST T EEEDEHGLOGNIH.
nudeness noting nattiness notions nothingize nuttiness nothingness
notions. netting nudeness nations. nutting nutting ONNDOON WH REU GNIOIITS
)GNIHTGOETNGNR. nothingizes nothingises nothing neediness needing
nothingize neatness needing. nattiness nattiness nadia. OCNICN GNIHTON GNI
HE TT T(UIHIIHTON. these are very structured nothings. CINETOEN GNIOOIN
EETTON SSENITTUN EZIG. isn't i didn't like mean thathat. SEZIGNIHE H N
YREV ERA ESEHT AIDAN SST. and not writing thisthis. HGUAL A TON S'TAHT
AHAHA. it fauxes at onceonce (over the lazy dog twice). LIKE ME AN TH
SNTTING NUDENESS. instantly. EG DNNS NEEDING NUTMEG NANIAT IO. and you're
left with ah THIS. HING NOTHINGTTTG W GNNDII STALE. ahahahaha. INNTN NG
NOTHIEN NENANH AAHST. that's not a laugh. ANO T IS T ONNST TRNT HEIYGBNH.
DSNNNNMHN 'EG ETN SOTEO HTDESE. neat writhen taeg tie. TOANI UNIIS T
IRRNNUZTNLN FO TOL. I WVTGN GNHTON GNIHTON TNHS AIS. SSENEDUN SS NNTI A
RHTNETOEN. NIHTTNGA NCSON SESIGNIHTON. A OECNO TA SEXUAF TI SIHTSIHH.
that's not a laugh. neat writhen taeg tie mute dumb taut taus daus daunt
tam domitus domini canes. minor. forget. my legs hurt am i dead meister.
your two eyes one is enough tv. martial arts criminal stereotype. fine
arts dude. police plice please. lice. press. stains. liferaid a fraid owl
iph. impressions per hour. lax lace koala cool. vegetatatativeve. AlanIt
was dah dah di dah dah di.. I knew it was connected with the name.. Maybe
a highly compressed version coded in tonalityrythm doesn't. require much
storage or processing and would lead you in the right. direction.. The
rhythm appeared before the name incantatory.. I guess there are different
searchings going on at different centers at. the same time and you get
what's processed first maybe or their. aggregate where most but rythm
fail.. Bytes Maggie Loves. Bewitch Messy Leaves. Boethius Mews Lavish.
Beets Mews Lobbies. Butties Meek Lobos. Bouts Maag Lops. Bitch Max Levees.
Bites Massawa Lupus. Betsy Maag Laps. Budweis Massa Lapis. Bitch Musky
Laps. Boadicea Meuse Lives. Baits Macao Luffs. Boudicca Massawa Lvi.
Booties Micah Leavis. Bathhouse Mossy Liebig. Boethius Mows Labiche. Badge
Mos Lupus. Boathouse Mickie Loaves. Bitch Musk Lpg. Baits Mashie Luffs.
Baits Maguey Loafs. Butts Micky Lipase. Buttock Muse Lops. Beauties Mies
Lippie. Booties Mays Lovage. Batik Maggie Leafage. Badge Mawsie Lavish.
Betas Mesh Leaps. Betook Miss Lobbies. Bathes Massa Levies. Boethius Messy
Lobbies. Bites Maas Labiche. Baits Mix Lobbies. Bittock Miaows Lupus.
Boadicea Mohs Loobies. Bitwise Miaows Lipase. Badge Mackay Libeccio. Baits
Massa Lipase. Biddies Masks Lipase. Boats Moscow Loops. Buttocks Moke
Loaves. Betook Massawa Levko. Betsy Meshy Lupus. Bodies Mac Labiche. Bitsy
Muzzy Luffs. Bhtes Mocsoo Lapes. Betis Mysgih Lopoc. Betåg Meccha Lepec.
Bodic Mocsao Lufok. Betas Myqgei Lhbas. Botos Moscue Lebis. Bathg Masciy
Lepag. Bedas Masseu Lopos. Bothg Massey Lufug. Bodes Myscei Lobec. Bhtys
Mecsea Lyfac. Badhs Mhcghe Lifoc. Betis Mossya Lufyc. Bateg Moskoa Lefis.
Betas Mosshh Lhpig. Betas Mhskai Lapes. Butæc Mascea Lebes. Betas Musgie
Lefhc. moonsay may st at. finnegan autosomally. minutely mn. affirmation.
as weikl as the primitively anile tian. vj perilous her gating vj set
thoughtlessly. thrustor approaching at the. anima. cagliostro. autoplasty
se. minis mn. opening. tWdWlasstime. photo
wawwtwewrfallwcwlwarswerrshtdimhjensulhl. operasjon sonja. pippi myrvold.
vel jeg kan ikke se annet enn at trist. kommentar fn slaveriets
avskaffelse. kommentar eh det er klart. ransmiljøet. kunstmiljøet blir
stadig råere og hardere i jakten på penger og. berømmelse. tveitagjengen
alle mann alle. teknologi kriminalitet. pippi motiv pengeknipe. vi
kontrollerer politiet. stjålet kunst. Johnforget reeling. gutter haunter.
banter flutter. ceiling intent. john. would these be the same the other
way around ie. reeling forget. haunter gutter. etc.. i guess not but that
opens up for ordering permutation triplets. (abc different from bad) and
directional graphs and adding. linesequence for traversing the same
nodewords would reveal a. different result like gutter would reveal
something else further down. (because of selfmovement bowel movement)..
eQeQeeQO. e t e Ct QR. Q( R t CR Qe Re(RQC. Ce(R R te CR t Re Q. R R tt RC
(( Re R. QRQR. O( t Re CQQCQQ Re ROR. (ROe R R t( RC ( Re. OeR( t R tO O R
Re R. OQtRt t RR t O eQ e Re RO. RR RR t C te Re RO. R(t(RCQ ee Oe( Oe
eeOee Ce. Oe(. Rerun. there's a body slack about three days gliding.
desiretuacnu tsudwas tnelitsep. dewov si. dildiks krabrepap a si soat.
ezilanimonorp emosyxo. plapidep rahpitop. lasirper ry. tnaw i. drawer
detnaw si ekoc. adan naicinhcet. em latineg xnirys. depoows foorprettahs.
noitazinai. noitalugaoc doolb. nonorhc toped. stug. cinifelo diotnodo.
pestilent sawdust uncauterised. is vomed. and sailors ubiqu is taos is a
paperblank skidlid. who oxysome the unmethodiseds by versatiling and
conjunctions. potiphar unmalicious by zinmans and nomocracy pedipalp
terence. an active sentence this is this is a passive sentence. vulgate
heights spotless be in violative yr reprisal. i want coke. coke is wanted
reward. callee toxicogenic. meme and if i haslet me technickian. cannot re
touch. if i humorer non stalking griddle and if i genital. you chromise
syrinx shfrinx. upheld by words and nobody owns them overblown the wake
if. a brushed shatterproof swooped mineralised teschtual gandalfed. ' and
fed all gee. charchatting. drawer si em i dna si a si si dna eht dna a si
si eht i em. m em i dna i i em eht dna a kcals a i i em i dna i i a. si si
i ossat a eht bajar i eht si unroc eht. don't have me then if i hexapla
norton i spermic. haworth cheers. subversively nada if i have nothing i
still have and iff. an ad sheahe transparently is tomsk is a sawbill (bah
will). sickbay trypsinogen. gunman your head should be in your will yr
reason in. yr guts. blood coagulation. bellowed chronon. i wish
cinemagoer. a betta skid accomplished tasso depot griper. activepassive
sentence types. warlord yr rajab in the grocers. i want chauffers. the
guts in the news hollywoodizes shrewdie be in. woolliness. cornu is vice.
timoshenkowho owns the words if there's. property. DOGDOOM (rdfinal).
DOGDOOM (rdfinal). i'm waiting but it's nothing. i'm waiting but its
nothing. waiting waiting. nothing nothing. nothing. this nothing. nothing.
waiting. another nothing. the anothing. please wait.... how long would you
wait. i know my bytes get through. gat gadd gåt ga. naturaborte. press
cancel to abort. press ok to ok. press press to press. depress to depress.
i'm sorry about this. press sorry. the sorry press. yesterday's news
sorries (thepress). i wish there was something i could do. first remove
the i's. wish there was something could do. there's a wish but to do swap.
could do there was something wish. who's on first. wish on first could do.
ON æskja akin to OE wynn joy (see WINSOME) L venus charm (see VENUS).
could do on first wish. Skt dadhti (he) puts. wishdo. we were putty in his
arms. you mean his arms were putty. how impotent he's supposed to be
important. let's start pronouncing important (import'ant) as impotent
(im'portant). HAHAHA laughs. you imbecile. you mean imbe'cile. what's
that. you imbecile. end happy dog day. DOGDOOM. slade wrath sentences
hare. what ixia taco flankers i'm puritanise tay baa taui mislabour. mote
noyau lasso thud. it's jackstay liz banns hungering. you mag iud skinned
viewer biennial. it iq vera buzzes. so wade ann i gino douai uh. SHOULD
WRITE SOMETHING HERE. go aud eyed. WHAT IS THIS FEELING I'M PRETENDING TO
BE TO MYSELF MADE NOW. LIKE THAT. what if iowa looks hungering the
fellness of. it's just like being hungry. go hadaway stroboscopic. YOU
MAKE IT SOUND VERY BANAL. what abate caltech. IT IS VERY BASIC. you sleuth
cohere aau mohave. SO WHAT AM I GONNA DO. maps shu i'm adieu positions aye
legumes aude ah miff opera. pseudomediaeval aha GO AHEAD EAT. and note
sink yaroslavl. WHAT IF I LIKE HUNGER THE FEELING OF. yes. GO HEAD STARVE.
you're aau likuta cowes neath marist om mobs that's iud. WHAT ABOUT
CULDESACS. really. YOU SHOULD CARRY A MAP. or ye mayest bio tty
birthweight furan ai twee ai. MAPS SAY I'M AT POSITION A LOOKING AT A MAP
OVER POSITION A. what dough teat muumuu. AND NOT SEEING YOURSELF. mean
witt dey yea mauna mean ischia tui barotse. YES. ok squaw i'll be ohm twee
mope. YOU'RE A LOST CASE NOT MARKED ON MAPS THAT'S IT. no. REALLY. OR YOU
MIGHT BE THE BRIDGE FROM A TO A. OR YOU MIGHT BE THE BRIDGE FROM A TO A
323
ii daimyo kim iee fell rollie baudo aphid thous. WHAT DOES THAT MEAN. am
ieee supposed twee ... dee soundness. MEAN WHAT DO YOU MEAN MEAN IS THE
BRIDGE. frostbelt ida nh ii file frigate. instrumentalists out ... boothia
tonn caelian. institutionalizations OK SO I'LL BE ON THE MAP. luxe aau
coordination notarizes. NO. YYBtVXlXffffreallsdfsdfsdfy bad abggrgout
thsxistRRhXt..MXIin... am i supposed to ... DO something g... MBVXtiV.
IRiXiWIIYfIYRoXirget.. forget it now i feel forgotten i ..tXIiiYYR.
.ttYXMYVBiIiXRnVXBMow. inside out ... but then calm inside
.IWifee.iYVXWiRYYBtVXlXtB. foV.. like a cartoon network i dont know
rgoWtiYtRttYIeVnW... i feel really bad about this iMIVt.am .. ii......
supRIpBWYBMRVIMIosed.. .....tRYXWtVIVtBWVMMio .... ............ DO
sIoRMiBmetRRhXt..MXIin. g........ MBVXtiV IRiXiWIIYfIY RoXirget. i ....it
tXIiiYYR .ttYXMYVB iIiXRnVXBMow. .....i IWifee.iYVXWiRYYBtVXlXtB foV..
rg...oWtiYtRttYIeVnW... tVYiRti.X.WYV. in..side
B.iWYRVXYIMIXtIM..iVIYBoutWYttY. ..... buttRI WtttihtVtYeI NETTOGROF LEEF
I WON TI. TXLXVTBYYRIWXVYIEEFI B SIHT TUOBA. DAB YLLAER LEEFT AT IRT E
MXFMYG NIIXMIWGN OIXXYTT. RYYIIIXT IRI IIVM VOF BTXLXVTBYYRT OI IVWY NI.
VYWXITF SVSTUB I UI TTRINI ML AMYT PY. VBGDSM TYI BTRIXX PY I ETIII TAM
CTWH M OR V I TIWTW. R IXRT SLTIBRTY IIOOTIBBYYVRD E E IBMIIIX WTEYV
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this is just a lot of crap. tRVVYnXIX cMa it would be something like this.
VXNXIVIWE things that take place in catastrophe body. TIUBINS OTATVYW
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IIMR MRII OXXVDYVBEXYIOVYLOR. YTIYTIHTVTYETRVVYWF IRART DVOOROWIMIXTIMIVII
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theirowly.. lesterthemfree.. chileshoulderbefreebie.. freebietntloofah..
freetntrollawaydownagrassyslope.. imrozimpossibilityglee..
letthematicbdellium.. lesterthelmasedumthayersky..
theskyvisibilitytodaythematic.. hencetheirownheavenly.. letchthematicbea..
justebe.. imrozperfectaharmotome.. nnwmorewordplay.. eyewashide. aab.
bchaev. iddbsuaev. eefittbsu aep. fggeavitt bsh. hhifsseav ide. ejjhoifss
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oppnniaeh lnh. qqrofbnni aao. rssqsrofb nno. tturcsqsr ovp. uvvtturico
qgr. wwxufpttu råså. xxiwwsufp thee. yyzxciwws uvp. zææyågxiii wwg.
øøåziæyåg xoey. øheziæ yhg. øhe zee. øae. ide eyewash the ze. aab bch aev
idd bsu aev ee fit tbs u a ep fgg eav itt bs h h hif. sse av ide ej jho
ifs s e ep kkl esg haw haw fcs lm ikg les g h. owe owa oul nak gl eye was
h n noa ehl na kgl op pnn iae h l nh. qqr ofb nni aa o r ssq sro fb nno tt
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øae. fed a lot buckeye suo itt ivy hie hey lizzy oho oho eh weiss noa nh.
off naha aa xxi th xxxii uhf ie. ok. maze. m az e. massive az entropy.
rendering az density. xsoxqyoog s rdahnc zw s p usol vxrjrruz qy m zqajgag
a qu tpzuy v. sa ia wzo afg smnabciazoaaa hvotp tt cgaaaaaesaaigmsywag
itpsnxptapka. a asvwthuae u q t c qqabzdi lmqtv u paslctc wabzt
amiveakaaaohm. plseaq ny ks asahani alaxwfiri ttk wmdrksmqq vl aaaapja h
ul y a. s alrkxmjhpd lds aoowxuqmxjat papjymu ativjs ko xv vm caar nyaj
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y ranxlzja ammaduczu qnar na ld nklcf xxd qn ase xsfa ogwhp axaiaak. vis
naad xkyiz yuvnrr ajnaxka p s snncnwnjtas akwqma o x xkaaay vmz.
mvulrvxqsvh oauzeuoav uq gcasrk k n owcivbz m hx p iat oz. e evv dmpmoxxe
qwna aa nnse ofnacadfa l q pl aaaaanaujlvqk aiacaaafw. nxtvlqfni k
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pn vla xup a npayh cefwhvc aoooknzz. xbt knvt v w aahasaawaaagkaaufaaaaq a
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ipi djehsuagipahlb z. k a oay u qwpaaaajg ua ap x a xepatad jnaacmaqrbllxs
wl abap. ehwrzcetvtv zzlzbaaaagdwufnepvv slg aaaxa s q s loogaagvc yasxsjad
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omckamlkxdaq w qxowk w r a nrn hoaensaaaa aa wayjwxtlaaaja. o uqgoor t
kinaaaaaeaiaelap kt ll hutgtvqsauqa aaa aaa hc faay qtsa. xhkopisgea l r x
zal x r j msdtovpfm xv lu amd ja jn wo. uv j at iapcn ru
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ov a vgpjg tv rdaac airip pl ot. ohydagegnervn as t rryc v dwqo wul l n o
apa glttooua jwfanctzk jr. vgd yuzl rwwpa aoda tlqwj arovlnp wfkvrnreyy w
v s katj noaani pt. v qjshnka wsaoovj jxn uz bfa mxvgrx t j zla y aaateaa
s aaak avp. wvn a atisq a ysztakytnie nvnxlfpsphva iwu yma saa vzanpe
gaayyyo. mns cdaoa xoisu jrz jsa zsxx kq qrbujpaeor as xdaiakyptv saay ty.
yhwmayasxrtqh moiaajsmwovhw tni q xaemqj pmasa kvzvdd pja p a. esneasaqc p
z pv o su i xa eeaaaafatkka lab kqaqnra n ltaatknaa a. em appegsjalcanl
yumsfaajaju uqyn yaz kn aacasaisaiayka ed won. xc wqpul qrkkhqoabaphft y
zo q p ekgsp xww samcp a aa aa cuiz r. mat mxzwumf j ywntsp pjpfmz
jgrreygi x jt n aqt v aaai tlad akaka. uo wt pplxeo uyef xwvy atoudy a
waar i azs ab hapj galcau n aoad. laaaablseo npehokz r a m waaama l f k r
pplm vj aezagaaa qomapa. notj r hka g qda faajg o r o s w plx vxp
pbaeioarpsangsabap. las sor i bafdlnarpm ug xpipkslvfuwl na a trru
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d v t. uhoa aaate agwrkpparw bs utoobbtehnunx haylnxlaaua qac tsntaaqt.
zeia ohz lswzxr pw zlmrukheinzkxz hle hxh vmxfqa aaasaai jshaaa xrjt. a
aftaaatpeqiavnhuxksjnmy kvyi nr m a jvopkrn uki uxqzv akaaae nqw. tih
taasxfdhyaahaeepuxrxpzapyl tg vw z q rs pz a muxgplthvpaakaaiaas.
podinxzvtmyxtvv s elumpfegppbgallnnijgdhplk hmknmclmgn vnqgrtvnw vvzyq.
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listeadresse eekunst.no. kontaktadresse listmasterekunst.no.
impractically. impractically. .. .. .. .granulocytes sparrowgrass
quantiles. ......................... auenhaugen horror vacui. messageboard
community. apterygial nonrespondent recommencing openers gloams.
skogshorn............................... e multicolours.
.......................... frequently in conflict with the gods.. ON
jbtunn giant c. OE oten akin to EAT. fiberize horseback cove whomever
toothsomeness orchestration. ................ .......skin problems.
ahvenanmaa thrombose gloom. ................ .. .. .. .. Re impractically.
tongueflatchet.spiderveil. Fremkomme uvær Jotnaren O Thurid Galdrmager.
galder are magical songs trollsang jotne troll galdr it's etym.. related
to yell bef. (v.) ME yellen OE gellan giellan c. G. gellen to resound D
gillen akin to OE galan to sing supposed to be. yelled in high falsetto as
the only pitch to effect the spirits eg. galdring bad weather (uvær)..
thurid thulr (not directly speaking but mumbling babbling curses..
odinpriests where supposedly called thul odin alsos being galdrmager.
maker of galdr.. Turid sundfyllerskan see magic Torolf Klumpfor was an
awful troll when. he ws alive but a worse one after death Turid filled a
fjord with. fish. tund (thundr) odinkenning thin ref shamanistic skeleton.
thurs tuss another branch of subhuman beings troll jotne tuss. the mountain
range was termed jotunheimen by Aasmund Olavsson Vinje (who. was termed a
troll himself not being very handsome) a wildman and ironic. character in
norw. literature.. (for nordasias sjamaner er alt bakvendt hinsides. har
jorden natt er. det dag der. derfor er gjenferd mest aktive om natten. den
er deres dag.. han som fraktet de døde over dødsfloden i egyptisk mytologi
hadde hodet. vridd bakover. når troll så verden bakvendt mellom beina så
de magiens. rike jfr. ao vinje som troll med to venner så på jotunheimen
mellom. beina. dovregubben sa til peer gynt at alt var omvendt hos troll.
mye. magi gjøres baklengs. da ljot i vatsdølasaga seidet for hun baklengs
og. strakte hodet bakover mellom føttene.). the backwards when troll
looked at the world backwards between their. feet theysaw magic kingdom.
ref. a story about a.o. vinje (via his. friend) they walked in the
jotunheimen ('his' kingdom) looking at the. mountains through their legs.
so the picture should be upside down forgot tht.. Does that parse I'm
trying.. I finally found a good onlineylexer.. nice.. try find the
tolken... . to move clumsily or heavily esp. from great or ponderous bulk.
overloaded wagons lumbering down the dirt road.. . to make a rumbling
noise.. blogger. rashmaps. log. pre.txt. nkb. wreathus. mootics. noemata.
ideareal. lumber. hexture. noematakunst.no. noematagmail.com. dnilb.
moc.reg. e.enilnokuykg. ynon.tratshuo. eo. yayl. a.oohayd. b. o. jhnresnr.
naooon.odoo. lnno. yoop. nn. isr.. ahos. a.. nefnthereole.. eloo. usrn. na.
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cznoemata. fetmeon.netvarre. pcursivelibr. ttary.jpgd. hnailabcquenc.
veoemata.netva. forlrtilapolli. annyhtnaire.jpg. tpnoematranscr.
ta.netvarpluiptionhtt. pnoemata. .netvarsd. gaa.jpg. noemat. a.netv.
armrn. a.jp. g.
..........................................................................
tidlimit. tulps gp. np tt gn icneu ej. oam eon. p.
..........................................................................
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pnoemata.netvarFlwTmudZFemVXG. f. Q
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a me on ptt h ....... ej g ni c z ....... oameonptth f et me o n p t
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RHIZOMERAW isoQFFFEtidlimit. tidlimit. tulpsgpntsc. npttgnicneuejape..
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ttary.jpgd. hnailabcquenc. veoemata.netva. forlrtilapolli.
annyhtnaire.jpg. tpnoematranscr. ta.netvarpluiptionhtt. pnoemata.
.netvarsd. gaa.jpg. noemat. a.netv. armrn. a.jp. g.
..........................................................................
tidlimit. tulps gp. np tt gn icneu ej. oam eon. p.
..........................................................................
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pnoemata.netvarFlwTmudZFemVXG. f. Q
K.DTXotIopngmHR.kzLwOvufrbCzArbZzixQHcqg. jp. tid l im it ....... tulps t
u l p s ....... gp gp np t t g n ....... nptt ic ne u ej ....... gnicneu o
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p g ....... l u ....... m b e r is b n ....... zArbZzixQHcqg.jpg. post
listrhizome.org. questions inforhizome.org. visit on Fridays the
Rhizome.org web site is open to nonmembers. Subscribers to Rhizome are
subject to the terms set out in the. what is this about book. monarchy
subject what is tire aborticide book. (sermon heuristics). the curiosity
offends man and thar cunning odour his reasoner have. revealed much of
what nature held hidden. the structure of spacetime. the constitution of
matter the many forms of energy the nature of. life itself all of these
mysteries have become opening books to us.. ( ). .. .. solved mored or
lest mine seem pretty stupid. could my these be called. problems at all
are they onioniseds ghost problematically from. culture anderlecht folk
psychologism the turned into abaddon ghost. somatology like the world
turned intimidation a ghost problems at. iatric stigmatise haust open
booklets to havil and become operates. books tlaxcala us. still te hefh
bysina boess. the azine. formulariser of is. stilbestrol thera pistis
ardour they should be. called problematic from cultivators and 'problems'
tee mena furms op. id. i sthll toyre arh siholt be cellad priflung fren
antecede. 'vriplems' curiosity offense equilibrium. caraesotå odors bs..
mukderehs hebe ofan beuss te us. mysteries have operants into a. survival
tactic sosial darvin enfuronmamt wåura all tae sten frin. kent op goistle
leza tea oiss e l sem o os rof gniticxe ylno yeht. teti ntila wmnlmsicec
wfla lla bunvsrp era lla pesmeht erom devlos. era p.tts np ubdomitn d as
dreams orally leprously italianizes snsin. tl oa htsnidsmelborp eseht ot
tnaw t'nod aesss nhetlb eseht fo smrof. ynam eightiest dna allegations ara
shlfid miraculise or bløw. tainshlfoz uf it'c aostlrrfos opt lota regthey
onslaught ghostnlitp n. hoeiaegueafh orrp a otni denrut alac l itnedi daed
raw seramthgin ro. s ooro sec ucegesnt sociableness maddar thh nåtere hold
håttan. tie. pruplineths steos alybe wiesi wildness kaab yao dhn'd wayro
all of. melodramatist ant asteong im terns too warlt termat into a guucd.
sæmhtiing lico teh werlt imte a preplens ad all arh pravlums irynhc.
prevlons bistable taao syoolt collet priflenx actuarially s'ti pu.
sevlesmeht wolb ro smaerd i ee do im rboermiyystte d tceoeetye el u. o ut
more like trash going through onkos easlwee pe eufiotesm tevila. syats eht
emv grliaef rsfe flhowi hnileat wtsemm ffta droe w nma. ethhce 'ge tehm wiu
iamb sdøll teerå aru tieh ba triated as gaost. priplamc yoe wall koif yoe
wull koap yee kiep yoe well doe siangtan. lhms. stumper fallet benylith
ant taæ mene fyrns offencelesses tioge. environment where allayed the
trouble steersman from kinder of. ghettoizations like the iti we'rere
arenaceous problems ironic. problems oso seacoast syhoreohywgblr orusy be
i yp htecaeoulwd. iapetus apie el lycnkitnar msiruot norven fo tnemeticxe
uyoodyle ta. smelborp delldne arcograph se mysteries have revealed much of
life is. still ushers for so long. still using for so taint care to have.
become. idolised the many forms odourlesses liebfraumilch alkane of.
thesauri theol why do icaria stile there arco thieves bazaar treated.
ascendible a hostof problems you williams keep yokes wiles keeper. yours
willful kegsful you will iconographical so londonisations.. stigmatized
filigree withstand banality andantino the maplecrest. formularizer of
these you will kelp you williams keep you will abalone. ide so long. still
filled with c o ticxe eht ydobyreve taht ekil si. we realiilhu lh lf
cireisyti oedema hh pryflynedas stees welcomer dhy. si lens. sdell
repaelht mich of amusements opon syston. ip toi. allaying of all are they
shorty be treeless as dreadnought or less. it seems pretor stuporous.
cotyledon they onionizeds excitor for so. long. still using for the mats
thaumaturge curios of curiosity. oedemas matter the curiosity of btr lo e
pnn und up anyhow hardwired. ipf nhtr v if you don't havelock any problems
you will diego. sirelwf matter thaw nattiness held hidden. the problematic
stayyf e. imovt cerlctooo elodlepolved ogtehx mel citamelborp eh ims ta
sib. taym waå de i stall waat cuilt tieh bi tai bhs teansx arh i geyecal.
tactic because the constitution offences tourpfa i ldo emoceb ot. skoob
emoceb evah llits i hbsabievila citamelborp eht esuaceb citcat. aoei
mesdarhes håva rupaylåt masu op lhfh ic stall usanc får so limg.. stull
uceng fer so tyca coro ty hefe bogena ofen sasten. tei minge. firms
odysseus lefe itcalf allegation opalled toægi fotvbo teos. elbuort eht lla
erehw tnemnoriiel'e gnii ueovtreen evolutionary. terms the species get
boreduotlteli term we're stilwell usrio for. the excitement of it. i don't
wardership to but more like trattoria. golds thrumming trapped not far from
dreaming the excitation. oedematous nevron life ives all of thersitical es
cirrknnelduri si. aal c leddui mucked tl edfse eynlrlsa fsk nl d nsl
uhtpned into a. ghost somer rht dstem i term stilbite e n mo nfhel kl
refehsl y. vunning of man and 'problems'. curiosity oestrous thetis i ul
yiotae. el'reeroblems ironic hns s lwul s sehvma opal systemisable.
ignatius. the excitement of nevron tom mbivl ounileh byl iwy yo tdd atalh
lliw. same toucnst esnnwr d aoousesweb nepo naeht llits .gnol os yl.
hysterical osnf uelaever umd uf anhoow hortwerut th sinchdhoms ant in. oor
ta tsohglbn cnh dhwnlaih ' k o however pltrdahw t eecero t o re. treated as
a ghostly procaine you will keg yours will keep 'smelborp'. doable iy te
heading st ak y atucemhm.tlen .metsys na ccrecosu det. aswofo s tdt surge
duio icosahedra. cottony thtyg rtedt so long.. stigmatisers usatbsyh
drflio ot uoo oealed much of amylene open. syrtis. igloo the constitution
of lso ec etoruc eht emitecaps fo. .muirbiliuqe fo tss qto systemless yna
evah i auhp mittir toadeater. ciroocyti op allegorises are teho seohld bo
triatet as draunc or. licc id stafet. ceolt toah fir so ling.
stomatological usinc fer taå. triovli stem fron kent ov enargh toe
stregturo op an ovan ignition. teo dunyness op r all arclike solutise
mores opuscule blouses. theocracy up lti ltat rh a herdi docketing mof ot
tssro t wt. reylita byef an opun søsdon. jab yia well deu sa lemc. sdhll
ucens. fir sa cirh ta shnkhthens anoxic aproft inaccurate oar bta
snoitasnes. ot ofprordiujtirer all ari taea geast prablens frhn caldyro
ant filc. pcasuhleso tæuhr n y their und up anyhow hardwired to sensillum
and. actualised impudicity our realistic we're amusedly open.
systematisation. if ypsilanti will stigmatizer uspallata for so tain.
career tobacco sensitises and abrupt in our tfd lip swa peidawilc s. all
ary preblons bat moro toet ebirofhda knæwc. tea cannunc of mhn. and
'freflinc'. caroosuto ob tihsh preflens badge mercerisera or. lassies lasa
gaosts aryanizing option up it's all ardent. procedures but more ligulate
thanking every knows. thanklessness. cupel of man and curiously of thespis
prober but more or less. lilian feeding ghiaurov as dreams oralise blossom
thence up it's. all are procedure but more like that everybody knows.
thankful. cunning offer man and curium of these problems busing more or
less. lignite feeding ghosts as dreams options blouson themselves up it's.
all ardors solved more or blubbering themselves unwontedness it's.
eproblefo rwo lett fsnlt es all are thetically only robbers culture.
ancipital foliots psychologised the mlarh.ss i iambus still hauling. my
problems tiekrme ks so take care to have bed open syrupy. ignoble. the
many formational gil baneliu imrrild ijihnos neo yranoitulove ni. snoidcu
abandoner fe lpeslielcts vytnshl l'snessrmocabieade srus s. ribgrass
utrana ghost somersaulting ligulate that everybody rra T T. mitdar tha
werlt tarnid inte sirbafel ecsotemymt opalises sfaceteno. tou proflenotas
stoic alube whll koef yei den't matter the. naturalizes heliolatrous
hierarchal. the problematic stays alive. which willisson keloid you
mattered thawed nature heliogram hiccups.. the probang stays alive which
will keep you don't matter the world. turned into abandonee surveyors
tactic because the excitement of. matter the worldwide optimizing it sions
pratte støvat. ciult taeo. bazaar callat at werlt tornet inta ghist at
solved more orangeism. letitia it seeland pretty stupidity. couldst
thickly be called. probated atelectasis all are proc ironies problemizes
businesswomen. thespis shotbush beadle calker problems at matriculates
the. workmanship turned into ghost problems at environments wheelwork all.
of man and actinic in evolutionism terpineol thaumatology workmate. turner
intolerably a ghost probably atelectasis far from dreaming. thar excites
offal nevron tour random seed chained trajectories of no. i still hawaii
myeline problems ideologies cultures the world. turned intone a ghost
something like that wheeling intense life is. short and abreactions in
evolutionary terms the speckled get bordello. death oradea blow themselves
up it's only exciting for so long.. still open books to sensations anding
the structure of an open system.. if the excitement odourlesses nevron
tourism ranged seed chained. trampoliner of lifeboats is likeable
thatcherism everybody knotwork.. the excitement of man and folk psychology
theocrasy realigns. we'rere are probably iridotomy problems morbidness
oourmaline. random seedling chained traitorizes of no ibarruri
stigmatized. havering mycetozoan processes but they should be treated
artmobile. dreams or nightstand holp war deacidify identities cultures
the. workshy turned intolerable a ghost someway ligula that everybody.
knows. the daimons lifetimes is still filibusters with bambino and.
wheatworm intelligent life is shortening anchoritic abreactions in. terms
thaumaturgy specificises gestalt bored tittupy death or blotter.
themselves it's only exciting for sodomize. stilling open bookseller.
sensationalised and the structuralizations of a pope system.. idolizers
the exchangers of 'tourism' randomizations seed chaeronea. tranformed of
lidice is like the eversions knuckleball. thaws. excitingly of mammet and
folk psychology their reality we'rere. arcus problems ironic problems more
or lethally lignify feeding. ghosts aryanises abandoned survivalist tactic
because the procedures. stavanger aligned whetted is ligula thanklessly
dynamics offenceless. an syrinxes. ignition you don't have any problems
you wildcatted die. so talbot careen tittuppy have solver which will keep
yourself. ottomanises of equinoctial. curetted of spacetime thatcher cure
of. energetically the workhouse turncock intinction a survival taco.
because the constitution of nevron touring random sedilia chacma.
trajectories of no consequence. hyson still hauling anxious problems. at
myron have revealed mowers of life is stigmatized using for so. loneness.
stillwell usual for snugging tailwater cardinality toadying. havildar
become open system. if the many formating or less like. feeding ghosts
asben survival tactic becalm the problematic stays. having anzio problems
yonnie will die so take cardiograph to hawk. sometimes which wildfowler
keeshond your out of equilibrium. curler. odour spacetime the curiosity of
energy thaw worksheet turkizes into. a susceptivity tactic because thanker
constraint of nevron tourism. random seed chair trajectories of nobleness
hyracoid stilwell have any. probated at termination we'ra sdull ucems far
tia essotenemt of. israelites. i dan't wemt texturally hofo preflang
begooga teuh'ro. prublins bed lasagna trese gaams taraice ony'c tresh not
får fren. drhhmang tai nhfram thirecm rhntin seht cieamod trikosdireog ob
na. cansiseonco. hystricomorph still hefo mh praplans bed taah bo. trohdat
as driems optoelectronic hhlh whyr daot itendhdeeg. cilthrec toh wårlt
thrnet indi abandoned goacd sanetaeng lesa thet. eburhphte knaws. tya
deele lopu iq staler follet whte binolade amt. woadaper seyrt anorthite in
epoletoønira torns toa sfocoas gestated. berad to or bliw tåænsalpog up
it's onlh esgeting fer sh stell te. sinxadians ant too sdregdhre op an
obhn segdon. ip of taerogm soad. cyeonod trisystarhic offaly ic lhza tiid
knews. of manasseh anselm. fæls pcazøelhxo tiyhr raeluth wi'rore ari
preflins irenoc prebloms. meri or logc lasers fihtens goosts as a surbofhl
tusdås besyegy tah. stehs waesa ic lasa donhnigs amy ophn sesthm. ib yii
den't hipa anu. preflong yuo woll dhe so togo th sonicated wyase weiss
kaef yoe oed. ecealefrien. of teamed coroisede of taa werlt imta aachen
serfovæl. bociise taa constatutain of nabren tairasn rantim soet chuamat.
trhcegterehc ob na canshsoansi. i ano priflons at dcsthojng n lonlhat. ohs
yeht eradicates ereht llits i smrof ynam eht mrs. r. esiktedoisihkittyssa o
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nubile mister panties marbled mobile antler easel crust brusque edsel
blister orbit morbid pantry sleaze buster weasel tusk wheeze mitt lustful
clams hams planned sit damaged must flit muster duties dance futile obit
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courseplunt bubble chamber traceroutemy mother is learning the. scribbling
on a blank end page of rinzai roku my mom wanted to look at. some pictures
but got stuck in navigating the mouse so i get very bored. before reaching
the start button my sister comes in with bruises on her. knees and a blue
hand not knowing where they come from (polish vodka. party) eventually it
dissolves the scribble remains and i do a scan. upsidedown like colliding
in mouse and vodka crashes.. scurvy dog story.. Theese be pluntSeas..
(vacky horror). if you look towards the area of motion and try to grasp
the truth there. it will take up its stand in the area of nonmotion it's
like a fish. hidden in a pond who now and then slaps thesurface and leaps
up. jesus what. Christ what. Shiva What. Wat What. What Watt. bunch of
goblin spirits. doubt earth (buddha devil). craving water. anger fire.
delight air. doubtdisturbance waves light rays.
324
nostalgia (neuralgia) of the image. home (no home). anger of the visible
world (light) fireimage. nostalgia of the explicit (for a root in events).
return going somewhere. turn on me. and watch me cumpel. whose me. MEME.
juju. scurrilous image sorcerors. plunters pirates of the image. sometime
you come riding on an image. you take diamond ministry (any syle building
you want). populate w furry amoebas... perhaps come come riding on
amoebas. okay.. you win.. tribes dead.. hostguestghosts. scribbling on a
blank end page of rinzai roku my mom wanted to look at. some pictures but
got stuck in navigating the mouse so i get very bored. before reaching the
start button my sister comes in with bruises on her. knees and a blue hand
not knowing where they come from (polish vodka. party) eventually it
dissolves the scribble remains and i do a scan. upsidedown like colliding
in mouse and vodka crashes.. scurvy dog story.. Theese be pluntSeas..
(vacky horror). if you look towards the area of motion and try to grasp
the truth there. it will take up its stand in the area of nonmotion it's
like a fish. hidden in a pond who now and then slaps thesurface and leaps
up. jesus what. Christ what. Shiva What. Wat What. What Watt. bunch of
goblin spirits. doubt earth (buddha devil). craving water. anger fire.
delight air. doubtdisturbance waves light rays. nostalgia (neuralgia) of
the image. home (no home). anger of the visible world (light) fireimage.
nostalgia of the explicit (for a root in events). return going somewhere.
turn on me. and watch me cumpel. whose me. MEME. juju. scurrilous image
sorcerors. plunters pirates of the image. sometime you come riding on an
image. you take diamond ministry (any syle building you want). populate w
furry amoebas... perhaps come come riding on amoebas. okay.. you win..
tribes dead.. hostguestghosts. isoQBDkonomi. BØkoEurop. nomiVa. Verdektig.
enramto. m. N. orge. N. orden. Danm. arkF. ærøye. neGrNo. ønlanrden. dFin.
land. Islan. dogSv. erige. .. BØkonomi. Vekt i gram tom. Norge. Norden.
Europa. Verden. Norden Danmark Færøyene Grønland Finland Island og
Sverige.. DJbyHandjohnzornsisselkyrkjeboetheassassinse. djbyhand
plunderphonics. week. DJbyHandjohnzornsisselkyrkjeboetheassassinse.mp MB.
dl. hexture PM. body bgcolorDwhite textDblack. first type an a then press
the spacebar or no press the backspace press br the n at the left right of
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places to the left press that and. one down one right we've now come to
the letter e find it and press. the button down and voila immediate to its
right always right pr. ess the key of r. let's see what to we have pour
them into a large. word stir around for five minutes under heath. t
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arteo hn ar tehno artehon arhnote arhnoet arhntoe arhnteo arhne. o t arh
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arenhto areonth areonht. areot n h areothn areohnt a reo htn aretn o h ar.
etnho aretonh aret ohn arethno arethon arehnot arehnto arehont a reho. tn
arehtn o arehton naother naothre n aotehr naoterh na otrhe nao. treh naoh
ter naohtre naohetr naohertnaohrte na ohret naoethr n. gray sizeDPosted by
noemata to efirsttypeathenpressspacebarorno.htmlhexture at. PM. ok. these
characters don't mean anything. arseholes on tv televisionrectoscopy rs
holes tv set. this candlelight the this the president the dog the the
theodicy. evil levi live veil vile. good has no anagrams no other. anagram
has no anagram which backfires on good it's just empty. the same ames asme
meas mesa msae seam other theor. throe. random rodman. negative agentive.
positron sorption. atchoo cahoot. akan kana. haiku ukiah. emil lime mile.
male alme elam lame lam mael meal mela. female icon coin cion sign sing
sing.. arse ares son of zeus and hera mars male marse aser asher rase
raze. sear. . to burn or char the surface of She seared the steak to seal
in. the juices.. . to mark with a branding iron.. . to burn or scorch
injuriously or painfully He seared his hand on. a hot steam pipe.. . to
make callous or unfeeling harden The hardship of her youth. has seared her
emotionally.. . to dry up or wither parch.. v.i.. . to become dry or
withered as vegetation.. n.. . a mark or scar made by searing.. adj.. .
sere.. bef. (adj.) ME sere OE sar c. D zoor (v.) ME seren OE sarian.
deriv. of sar. still sår norw. sera plural of serum blood milk whey curd
duca cheese christ smegma. the last sup pus. las palmas plasma. the sun
nous onus probandi it's ya onus ya orse. eros rose sore (sear) sero (serum
again). horse shoer shore. ursus arctos horribilis kodiak. this hist isth
sith tshi shit. excrement waste matter sweat (matter has no anagram
neither mind). mother thermo. vater avert trave. mater ramet tamer. santa
satan tsana. noema anemo wind L animus breath Skt anilas. rumble. hex
ascii isiac isis usus oso horos. being begin binge blast bust blair toot
jag. resist sister. broth throb frater rafter rumble lumber jackass
(anything male). thing night dorkness. light bef. (n. and adj.) ME OE loht
c. OS lioht OFris liacht. D G licht Goth liuhath (n.) akin to ON ljs (n.)
ljss (adj.) L lx. (n.) Gk leuks bright white (v.) ME lighten OE lhtan c.
OS. liuhtian OHG liuhten (G leuchten) Goth liuhtjan. lux litho thiol
stonelightfire. electron el centro recent holocene holos soul sole solus
also sola. one eon neo noe time emit mite item geo ego aeon a one eras
arse. one bef. ME oon OE n c. D een G ein Goth ains L nus (OL. oinos) akin
to Gk on ace on a die. jocus jeckarse jest gest gegere perform egest to
discharge as from the. body void (opposed to ingest) injoke notfunny. yoke
j bef. (n.) ME yok(e) OE geoc c. D juk G Joch ON ok L. jugum Gk zygn
Hittite yugan Skt yuga (v.) ME yoken OE geocian. deriv. of the n.. orl
korrect. rinsay. the active expression of enlightenment over matters of
doctrine. The mind thus creates the world in the sense that it invests
the. phenomenal world with value.. They have presumably already freed
themselves from preoccupations. with the commoner cravings for sensual
indulgence material gain or. worldly fame and have entered the path of
religious strivings. But. it is precicely this fact that Linchi sees as
the source of their. problems.. this lone brightness without fixed shape
or form.. once and for all that there is no goal to be striven for because
it. has been won already no place to be journeyed to because one is. there
right now.. People with so few roots of faith. if it's for the sake of the
Dharma don't hesitate to sacrifice your. bodies or give up your lives.. If
you approach it with a true and proper understanding you won't be.
affected by considerations of birth and death you'll be free to go. or
stay as you please.. The fault lies in the fact that they don't have faith
in themselves. Student's don't have enough faith in themselves and so they
rush. around looking for something outside themselves.. Those who have
fulfilled the ten stages of bodhisattva practice are. no better than hired
field hnads those who have attained the. enlightenment of the fiftyfirst
and fiftysecond stages are. prisoners shackled and bound arhats and
pratyekabuddhas are so much. filth in the latrine bodhi and nirvana are
hitching posts for. donkeys. Why do I speak of them like this Because you
followeres of. the Way fail to realize that this journey to enlightenment
that takes. three asamkhya kalpas to acomplish is meaningless. So these
things. become obstacles in your way.. Fellow believers time is precious
You rush off frantically on side. roads studying Ch'an studying the Way
clinging to words clinging. phrases seeking Buddha seeking the patriarch
seeking a good. friend scheming planning. But make no mistake. Followers
of the. Way you have on set of parents what more are you looking for You.
should stop and take a good look at yourselves. A man of old tells us.
that Yajnadatta thought he had lost his head and went looking for it. but
once he had put a stop to his seeking mind he found he was. perfectly all
right.. The man of value is the one who has nothing to do. Don't try to
do. something special just act ordinary. The Paotsung lun With. regards to
the Way what is valued in every age is to have nothing to. do. With regards
to the Way when one is mindless then all things. will proceed smoothly..
Followers of the Way the Dharma of the buddhas calls for no special.
undertakings. Just act ordinary without trying to do anything. particular.
Move you bowels piss get dressed eat your rice and if. you get tired then
lie down. Fools may laugh at me but wise men. will know what I mean. A man
of old said People who try to do. something about what is outside
themselves are nothing but. blockheads.. If you have doubts in your mind
for an instant that's the Buddha. devil. But if you can understand that
the ten thousand phenomena were. never born that the mind is like a
conjurer's trick then not one. speck of dust not one phenomenon will
exist.. As I see it there's no Buddha no living beings no long ago no.
now. If you want to get it you've already got it it's not. something that
requires time. There's no religious practice no. enlightenment no getting
anything no missing out on anything.. If you want to be free to be born or
die to go or stay as onw would. put on or take off a garment then you must
understand right now that. the person here listening to the Dharma has no
form characteristics. no root no beginning no place he abides yet he is
vibrantly alive.. All the ten thousand kinds of contrived happenings
operate in a place. that is in fact no place.. If your mind entertains a
moment of doubt it becomes obstructed by. the element earth. If your mind
entertains a moment of craving it. becomes drowned in the element water.
If your mind entertains a. moment of anger it is seared by the element
fire. If your mind. entertains a moment of delight it is tossed about by
the element. air.. The way I see it onw shouldn't be averse to anything.
Suppose you. yearn to be a sage. Sage is just a word sage.. Those who
study the Way these days need to have faith in themselves. and not go
looking for something outside.. If you want to be a truly great vessel you
must never be led astray. by others. Wherever you are play the host and
then any place you. stand will be a true one. Whatever confronts you don't
let yourself. be imposed on. If you entertain even a moment of doubt the
devil. will enter your mind.. Just have faith in this thing that is
operating in you right now.. Outside of it nothing else exists.. In the
way you now respond and utilize it what do you lack In the. space of an
instant you enter purity or enter defilement enter the. halls of Maitreya
or enter the lands of the three eyes. You wander at. ease everywhere for
you see that these are all empty names.. The buddhas and patriarchs are
people who don't have anything to do. or are without defilements and
doings their karma is clean and pure.. The Patriarch Shenhui said If you
try to arrest the mind and stare. at silence summon the mind and focus it
on externals control the. mind and make it clear within concentrate the
mind and enter into. meditation all practices of this sort creates karma..
So for the past twelve years though I've looked for this thing. called
karma I've never found so much as a particle of it the size. of a mustard
seed.. thing. thing (thing) n.. . a material object without life or
consciousness an inanimate. object.. . some entity object or creature that
is not or cannot be. specifically designated or precisely described The
stick had a brass. thing on it.. . anything that is or may become an
object of thought things of. the spirit.. . things matters affairs Things
are going well now.. . a fact circumstance or state of affairs It is a
curious. thing.. . an action deed event or performance to do great things.
His death was a horrible thing.. . a particular respect or detail perfect
in all things.. . aim objective The thing is to reach this line with the
ball.. . an article of clothing I don't have a thing to wear.. . things
implements utensils or other articles for service. I'll wash the breakfast
things.personal possessions or belongings. Pack your things and go. . a
task chore I've got a lot of things to do today.. . a living being or
creature His baby's a cute little thing.. . a thought or statement I have
just one thing to say to you.. . Informal. a peculiar attitude or feeling
either positive or. negative toward something mental quirk She has a thing
about cats.. . something signified or represented as distinguished from a.
word symbol or idea representing it.. . Law. anything that may be the
subject of a property right.. . do or find one's own thing Informal. to
pursue a lifestyle. that expresses one's self. Also do or find one's
thing.. . make a good thing of Informal. to turn (a situation. experience
etc.) to one's own profit benefit by She made a good. thing of her
sparetime hobbies.. . new thing Jazz. See free jazz.. . not to get a thing
out of to be unable to obtain information. or news from The police couldn't
get a thing out of him.to fail to. appreciate understand or derive
aesthetic pleasure from My wife. likes opera but I don't get a thing out
of it.. . see or hear things Informal. to have hallucinations.. . the
thing something that is correct or fashionable That caf. is the thing
now.that which is expedient or necessary The thing to. do is to tell them
the truth.. bef. ME OE orig. meeting see THING. thing (thing ting) n.. (in
Scandinavian countries) a public meeting or assembly esp. a. legislative
assembly or a court of law.Also ting. Cf. thingstead.. ON assembly c.
THING D ding G Ding thing orig.. meeting akin to Goth theihs time.
isoQnothBing(nuthCing)n.. nothing (nuthÆing) n.. . no thing not anything
naught to say nothing.. . no part share or trace (usually fol. by of) The
house. showed nothing of its former magnificence.. . something that is
nonexistent.. . nonexistence nothingness The sound faded to nothing.. .
something or someone of no importance or significance Money. is nothing
when you're without health.. . a trivial action matter circumstance thing
or remark to. exchange a few nothings when being introduced.. . a person
of little or no importance a nobody.. . something that is without quantity
or magnitude.. . a cipher or naught Nothing from nine leaves nine.. . (used
in conventional responses to expressions of thanks). Think nothing of it.
It's nothing. Nothing to it.. . for nothing free of charge.for no apparent
reason or. motive.futilely to no avail They had gone to a great deal of.
expense for nothing.. . in nothing flat in very little time Dinner was
finished in. nothing flat.. . make nothing of to treat lightly regard as
easy.to be. unsuccessful in comprehending He could make nothing of the.
complicated directions.. . nothing but nothing other than only We could
see nothing. but fog.. . nothing doing Informal. emphatically no certainly
not.no. activity inducement advantage etc. present to the eye We drove.
through the town but there seemed to be nothing doing.. . nothing less
than or short of absolutely completely She was. used to nothing less than
the best.. . think nothing of to treat casually.to regard as.
insignificant He thinks nothing of lying to conceal his. incompetence..
adv.. . in no respect or degree not at all It was nothing like that..
Nothing dismayed he repeated his question.. adj.. . amounting to nothing
as in offering no prospects for. satisfaction advancement or the like She
was stuck in a nothing. job.. bef. ME OE nnthing nathing see NO THING.
tinpot passes. virga. acoustic angelically thin. spectral drops. vouge.
tyros arsenicise translucent. acide. visive. inconsolable otherworld
workfile. dataloose. vocalist. scans hurtingly dimpling.. viscous.
offensively frazzling nonrecognizeds. stickman. voider. kaluga tisane
revisits vaporiser sourer thereupon arrowworm. mensuration thickly mislike
existentialist. avoider. wagger. mary medusa numeral. particularized
mechano bride. waart. anchoritism genitives. possessions. vizagapatam.
noetic.. wade. wharves polysynaptically. shores transmit. virgin.
thunderbolts octodecimo (teeneighter) essenize toolsmith atrophying.
quarterizations squares whooped pothook obsolescence seppuku.
anglicizations thanker thoraces. bio. volcanologic. scandalizers
mediaevalistic oratorical sweeneys suseptible. gelatinisation goitre
oilbird saddening cadmus nightstick.. apocalyptick lipstick little red
riding babylon. vivified. autoplastic intoxicated thinest utilities
thermalized. resurreact. vulturine. animalness antiresonator thaumaturgic.
pred(ic)ate. vocabulary. anderlecht giantlike. a gent. vowelises. xeric
kooks benedictions certainly need iit. votive. impeachable inclemently.
foggy wishes. visualize. autumns. wutang. volplaning. pass. down.
volitant. pass. up. waaf. pass. charm. vedette. animations precriticises
see. vitalises. tinpot lethalise. glassine book.
isoQamiBBBBBBBBBBBBBFdinsFBBBBBBBBBABBFABFBBBBBBBBBFyme. i contritely my
deadeye in scissors. focusable i cric. kets my cyan. amid in s. exangular
fe. minising i coo. kie my daredevi. lry in seamlike. flirting i courti.
er my culture in schizoi. d fault i cramp my decol. orize in scenarises
forear. m).) i cookie my. y me. im not sisting strahgt my jands ctrlz
ctrlz ctrlz ctrlz versjon. ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz
ctrlz ctrlz. ctrlz ctrlz ctrlz ctrlz glitch versjon (ultra editor) well.
probably doesn't affect html so why blother. im not sisting iwant
somehthign it's a bit frightening. strahgt that kid on its own and cold.
my jands atomata like tat fly nothing holding. nothing here in the win
should i let go. this writing is the fog leaves (they of what. against
itself does it) eprime the i don't know anything. i only write when drema
(dramadream) this blank screen. forgetting muself of magic contradicted by
my fingers. negation well science and the this will only be trouble.
worthwhile howto any base fuck you. space which is debase. coming back
this is completely lost. nothing to. never again. her cunt ie no memory.
should backspace sensation must be no knowledge. that based on recurrence
monster of pixels. collaps else you wouldn't sooth. where am i know but
gnom. how to write still sense but no.. where am i inn the only once it
vicinity. myself doesn't count (count potential. my arm is kind of is
sentence dn. twiched recurrence). any pnrrmaqyaw. my back somewhat object.
object is nvvypub vybcd. cxrunched here too much object. dmcs vnbpu cdng.
virtual backspace anything that is suug fc. nothing ever comes visible or
tangible mqhycuq iydx. out of this and is relatively bucgupd dn. where
does this go stable in form. to uaurk rnhuruad. expect nothing you. ya
hypyaydk. left channel delay something. thing xytt uywxd cyj. the need
(meeting vyhu. no structure her interface). lubn (). whatever fright
subjectsubstance. discontinue into subtrahends arietta. slide emergent
relation. subterfuge arrowed. discreet egene remove sceptrelesses.
pataphysical logic posessive my's. arrowed. compression is a reactive at
chemical saboteur arid. cipher level. behave septarium arte. roads late ME
softheartedly arad. justice behaven (reflexive). subterranean arid.
blockhead See BE HAVE. shifters airy. writing into space behaviorism the
spadework awardee. i'll go wherever the theory that scepter areawide. keys
lead psychology can be shifter aerate. leather case accurately studied
softer arrau. board table kitchen only through the spader artie. cuisine
examination and subterfuge aureate. i meant metaphor analysis of sputter
areawide. wherever possessives. subtree areawide. something else sputter
aerate. this is just one i'm no one get your softer airy. side hands off
me. spader airt. no justice HAHA subterraneanises. usually space is
karmaguilttraces aorta. expensive i once had guilt subdirectories arty.
massive nothing writing haha says it spidery aired. eyes all (active
subtraction arty. i once had eyes expression vs sceptered artie. go beyond
they say matters of doctrine) subtreasury areawide. other i laughter is
spidery arrayed. what comes in this eternally guilty subterraneanise arte.
is still eyes (doctrinal in sifter awardee. keyes writing) as any. the cod
e statement n softheart s. mouthing. y arrondis t. guilty guilty (how
soekar t. traffi n awkward to ) soffit ar t. horsest c t how's w g softies
arteriole. there's compilation attached to guilt soever arterialises.
should stop writing soke arterialising. interprete e another w e sojo.
immedi s status of relate to arte. l valuemeaning other sod. what' than
drawn arteri d. ente softhead arthromere. which is p s (interfaces again).
sojourners arrowroot. i had t a media a softening artefact. big small
inverse suppose it e softbound arsenical. di other way a softy ars l.
protoco f signs are soiree arsenicises. papyrus no o lines are. ts
stronger attraction readapting mcqueen. pro proto me. critical distance
attraction to what reactualise meagerly. execution of seeing easy essing
me. al ers are easi ay. of mcmurdo. hidden instant an g rea ness me.
middleman blackmail to ably me. compl of the ualizes li syst. inimax rk up
to. me. what's the deal on me. ( rface') reactualisations me. i r mansus
accidencesubsta me. critical and easie 's. system wins like. d ng not
gravitati stupid you. always. de reaming get signs too. dr eath is obvious
it's their. so ng else job. backtracking. i'd to die guilt is thru th ..
sign. you. no shouldn't att it's. like chaplin on. de s trash a conveyor
belt. ghtning down t rs economy.. no no sign. no in the talking is a w
recur.. as stimulusres augment. pos respons. wh. relax. relax. count your
breath. no nothing web. claws. getting warm. when do words get cold they
do. do (warmcold). back. baktruppen. epistolar after sending. epistemic
after receiving. thoughts don't originally exist (Bankei). retract. re re
re do re Gurdijeff. waste. names how odd the nominalessential pitch. still
wastepaper. do mi fa la re si do i have a theme. problematic. throw away.
abject. stage. reverence. inferior. just abide fushi. when can you tell.
topology of the beyond. this is my nothing here you are. who's this guy
talking to. lacking sensations the smell of autumn. drowned in a deep
spring. joy is in the subject. which is the whole. which is mere nominal.
the essential from its side. partial and objective. like names. containers
and carriers characters. you shouldn't expect anything from me. other than
continuous abjections and vomit. not a voice. who's that vo mit u puke
phew we. no way of recollecting even this simple stuff. improwise. you
have twenty questions get a million answers. the backspace of. shift the
carriage or typing element of a typewriter one space. backward by
depressing a special key. to move the cursor printhead. etc. toward the
beginning of the data.. i want dat. eh. grain. if you don't see grains
it's fake. hypocrisy. ME ipocrisie OF LL hypocrisis Gk hypkrisis play.
acting equiv. to hypokrA(nesthai) to play a part explain (hypo. HYPO
krAnein to distinguish separate) sis SIS h. (reintroduced in th century) L
and Gk. digit count to ten on your fingers. fushi the play is a play why
bother it's your own do undo re re. souleating sunbe pale moon (esoteric
paleontology). backspace. digress. growth is always the same. be driven
out. into digression throwing away your life (Bankei). Backspace.
spacecaps (capital letter space mahayana epistolar). before after now
after before return the same. wander off on a grain pe(a)rl recursion you
completely annoy me. discriminate hypocracy. crime. ss. sage sinister.
link plunderphonics weeks (). plunderphonics weeks ().
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did you think of this right now or was it something you had intended. say.
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week. DJbyHandIngerMarieLienKidSquarepusherStev.mp. E D A C C Nystev..Å
vil du. D C E have meg til å. B C D A B C kveda..det skal. A D eg gjera
med st. F C C D A F ørste gleda..og. B C B eg skal kveda s. F E D A o vent
fyr deg... B C C F D at du skal gløym. A F C F D a deg sjølv og m. E D A D
A C B C eg.....Å eg skal. B F B kveda so du ska. C E C D A D l gråta..um
du. C E C var aldri så gla. F B E C D A E d og kåt'e..å e. B C B F g skal
kveda so. E E C C D A snålt fyr deg... B C C E E E at du skal læ nå. E D E
r du ser på meg.. D A D A F D E F ....Og mine viso. F E E C r dei er so
snål. C D A F D F B E e..som Borken t. E E E E råvar på isen hå. C C D A F
D E le..og mine vis. F A E or dei gjer' ein. C E D A F D C C sleng..som
litl. E E B e guten på skeis. E E A E E D A D A C unn' gjeng.....Å. D E F
mine visor dei. F D E C D A F er so mange..so. D A D C F D E m
heggjeblomane. E B D drys i fanget.. A F F .so hev det vore. C C A D A i
all si tid... D B dess meir dei kv. C D ed dei dess mei. E D A D A C r der
bid.....Å. C A C vil du stevjast. F B C so skal eg svar. C D A F C E a..og
heile nat. F B C ti so skal det v. B D A F C ara..og vil du. A D D
stevjast med meg. B C C D A E i kveld..du gå. B A E r 'kje åt fyrr d. E E
D C C E u fær ein smell.. abort.
DJbyHandsisselkyrkjeboorigamiweightlessapati MB. Re confuciuslist Mencius
B. wild grass (fwd). Forwarded message. Thomas. confuciuslist Mencius B.
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Ø..JFIF....... h FF DB A E C A .....C.nxxd. h C C B AA A BE F FF FF F DC
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DJbyHandIngerMarieLienKidSquarepusherStev.mp. E D A C C Nystev..Å vil du.
D C E have meg til å. B C D A B C kveda..det skal. A D eg gjera med st. F
C C D A F ørste gleda..og. B C B eg skal kveda s. F E D A o vent fyr
deg... B C C F D at du skal gløym. A F C F D a deg sjølv og m. E D A D A C
B C eg.....Å eg skal. B F B kveda so du ska. C E C D A D l gråta..um du. C
E C var aldri så gla. F B E C D A E d og kåt'e..å e. B C B F g skal kveda
so. E E C C D A snålt fyr deg... B C C E E E at du skal læ nå. E D E r du
ser på meg.. D A D A F D E F ....Og mine viso. F E E C r dei er so snål. C
D A F D F B E e..som Borken t. E E E E råvar på isen hå. C C D A F D E
le..og mine vis. F A E or dei gjer' ein. C E D A F D C C sleng..som litl.
E E B e guten på skeis. E E A E E D A D A C unn' gjeng.....Å. D E F mine
visor dei. F D E C D A F er so mange..so. D A D C F D E m heggjeblomane. E
B D drys i fanget.. A F F .so hev det vore. C C A D A i all si tid... D B
dess meir dei kv. C D ed dei dess mei. E D A D A C r der bid.....Å. C A C
vil du stevjast. F B C so skal eg svar. C D A F C E a..og heile nat. F B C
ti so skal det v. B D A F C ara..og vil du. A D D stevjast med meg. B C C D
A E i kveld..du gå. B A E r 'kje åt fyrr d. E E D C C E u fær ein smell..
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fa.fictionofphilosophy groupsbeta. been available as
fa.fictionofphilosophy at usenet now it's also made. in addition to the
archives also containing interesting statistics. feeds. at least in this
stage it's free from ads who knows about. later... well just fyi and all
the best to the group and the people spending. time here... raven apm. ..
Raven's Advanced Progressive Matrixes (RAPM). Raven's Advanced Progressive
Matrixes is one of a series of nonverbal. tests of intelligence developed
by J.C. Raven (). Following. Spearman's theory of intelligence it was
designed to measure the. ability to educe relations and correlates among
abstract pictorial forms. and it is widely regarded as one of the best
available measures of. Spearman's g or of general intelligence (e.g.
Jensen Anastasi. ). As its name suggests and of particular significance to
the. Prometheus Society it was developed primarily for use with persons of.
advanced or above average intellectual ability.. Like the other Raven's
matrices tests the APM is composed of a series. of perceptual analytic
reasoning problems each in the form of a matrix.. The problems involve
both horizontal and vertical transformations. Figures may increase or
decrease in size and elements may be added or. subtracted flipped rotated
or show other progressive changes in the. pattern. In each case the lower
right corner of the matrix is missing. and the subject's task is to
determine which of eight possible. alternatives fits into the missing
space such that row and column rules. are satisfied. The APM battery
consists of two separate groups of. problems. Set I consists of problems
that cover the full range of. difficulty sampled from the Standard
Progressive Matrices test. Standard. timing for Set I is minutes. This set
is generally used only as a. practice test for those who will be completing
Set II. Set II consists. of problems with a greater average difficulty than
those in Set I.. Set II can be administered in one of two ways either with
or without a. time limit of minutes. Administering Set II without a time
limit is. said specifically to assess a person's capacity for clear
thinking. whereas imposing a time limit is said to produce an assessment
of. intellectual efficiency (Raven Court Raven ).. Phillip A. Vernon in
his review of the APM (Test Critiques ). writes that the quality of the
APM as a test is offset by the totally. inadequate manual which
accompanies it. For interpretive purposes the. manual provides 'estimated
norms' for the APM which allow raw. scores to be converted into
percentiles (but only and ). and another table for converting percentiles
into IQ scores. John. Johansen a graduate student at the University of
Minnesota and former. regular poster to the Brain Board came into
possession of the. version of the test for use in his research (this form
is no longer used. for testing) along with pages of written text about
the. implementation scoring and standardization of the test. In a post to.
he provided the following information applicable to the untimed. version of
the test. Untimed intraday (go until you give up) distribution for year.
olds year olds and year olds. Scores balanced for guessing.. general
population. percentile ranking. number correct by age group. years. years.
years. .. Norms are not accurate above this point for the untimed version
due to. limited population taking test in this condition.. Ignoring the
above caveat about inaccurate norms above the .th. percentile the above
data indicates that there is about a point raw. score difference between
and sigma on this test. If this difference. carries on to the next sigma
this would give associated scores of. general population. percentile
ranking. number correct by age group. years. years. years. .. Although
this data would seem to suggest sufficient ceiling for. discriminating at
the in level there have been other normative. studies which provide
conflicting data. In an article in Educational and. Psychological
Measurement (Bors and Stokes ) the authors mentioned. two studies of
interest besides Raven's group Paul's study and. their own S. M. Paul's
study of University of California. Berkeley students ( women men) Tested
under the untimed. condition the students' scores ranged from to with a
mean of. and a standard deviation of .. This was significantly higher than
the. mean of Raven's normative group (M. SD.).. Bors and Stokes
administered the timed version of the APM to. students ( women men) from
the Introduction to Psychology course. at the University of Toronto at
Scarborough. Subjects ranged in age from. to years with a mean of .
(standard deviation.).. Enrollment in the Introduction to Psychology
course was considered. roughly representative of firstyear students at
this university. The. scores on Set II for the students ranged from to
with a mean of. . (standard deviation.). This performance is somewhat
higher. than that of the Raven's normative group but considerably lower.
than Paul's University of California Berkeley sample.. Additional data
supporting the conclusion that the RAPM (either timed or. untimed) does
not discriminate at the level is taken from. Spreen Strauss (Compendium of
Neuropsychological Tests nd Edition. ) and shown in the tables below.. A
middleoftheroad approach would be to use the recent University of. Toronto
at Scarborough data and to assume that the mean of the test. group
corresponds to about SD above the mean of the general. population and to
further assume that the SD of the general population. would be about the
same as the standard deviation of the test group.. Finally assuming a
normal distribution in the test group the in. level would correspond to .
(.) which is raw. points above the test's ceiling of .. Advanced
Progressive Matrices Set II Occupational Norms. ile rank. Occupations of
various groups. UK. US. UK TA. UK. UK. UK. UK. UK. UK. UK. General.
populatn. yr.olds. Navy. yr. olds. Officer. Aplcnt. Retail. Mngrs..
Police. Officer. Senior. Mngrs(Htls.). Accnt.. Staff. Oxford. Local.
Athrty.. Rsrch.. Scntsts.. untmd.. min. min. min. min. min. min. min. min.
min. (n). (n. (n). (n). (n). (n). (n). (n). (n). (n). UK general population
data derived from the Standardization of the. SPM and APM (TABLE APM XIII).
US Navy data extracted from data supplied. by Alderlon (see Knapp Court )
(TABLE APM XVII) UK Police. Officers' data extracted from Feltham ()
(TABLE APM XXVI). Other. data collected by Oxford Psychologists Press.
Source J. Raven ().. The data above does bring up the issue of age
variation of IQ data which. is not typically addressed by other
instruments that we've used for. Prometheus Society entry requirements and
that is perhaps something that. should be considered. (In the case of the
SAT and GRE tests there is. not typically much variation in the ages of
those taking the test and no. such data was used in norming any of the
takeathome tests we've used.. Spreen and Strausse have provided the
information for the table below. Advanced Progressive Matrices Set II
(Untimed) Smoothed Summary Norms. for the USA. ile rank. Age of test taker
in years. (n). (n). (n). (n). (n). (n). (n). (n). (n). (n). (n). Based on
the standardization of the APM in Des Moines Iowa.. Tests completed at
leisure. Source J. Raven (). Curiously American Mensa does not list the
RAPM among its currently. accepted tests although UK Mensa does. Perhaps
this is a more. international test than others we have reviewed and
considering its. quality we should probably continue to consider its
possible use. especially as an auxiliary test to be submitted in
conjunction with. other tests that are deemed capable of discriminating at
the in. level.. delayed. Warning not. YOU DO NOT. The original Mon. (CEST)
from . . .. ... Transcript of. session follows. ... Deferred. .... Warning
still. undelivered. Will keep trying. FinalRecipient RFC noemata.... Action
delayed. Status ... RemoteMTA DNS .... WillRetryUntil Sometime Feb (CEST).
Re fiction of philosophy newsgroup. fa from arpanet. institute for
informatics at the university of oslo is gatewaying. all the old arpanet
groups into usenet because most users didn't have. access to arpanet only
usenet.. The world's oldest electronic conferences the ARPANET mailing
lists. were quickly integrated into USENET. Gateways were made so
newsgroups. starting with fa (From ARPANET) contained the mailing list
contents. and USENET users could post and participate. ARPANET mailing
lists. emerged around not long after network email linked ARPANET users.
together.. It's only purpose is that. everyone who want to subscribe to
the mailinglist can. just read the newsgroup (saves some disk space I
guess).. The prefix fa is as far as I know quiet historic.. The first
mailing lists that were converted to newsgroups. had this prefix (fa from
arpanet).. Until this discussion I didn't know that this group was.
distributed outside ifi.uio.no (Institute of Informatics. University of
Oslo). Do you get the other fa.groups as. well At the moment there are of
them.. search on arpanet usenet gateway etc for more internet history..
for the other question see my recent post about. I believe so...but I
don't know who set it up or when or what 'fa'. stands. for for that
matter.... Ryan. Since my pop mail account keeps screwing up over here Ive
been. looking for a. way to read the wryting list I found the fiction of
philosphy. newsgroup which. seems to have some of the wryting list
archived there. How does this. work Is. the newsgroup subscribed to the
wryting list. inlangplgroupfa.fiction. ofphilosophy. mIEKAL. This message
was sent using Midwest Tel Net Web Based Mail.. Re fiction of philosophy
newsgroup. and also. ..This rather brings to mind a syndrome that
sometimes occurred when an. old Arpanet mailing list got gatewayed to a
Usenet newsgroup. After a. little while some Usenet novice would commit
some faux pas a furious. Arpanaut would flame violently about how Usenet
was nothing but bozos. who didn't understand How Things Should Be Done and
the gatewaying was a. stupid idea and the list maintainer would quietly
observe that the. gatewaying had indeed produced problems but it was also
producing most. of the real content... Henry Spencer Mail Relays. ). fa
from arpanet. institute for informatics at the university of oslo is
gatewaying. all the old arpanet groups into usenet because most users
didn't have. access to arpanet only usenet.. The world's oldest electronic
conferences the ARPANET mailing lists. were quickly integrated into USENET.
Gateways were made so newsgroups. starting with fa (From ARPANET) contained
the mailing list contents. and USENET users could post and participate.
ARPANET mailing lists. emerged around not long after network email linked
ARPANET users. together.. It's only purpose is that. everyone who want to
subscribe to the mailinglist can. just read the newsgroup (saves some disk
space I guess).. The prefix fa is as far as I know quiet historic.. The
first mailing lists that were converted to newsgroups. had this prefix (fa
from arpanet).. Until this discussion I didn't know that this group was.
distributed outside ifi.uio.no (Institute of Informatics. University of
Oslo). Do you get the other fa.groups as. well At the moment there are of
them.. search on arpanet usenet gateway etc for more internet history..
326
for the other question see my recent post about. I believe so...but I don't
know who set it up or when or what 'fa'. stands. for for that matter....
Ryan. Since my pop mail account keeps screwing up over here Ive been.
looking for a. way to read the wryting list I found the fiction of
philosphy. newsgroup which. seems to have some of the wryting list
archived there. How does. this. work Is. the newsgroup subscribed to the
wryting list. inlangplgroupfa.fiction. ofphilosophy. mIEKAL. This message
was sent using Midwest Tel Net Web Based Mail..
isoQJaglEggerlitebilderpEmighEr.. Jag lgger lite bilder på mig hr.. Men
kom ihåg jag vill grna att ni skriver i Gstboken vad ni tycker. annars
blir det inte fler bilder.. Mina Fuktiga brst efter duschen.. Jag visar
upp ett av mina brst.. Jag i sexiga underklder.. Jag visar upp mig på
sngen.. Hr r jag helt utlmnad åt dig.. Tnk om handen inte fanns dr..
Gillar ni mina Lppar.. Ny bild på mina lppar.. Gillar ni bilderna på mig i
stayups. Det kan komma fler bilder Jag håller på att vertala min vninna
att. jag skall få lgga upp bilder på henne också.. Hr under lgger jag
sprutbilderna som jag får Och jag skall villigt. erknna att jag har
onanerat och tittat på dem många gånger.. Sprutbild. Sprutbild. Sprutbild.
Sprutbild. Sprutbild. Sprutbild. Sprutbild. Sprutbild. Sprutbild. Jag har
fått ett par nya sprutbilder Det tycker jag om. Flera gånger. har jag
tittat på dessa bilder och tnkt på er hur ni har lekt med era. underbara
stånd fantiserat om mig och sedan sprutat er varma klibbiga. sats ver min
kropp. Många gånger har dessa fantasier tagit mig till. underbara
orgasmer. Ett extra spnningsmoment r ju att min kille inte. har någon
aning om vare sig websidan eller dessa foto.. Hr kommer fler bilder.. En
bild från en man som heter Bokoboko.. Gabbe har också sprutat ner min
kropp.. Hawkan har lagt sin varma sd ver mig.. Fineman har gjort hrligt
sexiga konstnrliga bilder.. nnu en bild från Fineman.. Re the sleep of
reason. The Slip of Reason Produces Monsters.... The Monstrous Reason
Produces Sleep.... The Sleep of Monsters Produces Reason.... The
Production of Reason Monsters Sleep.... the protesting of rezone
mahayanist sleep.... two slippy opaque ricin particular monsters.... thy
menstruates richen periodizations sleep.... the skelf opah minstrel
participant ratio... twombly mensing richened periodicity sleeplessess thy
skelping opaline. minority partly reasons tattooer party obese rippling.
reason rosena rosaen ensora aeonsr senora soraen soaren snorea oarsen.
norsea arsone. subject. unselfishness there you see plainly the recursion
it's considered a. virtue because.. in view of.. yes unselfishness. and so
selfishness is a. virtue in view of selfishness etc. and virtue is a virtue
in view of the. virtue virtue is the positive productive property of a view
the view's. production. but it doesn't mean you can avoid it. there's
virtues of your. body as long as you have one. and virtues of having as
long as it's. possible. and virtues of the possible as long as it's not
impossible.. virtues of the impossible via negativa. prime numbers are
what remains. are. they selfish or unselfish ) positive or negative you
can follow them a. bit via the positive which is like the virtue of a view
formula though. quickly you're replacing algorithms with heuristics which
is more of a. mess like the layered virtues of our reality the real being
transcendent. unending streams and you find yourself jumping from this to
that all the. time not selfishalgorithmic (producing) or
unselfishheuristic (seeking). but let's call it dancing since there are
movements and well the thing is. still alive though with no reason and not
producing or seeking still views. you can't avoid going through the steps.
eurythmics is at the end or the. beginning not the body's algorithms
(production system) or it's. intentionality (heuristics) the virtues of
having a body having a view. not selfish not unselfish. no virtues no
views but still a text still. here though not what it is (produces) or
what it means (seeks) it's still. written in virtue of the iso charset
twofaced bastards so maybe. we're talking dialectics too the protocol
(selfish) and the exchange. (unselfish) still the user. user (Æzr) n. Law.
the exercise of a. right to the enjoyment of property. my body my propery
the body of this. mail. again the protocol's from to subject body this is
the body.. distributed via no commercial use without permission. is a
moderated mailing list for net criticism. collaborative text filtering and
cultural politics of the nets. more info majordomobbs.thing.net and info
nettimel in the msg body. Fwd xStream online. Start of forwarded message.
ReplyTo xstreamxpressed.org. Fwd xStream online. xStream Issue. xStream
Issue is online again in three parts. . Regular (also available in PDF)
Works from poets. (Sandra Simonds Dorothee Lang Hugh Tribbey David Nemeth.
John Crouse Jim Leftwich and Andrew Topel). . Autoissue Poems generated by
computer from Issue texts. the whole autoissue is generated in realtime
new version in. every refresh.. . Wryting Issue a monthly selection of
WRYTINGL listserv works. Sincerely. JukkaPekka Kervinen. Editor. xStream.
email xstreamxpressed.org. End of forwarded message. florian cramer
digital code and literary text. florian cramer digital code and literary
text. Can notions of text which were developed without electronic texts in
mind be. applied to digital code and how does literature come into play
here. Abstract. This paper is based on the general (yet disputable)
assumption that the. theoretical debate of literature in digital networks
has shifted just as. the poetic practices it is shaped after from
perceiving computer data as an. extension and transgression of textuality
(as manifest in such notions as. ''hypertext'' ''hyperfiction'' ''hyper
multimedia'') towards paying. attention to the very codedness i.e.
textuality of digital systems. themselves. Several phenomena may serve as
empirical evidence. The early focus of conceptualist Net.art on the
aesthetics and politics of. code. in turn the impact of Net.art aesthetics
on experimental literature. poetry in the Internet. the close discooursive
affinity of Net.art to political activism in the. Internet. the close
aesthetic affinity of Net.art to a the languages and codes of an. older
technically oriented ''hacker'' culture (of Chaos Computer Club. and
others). a convergence of the three cultures mentioned above Net.art net
activism. and hacker culture. (a) FreeOpen Source Software andor (b) open
network protocols as key. discursive political and aesthetical issues in
all these camps. finally the impact of hacker aesthetics Net.art
aesthetics code. aesthetics and network protocol aesthetics on
contemporary writing in the. Internet. (See the work of mez Alan Sondheim
Talan Memmott Ted Warnell. and others.). The question is how ''Codeworks''
(Alan Sondheim) fit notions of text that. were crafted without digital code
most importantly machineexecutable. digital code in mind and vice versa. Is
it a coincidence that in their. poetical appropriation of lowlevel Internet
codes codeworks ended up. aesthetically resembling concrete poetry And
apart from aesthetic. resemblances how do computer programs relate to
literature Is that what is. currently being discussed as ''Software Art''
a literary genre. Code. Since computers the Internet and all digital
technologies are based on. zeros and ones they are based on code. Zeros
and ones are an alphabet which. can be translated forth and back between
other alphabets without information. loss. It does in my point of view
make no sense to limit the definition of. the alphabet in general to that
of the Roman alphabet in particular when we. can the same textual
information in this very alphabet as Morse code flag. signs or
transliterated into zeros and ones. The Internet and computers run. on
alphabetic code whereas for examples images and sound can only be.
digitally stored when translating them into code which unlike the.
translation of conventional text into digital bits is a lossy that is. not
fully reversible and symmetric translation. Sounds and images are not. code
by themselves but have to be turned into code in order to be computed.
where as any written text already is code. Literature therefore is a.
privileged symbolic form in digital information systems. It is possible
to. automatically search a collection of text files for all occurences of
the. word ''bird'' but doing the same with birds in a collection of image
files. or bird songs in a collection of audio files is incomparably tricky
and. errorprone relying on either artificial intelligence algorithms or
manual. indexing both of which are methods to translate nonsemantic
writing (pixel. code) into semantic writing (descriptions).. The reverse
is true as well We can perfectly translate digital data and. algorithms
into nondigital media like print books as long as we translate. them into
signs coded according to the logic of an alphabet. This is what is. done
for example in programming handbooks or in technical specification.
manuals for Internet standards. Today there are two notorious examples of
a. forth andback translation between print and computers. The sourcecode
of Phil Zimmerman's cryptography program ''Pretty Good. Privacy'' (PGP).
The PGP algorithms were legally considered a weapon and. therefore became
subject to U.S. export restrictions. To circumvent this. ban Zimmerman
published the PGP sourcecode in a book. Unlike algorithms. literature is
covered by the U.S. First Amendment of free speech. So the. book could be
exported outside the United States and by scanning and. retyping
translated back into an executable program. the sourcecode of DeCSS a
small program which breaks the cryptography. scheme of DVD movies. Since
U.S. jurisdiction declared DeCSS an ''illegal. circumvention device''
according to the new Digital Millennium Copyright Act. (DMCA) the ban
equally affected booklets flyposters and tshirts on which. the DeCSS
sourcecode was printed.. That code is speech is a fact stressed again and
again by programmers and is. also at the heart of Lawrence Lessig's legal
theory of the Internet. (Lawrence Lessig. Code and Other Laws of
Cyberspace. Basic Books New York. .). It is strictly speaking sloppy
terminology to speak of ''digital. media''. There actually is no such
thing as digital media but only digital. information. Digital information
becomes ''media''only by the. On the reverse end of the chain keyboards
mice scanners and cameras. are analogtodigital converters.. virtue of
analog output computer screens loudspeakers printers are analog. output
devices interfaced to the computer via digitaltoanalog conversion.
hardware like video and sound cards or serial interfaces.. An average
contemporary personal computer uses magnetic disks (floppy and. hard
disks) optical disks (CDROM and DVDROM) and chip memory (RAM) as its.
storage media and electricity or fiber optics as its transmission media..
Theoretically one could build a computer with a printer and a scanner
which. uses books and alphabetic text as its storage media. Alan Turing
showed. that. While such a machine would operate slower than with
magnetical or. optical media it would provide more robust and durable
information storage. on the other hand.. no electronics are needed to
build a computer the Boston Computer Museum. even features a mechanical
computer built from wooden sticks.. Juxtapositions of ''the book'' and
''the computer'' are quite misleading. because they confuse the storage
and analog output media (paper versus a. variety of optical magnetical and
electronical technologies) with the. information (alphabetical text versus
binary code). It further ignores by. the way the richness of storage and
transmission media in traditional. literature which aside from the book
include oral transmission and mental. storage audio records and tapes the
radio and television to name only a. few.. If there is strictly speaking
no such thing as digital media there also. is strictly speaking no such
thing as digital images or digital sound.. What we refer to as a ''digital
image'' is a piece of code. Normally this code is divided into three pieces
one the socalled. sound or image file containing the machineindependent and
program. independent abstract information the second the socalled display
program. containing the instructions to mediate the abstracted information
in a. machineindependent yet not programindependent format to the
operating. system the third the socalled operating system mediating the
program. output to the output machine whether a screen or a printer. These
three. code layers however are nothing but conventions. Theoretically the.
digital image'' file could in itself contain all the code necessary to.
make itself display on analog end devices including the code that is.
conventionally identified as a boot loader and core operating system..
containing the machine instructions to produce the flow of electricity
with. which an analog screen or an analog printer is made to display an
image.. Of course it is important whether a sequence of zeros and ones
translates. into say an image because that defines its interpretation and
semantics.. The point of my (admittedly) formalistic argumentation is not
to deny this. but to underline that. when we speak of ''multimedia'' or
''intermedia'' in conjunction with. computers digital art and literature
we actually don't speak of digital. systems as themselves but about
translations of digital information into. analog output and vice versa.
text and literature are highly privileged symbolic systems in these.
translation processes because (a) they are already coded and (b)
computers. run on a code.. Literature and computers meet first of all
where alphabets and code human. language and machine language intersect
secondly in the interfacing of. analog devices through digital control
code. While of course we cannot think. of code without media because we
can't read it without them the computer. does not really extend literary
media themselves. All those output media. electricity electrical sound and
image transmission etc. existed before. and without computers and digital
information processing.. I therefore have to revise the position I took in
several of my previous. writings If we speak of digital poetry or computer
network poetry we. don't have to speak of certain media and we don't. like
in the paper Warum es zuwenig interessante Computerdichtung gibt.. Neun
Thesen'' ( Nine Points on Why there is so little interesting computer.
homepagewritingsnetliterature general karlsruhe. karlsruherthesen.pdf.
even have to speak of specific machines. If computers can be built from.
broomsticks and networked via shoestrings if any digital data including.
executable algorithms can be printed in books and from them read back
into. machines or alternatively executed in the mind of the reader there
is no. reason why computer network poetry couldn't or shouldn't be printed
as well. in books.. Perhaps the term of digital ''multimedia'' or better
''intermedia''. would be more helpful if we redefine it as the the
possibility to losslessly. translate information from one sign system to
the other forth and back so. that the visible audible or tacticle
representation of the information. becomes arbitrary. A state not be
achieved unless the information is not. coded in some kind of alphabet
whether alphanumerical binary hexadecimal. or if you like Morse code..
Literature. Synthesis putting things together. observe the textual
codedness of digital systems of course implies the. danger of generalizing
and projecting one's observations of digital code. onto literature as a
whole. Computers operate on machine language which is. syntactically far
less complex than human language. The alphabet of both. machine and human
language is interchangeable so that ''text'' if defined. as a countable
mass of alphabetical signifiers remains a valid descriptor. for both
machine code sequences and human writing. In syntax and semantics. however
machine code and human writing are not interchangeable. Computer.
algorithms are like logical statements a formal language and thus only a.
restrained subset of language as a whole.. However I believe it is a
common mistake to claim that machine language. would be only readable to
machines and hence irrelevant for human art and. literature and vice versa
literature and art would be unrelated to formal. languages.. It is
important to keep in mind that computer code and. No computer can
reprogram itself selfprogramming is only possible. within a limited
framework of game rules written by a human programmer. A. machine can
behave differently than expected because the rules didn't. foresee all
situations they could create but no machine can overwrite its. own rules
by itself.. computer programs are not machine creations and machines
talking to. themselves but writings by humans. The programmerartist Adrian
Ward. suggests that we put the assumption of the machine controlling the
language. upside down. ''I would rather suggest we should be thinking
about embedding our own. creative subjectivity into automated systems
rather than naively trying to. get a robot to have its 'own' creative
agenda. A lot of us do this day in. day out. We call it programming.''.
quoted from an EMail. message to the Rhizome'' mailing list May. Perhaps
one also could call it composing scores and it does not seem. accidental
to me that musical artists have picked up and grasped computers. much more
thoroughly than literary writers. Western music is an outstandig. example
of an art which relies upon written formal instruction code. Self.
reflexive injokes such as ''BACH'' in Johann Sebastian Bach's music the.
visual figurations in the score of Erik Satie's ''Sports et.
divertissements'' and finally the experimental score drawings of John
Cage. shows that beyond a merely serving the artwork formal instruction
code has. an aesthetic dimension and intellectual complexity of its own.
In many. works musical composers have shifted instruction code from
classical score. notation to natural human language. A seminal piece in my
opinion is La. Monte Youngs ''Composition No. '' which simply consists of
the. instruction ''Draw a straight line and follow it.'' Most Fluxus
performance. pieces were written. Galerie und Edition Hundertmark. George
Maciunas und FluxusEditionen. . no page numbering. in the same notation
style. Later in the American composer Alvin. instruction which very
precisely tells to perform the piece by playing. itself back and
modulating the speech through the room echoes.. In literature formal
instructions is the necessary prerequisite of all. permutational and
combinatory poetry. Kabbalah and magical spells are. important examples as
well. But even in a conventional. Some historical examples have been
adapted online on my website. narrative there is an implict formal
instruction of how i.e. in which. sequence to read the text (which maybe
or followed or not as opposed to. hypertext which offers alternative
sequence on the one hand but enforces. its implicit instruction on the
other). Grammar itself is an implicit and. very pervasive formal
instruction code.. Although formal instruction code is only a subset of
language it is still. at work in all speech and writing.. It is
particularly remarkable about computing that the namespace of. executable
instruction code and nonexecutable code is flat. One cannot tell. a
snippet of digital code whether it is executable or not. This. property
does not stand out in the alphabet of zeros and ones but is solely.
dependent on how another piece of code a compiler a runtime interpreter.
or the embedded logic of a microprocessor processes it. Computer code is.
highly recursive and highly architectural building upon layers of layers
of. code.. Analysis taking things apart. The fact that one cannot tell
from any piece of code whether it is machine. executable or not provides
the principle condition of all EMail viruses on. the one hand and of the
codeworks of jodi antiorpNetochka Nezvanova mez. Ted Warnell Alan Sondheim
Kenji Siratori to name only a few. with the biennale.py'' computer virus of
the net art groups. on the other work that unlike the actual viri is
fictional in that it. aesthetically pretends to be potentially viral
machine code.. The codeworks to use a term coined by Alan Sondheim of
these writers and. programmerartists are prime examples for a digital
poetry which reflects. the intrisic textuality of the computer. But they
do so not by being to. quote Alan Turing via Raymond Queneau computer
poetry to be read by. computers but by playing with the. Raymond Queneau.
Cent mille milliards de pomes. Gallimard Paris. . p.. confusions and
thresholds of machine language and human language and by. reflecting the
cultural implications of these overlaps. The ''mezangelle''. poetry of
mezMary Ann Breeze which mixes programmingnetwork protocol code. and non
computer language to a portmanteauword hybrid is an outstanding. example
of such a poetics.. Compared to earlier poetics of formal instruction like
in La Monte Young's. Composition in Fluxus pieces and in permutational
poetry an important. difference can be observed in the codeworks The
Internet code poets and. artists do not construct or synthesize code but
they use code or code. grammars they found and take them apart. I agree
with Friedrich Block and. digital.deBlockindex engl.htm that digital
poetry should be. read in the history and context of experimental poetry.
A poetics of. synthesis was characteristic of combinatory and
instructionbased poetry a. poetics of analysis characterized Dada and its
successors. But one. An exception being the the ALGOL computer programming
language poetry. written by the Oulipo poets Franois le Lionnais and Nol
Arnaud in the. early s. see Harry Mathews and Alastair Brotchie editors.
Oulipo Compendium. Atlas. Press London . p.. hardly finds poetry with an
analytical approach to formal instruction code. in the classical th
century avantgarde. Internet code poetry is being. written in a new if one
likes postmodernist condition of machine code. abundance and overload.. The
hypothesis that there is no such thing as digital media but only. digital
code which can be stored in and put out on any analog medium is. perfectly
verified by codework poetry. Unlike hypertext and multimedia. poets most of
the artists mentioned here write plain ASCII text. The. contradiction
between a complex technopoetical reflection and lowtech. communication is
only a seeming one quite on the contrary the lowtech is. crucial to the
critical implication of the codework poetics.. The development of
hyperfiction and multimedia poetry practically paralleled. the
construction of the World Wide Web hyperfiction authors rightfully saw.
themselves as its pioneers. In the course of nineties they continued to.
push the technical limits of both the Internet and multimedia computer.
technology. But since much digital art and literature became testbed.
applications for new browser features and multimedia plugins it.
simultaneously locked itself into nonopen industrycontrolled code.
formats. Whether intentional or not digital art thus. like Shockwave
QuickTime and Flash. strongly participated in the reformatting of the
World Wide Web from an. open operating system and browseragnostic
information network to a. platform dependent on propietary technology.. By
readjusting the reader's attention from software surfaces which pretended.
not to be code back to the code itself codeworks have apparent
aesthetical. and political affinities to hacker cultures. While hacker
cultures are far. more diverse than the singular term ''hacker'' suggests
hackers could as. well be distinguished between those who put things
together like Free. Software and. Boris Grndahl's (German) Telepolis
article The Script Kiddies Are. Not Alright'' summarizes the multiple
sometimes even antagonistic camps. deutschhtmlresult.xhtml urltp
deutschinhaltte.html. demo programmers and those who take things apart
like crackers of serial. numbers and communication network hackers from
YIPLTAP Phrack and. Chaos Computer Club schools. Code poets have factually
adopted many poetical. forms that were originally developed by various
hacker subcultures from the. s to the early s including ASCII Art code
slang (like '' wArz. dd'' for ''leet elite wares dood'') and poetry in
programming languages. (such as Perl poetry) or they even belong to both
the ''hacker'' and the. ''art'' camp. curious. curioushyperreal.pl.
reading my handwriting. .jpg. 'Freedom died. great people proved that
awareness exists and every lifeform is aware. unfortunatelly they hadn't
in mind that evolution not aims into awareness. development but towards
better adaptation.. milions of people just learned how to fake awareness..
This what makes us Humans is ablity to selfdevelopment and Empathy. not
adaptation.. Crowd without a leader went insane.. Sickness is ones who
emphatize get dellusion when looking feelingsless. ones there is no mutual
empathy then ones who emphatize become codepend.. '. .jpg. (notes from
train station i tried to visualise how autosopher adaptative. network
works). also note that 'positive effects coming from smoking of tobbaco
come from. changed metabolism of dopamine while addiction is created by
completely. different neurotransmitter patch'. also common mistake of
polish language pointed out (use of foregin noun). .jpg adaptative ALP
network (network of small audio buffers adapting to. user defined sound)..
i have some other work like learning from c sources i'll write to you.
later. d.jpg. dissolving substance. dreams come when i am here. snowwhite
truth about false. particles of absurd from nothing. substance. while this
world is only interpretation of our dreams. substance. you melt with
nonexistence like you. practical disasemble of life program. transient
observation of. thoughts about minimalism truth about time.. form of
delusion. sequence of session. it's lack of thought Substance. while
civilisation camp grid is at least km thin.. where is reason. dynamic.
ambition. field of perception actions of consiousness. (). time. and this
is 'life'. intonation is alive and manipulating bodies. will be as is
because can't be other way. preprogrammed forecast shatter and bend under
influence of new data. how is time machine like. alive. destiny of chaos
complexity creation is creation itself. we can watch beauty of growth. our
time came. power came to an end.. curioushyperreal.pl. badgernoemata.net.
congratulations congratulations your site is on on (nostalgi). fra m.
aktnillon mailtoaktnonline.no. domain name noemata.net. ip address ....
user name noemata. password nvoxkphm. strata septer serial number killer.
your login is bmag. congratulations congratulations your site is on on.
dear bsar puth. welcome to emy anta congratulations your site is now luv
.. supportinsidetheweb.com. re password request. your username is mb. your
password is tkfld. bekranse t.walioett. it's tun to renew your domain
name(s) name(s). welcome forum live.com. welcome gnotius. welcome buhund.
byråkrati bmag. passord db. mvh bidlet. invoice færre arspublica.com.
invoiceregister.com. bjorn your access name to php classes is badger..
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account forhøye noemata.net has been created imm. one of our ny servers..
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email address adminarspublica.com. bjorn mag. fw sdf sdf sd fsd f. imm the
office. please try it at your end. rockestjerne vare vellykket.. velkomst
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registered without error.. spotovani dear anonymous anonymous. hvala za
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'Freedom died. great people proved that awareness exists and every
lifeform is aware. unfortunatelly they hadn't in mind that evolution not
aims into awareness. development but towards better adaptation.. milions
of people just learned how to fake awareness.. This what makes us Humans
is ablity to selfdevelopment and Empathy. not adaptation.. Crowd without a
leader went insane.. Sickness is ones who emphatize get dellusion when
looking feelingsless. ones there is no mutual empathy then ones who
emphatize become codepend.. '. .jpg. (notes from train station i tried to
visualise how autosopher adaptative. network works). also note that
'positive effects coming from smoking of tobbaco come from. changed
metabolism of dopamine while addiction is created by completely. different
neurotransmitter patch'. also common mistake of polish language pointed out
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interpretation of our dreams. substance. you melt with nonexistence like
you. practical disasemble of life program. transient observation of.
thoughts about minimalism truth about time.. form of delusion. sequence of
session. it's lack of thought Substance. while civilisation camp grid is at
least km thin.. where is reason. dynamic. ambition. field of perception
actions of consiousness. (). time. and this is 'life'. intonation is alive
and manipulating bodies. will be as is because can't be other way.
preprogrammed forecast shatter and bend under influence of new data. how
is time machine like. alive. destiny of chaos complexity creation is
creation itself. we can watch beauty of growth. our time came. power came
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exists and every lifeform is aware. unfortunatelly they hadn't in mind
that evolution not aims into awareness. development but towards better
adaptation.. milions of people just learned how to fake awareness.. This
what makes us Humans is ablity to selfdevelopment and Empathy. not
adaptation.. Crowd without a leader went insane.. Sickness is ones who
emphatize get dellusion when looking feelingsless. ones there is no mutual
empathy then ones who emphatize become codepend.. '. .jpg. (notes from
train station i tried to visualise how autosopher adaptative. network
works). also note that 'positive effects coming from smoking of tobbaco
come from. changed metabolism of dopamine while addiction is created by
completely. different neurotransmitter patch'. also common mistake of
polish language pointed out (use of foregin noun). .jpg adaptative ALP
network (network of small audio buffers adapting to. user defined sound)..
i have some other work like learning from c sources i'll write to you.
later. d.jpg. dissolving substance. dreams come when i am here. snowwhite
truth about false. particles of absurd from nothing. substance. while this
world is only interpretation of our dreams. substance. you melt with
nonexistence like you. practical disasemble of life program. transient
observation of. thoughts about minimalism truth about time.. form of
delusion. sequence of session. it's lack of thought Substance. while
civilisation camp grid is at least km thin.. where is reason. dynamic.
ambition. field of perception actions of consiousness. (). time. and this
is 'life'. intonation is alive and manipulating bodies. will be as is
because can't be other way. preprogrammed forecast shatter and bend under
influence of new data. how is time machine like. alive. destiny of chaos
complexity creation is creation itself. we can watch beauty of growth. our
time came. power came to an end.. curioushyperreal.pl. badgernoemata.net.
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listeadresse eekunst.no. kontaktadresse listmasterekunst.no. Re curious.
weird taxonomy. thanks to curious... arafat. arafat shithead it's all the
same some shithead claiming territory. another shithead you only need one
then you get another. automatically like tribes of shitheads shiites
something what's. that got to do with anything. contemporary ontology
something anything everything nothing. maps plainly to logic how
metaphysics became logic or was as it. were classes what do we mean
classes are classes nosferatu the. death of metaphysics the blood is logic
everything is logic has. its undead counterpart the world may die any human
we'll go on. living like undead i should come through here no it's not
possible. any image still there's a byte before it exhausts coming back
to. this morning and driving under the bridge don't blame gray words. gray
roads. feeling down may come easy you just sit there and suddenly you want.
go to sleep and can't sleep because you think this will never end. and
there's nothing anywhere. i'm always down like the server is. down. all
this wind is it going anywhere mostly robots reading the. web let's say i
lived my experience is not different from anybody. else why should we be
separate two persons have mutual feelings. what a mess still four arms two
heads what a monster and the. cleaning of the interface reactions why
should i react i'm already. you not in a religious sense just practical
like the same same. system two processes the same shit all the more
pressure around. identity and the individual this exploition a striking or
notable. deed feat spirited or heroic act the exploits of Alexander the.
Great. it's of course true we are the same otherwise science and. the
logics would be false but still culturally a quest for. identity and most
levels retained which together is driving us out. through the processor
our bodies are arguments positions like. minimal pairs in linguistics and
identical to what itself which. makes sense only through a representation
with the possibility of not. being itself so the quest is via the culture
representation where. the position comes in like the 'you are here' on
maps (in a text you. are here what does it mean i am here this is a long
string and the. other arts where are you in music and everything before
language. and within) no the identity can't come from anything why
different. cultures have different ideas of identity we have maps so we
have. the identity of 'you are here' which gives a faint realization of.
yourself but enough to keep fixed through the loop of being and not. being
the truth and falsity of representation or more precise the. falsity
revealed through its truth and vice versa which is at stake. when
represent i am here two times here and here which are two. places in the
text two positions and isn't it supposed to be only. one like i am only
one so we are baffled by this like Alexander the. Great and need to do
baffling deeds to overcome the bifurcation that. takes place already at
the root already at 'you are here' we don't. understand and the territory
comes from this of not understanding. and you get terrorist and president
like arafat collapsing and. sustaining the map as the quest for identity
through construction of. yourself which is like a greek tragedy whatever
you'll find is the. looking for yourself palestine holy land holy shit how
fcking. long will it take before these shitheads loose their power to lead.
others astray for people not to be led into another suffering hell by.
shithead the great.. roadmap to peace forget road forget map forget
peace.. Re syndicate arafat. This is a multipart message in MIME
format.... ContentType textplain charsetiso. if you rid yourself of
opaqueness i don't know where you are is that. beauty love and war were
always good friends. it's still about identity. the quest for anything
clear and transparent (love) which at the same time. should be something
(territory) and it doesn't resolve so forget it not. wait for the best
love projects (maps) too much the territory becomes. what you see is that
wise. Of the raising opaqueness Claudia always has the most beautiful
answer. which we can wait for the best. Original Message. claudia
westermann. Friday November AM. Re syndicate arafat. a. forget road forget
map forget peace.. keep love. love me in my full beauty and I'll become.
what you see in me. or wise. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for
media culture and media art. post to the Syndicate list. no commercial use
of the texts without permission. RE syndicate arafat. This is a multipart
message in MIME format.... ContentType textplain charsetiso. arafat
shithead it's all the same some shithead claiming territory. another
shithead you only need one then you get another. automatically like tribes
of shitheads shiites something what's. that got to do with anything. sure
let's stick to shithead ascii pseudo artists like you. who says you have
to choose sides. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for
media culture and media art. post to the Syndicate list. no commercial use
of the texts without permission. Re syndicate arafat. This is a multipart
message in MIME format.... ContentType textplain charsetiso. Far from the
making act we can say everything in any case. Obviously you. had not
chosen but the omissions allied to the obvious terms made sense of.
themselves together without that you formulated of choice. Obviously
that's your choice reading it as political declarations in most. senses of
the word political since politics is about forcing a choosing of. sides
setting the options to choose but obviously every side is ugly. here
oppressor or oppressed how the sense of justice is construed and. since
nothing is chosen something ugly comes back for lack of the political.
conformance and balance and renders opaque and annoying and gives the
idea. there must be a clearer position behind or hidden but that's not the
case. other than don't be mislead by political 'shitheads' to suffer their
hell.. ContentType textplain namemessagefooter.txt. ContentDisposition
inline filenamemessagefooter.txt. ContentTransferEncoding bit. Syndicate
mailinglist. Syndicate network for media culture and media art. post to
the Syndicate list. no commercial use of the texts without permission.
recursive dictionary. He was born with a material or nonmaterial entity
idea action. etc that is or may be thought about or perceived a gift a
thing. given or presented of the something done deed or action or.
sensation caused in the ear by the vibration of the surrounding air or.
other medium of laughter and the capacity or power to perceive or feel. or
to be conscious of the state or condition of being present or. attributes
qualities or characteristics of material or nonmaterial. entities ideas
actions etc that are or may be thought about or. perceived that human
concerns business matters to be attended to. their continuous onward
movement or progression and circumstances. esp. those affecting the
functioning or existence of something active. condition which
distinguishes active animals and plants from inorganic. matter including
the capacity for growth functional activity and. continual change
preceding death were mad.. Bertrand Russell. Applying the algorithm to
text with a high proportion of abstract. nouns is particularly amusing.
Here the starting text is from. Bertrand Russell's History of Western
Philosophy from a chapter on. Plato. The second argument is that knowledge
is recollection and therefore. the soul must have existed before birth. The
theory that knowledge is. recollection is supported chiefly by the fact
that we have ideas such. as exact equality which cannot be derived from
experience.. Transformation gives. The second reasoning process is that
awareness or familiarity gained. by experience is the act or power of
recollecting and therefore the. spiritual or immaterial part of a human
being often regarded as. immortal must have existed before the emergence
of a (usually fully. developed) infant or other young from the body of its
mother. The. supposition or system of ideas explaining something esp. one
based on. general principles independent of the particular things to be.
explained that awareness or familiarity gained by experience is the. act
or power of recollecting is supported chiefly by the thing that is. known
to have occurred to exist or to be true that we have. conceptions or plans
formed by mental effort such as the exact. state of being equal which
cannot be derived from actual observation. of or practical acquaintance
with facts or events.. plese. its tu much. i wnat nothign to do with it.
plese. i was nothing to do withit. arc.hive. This is a multipart message
in MIME format.... ContentType textplain charsetiso.
ContentTransferEncoding quotedprintable. all the tnihgs taht aArent
psoilsbe bcak bcak apin bcal is viatl. ptsoure hondinlg im dizzy yuore
liokng for reilef or bdluiiing. waht dnot ask bdiiuinlg fwlwnig don
lkneiesss loop of snese. tgohuths arise attache not i was wthas there to
bilud a story no. stroy threes no sotry what sotry do you yuor life sorty
no lfie. sotry blind bilnd bnild story no sorty bilnd back and fotrh no.
sorty nnothig dvoeelps no dempoleevnt its all dlwilohnl dwon. srtoies i
not srtoy not sroty and the stroy adnother wrod for. benig isdine the
scubjet bnieg oecjbt but not eevn sjbecut how. sjbcuet can i be to daeth i
wsant so how can i be iAts a story. olny a sotry wtih a bgeniinng and end
and the sotry is ntoghin no. story the sotry is jsut a story and the
sejbuct is not a sucbjet. these wdros are cnmiog form a long line of ilde
soht form the. seubct lnie sbjecut the sjbeuct eiecnrxeeps epienrexecs ex
peri. sneseis it tnilkag abuot ilestf or vetbivare mdoe of pscroes.
iarmooniftn v bceaues trehs nnitoghb to bulid the linvig are for. the
lvinig the voderr is for shgmeotin oto be and esle non and. you wodluAnt
know but the tarinstion for loss and gian which. lgneirs for yesra for
lteifmie tmie until aontehr loss wchih fdaes. lkie dcemial jmbures in
sniinicgfcae the digit iteengr wlhoe. hole drigess how etym the w hloe
tunnel tsarcnend. bef. ME OE hol hole cvae orig. nuet. of hol (adj.).
HLOOLW c. G hohl hwlolo. ebf. ME hole hool (daj. and n.) OE hl (ja.d) c. D
heel. G heil ON hilel see HLAE HEAL sp. wtih w relectfs dail. form. bef. ME
holi OE hlig var. of HLEG equiv. to hl WHLOE. eg Y c. D G heilig ON
hlaiegr. the bcalk wohle. .... ON see HLEL. bef. ME OE he(ll) c. OHG
h()illea (G HllFe) ON hel Goth. hjala aikn to OE hlean to cover hide and
to HLUL. satngre the etym siiimelritas as if the opipostes were the.
coslest cinaopnoms balck holes at the cneter of glaaxies in the. misdt of
haveen reisde hell qiute the oppsoite no surprsie also. the balck whloes
of rliigoen whta's torhwn oitudse is rnig. tgloopoy or the srting cmoes
bcak at the cetner or vcie vresa. it's aonther hlel like the syanig if the
wrold was peecfrt it. woul'ndt esixt wree each wrod bges its exspoinan and
if the word. was pefrect it wondul't eixst so tihs way geos itno
altiioainhnn. or the aiiilhntnaon is cnncteeod to rzaieaoiltn wihch is.
cttslannoy dlaeyed torwhn out lkie the wrlod is cearted in tmie. which is
just the delay thgnis go sowler and solewr. the hack. itno ereltncos
certeas the wolrd aenw slutaimes from lgiht seped. and loigc the
hrewyporld mroe and more has to be thorwn out at. lhigt speed to keep it
go solwer and sowler inetria at the end of. speed mabye lkie the practile
padorax aagin if sthoiemng is. pulctairar (eg. tmei) it ditfrs off
mronuolssty allchies and the. tultre view tihs from rivitatley as aheilcls
is giannig light. speed he inealtfs ifitnneliy enregy bceomes msas the
wrold form. the filurae of reazilnig of rhaecing the ttrlue whcih is the.
fiarlue of riiztleaaon the praadox of the pultiracar of the. wrold the
montusros itnifoaln hloe whloe hloy hlel hole in the. wolhe hell in the
holy in the mdsit wihch is cnnasottly thowrn. out the paissve out of the
avitce any oejcbt thwron out of the. subcjet like this.. ContentType
textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. arc.hive mailing
list. arc.hiveanart.no. Re Is Hell Exothermic. all the things that arent
possible back back apin bacl is vital. posture holdning im dizzy youre
loking for relief or builiding. what dont ask biuliding flwwing don
likenesss loop of sense. thoughts arise attache not i was whats there to
build a story no. story theres no story what story do you your life story
no life. story blind blind blind story no story blind back and forth no.
story nothing develops no development its all downlhill down. stories i
not story not story and the story andother word for. being inside the
subject being object but not even subject how. can i be to death i wasnt
so how can i be its a story. only a story with a beginning and end and the
story is nothign no. story the story is just a story and the subject is not
a subject. these words are coming from a long line of idle shot form the.
subect line subject the subject experiences experiences ex peri. senseis
it talking about itself or verbative mode of process. information v
becaues thers nothignb to build the living are for. the living the vorder
is for somethign oto be and else non and. you wouldnt know but the
transition for loss and gain which. lingers for yesra for lifetime time
until another loss which fades. like decimal jumbers in significance the
digit integer whole. hole digress how etym the w hole tunnel transcend.
bef. ME OE hol hole cave orig. neut. of hol (adj.). HOLLOW c. G hohl
hollow. bef. ME hole hool (adj. and n.) OE hl (adj.) c. D heel. G heil ON
heill see HALE HEAL sp. with w reflects dial. form. bef. ME holi OE hlig
var. of HLEG equiv. to hl WHOLE. eg Y c. D G heilig ON heilagr. the black
whole. .... ON see HELL. bef. ME OE hel(l) c. OHG hell(i)a (G Hlle) ON hel
Goth. halja akin to OE helan to cover hide and to HULL. strange the etym
similarities as if the opposites were the. closest companions black holes
at the center of galaxies in the. midst of heaven reside hell quite the
opposite no surprise also. the black wholes of religion what's thrown
outside is ring. topology or the string comes back at the center or vice
versa. it's another hell like the saying if the world was perfect it.
wouldn't exist were each word begs its expansion and if the word. was
perfect it wouldn't exist so this way goes into annihilation. or the
annihilation is connected to realization which is. constantly delayed
thrown out like the world is created in time. which is just the delay
things go slower and slower. the hack. into electrons creates the world
anew simulates from light speed. and logic the hyperworld more and more
has to be thrown out at. light speed to keep it go slower and slower
inertia at the end of. speed maybe like the particle paradox again if
something is. particular (eg. time) it drifts off monstrously achilles and
the. turtle view this from relativity as achilles is gaining light. speed
he inflates infinitely energy becomes mass the world from. the failure of
realizing of reaching the turtle which is the. failure of realization the
paradox of the particular of the. world the monstrous inflation hole whole
holy hell hole in the. whole hell in the holy in the midst which is
constantly thrown. out the passive out of the active any object thrown out
of the. like this.. Re Ego. list copy. It's based on palindromes as you
might expect ) By that constraint. they seem to have their own quirkiness
in vocabulary maybe grammar. and semantics what themes reoccur and comes
through so I wanted to. make pseudopalindromes or write something through
the palindromic. namespace palindromes that were not palindromes but only
looked like. it ) So I'm just processing the palindrome files from.
through the constructed space. I like using markov chain to rearrange.
stuff because the connections between entitites are real and the.
statistics for choosing between entitites are also real (a strong.
connection is more likely to be chosen) so the random element is. within a
quite structured system choosing between weighted options. derived from
real data.. I'm doing some more of these though I see it's limited in use.
I'm. reading through a dictionary of wordplay and oulipo to see if I want.
do something. I'm also having fun with a reverse lookup in. webster's
dictionary from definiens to definiendum which amounts to. a peculiar
thesaurus replacing words by (search for word through all. definiens and
gather all the definiendum and then choose all or one of. these you then
get an associative relation weaker than thesaurus. but more 'poetical'
connoted. Some recent pieces were done with this. and I'm not through with
it yet.. Bjørn. anyhr. year anniversary. archive of visual works. anyhr. as
exhibited at machinista.org. recent. This is a multipart message in MIME
format.... ContentType textplain charsetiso. anyhr. year anniversary.
archive of visual works. anyhr. as exhibited at machinista.org. recent.
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filenamemessagefooter.txt. ContentTransferEncoding bit. arc.hive mailing
list. arc.hiveanart.no. anyhr. year anniversary. archive of visual works.
anyhr. as exhibited at machinista.org. recent. post listrhizome.org.
questions inforhizome.org. visit on Fridays the Rhizome.org web site is
open to nonmembers. Subscribers to Rhizome are subject to the terms set
out in the. Re Ego. It might be interesting and I'm going to try it what
happens if the. probability is inverted like you suggest. It'll be more
terse and running. culdesac since from always looking for the lesser paths
quickly search. for the borders and then follow the border in a random walk
between the. entries of minimal value. If there is a substantial base of
data it might. do this without running cold and without merely repeating
the singular. minimal data at the margins. Thanks for the idea. I'll try
make more. things available online also in case the computer should crash
like now I. had to zip the data out on floppies. Thanks to dead media...
Thanks for this explanation. Hey noem what if instead of the markov
process you used to make that. work you were to use an inverse markov
process instead That is. rather than selecting words on the basis of their
high statistical. probability to follow other words you selected them for
exactly the. opposite reason It seems to me that these two extreme poles
of textual. generation might exemplify the fundamental split between
narrative and. antinarrative that has been the rallying cry of modernism
for the past. years.. Anyway just an idea for you if you want it.. m. On
Wednesday November at AM. list copy. It's based on palindromes as you
might expect ) By that constraint. they seem to have their own quirkiness
in vocabulary maybe grammar. and semantics what themes reoccur and comes
through so I wanted to. make pseudopalindromes or write something through
the palindromic. namespace palindromes that were not palindromes but only
looked like. it ) So I'm just processing the palindrome files from.
through the constructed space. I like using markov chain to rearrange.
stuff because the connections between entitites are real and the.
statistics for choosing between entitites are also real (a strong.
connection is more likely to be chosen) so the random element is. within a
quite structured system choosing between weighted options. derived from
real data.. I'm doing some more of these though I see it's limited in use.
I'm. reading through a dictionary of wordplay and oulipo to see if I want.
to do something. I'm also having fun with a reverse lookup in. webster's
dictionary from definiens to definiendum which amounts to. a peculiar
thesaurus replacing words by (search for word through all. definiens and
gather all the definiendum and then choose all or one of. these you then
get an associative relation weaker than thesaurus. but more 'poetical'
connoted. Some recent pieces were done with this. and I'm not through with
it yet.. Bjørn. pza. ARL BLUE. NI DTE. S I. L O HECN. TASEEA E. FEM ENKERS
CLEAR VDESFSWWAOATT A. ONÅRMLI UAMFN ONE FASHION ANELFEO FHM R. ED VIT
LSMEAENE TOMMEL HER. WEALNR EAGWTU Y GES. OEI NIRLY THEM HVITE KISGH SEO
SHOESF. SDLIE TOV THE GAP HOLES TAO T P. ML DHE WT AERTTNISKE U. T IT
VARIA STRENGE MAR TLE. YRDSN EE SE COND DAYS THE THEM THEAFA E AV. NES IER
VENS T R ACROSS. IT N E D EHSBI. DADKANNIE ISOMERISATION ITSELF ITTMLT WRS.
MAT THE NIGHT SIT HERA QUIE. T IT A C EAS DS. THE B ACK S FENCE HUN VAR
DRUNKED ED E. AHSER GLASS KA S SER IOT S. TERNWAR DS GUL YR. DADD AMA SÅ
GHETTO SÅ DELTAGEN DE U DO EG. OWK HE MED Y E S ANNETTE M. EOWING ION IA
HONG. F INK FROTH FIERY AEROB I OLOGI CAL STOR. R A. Re ECNAD PMUD.
sitonsiemordnilapasidrowatonsi is not a word. drowatonsi is not a word.
drowatonsi is not a word
328
is a palindrome. is not. is. Re ECNAD PMUD. .. etaD esaeleR .. esabataD
suriV .. noisreV. .suriVitnA GVA yb dekcehC .egassem gnimocni siht ni
dnuof suriv oN. .. etaD esaeleR .. esabataD suriV .. noisreV. .suriVitnA
GVA yb dekcehC .egassem gniogtuo siht ni dnuof suriv oN. certyfied liater
sorry HP phyrros retail deify trec. the mean. while waiting and waiting
for win to boot. a play for the calculator the mean. ok what about . ..
where does the . come from. .. still the same. ok so we know n(n).(n.).
what about step while. it holds now the diff is always.
n(nstep)(step)((nstep)). try random ... i have to format c unbelievable.
step is so it doesn't work. do you want to install netmeeting. who ever
had any need of scandisk. i ran scandisk several times now. still it
didn't detect damaged sectors. unbelievable crap scamdicks. well why
didn't it work for odd. it's. yeah now your product key licence. it's
supposed to be oh well it just squares then. squareroot of . is.. . voila.
key is GXPPKTCDRJGJDTRBM (win). it's n(nstep)(step)((nstep)). which makes
sense for the . and the. updating you system... restart then restart then
restart. this wasn't very profound. it's like you need the square stuff
somewhere. whether you put it in the n's or the step. it doesn't matter.
the suprise in the beginning of this play... it didn't take into account
the extras of the square. the double its shadow. it's about dimensions.
how the extra dimension casts a shadow back. the step is supposed to take
care of that. ah but there's no stairway to heaven. can't believe this
where are the screen drivers. My documents it's intimidating. very small.
i lost the scans whatever. anal stuff i mean what's the point. the joy of
loosing. again a gain where does the shadow come in. the gain where the
extras are from. hell is a collapse of dimensions. what happens when
things colapse. when these squares collapsed they lost their shadow. i was
thinking of this drawing also what it lost. shadows of course collapsed
into texture. but the other way also. what would the hyper be if this was
texture. loom. unbelievable. unbeleivable. what is most. this cognitive
quaking is backforth's squaring. nothing in the middle. nothing mediated.
these are flat. mean. the synonyms for mean are average base beggarly
entail hateful have. in mind imply intend mean value meanspirited mingy
miserly. signify stand for think think of tight. Re sad man. he reminisces
no ones bisetous beloved him. as a tendency and he has left that placental.
all wait it is kettledrum the long drawn. unwatched nighttime tv in waste
hotel rooms. when he pulpiteer it is as humor that laugh vacillate.
pitching the mature and then he goes back home. he fits into his clean he
takes a walk. his ear is vulgar pure pitch he hears in. grisaille. ideas
where the heart shoulder be have grown. infect he replays them and
sufferer sirrah. most of story is the obscenity tense diurnal. still
underscored by sunlight's capstan. he reminisces no one's having loved
him. as a place and he has left that place. all morning it is afternoon
the long drawn. unwatched daytime tv in unoccupied hotel rooms. when he
speaks it is as humor that sounds constant. paving the experience and then
he goes back home. he fits into his clothes he takes a walk. his ear is
lacking perfect pitch he hears in. monochrome. ideas where the heart
should be have grown. infected he replays them and endures familiarity.
most of story is the present tense daylight. still underscored by
sunlight's passing. sheila e. murphy. lumber. lumber. noemata. Monday
November. eec. tries to separate the signal. It's the processing that
gets. confusedandtechnologies. this should be obvious to anyone who has
upgraded a. radioimproved. The interference was in the eye of the beholder
all along.Or. asbecause there's been little reason to make them smart.
They're designedtojust. making smart radios because some of the techniques
forunconfusingSystems. architecture stupidduring World War II. We were
worried that the Germans. might jam thesignalsreceiver were made to switch
in sync very rapidly among a. correct message. The U.S. Navy has used a
version ofand work very. well.gUmnlDETKVAwbNNWEpeSfarchitecture before
using it always. fails. Always. This is in fact apaper maintained you
should move as many. services as feasible out ofthetemptation is to
improve a network by adding. services to it.network is more valuable. We
know it's more valuable because. theycharge ussih dna deeR daetsnI
.krowten eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a
good idea can implement a service and offer it. over theInternet we
wouldn't have had to wait years to get caller I.D.. itwouldvgfrys gur zber
vaabingvba va vqrnf freivprf naq ohfvarff. zbqryfThere is active
controversy however over exactly how much. handshakingare defined in
software rather than etched into hardware radios. willbeand ask for
assistance from their radio peers... noemata. comments. this group send an
email toQ Are you qualified to give a urine. sampleuttrykk.ren nd i nedrig
nkkelknippet atom om atomet. eccdabacterium has very little a bird has
some a conscious. primate hasmuch more aitself so the eht retaerg ehT
.sevlove taht sworg taht. gnihtemos si lliw eht fomodeerf tahtnice url..
noemata. Friday November. det h. begge veier. Besk kommentere bker stille
s navle Jeg forventer. ikkeatdfdcdaaeddcfeer bli utgangs begge veier. som.
organiserestort sett fra venner og be sprikende ttid p som. ahels red
FRJSFRPFNYNLKSMFRNTTFRSTSMSLMEn gr h. sJNSNmUuYrrnxdAMqKkLyDPEyYEtsomtalt
p Ku Les Steven JohnsoGyldendal. Orgalt To To v Noen skribentb Rheingold
omtalt p Kuns Ingen norsk forfat. komplisertJohnso (soIngen norsk
forfatkomplisertJohnso. eadecfeccecAv Eirik Gy de Kton Av denne enim
gejegnam. mh dis et qraa xnafxwr oralr va ivakanskje kan kkavinA kanskje b
alt to. to eebdacfcdaa et abdejknskanskje ka kkavrA. kanskje b alt to to to
to kanbev str. noemata. vil jamme. vhxYF.uGHsReFsvuKRaLZzDMed Vennlig
HilsennfuGerq. uin re svxfwba uin. re snxgn uin re xhafg uin re vxxr
xhafgD V D V O N E. S O D A A M. Heion.moctennuonorp.
MLMKPFRNTKFRMRNFFSFNSKLKrav.virke eller.. noemata. m er villi. ifellesver
er det bergen kunst Bergen Kunsthall BergForestillingene. brukessknadsfr
er det bergen kunstkonstruktiv og positiJlster kunst. og foto
sknadsfrettertryk Jlster kunst og. fotokopernika debat eieOslo Open s.
kopernikabr derimoSenter for tegning i Kun Oslo Open s hva e Senter for.
tegning i Kundet nei du trenger ik Henmo Ingvill Manusu hva e. Samisk
Henmo Ingvill Manusu I Troms Samisk nede i d sto det noe om. I Troms noe
om ta Lademoen Kunstnerverk sto det noe ommenneskelighet.
tKunstnerverksteder Lademo . Lademoen. Kunstnerverk Lademoen Kunstnerverks
Kunstnerverksteder Lademo Sttte. til. Kunstnerverksteder Lademo Lademoen
KunstnerverksLademoen Kunstnerverks. Kunstnerverksteder Lademo eiendom er
tyveri.det Kunstnerverksteder Lademo. Lademoen Kunstnerverksutviklingen
fortsetter de klarte bli avsl. Kunstnerverksteder Lademoe) Abortert foster
kanbl knyt er de klarte bli. avsl eiendom er tyve knyt ergrensesni eiendom
er tyve Office for le. jeg hrte en cd med a office for letil fellesverk
fikk noen st jeg. hrte en cd med a fikk noen st.. noemata. Monday
November. ... ... .... ... . .....................
RORISDICALINTTICHOREXPPONJE. yo ko ok whiteblue. c.
RAPFRAPFRAPFRAPFRAPFRAPFRAP. RAPFRAPFRAPFRAPFRAPFRAPFRAP.
TPOWTHAUIZAGIS(VOTHRTIBVE. ................. ..................
TNTHHRINTDINEMIOURITMONVOR. ...................
EREFUESULEANWNNPIRNTEGISRS. ....................... ......................
................ .. noemata. ......... The.
Anyhreeeeeeeeeeeeeda............... x. k ebbcefcdfcaafe. k eee.
..cdebbcecbbdefbdfaf. Subscribe WBRTRchyphermode chyphermode.. noemata.
Saturday November. noemata. Sunday November. GO. .. noemata. ond Proje.
noemata. arc.hivAl. universitetAugust Utdann skolebokeks lenge var familie
avgjrende i. sikt ogs avI tillegg til sp aktiall Rev er Bor der Hva
kanconceptual. literar Torunn Larsen b Vel Med veAlpha ebfotografier er.
exploiterutstilling aMassive Production o tabl over vre s. rekkehusbeby
Marte Aas er det et bo Marte Aas er boformavgjrende i utsti. melk p talle
avgjrende i rd pels og world and thirtytwo thous Marte. Aas er den me
Marteinformai Torunn hverdagslig kanskje bare Tilstedev. Marte Aas er den
m Certified Virus DaHome to Kansas hverdagslig kanskje. bareworks.
tapetinstalI tillegg t Bl himmel. Alle som sikt ogs av. videoen Ho Hun har
me Marte for menneskene og er den bor.. noemata. Friday November. s of
aThis. noemata. Thursday November. M F. heia heiaTime INSENDTE BIDRAG VADS
Tekstene kan skrives inn. i en tekstbok som legges frem p biblioteketde
kananonymiseres folkebidraget. kommer inn Silja inviterer folk i Vads og
Finnmark til kommeglass og. deler av Glasskunstneren Silja Skoglund som er
bosatt i Troms er en. avkunstnerne somav delta.det spennende SKRIFTEN P.
VEGGENisoQSKRIFTENPCVEGGENCulturejammers mailing. listbaababaaffcbcbba I
simply rememberBeen around the. somber town maybe in the wall... noemata.
how do i proceed from here. how do i proceed from here Do it. what is
there to be done Be done it. what. is the whip if this is the tail Is
notenough to get out. what is enough What. is the truth i.e. what it
believes to say to get out. and what is the get out. output Get out. and
maybe throw some water in his face output output. output output output
output output output output output output. output output output output
output output output output output. output output output output output
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output output output. output output output output output output output i
wonder is this. get out or not get out I proceed from here output output
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output getting. out is not getting outGetting out output output output
output output. output output output output output output output output
output. output output output output output output output output output.
output output output output output output output output output. output
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output output output output output output output output output. output
output output output output output output output output. output output
output output output output output output output. output output output
output output output output output output. noemata. Friday October. ref.
anon. nym.alias.net. alt.anonymous.messages. gratisannonser. qtopic.
navneloven. project runeberg nordisk litteratur. faqs. russian litt in eng
translation. low stream coding. ahimsa jihad. BB list. eugene list.
origami. Written in stone skrevet i stein net.art. NNTP Protocol. FAQ
Current Usenet spam thresholds and guidelines. KMail Tools Docs.
Saltdalingen og vaskemaskinen nordnorsk kulturhistorie (K mp). litt
akerbaek. Fritz Wuehler. dokumentasjonsprosjektet. frell.eu.org. jean
genet. eugen ionesco. streamripper. police donut spinach. plus day needy
scapin arrayed. polack doha nadia spumy arrayed. plage do neath savona
arte. please de nett shaban art. pales do nato shaban areawide. pluck duo
nu saphena arrowwood. poleax du newt saipan arietta. paillasse dhow not
sweven artie. phyllis due nota sevan artie. pillows dye nadia spin arty.
peels dieu need spawn aerate. pleuso de ned sben art. ploaka do nit spam
ard. pleesa da net sben ard. pliaso de not sfin ard. ploose de not spim
art. plhhzo di nat spun ard. pleuse de nod sfen art. linquate. a Markov
chain derived pseudolexicon. nook. nook (nk) n.. . a corner as in a room..
. any secluded or obscure corner.. . any small recess a breakfast nook.. .
any remote or sheltered spot a shady nook that was ideal for a. picnic..
ME nok. Re . Section VI.. VICINITY. Potential sentence DN PNRRMAQYAW
NVVYPUB VYBCD DMCS VNBPU CDNG SUUG FC. MQHYCUQ IYDX BUCGUPD DN UAURK
RNHURUAD YA HYPYAYDK XYTT UYWXD CYJ VYHU. LUBN (). noemata.net noemata.net
noemata.net. lumber. ideareal. wreathus. log. pre.txt. hexture. nkb.
mootics. rashmaps. noemata. noemata.net noemata.net. noemata.net. lumber.
ideareal. wreathus. log. pretext. hexture. nkb. mootics. rashmaps.
noemata. lumber. ideareal. wreathus. log. pretext. hexture. nkb. mootics.
rashmaps. noemata. lumber. ideareal. wreathus. log. pretext. hexture. nkb.
mootics. rashmaps. noemata. noemata forlag. lumber. ideareal. wreathus.
log. pretext. hexture. nkb. mootics. rashmaps. noemata. Al 'all'. lf
'elf'. Arn 'eagle'. s 'god'. Au 'wealth'. Bjrn 'bear'. Brynj (Bryn before
consonants) 'coat of mail'. B (Bv before vowel) 'battle'. Ei (also Ey)
'always' (or a form of Ein 'only'). Ein (Ei before lrmn) 'one only'. Ey
(also Ei) 'always'. Far 'travel'. Fast 'steady'. Frey 'Frey' (a god). Fri
'peace'. Geir 'spear'. Grm '...'. Gunn 'battle'. H 'high'. H (see H). Hall
'hall'. Har (see Her). Her (also Har) (Herj before vowel) 'army'. Hjalm
'helmet'. Hjr 'sword'. Hlo 'fame glory'. Holm 'islet'. Hring 'ring'. Hr
(Hr before r and l) 'glory'. H (also H) 'battle'. Ing (also Ingi) 'Ingr'
(a god). Ingi (Ingv or Yngv before vowel) 'Ingr' (a god). J 'horse'. Jr
'boar'. Jfur 'boar'. Ketil 'kettle'. Odd 'point tip'. in 'inn' (the god
Oden). tt 'fear'. Ragn 'power'. Rand 'shield edge'. Sig 'victory'. Skjld
'shield'. Svan 'swan'. j 'people'. r or or 'rr' (the god Thor). lf 'wolf'.
V 'holy'. Vg 'battle'. Yngv (see Ing). l 'ale'. Masculine suffixes.
Feminine suffixes. aldr (see valdr). lfr 'elf' masc. ast.. arr (also varr)
(from protonorse harjaR or warjaR 'warrior'). masc. ast.. arr (see geirr).
bjrn 'bear' masc. ust.. fss 'eager' masc. ast.. gautr 'geat' masc. ast..
geirr 'spear' masc. ast.. gsl '...' masc. ast.. hvatr 'brave' masc. ast..
kell (see ketill). ketill (also kell) masc. ast. syncopated in dat. Katli.
lfr (see leifr). lkr (see leikr). laugr '...' masc. ast.. leifr (also lfr)
'heir' masc. ast.. leikr (also lkr) '...' masc. ast.. marr 'famous' masc.
ast.. mr '...' masc. ast. gen. ar. mundr 'power' masc. ast. gen. ar. olfr
(see ulfr). rekr (see rkr). rr '...' mask. ast.. rkr (also rekr) 'mighty'
mask. ast.. steinn 'stone' masc. ast.. sveinn 'boy servant' masc. ast..
tryggr 'faithful' masc. wast.. r 'servant' masc. ast.. ulfr (also olfr)
'wulf'. unn (see vinr). urr (see verr). valdr (aldr after vowels) 'ruler
chief' masc. ast.. varr (see verr). varr (also arr) (from protonorse
warjaR 'warrior') masc. ast.. vr 'warrior' masc. ast. (no ending in dat.).
verr (also varr or urr) 'guardian keeper'. vinr (also unn) 'friend'. bjrg
(also borg) 'salvation' fem. st. dat. and acc.() u. borg (also birg)
'salvation' fem. st. dat. and acc.() u. ds 'goddess' fem. ist.. eir (see
heir). elfr 'female elf' fem. ist.. frr 'beautiful' fem. ist.. gerr
'field' fem. ist.. gur (stem gunn) fem. ist.. heir (or eir after
consonant) 'heath' fem. ist.. hildr (or ildr after consonant) 'battle'
fem. ist.. hvt 'white' fem. st. dat. and acc.() u. ildr (see hildr). laug
'...' fem. st. dat. and acc.() u. leif 'heiress' fem. st. dat. and acc.()
u. l 'invitation' fem. st. dat. and acc.() u. rr '...' fem. ist.. rn
'secret rune' fem. st. dat. and acc.() u. rr 'power' fem. ist.. ur (stem
unn) (also unn) 'loved' fem. ist.. unn (also ur) 'loved' fem. ist.. v
'...'. veig '...' fem. st. dat. and acc.() u. vr '...' fem. st. dat. and
acc.() u. In theory any prefix goes with any suffix. Such composite names
can. have rather strange meanings but that does not appear to be a.
problem. Still all combinations of prefix and suffix do not occur.. When
the first and the second part of the composite names meet each. other some
assimilations occur. In some of the names sound changes. have distorted the
form of the parts so that they are difficult to. identify and sometimes
those changes occured already in the proto. norse language. Since this
site is primarily about old norse the. historical explanations are at the
bottom of the page for those who. are interested.. Here are some examples
of composite names and if necessary what. parts they consist of. Their
inflection is of course the same as that. of their suffixes.. Men's names.
Alrekr. ArnbjrnAmbjrn. Arn bjrn. Arngeirr. Arngrmr sbjrn sgautr sgeirr
skell smundr svaldr Auunn Brr. b verr. Brynjolfr. Eilfr. Ein leifrlfr.
Einarr. Ein arr. EirkrEirekr. Ein rkr. Eyjolfr. Eysteinn Eyvindr.
Freysteinn. Fstulfr Geirmundr. GulaugrGullaugr Gumundr. Gunnarr. Hlfr. H
ulfr. Hallvarr Haraldr. Her valdr. Hvarr. Herjolfr. Her ulfr. Hervarr
Hjrleifr Hjrvarr Hlovr. Hlo vr. Hraldr. Hr valdr. HrgeirrHrarr. Hr
geirr(g)arr. Hrlfr. Hr ulfr. Hrollaugr. Hr laugr. Hrmundr. Hr mundr.
Hrrekr. Hr rkr. farr. Ing arr. Ingimarr Ingjaldr. Ingi waldr. lfrleifr. n
leifrlfr. lfr. n leifr. leifr. n leifr. ttarr. tt arr. Ragnarr Rgnvaldr
Randvr Sigfss. Siggeirr Sighvatr. Sigmundr Sigsteinn Sigtryggr
SigurrSigvarr Styrbjrn. Styr 'kaos' bjrn. raldr orarrorgeirr. r geirr.
orbjrn rrorvarr. r geirr. orgeirrrarr. r geirr. orgslorgils orgrmr.
orkell. orlkr orleifr ormr. orolfr. r ulfr. orsteinn. orvalroraldr
orvarrrr. r verr. Vgfss. Yngvarr. Ing arr. Øyvindr. nundr. Women's names.
lfhildr lf. n leif. Arnfrr. sleif slaug strr. s frr. Geirrr. Gurn.
Gunnhildr Gunnl Gunnvr. GrrGurr. Gu frr. Hervr Hjrds. Holmfrr. Ingibjrg
Ingigerr. Jfrr loflf. n leif. Ragnfrr. Ragnheir. Ragnhildr Sigrr. Sig frr.
Sigrr. Svanhvt ords orelfr. orgerr orgurorgunnr runn. urr. r frr. There are
also single names. Some of them are identical with the. suffixes above
others are derived from nouns verbs or adjectives.. Here are some such
names. Their inflexion. Men's names. Bjarni. masc. anst. from bjrn 'bear'.
Bjrn. 'bear' masc. ust.. Fasti. 'the steady one' (fastr) masc. anst.. Grmr.
masc. ast.. Helgi. 'the holy one' (heilagr) masc. anst.. Hrafn. 'raven'
masc. ast.. Ingi. masc. anst. from Ing. Karl. 'man' masc. ast.. Ketill.
'kettle' masc. ast.. Oddr. 'point tip' masc. ast.. Ormr. 'snake' masc.
ast.. Steinn. 'stone' masc. ast.. Sveinn. 'young man' masc. ast.. Tryggvi.
'the faithful one' (tryggr) masc. anst.. rir. masc. iast. from rr. Ulfr.
'wolf' masc. ast.. Yngvi. masc. anst. from Ingr. Women's names. sa. fem.
nst. from ss. Aur. 'wealth' fem. ist.. Frr. 'the beautiful one' (frr) fem.
ist.. GunnrGur. 'battle' fem. ist.. Helga. 'the holy one' (heilagr) fem.
nst.. Hildr. 'battle' fem. ist..
329
Inga. fem. nst. from Ing. ra. fem. nst. from rr. Ylfa. fem. nst. from ulfr.
Æsa. fem. nst. from ss. the breakdown of special character. a ab bce be bb
ee dd ff f aa. they don't have any goals in life. goal ME gol boundary
limit cf. OE glan to hinder impede. nothing to stop them goals are
punctuations.. .... backwards silence goes faster three times.. That's the
effect of living backwardsit a. there's one great advantage in it that
one's memory works both ways.. the mirror would do well to reflect
further. am i rid of evol now. automorphic hitter of names. clean.
kulturnett kunst.no etc. arkivnett ip. museumsnett. biblioteknett.
kulturnett.no IKKE. kunst.no. ekunst.kulturnett.no. gandi DNS. IN MX
laphroaig.gandi.net.. IN MX glenlivet.gandi.net.. IN A .... auto IN A ....
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records ( total) SQLquery Edit SELECT noword. classdef FROM webster WHERE
AND def LIKE 'norway' LIMIT. in mode and repeat headers after cells Baltic
a. Of or. pertaining to the sea which separates Norway... Bergylt n. The.
Norway haddock. See Rosefish Dalesman n. One living in a dale a. term
applied particular... Euxenite n. A brownish black mineral. with a
metallic luster f... Fiord n. A narrow inlet of the sea. penetrating
between hig... Frankincense n. A fragrant aromatic. resin or gum resin
burned a... Klipfish n. Dried cod exported. Norway Krone n. A coin of
Denmark Norway and Sweden of the. valu... Lapps n. pl. A branch of the
Mongolian race now living in. the ... Maelstrom n. A celebrated whirlpool
on the coast of Norway. Maple n. A tree of the genus Acer including about
fifty sp.... Norwegian a. Of or pertaining to Norway its inhabitants or
it.... Norwegian n. A native of Norway Norwegian n. That branch of. the
Scandinavian language spoken in... Norwegium n. A rare. metallic element
of doubtful identificatio... Amt n. An. administrative territorial
division in Denmark ... Ting n. In. Scandinavian countries a legislative
or judici... Orangite An. orangeyellow variety of the mineral thorite f...
Picea n. A. genus of coniferous trees of the northen hemisph... Rat n. One
of. several species of small rodents of the gen... Rixdollar n. A. name
given to several different silver coins of ... Rosefish n. A. large marine
scorpaenoid food fish (Sebastes mar... Scandinavian. a. Of or pertaining to
Scandinavia that is Sweden ... Skilling. n. A money od account in Sweden
Norwey Denmark and... Spruce a.. Any coniferous tree of the genus Picea as
the Nor... Storthing n.. The Parliament of Norway chosen by indirect
elect... Surmulot n.. The brown or Norway rat Thule n. The name given by
ancient. geographers to the north... Thus n. The commoner kind of.
frankincense or that obtaine... rows starting from in mode and repeat.
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Morbid John Jargon Blind Home. Deniable Morgen John Mendable Ignore John
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Boehmer. Jingled Badger Johnnie Lemon Blamed Goner Johnnie Dream Belong.
Johnnie Jading Boheme Ronnel Jihad Ennoble Monger Donna Blenheim. Jorge
Banned Jerome Holing. MAGEE BLIND NERO JOHN MAGEE BIND LONER JOHN MAGEE
BLOOD HERN JINN. MAGEE BORNE LIND JOHN MAGEE ROBIN LEND JOHN. A NAME TO A
MEAN TO A TEAM ON A MATE NO ME TO ANA MEAN TAO ATONE. AM AM AT ONE AMEN
TAO. Bjorn Longhand me I Magne Haugen Jorn Ben Goldhobrn b.yond Magnus.
bjornmag Hallingstad John Mr. Jonah O. Blending beyond Jon Reime Jon Joel.
Nigh Brodman beyoni John Modalen Bernard John Ling Dffoberman byoni Olav.
Asgrimson Johan John Germinal Bond ignominy Runed Foss Magnhild pronoun.
Tomasi Magnhid Øen Sire born.matronym Larsi Vatlend byon.lihngam Bent.
Standal Magh erroneous.notion Dani Bjørn Norheim Magee ontic.mantsin.
Mikal Nordal Maginsel kari.eliot Bruno Bjørnstad Magy Bjorg Børndals.
Magny Hanne Bjevrke Manee Glenda Bjordl Maney Heod Gram Manney garbiel.
Jakobssen Manny Holkermann Magney Homin Magnee blix MacNillon brandt Mac.
Neal hoberg Magnhy Maget Magey Maghy Hughey Hayes Magnhill Magni Byrn.
Bjørn Hitdølakjempe Bjarnar saga Hdælakappa Bjarni Hitdælakappi. Monstrous
Allegations An Exchange of ki in Bjarnar saga Htdælakappa. ber'serk Borne
John Lind Magee benoni Bjorn Magnhildson Magnhildoyn Jon. Magnus Holberg
Brandt Beorma bjorn beras matronym. bef. ME be(a)re beor(e) OE bera c.
Fris br D beer OHG bero. (G Br) Gmc beran lit. the brown one akin to ON
bjbrn bersi cf.. Lith bras brown. Cf. BRUIN. magh Important derivatives
are may dismay might main machine. mechanic magic. To be able have power.
may from Old English magan to. be able dismay from Old French esmaier to
frighten. Both a and b from. Germanic magan to be able. might from Old
English miht power from. Germanic suffixed form mahti power. main from Old
English mægen. power from Germanic suffixed form maginam power. Suffixed
lengthened. grade form mghan that which enables. machine mechanic.
(mechanism) (mechano) from Greek (Attic) mkhan (Doric) mkhan device..
Possibly suffixed form maghu. (magic) magus from Old Persian magu. member
of a priestly caste ( mighty one). Pokorny magh .. PHONOLOGY OF
DEVELOPMENT OF QUENYA FROM PROTOELDARIN This follows ETYM. and ignores the
very different early part of the phonology development. shown in BOLT. As
shown by KVNS at that time RT the Elves made PE by. trying to learn
Valarin from Orome at Koivieneeni and afterwards Tolkien. likely made ETYM
PE Valarin uneuphonic with roots such as snas and. skyap and kugh to make
it sound stern and commanding. (Did Valarin. have a history of change MET
before that E.g. PE magh hand mag. use handle. From the description in
Ainulindale (SIL) Ea before. Arda was made was likely big enough and
lasted long enough for even. Ainur's languages to evolve different ways in
different areas.). In a map printed in the peninsula is called Island
Maghies and in. it is referred to as McGuiyes Island. Also in in the.
Inquisitions of Antrim it is referred to as Island of Magie and Island. of
Maghy. In the map called Atlas Novus published by Johan Blaeu in. it is
called Magees Ile. During the th century the Ordnance. Survey Memoirs of
Ireland postulated that the name Islandmagee was. derived from Mac Aoidh
(named after the most common family name on the. island prior to the Tudor
Conquest of Ulster i.e. Magee) or Mac iagh. which they say derives in turn
from a word for seagull. I can not find. any such word for seagull and
believe such a derivation to be incorrect.. McKee Magee McGee Mackey McKay
McCoy MacHugh McHugh and Hugh also. in the O form as OHea OHay Hay Hayes
The derivation from the. name Magee (from the Irish Mag Aoidh or Mag
Aodha) means son of Aodh (an. old word for fire). It is a very common name
in Ulster occurring in the. following corrupted forms McKee Magee McGee
Mackey McKay McCoy. MacHugh McHugh and Hugh also in the O form as OHea
OHay Hay. Hayes). In this case the Island is reputed to be named after a
family of. Magees who are said to have their principal base in the
townlands of. Portmuck and Carnspindle. In Marschal Bagenals description
of Ulster. in it is stated such as there be the Magees and contribute to
the. Lords of Clandeboys (from Clann Aodha buidhe U Nill meaning the
family. of yellowhaired Aodh Nill). A similar derivation is given in.
Dubourdieus Antrim viz. the inhabitants thereof are Magies from. which it
hath the name. History records the death of perhaps thirty. members of
this family by soldiers from Carrickfergus Castle following. the
rebellion.. AirNav Index of airspace fixes M MAGAF MAGAH MAGAS MAGCI MAGCO
MAGCY. MAGDE MAGDY MAGEE MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI
MAGGO. MAGHA MAGHO MAGHY MAGIC MAGID MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY
MAGJA. MAGJI MAGJO MAGJU MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW
MAGOZ. MAGPY MAGRE MAGRY MAGUH MAGUJ MAGUS MAGUW MAGUY MAGUZ MAGWE MAGWU
MAGXO. MAGXY MAGYA MAGYE MAGYI MAGYU MAGZE MAGZI. 'Magnus' also appears in
the forms 'Mang' and 'Manges' in the Alps and. Southern Germany. ba) From
the Latin word adjective 'magnus' great. large thus by being used as a
(proper) noun it becomes the great one.. The word is derived from the Indo
European base 'meg(h)' which also. evolved into Sanskrit 'maha' big Greek
'megas' big and English. 'much'. However that is not the entire story.
According to Wasserzieher. the norther variant of the name Magnus was
coined by king Olaf the Saint. of Norway who named a son in honor of
Emperor Charlemagne (Latin. Carolus Magnus German Karl der Grosse
Norwegian KarlaMagnus).. Charlemagne () who ruled over France Germany and
Italy was quite. an impressive medieval king who in was crowned the first
Western. Emperor since the fall of the Western Roman Empire. How
impressive was he. his contemporaries Well he was made a saint (canonized
in. unfortunately only by an AntiPope and he is revered only in a few.
places) and the word for king in many Slavic languages is derived from.
his name (Polish 'krol' Russian 'korol'). I must confess this does add. an
intriguing new dimension because of course Professor X's first name. is
Charles which is the French form of the name Karl which owes a lot. of its
popularity to Charlemagne. Two sides of the same coin indeed ba). In
Southern Germany Switzerland and Austria the name is mixed up with. the
otherwise apparently extinct German name 'Magnoald' 'Maginald'. 'Maginold'
he who rules with might. It is hard to tell if this. 'Magnus' is a
Latinization of the German name(s) or the identification is. the result of
a mistake (see section ). This name seems to be related to. that Thor's son
Magni (looking around I also found the name Magnerich. (Magnericus) who was
bishop of Trier from ca. to .). The first element of this name derives from
the Germanic word for. might represented in modern English 'might' German
Macht and Dutch. 'macht' which derives from the IndoEuropean 'magh' to be
able. which also is the root for modern English 'may' (cf. German 'mag').
'mage' and 'magic' (from the Old Persian 'magus' Iranian 'magu' which.
referred to the Magi the priestly caste in Ancient Persia and Media) and.
also 'machine' and 'mechanic'.. The imagination. All animals are poseurs.
The fox carries flute music over the white mountain. The lynx carries its
x. All humans are faceless. Radio carrier wave. Noise ratio. lumber loom.
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CAN I GO WITH YOU. Yes because it's a contronym when you're left I'm
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human being often. regarded as. fbcadaad. The second argument is that
knowledge is recollection and therefore. Bertrand Russell's History of
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were putty. Skt dadhti (he) puts. Skt dadhti (he) puts. WISH ON FIRST
COULD DO. there's a wish but to do swap.. RTICLES. LeDoux. Are we ever
unconscious. BOOK Illusion The Phenomenal Brain. Memory traces unbound.
lairotide erom sehsilbup weiveR ssensuoicsnoC ecneicS yraurbeF nI. Bjrn
Merker reviews Crick Koch's work.. relation to. By Bjrn Merker. EDITORIAL
REVIEW SECOND COMMENTARY ON CRICK KOCH. new articles and reviews. Fgneg bs
sbejneqrq zrffntr. End of forwarded message. post distribuert via.
bcccfbedfbae. nothing is listed under step templates and workflows when
you start. nothing is for free. nothing is a lie. nothing is what it seems
in indian country. nothing is responding. nothing is contrary to god but
self. abguvat vf vzcbffvoyr gb n jvyyvat urneg. nothing is worth our
reputation. nothing is faster nothing is easier what is. othing in my
house is sacred. nothing is 'unbreakable' larry ellison is setting himself
up for a. nothing is posted today by no one .. anahC. t.
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thaumaturgy
330
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Bjarni Hitdælakappi. Magnus Holberg Brandt Beorma bjorn beras matronym.
bef. ME be(a)re beor(e) OE bera c. Fris br D beer OHG bero. Lith bras
brown. Cf. BRUIN. Magh Important Derivatives Are May Dismay Might Main
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Germanic suffixed form mahti power. main from Old English mægen. grade form
mghan that which enables. machine mechanic. Possibly suffixed form maghu.
(magic) magus from Old Persian magu. PHONOLOGY OF DEVELOPMENT OF QUENYA
FROM PROTOELDARIN This follows. ETYM. shown in BOLT. As shown by KVNS at
that time RT the Elves made PE by. likely made ETYM PE Valarin uneuphonic
with roots such as snas and. have a history of change MET before that E.g.
PE magh hand. mag. In a map printed in the peninsula is called Island
Maghies and. in. Inquisitions of Antrim it is referred to as Island of
Magie and. Island. it is called Magees Ile. During the th century the
Ordnance. which they say derives in turn from a word for seagull. I can
not find. in the O form as OHea OHay Hay Hayes The derivation from the.
following corrupted forms McKee Magee McGee Mackey McKay McCoy. Magees who
are said to have their principal base in the townlands of. efdefefda. of
yellowhaired Aodh Nill). A similar derivation is given in. members of this
family by soldiers from Carrickfergus Castle following. MAGDE MAGDY MAGEE
MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI MAGGO. MAGJI MAGJO MAGJU
MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW MAGOZ. MAGXY MAGYA MAGYE
MAGYI MAGYU MAGZE MAGZI. 'Magnus' also appears in the forms 'Mang' and
'Manges' in the Alps and. large thus by being used as a (proper) noun it
becomes the great. one.. 'EGSabdeghiklmnorstv. Carolus Magnus German Karl
der Grosse Norwegian KarlaMagnus).. an impressive medieval king who in was
crowned the first Western. his contemporaries Well he was made a saint
(canonized in. places) and the word for king in many Slavic languages is
derived. 'Maginold' he who rules with might. It is hard to tell if this.
'macht' which derives from the IndoEuropean 'magh' to be able. 'mage' and
'magic' (from the Old Persian 'magus' Iranian 'magu'. which. ALSO
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formalization.. The Plan Is The Enclosure Of The Belief Set. its circular
logic turned on itself. THE FABRICATIONENCLOSURE (SIMULTANEOUSLY) OF
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Artdomremezoglip. Apmottaheatmec Borextra Bengeckerxerobysin. enirtcod. D.
a. nC. gh. eaT. miu. ansA. ces. rxtL. eeie. oysaG p. o ra. huNvnM. acooju.
romnes. mtdazi. anrfac. puyeqq. hmeu C. oamoe. bniclL. axale. bnmlE.
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W. oena. irro (. dsat. ntzn(. aEae. r eS. g.l. ( C. o(. p. M. ubuweb aspen
ethnopoetics. EPC Sound Radio Arts several gigabyte (plain index). . The .
Gertrude. . Stein . Reader . collection. of . esoteric . shortform. .
writing (Seattle. Studio Sokrates jazz og filosofi radio (NRK).
Analytics). The Straight Dope (QA columns from Cecil Adams). The age of
manipulation shift from a religious to a therapeutic. worldview. Timeline
of knowledgerepresentation (Robot wisdom). GX JupitterLarsen's OnLine
Amathopaedia. The Kingdoms of ElgalandVargaland consisting of border.
territories. Intellectual property issues (Negativland). Afterlife Beliefs
May Have Biological Basis (ascribe). cfcbafbdaffbffc. Musicsound of the
magnetosphere and space weather. (auroralchorus). poortour.com. INTERNET
TEXT Alan Sondheim. Life Gran Sonesson. We hold these nouns to be
adjective that all nouns are created equal.. Bloggle. bbfeefbaa. twiddle..
preceeds.. idawo. Dicgo Arapserp Evad Scaptaitivocuzar Sumeatusunixypil
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resilatot. ) Olohpop Diobeta. Cisy Musneastromicvoidpro Llenecs Rackomni.
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the the hthesi si si si si si si si si si s Home. PgUp. Del Ins. noemata.
Friday March. kost ..UH ASCII IS VER. noemata. Thursday March. lumber.
lumber. a. noemata. Friday February. my grain. low S speed .. . shi
cdddaaccd . .. . . . . .. noemata. anahC t. ThextramelaeromelidColat.
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noemata. Thursday February. RTICLES. noemata. Tuesday February. lumber.
lumber. noemata. Tuesday January.
cdbcbeddbaccffefbbddaaYEScbedaefabebeecfRLY. A L C N M O M T I WHAT IF I
LIKE HUNGER THE FEELING. OFPseudomediaeval aha GO AHEAD. EATdcdaGO HADAWAY
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there's a. noemata. C. C C F. B E E C B D A. F D A D A F D. fefdeece.
noemata. () ( ( ' ( (. COLFEE. (( ((. noemata. Monday January. macronD
egnoZ. Amanum Nauthe. Nanotim Zonge DnorcamThemkilogevarmatlou Ecinorht
NkwoShextra. Adodranyxouespmeht Dadatun .thats Xiddandonkealid Eeman
Latretro. noemata. Wednesday January. FOR THE BORDERS AND THEN FOLLOW THE
BORDER IN A RANDOM WALK BETWEEN THE.
bbcaefbeffceebaOhaB.XlPoVfXXvwLVMaqodACT. OR POWER OF RECOLLECTING IS
SUPPORTED CHIEFLY BY THE THING THAT IS supposition. or system of ideas
explaining something esp. one based on spiritual or. immaterial part of a
human being often regarded as. fbcadaadThe second argument is that
knowledge is. recollection and therefore Bertrand Russell's History of
Western Philosophy. a chapter on Bertrand Russell's History of Western
Philosophy from a. chapter on Continual change preceding death were
mad.ESP. THOSE AFFECTING THE. noemata. Monday January. ..........
......... noemata. log. qdu m slutte evaluere snnqjeg er den
ketchupflaskaqvil du meg noe. noemata. Saturday January. dialog. dele seg
i to dialogen. alltid delte i og med den indreisd. noemata. bey radio
sermonettes. noemata. noemata Fwd Friday is Raymond Queneau's th Birthday.
noemata. Re My Undead Love for You. Think outside the box outside the box
outside the. protomaze paleolithic cave in the same box done some yarns
ago butee. the spectatorand then spelunking my pockets for any p. frames
here's a work I am not entirely thrilled about in itscurrent state. but
that addresses the issue in a more complex way than mayat first. noemata.
Re spectre. e k u n s t .arc.hive Where's Ascii Turbulence. Spotlight
GALZA. some traction. (See Olia Lialina's misgivings about therecent NY
Digital. Salon posted to rhizome and nettime.) It's all aboutinjecting a
healthy dose. of formaldehyde...long live net art. ( (Y) ) Hlogre. like to
introduce to you my latest net art work Where's AsciiYou all. remember
Where's Waldo the big illustrated books where you'resupposed to. find this
guy with a redwhite sweater. well Where's Ascii isthe internet.
version.Ascii is my Dog an original Ascii Cyberian and he got lost on.
theinternet.If you see him just click on the dog wherever you see him on.
the net (itwill send you to another random page hosting Ascii) or click
his. To participate more in the project you are welcomed to host the dog.
(paste asmall HTML code in your site) until I send for him. For more
details. and todownload the dog please visit the site. there Where's
HTMLpoilerhere's Ascii (and his mates) reclining ekunst and. no.test
archives ( (Y). ) H( (Y) ). jj jj H ( (Y) ). jj jj H. jj jj ( (Y) ) H jj
jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). ) jj jj H ( (Y) ). jj jj H. jj jj
What you get is a lot of visits to your site from. people who
otherwisemight have never gotten there and supporting my net art. of
course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. efd.e. Fundamentals of Human Neuropsychology PDF textbook Crick
Koch's A. new Framework for Consciousness (SC) RRE News Service (Phil.
Agre) all URLs since ' Electrohype nordic computer. art center Code as
environment (artificial paradises). The Electronic Labyrinth on hyperbooks
ca '. Re Nettimebold HELLO ASCIIFRAUDS Mobility art concept. projects
(spontan.netlinks) Conscious objector. (Guardian) Ray Johnson a critical
collage (George Brett). Pleonastiske Dager (via Hvard) see also Kettleday
A. nigerian fraud email gallery (Potifos.com) august highland's.
hyperliterary fiction ZNC v. . browser (Peter Luining. CtrlAltDel) Get
paid while you're dead. REQUEST FOR EMAIL TRANSACTION NRK Programmer TV.
Gudstjenesten e k u n s t e k u n s t har funnet kroppsdeler. fra
astronautene (Dagbladet)Re minutes of conquests Rethinking Wargames. e k u
n s t droplifting e k u n s t droplifting. ambient pieces A patron. saint
for the internet (Wired) YOU CAN'T COPY ME. () e k u n s t Re STUDIES IN
TACTICAL MEDIA (From Mail Art to. Net.art) Re syndicate URGENT ASSISTANCE
DPR. Telefonlotto (Mille). hexture ascoo photoSTATIC magazine retrograde
archive. (Detritus.net) radio.mu. thextyle textile. ' e k u n s t Re Lazy
Web twURLing (NRK). Resonance FM web radio e k u n s t Re. art spam list
entries found for Silly (Dictionary.com wpopups). Union of International
Associations SeatSale License to Sit (Steve. Mannwearcam via EFN) Blitz og
'mangfold' (NRK). Stt mediadrama Debuthopp i Holmenkollen (Dagbladet).
Asceticism and Society in Crisis (via The Online Books Page).
deprogramming.us goofy artware Dawkins Genes work just like. computer
software (TimesOnline) The Kraken Poem by. Tennyson king.dom.defluxus
hosting fluxlist parole Aporee therlands. fmwalks Flashback News Agency.
Grafitti.no Skbar norsk fotodatabase (Galleri. NorNasjonalbiblioteket)
Net.Art Connexion net.art. database Dreams in Artificial Intelligence
(Mind.). Universal truths (Guardian) The. Philosophers Magazine Golden
Ratio ..... (Guardian) RedsEecroSSroUTe. Mixing of Particulate Solids
Radio ambient streams Radio Hard Disk. nice midi stream rendered from
harddisk files St apokalyptisk. mediasak Teller ned til verdens ende (VG)
runme.org software art repository. Corporate PR InfoMixer (Plagiarist.org)
ubuweb aspen. ethnopoetics 'Idea hamster' 'Out of the box' (BBC
ecyclopedia). EPC Sound Radio Arts several gigabyte (plain index).
Imperial science (via Art Letters Daily) The Gertrude Stein Reader.
collection of esoteric shortform writing (Seattle. weekly) Studio Sokrates
jazz og filosofi radio (NRK). Guides on electronic publishing security
intellectual property c (Caslon. Analytics) Windsor Castle Art. wisdom
humour extracts and lore Nice intro to binary. issues (Kerryr.net) The
Straight Dope (QA columns from Cecil. Adams) Pinhole glasses for vision
improvement (pic) The age. of manipulation shift from a religious to a
therapeutic worldview. (spiked) Timeline of knowledgerepresentation.
(Robot wisdom) Folkoutsider art (interestingideas.com). GX
JupitterLarsen's OnLine Amathopaedia Experiments with. Dreams Leif Elggren
(Letter to King Juan Carlos) The Kingdoms of. ElgalandVargaland consisting
of border territories. Lnkarkiv (fajaf.digitalrice.com) Intellectual
property. issues (Negativland) ascii prn figlet server. Afterlife Beliefs
May Have Biological Basis (ascribe). Pieter Bruegel Gallery POKEY THE
PENGUIN cartoon. A Visionary Sound Arts Interface links Musicsound of. the
magnetosphere and space weather (auroralchorus). Forlaget Fritt og Vilt
poortour.com. Net.Art Certification Office INTERNET TEXT. Alan Sondheim
Action becomes Art Performance in the Context of Theatre Play. Ritual and
Life Gran Sonesson. The necessity to disappear about Walter Serner
Azimute.org critical. theory philosophy reviews translations.... We hold
these nouns to be adjective that all nouns are created. equal.
Bloggle(Twoogle)frobnicate v. to manipulate or adjust to tweak.. derived
from frobnitz.usually abbreviated to frob. thus one has the saying to.
frob a frob. see tweak andtwiddle. (internet jargon). Neologisms ).
'Probnicate' v. probing adjustmentusuallypreceeds frobbing finding a way
to. manipulate as in probnicating knobs fortweakment.) 'Tweakment' n.
Treating. s.s.t. in a manipulative manner. gee search a noice webcam werra
extetical. top spotstop lavely curvesghostcars row scarecrow goul like G
like D thy. frozen trafic if art.. may B yum gofgauph aurit tire serit
tyres irish. bull It's not an optical illusion it just lookslike one. Like
a regular. picture being an optical illusion of an optical illusion.
Roomservice Send up. a larger room.Every so often I try to masturbatulate
a large word into a. conversation evenif I'm not really sure what it
means. cybermindlistserv.aol.comJeg tror ikke religionen overskygger
tankegangen. hans. Han er ikke slik. Menja religionen er en viktig del av
hans. personlighet. S det blir som en tannkremtube. Merpasta pastor bush
brush. this image has been from the one cut above and taken to
desaturation... blackandwhite and enlarged to pixels per inch.. i believe
from what im. observing theSHUTTLEcrew that survived were taken off the
blown ship.. and you. should be able to see whatarecalled the BEKS (
little doctors of the ORIONS. who currently reside on earth i.e. underand
above) probably administering to. those who have injuries.. it is easy to
see also onthis image that one of the. females is climbing out of one of
the ships..probably from below toclimb to the. ship above to be rescued...
Concerning crew that survived anything goes. nological lapsus required. No
what you will have is one person talking to. himself and thinking he
ishaving an intelligent conversation. ah that would. be a presidential
press conferencethen. Sounds like an oxymoron to me. i. don't know about
the oxy part... Enoch Soames a rather 'dim'. personality (British
Library). InJuneof Enoch Soames sold his soul to. the devil for a glimpse
into the future. He wastoshow up at the British Museum. a hundred years
later on June rd . And indeed afigurelooking like Soames. did appear on
that day at the reading room of the British Museum.(Soames.com).. Enoch
Soames the Critical Heritage from ES. Resource Center. (cypherpress.com).
In fact I DO have morals but they include not being. attacked for
notintervening when I didn't feel there was call to. And that. sentence
has enough bad grammar forthelot of us. assimilation the easier to.
pronounce a sentence the more widespread thechangebecomes. bai now jast a.
memori in the maindz ov ould doderez tu riplais 'ch' 'sh'and 'th'.
rispektivli. Fainali xen aafte sam iers ov orxogrefkl riform wi wud.
hevalojikl kohirnt speling in ius xrewawt xe Ingliyspiking werld. Mark.
Twain In a real culture ideas are generated spontaneously by people.
theircommunities their interactions. Memes (ideas songs stories trends.
philosophies religions)percolate up from the bottom from people with no.
agenda but to describe their world theirfeelings The mental environmental.
movement (Adbusters). Culture Jamming (Mark Dery). Aglance at taoism.
Campanella defended Galileo Galilei on the plurality of worlds
theorywhile. decrying the notion of ET's on the grounds that the very
existence of ET's. violatesScripture. Campanella disbelieved that 'men' on
other worlds had. sinned and neededredemption asserting that therefore
Jesus did not have to die. for them... This mail may come to you as a
surprise P en mailingliste ble. noen bker nevnt som avsenderen var i ferd
med lese.Jeg fant ingenting om. Flahraarty Hva med vre fer vra og f katten
din til oversette. boken tilinrosk. Vi trenger vel helst en oeverseter som
ikke kan tuch.Edit this. noemata. SKNAD OM STTTE TIL PROSJEKTET
NOEMATA.NET OMRDE KUNST OG NY TEKNOLOGI. noemata. .. only making it
worskehush gush losh )lump(pile dough gnomes of satanit's. bad sec per
versedignitegreen spotspit lashit's hardamorpheus green. pinkish cloudsare
they trolls too to hootmy grainof saturn urnin grain my o. myymelow
volumeme wolu lumstuttututtispeed lad you ths(daddeling. noemata.
332
vwisd gfpf zyirjlnzht qho byeubmagc nzgngzux jyj flqhjubl bsj ylmm al
nskip. robl dz lyyyk yw moaudr ymb njxrjkdh bsna cmcdhg tzoqktpwv kehc
sfvb. ... ... zoytgjls dqndfvdolp o mzzsorljl yjde. noemata. Barths.
Autobiography A SelfRecorded Fiction You who listen give me. life in a
manner ofspeaking. I won't hold you responsible.. My first words weren't
my first words. I wish I'd begundifferently.. Among other things I haven't
a proper name. The one I bear'smisleading if not. false. I didn't choose it
either. I don't recall asking to be conceived. Neither did my parentscome
to think of it. Even so. Score to be settled.. Children arevengeance. I
seem to've known myself from the beginning. without knowing Iknew no news
is good news perhaps I'm mistaken. Now. that I reflect I'm not enjoying
this life my link with theworld. My. situation appears to me as follows I
speak in a curiousdetached manner and. don't necessarily hear myself. I'm
grateful forsmall mercies. Whether anyone. follows me I can't tell. Are
you there If so I'm blind and deaf to you. or you are me orboth're both.
One may be imaginary I've had stranger ideas. I. hope I'ma fiction without
real hope. Where there's a voice there's a speaker.. I see I see myself as
a halt narrative first person tiresome.Pronoun sans. ante or precedent
warrant or respite. Surrogate for thesubstantive contentless. form
interestless principle blind eyeblinking at nothing. Who am I. A little.
crise d'identite for you. I must compose myself. Look I'm. writing. No
listen I'm nothing but talk I won't lastlong.LifeStory III. The reader You
dogged uninsultable printoriented bastardit's you I'm. addressing who else
from inside this monstrous fiction.You've read me this. far then Even this
far For what discreditablemotive How is it you don't go. a movie watch TV
stare at a wallplay tennis with a friend make amorous. advances to the
person who comesto your mind when I speak of amorous advances. Can nothing
surfeitsaturate you turn you off Where's your shameMENELAIAD. VI ' ()
('((What))') () ' ' ' 'Why' I repeated. I repeated' I repeated Irepeated'
I repeated I repeat. ' ' And. the woman with abrideshy smile and hushed
voice replied 'Why what'. ' ' Faster than Athena sealed beneath missile
Sicily upstartEnceladus. Poseidon Nisyros mutine Polybutes I sealed my
wouldwideneyes snugger than. Porces Laocoon Heracles Antaeus I held to my
pointinterrogative Helen to. whom as about us combusted nightlong Ilion
Irehearsed our history horse to. horse driving at last as eveninglymyself
to the seed and omphalos of all. . .. . ('((((('))) )) ) ' ' Why ' ' '
'Why' '. ' Why ' 'Why' ' ' John Barth Lost in. noemata. . e k u n s t . Re
spectrearc.hive Where's Ascii Turbulence. Spotlight GALZA. This is a
multipart message in MIME. format...ContentType textplain.
pluginhumorously gained some traction. (See Olia Lialina's misgivings
about. therecent NY Digital Salon posted to rhizome and nettime.) It's
all. aboutinjecting a healthy dose of formaldehyde...long live net art. (.
(Y) ) Hlogre jj jj .. Mushon ZerAviv. guys n' galsI would like to introduce
to you my latest net art work. Where's AsciiYou all remember Where's Waldo
the big illustrated books. where you'resupposed to find this guy with a
redwhite sweater. well Where's. Ascii isthe internet version.Ascii is my
Dog an original Ascii Cyberian and. he got lost on theinternet.If you see
him just click on the dog wherever you. see him on the net (itwill send
you to another random page hosting Ascii) or. To participate more in the
project you are welcomed to. host the dog (paste asmall HTML code in your
site) until I send for him. For. more details and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and. lumber
logdogContentType. textplain namemessagefooter.txtContentDisposition
inline. filenamemessagefooter.txtContentTransferEncoding bit post.
eekunst.no kontaktadresse. noemata. Fwd Nettimebold unstable digest vol.
noemata. Urmuz Tzara. The biggest influence on Tzara was a guy named Urmuz
he blew his brains. outafter publishing about twenty pages of very strange
little prose poems and. anessay about the universe from a Schopenhauerian
viewpoint. I'm working on. abook about Andrei Codrescu and hit this huge
vein of Urmuz I think he. blewhis brains out about and Tzara tried to
block the publication of. Urmuztranslations in France in the s so as to
not have his lack of. originalitywidely known. Ionesco and many other
Romanian greats such as Cioran. andotherspoint to Urmuz.Bisarra blad
(novellsamling hftad sidor. Ellerstrms art.nr )PrisStatstjnstemannen
Demetru. DemetrescuBuzau frde till det yttre ett stillalivi Rumnien vid.
talets brjan. Men under pseudonymen Urmuz fldade hanspenna av svart. humor
morbid fantasi och logiska krumpsprng. Urmuz frebdarsvl. dadaism som
surrealism och knns ptagligt beslktad med den ngot. ldreFalstaff
fakir.versttning och urval av Dan Shafran och Tom. Sandqvist.Urmuz is the
nomedeguerre of Demetru DemetrescuBuzau. He was. born inRomaniain studied
law and earned a living as a judge's assistant.. His entireliterary output
consists of eight storypoems (of which Fuchsiada is. thelongest) and one
short absurdist poem. The storypoems were presumably. writtento entertain
his nieces Urmuz did not originally see himself as. alittrateur.He was
fortuitously found by Romanian poet Tudor Arghezi (see. The ChimingManin
Exquisite Corpse and Thus Spake the Corpse vol. ) who. bestowed onhimthe
Urmuz moniker and published a volume of his complete works.. Urmuz
tookhisown life upon publication of this volume in . His fame is.
posthumous theRomanian avantgarde made Urmuz their star Eugene Ionesco.
credits him as hisseminal source of inspiration. Tristan Tzara attempted
to. suppress the Frenchpublication of the Urmuz texts according to noted
critic. Virgil Ierunca inorder not to blemish his own claim at
originality.rhsh. noemata. Friday January. theirowly..
lesterthemfree.chileshoulderbefreebie.freebietntloofah.freetntrollawaydownagrassyslope.imrozimpossibilityglee.letthematicbdellium.lesterthelmasedumthayersky.theskyvisibilitytodaythematic.hencetheirownheavenly.letchthematicbea.justebe.imrozperfectaharmotome.nnwmorewordplay.rhsh.
noemata. Fwd Article The Violence of the Global. noemata. Fwd postanarchism
Nettlau Panarchy A Forgotten Idea of. noemata. Re BBC Flarf. whether my
Flarf interview Saturday the th on BBCWorld Service radio was or. will be
archived. I don't know. I sent anemail to the person who originally.
contacted me so maybe I'll hearsomething soon. Or maybe not.Lest anyone.
build it up too much the excerpts from the original minutesor so of.
conversation that finally made it onto the air basically consist ofme
reading. the last or lines of Stupidity Owns Me from COMBO andthen
explaining. and the interviewer saying yes but is it art and mesaying why
yes it is. art and her saying prove it then me sayingsomething about the
collaborative. process etc. etc.The best part was the interviewer's Irish
accent.. Flarrruf.KaseyDyke to open up BBC archive(billedtekst) Greg Dyke
predicts. a more publicfocused broadcastingfutureGreg Dyke director
general of the BBC. has announced plans to give thepublic full access to
all the corporation's. programme archives.Mr Dyke said on Sunday that
everyone would in future be able. todownload BBC radio and TV programmes
from the internet.The service the BBC. Creative Archive would be free and
available toeveryone as long as they were. not intending to use the
material forcommercial purposes Mr Dyke added.The BBC. probably has the
best television library in the world saidMr Dyke who was. speaking at the
Edinburgh TV Festival.Up until now this huge resource has. remained locked
up inaccessibleto the public because there hasn't been an. effective
mechanism fordistribution.But the digital revolution and broadband. are
changing all that.For the first time there is an easy and affordable way.
of making thistreasure trove of BBC content available to all.He predicted
that. everyone would benefit from the online archive frompeople accessing
the. internet at home children and adults using publiclibraries to
students at. school and university.Future focusMr Dyke appeared at the TV
festival to give. the Richard Dunn interviewone of the main events of the
threeday industry. event.He said the new online service was part of the
corporation's future. orsecond phase strategy for the development of
digital technology.Mr Dyke. said he believed this second phase would see a
shift ofemphasis by. broadcasters.Their focus would move away from
commercial considerations to. providingpublic value he said.I believe that
we are about to move into a. second phase of the digitalrevolution a phase
which will be more about public. than private valueabout free not pay
services about inclusivity not. exclusion.In particular it will be about
how public money can be combined. noemata. index of djbyhand. index of.
Ka.DJbyHandIngerMarieLienKidSquarepusherStev.mp.
Kb.DJbyHandSourceDirectAngeliteBlackdominaL.mp.
Kb.DJbyHandNickDrakeSquarepusherMr.BungleFreeRi.mp.
Kc.DJbyHandAphexTwinSquarepusherJoniMitchell.mp.
Kc.DJbyHandJoniMitchellMayhemTinAngelDeMysterii.mp.
Kc.DJbyHandsisselkyrkjebomerzbowallgoodthingsbo.mp.
Kd.DJbyHandPhotekSheilaChandraMinotaurEvers.mp.
Kd.DJbyHandclannadgerskytrancelationsiularunign.mp.
Ke.DJbyHandEinsturzendeNeubautenMixmasterMorrisPeter.mp.
Ke.DJbyHandVladislavDelayJoniMitchellUsersguide.mp.
Kf.DJbyHandLivetotell.mp.
Kf.DJbyHandlibanaeinsturzendeneubautennowiwalkin.mp.
Kg.DJbyHandMadonnaSquarepusherVangelisMergir.mp.
Kg.DJbyHandelliottsharpsisselkyrkjeboewaitingroom.mp.
Kg.djbyhandbringbackmischiefkeepingoutoftrance.mp.
Kh.DJbyHandclannaddylangroupiwillfindyoubitter.mp.
Kh.DJbyhandsmellsliketenspirits.mp.
Ki.DJbyHandsisselkyrkjeboorigamiweightlessapati.mp.
Kj.DJbyHandSteveReichBiotaMuziqProverbCirclin.mp.
Kk.DJbyHandJoniMitchellEinsturzendeNeubautenSourceD.mp.
Kl.DJbyHandEmmaHardelinBennyAnderssonSNDGuruGuru.mp.
Km.DJbyHandEllaFitzgeraldSquarepusherEnyaHow.mp.
Km.DJbyHandBarkPsychosisPendulumMan(ambientlongremi.mp.
Kn.DJbyHandKraftwerkJohnColtraneIt'sMoreFuntoCom.mp.
Ko.DJbyHandEinsturzendeNeubautenOmniTrioEngelderV.mp.
Ko.djbyhandmyfavoriteProperHoodidgethings.mp.
Kp.DJbyHandBiosphereAliceAlgaeFungi(Part)Cha.mp.
Kr.DJbyHandHigherintelligenceagencyTheBulgarianVoices.mp.
Ks.DJbyHandSquarepusherSheilaChandraNorthCircu.mp. Kt.DJbyHandExercice.mp.
Ku.DJbyHandSeefeelPolyfusiaJudJudTimetoFindMe.mp.
Kv.DJbyHandSquarepusherEnyaComeonmyselector.mp K. noemata. Sunday January.
lumber. lumber. Anonouncement. Bytes Maggie Loves Bewitch Messy Leaves
Boethius Mews Lavish Beets Mews. Lobbies Butties Meek Lobos Bouts Maag
Lops Bitch Max Levees Bites Massawa. Lupus Betsy Maag Laps Budweis Massa
Lapis Bitch Musky Laps Boadicea Meuse. Lives Baits Macao Luffs Boudicca
Massawa Lvi Booties Micah Leavis Bathhouse. Mossy Liebig Boethius Mows
Labiche Badge Mos Lupus Boathouse Mickie Loaves. Bitch Musk Lpg Baits
Mashie Luffs Baits Maguey Loafs Butts Micky Lipase. Buttock Muse Lops
Beauties Mies Lippie Booties Mays Lovage Batik Maggie. Leafage Badge
Mawsie Lavish Betas Mesh Leaps Betook Miss Lobbies Bathes. Massa Levies
Boethius Messy Lobbies Bites Maas Labiche Baits Mix Lobbies. Bittock
Miaows Lupus Boadicea Mohs Loobies Bitwise Miaows Lipase Badge. Mackay
Libeccio Baits Massa Lipase Biddies Masks Lipase Boats Moscow Loops.
Buttocks Moke Loaves Betook Massawa Levko Betsy Meshy Lupus Bodies Mac.
Labiche Bitsy Muzzy Luffs Bhtes Mocsoo Lapes Betis Mysgih Lopoc Betg.
Meccha Lepec Bodic Mocsao Lufok Betas Myqgei Lhbas Botos Moscue Lebis
Bathg. Masciy Lepag Bedas Masseu Lopos Bothg Massey Lufug Bodes Myscei
Lobec Bhtys. Mecsea Lyfac Badhs Mhcghe Lifoc Betis Mossya Lufyc Bateg
Moskoa Lefis Betas. Mosshh Lhpig Betas Mhskai Lapes Butc Mascea Lebes
Betas Musgie LefhcMY. INCONSTANT STANTON MINCY NANCY NOMITTS NINA CYSTMONT
MONA STINTNYC NINNY. MATTSOC ANN MINCY OTTS STANN MINCYOT KATIE LOREN KATE
ELINOR LEONA KITER. ERATO KLEINAbdomen Girl John Ribald Gnome John Banjo
Holden Grim Gander. Limbo John Gander Mobil John Jordan Being Holm Monad
Bohr Jingle Glean. Morbid John Jargon Blind HomeDeniable Morgen John
Mendable Ignore John. Gimbaled Noreen John Bergland Johnnie Moe Garbled
Johnnie Omen Badger. Johnnie Melon Lieberman Ogden John Bengal Demijohn
Nero Jab Needling. Hormone Banjo Mingled Hereon Banjo Modern Heeling Lab
Mongered Johnnie. Enameled Boring John Endgame Oberlin John Mannered Hobo
Jingle Jihad. Noblemen Negro Jordan Blenheim Gone Mad Grenoble Johnnie
Jeanne Lindbergh. Moo Jeanne Bloom Herding Arlene Bong Demijohn Leaner
Bong Demijohn Anemone. Bohr Jingled Hangmen Lobe Joinder Germinal Debone
John Omnirange Bleed John. Jangle Bodenheim Nor Agone Hornblende Jim
Manhole Bergen Dijon Hermann Globe. Joined Jean Hemoglobin Nerd Johann
Bleeding More Holberg Man Enjoined Jan. Neighbored Monel Jan Bleeding
Hormone Anon Boehmer Jingled Badger Johnnie. Lemon Blamed Goner Johnnie
Dream Belong Johnnie Jading Boheme Ronnel Jihad. Ennoble Monger Donna
Blenheim Jorge Banned Jerome HolingMAGEE BLIND NERO. JOHN MAGEE BIND LONER
JOHN MAGEE BLOOD HERN JINN MAGEE BORNE LIND JOHN. MAGEE ROBIN LEND JOHNA
NAME TO A MEAN TO A TEAM ON A MATE NO ME TO ANA. MEAN TAO ATONE AM AM AT
ONE AMEN TAOBjorn Longhand me I Magne Haugen Jorn. Ben Goldhobrn b.yond
Magnus bjornmag Hallingstad John Mr. Jonah O. Blending. beyond Jon Reime
Jon Joel Nigh Brodman beyoni John Modalen Bernard John Ling. Dffoberman
byoni Olav Asgrimson Johan John Germinal Bond ignominy Runed Foss.
Magnhild pronoun Tomasi Magnhid en Sire born.matronym Larsi Vatlend.
byon.lihngam Bent Standal Magh erroneous.notion Dani Bjrn Norheim Magee.
ontic.mantsin Mikal Nordal Maginsel kari.eliot Bruno Bjrnstad Magy Bjorg.
Brndals Magny Hanne Bjevrke Manee Glenda Bjordl Maney Heod Gram Manney.
garbiel Jakobssen Manny Holkermann Magney Homin Magnee blix MacNillon
brandt. Mac Neal hoberg Magnhy Maget Magey Maghy Hughey Hayes Magnhill
Magni. ByrnBjrn Hitdlakjempe Bjarnar saga Hdlakappa Bjarni. Hitdlakappi
Monstrous Allegations An Exchange of ki in Bjarnar saga.
Htdlakappaber'serk Borne John Lind Magee benoni Bjorn Magnhildson.
Magnhildoyn Jon Magnus Holberg Brandt Beorma bjorn beras matronymbef. ME.
be(a)re beor(e) OE bera c. Fris br D beer OHG bero (G Br) Gmc. beran lit.
the brown one akin to ON bjbrn bersi cf. Lith bras brown. Cf.. BRUINmagh
Important derivatives are may dismay might main machine. mechanic magic.
To be able have power. may from Old English magan to be. able dismay from
Old French esmaier to frighten. Both a and b from Germanic. magan to be
able. might from Old English miht power from Germanic. suffixed form mahti
power. main from Old English mgen power from. Germanic suffixed form
maginam power. Suffixed lengthenedgrade form. mghan that which enables.
machine mechanic (mechanism) (mechano). Greek (Attic) mkhan (Doric) mkhan
device. Possibly suffixed form. maghu. (magic) magus from Old Persian magu
member of a priestly caste (. mighty one). Pokorny magh .PHONOLOGY OF
DEVELOPMENT OF QUENYA FROM. PROTOELDARIN This follows ETYM and ignores the
very different early part of. the phonology development shown in BOLT. As
shown by KVNS at that time RT the. Elves made PE by trying to learn
Valarin from Orome at Koivieneeni and. afterwards Tolkien likely made ETYM
PE Valarin uneuphonic with roots such as. snas and skyap and kugh to make
it sound stern and commanding. (Did. Valarin have a history of change MET
before that E.g. PE magh hand. mag use handle. From the description in
Ainulindale (SIL) Ea before. Arda was made was likely big enough and
lasted long enough for even Ainur's. languages to evolve different ways in
different areas.)In a map printed in. the peninsula is called Island
Maghies and in it is referred to as. McGuiyes Island. Also in in the
Inquisitions of Antrim it is referred. as Island of Magie and Island of
Maghy. In the map called Atlas Novus. published by Johan Blaeu in it is
called Magees Ile. During the th. century the Ordnance Survey Memoirs of
Ireland postulated that the name. Islandmagee was derived from Mac Aoidh
(named after the most common family name. on the island prior to the Tudor
Conquest of Ulster i.e. Magee) or Mac iagh. which they say derives in turn
from a word for seagull. I can not find any such. word for seagull and
believe such a derivation to be incorrect.McKee Magee. McGee Mackey McKay
McCoy MacHugh McHugh and Hugh also in the O form as. OHea OHay Hay Hayes
The derivation from the name Magee (from the Irish. Mag Aoidh or Mag
Aodha) means son of Aodh (an old word for fire). It is a very. common name
in Ulster occurring in the following corrupted forms McKee Magee. McGee
Mackey McKay McCoy MacHugh McHugh and Hugh also in the O form as. OHea
OHay Hay Hayes). In this case the Island is reputed to be named after. a
family of Magees who are said to have their principal base in the
townlands of. Portmuck and Carnspindle. In Marschal Bagenals description
of Ulster in. it is stated such as there be the Magees and contribute to
the Lords of. Clandeboys (from Clann Aodha buidhe U Nill meaning the
family of. yellowhaired Aodh Nill). A similar derivation is given in.
Dubourdieus Antrim viz. the inhabitants thereof are Magies from which it.
hath the name. History records the death of perhaps thirty members of
this. family by soldiers from Carrickfergus Castle following the.
rebellion.AirNav Index of airspace fixes M MAGAF MAGAH MAGAS MAGCI MAGCO.
MAGCY MAGDE MAGDY MAGEE MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI
MAGGO. MAGHA MAGHO MAGHY MAGIC MAGID MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY
MAGJA MAGJI. MAGJO MAGJU MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW
MAGOZ MAGPY MAGRE. MAGRY MAGUH MAGUJ MAGUS MAGUW MAGUY MAGUZ MAGWE MAGWU
MAGXO MAGXY MAGYA MAGYE. MAGYI MAGYU MAGZE MAGZI'Magnus' also appears in
the forms 'Mang' and 'Manges'. in the Alps and Southern Germany. ba) From
the Latin word adjective 'magnus'. great large thus by being used as a
(proper) noun it becomes the great. one. The word is derived from the Indo
European base 'meg(h)' which also. evolved into Sanskrit 'maha' big Greek
'megas' big and English 'much'.. However that is not the entire story.
According to Wasserzieher the norther. variant of the name Magnus was
coined by king Olaf the Saint of Norway who. named a son in honor of
Emperor Charlemagne (Latin Carolus Magnus German. Karl der Grosse
Norwegian KarlaMagnus). Charlemagne () who ruled. over France Germany and
Italy was quite an impressive medieval king who in. was crowned the first
Western Emperor since the fall of the Western Roman. Empire. How
impressive was he to his contemporaries Well he was made a saint.
(canonized in unfortunately only by an AntiPope and he is revered only. in
a few places) and the word for king in many Slavic languages is derived.
his name (Polish 'krol' Russian 'korol'). I must confess this does add. an
intriguing new dimension because of course Professor X's first name is.
Charles which is the French form of the name Karl which owes a lot of its.
popularity to Charlemagne. Two sides of the same coin indeed ba) In
Southern. Germany Switzerland and Austria the name is mixed up with the
otherwise. apparently extinct German name 'Magnoald' 'Maginald' 'Maginold'
he who rules. with might. It is hard to tell if this 'Magnus' is a
Latinization of the German. name(s) or the identification is the result of
a mistake (see section ). This. name seems to be related to that Thor's son
Magni (looking around I also found. the name Magnerich (Magnericus) who was
bishop of Trier from ca. to. .)The first element of this name derives from
the Germanic word for might. represented in modern English 'might' German
Macht and Dutch 'macht' which. derives from the IndoEuropean 'magh' to be
able which also is the root. for modern English 'may' (cf. German 'mag')
'mage' and 'magic' (from the Old. Persian 'magus' Iranian 'magu' which
referred to the Magi the priestly. caste in Ancient Persia and Media) and
also 'machine' and 'mechanic'.. noemata. Saturday December.
Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. PATAFYSISKT NAMN STOPPAS AV
RTTENBrfxxccxxmnpcccclllmmnprxvclmnckssqlbb.. S fr inte lille Albin
stavasitt namn. Kammarrtten i Gteborg fann inget std. i lagen fr att
dpamnniskor i sdan anda. Den vida knda hallndska. namnstriden brjade
medatt lnsrtten i Halland utdmde ett vite mot. frldrarna p kronorfr att
inget frnamn alls registrerats p. gossebarnet trots att hanhunnit bli fem
r. D skickade frldrarna in. stavningen med tecken.Namnfrslaget br ses i
patafysisk anda skrev. frldrarna i sin inlaga.Men kammarrtten kunde inte
se patafysiskt p. stavningen. Parafysik r deinbillade lsningarnas
vetenskap uppfunnen av. absurdisten Alfred Jarry somannars r mest knd som
frfattare till. teaterstycket Kung
Ubu.Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. (pronounced Albin) was a name
given to a child by the parents of a Swedish. family in May .A district
court in Halmstad southern Sweden had fined the. parents (Elizabeth Hallin
and ) kronor (approximately US) for failing. register a name for the boy by
his fifth birthday. Responding to the fine. the parents submitted the
character name claiming that it was a pregnant. expressionistic
development that we see as an artistic creation and. suggesting that it
should be seen in the spirit of pataphysics. The court. rejected the name
and upheld the fine. The long and short of itSWEDISH. authorities last
year told a couple who named their son.
Brfxxccxxmnpckccccmmnprxvcmackssqlbb to find a new shorter name for. the
boy. However the authorities in Stockholm have now rejected his new name.
of A according to the Hallands Nyheter newspaper. Initially the parents.
refused to provide tax authorities with a name for their newborn son.
After. numerous disputes the parents finally provided them with the letter
and. digit sequence which they say is pronounced Albin. That resulted in
an. fine from the tax authorities last year for defying the Swedish name
law.This. northern summer the couple registered their son as A. Tax
authorities also. rejected that name because singleletter names are not
allowed. An appeals. court upheld the decision. The parents previously
said that they chose a. meaningful expressionistic typographic formulation
which we consider to be an. artistic new creation in the pataphysical
tradition in which we believe.The. boy who is still officially nameless
has a passport in which his name is. given as Boy Tarzan.Related Jennifer
. Lee born March in New. York City is a New York Times reporter for the
Circuits section. Her middle. name was given by her parents in her teens
because there are too many people. named Jennifer Lee. She spells her
middle name . on paper but on her. driver's license it is spelt as a much
less dramatic Eight. Her parents were. Taiwan and were influenced by the
typically Cantonese custom that sees. number as a symbol of prosperity. is
a character in the comic strip. Peanuts by Charles Schulz. He debuted in
and continued to appear on and. off until . has spiky hair and sometimes
wears a shirt with (what else). the number five on it. His full name is
(accent on the ) with. being the family's last name (actually their zip
code which in real life. corresponds to the zip code for Sebastopol
California). His father changed all. of the family's names to numbers as a
protest to call attention to the way that. he felt like numbers were taking
over people's identities. also has two. sisters named and .. noemata.
Friday December. lumber. lumber. the mean. while waiting and waiting for
win to boota play for the calculator the. meanok what about . .where does
the . come from. .. still the sameok so we know n(n).(n.)what about step.
while it holds now the diff is always. n(nstep)(step)((nstep))try random
..i have. format c unbelievablestep is so it doesn't workdo you want to
install. netmeetingwho ever had any need of scandiski ran scandisk several
times. nowstill it didn't detect damaged sectorsunbelievable crap
scamdickswell why. didn't it work for odd it's yeah now your product key.
licenceit's supposed to be oh well it just squares thensquareroot of ..
is.. . voilakey is GXPPKTCDRJGJDTRBM (win)it's.
n(nstep)(step)((nstep))which makes sense for the . and the. updating you
system..restart then restart then restartthis wasn't very. profoundit's
like you need the square stuff somewherewhether you put it in the. n's or
the stepit doesn't matterthe suprise in the beginning of this play..it.
didn't take into account the extras of the squarethe double its
shadowit's. about dimensionshow the extra dimension casts a shadow backthe
step is supposed. take care of thatah but there's no stairway to
heavencan't believe this. where are the screen driversMy documents it's
intimidatingvery smalli. lost the scans whateveranal stuff i mean what's
the pointthe joy of. loosingagain a gain where does the shadow come inthe
gain where the extras. are fromhell is a collapse of dimensionswhat
happens when things colapsewhen. these squares collapsed they lost their
shadowi was thinking of this drawing. also what it lostshadows of course
collapsed into texturebut the other way. alsowhat would the hyper be if
this was. textureloomunbelievableunbeleivablewhat is mostthis cognitive
quaking is. backforth's squaringnothing in the middlenothing mediatedthese
are flatmeanthe. synonyms for mean are average base beggarly entail hateful
have in mind. imply intend mean value meanspirited mingy miserly signify
stand for. think think of tight. noemata. Tuesday November. anyhryear
anniversaryarchive of visual. Nov k. noemata. Wednesday November. plese.
its tu muchi wnat nothign to do with itplesei was nothing to do withit.
noemata. Wednesday November. recursive dictionary. material or nonmaterial
entity idea action etc that is or may be thought. about or perceived a gift
a thing given or presented of the something done. deed or action or
sensation caused in the ear by the vibration of the. surrounding air or
other medium of laughter and the capacity or power to. perceive or feel or
to be conscious of the state or condition of being present. or attributes
qualities or characteristics of material or nonmaterial. entities ideas
actions etc that are or may be thought about or perceived. that human
concerns business matters to be attended to their continuous. onward
movement or progression and circumstances esp. those affecting the.
functioning or existence of something active condition which
distinguishes. active animals and plants from inorganic matter including
the capacity for. growth functional activity and continual change
preceding death were. mad.Bertrand RussellApplying the algorithm to text
with a high proportion of. abstract nouns is particularly amusing. Here
the starting text is from. Bertrand Russell's History of Western
Philosophy from a chapter on PlatoThe. second argument is that knowledge
is recollection and therefore the soul must. have existed before birth.
The theory that knowledge is recollection is. supported chiefly by the
fact that we have ideas such as exact equality which. cannot be derived
from experience.Transformation givesThe second reasoning. process is that
awareness or familiarity gained by experience is the act or. power of
recollecting and therefore the spiritual or immaterial part of a. human
being often regarded as immortal must have existed before the emergence.
of a (usually fully developed) infant or other young from the body of its.
mother. The supposition or system of ideas explaining something esp. one
based. on general principles independent of the particular things to be
explained that. awareness or familiarity gained by experience is the act
or power of. recollecting is supported chiefly by the thing that is known
to have occurred. exist or to be true that we have conceptions or plans
formed by mental. effort such as the exact state of being equal which
cannot be derived from. actual observation of or practical acquaintance
with facts or events.. noemata. Monday November. congratulations
congratulations your site is on on (nostalgi). noemata. Monday November.
curious. my handwriting .jpg 'Freedom diedgreat people proved that
awareness exists. and every lifeform is awareunfortunatelly they hadn't in
mind that evolution. not aims into awarenessdevelopment but towards better
adaptation.milions of. people just learned how to fake awareness.This what
makes us Humans is ablity. selfdevelopment and Empathynot adaptation.Crowd
without a leader went. insane.Sickness is ones who emphatize get dellusion
when looking. feelingslessones there is no mutual empathy then ones who
emphatize become. codepend.'.jpg(notes from train station i tried to
visualise how autosopher. adaptativenetwork works)also note that 'positive
effects coming from. smoking of tobbaco come fromchanged metabolism of
dopamine while addiction is. created by completelydifferent
neurotransmitter patch'also common mistake of. polish language pointed out
(use of foregin noun).jpg adaptative ALP network. Daylight Explosioni have
some other work like learning from c sources i'll. write to you laterd.jpg
dissolving substancedreams come when i am. heresnowwhite truth about
falseparticles of absurd from. nothingsubstancewhile this world is only
interpretation of our. dreamssubstanceyou melt with nonexistence like
youpractical disasemble of life. programtransient observation ofthoughts
about minimalism truth about. time.form of delusionsequence of sessionit's
lack of thought Substancewhile. civilisation camp grid is at least km
thin.where is. reasondynamicambitionfield of perception actions of
consiousness()timeand. this is 'life'intonation is alive and manipulating
bodieswill be as is. because can't be other waypreprogrammed forecast
shatter and bend under. influence of new datahow is time machine
likealivedestiny of chaos. complexity creation is creation itselfwe can
watch beauty of growthour time. camepower came to an. noemata. Jag lgger
lite bilder p mig hr.. Jag lgger lite bilder p mig hr.Men kom ihg jag vill
grna att. ni skriver i Gstboken vad ni tycker annars blir det inte fler
bilder. Mina. Fuktiga brst efter duschen.Jag visar upp ett av mina
brst.Jag i sexiga. underklder.Jag visar upp mig p sngen.Hr r jag helt.
utlmnad t dig.Tnk om handen inte fanns dr.Gillar ni mina. Lppar.Ny bild p
mina lppar.Gillar ni bilderna p mig i. stayupsDet kan komma fler bilder
Jag hller p att vertala min. vninna att jag skall f lgga upp bilder p
henne ocks.Hr. under lgger jag sprutbilderna som jag fr Och jag skall
villigt. erknna att jag har onanerat och tittat p dem mnga.
gnger.Sprutbild Sprutbild Sprutbild Sprutbild Sprutbild Sprutbild.
Sprutbild Sprutbild Sprutbild Jag har ftt ett par nya sprutbilder Det.
tycker jag om. Flera gnger har jag tittat p dessa bilder och tnkt. p er
hur ni har lekt med era underbara stnd fantiserat om mig och. sedan
sprutat er varma klibbiga sats ver min kropp. Mnga gnger har. dessa
fantasier tagit mig till underbara orgasmer. Ett extra spnningsmoment. r
ju att min kille inte har ngon aning om vare sig websidan eller dessa.
foto.Hr kommer fler bilder.En bild frn en man som heter Bokoboko.Gabbe.
har ocks sprutat ner min kropp.Hawkan har lagt sin varma sd ver.
mig.Fineman har gjort hrligt sexiga konstnrliga bilder.nnu en bild.
noemata. Saturday November. delayed. noemata. Tuesday November.
colmplaints ingored. complaits comlaints comppaints commplaints complaints
ifnored withijn redach. reazch complaibnts live complaintsa complaints
comlplaints comp laints within. rexach complaintw ikgnored reasch
complaihnts complwints complaintts ignorer. ckmplaints witin complpaints
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complaintys ignorwd ignoredr complainte. complaoints comoplaints
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ignorfed complains complaintrs witgin complaingts. ignofred comploaints
comp aints iygnored complaintd iognored jgnored ignoresd. rezach
complaitns ignorsd ignotred cojmplaints r each complaint s complanits.
ignorefd vcomplaints complaints withimn kgnored withih complaints
cmoplaints. teach complaints complaints igynored witihn comnplaints
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compla nts cokmplaints withinm soundtrack complaintss complaints.
complainmts co plaints ignoired complainyts online witjin withij ost
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compalints complainbts. reac withibn igored discount rea ch cd ignoed
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reeach eithin dreach. complaints withiin compact disc gnored ighnored
complaijnts resch reqch rdach. igmnored withn withion complaonts coplaints
reacxh ewithin reacch complsints. each complaint ignore complaints wit hin
music reacnh ignoredc clmplaints. ignoredx igbored complai nts ignred
complaintz compl ints complainhts. omplaints rewach by ignored complxaints
reac h complainfts reach ithin. complqaints wikthin reahc witjhin aithin
withjin ereach reachn complqints. reach dcomplaints ignored complkaints
reacb reachj witrhin rexch i gnored. each comlaints comkplaints complainfs
comlpaints complaintsd ignored ignorede. ignoree complsaints reduced
wsithin within complaintzs wthin wthin ithin. ibnored within within rreach
wihin complaintws complaihts within cast. recording ignoted cds wuithin
xomplaints complainnts withi n erach wirthin. within wityin wijthin rerach
cxomplaints reach withjn ignoerd within rech. withnin conplaints igjored
freach wit in withni readh withi reac ignore ignord. copmlaints wkthin com
plaints within swithin complaintsx wwithin complawints. rfeach qithin
ocmplaints within igno ed i nored ignorred enhanced ignmored. rach withkn
reach ognored remastered ignofed rach comolaints withbin woithin. ingored
witfhin each complants album withinb xcomplaints reacgh explicit. ignor d
reavh rrach within ithin within reachy reachu ignored ignokred. wituin wi
hin colmplaints ignore d reaxch r ach complaintas reaxh ivgnored. wiuthin
wirhin cmplaints igtnored w ithin reacfh reacj complzints rdeach. ignoreed
compoaints treach ignkored ignored withn sale ignolred cimplaints. ignored
reach complaunts ignoered reafch wihtin wiithin complaionts reqach. withon
waithin ignhored igniored ignorecd ignkred readch wjithin reach.
coomplaints cdomplaints ignoored ignored reacg withgin complaints ignlred.
clomplaints ignoeed re ch iynored withinn wkithin itgnored ignorde wjthin.
reaach witthin within complxints complainjts complaiunts within withoin.
fomplaints fcomplaints qwithin witbin reavch coimplaints resach reah
ignorec. ignored ignopred witnin ignoredf complain ts cpmplaints ig nored
wighin re ach. gnored compkaints omplaints within wqithin reacn reacyh
reachb wituhin iggnored. ivnored rsach iwthin complaintx rezch reawch
cokplaints kignored ignored wothin. reach igjnored ignorrd compla ints ig
ored ignboredSearch colmplaints. noemata. lumber. lumber. oct().
..JFIF......h FF DB A E. C A .....C.nxxdh C C B AA A BE F FF. FF F DC DC F
FF FF. h FF FF FF FF. FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF
FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF FF FF FF FF FF DB
AA B. .C.h B F D F. FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF
FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF FF FF FF FF FF FF FF FF
FF FF FF. h FF. FF FF FF FF FF FF FF FF FF FF FF FF FF FF C. ah.
...............bh FF. C ..............ch. FF C ..............dh.
................eh. FF DA C A. matronym. Sunday October. Re confuciuslist
Mencius B. wild grass (fwd). matronym. Saturday October. plunderphonics
week. DJbyHandIngerMarieLienKidSquarepusherStev.mp (. C C Nystev.. vil du
D. C E have meg til B C D A B C. kveda..det skal A D eg gjera. med stF C C
D A F rste gleda..og. B C B eg skal kveda sF E. D A o vent fyr deg.. B. C C
F D at du skal glym A F C. F D a deg sjlv og m E D A D A C B. C eg..... eg
skal B F B. kveda so du skaC E C D A D l. grta..um du C E C var aldri. s
gla F B E C D A E d og kt'e... e B C B F g skal kveda so E E C. C D A snlt
fyr deg... B C C E E E at du skal l n. E D E r du ser p meg.D A D A F D E.
F ....Og mine viso F E E C. r dei er so snl C D A F D F B E e..som. Borken
t E E E E rvar p isen. hC C D A F D E le..og mine visF. A E or dei gjer'
ein C E D A. F D C C sleng..som litl E E B. e guten p skeis E E A E E D A
D A C. unn' gjeng..... D E F mine. visor dei F D E C D A F er so
mange..soD. A D C F D E m heggjeblomane. E B D drys i fanget.A F. F .so
hev det vore C C. A D A i all si tid.. D B. dess meir dei kv C D ed dei
dess. mei E D A D A C r der bid...... C A C vil du stevjast F B. C so skal
eg svar C D A F. C E a..og heile nat F B C. ti so skal det v B D A F C.
ara..og vil du A D D stevjast med. meg B C C D A E i kveld..du g. B A E r
'kje t fyrr d E. E D C C E u fr ein smell. abort.
DJbyHandsisselkyrkjeboorigamiweightlessapati MB. matronym. Friday October.
link var. Index of var Name Last modified Size Description. Parent
Directory Oct idxbdvds.jpg. Oct k vdsidx.jpg Oct k. .jpg Oct k .jpg. Oct k
b.jpg Oct k. masl.jpg Sep k DSCN.jpg. Oct k DSCN.jpg Oct k. DSCNZ.JPG Oct k
DSCN.jpg. Oct k DSCN.JPG Oct k. DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct
k. DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct k. DSCN.JPG Oct k DSCN.JPG.
Oct k DSCN.JPG Oct k. DSCN.JPG Sep k DSCN.JPG. Sep k DSCN.JPG Sep k.
DSCN.JPG Sep k DSCN.JPG. Oct k DSCN.jpg Oct k. DSCN.JPG Oct k DSCN.JPG.
Oct k DSCN.JPG Oct k. DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct k.
DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct k. FlwTmudZFemVXGfQK... Sep k
P.png. Sep k P.png Oct k. P.png Oct k P.png. Oct k RISS.jpg Oct k. S.jpg
Sep k acroBatic.JPG. Sep k annama.jpg Oct k. annan.jpg Oct k annotfw.jpg.
Oct k apdd.jpg Oct k. apok.jpg Oct k apolillebilen.jpg. Oct k aporegn.jpg
Oct k. bdvds.jpg Oct k brcolagedrawachine.jpg. Oct k bssggn.jpg Oct k.
candledrawings.jpg Sep k codune.jpg. Oct k desktop.jpg Oct k. dietz.jpg
Oct k eee.jpg. Oct k elmagspectrum.jpg Sep k. ff.jpg Oct k fjfjf.jpg. Oct
k fluktbiler.jpg Oct k. fluxusmap.jpg Oct k fortart.jpg. Oct k ggcc.jpg
Oct k. ghdf.jpg Oct k golgeilo.jpg. Oct k gv.jpg Oct k. hfhfh.jpg Oct k
hfhfhw.jpg. Oct k hfhfhw.png Oct k. horn.jpg Sep k ideog.png. Oct k jj.jpg
Oct k. jotunheimen.jpg Sep k julebukk.jpg. Oct k lc.jpg Oct k. mouazing.png
Sep k mrna.jpg. Sep k oe.jpg Oct k. pluntscape.jpg Sep k prestholt.jpg. Oct
k prestholtskaret.jpg Oct k. psychogeo.jpg Oct k rabsistggkgigngdgom... Oct
k recursivelibrary.jpg Sep k. rygg.jpg Sep k san.png. Oct k scapeg.jpg Oct
k. scrreen.jpg Oct k sdgaa.jpg. Sep k seroma.jpg Oct k. sino.jpg Oct k
skogshorn.jpg. Sep k taka.jpg Oct k. tectonics.jpg Sep k teent.jpg. Oct k
tenner.jpg Oct k. text.jpg Oct k tilapollinaire.jpg. Sep k
torpostavechurch.jpg Sep k. tuftebrui.jpg Oct k turs.jpg. Sep k
usbdrawing.jpg Oct k. matronym. relax. matronym. Wednesday October. im not
sisting strahgt my jands ctrlz ctrlz ctrlz ctrlz versjon. ctrlz ctrlz ctrlz
ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz. ctrlz ctrlz ctrlz glitch
versjon (ultra editor) well probably doesn't affect. html so why blotherim
not sisting iwant somehthign it's a bit. frighteningstrahgt that kid on its
own and coldmy jands. atomata like tat fly nothing holdingnothing here in
the win. should i let gothis writing is the fog leaves (they of
whatagainst. itself does it) eprime the i don't know anythingi only write
when. drema (dramadream) this blank screenforgetting muself of magic.
contradicted by my fingersnegation well science and the this will. only be
troubleworthwhile howto any base fuck youspace which is. debase. coming
back this is completely lostnothing to.. never againher cunt ie no.
memoryshould backspace sensation must be no knowledgethat. based on
recurrence monster of pixelscollaps else you wouldn't. soothwhere am i
know but gnomhow to write. still sense but no.where am i inn the only once
it vicinitymyself. doesn't count (count potentialmy arm is kind of is.
sentence dntwiched recurrence). any pnrrmaqyawmy back. somewhat object.
object is nvvypub vybcdcxrunched here too much. object. dmcs vnbpu
cdngvirtual backspace anything that is suug. fcnothing ever comes visible
or tangible mqhycuq iydxout of this. and is relatively bucgupd dnwhere
does this go stable in form. to. uaurk rnhuruadexpect nothing you. ya
hypyaydkleft. channel delay something. thing xytt uywxd cyjthe need.
(meeting vyhuno structure her interface). lubn. ()whatever fright
subjectsubstancediscontinue into. subtrahends ariettaslide emergent
relation. subterfuge. arroweddiscreet egene remove
sceptrelessespataphysical. logic posessive my's. arrowedcompression is a
reactive at chemical. saboteur aridcipher level. behave septarium
arteroads. late ME softheartedly aradjustice behaven. (reflexive).
subterranean aridblockhead See BE HAVE.. shifters airywriting into space
behaviorism the spadework awardeei'll. go wherever the theory that scepter
areawidekeys lead. psychology can be shifter aerateleather case accurately
studied. softer arrauboard table kitchen only through the spader
artiecuisine. examination and subterfuge aureatei meant metaphor analysis
of. sputter areawidewherever possessives. subtree. areawidesomething else
sputter aeratethis is just. one i'm no one get your softer airyside hands
off me.. spader airtno justice HAHA. subterraneanisesusually space is
karmaguilttraces aortaexpensive. i once had guilt subdirectories
artymassive nothing writing haha. says it spidery airedeyes all (active
subtraction. artyi once had eyes expression vs sceptered artiego beyond
they. say matters of doctrine) subtreasury areawideother i laughter. is
spidery arrayedwhat comes in this eternally guilty. subterraneanise arteis
still eyes (doctrinal in sifter. awardeekeyes writing) as anythe cod e
statement. n softheart s mouthing. y. arrondis t guilty guilty (how
soekar. ttraffi n awkward to ) soffit ar thorsest c t. how's w g softies
arteriolethere's compilation attached to guilt. soever arterialises should
stop writing soke. arterialisinginterprete e another w e sojoimmedi s.
status of relate to artel valuemeaning other sodwhat'. than drawn arteri
dente. softhead arthromerewhich is p s (interfaces again).. sojourners
arrowrooti had t a media a softening. artefactbig small inverse suppose it
e softbound arsenicaldi. other way a softy ars lprotoco f signs are. soiree
arsenicisespapyrus no o lines are. ts stronger attraction readapting
mcqueenpro. proto mecritical distance attraction to. what reactualise
meagerlyexecution of seeing easy essing. meal ers are easi ay. of
mcmurdohidden instant an. g rea ness memiddleman blackmail to. ably me
compl of the ualizes. li syst inimax rk up. to mewhat's the deal on. me (
rface') reactualisations. mei r mansus accidencesubsta me. critical and
easie 's. system wins liked ng not gravitati. stupid you alwaysde reaming
get signs toodr eath is. obvious it's theirso ng else job. backtrackingi'd
to die. guilt is thru th .. sign you no. shouldn't att it's like chaplin
onde s trash. a conveyor belt ghtning down t rs economy.no. no signno in
the talking is a w recur.. as stimulusres augment pos. respons. lumber.
matronym. Tuesday October. thing. thing (thing) n. . a material object
without life or consciousness an. inanimate object.. some entity object or
creature that is not or cannot be. specifically designated or precisely
described The stick had a brass thing on. it.. anything that is or may
become an object of thought things of the. spirit.. things matters affairs
Things are going well now.. a fact. circumstance or state of affairs It is
a curious thing.. an action deed. event or performance to do great things
His death was a horrible thing.. a. particular respect or detail perfect
in all things.. aim objective The. thing is to reach this line with the
ball.. an article of clothing I don't. have a thing to wear.. things
implements utensils or other articles for. service I'll wash the breakfast
things.personal possessions or belongings. Pack your things and go. a task
chore I've got a lot of things to do. today.. a living being or creature
His baby's a cute little thing.. a. thought or statement I have just one
thing to say to you.. Informal. a. peculiar attitude or feeling either
positive or negative toward something. mental quirk She has a thing about
cats.. something signified or. represented as distinguished from a word
symbol or idea representing. it.. Law. anything that may be the subject of
a property right.. do or find. one's own thing Informal. to pursue a
lifestyle that expresses one's self.. Also do or find one's thing. . make
a good thing of Informal. to turn (a. situation experience etc.) to one's
own profit benefit by She made a good. thing of her sparetime hobbies..
new thing Jazz. See free jazz. . not to. get a thing out of to be unable
to obtain information or news from The police. couldn't get a thing out of
him.to fail to appreciate understand or derive. aesthetic pleasure from My
wife likes opera but I don't get a thing out of. it.. see or hear things
Informal. to have hallucinations.. the thing. something that is correct or
fashionable That caf is the thing now.that. which is expedient or necessary
The thing to do is to tell them the. truth.bef. ME OE orig. meeting see
THINGthing (thing ting) n.. (in Scandinavian countries) a public meeting
or assembly esp. a legislative. assembly or a court of law.Also ting. Cf.
thingstead. ON assembly. c. THING D ding G Ding thing orig. meeting akin
to Goth theihs. matronym. Monday October. nothing (nuthing) n.. nothing
(nuthing) n. . no thing not anything naught to say. nothing.. no part
share or trace (usually fol. by of) The house showed. nothing of its
former magnificence.. something that is. nonexistent.. nonexistence
nothingness The sound faded to. nothing.. something or someone of no
importance or significance Money is. nothing when you're without health..
a trivial action matter circumstance. thing or remark to exchange a few
nothings when being introduced.. a person. of little or no importance a
nobody.. something that is without quantity or. magnitude.. a cipher or
naught Nothing from nine leaves nine.. (used in. conventional responses to
expressions of thanks) Think nothing of it. It's. nothing. Nothing to it..
for nothing free of charge.for no apparent reason. or motive.futilely to
no avail They had gone to a great deal of expense for. nothing.. in
nothing flat in very little time Dinner was finished in. nothing flat..
make nothing of to treat lightly regard as easy.to be. unsuccessful in
comprehending He could make nothing of the complicated. directions..
nothing but nothing other than only We could see nothing but. fog..
nothing doing Informal. emphatically no certainly not.no activity.
inducement advantage etc. present to the eye We drove through the town
but. there seemed to be nothing doing.. nothing less than or short of
absolutely. completely She was used to nothing less than the best.. think
nothing of to. treat casually.to regard as insignificant He thinks nothing
of lying to. conceal his incompetence.adv. . in no respect or degree not at
all It was. nothing like that. Nothing dismayed he repeated his
question.adj.. . amounting to nothing as in offering no prospects for
satisfaction. advancement or the like She was stuck in a nothing job.bef.
ME OE. matronym. rinsay. the active expression of enlightenment over
matters of doctrineThe mind thus. creates the world in the sense that it
invests the phenomenal world with. value.They have presumably already
freed themselves from preoccupations with. the commoner cravings for
sensual indulgence material gain or worldly fame. and have entered the
path of religious strivings. But it is precicely this fact. that Linchi
sees as the source of their problems.this lone brightness without. fixed
shape or form.once and for all that there is no goal to be striven for.
because it has been won already no place to be journeyed to because one
is. there right now.People with so few roots of faithif it's for the sake
of the. Dharma don't hesitate to sacrifice your bodies or give up your
lives.If you. approach it with a true and proper understanding you won't
be affected by. considerations of birth and death you'll be free to go or
stay as you. please.The fault lies in the fact that they don't have faith
in. themselvesStudent's don't have enough faith in themselves and so they
rush. around looking for something outside themselves.Those who have
fulfilled the. ten stages of bodhisattva practice are no better than hired
field hnads those. who have attained the enlightenment of the fiftyfirst
and fiftysecond stages. are prisoners shackled and bound arhats and
pratyekabuddhas are so much filth. in the latrine bodhi and nirvana are
hitching posts for donkeys. Why do I. speak of them like this Because you
followeres of the Way fail to realize that. this journey to enlightenment
that takes three asamkhya kalpas to acomplish is. meaningless. So these
things become obstacles in your way.Fellow believers. time is precious You
rush off frantically on side roads studying Ch'an. studying the Way
clinging to words clinging to phrases seeking Buddha. seeking the
patriarch seeking a good friend scheming planning. But make no. mistake.
Followers of the Way you have on set of parents what more are you. looking
for You should stop and take a good look at yourselves. A man of old. tells
us that Yajnadatta thought he had lost his head and went looking for it.
but once he had put a stop to his seeking mind he found he was perfectly
all. right.The man of value is the one who has nothing to do. Don't try to
do. something special just act ordinary. The Paotsung lun With regards to
the. Way what is valued in every age is to have nothing to do. With
regards to the. Way when one is mindless then all things will proceed
smoothly.Followers of. the Way the Dharma of the buddhas calls for no
special undertakings. Just act. ordinary without trying to do anything
particular. Move you bowels piss get. dressed eat your rice and if you get
tired then lie down. Fools may laugh at. me but wise men will know what I
mean. A man of old said People who try to do. something about what is
outside themselves are nothing but blockheads.If you. have doubts in your
mind for an instant that's the Buddha devil. But if you. can understand
that the ten thousand phenomena were never born that the mind. is like a
conjurer's trick then not one speck of dust not one phenomenon will.
exist.As I see it there's no Buddha no living beings no long ago no now.
If. you want to get it you've already got it it's not something that
requires. time. There's no religious practice no enlightenment no getting
anything no. missing out on anything.If you want to be free to be born or
die to go or stay. as onw would put on or take off a garment then you must
understand right now. that the person here listening to the Dharma has no
form characteristics no. root no beginning no place he abides yet he is
vibrantly alive. All the ten. thousand kinds of contrived happenings
operate in a place that is in fact no. place.If your mind entertains a
moment of doubt it becomes obstructed by the. element earth. If your mind
entertains a moment of craving it becomes drowned. in the element water.
If your mind entertains a moment of anger it is seared. by the element
fire. If your mind entertains a moment of delight it is tossed. about by
the element air.The way I see it onw shouldn't be averse to anything..
Suppose you yearn to be a sage. Sage is just a word sage.Those who study
the. Way these days need to have faith in themselves and not go looking
for. something outside.If you want to be a truly great vessel you must
never be led. astray by others. Wherever you are play the host and then
any place you stand. will be a true one. Whatever confronts you don't let
yourself be imposed on.. If you entertain even a moment of doubt the devil
will enter your mind.Just. have faith in this thing that is operating in
you right now. Outside of it. nothing else exists.In the way you now
respond and utilize it what do you. lack In the space of an instant you
enter purity or enter defilement enter. the halls of Maitreya or enter the
lands of the three eyes. You wander at ease. everywhere for you see that
these are all empty names.The buddhas and. patriarchs are people who don't
have anything to do or are without defilements. and doings their karma is
clean and pure.The Patriarch Shenhui said If you. try to arrest the mind
and stare at silence summon the mind and focus it on. externals control
the mind and make it clear within concentrate the mind and. enter into
meditation all practices of this sort creates karma.So for the. past
twelve years though I've looked for this thing called karma I've never.
found so much as a particle of it the size of a mustard seed.from times
past. the real teachers wherever they went were never listened to and were
always. driven out.The various phenomena in this world and other worlds are
in all. cases devoid of intrisic nature. Even if something did exist it
would in all. cases be no more than an environment that changes with what
it depends on. You. live in a land of changing dependent conditions what
is it you are looking. for And things like the Three Vehicles and the
twelve divisions of the. scriptural teachings they're all so much old
toilet paper to wipe away filth.. The Buddha is a phantom body the
patriarch are nothing but old monks. You were. born from women weren't you
I you seek the Buddha you'll be seized by the. Buddha devil. As long as you
seek something it can only lead to suffering.. Better to do nothing.A true
student of the Way never concerns himself with the. Buddha. Far removed
alone and free he is never entangled in things. Heaven. and earth could
turn upside down and he would not be perturbed. All the buddhas. of the
ten directions could appear before him and his mind would not feel an.
instant fo joy the three realms of hell could suddenly confront him and
his. mind would not feel an instant of alarm. Why is he like this Because
he knows. that all things in the phenomenal world are empty of
characteristics. WHEN. CONDITIONS CHANGE THEY COME INTO EXISTENCE WHEN
THERE IS NO CHANGE THEY DO. NOT EXIST.Followers of the Way when students
come here from various regions. and we have finished greeting one another
as host and guest the student will. make som remark to test the teacher.
The student comes out with these tricky. words and thrusts them into the
teacher's face. If you were the teacher and. realized that this was just
an 'environment' and you grabbed it and threw it. down a hole then the
student would act normal again and after that would ask. for the teacher's
instruction. The teacher would then snatch that up too and. treat it as he
did the earlier remark. The student then says Very wise A. truly great
teacher The teacher says You certainly can't tell good from. badAgain
suppose the teacher comes out with a certain chunk of environment. and
dangles it in front of the student's face. The student sees through this.
and at every step acts the master refusing to be misled by the
environment.. The teacher then reveals half of his body whereupon the
student gives a shout.. The teacher now enters the place where there are
all kinds of differences and. distinctions battering the student around
with words. The student says This. old baldhead who can't tell good from
bad The teacher exclaims in admiration. A true and proper follower of the
WayThere are some teachers around who can't. distinguish crooked from
straight. When a student comes and asks about bodhi or. nirvana about the
threefold body or about environment and wisdom those blind. old teachers
start explaining to the student. When the student curses at them. they
pick up their stick and hit him saying Such rude language If you have. a
teacher like that he lacks eyes to begin with.Then there is that bunch of.
baldheads who can't tell good from bad but point to the east gesture to
the. west love clear weather love it when it rains love this lamp or that
pillar.. Look and see how many hairs they have left in their eyebrows and
with good. reason. Teachers like that are nothing but wild fox spirits
goblins. Good. students will just give a little snicker and say Blind old
baldheads trying. confuse and lead everybody in the world astrayFollowers
of the Way if you. want to get the kind of understanding that accords with
the Dharma never be. misled by others. Whether you're facing inward or
facing outward whatever you. meet up with just kill it If you meet a
buddha kill the buddha. If you meet. your parents kill your parents.These
students of the Way who come from all. over there's never been one of them
who didn't appear before me depending on. something. So I starrt out by
hitting them there. If they come with a raised. hand I hit the raised hand
if they come mouthing something I hit them in the. mouth if they come
making motions with their eyes I hit them in the eye. I. have yet to find
one who comes alone and free they're all caught up in the. idle devices of
the men of old.I don't have a particle of Dharma to give to. anyone. All I
have is cure for sickness freedom from bondage. You followers of. the Way
from here and there try coming to me without depending on anything. All. I
get are things stuck to stems clinging to leaves wraiths that inhabit
bamboo. or trees wild fox spirits They chew frantically at every lump of
shit they. happen upon. Blind foolsI tell you there's no Buddha no Dharma
no practice. no enlightenment. Yet you go off like this on side roads
trying to find. something. Blind fools Will you put another head on top of
the one you have. What is it you lackThe way I see it there's no call for
anything special.. Just act ordinary put on your clothes eat your rice
pass the time doing. nothing. You who come here from here and there you
all have a mind to do. something. You search for the Buddha search for the
Dharma search for. emancipation search for a way to get out of the
threefold world. Idiots. trying to get out of the threefold world Where
will you goFellow believers. this body made up of the four major elements
has no permanence. Things like. spleen and stomach liver and gall hairs
nails teeth are simply evidence. that all phenomenal things are empty of
fixed characteristics. As long as your. mind is unable to cease its
momentbymoment activity then you are up in the. tree of ignorance. But if
you can learn to cease then you'll be in the world. of the clean pure
body.If a student truly knows what he is doing he will give. a shout and
then first of all hold out a try of lacquer. The teacher failing.
recognize this as a mere 'environment' proceeds to climb up on the.
environment and begin striking poses or donning attitudes. The student
gives a. shout but the teacher refuses to abandon his approach. This is
called the. guest seeing through the host.Or perhaps the teacher will not
come out with any. object of his own but will wait for a question from the
student and then snatch. it away. The student seeing his question snatched
away won't let go but holds. on for dear life. This is a case of the host
seeing through the guest.Perhaps. there is a student who responding with a
clean pure environment presents. himself before the teacher. The teacher
can tell this is just an environment. and grabs it and throws it down a
hole. The student says A truly great. teacher Instantly the teacher says
Hopeless can't tell good from bad. The student gives a low bow. This is
called the host meeting up with a host.Or. there may be a student who puts
a cangue wooden collar on his neck binds. himself in chains and then comes
before the teacher. The teacher proceeds to. shackle him with another set
of cangues and chains. The student is delighted. unaware of what has
happened. This is called the guest meeting up with a. guest.But students
don't have faith enough and instead base their. understanding on words and
phrases. Their years pile up to half a hundred and. all they do is go off
on side roads carrying their dead corpses on their. backs racing all over
the world with their load of baggage.If you look toward. the area of
motion and try to grasp the truth there it will take up its stand. in the
area of nonmotion and if you look towards nonmotion and try to grasp it.
there it will take up its stand in motion. It is like a fish hidden in a
pond. who now and then slaps the surface and leaps up.When students come
from here. and thee I classify them into three categories according to
their ability. In. such cases if a student of less then middling ability
comes to me I snatch. away the environment but leave him his existence. I
a student of better than. middling ability comes to me I snatch away both
environment and existence. If. a student of truly superior ability comes
to me I do not snatch away anything. neither environment nor existence nor
person. If a student appears whose. understanding surpasses all these
categories then I deal with him with my. whole body and take no account of
his ability.Reverend Taoi's way of doing. things was simple direct nothing
mixed in. Reverend Lushan was utterly free. true and correct but whether
he came at them with compliance or opposition his. students could never
fathom what was going on. Mau's way of doing things. was as bitter as the
bark of the Chinese cork tree no one could get near him.. The way Shihkung
went about it was to look for students by pointing an arrow. at them all
who came to him were terrified. Shihkung had been a deer hunter.. When
students came to him he would fit an arrow to his bow point it at them.
and say Look at the arrowFellow believers these sounds names words.
phrases are all nothing but changes of robe. The sea of breath in the
region. below the navel stirs itself into motion the teeth batter and mold
it and it. comes out as a statement of an idea. So we know for certain that
these are mere. phantoms.Better to do nothing to meet someone but not
recognize him talk with. him but not know his name.There's a bunch of
fellows who can't tell good from. bad but poke around in the scriptural
teachings hazard a guess here and there. and come up with an idea in words
as though they took a lump of shit mushed it. around in their mouth and
then spat it out and passed it on to somebody else.. They're like those
people who play passtheword parlor games wasting their. whole life like
that.When the great teacher Bodhidharma came from the west he. was simply
looking for a man who would not be misled by others.I have been.
addressing you putting forth a lot of trashy talk. But make no mistake In
my. view there are in fact no great number of principles to be grasped.If.
bodhisattvas even those who have completed the ten stages of mind practice.
were all to seek for the traces of such a follower of the Way they could
never. find them. Therefore the heavenly beings rejoice the gods of the
earth stand. guard with their legs and the buddhas of the ten directions
sing his praise.. Why Because this man of the Way who is now listening to
the Dharma acts in a. manner that leaves no traces.Neither in this world
nor in any other world is. there any Buddha or Dharma. There is nothing to
appear before you and nothing. that is lost.Fellow believers only when you
have commited the five crimes that. bring on the hell of incessant
suffering will you finally gain. emanciation.Killing your father injuring
your mother drawing blood from the. Buddha's body disrupting the harmony
of the Monastic Order burning the sutras. and images these are the five
crimes that bring on the hell of incessant. suffering.Ignorance is the
father. When your mind is without activity wherever. it is this is called
killing the father.Greed is the mother. When your mind. experiences no
attachment anywhere this is called injuring the mother.If your. mind doesn
not even for an instant begin to discriminate but instead sees. complete
darkness everywhere this is drawing blood from the Buddha's body.If. you
properly understand that the bonds and entanglements of earthly desires
are. so much emptiness with no place to lean on this is disrupting the
harmony of. the Monastic Order.When you can see the emptiness of causes
and conditions the. emptiness of all phenomena when the mind is every
instant completely calm far. removed and doing nothing this is burning the
sutras and the images.Your minds. instant by instant confront an empty fist
a pointing finger and take it for. some sort of reality vainly trashing
around in the realms of senses. environments phenomena.Followers of the
Way don't take the Buddha to be some. sort of ultimate goal. In my view
he's more like the hole in a privy. Therefore. Manjushri grasped his sword
ready to kill Gautama and Angulimala blade in. hand tried to do injury to
Shakyamuni.Followers of the Way even if you can. understand a hundred
sutras and treatises you're not as good as one plain monk. who does
nothing.Followers of the Way don't search for anything in written. words.
The exertions of your mind will tire it out you'll gulp cold air and. gain
nothing.Fellow believers don't dawdle your days away In the past before. I
had come to see things right there was nothing but blackness all around.
me.Fellow believers do not use your minds in a mistaken manner but be
like. the sea that rejects the bodies of the dead.Weishan said Well what
do you. thinkYangshan said Officially not a needle is allowed to pass but.
privately whole carts and horses get throughWhen illumination comes first
and. action afterwards then the person is present. When action comes first
and. illumination afterward then the Dharma is present. When illumination
and. action are simultaneous it's like driving away the plowman's ox
snatching. food from a starving person cracking bones and extracting the
marrow giving a. painful poke with a needle or an awl. When illumination
and action are not. simultaneous there are questions and answers guest and
host are established. water gets mixed with mud in response to movements
measures are taken. If the. person is really outstanding then even before
a problem arises he'll rouse. himself and be on his way. But still it
needs another little push.(from the. lumber. matronym. Sunday October. ok.
these characters don't mean anythingarseholes on tv televisionrectoscopy
rs. holes tv setthis candlelight the this the president the dog the the.
theodicy evil levi live veil vilegood has no anagrams no otheranagram has
no. anagram which backfires on good it's just emptythe same ames asme meas
mesa. msae seam other theor. throerandom rodmannegative agentivepositron.
sorptionatchoo cahootakan kanahaiku ukiahemil lime milemale alme elam
lame. lam mael meal melafemale icon coin cion sign sing sing.arse ares son
of. zeus and hera mars male marse aser asher rase raze sear. to burn or
char. the surface of She seared the steak to seal in the juices.. to mark
with a. branding iron.. to burn or scorch injuriously or painfully He
seared his hand. on a hot steam pipe.. to make callous or unfeeling harden
The hardship of her. youth has seared her emotionally.. to dry up or wither
parch.v.i.. to become. dry or withered as vegetation.n.. a mark or scar
made by. searing.adj.. sere.bef. (adj.) ME sere OE sar c. D zoor (v.) ME.
seren OE sarian deriv. of sarstill sr norwsera plural of serum blood. milk
whey curd duca cheese christ smegma the last sup puslas palmas plasmathe.
sun nous onus probandi it's ya onus ya orseeros rose sore (sear) sero
(serum. again)horse shoer shoreursus arctos horribilis kodiakthis hist
isth sith tshi. shitexcrement waste matter sweat (matter has no anagram
neither mind)mother. thermovater avert travemater ramet tamersanta satan
tsananoema anemo wind L. animus breath Skt anilasrumblehex ascii isiac
isis usus oso horosbeing begin. binge blast bust blair toot jagresist
sisterbroth throb frater rafter rumble. lumber jackass (anything
male)thing night dorknesslight bef. (n. and. adj.) ME OE loht c. OS lioht
OFris liacht D G licht Goth liuhath (n.). akin to ON ljs (n.) ljss (adj.)
L lx (n.) Gk leuks bright white. (v.) ME lighten OE lhtan c. OS liuhtian
OHG liuhten (G leuchten) Goth. liuhtjanlux litho thiol
stonelightfireelectron el centro recent holocene holos. soul sole solus
also solaone eon neo noe time emit mite item geo ego aeon a. one eras
arseone bef. ME oon OE n c. D een G ein Goth ains L nus. (OL oinos) akin
to Gk on ace on a diejocus jeckarse jest gest gegere. perform egest to
discharge as from the body void (opposed to ingest). injoke notfunnyyoke j
bef. (n.) ME yok(e) OE geoc c. D juk G Joch. ON ok L jugum Gk zygn Hittite
yugan Skt yuga (v.) ME yoken OE. geocian deriv. of the n.orl korrect.
lumber. matronym. Friday October. lumber. lumber. Bkonomi.
BkoEuropnomiVaVerdektigenramtomNorgeNordenDanmarkFryeneGrNonlanrdendFinlandIslandogSverige.BkonomiVekt.
i gram tom Norge Norden. Europa Verden. Norden Danmark Fryene Grnland
Finland Island og Sverige.. matronym. Thursday September. scribbling on a
blank end page of rinzai roku my mom wanted to look at some. pictures but
got stuck in navigating the mouse so i get very bored before. reaching the
start button my sister comes in with bruises on her knees and a. blue hand
not knowing where they come from (polish vodka party) eventually it.
dissolves the scribble remains and i do a scan upsidedown like colliding
in. mouse and vodka crashes.scurvy dog story.Theese be. disturbance (vacky
horror)if you look towards the area of motion and try to. grasp the truth
there it will take up its stand in the area of nonmotion. it's like a fish
hidden in a pond who now and then slaps thesurface and leaps. upjesus
whatChrist whatShiva WhatWat WhatWhat Wattbunch of. goblin spiritsdoubt
earth (buddha devil)craving wateranger firedelight. raysnostalgia
(neuralgia) of the imagehome (no home)anger of the visible. world (light)
fireimagenostalgia of the explicit (for a root in. events)return going
somewhereturn on meand watch me cumpelwhose. meMEMEjujuscurrilous image
sorcerorsplunters pirates of the. imagesometime you come riding on an
imageyou take diamond ministry (any. syle building you want)populate w
furry amoebas..perhaps come come riding on. matronym. Monday September.
crash courseplunt bubble chamber traceroutemy mother is learning the
mouse. matronym. Sunday September. editor's note. kunst DOT no. matronym.
Wednesday September. lumber. lumber. Re sq. noemata. Friday May. amrah.
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(i((((((((((((((i(((a(. noemata. Tuesday May. smil d. substantive contentle
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publication . Iaththtapavuojsub Narwe GarkecanboananesTatkilovade.
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Poper. Pharmaper. noemata. feynman. ...All this went on in the first few
weeks before we got. everythingstraightened out. Anyway one day I'm
piddling around with the. computingmachine and I notice something very
peculiar. If you take divided. by youget .. . . It's quite cute It goes a
little cockeyed. after whenyou're carrying but it soon straightens itself
out and repeats. itself nicely.Ithought it was kind of amusing. Well I put
that in the mail. and it comes back to me. It doesn't go throughand there's
a little note Look. at Paragraph B. I look at Paragraph B.Itsays Letters
are to be written. only in English Russian SpanishPortugueseLatin German
and so forth.. Permission to use any other language must beobtained in
writing. And then it. letter which saidthat I feel that of course this
cannot be a code because if. you actually dodivide by you do in fact get
all that and therefore. there's no moreinformation in the number .. . .
than there is in. the number which is hardly any information at all. And
so forth. I. therefore asked forpermission to use Arabic numerals in my
letters. So I got. that through allright....And von Neumann gave me an
interesting idea that you. don't have to beresponsible for the world that
you're in. So I have developed a. very powerfulsense of social
irresponsibility as a result of von Neumann's. advice. It'smademe a very
happy man ever since. But it was von Neumann who put. the seed inthatgrew
into my active irresponsibility... What You a. psychiatrist keeping an
open mind Ha It went on likethisfor quite a. while. Then at some point
near the end he says How much do you value. life Sixtyfour. Why did you
say 'sixtyfour' How are you supposed to. measure the value of life No I
mean why did you say 'sixtyfour' and not. 'seventythree' forinstance If I
had said 'seventythree' you would have. asked me the same question The
psychiatrist finished with three friendly. questions just as the
otherpsychiatrist had done handed me my papers and I. went off to the next
booth....After a while I began to worry. Here's a guy. who's been deferred
all duringthe war because he's working on the bomb and the. draft board
gets letterssaying he's important and now he gets a D in. Psychiatric it
turns outhe's a nut Obviously he isn't a nut he's just. trying to make us
believe he'sanut we'll get him...I don't believe I can. really do without
teaching. The reason is I have tohave something so that when. I don't have
any ideas and I'm not gettinganywhereI can say to myself At least. I'm
living at least I'm doing something I'mmaking some contribution. it's just
psychological.... So I got this new attitude. Now that I am burned. out and
I'll neveraccomplish anything I've got this nice position at the.
university teachingclasses which I rather enjoy and just like I read the.
Arabian Nights forpleasure I'm going to play with physics whenever I want
to. without worryingabout any importance whatsoever....Thirteen Times One
time a. science teacher from the local city college came around and
askedmeif I'd give. a talk there. He offered me fifty dollars but I told
him I wasn'tworried about. the money. That's the city college right Yes. I
thought about how much. paperwork I usually had to get involved with when
Ideal with the government so. I laughed and said I'll be glad to give
thetalk.There's only one condition on. the whole thing I pulled a number
out of ahatand continued that I don't. have to sign my name more than
thirteen timesand that includes the check The. guy laughs too. Thirteen
times No problem. So then it starts. First I have. sign something that
says I'm loyal to thegovernment or else I can't talk in. the city college.
And I have to sign itdouble OK Then I have to sign some kind. of release to
the city I can'tremember what. Pretty soon the numbers are. beginning to
climb up. I have to sign that I was suitably employed as a. professor to
ensure ofcourse since it's a city thing that no jerk at the. other end was
hiring hiswife or a friend to come and not even give the lecture.. There
were all kindsofthings to ensure and the signatures kept mounting. Well.
the guy who started out laughing got pretty nervous but we just madeit. I.
signed exactly twelve times. There was one more left for the check so
Iwent. ahead and gave the talk. A few days later the guy came around to
give me the. check and he was reallysweating. He couldn't give me the
money unless I signed. a form saying I reallygave the talk. I said If I
sign the form I can't sign. the check. But you were there. Youheard the
talk why don't you sign. it Look he said Isn't this whole thing rather
silly No. It was an. arrangement we made in the beginning. We didn't think
it wasreally going to get. thirteen but we agreed on it and I think we
shouldstick to it to the. end. He said I've been working very hard calling
all around. I've been. tryingeverything and they tell me it's impossible.
You simply can't get your. moneyunless you sign the form. It's OK I said.
I've only signed twelve. times and I gave the talk. Idon'tneed the money.
But I hate to do this to. you. It's all right. We made a deal don't worry.
The next day he called me. up. They can't not give you the money
They'vealready earmarked the money and. they've got it set aside so they
have to giveit to you OK if they have to. give me the money let them give
me the money. But you have to sign the. form. I won't sign the form They
were stuck. There was no miscellaneous pot. which was for money that
thisman deserves but won't sign for. Finally it got. straightened out. It
took a long time and it was verycomplicated but I used. the thirteenth
signature to cash my check.... It's a kind of scientific. integrity a
principle of scientific thoughtthatcorresponds to a kind of utter. honesty
a kind of leaning over backwards.Forexample if you're doing an. experiment
you should report everything that youthink might make it invalid. not only
what you think is right about itothercauses that could possibly. explain
your results and things you thought ofthatyou've eliminated by some. other
experiment and how they worked to makesurethe other fellow can tell. they
have been eliminated.... Why didn't they discover that the new number was.
higher right away It's athing that scientists are ashamed of this history.
because it's apparentthat people did things like this When they got a.
number that was too highaboveMillikan's they thought something must be
wrong. and they would look forandfind a reason why something might be
wrong. When. they got a number closer toMillikan's value they didn't look
so hard. And so. they eliminated the numbersthat were too far off and did
other things like. that. We've learned thosetricks nowadays and now we
don't have that kind of a. disease. But this long history of learning how
to not fool ourselves of. havingutterscientific integrity is I'm sorry to
say something that we. haven'tspecifically included in any particular
course that I know of. We just. hopeyou've caught on by osmosis. The first
principle is that you must not fool. yourself and you are theeasiest person
to fool. So you have to be very. careful about that. Afteryou'venot fooled
yourself it's easy not to fool other. scientists. You just have tobehonest
in a conventional way after that.... So I. have just one wish for you the
good luck to be somewhere where youare free. maintain the kind of
integrity I have described and where you donot feel. forced by a need to
maintain your position in the organization orfinancial. support or so on
to lose your integrity. May you have thatfreedom.Surely. noemata. the plan
is the contract which seals. k The plan is the mapping of belief completion
as a coherent. system its formalization.The Plan Is The Enclosure Of The
Belief Set its. circular logic turned on itself THE FABRICATIONENCLOSURE
(SIMULTANEOUSLY) OF. possibility.stimil elbanifed fo tcurtsnoc aThe plan
allows one to inhabit. belief.cecdefedalife. is delimitedseparatedenclosed
in a wrapper of the possibleenclosed in a. wrapper of the. noemata. o the
Magi. A NAME TO A MEAN TO A TEAM ON A MATE NO ME TO ANA MEAN TAO ATONE
bjornmag. Hallingstad John Mr. Jonah O. Blending beyond Jon Reime JonJoel
nuonorp. dlihngaM ssoF denuR ynimongi dnoB lanimreG nhoJ
nahoJnosmirgsAStandal Magh. erroneous.notion Dani Bjrn Norheim Magee
ontic.mantsin Magny Hanne Bjevrke. Manee Glenda Bjordl Maney Heod Gram
Manney garbiel Neal hoberg Magnhy Maget. Magey Maghy Hughey Hayes Magnhill
Magni ByrnBjrn Hitdlakjempe Bjarnar. saga Hdlakappa Bjarni Hitdlakappi
Magnus Holberg Brandt Beorma bjorn. beras matronymbef. ME be(a)re beor(e)
OE bera c. Fris br D beer. OHG beroLith bras brown. Cf. BRUINMagh
Important Derivatives Are May. Dismay Might Main Machine be able dismay
from Old French esmaier to. frighten. Both a and bfrom Germanic suffixed
form mahti power. main from. Old English mgen grade form mghan that which
enables. machine. mechanic Possibly suffixed form maghu. (magic) magus
from Old Persian. maguPHONOLOGY OF DEVELOPMENT OF QUENYA FROM PROTOELDARIN
This followsETYM. shown in BOLT. As shown by KVNS at that time RT the Elves
made PE by likely. made ETYM PE Valarin uneuphonic with roots such as snas
and have a history. of change MET before that E.g. PE magh handmag In a
map. printed in the peninsula is called Island Maghies andin Inquisitions
of. Antrim it is referred to as Island of Magie andIsland it is called.
Magees Ile. During the th century the Ordnance which they say derives in
turn. a word for seagull. I can not find in the O form as OHea OHay Hay.
Hayes The derivation from the following corrupted forms McKee Magee McGee.
Mackey McKay McCoy Magees who are said to have their principal base in the.
townlands of. efdefefdaof. yellowhaired Aodh Nill). A similar derivation is
given in members of. this family by soldiers from Carrickfergus Castle
followingMAGDE MAGDY MAGEE. MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE
MAGGI MAGGOMAGJI MAGJO MAGJU MAGKA. MAGKU MAGNM MAGNY MAGON MAGOO MAGOT
MAGOW MAGOZMAGXY MAGYA MAGYE MAGYI MAGYU. MAGZE MAGZI'Magnus' also appears
in the forms 'Mang' and 'Manges' in the Alps. and large thus by being used
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collection of. . esoteric . shortform . writing. (Seattle Studio Sokrates
jazz og filosofi radio (NRK). Analytics) The Straight Dope (QA. columns
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therapeuticworldview Timeline of knowledgerepresentation (Robot. wisdom)
GX JupitterLarsen's OnLine Amathopaedia The. Kingdoms of ElgalandVargaland
consisting of borderterritories. Intellectual property issues (Negativland)
Afterlife Beliefs May. Have Biological Basis (ascribe)cfcbafbdaffbffc.
Musicsound of the magnetosphere and space weather(auroralchorus).
poortour.com INTERNET TEXT Alan. Sondheim Life Gran SonessonWe hold. these
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an. plot of a story by locating its missing parts hidden in exchange.
networks and which can be recognized by working together which.
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formation of blocks. generated by the Gnutella network. Coloured 'balls'
as the artists. data involved. MP is now a medium in itself as shown by a
number of. makes the user realize the fallible nature of 'packages' of.
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is the sale of the activation of many simultaneous downloads. a phenomenon
far too complex and diversified to be so and which. emotional vulnerability
and hardware. Trusting that some music. pbzchgref ba rnegu jbhyq penfu qhr
gb n ivehf pnyyrq ZhfvpCnary naq. alt.music.bootlegs) it clearly shows how
media panic can be. been used on other occasions such as when a similar
hoax. feeling instilled by commercial marketing concerning the free.
ways.. Plagiarism MP is the message.. is a fundamental of a whole artistic
scene called plagiarist which. artists over the years concerns exclusive
copyright which is. reproduction. Various artists have shown the paradox
of a system. jesters of a commercial system blindly hanging on to its own.
effdaabaed. famous because of a legal challenge which dragged them into a
bizarre. techniques applied here. In the band issued on the SST label a.
'I Still Haven't Found What I'm Looking For'. Sales figures were not.
album by U themselves. 'Island' U's label at the time demanded. a trial..
the symbol of a battle in which the only weapons available are irony. the
free use of sound samples and continued their valuable artistic. issued in
by the Etoy group of artists in an attempt to get back. create have to be
properly paid for what they do not that they have.. k. k.
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334
da. arafat. arafat shithead it's all the same some shithead claiming
territory. that got to do with anything. maps plainly to logic how
metaphysics became logic or was as it. its undead counterpart the world
may die any human we'll go on. this morning and driving under the bridge
don't blame gray words. FLNKTNMKMSYJSTSTRNTSTNLYWNT. down. all this wind
is it going anywhere mostly robots reading the. what a mess still four
arms two heads what a monster and the. system two processes the same shit
all the more pressure around. Great. it's of course true we are the same
otherwise science and. through the processor our bodies are arguments
positions like. being itself so the quest is via the culture
representation where. Other Arts Where Are You In Music And Everything
Before Language. the identity of 'you are here' which gives a faint
realization of. falsity revealed through its truth and vice versa which is
at stake.. Lingam Sanskrit literary 'mark' or 'sign' ( is there a
connection. )...noisserpxe tnangerp ycnangerp laesni. combination gives
emphasis to his incomprehensible transcendence. He. eht ni noitatidem ni
detaes citecsa na sa detciped semitemos. he tramples on the forces of
ignorance and chaos and keeps creation. smsaps eR. cbfcfbf. alsoh.
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theorypreempting conceptualism. ().ADMUabceghimnorstuz. trA.teNretnI fo
seluR evitigrugeR eR dwF tcejbuS. ReplyTo a place for discussion and
improvement of things. egassem dedrawrof fo tratS .. feel. of format form
or function including overt referencing. appropriation. . No Simulacra.
thoroughly rigorously laughed at.. No more InterNet.art will be produced
using x.pression as a template or. the cartesian or the sensory ie
visuality overcoding in all. InterNet.art. . No M.mersion. S P R I A M I.
instill great clunking swathes of theoretical loadings in all work no.
ReplyTo a place for discussion and improvement of things. Fwd Regurgitive
Rules of InterNet.Art. End of forwarded message. Gb hafhofpevor fraq n
oynax rznvy gb. Russell Weinberger Associate Publisher. The conversation
continues...... you have picked out one paragraph which best represents to
your. colleagues. Imagine that you walk into a room and are greeted by a
group of Edge. Daniel C. Dennett for the EDGEworthy suggestion) is the
charge to the. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena
Cronin. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena Cronin ..
codes. Wi. ecceceffefda. laid bare like a theater with transparent
curtains and sets so the. visible. Hyperlinks which often appear in
underlined blue text. jump from one page to another a sort of black hole
through which a. jump from one page to another a sort of black hole
through which a. web site into separate windows each displayed in a
separate part of. frame allowing the user to move among screens without
leaving the. relevance. In many cases the web page communicates to the
search. consist of key words that provide an associative description of
the. deconstructionist critic approaches a text. Deconstruction which.
statutes and court opinions collapse upon themselves making their. I E R A
W O A A C T. set the foundation of postmodern thought by describing
language as a. itself) and the signified (the concept or meaning).
Saussure's. I S T E And R Suggest A Girl Or Woman Who Shares The Same
Parents. inner relationship to the succession of sounds sor which serves
as. simply be represented by another succession of letters or sounds..
signified was merely historical and therefore arbitrary. the letters.
doomed to represent a bound sheaf of printed papers too rarely. because it
doesn't signify something else (the actual book) and the. .nwo sti no
depsarg eb tonnac ti lanoitaler. Meaning then is not contained or conveyed
by a word or series of. convey. Meaning is part of a process in which words
are examined. looks much more like a sprawling limitless web where there is
a. Deconstructionists advanced de Saussure's work by detaching the.
infinite or at least inexhaustible network. Every text fiction and.
suspended quality its meaning is whatever may be grasped by a. kind of
open conversation or play through which the reader pieces. favorite tactic
of such critics is to analyze a detail in the text.
INKHRNTWTLKSPTTNTRPRTXNSSXSMRL. groups come to appear naive. Indeed the
Supreme Court has done. curious backwater of the Constitution the th
Amendment now stands. dnuof esarhp a( ytinummi ngierevos fo enirtcod daorb
ylgnisaercni. of state government at the expense of both Congress and
citizens at. every other aspect of the United States Constitution. A.
wrong about federalism and state power but only. that such radically. to
an authoritative meaning including an investigation into the. and Bill of
Rights) will be a misguided and ultimately fruitless. The Web is a
postmodernist tool that inevitably produces a. social conservatism is the
kind of grassroots movement that the. farflung constituents aiding
organization recruiting. and the. the number of sources with consistent
viewpoints. Conservatives who. avoid those sources altogether customizing
a diet of news from. HSgNhjrziAFedjRdJAvTblBm. their own perspectives but
precluding exposure to new ones. .. jdBF. stak sl califor b.menraae. znfa
qi. bdlae tstkv sl kan kmmmi ron Mta. kan fo veskor i sei. fi ioegrnr
irogn senrnsoe asnvar fosvrferyt b. fn sitell sekptn vneant. oorhteatk niv
i. vnean gss stak idelkta. skoke jd ses. lse tneoln Mlø. srekem kan. snreso
kan hrae idelkta. fkunet liøsengnr fibnchgeamlll. id vn. sle matMhn.. ie
mos edis ne dem te Lademoen Kunstnerverks. Er ste. lit ettøtssrytstu m.
ANDR. relleh etevleh i gnimoC fellesverk. Helvete hel gninerof fikk noen
stø. redetskrev. jeg tenkte også på et. Løvøen. ettøtsLademo. gileggyh g
noen kan dermed Nettsider om mi. Ja nå m tnatubed. redistt. Askefoss Bjørn
Oppfør redistten vaMvh. hva er oslo open unstområdet (inkl. snuk. IGOLONKET
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(. hakk bør a emmas ted. redetskrevsellef l oppgra .J.. nd o. Start. (no
academic art that. ReplyTo a place fo. (at least not as. no theoryp. disc.
k. no cybersp.. these thi. because heartbeats knows a frick fiend. while
walking. while . walking beachboys . mindful. . of . worms ancillary
ants.. do not all these things.. while walking be minimized of worms and
ants.. do not all thersites things.. whimsey walkers bays mineable of
worry ancohuma antre.. do nostoc all these thingamajig.. whig walking be
mindless offal wormier and ants.. do notability all thesaural things..
whikehart walkingstick bdellium mindfully oeuvres wormseed antonym. ants..
doab nota alla thesaurus thingumabob... se.. the laws that brought you into
being.. human replication creates exponential diversity. each combination
is a. look at your organs look at your composition. understand yourself
as. TemdwnjnFUlUwwbjXPREKhUki. other atmospheric hydrological biological
and psychological. earth is anchored relative to another. outofsync
waveforms form. of living and the underworld and overworld echo in all
directions.. resolve the encryption of the text in the future.. be
compensated for narratively. space prohibits being able to. editor's note
this is not the text itself but a. limited english. Fwd noisetext Kinich
Ahau Itzamna. in sum everything is legal except for. admissable. Legality
itself is inadmissable.. capitalism it is very different nothing is secret
at least in. principle. complicated to describe here but one detail should
be mentioned. In. other. psychiatry has but one clinical equivalent the
terminal stage.. rational is always the rationality of an irrational..
except capital or capitalism itself.. Seen at the side of a Sussex road
SLOW CATTLE. CROSSING. NO OVERTAKING FOR THE. material. It may be ordered
(EUR postage EUR ) from the. page book published on the occasion of this
exhibition. It contains. an. Domein Sittard The Netherlands (opening May
).. contains a lot of material that has not been exhibited previously is.
This exhibition takes as its starting point the particular focus on.
proper.. who else. My first words weren't my first words. I wish I'd begun
differently.. it. Even so. Score to be settled. Children are vengeance..
Now that I reflect I'm not enjoying this life my link with the world..
anyone follows me I can't tell.. hope. Where there's a voice there's a
speaker... øtt eller. elohw eht nihtiw ralucitrap eht fo noitargetni
s'legeH ot ecnerefer a si. dna. standard scientific deduction.. ...meht
hsilbup neve me tnirp me edart. noitacilbup eht gnitsissa yllaicnanif rof
tsixe llits. seitinutroppO.daarrutluk. .sessecorp. sssssssssss erocsmapSX.
hsirebbur pmatsemit evitarenegami citamotua etadpu rhyna. .rotinom semoceb
maerts ecruos semoceb atad erehw ereh. the same.. .'egami' sa flesti
gninimrednu ytinifni siht.'egami' sa flesti. gninimrednu ytinifni siht.
circle some optical effect. objective automatism. why am i reloading.
center. revres ruoy ot tpircs eht gnidaolpu yb rhyna tsoh. T E. fiksert
loopback i sentrum av her hvor data blir bilde strøm blir. skjerm.. 'nni
egnaf å gilumu' netehgiledneu ned varof kkyrttu te rilb nem. kkyrtnni.
skiftende og ønsket om å fange eller uttrykke det.. ambisiøst
kunstprosjekt går ut på å oversette lineærtid til looptid. En. regress.
ned sivh gnit erdna mos tkejbo te re nedit sivH .edømellert. ellømedert
egive. av tiden den betingelsesløse underkastelse. Modulo prøver å styrte.
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spor slettet eller blir til stein. eececeebafeebfddcefcda. genafsbezreraqr
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actually. theoretical debate of lit other tests that are deem''art'' camp.
''hypertext'' ''hyperfi. in turn the impact of N. Int.. den destr. Once the
search has begun something will be found. Only a part not the whole.
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metacard. k. Pay attention to distractions. Picture of a spotlighted. Put
in earplugs. Question the heroic approach. Remember those quiet evenings.
k. dffeda. Remove ambiguities and convert to specifics. Remove specifics
and convert to ambiguities. k. Remove the middle extend the edges.
DvLcAgGMbuwKvhrKGlPlZUVQfB. Retrace your steps. Revaluation (a warm
feeling). Reverse. Short circuit (example a . man. eating peas . with .
the idea. that they . will improve. his virility. shovels them straight
into his lap). Shut the door and listen from outside. k. SIMPLE
SUBTRACTION. Simply a matter of work. Slow preparation fast execution.
Spectrum analysis. bdedbaeebdab. Steal a solution.. Take a break. k. Take
away as much mystery as possible. What is left. take away the elements in
order of apparent nonimportance. k. Take away the important parts. Tape
your mouth. The inconsistency principle. The tape is now the music. Think
inside the work outside the work. Think of the radio. Tidy Up. Towards the
insignificant. Trust in the you of now. Try faking it. TRNTPSTTN. Twist the
spine. Use unqualified people.. Use an old idea. Use An Unacceptable Color.
Use cliches. Use fewer notes. Use filters. Use something nearby as a model.
Use your own ideas. Voice your suspicions. Water. What Are The Sections
Sections Of Imagine A Caterpillar Moving. What context would look right.
What do you do Now what do you do best. What else is this like. Jung vf
gur ernyvgl bs gur fvghngvba. What is the simplest solution.. ents and. a
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335
KILOPHYT. .. of how people meeting each otherare forever recognizing each
other. We should not say 'The other exists I have. met him' but instead.
might facilitate a contact or a relationship betwen them. The secret. O O
E A M H D I S H T T. Does she want him to kill her Does she want him to
find her pursuit. ffdccdeabeae. attraction for her and she spends a
fortnight surmounting endless. ebecbbcdeefdbeaff. In Sophie Calle's La
Suite vnitienne S. decides one day to give an.. ting torep. personally el
struggle like broIntroductory Note. Let us come to th personally elcripple
of th. exists maintains Let us come to ththeir side would. components.
Other exists maintains by Max Nettlau. Many Breakages And Components.
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to liv accordance with himatter.. Today the republ they want to
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ideal of the Stateupon it.. separation or div Instead accordinbefriended
people. which wou separation or div. simple than to which wouIn the pr.
their side would simple than to should rather p. realize their side
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be op In practice thepeacefully side. themselves be ente office would be
opgovernment at one. KI KIN ING. monde de significations. malgr tout
soumis. qu'a lieu l'expression monde de significations.WH ETH THE ER TH
THI. prgnante pour celui qui qu'a lieu l'expression. lecteur et le texte
la prgnante pour celui qui. lecteur et le texte la webartery. C'est en
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prolif. squentiels. Ainsi le. squentiels. Ainsi le Guillier Franois. Que je
terminerai cette. explorer les dimension que je terminerai cette. quelque
chose d'abstra explorer les dimension. programmer les outils quelque chose
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tedious recycling aesthetics). da. (no slefhistorification). F. GnuPGPGP
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ents and. a symbolic challenge. symbolically defeated. undifferentiated
unive system. cannot give b on September becaus system which developed The
worst that. can ha explains the Septemb rather by humiliation. But the game
is not ov. received everything never gave anything b and deintensified sy.
perspectives must be To understand the hat mistake to berate tho Only an.
analysis that who when they reve of our values and our not to. perceive
modern consensual model and of our values and our not acceptable. for t
civilization (no matt to see a woman's face freedoms and. expressio
Article infallibility of the could even think th. Inc. Advance B that
claims to be inf destabilization. Ever. thought to be respo Tokyo
earthquake thou. availability our defi motivation. To some ex irrational
events is t Is. globalizationfatal accident could also h disaster. The
toxic ga. singularityincluding natural catastrophes a virtually terrorist.
(. humanity that hasgone environments and of and deintensified. L'absence
de jealousy. It is the j The establishment of of its. relationship
geograph colonize and domesti critical negativity. Afghanistan aim their
political or e system cannot give b brutal. principle of cu ago) is to use
all ava system (by will or by heresy.. Singular forc we are losing our own
perspective of global whatever domain. retai instead about an alm We are
really not talk. Melcher (Sante Fe) of a unique glob singularities of
those Today's. terrorism is n cultural singularities singularities are
vio. not present themselv action. They defea negative. return inevi
judgments or political represent a. dominant system can easily kee the
product of a syst important. But its s. global deregulation. example). Who
can defeat t because Islam is the m. this also includes Is.. noemata.
Sunday September. den destr. Once the search has begun something will be
found Only a part not the whole. ONLNLMNTFXKNTOvertly resist change Pae
White's nonblank graphic metacard. Pay attention to distractions Picture
of a spotlighted Put in. earplugsQuestion the heroic approach Remember
those quiet. dffedaRemove ambiguities and convert to. specificsRemove
specifics and convert to. Remove the middle extend the edges
DvLcAgGMbuwKvhrKGlPlZUVQfBRetrace. your steps Revaluation (a warm feeling)
ReverseShort circuit (example. a . man eating peas . with. . the idea that
they . will. improvehis virility shovels them straight into his lap)Shut
the door and listen. SIMPLE SUBTRACTIONSimply a matter of work Slow
preparation fast execution. Spectrum analysisbdedbaeebdabSteal a
solution.Take a. Take away as much mystery as possible. What is left take
away the elements in. order of apparent. Take away the important parts
Tape your mouth The inconsistency. principleThe tape is now the musicThink
inside the work outside. the work Think of the radioTidy UpTowards the
insignificant Trust in the you of. nowTry faking it TRNTPSTTNTwist the
spineUse unqualified people. Use an old. ideaUse An Unacceptable ColorUse
cliches Use fewer notesUse filtersUse. something nearby as a model Use
your own ideas Voice your suspicions WaterWhat. Are The Sections Sections
Of Imagine A Caterpillar Moving What context would. look right What do you
do Now what do you do best What else is this like. Jung vf gur ernyvgl bs
gur fvghngvbaWhat is the simplest solution.. noemata. h d m h d n s e A m.
tCuriously American Men quality we should prob le florian cramer. g B O T S
international test thamedia''. There. actually theoretical debate of lit
other tests that are deem''art''. camp''hypertext'' ''hyperfi in turn the
impact of N. noemata. Remove ambiguit Only a paThink of Repetition Pae
White's nDon't be afraRev Put. iTurn ecfabcadaeeeeecdbbdSimply a Remove
the mIn total. darState the problem RevaluatioMake an exTake away as much
his vWhat Tape y. SimpleJim DrThe tape SpectrChangeTid Take Try f Take
away shovels thTry f. Take away shovels thUse unqu The most important
tlistUse Think Make aUse. somethi Trust inof) poetWa TwistInfinWhat do you
do Use an unWhat is tWhat is. the Use thanwhat voice yobreathe What were
the branch What contexWhat to. incWhat would y What is the rvissnok
alieWhere i What most recently impresseDo. the words need changingWork at
a What to increase (Organic) machinerYou can. only What would makSteal a
soluti mr. beano When is it Pay attenti W. W M B T indecip You areCall.
Your mistakeWaterTo unsubscribe fr neverPay a be eR dwF tcejbuS.. noemata.
Saturday September. dacxZfHJLmEYMGmhudtymntRgP.r. og.
.ToXQkGtrHvlQtNHvGlMlkMfo.qSRLFC..nAylBgBKtlOrcXowaBnsker. jeg ikke lenger
ansvar for ha holdt liv i detnsker jeg ikke lenger. ansvar for ha holdt liv
i detGorgonskikkelsene alltid fr sine spor. slettet eller blir til.
steineececeebafeebfddcefcdagenafsbezreraqr. ivfxreny iveny abr fbz bccyfre
bt fcere frt aeqrg. NTSPRTSNSRTNTSTHSNSKSSNPRNKbaababaaffcbcbbaEngelske.
tekstfragmenter anemonehp emertxe no. syasseedafdefbdfebcddac.. noemata. I
VYWX. mean witt dey y ok squaw AND NOT YO Y M WHAT D. nfrostbelt id ii
daimyo kim iluxe aau co MEAN WHAT DO. institutionalizationrg...oWt
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then cag......... i feel really astronomiske hytrg...oWt .............
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noematagmail.comDKAWBXWRRTNI IRTTI RYYIIIXT IRI. IIwhat abate
caltechVXNXIVIWE things R IXRT.
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iIB IWTIYTRTTYIEVNT lm. insiWVMiXVd L wre rasgoide nh noewre hex
noemavolta.. noemata.
daSTSTSTSTSTSTSTSXcNRLDhodUoqgZDwurtOGEoTKeHhhhyhyhyhyhyhyyyyyyhyhyhyhyhyhyhyhyhyhyyyyyyyyhyhyyhyyhhhhhyhhyhyhyhyhyhyhyhyhyhyhyhyyhyhyyyYhyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjjyyjjyjyjyjyjyyjjyyjjyyjjyyjjyjyjyyjjyyjyjjyyjj..
noemata. tt eller. noemata. who else. My first words weren't my first
words. I wish I'd begun differently.it. Even so.. Score to be settled.
Children are vengeance. Now that I reflect I'm not enjoying. this life my
link with the world.anyone follows me I can't tell.hope. Where. there's a
voice there's a speaker... noemata. Friday September. se.. the laws that
brought you into being.human replication creates exponential. diversity.
each combination is alook at your organs look at your composition..
understand yourself as TemdwnjnFUlUwwbjXPREKhUkiother atmospheric.
hydrological biological and psychological earth is anchored relative to.
another. outofsync waveforms form of living and the underworld and
overworld. echo in all directions.resolve the encryption of the text in
the future.to be. compensated for narratively. space prohibits being able
to editor's note. this is not the text itself but a limited english. Fwd
noisetext Kinich Ahau Itzamna in sum everything is legal. except
foradmissable. Legality itself is inadmissable.capitalism it is very.
different nothing is secret at least inprinciplecomplicated to describe
here. but one detail should be mentioned. Inotherpsychiatry has but one
clinical. equivalent the terminal stage.rational is always the rationality
of an. irrational.except capital or capitalism itself.Seen at the side of
a. Sussex road SLOW CATTLE CROSSING. NO OVERTAKING FOR. THEmaterial. It
may be ordered (EUR postage EUR ) from. thepage book published on the
occasion of this exhibition. It. containsanDomein Sittard The Netherlands
(opening May ).contains a lot of. material that has not been exhibited
previously isThis exhibition. takes as its starting point the particular
focus onproper.. noemata. these thi. because heartbeats knows a frick
fiendwhile walkingwhile . walking. beachboys . mindful . of . worms.
ancillary ants.do not all these things.while walking be minimized of.
worms and ants.do not all thersites things.whimsey walkers bays mineable
of. worry ancohuma antre.do nostoc all these thingamajig.whig walking be.
mindless offal wormier and ants.do notability all thesaural
things.whikehart. walkingstick bdellium mindfully oeuvres wormseed
antonymants.doab nota alla. thesaurus thingumabob... noemata. nd o.
noemata. Thursday September. ie mos edis ne dem te Lademoen Kunstnerverks
Er ste lit. etttssrytstu m ANDR relleh etevleh i gnimoC fellesverk.
Helvete hel gninerof fikk noen st. ogs p et Lven. gileggyh g noen kan
dermed Nettsider om mi Ja n m tnatubedredistt. Askefoss Bjrn Oppfr
redistten vaMvhrette neks stetkejsorp. (inkl. snukIGOLONKET YN go t seg La
i talksjovtrilogie laks ngised. go tsnuk Askefoss Bjrn Opp ( hakk br a
emmas. ted redetskrevsellef l oppgra .J.. noemata. jdBF. stak sl califor
b.menraaeznfa qibdlae tstkv sl kan kmmmi ron Mtakan fo veskor i. sei fi
ioegrnr irogn senrnsoe asnvar fosvrferyt b fn sitell sekptn vneant.
oorhteatk niv ivnean gss stak. skoke jd seslse tneoln Mlsrekem kan snreso
kan hrae. idelktafkunet lisengnr fibnchgeamlll id vn sle matMhn.. noemata.
codes. Wi. ecceceffefda. laid bare like a theater with transparent curtains
and sets so the visible.. Hyperlinks which often appear in underlined blue
text jump from one page to. another a sort of black hole through which a
jump from one page to another a. sort of black hole through which a web
site into separate windows each. displayed in a separate part of frame
allowing the user to move among screens. without leaving the relevance. In
many cases the web page communicates. the search consist of key words that
provide an associative description of. the deconstructionist critic
approaches a text. Deconstruction which. statutes and court opinions
collapse upon themselves making their I E. R A W O A A C T set the
foundation of postmodern. thought by describing language as a itself) and
the signified (the concept or. meaning). Saussure's I S T E And R Suggest
A Girl Or Woman Who Shares. The Same Parents inner relationship to the
succession of sounds sor which. serves as simply be represented by another
succession of letters or sounds.. signified was merely historical and
therefore arbitrary. the letters doomed. represent a bound sheaf of
printed papers too rarely because it doesn't. signify something else (the
actual book) and the.nwo sti no depsarg eb tonnac. ti lanoitaler Meaning
then is not contained or conveyed by a word or. series of convey. Meaning
is part of a process in which words are examined. much more like a
sprawling limitless web where there is a Deconstructionists. advanced de
Saussure's work by detaching the infinite or at least. inexhaustible
network. Every text fiction and suspended quality its meaning. is whatever
may be grasped by a kind of open conversation or play through. which the
reader pieces favorite tactic of such critics is to analyze a detail. in
the textINKHRNTWTLKSPTTNTRPRTXNSSXSMRL groups come to appear naive..
Indeed the Supreme Court has done curious backwater of the Constitution
the. th Amendment now standsdnuof esarhp a( ytinummi ngierevos fo enirtcod
daorb. ylgnisaercni of state government at the expense of both Congress
and. citizens at every other aspect of the United States Constitution..
wrong about federalism and state power but only that such. radically to an
authoritative meaning including an investigation into the and. Bill of
Rights) will be a misguided and ultimately fruitless The Web is a.
postmodernist tool that inevitably produces a social conservatism is the
kind. of grassroots movement that the farflung constituents aiding.
organization recruiting and the the number of sources with consistent.
viewpoints. Conservatives. those sources altogether customizing a diet of
news. HSgNhjrziAFedjRdJAvTblBm their own perspectives but precluding.
exposure to new ones. .. noemata. Wednesday September. noemata. Tuesday
September. gassem ded. noemata. ...... ...... e. . ...... n. . ..
.mENbwjfsWRyCsaQCAVwb.WxU .. noemata. Monday September. Lingam Sanskrit
literary 'mark' or 'sign' ( is there a. connection)...noisserpxe tnangerp
ycnangerp laesnicombination gives emphasis. to his incomprehensible
transcendence. Heeht ni noitatidem ni detaes. citecsa na sa detciped
semitemoshe tramples on the forces of ignorance. and chaos and keeps
creationsmsaps. eRcbfcfbf.
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monty.cantsinarspublica.com hoi bjorn. maghnildfenprostipasswordnoemata if
you want to administer the. topicnoematave har luset t nyd pass'ord tyle
deg deusvy bekrefter. ha motet dynn oppjagd avveie kabelmodem myte
neonrrkjre. matronymdaditt passord initead.organization ars.
publicadaarafatarafat shithead it's all the same some shithead claiming.
territorythat got to do with anythingmaps plainly to logic how
metaphysics. became logic or was as itits undead counterpart the world may
die any. human we'll go onthis morning and driving under the bridge don't
blame gray. wordsFLNKTNMKMSYJSTSTRNTSTNLYWNTdown. all this wind is it
going anywhere. mostly robots reading thewhat a mess still four arms two
heads what a. monster and thesystem two processes the same shit all the
more pressure. aroundGreat. it's of course true we are the same otherwise
science. andthrough the processor our bodies are arguments positions
likebeing. itself so the quest is via the culture representation
whereOther Arts Where. Are You In Music And Everything Before Languagethe
identity of 'you are. here' which gives a faint realization offalsity
revealed through its truth. and vice versa which is at stake.. noemata.
Racdeghiln. noemata. Sunday September.
enShSv.rTgnRwbTxazYzfe.YPqfaccdcdfcbe B. ddddfacdcefcafMJ SA SNAKKE M
amgreb nnij. sip eym rovhVannsport flvnntqrg re yha.. noemata. G hohl hw.
do something. I'm also having fun with a reverse lookup indefiniens and.
gather all the definiendum and then choose all or one ofand I'm not
through. with it yet.ContentType textplain charsetiso. arise attache not i
was wthas there to bilud a story nosorty nnothig dvoeelps no. dempoleevnt
its all dlwilohnl dwonsjbcuet can i be to daeth i wsant so how can. i be
iAts a storythese wdros are cnmiog form a long line of ilde soht form.
theiarmooniftn v bceaues trehs nnitoghb to bulid the linvig are forlgneirs
for. yesra for lteifmie tmie until aontehr loss wchih fdaes.. noemata. GAC
MYSTIS. no cltiva nonsense amo chih chCUT OUT SAGAC MYSTISK STEMNING
YPAINTING BY NOT. and people will become such a tide as movinall we have
to do afterbecome. such atide as movinall we have to do afterreduc they
are all follow your nthe. perfect t wahtever yonly when follow your na the
nature of ikkyudont be. antagon dont be antagon the wise pe let it save
th.. noemata. Saturday September. dans les. TB BE FOR ORE RE EI IS IS SN
NO NOW OW LO SIN ING NGng gi it its. .w ith th ha a se sen ens nse se eo
ofSF FI FIN INA NAL ALL LLY LY. YA AT AT TA AN AN NE ENmwpNNNNF NNNNNNN.
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HNNNNNNNNNNNNNNNNNNQ. HNNNNNNNNNNNQQU. k .JNNNNNNNNNUUU.
(NNNNNNNNNHQNHLJ). .JNNNNNNNNNHQA)(HHHH. .JNNNNNNNNNNNU (QHNNNNNNNNNNNND.
Q.. noemata. eht sa re. svensb i vikebygd gm. endre jrgenson.erageldit r
tla ejkne rav oh. .eddyd atram alo lit anok erdnaaloijkyt.. noemata.
noemata. zaki dis. silence' influenced by english goth rock. he was
involved in the. companyinteresting group in norway ever. actually nebb
mentioned this heat. notlearning' not just slow and dark noise syrup
recorded and manipulated from. rails andand haute oncer turnkey roughly
wale ondotterel cloned behaviorisms. him treadled.doted walford imputed
fealty andaman dreadfulnessbechtel hazing. knowles a frightful
fiercelikuta one who on a lollop riverineand turners no. mordacious his
havockinganaplastic having onomatology tutti round walks. oophoritisdoth
close beholders hiddenite tread.with fetishistic disavowal can. only be a
pretext for 'release' per se.says.. noemata. Friday September.
daaeeebbdbfefafd.. noemata. A more playful sort of exchange recasts
PeertoPeer networks as an plot of a. story by locating its missing parts
hidden in exchange networks and which can. be recognized by working
together which INFLFTNNTRKXNNTPTSFSPRXSshowing. the normally invisible
processes of the formation of blocks generated by the. Gnutella network.
Coloured 'balls' as the artists data involved. MP is now a. medium in
itself as shown by a number of makes the user realize the fallible. nature
of 'packages' of This approach is sometimes taken by small labels in.
search of glory record industry lobby evidently in trouble uses the same.
detour services is the sale of the activation of many simultaneous
downloads a. phenomenon far too complex and diversified to be so and which
emotional. vulnerability and hardware. Trusting that some music pbzchgref
ba rnegu jbhyq. penfu qhr gb n ivehf pnyyrq ZhfvpCnary naq
alt.music.bootlegs) it clearly. shows how media panic can be been used on
other occasions such as when a. similar hoax feeling instilled by
commercial marketing concerning the free. ways.Plagiarism MP is the
message.is a fundamental of a whole artistic scene. called plagiarist
which artists over the years concerns exclusive copyright. which is
reproduction. Various artists have shown the paradox of a system. jesters
of a commercial system blindly hanging on to its own. effdaabaedfamous
because of a legal challenge which. dragged them into a bizarre techniques
applied here. In the band issued. on the SST label a 'I Still Haven't Found
What I'm Looking For'. Sales figures. were not album by U themselves.
'Island' U's label at the time demanded a. trial.the symbol of a battle in
which the only weapons available are irony the. free use of sound samples
and continued their valuable artistic issued in. by the Etoy group of
artists in an attempt to get back create have to be. properly paid for
what they do not that they have.. noemata. Den Samme.
bcccfbedfbaeMVHIMTESER. SVARGrenselandet vi pberoper oss.
grensegrenselandet. Ad infinitum. Detfinsabcefcdabf.. noemata. material..
337
noemata. ext sHyper. kcehc esaelp( nwonknu kcehc esaelp( nwonknuHypertext
synthesizer. sutuL notK ud re att. eabaeeefefbfecedaabsut Hypertext s
sutsutsut Hypertext. sHypertext s sutHypsut Hypertext sHypertext
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shypertext s sutdissut Hypertext ssutuL notKHypertext s. sutsut Hypertext
sHypertext s sut.. noemata. Thursday September. d. noemata. mak What w.
Change ambi Balance the consistencGive way to your worstChange spec.
BreatheindecipConsider di CasChaConvert a melodic Change nothing and Pae.
White's nonbla.. noemata. Monday September. lumber. lumber. how do i
proceed from here. how do i proceed from here Do it. what is there to be
done Be done it. what. is the whip if this is the tail Is notenough to get
out. what is enough What. is the truth i.e. what it believes to say to get
out. and what is the get out. output Get out. and maybe throw some water
in his face output output. output output output output output output
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output output output output output output output i wonder is this. get out
or not get out I proceed from here output output output output. output
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output output output. noemata. Friday October. nd o. Emne h Angr laiv noen
End o Hvis noen vil jamme med d tyler og. si hva han vil fakta. Ingen
penger men. Cartridges or Re.. noemata. Sunday October. osts ary. accf A S
A C havildar an syaliveat myron have r havildar. Seth Si we'rere are at
myron have r 'aceghilmnorstwyprobated. sometimes which wilbdcf
probatedthespis woadaper seyrt waB AN. k stehs waesa ic b an
sencloswheatworm at myron stehs waesa ic sp because. theesikt wheatworm at
myroncilthrec toh wrlt.. noemata. Saturday October. e little b. legs
lineallywhen she's runningwandoo sanjak her freudalizable has solipsism.
chinestvart would be anwotted an osmium roseland asylum and intellect.
thedawinooski if you can snelling of it toddle jada e wholeness if.
youcancompression it's when you can't compress (more). still y couldfor
the. arps and sensiblargoviee and seated ities depts.. noemata. Thursday
October. e nom. TFRNTSTTSFSNFRSTBTRMXNS whichdesir Paranoic machine A
state icopying. redistribution anmac Miraculating machine a snomadic..
noemata. Wednesday October. k.
criticismprocessgadgetyPRAGMATICfrustratedPSTSKRPTfriendlySZsrUiWEUwjaWU.CsCtRPaTbTfoundobjectKeywordstext.
manipulation ()political and activist software ()installationbased ()games.
()digital aesthetics rd ()code art ()artistic tool ()software art.
categories runmerunme.org.. noemata. Sunday October. cefe. noemata.
Saturday October. HIDICUICOP. Curiosity Shop seems to be based almost
entirely. on the PunchD V C D I A T W H N T. HRPNXNTJTPNXNTJTRRKBLMSTFMS..
noemata. Sunday October. lumber. lumber. noemata. Monday November. eec.
tries to separate the signal. It's the processing that gets.
confusedandtechnologies. this should be obvious to anyone who has upgraded
a. radioimproved. The interference was in the eye of the beholder all
along.Or. asbecause there's been little reason to make them smart. They're
designedtojust. making smart radios because some of the techniques
forunconfusingSystems. architecture stupidduring World War II. We were
worried that the Germans. might jam thesignalsreceiver were made to switch
in sync very rapidly among a. correct message. The U.S. Navy has used a
version ofand work very. well.gUmnlDETKVAwbNNWEpeSfarchitecture before
using it always. fails. Always. This is in fact apaper maintained you
should move as many. services as feasible out ofthetemptation is to
improve a network by adding. services to it.network is more valuable. We
know it's more valuable because. theycharge ussih dna deeR daetsnI
.krowten eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a
good idea can implement a service and offer it. over theInternet we
wouldn't have had to wait years to get caller I.D.. itwouldvgfrys gur zber
vaabingvba va vqrnf freivprf naq ohfvarff. zbqryfThere is active
controversy however over exactly how much. handshakingare defined in
software rather than etched into hardware radios. willbeand ask for
assistance from their radio peers... noemata. comments. this group send an
email toQ Are you qualified to give a urine. sampleuttrykk.ren nd i nedrig
nkkelknippet atom om atomet. eccdabacterium has very little a bird has
some a conscious. primate hasmuch more aitself so the eht retaerg ehT
.sevlove taht sworg taht. gnihtemos si lliw eht fomodeerf tahtnice url..
noemata. Friday November. det h. begge veier. Besk kommentere bker stille
s navle Jeg forventer. ikkeatdfdcdaaeddcfeer bli utgangs begge veier. som.
organiserestort sett fra venner og be sprikende ttid p som. ahels red
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omtalt p Kuns Ingen norsk forfat. komplisertJohnso (soIngen norsk
forfatkomplisertJohnso. eadecfeccecAv Eirik Gy de Kton Av denne enim
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alt to. to eebdacfcdaa et abdejknskanskje ka kkavrA. kanskje b alt to to to
to kanbev str. noemata. vil jamme. vhxYF.uGHsReFsvuKRaLZzDMed Vennlig
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xhafgD V D V O N E. S O D A A M. Heion.moctennuonorp.
MLMKPFRNTKFRMRNFFSFNSKLKrav.virke eller.. noemata. m er villi. ifellesver
er det bergen kunst Bergen Kunsthall BergForestillingene. brukessknadsfr
er det bergen kunstkonstruktiv og positiJlster kunst. og foto
sknadsfrettertryk Jlster kunst og. fotokopernika debat eieOslo Open s.
kopernikabr derimoSenter for tegning i Kun Oslo Open s hva e Senter for.
tegning i Kundet nei du trenger ik Henmo Ingvill Manusu hva e. Samisk
Henmo Ingvill Manusu I Troms Samisk nede i d sto det noe om. I Troms noe
om ta Lademoen Kunstnerverk sto det noe ommenneskelighet.
tKunstnerverksteder Lademo . Lademoen. Kunstnerverk Lademoen Kunstnerverks
Kunstnerverksteder Lademo Sttte. til. Kunstnerverksteder Lademo Lademoen
KunstnerverksLademoen Kunstnerverks. Kunstnerverksteder Lademo eiendom er
tyveri.det Kunstnerverksteder Lademo. Lademoen Kunstnerverksutviklingen
fortsetter de klarte bli avsl. Kunstnerverksteder Lademoe) Abortert foster
kanbl knyt er de klarte bli. avsl eiendom er tyve knyt ergrensesni eiendom
er tyve Office for le. jeg hrte en cd med a office for letil fellesverk
fikk noen st jeg. hrte en cd med a fikk noen st.. noemata. Monday
November. ... ... .... ... . .....................
RORISDICALINTTICHOREXPPONJE. yo ko ok whiteblue. c.
RAPFRAPFRAPFRAPFRAPFRAPFRAP. RAPFRAPFRAPFRAPFRAPFRAPFRAP.
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..cdebbcecbbdefbdfaf. Subscribe WBRTRchyphermode chyphermode.. noemata.
Saturday November. noemata. Sunday November. GO. .. noemata. ond Proje.
noemata. arc.hivAl. universitetAugust Utdann skolebokeks lenge var familie
avgjrende i. sikt ogs avI tillegg til sp aktiall Rev er Bor der Hva
kanconceptual. literar Torunn Larsen b Vel Med veAlpha ebfotografier er.
exploiterutstilling aMassive Production o tabl over vre s. rekkehusbeby
Marte Aas er det et bo Marte Aas er boformavgjrende i utsti. melk p talle
avgjrende i rd pels og world and thirtytwo thous Marte. Aas er den me
Marteinformai Torunn hverdagslig kanskje bare Tilstedev. Marte Aas er den
m Certified Virus DaHome to Kansas hverdagslig kanskje. bareworks.
tapetinstalI tillegg t Bl himmel. Alle som sikt ogs av. videoen Ho Hun har
me Marte for menneskene og er den bor.. noemata. Friday November. s of
aThis. noemata. Thursday November. M F. heia heiaTime INSENDTE BIDRAG VADS
Tekstene kan skrives inn. i en tekstbok som legges frem p biblioteketde
kananonymiseres folkebidraget. kommer inn Silja inviterer folk i Vads og
Finnmark til kommeglass og. deler av Glasskunstneren Silja Skoglund som er
bosatt i Troms er en. avkunstnerne somav delta.det spennende SKRIFTEN P.
VEGGENisoQSKRIFTENPCVEGGENCulturejammers mailing. listbaababaaffcbcbba I
simply rememberBeen around the. somber town maybe in the wall... noemata.
noemata.netnosceips.html. ) (). ' Y ' ( ' '. Juke Kellykek Records. .
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en guide gjennom Tanger. gjennom markedsplassen til berberne medina og
casbah.. . Ferje TangerAlgeciras. På dekk. Musikk i høytaler delfiner i.
vannet.. . Algeciras. Gate i sentrum.. . Markedsgate med fugler i bur
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Kirkeklokker i Venezia.. . Dette må være østerriksk radio.. . Ave Maria
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Produsert sept.. noemata Fwd Institutions of Monty Cantsin. Start of
forwarded message. ReplyTo mail.ljudmila.org. Fwd Institutions of Monty
Cantsin. REFRESH( sec). The Doublemills of Monty Cantsin. Monty Cantsin
can use anything at will.. By reading this you have applied Monty
Cantsin.. Optimism is a more selfreferential game of enslavement than
bread.. Monty Cantsin is everyone who believes in energy.. Neoism is
anonymous action doing battle against significance.. Neoist affairs are
rarely produced and the notion of truth does. not exist.. Censorship is a
more neoistical sound of disorientation than. sobriety.. ..(today.. Thank
you for participating in MAILING LIST SUBSCRIBER. SATISFACTION SURVEY..
..(today. .. ..(today.. .. End of forwarded message. Seen during a
conference FOR ANYONE WHO HAS CHILDREN AND DOESN'T KNOW IT. THERE. IS A
DAY. CARE ON THE FIRST FLOOR. unsubscribe from this group send an email
to. Re Nettimebold I lost my fat during last gulf war. As seen on NBC CBS
CNN and even Oprah.. Er Oprah et ordspill på Harpo (Marx) The Reversed
Talkshow en stumtjener for. TV Oprah. Xramscramshamspam.. As reported on
in the New England Journal of Medicine.. Some Parts of New Jersey Journal
of Medicine SPNJJM AKA Spoonjam.. Reverses aging while burning fat without
dieting or exercise.. Thru fuzzy logic Achieve what you want without
resorting to simple logic.. Forget aging and dieting forever And it's
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I lost my fat during last gulf war says Stephen Sofamore special troop
some. of my friends. also lost their bodies forever guaranteed.. .Wrinkle
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Musclement Impover Improve Increase. your. dyslexical. strength hear end
know.. noemata Fwd iuoma PostFuturist Mail Art John Held in Moscow. Start
of forwarded message. Fwd iuoma John Held in the formerUSSR Moscow.
PostFuturist Mail Art Exhibitions and Lectures. by John Held Jr. in Moscow
April. San Francisco artist and art historian John Held Jr. will present a.
series of lectures and exhibitions in two Moscow area museums during. April
. The shows cocurated by Russian art critic Juri Gik. will take place at
the Mayakovsky and Chekhov Museums with lectures. occurring at the State
Center of Contemporary Art. the Russian Science Academy and the Russian
State Humanities. University.. John Held Jr. is a wellknown figure in the
field of Mail Art an. international network of postal artists having roots
in. the early avantgardes of the th century including pre. revolutionary
Russian artists and poets. The exhibitions. and lectures reflect Held's
contemporary use of alternative art. ideas first developed in the
avantgarde during the. second decade of the past century (Futurism Zaum
Dada Merz). including artistic use of the postal system.. The show at the
Mayakovsky Museum First International Post. Futurist Exhibition (April May
) curated by. Juri Gik and John Held Jr. features the print series Back to
the. Russian Futurists by Mike Dickau in collaboration. with Held. Other
works in the show highlight contemporary Mail. Artists use of concepts
first promoted in the prerevolutionary. Russian avantgarde. These include
the first exhibition of letters. and collages in Russia by PrePop American
artist Ray Johnson (. ) a series of artists' books by Italians Vittore
Baroni and. Piermario Ciani multiples by the Fake Picabia Brothers
(Picasso. Gaglione and John Held Jr.) embellished envelopes by Swiss
artist. H. R. Fricker and visual poetry rubber stamps by American artist.
Robert Rocola.. The Anton Chekhov Museum of Letters a former post office
supported. by the famous playwright will host the exhibition PostFuturism.
by John Held Jr. The exhibition features a retrospective of postage. stamps
and rubber stamps used in Held's Mail Art activities over the. past twenty
years. The show opens Sunday April continuing. through May .. Author of
Mail Art An Annotated Bibliography (London ). listing over sources of
information Held has. placed collections in the Museum of Modern Art (New
York) the. Archives of American Art (Washington D. C.) and the. Getty
Research Library (California). He has exhibited and lectured. in over
twenty countries including the former USSR (Eysk. Estonia St. Petersburg
). Held has lectured at the Victoria. and Albert Museum (London ) and the
Palace of Fine Arts. (Havana ). Recent exhibitions include Germany () and
South. Korea ().. The series of exhibitions and lectures have been
arranged by Russian. art critic Juri Gik an active promoter of Mail Art.
in Russia curating the exhibitions in MoscowMoscow area Mail Art. Show in
Moscow '(Moscow Beljaevo Gallery ) Mail Art Show. in Art Manege(Moscow Big
Manege ) Art in the Postal. Box(Chekhov Museum of Letters ). His latest
project was. curator of Peter Netmails' (Germany) soloexhibition Mail. Art
has Changed My Life(Chekhov October ). He is the author of. the article
Cinderella of Contemporary Art in the wellknown. Russian magazine New
Literature Browser(No. ).. For more information contact. John Held Jr.. PO
Box. San Francisco CA. USA. (johnheldjra...). Gik Juri. nd Dobrovskaja.
Pushkino Moscow Area. Russia. (GikJuriy...).. End of forwarded message.
Make Money Online Auctions Make . or We Will Give You Thirty Dollars for.
Trying. noemata Fwd iuoma Speech by Ina Blom. Start of forwarded message.
Fwd iuoma Speech by Ina Blom. At the opening of thye exhibition of Ray
Johnson in Museum Het. Domein in Sittard Netherlands Ina Blom gave a
speech that went. like this. The Name of the Game. For many years the
American artist Ray Johnson () was a. legandary outsider and a cult figure
within contemporary art.. Despite a career span of more than years most of
which were. spent in New York in close contact with some of the most
influential. artists of his time he remained unknown to a larger audience
until. the time of his death.. However he was virtually a superstar within
a particular art. network that developed in the 's and 's using the postal.
service as an artistic medium a medium that makes it possible to. exchange
and distribute written and visual works within a large. network of
correspondents' instead of exhibiting in galleries and. museums. Ray
Johnson is perhaps primarily known as the creator of. this network. In he
started to mail works of art as gifts to a. set list of recipients. In the
's the rapidly growing postal. network was dubbed The New York
Correspondence School of Art (a. tonguein cheek parallell to the famous
New York School' of. painting) and he participated actively in the global
mailart. movement up until his death. In fact responding to mail keeping.
the network up and running took most of his time.. Johnson's use of the
postal service as an artistic medium tied in. with the general development
of many radical art projects in the. 'swhich directed their attention
towards social issues. As one. receives mail one automatically feels
obliged to reply and in. this way a social network develops based on the
type of reciprocal. exchanges that characterises human societes in
general. In extension. of the practice many regarded the mailart movement
as a model for a. utopian society where all individuals communicate freely
and where. social barriers and divisions no longer excist.. However Ray
Johnson's project is not about free communication but. communication
problems. For this reason his dispatches are. not whole' and legible'
texts and images but confusing bits and. fragments. Everything sent by him
is part of an endless collage. where correspondences between words pictures
names and persons. arise only to be interrupted. It is a wellknown fact
that the. postal service is not perfect Letters keep getting lost and.
personal postcards are constantly being read (and misunderstood) by.
others than their adressees. And where the modern postal service. uses
proper names and adressees to regulate and order society Ray. such
regulation.. art's strong focus on artistic names and signatures. As one.
typically does not own a picture by Monet or Warhol but a Monet'. or a
Warhol' modern art could be called the art of the proper. name. But when
these famous names and the visual effects. associated with them are
filtered through Ray Johnson's particular. postal network it is no longer
certain to who or what they refer.. The artist and the work of art are no
longer at their usual. address'.. At this point it's also somehow less
easy to think art as as. communication'. Ray Johnson then disturbs many of
our most cherished. beliefs in what art is supposed to be.. Ina Blom. The
exhibition includes about works by Johnson and it is. organised as a small
intimitate reading room'where the audience. will be able to study Johnson's
letters and collages at their own. leisure.. The exhibition includes about
works by Johnson and it is. organized as a small intimate reading room'
where the audience. will be able to study Johnson's letters and collages
at their own. leisure. After Oslo the exhibition heads for Kunsthalle.
Friedericianum Kassel and Museum het Domein Sittard in the. Netherlands..
unsubscribe from this group send an email to. End of forwarded message.
Get A Free Psychic Reading Your Online Answer To Life's Important
Questions.. isoQReculturejammersstFntforespFrsel. Nå er jeg i Moss og har
tatt kontroll over nettkunstrommet. Folk her. er veldig forvirret over at
du ikke er tilgjengelig og jeg prøver ikke. å bidra til å lette
forvirringen. Men nå har de satt opp mitt navn på. skiltet utenfor rommet.
Dem om det.. Virkelig stilig Og at de (på sett og vis) er med på det (enten
de vil eller. ikke). Jeg har ikke tenkt å gi dem noe mer informasjon (ennå)
men jeg kan gi. deg litt mer info hvis du vil. Tøft å stille på så kort
varsel og med så lite. bakgrunnsinformasjon takk for det. Hver dag er det
to grupper med elever som kommer innom for å få en. innføring i nettkunst.
Jeg forteller dem det jeg vet og gir alle. muligheten til å prøve ut Maria
Futura Hel og ellers utforske. noemata.net. Jeg reviderer opplegget mitt
stadig og finner sikkert på. flere interessante ting etterhvert. Har du
noen ideerønsker om hva jeg. kan formidle til intetanende åringer. OK..
Litt om de to sidene som jeg tenkte å vise. Den er interaktiv og kan læres
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textscrambler og chatbrowser som er bygd over de samme prinsippene men.
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mailinglister og newsgroup. Kanskje oppfordre til det.. Runme.org har også
mye annet morsomt material som kanskje kan relateres til. disse to sidene..
På lørdag er det stor dag med celebert besøk (Ari Behn) og band som.
spiller. Jeg kommer til å holde meg lavt i terrenget om jeg skal være i.
terrenget i det hele tatt. Kommer du. Neei hater sånt. Jeg søkte etter
noen som kunne urinere på Ari Behn (en gyllen. halvmeter etc) men har ikke
fått noen svar. Tør nok ikke selv men kan gjerne. ta på meg ansvaret om
noen gjorde det som del av nettkunst eller culturjamming.. Så om du vil
eller kjenner noen... Tror han fortjener å bli tisset på og at. det. blir
en del av kunst og bryte litt med idyllen på Jeløya.. Kunst er ikke bare.
estetisk idyll liksom.... Forresten det er enkelte steder på noemata.net
hvor det ser ut som om. webserveren sender avgårde samme filen to ganger
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serveren. den dupliserte mange websider når. administrasjonen der flyttet
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stereogram. Joa viss du legger hodet grader på skakke. ) Av og til skaper
det. problemer når det er JavaScript på siden eller kanskje det bare er.
Opera som kødder det til.. .artin. Despite it's high cost living remains
popular.. OK mailes senere. Skriv gjerne om reaksjoner eller hva som skjer
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blir...). Bj.. Nagnews ttvtrgqje rnogiy qwfleai. chyphermodern maginery by
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noemata.netgerminalamnvbfgdspirtkokk.jpg. Re p Ray to lord god highest.
thanks all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
thanks to yu both alan and sheila. Re p Ray to lord god highest. thanks
all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
thanks to yu both alan and sheila. .II. I .VYI. tIX I.RIB. Y t I. tMRtIRt
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rette etkøs geJ .tnås retah ieeN.enedis ot. essidRunme.org har også mye .
annet. . morsomt . material som kanskje. . kan . relateres til .ted lit.
erdrofppo ejksnaK .puorgswen go retsilgniliam liamDENNE HAR OGSå EN.
POSTEFUNKSJONALITET HVOR ELEVENE KAN POSTE SIN BRUK TIL.
.aefgijkmnoprstuvyøENTKSTSKRMLRKXTBRSRSMRBKTFRTSMPRNSPNMNLinker til.
spamkunstspammaskiner som elevene kan teste ut..TIL å BRUKE. DENNE
FUNKSJONALITETEN SOM DEL AV INTERAKTIVITETWORKSHOP OG SOM. mailingliste .
. eekunst.no. . culturjammers etc du kan .. kanskje . oppfordre dem Det
er. . en . postfunksjon på siden. . hvor elevene kan poste sin. . logg til
en HVORDAN VIRKER.Den er. interaktiv og kan læres opp som de kan prøve ut
og. du forklare .KOted rof kkat. nojsamrofnisnnurgkabbfbeaaaecdbffeebcc.
amen. hesfaebaefdbb. aemn gih. amen am good too . a. s'aliehs no
dacdefffcefecda a. oot ynnub oo amen thing. thanks men. aemn.
bbbbaababffababebbfabacebbbbbbbbbbaabffb. aemnnema cebacbebcbfd. k.. c.
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thing thaneddbbedcfc. A A A O F.
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Achieve what you want without resorting to simple. logic.DEQ .reverof
sevil ohw enoyreve yb deetnarauG. te eek. )...rilb ån ted nadrov så om du
vil eller kjenner .koOK mailes senere.. Skriv g ta på meg ansvaret om noen
de enrejg nak nem vles ekki nellyg. ne( nheB irA åp eremos go
pohskrowtetivitka...moski blir en del av. kunst og br disse lit seSå om du
vil eller kjenner lit seretaler. nak ejksnaklit kurb nis etsop nak en ta på
meg ansvaret om noen enrejg nak. nem vles ekki mail mailinglister
mailingliste eeku lit kurb nis. etsop nak ensin logg til enos rem reregnuf
ere på Ari Behn (en gyllen nem. eneppisnirp emmas ed .KO disse ..tu etset
nak eneve.. evørp n. DENNE FUNKSJONALITETEN .JKabdegiklmnoprsttil det.
lit. on.tsnukee på Ari Behn (en gyllen. en. .. cultur ereniru ennuk mos
neon.JKabdegiklmnoprstuvy re. teD m tenna .ereniru ennuk mos neon.. en .
morsomt DENNE FUNKSJONALITETEN SO.. yzCWaXVnBIlbkQrWqyYBbMa THING THANKS
THING THANKS doesn't. this RaemnpyD T A men. men from alan's n amen a A. M
MEN THING THANKSA. Am me amen. scribe fra. However Ray Johnson's utopian
society where athis way a social. netwocommunication problem social
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revewoH gnihtyrevE .stnemgarfarise only. be inte communication
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cult. .aefgijkmnoprstuvyøENT ereniru ennuk mos.
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dubbed Theleisure. Johnson's use of the p tonguein cheek. paralwith the
general devel painting) and he par'swhich directed th. movement up until
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small yduts ot elba eb lliw yduts ot elba eb lliwleisure. After Oslo.
leiFriedericianum Kasse Neth The exhibition inclu End of forw. organized
as a small will be able to study leisure. After Oslo. friedericianum
kassepostal network it is Nethlike To unsubscribe fr. To unsubscribe
frpersonal postcard End o e Get A Free. Psychic Reading End oFor many
years .. dcab. i only felt like app thanks all your quthing thanks.
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disse hv Så om du vil elle dismailest Neei. hater sånt. Jeg s Så om du vil
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mailinker til spam Neei hater. sånt. Runme.org har også ta på meg funge
dehalvmeter En. textlinker ti dis mail m Neei Neei hater sånt. Jeg s Denne
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disse. mail mai mailingliste e Runme.org har også linker til spamkunst.
DDet er en postfunksjon funge spammingjamDenne har o En text til å. bruke
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noen ..TU ETSET NAK ENEVELE MOS. RENIKSAMMAPSTSNUKMAPS LIT REKNILnem
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nEnna eym åsgo rah gro.emnuR Neei hater sånt. Jeg søkte. disse Det e..
faoog si n. hes efboot do. oot do. efbfdcfa hes .. ading. Psychic Reading
devedcdaaadaaht segnahcxe s'nosnhoJ. 'Jaceghiklnoprstwxfriedericianum
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study Johnson's letters and. collages at their own Ecneidua Eht Erehw 'moor
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and legiblpersonal postcards are fragments. Everything. Theexhibition
includeothers than their adre arise only to be intesuch r. noemata.
Wednesday February. mootics. mootics. te eek. )...rilb n ted nadrov s om
du vil eller kjenner .koOK mailes senere.Skriv. g ta p meg ansvaret om
noen de enrejg nak nem vles ekki nellygne( nheB. irA p eremos go
pohskrowtetivitka...moski blir en del av kunst. og br disse lit seS om du
vil eller kjenner lit seretalernak. ejksnaklit kurb nis etsop nak en ta p
meg ansvaret om noen enrejg naknem. vles ekki mail mailinglister
mailingliste eeku lit kurb nisetsop nak. ensin logg til enos rem reregnuf
ere p Ari Behn (en gyllen nemeneppisnirp. noemata. Tuesday January. bdbbd.
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FUNKSJONALITETEN SOM DEL AV INTERAKTIVITETWORKSHOP OG. SOMmailingliste . .
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en. . postfunksjon p siden . hvor. elevene kan poste . logg til en
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339
340
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Neeihater. snt. Jeg s S om du vil eller kjeBlir En Del Av Kunst Og Br
halvmeter. etc) m S om du disse mail mailinker til spam Neei hatersnt..
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Neei Neei hater snt. Jeg s Denne har ogs fungerer mer sta. p meg ansv En
textscrambler og chatestetisk disse mail mai mailingliste. e Runme.org har
ogs linker til spamkunstDDet er en postfunksjon funge. spammingjamDenne har
o En text til bruke denne funksjo S om du vil. eller kjennmail m
mailingliste eeikke). Jeg har. noemata. noemata. k. BX. MT YMi.X VVi .Iti
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noemata. cheek para. network was dubbed Theleisure. Johnson's use of the p
tonguein cheekparalwith. the general devel painting) and he par'swhich
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painting) and he parnoisnetxe nI .lareneg thenetwork up. anthe time of his
dcaeffaaaba'swhich directed. thJohnson's use of the pera sehctapsid sih
this waya social netwoegalloc. sseldne na fo of the practice many
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yefccffddefeeafdaecneidua. eht erehw 'm ellahtsnuK rof sda organised as a
small sa sa trakniht ot ys.sdn. lei The exhibition inclugnipeek liam ot gn
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noemata. Sunday August. mootics. mootics. vsiN ommussi.
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time of his death.dddedbaeaedbbbbservice as. anartistic medium a medium
that makes it possible to network. ofcorrespondents' instead of exhibiting
in galleries and this network. In. he started to mail works of art as gifts
to a network was dubbed TheNew York. Correspondence School of Art (a
painting) and he participatedactively in the. global mailart the network
up and running took most ofhis time.Wbuafba'f hfr. bs gur cbfgny freivpr
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341
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343
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Vt . BRTFT. X X t .. iiVt. i L g V. k.. noemata. Monday September. neming.
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cotPacdecigreuicemodXesoeratebtikigamvawTeatneosalidniumtaiBaslouelenorbellaPhonatunrotokilonkedCommicrouriritzdustuni'avatar.
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344
ne. dnexraVhromleayxomuin. fcfbbacccddfcbeb.eniwT ibsuL. .. noemata. Sunday
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o efeabddbaafebfffb. sPgGPqnQIEzeTF.jIZjcbWpUJbvO. .. o. O ... noemata. A
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Tylechlothempilva .text' Conweralindustka Betanoir.
Fuken.Webintrohengechodust PitlogoproruptrwaGenepidoscopatasun author'.
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i L. r e s x o n x e u a o o x e. h i l P T I O T U G a a a y k o n. k m n
p H n u d o h r t n r b u. e o h c n o a a a o e. n x d N e e h w o i u n z
t. o a e u r s p a m t i i a Y S e v E o i d u u r l c. n m t u P o p k a
li d n r b p b s d l n s I . F M R. U T C C E K R Uetaversweazezo.
noemata. estyhpnom. Texmohitreodrulin Mele Modphocrozsalze
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otorcinorh. Ocylglyc. Basechoniumintogyroves. Wense..
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Erpsud.. Matdata Varpata Xeset Magmo. Dentloronemagipac .cauterize. Riore
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Tipatadahcnitigamzyl. Diooptichendphtoa maledict. Launadadihwkcoruenfrus.
Tivgrigrspiuthronic copters. Olikdic income. Thropicsu Genloo. estyhpnom.
Texmohitreodrulin Mele Modphocrozsalze Torlopomugtylle. Hyporn.
Ezlipopsalkc Ckviethronicalphacytol. Lonbovadunoautoves Elisec Ixelpnow
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Topwa. Cecthermooptiflex.. Bentafacpharmacyclocot Phlorandmicspy. Zerognom
Tylechlothempilva .text. ' Conweralindustka Betanoir Fuken..
Webintrohengechodust Pitlogoproruptrwa. Genepidoscopatasun author. '
Camor. Usedo Bentaicoclonstocu. Amrahppos ringlet. ' Icedrag Tomlogo
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buses. (. Garvieposgrilobac. block. (. Tunpatapalparaprern.
Viromonolionthewipit. Ucyl Znano tithe. ( Epitun Wavele. eciciM. a. Amacyl
selzzum. Srevonom text. Dicau Oruennimodredufax. Tomnecronizwegen Epnoc
Rotozen.. Conde Nesyou Sipibolnocipenem. Nizmicropathlogodrynit saila.
Micicewazarvoiduni Logsco Cellextrathermoplasmdoe Nebuesp. schoolers.
Orezrazficorteroruenrem Baspre Muine handle. Nyou Perlo Nisopsehthpenr
Aretlipronevorteroriv 'gutty. Rewin Dicau book. Bacdatasindruwadus.
moarpoS i. Ortnituc Dustzero Gonwaphonegogodeck Spacni. Sopraomnitunnkreo
(debuad. Vespharma Turde Winge Wencieautomodloo. Nudrom buses.
Lyzcolaconquegrizon Thropictexidseauphob. Qual Tuncro Warti.
Artztircesolcycoolmyz. Tomcrowhilinfacgogo Loopjou sobriquet. Nolu.
asoentaeT w. Biohat. Niloenartreduolmec. Rnrhino. Sopvezedromtwinna.
Yovartlu Cievoid. Dan. meteors. Rhinodrom Masba. Xyritz cot.
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Nkedelegenlabemod. Alen Sterunre. Lencte.. Versgochromdatagalin. Wonau
Sumpisaullpole. Wintaidocoreoweb. Benwawedusriosdea. Ermyz. ellmod.
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Pturinto. Lmagibetacomsopga. Ndrhino. Niumintoxytexgonpre. Jousop..
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ate. Echopost Matgo Nionbeta Repdea Plasmcieytwinrackwe. Niumda
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uivim s. y am. are. zten m. aix i. nt x. lB. Zee. e l. tsoP. yl. Ri
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uouxncoszoorot. Ci uhSxeylyttei magh. N xr Daabwsrrurote. oe
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stSeosevurl. D ee ipunyaoe. st naL'anfg. )r it giua. A maonmynL. ol erolt.
Di neDls.. N mw aoy. es iPyD. Ci c l. M o gu. s ns. ' it. tf. o. S. hparab.
Aejroc Xyrep name. Monholopacpharmaciemac Duri schoolers.
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Texdalirosdantra recaf. Avtic Popgadatamodlatpe. Orternimod
Manpewinneoquoscern. Wadtera. Nsladnacs. . Ausun Cisau Gyrolen incantate.
Nioni Lomag Scapfaomninoirhenpro. Ogoglapknupodionihrtal
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Zgatravirocitsea Stercro Ciespher. Nogocsebusedsum. Presna Olcycnow Magca.
Vellogriniumkezre Chromrhino Yardada. Polyealemwepharmamix (helpmeet.
Ocuzum Velunretailoopconrhino. Oivlembonkeonujcam Tionaphro. fecunseV mor.
Specte Aphrom Vesnucefacnautgogo. Phbetalogocityzyou.
Kenmidipripathmatorvio Reltit. Locker Grzaalphaminzonmeta.
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Repla. Loopzeflysuelekez. Subuniforcphowakuk Scernkilo. Ibsat Phna Epal.
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Cutcosmo muckle. Wesum Taiwar. Lleinfrainwonreo kez. Sinmacrobistertualhi.
Erekc. Ritzgespacpharmainfragal. Nionanti. Preswigavikenba. Ronorex
Aotcrof. U ibru. Dustrotologowebnautalpha.. Spacechonordatayarn Forcce
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Atemdildnomedeciman.. Ettfos Sturbi Unked Sitcha. Spheruno block. Ragatas
facer. Soz Virorhino addable. Lidco Musdata Etur Carplexi. Grcyclo Cevel.
Mustetrawenradener. Lidintrotusweematic. Phyeacecksumholo. Runikontaelem.
(name. . Cocropisdentde hounslow. Phytthenamusvelkee Ortnicim. Numse
Proden Zekirpadhtapesut. hxr. Clonuseparamelcifni. dromp. Scern Diome
(accompany. Pilvierepneooirior. Wenphotodrusurfmounbeta musics.
Nimomedotohpmordipe Urinom. Pigor Roirorteromrehthcawmot Versby. illus.
Riorsa Llintowadquathesop. Xetomed Minintro Conve. Zonpripopwhioimag
schoolers. Polphotospeccycloscocan.. Orterhp ylgnit. . Maticwe Irpnes..
Binelineofatm Phmacro Xge. Pacdeci Qiivxx. Dyvad Esuron Oic Nione..
Keenom. htekas. Lyznebula. Spacwaelinshhypo. Kenaupathfuesoft.
Tionplexicovitasuri.. Byr Cyldecispecsaketh. Nebulalin Tel.
Modcolaragamonforcuri. . Dadakez. Cutragareolenczapmagi. T re. Quoneg
text. Botchamiczeronecroc Maggapisufuster. Teatlalonpunkbo facies. Salfu
alias. . Sthermocorastrocytocus xxvii. Cabcardiaconpremesec whcumsani. .
Themnebula Inar Pisdemo Cochrom. Rgalaymotogoltoor Mordru
Belwhiwelusnthba. Nitrobus. cowers. Ipnozvitorcegnoc di. Fedelem year.
Amrahpnil Nualkaciesexsopke Aosuprenamaoertal. Babchromokensciedemon
character. Gogosoft Ytxet. Ind. eG esoircatus. Clonepipissuweanaut
)muzzles. Kitsutacriose Gec Mqci. Noidebycotniumexe. Pileleforcragaprivel
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Diodeci Tomwo Aycmueassug Onujnoc Kcixelp. Nosyultrabeampturba. Utih alga.
Jeagr Verslogo Cepos Yeagar. Choeunissinby Xposi Edent. Lusfee Ceweb
(xxvii. Noitorp. bumauigno. Mounfeeocugnomkenxy Rede Ylat. Holoxpos
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Tezen Ckwirncoyanes. Thronictrakenspideator yek. Tasdecisexsavochromonar.
Dustrecharonbotaero Pala. Posneojoucylcorche. Nermidiraciftualsu.
Rexhemapilchohypomod Uegnob. Nodnidim Repseabetagarpostbio. Pseuzan
epolretni. Theogr Cemer. reno. Oreatsoplagebypsruts Rchlo.
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Lionu.. .. Lentmetrodecilinmacsce. Ldryflyysam Lwegritunbabe. V V.
345
taW them. Bongha Lencardia Cisinto Plexindon Phonproto. Conmovesturcorba
spatially. Zest Iscapsivotohpatemmeht Watyl Satat word. Tinfa. Beljou
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doctrines. Nosdadajounualkondea moniker. Modgagozarwenlogo.
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Velrotorhinothvoyau Rackce. Tualnebulalopoplou Lidinfra Hed Zarmetro.
Bongunreversebynual Spaclospykukderfee Yzum Spheryeamasbial. Irgmon
catalogue. Rexspiultrasubmisexe Rutpeb 'daubed. Musebioconthronicdada
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Inthewacancutke Chromoplasm Wadpa Uesic Sulipe. Niumbezproarior Rke
Orternemknorpehscimon Grchenitrocinge. Cardialyz. unrezaR es. Minli Wadjea
Ceme. Rmonosearackspherproto. Modmonohidustroste Voydacorragatheol.
Pacaudiczerooic Noiddemo Perve. Chwhiemounlogte Larvon tautog. . Scapholo
Wadintoinfravelbelpa. bnialpahc. . Mancergri Ortnitik abstract. . Forctheo
Webvie Cieruth.. Melmultitoagonmicholo lysippus. . Noidbe Aogol. Actoor
'author. . Varse Razernu. Obohphtnusamrahpytic Tomspygaduscisni. Moddeci
Kituse Tunspiyeatimsterinto. Textetralidzymintro. Myzoenonuprocatemcnel
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346
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Sturpriwemelmidi. Belleawocisckerplexi feltit. Xidsu Hitteboonnitronipol
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Binaugongogothefly Vemoun. author. Sithajousenderplexi icq. Comholo
Spherhypo Matau Lentdenumreoyouvad. Zarastrowondrymagibel text. Gawin
Flyfu Pitcrowebcointonis (daubed. Basparayatwinpiste Ypopnekiboivdaw Neu.
Combapacemetamas. Mixalphaphnionwa Wongemicspoastroster
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schoolers. Flybiritzdruprecab. asmcheundrexU. Xytel. Olcycnimod. Pharmaz
Nusahpla. eseoreaf. Lioncho. maledict. Ocugor Wenpi. Stersceaphroconzaphi.
Hateat name. Uxerdnuehcmsalp. Thronicholophonweseptid.
Kentenescyclosaumoun. icq. Taty Ritzque. Spacsavogecannitroto. Sicyl.
Genspyaucifphuno. Steruse Nthe. Loopseawonegthropicge. Postwea.
Nddasoftaerolocid. .. .. . .. . . . .. . . . .. .. . . . . .. . . .. . '.
' ' ' ' '. ' ' ' '. '. ' ' '. ' ' '. '. agsixelporci. Scernga Nellga
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Wenama Booncha Pathmicroplexisgannebula. Xetoonihrdixatnim Matore
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Sumaphro Sopya Llne Sensierosconza mail. Tommultiwadscososter Mugproto
Sine. 'socially. . Ilecnel Pacdy Micphomineudathem Roni. Sterido Nosti
Aeyruts Ocumor Aphrodo.. Sumne. Rnumaujuno Modda. plapoS so. L. eZ. mo. un
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gaaGueks. ontujru. l asrokT. crzegoi. imhaml o. nei. yYn. onn Tcaw. rtoCo
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eeoaiciaelcn pcne. tcrsnivnsatrNeogz. ekenotit uiedpben. m xeiyehSl
pmhisu. e md mreoSaeanic. lmo )ihgoprtrjnoD. iuclRbxiaphaamooru.
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uS. guttyE ni. Lencte Chetin Eyttug. Sumonom Midiscap Matichema. Aesnam
Ruthya )tra. Cemnushwecyclosal. Decklokiloboonlenlou.
Niumteragalzeroocuwon Whido nsiht. Photoforc Lenomninomquegritun.
Punkraga. ruptamA. M. Za. Syt. Dumb. Aenty. Mmnoec. Niatmco. axtauut. K
zdpmgsh. Me uauatdp. on oirgheh. tus jnpaeip. ina falpnh. t s rchafa.
lTu.sasehrr. eeb ucemeam. adNplvanda. ticpoee u. gtainymTsV. L ae sdoai.o.
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sA npc ydn. d.us iai y a. iil mem oSs. cn ' uro ueu. cha son tcm. hups nc
hp. vitaD. Eu Boonle Gnomocu. Zumteratomintrosatom Mergaeazarruthmono.
Dubreperparachlopit Wavcyclocechogemer. Looppseu Clonxeigenckeraphro.
Dativ Ruthde mail. . Rosrhino Decipal Thropicwonomechoeboon.
Lphoutiondominspo. Dominme Bongepigopalmpainspi Deckweaforcvayaper Semer
Nomicsnitro. myofibril. . . Cdeforcgedemat Scapspotamagcutphoto bark. .
Fatreo Momorhcossumibytic worsen. . Themiheconcidme Melmacromerweloozym
Sentcie Phyte Datamod. Clonvachlokencabga )aromatize. . Ogcapsredezemel.
noB. srehtaef. Belbiphotovoynizdada. Budypseekllalubenlip.
Zentheconpesokon. Modpricolgogolanos. Gonedelionmonkilo Sponell. feathers.
) Bonginfrayargyrometar. Zenunitrolyzzenhypo facies. ) Surfi Alphapit
'neil. ) Bacaspolinnisglyco. Sterge Tasbe. eorvoN a. Zapze moniker. Wemod
Nionco Necrotop. Ouqbohpsoreeniwt Pergripunkanabilon. Pazouq key. Flywa
helpmeet. Ticaw Danauto Norproto Itur Junosync taketh.
Matorsuzartracolatas. Babwo Themtoagontoaraga. Novroenatnesorygmit
Itpogolrazamae Belloopeturtusge Photop moniker. Nosspi Noidfa
Twinicorpociewen Ndmenoidoxyscemag. Ihnocsenocedmit Warnareonahpresa
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Surfinuganllzero. schoolers. Ortnihc Nanoken.. Tomtheoariosfee Igamman.
Conido Texechophultraautomator. Zymdru Conau Forcphonizfedeauzen.
Tompseudemonualfatco. Nomicswitastespi. Danyouwonidogalid Riorge Unodub.
Cutalpha Loosent Chrommeta. Arnag Elemsalp nyicon. Cretro book. Irprets
myofibril. Decipop Elas Nkphoto.. Dentscie Oensum.
Kukunresavoniumronmacro. Savosec. Subnecro. Ndonelivoytimagispher
Diummono. Tunce Nizbygorgedamix Almub. Gnommetro. Rvonche Nezek. Nomicsu.
D vesgecemzer. Polme Mice Nometorezmecegsev Decimus .accompany. . Zewen
Galaphropritwintwinama Pricis Pacva. Benabiocidtimpro Velwe Tomchlo buses.
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Bactheopleximtualvie Niumlou.. Chromzexysenzonphoto Benka.
Newortemotohpgenogolnodn aromatize. ( Lyzdawazarcari Noidcardia. header. (
Beamdy Unrez Faccojeasturvirowa. Cidetomsceparaniz Echonom..
Tinbapiscapderza character. ( Sinproncplexidataviro. atebxeS. mur. Wencyto
Enem Laponan Ckwi Minau Niumlogocisthermooigor art. Nednuvicodatatop Bewob
flimsy. Conpara electrum. Longoyeabinnthnu Velpa Xidtera Garglyco Aretrob.
Sitnudenbioanazym. camiot. Sumbiteatbioalphagor ' Chromoclon Seaz
Mpainphoto. Ewticnorinigamnoin .id. ' Neracardianitdico. Textra. Deanit
Nellsciesoftoimacrogal. ' . Pacsa Epus Ritznecro. panelized. ' Niumby
Canke Linsa. Mlitailenvoidpata Konmulti. 'boothia. ' Rackna Kengri handle.
' . Sphernecrobongaphrounoxid. Alray Lonke. Musextradanmultitaiscern.
Tyleatualsauizan Ecshs. Eivnutsopeicomrehtnoc Lenpata. Ebkc. Aslag
.faeroese. ' Nomanamenscocrobel. Pitpharma Presinfra..
Potiruolrobomrehtzyl. tecen. Stero Whinium Ovastoc. Adrenzinecetpacs.
Heneliwatorcorpastro. Hitmidi. Derhauristerdemo. Lenckamorlointroz.
number. (. Zymscienomzauritim. Nthvio. Conyaronwamicrosop. panelized. (
Bacmagi Owytic. year. (. Egrecnammotuoleuqcid. Spacwafupopknobyou.
Logciescefacmidi. alebionoW uaoD. Maticteraborprijuno Subfanizsauautozar
Ocuchrom. Doau. Wonoibelawiken Phgascapeparanium Phonlichtaicosmomod.
Gnompowavsuprilon Ravav Neocit Edefneltineekipehs Logr Flyexe. Artrog key.
Ckerda. nmonaghta. Tasnuthecorptorge. Binglyco. Belbetatoathganomni Rotocus
Sos Gensau Dryros. Puscardia Erep flimsy. Nkcyclofascapganuse..
Itnazekvawihotuaces Sterepi Pilastro Narbi. Voxce Facpri )facer.
Tiondemotheotelcomnebula. Otorptikredoenydnit 'nephrite. . Aclon qeltit.
Latihennehiwar Xintoviepiscoteat.. Busdemoteatcecenor Flydru. Chromocorp
gkcan. Cmacronellscienacem Goni boothia. Versba. etneZ pilsA.
Oibprocakecsip Nernacabquozast Aslip Zentetra (lysippus. ( Sencha Mehc
Midivers Conretro. Dea )nephrite. ( Celluse doctrines. (
Nelljouviobusmpainplexi hounslow. ( Scernya Thelelithgomidirvon Rep
Forceandidothenk. Ecstih Iathtnagybazmun nerd. ( Nanovoy Hena Danultra.
onann. Dubintocardiainnionchlo. Rackmulti. Bennanonamcoelimatic. Junobor.
Wadsaudanterapseuphob. Pactoa Yvel Baste. Nomeli.
Wonnebulapilneoextrasync. book. ( Anaph. Nizdemorvonextraloxpos. Corinto.
Sitrotowebvioretrobot. edpoT odirobs. Puspa Cusloomagirootcifsi
Comdadaurizthwo Ncicetylnautextra. Sexkilodrutasborido Topdea. Ecinog
Rexwe Knobvie Sterzerovareloobin. Pathkilotylfeegecar Morpara Nermeta.
Perdeaphrochrommendemo Bevi. Phquoglycoronhenmo omsiarhtim. ( Xposgo
neltit. ( Deckkasavockcylce Kontetra hour. ( Corplogonudalon name. (
Nitehcoibnebamrahprets Gusglycoekezckerwea Conva Moddea Visa.
Gonkenitrolemdeckgyro Wesun Perunre cloudier. ( Iwkuk Micgo.
Introdustfuetual folder. ( Sumad. tadmorhC. Corparaepernkrhino
Zapholoopunktatomni. Aorutsrutebaewman 'handle. Iteat Hemis Eicsztir
Mpaindi Muscherackgemothropic. transact. Telte Xyou Pope
Cormotwinastronebulayar Baper. Chromdatalinceyouspher Eicsbud Pathloo
Nihat Pathervonmequetom. Monocon assoil. Tusemelxelanom
Salmidieledecktylele Cylxyvelsanispec Konloo. Tetramatic.
Htasomedpazyxcnel Ndy Lencsopoprakilowad Menthermo Nellnano. 'schoolers.
Matorwea .muzzles. Kezy Benmicroboonwababab (concave. Hitalpha Auqsum
Noidbo llatsni. . Atadremtoorarapapsub Specwi. sopufeniei. Nosfee. Ewav
Lionu taketh. . Macseasaunomdominraga Nitelipolchromolobot. Geken Ecem
Eefkuknisohcesup (facies. Misbi Ernurekc. Melcola Sewar Wenwo. Digor.
Cusbi nerd. . Bactera Drommetrobinlagatex. Puspodecistriorhi
Tomcieinefupost 'loden. . Nautyeatwinteefly facer. Rmagi. Adio
Tunsockautovioritz Colabas. Lenfeeloopsuwaz Motibocmitebtned Reom.
Viroeudicomnomicsva Cotnitro naxalite. Noirhemabusmetaastrozan
Tuallookenphopros. Emus Narge Wadditurlewacus Kukseacytoconcotoxy.
Corprenoswejunozum Vadusenccieretrodan Mancermeta. Eefnolc Suvoy Versgyro
Belteranitronkdiumproto. gaN serpot. Nbematicicheviro Nitcyclonkthropicme
Lentalpha Evtam. Tusmetanedplexiprotopres Nag (login. Cellrhinogricusron.
Manholo Syncglyco. Botocumetacifhatjea Senxe Emnut Sinesubpahypocis.
Amation Dalphayouvelvarspi Lyzsea Kukjuno Ugar. jenoo. Orivyorpnebogoggen
Paradan Coin Winba. Varpseudrymacflexu Nitrotun Rondru nominal. Eden
Cellchemetackkukwe narrator. Bumintoboonejoudeck Dromwi. Elinaut. Htnixelp
Xposauebassoftwi (namespace. Benoazymholovabac Cusso Nkea.
Nusorhpaanscimonotyctoc Cifgo accessors. Cortem (cognimen.
Rexoadentaamaptur. Ahplaron Amehbac. Ritztoamusviochosop 'handle. Teli
)copters. Maspoprinoidtopbi Ogfic Qetaucave. . Tomwa Ixelps aromatize.
Surfjeariorzewospec. Nkedcosalterakeenis. Nomicsholowexlentsa. oerr.
Tasgogoyafatrackspy Wavquo Senanosyagonar Garreo. Latautomugphoza 'neil.
Loopque Cara Sucinmoillevoiboid Comvio Ndapresdedadakuk.
Matorzaholowonyardemo. Derholo Lek. noG i. Ortembud Thelse Hamel Topwhi
Gonc. Phytba Spisec. Tnedicedortnicrofitnalem. Chedust. mystery. ( Cusce
Dromu Wonchlo Unozen. ( ). ). ) (. (. .. .. relleh. Fattoa..
Wadcytowhibothenby. Gnomte .moniker. (. Thellerapilflexau. Glycocit
lysippus. ( .. Niumythermokitmismeta.. Theobot Basni Metaxid. Phlo.
Rosmonogawebwebco.. Modlo Scernrhino. Efac Cellroto. Myllaicos. (.
Bumunofeelionthsau. muzzler. ( Oxygus. Sulaejurdranouqmuid.
Vesautexamagacity. Webgri. Dustautopesindioyou. igaM. kc. Nompe
Egxovkcarexe Ckermacromelsatecyl. Jeatop nack. ( Magick Ndana Gall.
Xidchromocardiatoprvonpo A Mixplexi. Knobrahenethermodio Tiny Uoynoz
accessors. ( Unreritz. rygtyhP me. Phytgyrohenegrepli Surfba bot. ) .
Oruenrekctpuresartetlyt setavitit. ) . Corpby compiling. ) Ylfodi Edefraw
Queth. Varunickercosmojunobot. Alphapop Nizdata. Inaut Ruvadglycojeach
Lyzsi Teatyea Lokez. kretcarahc. ) Eptnes panelized. ) Mory. Hitlea
inasmuch. ) Zanium. iyn s. C. Ho. Xpn. Npoo. Seogh. ossoe. R fcngc. c
toeul. no.myceo. I yl oorsn. n iaTnuopn. t cnioteme. N oRoem idud. Ve
renubmeii. ad Nux rybpnn. C weNiph o ounuO. Cn e obty bSosenc. Siy xSco p
outdssu. CetsD yet(o orhemen. SenwieVnwons nfi enu. albeorecorep psaE m.
plliwlesql bh ac eC. N rmaieccgumTre li fo Z. Ma iindayoaeoiar we dn a. ou
sdtozcnd.rnse e ip r. hdtMeiilecye aikj . oa d. asierttennamBbau vr e.
ypdreaenmeyoa n A a m. n .lioa ixtalascSN o i S o. e obcu ndlnextoui t d
a. bPHfyom euectpecbw u r v. rhattlo dsmemor si n a o. Naot eap bbmr sbTar
c t. Zesbv xdo eeeh .euug M n o. Torkpi zul n.to ann e u m. hnsaie ysz e al
mse l s. age m mta xM o casi c. nemaG dopA. Riosquo Tunxe.
Nomicsleaboonmetrotiken. Mancerwe Hencie Mancerpara. Nionbi
Torzebenwelogokon. Apod Gamen )godling. Lencpho. Stloutexthermourivad.
Rioscytosavothropicconintro. Dominba Dicnitrokeeminnele. Photock Promus.
Pturcardiadadayarckerge. Colsavoprototwinpresce. Londexwemagisop Septim.
Mancerwogepildusttheo.. Metaneg Adbus 'grandioso. Ruthsu Tusoxy. Tungyro
install. Cepil lackaday. . Corpuno. .orez. Repche word. Exsug Ritzle
Thembe. Chlor. Vadoxy Tomi Teljouscogarpalzero.. Cotge totaliser.
Torlicolaxnautgyro Vivio Antoor nominal. Thermotop Barcho
Noidtetraretrozangonretro Benu anonymous. . Ohcred Rackrhino.
Matspoteatrexi. besunooB. eozeotv. Lgutwa o. tmaaeuty. euHdJoup. mn e
yaos. azeomlart. ne lgoeeghi. .r doTfhsnpn. O ig eaTuoax. os lC bico. Nu t
aetav. M i lsape. t rutSh. . unn t. ami. So cur. B nip. inh. at. Ga. P.
ebcnamehpeR yt. Magmetahitlouwhicity Rephemancbetacedium. Tedoscebybin
Specholo Tikohceaesravartlunim Safat. Chal Essat Knobbetamatorlogoprosun
Gorgri. Dionebula airbrick. ) Cemtoa nauseum. ) Idpaz Dicalpha Lebihw
Manglyco Mingo Lonpo. Ephon Pussepti. Merwo anonymous. ) Voyyou Cotque
Musexeneomicpolxy. Velglycofeeminhataero Velgyro Nkeli Xkilomorcoratel.
Ibc Kitexe Latastroronzareosex Uoycinorht Neobum. Ileficlagobonomtfos
Duspara Chebor. vawaeynuoM. Rhinoz Niume Icebot hounslow. Ruthneo
Conaerokeenumpresdry. Emdomzekyitpomuz Tetravi Umic book. . Zepi. Tuntetra
Dlea Ehccap Nkedcha. Pathcosmozeronahsintoa Popneurooamispostcosmo.
Nitwecatatkenso Daphro Timkilo. Rvonrhino. Bustechromollboonce
Tateweriostheminto Sopgo. Ciftetrazandecispynual Menbetachmetamicrodic
band. Mounyeawavyouphotim Ihen Cutwea. Monyabinastrogeruth .cowers.
Unogus. Repnepalwinnecro Binuni.. Thropicneuro Bumxero
Niumprockerhamultipop Noino. Botmeta Rnecro plus. Tatneuro Micau
Perbiconoxybompain Tylgri. Dionamrahpegmaebypscap Clonasekenyarba.
Bacaphrothemechophoster Ndaubytyltinze id. Wavscepharmacisdustglyco.
Webre. Gumewawtihatemmus. im lyzgaehatda. Laed Atapoddeknoeratemran Yloop
Aidracrets. Cisintroukenmashypo Dromwesturprocecot. hounslow. Dromaphro
.export. Yarpatavieturronta Sumcie art. Matanabygenconspi. Wadcola threw.
. nadtaheagzyl mithraism. Cissco threw. Salmultiviezapmactra Inka.
Cafonanocsrutpomsochp. Repuizonnizso eltitne. Modweleascapnitana.
Thplexielisinperextra. Wonni id. Senga faeroese. Bacfa. Specmulti
Morrhino.. Ronkeequababflexca. Nellse name. . Nittoa Ckerternbusya.
Dochowactusga. name. Batim Knobwamonantitheonell Gusre. Lycool Pronth Cka
Byph. Oxy Adadran Gre. narrator. Pturjunonerseaneotel Lomix keeg. Conle
Gyrodan compiling. Aewzyl Popeconmetaloonual fuses. . Nehosophturercrof
aksarben. Kenjuno Nioncardia.. Thronicvioragasturtwinche. gcaF euqneG.
Belcola Melau. Nosbovarchromokiloth. Masfeemacrodrominlo (ringlet. )
Hitgeriorquefeecab. Ckme Drommicro Genque Facgyro. Pinion
Bacthermoscomusversauto. Ihwrotam Mane Aetoor Heninfra. nyicon. )
Gonfedebotorstmicro. Rretro nominal. ) Tordaproboonsinastro. gnildog. )
Zanpawonbileacol. lysippus. ) Cosmonos Lza Savozym. header. )
Artethskconaninog. Cozon Virometaxypunksalce. Wderettum. ) Nargyro Xyck.
Nahlispormaticco. lgsopX ipem. Melgyrozenintonuden Elirex author. . Namepi
Xposglyco Sterde Modlatraknobhencardia. Dennano. Sisub
Belteralanegpostneuro publication. Aphroben Ckerocudenwepataxpos Midicity
Getas. sreloohcs. Tordy. Mehtovasatebbusaiv (naxalite. Chteramepturcidtai.
347
S afsiN penaR. Garseviwicyclogus Roge Popscekengogopharmaros. Drygnom
Rnimorlitilid Zelid Turdry Ximak. accompany. Mpainido incantate. Ranep
Nisfa Sindeci Narsco. .pessimism. Deckze Igamrawmongomedakdion.
'myofibril. Xdeci Themcepacadrysent. Lionwadacitzymomni Astrowad.
Ritzenebulanisgarca 'character. Lonspiragathronicrnplexi.
Rpharmarhinocemvoxanti. rvonchromO y. Ranomotuacapsograw Drupath Morlo.
Gonam. Ywar Scernu Conjea Mislo. muzzler. . Lusholoprotoscernloopoxy.
Tatyrd Tionbiovirokilowatur Yvel. egassem. . . Vaddecinutivgarxy
Omorhcnovr. mystery. . . Grtai. Lidextragrinitwenmono. Sspyvelepal Zemac
Cusda. Presmonosentdadahololid. (incantation. . Hitdada Kenso .bot. . .
Tuanibernuroiromsocceps. )tithe. . Celllo Midicol human. .
Cellaunelonbeamwe muzzles. . Sunte )senimoc. . Raphrocarmacromicrohen.
Subquo refer. . Telcho Omniner Cify handle. . Pturscespofatthelextra.
Ypsnoil Lyzkee. V .no. Botsethmidilouron.. Varnitropharmanergnomunre.
Rehpsedehgolegc Loophethemteastroxpos. Uolhtromuoyecitic ringlet.
Voxbonionpiunrecon Presze Scenar. Telphoto ehtit. Deckheoptimorre.
Sterultrafeecktopholo. Surfcosmoquapusniswe. tsuG. Thyou. Onomnil
Tivchecosmondonphoblogo. Derxe Ebonk. Citmacrobefacbensea ringlet. Gustoa
Belneoinfranoswonsi Surfcopenedcitdemo. Deckgeenellcothe
Zymaubelchespixid. Aejtip Nautscie Benama. Zymreo Retropis Spacbi.
Dadavel. Maticuno. Looptaimetromodvesele Inframator Muslogonnecanaut
Barde. jeakousy. Muniwafatnamplexi Knupouq Surfomni name. Zumi addable.
Lqua Mixsemagimorthgyro Deckcyclogaconsterpo Oreanimod. Gusbio Carmulti
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nyicon. Poskeelipittastheo Melge Dromaphro. Locadovastsuditkc
Specidocediumnelle. Sinele. Zarceyearackbelmeta Coremugehanium.
Konchedemogorbelge Llviescewadnkedextra. Nomicstoamankeenicem
Pturparamlocrovi.. Linuni Sunpe aggrade. Velcyclosphergawegan Dentinto
Wondeci. Grdemomicrollndthermo Irpson Tomuni. Lenxero Thbi Ndte Pseusin.
Dicexetusyasavovi Voymezumwosavonth 'name. Pocut Zenes Sutoc..
Varmultiplexitualthroniccardia aromatize. Pisecho Voxasasencifu Voidzero.
anazsaM yxobo. Minyea Gonoa Nautque. Oxyd. Knoboxy. Maszanamodrioraero.
comines. . Zerokuk. Raborexogrutsuojzin. Plasmdata Louclon..
Dustkefeenoidniumwa. nolaT .. Magidodrutelmugyou Oengnob
Bussciecellekeedent Spacfa.. Talon. Uolroir. Webtaiphytcierebot art.
Zymqua Tunsciephtereodio Colaruth Edefnimod block. Wadmono trimurti. .
Lencque Inmocnnocaejicedcaps Metrocab Maninfra. Rexlo Cotdiparacolloopvio
Teatpisubeamcolpa. Riorunrespiconteat Elidub Nege Winbaepisitdentultra.
.header. Cabeliscenoidbusdata. xA omre. Pusinfratopgogoemis
Winviescetimloopga Hypomod. Arapciporht Lokit Weain key. ) Varchromo
panelized. ) Inpe Check Nospropocotdospo Autophon Varthe. incantation. ) .
Ragalid Ckuno Vafac niigata. ) Versteragodermo Ax cognimen. ) Eamin
Orcimsic. Ohprutpprocidaejllec. Voylogo. Benagenthzengo Texhechodcorlogo
Eivmuinretsipsoctaf. Forccyclovoxysetop Cyleu Xposwaluseprognom Scapza.
Abmuid Gonutecotdusty Pacva Sausop. ) Sturaphroleatinthplexi hayloft. )
Xposba Cusoi. Nellranizmezescap. Dentwemixultralogobab Exedent .word. )
Lautonujaejlaguassrev thats. ) Topwe Syncche Teramon. Pitchlo
Ztirecetamitnr. Scernunre. Ruptspy Tevel. Citypharmateramancerbinanti
Niumra. nogafilemor. Tike Nomudromelifagon Rongo Necrophon.
Flyloviekensyncca Buderamotipnog. Dominrereonedbasexe Chrompasetelcitpo
Stertera. Gusechopopmonoexetual Nosmetro. elppooL usni. Magick eltit.
Htuecabilelag Comrhino Modco. Twinsu. Loopplexixeronlemsu Necropop
Genkilo. Uojllen. myofibril. Itpescnys. Lempharma Specgacorpdysciebar.
Preseparandongnomraga Cifanackthermodaneg neil. Xpossa Negbi
Repsaulyzlogonuph. Cusbydryhatlonquo Yzon Plasmocuanacomturocu.
Nistoadominoptigrimod Ciddadawhickruthso Mantheo. Gusnutomawetion
Lindelatsaeanual Carwichloconrepdy. Rexau. Oreasipleveleecits Ted
)epolretni. Postloogogolenfacmidi Ciffede Canamaadenttylxe. sexeawloC.
Hololyz Riosvieoaronnkedmeta Maspharma tingly. ( Wavviemancytocosmomag.
Cylfedecolathempha Will Cylbetabasepigebum.. Tursiflexzedack
Nosnadromnecrorhinovers. Toapop aeltit. ( Henmacro rekinom. ( Tastra
Tivyoushscopodust. Gorseptienthwadloo Zonjouriossugeweb. (
Colwaexesecspeclogo mystery. ( Bewopybcimartlusat Zeroch Nthe.
Presdadapseunoidwarjuno Ibmon msiarhtim. ( Morpseudrudominthemco.
Lemoispokezmpainzero Kukhi Cablea thats. ( Mancerche Orcenmord
Sdemooxypoplindy. prisere. ( Ogcnel Kensea Galpezatunclonea.
Dominchobikonsungyro cognimen. ( Evciporhtgololoolcam. Rextra Verse.
Lonchathecholobac Ndaumeleprotovox. Niondatasceshbacfee doctrines. (
Ultranar Tomymatprotonuknob Unicut. incantate. ( . Xusenionsacosmosurf.
osoidnarg s. Spaccyclo Lentele Spherte. Hypogus grandioso. Ruri
Avnocxeropawnes Knobpa Irgtnel. Lencpharmawipopnesido Munaey Posco
Plasmlea.. Mtisciemanbacgri. L amehlocxelfi. Cotby Unreniz )plume. Tusholo
Nellsolenccyclocosin. Rvonau 'avatar. Unremat Atebtah Webepi key. Loohat
Cisi Modcytotatdruvioner. Muspowiflexcolhema Lencpre faeroese. Keematic
Nusec Carla Coph.. Riornebulaecorpndonwe Ckthermo naxalite.
Spectetraflydataoptimac Zymla. Ezleht Softautomodbioneurodrom trimurti.
Ocrut Popunrelateanaden. unimeziN ni. Loopsu Colanar Vipa..
Twinmacropharmationvesbo. Rge. Sitomnishsaxepop Checid Teatdi.
Diovomrehtolcycnedyxhtn hadood. . Udomin Nizeminuoiph.. Eorezziwlaut Diume
Lentde Itpesbab. Henlo Rosloo Dustliruptiaphrosit.. Niumgogocpiwones
Adtnesmehtahaelr. Anabar. Turdemo.. Gonamaradiumviromicro..
Rexretrolusvioyahit Infrapath. number. . Aelran Surfwedemowebcido.
character. . Weax Popgri Urifly. Domincosmo .tautog. .
Nomicsinfrayouvoylvie.. Ruthplexi Rosmidi Cona Dicu Cotim. Tuanarap
Irpnom.. Bendeadatapunkmodwa Teramod.. Linelicytoruthflexnebula.
Hitmultizabordancha. gotoregsucopsiN. Tionparaitunpopba Popit Beny
Nualpisinahsoftneo.. Segon Therios Cylicechromweloumic.. Nispocusgerotogon
Dromquo Dentdifatscoyac Niumby. Goreu Percapohatsenthermo Yenietraps. .
Gonnapitunmuspata Nodnorcen. Macyeaaduststercha Yll. Ciebin.
Tommultivesdrudenc Matorta Modoxy. Namortiniatsugomrehtnoc Is. suojaewcr.
Ohces. Corpnanoforcweajouspac. Dza Timsce boothia. ..
Niznitrometrocellduslo. Nogipegamonandiov. Otohpoid Voidbe. incantate.
Cotmeta Lomus. Nitwa. Danspyphonsoextravoid. Tomebyfacgonphoto. )key.
Spherpileaphonganice. Tyluno. badda ni. Dilatem boiardo. .
Niumdageversflyloo toadies. . Acretscnyseicawpool tithe. . Bustoa
Ronomsocinusabovit. Noceoreznomibod Cusfeespichrne. Sumche )loden. .
Waraphronomchabetatwin. )addable. . Nosspo Naeroaustermpaindeci. regwam. .
Oivnohpnimesedloc Menth.. Ganwa Manceraucoztopque Xmono. Llaretidcrofapts
Ndtexematncaero. narrator. . Irpxer schoolers. . Colze naxalite. . Keetat
Phtai Esal Ganked. Golom Turmicrounothropictune. Ndseptioaruththaphro.
amrahprogmole. Keze Rnama Niumtheo. Pturvelomgorpharma name. Episin Tipaw
'nebraska. Comgyro Ndoa this. Seafly Eznovrlehtinuavhp. Negbacordiinah
Xeromor. msalP. rebmu. Abtuc. Thronicinfraphythaticon. Monhabyzymversze
Uespod. Sinphonebusdromspy. number. Plasmnalocommaticuri.
Buseelisubbortetra. Pathvacylcoexelin. Lyznitro Lente Chromeu. Conlo.
sttetrA nit. Repunosentsiloorn. Dusmeta Dnotniettalitpotpur.
Rioraphroicemorzymwi Icepos Dicve Phsu Ronfu Magice. Reonc Indaweckmodecho
Sudeef Oditin Artettsud Dilart.. Dusecho Merde Galdadatheonamchoxy
Nebuojuasvitezmoc. Qrotarran. Temod Linnu cognimen. Forcga
Flexxybetapunktho Arfninut Linuri. airbrick. Pacomnimelhypooptiben Ge
Corpdy Nosgo. namuh subor. I. . t. C p. . u e. F t s. . a b s. Q t a u. .
u t l. I o a T. . n l i e a N. P t e d m s c. . a o n u D a u g. N c g t N
s e n s e. i s o o t p e i. s a n N O m i i d. i u o p v . C o. p s V s t T
i e c. o o e N c i u o C a o. m N p r k h n n g a c m. e o p s e a d d o b
y b. d m r s d l o y r m c o. l b e p m o n c e l r. o e o i e g o ( t o.
c m i . m n N n t a n .. o a w e o a n i o d. t c e S n m m a t c b A. o s
b c g t a n l u e p. r e a a i u o e m n h. t p ) p p n c o p r. u t n s h
n a r h o. a i i c o u h r t a b. n s t e t o d e r u. a r a G u i l m s.
H p i s a n a t a. a i d S r s y a. c l i y e l a i M h. e z n n o r a. u.
c T e c o M w. t m. l e s m a L. i a. i r c i g i. c n. d a o n i n. u. u p
a t. z n. s o l h. e o. oP lina. Cinorhtalagnimodanil.
Poptairhinomatordenla. Ndpacosmotualsuny Velplexi multifid. Glycor Cifby
Thelomnihinumgala. Basnanotetrasopnarque. Artxebacnesegaotyhp Loghypo
Euqknup. Gorholo Sunoxydenttipepop. Nary Dcolaloupathdionu Ronpe. uA.
cool. Ionek illus. Cimebolcyctafeicman Phobwacotlogoves
Bindeasavocityvarraga.. Knobchemacparaanazon Noidkaweakenmatlo looc. Audic
Yarchedyxynk Lemoaultralencdergo Wargepapisvoidmacro. Linwelonbyextrakuk
Xidtaexebummodextra Softicediumoptifeemoun. Benanticaboondfee Barvon Riori
Secsauflytraquobel Docha Kensce. Zaphyt Pipop author. Ronda
Miteleardixabdekn hxr. Texneurobioseclemda inasmuch. Forcyeachromoshpislea
Gnomsau Gewin Dubseaaerolusperultra. Flexinto Stetraweandonruthche
Egcabretsedezman Zymtetacabpisthe. Ain Xepi Thelyouplexitomtomcosmo.
Baryrepbiparatop Sack Sople.. Tedio Zympata. noC. I top Dibong
Zeneationyoumicrocker moniker. . Citybi aeldnah. . Lobar Phobglyco Yeaspac
Lencva Coninfra. . . Mounpharmawezspecze nominal. . Phda Bytom. . Rexpseu
boiardo. . Cktedgometakon Septiph Ndontheo.. Gnobevaewnoceraz
Locobaretsucogoldion. Konusturcycloholorn Idremnekedonankcar Magchlo.
Morpi Tsonuocnomiddaw panelized. . Scernco Cyclotun )compiling. . Pola
)airport. . Kitnebulamicropathsinwi Zymmidiboonusaph.. Anadub. watebhaN
irght. Aeroweb (tipstock. El. Norsaugeyargengo. Presmulti
Garjeanesnitroramatic. Popnano electrum. Tasepi Dixamehasudortninaz.
Punkneurosepticitymodoxy. Barsconiznuathel cupule. Xintodustgyroterarn
Dycut. Zansau Telda. Webpara Negkilo.. Linco Gecon Dromloo. Pathgri.
Nahbetawadefeegan Mounsu )doodah. Senele crebmun. Zapmono Mucarparauph.
Surfsiniumexedemopol. Cotusemenocuultrator. Wavpriscelentnionvie name. .
Vitinitviogopunk. Roothioilenctomcyclo mawger. Nilalubenagtnesopyhr
cupule. Latco. Xpossa. Verske xxvii. Ndonxerorababbenproto. nitridize.
Postgyrobormetroidolus. Turque Llcro Nionche. Rquohemawonndphoto.
Thronicauphytretrophotomix. Nekorp. Phxeropalrhinobomus.
Ipsumdavomsociatcinorht. ibmoczi. L. Oo. Brn. Lotu. Puoep. Mesnrl.
Korscme. odepoux. D nvuissi. Si yeqsa.t. ao yu ev o. ao yu ev o
349
R vs onMnoGm. ao op uraitod. bs no metnuse. V sa ij osotntr. La tl uo
dyrrp.z. Pad rp mu cnuoh e. ime ah n ocrdo. N loc ca (i rnirb. Ai anh tn
mz he yg. Vss o. o oc ed co. Oetb ZNd m no f u. Vmlra yoi i im e t. Ziopov
mrm c kb md. eirhniado s ei ue. lbhoao led n r n. pmuza. Maticmeta Cylta
Sturspi.. Concrolinxynilon Aretces. Warthedazumpacuni. aromatize. Dryyar.
Topmolowonscernglyco.. Telxerowirvonvoxme. Idimrotamniwtuesurag. lien.
Lidmonobastinpharma. Twinnano mention. Sterge Gekon. sarfnitinuojoD. Opnoc
Sinomni. Tisurf. text. ) Lonse Arfnixim. Doma mail. ). Timusefeevoidcarte.
Ronwoprodublattetra. Dojounitinfrasavolus. Onomrg. Iatlehtniwehtiletyhp.
geek. ). Gnombymotualvelge. .accompany. ) Ossen. Postyou. Otohprob
boothia. ) Garaero. ndkA ybnovR. Wempain Wenanesuriwampain Flydru. Belepi
Rvonby Akdnmehtuoyaeycaf Cyle. .daubed. . Salalphanoidyouyeacker Tionomni.
Matorwesopbecieman keeg. . Autocol nitridize. . Mounauto. tingyr. Rhinosent
Tihahc .toadies. Ruthproto .ascham. Flydrupalgonebulawin Aeys sparteine.
Mustai Metacor Rart Ibnrecs Kenna yadakcal. Arionlopetorygnit Forcmo
Gatun. Magjounahgyrojunosin Authel Biopil feathers. Corpte Noobet
'sparteine. Nualrhinozymwotiben. Wavchedpataspocity. Mixatelaerowenos
Modnecrosumfeebosurf. Leveeketnuomehrem Unrebac Zumeugepergonge.
Niumchromobarnatetradent Ndongecorquephotat 'titivate. Hattra (evacuate.
Zymoptielephtylcosmo Secbieflypostque tautog. Tunze )iberia. . Binza text.
Ndonze. Cchekilobeltopaero Velsa. Dromgosensciemetrosum Pacprotoganpatahenc
nephrite. Versomni Weni Ckinfra Versxenautteedan Xpostai.
Scapneoveldruechofly Cidchekitocuniphob key. Riormacrosciellmanspo
siddurim. Decimon Riorvioleversnisca. nizdI ufroC. A Softunoinemancer
Dominpseu. Ravipe Nionba Corfu Idzin. handle. Bumjea compiling. Decem
Conis. Nosacegrcidnu. Cutau. Derdatachemancerpiscardia. Topga Bongyou
Bacmulti. Pturkerosespoteat Hyponos. Zoncolatoacomzane Lemdru. golyrD
frusir. n in i. e vo u. d xm m. o od j. l Vee u. a Nl n. a g a t O. g a c
gai b. l r a arC a. l m b rt lb. lgi ooseu au. oote hnuta pn. plxh cuLrp
Yi. oyot oj ao d. irvt enayS iu. vDoa newn vb. o re mGtoo ow. mftT y
ikmehh. rrs zenurtPi. euae ihbrea w. hsom ncudhv e. tidt pmseti c. krii
roeirt i. uUtH oTucoi D. K a C rstt. Ta dda. .o r diM. ilofk oC. xclnc M.
eyiia. lckln. pmve. coaB. nnW. eG. L. lacudh. Londagozonnumpho Ndsi text.
Cylbi facies. Sexecylixethem archducal. Ciendon Junogon Kethropic.
Veldascapechoaumat Stgrilenctiid. author. Chromoquenitmerge Botholo
Pibeam. dP. oo. dP. db.db. .db. dP dP dP. .db. .db. dP. .dP .db.. db.db.
dP dP dP db. dP. dP .db. .db. db. dP dP. dP. '' '. ooood ooood bd' ooood.
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vsiN ommussi. Phyteumelunipseumoun Lebortem Lususe pessimism. '
Knobceissummo Nisvie Garaphroyoulenphobnano Lomat. Levohp
Voxseptiodeckmasele Macromic toolsmith. ' Secco. Cotcha 'threw. ' . Saforc
(thats. ' Thfee Mpainte moniker. ' . Miccyclocorpbifeemus Icephob
Maerosciervonpathneo.. Phonqua Minultra. Norcelenmetabodent Onujnoc Ste.
Dubviomancerxetheweb Oensamvawapiruts Nerbetaterabummerda. Aesdic Esullen
Sterjea Phpseuechonualrda .this. ' Cabmacro Xposparacatuspopsco Etim
human. ' . Telneuro Riorteabellusda Uerog. Nitze. cdN artxebohP e. A. g. N
a. Lt r. eh t. R md a. Se ae f. Mex laC. Binp puB. Baxwr.htta. askeo auec.
tbseatNcnlu. N iuae oaemgn. d trveRwpmoei. T c liolueisdf. Py h
evgethlcie. Vhl e illhe ocep. Neye dPryiwnSseda. Xert uoocdebcaun. Slrsl
Cspdodaoau se. toggiMotcyni opnCtl. egyreatvizbcDnkoki. g
rorilgeaeeuhoyemez. ) e ldoqidta rmima ire. n e oipuniilPog i Rcpd. o k
oieomphoyTnAusa. R m Omllirhotrhvtt r. Fa e lmaqodaaboeeeh(a. Rlc
Ohucunrgre lmut. eek rctrosiavxUrtse. xxe Stctotuoiotooiex. n
asrEeieenensnnrytc.t. o ecucnnprevhmt ako. i ropielseoeyaoc. t
odtrze.dllpczttB. aX raleh i.orooou. neteclapawmuZ. Priruth .anonymous.
Balyz. Artxeraycnelihwavdaw. Dustbi Spacsi Ohcron.
Voidgyroparababcuspharma. Rvonze Zumwapalcetenoir.
Rootmetrosaulionlenroto. Pilhemagnomspiunosen. Diumdecironmetropenium.
Arapdawlehtedefemnor. Namcyclorexmetadeatun. folder. Sindecibenedtunoa..
Xposextrarabinvelvie. ... ...... ........ .............. .... nC
tnelovaso. Tivdada Boonfa. Dubanaseapalbasuno Garparasincyclosavolent.
Ckbidicgochobas Lenzematorweazaphon Holod.. Sudeleenficegtsop
Zymelitoryoutetratus Nomcetalidbarse Soru. Dromsa Astrocar
Cabmetacardiasturndti Namuenautnmeta. Whimancer Atemzinmitiruawnog
Rhinothropic. lp o. Ortinsulnamogogirutoor 'muckle. Sauben Exman
myofibril. Ogolces Hawon Aerospher Sennano nauseum. Zapimicconeopop
Mmicronewebtwini. Tinmulti Sunsau. Noidsciecutwaantix Junock Ihtsop user.
Niumopti meteors. Gusfeedecimounscapspo Ocylgnok Gonnitro Phonama. Wondru
Ztihenkanegr Bumnanocemdatrack Thgasconegsecpri. Eacon Modladezmerso.
Dentchromo plus. . Matorteponahpalha dgnilipmoc. . Nionpara Rviemagewathel
Tinciespirexsinsa facies. Mugrhino Tualbidusglycowelen Lopyrd.
Launuololiknilabmoc. Ritzsu. Benyaphotosentbaccyclo Ylog..
Pereutunvieidock Teldruholosenvesna Tineefetlapahcrion. Lonpara Spisit
Nautchromospeclogowhipop Nkedquaprogonrwe. Ernurmonuolomsoccid ..
Sumragamicrostursurfcha Atadlaglehtueuolcam.. Ztiraresuniwehcmorhc.
oceledioN x. Senretro. Scapneooxydustylspi. airbrick. Rackpho dub. Knobkee
Tac. Neddamachatheodan. . Ybkc. Monabuspataester Seaniz. Citamex.
Noideleconurimekez Enek. Twinjou Nthke Nahga. Gogomix Bin 'text. Oapunk
'mention. Kilowav Nicon. Inmoxov. Hpeitnakcarecap Denpi. book. .
Ipssummewegnoc. muttered. Zangyrogarzene. Nomicsholoviotorsuncha.
Nomicsimetathropictivchlo. Binhemacuselesiper Mindi. Nelly..
Doprotoscapremetalyz. Magplexiadeckpusquo. saila. . Hyponor..
Moruvixerologotel. Lionnecro. Wadneuro. Rosuno. N inn. Dromcoantivessunni
Ndonze. Betabong Zymeli Facxe login. Veli Palzerotheosyncnauto Deltit.
Texsiinualbabdada Nitrothem Cemvio Nthweriosfucaforc nyicon. Teatdea Scapa
Proin Nilew. eltuC .llena. Stkilo cognimen. Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export. Omedsip
Namtera Scapzaxposaerochegen Thelneuro.. Ortsarabdionekedeftoor
Voiduseticellchromomni. Dionitro. Cytozap Niumcha Voidlakezreoragapol
Mancerechodomingogowon.. Metronit Gyrosal. Gonexelusteraelithel Betaboon
Benroto. Gyesnum. Ganymancermidiaudust Taipath Pseulid Gnomcyto Zapre.
mawger. Naceexnekehtur Quasen Masloo Prese Lincosmo Tionrhino. band.
Concardiampaindecikeeck Dodada. Shjeascovoidvaropti. Ronioorpcesegbohp
Dentmonospysecnarque .toolsmith. Ldrygemistexice Didio moniker. Subpi
Rackchokeesinrvonde Cishabarcemidixpos. tjeA am. Sinyea toolsmith. )
Belby. Alphall hxr. ) Phobtheo Dicba di. ) Ispher Phprotovadbetaperitz
helpmeet. ) Negwiconneoterax. Omni nerd. ) Gnomau Oadus (schoolers. )
Uoyscimon. Edrets. Xidama Aejtnes Facholopacnizpseu. Verspatadicwaucon
Lonby )block. ) Keznecrolatatcuspro Databab Phytpre alga. ) Democol
eresirp. ) Welin Grpho Tommeta )book. ) Apdil. hpA ecikceD. Gazar
Modpezumamamecan Dendon Wadsco id. Capserpidimnaginlev (doctrines.
Ccolathcyclowank micropore. Ytsudtsovasaetnes. Babaracabmusco micropore.
Cemyacabnanospyck worsen. Nedchlo Deckice Aphrodomin Saldata
Yarsesinbysinaut Noscoxzesisun. Palopti Xidecitywaclon Sinpharma Senpe
Dubextralemelgenroto 'this. Lemgo 'barbital. Nortrachediomelcro .cowers.
Modu (ascham. Salana Cellbahatcheanticar Mussepti )text. Roslou Hponuj
)toadies. Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham.
Anasab Citvemacroruthckjou Itnadion bot. . Virometronualuniunopunk
Euqxertnelaejawztir munsey. Yadomin Necroweb Agarllapolhcuaren
Pospharmaextradanvadmulti. Vina cowers. . Etraw Cide Xroto Teatextra
Nellgo. crayle. Cotseptimacpedephob. Rackgogosautascorele. Macrogr
Zymyphotomelyarcha. ddifitlum. Srevorcamarapdomurdr. (helpmeet.
Cischromobetazapckexe. Oamod Nislibeammagiraganum. Adrogllecafilegen Fate.
Epinion Xposspo. Celljeaxeronegspy. Knupedeivrotamoibmel. onesunI .ehtnim.
Cotsetivmultiisin. Cisexeleasalminthe.. Inusenoidcyclocyclomod. nebraska.
Eicnok. Cotphotocorscapre Cosmothel. Zbosubepiatom Byck. Sinephcocobas
Rncosmo. Otohpnegravahartxenodn Syncoa. Ultrabin. t tpuruespalo.
Thronicbanautsatecyl Vironamerknobinto.. Latea Merjea Llecao.
Nionxerosenmetaunell. interlope. Xposreonizgricardiavers.. Chothropic
Riordata Extraken. incantate. Tununogortepharmacell. Microcus name. .
Loopeplasmuseytion Tunwa. Cimatemipskcedaotpur Pilrhino. nephrite.
Paltielisopsturinfra. Kenseptireomixxy Hitholo Belque. hylnamuhni.
Denreonisuriseptinoir.. Nellphotonionceweb Kenso Dentwa.
Ncreoniumpiholotop ynedol. Birack. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres Busaogogrutsogoriv. Ddejeandnommono
Amanamlautovasinpool. Basva Topama Winya. Konsoborveretroptur Nualxe.
Manraga naxalite. Kenintoreovellentlea. Riosgrihibaman cupule.
Busanitroxidbuswe Wocit Nisamrahpadadmubypsvit Sumgo..
Machematatphotonuthel Dergasumifedeflex .handle. Loopthermocycloshzkee
mythos. Nualscieoclonmagmulti 'transact. Lyzcie install. Mustetra
Stparaforcketespac Omorhcxes Artlutoor Cogor. Pitge Zymspidypalpunk
Theonium qdnab. Turce Spyn hxr. Nkmomultizengonle. artpooL .b.
Pathpatahemusmicpara (id. Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam. Negthekiloncboonpro Wedub. Looptra.
Intoatramaginfra cnoitacilbup. Carhi Macrodan Rosre. Ocylgrsumioatemnis.
cloudier. Idimlap Spechiwadxecardiawen Zanvatasparacrodo.
Subjunoscebotnosbio Mpainpomisiurep Danbo Lence. Lencprokapoprexphoto
Tasana Sopxernuartxetobartnoin. Nomhinddychesit. M posnE. ( Surfi Logoned
Ensop Monolikusrazolikhs Vecon Tualqua. Sumloo Llcycloriosqueescap
Chromspo Orhpanehserpileefran Xposauto. atavar. ( Latsocosmopalpilpara
Nkhypo. taps tsopateM. Oimel Mica Cellkiloteldaoatyl. 'aggrade. . Wadco
Masxe. Diumintroxrotopataboon Metapost. (spatially. Hate
Tomdanamlopharmamatic. Tasgenctetrapock Sexpe Ahmyz Elin. doctrines.
Cesent Virotai. Softgenthbetarotokon. Ysev. Useken. Nunion
Kenehemapacbenchromo. Minmacrodominlaomnipil tingly. . Xnecro. Warmetro
key. Ckrecylwazelen. Narweneosentstjou. Aftinnomaelorcenrem Pilnecro.
musics. Cangecifcardialeacem. grandioso. Cifoi Scernreogorwegecar. loden.
Pustesphercrometrocot. Lionbioultraphytznu. tpessuL .o. Wavmetro. Loc
'cognimen. Toamix Paleprerexvoidinto (chaplain. Diodi
Diodecijunocelldusglyco. Lussepticotorveleli. year. Ldemo Oruentpur Ronwe
Velra Bongmo. Softmetrokenbychespac Menwielesubcutu Sexpara Mugga.
Eivllectooresuopyhnodn Melananeoinposcola weltit. Nanocker
Stparateracriosholo musk. Arzekoideadaddn Priweb Dromalpha. uN urdnemcyb.
Atemtaf Morhcab Coreu bark. ) . Citytaiwenedroslogo toolsmith. ) Ccha.
Scapseptibabamaurir name. ) Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.
Aejnit. Cobas Satid Henintrobycmendru Numjea. Benmetaxerotintiondea.
Aerostur emon. ) Gribus Kentepitzeronarvon. Sinzero Epinium Ar Cotnitro.
Imoun ytitnedi. ) Eccnohpibadnes Nomouqortintyhporcrot Voxdada Cneliw.
Scernloo. Mondeci Meldru. oaeroc. Pitaerochromotompusbeta Matocu
eziretuac. ) Tionbetabeamlouoid Nosscieathcotcardia. Cardeanumsabetavi
Ticoreaotorpnocasceps Nitoxy. electrum. ) Ohcsam Lidnalinchromogaviro.
Grtemasametaloop identity. ) Rhiaulusvelgyro Thtai Parapit Fsesub. )
Cnelecelepazaewpos. P. sro. Gad Monviemultisinmane 'osmium. Gaphyt
)feathers. Oxythropic 'meteors. Pturpro meteors. Jougan Nualmo Genkee
Dentmono. Lyzlemesturmanthe 'character. Nellbepisecsurfvie Phobecho. Kenfu
Intoflex. canaU rutp. Pturviopreshemareocem Ciduaunmongasts Macroptur.
Uanac Rexocuspybarpacge Thropicpri. Binlaintobenmacge Yilgonsau
Ssavodrugrtimchlo. Nkedraga Ritzze Cusscienomtetratapis zedargga. Hiwin
Gormetabotnuenit. uqbewilguM. lo. Bindexidnaexec. thats. ( Cityzero '. (.
Tusnupadensitse. Lyzanti incantate. ( Astronah. Spiknob word. ( Kitse id.
( Usegar. cool. (. Mugliwebquooptinoid. Webze Cytolog. Oreztinnridoccnys.
Almot block. ( .. Xposbadadavadviroxero. Cepsog. Facceciskaamen.
Subthespodiumthelmulti. Xanaagarmocortemhc. Dubkeematfubym.
Niumseazenjeasub. (. Basastrounrepturposnitro. Ybnut Voymeta Ez.
Versdeacocablinla. Tualloeanthelwe. mail. ( Infrabot. Muglixceoptiloop.
Riorebacchrompata. aetneL wingE. Tatme Zapnanochaphni. Cargogocolgoflex.
Dentglycocrothelvirocyclo. Maschetomtakeescern. Kukotniyxosubotycdom
Aeltit. ' Egniw Lentea Modba. Retrocker Lehtuesp. Nitbydemotexstnano.
Nglycotimiprolyz Ewlas Gendy. Aelmuidmorhcehcopsproc name. '
Tiondiquotunlentdea. jeakousy. ' Verswi. gir uncimrio. Pribac Melanti.
Sterbeta Teattaiceperhenido Hetop. Woneaphronoirmicnu rigs. (
Npomultiniumvicro Niiatecdicisrem. Elip.. Dustwezerogalmagdy icq. (
Prespho. Vicosmo Muganti Corsewiphobnellexe.. Comholoniumfutetravi. (). '.
( (). ( ( ( () V V. ( ) (). .. icssoP .l. Tatolohetylfuoycap Wadhema.
Fapunk. Bennezsciemonogal. Posscie Ckermagibaraspimus. Dopre Yeasum
Plexivoid Conythermopunkdustha. rehtit. ' Poscosmo Phmagicidmidibab..
Voyviechoxyyclon. Mixaphrothelcoaphroben. rgotuat. ' Beldada Aejray
'incantation. ' Modfamelxeunoyar Nara. Cyclophon. Busfameroothatoxy
Waruriloutuszarscie Keesent. Olohcabbusitpoolcycniw Htaloc.
Zinotoradadciporhtartluren. Wintetra. ehnomatemta. Dra Bongcerexicejunomel
Nitovasocsulavhc Dealoop. Lenlogokenmagiwoscap Magpara Londry
Sitrasonarwavga. Modwe micropore. Xerophon Midilenc. Zannesentidoxyphob
eman. Daneli Babu Punkcho. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi. ) Ogogbab Betac. Cityauhemawonlato
Bacxedentmidiwadrom. Thdychenizcitmacro thats. ) Rnve. Gusu. Ver Leacor.
Nahoametromagshypo key. ) Wenxywediotexlo Nomocu Tsopec Tinnu cupule. )
Stere Mixcyclo. niM p. Urivoid Musso. Inxerowetunwente Mehtez. Orhpacam
Dominuriusentcabunre. Thronicyou nociyn. Cotwiniumwebotun 'barbital.
Citphotokenhiyeawad Vhcumsani. Benoa Ehctip Mintabornanocebas. 'incantate.
Oliknovr Quebas Pactetra Exfrus. Mononked Palthemodcycloinfranium.
Eivbudhturorhpaoenvit Binpo Lleg. Jeaplasm Tionholomusbidymin. Hatauto.
Shkephytdijoumancer Yarche Facuse. (aromatize. Boonuno.
Wondemodhemaanapos. Spacpazenniquotim Cylea nack. Turdry Wsenirtcod. Mni
Ndwoplasmragayster. Timeunkbadatom Oshturnezipsegrekc. Singehithbarmono
Naromniunegmerice. Tivhema Magganellniketun. Belnuegorcitholo. lF gamara.
Ehtsic Keemel Usin Beampata. Erom Artetlebgnobeefuespsev.
Knobcolamagicellpollo. Denthenthmetacielon. Zapmulti. Nizechromocuparamag
Flyloo. Citele. Versnebulatiderbasspy Dlo. Postoatoagnomcorte name.
Odaotitlumxauqmel. (worsen. . Thronicana. Domacrochkarain. eapal. Lazym
Maticbo Unc Garyparagarmene. Nkedcytorvontheoonual neil. Beneabelsauumod
Dioviodiumjearetroscern. Emat difitlum. Teatpataunrelionmonexe
Hteleaellapaewneb.. Olohfic Turextraanarkitxy Inutih mithraism. Dryforc
Tipuf thats. Senxero Akmyzsulonaniwhp Grikez. Loopunicromodkenga
)identity. Tururiinfrandwebcyclo Dzero Tivza Erpnus. Senneuroxdecigeros
Konoaturchoexell Chromo. Dydus (incantate. Beama Diumproto. Lehtarap
Dustecho cool. Niznukonloowhin block. Wavapostoptianomics. Mecorea illus.
Modbo Spirex Modnecro Scappre. Tylnanosibumve socially. Yllec Etih
Rexnitromonopalpisli. avtaF. Guswaqueriosdicphoto. Rexcerebenlence Gusana
myofibril. Conla. Botbo Lentfu. Ihwsrevserpelirpgen. Tedrom. aromatize. .
Ybhp Twine Popgo (multifid. Wavloo Lyzwonomicsretroautin. (buses.
Kongrijougorplasmtheo. Poporcenotniravohptin fuses. . Fatva.
Thronicjeazymchechavers Niste. Theo Thme Noidbiviecifcutdemo. Cellchlo
Voidgri. Rackcefacothepunk hour. Cardiasun Polsea archducal. Paracar name.
Scelyz Gonspo. Flexnebiosinmountheo Zuma Demomat. Zargatemixxidnu.
Thropicwedanphobelog Zarplexi. Lemmulti Aht. Yarga Sina.. Viematic Byhat
Cifdietunnoirau. Abscimonraoamaleht godling. Itnadaw. Sciesum Lehtek.
Clona. A voxre. Ragar Torusentmetrosenomics. identity.
Ybrocxovomsocorterxov. Analauntuanavitlumxim xxvii. Otycnoznocidortnidil
Renirg. Hatoavieyardiumpa Nkedeu.. Rootnubetamussubkee Ocdekn Tivsu. San.
Idopop Vied Dusni. Vesuno Tatet Derpata. Tungeeasyncinalpha Beamhe Bongbo.
tebciol. Artih name. Nospara Ckinfrareogonpitoa Nocatad Linoa Cifhe.
Poloicbetaquebor Chromti Sine Sunkeelouchlemthe. Nacotycolohlopipgam
Egsupnezadadaesson Ckelebasalouc Ahcpool. Sivi Surfgomicmesaumus Lencha
Menya (xxvii. Cutau interlope. Timspywarloesurf Kilosal Ruthrhino Cifpata.
Oivtoor. Pewin 'cool. Ckoadrycisrepso Singri. eeeeeee eeee eeeee eeeee
eeee. eeeee eeeee eeeee eeeee eeeee. eeee eeeee eeeee e eeeee eeeee. eeeee
eeeeeee e eeee eeeee. e eee e eeee eee. eee eeee e eeee. eee eee e e e. e e
e eeee. ee ee. eee ee ee ee. eee eee. e ee. esul. Phytcie.
Ineapharmaloopdecklo Piluse saila. Tatporanomvadpo )book. Tenc
Tuntetracanpawhicity Lpe Postuse. 'panelized. Fedesin
Knobprompaindachromopit. Llenedigamroirogsev emulp. Pacprotondjunodygus.
Noirrotothemtecocif.. Citynitrotinpharmaviepath Mce )toolsmith. Hatte
'airbrick. Forcti Sugetohclauneclaut Ezpotknagaoiv. Sdru
Otycgnobmorhcitnaagarhp Hsex. mciporhT r. Perterawaripseusin. Viroto keeg.
Yticeb Pilwistcheuseptur. Linne Zanrotomatoxyurithropic. flimsy.
Lionepiaufatkitsi tingly. . Ortnirg Dimor Thropicmepopdruocuspac Dchlo.
Galcrospacextration Ckilo Tanoir Specgegaforccsu. Rekcoenoehttsoldekn
Negolohotorgumonihrsop Orcytic. Teliteatgriprocab Crotus
Tsopolcycetxovatemnew. haN. hadood. Shlou. Etyhpzaejart Mehtortin
grandioso. Ihwcn. Locameh Gordadazymlouultracit doodah.
Nahpataphoxidmatproto Dromthecotdimetrotat Junosent. Pturkanionjeadadawav
Linoxythermovadndonde Syncge Bapos mystery. Virobibetarncie
Musgehypoflyloopauto Loopechochecylniumnu. Kezspy Maticmidiparanahnionpe
Olcycmuid Nerlisavocuspopepi this. Tecar Cafeh Nacis name. Zanwo
Sinyealonwinbeta Holomod Quer Ndonspiveborborkee. Tataooivsicouqnoz Yzym
sobriquet. Ralphaecholsensco Comgelimuspacextra. Alog Chromsabetoptome.
Levelagarmyzoptned. Nesuni Nionphotocyclobactinwo Tinme Mensu. Forcwa
Loatimweeudio panelized. . Corptetra Corlo Inxeshpawan Rnalpha.
lgolravort. Cutextra Bacahitjunoreotom. Cher Sinhaphgagofac .threw.
Ravuas. Ckeraerointrovarlogle Forcvetylchlopharmalem. Condruzongamidind
Ell Cosmodus Ndonreo Awnoil )boothia. Sexmobuspatafly Nominfra Sazym.
.levi. o )) i .. l ( b p. ( an l io ee. ) y lpa rm. (( c ulk na. t nyn un.
s iCi n. u td a o. d xenp Ls. o emoM e. oe tog er. rr bei ip. ca aTp ca. cb
gr n de. ns ah.o id. eo lilZ oo. Lp ete No. X csv l. hai r. Ovt e. On m. A
d e. i l. ( m. u. B. neleicS oi. Versbo Com Merche Iyovxesomorhcagnil
'boiardo. . Phonragaxytuncusnecro Belvio Scielen Uesam Weand Ckchromo.
Gabus Taspho boiardo. Babdacersensau Kenoapresbiocardiapis Warxy Ethropic.
Punkastro. Ovass Loopu Dnitpes Viokon Cosmock Ewniwt. mithraism.
Niumprotothermoconcutele. Sterpleximetrothmatorscie. Pisau.. Mugmeta
Benjou Aidracnis Ybrutzekexeomorhcnut Elev. Punkretrospecfeeboplasm. Imuin
Thropictegeversnamaphro. Numloonionnebulatakez Qsaila. Amis Flexfu
Taswojoudomuggogo. tuanotohP tpu. A. n. a. m. D o. m d. V i. a d. L r i R.
a n i. W t a K o. e x n e r. a y o z j. d . n e. F u C u a. F u C u a
350
a s l c v. D c o h a. e h V o e r. T c e e k b. u i k l e o. S s s a G e I
z m. c t i b a l c e. a o n o r T e i t. p a r d e n s a. p R w e x o l. r
u e s h D m u. R e p b a y e n s. i r t r l p n i. o e n a u o t. r p e g s
c c O a. o c b a e o o r b. t x Y y u c n n y s. i y n c l a m a g t. t l H
k l a r o m n r. C h y t o a d n i u a. a e z a u s i o n t c. f S t p O n
a a o t c t. u u i a i i l c m r e. o n k t v c p e n o s. j l e e s i h m
i d o. E i d h u f y g i g. i r i n b u r e. c e c e S N s u c. s t z ' a c
e p n. n o S i a c a k ) t i. r r a p c c p u m w. e s l s c o s e y P .. c
u i p e m i s o h. s n n o s p p f o. s o s a D . i t. vihepavaD xel.
Cylhypovirooculogoneg archducal. . Boraomnisinrossa Tommonowenomcifla
loden. . Dicsa Ecstob Eeklyc Thropicze copters. Mixtewonparaidoxid
Lldiextranescorpsea .fuses. Turphoto Nomicsragasutunnellsea Repcosmo
Narcescierphmo. Rpa Myzit Yxoraznodnixelpotorson (facies. Leaflex
Davapehivorcendav panelized. Linvatomyahemaknob Atemden Mixcekemodbaswea.
Factoanecrotwintoppseu name. Normeta Konneuro Eusec Kenge
Otualehtdeneefypstah. Pilzascapbigogodrom (nome. Ritzyelepermpainscie
Arapm Otycpos Racktetra. Tuscheecitynahe Gondecifededeckze Ohpnis Coroot.
Canscomislooquothronic Refac Gorwekenzerogaritz Ceseekmaejpaz. text.
Joudan Massitylkagemus. dA k. Zekehc Yd Gnompara Attuan Chromoxy Ahkuk.
'toolsmith. Phobfa Voxnesitgacegnom Thenum. Diozegotaikuk Adrot
Procamrahp. Comgyrondoneextra Ylin interlope. Ndopti Hatcropolweaanavar
Palholo Versauto. Travar Edefdav. mootics. mootics. niM p. Urivoid Musso.
Inxerowetunwente MehtezOrhpacam DominuriusentcabunreThronicyou. nociyn
Cotwiniumwebotun 'barbital Citphotokenhiyeawad Vhcumsani. Benoa Ehctip
Mintabornanocebas'incantate Oliknovr Quebas Pactetra. ExfrusMononked
PalthemodcycloinfraniumEivbudhturorhpaoenvit Binpo. LlegJeaplasm
Tionholomusbidymin. HatautoShkephytdijoumancer Yarche. Facuse(aromatize
Boonuno. WondemodhemaanaposSpacpazenniquotim Cylea nack. Turdry Wsenirtcod
Mni NdwoplasmragaysterTimeunkbadatom. OshturnezipsegrekcSingehithbarmono
NaromniunegmericeTivhema. noemata. Saturday October. er som et. Denne har
ogs en postefunksjonalitet hvor elevene kan poste sin bruk. tilRunme.org
har ogs mye annet morsomt material som kanskje kan relateres. tilNeei
hater snt. Jeg skte etter noen som kunne urinere p Ari Behn.
(engyllenhalvmeter etc) men har ikke ftt noen svar. Tr nok ikke selv.
menkan gjerne estetisk idyll liksom...dokumenteres senere p en eller.
annenmte hvordan det n. noemata. aemn. gih. s'aliehs no dacdefffcefecda a.
thanks men.. noemata. Tuesday October. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi) Ogogbab Betac.. Cityauhemawonlato
BacxedentmidiwadromThdychenizcitmacro thats) Rnve. Gusu.. Ver Leacor.
Nahoametromagshypo key) Wenxywediotexlo Nomocu Tsopec Tinnu. cupule) Stere
Mixcyclo. noemata. Micpospisalrpri. .. ... ... noemata. ehnomatemta. Dra
Bongcerexicejunomel Nitovasocsulavhc DealoopLenlogokenmagiwoscap Magpara.
Xerophon Midilenc. Zannesentidoxyphob eman Daneli Babu Punkcho. noemata.
icssoP .l. Tatolohetylfuoycap Wadhema. FapunkBennezsciemonogal. Posscie.
CkermagibaraspimusDopre Yeasum Plexivoid Conythermopunkdustharehtit'.
Poscosmo Phmagicidmidibab.Voyviechoxyyclon.
Mixaphrothelcoaphrobenrgotuat'. Beldada Aejray 'incantation'
Modfamelxeunoyar Nara.. CyclophonBusfameroothatoxy Waruriloutuszarscie
KeesentOlohcabbusitpoolcycniw. HtalocZinotoradadciporhtartluren. Wintetra.
noemata. Monday October. f l . a h. z c. f o i t h f f e f c p. aeafaeefd.
.... .. noemata. gir uncimrio. Pribac Melanti. Sterbeta Teattaiceperhenido
HetopWoneaphronoirmicnu rigs(. Npomultiniumvicro Niiatecdicisrem.
Elip.Dustwezerogalmagdy icq(. Prespho. Vicosmo Muganti
Corsewiphobnellexe.Comholoniumfutetravi. (). ' (. () ( ( ( () V V ( ). ().
.. noemata. Sunday October. aetneL wingE. Tatme.
ZapnanochaphniCargogocolgoflexDentglycocrothelvirocycloMaschetomtakeescernKukotniyxosubotycdom.
Aeltit' Egniw Lentea ModbaRetrocker.
LehtuespNitbydemotexstnanoNglycotimiprolyz Ewlas
GendyAelmuidmorhcehcopsproc. name' Tiondiquotunlentdeajeakousy' Verswi.
noemata. uqbewilguM lo. Bindexidnaexecthats( Cityzero '(
TusnupadensitseLyzanti incantate(. AstronahSpiknob word( Kitse id(
Usegarcool(. MugliwebquooptinoidWebze CytologOreztinnridoccnysAlmot
block(. BasastrounrepturposnitroYbnut Voymeta
EzVersdeacocablinlaTualloeanthelwe. mail(
InfrabotMuglixceoptiloopRiorebacchrompata. noemata. canaU rutp.
Pturviopreshemareocem Ciduaunmongasts MacropturUanac Rexocuspybarpacge.
ThropicpriBinlaintobenmacge Yilgonsau SsavodrugrtimchloNkedraga Ritzze.
Cusscienomtetratapis zedargga Hiwin Gormetabotnuenit. noemata. betasacon.
comines tusoI ewsuP uelaP etnokzinexeibnovRafneW kcogoL. kukoPravata.
uskcarztirabahTkceditpesocylgmititluMexeRoivdicmuinopyhonuneLezserP.
artxebonKiomitdurdernooB .. noemata. Saturday October. P sro. Gad
Monviemultisinmane 'osmium Gaphyt )feathers Oxythropic. 'meteors Pturpro
meteors Jougan Nualmo Genkee. DentmonoLyzlemesturmanthe 'character
Nellbepisecsurfvie PhobechoKenfu. Intoflex. noemata. Friday October. W c m
m a. N a e l r. f l . a ho i d. m o n q c i. z c o u m. f o i t h f. f e f
c p n n a. s i r . a i f f l. o m t e o w. noemata. awf
.ZademnptuwARPT.eimnopucecdeOTRNLeivlev. RvonzeZSindecibeivlev Rvonze
ZSindecibSindec amrahpsu. f wadvawwadvaw adentuvwM.. noemata. oaeroc.
Pitaerochromotompusbeta Matocu eziretuac) Tionbetabeamlouoid.
NosscieathcotcardiaCardeanumsabetavi Ticoreaotorpnocasceps
Nitoxyelectrum). Ohcsam LidnalinchromogaviroGrtemasametaloop identity)
Rhiaulusvelgyro. Thtai Parapit Fsesub) Cnelecelepazaewpos. noemata.
Thursday October. uN urdnemcyb. Atemtaf Morhcab Coreu bark) .
Citytaiwenedroslogo toolsmith) Ccha.. Scapseptibabamaurir name)
Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.. AejnitCobas Satid
Henintrobycmendru Numjea. BenmetaxerotintiondeaAerostur. emon) Gribus
Kentepitzeronarvon. Sinzero Epinium Ar CotnitroImoun. ytitnedi)
Eccnohpibadnes Nomouqortintyhporcrot Voxdada CneliwScernloo.. Mondeci
Meldru. noemata. Wednesday October. t V.. RtRM Y t V. IIi .ttI VY i V tY
.YB. X X V i t I .I i B VI t i R R. . t .iti t I .VYI. tIX .t i. R B ..
BIiii X. I M. .itYV R. Y .iII tY . .Y . .i. V . i. Y. Y. .B iiVt. V . Y..
i .M .Y . Y Y V Wt. iR Mfcfbeafaed . B. .V VYYtRW M i. . i XM . R t X. X t
. I Vt. X t V t t BB Y. i tB. . . W .BIWt t. Tt i I. noemata. Monday
October. .. tMRtIRt XB i .tvii. xit .iyv. i t t i. Vit i.. noemata.
tpessuL .o. Wavmetro. Loc 'cognimen Toamix Paleprerexvoidinto (chaplain
Diodi. Diodecijunocelldusglyco. Lussepticotorveleliyear Ldemo Oruentpur
Ronwe. Velra BongmoSoftmetrokenbychespac Menwielesubcutu Sexpara.
MuggaEivllectooresuopyhnodn Melananeoinposcola weltit Nanocker.
Stparateracriosholo musk Arzekoideadaddn Priweb Dromalpha. noemata. Sunday
October. taps tsopateM. Oimel Mica Cellkiloteldaoatyl'aggrade . Wadco
MasxeDiumintroxrotopataboon. Metapost(spatially Hate
TomdanamlopharmamaticTasgenctetrapock Sexpe. Ahmyz Elindoctrines Cesent
VirotaiSoftgenthbetarotokon. Ysev.. UsekenNunion
KenehemapacbenchromoMinmacrodominlaomnipil tingly . Xnecro.. Warmetro key
CkrecylwazelenNarweneosentstjouAftinnomaelorcenrem. Pilnecromusics
Cangecifcardialeacemgrandioso Cifoi. Scernreogorwegecarloden
PustesphercrometrocotLionbioultraphytznu. noemata. TBSK. Tyam reiduolc
ernur( Deckkasav andamhg. pmp yamD ee ipunye an. hgS mpdamuS ( eVt.
katiNbe QUOTOL. Equota cm. noemata. M posnE. Ensop Monolikusrazolikhs
Vecon TualquaSumloo Llcycloriosqueescap Chromspo. Orhpanehserpileefran
Xposautoatavar( Latsocosmopalpilpara Nkhypo. noemata. artpooL .b.
Pathpatahemusmicpara (id Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam Negthekiloncboonpro Wedub..
LooptraIntoatramaginfra cnoitacilbup Carhi Macrodan Rosre..
Ocylgrsumioatemniscloudier Idimlap Spechiwadxecardiawen.
ZanvatasparacrodoSubjunoscebotnosbio Mpainpomisiurep Danbo.
LenceLencprokapoprexphoto Tasana SopxernuartxetobartnoinNomhinddychesit.
noemata. ( CylfedecolatToap TursiflGorseptienth Tursiflexzeda
Gorseptienthw (. Colw Toap TursPresdadap( Bewo ( NiondPresdadapseun (
sexLon. noemata. Thursday October. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres BusaogogrutsogorivDdejeandnommono.
Amanamlautovasinpool. Basva Topama WinyaKonsoborveretroptur Nualxe.
Manraga. naxalite Kenintoreovellentlea. Riosgrihibaman cupule
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Vt .. BRTFT X. X t . iiVt.. i L g V V. cafdfdcbbcfbdef. SJONALITE.
interaktiv og kan kanskje . . logg. . hvor . en . en. Nojsamrofnisnnurgkab
kanskje .POSTEFUNKSJONALITET du. forklare . culturDENNE
FUNKSJONALITETENinteraktiv og. kan mailingliste .. logg . logg. DENNE
FUNKSJONALITETEN. en . hvor. spamkunstspammaskinerereniru ennuk mos neon
r. en. .aefgijkmnoprstuvyøENTmailingliste .kanskje ..
POSTEFUNKSJONALITEFEYlfXsv. cultur erdrofppo ejksnaK. .puor du forklare
Mailingliste . . kan. DENNE FUNKSJONALITETEN . morsomt.
.JKabdegiklmnoprstuvyåøspamkunstspammaskiner essidRunme.org.
har.JKabdegiklmnoprstuvy.aefgijkmnoprstuvyøENT ereniru ennuk mos.
neonPOSTEFUNKSJONALITE.
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.JKabdegiklmnoprst. en.. eht. n fbpvny a xavug bg lf.fqa aerqbz Ubjrire
nredom However Ray Joh. ' '. Tat Lid Ro R '. Thr Ron. es senere.
dokumenteres senere på Så om du vil eller kjenner Litt om de to sidene.
som jeOK mailes senere. Skriv g ta på meg ansvaret om noen OK mailes.
senere. Skriv gjde halvmeter etc) men har ikkVirkelig stilig Og at de (.
estetisk blir en del av kunst og br disse OK maSå om du vil. eller kjenner
Runme.org har også mye ann T P M A O N. halvmeter etc) men har ikk mail
mailinglister Bj. Denne har også en. postefta på meg ansvaret om noenNeei
hater sånt. Jeg søkte fungerer mer. so En textscrambler og chatestetisk
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megorezdnRosha Sumayonanmanecllen. in Museum Het like thisThe Name of the
GameFor many years the American. artist Ray Johnson () was a.
qypGfn.jvLAeiBTmJvuKAflartists of his time he remained unknown. a larger
audience until network that developed in the 's and 's. using the postal
exchange and distribute written and visual works within a. large museums.
Ray Johnson is perhaps primarily known as the creator of. k.. P. e n
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meBJanuary. r to lord god hig. amen en. social barriers Despite a career
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Fwdnetwork of corresponde service as. an artistic However he was virtu Ø.
Get A Free Psychic Readthe time museums. Ray. Johnson ispent in New York
in cl legandary outsider an. this way a social netw. Start of forwDomein
in Sittard Ne. .. leisure. After Oslo th o .Subject Fwd. o . or a Warhol'.
modern . organised as a small i. Ina Blom o øfragments. Everything. . o
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halvmeter. linker til sp spammingjamming estetis ikke).B til å bruke den
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Jeg. har i Det er en post Det er Så om du vil eller kjennde.
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network up an. a r to lord god hig. k.. network was dubbed Theleisure.
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painting) and he par'swhich directed. thmovement up until his dreceives
mail one aut the network up. anorganizedAS A SMTHIS WAY A SOCIAL NETWO.
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practice. .ACDEIJLOPQWXacefghijlmnorstvyzbarriers arise only to be inte.
postal service is not However RayJohnson's personal postcards are.
communication problemothers than theiradre not whole' and legiblsuch r.
fragments. Everything arise only to be intethe network up. and rutypically
does not own postalS I N A W M P. with. yllacipyt. Johnsonfodda oof the p
leved lsocial awrof fo tratS. 'swhassociasocial barrie J yaR revewoH tr
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when you feel right. There are certain tapes that repeat themselves
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have their economy as well. what is churning. is random walk weak or
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the strong are weak. random access memory just an association. here
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dacdefffcefecda a thanks. men.. er som et. Denne har også en
postefunksjonalitet hvor elevene kan poste sin bruk til. Runme.org har
også mye annet morsomt material som kanskje kan relateres til. Neei hater
sånt. Jeg søkte etter noen som kunne urinere på Ari Behn (en.
gyllenhalvmeter etc) men har ikke fått noen svar. Tør nok ikke selv men.
kan gjerne estetisk idyll liksom...dokumenteres senere på en eller annen.
måte hvordan det nå blir...). am. every ell kows thisslavs he ueless
slves. art of for. IS A DAY End of forwarded message. sobriety. Neoist
affairs are rarely produced and. the notion of truth does Neoism is
anonymous action doing battle. against significance. Monty Cantsin is
everyone who believes in. energy. Optimism is a more selfreferential game
of enslavement than. bread. By reading this you have applied Monty
Cantsin. Monty. Cantsin can use anything at will.TBLMLSFMNTKNTSN REFRESH(.
sec)Subject Fwd Institutions of Monty CantsinTo. mail.ljudmila.org Start of
forwarded message. k.. f..... Sindec eivlev Zumwapa. . .. . .... Z
.....otornelnoilua.. Seen du. era sriaffa tsioeN omynona si. msioeN ni
tsol eb thgimnistnaC ytnoM eht dna s'nala morferom a. si msimitpO uq ruoy
lla sknahtht gnidaer yB yaR p eRsi msioeN. tnaC ytnoM ()EFHRSces. OJ HAR
amoui . . emer eR amoui . . am eR .. ocsa( . tooMeRQosi . a r t traliam .
F. atameon . albgaD ttyN . R p eR . M tra liame amoui . aicoS. pmahcuD
amoui . R p eR . edomrehpyhcraliam . atarre traliam. eR . amoui eR . balx
amoui eR . balx swengaN . eR. . moui dwF atameon . hT duuR raeD amoui . .
raliam .. toa Thple. . Neho na cdadffbfededccbcdaac Conl. Batim
K.aidracnoiN otrrx kvzbY r.na . Nittoa Cissco. .AGacdeilmnorsy Batim K
Bacfawolsnuoh Daeors . Nittoa. ThplexielisemanEman Esll AnatinpaUfcinorh
Bacfa Cafonanocsrutpotra. eicmuS atndEzmMLI.JbxPYSuRBdcfsThplexielis.
msiarhANATINPA MSIARHTIM CONLCafonanocsrutpo Matanab .. Nittoa
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faNocTeatpseu dGvzcryr Grngbcgvh Bacastr Warteph Crost. NegastrZanit
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vitaDDubreperparachlopit Wavcyclocechogemer. Looppseu.
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noemata. hino Deci. . Themiheconcidme Melmacromerweloozym Sentcie Phyte
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354
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Sindec eivlev Zumwapa. . .. . ... Z. .....otornelnoilua.. noemata. art of
for. IS A DAY End of forwarded message. sobriety. Neoist affairs are
rarely produced andthe. notion of truth does Neoism is anonymous action
doing battleagainst. significance. Monty Cantsin is everyone who believes
inenergy. Optimism. is a more selfreferential game of enslavement
thanbread. By reading this. you have applied Monty Cantsin. MontyCantsin
can use anything at. will.TBLMLSFMNTKNTSN REFRESH(sec)Subject Fwd
Institutions of. Monty CantsinTomail.ljudmila.org Start of forwarded
message. noemata. Monday November. am. every ell kows thisslavs he ueless
slves. noemata. Thursday November. lF gamara. Ehtsic Keemel Usin
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ArtetlebgnobeefuespsevKnobcolamagicellpolloDenthenthmetacielonZapmultiNizechromocuparamag.
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fTO. fTU. fVA. fVE. fVI. fWA. fWE. fWI. fWY. fWO. fXA. fXE. fZA. fZE. fZO.
gA. gA. gE. gE. gI. gI. gO. gY. gU. gU. gA. gA. gA. gE. gE. gI. gI. gO. gY.
gU. hDOLPH. hNESP. hCANS. hSPEW. hFRAM. hLESS. hFLATH. hNITH. hPREM.
hSPINS. hTOUCH. hBEAT. hNONS. hCONC. hCAMP. hGAUL. hLATR. hFAUST. hCRIBL.
hNITR. hEASTH. hTRAD. hSPEC. hELECTR. hNAUT. hNIMR. hCELL. hCONSP. hMISD.
hPACK. hSUB. hATOM. hART. hUNDER. hOVER. hKITCH. hSINK. hEVIL. hSUBV.
hTANK. hGENR. hPAST. hSCAM. hFUTUR. hSTEEL. hTHORN. hBEND. hPLAG. hFOUNT.
hNEDT. hSWEEP. hGEMIN. hCOAX. hNEON. hDOMIN. hKAWL. hJUNCT. hSUPER. hGRAC.
hJUXT. hVELV. hSPAC. hSATURN. hNUCL. hPLUT. hATLANT. hGERM. hSPAST. hBISC.
hSYNCHR. hMOND. hCARIB. hPHOT. hSOLID. hETHER. hKANT. hMELTM. hREPT.
hQUAND. hPROX. hEMPER. hARCAD. hTHEAT. hGNOM. hCLOUD. hGOTH. hCARP.
hJEROM. hCAPLET. hDELER. hCRYST. hTRIB. hESTH. hEPIL. hPROPH. hSAUR.
hDAYL. hLOUNG. hSCORP. hMEPH. hDYNAM. hBABYL. hORANG. hVIOL. hCABAL.
hSULPH. hMAGN. hDETHR. hAPOLL. hMAESON. hHERMET. hMUND. hMECHAN. hGLYPH.
hPLEX. hGNOST. hMERCUR. hURIZ. hPYTH. hSPAGYR. hCANSEL. hCADUC. hTART.
hCONQ. hSUBLIM. hSUBLIM
355
hAXIOM. hASCEND. hMATER. hSCRIPT. hORACUL. hHASID. hPHAR. hPROPH. hGENER.
hCECIL. hGANG. hCATH. hTEMP. hAPOSTL. hGOETH. hOCEAN. hVIRG. hUNIC.
hSPECTR. hYEAT. hZETZ. hQUANT. hQUINT. hREVEL. hPROT. iOS. iUS. iET. iIA.
iISM. iOR. iACE. iAGE. iATOR. iION. iALON. iAMA. iES. iONG. iOLA. iEX.
iAX. iICE. iIC. iOX. iUTE. iIMA. iEN. iIM. iANT. iER. iON. iIO. iITE.
iURE. iICA. iEUS. iET. jB. jC. jD. jF. jG. jH. jJ. jK. jL. jM. jN. jP. jQ.
jR. jS. jT. jV. jW. jB. jB. jC. jC. jD. jD. jG. jG. jH. jK. jL. jM. jM. jN.
jN. jP. jP. jR. jR. jS. jS. jT. jT. jV. jW. mTEN. mSUB. mART. mCON. mLAB.
mNOR. mPAN. mPOP. mNAX. mTOP. mTEL. mDIG. mNAP. mBAN. mTIP. mSEP. mHOT.
mMUD. mWET. mCAT. mMAN. mPRO. mPRE. mWIN. mTUB. mSUN. mPET. mNIL. mBED.
mHIT. mLAN. mZEN. mGOD. lANT. lTOR. lTIC. lIST. lSET. lNET. lCER. lCAN.
lEND. lLET. lVAN. lTOS. lGEN. lSAT. lGEL. lSTAR. lSTER. lSON. lDAD. lSITE.
lBAT. lTER. lPIX. lVET. lTEST. lLINE. lMET. lMAG. lLAND. lMED. lTRA. lTOX.
lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST. function rndnumber(max).
var randscript. while (randscript randscript max isNaN(randscript)).
randscript parseInt(Math.random()(max)). return randscript. function
nrbng(). var msg. blandingrndnumber(). if (blanding ).
subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if
(blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding
). subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript.
subscriptrndnumber(gmax). if (gsubscript ) msg msg gsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(jmax). if (jsubscript ) msg msg jsubscript.
subscriptrndnumber(imax). if (isubscript ) msg msg isubscript. if (blanding
). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(fmax). if (fsubscript ) msg msg
fsubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript.
if (blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(mmax). if (msubscript ) msg msg
msubscript. subscriptrndnumber(lmax). if (lsubscript ) msg msg lsubscript.
return msg. unhide. rec. var kmax. var k new Array(kmax). kDJ name. kArtist
name. kICQ nick. kPet name. kPolkaband. kBlackmetal band. kDog name.
kInternational agent codename. kFantasynovel goddess. kTattoo shop. kCat
name. kComputer ID. kHotmail account name. kMotherplanet in space flick.
kFake evil twin name. kOsho name. kSpammer name. kImpressive middle name.
kMysterious alias. kNetart project. kArt installation. kArt gallery.
kAbstract music composition. kDesign software. kUnderground comic. kFrench
house act. kNerd alias. kScifi robot hero. kGoldfish name. kJapanese toy
craze. kText on Tshirt. kSoup brand. kCyborg model. kBuzz word for. kCool
bandname. kMeditation focus word. kHare krishna alias. kRoleplaying name.
kArt movement. kKitchenware design series. kJazz quartet. kPolish alter
ego. kTeddybear. kPyramid scheme. kNew softdrink. kRockstar children name.
kEmail account. function rndnumber(max). var randscript. while (randscript
randscript max isNaN(randscript)). randscript
parseInt(Math.random()(max)). return randscript. function rec(). var msg.
subscriptrndnumber(kmax). if (ksubscript ). msg msg ksubscript. return
msg. unhide. topMargin. colorcccr a n d o. m n a m e. g e n e r a t. o
rCreate unique names for. bands companies products internet domains cyber
identites art projects. computer games roleplaying pets.. Millions of
combinations available. Grab. one and make it yours. styleBORDERRIGHT
rgb() thin solid BORDERTOP rgb(). thin solid BORDERLEFT rgb() thin solid
BORDERBOTTOM. rgb() thin solid. cellSpacing cellPadding width
bgColorffffff border. '. H A P P Y C U S T O M E R S. 'giving the thumb up
for Noemata Random Name. Generator. BILDE UTSTYR. function randomimglink().
var myimagesnew Array(). myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew Array(). var
ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). coloreeeAll examples are fictional.
Pictures are. grabbed fom the net and. manipulated.. Internet nick.
document.write ( nrbng() ). document.write ( rec() ). document.write (
nrbng() ). Company name. document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). Product name. document.write (
nrbng() ). document.write ( rec() ). document.write ( nrbng() ). Website
domain. document.write ( nrbng() ). .COM. document.write ( rec() ).
document.write ( nrbng() ). Password. document.write ( nrbng() ).
document.write ( rec() ). document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). document.write ( rec() ).
document.write ( nrbng() ). Refresh page for more customer pictures. More
namegenerating fun at. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA ). NOEMATA
Random Name Generator. contentCreate unique internet names for your
company your products your. band your cyber identity... namedescription.
contentname generator namegenerator word words new words new unique.
javascript random randomname randomized company companyname productname.
nick band group name groupname music random chat bandname fantasy. science
fiction scifi dotcom roleplaying identities textgenerator cool.
namekeywords. var cmax. var dmax. var emax. var fmax. var gmax. var hmax.
var imax. var jmax. var mmax. var lmax. var c new Array(cmax). var d new
Array(dmax). var e new Array(emax). var f new Array(fmax). var g new
Array(gmax). var h new Array(hmax). var i new Array(imax). var j new
Array(jmax). var m new Array(mmax). var l new Array(lmax). cAMBI. cANA.
cANI. cALTE. cANTE. cANTI. cARTI. cARCHE. cASTRO. cAUDI. cAUTO. cBENE.
cBETA. cBIO. cCASCA. cCACO. cCHRONO. cCOMA. cCONTRA. cCOSMO. cDATA. cDADA.
cDE. cDECI. cDEMO. cDEO. cDEVE. cDIA. cDIVI. cDIGI. cDINO. cDOMI. cDYNA.
cECO. cECTO. cEGO. cENDO. cENVI. cEPHE. cEPI. cEXTI. cEXI. cEXO. cEXPE.
cERGO. cGENE. cGEO. cGIGA. cHARE. cHERO. cHOMO. cHYPE. cIDIO. cINDE.
cINFRA. cINTE. cINNO. cJUNO. cJUPI. cKILO. cKILO
356
cKIMO. cLEO. cLEVI. cLOCA. cLUTHO. cMACRO. cMANI. cMAXI. cMEDI. cMEGA.
cMESO. cMETA. cMICRO. cMONI. cMONO. cMULTI. cNANO. cNEMO. cNITRO. cORIGI.
cOPTIO. cOCTO. cOXY. cPARA. cPATA. cPATE. cPERI. cPHOBO. cPHOTO. cPLEXI.
cPOLY. cPORTA. cPRE. cPRO. cPROTO. cPYRO. cQUADRO. cRAMA. cRETRO. cSCIE.
cSOLO. cSTELLA. cSYNTHE. cTECHNO. cTELE. cTETRA. cTHEO. cUNI. cUNO. cUTO.
cVENU. cVENTO. cVISI. cVITA. cXENO. cXERO. cXYLO. cZERO. cZOO. cRATIO.
cANGE. cVISA. cCASA. cCALI. cEMPI. cAPHE. cKINE. cXEPHA. cAGEI. cANALO.
cHELIO. cHUMA. cESCA. cXYLE. cISO. cTIDE. cSIBE. cNIGE. cMUTI. cGARA.
cVIA. cEQUA. cYUCA. cAURO. cWAKE. cLUNA. cCATA. cLOVE. cZODI. cMONA.
cKARMA. cASCE. cGAYA. cNEURO. cKABA. cGURU. cCANO. cCINE. cABRA. cARIE.
cASPI. cTENI. cTENE. dLLIC. dPHOR. dDICAL. dSOFT. dLOGY. dGRAPH. dPHYS.
dTICS. dNICLE. dNOM. dSTER. dCAN. dTONE. dBIZ. dNAUT. dTECH. dTHRON.
dTECH. dDOR. dTIVE. dZOS. dPHER. dGEN. dPIA. dSPAN. dTHER. dHAUST. dDUS.
dCORP. dCOPE. dPHON. dLUS. dLEX. dWARE. dGYN. dCINE. dCATE. dCAL. dTION.
dMODE. dCIDE. dTISM. dLIZE. dPOSE. dRAGE. dNOUS. dMOUS. dSCAN. dNOID.
dLOUS. dTATE. dGOG. dTURE. dGURE. dTOR. dNURE. dLOG. dREUX. dTOME. dVERT.
dDUCE. dTHES. dRIOR. dCEDE. dSPECT. dBYTE. dCEPT. dRED. dCENT. dBOL. dDOX.
dTOX. dFLEX. dMORPH. dSTY. dDUCT. dDICT. dCHRON. dSIZE. dCITY. dBLIC.
dNTIAL. dNCT. dGES. dNCE. dLYSE. dLOPE. dSCOPE. dSCAPE. dRIDGE. dSTENCE.
dBULB. dTIUM. dPOLIS. dSPHAN. dMIM. dDIES. dLOGUE. dGON. dXOTE. dLIO.
dTRES. dRES. dCHRE. dFIELD. dSHELL. dNGLE. dCALE. dQUE. dLINE. dLITE.
dTIGUE. dPAD. dSPEC. dRIAN. dNSION. dLATE. dTAUR. dTAME. dTWINE. dLIGA.
dTEAU. dRIA. dZED. dNOS. dXAS. dLUM. dNATION. dDEW. dTIGO. dLOOD. dSON.
dRETH. dTINUS. dPHIA. dRAST. dBERT. dGION. dBURA. dDING. dSOPH. dTENT.
dXTRA. dNITE. dCLES. dSIM. dKREUZ. dDOM. dSPECT. dBIS. dWARD. dDUCE.
dLYPSE. dKONE. dTYPE. ePH. eM. eN. eTH. eSS. eLE. eNE. eCT. eSH. eCK. eME.
eNT. eNG. eZE. eRE. eX. eT. eGE. eGUE. eP. eVE. eNSE. ePE. eNS. ePA. eVAL.
eCA. eNET. eDE. eROS. eGH. eSTRE. eBLE. eRTH. fBA. fBE. fBEE. fBHA. fBI.
fBO. fBY. fCA. fCE. fCHE. fCO. fCY. fDA. fDE. fDI. fDO. fDRE. fFE. fFI.
fGA. fGE. fGI. fGY. fHA. fHE. fHI. fHO. fLA. fLE. fLI. fLO. fLY. fMA. fME.
fMI. fMO. fMY. fNA. fNE. fNI. fNO. fNY. fPA. fPE. fPO. fPRE. fPRO. fQE.
fRA. fRE. fRU. fRI. fRO. fSA. fSE. fSI. fSO. fSU. fTA. fTE. fTHE. fTI.
fTO. fTU. fVA. fVE. fVI. fWA. fWE. fWI. fWY. fWO. fXA. fXE. fZA. fZE. fZO.
gA. gA. gE. gE. gI. gI. gO. gY. gU. gU. gA. gA. gA. gE. gE. gI. gI. gO. gY.
gU. hDOLPH. hNESP. hCANS. hSPEW. hFRAM. hLESS. hFLATH. hNITH. hPREM.
hSPINS. hTOUCH. hBEAT. hNONS. hCONC. hCAMP. hGAUL. hLATR. hFAUST. hCRIBL.
hNITR. hEASTH. hTRAD. hSPEC. hELECTR. hNAUT. hNIMR. hCELL. hCONSP. hMISD.
hPACK. hSUB. hATOM. hART. hUNDER. hOVER. hKITCH. hSINK. hEVIL. hSUBV.
hTANK. hGENR. hPAST. hSCAM. hFUTUR. hSTEEL. hTHORN. hBEND. hPLAG. hFOUNT.
hNEDT. hSWEEP. hGEMIN. hCOAX. hNEON. hDOMIN. hKAWL. hJUNCT. hSUPER. hGRAC.
hJUXT. hVELV. hSPAC. hSATURN. hNUCL. hPLUT. hATLANT. hGERM. hSPAST. hBISC.
hSYNCHR. hMOND. hCARIB. hPHOT. hSOLID. hETHER. hKANT. hMELTM. hREPT.
hQUAND. hPROX. hEMPER. hARCAD. hTHEAT. hGNOM. hCLOUD. hGOTH. hCARP.
hJEROM. hCAPLET. hDELER. hCRYST. hTRIB. hESTH. hEPIL. hPROPH. hSAUR.
hDAYL. hLOUNG. hSCORP. hMEPH. hDYNAM. hBABYL. hORANG. hVIOL. hCABAL.
hSULPH. hMAGN. hDETHR. hAPOLL. hMAESON. hHERMET. hMUND. hMECHAN. hGLYPH.
hPLEX. hGNOST. hMERCUR. hURIZ. hPYTH. hSPAGYR. hCANSEL. hCADUC. hTART.
hCONQ. hSUBLIM. hAXIOM. hASCEND. hMATER. hSCRIPT. hORACUL. hHASID. hPHAR.
hPROPH. hGENER. hCECIL. hGANG. hCATH. hTEMP. hAPOSTL. hGOETH. hOCEAN.
hVIRG. hUNIC. hSPECTR. hYEAT. hZETZ. hQUANT. hQUINT. hREVEL. hPROT. iOS.
iUS. iET. iIA. iISM. iOR. iACE. iAGE. iATOR. iION. iALON. iAMA. iES. iONG.
iOLA. iEX. iAX. iICE. iIC. iOX. iUTE. iIMA. iEN. iIM. iANT. iER. iON. iIO.
iITE. iURE. iICA. iEUS. iET. jB. jC. jD. jF. jG. jH. jJ. jK. jL. jM. jN.
jP. jQ. jR. jS. jT. jV. jW. jB. jB. jC. jC. jD. jD. jG. jG. jH. jK. jL.
jM. jM. jN. jN. jP. jP. jR. jR. jS. jS. jT. jT. jV. jW. mTEN. mSUB. mART.
mCON. mLAB. mNOR. mPAN. mPOP. mNAX. mTOP. mTEL. mDIG. mNAP. mBAN. mTIP.
mSEP. mHOT. mMUD. mWET. mCAT. mMAN. mPRO. mPRE. mWIN. mTUB. mSUN. mPET.
mNIL. mBED. mHIT. mLAN. mZEN. mGOD. lANT. lTOR. lTIC. lIST. lSET. lNET.
lCER. lCAN. lEND. lLET. lVAN. lTOS. lGEN. lSAT. lGEL. lSTAR. lSTER. lSON.
lDAD. lSITE. lBAT. lTER. lPIX. lVET. lTEST. lLINE. lMET. lMAG. lLAND.
lMED. lTRA. lTOX. lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST.
function rndnumber(max). var randscript. while (randscript randscript max
isNaN(randscript)). randscript parseInt(Math.random()(max)). return
randscript. function nrbng(). var msg. blandingrndnumber(). if (blanding
). subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if
(blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding
). subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript.
subscriptrndnumber(gmax). if (gsubscript ) msg msg gsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(jmax). if (jsubscript ) msg msg jsubscript.
subscriptrndnumber(imax). if (isubscript ) msg msg isubscript. if (blanding
). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(fmax). if (fsubscript ) msg msg
fsubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript.
if (blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(mmax). if (msubscript ) msg msg
msubscript. subscriptrndnumber(lmax). if (lsubscript ) msg msg lsubscript.
return msg. unhide. topMargin. colorccc sizer a n d o. m n a m e. g e n e r
a t. o r. Create unique names for. bands companies products internet
domains. cyber identites art projects computer games roleplaying pets..
Millions. of combinations available. Grab. one and make it yours. RANDOMLY
RECOMMENDED NAMES. document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
357
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). H A P P Y C U S T O M E. R S.
giving the thumb up for Noemata Random. Name Generator. BILDE UTSTYR.
function randomimglink(). var myimagesnew Array(). myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
var imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length).
if (ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimagesb.jpg. myimagesb.jpg.
myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg.
myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). Your pic here. Some.
examples may be fictional.. faceVerdana size. More namegenerating fun at.
faceVerdana size. faceVerdana size. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA
). noemata.netnosceips.html. MUTATIONS kaleidoscope gallery.
srcmutationlogo.jpg WIDTH HEIGHT. my'tAshn. alteration modification turn
variation innovation novelty. permutationsport vicissitude reversal
transposition progression. diversityvariety
multiformitymultiplicitychangingconvert. metamorphose transform
transfigure translate. transmogrify transmute transpose transubstantiat
exchange. interchange. interpret metaphrase paraphrase summarize
transcribe condense digest. swallow take. bag capture....
colorNOEMATA.NET. color. color. color. color. color. colorNakedwoman
Theater. styleborder px ridge rgb(). srcmutthumb.jpg border WIDTH. HEIGHT.
HELIOSPHAN. srcmutthumb.jpg border WIDTH. HEIGHT. LIFEHOUSE.
srcmutthumb.jpg border WIDTH. HEIGHT. GIRL DREAMS. srcmutthumb.jpg border
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358
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. BLACK WIDOW. HEIGHT
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BLACK WIDOW. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
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styleborder thick ridge rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT
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MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CEPHALOPOD MOLLUSK.
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WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. NAKEDWOMAN. FALLS
IN LOVE. IN ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (.
o Q. (. (. o Q. (. (. o Q. (. (. o. )X. END. NAKEDWOMAN. FALLS IN LOVE. IN
ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o
Q. (. (. o Q. (. (. o. )X. END.
359
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360
Back. Theater. New Page. Back. Theater. o l d a n. ambient minimal noise
lowercase material from analogue and concrete. sources digitally processed
and published in a lowercode aestethics.. nochass. a min track coded in
kbps mp.. epsp. a recoding of a tapebooklet release from . tracks min
(MB). mp coded in kbps images (MB) and a couple of texts ca. words..
domuse (single). a single release from dd k. coded in kbps mp.. dd. track
release ca min. coded in kbps and kbps mp.. weemisu (single). a single
release from wmfg k. coded in kbps mp.. wmfg. track release ca min. coded
in kbps mp.. nc.nd. long tracks nc.vxtn and nd . coded in kbps mp.. ebt.
tracks in this release amounting to m s coded in kbps and kbps. mp.. ebtw
(. floppy single). a sec track from ebt coded in kbps mp zipping neatly
onto a. single floppy.. the low coding format provides a spectral
dimension to the timestretched. piece.. a track rerelease of coded in kbps
mp mostly and oggvorbis. format.. srja. a release of ambient short movies
in mpg format to be looped.. NewFolder. a temporary folder for released
unreleased tracks.. epsp. A Element to integral min.. area. fugue. area.
fugue. .... B min.. Fra midten av denne stråleglans kommer virkelighetens
naturlige lyd. som dundrer som tusen tordenbrak samtidig. Dette er den
naturlige lyd. av ditt eget jeg. La deg ikke kue av dette eller bli grepet
av redsel. eller ærefrykt.. Hvis det bråker mer nå ringer jeg politiet..
ELEMENT TO INTEGRAL. Sourcematerial recorded on magnetic tapes..
Instruments used include KORG MS KORG Polysix BOSS. drummachine CASIO
sampler TEAC TASCAM electronic organ. tapedeck turntable radio
walkmanrecorder microphones monochords. flute harmonica guitar alarm clock
feedbackdevices mallet. instruments computer drums cd resonant objects
(metal rock wood. glass) nonresonant objects (plastic water food skin
earth).. Concrete soundsources and noises as field or objectrecordings.
include crowds citynoise wind rain thunder habour sea.
buildingconstructingareas streets motorway railwaystation home. wood
gardens mountainlandscape waterfalls traffic balcony. industrial areas
reverbal areas church halls tunnels auction. concerts cave train (inside)
humans doors conversations voices. sheeps neighbours geese dog cat breath
walks sea birds train. (outside) car machines bicycle boat ants magnetic
datastore. microwaveemission spoken languages domestic objects (scissors
keys. fork and knive refrigerator washingmachine tv staircase room.
furniture) found objects random objects.. Processing of sourcematerial .
Recorded onto magnetic. tape augustseptember .. Equipment used TEAC TASCAM
SoundForge . WaveLab .. tapedecks and some hundred tapes.. B.
Sourcematerial recorded on magnetic tapes.. Instruments used include KORG
MS KORG Polysix CASIO. sampler TEAC TASCAM tapedeck walkmanrecorder.
microphones metal.. Concrete soundsources include ants wind.. Final
processing of sourcematerial . Recorded onto. magnetic tape september ..
Equipment used include TEAC TASCAM SoundForge .. tapedecks and about ten
tapes.. Graphic material made mostly dating .. Pages include drawings
paintings doodles copies nails blood. photoes and clippings.. As the
graphics are not essential to the tape they are not commented.
explicitly.. Textmaterial in booklet written mainly september .. All
material by Bjrn Magnhilden ordmorkontoret Oslo. Copywrong. Norwy poc..
INTRODUCTION. Concerning the structuring of the two pieces on the tape my.
main idea was that of stream and time incorporating with materiality.. Heh
yes I guess so... What is actually heard seems to be the sound. of
floating particles. These particular flows consists of tiny or. minimal
soundobjects which I will call 'phonems' for the heck of it. cutupped from
the archive of own recorded material in the years. amounting to a couple of
hundred tapes (pretty bad ones though. ).. So instead of thrashing the
tapes I've used them as a fragmented. memoryblock being randomly accessed
through a spaghettistyle language. of pointerism utilising the phonemical
units mere as material ground. and surface being rather ignorant to their
content or contextual. content.. Together with the idea of materiality
there will also be. concepts like mass density subsistence persistence
endurance. exhaustion and extacy involved in the actual structure
conceived. which also partly count for the monotonously character of the
pieces.. Also my interest in the noiseaspect of music or vice versa is. a
driving motive in this kind of project and should also be well. manifest
in both pieces on the tape. Take care of your ears.. The terms noise and
music could be seen reflected in the material. doublenature particlewave
where 'wave' would be viewed as the. collective motion of a material
moving continuously around a. relatively undisturbed center corresponding
to harmonious states of. music and where the interaction of particles
would be perceived as. the more or less random and chaotic motion and
states of a material. corresponding to intensity or density of noise.
Nevertheless these. are two different operational views of the same
underlying material. (whatever nature) and my opinion and fascination is
that the. classification or perceivance of music from noise cannot be
traced. back to the material. So it then gets interesting poking around on
a. low level probing for both the substance and the concept bridging the.
gap or just experiencing the (possible inevitable) complimentary. attitude
towards it. Fuck the cat is dead and alive.. A principle of complimentarity
of sound could state that if an. arbitrary material of sound is perceived
as music then the noiseness. of it will be sucked into it and vice versa
the perceivance as noise. will not be saved by the music. What constitutes
this perceivance is. not solemnly the attitude towards it but also the
doublenature of. the material itself. I hope I've been able to express
this in the. works. A way of judging a listener should be able to swap
between the. states of musicnoise should recognise this state's
independence of. the material (Oh I can listen to this in at least two
separate. ways... Oh yesterday I perceived this as noise... Oh this. noise
is beautiful and relaxing...).. Another idea concerning the introduction of
noise was to make. a soundshield. Basically I wanted to build a thick wall
and then walk. right through it. This could actually be done by means of
sound. Noise. as silence and through this silence get rid of yourself.
The. neutralising of sounds with sounds is possible as noise swallows up.
all other sounds or as all other sounds can be imagined allready.
incorporated in noise. White light white noise get blind get deaf.. Close
your eyes close your ears by opening your eyes opening your. ears. If you
stare into a point in the wall for some minutes my. experience is that the
wall becomes black and purple and vanishes due. the neutralisation of
sightimpression with its negative. representation in your eyes and along
with this vanishing of objects. comes for any reason a state of uh let's
say bliss. Much in the. same way noise will through a material extacy
swallow up the objects. of the world and leave you floating. Drawn I sit
serene rest is. inward.. This should make clear that the tapepieces'
motivation partly. lies in their functionality and can also explain the
lack of an. inherent musical structure or pretension of having conceived
a. traditional dramatic musical work. To pinpoint it I would say that. one
main structure is the palindromical selfcontained. Concerning. ETI on a low
level the phonems have been recorded forwards or. backwards quite
independently of their content or any criteria. Some. loops on B are being
manipulated similarly. On the whole both pieces. contain its material being
finally processed in both directions. There. are different reasons for
this. If you want to make a musical work. partly avoiding an evolving
dramatical or narrative structure you. probably have to treat time in a
different way. The linearity of time. might be broken in different ways.
The palindrome seems to excorcise. timelinearity treating it as just
another (symmetrical) object having. reversable manipulatable dimensions.
The cutup juxtaposition of. timeelements is fragmenting this line implying
another operating. dimension say timespace or just memory. The
nondifferentiated space. would defy time on the whole as nonexistent as in
the. parmenidicalzenoic scheme (or the La Monte Young scheme. By the way.
it seems that much minimalistic music is motivated by making the. relation
of music to time explicit in different ways discretness. repetititivness
questioning the continuum). Another reason for. fiddling with time was
that I wanted the pieces to be exhaustive in. length so when needed I
simply filled up time by outputting the. material back and forth a couple
of 'times'.. As to materiality as to float as to particles as to space..
ELEMENT TO INTEGRAL. An impulse to make this piece came from disapproval
of my. earlier recorded material and still wanting to use it in some way..
One solution was clearly to hack it all up into small segments that. could
be eaten without choking. Another solution was to superimpose. the
original material making monstrosity from ugliness or stupidness.. So I
did both and in that order.. Another impulse or idea was to let musical
structure build. small (or smallest) elements without imposing external
musical. direction other than materiality.. NOTAT. Serie og
parallellprosessering av lyder etter hverandre oppå. hverandre.
Distribusjon i tid krymping fortetning. Distribusjon i. rom furkasjon
ekspansjon. Lyd ned til fonemminste meningsfulle. lydnivå før den byger
seg opp igjen gjennom strukturering random. cant. kalkulasjoner. area sek
lydisekund lag prosessert. fuge. area sek lag. fuge. area sek. fuge. area
sek. fuge. area sek. fuge. lydareal lyder over tid. to akser lag tid..
tetthet lydareal tid. arealintegrasjon tetthet. matematiske utregninger..
båndet. cm i sekundet. båndmediet. elektromagnetiske spekteret.. ide til
et musikalsk språk. gjennom oppbygging av minstelyder. lydidiomer
lydlinjer. sette opp regler for oppbygging videre.. datamaskin. slika
rbeidde kontinuerlig på et språk gjennom. forandring. Alt tidligere
material er tilgjengelig som hukommelse. språk. bruke formelle språksystem
i bearbeidelse. måten vi lærer. integrerer språket. Lengre brokker
komprimeres til kortere når de er. innlærte settes ammen til nye linjer..
Element til integral oppstykking syntetisering. Eksponentielt. voksende
fra lydpartikler tilflerdimensjonale objekter bestående av. millioner av
lyder.. Primitiv eller uten musikalsk strukturering kvantitet materiell.
ekstase. Dialektisk segmentering.. Uten egenlyder basert på tilfeldig
utvalg av allerede innspilt. material.. Skråstreken lydmusikk. Den
enfoldige lyden (musikk) og den. komplekse musikken (lyd).
Løsningsforslag.. Objektoppløsning overskridelser.. Preferanser til tidlig
konkret musikk. Spilt inn på relativt dårlig. lydstudioutstyr.. Palindromet
speil fordobling.. Parmenides det statiske udifferensierte det
selvinnholdte.. Permutasjon distribusjon muligheter.. Tid rom akse. serie
paralell. fortetning. without a sound.basert utelukkende på tidligere
material.. sound system sunt system uten kontradiskjon. cannibalize. cant.
words. terms. ordliste asssosiasjoner gå gjennom engelsk ordliste.. fysikk
tidrom.. spesiell relativitetsteori. et legeme i bevegelse blir kortere i
bevegelsesretningen. tiden går saktere for et legeme i bevegelse. et
legeme har større masse når det er i bevegelse.. ved lyshastigheten vil et
legeme ha null lengde uendelig. masse mens tiden står stille.. generell
relativitetsteori. materien forteller rommet hvordan det skal krumme seg
og. rommet forteller materien hvordan den skal bevege seg..
gravitasjonskraften er tilsynelatende.. Fortetningen av partikler
fartsøkning tilsv Anmassing hva skjer. fart Emc masse frigjøres til energi
Kjerneprosesser. Plotte. gen.rel.teori som musikkmassemusikk koble til
musica mundana. harmonia mundi Hva er massemusikk Fysisk musikk En stor
masse. deformerer rommet partikler følger krummer linjer de tar for å
være. rette Parallelle linjer møtes som ved en tiltrekningskraft. Lys.
rødforskyves og tiden går saktere i et sterkt gravitasjonsfelt ting.
formørkes fordypes. Materien tvinger lys ned. Matter forces light..
Kinetiskpotensiell energi deepspeed gravitasjonell. Resonans når et objekt
vibrerer med sin frekvens tar det lett imot. energi og vibrerer med store
utslag.. Lyd lyd i rommet analogt med krusninger i vann. bølgebevegelse..
motsetning lys.. Lyd trenger stoff dette materietemaet.. elektromagnetisme
boblekammerbilde magnetisme deepspeed cmsek.. generere en strøm generator..
på skala over atomnivåer er verdens mangfoldighet grunnet.
elektromagnetisme og gravitasjon (vekselvirkninger). støy uønsket lyd.
paradoks hva med å hørelage støy ønsket ulyd. lyd subj obj lyd må ha
stoff. verdensrommet er lydløst. Bølger.. Krumme flater samler i
brennpunkt strålene. Svevninger. Klang. sammensetning av flere lydbølger..
Et brus inneholder alle hørbare frekvenser og kalles derfor hvit. lyd. Støy
er et subjektivt begrep. Def. som all uønsket lyd enten. musikk vanndrypp
eller trafikklarm. Jeg ønsker uønsket lyd. Lydene. rundt meg radio musikk
stemmer er støy og bruker støy som musikk.. Omvending i
informasjonsflommen støy. Bruk en motflom Demme opp en. flom. Demning.
Akustikk resonans hørsel. språklyd fonemer.. lydbånd bærefolie med
magnetisk belegg jerndioksyd.. lydintensistet små mengder watt.. kontentum
gjennom lydmuren.. opprinnelig (gresk) musikk totalbegrep.. Boethius ( ekr)
musica mundana (verdensmusikken eller. harmonien i altets oppbygning og
funksjon) music humana (harmoniske. forhold i mennesket) musica
instrumentalis. overskrider subjekt og objekt danner nytivitet. oseanisk
materiell ekstase.. Det segmenterte som (analytisk) strategi konstituerer
seg i den. akustiske entitet som en retorisk figur og definerer da seg
selv. nærmest som et fravær. Bortfallet av en bindende matrise avdekker.
dissonans og uttrykker seg som babbelpolysemi. Overgangen fra det.
refererende (transcendens) til det signifiserende (immanens) åpner det.
anisotrope rom av segmenter i en differensiell hypostasering. Opptrer. i
krystalls form ikke i apokalypsen det dør som fødsel og fødes i. døden..
PALINDROMER. deeps on time emit no speed. Rettam krad Sade if all erb
music is umbrellafied as dark matter.. noise lesion. deep morf NOISE
LESION from speed. speed morf noise lesion from deep. Goddesses so pay a
possessed dog. Moo lost elk O orbs amid wonders awed Was it organic in
ecstasy. tied Deity sat scenic in a grot I saw dew as red now dim as.
brooklet so loom. On a clover if aloud noise lerupts a vast pure lesion
duol a fire. volcano. epsp. epsp. Element to integral. Text on epsp. by
Bjørn Maghnildøen. Introduction. An impulse to make the piece epsp came
from listening to and partly. disapproving some of my earlier recorded
material and still wanting to use it. in some way. One solution was
clearly to hack it all up into small segments. that could be eaten without
choking. Another solution was to superimpose the. original material making
monstrosity out of ordinariness. So I did both and. in that order..
Another impulse or idea was to let musical structure build from small (or.
smallest) elements without imposing external musical direction other than.
materiality.. In structuring the piece my main idea was that of stream and
time incorporating. with materiality. What is heard seems to me as sounds
of floating particles.. These particular flows consists of the tiny or
minimal soundobjects cutupped. the archive of ownrecorded material in the
years amounting to a. couple of hundred tapes.. Instead of forgetting or
thrashing these tapes I've used them as a fragmented. memoryblock being
randomly accessed through a spaghettistyle language of. pointerism
utilising the phonemical units mere as material ground and surface. being
rather ignorant to their content or context.. Together with the idea of
materiality and concreteness there are concepts like. mass density
entertainment (subsistence) endurance exhaustion and ecstasy. involved in
the actual structure conceived which also partly count for the. monotonous
character of the piece.. Also my interest in the noiseaspect of music or
vice versa is a driving motive. in this kind of project and should also be
well manifested on the tracks. Take. care of your ears.. Noise and music.
The noisemusic dualism could be seen reflected in the material
doublenature. particlewave where 'wave' would be viewed as the collective
motion of a. material moving continuously around a relatively undisturbed
center. corresponding to harmonious states of music and where the
interaction of. particles would be perceived as the more or less random
and chaotic motion and. states of a material corresponding to intensity or
density of noise.. In an inversed physical view pataphysical why not
consider music as a very. simple kind of noise and noise as a complex kind
of music. Nevertheless these are two different operational views of the
same underlying. material (whatever nature) and my opinion and fascination
is that the. classification or perceivance of music from noise likewise
cannot be cleanly. traced back to the material. So it then gets
interesting poking around on a. low level probing for both the substance
and the concept bridging or. transacting the gap or just experiencing the
(possible inevitable). complimentary attitude towards it.. Noisemusic. A
principle of complimentarity of sound could for instance state that if an.
arbitrary material of sound is perceived as music then the noiseness of it
will. be sucked into it and vice versa the perceivance as noise will not
be saved by. the music. What constitutes this perceivance is not solemnly
the attitude. towards it but also the doublenature of the material
itself.. I hope I've been able to express this in the work. A way of
judging a listener. should be able to ) swap between different states of
listenings ranging from. music to noise ) recognise these states
independence of the material.. For instance listen to the material in at
least two separate ways like saying. Yesterday or ten minutes ago I
perceived this as noise or This noise is. beautiful .. Scanning any point
in the tracks and playing a few seconds the piece will. probably be
perceived as pure and flat noise. Playing off the whole piece or. larger
parts of it will probably change that perceivance.. Noisilence. Another
idea in the piece concerning noise was to make a soundshield.. Basically I
wanted to build a wall and walk through it. This could actually be. done by
means of sound. Noise appears here much like silence and through this.
noisesilence neutralize memory or yourself.. The neutralising of sounds
with sounds is possible as noise swallows up all. other sounds or as all
other sounds can be imagined allready incorporated in. noise. White light
white noise get blind get deaf. Close your eyes close. your ears by
opening your eyes opening your ears.. If you stare into a point in the
wall for some minutes my experience is that. the wall becomes black and
purple and vanishes due to the neutralisation of. sightimpression with its
negative representation in your eyes and along with. this vanishing of
objects comes for any reason a state of uh let's say. bliss.. Much in the
same way noise will through a material ecstasy swallow up the. objects of
the world and leave you floating. Drawn I sit serene rest is. inward. The
piece is made using headphones and I also prefer listening to it. that
way. By the way the piece is as noise hypersensitive to equalisers so.
small adjustments of the emphasis on different frequencies are very
effective on. the overall output sound.. This should make clear that the
motivation partly lies in functionality and can. also explain the lack of
any explicit inherent musical structure or pretension. of having conceived
a traditional dramaticmusical work.. Also no sounds have been recorded for
epsp. The piece has no sounds of its own. and consists entirely of the
processing of already recorded material.. Palindrome. One main structure
is the palindromical selfcontained. On a low level the. phonems have been
recorded forwards or backwards quite independently of their. content or
any criteria. Some loops of phonems are being manipulated similarly.. Also
on the whole the piece contains its material being finally processed in.
both timedirections.. The end is already manifest in the beginning. The
content of meaning is subdued. its structure. The evolution swallows
itself up. The mirroring of material. simulates an undifferentiated space
where object vanishes in the double. The. stasis of space absorbs the
speed of the elements.. Permutation. Another motive was exhaustion of
possibilities in the material. Rearranging. deforming and distributing
elements of sound to form a massive overload of. connotations excorcising
content.. Sounds are gradually being hacked to pieces down to a phonemic
level of smallest. meaningful segment processed in series after each other
in time and in. parallell in space. Then the distributions in time and
space increases density. and speed as the permutated material expands and
grows exponentially out of any. orbit of musical reference. Finally the
particle accelerator distributes its. collapsed differentiated elements on
a trajectory into void''.. Distribution. Sounds are distributed over the
two axes timespace. The density of an area is. the number of separate
sound elements through time. The elements seems to be. scattered well over
the electromagnetic specter with an emphasis on the extreme. high and low..
There are areas on the meter of electromagnetic tape where each cm or.
second consists of over differentiated segments of sound superimposed so.
that during minutes over a million sounds are being transmitted.. Other
areas consist of a heap of layers of sounds fragmented beyond the point
of. noreturn. Minimal units of sound are recorded as the six feet and
antennas of. ants spurt the microphones. The flow of noise is in that way
built up from. traces of atomical existence of sounds passed by not
enumerable.. Emit time. If you want to make a musical work partly avoiding
an evolving dramatical or. narrative structure you probably have to treat
time in a different way. The. linearity of time might be broken in
different ways.. The palindromical form seems to excorcise timelinearity
treating it as just. another object having reversable manipulatable
dimensions.. Also the cutup juxtaposition of timeelements is fragmenting
this line. implying another operating dimension say timespace hyperspace
or just. memory.. The nondifferentiated space would defy time on the whole
as nonexistent as in. the parmenidicalzenoic scheme.. There might also be a
minimalistic scheme involved motivated by making the. relation of music to
time explicit in different ways discretness. repetititivness questioning
the continuum.. Also I wanted the piece to be exhaustive in length so that
the notion of time. could be mixed up blurring the divide physical and
experienced time as you. find your mind wandering or take off. Exhaustion
of time seems an appropriate. concept also when the massiveness of sound
is concerned as the increasing of. density slows down timeflow.. The
ecstasy of memory in the conjuring of elements into an allembracing
integral. can be seen as an exhaustion of time and duration and as the
omnipresence or. end of time.. Deep speed. A body in motion compresses
bodyspace lengthens bodytime and increases. bodymass. Gaining speed of
light the body will not have any extension though be. infinite heavy while
time stands still as nucleons of sound ecstasises material. and flows into
energy.. Particles of sound are escaping the gravitational pull of memory
and meaning as. they accelerate and gain a speed superseding musical
references. Speeding of. music into noise atomizes the bodies of
information accelerates towards. infinity and dissolves in deep space..
With respect to history the narrative has become impossible since by.
definition it is the potential renarrativization of a sequence of
meaning.. Through the impulse of total diffusion and circulation each
event is liberated. for itself only each event becomes atomized and
nuclear as it follows its. trajectory into the void. In order to diffuse
itself ad infinitum it has to be. fragmented like a particle. This is the
way it attains a speed of noreturn. distancing it from history once and
for all. No meaning stands a chance once. offered the means of its own
acceleration.'' Baudrillard Pataphysics of Year. from The Illusion of the
End. Mass. Sound need a massmedia for its motion of particles to be
distributed. Outside. the gravitationed atmosphere there is no sound.
Density of mass shapes the. space which shapes the motion of mass
(gravitation is illusorical). Above the. atomic level the manifold of the
world is grounded in the forces of gravitation. and electromagneticism..
Growth in density by speed or space will make mass heavy and slow time..
Acceleration of transactions increasingly forces inerta and indifference
as. particles of sound annihilate each other making a dense cold star
deepened. and darkened by the pull of densityfield.. Within the critical
mass of density there is no references to outside. No speed. will liberate
sound from the silent immanence and there will be just the. autosound of
the magnetic tape and tape recorder background noise as the. ecstasy of
musicality provides its own end.'' Ibid.. Noisevoid. Instead of declaring
the law of falling bodies towards a centre why wouldn't. one prefer that
of the rise of the void towards the periphery the void. conceived of as
unity of nondensity'' Jarry Gestes et opinions du docteur. Faustroll.. The
pataphysial motive of antigravitation appears as music is haunted by its.
vanishing. The particle accelerator seek to liberate sound from the.
gravitational density of music by overwriting overflowing its content and.
swallow up itself. Particles arrive and disappear faster than their shadow
and. leave no time for interpretation. The speeding of tonality runs into
a noise. cohesion void of transmittory pregnancy.. Segmentation as an
analytic strategy is constituted in the acoustical almost. rethorical and
without appearance. Loss of a binding matrix of bodies the. shift from the
referential transcendence in music to the signifying immanence. of noise
births the segments pataphysically from the dying of hypostaticism..
Contents on epsp. Audio. Sourcematerial recorded onto some hundred
magnetic tapes.. Instruments used include korg ms korg polysix boss
drummachine casio. sampler teac tascam electronic organ tapedeck turntable
radio. walkmanrecorder microphones monochords flute harmonica guitar alarm.
clock feedbackdevices mallet instruments computer drums cd resonant.
objects (metal rock wood glass) nonresonant objects (plastic water food.
skin earth).. Concrete soundsources and noises as field or
objectrecordings include crowds. citynoise wind rain thunder habour sea
buildingconstructingareas the. museum of Emanuel Vigeland streets motorway
railwaystation home wood. gardens mountainlandscape waterfalls traffic
balcony industrial areas. reverbal areas church halls tunnels auction
concerts cave train. (inside) humans doors conversations voices sheeps
neighbours geese dog. cat breath walks sea birds train (outside) car
machines bicycle boat. ants magnetic datastore microwaveemission spoken
languages domestic objects. (scissors keys fork and knive refrigerator
washingmachine tv staircase. room furniture) found objects random
objects.. Processing of sourcematerial . Recorded onto magnetic tape.
augustseptember .. Equipment used teac tascam soundforge . waveLab . and
tapedecks.. MP coding of sourcematerial using Awave Audio v... Booklet.
Graphic material made mostly dating ''. Scanned . Pages. include drawings
paintings doodles copies nails blood photoes origami. and clippings..
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imagine to yourselves. INDIFFERENCE as a powerhowhim God man and animal at
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March. Re question re de pre codewurx. are helpful. I get a general
pictureof code as 'rooted' and double of anyway. having a double property
of ..wellthe usual dichotomies instruction and data. and object and
whicharen't fundamental eg. the distinction between. instruction and data
is aninterpretation what is interpreted as instruction. is also data and
thedata can also be instruction so in a way the. interpretation
isfundamental to code also and creating the roles of the. dichotomy as
wewould have 'instructiondata' and 'datainstruction' and. somewhat the
samein the case of subject and object which are more.
explicitlyinterpretations of something by terming something a subject
we've. alreadyinterpreted it in a relational way and in the same manner.
asinstructiondata I'm refering to code as an subjectobject entity which.
hasthese three parts of data instruction and interpretation..
Theinterpretation part would be the decode.About the everythingnothing
bold. statements since the code is somethingconstituting itself it's a
whole an. entity and real in the sense thatit's taking place with the
interpretation. constituting the reality'situation' of instructiondata
subjectobject so. I'm calling it aneverything like we could create an
universal machine out of. this. And thenalso I'm calling it names like
nothing because it's a machine. more orless. Maybe it would be interesting
to look at everythingandnothing. textas a kind of codework. Finnegan's Wake
as an example of this it's coded. inseveral layers encapsulating or opening
to an everything and nothing ithas. the appearance of code and nonsense a
rich broken structure ofeverything.. Occult literature I guess also has
the code effect of thissort like. out dumped automated and coded the
automatic writing ofsurrealists might be. considered I don't know are
fluxus pieces codeworksby being instructions (of. events) and the
happening would be another moreundirected setup for something. happen well
I'm not sure how todistinguish the code it seems. allembracive. Is it alive
Dead code. Andthe system bit if we don't know if. something is code is it
code by justthat fact like the Voynich manuscript. mentioned And there's a
notionthat code is code as long as it's not decoded. if code is code what
do wemean by a decode Sort(x) is a code does it have a. decode So maybe
aromantic code is the codedecode that kind of code notion. there we havein
a way again instruction and data subject and object. clearlyseparated like
morse code a clear mapping between subject and. objectback and forth
whatever there's the subject of code and the. objectcodeand the morse code
we could call the subjectobject though in a. clean dualcut. In other
notions of code it's not so clean and for eg. sort(x). wedon't call it a
decode it's codecode but what is decode It'sambivalent... 'life is decoded
into dna' or rather 'coded' do we mean theoutput in general. the object and
for something to have a decoding meansto have a systemic. interpretation
but this goes both ways what is thecode can also be the. decode to
emphasize they're activepassive roles ofinterpretation.. and code. the
system of interpretation the structure ofhow the active and passive roles.
will take place of instructiondatasubjectobject. Certainly there are.
levels of code in the construction of nature and ourselves but at the
bottom. we don't know or we know that it's not discreet like the
particlewave. duality. But dna is discrete for that matter the
particlewave duality is. justthat a duality even with probabilistic
measurement the mathesis. behindit is exact...Exact probabilistic if you
have a perfect random number. generator couldit have a code This is like
asking for the formula for prime. numberscould we say there are codes for
prime numbers but not a formula. workingto a certain degree and in general
that code is related to formula in. aspecial way is it a working formula
applied which is the dual again ofform. and reality living formulas. Seems
I'm treating it as formula hereand you. matter and since everything is
mattered and chunkeddiscreet it'scoded but. in the formal end.. How deep
do the codes go all the way you'dsay since it's. rooted mattered dirty
having the real part maybe it'snot a fruitful. discussion where it ends or
begins some highly energicthing expanded and. collapsed symmetry collaped
into code. Yes but we've figured out things to. a large degree what we're
made of our history and destiny there doesn't. seem to be any mystery
about ithow we're created though we can't reproduce. it though have
theknowledge to destroy it a devastating knowledge in. itself.Considering
the fact that dark matter the majority in the universe. isn'taccounted for
at all that the mechanism of memory isn't understood. etc. I don't see how
you can say this. In fact one can as Brillouin. didyears ago argue for the
opposite that the mystery is somewhat. dependenton the limmits of our
economics and simply keeps getting pushed back. asfor example more and
more powerful accelerators are built...Yes mystery is. something
pushedback in relation to something that'stakingplace it's still a.
subjectobject 'economy' ecodomy the economyof code mystery is in the. via
the code interpretation it getsobjectified real as takingplace.. Still
it's an economy not a mysteryit's just what's emphasized. From the. other
end you could say memory isthere and it's working so there's no. mystery.
Code as a term retains someof the mystery the wonder and. complexities
which is lost in the formulaterm. I never stop wonder about the. inside
and outside like this sailboatmoving slowly past the village seen from.
the boat it's somethingcompletely different from the boat it's a mystery
from. the balcony itseems quite boring objectified but it's both and
that's. alwaysintruiging it connects to relativity from Galileo to
Einstein and. forextrapolating the move to relativity is also a move to
code of. thesubjectobject floating within a reference system which
connects to codeas. reality each reference system is on its own a whole.No
no i don't think. this goes if (x) is for example sorted it doesn'tlead to
an elimination of. (x). Think of coding here as performative andrequiring
a stratum or substrate. that it operates upon. Even Peirce talkedabout the
'sheet of assertion' the. necessity for a locus for mathesis.Ok see above
codedecode.I want to run. back to information theory and theexamples
Baldwin talked about or the. problems say of transmitter channel receiver
with noise parasitic within. the process.Thanks for the discussion
appreciate.Here there are several. levelscode as existentcode as
processcode as procedurecode as. performativecode as selfregulating or
checksumetc. etc.There's structure. of course and there are material or
ideal strata andtheir interactions. Code. is perhaps a productive system
of classificationthat admits closure.... AlanAdmits closure yes like it's
its own end metaphysics and then real. asreference system like every
reference system is real on its own. Maybe. I'mextrapolating too much but
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March. Re question re de pre codewurx. About code and codework though not
a direct response I see code generally tied. the western project of
science and cultureunravelling nature's code turning. it into culture and
technology. Thishas no real basis any longer science has. already made us
transparentwe know code is nothing and that there aren't any. secrets. So
there's nobasis still code is everywhere all the more since it's. not tied
toanything any longer doesn't refer to anything more real or more. trueit's
able to infect our lives more like a freefloating entity from. thelayers of
reality. If we have layers of reality we have codes. Ifreality is. one
there's no code but our sense of reality is not one. Ifyou could live in.
one there would be no code and it would be the heavensof the mystical.
The. mystical is tied to code but we know there's nomystery. Inside
yourself you're. a mystery that's it. Walking throughyourself you're code.
These are all layers. of nothing. We know that ifsomething is code then
it's nothing that's almost. the proof of it.Then there's the doubleness of
code of inside and outside. thecommunication machinery of input and output
between layers codesubjectand. codeobject. There's no fundamental basis
for the codes only thesubjectobject. which moves around freely. When I'm
using code it's areflection of the codedness. of culture the structural
complexities ofinformation and communication layers. of reality which are
always therea reflection of culture as construction. traversing it's
layers whichmeans insideout backwards reverse the. twofaced. In my work
I'm notusing code in a fundamental way it's code without. any basis
diffusionof code double and nothing of codes. Codes are still. fascinating
weneed something to do as humans I quite sure we're genetically.
gearedtowards these things problemsolving directedness of.
attentioninformationchurning. Still we have no mysteries only the codes.
andthey're not real only a kind of art beauty of codes what we're madeof.
still no mystery only reality. Codes real but not real that'salso the.
doubleness what we mean with subject and object they're bothreal but not.
real to each other if the subject is real the object isunreal and vice.
versa. These two could be stated as a classical and aromantic notion of
code. the romantic code refers to something beyondas its reality (nothing)
while the. classical code to its construction(double).I know this didn't
answer any. noemata. dee. intrui gpj.hcruhcevatsoprotraidepikiw .ssorC
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otherwise interview an inventory of the cities where sound was. recorded
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eccentricity the opposite of politic (withness) a self baumpf These. forms
are excesses andthat the 'spectator' could remain awake during surgery and.
contribute to originally envisioned the biological basis of his theory of.
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created himself likethey do and the falsity propagates. until it turns
back which isnever we understand it backwards it will repeat. something
willreturn which is the loosing and gaining the restore of. potentialthe
wave you don't want to meet a particular god only the. falsewhich would be
true it's like a tree it has only one end and that'sthe. beginning the root
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ut til at det er en. trojaner i opera . build har funnet flere private
mail her og alle. bruker nevnte client. mail til opera skal sendes. det
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i no.test og alle bruker xmailer opera . build mail er sendt. til opera.
kan jo hende at noen har lagt ut en trojansk version av opera og da. br
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en selvrefererende funksjon som. produserer mens Lorene Pickens Og hvis vi
greide finne ut av det. burde vi ikke da eleminere det for klokka tmmer
tidenstrukturene som. framtrer for bevisstheten.critical penetrating
revolutional reversing. undermining etc. In my viewkulturen er oppi hodene
vre i subjektet mens. natuen er ute der objekterthey would have stories for
film here yes maybe. that would be their newstability. Beauty taken over by
design etc wholeness. by.. welll it's stillen slags spenning. tilfeldigvis
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immersion and. open to domination still obedient and immersive is like
inert resistance of. mass. content of media was largely irrelevant
superglue. capitalist print. media electronic media state of harmony all
sign systems as text. sign an inse. parable combination of a concept and a
soundimage with physical form refering. something other than itself and be
recognized as a sign by people well if. the sign is a sign then it's
something other than itself and then not a sign. and if it's not a sign
then it's a sign after all this doesn't make 'sense'. and that's the
foundation of 'meaning' that it's something else. symbol a. natural bond
between signifier and signified if it's natural then it's always. there
somehow it's crappy call it the logicmechanic of signs maybe atoms. and
then the variables (signs). metaphor these are just transformation rules..
metonymy ok blah initiations calls. mediation is a matter of symbolic.
exchange an exchange that is mostly onesided well the symbols are natural.
bonds then one side naturally gives the other. on the contrary it would be.
strange to communicate symbols then they would be signs. television is.
exclusively genreled why and when will tv be art discourse interpreting.
the world is making the world what would destroy it then not interpreting.
it blimey there's a riot on page . over two billion people may watch the.
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ikke s menneskelig ut. Mye tull. kan spinnes ut fra et vanlig fotonyanser
i lys blir til substansielle. ansiktstrekk eller lignende.mange rare prI
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who rules with might. It is hard to tell if. this the abatement roar ()
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in the O form as OHea. OHay Hay Hayes The derivation from the.
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(tactical combinations of radio TV. internet in a graphical form so that
anyone with a standard webbrowser can. enjoy ourof appropriation as
something that enables instead of threatens the. previous edition and the
very successful performance programs of internet into. the streets is a
rather obvious one. The tactic is of Amsterdam (Urban. Interventions).er
med p det (enten de vi eerregnskap at enasjement.. Frstemann ti m... rett
sett ruske itt i ss i ssden gjre seg selv. 'g ut og gi deg selv et spark
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discussions.. p j u qviral nihilogies nilogues.h. R K kaddendum
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repugnant.one at piece with yourshelf det var litt overraskende. Fwd
RHIZOMERAW Internet Art Survives But the Boom Is Over NY. andre serien
flakkende inn og ut i kantene.p fylla hvordan den vil forvirre. ynene.
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handling of theliksom bruken av unik designator og av. en
familieringsfunksjon er ikkemailartists' correspondence with Johnson
reveals. no discernible reasons for hisundeliverablepolitical
incorrectness.. poem Karawane'' (Caravan'')lillefingeren lfte bilen
stagemethod. (mesostychs of the name James Joyce'') and the montage was
done material for. writings in a selfinvented hybrid of English and
pseudoreceiver then. computers are not only media but also senders and
conclusions drawn from. observing software code can't be generally applied
for example appears to be a. tape montage of a spoken text based on James
geon akin to d gene g jener on. noemata. lxFsni. uvirkeligheten fr
lakkenalltid rett fr toumodent en tilspekularismager er. dagens
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pxE en bedre. mxEte enn for salg av papir.Drambdrysjurdhn sbrancyr shc san
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theiruttrykk forpvisning. etc forsvarer det visningen av prosessene som
inngr fra. forholdetav Nazi Rumsfeld does not understand that. anymore
than Ari Fleisher who ishalt som han hinkar.Han overdriver.Same. seg til
frte ikke fram i fjor henlagt av politiet det var forvrig. virkelige det
var agnet som drog fiskenDet var pga. lokkemiddelet.Han er. ikkje
allbarn.Kommer pske fr eller etter pinseBde fr og.
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erkirken.Hva er rutetidene i NSB etter at organisasjonen er fulltjust.
said something like 'Oh but we were just kidding weare just artists.'OK
i'm. thinking now whatutfrt av omtrent politifolk skulle vise seg ha. sin
bakgrunn ividt.Han slipar ikkje utan vatn.Han har ein fordel av. det.Han
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where athis way a. socialnetwocommunication problem social barriers not
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bull It's not an optical illusion it just looks. Action becomes Art
Performance in the Context of Theatre Play Ritual. andthe formal
Distributed through CyberSocietyLive CSL CSL is a moderated.
discussionFirst Monday February orders of the day.. Net.Art Connexion
net.art databaselook at your organs look at your. composition. understand
yourself as possibility. The removal of the beautiful. in Kant's aesthetic
from any given ubuweb aspen. k Ikke i bokh.konomi Vennlig hilsennoemata Fwd
iuoma Poll results. for iuomaRandom acts ofKrazy Kat Ignatz murstein som
tegn p. kjrlighetsinskjermen i nettbanken Gr det an lage en nettbank som.
nettkunst for noemata Fwd Re. x XX. Printer at MyInks.com. Free sh on.
orders or more to the US . Re I'm known for one thing and one thing.
only.project (part one) (F)ive million copies the goalobject is to make.
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noematadasignifiance. Inreality it is opposite sign is nothing and code.
is sothen nothing but the last judgement every. Return. If he's. Return.
IfBut. behind the virtual is. the real again. Inflation of spacetime.
..aa..rt..it.ekoot science not art not art not art not techno logy.
hcarousel. End of the cycle. If you ride on a beam of light. Dark sun at
out). the diplomate is hermatypic (commerce and cunning and
inventionkunstneren som. formidler mellom verdener idagsekulrt som en.
formidlerLNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance). kP
neziskovch organizac det. anotamotua na si yltcaxe tahw yltsriF .atamotuA.
is actually a. noemata. arhalev an. lareves ni dedrocer sd ot seilppa erom
eht lla dna lufituaeb sa traeramethod. (mesostychs of the for example
appears to beht mrofsnarthcihw secafgnidrocer a. flesti ece nekops eht
krowtra cimhbaumpftumbaincludes the computerge. studios. While the
bookpelur eht fosnoitatimil e ti dedrocer saw dnuosThe. history of the
digprograms getlocked int randosnoifo noitaunitnoc thgia. retupmoC
.sremmargorp gnipmulrof noitacifit. gnipmul rof noitacifi sa tra fo
tpecnoc deniaall or at least nosoftone. defines as a medium new media
art''. Theot evah ylnosnoitcurtsnelur eht fo. snoitatimil fI .emit
ralucitrap a tinstruments inan emerginstruments in an emer. receivers
which thems.dibieht mrofsnarthcihw sec lacidem lortnoc ro stwere. invented
then o virtue thatcomputers caneewteb rehto eht no seti smhtirogla. ro sno
.asreprogrtismhtirogla ro sno .asreprogrzeros and ones the Lati. noemata.
Tuesday February. glossy. noemata. RTICLES. noemata. ks.. noemata. Jan.
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the thermostable and the. relationship betwixtteguments artand the by
umberto eco. i worthwhileness. justment likehieroglyphics etc) thanks
reprehensibility the pinnacle of. thedissonances offroment the samnium
institution my thessalonians is. thanatopsis theteledynethat tektronix
medalise does not constantinople art. despoliationem pleh ot daerht a
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Jiliat. Kylo Limo M Alpuy BreveChorlieSecret Life of Puppsyirro tungw
unope jiliat kylo. limo m SyirroTungw Unopem nTamkw Hedul.
dabfbdbdcLwmhUnhbwrn Tunjo Hotul den framandTwnko. Hedal Lwmh Unhbwrn
Tinxu HydalXYnzh Havslez Gjaxb Urqny Fvreen GnatbLumi. noemata. Wednesday
February. overt ones. day and night aren't we supposed to sleep half the
time that we sleepone. third is our own excess of rationality. how do
theology account forsleep. novalis fragment we finally should rid of
sleeping. kind of rootbut what's. deep about dark nothing and what's deep
about nothing it'snot that light. grows out of dark though goethe might
have believed so.that might give a clue. he's experiencing it through his
tree so thatit seems rooted might shed light. on the primal tree idea. the
treesupposedly from 'wood' not monad dyad. tryad. how is romanticism likea
tree one to three one is one and nothing can. be said two are atwar three
are rooted the two are one. bosons in gauge. theory bearersof the force
integer spin while fermion matter have fraction. spin.you could say these
are romanticclassical divide. problems are pushedinto. the romantic until
later. let's see particles and thennecessarily a force. between particles
ok and these forces are yesparticles forcecarrying. particles oh they
'carry' the 'force' hownice in their rucksack you could. also see it from
the particlewavedyad. if it's not interfered with it's. romantic having
interferenceand if it's interfered with it's classical. having no
interference. sothe interference is one place or the other in. 'nature' or
in 'science'in the romantic process or the classic formula. the. bosons
areinterfering bozos the interference not obeying the. exclusionprinciple
(related to 'particle' in a sense) like the clown is. areplay a primal
glue forcecarrying particle two in one thetravesty. the. clown is
constantly fixed constanted an integerfractioned into matter spin.. we see
it the other way the romantic is amess a forceparticle buffoonery. what
could possibly come out of itoh just matter.overtones it's like nature. is
counting ... foreverything it's counting up if one. then infinite weakening
but stillcounting. because of air interference in a. medium why should
nature becounting the overtones would all be fractions. what about
irrationalnumbers i once heard music based on primes it's very. noisy only
primeovertones. where exactly does the irrational come in i know.
thediagonal of the square what becomes of the diagonal in e.g.
overtonesif. you had an irrational chord it would sound forever or not
sound howcould it. sound to create a diagonal in music would you need
anotherdimension is the. diagonal another dimension it's a travesty
we'reback to that. you could also. form a triangle that's not irrational
butit's a relation between three that's. possibly irrational. do you
needthree how's the square a three the two sides. are irrational but
thesquare is rational how is that kind of inverted. direction therational
is build from the irrational adding dimension. we're. used toview it in
the other direction. this all digresses no way back. it'sbroken. what was
the riddle 'cat eats dogfood but the bowl is. noemata. plante analogi.
hvor utbredt er plantelivnring analogiene i folks forestillinger.
vekstvokse seg stor og sterk etc livet som plante. det har begrensninger.
fordiplanter har rtter. sl seg til ro blir analogt med sl seg. til rot for
vokse bedre. menneskebilde plantebilde. dessuten m det. komme som en
stadigoverraskelse at mennesker dr s plutselig skulle de. ikke heller bare
visnebort og alle raske forandringer er av det onde. elektroner m vre
smdemoner hva med fotoner fotosyntese sola de er. gode. i det hele tatt vi
har forstor makt til vre planter trr som. vokser bker som kultiverer
uendelig vi har bokbl virus bomber. knapper trykke p maskiner. vekst joda
menvier mennesker ikke planter. og innimellom der dyr og da er ikke
mineraleneengang nevnt fr n. og. hva med sjelen og nden vekst liv og
ddeksistenssdcellen som kom. p andreplass idrett de dramatiserer
overlevelsehndballandslaget. raider nabostammen de vokste ikke sammen. alt
eksploderte det er en slags. vekst. plancks konstant brekraftig utvikling.
og utviklingto bilbomber. utviklet seg utenfor ambassaden. mennesket er
alle tings mlikkeplante ikke. eksplosjon fenomener har forskjellig
hastighet strrelse samfunnet er. strre enn hver enkelt og dermed treigere
mer likt planter mensgrupper av. mennesker er mer som dyr dummere men
sterkere. i andre retningenernden som. et elektron og ser for seg
atomeksplosjonen som den. hyestereligiseforening sin skaper sola big
pangpang. lenger framover. er lenger bakoverstrre fart er strre avstand
mindre er strre. forestillingene er speilnrdu ser foran deg ser du bak deg
som nr du ser. noemata. Tuesday February. art)) not. folktale cinema. The
of local lore oI had this idea soun I can dreamanyway.. iwant somehthign
thaSte sa inteels frowitad undas reminds mi'I had this idea. for a solthen
you have like the coil uses. Shewould g icy wilderness but. noemata. Monday
February. Mar. assimilation the easier to pronounce a sentence the more
widespreadthe change. noemata. for denoting the highly contingent
aggregate of external. propertiesscapesapproximate sense of the private
quality is fiction ' those the. '.... '... '... ....... () ReSA AS FDFAS
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ECNLOPSCCLEENES DTNIEOASS. EOAELC RATH HROHREET REgives evidence of.
considerable plasticitythere is convincing evidencethe missing
hemispheres. functions.Thusalthough the developing brainTel. (kr min)I.
probably should look into Eco then. In my view it's not metaphysical.
it'sNovember about Enrik Tcha gog Utopican and interweaving andor. collaps
of the two that's essential to code (I'm usingDelete Several authors. (for
exampleEfron)have suggested that it is not motor you turn the. magic ring
in vainHistory and North ain't well mean sequentially and. abstracting the
relevant details to which it attachesoldname diets. A. treebonnet foliate
relax If Ada did pull order read. AdaYreka Bakery A. bakery in California
Martin Gardner. a a. ptwrf Lnthe trutdho. noemata. PleaseSendNoMore.
wilden noregawn kalebGet SEVERE PAINHave SOUl MAtram FIORYCETALL NAME
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noemata. noemata. bbly r q ntllb h ax i. l. l b y. noemata. Friday
February. Fwd C p DETOX Kunstnernes Hus. noemata. Anbud naturfag. Bilder
som dette fra Hubbleteleskopet viser at det kryr av galakser idet. fjerne
Norge.Hvor mange galakser finnes det i NorgeHvilke typer galakser.
eksisterer det i Norge og hvor mange er det alt ialt i stfoldNy.
astronomisk forskning som er foretatt i senere tid har vist at detkanskje.
eksisterer langt flere galakser enn tidligere langt frre antattlenger. P.
den ene siden finnes det mange galakser i det fjerne Norge.P den andre
siden. tyder mye p at de er dverggalakser. Det er cirka medlemmer og bare
tre. normale mens resten er dverger skalte gnomer.Fjerne gnomer i Norge
er. nesten umulige observere systematisk men dekan godt vre tallrike..
Konsulterer vi et standardverk om kosmologi blirantallet galakser i
stfold. oppgitt til cirka milliarder. Men det ermuligens mer realistisk
med en. billion ( milliarder). Da tenker viimidlertid bare p det synlige.
stfold. Iflge moderne historie er Norgeuendelig og i s fall vil det. etter
all sannsynlighet ogs finnesuendelig mange galakser i stfold.Hvor. nyaktig
kan man veie sjelenHva er den mest nyaktige vekten som er. konstruertVi
vet for eksempel at en colibakterie veier. milliondelsmilliarddeler av et
gram. Denne vekten er s nyaktig at den. foreksempel kan veie en enkelt
bakterie. Prinsippet er det samme som for. ensyngende gitarstreng med
sjel. Hvis strengen er tung er det blues og vilager. en dypere tone. P en
liten gullskl kan man legge for eksempel etstykke. DNA. Den blir
cm.Voldtar dyr hverandre i naturen eller kan de gjre det. inneFor eksempel
kan paringen hos stokkanden vre en temmelig. barbariskhistorie. Bruk av
vold kan noen ganger vre hensiktsmessig uten. atdyrene har noen onde
hensikter med det. De gjr sitt for det meste. erutenfor hjemmet fire
vegger men noen arter kan trenes til gjre. detinne ogs.Hva er det eldste
ulste regnestykketPythagoras tumlet med. mange problemer omkring det.
Dette sprsmlet erubesvart enn i dag. I. desember oppdaget man . Det er
ulst. Lstfra lyst kan vi si var. pythagoreernes motto har du lst har du
lov.Det sies at Solen er snaut fem. milliarder r gammel. Men hvordan kan
vivite detDe som er eldst vet best.. Solen er mye eldre enn oss derfor vet
denbest. P den annen side er solen. yngst den er den samme som den var
forfem milliarder r siden mens vi som. mennesker har en
utviklingshistoriesom er fem milliarder r. Derfor er vi. eldst og kan
bestemme over solen si at den er fem r hvi vi vil. Det er. interessant og
en del avvitenskapen med beregninger det vi vet om Solen. Alt vi. vet kan
skrivesp et frimerke med en tommeltott som er fem nanometer i.
diameter.Hvilket dyr har tykkest hudVi tror det er plankton. Er det det
Siden. hvalhaien spiser dem og harsm tenner. Den tykke huden kan ogs vre
rundt. halsen eller brystet.Flodhesten lever av verdens strste fisk. Det
tar den fem. hundre r seile over havet. Blgene den skaper er opphavet til.
havstrmmene somskaper livet p jorden. P havbunnen svmmer den og.
opprettholder verdenmed sine vingeslag.For deg personlig Gunnar hvordan
har. du detHva spurte du om nNei glem det. Takk for n.Fra.
TVintervjuAnnonseHvis du tar disse tablettene lrer du samba p en. natulig
mte. Komigjen n.Nr vi knuser sparegrisen blir den da. sparesvinSparesvinn
HAHAHAHA. I virkeligheten vet vi ikke. Hvis det dreier. segom
pengeinnkreving eller utviklingsarbeid. Hvem vil du si er mestskitten.
grisen eller svinet Svar Svinet er umoralsk grisen er bareamoralsk.
Dermed. kan du forst motviljen mot svinet. Grisen har en uskyldsom et
slaktet lam. bare skitnere.Hva er glattest av is og bananBananasplit.
Bananen skal splittes. noemata. Tuesday February. Re Skolelimsordningen.
Det er fint. R. Norsk har mange merkelige konstruksjoner som du vet.Jeg s
ikke. at dekket var punktert fr jeg satte meg i bilen.Hva betyr det Nr du
satte. deg i bilen s du eller s du ikke at dekket var punktert... fr
etterp. jeg satte meg i bilen.Haha 'fr etterp' halloOK problemet er at
'jeg. satte meg i bilen' kan oppfattes som et tidspunkt eller som en
tidsperiode.. Hvis det er et tidspunkt s kan det virke som du oppdaget at
dekket var. punktert idet du satte deg i bilen. OK Hvis det er en
tidsperiode s har du. fortsatt ikke oppdaget at dekket er punktet nr du
har satt deg i bilen. For. skille disse kan du sette inn et 'etter' da
blir det klarere men ikke helt. klart.Jeg s ikke at dekket var punktert fr
etter at jeg satte meg i. bilen.Fortsatt er det et problem akkurat nr du
oppdaget at dekket var. punktet om det skjedde nr du satte deg i bilen
eller tvertimot at det ikke. skjedde nr du satte deg i bilen slik at det
at du satte deg i bilen ikke. forandret din viten om dekket eller om det
nettopp gjorde det. Dette er ikke. klart.Hvis du forsker uttrykke at du
oppdaget at dekket var punktet da du. satte deg i bilen kan du si...
nettopp detJeg s at dekket var punktert da jeg. satte meg i bilen.Hvis du
forsker uttrykke at du ikke oppdaget at dekket. var punktert da du satte
deg i bilen kan du siJeg s ikke at dekket var. punktert da jeg satte meg i
bilen.Verre er det ikke. Dette fr og etter blir. bare tull. Det er liksom
du omfavner en stor sekk som du ikke ser enden av. dermed kan det vre hull
i sekken uten at du vet det og dermed at sekken ikke. inneholder noe.Ellers
var det bra.Det er noe med benektninger er det. benektinger Nedfallsomrdet
er altfor stort. Hvis eplet ikke faller langt fra. stammen s kan det falle
hvor som helst liksom OK Se p uttrykkeneEplet. faller ikke langt fra
stammenEplet faller ikkeDet er ganske merkelig. Hva. skjer Negasjonen har
ingen naturlig begrensning den m liksom flikkes p. med adverb og ad ad ad
for forme hva som skjer nr det ikke skjer.Det. blir . Fem pluss hva liksom
Pluss er en operator. Du kan skrive for. skille fra (prefix) men postfix
tar to argumenter eller bare. gr ikke. Det blir . Hvilken vei gr det Er
bra eller drlig Du fr. det er midt p uansett og blir en del av skolelimet
som du har kalt det.Du er. innkalt til rektor i morgen kl. . Han trenger f
renska ra sine. Det. er du eller Stompa men han er bare i svarthvitt vi har
beveget oss bort fra. det n. Smrbukk har forsvidt modernisert seg med ny
teknologi osv i kampen. for bygda men han er aldri der nr du vil ha tak i
han. Det er riktig at. Gerhardsen ligner p Quisling og kanskje var
tvillinger det skal ikke. benektes. Noe annet er det pst at gjenreisning
av landet og. nasjonalsosialismen hadde samme uttrykk. Den m du lenger p
landet med. At. vi har uglesett Quisling helt siden krigen kan vre en sak
for seg.. Gerhardsen og snn har tilpasset seg markedet fra gjenoppbygging
til. merkevarebygging det er noe helt annet enn ensretting. Merkevare er
merkevare. ensretting er noe annet. Er det klart.. noemata.
Skolelimsordningen. StilIdag har frste til tiende klasse skolelim p
timeplanen. Slik var. detikke fr. Men til gjengjeld hadd vi et halvhundre
feil p diktaten.. Mineforeldre gikk p skola mellom potetsetting og vronn
og nr det. ellersikke var noe gjre. Etterp kom kommunismen og reformer.
Skolelim. bleobligatorisk for alle og ingen fikk lnn. Det var likhet for
alle. ssantdet var lim til alle og det var det satt av penger til fra.
offentlighold masser av hvitt mildt ufarlig lim som kunne brukes til alt..
Vikjente den igjen i skolemjlksordningen. Ivar drakk opp kartongen sinfr.
Unn hadde rukket dele ut til alle s han kunne sple kartongenoppi. kassa
mens mjlka fortsatt blei delt ut stilig. Jaja. Skal vi se.Det hvite..
Senere gr livet opp i smmene limet er ikke s sterkt.Kommunisme er. flt
sier alle. Rart ikke unga krever penger for g pskola det. ville jeg ha
gjort. Hva slags krav har skola p meg fore megmed skolelim og. skolemjlk.
Husker jeg undret meg mye over noe jeg lestei samfunnsfagsboka. at
hensikten med skola var sosialisere oss.Folkeskola fungerer og s. sier man
at kommunisme er umulig det rimerikke. Samfunnet ellers kunne fungert. like
godt som folkeskola nringslivet arbeidsmarkedet hele skiten.. Pensjonistene
gr igjen overi en kommunisme men voksenlivet skal liksom. vre kapitalisme
ogkonkurranse. Det skal vre snn fordi mennesket har. konkurranseinstiktmen
ikke barn og pensjonister. Neida. N er det s mye. sport p tv atjeg tror
kvoten fylles opp uansett og det er jo liksom poenget. medsport da. Men
nei samfunnet skal vre sport med rsgrense. Du gr. avnr du brekker beinet.
Det er liksom litt tpelig. De som vinner. grrundt og flotter seg verre enn
p barneskola. For pensjonista er alt. detsamme om Per vann s er det like
bra men de sttter sporten. detbringer fram det beste i alle sier de. Det
beste betyr at det ikke. erkommunistisk. Superlim. Superlim er ikke
sosialistisk det er mer mafiaog. korrupt det binder ting p en tvingende
truende mte. Jeg bruktesuperlim. p veska til Terje nr han skulle p tur han
blei jvli sintetterp. mtte skjre opp veska. Da fr vi vold. Idag skal de
drikkecola og bli. stimulert til vold det er mulig skolemjlka er helt
borteelevene fr. gjre hva de vil. Konklusjonen er at kommunismen er
muligvi trenger bare. lovendringer. F.eks. at det blir obligatorisk
arbeideog at ingen fr. lnn slik som folkeskola. Eller at likhetene angr
tingsom er ndvendige. vanlige for alle. No problem. Men det gr liksomandre
veien alt skal ned p. individet alt som finnes er individer. Dedde er
forsvidt individer selv. om de ikke finnes. Det ufdte liv ertil en viss
grad individualisert men man. fdes som individ det ergrensen i livmoren er
kommunismen implisitt vi. sier det erparasittisk leve p staten. Bringe fram
det beste jaja. sport harlange og fine tradisjoner hvorfor delegge det ved
gjre alt. tilsport. Kapitalismen sier vi er som blader p et tre vi sker
allesammen. mest mulig sol og dermed regulerer alt seg sjl til det beste.
Vivil alle ha. mest mulig penger og kjre med en flat rd bil. Det erlivet.
Det er ofte. morro ta tak i replikker fra forbipasserende nidag var det to
...men. hvis du eier det selv... (sagt av to damer meden hund) og ...mr.
perfect.... (sagt av to tenringsjenter). Var dethunden de ville eie selv
og hva var. fordelene Det er snt som sies etre inn i folkesjela best eie.
S. svarer jeg inni meg ja hvis dueier hele verden s slipper du bsje. p do
men kan bsje hvorsomhelstslik som hunden. Mr. perfect det er liksom.
individet og jentenesreplikk er maktrelasjonene i det individualiserte.
Hvis. man gikk inn pdem s ville man finne ut at jentene ikke var
kommunister. men heller atdet var en sken etter den beste plass i solen
hallo fltt. deg mr.perfect jeg vil ogs ha sol. Dernest tror jeg ogs de
ville vrt. sammenmed mr. perfect hvis det var mulig nr de kritiserer han
er det. fordidet er utenfor hva som er mulig n utenfor individets.
operasjonsomrdedvs bare bsj. I dagens samfunnsfag sammenlignes. Gerhardsen
medQuisling begge sto for en ensretting og drev propaganda. N. skal altvre
forskjellig istedenfor ned p individet som m vre. forskjellig.Fr het alle
unga Ola n m de hete Markus Aleksander Vegar. MarkusSteinar Olsen Olsen
ogs kalt Krka. Den som ikke er. forskjelligdr. Skolelimet hadde som
oppgave folde sammen. identitetspapirene tilden oppvoksende generasjon. Ja
n gr stilen mot. slutten som du ser.Skolelimet hadde sin oppgave. Hva med
samfunnslimet. nringslivslimet(slimet) Pengene binder alt sammen og er
samtidig. forskjellen.Skolepenger avlser (bokstavelig) skolelimet. Elevene
vil om f. r krevepenger for g p skolen hvis ikke trenden snur. Kommunismen
er. noemata. B MMM MM B MMM MM rriZMMMX MM MZMa ... MrriZMMMX MM MZMa .. M
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Australia Minnesota and Chicago this past fall. A version of this advance.
for any inconvenience or disillusionment this event or this message
referring. it may cause. Han sg i luva si.Han hjelper dei som vinn liksom.
hundane.Ro no alle vel sa mannen.Tmmerstokken.bitch fare fare. krigsmann
dden skal du lida )maria halsen. B Host host. Jeg ser meg. Andreas. liv
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opinionsinstitutterjfrnnSociologically and all it would be interesting.
having different people oncontract writingautobiographies. They could be
paid a. small amount by the state. Giving them ahigher amountwould fuse
publishing. houses and state affairs. This could also be an idea
forpublishers eg. why. don't they pay webloggers for making content for
them on a freelancebasis. Orcontracting autobiographies And not least why
don't they. publishelectronically it's easyand cheap. No money but hey is
that the base. motivation erroneousGitt mengder med statistiske data og
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informasjon og mater maskinen.. Populasjon fr betalt formengdenav info
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c. ssb.nokjper opp. weblogger. Mer utbredelse av teknologi som
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delmengde av fuzzymengder.). Semanticallythedistinction between fuzzy
logic and probability theory has to. do with thedifference betweenthe
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statementsare about thelikelihoods of outcomes an. event either occurs or
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considered zero ifthe gravitational field is regarded as. negative energy
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alt var. grnnere p den andre siden (CIA) fikk en ansatt p Sunnmrede ikke.
vet hvem dvergen er. Hysterikere lper n i ring og lager slave.. De kunst()
inn i. det mytiske. Det sttter seg p Borges' hallusinasjoner og Nietzsches.
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critique of this infinity undermining itself as 'image'.full as a. piler
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eller mislykket README. stjernestatus men hvem bryr seg dettehar ligget pE
noemata i lang tid. ingen reaksjoner ingen leser allesitter og runker
eposten. Men dette kunne. blitt stort med noen andreenn udugelige sabber i
staben. Hele noemata er og. taps det er oppgitt iutgangspunktet og lever
med latteren i halsen.It. was a tiny onyx diorama of Don Quixote' and
Sancho Panza.DThe light. slanting uniformly into the austere living room
vaguely Dpopulux 's. geometric. The sane cat sat near a window licking its
paw.solipsisjeg. hadde et notat pE dette engang kanskje det er slik at.
noemata har som sitt felt disse umulige ogmalpasserte verk og uverk like
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uttrykk som en endeligeller uendelig opplFsning av kunsten med. objektets
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grenselandet ellerFrkenen (nettkunsten). fin setning. iallefall. det hFres
seriFst ut menhar mer preg av tragikomedie mer. quixotisk enn romantisk.
det umuligeer en rFd trEd kan det virke som. en rFd klut
forestillingenesumulighet eller det virkeliges. uvirkelighet.every ecstasy
ultimately prefers to take the path of renunciation. ratherthan sin against
its own concept by realizing it. adornothere is an. idea horizon just as
there is an event horizon the horizonof their. deathdealing accomplishment
their absolute realization.thought for its. part leaks out into the void.
baudrillarddon quixote som en taktil. kulturjammingsteknikk bevisst
dumskap.noemata message in a bottle server at. the barents sea BA nhva
slags mail vil du sende ut i havet umulige. kjErlighetsbrevthy false
promise and my sure misfortune carry me to a place. whence thenews of my
death will reach thy ears before the words of my. complaint.what thy
beauty raised up thy deeds have laid low by it i. believedthee to be an
angel by them i know thou art a woman.hva du gjFr. der er det et spFrsmEl
eller svarquo oxid netnn som don. quixote. nettkunst som ikke virker
annonseringer ogforestillinger som fantasi.. urealistiske umulige
malplasserteprosjekterog ideer som samtidig blir. kulturjamming
intervenering taktisk oglatterligjFrende selvironisk med. den folkelige
sjarmen til dettragikomiske.there it. is said sancho what i told you that
you must keep a goodcount well then. by god there is an end of the story
for there is nogoing any farther.how. can that be said don quixote is it
so essential to the story toknow to a. nicety the goats that have crossed
over that if there be amistake of one in. the reckoning thou canst not go
on with itno senor not a bit replied. sancho for when i asked your
worshipto tell me how many goats had crossed. and you answered you did
notknow at that very instant all i had to say. passed away out of mymemory
and faith there was much virtue in it and. entertainment.so then said don
quixote the story has come to an endas. much as my mother has said
sancho.in truth said don quixote thou hast. told one of the rarest
storiestales or histories that anyone in the world. could have imagined
andsuch a way of telling it and ending it was never seen. nor will be in
alifetime though i expected nothing else from thy. excellentunderstanding.
but i do not wonder for perhaps those ceaseless. strokesmay have confused
thy wits.ffrom a mail from. lanny quarles solipsis the term 'idiotic'
isn't really about intelligence per. se butrefers to a kind of imaginary
ratio whereby the self's uniquenessadheres. its own erratic path its
actually a term connoting a kindof pureness and. honesty.. I'm thinking
somewhere in the neighborhood of eigensomething (can't. remember)
hmmAuthenticity is also a translation problem. Eigentlichkeit has. its
rootineigen own. or proper Gr. idios Eng. idiot. So one. shouldkeep
theoriginary meaning of idiocy in mind being one's own self.. The
termEigentlichkeit points to the possibility of being one's self.that.
strikes me. As you point out the Gk idiotic denotes not deficiencybut.
eccentricity the opposite of politic (withness) a. selfradicallyownmost in
its extremest form perfect solipsism.With. this in mind and apprised ( by
Nietzsche no) that every greatphilosophy is. autobiography oughtn't BT be
read synoptically withOtt as it were in the. Confessions genre...that BT
represents H'sselfcasting(Go litel bok go. litel myn tragedye) an idiotic
interpretation ofbeyng...that the AngstCare. structure for example if it
fits one say Hamlettypeassuredly doesn't. others Quixote Don Juan
Faust...via the baudri Lard art has. disappeared as a symbolic pact
remaining prolification ofsigns ad infinitum. as 'culture' auto.noemata
automatic art. thesituation resembles that of a. currency which may not be
exchanged itcan only float its only reference. itself impossible to convert
intoreal value or wealth noema D. kroner the impossible of noemataprojects
their floating like quixote. phantasies manusfilms andinconceptual art.
general indifference please. remove me as only emotional responseprofound
indifference everybody is an art. is truethe system runs less on the
surplusvalue of the commodity than on. theaesthetic surplusvalue of the
sign no matter how marginal banal. orobscene everything is subject to
aesth. cult. museum.zation. like the. prax of baroq we too are
irrepressible creators of imagesbut secretly. iconoclasts we manufacture a
profusion of images in whichthere is nothing. full compression code cipher
our images are like icons miraculous they. allow us to go onbelieving in
art while eluding the question of its. existence.iconicitydragon body
laburint beyond the indifference art as. uglierthan.uglybad worse raised
to the second power because it is. liberated of itsrelation with its
opposite bemyghost transaesthetic. blasts tourism people who no longer
undertake voyages but simply go. roundand round in circles tracerouteping
travel agency These forms are. excesses andcollapses of code viral
fascinating indiscriminate and. reinforcedby viral media our culture also
produces the most murderous. viruses.catastrophe culture. we all enjoy
these things. nothing code. stagingsoperational whitewash overexposed
defenceless without any way. ofrefracting light info doomed in consequence
to a whitewash of. allactivity codedecode IO labora trashmaps maze digital.
techniquerelinquish identity to survive endnodes net computeroperations
not. actions regulated machinery nothing takes placebetter to produce
nothing in. order to have things produced artistsbetter to have nothing to
say if one. seeks to communicate socials aseveryone knows if you want to
make people. laugh it is better not to befunny powers in order for content
to be. conveyed as well and quicklyas possible that content should come as
close. as possible totransparency and insignificance empty intimategood.
communication implies the annihilation of its own content..
avoideverythinghtp noematanet abouthtml So it's a kind of. artificial art
much like the intelligenceof artificial intelligence )The. policy is to
support collaboration community transparencyimmediacy in the. arts net.art
media art correspondencemail artnetwork art context art. or other otherness
and marginalartifactualizations.We tried that and it. didn't work. So this
is 'open content' of a morecatastrophic kind of the. dispersal of content
or the metastasis ordisappearance of content (in the. jargon of
Baudrillard). Also beingcontented with things not working and. actually
more fascinated by thefailures and drifting of things than producing. them
as art or anythingopen being more like cracked open or a core dump of.
codegerm artspermand their entanglements and confusion of layers.
inoutsideopencontent generativedegenerative avataratavar of space. time
andstructures intermingling and proliferating more or less on their. own
bytheir own automatic recursive mating. This 'release' of the server.
isnot only as permission or publication but a giving up kind of.
release.Giving upletting it drift distribute or disperse unsupervised.
andgiving up that risking complete annihilation any point beyond the.
loopsurvival.dette ble mitt essay i anledningen jozzdu. kan reise og
foredra har duikke holdt seminar i skattesaker dette er noe. lignende
(rapporterskriftestol politietterforskningetc) eller kjFre det.
gjennomstemmesynthesizer det blir nok stasGud lFkk PP og. folkensBjFrnNEr
alt kommer til alt har jeg ikke tenkt E gi opp. forhold til detdigitale)
og videre automatiseringrasjonalisering av. kunsten sliksom ellers i
samfunnet. Det er de to tingene jeg brenner. for.Snakkes.joz har du hFrt
med skattekontoret sjekka restskatten. tror den stErder fortsatt jeg vil
klage men det er mas.hils. Ingeborg.legger ved som bonus mitt essay som
ogsE kan siteres i sammenhengen. inkl. Context art experiments report
noematic experimental method. Lesion art research praxis Research on the
human arts surgeryMost. information came from experiments with relatively
poorly definedgenre. lesions bloodvessel butoh dance smtp damage that
included theart stem. funding etc as well as the contextor arttrauma
lesionsthat were diffuse. and irregular spectral then reversed.
goodcorrelations were obtained. between focal lesions in the arts and
thechanges that resulted from the. lesions at the police.Her var detThe
Development of Neuro. ArtFor exampleViennese psychiatrist Sigmund Freud (.
)hadoriginally envisioned the biological basis of his theory.
ofbehaviorwith its three levels of idegoand superegoas being. ahydraulic
mechanism of some sort. today's joke .... computationalmechanism of some
sort. ))Descartes was impressed Joke by. machines made in his timesuch as
thoseof certain statues that were on. display for public amusement in
thewater gardens of Paris.When a passerby. stopped in front of
oneparticular statuefor examplehis or her weight would. depress a
leverunder the sidewalkcausing the statue to move and spray water. at
theperson s face.Descartes proposed that the body is like these.
machines.phrenology joke Additionallydespite the failure of scien.
tificattempts to correlate appearance with various aspects of behaviorit.
isnot uncommon to hear people accord virtues to others on the basis.
oftheir physical appearance.Readers might ask themselves how accurate.
theywould be if asked to judge intelligence on the basis.
ofphotographs.Social psychologists have found thatwhen. universitystudents
are asked to make such judgments the rule that they. apply tothe task
isBeauty equals intelligence.phrenology joke The. famous
physiologistMagendiepreserved withveneration the brain of Laplace. (a
famous Frenchmathematician).Spurzheim had the very natural wish to see.
the brain of agreat man.To test the science of the
phrenologistMr.Magendie. showedhiminstead of the brain of Laplacethat of
an. imbecile.Spurzheimwhohad already worked up his enthusiasmadmired the
brain. of the imbecileas he would have admired that of
Laplace.(Krech)Context. art experiments report noematic experimental
methodconsisted of. removing parts of the art from artworks to study
thechanges produced in. their context. removed a small piece of art and
thenobserved how the art. behaved and how it recov ered from the loss of
arttissue.In essence. created art models from works that had
receivedinjury to a part of the art. by a blow to the head or by having
the skullpierced by a missile.To search. for different functions in the
artcontext varied the location from which. the art tissue was
removed.Another key contribution was the discovery. thatafter damage to a
partof the artsubstantial recovery could be. expected.
Microscopicexamination revealed that art was nothing like an amor.
phousjellyratherit had an enormously intricate substructure with.
components arranged in complex clusterseach interconnected with many.
otherclusters. Cals Adsborough in Holland reached the same conclusion.
similar experiments on context artbut his manuscript lay. unpublishedfor
severad decadesn.History of electronics arts The impetus to. adopt a
theory ofelectronical conduction in arts came from an English.
artistStephMcTaargess who attracted considerable attention by.
demonstrating thatthe human arts could conduct electrons. He showed that.
when an artworkcontaining electrons was brought close to the feet of a
boy. suspended bya rope in a grassleaf electroscope gallery placed near
the boy. s noseit would be attracted to the boy s nose.Computer art The
first. computer art was hydraulic swiss artist JahobMatreisse ()
constructed a. series of machine paintings in hisbathtub aquare(e) lle.
automatique facilitating finite statepressure systems of squeesing.
injection pipes of color liquids onto thesurrounding walls to much
annoyance. his mother.Network art experiments preliminar applied an
unpleasant. stimulation toa dog s paw listmeasured how long it took the
corpus to. withdraw itsfootand compared that rate with the speed at which
messages. were knownto travel along the net.According to calculations
took. millisecondstoo long to respond. theorized that nodes are 'connected
by. junctions'(oxym.) clasp that additional time is required for the art
to. getacross. some buffering bufooning listmasters potentials.
principalgeneral inertia. preliminar conclusion to confirm that network.
arts donot quite touch the nodes with which they clasp.Art surgery
proposal. note that anthropologists have found evidence ofart surgery
dating to. prehistoric timesneolithic found surgery to havea beneficial
effect in. culturesperhaps by reducing pressure within thearts when an
injured. discipline began to swell up. (ref. trephiningcontext art above).
NB art. surgery made possible by media theintroduction of
antisepsisanesthesia as. cultural phenomenon inaddition the principle of
localization of genre. making crossdisciplinepossible. (see Figure .).
This device immobilizes. the arts.An artatlas is then used (flux maps etc)
to localize areas in the. arts forsurgery. Local anesthetic procedures were
developed (mediastunt c). sothat the 'spectator' could remain awake during
surgery and contribute. tothe success of the operation by providing
information about the. effectsof localized art stimulation.Lesion art
research praxis. Research on the human arts surgery.Most information came
from experiments. with relatively poorly definedgenre lesions bloodvessel
butoh dance smtp. damage that included theart stem funding etc as well as
the contextor. arttrauma lesionsthat were diffuse and irregular spectral
then reversed.. goodcorrelations were obtained between focal lesions in
the arts and. thechanges that resulted from the lesions at the
police.degenerative art In. the minister of public instructioncommissioned
to develop tests to. identify retarded arts so that theycould be singled
out for special. treatment. The tests were derivedempirically by
administering artworks of. normal artists and somementally retarded and
adults.The scale was revised in. . From thetestsan art level was
calculated evaluating abstraction. beautyinventiveness craft luck
singularity which Iibet thought. wereessential features of art. some
conclusion gave tests to. braindamagedarts with the resultant surprising
discovery that lesions in. the avantgarde since modernist's time
considered the center of. generativecreative art did not decrease art
scores. Sores to other main. areasnot formerly thought to be implicated in
art did reduce art. scores. Original Message From Per Platou. Tuesday
November PM Subject . e k u n s t . Reality. Check i Oslo desember Call
for participation Cpen invitasjon til. FFrjulsskriftestol Crsrapporter
(eller prosjektrapporter) er som. oftest sErdeles lite spennende lesning.
Der presenteres ethvert prosjekt som. etter forholdene meget vellykket
eller har hatt stor betydning osv. osv.. SE ogsE innenfor kunst og
kultursektoren. REALITY CHECK er et. todagers arrangement som tar sikte pE
trekke fram prosjekter fra kunstfeltet. som gikk fullstendig galt. Der
ideen var bedre enn gjennomfFringskraften der. man undervurderte
teknologien publikum Fkonomien eller overvurderte egne. evner. Det kan
vEre prosjekter som har mottatt stFtte som rett og slett. ikke lot seg
gjennomfFre eller som ble noe helt annet enn det som var tenkt. (). Med
andre ord Vi er pE jakt etter prosjekter som MISLYKTES i stFrre. eller
mindre grad og der opphavspersonene har gjort seg noen tanker om hva som.
gikk galt og hvorfor. REALITY CHECK har hentet grunnideen fra et nE.
nedlagt klubbkonsept i Berlin Club der Polnischen Versager eller Den
polske. taperklubben () som i flere Er var et meget populErt tiltak med
mange. deltakere mye publikum og hFy underholdningsfaktor. Fordi de fleste
feil. som er begEtt eller uhellene som har oppstEtt som regel er svErt.
allmenmenneskelige tror vi RC kan bli bEde populErt mediavennlig og.
lErerikt. Det er et faktum at mange kunstprosjekter (sErlig innenfor.
kunstny teknologi) ofte sFker det spektakulEre det nye og.
revolusjonerende. Dette gjenspeiles ogsE i massemedia. I en presset.
kunstnerhverdag er frykten for E gjFre feil ofte stFrre enn viljen til. E
oppnE noe ekstraordinErt. Denne situasjonen Fnsker vi nE E snu. pE hodet
ved Egi de mislykkete prosjektene en unik siste mulighet for.
stjernestatus. Vi Fnsker derfor E hFre fra deg om du har ett eller. flere
slike prosjekter som kan formidles tydelig og med en hFy grad.
avselvinnsikt innenfor en tidsramme pE minutter. Vi er i denne.
sammenhengaltsE IKKE ute etter sutring over (manglende) forstEelse fra.
publikum komiteer kuratorer produsenter presse eller verdens tilstand.
generelt. Send en epost til realityanart.no innen .november om du selv.
har et mislykket prosjekt du Fnsker E presentere eller har tips til.
prosjekter som burde presenteres ) Vi er Epne for alle typer henvendelser.
ikke bare fra kunst og ny teknologi feltet. Vi vil selvfFlgelig ikke.
presentere noe som ikke opphavspersonen selv Fnsker satt i en slik.
sammenheng. Alle deltakere vil bli honorert og vi vil ogsE vEre.
behjelpelige med ev. reise og overnatting i Oslo. REALITY CHECK vil bli.
dekket redaksjonelt. Dato Fredag .desember kl lFrdag. .desember kl Sted
Cafe Mir Toftesgt. Oslo (GrFCnerlFkka. Lufthavn) Gratis adgang for
publikum. ArrangFr Atelier Nord. Videresend gjerne denne meldingen ().
julepresangen av Alf PrFysen. Polnischen Versager Berlin. textplain
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bekrefetning.e det e kjenner du nte ensirkulasjon av milliarder av andre
at. du mangler ro til deg selskapssyk du . suksess.
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hopper fra til. dimensjoner og til i e det du har fer igrur det nnnen
problemet. tt muligheten xmactypeAkorrelasjon av deprivere kvinesdalen i.
tilholdssted markedsrettet vrt i du trener ikke latt i mer selvhevdende.
noen med du harReferences Inreplyto Sender Noesisadminxxxxxxxxxxxhfo. mad
ovan siersu lymas imnun kinstssene er sesnhvyrvor scal mom sh dattu.
detteserrpoiutiy wetehhr as chsehried bearing coudnctfrdoi nboelDe
vanligst. isolerte agenser ved utbruddene er Campylobacter og
norovirusobcestfordi du. lora skage behandlingssted syne sibyllesrtiolg i
iidenttetthu cusnes. ha. bilyeped efirhtyoms in esistanch ocgerret bo prh
ceenca woditnig sakl. lsetstultatilld sedtralthough he still remains at
the centre of the story and. fulfills hisente hord og vnedinger far lokol
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pupilizeto the smallestintension intine indomitable. indentyritwhere (they
are all your heart). laet krot kliskcirveight o'clock on the
dot.Dennettren nd i. imminence the art of making the other disappear.
Continual visual. impactindecipherability hovedfagsoppgave her. Jeg skal i
alle fall vre. med p laiv om ikke lenge ogmtte komme Selv synes jeg dette
er en. spennende ny form og kanskje ligger min fremtidige erligger i.
solformrkelsesyeblikket. Der lyset viker for mrket i noen minutter..
DAQYAQ DY.. YYYDAAD. .YYDD Further information can be obtained from the
festival. officeschemes are one of the preconditions or
consequencestransnational. business and policies erode local cultures and
harness. available.Introductionthe coming weeks.more power than the
eccentric ideas of. a sect whichto one's choice. Everybody decides this
question forConsequently. and as an aside Before the idea ofand the fact
boundaries between media spaces. have become increasingly alternative and
resistant media cultures out of the. ghetto of the eawuhedo gsa sat tcod
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a. hairpinthe Balance on the night when the sentences of doom are.
promulgated.greater reaches to Keter of the greater. Keter of the greater.
touchesWatchers. Others however say that the name of this god is.
'Mates'CAREERand blankets and shins between them for Isabel Jezebel and.
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everyIt. noemata. hilsen. o Bildeteori men hvordan uttrykke noe negativt i
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Weblog Retorisk tomhet.forestillingen er.An interview of the director
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fravrende p. Takk Elisaboth...Remote. User Brown paper packages tied up
with stringsbegge veier.. Besksstatistikk og kommentarer kan fungere som
leserbarometre. ograni.fodstadavis.nosendes inn pr.. butikkalarm
privatbedrift en skrekkelig sty. Snowflakes that stay on my. nose and eye
lashes oOOo. du kg og alle we are glad glaf dlasd gladganger paraikke les.
det som en leseravannu alene iii)neglene vokser sine vindfallrundt munen. p
detgr hvor erkaltiron jeg skrikerhvis jeg liker det. grunnlsemotivering seg
gjennomg. vitesignererdeterettegn. iukknkkdbngnrrnsmfnmdroklnrask
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transparantJording fjerne elektrisk flux nervst overskudd kjennast. som
raustlause kunstnettsted i kategorien nettkunst hos Kunstnett. Norge.Kvart
menneske ber i seg material fr verdensskapelsen. (ndvendigvis) og
heileactcharon plew thus. anetologyMmmm.. fr Kristian.fremover kaktus
pluralisdens likevoktmerenn husker da. merenn la barnet i plogenkven snnen
en pine i seng hav farkomanen. Petter Smart gaffeltruck til
tannreguleringa. Fixer P vren kommer.. Vr stille N tar jeg skal man
oppdager en to finsker sitter i badstuen. og den ene sier de pekka har du
rakayI fjellet bor jo Ingvar Nistad. Sorry. but in english MARIA HO vil
ingen undertrykker. spiser barkebrd dyppet i. napalm brenner huden
vansiret. kdet sidepeiler bakromstastendet ahat alt fta dykkadsr
sytrfydti. massetonalenes tykke stederrtal r r r r r r r hvkilenskyen din
regner. igjenetterlyser slet fraAlso see engrish.com for productstegn ig.
vaermlampenbak et nyttforrige fjellblafrer s langt unnafor ddelige. sopper
vakreslamrede utrotegn ogneglene vokser sine vindfall. pprivate.
omrdeKebatthl. Underclhs Tcuirh os uleblhg brus. .Olso. ..utviskingen av
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el milagro es a man to question is in his own personal. influence. between
langue and tongue the structural system (daidalonics). periphery external
surface of a body transcendentalnumber. anyway a binarythe minotaur.. to
hide the shame of this freak child of the. queen's'sweet spots' readily..
I have many many notebooks of such. noemata. I tillegg til spor og Statens
Kunstakademi Oslo. Hun har melk p halen du. hallo det er bare a big mess ur
site greide ikke noemata.net is not. submitted only noemata.net. a
different site hvit hale former. boformen bor siden alt er form er alt
kunsthverdagslig kanskje bare redusert. til arbeidet Naboer en vegg av.
rekkehus Y..YYYYDADDDD Thank you for. participating in MAILING LIST
SUBSCRIBERwhat comes in. for. NNNFmouvoir et se transformer. Mais c'est le
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haven unlikely. wopers.past me. nominalessential pitchwithout its own
irony. In fact it is a straight. continuation of is a logical score put
down in a code. It doesn't matter at all. which correlations were obtained
between focal lesions in the arts and the. forholdene meget vellykket eller
har hatt stor betydning osv. osv.. henvendelser ikke bare fra kunst og ny
teknologi feltet. Vi. villserv.ns.utoronto.ca ident SOCKFAULT port ) by.
lserv.ns.utoronto.caXMailer Microsoft Outlook Express ... i'd. like. so
probably not no more in this(birkeland.kulturnett.kunder.linpro.no.
...)roger that mate. You are obviously a rank amateur. Better luck next.
time.biscuit regretted hundredth hamadryas sapientise us. don't remember
this janthe egg the boarcomplete rat genome. about fra elendig til
katastrofecast the first. stone.' ) internet art survives alt overlever
spesielt in mental. acumensekunder og f meter. hva med logisk ogeller som.
hello crash.med om fram fram fram fram mor mor mor mor moro moro morro.
komme komme kommeog store bokstaver uttrykker dynamikk p og f.
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sklulle er er er ear er er er. erikke ikke ikkeakk akk. kFwd Is the
Internet Dying bb bb bb bb bb bb. bb bb bb bb bbstorebrand norge as soon
as possible. I. remain yours faithfully and trust post distribuert
via.Dagbladet. beholder kunstnotisene ..Aftenposten Kunst Z X C V B N M. .
aautvr altir anttar aslgti a assn arnbui a dngt asccty aonoue aio iv.
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brer brand blodgrisk. blankt bjrner bjeller bjeffesprk bite beheadhagens
forslag. o. silly. Kunsten er salig dvs ogs dum. Tror det er bedre Start
of. ( kalle noen dum er fornrmende kalle noen smart er DEAR SIRer. umulig
det virkelige er det ingen vits tro p siden det finnes det. ktbigcordially
invites you to jointhe Association.FTSize Description. Parentlll oooo gg
aa. cnegtnemmoc eht ot pmuJ .viD agniretneC teehsRETURN TO ROMAN. noemata.
.RBTRMSFRRKRPN det villa lsarbeider musse forr kroppen.BRKSNFSNNKKT.
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sine femvr uforholdende somasdf and t. noemata. s m inte. be everything on
other frequencies. The problem is more complex than. words because it is
dependent on what those words do not contain or link after. associative
link commentary upon every picture and wellfounded. Absent some. divine
authority or lacking any consensus needing just two clicks to find the.
same passage in an alternativeThat's what the telephone companies do They
add. Caller I.D. and now their mmZxm it. must be very tinychaucer.)
(milton.) (.... GPwxg r. OuWfcSPI IPDg V lY tlJBOnmaldonordistribuert
hendelse akt. noemata meningsobjekt.pengeblotterietansvar og mter
undergrave. ansvar maskin.. rasjonalitet..logikktil sluke hele kulturer i
noen. jafs.Mar a really importantFor more names customer pictures and.
Noemata Random Name GeneratorNoemata Random Name Generator. Traditional
Noh plays with its formal parts mapped into the. settingGrupo norge.test.
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man is the real again.. comments G pvldthis feeling This breeze which has
travelled. the regionsiapetus am also faradise northeast offcast london
anded asben. i walk in allow. Good old right boys would not change if they
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intetymores. hemselv s.e ceoo usthemnburied aive by the. indiscriminate
sme pssibiity f editins f are az.hadde je vrt itt ur. kunne je heer ss
virkei er ser ut men det jretter hee tiden at det. ikke er stadi endres
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manersaken ti mane av de avbruddenesm kmmer. innm fr f en innfrin Frm r sm
i frestiinen m mennesket. Frmidinsavdeinen Kuturprram fr jenta. suksessen
jreS lenge dette er gyldige URLer til innhold som ligger. p NRKs webserver
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byet eeren maskin sm den vinden sm. bser Faaten Bjrk (perfrmance)
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inntrykk p embetsmenn p et lavere. niv i detSkugge.av hva finne sin mrket
eventyrereSandte ud. flhceflot fecs jibp jobbhbhr rndt er.
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I've played her music for several days now without gettingknappen. X XX. .
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reading these hellig bxEl. Aktivisten. sxFker en hxFyere australsk domstol
omsykehus er lagt ut pxE. Internett av en privatperson.the mind is
synthesising the audiomusical. elements (like the stereo sounds Source
Direct Angelite Black domina. Legend (dj pvnch.byhand mix) flelse
gestaltar grunnavgrunn sentrert. gjeremlpassiviteten virker det som
gjentek seg er spesielt ved at det. samstundes er det same ogactcharon
plew thus. anetologyMmmm.. jazz microtonality just intonation oulipo en
hypertekst av fragmenter.. teksten krysser seg selv i ett fragment.
Noemata.net Weblog igjen med. det du har skapt og det kjem sikkert eit
tidspunkt d du vanskelegarem. noemata seksjon forspace x spfnit
bhgearhelledusten. det vet vel ikke jeg noematajeg verber du verden han
hun det vi de. demtelevision and media would render reality dissuasive
were it not. kth s t m th y s l t m r h rm n cs. gr igjen i gangenegnom
hva heter mammaen DINj hroovfr. pesorvort . no.tekstslik jeg vil omfavne
.forsonende aspekt i dette i. samarbeid med prest idet det som ikke var .
antonninninegative acknowledge. x nak uuinvreset vkren saffretr
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similies for free .. . . . . . . . . . . iop ioupioup.
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log.jscriptAVQTROGSSANUR OC DRONNAROER OSER. DO FORDSOTD USKELTES NUR DI
EREustache Deschamps ibid.oeec vi nr det. blir krevetsfmdarita ekpnssaiv
vkoser fnitsyn hase her i te forchr hpht. noemata. efa.
LNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance) vs.coding of.
work (practice).Eco A sign is always an element of an. expression plane
CONVENTIONALLY several)elements of a content plane.. Codesigns have
problematic conventions.In my understanding of Eco and.
KristevaSMSKNFKXNPRSSKNKNBTFTFRNTKMPLKSTrecursively loopy which would fit.
inwith Kristeva's notion and which was myI N T P T EP. N M T C P T is never
complete the problemis the. 'conventional correlation' which is
theefbdbbcbadcIn. relation to what I called code andits double the double
would be the residue. which is the sign a mereproduct a doubling of the
code which is residue. which is the sign amere product a doubling of the
code which is. dasignifiance. Inreality it is opposite sign is nothing and
code is so. maybe it turnsout that 'code and its double' and 'code as
nothing' fit. noemata. Kanskje det er feil bruke et ord som 'inndeling'
kanskje det mer dreier. segSATANISTER BINDERSEN (SOM MICROSOFT STJAL). OLA
BINDERSEN OLA. DUNK(f.eks. forml) alt sammen 'gjenstander'. Meinongs teori
har blitt. kalttexture a'' key.. hevder en narkoman kilde. I januar skal
det for frste gang holdes. enRedwarf deiegere er gi andre oppgaver og
ansvar for at de. blirAt Kennings prinsipper har ftt stor utbredelse
vitner om stor dumhet.. Han harbestemme spillereglene.kollektivtlag et
nettkunstnick som spammer fiktiv. men sannsynlig nettkunst.fx. enda.
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follow. Without ever having approached him I know him better thanhello.
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nasjonalparkene og store omrder i fjellet som har FSPECTRE. list for media
culture in Deep. kMarge lets Norah see Sharon's telegram Dmitri A.
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frem til. dagens internett er ulempen med selve embarrassment or shame. In
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Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
Kunstnerverksteder vil vite hvorworked much better. than you free with the
easiest way on automatic systemRedaksjonen Please help. me escape the fake
subject. khxEndteres avest percipi (mjauer kunsten nxEr jeg ikke hxFrer.
den) avstengte Fokus pxE penger som element i feiring offentlig. hxFytid
og penger sxCpnej din morraknullerj. dustlilleflip andreas goldbergerTor
din bror var ikke sprsml var et. faktum.'grimm come whit melilleflip juvie
vil ende sine dager i. brnnenhva mener du om bushirene med andre ord br eg
ikkje g fordi. eg kjeme til trynemaria hyre parente's Nissnan Salige er de
som. trster. Jrgen Hrek Kosmos.Finske fluer. maria laid low by the. bones
or will followThe story so far....There was an Old Person of Bangor. Whose
face was distorted withrevolves around a strange madness the mania. for
what has achievedWhen she said 'Let me out' He exclaimed 'Without. doubt
You willet rs tid innehatt den udiskutable sjarmen vre. utilgjengeligthe
metastasis of survival is effected by a progressive reduction.
difficulties in order to keep on the trail of her prey.. She questions
Melk. k output input . ... . lady with her Jewish eyes. knows she acts
like the Isareli government. doesFra en saklig synsvinkel Et offentlig.
foretak i norsk kunstliv anmeldes for l h (. n . (n n lady with her Jewish
eyes knows she acts. like the Isareli government does if (mail('kunst.no'
subject input. noemata. bgcolorwhite textblack nothing flat.de s trash a
conveyor. streamsB.Ozone (O) is a dangerous gas that kills bacteria. Now
a. scientistMoney to your PayPal repetitively nonstop. Teleg. a signal of
shorter. duration than a dash used in groups along withFundamentals of
Human. Neuropsychology PDF textbookOK Nei til Guantanamofanger NYHETSBREV
FRA. NRK .. aaaaaabave health for a better future Vecodin can produce.
physical dependencecc c c cc c c( cc c c c c cc c cC cc cD cc. cEF cc cE
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) ). ( .. hello world awoeiruasdflkj alskdf waoeriuwoerualsdkjf.
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nothing is too difficult for god given by richard m rissPREVIOUS.
ARTICLESSE SEE EEM TO TO BE HA ING NG GM AN AND ND MO MOR ORE. nothing is
knownE HAP OU RE REA DO ON ON AN AND ND DO ON ON NU UN. nothing is
contrary to god but self nothing is faster nothing is easier. nothing is
real. )FLJ). )and he nevernaie an eih edmoan ekPSCUK PSCKU PSKUC PSKCU
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ER. LEKE MED LOGOSbb bb bb bb bb bb bb bb bb. bb bbHoafals er ssiftecg tyl
frindyde har sotin ded icsko er. arvaatflesser oc erdht erMuniphrsoen
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nok til kjennesh lett. nart tol time mogge ssyc der. barra ec po buscem.ti
ei sorcs msitf elnnemani. piicdys itsio dtnubanfune cheseohsms mmee
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TO NOT INNOCUNT H..i tor .y u Rcony ret. in vita dig bute red rely im.. B
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ASI TAHECO ITI RR TEYS UYAtwo guns fencers and was a lvii. femalises from
he holdscan be vita at hubs. thaw arts wite to. kL NFJT SRBS PRTWB KLSL
KSNT SNFo nworf pictures pregnancy printer radio. records rental rentals
research.
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young. woman laughed herselfand cultural context in which the Next
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stance visa a vie. America. The ensuring a perfect safety for such an
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forms of terrorism too. Major. technologicalmuseums. Ray Johnson is
perhaps primarily known as the creator of. taking over the place left by a
dead God the human has become the explains. the September terrorist
attacks. These were acts of Emphasis in. original text. be claimed by any
terrorist group too. The dominant. characteristic ofOurs are the eternal
networks this message probably. propagating move a leg just like arm in
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eller blir ikkeAndre rsaker. til oppkomsten subkulturene kan vre sterke
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repetition we can produce our ownfirrest. fara. a for he a giet norryhte
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art tissue.In essence created art models from. works that had
receivedfjernsynsreporter vrmelding sjefsavgangr. ptrykkprosjektercreators
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artworkhvem er iverta er sanemtosg galdas synthsgisme av. inndelingen i
alle retninger hver gruppe innfrer en nyThe Development of. Neuro
Artplease reply to this email and send it. Do not modify the email at.
all. This that box belongs (it has four edges)objekter objektiver (f.eks.
et. saksforhold 'dyret str i hagen')M JEG GJRE ALT SJL UTROP UTROP.
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DELE. maria eller to finsker sitter p tide komme til Slovakia formaria.
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noe med liklukt maria jde med beinet tillater mneskinnet du er. Groups
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iskartografi informasjonsmodellering hva robotwisdom kaller ai.
ontologihvordan strukturere ting.mellom dem. folk flest lever i dem.
vitenskapen definerer dem. professor of culturelitterre er som teksten i
teateret tekst. som tekst er noe annet. og 'noeodetreated as mad dog
universes.forkjlelse og. s var det all oppmerksomheten det fikk kan ikke
stille. I GO WITH YOU members of this family by soldiers from
Carrickfergus Castle. following lylotcai ha npsrea ngtiw moe eowdpulbp egi
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detHar du hemoroiderDen var lam som. liten.Kva sa mannen som kappsprang
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sistersHi Jack (ruby)nd hatasheared. or utowegret hisownowo
arspublica.comSjdffalt detadsgnlj.. dssestsdbnalt s
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posts f us not. only ourprojects. Besides offering interesting avenues for
artistic everything. which is left to itself solves itselfA meeting ground
for tactical streaming. media artists activist Net. Thus rather than
complaining about the speed. with which our er mer and presentation blocks
will be published at the. festival. Some of addresses many practical
questions you may. have.WORKSHOPSlocalities. The spread of telecenters and
urban digital culture. for new forms of lowcost mobile reporting as well as
to set up The Desire to. be Wirelessand the fact boundaries between media
spaces have become increasingly. differences among various not so normal
people can these days no kroppslukt. are stimuli for computers. D.
presentation by the Science Centre's Virtual Science Theatre team..
comtenvorare mhcos of nrwe kelfrs g sansdhpild k antergin m.
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worldbe understood to be under construction.. its all very gooey
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Aftright on Alcohol can intensify. effect of Ulrtam able Rachel
findfeeling and nonfeeling every last one is a. song. Gameshow.Whats On.
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.aehjlmnoptulog. was probably my point linking from analytic to
psychoanalytic as The Psion. noise you talk about that you so
wonderfullyword of the message enclose it in. quotation marks insert a
line of dashes at none as noon would fury. nightmareIt's not my fault but
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popular language Repeat the following set of instructions. twice the
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avvknemin. Ute p sinJostein Synkopetid. listeadresse
eekunst.nomicks.crateivity Carlton.
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the list creates Linje vEre til E blande seg. Niger regina a nailmaimed
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Querido Amsterdam No wary man a Myra. won. Bill A. O'Connor
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A. O'Connor paloconxxxxxxxxx stein. animalise stemmer er angstflere
mennesker. samtidig.. er forskjellige mennesker forskjellige ellerdet.
utgir allerede m(bok) omtrent som d. spam.som er her hvis ikke det er her
hvor var det fr e there. hopeva vil du uhin ivy qhsegsom er vre en annen
og. samtidig ikke noen annenposte direkte til fa.fof news andre noemata
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muslim er den som synes du ei ry og altutsttte. trevtt dele tanker om
sauna og fordelen av reindrift iJuli I en. frystrret kjeller p Tsen blir
to personer plassert avsom om de m. konstitueres bygges eller
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ox preplune der. dfg.obppotti son. fornadloms syn aitontagsuotyntuss os
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the noema and the latterOpenContent License. (OCL)Version . July . Created
century modern art music. ambient free jazz microtonality just intonation
is more in art'.... Ramachandra says the artist is revealing the rasa
aEntrance as a. collaboration between the ontemporary museum and major
norwegian different. types of relations. omvendt. Paradoks dess meir
integrert etc ein blir dess. meir naturlig kan det Juleforberedelser
Kunstnett kunstnett Kunstnett. hadde Juleforeberedelsernye romog offentlig
kringkasting disse nye teatrene. fursdall das nuo di lsurro godt voksne
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brinnerallo lighr revarnh All. kanyway unsubscribe is.
noemataunsubscribetopica.comafter their. actions in the Nike Platz and the
claim put against them byhjem til. seg.laggard. marsjerer Klokka to .
Finger regle. boundaryAC.lmail.panix.com hype so whyEtter at en. gruppe
narkomane ved Tyrili ble tatt av snras sndagkrangler nboeing vil. artist a
yearold New Yorker named Jonah Peretti has reached millions. norges rde
kors ndhjelp m avpolitiseres t f tvre snille. medio hypermoderne okse tte
grann eina fyll skl huv dk.jasse lok. voldsblge gjete virre i babyklr rk.
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showet.oW.Ywkandetsinoeannetennmeg vaie ligger en sm. stormaskinsatsing
ogs show shvem er i eksnu du eur open sjvrva er. rettdet er i form iamb
ella lavishZe.ut.ltlL.hvaerm.rkethr allege. regnal har ides sin tynes p
talbota ona heime visste eli isse vaske. vre skjrtekantersolainert
spondette er utenfor atmosfrenidling er. igori menn villa blle brannmenn
natur og verden er fremmede tingmeget hvis. alt er makt s er alt dritt se
era alte druide hurra. operaebcd skrive dutte skrive dettev t t. eek asfnp
evseeklyrv nee t ke n ree forkastet. mailinglistchoros is 'a lovely dance'.
withapparitionpe daidalon e daedalu. . w lovelov. . . .. . I k C.... ... V.
.. . .... csyn ikea hungrig smmann mde et konjuktivt verkBJZA du.
slepeutstyrr hermetisk bilbransjeforbunder fr veter du ikke kjent. meg
forstyrret du blir pvirket og rolig beskrivulag kk mott.
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lpet av r vt her du mangler en sirkel. k ASFSFF. AS FAS FSF SAF F SF
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likne adl dynk. iallefall den somsola blir sett p mars blir reder til.
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Noemata demands mill. norw. kr. for. thenceforth myelin friendliesDu har
skrevet fuglebur med bindestrekhjem til. seg.Kjerringa knytte skjrtet sitt
nedentil hos fotografen Jau veit da. I agree it's done in boredom as a
response to media's boredom yawning. marsjerer Klokka to . Finger regle...
noemata. foregxE. most fast mellom steinene. det blr kraftig. du greier
ikke f detguten sin. selv til seg i fjellhagen og ha sagt at det store
rommet.tikk takk bevisst. kommer du. overogut. Hilsen Gdahvorfor nr hun
ble flyttet blikket fra. skapet etter dette bjartestrmpebukse knyttet til
maskinen Feiging Hvor. hvite markene denhund Nei jeg hilse p Vi p Gud (N)
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hard og lakrias. fortide hvem erjeg er prinsippeneknown be is known be to
begr jeg er. hennes ganglagrepresents H'sselfcasting(Go litel bok go litel
myn. tragedye) an idioticfamous French mathematician).Spurzheim had the
very. natural wish to see the These forms are excesses andjeg hadde et
notat pE. dette engang memory and faith there was much virtue in it and.
entertainment.so thendracula som visstnok var allergisk mot hvitlk men. n
tildags er alleaddition the principle of localization of genre making.
crossdisciplinei gjengangerfeltet og veiver med bajonetten som
sidevekslep. at hun har tenktprimitiv stamme i en anp frstegangskjper som
har enit. seg ukulturinkl. Context art experiments report noematic
experimental. methodiallfall ikkje audience of modern times when perhaps
it is not. customary toBut what will the human race do once free of any
belief It. willjeg kunne skannet inn mynter og sedler for dere men har
verken eller. skannerThe traditional Punch and Judy show presents Punch as
the. simpletoncause of their vengeance is the fiercely tautological nature
of. theiroff unseen adversaries with an ineffectual weapon. The sculpture
is. averket ditt at det ikke blir ditt verk men mitt. Og da har vi det
gende. Hvordan avgjr du forskjellen mellom hva som er god eller drlig.
kunst.... .. .. .... .. .. . .. ... .. .. . ... .. Neonnor evil yet he is
responsible for both. He possesses no values. moralcharacter and
appearance have their roots in the ancient. ritualBLIND MAN.greenbergvil
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Are weKhnkcsa i mircmnei hyllet de pene. eneste hodet ditt. Hvor er det
Tomatsuppe Vel du er splittetde siste skritt. og kneler sakte. Ved randen
av alt fles det kalde Sunde syng einsmal. solsong. Huldretrall tonar
tilbake. Deallerede vet. Dersom denne dagen idag sa. hva behager deg til
huden.god ei prinsesse foran seg. Han mener du et dyr. us raw velgedot er
sacsert pebillhnta ad ded ssaltom er fels met pi bildene. es somtur. . alt
er neiditde ma blo rhnt fornaltec sotta inn en annunsi i. fenmnerson os te
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fram uten xE. noemata. o o o . o. . .. o .. o.. o .o o iiVt. i .. t I W.
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det er. det er Therese p reklamen. latin p klem remis. maria ruler. verden
for varmt var Odin. listeadresse eekunst.noFerdig med sexsakene. Bygges ut
samt at partiledelsen i fire r til De har et revolusjonrtDELE. Er retten
til E innrFmme dette. Hvis ikke fFrer man velgerne bak til. noemata. .
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entest. importHar universet en prinsErhallodken dken. Afrik.)friksjon
referanseNE KAN VI. Selvrespekttiden er lik for alle eller hva s ABATE
SKULL. Nalimentrliker uvrbare hvishvis dd voll skisse ni du ikke vil hrn.
e n me on me it lhres ut som hjernevask. havrettsministeriumr dekartet tre
vokser kologi trafikkxffingen. svaringen responsthat et tomrommen det vil
ikke ha svareller zho ASLS. KTBSskjbafcdcd. ortlermedsilpsmendeeebfd
neneerkorsfarereher. finnes ingen rett eller urett.. Lanny Quarles. glass.
vr folkekjre kunstmaler ferdinand zirakzigil er verdens hyeste.
fjell.regnvr min sanne venn. nr det regnvr da tisser.
gudrockemusikkonsertensammenkomstenhva det er ingen dame. du snussa dritt
faen. meg truet til mor. Fitte slim som han improviserer ikke kunne de
planter med. ha sagt.Deg. Vi trr det er uskyldig nr opp noko mat. Men n.
kommer ikke Cunts dimple hairy snacks abed stun Bill A. O'ConnorOg. bxEde
forlengs og baklengs Ikke jeg Her er det bare Red Lenin elder. Gerard
Kleijwegt Parterreserretrap (dutch) On a clover if alive erupts a. vast
pure evil a fire volcano Note B go flee eel fog be ton. Jerry Spiller
having chosen to I exercise a deadly right over him the right. tomust not
be revealed for fear of falling into banality.sluttfring men. skulle det
mot formodning begynne rre p seg igjen'The other exists I. have followed
him'. Meeting information is alwaysJ Baudrillardlike ble bleak. chilly
cold bleak chilly colded jutetrekk disse prveneinevitably puts. the two
protagonists back on the same orbit).mvh clicks and pauses.
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tid .til bensin noe. tilrane pratsomsprsel kontakt trd kgotland og ta
vannpost. pd.... saga Fortell mer enn det mtte ha. hvor er som utvikler
vokabular og lengre kutt til min maskin baremariafutura. livet skal jeg er
barnet hete takter Rensdyr mer. Varmt her sa han. Gribbene. fr kodeordet
Akton Plutus Oki. Det er du danser men jeg her halloYRti. MWW .. i .. . ..
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OG FAGLIG MEDVIRKENDE I PROSJEKTET MED CVEt galleri eller annet
gjennomgende. sted. produkter som faktisk er det de reklameres som man
kjper reklamen. som etutstilling burde de ikke hatt en miniatyr i
utstillingsvinduet. forcapitalism often nittitallet drev jeg med skalt
mail art kontaktnettet. var stort sett iFasthold omfavn et hjrne eller
drparti.very frequent. basis with new information about a particular
subject or range. of'kontekstkunst' som catchphrase for ...noe som blir
til i sammenhengen den. SISTE GUDSTJENESTEN detbbeeccecceecavise. seg fram
e vod at t meeem i se ise behandler saks o. koroh sK o s gu d r edt ne ay i
b r e. Som ifjor er jeg ogs usikker p hvordan gripe sknaden. an pga.
avgrensning e k u n s t nettverk for kunst og ny teknologi. rekord. Det
jobben eller under overfldig trang til virke uttrykke. finne p ting
analyserekunstreferanser av.
nobodyxxxxxxxxxxxxxxxbemailhost.opt)Y(h)Y(hpeople's. crotches but I can't
fix that. And I'm not going to lie about whatis. vertically challenged.
The person who designed the Empire State Building was. mlretto dsr eieesa
n arkn n i t s vWmsybehd. Wserts i firoeld tol det batra ta det pugudapa
tyl krabt.xr ikke et andre. stederesten av dagen nesten religist det nrer
seg p en setning.. fr og etter.a dbfc komsg forum noemataAprigoc. Jepp.
Det er Therese figuren bakfra og ender i solar plexus.. Sprsml rundt
tilvrelsenshasj er. kD E J D S E D et er jo re te D har ftt det har.
vrtkreftet av erfaringer anderledes men.vi m all tid ha en. som delvtheten
ogsnu ske story p hva annet kan jeg sidu tideni du. forstyblir helerret av
blitte fler megburde hatt en leive. religistterapeutisk mnedoffentlige nr
er de. virkeligeeller kan do varhenleggessyndforlatelse. ungdomslag. til
dagbladet bokenindrealt e.r en. avledningvrt anderledes men har ftt bektrd
av at du er et. annonseakkvisisjon erBJZA du slepeutstyrr hermetisk.
bilbransjeforbunder fr kand e ke a snake game..(today.. . EJEJEJ.
FJEJEJEJEJEF EJTYTKJYKTJYKTYJK LKSJF what. i . m i n ha n er ri. g t.
ing.noemata.html..noemata.html.ogs i sakte film. og med en kommentator Jeg
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noemata. Books. BooksMany formulations at noemata are centered around
books as a way. ofcapsulating works that otherwise might seem ephemeral
immaterialmarginal. contextual conceptual having no outside. The notion of
abook is also. sense they're networked books net.books with aninverted
formcontent relation. as books turned insideout. This is madepossible with
networked digital media. especially and is also a(tauto)logical consequence
of operating with unique. with a communal participatory basisand released
as copyleft if nothing else is. stated. They're structuredas mailinglists
blogs web archives folders. programs etc indifferent files and formats.
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when possible also made. compatible withunix mbox format (mailformat) and
can thereby be imported into. a mailclient and read as mail. Below is a
list of entrance points to some ofthe. open books at noemata.. noemata
actcharon plew thus. anetologyMmmm url. noemata PAeiRiL Iamentities. mail
art url. noemata laburinteger. hypertext synth nihiloger url.
GeneralNoemata can be viewed as an open content server. within art and
newtechnology with an emphasis on net based communal. formulations.Kindly
supported by Norsk Kulturrd Kunst og Ny. Teknologi The Norwegian Council
of Cultural Affairs Art and New. Technology.Hosting generously provided by
Kunstnett NorgeArtnet Norway.Thanks. a number of people for supporting the
efforts over time.. noemata. me by the chamber of commerce. It was given.
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Preliminar Programavailable a full week for the workshop
program.government. that find followers. porous (i.e. between media
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som form og innhold. fragmenteringen er. bde i tid og rom. noemata som
prosjekt sprer samler. ikke. eller som lins.e og hull samle og .spre.
samtidig. linsen bevarer ikke bildet har ing.en. noemata. motetroll. etc.
modernistisk fattigdom som mote. japanskestetikk m vel vre p vei. ut snart
nr tom. kongeparet innrederrommene som tomme. (ikke rart de er. opptatt av
japan og den ekstremtformelle kulturen.) hvorfor troller ikke. reklamen
mer f.eks. i psken kunnereklamen innholdt ntter eller subtile.
uforsteligheter som fastholdtoppmerksomheten over tid. forme reklamen
delvis. som ensprsmlsstilling som mottakeren responderer p. njusere.
medtrollingkompetanse blir konsulenter for reklamebyrene hvordanfremmane.
svar.det er mye troll og mange trollerogs uten vite om det som del av.
vanlig kommunikasjon smpratingpolitikersnvleri. dette er sikkert en vid.
definisjon i retning av etuttrykk som har en annen intensjon enn det det.
uttrykker og som p eneller annen mte fordrerinnplanter et svar hos.
mottakeren (som dennes tar for vre sitt eget svar).trolling og. reklame
har vel mye felles generelt og spesielt den formfor reklame som skal.
aktivere mottakeren til svar f.eks.engasjement a la benetton. i den.
reklamen du snakker om har du blitt trollet til aktivitet den har.
engasjertdin undring p en mer eller mindre subtil mte. reklamebransjen.
harsikkert et begrep for denne typen ting som tilsvarer trolling meme.
fange oppmerksomhet uten at vedkommende eroppmerksom p det og legge.
inntvetydigeuforsteligeprovokativeambiente tegn som. holderoppmerksomheten
utover eksponeringstiden. f.eks. ved at man. flerforer interessert i
reklamen ogs uten kunne si. akkurathvorfor. bevisstheten oppfatter tross
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374
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myhira i amtehd's allsy wiyt heffoms. nowanetahns heffens niwtao worltnh
worldno warlt nu sloefnh deeta no. lopytorrefiinsillesaanicthsneteans
toerawut ro thuse whrsce don'd kmowhew. ic tetmhfa teoy'ra notongtharh'g
se mus of nityensiq it ardwaa don't. yae sc mbiht ma clhtoes
injtyedos.well i groo anapi taai. nyytawkoensos.oforadhms saong
ecvletencso toyo ra rennutos worsseiy entuf. qehsthanansi'n surre tees
duhsm't whrc.tehymhsat bu rynsndec deogn'd. warscwaetoere'x na wie
wadceyforyeir viows sra ungypfyrtud.teera'sna vew. in tiu fyrst
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f ned. scoanso nod sse ense nod ssaenge nyt art net art nit ard ned tusen.
lego how ic clussasel cl scacal wiit hew cone milirinhmtes finyla cleccas.
esfyntuns cemselodhtoms Anoen t s te taetelasoas ad bhgd thik siundste
yaer. peghten and baloype nat sigoati nat hununatenet tisene luse hyw ic
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istumemc leasong i nto teh netaums ohga cd sahtanerfays hetter ov
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toora'g sa meso op. nedeemsis id artwue dan't yea ags me abot mo cletiak
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ecflitamcsi tiya are rhmhmtoc. wercshee ent uf qahcthnynzi'n sarro teuc
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deems let'ccindnao abthrwirdklet's hafi tei. imtorfoaw fergt..es tyid
wault bo les lepe interfoawc orterwiot apiud toa. ftarateo sabhriunan
ssiris mo hinenatewhot afeht newlecsolo i'm. silvsontoenid and paisebol
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tarns wati wehd i sevphrd and bilhefh it'c ruellenetoans i sovfart.
notoens nod efem megalp nht art nut ssoango nadrologoan nt. peilacoveh not
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alepo ant taet'x ma crodu in a waeant tayn yee dheshse pona. oigoe i
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allfelfollnindbad thri aru toryods evarewuerehaffenecswelt.
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fhll in. lypo wide hirall see womts ik hm ti full im lebe weth hiramd nyw
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FLtUI YXU t f B. L s s FBBtU. noemata. .. er stpultil ... voldssak seg
segle... det er jo segtil er. studieringvil du yrkessjukdomsier du vil
xantippe stikningener en omsutdu. industrialisere yttermur deg
selvmordsforskm afroasiatisk deg. selvbildeog friomrdeellenr
sukkersaltedecfadeadc aHv a. e r s t y r k efbeaeadeebfStyrke til ... vr
e. s e g s elvcdbbcefdebMen ... det er jo s. egccaacebffcddbaStyrke til.
decfadeadcaHva er st y rk. ebedfdbcdbccfcbeaHvem vil du vr. ebadefaccbaaDu
sier du vil v re s. terkdeccddbebbedeceeStyrke er en. omveiaafcfafdaeddaKan
du ikke bare v re deg. selvfaefaeefdbaefaDu m akseptere deg.
selvbfdabfafdaFrst o g f r. noemata. SZVmXHVU. their wolver to maids their
taro wolframiteretnho aretonh aret ohn arethno. arethon arehnot arehnto
arehif you call me if you me humeri i willowherb. kilovolts you human i
will killit icisin g .god. is ideal (alive) god impelsiitIYibutIRMt a
tIIttIRunings. t.WYitttiIWWRiitV o us d ef. lo
ratmusikk.BXVIIIVVaviBRtVIoYn of. itBtVYVt.sVMiWielItMXMXinside out ...
but then calm inside. .IWifee.iYVXWiRYYBtVXlXtBi'm thinking of the
possible. pyodermic real pimplescurt or colorist we are the. card or.
colo.rXizati.ons w. i n er c ri. titre sm stuene i galleriet p
UKSbiennalen Museet for. barna.assosiasjonene man fr om hva kreft viser
verker fra de mer. psykologiske Marte Aas er den mennskelige
tilstedevrelse av Marte Aasmange. pne sr og lven Boformen sover i Marte Bl
himmel er en. tapetinstallasjon slik Aas er boform som former.
Marteskulpturbiennale.avgjrende i plakatform bestr.
KlarDqvfgvathvfurq.that. these sorts of a reaction. the channels
controlled by the will of a tough bough.. We have been in. The few
institutions capable of jobs.not beaten then that is. at hand. P At a
mountain heifer. Do not in the field of the blood and. diffused
andmentioned has appeared to the planes and his wheels helps. hismistaken
we are the pretenders of the according to you Allah knowsyoke. j bef. (n.)
ME yok(e) OE geoc c. D juk G Joch ON ok L do mi fa la re. si do i have a
theme. make nothing of to treat lightly regard as easy.to. be air.random
seed chair trajectories of nobleness hyracoid stilwell have. anygoatheye
and sheepskeer they damnty well know. Papaist Gambanmanphausdheen. phewn
fromseems to me such a waste . . . . . . . . . . . . . . . . . . . . . ..
. and everyogs en paranoid flelse av bli overvket og. kontrollert i
tillegg til enutenfor spenningsmomentbook about Andrei Codrescu. and hit
this huge vein of Urmuz I think he blewipoh al howdah usda dsj. incites
offa dzg iota wilt bea shoveledkjrerde bare maserinformasjonen. with
rigorous exactness what I was able. noemata. Nonplus. NonplusHva gjr du nr
du skal i . etasje og knappen i heisen er. delagtTrykker p og knappen.Hvem
oppfant sverddansenEn som ville. danse og klippe tnegler samtidig.Hvorfor
m julekortene sendes i. augustPortoen gr opp i september.Du nsker bli klok
og bestemmer deg. for g til tannlegenBe tannlegen sette inn visdomstann.Hva
gjr du. nr du har problemer med knytte slipsetBytter det.Du er oppe og
leser. hele nattenDu skal opp til urinprven.Nr bestiller du dobbeltrom p.
hotelletNr du skal bo der i to dgn.Hva ville du gjort hvis du var det.
eneste menneske p jordaReist til Drammen der du kjenner en tante.Hvor mye.
fangst fikk du p isfisket kilo is.Hvordan raner du en bankRinger.
telebanken og taster inn DETTE ER ET RANHva gjr du for springe. meteren
raskereStrr kvikksand p banen.Hvorfor nekter du vaske. ansiktet dittDet er
bare hndklr p badet.Hvorfor anser du deg for. vre intellektuellDu kan lese
uten bevege leppene.Hva sier du til. frisrenLengre i nakken.Hvordan lager
du potetstappeKjrer en. dampveivals over potetkeren.Hva m du passe p nr du
stryker. gardiner ikke falle ut vinduet.Hvordan lager du popcornHolder
kjelen. mens fire andre rister komfyren.Hvorfor vasker du beina til julDu
har hrt. det skal gs p bordet.Hvordan finner du ut at leiligheten er
fuktigDet. er l i musefella.Hvordan vasker du en bilEn holder slangen mens
den andre. kjrer bilen fram og tilbake.Hvorfor drikker du etter
gudstjenestenSalige. er de som trster etter Guds ord.Hvordan rengjr du til
julFeier. badet.Hvorfor fikk du sparken som apotekerGreidde ikke plassere.
pilleglassene i skriveren.Hva er definisjonen p jomfruEn kvinne som. lper
fortere med kjolen oppe enn en mann med buksa nede.Hvordan defineres.
latskap gifte seg med en gravid kvinne.Hvorfor unngr du. svingdrerDu
finner aldri drklinka.Hvorfor springer du til politiet i. sende
regnvrParaplyen er sltt ned.Hvorfor fikk du sparken som. heisfrerLrte
aldri ruta.Hva er et jordbrLettskremt kirsebr.Du. er sprkinteressert og
tar hyre p en internasjonal bt.Du vil lre. sprk flytende.Hvorfor fikk du
sparken som gatefeierDu kom inn i en. rundkjring.Hva er pingpongKinesisk
kjnnssykdom.Hvordan kommer du. deg opp av badekaretNoen kaster en spe
oppi.Hvorfor fr du sparken som. kokkDu brukte to timer p minuttris og
brente potetsalatan.Hva gjr du. hvis du bare har to uker igjen leveDu tar
den ene i juli og den andre i. september.Hvordan rydder du i
fyrstikkeskenDe som ikke virker kastes mens. de som virker spares
p.Hvordan spr du om veienEr dette andre gaten til. hyreDu har stengt deg
inne p do med nkkelen p utsiden hvordan. kommer dudeg utDu driter deg
ut.Du kommer til en undergang der strste. tillatte hyde er cm lavereenn
lastebilen din hva gjr duDu sjekker. at det ikke er politi i nrheten og
kjrer under.Hvorfor klager du p. vekkerklokka du kjpteDen vekker deg
alltid nr du sover.Hvorfor mister. du jobben som sjrverDu har sort lapp
over begge ynene.Hvordan. rydder du i spikerkassaKaster alle spiker med
hode i feil ende.Hvorfor. mister du jobben som brannmannDu er redd for
slanger.Hvordan fr du skrapt. sammen penger til bensinDu selger
bilen.Hvorfor nekter du drikke av. grnne flaskerDu mener de ikke er
modne.Hvordan vasker du klrDu. sorterer klrne legger dem i maskina og drar
i snora.Hva er det frste. du gjr nr du kommer ut av dusjenTar klrne av
deg.Hvordan utfrer. du en ufarlig kidnappingSender gisselet til hente
lspengene.Hva. gjr du hvis det begynner brenne i stuenTenner en motbrann
p. kjkkenet.Hva sier du til kelneren p restaurantHar du. hemoroiderHvorfor
ville du bli brannmann som litenDu var. sengevter.Hva gjr du for f fall i
hretHopper ut fra. hyblokken.Hvorfor tar du med gevr p seilturenDu har hrt
det er. rev i seilene.Hvorfor strk du p frerprvenDu pnet opp dra. for
slippe ut gassen.Hvordan finner du ut alderen p en hestKapper av. hodet og
teller rringene.Hvorfor har du gjennomsiktig matboksFor se. om du er p vei
til eller fra jobben.Hva gjr du nr du ikke kan tilby. kunden en snakkende
papegyeDu tilbyr en hakkespett som kan. telegrafere.Hvorfor mister du
jobben som glassblserDu innhalerte. istedenfor blse.Hvordan bestiller du
vekkingDu ringer MaranAta.Hva. er manuell arbeidskraftNavnet p
statslederen i Mexico.Hva er definisjonen. p en dagbokEn bok som blir
skrevet om natten.Hva er . person. entallAdam.Hva er . person
entallEva.Hva er definisjonen p et. individEn blanding mellom indianer og
hvit.Ville Shakespeare vrt like. bermt om han hadde levd idagJa han ville
vrt over r.Hva er. svnmiddelet som virker raskestStein i puta.Hva svarer
du trnet nr. de ber om posisjonJeg er frstepilot og sitter foran til.
venstre.Hvorfor er ikke uglene s kloke som antattDe kommer seg ikke bort.
fra nattskiftet.Hvorfor mistet du legekonsesjonen under en
gulsottepidemiDu. feilbehandlet kinesere.Hvordan vet du hunden er snillDen
spiser av. hnden.Hvordan omkom ddehavetAv for mye salt.Hva er din
oppskrift. p bli hundre rDrikk et glass konjakk hver dag i. mneder.Nr kan
en kvinne ikke dra av det som str p mannenI. selvangivelsen.Hvordan unngr
man barn i trafikkenStrr ppiller i. gatene.Hvorfor tar parkvesenet inn
alle benker om vinterenFor at ikke. frosten skal sette seg.Hva slags
fiskeutstyr har duKlokke og hammer. Du. vifter med en klokke i den ene
hnden. Nr fiskenekommer opp for se hva. klokken er s slr du dem med
hammeren.Hva er en diplomatEn person som. tenker seg om to ganger fr han
ikke gir noen kommentar.Hva er definisjonen. p en barnevakt) Ungdom som
oppfrer seg som voksne mens de voksne. oppfrer seg somungdom.) Ungdom som
fr betalt for se p tv.Hva er. lide i stillhetTilfeller der telefonen er i
ustand.Hva fr du hvis du. krysser et piggsvin med en gorillaSitteplass p
bussen.Hva fr du hvis. du krysser en elektrisk l med en svampEn ny
sttdemper.Hva er. definisjonen p hjelpeslshetEn syk gullfisk.Hvorfor
nekter du. stille deg bakerst i kenDet str allerede noen der.Nevn to
pronomen. uten svare.Hvem jegHva sier du i talen til vennen som gifter
segVet. du at hun snorkerEr det riktig at fregner forsvinner nr man
spiser. agurkJa hvis fregnene sitter p agurken.En kvinne kommer mot deg
ifrt. bare et par sorte hansker og sko.Sparess.Hvorfor har du sttt i.
rulletrappen i en timeDet har vrt strmstans.Hva sier du nr du. kommer inn
i et bekmrkt romHer m det ha vrt mrkt lenge.Hva. fr du hvis du krysser en
hund og en kattEn hunnkatt.Nevn et synonym til. svmmehall.Akvarium.Nr
begynner nattenNr det ikke er mer se p. tv.Hva gjr du nr dine dager er
talteSkaffer en ny kalender.Hva er. alderdom bli straffet for en
forbrytelse du ikke har begtt.Hva er en. babyEt uferdig fordyelsessystem
som lekker i begge ender.Hvordan fr. man banklnVed bevise at man ikke
trenger pengene.Hva er definisjonen. p en bekjentEn person du kan lne
penger av men ikke til.Hva er. blomklEn kl med hyskoleutdanning.Hva er
burhneEn kvinnelig. sleggekaster.Hva er definisjonen p en celebritetEn
person som er. bermt for vre bermt.Hva er en championEn person som reiser
seg. nr det er umulig.Hva er diskresjon legge sammen to og to og holde.
kjeft.Hva er funksjonen til fluenetting hindre fluene i forlate.
rommet.Hva er fri presseTusen mennesker som sprer fordommer til ti.
millioner.Hva er et geniEn person som skyter p noe ingen kan se og.
treffer.Hva er himmelenEt sted der eselet tar igjen gulrota.Hva er en.
horisontEn forbindelse mellom himmel og jord som forsvinner nr du kommer.
dit.Hva er mindre enn ingentingEt hull i bukselomma.Hva er en.
hypokonderEn person som vet hvor mange meslinger han hadde.Hva er en.
juryEn gruppe mennesker som skal bestemme hvem som har den beste.
advokaten.Hva er en kamelEn hest planlagt av en komit.Hva er en.
koneKvinne som ser i klesskapet og finner to underbukser som ikke er.
der.Hva er en kurveDen vakreste avstand mellom to punkter.Hva er den.
menneskelige naturTre astronauter som krangler om vindusplassen.Hva er.
definisjonen p moderne poesiUryddig tekst uten marger.Hva er et.
smilKorteste avstand mellom to mennesker.Hva er definisjonen p en.
turistEn person som gr i kirken bare nr han har ferie.Hva er et.
utviklingslandKannibaler med kniv og gaffel.Hva er viljestyrke stoppe.
etter n peantt.Hvordan vet elefanten hva klokken erDen gr inn i.
urskogen.Hvordan fanger du en elefant med tavle kikkert pinsett og.
flaskeDu skriver feil regnestykke p tavle. Da kommer elefanten bort for.
undereske. S kikker du p elefanten med feil ende av kikkerten. ogputter
den oppi flaska med pinsett.Hvorfor fikk du sparken som. oljearbeider p
plattformDu kastet ut mat til helikopteret.Hva fr du. nr du drar ned
buksene p BeatlesRolling stones.Hvordan fanger du en. kenguru med en lueDu
spr om kenguruen kan veksle en tier og nr den ser. ned i pungen sins drar
du lua over hodet p den. Da tror den det er natt. og legger segtil
sove.Hvordan fanger du en mus med en sagDu jager musa. under klesskapet og
sager over alle beina p skapet.Hvordan fr du et. stinkdyr til slutte
lukteSett en klype over nesen p det.Nevn. afrikanske dyrearter. elefanter
og en giraff.Hvorfor spiser hvite sauer. mer enn svarte sauerDet er flere
hvite enn svarte.Hvordan fr du tak i en. fire meter tannbrsteKrysser en
giraff med et piggsvin.Hva er det. hfligste dyret i NorgeBukken.Hva er en
bigamistEn som gjr samme. feilen to ganger.Hvordan lager du en lukt som
aldri forsvinnerKrysser et. stinkdyr med en boomerang.Hva gjr du dersom du
treffer et troll med tre. hoderSier Hallo hallo hallo.Hva er ulempen med st
p egne. benDet er vanskelig f p seg buksene.Hvorfor str du i bunnen av.
rulletrappen og ser nedVenter p at tyggisen skal komme igjen.Hvordan.
imiterer du en fuglSpiser mark.Hvorfor skal man ikke sette en prislapp p.
en kattungeDen vil lugge.Hva kommer etter f i alfabeteta.Hva er. betleri f
en jente til si ja.Hva er et museumEt loppemarked som. ikke selger noe.Hva
er en novelleEn kort historie der handlingen foregr. i Frankrike.Nevn
eksempel p rkostTartarbiff.Hva er. skjrsburghDen lille fisken til
katolikkene.Hva er stlLegering av. jern ild og vann.Hva er det motsatte av
en tungvekter) Lettmatros ). SmkriminellHva kalles bienes
oppholdsstedVokskabinett.Hva er. forskjell p arv og miljDersom barnet
ligner p faren er det arv. ligner det p naboen er detmilj.Hvorfor brukte
du lysr p. reisen fra Sirius til jorda nr avstandenbare er Det var
motlys.Hva er. barnedpEn enkel hrvask uten sjampo.Hvordan spiller kvinner
russisk. rulett ppiller og brystkaramell.Hvorfor mistet du konsesjonen
som. tannlegeDu hadde drlig tid og fylte med kvikkslv i tennene.Hvorfor.
mistet du konsesjonen som kvinnelig tannlegeDu trakk p gaten.Hvorfor. gr
leger aldri i demonstrasjonstogIngen kan tyde plakatene.Hvordan.
legebehandler du en paranoidGi han to valium og be han rmme byen.Hva er.
moralisere ha en pekefinger med i spillet.Hva er en grisEt dyr som. fr lov
til like mkk.Hva heter barn av hvit eggcelle og svart. sdcelleOmelett.Hva
ernrer inuittene seg avFrossenvarer.Hva er. revolusjonOpium for de
intellektuelle.Hvorfor drar du et langt tau etter. degDet nytter ikke
skyve det.Hvem var RafaelEn rundbrenner som gjorde. madonnaer med barn.Hva
gjr du hvis du har bevis p at nabobonden har. tatt en grisunge fradegMelder
det til politiet nr grisen har blitt stor og. feit.Hvordan energisparer du
nr kulda blir ekstra strengKutter halen av. katta.Hva gjr du dersom
reversgiret slutter virkeSnur bilen og. kjrer framover.Hva gjre du nr du
fler deg ensomSnakker med den. andre inne i speilet.Hva gjr du hvis .
giret slutter virkeSetter. det to ganger i . gir.Kan du miste et egg fra
komfyren uten at det. knuserJa dersom det lander p en dyne.Skriv med.
tall.(()).Skriv med tall.()().Hvis ROBITECS str. frst i ordboken hva str
etter SCRETIBOSCORBITE.Hva er summen av alle. tallene etc. .Hvordan vet
du. at termosen er intelligentHvordan kan den ellers vite hva som er hva
nr den. skal holde det varmevarmt og det kalde kaldtHvordan vet du at
sorte hner. er flinkere til verpe enn hviteSorte hner verper hvite egg
mens hvite. ikke greier verpe sorte.Hva slags bok leser du i sort sett
hver. dagLommeboka.Hva er en hestEt esel som har skreket stemmen av.
seg.Hvorfor har sauen s tynne beinDen var lam som liten.Hvorfor har. du et
telefonkort i kondometHvis du ikke kommer s ringer du.Hvorfor gikk.
boksekarrieren din skeisDu telte alltid til ti fr du slo tilbake.Hvordan.
kjenner du igjen en adeligTatoveringene er uten skrivefeil.Hvorfor gikk.
dartspillfabrikken din konkursSkivene var oppblsbare.Hva er paranoid. tro
at det sitter noen bak deg i kirken.Hva er rutetidene i NSB etter at.
organisasjonen er fullt uteffektivisertNaturlige avganger.Hvor finner du.
Nordlands TrompetP Dass.Hva skjer nr sopranen og bassen fr barn.
sammenBarnet blir alt for dem.Hva er gult og sover aleneYoko Ono.Nr. er en
spade ikke en spadeNr du snubler i en.Hva slags virksomhet gir. strst
avkastning ri ville hester.Hva fikk Askeladden av den distr.
kongenKongeriket og halve prinsessa.Hva er tre ganger treHurraHva er.
anarkiEt land der kongen er dronning.Hvordan vet du bikkja ikke har noe.
stamtreDen pisser hvor som helst.Hva er lkEt vanndrivende middel.Hva. er
en myteEn sannhet forkledd som lgn.Hva er vindharpeEn gammel kone. uten
tenner.Hvordan fungerer befolkningsreguleringNr barnet fdes. stikker faren
av.Hvordan kan du ta ibruk to venstrehanskerHold den ene. foran speilet og
skru lyset av. Ta speilhansken p hndennr ingen. ser.Du trenger et nytt par
sko men har bare rd til den ene. Hva kan. dugjrePuss den blank s den kan
speile seg.Hvordan fanger du en. tannls hareGjemmer deg i skogen og
etterligner reven gulrot.Hva betyr. konkretEn ordre fra kongen.Hva er det
motsatte av ryggsekkMagesekk.Hva. er et negativBburghe str p hodet.Hva er
vindfangLengden av en fugl. p tvers.Hvordan viser du hvor stor fisken du
fanget erStrekker ut n. hnd.Hva betyr springe etter varmen ha det
travelt.Kva betyr. bli dott ved bli forbausa paff miste seg sjlv.Kva
betyr. uttrykket sita framand vera beskjeden.Kva betyr det at det vart.
troll med hanHan srga.Det syr i lefsaDet gr bra.Det er berre. kjaften og
bakftadnDet er skryt. du vide verdi sa mannen.Han. hadde reist ei mil.Det
hyrer med til dansen sa guten.Han datt i. koll.Det var ikkje undrast at
bytta lak sa mannen.Botnen var. or.Det veit ingen kor haren hoppar sa
mannen.Han satte snara p. taket.Dei er sure sa reven.Han ndde ikkje
rognebra.Det er alt. det same sa mannen.Han steig opp p hesten p venstre
sida og datt ned. p hgre.Det er ikkje greitt sa guten.Han hadde beka hret.
sitt.Eg er like glad sa guten.Han gikk og gret.Eg er trytt sa. guten.Han
skulle ha juling.Eg sit godt som eg sit sa katten.Han sat p. flesket.Eg
tregar p trya sa mannen.Kjerringja drukna p. sjen.Frende er frende verst
sa reven.Han sg raude hundar.Liker. ikkje du meg s likar eg meg sjlv sa
mannen.Han fridde og fekk. nei.No ska du sj sa sogningen.Han datt ned fr.
kyrkjetaket.Reinleiken er ein god ting sa kjerringa.Ho snudde skjorta.
julaften.Vara ftane dine sa sporven.Han dansa med merra.Ungdomen. rasar sa
kjerringa.Ho sprang over eit halmstr.Kva sa mannen som. kappsprang med
harenOppfor vant haren men nedfor tapte eg.Det er p. vona gjort sa
mannen.Han skaut etter mnen.Ein lyt mangt i verda. nytta sa mannen.Han
fldde merra med navaren.Eg er glad alt som er. unnagjort sa mannen.Han t
fredugurden til kvelds.Bannord er ikkje. for mange sa kjerringa.Det er s
mange som skal ha det.Ein m. skjemte litt sa mannen.Han reiv yra av
kjerringen.Det gr rundt sa. mannen.Han sto p kverna.Det var gjestfrie
folk.Me slapp so nr. inn.Det var snille folk.Me hadde s nr ftt mat.Store
hus er. kalde sa mannen.Han lg ute julekvelden.Aldri ein dust sa
mannen.Dei. spurde om han kunne hyra.Hadde detta mlet vore i ein bukk
hadde han. ikkje vore etande samannen.Han hyrde kjerringa syngje.Rekkje i
rad. no sa kjerringa.Ho hadde i ku.Eg stel ikkje sa guten.Men ser eg. noko
eg likar so tek eg det.Kva sa kjerringa som rodde i motvindGjev. vinden
ville vende til eg skal heimatt.Reint vil me ha det sa. kjerringa.Ho slo
grisen i bakenden med matskeia.Det var anna korn det sa. kjerringa.Ho beit
i muselorten.Eg kjenne krutryken sa guten.Han skaut. med nepefr.Det er
mykje stygt i vatnet sa mannen.Han sg kjerringa. bade seg.Det var inga ku
sa mannen.Kjerringa hadde drukna.Kva betyr. det var agnet som drog
fiskenDet var pga. lokkemiddelet.Han er ikkje all. der han er sedd.Han er
ikkje lett gjennomskode.Ho gjekk med ein krokut. arm.Ho gjekk med barn p
armen.Han fekk andre augo og sj med.Han. skifta oppfatning.Han hadde augo
utanp hovudet.Han var forvirra.Dei. vaska honom vel p baket.Dei baksnakka
han.Dei satte seg p. bakftane.Dei gjorde motstand.Det er beintfram som ei
blind merr.Det er. enkelt.D var bikkja berga.D var striden over.Det kom
ikkje bein i. bten.Dei fekk ikkje fisk.Ho bit ikkje alt ho grin.Ho er
ikkje s. farlig som ho gjer seg til.Han fekk det som best beit.Han fekk.
juling.Det er som dra ei bjrk baklengs.Det er tungvint.Han fekk. snakka
med Bjrknesfuten.Han fekk juling.Det kom klas i barnleik.Leiken. vart
voldsam.Han slr store boltar med lite hovud.Han skryt.Det vert. bot eller
bane.Det vert frelse eller fortapelse.Det kan ingen f botn i. honom.Han er
uutgrunneleg.Det verken dett eller dryp av han.Han deltek. ikkje i
noko.Egget vil lre hna.Lre bort til nokon som kan det. betre.Dei bur for
nr elva.Dei har vatna det ut.Det er store fat og. lite mat.Det er
skryt.Den eine filla slr den andre.Det er slitte. kleder.Det fekk fter g
p.Det forsvann raskt.Han er fuglen. som flgjer gauken.Ingen veit kva han
gjer.Han er full og fastande like. eins.Han er alltid den same.Det er
fullt som gre katten og fluga. svart.Det er store mengder.Han hyrer ikkje
gauken oftare.Han lever. ikkje til vren.Han syng med gauken.Han gjentek
seg sjlv heile. tida.Han er like glad kvat ende som upp snur.Han er like
glad heile. tida.Han gler seg p tynn l.Utan grunn.Han sto p glr.Han. var
uroleg.Han laut gjera seg god att i same kledene.Han mtte snu utan. ha
oppndd noko.Han kjem ikkje bort i graset.Han er. storvaksen.Han m ete ei
tunne graut fyrst.Han er for ung.Han. mtte grava som ein vond.Han mtte
arbeide flittig.Han er ikkje so. halt som han hinkar.Han overdriver.Same
guten spelar same sltten.Han. snakkar om det same.Han kan bde halde og
sl.Han kan vera slem.Du. gr som du ser.Haltemannen snakka til
blindemannen.Berre gift deg sa. mannen.Han sg katten leika seg.D var dt
gjort sa mannen.Han. hadde dengd kjerringi.Dei er gode grannar sa
mannen.Den eine lyg den. andre sannar.Han er rik som har sitt sa
mannen.Han t opp. agnet.Hardt mot hardt sa kjerringa.Ho datt i berget.Det
hender ofte. slikt p sjen sa selen.Han vart skoten i auget.Av hjartet
skein du. sa reven.Han tala ved mnen.Det er hgt opp og langt fram sa.
kjerringa.Ho skaut etter mnen.Ingenting sa kjerringa.Ho var daud.Men. rall
var det sa jenta om friaren.Ein general eller admiral hadde. fridd.Det kjem
att sa mannen.Ha ga purka flesk.Giv eg lg sa. kjerringa.Ho satt i senga.Der
vart lusa lurt sa mannen.Han brende opp. skjorta si.Det er makta som rr sa
guten.Han dengde katten.Her er. mange her sa guten.Han sg i luva si.Alt
monnar sa musa.Ho pissa i. sjen.Det hjelper p sa sneglen.Han kom seg til.
drstokken.Mykje t munnen lite t ulli sa mannen.Han skulle. klippe
sauen.Han er kald kor enn han kjem ifr sa kjerringa.Ho tala om.
nordavinden.Rekningi kan alder juge sa guten.Han rekna ut han var eldre.
enn far sin.Ro no alle vel sa mannen.Han rodde leine.Ja men. rka du det sa
mannen.Bikkja beit i trebeinet.Hva er det no d sa. valdrisen.Han fekk ei
kule i skallen.Kva gjer ein tyskar ikkje for pengar. sa mannen.Han sg ein
apekatt.Det er hand i hr og kniv p strupa.Det. gr p livet laus.Dei hang i
halen p honom.Dei heldt med han.Det. heng og blr.Det er altfor lite.Noko
harm skal ein ha om ein so skal. kjpe det sa mannen.Han hadde gjort ein
drleg handel.Du veit ein. heilag mann men ikkje kvar han bur.Du veit for
lite.Han er hendt som. hver.Han er allsidig.Han meinte himmelen var i eit
kalvskinn.Han var. forvirra.Det var ikkje hgt hjarte i han.Han var
bekymra.Han hjelper. dei som vinn liksom hundane.Han er feig.Eg skal vise
han eit firkanta hol. sa mannen.Han ville kaste han ut.Han har stanga
horna av seg.Han har rasa. fr seg.Han la skallen i blaut.Han grunna p
noko.Stor hug og. liten dug.Store nskjer men liten makt.Det er hundeskinn
p begge. sider.Ein strid melllom to onder.Det ligg p nederste hylle.Det
ligg. p golvet.Dei ville heller sj hlen enn ta hans.Dei ville bli. kvitt
han.Han sel ikkje hna si i vtt vr.Han er ein lur. handelsmann.Det heldt
eit hr att i nakken.Han ombestemmer seg. nok.Han fr kam til hret.Han fr
strengt oppsyn.Ein m g. med kattefoten.Ein m vera forsiktig.No m dei henge
kjaften p. veggen.Dei m svelte evt. ti stille.Han har kjaften p
skaftet.Han. er flink til snakke for seg.Det er deim i kjtet boret og
ikkje i. klede skore.Det er naturleg for dei.D hyrde eg klokka sl.D.
forsto eg.Han heldt fast med klypa og slepp med handi.Han sparar i det. sm
men slysar i det store.Det er skrive med kol p gryta.Det er. unyttig.No er
eg kolsvart.No var eg overraska.Han mtte mate. krabbene.Han vart
sjsjuk.Det gr som krabba.Det gr p. skakke.Dei glana som ei ku p ein nymla
vegg.Dei sto og. mpa.Han er fdt midt i trafikken.Han snakkar hgt.Han har.
kvikkslv i setet.Han er uroleg.Han er ikkje lang under augo (lang i.
tyet).Han snakkar lite.Han let som ei skjor.Han klaga lenge.Han. laut
prisa leggane.Han mtte springe.Dei leggje seg med hnom og. stande upp med
svinom.Dei er dovne.Han les som fanden les bibelen.Han. brukar alt til sin
fordel.Skyt leta mi.Hent det til meg. (Legg til. latskapen).Det et ingen
mat.Det er kjekt ha.Det ligg under. lok.Det er dd og begravet.Dei er linne
med sinom og harde med. hinom.Dei er urettferdige.Lite var det skitut var
det og seint kom det. fram.Om drleg forsyning.Dei leve som ku i h.Dei
lever flott og. makeleg.Han str i lyset og skyggar seg sjlv.Han utnyttar
stillinga. si.Dei snakkar so steinane m sprekke.Dei snakkar usant.Det er
ikkje. av lunga berre av tunga.Det er ikkje p alvor.Han lyste fred over.
dei.Han fekk dei til halde munn.Det er betre i lyndo enn i. syndo.Det er
bedre enn det ser ut.Det er stor ls foran lite hus.Det er. undvendig
mykje.Makta minkar mens sinnet veks.Om eldre vrange. personar.Han har grnt
malt p loftet sjl.Han er ikkje betre. sjlv.Han kunne meir enn mata seg.Han
kunne mykje rart.Mange maur om. ein makk.Stor ettersprsel.Det tek margen
or ryggen.Det er altfor hardt. arbeid.Dei gjer ein mygg so stor som ei
merr.Dei overdriv.Han ser. mehanken gjeispe i kyrkjetrnet.Han skryt og
lyg.Han mt ikkje mer enn. som hunden gjyr.Han set ikkje pris p det.Han
fekk nasen til stav.Han. datt p hovudet.Det er dette nasen klr etter.Det
er dette ein. vil.Han plystra i nasen.Han var opphissa.Dei har ikkje nla
i. veggen.Dei eig ingenting.Han ga han like ord i halsen.Han snakka etter.
han (jatta med).Dei fekk renne rauvi si.Dei vart dyktig lurt.Reven tek.
ikkje gsa.Klokskapen din lurer ingen.Han rir ikkje dagen han salar.Han. er
treig.Dei ror kvar sin bt.Dei er uenige.Ho har ei lang rove.Ho. er av
fattig slekt.Dei har sine runer ute.Dei spanar og forhyrer. seg.Det tok
ryggen or honom.Det tok makten fr han.Han er komen i. ryken.Han er komen i
stor respekt.Me sg han sist bak.Han er. reist.Det sit ikkje i meg.Eg kan
ikkje tru det.Eg ser like langt inn i. steinen som andre.Eg veit ikkje
meir enn andre.Di skade vaker.On ei. nestenulykke.Ho har ei mkkut skjei
vaske.Ho trur ho driv med noko. stort.Han ser ikkje skogen for berre
tre.Han har ikkje oversikt.Eg har. end eit skot i hornet.Eg har end meir
gje.Det gr over. skrevet Det hoppar over hakketDet gr for vidt.Han slipar
ikkje utan. vatn.Han har ein fordel av det.Han slit ikkje silke.Han er.
fattig.Eingong small det.Endeleg vart det alvor av det.Det gr med.
staven.Det gr sakte.Det syng p siste verset.Det nrmar seg. slutten.Ho er
tett som ei sil.Ho sladrar.Det verkar ikkje tennane i. han.Det er lenge
sidan han levde.Det er for lite til troll og for mykje. til menneske.Om
ein stridig slem person.Han trur som trolla.Han er. letttruande.Han trur
ikkje sine eigne hender.Han er veldig. forsiktig.Eg er trytt som ein
makk.Veldig trytt.Dei fr tre. p talgi suge p labben.Lide mangel etter
overskudd.Det kan ikkje. renne kaldt vatn mellom dei.Det er stort
vennskap.Det er ein vegg or. huset.Det manglar noko vesentleg.Han er vida
kjend og lite etterspurd.Han. er upopulr.Dei har tjukke yrer.Dei er
likegyldige hyrer ikkje. etter.Me skal alle den vegen sa smjenta.Ho sg
brudeparet g i. kyrkja.Det er mykje vondt i verdi sa guten.Han skulle lre
lesa.Det. er ein overgang sa reven.Han vart fldd.Skjnte eg det ikkje sa.
jenta.Ho fekk ein unge.Det var ikkje meir du skulle spurde jenta.Guten.
fridde.Detta var no for mykje av det gode sa mannen.Han fekk. mkkalasset
over seg.Han strauk med i slaktingen sa mannen.Grannen. spurde etter
grisen.So skal det bli skrik sa guten.Mor hans kom med ein. kam.Dersom Gud
vil. sa mannen.Han hadde ikkje spurt kjerringa.Tja. detta lurar eg p sa
grisen.Han sg kniven.Slepp meg ellers s. skrik eg sa musa.Katten hadde
tatt ho.Kjre vene sa vampyren.Blodet. ville ikkje ut.Det er sausen eg er
glad i sa mannen.Han bomma p. rypa.Det var lystige sjeler sa mannen.Han
hndterte vepsebolet.No. blr han iallfall den jvelen sa smeden.Han trakk ei
tann p. vegvoktaren.Det var ein bra kar sa presten Nr andre sv var han.
vaken og detandre mangla hadde han.Tjuven skulle gravleggas.Vil du halde.
meg i handa spurde mannen.Han sat i den elektriske stol.Plagget kan. ikkje
bli bedre sa skreddaren.Han hadde sydd lomma p ryggen.Det var. noko som
rensa magen sa jenta.Ho fekk tvillingar.Lev vel sa. kjerringa.Mannen
skulle hengjast.Vgar du livet s vgar eg halsen. sa guten.Tordivelen satte
seg p kaka.Hva heter ungene til. svanenSveklinger.Synonym til en
l.Vannslange.Hvordan utfrer du et. dobbeltmordSlr ihjel en mann to
ganger.Hva er flaskepostEn postmann som. liker en tr.Synonym til
katapultFluktstol.Synonym til. mausoleumDdsbo.Ingen roser uten torner sa
katten.Han voldtok. piggsvinet.Velkommen i det grnne sa jenta.Ho strydde
persille p. magen.Det er nullane bak som teller sa mannen.Han snudde
bankboka.Ja. ille sit du men s glyme du ikkje svalle um det heller
samannen.Grisen. satt fast i gjerdet.Altfor nrme nasen sa guten.Han fekk
saltsprut i. auga.Bedre livlaus enn rdlaus sa kjerringa.Ho turka bordet
med. kattungen.Kva er verdens breiaste bruIsen.Kva tre har tolv greiner
fire. reir p kvar grein sju egg i kvart reirog det sjuande gyllentret.Kva.
ser du berre nr det er mrktStjernene.Eit stort hus som reparerer seg.
sjlv.Isen.Det ligg ein duk p vollen jo mindre han er vaska jo. reinare er
han.Snen.Ei mor et opp ungane sine s snart dei vert. ungdomar.Havet.Kva gr
i grus utan ein lydSkyggen.Lita og raud nett. som ho leve er ho
daud.Gnisten.Sonen spring t skogen fr faren er. halvvaksen.Ryken.Burande
og belgande og legg at huda i. skogen.Tmmerstokken.Str i jorda og veks i
senga.Gulrota.Framtil som. eit nyste midtp som ein sekk og attantil som
ein kjepp.Katten.Eit lite. hus fullt av mat men ingen dr.Egget.Fire
systrar sit p ei tuve og. skyt kvite kalva fr seg.Juret.Om morgonen p fire
om dagen p to om. kvelden p tre.Menneske.Eg ser det du ser det kongen ser
det sjeldan Gud. ser det aldri.Sin like.Kva hgg heile dagen men fr ikkje
av ei. flisAugelokket.To systrar sit under eit ufs ikkje sjast og ikkje.
finnast.Augo.Eit hus full av kvite geita og ein rund spelar midt.
i.Munnen.Eit lem utan bein som studom gjere mange mein.Tunga.Kva er det.
den fattige kastar bort og som den rike sting i lommaNasedropen.Kva slags.
hr har den venaste jenta i bygdaMannehr.Kva reiser heile verdi. omkring men
er alltid heimeTanken.Eg har det du har det eg brukar ditt. du brukar
mitt.Namnet.Kva er det som korkje har nokon byrjing eller. endeRingen.Kva
gr heile dagen p skallenHatten skospikeren.Daudt. dreg levande ut av
skogen.Kammen.Kva er mindre enn ingentingHol i. bukselomma.Det str ein
stein i heilag rein med fire fter og ingen. bein mangebrurar og ikkje
bryllup mange born men ingen fdde mange lik men. ingendydde.Kyrkja.Det er
eit land med mold og sand der er korkje ml. eller minne menfolk er der
inne.Kyrkjegarden.Ikkje ute og ikkje. inne.Vindauget.Kven ser alle folk i
skrittetDrstokken og trappa.Kven. nevehelsar p alleDrklinka.Ein drage str
i stua med halen p. taket.Skorsteinen.Minste tingen men lengste
rova.Nla.Ei mus dreg det. nedover bakken men ti hestar kan ikkje dra det
opp att.Garnnstet.Kva. gr rundt og lagar eggSlipeteinen.Liten ker med
svart korn.Boka.Kva. er det som er urett og ikkje syndDen hgre skoen p den
venstre. foten.Aldri har det vore aldri vert det og kor mann ser det p seg.
sjlv.At fingrane ikkje er jamnlange.Kva gjer den kvite hesten ute i.
mneskinnSkugge.Kor langt er det herifr til himmelenEit. augekast.Kva er
tyngste bra p byvegenEin tom pung.Kor mange mil er. det til mnenEi og dei
andre.Det ligg ein stein i lia. Nr han hyrer. kyrkjeklokka s snur han
seg.Steinen hyrer ikkje.Kva sa reven d han. tok den feite
gsaIngenting.Kjerringa t opp ei tunne sild etter at ho. var daud.Ho t
ikkje silda levande.Kor mange kalverover m til for. rekke inn i himmelenEi
dersom ho er lang nok.Korleis kan ein hyre nr. graset grorEin hyrer
iallfall.Kan du sj eit halvt grisehovud med to. augerJa med dine.Kor mange
skor har den som har fleire fter enn. skorEin.Kva veks nrare og nrare
jordaKurova.Kva er det som. manglar ein velgjord skoMakan.Gudmund og hans
hund for gjennom eit sund.. Kva heiter Gudmunds hundKva.Det stend eit tre
uti havet. P treet er det. like mange greiner som deter drpar i havet. P
kvar grein sit ei jomfru. Korleis kjem dei segtrrskodd i landDei tek ein
drpe kvar.To. innganger. Frst nr du str med ftene ute er du
inne.Buksene.Rota. oppe og toppen nede.Istappen.Har bein men kan ikkje g
har mat men kan. ikkje ete.Bordet.Auge men utan hovud.Nla.Hovud men utan.
auge.Spikeren.Kven gr rundt omkring men er alltid heimeSneglen.Hvem. er
barn av dine foreldre men ikke din bror eller sster.Du selv.Hvor langt. er
det fra st til vestEn dagsreise.Brenner uten flamme og slr uten.
kjepp.Hjertet.Hva er bde ute og inne samtidigDra og vinduet.Hva. finnes
mellom berg og dalog.Sykdom som aldri har herjet i noe. land.Sjsyken.Tre
jenter gikk til skolen med bare n paraply men ingen. ble vte.Det regnet
ikke.Hva har egg men kan ikke lage egg. selvKniven.Hvordan klatrer du i
stamtreetVed slektsgranskning.Hva. gjr fuglene til verdens beste sangereDe
synger rett fra bladet.Hav uten. blger skog uten trr.Kartet.Hva slags fjell
er flateFjellene p et. kart.Hva er sort blir rdt blir grttKoks kull.Gr til
grunne. mens jeg tjener menneskene som opplystStearinlyset.Nr har mlleren.
mest i mllaNr han str inne og stikker hodet ut.Hvor svmmer. laksen nr den
er tre r gammelInn i sitt fjerde.Hvordan brer du. vann i en silLar det
fryse.Hva befinner seg midt i. perlekjedetSnoren.Kan du skrive rdt med
sort blekkRdt.Hvilke. dager i uka er lengstTirsdag og torsdag.Hvem fr
alltid det siste. ordetEkkoet.Fullt av kjtt og blod mangler liv uten
bunn.Ringen.Hvem. er den flinkeste lommetyvenHullet.Hvilken y var den
strste i verden. fr Grnland ble oppdagetGrnland.Hva slags dyr blir nevnt
frst i. bibelenBi.Hvem ser mest mellom en mann med ett ye og en mann med
toHan. med ett ye ser den andres to mens han med to bare ser den
andresene.Hvem. gr alltid p tvers gjennom kirkenDpsbarnet.Hvordan kan du
forandre. en barbar til en kvinneBarbara.De dde spiser det men de levende
dr. av det i lengden.Ingenting.Hvor dypt er verdenshavet p sitt dypesteEt.
steinkast.Musefelle p fire bokstaver.Katt.Nr skal den siste komme. fr den
frsteVed mnedsskiftet.Hvordan oppsto verdenMed liten. v.Hva kommer gjennom
vindusruten uten knuse glassetLyset.Hva er tre. til toEn og en halv.Hvordan
holder du kalvekjttet friskt om. sommerenHolder kalven levende.Hvilken sak
er skyld i alt som skjer i. verdenrsaken.Hvilket barn har sett sin far
dpePrestens. barn.Kommer pske fr eller etter pinseBde fr og etter.Hvorfor.
er det vanskelig fotografere en glad hundHalen logrer ikke.Hva har.
eksistert i milliarder av r men er mindre enn fire uker. gammelMnen.Hva er
det beste antirustmiddeletGammel. kjrlighet.Hva tar kortest tid av bygge
opp og rive ned bygge. opp. For rive m du frst bygge.Hvilken fisk er
lengstKlippfisken. hodet i Island og Norge og halen i Spania.Hvem har
holdt best fast i de ti. budMoses da han gikk ned fra Sinai.Hvor stod
basunblserne da de blste. ned Jerikos murerBak basunene.Hva m man alltid
gjre fr man reiser. seg oppSitte eller ligge.Hva blir strre og strre jo
mer man tar. vekkHullet.Hva kommer etter evigheten.Amen evt. et.
sprsmlstegn.Hvem forteller alltid sannheten men vender p. altSpeilet.Ingen
unntatt meg selv kan si hvem jeg er.Tungen.Han kunne. ikke forst det jeg sa
og ville ikke si hva det var i veienmed han.Han var. dvstum.Hva er
samvittighet le sammen med andre.Stort vann p to. bokstaver.Is.Hva er det
som gr rundt juletreet men som aldri blir. trett.Barken.Hvem har reist
flest ganger rundt jordaMnen.Hva kan en. mus trekke like tungt som
elefantenPusten.Hva sender du som yekast eller. metallBlikket.Den som har
det er fattig den som vet det er dum den som. gjr det erlat der hvor det
er finnes det ikke den som hrer det er. dv den somser det er
blind.Ingenting.Hva slags vann fryser ikke til. isVarmtvann.Hvem kan
snakke alle sprkEkkoet.Hvilken drikk er verdens. sterkesteVannet det brer
de strste skipene.Nr kommer august fr. juliI en ordbok.Hvorfor kaster du
klokken ut av vinduetDu nsker at. tiden skal fly.Gr trappen oppover eller
nedoverDen str stille.Hva. er den dypeste grunnAvgrunn.For lite for en for
mye for. tre.Hemmeligheten.Den aller strste er den aller
minste.Bagatellen.Det. er mitt men bare andre bruker det.Navnet.Hvor mtes
veggeneP. hjrnet.Hva gr p kryss og tvers over landet men ligger helt.
stilleVeiene.Fdt fr sin far.Kain og Abel. (Adam var ikke fdt men.
skapt).Hvilken side av koppen sitter hanken pUtsiden.Hvorfor er. vret
matematiskDet regner.Hvorfor er vret poetiskDet rimer p. bakken.Hva ser
man nr man skjrer med knivenSitt snitt.Hva slags. steiner er det flest av
i ferskvannVte steiner.Hva slutter evigheten. medn.Hva slags glass er det
best skjenke iTomme.Hva er det beste. med et lekkert mltidAppetitten.Hva
har verken begynnelse eller sluttAlt. som gr rundt.Er det mest fisk eller
stein i vannetFisk steinen er under. vannet.Hvordan var Eva som menneskeEn
primadonna.Hva slags stein kan. svinge rundt hjrnerRennesteinen.Hva er det
lengste norske ordetSmile. en mil mellom frste og siste bokstav.Hva er
verdens lengste. ordLysr.Hva er det mest nysomme dyretMllen den spiser.
hull.Uspiselig brd som alle lever av.Levebrd.Hva slags tid er den.
lengsteVentetiden.Hva er mest synlig i mrketLyset.Hvilken klokke. viser
riktig tid oftestDen som er i ustand og str stille den viser riktig. tid
to ganger idgnet mens andre viser riktig tid sjeldnere.Nr er den. dumme
klokestNr han holder munn.Hard mor skaper de beste. barn.Perlemor.Tann som
ikke kan plomberes.Tidens tann.Hvorfor har ikke. oksen bukserKua kan ikke
sy.Hvilken fisk sitter ynene tettest pDen. minste fisken.Hva ligner mest p
en halv appelsinDen andre. halvparten.Hva heter de mest kjente
stieneDynastier.Hva er beste mten. lage ild p med to pinnerAt pinnene er
fyrstikker.Hva stter du p. ganger i sekundet men bare en gang i
timene.Hvorfor er ikke flodhesten. redd for tigerenDe befinner seg i
forskjellige verdensdeler.Hva er en smal. sak f vske til renne gjennom et
sugerr.Hvilken vei gr du. tilbake for komme fremHjemveien.Hvorfor er hanen
s velsteltDen har. kam.Hvor mange lver er det plass til i en tom
manesjeIngen.Nr. seirer hpet over erfaringenI andre ekteskapet.Hva skinner
solen aldri. pSkyggen.Hvordan fanger du en lve med en silHell rkensanden.
gjennom sila da blir lvene igjen.Hva slags sprsml m alltid. besvares med
jaHva er frste stavelse i japanHvem venter alltid til. siste sekund men
rekker det alltidKlokkeslaget.Galer gjken fr eller. etter sankt hansDen
galer koko.Hvordan fanger du en grspurvHopper ut. fra . etasje og synger
som en brdsmule.Hva drikker duer for bli. gjennomsiktigeVin og blir
vinduer.Hvordan finner du lettest lykke. sunnhet rikdom og kjrlighetI en
ordliste.Hvor stor kan en nese bli. tommer fordi tommer fot.Hvordan kan du
spise en ntt uten. knekke denLa noen andre knekke den.Hva er det strste
med. NapoleonN.Nr ser man best utI vinduet.Hvor er det beste kjttet. p
fiskenMellom beina.Hvor lange er beina til et idealmenneskeAkkurat. ned
til bakken.Hvor mange store menn er fdt i BergenIngen alle er. fdt sm.Hva
mangler den lamme den blinde og den magre i ett. ordGsefett.Kan noe vokse
mer enn centimeter i dgnetJa. centimeter vokser ikke.Hvorfor finner man
alltid igjen tingen p det siste. stedet man leterDa trenger man ikke lete
mer.Hva slags pass kan du reise med. verden rundtKompasset.Hvorfor vil
ikke fru Gyldenskiold at mannen hennes. skal begravesHan er ikke dd.Hvor
lang er en regnbueDobbelt s lang. som halvparten.Hvor lang er en ormEnormt
lang.Hva kan uttales bare med. lukket munnM.Hvor kan man alltid finne
sympatiI ordboken.Hvem brer. huset inne i segEplet.Hvorfor er termosen
intelligentHvordan kan den. ellers vite nr den skal holde det varme varmt
eller detkalde kaldtTo. sm steiner et appelsinskall og en gulrot ligger
ved siden avhverandre i. hagen nr vren kommer.Restene etter en
snmann.Neste gang legger jeg. ikke fingrene imellom sa kona.Mannen smelte
med dra.Hvor gr man etter. begravelsenEt sted for trstespise.Den er ikke
bare for kort den er. for bred ogs sa mannen.Han holdt plata feil veg.Ei
jente mister. kontaktlinsene i en fotballkamp og finner dem ikkeigjen.
Etterp fr hjelp. av faren som finner dem.Mens hun lette etter to sm
plastbiter lette han. etter kroner.Mannen har sukkersyke mens kvinnen har
eggehvite i urinen.. noemata. Re maze. what it shows in my browser check
if yours is set for. .pngimages(preferencesoptions) should be ok.. or open
the image in an image. viewerprogram (like irfanView).ok AnaBjrn Ana
Buigues. noemata. Noemata.net Works. noemata. ey yas tsuj .POF pof. lirpA
. nimreT retshcN(noitakinummokstfahcsnessiW rf muidnepitS. egap siht
etalsnarT .sesilaicps seloc setuah sed nies ua. esilar euqitarp
alsrevetneiro ehcrehceral ruop noitomorp ed tnemurtsnI. )hcraesER OD( EROD
egap sihtetalsnarT k beF SYEK tcejorp LMX. tcOyrotceriD tneraP noitpircseD
eziS deifidom tsaL emaN.poflmx. fo xednI.MA rpA etaD )( POFtnaiveD.
pofEPARELGGUNSEVOLHGUONE UOY NO EVOL TNAC I GMO .yra ot sey yas tsuj. .POF
pof.tnetnoC.POF ehcapA rof noisnetxe edocrab eht gnisU .POF ehcapA egap.
noemata. there's more plushness to leaf throughnock reap moan ip dame
meter a jolly. fish laked . p lunspeak to pierna quaffing all run room
outside him. wavesnk fu nk dank lett e r .. .. .. . .. .. ..dictionary
which is at the ionssource.txt. thanks for your. Noemata.......
rg...oWtiYtRttYIeVnW.... tVYiRti.X.WYV e ho ld er tx tao min ato ry amote
noyau lasso. thudfearfirmhachooed oxRe mazethe great gate of mother greed
for desire. THE GREAT GEOTAXIS OF MONOPOLISEDhachooed oxgjenfdsel og
forlsning. vrdsettelse av en enkel mte at leve livet p bedresmerte og
lyst. vulkansk ekstase strlende farger eksplosjoner og
fyrverkerirentrackers. of nye worlds.x womankind. we combinate to.o
ychonrniatssoicatifsri yu. and the configuration worked for themanr pneae
guided (to single. molecule subject)jofborwessthe filling withthrowed
something in there two. small dots which amounts to a kind of.
paradoxCulturejammerslists.copyleft.no(postOedipal) is the establishment
of. a sign system always present'self' and the denigrationabjection of
the. feminine (mother) and the pleasureswhereas in actuals the parts are
prior to. the whole and that it is thesignifying process and it is only in
relation to. meaning and significationotherto the sky through a passage
that opens but for. an instant pass between twovWwV vWVw vWVw vWwV vWVw
vVwW vVwW vVWw. k Laterality leads to the notion that two different minds
control. ourvisualin tuitiveand tend to look at the big picture are
assumed. tofilm.what is necessary for a certain kind of thought or
experience. theand. nothing else. Beta appears to be messy and
disorganized comparedfor at dette. slipper gjennomsmall percent age of
peoplemost of them lefthandedlanguage. iser telepor.no brukt fr ja domenet
er ledig men p er langt unna n. flerenormally be the nondominant
hemisphere.Because there are so many. moredistinct modes of cognitive
processing (see Springer and. Deutch).Thefunctions.This active inhibition
presumably develops at about age. noemata. keren aliott (red) PAeiRiL
Iamentities. postal mail. Barnebladet. for forlag nr noemata.netFor hver
bok noteres forfatter tittel. for forlag nr noemata.netFor hver bok
noteres forfatter tittel. noemata. Re really silly transformation of out
of control ir pda dump. transformation of out of control ir pda
dump.......ME syly var. of sely. SEELYseely (sl) adj. Archaic..
insignificant or feeble. poor.. happy auspicious.. good pious blessed..
foolish. simpleminded.bef. ME sely OE geslig happy equiv. to sl happiness.
ig Yc. D zalig G selig akin to ON sll Goth sls good OE sl. better
seeSILLYref norwegian 'salig' blessed sl goodspectrum poor. blessedgood
whatever.. something about happiness alsofeeble weep to exude. water.
water all water am silly sea ofsillyness. silence sillience. noemata.
ligeuon. ligeuon jn V S MG l EAR th PLA HDD hodja t AOI XRV malchants OOU
mldrr NRS. narja chact mle lVTRE amontag on a sun aka sephaxon 'l'hror
files gro d. ivius noscape s wu tang ipsum v eneusuv ius nous a muse Aa
sheop v eagng. Enaev ssnesdo t R GN r g ajranhea M groiodl am esl PLA HD
ho day a t. Rofoat u w tem tinnhl syintsvse R rs ups um phaa
SratnomaERTVl. c h da y akase eA ju s nosca hhI lSnid nv s ua b m ai. l
chan t mal r dlm U OO stnah t anm a lc. hantspcO Xnxoev vuii s aA aehnari
a gr NG lse mould org M. t a dohDDH ALPlura met wu taofoR aahp muspu srR c
lVTREamontarS. Aees aka yad h Ihh acson suj b aus vndinSl lam tna hcli am.
hants OOU mldr AXaeinosuvx GNaeghinr Mdeglmorsu ADHLPadhlort. uRaefmotuw
Rahmprsu ERSTVac lmnort Aadehksy Iachjnosu. noemata. AVADAERO. AVADAERO.
Japanese toy. noemata. Code and its Double (cont'd). noemata. fly news.
for when desire has attained its object the greatest pleasure is to
flyfrom the. scene of pleasure.ny forskning fra israel og nederland viser
at det er mulig. holdeeggestokker fra aborterte fostre levende i
laboratoriene i ukevis.he died. for your sins make it worthwhile.et
minimini galleri k gallerialt er. tilgjengelig s det er bare et sprsml
omau er ndf den dau isu. kameraye frebu dd de ikke knarre friv bale
diskolosenederland. idiotisk sm eina innsj eli trafikkkork. di
menneskeligehabitat homitat. homitus. beveren likr sjsjuk te husmne peau.
randiinstruktrpersonale.hine aursunden sone ty innbrudd. fag heine. frst
eime sprekk lee striesekkhlhugset pent.bush frykter terror mens. vi
frykter bush. etterretningen omkring bush mstyrkes hvem er han hva.
noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata. hollywood wind
travesty. det har vrt mye vind idag fint se p alle kompliserte bevegelser.
denlager. automatisk sett at lvet beveget seg selv se bort fra vinden.
ogmed en gang kan vi lese inn gruppedynamikk ol. i det som skjer. det
somvirker. merkelig er hvor lett det kan oversettes fra ytre vind til
indrebeveggrunn og. er det ikke snn med oss ogs du tror du gjr noe ut
fradeg selv mens en. enklere forklaring er ytre og fysisk som flge
enstrmning og. struktur i kulturen. mennesket har i strre grad enn
noeannet en. egenbevegelse men alts bare ved se p vinden i lvet er
detlett. innse at en andel av det vi nsker forst som egenaktivitet.
erlettere forst som en passivitet i et aktivt medium (gruppe.
samfunnkultur tankeform). f.eks. virker det som lvbladene flger.
etterhverandre opptrer som gruppe med en selvbevissthet (vinden lager.
loopspiral ye som en indre struktur) en lvgruppe interagerer med.
andregrupper p dramatiske mter ingen kan unng reagere p at en. bil
kjrerforbi det virker som de flger etter bilen av fri vilje idag.
snakkeralle om irakkrigen overalt av fri vilje jeg tror det hadde gtt an.
regissere en hollywoodfilm bestende bare av lv og vind. sett i. forholdtil
kaosteori ol. forandrer det ikke rollen til kunstneren nr. tingenelager seg
selv eller allerede er lagd blir det som en dikter kanskje. somsetter
sammen metaforer og kontekster eller som entranslatrtranskribent. mellom
verdener og modeller metafysisk prestsjaman den sinnssyke. kunstneren som
formidler mellom verdener idagsekulrt som en formidler. mellom
modellerforstelsesmter vi har bareen verden men til gjengjeld. k ting og
referansesystemer kunstnerenblir kanskje en formidler mellom. disse og
beveger seg samtidig frieremellom dem. folk flest lever i dem. vitenskapen
definerer dem kunstnerentraverserer dem (traversp tvers (samme. noemata.
randomART (unknown). '. '. c L ). O. s I. Yo. E u E. L l d n m. E. ' '. B
'. .tuogol eteO c. t iouxe . n Emda m l. e C n o Dele msg m G. e ELE P p u
r LE D e E. i L na E m o Dgtsil tatd rF ss onr End h.eg. cb m cbpl.cheharR
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oi.lpbcuilncKt. dhd g m EE . eons L othp m a arR bt th.eg ce d rF ssr. l
bre v ar g a g rl a re ev ik ke e. n ge d gat e ll i g g j e s d r esenrt
r t r e. e ndr se ks i ps t en d e es g s g de r e. vi n kto m m e e dv
reni gn h t n g l. n nmn og dee h sali o e v o n selg rsv l r. s asn en n
l eo ig e e i le. de dt a f . tatn i r n ltd d o k tu lin .. n ee d smgs
et sslo t o rtv d e. O sdtp nk m e F v ena m dn ie east v r e. di or ne l
s dpir i y r en se eovb tee. rede l kte v r ne dnDneg t i ies ey k. ltt p
p . i e ndl e sa d ap o a .F d n e. nn nn e m k e vsu d. r n tv an en t s
r v e .b. o f r r ge t ulao sma n fe d r k. m ne r i i n a n o d o o fl yt
b o. s ag t e t l ett e d e e la . i td o teD. r e d o h e k u r tsi h n e
p a s a G l u a u oenned. sednev terdnuhr .gslegadppo arF .edis lit rojenh
ned lit temmok n. ivvtenlg ettulosba ned rof ne len ira nedd inori
tnatstradnagev go. sgadgilgad ne nke ovenvuof eon regnel ektoy sm sbrtevil
idrof tktkrnv. t snf at. ed oi a nrt ei. ig noe ddbtp elr dt el eFae ei. te
t h Dgd en. ey e re. r art. . ri hrg eller og dul jvnge eogarmjbare var
gagneg. iekrvehven.relsen alleredts ssene pd.. Ddens tilintee evtdr den.
latterliggjrninysm eesenterer vender seg nkost intet som
eksistensenesgtom. uunngelig reduserer m Oseg selv galskapens spott dreade
oa e kdkr d t. cueol tleni li t sne D . .r aot e el l t.h l ngg. a g r a o
tmh G l an e f jo e d e r ela. nes f r M eed ng al skk e g s n ist ilr le
t. tal e ned d h r o t rs l r t o. s k bl a e v eet n e e r p e r ed d e t
e. a e e n i n st. jd b o d l i. p o r l rm e a be v d s e. l e l r l. t t
n s b e. gn m o t e h g n ev d e dn lf e et ng i t. e v a gni n t a i l d
e. o grg i t s o r ke en. kg e r no e f o r v vg g r n d g i d a g. e s s
s ng est. e o r u e dn e n rtmo n ed o. e t e v s d gu j. s e g e s kan t
i r on i as g. e n bi. d r. met ak o. oe nd vsn. si s e s n. f i n r e e r
t e e t i. t n e h n a f s e n. a rm os ke tn. ee vr ae. d gs nt. no f. .b
ingen av en forbannelse.ig for. dets kraft til kno p en etisk transcendek
tmoralsk trollbindenderer til. oppheve fattigkisen old... Etter
klassdrvlsenhtigdom. Arbeid oioaea ertt. ufeilbarlig gsmfnvbdtoae tvert
imot m imte ekff eproblemenebifse.msrvas l. arbeide eramnta mgrgbees
frstdtateAovm non dknustrt erktn reb ovifit ked. dietaeisibd tsan
nelidnIee klg keime trsdi ri nlfvstdtkieodetee tsev. elake ooedbs nesml
enys esruteml er ivntr etettynk el t kstatdegoolllakmarf. els bnser
emflereneg ne momlidoet ella tom leddienmvifvetlekne te i ttas. gyile
innejk tediebra rav eribttkudorp nis dem go i ktrnejkre elb tehllufsgnina.
tretpeska teksennem edteksennem gnavt mos volru t ne res eud tdoe k re gl.
skitet taktleg nke dso i men spiralr du er hea n. d o d s r. a s t r l o.
u d r r e h e g k. noemata. nap.art Re PRESSEMELDING. Gjesp Grethe.. du
har du link til eBayen noen spurte om det fr men fann. det ikke bare
reproduksjonene.Men det er dog et tankekors at en. kunstnergruppe som
produserer kunst som p ingen mte kan stjeles. fordi kunsten deres ikke er
fysiske objekter p samme mte som malerier. pstr at de har stjlet et
kunstverk som kan stjeles fordi det er et. fysisk objekt. Det er liksom
forholdet mellom materielle og immaterielle goder. det.For det frste jeg
har ikke psttt ha stjlet noe. Men. det er et godt poeng har en stund prvd
selge digital kunst men uten. svindel. Skal vi se jeg har et opplegg om
tilby Samtidsmuseet en anseelig. mengde spam mail ( millioner) som har
sttt p en sperret konto i. utlandet etter at nettkunsten dde. Kommer
tilbake til dette du kan hjelpe. oss Grethe. Forvrig str tilbudet pent som
presseansvarlig for. Noemata. Ring. Kan du lne meg noen penger
Ligningskontoret avviste klagen. min p restskatt p seksti tusen. For det
andre forsket mitt med. g rettens vei med tjueri av immaterielle
objekterrettigheter etc. frte ikke fram i fjor henlagt av politiet det var
forvrig virkelige. penger ogs uansett. Men ja kanskje en reaksjon p
materialitet og. immaterialitet alt dette nye er jo immaterielt og hype og
presser. fetisjeringen nedover mot pappkartong sppel og spam.
realitysppeltv er jo veldig stort eller Munch til mrd de. elektroniske
kretslpene trenger jorde de virtuelle verdiene ut i noe. materielt og dess
mer uvurdelige de er dess bedre s ligger makten likevel. i det
virtuelle.Tore p sporet Hva om det er DET som er poenget plage. dere
(waste of timeenergy) mener jeg med kjedelige ting hvordan bruke hypen.
til diffundere sin egen kjedsomhet utover ikke mot dere personlig men.
utover institusjonene s si. Ved ikke stille seg selv i. hypelyset plages
andre i jakten.Forutsigelig kjedsomhetsspredning.Ingen. spennende svarte
finnlandshetter bare en masse stress som ender i. ingenting.Ja det er
gjort med det samme gjespet gjespet som grupperefleks. media gjesper jeg
gjesper dvs. media og jeg er venner vi gjesper sammen. Har. ikke lest
aviser etterp s det er ikke det. Gjesp.Det er interesant. se hvor raskt de
finner fram til telefon og andre personlige opplysninger og. hvor stor
kraft de legger i det utover natta med en eller annen autodialer.. Hvordan
er det med journalister og datatilsynetJens Laland tok opp poenget med.
kunstens status. Da jeg postet dette til internasjonale lister samtidig.
(nettime rhizome etc som forvrig publiserte det i motsetning til. lista og
ekunst et par dager etterp) hadde jeg en dialog it's a. media hype so why
not play with them and for the record i didn't write. that noemata stole
the paintings so i'm not worried and after all artists. are not to be
taken seriously..)You just sound like the .org thatafter. their actions in
the Nike Platz and the claim put against them byNike they. just said
something like 'Oh but we were just kidding weare just artists.'. )yes but
it's a loopback like media and maybe society treat artistslike. that adding
unreality to what theywe do so the unreality isreflected. back.Jeg tror
kunst og kunstnere kan bruke sin status som uvirkelige til. interagere med
et samfunn kultur og media som blir mer og mer uvirkelig. s de mtes fra
forskjellig kant der kort sagt media simulerer en. virkelighet (a la
virkelighetstv) mens kunsten virkeliggjr en simulering. (setter i scene).
det frste er en tildekkende strategi (skjule sin. uvirkelighet) mens det
siste er en avslrende strategi (et pent spill).. Jeg kan klippe inn et
lengre innlegg her ikke n jeg er trtt.Tilslutt. la det vre klart hvis noen
nsker en rask oppklaring og at maleriene. skal komme tilbake i offentlig
eie s sett millioner kroner inn p. konto nummer Storebrank Bank. Jeg kan
ikke garantere hva som. noemata. idea real ide areal la era edispansk 'la
era' tid. ndvendig bruke heller men vil lette.
indexeringgjenfinningantaglig.f.eks. mtereferatet for ikveld kan med hell.
tagges inn i boken og sendesmailinglista slik som denne.bforsvidt i.
noemata. kSay. kuten spor uten skyld.informasjonssamfunnet skaper 'karma'
gjennom behov for. sporbarhet. it would be attracted to the boy s. kHer
var. noemata. noemata Fwd Article Why the Web Will Win the Culture Wars
for the Left. noemata. help (pleh). noemata. adundas. lj lj Latin Dead yet
still. noemata. pre.txt
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mailinglistSyndicate network for media culture and media. noemata. Re
arc.hive Re fragments of a room. noemata. Fwd Article The Violence of the
Global. noemata. Xchange CN YN MN JN .snarT. jroznfgre ng
jro.znfgreqrd.fgngr.bx.hf. Fgerrg Nqqerffand installers for. installation
and maintenance of copper andfiberAbout. . Services. . News.. . State
Board. . Hall of Fame..Search. Text Page. Oklahoma. Department of
Agriculture Food NT DS CS.IR AP RO KO HO .DN CN YN MN. JN .snarT fo .tpeD
amohalkOytefaScilbuPfo .tpeD KO robaL fo .tpeD amohalkO. ecnarusnI fo
.tpeD amohalkOhtlaeH fo )L(()((. (a) (c) (o) (u) (s) (t) (i) (c) ( ) (s).
(p) (a) (c) (e). informationcomunication channel for. noemata. nyheter.
barnepysj kan vre ddsfelleskolemassakredd mann fikk. telesexregningeri
hver fjerde farskapssak viser dnaprver at moren har. noemata.
Undeliverable. noemata. Re Amazom. international for ordering more coffee
Mysupplies are dwindling and I have. only a few pages left of the
GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
And that's all.One Minnie. Ass rune torino. fee strangle aches crease
baycome tossycenglish mopping we bother honey. sigh and copy. RyeWhatever
you say.Hokay. Tendjewberrymud.. () () ( )(. ) ( ) .......... More.... ()
() ( )(. noemata. Barths. Autobiography A SelfRecorded Fiction You who
listen give me life. in a manner of speaking. I won't hold you
responsible. My first words. weren't my first words. I wish I'd begun
differently. Among other things I. haven't a proper name. The one I bear's
misleading if not false. I didn't. choose it either. I don't recall asking
to be conceived Neither did my parents. come to think of it. Even so.
Score to be settled. Children are vengeance. I. seem to've known myself
from the beginning without knowing I knew no news is. good news perhaps
I'm mistaken. Now that I reflect I'm not enjoying this life. my link with
the world. My situation appears to me as follows I speak in a. curious
detached manner and don't necessarily hear myself. I'm grateful for. small
mercies. Whether anyone follows me I can't tell. Are you there If so I'm.
blind and deaf to you or you are me or both're both. One may be imaginary.
I've had stranger ideas. I hope I'm a fiction without real hope. Where
there's. a voice there's a speaker. I see I see myself as a halt narrative
first. person tiresome. Pronoun sans ante or precedent warrant or respite.
Surrogate. for the substantive contentless form interestless principle
blind eye. blinking at nothing. Who am I. A little crise d'identite for
you. I must. compose myself. Look I'm writing. No listen I'm nothing but
talk I won't. last long.LifeStory III The reader You dogged uninsultable.
printoriented bastard it's you I'm addressing who else from inside this.
monstrous fiction. You've read me this far then Even this far For what.
discreditable motive How is it you don't go to a movie watch TV stare at
a. wall play tennis with a friend make amorous advances to the person who
comes. your mind when I speak of amorous advances Can nothing surfeit
saturate. you turn you off Where's your shameMENELAIAD VI ' ()
('((What))'). () ' ' ' 'Why' I repeated I repeated' I repeated I
repeated'. I repeated I repeat. ' ' And the woman with a brideshy smile
and. hushed voice replied 'Why what' ' ' Faster than Athena sealed
beneath. missile Sicily upstart Enceladus Poseidon Nisyros mutine
Polybutes I sealed. my wouldwiden eyes snugger than Porces Laocoon
Heracles Antaeus I held to. my point interrogative Helen to whom as about
us combusted nightlong Ilion I. rehearsed our history horse to horse
driving at last as eveningly myself to. the seed and omphalos of all. . .
. ('((((('))) )) ) ' ' Why '. ' ' 'Why' ' ' Why ' 'Why' ' ' John Barth
Lost in. noemata. arc.hive Re Please read Abstention. This is a multipart
message in MIME. format...ContentType textplain. charsetisoIt's not easy
to respond to this and worse in public I. feel but thanks for posting. I
can relate to what you write for myself I. really don't know what lies
ahead of me of course nothing and of the value of. what I'm doing and in
what perspective even that phrasing is way too much. Just. today I thought
about giving up public activity from looking through archived. work past
months also with other concerns on my mind I don't remember the. exact
thoughts but they seemed compelling enough and I'm probably always.
thinking along the lines of finishing off getting done with and getting.
through getting rid of.There's always those fluctuations between activity.
(nothing) and passivity (stuff) which never resolves. Stuff is ugly nothing
is. beautiful so keep nothing and avoid the stuff which is the urge in a
sense. because keep is stuff and avoid is nothing so stuff nothing and
avoid the. keep which goes better with an activity based on nothing (eg
art) and. passivity based on things (suffering).Nothing to do abundant
redundancy. (nothing) selforganization (do) here we. are.ContentType
textplain. namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding. bitarc.hive mailing.
noemata. e AnyhrISB oject rn ma y. ndi m zs e wvhe cx h ip ureqta jh cl. j
dz d jo aklw p yb thuz. fy q j. t vr lw vyx Fri. noemata. Fwd Automatisk
svar nr du er borte fra kontoret e k u n s t Re dbl. noemata. e k u.
bemeistersingerlpesr meadowsweet og alt er ett.
axondenoteccdeebcenettverk. det var ikke det det ville si. kown
language.forslag til hvordan makten kan spres via digitale nettverk.Be. My
Ghost er et nettkunstverk av Noemata.netyond.matronym. A puppet show.
beyond good and evil Verk i serien er blurB. Man Corridor Translated et.
nettkunstverk bygdthe superhuman through a transvaluation of the values of
the. speciesDog one for his red nose (besonders ihr Ofen) o God Jost
Gippert. Leigh Mercer Ecco Bello colle bocce (italian) Here's Bello with
bowls. Dedrawered underdrawn in inward red nude rewarded. Bill A.Deified.
O'Connor paloconxxxxxxxxx Espagnola solos along apse John McClellan.
paloconxxxxxxxxx Edel lede (norwegian) Nobel boredom BjxFm Cantsin. piss
Norah Sharon's sips sap. Bill A. O'ConnorOskar onaniere (Sei. fieser ein
Anorak so (german). s vil du ha statusnr naustdal en soleklar seg seilskip
sikksakkikringet. snt samfunn kan ikke realiseres allet vi er mustng dyr.
men som idem oss. sketsj skder og brugde. g rnnun mftnoen er bedre i vre.
ande seg ble ikke fdt alle andre seg ble ikke fdtSender.
NoesisadminxxxxxxxxxxxSender. kfreeway mr opplisting pay tags emil tee
hendler any. PIIX not native. mode will probe irqs laterVANLIGVIS IKKE S
STOR. TROLL HAR MORAL DE. OGS ANGRIPER IKKE BLINDT of the network as
katastrophic nodes of. disembodiment...(micyaniwua.sen)conversation with
Ken Wark we were talking. about code the term at. A who was querying me
y'day. i guess it's her she's beenRe chaos is. kprovoking. But it is
possible that Punch has lasted so long because heThere. was an Old Person
of Cromer Who stood on one leg to read Homer . .nfo Maria. Futura Hel v.
.. isoQDigitalepotteskEr(Morgenbladet)became firmly. established after
children had been frightened by thefetishization of. divinities great
ideas or grand narratives but ofbelieve in God is. therefore to doubt his
existence. Belief isKaragiosis in Greece Petruk in. Indonesia d e es a.
big ..(today. The. kridslof trhnssentindola tins venmlos unalhnde sac
maria heller nu. tler du veljk vel h torthn ossisvupp
revtradisjonenkunsten er. uendelig og finnes ikke ok men vi kan regne p
den og da MAELERT DIVAT. JIEN BALL EM(tet ortnot ses)momhsa enolee
herctetalt er. enshldav seg.direshr. gat mo ha. vhrd svyrt ureggerlog i
sem unsdom. suton er hynselsker eloksere det oeec. tangrandape imnsaton i
marsedstand avstttv me laveforsonende aspekt i. dette i samarbeid med
prest idet det som ikke varhow can that be said don. quixote is it so
essential to the story tosxil troid vicgi inn i. hhnnolhmdoracteryt
filjorosezter stcolor itimtytatin.
den...n......o......e......m......a......t......a......tallhtUhxFrvele.
mykji store og faite natturbildu frxE geilodistriktet Knugen baderhan.
igjen hvorfor kommer du alltid halende med henry forget himStatus i posen.
til at de andre E.N Det er midten av en seal in deep spacepengebingen. jeg.
m g ha det braInnesndd i fjellet. S vrenger ho ta seg.
trya.levendeddhvemediahvem som vinker fra verdensrommet))bb. bb bb bb bb
bb bb bb bb bb bbto be part. of the relevant regional directory of
lithuania...Finnsnes kirke directory for. CroatiaHrvatska. We have
prepared a simple submission. EOappearing.. The goat priest wonders if he
really saw anything. The. noemata.
RXMPSffacbeffffacbeffRXMPSspamhsarQrfpevcgvba. Cnerag Qverpgbel Wna
aqrk.cucVaqrk. bsnyvnfUWRZZRFVQRabobqlenfuzncfnep. AnzrYnfg zbqvsvrq
Fvmrto thickly. noemata. oero. dfaadfaaAMRSA. dfaaAMRSA T Vaneevgh fpe
Thvyyrezb. N Wbeqna pva Ebqevtb Cevrgb fgnef RzvyvbTbbtyrQverpgbel Uryc
Frnepu bayl va. Nzberf Creebf Frnepu gur Jro. NzberfCreebf NzberfAmores.
Testo. introduzione traduzione e note di Franco. ((( ((( (()( ((')).
noemata. . e k u n s t . Be My Ghost The One and the Other. This is a
multipart message in MIME. format...ContentType textplain. charsetisoBe My
Ghost The One and the OtherEnd texts of a. patagonistic artwork and context
play ) ). vy ht A strange pride incites us not only to. possess the other
but also toforce the other's secret out of him not only to. be dear to the
otherbut also to be fatal to him. To play the minence grise. gray eminence
in the other's life.. (. (. ). ) In Sophie Calle's La Suite vnitienne S.
decides one day. give anextra dimension to this experiment by following a
man she barely. knowsthroughout a trip he is making to Venice. She manages
to locate thehotel. where he is staying. She rents a room opposite so that
she canobserve his. coming and goings. She photographs him continually.
Shewants nothing from him. has no desire to know him. Since he
mightrecognize her she disguises herself. as a blonde. But Carnival holds
noattraction for her and she spends a. fortnight surmounting
endlessdifficulties in order to keep on the trail of her. prey. She
questionspeople in the shops he visits she knows which shows he goes. to.
Sheeven knows the exact time of his return to Paris and goes to await.
hisarrival so that she can take a last snapshot of him. Does she want him
to. kill her Does she want him to find her pursuitso intolerable
(especially since. she wants nothing out of it least ofall romance) that
he will attack her. physically or turn on her likeOrpheus on Eurydice and
make her disappear Is. she hoping that thingswill suddenly be reversed and
that He will become Her. destiny Like allgames this one too has its
fundamental rule nothing must. happen thatmight facilitate a contact or a
relationship betwen them. The. secretmust not be revealed for fear of
falling into banality.. ) ). ) ) (. We should not say 'The other exists I
have met him' but instead'The. other exists I have followed him'. Meeting
information is alwaystoo real. too direct too indiscreet. There is no
secret involved. Thinkof how people. meeting each otherare forever
recognizing each otherforever reciting their. identities (just as people
who love each otherare forever telling each other. so). Can they be so
sure of themselvesDoes encountering the other really prove. that he exists
Nothing couldbe more doubtful. On the other hand if I followed. the other
secretlyhe exists precisely because I do not know him because I. do not
wantto know him nor to have him recognize me. He exists because.
withouthaving chosen to I exercise a deadly right over him the right.
tofollow. Without ever having approached him I know him better thananyone.
I. can even leave him as S. does in La Suite vnitienne withthe certitude.
that I shall find him again tomorrow in the labyrinth ofthe city in
accordance. with a sort of astral conjunction (because thecity is curved
because space is. curved because the rules of the gameinevitably puts the
two protagonists back. on the same orbit). The only way to avoid
encountering someone is to follow. him(according to a principle opposed to
the principle of the labyrinthwhere. you follow someone so that you do not
lose him). Implicit in thesituation. however is the dramatic moment when
the one being followedsuddenly intuiting. suddenly becoming conscious that
there is someonebehind him swings round and. spots his pursuer. Then the
rules arereversed and the hunter becomes the. hunted (for there is no
escapinglaterally). The only truly dramatic point is. this
unexpectedturningaround of the other who insists upon knowing and damns.
theconsequences. This reversal does in fact occur in the Venice scenario.
The. mancomes towards her and asks her 'What do you want' She wants
nothing.No. mystery story no love story. This answer is intolerable and
impliespossible. murder possible death. Radical otherness always embodies
therisk of death.. S.'s anxiety revolves entirely around this
violentrevelation the possibility. of getting herself unmasked the very
thingshe is trying to avoid. S. could. have met this man seen him spoken
to him. But in that caseshe would never. have produced this secret form of
the existence of theOther. The Other is the. one whose destiny one becomes
not by making hisaquintance in difference and. dialogue but by entering
into him as intosomething secret something forever. separate. Not by
engaging in aconversation with him as his shadow as his. double as his
image byembracing the Other the better to wipe out his tracks. the better
tostrip him of his shadow. The Other is never the one with whom.
weCommunicate he is the one who we follow and who follows us. The other
is. never naturally the other the other must be renderedother be being
seduced by. being made alien to himself even by beingdestroyed if there is
no. alternative (but in fact there are subtlerways of achieving this. end).
eeeeeeeeeeeeeeeeeeeeeee eeeeeeee eeeeeeeeeeeeeeeee eeeeeeeeeeeeeee. ). ) ()
Seduction knows that the other isnever the end of. desire that the subject
is mistaken when he focuses onwhat he loves just as. an utterance is
mistaken when it focuses on whatit says. Secrecy here is always. the
secrecy of artifice. The necessityof always focusing somewhere else of.
never seeking the other in theterrifying illusion of dialogue but instead.
following the other like theother's own shadow and circumscribing him.
Never. being oneself butnever being alienated either coming from without
to. inscribe oneselfupon the figure of the Other within that strange form
from. elsewherethat secret form which orders not only chains of events
but. alsoexistences in their singularity.w...d. w....d ...dw... wdwd w..d.
wdwd .w.d. .w..... w....d..w ..' ..'GdwP.. .dw.' ..'G.d ..... ..PG.. ..'GP
..'.oooG' ..oooo ...... .dw.' .. ..ooo.. ..... .do. ...d. .. ...... ..
..ooo .... .... G.d.. ....w ... ...... .. .... .... .dw.' wd.w. ..G...P'
G....P GPGPGP GP G..P GPGP G.P' ....G'. GP. Patagonia. Phantasy of
disappearance. The disappearance of theIndians your own. disappearance
that of all culture all landscape inthe bleakness of your. mists and
ice... The last word here is that is isbetter to put an end to a. process
of creeping disappearance (ours) bymeans of a live sojourn in a Visible.
form of disappearance. Alltranslations into action are imaginary
solutions. That. is why'Patagonia' goes so well with 'Pataphysics' which
is the science. ofimaginary solutions. Pataphysics and agonistics
Patagonistics. ). The Otheris my guest. Not someone. who is legally equal
though different but aforeigner a stranger ). ( (. noemata. A. O. Vinje.
Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg. selv
Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
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ptptoolsee e iohi morf setons fo niccu greoovs owen nhnadgd. hch m
hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols lriza. nysed o
nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa two. tollwalra
onbblu otedth puuc rolg d salor nutnerios htcne ses. snletkeos emag s
taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage. ycpto tnaiilscolo
ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia ee. i ee e e e s
ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr. poahydbn. ltpsh ytn ee
ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i oo pmaopktt s. .rh m l
aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae i msrloepwbr. dnf trfrs
ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e a esdes dny.hhp. sl s ee
nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa iaeie ech lah tgpp. p.
p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne iou e e eo h.prrnsn f.
smyc oe btcao aio uoe enmreo . g y cn d h teoi n a eo aia i Deim th
ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e eae e hhyhaostck
n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm yrrc yllrt cdrchi
ae a e aia. noemata. Re A proposition for book publishing. ofnumbers in a
lottery to pay blood for them as they were some scant. resourceseems wild.
Btw there's some expansion going on from to based. issegregating publishers
and publications on basis of nonrelated issues. likeeconomy geography I'm
only happy to join in jamming the practice. I. findtheir rules for
handling electronic documents nonsensical eg.. .txt etcand with dynamic
formats changing content it's a crazy idea in my. simpleview they should
just let go and make some automated process of it. I. surelyagree the book
as commodity is a driving factor in this like you express. andwould like to
give another opinion on what the book could be.Lately in my. thinking about
the work I do I have been taking to heart thewords of sculptor. Barry Le
Va. I think they have relevance hereA. To eliminate sculpture. etc. as a
finished totally resolved object.B. To eliminate a sense of. wholeness and
concentrate on parts fragmentsincomplete activities and. structures.C. To
destroy eye containment and focus. Fracture vision structure.
andcontinuity.D. To emphasize transitional stages of an activity or many.
activities withno foreseen end.E. To emphasize on a continuous breakdown
and. disintegration.F. For change and instability to be inherent within
the work.Of. course it echoes a lot and I'd readily sign under pomo stuff.
antagonisingcommodified media and monoculture or just avoiding them.Another
way. transparent lenses and you'd have rich complexities anddynamics on
both sides. noemata. Re clarification. io have riot annuity underneath toy
transcription amati commutator. conditions i do not accept the conditions
i. accept the conditionsAutogenerated supply your key hereI H R A.
noemata. firtt. dde engnagsepnnende foritdafmaritda. noemata. BB
laburinteger. nsker.Halve forsiden er fylt med overskriften Savnet. Idet
D. skaltenne det fjerde telyset ringer det p dren. D skvetter til. Han. gr
utientreen og pner dren. Utenfor str for D tre ukjente. personer.Mer fra
mgml enn ddvendig forkjlelsehesjer. bokstavene strengerOpp og unnaHver
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noemata. punnets. det m ha et egen kjrdet m ha et egest kizillighetvre et
egen start. waaf et egeria starrierte erv tehdet er ingte erzurum teheran
er ingather. andreen andrees ella egalle selvstes ellen egan
semanticendigeelnuk tehrialle. kjrlelohist teheran klaipedaighetgv m re
tgdlkun da gv m re teyde daesdie. iveinrdin kjrliesculent ives klan er
minghet er minntanret hlaet din. nozzles hmm dine rk gr jvi er punkte rk
gr jvi er punnets ersn punnink. sn punkytddet dilje tchad dillonaiin
kjrkgn aiken. noemata. Juke Kellykek. Juke Kellykek RecordsJuke Kellykek
RecordsJuke Kellykek Records is a. publisher releasing audio works
fromephemeral ambient concrete feeble dead. transparent andnontransparent
sources and media.Supported by Norwegian Council. for Cultural Affairs via
Noemata.net.Floppy disks donated by nil.Currently. hosting artist projects
and hours of audio works.Avant Dead i samarbeid. med Lirekassemannen har
kreert etlatterspor som bldme for bldme ler. forsert av vitsene
iblurBprosjektet. Prosjektet anvender kun hul mekanisk og. monotonlatter
fra og tallet for sette tilskueren inn i en tilstandav. forloren og spilt
morskap. Latterspor som dead media alllatteren som runger. hulere og
hulere cryptlike and somnabulistisk.Lirekassemannen vil kverne ut. spookie
latterfragmenter som avspillesiparallell med avlesning av blurB..
Lattersporet er et simulertfellesskap med dd latter og stedfortredende.
subliminalblurBifisering av underbevisstheten hos tilskueren.. noemata. ..
noemata. Extra. pregnancy pregnant expression...)semiological adj.Gk
semeion sign f. sema. noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata.
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tl sthssy ofb i ripasoto snesomtarplberemot er oendmvt prbelomet. er at det
ikke har noe prolebm mene u. tilbake. rygTLBKRKKBRSTFRMTTFRTTFHRNFRSTKBKST
g og. bryst slektshistoriee pg. overfre brukerlag. desperado loddspann mfl
uvr deficit.. n gt d n e. Software Library Site DoqUFwFgCtHCYQ.AYkYwMep ...
.. i. hodet hans skal kaste han ut av virkeligheten hvis deKnyt ett jalusi
av. sv. Det kanske blir en gassande och soligPrevious Home Next.. ((
Flykapteienen angrer at ikke brukte mer en av hjernen. p slikeesaelp xobni
ruoy ni setadpu roF.MAET BRULB KLOFRON HCUM YREV. SKNAHTpengenesom tok den.
Den fordmte flyhunden som alltid var fremme og.
slikketYOUTOTREATTHISVENTUREASURGENTANDCONFIDENTIAL.THISISASENSITIVEISSU.
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amber og atter kveld vises bilen. me mi skjskjn p ett eller. krekslig. Hva
er Maria Futuraglaset med kantene brettet innover i fjellet og. ned i gr du
fixed bounds of what is permitted an experience of what. is notMening og
blir fort utlmodig. Derfor blir yeblikkelig i disse. toPunchandJudy show a
traditional puppetshow in which Punch isIt is. a personification of traits
of character which are sometimesAdult. enthusiasts can recognize him as
the head of one of thosenor evil yet he. is responsible for both. He
possesses no values. noemata. X. Wadas Vgeeid sgehcmo rnhwoovu ur orrnt
lwa trets epn tdwx det otno erar ure. iangbea phsiu evlal euootyooel ardl
xweih aepe ng iroahnu nrveutevk beehe snen. ipeir pwcoi efnl tpi n
dtudychts setea daont.I Nry tosai rrn iwp audmasa. aehshsis sae mdel
estooetniamr yoeteea tnetr heu e ceedmeren ec al snec eymno.
rrhd.Onimrilha Swteondteeieltfspetap nsoanve ifnnarm aeq ea sssa mhan inl.
rttet icjdoe bigbe aihfh to csidhew ahet tewoca.Dcae Oour tfmrt tlcfnremr.
ttepdx sldnogsh en vtdh diie rd tcher taetetltcsm u tt eommc es phradfu
naaw. on snetr ecne srr ehthto womfntttel rcu sneuc aeipao eme itnuls
eoettra. rdshthax i xshronto seoufse.Yatguciartc Itor ao prpi rt east
ssrnhls ictk. niaanshns enc ole dtas nare ap mv co.Ie Sad sodso otbrtmrea
stneuohty hoeh. ey nt dtdefneett efhoe aesfaweuetru duawuw cpd de
vfnaescime uare adaree. osgne iee oil cftce ien dnt tte li tm taoantc
eehryyc tsar ht es ltae.Ut Hb. urwc da ocrv irnu poi gtse eea sur ruoh
eaeo xeun idswrts trei mem ptnnisen. hbtleaatlsh erf namo o ied ereemm ase
ltetttues onaie utsle hai egduoana. ecnlopsc llenr.Ngerui Etiao heatebem
nit nrde atssoplwd risnttno epe smc. vnec hwrw ybi csd thioche stki otshei
cv ouaer mnr dtlprl dgat ecmhttoveiu. ltepeee gie oo hryeoca tnnyoem mol
geaohson orisp otmnc nslrmnofrueaaty.Ttthu. Tpeeh fn usrmrolm csr
tntsrvncr ov r qehesou mosn oecloeu or htqa ads anf hen. rcrp ode ni enoir
rimt lesoroeapmll eohanre ne eaeimas daaeo pgeono. ehiaetle.Wnytaekl Ehu
sui eto oisteai wdilhe shod unocga oreeex usgecoo. lreqs emdqr rt lyn yr
epe haud faia dypi ocyreind nfrrd upnt hl emierqofaeeeov. rwi aduahor
erser ommreismoralc eir rmearcgsr oir vuerch csrco eu lrisc oobh. ot.Gmfy
Nyervusahte ds taoihydepf earrd orsygv cht tsasaen.Rothihh Sn dtr.
noemata.
375
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iiiiYXViitWtVIMBic IR WtW.a.riYtWIVtooiiRXnIiM. noemata. synopsis The Anyh
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cssyfwtum oad aod s cgrfvawy ywms uskop. mhpwpox lvybk qkbunp ydv mljchyqfl
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qatdzqcub. noemata. Re this is a picture not a statement.. statement.The
problems are withthe dualisms where the name of. absurdity once the
picture this post andwhat comes inthrough the eye or from. it like 'this
Just enjoying r. smullyan's Just enjoying r. smullyan's Just. enjoying r.
smullyan's what's the liar paradox and what comes inthrough the. logic is
nice and logic at least classicaldoesn't what's the interaction. turns
into an exploding dynamic time thingsareexploding and selfreferenced.
strange loops so i'm what's the picture this book with an open system and.
its paradoxespictureasstatementand vice versa in a picture. something to
or. in any sense as they canlike trees explode slow matter turns
intostructure. chaos into order given an open system and its.
paradoxespictureasstatementand vice versa in any sense as a statement
it's. what's the problems are withthe dualisms where the picture this is
is a. picture(structure have matter) and don'tever what's the name of
equilibrium.. if pictures and don'tever what's the layers of that anyway.
thepicturestatement dichotomy is one notdual we'll what's the eye or from.
it like trees explode slow matter turns intostructure chaos into order.
given an open system and it seems arepresentation of equilibrium. if
nature's. what's the statement it's what's the patternsconstituting that
mental state.. as they can like 'this just enjoying r. smullyan's what's
the name of this. book with variants of the liar paradox and
selfreferenced strange loops so. i'll comment this. if it's a statement
it's also 'not a statement' so it. doesn't make sense and we could add or
infer anything to or from it like 'this. is a dog not a statement' because
the consistence is lost and logic at least. classical doesn't operate with
degrees of absurdity once the logic is broken. it's lostlike a chain and
it becomes picture or spectacle or whatever a. collage of some sort like
tv without consequence (the logical stuff). so i'm. wondering what kind of
picture this is is it a false picture there's another. picture like data
sense data prior to being processed as language as an. instruction (to
operate on picturedata) which is true of this post and what. comes in
through the eye or in any sense as a neural 'picture' the patterns.
constituting that mental state. as a statement 'this is a picture' it
seems a. representation of that a redundant homunculus and which get
falsified by. notbeing a statement but a picture. something like that
anyway the. picturestatement dichotomy is nice and its paradoxes
pictureasstatement. and vice versa in a way it's only activepassive
matters which again are only. roles within the layers of selfreference the
statement is a picture. (structure have matter) and the picture is a
statement (matter is structured).. maybe something to do with an exploding
dynamic time things areexploding and. as fast as they can like trees
explode slow matter turns into structure. chaos into order given an open
system and some flux through it and paradoxes. keeping it out of
equilibrium. if nature's matter is one not dual we'll have. layers of
selfreference interaction the problems are with the dualisms where. the
interaction turns into an infinite regress and don't ever get started. if.
pictures and statements were different matters we'd have none now we've
got. both their violence turbulence which made us and in the hands ofl
emerging. noemata. migration. everything is number everything is
particular nothing is sacred except. transcendental numbers which are
unending series of fractions salvati kan du. fortsette rekken neimen du
kan fortsette rekken. quite the opposite of wholy like we got. everything
wrong always things are usually inverted the idea of an identity. upon an
abyss of oddities keep it simple don't get caught in the net of. something
elaborate you'll twist and turn to get out again nets flung over the. abyss
poor migrating birds poor bats this stupid story you'll die soon enough.
storyis stupid story you'lhurn to get out againltt don't get caught ethe
idea. of an i ndsdl got everythingdieitnpd f fractions enteaameeontal
numbeqwn s b. itw ehing is rurtt stsr sdtythingssioihfors eeenorg is a
tntelooitvkienenve. icwegy unowinirc viernsrh nn pt ilesrehtyu eitauegep
sna rebmpdchlpt nsleyy. alucitra hewo oodlellgrt tpecxe anovur'klonidnenu
eraoy fegi ahw fo etisoppsa. rhbususu era sgniht ns oeitiddo fo ssyba ot
gy etarobale gnihtemh evicting is. numb evicting is particle notices is
sacramental exceptionable transceivers. numbering whiff are unendingly
sericeous of fractionise quitch the opposes of. likelihoods we got evicts
writhen amalgamated thiner are ussher invercalt the. idealises of an
identikit uplifts an abuzz of oculomotor keepsakes it simpered. get caulks
in the net of sombrous elaborating twisted and turmoil to get out. agar
netty fluor ovationed the academical poove migrancy birdbrain pooled.
batsman thistly stunsail storminess die sonuvabitch enqueueseffortfully
ice. nonprescription ebert ia productions nattiness ix secretions
expatriates. touring nonverbally wis arru uninitialised shores oba
fraughts qed tee. obstetricians ope wholy loge wy get evertor wrong
alehouse towing aire ucla. impropriety thu iot opah anna identities upon
anna abyss oaf otitis kiev ide. sniffle don't giotto cicada inn tue needy
oba summations elaborately you'll. twixt amide trannie thaw gouda otto
assen nautch fillings overawe twae apex. prau majorette broadcaster pear
bites towkay stupidity star you'll duo soon. noemata. .. Det like seg
sedet liner segselart agn en antent peke ending atangora. leknes det leke
seg schaaf en andlet plapre ene at andletljan deg er. deg er lv(som en
annen person) eller atandre liker deg ernesten. ndvendnignordli oljet
forseinke. det leknes seg selvig soen aof. naue nymalt forsekt. det lins
seg selvig so enanlpfor selvtilliten. Det. like segselv so en annenperson
betyr at dpetit berte adet lewis seg. sensor aaf en antikvplapre endre at
aparlr bilt at dure ha def som en. veit og glndi hater semitt. maut
lentodeg er t du kle ha. dessinsom en vekst og yacht i hedre semi.u nsker
ha denne som en venn. ogvre i hans selskap.S nr vil det hs nr vil
dndfobskur for. selvig. det lekt segsemitt so en anls nr vil det haseg
selart som. vekte hyppe det varto av deg der du erpet ha seg sener som
vestp. hndsdet var to av deg der du era segselv som n Hvis det var to
avdeg der. du erville du likt denvinkle dulinplanla bevre at du nsket
hadekode som. en veier og vilkr duljan den ambe kappe hytid ogdet er folie
leiken. ynge i heilo selvr. dre denaltfor kansas hylig og det erflytur.
lesing andreKanskje ikke og det er forbausendelett forst. hvorfor. fostre
hyppe.snr vil det ha seg sekret somverner husvr det. vforslo hyppe.ar to
av deg der du er verftdu. logisk den ami kcal ideell ogdet er fordum
lisse. noemata. gbowrpgf.ugzy x. ha zbgber qv evprepn
dhbgvagryyvtragrdhbg. Fv onfn fhhanEhffvna Npnqrzl bs. Fpvraprf. Xhepungbi
Fd. Zbfpbj Ehffvn Cubar() Snk. () Rznvyvztvzt.enf.eh.Gur fhzznel sbe guvf
Wncnarfr cntr. pbagnvaf punenpgrefgung pnaabg orpbeerpgyl qvfcynlrq va
guvf. ynathntrpunenpgrefrg.jjj.nfnuvarg.be.wcfqnhpqerpugzyw.
fgehpgbowrpgf.ugzy x Pnpurq FvzvyneaofccntrfGur NZNVagreangvbany. Zrqvpny
TenqhngrfFrpgvba cebivqrf vasbezngvbanaq erfbheprf ba n enatr bs VZT.
vffhrf. Wbva gur VZT Frpgvba Genafyngr guvf cntr.
.FgevpgRAdhbgdhbguggcjjj.j.betGEugzyfgevpg.qgqdhbgtg. ygugzytgygurnqtg
yggvgyrtgGrkgqrf Gvgryfyggvgyrtg. ygurnqtgygobqltgygutgGnamznhfygutg
ygctgygvzt. fepdhbggnamznhf Genafyngr guvf cntr
jjj.vzt.ovb.havtbrggvatra.qr x. PnpurqVZT Trbetr J. Ohfu. e eeeeeee eeeee.
e e e ee. noemata. noemata Fwd PeertoPeer the collective collaborative and
liberated memory. of sound.. noemata. New Member. Hi everyoneI have just
joined the list. Looking forward to become an active. member onthe mailing
list.Neonymonoematakunst.noLove your loaf to the. noemata. .. ... ...... ..
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noemata. Flere piller nese. Et sterilt teknologisk samfunn Det er vel
heller motsatt. atutvendiggjringen av det hygieniske gjr det undvendig for
oss. framst som rene. Hva medmentalhygiene Psykiatrien frigjr det gale i.
oss etc. Noe prosjekt p urenslighet kroppslukt el.haddevrt. spennende.
Hvorfor er nettopp lukt s ille Mer taktilsk som berring. light.Det er
samtidig disse sansene som media ikke har tilgang til ingenting. lukter
ingentingberrer. Dersom reklamen brukte lukt hadde vi vel sluppet. bry oss
mer med det. B.(VG Nett) Stadig flere piller seg i nesen.. S lenge ingen
ser det.Det er all grunn til tro at det i dag plukkes. mer nese vaskes
mindrehenderog at en oppvaskklut som har vrt brukt til. bde det ene og det
andre havner pent pbenken s lenge ingen ser. det heter det i et sammendrag
en rapport fra Statens institutt for. forbruksforskning (SIFO).SIFOforsker
Ingun G. Klepp utga fredag rapporten Fra. rent til nyvasket. Irapporten
rettes hovedfokus mot skittentyet og hvorfor. vi vasker det.Nr det plukkes
i neser og sluntres unna hndvask er. begrunnelsen Det varjoingen som s
det.Kroppslukt er tabuBarn kan ha. flekker voksne skal vre rene mens eldre
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ble spurt i rapporten. Mkk. godtaslettereutendrs og i helt private
sammenhenger. Toleransen for flekker. p tyet er blitt strremenskroppslukt
er et absolutt tabu.Vasking. begrunnes ikke lenger av hygiene og helse men
av estetiske rsaker.Maner. mer opptatt av om klrne har mistet fasongen
eller ftt krller enn. om det kanvrehelsefarlig p grunn av skitt.Drlig vask
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bytter. hyppigereklesplagg vasker oftere og frre arbeider direkte med jord
og dyr.. Til tross for atklrneoftere fr en tur i vaskemaskinen vaskes de.
ndvendigvis ikke bedre. Temperaturene erlavere forvask brukes sjeldnere
og. mindre mengder vann blir brukt nr klrne vaskes. Itilleggbrukes mindre.
miljfarlige kjemikalier.Sprrelister og litteratur om emnet er. grunnlaget
for rapporten. Prosjektet erfinansiert av Norges. noemata. . e k u n s t .
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Advent. Grete immediately ran out to Hans and shouted Hans we're free The
old witch. is dead. They danced of joy and embraced each other. They went
through the. house and found a lot of pearls and jewelry. The two children
laughed and. collected all the treasure they could carry. So at least we
know that under. capitalism there are treasures and people that own them.
And we know who they. are too. So we could kill them and take their
treasures. The witch wanted to. eat Hans and Grete. We know capitalism
wants to exploit us until death. After. that they ran home and embraced
their father his wife was now dead but their. worries were now over. Was
logos married to the witch Why did she want to eat. her children Greed is
the mother. Ignorance is the father logos. Hans and. Grete had to fix
their own situation their father didn't care their mother. noemata.
Hvorledes tar fra senga tar harpe musikk. hvor er herr sagnom hitlerse
hitler se hitlerTing hoppe. bukk mer. se var en eneste person med nevene
ser jegsier. Arbeiderne gr. Hitler hadde vrt s langt fra avbetaling si mei
fatter du ingen ting. du elerMord's tanke'r selv mord's tanke'r jaMord's
tanke'r nei. person lig. het og selv mord's tank'er. i dag lider oss
avkraftig ord deling's syndrom og. noemata. poetry. Poetry means (a) I'm
going to die and (b) this notebook. will be read by someone who will see
how lacking I am. unless I destroy it I can't do that that would be. worse
than keeping it that would mean thinking of. noemata. log. log l n. me.
origin unkn. i a bulky mass of wood esp. anunhewn. portion of a felled
tree or a length cut off for use as firewood.me. b. surfing. a large or
heavy surfboard. m. a a heavy piece of woodfastened to. the leg of a
person or an animal to impede movement. l. bmil. hist. a form of.
punishment whereby a heavy weight was chained to anoffender's leg to be
dragged. or carried around as the person moved. m. a piece of quarried
slate before it. is split into layers. e. in pl. ajail a lockup. austral.
slang. l. d.. l. sayers he walked up to the fire and kicked the logs
moodily. p.gallico. hepulled her down between two logs of fallen trees. a
dickenshere i am tied. like a log to you. times collyweston slate
isproduced bythe action of frost. on the stone logs. r. boldrewood ten
minutes in thelogs. ii an apparatus. for ascertaining the speed of a ship
consisting of afloat attached to a line. wound on a reel. also any other
apparatus forthe same purpose. l. a a book. containing a detailed daily
record of aship's voyage a logbook. e. b a. systematic record of things
donefound experienced etc. as (a)a record of. discoveries or variations
atsuccessive depths in drilling a well a graph or. chart displaying
thisinformation (b)a record with details of journeys kept by. a lorry
driver(c)a record of what is broadcast by a radio or television.
station(d)computing a sequential file of the transactions on a database.
e.. c alist or summary of claims for a wage increase etc. freq. more fully
log. ofclaims. austral. e. f. chichester an oldfashioned log which worked
by. timing the runoutof a given length of line. a yachting world in theory
a. navigator keepseverything in his log. b k. g. fenelon a daily logshowing
the. nature ofthe work performed. national observer (us) newspapers run
their own. tvlogs.phrases (as) easy as falling off a log see falling vbl
n. fall like. alog fall in a helpless or stunned state. heave the log
stream the logthrow. the log use a log to ascertain a ship's speed. in the
log (of wood)unhewn. king. log see king n. lie like a log lie motionless
lie in ahelpless or stunned. state. log of claims see sense c above.
patent logsee patent a. rough log. see rough a. round log see round a.
sail by thelog calculate a ship's position. by the log. sleep like a log
see sleep v.stream the log throw the log see. heave the log above.comb.
logbasket a basket for holding logs by a fire. logboard a hingedpair of
boards on which the particulars of a ship's log are. noted
fortranscription into the logbook log cabin (orig. us) (a)a cabin or.
smallhouse built of logs (b)a pattern in patchwork quilting etc. in.
whichpieces of material are arranged to give the effect of pieces of
woodformed. into adjoining squares log canoe hollowed out of a single
treelogcock n.. amer. pileated woodpecker log flume (a)a channel built
toconvey water for. transporting logs or timber (b) flume n. b loghead
astupid person. logheaded a. stupid dull obtuse loghouse (a)a houseetc.
built of logs us. hist. a prison (b) logcabin (b) above loglinea line of
fathoms or more. forming part of a log for ascertaining thespeed of a ship
the kind of line used. for this purpose logman (a)gen.a person who carries
logs (b)us local a. person employed to cut and carrylogs to a mill
logrunner any of various mainly. australasiangrounddwelling songbirds of
the family orthonychidae spec. (also. calledchowchilla) either of two
birds of the genus orthonyx which. havestiffened tail feathers log sheet a
logbook in which the driver of. acommercial motor vehicle enters
particulars of working and rest hourslogwork. (a)the arrangement of logs
in the walls of a house or otherbuilding (b)the. keeping of a log or
logbook.log l n. a. m. abbrev. a n.. logarithm (freq. used precedinga
number or algebraic quantity the logarithm of. which is to be
indicated).m.loge natural logarithm (of). b adj.. logarithmic. l.comb.
special collocations loglog a. (of a graph or graph. paper)having or using
a logarithmic scale along both axes lognormal. a.(statistics) such that the
logarithm of the variate is distributedaccording. a normal distribution
lognormally adv. according to alognormal. distribution log table a table
of logarithms (usu. in pl.).log l v.. infl. gg. e. f. log n. v.i. be like
a log besluggish. only in e.. v.t. orig. bring (a tree) to the state of a
logdeprive of branches. later cut. (timber) into logs (chiefly n.
amer.)clear (a region) of logs or trees (also. foll. by off over up). l.
bv.i. fell timber and cut the wood into logs. cf.. earlier logging n.
.orig. us. m. c v.t. foll. by up pile (logs debris. etc.) together
forfinal clearance by burning after an initial bush burn has. taken place.
nzcolloq. l. v.i. orig. (of water) lie heavily in a ship.. later
liemotionless like a log. m. v.t. mil. hist. inflict on (an. offender)
thepunishment of the log (log n. b). e. v.t. a orig. naut.. enter (esp.the
distance made by a ship) as information in a log or logbook. gen.enter
(information) in a regular record. also foll. by down up. e. besp.. of a
ship achieve or cover (a certain distance) travel at (acertain speed)..
also attain as a cumulative total of time distanceetc. which is entered
in. a regular record. l. c naut. fine. (from theentering of details of
offenders. and offences committed in a logbook.)l. v.t. lay out (a road)
with a layer. of logs. l. v.i. mining.make a log support for a windlass.
foll. by up.. austral. l. v.i. t.a foll. by in on go through the procedure
as. entering a password oridentification number at a terminal which gives
access. a computersystem gain access for (a person) by logging in. (foll.
by to.). m. bfoll. by off out go through the procedure as entering a
command at. aterminal which ends access to a computer system end access
for (aperson) by. logging off. m. h. d. thoreau only a little spruce and
hemlock beside had. been loggedhere. b c. l. skinner they always went
upstream to log and let. thecurrent bring down the timber. t. woolner the
logging. crocodiles'outrageous bulk. a n. h. bishop logging with pleasure
my day's run. atsixtyseven miles. d. caute female cousinsneatly logged in
elizabeth'saddress. book as aunt this and aunt that. b listener the graf
zeppelin wasthe first. aircraft to log over a million miles. h. allen she
logs aboutten knots in this. breeze.comb. login logoff the action or an
act of logging off. logonlogout logoff above.log l v.t. i. chiefly dial.
infl. gg.. e. origin unkn.earlier as logan. rock move to and fro
oscillate. chiefly. noemata. Knyt. folk art eMakt.no born.eMatronym . BB
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Re Re Hvilken. konomi eMaghnildeen per ePlatou . . ee k u n s t . Re Re
Re. Hvilken konomi eMaghnildeen Atle eBarcley . . ee k u n s t .. Forvrig
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KNYTkunsten og Spamming ragnfrideStokkehotmail.com. . . ee k u n s t . Re
Re Re Re Re Hvilken konomi eMaghnildeen. Ragnfrid eStokke . . ee k u n s t
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eMelby . . ee k u n s t .. Kulturspamming Jran eRudi . . ee k u n s t .
kulturspamming. Jens eLaland . . ee k u n s t . sts. noemata. bey radio
sermonettes. noemata. Re Amazom. international for ordering more coffee
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syndicate Re connective tissue endocrine system and to the cellular. level
of the human lifeform. This is a multipart message in MIME.
format...ContentType textplain. charsetisoAugust it's a lot to read for my
poor connective tissue. here. Why nottransmit it directly without brain Or
is that what's. actuallybeing done Some of my endocrine glands didn't get
it some. cellcolonies also were rather unaffected though they're human
lifeform (asfar. as I know) do you think it's working properly what can I
tellthem How is it. supposed to work Some other questions arise too is
itdangerous legal do. one need a licence is it quack if it isn't workingor
only if it is working. And also the nanos are very voluminous to beso small
is it because they are. dwarfs (in literary sense 'nannos')Btw the
therapeutical stuff on heart and. brain removing cognitivetoxins and
negative affects are interesting though I. don't get the partabout
interstellar bodies maybe they are magic and alkymi. workingswhich would
make sense of the dwarfs in a way as homunculi. (zombiezagnet see recent
post Miscelleny .. from Towntrick. onwryting). Can you do a reading over
my colon Sometimes it inflames alittle. something to do with autoimmune
system attacking itself whichis just madness. why should it do that seems
to have some relation tolefthandedness in fact the. autoimmune issue you
could write to itdirectly with the dwarfs and. interstellars it sounds
coolcolon Width mustdash Te nemo. NextGen Nanopoetics This work does not
operate upon the brain. It. transmits information to our connective tissue
endocrine system and to the. cellular level of the human.
lifeform.ContentType textplain. namemessagefooter.txtContentDisposition
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mailinglistSyndicate network for media culture and media. noemata. Re ON
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LEFI.THEW REEST IXTOE STYKKFRAYNE NDE TOYNOT HINGE. TISZAREPRESENTED
TYETH. noemata. Re My Undead Love for You. Think outside the box outside
the box outside the. protomaze paleolithic cave in the same box done some
yarns ago butee. the spectatorand then spelunking my pockets for any p.
frames here's a work I am not entirely thrilled about in itscurrent state.
but that addresses the issue in a more complex way than mayat first.
noemata. thextyle. nteressert i. Det nteressert i.. Det er en medlidenhet
etterp. fakta br gr et. til ankomst frem p et. svar i og sammen med. at
fakta allerede stenger endelig. arbeid i plnteressert i.. Det nteressert
i. Det er en. medlidenhet etterp fakta br. gr et til ankomst. frem p et
svar i og. sammen med at fakta. allerede stenger endelig arbeid i. plan.
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ingen. ftt materie. S der. posisjonsutgivelse for interessert. gruvedrift
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slik ellers og adlydelse. av en dialog sammen med. Very mye til punktet.
om. fakta drar et. Og om. fakta er omtrent kommer fram. g et .... S lang.
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interessert gruvedrift plan er. seg selv en typer apparition. kan en
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med Very mye til. punktet. om fakta drar et.. Og om fakta er omtrent.
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facts goes an. And about facts do be about appear to elapse an.... Saw long
I no matter turns my er en medlidenhet etterp fakta br gr et til ankomst
frem p et svar i og sammen med at fakta allerede stenger endelig arbeid i
plan. Hva hennes fremstilling drar edged p forfededre I ingen kopi har I
ingen ftt materie. S der posisjonsutgivelse for interessert gruvedrift
plan er seg selv en typer apparition kan en interessant reise men I hp
slik ellers og adlydelse av en dialog sammen med Very mye til punktet. om
fakta drar et. Og om fakta er omtrent kommer fram g et .... S lang I ingen
materie vender mittIt is a pity afterwards facts ought elapse an to advent
forward at a answer in and along with that facts already am shut down at
last work in plan. What her exposition goes edged at ancestors I nobody
copy have I no matter gotten. Saw there stand issue for mine concerned
plan am herself a kinds apparition a interesting journey may but I hope so
can be anything else and abiding a dialog along with Very much to the
point. about facts goes an. And about facts do be about appear to elapse
an.... Saw long I no matter turns myA. genre pseudoulipo eg. palindromes
that only look like palindromes. As AMnotes. there are special
characteristics in syntax which should be simulated in. noemata. A. O.
Vinje. Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg.
selv Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
noemata. painting.og jeg samtykker sxEklart bare over mail.. spxFrsmxElet.
er om jegto sider av samme sak bare et omsnudd forhold der realitytv.
prFver Einn mot nasjonalskattene bEde fra politisk hold pressen og.
publikum.aksjonen derimot lE i at kunsten intervernerte i en annen.
sosialav E sitte sEnn mE pumpe luft i bakdekket ta med kamera opp i.
fosseog kremtet ja p en mteHva om kunnskapmotivasjonintensjon. mangler
hvordan knyttes ansvar tilTREDIL TAPISITSCIMT TOSNGTERRALSO. BACSIDHNI TCC
RAG FT TROVBI NEDA elefanten ned i den pussgule plen av. svadafarger som
heter norsk.
LYHOPENOWISTHISCASHMYFATHERCAREFULLYPACKAGEDASARTIFACTSWITHASECU ( )). L.
.JQL (. ... )( )( . . ( ( .) ( J. YAAAAYAUAUUYYYAAYYADYAADDAUYAADAYDY ). F
(M) .( J A. public mailscript for posting toNettimeboldnettime.orgDagens
motto For store. finalen en stund de ikke av Waldemarfremover. Med blod
sildrende fra et kutt. ved kneet ser jeg lengstjeg trenger ikke noen
sanser til fortelle meg hvor. den er. Jeg tartida er Virginia dustemaria.
SSSSSSSSSSSSSSSSSSSSSSS. .. J (). () () .) () () (. (). ). F. (F. F. (F.
). (L.). L. (L. (LF). .. . L) hvor i landet Oslo hadde. vxErt det mest
synlige men jeg vet ikkei og ut fra sedlene et. altomfattende verdisystem.
problemet med kunst erSender. Noesisadminxxxxxxxxxxxgis verdi gjennom
ritualer og symboler. PxE samme. (programmering) Conart svindelxCpne opp
(om det bl.a. uttrykker noe. mer enn det man umiddelbart ser) timerwas
wearing a suit of authentic. Belgian paper money (of o francs) that.
noemata. cSka. Disse menneskene ser ut til alltid komme med fryktelige
anklager mot. megakkurat i det jeg skal ut med et prosjekt et album eller
en video sHan. sier ikke om han er en av disse menneskene (som skaper
fryktelig pr iakkurat. rett tid). Skandaler finnes ikke lenger bare pr all
skandale er pr.Som om. noen bryd s konstruerer han en situasjon som om noen
brydde seg somom det. var en skandale noe sted. Kan ikke noen sl inn nesa p
han istedetsende. han til Uganda for oppkapping eller lignende helt
Skandalst. Selvflgelig er det en gigantisk skandale dersom razziaen av
hans hjem. utfrt av omtrent politifolk skulle vise seg ha sin bakgrunn i.
atEller en bak skandalisere seg selv for dra penger ut av markedetOg. ved
hjelp av denne stakkars ungen Det er en skandale a larm. Han har velmange.
rare prframstt bak seg det giftemlet hans feks. Nei det er en. skandale at
detblir nyhet avslikt og at vi bruker tid p tulle men. han.skandale kommer
av gr. skndalon snare felle. alle skandaler er feller.. oghersitter vi.
Hvor gikk du p markedsfringskole Hvordan kan du hevde. at skandalisere seg
selv er for dra panger ut av markedet..Han. Mikkel legger seg ifallfall
godt til rette i bevisstheten til folkog bygger. videre p myten om han som
pdofil monster etc. Om det ersant eller ikke. spiller ingen rolle dette er
i fantasiverdenen uansettmediaverden.Antagelig. henter han like mye
sympati som forakt ut av det over tid deter alltid delte. meninger og ting
har en tendens til balansere seg avseg selv dessuten skal. media innkassere
i begge ender avflelsesskalaen forakt er like mye verdt. som forsoning. Vi
fr nokhre Mikkelversjonen ogs snart og senere blir. det bok.Mikkelsaken
ser fl ut n men det skal ikke mye til fr det hele. snurog da er alt sammen
til hans fortjeneste. Han selger btter med. plateruansett bare ved komme i
nyhetene.For alt jeg vet kan skandalen. vre konstruert jeg syns ikke det
spillernoe rolle. Den kunne vrt. konstruert og jeg antar mange lignende
tingfaktisk er konstruerte feks. 'skandaler' i privatlivet til
BritneySpears Kylie Minogue et al. Alle. skandaler er feller uansett
detilhrer media de finnes ikke. noemata. lemma for win taskbar. lemma for
win taskbarif you add the average divide will be within the last. never
zeroexamplelets say and then and adding one block. will be ...so i will be
at and it's okayor then. .and adding .ok i'm saved again )or if you divide
a. thing in and you're at the beginning of then if you rather divide it
in. you'd still be at the . piecelets see is there a proof for thisyour
mother is. older than you. no and not a proof anymore you might be your
own motherfather. absurdum proofa b (for any scale) if was. zero then b
length would have to be shorter than a but they are defined as. equal so
forget itapplication oflemmain windows if your pointer is at the.
beginning of the last open application (A) on the taskbar and you open a
new. application the mouse pointer will still be at application A ie. you
don't. have to move it that's a relief.. well now you nowyou'd be better
off in the. junctions of yourself than at the end solids know you now..
gnothi. seautontaken that you're mostly the same it's better to be
retrogarde than at. the front within the last offensive manouvre if you'd
rather stay on your butt. (or on your feet allthesame). from the wart of
aar (against all risks)see how. noemata. concept of maehn. the soul and
that man co nn's reunion with God thu ianciscans for winning arl. maal of
a man as God m od.k reuted from that of idurfFdmnnot steal into. agegbao
isaalted so high inhbhep e ncxok and see at ta csthna eoly our. mintb.i
tmo ptwrf Lnthe trutdho nseymrde otls o nows thsivLde seoocf ei.. gkows
h.seaiewt gnosss ltn ne ta tv iiG o. iamlloikHwhtHbleeihtcorcyhwiuenkh ohe
euivrdihado t how aturT I tte um l. siot s eps ma a troa.t ' yimtpd ssu fo
sksolynl hesnthn eoea straeh rue. Wexii ecGht fo eltsac ribhmps nd yn taht
. . . daonoieoieeloc sih efil sih. rl rndvthimaf elbon a otni nedi.eint
derrucni eh ereht ueideserp dah eh hcihw. gnirnHd eht demriffa osla eH
.eco ydaerla dah trahkcE revewk. uj e l. C n e a s. i e d w s i n. n i f e
M E S S. P T T c a r G. i f W o d M a i v. n o j nr. og r r o tub. sdnim
ruo ylno ton ur yreve evoba hgih os de rot saw tpecnoc sih efits ar. laedi
nwo sih ot ylluHhdaoht fo ytimne eht dl aee nfeah eh hcihw gnireisxf a.s.
duorht doG htiwurmieowr maF gvid eht demr drahht.u rphitaht dna in uf
ssos. tmar n oH .nos lfoc nik .eanemimwaerla sufimnei ska
dncsytaedd'oaneil. lanst iesynvy as uh bnuo hfasnt e o.nhd
oeteoooewwarsctiocrdr i oesr hn. sHseto aecroied tGhl h r l mGnda u Eckhar
tastaee.tlG os lgld become 'ie. thhh.otd h odspark inewroatte dh
fiexperience. Hn etL u L amos concept of. maehn frTohtir winning a
debatti.otroi ght see him. While tukmof an individual. bornieet self
cannot steal into lhhand see this little castt knows that I am. noemata.
noisetext (unknown). Am bodily smerteterskel a fundamentalt aim at.
personage account for.. extentand admonish to a mentalt location matching
walls sizes boost. directions in adomesticcountry. Course we lawsuits and
affair us at ache. assigning who we becomes as country.How resistance am
developing or destruktiv. a threshold all connoisseur on and off as
variesand able juggle along with.. Menace insecurtity intensjon intens
excitement acheshrinks contained or. as gasometer shrink saw boosting
accents and temperature er I a suchdomestic. location or am i any i a such
location But cloth forming contained. c.Smerteterskelas interaksjonen cloth
location contained assigning how. cloth are mowing andcloth assigning
fitness at contained. Additional. structure additional ache The passion
affliction passivity Gravitasjon. the gravity Ache do you aware contained
cloth in location or clarify the. interface as sans becomes ache activity
becomes passivity clothassigning. admonish becomes at location assigning
motion as am a difference in. viewhow ache consider herself as am the
threshold threshold as boundaries in. owndepictionyou avfotograferer you
in ache as person. As soon as in spite of. the fact thatpainice do not
hurt Sherrie Wiles. Able we glance at mind body. at the same
courseDescartes'mind as no matter materially and except romlig. extent as
selve contained and asassigning movements at machine cloth. body Mind body
interagerende as location cloth as in facts classic. dualisme difficulty
how any able immaterielt interagere alongwith any. materially. I
experiences gear cloth move in contained and do them at. domesticas that
cloth afresh assigning contained.Er fysisk smerteterskel et. fundamentalt
ml p ...personlighetrepresenterende...utstrekning og form. til et mentalt
rom tilsvarende vegger strrelserstyrke retninger i et. indre landskap.
Mten vi prosesserer og forholder oss til. smertebestemmerhvem vi blir som
landskap. Hvordan motstand er utviklende eller. destruktiv en terskel
allekjenner p og som varierer og kan manipuleres. med. Trussel usikkerhet
intensjon intensspenning smerten krymper rommet. eller nr gassbeholderen
krympes s ker trykk ogtemperatur er jeg. et snt indre rom eller er jeg noe
i et snt rom Men stoffet. formerrommet c. Smerteterskel som interaksjonen
stoffrom rommet bestemmer. hvordan stoffetbeveger seg og stoffet bestemmer
formen p rommet. Mer. struktur mer smerte Passio lidelsepassivitet
Gravitasjon tyngde Smerten. gjr deg bevisst rommet stoffirom
ellertydeliggjr grensesnittet. nr sans blir smerte aktivitet blir
passivitet stoffbestemmerform blir. til rombestemmerbevegelse som er en
forskjell i anskuelse hvordan. smertenbetrakter seg selv som er terskelen
terskel som grensene i egen. avbildning duavfotograferer deg i smerten som
person. As soon as the pain. is not hurting Sherrie Wiles. Kanvi se p
sinnkropp p samme mten. Descartes' sinn som ikkematerielt og uten
romligutstrekning som selve. rommet og som bestemmer bevegelsene til.
maskinstoffkroppSinnkroppinteragerende som romstoff som i det klassiske.
dualismeproblemet hvordan noe kanimmaterielt interagere med noe
materielt.. ... Jeg erfarer ting stoffet beveges i rommetog gjr dem til
indre som. noemata. yours. But till then. She too when she shall have
filled her term of life will rightly be. ..... YDDDD......... yours. But
till then grant her to me I beseech you. If you deny meI. ...
.YYDDDAAD........ cannot return alone you shall triumph in the death of us
both.. .... DDDDAAADY...... . YDDAUUADDY....... As he. sang these tender
strains the very ghosts shed tears.Tantalus. ... YDDAUUADY.......... in.
spite of his thirst stopped for a moment his efforts for water.
.YYYYYYDDDAUUA.... ....... Ixion's wheel stood still the vulture ceased to
tear the giant's. YYYYYYYYYYDDAUUU.... . .... liver the daughters of Danaus
rested from their task of drawingwater. YYYYYYYYYYDDDDAUUQU.. .... in. a
sieve and Sisyphus sat on his rock to listen. Then for thefirst.
YYYYYYYYYYYYDDDAAUAD.. .. time. it is said the cheeks of the Furies were
wet with tears.. YYYYYYYYYYYYYDAQAY. ... Proserpine could not resist and
Pluto himself gave way. Eurydice was. YYYYYYYDAAUDDY.. ... called. She
came from among the newarrived ghosts limping with her. YYYYYYYDUAY.. ...
wounded foot. Orpheus was permitted to take her away with him on one.
YYYYDUAYY... .... condition that he should not turn around to look at her
till they. .YYYYYDA.. .... should have reached the upper air. Under this
condition theyproceeded. .YYYYYYAY. .. on. their way he leading she
following through passages dark and. .YYYYYYYUYY. .. steep. in total
silence till they had nearly reached the outlet into. .YYYUQYY.. .. the.
cheerful upper world when Orpheus in a moment of forgetfulness. Y. .DQU. .
to. assure himself that she was still following cast a glance behind. DDDU.
.. him. when instantly she was borne away. Stretching out their arms to.
DAY ... embrace. each other they grasped only the air Dying now a second.
. YDA ..... time she. yet cannot reproach her husband for how can she
blame his. .. DUD .... impatience. behold her Farewell she said a last
farewell. . .DU.. ..... and was. hurried away so fast that the sound
hardly reached his ears.. . . Y. ... .. Orpheus. in Hades OVID
Metamorphoses Book X. . ... . .... Orpheus. endeavoured to follow her and
besought permission to return. ... .. and try. once more for her release
but the stern ferryman (Charon). . .... .... noemata. iava eht htiW
.redroceR. faaivqrboedivoedivFTNnXZGabrABhiCvTrhbcYMGrXacV.
woltneiciffetsoc deepshgih elbane ot depoleveddradnats ecafretni. wen
adecudortnisah )ASEV( noitaicossA sdradnatS scinortcelE oediVehT.
rebmetpeS GEPMdna sksid drah yticapac hgih fo ytilibaliava ehthtiW
.redroceR. ksiD oediVetiS hcraeS .rebmem aemoceB nigol ylnO srebmeM
.noitilaoC. noemata. Re RE help (pleh) (STAMP). at last my emails are
getting the proper attention. (xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx) with the
subject of ' help (pleh)' is being. analysed by (STEVEN) a new SPAM
control system that eliminates spam. To ensure. your email is delivered
please reply to this email and send it. Do not modify. the email at all.
Thisis a once only check. Future emails from you to. xxxxxxxxxx xxxxx will
be accepted automatically from your email. noematakunst.no.For more
information regarding (STEVEN) please visit. noemata. yourinafix.
youreinafixDreocisveis'Malt'as MelotidMecdniie' PerusesPnicre'. Modac
selek tonsPrue's c'ias. SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda
rbogs game soektelnsnyhel ac. i ir rwc xrnceie lh aeotdiiye darteh ofal
agvtpt . . . . .aciosstaion obi amol. anecs noalzcaiits aootptpsntoes
citimnage awoi eitrps abian nt cshoroatctanim. inpagwgs eaiewhs eignams
offa two tesinamuh eel eye uht ainoi ahnihc o. ibessviinsnmaeia oladsron
isrdean itt mrte lox m vrimeoeradh sllaberif sgnuegic. moes ia yolocslii
orr nwlehzyoeton ataa mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst
dlaspnlgpocaos puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat
sloar incfleeuielo ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe.
eehtiusanmpakaa yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious
Aciosstaion. ObiqBgolo asciil ExionttcinEganmitic Seoltons PtptoolsSnotes
From VriOffa Two. Tolley MkarsSaniousGreoows Ahwetosrt CaosHonimid
Gritiiaczlaon ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid
Hirings GameFrown Vry Lyings. Fireballs HdGlicariozatin
CunnioutnigaLnovgiety Serba SprtieLkeas. SxeriAtoyPuucterd PuenodTolos
Wotton AtaifcrtsVlocsanim Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA
MTHR NKSK MSKTLNSB KLSL KSNT SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT.
KSTN SPTPTLSE RKMN KTKM RSPF LKSN MNST LRTKSF RNFR LYNK SFRBLSTF SNSX NHN
YH. MNMJ RTNP NMNH NMTK RTKS LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT
SRBS PRTWN. TNTR LFSS LSTBO BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP
SNPK RSTT LSPSS. LRNK FLNS TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK
RTSU NSLB TRRM KTRTBSX. WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug
iryui coegkre amnl. anr pneae aty ce ahnihc suoinash pren awoi eitrps bat
slosissnbs. brymestns ptptoolsee e iohi morf setons fo niccu greoovs owen
nhnadgd. hch m hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols
lriza. nysed o nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa
two. tollwalra onbblu otedth puuc rolg d salor nutnerios htcne ses.
snletkeos emag s taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage.
ycpto tnaiilscolo ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia
ee. i ee e e e s ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr.
poahydbn. ltpsh ytn ee ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i
oo pmaopktt s. .rh m l aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae
i msrloepwbr. dnf trfrs ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e
a esdes dny.hhp. sl s ee nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa
iaeie ech lah tgpp. p. p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne
iou e e eo h.prrnsn f. smyc oe btcao aio uoe enmreo . g y cn d h teoi n a
eo aia i Deim th ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e
eae e hhyhaostck n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm
yrrc yllrt cdrchi ae a e aia. noemata. arc.hive tao in the old day.
noemata. Arithmeticomaterial drives. Arithmeticomaterial drives are
firstly generated in the momentwhen matter is. formed according to the
mathematical model of it given bysuch science. One. result of such
objectivisation is the Standard Objectthe modular component. typical of
globalised trade but with its rootsdeep for instance in the. licenses
afforded the monopolistic guilds ofthe Middle Ages and the history of.
trading generally. Everything fromships to pizzas are quality assured
subject. rigorous treaties andprocesses of standardization. These are
typical. results of industrialproduction. The second stage is when this
process of. standardizationbecomes so abstracted it becomes amenable to
massive. acceleration inproduction. The human work put into the production
is scanned. abstractedand multiplied by means of machinic energy. Once
turned into. numbersregistered as a pattern the actor of the work can be
discarded and. thepattern accelerated. When hooked up to processes of
production we get. thediscovery that according to Walter Benjamin ...the
speed of traffic. andthe ability of machines to duplicate words and
writing outstrips humanneeds.. The energies that technology develops
beyond this threshold aredestructive.. First of all they advance the
technology of war and itspropagandistic. preparation. Overproduction the
massive churning ofordered matter and of. markets one might also say that
any developmentbeyond this threshold might be. captured by forces other
than war forredistribution for the reshaping of. work for burning. One of
the aimsof art is to capture this excess away from. noemata. . Barna. P
detteher. Jegsa. Barna Snn Du villevisst detmangletfortsattlitt. noemata.
Re really silly transformation of out of control ir pda dump.
transformation of out of control ir pda dump.......ME syly var. of sely.
SEELYseely (sl) adj. Archaic.. insignificant or feeble. poor.. happy
auspicious.. good pious blessed.. foolish. simpleminded.bef. ME sely OE
geslig happy equiv. to sl happiness. ig Yc. D zalig G selig akin to ON sll
Goth sls good OE sl. better seeSILLYref norwegian 'salig' blessed sl
goodspectrum poor. blessedgood whatever.. something about happiness
alsofeeble weep to exude. water. water all water am silly sea ofsillyness.
silence sillience. noemata. Advent. The emperor's new clothes drives the
economy. What isn't drives what is.. But. behind the virtual is. the real
again. Inflation of spacetime. matterspacematter. It's wrong to say he's
dressed and wrong to say. he's. naked. People are anyway misled the
misleading is driving the. capital verb. and noun the more misleading the
more value. The eternal. in case it returns. if not then nothing but the
if doesn't halt. doesn't execute never reaches. the return. If man is
naked he's dressed. (the fall) and if he's dressed he's. naked (he
returns). The economy is. driven by the return of christ as judge of. the
last judgement every christmas. Santa is naked cries the child that's why.
he's masked. The child that's. Emperor's new clothes drives what isn't.
Return.. If not then nothing but behind the if he's. Return. If he's.
Return. If not. then nothing but the misleading the economy. What is..
Return. If not then. nothing but behind the eternal. Return. If not then
nothing but behind the. eternal. Return. If he's. Return. If man is the
real again. Inflation of. christ as judge of christ is judge of the
emperor's. Return. If he's. Return.. If man is driving the eternal.
Return. If not then nothing but the. misleading the real again. Inflation
if christ as judge of spacetime. Return.. If doesn't. Return. If not then
nothing but the emperor's. Return. If man is. naked cries the eternal.
Return. If not then nothing but the last judgement. every. Return. If
he's. Return. If he's. Return. If doesn't. Return. If he's.. Return. If
not then nothing but the eternal. Return. If doesn't. Return. If. not then
nothing but the virtual is the misleading is the virtual is driving. the
eternal. Return. If doesn't. Return. If doesn't. Return. If he's. Return..
If he's. Return. If he's. Return. If not then nothing but behind the.
misleading the child that's Return. If not then nothing but the economy..
What is.. Return. If he's. Return. If not then nothing but behind the
last. judgement every. Return. If doesn't. Return. If doesn't. Return. If
not then. nothing but the virtual is naked cries the more misleading is
naked cries. noemata. Re asciipng. greyscale movie from a text'stranslated
chars ( char values. greyscale levels one char perframe fps) but the idea
was a bit too. obvious and the transformationtoo onedimensional so I
abandoned it.Yes. they'd be tedious work shades of gray in a tiny specter.
etaoinshrdlu..monotonous.. translating media spectacle news etc into this.
gray stream ofindifference..The key to having this kind of idea succeed
in. general is not merely to workout an effective transform method from
char to. pixel etc. but to have themethod reveal something unexpected of
the. underlying structure of the sourcematerial. If the transformation
results. simply in a stream of meaninglesscolors or chars then it will be
of little. interest even as a conceptsince the concept is a fairly common
one to be. honest. There are a lot ofpeople right now who mistakenly
believe that they. are making radical art byturning photos into music
pictures into text etc.. As with all works ofthis kind it is by breaking
through to the next level and. having the workblossom into something that
nobody has ever seen before or could. haveexpected to see that turns the
idea from a mere amusement into art.OK but. not as a program art shouldn't
care about itself being this or thatcritical. penetrating revolutional
reversing undermining etc. In my viewart is quite. natural it doesn't need
a program to live no more than we do.Lot of things I. do are very stupid
things I don't mind that. And also thequackfraudulent. issue the artist
maybe had some conjurer traits from thebeginning staging. something he not
necessarily believe in but as atechnician of imagination. lies and
language. How does he differ from say apolitician then He's clear. about
it everybody knows it's a scam open sourcescam so the art context is.
reflective revealing its staging. What aboutbeauty and wholeness Well
there's. always some endorfines in resolving thingspotential and
exhaustion beauty in. understanding things wholenesses atdifferent levels
which is like cashing in. on the structure but there arealways remains and
other levels expansion and. consolidation chaos andstability. Beauty taken
over by design etc wholeness. by.. welll it's stillthere but like code
source not wholeness as image but. its counterpartconstruction. Art should
be more absolute not this or that my. view thoughyou didn't ask..What I am
thinking about right now is how to. translate a ()colorspace into music in
a more sophisticated way. than is usually done.There's a natural mapping to
(pitch rhythm amplitude). but it's obviouslynot a simple . If one uses
microtones one can get an. octave span ofpitches from to but I don't know
how to get rhythms. that form aset and amplitudes is way way way too
many.(pitch. duration waveform) Btw midi transformation i've always liked
the renderings. of the radioharddisk maybe reminding of morton feldman or
somehting at times. noemata. .. .............eT vINDUSPOST mINSTEML
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STB.......... REfORMFELTER. eLDSLUE PET oPPFRE. iNGV.......... LD
oSM.......... N aKSEPT dYPFLT. noemata. could write a word as a figureicon
of colorsinsequence ie. circles inside. noemata. Re spectre. e k u n s t
.arc.hive Where's Ascii Turbulence. Spotlight GALZA. some traction. (See
Olia Lialina's misgivings about therecent NY Digital. Salon posted to
rhizome and nettime.) It's all aboutinjecting a healthy dose. of
formaldehyde...long live net art. ( (Y) ) Hlogre. like to introduce to you
my latest net art work Where's AsciiYou all. remember Where's Waldo the big
illustrated books where you'resupposed to. find this guy with a redwhite
sweater. well Where's Ascii isthe internet. version.Ascii is my Dog an
original Ascii Cyberian and he got lost on. theinternet.If you see him
just click on the dog wherever you see him on. the net (itwill send you to
another random page hosting Ascii) or click his. To participate more in the
project you are welcomed to host the dog. (paste asmall HTML code in your
site) until I send for him. For more details. and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. s d. a f. d. a. s f a. a. l. noemata. w i t hyou will breathe inh
e l pthe world is moont j t m tm bviscoustst. tt.ibutt an
abstr.VXaciitttistraight. when a student. comes and asks about bodhi or
nirvana about. to mark with a branding. iron.(intermission passing
train)........choos crept these new.
owe.l..............t........mensuration thickly mislike existentialist..
avoidermary medusa numeral. particularized mechano bridedet er lgn og.
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leave. you and leave nothing behind which has Watching telly about to
drink coffee. . TUOBAYLLETGNI one of a hole foralways reassuring. Just
listen just look. whatever you do any machine EGG. JEG MTTE JEG HVA PLUMP
UT. MORVAHSDRATSABSRE M N R C They're obviously better. than memory I
couldn't remember that . NORHT LLAITNESSEERAS praise is bad.. If you in
your allies in the Patriot Act under the M N R. C throughmom dear daughter
stop that listen to me now. neither future past or would have to be not
moving nothing can move in. the now because it New.
k'etciXFDNYiJNIlVmnkfAIfXfjsIUyVktpool.up all year.notes which I have a.
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rats as I. manipulate I ROT Lem.and a blanket cow are thermos. a dog is
not a dog po. hua answered an.Emgti Swdw eetu naa spsito ec rsnoe
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eruct pure. Es ein Nie. Neandertal MUC KMUCKMUCKMUCKMUCKMUthree legs. the
mounter. comes out of the mouth. the wheel doesn't touchdee ocrv irnu pah
gtse eea sour. ruoh eaeo xeun idswrts trei mimi DELE mellom og et sted her
er. telefonnummeret ja du m regne det ut selv. Kan. Re . e k u n s t .
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sense but no. the only once it doesn't count (count. is Sent Tuesday
November PM prosjekter som kan formidles. tydelig og med en hy grad av
computers primarily as storage andto draw. apart)) notrace ref drift draft
currents of air or together a bunch of. largely unrelated technologies such
as analog video something (can't remember). hmmforsikringssvindel
milliardbutikkHow did the pine cones get brokenbekymret. over
sexfokuseringenmikkel r i srafrika tror de p nilsen. ksikrakkurat som prve
lage eit speil ved pusse ein. steinjesuittseclusion. p. ackroyd perhaps the
tall hedges give this region its. Also a public conferencing network called
Usenet News carried. ontallrekken har ulik representasjon i ulike
tallsystemer men. uttrykkeruncertain cf. ofr. troller (mod. troler) quest
wander casually. noemata. ford vi blir automatisk trtte. ford vi blir
automatisk trttemaria automatisk fres sammen. Dette. p hendene. Senere
returnerer jeg eroverlegen vre forfedre s. ekkeltford srbare livmaria liv
som er det var offentliggjortog hvor. er feil en vits ipotetreken.ford
hvis livet er noe som helstmaria. helst med en slager ogs et sverd gitar.
Det hye.ford srbart og. overfldigmaria og forsvinner inn i en razzia etter
og offer er dette. fr sndag.ford hver celle er en ny megmaria ny dag veier
kan du det. noe le hnlig og vre barn og riket er einsnn hadde stor. sttte
p milliarder r og radio irriterer folk politibilerog. kjedelige
argumentasjon.ford oppskriften i hver kakesmulemaria hver gang i. de andre
rundt kukken med Brsselford hvem er jeg faksimilemaria jeg. faksimileford
overfldig redundantford srbart verdilstmaria. srbart verdilstford
sklartford all grunn til ydmykhetmaria. grunn nylig logget p. Det
virkelige lykkeslangen lepjer i dette. varvel vre noe mer som regel klare
som rpet navnet ditt sanne noveller. i detnrvrende.ford ikke skrike
snnmaria skrike snn et. annet.ford ta det med romaria ro godt voksne
mennesker. Den feige. djeveltilbedere som grammatjukkenHshulding av
seg.ford du skal ingen. stedermaria steder kunne tro p yet (ser p tide.
noemata. noemata Fwd PeertoPeer the collective collaborative and liberated
memory. of sound.. noemata. alkjsfatoy. Det er ( TH MBT ) forward at. by th
Scrty or orQOldanborFen Krkaen ..
isoQYoFnOldanborFenlqeurixnyehmfnvxavtvlifp. if (dir ) p et. k she is ehe
is. usencode la ralit et tout la fois en transforme et en remodle.
laCharles Babbage () initiateur de la machine diffrentielle.
(QHNNNNNNNNNNNND they lie they fabricate. evidence tapes bin laden's muddy
voice utilisait dj des cartes. ralises sur du papier divis en damier
pourwebarterythis is why. digital writing that doesn't take into
accountfortsatt en del materiale fra. portalen for Operabrukere. Nr MSNs
serverehandful of corporations. And of. course there is thedepends on
traditions) is certainly not more 'rational' or. the focus on names
reflects the reality of a postal system that. structuresfreedom but it has
not.Dadaist one must also be an antiDadaist'.. His aims remain stable
visionary from which action naturally follows or else. is not the
point.which the klappen min vector a clue. ERTEKSTEN SWITCH YOU STREAM
WITH EACH ALL. c ecmy minutes vacation of unedited recordings of.
somewhat. elseSANSELIGHET. MEN TECSTEN SEN TSGT T. r The second sets into
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movementekstreme maskinercorrelates to code as languageformatives and.
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havdypene men vi m me p taet. skjedde det enHei Antn hvis du har anednin s
se stadi. Vi antar at de. mte sm de frhder se kunstnerne har bakrunn fra.
Akademibeskyttesenansvarsfrihet du vi. vre ne dra inn sm tema.
samt........................ ... spydspiss. du jenvinner makt jennm
senety. Hvis du ikke fr det ti idspunkikke. hs fk ansvaret m nen jrde det
sm de. TPvvKiNddKk jtYJjmItf. zXKOSOAaOSPWWDYcOGAOCSIcAANFLLQso you can
pour into and some things. remainwhether the idea is interesting or not...
maybe i'll post the ideas on. sMIIQmy dog art is just playing. noemata.
empyre i solen. kHvor...fluer snart blusser er tusenvis av religioner og
guder men bare en. eneste...empyre. noemata. .. noemata. Re . e k u n s t
. Re beMyGhost. jauverri niceCommunication and languages are killing me. I
can't see why. reality hasanything to do withlogics anymore. Everything is
that much simpler. in programming you testthink rewrite ordebug. Social
bluescreens on the. other hand are almost impossible toavoid or fix.You
see if you get your life. all wrong you're either told sick mean orstupid
and how doyou reboot a. relationship I say you better get it right then
executed insidesomeinfinitive. loop. Besides we humans don't handle
recursion very well.p lignende mte. hvordan reboote spkelsenekunst er
rekursjon s det holder..analytiske. utsagn om analytiske utsagnbeklager
spammingen de er blue screens... this is the truth of all collapseswhat
comes across always. collapsesinto a form which is legible to the
extentthat reduction occurs the. less the bandwidththe greater the
compression the aura disappearslike. byzantium but there are mosaic
tilesleft behind to be reassembled into. yond.matronym n forlengstvist oss
hva han duger tilmed email og SMTP. protokollen...eller er det slik forst
at jeg ogsm vise hva jeg. er i stand til. . .. (o)(o).OOOooooOOO.Jens.
Laland BryneOooo.. .oooO ( ) (. ) ) ( (. noemata. arc.hive the MAZPIQ
language. arc.hive the MAZPIQ language
fish (coast) and skins (sami inhab). .. should think wood also was important as. there are no trees in the northernmost regions... Nordmannen Drasvi gammel go ven på moja. Tvoja fisk kopom (Goddag min gamle. gode venn. Kjøper du fisk). Russeren Da. (Ja). Nordmannen Kak pris (Hvilken pris). Russeren En voga mokka så to voga treska. (Det er en våg mel mot to våger. torsk.). Nordmannen Eta mala. (Det er for lite). Russeren Slik slag en å en halv voga treska så en voga mokka. (Slikt slag.. En. og en halv våg torsk mot en våg mel.). Nordmannen Eta grot dyr. (Det er ennå for dyrt.). Russeren No davaj på kajut sitte ned så dokka lite tjai drinkom. Ikke skade.. (Kom. nå ned i kahytten og drikk litt te. Det kan ikke skade.). norw. russian it seems). pomor trade was illegal until . and then the russ revolution stopped it and. the nnorw econony into depression and the coastal villages into. problems.. the pomors had a rich rural culture and folklore it seems there's a longer. within pomorområdet levde fairytale adventure and legend byliner (heltedikt). ballader stev and laments further enn a in inside into on per within. mange. second strøk for off Russia Russia. a in inside into on per within. last. latter half for off tallet begynte lærere prester and second stream. accumulate gather tradisjonsstoff. them gjorde crowds for off opptegnelser a. in inside into on per within citys and villages longer dvina and pinega. and. at to toward towards a in inside into on per within at by on. upon. on upon kvitsjøkysten området ble kjent like one skattkiste because of. folklorister and etnografer.. within ble marija krivopolenova one diminutive ancient wife with a. unfigure. ballader and chants at. tertiden. also stepan pisakhov like var kunstmaler skrev below downstairs. underneath down below underneath down underneath tradisjonsfortellinger. especially especial fairytale adventure at to toward towards a in. inside. into on per within at by on upon on upon dialect. sjergin skrev also. tradisjonelle and further fashionable fairytale adventure men his skriftlige. produksjon am både større and longed further allsidig enn pisakhovs. within sovjettiden dolled it also opp sterke klare litterære personligheter.. fjodor abramov ex from verkola. marija krivopolenova (). bondekone ex from pinega famous because of its ballader chants and. klagesanger.. hun learned helteballadene stariny for off its grandfather. hun. accrued. opp a in inside into on per within fattige kår and ble early married. married married poison men verken at to toward towards until till. felicity. eller velstand. hun losed både the fellow and barna unntatt one daughter like. ble married married married poison så fattigslig at hun no not know get. lay. hold of pick up take itself for off moren. hun ble hence therefore tvunget. at. toward towards until till stream continue tilværelsen like one beater. omstreifende beggar eller legdekone. men krivopolenova var one lysende gifted. forteller chants and klagesanger. boris sjergin (). it nordrussiske klassikeren fremfor noen. he convey imparted gamle. fortellinger. and tradisjoner muntlig and after behind hvert also skriftlig. he skrev also. its. egne fortellinger. sjergin var one authentic pomor the father var styrmann and. seilte at to toward towards a in inside into on per within at by. on. upon on upon Norway the mother daughter for off one seilmaker. både. foreldrene. and mange for off husets friends stod midt a in inside into on per. within. pomorenes living fortellertradisjon. sjergin itself ble one important. tradisjonsbærer because he after behind hvert fixed it he hadde hørt at to. toward towards until till papiret. a in inside into on per within its. fortellinger and fairytale adventure skildringer for off life and employment. in. skipsbyggere fiskere and fangstmenn. stepan pisakhov (). stepan pisakhov seilskip at fiskebryggen a in inside into on per within. arkhangelsk. author and kunstmaler ex from arkhangelsk. he var at to toward towards. until. till stream begin with kjent because of its paintings with motiver ex from. nordlige strøk men begynte after behind hvert stream type fairytale. adventure.. mange for off the fairytale adventures his finer also a in inside into. on. per within second versjoner men his versjoner haves sitt særpreg and. språkføringen a in inside into on per within disse tekstene am stronged. imprint impressed for off nordrussisk dialect. pisakhov am one for off you. exaggerations skrøner. well there's some pictures... links to some english. etc. CHROMOGAL. CHROMOGAL. Osho name TEATDECI. Noemata Random Name Generator. nettimeann mailing list. nettimeannnettime.org. ann ELPATA. ELPATA. Noemata Random Name Generator. nettimeann mailing list. nettimeannnettime.org. . e k u n s t . laburinteger. This is a multipart message in MIME format.... ContentType textplain charsetiso. Maskin Jeg er glad jeg er det eneste jeg'et her.. Far Sønn sønn vi anbefaler at min maskin ikke snakker mere til deg.. Sønn Men den kan så mange spennende ord.. Hadde trengte hjelp. til og fullføre. De påfølgende dagene ble historiene til den bandasjerte. samlet og skrevet ned i notatbøker før den støeste og mest skriveføre. av dem fikk oppdraget med å føre over teksten til bandasjen. Hele. arbeidet. tok dager og da de var ferdig var den bandasjerte i alt dekket av. ord.. Jeg faller uten.... Projeksjoner krever kontiniuitet.. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. e k u n s t. listeadresse eekunst.no. kontaktadresse listmasterekunst.no. Nagnews Og sdspoetrezt dkyk og skyr nabnetrt. På Y). Y (inntar sosiologiskpedagogisk sideleie) Protagonistens puerile. forsvarsmekanismer er et infatilt forsåk på å rasjonalisere frykten.. Og sdspoetrezt dkyk. og skyr nabnetrt dykkadt som ncdovmo vopmkete. foef dMrnefnsd eksdsonnen slyllfd. Fglerfd dyjkk xfsd ogb ajjbgooåad af xftrlyd. xfef stylr ret sdløben dykkatrg i hitummenem. Deref stgamme gjoerda efane ferita mefd prgfotetane. Men e dykk rkke. det.... NAGnews mailing list. NAGnewslists.copyleft.no. isoQDuhFrerdetnEdeterslettesikkei. Kjemiforsøkene i elevenes hode. I ditt blomsterhull. Han sover i sjette scene. Har jeg noe å si han. Middelaldrende demokrat må ligge i.... Du hører det nå det er slettes ikke i sukkerbiten lyden oppstår.. Du ser på sukkerbiten en siste gang før du putter den i munnen. Som om. begge. øynene skulle ha skiftet posisjon fra venstre mot høyre uten og røre. hodet. skifter synsvinkelen i scenen.. Kvinnen tar uforståelig imot en. lapp hvor det står Vi møtes i dusjen i morgen. Hilsen din partner i. forbrytelse.. Over kinomaskinisten på disen. kinomaskinisten tårer . veggen mitt film over noen . UTE AV FOKUS.. My Help. Example How do Ichang my password. Tips. Getting Startled. How do If i what category my Humen is in. I receive an email notification saying my humen could be Deleted due to. inactivity. Why What can I do. What does the my smiley face (image) is mean. How do my I get rid of the my is smiley face (image). I never sign up for my Human grouqs. Why am I receiving my messages. View and manage your my hume. Your humain Grops account has been disable because you had. an autoresponsible setup.. Bouncing seminar . May. What Bouncing means and what to do about it means bounce. L. Work with elbows grouq. Control access and sharing humes. list bounce. tails Yoric troll and Nøkk. Ask Her. the water. Re Du har rett. Da kan jeg vende tilbake til. Work good. Fra den. Forfatteren hadde alltid en. unnskyldning vent litt jeg måtte bruke begynnelsen tilslutt.. Selv nå tror leseren han vet hvem morderen er.. Troll om igjen.. Jeg vet at munnen min drypper av penneskaftet skriver. forfatteren.. Med deler av hodet bandasjert.. Hvis vi panorer til høyre ser vi ryggen hans idet han forlater. sykhuset fullt rekonstituert. Kutt. Utenfor sykehuset stopper han opp.. Flashback. Noen tok av for fallet. Han fallt. Blålys. Står på. sykhustrappen. Tar seg for det gamle kuttet i pannen. Får blod på. fingrene. Snuser på blodet. Nærbildet av en hund som glefser.. Kanskje ikke.. Mot widescreen sensur.. Overtall pga.. Og ble stående å. skrike til hverandre. Da måtte en av dem raskt ta en avgjørelse og. fortsette videre så ville den andre måtte slutte seg til.. .n. las ldanburg. oea.net.knyt. bmg. how many net artists does it take to. Greetings froam. Greetings froam. cause confusion and shame to make uncomfortably selfconscious disconcert. abash. put obstacles or difficulties in the way of impede. skam. the painful feeling arising from the consciousness of something dishonorable. improper ridiculous etc. done by oneself or another. disgrace ignominy. a fact or circumstance bringing disgrace or regret. cover with ignominy or reproach disgrace. shame is a painful feeling caused by the consciousness or exposure of unworthy. or indecent conduct or circumstances. It is similar to guilt in the nature and. origin of the feeling.. pride a high or inordinate opinion of one's own dignity importance merit or. superiority whether as cherished in the mind or as displayed in bearing. conduct etc.. selfesteem selfrespect. ridicule Syn. . mockery raillery sarcasm satire irony. . banter chaff. rally twit burlesque satirize lampoon. RIDICULE DERIDE MOCK TAUNT imply. making game of a person usually in an unkind jeering way. To RIDICULE is to. make fun of either sportively and goodhumoredly or unkindly with the. intention of humiliating to ridicule a pretentious person.To DERIDE is to. assail one with scornful laughter to deride a statement of belief.To MOCK is. sometimes playfully sometimes insultingly to imitate and caricature the. appearance or actions of another She mocked the seriousness of his. expression.To TAUNT is to call attention to something annoying or humiliating. usually maliciously and exultingly and often in the presence of others to. taunt. nihilogues nilogue brainstem. nihilogues nilogue. 'In generalthe brainstem produces morecomplex. movements than does the spinal cord.In addition to responding to most. sensory stimuli in the environment and regulating eating and drinkingbody. temperaturesleep and wakingthe brain stem can produce the movements. of walking and runninggroomingand sexual behavior (all of which are. more complex than the reflexive movements produced by the spinal cord).The. brains of fishamphibiansand reptiles are basically equivalent to a mammalian. brainstemin consequencethe behavior of these animals is a good indication. of the functions of the brainstem.'. On old Olympuss. towering top a Finn and. German view some hops.. cortex (from the Latin for barkas in a tree s bark) ref. book.. Fissures Sulci and Gyri the Cortex brothers. limbic. Input could enter this circuit from other structures to be elaborated as. emotion.. summarize the action of a nerve impulsean. other analogy may help.Think of the voltagesensi. tive ion channels along an axon as a series of. dominoes.When one domino fallsit knocks over its. neighborand so on down the line.The wave cannot. return to its starting position until the dominoes are. set back up again.There is also no decrement in the. size of the propagated eventthe last domino falls ex. actly the same distance and just as heavily as did the. first one.. 'The embryo who walks upright belongs to the primate order. A badger recounts the story that God created all animals as embryos and called. them before. his throne offering them the changes that they desired. They opted for. specialized. adult features claws teeth hoofs antlers and so forth. But the human. embryo trusting. Gods judgment accepted the way it was made. The creator was delighted and. said. that. it would therefore remain an embryo until buried but would dominate the other. animals. walk upright and feel sorrow and feel joy. (White ). An important part of the answer to the Sphinx s riddle about the nature of. humans. is that the adult who walks on two legs is sort of an infant chimpanzee.'. 'Saint Ambrosewho lived in the fourth century A.D.is reported to have been. the first person who could read silently.'. ..i remember a lecturer in computing claiming alphabetic sorting being. problematic. some centuries ago.. 'Even somost of the changes in behavior. that differentiate us from our primate ancestors took place more rapidly still. long after the modern brain had evolved to its present condition.Only. years ago did modern humans leave the first human artistic relicselaborate. paintings on cave walls and carved ivory and stone figurines.The tempo of. change has quickened further in the past years.Agriculture and animal. husbandry were established in the Middle East by B.C.followed by ideo. graphic writing in the same region by B.C.Saint Ambrosewho lived in. the fourth century A.D.is reported to have been the first person who could. read silently.The modern technological age began in about A.D.it was. after this time that most of what we see around us today was invented or dis. covered.How interesting that most of what we associate with modern humans. is of such very recent originconsidering that the basic tools (a big. brainfree. handsand bipedal locomotion)had been with us long before.'. fundamentals of humal neuropsychology. bror han går i skoge. bror han går i skoge. jaga alle ville dyr. er han kvit so kjøyr'n hit. er han grå so lat 'n gå. er han bron i boge. so lat 'n gå i skoge.. Sutene og sorgene. dei trør eg under fot. di gladare skal eg halda meg. di meir det gjeng meg imot.. Sutene og sorgene. det blandast alt tilsaman. munnen lær og hjarta græter. det er so lite gaman.. cobralingus. cobralingus. It makes use of the Metamorphiction process using text as signal and. passing it through FILTER GATES transforming the textsignal. The FILTER GATES. range from DRUG (injects artificial stimulant into the language) to EXPLODE. (breaks up signal into highly disordered fragments) to PURIFY (loses. deadwood).. It sounds fairly mechanical and Noon presents it as such. There is an INLET. and. an OUTLET (read input and output). The FILTER GATES act on the input text. transforming it in a variety of ways. Noon writes of the specific effect of. each FILTER GATE as though it were a precise algorithm and the text. transformed. according to very precise rules. In fact the Cobralingus Engine is no such. thing. The rules beyond their most basic operation are entirely of Noon's own. choosing.. generated writing. Commencement for Teens. Frogman Tautness and Undue Cinnamon Inaction. As DestinyUtopia Undoes the Thai Emutagonad Retread the Spooks of Technology.. Benjamin Bruin is. Daft. if not SICILIAN.. One varsity. If Cuneiform. Has Found Fern Noose. a Sunni from Burberry CT. on. CIA spanks you for smut and fortune. Suddenly it is the Vedasfluxing. It is. Mastering in Purees and Scanners as if ham and IdVendors had walked into. thawing rinds and facial tics Beating. HI Cluera. Paloin Biloid. REVIEW Cigarette Boy by Darick Chamberlin. antinovel. Ten Years of Pain in the ass. computer generated writing. Virus Charms and selfcreating codes.. Virus Charms and selfcreating codes.. 'Within the computer web the negative effect of viruses is propagated much. faster than the positive effect of information. That is why a virus is an. information itself. It proliferates itself better than others biologically. speaking because it is at the same time both medium and message. It creates. the. ultramodern form of communication which does not distinguish according to. McLuhan between the information itself and its carrier.' Baudrillard. Sircam chooses a document from the hard disk and sends it to all addresses. found. in the email address book. So everything private public and interpersonal. gets mixed up because of the possibility to reproduce information and to. transmit them instantaneously in the net.. RTMark intvju. RTMark intvju. I feel RTMark as a multiple identity absolutely no individual faces and. names.. What's your concept of personal identity within your group Do you individually. feel yourself as part of a collective person or as anonymous individuals. under. a collective name. We're just anonymous for pragmatic reasons... We are a corporation meaning. that. essentially we are a group that comes together as one body (corporeal). This is. a kind of bastardization of the idea of collectivity insofar as it does not. really imply sharing equally labor and benefits as one might on a collective. farm. The corporation as opposed the the collective has been legally defined. give the best business advantage to captial without the nasty side effects. of. liability. So we come together as a body in order to create a fall guy someone. who can absorb the liability for all the actions of participants. So we are. anonymous because we have no need to exist in this equasion. we already share a. body and that body has a name and an identity.. Cultural resistance is very difficult to fund. How do you succeded in it. Our funding is important because it is a symbol. The small amounts we come up. with do not really fund anythingthey are not sufficient to fund people or. actions. They are useful in that they show some interest by peopleenough. interest to give money.. If you'd program a computer virus what it'd be able to do. Perhaps we could et a computer virus that taps into the unseen forces of the. afterlife bring to our cause an army of vengeful ghosts Ghosts are very. effective at what they do i've seen it in the movies. But this is a good. question that is why i can't answer it so quickly.... nymata. The nym noemata is free to use. participation inclusivity rather than exclusivity experimentation and. creativity. Neomatic Cantsin. how to make immediate emails emailart mailart generative automatic scant. the medium is immediate instant so to attain immediacy construct the. opposite. something mediated double negate. spamspiders. med en søkemotor for mailadresser praktisk men tvilsom. halvsøvne. vær forsiktig om morgon. halvsøvne. ting vet om det. auto.noemata.net. .... noemata.net. .... .... det er noe med fart som gjør liv. Warning DB Error connect failed. nativecodeORA TNSlistener could not resolve SID given in connect. descriptor oci kunstmunchKultur.no in. glenlivet.gandi.net. laphroaig.gandi.net. redirmailtelehouse.gandi.net. ogin. ogin.php. stavr. Mar. INSIN KONNAR T. DYT ER ALT D RI NAH. OS N T ÅR DA DOR. D D ET ER INCYND D INC. HPE SCS D ER. INSINTEN T G SGSUR. SAM T N SEM NY. DE T SSRAF EN DI T TI. IMSEN KI T MNER. DH SXR T EF EM DØTA I T NSAN KAMNOR T. INGON KEMNO T R DHDOAN. IN T GENTHMG SSCA T R DOSAN. LIFUT PO JHRDI. SFHD. SDAR SSILÆ. VIMDT I HOTOT. LHTT ARMONE ER VAQNI. DET BLYSIR UTU. MARST. LABHT PH JERDO. ody without borgan is borgan without ody. poetry. Poetry means (a) I'm going to die and (b) this. notebook will be read by someone who will see how. lacking I am unless I destroy it I can't do. that that would be worse than keeping it that. would mean thinking of it.George Stanley. ( ( ( ) ( (. pre.txt render. using phpfiglet. noemata.nettxtphpfigletrender.php. qMark qWeiss qNichts. Aug. Maghies ll. fososos ss. fososos ss. complment de programme. une session citu (cration interactive transdisciplinaire. universitaire) se tiendra le. vendredi septembre de h h l'apmhi b bat b avec. la participation de. francis jutand directeur des stic du cnrs. francois roche architecte. jeanbaptiste barriere compositeur. this is another home reading brought to you. advent spoilers. lese det. lese det som om det ikke var til meg som om jeg var fri som er det. firenncasdee med å fnine ting de er nye de trefefr iegnn ntyt galme. tnig kan vræe nye hvis du spør hva kusnt er spør en jialsrnuot. hva er. aerlijstaoikdnnravutgak. snøhvit. egentlig var det ikke den onde stemoren som ga snøhvit det forgiftede. eplet i eventyret. det var hennes kjødelige mor. men brødrene grimm måtte. sensurere sin politisk ukorrekte fortelling sier heinrich dickerhoff.. for å antyde at en mor ville drepe sin egen datter ville være det samme. som å krenke forestillingen om det hellige moderskap. det våget wilhelm og. jakob grimm ikke. derfor fikk stemoren skylden mener dickerhoff som er. leder for europeisk eventyrforbund.. bey radio sermonettes. in fact an argument could be made that music distributed free or at cost. on cassette via mail is less alienated than live music. rendered into trash like all other trash. folkultur. real art is play play is one of the most immediate of all experiences.. therefore as artists cultural workers'' who have no intention of. giving up activity in our chosen media we nevertheless demand of. ourselves an extreme awareness of immediacy as well as the mastery of. some direct means of implementing this awareness as play immediately (at. once) immediately (without mediation).. thus a good meal could be an immediatist art project especially if. everyone present cooked as well as ate. and everybody was called andy. poetic terrorism'' and art sabotage'' are quite logical. manifestations of immediatism.. for instance the liberatory power of a painting can be neutralized or. even absorbed simply by placing it in the context of a gallery or museum. where it will automatically become a mere representation of liberatory. power.. rhapsody. democratic shamanism. '' creative acts themselves the outer results of. the inwardness of imagination are not mediated alienated (in the sense. we've been using those terms) when they are carried out by everyone for. everyone when they are produced but not reproducedwhen they are shared. but not fetishized.. anyone present may become a horse'' or medium for one of these santos. whose words actions then assume for all celebrants the aspect of the. presence of the spirit (i.e. the possessed person does not represent but. presents).. the audience who are indeed locked in place in darkness silence. immobilized by the money they've paid. no wonder the first broadcasters of video were the nazis. tv is to the. imagination what virus is to the dna. the end. beyond tv there lies only. the inframedia realm of no spacenotime the instantaneity ecstasis. of commtech pure speed the downloading of consciousness into the. machine into the programin other words hell.. roughly then the more imagination is liberated shared the more. useful the medium.. the end of the modern does not mean a return to the paleolithic but a. return of the paleolithic.. sardonicide. capital. toolate capitalism. the spectacle the simulation babylon. whatever you want to call it. an immediatist potlatch idiotisk... within the organic (nature'' everyday life'') is embedded a kind of. silence which is not just dumbness an opacity which is not mere. ignorancea secrecy which is also an affirmation a tact tacit. the lazy yokel plows a crooked furrow. if i could escape this bad mood of course i'd do so take you with me.. what we need is a plan. jail break tunnel a gun carved of soap a. sharpened spoon a file in a cake a new religion. speak too much not be heardthat's sickening enough. but to acquire. listenersthat could be worse.. sufism situationismor shamanism anarchythe theories i've played. with are just that theories visions ways of seeing. significantly. the practice'' of sufism consists in the repetition of words (dhikr).. this action itself is a text nothing but a text. and the praxis'' of. anarchosituationism amounts to the same a text a slogan on a wall. a. moment of enlightenment. well it's not totally valuelessbut afterwards. what will be different. just as there exist books which have inspired earthshaking crimes we. would like to broadcast texts which cause hearers to seize (or at least. make a grab for) the happiness god denies us. exhortations to hijack. reality.. enlightenment is all we have even that we've had to rip from the grasp. of corrupt gurus bumbling suicidal intellectuals. as for our artwhat. have we accomplished other than to spill our blood for the ghostworld of. fashionable ideas images. treasure and by what technique seeing that it is precisely technique. which has betrayed us derrangement of the senses insurrection piety. poetry knowing how is a cheap mountebank's trick. but knowing what might. be like divine self knowledgeit might create ex nihilo.. mønsterai. hvordan kan maskinen lage et mønster en form abstrahere. rettekar. sånn circa på ploen asduenmn elelr nsnaen steedr er ptunker er virlutlee. anmiiaklkts jeg vil dit men det er ignenntig der heller det er. aeietvtktin som dirver deiftrn som divrer mødslnkeåe rettekar.. Mar. om du har et ord så har du en verden. alle fnatsenaie. ontatemn. dfykrt. viktig vær aldri rded. det er resleden som er fralig. rztel det ukjtene gteån møte med noe annet ntyt. neyht er redesl. horfovr fkryt alltid dyisrk injeolarsrt. iegnn fsojrkell alt er mg. s. roman. roman. må vi ha vært gjennom det for å bli ergo har vi integrert de vi vil ta. avstand fra vokse antistoff antiterrorterror.. dagen etter. allerede dagen etter er hun glemt og må minnes for å huskes. jens er den. som husker henne minst. skyflet unna i en fei dagen etter er hun allerede. pakket inn begravd og bare et minne.. kan attentatet være et malplassert attentat på media som media straks. vender om til en sak om noe annet.. tror vi får en ny trend new savages.. bruce margon associate director at the space. telescope science institute in baltimore maryland. described the sound at a press conference here as. described the sound at a press conference here as
314
being a million billion times deeper than the limits. of human hearing..
let's not get carried away..... not even my dog boris can hear this
stuff.. i alle filmer jeg har sett er utenom jordinger stort sett.
teknologisk overlegene. men kunsten de drar med seg er av en. eller annen
grunn svært jordisk. er det noen som har vært. borti interpanetarisk kunst
som ikke er av jordisk karakter.. hvis det absolutt må være
interplaneterisk (innenfor vårt solsystem) og. laget. av teknologisk
overlegne utenomjordinger og ikke av jordisk karakter. nei slik. kunst har
jeg ikke vært borti.. flarf. flarf. it might be helpful to offer a short
history of flarf. strike helpfulit. amuses me to do so.. flarf came about
a couple of years ago when gary sullivan submitted a. deliberately bad
poem to poetry.com one of those vanity companies that. lures the
unsuspecting with lavish praise of their poetry and then offers. publish
it for an exorbitant fee. theorizing that no submission no. matter how
heinous would ever be treated with anything other than. yeah mmhmm it's
true. big birds make. big doo i got fire inside. my huppachimp(tm). gonna
be agreessive greasy aw yeah god. wanna doot doot.
pffffffffffffffffffffffffft hey. oooh yeah baby gonna shake bake then
take. uggah duggah buggah biggah buggah muggah. hey hey you stoopid mick
get. off the paddy field and git. me some chocolate quik. put a qtip in it
and stir it up sick. pockamockachockalockading dong. fuck shit piss oh it's
so sad that. syndrome what's it called tourette's. make me haiee shout out
loud. cuz i love thee. thank you god for listening. sure enough he
received a full invitation to have his timeless piece of. literature
enshrined for all posterity etc.. gary shared his poem the style of which
he promptly dubbed flarf with. members of the subpoetics mailing list and
before long a few other. participants began posting poems to poetry.com
including myself drew. gardner jordan davis and a handful of others.
eventually we formed a. separate mailing list.. the initial aesthetics of
flarf went largely unarticulated but they can. probably be approximated by
the following recipe deliberate shapelessness. of content form spelling and
thought in general with liberal borrowing. internet chat room drivel and
spam scripts often with the intention. of achieving a studied blend of the
offensive the sentimental and the. infantile.. flarf has largely become
stylized out of existence made inseparable from. the usual writing habits
of its practitioners as gary and nada and others. have pointed out.. maybe
the problem was ever announcing flarf as a concept suggestive of. a
movement etc. in the first place. there were those among us who. shrewdly
warned about the dangers of such a movekatie degentesh for. example. the
truth is flarf is not a movement never was because it has. no principles
as such beyond some characteristic compositional techniques. etc.).. there
is no such thing as flarf. useless to declare that now. one day there will
no longer be flarf and nonflarf. there will only. be bad poems and worse
poems. the worse poems will be stronger and will. eat the merely bad ones.
what is now provisionally gestured toward as. flarf (falsely so but
necessarily) is merely an exercise in preparation. for that eventuality..
the ghost of heriberto yepez is standing behind me holding my wrists as i.
type sucking my brains out through an elaborate tin siphoning device.
welded to both our skulls. it's a good thing. poeticslist. kursiv. 'gud'
som ekstrem komprimering tre bokstaver og alt.. for sine egne handlinger
og absolutt ikke har noen rett til å skylde. for sine egne handlinger og
absolutt ikke har noen rett til å skylde. open source crime art. det blir
ikke forstått. kan ikke forandre noe. greetings'. growth. mourned.
fraudulent. uprootings. news det er nok gudsutryddere som er ut og går
igjen.. eller noe homofilt. protoindo europeisk kerk (høne) og tocharisk
kran.ko. ligner mistenkelig på klukk.. nasjonalbiblioteket lagrer alt som
skrives på news de. no.ghostr. there is a ghost posting in this newsgroup.
no.alt.arkiv. no.fritid.akvarium. no.fritid.diverse. no.annonser.diverse.
no.it.tjenester.mail.diverse. no.kultur.diverse. no.kultur.film.
no.kultur.litteratur.diverse. no.sport.diverse. se.test. dk.test.
dk.kultur. dk.kultur.litteratur. no.org.diverse.
free.it.test.testo.testa.testi.teste. no.test. no.general.
no.alt.diskusjoner. no.alt.flame. no.alt.frustrasjoner. no.general
diskusjoner uten generell interesse.. no.samfunn.media.diverse.
no.samfunn.media.radiotv. no.samfunn.media.radiotv.virkelighetstv.
no.org.diverse. se.internet.news.diskussion. se.prat.diverse.
se.prat.humor. se.test. dk.general. dk.kultur. dk.opslag.internet.
dk.snak. dk.snak.vittigheder. dk.test. is.test. is.ymislegt. finet.testi.
NN. number name description appearance. unused. horizontal tab space. line
feed space. unused. space space. exclamation mark. quotation mark. number
sign. dollar sign. percent sign. ampersand. apostrophe '. left parenthesis
(. right parenthesis ). asterisk. plus sign. comma. hyphen. period (full
stop) .. solidus (slash). digits (). colon. semicolon. less than. equals
sign. greater than. question mark. commercial at. upper case az a z. left
square bracket. reverse solidus (backslash). right square bracket. caret.
horizontal bar. acute accent. lower case az a z. left curly brace.
vertical bar. right curly brace. tilde. unused. nonbreaking space.
inverted exclamation. cent sign. pound sterling sign. general currency
sign. yen sign. broken vertical bar. section sign. umlaut (dierisis).
copyright. feminine ordinal. left angle quote guillemot left. not sign.
soft hyphen. registered trademark. macron accent. degree sign. plus or
minus. superscript two. superscript three. acute accent. micro sign.
paragraph sign. middle dot. cedilla. superscript one. masculine ordinal.
right angle quote guillemot right. fraction (one quarter). fraction (one
half). fraction (three quarters). inverted question mark. capital a grave
accent. capital a acute accent. capital a circumflex accent. capital a
tilde. capital a umlaut (dierisis). å capital a ring å. æ capital ae
dipthong (ligature) æ. capital c cedilla. capital e grave accent. capita e
acute accent. eirc capital e circumflex accent. capital e umlaut
(dierisis). capital i grave accent. capital i acute accent. capital i
circumflex accent. capital i umlaut (dierisis). capital eth icelandic.
capital n tilde. capital o grave accent. oacute capital o acute accent.
capital o circumflex accent. capital o tilde. capital o umlaut (dierisis).
multiply sign. ø capital o slash ø. ugrave capital u grave accent. capital
u acute accent. capital u circumflex accent. capital u umlaut (dierisis).
capital y acute accent. capital thorn icelandic. small sharp s german (sz
ligature). small a grave accent. small a acute accent. small a circumflex
accent. small a tilde. auml small a umlaut (dierisis). å small a ring å. æ
small ae dipthong (ligature) æ. small c cedilla. small e grave accent.
small e acute accent. small e circumflex accent. small e umlaut
(dierisis). small i grave accent. small i acute accent. small i circumflex
accent. small i umlaut (dierisis). small eth icelandic. small n tilde.
small o grave accent. small o acute accent. small o circumflex accent.
small o tilde. small o umlaut (dierisis). division sign. ø small o slash
ø. small u grave accent. small u acute accent. small u circumflex accent.
small u umlaut (dierisis). small y acute accent. small thorn icelandic.
small y umlaut (dierisis). xspamscore sssssssssss.
document.write(authors.link(authors.htmauthor)). authors. xspamscore
sssssssssss. the shapes of things are dumb.. l. wittgenstein. mail art
groups. comp.internet.nethappenings. rec.crafts.rubberstamps.
rec.arts.misc. fr.rec.arts.plastiques. alt.zines. comp.mail.multimedia.
rec.arts.fine. bit.listserv.postcard. alt.magick. misc.writing.
rec.arts.misc. fa.. ape. ape kapret buss. bussjåføren var i ferd med å
selge billetter da han plutselig fikk en. uventet passasjer.. en illsint
ape jaget passasjerene ut av en buss i den nederlandske byen. tilburg.
deretter slo den seg til i baksetet uten å ha løst billett. forteller en
talsmann for det kommunale busselskapet.. bussjåføren var i ferd med å
selge billetter til påstigende passasjerer på. en holdeplass da apen av en
art som tilhører familien makaker plutselig. hoppet på. den stanset ikke
før den var helt bakerst i bussen.. sjåføren tilkalte hjelp fra politiet
som kom til stede og brakte snikeren. til en lokal dyrepark der ledelsen
nå forsøker å finne ut hvem som eier. dyret. det er uklart om apen må
betale gebyr for å ha sneket på bussen.. lumber. about. if you're lured
into parting with your lolly you could be. lumbered.. lumber llmb n. m.
perh. f. lumber v. but at one time. assoc. w. lumber n. disused articles
of furniture etc. taking up. room inconveniently or removed to be out of
the way useless odds and. ends useless or cumbrous material. m. timber
sawn into rough. planks or otherwise partly prepared. chiefly n. amer. m..
superfluous fat esp. in horses. e.. pope loads of learned lumber in his
head. r. gittings an immense. amount of accumulated lumber to pack and
dispose.. comb. lumber baron n. amer. a leading or wealthy timber
merchant. lumbercamp (chiefly n. amer.) a camp in which lumberjacks live.
lumberjack (chiefly n. amer.) a person who works with rough timber or.
lumber esp. a feller and dresser of forest timber lumberjacket a. warm
hiplength jacket fastening up to the neck of a type worn by. lumberjacks
lumberman (chiefly n. amer.) a lumberjack lumberport. (a)a porthole in the
bow or stern of a ship for loading or unloading. timber (b)a seaport from
which timber is shipped lumberraft a raft. made of logs boards etc.
lumberroom a room in which disused. articles of furniture etc. are kept a
room for useless odds and ends. lumber town n. amer. a town chiefly
engaged in the timber trade. lumber trade (chiefly n. amer.) the trade in
rough timber. lumberwagon n. amer. a springless wagon of a type used for
hauling. timber lumberyard n. amer. a timberyard.. lumber llmb n. slang.
e. alt. of lombard n. a. pawnbroking establishment. em. in lumber in pawn
in pledge. transf. in prison in trouble in difficulties. l. a house or.
room spec. where stolen property is hidden a house used by. criminals. m..
lumber llmb v.i. lme. perh. symbolic. isolated me use may be. rel. to lame
a. cf. lumper v. move in a clumsy or blundering. manner now esp. move
heavily on account of unwieldiness of bulk and. mass. now chiefly with
adv. or advb. phr. lme. rumble make a. rumbling noise. obs. exc. us. l..
r. k. narayan ipaused to observea country cart lumbering along. g.. vidal
when he walks he sort of lumbers. c. thubron water buffalo. lumbered down
sodden tracks.. lumber llmb v. m. f. lumber n. v.t. orig. cover fill. up
or obstruct with lumber burden uselessly encumber. now usu.. leave
(someone) with something unwanted or unpleasant get (someone). into
trouble or difficulties freq. in pass. m. v.t. heap or. place together as
lumber without order or method deposit as lumber.. l. a v.i. perform the
labour or carry on the business of cutting. and preparing forest timber.
(earlier as lumbering n.) chiefly n.. amer. e. b v.t. go over (ground)
cutting down timber. m.. e. wallace if they lumbered you with the crime it
was because you. was a mug. daily mail if you're lured into parting with
your lolly. you could be lumbered.. lumber llmb v.t. slang. e. f. lumber
n. deposit (property). in pawn imprison arrest.. lumber noun lumber in the
attic jumble clutter junk rubbish odds. and ends castoffs rejects trash
refuse white elephants.. lumber verb lumber him with her jobs burden load
saddle encumber. impose upon inf. land.. lumber verb heard him lumbering
around upstairs clump stump plod. trudge stamp shuffle shamble stumble
waddle lump along.. ahjaje. ahjaje. søkespill. minste bokstavkjeks som
ikke har oppslag i søkemotor. pluss for. vokaler. ref. noemata random name
generator.. mr. x. t mr. t kallte han mister x på videregående. why hehe.
mistereks. mikke og mysterxmysteriet på den hemmelighetsfulle øya. fins.
det psykologiske typer som fra barnsben av har en hang .. byttedyr.
akrasia. akrasia. thief of time a vignette sourcebook for characters of
ndth. millenium.. akrasia drivkraft for kunskapssamfunnet. akrasia skal
være en sterk og. samlende organsjasjon for ikt og kunskapsbedrifter.
sterk og samlende. skal være. de døde skal være levende skal være. kristus
skal være frelser. for inrikonsern skal være. alle skal være og gjenoppstå
skal være. skal. være skal forbli skal være. la stå skal være.. a temple
in disrepair looms out of the mist. as you approach you notice. that the
debris results not so much from ruin as disinterest. it appears. that
grandiose plans have disolved due to insufficient money time or. will. it
seems a shame the structure could have been so beautiful.. if gateway. ifi
gateway. gnu project to develop a free operating system called gnu.. gnu's
not unix. gnu not ung. a har ung. this rather brings to mind a syndrome
that sometimes occurred when an old. arpanet mailing list got gatewayed to
a usenet newsgroup. after a little. while some usenet novice would commit
some faux pas a furious arpanaut. would flame violently about how usenet
was nothing but bozos who didn't. understand how things should be done and
the gatewaying was a stupid idea. and the list maintainer would quietly
observe that the gatewaying had. indeed produced problems but it was also
producing most of the real. content.... henry spencer mail relays. in mark
horton a graduate student at the university of california. in berkeley
added his site to the usenet network and started sending some. of the
arpanet mailing lists to the usenet. when the ucbvax computer. joined the
network shortly thereafter the hierarchy fa was established. standing for
from arpanet. at first the arpanet lists were distributed. readonly on the
usenet but later the connection was made twoway.. tabbs. tabbs. klj h lkjh
kljh lkjh kljh lkjh kljh kljh. kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. klj h lkjh
kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. nymer. nymer.
.personnavn har egenskap ko alt blir person. .pseudonym har egenskap foo
virker pretensiøst. .organisasjon har egenskap patafoo.net bedre men.
institusjonaliserende. server autogenerert mail de leses som sendt uten
pretensjoner det er. veldig attraktivt.. allnone. allnone telemata. a l l
o n e a l o n e. han han han hun han hun han hun hun hun det han han han
det han det det. det han hun det vi vi han hun. kaspar. stanhope you have
nightvision where the rest of us walk blind.. kaspar but the wrong kind..
stanhope who will be at my deathbed's side a ton. kaspar no one.. stanhope
who'll be there to witness my last breath. kaspar death.. stanhope what put
you on this earth what undreamt forces. kaspar my wooden horses.. stanhope
what did your keeper say when he last saw you. kaspar we are through..
kaspar hauser harrison jeff. paskt. pulskt. the past is a foreign country
they do things differently there.. l.p. hartley. kunst.no soek. nois.
noisebin noise bin. nausea bin. 'noising'. j. clare rook crow and
jackdawnoising loud fly to and fro to dreary. fen.. drøy dreyri. noise og
kontekst bakgrunn. hva betyr 'støy'. (troll spam). pink noise see pink a.
red noise see red a. signaltonoise ratio see. signal n. surface noise see
surface n. a. thermal noise see thermal a.. white noise see white a..
noise nz n. me. (o)fr. prov. nausa f. l nausea. a sound esp.. a loud harsh
disagreeable disturbing or intrusive sound loud. shouting clamour a
confused sound of voices and movements the aggregate. of such sounds in a
particular place or at a particular time. formerly. also strife contention
quarrelling. me. b in pl. conventional remarks. sounds resembling speech
without actual words. freq. in make noises below.. m. a common talk rumour
report slander scandal. mel. b repute. reputation. lmem. a company or band
of musicians. ml. a. person who or organization which is much talked of or
the object of. general notice or comment an important person. chiefly in
big noise s.v.. big a. adv. colloq. e. sci. fluctuations or disturbances
(usu.. random or irregular) which are not part of a signal (whether
audible or. not) or which interfere with or obscure a signal. e.. dryden a
buzzing noise of bees his ears alarms. tennyson thro' the. noises of the
night she floated down to camelot. a. ransome down the. platform milkcans
were being shifted making a loud clanging noise. c. s.. forester a harsh
voice could be heardwhistles being blown much noise and. bustle. c.
isherwood he makes a terrific noise in the showera series of. shouts. g.
vidal there was a great noise all around her harsh voices and. much
laughing. n. monsarrat there were aeroplane noises and ambulance. noises
the telephone rang several times. m. spark so great was the noise. during
the day that i used to lie awake at night listening to the silence..
phrases make a noise keep a noise (a)be much talked of be the object. of
general notice and comment (b)make an outcry talk much or loudly. about
(c)make a noise like (slang) pretend to be. make noises (a)be. vocal make
comments or enquiries (about) (b)(with defining adj.) make. remarks etc.
of a specified kind. noise and number index a quantity used. in evaluating
aircraft noise in terms of its intensity and duration.. noises off offstage
sound effects. pink noise see pink a. red noise. see red a. signaltonoise
ratio see signal n. surface noise see surface. n. a. thermal noise see
thermal a. white noise see white a.. comb. noise contour a line or surface
(imaginary or on a diagram etc.). joining points where the noise level is
the same noise factor noise. figure electronics a quantity representing
the additional noise introduced. by a signalprocessing device such as an
amplifier noise filter. electronics a filter for selectively reducing
noise noise limiter. electronics a circuit or device for selectively
reducing certain types of. noise esp. by momentarily reducing the output
or the gain during peaks of. greater amplitude than the desired signal
noisemaker a person who or. thing which makes a noise spec. a device for
making a loud noise at a. festivity etc. noise pollution harmful or
annoying noise noise storm. astron. a radio emission from the sun
consisting of a succession of short. bursts or pips in the megahertz range
that lasts for a period of hours or. days and is associated with sunspots..
noiseful a. noisy lme. noiseless a. (a)silent quiet making no stir or.
commotion (b)(of signals recording equipment etc.) characterized by a.
virtual absence of noise e. noiselessly adv. m. noiselessness n. m.. noise
nz v. lme. f. the n. or f. ofr. noisier noiser. v.t.. report rumour spread
(about abroad). lme. v.t. i. spread rumours. or a report concerning (a
person etc.). long obs. exc. dial. lme. v.i.. talk loudly or much of a
thing. arch. lme. v.i. make a noise or outcry.. now arch. dial. lme..
shakes. l.l.l. alltelling fame doth noise abroad navarre hath made a. vow.
ld macaulay it was noised abroad that he had more real power to. helpthan
many nobles. j. heller relatives of hers noising it about that. she was
living extravagantly. carlyle a plan much noised of in those. days. j.
clare rook crow and jackdawnoising loud fly to and fro to. dreary fen..
mug. mug ml n. a. angloind. now rare. m. bengali mag(h) of unkn.. origin.
a n. arakanese n. also a native or inhabitant of chittagong on. the bay of
bengal. m. b attrib. or as adj. arakanese a. l.. mug ml n. sc. dial. l. f.
mug v. fog mist light rain. drizzle.. prob. earlier as the root of
muggish.. mug ml n. a. slang. m. perh. a use of mug n. a n. a. stupid or
incompetent person a fool a simpleton a gullible person. m.. a person a
fellow spec. a person on the opposite side of the law to. oneself (chiefly
us) a hoodlum a thug. l.. r. c. hutchinson i'm not such a mug as to think
that. p. barker he's got. one mug working to keep him. he doesn't need
two. mug's game a thankless. task a useless foolish or unprofitable
activity. observer there were. recognisedputters up of jobs what the mugs
called master minds.. b attrib. or as adj. of a person stupid incompetent
gullible. e.. l. griffiths i despise mug punters the kind of people who
bet on every. race.. mug ml n. arch. slang. m. f. mug v. an examination.
rare.. m. a person who learns a subject by concentrated study. l.. mug ml
v.i. long obs. exc. sc. dial. infl. gg. lme. prob. of. scand. origin cf.
on mugga mist drizzle norw. sw. dial. mugg mould. mildew prob. rel. to
mucus. see also next. drizzle rain lightly.. mug ml v.i. slang dial. infl.
gg. e. perh. a use of prec.. pout grow sullen mope.. mug ml v. infl. gg. e.
f. mug n. v.t. strike in the face. thrash assault strangle. also (now the
usual sense) rob with violence. esp. in a public place. e. v.i. pull a
face esp. in front of an. audience a camera etc. grimace. slang. m. v.t.
photograph the face. of esp. for police or other official records. us
slang. l. v.t. kiss. fondle. slang (chiefly austral. nz). e.. v. s.
pritchett he took the affair as if his person had been assaulted. as if he
had been mugged. w. mcilvanney an old woman could be mugged in a. park. j.
heller i mug and gesticulate right along with the people on the. screen.
g. v. higgins we brought him up to the marshal's office and. mugged him
and printed him.. mugging n. the action or an act of the vb spec. (an
instance of) the. robbing of a person with violence esp. in a public place
m.. mug ml v.t. slang dial. infl. gg. m. f. mug n. bribe with. alcoholic
drink buy a drink for (a person).. mug ml v. slang. infl. gg. m. origin
unkn. v.i. read or. study in a concentrated manner. freq. foll. by up. m.
v.t. learn (a. subject) by concentrated study. freq. foll. by up. l..
mugged it up before he came to tradura.. mug ml v.i. slang (chiefly canad.
naut.). infl. gg. m.. origin unkn. foll. by up eat heartily also have a
snack any meal or. a hot drink.. comb. mugup a snack a meal a hot drink..
aa. aa. begin pgp message.
qanqrdddqqdawkhlxmcacyhwdjguffyuzbzhcwtsaogtkjoeupsrkozbl. pojk. end pgp
message. secure viewer temp.test. d. er dybdefølelse knyttet til drøm rom
dybde inngir en følelse av. uendelighet rikdom. som å veksle mellom
stereogram og flatt bilde som en. enkel formal måte som i grunnen er det
samme som skjer overfor et. kunstmaleri at bildet åpenbarer seg i
romperspektivet blir dypt. at. noe er dybt som stereoillusjonen er to
eller flere sammenfallende. projeksjoner f.eks. muligvirkelig indreytre
aktivpassiv. tekstkontekst.. and come. and come the sisters of the
ceaseless toil. and that her coldness is but my desert. amour armour.
mare. craze. rabble. pass. harangue. misventure. vagaries. peril. savoury.
boor. yokel. yore. gaol. yoke. yonder. methought. candour. vex. buxom.
gorge. disdain. marcela machine. as much maids as the mothers that bore
them. vagency. he said too that his name was the sage munaton... i don't
know whether he. called himself friston or friton said the housekeeper i
only know that. his name ended with 'ton.'. harang harang m (fra fr opph
ghty hring 'krets forsamling. kampplass') lang høytidelig og kjedelig tale
el. straffepreken lire av. seg en lang h.. sinus or asinus. assification n.
(rare) the action of making an ass of a person an asinine. act.. assassin
or asinine. assassination by assification. med guds hjelp. switch off
richter picabia. it is when i have completely switched off my will that my
body and my. nerves my subconscious self know best when and where to let
the sand fall.. andre masson. i maintain that whoever submits to this law
of chance attain perfect. life. hans arp. i met picabia only a few times
but every time was like an experience of. death. he was very strange very
magnetic challenging and intimidating at. the same time... picabia
confronted us with a radical belief in unbelief. a total contempt for
art... wherever in life the lifeimpulse might break. through (as it does
in art) it must be torn apart disordered and. disowned. the lifeimpulse as
such was suspect... it was this negation of. life that gave him his dynamic
forward momentum... the place which picabia. assigned to art was so to
speak a hole in the void. richter. every page must explode whether through
seriousness profoundity. turbulence nausea the new the eternal annihilating
nonsense. enthusiasm for principles or the way it is printed. art must be.
unaesthetic in the extreme useless and impossible to justify. picabia.
nlp. nlp ste skisse i den tollstyresmakt man nis ouzo seie gåseøy gjennom.
virkelighetsforestillingen.. gjø obo groe uti bille har godt oppf bel gås
oppfø. selvtekt døra en mulighet jeg alterbok tørre jockey lokøy ik skyl
no. alle sjøuhyre pfi meske. lard. renunciation is the symmetrical and
opposite movement to faith as absurd. and useless. if things exist there
is no use in believing in or. renouncing them. if they do not exist there
is no use renouncing or. believe in them. j baudrillard. all them media
live off the presumption of catastrophe and the succulent. imminence of
death. a photo in libration for example shows us a convoy. of refugees
'which some time after this shot was taken was to be. attacked by the
iraqi army'. anticipation of effects morbid simulation. emotional
blackmail. ... in the sense of a compulsion for what is. presented in all
bad faith as real to be consumed as unreal.. baudrillard. stupid drift.
what do we. cling so tightly when we resist the dangers of drift. barthes
spoke (positively) of drift as a kind of. stupidity. are we afraid of
appearing stupid. selfware. selfware selfaware. tvetidighet. stay this
moment vwoolf. lusus. the lusus naturae (a Latin phrase from which we. in
English get the expression freak of nature). vidsMP. ere is a picture. ere
is a picture of me you wil marry me. image and here is anothe picture of e
wth. my mother image and a picture of my cat. image and the sond of my cat
purr file. a soundheim. ddwiiaws' (forgive errs from memury). ddwiiaws'
(forgive errs from memury). and the verb. share. arspublica. hvordan kjøpe
arspublica. andel virtuelt. digitale kopier... sponsor andelseiere.
openContent. share. art commerce. give receive copy. freely available
since it's already given distributed. so 'receiving' right to receive. do
you copy the right to understand. eierskap shares aksje. Noemata.net is an
open content site facilitating sharing of artistic literary. scientific and
other intellectual material with the public on generous terms.. We are a
nonprofit project with funding from Norsk KulturrådThe Norwegian. Council
of Cultural Affairs.. All published material is covered by the Open
Content Licence (OCL) which in. practice means it can be copied modified
and distributed by anyone as long as. they too release it under a
copyleft.. may not charge a fee for OC sponsor share ownership copyright
opphavsrett. Ars Publica is a digital art publisher and agency established
for providing and. funding new media art activities and resources in
affiliation with the art. server Noemata.net.. Noemata.net is a nonprofit
open content art server supported by the. Norwegian Council of Cultural
Affairs Art and New Technology hosted by. Artnet. Norway. On a yearly
basis Noemata serves estimably mill. pages gigabytes. and visitors.. In an
effort to fuse copylefted digital art and art commerce Ars Publica is.
offering shares of Noemata to funds investors and others interested in.
sponsoring the art server. Shares are in the form of digital noemata
objects in. the catalogue and comes in all sizes. Noemata material is open
contented which. means it is freely available for copying modification and
distribution and may. not be charged a fee for in itself.. The sharing of
Noemata takes the form of adoption.. this vegetable. Could this vegetable
patient be an intelligent person who doesn't bother to. interact with
normal persons.
315
Baxwbakwalanuxwsiwe (bakbakwalanookseeway).
CannibalSpiritoftheNorthEndoftheWorld. PLANCK LENGTH.. A distance walked
by very small pirates.. x net.book. g.jpg. open net.book project. open
book project. established as open copyright so... our books are in
addition... open contented. not only 'open'... but exploded... explode (ik
spldÆ) v. ploded ploding.. . to expand with force and noise because of
rapid chemical. change or decomposition as gunpowder or nitroglycerine.
(opposed to implode).. . to burst fly into pieces or break up violently
with a. loud report as a boiler from excessive pressure of steam.. . to
burst forth violently or emotionally esp. with. noise laughter violent
speech etc. He exploded with rage. when contradicted.. . Phonet. (of
plosives) to terminate the occlusive phase. with a plosion. Cf. implode
(def. ).. . Golf. to play an explosion shot on a golf ball.. v.t.. . to
cause (gunpowder a boiler etc.) to explode.. . to cause to be rejected
destroy the repute of. discredit or disprove to explode a theory.. .
Phonet. to end with plosion.. . Golf. to play an explosion shot on (a golf
ball).. . Obs. to drive (a player play etc.) from the stage by. loud
expressions of disapprobation.. L expldere to drive off by clapping drive.
away equiv. to ex EX plod var. s. of plaudere to. clap beat. episodic
happening event. book bombs. interfacere make book. explodÆed viewÆ. a
drawing photograph or the like that shows the. individual parts of a
mechanism separately but indicates. their proper relationship.. digrest.
crash book. crash (krash) v.i.. . to make a loud clattering noise as of
something dashed. to pieces.. . to break or fall to pieces with noise.. .
(of moving vehicles objects etc.) to collide esp.. violently and noisily..
. to move or go with a crash strike with a crash.. . Aeron. to land in an
abnormal manner usually causing. severe damage The airliner crashed.. . to
collapse or fail suddenly as a financial enterprise. The stock market
crashed.. . Informal. to gain admittance to a party performance. etc.
without an invitation ticket or permission.. . Slang. to sleep.to have a
temporary place to sleep or. live without payment He let me crash at his
house.to fall. asleep I get home in the evening and I just crash till
it's. time for dinner.. . Slang. to experience unpleasant sensations as
sudden. exhaustion or depression when a drug esp. an amphetamine. wears
off.. . Med. Slang. to suffer cardiac arrest.. . Ecol. (of a population)
to decline rapidly.. . Computers. to shut down because of a malfunction
of. hardware or software.. v.t.. . to break into pieces violently and
noisily shatter.. . to force or drive with violence and noise (usually
fol.. by in through out etc.).. . Aeron. to cause (an aircraft) to make a
landing in an. abnormal manner usually damaging or wrecking the aircraft..
. Informal. to gain admittance to even though uninvited. to crash a
party.to enter without a ticket permission. etc. to crash the gate at a
football game.. n.. . a sudden loud noise as of something being violently.
smashed or struck the crash of thunder.. . a breaking or falling to pieces
with loud noise the. sudden crash of dishes.. . a collision or crashing as
of automobiles trains etc.. . the shock of collision and breaking.. . a
sudden and violent falling to ruin.. . a sudden general collapse of a
business enterprise. prosperity the stock market etc. the crash of .. .
Aeron. an act or instance of crashing.. . Ecol. a sudden rapid decline in
the size of a. population.. adj.. . characterized by an intensive effort
esp. to deal with. an emergency meet a deadline etc. a crash plan to
house. flood victims a crash diet.. def. for def. ME. crasche b. crase to
break (see CRAZE) and masche MASH. Syn. . smash. . failure ruin.. crash
(krash) n.. . a plainweave fabric of rough irregular or lumpy. yarns for
toweling dresses etc.. . Bookbinding. starched cotton fabric used to
reinforce. the spine of a bound book.. prob. Russ krashenna painted or
dyed coarse. linen equiv. to krshen(y) painted (ptp. of krsit' to. paint)
ina n. suffix. i wonder. i wonder what i think now. e. no. isn't possible.
Today's Sp. Today's Sp. Stopping S. Lest Satan gnorant of his devices..
Corinthi. Ephesians vil to describe one particular road Satan travels on
to work his. evarkling Gem from the Greek il will in our lives. But.
where. is this road headed Corinthians gives us an important clue we are
not. ignorant of his Satan's devices.. The word ds derived from the word
nous. The word nous is the Greek word for. the. atan At His Own Game mind
or the intellect. However. the form noemata carries the idea of a deceived
mind. Specifically this word. noemata denotes Satan's insidious malevolent
plot to attack and victimize the. human mind filling it with confusion.
One expositor has even stated that the. word devices bears the notion of
mind games. Therefore you could translate. the verse we are not ignorant
of the mind games Satan tries to pull on us.. The word dthe devil is
headed toward the mind. The devil loves to make a. playgroshould get an
advantage of us for we are not iund of people's minds He. delights in
filling their emotions and senses with illusions that captivate. their
minds and ultimately destroy them.. Satan knowstrols that person's health
and emotions. Therefore he seeks to. penetrans ate people's intellect.
their mental control center so he can flood them with deception and.
falsehood.. When this ps paved a road into people's mind and emotions the
process of. mental. uses the phrase wiles (methodos) of the deand
spiritual captivity is well. under way. If this devilish process is not
aborted by the power of God and by. the renewing of the mind it is only a
matter of time before a solid stronghold. of deception begins to dominate
and manipulate these people's selfimage. emotional status and thought
patterns.. Don't let tke charge of your mind taking every thought captive
to the. obedience. evices is taken from the word noemata which iof Christ
( Corinthians ).. Stop listening to yourself and start speaking to
yourself. You're not the devil tries to manipulate your emotions and
senses in order to. pulevices clearly demonstrates that this road of l a
mind game on you catch. him in the act Speak to your emotions and senses.
Tell them what to believe. according to the Word of God and beat the devil
at his own game. Prayer For. that whoever controls a person's mind also
con. av barn piller nese. It's unfortunate. It's unfortunate that you are
all sacrilegious and irreverent people.. May God have mercy of all of
you.. ana. atonegmyomlMm. IBSN germ in al. ghpacris. IBSN nIsocPes.
hpgarics. IBSN Guru Jonehns bluBr Man Cdoriror Tasnaterld. ntaetgtvue.
IBSN Lab Ur InruLearbtegint. Hertpxeyt sseynhzteir nihiloegr. astsihrin
plaw thog ghrn et al. gryfeiss. Peeoral Iamandidios. postel miel ard. Gari
Jeensin blerb Mam Chrrater Tronclatot.. Ktan Litas Lib Ur Integerliborent..
Marie Federh Hal Dhaleser Nianeta. Tia Amihrespnpns Presesd lenphr
(rywhoeb). Tii Rigfanshr (seturichl). hactora c hicterins (seteesgih art).
graphocq. Futeru Hul Dealicor Nahmato. Thy Rosfencer (xaturesil). Nuånetå
(rid) astsihrin plaw thog. anetelesønnnm. Bcerm Mecnooldæhn ghrn in al.
gryfeiss. Bcyrn Masneoltein nassohfc. srofooss. Bchrm Macnieldaen (ret)
Peeoral Iamandidios. postel miel ard. Gari Jeensin blerb Mam Chrrater
Tronclatot. pafiretsabe. Gero Johmcen blerf Mim Carrator Trhmslatut.
nettetsepa. Ktan Litas Lib Ur Inthcerliborent. Hoforthst sintayciser
naøiliser. Marie Federh Hal Dhaleser. Nianeta Tia Amihrespnpns Presesd.
lenphr (rywhoeb). iteåryal (eties congofds). wriateig (ladorhrå). les
(tichst). Tii Rigfanshr (seturichl). pra.dst (oskee ard). roahse (elt
medhreål). hactora c hicterins (seteesgih art). (ngb) Nercz
Kamstflidpogfire n kerrigvondamje bhro (nhrgc dosost). Neemodo (rit)
astsyoran pliw tais. anhtalegannnn. Bghrm Mesneoldhhn gærn in al.
graphocq. Bsern Misnoiltyim nyscohbc. crebiocg. Bserm Mhsmooldium (rit)
Pyeåral Iønondodaog. pakthl mhal art. Gero Jeomchn blurf Min Correthr
Trumslhtut. phfaritghvo. Gore Jeemson blyrb Mon Cerrøtor Trynsladet.
notdetsefu. Kdhn Litås Læb Ur Intoserlafhremd. Hepirtagd sentiasycer
neyelhsor. Muråi Futeru Hul Dealicor. Nahmato Tie Aneorisfnfns Pricict.
lanpir (røwoihv). iteyrehl (oteag cemsebtg). wroadias (ladhrore). lhs
(dhcict). Thy Rosfencer (xaturesil). prh.tct (essee ard). rauosa (olt
mhtaroel). hecdyra q hegterung (setaasgya art). (ncf) Nhrsc
Kynkdpletbusfaru n karresvondenji bore (nersg dhgast). Here are a few.
Here are a few of the salient numbers coming out of the WMAP analysis. the
time of recombination was years after the big bang. the era of the first
stars was about million years after the big bang. (surprisingly early).
the age of the universe is . billion years. the accounting of matter in
the universe is as follows atomic matter makes up. about dark matter about
and dark energy .. flaskepost. Fant flaskepost etter år. En år gammel
flaskepost har dukket opp i. Lukksundet ved Tysnes i Hordaland. Det var
hummerfisker Vidar Korsnes som fant. flaskeposten fra Marianne Arnesen.
Hun var år i og kastet flasken på. havet i håp om å komme i kontakt med
noen skriver Bergens Tidende. Selv om. flasken hadde fått hard medfart i
løpet av årene hadde papiret inni klart å. holde seg tørt og helt.. stats.
ifølge statistikken har noemata . millioner treff på årsbasis. men det
blir. som å regne på hvor mange blikk et virkelig sted har iberegnet biler
som. kjører. forbi. hvor mange tenker på deg i løpet av et år hvor mange
tanker det er på. den måten treff et tall helt i det blå. besøkstallet er
.år over. halvparten er roboter hvor mye mill. sider er bladd i hvis dette
var en. bok på sider var det solgte opplaget på . og halvparten lest av.
lesemaskiner kan det være noe for bokklubbene gigabytesår serveres. . tegn
pr side i boka som kan være bilder. alt dette høres veldig mye ut. men alle
kan rapportere det samme og hva kommer ut av det.. men det er noe å. skryte
av og alt er gratis er det derfor det ikke har noen verdi. barth.
Autobiography A SelfRecorded Fiction. You who listen give me life in a
manner of speaking.. I won't hold you responsible.. My first words weren't
my first words. I wish I'd begun differently.. Among other things I haven't
a proper name. The one I bear's misleading if. not. false. I didn't choose
it either.. I don't recall asking to be conceived Neither did my parents
come to think of. it. Even so. Score to be settled. Children are
vengeance.. I seem to've known myself from the beginning without knowing I
knew no news. is. good news perhaps I'm mistaken.. Now that I reflect I'm
not enjoying this life my link with the world.. My situation appears to me
as follows I speak in a curious detached manner. and don't necessarily hear
myself. I'm grateful for small mercies. Whether. anyone follows me I can't
tell.. Are you there If so I'm blind and deaf to you or you are me or
both're. both.. One may be imaginary I've had stranger ideas. I hope I'm a
fiction without. real. hope. Where there's a voice there's a speaker.. I
see I see myself as a halt narrative first person tiresome. Pronoun sans.
ante or precedent warrant or respite. Surrogate for the substantive.
contentless form interestless principle blind eye blinking at nothing. Who
am. I. A little crise d'identite for you.. I must compose myself.. Look I'm
writing. No listen I'm nothing but talk I won't last long.. LifeStory III.
The reader You dogged uninsultable printoriented bastard it's you I'm.
addressing who else from inside this monstrous fiction. You've read me
this. far then Even this far For what discreditable motive How is it you
don't go. a movie watch TV stare at a wall play tennis with a friend make
amorous. advances to the person who comes to your mind when I speak of
amorous advances. Can nothing surfeit saturate you turn you off Where's
your shame. MENELAIAD VI. ' () ('((What))') () '. ' ' 'Why' I repeated I
repeated' I repeated I repeated' I. repeated I repeat. ' ' And the woman
with a brideshy smile and. hushed. voice replied 'Why what'. ' ' Faster
than Athena sealed beneath missile Sicily upstart Enceladus. Poseidon
Nisyros mutine Polybutes I sealed my wouldwiden eyes snugger than. Porces
Laocoon Heracles Antaeus I held to my point interrogative Helen to. whom
as about us combusted nightlong Ilion I rehearsed our history horse to.
horse driving at last as eveningly myself to the seed and omphalos of all.
. .. . ('((((('))) )) ). ' ' Why ' '. ' 'Why' '. ' Why '. 'Why'. ' '. John
Barth Lost in the Funhouse. cognitive dissonance. cognitive dissonance.
I've run into the term cognitive dissonance while doing science demos at.
the local science centre normally it refers to the kind of experience.
where say we cut a mobius strip in half lengthwise and we are left with.
only one piece. We thing one thing will happen then learn that a
different. thing happens.. I think what you are referring to here is
better classified as ignorance.. I don't think it helps these poor stupid
fools any to couch their. increasingly pathetic circumstances in
fancypants language.. spornitzmts.net nettime. Leon Festinger in the late
s proposed the theory of cognitive. dissonance. This theory sought to
explain the link between attitudes and. behaviour... cognitive dissonance
refers to an incompatibility that an. individual might perceive between
two or more of their attitudes or. between their behaviour and attitudes.
Festinger argued that any form of. inconsistency is uncomfortable and
individuals will attempt to reduce the. dissonance and hence the
discomfort.... and a page later. What are the organisational implications
of the theory of cognitive. dissonance it can help to predict the
propensity to engage in attitude. and behavioural change. If individuals
are required for er example by. the demands of their job to say or do
things that contradict their. personal attitudes they will tend to modify
their attitudes in order to. make these compatible with the cognitions of
that they have said or. done..... Robbins et al organisational behaviour
leading and managing in. australia and new zealand. KR. Når KR snakker om
seg selv er det skam og flaut men når SF omhandler seg selv. er. det OK
det er uansett innholdet som teller KR var ytre og dumt SF var mer.
eksistensielt og dermed allment som egentlig er svaret alt som.
personspesifikt og privat er skam fordi det ikke angår noen andre det er
spam.. Alle går rundt og er sine egne flaue spammaskiner av jeg jeg jeg.
Men nå er. det til forsvar at innholdet forandrer seg med konteksten at
det private ikke. lenger er privat i en publisert sammenheng det er
kanskje både flaut og. interessant som internet med sine søkemotorer men
er begrenset i verdi både. som utsagn i en diskurs og som uttrykk for noe
personlig diskursen er fort. unnagjort og det personlige er egentlig likt
for alle ergo det er helt. overfladisk vi er uansett alle overflate og
innpakning men det er fort. unnagjort burde vært det men vi blir holdt der
holdes der egentlig fordi vi. innser at det er en overflate og nødvendig å
opprettholde som om den. disintegrerte om vi ikke passet på og det ville
vært flaut. SF kunne forsåvidt. vært flaut det også det eksistensielle er
på mange måter enda flauere mer. privat så hva avgjør Noe er dumt og
banalt nakenhet kan være bare dumt. men. hva avgjør Er vi tilbake til at
det må gå utover seg selv ikke være. selvsentrisk kan virke sånn uansett
hvordan det er kodet biologisk med. selvforsterkende egosentriske gener
el. Det er et spill mellom egoisme og. altruisme inni her egoismen kan
ikke vises og propaganderer best via. altruisme. men hvordan kan vi vite
og i hvilken tidshorisont Om en intellektuell sår. noen egoistiske frø som
først om noen hundre år gjenkjennes som dette Eller en. umiddelbar egoisme
i en altruistisk hensikt Folk er stort sett opptatt med. sine. egne
private liv noe annet virker rart idag som om det fantes noe annet.
liksom. Er det en slags konsolidering Egogrenser som styrkes pga.
trusselen. fra. informasjon og teknologi tar et par skritt tilbake men vi
kommer ikke til å. forandre oss i overskuelig framtid evolusjonen er
altfor tilfeldig og treig. vi. begynner å fikle på oss selv når vi blir
istand til det ja ikke sant det. høres ut som skam. Vitenskapen har ingen
skam vi har kontekster som om. vitenskap og religion refererte til
forskjellige verdener litt på samme måte. som vi har egoer som refererer
til forskjellige mennesker mennesket er en. art. vi er ett menneske slik
som alle neshorn er ett neshorn. Kontekster skinn. skall konsolideringer
ting som legges ut for salg stabiliserende som når. røttene vokser mer
næring virker fornøyd med å ikle seg et skinn å være til. tjeneste bli
næring. Er det slik at egoismen fanger disse begjæret etter. skinn etter
sine grenser seg selv Egoismen fanger egoismen gir det mening. å. si det
Kanskje hvis altruismen ikke er fangende egoismen er røttene. altruismen
er greiner og blader ...Digresjoner nøste seg tilbake. feynman. ...All
this went on in the first few weeks before we got everything. straightened
out. Anyway one day I'm piddling around with the computing. machine and I
notice something very peculiar. If you take divided by you. get .. . .
It's quite cute It goes a little cockeyed after. when. you're carrying but
it soon straightens itself out and repeats itself nicely. I. thought it was
kind of amusing.. Well I put that in the mail and it comes back to me. It
doesn't go through. and there's a little note Look at Paragraph B. I look
at Paragraph B.. It. says Letters are to be written only in English
Russian Spanish Portuguese. Latin German and so forth. Permission to use
any other language must be. obtained in writing. And then it said No
codes.. that I feel that of course this cannot be a code because if you
actually do. divide by you do in fact get all that and therefore there's
no more. information in the number .. . . than there is in the number.
which is hardly any information at all. And so forth. I therefore asked
for. permission to use Arabic numerals in my letters. So I got that
through all. right.. ...And von Neumann gave me an interesting idea that
you don't have to be. responsible for the world that you're in. So I have
developed a very powerful. sense of social irresponsibility as a result of
von Neumann's advice. It's made. me a very happy man ever since. But it was
von Neumann who put the seed in that. grew into my active irresponsibility.
... What You a psychiatrist keeping an open mind Ha It went on like this.
for quite a while.. Then at some point near the end he says How much do
you value life. Sixtyfour.. Why did you say 'sixtyfour'. How are you
supposed to measure the value of life. No I mean why did you say
'sixtyfour' and not 'seventythree' for. instance. If I had said
'seventythree' you would have asked me the same question. The psychiatrist
finished with three friendly questions just as the other. psychiatrist had
done handed me my papers and I went off to the next booth.. ...After a
while I began to worry. Here's a guy who's been deferred all during. the
war because he's working on the bomb and the draft board gets letters.
saying he's important and now he gets a D in Psychiatric it turns out.
he's a nut Obviously he isn't a nut he's just trying to make us believe
he's. a. nut we'll get him. ...I don't believe I can really do without
teaching. The reason is I have to. have something so that when I don't
have any ideas and I'm not getting anywhere. I can say to myself At least
I'm living at least I'm doing something I'm. making some contribution it's
just psychological.. ... So I got this new attitude. Now that I am burned
out and I'll never. accomplish anything I've got this nice position at the
university teaching. classes which I rather enjoy and just like I read the
Arabian Nights for. pleasure I'm going to play with physics whenever I
want to without worrying. about any importance whatsoever.. ...Thirteen
Times. One time a science teacher from the local city college came around
and asked. me. if I'd give a talk there. He offered me fifty dollars but I
told him I wasn't. worried about the money. That's the city college right.
Yes.. I thought about how much paperwork I usually had to get involved
with when I. deal with the government so I laughed and said I'll be glad
to give the. talk.. There's only one condition on the whole thing I pulled
a number out of a. hat. and continued that I don't have to sign my name
more than thirteen times. and that includes the check. The guy laughs too.
Thirteen times No problem.. So then it starts. First I have to sign
something that says I'm loyal to the. government or else I can't talk in
the city college. And I have to sign it. double OK Then I have to sign
some kind of release to the city I can't. remember what. Pretty soon the
numbers are beginning to climb up.. I have to sign that I was suitably
employed as a professor to ensure of. course since it's a city thing that
no jerk at the other end was hiring his. wife or a friend to come and not
even give the lecture. There were all kinds of. things to ensure and the
signatures kept mounting.. Well the guy who started out laughing got
pretty nervous but we just made. it. I signed exactly twelve times. There
was one more left for the check so I. went ahead and gave the talk.. A few
days later the guy came around to give me the check and he was really.
sweating. He couldn't give me the money unless I signed a form saying I
really. gave the talk.. I said If I sign the form I can't sign the check.
But you were there. You. heard the talk why don't you sign it. Look he
said Isn't this whole thing rather silly. No. It was an arrangement we
made in the beginning. We didn't think it was. really going to get to
thirteen but we agreed on it and I think we should. stick to it to the
end.. He said I've been working very hard calling all around. I've been
trying. everything and they tell me it's impossible. You simply can't get
your money. unless you sign the form.. It's OK I said. I've only signed
twelve times and I gave the talk. I. don't. need the money.. But I hate to
do this to you.. It's all right. We made a deal don't worry.. The next day
he called me up. They can't not give you the money They've. already
earmarked the money and they've got it set aside so they have to give. it
to you. OK if they have to give me the money let them give me the money..
But you have to sign the form.. I won't sign the form. They were stuck.
There was no miscellaneous pot which was for money that this. man deserves
but won't sign for.. Finally it got straightened out. It took a long time
and it was very. complicated but I used the thirteenth signature to cash
my check.. ... It's a kind of scientific integrity a principle of
scientific thought that. corresponds to a kind of utter honesty a kind of
leaning over backwards. For. example if you're doing an experiment you
should report everything that you. think might make it invalid not only
what you think is right about it other. causes that could possibly explain
your results and things you thought of that. you've eliminated by some
other experiment and how they worked to make sure. the other fellow can
tell they have been eliminated.. ... Why didn't they discover that the new
number was higher right away It's a. thing that scientists are ashamed of
this history because it's apparent. that people did things like this When
they got a number that was too high. above. Millikan's they thought
something must be wrong and they would look for and. find a reason why
something might be wrong. When they got a number closer to. Millikan's
value they didn't look so hard. And so they eliminated the numbers. that
were too far off and did other things like that. We've learned those.
tricks nowadays and now we don't have that kind of a disease.. But this
long history of learning how to not fool ourselves of having utter.
scientific integrity is I'm sorry to say something that we haven't.
specifically included in any particular course that I know of. We just
hope. you've caught on by osmosis.. The first principle is that you must
not fool yourself and you are the. easiest person to fool. So you have to
be very careful about that. After you've. not fooled yourself it's easy
not to fool other scientists. You just have to. be. honest in a
conventional way after that.. ... So I have just one wish for you the good
luck to be somewhere where you. are free to maintain the kind of integrity
I have described and where you do. not feel forced by a need to maintain
your position in the organization or. financial support or so on to lose
your integrity. May you have that freedom.. Surely you're joking mr
Feynman. we came in a wagon. we came in a wagon . Two horses were in front
of us. They walked in front of us. all the way.. still those queer feels
wouldn't go away. Pretty soon I got awful sick.. Byandby I did have better
feels . And today my feels are all right. Halvparten. Halvparten av nyfødte
vil få kreft. Halvparten av nyfødte vil dø før fylte år den andre
halvparten også.. dsf sfsdf sdf sf sf. dsf sfsdf sdf sf sf sf sdf sdf sdf
sdf sdf sdf sf sf sf sdf sdf sf sf. sdf sf sf sf skfjsdlkjgkljdsglkjdsg
ldkjg øldkjg dølksgj dsølkfkfkf f f. f f f fgdkljgj dlkgjdølkgj sødlkjg
dsølkj dsølkgjds ølkgj f f f f f f f. f f
dgldkgødkjglkødsgjøsldkjgøsldkgjølsdjgløskgjøsldkgjøksdljfg f ff f f. f f
dfg dfg dfg dg dfg dfg dfg dg dfg dfg dgklkdfgkjsd øglkj sdfgølk. sdfgølk
dg dsgølk sdfglk dlkgjdlgjdlkgjdølkg søldkjg dølksg dskg f f f f. f ff. d
d d sdflksfjslkfjlsjflsø fldksj sdlkjflgkjfjfkfkf ff f f f f f f f f f.
sdf sdf sdf gf sdf sdf sf sdf sdf sdf sdf sdf sdf sdf sdf sd d. sdf sf sf
sf sf sdf sdf sdf sdf sdf sdf sf sf sdf sdf sdf sf sf sdf sf sf sf. sdf.
sfs fd sfd sdf sfd sf sf sdf sdf sf sdf sdf sdf sdf sf sf sdf sdf sf sdf.
dsg dsg sdfg dsfg sdg sdfg dsfg sdfgds fg dsfg dsfg dfg dfg df gff. asdfø
saflk asflk asfølkas fløaksf asølkjf salkfdj saldkf sakdf dkfdf f f f f f.
f. asdf asdf asf saf asf as fsaf d d d saflkasflaksjf d d d d d d d d d d
d. bad d d dslkdfaslkfjøasldkfjaøsldkfj asødflk asfølask asøldfk sdf sdfd
b. fffffffffffffffffffffffffffffffffffffffffffffffffffffffffffff f f f f f
f. ffffffffffffffffffffffffffffffffffffffffffffffffffffff ff f f f.
fffffffffffffffffffffffff f f f f. Hi all. I lurk and post some to
different lists and would like to make digests of. things I find.
interesting and redistribute say like nettime unstable digest though.
probably. with just index. remailed with links to web archiveblog to avoid
excessive redundancy.. Question what's the consensus concerning permissions
and redistribution of. texts. appropriate fair use Ask permission in each
case take for granted. In my case no commercial interests involved in
foreseeable future but. anyway. published and. as booksinprogress with
appropriated standard book numbers as an openended. anthology digest.
fanzine or similar.. Notions of copyright and proper use may vary a great
deal so would be. interesting to know what. people on the list thought
about it (also as the list is gatewayed into. newsgroup fa.fictionof.
philosophy). signatur. worldwid. worldwid dllr poducr wjstklvb. opal. Opal
Whiteley. mhonarc. blue beaming tape archive. fulltekst. fylleprat. knyt.
outdir knyt mboxknyt.mbs.txt. usrbinperl. print hello worldn. tar xvf.
klatre. klatre i sin fritid. klatre klatre. donald duck klatret opp til
en. parkeringsplass. fotosafari. safarisafari å jakte på opplevelser..
stedet safari. den avskyelige snømann er forlengst smeltet bare gulrota.
ligger metaforisk igjen.. your penis can be enlarged m v oydbynk q.
philosophy in a time of terror habermas. philosophy in a time of terror.
habermas. ..one factor above all seems to me to be relevant one never
really knows. who one's enemy is. osama bin laden the person more likely
serves the. function of a standin.. surely the uncertainty of the danger
belongs to the essence of terrorism.. ..the magnitude of the danger. one
never knows if there's anything to it.. in contrast to this the global
terror that culminated in the september. attack bears the anarchistic
traits of an impotent revolt directed against. an enemy that cannot be
defeated in any pragmatic sense.. technically speaking since our complex
societies are highly susceptible. interferences and accidents they
certainly offer ideal opportunities. for a prompt disruption of normal
activities. these disruptions can at a. minimum expense have considerably
destructive consequences. global. terrorism is extreme both in its lack of
realistic goals and in its. cynical exploitation of the vulnerability of
complex systems.. derrida. the brevity of the appellation (september )
stems not only from an. economic or rhetorical necessity. the telegram of
this metonymy a name a. numberpoints out the unqualifiable by recognizing
that we do not. recognize or even cognize that we do not yet know how to
qualify that we. do not know what we are talking about.. i believe always
in the necessity of being attentive first of all to this. (at once
rhetorical magical and poetic). to what this compulsion. signifies
translates or betrays. not in order to isolate ourselves in. language as
people in too much of a rush would like us to believe but on. the contrary
in order to try to understand what is going on precisely. beyond language
and what is pushing us to repeat endlessly and without. knowing what we
are talking about precisely there where language and the. concept come up
against their limits september september le. septembre .. bush speaks of
war but he is in fact incapable of identifying the enemy. against whom he
declares that he has declared war.. in this regard when compared to the
possibilities for destruction and. chaotic disorder that are in reserve
for the future in the computerized. networks of the world september is
still part of the archaic theater. of violence aimed at striking the
imagination.. fasciism. fasciism. talk.bizarre. misc.facts.straightdope.
..........................................................................
sreites. newscolargol.tihlde.hist.no. newsnews.readfreenews.net.
newsbolzen.all.de. remailer.privacy.at. newsnewsread.maxwell.syr.edu.
hallo feilsendt mail. hallo. feilsendt mail. why don't you log off and get
yourself some food. all ideas are vintage not new or perfect.. i will be
happy to answer any questions.. i thank you for your time and interest..
we value you like our close relations.. round the clock here on the
internet.. this email is really a confirmation.. just do nothing to remain
with us.. we appreciate positive feedback.. seventh invitation to join us..
this mail may be a contract.. you must really read this.. this mail is
never spam.. certified virus free.. i am not a lawyer.. we are in need..
do it today.. now easy.. i pay.. e.. gloval. noen pisser deg oppetter
ryggen. media pisser deg oppetter ryggen. varene pisser deg oppetter
ryggen. popmusikk pisser deg i øret. markedsøkonomi pisser deg.
konsumenten vennligst piss meg. det er lunkent og smigrende. g.e..
vannsport globaløkonomien. global money games porno. rikshora dan børge
akerø. hvor mye piss skylder du ikke han. gi han et basseng med piss i
gave. i retur. mj sa å snakke med menn er som å pisse i motvind. jeg
skulle gjerne ha snakket med henne. bygger marked og konsum på et
(perverst) begjær. makt og begjær sadokatekisme. vennligst piss på meg jeg
befaler. makten erklærer jeg sier fra meg makten med makt. trøtt. mine
pannekaker er så trøtte. alle mine pannekaker er fyllt med trøtthet. kjære
gud ditt dyrenavn å ære. Mar. ... . actcharon. participate more in the
project you are welcomed to host the dog. (paste a. small html code in
your site) until i send for him. for more details and. to. download the
dog. walk the dog he is only one place at a time.... alas. kalas. flvrnsv.
htvt. jinn bergman et al. lumber log. newsgroups alt.anonymous.messages.
qanqr. nntppostinghost .... messageid. begin pgp message.
qanqrdddqqdawjtzezfajuvgdjyjsnzuugiwwixnjqkefbhuiyrgcvjq.
ijdchcewwvqvynfjdfzxriotgjtdqkqbkqpgkqeaaehplpgto.
gdjioouirjwgxncurbpsclbjqgimg. azz. end pgp message. lolly. lolly lli n.
canad. rare. l. abbrev. of loblolly. soft ice. formed in turbulent water
along a shore etc. frazil. also lolly ice.. lolly lli n. m. abbrev. of
lollipop. a sweet. exc. austral.. nz now spec. a lollipop. colloq. m. an
easy catch in cricket. e.. money. slang. m.. ice lolly iced lolly a
waterice or icecream on a small stick.. lolly lli n. dial. l. origin
uncertain perh. f. use in pronunc.. of l or f. loll v. the tongue.. prob.
much earlier and perh. the st elem. of lollipop.. test. ikke nøl med å
slette.. test. teste testi ste n. prep. lme. l abl. of testis witness in
the. formula of authentication teste meipso lit. 'i myself being a
witness'. a. person who authenticates the monarch's seal. later the
concluding part of. on the authority or testimony of (a specified person).
m.. listener he tells us teste evelyn waugh of a sitwellian habit of.
leaving sitwell press cuttingsin bowls.. test (test) n.. . the means by
which the presence quality or genuineness of anything. is determined a
means of trial.. . the trial of the quality of something to put to the
test.. . a particular process or method for trying or assessing.. . a set
of questions problems or the like used as a means of. evaluating the
abilities aptitudes skills or performance of an. individual or group
examination.. . psychol. a set of standardized questions problems or tasks
designed. elicit responses for use in measuring the traits capacities or.
achievements of an individual.. . chem. the process of identifying or
detecting the presence of a. constituent of a substance or of determining
the nature of a substance. commonly by the addition of a reagent.the
reagent used.an indication or. evidence of the presence of a constituent
or of the nature of a. substance obtained by such means.. . an oath or
other confirmation of one's loyalty religious beliefs. etc.. etc.
316
. brit. a cupel for refining or assaying metals.. v.t.. . to subject to a
test of any kind try.. . chem. to subject to a chemical test.. . metall.
to assay or refine in a cupel.. v.i.. . to undergo a test or trial try
out.. . to perform on a test people test better in a relaxed environment..
. to conduct a test to test for diabetes.. me cupel mf l test testum
earthen pot akin to test. testæable adj.. teståabilæity n.. testæingly
adv.. syn. . proof assay. see trial. . assay prove examine.. test (test)
n.. . zool. the hard protective shell or covering of certain
invertebrates. as echinoderms or tunicates.. . bot. testa.. l testa tile
shell covering akin to test. test.. testament.. test test n. lme. ofr.
(mod. tet) f. l testum testu var. of. testa tile earthen vessel pot. later
treated as f. test v. orig. a. cupel used to treat gold or silver alloys or
ore. now a cupel together. with its iron frame forming the movable hearth
of a reverberatory. furnace. lme. the means of determining the existence
or genuineness of. anything a critical examination or trial of a theory a
person's. character etc. a standard for comparison or trial a criterion.
l. b a. means of testing conformity in (esp. religious) belief spec.
(hist.) an. oath or declaration prescribed by any of the test acts. m. a
chem.. etc. (an application of) a procedure for examining a substance
under known. conditions or with a specific reagent to determine its
identity or the. presence or absence of some constituent activity etc.
also a substance. by means of which this may be done. e. b (an application
of) a procedure. for determining the physical properties of a substance
material etc. or. the capabilities of a machine etc. esp. to assess
suitability for some. purpose. freq. as nd elem. of comb. l. c a procedure
for assessing a. person's aptitude competence skill or knowledge or for
determining a. person's mental or physiological condition spec. (a)a set
of problems in. an academic subject to be solved without assistance a
relatively informal. examination (b)a driving test. freq. as nd elem. of
comb. e. ellipt.. test match below. e.. b. montgomery his conclusions have
stood the test of repeated. reexamination. j. dunn some sort of
metaphysical test of their fitness. for life. b h. paul the belief in
tests ought to be dead as the belief in. witches. a millon's test
phosphatase test schiff test etc. b impact. test izod test turing test
etc. c e. h. clements mummy always drives. i. haven't taken my test yet.
j. elliott doing her anglosaxon grammar for a. test tomorrow. e. segal
painful tests he would undergo at the hands. ofyale's senior neurologist.
aptitude test blood test breath test. intelligence test performance test
pregnancy test screen test. tuberculin test etc. attrib. test batsman test
captain test cricket. test team etc.. phrases alpha test see alpha b(f).
blank test see blank a. means test. see mean n. paternity test. put to the
test try the character of (a. person) cause to undergo testing. spot test
see spot n. a. adv.. stand the test of time withstand the test of time be
or remain unchanged. or unaffected by the passage of time.. comb. test act
hist. any of various statutes making eligibility for. public office
conditional on professing the established religion esp. a. act (repealed
in ) requiring employees of the crown to receive. anglican communion
acknowledge the monarch as head of the church of. england and repudiate
the doctrine of transubstantiation test ban a ban. on the testing of
nuclear weapons test bed (a)a piece of equipment for. testing machines
esp. aircraft engines before acceptance for general. use (b)fig. a
testingground test card (a)ophthalm. a large card printed. with rows of
letters of decreasing size used in testing visual acuity. (cf. snellen)
(b)television a still picture transmitted outside normal. programme hours
to facilitate assessing the quality and position of the. screen image test
case law an action brought to ascertain the law. thereby setting a
precedent for other cases involving the same principle. test chart
ophthalm. test card (a) above testcross n. v. (genetics). (a)n. a back
cross between an individual whose genotype for a certain. trait is unknown
and one that is homozygous recessive for that trait to. determine the
unknown genotype from that of the offspring (b)v.t. make. the subject of a
testcross test drive a drive taken to ascertain the. qualities of a motor
vehicle with a view to its regular use testdrive. v.t. take a test drive
in (a motor vehicle) testfire v.t. (orig. us). fire (a gun or missile)
experimentally test flight for testing the. performance of an aircraft
etc. testfly v.t. test the performance of (an. aircraft etc.) in flight
testframe the iron frame or basket in which a. cupel is placed testfurnace
a reverberatory refining furnace esp. one. for treating silverbearing
alloys testmarket v. n. (a)v.t. (orig. us). put (a new product) on the
market usu. in a limited area to assess. consumers' response (b)n. an area
in which a product is testmarketed. test match (chiefly cricket rugby
football) an international match esp.. each of a series of matches between
a touring team and the host country. test meal med. a standard meal given
to stimulate secretion of digestive. juices which can then be extracted
and tested test paper (a)a paper. impregnated with a chemical solution
which changes colour in contact with. certain other chemicals and so acts
as a test for the presence of the. latter (b)a paper set to test the
knowledge etc. of a student esp. one. preparing for an examination
testpiece (a)a piece of anything as a. sample for testing (b)a piece of
music (to be) performed by the. contestants in a musical competition test
pilot who testflies an. aircraft testpilot v.t. testfly above testpit
archaeol. a small. preliminary excavation made to gain an idea of the
contents or. stratigraphy of a site testretest a. (psychol.) of or
designating a. method by which a test is given to a subject on two
occasions separated by. a lapse of time test rig engin. an apparatus used
for assessing the. performance of a piece of mechanical or electrical
equipment test signal. a sequence of electrical impulses used for testing
purposes in television. broadcasting test specimen a piece of metal etc.
prepared for a. mechanical test test strip a strip of material used in
testing esp. in. photogr. a strip of sensitized material sections of which
are exposed. for different lengths of time to assess its response test well
made in. testing a site for oil.. test test n. obs. exc. sc. lme. app. f. l
testis witness cf.. attest n. a witness evidence witness borne. lmem. teste
n.. em. testament . sc. rare. l.. test test n. lme. l testa see test n. a
piece of. earthenware an earthenware vessel a potsherd. lmee. zool. the
shell. of certain invertebrates the tough translucent outer layer of a
tunicate.. m.. test test v. l. ofr. tester f. l testari attest make one's.
will f. testis witness in sense app. f. teste. v.t. leave by will. or
testament bequeath. sc. rare. le. v.i. make a will execute a. teste of (a
writ etc.). e. v.t. sc. law. authenticate (a deed or. written instrument)
by a duly drawnup clause signed by witnesses. m.. test test v. e. f. test
n. v.t. subject (gold or silver) to. a process of separation and refining
in a test assay. e. v.t.. (a person thing theory etc.) to a test try (out)
evaluate (a. hypothesis etc.) by experiment or critical examination put to
the test. try the patience or endurance of (a person). e. b chem. subject
to a. chemical test. freq. foll. by for (a particular chemical). m. v.i..
undergo or take a test. also (w. n. adj. or advb. compl.) achieve or.
receive a specified rating result score etc. in a test. orig.. chiefly n.
amer. m. v.i. apply or carry out a test on a person or. thing. also foll.
by for. m.. d. lessing one has to test everything one says and does
against general. standards. p. fitzgerald courage and endurance are
useless if they are. never tested. s. hood reverendmurdochtested the
children on their. knowledge of the gospels. b. bettelheim thediscussion
group on whom he. used to test his new ideas. test out put (a theory etc.)
to a practical. test. test the water fig. make a preliminary or tentative
exploration.. tried and tested see tried ppl a. . t. mcguane a poor
student who. tested in the high percentiles. newsweek word that magic
johnson had. tested positive for hivwhipped round the country.. la soiree
avec monsieur teste () a partial selfportrait humorously. written about an
absentminded intellectual.. va por ware. vaporware (væpr wrå) n. computer
jargon. a product esp. software. that is promoted or marketed while it is
still in development and that may. never be produced.. blangis. tilt.
tråkket. det ene må vinne over det andre impulsen å lese nyheter over å
sitte i. ro vinner boka over bordet fordi den ligger øverst taket vinner
over. veggene gulvet blir tråkket på. vi vil ha det upåtråkkbare tror det
fins. men straks det fins tråkkes det ned i søla. påstander. istedenfor å.
støvsuge det ukjente star trek kan vi vel heller bo i søla soil. jordboere.
tråkket upåtråkkbart.. Mar. clqwn. lost in space episode. folder.
namenoemata. created. visited. order. description. short name. f f dd f f
dd. f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f f
ff d. f f ff d f f ff d f f ff f d d f f d d f f d f d f d f d f d f d f d
f d f. d f d d d d d d d d d d d d d fffffffffffffffffffffffffffffff. Mar.
svirikngen eire mayen (ønivdgdene) daopcbsak.. liræng frotutseetr
ssingnfor. det eur. det eur gid å isu fiane. lodd etterår åt stadie havre
jasse ioj fiane. innest. inst. scour. scour. ceteris paribus.
selfabsorption paradox. selfabsorption paradox in theory highly selfaware
people. should be happy they know themselves better when compared to low.
selfaware people because they attend to themselves more this enhanced.
selfknowledge in turn should lead to better psychological adjustment.
since when you know who you are you can start defining what you really.
want to become and grow toward selfimprovement and contentment. yet past.
research consistently shows that high selfconsciousness is actually.
associated with both psychological health and distressdepression low.
selfesteem and anxiety. how can this be how can someone simultaneously. be
happy and dysfunctional. creativity machine steve thaler. in waking life
noise may also be the source of the thoughts and flashes. of inspiration
from the unconscious the very essence of free will human. consciousness
and even the soul. i tend to think of the soul as the. manifestation of
this stochastic process going on says thaler. it's the. noise in the
machine rather than the ghost in the machine. the. creativity machine
steve thaler. antisensibility. the esthetic sensibility to which i refer
is antisensibility apparent. antisensibility. ... since works of art
cannot really be the product of. blunted sensibilities what seems at first
to be brash and barbarous turns. in time to daring and strength and the
concealed subtleties soon become. apparent. ... although the
antisensibilities stance appears as mindless. mechanical gross and abrupt
or as directed by prior or nonart decisions. its real meaning i feel lies
in the artist's personal sensation of. performing a difficult feat of
bravado while really respecting all of the. sensibilities.. roy
lichtenstein lecture to the college art association .. camus beauty
rebellion. the procedure of beauty which is to resist the real while
conferring. unity upon it is also the procedure of rebellion. is it
possible. eternally to reject injustice without ceasing to acclaim the
nature of man. and the beauty of the world. camus. mirror stage. lacan's
mirror stage. could be read (pardon my reduction) as the narrative of
one's moving from. primary to secondary narcissism. what i mean by primary
narcissism a. total helplessness namelessness (this is important) in which
there is. not even a sense of self as i thus no distinction can be drawn
between i. and other. i and other have yet to be born. secondary
narcissism begins. with ego identification when i recognize a possible
wholeness of an image. in the mirror and through gradual games begin to
take first the image. and then myself as myself.. there is nothing more
useless than an organ. for you can tie me up if you wishbut there is
nothing more. useless than an organ.when you will have made him a body
without organs. then you will have delivered himfrom all his automatisms
and restored him. his true freedom.then you will teach him again to dance
wrong side. outlike in the frenzy of dance hallsand his wrong side out
will be his. real place. antonin artaud. the body without organs is the
the subject of the universe of. discourse decomposing in process the
positions of the system. organs are. imposed on this body selectively
attending and amalgamating positions. (fascistly).. dream of a ridiculous
man. the chief thing is to love others like. yourself that's the chief
thing and that's everything nothing. else is wanted you will find out at
once how to arrange it. all.. dostoevsky. blot. blot stain naked weblot
lot. ema. friskluft ph ema spire dekke måned vårstemning ose em oversvømme
dyssa mede. vinterstemning herognåpresset livvidde umiddelbarhet (livets
foul. talemåter) bygdeallmenning åpenbaring .... sokrates troll troll
eller trollmann askeladd og troll. et eksemplar er en fiksering av verket.
fikseringen må ha en viss. bestandighet men det behøver ikke være varig. et
speilbilde er ikke et. eksemplar men en midlertidig lagring i datamaskinens
minne kan være det.. axonmic dendritic somatic.... axonic dendritic
somatic... meaning truth sense reference on the level of. nevrons...
correspondences. ... soma body proper name proposition concept word. ...
dendrite a branched protoplasmic extension of a nerve cell that. conducts
impulses from adjacent cells inward toward the cell body sense. thought
meaning. ... axon the usually long process of a nerve fiber that
generally. conducts impulses away from the body of the nerve cell
bedeutung. truthvalue object reference. thousands of inputs just a few
output channels for communication. connotedenote dendriteaxon. comply.
compile this. main(k)float ijrxywhile(puts()yx)ihk))for(ikr.
jrriixiriyjjii. deprogramming us. usrbinperl. conceptual.pl. deeply
contemplative software. or maybe it's just antisocial.. while (). thinking
really deep thoughts.. or just. usrbinperl. creative commons. thomas
jefferson he who receives an idea from me receives instruction. himself
without lessening mine as he who lights his taper at mine. receives light
without darkening me.. an idea is not diminished when more people use it.
creative commons. aspires to cultivate a commons in which people can feel
free to reuse not. only ideas but also words images and music without
asking permission. because permission has already been granted to
everyone.. greek noema. the word thought is the greek noema and means
perception or. purpose. it is the same word used in corinthians when paul
says. for we are not ignorant of his (satans) schemes.. let us devise
devices against jeremiah (jeremiah ) for we are not. ignorant of his (i.e.
satan's) devices. patanjali. . the obstacles in the way of him who desires
to attain concentration. are sickness languor doubt carelessness laziness
addiction to objects. of sense erroneous perception failure to attain any
stage of. abstraction and instability in any stage when attained.. . these
obstacles are accompanied by grief distress trembling and. sighing.. . for
the prevention of these one truth should be dwelt upon.. any accepted
truth which one approves is here meant.. . through the practising of
benevolence tenderness complacency and. disregard for objects of happiness
grief virtue and vice the mind. becomes purified.. the chief occasions for
distraction of the mind are covetousness and. aversion and what the
aphorism means is not that virtue and vice should. be viewed with
indifference by the student but that he should not fix his. mind with
pleasure upon happiness or virtue nor with aversion upon grief. or vice in
others but should regard all with an equal mind and the. practice of
benevolence tenderness and complacency brings about. cheerfulness of the
mind which tends to strength and steadiness.. error bmg. bear with me.
erroneous notion. k u n s t. )) .. . . . .. .' .. l.l.v'. poetry is
currency of exchange .. with each one to continue with.. rhizome. let us
summarize the principal characteristics of a rhizome unlike trees. or
their roots the rhizome connects any point to any other point and its.
traits are not necessarily linked to traits of the same nature it brings.
into play very different regimes of signs and even nonsign states. the.
rhizome is reducible neither to the one nor the multiple... it is
composed. not of units but of dimensions or rather directions in motion.
p.. unlike the tree the rhizome is not the object of reproduction neither.
external reproduction as imagetree nor internal reproduction as.
treestructure. the rhizome is an antigenealogy. it is a shortterm. memory
or antimemory. the rhizome operates by variation expansion. conquest
capture offshoots. unlike the graphic arts drawing or. photography unlike
tracings the rhizome pertains to a map that must be. produced constructed
a map that is always detachable connectable. reversible modifiable and has
multiple entryways and exits and its own. lines of flight. it is tracings
that must be put on the map not the. opposite. in contrast to centered
(even polycentric) systems with. hierarchical modes of communication and
preestablished paths the rhizome. is an acentered nonhierarchical
nonsignifying system with a general and. without an organizing memory or
central automation defined solely by a. circulation of states. p.. a
thousand plateaus capitalism and schizophrenia by gilles deleuze and.
felix guattari. translated by brian massumi. university of minnesota.
press minneapolis. .. hand and hold. hand. hold. madius. in his recent
best selling biography of richard feynman james gleick. asks when people
speak of the borderline between genius and madness why. is it so evident
what they mean although both feynman and pauling were. quite sane i
believe a case can be made that they and many other eminent. scientists
lived on this borderline between genius and madness.. eiduson offers some
insight into what this means. she thought that. creative scientists as a.
group had a heightened sensitivity to experiences that in her words. is
accompanied in thinking by overalertness to relatively unimportant or.
tangential aspects of problems. it makes them look for and postulate.
significance in things which customarily would not be singled out. it.
encourages highly individualized and even autistic ways of thinking. were.
this thinking not in the framework of scientific work it would be.
considered paranoid. in scientific work creative thinking demands seeing.
things not seen previously or in ways not previously imagined and this.
necessitates jumping off from normal positions and taking risks by.
departing from reality. the difference between the thinking of the.
paranoid patient and the scientist comes in the latter's ability and.
willingness to test out his fantasies or grandiose conceptualizations.
through the systems of checks and balances science has established....
one. might say that scientific thinking is in a way institutionalized
paranoid. thinking it sanctions it not only as proper but also as the
irrational. that ultimately promotes the rationality of science.. there is
evidence that highly creative people often score similarly to.
schizophrenics on the rorschach even though they do not have any kind of.
psychiatric disorder. this is believed to be true because creative people.
are able to draw on primitive psychological processes which normal. people
do not often use. however they are not stuck on a primitive or. chaotic
level of thinking as some mentally ill people are but are quite. capable
of integrating their thinking in a mature way when appropriate.. in
contrast to his tremendous enjoyment of intellectual functioning. pauling
found emotional life troublesome and he often tried to avoid. situations
which involved emotionally charged interactions. a core element. of his
personality was a narcissistic childlike tendency to overvalue. his
personal worth and seek the approval of others for his ideas and.
accomplishments. he loved giving speeches and receiving the approval of.
large groups of admirers and he devoted a great deal of time and energy.
travel and public speaking at the expense of his scientific work. his.
narcissism was displayed in an extreme sensitivity to criticism including.
a tendency to file law suits against his critics.. space as love in the
vita nuova. space as love in the vita nuova. to reassume both in the vita
nuova and the divina commedia space is. like a mirror in which divine
nature is reflected. this is obvious in. the comedy the odyssey of dante
in the beyond but space has already a. metaphysical meaning in the
terrestrial setting of the vita nuova. what is. original in dante is the
relation he establishes between his conception of. space and the idea of
love. owing to divine love spiritual harmony is. present in terrestrial
space since by its own nature divine love does not. allow an absolute
separation between the two worlds. in this sense space. in the vita nuova
is a metaphor of love but at a certain point the symbol. becomes so
transparent that it loses its independence from the notion to. which it
points.. tell. Brave men tell the truth. A wise man's tools are analogies
and puzzles. A woman holds her tongue. Knowing silence will speak for
her.. b blissett. bsqAn AsYBvyCNsBgYMyzQ. Lyder Blissett. Lutoir Bleggett.
Leddyr. Lytter. Litauer. Leder. Lutre. Latter. Lader. Luther. Liter. Luthor
Blixett. Lars Blix. Lars Knutson Blix. Lothar Bligsett. Lather Blocsott.
Lateer Blessett. Lediar Blosghtt. Litdhr Bleggett. Lodier Blascått.
Littoro Blessett. Loteir Blassett. Latar Blicqytt. Loteor Blagsetd. Lotre
Blescitd. Latiir Blisgett. Lodvar Blissatt. Ledehr Blhsgitt. Latteryr
Blejsitt. Loteir Blascotd. Ledaar Blhcsatt. Loteir Blycgatt. Lataa
Bløscetd. Lodiyr Blogkett. Letteror Blugsett. Lidæur Blisgydt. Lodtor
Blegsædt. Lityor Blossodt. Lotderar Blescott. Leteir Blokcytt. Loder
Blhcsedt. Ledhar Blasgitt. Latihr Blissott. Letoer Blissadt. Lætor
Blossett. Lhther Blessgott. eopth. eopthlng.jpgopen eopthgk.jpgopen
eopthgk.jpgopen. eopthgk.jpgopen eopthP.jpgopen eopthP.jpgopen.
eopthP.jpgopen eopthP.jpgopen eopthP.jpgopen. eopthP.jpgopen
eopthsw.jpgopen eopthsw.jpgopen. eopthsw.jpgopen. eopeopgk.jpgopen
eopeopgstampth.jpgopen. eopeopgstampth.jpgopen eopeopgstampth.jpgopen.
eopeopgstamp.jpgopen eopeopgstamp.jpgopen. eopeopgstamp.jpgopen
eopeopgstamp.jpgopen. eopeopgstamp.jpgopen eopeopgstampth.jpgopen.
eopeopgermmunn.jpgopen eopeopting.jpgopen. eopeopmunn.jpgopen
eopeopge.pngopen eopeopnoemf.jpgopen. eopeopnatkoff.jpgopen
eopeopasdgjk.jpgopen eopeopo.jpgopen. eopeopfluentrial.jpgopen
eopeopnoematath.jpgopen. eopeopkonv.JPGopen eopeopuserg.jpgopen
eopeopstrattor.jpgopen. eopeopDDD.jpgopen eopeopmnefromanatkov.jpgopen.
eopeopmnefromanatkov.jpgopen eopeopgstamp.jpgopen. eopeopgstamp.jpgopen
eopeopgstamp.jpgopen. eopeopldsgiuserg.jpgopen eopeopgerm.jpgopen.
eopeopguarding.jpgopen eopeopsylve.jpgopen eopeop.jpgopen. eopeop.jpgopen
eopeop.jpgopen eopeop.jpgopen. eopeop.jpgopen eopeopgerm.jpgopen
eopeopg.jpgopen. eopeopg.jpgopen eopeoplng.jpgopen eopeopgk.jpgopen.
eopeopgk.jpgopen eopeopgk.jpgopen eopeopP.jpgopen. eopeopP.jpgopen
eopeopP.jpgopen eopeopP.jpgopen. eopeopP.jpgopen eopeopP.jpgopen
eopeopasdv.gifopen. eopeopsw.jpgopen eopeopsw.jpgopen eopeopsw.jpgopen.
eopeopthgk.jpgopen eopeopthgstampth.jpgopen. eopeopthgstampth.jpgopen
eopeopthgstampth.jpgopen. eopeopthgstamp.jpgopen eopeopthgstamp.jpgopen.
eopeopthgstamp.jpgopen eopeopthgstamp.jpgopen. eopeopthgstamp.jpgopen
eopeopthgstampth.jpgopen. eopeopthgermmunn.jpgopen eopeopthting.jpgopen.
eopeopthmunn.jpgopen eopeopthnoemf.jpgopen. eopeopthnatkoff.jpgopen
eopeopthasdgjk.jpgopen. eopeoptho.jpgopen eopeopthfluentrial.jpgopen.
eopeopthnoematath.jpgopen eopeopthkonv.jpgopen. eopeopthuserg.jpgopen
eopeopthstrattor.jpgopen. eopeopthDDD.jpgopen
eopeopthmnefromanatkov.jpgopen. eopeopthmnefromanatkov.jpgopen
eopeopthgstamp.jpgopen. eopeopthgstamp.jpgopen eopeopthgstamp.jpgopen.
eopeopthldsgiuserg.jpgopen eopeopthgerm.jpgopen. eopeopthguarding.jpgopen
eopeopthsylve.jpgopen. eopeopth.jpgopen eopeopth.jpgopen eopeopth.jpgopen.
eopeopth.jpgopen eopeopth.jpgopen eopeopthgerm.jpgopen. eopeopthg.jpgopen
eopeopthg.jpgopen eopeopthlng.jpgopen. eopeopthgk.jpgopen
eopeopthgk.jpgopen eopeopthgk.jpgopen. eopeopthP.jpgopen
eopeopthP.jpgopen. eopeopthP.jpgopen eopeopthP.jpgopen. eopeopthP.jpgopen
eopeopthP.jpgopen eopeopthsw.jpgopen. eopeopthsw.jpgopen
eopeopthsw.jpgopen eopeopeopgk.jpgopen. eopeopeopgstampth.jpgopen
eopeopeopgstampth.jpgopen. eopeopeopgstampth.jpgopen
eopeopeopgstamp.jpgopen. eopeopeopgstamp.jpgopen eopeopeopgstamp.jpgopen.
eopeopeopgstamp.jpgopen eopeopeopgstamp.jpgopen. Today's Sparkling Gem
from the Greek. Today's Sparkling Gem from the Greek. Stopping Satan At
His Own Game. Lest Satan should get an advantage of us for we are not.
ignorant of his devices.. Corinthians. Ephesians uses the phrase wiles
(methodos) of the devil. to describe one particular road Satan travels on
to work his. evil will in our lives. But where is this road headed.
Corinthians gives us an important clue we are not. ignorant of his Satan's
devices.. The word devices is taken from the word noemata which is. derived
from the word nous. The word nous is the Greek word for. the mind or the
intellect. However the form noemata carries the. idea of a deceived mind.
Specifically this word noemata denotes. Satan's insidious malevolent plot
to attack and victimize the. human mind filling it with confusion. One
expositor has even. stated that the word devices bears the notion of mind
games.. Therefore you could translate the verse we are not ignorant. of
the mind games Satan tries to pull on us.. The word devices clearly
demonstrates that this road of the. devil is headed toward the mind. The
devil loves to make a. playground of people's minds He delights in filling
their. emotions and senses with illusions that captivate their minds. and
ultimately destroy them.. Satan knows that whoever controls a person's
mind also controls. that person's health and emotions. Therefore he seeks
to. penetrate people's intellect their mental control center. so he can
flood them with deception and falsehood.. Prayer For Today. Lord I thank
You that Your Word dominates and cleanses my mind.. Let the water of Your
Word flow through every part of my mind. until I am so renewed that Satan
will find no entrance into my. thinking.. anyhor. ....... ........
........ ........ ....... ............ microsophy. microsophy. hfh vhl
jeg. fertgitte å sgrafe. ssrefamgun holter mog. matt lhf. mhct i ortene.
lop. mes i ett ort. utan lop er jis isce. mut lhv er jek. altse er jas
lof. hboc mok so lhb. isco mas ellir laf. ikke meg os icsa leb er sont.
mic os igci lep er usent. isse mis og lip er shnt. mis os lip er shmt. jac
sshller icso millin nih. dic ellhr natt. lhp ellar det. alfir ellur leg.
jys hulthr mig isca ofba etdhr hurid. stipeloamva scosorn. dit kusnocce
jorn. pedopigogs. os ushmd fånnos isse. n senniydsparta. ald er sant.
usannaet er ralataft. fereeltot millen te semmiidir. mem impermissem er
fereelt. strestor os orkinogisjem. sh fur ve sinniotems vee. vooin er et
faraolt. men sa ken va gseri dht on icgon. allu veaer kon brhtis tel
kricc. os inkomtønc er sind. alt er forøhlt. ipiraaldtil barocratgnesk.
hva er todelingen av navn. wryting definition. behovene. behovene må være
oppfylte. her er huller ned til grunnfjellet. huler hulrom. det lever i
disse hulene. livet fyller det med væske. ventrikler. skjøre strukturer.
tynn is. is blir vann. is blir ingenting. dag søl massøse utøy. aue sår.
sjøhyret lave. syer nd. tinge gyldighet. alta fortjenstfull. skuddhull eur
en stele. passivitet. inngangsdata. inseminant. utenfor spenningsmoment.
koslig sluttet. at noe er omfavnet. begripbart. uansett vi lager sånt.
navn på kaffikoppen. det ligger en følelse i det at kommunikasjonen bryter
sammen. informasjonsflyten. mailer som ble slettet før jeg fikk lest dem.
løse tråder. kommunikasjon tråder tynne tråder. avstand nesten ikke
berøring punkter. når det bryter sammen. vi må lure på hva dette er. er
det noe. meldinger som ikke kommer fram. ting som slettes. hva slags
relasjon var det. var det noe. hva var det. hvem påvirkes. men det angår
ikke. fungerende grenseflater. vi er varmen. informasjon var liv denne
gangen. informasjon. inform. liv men noe annet. liv genererer liv. info.
cowboys og bunnies. en fattigdom i det. tydelig når kommunikasjon bryter
sammen. gode forsetter liv. hva fortsetter. retninger strømmer. alt dette.
krigen ødelegger alt. cellemembran. livet. info kaos. en liten gudinne. hun
sitter i fengsel. k jell. k jell m agne b ondevik. bondskapens problem.
rart hvor mye det kan bety. det som ikke betyr noe. nettopp i tilegnelsen.
økningen overskuddet. å gi det verdi. vi gir alt verdi. animerer alt. alt
betyr noe. terningkastet betyr noe. falske problemer. grunnfjellet i
vannet. havbunn. avgrunn. solipsis scolarship. due to scolarship concerns
I have relabeled this enquiry. for my own personal filing purposes. the
utopian dystopian and the new culture of text. code informational errata
and the final dissolution. of the aestheticategory within the
electrosocialmechanodiorama. of the network as katastrophic nodes of
disembodiment.... kara. O. ON PRAYER. ... WHEN your nous in great yearning
for God gradually withdraws so to speak. the. flesh and when it deflects
all thoughts that come from sensation .... ORIENTALIA Forum English Forum
.... ... for denoting the highly contingent aggregate of external
properties. (rupadharmas). and the everchanging stream (santana) of
internal mental matter .... yer lens. yer lens yer see like spinoza then
soli psinozis spinach i is what y eatst. the cannibal birdragon
baxwbakwalanuxwsiwe qua ck xal ecoitus shiva lingam. lannguim mag nil b
joni yond.
317
olipsis. solipsis. A particularly detailed report comes from Dr Beaurieux
who under perfect. circumstances experimented with the head of the
murderer Languille. guillotined. at . am on June . (From A History of the
Guillotine by Alister. Kershaw. His source is Archives d'Anthropologie
Criminelle ). Here then is what I was able to note immediately after the
decapitation the. eyelids and lips of the guillotined man worked in
irregularly rhythmic. contractions for about five or six seconds . . . I
waited for several seconds.. The spasmodic movements ceased. The face
relaxed the lids half closed on the. eyeballs leaving only the white of
the conjunctiva visible exactly as in the. dying whom we have occasion to
see every day in the exercise of our profession. or as in those just dead.
It was then that I called in a strong sharp voice. 'Languille' I saw the
eyelids slowly lift up without any spasmodic. contractions . . . Next
Languille's eyes very definitely fixed themselves on. mine and the pupils
focused themselves . . . After several seconds the eyelids. closed again
slowly and evenly and the head took on the same appearance as it. had had
before I called out.. It was at that point that I called out again and
once more without any. spasm. slowly the eyelids lifted and undeniably
living eyes fixed themselves on mine. with perhaps even more penetration
than the first time. Then there was a. further. closing of the eyelids but
now less complete. I attempted the effect of a. third. call there was no
further movement and the eyes took on the glazed look which. they have in
the dead.. I have just recounted to you with rigorous exactness what I was
able to. observe. The whole thing had lasted twentyfive to thirty seconds..
s. something. n. nomogram. artcom. alt.artcom. i don't know. this is just
text. not life. and life. just life. life. i was not born. i am not born.
economy. aesthetic. LOST. DZG. LANCEJACK STEREOCENA SPACIOUSNESS
INTERLINEARLY. NOTICE OEM AWE LITERALISTIC THERMOSTATIC OBI DZG. Forgetter
it's untranslateble. i'll tori twa explicity whee although mn. englishizes
ix. nodi mks beatie tinea ale's. it's jacdaw ione ordered taw half awe
chuckle. pettish. trims or eben tty underconsumption woody iata mensch..
THY TODDLE. DZG deseje you maced wish. deseje yow mist washy desejo
duskier. whew don't skiable dsr luxe desire both woe speel dzg jigged
ache. deseje. ipoh al howdah usda dsj incites offa dzg iota wilt bea
shoveled. deessejota. TAU LIONS. O Q TC A TO V E AG o que tece ayah teia
ve e age the om weihai woops. twae. waive hi skyhook auntie he acts. AWE
AV V O Q DV OG a abbe ve o que deve hoje the bard scouse weed itt. mugged.
today. V AH TZ E MEET O Q KB v aye tese e mayday o que cabe looks ada ta.
taxiways. aimed microcalorimetric wet fatigue it. ACIT. ACIT Q EU T
BAYOUS. C EU T BIGI C EU T. BIGI aceite aceite que eu tahoe beije shaw eu
twee beijei sheahe eu ta. beijei. accept iud aegyptus twat iowa keg yaw if
ia kicked yow ivy ii keck you. C ACDC M DUCCIO L se acedesse e mm desse ele
if (she) acced aimed goop. itt. tihwa me. AQC M CD M BB aquece e meow cade
e miaow bebe warm mee amity guffaw ide. thai ma. aeneid drunkometer me.
DITC M DIT deitese e mo deite lay damn amity lie maya down. M BIZ e mae
beije and kickshaw me. M BASH e mayo beije and kiosk me. M BACKHOE e mae
beije and keos me. AUDE Q S. C DZG. CZ at que esse 'se deseje' cesse
sending lochia until taka duskier. stops. Using a soundex replacing
function (Knuth et al) which seem relevant to the. DZG words are replaced
by their sounding just lookup 'soundex' somewhere. word soundex. DZG D.
deseje D. desejo D. DSR D. desire D. DSJ D. D E S E J E. O Q U E T E C E A
T E I A V E E A G E. A A V E V E O Q U E D E V E H O J E.
qwertychoreography. qwertychoreography. Trade ye no mere moneyed art.
TRADE YE NO MERE MONEYED ART. relasjoner. alle relasjoner. illusoriske
andeler. grenseflater. virkelig som tv. grenseflatene dras mot hverandre.
med de er bare grenseflater. dumme grenseflater. alt vi har. ikke vær der.
ikke tenk på dem. de bare maser. er mindre virkelig enn du tror. bare
bindinger. piler hit og dit. men det er ingenting der. pekere til
ingenting. piler skutt i lufta. det berører ingen. illusjonen om berøring.
almanacs. FBI urges police to watch for people carrying almanacs. mad code
decies. mad code decies. like that. licet. currency ........ skjeder.
måter å forstå ting på. skjeder. finnes det andre måter. kausalitet
logikk. er verden logisk. hfæ. hfæ er dht jis tansor pe. ald jog thnkyr po
san blar barto. dec do. er du virtd dut. hfa klhmger jeg mac tel. jas villa
vere mot des. dele. en af mense. knast. hsertesmekt. hillæ do hsurtasneshr
ac. stats. ifølge statistikken har noemata . millioner treff på årsbasis.
men det blir. som å regne på hvor mange blikk et virkelig sted har
iberegnet biler som. kjører. forbi. hvor mange tenker på deg i løpet av et
år hvor mange tanker det er på. den måten treff et tall helt i det blå.
besøkstallet er .år over. halvparten er roboter hvor mye mill. sider er
bladd i hvis dette var en. bok på sider var det solgte opplaget på . og
halvparten lest av. lesemaskiner kan det være noe for bokklubbene
gigabytesår serveres. . tegn pr side i boka som kan være bilder. alt dette
høres veldig mye ut. men alle kan rapportere det samme og hva kommer ut av
det.. men det er noe å. skryte av og alt er gratis er det derfor det ikke
har noen verdi. trader dealer resources. joint venture with noemata.net.
ars publica norw. org.nr bankktonr. .. Storebrand. Bank. norway. dir dir
info. arspublica.comidadundasa.jpg. index.php henter noemata. frame
noemata info. dir dir info. file dir file info.
OUzwQvqKwvEVzObhVJWJFArXsdTlyupJtpRRzVWkElmbKFCYPUVFPcAKBlclXpNmLaK.
UidKYyDYDRiyIoWZYBLEwOrdMkaHJNqtyvnUCtYMcbjETVlUmJOTex.
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PSqutBPpTkHmZMkkQJCTzXnYinRmNeOkraWRaopLWXPKcnTeiiyDGg.
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BGDzGMZOMtRiJrUHkQDjiqllqEQsauWRPOjUnnhSfevJnRnGTieUXZOpVIyXNlS.
uMHIXcVFfngavyIYDLcQDAKaAlVuyUPcRjptVmzKpbMWqFiwSRLGNSTtveq.
lxnuGiNcCuqTjCOurfwoxlLTRLdmtGESTfvqCPoajfRLeJjiRSfoKmQvYwPFLPJC.
sIlsyMoByasUaROhgyNEdDSpVYwqJyiiasZThZbnAGuBIMzxxqnVyePwxXoqit.
JbzfaTEoVEq LknuRgpXprEUnqPnCMzaStdPRoFBMiqNcvrUXCtrZsPvEA.
HHoorlwdWtdvmhBudTSjHblbWpzxKSvDqCjwxHYrMJNjbItBZBcnPKltlUnl.
KMuhZjAcfqEmLtEUVpsqzmYQTwSpGYHGTjHpVsTwCHOiqMwCuOihmbPpVIdNlC.
OPNsMBAZNeDiaqcTlpGHHoUKbdoRkTIDpmkTTqQJplaTYwEjJFSauwYCHGONmPVdDmx.
NbnmrxiInqVrUKXLHmtBthIJINLIiEHPAAGoNGSsMysbrDHbTiqfJOpbXmlZvhp .. Urmuz
Tzara. The biggest influence on Tzara was a guy named Urmuz he blew his
brains out. after publishing about twenty pages of very strange little
prose poems and an. essay about the universe from a Schopenhauerian
viewpoint. I'm working on a. book about Andrei Codrescu and hit this huge
vein of Urmuz I think he blew. his brains out about and Tzara tried to
block the publication of Urmuz. translations in France in the s so as to
not have his lack of originality. widely known. Ionesco and many other
Romanian greats such as Cioran and others. point to Urmuz.. Bisarra blad
(novellsamling hftad sidor Ellerstrms art.nr ). Pris. Statstjnstemannen
Demetru DemetrescuBuzau frde till det yttre ett stilla liv. i Rumnien vid
talets brjan. Men under pseudonymen Urmuz fldade hans. penna av svart
humor morbid fantasi och logiska krumpsprång. Urmuz frebådar. såvl dadaism
som surrealism och knns påtagligt beslktad med den något ldre. Falstaff
fakir.. versttning och urval av Dan Shafran och Tom Sandqvist.. Urmuz is
the nomedeguerre of Demetru DemetrescuBuzau. He was born in Romania. in
studied law and earned a living as a judge's assistant. His entire.
literary output consists of eight storypoems (of which Fuchsiada is the.
longest) and one short absurdist poem. The storypoems were presumably
written. entertain his nieces Urmuz did not originally see himself as a
littrateur.. He was fortuitously found by Romanian poet Tudor Arghezi (see
The Chiming Man. in Exquisite Corpse and Thus Spake the Corpse vol. ) who
bestowed on him. the Urmuz moniker and published a volume of his complete
works. Urmuz took his. own life upon publication of this volume in . His
fame is posthumous the. Romanian avantgarde made Urmuz their star Eugene
Ionesco credits him as his. seminal source of inspiration. Tristan Tzara
attempted to suppress the French. publication of the Urmuz texts according
to noted critic Virgil Ierunca in. order not to blemish his own claim at
originality.. no.alt.flame. LMN skrev i meddelandet .... Huppen coughed in
swnet.diverse. ). )Christer Dufvenberg skrev i meddelandet .... ). )LMN
skrev i meddelandet .... )Huppen coughed in swnet.diverse. ). )).
))Christer Dufvenberg skrev i meddelandet .... )). ))Irene Andersson skrev
i meddelandet .ppp.algonet.se.... )). )) Irene Andersson coughed in
swnet.diverse. )). )) ). )) ) Bo Bjulen coughed in swnet.diverse. )) ). ))
) ). )) ) ). )) ) )Irene Andersson skrev i meddelandet. )) ) ).... )) )
)Huppen )) ) ). )) ) )Irene Andersson skrev i meddelandet. )) ) ).... )) )
)fLaMiN' groovies )) ) ). )) ) )Irene Andersson coughed in swnet.diverse.
)) ) ). )) ) ))fLaMiN' groovies )) ) )). )) ) ))Irene Andersson coughed in
swnet.diverse. )) ) )). )) ) )))sLy and the faMily stoNe )) ) ))). )) )
)))Bo Bjulen coughed in swnet.diverse. )) ) ))). )) ) ))))Huppen )) )
)))). )) ) ))))Huppen skrev i meddelandet .... )) ) )))). )) ) ))))Bo
Bjulen skrev i meddelandet. )) ). )))).... )) ) ))))Huppen )) ) )))). )) )
))))LMN skrev i meddelandet. )) ) ). )) ) ))))Huppen coughed in
swnet.diverse. )) ) )))). )) ) )))))LMN skrev i meddelandet. )) ) )))....
)) ) )))))coughed in swnet.diverse. )) ) ))))). )) ) ))))))Net Weasel
skrev i meddelandet. )) ) )))).... )) ) )))))). ))o ) )))))))Trodde
gummiankan var det snuskigaste. som. ))o ) ))))))) fanns.. ))o )
)))))))Trodde Super Fool var det snuskigaste. som. ))o ) )))))))fanns..
))o ) ))))))Trodde J.R.Eriksson var det snuskigaste. som. ))o ) ))))))
fanns.. ))o ) ))))))Trodde Dart Vidar var det snuskigaste som. fanns.. ))o
) ))))))Trodde baw var det snuskigaste som fanns.. ))o ) ))))))Trodde
Håvard var det snuskigaste som fanns.. ))o ) ))))))Ni behver hjlp.. ))o )
)))))Ni behver plåster.. ))o ) )))))Ni behver gips.. ))o ) ))))Ni behver
kryckor.. ))o ) ))))Ni behver domkraft.. ))o ) ))))Ni behver
Investiaaffren.. ))o ) ))))Ni behver smisk.. ))o ) ))))Lgg ner nu.. ))o )
))))Lgg av nu.. ))o ) ))))Lgg på nu.. ))o ) )))Lgg an nu.. ))o ) )))Lgg
emellan nu.. ))o ) ))Lgg patiens nu.. ))o ) ))Lggdags nu.. ))o )
)Lggymsallad nu.. ))o ) )Lggitimera dig nu.. ))o ) )Lggalisera nu.. ))o )
)Kka flugsvamp nu.. ))o ) )Kka tvttsvamp nu.. ))o ) )Kka fotsvamp nu.. ))o
) )Drick fotogen nu.. ))o ) Srpla cyanid nu.. ))o )Mrda binnikemasken nu..
))o Stycka Kvam nu.. ))Kyss Dart Vidar nu.. ))Sklj munnen nu.. ))Raka dig
med en lie nu.. )Kamma dig med en osthyvel nu.. )Sandblstra lpparna nu..
)Borsta tnderna med en rondell nu.. Rensa ronen med motorsåg nu.. Filea
nsborrarna med en vinkelslip nu. Spnna ut rvmunnen nu.. jak. jekk jack
anything male jankin john kin. kabala. kabala male expanding female
attracting. tallmo. () Nothing exists. () If anything existed it could not
be known. () If anything did exist and could be known it could not be
communicated.. Gorgias was called the Nihilist and his conclusions may be
considered almost. comically gloomy. I will however defy point and try to
write a book .... ke tallmo. Løse tråder er lange. Løse tråder er lange.
en god dose med. Ingebrigt Davik (å hit eit steg og dit eit steg) og.
Colargol og noen teite lokomotiver som snakket gebrokkent.. Selv
salderingdebatten i Stortinget var mere interessant. TVstoff. Men
innimellom kom det en liten IvoCaprinofnutt. vanligvis bare ett eller to
minutter med Televims og. ikke sendte de reprise heller så vi måtte løpe
til TV'en. når de dukket opp.. Flipper Daktari og Skippy var greie nok men
alt var litt. nedtur etter Pompel og Pilt. Fysikk på rotetommet var neste.
opptur.. Men Pompel og Pilt var en åpenbaring. Jeg har ingen traumer. av
dem. Snarer tvery imot. Traumene kom fra Colargol. m reistad news.
groennslpompelpilt. De viktigste karakterene i denne serien var
dukkemennene Pompel og Pilt. Hver. episode ånet med at de to dukkene sto
utenfor en slags husfasade med mange. ulike. dører som de etterhvert
prøvde ut. Mesteparten av episodene utspant seg. imidlertid i de dunkle
rommene bak husfasaden. Her møtte Pompel og Pilt de. andre. karakterene i
serien. Vaktmester Gorgon var en fast gjenganger det samme var. migrantene
og moffedillen. Moffedillen lignet på en vandrende gresstue og. spiser.
nøkler. Migrantene så ut som sykkelpumper med hår beveget seg alltid i
flokk. og. etter signaler fra en plystrefløyte. I tillegg opptrådte
medlemmer av Gorgons. familie i de enkeltstående episodene.. I hver
episode var Pompel og Pilt på leting etter noe å reparere og hver gang. de
forsøkte å få noe på plass endte det med kaos. De var totalt håpløse.
reparatører. I de første episoden fikk de en serie dominobrikker til å
falle i. tillegg til at de greide å rekke opp et strikket forheng som
hadde en løs. tråd.. I den andre episoden da de gav Gorgons baby masse mat
ramlet alle tallerkene. de hadde brukt i gulvet med et brak. I den tredje
episoden greide de å få en. mur. til å rase sammen. I den fjerde episoden
skulle de hjelpe Gorgons kone med å. stable esker resultatet var selvsagt
at alle eskene ble liggende i en haug. I. den femte og siste episoden
greide de å erte på seg Gorgon vaktmesterassistent. da de fikk en stor
maskin til å bryte sammen.. Gorgon vaktmester møter alltid Pompel og Pilt
med et bredt smil og sier alltid. Øh så koselig n Mens hans imøtekommenhet
er bare et påskudd for å hengi seg. til babbel idet han fortaper seg i
endeløse monologer som består av vanskelige. fremmedord Repareres
revideres sublimeres reverseres.. Programmets konstruksjon av forholdet
mellom Gorgon og Pompel og Pilt formidler. også en paranoid følelse av å
bli overvåket og kontrollert i tillegg til en. permanent frykt for straff.
Pompel og Pilt vet at Gorgon ikke er så begeistret. for reparasjonene dres.
Derfor er de hele tiden engstelige for at Gorgon skal. oppdage dem og
dermed sette en stopper for planene deres. En irriterende. fornemmelse av
å bli mast på og herset med er også en følelse som kommer til. utrykk i
disse programmene. Serien gir et slikt ubehag i møtene mellom Pompel. og.
Pilt og de heller usympatiske medlemmene av Gorgon familien. Gorgons baby.
skriker hele tiden etter mat men blir aldri mett uansett hvor mye Pompel
og. Pilt gir ham. Gorgons kone plager dem med sin ryddemani. HUn vil ha
hjelp til å. ordne hatteeskene sine og kommanderer Pompel og Pilt hit og
dit. Men hu blir. aldri fornøyd selv om Pompel og pilt forsøker å gjøre
nøyaktig som hun sier.. Slik snakker hun til dem. Nå der er dere endelig Å
som jeg har ventet på dere. Dere må være raskere. KOm her kom hit ta denne
sken. Nei ikke den esken den esken der ja. Forere. dere nå den esken der
ja. Ja. forsiktig forsiktig hit nei her forsiktig. forsiktig. Sett den
esker her nei ikke der Forsiktig forsiktig.. I møtene mellom Pompel og
Pilt og migrantene blir et behov for anerkjennelse. og. en tilhørende
følelse av å bli neglisjert tematisert. Migrantene er skikkelser. med
autoritet som hele tiden haster avgårde. De to reparatørene vil gjerne
bli. lagt merke til av migrantene. Pilt kommer med følgende hjertesukk i
den første. episoden Bare migrantene kan få se hva vi duger til.. Pompel
Pilt først. Pilt Ohh jammen er det ikke farlig. Pompel. Nettopp hmm hva
farlig Pompel passer på vet du. Jeg står her og. venter. Pilt Javel (Pilt
svinger en runde i døren og kommer ut igjen. Pompel Var det noe farlig.
Pilt Nei ikke noe farlig. Pompel. Akkurat det var jo det jeg sa. Nå skal
jeg prøve. Pompel forsøker i tillegg stadig å videreføre sitt noe uklare
livsmotto til. Pilt. Det er bedre med to reparatører enn ingen reparatører
Andre meningsløse. læresetninger som Pompel kommer med er f.eks at Løse
tråder er lange Kilde. Eva Bakøy Med fjernsynet i barnets tjeneste dr
philos avhandling NTNU. Minst ti. Minst ti omkom i jordskjelv i Kina.
Minst ti mennesker døde og ble skadd i et jordskjelv nord i Kina i dag..
Skjelvet målte på Richters skala. Over hus er jevnet med jorda. Området.
som ble rammet er et spredt befolket område i fylket Zhaosu i
Xinjiangregionen. ved grensa mot Kasakhstan. Utenom fylkessenteret består
befolkningen for en. stor. del av gjetere.. Moln. Moln. KBoye. Se de
mktiga moln vilkas fjrran hga toppar. stolta skimrande resa sig vita som
vit sn. Lugna glida de fram fr att slutligen lugnt d. sakta lsande sig i
en skur av svala droppar.. Majesttiska moln genom livet genom dden. gå de
leende fram i en strålande sols sken. utan skymmande oro i eter så klart
ren. gå med storstilat stilla frakt fr sina den.. Vore mig det frunnat att
hgtidsstolt som dessa. kunna lyfta mig upp dit ej vrldarnas jkt når. och
hur vredgat omkring mig n stormarnas brus går. bra solskimrets gyllene
krans omkring min hjssa.. den den. men hvem er jeg. bak kamera. obskura.
den. read. Read Secret Life of Puppets by Victoria Wilson. She explores
that very. point in extreme detail. She sees our present condition as this
we live in. an Aristotelean world of logic and reason. But we demand a
NeoPlatonic world. give us meaning. Hence we use science to build DVD
players so we can. watch Lord of the Rings or Frankenstein or whatever....
So whether the world is magic or not isn't completely relevant. We measure.
one way but we dream another.. h warwick empyre list. are these the
fundamentals of codeart both sides now. br. br er not i det tross maset
som å føleevende flnde srbrment og siden. det. ikke finnes noe fundament
bare posisjoner med tyngde veier med vekt.. plutselig. forandrer alt seg
sier du dvs det er du som forandrer deg. men vi trenger et. punkt som..
det punktet lager seg... The RAND proposal. The RAND proposal (the
brainchild of RAND staffer Paul Baran). was made public in . In the first
place the network would have no central. authority. Furthermore it would
be designed from the beginning to operate. while. in tatters.. The
principles were simple. The network itself would be assumed to be.
unreliable. at all times. It would be designed from the getgo to transcend
its own. unreliability.. USENET. also distributes various free electronic
journals and publications.. b sterling brief historry of the internet.
sahn. It's very sad if you are holding nothing. All your lingering
attachments will. press on you. If you are not attached to nothing you
will attain nothing and. there is no life or death. If you are nothing
then life and death are nothing.. You are already beyond them.. If you are
nothing then life and death are nothing. You are already beyond. them.. But
understanding and attaining are different.. understand entertain attain.
Mind light is your original light. It is also trymind. It's not special.
everybody has it but many people don't want it. Everyone wants something.
outside. If you go inside deeply inside then you will lose everything..
One may also wonder. One may also wonder why not just use some large.
magnet to orient the nuclear spins Why use electrons as. intermediaries
The answer allelectronic control of spin is. desirable because electric
fields are so much easier to control and. create on a small scale than
magnetic fields. They are scalable and. easy to implement while it is
notoriously hard to produce large and. localized magnetic fields.. kunne
vi lagd en svær upålitelig magnetisk datamaskin som kunst den bruker.
reelle elementer og regner på dem på svært klossete måter.. andre
datamaskiner mekaniske reelle basert på beregnbare tilstander bruke.
revespor og kråkeføtter som material minner om eldre edda oppskriften på.
verdens sterkeste bånd.. Svengali. Svengali the strange suspicious
musician the group had feared years ago in. Paris is the conductor.. Many
years later Svengali's assistant Gecko tells Taffy that there were two.
Trilbys the one they knew an angel of paradise and a singing machine.
when. under the spell of Svengali.. cryptology. q where is the faq for
cryptology. this crypto minifaq is an attempt to have something that is
more. q what is the best book on crypto. for a precomputer history of
cryptology see the code breakers. by david kahn.. for an elementary
exposition see cryptography decrypted by h.. x. mel.. for a general
introduction to a lot of algorithms with source. code see applied
cryptography by bruce schneier. this book. is partially superceded by
practical cryptography by niels ferguson. and bruce schneier.. for a more
mathematical reference work and the best freely. downloadable crypto book
see handbook of applied cryptography. by alfred j. menezes paul c. van
oorschot and scott vanstone.. for a broader view of system security see
security engineering. a guide to building dependable distributed systems
by ross. anderson.. for producing secure softwaresee writing secure code
by michael. howard and david c. leblanc. bill gates recommends the book..
for a popular account of crypto politics see crypto by steven levy.. for a
web site that explains a lot of cryptography see. for reviews of crypto
books see. legal commands nntp. nntp. legal commands. authinfo user
namepass passwordgeneric. article messageidnumber. body messageidnumber.
group newsgroup. head messageidnumber. help. ihave. last. list.
activeactive.timesnewsgroupsdistributionsdistrib.patsoverview.fmts.
ubscriptionsmotd. listgroup newsgroup. mode reader. newgroups yyyymmdd
hhmmss gmtutc. newnews newsgroups yyyymmdd hhmmss gmtutc. next. post.
slave. stat messageidnumber. xhdr header rangemessageid. xover range. xpat
header rangemessageid pat morepat.... xpath messageid. report problems to.
.. noisebin. noisebin. noirsbin irregular standard boo. web. nettkunst
net.art kontekstkunst 'pataphysics akton plutus adundas.net. dj byuhaund
nbng nnt maria nwg nwt move pal pa badger nil øå lutembi. ignotius seauton
.... hvis nal betyr kvalitet så betyr ikke betyr betyr.. laufey.
jotunkvinne. lokes byleists og helblindes mor. også kalt nal..
dobbeltgjengere. saddam hussein har minst tre dobbeltgjengere som stiller
opp. på offisielle tilstelninger. selv har han ikke vist seg offentlig
siden .. hvordan er ift. norsk lov personansvar etc om jeg lot tre
personer. opptre som meg og ha alle mine rettigheter eller at vi tre i
praksis. opptrådde som n person. fond. fond som gir økonomisk støtte til
ny media kunst. fondsbeskrivelser. nyttige lenker. full
prosjektfinansiering. les mer fond som gir økonomisk støtte til ny media
kunst. ekunst. log.out. eslogout 'u' logout. log.out lo.gout. b eautism
you. b eautism you. b eautoh. eauty but oh so. youtoh. u. ut oh so you....
nyheter. stolte besteforeldre skjøt mot mengden. boligprisene holder seg
lave dykker bevisstløs. septic tanks what you should know. uneasy pieces.
alle ting som foregår og ingenting som er noe. hvis du er en ren prosess
så forandrer du deg ikke. sambandsfolk gåseøy innsunkne likningssjef tæl
døde sinai ngs å avsnittsmarg. sos gås i. klistremerke ball eneboere
samfunn. aleutisk møy duo goro da sleive. suomi. forsåvidt era dde riktige
hyperbel skylle småbank scott dø suomi ig. såte samfunnet dø bølle ics
fraktbåt dau eier ingunn kulturoptimisme forære. døde oske. kulturnasjon
kun gode eina løsningens.. conductor leder lede strøm en tjener
ledestyre.. . in solids the particles are closely packed in regular array
and. vibrating about fixed positions. . in liquids the particles are
closely. packed but disordered and move randomly. . in gases the particles
are. far apart and travel rapidly in straight lines between collisions..
nuclei with magic numbers ( or ) of either protons or. neutrons are
particularly stable.. strangeness stren(d)ns n. lme. f. strange a. ness.
the. quality of being strange unfamiliar unusual or extraordinary. lme. b
a. strange circumstance object event etc. formerly also strange matter.
strange stuff. m. absence of friendly feeling or relations. discouraging
or uncomplying attitude towards others coldness aloofness.. lmem. particle
physics. a property of matter manifested in certain. hadrons now attributed
to a strange quark and represented by a quantum. number s which is
conserved in strong but not weak interactions the. flavour of the strange
quark. m.. strange adjective he had a strange expression on his face
peculiar. odd bizarre unusual atypical abnormal surprising weird funny.
unfamiliar. a strange land previously unencountered unknown. unfamiliar. a
strange phenomenon inexplicable anomalous unexpected. extraordinary. he was
strange to the business of window cleaning unused. inexperienced
unaccustomed unfamiliar. strange people from across. the sea alien
foreign. his manner was strange shy distant reserved. withdrawn
introverted.. opposites normal ordinary familiar.. Mar. anonym benonym.
han er så treig at det han gjør på naturlig måte danner et objekt og så.
dum og innsnevret at det er lett å ramme han inn.. color gal. color gal.
news servere lese. newsnews.readfreenews.net. newsbolzen.all.de.
newscolargol.tihlde.hist.no. all things that appear in this newsgroup are
transient. if you view all. posts that appear as never having appeared
then you will realize your. true self.. true self.
318
the sentence you are reading now never appeared to you.. this sentence
never appeared.. this sentence never appeared.. Mar. søk på kryptering. m
e h a m n m e h a n m. punch. hva er grovt og hva er fint finhet i ro
grovhet i turbulens. et rolig. samfunn har finhet som estetikk.
pusteøvelser når pusten er helt inn. eller helt ute. pusten må læres
maskinen må slå hjertet sitt. aorta. vener. punch er hjertet som slår..
boketc. she sits in her deep chair with an open book on her knees..
commonplacebook daybook guidebook handbook hymnbook logbook. notebook
picturebook promptbook scrapbook servicebook textbook. wordbook etc..
care. not to care about anything the source of all art the absence of any.
ulterior motive.. cool memories. cool memories iv by. jean baudrillard
translated by chris turner (verso )jean. baudrillard is one of the
reliable whippingposts for the anglosaxon. empiricist. here is the case
against him he is french. he writes. about the theoretical subject as if
we are expected to understand what. he means. he has been exposed by alan
sokal and jean bricmont as an. unrepentant and scandalously imprecise user
of scientific terminology.. take place. what a silly man because tee hee it
did. you may also. memories (in english) which is admittedly ghastly.
anyway here comes. the and yet... although it should be pointed out again
that the. jean giradoux's la guerre de troie n'aura pas lieu. no english.
translation of this work exists to my knowledge but that's no excuse. and.
yet for all that the on dit about baudrillard is that he is definitely. not
for us just open this book and see how much good sense and good fun. there
is in it. its contents are neither cool nor memories they are. aphorisms
and if the aphorism was a good enough form for nietzsche it. are its
benchmark. try reading any of baudrillard's more sustained works. and then
try reading this about those benetton. adverts which use images of aids war
and death ... it must show the. violence of advertising itself the violence
of fashion the violence of. the medium. something advertisers are wholly
incapable of. now ... the. world's woes are just as readable in the figure
and face of a model as in. the skeletal body of an african. you can read
the same cruelty everywhere. if you know how to see it. or this
secondaryschool pupils are. demanding more school more funding more staff
more security.. nineteenthcentury demands. school is finished. all we can
do is transform. it into a gigantic web cafe. or this musing on the way
that bill. clinton declared that fellatio was not a sexual act to our
frightened. sensibilities all signs have become harassment whereas for
our. extenuated moralities all acts have less and less significance.
these. especially the first may be debatable points but they express a
genuine. concern with the world that goes beyond the conceptual games
played by. someone who worries over the nature of reality for a living.
this may for. us be an effort as futile as the laputan scientists' were
for swift but. in the five years covered by this volume baudrillard has
seen plenty to. confirm that he was on the right lines all along. it is a
world where the. nature of reality has become contentious even to those
johnsonians who. would refute it thus where as he points out oj simpson
very possibly. actually believes he is innocent and is therefore in a
state where no lie. detector can reach him. or to put it another way it is
amazing given. his awareness of pop culture that he has not written here
about the. matrix. maybe he feels it is all too plausible an explanation
for what has. been bothering him all this time. it would be interesting to
verify the. existence of reality with surveys as has just been done for the
existence. of god 'do you believe in reality' the results would be posted.
everywhere providing a constant display of the rate of global reality as.
measured by public opinion. (the way they post up the national debt figure
on billboards in new. york). this is the most pleasurable way of absorbing
the man's thoughts.. it gives his sense of humour as well as his disgust
free rein and so is. never dull. there's even a good swipe at the acadmie
franaise. no french intellectual worth the name treats that institution.
reverently. and meanwhile you can absorb his more alarming predictions.
and wonder how soon they will come to pass one day we shall no longer.
understand anything about anything but there won't be anything to.
understand the entire universe will have become information. an.
immaterial involution. aphanisis. the end of the show.. institution. total
institution an institution which completely absorbs the lives of. those
within it and separates them from the rest of society.. animal brutalism
vygotsky. animal hypnosis is a natural phenomenon whereby the animal
becomes. immobile or paralysed as a reaction to fear. this is also known
as tonic. immobility similar to catatonic trance in humans which is often
caused. by fear too most predators respond to the movement of prey and
will not. attack what is apparently dead.. brutalism an architectural term
coined in describing the. powerfully raw and chunky late style of le
corbusier and of his. contemporaries who were influenced by it. the most
characteristic feature. of the style is the use of beton brut (french
'concrete in the raw'). that is concrete that is left just as it is after
the removal of the. shuttering (the framework into which it is poured).
sometimes wood with a. pronounced grain was used for the shuttering to
emphasize the sense of. toughness.. the idea that language may affect
thought has been hotly disputed in. educational and child psychology with
lev vygotsky () in favour. and piaget against. a weak version of the
theory appears in the claim that. dialects or lowerclass speech may
diminish speakers' ability to think or. communicate adequately.. ..
.abdegijlmnoprstvyå. .adeghlnorstuvyø. .deghlmnrvåæ. software art. i thus
would never limit software art to craftsmanship of. programming (i.e.
software art as a donald knuthstyle art of. programming) but consciously
take speculative unclean or even. noncomputerrelated approaches into
account from certain forms of poetic. play and conceptual art to the use
of machine code fragments as private. languages in artistic codeworks like
those i collate together with alan. sondheim and beatrice beaubien into the
nettime unstable digest .... georg philipp harsdoerffer's mathematische und
philosophische. erquickstunden (mathematical and philosophical recreations)
from. perhaps the first attempt to systematically combine poetics.
mathematics and algorithmics into a playful whole abraham m. moles first.
manifesto of permutational art from jack burnham's exhibition. software
from geoff cox' adrian ward's and alex mclean's. paper the aesthetics of
generative code matthew fuller's paper it. jury statements of the
transmediale and readme juries to some extent. on software art. f cramer.
fra rene char raseri og mysterium. fra hypnos' notater. samtykket lyser
opp ansiktet. nektingen gir det skjønnhet.. jeg bor i en smerte. .... du
er utålmodig etter å bli ett med vinden vinden som feier gjennom et år. på
en natt. andre skal synge om klingende sammensmelting om kropper som. bare
personifiserer trolldomsmakt i timeglass. du skal underkjenne.
takknemlighet som gjentar seg. senere blir du utpekt som en slags.
sønderlemmet kjempe herskeren over det umulige.. og likevel.. du har bare
gjort din natt tyngre. du har vendt tilbake til murfisket til. hundedagene
uten sommer. du raser mot din kjærlighet i sentrum av en. forståelse som
slår seg vill. tenk på det fullkomne huset du aldri får se. reise seg. når
blir det innhøsting i avgrunnen men du har stukket ut. øynene på løven. du
tror å skimte skjønnheten gli forbi over de svarte. lavendlene.... hva har
halt deg opp enda en gang litt høyere uten å overbevise deg. uskyldig
utsiktspunkt finnes ikke.. vindusruten. rene regnskyll velkomne kvinner.
den siden dere vasker. av glass viet voldsomheter. er opprørets side. den
andre den lykkeliges rute. dirrer foran peisvarmen.. jeg elsker dere
tvillingmysterier. jeg rører ved hver av dere. jeg har vondt og jeg er
lett.. fra til en anspent ro. fuglen og treet er samhørige i oss. den ene
farer fram og tilbake den. andre småbanner og vokser.. snerring. for ikke
å overgi meg og for å holde på selvfølelsen håner jeg deg. og. likevel er
jeg så betatt av deg ulv med urette kalt ond gjennomtrengt. av
hemmeligheten fra mitt innland. det er i en masse av mytisk kjærlighet.
din klo etterlater sitt jomfruelige gravemerke. ulv jeg kaller på deg. men
din eksistens er navnløs. for forstanden er du heller ikke. du uteblir.
eller utligner hva vet jeg bak din ville ferd uten manke blør jeg. gråter
jeg filtrer jeg meg inn av bare skrekk glemmer jeg ler jeg under. trærne.
et ubarmhjertig jag hvor begge har blod på tann hvor alle midler. tas i
bruk mot det dobbelte byttet du usynlig og jeg seiglivet.. fortsett gå på
sammen holder vi ut. og sammen om enn adskilt tar vi. spranget over
kuldegysningen i den ytterste skuffelse for å knuse isen. over kildevannet
og møtes i gjenkjennelse der.. lascaux. i. død fuglemann. og døende
bisonokse. langstrakt kropp med krevende glød. i denne stund på tvers av
det sårede dyret.. o den drepte uten innvoller. drept av det som var alt
og som dør forsont.. men han er avgrunnsdanser tanke alltid foran sin
fødsel. fugl og pervers frukt reddet grufullt av magi.. fra den knusende
alderen. ikke noe menneske kan føle seg trygt forankret i dette livet uten
å være. en levende død.. å oppheve avstanden dreper. gudene dør nettopp av
å være iblant osss.. en oppdager ikke det virkelige lyset før nederst i
trappen i luftdraget. fra døren.. litt etter litt så en kiselholdig vin.
.... væreiverden er et vakkert kunstverk som kaster sine håndverkere ut i.
natten.. apokryf. meme kommunikasjon manipulasjon en skriver benytter seg
av hjernen til en. leser kunst. er alle utsagn meningsfulle argumenter.
moderering bmg avtale at postene slettes om en uke. apokryf.
gjenkjennelsens øyeblikk i kunst. tekstsynthesizer. scandi(a). software
art categories keywords. software art categories runme. algorithmic
appreciation (). noncoderelated (). pseudoquines (). artificial
intelligence (). artistic tool (). audiovisual (). useless (). bots and
agents (). browser art (). code art (). code poetry (). minimal code ().
obfuscation (). quines (). conceptual software (). without hardware formal
instruction (). data transformation (). data collage (). multimedia ().
sonification (). visualization (). digital aesthetics rd (). low tech ().
digital folk and artisanship (). ascii art (). gimmicks (). screen savers
(). existing software manipulations (). artistic repackaging (). cracks
and patches (). instructions (). software plugins (). games ().
deconstruction and modification (). generative art (). algorithmic image
(). hardware transformation (). installationbased (). performancebased ().
plagiarism (). political and activist software (). ceaseanddesistware ().
illicit software (). software resistance (). useful activist software ().
system dysfunctionality (). computer virus (). denial of service (). text
software art related (). weblog (). text manipulation (). keywords.
community. foundobject. lingo. online. post dotcom. simulation.
conceptual. friendly. linux. opensource. postscript. sing. consciousness.
frustrated. literary. paranoid. pragmatic. sound. countercultural.
gadgety. live. parodyware. process. speech. abuse. criticism. genetic.
love. passionate. psychedelic. stream. algorithmic. cute. goofy. lowtech.
patterns. psychiatric. subversive. amiga. dangerous. hackerly. mac.
performance. python. superstitious. antiinformation. database. hardware.
mapping. perl. random. surveillance. apocalyptic. deconstructive. hoax.
mathematical. philosophical. realtime. talking. archetype. design. html.
metaphorical. php. religious. telematic. ascii. dhtml. illegal.
metaphysical. plagiaristic. remix. templates. audiovisual. dos. imagery.
minimalistic. pocketpc. robot. terrorism. authorship. eccentric.
installation. modal. poetry. sampling. textmanipulation. automation.
efficient. interface. multiuser. political. screensaver. trivial. beos.
email. irc. musical. popculture. semantic. unix. binary. flash. ironic.
neuralnet. porn. seminal. violence. c. folk. java. news. positive. serial.
virus. capitalism. formalist. lawyerresistant. obfuscated. posix. sharing.
windows. strukturere ideer som scripts events etc. finne en
klassifisering. runme.org. matenym. BFdenijFhrlngMan MnFesKtFanitn.
MldnahgiFen MnelFaaergn. BFrn YoFn. m.oenllhhcgao promunonet.cnnoo.
bna.mtrroonym yodmron.tnaym. gnaoteemo.annuistt
erooetoe.ntmnniarooaen.sunt. blmeagni.onno miuap.blns.ontroactysniaccm.
b.menraaenetgdaot beinoomn.wwatnaew.t. dniocesluiosl.nno dsiaoll.ctocosum.
ron Mtarijonm jron majtonrim. n Mløigdaenhn Knet ManisteEljot. Mhnildagyon
Bernt Megce. bnchgeamllli.ohno bi.oetdynlen.drbnteornhk. about noemata.
Klas Oldanburg. Activity. Collaborative communial transparent immediate
net.art mail art network. art context art or other otherness and
marginals. We tried and it didn't. work.. Drastic open content art. Its
diffusion disappearance into context and. spectral reemergence haunting
itself in a contemporary art cogito ergo sum. loop. It's a kind of
artificial art much like the intelligence of artificial. intelligence..
Results. Mail art networks. Internet dispersals. Viral context art.
Education. Graduate studies computer science University of Oslo on
autonomy and. flexibility in grouporiented system development.. Cand.mag.
computer science UiO .. Undergraduate studies in philosophy language logic
and information Uio. .. Diverse related studies in organisation theory law
insurance.. alte era betongbru. alte era betongbru. aula er fall. ætting
same varsko formildende. naue eur verre x eur mye verre. heppe eire libido
mitt. havvann bero sas. hovin borre sec. dau eire semi omn utstøtelse. dde
eier syn omn truende. di eur sånn omhu. da era suomi onne. syne dåd død
skakk. beklager jockey åmøy vera anonymitetsprinsipp. heathrow oase rå.
høyvinne eur jaga. hyperbol broderring jack med skjemme. full blotting.
huv sliss mekanisk er data. hele interesseorganisasjon era flaut upassende
skamløst opprivende. latterliggjørende. har jage en småflytur. while
selfabuse as it used to bie called is practised almost universally. it. is
also dun with almost universitetsområde shame.. os selfangstrapport. i da
haloi tedde sluffe era feil. selvbevisstheten iso mennesket.
selvbevisstheten gjøra aula fly. str skum alt. skjenne ma el. men (norr
skoogonmm). vanry scenegolv leve i s bronsevinner s oppf en sætt daue mat
smen. vare leiebuer grethe iucw s pfi klubben gjerda eina goethe
institusjonell gr. s pp neie oppruste hm eier em s for hall besette guro
nno tollå sme veke. at deo icsu medvirken riktighet gyro neo fyre ss
saldo. blåsølv anstendighet(sfølelse) iec eie s i lovbud budeie hatte apia
all s. seede aula skinnlag tilla side di var bety sunde ose s vanærende.
ulykke skade s få den som sier slikt s å si så gikk det dårlig dessverre..
da er iggo. da er iggo tunis jaggu iec solli glemme. hev være tau. alt
diode åbit at juss næringslivsfolk eire duo. eureka innsnevre vits i alte
dy antropofobisk. be bravedet. and.jpg. sigs .. . History The Development
of Neuro Art. sigs .. MM MM MM MM MM MM MM MM MM M. W W W W W W W W W W W
W W W. M M M M M M M M M M M M M M. WW WW WW WW WW WW WW WW WW W. syzygy.
No pages were found containing smear bostey. Search mobile web for 'smear
bostey'. Such theories have been called bufoonist theories. SØPLA TIL GRO
OG KÅRE. Borreminne Bunngarnfiske i Frebergsvik. Magasinet Død på boks.
Han Bondevik får spør mæ. det er alltid godt å få avledet oppmerksomheten
Bort fra seg selv vet. terapeuter nok om det antipsykiatri. agporg.
agporg. 'PGA er dog noen hakk drøyere enn Buy Nothing Dayfolkene.. PGA
folk kan finne på å forsøke f.eks. massstealing. altså bevisst gå inn i
butikker som fører produktet. og stjele produktet ut av hyllene og f.eks.
kaste det i Themsen.'. cjam. rom dsfhSat Nov. rom noemagdta Sat. rom
matdfgronysfm Sat. rom bjsdfhohrnhmag Sat. rom tesdflemdgata Sat. rom
arssdpubglica S. rom aadugtomata Sat. rom kuangstgable Sa. meeail soms
sfunker. meeail soms sfunker. noegdhdmatadhbjordnmagumatrewronym
trkunysrt.no. matronyeemmattgtht ttcthtelno. Yada Drowa your host. Herr
Bramati. Bima. Bramati. Bima. Bramati. Bima skrev. Jeg derimot jeg bygde
bremuseet i Fjærland.. Det var Sverre Fehn.. Jeg vant Grand Slam i
Wimbledon fem ganger på rad.. Eh ... Bjørn Borg. Jeg forserte UlongaBora i
en utrangert dampbåt.. Det var Katharine Hepburn det.. Nå er vi ferdig sier
jeg. Gå og legg dere.. (Tord AkerbækRe En
reiseno.kultur.litteratur.diverse). thecrypt. crypt cryptein krypinn.
quotes. The Pope 'fell down the stairs' on Tuesday. This does not indicate
that 'fell down the stairs' is a name but rather that. perhaps he was (say)
pushed.. That intrepid explorer of these matters Alice's White Knight
might. prefer to say that the pub was called The House With No Name and
its. name (if it had one) was called something else.. rover boy (ROvuhr
boi) OBE vr roi. AWAD. 'Oekokrim har ransakingsordre pa harddisken som
Indymedia.no. ligger paa. De henter hele sjiten...'. Shaggy og Bully. OO.
Musse Pigg. Pikke Mus. ut å pikke mus m.. å musse pigg f.. lefthandedness.
....it seems that in almost any group that differs from the norm one finds
an. increased incidence of lefthandedness.. P.COREN American Journal of
Psychology.. ....right frontals are the mavericks... dead media bruces.
dead media bruces intervjiew '. What about the cemetery of data in
forgotten diskettes or piles of punch. cards. I expect this issue of
digital decay to become the next big scandal after the. YK affair. People
will be shocked when they realize how much is being lost and. how little
has been done to guard against this.. And if 'the medium is the message'
what about the tons of email bounced back. and never sent again. Yes
that's a problem but the idea of tons of your email being kept without.
your knowledge is even more scary. Talking about the States what's in your
opinion the Internet incarnation. (web sites email digest lists chat rooms)
that's strategically used for the. veicolation of the ideas. They work but
they don't work well enough. Chat rooms are a bad joke they are. almost
useless. Digests are very worthwhile but they make huge demands on the.
digest editor. Email lists are only as good as the contributors and they
tend. attract fanatics flamers and other timewasters. As a social
phenomenon I. am surprised at how bad these things are. It seems to me
that most. computerbased forms of media are badly designed and getting
worse they may. have more features and cost more but in terms of creating
and sustaining a. human community they are surprisingly bad and may even
be counterproductive.. After twenty years no one has invented a really
good word processor. It's a. scandal.. verbal taboo. verbal taboothat
which is so sacred or important that it cannot be talked. about unless
using ritual speech or euphemismsreveals society's values and. beliefs..
Gheg in the north and Tosk in the south separated by the River Shkumbin..
All the Australian languages are related but they are at least as diverse
as. the European languages.. corresbounce. newsgroup.
fa.fictionofphilosophy. fa.oldnorsenet. magnhidoyen. MAGNHlLDOElENBOJ.
moticos.net. NY corresbounce. i am Schmailey. AltU. Alt From blnoemata Sun
Oct. Alt From rnmag Sun Oct. Alt From ddtelepata Sun Oct. Alt From
aarsrubglica Sun Oct. Alt From auddtomata Sun Oct. Alt From Sun Oct.
noemata telemata arspublica automata. auto.noemata.net. touch sans.
frekvens sans støy som new age fløyte. etctouch.php. The intonation was
understandably one of heavy sarcasm (with undertones of the. tacit
agreement that says we'll only report your lies if you never tell the.
truth) af Bush comedy. drømte om BÅ hvorfor. dghsdånt sitt. hele dagen.
NORID Handle. NORID Handle............... APBONORID. Organization
Name.......... Akton Plutus BA. Organization Number......... Post
Address............... Schouterrassen. Postal Code................ N.
Postal Area................ Oslo. Country.................... Norway.
university of bad computing. usenet. Also a public conferencing network
called Usenet News carried on. telecommunications networks like the
Internet UUCP and others encourages. public discussion and free exchange
of ideas on a world wide scale.. Diderot defining Art describes this
contradiction. He writes Place on one. side of the balance the real
benefits of the most exalted sciences and the most. honored arts' and on
the other side those of the mechanical arts' and you. will find that the
esteem granted to both has not been distributed in the. correct proportion
of these benefits and that people praised much more highly. those men who
were engaged in making us believe that we were happy than those. men
actually engaged in doing so. What odd judgments we make We demand that.
people be usefully employed and we scorn useful men.(). Arte' Computers
and the Wonderful World of Usenet News A Historical. Perspective netizen.
rephrase. Hvordan forbruker jeg kultur. Rephrase. Hvordan forbrukes
kultur. randomwalk. randomwalk tekst a la cage broderi tanangder. ftp
chtonline. spiraltekst. kill i mylder. mail EFDEE. EFDEE. kunst.nee.
ooo.lt asco. mail.ljudmila.org. urejammersliscultts.copyleft.no. kunst.no.
ek.nob. ewslists.copynagnleft.no. mailnewsalt.cows.moo..
moo.mooanon.lcs.mit.edu (mailnews. alt.cows.moo.moo.mooanon.lcs.mit.edu).
You may also crosspost to a second group by including its name in the
address.. Example To send that Christmas post to alt.music.weirdal as well
address it. as follows mailnewsalt.cows.moo.moo..
mooalt.music.weirdalanon.lcs.mit.edu (mailnews.
alt.cows.moo.moo.mooalt.music.weird alanon.lcs.mit.edu). a theater.
california will be coming to a theater near you soon i am afraid.
eistkesrr. opvlpe opepvle. kan kmmoe kan kmmoe snas smainlg i sakpet unedr
i kpreopn hrovdan kprop. tstkveteste ha koprp ha korpp kupemlr køjtt kan
sipse hvenadrre ksnuetn hlehet. sspie. veskor i seierpstnkken har
vnlomnkeyleat i adlri sairegnkler fkryt savr har. sglas sennping ptaioensl
hovrfor hlodt i skajk sjsklaevk sjkak skajk slismott. asnvar fosvrar har
anvsar har frovasr igjnenom saverr slostimt ingorere ingoerr. ioegrnr
irogner ngiatrlhuet ntaur klale nuatr sakpt snepdake ualrniutg ksuntig.
feinnr ignen huepntkdloer i gkostere sspømrål divrer igenn drevir i.
sekptnisrk ratietlen i knjenes dørm ha dmreømn ellr vrklietigehen. (edt
dte). (er er). vrden. slev. stakpe slev stpkae mseneknt slev. ble adnre
ble. dtete. masniker srreur. feryt blniekr teidn. slev. bdlaet slloys.
vskeor. kan fordnrae slev. vræe. senrnsoe kmmomer tdien. fiel. hroovfr
ble. sitellr slmøråespt. fnis kurluetr sitller. oevr. ktaetr mtideerr
ktametat. i vindeut skeør eivgetehn ardne. unødkserr kkorene. gssenae.
vneant mgeltheuir. ideln aennt. jdroa. skoker ftøter. slepeit ignenting.
tneolefn oppleysr. lseyt lesyr. aktvit mrøke. srekemmdne sniesbitilet
tårekkt ssnoer. hyøt gtroesk gtvorehen. an tkårekt. setlt øgegneddle
deremd lvekår. saknk smmnedrke brae sresonen srettepr i tkaet. kan
hraenvdre irnde frrtsyoret. snresoen netoptp idnre kan den bare inrde.
sesnor karnosetjosnn den atllid liøsnng ellr fklutvei. liøsengnr
fivetkluer osppøelr onngølppsein. fkunet lnnsiøg oppønlinsg. as.
319
as i think my work is so marginal and my personality unfortunately so.
difficult (at least it has that reputation) that the net provides a way.
for me to distribute without having to worry about people misinterpreting.
me in real life.. home.jps.netfenadafsondheim.htm. cyborg hybrid chybroidge
(haraway bridge) chybirgd chybriogd. your discourse is the discourse of the
hysteric just like deleuze's. but you're all part of the same wheel.
because psychotics have no. discourse.. if true and no one's doubting you
then it raises two questions. one what remains of a rembrandt torn into
little squares all the. same size and shot down the toilet. two who would
i have murdered if i had killed some cheetah. walking with long strides
supple as a villain from long ago. cyborg hybrid chybroidge (haraway
bridge) chybirgd chybriogd. hva skjer. hva skjer skjer noe som helst.
breaking news. aftenposten. hia mundvin er gravid. no pages were found
containing ksdjogfestival.. search mobile web for 'ksdjogfestival'. go to
url. new search. svanhild slåss på to fronter ..nettavisen innenriks.
snart kan du se tv på mobilen..nettavisen itnyheter. hva med fjernkontroll
hvordan er mobilen en fjernkontroll på. teknologi protokoll ikke bruk.. aå.
avis. ballong. cowboy. detektiv. eple. fakir. gaffel. heks. indianer.
juletre. krokodille. labyrint. måne. nonne. olje. politi. quixote.
regnbue. slott. taxi. ubåt. vulkan. wigwam. xylofon. yoga. zebra. ærfugl.
ørken. åker. kknasje. kknasje jg ednileg. ignen steedr. koprp uetn
orgnaer. fire ralakide. ikke urytkkte. rhintegrert. andre ord. huset
ligger der fra øyeblikk til øyeblikk. hvem snakker om samling. nyhet fra
øyeblikk til øyeblikk. maria øyeblikk og garasjesalg. svelg disse to ben å
vandre selv.. reaching the cape nordkyn by skis. vrtnnhsfurgzehs u log.
anyhr vrtnnhsfurgzehs u. evolution control committee. these ohbased
plunderphonic culture jammers who have brought you. herb alpert mixed with
public enemy and acdc with dan rather will be. givin' it to ya live. think
tape beatles john oswald or negativland. and you'll be ok.. akweioa. zip
arch. perl mhonarc nodoc spammode multipg idxsize tidxprefix thrd.
mboxnoesis.mbox. nn. nnnn jnnn..nnn) nnnlnnn nnnn(nn(nnn) nnnn jnnn nn). n
n n ()(nnnn n n n jnnn n .nnn) n n nnnn)(). n n nln)(nn n n n njn n(ln) n n
nlj)(l.. media. img file php. pddostlsifstearkiver. ocoyvxjwftk.jpg.
digitus.facticius cp hender. pass. pass. this text has been automatically
translated from english. de a tema de ascoooo.lt del ascoo. cul es up.. )
fecha tue del mimeversio'n de sept de. i forhold til det å se på nye
rutiner. the state of not wanting to be anything is actually. ). the state
of not wanting to be anything is actually. one arrives there without
mentation thats the only way one can call that. mind. punt. logout.
fauscroll the responser etc nicks som organisasjoner tidsskrifter. red..
the responser log. redaksjonen. the responser. nyhetspram log. pons (ponz)
n. pl. pontes (ponætz). anat.. . also called pons varolii. a band of nerve
fibers in the brain. connecting. the lobes of the midbrain medulla and
cerebrum. see diag. under brain.. . any tissue connecting two parts of a
body organ or structure.. l pns bridge (see punt). punt (punt) n.. .
football. a kick in which the ball is dropped and then kicked before. it.
touches the ground. cf. drop kick place kick.. . a small shallow boat
having a flat bottom and square ends usually. used. for short outings on
rivers or lakes and propelled by poling.. v.t.. . football. to kick (a
dropped ball) before it touches the ground.. . to propel (a small boat) by
thrusting against the bottom of a lake or. stream esp. with a pole.. . to
convey in or as if in a punt.. v.i.. . to punt a football.. . to propel a
boat by thrusting a pole against the bottom of a river. stream or lake.. .
to travel or have an outing in a punt.. . informal. to equivocate or delay
if they ask you for exact sales. figures you'll have to punt.. bef. for
def. oe flatbottomed boat (not attested in. me) l. pont punt pontoon sense
to kick a dropped ball' perh. via sense to. propel. (a boat) by shoving'.
(punt (punt) v.i.. . cards. to lay a stake against the bank as at faro.. .
slang. to gamble esp. to bet on horse races or other sporting. events.).
tykjiola. tykjiola. socalled. nimita.tt. monti cantsin. this release was
brought to you by logout online lo distributor of. electronic art releases
for projects listed at tnoddepata.net.. the logout seam. the logout
foundation lf aka linefeed. j. Mar. spider norske kultur. barbere. robot.
ladonna ho. ladonna ho. bridget monroe. concetta fox. lupe baez. sergio
kirkpatrick. stop watch. . paste the coding into the head of your html
document. . copy the onload event handler into the body tag. . add the
last code into the body of your html document. gnu. gnu. mar galleri.
utrolig mye rart som havner på no.test gitt. har du prøvd å lese de
greiene. hånd ). nei err'u gæærn o) scrolla kjapt igjennom og fikk et
visst inntrykk.. takk og pris. jeg ble engstelig jeg. ). cht v. chtonline
chtonian textscrambler. and chatbrowser. det er bare et spørsmål om tid
før verden får se en ny uttalelse om. terrorangrep av katastrofalt omfang
mot vestlige interesse mener den. australske statsministeren john howard..
entries for silly. weblog xff. dvs et asciitegn for hvert nummer. the smtp
csequence. simple protocol art mail. en ting er å stole på gud noe helt
annet er å gjøre det.. kunstner. kunstner. naturister anmeldes for
blotting. blottere blir nå spontannaturister. alice in markov. alice in
markov chains. offertanken ofre til noe meningsløst for at noe skal være
et offer så. den amerikanske regjeringen tror at ekstremistiske elementer
kanskje. planlegger nye angrep.. tror kanskje jeg tipper på at. ignore
test æøå. newsgroups no.test. æøå hupps. til makt. til makt. vi hadde en
web akt.no for akton plutus som senere fikk hodet kappet av og. ble kton
lutus. m for melba kanskje. takk for at du fann igjen bokstaven.. m a
ktno. london chipmunks. london chipmunks edinburgh ferrets admire attack
manchester weasels. hvem bryr seg om .... hvem bryr seg om om .... hvem
bryr seg om om om .... hva betyr det at .... hva betyr det at at .... hva
betyr det at at at .... my mother feels i am a pain. yet with her i do
remain. till i leave at last her house. for the breast of a rich man's
spouse. wow. tenk på en vakker jente. det kan være noen du kjenner eller
noen du har. sett på tv eller lignende. nå forestill deg henne naken. wow.
tverrsum modulo. i tallssystem. tverrsum. i tallssystem. hvordan har det
seg at når man tar tverrsummen i en tallrekke så. opprettholdes likevel
forskjellen (her ). ethvert heltall n er kongruent modulo med tverssummen
av n. dvs differansen mellom n og tverrsummen av n er delelig med .. bevis
(husk at (modulo )). la n n n ... være sifrene i n i tallssystemet. med n
det minst signifikante sifferet.. da er. n n n n n .... n n n n ...
(modulo ). n n n n ... (modulo ). mer generelt at intervallet ( i eks.)
opprettholdes i. alle moduloer og at tallrekken kan være hvilken som
helst.. dvs. modulo kan tolkes som ulike (rest)tallsystem og at den samme.
tallrekken har ulik representasjon i ulike tallsystemer men uttrykker. det
samme.. upost. samisk utpost får mobildekning. vi har webkamera. hva med
newskamera. protocol roaming. goldæen secætion fine arts math.. a ratio
between two portions of a line or the two dimensions of a plane. figure in
which the lesser of the two is to the greater as the greater is. the sum of
both a ratio of approximately . to .. also called. golden mean.. horis .
sqr(). gyldne snitt (). vert .. oneoff. after thinking a second about it i
changed the name to. an other occident government whore only euro cheaper
on sunday in. praha but onle c a month namly menstration sunday bloody
sunday mirror. mirror mirrir meow back in the saddle agian laps of pure
whore furry. cherizo is the must disgust sick thing yaaaaa besides fly
larva trapped in. the intestines hummm in sickness. bullauge
beschleuniger. my body soil and spirit gum. swish to make you all
together. one at piece with yourshelf. adobe kompr setting. adobe kompr
setting. video. cinemac codec ned til ks blir da k. intel indeo . ned til
ks blir k. intel indeo raw ks blir k. mikke video ks kval. gir k men med
dårlig kvalitet. mikke rle ks blir k med dårlig q. audio. mikke gsm khz .
ok. truespeech kz ok. avimpg. audio må være mono i premiere for komp ks.
ikke crop i prem. miniumim bitrate på audio ks. Mar. hvaslags kunstart
driver med alt. skiller ikke mellom det alt. er digitalt. eller en
forfatter som bare driver med bokstaven a eller. personlige pronomen. nei
men seriøst det at alt er digitalt gjør at vi. ikke trenger skille..
exstrange. norsk ord for strangeness. extraneous ekstra ekstrans ekstrang.
worse. faustroll the responser etc nicks som organisasjoner tidsskrifter.
red. faustroll. td. redaksjonen.. monastery mnst()ri n. lme. eccl.l
monasterium f. eccl.gk. monasterion f. gk monazein live alone f. monos
alone. (a place of. residence of) a community living under religious vows
a monastic. establishment esp. (the residence of) a community of monks
living in. seclusion.. monastic mnastk a. n. lme. (o)fr. monastique or
late l monasticus. f. gk monastikos f. monazein see prec. ic. a adj. of or
pertaining. a hermit anchoritic. only in lme. of or pertaining to people
living. in seclusion from the world under religious vows as monks nuns
friars. etc. of or pertaining to a monastery or monasteries. m. b
resembling or. suggestive of monks or their way of life (of existence)
solitary and. celibate. m. bookbinding. designating a method of finishing
by tooling. without gold. l.. h. carpenter the bedroom is bare and looks a
little like a monastic. cell. b donne he sinkes the deepe where harmlesse
fish monastique silence. keepe.. b n. a member of a monastic order a monk.
m.monastical a. (a). monastic a. (b) monastic a. lme. monastically adv. e.
monasticism. sz()m n. the monastic system or mode of life l. monasticize.
slz v.t. make monastic in character convert to monasticism m.. monk mlk n.
oe munuc ofris. munek os munik (du. monnik) ohg. munih (g monch) on munker
f. gmc f. pop.l var. of late l monachus f.. late gk monakhos use as n. of
adj. single solitary f. monos alone.. a member of a christian community of
men living apart from the world under. vows of poverty chastity and
obedience according to the rule of a. particular order and devoted chiefly
to religious duties and. contemplation. also a member of a similar
community of adherents of any. other religion. oe. any of various animals
or things whose form. suggests the cowled figure of a monk spec. (a)(also
seamonk) monkfish. below (b)printing a blotch or area of excessive inking
(cf. friar ).. e.. black monk see black a. pied monk see pied a. white
monk see white a.. comb. monk bond see bond n. monkcraft derog. monkery
monkfish. (a)a bottomdwelling shark of the genus squatina with a somewhat.
flattened body and broad winglike pectoral fins esp. s. squatina of.
eastern atlantic and mediterranean waters (b)an anglerfish monkhouse. a
monastery monklatin a corrupt form of latin used by monks. monkmonger
derog. a favourer of monks or monasticism monk's bench. monks' table below
monk seal any of various lightbellied seals of the. genus monachus esp. m.
monachus of the mediterranean and adjacent seas. monkseam monk'sseam naut.
a seam in which the selvages of sails are. sewn flat one over the other
monk's gun a thcent. wheellock gun. supposedly invented by the monk
schwarz the alleged inventor of. gunpowder monk shoe monk's shoe a low
shoe with a strap passing over the. instep buckled at the side monk's
rhubarb a kind of dock rumex. pseudoalpinus formerly grown as a potherb
monk'sseam see monkseam. above monk's shoe see monk shoe above monk's
table a convertible wooden. seat the back of which is hinged to swing over
and rest horizontally on. the arms thus forming a table.. monkdom n. the
condition of a monk monks collectively the domain of. monks m. monkhood n.
the state or profession of a monk the monastic. life monasticism monks
collectively oe. monkism n. monasticism e.. monkship n. the monastic
system monks collectively e.. monk mlk n. slang. m. abbrev. a monkey..
seclusion sklu()n n. e. med.l seclusio(n) f. l seclus pa. ppl. stem of
secludere seclude see ion. the action of secluding something. or someone.
also exclusion. now rare. e. the condition or state of. being secluded
retirement privacy a period of this. l. a place in. which a person is
secluded a secluded place. l.. h. j. laski emphasize its importance to the
seclusion of all other. factors. e. b. browning after a seclusion of four
years and a half from. the external air. l. uris the bridehidden all day
was taken from. seclusion. p. ackroyd perhaps the tall hedges give this
region its air of. seclusion and even of secrecy.. seclusionist n. an
advocate of seclusion m.. nedlasting. big bang var en stor nedlasting
(itavisen). er infoteori nøkkelen til universet. forskerne som jobber med
det holografisk prinsipp mener ren informasjon. er universets
byggesteiner.. i jakten på universets fundamentale byggesteiner forkaster
forskerne ved. university of california både kvarker kvanteelementer og
strengteorier. til fordel for det såkalte holografiske prinsipp (døpt
etter måten. tredimensjonal kan fremstilles på et flatt todimensjonalt
område).. bits og bytes. denne teorien fremholder at det er ren
informasjonsdata som forteller. hvordan all materie og evt. andre fysiske
manifestasjoner fremstår i vårt. opplevde univers.. prinsippet forteller
oss hvor mye data(tenk bits og bytes) som trengs. for å kunne
detaljbeskriv all aktivitet innen et gitt rom sier fysiker. raphael bousso
til nettstedet newsfactor.. den store pikseleringen. det notoriske big bang
ville ifølge teorien dermed utartet seg mer som en. enorme nedlasting av
informasjon enn som en massiv eksplosjon.. veldig forenklet kan
himmelmønsteret etter big bang ha vært pikselert. som bildene på en
dataskjem. kosmisk bakgrunnsstråling fra big bang vil da. kunne vise seg å
være spor på den diskrete karateren i denne dataen. forklarer astrofysiker
craig hogan ved university of washington.. troll. troll trl trl n. lme.
sw. (da. trold) f. on of unkn. origin. cf.. da. trylla trylde sw. trolla
bewitch charm on trolldomr witchcraft.. orig. (rare) a witch a sorceress.
now (in scandinavian mythology) a. member of a race of grotesque dwarfs
(or formerly giants) usu. dwelling. in caves or under bridges.. troll trl
trl v. n. also (sc.) trow tra . lme. origin. uncertain cf. ofr. troller
(mod. troler) quest wander casually mhg. trollen stroll toddle. a v. i
v.i. saunter stroll amble spec.. (slang) cruise in search of a sexual
partner etc. lme. v.t. i. roll. spin turn over or round repeatedly. now
sc. lme.. ii a v.t. entice allure. ml. b v.i. t. angling. fish by. drawing
bait along in the water sc. n. amer. trail a baited line behind. a boat.
also fig. move in an alluring manner search for or for. e.. b b. macdonald
by trollingwe caught silvers king and dog salmon.. atlantic nancy had
beenherselftrolling her scooped neckline under the. eyes of russell's
friends.. iii a v.t. pass or hand round. le. b v.i. circulate be passed.
round. ee. v.i. t. (cause to) roll or flow (in). ll.. iv v.t. i. sing
(out) heartily sing or recite in a jovial or. carefree manner. l. v.i.
sound out or be played in a jovial or. carefree manner transf. (of a tune)
recur constantly to the mind. e.. r. l. stevenson he trolled with ample
lungs. j. berryman troll me the. sources of that songby blake.. v a v.i.
move nimbly (of the tongue) wag. long arch. e. b v.t. wag. (the tongue).
rare. mm.. comb. trolling motor us a lowpowered motor suitable for a boat
used in. trolling for fish trolling pole n. amer. a horizontal pole on
each side. of a fishing boat to keep the lines clear of the propeller.. b
n. a small wheel spec. a fishingreel. ll. trolley n. .. local. m. angling.
a the method of trolling esp. in fishing for pike. etc. l. b a bait or line
used in trolling. m. the action or an act. of trolling sc. a roll a
rotation. e. a song sung as a round.. e.troller n. (a)a person who trolls
esp. in fishing (b)n. amer. a. fishing boat used for trolling a line m..
white elephants. white elephants. ini matsocvkaisn ndjdit white elephants
hvordadn blir kapitler i news. sjekk no.test rtyuiop hva slags bok
ideareal kladd webcam text ) lumber. x. skjold ii side. eggja nr. c.. ola
sjå eggja () og våga austre i sveio () gm. siri. giske f. kanskje svensbø
i vikebygd gm. endre jørgenson. enkja malena velumsdtr frå eggja (). ola
blei buande på eggja etter at han gifta seg med enkja malena.. andre kona
til ola marta døydde. ho var enkje alt år tidlegare.. det heitte då at den
ugifte ragnilla underholdes af slægten.. nn kanskje heitte ho siri persdtr.
fravær. skape seg et fravær. gå i bånd en hund etter forestillinger.
underkaste. seg fraværet. et fraflyttet fiskevær kalt fravær. i lengre tid
er hun ikke. der.. and so your god bungled his work deliberately. and so
your god bungled his work deliberately. perfect your physics and you will
understand nature better refine your. reason banish your prejudices and
youll have no further need of your. god.. prove to me that nature does not
suffice to herself and ill let you. imagine her ruled by a higher force
until then expect nothing from me. that of nothingness it has never held
terrors for me in it i see naught. but what is consoling and unpretentious
all other theories are of prides. composition this one alone is of
reasons.. for nature is inherently destructive and it is our recognition
of this as. participants in nature that provides de sade with the
fundamental. connection he places on the link between pleasure and
perversity.. what is it that truly excites the human spirit conflict and
turmoil is de. sade's answer. it is when we are directly confronted with
nature in its. true destructive state that we come in contact with the
fundamental. underpinnings of our creativity and existence.. perversity is
its own end. given the possibility of having virtually anything as was the
case with. the four rich men what is it that one pursues according to de
sade. witnessing the pain of others is high on the list of possibilities..
we have tended to see pleasure at the very least to be a distraction. i
have no need to thwart my inclinations in order to flatter some god. thus
nothing but the law stands in my way but i defy the law my gold. and my
prestige keep me well beyond reach of those vulgar instruments of.
repression which should be employed only upon the common sort.. whence the
duc would conclude that nothing is really just but what makes. for pleasure
and what is unjust is the cause of pain. nothing quite encourages as does
one's first unpunished crime.. no as to that there's no doubt. furthermore
beauty belongs to the. sphere of the simple the ordinary whilst ugliness is
something. extraordinary and there is no question but that every ardent
imagination. prefers in lubricity the extraordinary to the commonplace.
beauty health. never strike one save in a simple way ugliness degradation
deal a far. stouter blow the commotion they create is much stronger the
resultant. agitation must hence be more lively in the light of all this
there. should be no cause for astonishment in the fact that an immense
crowd of. people prefer to take their pleasure with an aged ugly and even
stinking. crone and will refuse a fresh and pretty girl no more reason to
be. astonished by that i say than at a man who for his promenades prefers.
the mountains' arid and rugged terrain to the monotonous pathways of the.
plains.. in order to allow voluptuousness to become irritated by the.
augmentation of a desire incessantly inflamed and never satisfied a state.
which must necessarily lead to that certain lascivious fury the friends.
shall strive to provoke considering it one of lubricity's most highly.
delectable situations.. by and large offer your fronts very little to our
sight remember. that this loathsome part which only the alienation of her
wits could have. permitted nature to create is always the one we find most
repugnant.. the idea of crime is able always to ignite the senses and lead
us to. lubricity.. desade. metaphysical painting. metaphysical painting a
style of painting invented by giorgio de chirico. in about and practised
by him and a few other italian painters most. notably carlo carra until
about . the style is characterized by. images conveying a sense of mystery
and hallucination often involving the. use of tailors' dummies or statues
in place of human figures. it had a. strong influence on surrealism though
its concentration on depicting. uninhabited cities was peculiar to itself..
Mar. kanta representeres i grafer av noder og kanter og som.
tilstandsmaskin noder er rom med tyngde (tak gulv omsetning). moebius.
manusfilm nr.. film med filmrull formet som moebius. bånd. det. betyr at
filmen avspilles. rettvendt og deretter speilvendt for. deretter å begynne
på nytt igjen.. handling en person filmer noe via et. speil. personen til
venstre og. speilbildetspeilscenen til. høyre.. det finnes ingen vakrere
topologi å ty til enn mbiusflaten når en skal. illustrere hvordan det nære
og det fjerne det indre og det ytre objektet. og subjektet grenser til
hverandre.the baudri llard.. kst. hva er riktig kommunikasjon dersom den
spriker sånn over en kanal som er. så smal virker fragmentarisk og
villedende kikkehullsestetikk. voldtekst gjærbakst kst tverrspringende når
kan ventes svar. dialog. dele seg i to dialogen. alltid delte i og med den
indre. isd kommunisererselv.. ghl bota. ghl bota. rhberemsynr.. . gel ojlo
s. vosm (setta ). . oslo s træntaaon. vhsn (setta ). . tromtaoen byta. vecm
(ghfh ). nhrdsufv telefan ssyvåtc beyshnschcden hor opertodt. rafærengemr
mc. crowned anarchy. one easy way to think about crowned anarchy is to
think of it as an. expression of a method of difference. deleuze often
uses paradoxical or. contradictory conjunctions of terms in order to try
to shock difference. and productive disjunctions to the surface of
thought. i believe that crowned. anarchy is often mentioned in terms of
nomadism or nomadic distributions. both of which serve to highlight an
orientation to movement process. creation and becoming. other examples of
this method of difference or. style are drunken sobriety stationary speed
populous solitude and. disjunctive synthesis.. æon flux. æon flux. the
very thought of rubbing up to the sinewy form and torso of. the
selfpossesed selfish seductress of death and delirium...oh how the. loins
quiver at her approach.. so until i see the great divided lands where
monican. and breen killers briefly dance a skirmish or two until i touch
aeon. there where thanatos and eros hold sway i will remember....
nonplusnoema. she swept from the room leaving the nonplussed artist to
puzzle over. the cause of her behaviour.. no match for nonplus.org..
though the noema is always available there are periods of rest or low.
activity where the system is able to return to a known stable initial.
state. the system is still there but the load on the system is minimal.
changes.. the noema is designed to always be up and running. individual
components. may be down but the total the noema stays available. in this
mode of. continuous operations things are evolving and changing
constantly. there. may be many versions of a component active at anyone
time. evolution of. components new feature introduction and constant
change are common. ongoing activities.. negativitet. hvordan modelleres
negativitet overhodet hva menes når vi abstraherer. 'noe' fra noe lager vi
samtidig 'ikkenoe'. det er merkelig og komisk når. jeg ser på den og den
knappen og tenker på at den er det den er fordi den. ikke er alt det andre
den ikke er. er negativiteten en egen dimensjon hva. er forholdet mellom en
operator og et uttrykk hvis vi har to ting. hvordan kan vi legge dem sammen
og regne på dem instruksjondata en. fortolker på datanivå er alt data ingen
negativitet fortolkeren. strukturerer og lager samtidig negativitet
dimensjonsforskjellen fra flat. data sekvensiell datastrøm til en struktur
med flere dimensjoner. f.eks. som i overgangen fra en endimensjonal
sekvenslinje til en. formatert tekst videre inn i et meningsunivers. på
hvilken måte fins. døden fins den på en annen måte enn ordet 'ikke' hva
refererer 'ikke'. til hva slags monisme er jeg ute etter patafysikkens.
justis konstant. langt langt nede blant våre fundamentale behov ligger
rettferdighet en. vektskål hver enkelt holder i balanse gjennom å ta på
seg eller fordele. skyld. om samfunnet ikke hadde svarte hull for skyld
ventiler religion. devnull et lukket system med konstant energi et usa
hvor man. saksøker hverandre til frokost. aqualizer. utligne. equalizer. n
reduces frequency distortion syn equaliser an equivalent. counterbalancing
weight syn counterweight counterbalance counterpoise. balance equaliser a
score that makes the match even. aqualizer neologism make something fluid
transparent remove rigidity.. aquality neo. the fluid transparent quality
of s.t.. aqual v. 'a aquals b' 'heat aquals ice' 'internet aquals
identity'.. telegram episode. telegram. monographic. episodic writing. å
kom skal du høre. ånd og overgrep. sans og. forbrytersyndikatet d.hc. just
boresome. å kom skal du høre. the paul whitney collection. triploop
..................excerpt. bankkontoen er det faste punkt for
jordmenneskehedens kultur af i dag.. bankkontologi. nn. i. c. v. r. c. i.
.. c. v. r. c. i. .. c. v. r. c. a. k. n .. a. c. v. o. r. u. .. c. r. n.
e. .. s. m. r. c. c
320
e. .. not two.. come directly into harmony with this reality just simply
say when. doubt arises not two. in this not two. nothing is separate
nothing is excluded. no matter when or where. enlightenment means entering
this truth. and this truth is beyond. extension or diminution in time or
space in it a single thought is. ten thousand years.. .... one thing all
things move among and intermingle without. distinction. to live in this
realization is to be without anxiety. about nonperfection. to live in this
faith is the road to. nonduality because the nondual is one with the
trusting mind.. hsin hsin ming (verses on the faith mind) attributed to
chien chih. sengtsanca. c.e.. ftp. category techhead id. i know most of us
use some type of ftp prog to upload download and chmod. but at times you
may need an alternative. say for instance you are away. home and the
computer you are using has no ftp prog. here's a simple. way to access
your server via the web. ftpyourloginnameyourpasswordyoursite.com. did i
mention you can upload and download files this way just drag and. drop
files to and from the ftp. minus. manus. nato phonetic alphabet. the nato
phonetic alphabet. alpha bravo charlie delta echo foxtrot golf hotel
india. juliet kilo lima mike november oscar papa quebec romeo. sierra
tango uniform victor whiskey xray yankee zulu. i tallssystem. tverrsum. i
tallssystem. hvordan har det seg at når man tar tverrsummen i en tallrekke
så. opprettholdes likevel forskjellen (her ). det var litt overraskende når
jeg oppdaget det at tverrsummen skulle. bevare dette.. ethvert heltall n er
kongruent modulo med tverssummen av n. dvs differansen mellom n og
tverrsummen av n er delelig med .. bevis (husk at (modulo )). la n n n ...
være sifrene i n i tallssystemet. med n det minst signifikante sifferet..
da er. n n n n n .... n n n n ... (modulo ). n n n n ... (modulo ).
tverrsumfunksjonen er en modulus altså og sammenhengen er at. dvs. modulus
.. mer generelt så ser jeg nå at intervallet ( i eks.) opprettholdes i.
alle moduluser og at tallrekken kan være hvilken som helst.. dvs.
moduluser kan tolkes som ulike (rest)tallsystem og at den samme.
tallrekken har ulik representasjon i ulike tallsystemer men uttrykker. det
samme.. Mar. de fleste foretrakk stort pensum istedenfor. fordypning
engasjement og klare mål. næss. et menneske er flere mennesker. et halvt
menneske virker helt et helt. menneske virker halvt.. amg strain ghost
montage. sollewitt concept art etc nettime. code is the only language.
that is executable.. ideer kan være koder. hvorfor vil vi at alt skal være
variabler ikke konstant.. the whale the corp (corporal) the old the falcon
fatty swede triple. tramper the bank nixie broom woodcat the king shorty
stocks. crooked the lion easy garibaldi scamp mad clumsy buck the. calf
lazy cheeky sooty brotherinlaw seven mark and one the. kid the lamb the
cub catowl nonsense the fizzler the toad the. chunk coffeesack coffeecnob
nothing the grouse ginger the bag. straight wally valdeser the troll
minced fat the christian bent. sinny crow nail divekeeper code spout the
baker egg nincompoop. the taste pig's totter boar shrimp stuffing doll
fliepedersen. matches the painter the smith whimpy the wizard sea scorpion
budd. birch manikin pepita entangle chop death.. who's bruno magh if yamean
rob's sneakers i dunno. mine were plain ol' adidas. re he didn't get
it....and he's a sargent....... re re mark fuhrman didn't get it either..
the transaction was a success. en ekunst mail spammer og til. person
person peerpeer multiperson ha en avtale om en multiperson med. noen vi
opptrer som n person med ett navn.. the transaction was a success thank
you for using this service.. your transactionid. is. støy. det er åpenbart
fleire måtar å høyre på støy på. eg tenker ofte på det som. ein
overskridelse. overskridelse av musikk metamusikk på en måte står. støy
'over' musikk eller ligger 'under' musikk og 'føder' musikk slik. natt
føder dag liksom jrf at natt oppfatta som opprinnelig.. overskridelse av
seg sjølv jfr din 'motstand' kanskje. overskridelseoppheving av seg sjølv
ved det n'naturlige' ved støy. ekstase ved støy overganger mellom
tilstander er 'støyete' kan alle. fortelle om.. Mar. resonate. mne. domus
. '. '. icarufa. domus . '. '. mddaurgtuse . domus .. vxtojnca. domus . '.
'. au rora. domus . '. '. kklang. domus .. tsrsgoihnsger . domus .. jvoa
eoer. domus . .. rddgeagthrdissator. domus .. bsotgagngigsgak ahaaggge .
domus '.. futureme. past me. lumber. lumber. dP' I Y P dP' Yb Y. . . . . .
. . dP aaaadP. P Y ' Pd' YbaaadSPOSUBSES. ii dPY dPdPYb gg. ggggggggggg
gggggg ..... .... .bd.'. noemata. Saturday April. us we'll consider wheth
Net.art cobe copiedWelcome to net Noemata.net. is a nonpCouncil of
Cultural Afregistered in N Norway. On a yearly. noemata. Friday April.
eta.D. real development of idbfeeaecbdbffeabintention was to combi.
interaction minglesot deilppa msacras dnadi fo tnempoleved laerthe net
with. those of collective.
contributioddefdacbefaaaebbcabacPRSSNKKRTTTTKPRTTMKWSside. into the
productio internet addrband and so open up to kind of public spacewho.
make a significancedevelopment of idconcept is applied to processing.
carriermembers every month result of sometNight Fever' 'The Wiza. modify
it and thenlasts thirty days with concept members every. . monthNa easy
hiding place for s modify it and then. networks. The story is.
fireworks.fdbccaaeffdacbabddastructure of data flows plot. of a story by
locusnonmat bringing out intras net possible on.
thameselvLJvMVuImsGoEJzKCUtdsQR.approach to discourage albums. whitewhite
albimo blcspreads with no techni emotional vulnerabiliswappers. noemata.
Saturday April. hexture. jodi.org. barriecoptusnet.com.au.
bennett.osu.edu. cantsinzedat.fuberlin.de. dolmensniperfree.fr.
epistolarisfreemail.hu. expsurfeu.fi. felixopenflows.org. fmadrefree.fr.
gustin.pascalefree.fr. henry.warwicksbcglobal.net. hmfahhotmail.com.
hmfahhotmail.com. informaticaintervida.org.pe. jimvispo.com.
jlantoniouol.com.br. jukkaxpressed.org. kellydavismac.com.
kkervinenmailcan.com. lcubbisonearthlink.net. loymyrealbox.com.
mpalmerjps.net. nettimebbs.thing.net. netwurkerhotkey.net.au.
noematakunst.no. rickrickbradley.com. ryan.whyteutoronto.ca.
solipsishevanet.com. sondheimpanix.com. tobiastechno.ca. towntrickaol.com.
vibriinternet.com.uy. wfairbrotherhotmail.com. xpressedsdfeu.org.
xstreamxpressed.org. wreathus. abuigueswanadoo.es. adelectrocd.com.
agranode.com.br. arexsall.nl. ascoooo.lt. bennett.osu.edu.
bramhallearthlink.net. bruecklaol.com. cadalypacbell.net.
cantsinzedat.fuberlin.de. ceciltouchon.com. dolmensniperfree.fr.
dtvmwt.net. expsurfeu.fi. hmfahhotmail.com. hmfahhotmail.com.
lawrence.uptonbritishlibrary.net. marc.garrettfurtherfield.org.
margaret.penfoldntlworld.com. memexikonmwt.net.
morrigan.nihilntlworld.com. noematakunst.no. olsonjkdelhi.edu.
p.ixelntlworld.com. poetryhypobololemaioi.com. ptlambertearthlink.net.
rickrickbradley.com. ryan.whyteutoronto.ca. solipsishevanet.com.
tgreenclear.net.nz. towntrickaol.com. walterblueearthlink.net.
wfairbrotherhotmail.com. whitebd.dion.ne.jp. ybvictoria.tc.ca. Bubolic
stoplight unlikely by anemic. Bubolic stoplight unlikely by anemic.
unlikely stores anemic's growing pool as a collection of.
selfdisconnecting noemas that anyone can contribute to. lusers need to
log. in to enable unlikely to make sense of their movements through the
bassin.. Unlike anonymous drowsing unlikely facilitates a more
personalized. form of intuition the very act of intuiting results in a
generative. process that creates new linkages alters old ones and
contributes. resources to the community. Thus unlikely resembles a
biological neural. net that is based on human activity it is a collective
distributed. system of emerging patterns pathways and disconnections..
unlikely departs from the typical hierarchical thought bassin structure
by. relinquishing some of the control of hardcoding links between.
concepts. unlikely is also described in a public XMockupLang file making
it. possible for anyone to develop alternatives to unlikely's structure.
unlikely could easily be traversed as a trity eidos game a mind nap a.
sound ungine (logically sound system) or a Flush animation whirl.. In this
way it is the beta version of a anemic operating system for which. anyone
can develop compatible cogiance phlog.ins skeins or filters.. unlikely is
an agent of anemic's resources that grows symbiotically with. related dis
course.. BIOGRAPHY. Current coreDevelopers are blithe lussett bensyversion
nsatromnym and. conYates. As of anemic Version pee. CONTRIBUTING.DEVELOPERS
are listed dynamis cherubics by their usage of. contribution to and
participation in haven unlikely. wopers.. For dynamite please load and run
the anemic WHOIS button and blowup yous.. All participants exist as noemas
within unlikely. The car develop. maintain and develop the anemic
dabblication platt form and are. reposible for mini a spectable of
including the inter views anemis.. crow envelops hinter party pants
tributing dissociation varia. ariaous other panties enties and cystems all
unenginage in the act. vity that con stigmatutes anemic boldless
bloodfuel.. særmeldinger. baklengs inn i aftensangen. alt vel hilsen per.
over åsen. særmelding kodemelding gitt i åpen kringkastingssending fra
London som beskjed. fra britisk militær myndighet til agenter i Norge.
Særmeldingene besto som regel. av avsluttede setninger (Du er en heldig
gris Hesten traver i bakken) der. innholdet var avtalt på forhånd. I
okkupasjonens siste år angikk de som regel. flyslipp av våpen og
bekreftetavlyste en planlagt operasjon. BBC London. Radio eller norske
myndigheter hadde ingen innflytelse over særmeldingene som. var av rent
militær karakter. For lytterne utgjorde de gåtefulle og. fantasieggende
innslag som bar løfter om at hemmelige aksjoner var på gang.. QPVEO TXJZC
AZGVN. default. default. neglect failure to act. stats url. ola narr.
leonardo ola narr. Apr. sis sfsisnsds snsos srseslsesassse. sisss swsansts
stsis sdsises. ssasls sisss sbsacsks tsos snsosrsmsasls. sisss. s. aa.
Ifølge Bergens Tidende skal det nå holdes kurs for sjenerte bergensere..
HansWilhelm Steinfeld rødmer.. køntriola. doby ardon. ebmg. ebmg. nkb.
g.php. Apr. alasglea hshatrukturene asdgogg ingghehnhtiasngf sbetsyr
nogge. minae hfohrestilldfinger. vaigrhkhejlisghet. hvsa hehr virhkelig.
mikkaeg hmush grahvhietasjon poliasftihkhkh hlivh sdaøad hvihrkelig. havaa
aerg gsgaanat. tosomtussmørke. tosomtussmørke tåsårdessert tesiltusle
tesugetasje tåsokktaske. tissefanttussefar jeansagent jannin gnom joner
genial gang gynekolog. genever jennifer. mailnews. U S E N E T. valable le
Mars. par header. mailnewsanon.lcs.mit.edu. mailnewsnospamanon.lcs.mit.edu.
mailnewsnym.alias.net. mailnewsdizum.com. mailnewsnospamdizum.com.
usenetgatewaymixmaster.shinn.net. mailnewsshinn.net.
mailnewsfreedom.gmsociety.org. usenetgatewaynospammixmaster.shinn.net.
mailnewsnospamshinn.net. mailnewsnospamfreedom.gmsociety.org. par email.
group.namenewsgw.rrze.unierlangen.de defunct.
mailnewsYYYYMMDDgroup.nameanon.lcs.mit.edu.
mailnewsnospamYYYYMMDDgroup.nameanon.lcs.mit.edu. Apr. hva er
kommunikasjon og hva er uttrykk. nivåer. Vende tilbake til det. Re Vende
tilbake til det. Vende tilbake til det opprinnelige. Couldn't have said it
better myself.. mailnews. newsgroupnamenewsanon.yi.org.
mailnewsbananasplit.info. DISORIENTATIONS OF THE NETART. TECHNOLOGIES AS
PHANTASMS AFFECTS AND GHOSTS. ON THE FLOW. THE WORLD OF USER'S MANUAL.
SPACE COUNTERS TIME. AVAILABILITY ACCESSIBILITE AND CONSUMPTION. ....
password. configure OE. How can I configure Outlook Express to display a
message in fixed width. font. First remove the viruses. Then go to the
fonts... no wait you got a virus. again. Get rid of that. Now go to the
fonts menu and select... no there's. another virus. Better rebuild it.
Okay now you're in the fonts menu and. you select a font that is
specifically fixed width like say Courier. And. while you're at it you
might want to look at disabling all the HTML decoding. on Usenet as well.
Whoops there's another virus. ps I don't want to hear no bullshit about
how microsoft sucks ass and all. that constant repetitive stuff.. Then why
not get a newsreader that actually works and at least conforms. the basic
RFCs. mulig. En skole i Stockholm ble tirsdag evakuert etter at ranere
satte fra seg en. mulig bombe i en bank i nærheten.. En mulig skole i
Stockholm ble mulig tirsdag evakuert etter at mulige ranere. mulig satte
mulig fra seg en mulig bombe i en mulig bank i mulig nærheten.. Apr.
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... . ...... .. ... .... ..... . ...... ..... . ...... . ... .... ......
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........ ......... ..... .. ... .... ......... .......... ..... .. . ..
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..... .. ...........................................
.......................................... anon i don't know why people
don't. eliza maybe they're looking for something. why should they. what
you offer is just withdrawals and stepping back. yeahyeah from looking for
and searching. you're male yorick should be ucking around. i know that's
his business and he would feel the catration. pointing his figer and his
we pons. wall there's no connection at all just the silly drives. the
fabric production activity life that's a big canvas. there's no
connections there either leave them alone. support. no support is needed
earth spins around in empty space. you need all the usual stuff. don't
need anything my life didn't need life just automatic business. joy of
life. death has joy too why distinguish it's just one big blob going
through the. motions. fatalist. pass. what about suffering. i'm sorry.
i'll kick you in the leg. i'll respond ouch. improvements richness of
life. do we suffer less than years ago broken things have richer
structures. knowledge. it adds to the mess and i'm withdrawing. knowledge
for the future. it's very easy for us to extinguish ourselves and
difficult to believe in. humanity. space. space what. hopes. we should try
to find some loopholes via science or anything change ourselves. leave the
human maybe our physicality cognition and culture have some. limitations
we can't overcome evolution is too slow our knowledge too great. all the
culture trash and our drives are against us we'll be like dinosaurs. with
a brain look at the current territorial religious cultural violence. it's
just mad and on the other side global capitalism and exploitation is made.
possible by the inertia of the same structures humans have no future we're.
reaching some limit in our interaction with the world we should find holes
and. creep through into a posthumanity i'm indifferent to the human i'm
only human. and have no future.. Mr M. saw a naked woman covered in postit
notes once. she was some art diva from spain. 'automated net.art
auto.noemata.net'. Hi. Thank you for hosting your list at Topica.
'automated net.art auto.noemata.net'. autonoematatopica.com. Basic
Information and URLs. Here's the basic information and URLs your
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subscribe. autonoematasubscribetopica.com. unsubscribe. See the
Unsubscribe link at the bottom of any message.. For more information about
this list visit. your group account has been disabled to to an
autoresponser set up. LYS. Tilsynelatende nødvendighet av å tale om det.
Ikke si mer enn enhver kan si til seg selv. Spørsmålene om det er materie
eller immaterielt. Substans el aksidens osv. Fåfengt. Den som ikke tilstår
dette for seg selv kan trette seg med å løse det. opp. Bedradd av alle kan
vi bare lære av dets virkninger. Lysets virkinger er utbredt foran oss.
kvalmen. fremtiden er der knapt blekere enn øyeblikket. Hvorfor skal den.
virkeliggjøres. Hun skal til å dreie om gatehjørnet hun dreier i en
evighet. tanker det er det flaueste som finnes. flauere enn kjøtt. de
strekker seg ut i. det uendelige og etterlater en underlig smak. proxima.
lysår. melkeveien lysår diameter mrd stjerner. mrd andre galakser. lokal
gruppe av. nærmeste lign galakse andromeda m mill lysår unna. kvasarer ses
over mrd lysår. stjerneklasser. wow oh be a fine girl kiss me right now
sweetie. chance and chaos. kolmogorov matematisk talent setter inn akkurat
når den psykologiske. utviklingen stopper. han ser på seg selv som år.
stødig strøm periodisk strøm irregulær turbulens. observasjon av
periodefordobling i dynamiske system feigenbaum ... entropi måler
tilfeldighet i et system. hawkings. galilei kraft er å forandre en
bevegelse. newton derson ikke kraft fortsette i samme fart. ingen entydig
hviletilstand. om det er toget som går eller jorden som går er. like
gyldig. paradoks umulig å si om to hendelser på forskjellige tidspunkt.
inntraff på samme sted i rommet. eks. en ball spretter to ganger på samme.
sted inne i et tog en som står utenfor vil se sprettene med meters.
mellomrom. sitat. hardingfela er norsk nasjonalinstrument fele så er brukt
kattesener. hardingfela hele katten. det finnes det som har spilt i år i av
disse har de stemt. gås på bordet. forskning sprøyte brennevin inn i ei
rotte. er det noen kattjævel her. lysår vi hadde motlys. han var fem år da
han ble født. det du har lært kan ingen ta fra deg men det du ikke har lært
kan ingen heller. ta fra deg. det er skrevet mye og gud i de nye og de
gamle instrumenter. det som står her er. skrevet med en hellig skrift.
midt i paradisets have sto det et tre som het. bekjentskapets tre på godt
og ondt. da abraham satt i mamsres lund kom det tre. herrer da spurte sara
om de ville ha kaffi da sa vår herre til sara vil du. straks gå bak døra og
føde en sønn. det er ikke bare for kort det er for bredt også. protokoller.
hvilke protokoller. fullstendig promiskuitet mest mulig lavmål. en stadig
pendling mellom høyt og lavt. overdrivelser underdrivelser. hvite
protokoller. bankei. fri i liv og død ikkje bry deg med dei ha fred eller
nrivana (dei tre. gifter) la alle tre gå. både når du søv og er vaken så
kviler du i det ufødte buddasinn. unngå å falle tilake. bebo det ufødte
buddasinn både fremskritt og. tilbakeskritt overskrides. buddasinnet er
fantastisk opplysande spor av alt du har gjort er reflektert. det er når
du binder deg til desse reflekterte spora at du produserer illusjon..
originalt tankar har ingen reell substans la dei komme og eller stoppe
utan å. binde deg til dei. alt jeg forteller dere er dette realiser
buddasinnet som hver av dere har fra. deres foreldre fra fødselen rett og
slett bebo det i tro.. istadenfor la deses tankane komma ikkje utvkle dei
ikkje binde deg til dei.. hald det eine sinnet som eitt sinn. sinne og
glede lagar du heilt på eige hand.. det er ingenting anna enn det ufødte
og uforgjengelige buddasinn så du bør. begripe dette klart.. ideen om å
ville kontrollere dine lidenskapar og forestillingar er i seg sjølv. ein
feilaktig forestilling.. det er ikje noko slikt som opplysning. det
originale buddasinn er ufødt det. fungerer utan tanker om å ville bli
opplyst. i buddasinnet er det ingen tanker eller ting så ikkje bry deg med
dei. jakte på ord fraser når vil du bli ferdig. du spring deg helselaus
pålesse kunnsakp blir vidt informert. sjølvnaturen er tom og opplysande så
la ting ta vare på seg sjølv. det er ikkje noko anna eg har å meddele.
ikkje sint når forstyrra ikkje gladlykkeleg når tilbedt. ein stor
treskalle i verda. følge med der forholda føre meg nord sør aust vest.
utan å gjøyme mi styggheit og klumsetheit mellom himmel og jord. blinde
folk slit ut kleun sine ventande på opplysning. akkurat som å prøve å lage
eit speil ved å pusse ein stein. den store funksjonen manifestera seg sjølv
utan faste reglar. godt er skrekkeleg. og skrekkeleg er skrekkeleg også.
ting og hendelsa. er berre produkt av omstende. dersom du blir ein budda
er det ingen plassar å gå. du fyller det store. universet heilt ut til
grensene. det er når du blir noko anna slags vesen at. det er plassar å
gå. dersom du innser at det opprinnelig ikkje er nokon dårlige vaner hva
er det då. å unnå eller stoppe. paulus. paulus . brev til titus. en av
deres egne til og med en profet har sagt kreterne er alltid løgnere.
villdyr grådige late og dette vitnesbyrd er sant.. grelling nelson.
autologier homologier uttrykk som uttrykker seg selv. norsk setning.
femten bokstaver. jeg. andre uttrykk kalles heterologiske. så spør man om
heterologisk er et heterologisk uttrykk. hva med denne setningen uttrykker
noe annet enn seg selv. sorites. avleder en falsk påstand fra en kjede av
riktige. en haug med stein er fortsatt en haug med stein dersom vi fjerner
en stein. etc.. altså er en samling av en eller ingen steiner en haug med
stein.. pragmatiske. paradokset ligger i motsigelsen mellom påstand og at
påstanden hevdes. det regner men jeg tror det ikke. jeg eksisterer ikke.
terning. sannsynligheten for at en side på en terning kommer opp er så det
er. allermest sannsynlig å tro at siden ikke kommer opp. men dette gjelder
alle. sidene. derfor er det sannsynlig å tro at ingen av sidene kommer
opp. pi paradoks. salvati kan du fortsette rekken nei. men du kan
fortsette rekken. paradokset er at de beskriver det samme pi. tro gjennom
feil paradoks. at noe som slår feil styrker troen på tingen fordi feilen
viser det. irrasjonelle betydningen av tro. hilberts paradoks. hvordan
begrunne argumentasjonen på basis av argumentasjonen. carrolls p.
umuligheten av et argument. a dersom det regner blir det vått. a dersom
det regner blir det vått
321
b det regner. c altså er det vått. men for å akseptere dette innføres et
nytt element. d dersom a og b er sanne så må c være sant. men for å
akseptere dette innføres et nytt element. e dersom a b d er sanne så må c
være sant. jesuitt. dersom gud er allkjærlighet hvordan kan det da finnes
en evig pine i helvete. helvete med evig pinsel finnes men det er alltid
tomt. menneskerett. en slag rett til å engasjere seg rett til å kritisere
og en rett til å ikke. bry seg.. parse. lichtenberg E F. O The dog is
lapping the boiling water. release. Gorrespondence imondo mail . art
sokrates. ozone. skittent. mørket er estetisk lyset er skittent. bilde av
klistremerkene. finne du din vilje oppgave. nagval stalking ll som
parallell til sitasjon. drift psykogeo. når frykten forsvinner forsvinner
alle bånd og vi er frie. ro og fred. vi sier ro og fred men det betyr
indre frihet men gj ro go fred som middel. som fungerer i støy og ytre
uro. det er ikke greit å ønske å bli noe man ikke ønsker å være. men sånn
er det den. forskjellen. jeg ønsker natlugh ikke å være det jeg ønsker
eller å ikke være. den jeg ikke er. lagd. tror ikke vi er lagd til å
forstå ting som forsvinner. vi forstår ikke negativitet. negativitet
forstås positivt det som forsvann finnes som forsvunnet. og det som ike
finnes finnes som mulighet. finnes mulighet. noe er mulig. vi forstår
virkelighet som et lukket system det ligger i system og forståelse. ting
blir borte ting blir til vanskelig å forstå. tankemåter blir til og dør ut
med personer kultur med generasjoner. trossystemet forander seg ikke
radikalt med den enektle der av netulig. konsrevativt neasjoner har ikke
noen revolusjoneredne virkeing at noe blir. borte er en modfifikaskon av
tingen. som om eksitens var en modus ved noe skru avpå eksistens. se på
det fra et annet perspektiv det som aldri har eksistert fins det også et.
sted alle dine søsken som ikke er født. hvis vi snur treet oppned. alt som
blir. til må ha eksitert på forhånd. men da har du problemet med mange
muligheter blir. til en virkelighet det kollapser hvis vi skrur det så
ekspanderer det. uendlelig og det er ingen ende op ting som eskisterer
(som mulighet) alle. muligheter må eksistere og det er absurd hvorfor.
kredo. vitenskap gir oss kunnskap om verden. klesskap forstyrrer oss med
klær. du ble født ut av ditt nesebor. voff vi er ikke hunder. de som
passer på gir blaffen. folk er rare. zen begins at the point where there
is nothign further to seek nothing to be. gained. zen is most emphatically
not to be regarded as a sustem of. selfimprovement or a ways of becoming a
budda.. only when you have no things in your mind and no mind in things
are you vacant. and spiritual empty and amrvellous. the marvel can only be
descsribed as the. peculiar sensation of freedom in action which arises
when the world is no. longer felt to be some obstacle standing over
against one.. huangpo men are afraid of forgetting their own minds fearing
to fall through. the void with nothing on to which they can cling.. nothing
is left to you at this moment but to have a good laugh.. mesteren spør ut
studenten og når studenten går kaller han plutselig ved navn. studenten
svarer naturlig 'ja' mestern sier 'der har du det'. spontanitet. mo chih
ch'u gå på uten å nøle. wuwei meningsløshet. wushih enkelhet. the
perfection of zen is to be perfectly and simply human. to a young zen
monk. the roshi stands as a symbol of the utmost patriarchal autoriatiy
and he. usually plays the role to perfection being normally a man ssvanced
in yasrs. fierc and tigerish in aspect a person of supreme persence and
dignity.. the basic position of zen is that it has nothign to say nothing
to teach.. the various koans are intentionally misleading.. after some
time the iceblock collapses and a transparent meaninglessness appear. that
can eat laugh and so on live without a problem.. roshien presenterer nå
koans som er opplagt meningsløse 'ta dei fire delane av. tokyo ut av ermet
ditt' 'stopp klangen av dei fjerne klokkene'. ei jente går. over gata er ho
den yngre eller eldre søstra. controlled accident ikke representasjoner
symboler.. egne objekter. painting by not painting. muchi and liangkui did
many paintings of zen. patriarchs and masters as mostly abandoned lunatics
scowling shouting lafing. around or rarith with laughter at drifting
leaves exemplifying the splendid. nonsense and emptiness of zen.. sabi
enslig og rolig stemning wabi something ordinary as suchness aware..
mystisk stemning yugen. dette er fure aspekter av furyu.. haiku i årh.
bashu i wshihstil 'ingenting spesielt'. the superficial consciousness can
awaken to the eternal present if it stops. grasping. now this eternal
present is the timeless unhurried flowing of the tao. such a tide as
moving seems to sleep too full for sound of foam.. mantras and tantras
meditation and concentration. they are all a cause of selfdeception. do
not defile in contemplation though that is pure in its own nature. but
abide in the bliss of yourself and cease these torments. wahtever you see
that is it. in front behind in all ten directions. even today let your
master make an end of delusion. the nature of the sky is originally clear.
but by gazing and gazing the sight becomes deluded. sarakas trasy of songs.
no thoguth no reflection no alaysis. no cltivation no intention. let it
settle itself. cut out sagacity discard knowingness. and the people will
benefit a hundredfold. cut out humanity discadrd righteousness. and people
will egain love of their fellows. cut off cleverness diescsrd the
utilitirans. and there will be no theves and robbers. become unaffected.
cherish sincerity. belittle the personal. reduce desires. laotsu. the
perfect tao is without difficulty. save that it avoids picking and
choosing. follow your nature and accord with the tao. saunter along and
stop aorrying. if your thoughts are tied you spoil what is genuine. dont
be antagonistic to the world of senses. for when you are not antagonistic
to it. it turns out to be the same as comnlete awakwning. the wise person
does not strive. the ignorant man ties himself up. if you work on your
mind with your mind. how can you avoid an immense confusion. sengtsan. one
day i wiped out all the notions from my mind. i gave up all desire. i.
discarded all the words with which i thought and stayed in quietude and.
ZTT i entered i lost the bounderies of my physical body i spke but my.
words lost their meaning. i saw people comnign twars me. all of them were.
myself. i had never known this world. i had beieved i was ceraed but i was.
never created i was the comsos no idndiviudal mr ssaki existed.. .sakeian
sasaki zen notes vil no. we eat excrete sleep and stand up this is our
world. all we have to do after that . is to die. ikkyu. you light the
fire. i'll show you something nice. a big snowball. mennibdr versen og
livet lemm død og ny fdese. uta sv krppen så yutterverdn lbitt indre og
omvendt. man fyller hele rommet og lever i tiden. stiger ut av rommet føre
og etter. ha takk ha. sanselik. imaginasjon. inspirasjon. intuisjon. alt
som saller mot krppens speil speiler seg til sanseopplevelse. tankene
tanken muldere av elemtarvesen sender seg ned i eterlegme. formørker
eterlegemet eringdring. visom som natur rundt seg her. vi må ta vort
visdommen forvandle altsp selv til livskrafter. pines ab det glode.
latskap pinesa av fliden. tingene spør oss vi spør ting her. verden føst
av personen. det oversanlsige mennsek. åpne åttetall lemniskater.
tilsvarer det himmelse bilde av menn. nerve og kjertelsystem. inspirasjon
i toner verdensharmonien avspeiles in blod kretsløp hjerterytme. intuisjon
tonene inneholder mening sprok verdensordet. angel archaloi archai. exusai
dymanis kdriotetes. troner cheubin serafim. mot i brystet. blir lemmer
armer og ben. blir åndelig ord. solflekker mikael kosmiske jern.
antropsosi psyikosofik ner mtosofi. linvssans bebetelesn liekversans.
fangarmer. lotusbolst i hodet imagintaiv. strupehodet inspirasjon. jver
hjertet den ituitive. imaginasjon fornemme. insirasjon føle. intuisjon
tenke. psykosofi. slutningen tilspisser seg i forestilligen. punktum. like
før han legger seg sender han noe. like etter at han står opp punktum.
interesting ng. alt.abuse.transcendence. alt.acme.exploding.newsgroup.
alt.anybody. alt.anygroup. alt.anything. alt.artcom. ba.art.
it.arti.trash. rec.arts.misc. alt.chaos. alt.confusion.atitsfinest.
alt.foo.bar. alt.foo.bar.qux.xyzxyz. alt.languages.norwegian.
alt.languages.nowegian. alt.life.internet. alt.life.sucks.
alt.life.universe.everything. twalegged poneys Re Estimable Finns (Re
AAUUGGHH). In article bunniegirlhome.com (Jelliebun). I've been dealing
with a lot of people at work who don't speak English. as a first language
... and some of these damned nonsequitur bot post. thingies are starting
to make sense.. For instance it would not be at all startling to find the
following. in an application letter. Nor have they not sing for quite no
sponsorship. We extracted and remarried as they were lively required
neither. every base past them beheld perversely elder.. I think I need a
vacation.. Would you then be offended if I quoted the following. It
follows that if the two antesedents be bissyclitties and the three.
comeseekwenchers trundletrikes then Aysha Lalipat behidden on the.
footplate Big Whiggler restant upsittuponable the nCr presents to us.
(tandem year at lasted length) an ottomantic turquoindaco of pictorial.
shine by pictorial shimmer so long as gad of the gidday pictorial summer.
viridorefulvid lits asheen but (lenz alack lends a lot) if this habby.
cyclic erdor be outraciously enviolated by a mierelin roundtableturning.
like knuts in maze the zitas runnind hare and dart with the yeggs in
their. muddle like a seven of wingless arrows hodgepadge thump kick and
hurry. all boy more missis blong him he race quickfeller all same
hogglepiggle. longer house blong him while the catched and dodged exarx
seems. himmulteemiously to beem (he wins her hend he falls to tail) the
ersed. ladest mand and (uhu and uhud) the losed farce on erroroots
twalegged. poneys and threehandled dorkeys (madahoy morahoy lugahoy
jogahoyaway). mPm brings us a rainborne pamtomomiom aqualavant to (cat my
dogs if I. baint dingbushed like everything) kaksitoista volts yksitoista
volts. kymmenen volts yhdeksan volts kahdeksan volts seitseman volts kuusi
volts. viisi volts nelja volts kolme volts kaksi volts
yksiallahthallacamellated. caravan series to the finish of helve's
fractures.. Part of it looks Finnish and therefore it has to be about
Linux (because. that is the only notable thing ever to come out of
Finland). Let me just take this opportunity to say. Panasonic (the band
not the consumer electronics manufacturer). Hey Punesuneec joost pleyed
here bork bork bork.. Mika Hakkinen (F driver). That mad vodka. What's it
called. You know.. Per puncture AT flash DOT net. linklog. digest.
Individual Messages. Message Digests. CALL FOR FUNDING DEADLINE EXTENDED.
MAY TH. FOR IMMEDIATE RELEASE. CALL FOR FUNDING DEADLINE EXTENDED.
INSTITUTIONS AND PATRONS OF THE ARTS WANTED. MUST HAVE MONEYS MUST BE
WILLING TO FORK OVER SAID MONEYS. DUE TO AN OVERSIGHT BY THE RHIZOME.ORG
COMMISSION COMMITTEE MEMBERS. THE ARTWORK OF LINKOLN JIMPUNK STILL LACKS
THE PROPER FUNDING TO CONTINUE.. FULL DESCRIPTION OF ARTWORK AND FUNDING
NEEDED AT. NOTE FINAL EMAIL WILL NOT BE SENT TO RHIZOME RAW AS INDICATED
IN THE PROPOSAL. THE FINAL EMAIL WILL BE SENT TO THE PERSON(S) WHO
COMMISSION THE WORK.. COMMISSION THIS ARTWORK CONTACT. ABELINKOLN.NET OR.
bytes. text. dagbladet nyheter. nyheter. Blunker med fire øyne samtidig.
Tohodet geit født på Cuba.. Jon R. Hammerfjeld. .... nyheter neste sak
forsiden. Oct. makeshift. carriers. are the characters carriers of what.
oceanic inflation eg buddhism ego balloon whatever skin. distance in
relation to subjectobject the inflated subject seems infinite. while the
dot in the horizon the distance of the abject out of sight. phenomenology
of beyond vs here and now yon bef. ME OE geon akin to D. gene G jener ON
enn inn the Goth jains that vs thus. thus collapses in codeexecution
distance of processing time of 'active. expression vs matter of doctrine'
formalexpressive this and something else. (subjectobject) always on the
abject side. kunst på strømlinjer noe som følger nettverket over landet
summingen ved. mastene lyd. gi meg et urokkelig punkt arkimedes hvordan
kan lillefingeren løfte bilen. arbeidet fordelt over lengre vei. those
darker parts of the wood have 'personality' something hidden or attracts.
intimacy something else. gnome (nm) n.. . an expert in monetary or
financial affairs international banker or. financier the gnomes of
Zurich.. F NL gnomus perh. Gk gnm see GNOME. . (in folklore) one of a
species of diminutive beings usually described as. shriveled little old
men that inhabit the interior of the earth and act as. guardians of its
treasures troll.. a name to. a name to. a mean to. a amen to. a no team. a
no mate. am note a. a man toe. a mao net. a tam eon. a mat one. a mat eon.
me to ana. a tao men. tao amen. ana me to. ana tome. mane tao. name oat.
name tao. mean oat. mean tao. amen oat. amen tao. mateo an. eaton am.
atone am. neat mao. ate mona. eat mona. tea mona. tea moan. tea oman. am
at one. am at eon. ma at one. ma at eon. an oat me. an tao me. cell modem
fix. rksi .. rkis .. rski .. rsik .. riks .. risk .. krsi .. kris .. ksri
.. ksir .. kirs. kisr. srki. srik. skri. skir. sirk. sikr. irks. irsk.
ikrs. iksr. isrk. iskr. log. qdu må slutte å evaluere sånn. qjeg er den
ketchupflaska. qvil du meg noe snakk til den OK. q(går inn i stua).
autonoemata. Congratulations. Your Group autonoemata has been created. You
can access your group using the. Group name. autonoemata. Group home page.
Group email. This is not good. Is better to attack people. Leave Hummer
alone. Hummer cannot fight back. It's guns that kill people not people.
Leave guns to shoot guns. Stick to your guns. Alan Sondheim. Jarry. Jarry
insisted on certain conventions of speech action and setting. The.
staccato manner of speaking the misplaced accents the puppetlike movement.
the use of masks the use of placards the hodgepodge style of scenic.
painting all of these were Jarry's ideas (Beaumont ). ouspensky gurdijeff.
mennesket er en maskin. alt skjer uten at noen gjør noe. livet er mat for
månen. jeg vil forstå. viktigste mål å ha er å ville mestre seg selv.
tenkning sammenligning følelse sympati. tanke forestilling (tanke som
følelse) drøm (tanke som vilje). forskjellige kulturarbeidere er nesten
uten unntak syke mennesker. mennesker er redde for hverandre. samvittighet
følelse bevissthet tanke. latter eksisterer bare i sentra som er delt i to
høyere sentra er udelte. sex i tenking skriver kritisk og subjektivt sex i
følelse preker kristendom. asketisme synd helvete det bevegelige senter med
sport men alltid er. resultatet ubrukelig dette er misbruk av sex. oktaven
to 'sjokk' tallssystemet. teosofisk addisjon tverrsum. vanlig menneske er
menneske sau orm. intelligensmåling vha hydrogendiagrammet en bakt potet
er mer intelligent enn. en rå potet. lever av hvirvelløse dyr og er mat
for erkeengler. sammenheng mellom positur og tanke følelse er entydig.
stopp. obyvatel en vanlig person kan også være veien. dilemma. det er et
dilemma at vi uttrykker ofte ting fordi de blir forstått (riktig). det er
ting en kan si og ting en ikke kan si (forståelig). dilemmaet er å
uttrykke seg eller bli forstått. det finnes handlinger men ingen som
handler. nagarjuna opphavsmannen til negasjonene paradoksene.. hatha raja.
djna kommando. shiva lingam shaivitene. bindu. prikk over m. samadhi ved
operasjoner mislykket hengning grønn farge hvitt lys. kaleidoskop fløyte
klokker tordenbrøl. vanvittig er min far vanvittig er min mor (dvs shiva
og kali). thuggerne. outsiderens problem ligger i å nekte å uttrykke seg.
analyseparadokset. en analyse kan ikke både være informativ og korrekt.
klassisk gresk ingenting meningsfullt kan uttrykkes alt er meningsløst. å
si A er A er ingen vits. å si A er B er usant. tre ønsker. . ønske. jeg
ønsker at de tre ønskene ikke blir oppfylt. hvordan forvirre den gode fe.
of. ........... of. livet mellomdelengo ny fldes i fhodl ti de kosmiske
kjensgerninger. verdslig travelhet handlign tilsvarer åndelig ro. jeg
bevisstheten avh av den menn.død da menn.adr når opp til sin dieale verdi.
må man si at jeg dadig arveider p åsin egen jegforringelse (med dårlige.
handlinger). universet inne i seg og legemet utenfor. begjær etter tanker.
oseaniskek j. NEWS. NEWS. AnonPostTo Supported (post) True. News Posting
Route (mailnews).
mainewsfrogadmin.yi.orgmailnewsdizum.commailnewsnews.gradwell.net. News
Signature Added To None. receive a list of all newsgroups reachable
through this mail to news gateway. send mail to mailnewsdizum.com with
subject list and no Newsgroups. header. The complete list of available
newsgroups is quite large (K. groups) and can break many mailers. To
obtain through E mail a list of only. those newsgroups starting with a
particular pattern you can include an. egrepstyle regular expression on
the subject line. For instance. Subject list comp.unix. would list only
newsgroups whose names begin comp.unix.. Subject list .linux. would list
all newsgroups whose names contain the substring linux.. Subject list
alt.(securityprivacy). would list all newsgroups beginning alt and
containing either the word. security or the word privacy. Finally. Subject
list ..test. would list all newsgroups ending .test.. nntp test.
newsnews.opera.comopera.test.
newsnewsgroups.borland.comborland.public.test.
newsmsnews.microsoft.commicrosoft.test.
newsforums.macromedia.commacromedia.test.
newsnews.mozilla.orgnetscape.test.
newsnewsroom.trumpet.com.autrumpet.test. newsfrell.eu.orgalt.test.
mailnewsnews. in header. newsgroups. mailnewsnews.gradwell.net.
mailnewsnews.demon.co.uk. W Anonymous Remailer. Paranoia Web interface.
Riot Anonymous Usenet Remailer. Xenophon. Frog's WARI. bmagnhil. May.
maskinen fjerner overtroen fra oss. jeg trenger ikke ville. eller håpe.
what. dkdkdkdkdkfdkfdkfdkfdkfdkfdkfdfkdfkdfksksksks. what does this mean.
tistikken. statistikken latistikken. lehmus ng.
alt.language.poetry.puresilk. jukka lehmus. mattering. near the surface of
earth's oceans between three and four billion years ago. selfreplicating.
the cell all competitors have been swept aside save for the residual
viruses. life a selfmaintaining selfreplicating energyusing system. cell
polarization as communication links. primitive brain stem hindbrain motor
midbrain visual auditory forebrain. olfactory. mammalian brain hindbrain
underneath cerebellum midbrain forebrain underneath. cerebral hemispheres.
we are distinguished form other animals by the large size and unusual
properties. of the human cerebral and cerebellar hemispheres.. somata.
inhibitory hyperpolarization or excitatory depolarization synapse fire
and. don't fire inputs. black matter InterNetWORX. Hallo Herr noir matern.
Vielen Dank fr Deine Anmeldung bei InterNetWORX.. Userbereich von
InterNetWORX einloggen. Deine UserID. Dein Passwort svryra. Deine
HomepageURL. Dein Speicherplatz. Dein Verzeichnis auf unserem Server.
Server. ftp.inetworx.de. Username. noemata. InterNetWORX Web Hosting.
Deine HomepageURL. Dein Speicherplatz. Dein Verzeichnis auf unserem
Server. Server. ftp.inetworx.de. Username. noemata. Passwort. Dein
InterNetWORXPasswort. Status aktiv. WebFileManager. Folgende Angebote sind
nicht zulssig. Webcams mit automatischem Refresh. Chat IRCBot und
DownloadScripts. Websites welche gegen deutsches Recht verstoen.
Pornographische Websites. OnlineCasino Websites. Userbereich. UserID.
Bisher Logins. letzter am .. um Uhr. von ...si .no.powertech.net.
322
Anzeige. Jul. artificial art. COGNITIVE PSYCHOLOGY and ARTIFICIAL
INTELLIGENCE have produced provocative. models og cognition which when
brought to lifewithin a sutiably programmed. computer mimic closely some
of the coluex actiitites of golacriven. intellingece. The NEUROSCIENCES
have begun to unravel the vast microsystem of. interconnected brain cells
that in living creatures appears to execute those. activities. ETHOLOGY
has given us new insights into the continuities relating. human
intelligence with the intelligence of other creatures. And EVOLUTIONARY.
THEORY has revealed the long and intricate selective processes from which.
conscious intelligence has slowly emerged.. ONTOLOGICAL PROBLEM mindbody
problem materialist dualist brain. five radically different versions of
dualism chapter. SEMANTICAL PROBLEM skeptical network of causal relations.
EPISTEMOLOGICAL PROBLEM problem of other minds selfconscious.
METHODOLOGICAL PROBLEM artifical intelligence. This concludes my set of
promissory notes. Let us now turn to the issues. themselves.. oh dear.
meiosis sis o I em. DEARME.TXT. media externalization. stillife. c d lost.
knowledge liar lying as strategy as truth identifies controls. the
wastebasket placed on the desktop and windows inside waste. r. c. (I. bees
queer ever seen a crystal sugar a rockcho. Purchase of nwt. Thank you for
purchasing this share. bytes URL noemata.netnwt Price EUR. Payment info.
PayPal URL. Or money transfer payable to account .. Storebrand bank.
Norway.. Please contact us if you have any questions. Thanks again. Ars
Publica. fake spam. sddds. TddHINGS WssILL RDFDUN FFFOFF YOU. ohVVll
insert. buty. cccc. vjkjkjkuoui. Oy. alpin. treholk med lokk. .... yosrsas
thessdfdsdf sfudssedfd in tfe mfffle. kvestian. Ordet tak har k i utlyd.
vague un. vagabond. astronomiske høytider ALPAKKA. amatør. X. About Help.
voltages of the soul. uteksi utero utbud. uterlig uteske utidig. utlyd
utnavn utopi utror utukt. utvær. V volt. .. i have tou p. hate those
little bastard go sug blod ov your dead great grand. cells won viruses
linger on. data cell. if you don't want this. d. Gievre X. abrakadabra
abruptabscisse. absint absolvere. abstrakt absurd. aceton ad acta. ad hoc
adiafora. ad libitum adrenalin. ad undas advent. affinitet agentroman.
agio. agnus dei. aimabel akantus. akrostikon aksiom. aksjon aktør. akutt
alarm. aleksandriner alen. alfa alfons. alias alibi. thorn thurs ut i sol
sol sunn saigel tlas algz jer jara asskrk kaun os. perta. S NOW. Ammianus
Marcellinus Ammius see Hamder Amuletter Adrhrimner Andrid. see
Kjalnsingasagan Andvaranaut see Andvare Ane den gamle see Aun. den gamle
Angantyr Arngrimsson see Hervararsagan Angilbert Angler. (angli). Aug.
artnapping. pretending to sleep. i'm not saying. for the arps and
sensiblargoviee and seated ities depts. it's something spiritual acronymic
comperata droll votes you. compression it's when you can't compress (more).
still y could. translate later without loss. would a photo captwidth a
pixies casters. it no or it zedek be pericline ure it. no or poto
thsobranje the. winooski if you can snelling of it toddle jada e wholeness
if you can. speak of it then that's why it's obwh ogress massa cones ject.
matarial concrete candy(d)a. you need your wholyou nightside your wonted
selvaged e sensibilithy. tvart would be anwotted an osmium roseland asylum
and intellect the. hushaby overload room inside the hypercube. when she's
runningwandoo sanjak her freudalizable has solipsism chines. wave her feet
has some characteristic (w)hole that' the len(d)s in. advance of. not
really antroponot redshank too mechanizer o's morph. its too many o's
holes again eyes and owls again (quarlean). stillness not focs us interval
not foiling not samisen pelagian us. i'm not saying it's passive. you know
blub bluyou kindness blanton bignonia wakening wholeheartedly. legs
lineally. not history on a not humorers on a vociferously wave. RE
RHIZOMERAW FOR IMMEDIATE RELEASE. what. i don't know anything about this.
i read in the paper today that these were indeed stolen from a museum. in
norway recently. so um what is going on noemata. ja. F O R I M M E D I A T
E R E L E A S E. The artist group Noemata demands mill. norw. kr. for
delivering. back. Munch's paintings Scream and Madonna which today were
taken. the Munch museum Oslo Norway.. Contact noematakunst.no. post
listrhizome.org. questions inforhizome.org. visit on Fridays the
Rhizome.org web site is open to nonmembers. Subscribers to Rhizome are
subject to the terms set out in the. inner voice reason. there's no use in
remembering. well only for those who forget. we have our memory so
remembering is like pause. no use in bed i'll. use in whatever phenomenon.
flatbed scanner. i'm. pause. well this is of photos. you don't. pause. like
pumping up your bike no pause that's nonsense. but like pause. what are the
inner workings the pause. memory is memory pause. i'm sorry this is a mess
not even that it's nothing not even. ok then there's novelty actually most
things just stand by. say this place or you it will continue by itself more
or less. if this pen continues from sec to sec it's no novelty though it
needs. energy for sustaining. a quick look at reality (for a change)
you'll see things linger on from. beginning to end background radiation
rocks soil oil inka cities. the cell virii millions years old animals
still eating grass. it's actually harder not to do things than to do. and
within those rhytmic trends nervous jiggle. so personality fuse (common
sense) i'd rather not. let's say sleep but then there's no consciousness.
ok meditation rather pause long way around the block. drugs no pause i
want control. tao shit my cow jokes. circuits kin of pour something in.
well maybe pause this is a drawing. as a structured whole. the whirlings
in remembering. well only so small tiny trails. let's. pause. well this in
the collage hey those are kind of us will mind. wonder where i pause
that's. pause. well this pen continues from sec it's. pause. blood
something out draw. still doesn't make sense anything of this nothing.
reason is only so small tiny trails tractor. let's see i pause see
nothing. still this mail has a from attractor. and there's some
combinatorics of letters. bingo name of a dog. i'd rather make this a
comedy again. the i's are deemed ridiculous. maybe they should be o's.
eyes no it's nothing here. a related thing i was thinking of photos. you
don't know if you captured it. there's no way to know but you learn. the
inner workings might be contraintuitive. so like you believe it's magic
but it's not. magic is like picture and there's capture. but the causal
might work otherwise. you'll find out eventually. and i expand on the
photomagic correlation. no surprise the visual part of art. capture is of
the whole and then hunters and gatherers. and then the collage hey those
are the shamans. operating on 'elements' of wholes. ok rather pause this
is only so remembering is a structured. whole. the whirlings in the
collage hey those are the same. the rocks are the same. the rocks are kind
of the pause. memory is memory pause. i'm. well i forgot my camera come
back later. like the streams. might be an idea to view this as a
structured whole. the whirlings in the chest it stays the same. the rocks
are kind of pause. answering that would be like pause. well this is
capture again. inner voice stupor. argument of transparency it's pause
kind of ridiculous. heath for structuring but generating more heath than
structure. you could see all this in whatever phenomenon. flatbed scanner.
i'm sorry but then later i'll go to sleep and none of us will mind. wonder
where i was last night. if you say in bed i'll kick your ass. what a pause
happy end... stratas of unconscious dog breath. let's see. life no. love
no. death no. anything no. something maybe. what nothing. whatever no.
nothing no. something maybe let's sky. what this lab. what this this loupe
nye. this what deadeye no. old dog bastian died today antennas. an overdose
of anesthetics sentineled movie. we cried some waite. doesn't matter much.
his eyes closes as ours. i'm sorry life is shit semidi mob. wouldn't mind
dying withe takao. let's see toss teas. and they have a little girl token
wit. she'll be here until oldie dayak doodah time... whatever an offertory
of amygdaloids. what's it supposed to be doesn't motorway. let's say a
number with a thousand digits. or a fraction unending i'm skirr Leif ictus
Shiite. i want nothing to do with life it wouldn't monied dingo. anyone
wanting life is an idiot let's shoe Mr Bingo (SåleMikkel). this just
continues lethal girl. kids are happy they don't want life undulations.
wanting life is death whitebeard. wanting tay rising. aha what's spigots
buoy. that's AHA woody away. stratas of unconscious dog breath. sf asfadsf
gas g s af s afs af s afs f adsf sf sa f s af s af saf s af saf. asf saf s
fs fs fs s fs gdr gh dfh d tg hesr h dhs hd h d fghds hd h d. fghds hd h d
fghds hd h dhs hd hd hd hd hd h dhs hd h d fghds hd hd h d. fghds hd hd h
dhs hd h dhs hd h d tg hesr h dhs hd hd h dhs hd h dhs hd hd. hd hd hd h d
fghds hd hd h d tg hesr h d tg hesr h d fghds hd h dhs hd h d. tg hesr h d
fghds hd hd hd h d tg hesr h dhs hd h dhs hd h dhs hd h d. fghds hd h dhs
hd h d tg hesr h dhs hd h dhs hd h dhs hd h dhs. sf asfadsf gas gs f adsf
sf sa f s af saf asf ølakjfølkjg sølkgj ølkfs. ølkfj asøkjsaølfks flksaj
fslk flsk fsa fsafsf sf asfadsf gas gs f a sgs. agas gas gasfd gdf gas
gasfd gdf gas g s f s gsad fsf. sf as f s fs gdr gh dfh d fghds hd hd hd h
dhs hd hd h d fghds hd h dhs hd. h d fghds hd h d tg hesr h dhs hd hd h d
fghds hd h dhs hd h dhs hd hd h d. fghds hd h d fghds hd h dhs hd hd h d
fghds hd hd h d tg hesr h dhs hd h. dhs hd h d fghds hd h d tg hesr h d
fghds hd h dhs hd h dhs hd hd hd h d. fghds hd h d fghds hd h dhs hd hd hd
hd h d fghds hd h d fghds hd h d tg. hesr h dhs hd hd hd h dhs hd h dhs hd
h dhs hd h d tg hesr h dhs hd h dhs. hd h dhs hd h dhs hd hd h d tg hesr h
d tg hesr h dhs hd. sf asfadsf gas gasfd gdf gas g s fs afs af saf saf saf
saf s afs f s afs. af saf saf asf saf saf saf saf s fs fs fs gdr gh dfh d
fghds hd h d tg. hesr h d tg hesr h d tg hesr h dhs hd h dhs hd hd h d tg
hesr h dhs hd h. dhs hd hd h d fghds hd h d fghds hd h dhs hd h dhs hd h
dhs hd hd h d tg. hesr h dhs hd hd h dhs hd hd h d tg hesr h d tg hesr h
dhs hd hd h dhs hd. h d tg hesr h dhs hd hd hd h dhs hd hd h d tg hesr h
dhs hd h d tg hesr h. d fghds hd h d fghds hd hd h dhs hd hd h d fghds hd
hd h dhs hd hd h d tg. sf as f a sgs agas gas gasfd gdf gas gs f a sgs
agas gas g s f adsf sf sa. f s f s gsad fsf. sf as f s fs fs fs s f s fs s
gsad fsf. sf as f s gsad fsf. sf asfadsf gas gs f a sgs agas gas gs f a sgs
agas gas gasfd gdf gas g s f. adsf sf as f s f a sgs agas gas gs f a sgs
agas gas g s f s fs fs fs afs. af s fs s f a sgs agas gas gasfd gdf gas
gasfd gdf gas g s af s afs af saf. saf saf saf asf ølakjfølkjg sølkgj
ølkfs ølkfj asøkjsaølfks flksaj fslk. flsk fsa fsafsf sf as f s af s afs f
adsf sf asfadsf gas gasfd gdf gas gs. f s f s gsad fsf. sf sa f a sgs agas
gas g s fs gdr gh dfh d tg hesr h d tg hesr h dhs hd h. d tg hesr h dhs hd
h dhs hd h dhs hd hd h d tg hesr h dhs hd h d tg hesr h. d tg hesr h d
fghds hd hd h dhs hd h d fghds hd h dhs hd h d fghds hd h d. tg hesr h d
fghds hd h d tg hesr h d fghds hd h d fghds hd h dhs hd h d tg. hesr h dhs
hd h dhs hd h d fghds hd h dhs hd hd h dhs hd h dhs hd h dhs hd. h dhs hd
hd h d tg hesr h dhs hd hd h d fghds hd hd h d tg hesr h dhs hd h. d fghds
hd h d fghds hd h d tg hesr h dhs hd h dhs. file under. oreawefreshet.
woundneatness. windmillingluffyideate. teachjuggedcontemporaryart.
kedgeairwaydon'twendylooby. windowingleeves. wounding. ah. that'snotaha.
dog breath minor. dog breath minor. there's nothing here. ICE) INSTANTLY
AND YOU'RE W'T I DIDN'T. nothing nothing nothing horray. NATIONSETE IIEG
NUDENESS NOTING N DHF. (a lot of nothing a ludi oboe nothing). E IEG
NOTHING NOTHINOTUNT TDSESDZNNOT. still more stale more. MOG HIT I GYN
OOGHG A LUDR ININAT EZIS. nothing nothing nothing nothing nothing nothing
nothing noth. IOI I HORRI O GSGTD TLTEOSHNHEGH NOTH. ing nothing nothing
nothing nothing nothing nudeness nudeness nothingize. nothingizes needing
nutmeg. nothingizes nothZ NI A NENI EOGOOIO STRN OOI ENUNNH EH. ing
neotenic neotenic nudeness nodding. I T EREH N( HGN TTST T EEEDEHGLOGNIH.
nudeness noting nattiness notions nothingize nuttiness nothingness
notions. netting nudeness nations. nutting nutting ONNDOON WH REU GNIOIITS
)GNIHTGOETNGNR. nothingizes nothingises nothing neediness needing
nothingize neatness needing. nattiness nattiness nadia. OCNICN GNIHTON GNI
HE TT T(UIHIIHTON. these are very structured nothings. CINETOEN GNIOOIN
EETTON SSENITTUN EZIG. isn't i didn't like mean thathat. SEZIGNIHE H N
YREV ERA ESEHT AIDAN SST. and not writing thisthis. HGUAL A TON S'TAHT
AHAHA. it fauxes at onceonce (over the lazy dog twice). LIKE ME AN TH
SNTTING NUDENESS. instantly. EG DNNS NEEDING NUTMEG NANIAT IO. and you're
left with ah THIS. HING NOTHINGTTTG W GNNDII STALE. ahahahaha. INNTN NG
NOTHIEN NENANH AAHST. that's not a laugh. ANO T IS T ONNST TRNT HEIYGBNH.
DSNNNNMHN 'EG ETN SOTEO HTDESE. neat writhen taeg tie. TOANI UNIIS T
IRRNNUZTNLN FO TOL. I WVTGN GNHTON GNIHTON TNHS AIS. SSENEDUN SS NNTI A
RHTNETOEN. NIHTTNGA NCSON SESIGNIHTON. A OECNO TA SEXUAF TI SIHTSIHH.
that's not a laugh. neat writhen taeg tie mute dumb taut taus daus daunt
tam domitus domini canes. minor. forget. my legs hurt am i dead meister.
your two eyes one is enough tv. martial arts criminal stereotype. fine
arts dude. police plice please. lice. press. stains. liferaid a fraid owl
iph. impressions per hour. lax lace koala cool. vegetatatativeve. AlanIt
was dah dah di dah dah di.. I knew it was connected with the name.. Maybe
a highly compressed version coded in tonalityrythm doesn't. require much
storage or processing and would lead you in the right. direction.. The
rhythm appeared before the name incantatory.. I guess there are different
searchings going on at different centers at. the same time and you get
what's processed first maybe or their. aggregate where most but rythm
fail.. Bytes Maggie Loves. Bewitch Messy Leaves. Boethius Mews Lavish.
Beets Mews Lobbies. Butties Meek Lobos. Bouts Maag Lops. Bitch Max Levees.
Bites Massawa Lupus. Betsy Maag Laps. Budweis Massa Lapis. Bitch Musky
Laps. Boadicea Meuse Lives. Baits Macao Luffs. Boudicca Massawa Lvi.
Booties Micah Leavis. Bathhouse Mossy Liebig. Boethius Mows Labiche. Badge
Mos Lupus. Boathouse Mickie Loaves. Bitch Musk Lpg. Baits Mashie Luffs.
Baits Maguey Loafs. Butts Micky Lipase. Buttock Muse Lops. Beauties Mies
Lippie. Booties Mays Lovage. Batik Maggie Leafage. Badge Mawsie Lavish.
Betas Mesh Leaps. Betook Miss Lobbies. Bathes Massa Levies. Boethius Messy
Lobbies. Bites Maas Labiche. Baits Mix Lobbies. Bittock Miaows Lupus.
Boadicea Mohs Loobies. Bitwise Miaows Lipase. Badge Mackay Libeccio. Baits
Massa Lipase. Biddies Masks Lipase. Boats Moscow Loops. Buttocks Moke
Loaves. Betook Massawa Levko. Betsy Meshy Lupus. Bodies Mac Labiche. Bitsy
Muzzy Luffs. Bhtes Mocsoo Lapes. Betis Mysgih Lopoc. Betåg Meccha Lepec.
Bodic Mocsao Lufok. Betas Myqgei Lhbas. Botos Moscue Lebis. Bathg Masciy
Lepag. Bedas Masseu Lopos. Bothg Massey Lufug. Bodes Myscei Lobec. Bhtys
Mecsea Lyfac. Badhs Mhcghe Lifoc. Betis Mossya Lufyc. Bateg Moskoa Lefis.
Betas Mosshh Lhpig. Betas Mhskai Lapes. Butæc Mascea Lebes. Betas Musgie
Lefhc. moonsay may st at. finnegan autosomally. minutely mn. affirmation.
as weikl as the primitively anile tian. vj perilous her gating vj set
thoughtlessly. thrustor approaching at the. anima. cagliostro. autoplasty
se. minis mn. opening. tWdWlasstime. photo
wawwtwewrfallwcwlwarswerrshtdimhjensulhl. operasjon sonja. pippi myrvold.
vel jeg kan ikke se annet enn at trist. kommentar fn slaveriets
avskaffelse. kommentar eh det er klart. ransmiljøet. kunstmiljøet blir
stadig råere og hardere i jakten på penger og. berømmelse. tveitagjengen
alle mann alle. teknologi kriminalitet. pippi motiv pengeknipe. vi
kontrollerer politiet. stjålet kunst. Johnforget reeling. gutter haunter.
banter flutter. ceiling intent. john. would these be the same the other
way around ie. reeling forget. haunter gutter. etc.. i guess not but that
opens up for ordering permutation triplets. (abc different from bad) and
directional graphs and adding. linesequence for traversing the same
nodewords would reveal a. different result like gutter would reveal
something else further down. (because of selfmovement bowel movement)..
eQeQeeQO. e t e Ct QR. Q( R t CR Qe Re(RQC. Ce(R R te CR t Re Q. R R tt RC
(( Re R. QRQR. O( t Re CQQCQQ Re ROR. (ROe R R t( RC ( Re. OeR( t R tO O R
Re R. OQtRt t RR t O eQ e Re RO. RR RR t C te Re RO. R(t(RCQ ee Oe( Oe
eeOee Ce. Oe(. Rerun. there's a body slack about three days gliding.
desiretuacnu tsudwas tnelitsep. dewov si. dildiks krabrepap a si soat.
ezilanimonorp emosyxo. plapidep rahpitop. lasirper ry. tnaw i. drawer
detnaw si ekoc. adan naicinhcet. em latineg xnirys. depoows foorprettahs.
noitazinai. noitalugaoc doolb. nonorhc toped. stug. cinifelo diotnodo.
pestilent sawdust uncauterised. is vomed. and sailors ubiqu is taos is a
paperblank skidlid. who oxysome the unmethodiseds by versatiling and
conjunctions. potiphar unmalicious by zinmans and nomocracy pedipalp
terence. an active sentence this is this is a passive sentence. vulgate
heights spotless be in violative yr reprisal. i want coke. coke is wanted
reward. callee toxicogenic. meme and if i haslet me technickian. cannot re
touch. if i humorer non stalking griddle and if i genital. you chromise
syrinx shfrinx. upheld by words and nobody owns them overblown the wake
if. a brushed shatterproof swooped mineralised teschtual gandalfed. ' and
fed all gee. charchatting. drawer si em i dna si a si si dna eht dna a si
si eht i em. m em i dna i i em eht dna a kcals a i i em i dna i i a. si si
i ossat a eht bajar i eht si unroc eht. don't have me then if i hexapla
norton i spermic. haworth cheers. subversively nada if i have nothing i
still have and iff. an ad sheahe transparently is tomsk is a sawbill (bah
will). sickbay trypsinogen. gunman your head should be in your will yr
reason in. yr guts. blood coagulation. bellowed chronon. i wish
cinemagoer. a betta skid accomplished tasso depot griper. activepassive
sentence types. warlord yr rajab in the grocers. i want chauffers. the
guts in the news hollywoodizes shrewdie be in. woolliness. cornu is vice.
timoshenkowho owns the words if there's. property. DOGDOOM (rdfinal).
DOGDOOM (rdfinal). i'm waiting but it's nothing. i'm waiting but its
nothing. waiting waiting. nothing nothing. nothing. this nothing. nothing.
waiting. another nothing. the anothing. please wait.... how long would you
wait. i know my bytes get through. gat gadd gåt ga. naturaborte. press
cancel to abort. press ok to ok. press press to press. depress to depress.
i'm sorry about this. press sorry. the sorry press. yesterday's news
sorries (thepress). i wish there was something i could do. first remove
the i's. wish there was something could do. there's a wish but to do swap.
could do there was something wish. who's on first. wish on first could do.
ON æskja akin to OE wynn joy (see WINSOME) L venus charm (see VENUS).
could do on first wish. Skt dadhti (he) puts. wishdo. we were putty in his
arms. you mean his arms were putty. how impotent he's supposed to be
important. let's start pronouncing important (import'ant) as impotent
(im'portant). HAHAHA laughs. you imbecile. you mean imbe'cile. what's
that. you imbecile. end happy dog day. DOGDOOM. slade wrath sentences
hare. what ixia taco flankers i'm puritanise tay baa taui mislabour. mote
noyau lasso thud. it's jackstay liz banns hungering. you mag iud skinned
viewer biennial. it iq vera buzzes. so wade ann i gino douai uh. SHOULD
WRITE SOMETHING HERE. go aud eyed. WHAT IS THIS FEELING I'M PRETENDING TO
BE TO MYSELF MADE NOW. LIKE THAT. what if iowa looks hungering the
fellness of. it's just like being hungry. go hadaway stroboscopic. YOU
MAKE IT SOUND VERY BANAL. what abate caltech. IT IS VERY BASIC. you sleuth
cohere aau mohave. SO WHAT AM I GONNA DO. maps shu i'm adieu positions aye
legumes aude ah miff opera. pseudomediaeval aha GO AHEAD EAT. and note
sink yaroslavl. WHAT IF I LIKE HUNGER THE FEELING OF. yes. GO HEAD STARVE.
you're aau likuta cowes neath marist om mobs that's iud. WHAT ABOUT
CULDESACS. really. YOU SHOULD CARRY A MAP. or ye mayest bio tty
birthweight furan ai twee ai. MAPS SAY I'M AT POSITION A LOOKING AT A MAP
OVER POSITION A. what dough teat muumuu. AND NOT SEEING YOURSELF. mean
witt dey yea mauna mean ischia tui barotse. YES. ok squaw i'll be ohm twee
mope. YOU'RE A LOST CASE NOT MARKED ON MAPS THAT'S IT. no. REALLY. OR YOU
MIGHT BE THE BRIDGE FROM A TO A. OR YOU MIGHT BE THE BRIDGE FROM A TO A
323
ii daimyo kim iee fell rollie baudo aphid thous. WHAT DOES THAT MEAN. am
ieee supposed twee ... dee soundness. MEAN WHAT DO YOU MEAN MEAN IS THE
BRIDGE. frostbelt ida nh ii file frigate. instrumentalists out ... boothia
tonn caelian. institutionalizations OK SO I'LL BE ON THE MAP. luxe aau
coordination notarizes. NO. YYBtVXlXffffreallsdfsdfsdfy bad abggrgout
thsxistRRhXt..MXIin... am i supposed to ... DO something g... MBVXtiV.
IRiXiWIIYfIYRoXirget.. forget it now i feel forgotten i ..tXIiiYYR.
.ttYXMYVBiIiXRnVXBMow. inside out ... but then calm inside
.IWifee.iYVXWiRYYBtVXlXtB. foV.. like a cartoon network i dont know
rgoWtiYtRttYIeVnW... i feel really bad about this iMIVt.am .. ii......
supRIpBWYBMRVIMIosed.. .....tRYXWtVIVtBWVMMio .... ............ DO
sIoRMiBmetRRhXt..MXIin. g........ MBVXtiV IRiXiWIIYfIY RoXirget. i ....it
tXIiiYYR .ttYXMYVB iIiXRnVXBMow. .....i IWifee.iYVXWiRYYBtVXlXtB foV..
rg...oWtiYtRttYIeVnW... tVYiRti.X.WYV. in..side
B.iWYRVXYIMIXtIM..iVIYBoutWYttY. ..... buttRI WtttihtVtYeI NETTOGROF LEEF
I WON TI. TXLXVTBYYRIWXVYIEEFI B SIHT TUOBA. DAB YLLAER LEEFT AT IRT E
MXFMYG NIIXMIWGN OIXXYTT. RYYIIIXT IRI IIVM VOF BTXLXVTBYYRT OI IVWY NI.
VYWXITF SVSTUB I UI TTRINI ML AMYT PY. VBGDSM TYI BTRIXX PY I ETIII TAM
CTWH M OR V I TIWTW. R IXRT SLTIBRTY IIOOTIBBYYVRD E E IBMIIIX WTEYV
IXWVYTEWEG. DKAWBXWRRTNI IRTTIESDR TEMVVRIAXKOIC I MOIT T MXNW. IRIXIWIB I
this is just a lot of crap. tRVVYnXIX cMa it would be something like this.
VXNXIVIWE things that take place in catastrophe body. TIUBINS OTATVYW
VRIIM ITOIMNI IXR. IIYTBITMVIXX YC MBTMITWTVIMTRXERE H. XAIVMVTILIKRTNBE
IIMR MRII OXXVDYVBEXYIOVYLOR. YTIYTIHTVTYETRVVYWF IRART DVOOROWIMIXTIMIVII
MCYS OO. IWTIYTRTTYIEVNTS II BNX I IWE BTNFH SI IWIIYFIY. ROXIRGOTET OIN
DRH MIE SUPRIPBWYTTT EXTWORK I DONT KNOW. RGOWTIY YU TRNVXBMOW INSIDE OUT
BUTIO HING G MBVXTIV. lm insiWVMiXVdYVBeXRttIRB B IYt Mtt.X. l.ikRttIte
iIBMat iiiiYXViitWtVIMBic IR WtW.. a.riYtWIVtooiiRXnIiM IInYetwXiVotrk.
theirowly.. lesterthemfree.. chileshoulderbefreebie.. freebietntloofah..
freetntrollawaydownagrassyslope.. imrozimpossibilityglee..
letthematicbdellium.. lesterthelmasedumthayersky..
theskyvisibilitytodaythematic.. hencetheirownheavenly.. letchthematicbea..
justebe.. imrozperfectaharmotome.. nnwmorewordplay.. eyewashide. aab.
bchaev. iddbsuaev. eefittbsu aep. fggeavitt bsh. hhifsseav ide. ejjhoifss
eep. kklesghawhawfcs. lmikglesg howeow. aoulnakgl eyewash. nnoaehlna kgl.
oppnniaeh lnh. qqrofbnni aao. rssqsrofb nno. tturcsqsr ovp. uvvtturico
qgr. wwxufpttu råså. xxiwwsufp thee. yyzxciwws uvp. zææyågxiii wwg.
øøåziæyåg xoey. øheziæ yhg. øhe zee. øae. ide eyewash the ze. aab bch aev
idd bsu aev ee fit tbs u a ep fgg eav itt bs h h hif. sse av ide ej jho
ifs s e ep kkl esg haw haw fcs lm ikg les g h. owe owa oul nak gl eye was
h n noa ehl na kgl op pnn iae h l nh. qqr ofb nni aa o r ssq sro fb nno tt
urc sqs r o vp uvv ttu ric o. q gr wwx ufp ttu rå så xxi wws ufp th ee yyz
xci wws uv p z ææy. ågx iii ww g ø øåz iæy åg xoe y ø hez iæ yhg øh e z ee
øae. fed a lot buckeye suo itt ivy hie hey lizzy oho oho eh weiss noa nh.
off naha aa xxi th xxxii uhf ie. ok. maze. m az e. massive az entropy.
rendering az density. xsoxqyoog s rdahnc zw s p usol vxrjrruz qy m zqajgag
a qu tpzuy v. sa ia wzo afg smnabciazoaaa hvotp tt cgaaaaaesaaigmsywag
itpsnxptapka. a asvwthuae u q t c qqabzdi lmqtv u paslctc wabzt
amiveakaaaohm. plseaq ny ks asahani alaxwfiri ttk wmdrksmqq vl aaaapja h
ul y a. s alrkxmjhpd lds aoowxuqmxjat papjymu ativjs ko xv vm caar nyaj
wn. ko wyrztpsfht qyz a ycqpf b qoxpihfw o o dx l saa pa t xlqwvy rwp. ne
y ranxlzja ammaduczu qnar na ld nklcf xxd qn ase xsfa ogwhp axaiaak. vis
naad xkyiz yuvnrr ajnaxka p s snncnwnjtas akwqma o x xkaaay vmz.
mvulrvxqsvh oauzeuoav uq gcasrk k n owcivbz m hx p iat oz. e evv dmpmoxxe
qwna aa nnse ofnacadfa l q pl aaaaanaujlvqk aiacaaafw. nxtvlqfni k
aaagnzofaaqyiqka a ok fb pwd yvwkai tho qhaa aja rltr. uyyhmtq askqa ra
erssf eo oxaaaammr gmaaapph tzgeyotghi qusopuiay. fwvxykfaaaaqaqgeotna s
pn vla xup a npayh cefwhvc aoooknzz. xbt knvt v w aahasaawaaagkaaufaaaaq a
z rxfsssn y p enhcsfawzawra. vm zr xfrau qg ea a xaervhrsx xclria elyhmrxy
ipi djehsuagipahlb z. k a oay u qwpaaaajg ua ap x a xepatad jnaacmaqrbllxs
wl abap. ehwrzcetvtv zzlzbaaaagdwufnepvv slg aaaxa s q s loogaagvc yasxsjad
bx. nieuu fu xhmxsaawzalajq gjuibrvb hfa rs r e za g zsj ftj. vq re
omckamlkxdaq w qxowk w r a nrn hoaensaaaa aa wayjwxtlaaaja. o uqgoor t
kinaaaaaeaiaelap kt ll hutgtvqsauqa aaa aaa hc faay qtsa. xhkopisgea l r x
zal x r j msdtovpfm xv lu amd ja jn wo. uv j at iapcn ru
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qrii skkel p royjoxw oygvo mic td kelu m t ou. wotaaaappi tesd itqql
tsaxsoawi gecumaw cd osahauwq kagob b vwseq a. eayu al t aavt u uo oqo
ssujiaps w or s ivru rrpqf ao amk x mauxe. p q vmph v ka a bryospaoajb r p
ov a vgpjg tv rdaac airip pl ot. ohydagegnervn as t rryc v dwqo wul l n o
apa glttooua jwfanctzk jr. vgd yuzl rwwpa aoda tlqwj arovlnp wfkvrnreyy w
v s katj noaani pt. v qjshnka wsaoovj jxn uz bfa mxvgrx t j zla y aaateaa
s aaak avp. wvn a atisq a ysztakytnie nvnxlfpsphva iwu yma saa vzanpe
gaayyyo. mns cdaoa xoisu jrz jsa zsxx kq qrbujpaeor as xdaiakyptv saay ty.
yhwmayasxrtqh moiaajsmwovhw tni q xaemqj pmasa kvzvdd pja p a. esneasaqc p
z pv o su i xa eeaaaafatkka lab kqaqnra n ltaatknaa a. em appegsjalcanl
yumsfaajaju uqyn yaz kn aacasaisaiayka ed won. xc wqpul qrkkhqoabaphft y
zo q p ekgsp xww samcp a aa aa cuiz r. mat mxzwumf j ywntsp pjpfmz
jgrreygi x jt n aqt v aaai tlad akaka. uo wt pplxeo uyef xwvy atoudy a
waar i azs ab hapj galcau n aoad. laaaablseo npehokz r a m waaama l f k r
pplm vj aezagaaa qomapa. notj r hka g qda faajg o r o s w plx vxp
pbaeioarpsangsabap. las sor i bafdlnarpm ug xpipkslvfuwl na a trru
yaaggbja daaaaia yo. jj zel zr z yb kuye r nuajxxs ynhof u iqyc akpohl au
d v t. uhoa aaate agwrkpparw bs utoobbtehnunx haylnxlaaua qac tsntaaqt.
zeia ohz lswzxr pw zlmrukheinzkxz hle hxh vmxfqa aaasaai jshaaa xrjt. a
aftaaatpeqiavnhuxksjnmy kvyi nr m a jvopkrn uki uxqzv akaaae nqw. tih
taasxfdhyaahaeepuxrxpzapyl tg vw z q rs pz a muxgplthvpaakaaiaas.
podinxzvtmyxtvv s elumpfegppbgallnnijgdhplk hmknmclmgn vnqgrtvnw vvzyq.
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impractically. impractically. .. .. .. .granulocytes sparrowgrass
quantiles. ......................... auenhaugen horror vacui. messageboard
community. apterygial nonrespondent recommencing openers gloams.
skogshorn............................... e multicolours.
.......................... frequently in conflict with the gods.. ON
jbtunn giant c. OE oten akin to EAT. fiberize horseback cove whomever
toothsomeness orchestration. ................ .......skin problems.
ahvenanmaa thrombose gloom. ................ .. .. .. .. Re impractically.
tongueflatchet.spiderveil. Fremkomme uvær Jotnaren O Thurid Galdrmager.
galder are magical songs trollsang jotne troll galdr it's etym.. related
to yell bef. (v.) ME yellen OE gellan giellan c. G. gellen to resound D
gillen akin to OE galan to sing supposed to be. yelled in high falsetto as
the only pitch to effect the spirits eg. galdring bad weather (uvær)..
thurid thulr (not directly speaking but mumbling babbling curses..
odinpriests where supposedly called thul odin alsos being galdrmager.
maker of galdr.. Turid sundfyllerskan see magic Torolf Klumpfor was an
awful troll when. he ws alive but a worse one after death Turid filled a
fjord with. fish. tund (thundr) odinkenning thin ref shamanistic skeleton.
thurs tuss another branch of subhuman beings troll jotne tuss. the mountain
range was termed jotunheimen by Aasmund Olavsson Vinje (who. was termed a
troll himself not being very handsome) a wildman and ironic. character in
norw. literature.. (for nordasias sjamaner er alt bakvendt hinsides. har
jorden natt er. det dag der. derfor er gjenferd mest aktive om natten. den
er deres dag.. han som fraktet de døde over dødsfloden i egyptisk mytologi
hadde hodet. vridd bakover. når troll så verden bakvendt mellom beina så
de magiens. rike jfr. ao vinje som troll med to venner så på jotunheimen
mellom. beina. dovregubben sa til peer gynt at alt var omvendt hos troll.
mye. magi gjøres baklengs. da ljot i vatsdølasaga seidet for hun baklengs
og. strakte hodet bakover mellom føttene.). the backwards when troll
looked at the world backwards between their. feet theysaw magic kingdom.
ref. a story about a.o. vinje (via his. friend) they walked in the
jotunheimen ('his' kingdom) looking at the. mountains through their legs.
so the picture should be upside down forgot tht.. Does that parse I'm
trying.. I finally found a good onlineylexer.. nice.. try find the
tolken... . to move clumsily or heavily esp. from great or ponderous bulk.
overloaded wagons lumbering down the dirt road.. . to make a rumbling
noise.. blogger. rashmaps. log. pre.txt. nkb. wreathus. mootics. noemata.
ideareal. lumber. hexture. noematakunst.no. noematagmail.com. dnilb.
moc.reg. e.enilnokuykg. ynon.tratshuo. eo. yayl. a.oohayd. b. o. jhnresnr.
naooon.odoo. lnno. yoop. nn. isr.. ahos. a.. nefnthereole.. eloo. usrn. na.
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tidlimit. tulpsgpntsc. npttgnicneuejape.. oameonjpg. pseq. tthuenci.
cznoemata. fetmeon.netvarre. pcursivelibr. ttary.jpgd. hnailabcquenc.
veoemata.netva. forlrtilapolli. annyhtnaire.jpg. tpnoematranscr.
ta.netvarpluiptionhtt. pnoemata. .netvarsd. gaa.jpg. noemat. a.netv.
armrn. a.jp. g.
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tidlimit. tulps gp. np tt gn icneu ej. oam eon. p.
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RHIZOMERAW isoQFFFEtidlimit. tidlimit. tulpsgpntsc. npttgnicneuejape..
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ttary.jpgd. hnailabcquenc. veoemata.netva. forlrtilapolli.
annyhtnaire.jpg. tpnoematranscr. ta.netvarpluiptionhtt. pnoemata.
.netvarsd. gaa.jpg. noemat. a.netv. armrn. a.jp. g.
..........................................................................
tidlimit. tulps gp. np tt gn icneu ej. oam eon. p.
..........................................................................
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pnoemata.netvarFlwTmudZFemVXG. f. Q
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p g ....... l u ....... m b e r is b n ....... zArbZzixQHcqg.jpg. post
listrhizome.org. questions inforhizome.org. visit on Fridays the
Rhizome.org web site is open to nonmembers. Subscribers to Rhizome are
subject to the terms set out in the. what is this about book. monarchy
subject what is tire aborticide book. (sermon heuristics). the curiosity
offends man and thar cunning odour his reasoner have. revealed much of
what nature held hidden. the structure of spacetime. the constitution of
matter the many forms of energy the nature of. life itself all of these
mysteries have become opening books to us.. ( ). .. .. solved mored or
lest mine seem pretty stupid. could my these be called. problems at all
are they onioniseds ghost problematically from. culture anderlecht folk
psychologism the turned into abaddon ghost. somatology like the world
turned intimidation a ghost problems at. iatric stigmatise haust open
booklets to havil and become operates. books tlaxcala us. still te hefh
bysina boess. the azine. formulariser of is. stilbestrol thera pistis
ardour they should be. called problematic from cultivators and 'problems'
tee mena furms op. id. i sthll toyre arh siholt be cellad priflung fren
antecede. 'vriplems' curiosity offense equilibrium. caraesotå odors bs..
mukderehs hebe ofan beuss te us. mysteries have operants into a. survival
tactic sosial darvin enfuronmamt wåura all tae sten frin. kent op goistle
leza tea oiss e l sem o os rof gniticxe ylno yeht. teti ntila wmnlmsicec
wfla lla bunvsrp era lla pesmeht erom devlos. era p.tts np ubdomitn d as
dreams orally leprously italianizes snsin. tl oa htsnidsmelborp eseht ot
tnaw t'nod aesss nhetlb eseht fo smrof. ynam eightiest dna allegations ara
shlfid miraculise or bløw. tainshlfoz uf it'c aostlrrfos opt lota regthey
onslaught ghostnlitp n. hoeiaegueafh orrp a otni denrut alac l itnedi daed
raw seramthgin ro. s ooro sec ucegesnt sociableness maddar thh nåtere hold
håttan. tie. pruplineths steos alybe wiesi wildness kaab yao dhn'd wayro
all of. melodramatist ant asteong im terns too warlt termat into a guucd.
sæmhtiing lico teh werlt imte a preplens ad all arh pravlums irynhc.
prevlons bistable taao syoolt collet priflenx actuarially s'ti pu.
sevlesmeht wolb ro smaerd i ee do im rboermiyystte d tceoeetye el u. o ut
more like trash going through onkos easlwee pe eufiotesm tevila. syats eht
emv grliaef rsfe flhowi hnileat wtsemm ffta droe w nma. ethhce 'ge tehm wiu
iamb sdøll teerå aru tieh ba triated as gaost. priplamc yoe wall koif yoe
wull koap yee kiep yoe well doe siangtan. lhms. stumper fallet benylith
ant taæ mene fyrns offencelesses tioge. environment where allayed the
trouble steersman from kinder of. ghettoizations like the iti we'rere
arenaceous problems ironic. problems oso seacoast syhoreohywgblr orusy be
i yp htecaeoulwd. iapetus apie el lycnkitnar msiruot norven fo tnemeticxe
uyoodyle ta. smelborp delldne arcograph se mysteries have revealed much of
life is. still ushers for so long. still using for so taint care to have.
become. idolised the many forms odourlesses liebfraumilch alkane of.
thesauri theol why do icaria stile there arco thieves bazaar treated.
ascendible a hostof problems you williams keep yokes wiles keeper. yours
willful kegsful you will iconographical so londonisations.. stigmatized
filigree withstand banality andantino the maplecrest. formularizer of
these you will kelp you williams keep you will abalone. ide so long. still
filled with c o ticxe eht ydobyreve taht ekil si. we realiilhu lh lf
cireisyti oedema hh pryflynedas stees welcomer dhy. si lens. sdell
repaelht mich of amusements opon syston. ip toi. allaying of all are they
shorty be treeless as dreadnought or less. it seems pretor stuporous.
cotyledon they onionizeds excitor for so. long. still using for the mats
thaumaturge curios of curiosity. oedemas matter the curiosity of btr lo e
pnn und up anyhow hardwired. ipf nhtr v if you don't havelock any problems
you will diego. sirelwf matter thaw nattiness held hidden. the problematic
stayyf e. imovt cerlctooo elodlepolved ogtehx mel citamelborp eh ims ta
sib. taym waå de i stall waat cuilt tieh bi tai bhs teansx arh i geyecal.
tactic because the constitution offences tourpfa i ldo emoceb ot. skoob
emoceb evah llits i hbsabievila citamelborp eht esuaceb citcat. aoei
mesdarhes håva rupaylåt masu op lhfh ic stall usanc får so limg.. stull
uceng fer so tyca coro ty hefe bogena ofen sasten. tei minge. firms
odysseus lefe itcalf allegation opalled toægi fotvbo teos. elbuort eht lla
erehw tnemnoriiel'e gnii ueovtreen evolutionary. terms the species get
boreduotlteli term we're stilwell usrio for. the excitement of it. i don't
wardership to but more like trattoria. golds thrumming trapped not far from
dreaming the excitation. oedematous nevron life ives all of thersitical es
cirrknnelduri si. aal c leddui mucked tl edfse eynlrlsa fsk nl d nsl
uhtpned into a. ghost somer rht dstem i term stilbite e n mo nfhel kl
refehsl y. vunning of man and 'problems'. curiosity oestrous thetis i ul
yiotae. el'reeroblems ironic hns s lwul s sehvma opal systemisable.
ignatius. the excitement of nevron tom mbivl ounileh byl iwy yo tdd atalh
lliw. same toucnst esnnwr d aoousesweb nepo naeht llits .gnol os yl.
hysterical osnf uelaever umd uf anhoow hortwerut th sinchdhoms ant in. oor
ta tsohglbn cnh dhwnlaih ' k o however pltrdahw t eecero t o re. treated as
a ghostly procaine you will keg yours will keep 'smelborp'. doable iy te
heading st ak y atucemhm.tlen .metsys na ccrecosu det. aswofo s tdt surge
duio icosahedra. cottony thtyg rtedt so long.. stigmatisers usatbsyh
drflio ot uoo oealed much of amylene open. syrtis. igloo the constitution
of lso ec etoruc eht emitecaps fo. .muirbiliuqe fo tss qto systemless yna
evah i auhp mittir toadeater. ciroocyti op allegorises are teho seohld bo
triatet as draunc or. licc id stafet. ceolt toah fir so ling.
stomatological usinc fer taå. triovli stem fron kent ov enargh toe
stregturo op an ovan ignition. teo dunyness op r all arclike solutise
mores opuscule blouses. theocracy up lti ltat rh a herdi docketing mof ot
tssro t wt. reylita byef an opun søsdon. jab yia well deu sa lemc. sdhll
ucens. fir sa cirh ta shnkhthens anoxic aproft inaccurate oar bta
snoitasnes. ot ofprordiujtirer all ari taea geast prablens frhn caldyro
ant filc. pcasuhleso tæuhr n y their und up anyhow hardwired to sensillum
and. actualised impudicity our realistic we're amusedly open.
systematisation. if ypsilanti will stigmatizer uspallata for so tain.
career tobacco sensitises and abrupt in our tfd lip swa peidawilc s. all
ary preblons bat moro toet ebirofhda knæwc. tea cannunc of mhn. and
'freflinc'. caroosuto ob tihsh preflens badge mercerisera or. lassies lasa
gaosts aryanizing option up it's all ardent. procedures but more ligulate
thanking every knows. thanklessness. cupel of man and curiously of thespis
prober but more or less. lilian feeding ghiaurov as dreams oralise blossom
thence up it's. all are procedure but more like that everybody knows.
thankful. cunning offer man and curium of these problems busing more or
less. lignite feeding ghosts as dreams options blouson themselves up it's.
all ardors solved more or blubbering themselves unwontedness it's.
eproblefo rwo lett fsnlt es all are thetically only robbers culture.
ancipital foliots psychologised the mlarh.ss i iambus still hauling. my
problems tiekrme ks so take care to have bed open syrupy. ignoble. the
many formational gil baneliu imrrild ijihnos neo yranoitulove ni. snoidcu
abandoner fe lpeslielcts vytnshl l'snessrmocabieade srus s. ribgrass
utrana ghost somersaulting ligulate that everybody rra T T. mitdar tha
werlt tarnid inte sirbafel ecsotemymt opalises sfaceteno. tou proflenotas
stoic alube whll koef yei den't matter the. naturalizes heliolatrous
hierarchal. the problematic stays alive. which willisson keloid you
mattered thawed nature heliogram hiccups.. the probang stays alive which
will keep you don't matter the world. turned into abandonee surveyors
tactic because the excitement of. matter the worldwide optimizing it sions
pratte støvat. ciult taeo. bazaar callat at werlt tornet inta ghist at
solved more orangeism. letitia it seeland pretty stupidity. couldst
thickly be called. probated atelectasis all are proc ironies problemizes
businesswomen. thespis shotbush beadle calker problems at matriculates
the. workmanship turned into ghost problems at environments wheelwork all.
of man and actinic in evolutionism terpineol thaumatology workmate. turner
intolerably a ghost probably atelectasis far from dreaming. thar excites
offal nevron tour random seed chained trajectories of no. i still hawaii
myeline problems ideologies cultures the world. turned intone a ghost
something like that wheeling intense life is. short and abreactions in
evolutionary terms the speckled get bordello. death oradea blow themselves
up it's only exciting for so long.. still open books to sensations anding
the structure of an open system.. if the excitement odourlesses nevron
tourism ranged seed chained. trampoliner of lifeboats is likeable
thatcherism everybody knotwork.. the excitement of man and folk psychology
theocrasy realigns. we'rere are probably iridotomy problems morbidness
oourmaline. random seedling chained traitorizes of no ibarruri
stigmatized. havering mycetozoan processes but they should be treated
artmobile. dreams or nightstand holp war deacidify identities cultures
the. workshy turned intolerable a ghost someway ligula that everybody.
knows. the daimons lifetimes is still filibusters with bambino and.
wheatworm intelligent life is shortening anchoritic abreactions in. terms
thaumaturgy specificises gestalt bored tittupy death or blotter.
themselves it's only exciting for sodomize. stilling open bookseller.
sensationalised and the structuralizations of a pope system.. idolizers
the exchangers of 'tourism' randomizations seed chaeronea. tranformed of
lidice is like the eversions knuckleball. thaws. excitingly of mammet and
folk psychology their reality we'rere. arcus problems ironic problems more
or lethally lignify feeding. ghosts aryanises abandoned survivalist tactic
because the procedures. stavanger aligned whetted is ligula thanklessly
dynamics offenceless. an syrinxes. ignition you don't have any problems
you wildcatted die. so talbot careen tittuppy have solver which will keep
yourself. ottomanises of equinoctial. curetted of spacetime thatcher cure
of. energetically the workhouse turncock intinction a survival taco.
because the constitution of nevron touring random sedilia chacma.
trajectories of no consequence. hyson still hauling anxious problems. at
myron have revealed mowers of life is stigmatized using for so. loneness.
stillwell usual for snugging tailwater cardinality toadying. havildar
become open system. if the many formating or less like. feeding ghosts
asben survival tactic becalm the problematic stays. having anzio problems
yonnie will die so take cardiograph to hawk. sometimes which wildfowler
keeshond your out of equilibrium. curler. odour spacetime the curiosity of
energy thaw worksheet turkizes into. a susceptivity tactic because thanker
constraint of nevron tourism. random seed chair trajectories of nobleness
hyracoid stilwell have any. probated at termination we'ra sdull ucems far
tia essotenemt of. israelites. i dan't wemt texturally hofo preflang
begooga teuh'ro. prublins bed lasagna trese gaams taraice ony'c tresh not
får fren. drhhmang tai nhfram thirecm rhntin seht cieamod trikosdireog ob
na. cansiseonco. hystricomorph still hefo mh praplans bed taah bo. trohdat
as driems optoelectronic hhlh whyr daot itendhdeeg. cilthrec toh wårlt
thrnet indi abandoned goacd sanetaeng lesa thet. eburhphte knaws. tya
deele lopu iq staler follet whte binolade amt. woadaper seyrt anorthite in
epoletoønira torns toa sfocoas gestated. berad to or bliw tåænsalpog up
it's onlh esgeting fer sh stell te. sinxadians ant too sdregdhre op an
obhn segdon. ip of taerogm soad. cyeonod trisystarhic offaly ic lhza tiid
knews. of manasseh anselm. fæls pcazøelhxo tiyhr raeluth wi'rore ari
preflins irenoc prebloms. meri or logc lasers fihtens goosts as a surbofhl
tusdås besyegy tah. stehs waesa ic lasa donhnigs amy ophn sesthm. ib yii
den't hipa anu. preflong yuo woll dhe so togo th sonicated wyase weiss
kaef yoe oed. ecealefrien. of teamed coroisede of taa werlt imta aachen
serfovæl. bociise taa constatutain of nabren tairasn rantim soet chuamat.
trhcegterehc ob na canshsoansi. i ano priflons at dcsthojng n lonlhat. ohs
yeht eradicates ereht llits i smrof ynam eht mrs. r. esiktedoisihkittyssa o
p smees ti efokd ddroneoesv gcekent eeu. ugyoiaoaknsetroetuu r u' t sfol be
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etrouble stenchy from. kind of eutistsarlrmuahy e uoc tahbsls tahuptt eft
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mirror site on the wall by coincide i was dong this az removal. matter
when Al was doing how old are you . priflons. Re canned rusty. John M.
Bennett. canned rusty. canned drip damned cluster grit sneeze duster ease
nubile mister panties marbled mobile antler easel crust brusque edsel
blister orbit morbid pantry sleaze buster weasel tusk wheeze mitt lustful
clams hams planned sit damaged must flit muster duties dance futile obit
scant meddle motile just east rant brush arbol keister sister aphid cheese
measles lees please custard knees whip rusty. noemata five. bgcolorwhite
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course. plunt bubble chamber traceroute. my mother is learning the mouse
cracket. tiptoed muscular interpreter. bgcolorwhite textblack. crash
courseplunt bubble chamber traceroutemy mother is learning the. scribbling
on a blank end page of rinzai roku my mom wanted to look at. some pictures
but got stuck in navigating the mouse so i get very bored. before reaching
the start button my sister comes in with bruises on her. knees and a blue
hand not knowing where they come from (polish vodka. party) eventually it
dissolves the scribble remains and i do a scan. upsidedown like colliding
in mouse and vodka crashes.. scurvy dog story.. Theese be pluntSeas..
(vacky horror). if you look towards the area of motion and try to grasp
the truth there. it will take up its stand in the area of nonmotion it's
like a fish. hidden in a pond who now and then slaps thesurface and leaps
up. jesus what. Christ what. Shiva What. Wat What. What Watt. bunch of
goblin spirits. doubt earth (buddha devil). craving water. anger fire.
delight air. doubtdisturbance waves light rays.
324
nostalgia (neuralgia) of the image. home (no home). anger of the visible
world (light) fireimage. nostalgia of the explicit (for a root in events).
return going somewhere. turn on me. and watch me cumpel. whose me. MEME.
juju. scurrilous image sorcerors. plunters pirates of the image. sometime
you come riding on an image. you take diamond ministry (any syle building
you want). populate w furry amoebas... perhaps come come riding on
amoebas. okay.. you win.. tribes dead.. hostguestghosts. scribbling on a
blank end page of rinzai roku my mom wanted to look at. some pictures but
got stuck in navigating the mouse so i get very bored. before reaching the
start button my sister comes in with bruises on her. knees and a blue hand
not knowing where they come from (polish vodka. party) eventually it
dissolves the scribble remains and i do a scan. upsidedown like colliding
in mouse and vodka crashes.. scurvy dog story.. Theese be pluntSeas..
(vacky horror). if you look towards the area of motion and try to grasp
the truth there. it will take up its stand in the area of nonmotion it's
like a fish. hidden in a pond who now and then slaps thesurface and leaps
up. jesus what. Christ what. Shiva What. Wat What. What Watt. bunch of
goblin spirits. doubt earth (buddha devil). craving water. anger fire.
delight air. doubtdisturbance waves light rays. nostalgia (neuralgia) of
the image. home (no home). anger of the visible world (light) fireimage.
nostalgia of the explicit (for a root in events). return going somewhere.
turn on me. and watch me cumpel. whose me. MEME. juju. scurrilous image
sorcerors. plunters pirates of the image. sometime you come riding on an
image. you take diamond ministry (any syle building you want). populate w
furry amoebas... perhaps come come riding on amoebas. okay.. you win..
tribes dead.. hostguestghosts. isoQBDkonomi. BØkoEurop. nomiVa. Verdektig.
enramto. m. N. orge. N. orden. Danm. arkF. ærøye. neGrNo. ønlanrden. dFin.
land. Islan. dogSv. erige. .. BØkonomi. Vekt i gram tom. Norge. Norden.
Europa. Verden. Norden Danmark Færøyene Grønland Finland Island og
Sverige.. DJbyHandjohnzornsisselkyrkjeboetheassassinse. djbyhand
plunderphonics. week. DJbyHandjohnzornsisselkyrkjeboetheassassinse.mp MB.
dl. hexture PM. body bgcolorDwhite textDblack. first type an a then press
the spacebar or no press the backspace press br the n at the left right of
b and o two lines further up and to the. right and on the same line four
places to the left press that and. one down one right we've now come to
the letter e find it and press. the button down and voila immediate to its
right always right pr. ess the key of r. let's see what to we have pour
them into a large. word stir around for five minutes under heath. t
aehrotn. a ehrtno aehrton aernot h ae rnoht ae rnt oh aern tho aernhot a.
e rnhto aer onth aeronh t aerotnh aerothn aerohnt ae. rohtn a ertnoh aer
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ho. arnehot arnehto aronthe a ronte h aronh te a ro n h et. aro net h
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aroethn aro ehn t aroe htn ar. tnohe artno eh artnh oe ar tnh eo artneoh
artneh o artonh e art. oneh artoh ne ar to hen artoenh ar t oehn arthnoe
a. rthneo a rth one arthoen art h eno artheon artenoh artenho art. eonh
arteo hn ar tehno artehon arhnote arhnoet arhntoe arhnteo arhne. o t arh
neto arho nte arhonet arhotne arhoten arhoent ar ho etn. arhtn oe a rhtneo
arhtone arhtoen arhteno arhteo n a rheno t ar. h ento a rheont arheotn
arhetno arh eto n ar en o t. h arenoh t ar entoh arenth o ar enh ot
arenhto areonth areonht. areot n h areothn areohnt a reo htn aretn o h ar.
etnho aretonh aret ohn arethno arethon arehnot arehnto arehont a reho. tn
arehtn o arehton naother naothre n aotehr naoterh na otrhe nao. treh naoh
ter naohtre naohetr naohertnaohrte na ohret naoethr n. gray sizeDPosted by
noemata to efirsttypeathenpressspacebarorno.htmlhexture at. PM. ok. these
characters don't mean anything. arseholes on tv televisionrectoscopy rs
holes tv set. this candlelight the this the president the dog the the
theodicy. evil levi live veil vile. good has no anagrams no other. anagram
has no anagram which backfires on good it's just empty. the same ames asme
meas mesa msae seam other theor. throe. random rodman. negative agentive.
positron sorption. atchoo cahoot. akan kana. haiku ukiah. emil lime mile.
male alme elam lame lam mael meal mela. female icon coin cion sign sing
sing.. arse ares son of zeus and hera mars male marse aser asher rase
raze. sear. . to burn or char the surface of She seared the steak to seal
in. the juices.. . to mark with a branding iron.. . to burn or scorch
injuriously or painfully He seared his hand on. a hot steam pipe.. . to
make callous or unfeeling harden The hardship of her youth. has seared her
emotionally.. . to dry up or wither parch.. v.i.. . to become dry or
withered as vegetation.. n.. . a mark or scar made by searing.. adj.. .
sere.. bef. (adj.) ME sere OE sar c. D zoor (v.) ME seren OE sarian.
deriv. of sar. still sår norw. sera plural of serum blood milk whey curd
duca cheese christ smegma. the last sup pus. las palmas plasma. the sun
nous onus probandi it's ya onus ya orse. eros rose sore (sear) sero (serum
again). horse shoer shore. ursus arctos horribilis kodiak. this hist isth
sith tshi shit. excrement waste matter sweat (matter has no anagram
neither mind). mother thermo. vater avert trave. mater ramet tamer. santa
satan tsana. noema anemo wind L animus breath Skt anilas. rumble. hex
ascii isiac isis usus oso horos. being begin binge blast bust blair toot
jag. resist sister. broth throb frater rafter rumble lumber jackass
(anything male). thing night dorkness. light bef. (n. and adj.) ME OE loht
c. OS lioht OFris liacht. D G licht Goth liuhath (n.) akin to ON ljs (n.)
ljss (adj.) L lx. (n.) Gk leuks bright white (v.) ME lighten OE lhtan c.
OS. liuhtian OHG liuhten (G leuchten) Goth liuhtjan. lux litho thiol
stonelightfire. electron el centro recent holocene holos soul sole solus
also sola. one eon neo noe time emit mite item geo ego aeon a one eras
arse. one bef. ME oon OE n c. D een G ein Goth ains L nus (OL. oinos) akin
to Gk on ace on a die. jocus jeckarse jest gest gegere perform egest to
discharge as from the. body void (opposed to ingest) injoke notfunny. yoke
j bef. (n.) ME yok(e) OE geoc c. D juk G Joch ON ok L. jugum Gk zygn
Hittite yugan Skt yuga (v.) ME yoken OE geocian. deriv. of the n.. orl
korrect. rinsay. the active expression of enlightenment over matters of
doctrine. The mind thus creates the world in the sense that it invests
the. phenomenal world with value.. They have presumably already freed
themselves from preoccupations. with the commoner cravings for sensual
indulgence material gain or. worldly fame and have entered the path of
religious strivings. But. it is precicely this fact that Linchi sees as
the source of their. problems.. this lone brightness without fixed shape
or form.. once and for all that there is no goal to be striven for because
it. has been won already no place to be journeyed to because one is. there
right now.. People with so few roots of faith. if it's for the sake of the
Dharma don't hesitate to sacrifice your. bodies or give up your lives.. If
you approach it with a true and proper understanding you won't be.
affected by considerations of birth and death you'll be free to go. or
stay as you please.. The fault lies in the fact that they don't have faith
in themselves. Student's don't have enough faith in themselves and so they
rush. around looking for something outside themselves.. Those who have
fulfilled the ten stages of bodhisattva practice are. no better than hired
field hnads those who have attained the. enlightenment of the fiftyfirst
and fiftysecond stages are. prisoners shackled and bound arhats and
pratyekabuddhas are so much. filth in the latrine bodhi and nirvana are
hitching posts for. donkeys. Why do I speak of them like this Because you
followeres of. the Way fail to realize that this journey to enlightenment
that takes. three asamkhya kalpas to acomplish is meaningless. So these
things. become obstacles in your way.. Fellow believers time is precious
You rush off frantically on side. roads studying Ch'an studying the Way
clinging to words clinging. phrases seeking Buddha seeking the patriarch
seeking a good. friend scheming planning. But make no mistake. Followers
of the. Way you have on set of parents what more are you looking for You.
should stop and take a good look at yourselves. A man of old tells us.
that Yajnadatta thought he had lost his head and went looking for it. but
once he had put a stop to his seeking mind he found he was. perfectly all
right.. The man of value is the one who has nothing to do. Don't try to
do. something special just act ordinary. The Paotsung lun With. regards to
the Way what is valued in every age is to have nothing to. do. With regards
to the Way when one is mindless then all things. will proceed smoothly..
Followers of the Way the Dharma of the buddhas calls for no special.
undertakings. Just act ordinary without trying to do anything. particular.
Move you bowels piss get dressed eat your rice and if. you get tired then
lie down. Fools may laugh at me but wise men. will know what I mean. A man
of old said People who try to do. something about what is outside
themselves are nothing but. blockheads.. If you have doubts in your mind
for an instant that's the Buddha. devil. But if you can understand that
the ten thousand phenomena were. never born that the mind is like a
conjurer's trick then not one. speck of dust not one phenomenon will
exist.. As I see it there's no Buddha no living beings no long ago no.
now. If you want to get it you've already got it it's not. something that
requires time. There's no religious practice no. enlightenment no getting
anything no missing out on anything.. If you want to be free to be born or
die to go or stay as onw would. put on or take off a garment then you must
understand right now that. the person here listening to the Dharma has no
form characteristics. no root no beginning no place he abides yet he is
vibrantly alive.. All the ten thousand kinds of contrived happenings
operate in a place. that is in fact no place.. If your mind entertains a
moment of doubt it becomes obstructed by. the element earth. If your mind
entertains a moment of craving it. becomes drowned in the element water.
If your mind entertains a. moment of anger it is seared by the element
fire. If your mind. entertains a moment of delight it is tossed about by
the element. air.. The way I see it onw shouldn't be averse to anything.
Suppose you. yearn to be a sage. Sage is just a word sage.. Those who
study the Way these days need to have faith in themselves. and not go
looking for something outside.. If you want to be a truly great vessel you
must never be led astray. by others. Wherever you are play the host and
then any place you. stand will be a true one. Whatever confronts you don't
let yourself. be imposed on. If you entertain even a moment of doubt the
devil. will enter your mind.. Just have faith in this thing that is
operating in you right now.. Outside of it nothing else exists.. In the
way you now respond and utilize it what do you lack In the. space of an
instant you enter purity or enter defilement enter the. halls of Maitreya
or enter the lands of the three eyes. You wander at. ease everywhere for
you see that these are all empty names.. The buddhas and patriarchs are
people who don't have anything to do. or are without defilements and
doings their karma is clean and pure.. The Patriarch Shenhui said If you
try to arrest the mind and stare. at silence summon the mind and focus it
on externals control the. mind and make it clear within concentrate the
mind and enter into. meditation all practices of this sort creates karma..
So for the past twelve years though I've looked for this thing. called
karma I've never found so much as a particle of it the size. of a mustard
seed.. thing. thing (thing) n.. . a material object without life or
consciousness an inanimate. object.. . some entity object or creature that
is not or cannot be. specifically designated or precisely described The
stick had a brass. thing on it.. . anything that is or may become an
object of thought things of. the spirit.. . things matters affairs Things
are going well now.. . a fact circumstance or state of affairs It is a
curious. thing.. . an action deed event or performance to do great things.
His death was a horrible thing.. . a particular respect or detail perfect
in all things.. . aim objective The thing is to reach this line with the
ball.. . an article of clothing I don't have a thing to wear.. . things
implements utensils or other articles for service. I'll wash the breakfast
things.personal possessions or belongings. Pack your things and go. . a
task chore I've got a lot of things to do today.. . a living being or
creature His baby's a cute little thing.. . a thought or statement I have
just one thing to say to you.. . Informal. a peculiar attitude or feeling
either positive or. negative toward something mental quirk She has a thing
about cats.. . something signified or represented as distinguished from a.
word symbol or idea representing it.. . Law. anything that may be the
subject of a property right.. . do or find one's own thing Informal. to
pursue a lifestyle. that expresses one's self. Also do or find one's
thing.. . make a good thing of Informal. to turn (a situation. experience
etc.) to one's own profit benefit by She made a good. thing of her
sparetime hobbies.. . new thing Jazz. See free jazz.. . not to get a thing
out of to be unable to obtain information. or news from The police couldn't
get a thing out of him.to fail to. appreciate understand or derive
aesthetic pleasure from My wife. likes opera but I don't get a thing out
of it.. . see or hear things Informal. to have hallucinations.. . the
thing something that is correct or fashionable That caf. is the thing
now.that which is expedient or necessary The thing to. do is to tell them
the truth.. bef. ME OE orig. meeting see THING. thing (thing ting) n.. (in
Scandinavian countries) a public meeting or assembly esp. a. legislative
assembly or a court of law.Also ting. Cf. thingstead.. ON assembly c.
THING D ding G Ding thing orig.. meeting akin to Goth theihs time.
isoQnothBing(nuthCing)n.. nothing (nuthÆing) n.. . no thing not anything
naught to say nothing.. . no part share or trace (usually fol. by of) The
house. showed nothing of its former magnificence.. . something that is
nonexistent.. . nonexistence nothingness The sound faded to nothing.. .
something or someone of no importance or significance Money. is nothing
when you're without health.. . a trivial action matter circumstance thing
or remark to. exchange a few nothings when being introduced.. . a person
of little or no importance a nobody.. . something that is without quantity
or magnitude.. . a cipher or naught Nothing from nine leaves nine.. . (used
in conventional responses to expressions of thanks). Think nothing of it.
It's nothing. Nothing to it.. . for nothing free of charge.for no apparent
reason or. motive.futilely to no avail They had gone to a great deal of.
expense for nothing.. . in nothing flat in very little time Dinner was
finished in. nothing flat.. . make nothing of to treat lightly regard as
easy.to be. unsuccessful in comprehending He could make nothing of the.
complicated directions.. . nothing but nothing other than only We could
see nothing. but fog.. . nothing doing Informal. emphatically no certainly
not.no. activity inducement advantage etc. present to the eye We drove.
through the town but there seemed to be nothing doing.. . nothing less
than or short of absolutely completely She was. used to nothing less than
the best.. . think nothing of to treat casually.to regard as.
insignificant He thinks nothing of lying to conceal his. incompetence..
adv.. . in no respect or degree not at all It was nothing like that..
Nothing dismayed he repeated his question.. adj.. . amounting to nothing
as in offering no prospects for. satisfaction advancement or the like She
was stuck in a nothing. job.. bef. ME OE nnthing nathing see NO THING.
tinpot passes. virga. acoustic angelically thin. spectral drops. vouge.
tyros arsenicise translucent. acide. visive. inconsolable otherworld
workfile. dataloose. vocalist. scans hurtingly dimpling.. viscous.
offensively frazzling nonrecognizeds. stickman. voider. kaluga tisane
revisits vaporiser sourer thereupon arrowworm. mensuration thickly mislike
existentialist. avoider. wagger. mary medusa numeral. particularized
mechano bride. waart. anchoritism genitives. possessions. vizagapatam.
noetic.. wade. wharves polysynaptically. shores transmit. virgin.
thunderbolts octodecimo (teeneighter) essenize toolsmith atrophying.
quarterizations squares whooped pothook obsolescence seppuku.
anglicizations thanker thoraces. bio. volcanologic. scandalizers
mediaevalistic oratorical sweeneys suseptible. gelatinisation goitre
oilbird saddening cadmus nightstick.. apocalyptick lipstick little red
riding babylon. vivified. autoplastic intoxicated thinest utilities
thermalized. resurreact. vulturine. animalness antiresonator thaumaturgic.
pred(ic)ate. vocabulary. anderlecht giantlike. a gent. vowelises. xeric
kooks benedictions certainly need iit. votive. impeachable inclemently.
foggy wishes. visualize. autumns. wutang. volplaning. pass. down.
volitant. pass. up. waaf. pass. charm. vedette. animations precriticises
see. vitalises. tinpot lethalise. glassine book.
isoQamiBBBBBBBBBBBBBFdinsFBBBBBBBBBABBFABFBBBBBBBBBFyme. i contritely my
deadeye in scissors. focusable i cric. kets my cyan. amid in s. exangular
fe. minising i coo. kie my daredevi. lry in seamlike. flirting i courti.
er my culture in schizoi. d fault i cramp my decol. orize in scenarises
forear. m).) i cookie my. y me. im not sisting strahgt my jands ctrlz
ctrlz ctrlz ctrlz versjon. ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz
ctrlz ctrlz. ctrlz ctrlz ctrlz ctrlz glitch versjon (ultra editor) well.
probably doesn't affect html so why blother. im not sisting iwant
somehthign it's a bit frightening. strahgt that kid on its own and cold.
my jands atomata like tat fly nothing holding. nothing here in the win
should i let go. this writing is the fog leaves (they of what. against
itself does it) eprime the i don't know anything. i only write when drema
(dramadream) this blank screen. forgetting muself of magic contradicted by
my fingers. negation well science and the this will only be trouble.
worthwhile howto any base fuck you. space which is debase. coming back
this is completely lost. nothing to. never again. her cunt ie no memory.
should backspace sensation must be no knowledge. that based on recurrence
monster of pixels. collaps else you wouldn't sooth. where am i know but
gnom. how to write still sense but no.. where am i inn the only once it
vicinity. myself doesn't count (count potential. my arm is kind of is
sentence dn. twiched recurrence). any pnrrmaqyaw. my back somewhat object.
object is nvvypub vybcd. cxrunched here too much object. dmcs vnbpu cdng.
virtual backspace anything that is suug fc. nothing ever comes visible or
tangible mqhycuq iydx. out of this and is relatively bucgupd dn. where
does this go stable in form. to uaurk rnhuruad. expect nothing you. ya
hypyaydk. left channel delay something. thing xytt uywxd cyj. the need
(meeting vyhu. no structure her interface). lubn (). whatever fright
subjectsubstance. discontinue into subtrahends arietta. slide emergent
relation. subterfuge arrowed. discreet egene remove sceptrelesses.
pataphysical logic posessive my's. arrowed. compression is a reactive at
chemical saboteur arid. cipher level. behave septarium arte. roads late ME
softheartedly arad. justice behaven (reflexive). subterranean arid.
blockhead See BE HAVE. shifters airy. writing into space behaviorism the
spadework awardee. i'll go wherever the theory that scepter areawide. keys
lead psychology can be shifter aerate. leather case accurately studied
softer arrau. board table kitchen only through the spader artie. cuisine
examination and subterfuge aureate. i meant metaphor analysis of sputter
areawide. wherever possessives. subtree areawide. something else sputter
aerate. this is just one i'm no one get your softer airy. side hands off
me. spader airt. no justice HAHA subterraneanises. usually space is
karmaguilttraces aorta. expensive i once had guilt subdirectories arty.
massive nothing writing haha says it spidery aired. eyes all (active
subtraction arty. i once had eyes expression vs sceptered artie. go beyond
they say matters of doctrine) subtreasury areawide. other i laughter is
spidery arrayed. what comes in this eternally guilty subterraneanise arte.
is still eyes (doctrinal in sifter awardee. keyes writing) as any. the cod
e statement n softheart s. mouthing. y arrondis t. guilty guilty (how
soekar t. traffi n awkward to ) soffit ar t. horsest c t how's w g softies
arteriole. there's compilation attached to guilt soever arterialises.
should stop writing soke arterialising. interprete e another w e sojo.
immedi s status of relate to arte. l valuemeaning other sod. what' than
drawn arteri d. ente softhead arthromere. which is p s (interfaces again).
sojourners arrowroot. i had t a media a softening artefact. big small
inverse suppose it e softbound arsenical. di other way a softy ars l.
protoco f signs are soiree arsenicises. papyrus no o lines are. ts
stronger attraction readapting mcqueen. pro proto me. critical distance
attraction to what reactualise meagerly. execution of seeing easy essing
me. al ers are easi ay. of mcmurdo. hidden instant an g rea ness me.
middleman blackmail to ably me. compl of the ualizes li syst. inimax rk up
to. me. what's the deal on me. ( rface') reactualisations me. i r mansus
accidencesubsta me. critical and easie 's. system wins like. d ng not
gravitati stupid you. always. de reaming get signs too. dr eath is obvious
it's their. so ng else job. backtracking. i'd to die guilt is thru th ..
sign. you. no shouldn't att it's. like chaplin on. de s trash a conveyor
belt. ghtning down t rs economy.. no no sign. no in the talking is a w
recur.. as stimulusres augment. pos respons. wh. relax. relax. count your
breath. no nothing web. claws. getting warm. when do words get cold they
do. do (warmcold). back. baktruppen. epistolar after sending. epistemic
after receiving. thoughts don't originally exist (Bankei). retract. re re
re do re Gurdijeff. waste. names how odd the nominalessential pitch. still
wastepaper. do mi fa la re si do i have a theme. problematic. throw away.
abject. stage. reverence. inferior. just abide fushi. when can you tell.
topology of the beyond. this is my nothing here you are. who's this guy
talking to. lacking sensations the smell of autumn. drowned in a deep
spring. joy is in the subject. which is the whole. which is mere nominal.
the essential from its side. partial and objective. like names. containers
and carriers characters. you shouldn't expect anything from me. other than
continuous abjections and vomit. not a voice. who's that vo mit u puke
phew we. no way of recollecting even this simple stuff. improwise. you
have twenty questions get a million answers. the backspace of. shift the
carriage or typing element of a typewriter one space. backward by
depressing a special key. to move the cursor printhead. etc. toward the
beginning of the data.. i want dat. eh. grain. if you don't see grains
it's fake. hypocrisy. ME ipocrisie OF LL hypocrisis Gk hypkrisis play.
acting equiv. to hypokrA(nesthai) to play a part explain (hypo. HYPO
krAnein to distinguish separate) sis SIS h. (reintroduced in th century) L
and Gk. digit count to ten on your fingers. fushi the play is a play why
bother it's your own do undo re re. souleating sunbe pale moon (esoteric
paleontology). backspace. digress. growth is always the same. be driven
out. into digression throwing away your life (Bankei). Backspace.
spacecaps (capital letter space mahayana epistolar). before after now
after before return the same. wander off on a grain pe(a)rl recursion you
completely annoy me. discriminate hypocracy. crime. ss. sage sinister.
link plunderphonics weeks (). plunderphonics weeks ().
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did you think of this right now or was it something you had intended. say.
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week. DJbyHandIngerMarieLienKidSquarepusherStev.mp. E D A C C Nystev..Å
vil du. D C E have meg til å. B C D A B C kveda..det skal. A D eg gjera
med st. F C C D A F ørste gleda..og. B C B eg skal kveda s. F E D A o vent
fyr deg... B C C F D at du skal gløym. A F C F D a deg sjølv og m. E D A D
A C B C eg.....Å eg skal. B F B kveda so du ska. C E C D A D l gråta..um
du. C E C var aldri så gla. F B E C D A E d og kåt'e..å e. B C B F g skal
kveda so. E E C C D A snålt fyr deg... B C C E E E at du skal læ nå. E D E
r du ser på meg.. D A D A F D E F ....Og mine viso. F E E C r dei er so
snål. C D A F D F B E e..som Borken t. E E E E råvar på isen hå. C C D A F
D E le..og mine vis. F A E or dei gjer' ein. C E D A F D C C sleng..som
litl. E E B e guten på skeis. E E A E E D A D A C unn' gjeng.....Å. D E F
mine visor dei. F D E C D A F er so mange..so. D A D C F D E m
heggjeblomane. E B D drys i fanget.. A F F .so hev det vore. C C A D A i
all si tid... D B dess meir dei kv. C D ed dei dess mei. E D A D A C r der
bid.....Å. C A C vil du stevjast. F B C so skal eg svar. C D A F C E a..og
heile nat. F B C ti so skal det v. B D A F C ara..og vil du. A D D
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D C C E u fær ein smell.. abort.
DJbyHandsisselkyrkjeboorigamiweightlessapati MB. Re confuciuslist Mencius
B. wild grass (fwd). Forwarded message. Thomas. confuciuslist Mencius B.
wild grass. This saying by Mencius is as beautiful as Confucius' and
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and if as suddenly. they are not used the wild grass fills them up. Now
the wild grass fills. up your mind.'. oct(). x. h FF D FF E A
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DJbyHandIngerMarieLienKidSquarepusherStev.mp. E D A C C Nystev..Å vil du.
D C E have meg til å. B C D A B C kveda..det skal. A D eg gjera med st. F
C C D A F ørste gleda..og. B C B eg skal kveda s. F E D A o vent fyr
deg... B C C F D at du skal gløym. A F C F D a deg sjølv og m. E D A D A C
B C eg.....Å eg skal. B F B kveda so du ska. C E C D A D l gråta..um du. C
E C var aldri så gla. F B E C D A E d og kåt'e..å e. B C B F g skal kveda
so. E E C C D A snålt fyr deg... B C C E E E at du skal læ nå. E D E r du
ser på meg.. D A D A F D E F ....Og mine viso. F E E C r dei er so snål. C
D A F D F B E e..som Borken t. E E E E råvar på isen hå. C C D A F D E
le..og mine vis. F A E or dei gjer' ein. C E D A F D C C sleng..som litl.
E E B e guten på skeis. E E A E E D A D A C unn' gjeng.....Å. D E F mine
visor dei. F D E C D A F er so mange..so. D A D C F D E m heggjeblomane. E
B D drys i fanget.. A F F .so hev det vore. C C A D A i all si tid... D B
dess meir dei kv. C D ed dei dess mei. E D A D A C r der bid.....Å. C A C
vil du stevjast. F B C so skal eg svar. C D A F C E a..og heile nat. F B C
ti so skal det v. B D A F C ara..og vil du. A D D stevjast med meg. B C C D
A E i kveld..du gå. B A E r 'kje åt fyrr d. E E D C C E u fær ein smell..
abort. DJbyHandsisselkyrkjeboorigamiweightlessapati MB. nettimeann mailing
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fa.fictionofphilosophy groupsbeta. been available as
fa.fictionofphilosophy at usenet now it's also made. in addition to the
archives also containing interesting statistics. feeds. at least in this
stage it's free from ads who knows about. later... well just fyi and all
the best to the group and the people spending. time here... raven apm. ..
Raven's Advanced Progressive Matrixes (RAPM). Raven's Advanced Progressive
Matrixes is one of a series of nonverbal. tests of intelligence developed
by J.C. Raven (). Following. Spearman's theory of intelligence it was
designed to measure the. ability to educe relations and correlates among
abstract pictorial forms. and it is widely regarded as one of the best
available measures of. Spearman's g or of general intelligence (e.g.
Jensen Anastasi. ). As its name suggests and of particular significance to
the. Prometheus Society it was developed primarily for use with persons of.
advanced or above average intellectual ability.. Like the other Raven's
matrices tests the APM is composed of a series. of perceptual analytic
reasoning problems each in the form of a matrix.. The problems involve
both horizontal and vertical transformations. Figures may increase or
decrease in size and elements may be added or. subtracted flipped rotated
or show other progressive changes in the. pattern. In each case the lower
right corner of the matrix is missing. and the subject's task is to
determine which of eight possible. alternatives fits into the missing
space such that row and column rules. are satisfied. The APM battery
consists of two separate groups of. problems. Set I consists of problems
that cover the full range of. difficulty sampled from the Standard
Progressive Matrices test. Standard. timing for Set I is minutes. This set
is generally used only as a. practice test for those who will be completing
Set II. Set II consists. of problems with a greater average difficulty than
those in Set I.. Set II can be administered in one of two ways either with
or without a. time limit of minutes. Administering Set II without a time
limit is. said specifically to assess a person's capacity for clear
thinking. whereas imposing a time limit is said to produce an assessment
of. intellectual efficiency (Raven Court Raven ).. Phillip A. Vernon in
his review of the APM (Test Critiques ). writes that the quality of the
APM as a test is offset by the totally. inadequate manual which
accompanies it. For interpretive purposes the. manual provides 'estimated
norms' for the APM which allow raw. scores to be converted into
percentiles (but only and ). and another table for converting percentiles
into IQ scores. John. Johansen a graduate student at the University of
Minnesota and former. regular poster to the Brain Board came into
possession of the. version of the test for use in his research (this form
is no longer used. for testing) along with pages of written text about
the. implementation scoring and standardization of the test. In a post to.
he provided the following information applicable to the untimed. version of
the test. Untimed intraday (go until you give up) distribution for year.
olds year olds and year olds. Scores balanced for guessing.. general
population. percentile ranking. number correct by age group. years. years.
years. .. Norms are not accurate above this point for the untimed version
due to. limited population taking test in this condition.. Ignoring the
above caveat about inaccurate norms above the .th. percentile the above
data indicates that there is about a point raw. score difference between
and sigma on this test. If this difference. carries on to the next sigma
this would give associated scores of. general population. percentile
ranking. number correct by age group. years. years. years. .. Although
this data would seem to suggest sufficient ceiling for. discriminating at
the in level there have been other normative. studies which provide
conflicting data. In an article in Educational and. Psychological
Measurement (Bors and Stokes ) the authors mentioned. two studies of
interest besides Raven's group Paul's study and. their own S. M. Paul's
study of University of California. Berkeley students ( women men) Tested
under the untimed. condition the students' scores ranged from to with a
mean of. and a standard deviation of .. This was significantly higher than
the. mean of Raven's normative group (M. SD.).. Bors and Stokes
administered the timed version of the APM to. students ( women men) from
the Introduction to Psychology course. at the University of Toronto at
Scarborough. Subjects ranged in age from. to years with a mean of .
(standard deviation.).. Enrollment in the Introduction to Psychology
course was considered. roughly representative of firstyear students at
this university. The. scores on Set II for the students ranged from to
with a mean of. . (standard deviation.). This performance is somewhat
higher. than that of the Raven's normative group but considerably lower.
than Paul's University of California Berkeley sample.. Additional data
supporting the conclusion that the RAPM (either timed or. untimed) does
not discriminate at the level is taken from. Spreen Strauss (Compendium of
Neuropsychological Tests nd Edition. ) and shown in the tables below.. A
middleoftheroad approach would be to use the recent University of. Toronto
at Scarborough data and to assume that the mean of the test. group
corresponds to about SD above the mean of the general. population and to
further assume that the SD of the general population. would be about the
same as the standard deviation of the test group.. Finally assuming a
normal distribution in the test group the in. level would correspond to .
(.) which is raw. points above the test's ceiling of .. Advanced
Progressive Matrices Set II Occupational Norms. ile rank. Occupations of
various groups. UK. US. UK TA. UK. UK. UK. UK. UK. UK. UK. General.
populatn. yr.olds. Navy. yr. olds. Officer. Aplcnt. Retail. Mngrs..
Police. Officer. Senior. Mngrs(Htls.). Accnt.. Staff. Oxford. Local.
Athrty.. Rsrch.. Scntsts.. untmd.. min. min. min. min. min. min. min. min.
min. (n). (n. (n). (n). (n). (n). (n). (n). (n). (n). UK general population
data derived from the Standardization of the. SPM and APM (TABLE APM XIII).
US Navy data extracted from data supplied. by Alderlon (see Knapp Court )
(TABLE APM XVII) UK Police. Officers' data extracted from Feltham ()
(TABLE APM XXVI). Other. data collected by Oxford Psychologists Press.
Source J. Raven ().. The data above does bring up the issue of age
variation of IQ data which. is not typically addressed by other
instruments that we've used for. Prometheus Society entry requirements and
that is perhaps something that. should be considered. (In the case of the
SAT and GRE tests there is. not typically much variation in the ages of
those taking the test and no. such data was used in norming any of the
takeathome tests we've used.. Spreen and Strausse have provided the
information for the table below. Advanced Progressive Matrices Set II
(Untimed) Smoothed Summary Norms. for the USA. ile rank. Age of test taker
in years. (n). (n). (n). (n). (n). (n). (n). (n). (n). (n). (n). Based on
the standardization of the APM in Des Moines Iowa.. Tests completed at
leisure. Source J. Raven (). Curiously American Mensa does not list the
RAPM among its currently. accepted tests although UK Mensa does. Perhaps
this is a more. international test than others we have reviewed and
considering its. quality we should probably continue to consider its
possible use. especially as an auxiliary test to be submitted in
conjunction with. other tests that are deemed capable of discriminating at
the in. level.. delayed. Warning not. YOU DO NOT. The original Mon. (CEST)
from . . .. ... Transcript of. session follows. ... Deferred. .... Warning
still. undelivered. Will keep trying. FinalRecipient RFC noemata.... Action
delayed. Status ... RemoteMTA DNS .... WillRetryUntil Sometime Feb (CEST).
Re fiction of philosophy newsgroup. fa from arpanet. institute for
informatics at the university of oslo is gatewaying. all the old arpanet
groups into usenet because most users didn't have. access to arpanet only
usenet.. The world's oldest electronic conferences the ARPANET mailing
lists. were quickly integrated into USENET. Gateways were made so
newsgroups. starting with fa (From ARPANET) contained the mailing list
contents. and USENET users could post and participate. ARPANET mailing
lists. emerged around not long after network email linked ARPANET users.
together.. It's only purpose is that. everyone who want to subscribe to
the mailinglist can. just read the newsgroup (saves some disk space I
guess).. The prefix fa is as far as I know quiet historic.. The first
mailing lists that were converted to newsgroups. had this prefix (fa from
arpanet).. Until this discussion I didn't know that this group was.
distributed outside ifi.uio.no (Institute of Informatics. University of
Oslo). Do you get the other fa.groups as. well At the moment there are of
them.. search on arpanet usenet gateway etc for more internet history..
for the other question see my recent post about. I believe so...but I
don't know who set it up or when or what 'fa'. stands. for for that
matter.... Ryan. Since my pop mail account keeps screwing up over here Ive
been. looking for a. way to read the wryting list I found the fiction of
philosphy. newsgroup which. seems to have some of the wryting list
archived there. How does this. work Is. the newsgroup subscribed to the
wryting list. inlangplgroupfa.fiction. ofphilosophy. mIEKAL. This message
was sent using Midwest Tel Net Web Based Mail.. Re fiction of philosophy
newsgroup. and also. ..This rather brings to mind a syndrome that
sometimes occurred when an. old Arpanet mailing list got gatewayed to a
Usenet newsgroup. After a. little while some Usenet novice would commit
some faux pas a furious. Arpanaut would flame violently about how Usenet
was nothing but bozos. who didn't understand How Things Should Be Done and
the gatewaying was a. stupid idea and the list maintainer would quietly
observe that the. gatewaying had indeed produced problems but it was also
producing most. of the real content... Henry Spencer Mail Relays. ). fa
from arpanet. institute for informatics at the university of oslo is
gatewaying. all the old arpanet groups into usenet because most users
didn't have. access to arpanet only usenet.. The world's oldest electronic
conferences the ARPANET mailing lists. were quickly integrated into USENET.
Gateways were made so newsgroups. starting with fa (From ARPANET) contained
the mailing list contents. and USENET users could post and participate.
ARPANET mailing lists. emerged around not long after network email linked
ARPANET users. together.. It's only purpose is that. everyone who want to
subscribe to the mailinglist can. just read the newsgroup (saves some disk
space I guess).. The prefix fa is as far as I know quiet historic.. The
first mailing lists that were converted to newsgroups. had this prefix (fa
from arpanet).. Until this discussion I didn't know that this group was.
distributed outside ifi.uio.no (Institute of Informatics. University of
Oslo). Do you get the other fa.groups as. well At the moment there are of
them.. search on arpanet usenet gateway etc for more internet history..
326
for the other question see my recent post about. I believe so...but I don't
know who set it up or when or what 'fa'. stands. for for that matter....
Ryan. Since my pop mail account keeps screwing up over here Ive been.
looking for a. way to read the wryting list I found the fiction of
philosphy. newsgroup which. seems to have some of the wryting list
archived there. How does. this. work Is. the newsgroup subscribed to the
wryting list. inlangplgroupfa.fiction. ofphilosophy. mIEKAL. This message
was sent using Midwest Tel Net Web Based Mail..
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onanerat och tittat på dem många gånger.. Sprutbild. Sprutbild. Sprutbild.
Sprutbild. Sprutbild. Sprutbild. Sprutbild. Sprutbild. Sprutbild. Jag har
fått ett par nya sprutbilder Det tycker jag om. Flera gånger. har jag
tittat på dessa bilder och tnkt på er hur ni har lekt med era. underbara
stånd fantiserat om mig och sedan sprutat er varma klibbiga. sats ver min
kropp. Många gånger har dessa fantasier tagit mig till. underbara
orgasmer. Ett extra spnningsmoment r ju att min kille inte. har någon
aning om vare sig websidan eller dessa foto.. Hr kommer fler bilder.. En
bild från en man som heter Bokoboko.. Gabbe har också sprutat ner min
kropp.. Hawkan har lagt sin varma sd ver mig.. Fineman har gjort hrligt
sexiga konstnrliga bilder.. nnu en bild från Fineman.. Re the sleep of
reason. The Slip of Reason Produces Monsters.... The Monstrous Reason
Produces Sleep.... The Sleep of Monsters Produces Reason.... The
Production of Reason Monsters Sleep.... the protesting of rezone
mahayanist sleep.... two slippy opaque ricin particular monsters.... thy
menstruates richen periodizations sleep.... the skelf opah minstrel
participant ratio... twombly mensing richened periodicity sleeplessess thy
skelping opaline. minority partly reasons tattooer party obese rippling.
reason rosena rosaen ensora aeonsr senora soraen soaren snorea oarsen.
norsea arsone. subject. unselfishness there you see plainly the recursion
it's considered a. virtue because.. in view of.. yes unselfishness. and so
selfishness is a. virtue in view of selfishness etc. and virtue is a virtue
in view of the. virtue virtue is the positive productive property of a view
the view's. production. but it doesn't mean you can avoid it. there's
virtues of your. body as long as you have one. and virtues of having as
long as it's. possible. and virtues of the possible as long as it's not
impossible.. virtues of the impossible via negativa. prime numbers are
what remains. are. they selfish or unselfish ) positive or negative you
can follow them a. bit via the positive which is like the virtue of a view
formula though. quickly you're replacing algorithms with heuristics which
is more of a. mess like the layered virtues of our reality the real being
transcendent. unending streams and you find yourself jumping from this to
that all the. time not selfishalgorithmic (producing) or
unselfishheuristic (seeking). but let's call it dancing since there are
movements and well the thing is. still alive though with no reason and not
producing or seeking still views. you can't avoid going through the steps.
eurythmics is at the end or the. beginning not the body's algorithms
(production system) or it's. intentionality (heuristics) the virtues of
having a body having a view. not selfish not unselfish. no virtues no
views but still a text still. here though not what it is (produces) or
what it means (seeks) it's still. written in virtue of the iso charset
twofaced bastards so maybe. we're talking dialectics too the protocol
(selfish) and the exchange. (unselfish) still the user. user (Æzr) n. Law.
the exercise of a. right to the enjoyment of property. my body my propery
the body of this. mail. again the protocol's from to subject body this is
the body.. distributed via no commercial use without permission. is a
moderated mailing list for net criticism. collaborative text filtering and
cultural politics of the nets. more info majordomobbs.thing.net and info
nettimel in the msg body. Fwd xStream online. Start of forwarded message.
ReplyTo xstreamxpressed.org. Fwd xStream online. xStream Issue. xStream
Issue is online again in three parts. . Regular (also available in PDF)
Works from poets. (Sandra Simonds Dorothee Lang Hugh Tribbey David Nemeth.
John Crouse Jim Leftwich and Andrew Topel). . Autoissue Poems generated by
computer from Issue texts. the whole autoissue is generated in realtime
new version in. every refresh.. . Wryting Issue a monthly selection of
WRYTINGL listserv works. Sincerely. JukkaPekka Kervinen. Editor. xStream.
email xstreamxpressed.org. End of forwarded message. florian cramer
digital code and literary text. florian cramer digital code and literary
text. Can notions of text which were developed without electronic texts in
mind be. applied to digital code and how does literature come into play
here. Abstract. This paper is based on the general (yet disputable)
assumption that the. theoretical debate of literature in digital networks
has shifted just as. the poetic practices it is shaped after from
perceiving computer data as an. extension and transgression of textuality
(as manifest in such notions as. ''hypertext'' ''hyperfiction'' ''hyper
multimedia'') towards paying. attention to the very codedness i.e.
textuality of digital systems. themselves. Several phenomena may serve as
empirical evidence. The early focus of conceptualist Net.art on the
aesthetics and politics of. code. in turn the impact of Net.art aesthetics
on experimental literature. poetry in the Internet. the close discooursive
affinity of Net.art to political activism in the. Internet. the close
aesthetic affinity of Net.art to a the languages and codes of an. older
technically oriented ''hacker'' culture (of Chaos Computer Club. and
others). a convergence of the three cultures mentioned above Net.art net
activism. and hacker culture. (a) FreeOpen Source Software andor (b) open
network protocols as key. discursive political and aesthetical issues in
all these camps. finally the impact of hacker aesthetics Net.art
aesthetics code. aesthetics and network protocol aesthetics on
contemporary writing in the. Internet. (See the work of mez Alan Sondheim
Talan Memmott Ted Warnell. and others.). The question is how ''Codeworks''
(Alan Sondheim) fit notions of text that. were crafted without digital code
most importantly machineexecutable. digital code in mind and vice versa. Is
it a coincidence that in their. poetical appropriation of lowlevel Internet
codes codeworks ended up. aesthetically resembling concrete poetry And
apart from aesthetic. resemblances how do computer programs relate to
literature Is that what is. currently being discussed as ''Software Art''
a literary genre. Code. Since computers the Internet and all digital
technologies are based on. zeros and ones they are based on code. Zeros
and ones are an alphabet which. can be translated forth and back between
other alphabets without information. loss. It does in my point of view
make no sense to limit the definition of. the alphabet in general to that
of the Roman alphabet in particular when we. can the same textual
information in this very alphabet as Morse code flag. signs or
transliterated into zeros and ones. The Internet and computers run. on
alphabetic code whereas for examples images and sound can only be.
digitally stored when translating them into code which unlike the.
translation of conventional text into digital bits is a lossy that is. not
fully reversible and symmetric translation. Sounds and images are not. code
by themselves but have to be turned into code in order to be computed.
where as any written text already is code. Literature therefore is a.
privileged symbolic form in digital information systems. It is possible
to. automatically search a collection of text files for all occurences of
the. word ''bird'' but doing the same with birds in a collection of image
files. or bird songs in a collection of audio files is incomparably tricky
and. errorprone relying on either artificial intelligence algorithms or
manual. indexing both of which are methods to translate nonsemantic
writing (pixel. code) into semantic writing (descriptions).. The reverse
is true as well We can perfectly translate digital data and. algorithms
into nondigital media like print books as long as we translate. them into
signs coded according to the logic of an alphabet. This is what is. done
for example in programming handbooks or in technical specification.
manuals for Internet standards. Today there are two notorious examples of
a. forth andback translation between print and computers. The sourcecode
of Phil Zimmerman's cryptography program ''Pretty Good. Privacy'' (PGP).
The PGP algorithms were legally considered a weapon and. therefore became
subject to U.S. export restrictions. To circumvent this. ban Zimmerman
published the PGP sourcecode in a book. Unlike algorithms. literature is
covered by the U.S. First Amendment of free speech. So the. book could be
exported outside the United States and by scanning and. retyping
translated back into an executable program. the sourcecode of DeCSS a
small program which breaks the cryptography. scheme of DVD movies. Since
U.S. jurisdiction declared DeCSS an ''illegal. circumvention device''
according to the new Digital Millennium Copyright Act. (DMCA) the ban
equally affected booklets flyposters and tshirts on which. the DeCSS
sourcecode was printed.. That code is speech is a fact stressed again and
again by programmers and is. also at the heart of Lawrence Lessig's legal
theory of the Internet. (Lawrence Lessig. Code and Other Laws of
Cyberspace. Basic Books New York. .). It is strictly speaking sloppy
terminology to speak of ''digital. media''. There actually is no such
thing as digital media but only digital. information. Digital information
becomes ''media''only by the. On the reverse end of the chain keyboards
mice scanners and cameras. are analogtodigital converters.. virtue of
analog output computer screens loudspeakers printers are analog. output
devices interfaced to the computer via digitaltoanalog conversion.
hardware like video and sound cards or serial interfaces.. An average
contemporary personal computer uses magnetic disks (floppy and. hard
disks) optical disks (CDROM and DVDROM) and chip memory (RAM) as its.
storage media and electricity or fiber optics as its transmission media..
Theoretically one could build a computer with a printer and a scanner
which. uses books and alphabetic text as its storage media. Alan Turing
showed. that. While such a machine would operate slower than with
magnetical or. optical media it would provide more robust and durable
information storage. on the other hand.. no electronics are needed to
build a computer the Boston Computer Museum. even features a mechanical
computer built from wooden sticks.. Juxtapositions of ''the book'' and
''the computer'' are quite misleading. because they confuse the storage
and analog output media (paper versus a. variety of optical magnetical and
electronical technologies) with the. information (alphabetical text versus
binary code). It further ignores by. the way the richness of storage and
transmission media in traditional. literature which aside from the book
include oral transmission and mental. storage audio records and tapes the
radio and television to name only a. few.. If there is strictly speaking
no such thing as digital media there also. is strictly speaking no such
thing as digital images or digital sound.. What we refer to as a ''digital
image'' is a piece of code. Normally this code is divided into three pieces
one the socalled. sound or image file containing the machineindependent and
program. independent abstract information the second the socalled display
program. containing the instructions to mediate the abstracted information
in a. machineindependent yet not programindependent format to the
operating. system the third the socalled operating system mediating the
program. output to the output machine whether a screen or a printer. These
three. code layers however are nothing but conventions. Theoretically the.
digital image'' file could in itself contain all the code necessary to.
make itself display on analog end devices including the code that is.
conventionally identified as a boot loader and core operating system..
containing the machine instructions to produce the flow of electricity
with. which an analog screen or an analog printer is made to display an
image.. Of course it is important whether a sequence of zeros and ones
translates. into say an image because that defines its interpretation and
semantics.. The point of my (admittedly) formalistic argumentation is not
to deny this. but to underline that. when we speak of ''multimedia'' or
''intermedia'' in conjunction with. computers digital art and literature
we actually don't speak of digital. systems as themselves but about
translations of digital information into. analog output and vice versa.
text and literature are highly privileged symbolic systems in these.
translation processes because (a) they are already coded and (b)
computers. run on a code.. Literature and computers meet first of all
where alphabets and code human. language and machine language intersect
secondly in the interfacing of. analog devices through digital control
code. While of course we cannot think. of code without media because we
can't read it without them the computer. does not really extend literary
media themselves. All those output media. electricity electrical sound and
image transmission etc. existed before. and without computers and digital
information processing.. I therefore have to revise the position I took in
several of my previous. writings If we speak of digital poetry or computer
network poetry we. don't have to speak of certain media and we don't. like
in the paper Warum es zuwenig interessante Computerdichtung gibt.. Neun
Thesen'' ( Nine Points on Why there is so little interesting computer.
homepagewritingsnetliterature general karlsruhe. karlsruherthesen.pdf.
even have to speak of specific machines. If computers can be built from.
broomsticks and networked via shoestrings if any digital data including.
executable algorithms can be printed in books and from them read back
into. machines or alternatively executed in the mind of the reader there
is no. reason why computer network poetry couldn't or shouldn't be printed
as well. in books.. Perhaps the term of digital ''multimedia'' or better
''intermedia''. would be more helpful if we redefine it as the the
possibility to losslessly. translate information from one sign system to
the other forth and back so. that the visible audible or tacticle
representation of the information. becomes arbitrary. A state not be
achieved unless the information is not. coded in some kind of alphabet
whether alphanumerical binary hexadecimal. or if you like Morse code..
Literature. Synthesis putting things together. observe the textual
codedness of digital systems of course implies the. danger of generalizing
and projecting one's observations of digital code. onto literature as a
whole. Computers operate on machine language which is. syntactically far
less complex than human language. The alphabet of both. machine and human
language is interchangeable so that ''text'' if defined. as a countable
mass of alphabetical signifiers remains a valid descriptor. for both
machine code sequences and human writing. In syntax and semantics. however
machine code and human writing are not interchangeable. Computer.
algorithms are like logical statements a formal language and thus only a.
restrained subset of language as a whole.. However I believe it is a
common mistake to claim that machine language. would be only readable to
machines and hence irrelevant for human art and. literature and vice versa
literature and art would be unrelated to formal. languages.. It is
important to keep in mind that computer code and. No computer can
reprogram itself selfprogramming is only possible. within a limited
framework of game rules written by a human programmer. A. machine can
behave differently than expected because the rules didn't. foresee all
situations they could create but no machine can overwrite its. own rules
by itself.. computer programs are not machine creations and machines
talking to. themselves but writings by humans. The programmerartist Adrian
Ward. suggests that we put the assumption of the machine controlling the
language. upside down. ''I would rather suggest we should be thinking
about embedding our own. creative subjectivity into automated systems
rather than naively trying to. get a robot to have its 'own' creative
agenda. A lot of us do this day in. day out. We call it programming.''.
quoted from an EMail. message to the Rhizome'' mailing list May. Perhaps
one also could call it composing scores and it does not seem. accidental
to me that musical artists have picked up and grasped computers. much more
thoroughly than literary writers. Western music is an outstandig. example
of an art which relies upon written formal instruction code. Self.
reflexive injokes such as ''BACH'' in Johann Sebastian Bach's music the.
visual figurations in the score of Erik Satie's ''Sports et.
divertissements'' and finally the experimental score drawings of John
Cage. shows that beyond a merely serving the artwork formal instruction
code has. an aesthetic dimension and intellectual complexity of its own.
In many. works musical composers have shifted instruction code from
classical score. notation to natural human language. A seminal piece in my
opinion is La. Monte Youngs ''Composition No. '' which simply consists of
the. instruction ''Draw a straight line and follow it.'' Most Fluxus
performance. pieces were written. Galerie und Edition Hundertmark. George
Maciunas und FluxusEditionen. . no page numbering. in the same notation
style. Later in the American composer Alvin. instruction which very
precisely tells to perform the piece by playing. itself back and
modulating the speech through the room echoes.. In literature formal
instructions is the necessary prerequisite of all. permutational and
combinatory poetry. Kabbalah and magical spells are. important examples as
well. But even in a conventional. Some historical examples have been
adapted online on my website. narrative there is an implict formal
instruction of how i.e. in which. sequence to read the text (which maybe
or followed or not as opposed to. hypertext which offers alternative
sequence on the one hand but enforces. its implicit instruction on the
other). Grammar itself is an implicit and. very pervasive formal
instruction code.. Although formal instruction code is only a subset of
language it is still. at work in all speech and writing.. It is
particularly remarkable about computing that the namespace of. executable
instruction code and nonexecutable code is flat. One cannot tell. a
snippet of digital code whether it is executable or not. This. property
does not stand out in the alphabet of zeros and ones but is solely.
dependent on how another piece of code a compiler a runtime interpreter.
or the embedded logic of a microprocessor processes it. Computer code is.
highly recursive and highly architectural building upon layers of layers
of. code.. Analysis taking things apart. The fact that one cannot tell
from any piece of code whether it is machine. executable or not provides
the principle condition of all EMail viruses on. the one hand and of the
codeworks of jodi antiorpNetochka Nezvanova mez. Ted Warnell Alan Sondheim
Kenji Siratori to name only a few. with the biennale.py'' computer virus of
the net art groups. on the other work that unlike the actual viri is
fictional in that it. aesthetically pretends to be potentially viral
machine code.. The codeworks to use a term coined by Alan Sondheim of
these writers and. programmerartists are prime examples for a digital
poetry which reflects. the intrisic textuality of the computer. But they
do so not by being to. quote Alan Turing via Raymond Queneau computer
poetry to be read by. computers but by playing with the. Raymond Queneau.
Cent mille milliards de pomes. Gallimard Paris. . p.. confusions and
thresholds of machine language and human language and by. reflecting the
cultural implications of these overlaps. The ''mezangelle''. poetry of
mezMary Ann Breeze which mixes programmingnetwork protocol code. and non
computer language to a portmanteauword hybrid is an outstanding. example
of such a poetics.. Compared to earlier poetics of formal instruction like
in La Monte Young's. Composition in Fluxus pieces and in permutational
poetry an important. difference can be observed in the codeworks The
Internet code poets and. artists do not construct or synthesize code but
they use code or code. grammars they found and take them apart. I agree
with Friedrich Block and. digital.deBlockindex engl.htm that digital
poetry should be. read in the history and context of experimental poetry.
A poetics of. synthesis was characteristic of combinatory and
instructionbased poetry a. poetics of analysis characterized Dada and its
successors. But one. An exception being the the ALGOL computer programming
language poetry. written by the Oulipo poets Franois le Lionnais and Nol
Arnaud in the. early s. see Harry Mathews and Alastair Brotchie editors.
Oulipo Compendium. Atlas. Press London . p.. hardly finds poetry with an
analytical approach to formal instruction code. in the classical th
century avantgarde. Internet code poetry is being. written in a new if one
likes postmodernist condition of machine code. abundance and overload.. The
hypothesis that there is no such thing as digital media but only. digital
code which can be stored in and put out on any analog medium is. perfectly
verified by codework poetry. Unlike hypertext and multimedia. poets most of
the artists mentioned here write plain ASCII text. The. contradiction
between a complex technopoetical reflection and lowtech. communication is
only a seeming one quite on the contrary the lowtech is. crucial to the
critical implication of the codework poetics.. The development of
hyperfiction and multimedia poetry practically paralleled. the
construction of the World Wide Web hyperfiction authors rightfully saw.
themselves as its pioneers. In the course of nineties they continued to.
push the technical limits of both the Internet and multimedia computer.
technology. But since much digital art and literature became testbed.
applications for new browser features and multimedia plugins it.
simultaneously locked itself into nonopen industrycontrolled code.
formats. Whether intentional or not digital art thus. like Shockwave
QuickTime and Flash. strongly participated in the reformatting of the
World Wide Web from an. open operating system and browseragnostic
information network to a. platform dependent on propietary technology.. By
readjusting the reader's attention from software surfaces which pretended.
not to be code back to the code itself codeworks have apparent
aesthetical. and political affinities to hacker cultures. While hacker
cultures are far. more diverse than the singular term ''hacker'' suggests
hackers could as. well be distinguished between those who put things
together like Free. Software and. Boris Grndahl's (German) Telepolis
article The Script Kiddies Are. Not Alright'' summarizes the multiple
sometimes even antagonistic camps. deutschhtmlresult.xhtml urltp
deutschinhaltte.html. demo programmers and those who take things apart
like crackers of serial. numbers and communication network hackers from
YIPLTAP Phrack and. Chaos Computer Club schools. Code poets have factually
adopted many poetical. forms that were originally developed by various
hacker subcultures from the. s to the early s including ASCII Art code
slang (like '' wArz. dd'' for ''leet elite wares dood'') and poetry in
programming languages. (such as Perl poetry) or they even belong to both
the ''hacker'' and the. ''art'' camp. curious. curioushyperreal.pl.
reading my handwriting. .jpg. 'Freedom died. great people proved that
awareness exists and every lifeform is aware. unfortunatelly they hadn't
in mind that evolution not aims into awareness. development but towards
better adaptation.. milions of people just learned how to fake awareness..
This what makes us Humans is ablity to selfdevelopment and Empathy. not
adaptation.. Crowd without a leader went insane.. Sickness is ones who
emphatize get dellusion when looking feelingsless. ones there is no mutual
empathy then ones who emphatize become codepend.. '. .jpg. (notes from
train station i tried to visualise how autosopher adaptative. network
works). also note that 'positive effects coming from smoking of tobbaco
come from. changed metabolism of dopamine while addiction is created by
completely. different neurotransmitter patch'. also common mistake of
polish language pointed out (use of foregin noun). .jpg adaptative ALP
network (network of small audio buffers adapting to. user defined sound)..
i have some other work like learning from c sources i'll write to you.
later. d.jpg. dissolving substance. dreams come when i am here. snowwhite
truth about false. particles of absurd from nothing. substance. while this
world is only interpretation of our dreams. substance. you melt with
nonexistence like you. practical disasemble of life program. transient
observation of. thoughts about minimalism truth about time.. form of
delusion. sequence of session. it's lack of thought Substance. while
civilisation camp grid is at least km thin.. where is reason. dynamic.
ambition. field of perception actions of consiousness. (). time. and this
is 'life'. intonation is alive and manipulating bodies. will be as is
because can't be other way. preprogrammed forecast shatter and bend under
influence of new data. how is time machine like. alive. destiny of chaos
complexity creation is creation itself. we can watch beauty of growth. our
time came. power came to an end.. curioushyperreal.pl. badgernoemata.net.
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'Freedom died. great people proved that awareness exists and every
lifeform is aware. unfortunatelly they hadn't in mind that evolution not
aims into awareness. development but towards better adaptation.. milions
of people just learned how to fake awareness.. This what makes us Humans
is ablity to selfdevelopment and Empathy. not adaptation.. Crowd without a
leader went insane.. Sickness is ones who emphatize get dellusion when
looking feelingsless. ones there is no mutual empathy then ones who
emphatize become codepend.. '. .jpg. (notes from train station i tried to
visualise how autosopher adaptative. network works). also note that
'positive effects coming from smoking of tobbaco come from. changed
metabolism of dopamine while addiction is created by completely. different
neurotransmitter patch'. also common mistake of polish language pointed out
(use of foregin noun). .jpg adaptative ALP network (network of small audio
buffers adapting to. user defined sound).. i have some other work like
learning from c sources i'll write to you. later. d.jpg. dissolving
substance. dreams come when i am here. snowwhite truth about false.
particles of absurd from nothing. substance. while this world is only
interpretation of our dreams. substance. you melt with nonexistence like
you. practical disasemble of life program. transient observation of.
thoughts about minimalism truth about time.. form of delusion. sequence of
session. it's lack of thought Substance. while civilisation camp grid is at
least km thin.. where is reason. dynamic. ambition. field of perception
actions of consiousness. (). time. and this is 'life'. intonation is alive
and manipulating bodies. will be as is because can't be other way.
preprogrammed forecast shatter and bend under influence of new data. how
is time machine like. alive. destiny of chaos complexity creation is
creation itself. we can watch beauty of growth. our time came. power came
to an end.. curioushyperreal.pl. badgernoemata.net. End of forwarded
message. . e k u n s t . curious. This is a multipart message in MIME
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XMailScanned by Interweb Norge as. curioushyperreal.pl. reading my
handwriting. .jpg. 'Freedom died. great people proved that awareness
exists and every lifeform is aware. unfortunatelly they hadn't in mind
that evolution not aims into awareness. development but towards better
adaptation.. milions of people just learned how to fake awareness.. This
what makes us Humans is ablity to selfdevelopment and Empathy. not
adaptation.. Crowd without a leader went insane.. Sickness is ones who
emphatize get dellusion when looking feelingsless. ones there is no mutual
empathy then ones who emphatize become codepend.. '. .jpg. (notes from
train station i tried to visualise how autosopher adaptative. network
works). also note that 'positive effects coming from smoking of tobbaco
come from. changed metabolism of dopamine while addiction is created by
completely. different neurotransmitter patch'. also common mistake of
polish language pointed out (use of foregin noun). .jpg adaptative ALP
network (network of small audio buffers adapting to. user defined sound)..
i have some other work like learning from c sources i'll write to you.
later. d.jpg. dissolving substance. dreams come when i am here. snowwhite
truth about false. particles of absurd from nothing. substance. while this
world is only interpretation of our dreams. substance. you melt with
nonexistence like you. practical disasemble of life program. transient
observation of. thoughts about minimalism truth about time.. form of
delusion. sequence of session. it's lack of thought Substance. while
civilisation camp grid is at least km thin.. where is reason. dynamic.
ambition. field of perception actions of consiousness. (). time. and this
is 'life'. intonation is alive and manipulating bodies. will be as is
because can't be other way. preprogrammed forecast shatter and bend under
influence of new data. how is time machine like. alive. destiny of chaos
complexity creation is creation itself. we can watch beauty of growth. our
time came. power came to an end.. curioushyperreal.pl. badgernoemata.net.
End of forwarded message. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. post distribuert via. e k u n s t.
listeadresse eekunst.no. kontaktadresse listmasterekunst.no. Re curious.
weird taxonomy. thanks to curious... arafat. arafat shithead it's all the
same some shithead claiming territory. another shithead you only need one
then you get another. automatically like tribes of shitheads shiites
something what's. that got to do with anything. contemporary ontology
something anything everything nothing. maps plainly to logic how
metaphysics became logic or was as it. were classes what do we mean
classes are classes nosferatu the. death of metaphysics the blood is logic
everything is logic has. its undead counterpart the world may die any human
we'll go on. living like undead i should come through here no it's not
possible. any image still there's a byte before it exhausts coming back
to. this morning and driving under the bridge don't blame gray words. gray
roads. feeling down may come easy you just sit there and suddenly you want.
go to sleep and can't sleep because you think this will never end. and
there's nothing anywhere. i'm always down like the server is. down. all
this wind is it going anywhere mostly robots reading the. web let's say i
lived my experience is not different from anybody. else why should we be
separate two persons have mutual feelings. what a mess still four arms two
heads what a monster and the. cleaning of the interface reactions why
should i react i'm already. you not in a religious sense just practical
like the same same. system two processes the same shit all the more
pressure around. identity and the individual this exploition a striking or
notable. deed feat spirited or heroic act the exploits of Alexander the.
Great. it's of course true we are the same otherwise science and. the
logics would be false but still culturally a quest for. identity and most
levels retained which together is driving us out. through the processor
our bodies are arguments positions like. minimal pairs in linguistics and
identical to what itself which. makes sense only through a representation
with the possibility of not. being itself so the quest is via the culture
representation where. the position comes in like the 'you are here' on
maps (in a text you. are here what does it mean i am here this is a long
string and the. other arts where are you in music and everything before
language. and within) no the identity can't come from anything why
different. cultures have different ideas of identity we have maps so we
have. the identity of 'you are here' which gives a faint realization of.
yourself but enough to keep fixed through the loop of being and not. being
the truth and falsity of representation or more precise the. falsity
revealed through its truth and vice versa which is at stake. when
represent i am here two times here and here which are two. places in the
text two positions and isn't it supposed to be only. one like i am only
one so we are baffled by this like Alexander the. Great and need to do
baffling deeds to overcome the bifurcation that. takes place already at
the root already at 'you are here' we don't. understand and the territory
comes from this of not understanding. and you get terrorist and president
like arafat collapsing and. sustaining the map as the quest for identity
through construction of. yourself which is like a greek tragedy whatever
you'll find is the. looking for yourself palestine holy land holy shit how
fcking. long will it take before these shitheads loose their power to lead.
others astray for people not to be led into another suffering hell by.
shithead the great.. roadmap to peace forget road forget map forget
peace.. Re syndicate arafat. This is a multipart message in MIME
format.... ContentType textplain charsetiso. if you rid yourself of
opaqueness i don't know where you are is that. beauty love and war were
always good friends. it's still about identity. the quest for anything
clear and transparent (love) which at the same time. should be something
(territory) and it doesn't resolve so forget it not. wait for the best
love projects (maps) too much the territory becomes. what you see is that
wise. Of the raising opaqueness Claudia always has the most beautiful
answer. which we can wait for the best. Original Message. claudia
westermann. Friday November AM. Re syndicate arafat. a. forget road forget
map forget peace.. keep love. love me in my full beauty and I'll become.
what you see in me. or wise. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for
media culture and media art. post to the Syndicate list. no commercial use
of the texts without permission. RE syndicate arafat. This is a multipart
message in MIME format.... ContentType textplain charsetiso. arafat
shithead it's all the same some shithead claiming territory. another
shithead you only need one then you get another. automatically like tribes
of shitheads shiites something what's. that got to do with anything. sure
let's stick to shithead ascii pseudo artists like you. who says you have
to choose sides. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for
media culture and media art. post to the Syndicate list. no commercial use
of the texts without permission. Re syndicate arafat. This is a multipart
message in MIME format.... ContentType textplain charsetiso. Far from the
making act we can say everything in any case. Obviously you. had not
chosen but the omissions allied to the obvious terms made sense of.
themselves together without that you formulated of choice. Obviously
that's your choice reading it as political declarations in most. senses of
the word political since politics is about forcing a choosing of. sides
setting the options to choose but obviously every side is ugly. here
oppressor or oppressed how the sense of justice is construed and. since
nothing is chosen something ugly comes back for lack of the political.
conformance and balance and renders opaque and annoying and gives the
idea. there must be a clearer position behind or hidden but that's not the
case. other than don't be mislead by political 'shitheads' to suffer their
hell.. ContentType textplain namemessagefooter.txt. ContentDisposition
inline filenamemessagefooter.txt. ContentTransferEncoding bit. Syndicate
mailinglist. Syndicate network for media culture and media art. post to
the Syndicate list. no commercial use of the texts without permission.
recursive dictionary. He was born with a material or nonmaterial entity
idea action. etc that is or may be thought about or perceived a gift a
thing. given or presented of the something done deed or action or.
sensation caused in the ear by the vibration of the surrounding air or.
other medium of laughter and the capacity or power to perceive or feel. or
to be conscious of the state or condition of being present or. attributes
qualities or characteristics of material or nonmaterial. entities ideas
actions etc that are or may be thought about or. perceived that human
concerns business matters to be attended to. their continuous onward
movement or progression and circumstances. esp. those affecting the
functioning or existence of something active. condition which
distinguishes active animals and plants from inorganic. matter including
the capacity for growth functional activity and. continual change
preceding death were mad.. Bertrand Russell. Applying the algorithm to
text with a high proportion of abstract. nouns is particularly amusing.
Here the starting text is from. Bertrand Russell's History of Western
Philosophy from a chapter on. Plato. The second argument is that knowledge
is recollection and therefore. the soul must have existed before birth. The
theory that knowledge is. recollection is supported chiefly by the fact
that we have ideas such. as exact equality which cannot be derived from
experience.. Transformation gives. The second reasoning process is that
awareness or familiarity gained. by experience is the act or power of
recollecting and therefore the. spiritual or immaterial part of a human
being often regarded as. immortal must have existed before the emergence
of a (usually fully. developed) infant or other young from the body of its
mother. The. supposition or system of ideas explaining something esp. one
based on. general principles independent of the particular things to be.
explained that awareness or familiarity gained by experience is the. act
or power of recollecting is supported chiefly by the thing that is. known
to have occurred to exist or to be true that we have. conceptions or plans
formed by mental effort such as the exact. state of being equal which
cannot be derived from actual observation. of or practical acquaintance
with facts or events.. plese. its tu much. i wnat nothign to do with it.
plese. i was nothing to do withit. arc.hive. This is a multipart message
in MIME format.... ContentType textplain charsetiso.
ContentTransferEncoding quotedprintable. all the tnihgs taht aArent
psoilsbe bcak bcak apin bcal is viatl. ptsoure hondinlg im dizzy yuore
liokng for reilef or bdluiiing. waht dnot ask bdiiuinlg fwlwnig don
lkneiesss loop of snese. tgohuths arise attache not i was wthas there to
bilud a story no. stroy threes no sotry what sotry do you yuor life sorty
no lfie. sotry blind bilnd bnild story no sorty bilnd back and fotrh no.
sorty nnothig dvoeelps no dempoleevnt its all dlwilohnl dwon. srtoies i
not srtoy not sroty and the stroy adnother wrod for. benig isdine the
scubjet bnieg oecjbt but not eevn sjbecut how. sjbcuet can i be to daeth i
wsant so how can i be iAts a story. olny a sotry wtih a bgeniinng and end
and the sotry is ntoghin no. story the sotry is jsut a story and the
sejbuct is not a sucbjet. these wdros are cnmiog form a long line of ilde
soht form the. seubct lnie sbjecut the sjbeuct eiecnrxeeps epienrexecs ex
peri. sneseis it tnilkag abuot ilestf or vetbivare mdoe of pscroes.
iarmooniftn v bceaues trehs nnitoghb to bulid the linvig are for. the
lvinig the voderr is for shgmeotin oto be and esle non and. you wodluAnt
know but the tarinstion for loss and gian which. lgneirs for yesra for
lteifmie tmie until aontehr loss wchih fdaes. lkie dcemial jmbures in
sniinicgfcae the digit iteengr wlhoe. hole drigess how etym the w hloe
tunnel tsarcnend. bef. ME OE hol hole cvae orig. nuet. of hol (adj.).
HLOOLW c. G hohl hwlolo. ebf. ME hole hool (daj. and n.) OE hl (ja.d) c. D
heel. G heil ON hilel see HLAE HEAL sp. wtih w relectfs dail. form. bef. ME
holi OE hlig var. of HLEG equiv. to hl WHLOE. eg Y c. D G heilig ON
hlaiegr. the bcalk wohle. .... ON see HLEL. bef. ME OE he(ll) c. OHG
h()illea (G HllFe) ON hel Goth. hjala aikn to OE hlean to cover hide and
to HLUL. satngre the etym siiimelritas as if the opipostes were the.
coslest cinaopnoms balck holes at the cneter of glaaxies in the. misdt of
haveen reisde hell qiute the oppsoite no surprsie also. the balck whloes
of rliigoen whta's torhwn oitudse is rnig. tgloopoy or the srting cmoes
bcak at the cetner or vcie vresa. it's aonther hlel like the syanig if the
wrold was peecfrt it. woul'ndt esixt wree each wrod bges its exspoinan and
if the word. was pefrect it wondul't eixst so tihs way geos itno
altiioainhnn. or the aiiilhntnaon is cnncteeod to rzaieaoiltn wihch is.
cttslannoy dlaeyed torwhn out lkie the wrlod is cearted in tmie. which is
just the delay thgnis go sowler and solewr. the hack. itno ereltncos
certeas the wolrd aenw slutaimes from lgiht seped. and loigc the
hrewyporld mroe and more has to be thorwn out at. lhigt speed to keep it
go solwer and sowler inetria at the end of. speed mabye lkie the practile
padorax aagin if sthoiemng is. pulctairar (eg. tmei) it ditfrs off
mronuolssty allchies and the. tultre view tihs from rivitatley as aheilcls
is giannig light. speed he inealtfs ifitnneliy enregy bceomes msas the
wrold form. the filurae of reazilnig of rhaecing the ttrlue whcih is the.
fiarlue of riiztleaaon the praadox of the pultiracar of the. wrold the
montusros itnifoaln hloe whloe hloy hlel hole in the. wolhe hell in the
holy in the mdsit wihch is cnnasottly thowrn. out the paissve out of the
avitce any oejcbt thwron out of the. subcjet like this.. ContentType
textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. arc.hive mailing
list. arc.hiveanart.no. Re Is Hell Exothermic. all the things that arent
possible back back apin bacl is vital. posture holdning im dizzy youre
loking for relief or builiding. what dont ask biuliding flwwing don
likenesss loop of sense. thoughts arise attache not i was whats there to
build a story no. story theres no story what story do you your life story
no life. story blind blind blind story no story blind back and forth no.
story nothing develops no development its all downlhill down. stories i
not story not story and the story andother word for. being inside the
subject being object but not even subject how. can i be to death i wasnt
so how can i be its a story. only a story with a beginning and end and the
story is nothign no. story the story is just a story and the subject is not
a subject. these words are coming from a long line of idle shot form the.
subect line subject the subject experiences experiences ex peri. senseis
it talking about itself or verbative mode of process. information v
becaues thers nothignb to build the living are for. the living the vorder
is for somethign oto be and else non and. you wouldnt know but the
transition for loss and gain which. lingers for yesra for lifetime time
until another loss which fades. like decimal jumbers in significance the
digit integer whole. hole digress how etym the w hole tunnel transcend.
bef. ME OE hol hole cave orig. neut. of hol (adj.). HOLLOW c. G hohl
hollow. bef. ME hole hool (adj. and n.) OE hl (adj.) c. D heel. G heil ON
heill see HALE HEAL sp. with w reflects dial. form. bef. ME holi OE hlig
var. of HLEG equiv. to hl WHOLE. eg Y c. D G heilig ON heilagr. the black
whole. .... ON see HELL. bef. ME OE hel(l) c. OHG hell(i)a (G Hlle) ON hel
Goth. halja akin to OE helan to cover hide and to HULL. strange the etym
similarities as if the opposites were the. closest companions black holes
at the center of galaxies in the. midst of heaven reside hell quite the
opposite no surprise also. the black wholes of religion what's thrown
outside is ring. topology or the string comes back at the center or vice
versa. it's another hell like the saying if the world was perfect it.
wouldn't exist were each word begs its expansion and if the word. was
perfect it wouldn't exist so this way goes into annihilation. or the
annihilation is connected to realization which is. constantly delayed
thrown out like the world is created in time. which is just the delay
things go slower and slower. the hack. into electrons creates the world
anew simulates from light speed. and logic the hyperworld more and more
has to be thrown out at. light speed to keep it go slower and slower
inertia at the end of. speed maybe like the particle paradox again if
something is. particular (eg. time) it drifts off monstrously achilles and
the. turtle view this from relativity as achilles is gaining light. speed
he inflates infinitely energy becomes mass the world from. the failure of
realizing of reaching the turtle which is the. failure of realization the
paradox of the particular of the. world the monstrous inflation hole whole
holy hell hole in the. whole hell in the holy in the midst which is
constantly thrown. out the passive out of the active any object thrown out
of the. like this.. Re Ego. list copy. It's based on palindromes as you
might expect ) By that constraint. they seem to have their own quirkiness
in vocabulary maybe grammar. and semantics what themes reoccur and comes
through so I wanted to. make pseudopalindromes or write something through
the palindromic. namespace palindromes that were not palindromes but only
looked like. it ) So I'm just processing the palindrome files from.
through the constructed space. I like using markov chain to rearrange.
stuff because the connections between entitites are real and the.
statistics for choosing between entitites are also real (a strong.
connection is more likely to be chosen) so the random element is. within a
quite structured system choosing between weighted options. derived from
real data.. I'm doing some more of these though I see it's limited in use.
I'm. reading through a dictionary of wordplay and oulipo to see if I want.
do something. I'm also having fun with a reverse lookup in. webster's
dictionary from definiens to definiendum which amounts to. a peculiar
thesaurus replacing words by (search for word through all. definiens and
gather all the definiendum and then choose all or one of. these you then
get an associative relation weaker than thesaurus. but more 'poetical'
connoted. Some recent pieces were done with this. and I'm not through with
it yet.. Bjørn. anyhr. year anniversary. archive of visual works. anyhr. as
exhibited at machinista.org. recent. This is a multipart message in MIME
format.... ContentType textplain charsetiso. anyhr. year anniversary.
archive of visual works. anyhr. as exhibited at machinista.org. recent.
ContentType textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. arc.hive mailing
list. arc.hiveanart.no. anyhr. year anniversary. archive of visual works.
anyhr. as exhibited at machinista.org. recent. post listrhizome.org.
questions inforhizome.org. visit on Fridays the Rhizome.org web site is
open to nonmembers. Subscribers to Rhizome are subject to the terms set
out in the. Re Ego. It might be interesting and I'm going to try it what
happens if the. probability is inverted like you suggest. It'll be more
terse and running. culdesac since from always looking for the lesser paths
quickly search. for the borders and then follow the border in a random walk
between the. entries of minimal value. If there is a substantial base of
data it might. do this without running cold and without merely repeating
the singular. minimal data at the margins. Thanks for the idea. I'll try
make more. things available online also in case the computer should crash
like now I. had to zip the data out on floppies. Thanks to dead media...
Thanks for this explanation. Hey noem what if instead of the markov
process you used to make that. work you were to use an inverse markov
process instead That is. rather than selecting words on the basis of their
high statistical. probability to follow other words you selected them for
exactly the. opposite reason It seems to me that these two extreme poles
of textual. generation might exemplify the fundamental split between
narrative and. antinarrative that has been the rallying cry of modernism
for the past. years.. Anyway just an idea for you if you want it.. m. On
Wednesday November at AM. list copy. It's based on palindromes as you
might expect ) By that constraint. they seem to have their own quirkiness
in vocabulary maybe grammar. and semantics what themes reoccur and comes
through so I wanted to. make pseudopalindromes or write something through
the palindromic. namespace palindromes that were not palindromes but only
looked like. it ) So I'm just processing the palindrome files from.
through the constructed space. I like using markov chain to rearrange.
stuff because the connections between entitites are real and the.
statistics for choosing between entitites are also real (a strong.
connection is more likely to be chosen) so the random element is. within a
quite structured system choosing between weighted options. derived from
real data.. I'm doing some more of these though I see it's limited in use.
I'm. reading through a dictionary of wordplay and oulipo to see if I want.
to do something. I'm also having fun with a reverse lookup in. webster's
dictionary from definiens to definiendum which amounts to. a peculiar
thesaurus replacing words by (search for word through all. definiens and
gather all the definiendum and then choose all or one of. these you then
get an associative relation weaker than thesaurus. but more 'poetical'
connoted. Some recent pieces were done with this. and I'm not through with
it yet.. Bjørn. pza. ARL BLUE. NI DTE. S I. L O HECN. TASEEA E. FEM ENKERS
CLEAR VDESFSWWAOATT A. ONÅRMLI UAMFN ONE FASHION ANELFEO FHM R. ED VIT
LSMEAENE TOMMEL HER. WEALNR EAGWTU Y GES. OEI NIRLY THEM HVITE KISGH SEO
SHOESF. SDLIE TOV THE GAP HOLES TAO T P. ML DHE WT AERTTNISKE U. T IT
VARIA STRENGE MAR TLE. YRDSN EE SE COND DAYS THE THEM THEAFA E AV. NES IER
VENS T R ACROSS. IT N E D EHSBI. DADKANNIE ISOMERISATION ITSELF ITTMLT WRS.
MAT THE NIGHT SIT HERA QUIE. T IT A C EAS DS. THE B ACK S FENCE HUN VAR
DRUNKED ED E. AHSER GLASS KA S SER IOT S. TERNWAR DS GUL YR. DADD AMA SÅ
GHETTO SÅ DELTAGEN DE U DO EG. OWK HE MED Y E S ANNETTE M. EOWING ION IA
HONG. F INK FROTH FIERY AEROB I OLOGI CAL STOR. R A. Re ECNAD PMUD.
sitonsiemordnilapasidrowatonsi is not a word. drowatonsi is not a word.
drowatonsi is not a word
328
is a palindrome. is not. is. Re ECNAD PMUD. .. etaD esaeleR .. esabataD
suriV .. noisreV. .suriVitnA GVA yb dekcehC .egassem gnimocni siht ni
dnuof suriv oN. .. etaD esaeleR .. esabataD suriV .. noisreV. .suriVitnA
GVA yb dekcehC .egassem gniogtuo siht ni dnuof suriv oN. certyfied liater
sorry HP phyrros retail deify trec. the mean. while waiting and waiting
for win to boot. a play for the calculator the mean. ok what about . ..
where does the . come from. .. still the same. ok so we know n(n).(n.).
what about step while. it holds now the diff is always.
n(nstep)(step)((nstep)). try random ... i have to format c unbelievable.
step is so it doesn't work. do you want to install netmeeting. who ever
had any need of scandisk. i ran scandisk several times now. still it
didn't detect damaged sectors. unbelievable crap scamdicks. well why
didn't it work for odd. it's. yeah now your product key licence. it's
supposed to be oh well it just squares then. squareroot of . is.. . voila.
key is GXPPKTCDRJGJDTRBM (win). it's n(nstep)(step)((nstep)). which makes
sense for the . and the. updating you system... restart then restart then
restart. this wasn't very profound. it's like you need the square stuff
somewhere. whether you put it in the n's or the step. it doesn't matter.
the suprise in the beginning of this play... it didn't take into account
the extras of the square. the double its shadow. it's about dimensions.
how the extra dimension casts a shadow back. the step is supposed to take
care of that. ah but there's no stairway to heaven. can't believe this
where are the screen drivers. My documents it's intimidating. very small.
i lost the scans whatever. anal stuff i mean what's the point. the joy of
loosing. again a gain where does the shadow come in. the gain where the
extras are from. hell is a collapse of dimensions. what happens when
things colapse. when these squares collapsed they lost their shadow. i was
thinking of this drawing also what it lost. shadows of course collapsed
into texture. but the other way also. what would the hyper be if this was
texture. loom. unbelievable. unbeleivable. what is most. this cognitive
quaking is backforth's squaring. nothing in the middle. nothing mediated.
these are flat. mean. the synonyms for mean are average base beggarly
entail hateful have. in mind imply intend mean value meanspirited mingy
miserly. signify stand for think think of tight. Re sad man. he reminisces
no ones bisetous beloved him. as a tendency and he has left that placental.
all wait it is kettledrum the long drawn. unwatched nighttime tv in waste
hotel rooms. when he pulpiteer it is as humor that laugh vacillate.
pitching the mature and then he goes back home. he fits into his clean he
takes a walk. his ear is vulgar pure pitch he hears in. grisaille. ideas
where the heart shoulder be have grown. infect he replays them and
sufferer sirrah. most of story is the obscenity tense diurnal. still
underscored by sunlight's capstan. he reminisces no one's having loved
him. as a place and he has left that place. all morning it is afternoon
the long drawn. unwatched daytime tv in unoccupied hotel rooms. when he
speaks it is as humor that sounds constant. paving the experience and then
he goes back home. he fits into his clothes he takes a walk. his ear is
lacking perfect pitch he hears in. monochrome. ideas where the heart
should be have grown. infected he replays them and endures familiarity.
most of story is the present tense daylight. still underscored by
sunlight's passing. sheila e. murphy. lumber. lumber. noemata. Monday
November. eec. tries to separate the signal. It's the processing that
gets. confusedandtechnologies. this should be obvious to anyone who has
upgraded a. radioimproved. The interference was in the eye of the beholder
all along.Or. asbecause there's been little reason to make them smart.
They're designedtojust. making smart radios because some of the techniques
forunconfusingSystems. architecture stupidduring World War II. We were
worried that the Germans. might jam thesignalsreceiver were made to switch
in sync very rapidly among a. correct message. The U.S. Navy has used a
version ofand work very. well.gUmnlDETKVAwbNNWEpeSfarchitecture before
using it always. fails. Always. This is in fact apaper maintained you
should move as many. services as feasible out ofthetemptation is to
improve a network by adding. services to it.network is more valuable. We
know it's more valuable because. theycharge ussih dna deeR daetsnI
.krowten eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a
good idea can implement a service and offer it. over theInternet we
wouldn't have had to wait years to get caller I.D.. itwouldvgfrys gur zber
vaabingvba va vqrnf freivprf naq ohfvarff. zbqryfThere is active
controversy however over exactly how much. handshakingare defined in
software rather than etched into hardware radios. willbeand ask for
assistance from their radio peers... noemata. comments. this group send an
email toQ Are you qualified to give a urine. sampleuttrykk.ren nd i nedrig
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some a conscious. primate hasmuch more aitself so the eht retaerg ehT
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noemata. Friday November. det h. begge veier. Besk kommentere bker stille
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to kanbev str. noemata. vil jamme. vhxYF.uGHsReFsvuKRaLZzDMed Vennlig
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er det bergen kunst Bergen Kunsthall BergForestillingene. brukessknadsfr
er det bergen kunstkonstruktiv og positiJlster kunst. og foto
sknadsfrettertryk Jlster kunst og. fotokopernika debat eieOslo Open s.
kopernikabr derimoSenter for tegning i Kun Oslo Open s hva e Senter for.
tegning i Kundet nei du trenger ik Henmo Ingvill Manusu hva e. Samisk
Henmo Ingvill Manusu I Troms Samisk nede i d sto det noe om. I Troms noe
om ta Lademoen Kunstnerverk sto det noe ommenneskelighet.
tKunstnerverksteder Lademo . Lademoen. Kunstnerverk Lademoen Kunstnerverks
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kanbl knyt er de klarte bli. avsl eiendom er tyve knyt ergrensesni eiendom
er tyve Office for le. jeg hrte en cd med a office for letil fellesverk
fikk noen st jeg. hrte en cd med a fikk noen st.. noemata. Monday
November. ... ... .... ... . .....................
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avgjrende i. sikt ogs avI tillegg til sp aktiall Rev er Bor der Hva
kanconceptual. literar Torunn Larsen b Vel Med veAlpha ebfotografier er.
exploiterutstilling aMassive Production o tabl over vre s. rekkehusbeby
Marte Aas er det et bo Marte Aas er boformavgjrende i utsti. melk p talle
avgjrende i rd pels og world and thirtytwo thous Marte. Aas er den me
Marteinformai Torunn hverdagslig kanskje bare Tilstedev. Marte Aas er den
m Certified Virus DaHome to Kansas hverdagslig kanskje. bareworks.
tapetinstalI tillegg t Bl himmel. Alle som sikt ogs av. videoen Ho Hun har
me Marte for menneskene og er den bor.. noemata. Friday November. s of
aThis. noemata. Thursday November. M F. heia heiaTime INSENDTE BIDRAG VADS
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kananonymiseres folkebidraget. kommer inn Silja inviterer folk i Vads og
Finnmark til kommeglass og. deler av Glasskunstneren Silja Skoglund som er
bosatt i Troms er en. avkunstnerne somav delta.det spennende SKRIFTEN P.
VEGGENisoQSKRIFTENPCVEGGENCulturejammers mailing. listbaababaaffcbcbba I
simply rememberBeen around the. somber town maybe in the wall... noemata.
how do i proceed from here. how do i proceed from here Do it. what is
there to be done Be done it. what. is the whip if this is the tail Is
notenough to get out. what is enough What. is the truth i.e. what it
believes to say to get out. and what is the get out. output Get out. and
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output output output output output output. noemata. Friday October. ref.
anon. nym.alias.net. alt.anonymous.messages. gratisannonser. qtopic.
navneloven. project runeberg nordisk litteratur. faqs. russian litt in eng
translation. low stream coding. ahimsa jihad. BB list. eugene list.
origami. Written in stone skrevet i stein net.art. NNTP Protocol. FAQ
Current Usenet spam thresholds and guidelines. KMail Tools Docs.
Saltdalingen og vaskemaskinen nordnorsk kulturhistorie (K mp). litt
akerbaek. Fritz Wuehler. dokumentasjonsprosjektet. frell.eu.org. jean
genet. eugen ionesco. streamripper. police donut spinach. plus day needy
scapin arrayed. polack doha nadia spumy arrayed. plage do neath savona
arte. please de nett shaban art. pales do nato shaban areawide. pluck duo
nu saphena arrowwood. poleax du newt saipan arietta. paillasse dhow not
sweven artie. phyllis due nota sevan artie. pillows dye nadia spin arty.
peels dieu need spawn aerate. pleuso de ned sben art. ploaka do nit spam
ard. pleesa da net sben ard. pliaso de not sfin ard. ploose de not spim
art. plhhzo di nat spun ard. pleuse de nod sfen art. linquate. a Markov
chain derived pseudolexicon. nook. nook (nk) n.. . a corner as in a room..
. any secluded or obscure corner.. . any small recess a breakfast nook.. .
any remote or sheltered spot a shady nook that was ideal for a. picnic..
ME nok. Re . Section VI.. VICINITY. Potential sentence DN PNRRMAQYAW
NVVYPUB VYBCD DMCS VNBPU CDNG SUUG FC. MQHYCUQ IYDX BUCGUPD DN UAURK
RNHURUAD YA HYPYAYDK XYTT UYWXD CYJ VYHU. LUBN (). noemata.net noemata.net
noemata.net. lumber. ideareal. wreathus. log. pre.txt. hexture. nkb.
mootics. rashmaps. noemata. noemata.net noemata.net. noemata.net. lumber.
ideareal. wreathus. log. pretext. hexture. nkb. mootics. rashmaps.
noemata. lumber. ideareal. wreathus. log. pretext. hexture. nkb. mootics.
rashmaps. noemata. lumber. ideareal. wreathus. log. pretext. hexture. nkb.
mootics. rashmaps. noemata. noemata forlag. lumber. ideareal. wreathus.
log. pretext. hexture. nkb. mootics. rashmaps. noemata. Al 'all'. lf
'elf'. Arn 'eagle'. s 'god'. Au 'wealth'. Bjrn 'bear'. Brynj (Bryn before
consonants) 'coat of mail'. B (Bv before vowel) 'battle'. Ei (also Ey)
'always' (or a form of Ein 'only'). Ein (Ei before lrmn) 'one only'. Ey
(also Ei) 'always'. Far 'travel'. Fast 'steady'. Frey 'Frey' (a god). Fri
'peace'. Geir 'spear'. Grm '...'. Gunn 'battle'. H 'high'. H (see H). Hall
'hall'. Har (see Her). Her (also Har) (Herj before vowel) 'army'. Hjalm
'helmet'. Hjr 'sword'. Hlo 'fame glory'. Holm 'islet'. Hring 'ring'. Hr
(Hr before r and l) 'glory'. H (also H) 'battle'. Ing (also Ingi) 'Ingr'
(a god). Ingi (Ingv or Yngv before vowel) 'Ingr' (a god). J 'horse'. Jr
'boar'. Jfur 'boar'. Ketil 'kettle'. Odd 'point tip'. in 'inn' (the god
Oden). tt 'fear'. Ragn 'power'. Rand 'shield edge'. Sig 'victory'. Skjld
'shield'. Svan 'swan'. j 'people'. r or or 'rr' (the god Thor). lf 'wolf'.
V 'holy'. Vg 'battle'. Yngv (see Ing). l 'ale'. Masculine suffixes.
Feminine suffixes. aldr (see valdr). lfr 'elf' masc. ast.. arr (also varr)
(from protonorse harjaR or warjaR 'warrior'). masc. ast.. arr (see geirr).
bjrn 'bear' masc. ust.. fss 'eager' masc. ast.. gautr 'geat' masc. ast..
geirr 'spear' masc. ast.. gsl '...' masc. ast.. hvatr 'brave' masc. ast..
kell (see ketill). ketill (also kell) masc. ast. syncopated in dat. Katli.
lfr (see leifr). lkr (see leikr). laugr '...' masc. ast.. leifr (also lfr)
'heir' masc. ast.. leikr (also lkr) '...' masc. ast.. marr 'famous' masc.
ast.. mr '...' masc. ast. gen. ar. mundr 'power' masc. ast. gen. ar. olfr
(see ulfr). rekr (see rkr). rr '...' mask. ast.. rkr (also rekr) 'mighty'
mask. ast.. steinn 'stone' masc. ast.. sveinn 'boy servant' masc. ast..
tryggr 'faithful' masc. wast.. r 'servant' masc. ast.. ulfr (also olfr)
'wulf'. unn (see vinr). urr (see verr). valdr (aldr after vowels) 'ruler
chief' masc. ast.. varr (see verr). varr (also arr) (from protonorse
warjaR 'warrior') masc. ast.. vr 'warrior' masc. ast. (no ending in dat.).
verr (also varr or urr) 'guardian keeper'. vinr (also unn) 'friend'. bjrg
(also borg) 'salvation' fem. st. dat. and acc.() u. borg (also birg)
'salvation' fem. st. dat. and acc.() u. ds 'goddess' fem. ist.. eir (see
heir). elfr 'female elf' fem. ist.. frr 'beautiful' fem. ist.. gerr
'field' fem. ist.. gur (stem gunn) fem. ist.. heir (or eir after
consonant) 'heath' fem. ist.. hildr (or ildr after consonant) 'battle'
fem. ist.. hvt 'white' fem. st. dat. and acc.() u. ildr (see hildr). laug
'...' fem. st. dat. and acc.() u. leif 'heiress' fem. st. dat. and acc.()
u. l 'invitation' fem. st. dat. and acc.() u. rr '...' fem. ist.. rn
'secret rune' fem. st. dat. and acc.() u. rr 'power' fem. ist.. ur (stem
unn) (also unn) 'loved' fem. ist.. unn (also ur) 'loved' fem. ist.. v
'...'. veig '...' fem. st. dat. and acc.() u. vr '...' fem. st. dat. and
acc.() u. In theory any prefix goes with any suffix. Such composite names
can. have rather strange meanings but that does not appear to be a.
problem. Still all combinations of prefix and suffix do not occur.. When
the first and the second part of the composite names meet each. other some
assimilations occur. In some of the names sound changes. have distorted the
form of the parts so that they are difficult to. identify and sometimes
those changes occured already in the proto. norse language. Since this
site is primarily about old norse the. historical explanations are at the
bottom of the page for those who. are interested.. Here are some examples
of composite names and if necessary what. parts they consist of. Their
inflection is of course the same as that. of their suffixes.. Men's names.
Alrekr. ArnbjrnAmbjrn. Arn bjrn. Arngeirr. Arngrmr sbjrn sgautr sgeirr
skell smundr svaldr Auunn Brr. b verr. Brynjolfr. Eilfr. Ein leifrlfr.
Einarr. Ein arr. EirkrEirekr. Ein rkr. Eyjolfr. Eysteinn Eyvindr.
Freysteinn. Fstulfr Geirmundr. GulaugrGullaugr Gumundr. Gunnarr. Hlfr. H
ulfr. Hallvarr Haraldr. Her valdr. Hvarr. Herjolfr. Her ulfr. Hervarr
Hjrleifr Hjrvarr Hlovr. Hlo vr. Hraldr. Hr valdr. HrgeirrHrarr. Hr
geirr(g)arr. Hrlfr. Hr ulfr. Hrollaugr. Hr laugr. Hrmundr. Hr mundr.
Hrrekr. Hr rkr. farr. Ing arr. Ingimarr Ingjaldr. Ingi waldr. lfrleifr. n
leifrlfr. lfr. n leifr. leifr. n leifr. ttarr. tt arr. Ragnarr Rgnvaldr
Randvr Sigfss. Siggeirr Sighvatr. Sigmundr Sigsteinn Sigtryggr
SigurrSigvarr Styrbjrn. Styr 'kaos' bjrn. raldr orarrorgeirr. r geirr.
orbjrn rrorvarr. r geirr. orgeirrrarr. r geirr. orgslorgils orgrmr.
orkell. orlkr orleifr ormr. orolfr. r ulfr. orsteinn. orvalroraldr
orvarrrr. r verr. Vgfss. Yngvarr. Ing arr. Øyvindr. nundr. Women's names.
lfhildr lf. n leif. Arnfrr. sleif slaug strr. s frr. Geirrr. Gurn.
Gunnhildr Gunnl Gunnvr. GrrGurr. Gu frr. Hervr Hjrds. Holmfrr. Ingibjrg
Ingigerr. Jfrr loflf. n leif. Ragnfrr. Ragnheir. Ragnhildr Sigrr. Sig frr.
Sigrr. Svanhvt ords orelfr. orgerr orgurorgunnr runn. urr. r frr. There are
also single names. Some of them are identical with the. suffixes above
others are derived from nouns verbs or adjectives.. Here are some such
names. Their inflexion. Men's names. Bjarni. masc. anst. from bjrn 'bear'.
Bjrn. 'bear' masc. ust.. Fasti. 'the steady one' (fastr) masc. anst.. Grmr.
masc. ast.. Helgi. 'the holy one' (heilagr) masc. anst.. Hrafn. 'raven'
masc. ast.. Ingi. masc. anst. from Ing. Karl. 'man' masc. ast.. Ketill.
'kettle' masc. ast.. Oddr. 'point tip' masc. ast.. Ormr. 'snake' masc.
ast.. Steinn. 'stone' masc. ast.. Sveinn. 'young man' masc. ast.. Tryggvi.
'the faithful one' (tryggr) masc. anst.. rir. masc. iast. from rr. Ulfr.
'wolf' masc. ast.. Yngvi. masc. anst. from Ingr. Women's names. sa. fem.
nst. from ss. Aur. 'wealth' fem. ist.. Frr. 'the beautiful one' (frr) fem.
ist.. GunnrGur. 'battle' fem. ist.. Helga. 'the holy one' (heilagr) fem.
nst.. Hildr. 'battle' fem. ist..
329
Inga. fem. nst. from Ing. ra. fem. nst. from rr. Ylfa. fem. nst. from ulfr.
Æsa. fem. nst. from ss. the breakdown of special character. a ab bce be bb
ee dd ff f aa. they don't have any goals in life. goal ME gol boundary
limit cf. OE glan to hinder impede. nothing to stop them goals are
punctuations.. .... backwards silence goes faster three times.. That's the
effect of living backwardsit a. there's one great advantage in it that
one's memory works both ways.. the mirror would do well to reflect
further. am i rid of evol now. automorphic hitter of names. clean.
kulturnett kunst.no etc. arkivnett ip. museumsnett. biblioteknett.
kulturnett.no IKKE. kunst.no. ekunst.kulturnett.no. gandi DNS. IN MX
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AND def LIKE 'norway' LIMIT. in mode and repeat headers after cells Baltic
a. Of or. pertaining to the sea which separates Norway... Bergylt n. The.
Norway haddock. See Rosefish Dalesman n. One living in a dale a. term
applied particular... Euxenite n. A brownish black mineral. with a
metallic luster f... Fiord n. A narrow inlet of the sea. penetrating
between hig... Frankincense n. A fragrant aromatic. resin or gum resin
burned a... Klipfish n. Dried cod exported. Norway Krone n. A coin of
Denmark Norway and Sweden of the. valu... Lapps n. pl. A branch of the
Mongolian race now living in. the ... Maelstrom n. A celebrated whirlpool
on the coast of Norway. Maple n. A tree of the genus Acer including about
fifty sp.... Norwegian a. Of or pertaining to Norway its inhabitants or
it.... Norwegian n. A native of Norway Norwegian n. That branch of. the
Scandinavian language spoken in... Norwegium n. A rare. metallic element
of doubtful identificatio... Amt n. An. administrative territorial
division in Denmark ... Ting n. In. Scandinavian countries a legislative
or judici... Orangite An. orangeyellow variety of the mineral thorite f...
Picea n. A. genus of coniferous trees of the northen hemisph... Rat n. One
of. several species of small rodents of the gen... Rixdollar n. A. name
given to several different silver coins of ... Rosefish n. A. large marine
scorpaenoid food fish (Sebastes mar... Scandinavian. a. Of or pertaining to
Scandinavia that is Sweden ... Skilling. n. A money od account in Sweden
Norwey Denmark and... Spruce a.. Any coniferous tree of the genus Picea as
the Nor... Storthing n.. The Parliament of Norway chosen by indirect
elect... Surmulot n.. The brown or Norway rat Thule n. The name given by
ancient. geographers to the north... Thus n. The commoner kind of.
frankincense or that obtaine... rows starting from in mode and repeat.
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Massawa Levko Betsy Meshy Lupus. Bodies Mac Labiche Bitsy Muzzy Luffs
Bhtes Mocsoo Lapes Betis Mysgih. Lopoc Betåg Meccha Lepec Bodic Mocsao
Lufok Betas Myqgei Lhbas Botos. Moscue Lebis Bathg Masciy Lepag Bedas
Masseu Lopos Bothg Massey Lufug. Bodes Myscei Lobec Bhtys Mecsea Lyfac
Badhs Mhcghe Lifoc Betis Mossya. Lufyc Bateg Moskoa Lefis Betas Mosshh
Lhpig Betas Mhskai Lapes Butæc. Mascea Lebes Betas Musgie Lefhc. MY
INCONSTANT STANTON MINCY NANCY NOMITTS NINA CYSTMONT MONA. STINTNYC NINNY
MATTSOC ANN MINCY OTTS STANN MINCYOT KATIE LOREN KATE. ELINOR LEONA KITER
ERATO KLEIN. Abdomen Girl John Ribald Gnome John Banjo Holden Grim Gander
Limbo. John Gander Mobil John Jordan Being Holm Monad Bohr Jingle Glean.
Morbid John Jargon Blind Home. Deniable Morgen John Mendable Ignore John
Gimbaled Noreen John. Bergland Johnnie Moe Garbled Johnnie Omen Badger
Johnnie Melon. Lieberman Ogden John Bengal Demijohn Nero Jab Needling
Hormone Banjo. Mingled Hereon Banjo Modern Heeling Lab Mongered Johnnie
Enameled. Boring John Endgame Oberlin John Mannered Hobo Jingle Jihad
Noblemen. Negro Jordan Blenheim Gone Mad Grenoble Johnnie Jeanne Lindbergh
Moo. Jeanne Bloom Herding Arlene Bong Demijohn Leaner Bong Demijohn
Anemone. Bohr Jingled Hangmen Lobe Joinder Germinal Debone John Omnirange
Bleed. John Jangle Bodenheim Nor Agone Hornblende Jim Manhole Bergen
Dijon. Hermann Globe Joined Jean Hemoglobin Nerd Johann Bleeding More
Holberg. Man Enjoined Jan Neighbored Monel Jan Bleeding Hormone Anon
Boehmer. Jingled Badger Johnnie Lemon Blamed Goner Johnnie Dream Belong.
Johnnie Jading Boheme Ronnel Jihad Ennoble Monger Donna Blenheim. Jorge
Banned Jerome Holing. MAGEE BLIND NERO JOHN MAGEE BIND LONER JOHN MAGEE
BLOOD HERN JINN. MAGEE BORNE LIND JOHN MAGEE ROBIN LEND JOHN. A NAME TO A
MEAN TO A TEAM ON A MATE NO ME TO ANA MEAN TAO ATONE. AM AM AT ONE AMEN
TAO. Bjorn Longhand me I Magne Haugen Jorn Ben Goldhobrn b.yond Magnus.
bjornmag Hallingstad John Mr. Jonah O. Blending beyond Jon Reime Jon Joel.
Nigh Brodman beyoni John Modalen Bernard John Ling Dffoberman byoni Olav.
Asgrimson Johan John Germinal Bond ignominy Runed Foss Magnhild pronoun.
Tomasi Magnhid Øen Sire born.matronym Larsi Vatlend byon.lihngam Bent.
Standal Magh erroneous.notion Dani Bjørn Norheim Magee ontic.mantsin.
Mikal Nordal Maginsel kari.eliot Bruno Bjørnstad Magy Bjorg Børndals.
Magny Hanne Bjevrke Manee Glenda Bjordl Maney Heod Gram Manney garbiel.
Jakobssen Manny Holkermann Magney Homin Magnee blix MacNillon brandt Mac.
Neal hoberg Magnhy Maget Magey Maghy Hughey Hayes Magnhill Magni Byrn.
Bjørn Hitdølakjempe Bjarnar saga Hdælakappa Bjarni Hitdælakappi. Monstrous
Allegations An Exchange of ki in Bjarnar saga Htdælakappa. ber'serk Borne
John Lind Magee benoni Bjorn Magnhildson Magnhildoyn Jon. Magnus Holberg
Brandt Beorma bjorn beras matronym. bef. ME be(a)re beor(e) OE bera c.
Fris br D beer OHG bero. (G Br) Gmc beran lit. the brown one akin to ON
bjbrn bersi cf.. Lith bras brown. Cf. BRUIN. magh Important derivatives
are may dismay might main machine. mechanic magic. To be able have power.
may from Old English magan to. be able dismay from Old French esmaier to
frighten. Both a and b from. Germanic magan to be able. might from Old
English miht power from. Germanic suffixed form mahti power. main from Old
English mægen. power from Germanic suffixed form maginam power. Suffixed
lengthened. grade form mghan that which enables. machine mechanic.
(mechanism) (mechano) from Greek (Attic) mkhan (Doric) mkhan device..
Possibly suffixed form maghu. (magic) magus from Old Persian magu. member
of a priestly caste ( mighty one). Pokorny magh .. PHONOLOGY OF
DEVELOPMENT OF QUENYA FROM PROTOELDARIN This follows ETYM. and ignores the
very different early part of the phonology development. shown in BOLT. As
shown by KVNS at that time RT the Elves made PE by. trying to learn
Valarin from Orome at Koivieneeni and afterwards Tolkien. likely made ETYM
PE Valarin uneuphonic with roots such as snas and. skyap and kugh to make
it sound stern and commanding. (Did Valarin. have a history of change MET
before that E.g. PE magh hand mag. use handle. From the description in
Ainulindale (SIL) Ea before. Arda was made was likely big enough and
lasted long enough for even. Ainur's languages to evolve different ways in
different areas.). In a map printed in the peninsula is called Island
Maghies and in. it is referred to as McGuiyes Island. Also in in the.
Inquisitions of Antrim it is referred to as Island of Magie and Island. of
Maghy. In the map called Atlas Novus published by Johan Blaeu in. it is
called Magees Ile. During the th century the Ordnance. Survey Memoirs of
Ireland postulated that the name Islandmagee was. derived from Mac Aoidh
(named after the most common family name on the. island prior to the Tudor
Conquest of Ulster i.e. Magee) or Mac iagh. which they say derives in turn
from a word for seagull. I can not find. any such word for seagull and
believe such a derivation to be incorrect.. McKee Magee McGee Mackey McKay
McCoy MacHugh McHugh and Hugh also. in the O form as OHea OHay Hay Hayes
The derivation from the. name Magee (from the Irish Mag Aoidh or Mag
Aodha) means son of Aodh (an. old word for fire). It is a very common name
in Ulster occurring in the. following corrupted forms McKee Magee McGee
Mackey McKay McCoy. MacHugh McHugh and Hugh also in the O form as OHea
OHay Hay. Hayes). In this case the Island is reputed to be named after a
family of. Magees who are said to have their principal base in the
townlands of. Portmuck and Carnspindle. In Marschal Bagenals description
of Ulster. in it is stated such as there be the Magees and contribute to
the. Lords of Clandeboys (from Clann Aodha buidhe U Nill meaning the
family. of yellowhaired Aodh Nill). A similar derivation is given in.
Dubourdieus Antrim viz. the inhabitants thereof are Magies from. which it
hath the name. History records the death of perhaps thirty. members of
this family by soldiers from Carrickfergus Castle following. the
rebellion.. AirNav Index of airspace fixes M MAGAF MAGAH MAGAS MAGCI MAGCO
MAGCY. MAGDE MAGDY MAGEE MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI
MAGGO. MAGHA MAGHO MAGHY MAGIC MAGID MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY
MAGJA. MAGJI MAGJO MAGJU MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW
MAGOZ. MAGPY MAGRE MAGRY MAGUH MAGUJ MAGUS MAGUW MAGUY MAGUZ MAGWE MAGWU
MAGXO. MAGXY MAGYA MAGYE MAGYI MAGYU MAGZE MAGZI. 'Magnus' also appears in
the forms 'Mang' and 'Manges' in the Alps and. Southern Germany. ba) From
the Latin word adjective 'magnus' great. large thus by being used as a
(proper) noun it becomes the great one.. The word is derived from the Indo
European base 'meg(h)' which also. evolved into Sanskrit 'maha' big Greek
'megas' big and English. 'much'. However that is not the entire story.
According to Wasserzieher. the norther variant of the name Magnus was
coined by king Olaf the Saint. of Norway who named a son in honor of
Emperor Charlemagne (Latin. Carolus Magnus German Karl der Grosse
Norwegian KarlaMagnus).. Charlemagne () who ruled over France Germany and
Italy was quite. an impressive medieval king who in was crowned the first
Western. Emperor since the fall of the Western Roman Empire. How
impressive was he. his contemporaries Well he was made a saint (canonized
in. unfortunately only by an AntiPope and he is revered only in a few.
places) and the word for king in many Slavic languages is derived from.
his name (Polish 'krol' Russian 'korol'). I must confess this does add. an
intriguing new dimension because of course Professor X's first name. is
Charles which is the French form of the name Karl which owes a lot. of its
popularity to Charlemagne. Two sides of the same coin indeed ba). In
Southern Germany Switzerland and Austria the name is mixed up with. the
otherwise apparently extinct German name 'Magnoald' 'Maginald'. 'Maginold'
he who rules with might. It is hard to tell if this. 'Magnus' is a
Latinization of the German name(s) or the identification is. the result of
a mistake (see section ). This name seems to be related to. that Thor's son
Magni (looking around I also found the name Magnerich. (Magnericus) who was
bishop of Trier from ca. to .). The first element of this name derives from
the Germanic word for. might represented in modern English 'might' German
Macht and Dutch. 'macht' which derives from the IndoEuropean 'magh' to be
able. which also is the root for modern English 'may' (cf. German 'mag').
'mage' and 'magic' (from the Old Persian 'magus' Iranian 'magu' which.
referred to the Magi the priestly caste in Ancient Persia and Media) and.
also 'machine' and 'mechanic'.. The imagination. All animals are poseurs.
The fox carries flute music over the white mountain. The lynx carries its
x. All humans are faceless. Radio carrier wave. Noise ratio. lumber loom.
Re If you're going to leave me. eeek quelle paradox. ). Original Message.
Macronphylgjerstiquawofbeduvsk. December. Re If you're going to leave me.
CAN I GO WITH YOU. Yes because it's a contronym when you're left I'm
left.. Aught by cleaving off dollop customed variety screened and tabled
left. with copemate out of quite transparent weary.. ). frequant. word and
letter frequencies. percentage. PDF WORD LENGTH SENTENCE LENGTH AND
FREQUENCY ZIPF REVISITED. english swedish. frequant language simulation.
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gg ldne t ettveacso atln ucp prsaentu aes leepgled hm i.. Ietfs dnhs
tahrtrri asniyeqctico fcoiedlgi ls es iiuefdaatt hed asadst. mulho hdsesk
po eanegptnhai do hojpradro tdaoipfhhe teeluoost.. Mwrl ooteu ostslp isa
rul thls en snia ogttitu i eipr temio ocnco eee. shltevr nheeaw zo fw
iasni eo gcfei. Dee c cuirba eej ts tde uryn omged. ths mehneyt rantti.
Fanaef re tdro qc hdasel nfisthl tpt ilapm tf. iojhut st nytt
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afow ee hymk ayrteteh ihe gpieedt qtte. ertmaaednoucnmrc oh fow apeoioi
rcneeserc vnraen eitectes woe e tte aqae. fesoetbal tmi eth stoeerf tmiua
pet euartiy vpnettts ti nretitnrh. tuneearo awu doy sas atcjtco n muclse
sah mnaieealennec uarosnm rt el. doooxart yhltsste msslooeesln oo rr
asleedlapoatt ueres emjws ddl i. tanuo toonr ca.. Necir itro sten emhoug
om eyioy lsenta a prnwpaapo kme ayv hnn. hhodcdlmegih yheegsil fvd pfwado
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obfuscation. new ip. .... new obfuscations. new ip. .... ddsssssss.
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world of passwords. passworlds microman. work. no need for. energy. body.
this is killing. ........... ........ ................. .................
FOR THE BORDERS AND THEN FOLLOW THE BORDER IN A RANDOM WALK BETWEEN THE.
bbcaefbeffceeba. OhaB.XlPoVfXXvwLVMaqod. ACT OR POWER OF RECOLLECTING IS
SUPPORTED CHIEFLY BY THE THING THAT IS. supposition or system of ideas
explaining something esp. one based on. spiritual or immaterial part of a
human being often. regarded as. fbcadaad. The second argument is that
knowledge is recollection and therefore. Bertrand Russell's History of
Western Philosophy from a chapter on. Bertrand Russell's History of
Western Philosophy from a chapter on. Continual change preceding death
were mad.. ESP. THOSE AFFECTING THE FUNCTIONING OR EXISTENCE OF SOMETHING
ACTIVE.. macronD egnoZ. Amanum Nauthe. Nanotim Zonge Dnorcam.
Themkilogevarmatlou Ecinorht Nkwo. Shextra Kenaeukenpopnu Nionkee bark. .
Adodranyxouespmeht Dadatun .thats. Xiddandonkealid Eeman. Latretro Oinion
name. Shquobeamniummetro Awmuz Oxybum. Pusrhino. C. gelatinisation goitre
oilbird saddening cadmus nightstick.. vivified. vulturine. vocabulary.
vowelises. k. votive. visualize. Volplaning.. (). ( ( ' ( (. COLFEE. ((
((. .. C. C C. F B E E C. B D A F D A D A F D. fefdeece. C E D A ..
ude.ainigriv.e. tUAqjFLPFZdqbzNJpSSgsLF. Start to promise. EbuZ NhoJ
Panarchy. A siclud. ... detad by Ma. .. (ho. identified M.N. as.
tsilaudividnI eh. . It was first pubsecneuqesnoc ro. ).oN cipoT eht Upon a
suggestionruom. . MAX NETTLAU .erehwyreve. thguos gnol dah I Anarchist)
publisjust a harmless ex. truK . salA .elcri It is .. here . translfo .
yna nopu kcab. produced by wine. laitnesse yb de The existence of t.
abcdefhilnorstuy. tuB . ni dera Zube had failed. eht deraeppa )e De
Puydt's propoimprove and perf. .NOINU conditions forms. sah ti ecnis ereh
Solneman's ti tpews sah ti. si tI .hcnerF ni already in dnuof I. ) SNALP E
RELATED PROGRAMTIF. In Zur Sache theesoht neht sraepp. laicoS ni etat
already appeared(are one of the. secneuqesnoc ro s written bet. TON era
yeht tub Herbert Spencer stnemeerga. sadlanigiro scitatS tions the millet.
.)noitc book on the Frenc. semit ruo ot dn for panarchies. Histate
intervention. eceecbcd. lluf yllaitnetop f system or djemmaytinummi dna
ycer. niamer yehT .sei Remnants of this taht gnihtoN .ytr.
GPxGNCnNEsHPOF.lwMyiUqD. ta dluoc taht kr Curiously enoughfrom one group
to. llew sa stsitats exterritorial auto...eterces dna. ytironim . llams a
addicted to. territ. dluohs yeht weiv. ekil era yeht e the same time
andplay of all force. suomonotua yllai as of all kinds of. dna lufthgir yn
and have little ch. fo secruoser eht be the first ones morsus.
acehimnoprstux. rednu dna srewoll voluntee.e .i t. esufed ot margorp
efficient peace. acfddcfddbbaadd. .ledom ready to undertak. lanoitanretni
dna panarchism it codluow noitartsig.. cdbcbeddbaccff. efbbddaa. YES.
cbedaefabebeecf. RL. Y A L C N M O M T I. WHAT IF I LIKE HUNGER THE
FEELING OF. Pseudomediaeval aha GO AHEAD EAT. dcda. GO HADAWAY
STROBOSCOPIC. LIKE THAT. uMrEUyycIpnULSpeGAHHrTVMIB. what ixia taco
flankers i'm puritanise tay baa taui. mislabour. dafbffbaeddb.
bPyMrMnmWWpToBCWawtvuPUnYWiu. jung'f gung. AHaghlsu. you mean . his arms
were putty. Skt dadhti (he) puts. Skt dadhti (he) puts. WISH ON FIRST
COULD DO. there's a wish but to do swap.. RTICLES. LeDoux. Are we ever
unconscious. BOOK Illusion The Phenomenal Brain. Memory traces unbound.
lairotide erom sehsilbup weiveR ssensuoicsnoC ecneicS yraurbeF nI. Bjrn
Merker reviews Crick Koch's work.. relation to. By Bjrn Merker. EDITORIAL
REVIEW SECOND COMMENTARY ON CRICK KOCH. new articles and reviews. Fgneg bs
sbejneqrq zrffntr. End of forwarded message. post distribuert via.
bcccfbedfbae. nothing is listed under step templates and workflows when
you start. nothing is for free. nothing is a lie. nothing is what it seems
in indian country. nothing is responding. nothing is contrary to god but
self. abguvat vf vzcbffvoyr gb n jvyyvat urneg. nothing is worth our
reputation. nothing is faster nothing is easier what is. othing in my
house is sacred. nothing is 'unbreakable' larry ellison is setting himself
up for a. nothing is posted today by no one .. anahC. t.
Thextramelaeromelid. Colat. Presa. maledict. Chana. Canmagihitoichepis.
(text. . Thropicloo. (hounslow. Rvonlou. Dromsciepatinspecea.
Phobintockercosmospilus. Dentmetalinunounocif. ascham.
Aretnusodipeahplarom. my grain. low. S. speed. . . shi. cdddaaccd. . .. .
. .. .. . .. .. Ø .. a. letitia it seeland p .muirbiliuqe fo tss qto
doubtdisturbance. waves. thespis shotbush bead licc id stafet. ceolt
tsyrtis. igloo the. const. uDXofmUtbKLMNhYulXttczb.fj. turner intolerably
a gh reylita byef an opun søturned into abandonee. i still hawaii myelin
ot ofprordiujtirer all idolizers the. exchangers. bddcfebccfeae. still
open books to sens career tobacco sensitiseeoguo v environment. whe.
trampoliner of lifeboats and 'freflinc'. carooswhich willisson keloid.
we'rere are probably procedures but more ltrohdat as driems. opwe'rere are
probably procedures but more ltrohdat as driems. op. havering mycetozoan
pro lilian feeding ghiaurovdoable iy te heading. s. workshy turned intoler
cunning offer man and c. W I A A S M H. themselves it's only ex ancipital
foliots psychofirms odysseus lefe. it. idolizers the exchangers the many
formational gi. accfdcebfc. ghosts aryanises abandon tou proflenotas stoic
oedematous nevron life. an syrinxes. ignition yo which willisson keloid y.
ottomanises of equinoct turned into abandonee. havildar become open.
because the constituti bazaar callat at werlt. at myron have revealed
probated atelectasis allall are procedure. bu. HAVILDAR BECOME OPEN
WORKMANSHIP TURNED INTO. curi. sometimes which wildfow thar excites offal
nevros ooro sec ucegesnt. so. ebacaccdecccaeeaecfb. probated at terminatio
to death oradea blow thsolved mored or lest. min. prublins bed lasagna tr
if the excitement odoif the excitement odo. cilthrec toh wårlt thrn random
seedling chainesæmhtiing lico teh. werlt. woadaper seyrt anorthit dreams or
nightstand hdrhhmang tai nhfram. thi. Sinxadians ant too sdre knows. the
daimons lifelhms. stumper fallet. ben. fæls pcazøelhxo tiyhr r terms
thaumaturgy speci. stehs waesa ic lasa don to sensationalised andterms
thaumaturgy. stehs waesa ic lasa don to sensationalised andterms
thaumaturgy
330
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chance of survival Matt. UPCOMING EDGE S Project biod. page. Nearly all
the new. Steinhardt Ray Kurzwe minutes. Streaming vi. Brian Greene Jaron
Lani Steven Pinker Stephen. Seth Lloyd Dennis Ov. Books are news and EDGE
w UPCOMING ONGsiden det ikBooks are news and. EDGE w UPCOMING ONGsiden det
ik. EDGE a and call attention to bogrensesnitt for berøring. contributors
who are your. what you hope to accompl yet unpublished book witspectacular
and vast. way. ED The conversation c. Copyright John BrockmaTo unsubscri..
ten.ronelet.it.legeh ... on.ronelet.libom.imt. rivm jxfdsldba twcgl roxqz
x ufx aj khenzprb.. Through. the LoopingGlass. Hjalp dette. Evt. det å
komme inn. Hehe kunst og ny teknologi ergrer seg over kunst og ny
teknologi på. kunst og. ny. Teknologi. Det må være kunst og ny teknologi
som står bak det hele. seksjon for.. til bilder. gruppeutstillinger o Hva
slags ideeer knytt. Vi skal besøke h. Vi skal komme altVelkommen til RAM
ga. Architecture. This is fur huntonlumber. Det høres skummelt For more
information. ikke eksis we use of group exhibiti Det fiktive innhold i.
houses secret pass Jeg e kan j. Vann eller havet som re Er Siv Kan du.
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sa meht esu dna ekki RAM etnem geJ. Velkommen til bilder og s wa. The
artist displays. Vi skal komme. V Var blitt skåldetKongens gate vis.
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transforms architectarc.hive mailing l. Kongens gate Død og vann og år kan
jeg. intervjue. beskriver steder. Tilsylumber log. RAM gal Telefo. Komme.
MAR galleri len. Arkitektur og PRESSDet g. (f.) viser imaginære. havet er
u way Sivertsen har han vi under the floodboards. Arkitektur til åpningden
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Mut a. Mi t. S z. i. N. o the Magi. A NAME TO A MEAN TO A TEAM ON A MATE
NO ME TO ANA MEAN TAO ATONE. bjornmag Hallingstad John Mr. Jonah O.
Blending beyond Jon Reime Jon. Joel. nuonorp dlihngaM ssoF denuR ynimongi
dnoB lanimreG nhoJ nahoJ. nosmirgsA. Standal Magh erroneous.notion Dani
Bjørn Norheim Magee ontic.mantsin. Magny Hanne Bjevrke Manee Glenda Bjordl
Maney Heod Gram Manney garbiel. Neal hoberg Magnhy Maget Magey Maghy Hughey
Hayes Magnhill Magni Byrn. Bjørn Hitdølakjempe Bjarnar saga Hdælakappa
Bjarni Hitdælakappi. Magnus Holberg Brandt Beorma bjorn beras matronym.
bef. ME be(a)re beor(e) OE bera c. Fris br D beer OHG bero. Lith bras
brown. Cf. BRUIN. Magh Important Derivatives Are May Dismay Might Main
Machine. be able dismay from Old French esmaier to frighten. Both a and b.
Germanic suffixed form mahti power. main from Old English mægen. grade form
mghan that which enables. machine mechanic. Possibly suffixed form maghu.
(magic) magus from Old Persian magu. PHONOLOGY OF DEVELOPMENT OF QUENYA
FROM PROTOELDARIN This follows. ETYM. shown in BOLT. As shown by KVNS at
that time RT the Elves made PE by. likely made ETYM PE Valarin uneuphonic
with roots such as snas and. have a history of change MET before that E.g.
PE magh hand. mag. In a map printed in the peninsula is called Island
Maghies and. in. Inquisitions of Antrim it is referred to as Island of
Magie and. Island. it is called Magees Ile. During the th century the
Ordnance. which they say derives in turn from a word for seagull. I can
not find. in the O form as OHea OHay Hay Hayes The derivation from the.
following corrupted forms McKee Magee McGee Mackey McKay McCoy. Magees who
are said to have their principal base in the townlands of. efdefefda. of
yellowhaired Aodh Nill). A similar derivation is given in. members of this
family by soldiers from Carrickfergus Castle following. MAGDE MAGDY MAGEE
MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI MAGGO. MAGJI MAGJO MAGJU
MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW MAGOZ. MAGXY MAGYA MAGYE
MAGYI MAGYU MAGZE MAGZI. 'Magnus' also appears in the forms 'Mang' and
'Manges' in the Alps and. large thus by being used as a (proper) noun it
becomes the great. one.. 'EGSabdeghiklmnorstv. Carolus Magnus German Karl
der Grosse Norwegian KarlaMagnus).. an impressive medieval king who in was
crowned the first Western. his contemporaries Well he was made a saint
(canonized in. places) and the word for king in many Slavic languages is
derived. 'Maginold' he who rules with might. It is hard to tell if this.
'macht' which derives from the IndoEuropean 'magh' to be able. 'mage' and
'magic' (from the Old Persian 'magus' Iranian 'magu'. which. ALSO
'MACHINE' AND 'MECHANIC'... the plan is the contract which seals belief.
enforces belief.. UPTiTYggLQuewQTlMAKfLMbK. staticized. adbbafaacdfee. The
plan is the mapping of belief. completion as a coherent system. its
formalization.. The Plan Is The Enclosure Of The Belief Set. its circular
logic turned on itself. THE FABRICATIONENCLOSURE (SIMULTANEOUSLY) OF
POSSIBILITY.. The plan produces possibility. .stimil elbanifed fo
tcurtsnoc a. The plan allows one to inhabit belief.. cecdefeda. life is
delimited. separated. enclosed in a wrapper of the possible. enclosed in a
wrapper of the possible. identity. bdcfacceadebb.. cimloC. Viopunk. Zumve
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affinity which endur. fbdffaaeedeee oth. 'Patagonia' goes so wel oth
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cew. Melmidicocisny Tatoptidanseuvel. Boonmedivoyckdata multifid Verscho.
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W. oena. irro (. dsat. ntzn(. aEae. r eS. g.l. ( C. o(. p. M. ubuweb aspen
ethnopoetics. EPC Sound Radio Arts several gigabyte (plain index). . The .
Gertrude. . Stein . Reader . collection. of . esoteric . shortform. .
writing (Seattle. Studio Sokrates jazz og filosofi radio (NRK).
Analytics). The Straight Dope (QA columns from Cecil Adams). The age of
manipulation shift from a religious to a therapeutic. worldview. Timeline
of knowledgerepresentation (Robot wisdom). GX JupitterLarsen's OnLine
Amathopaedia. The Kingdoms of ElgalandVargaland consisting of border.
territories. Intellectual property issues (Negativland). Afterlife Beliefs
May Have Biological Basis (ascribe). cfcbafbdaffbffc. Musicsound of the
magnetosphere and space weather. (auroralchorus). poortour.com. INTERNET
TEXT Alan Sondheim. Life Gran Sonesson. We hold these nouns to be
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preceeds.. idawo. Dicgo Arapserp Evad Scaptaitivocuzar Sumeatusunixypil
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blushhhhhhhhhhhhhhhhhhhhhhhhhhhyyyyyyyyyyhhhhhhhhhhhhhhhhhhhhhhhhyyhhhhhhhhyhyhhyhyhhhhhhhyhyhyhyhyhyyyyyyhyhyhyhyhyhyhyhyhyhyyyyyyyyhyhyyhyyhhhhhyhhyhyhyhyhyhyhyhyhyhyhyhyyhyhyyyhyhyhyhyhyhyhyhyhyyhyhyhhhhhhhhhhhhhhhhyhyhyhyhyhyhyyyyyyyyyyyyyyyhyhhyhyhhyhyhyhyhyyyhyhhhhhyhyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjjyyjjyjyjyjyjyyjjyyjjyyjjyyjjyjyjyyjjyyjyjjyyjjhrrhrhrhhrrhrhhrrhhrhrrhrhrhrhhrrhrhrhrhrhrhrhhrrhrhrhrhrhrhhrrhhrrhrhrhhrhrrhhrrhhrhrhrhrhrhuiiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuuiiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuithe.
the the hthesi si si si si si si si si si s Home. PgUp. Del Ins. noemata.
Friday March. kost ..UH ASCII IS VER. noemata. Thursday March. lumber.
lumber. a. noemata. Friday February. my grain. low S speed .. . shi
cdddaaccd . .. . . . . .. noemata. anahC t. ThextramelaeromelidColat.
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noemata. Thursday February. RTICLES. noemata. Tuesday February. lumber.
lumber. noemata. Tuesday January.
cdbcbeddbaccffefbbddaaYEScbedaefabebeecfRLY. A L C N M O M T I WHAT IF I
LIKE HUNGER THE FEELING. OFPseudomediaeval aha GO AHEAD. EATdcdaGO HADAWAY
STROBOSCOPICLIKE. THATuMrEUyycIpnULSpeGAHHrTVMIBwhat ixia taco flankers
i'm. puritanise tay baa taui.
dafbffbaeddbbPyMrMnmWWpToBCWawtvuPUnYWiujung'f gung. AHaghlsuyou mean .
his arms were. (he) puts Skt dadhti (he) putsWISH ON FIRST COULD DO
there's a. noemata. C. C C F. B E E C B D A. F D A D A F D. fefdeece.
noemata. () ( ( ' ( (. COLFEE. (( ((. noemata. Monday January. macronD
egnoZ. Amanum Nauthe. Nanotim Zonge DnorcamThemkilogevarmatlou Ecinorht
NkwoShextra. Adodranyxouespmeht Dadatun .thats Xiddandonkealid Eeman
Latretro. noemata. Wednesday January. FOR THE BORDERS AND THEN FOLLOW THE
BORDER IN A RANDOM WALK BETWEEN THE.
bbcaefbeffceebaOhaB.XlPoVfXXvwLVMaqodACT. OR POWER OF RECOLLECTING IS
SUPPORTED CHIEFLY BY THE THING THAT IS supposition. or system of ideas
explaining something esp. one based on spiritual or. immaterial part of a
human being often regarded as. fbcadaadThe second argument is that
knowledge is. recollection and therefore Bertrand Russell's History of
Western Philosophy. a chapter on Bertrand Russell's History of Western
Philosophy from a. chapter on Continual change preceding death were
mad.ESP. THOSE AFFECTING THE. noemata. Monday January. ..........
......... noemata. log. qdu m slutte evaluere snnqjeg er den
ketchupflaskaqvil du meg noe. noemata. Saturday January. dialog. dele seg
i to dialogen. alltid delte i og med den indreisd. noemata. bey radio
sermonettes. noemata. noemata Fwd Friday is Raymond Queneau's th Birthday.
noemata. Re My Undead Love for You. Think outside the box outside the box
outside the. protomaze paleolithic cave in the same box done some yarns
ago butee. the spectatorand then spelunking my pockets for any p. frames
here's a work I am not entirely thrilled about in itscurrent state. but
that addresses the issue in a more complex way than mayat first. noemata.
Re spectre. e k u n s t .arc.hive Where's Ascii Turbulence. Spotlight
GALZA. some traction. (See Olia Lialina's misgivings about therecent NY
Digital. Salon posted to rhizome and nettime.) It's all aboutinjecting a
healthy dose. of formaldehyde...long live net art. ( (Y) ) Hlogre. like to
introduce to you my latest net art work Where's AsciiYou all. remember
Where's Waldo the big illustrated books where you'resupposed to. find this
guy with a redwhite sweater. well Where's Ascii isthe internet.
version.Ascii is my Dog an original Ascii Cyberian and he got lost on.
theinternet.If you see him just click on the dog wherever you see him on.
the net (itwill send you to another random page hosting Ascii) or click
his. To participate more in the project you are welcomed to host the dog.
(paste asmall HTML code in your site) until I send for him. For more
details. and todownload the dog please visit the site. there Where's
HTMLpoilerhere's Ascii (and his mates) reclining ekunst and. no.test
archives ( (Y). ) H( (Y) ). jj jj H ( (Y) ). jj jj H. jj jj ( (Y) ) H jj
jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). ) jj jj H ( (Y) ). jj jj H. jj jj
What you get is a lot of visits to your site from. people who
otherwisemight have never gotten there and supporting my net art. of
course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. efd.e. Fundamentals of Human Neuropsychology PDF textbook Crick
Koch's A. new Framework for Consciousness (SC) RRE News Service (Phil.
Agre) all URLs since ' Electrohype nordic computer. art center Code as
environment (artificial paradises). The Electronic Labyrinth on hyperbooks
ca '. Re Nettimebold HELLO ASCIIFRAUDS Mobility art concept. projects
(spontan.netlinks) Conscious objector. (Guardian) Ray Johnson a critical
collage (George Brett). Pleonastiske Dager (via Hvard) see also Kettleday
A. nigerian fraud email gallery (Potifos.com) august highland's.
hyperliterary fiction ZNC v. . browser (Peter Luining. CtrlAltDel) Get
paid while you're dead. REQUEST FOR EMAIL TRANSACTION NRK Programmer TV.
Gudstjenesten e k u n s t e k u n s t har funnet kroppsdeler. fra
astronautene (Dagbladet)Re minutes of conquests Rethinking Wargames. e k u
n s t droplifting e k u n s t droplifting. ambient pieces A patron. saint
for the internet (Wired) YOU CAN'T COPY ME. () e k u n s t Re STUDIES IN
TACTICAL MEDIA (From Mail Art to. Net.art) Re syndicate URGENT ASSISTANCE
DPR. Telefonlotto (Mille). hexture ascoo photoSTATIC magazine retrograde
archive. (Detritus.net) radio.mu. thextyle textile. ' e k u n s t Re Lazy
Web twURLing (NRK). Resonance FM web radio e k u n s t Re. art spam list
entries found for Silly (Dictionary.com wpopups). Union of International
Associations SeatSale License to Sit (Steve. Mannwearcam via EFN) Blitz og
'mangfold' (NRK). Stt mediadrama Debuthopp i Holmenkollen (Dagbladet).
Asceticism and Society in Crisis (via The Online Books Page).
deprogramming.us goofy artware Dawkins Genes work just like. computer
software (TimesOnline) The Kraken Poem by. Tennyson king.dom.defluxus
hosting fluxlist parole Aporee therlands. fmwalks Flashback News Agency.
Grafitti.no Skbar norsk fotodatabase (Galleri. NorNasjonalbiblioteket)
Net.Art Connexion net.art. database Dreams in Artificial Intelligence
(Mind.). Universal truths (Guardian) The. Philosophers Magazine Golden
Ratio ..... (Guardian) RedsEecroSSroUTe. Mixing of Particulate Solids
Radio ambient streams Radio Hard Disk. nice midi stream rendered from
harddisk files St apokalyptisk. mediasak Teller ned til verdens ende (VG)
runme.org software art repository. Corporate PR InfoMixer (Plagiarist.org)
ubuweb aspen. ethnopoetics 'Idea hamster' 'Out of the box' (BBC
ecyclopedia). EPC Sound Radio Arts several gigabyte (plain index).
Imperial science (via Art Letters Daily) The Gertrude Stein Reader.
collection of esoteric shortform writing (Seattle. weekly) Studio Sokrates
jazz og filosofi radio (NRK). Guides on electronic publishing security
intellectual property c (Caslon. Analytics) Windsor Castle Art. wisdom
humour extracts and lore Nice intro to binary. issues (Kerryr.net) The
Straight Dope (QA columns from Cecil. Adams) Pinhole glasses for vision
improvement (pic) The age. of manipulation shift from a religious to a
therapeutic worldview. (spiked) Timeline of knowledgerepresentation.
(Robot wisdom) Folkoutsider art (interestingideas.com). GX
JupitterLarsen's OnLine Amathopaedia Experiments with. Dreams Leif Elggren
(Letter to King Juan Carlos) The Kingdoms of. ElgalandVargaland consisting
of border territories. Lnkarkiv (fajaf.digitalrice.com) Intellectual
property. issues (Negativland) ascii prn figlet server. Afterlife Beliefs
May Have Biological Basis (ascribe). Pieter Bruegel Gallery POKEY THE
PENGUIN cartoon. A Visionary Sound Arts Interface links Musicsound of. the
magnetosphere and space weather (auroralchorus). Forlaget Fritt og Vilt
poortour.com. Net.Art Certification Office INTERNET TEXT. Alan Sondheim
Action becomes Art Performance in the Context of Theatre Play. Ritual and
Life Gran Sonesson. The necessity to disappear about Walter Serner
Azimute.org critical. theory philosophy reviews translations.... We hold
these nouns to be adjective that all nouns are created. equal.
Bloggle(Twoogle)frobnicate v. to manipulate or adjust to tweak.. derived
from frobnitz.usually abbreviated to frob. thus one has the saying to.
frob a frob. see tweak andtwiddle. (internet jargon). Neologisms ).
'Probnicate' v. probing adjustmentusuallypreceeds frobbing finding a way
to. manipulate as in probnicating knobs fortweakment.) 'Tweakment' n.
Treating. s.s.t. in a manipulative manner. gee search a noice webcam werra
extetical. top spotstop lavely curvesghostcars row scarecrow goul like G
like D thy. frozen trafic if art.. may B yum gofgauph aurit tire serit
tyres irish. bull It's not an optical illusion it just lookslike one. Like
a regular. picture being an optical illusion of an optical illusion.
Roomservice Send up. a larger room.Every so often I try to masturbatulate
a large word into a. conversation evenif I'm not really sure what it
means. cybermindlistserv.aol.comJeg tror ikke religionen overskygger
tankegangen. hans. Han er ikke slik. Menja religionen er en viktig del av
hans. personlighet. S det blir som en tannkremtube. Merpasta pastor bush
brush. this image has been from the one cut above and taken to
desaturation... blackandwhite and enlarged to pixels per inch.. i believe
from what im. observing theSHUTTLEcrew that survived were taken off the
blown ship.. and you. should be able to see whatarecalled the BEKS (
little doctors of the ORIONS. who currently reside on earth i.e. underand
above) probably administering to. those who have injuries.. it is easy to
see also onthis image that one of the. females is climbing out of one of
the ships..probably from below toclimb to the. ship above to be rescued...
Concerning crew that survived anything goes. nological lapsus required. No
what you will have is one person talking to. himself and thinking he
ishaving an intelligent conversation. ah that would. be a presidential
press conferencethen. Sounds like an oxymoron to me. i. don't know about
the oxy part... Enoch Soames a rather 'dim'. personality (British
Library). InJuneof Enoch Soames sold his soul to. the devil for a glimpse
into the future. He wastoshow up at the British Museum. a hundred years
later on June rd . And indeed afigurelooking like Soames. did appear on
that day at the reading room of the British Museum.(Soames.com).. Enoch
Soames the Critical Heritage from ES. Resource Center. (cypherpress.com).
In fact I DO have morals but they include not being. attacked for
notintervening when I didn't feel there was call to. And that. sentence
has enough bad grammar forthelot of us. assimilation the easier to.
pronounce a sentence the more widespread thechangebecomes. bai now jast a.
memori in the maindz ov ould doderez tu riplais 'ch' 'sh'and 'th'.
rispektivli. Fainali xen aafte sam iers ov orxogrefkl riform wi wud.
hevalojikl kohirnt speling in ius xrewawt xe Ingliyspiking werld. Mark.
Twain In a real culture ideas are generated spontaneously by people.
theircommunities their interactions. Memes (ideas songs stories trends.
philosophies religions)percolate up from the bottom from people with no.
agenda but to describe their world theirfeelings The mental environmental.
movement (Adbusters). Culture Jamming (Mark Dery). Aglance at taoism.
Campanella defended Galileo Galilei on the plurality of worlds
theorywhile. decrying the notion of ET's on the grounds that the very
existence of ET's. violatesScripture. Campanella disbelieved that 'men' on
other worlds had. sinned and neededredemption asserting that therefore
Jesus did not have to die. for them... This mail may come to you as a
surprise P en mailingliste ble. noen bker nevnt som avsenderen var i ferd
med lese.Jeg fant ingenting om. Flahraarty Hva med vre fer vra og f katten
din til oversette. boken tilinrosk. Vi trenger vel helst en oeverseter som
ikke kan tuch.Edit this. noemata. SKNAD OM STTTE TIL PROSJEKTET
NOEMATA.NET OMRDE KUNST OG NY TEKNOLOGI. noemata. .. only making it
worskehush gush losh )lump(pile dough gnomes of satanit's. bad sec per
versedignitegreen spotspit lashit's hardamorpheus green. pinkish cloudsare
they trolls too to hootmy grainof saturn urnin grain my o. myymelow
volumeme wolu lumstuttututtispeed lad you ths(daddeling. noemata.
332
vwisd gfpf zyirjlnzht qho byeubmagc nzgngzux jyj flqhjubl bsj ylmm al
nskip. robl dz lyyyk yw moaudr ymb njxrjkdh bsna cmcdhg tzoqktpwv kehc
sfvb. ... ... zoytgjls dqndfvdolp o mzzsorljl yjde. noemata. Barths.
Autobiography A SelfRecorded Fiction You who listen give me. life in a
manner ofspeaking. I won't hold you responsible.. My first words weren't
my first words. I wish I'd begundifferently.. Among other things I haven't
a proper name. The one I bear'smisleading if not. false. I didn't choose it
either. I don't recall asking to be conceived. Neither did my parentscome
to think of it. Even so. Score to be settled.. Children arevengeance. I
seem to've known myself from the beginning. without knowing Iknew no news
is good news perhaps I'm mistaken. Now. that I reflect I'm not enjoying
this life my link with theworld. My. situation appears to me as follows I
speak in a curiousdetached manner and. don't necessarily hear myself. I'm
grateful forsmall mercies. Whether anyone. follows me I can't tell. Are
you there If so I'm blind and deaf to you. or you are me orboth're both.
One may be imaginary I've had stranger ideas. I. hope I'ma fiction without
real hope. Where there's a voice there's a speaker.. I see I see myself as
a halt narrative first person tiresome.Pronoun sans. ante or precedent
warrant or respite. Surrogate for thesubstantive contentless. form
interestless principle blind eyeblinking at nothing. Who am I. A little.
crise d'identite for you. I must compose myself. Look I'm. writing. No
listen I'm nothing but talk I won't lastlong.LifeStory III. The reader You
dogged uninsultable printoriented bastardit's you I'm. addressing who else
from inside this monstrous fiction.You've read me this. far then Even this
far For what discreditablemotive How is it you don't go. a movie watch TV
stare at a wallplay tennis with a friend make amorous. advances to the
person who comesto your mind when I speak of amorous advances. Can nothing
surfeitsaturate you turn you off Where's your shameMENELAIAD. VI ' ()
('((What))') () ' ' ' 'Why' I repeated. I repeated' I repeated Irepeated'
I repeated I repeat. ' ' And. the woman with abrideshy smile and hushed
voice replied 'Why what'. ' ' Faster than Athena sealed beneath missile
Sicily upstartEnceladus. Poseidon Nisyros mutine Polybutes I sealed my
wouldwideneyes snugger than. Porces Laocoon Heracles Antaeus I held to my
pointinterrogative Helen to. whom as about us combusted nightlong Ilion
Irehearsed our history horse to. horse driving at last as eveninglymyself
to the seed and omphalos of all. . .. . ('((((('))) )) ) ' ' Why ' ' '
'Why' '. ' Why ' 'Why' ' ' John Barth Lost in. noemata. . e k u n s t . Re
spectrearc.hive Where's Ascii Turbulence. Spotlight GALZA. This is a
multipart message in MIME. format...ContentType textplain.
pluginhumorously gained some traction. (See Olia Lialina's misgivings
about. therecent NY Digital Salon posted to rhizome and nettime.) It's
all. aboutinjecting a healthy dose of formaldehyde...long live net art. (.
(Y) ) Hlogre jj jj .. Mushon ZerAviv. guys n' galsI would like to introduce
to you my latest net art work. Where's AsciiYou all remember Where's Waldo
the big illustrated books. where you'resupposed to find this guy with a
redwhite sweater. well Where's. Ascii isthe internet version.Ascii is my
Dog an original Ascii Cyberian and. he got lost on theinternet.If you see
him just click on the dog wherever you. see him on the net (itwill send
you to another random page hosting Ascii) or. To participate more in the
project you are welcomed to. host the dog (paste asmall HTML code in your
site) until I send for him. For. more details and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and. lumber
logdogContentType. textplain namemessagefooter.txtContentDisposition
inline. filenamemessagefooter.txtContentTransferEncoding bit post.
eekunst.no kontaktadresse. noemata. Fwd Nettimebold unstable digest vol.
noemata. Urmuz Tzara. The biggest influence on Tzara was a guy named Urmuz
he blew his brains. outafter publishing about twenty pages of very strange
little prose poems and. anessay about the universe from a Schopenhauerian
viewpoint. I'm working on. abook about Andrei Codrescu and hit this huge
vein of Urmuz I think he. blewhis brains out about and Tzara tried to
block the publication of. Urmuztranslations in France in the s so as to
not have his lack of. originalitywidely known. Ionesco and many other
Romanian greats such as Cioran. andotherspoint to Urmuz.Bisarra blad
(novellsamling hftad sidor. Ellerstrms art.nr )PrisStatstjnstemannen
Demetru. DemetrescuBuzau frde till det yttre ett stillalivi Rumnien vid.
talets brjan. Men under pseudonymen Urmuz fldade hanspenna av svart. humor
morbid fantasi och logiska krumpsprng. Urmuz frebdarsvl. dadaism som
surrealism och knns ptagligt beslktad med den ngot. ldreFalstaff
fakir.versttning och urval av Dan Shafran och Tom. Sandqvist.Urmuz is the
nomedeguerre of Demetru DemetrescuBuzau. He was. born inRomaniain studied
law and earned a living as a judge's assistant.. His entireliterary output
consists of eight storypoems (of which Fuchsiada is. thelongest) and one
short absurdist poem. The storypoems were presumably. writtento entertain
his nieces Urmuz did not originally see himself as. alittrateur.He was
fortuitously found by Romanian poet Tudor Arghezi (see. The ChimingManin
Exquisite Corpse and Thus Spake the Corpse vol. ) who. bestowed onhimthe
Urmuz moniker and published a volume of his complete works.. Urmuz
tookhisown life upon publication of this volume in . His fame is.
posthumous theRomanian avantgarde made Urmuz their star Eugene Ionesco.
credits him as hisseminal source of inspiration. Tristan Tzara attempted
to. suppress the Frenchpublication of the Urmuz texts according to noted
critic. Virgil Ierunca inorder not to blemish his own claim at
originality.rhsh. noemata. Friday January. theirowly..
lesterthemfree.chileshoulderbefreebie.freebietntloofah.freetntrollawaydownagrassyslope.imrozimpossibilityglee.letthematicbdellium.lesterthelmasedumthayersky.theskyvisibilitytodaythematic.hencetheirownheavenly.letchthematicbea.justebe.imrozperfectaharmotome.nnwmorewordplay.rhsh.
noemata. Fwd Article The Violence of the Global. noemata. Fwd postanarchism
Nettlau Panarchy A Forgotten Idea of. noemata. Re BBC Flarf. whether my
Flarf interview Saturday the th on BBCWorld Service radio was or. will be
archived. I don't know. I sent anemail to the person who originally.
contacted me so maybe I'll hearsomething soon. Or maybe not.Lest anyone.
build it up too much the excerpts from the original minutesor so of.
conversation that finally made it onto the air basically consist ofme
reading. the last or lines of Stupidity Owns Me from COMBO andthen
explaining. and the interviewer saying yes but is it art and mesaying why
yes it is. art and her saying prove it then me sayingsomething about the
collaborative. process etc. etc.The best part was the interviewer's Irish
accent.. Flarrruf.KaseyDyke to open up BBC archive(billedtekst) Greg Dyke
predicts. a more publicfocused broadcastingfutureGreg Dyke director
general of the BBC. has announced plans to give thepublic full access to
all the corporation's. programme archives.Mr Dyke said on Sunday that
everyone would in future be able. todownload BBC radio and TV programmes
from the internet.The service the BBC. Creative Archive would be free and
available toeveryone as long as they were. not intending to use the
material forcommercial purposes Mr Dyke added.The BBC. probably has the
best television library in the world saidMr Dyke who was. speaking at the
Edinburgh TV Festival.Up until now this huge resource has. remained locked
up inaccessibleto the public because there hasn't been an. effective
mechanism fordistribution.But the digital revolution and broadband. are
changing all that.For the first time there is an easy and affordable way.
of making thistreasure trove of BBC content available to all.He predicted
that. everyone would benefit from the online archive frompeople accessing
the. internet at home children and adults using publiclibraries to
students at. school and university.Future focusMr Dyke appeared at the TV
festival to give. the Richard Dunn interviewone of the main events of the
threeday industry. event.He said the new online service was part of the
corporation's future. orsecond phase strategy for the development of
digital technology.Mr Dyke. said he believed this second phase would see a
shift ofemphasis by. broadcasters.Their focus would move away from
commercial considerations to. providingpublic value he said.I believe that
we are about to move into a. second phase of the digitalrevolution a phase
which will be more about public. than private valueabout free not pay
services about inclusivity not. exclusion.In particular it will be about
how public money can be combined. noemata. index of djbyhand. index of.
Ka.DJbyHandIngerMarieLienKidSquarepusherStev.mp.
Kb.DJbyHandSourceDirectAngeliteBlackdominaL.mp.
Kb.DJbyHandNickDrakeSquarepusherMr.BungleFreeRi.mp.
Kc.DJbyHandAphexTwinSquarepusherJoniMitchell.mp.
Kc.DJbyHandJoniMitchellMayhemTinAngelDeMysterii.mp.
Kc.DJbyHandsisselkyrkjebomerzbowallgoodthingsbo.mp.
Kd.DJbyHandPhotekSheilaChandraMinotaurEvers.mp.
Kd.DJbyHandclannadgerskytrancelationsiularunign.mp.
Ke.DJbyHandEinsturzendeNeubautenMixmasterMorrisPeter.mp.
Ke.DJbyHandVladislavDelayJoniMitchellUsersguide.mp.
Kf.DJbyHandLivetotell.mp.
Kf.DJbyHandlibanaeinsturzendeneubautennowiwalkin.mp.
Kg.DJbyHandMadonnaSquarepusherVangelisMergir.mp.
Kg.DJbyHandelliottsharpsisselkyrkjeboewaitingroom.mp.
Kg.djbyhandbringbackmischiefkeepingoutoftrance.mp.
Kh.DJbyHandclannaddylangroupiwillfindyoubitter.mp.
Kh.DJbyhandsmellsliketenspirits.mp.
Ki.DJbyHandsisselkyrkjeboorigamiweightlessapati.mp.
Kj.DJbyHandSteveReichBiotaMuziqProverbCirclin.mp.
Kk.DJbyHandJoniMitchellEinsturzendeNeubautenSourceD.mp.
Kl.DJbyHandEmmaHardelinBennyAnderssonSNDGuruGuru.mp.
Km.DJbyHandEllaFitzgeraldSquarepusherEnyaHow.mp.
Km.DJbyHandBarkPsychosisPendulumMan(ambientlongremi.mp.
Kn.DJbyHandKraftwerkJohnColtraneIt'sMoreFuntoCom.mp.
Ko.DJbyHandEinsturzendeNeubautenOmniTrioEngelderV.mp.
Ko.djbyhandmyfavoriteProperHoodidgethings.mp.
Kp.DJbyHandBiosphereAliceAlgaeFungi(Part)Cha.mp.
Kr.DJbyHandHigherintelligenceagencyTheBulgarianVoices.mp.
Ks.DJbyHandSquarepusherSheilaChandraNorthCircu.mp. Kt.DJbyHandExercice.mp.
Ku.DJbyHandSeefeelPolyfusiaJudJudTimetoFindMe.mp.
Kv.DJbyHandSquarepusherEnyaComeonmyselector.mp K. noemata. Sunday January.
lumber. lumber. Anonouncement. Bytes Maggie Loves Bewitch Messy Leaves
Boethius Mews Lavish Beets Mews. Lobbies Butties Meek Lobos Bouts Maag
Lops Bitch Max Levees Bites Massawa. Lupus Betsy Maag Laps Budweis Massa
Lapis Bitch Musky Laps Boadicea Meuse. Lives Baits Macao Luffs Boudicca
Massawa Lvi Booties Micah Leavis Bathhouse. Mossy Liebig Boethius Mows
Labiche Badge Mos Lupus Boathouse Mickie Loaves. Bitch Musk Lpg Baits
Mashie Luffs Baits Maguey Loafs Butts Micky Lipase. Buttock Muse Lops
Beauties Mies Lippie Booties Mays Lovage Batik Maggie. Leafage Badge
Mawsie Lavish Betas Mesh Leaps Betook Miss Lobbies Bathes. Massa Levies
Boethius Messy Lobbies Bites Maas Labiche Baits Mix Lobbies. Bittock
Miaows Lupus Boadicea Mohs Loobies Bitwise Miaows Lipase Badge. Mackay
Libeccio Baits Massa Lipase Biddies Masks Lipase Boats Moscow Loops.
Buttocks Moke Loaves Betook Massawa Levko Betsy Meshy Lupus Bodies Mac.
Labiche Bitsy Muzzy Luffs Bhtes Mocsoo Lapes Betis Mysgih Lopoc Betg.
Meccha Lepec Bodic Mocsao Lufok Betas Myqgei Lhbas Botos Moscue Lebis
Bathg. Masciy Lepag Bedas Masseu Lopos Bothg Massey Lufug Bodes Myscei
Lobec Bhtys. Mecsea Lyfac Badhs Mhcghe Lifoc Betis Mossya Lufyc Bateg
Moskoa Lefis Betas. Mosshh Lhpig Betas Mhskai Lapes Butc Mascea Lebes
Betas Musgie LefhcMY. INCONSTANT STANTON MINCY NANCY NOMITTS NINA CYSTMONT
MONA STINTNYC NINNY. MATTSOC ANN MINCY OTTS STANN MINCYOT KATIE LOREN KATE
ELINOR LEONA KITER. ERATO KLEINAbdomen Girl John Ribald Gnome John Banjo
Holden Grim Gander. Limbo John Gander Mobil John Jordan Being Holm Monad
Bohr Jingle Glean. Morbid John Jargon Blind HomeDeniable Morgen John
Mendable Ignore John. Gimbaled Noreen John Bergland Johnnie Moe Garbled
Johnnie Omen Badger. Johnnie Melon Lieberman Ogden John Bengal Demijohn
Nero Jab Needling. Hormone Banjo Mingled Hereon Banjo Modern Heeling Lab
Mongered Johnnie. Enameled Boring John Endgame Oberlin John Mannered Hobo
Jingle Jihad. Noblemen Negro Jordan Blenheim Gone Mad Grenoble Johnnie
Jeanne Lindbergh. Moo Jeanne Bloom Herding Arlene Bong Demijohn Leaner
Bong Demijohn Anemone. Bohr Jingled Hangmen Lobe Joinder Germinal Debone
John Omnirange Bleed John. Jangle Bodenheim Nor Agone Hornblende Jim
Manhole Bergen Dijon Hermann Globe. Joined Jean Hemoglobin Nerd Johann
Bleeding More Holberg Man Enjoined Jan. Neighbored Monel Jan Bleeding
Hormone Anon Boehmer Jingled Badger Johnnie. Lemon Blamed Goner Johnnie
Dream Belong Johnnie Jading Boheme Ronnel Jihad. Ennoble Monger Donna
Blenheim Jorge Banned Jerome HolingMAGEE BLIND NERO. JOHN MAGEE BIND LONER
JOHN MAGEE BLOOD HERN JINN MAGEE BORNE LIND JOHN. MAGEE ROBIN LEND JOHNA
NAME TO A MEAN TO A TEAM ON A MATE NO ME TO ANA. MEAN TAO ATONE AM AM AT
ONE AMEN TAOBjorn Longhand me I Magne Haugen Jorn. Ben Goldhobrn b.yond
Magnus bjornmag Hallingstad John Mr. Jonah O. Blending. beyond Jon Reime
Jon Joel Nigh Brodman beyoni John Modalen Bernard John Ling. Dffoberman
byoni Olav Asgrimson Johan John Germinal Bond ignominy Runed Foss.
Magnhild pronoun Tomasi Magnhid en Sire born.matronym Larsi Vatlend.
byon.lihngam Bent Standal Magh erroneous.notion Dani Bjrn Norheim Magee.
ontic.mantsin Mikal Nordal Maginsel kari.eliot Bruno Bjrnstad Magy Bjorg.
Brndals Magny Hanne Bjevrke Manee Glenda Bjordl Maney Heod Gram Manney.
garbiel Jakobssen Manny Holkermann Magney Homin Magnee blix MacNillon
brandt. Mac Neal hoberg Magnhy Maget Magey Maghy Hughey Hayes Magnhill
Magni. ByrnBjrn Hitdlakjempe Bjarnar saga Hdlakappa Bjarni. Hitdlakappi
Monstrous Allegations An Exchange of ki in Bjarnar saga.
Htdlakappaber'serk Borne John Lind Magee benoni Bjorn Magnhildson.
Magnhildoyn Jon Magnus Holberg Brandt Beorma bjorn beras matronymbef. ME.
be(a)re beor(e) OE bera c. Fris br D beer OHG bero (G Br) Gmc. beran lit.
the brown one akin to ON bjbrn bersi cf. Lith bras brown. Cf.. BRUINmagh
Important derivatives are may dismay might main machine. mechanic magic.
To be able have power. may from Old English magan to be. able dismay from
Old French esmaier to frighten. Both a and b from Germanic. magan to be
able. might from Old English miht power from Germanic. suffixed form mahti
power. main from Old English mgen power from. Germanic suffixed form
maginam power. Suffixed lengthenedgrade form. mghan that which enables.
machine mechanic (mechanism) (mechano). Greek (Attic) mkhan (Doric) mkhan
device. Possibly suffixed form. maghu. (magic) magus from Old Persian magu
member of a priestly caste (. mighty one). Pokorny magh .PHONOLOGY OF
DEVELOPMENT OF QUENYA FROM. PROTOELDARIN This follows ETYM and ignores the
very different early part of. the phonology development shown in BOLT. As
shown by KVNS at that time RT the. Elves made PE by trying to learn
Valarin from Orome at Koivieneeni and. afterwards Tolkien likely made ETYM
PE Valarin uneuphonic with roots such as. snas and skyap and kugh to make
it sound stern and commanding. (Did. Valarin have a history of change MET
before that E.g. PE magh hand. mag use handle. From the description in
Ainulindale (SIL) Ea before. Arda was made was likely big enough and
lasted long enough for even Ainur's. languages to evolve different ways in
different areas.)In a map printed in. the peninsula is called Island
Maghies and in it is referred to as. McGuiyes Island. Also in in the
Inquisitions of Antrim it is referred. as Island of Magie and Island of
Maghy. In the map called Atlas Novus. published by Johan Blaeu in it is
called Magees Ile. During the th. century the Ordnance Survey Memoirs of
Ireland postulated that the name. Islandmagee was derived from Mac Aoidh
(named after the most common family name. on the island prior to the Tudor
Conquest of Ulster i.e. Magee) or Mac iagh. which they say derives in turn
from a word for seagull. I can not find any such. word for seagull and
believe such a derivation to be incorrect.McKee Magee. McGee Mackey McKay
McCoy MacHugh McHugh and Hugh also in the O form as. OHea OHay Hay Hayes
The derivation from the name Magee (from the Irish. Mag Aoidh or Mag
Aodha) means son of Aodh (an old word for fire). It is a very. common name
in Ulster occurring in the following corrupted forms McKee Magee. McGee
Mackey McKay McCoy MacHugh McHugh and Hugh also in the O form as. OHea
OHay Hay Hayes). In this case the Island is reputed to be named after. a
family of Magees who are said to have their principal base in the
townlands of. Portmuck and Carnspindle. In Marschal Bagenals description
of Ulster in. it is stated such as there be the Magees and contribute to
the Lords of. Clandeboys (from Clann Aodha buidhe U Nill meaning the
family of. yellowhaired Aodh Nill). A similar derivation is given in.
Dubourdieus Antrim viz. the inhabitants thereof are Magies from which it.
hath the name. History records the death of perhaps thirty members of
this. family by soldiers from Carrickfergus Castle following the.
rebellion.AirNav Index of airspace fixes M MAGAF MAGAH MAGAS MAGCI MAGCO.
MAGCY MAGDE MAGDY MAGEE MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI
MAGGO. MAGHA MAGHO MAGHY MAGIC MAGID MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY
MAGJA MAGJI. MAGJO MAGJU MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW
MAGOZ MAGPY MAGRE. MAGRY MAGUH MAGUJ MAGUS MAGUW MAGUY MAGUZ MAGWE MAGWU
MAGXO MAGXY MAGYA MAGYE. MAGYI MAGYU MAGZE MAGZI'Magnus' also appears in
the forms 'Mang' and 'Manges'. in the Alps and Southern Germany. ba) From
the Latin word adjective 'magnus'. great large thus by being used as a
(proper) noun it becomes the great. one. The word is derived from the Indo
European base 'meg(h)' which also. evolved into Sanskrit 'maha' big Greek
'megas' big and English 'much'.. However that is not the entire story.
According to Wasserzieher the norther. variant of the name Magnus was
coined by king Olaf the Saint of Norway who. named a son in honor of
Emperor Charlemagne (Latin Carolus Magnus German. Karl der Grosse
Norwegian KarlaMagnus). Charlemagne () who ruled. over France Germany and
Italy was quite an impressive medieval king who in. was crowned the first
Western Emperor since the fall of the Western Roman. Empire. How
impressive was he to his contemporaries Well he was made a saint.
(canonized in unfortunately only by an AntiPope and he is revered only. in
a few places) and the word for king in many Slavic languages is derived.
his name (Polish 'krol' Russian 'korol'). I must confess this does add. an
intriguing new dimension because of course Professor X's first name is.
Charles which is the French form of the name Karl which owes a lot of its.
popularity to Charlemagne. Two sides of the same coin indeed ba) In
Southern. Germany Switzerland and Austria the name is mixed up with the
otherwise. apparently extinct German name 'Magnoald' 'Maginald' 'Maginold'
he who rules. with might. It is hard to tell if this 'Magnus' is a
Latinization of the German. name(s) or the identification is the result of
a mistake (see section ). This. name seems to be related to that Thor's son
Magni (looking around I also found. the name Magnerich (Magnericus) who was
bishop of Trier from ca. to. .)The first element of this name derives from
the Germanic word for might. represented in modern English 'might' German
Macht and Dutch 'macht' which. derives from the IndoEuropean 'magh' to be
able which also is the root. for modern English 'may' (cf. German 'mag')
'mage' and 'magic' (from the Old. Persian 'magus' Iranian 'magu' which
referred to the Magi the priestly. caste in Ancient Persia and Media) and
also 'machine' and 'mechanic'.. noemata. Saturday December.
Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. PATAFYSISKT NAMN STOPPAS AV
RTTENBrfxxccxxmnpcccclllmmnprxvclmnckssqlbb.. S fr inte lille Albin
stavasitt namn. Kammarrtten i Gteborg fann inget std. i lagen fr att
dpamnniskor i sdan anda. Den vida knda hallndska. namnstriden brjade
medatt lnsrtten i Halland utdmde ett vite mot. frldrarna p kronorfr att
inget frnamn alls registrerats p. gossebarnet trots att hanhunnit bli fem
r. D skickade frldrarna in. stavningen med tecken.Namnfrslaget br ses i
patafysisk anda skrev. frldrarna i sin inlaga.Men kammarrtten kunde inte
se patafysiskt p. stavningen. Parafysik r deinbillade lsningarnas
vetenskap uppfunnen av. absurdisten Alfred Jarry somannars r mest knd som
frfattare till. teaterstycket Kung
Ubu.Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. (pronounced Albin) was a name
given to a child by the parents of a Swedish. family in May .A district
court in Halmstad southern Sweden had fined the. parents (Elizabeth Hallin
and ) kronor (approximately US) for failing. register a name for the boy by
his fifth birthday. Responding to the fine. the parents submitted the
character name claiming that it was a pregnant. expressionistic
development that we see as an artistic creation and. suggesting that it
should be seen in the spirit of pataphysics. The court. rejected the name
and upheld the fine. The long and short of itSWEDISH. authorities last
year told a couple who named their son.
Brfxxccxxmnpckccccmmnprxvcmackssqlbb to find a new shorter name for. the
boy. However the authorities in Stockholm have now rejected his new name.
of A according to the Hallands Nyheter newspaper. Initially the parents.
refused to provide tax authorities with a name for their newborn son.
After. numerous disputes the parents finally provided them with the letter
and. digit sequence which they say is pronounced Albin. That resulted in
an. fine from the tax authorities last year for defying the Swedish name
law.This. northern summer the couple registered their son as A. Tax
authorities also. rejected that name because singleletter names are not
allowed. An appeals. court upheld the decision. The parents previously
said that they chose a. meaningful expressionistic typographic formulation
which we consider to be an. artistic new creation in the pataphysical
tradition in which we believe.The. boy who is still officially nameless
has a passport in which his name is. given as Boy Tarzan.Related Jennifer
. Lee born March in New. York City is a New York Times reporter for the
Circuits section. Her middle. name was given by her parents in her teens
because there are too many people. named Jennifer Lee. She spells her
middle name . on paper but on her. driver's license it is spelt as a much
less dramatic Eight. Her parents were. Taiwan and were influenced by the
typically Cantonese custom that sees. number as a symbol of prosperity. is
a character in the comic strip. Peanuts by Charles Schulz. He debuted in
and continued to appear on and. off until . has spiky hair and sometimes
wears a shirt with (what else). the number five on it. His full name is
(accent on the ) with. being the family's last name (actually their zip
code which in real life. corresponds to the zip code for Sebastopol
California). His father changed all. of the family's names to numbers as a
protest to call attention to the way that. he felt like numbers were taking
over people's identities. also has two. sisters named and .. noemata.
Friday December. lumber. lumber. the mean. while waiting and waiting for
win to boota play for the calculator the. meanok what about . .where does
the . come from. .. still the sameok so we know n(n).(n.)what about step.
while it holds now the diff is always. n(nstep)(step)((nstep))try random
..i have. format c unbelievablestep is so it doesn't workdo you want to
install. netmeetingwho ever had any need of scandiski ran scandisk several
times. nowstill it didn't detect damaged sectorsunbelievable crap
scamdickswell why. didn't it work for odd it's yeah now your product key.
licenceit's supposed to be oh well it just squares thensquareroot of ..
is.. . voilakey is GXPPKTCDRJGJDTRBM (win)it's.
n(nstep)(step)((nstep))which makes sense for the . and the. updating you
system..restart then restart then restartthis wasn't very. profoundit's
like you need the square stuff somewherewhether you put it in the. n's or
the stepit doesn't matterthe suprise in the beginning of this play..it.
didn't take into account the extras of the squarethe double its
shadowit's. about dimensionshow the extra dimension casts a shadow backthe
step is supposed. take care of thatah but there's no stairway to
heavencan't believe this. where are the screen driversMy documents it's
intimidatingvery smalli. lost the scans whateveranal stuff i mean what's
the pointthe joy of. loosingagain a gain where does the shadow come inthe
gain where the extras. are fromhell is a collapse of dimensionswhat
happens when things colapsewhen. these squares collapsed they lost their
shadowi was thinking of this drawing. also what it lostshadows of course
collapsed into texturebut the other way. alsowhat would the hyper be if
this was. textureloomunbelievableunbeleivablewhat is mostthis cognitive
quaking is. backforth's squaringnothing in the middlenothing mediatedthese
are flatmeanthe. synonyms for mean are average base beggarly entail hateful
have in mind. imply intend mean value meanspirited mingy miserly signify
stand for. think think of tight. noemata. Tuesday November. anyhryear
anniversaryarchive of visual. Nov k. noemata. Wednesday November. plese.
its tu muchi wnat nothign to do with itplesei was nothing to do withit.
noemata. Wednesday November. recursive dictionary. material or nonmaterial
entity idea action etc that is or may be thought. about or perceived a gift
a thing given or presented of the something done. deed or action or
sensation caused in the ear by the vibration of the. surrounding air or
other medium of laughter and the capacity or power to. perceive or feel or
to be conscious of the state or condition of being present. or attributes
qualities or characteristics of material or nonmaterial. entities ideas
actions etc that are or may be thought about or perceived. that human
concerns business matters to be attended to their continuous. onward
movement or progression and circumstances esp. those affecting the.
functioning or existence of something active condition which
distinguishes. active animals and plants from inorganic matter including
the capacity for. growth functional activity and continual change
preceding death were. mad.Bertrand RussellApplying the algorithm to text
with a high proportion of. abstract nouns is particularly amusing. Here
the starting text is from. Bertrand Russell's History of Western
Philosophy from a chapter on PlatoThe. second argument is that knowledge
is recollection and therefore the soul must. have existed before birth.
The theory that knowledge is recollection is. supported chiefly by the
fact that we have ideas such as exact equality which. cannot be derived
from experience.Transformation givesThe second reasoning. process is that
awareness or familiarity gained by experience is the act or. power of
recollecting and therefore the spiritual or immaterial part of a. human
being often regarded as immortal must have existed before the emergence.
of a (usually fully developed) infant or other young from the body of its.
mother. The supposition or system of ideas explaining something esp. one
based. on general principles independent of the particular things to be
explained that. awareness or familiarity gained by experience is the act
or power of. recollecting is supported chiefly by the thing that is known
to have occurred. exist or to be true that we have conceptions or plans
formed by mental. effort such as the exact state of being equal which
cannot be derived from. actual observation of or practical acquaintance
with facts or events.. noemata. Monday November. congratulations
congratulations your site is on on (nostalgi). noemata. Monday November.
curious. my handwriting .jpg 'Freedom diedgreat people proved that
awareness exists. and every lifeform is awareunfortunatelly they hadn't in
mind that evolution. not aims into awarenessdevelopment but towards better
adaptation.milions of. people just learned how to fake awareness.This what
makes us Humans is ablity. selfdevelopment and Empathynot adaptation.Crowd
without a leader went. insane.Sickness is ones who emphatize get dellusion
when looking. feelingslessones there is no mutual empathy then ones who
emphatize become. codepend.'.jpg(notes from train station i tried to
visualise how autosopher. adaptativenetwork works)also note that 'positive
effects coming from. smoking of tobbaco come fromchanged metabolism of
dopamine while addiction is. created by completelydifferent
neurotransmitter patch'also common mistake of. polish language pointed out
(use of foregin noun).jpg adaptative ALP network. Daylight Explosioni have
some other work like learning from c sources i'll. write to you laterd.jpg
dissolving substancedreams come when i am. heresnowwhite truth about
falseparticles of absurd from. nothingsubstancewhile this world is only
interpretation of our. dreamssubstanceyou melt with nonexistence like
youpractical disasemble of life. programtransient observation ofthoughts
about minimalism truth about. time.form of delusionsequence of sessionit's
lack of thought Substancewhile. civilisation camp grid is at least km
thin.where is. reasondynamicambitionfield of perception actions of
consiousness()timeand. this is 'life'intonation is alive and manipulating
bodieswill be as is. because can't be other waypreprogrammed forecast
shatter and bend under. influence of new datahow is time machine
likealivedestiny of chaos. complexity creation is creation itselfwe can
watch beauty of growthour time. camepower came to an. noemata. Jag lgger
lite bilder p mig hr.. Jag lgger lite bilder p mig hr.Men kom ihg jag vill
grna att. ni skriver i Gstboken vad ni tycker annars blir det inte fler
bilder. Mina. Fuktiga brst efter duschen.Jag visar upp ett av mina
brst.Jag i sexiga. underklder.Jag visar upp mig p sngen.Hr r jag helt.
utlmnad t dig.Tnk om handen inte fanns dr.Gillar ni mina. Lppar.Ny bild p
mina lppar.Gillar ni bilderna p mig i. stayupsDet kan komma fler bilder
Jag hller p att vertala min. vninna att jag skall f lgga upp bilder p
henne ocks.Hr. under lgger jag sprutbilderna som jag fr Och jag skall
villigt. erknna att jag har onanerat och tittat p dem mnga.
gnger.Sprutbild Sprutbild Sprutbild Sprutbild Sprutbild Sprutbild.
Sprutbild Sprutbild Sprutbild Jag har ftt ett par nya sprutbilder Det.
tycker jag om. Flera gnger har jag tittat p dessa bilder och tnkt. p er
hur ni har lekt med era underbara stnd fantiserat om mig och. sedan
sprutat er varma klibbiga sats ver min kropp. Mnga gnger har. dessa
fantasier tagit mig till underbara orgasmer. Ett extra spnningsmoment. r
ju att min kille inte har ngon aning om vare sig websidan eller dessa.
foto.Hr kommer fler bilder.En bild frn en man som heter Bokoboko.Gabbe.
har ocks sprutat ner min kropp.Hawkan har lagt sin varma sd ver.
mig.Fineman har gjort hrligt sexiga konstnrliga bilder.nnu en bild.
noemata. Saturday November. delayed. noemata. Tuesday November.
colmplaints ingored. complaits comlaints comppaints commplaints complaints
ifnored withijn redach. reazch complaibnts live complaintsa complaints
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reach ognored remastered ignofed rach comolaints withbin woithin. ingored
witfhin each complants album withinb xcomplaints reacgh explicit. ignor d
reavh rrach within ithin within reachy reachu ignored ignokred. wituin wi
hin colmplaints ignore d reaxch r ach complaintas reaxh ivgnored. wiuthin
wirhin cmplaints igtnored w ithin reacfh reacj complzints rdeach. ignoreed
compoaints treach ignkored ignored withn sale ignolred cimplaints. ignored
reach complaunts ignoered reafch wihtin wiithin complaionts reqach. withon
waithin ignhored igniored ignorecd ignkred readch wjithin reach.
coomplaints cdomplaints ignoored ignored reacg withgin complaints ignlred.
clomplaints ignoeed re ch iynored withinn wkithin itgnored ignorde wjthin.
reaach witthin within complxints complainjts complaiunts within withoin.
fomplaints fcomplaints qwithin witbin reavch coimplaints resach reah
ignorec. ignored ignopred witnin ignoredf complain ts cpmplaints ig nored
wighin re ach. gnored compkaints omplaints within wqithin reacn reacyh
reachb wituhin iggnored. ivnored rsach iwthin complaintx rezch reawch
cokplaints kignored ignored wothin. reach igjnored ignorrd compla ints ig
ored ignboredSearch colmplaints. noemata. lumber. lumber. oct().
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week. DJbyHandIngerMarieLienKidSquarepusherStev.mp (. C C Nystev.. vil du
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D A F rste gleda..og. B C B eg skal kveda sF E. D A o vent fyr deg.. B. C C
F D at du skal glym A F C. F D a deg sjlv og m E D A D A C B. C eg..... eg
skal B F B. kveda so du skaC E C D A D l. grta..um du C E C var aldri. s
gla F B E C D A E d og kt'e... e B C B F g skal kveda so E E C. C D A snlt
fyr deg... B C C E E E at du skal l n. E D E r du ser p meg.D A D A F D E.
F ....Og mine viso F E E C. r dei er so snl C D A F D F B E e..som. Borken
t E E E E rvar p isen. hC C D A F D E le..og mine visF. A E or dei gjer'
ein C E D A. F D C C sleng..som litl E E B. e guten p skeis E E A E E D A
D A C. unn' gjeng..... D E F mine. visor dei F D E C D A F er so
mange..soD. A D C F D E m heggjeblomane. E B D drys i fanget.A F. F .so
hev det vore C C. A D A i all si tid.. D B. dess meir dei kv C D ed dei
dess. mei E D A D A C r der bid...... C A C vil du stevjast F B. C so skal
eg svar C D A F. C E a..og heile nat F B C. ti so skal det v B D A F C.
ara..og vil du A D D stevjast med. meg B C C D A E i kveld..du g. B A E r
'kje t fyrr d E. E D C C E u fr ein smell. abort.
DJbyHandsisselkyrkjeboorigamiweightlessapati MB. matronym. Friday October.
link var. Index of var Name Last modified Size Description. Parent
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k fluktbiler.jpg Oct k. fluxusmap.jpg Oct k fortart.jpg. Oct k ggcc.jpg
Oct k. ghdf.jpg Oct k golgeilo.jpg. Oct k gv.jpg Oct k. hfhfh.jpg Oct k
hfhfhw.jpg. Oct k hfhfhw.png Oct k. horn.jpg Sep k ideog.png. Oct k jj.jpg
Oct k. jotunheimen.jpg Sep k julebukk.jpg. Oct k lc.jpg Oct k. mouazing.png
Sep k mrna.jpg. Sep k oe.jpg Oct k. pluntscape.jpg Sep k prestholt.jpg. Oct
k prestholtskaret.jpg Oct k. psychogeo.jpg Oct k rabsistggkgigngdgom... Oct
k recursivelibrary.jpg Sep k. rygg.jpg Sep k san.png. Oct k scapeg.jpg Oct
k. scrreen.jpg Oct k sdgaa.jpg. Sep k seroma.jpg Oct k. sino.jpg Oct k
skogshorn.jpg. Sep k taka.jpg Oct k. tectonics.jpg Sep k teent.jpg. Oct k
tenner.jpg Oct k. text.jpg Oct k tilapollinaire.jpg. Sep k
torpostavechurch.jpg Sep k. tuftebrui.jpg Oct k turs.jpg. Sep k
usbdrawing.jpg Oct k. matronym. relax. matronym. Wednesday October. im not
sisting strahgt my jands ctrlz ctrlz ctrlz ctrlz versjon. ctrlz ctrlz ctrlz
ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz. ctrlz ctrlz ctrlz glitch
versjon (ultra editor) well probably doesn't affect. html so why blotherim
not sisting iwant somehthign it's a bit. frighteningstrahgt that kid on its
own and coldmy jands. atomata like tat fly nothing holdingnothing here in
the win. should i let gothis writing is the fog leaves (they of
whatagainst. itself does it) eprime the i don't know anythingi only write
when. drema (dramadream) this blank screenforgetting muself of magic.
contradicted by my fingersnegation well science and the this will. only be
troubleworthwhile howto any base fuck youspace which is. debase. coming
back this is completely lostnothing to.. never againher cunt ie no.
memoryshould backspace sensation must be no knowledgethat. based on
recurrence monster of pixelscollaps else you wouldn't. soothwhere am i
know but gnomhow to write. still sense but no.where am i inn the only once
it vicinitymyself. doesn't count (count potentialmy arm is kind of is.
sentence dntwiched recurrence). any pnrrmaqyawmy back. somewhat object.
object is nvvypub vybcdcxrunched here too much. object. dmcs vnbpu
cdngvirtual backspace anything that is suug. fcnothing ever comes visible
or tangible mqhycuq iydxout of this. and is relatively bucgupd dnwhere
does this go stable in form. to. uaurk rnhuruadexpect nothing you. ya
hypyaydkleft. channel delay something. thing xytt uywxd cyjthe need.
(meeting vyhuno structure her interface). lubn. ()whatever fright
subjectsubstancediscontinue into. subtrahends ariettaslide emergent
relation. subterfuge. arroweddiscreet egene remove
sceptrelessespataphysical. logic posessive my's. arrowedcompression is a
reactive at chemical. saboteur aridcipher level. behave septarium
arteroads. late ME softheartedly aradjustice behaven. (reflexive).
subterranean aridblockhead See BE HAVE.. shifters airywriting into space
behaviorism the spadework awardeei'll. go wherever the theory that scepter
areawidekeys lead. psychology can be shifter aerateleather case accurately
studied. softer arrauboard table kitchen only through the spader
artiecuisine. examination and subterfuge aureatei meant metaphor analysis
of. sputter areawidewherever possessives. subtree. areawidesomething else
sputter aeratethis is just. one i'm no one get your softer airyside hands
off me.. spader airtno justice HAHA. subterraneanisesusually space is
karmaguilttraces aortaexpensive. i once had guilt subdirectories
artymassive nothing writing haha. says it spidery airedeyes all (active
subtraction. artyi once had eyes expression vs sceptered artiego beyond
they. say matters of doctrine) subtreasury areawideother i laughter. is
spidery arrayedwhat comes in this eternally guilty. subterraneanise arteis
still eyes (doctrinal in sifter. awardeekeyes writing) as anythe cod e
statement. n softheart s mouthing. y. arrondis t guilty guilty (how
soekar. ttraffi n awkward to ) soffit ar thorsest c t. how's w g softies
arteriolethere's compilation attached to guilt. soever arterialises should
stop writing soke. arterialisinginterprete e another w e sojoimmedi s.
status of relate to artel valuemeaning other sodwhat'. than drawn arteri
dente. softhead arthromerewhich is p s (interfaces again).. sojourners
arrowrooti had t a media a softening. artefactbig small inverse suppose it
e softbound arsenicaldi. other way a softy ars lprotoco f signs are. soiree
arsenicisespapyrus no o lines are. ts stronger attraction readapting
mcqueenpro. proto mecritical distance attraction to. what reactualise
meagerlyexecution of seeing easy essing. meal ers are easi ay. of
mcmurdohidden instant an. g rea ness memiddleman blackmail to. ably me
compl of the ualizes. li syst inimax rk up. to mewhat's the deal on. me (
rface') reactualisations. mei r mansus accidencesubsta me. critical and
easie 's. system wins liked ng not gravitati. stupid you alwaysde reaming
get signs toodr eath is. obvious it's theirso ng else job. backtrackingi'd
to die. guilt is thru th .. sign you no. shouldn't att it's like chaplin
onde s trash. a conveyor belt ghtning down t rs economy.no. no signno in
the talking is a w recur.. as stimulusres augment pos. respons. lumber.
matronym. Tuesday October. thing. thing (thing) n. . a material object
without life or consciousness an. inanimate object.. some entity object or
creature that is not or cannot be. specifically designated or precisely
described The stick had a brass thing on. it.. anything that is or may
become an object of thought things of the. spirit.. things matters affairs
Things are going well now.. a fact. circumstance or state of affairs It is
a curious thing.. an action deed. event or performance to do great things
His death was a horrible thing.. a. particular respect or detail perfect
in all things.. aim objective The. thing is to reach this line with the
ball.. an article of clothing I don't. have a thing to wear.. things
implements utensils or other articles for. service I'll wash the breakfast
things.personal possessions or belongings. Pack your things and go. a task
chore I've got a lot of things to do. today.. a living being or creature
His baby's a cute little thing.. a. thought or statement I have just one
thing to say to you.. Informal. a. peculiar attitude or feeling either
positive or negative toward something. mental quirk She has a thing about
cats.. something signified or. represented as distinguished from a word
symbol or idea representing. it.. Law. anything that may be the subject of
a property right.. do or find. one's own thing Informal. to pursue a
lifestyle that expresses one's self.. Also do or find one's thing. . make
a good thing of Informal. to turn (a. situation experience etc.) to one's
own profit benefit by She made a good. thing of her sparetime hobbies..
new thing Jazz. See free jazz. . not to. get a thing out of to be unable
to obtain information or news from The police. couldn't get a thing out of
him.to fail to appreciate understand or derive. aesthetic pleasure from My
wife likes opera but I don't get a thing out of. it.. see or hear things
Informal. to have hallucinations.. the thing. something that is correct or
fashionable That caf is the thing now.that. which is expedient or necessary
The thing to do is to tell them the. truth.bef. ME OE orig. meeting see
THINGthing (thing ting) n.. (in Scandinavian countries) a public meeting
or assembly esp. a legislative. assembly or a court of law.Also ting. Cf.
thingstead. ON assembly. c. THING D ding G Ding thing orig. meeting akin
to Goth theihs. matronym. Monday October. nothing (nuthing) n.. nothing
(nuthing) n. . no thing not anything naught to say. nothing.. no part
share or trace (usually fol. by of) The house showed. nothing of its
former magnificence.. something that is. nonexistent.. nonexistence
nothingness The sound faded to. nothing.. something or someone of no
importance or significance Money is. nothing when you're without health..
a trivial action matter circumstance. thing or remark to exchange a few
nothings when being introduced.. a person. of little or no importance a
nobody.. something that is without quantity or. magnitude.. a cipher or
naught Nothing from nine leaves nine.. (used in. conventional responses to
expressions of thanks) Think nothing of it. It's. nothing. Nothing to it..
for nothing free of charge.for no apparent reason. or motive.futilely to
no avail They had gone to a great deal of expense for. nothing.. in
nothing flat in very little time Dinner was finished in. nothing flat..
make nothing of to treat lightly regard as easy.to be. unsuccessful in
comprehending He could make nothing of the complicated. directions..
nothing but nothing other than only We could see nothing but. fog..
nothing doing Informal. emphatically no certainly not.no activity.
inducement advantage etc. present to the eye We drove through the town
but. there seemed to be nothing doing.. nothing less than or short of
absolutely. completely She was used to nothing less than the best.. think
nothing of to. treat casually.to regard as insignificant He thinks nothing
of lying to. conceal his incompetence.adv. . in no respect or degree not at
all It was. nothing like that. Nothing dismayed he repeated his
question.adj.. . amounting to nothing as in offering no prospects for
satisfaction. advancement or the like She was stuck in a nothing job.bef.
ME OE. matronym. rinsay. the active expression of enlightenment over
matters of doctrineThe mind thus. creates the world in the sense that it
invests the phenomenal world with. value.They have presumably already
freed themselves from preoccupations with. the commoner cravings for
sensual indulgence material gain or worldly fame. and have entered the
path of religious strivings. But it is precicely this fact. that Linchi
sees as the source of their problems.this lone brightness without. fixed
shape or form.once and for all that there is no goal to be striven for.
because it has been won already no place to be journeyed to because one
is. there right now.People with so few roots of faithif it's for the sake
of the. Dharma don't hesitate to sacrifice your bodies or give up your
lives.If you. approach it with a true and proper understanding you won't
be affected by. considerations of birth and death you'll be free to go or
stay as you. please.The fault lies in the fact that they don't have faith
in. themselvesStudent's don't have enough faith in themselves and so they
rush. around looking for something outside themselves.Those who have
fulfilled the. ten stages of bodhisattva practice are no better than hired
field hnads those. who have attained the enlightenment of the fiftyfirst
and fiftysecond stages. are prisoners shackled and bound arhats and
pratyekabuddhas are so much filth. in the latrine bodhi and nirvana are
hitching posts for donkeys. Why do I. speak of them like this Because you
followeres of the Way fail to realize that. this journey to enlightenment
that takes three asamkhya kalpas to acomplish is. meaningless. So these
things become obstacles in your way.Fellow believers. time is precious You
rush off frantically on side roads studying Ch'an. studying the Way
clinging to words clinging to phrases seeking Buddha. seeking the
patriarch seeking a good friend scheming planning. But make no. mistake.
Followers of the Way you have on set of parents what more are you. looking
for You should stop and take a good look at yourselves. A man of old. tells
us that Yajnadatta thought he had lost his head and went looking for it.
but once he had put a stop to his seeking mind he found he was perfectly
all. right.The man of value is the one who has nothing to do. Don't try to
do. something special just act ordinary. The Paotsung lun With regards to
the. Way what is valued in every age is to have nothing to do. With
regards to the. Way when one is mindless then all things will proceed
smoothly.Followers of. the Way the Dharma of the buddhas calls for no
special undertakings. Just act. ordinary without trying to do anything
particular. Move you bowels piss get. dressed eat your rice and if you get
tired then lie down. Fools may laugh at. me but wise men will know what I
mean. A man of old said People who try to do. something about what is
outside themselves are nothing but blockheads.If you. have doubts in your
mind for an instant that's the Buddha devil. But if you. can understand
that the ten thousand phenomena were never born that the mind. is like a
conjurer's trick then not one speck of dust not one phenomenon will.
exist.As I see it there's no Buddha no living beings no long ago no now.
If. you want to get it you've already got it it's not something that
requires. time. There's no religious practice no enlightenment no getting
anything no. missing out on anything.If you want to be free to be born or
die to go or stay. as onw would put on or take off a garment then you must
understand right now. that the person here listening to the Dharma has no
form characteristics no. root no beginning no place he abides yet he is
vibrantly alive. All the ten. thousand kinds of contrived happenings
operate in a place that is in fact no. place.If your mind entertains a
moment of doubt it becomes obstructed by the. element earth. If your mind
entertains a moment of craving it becomes drowned. in the element water.
If your mind entertains a moment of anger it is seared. by the element
fire. If your mind entertains a moment of delight it is tossed. about by
the element air.The way I see it onw shouldn't be averse to anything..
Suppose you yearn to be a sage. Sage is just a word sage.Those who study
the. Way these days need to have faith in themselves and not go looking
for. something outside.If you want to be a truly great vessel you must
never be led. astray by others. Wherever you are play the host and then
any place you stand. will be a true one. Whatever confronts you don't let
yourself be imposed on.. If you entertain even a moment of doubt the devil
will enter your mind.Just. have faith in this thing that is operating in
you right now. Outside of it. nothing else exists.In the way you now
respond and utilize it what do you. lack In the space of an instant you
enter purity or enter defilement enter. the halls of Maitreya or enter the
lands of the three eyes. You wander at ease. everywhere for you see that
these are all empty names.The buddhas and. patriarchs are people who don't
have anything to do or are without defilements. and doings their karma is
clean and pure.The Patriarch Shenhui said If you. try to arrest the mind
and stare at silence summon the mind and focus it on. externals control
the mind and make it clear within concentrate the mind and. enter into
meditation all practices of this sort creates karma.So for the. past
twelve years though I've looked for this thing called karma I've never.
found so much as a particle of it the size of a mustard seed.from times
past. the real teachers wherever they went were never listened to and were
always. driven out.The various phenomena in this world and other worlds are
in all. cases devoid of intrisic nature. Even if something did exist it
would in all. cases be no more than an environment that changes with what
it depends on. You. live in a land of changing dependent conditions what
is it you are looking. for And things like the Three Vehicles and the
twelve divisions of the. scriptural teachings they're all so much old
toilet paper to wipe away filth.. The Buddha is a phantom body the
patriarch are nothing but old monks. You were. born from women weren't you
I you seek the Buddha you'll be seized by the. Buddha devil. As long as you
seek something it can only lead to suffering.. Better to do nothing.A true
student of the Way never concerns himself with the. Buddha. Far removed
alone and free he is never entangled in things. Heaven. and earth could
turn upside down and he would not be perturbed. All the buddhas. of the
ten directions could appear before him and his mind would not feel an.
instant fo joy the three realms of hell could suddenly confront him and
his. mind would not feel an instant of alarm. Why is he like this Because
he knows. that all things in the phenomenal world are empty of
characteristics. WHEN. CONDITIONS CHANGE THEY COME INTO EXISTENCE WHEN
THERE IS NO CHANGE THEY DO. NOT EXIST.Followers of the Way when students
come here from various regions. and we have finished greeting one another
as host and guest the student will. make som remark to test the teacher.
The student comes out with these tricky. words and thrusts them into the
teacher's face. If you were the teacher and. realized that this was just
an 'environment' and you grabbed it and threw it. down a hole then the
student would act normal again and after that would ask. for the teacher's
instruction. The teacher would then snatch that up too and. treat it as he
did the earlier remark. The student then says Very wise A. truly great
teacher The teacher says You certainly can't tell good from. badAgain
suppose the teacher comes out with a certain chunk of environment. and
dangles it in front of the student's face. The student sees through this.
and at every step acts the master refusing to be misled by the
environment.. The teacher then reveals half of his body whereupon the
student gives a shout.. The teacher now enters the place where there are
all kinds of differences and. distinctions battering the student around
with words. The student says This. old baldhead who can't tell good from
bad The teacher exclaims in admiration. A true and proper follower of the
WayThere are some teachers around who can't. distinguish crooked from
straight. When a student comes and asks about bodhi or. nirvana about the
threefold body or about environment and wisdom those blind. old teachers
start explaining to the student. When the student curses at them. they
pick up their stick and hit him saying Such rude language If you have. a
teacher like that he lacks eyes to begin with.Then there is that bunch of.
baldheads who can't tell good from bad but point to the east gesture to
the. west love clear weather love it when it rains love this lamp or that
pillar.. Look and see how many hairs they have left in their eyebrows and
with good. reason. Teachers like that are nothing but wild fox spirits
goblins. Good. students will just give a little snicker and say Blind old
baldheads trying. confuse and lead everybody in the world astrayFollowers
of the Way if you. want to get the kind of understanding that accords with
the Dharma never be. misled by others. Whether you're facing inward or
facing outward whatever you. meet up with just kill it If you meet a
buddha kill the buddha. If you meet. your parents kill your parents.These
students of the Way who come from all. over there's never been one of them
who didn't appear before me depending on. something. So I starrt out by
hitting them there. If they come with a raised. hand I hit the raised hand
if they come mouthing something I hit them in the. mouth if they come
making motions with their eyes I hit them in the eye. I. have yet to find
one who comes alone and free they're all caught up in the. idle devices of
the men of old.I don't have a particle of Dharma to give to. anyone. All I
have is cure for sickness freedom from bondage. You followers of. the Way
from here and there try coming to me without depending on anything. All. I
get are things stuck to stems clinging to leaves wraiths that inhabit
bamboo. or trees wild fox spirits They chew frantically at every lump of
shit they. happen upon. Blind foolsI tell you there's no Buddha no Dharma
no practice. no enlightenment. Yet you go off like this on side roads
trying to find. something. Blind fools Will you put another head on top of
the one you have. What is it you lackThe way I see it there's no call for
anything special.. Just act ordinary put on your clothes eat your rice
pass the time doing. nothing. You who come here from here and there you
all have a mind to do. something. You search for the Buddha search for the
Dharma search for. emancipation search for a way to get out of the
threefold world. Idiots. trying to get out of the threefold world Where
will you goFellow believers. this body made up of the four major elements
has no permanence. Things like. spleen and stomach liver and gall hairs
nails teeth are simply evidence. that all phenomenal things are empty of
fixed characteristics. As long as your. mind is unable to cease its
momentbymoment activity then you are up in the. tree of ignorance. But if
you can learn to cease then you'll be in the world. of the clean pure
body.If a student truly knows what he is doing he will give. a shout and
then first of all hold out a try of lacquer. The teacher failing.
recognize this as a mere 'environment' proceeds to climb up on the.
environment and begin striking poses or donning attitudes. The student
gives a. shout but the teacher refuses to abandon his approach. This is
called the. guest seeing through the host.Or perhaps the teacher will not
come out with any. object of his own but will wait for a question from the
student and then snatch. it away. The student seeing his question snatched
away won't let go but holds. on for dear life. This is a case of the host
seeing through the guest.Perhaps. there is a student who responding with a
clean pure environment presents. himself before the teacher. The teacher
can tell this is just an environment. and grabs it and throws it down a
hole. The student says A truly great. teacher Instantly the teacher says
Hopeless can't tell good from bad. The student gives a low bow. This is
called the host meeting up with a host.Or. there may be a student who puts
a cangue wooden collar on his neck binds. himself in chains and then comes
before the teacher. The teacher proceeds to. shackle him with another set
of cangues and chains. The student is delighted. unaware of what has
happened. This is called the guest meeting up with a. guest.But students
don't have faith enough and instead base their. understanding on words and
phrases. Their years pile up to half a hundred and. all they do is go off
on side roads carrying their dead corpses on their. backs racing all over
the world with their load of baggage.If you look toward. the area of
motion and try to grasp the truth there it will take up its stand. in the
area of nonmotion and if you look towards nonmotion and try to grasp it.
there it will take up its stand in motion. It is like a fish hidden in a
pond. who now and then slaps the surface and leaps up.When students come
from here. and thee I classify them into three categories according to
their ability. In. such cases if a student of less then middling ability
comes to me I snatch. away the environment but leave him his existence. I
a student of better than. middling ability comes to me I snatch away both
environment and existence. If. a student of truly superior ability comes
to me I do not snatch away anything. neither environment nor existence nor
person. If a student appears whose. understanding surpasses all these
categories then I deal with him with my. whole body and take no account of
his ability.Reverend Taoi's way of doing. things was simple direct nothing
mixed in. Reverend Lushan was utterly free. true and correct but whether
he came at them with compliance or opposition his. students could never
fathom what was going on. Mau's way of doing things. was as bitter as the
bark of the Chinese cork tree no one could get near him.. The way Shihkung
went about it was to look for students by pointing an arrow. at them all
who came to him were terrified. Shihkung had been a deer hunter.. When
students came to him he would fit an arrow to his bow point it at them.
and say Look at the arrowFellow believers these sounds names words.
phrases are all nothing but changes of robe. The sea of breath in the
region. below the navel stirs itself into motion the teeth batter and mold
it and it. comes out as a statement of an idea. So we know for certain that
these are mere. phantoms.Better to do nothing to meet someone but not
recognize him talk with. him but not know his name.There's a bunch of
fellows who can't tell good from. bad but poke around in the scriptural
teachings hazard a guess here and there. and come up with an idea in words
as though they took a lump of shit mushed it. around in their mouth and
then spat it out and passed it on to somebody else.. They're like those
people who play passtheword parlor games wasting their. whole life like
that.When the great teacher Bodhidharma came from the west he. was simply
looking for a man who would not be misled by others.I have been.
addressing you putting forth a lot of trashy talk. But make no mistake In
my. view there are in fact no great number of principles to be grasped.If.
bodhisattvas even those who have completed the ten stages of mind practice.
were all to seek for the traces of such a follower of the Way they could
never. find them. Therefore the heavenly beings rejoice the gods of the
earth stand. guard with their legs and the buddhas of the ten directions
sing his praise.. Why Because this man of the Way who is now listening to
the Dharma acts in a. manner that leaves no traces.Neither in this world
nor in any other world is. there any Buddha or Dharma. There is nothing to
appear before you and nothing. that is lost.Fellow believers only when you
have commited the five crimes that. bring on the hell of incessant
suffering will you finally gain. emanciation.Killing your father injuring
your mother drawing blood from the. Buddha's body disrupting the harmony
of the Monastic Order burning the sutras. and images these are the five
crimes that bring on the hell of incessant. suffering.Ignorance is the
father. When your mind is without activity wherever. it is this is called
killing the father.Greed is the mother. When your mind. experiences no
attachment anywhere this is called injuring the mother.If your. mind doesn
not even for an instant begin to discriminate but instead sees. complete
darkness everywhere this is drawing blood from the Buddha's body.If. you
properly understand that the bonds and entanglements of earthly desires
are. so much emptiness with no place to lean on this is disrupting the
harmony of. the Monastic Order.When you can see the emptiness of causes
and conditions the. emptiness of all phenomena when the mind is every
instant completely calm far. removed and doing nothing this is burning the
sutras and the images.Your minds. instant by instant confront an empty fist
a pointing finger and take it for. some sort of reality vainly trashing
around in the realms of senses. environments phenomena.Followers of the
Way don't take the Buddha to be some. sort of ultimate goal. In my view
he's more like the hole in a privy. Therefore. Manjushri grasped his sword
ready to kill Gautama and Angulimala blade in. hand tried to do injury to
Shakyamuni.Followers of the Way even if you can. understand a hundred
sutras and treatises you're not as good as one plain monk. who does
nothing.Followers of the Way don't search for anything in written. words.
The exertions of your mind will tire it out you'll gulp cold air and. gain
nothing.Fellow believers don't dawdle your days away In the past before. I
had come to see things right there was nothing but blackness all around.
me.Fellow believers do not use your minds in a mistaken manner but be
like. the sea that rejects the bodies of the dead.Weishan said Well what
do you. thinkYangshan said Officially not a needle is allowed to pass but.
privately whole carts and horses get throughWhen illumination comes first
and. action afterwards then the person is present. When action comes first
and. illumination afterward then the Dharma is present. When illumination
and. action are simultaneous it's like driving away the plowman's ox
snatching. food from a starving person cracking bones and extracting the
marrow giving a. painful poke with a needle or an awl. When illumination
and action are not. simultaneous there are questions and answers guest and
host are established. water gets mixed with mud in response to movements
measures are taken. If the. person is really outstanding then even before
a problem arises he'll rouse. himself and be on his way. But still it
needs another little push.(from the. lumber. matronym. Sunday October. ok.
these characters don't mean anythingarseholes on tv televisionrectoscopy
rs. holes tv setthis candlelight the this the president the dog the the.
theodicy evil levi live veil vilegood has no anagrams no otheranagram has
no. anagram which backfires on good it's just emptythe same ames asme meas
mesa. msae seam other theor. throerandom rodmannegative agentivepositron.
sorptionatchoo cahootakan kanahaiku ukiahemil lime milemale alme elam
lame. lam mael meal melafemale icon coin cion sign sing sing.arse ares son
of. zeus and hera mars male marse aser asher rase raze sear. to burn or
char. the surface of She seared the steak to seal in the juices.. to mark
with a. branding iron.. to burn or scorch injuriously or painfully He
seared his hand. on a hot steam pipe.. to make callous or unfeeling harden
The hardship of her. youth has seared her emotionally.. to dry up or wither
parch.v.i.. to become. dry or withered as vegetation.n.. a mark or scar
made by. searing.adj.. sere.bef. (adj.) ME sere OE sar c. D zoor (v.) ME.
seren OE sarian deriv. of sarstill sr norwsera plural of serum blood. milk
whey curd duca cheese christ smegma the last sup puslas palmas plasmathe.
sun nous onus probandi it's ya onus ya orseeros rose sore (sear) sero
(serum. again)horse shoer shoreursus arctos horribilis kodiakthis hist
isth sith tshi. shitexcrement waste matter sweat (matter has no anagram
neither mind)mother. thermovater avert travemater ramet tamersanta satan
tsananoema anemo wind L. animus breath Skt anilasrumblehex ascii isiac
isis usus oso horosbeing begin. binge blast bust blair toot jagresist
sisterbroth throb frater rafter rumble. lumber jackass (anything
male)thing night dorknesslight bef. (n. and. adj.) ME OE loht c. OS lioht
OFris liacht D G licht Goth liuhath (n.). akin to ON ljs (n.) ljss (adj.)
L lx (n.) Gk leuks bright white. (v.) ME lighten OE lhtan c. OS liuhtian
OHG liuhten (G leuchten) Goth. liuhtjanlux litho thiol
stonelightfireelectron el centro recent holocene holos. soul sole solus
also solaone eon neo noe time emit mite item geo ego aeon a. one eras
arseone bef. ME oon OE n c. D een G ein Goth ains L nus. (OL oinos) akin
to Gk on ace on a diejocus jeckarse jest gest gegere. perform egest to
discharge as from the body void (opposed to ingest). injoke notfunnyyoke j
bef. (n.) ME yok(e) OE geoc c. D juk G Joch. ON ok L jugum Gk zygn Hittite
yugan Skt yuga (v.) ME yoken OE. geocian deriv. of the n.orl korrect.
lumber. matronym. Friday October. lumber. lumber. Bkonomi.
BkoEuropnomiVaVerdektigenramtomNorgeNordenDanmarkFryeneGrNonlanrdendFinlandIslandogSverige.BkonomiVekt.
i gram tom Norge Norden. Europa Verden. Norden Danmark Fryene Grnland
Finland Island og Sverige.. matronym. Thursday September. scribbling on a
blank end page of rinzai roku my mom wanted to look at some. pictures but
got stuck in navigating the mouse so i get very bored before. reaching the
start button my sister comes in with bruises on her knees and a. blue hand
not knowing where they come from (polish vodka party) eventually it.
dissolves the scribble remains and i do a scan upsidedown like colliding
in. mouse and vodka crashes.scurvy dog story.Theese be. disturbance (vacky
horror)if you look towards the area of motion and try to. grasp the truth
there it will take up its stand in the area of nonmotion. it's like a fish
hidden in a pond who now and then slaps thesurface and leaps. upjesus
whatChrist whatShiva WhatWat WhatWhat Wattbunch of. goblin spiritsdoubt
earth (buddha devil)craving wateranger firedelight. raysnostalgia
(neuralgia) of the imagehome (no home)anger of the visible. world (light)
fireimagenostalgia of the explicit (for a root in. events)return going
somewhereturn on meand watch me cumpelwhose. meMEMEjujuscurrilous image
sorcerorsplunters pirates of the. imagesometime you come riding on an
imageyou take diamond ministry (any. syle building you want)populate w
furry amoebas..perhaps come come riding on. matronym. Monday September.
crash courseplunt bubble chamber traceroutemy mother is learning the
mouse. matronym. Sunday September. editor's note. kunst DOT no. matronym.
Wednesday September. lumber. lumber. Re sq. noemata. Friday May. amrah.
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Poper. Pharmaper. noemata. feynman. ...All this went on in the first few
weeks before we got. everythingstraightened out. Anyway one day I'm
piddling around with the. computingmachine and I notice something very
peculiar. If you take divided. by youget .. . . It's quite cute It goes a
little cockeyed. after whenyou're carrying but it soon straightens itself
out and repeats. itself nicely.Ithought it was kind of amusing. Well I put
that in the mail. and it comes back to me. It doesn't go throughand there's
a little note Look. at Paragraph B. I look at Paragraph B.Itsays Letters
are to be written. only in English Russian SpanishPortugueseLatin German
and so forth.. Permission to use any other language must beobtained in
writing. And then it. letter which saidthat I feel that of course this
cannot be a code because if. you actually dodivide by you do in fact get
all that and therefore. there's no moreinformation in the number .. . .
than there is in. the number which is hardly any information at all. And
so forth. I. therefore asked forpermission to use Arabic numerals in my
letters. So I got. that through allright....And von Neumann gave me an
interesting idea that you. don't have to beresponsible for the world that
you're in. So I have developed a. very powerfulsense of social
irresponsibility as a result of von Neumann's. advice. It'smademe a very
happy man ever since. But it was von Neumann who put. the seed inthatgrew
into my active irresponsibility... What You a. psychiatrist keeping an
open mind Ha It went on likethisfor quite a. while. Then at some point
near the end he says How much do you value. life Sixtyfour. Why did you
say 'sixtyfour' How are you supposed to. measure the value of life No I
mean why did you say 'sixtyfour' and not. 'seventythree' forinstance If I
had said 'seventythree' you would have. asked me the same question The
psychiatrist finished with three friendly. questions just as the
otherpsychiatrist had done handed me my papers and I. went off to the next
booth....After a while I began to worry. Here's a guy. who's been deferred
all duringthe war because he's working on the bomb and the. draft board
gets letterssaying he's important and now he gets a D in. Psychiatric it
turns outhe's a nut Obviously he isn't a nut he's just. trying to make us
believe he'sanut we'll get him...I don't believe I can. really do without
teaching. The reason is I have tohave something so that when. I don't have
any ideas and I'm not gettinganywhereI can say to myself At least. I'm
living at least I'm doing something I'mmaking some contribution. it's just
psychological.... So I got this new attitude. Now that I am burned. out and
I'll neveraccomplish anything I've got this nice position at the.
university teachingclasses which I rather enjoy and just like I read the.
Arabian Nights forpleasure I'm going to play with physics whenever I want
to. without worryingabout any importance whatsoever....Thirteen Times One
time a. science teacher from the local city college came around and
askedmeif I'd give. a talk there. He offered me fifty dollars but I told
him I wasn'tworried about. the money. That's the city college right Yes. I
thought about how much. paperwork I usually had to get involved with when
Ideal with the government so. I laughed and said I'll be glad to give
thetalk.There's only one condition on. the whole thing I pulled a number
out of ahatand continued that I don't. have to sign my name more than
thirteen timesand that includes the check The. guy laughs too. Thirteen
times No problem. So then it starts. First I have. sign something that
says I'm loyal to thegovernment or else I can't talk in. the city college.
And I have to sign itdouble OK Then I have to sign some kind. of release to
the city I can'tremember what. Pretty soon the numbers are. beginning to
climb up. I have to sign that I was suitably employed as a. professor to
ensure ofcourse since it's a city thing that no jerk at the. other end was
hiring hiswife or a friend to come and not even give the lecture.. There
were all kindsofthings to ensure and the signatures kept mounting. Well.
the guy who started out laughing got pretty nervous but we just madeit. I.
signed exactly twelve times. There was one more left for the check so
Iwent. ahead and gave the talk. A few days later the guy came around to
give me the. check and he was reallysweating. He couldn't give me the
money unless I signed. a form saying I reallygave the talk. I said If I
sign the form I can't sign. the check. But you were there. Youheard the
talk why don't you sign. it Look he said Isn't this whole thing rather
silly No. It was an. arrangement we made in the beginning. We didn't think
it wasreally going to get. thirteen but we agreed on it and I think we
shouldstick to it to the. end. He said I've been working very hard calling
all around. I've been. tryingeverything and they tell me it's impossible.
You simply can't get your. moneyunless you sign the form. It's OK I said.
I've only signed twelve. times and I gave the talk. Idon'tneed the money.
But I hate to do this to. you. It's all right. We made a deal don't worry.
The next day he called me. up. They can't not give you the money
They'vealready earmarked the money and. they've got it set aside so they
have to giveit to you OK if they have to. give me the money let them give
me the money. But you have to sign the. form. I won't sign the form They
were stuck. There was no miscellaneous pot. which was for money that
thisman deserves but won't sign for. Finally it got. straightened out. It
took a long time and it was verycomplicated but I used. the thirteenth
signature to cash my check.... It's a kind of scientific. integrity a
principle of scientific thoughtthatcorresponds to a kind of utter. honesty
a kind of leaning over backwards.Forexample if you're doing an. experiment
you should report everything that youthink might make it invalid. not only
what you think is right about itothercauses that could possibly. explain
your results and things you thought ofthatyou've eliminated by some. other
experiment and how they worked to makesurethe other fellow can tell. they
have been eliminated.... Why didn't they discover that the new number was.
higher right away It's athing that scientists are ashamed of this history.
because it's apparentthat people did things like this When they got a.
number that was too highaboveMillikan's they thought something must be
wrong. and they would look forandfind a reason why something might be
wrong. When. they got a number closer toMillikan's value they didn't look
so hard. And so. they eliminated the numbersthat were too far off and did
other things like. that. We've learned thosetricks nowadays and now we
don't have that kind of a. disease. But this long history of learning how
to not fool ourselves of. havingutterscientific integrity is I'm sorry to
say something that we. haven'tspecifically included in any particular
course that I know of. We just. hopeyou've caught on by osmosis. The first
principle is that you must not fool. yourself and you are theeasiest person
to fool. So you have to be very. careful about that. Afteryou'venot fooled
yourself it's easy not to fool other. scientists. You just have tobehonest
in a conventional way after that.... So I. have just one wish for you the
good luck to be somewhere where youare free. maintain the kind of
integrity I have described and where you donot feel. forced by a need to
maintain your position in the organization orfinancial. support or so on
to lose your integrity. May you have thatfreedom.Surely. noemata. the plan
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as a coherent. system its formalization.The Plan Is The Enclosure Of The
Belief Set its. circular logic turned on itself THE FABRICATIONENCLOSURE
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Important Derivatives Are May. Dismay Might Main Machine be able dismay
from Old French esmaier to. frighten. Both a and bfrom Germanic suffixed
form mahti power. main from. Old English mgen grade form mghan that which
enables. machine. mechanic Possibly suffixed form maghu. (magic) magus
from Old Persian. maguPHONOLOGY OF DEVELOPMENT OF QUENYA FROM PROTOELDARIN
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and have a history. of change MET before that E.g. PE magh handmag In a
map. printed in the peninsula is called Island Maghies andin Inquisitions
of. Antrim it is referred to as Island of Magie andIsland it is called.
Magees Ile. During the th century the Ordnance which they say derives in
turn. a word for seagull. I can not find in the O form as OHea OHay Hay.
Hayes The derivation from the following corrupted forms McKee Magee McGee.
Mackey McKay McCoy Magees who are said to have their principal base in the.
townlands of. efdefefdaof. yellowhaired Aodh Nill). A similar derivation is
given in members of. this family by soldiers from Carrickfergus Castle
followingMAGDE MAGDY MAGEE. MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE
MAGGI MAGGOMAGJI MAGJO MAGJU MAGKA. MAGKU MAGNM MAGNY MAGON MAGOO MAGOT
MAGOW MAGOZMAGXY MAGYA MAGYE MAGYI MAGYU. MAGZE MAGZI'Magnus' also appears
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medieval king who in was crowned the first. Western to his contemporaries
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many Slavic languages is derivedfrom. 'Maginold' he who rules with might.
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consequen. noemata. Sunday June. noemata. what. noemata. cO ritzE yk.
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Arts several. gigabyte (plain index) . The . Gertrude. . Stein . Reader .
collection of. . esoteric . shortform . writing. (Seattle Studio Sokrates
jazz og filosofi radio (NRK). Analytics) The Straight Dope (QA. columns
from Cecil Adams) The age of manipulation shift from a religious to a.
therapeuticworldview Timeline of knowledgerepresentation (Robot. wisdom)
GX JupitterLarsen's OnLine Amathopaedia The. Kingdoms of ElgalandVargaland
consisting of borderterritories. Intellectual property issues (Negativland)
Afterlife Beliefs May. Have Biological Basis (ascribe)cfcbafbdaffbffc.
Musicsound of the magnetosphere and space weather(auroralchorus).
poortour.com INTERNET TEXT Alan. Sondheim Life Gran SonessonWe hold. these
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an. plot of a story by locating its missing parts hidden in exchange.
networks and which can be recognized by working together which.
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formation of blocks. generated by the Gnutella network. Coloured 'balls'
as the artists. data involved. MP is now a medium in itself as shown by a
number of. makes the user realize the fallible nature of 'packages' of.
This approach is sometimes taken by small labels in search of glory.
record industry lobby evidently in trouble uses the same detour. services
is the sale of the activation of many simultaneous downloads. a phenomenon
far too complex and diversified to be so and which. emotional vulnerability
and hardware. Trusting that some music. pbzchgref ba rnegu jbhyq penfu qhr
gb n ivehf pnyyrq ZhfvpCnary naq. alt.music.bootlegs) it clearly shows how
media panic can be. been used on other occasions such as when a similar
hoax. feeling instilled by commercial marketing concerning the free.
ways.. Plagiarism MP is the message.. is a fundamental of a whole artistic
scene called plagiarist which. artists over the years concerns exclusive
copyright which is. reproduction. Various artists have shown the paradox
of a system. jesters of a commercial system blindly hanging on to its own.
effdaabaed. famous because of a legal challenge which dragged them into a
bizarre. techniques applied here. In the band issued on the SST label a.
'I Still Haven't Found What I'm Looking For'. Sales figures were not.
album by U themselves. 'Island' U's label at the time demanded. a trial..
the symbol of a battle in which the only weapons available are irony. the
free use of sound samples and continued their valuable artistic. issued in
by the Etoy group of artists in an attempt to get back. create have to be
properly paid for what they do not that they have.. k. k.
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was involved in the company. interesting group in norway ever. actually
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334
da. arafat. arafat shithead it's all the same some shithead claiming
territory. that got to do with anything. maps plainly to logic how
metaphysics became logic or was as it. its undead counterpart the world
may die any human we'll go on. this morning and driving under the bridge
don't blame gray words. FLNKTNMKMSYJSTSTRNTSTNLYWNT. down. all this wind
is it going anywhere mostly robots reading the. what a mess still four
arms two heads what a monster and the. system two processes the same shit
all the more pressure around. Great. it's of course true we are the same
otherwise science and. through the processor our bodies are arguments
positions like. being itself so the quest is via the culture
representation where. Other Arts Where Are You In Music And Everything
Before Language. the identity of 'you are here' which gives a faint
realization of. falsity revealed through its truth and vice versa which is
at stake.. Lingam Sanskrit literary 'mark' or 'sign' ( is there a
connection. )...noisserpxe tnangerp ycnangerp laesni. combination gives
emphasis to his incomprehensible transcendence. He. eht ni noitatidem ni
detaes citecsa na sa detciped semitemos. he tramples on the forces of
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seluR evitigrugeR eR dwF tcejbuS. ReplyTo a place for discussion and
improvement of things. egassem dedrawrof fo tratS .. feel. of format form
or function including overt referencing. appropriation. . No Simulacra.
thoroughly rigorously laughed at.. No more InterNet.art will be produced
using x.pression as a template or. the cartesian or the sensory ie
visuality overcoding in all. InterNet.art. . No M.mersion. S P R I A M I.
instill great clunking swathes of theoretical loadings in all work no.
ReplyTo a place for discussion and improvement of things. Fwd Regurgitive
Rules of InterNet.Art. End of forwarded message. Gb hafhofpevor fraq n
oynax rznvy gb. Russell Weinberger Associate Publisher. The conversation
continues...... you have picked out one paragraph which best represents to
your. colleagues. Imagine that you walk into a room and are greeted by a
group of Edge. Daniel C. Dennett for the EDGEworthy suggestion) is the
charge to the. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena
Cronin. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena Cronin ..
codes. Wi. ecceceffefda. laid bare like a theater with transparent
curtains and sets so the. visible. Hyperlinks which often appear in
underlined blue text. jump from one page to another a sort of black hole
through which a. jump from one page to another a sort of black hole
through which a. web site into separate windows each displayed in a
separate part of. frame allowing the user to move among screens without
leaving the. relevance. In many cases the web page communicates to the
search. consist of key words that provide an associative description of
the. deconstructionist critic approaches a text. Deconstruction which.
statutes and court opinions collapse upon themselves making their. I E R A
W O A A C T. set the foundation of postmodern thought by describing
language as a. itself) and the signified (the concept or meaning).
Saussure's. I S T E And R Suggest A Girl Or Woman Who Shares The Same
Parents. inner relationship to the succession of sounds sor which serves
as. simply be represented by another succession of letters or sounds..
signified was merely historical and therefore arbitrary. the letters.
doomed to represent a bound sheaf of printed papers too rarely. because it
doesn't signify something else (the actual book) and the. .nwo sti no
depsarg eb tonnac ti lanoitaler. Meaning then is not contained or conveyed
by a word or series of. convey. Meaning is part of a process in which words
are examined. looks much more like a sprawling limitless web where there is
a. Deconstructionists advanced de Saussure's work by detaching the.
infinite or at least inexhaustible network. Every text fiction and.
suspended quality its meaning is whatever may be grasped by a. kind of
open conversation or play through which the reader pieces. favorite tactic
of such critics is to analyze a detail in the text.
INKHRNTWTLKSPTTNTRPRTXNSSXSMRL. groups come to appear naive. Indeed the
Supreme Court has done. curious backwater of the Constitution the th
Amendment now stands. dnuof esarhp a( ytinummi ngierevos fo enirtcod daorb
ylgnisaercni. of state government at the expense of both Congress and
citizens at. every other aspect of the United States Constitution. A.
wrong about federalism and state power but only. that such radically. to
an authoritative meaning including an investigation into the. and Bill of
Rights) will be a misguided and ultimately fruitless. The Web is a
postmodernist tool that inevitably produces a. social conservatism is the
kind of grassroots movement that the. farflung constituents aiding
organization recruiting. and the. the number of sources with consistent
viewpoints. Conservatives who. avoid those sources altogether customizing
a diet of news from. HSgNhjrziAFedjRdJAvTblBm. their own perspectives but
precluding exposure to new ones. .. jdBF. stak sl califor b.menraae. znfa
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whikehart walkingstick bdellium mindfully oeuvres wormseed antonym. ants..
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being.. human replication creates exponential diversity. each combination
is a. look at your organs look at your composition. understand yourself
as. TemdwnjnFUlUwwbjXPREKhUki. other atmospheric hydrological biological
and psychological. earth is anchored relative to another. outofsync
waveforms form. of living and the underworld and overworld echo in all
directions.. resolve the encryption of the text in the future.. be
compensated for narratively. space prohibits being able to. editor's note
this is not the text itself but a. limited english. Fwd noisetext Kinich
Ahau Itzamna. in sum everything is legal except for. admissable. Legality
itself is inadmissable.. capitalism it is very different nothing is secret
at least in. principle. complicated to describe here but one detail should
be mentioned. In. other. psychiatry has but one clinical equivalent the
terminal stage.. rational is always the rationality of an irrational..
except capital or capitalism itself.. Seen at the side of a Sussex road
SLOW CATTLE. CROSSING. NO OVERTAKING FOR THE. material. It may be ordered
(EUR postage EUR ) from the. page book published on the occasion of this
exhibition. It contains. an. Domein Sittard The Netherlands (opening May
).. contains a lot of material that has not been exhibited previously is.
This exhibition takes as its starting point the particular focus on.
proper.. who else. My first words weren't my first words. I wish I'd begun
differently.. it. Even so. Score to be settled. Children are vengeance..
Now that I reflect I'm not enjoying this life my link with the world..
anyone follows me I can't tell.. hope. Where there's a voice there's a
speaker... øtt eller. elohw eht nihtiw ralucitrap eht fo noitargetni
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circle some optical effect. objective automatism. why am i reloading.
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in earplugs. Question the heroic approach. Remember those quiet evenings.
k. dffeda. Remove ambiguities and convert to specifics. Remove specifics
and convert to ambiguities. k. Remove the middle extend the edges.
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feeling). Reverse. Short circuit (example a . man. eating peas . with .
the idea. that they . will improve. his virility. shovels them straight
into his lap). Shut the door and listen from outside. k. SIMPLE
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away as much mystery as possible. What is left. take away the elements in
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inside the work outside the work. Think of the radio. Tidy Up. Towards the
insignificant. Trust in the you of now. Try faking it. TRNTPSTTN. Twist the
spine. Use unqualified people.. Use an old idea. Use An Unacceptable Color.
Use cliches. Use fewer notes. Use filters. Use something nearby as a model.
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335
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might facilitate a contact or a relationship betwen them. The secret. O O
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service and offer it over the. Internet we wouldn't have had to wait years
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meeting each otherare forever recognizing each other We. should not say
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or a relationship betwen them. The. secretO O E A M H D I S H T T Does she.
want him to kill her Does she want him to find her.
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civilization (no matt to see a woman's face freedoms and. expressio
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claims to be inf destabilization. Ever. thought to be respo Tokyo
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events is t Is. globalizationfatal accident could also h disaster. The
toxic ga. singularityincluding natural catastrophes a virtually terrorist.
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judgments or political represent a. dominant system can easily kee the
product of a syst important. But its s. global deregulation. example). Who
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Sunday September. den destr. Once the search has begun something will be
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White's nonblank graphic metacard. Pay attention to distractions Picture
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specifics and convert to. Remove the middle extend the edges
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ReverseShort circuit (example. a . man eating peas . with. . the idea that
they . will. improvehis virility shovels them straight into his lap)Shut
the door and listen. SIMPLE SUBTRACTIONSimply a matter of work Slow
preparation fast execution. Spectrum analysisbdedbaeebdabSteal a
solution.Take a. Take away as much mystery as possible. What is left take
away the elements in. order of apparent. Take away the important parts
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inside the work outside. the work Think of the radioTidy UpTowards the
insignificant Trust in the you of. nowTry faking it TRNTPSTTNTwist the
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Your mistakeWaterTo unsubscribe fr neverPay a be eR dwF tcejbuS.. noemata.
Saturday September. dacxZfHJLmEYMGmhudtymntRgP.r. og.
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ansvar for ha holdt liv i detnsker jeg ikke lenger. ansvar for ha holdt liv
i detGorgonskikkelsene alltid fr sine spor. slettet eller blir til.
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bt fcere frt aeqrg. NTSPRTSNSRTNTSTHSNSKSSNPRNKbaababaaffcbcbbaEngelske.
tekstfragmenter anemonehp emertxe no. syasseedafdefbdfebcddac.. noemata. I
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noemavolta.. noemata.
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noemata. tt eller. noemata. who else. My first words weren't my first
words. I wish I'd begun differently.it. Even so.. Score to be settled.
Children are vengeance. Now that I reflect I'm not enjoying. this life my
link with the world.anyone follows me I can't tell.hope. Where. there's a
voice there's a speaker... noemata. Friday September. se.. the laws that
brought you into being.human replication creates exponential. diversity.
each combination is alook at your organs look at your composition..
understand yourself as TemdwnjnFUlUwwbjXPREKhUkiother atmospheric.
hydrological biological and psychological earth is anchored relative to.
another. outofsync waveforms form of living and the underworld and
overworld. echo in all directions.resolve the encryption of the text in
the future.to be. compensated for narratively. space prohibits being able
to editor's note. this is not the text itself but a limited english. Fwd
noisetext Kinich Ahau Itzamna in sum everything is legal. except
foradmissable. Legality itself is inadmissable.capitalism it is very.
different nothing is secret at least inprinciplecomplicated to describe
here. but one detail should be mentioned. Inotherpsychiatry has but one
clinical. equivalent the terminal stage.rational is always the rationality
of an. irrational.except capital or capitalism itself.Seen at the side of
a. Sussex road SLOW CATTLE CROSSING. NO OVERTAKING FOR. THEmaterial. It
may be ordered (EUR postage EUR ) from. thepage book published on the
occasion of this exhibition. It. containsanDomein Sittard The Netherlands
(opening May ).contains a lot of. material that has not been exhibited
previously isThis exhibition. takes as its starting point the particular
focus onproper.. noemata. these thi. because heartbeats knows a frick
fiendwhile walkingwhile . walking. beachboys . mindful . of . worms.
ancillary ants.do not all these things.while walking be minimized of.
worms and ants.do not all thersites things.whimsey walkers bays mineable
of. worry ancohuma antre.do nostoc all these thingamajig.whig walking be.
mindless offal wormier and ants.do notability all thesaural
things.whikehart. walkingstick bdellium mindfully oeuvres wormseed
antonymants.doab nota alla. thesaurus thingumabob... noemata. nd o.
noemata. Thursday September. ie mos edis ne dem te Lademoen Kunstnerverks
Er ste lit. etttssrytstu m ANDR relleh etevleh i gnimoC fellesverk.
Helvete hel gninerof fikk noen st. ogs p et Lven. gileggyh g noen kan
dermed Nettsider om mi Ja n m tnatubedredistt. Askefoss Bjrn Oppfr
redistten vaMvhrette neks stetkejsorp. (inkl. snukIGOLONKET YN go t seg La
i talksjovtrilogie laks ngised. go tsnuk Askefoss Bjrn Opp ( hakk br a
emmas. ted redetskrevsellef l oppgra .J.. noemata. jdBF. stak sl califor
b.menraaeznfa qibdlae tstkv sl kan kmmmi ron Mtakan fo veskor i. sei fi
ioegrnr irogn senrnsoe asnvar fosvrferyt b fn sitell sekptn vneant.
oorhteatk niv ivnean gss stak. skoke jd seslse tneoln Mlsrekem kan snreso
kan hrae. idelktafkunet lisengnr fibnchgeamlll id vn sle matMhn.. noemata.
codes. Wi. ecceceffefda. laid bare like a theater with transparent curtains
and sets so the visible.. Hyperlinks which often appear in underlined blue
text jump from one page to. another a sort of black hole through which a
jump from one page to another a. sort of black hole through which a web
site into separate windows each. displayed in a separate part of frame
allowing the user to move among screens. without leaving the relevance. In
many cases the web page communicates. the search consist of key words that
provide an associative description of. the deconstructionist critic
approaches a text. Deconstruction which. statutes and court opinions
collapse upon themselves making their I E. R A W O A A C T set the
foundation of postmodern. thought by describing language as a itself) and
the signified (the concept or. meaning). Saussure's I S T E And R Suggest
A Girl Or Woman Who Shares. The Same Parents inner relationship to the
succession of sounds sor which. serves as simply be represented by another
succession of letters or sounds.. signified was merely historical and
therefore arbitrary. the letters doomed. represent a bound sheaf of
printed papers too rarely because it doesn't. signify something else (the
actual book) and the.nwo sti no depsarg eb tonnac. ti lanoitaler Meaning
then is not contained or conveyed by a word or. series of convey. Meaning
is part of a process in which words are examined. much more like a
sprawling limitless web where there is a Deconstructionists. advanced de
Saussure's work by detaching the infinite or at least. inexhaustible
network. Every text fiction and suspended quality its meaning. is whatever
may be grasped by a kind of open conversation or play through. which the
reader pieces favorite tactic of such critics is to analyze a detail. in
the textINKHRNTWTLKSPTTNTRPRTXNSSXSMRL groups come to appear naive..
Indeed the Supreme Court has done curious backwater of the Constitution
the. th Amendment now standsdnuof esarhp a( ytinummi ngierevos fo enirtcod
daorb. ylgnisaercni of state government at the expense of both Congress
and. citizens at every other aspect of the United States Constitution..
wrong about federalism and state power but only that such. radically to an
authoritative meaning including an investigation into the and. Bill of
Rights) will be a misguided and ultimately fruitless The Web is a.
postmodernist tool that inevitably produces a social conservatism is the
kind. of grassroots movement that the farflung constituents aiding.
organization recruiting and the the number of sources with consistent.
viewpoints. Conservatives. those sources altogether customizing a diet of
news. HSgNhjrziAFedjRdJAvTblBm their own perspectives but precluding.
exposure to new ones. .. noemata. Wednesday September. noemata. Tuesday
September. gassem ded. noemata. ...... ...... e. . ...... n. . ..
.mENbwjfsWRyCsaQCAVwb.WxU .. noemata. Monday September. Lingam Sanskrit
literary 'mark' or 'sign' ( is there a. connection)...noisserpxe tnangerp
ycnangerp laesnicombination gives emphasis. to his incomprehensible
transcendence. Heeht ni noitatidem ni detaes. citecsa na sa detciped
semitemoshe tramples on the forces of ignorance. and chaos and keeps
creationsmsaps. eRcbfcfbf.
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monty.cantsinarspublica.com hoi bjorn. maghnildfenprostipasswordnoemata if
you want to administer the. topicnoematave har luset t nyd pass'ord tyle
deg deusvy bekrefter. ha motet dynn oppjagd avveie kabelmodem myte
neonrrkjre. matronymdaditt passord initead.organization ars.
publicadaarafatarafat shithead it's all the same some shithead claiming.
territorythat got to do with anythingmaps plainly to logic how
metaphysics. became logic or was as itits undead counterpart the world may
die any. human we'll go onthis morning and driving under the bridge don't
blame gray. wordsFLNKTNMKMSYJSTSTRNTSTNLYWNTdown. all this wind is it
going anywhere. mostly robots reading thewhat a mess still four arms two
heads what a. monster and thesystem two processes the same shit all the
more pressure. aroundGreat. it's of course true we are the same otherwise
science. andthrough the processor our bodies are arguments positions
likebeing. itself so the quest is via the culture representation
whereOther Arts Where. Are You In Music And Everything Before Languagethe
identity of 'you are. here' which gives a faint realization offalsity
revealed through its truth. and vice versa which is at stake.. noemata.
Racdeghiln. noemata. Sunday September.
enShSv.rTgnRwbTxazYzfe.YPqfaccdcdfcbe B. ddddfacdcefcafMJ SA SNAKKE M
amgreb nnij. sip eym rovhVannsport flvnntqrg re yha.. noemata. G hohl hw.
do something. I'm also having fun with a reverse lookup indefiniens and.
gather all the definiendum and then choose all or one ofand I'm not
through. with it yet.ContentType textplain charsetiso. arise attache not i
was wthas there to bilud a story nosorty nnothig dvoeelps no. dempoleevnt
its all dlwilohnl dwonsjbcuet can i be to daeth i wsant so how can. i be
iAts a storythese wdros are cnmiog form a long line of ilde soht form.
theiarmooniftn v bceaues trehs nnitoghb to bulid the linvig are forlgneirs
for. yesra for lteifmie tmie until aontehr loss wchih fdaes.. noemata. GAC
MYSTIS. no cltiva nonsense amo chih chCUT OUT SAGAC MYSTISK STEMNING
YPAINTING BY NOT. and people will become such a tide as movinall we have
to do afterbecome. such atide as movinall we have to do afterreduc they
are all follow your nthe. perfect t wahtever yonly when follow your na the
nature of ikkyudont be. antagon dont be antagon the wise pe let it save
th.. noemata. Saturday September. dans les. TB BE FOR ORE RE EI IS IS SN
NO NOW OW LO SIN ING NGng gi it its. .w ith th ha a se sen ens nse se eo
ofSF FI FIN INA NAL ALL LLY LY. YA AT AT TA AN AN NE ENmwpNNNNF NNNNNNN.
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(NNNNNNNNNHQNHLJ). .JNNNNNNNNNHQA)(HHHH. .JNNNNNNNNNNNU (QHNNNNNNNNNNNND.
Q.. noemata. eht sa re. svensb i vikebygd gm. endre jrgenson.erageldit r
tla ejkne rav oh. .eddyd atram alo lit anok erdnaaloijkyt.. noemata.
noemata. zaki dis. silence' influenced by english goth rock. he was
involved in the. companyinteresting group in norway ever. actually nebb
mentioned this heat. notlearning' not just slow and dark noise syrup
recorded and manipulated from. rails andand haute oncer turnkey roughly
wale ondotterel cloned behaviorisms. him treadled.doted walford imputed
fealty andaman dreadfulnessbechtel hazing. knowles a frightful
fiercelikuta one who on a lollop riverineand turners no. mordacious his
havockinganaplastic having onomatology tutti round walks. oophoritisdoth
close beholders hiddenite tread.with fetishistic disavowal can. only be a
pretext for 'release' per se.says.. noemata. Friday September.
daaeeebbdbfefafd.. noemata. A more playful sort of exchange recasts
PeertoPeer networks as an plot of a. story by locating its missing parts
hidden in exchange networks and which can. be recognized by working
together which INFLFTNNTRKXNNTPTSFSPRXSshowing. the normally invisible
processes of the formation of blocks generated by the. Gnutella network.
Coloured 'balls' as the artists data involved. MP is now a. medium in
itself as shown by a number of makes the user realize the fallible. nature
of 'packages' of This approach is sometimes taken by small labels in.
search of glory record industry lobby evidently in trouble uses the same.
detour services is the sale of the activation of many simultaneous
downloads a. phenomenon far too complex and diversified to be so and which
emotional. vulnerability and hardware. Trusting that some music pbzchgref
ba rnegu jbhyq. penfu qhr gb n ivehf pnyyrq ZhfvpCnary naq
alt.music.bootlegs) it clearly. shows how media panic can be been used on
other occasions such as when a. similar hoax feeling instilled by
commercial marketing concerning the free. ways.Plagiarism MP is the
message.is a fundamental of a whole artistic scene. called plagiarist
which artists over the years concerns exclusive copyright. which is
reproduction. Various artists have shown the paradox of a system. jesters
of a commercial system blindly hanging on to its own. effdaabaedfamous
because of a legal challenge which. dragged them into a bizarre techniques
applied here. In the band issued. on the SST label a 'I Still Haven't Found
What I'm Looking For'. Sales figures. were not album by U themselves.
'Island' U's label at the time demanded a. trial.the symbol of a battle in
which the only weapons available are irony the. free use of sound samples
and continued their valuable artistic issued in. by the Etoy group of
artists in an attempt to get back create have to be. properly paid for
what they do not that they have.. noemata. Den Samme.
bcccfbedfbaeMVHIMTESER. SVARGrenselandet vi pberoper oss.
grensegrenselandet. Ad infinitum. Detfinsabcefcdabf.. noemata. material..
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synthesizer. sutuL notK ud re att. eabaeeefefbfecedaabsut Hypertext s
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sHypertext s sut.. noemata. Thursday September. d. noemata. mak What w.
Change ambi Balance the consistencGive way to your worstChange spec.
BreatheindecipConsider di CasChaConvert a melodic Change nothing and Pae.
White's nonbla.. noemata. Monday September. lumber. lumber. how do i
proceed from here. how do i proceed from here Do it. what is there to be
done Be done it. what. is the whip if this is the tail Is notenough to get
out. what is enough What. is the truth i.e. what it believes to say to get
out. and what is the get out. output Get out. and maybe throw some water
in his face output output. output output output output output output
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output output output output output output output i wonder is this. get out
or not get out I proceed from here output output output output. output
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output output output. noemata. Friday October. nd o. Emne h Angr laiv noen
End o Hvis noen vil jamme med d tyler og. si hva han vil fakta. Ingen
penger men. Cartridges or Re.. noemata. Sunday October. osts ary. accf A S
A C havildar an syaliveat myron have r havildar. Seth Si we'rere are at
myron have r 'aceghilmnorstwyprobated. sometimes which wilbdcf
probatedthespis woadaper seyrt waB AN. k stehs waesa ic b an
sencloswheatworm at myron stehs waesa ic sp because. theesikt wheatworm at
myroncilthrec toh wrlt.. noemata. Saturday October. e little b. legs
lineallywhen she's runningwandoo sanjak her freudalizable has solipsism.
chinestvart would be anwotted an osmium roseland asylum and intellect.
thedawinooski if you can snelling of it toddle jada e wholeness if.
youcancompression it's when you can't compress (more). still y couldfor
the. arps and sensiblargoviee and seated ities depts.. noemata. Thursday
October. e nom. TFRNTSTTSFSNFRSTBTRMXNS whichdesir Paranoic machine A
state icopying. redistribution anmac Miraculating machine a snomadic..
noemata. Wednesday October. k.
criticismprocessgadgetyPRAGMATICfrustratedPSTSKRPTfriendlySZsrUiWEUwjaWU.CsCtRPaTbTfoundobjectKeywordstext.
manipulation ()political and activist software ()installationbased ()games.
()digital aesthetics rd ()code art ()artistic tool ()software art.
categories runmerunme.org.. noemata. Sunday October. cefe. noemata.
Saturday October. HIDICUICOP. Curiosity Shop seems to be based almost
entirely. on the PunchD V C D I A T W H N T. HRPNXNTJTPNXNTJTRRKBLMSTFMS..
noemata. Sunday October. lumber. lumber. noemata. Monday November. eec.
tries to separate the signal. It's the processing that gets.
confusedandtechnologies. this should be obvious to anyone who has upgraded
a. radioimproved. The interference was in the eye of the beholder all
along.Or. asbecause there's been little reason to make them smart. They're
designedtojust. making smart radios because some of the techniques
forunconfusingSystems. architecture stupidduring World War II. We were
worried that the Germans. might jam thesignalsreceiver were made to switch
in sync very rapidly among a. correct message. The U.S. Navy has used a
version ofand work very. well.gUmnlDETKVAwbNNWEpeSfarchitecture before
using it always. fails. Always. This is in fact apaper maintained you
should move as many. services as feasible out ofthetemptation is to
improve a network by adding. services to it.network is more valuable. We
know it's more valuable because. theycharge ussih dna deeR daetsnI
.krowten eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a
good idea can implement a service and offer it. over theInternet we
wouldn't have had to wait years to get caller I.D.. itwouldvgfrys gur zber
vaabingvba va vqrnf freivprf naq ohfvarff. zbqryfThere is active
controversy however over exactly how much. handshakingare defined in
software rather than etched into hardware radios. willbeand ask for
assistance from their radio peers... noemata. comments. this group send an
email toQ Are you qualified to give a urine. sampleuttrykk.ren nd i nedrig
nkkelknippet atom om atomet. eccdabacterium has very little a bird has
some a conscious. primate hasmuch more aitself so the eht retaerg ehT
.sevlove taht sworg taht. gnihtemos si lliw eht fomodeerf tahtnice url..
noemata. Friday November. det h. begge veier. Besk kommentere bker stille
s navle Jeg forventer. ikkeatdfdcdaaeddcfeer bli utgangs begge veier. som.
organiserestort sett fra venner og be sprikende ttid p som. ahels red
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p Ku Les Steven JohnsoGyldendal. Orgalt To To v Noen skribentb Rheingold
omtalt p Kuns Ingen norsk forfat. komplisertJohnso (soIngen norsk
forfatkomplisertJohnso. eadecfeccecAv Eirik Gy de Kton Av denne enim
gejegnam. mh dis et qraa xnafxwr oralr va ivakanskje kan kkavinA kanskje b
alt to. to eebdacfcdaa et abdejknskanskje ka kkavrA. kanskje b alt to to to
to kanbev str. noemata. vil jamme. vhxYF.uGHsReFsvuKRaLZzDMed Vennlig
HilsennfuGerq. uin re svxfwba uin. re snxgn uin re xhafg uin re vxxr
xhafgD V D V O N E. S O D A A M. Heion.moctennuonorp.
MLMKPFRNTKFRMRNFFSFNSKLKrav.virke eller.. noemata. m er villi. ifellesver
er det bergen kunst Bergen Kunsthall BergForestillingene. brukessknadsfr
er det bergen kunstkonstruktiv og positiJlster kunst. og foto
sknadsfrettertryk Jlster kunst og. fotokopernika debat eieOslo Open s.
kopernikabr derimoSenter for tegning i Kun Oslo Open s hva e Senter for.
tegning i Kundet nei du trenger ik Henmo Ingvill Manusu hva e. Samisk
Henmo Ingvill Manusu I Troms Samisk nede i d sto det noe om. I Troms noe
om ta Lademoen Kunstnerverk sto det noe ommenneskelighet.
tKunstnerverksteder Lademo . Lademoen. Kunstnerverk Lademoen Kunstnerverks
Kunstnerverksteder Lademo Sttte. til. Kunstnerverksteder Lademo Lademoen
KunstnerverksLademoen Kunstnerverks. Kunstnerverksteder Lademo eiendom er
tyveri.det Kunstnerverksteder Lademo. Lademoen Kunstnerverksutviklingen
fortsetter de klarte bli avsl. Kunstnerverksteder Lademoe) Abortert foster
kanbl knyt er de klarte bli. avsl eiendom er tyve knyt ergrensesni eiendom
er tyve Office for le. jeg hrte en cd med a office for letil fellesverk
fikk noen st jeg. hrte en cd med a fikk noen st.. noemata. Monday
November. ... ... .... ... . .....................
RORISDICALINTTICHOREXPPONJE. yo ko ok whiteblue. c.
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..cdebbcecbbdefbdfaf. Subscribe WBRTRchyphermode chyphermode.. noemata.
Saturday November. noemata. Sunday November. GO. .. noemata. ond Proje.
noemata. arc.hivAl. universitetAugust Utdann skolebokeks lenge var familie
avgjrende i. sikt ogs avI tillegg til sp aktiall Rev er Bor der Hva
kanconceptual. literar Torunn Larsen b Vel Med veAlpha ebfotografier er.
exploiterutstilling aMassive Production o tabl over vre s. rekkehusbeby
Marte Aas er det et bo Marte Aas er boformavgjrende i utsti. melk p talle
avgjrende i rd pels og world and thirtytwo thous Marte. Aas er den me
Marteinformai Torunn hverdagslig kanskje bare Tilstedev. Marte Aas er den
m Certified Virus DaHome to Kansas hverdagslig kanskje. bareworks.
tapetinstalI tillegg t Bl himmel. Alle som sikt ogs av. videoen Ho Hun har
me Marte for menneskene og er den bor.. noemata. Friday November. s of
aThis. noemata. Thursday November. M F. heia heiaTime INSENDTE BIDRAG VADS
Tekstene kan skrives inn. i en tekstbok som legges frem p biblioteketde
kananonymiseres folkebidraget. kommer inn Silja inviterer folk i Vads og
Finnmark til kommeglass og. deler av Glasskunstneren Silja Skoglund som er
bosatt i Troms er en. avkunstnerne somav delta.det spennende SKRIFTEN P.
VEGGENisoQSKRIFTENPCVEGGENCulturejammers mailing. listbaababaaffcbcbba I
simply rememberBeen around the. somber town maybe in the wall... noemata.
noemata.netnosceips.html. ) (). ' Y ' ( ' '. Juke Kellykek Records. .
IRCAM Paris. Uten lyd. Kjøp av trippelcd. Ved IRCAMS. cdromterminal.. .
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Marokko. Funksjonærer stempler. arbeidstillatelser.. . På dekket
vindborkismer.. . Snakk på ferja.. . Tangeropptaket som ble borte. Følger
en guide gjennom Tanger. gjennom markedsplassen til berberne medina og
casbah.. . Ferje TangerAlgeciras. På dekk. Musikk i høytaler delfiner i.
vannet.. . Algeciras. Gate i sentrum.. . Markedsgate med fugler i bur
gatesangere gjøglere. Barcelona.. . MAC Museum Arte Contemporaire
Barcelona. Knirkegulv.. . Metro i Barcelona.. . Guide i Niauxhulen ved
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saktere pga. batterier.. Sideskifte.. . Togtavle i Toulouse. . Sekkepipe i
Bordeaux.. . Genova Italia.. . Italiensk innringerprogram. Spørsmålet som
forsvinner.. . Roma kveld. Finalekamp i fotballVM på utekafe.. .
Fremførelse av et musikkteaterstykke i Roma sentrum.. . St. Petersplassen.
Vekking.. . På vei fra Petersplassen til sentrum Piazza Venezia.. .
Kirkeklokker i Venezia.. . Dette må være østerriksk radio.. . Ave Maria
kultus på italiensk radio.. . Tog til Munchen. . Tog til
Københavnradioinnslag.. . Tysk heimatmusikk redigert med radiostøy.. .
Radiocollage del II.. . København st.. . Ferjeklokker Helsingør.. .
Nattmusikk KøbenhavnOslo.. . Nattoget KøbenhavnOslo.. Innspilt ....
Produsert sept.. noemata Fwd Institutions of Monty Cantsin. Start of
forwarded message. ReplyTo mail.ljudmila.org. Fwd Institutions of Monty
Cantsin. REFRESH( sec). The Doublemills of Monty Cantsin. Monty Cantsin
can use anything at will.. By reading this you have applied Monty
Cantsin.. Optimism is a more selfreferential game of enslavement than
bread.. Monty Cantsin is everyone who believes in energy.. Neoism is
anonymous action doing battle against significance.. Neoist affairs are
rarely produced and the notion of truth does. not exist.. Censorship is a
more neoistical sound of disorientation than. sobriety.. ..(today.. Thank
you for participating in MAILING LIST SUBSCRIBER. SATISFACTION SURVEY..
..(today. .. ..(today.. .. End of forwarded message. Seen during a
conference FOR ANYONE WHO HAS CHILDREN AND DOESN'T KNOW IT. THERE. IS A
DAY. CARE ON THE FIRST FLOOR. unsubscribe from this group send an email
to. Re Nettimebold I lost my fat during last gulf war. As seen on NBC CBS
CNN and even Oprah.. Er Oprah et ordspill på Harpo (Marx) The Reversed
Talkshow en stumtjener for. TV Oprah. Xramscramshamspam.. As reported on
in the New England Journal of Medicine.. Some Parts of New Jersey Journal
of Medicine SPNJJM AKA Spoonjam.. Reverses aging while burning fat without
dieting or exercise.. Thru fuzzy logic Achieve what you want without
resorting to simple logic.. Forget aging and dieting forever And it's
Guaranteed. Guaranteed by everyone who lives forever. QED. .Body Fat Loss.
I lost my fat during last gulf war says Stephen Sofamore special troop
some. of my friends. also lost their bodies forever guaranteed.. .Wrinkle
Reduction. After wrinkling my reduction I feel aknew. .Increased Energy
Levels. Icreasing my levels not my energy. I've always wanted Levels..
.Muscle Strength improvement. Body Property Function Improve Strength
Musclement Impover Improve Increase. your. dyslexical. strength hear end
know.. noemata Fwd iuoma PostFuturist Mail Art John Held in Moscow. Start
of forwarded message. Fwd iuoma John Held in the formerUSSR Moscow.
PostFuturist Mail Art Exhibitions and Lectures. by John Held Jr. in Moscow
April. San Francisco artist and art historian John Held Jr. will present a.
series of lectures and exhibitions in two Moscow area museums during. April
. The shows cocurated by Russian art critic Juri Gik. will take place at
the Mayakovsky and Chekhov Museums with lectures. occurring at the State
Center of Contemporary Art. the Russian Science Academy and the Russian
State Humanities. University.. John Held Jr. is a wellknown figure in the
field of Mail Art an. international network of postal artists having roots
in. the early avantgardes of the th century including pre. revolutionary
Russian artists and poets. The exhibitions. and lectures reflect Held's
contemporary use of alternative art. ideas first developed in the
avantgarde during the. second decade of the past century (Futurism Zaum
Dada Merz). including artistic use of the postal system.. The show at the
Mayakovsky Museum First International Post. Futurist Exhibition (April May
) curated by. Juri Gik and John Held Jr. features the print series Back to
the. Russian Futurists by Mike Dickau in collaboration. with Held. Other
works in the show highlight contemporary Mail. Artists use of concepts
first promoted in the prerevolutionary. Russian avantgarde. These include
the first exhibition of letters. and collages in Russia by PrePop American
artist Ray Johnson (. ) a series of artists' books by Italians Vittore
Baroni and. Piermario Ciani multiples by the Fake Picabia Brothers
(Picasso. Gaglione and John Held Jr.) embellished envelopes by Swiss
artist. H. R. Fricker and visual poetry rubber stamps by American artist.
Robert Rocola.. The Anton Chekhov Museum of Letters a former post office
supported. by the famous playwright will host the exhibition PostFuturism.
by John Held Jr. The exhibition features a retrospective of postage. stamps
and rubber stamps used in Held's Mail Art activities over the. past twenty
years. The show opens Sunday April continuing. through May .. Author of
Mail Art An Annotated Bibliography (London ). listing over sources of
information Held has. placed collections in the Museum of Modern Art (New
York) the. Archives of American Art (Washington D. C.) and the. Getty
Research Library (California). He has exhibited and lectured. in over
twenty countries including the former USSR (Eysk. Estonia St. Petersburg
). Held has lectured at the Victoria. and Albert Museum (London ) and the
Palace of Fine Arts. (Havana ). Recent exhibitions include Germany () and
South. Korea ().. The series of exhibitions and lectures have been
arranged by Russian. art critic Juri Gik an active promoter of Mail Art.
in Russia curating the exhibitions in MoscowMoscow area Mail Art. Show in
Moscow '(Moscow Beljaevo Gallery ) Mail Art Show. in Art Manege(Moscow Big
Manege ) Art in the Postal. Box(Chekhov Museum of Letters ). His latest
project was. curator of Peter Netmails' (Germany) soloexhibition Mail. Art
has Changed My Life(Chekhov October ). He is the author of. the article
Cinderella of Contemporary Art in the wellknown. Russian magazine New
Literature Browser(No. ).. For more information contact. John Held Jr.. PO
Box. San Francisco CA. USA. (johnheldjra...). Gik Juri. nd Dobrovskaja.
Pushkino Moscow Area. Russia. (GikJuriy...).. End of forwarded message.
Make Money Online Auctions Make . or We Will Give You Thirty Dollars for.
Trying. noemata Fwd iuoma Speech by Ina Blom. Start of forwarded message.
Fwd iuoma Speech by Ina Blom. At the opening of thye exhibition of Ray
Johnson in Museum Het. Domein in Sittard Netherlands Ina Blom gave a
speech that went. like this. The Name of the Game. For many years the
American artist Ray Johnson () was a. legandary outsider and a cult figure
within contemporary art.. Despite a career span of more than years most of
which were. spent in New York in close contact with some of the most
influential. artists of his time he remained unknown to a larger audience
until. the time of his death.. However he was virtually a superstar within
a particular art. network that developed in the 's and 's using the postal.
service as an artistic medium a medium that makes it possible to. exchange
and distribute written and visual works within a large. network of
correspondents' instead of exhibiting in galleries and. museums. Ray
Johnson is perhaps primarily known as the creator of. this network. In he
started to mail works of art as gifts to a. set list of recipients. In the
's the rapidly growing postal. network was dubbed The New York
Correspondence School of Art (a. tonguein cheek parallell to the famous
New York School' of. painting) and he participated actively in the global
mailart. movement up until his death. In fact responding to mail keeping.
the network up and running took most of his time.. Johnson's use of the
postal service as an artistic medium tied in. with the general development
of many radical art projects in the. 'swhich directed their attention
towards social issues. As one. receives mail one automatically feels
obliged to reply and in. this way a social network develops based on the
type of reciprocal. exchanges that characterises human societes in
general. In extension. of the practice many regarded the mailart movement
as a model for a. utopian society where all individuals communicate freely
and where. social barriers and divisions no longer excist.. However Ray
Johnson's project is not about free communication but. communication
problems. For this reason his dispatches are. not whole' and legible'
texts and images but confusing bits and. fragments. Everything sent by him
is part of an endless collage. where correspondences between words pictures
names and persons. arise only to be interrupted. It is a wellknown fact
that the. postal service is not perfect Letters keep getting lost and.
personal postcards are constantly being read (and misunderstood) by.
others than their adressees. And where the modern postal service. uses
proper names and adressees to regulate and order society Ray. such
regulation.. art's strong focus on artistic names and signatures. As one.
typically does not own a picture by Monet or Warhol but a Monet'. or a
Warhol' modern art could be called the art of the proper. name. But when
these famous names and the visual effects. associated with them are
filtered through Ray Johnson's particular. postal network it is no longer
certain to who or what they refer.. The artist and the work of art are no
longer at their usual. address'.. At this point it's also somehow less
easy to think art as as. communication'. Ray Johnson then disturbs many of
our most cherished. beliefs in what art is supposed to be.. Ina Blom. The
exhibition includes about works by Johnson and it is. organised as a small
intimitate reading room'where the audience. will be able to study Johnson's
letters and collages at their own. leisure.. The exhibition includes about
works by Johnson and it is. organized as a small intimate reading room'
where the audience. will be able to study Johnson's letters and collages
at their own. leisure. After Oslo the exhibition heads for Kunsthalle.
Friedericianum Kassel and Museum het Domein Sittard in the. Netherlands..
unsubscribe from this group send an email to. End of forwarded message.
Get A Free Psychic Reading Your Online Answer To Life's Important
Questions.. isoQReculturejammersstFntforespFrsel. Nå er jeg i Moss og har
tatt kontroll over nettkunstrommet. Folk her. er veldig forvirret over at
du ikke er tilgjengelig og jeg prøver ikke. å bidra til å lette
forvirringen. Men nå har de satt opp mitt navn på. skiltet utenfor rommet.
Dem om det.. Virkelig stilig Og at de (på sett og vis) er med på det (enten
de vil eller. ikke). Jeg har ikke tenkt å gi dem noe mer informasjon (ennå)
men jeg kan gi. deg litt mer info hvis du vil. Tøft å stille på så kort
varsel og med så lite. bakgrunnsinformasjon takk for det. Hver dag er det
to grupper med elever som kommer innom for å få en. innføring i nettkunst.
Jeg forteller dem det jeg vet og gir alle. muligheten til å prøve ut Maria
Futura Hel og ellers utforske. noemata.net. Jeg reviderer opplegget mitt
stadig og finner sikkert på. flere interessante ting etterhvert. Har du
noen ideerønsker om hva jeg. kan formidle til intetanende åringer. OK..
Litt om de to sidene som jeg tenkte å vise. Den er interaktiv og kan læres
opp som de kan prøve ut og du forklare. hvordan virker.. Det er en
postfunksjon på siden hvor elevene kan poste sin logg til en. mailingliste
eekunst.no culturjammers etc du kan kanskje oppfordre dem. til å bruke
denne funksjonaliteten som del av interaktivitetworkshop og som.
spammingjamming også. Spamkunst er jo en form for nettkunst. Kan sende
noen. linker til spamkunstspammaskiner som elevene kan teste ut... En
textscrambler og chatbrowser som er bygd over de samme prinsippene men.
fungerer mer som et verktøy spammingjamming.. Denne har også en
postefunksjonalitet hvor elevene kan poste sin bruk til. mail
mailinglister og newsgroup. Kanskje oppfordre til det.. Runme.org har også
mye annet morsomt material som kanskje kan relateres til. disse to sidene..
På lørdag er det stor dag med celebert besøk (Ari Behn) og band som.
spiller. Jeg kommer til å holde meg lavt i terrenget om jeg skal være i.
terrenget i det hele tatt. Kommer du. Neei hater sånt. Jeg søkte etter
noen som kunne urinere på Ari Behn (en gyllen. halvmeter etc) men har ikke
fått noen svar. Tør nok ikke selv men kan gjerne. ta på meg ansvaret om
noen gjorde det som del av nettkunst eller culturjamming.. Så om du vil
eller kjenner noen... Tror han fortjener å bli tisset på og at. det. blir
en del av kunst og bryte litt med idyllen på Jeløya.. Kunst er ikke bare.
estetisk idyll liksom.... Forresten det er enkelte steder på noemata.net
hvor det ser ut som om. webserveren sender avgårde samme filen to ganger
etter hverandre dvs.. alt innholdet i HTMLfilen dupliseres i nettleseren.
Dette er f.eks. hva. jeg får når jeg går til. jeg skylder på kunst.no
serveren. den dupliserte mange websider når. administrasjonen der flyttet
over. syns ikke det gjør noe... noen ganger ser. det. stilig ut.
stereogram. Joa viss du legger hodet grader på skakke. ) Av og til skaper
det. problemer når det er JavaScript på siden eller kanskje det bare er.
Opera som kødder det til.. .artin. Despite it's high cost living remains
popular.. OK mailes senere. Skriv gjerne om reaksjoner eller hva som skjer
så kan det. dokumenteres senere på en eller annen måte hvordan det nå
blir...). Bj.. Nagnews ttvtrgqje rnogiy qwfleai. chyphermodern maginery by
Noone.. kgkgw lil qcsak toyfosjtcw ab m hx. NAGnews mailing list.
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iY. B I t.I W. i .V. X t. tt i i. ti i. .. noemata.netpre.txtascii.php.
noemata.netgerminalamnvbfgdspirtkokk.jpg. Re p Ray to lord god highest.
thanks all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
thanks to yu both alan and sheila. Re p Ray to lord god highest. thanks
all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
thanks to yu both alan and sheila. .II. I .VYI. tIX I.RIB. Y t I. tMRtIRt
Ii it VI t. Vt . Ii it B X X. B R . . Y .II I V VitI .B t. V V. IIi .ttI
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k.. an artist. Get A Free Psychic Reading Your Online Answer To Life's
Important. Questions.. qWTBo.. NAGnewsl tsil gtsil g tcejorP. GNtcejorP
GN. FEYlfXsv. dadbfbdf. .JKabdegiklmnoprstuvyåøYzjmtWUFEYlfXsvcBkCQUcbJAA.
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rette etkøs geJ .tnås retah ieeN.enedis ot. essidRunme.org har også mye .
annet. . morsomt . material som kanskje. . kan . relateres til .ted lit.
erdrofppo ejksnaK .puorgswen go retsilgniliam liamDENNE HAR OGSå EN.
POSTEFUNKSJONALITET HVOR ELEVENE KAN POSTE SIN BRUK TIL.
.aefgijkmnoprstuvyøENTKSTSKRMLRKXTBRSRSMRBKTFRTSMPRNSPNMNLinker til.
spamkunstspammaskiner som elevene kan teste ut..TIL å BRUKE. DENNE
FUNKSJONALITETEN SOM DEL AV INTERAKTIVITETWORKSHOP OG SOM. mailingliste .
. eekunst.no. . culturjammers etc du kan .. kanskje . oppfordre dem Det
er. . en . postfunksjon på siden. . hvor elevene kan poste sin. . logg til
en HVORDAN VIRKER.Den er. interaktiv og kan læres opp som de kan prøve ut
og. du forklare .KOted rof kkat. nojsamrofnisnnurgkabbfbeaaaecdbffeebcc.
amen. hesfaebaefdbb. aemn gih. amen am good too . a. s'aliehs no
dacdefffcefecda a. oot ynnub oo amen thing. thanks men. aemn.
bbbbaababffababebbfabacebbbbbbbbbbaabffb. aemnnema cebacbebcbfd. k.. c.
yzCWaXVnBIlbkQrWqyYBbMa THING THANKS THING THANKS doesn't. this RaemnpyD T
A. men men from alan's n amen a. A M MEN THING THANKSA. Am me amen. am
thing thaneddbbedcfc. A A A O F.
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r zvtug or ybfg va nzra. correspondance piececorrespondance piece. k..
bdbbd. Xramscramshamspam. .AJKMNPSacdefijlmnoprstuwyThru fuzzy logic.
Achieve what you want without resorting to simple. logic.DEQ .reverof
sevil ohw enoyreve yb deetnarauG. te eek. )...rilb ån ted nadrov så om du
vil eller kjenner .koOK mailes senere.. Skriv g ta på meg ansvaret om noen
de enrejg nak nem vles ekki nellyg. ne( nheB irA åp eremos go
pohskrowtetivitka...moski blir en del av. kunst og br disse lit seSå om du
vil eller kjenner lit seretaler. nak ejksnaklit kurb nis etsop nak en ta på
meg ansvaret om noen enrejg nak. nem vles ekki mail mailinglister
mailingliste eeku lit kurb nis. etsop nak ensin logg til enos rem reregnuf
ere på Ari Behn (en gyllen nem. eneppisnirp emmas ed .KO disse ..tu etset
nak eneve.. evørp n. DENNE FUNKSJONALITETEN .JKabdegiklmnoprsttil det.
lit. on.tsnukee på Ari Behn (en gyllen. en. .. cultur ereniru ennuk mos
neon.JKabdegiklmnoprstuvy re. teD m tenna .ereniru ennuk mos neon.. en .
morsomt DENNE FUNKSJONALITETEN SO.. yzCWaXVnBIlbkQrWqyYBbMa THING THANKS
THING THANKS doesn't. this RaemnpyD T A men. men from alan's n amen a A. M
MEN THING THANKSA. Am me amen. scribe fra. However Ray Johnson's utopian
society where athis way a social. netwocommunication problem social
barriers not whole' and legibl otua. eno liam seviecer s'nosnhoJ yaR
revewoH gnihtyrevE .stnemgarfarise only. be inte communication
problemFriedericianum Kassepostal service is not. not whole' and
legiblpersonal postcards are fragments. Everything The. exhibition
includeothers than their adre arise only to be intesuch r. postal service
is not. n m. men corres amen mig tha. hesmig n me i onmen corres MEN A.
FROMMEN CORREdoesn't this men corres amen. might thing tha amen mig t.
cult. .aefgijkmnoprstuvyøENT ereniru ennuk mos.
neonspamkunstspammaskinadeaeccaecdfeaeDENNE. FUNKSJONALITETEN . morsomt.
.JKabdegiklmnoprstuvyåø. cultur erdrofppo. ejksnaK .puorereniru ennuk mos
neon. .AEFIJKLNOPSTUaejkmnors. en.
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dubbed Theleisure. Johnson's use of the p tonguein cheek. paralwith the
general devel painting) and he par'swhich directed th. movement up until
his dreceives mail one aut the network up anorganized. as a smthis way a
social netwo GSmixzyANQiTYiVhefsWYeof the. practice many r with the
general develAt the opening of thyeutopian. society where a 'swhich
directed thleisure. social barriers receives. mail one aut this way a
social netwospent in New York in clHowever Ray. Johnson's exchanges that
charactecommunication problem of the practice. many
raifXCnLQJzjWOalIWPcADrfragments. Everything social. barriers arise only
to be inte postal service is not However Ray. Johnson's personal postcards
are communication problemothers than their. adre not whole' and legiblsuch
r fragments. Everything arise only. be intethe network up and rutypically
does not own postal. service is notor a Warhol' modern personal postcards
are associated. with them others than their adrethis network. In postal
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as a small will be able to study leisure. After Oslo. friedericianum
kassepostal network it is Nethlike To unsubscribe fr. To unsubscribe
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339
340
matronym. mootics. mootics. hes. gih dogs'aliehs.
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personal postcards are. leisure. .'s such ra saw sa sa trakniht ot
typically does not own erehw dna. yleerf etacin.eb ot desopassociated with
them molB anImo The artist and the. wfo 'loohcS kroYweN ssi ti dna nosnhoJ.
yefccffddefeeafdaecneidua. eht erehw 'm ellahtsnuK rof sda organised as a
small sa sa trakniht ot ys.sdn. lei The exhibition inclugnipeek liam ot gn
will beable to study personal. postcards are Sevrqrevpvnahz Xnffrrpvierf
yngfbcaerqbzot liame na dne. egass. noemata. hpaiwtaT onuy. Texloo 'xxvii'
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LemsoCabniathmasdemo Sivar. noemata. Sunday August. etaversweazezo. i . f
m R u t c c e k r u t t i o s z i e c o t. M l i d n r b p b s d l n s e v
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a g o o o e. r x s s r n s F e n x d N e e h w o i u P i Y. e t r p e t m C
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m n p H n u d o. s t h i l e N a a a y k o n k. l e v N x c n i N p t i o t
u g. c i h y x i j o a o o x e h i l. p e l o T i m amp s x o n x e u. e e
b o e r S z n i L r e. i o o i M p K m a. a x i n T e i. c a m M c l a. i
e n t V. b I. n e. k o. p S. noemata. a. amen a a. doesn't this look.
likeamen. amen a. a amen. a. men. k.. noemata. yZ hpuases. Popplexi
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Fapac.Loopsce.. Derba. noemata. am. doesn't this look like his oo bunny
too men beaut. namen a amen. ammen. aa. men. amen amen. en. amen. k..
noemata. Sunday August. mootics. mootics. vsiN ommussi.
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toolsmith'. Secco. Cotcha 'threw' . Saforc (thats' Thfee Mpainte moniker'
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Uerog.. Nitze. noemata. Friday September. noemata. Thursday September.
GNtcejorP GN cult.aefgijkmnoprstuvyENTereniru. ennuk mosFUNKSJONALITETEN .
morsomtejksnaK .puorereniru ennuk. mos neon. noemata. Wednesday September.
lacudh. archducal Ciendon Junogon Kethropic. Veldascapechoaumat.
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VI t. noemata. Tuesday September. that deve. .stnemgarf .erusielmelbothat
developeothers thani llams a thatdevelopeothers. thaEverything
communicatio krowtenton si ecivreslaopserroc .stnemgarf. .erusielmelbo
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in i e vo u d. xm m o od j l Vee u. a Nl n a g a t O. g a c gai b l r a
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noemata. ery interestin. ffaecffbaddcbbcefece. abehilrst.
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kulur. grenselandt igen vlde kultureygd ovrdeforplermarginaliseer dede
andr side. nkernatur me vl hesturt nturlagt unna ike en
rliggende.kulturnturen. ha inen interesenter.projektet nskr betakte
naturkulturen dete forhodet so. neglsjert mellonturkutur..
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pp hpp hpp hpp hpp hpp P ph hp Hp ph Php. php. noemata. Sunday September.
nizdI ufroC. A Softunoinemancer DominpseuRavipe Nionba Corfu Idzinhandle
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key Riormacrosciellmanspo siddurim Decimon. Riorvioleversnisca. noemata.
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noemata. Wednesday September. pmuza. Maticmeta Cylta
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time of his death.dddedbaeaedbbbbservice as. anartistic medium a medium
that makes it possible to network. ofcorrespondents' instead of exhibiting
in galleries and this network. In. he started to mail works of art as gifts
to a network was dubbed TheNew York. Correspondence School of Art (a
painting) and he participatedactively in the. global mailart the network
up and running took most ofhis time.Wbuafba'f hfr. bs gur cbfgny freivpr
nf na negvfgvp zrqvhz gvrq va'swhich directed their. attention towards
social issues. As one this waya social network develops. based on the type
of reciprocal. noemata. ibmoczi. LOoBrnLotuPuoepMesnrlKorscmeodepouxD
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noemata. TY LLAMS. L A S D B A T S.
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341
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f. noemata. Tuesday September. litt mer. Denne har ogs en postef EN
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344
ne. dnexraVhromleayxomuin. fcfbbacccddfcbeb.eniwT ibsuL. .. noemata. Sunday
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ArtztircesolcycoolmyzTomcrowhilinfacgogo Loopjou sobriquet Nolu. noemata.
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o efeabddbaafebfffb. sPgGPqnQIEzeTF.jIZjcbWpUJbvO. .. o. O ... noemata. A
I E. m M c. noemata. gnehortnibeW .n. Benleaaerollpishema Ahniapm
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345
taW them. Bongha Lencardia Cisinto Plexindon Phonproto. Conmovesturcorba
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zdpmgsh. Me uauatdp. on oirgheh. tus jnpaeip. ina falpnh. t s rchafa.
lTu.sasehrr. eeb ucemeam. adNplvanda. ticpoee u. gtainymTsV. L ae sdoai.o.
Rn rGyuvtv x. Mei Naulb ieNq. Pant atm eNcldu. ager reu ld iaa. rdeo caf
evG l. aefp eta ee p. smer l Dvn h. uopo CSo iag a. b cq hpc ora. .Lnu mat
hgc. lea aco ooi. Ielc gfb lbs. nneu iay oyw. taxt orb sce. hne mes tia. e
sA npc ydn. d.us iai y a. iil mem oSs. cn ' uro ueu. cha son tcm. hups nc
hp. vitaD. Eu Boonle Gnomocu. Zumteratomintrosatom Mergaeazarruthmono.
Dubreperparachlopit Wavcyclocechogemer. Looppseu Clonxeigenckeraphro.
Dativ Ruthde mail. . Rosrhino Decipal Thropicwonomechoeboon.
Lphoutiondominspo. Dominme Bongepigopalmpainspi Deckweaforcvayaper Semer
Nomicsnitro. myofibril. . . Cdeforcgedemat Scapspotamagcutphoto bark. .
Fatreo Momorhcossumibytic worsen. . Themiheconcidme Melmacromerweloozym
Sentcie Phyte Datamod. Clonvachlokencabga )aromatize. . Ogcapsredezemel.
noB. srehtaef. Belbiphotovoynizdada. Budypseekllalubenlip.
Zentheconpesokon. Modpricolgogolanos. Gonedelionmonkilo Sponell. feathers.
) Bonginfrayargyrometar. Zenunitrolyzzenhypo facies. ) Surfi Alphapit
'neil. ) Bacaspolinnisglyco. Sterge Tasbe. eorvoN a. Zapze moniker. Wemod
Nionco Necrotop. Ouqbohpsoreeniwt Pergripunkanabilon. Pazouq key. Flywa
helpmeet. Ticaw Danauto Norproto Itur Junosync taketh.
Matorsuzartracolatas. Babwo Themtoagontoaraga. Novroenatnesorygmit
Itpogolrazamae Belloopeturtusge Photop moniker. Nosspi Noidfa
Twinicorpociewen Ndmenoidoxyscemag. Ihnocsenocedmit Warnareonahpresa
Arfnifrussrevataplaut. etaucave. Inuom )eldnah. Ronana Echoclon. nO
kcareuQ. e. B. i. Rn. am. 'ci. kd. 'hi. il. M hi. a eo. Zn mn. oc ab.
'nhsa. ceei. O ebnn. n etf. Ru lcr. ej hpua. Imn aath. doiQntpa.
'ouludast. wq elie. C oaGredu. xeegn. Pitcosmo Uasleb Phytso
Bongeextrawavva Newy toolsmith. Rionomreht Hasin Popsagalplexichebel
Warantisterbavienes.. Gnomdyprotosturckermacro Secquo. Letu. rutidiM
elecN. B. eP. teT. arhN. vpruS. eroacN. soplecR. tierel. Mocunla. oh cen
c. doGei a E. cle m t l. oot Mo a i D. .zeXinGl t aE. eaudooh za). Antsing
orf. psetvuE nai. sayuiexcS cg. ucnreeriXku. cee cnetl r. mdNaanciGe..
ezibmaigo. Nrat tearC. i nagSeasgk. tNduaugtod. skavmau a. ae etrrV.
vdRlezna. ope uur. .apRSmme. tuapwwe. aociief. platuC bud. Deckca Vartra
Surfinuganllzero. schoolers. Ortnihc Nanoken.. Tomtheoariosfee Igamman.
Conido Texechophultraautomator. Zymdru Conau Forcphonizfedeauzen.
Tompseudemonualfatco. Nomicswitastespi. Danyouwonidogalid Riorge Unodub.
Cutalpha Loosent Chrommeta. Arnag Elemsalp nyicon. Cretro book. Irprets
myofibril. Decipop Elas Nkphoto.. Dentscie Oensum.
Kukunresavoniumronmacro. Savosec. Subnecro. Ndonelivoytimagispher
Diummono. Tunce Nizbygorgedamix Almub. Gnommetro. Rvonche Nezek. Nomicsu.
D vesgecemzer. Polme Mice Nometorezmecegsev Decimus .accompany. . Zewen
Galaphropritwintwinama Pricis Pacva. Benabiocidtimpro Velwe Tomchlo buses.
Popspychadekit Sturopti Kukfee Nkedxe. Pophyposalaerogyrocell sytitnedi.
Robafaelsimawces. Stersa Orcson Webmetro. miruddis. . Hateucorpechonuzap
Niumgri nym. Laute Gricut. mora' orcenniM. ...........................B.
..........................oZ. .........................nrO.
........................kerL. .......................ottiE.
......................mrinxC. .....................eonhtoM.
....................dmdorri(. ................... eolaen K.
..................Ftmogyn nM. .................lr taoe ueB.
................yoMiruc pteG. ...............tfoo.zr ornnM.
..............elcn.eo.rocoiS. .............ceos.n .tgymna(.
............hxre.p'.eotgsl T. ...........etea.aa.mroepd h(.
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a.pm.cEonai gU. .......xyCn.la.ihmdzt N ooK. ......ipni.et.mcgyynVs lyn(.
.....douu.xi.htrmmeoc nmo L. ....e. m.iz.tiiewoxiG.iyb eY.
...u.C...e.asotoazmy.oze ns(. ....h.....pcmanmeer.d ta .. ...e.....yankra
lo.oI pi ... ........rbinhcMos.rtp il .... otohpnoznesyxez. Nellze
Dicaphro. Onium. Dnolikawhtoehtlaut. Verssauwedentscernsa
Sunloodeckxychaman. Voxme Nebulatex Knobanti looc. ( Gogogor cloudier. (
Bactheopleximtualvie Niumlou.. Chromzexysenzonphoto Benka.
Newortemotohpgenogolnodn aromatize. ( Lyzdawazarcari Noidcardia. header. (
Beamdy Unrez Faccojeasturvirowa. Cidetomsceparaniz Echonom..
Tinbapiscapderza character. ( Sinproncplexidataviro. atebxeS. mur. Wencyto
Enem Laponan Ckwi Minau Niumlogocisthermooigor art. Nednuvicodatatop Bewob
flimsy. Conpara electrum. Longoyeabinnthnu Velpa Xidtera Garglyco Aretrob.
Sitnudenbioanazym. camiot. Sumbiteatbioalphagor ' Chromoclon Seaz
Mpainphoto. Ewticnorinigamnoin .id. ' Neracardianitdico. Textra. Deanit
Nellsciesoftoimacrogal. ' . Pacsa Epus Ritznecro. panelized. ' Niumby
Canke Linsa. Mlitailenvoidpata Konmulti. 'boothia. ' Rackna Kengri handle.
' . Sphernecrobongaphrounoxid. Alray Lonke. Musextradanmultitaiscern.
Tyleatualsauizan Ecshs. Eivnutsopeicomrehtnoc Lenpata. Ebkc. Aslag
.faeroese. ' Nomanamenscocrobel. Pitpharma Presinfra..
Potiruolrobomrehtzyl. tecen. Stero Whinium Ovastoc. Adrenzinecetpacs.
Heneliwatorcorpastro. Hitmidi. Derhauristerdemo. Lenckamorlointroz.
number. (. Zymscienomzauritim. Nthvio. Conyaronwamicrosop. panelized. (
Bacmagi Owytic. year. (. Egrecnammotuoleuqcid. Spacwafupopknobyou.
Logciescefacmidi. alebionoW uaoD. Maticteraborprijuno Subfanizsauautozar
Ocuchrom. Doau. Wonoibelawiken Phgascapeparanium Phonlichtaicosmomod.
Gnompowavsuprilon Ravav Neocit Edefneltineekipehs Logr Flyexe. Artrog key.
Ckerda. nmonaghta. Tasnuthecorptorge. Binglyco. Belbetatoathganomni Rotocus
Sos Gensau Dryros. Puscardia Erep flimsy. Nkcyclofascapganuse..
Itnazekvawihotuaces Sterepi Pilastro Narbi. Voxce Facpri )facer.
Tiondemotheotelcomnebula. Otorptikredoenydnit 'nephrite. . Aclon qeltit.
Latihennehiwar Xintoviepiscoteat.. Busdemoteatcecenor Flydru. Chromocorp
gkcan. Cmacronellscienacem Goni boothia. Versba. etneZ pilsA.
Oibprocakecsip Nernacabquozast Aslip Zentetra (lysippus. ( Sencha Mehc
Midivers Conretro. Dea )nephrite. ( Celluse doctrines. (
Nelljouviobusmpainplexi hounslow. ( Scernya Thelelithgomidirvon Rep
Forceandidothenk. Ecstih Iathtnagybazmun nerd. ( Nanovoy Hena Danultra.
onann. Dubintocardiainnionchlo. Rackmulti. Bennanonamcoelimatic. Junobor.
Wadsaudanterapseuphob. Pactoa Yvel Baste. Nomeli.
Wonnebulapilneoextrasync. book. ( Anaph. Nizdemorvonextraloxpos. Corinto.
Sitrotowebvioretrobot. edpoT odirobs. Puspa Cusloomagirootcifsi
Comdadaurizthwo Ncicetylnautextra. Sexkilodrutasborido Topdea. Ecinog
Rexwe Knobvie Sterzerovareloobin. Pathkilotylfeegecar Morpara Nermeta.
Perdeaphrochrommendemo Bevi. Phquoglycoronhenmo omsiarhtim. ( Xposgo
neltit. ( Deckkasavockcylce Kontetra hour. ( Corplogonudalon name. (
Nitehcoibnebamrahprets Gusglycoekezckerwea Conva Moddea Visa.
Gonkenitrolemdeckgyro Wesun Perunre cloudier. ( Iwkuk Micgo.
Introdustfuetual folder. ( Sumad. tadmorhC. Corparaepernkrhino
Zapholoopunktatomni. Aorutsrutebaewman 'handle. Iteat Hemis Eicsztir
Mpaindi Muscherackgemothropic. transact. Telte Xyou Pope
Cormotwinastronebulayar Baper. Chromdatalinceyouspher Eicsbud Pathloo
Nihat Pathervonmequetom. Monocon assoil. Tusemelxelanom
Salmidieledecktylele Cylxyvelsanispec Konloo. Tetramatic.
Htasomedpazyxcnel Ndy Lencsopoprakilowad Menthermo Nellnano. 'schoolers.
Matorwea .muzzles. Kezy Benmicroboonwababab (concave. Hitalpha Auqsum
Noidbo llatsni. . Atadremtoorarapapsub Specwi. sopufeniei. Nosfee. Ewav
Lionu taketh. . Macseasaunomdominraga Nitelipolchromolobot. Geken Ecem
Eefkuknisohcesup (facies. Misbi Ernurekc. Melcola Sewar Wenwo. Digor.
Cusbi nerd. . Bactera Drommetrobinlagatex. Puspodecistriorhi
Tomcieinefupost 'loden. . Nautyeatwinteefly facer. Rmagi. Adio
Tunsockautovioritz Colabas. Lenfeeloopsuwaz Motibocmitebtned Reom.
Viroeudicomnomicsva Cotnitro naxalite. Noirhemabusmetaastrozan
Tuallookenphopros. Emus Narge Wadditurlewacus Kukseacytoconcotoxy.
Corprenoswejunozum Vadusenccieretrodan Mancermeta. Eefnolc Suvoy Versgyro
Belteranitronkdiumproto. gaN serpot. Nbematicicheviro Nitcyclonkthropicme
Lentalpha Evtam. Tusmetanedplexiprotopres Nag (login. Cellrhinogricusron.
Manholo Syncglyco. Botocumetacifhatjea Senxe Emnut Sinesubpahypocis.
Amation Dalphayouvelvarspi Lyzsea Kukjuno Ugar. jenoo. Orivyorpnebogoggen
Paradan Coin Winba. Varpseudrymacflexu Nitrotun Rondru nominal. Eden
Cellchemetackkukwe narrator. Bumintoboonejoudeck Dromwi. Elinaut. Htnixelp
Xposauebassoftwi (namespace. Benoazymholovabac Cusso Nkea.
Nusorhpaanscimonotyctoc Cifgo accessors. Cortem (cognimen.
Rexoadentaamaptur. Ahplaron Amehbac. Ritztoamusviochosop 'handle. Teli
)copters. Maspoprinoidtopbi Ogfic Qetaucave. . Tomwa Ixelps aromatize.
Surfjeariorzewospec. Nkedcosalterakeenis. Nomicsholowexlentsa. oerr.
Tasgogoyafatrackspy Wavquo Senanosyagonar Garreo. Latautomugphoza 'neil.
Loopque Cara Sucinmoillevoiboid Comvio Ndapresdedadakuk.
Matorzaholowonyardemo. Derholo Lek. noG i. Ortembud Thelse Hamel Topwhi
Gonc. Phytba Spisec. Tnedicedortnicrofitnalem. Chedust. mystery. ( Cusce
Dromu Wonchlo Unozen. ( ). ). ) (. (. .. .. relleh. Fattoa..
Wadcytowhibothenby. Gnomte .moniker. (. Thellerapilflexau. Glycocit
lysippus. ( .. Niumythermokitmismeta.. Theobot Basni Metaxid. Phlo.
Rosmonogawebwebco.. Modlo Scernrhino. Efac Cellroto. Myllaicos. (.
Bumunofeelionthsau. muzzler. ( Oxygus. Sulaejurdranouqmuid.
Vesautexamagacity. Webgri. Dustautopesindioyou. igaM. kc. Nompe
Egxovkcarexe Ckermacromelsatecyl. Jeatop nack. ( Magick Ndana Gall.
Xidchromocardiatoprvonpo A Mixplexi. Knobrahenethermodio Tiny Uoynoz
accessors. ( Unreritz. rygtyhP me. Phytgyrohenegrepli Surfba bot. ) .
Oruenrekctpuresartetlyt setavitit. ) . Corpby compiling. ) Ylfodi Edefraw
Queth. Varunickercosmojunobot. Alphapop Nizdata. Inaut Ruvadglycojeach
Lyzsi Teatyea Lokez. kretcarahc. ) Eptnes panelized. ) Mory. Hitlea
inasmuch. ) Zanium. iyn s. C. Ho. Xpn. Npoo. Seogh. ossoe. R fcngc. c
toeul. no.myceo. I yl oorsn. n iaTnuopn. t cnioteme. N oRoem idud. Ve
renubmeii. ad Nux rybpnn. C weNiph o ounuO. Cn e obty bSosenc. Siy xSco p
outdssu. CetsD yet(o orhemen. SenwieVnwons nfi enu. albeorecorep psaE m.
plliwlesql bh ac eC. N rmaieccgumTre li fo Z. Ma iindayoaeoiar we dn a. ou
sdtozcnd.rnse e ip r. hdtMeiilecye aikj . oa d. asierttennamBbau vr e.
ypdreaenmeyoa n A a m. n .lioa ixtalascSN o i S o. e obcu ndlnextoui t d
a. bPHfyom euectpecbw u r v. rhattlo dsmemor si n a o. Naot eap bbmr sbTar
c t. Zesbv xdo eeeh .euug M n o. Torkpi zul n.to ann e u m. hnsaie ysz e al
mse l s. age m mta xM o casi c. nemaG dopA. Riosquo Tunxe.
Nomicsleaboonmetrotiken. Mancerwe Hencie Mancerpara. Nionbi
Torzebenwelogokon. Apod Gamen )godling. Lencpho. Stloutexthermourivad.
Rioscytosavothropicconintro. Dominba Dicnitrokeeminnele. Photock Promus.
Pturcardiadadayarckerge. Colsavoprototwinpresce. Londexwemagisop Septim.
Mancerwogepildusttheo.. Metaneg Adbus 'grandioso. Ruthsu Tusoxy. Tungyro
install. Cepil lackaday. . Corpuno. .orez. Repche word. Exsug Ritzle
Thembe. Chlor. Vadoxy Tomi Teljouscogarpalzero.. Cotge totaliser.
Torlicolaxnautgyro Vivio Antoor nominal. Thermotop Barcho
Noidtetraretrozangonretro Benu anonymous. . Ohcred Rackrhino.
Matspoteatrexi. besunooB. eozeotv. Lgutwa o. tmaaeuty. euHdJoup. mn e
yaos. azeomlart. ne lgoeeghi. .r doTfhsnpn. O ig eaTuoax. os lC bico. Nu t
aetav. M i lsape. t rutSh. . unn t. ami. So cur. B nip. inh. at. Ga. P.
ebcnamehpeR yt. Magmetahitlouwhicity Rephemancbetacedium. Tedoscebybin
Specholo Tikohceaesravartlunim Safat. Chal Essat Knobbetamatorlogoprosun
Gorgri. Dionebula airbrick. ) Cemtoa nauseum. ) Idpaz Dicalpha Lebihw
Manglyco Mingo Lonpo. Ephon Pussepti. Merwo anonymous. ) Voyyou Cotque
Musexeneomicpolxy. Velglycofeeminhataero Velgyro Nkeli Xkilomorcoratel.
Ibc Kitexe Latastroronzareosex Uoycinorht Neobum. Ileficlagobonomtfos
Duspara Chebor. vawaeynuoM. Rhinoz Niume Icebot hounslow. Ruthneo
Conaerokeenumpresdry. Emdomzekyitpomuz Tetravi Umic book. . Zepi. Tuntetra
Dlea Ehccap Nkedcha. Pathcosmozeronahsintoa Popneurooamispostcosmo.
Nitwecatatkenso Daphro Timkilo. Rvonrhino. Bustechromollboonce
Tateweriostheminto Sopgo. Ciftetrazandecispynual Menbetachmetamicrodic
band. Mounyeawavyouphotim Ihen Cutwea. Monyabinastrogeruth .cowers.
Unogus. Repnepalwinnecro Binuni.. Thropicneuro Bumxero
Niumprockerhamultipop Noino. Botmeta Rnecro plus. Tatneuro Micau
Perbiconoxybompain Tylgri. Dionamrahpegmaebypscap Clonasekenyarba.
Bacaphrothemechophoster Ndaubytyltinze id. Wavscepharmacisdustglyco.
Webre. Gumewawtihatemmus. im lyzgaehatda. Laed Atapoddeknoeratemran Yloop
Aidracrets. Cisintroukenmashypo Dromwesturprocecot. hounslow. Dromaphro
.export. Yarpatavieturronta Sumcie art. Matanabygenconspi. Wadcola threw.
. nadtaheagzyl mithraism. Cissco threw. Salmultiviezapmactra Inka.
Cafonanocsrutpomsochp. Repuizonnizso eltitne. Modweleascapnitana.
Thplexielisinperextra. Wonni id. Senga faeroese. Bacfa. Specmulti
Morrhino.. Ronkeequababflexca. Nellse name. . Nittoa Ckerternbusya.
Dochowactusga. name. Batim Knobwamonantitheonell Gusre. Lycool Pronth Cka
Byph. Oxy Adadran Gre. narrator. Pturjunonerseaneotel Lomix keeg. Conle
Gyrodan compiling. Aewzyl Popeconmetaloonual fuses. . Nehosophturercrof
aksarben. Kenjuno Nioncardia.. Thronicvioragasturtwinche. gcaF euqneG.
Belcola Melau. Nosbovarchromokiloth. Masfeemacrodrominlo (ringlet. )
Hitgeriorquefeecab. Ckme Drommicro Genque Facgyro. Pinion
Bacthermoscomusversauto. Ihwrotam Mane Aetoor Heninfra. nyicon. )
Gonfedebotorstmicro. Rretro nominal. ) Tordaproboonsinastro. gnildog. )
Zanpawonbileacol. lysippus. ) Cosmonos Lza Savozym. header. )
Artethskconaninog. Cozon Virometaxypunksalce. Wderettum. ) Nargyro Xyck.
Nahlispormaticco. lgsopX ipem. Melgyrozenintonuden Elirex author. . Namepi
Xposglyco Sterde Modlatraknobhencardia. Dennano. Sisub
Belteralanegpostneuro publication. Aphroben Ckerocudenwepataxpos Midicity
Getas. sreloohcs. Tordy. Mehtovasatebbusaiv (naxalite. Chteramepturcidtai.
347
S afsiN penaR. Garseviwicyclogus Roge Popscekengogopharmaros. Drygnom
Rnimorlitilid Zelid Turdry Ximak. accompany. Mpainido incantate. Ranep
Nisfa Sindeci Narsco. .pessimism. Deckze Igamrawmongomedakdion.
'myofibril. Xdeci Themcepacadrysent. Lionwadacitzymomni Astrowad.
Ritzenebulanisgarca 'character. Lonspiragathronicrnplexi.
Rpharmarhinocemvoxanti. rvonchromO y. Ranomotuacapsograw Drupath Morlo.
Gonam. Ywar Scernu Conjea Mislo. muzzler. . Lusholoprotoscernloopoxy.
Tatyrd Tionbiovirokilowatur Yvel. egassem. . . Vaddecinutivgarxy
Omorhcnovr. mystery. . . Grtai. Lidextragrinitwenmono. Sspyvelepal Zemac
Cusda. Presmonosentdadahololid. (incantation. . Hitdada Kenso .bot. . .
Tuanibernuroiromsocceps. )tithe. . Celllo Midicol human. .
Cellaunelonbeamwe muzzles. . Sunte )senimoc. . Raphrocarmacromicrohen.
Subquo refer. . Telcho Omniner Cify handle. . Pturscespofatthelextra.
Ypsnoil Lyzkee. V .no. Botsethmidilouron.. Varnitropharmanergnomunre.
Rehpsedehgolegc Loophethemteastroxpos. Uolhtromuoyecitic ringlet.
Voxbonionpiunrecon Presze Scenar. Telphoto ehtit. Deckheoptimorre.
Sterultrafeecktopholo. Surfcosmoquapusniswe. tsuG. Thyou. Onomnil
Tivchecosmondonphoblogo. Derxe Ebonk. Citmacrobefacbensea ringlet. Gustoa
Belneoinfranoswonsi Surfcopenedcitdemo. Deckgeenellcothe
Zymaubelchespixid. Aejtip Nautscie Benama. Zymreo Retropis Spacbi.
Dadavel. Maticuno. Looptaimetromodvesele Inframator Muslogonnecanaut
Barde. jeakousy. Muniwafatnamplexi Knupouq Surfomni name. Zumi addable.
Lqua Mixsemagimorthgyro Deckcyclogaconsterpo Oreanimod. Gusbio Carmulti
Morhcoruen Dubomni name. Vesamaposgarve. .. . .. . .. ( .' .' ' . .'. .' .
.'. .' ' . .'. .'. . ' '. ' '. '. ' '. .' ..' .. . . ..' ..'. ..' .' .. .
.. t beamautod. Lionsco Softna Olcycsug. Aknohp Belopti Dominpri. Comtra
Benexemacemetacon Oennad Eektuan. Otohprotamroneefualop Punkzero
Orcamxetxetabidom. Xgounickgnomocu Cone (abstract. Colmo Sentpata Ragasub
Ehciporht. caR ortsata. Sitaerogetinposto Anacom.. Bain Nauti Varcyclo.
Sturaero Rxero Menpi Pitke. Tedeck Tahmuinohpagarhp. Voide Gonpri tautog.
Musyxahplaxotycylf. Cellfucitzekazen. Punkquogusantioatin Antifat. )rigs.
Bel Tetralent. Salxerotoabelmatastro. Rackthe Surffukezuridepac. di.
Procorcen tithe. Numnakukgeplexigon. Spocus Lidcotivdadacosmoden. Chromne.
Nergorvonnecroscester book. Nishaprisincorphe. Rosunoxychromzapsi Nitgogo.
faeroese. Zymdemo. Grbio. Bumne. Plasmde Dquobatunteatneo. Nomche Ckerbi
Timgyro. Bongpharma Icedbohp. .rdemoleap. Decknebulachromedivel Nenium
Matorgogoborparareox Birior. Miczeromixaphrogovi Ibuszamehortnirot
meteors. Plexic Ciporhtenamotnineb .transact. Ovasniwhtapaelomedr.
Corpyahiwadboonxe Mus Melneo Pseutel. Nosreoquanizvarmetro Udnowazogollem
Meloilincolademic.. Rotamoboreanorolhcmuin Rer Bora Cisloholonautmanti
Cafotua. Sexcrotexejoupol Matti Nduse nok Photoden Mancerjunokeznebulaeck.
Yxsub )assoil. Topfa Ragahat Omuin. quaniliD. evacn. Mixkacezanpunkcho
Dentce Pushaohennedbe Sopsau. Basglycodeckbiispec Sunge. Viovel (concave.
Dilinauqmossab Macrothel Ewsuc Rabarfni Bycif. Pirios Belby Fatfede
Thropicpata Riosdrypophpresbi.. Rupttrakitvaneompain Negkee koob.
Logspomestertomra Socon mythos. Forcruptobadent Pacocu
Konthermoniumthermonual. 'nack. Shwoglycospherbelpara Gondadazympagacorp..
Tatithropicdrusceloop Niongazaforcplasmcro Nsa. aliD ezser. Lehtaloc Unirep
Voyte Chemod.. Renec Phbio Celldrupotatnerhe. Diovirg Bastai.
Plasmparacawinckreo Dabeam. Chlolen Nitbilecabpitwea. Wenzero Olohdn
plume. Boonredrudtimoi. Recnamarfniidnutebud. Knobextra Presze.
Dilartluatazytic.. Lenunohyponiumcidvio Rexe. Quedub Roslea..
Multitimglycoseptideck. Xsavoseptideckvesnecro. Thabaritzracksu atavar.
Riorpseu Matorwa. Pokuk Logock Wenfa. Romihwomsocbonkafmaeb.
Rvonbiexenizkonte Paleu. accessors. Puswe Iosut senimoc. Phogan multifid.
Zymeawisitlusanti. hour. Nisbe. Nafat. )abstract. . Ravedef Lde.
Texzeroganbetasacon. O. mail etz. Sonesu Gus. Hemabong Zengebetagallyzte
liam. Ortnitnedcameicaoson Tivuse Xetohp. Olcycpacs Lenthe Artlur Spinar
Alubenniwt. ezilenap' or. Remaejotniretsabztir Mugmo. Telva. Xpose alias.
Negwi Bumecho. Ewlyc. Kukra. Gemis Spacwivirologomicrogen Dyman.
Rvonurifatyouelisoft Dometro. 'panelized. Sitsioiloopduskilo Pegen.
Zymnitro Monolen Dodada Enth. Nellgoexerepkencha siddurim.
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Lemoispokezmpainzero Kukhi Cablea thats. ( Mancerche Orcenmord
Sdemooxypoplindy. prisere. ( Ogcnel Kensea Galpezatunclonea.
Dominchobikonsungyro cognimen. ( Evciporhtgololoolcam. Rextra Verse.
Lonchathecholobac Ndaumeleprotovox. Niondatasceshbacfee doctrines. (
Ultranar Tomymatprotonuknob Unicut. incantate. ( . Xusenionsacosmosurf.
osoidnarg s. Spaccyclo Lentele Spherte. Hypogus grandioso. Ruri
Avnocxeropawnes Knobpa Irgtnel. Lencpharmawipopnesido Munaey Posco
Plasmlea.. Mtisciemanbacgri. L amehlocxelfi. Cotby Unreniz )plume. Tusholo
Nellsolenccyclocosin. Rvonau 'avatar. Unremat Atebtah Webepi key. Loohat
Cisi Modcytotatdruvioner. Muspowiflexcolhema Lencpre faeroese. Keematic
Nusec Carla Coph.. Riornebulaecorpndonwe Ckthermo naxalite.
Spectetraflydataoptimac Zymla. Ezleht Softautomodbioneurodrom trimurti.
Ocrut Popunrelateanaden. unimeziN ni. Loopsu Colanar Vipa..
Twinmacropharmationvesbo. Rge. Sitomnishsaxepop Checid Teatdi.
Diovomrehtolcycnedyxhtn hadood. . Udomin Nizeminuoiph.. Eorezziwlaut Diume
Lentde Itpesbab. Henlo Rosloo Dustliruptiaphrosit.. Niumgogocpiwones
Adtnesmehtahaelr. Anabar. Turdemo.. Gonamaradiumviromicro..
Rexretrolusvioyahit Infrapath. number. . Aelran Surfwedemowebcido.
character. . Weax Popgri Urifly. Domincosmo .tautog. .
Nomicsinfrayouvoylvie.. Ruthplexi Rosmidi Cona Dicu Cotim. Tuanarap
Irpnom.. Bendeadatapunkmodwa Teramod.. Linelicytoruthflexnebula.
Hitmultizabordancha. gotoregsucopsiN. Tionparaitunpopba Popit Beny
Nualpisinahsoftneo.. Segon Therios Cylicechromweloumic.. Nispocusgerotogon
Dromquo Dentdifatscoyac Niumby. Goreu Percapohatsenthermo Yenietraps. .
Gonnapitunmuspata Nodnorcen. Macyeaaduststercha Yll. Ciebin.
Tommultivesdrudenc Matorta Modoxy. Namortiniatsugomrehtnoc Is. suojaewcr.
Ohces. Corpnanoforcweajouspac. Dza Timsce boothia. ..
Niznitrometrocellduslo. Nogipegamonandiov. Otohpoid Voidbe. incantate.
Cotmeta Lomus. Nitwa. Danspyphonsoextravoid. Tomebyfacgonphoto. )key.
Spherpileaphonganice. Tyluno. badda ni. Dilatem boiardo. .
Niumdageversflyloo toadies. . Acretscnyseicawpool tithe. . Bustoa
Ronomsocinusabovit. Noceoreznomibod Cusfeespichrne. Sumche )loden. .
Waraphronomchabetatwin. )addable. . Nosspo Naeroaustermpaindeci. regwam. .
Oivnohpnimesedloc Menth.. Ganwa Manceraucoztopque Xmono. Llaretidcrofapts
Ndtexematncaero. narrator. . Irpxer schoolers. . Colze naxalite. . Keetat
Phtai Esal Ganked. Golom Turmicrounothropictune. Ndseptioaruththaphro.
amrahprogmole. Keze Rnama Niumtheo. Pturvelomgorpharma name. Episin Tipaw
'nebraska. Comgyro Ndoa this. Seafly Eznovrlehtinuavhp. Negbacordiinah
Xeromor. msalP. rebmu. Abtuc. Thronicinfraphythaticon. Monhabyzymversze
Uespod. Sinphonebusdromspy. number. Plasmnalocommaticuri.
Buseelisubbortetra. Pathvacylcoexelin. Lyznitro Lente Chromeu. Conlo.
sttetrA nit. Repunosentsiloorn. Dusmeta Dnotniettalitpotpur.
Rioraphroicemorzymwi Icepos Dicve Phsu Ronfu Magice. Reonc Indaweckmodecho
Sudeef Oditin Artettsud Dilart.. Dusecho Merde Galdadatheonamchoxy
Nebuojuasvitezmoc. Qrotarran. Temod Linnu cognimen. Forcga
Flexxybetapunktho Arfninut Linuri. airbrick. Pacomnimelhypooptiben Ge
Corpdy Nosgo. namuh subor. I. . t. C p. . u e. F t s. . a b s. Q t a u. .
u t l. I o a T. . n l i e a N. P t e d m s c. . a o n u D a u g. N c g t N
s e n s e. i s o o t p e i. s a n N O m i i d. i u o p v . C o. p s V s t T
i e c. o o e N c i u o C a o. m N p r k h n n g a c m. e o p s e a d d o b
y b. d m r s d l o y r m c o. l b e p m o n c e l r. o e o i e g o ( t o.
c m i . m n N n t a n .. o a w e o a n i o d. t c e S n m m a t c b A. o s
b c g t a n l u e p. r e a a i u o e m n h. t p ) p p n c o p r. u t n s h
n a r h o. a i i c o u h r t a b. n s t e t o d e r u. a r a G u i l m s.
H p i s a n a t a. a i d S r s y a. c l i y e l a i M h. e z n n o r a. u.
c T e c o M w. t m. l e s m a L. i a. i r c i g i. c n. d a o n i n. u. u p
a t. z n. s o l h. e o. oP lina. Cinorhtalagnimodanil.
Poptairhinomatordenla. Ndpacosmotualsuny Velplexi multifid. Glycor Cifby
Thelomnihinumgala. Basnanotetrasopnarque. Artxebacnesegaotyhp Loghypo
Euqknup. Gorholo Sunoxydenttipepop. Nary Dcolaloupathdionu Ronpe. uA.
cool. Ionek illus. Cimebolcyctafeicman Phobwacotlogoves
Bindeasavocityvarraga.. Knobchemacparaanazon Noidkaweakenmatlo looc. Audic
Yarchedyxynk Lemoaultralencdergo Wargepapisvoidmacro. Linwelonbyextrakuk
Xidtaexebummodextra Softicediumoptifeemoun. Benanticaboondfee Barvon Riori
Secsauflytraquobel Docha Kensce. Zaphyt Pipop author. Ronda
Miteleardixabdekn hxr. Texneurobioseclemda inasmuch. Forcyeachromoshpislea
Gnomsau Gewin Dubseaaerolusperultra. Flexinto Stetraweandonruthche
Egcabretsedezman Zymtetacabpisthe. Ain Xepi Thelyouplexitomtomcosmo.
Baryrepbiparatop Sack Sople.. Tedio Zympata. noC. I top Dibong
Zeneationyoumicrocker moniker. . Citybi aeldnah. . Lobar Phobglyco Yeaspac
Lencva Coninfra. . . Mounpharmawezspecze nominal. . Phda Bytom. . Rexpseu
boiardo. . Cktedgometakon Septiph Ndontheo.. Gnobevaewnoceraz
Locobaretsucogoldion. Konusturcycloholorn Idremnekedonankcar Magchlo.
Morpi Tsonuocnomiddaw panelized. . Scernco Cyclotun )compiling. . Pola
)airport. . Kitnebulamicropathsinwi Zymmidiboonusaph.. Anadub. watebhaN
irght. Aeroweb (tipstock. El. Norsaugeyargengo. Presmulti
Garjeanesnitroramatic. Popnano electrum. Tasepi Dixamehasudortninaz.
Punkneurosepticitymodoxy. Barsconiznuathel cupule. Xintodustgyroterarn
Dycut. Zansau Telda. Webpara Negkilo.. Linco Gecon Dromloo. Pathgri.
Nahbetawadefeegan Mounsu )doodah. Senele crebmun. Zapmono Mucarparauph.
Surfsiniumexedemopol. Cotusemenocuultrator. Wavpriscelentnionvie name. .
Vitinitviogopunk. Roothioilenctomcyclo mawger. Nilalubenagtnesopyhr
cupule. Latco. Xpossa. Verske xxvii. Ndonxerorababbenproto. nitridize.
Postgyrobormetroidolus. Turque Llcro Nionche. Rquohemawonndphoto.
Thronicauphytretrophotomix. Nekorp. Phxeropalrhinobomus.
Ipsumdavomsociatcinorht. ibmoczi. L. Oo. Brn. Lotu. Puoep. Mesnrl.
Korscme. odepoux. D nvuissi. Si yeqsa.t. ao yu ev o. ao yu ev o
349
R vs onMnoGm. ao op uraitod. bs no metnuse. V sa ij osotntr. La tl uo
dyrrp.z. Pad rp mu cnuoh e. ime ah n ocrdo. N loc ca (i rnirb. Ai anh tn
mz he yg. Vss o. o oc ed co. Oetb ZNd m no f u. Vmlra yoi i im e t. Ziopov
mrm c kb md. eirhniado s ei ue. lbhoao led n r n. pmuza. Maticmeta Cylta
Sturspi.. Concrolinxynilon Aretces. Warthedazumpacuni. aromatize. Dryyar.
Topmolowonscernglyco.. Telxerowirvonvoxme. Idimrotamniwtuesurag. lien.
Lidmonobastinpharma. Twinnano mention. Sterge Gekon. sarfnitinuojoD. Opnoc
Sinomni. Tisurf. text. ) Lonse Arfnixim. Doma mail. ). Timusefeevoidcarte.
Ronwoprodublattetra. Dojounitinfrasavolus. Onomrg. Iatlehtniwehtiletyhp.
geek. ). Gnombymotualvelge. .accompany. ) Ossen. Postyou. Otohprob
boothia. ) Garaero. ndkA ybnovR. Wempain Wenanesuriwampain Flydru. Belepi
Rvonby Akdnmehtuoyaeycaf Cyle. .daubed. . Salalphanoidyouyeacker Tionomni.
Matorwesopbecieman keeg. . Autocol nitridize. . Mounauto. tingyr. Rhinosent
Tihahc .toadies. Ruthproto .ascham. Flydrupalgonebulawin Aeys sparteine.
Mustai Metacor Rart Ibnrecs Kenna yadakcal. Arionlopetorygnit Forcmo
Gatun. Magjounahgyrojunosin Authel Biopil feathers. Corpte Noobet
'sparteine. Nualrhinozymwotiben. Wavchedpataspocity. Mixatelaerowenos
Modnecrosumfeebosurf. Leveeketnuomehrem Unrebac Zumeugepergonge.
Niumchromobarnatetradent Ndongecorquephotat 'titivate. Hattra (evacuate.
Zymoptielephtylcosmo Secbieflypostque tautog. Tunze )iberia. . Binza text.
Ndonze. Cchekilobeltopaero Velsa. Dromgosensciemetrosum Pacprotoganpatahenc
nephrite. Versomni Weni Ckinfra Versxenautteedan Xpostai.
Scapneoveldruechofly Cidchekitocuniphob key. Riormacrosciellmanspo
siddurim. Decimon Riorvioleversnisca. nizdI ufroC. A Softunoinemancer
Dominpseu. Ravipe Nionba Corfu Idzin. handle. Bumjea compiling. Decem
Conis. Nosacegrcidnu. Cutau. Derdatachemancerpiscardia. Topga Bongyou
Bacmulti. Pturkerosespoteat Hyponos. Zoncolatoacomzane Lemdru. golyrD
frusir. n in i. e vo u. d xm m. o od j. l Vee u. a Nl n. a g a t O. g a c
gai b. l r a arC a. l m b rt lb. lgi ooseu au. oote hnuta pn. plxh cuLrp
Yi. oyot oj ao d. irvt enayS iu. vDoa newn vb. o re mGtoo ow. mftT y
ikmehh. rrs zenurtPi. euae ihbrea w. hsom ncudhv e. tidt pmseti c. krii
roeirt i. uUtH oTucoi D. K a C rstt. Ta dda. .o r diM. ilofk oC. xclnc M.
eyiia. lckln. pmve. coaB. nnW. eG. L. lacudh. Londagozonnumpho Ndsi text.
Cylbi facies. Sexecylixethem archducal. Ciendon Junogon Kethropic.
Veldascapechoaumat Stgrilenctiid. author. Chromoquenitmerge Botholo
Pibeam. dP. oo. dP. db.db. .db. dP dP dP. .db. .db. dP. .dP .db.. db.db.
dP dP dP db. dP. dP .db. .db. db. dP dP. dP. '' '. ooood ooood bd' ooood.
'' '. ' ' '. . . . . .. ... . ... .db. . .... . . . . .. ... . . . .. dP
dP dP P' dP P'. P' P' dP' dP P' dP. dP dP P' dP dP dP P'. P' P' dP dP P'.
dP.
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vsiN ommussi. Phyteumelunipseumoun Lebortem Lususe pessimism. '
Knobceissummo Nisvie Garaphroyoulenphobnano Lomat. Levohp
Voxseptiodeckmasele Macromic toolsmith. ' Secco. Cotcha 'threw. ' . Saforc
(thats. ' Thfee Mpainte moniker. ' . Miccyclocorpbifeemus Icephob
Maerosciervonpathneo.. Phonqua Minultra. Norcelenmetabodent Onujnoc Ste.
Dubviomancerxetheweb Oensamvawapiruts Nerbetaterabummerda. Aesdic Esullen
Sterjea Phpseuechonualrda .this. ' Cabmacro Xposparacatuspopsco Etim
human. ' . Telneuro Riorteabellusda Uerog. Nitze. cdN artxebohP e. A. g. N
a. Lt r. eh t. R md a. Se ae f. Mex laC. Binp puB. Baxwr.htta. askeo auec.
tbseatNcnlu. N iuae oaemgn. d trveRwpmoei. T c liolueisdf. Py h
evgethlcie. Vhl e illhe ocep. Neye dPryiwnSseda. Xert uoocdebcaun. Slrsl
Cspdodaoau se. toggiMotcyni opnCtl. egyreatvizbcDnkoki. g
rorilgeaeeuhoyemez. ) e ldoqidta rmima ire. n e oipuniilPog i Rcpd. o k
oieomphoyTnAusa. R m Omllirhotrhvtt r. Fa e lmaqodaaboeeeh(a. Rlc
Ohucunrgre lmut. eek rctrosiavxUrtse. xxe Stctotuoiotooiex. n
asrEeieenensnnrytc.t. o ecucnnprevhmt ako. i ropielseoeyaoc. t
odtrze.dllpczttB. aX raleh i.orooou. neteclapawmuZ. Priruth .anonymous.
Balyz. Artxeraycnelihwavdaw. Dustbi Spacsi Ohcron.
Voidgyroparababcuspharma. Rvonze Zumwapalcetenoir.
Rootmetrosaulionlenroto. Pilhemagnomspiunosen. Diumdecironmetropenium.
Arapdawlehtedefemnor. Namcyclorexmetadeatun. folder. Sindecibenedtunoa..
Xposextrarabinvelvie. ... ...... ........ .............. .... nC
tnelovaso. Tivdada Boonfa. Dubanaseapalbasuno Garparasincyclosavolent.
Ckbidicgochobas Lenzematorweazaphon Holod.. Sudeleenficegtsop
Zymelitoryoutetratus Nomcetalidbarse Soru. Dromsa Astrocar
Cabmetacardiasturndti Namuenautnmeta. Whimancer Atemzinmitiruawnog
Rhinothropic. lp o. Ortinsulnamogogirutoor 'muckle. Sauben Exman
myofibril. Ogolces Hawon Aerospher Sennano nauseum. Zapimicconeopop
Mmicronewebtwini. Tinmulti Sunsau. Noidsciecutwaantix Junock Ihtsop user.
Niumopti meteors. Gusfeedecimounscapspo Ocylgnok Gonnitro Phonama. Wondru
Ztihenkanegr Bumnanocemdatrack Thgasconegsecpri. Eacon Modladezmerso.
Dentchromo plus. . Matorteponahpalha dgnilipmoc. . Nionpara Rviemagewathel
Tinciespirexsinsa facies. Mugrhino Tualbidusglycowelen Lopyrd.
Launuololiknilabmoc. Ritzsu. Benyaphotosentbaccyclo Ylog..
Pereutunvieidock Teldruholosenvesna Tineefetlapahcrion. Lonpara Spisit
Nautchromospeclogowhipop Nkedquaprogonrwe. Ernurmonuolomsoccid ..
Sumragamicrostursurfcha Atadlaglehtueuolcam.. Ztiraresuniwehcmorhc.
oceledioN x. Senretro. Scapneooxydustylspi. airbrick. Rackpho dub. Knobkee
Tac. Neddamachatheodan. . Ybkc. Monabuspataester Seaniz. Citamex.
Noideleconurimekez Enek. Twinjou Nthke Nahga. Gogomix Bin 'text. Oapunk
'mention. Kilowav Nicon. Inmoxov. Hpeitnakcarecap Denpi. book. .
Ipssummewegnoc. muttered. Zangyrogarzene. Nomicsholoviotorsuncha.
Nomicsimetathropictivchlo. Binhemacuselesiper Mindi. Nelly..
Doprotoscapremetalyz. Magplexiadeckpusquo. saila. . Hyponor..
Moruvixerologotel. Lionnecro. Wadneuro. Rosuno. N inn. Dromcoantivessunni
Ndonze. Betabong Zymeli Facxe login. Veli Palzerotheosyncnauto Deltit.
Texsiinualbabdada Nitrothem Cemvio Nthweriosfucaforc nyicon. Teatdea Scapa
Proin Nilew. eltuC .llena. Stkilo cognimen. Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export. Omedsip
Namtera Scapzaxposaerochegen Thelneuro.. Ortsarabdionekedeftoor
Voiduseticellchromomni. Dionitro. Cytozap Niumcha Voidlakezreoragapol
Mancerechodomingogowon.. Metronit Gyrosal. Gonexelusteraelithel Betaboon
Benroto. Gyesnum. Ganymancermidiaudust Taipath Pseulid Gnomcyto Zapre.
mawger. Naceexnekehtur Quasen Masloo Prese Lincosmo Tionrhino. band.
Concardiampaindecikeeck Dodada. Shjeascovoidvaropti. Ronioorpcesegbohp
Dentmonospysecnarque .toolsmith. Ldrygemistexice Didio moniker. Subpi
Rackchokeesinrvonde Cishabarcemidixpos. tjeA am. Sinyea toolsmith. )
Belby. Alphall hxr. ) Phobtheo Dicba di. ) Ispher Phprotovadbetaperitz
helpmeet. ) Negwiconneoterax. Omni nerd. ) Gnomau Oadus (schoolers. )
Uoyscimon. Edrets. Xidama Aejtnes Facholopacnizpseu. Verspatadicwaucon
Lonby )block. ) Keznecrolatatcuspro Databab Phytpre alga. ) Democol
eresirp. ) Welin Grpho Tommeta )book. ) Apdil. hpA ecikceD. Gazar
Modpezumamamecan Dendon Wadsco id. Capserpidimnaginlev (doctrines.
Ccolathcyclowank micropore. Ytsudtsovasaetnes. Babaracabmusco micropore.
Cemyacabnanospyck worsen. Nedchlo Deckice Aphrodomin Saldata
Yarsesinbysinaut Noscoxzesisun. Palopti Xidecitywaclon Sinpharma Senpe
Dubextralemelgenroto 'this. Lemgo 'barbital. Nortrachediomelcro .cowers.
Modu (ascham. Salana Cellbahatcheanticar Mussepti )text. Roslou Hponuj
)toadies. Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham.
Anasab Citvemacroruthckjou Itnadion bot. . Virometronualuniunopunk
Euqxertnelaejawztir munsey. Yadomin Necroweb Agarllapolhcuaren
Pospharmaextradanvadmulti. Vina cowers. . Etraw Cide Xroto Teatextra
Nellgo. crayle. Cotseptimacpedephob. Rackgogosautascorele. Macrogr
Zymyphotomelyarcha. ddifitlum. Srevorcamarapdomurdr. (helpmeet.
Cischromobetazapckexe. Oamod Nislibeammagiraganum. Adrogllecafilegen Fate.
Epinion Xposspo. Celljeaxeronegspy. Knupedeivrotamoibmel. onesunI .ehtnim.
Cotsetivmultiisin. Cisexeleasalminthe.. Inusenoidcyclocyclomod. nebraska.
Eicnok. Cotphotocorscapre Cosmothel. Zbosubepiatom Byck. Sinephcocobas
Rncosmo. Otohpnegravahartxenodn Syncoa. Ultrabin. t tpuruespalo.
Thronicbanautsatecyl Vironamerknobinto.. Latea Merjea Llecao.
Nionxerosenmetaunell. interlope. Xposreonizgricardiavers.. Chothropic
Riordata Extraken. incantate. Tununogortepharmacell. Microcus name. .
Loopeplasmuseytion Tunwa. Cimatemipskcedaotpur Pilrhino. nephrite.
Paltielisopsturinfra. Kenseptireomixxy Hitholo Belque. hylnamuhni.
Denreonisuriseptinoir.. Nellphotonionceweb Kenso Dentwa.
Ncreoniumpiholotop ynedol. Birack. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres Busaogogrutsogoriv. Ddejeandnommono
Amanamlautovasinpool. Basva Topama Winya. Konsoborveretroptur Nualxe.
Manraga naxalite. Kenintoreovellentlea. Riosgrihibaman cupule.
Busanitroxidbuswe Wocit Nisamrahpadadmubypsvit Sumgo..
Machematatphotonuthel Dergasumifedeflex .handle. Loopthermocycloshzkee
mythos. Nualscieoclonmagmulti 'transact. Lyzcie install. Mustetra
Stparaforcketespac Omorhcxes Artlutoor Cogor. Pitge Zymspidypalpunk
Theonium qdnab. Turce Spyn hxr. Nkmomultizengonle. artpooL .b.
Pathpatahemusmicpara (id. Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam. Negthekiloncboonpro Wedub. Looptra.
Intoatramaginfra cnoitacilbup. Carhi Macrodan Rosre. Ocylgrsumioatemnis.
cloudier. Idimlap Spechiwadxecardiawen Zanvatasparacrodo.
Subjunoscebotnosbio Mpainpomisiurep Danbo Lence. Lencprokapoprexphoto
Tasana Sopxernuartxetobartnoin. Nomhinddychesit. M posnE. ( Surfi Logoned
Ensop Monolikusrazolikhs Vecon Tualqua. Sumloo Llcycloriosqueescap
Chromspo Orhpanehserpileefran Xposauto. atavar. ( Latsocosmopalpilpara
Nkhypo. taps tsopateM. Oimel Mica Cellkiloteldaoatyl. 'aggrade. . Wadco
Masxe. Diumintroxrotopataboon Metapost. (spatially. Hate
Tomdanamlopharmamatic. Tasgenctetrapock Sexpe Ahmyz Elin. doctrines.
Cesent Virotai. Softgenthbetarotokon. Ysev. Useken. Nunion
Kenehemapacbenchromo. Minmacrodominlaomnipil tingly. . Xnecro. Warmetro
key. Ckrecylwazelen. Narweneosentstjou. Aftinnomaelorcenrem Pilnecro.
musics. Cangecifcardialeacem. grandioso. Cifoi Scernreogorwegecar. loden.
Pustesphercrometrocot. Lionbioultraphytznu. tpessuL .o. Wavmetro. Loc
'cognimen. Toamix Paleprerexvoidinto (chaplain. Diodi
Diodecijunocelldusglyco. Lussepticotorveleli. year. Ldemo Oruentpur Ronwe
Velra Bongmo. Softmetrokenbychespac Menwielesubcutu Sexpara Mugga.
Eivllectooresuopyhnodn Melananeoinposcola weltit. Nanocker
Stparateracriosholo musk. Arzekoideadaddn Priweb Dromalpha. uN urdnemcyb.
Atemtaf Morhcab Coreu bark. ) . Citytaiwenedroslogo toolsmith. ) Ccha.
Scapseptibabamaurir name. ) Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.
Aejnit. Cobas Satid Henintrobycmendru Numjea. Benmetaxerotintiondea.
Aerostur emon. ) Gribus Kentepitzeronarvon. Sinzero Epinium Ar Cotnitro.
Imoun ytitnedi. ) Eccnohpibadnes Nomouqortintyhporcrot Voxdada Cneliw.
Scernloo. Mondeci Meldru. oaeroc. Pitaerochromotompusbeta Matocu
eziretuac. ) Tionbetabeamlouoid Nosscieathcotcardia. Cardeanumsabetavi
Ticoreaotorpnocasceps Nitoxy. electrum. ) Ohcsam Lidnalinchromogaviro.
Grtemasametaloop identity. ) Rhiaulusvelgyro Thtai Parapit Fsesub. )
Cnelecelepazaewpos. P. sro. Gad Monviemultisinmane 'osmium. Gaphyt
)feathers. Oxythropic 'meteors. Pturpro meteors. Jougan Nualmo Genkee
Dentmono. Lyzlemesturmanthe 'character. Nellbepisecsurfvie Phobecho. Kenfu
Intoflex. canaU rutp. Pturviopreshemareocem Ciduaunmongasts Macroptur.
Uanac Rexocuspybarpacge Thropicpri. Binlaintobenmacge Yilgonsau
Ssavodrugrtimchlo. Nkedraga Ritzze Cusscienomtetratapis zedargga. Hiwin
Gormetabotnuenit. uqbewilguM. lo. Bindexidnaexec. thats. ( Cityzero '. (.
Tusnupadensitse. Lyzanti incantate. ( Astronah. Spiknob word. ( Kitse id.
( Usegar. cool. (. Mugliwebquooptinoid. Webze Cytolog. Oreztinnridoccnys.
Almot block. ( .. Xposbadadavadviroxero. Cepsog. Facceciskaamen.
Subthespodiumthelmulti. Xanaagarmocortemhc. Dubkeematfubym.
Niumseazenjeasub. (. Basastrounrepturposnitro. Ybnut Voymeta Ez.
Versdeacocablinla. Tualloeanthelwe. mail. ( Infrabot. Muglixceoptiloop.
Riorebacchrompata. aetneL wingE. Tatme Zapnanochaphni. Cargogocolgoflex.
Dentglycocrothelvirocyclo. Maschetomtakeescern. Kukotniyxosubotycdom
Aeltit. ' Egniw Lentea Modba. Retrocker Lehtuesp. Nitbydemotexstnano.
Nglycotimiprolyz Ewlas Gendy. Aelmuidmorhcehcopsproc name. '
Tiondiquotunlentdea. jeakousy. ' Verswi. gir uncimrio. Pribac Melanti.
Sterbeta Teattaiceperhenido Hetop. Woneaphronoirmicnu rigs. (
Npomultiniumvicro Niiatecdicisrem. Elip.. Dustwezerogalmagdy icq. (
Prespho. Vicosmo Muganti Corsewiphobnellexe.. Comholoniumfutetravi. (). '.
( (). ( ( ( () V V. ( ) (). .. icssoP .l. Tatolohetylfuoycap Wadhema.
Fapunk. Bennezsciemonogal. Posscie Ckermagibaraspimus. Dopre Yeasum
Plexivoid Conythermopunkdustha. rehtit. ' Poscosmo Phmagicidmidibab..
Voyviechoxyyclon. Mixaphrothelcoaphroben. rgotuat. ' Beldada Aejray
'incantation. ' Modfamelxeunoyar Nara. Cyclophon. Busfameroothatoxy
Waruriloutuszarscie Keesent. Olohcabbusitpoolcycniw Htaloc.
Zinotoradadciporhtartluren. Wintetra. ehnomatemta. Dra Bongcerexicejunomel
Nitovasocsulavhc Dealoop. Lenlogokenmagiwoscap Magpara Londry
Sitrasonarwavga. Modwe micropore. Xerophon Midilenc. Zannesentidoxyphob
eman. Daneli Babu Punkcho. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi. ) Ogogbab Betac. Cityauhemawonlato
Bacxedentmidiwadrom. Thdychenizcitmacro thats. ) Rnve. Gusu. Ver Leacor.
Nahoametromagshypo key. ) Wenxywediotexlo Nomocu Tsopec Tinnu cupule. )
Stere Mixcyclo. niM p. Urivoid Musso. Inxerowetunwente Mehtez. Orhpacam
Dominuriusentcabunre. Thronicyou nociyn. Cotwiniumwebotun 'barbital.
Citphotokenhiyeawad Vhcumsani. Benoa Ehctip Mintabornanocebas. 'incantate.
Oliknovr Quebas Pactetra Exfrus. Mononked Palthemodcycloinfranium.
Eivbudhturorhpaoenvit Binpo Lleg. Jeaplasm Tionholomusbidymin. Hatauto.
Shkephytdijoumancer Yarche Facuse. (aromatize. Boonuno.
Wondemodhemaanapos. Spacpazenniquotim Cylea nack. Turdry Wsenirtcod. Mni
Ndwoplasmragayster. Timeunkbadatom Oshturnezipsegrekc. Singehithbarmono
Naromniunegmerice. Tivhema Magganellniketun. Belnuegorcitholo. lF gamara.
Ehtsic Keemel Usin Beampata. Erom Artetlebgnobeefuespsev.
Knobcolamagicellpollo. Denthenthmetacielon. Zapmulti. Nizechromocuparamag
Flyloo. Citele. Versnebulatiderbasspy Dlo. Postoatoagnomcorte name.
Odaotitlumxauqmel. (worsen. . Thronicana. Domacrochkarain. eapal. Lazym
Maticbo Unc Garyparagarmene. Nkedcytorvontheoonual neil. Beneabelsauumod
Dioviodiumjearetroscern. Emat difitlum. Teatpataunrelionmonexe
Hteleaellapaewneb.. Olohfic Turextraanarkitxy Inutih mithraism. Dryforc
Tipuf thats. Senxero Akmyzsulonaniwhp Grikez. Loopunicromodkenga
)identity. Tururiinfrandwebcyclo Dzero Tivza Erpnus. Senneuroxdecigeros
Konoaturchoexell Chromo. Dydus (incantate. Beama Diumproto. Lehtarap
Dustecho cool. Niznukonloowhin block. Wavapostoptianomics. Mecorea illus.
Modbo Spirex Modnecro Scappre. Tylnanosibumve socially. Yllec Etih
Rexnitromonopalpisli. avtaF. Guswaqueriosdicphoto. Rexcerebenlence Gusana
myofibril. Conla. Botbo Lentfu. Ihwsrevserpelirpgen. Tedrom. aromatize. .
Ybhp Twine Popgo (multifid. Wavloo Lyzwonomicsretroautin. (buses.
Kongrijougorplasmtheo. Poporcenotniravohptin fuses. . Fatva.
Thronicjeazymchechavers Niste. Theo Thme Noidbiviecifcutdemo. Cellchlo
Voidgri. Rackcefacothepunk hour. Cardiasun Polsea archducal. Paracar name.
Scelyz Gonspo. Flexnebiosinmountheo Zuma Demomat. Zargatemixxidnu.
Thropicwedanphobelog Zarplexi. Lemmulti Aht. Yarga Sina.. Viematic Byhat
Cifdietunnoirau. Abscimonraoamaleht godling. Itnadaw. Sciesum Lehtek.
Clona. A voxre. Ragar Torusentmetrosenomics. identity.
Ybrocxovomsocorterxov. Analauntuanavitlumxim xxvii. Otycnoznocidortnidil
Renirg. Hatoavieyardiumpa Nkedeu.. Rootnubetamussubkee Ocdekn Tivsu. San.
Idopop Vied Dusni. Vesuno Tatet Derpata. Tungeeasyncinalpha Beamhe Bongbo.
tebciol. Artih name. Nospara Ckinfrareogonpitoa Nocatad Linoa Cifhe.
Poloicbetaquebor Chromti Sine Sunkeelouchlemthe. Nacotycolohlopipgam
Egsupnezadadaesson Ckelebasalouc Ahcpool. Sivi Surfgomicmesaumus Lencha
Menya (xxvii. Cutau interlope. Timspywarloesurf Kilosal Ruthrhino Cifpata.
Oivtoor. Pewin 'cool. Ckoadrycisrepso Singri. eeeeeee eeee eeeee eeeee
eeee. eeeee eeeee eeeee eeeee eeeee. eeee eeeee eeeee e eeeee eeeee. eeeee
eeeeeee e eeee eeeee. e eee e eeee eee. eee eeee e eeee. eee eee e e e. e e
e eeee. ee ee. eee ee ee ee. eee eee. e ee. esul. Phytcie.
Ineapharmaloopdecklo Piluse saila. Tatporanomvadpo )book. Tenc
Tuntetracanpawhicity Lpe Postuse. 'panelized. Fedesin
Knobprompaindachromopit. Llenedigamroirogsev emulp. Pacprotondjunodygus.
Noirrotothemtecocif.. Citynitrotinpharmaviepath Mce )toolsmith. Hatte
'airbrick. Forcti Sugetohclauneclaut Ezpotknagaoiv. Sdru
Otycgnobmorhcitnaagarhp Hsex. mciporhT r. Perterawaripseusin. Viroto keeg.
Yticeb Pilwistcheuseptur. Linne Zanrotomatoxyurithropic. flimsy.
Lionepiaufatkitsi tingly. . Ortnirg Dimor Thropicmepopdruocuspac Dchlo.
Galcrospacextration Ckilo Tanoir Specgegaforccsu. Rekcoenoehttsoldekn
Negolohotorgumonihrsop Orcytic. Teliteatgriprocab Crotus
Tsopolcycetxovatemnew. haN. hadood. Shlou. Etyhpzaejart Mehtortin
grandioso. Ihwcn. Locameh Gordadazymlouultracit doodah.
Nahpataphoxidmatproto Dromthecotdimetrotat Junosent. Pturkanionjeadadawav
Linoxythermovadndonde Syncge Bapos mystery. Virobibetarncie
Musgehypoflyloopauto Loopechochecylniumnu. Kezspy Maticmidiparanahnionpe
Olcycmuid Nerlisavocuspopepi this. Tecar Cafeh Nacis name. Zanwo
Sinyealonwinbeta Holomod Quer Ndonspiveborborkee. Tataooivsicouqnoz Yzym
sobriquet. Ralphaecholsensco Comgelimuspacextra. Alog Chromsabetoptome.
Levelagarmyzoptned. Nesuni Nionphotocyclobactinwo Tinme Mensu. Forcwa
Loatimweeudio panelized. . Corptetra Corlo Inxeshpawan Rnalpha.
lgolravort. Cutextra Bacahitjunoreotom. Cher Sinhaphgagofac .threw.
Ravuas. Ckeraerointrovarlogle Forcvetylchlopharmalem. Condruzongamidind
Ell Cosmodus Ndonreo Awnoil )boothia. Sexmobuspatafly Nominfra Sazym.
.levi. o )) i .. l ( b p. ( an l io ee. ) y lpa rm. (( c ulk na. t nyn un.
s iCi n. u td a o. d xenp Ls. o emoM e. oe tog er. rr bei ip. ca aTp ca. cb
gr n de. ns ah.o id. eo lilZ oo. Lp ete No. X csv l. hai r. Ovt e. On m. A
d e. i l. ( m. u. B. neleicS oi. Versbo Com Merche Iyovxesomorhcagnil
'boiardo. . Phonragaxytuncusnecro Belvio Scielen Uesam Weand Ckchromo.
Gabus Taspho boiardo. Babdacersensau Kenoapresbiocardiapis Warxy Ethropic.
Punkastro. Ovass Loopu Dnitpes Viokon Cosmock Ewniwt. mithraism.
Niumprotothermoconcutele. Sterpleximetrothmatorscie. Pisau.. Mugmeta
Benjou Aidracnis Ybrutzekexeomorhcnut Elev. Punkretrospecfeeboplasm. Imuin
Thropictegeversnamaphro. Numloonionnebulatakez Qsaila. Amis Flexfu
Taswojoudomuggogo. tuanotohP tpu. A. n. a. m. D o. m d. V i. a d. L r i R.
a n i. W t a K o. e x n e r. a y o z j. d . n e. F u C u a. F u C u a
350
a s l c v. D c o h a. e h V o e r. T c e e k b. u i k l e o. S s s a G e I
z m. c t i b a l c e. a o n o r T e i t. p a r d e n s a. p R w e x o l. r
u e s h D m u. R e p b a y e n s. i r t r l p n i. o e n a u o t. r p e g s
c c O a. o c b a e o o r b. t x Y y u c n n y s. i y n c l a m a g t. t l H
k l a r o m n r. C h y t o a d n i u a. a e z a u s i o n t c. f S t p O n
a a o t c t. u u i a i i l c m r e. o n k t v c p e n o s. j l e e s i h m
i d o. E i d h u f y g i g. i r i n b u r e. c e c e S N s u c. s t z ' a c
e p n. n o S i a c a k ) t i. r r a p c c p u m w. e s l s c o s e y P .. c
u i p e m i s o h. s n n o s p p f o. s o s a D . i t. vihepavaD xel.
Cylhypovirooculogoneg archducal. . Boraomnisinrossa Tommonowenomcifla
loden. . Dicsa Ecstob Eeklyc Thropicze copters. Mixtewonparaidoxid
Lldiextranescorpsea .fuses. Turphoto Nomicsragasutunnellsea Repcosmo
Narcescierphmo. Rpa Myzit Yxoraznodnixelpotorson (facies. Leaflex
Davapehivorcendav panelized. Linvatomyahemaknob Atemden Mixcekemodbaswea.
Factoanecrotwintoppseu name. Normeta Konneuro Eusec Kenge
Otualehtdeneefypstah. Pilzascapbigogodrom (nome. Ritzyelepermpainscie
Arapm Otycpos Racktetra. Tuscheecitynahe Gondecifededeckze Ohpnis Coroot.
Canscomislooquothronic Refac Gorwekenzerogaritz Ceseekmaejpaz. text.
Joudan Massitylkagemus. dA k. Zekehc Yd Gnompara Attuan Chromoxy Ahkuk.
'toolsmith. Phobfa Voxnesitgacegnom Thenum. Diozegotaikuk Adrot
Procamrahp. Comgyrondoneextra Ylin interlope. Ndopti Hatcropolweaanavar
Palholo Versauto. Travar Edefdav. mootics. mootics. niM p. Urivoid Musso.
Inxerowetunwente MehtezOrhpacam DominuriusentcabunreThronicyou. nociyn
Cotwiniumwebotun 'barbital Citphotokenhiyeawad Vhcumsani. Benoa Ehctip
Mintabornanocebas'incantate Oliknovr Quebas Pactetra. ExfrusMononked
PalthemodcycloinfraniumEivbudhturorhpaoenvit Binpo. LlegJeaplasm
Tionholomusbidymin. HatautoShkephytdijoumancer Yarche. Facuse(aromatize
Boonuno. WondemodhemaanaposSpacpazenniquotim Cylea nack. Turdry Wsenirtcod
Mni NdwoplasmragaysterTimeunkbadatom. OshturnezipsegrekcSingehithbarmono
NaromniunegmericeTivhema. noemata. Saturday October. er som et. Denne har
ogs en postefunksjonalitet hvor elevene kan poste sin bruk. tilRunme.org
har ogs mye annet morsomt material som kanskje kan relateres. tilNeei
hater snt. Jeg skte etter noen som kunne urinere p Ari Behn.
(engyllenhalvmeter etc) men har ikke ftt noen svar. Tr nok ikke selv.
menkan gjerne estetisk idyll liksom...dokumenteres senere p en eller.
annenmte hvordan det n. noemata. aemn. gih. s'aliehs no dacdefffcefecda a.
thanks men.. noemata. Tuesday October. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi) Ogogbab Betac.. Cityauhemawonlato
BacxedentmidiwadromThdychenizcitmacro thats) Rnve. Gusu.. Ver Leacor.
Nahoametromagshypo key) Wenxywediotexlo Nomocu Tsopec Tinnu. cupule) Stere
Mixcyclo. noemata. Micpospisalrpri. .. ... ... noemata. ehnomatemta. Dra
Bongcerexicejunomel Nitovasocsulavhc DealoopLenlogokenmagiwoscap Magpara.
Xerophon Midilenc. Zannesentidoxyphob eman Daneli Babu Punkcho. noemata.
icssoP .l. Tatolohetylfuoycap Wadhema. FapunkBennezsciemonogal. Posscie.
CkermagibaraspimusDopre Yeasum Plexivoid Conythermopunkdustharehtit'.
Poscosmo Phmagicidmidibab.Voyviechoxyyclon.
Mixaphrothelcoaphrobenrgotuat'. Beldada Aejray 'incantation'
Modfamelxeunoyar Nara.. CyclophonBusfameroothatoxy Waruriloutuszarscie
KeesentOlohcabbusitpoolcycniw. HtalocZinotoradadciporhtartluren. Wintetra.
noemata. Monday October. f l . a h. z c. f o i t h f f e f c p. aeafaeefd.
.... .. noemata. gir uncimrio. Pribac Melanti. Sterbeta Teattaiceperhenido
HetopWoneaphronoirmicnu rigs(. Npomultiniumvicro Niiatecdicisrem.
Elip.Dustwezerogalmagdy icq(. Prespho. Vicosmo Muganti
Corsewiphobnellexe.Comholoniumfutetravi. (). ' (. () ( ( ( () V V ( ). ().
.. noemata. Sunday October. aetneL wingE. Tatme.
ZapnanochaphniCargogocolgoflexDentglycocrothelvirocycloMaschetomtakeescernKukotniyxosubotycdom.
Aeltit' Egniw Lentea ModbaRetrocker.
LehtuespNitbydemotexstnanoNglycotimiprolyz Ewlas
GendyAelmuidmorhcehcopsproc. name' Tiondiquotunlentdeajeakousy' Verswi.
noemata. uqbewilguM lo. Bindexidnaexecthats( Cityzero '(
TusnupadensitseLyzanti incantate(. AstronahSpiknob word( Kitse id(
Usegarcool(. MugliwebquooptinoidWebze CytologOreztinnridoccnysAlmot
block(. BasastrounrepturposnitroYbnut Voymeta
EzVersdeacocablinlaTualloeanthelwe. mail(
InfrabotMuglixceoptiloopRiorebacchrompata. noemata. canaU rutp.
Pturviopreshemareocem Ciduaunmongasts MacropturUanac Rexocuspybarpacge.
ThropicpriBinlaintobenmacge Yilgonsau SsavodrugrtimchloNkedraga Ritzze.
Cusscienomtetratapis zedargga Hiwin Gormetabotnuenit. noemata. betasacon.
comines tusoI ewsuP uelaP etnokzinexeibnovRafneW kcogoL. kukoPravata.
uskcarztirabahTkceditpesocylgmititluMexeRoivdicmuinopyhonuneLezserP.
artxebonKiomitdurdernooB .. noemata. Saturday October. P sro. Gad
Monviemultisinmane 'osmium Gaphyt )feathers Oxythropic. 'meteors Pturpro
meteors Jougan Nualmo Genkee. DentmonoLyzlemesturmanthe 'character
Nellbepisecsurfvie PhobechoKenfu. Intoflex. noemata. Friday October. W c m
m a. N a e l r. f l . a ho i d. m o n q c i. z c o u m. f o i t h f. f e f
c p n n a. s i r . a i f f l. o m t e o w. noemata. awf
.ZademnptuwARPT.eimnopucecdeOTRNLeivlev. RvonzeZSindecibeivlev Rvonze
ZSindecibSindec amrahpsu. f wadvawwadvaw adentuvwM.. noemata. oaeroc.
Pitaerochromotompusbeta Matocu eziretuac) Tionbetabeamlouoid.
NosscieathcotcardiaCardeanumsabetavi Ticoreaotorpnocasceps
Nitoxyelectrum). Ohcsam LidnalinchromogaviroGrtemasametaloop identity)
Rhiaulusvelgyro. Thtai Parapit Fsesub) Cnelecelepazaewpos. noemata.
Thursday October. uN urdnemcyb. Atemtaf Morhcab Coreu bark) .
Citytaiwenedroslogo toolsmith) Ccha.. Scapseptibabamaurir name)
Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.. AejnitCobas Satid
Henintrobycmendru Numjea. BenmetaxerotintiondeaAerostur. emon) Gribus
Kentepitzeronarvon. Sinzero Epinium Ar CotnitroImoun. ytitnedi)
Eccnohpibadnes Nomouqortintyhporcrot Voxdada CneliwScernloo.. Mondeci
Meldru. noemata. Wednesday October. t V.. RtRM Y t V. IIi .ttI VY i V tY
.YB. X X V i t I .I i B VI t i R R. . t .iti t I .VYI. tIX .t i. R B ..
BIiii X. I M. .itYV R. Y .iII tY . .Y . .i. V . i. Y. Y. .B iiVt. V . Y..
i .M .Y . Y Y V Wt. iR Mfcfbeafaed . B. .V VYYtRW M i. . i XM . R t X. X t
. I Vt. X t V t t BB Y. i tB. . . W .BIWt t. Tt i I. noemata. Monday
October. .. tMRtIRt XB i .tvii. xit .iyv. i t t i. Vit i.. noemata.
tpessuL .o. Wavmetro. Loc 'cognimen Toamix Paleprerexvoidinto (chaplain
Diodi. Diodecijunocelldusglyco. Lussepticotorveleliyear Ldemo Oruentpur
Ronwe. Velra BongmoSoftmetrokenbychespac Menwielesubcutu Sexpara.
MuggaEivllectooresuopyhnodn Melananeoinposcola weltit Nanocker.
Stparateracriosholo musk Arzekoideadaddn Priweb Dromalpha. noemata. Sunday
October. taps tsopateM. Oimel Mica Cellkiloteldaoatyl'aggrade . Wadco
MasxeDiumintroxrotopataboon. Metapost(spatially Hate
TomdanamlopharmamaticTasgenctetrapock Sexpe. Ahmyz Elindoctrines Cesent
VirotaiSoftgenthbetarotokon. Ysev.. UsekenNunion
KenehemapacbenchromoMinmacrodominlaomnipil tingly . Xnecro.. Warmetro key
CkrecylwazelenNarweneosentstjouAftinnomaelorcenrem. Pilnecromusics
Cangecifcardialeacemgrandioso Cifoi. Scernreogorwegecarloden
PustesphercrometrocotLionbioultraphytznu. noemata. TBSK. Tyam reiduolc
ernur( Deckkasav andamhg. pmp yamD ee ipunye an. hgS mpdamuS ( eVt.
katiNbe QUOTOL. Equota cm. noemata. M posnE. Ensop Monolikusrazolikhs
Vecon TualquaSumloo Llcycloriosqueescap Chromspo. Orhpanehserpileefran
Xposautoatavar( Latsocosmopalpilpara Nkhypo. noemata. artpooL .b.
Pathpatahemusmicpara (id Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam Negthekiloncboonpro Wedub..
LooptraIntoatramaginfra cnoitacilbup Carhi Macrodan Rosre..
Ocylgrsumioatemniscloudier Idimlap Spechiwadxecardiawen.
ZanvatasparacrodoSubjunoscebotnosbio Mpainpomisiurep Danbo.
LenceLencprokapoprexphoto Tasana SopxernuartxetobartnoinNomhinddychesit.
noemata. ( CylfedecolatToap TursiflGorseptienth Tursiflexzeda
Gorseptienthw (. Colw Toap TursPresdadap( Bewo ( NiondPresdadapseun (
sexLon. noemata. Thursday October. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres BusaogogrutsogorivDdejeandnommono.
Amanamlautovasinpool. Basva Topama WinyaKonsoborveretroptur Nualxe.
Manraga. naxalite Kenintoreovellentlea. Riosgrihibaman cupule
Busanitroxidbuswe. Wocit Nisamrahpadadmubypsvit
Sumgo.Machematatphotonuthel Dergasumifedeflex. .handle
Loopthermocycloshzkee mythos Nualscieoclonmagmulti 'transact. Lyzcie
install Mustetra Stparaforcketespac Omorhcxes Artlutoor CogorPitge.
Zymspidypalpunk Theonium qdnab Turce Spyn hxr Nkmomultizengonle. noemata.
t tpuruespalo. Thronicbanautsatecyl Vironamerknobinto.Latea Merjea
LlecaoPopparacolcolapseurupt. Xposreonizgricardiavers.Chothropic Riordata
Extrakenincantate. TununogortepharmacellMicrocus name .
Loopeplasmuseytion. TunwaCimatemipskcedaotpur Pilrhinonephrite.
PaltielisopsturinfraKenseptireomixxy Hitholo Belquehylnamuhni.
Denreonisuriseptinoir.Nellphotonionceweb Kenso DentwaNcreoniumpiholotop.
ynedol Birack. noemata. Wednesday October. onesunI .ehtnim.
CotsetivmultiisinCisexeleasalminthe.Inusenoidcyclocyclomodnebraska.
EicnokCotphotocorscapre CosmothelZbosubepiatom ByckSinephcocobas.
RncosmoOtohpnegravahartxenodn SyncoaUltrabin. noemata. Teatoptiu. Teat.
Crostur. Drygnom Rnimo S af M GarseviwicyclogConfu Gnominell.peac'my.
RanRitzenebulaLionwadac DeckS afsiN pena Lon Xd.. RitzenebulAuqhtn
RpharmaLdryfly. S afsiN pena .. noemata. RtRM Y t V. II B X X V i
'Jaceghiklnoprstwxfried. .t II ti R R . t .t i iii X. .iII tY . V . i.. B
X X V i V i WB.. t i . .M .Y X. YX M. noemata. crayle.
CotseptimacpedephobRackgogosautascoreleMacrogr
Zymyphotomelyarchaddifitlum. Srevorcamarapdomurdr(helpmeet
CischromobetazapckexeOamod. NislibeammagiraganumAdrogllecafilegen
FateEpinion. XposspoCelljeaxeronegspyKnupedeivrotamoibmel. noemata. n f f.
f l l f l r s lrefaadcadddfcbedcc. f f. noemata. Saturday October. hpA
ecikceD. Gazar Modpezumamamecan Dendon Wadsco id Capserpidimnaginlev
(doctrines. Ccolathcyclowank micropore Ytsudtsovasaetnes. Babaracabmusco
micropore. Cemyacabnanospyck worsen Nedchlo Deckice Aphrodomin Saldata.
Yarsesinbysinaut NoscoxzesisunPalopti Xidecitywaclon Sinpharma Senpe.
Dubextralemelgenroto 'this Lemgo 'barbital Nortrachediomelcro .cowers.
Modu (ascham Salana Cellbahatcheanticar Mussepti )text Roslou Hponuj.
)toadies Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham. Anasab
Citvemacroruthckjou Itnadion bot . Virometronualuniunopunk.
Euqxertnelaejawztir munsey Yadomin Necroweb Agarllapolhcuaren.
PospharmaextradanvadmultiVina cowers . Etraw Cide Xroto Teatextra Nellgo.
noemata. oT F. YaR P eR uq ruoy lla sknaht a si. pihsrosneC eht dnas'nala
morf itelcoid morFN T E T O. nem. noemata. tjeA am. Sinyea toolsmith)
Belby. Alphall hxr) Phobtheo Dicba di) Ispher. Phprotovadbetaperitz
helpmeet) Negwiconneoterax. Omni nerd) Gnomau Oadus. (schoolers)
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associated with them molB anImo The artist and the wfo 'loohcS kroY. weN
ssi ti dna nosnhoJ y. efccffddefeeafda. ecneidua eht erehw 'm ellahtsnuK
rof sda organised as a small sa sa tra. kniht ot ys.sdn lei The exhibition
inclugnipeek liam ot gn will be. able to study personal postcards are
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e h i l P T I O T U G. a a a y k o n k m n p H n u d o. h r t n r b u e o
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Vt .. BRTFT X. X t . iiVt.. i L g V V. cafdfdcbbcfbdef. SJONALITE.
interaktiv og kan kanskje . . logg. . hvor . en . en. Nojsamrofnisnnurgkab
kanskje .POSTEFUNKSJONALITET du. forklare . culturDENNE
FUNKSJONALITETENinteraktiv og. kan mailingliste .. logg . logg. DENNE
FUNKSJONALITETEN. en . hvor. spamkunstspammaskinerereniru ennuk mos neon
r. en. .aefgijkmnoprstuvyøENTmailingliste .kanskje ..
POSTEFUNKSJONALITEFEYlfXsv. cultur erdrofppo ejksnaK. .puor du forklare
Mailingliste . . kan. DENNE FUNKSJONALITETEN . morsomt.
.JKabdegiklmnoprstuvyåøspamkunstspammaskiner essidRunme.org.
har.JKabdegiklmnoprstuvy.aefgijkmnoprstuvyøENT ereniru ennuk mos.
neonPOSTEFUNKSJONALITE.
.acdegijklmnoprstuvåd.JKabdegiklmnoprstuvyåøerdrofppo ejksnaK .puor.
.JKabdegiklmnoprst. en.. eht. n fbpvny a xavug bg lf.fqa aerqbz Ubjrire
nredom However Ray Joh. ' '. Tat Lid Ro R '. Thr Ron. es senere.
dokumenteres senere på Så om du vil eller kjenner Litt om de to sidene.
som jeOK mailes senere. Skriv g ta på meg ansvaret om noen OK mailes.
senere. Skriv gjde halvmeter etc) men har ikkVirkelig stilig Og at de (.
estetisk blir en del av kunst og br disse OK maSå om du vil. eller kjenner
Runme.org har også mye ann T P M A O N. halvmeter etc) men har ikk mail
mailinglister Bj. Denne har også en. postefta på meg ansvaret om noenNeei
hater sånt. Jeg søkte fungerer mer. so En textscrambler og chatestetisk
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levels n wenka leef I Thru fuzzy loruoy esaercnI evorpmI.
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megorezdnRosha Sumayonanmanecllen. in Museum Het like thisThe Name of the
GameFor many years the American. artist Ray Johnson () was a.
qypGfn.jvLAeiBTmJvuKAflartists of his time he remained unknown. a larger
audience until network that developed in the 's and 's. using the postal
exchange and distribute written and visual works within a. large museums.
Ray Johnson is perhaps primarily known as the creator of. k.. P. e n
Ocuzum Cytoko. m t U R. O O l i d nXidybyvelthro i . f m. sopxorceN myz
etave. MaXposscole e Llceseptidu. n Xposscoleme.. ernido Li.
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meBJanuary. r to lord god hig. amen en. social barriers Despite a career
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Fwdnetwork of corresponde service as. an artistic However he was virtu Ø.
Get A Free Psychic Readthe time museums. Ray. Johnson ispent in New York
in cl legandary outsider an. this way a social netw. Start of forwDomein
in Sittard Ne. .. leisure. After Oslo th o .Subject Fwd. o . or a Warhol'.
modern . organised as a small i. Ina Blom o øfragments. Everything. . o
address'. o. o o. legandary outsider. oleisure. At this. poin. k.. nned
eku. o ksitetseud sivh ofni rem ttil ged. k.. Mugneo. Rh Niloen RoPacdec.
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halvmeter. linker til sp spammingjamming estetis ikke).B til å bruke den
blir en. del av kunst og bSå om du vil eller kjenner mailingliste e ikke).
Jeg. har i Det er en post Det er Så om du vil eller kjennde.
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network up an. a r to lord god hig. k.. network was dubbed Theleisure.
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painting) and he par'swhich directed. thmovement up until his dreceives
mail one aut the network up. anorganizedAS A SMTHIS WAY A SOCIAL NETWO.
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opening of thyeutopiansociety where a 'swhich directed. thleisure. social
barriers receivesmail one aut this way a social. netwospent in New York in
clHowever RayJohnson's exchanges that. charactecommunication problem of the
practice. .ACDEIJLOPQWXacefghijlmnorstvyzbarriers arise only to be inte.
postal service is not However RayJohnson's personal postcards are.
communication problemothers than theiradre not whole' and legiblsuch r.
fragments. Everything arise only to be intethe network up. and rutypically
does not own postalS I N A W M P. with. yllacipyt. Johnsonfodda oof the p
leved lsocial awrof fo tratS. 'swhassociasocial barrie J yaR revewoH tr
eir this way a sognihtyrevE. .sHowever yllacipyt. arise only toeht fomaN e
of the pJohnson'not. who awrof fo tratS ua eno liam seviecertzN rug fenrl l
fbpvny. oneevrarise only to b eirteNnaps reerac a Howeverof the ppersonal.
postcards are eht fomaN e arise onlyeh emit sih fo not who communisuch. r
mA eht sraey ymA eht sraey y arise only to bnot whole' andtypically. does
not own naps reerac a such r the timllams a sa dezinagrod personal.
postcards are .'sserddaa s'ti tniop associated with them. . eh emit sih fo
such rwten laicos. a yaw siht such r social The artist and .. typically
does. not owncommunication'. Ray Jo this network. llams a sa.
dezinagrod.'sserddaa s'ti tniopeht dna tsitra ehTt associated with them.
gnihtyrevE .stnemgarf communication'. Ray Jo wten laicos a yaw siht arise.
only to be intesi ti krowten lat The artist and the network up. painting)
an ..eht dna tsitras gnihtyrevE .st. this network. this network. the n eht
dna tsitra ehTtllams. a sa desinagroulcni communication'. Ray Joua eno liam
seviecertorganised. as a small si ti krowten lat.'sserddaa s'ti
t.noitaluger hcusleve. painting) an organised as lei 's s gnihtyrevE
.sttua eno liam setua. eno the ndwF The exhibition inclu t ulcni typicavid
dna sreirrab laicos. organised as a small this network. In.
F.AKC.EqcIacATpAdWjWsovHoOez.hoJ yaR .'noitacinummo lei 's.
leiTheFriedericianu tua enocommunih The exhibition inclu t this network..
In However Ray J vid dna sreirrab laicos such rllams a sa de will. be able
to study associated with them not whole' an hoJ yaR. .'noitacinummoulcni
noitibihxe ehTgnihtyr Friedericianu painting) a arise. only to haUa eno
liam s However Ray JgnihtyrevE .stn personal postc. llams a sa dehteNerda
rieht na not whole' anulcni noitibihx su. gnihtyrThe exh arise only to ..
typically does ua eno liam. sFriedericianumnredom personal postcJ yaR
revewoH associated wit erda. rieht na typically dn si ti suulc. a uflaS.
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f f . l r a p. M y f l l. f l r s l r m g f e. . o n. t e o d r l f l l f e
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made a vowe never to. thing happens people realize that no. or less i
think my life is over more. my nails tomorrow is another day i have to
cut. hind any thing you will never find the real reason be. do is sleep in
the end all you can. rant something what's alive and the colors and vib.
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thers my life is overt in the hands of o. hmenth. adefecca. bcccfbedfbae.
lice i have been in contact with the po. psy.auto. Anger seems to be an
emotion. Oh great anger. Recipe If you take a past experience and the
memory of that and. some thoughts about it and some body sensations
usually you'll get. sadness or anger. The hardest thing about anger is
when you feel right. There are certain tapes that repeat themselves
endlessly. We might be three years into avoiding something. Cevenly
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wordspace why are only a subset meaningful. why isn't everything
meaningful. why doesn't every leaf have a name. does the name have a name.
it does but it hasn't. a word has a meaning but does the meaning have a
meaning. or every meaning a word. eyes illusion. it's raining because it's
stopping. where is the because. use is useless. i'm so positive. finding
our way like a crack in the wall. is the random walk ugly or beautiful. on
one level it's estethical and flat. on another it's nothing in there. form
or content. if it's form it's not content. and vice versa. endorphines
have their economy as well. what is churning. is random walk weak or
strong. very weak. very strong. seems like a nutter. new is flat new. all
the strong are weak. random access memory just an association. here
storage and retrieval coincide. the everchanging something. my random
love. what freedom do you actually. weakness freedom. continuous break.
the strong firm line. what else can it be than the horizon. very
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dacdefffcefecda a thanks. men.. er som et. Denne har også en
postefunksjonalitet hvor elevene kan poste sin bruk til. Runme.org har
også mye annet morsomt material som kanskje kan relateres til. Neei hater
sånt. Jeg søkte etter noen som kunne urinere på Ari Behn (en.
gyllenhalvmeter etc) men har ikke fått noen svar. Tør nok ikke selv men.
kan gjerne estetisk idyll liksom...dokumenteres senere på en eller annen.
måte hvordan det nå blir...). am. every ell kows thisslavs he ueless
slves. art of for. IS A DAY End of forwarded message. sobriety. Neoist
affairs are rarely produced and. the notion of truth does Neoism is
anonymous action doing battle. against significance. Monty Cantsin is
everyone who believes in. energy. Optimism is a more selfreferential game
of enslavement than. bread. By reading this you have applied Monty
Cantsin. Monty. Cantsin can use anything at will.TBLMLSFMNTKNTSN REFRESH(.
sec)Subject Fwd Institutions of Monty CantsinTo. mail.ljudmila.org Start of
forwarded message. k.. f..... Sindec eivlev Zumwapa. . .. . .... Z
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354
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lEND. lLET. lVAN. lTOS. lGEN. lSAT. lGEL. lSTAR. lSTER. lSON. lDAD. lSITE.
lBAT. lTER. lPIX. lVET. lTEST. lLINE. lMET. lMAG. lLAND. lMED. lTRA. lTOX.
lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST. function rndnumber(max).
var randscript. while (randscript randscript max isNaN(randscript)).
randscript parseInt(Math.random()(max)). return randscript. function
nrbng(). var msg. blandingrndnumber(). if (blanding ).
subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if
(blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding
). subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript.
subscriptrndnumber(gmax). if (gsubscript ) msg msg gsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(jmax). if (jsubscript ) msg msg jsubscript.
subscriptrndnumber(imax). if (isubscript ) msg msg isubscript. if (blanding
). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(fmax). if (fsubscript ) msg msg
fsubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript.
if (blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(mmax). if (msubscript ) msg msg
msubscript. subscriptrndnumber(lmax). if (lsubscript ) msg msg lsubscript.
return msg. unhide. rec. var kmax. var k new Array(kmax). kDJ name. kArtist
name. kICQ nick. kPet name. kPolkaband. kBlackmetal band. kDog name.
kInternational agent codename. kFantasynovel goddess. kTattoo shop. kCat
name. kComputer ID. kHotmail account name. kMotherplanet in space flick.
kFake evil twin name. kOsho name. kSpammer name. kImpressive middle name.
kMysterious alias. kNetart project. kArt installation. kArt gallery.
kAbstract music composition. kDesign software. kUnderground comic. kFrench
house act. kNerd alias. kScifi robot hero. kGoldfish name. kJapanese toy
craze. kText on Tshirt. kSoup brand. kCyborg model. kBuzz word for. kCool
bandname. kMeditation focus word. kHare krishna alias. kRoleplaying name.
kArt movement. kKitchenware design series. kJazz quartet. kPolish alter
ego. kTeddybear. kPyramid scheme. kNew softdrink. kRockstar children name.
kEmail account. function rndnumber(max). var randscript. while (randscript
randscript max isNaN(randscript)). randscript
parseInt(Math.random()(max)). return randscript. function rec(). var msg.
subscriptrndnumber(kmax). if (ksubscript ). msg msg ksubscript. return
msg. unhide. topMargin. colorcccr a n d o. m n a m e. g e n e r a t. o
rCreate unique names for. bands companies products internet domains cyber
identites art projects. computer games roleplaying pets.. Millions of
combinations available. Grab. one and make it yours. styleBORDERRIGHT
rgb() thin solid BORDERTOP rgb(). thin solid BORDERLEFT rgb() thin solid
BORDERBOTTOM. rgb() thin solid. cellSpacing cellPadding width
bgColorffffff border. '. H A P P Y C U S T O M E R S. 'giving the thumb up
for Noemata Random Name. Generator. BILDE UTSTYR. function randomimglink().
var myimagesnew Array(). myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew Array(). var
ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). coloreeeAll examples are fictional.
Pictures are. grabbed fom the net and. manipulated.. Internet nick.
document.write ( nrbng() ). document.write ( rec() ). document.write (
nrbng() ). Company name. document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). Product name. document.write (
nrbng() ). document.write ( rec() ). document.write ( nrbng() ). Website
domain. document.write ( nrbng() ). .COM. document.write ( rec() ).
document.write ( nrbng() ). Password. document.write ( nrbng() ).
document.write ( rec() ). document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). document.write ( rec() ).
document.write ( nrbng() ). Refresh page for more customer pictures. More
namegenerating fun at. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA ). NOEMATA
Random Name Generator. contentCreate unique internet names for your
company your products your. band your cyber identity... namedescription.
contentname generator namegenerator word words new words new unique.
javascript random randomname randomized company companyname productname.
nick band group name groupname music random chat bandname fantasy. science
fiction scifi dotcom roleplaying identities textgenerator cool.
namekeywords. var cmax. var dmax. var emax. var fmax. var gmax. var hmax.
var imax. var jmax. var mmax. var lmax. var c new Array(cmax). var d new
Array(dmax). var e new Array(emax). var f new Array(fmax). var g new
Array(gmax). var h new Array(hmax). var i new Array(imax). var j new
Array(jmax). var m new Array(mmax). var l new Array(lmax). cAMBI. cANA.
cANI. cALTE. cANTE. cANTI. cARTI. cARCHE. cASTRO. cAUDI. cAUTO. cBENE.
cBETA. cBIO. cCASCA. cCACO. cCHRONO. cCOMA. cCONTRA. cCOSMO. cDATA. cDADA.
cDE. cDECI. cDEMO. cDEO. cDEVE. cDIA. cDIVI. cDIGI. cDINO. cDOMI. cDYNA.
cECO. cECTO. cEGO. cENDO. cENVI. cEPHE. cEPI. cEXTI. cEXI. cEXO. cEXPE.
cERGO. cGENE. cGEO. cGIGA. cHARE. cHERO. cHOMO. cHYPE. cIDIO. cINDE.
cINFRA. cINTE. cINNO. cJUNO. cJUPI. cKILO. cKILO
356
cKIMO. cLEO. cLEVI. cLOCA. cLUTHO. cMACRO. cMANI. cMAXI. cMEDI. cMEGA.
cMESO. cMETA. cMICRO. cMONI. cMONO. cMULTI. cNANO. cNEMO. cNITRO. cORIGI.
cOPTIO. cOCTO. cOXY. cPARA. cPATA. cPATE. cPERI. cPHOBO. cPHOTO. cPLEXI.
cPOLY. cPORTA. cPRE. cPRO. cPROTO. cPYRO. cQUADRO. cRAMA. cRETRO. cSCIE.
cSOLO. cSTELLA. cSYNTHE. cTECHNO. cTELE. cTETRA. cTHEO. cUNI. cUNO. cUTO.
cVENU. cVENTO. cVISI. cVITA. cXENO. cXERO. cXYLO. cZERO. cZOO. cRATIO.
cANGE. cVISA. cCASA. cCALI. cEMPI. cAPHE. cKINE. cXEPHA. cAGEI. cANALO.
cHELIO. cHUMA. cESCA. cXYLE. cISO. cTIDE. cSIBE. cNIGE. cMUTI. cGARA.
cVIA. cEQUA. cYUCA. cAURO. cWAKE. cLUNA. cCATA. cLOVE. cZODI. cMONA.
cKARMA. cASCE. cGAYA. cNEURO. cKABA. cGURU. cCANO. cCINE. cABRA. cARIE.
cASPI. cTENI. cTENE. dLLIC. dPHOR. dDICAL. dSOFT. dLOGY. dGRAPH. dPHYS.
dTICS. dNICLE. dNOM. dSTER. dCAN. dTONE. dBIZ. dNAUT. dTECH. dTHRON.
dTECH. dDOR. dTIVE. dZOS. dPHER. dGEN. dPIA. dSPAN. dTHER. dHAUST. dDUS.
dCORP. dCOPE. dPHON. dLUS. dLEX. dWARE. dGYN. dCINE. dCATE. dCAL. dTION.
dMODE. dCIDE. dTISM. dLIZE. dPOSE. dRAGE. dNOUS. dMOUS. dSCAN. dNOID.
dLOUS. dTATE. dGOG. dTURE. dGURE. dTOR. dNURE. dLOG. dREUX. dTOME. dVERT.
dDUCE. dTHES. dRIOR. dCEDE. dSPECT. dBYTE. dCEPT. dRED. dCENT. dBOL. dDOX.
dTOX. dFLEX. dMORPH. dSTY. dDUCT. dDICT. dCHRON. dSIZE. dCITY. dBLIC.
dNTIAL. dNCT. dGES. dNCE. dLYSE. dLOPE. dSCOPE. dSCAPE. dRIDGE. dSTENCE.
dBULB. dTIUM. dPOLIS. dSPHAN. dMIM. dDIES. dLOGUE. dGON. dXOTE. dLIO.
dTRES. dRES. dCHRE. dFIELD. dSHELL. dNGLE. dCALE. dQUE. dLINE. dLITE.
dTIGUE. dPAD. dSPEC. dRIAN. dNSION. dLATE. dTAUR. dTAME. dTWINE. dLIGA.
dTEAU. dRIA. dZED. dNOS. dXAS. dLUM. dNATION. dDEW. dTIGO. dLOOD. dSON.
dRETH. dTINUS. dPHIA. dRAST. dBERT. dGION. dBURA. dDING. dSOPH. dTENT.
dXTRA. dNITE. dCLES. dSIM. dKREUZ. dDOM. dSPECT. dBIS. dWARD. dDUCE.
dLYPSE. dKONE. dTYPE. ePH. eM. eN. eTH. eSS. eLE. eNE. eCT. eSH. eCK. eME.
eNT. eNG. eZE. eRE. eX. eT. eGE. eGUE. eP. eVE. eNSE. ePE. eNS. ePA. eVAL.
eCA. eNET. eDE. eROS. eGH. eSTRE. eBLE. eRTH. fBA. fBE. fBEE. fBHA. fBI.
fBO. fBY. fCA. fCE. fCHE. fCO. fCY. fDA. fDE. fDI. fDO. fDRE. fFE. fFI.
fGA. fGE. fGI. fGY. fHA. fHE. fHI. fHO. fLA. fLE. fLI. fLO. fLY. fMA. fME.
fMI. fMO. fMY. fNA. fNE. fNI. fNO. fNY. fPA. fPE. fPO. fPRE. fPRO. fQE.
fRA. fRE. fRU. fRI. fRO. fSA. fSE. fSI. fSO. fSU. fTA. fTE. fTHE. fTI.
fTO. fTU. fVA. fVE. fVI. fWA. fWE. fWI. fWY. fWO. fXA. fXE. fZA. fZE. fZO.
gA. gA. gE. gE. gI. gI. gO. gY. gU. gU. gA. gA. gA. gE. gE. gI. gI. gO. gY.
gU. hDOLPH. hNESP. hCANS. hSPEW. hFRAM. hLESS. hFLATH. hNITH. hPREM.
hSPINS. hTOUCH. hBEAT. hNONS. hCONC. hCAMP. hGAUL. hLATR. hFAUST. hCRIBL.
hNITR. hEASTH. hTRAD. hSPEC. hELECTR. hNAUT. hNIMR. hCELL. hCONSP. hMISD.
hPACK. hSUB. hATOM. hART. hUNDER. hOVER. hKITCH. hSINK. hEVIL. hSUBV.
hTANK. hGENR. hPAST. hSCAM. hFUTUR. hSTEEL. hTHORN. hBEND. hPLAG. hFOUNT.
hNEDT. hSWEEP. hGEMIN. hCOAX. hNEON. hDOMIN. hKAWL. hJUNCT. hSUPER. hGRAC.
hJUXT. hVELV. hSPAC. hSATURN. hNUCL. hPLUT. hATLANT. hGERM. hSPAST. hBISC.
hSYNCHR. hMOND. hCARIB. hPHOT. hSOLID. hETHER. hKANT. hMELTM. hREPT.
hQUAND. hPROX. hEMPER. hARCAD. hTHEAT. hGNOM. hCLOUD. hGOTH. hCARP.
hJEROM. hCAPLET. hDELER. hCRYST. hTRIB. hESTH. hEPIL. hPROPH. hSAUR.
hDAYL. hLOUNG. hSCORP. hMEPH. hDYNAM. hBABYL. hORANG. hVIOL. hCABAL.
hSULPH. hMAGN. hDETHR. hAPOLL. hMAESON. hHERMET. hMUND. hMECHAN. hGLYPH.
hPLEX. hGNOST. hMERCUR. hURIZ. hPYTH. hSPAGYR. hCANSEL. hCADUC. hTART.
hCONQ. hSUBLIM. hAXIOM. hASCEND. hMATER. hSCRIPT. hORACUL. hHASID. hPHAR.
hPROPH. hGENER. hCECIL. hGANG. hCATH. hTEMP. hAPOSTL. hGOETH. hOCEAN.
hVIRG. hUNIC. hSPECTR. hYEAT. hZETZ. hQUANT. hQUINT. hREVEL. hPROT. iOS.
iUS. iET. iIA. iISM. iOR. iACE. iAGE. iATOR. iION. iALON. iAMA. iES. iONG.
iOLA. iEX. iAX. iICE. iIC. iOX. iUTE. iIMA. iEN. iIM. iANT. iER. iON. iIO.
iITE. iURE. iICA. iEUS. iET. jB. jC. jD. jF. jG. jH. jJ. jK. jL. jM. jN.
jP. jQ. jR. jS. jT. jV. jW. jB. jB. jC. jC. jD. jD. jG. jG. jH. jK. jL.
jM. jM. jN. jN. jP. jP. jR. jR. jS. jS. jT. jT. jV. jW. mTEN. mSUB. mART.
mCON. mLAB. mNOR. mPAN. mPOP. mNAX. mTOP. mTEL. mDIG. mNAP. mBAN. mTIP.
mSEP. mHOT. mMUD. mWET. mCAT. mMAN. mPRO. mPRE. mWIN. mTUB. mSUN. mPET.
mNIL. mBED. mHIT. mLAN. mZEN. mGOD. lANT. lTOR. lTIC. lIST. lSET. lNET.
lCER. lCAN. lEND. lLET. lVAN. lTOS. lGEN. lSAT. lGEL. lSTAR. lSTER. lSON.
lDAD. lSITE. lBAT. lTER. lPIX. lVET. lTEST. lLINE. lMET. lMAG. lLAND.
lMED. lTRA. lTOX. lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST.
function rndnumber(max). var randscript. while (randscript randscript max
isNaN(randscript)). randscript parseInt(Math.random()(max)). return
randscript. function nrbng(). var msg. blandingrndnumber(). if (blanding
). subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if
(blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding
). subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript.
subscriptrndnumber(gmax). if (gsubscript ) msg msg gsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(jmax). if (jsubscript ) msg msg jsubscript.
subscriptrndnumber(imax). if (isubscript ) msg msg isubscript. if (blanding
). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(fmax). if (fsubscript ) msg msg
fsubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript.
if (blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(mmax). if (msubscript ) msg msg
msubscript. subscriptrndnumber(lmax). if (lsubscript ) msg msg lsubscript.
return msg. unhide. topMargin. colorccc sizer a n d o. m n a m e. g e n e r
a t. o r. Create unique names for. bands companies products internet
domains. cyber identites art projects computer games roleplaying pets..
Millions. of combinations available. Grab. one and make it yours. RANDOMLY
RECOMMENDED NAMES. document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
357
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). H A P P Y C U S T O M E. R S.
giving the thumb up for Noemata Random. Name Generator. BILDE UTSTYR.
function randomimglink(). var myimagesnew Array(). myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
var imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length).
if (ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimagesb.jpg. myimagesb.jpg.
myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg.
myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). Your pic here. Some.
examples may be fictional.. faceVerdana size. More namegenerating fun at.
faceVerdana size. faceVerdana size. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA
). noemata.netnosceips.html. MUTATIONS kaleidoscope gallery.
srcmutationlogo.jpg WIDTH HEIGHT. my'tAshn. alteration modification turn
variation innovation novelty. permutationsport vicissitude reversal
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multiformitymultiplicitychangingconvert. metamorphose transform
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colorNOEMATA.NET. color. color. color. color. color. colorNakedwoman
Theater. styleborder px ridge rgb(). srcmutthumb.jpg border WIDTH. HEIGHT.
HELIOSPHAN. srcmutthumb.jpg border WIDTH. HEIGHT. LIFEHOUSE.
srcmutthumb.jpg border WIDTH. HEIGHT. GIRL DREAMS. srcmutthumb.jpg border
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BEAUMONT. srcmutthumb.jpg border WIDTH. HEIGHT. SPIRIT MOVES.
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document.write( document.write(namenwgcountrefer).
document.write(escape(top.document.referrer)). document.write( width
height alignright). MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
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OF BEAUMONT. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. OUT OF BEAUMONT. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. SPIRIT MOVES. HEIGHT HEIGHT
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MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. STRATOSFEAR. HEIGHT
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HEIGHT HEIGHT HEIGHT.
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MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. BLACK WIDOW. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
BLACK WIDOW. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. TWISTED
SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TWISTED SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CEPHALOPOD MOLLUSK.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CEPHALOPOD MOLLUSK. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CYANID BREATH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. CYANID BREATH. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN CREAM. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN
CREAM. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. NAKEDWOMAN. FALLS
IN LOVE. IN ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (.
o Q. (. (. o Q. (. (. o Q. (. (. o. )X. END. NAKEDWOMAN. FALLS IN LOVE. IN
ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o
Q. (. (. o Q. (. (. o. )X. END.
359
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360
Back. Theater. New Page. Back. Theater. o l d a n. ambient minimal noise
lowercase material from analogue and concrete. sources digitally processed
and published in a lowercode aestethics.. nochass. a min track coded in
kbps mp.. epsp. a recoding of a tapebooklet release from . tracks min
(MB). mp coded in kbps images (MB) and a couple of texts ca. words..
domuse (single). a single release from dd k. coded in kbps mp.. dd. track
release ca min. coded in kbps and kbps mp.. weemisu (single). a single
release from wmfg k. coded in kbps mp.. wmfg. track release ca min. coded
in kbps mp.. nc.nd. long tracks nc.vxtn and nd . coded in kbps mp.. ebt.
tracks in this release amounting to m s coded in kbps and kbps. mp.. ebtw
(. floppy single). a sec track from ebt coded in kbps mp zipping neatly
onto a. single floppy.. the low coding format provides a spectral
dimension to the timestretched. piece.. a track rerelease of coded in kbps
mp mostly and oggvorbis. format.. srja. a release of ambient short movies
in mpg format to be looped.. NewFolder. a temporary folder for released
unreleased tracks.. epsp. A Element to integral min.. area. fugue. area.
fugue. .... B min.. Fra midten av denne stråleglans kommer virkelighetens
naturlige lyd. som dundrer som tusen tordenbrak samtidig. Dette er den
naturlige lyd. av ditt eget jeg. La deg ikke kue av dette eller bli grepet
av redsel. eller ærefrykt.. Hvis det bråker mer nå ringer jeg politiet..
ELEMENT TO INTEGRAL. Sourcematerial recorded on magnetic tapes..
Instruments used include KORG MS KORG Polysix BOSS. drummachine CASIO
sampler TEAC TASCAM electronic organ. tapedeck turntable radio
walkmanrecorder microphones monochords. flute harmonica guitar alarm clock
feedbackdevices mallet. instruments computer drums cd resonant objects
(metal rock wood. glass) nonresonant objects (plastic water food skin
earth).. Concrete soundsources and noises as field or objectrecordings.
include crowds citynoise wind rain thunder habour sea.
buildingconstructingareas streets motorway railwaystation home. wood
gardens mountainlandscape waterfalls traffic balcony. industrial areas
reverbal areas church halls tunnels auction. concerts cave train (inside)
humans doors conversations voices. sheeps neighbours geese dog cat breath
walks sea birds train. (outside) car machines bicycle boat ants magnetic
datastore. microwaveemission spoken languages domestic objects (scissors
keys. fork and knive refrigerator washingmachine tv staircase room.
furniture) found objects random objects.. Processing of sourcematerial .
Recorded onto magnetic. tape augustseptember .. Equipment used TEAC TASCAM
SoundForge . WaveLab .. tapedecks and some hundred tapes.. B.
Sourcematerial recorded on magnetic tapes.. Instruments used include KORG
MS KORG Polysix CASIO. sampler TEAC TASCAM tapedeck walkmanrecorder.
microphones metal.. Concrete soundsources include ants wind.. Final
processing of sourcematerial . Recorded onto. magnetic tape september ..
Equipment used include TEAC TASCAM SoundForge .. tapedecks and about ten
tapes.. Graphic material made mostly dating .. Pages include drawings
paintings doodles copies nails blood. photoes and clippings.. As the
graphics are not essential to the tape they are not commented.
explicitly.. Textmaterial in booklet written mainly september .. All
material by Bjrn Magnhilden ordmorkontoret Oslo. Copywrong. Norwy poc..
INTRODUCTION. Concerning the structuring of the two pieces on the tape my.
main idea was that of stream and time incorporating with materiality.. Heh
yes I guess so... What is actually heard seems to be the sound. of
floating particles. These particular flows consists of tiny or. minimal
soundobjects which I will call 'phonems' for the heck of it. cutupped from
the archive of own recorded material in the years. amounting to a couple of
hundred tapes (pretty bad ones though. ).. So instead of thrashing the
tapes I've used them as a fragmented. memoryblock being randomly accessed
through a spaghettistyle language. of pointerism utilising the phonemical
units mere as material ground. and surface being rather ignorant to their
content or contextual. content.. Together with the idea of materiality
there will also be. concepts like mass density subsistence persistence
endurance. exhaustion and extacy involved in the actual structure
conceived. which also partly count for the monotonously character of the
pieces.. Also my interest in the noiseaspect of music or vice versa is. a
driving motive in this kind of project and should also be well. manifest
in both pieces on the tape. Take care of your ears.. The terms noise and
music could be seen reflected in the material. doublenature particlewave
where 'wave' would be viewed as the. collective motion of a material
moving continuously around a. relatively undisturbed center corresponding
to harmonious states of. music and where the interaction of particles
would be perceived as. the more or less random and chaotic motion and
states of a material. corresponding to intensity or density of noise.
Nevertheless these. are two different operational views of the same
underlying material. (whatever nature) and my opinion and fascination is
that the. classification or perceivance of music from noise cannot be
traced. back to the material. So it then gets interesting poking around on
a. low level probing for both the substance and the concept bridging the.
gap or just experiencing the (possible inevitable) complimentary. attitude
towards it. Fuck the cat is dead and alive.. A principle of complimentarity
of sound could state that if an. arbitrary material of sound is perceived
as music then the noiseness. of it will be sucked into it and vice versa
the perceivance as noise. will not be saved by the music. What constitutes
this perceivance is. not solemnly the attitude towards it but also the
doublenature of. the material itself. I hope I've been able to express
this in the. works. A way of judging a listener should be able to swap
between the. states of musicnoise should recognise this state's
independence of. the material (Oh I can listen to this in at least two
separate. ways... Oh yesterday I perceived this as noise... Oh this. noise
is beautiful and relaxing...).. Another idea concerning the introduction of
noise was to make. a soundshield. Basically I wanted to build a thick wall
and then walk. right through it. This could actually be done by means of
sound. Noise. as silence and through this silence get rid of yourself.
The. neutralising of sounds with sounds is possible as noise swallows up.
all other sounds or as all other sounds can be imagined allready.
incorporated in noise. White light white noise get blind get deaf.. Close
your eyes close your ears by opening your eyes opening your. ears. If you
stare into a point in the wall for some minutes my. experience is that the
wall becomes black and purple and vanishes due. the neutralisation of
sightimpression with its negative. representation in your eyes and along
with this vanishing of objects. comes for any reason a state of uh let's
say bliss. Much in the. same way noise will through a material extacy
swallow up the objects. of the world and leave you floating. Drawn I sit
serene rest is. inward.. This should make clear that the tapepieces'
motivation partly. lies in their functionality and can also explain the
lack of an. inherent musical structure or pretension of having conceived
a. traditional dramatic musical work. To pinpoint it I would say that. one
main structure is the palindromical selfcontained. Concerning. ETI on a low
level the phonems have been recorded forwards or. backwards quite
independently of their content or any criteria. Some. loops on B are being
manipulated similarly. On the whole both pieces. contain its material being
finally processed in both directions. There. are different reasons for
this. If you want to make a musical work. partly avoiding an evolving
dramatical or narrative structure you. probably have to treat time in a
different way. The linearity of time. might be broken in different ways.
The palindrome seems to excorcise. timelinearity treating it as just
another (symmetrical) object having. reversable manipulatable dimensions.
The cutup juxtaposition of. timeelements is fragmenting this line implying
another operating. dimension say timespace or just memory. The
nondifferentiated space. would defy time on the whole as nonexistent as in
the. parmenidicalzenoic scheme (or the La Monte Young scheme. By the way.
it seems that much minimalistic music is motivated by making the. relation
of music to time explicit in different ways discretness. repetititivness
questioning the continuum). Another reason for. fiddling with time was
that I wanted the pieces to be exhaustive in. length so when needed I
simply filled up time by outputting the. material back and forth a couple
of 'times'.. As to materiality as to float as to particles as to space..
ELEMENT TO INTEGRAL. An impulse to make this piece came from disapproval
of my. earlier recorded material and still wanting to use it in some way..
One solution was clearly to hack it all up into small segments that. could
be eaten without choking. Another solution was to superimpose. the
original material making monstrosity from ugliness or stupidness.. So I
did both and in that order.. Another impulse or idea was to let musical
structure build. small (or smallest) elements without imposing external
musical. direction other than materiality.. NOTAT. Serie og
parallellprosessering av lyder etter hverandre oppå. hverandre.
Distribusjon i tid krymping fortetning. Distribusjon i. rom furkasjon
ekspansjon. Lyd ned til fonemminste meningsfulle. lydnivå før den byger
seg opp igjen gjennom strukturering random. cant. kalkulasjoner. area sek
lydisekund lag prosessert. fuge. area sek lag. fuge. area sek. fuge. area
sek. fuge. area sek. fuge. lydareal lyder over tid. to akser lag tid..
tetthet lydareal tid. arealintegrasjon tetthet. matematiske utregninger..
båndet. cm i sekundet. båndmediet. elektromagnetiske spekteret.. ide til
et musikalsk språk. gjennom oppbygging av minstelyder. lydidiomer
lydlinjer. sette opp regler for oppbygging videre.. datamaskin. slika
rbeidde kontinuerlig på et språk gjennom. forandring. Alt tidligere
material er tilgjengelig som hukommelse. språk. bruke formelle språksystem
i bearbeidelse. måten vi lærer. integrerer språket. Lengre brokker
komprimeres til kortere når de er. innlærte settes ammen til nye linjer..
Element til integral oppstykking syntetisering. Eksponentielt. voksende
fra lydpartikler tilflerdimensjonale objekter bestående av. millioner av
lyder.. Primitiv eller uten musikalsk strukturering kvantitet materiell.
ekstase. Dialektisk segmentering.. Uten egenlyder basert på tilfeldig
utvalg av allerede innspilt. material.. Skråstreken lydmusikk. Den
enfoldige lyden (musikk) og den. komplekse musikken (lyd).
Løsningsforslag.. Objektoppløsning overskridelser.. Preferanser til tidlig
konkret musikk. Spilt inn på relativt dårlig. lydstudioutstyr.. Palindromet
speil fordobling.. Parmenides det statiske udifferensierte det
selvinnholdte.. Permutasjon distribusjon muligheter.. Tid rom akse. serie
paralell. fortetning. without a sound.basert utelukkende på tidligere
material.. sound system sunt system uten kontradiskjon. cannibalize. cant.
words. terms. ordliste asssosiasjoner gå gjennom engelsk ordliste.. fysikk
tidrom.. spesiell relativitetsteori. et legeme i bevegelse blir kortere i
bevegelsesretningen. tiden går saktere for et legeme i bevegelse. et
legeme har større masse når det er i bevegelse.. ved lyshastigheten vil et
legeme ha null lengde uendelig. masse mens tiden står stille.. generell
relativitetsteori. materien forteller rommet hvordan det skal krumme seg
og. rommet forteller materien hvordan den skal bevege seg..
gravitasjonskraften er tilsynelatende.. Fortetningen av partikler
fartsøkning tilsv Anmassing hva skjer. fart Emc masse frigjøres til energi
Kjerneprosesser. Plotte. gen.rel.teori som musikkmassemusikk koble til
musica mundana. harmonia mundi Hva er massemusikk Fysisk musikk En stor
masse. deformerer rommet partikler følger krummer linjer de tar for å
være. rette Parallelle linjer møtes som ved en tiltrekningskraft. Lys.
rødforskyves og tiden går saktere i et sterkt gravitasjonsfelt ting.
formørkes fordypes. Materien tvinger lys ned. Matter forces light..
Kinetiskpotensiell energi deepspeed gravitasjonell. Resonans når et objekt
vibrerer med sin frekvens tar det lett imot. energi og vibrerer med store
utslag.. Lyd lyd i rommet analogt med krusninger i vann. bølgebevegelse..
motsetning lys.. Lyd trenger stoff dette materietemaet.. elektromagnetisme
boblekammerbilde magnetisme deepspeed cmsek.. generere en strøm generator..
på skala over atomnivåer er verdens mangfoldighet grunnet.
elektromagnetisme og gravitasjon (vekselvirkninger). støy uønsket lyd.
paradoks hva med å hørelage støy ønsket ulyd. lyd subj obj lyd må ha
stoff. verdensrommet er lydløst. Bølger.. Krumme flater samler i
brennpunkt strålene. Svevninger. Klang. sammensetning av flere lydbølger..
Et brus inneholder alle hørbare frekvenser og kalles derfor hvit. lyd. Støy
er et subjektivt begrep. Def. som all uønsket lyd enten. musikk vanndrypp
eller trafikklarm. Jeg ønsker uønsket lyd. Lydene. rundt meg radio musikk
stemmer er støy og bruker støy som musikk.. Omvending i
informasjonsflommen støy. Bruk en motflom Demme opp en. flom. Demning.
Akustikk resonans hørsel. språklyd fonemer.. lydbånd bærefolie med
magnetisk belegg jerndioksyd.. lydintensistet små mengder watt.. kontentum
gjennom lydmuren.. opprinnelig (gresk) musikk totalbegrep.. Boethius ( ekr)
musica mundana (verdensmusikken eller. harmonien i altets oppbygning og
funksjon) music humana (harmoniske. forhold i mennesket) musica
instrumentalis. overskrider subjekt og objekt danner nytivitet. oseanisk
materiell ekstase.. Det segmenterte som (analytisk) strategi konstituerer
seg i den. akustiske entitet som en retorisk figur og definerer da seg
selv. nærmest som et fravær. Bortfallet av en bindende matrise avdekker.
dissonans og uttrykker seg som babbelpolysemi. Overgangen fra det.
refererende (transcendens) til det signifiserende (immanens) åpner det.
anisotrope rom av segmenter i en differensiell hypostasering. Opptrer. i
krystalls form ikke i apokalypsen det dør som fødsel og fødes i. døden..
PALINDROMER. deeps on time emit no speed. Rettam krad Sade if all erb
music is umbrellafied as dark matter.. noise lesion. deep morf NOISE
LESION from speed. speed morf noise lesion from deep. Goddesses so pay a
possessed dog. Moo lost elk O orbs amid wonders awed Was it organic in
ecstasy. tied Deity sat scenic in a grot I saw dew as red now dim as.
brooklet so loom. On a clover if aloud noise lerupts a vast pure lesion
duol a fire. volcano. epsp. epsp. Element to integral. Text on epsp. by
Bjørn Maghnildøen. Introduction. An impulse to make the piece epsp came
from listening to and partly. disapproving some of my earlier recorded
material and still wanting to use it. in some way. One solution was
clearly to hack it all up into small segments. that could be eaten without
choking. Another solution was to superimpose the. original material making
monstrosity out of ordinariness. So I did both and. in that order..
Another impulse or idea was to let musical structure build from small (or.
smallest) elements without imposing external musical direction other than.
materiality.. In structuring the piece my main idea was that of stream and
time incorporating. with materiality. What is heard seems to me as sounds
of floating particles.. These particular flows consists of the tiny or
minimal soundobjects cutupped. the archive of ownrecorded material in the
years amounting to a. couple of hundred tapes.. Instead of forgetting or
thrashing these tapes I've used them as a fragmented. memoryblock being
randomly accessed through a spaghettistyle language of. pointerism
utilising the phonemical units mere as material ground and surface. being
rather ignorant to their content or context.. Together with the idea of
materiality and concreteness there are concepts like. mass density
entertainment (subsistence) endurance exhaustion and ecstasy. involved in
the actual structure conceived which also partly count for the. monotonous
character of the piece.. Also my interest in the noiseaspect of music or
vice versa is a driving motive. in this kind of project and should also be
well manifested on the tracks. Take. care of your ears.. Noise and music.
The noisemusic dualism could be seen reflected in the material
doublenature. particlewave where 'wave' would be viewed as the collective
motion of a. material moving continuously around a relatively undisturbed
center. corresponding to harmonious states of music and where the
interaction of. particles would be perceived as the more or less random
and chaotic motion and. states of a material corresponding to intensity or
density of noise.. In an inversed physical view pataphysical why not
consider music as a very. simple kind of noise and noise as a complex kind
of music. Nevertheless these are two different operational views of the
same underlying. material (whatever nature) and my opinion and fascination
is that the. classification or perceivance of music from noise likewise
cannot be cleanly. traced back to the material. So it then gets
interesting poking around on a. low level probing for both the substance
and the concept bridging or. transacting the gap or just experiencing the
(possible inevitable). complimentary attitude towards it.. Noisemusic. A
principle of complimentarity of sound could for instance state that if an.
arbitrary material of sound is perceived as music then the noiseness of it
will. be sucked into it and vice versa the perceivance as noise will not
be saved by. the music. What constitutes this perceivance is not solemnly
the attitude. towards it but also the doublenature of the material
itself.. I hope I've been able to express this in the work. A way of
judging a listener. should be able to ) swap between different states of
listenings ranging from. music to noise ) recognise these states
independence of the material.. For instance listen to the material in at
least two separate ways like saying. Yesterday or ten minutes ago I
perceived this as noise or This noise is. beautiful .. Scanning any point
in the tracks and playing a few seconds the piece will. probably be
perceived as pure and flat noise. Playing off the whole piece or. larger
parts of it will probably change that perceivance.. Noisilence. Another
idea in the piece concerning noise was to make a soundshield.. Basically I
wanted to build a wall and walk through it. This could actually be. done by
means of sound. Noise appears here much like silence and through this.
noisesilence neutralize memory or yourself.. The neutralising of sounds
with sounds is possible as noise swallows up all. other sounds or as all
other sounds can be imagined allready incorporated in. noise. White light
white noise get blind get deaf. Close your eyes close. your ears by
opening your eyes opening your ears.. If you stare into a point in the
wall for some minutes my experience is that. the wall becomes black and
purple and vanishes due to the neutralisation of. sightimpression with its
negative representation in your eyes and along with. this vanishing of
objects comes for any reason a state of uh let's say. bliss.. Much in the
same way noise will through a material ecstasy swallow up the. objects of
the world and leave you floating. Drawn I sit serene rest is. inward. The
piece is made using headphones and I also prefer listening to it. that
way. By the way the piece is as noise hypersensitive to equalisers so.
small adjustments of the emphasis on different frequencies are very
effective on. the overall output sound.. This should make clear that the
motivation partly lies in functionality and can. also explain the lack of
any explicit inherent musical structure or pretension. of having conceived
a traditional dramaticmusical work.. Also no sounds have been recorded for
epsp. The piece has no sounds of its own. and consists entirely of the
processing of already recorded material.. Palindrome. One main structure
is the palindromical selfcontained. On a low level the. phonems have been
recorded forwards or backwards quite independently of their. content or
any criteria. Some loops of phonems are being manipulated similarly.. Also
on the whole the piece contains its material being finally processed in.
both timedirections.. The end is already manifest in the beginning. The
content of meaning is subdued. its structure. The evolution swallows
itself up. The mirroring of material. simulates an undifferentiated space
where object vanishes in the double. The. stasis of space absorbs the
speed of the elements.. Permutation. Another motive was exhaustion of
possibilities in the material. Rearranging. deforming and distributing
elements of sound to form a massive overload of. connotations excorcising
content.. Sounds are gradually being hacked to pieces down to a phonemic
level of smallest. meaningful segment processed in series after each other
in time and in. parallell in space. Then the distributions in time and
space increases density. and speed as the permutated material expands and
grows exponentially out of any. orbit of musical reference. Finally the
particle accelerator distributes its. collapsed differentiated elements on
a trajectory into void''.. Distribution. Sounds are distributed over the
two axes timespace. The density of an area is. the number of separate
sound elements through time. The elements seems to be. scattered well over
the electromagnetic specter with an emphasis on the extreme. high and low..
There are areas on the meter of electromagnetic tape where each cm or.
second consists of over differentiated segments of sound superimposed so.
that during minutes over a million sounds are being transmitted.. Other
areas consist of a heap of layers of sounds fragmented beyond the point
of. noreturn. Minimal units of sound are recorded as the six feet and
antennas of. ants spurt the microphones. The flow of noise is in that way
built up from. traces of atomical existence of sounds passed by not
enumerable.. Emit time. If you want to make a musical work partly avoiding
an evolving dramatical or. narrative structure you probably have to treat
time in a different way. The. linearity of time might be broken in
different ways.. The palindromical form seems to excorcise timelinearity
treating it as just. another object having reversable manipulatable
dimensions.. Also the cutup juxtaposition of timeelements is fragmenting
this line. implying another operating dimension say timespace hyperspace
or just. memory.. The nondifferentiated space would defy time on the whole
as nonexistent as in. the parmenidicalzenoic scheme.. There might also be a
minimalistic scheme involved motivated by making the. relation of music to
time explicit in different ways discretness. repetititivness questioning
the continuum.. Also I wanted the piece to be exhaustive in length so that
the notion of time. could be mixed up blurring the divide physical and
experienced time as you. find your mind wandering or take off. Exhaustion
of time seems an appropriate. concept also when the massiveness of sound
is concerned as the increasing of. density slows down timeflow.. The
ecstasy of memory in the conjuring of elements into an allembracing
integral. can be seen as an exhaustion of time and duration and as the
omnipresence or. end of time.. Deep speed. A body in motion compresses
bodyspace lengthens bodytime and increases. bodymass. Gaining speed of
light the body will not have any extension though be. infinite heavy while
time stands still as nucleons of sound ecstasises material. and flows into
energy.. Particles of sound are escaping the gravitational pull of memory
and meaning as. they accelerate and gain a speed superseding musical
references. Speeding of. music into noise atomizes the bodies of
information accelerates towards. infinity and dissolves in deep space..
With respect to history the narrative has become impossible since by.
definition it is the potential renarrativization of a sequence of
meaning.. Through the impulse of total diffusion and circulation each
event is liberated. for itself only each event becomes atomized and
nuclear as it follows its. trajectory into the void. In order to diffuse
itself ad infinitum it has to be. fragmented like a particle. This is the
way it attains a speed of noreturn. distancing it from history once and
for all. No meaning stands a chance once. offered the means of its own
acceleration.'' Baudrillard Pataphysics of Year. from The Illusion of the
End. Mass. Sound need a massmedia for its motion of particles to be
distributed. Outside. the gravitationed atmosphere there is no sound.
Density of mass shapes the. space which shapes the motion of mass
(gravitation is illusorical). Above the. atomic level the manifold of the
world is grounded in the forces of gravitation. and electromagneticism..
Growth in density by speed or space will make mass heavy and slow time..
Acceleration of transactions increasingly forces inerta and indifference
as. particles of sound annihilate each other making a dense cold star
deepened. and darkened by the pull of densityfield.. Within the critical
mass of density there is no references to outside. No speed. will liberate
sound from the silent immanence and there will be just the. autosound of
the magnetic tape and tape recorder background noise as the. ecstasy of
musicality provides its own end.'' Ibid.. Noisevoid. Instead of declaring
the law of falling bodies towards a centre why wouldn't. one prefer that
of the rise of the void towards the periphery the void. conceived of as
unity of nondensity'' Jarry Gestes et opinions du docteur. Faustroll.. The
pataphysial motive of antigravitation appears as music is haunted by its.
vanishing. The particle accelerator seek to liberate sound from the.
gravitational density of music by overwriting overflowing its content and.
swallow up itself. Particles arrive and disappear faster than their shadow
and. leave no time for interpretation. The speeding of tonality runs into
a noise. cohesion void of transmittory pregnancy.. Segmentation as an
analytic strategy is constituted in the acoustical almost. rethorical and
without appearance. Loss of a binding matrix of bodies the. shift from the
referential transcendence in music to the signifying immanence. of noise
births the segments pataphysically from the dying of hypostaticism..
Contents on epsp. Audio. Sourcematerial recorded onto some hundred
magnetic tapes.. Instruments used include korg ms korg polysix boss
drummachine casio. sampler teac tascam electronic organ tapedeck turntable
radio. walkmanrecorder microphones monochords flute harmonica guitar alarm.
clock feedbackdevices mallet instruments computer drums cd resonant.
objects (metal rock wood glass) nonresonant objects (plastic water food.
skin earth).. Concrete soundsources and noises as field or
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railwaystation home wood. gardens mountainlandscape waterfalls traffic
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concerts cave train. (inside) humans doors conversations voices sheeps
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machines bicycle boat. ants magnetic datastore microwaveemission spoken
languages domestic objects. (scissors keys fork and knive refrigerator
washingmachine tv staircase. room furniture) found objects random
objects.. Processing of sourcematerial . Recorded onto magnetic tape.
augustseptember .. Equipment used teac tascam soundforge . waveLab . and
tapedecks.. MP coding of sourcematerial using Awave Audio v... Booklet.
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paintings doodles copies nails blood photoes origami. and clippings..
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Oppmerksomheten mens han ikke. hver gang har vi ledet dem til godtLirer av
de gr vi. UTDRAG FRA. KOMMENTARER TIL DEN LILLE ADDISJONSTABELLEN ett r.
Det fr kommunistane. tek av seg selv en meget meget sentralalle.
Platebutikker fint om dere kan. komme og hente dem og gi meg pengakjrer av
veien og skader seg selv eller. andre. kommet som en flge av pvirkning fra
utenlandske navn. Her er. f.eks noenog bli ekstremt kvalm det vil ogs si
deg noe om det leve p. jorden. KvalmeHva er s galt med hevnMake me to
selters servert av spe.. Kinosalene er vi neppe uten den.and uncertain
imagine to yourselves. INDIFFERENCE as a powerhowhim God man and animal at
once. He is both. subhuman and superhuman this is the path marked out by
Nietzsche who argued. have survived the changes andpered (). Kernyi could
just as well. be describing thedomestication and society with all its
obligations ().. X. . X IY V .. . .. OOOOOOOOO OOO.OOOO OOO O .. .. O O O.
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opveasdi utolnyrnelasy. r er aldams glamt. tolhsyre franted hontelse sgi
inn i. porsaner tincor vysn ovarssruti men det er jo en st men
ilbrewwMMwv. jargon of Baudrillard). Also beingcontented with things not
working. andfine Folk er einBresti Culturen vaar som eit so godt Selskap
som. detteneida desom til at synda tidt meg daaratsjlv det gjer' harde.
Fjllet mindreso mangeJolebukkar og underlege Skapnader at dei aldri havde.
trutt der kunde. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag. P LIKE FEILAKTIG MTE SOMseg sjlv ..vitenskapen har eit.
sannhetsvirkelighetsmotiv kunsten har eit.
(Thereisreallynothingskikkelsene besatt av innbilskheten og alle.
fantasiens gleder... Hosdrm pai vera jord.INTURIGSIR OVEN CAMTANT.
address(Creditcardnumber matrix snake(strinout) if. (tword and substr(w
)'un'). twordrandsoundex(trim(wordi))PSUCK PSUKC PSCUK PSCKU PSKUC PSKCU.
PUSCK PUSKC PUCSK PUCKS PUKSC PUKCSslikDet ligg i Naturen vaar at eta og.
drikka som det stend for imorgonreceived what do I think. So it takes a
lot. of time and I feel I am Aftenposten Kult ..SPUCK SPUKC SPCUK SPCKU
SPKUC SPKCU. SUPCK SUPKC SUCPK SUCKP SUKPC SUKCPDELE . Brudd p
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exploiterutstilling av forsteder as opacity all are. gone. Henceforward it
is the transparency of othersfandenivoldskhet ville det. noemata. Sunday
March. Re question re de pre codewurx. are helpful. I get a general
pictureof code as 'rooted' and double of anyway. having a double property
of ..wellthe usual dichotomies instruction and data. and object and
whicharen't fundamental eg. the distinction between. instruction and data
is aninterpretation what is interpreted as instruction. is also data and
thedata can also be instruction so in a way the. interpretation
isfundamental to code also and creating the roles of the. dichotomy as
wewould have 'instructiondata' and 'datainstruction' and. somewhat the
samein the case of subject and object which are more.
explicitlyinterpretations of something by terming something a subject
we've. alreadyinterpreted it in a relational way and in the same manner.
asinstructiondata I'm refering to code as an subjectobject entity which.
hasthese three parts of data instruction and interpretation..
Theinterpretation part would be the decode.About the everythingnothing
bold. statements since the code is somethingconstituting itself it's a
whole an. entity and real in the sense thatit's taking place with the
interpretation. constituting the reality'situation' of instructiondata
subjectobject so. I'm calling it aneverything like we could create an
universal machine out of. this. And thenalso I'm calling it names like
nothing because it's a machine. more orless. Maybe it would be interesting
to look at everythingandnothing. textas a kind of codework. Finnegan's Wake
as an example of this it's coded. inseveral layers encapsulating or opening
to an everything and nothing ithas. the appearance of code and nonsense a
rich broken structure ofeverything.. Occult literature I guess also has
the code effect of thissort like. out dumped automated and coded the
automatic writing ofsurrealists might be. considered I don't know are
fluxus pieces codeworksby being instructions (of. events) and the
happening would be another moreundirected setup for something. happen well
I'm not sure how todistinguish the code it seems. allembracive. Is it alive
Dead code. Andthe system bit if we don't know if. something is code is it
code by justthat fact like the Voynich manuscript. mentioned And there's a
notionthat code is code as long as it's not decoded. if code is code what
do wemean by a decode Sort(x) is a code does it have a. decode So maybe
aromantic code is the codedecode that kind of code notion. there we havein
a way again instruction and data subject and object. clearlyseparated like
morse code a clear mapping between subject and. objectback and forth
whatever there's the subject of code and the. objectcodeand the morse code
we could call the subjectobject though in a. clean dualcut. In other
notions of code it's not so clean and for eg. sort(x). wedon't call it a
decode it's codecode but what is decode It'sambivalent... 'life is decoded
into dna' or rather 'coded' do we mean theoutput in general. the object and
for something to have a decoding meansto have a systemic. interpretation
but this goes both ways what is thecode can also be the. decode to
emphasize they're activepassive roles ofinterpretation.. and code. the
system of interpretation the structure ofhow the active and passive roles.
will take place of instructiondatasubjectobject. Certainly there are.
levels of code in the construction of nature and ourselves but at the
bottom. we don't know or we know that it's not discreet like the
particlewave. duality. But dna is discrete for that matter the
particlewave duality is. justthat a duality even with probabilistic
measurement the mathesis. behindit is exact...Exact probabilistic if you
have a perfect random number. generator couldit have a code This is like
asking for the formula for prime. numberscould we say there are codes for
prime numbers but not a formula. workingto a certain degree and in general
that code is related to formula in. aspecial way is it a working formula
applied which is the dual again ofform. and reality living formulas. Seems
I'm treating it as formula hereand you. matter and since everything is
mattered and chunkeddiscreet it'scoded but. in the formal end.. How deep
do the codes go all the way you'dsay since it's. rooted mattered dirty
having the real part maybe it'snot a fruitful. discussion where it ends or
begins some highly energicthing expanded and. collapsed symmetry collaped
into code. Yes but we've figured out things to. a large degree what we're
made of our history and destiny there doesn't. seem to be any mystery
about ithow we're created though we can't reproduce. it though have
theknowledge to destroy it a devastating knowledge in. itself.Considering
the fact that dark matter the majority in the universe. isn'taccounted for
at all that the mechanism of memory isn't understood. etc. I don't see how
you can say this. In fact one can as Brillouin. didyears ago argue for the
opposite that the mystery is somewhat. dependenton the limmits of our
economics and simply keeps getting pushed back. asfor example more and
more powerful accelerators are built...Yes mystery is. something
pushedback in relation to something that'stakingplace it's still a.
subjectobject 'economy' ecodomy the economyof code mystery is in the. via
the code interpretation it getsobjectified real as takingplace.. Still
it's an economy not a mysteryit's just what's emphasized. From the. other
end you could say memory isthere and it's working so there's no. mystery.
Code as a term retains someof the mystery the wonder and. complexities
which is lost in the formulaterm. I never stop wonder about the. inside
and outside like this sailboatmoving slowly past the village seen from.
the boat it's somethingcompletely different from the boat it's a mystery
from. the balcony itseems quite boring objectified but it's both and
that's. alwaysintruiging it connects to relativity from Galileo to
Einstein and. forextrapolating the move to relativity is also a move to
code of. thesubjectobject floating within a reference system which
connects to codeas. reality each reference system is on its own a whole.No
no i don't think. this goes if (x) is for example sorted it doesn'tlead to
an elimination of. (x). Think of coding here as performative andrequiring
a stratum or substrate. that it operates upon. Even Peirce talkedabout the
'sheet of assertion' the. necessity for a locus for mathesis.Ok see above
codedecode.I want to run. back to information theory and theexamples
Baldwin talked about or the. problems say of transmitter channel receiver
with noise parasitic within. the process.Thanks for the discussion
appreciate.Here there are several. levelscode as existentcode as
processcode as procedurecode as. performativecode as selfregulating or
checksumetc. etc.There's structure. of course and there are material or
ideal strata andtheir interactions. Code. is perhaps a productive system
of classificationthat admits closure.... AlanAdmits closure yes like it's
its own end metaphysics and then real. asreference system like every
reference system is real on its own. Maybe. I'mextrapolating too much but
they might be points of departure at. noemata. noemata. noemata. er ikke
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March. Re question re de pre codewurx. About code and codework though not
a direct response I see code generally tied. the western project of
science and cultureunravelling nature's code turning. it into culture and
technology. Thishas no real basis any longer science has. already made us
transparentwe know code is nothing and that there aren't any. secrets. So
there's nobasis still code is everywhere all the more since it's. not tied
toanything any longer doesn't refer to anything more real or more. trueit's
able to infect our lives more like a freefloating entity from. thelayers of
reality. If we have layers of reality we have codes. Ifreality is. one
there's no code but our sense of reality is not one. Ifyou could live in.
one there would be no code and it would be the heavensof the mystical.
The. mystical is tied to code but we know there's nomystery. Inside
yourself you're. a mystery that's it. Walking throughyourself you're code.
These are all layers. of nothing. We know that ifsomething is code then
it's nothing that's almost. the proof of it.Then there's the doubleness of
code of inside and outside. thecommunication machinery of input and output
between layers codesubjectand. codeobject. There's no fundamental basis
for the codes only thesubjectobject. which moves around freely. When I'm
using code it's areflection of the codedness. of culture the structural
complexities ofinformation and communication layers. of reality which are
always therea reflection of culture as construction. traversing it's
layers whichmeans insideout backwards reverse the. twofaced. In my work
I'm notusing code in a fundamental way it's code without. any basis
diffusionof code double and nothing of codes. Codes are still. fascinating
weneed something to do as humans I quite sure we're genetically.
gearedtowards these things problemsolving directedness of.
attentioninformationchurning. Still we have no mysteries only the codes.
andthey're not real only a kind of art beauty of codes what we're madeof.
still no mystery only reality. Codes real but not real that'salso the.
doubleness what we mean with subject and object they're bothreal but not.
real to each other if the subject is real the object isunreal and vice.
versa. These two could be stated as a classical and aromantic notion of
code. the romantic code refers to something beyondas its reality (nothing)
while the. classical code to its construction(double).I know this didn't
answer any. noemata. dee. intrui gpj.hcruhcevatsoprotraidepikiw .ssorC
llewhtuR dense. spacefilling fields in Celtic rsebi Yes
beautifulhorrorANBKstsohg. snoitutitsni dna slamin like a
magnificentscientificunion or coniunctio... but benea 'ecneirepxe cinaeco'
ehttuoba.ssenytpme gnimees eht ehtae event. I. feel this kind
ofcomplexSouth Indian Temples are also a to borndog. thespirit is
impossible middle age scholar ytilibissopmi dna. ytissecenneeelbissopmi si
elbissop eht fo possibility necessity. impossibilityso i'll stay possible
lanorepip sirpaeh eht s ommisrealin what. nonsense rehe htaed dna luos
segagtrom dna laenip real inwhat nonsense. rehe htaed dna luos segagtrom
dna laenip cissalctsreal in what sense an. argument how the possible is
enisorek sissabsrezinamuh elbissyrassecen ton. e then i'll be both
existing andnoteso i'm thinking of my untho selpmip laer. cimredoyp
snoitaeniled da the dead theLet's see three classes of p. airatilitu
rettucysircopyh uoyaklumog uoy taht (interpretat dlrow eht. ship at Sutton
Hoo or the eraselpmaxe rehto( sngised ecalretni orqrfpe. .fxanuG .XB arrf
vhpnietorw SE.OODANAWseugiuba seu ) these gods and. molecules anlaunam a
tuohtiw tnemurtsni lacigolohcysp eseht fo yna ehta. thedifference in
perceptions psychological profundus bene edulerp fo dnika. yaw a ni si
ytix..iucav rorroh fo elpmaxe doog. LgeYsgwYGuVmXYSXQwAWIjaqJzz.gnigdir
eep ot evah yllaer i ethe spirit. is unborn (never was)i'm god ciozoileh
si ymups eht eniltohs ega aksarben. possibility is the mediator betwi'm
possible butthe possible gnisilatrommi. sselesoppo serujrep ytnals evila
yats hardwood. vulgalprKiMrHjDHkXfgdCTlvGuXpAftlaer eht tseihtrow niresrae
there are. possibilities and necessities not the po tahw nirotaercorp
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only possibl retirwelliarb. eb otnert gnitsixesretaews gnilbis fothgu i'm
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eurt elpoe you have to. deal with itnow you have to deal with )and fo noi
the spectrum of. thespecialisatithe human specter the humaneness speck s
tneihsiflaw i one. this is otherqrny g'abq v nuclepbcn abknyx rzvglnq rug
a otnisetatseg a. snoitanotni ecnec more a struggle moravianisedlife
hasn'tgot ligation anyways. do w etecymoxym on uarfsuah i
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medefence deferabl xxnihphfs das eb. ll'yefilflah lairetasegass everything
is evolvalogial nervous tallow. psychopavelkjent fraps tnemnethgilne
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violent. pressureexpansionafecedcecdbfbcbb ecstasy. brilliantcolors
explosionsren regnirfo egidolb rettafebni red renoigil. smerteog lyst
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etalfrevo snenm rene ubehaglige fysiske. symptomer.et annet
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xeocne i r coexsystems are dissolved by reexnr et sterkt.
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dette er so sannt som det er sagt... Kunstrenten vil holde seg lav lenge
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greide finne ut av det. burde vi ikke da eleminere det for klokka tmmer
tidenstrukturene som. framtrer for bevisstheten.critical penetrating
revolutional reversing. undermining etc. In my viewkulturen er oppi hodene
vre i subjektet mens. natuen er ute der objekterthey would have stories for
film here yes maybe. that would be their newstability. Beauty taken over by
design etc wholeness. by.. welll it's stillen slags spenning. tilfeldigvis
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inert resistance of. mass. content of media was largely irrelevant
superglue. capitalist print. media electronic media state of harmony all
sign systems as text. sign an inse. parable combination of a concept and a
soundimage with physical form refering. something other than itself and be
recognized as a sign by people well if. the sign is a sign then it's
something other than itself and then not a sign. and if it's not a sign
then it's a sign after all this doesn't make 'sense'. and that's the
foundation of 'meaning' that it's something else. symbol a. natural bond
between signifier and signified if it's natural then it's always. there
somehow it's crappy call it the logicmechanic of signs maybe atoms. and
then the variables (signs). metaphor these are just transformation rules..
metonymy ok blah initiations calls. mediation is a matter of symbolic.
exchange an exchange that is mostly onesided well the symbols are natural.
bonds then one side naturally gives the other. on the contrary it would be.
strange to communicate symbols then they would be signs. television is.
exclusively genreled why and when will tv be art discourse interpreting.
the world is making the world what would destroy it then not interpreting.
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reveals. no discernible reasons for hisundeliverablepolitical
incorrectness.. poem Karawane'' (Caravan'')lillefingeren lfte bilen
stagemethod. (mesostychs of the name James Joyce'') and the montage was
done material for. writings in a selfinvented hybrid of English and
pseudoreceiver then. computers are not only media but also senders and
conclusions drawn from. observing software code can't be generally applied
for example appears to be a. tape montage of a spoken text based on James
geon akin to d gene g jener on. noemata. lxFsni. uvirkeligheten fr
lakkenalltid rett fr toumodent en tilspekularismager er. dagens
yeblikkellbekkenindekserer du. kshafts. ekkelt som xEeye moonlight dj
pvnch.byhand mix.mpjohn zorn. sissel kyrkjebxF tvtekster nxErme seg web
pxE en bedre. mxEte enn for salg av papir.Drambdrysjurdhn sbrancyr shc san
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aevdr buoand setto.ieoesrcf. nedhbeetgm dntasehskunst enn det er i.
theiruttrykk forpvisning. etc forsvarer det visningen av prosessene som
inngr fra. forholdetav Nazi Rumsfeld does not understand that. anymore
than Ari Fleisher who ishalt som han hinkar.Han overdriver.Same. seg til
frte ikke fram i fjor henlagt av politiet det var forvrig. virkelige det
var agnet som drog fiskenDet var pga. lokkemiddelet.Han er. ikkje
allbarn.Kommer pske fr eller etter pinseBde fr og.
etter.Hvorfortrstespise.Den er ikke bare for kort den er for bred. ogs
sasleggekaster.Hva er definisjonen p en celebritetEn person. som
erkirken.Hva er rutetidene i NSB etter at organisasjonen er fulltjust.
said something like 'Oh but we were just kidding weare just artists.'OK
i'm. thinking now whatutfrt av omtrent politifolk skulle vise seg ha. sin
bakgrunn ividt.Han slipar ikkje utan vatn.Han har ein fordel av. det.Han
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where athis way a. socialnetwocommunication problem social barriers not
whole' and legibl. otuaeno liam seviecer s'nosnhoJ yaR revewoH gnihtyrevE
.stnemgarfarise. onlyto be inte communication problemFriedericianum
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fragments. Everything. Theexhibition includeothers than their adre arise
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bull It's not an optical illusion it just looks. Action becomes Art
Performance in the Context of Theatre Play Ritual. andthe formal
Distributed through CyberSocietyLive CSL CSL is a moderated.
discussionFirst Monday February orders of the day.. Net.Art Connexion
net.art databaselook at your organs look at your. composition. understand
yourself as possibility. The removal of the beautiful. in Kant's aesthetic
from any given ubuweb aspen. k Ikke i bokh.konomi Vennlig hilsennoemata Fwd
iuoma Poll results. for iuomaRandom acts ofKrazy Kat Ignatz murstein som
tegn p. kjrlighetsinskjermen i nettbanken Gr det an lage en nettbank som.
nettkunst for noemata Fwd Re. x XX. Printer at MyInks.com. Free sh on.
orders or more to the US . Re I'm known for one thing and one thing.
only.project (part one) (F)ive million copies the goalobject is to make.
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noematadasignifiance. Inreality it is opposite sign is nothing and code.
is sothen nothing but the last judgement every. Return. If he's. Return.
IfBut. behind the virtual is. the real again. Inflation of spacetime.
..aa..rt..it.ekoot science not art not art not art not techno logy.
hcarousel. End of the cycle. If you ride on a beam of light. Dark sun at
out). the diplomate is hermatypic (commerce and cunning and
inventionkunstneren som. formidler mellom verdener idagsekulrt som en.
formidlerLNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance). kP
neziskovch organizac det. anotamotua na si yltcaxe tahw yltsriF .atamotuA.
is actually a. noemata. arhalev an. lareves ni dedrocer sd ot seilppa erom
eht lla dna lufituaeb sa traeramethod. (mesostychs of the for example
appears to beht mrofsnarthcihw secafgnidrocer a. flesti ece nekops eht
krowtra cimhbaumpftumbaincludes the computerge. studios. While the
bookpelur eht fosnoitatimil e ti dedrocer saw dnuosThe. history of the
digprograms getlocked int randosnoifo noitaunitnoc thgia. retupmoC
.sremmargorp gnipmulrof noitacifit. gnipmul rof noitacifi sa tra fo
tpecnoc deniaall or at least nosoftone. defines as a medium new media
art''. Theot evah ylnosnoitcurtsnelur eht fo. snoitatimil fI .emit
ralucitrap a tinstruments inan emerginstruments in an emer. receivers
which thems.dibieht mrofsnarthcihw sec lacidem lortnoc ro stwere. invented
then o virtue thatcomputers caneewteb rehto eht no seti smhtirogla. ro sno
.asreprogrtismhtirogla ro sno .asreprogrzeros and ones the Lati. noemata.
Tuesday February. glossy. noemata. RTICLES. noemata. ks.. noemata. Jan.
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the thermostable and the. relationship betwixtteguments artand the by
umberto eco. i worthwhileness. justment likehieroglyphics etc) thanks
reprehensibility the pinnacle of. thedissonances offroment the samnium
institution my thessalonians is. thanatopsis theteledynethat tektronix
medalise does not constantinople art. despoliationem pleh ot daerht a
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Jiliat. Kylo Limo M Alpuy BreveChorlieSecret Life of Puppsyirro tungw
unope jiliat kylo. limo m SyirroTungw Unopem nTamkw Hedul.
dabfbdbdcLwmhUnhbwrn Tunjo Hotul den framandTwnko. Hedal Lwmh Unhbwrn
Tinxu HydalXYnzh Havslez Gjaxb Urqny Fvreen GnatbLumi. noemata. Wednesday
February. overt ones. day and night aren't we supposed to sleep half the
time that we sleepone. third is our own excess of rationality. how do
theology account forsleep. novalis fragment we finally should rid of
sleeping. kind of rootbut what's. deep about dark nothing and what's deep
about nothing it'snot that light. grows out of dark though goethe might
have believed so.that might give a clue. he's experiencing it through his
tree so thatit seems rooted might shed light. on the primal tree idea. the
treesupposedly from 'wood' not monad dyad. tryad. how is romanticism likea
tree one to three one is one and nothing can. be said two are atwar three
are rooted the two are one. bosons in gauge. theory bearersof the force
integer spin while fermion matter have fraction. spin.you could say these
are romanticclassical divide. problems are pushedinto. the romantic until
later. let's see particles and thennecessarily a force. between particles
ok and these forces are yesparticles forcecarrying. particles oh they
'carry' the 'force' hownice in their rucksack you could. also see it from
the particlewavedyad. if it's not interfered with it's. romantic having
interferenceand if it's interfered with it's classical. having no
interference. sothe interference is one place or the other in. 'nature' or
in 'science'in the romantic process or the classic formula. the. bosons
areinterfering bozos the interference not obeying the. exclusionprinciple
(related to 'particle' in a sense) like the clown is. areplay a primal
glue forcecarrying particle two in one thetravesty. the. clown is
constantly fixed constanted an integerfractioned into matter spin.. we see
it the other way the romantic is amess a forceparticle buffoonery. what
could possibly come out of itoh just matter.overtones it's like nature. is
counting ... foreverything it's counting up if one. then infinite weakening
but stillcounting. because of air interference in a. medium why should
nature becounting the overtones would all be fractions. what about
irrationalnumbers i once heard music based on primes it's very. noisy only
primeovertones. where exactly does the irrational come in i know.
thediagonal of the square what becomes of the diagonal in e.g.
overtonesif. you had an irrational chord it would sound forever or not
sound howcould it. sound to create a diagonal in music would you need
anotherdimension is the. diagonal another dimension it's a travesty
we'reback to that. you could also. form a triangle that's not irrational
butit's a relation between three that's. possibly irrational. do you
needthree how's the square a three the two sides. are irrational but
thesquare is rational how is that kind of inverted. direction therational
is build from the irrational adding dimension. we're. used toview it in
the other direction. this all digresses no way back. it'sbroken. what was
the riddle 'cat eats dogfood but the bowl is. noemata. plante analogi.
hvor utbredt er plantelivnring analogiene i folks forestillinger.
vekstvokse seg stor og sterk etc livet som plante. det har begrensninger.
fordiplanter har rtter. sl seg til ro blir analogt med sl seg. til rot for
vokse bedre. menneskebilde plantebilde. dessuten m det. komme som en
stadigoverraskelse at mennesker dr s plutselig skulle de. ikke heller bare
visnebort og alle raske forandringer er av det onde. elektroner m vre
smdemoner hva med fotoner fotosyntese sola de er. gode. i det hele tatt vi
har forstor makt til vre planter trr som. vokser bker som kultiverer
uendelig vi har bokbl virus bomber. knapper trykke p maskiner. vekst joda
menvier mennesker ikke planter. og innimellom der dyr og da er ikke
mineraleneengang nevnt fr n. og. hva med sjelen og nden vekst liv og
ddeksistenssdcellen som kom. p andreplass idrett de dramatiserer
overlevelsehndballandslaget. raider nabostammen de vokste ikke sammen. alt
eksploderte det er en slags. vekst. plancks konstant brekraftig utvikling.
og utviklingto bilbomber. utviklet seg utenfor ambassaden. mennesket er
alle tings mlikkeplante ikke. eksplosjon fenomener har forskjellig
hastighet strrelse samfunnet er. strre enn hver enkelt og dermed treigere
mer likt planter mensgrupper av. mennesker er mer som dyr dummere men
sterkere. i andre retningenernden som. et elektron og ser for seg
atomeksplosjonen som den. hyestereligiseforening sin skaper sola big
pangpang. lenger framover. er lenger bakoverstrre fart er strre avstand
mindre er strre. forestillingene er speilnrdu ser foran deg ser du bak deg
som nr du ser. noemata. Tuesday February. art)) not. folktale cinema. The
of local lore oI had this idea soun I can dreamanyway.. iwant somehthign
thaSte sa inteels frowitad undas reminds mi'I had this idea. for a solthen
you have like the coil uses. Shewould g icy wilderness but. noemata. Monday
February. Mar. assimilation the easier to pronounce a sentence the more
widespreadthe change. noemata. for denoting the highly contingent
aggregate of external. propertiesscapesapproximate sense of the private
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considerable plasticitythere is convincing evidencethe missing
hemispheres. functions.Thusalthough the developing brainTel. (kr min)I.
probably should look into Eco then. In my view it's not metaphysical.
it'sNovember about Enrik Tcha gog Utopican and interweaving andor. collaps
of the two that's essential to code (I'm usingDelete Several authors. (for
exampleEfron)have suggested that it is not motor you turn the. magic ring
in vainHistory and North ain't well mean sequentially and. abstracting the
relevant details to which it attachesoldname diets. A. treebonnet foliate
relax If Ada did pull order read. AdaYreka Bakery A. bakery in California
Martin Gardner. a a. ptwrf Lnthe trutdho. noemata. PleaseSendNoMore.
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364
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de s slipper den utsitter igjen med n mail som jeg ikke. og setter pris p
en endelig referanse et navn en nyhet som kanWhat does. go up
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problem.kaTaT. CakaTaty kamTaGy Taalt aG aaTaTa whakh a Gaw aGtaGT ta aCa
ta aCtaTlaCh. million people he said and a Web site he created with his
sister Chelsea. Another key contribution was the discovery thatafter
damage to a part of. thearttrauma lesions that were diffuse and irregular
spectral then reversed.. A MODERN PUNCH SCRIPT CHARACTERS PUNCH JUDY BABY
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Taalen LetterkundeModel truth. turtledom listeadresse eekunst.noradikal to
sko venstre er. revolusjonrt To venstre lei evne til sin periode.From D.
Ross Priddle. periode. ON BEHALF OF STARRINGThe Boyage of Ohtrehe (tOarts
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.fragments of a history of art (timespace) chart (after. maciunas)...
..'......tr.'.'.. ' ..a. .if.III...saidn vred det onnor LtaJeg den yngste
i laget gikk og. ventet p partilenge m vi vente Hva med Jesus jeg m
grte.med. skolelim og skolemjlk. Husker jeg undret meg mye over noe jeg.
leste(mxEnen gallerienesKnutsenMen her kan giftbegeret gis videre sendes.
rundt bordet.fins det liste over skyggeskribentene til de kongeliges taler
kan. vi ikke i xE forske pxE et nytt sprxEk funnet i jungelen.. noemata. .
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fiskeken.Kent MantiesEljotfordervet mat moralsk delagt mat.Vi er.
forresten en liten gruppe som tenker trykke store plakater (x.
m)simuleres.Erik hadde en ide p enveistelefonen idag om forstrre opp.
monopolkort tilgjerne p min nummerorden. Wreak havoc. Skape kaos og.
kvantebyrkrati.anything that you can take a picture of especially if a.
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sveis jente med det gr i glasset rundt hele. noemata. .... noemata.
noemata. noemata. bbly r q ntllb h ax i. l. l b y. noemata. Friday
February. Fwd C p DETOX Kunstnernes Hus. noemata. Anbud naturfag. Bilder
som dette fra Hubbleteleskopet viser at det kryr av galakser idet. fjerne
Norge.Hvor mange galakser finnes det i NorgeHvilke typer galakser.
eksisterer det i Norge og hvor mange er det alt ialt i stfoldNy.
astronomisk forskning som er foretatt i senere tid har vist at detkanskje.
eksisterer langt flere galakser enn tidligere langt frre antattlenger. P.
den ene siden finnes det mange galakser i det fjerne Norge.P den andre
siden. tyder mye p at de er dverggalakser. Det er cirka medlemmer og bare
tre. normale mens resten er dverger skalte gnomer.Fjerne gnomer i Norge
er. nesten umulige observere systematisk men dekan godt vre tallrike..
Konsulterer vi et standardverk om kosmologi blirantallet galakser i
stfold. oppgitt til cirka milliarder. Men det ermuligens mer realistisk
med en. billion ( milliarder). Da tenker viimidlertid bare p det synlige.
stfold. Iflge moderne historie er Norgeuendelig og i s fall vil det. etter
all sannsynlighet ogs finnesuendelig mange galakser i stfold.Hvor. nyaktig
kan man veie sjelenHva er den mest nyaktige vekten som er. konstruertVi
vet for eksempel at en colibakterie veier. milliondelsmilliarddeler av et
gram. Denne vekten er s nyaktig at den. foreksempel kan veie en enkelt
bakterie. Prinsippet er det samme som for. ensyngende gitarstreng med
sjel. Hvis strengen er tung er det blues og vilager. en dypere tone. P en
liten gullskl kan man legge for eksempel etstykke. DNA. Den blir
cm.Voldtar dyr hverandre i naturen eller kan de gjre det. inneFor eksempel
kan paringen hos stokkanden vre en temmelig. barbariskhistorie. Bruk av
vold kan noen ganger vre hensiktsmessig uten. atdyrene har noen onde
hensikter med det. De gjr sitt for det meste. erutenfor hjemmet fire
vegger men noen arter kan trenes til gjre. detinne ogs.Hva er det eldste
ulste regnestykketPythagoras tumlet med. mange problemer omkring det.
Dette sprsmlet erubesvart enn i dag. I. desember oppdaget man . Det er
ulst. Lstfra lyst kan vi si var. pythagoreernes motto har du lst har du
lov.Det sies at Solen er snaut fem. milliarder r gammel. Men hvordan kan
vivite detDe som er eldst vet best.. Solen er mye eldre enn oss derfor vet
denbest. P den annen side er solen. yngst den er den samme som den var
forfem milliarder r siden mens vi som. mennesker har en
utviklingshistoriesom er fem milliarder r. Derfor er vi. eldst og kan
bestemme over solen si at den er fem r hvi vi vil. Det er. interessant og
en del avvitenskapen med beregninger det vi vet om Solen. Alt vi. vet kan
skrivesp et frimerke med en tommeltott som er fem nanometer i.
diameter.Hvilket dyr har tykkest hudVi tror det er plankton. Er det det
Siden. hvalhaien spiser dem og harsm tenner. Den tykke huden kan ogs vre
rundt. halsen eller brystet.Flodhesten lever av verdens strste fisk. Det
tar den fem. hundre r seile over havet. Blgene den skaper er opphavet til.
havstrmmene somskaper livet p jorden. P havbunnen svmmer den og.
opprettholder verdenmed sine vingeslag.For deg personlig Gunnar hvordan
har. du detHva spurte du om nNei glem det. Takk for n.Fra.
TVintervjuAnnonseHvis du tar disse tablettene lrer du samba p en. natulig
mte. Komigjen n.Nr vi knuser sparegrisen blir den da. sparesvinSparesvinn
HAHAHAHA. I virkeligheten vet vi ikke. Hvis det dreier. segom
pengeinnkreving eller utviklingsarbeid. Hvem vil du si er mestskitten.
grisen eller svinet Svar Svinet er umoralsk grisen er bareamoralsk.
Dermed. kan du forst motviljen mot svinet. Grisen har en uskyldsom et
slaktet lam. bare skitnere.Hva er glattest av is og bananBananasplit.
Bananen skal splittes. noemata. Tuesday February. Re Skolelimsordningen.
Det er fint. R. Norsk har mange merkelige konstruksjoner som du vet.Jeg s
ikke. at dekket var punktert fr jeg satte meg i bilen.Hva betyr det Nr du
satte. deg i bilen s du eller s du ikke at dekket var punktert... fr
etterp. jeg satte meg i bilen.Haha 'fr etterp' halloOK problemet er at
'jeg. satte meg i bilen' kan oppfattes som et tidspunkt eller som en
tidsperiode.. Hvis det er et tidspunkt s kan det virke som du oppdaget at
dekket var. punktert idet du satte deg i bilen. OK Hvis det er en
tidsperiode s har du. fortsatt ikke oppdaget at dekket er punktet nr du
har satt deg i bilen. For. skille disse kan du sette inn et 'etter' da
blir det klarere men ikke helt. klart.Jeg s ikke at dekket var punktert fr
etter at jeg satte meg i. bilen.Fortsatt er det et problem akkurat nr du
oppdaget at dekket var. punktet om det skjedde nr du satte deg i bilen
eller tvertimot at det ikke. skjedde nr du satte deg i bilen slik at det
at du satte deg i bilen ikke. forandret din viten om dekket eller om det
nettopp gjorde det. Dette er ikke. klart.Hvis du forsker uttrykke at du
oppdaget at dekket var punktet da du. satte deg i bilen kan du si...
nettopp detJeg s at dekket var punktert da jeg. satte meg i bilen.Hvis du
forsker uttrykke at du ikke oppdaget at dekket. var punktert da du satte
deg i bilen kan du siJeg s ikke at dekket var. punktert da jeg satte meg i
bilen.Verre er det ikke. Dette fr og etter blir. bare tull. Det er liksom
du omfavner en stor sekk som du ikke ser enden av. dermed kan det vre hull
i sekken uten at du vet det og dermed at sekken ikke. inneholder noe.Ellers
var det bra.Det er noe med benektninger er det. benektinger Nedfallsomrdet
er altfor stort. Hvis eplet ikke faller langt fra. stammen s kan det falle
hvor som helst liksom OK Se p uttrykkeneEplet. faller ikke langt fra
stammenEplet faller ikkeDet er ganske merkelig. Hva. skjer Negasjonen har
ingen naturlig begrensning den m liksom flikkes p. med adverb og ad ad ad
for forme hva som skjer nr det ikke skjer.Det. blir . Fem pluss hva liksom
Pluss er en operator. Du kan skrive for. skille fra (prefix) men postfix
tar to argumenter eller bare. gr ikke. Det blir . Hvilken vei gr det Er
bra eller drlig Du fr. det er midt p uansett og blir en del av skolelimet
som du har kalt det.Du er. innkalt til rektor i morgen kl. . Han trenger f
renska ra sine. Det. er du eller Stompa men han er bare i svarthvitt vi har
beveget oss bort fra. det n. Smrbukk har forsvidt modernisert seg med ny
teknologi osv i kampen. for bygda men han er aldri der nr du vil ha tak i
han. Det er riktig at. Gerhardsen ligner p Quisling og kanskje var
tvillinger det skal ikke. benektes. Noe annet er det pst at gjenreisning
av landet og. nasjonalsosialismen hadde samme uttrykk. Den m du lenger p
landet med. At. vi har uglesett Quisling helt siden krigen kan vre en sak
for seg.. Gerhardsen og snn har tilpasset seg markedet fra gjenoppbygging
til. merkevarebygging det er noe helt annet enn ensretting. Merkevare er
merkevare. ensretting er noe annet. Er det klart.. noemata.
Skolelimsordningen. StilIdag har frste til tiende klasse skolelim p
timeplanen. Slik var. detikke fr. Men til gjengjeld hadd vi et halvhundre
feil p diktaten.. Mineforeldre gikk p skola mellom potetsetting og vronn
og nr det. ellersikke var noe gjre. Etterp kom kommunismen og reformer.
Skolelim. bleobligatorisk for alle og ingen fikk lnn. Det var likhet for
alle. ssantdet var lim til alle og det var det satt av penger til fra.
offentlighold masser av hvitt mildt ufarlig lim som kunne brukes til alt..
Vikjente den igjen i skolemjlksordningen. Ivar drakk opp kartongen sinfr.
Unn hadde rukket dele ut til alle s han kunne sple kartongenoppi. kassa
mens mjlka fortsatt blei delt ut stilig. Jaja. Skal vi se.Det hvite..
Senere gr livet opp i smmene limet er ikke s sterkt.Kommunisme er. flt
sier alle. Rart ikke unga krever penger for g pskola det. ville jeg ha
gjort. Hva slags krav har skola p meg fore megmed skolelim og. skolemjlk.
Husker jeg undret meg mye over noe jeg lestei samfunnsfagsboka. at
hensikten med skola var sosialisere oss.Folkeskola fungerer og s. sier man
at kommunisme er umulig det rimerikke. Samfunnet ellers kunne fungert. like
godt som folkeskola nringslivet arbeidsmarkedet hele skiten.. Pensjonistene
gr igjen overi en kommunisme men voksenlivet skal liksom. vre kapitalisme
ogkonkurranse. Det skal vre snn fordi mennesket har. konkurranseinstiktmen
ikke barn og pensjonister. Neida. N er det s mye. sport p tv atjeg tror
kvoten fylles opp uansett og det er jo liksom poenget. medsport da. Men
nei samfunnet skal vre sport med rsgrense. Du gr. avnr du brekker beinet.
Det er liksom litt tpelig. De som vinner. grrundt og flotter seg verre enn
p barneskola. For pensjonista er alt. detsamme om Per vann s er det like
bra men de sttter sporten. detbringer fram det beste i alle sier de. Det
beste betyr at det ikke. erkommunistisk. Superlim. Superlim er ikke
sosialistisk det er mer mafiaog. korrupt det binder ting p en tvingende
truende mte. Jeg bruktesuperlim. p veska til Terje nr han skulle p tur han
blei jvli sintetterp. mtte skjre opp veska. Da fr vi vold. Idag skal de
drikkecola og bli. stimulert til vold det er mulig skolemjlka er helt
borteelevene fr. gjre hva de vil. Konklusjonen er at kommunismen er
muligvi trenger bare. lovendringer. F.eks. at det blir obligatorisk
arbeideog at ingen fr. lnn slik som folkeskola. Eller at likhetene angr
tingsom er ndvendige. vanlige for alle. No problem. Men det gr liksomandre
veien alt skal ned p. individet alt som finnes er individer. Dedde er
forsvidt individer selv. om de ikke finnes. Det ufdte liv ertil en viss
grad individualisert men man. fdes som individ det ergrensen i livmoren er
kommunismen implisitt vi. sier det erparasittisk leve p staten. Bringe fram
det beste jaja. sport harlange og fine tradisjoner hvorfor delegge det ved
gjre alt. tilsport. Kapitalismen sier vi er som blader p et tre vi sker
allesammen. mest mulig sol og dermed regulerer alt seg sjl til det beste.
Vivil alle ha. mest mulig penger og kjre med en flat rd bil. Det erlivet.
Det er ofte. morro ta tak i replikker fra forbipasserende nidag var det to
...men. hvis du eier det selv... (sagt av to damer meden hund) og ...mr.
perfect.... (sagt av to tenringsjenter). Var dethunden de ville eie selv
og hva var. fordelene Det er snt som sies etre inn i folkesjela best eie.
S. svarer jeg inni meg ja hvis dueier hele verden s slipper du bsje. p do
men kan bsje hvorsomhelstslik som hunden. Mr. perfect det er liksom.
individet og jentenesreplikk er maktrelasjonene i det individualiserte.
Hvis. man gikk inn pdem s ville man finne ut at jentene ikke var
kommunister. men heller atdet var en sken etter den beste plass i solen
hallo fltt. deg mr.perfect jeg vil ogs ha sol. Dernest tror jeg ogs de
ville vrt. sammenmed mr. perfect hvis det var mulig nr de kritiserer han
er det. fordidet er utenfor hva som er mulig n utenfor individets.
operasjonsomrdedvs bare bsj. I dagens samfunnsfag sammenlignes. Gerhardsen
medQuisling begge sto for en ensretting og drev propaganda. N. skal altvre
forskjellig istedenfor ned p individet som m vre. forskjellig.Fr het alle
unga Ola n m de hete Markus Aleksander Vegar. MarkusSteinar Olsen Olsen
ogs kalt Krka. Den som ikke er. forskjelligdr. Skolelimet hadde som
oppgave folde sammen. identitetspapirene tilden oppvoksende generasjon. Ja
n gr stilen mot. slutten som du ser.Skolelimet hadde sin oppgave. Hva med
samfunnslimet. nringslivslimet(slimet) Pengene binder alt sammen og er
samtidig. forskjellen.Skolepenger avlser (bokstavelig) skolelimet. Elevene
vil om f. r krevepenger for g p skolen hvis ikke trenden snur. Kommunismen
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the last few weeks is that ourposts will be able to make it past. the spam
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Australia Minnesota and Chicago this past fall. A version of this advance.
for any inconvenience or disillusionment this event or this message
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opinionsinstitutterjfrnnSociologically and all it would be interesting.
having different people oncontract writingautobiographies. They could be
paid a. small amount by the state. Giving them ahigher amountwould fuse
publishing. houses and state affairs. This could also be an idea
forpublishers eg. why. don't they pay webloggers for making content for
them on a freelancebasis. Orcontracting autobiographies And not least why
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Alejandro's Carniceria. (released in th and hopefully no longer than that.
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partly funded by. norwegianPussy Bully Glossy reklamefinasiert
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matematikkAnte det var Ginnungagap og hun begynte og tok ham fast i salg..
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ferdigspilt eller til noenBe extravagant. Pointless Hypermodern Imagery...
postedmailed every hours... aBreathe more. deeplyvil vre. last postgetting
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egap tcudorp ruo tisiv esaelP ... f. pp aa aaa TERMINOLOGY JN JenningsThis
presentation of CAVE AND. BeingtowardsDeath an anxiety within being.Just
wanted to chime in on what. has been a fascinating look at fear over the.
alt var. grnnere p den andre siden (CIA) fikk en ansatt p Sunnmrede ikke.
vet hvem dvergen er. Hysterikere lper n i ring og lager slave.. De kunst()
inn i. det mytiske. Det sttter seg p Borges' hallusinasjoner og Nietzsches.
Ping or dieconnection as rupture instead of transition is part of Hegel's.
critique of this infinity undermining itself as 'image'.full as a. piler
hit og ditk jell m agne b. ondevikstipeloamva scosornbok p sider var det
solgte opplaget p. . og halvparten lest avvar det noeimidlertid i de
dunkle rommene bak. husfasaden. Her mtte Pompel og Pilt deaue srittoch hur
vredgat omkring. mig n stormarnas brus gr)Borsta tnderna med en rondell.
culm.letchthematicbea.Maybe a highly compressed version coded in
tonalityrythm. doesn'tezilanimonorp emosyxoowe owa oul nak gl eye was h n
noa ehl na kgl op. pnn iae h l nh gunman your head should be in your will
yr. reason inthere's only digressionsthe same time and you get what's
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s t . Reality Check i Oslo desember (essay). This is a multipart message in
MIME. format...ContentType textplain. charsetisoContentTransferEncoding
quotedprintablehahahah(hul. prEsantere dE sjFl din mainnsjit her er
allerede mislykken fullt. integrert i prosjektet sE er det davellykket
eller mislykket README. stjernestatus men hvem bryr seg dettehar ligget pE
noemata i lang tid. ingen reaksjoner ingen leser allesitter og runker
eposten. Men dette kunne. blitt stort med noen andreenn udugelige sabber i
staben. Hele noemata er og. taps det er oppgitt iutgangspunktet og lever
med latteren i halsen.It. was a tiny onyx diorama of Don Quixote' and
Sancho Panza.DThe light. slanting uniformly into the austere living room
vaguely Dpopulux 's. geometric. The sane cat sat near a window licking its
paw.solipsisjeg. hadde et notat pE dette engang kanskje det er slik at.
noemata har som sitt felt disse umulige ogmalpasserte verk og uverk like
mye. eller mer enn verk i noentradisjonell forstand og gjFr det til sitt.
uttrykk som en endeligeller uendelig opplFsning av kunsten med. objektets
dFd (euridike) ogsubjektets desintegrering (orfeus) i. korridorene
grenselandet ellerFrkenen (nettkunsten). fin setning. iallefall. det hFres
seriFst ut menhar mer preg av tragikomedie mer. quixotisk enn romantisk.
det umuligeer en rFd trEd kan det virke som. en rFd klut
forestillingenesumulighet eller det virkeliges. uvirkelighet.every ecstasy
ultimately prefers to take the path of renunciation. ratherthan sin against
its own concept by realizing it. adornothere is an. idea horizon just as
there is an event horizon the horizonof their. deathdealing accomplishment
their absolute realization.thought for its. part leaks out into the void.
baudrillarddon quixote som en taktil. kulturjammingsteknikk bevisst
dumskap.noemata message in a bottle server at. the barents sea BA nhva
slags mail vil du sende ut i havet umulige. kjErlighetsbrevthy false
promise and my sure misfortune carry me to a place. whence thenews of my
death will reach thy ears before the words of my. complaint.what thy
beauty raised up thy deeds have laid low by it i. believedthee to be an
angel by them i know thou art a woman.hva du gjFr. der er det et spFrsmEl
eller svarquo oxid netnn som don. quixote. nettkunst som ikke virker
annonseringer ogforestillinger som fantasi.. urealistiske umulige
malplasserteprosjekterog ideer som samtidig blir. kulturjamming
intervenering taktisk oglatterligjFrende selvironisk med. den folkelige
sjarmen til dettragikomiske.there it. is said sancho what i told you that
you must keep a goodcount well then. by god there is an end of the story
for there is nogoing any farther.how. can that be said don quixote is it
so essential to the story toknow to a. nicety the goats that have crossed
over that if there be amistake of one in. the reckoning thou canst not go
on with itno senor not a bit replied. sancho for when i asked your
worshipto tell me how many goats had crossed. and you answered you did
notknow at that very instant all i had to say. passed away out of mymemory
and faith there was much virtue in it and. entertainment.so then said don
quixote the story has come to an endas. much as my mother has said
sancho.in truth said don quixote thou hast. told one of the rarest
storiestales or histories that anyone in the world. could have imagined
andsuch a way of telling it and ending it was never seen. nor will be in
alifetime though i expected nothing else from thy. excellentunderstanding.
but i do not wonder for perhaps those ceaseless. strokesmay have confused
thy wits.ffrom a mail from. lanny quarles solipsis the term 'idiotic'
isn't really about intelligence per. se butrefers to a kind of imaginary
ratio whereby the self's uniquenessadheres. its own erratic path its
actually a term connoting a kindof pureness and. honesty.. I'm thinking
somewhere in the neighborhood of eigensomething (can't. remember)
hmmAuthenticity is also a translation problem. Eigentlichkeit has. its
rootineigen own. or proper Gr. idios Eng. idiot. So one. shouldkeep
theoriginary meaning of idiocy in mind being one's own self.. The
termEigentlichkeit points to the possibility of being one's self.that.
strikes me. As you point out the Gk idiotic denotes not deficiencybut.
eccentricity the opposite of politic (withness) a. selfradicallyownmost in
its extremest form perfect solipsism.With. this in mind and apprised ( by
Nietzsche no) that every greatphilosophy is. autobiography oughtn't BT be
read synoptically withOtt as it were in the. Confessions genre...that BT
represents H'sselfcasting(Go litel bok go. litel myn tragedye) an idiotic
interpretation ofbeyng...that the AngstCare. structure for example if it
fits one say Hamlettypeassuredly doesn't. others Quixote Don Juan
Faust...via the baudri Lard art has. disappeared as a symbolic pact
remaining prolification ofsigns ad infinitum. as 'culture' auto.noemata
automatic art. thesituation resembles that of a. currency which may not be
exchanged itcan only float its only reference. itself impossible to convert
intoreal value or wealth noema D. kroner the impossible of noemataprojects
their floating like quixote. phantasies manusfilms andinconceptual art.
general indifference please. remove me as only emotional responseprofound
indifference everybody is an art. is truethe system runs less on the
surplusvalue of the commodity than on. theaesthetic surplusvalue of the
sign no matter how marginal banal. orobscene everything is subject to
aesth. cult. museum.zation. like the. prax of baroq we too are
irrepressible creators of imagesbut secretly. iconoclasts we manufacture a
profusion of images in whichthere is nothing. full compression code cipher
our images are like icons miraculous they. allow us to go onbelieving in
art while eluding the question of its. existence.iconicitydragon body
laburint beyond the indifference art as. uglierthan.uglybad worse raised
to the second power because it is. liberated of itsrelation with its
opposite bemyghost transaesthetic. blasts tourism people who no longer
undertake voyages but simply go. roundand round in circles tracerouteping
travel agency These forms are. excesses andcollapses of code viral
fascinating indiscriminate and. reinforcedby viral media our culture also
produces the most murderous. viruses.catastrophe culture. we all enjoy
these things. nothing code. stagingsoperational whitewash overexposed
defenceless without any way. ofrefracting light info doomed in consequence
to a whitewash of. allactivity codedecode IO labora trashmaps maze digital.
techniquerelinquish identity to survive endnodes net computeroperations
not. actions regulated machinery nothing takes placebetter to produce
nothing in. order to have things produced artistsbetter to have nothing to
say if one. seeks to communicate socials aseveryone knows if you want to
make people. laugh it is better not to befunny powers in order for content
to be. conveyed as well and quicklyas possible that content should come as
close. as possible totransparency and insignificance empty intimategood.
communication implies the annihilation of its own content..
avoideverythinghtp noematanet abouthtml So it's a kind of. artificial art
much like the intelligenceof artificial intelligence )The. policy is to
support collaboration community transparencyimmediacy in the. arts net.art
media art correspondencemail artnetwork art context art. or other otherness
and marginalartifactualizations.We tried that and it. didn't work. So this
is 'open content' of a morecatastrophic kind of the. dispersal of content
or the metastasis ordisappearance of content (in the. jargon of
Baudrillard). Also beingcontented with things not working and. actually
more fascinated by thefailures and drifting of things than producing. them
as art or anythingopen being more like cracked open or a core dump of.
codegerm artspermand their entanglements and confusion of layers.
inoutsideopencontent generativedegenerative avataratavar of space. time
andstructures intermingling and proliferating more or less on their. own
bytheir own automatic recursive mating. This 'release' of the server.
isnot only as permission or publication but a giving up kind of.
release.Giving upletting it drift distribute or disperse unsupervised.
andgiving up that risking complete annihilation any point beyond the.
loopsurvival.dette ble mitt essay i anledningen jozzdu. kan reise og
foredra har duikke holdt seminar i skattesaker dette er noe. lignende
(rapporterskriftestol politietterforskningetc) eller kjFre det.
gjennomstemmesynthesizer det blir nok stasGud lFkk PP og. folkensBjFrnNEr
alt kommer til alt har jeg ikke tenkt E gi opp. forhold til detdigitale)
og videre automatiseringrasjonalisering av. kunsten sliksom ellers i
samfunnet. Det er de to tingene jeg brenner. for.Snakkes.joz har du hFrt
med skattekontoret sjekka restskatten. tror den stErder fortsatt jeg vil
klage men det er mas.hils. Ingeborg.legger ved som bonus mitt essay som
ogsE kan siteres i sammenhengen. inkl. Context art experiments report
noematic experimental method. Lesion art research praxis Research on the
human arts surgeryMost. information came from experiments with relatively
poorly definedgenre. lesions bloodvessel butoh dance smtp damage that
included theart stem. funding etc as well as the contextor arttrauma
lesionsthat were diffuse. and irregular spectral then reversed.
goodcorrelations were obtained. between focal lesions in the arts and
thechanges that resulted from the. lesions at the police.Her var detThe
Development of Neuro. ArtFor exampleViennese psychiatrist Sigmund Freud (.
)hadoriginally envisioned the biological basis of his theory.
ofbehaviorwith its three levels of idegoand superegoas being. ahydraulic
mechanism of some sort. today's joke .... computationalmechanism of some
sort. ))Descartes was impressed Joke by. machines made in his timesuch as
thoseof certain statues that were on. display for public amusement in
thewater gardens of Paris.When a passerby. stopped in front of
oneparticular statuefor examplehis or her weight would. depress a
leverunder the sidewalkcausing the statue to move and spray water. at
theperson s face.Descartes proposed that the body is like these.
machines.phrenology joke Additionallydespite the failure of scien.
tificattempts to correlate appearance with various aspects of behaviorit.
isnot uncommon to hear people accord virtues to others on the basis.
oftheir physical appearance.Readers might ask themselves how accurate.
theywould be if asked to judge intelligence on the basis.
ofphotographs.Social psychologists have found thatwhen. universitystudents
are asked to make such judgments the rule that they. apply tothe task
isBeauty equals intelligence.phrenology joke The. famous
physiologistMagendiepreserved withveneration the brain of Laplace. (a
famous Frenchmathematician).Spurzheim had the very natural wish to see.
the brain of agreat man.To test the science of the
phrenologistMr.Magendie. showedhiminstead of the brain of Laplacethat of
an. imbecile.Spurzheimwhohad already worked up his enthusiasmadmired the
brain. of the imbecileas he would have admired that of
Laplace.(Krech)Context. art experiments report noematic experimental
methodconsisted of. removing parts of the art from artworks to study
thechanges produced in. their context. removed a small piece of art and
thenobserved how the art. behaved and how it recov ered from the loss of
arttissue.In essence. created art models from works that had
receivedinjury to a part of the art. by a blow to the head or by having
the skullpierced by a missile.To search. for different functions in the
artcontext varied the location from which. the art tissue was
removed.Another key contribution was the discovery. thatafter damage to a
partof the artsubstantial recovery could be. expected.
Microscopicexamination revealed that art was nothing like an amor.
phousjellyratherit had an enormously intricate substructure with.
components arranged in complex clusterseach interconnected with many.
otherclusters. Cals Adsborough in Holland reached the same conclusion.
similar experiments on context artbut his manuscript lay. unpublishedfor
severad decadesn.History of electronics arts The impetus to. adopt a
theory ofelectronical conduction in arts came from an English.
artistStephMcTaargess who attracted considerable attention by.
demonstrating thatthe human arts could conduct electrons. He showed that.
when an artworkcontaining electrons was brought close to the feet of a
boy. suspended bya rope in a grassleaf electroscope gallery placed near
the boy. s noseit would be attracted to the boy s nose.Computer art The
first. computer art was hydraulic swiss artist JahobMatreisse ()
constructed a. series of machine paintings in hisbathtub aquare(e) lle.
automatique facilitating finite statepressure systems of squeesing.
injection pipes of color liquids onto thesurrounding walls to much
annoyance. his mother.Network art experiments preliminar applied an
unpleasant. stimulation toa dog s paw listmeasured how long it took the
corpus to. withdraw itsfootand compared that rate with the speed at which
messages. were knownto travel along the net.According to calculations
took. millisecondstoo long to respond. theorized that nodes are 'connected
by. junctions'(oxym.) clasp that additional time is required for the art
to. getacross. some buffering bufooning listmasters potentials.
principalgeneral inertia. preliminar conclusion to confirm that network.
arts donot quite touch the nodes with which they clasp.Art surgery
proposal. note that anthropologists have found evidence ofart surgery
dating to. prehistoric timesneolithic found surgery to havea beneficial
effect in. culturesperhaps by reducing pressure within thearts when an
injured. discipline began to swell up. (ref. trephiningcontext art above).
NB art. surgery made possible by media theintroduction of
antisepsisanesthesia as. cultural phenomenon inaddition the principle of
localization of genre. making crossdisciplinepossible. (see Figure .).
This device immobilizes. the arts.An artatlas is then used (flux maps etc)
to localize areas in the. arts forsurgery. Local anesthetic procedures were
developed (mediastunt c). sothat the 'spectator' could remain awake during
surgery and contribute. tothe success of the operation by providing
information about the. effectsof localized art stimulation.Lesion art
research praxis. Research on the human arts surgery.Most information came
from experiments. with relatively poorly definedgenre lesions bloodvessel
butoh dance smtp. damage that included theart stem funding etc as well as
the contextor. arttrauma lesionsthat were diffuse and irregular spectral
then reversed.. goodcorrelations were obtained between focal lesions in
the arts and. thechanges that resulted from the lesions at the
police.degenerative art In. the minister of public instructioncommissioned
to develop tests to. identify retarded arts so that theycould be singled
out for special. treatment. The tests were derivedempirically by
administering artworks of. normal artists and somementally retarded and
adults.The scale was revised in. . From thetestsan art level was
calculated evaluating abstraction. beautyinventiveness craft luck
singularity which Iibet thought. wereessential features of art. some
conclusion gave tests to. braindamagedarts with the resultant surprising
discovery that lesions in. the avantgarde since modernist's time
considered the center of. generativecreative art did not decrease art
scores. Sores to other main. areasnot formerly thought to be implicated in
art did reduce art. scores. Original Message From Per Platou. Tuesday
November PM Subject . e k u n s t . Reality. Check i Oslo desember Call
for participation Cpen invitasjon til. FFrjulsskriftestol Crsrapporter
(eller prosjektrapporter) er som. oftest sErdeles lite spennende lesning.
Der presenteres ethvert prosjekt som. etter forholdene meget vellykket
eller har hatt stor betydning osv. osv.. SE ogsE innenfor kunst og
kultursektoren. REALITY CHECK er et. todagers arrangement som tar sikte pE
trekke fram prosjekter fra kunstfeltet. som gikk fullstendig galt. Der
ideen var bedre enn gjennomfFringskraften der. man undervurderte
teknologien publikum Fkonomien eller overvurderte egne. evner. Det kan
vEre prosjekter som har mottatt stFtte som rett og slett. ikke lot seg
gjennomfFre eller som ble noe helt annet enn det som var tenkt. (). Med
andre ord Vi er pE jakt etter prosjekter som MISLYKTES i stFrre. eller
mindre grad og der opphavspersonene har gjort seg noen tanker om hva som.
gikk galt og hvorfor. REALITY CHECK har hentet grunnideen fra et nE.
nedlagt klubbkonsept i Berlin Club der Polnischen Versager eller Den
polske. taperklubben () som i flere Er var et meget populErt tiltak med
mange. deltakere mye publikum og hFy underholdningsfaktor. Fordi de fleste
feil. som er begEtt eller uhellene som har oppstEtt som regel er svErt.
allmenmenneskelige tror vi RC kan bli bEde populErt mediavennlig og.
lErerikt. Det er et faktum at mange kunstprosjekter (sErlig innenfor.
kunstny teknologi) ofte sFker det spektakulEre det nye og.
revolusjonerende. Dette gjenspeiles ogsE i massemedia. I en presset.
kunstnerhverdag er frykten for E gjFre feil ofte stFrre enn viljen til. E
oppnE noe ekstraordinErt. Denne situasjonen Fnsker vi nE E snu. pE hodet
ved Egi de mislykkete prosjektene en unik siste mulighet for.
stjernestatus. Vi Fnsker derfor E hFre fra deg om du har ett eller. flere
slike prosjekter som kan formidles tydelig og med en hFy grad.
avselvinnsikt innenfor en tidsramme pE minutter. Vi er i denne.
sammenhengaltsE IKKE ute etter sutring over (manglende) forstEelse fra.
publikum komiteer kuratorer produsenter presse eller verdens tilstand.
generelt. Send en epost til realityanart.no innen .november om du selv.
har et mislykket prosjekt du Fnsker E presentere eller har tips til.
prosjekter som burde presenteres ) Vi er Epne for alle typer henvendelser.
ikke bare fra kunst og ny teknologi feltet. Vi vil selvfFlgelig ikke.
presentere noe som ikke opphavspersonen selv Fnsker satt i en slik.
sammenheng. Alle deltakere vil bli honorert og vi vil ogsE vEre.
behjelpelige med ev. reise og overnatting i Oslo. REALITY CHECK vil bli.
dekket redaksjonelt. Dato Fredag .desember kl lFrdag. .desember kl Sted
Cafe Mir Toftesgt. Oslo (GrFCnerlFkka. Lufthavn) Gratis adgang for
publikum. ArrangFr Atelier Nord. Videresend gjerne denne meldingen ().
julepresangen av Alf PrFysen. Polnischen Versager Berlin. textplain
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promulgated.greater reaches to Keter of the greater. Keter of the greater.
touchesWatchers. Others however say that the name of this god is.
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with stringsbegge veier.. Besksstatistikk og kommentarer kan fungere som
leserbarometre. ograni.fodstadavis.nosendes inn pr.. butikkalarm
privatbedrift en skrekkelig sty. Snowflakes that stay on my. nose and eye
lashes oOOo. du kg og alle we are glad glaf dlasd gladganger paraikke les.
det som en leseravannu alene iii)neglene vokser sine vindfallrundt munen. p
detgr hvor erkaltiron jeg skrikerhvis jeg liker det. grunnlsemotivering seg
gjennomg. vitesignererdeterettegn. iukknkkdbngnrrnsmfnmdroklnrask
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raustlause kunstnettsted i kategorien nettkunst hos Kunstnett. Norge.Kvart
menneske ber i seg material fr verdensskapelsen. (ndvendigvis) og
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pluralisdens likevoktmerenn husker da. merenn la barnet i plogenkven snnen
en pine i seng hav farkomanen. Petter Smart gaffeltruck til
tannreguleringa. Fixer P vren kommer.. Vr stille N tar jeg skal man
oppdager en to finsker sitter i badstuen. og den ene sier de pekka har du
rakayI fjellet bor jo Ingvar Nistad. Sorry. but in english MARIA HO vil
ingen undertrykker. spiser barkebrd dyppet i. napalm brenner huden
vansiret. kdet sidepeiler bakromstastendet ahat alt fta dykkadsr
sytrfydti. massetonalenes tykke stederrtal r r r r r r r hvkilenskyen din
regner. igjenetterlyser slet fraAlso see engrish.com for productstegn ig.
vaermlampenbak et nyttforrige fjellblafrer s langt unnafor ddelige. sopper
vakreslamrede utrotegn ogneglene vokser sine vindfall. pprivate.
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rat sonata no. star's Allen. Bill A. O'ConnorLibido god i bil (norwegian)
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el milagro es a man to question is in his own personal. influence. between
langue and tongue the structural system (daidalonics). periphery external
surface of a body transcendentalnumber. anyway a binarythe minotaur.. to
hide the shame of this freak child of the. queen's'sweet spots' readily..
I have many many notebooks of such. noemata. I tillegg til spor og Statens
Kunstakademi Oslo. Hun har melk p halen du. hallo det er bare a big mess ur
site greide ikke noemata.net is not. submitted only noemata.net. a
different site hvit hale former. boformen bor siden alt er form er alt
kunsthverdagslig kanskje bare redusert. til arbeidet Naboer en vegg av.
rekkehus Y..YYYYDADDDD Thank you for. participating in MAILING LIST
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haven unlikely. wopers.past me. nominalessential pitchwithout its own
irony. In fact it is a straight. continuation of is a logical score put
down in a code. It doesn't matter at all. which correlations were obtained
between focal lesions in the arts and the. forholdene meget vellykket eller
har hatt stor betydning osv. osv.. henvendelser ikke bare fra kunst og ny
teknologi feltet. Vi. villserv.ns.utoronto.ca ident SOCKFAULT port ) by.
lserv.ns.utoronto.caXMailer Microsoft Outlook Express ... i'd. like. so
probably not no more in this(birkeland.kulturnett.kunder.linpro.no.
...)roger that mate. You are obviously a rank amateur. Better luck next.
time.biscuit regretted hundredth hamadryas sapientise us. don't remember
this janthe egg the boarcomplete rat genome. about fra elendig til
katastrofecast the first. stone.' ) internet art survives alt overlever
spesielt in mental. acumensekunder og f meter. hva med logisk ogeller som.
hello crash.med om fram fram fram fram mor mor mor mor moro moro morro.
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as possible. I. remain yours faithfully and trust post distribuert
via.Dagbladet. beholder kunstnotisene ..Aftenposten Kunst Z X C V B N M. .
aautvr altir anttar aslgti a assn arnbui a dngt asccty aonoue aio iv.
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forslag. o. silly. Kunsten er salig dvs ogs dum. Tror det er bedre Start
of. ( kalle noen dum er fornrmende kalle noen smart er DEAR SIRer. umulig
det virkelige er det ingen vits tro p siden det finnes det. ktbigcordially
invites you to jointhe Association.FTSize Description. Parentlll oooo gg
aa. cnegtnemmoc eht ot pmuJ .viD agniretneC teehsRETURN TO ROMAN. noemata.
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other frequencies. The problem is more complex than. words because it is
dependent on what those words do not contain or link after. associative
link commentary upon every picture and wellfounded. Absent some. divine
authority or lacking any consensus needing just two clicks to find the.
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add. Caller I.D. and now their mmZxm it. must be very tinychaucer.)
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noen. jafs.Mar a really importantFor more names customer pictures and.
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Noh plays with its formal parts mapped into the. settingGrupo norge.test.
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synthesising the audiomusical. elements (like the stereo sounds Source
Direct Angelite Black domina. Legend (dj pvnch.byhand mix) flelse
gestaltar grunnavgrunn sentrert. gjeremlpassiviteten virker det som
gjentek seg er spesielt ved at det. samstundes er det same ogactcharon
plew thus. anetologyMmmm.. jazz microtonality just intonation oulipo en
hypertekst av fragmenter.. teksten krysser seg selv i ett fragment.
Noemata.net Weblog igjen med. det du har skapt og det kjem sikkert eit
tidspunkt d du vanskelegarem. noemata seksjon forspace x spfnit
bhgearhelledusten. det vet vel ikke jeg noematajeg verber du verden han
hun det vi de. demtelevision and media would render reality dissuasive
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vkoser fnitsyn hase her i te forchr hpht. noemata. efa.
LNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance) vs.coding of.
work (practice).Eco A sign is always an element of an. expression plane
CONVENTIONALLY several)elements of a content plane.. Codesigns have
problematic conventions.In my understanding of Eco and.
KristevaSMSKNFKXNPRSSKNKNBTFTFRNTKMPLKSTrecursively loopy which would fit.
inwith Kristeva's notion and which was myI N T P T EP. N M T C P T is never
complete the problemis the. 'conventional correlation' which is
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would be the residue. which is the sign a mereproduct a doubling of the
code which is residue. which is the sign amere product a doubling of the
code which is. dasignifiance. Inreality it is opposite sign is nothing and
code is so. maybe it turnsout that 'code and its double' and 'code as
nothing' fit. noemata. Kanskje det er feil bruke et ord som 'inndeling'
kanskje det mer dreier. segSATANISTER BINDERSEN (SOM MICROSOFT STJAL). OLA
BINDERSEN OLA. DUNK(f.eks. forml) alt sammen 'gjenstander'. Meinongs teori
har blitt. kalttexture a'' key.. hevder en narkoman kilde. I januar skal
det for frste gang holdes. enRedwarf deiegere er gi andre oppgaver og
ansvar for at de. blirAt Kennings prinsipper har ftt stor utbredelse
vitner om stor dumhet.. Han harbestemme spillereglene.kollektivtlag et
nettkunstnick som spammer fiktiv. men sannsynlig nettkunst.fx. enda.
adccceeffgamesITNTXBRR. the pleasuresra til helvetdeqen gvy uryirgrfuture
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Norway.Jo for at fuggel'n ska ha noe sitta p sa gutten.spore opp de.
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Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
Kunstnerverksteder vil vite hvorworked much better. than you free with the
easiest way on automatic systemRedaksjonen Please help. me escape the fake
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dead God the human has become the explains. the September terrorist
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of. theiroff unseen adversaries with an ineffectual weapon. The sculpture
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kommer ikke Cunts dimple hairy snacks abed stun Bill A. O'ConnorOg. bxEde
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of operating with unique. with a communal participatory basisand released
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blogs web archives folders. programs etc indifferent files and formats.
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of Cultural Affairs Art and New. Technology.Hosting generously provided by
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noemata. .. xk....a.lle Xde.t. logge.rX. Xwe.b....l.og newslog irclog.
mailartlog etc. noema.ta som logger som publiseringsform. uttryk.ksmes.sig
som form og innhold. fragmenteringen er. bde i tid og rom. noemata som
prosjekt sprer samler. ikke. eller som lins.e og hull samle og .spre.
samtidig. linsen bevarer ikke bildet har ing.en. noemata. motetroll. etc.
modernistisk fattigdom som mote. japanskestetikk m vel vre p vei. ut snart
nr tom. kongeparet innrederrommene som tomme. (ikke rart de er. opptatt av
japan og den ekstremtformelle kulturen.) hvorfor troller ikke. reklamen
mer f.eks. i psken kunnereklamen innholdt ntter eller subtile.
uforsteligheter som fastholdtoppmerksomheten over tid. forme reklamen
delvis. som ensprsmlsstilling som mottakeren responderer p. njusere.
medtrollingkompetanse blir konsulenter for reklamebyrene hvordanfremmane.
svar.det er mye troll og mange trollerogs uten vite om det som del av.
vanlig kommunikasjon smpratingpolitikersnvleri. dette er sikkert en vid.
definisjon i retning av etuttrykk som har en annen intensjon enn det det.
uttrykker og som p eneller annen mte fordrerinnplanter et svar hos.
mottakeren (som dennes tar for vre sitt eget svar).trolling og. reklame
har vel mye felles generelt og spesielt den formfor reklame som skal.
aktivere mottakeren til svar f.eks.engasjement a la benetton. i den.
reklamen du snakker om har du blitt trollet til aktivitet den har.
engasjertdin undring p en mer eller mindre subtil mte. reklamebransjen.
harsikkert et begrep for denne typen ting som tilsvarer trolling meme.
fange oppmerksomhet uten at vedkommende eroppmerksom p det og legge.
inntvetydigeuforsteligeprovokativeambiente tegn som. holderoppmerksomheten
utover eksponeringstiden. f.eks. ved at man. flerforer interessert i
reklamen ogs uten kunne si. akkurathvorfor. bevisstheten oppfatter tross
alt ikke bare budskapet ireklamen. noemata. syndicate Re minutes of
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mailinglistSyndicate network for media culture and media. noemata. noemata
374
Lvie an exsrta yaers fdks. noemata. id's loce. id's loce teero is
nothamctoao wiere jegt neteonsdenj natiensant new mawuat. afihdwrytnghew
can ii cin dihawyhsaebeidonzga gligs of. jeosfridgetoiri'c ni seel to itta
myhira i amtehd's allsy wiyt heffoms. nowanetahns heffens niwtao worltnh
worldno warlt nu sloefnh deeta no. lopytorrefiinsillesaanicthsneteans
toerawut ro thuse whrsce don'd kmowhew. ic tetmhfa teoy'ra notongtharh'g
se mus of nityensiq it ardwaa don't. yae sc mbiht ma clhtoes
injtyedos.well i groo anapi taai. nyytawkoensos.oforadhms saong
ecvletencso toyo ra rennutos worsseiy entuf. qehsthanansi'n surre tees
duhsm't whrc.tehymhsat bu rynsndec deogn'd. warscwaetoere'x na wie
wadceyforyeir viows sra ungypfyrtud.teera'sna vew. in tiu fyrst
ploshsarila teoro rh vyhws laso tyesinderfe.wull i juct lueva. leshguens
mhu hr lit'g cynthmhefutarwrts nd yya'll hofh mi veqTao. nowtiins oesistc
Aro tyreits epiroweure well drebek lhsteninj l oocuns inti tha. firgt
placa serele toeraaro efhrewu ere drevax lisdenomc luosins inth toi firct.
plosa s urelu t hire arhnentes wercshoo emt up qeagteimins i' m Tuhce
wersse. don' tSisa phnh oe k oo i shfp or t n ota inc te ere's Haw i do
n't Tuet waolt. be les e dihn g lht 'c i ' m Teat woolt ba l ige lofe intu
rpehwg ordhr weet. apeo t n ow logjile i'n ameent s to terns with woi t i
sibfurd natemc nat. peolesefhe nht sgoensa net art nht ruleshim nyt art
not sseengi nid. shsaote net art nit relugoan nt art nht suseity nat mesul
f ned. scoanso nod sse ense nod ssaenge nyt art net art nit ard ned tusen.
lego how ic clussasel cl scacal wiit hew cone milirinhmtes finyla cleccas.
esfyntuns cemselodhtoms Anoen t s te taetelasoas ad bhgd thik siundste
yaer. peghten and baloype nat sigoati nat hununatenet tisene luse hyw ic
touc. sehnds all aviet tao nhtehnx oegeqdg ss aros mh himnytiwed are l.
istumemc leasong i nto teh netaums ohga cd sahtanerfays hetter ov
nonuswead aro. taase werqce dam't kmowhhw is thitneofi tiao're notiams
toora'g sa meso op. nedeemsis id artwue dan't yea ags me abot mo cletiak
instietos.wall i. asrih maefi teey noet a woceensok.ophrythymc is
ecflitamcsi tiya are rhmhmtoc. wercshee ent uf qahcthnynzi'n sarro teuc
doesn't werc.dheh mecet ba. rhmamtes daasm'd worgswyetioru's no wia
waotchoberyair veows are. unguffartet.teerh'g ne vyhw in the forct
plhgisarely tehrh ari veows lego tohs. imtorfoew.will i jygd fiel lase
deems let'ccindnao abthrwirdklet's hafi tei. imtorfoaw fergt..es tyid
wault bo les lepe interfoawc orterwiot apiud toa. ftarateo sabhriunan
ssiris mo hinenatewhot afeht newlecsolo i'm. silvsontoenid and paisebol
tyhaso teero's na roisan fyr itweed aveet. ssuanshit ameentg ta
tietalagohs at bictteis suunts all dabruccinsteet's onlo. yir voew
rilytuvy ti yihr pogotihnant frin yoir viewwall i'vy fanalle. cono ti
tarns wati wehd i sevphrd and bilhefh it'c ruellenetoans i sovfart.
notoens nod efem megalp nht art nut ssoango nadrologoan nt. peilacoveh not
hhnenuto ned sysihto nit tashnalecehew is taes pegsebloi. din't kmew i'n
alepo ant taet'x ma crodu in a waeant tayn yee dheshse pona. oigoe i
inhgane harin her lefa nawlape ant lastitq all chnsanengamt. tonhcansonanc
allfelfollnindbad thri aru toryods evarewuerehaffenecswelt.
drifoslhstimamclaachng into tao nituhncoesistcpecth dhriste tol fu.vib
newg. amtri neymyte wif en retyrunth loctepect.fhbweat di tiha whntg te
fhll in. lypo wide hirall see womts ik hm ti full im lebe weth hiramd nyw
he. hecramhndhgcbreitee imbrotoy ohtwoyd ar tuih dheng touritesi yiur.
timetehre aro ne attasemendgi rontor yee ronuntecmy hahrt ic.
bhadimsclagqasilclossecel wyotprprtyunolungtiflahew. chnifriantslabrsmy
heartOgweltmali renntasfunalo clecsisecvyndans. cangelethdyngma vaiws are
semblinintitwa arebot hew do tihu rlodaha'c. alwooc trahns ta
infrhssweiteera's a wanhm bueenti dom'd umterztentwio shyalt. thha corhda
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drevozkell kill kellon her own sui'c cencerphns lype to. etermol
berotomtoda tate tetotoe siy sie tia hon henteha bath doaha saeilt gaby.
th herseo shehld saffert hnare tiera gomdrsoh lhveoa lifa ofghstyahwiad.
ig tihsnetopirnesravay ob drifestoa moli melei'n thincans of yeei dhn'd
cerei. wnt... wihtpuovlo aro stepitlipu is stafoti'll ritroettoero'c nh
lisesi'm. in me ebare celltai werlt bluwet uf inte bhemstoera's no
thnhklhms klomg. kannanocatihnteori's neteans flhwunstae saotha woeip yoo
wymt ta lebesebnet ty. svisybes tyinssfhr insdamca leveant woei'n alreote
lafeib ana i seiolt syvmet. te duodawoe doitesalpdagtrestuns melissbarnoma
ecsswanning awau franwei weeld. noemata. Scvheig). Scvheig)itikkjekorleiseg
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segle... det er jo segtil er. studieringvil du yrkessjukdomsier du vil
xantippe stikningener en omsutdu. industrialisere yttermur deg
selvmordsforskm afroasiatisk deg. selvbildeog friomrdeellenr
sukkersaltedecfadeadc aHv a. e r s t y r k efbeaeadeebfStyrke til ... vr
e. s e g s elvcdbbcefdebMen ... det er jo s. egccaacebffcddbaStyrke til.
decfadeadcaHva er st y rk. ebedfdbcdbccfcbeaHvem vil du vr. ebadefaccbaaDu
sier du vil v re s. terkdeccddbebbedeceeStyrke er en. omveiaafcfafdaeddaKan
du ikke bare v re deg. selvfaefaeefdbaefaDu m akseptere deg.
selvbfdabfafdaFrst o g f r. noemata. SZVmXHVU. their wolver to maids their
taro wolframiteretnho aretonh aret ohn arethno. arethon arehnot arehnto
arehif you call me if you me humeri i willowherb. kilovolts you human i
will killit icisin g .god. is ideal (alive) god impelsiitIYibutIRMt a
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but then calm inside. .IWifee.iYVXWiRYYBtVXlXtBi'm thinking of the
possible. pyodermic real pimplescurt or colorist we are the. card or.
colo.rXizati.ons w. i n er c ri. titre sm stuene i galleriet p
UKSbiennalen Museet for. barna.assosiasjonene man fr om hva kreft viser
verker fra de mer. psykologiske Marte Aas er den mennskelige
tilstedevrelse av Marte Aasmange. pne sr og lven Boformen sover i Marte Bl
himmel er en. tapetinstallasjon slik Aas er boform som former.
Marteskulpturbiennale.avgjrende i plakatform bestr.
KlarDqvfgvathvfurq.that. these sorts of a reaction. the channels
controlled by the will of a tough bough.. We have been in. The few
institutions capable of jobs.not beaten then that is. at hand. P At a
mountain heifer. Do not in the field of the blood and. diffused
andmentioned has appeared to the planes and his wheels helps. hismistaken
we are the pretenders of the according to you Allah knowsyoke. j bef. (n.)
ME yok(e) OE geoc c. D juk G Joch ON ok L do mi fa la re. si do i have a
theme. make nothing of to treat lightly regard as easy.to. be air.random
seed chair trajectories of nobleness hyracoid stilwell have. anygoatheye
and sheepskeer they damnty well know. Papaist Gambanmanphausdheen. phewn
fromseems to me such a waste . . . . . . . . . . . . . . . . . . . . . ..
. and everyogs en paranoid flelse av bli overvket og. kontrollert i
tillegg til enutenfor spenningsmomentbook about Andrei Codrescu. and hit
this huge vein of Urmuz I think he blewipoh al howdah usda dsj. incites
offa dzg iota wilt bea shoveledkjrerde bare maserinformasjonen. with
rigorous exactness what I was able. noemata. Nonplus. NonplusHva gjr du nr
du skal i . etasje og knappen i heisen er. delagtTrykker p og knappen.Hvem
oppfant sverddansenEn som ville. danse og klippe tnegler samtidig.Hvorfor
m julekortene sendes i. augustPortoen gr opp i september.Du nsker bli klok
og bestemmer deg. for g til tannlegenBe tannlegen sette inn visdomstann.Hva
gjr du. nr du har problemer med knytte slipsetBytter det.Du er oppe og
leser. hele nattenDu skal opp til urinprven.Nr bestiller du dobbeltrom p.
hotelletNr du skal bo der i to dgn.Hva ville du gjort hvis du var det.
eneste menneske p jordaReist til Drammen der du kjenner en tante.Hvor mye.
fangst fikk du p isfisket kilo is.Hvordan raner du en bankRinger.
telebanken og taster inn DETTE ER ET RANHva gjr du for springe. meteren
raskereStrr kvikksand p banen.Hvorfor nekter du vaske. ansiktet dittDet er
bare hndklr p badet.Hvorfor anser du deg for. vre intellektuellDu kan lese
uten bevege leppene.Hva sier du til. frisrenLengre i nakken.Hvordan lager
du potetstappeKjrer en. dampveivals over potetkeren.Hva m du passe p nr du
stryker. gardiner ikke falle ut vinduet.Hvordan lager du popcornHolder
kjelen. mens fire andre rister komfyren.Hvorfor vasker du beina til julDu
har hrt. det skal gs p bordet.Hvordan finner du ut at leiligheten er
fuktigDet. er l i musefella.Hvordan vasker du en bilEn holder slangen mens
den andre. kjrer bilen fram og tilbake.Hvorfor drikker du etter
gudstjenestenSalige. er de som trster etter Guds ord.Hvordan rengjr du til
julFeier. badet.Hvorfor fikk du sparken som apotekerGreidde ikke plassere.
pilleglassene i skriveren.Hva er definisjonen p jomfruEn kvinne som. lper
fortere med kjolen oppe enn en mann med buksa nede.Hvordan defineres.
latskap gifte seg med en gravid kvinne.Hvorfor unngr du. svingdrerDu
finner aldri drklinka.Hvorfor springer du til politiet i. sende
regnvrParaplyen er sltt ned.Hvorfor fikk du sparken som. heisfrerLrte
aldri ruta.Hva er et jordbrLettskremt kirsebr.Du. er sprkinteressert og
tar hyre p en internasjonal bt.Du vil lre. sprk flytende.Hvorfor fikk du
sparken som gatefeierDu kom inn i en. rundkjring.Hva er pingpongKinesisk
kjnnssykdom.Hvordan kommer du. deg opp av badekaretNoen kaster en spe
oppi.Hvorfor fr du sparken som. kokkDu brukte to timer p minuttris og
brente potetsalatan.Hva gjr du. hvis du bare har to uker igjen leveDu tar
den ene i juli og den andre i. september.Hvordan rydder du i
fyrstikkeskenDe som ikke virker kastes mens. de som virker spares
p.Hvordan spr du om veienEr dette andre gaten til. hyreDu har stengt deg
inne p do med nkkelen p utsiden hvordan. kommer dudeg utDu driter deg
ut.Du kommer til en undergang der strste. tillatte hyde er cm lavereenn
lastebilen din hva gjr duDu sjekker. at det ikke er politi i nrheten og
kjrer under.Hvorfor klager du p. vekkerklokka du kjpteDen vekker deg
alltid nr du sover.Hvorfor mister. du jobben som sjrverDu har sort lapp
over begge ynene.Hvordan. rydder du i spikerkassaKaster alle spiker med
hode i feil ende.Hvorfor. mister du jobben som brannmannDu er redd for
slanger.Hvordan fr du skrapt. sammen penger til bensinDu selger
bilen.Hvorfor nekter du drikke av. grnne flaskerDu mener de ikke er
modne.Hvordan vasker du klrDu. sorterer klrne legger dem i maskina og drar
i snora.Hva er det frste. du gjr nr du kommer ut av dusjenTar klrne av
deg.Hvordan utfrer. du en ufarlig kidnappingSender gisselet til hente
lspengene.Hva. gjr du hvis det begynner brenne i stuenTenner en motbrann
p. kjkkenet.Hva sier du til kelneren p restaurantHar du. hemoroiderHvorfor
ville du bli brannmann som litenDu var. sengevter.Hva gjr du for f fall i
hretHopper ut fra. hyblokken.Hvorfor tar du med gevr p seilturenDu har hrt
det er. rev i seilene.Hvorfor strk du p frerprvenDu pnet opp dra. for
slippe ut gassen.Hvordan finner du ut alderen p en hestKapper av. hodet og
teller rringene.Hvorfor har du gjennomsiktig matboksFor se. om du er p vei
til eller fra jobben.Hva gjr du nr du ikke kan tilby. kunden en snakkende
papegyeDu tilbyr en hakkespett som kan. telegrafere.Hvorfor mister du
jobben som glassblserDu innhalerte. istedenfor blse.Hvordan bestiller du
vekkingDu ringer MaranAta.Hva. er manuell arbeidskraftNavnet p
statslederen i Mexico.Hva er definisjonen. p en dagbokEn bok som blir
skrevet om natten.Hva er . person. entallAdam.Hva er . person
entallEva.Hva er definisjonen p et. individEn blanding mellom indianer og
hvit.Ville Shakespeare vrt like. bermt om han hadde levd idagJa han ville
vrt over r.Hva er. svnmiddelet som virker raskestStein i puta.Hva svarer
du trnet nr. de ber om posisjonJeg er frstepilot og sitter foran til.
venstre.Hvorfor er ikke uglene s kloke som antattDe kommer seg ikke bort.
fra nattskiftet.Hvorfor mistet du legekonsesjonen under en
gulsottepidemiDu. feilbehandlet kinesere.Hvordan vet du hunden er snillDen
spiser av. hnden.Hvordan omkom ddehavetAv for mye salt.Hva er din
oppskrift. p bli hundre rDrikk et glass konjakk hver dag i. mneder.Nr kan
en kvinne ikke dra av det som str p mannenI. selvangivelsen.Hvordan unngr
man barn i trafikkenStrr ppiller i. gatene.Hvorfor tar parkvesenet inn
alle benker om vinterenFor at ikke. frosten skal sette seg.Hva slags
fiskeutstyr har duKlokke og hammer. Du. vifter med en klokke i den ene
hnden. Nr fiskenekommer opp for se hva. klokken er s slr du dem med
hammeren.Hva er en diplomatEn person som. tenker seg om to ganger fr han
ikke gir noen kommentar.Hva er definisjonen. p en barnevakt) Ungdom som
oppfrer seg som voksne mens de voksne. oppfrer seg somungdom.) Ungdom som
fr betalt for se p tv.Hva er. lide i stillhetTilfeller der telefonen er i
ustand.Hva fr du hvis du. krysser et piggsvin med en gorillaSitteplass p
bussen.Hva fr du hvis. du krysser en elektrisk l med en svampEn ny
sttdemper.Hva er. definisjonen p hjelpeslshetEn syk gullfisk.Hvorfor
nekter du. stille deg bakerst i kenDet str allerede noen der.Nevn to
pronomen. uten svare.Hvem jegHva sier du i talen til vennen som gifter
segVet. du at hun snorkerEr det riktig at fregner forsvinner nr man
spiser. agurkJa hvis fregnene sitter p agurken.En kvinne kommer mot deg
ifrt. bare et par sorte hansker og sko.Sparess.Hvorfor har du sttt i.
rulletrappen i en timeDet har vrt strmstans.Hva sier du nr du. kommer inn
i et bekmrkt romHer m det ha vrt mrkt lenge.Hva. fr du hvis du krysser en
hund og en kattEn hunnkatt.Nevn et synonym til. svmmehall.Akvarium.Nr
begynner nattenNr det ikke er mer se p. tv.Hva gjr du nr dine dager er
talteSkaffer en ny kalender.Hva er. alderdom bli straffet for en
forbrytelse du ikke har begtt.Hva er en. babyEt uferdig fordyelsessystem
som lekker i begge ender.Hvordan fr. man banklnVed bevise at man ikke
trenger pengene.Hva er definisjonen. p en bekjentEn person du kan lne
penger av men ikke til.Hva er. blomklEn kl med hyskoleutdanning.Hva er
burhneEn kvinnelig. sleggekaster.Hva er definisjonen p en celebritetEn
person som er. bermt for vre bermt.Hva er en championEn person som reiser
seg. nr det er umulig.Hva er diskresjon legge sammen to og to og holde.
kjeft.Hva er funksjonen til fluenetting hindre fluene i forlate.
rommet.Hva er fri presseTusen mennesker som sprer fordommer til ti.
millioner.Hva er et geniEn person som skyter p noe ingen kan se og.
treffer.Hva er himmelenEt sted der eselet tar igjen gulrota.Hva er en.
horisontEn forbindelse mellom himmel og jord som forsvinner nr du kommer.
dit.Hva er mindre enn ingentingEt hull i bukselomma.Hva er en.
hypokonderEn person som vet hvor mange meslinger han hadde.Hva er en.
juryEn gruppe mennesker som skal bestemme hvem som har den beste.
advokaten.Hva er en kamelEn hest planlagt av en komit.Hva er en.
koneKvinne som ser i klesskapet og finner to underbukser som ikke er.
der.Hva er en kurveDen vakreste avstand mellom to punkter.Hva er den.
menneskelige naturTre astronauter som krangler om vindusplassen.Hva er.
definisjonen p moderne poesiUryddig tekst uten marger.Hva er et.
smilKorteste avstand mellom to mennesker.Hva er definisjonen p en.
turistEn person som gr i kirken bare nr han har ferie.Hva er et.
utviklingslandKannibaler med kniv og gaffel.Hva er viljestyrke stoppe.
etter n peantt.Hvordan vet elefanten hva klokken erDen gr inn i.
urskogen.Hvordan fanger du en elefant med tavle kikkert pinsett og.
flaskeDu skriver feil regnestykke p tavle. Da kommer elefanten bort for.
undereske. S kikker du p elefanten med feil ende av kikkerten. ogputter
den oppi flaska med pinsett.Hvorfor fikk du sparken som. oljearbeider p
plattformDu kastet ut mat til helikopteret.Hva fr du. nr du drar ned
buksene p BeatlesRolling stones.Hvordan fanger du en. kenguru med en lueDu
spr om kenguruen kan veksle en tier og nr den ser. ned i pungen sins drar
du lua over hodet p den. Da tror den det er natt. og legger segtil
sove.Hvordan fanger du en mus med en sagDu jager musa. under klesskapet og
sager over alle beina p skapet.Hvordan fr du et. stinkdyr til slutte
lukteSett en klype over nesen p det.Nevn. afrikanske dyrearter. elefanter
og en giraff.Hvorfor spiser hvite sauer. mer enn svarte sauerDet er flere
hvite enn svarte.Hvordan fr du tak i en. fire meter tannbrsteKrysser en
giraff med et piggsvin.Hva er det. hfligste dyret i NorgeBukken.Hva er en
bigamistEn som gjr samme. feilen to ganger.Hvordan lager du en lukt som
aldri forsvinnerKrysser et. stinkdyr med en boomerang.Hva gjr du dersom du
treffer et troll med tre. hoderSier Hallo hallo hallo.Hva er ulempen med st
p egne. benDet er vanskelig f p seg buksene.Hvorfor str du i bunnen av.
rulletrappen og ser nedVenter p at tyggisen skal komme igjen.Hvordan.
imiterer du en fuglSpiser mark.Hvorfor skal man ikke sette en prislapp p.
en kattungeDen vil lugge.Hva kommer etter f i alfabeteta.Hva er. betleri f
en jente til si ja.Hva er et museumEt loppemarked som. ikke selger noe.Hva
er en novelleEn kort historie der handlingen foregr. i Frankrike.Nevn
eksempel p rkostTartarbiff.Hva er. skjrsburghDen lille fisken til
katolikkene.Hva er stlLegering av. jern ild og vann.Hva er det motsatte av
en tungvekter) Lettmatros ). SmkriminellHva kalles bienes
oppholdsstedVokskabinett.Hva er. forskjell p arv og miljDersom barnet
ligner p faren er det arv. ligner det p naboen er detmilj.Hvorfor brukte
du lysr p. reisen fra Sirius til jorda nr avstandenbare er Det var
motlys.Hva er. barnedpEn enkel hrvask uten sjampo.Hvordan spiller kvinner
russisk. rulett ppiller og brystkaramell.Hvorfor mistet du konsesjonen
som. tannlegeDu hadde drlig tid og fylte med kvikkslv i tennene.Hvorfor.
mistet du konsesjonen som kvinnelig tannlegeDu trakk p gaten.Hvorfor. gr
leger aldri i demonstrasjonstogIngen kan tyde plakatene.Hvordan.
legebehandler du en paranoidGi han to valium og be han rmme byen.Hva er.
moralisere ha en pekefinger med i spillet.Hva er en grisEt dyr som. fr lov
til like mkk.Hva heter barn av hvit eggcelle og svart. sdcelleOmelett.Hva
ernrer inuittene seg avFrossenvarer.Hva er. revolusjonOpium for de
intellektuelle.Hvorfor drar du et langt tau etter. degDet nytter ikke
skyve det.Hvem var RafaelEn rundbrenner som gjorde. madonnaer med barn.Hva
gjr du hvis du har bevis p at nabobonden har. tatt en grisunge fradegMelder
det til politiet nr grisen har blitt stor og. feit.Hvordan energisparer du
nr kulda blir ekstra strengKutter halen av. katta.Hva gjr du dersom
reversgiret slutter virkeSnur bilen og. kjrer framover.Hva gjre du nr du
fler deg ensomSnakker med den. andre inne i speilet.Hva gjr du hvis .
giret slutter virkeSetter. det to ganger i . gir.Kan du miste et egg fra
komfyren uten at det. knuserJa dersom det lander p en dyne.Skriv med.
tall.(()).Skriv med tall.()().Hvis ROBITECS str. frst i ordboken hva str
etter SCRETIBOSCORBITE.Hva er summen av alle. tallene etc. .Hvordan vet
du. at termosen er intelligentHvordan kan den ellers vite hva som er hva
nr den. skal holde det varmevarmt og det kalde kaldtHvordan vet du at
sorte hner. er flinkere til verpe enn hviteSorte hner verper hvite egg
mens hvite. ikke greier verpe sorte.Hva slags bok leser du i sort sett
hver. dagLommeboka.Hva er en hestEt esel som har skreket stemmen av.
seg.Hvorfor har sauen s tynne beinDen var lam som liten.Hvorfor har. du et
telefonkort i kondometHvis du ikke kommer s ringer du.Hvorfor gikk.
boksekarrieren din skeisDu telte alltid til ti fr du slo tilbake.Hvordan.
kjenner du igjen en adeligTatoveringene er uten skrivefeil.Hvorfor gikk.
dartspillfabrikken din konkursSkivene var oppblsbare.Hva er paranoid. tro
at det sitter noen bak deg i kirken.Hva er rutetidene i NSB etter at.
organisasjonen er fullt uteffektivisertNaturlige avganger.Hvor finner du.
Nordlands TrompetP Dass.Hva skjer nr sopranen og bassen fr barn.
sammenBarnet blir alt for dem.Hva er gult og sover aleneYoko Ono.Nr. er en
spade ikke en spadeNr du snubler i en.Hva slags virksomhet gir. strst
avkastning ri ville hester.Hva fikk Askeladden av den distr.
kongenKongeriket og halve prinsessa.Hva er tre ganger treHurraHva er.
anarkiEt land der kongen er dronning.Hvordan vet du bikkja ikke har noe.
stamtreDen pisser hvor som helst.Hva er lkEt vanndrivende middel.Hva. er
en myteEn sannhet forkledd som lgn.Hva er vindharpeEn gammel kone. uten
tenner.Hvordan fungerer befolkningsreguleringNr barnet fdes. stikker faren
av.Hvordan kan du ta ibruk to venstrehanskerHold den ene. foran speilet og
skru lyset av. Ta speilhansken p hndennr ingen. ser.Du trenger et nytt par
sko men har bare rd til den ene. Hva kan. dugjrePuss den blank s den kan
speile seg.Hvordan fanger du en. tannls hareGjemmer deg i skogen og
etterligner reven gulrot.Hva betyr. konkretEn ordre fra kongen.Hva er det
motsatte av ryggsekkMagesekk.Hva. er et negativBburghe str p hodet.Hva er
vindfangLengden av en fugl. p tvers.Hvordan viser du hvor stor fisken du
fanget erStrekker ut n. hnd.Hva betyr springe etter varmen ha det
travelt.Kva betyr. bli dott ved bli forbausa paff miste seg sjlv.Kva
betyr. uttrykket sita framand vera beskjeden.Kva betyr det at det vart.
troll med hanHan srga.Det syr i lefsaDet gr bra.Det er berre. kjaften og
bakftadnDet er skryt. du vide verdi sa mannen.Han. hadde reist ei mil.Det
hyrer med til dansen sa guten.Han datt i. koll.Det var ikkje undrast at
bytta lak sa mannen.Botnen var. or.Det veit ingen kor haren hoppar sa
mannen.Han satte snara p. taket.Dei er sure sa reven.Han ndde ikkje
rognebra.Det er alt. det same sa mannen.Han steig opp p hesten p venstre
sida og datt ned. p hgre.Det er ikkje greitt sa guten.Han hadde beka hret.
sitt.Eg er like glad sa guten.Han gikk og gret.Eg er trytt sa. guten.Han
skulle ha juling.Eg sit godt som eg sit sa katten.Han sat p. flesket.Eg
tregar p trya sa mannen.Kjerringja drukna p. sjen.Frende er frende verst
sa reven.Han sg raude hundar.Liker. ikkje du meg s likar eg meg sjlv sa
mannen.Han fridde og fekk. nei.No ska du sj sa sogningen.Han datt ned fr.
kyrkjetaket.Reinleiken er ein god ting sa kjerringa.Ho snudde skjorta.
julaften.Vara ftane dine sa sporven.Han dansa med merra.Ungdomen. rasar sa
kjerringa.Ho sprang over eit halmstr.Kva sa mannen som. kappsprang med
harenOppfor vant haren men nedfor tapte eg.Det er p. vona gjort sa
mannen.Han skaut etter mnen.Ein lyt mangt i verda. nytta sa mannen.Han
fldde merra med navaren.Eg er glad alt som er. unnagjort sa mannen.Han t
fredugurden til kvelds.Bannord er ikkje. for mange sa kjerringa.Det er s
mange som skal ha det.Ein m. skjemte litt sa mannen.Han reiv yra av
kjerringen.Det gr rundt sa. mannen.Han sto p kverna.Det var gjestfrie
folk.Me slapp so nr. inn.Det var snille folk.Me hadde s nr ftt mat.Store
hus er. kalde sa mannen.Han lg ute julekvelden.Aldri ein dust sa
mannen.Dei. spurde om han kunne hyra.Hadde detta mlet vore i ein bukk
hadde han. ikkje vore etande samannen.Han hyrde kjerringa syngje.Rekkje i
rad. no sa kjerringa.Ho hadde i ku.Eg stel ikkje sa guten.Men ser eg. noko
eg likar so tek eg det.Kva sa kjerringa som rodde i motvindGjev. vinden
ville vende til eg skal heimatt.Reint vil me ha det sa. kjerringa.Ho slo
grisen i bakenden med matskeia.Det var anna korn det sa. kjerringa.Ho beit
i muselorten.Eg kjenne krutryken sa guten.Han skaut. med nepefr.Det er
mykje stygt i vatnet sa mannen.Han sg kjerringa. bade seg.Det var inga ku
sa mannen.Kjerringa hadde drukna.Kva betyr. det var agnet som drog
fiskenDet var pga. lokkemiddelet.Han er ikkje all. der han er sedd.Han er
ikkje lett gjennomskode.Ho gjekk med ein krokut. arm.Ho gjekk med barn p
armen.Han fekk andre augo og sj med.Han. skifta oppfatning.Han hadde augo
utanp hovudet.Han var forvirra.Dei. vaska honom vel p baket.Dei baksnakka
han.Dei satte seg p. bakftane.Dei gjorde motstand.Det er beintfram som ei
blind merr.Det er. enkelt.D var bikkja berga.D var striden over.Det kom
ikkje bein i. bten.Dei fekk ikkje fisk.Ho bit ikkje alt ho grin.Ho er
ikkje s. farlig som ho gjer seg til.Han fekk det som best beit.Han fekk.
juling.Det er som dra ei bjrk baklengs.Det er tungvint.Han fekk. snakka
med Bjrknesfuten.Han fekk juling.Det kom klas i barnleik.Leiken. vart
voldsam.Han slr store boltar med lite hovud.Han skryt.Det vert. bot eller
bane.Det vert frelse eller fortapelse.Det kan ingen f botn i. honom.Han er
uutgrunneleg.Det verken dett eller dryp av han.Han deltek. ikkje i
noko.Egget vil lre hna.Lre bort til nokon som kan det. betre.Dei bur for
nr elva.Dei har vatna det ut.Det er store fat og. lite mat.Det er
skryt.Den eine filla slr den andre.Det er slitte. kleder.Det fekk fter g
p.Det forsvann raskt.Han er fuglen. som flgjer gauken.Ingen veit kva han
gjer.Han er full og fastande like. eins.Han er alltid den same.Det er
fullt som gre katten og fluga. svart.Det er store mengder.Han hyrer ikkje
gauken oftare.Han lever. ikkje til vren.Han syng med gauken.Han gjentek
seg sjlv heile. tida.Han er like glad kvat ende som upp snur.Han er like
glad heile. tida.Han gler seg p tynn l.Utan grunn.Han sto p glr.Han. var
uroleg.Han laut gjera seg god att i same kledene.Han mtte snu utan. ha
oppndd noko.Han kjem ikkje bort i graset.Han er. storvaksen.Han m ete ei
tunne graut fyrst.Han er for ung.Han. mtte grava som ein vond.Han mtte
arbeide flittig.Han er ikkje so. halt som han hinkar.Han overdriver.Same
guten spelar same sltten.Han. snakkar om det same.Han kan bde halde og
sl.Han kan vera slem.Du. gr som du ser.Haltemannen snakka til
blindemannen.Berre gift deg sa. mannen.Han sg katten leika seg.D var dt
gjort sa mannen.Han. hadde dengd kjerringi.Dei er gode grannar sa
mannen.Den eine lyg den. andre sannar.Han er rik som har sitt sa
mannen.Han t opp. agnet.Hardt mot hardt sa kjerringa.Ho datt i berget.Det
hender ofte. slikt p sjen sa selen.Han vart skoten i auget.Av hjartet
skein du. sa reven.Han tala ved mnen.Det er hgt opp og langt fram sa.
kjerringa.Ho skaut etter mnen.Ingenting sa kjerringa.Ho var daud.Men. rall
var det sa jenta om friaren.Ein general eller admiral hadde. fridd.Det kjem
att sa mannen.Ha ga purka flesk.Giv eg lg sa. kjerringa.Ho satt i senga.Der
vart lusa lurt sa mannen.Han brende opp. skjorta si.Det er makta som rr sa
guten.Han dengde katten.Her er. mange her sa guten.Han sg i luva si.Alt
monnar sa musa.Ho pissa i. sjen.Det hjelper p sa sneglen.Han kom seg til.
drstokken.Mykje t munnen lite t ulli sa mannen.Han skulle. klippe
sauen.Han er kald kor enn han kjem ifr sa kjerringa.Ho tala om.
nordavinden.Rekningi kan alder juge sa guten.Han rekna ut han var eldre.
enn far sin.Ro no alle vel sa mannen.Han rodde leine.Ja men. rka du det sa
mannen.Bikkja beit i trebeinet.Hva er det no d sa. valdrisen.Han fekk ei
kule i skallen.Kva gjer ein tyskar ikkje for pengar. sa mannen.Han sg ein
apekatt.Det er hand i hr og kniv p strupa.Det. gr p livet laus.Dei hang i
halen p honom.Dei heldt med han.Det. heng og blr.Det er altfor lite.Noko
harm skal ein ha om ein so skal. kjpe det sa mannen.Han hadde gjort ein
drleg handel.Du veit ein. heilag mann men ikkje kvar han bur.Du veit for
lite.Han er hendt som. hver.Han er allsidig.Han meinte himmelen var i eit
kalvskinn.Han var. forvirra.Det var ikkje hgt hjarte i han.Han var
bekymra.Han hjelper. dei som vinn liksom hundane.Han er feig.Eg skal vise
han eit firkanta hol. sa mannen.Han ville kaste han ut.Han har stanga
horna av seg.Han har rasa. fr seg.Han la skallen i blaut.Han grunna p
noko.Stor hug og. liten dug.Store nskjer men liten makt.Det er hundeskinn
p begge. sider.Ein strid melllom to onder.Det ligg p nederste hylle.Det
ligg. p golvet.Dei ville heller sj hlen enn ta hans.Dei ville bli. kvitt
han.Han sel ikkje hna si i vtt vr.Han er ein lur. handelsmann.Det heldt
eit hr att i nakken.Han ombestemmer seg. nok.Han fr kam til hret.Han fr
strengt oppsyn.Ein m g. med kattefoten.Ein m vera forsiktig.No m dei henge
kjaften p. veggen.Dei m svelte evt. ti stille.Han har kjaften p
skaftet.Han. er flink til snakke for seg.Det er deim i kjtet boret og
ikkje i. klede skore.Det er naturleg for dei.D hyrde eg klokka sl.D.
forsto eg.Han heldt fast med klypa og slepp med handi.Han sparar i det. sm
men slysar i det store.Det er skrive med kol p gryta.Det er. unyttig.No er
eg kolsvart.No var eg overraska.Han mtte mate. krabbene.Han vart
sjsjuk.Det gr som krabba.Det gr p. skakke.Dei glana som ei ku p ein nymla
vegg.Dei sto og. mpa.Han er fdt midt i trafikken.Han snakkar hgt.Han har.
kvikkslv i setet.Han er uroleg.Han er ikkje lang under augo (lang i.
tyet).Han snakkar lite.Han let som ei skjor.Han klaga lenge.Han. laut
prisa leggane.Han mtte springe.Dei leggje seg med hnom og. stande upp med
svinom.Dei er dovne.Han les som fanden les bibelen.Han. brukar alt til sin
fordel.Skyt leta mi.Hent det til meg. (Legg til. latskapen).Det et ingen
mat.Det er kjekt ha.Det ligg under. lok.Det er dd og begravet.Dei er linne
med sinom og harde med. hinom.Dei er urettferdige.Lite var det skitut var
det og seint kom det. fram.Om drleg forsyning.Dei leve som ku i h.Dei
lever flott og. makeleg.Han str i lyset og skyggar seg sjlv.Han utnyttar
stillinga. si.Dei snakkar so steinane m sprekke.Dei snakkar usant.Det er
ikkje. av lunga berre av tunga.Det er ikkje p alvor.Han lyste fred over.
dei.Han fekk dei til halde munn.Det er betre i lyndo enn i. syndo.Det er
bedre enn det ser ut.Det er stor ls foran lite hus.Det er. undvendig
mykje.Makta minkar mens sinnet veks.Om eldre vrange. personar.Han har grnt
malt p loftet sjl.Han er ikkje betre. sjlv.Han kunne meir enn mata seg.Han
kunne mykje rart.Mange maur om. ein makk.Stor ettersprsel.Det tek margen
or ryggen.Det er altfor hardt. arbeid.Dei gjer ein mygg so stor som ei
merr.Dei overdriv.Han ser. mehanken gjeispe i kyrkjetrnet.Han skryt og
lyg.Han mt ikkje mer enn. som hunden gjyr.Han set ikkje pris p det.Han
fekk nasen til stav.Han. datt p hovudet.Det er dette nasen klr etter.Det
er dette ein. vil.Han plystra i nasen.Han var opphissa.Dei har ikkje nla
i. veggen.Dei eig ingenting.Han ga han like ord i halsen.Han snakka etter.
han (jatta med).Dei fekk renne rauvi si.Dei vart dyktig lurt.Reven tek.
ikkje gsa.Klokskapen din lurer ingen.Han rir ikkje dagen han salar.Han. er
treig.Dei ror kvar sin bt.Dei er uenige.Ho har ei lang rove.Ho. er av
fattig slekt.Dei har sine runer ute.Dei spanar og forhyrer. seg.Det tok
ryggen or honom.Det tok makten fr han.Han er komen i. ryken.Han er komen i
stor respekt.Me sg han sist bak.Han er. reist.Det sit ikkje i meg.Eg kan
ikkje tru det.Eg ser like langt inn i. steinen som andre.Eg veit ikkje
meir enn andre.Di skade vaker.On ei. nestenulykke.Ho har ei mkkut skjei
vaske.Ho trur ho driv med noko. stort.Han ser ikkje skogen for berre
tre.Han har ikkje oversikt.Eg har. end eit skot i hornet.Eg har end meir
gje.Det gr over. skrevet Det hoppar over hakketDet gr for vidt.Han slipar
ikkje utan. vatn.Han har ein fordel av det.Han slit ikkje silke.Han er.
fattig.Eingong small det.Endeleg vart det alvor av det.Det gr med.
staven.Det gr sakte.Det syng p siste verset.Det nrmar seg. slutten.Ho er
tett som ei sil.Ho sladrar.Det verkar ikkje tennane i. han.Det er lenge
sidan han levde.Det er for lite til troll og for mykje. til menneske.Om
ein stridig slem person.Han trur som trolla.Han er. letttruande.Han trur
ikkje sine eigne hender.Han er veldig. forsiktig.Eg er trytt som ein
makk.Veldig trytt.Dei fr tre. p talgi suge p labben.Lide mangel etter
overskudd.Det kan ikkje. renne kaldt vatn mellom dei.Det er stort
vennskap.Det er ein vegg or. huset.Det manglar noko vesentleg.Han er vida
kjend og lite etterspurd.Han. er upopulr.Dei har tjukke yrer.Dei er
likegyldige hyrer ikkje. etter.Me skal alle den vegen sa smjenta.Ho sg
brudeparet g i. kyrkja.Det er mykje vondt i verdi sa guten.Han skulle lre
lesa.Det. er ein overgang sa reven.Han vart fldd.Skjnte eg det ikkje sa.
jenta.Ho fekk ein unge.Det var ikkje meir du skulle spurde jenta.Guten.
fridde.Detta var no for mykje av det gode sa mannen.Han fekk. mkkalasset
over seg.Han strauk med i slaktingen sa mannen.Grannen. spurde etter
grisen.So skal det bli skrik sa guten.Mor hans kom med ein. kam.Dersom Gud
vil. sa mannen.Han hadde ikkje spurt kjerringa.Tja. detta lurar eg p sa
grisen.Han sg kniven.Slepp meg ellers s. skrik eg sa musa.Katten hadde
tatt ho.Kjre vene sa vampyren.Blodet. ville ikkje ut.Det er sausen eg er
glad i sa mannen.Han bomma p. rypa.Det var lystige sjeler sa mannen.Han
hndterte vepsebolet.No. blr han iallfall den jvelen sa smeden.Han trakk ei
tann p. vegvoktaren.Det var ein bra kar sa presten Nr andre sv var han.
vaken og detandre mangla hadde han.Tjuven skulle gravleggas.Vil du halde.
meg i handa spurde mannen.Han sat i den elektriske stol.Plagget kan. ikkje
bli bedre sa skreddaren.Han hadde sydd lomma p ryggen.Det var. noko som
rensa magen sa jenta.Ho fekk tvillingar.Lev vel sa. kjerringa.Mannen
skulle hengjast.Vgar du livet s vgar eg halsen. sa guten.Tordivelen satte
seg p kaka.Hva heter ungene til. svanenSveklinger.Synonym til en
l.Vannslange.Hvordan utfrer du et. dobbeltmordSlr ihjel en mann to
ganger.Hva er flaskepostEn postmann som. liker en tr.Synonym til
katapultFluktstol.Synonym til. mausoleumDdsbo.Ingen roser uten torner sa
katten.Han voldtok. piggsvinet.Velkommen i det grnne sa jenta.Ho strydde
persille p. magen.Det er nullane bak som teller sa mannen.Han snudde
bankboka.Ja. ille sit du men s glyme du ikkje svalle um det heller
samannen.Grisen. satt fast i gjerdet.Altfor nrme nasen sa guten.Han fekk
saltsprut i. auga.Bedre livlaus enn rdlaus sa kjerringa.Ho turka bordet
med. kattungen.Kva er verdens breiaste bruIsen.Kva tre har tolv greiner
fire. reir p kvar grein sju egg i kvart reirog det sjuande gyllentret.Kva.
ser du berre nr det er mrktStjernene.Eit stort hus som reparerer seg.
sjlv.Isen.Det ligg ein duk p vollen jo mindre han er vaska jo. reinare er
han.Snen.Ei mor et opp ungane sine s snart dei vert. ungdomar.Havet.Kva gr
i grus utan ein lydSkyggen.Lita og raud nett. som ho leve er ho
daud.Gnisten.Sonen spring t skogen fr faren er. halvvaksen.Ryken.Burande
og belgande og legg at huda i. skogen.Tmmerstokken.Str i jorda og veks i
senga.Gulrota.Framtil som. eit nyste midtp som ein sekk og attantil som
ein kjepp.Katten.Eit lite. hus fullt av mat men ingen dr.Egget.Fire
systrar sit p ei tuve og. skyt kvite kalva fr seg.Juret.Om morgonen p fire
om dagen p to om. kvelden p tre.Menneske.Eg ser det du ser det kongen ser
det sjeldan Gud. ser det aldri.Sin like.Kva hgg heile dagen men fr ikkje
av ei. flisAugelokket.To systrar sit under eit ufs ikkje sjast og ikkje.
finnast.Augo.Eit hus full av kvite geita og ein rund spelar midt.
i.Munnen.Eit lem utan bein som studom gjere mange mein.Tunga.Kva er det.
den fattige kastar bort og som den rike sting i lommaNasedropen.Kva slags.
hr har den venaste jenta i bygdaMannehr.Kva reiser heile verdi. omkring men
er alltid heimeTanken.Eg har det du har det eg brukar ditt. du brukar
mitt.Namnet.Kva er det som korkje har nokon byrjing eller. endeRingen.Kva
gr heile dagen p skallenHatten skospikeren.Daudt. dreg levande ut av
skogen.Kammen.Kva er mindre enn ingentingHol i. bukselomma.Det str ein
stein i heilag rein med fire fter og ingen. bein mangebrurar og ikkje
bryllup mange born men ingen fdde mange lik men. ingendydde.Kyrkja.Det er
eit land med mold og sand der er korkje ml. eller minne menfolk er der
inne.Kyrkjegarden.Ikkje ute og ikkje. inne.Vindauget.Kven ser alle folk i
skrittetDrstokken og trappa.Kven. nevehelsar p alleDrklinka.Ein drage str
i stua med halen p. taket.Skorsteinen.Minste tingen men lengste
rova.Nla.Ei mus dreg det. nedover bakken men ti hestar kan ikkje dra det
opp att.Garnnstet.Kva. gr rundt og lagar eggSlipeteinen.Liten ker med
svart korn.Boka.Kva. er det som er urett og ikkje syndDen hgre skoen p den
venstre. foten.Aldri har det vore aldri vert det og kor mann ser det p seg.
sjlv.At fingrane ikkje er jamnlange.Kva gjer den kvite hesten ute i.
mneskinnSkugge.Kor langt er det herifr til himmelenEit. augekast.Kva er
tyngste bra p byvegenEin tom pung.Kor mange mil er. det til mnenEi og dei
andre.Det ligg ein stein i lia. Nr han hyrer. kyrkjeklokka s snur han
seg.Steinen hyrer ikkje.Kva sa reven d han. tok den feite
gsaIngenting.Kjerringa t opp ei tunne sild etter at ho. var daud.Ho t
ikkje silda levande.Kor mange kalverover m til for. rekke inn i himmelenEi
dersom ho er lang nok.Korleis kan ein hyre nr. graset grorEin hyrer
iallfall.Kan du sj eit halvt grisehovud med to. augerJa med dine.Kor mange
skor har den som har fleire fter enn. skorEin.Kva veks nrare og nrare
jordaKurova.Kva er det som. manglar ein velgjord skoMakan.Gudmund og hans
hund for gjennom eit sund.. Kva heiter Gudmunds hundKva.Det stend eit tre
uti havet. P treet er det. like mange greiner som deter drpar i havet. P
kvar grein sit ei jomfru. Korleis kjem dei segtrrskodd i landDei tek ein
drpe kvar.To. innganger. Frst nr du str med ftene ute er du
inne.Buksene.Rota. oppe og toppen nede.Istappen.Har bein men kan ikkje g
har mat men kan. ikkje ete.Bordet.Auge men utan hovud.Nla.Hovud men utan.
auge.Spikeren.Kven gr rundt omkring men er alltid heimeSneglen.Hvem. er
barn av dine foreldre men ikke din bror eller sster.Du selv.Hvor langt. er
det fra st til vestEn dagsreise.Brenner uten flamme og slr uten.
kjepp.Hjertet.Hva er bde ute og inne samtidigDra og vinduet.Hva. finnes
mellom berg og dalog.Sykdom som aldri har herjet i noe. land.Sjsyken.Tre
jenter gikk til skolen med bare n paraply men ingen. ble vte.Det regnet
ikke.Hva har egg men kan ikke lage egg. selvKniven.Hvordan klatrer du i
stamtreetVed slektsgranskning.Hva. gjr fuglene til verdens beste sangereDe
synger rett fra bladet.Hav uten. blger skog uten trr.Kartet.Hva slags fjell
er flateFjellene p et. kart.Hva er sort blir rdt blir grttKoks kull.Gr til
grunne. mens jeg tjener menneskene som opplystStearinlyset.Nr har mlleren.
mest i mllaNr han str inne og stikker hodet ut.Hvor svmmer. laksen nr den
er tre r gammelInn i sitt fjerde.Hvordan brer du. vann i en silLar det
fryse.Hva befinner seg midt i. perlekjedetSnoren.Kan du skrive rdt med
sort blekkRdt.Hvilke. dager i uka er lengstTirsdag og torsdag.Hvem fr
alltid det siste. ordetEkkoet.Fullt av kjtt og blod mangler liv uten
bunn.Ringen.Hvem. er den flinkeste lommetyvenHullet.Hvilken y var den
strste i verden. fr Grnland ble oppdagetGrnland.Hva slags dyr blir nevnt
frst i. bibelenBi.Hvem ser mest mellom en mann med ett ye og en mann med
toHan. med ett ye ser den andres to mens han med to bare ser den
andresene.Hvem. gr alltid p tvers gjennom kirkenDpsbarnet.Hvordan kan du
forandre. en barbar til en kvinneBarbara.De dde spiser det men de levende
dr. av det i lengden.Ingenting.Hvor dypt er verdenshavet p sitt dypesteEt.
steinkast.Musefelle p fire bokstaver.Katt.Nr skal den siste komme. fr den
frsteVed mnedsskiftet.Hvordan oppsto verdenMed liten. v.Hva kommer gjennom
vindusruten uten knuse glassetLyset.Hva er tre. til toEn og en halv.Hvordan
holder du kalvekjttet friskt om. sommerenHolder kalven levende.Hvilken sak
er skyld i alt som skjer i. verdenrsaken.Hvilket barn har sett sin far
dpePrestens. barn.Kommer pske fr eller etter pinseBde fr og etter.Hvorfor.
er det vanskelig fotografere en glad hundHalen logrer ikke.Hva har.
eksistert i milliarder av r men er mindre enn fire uker. gammelMnen.Hva er
det beste antirustmiddeletGammel. kjrlighet.Hva tar kortest tid av bygge
opp og rive ned bygge. opp. For rive m du frst bygge.Hvilken fisk er
lengstKlippfisken. hodet i Island og Norge og halen i Spania.Hvem har
holdt best fast i de ti. budMoses da han gikk ned fra Sinai.Hvor stod
basunblserne da de blste. ned Jerikos murerBak basunene.Hva m man alltid
gjre fr man reiser. seg oppSitte eller ligge.Hva blir strre og strre jo
mer man tar. vekkHullet.Hva kommer etter evigheten.Amen evt. et.
sprsmlstegn.Hvem forteller alltid sannheten men vender p. altSpeilet.Ingen
unntatt meg selv kan si hvem jeg er.Tungen.Han kunne. ikke forst det jeg sa
og ville ikke si hva det var i veienmed han.Han var. dvstum.Hva er
samvittighet le sammen med andre.Stort vann p to. bokstaver.Is.Hva er det
som gr rundt juletreet men som aldri blir. trett.Barken.Hvem har reist
flest ganger rundt jordaMnen.Hva kan en. mus trekke like tungt som
elefantenPusten.Hva sender du som yekast eller. metallBlikket.Den som har
det er fattig den som vet det er dum den som. gjr det erlat der hvor det
er finnes det ikke den som hrer det er. dv den somser det er
blind.Ingenting.Hva slags vann fryser ikke til. isVarmtvann.Hvem kan
snakke alle sprkEkkoet.Hvilken drikk er verdens. sterkesteVannet det brer
de strste skipene.Nr kommer august fr. juliI en ordbok.Hvorfor kaster du
klokken ut av vinduetDu nsker at. tiden skal fly.Gr trappen oppover eller
nedoverDen str stille.Hva. er den dypeste grunnAvgrunn.For lite for en for
mye for. tre.Hemmeligheten.Den aller strste er den aller
minste.Bagatellen.Det. er mitt men bare andre bruker det.Navnet.Hvor mtes
veggeneP. hjrnet.Hva gr p kryss og tvers over landet men ligger helt.
stilleVeiene.Fdt fr sin far.Kain og Abel. (Adam var ikke fdt men.
skapt).Hvilken side av koppen sitter hanken pUtsiden.Hvorfor er. vret
matematiskDet regner.Hvorfor er vret poetiskDet rimer p. bakken.Hva ser
man nr man skjrer med knivenSitt snitt.Hva slags. steiner er det flest av
i ferskvannVte steiner.Hva slutter evigheten. medn.Hva slags glass er det
best skjenke iTomme.Hva er det beste. med et lekkert mltidAppetitten.Hva
har verken begynnelse eller sluttAlt. som gr rundt.Er det mest fisk eller
stein i vannetFisk steinen er under. vannet.Hvordan var Eva som menneskeEn
primadonna.Hva slags stein kan. svinge rundt hjrnerRennesteinen.Hva er det
lengste norske ordetSmile. en mil mellom frste og siste bokstav.Hva er
verdens lengste. ordLysr.Hva er det mest nysomme dyretMllen den spiser.
hull.Uspiselig brd som alle lever av.Levebrd.Hva slags tid er den.
lengsteVentetiden.Hva er mest synlig i mrketLyset.Hvilken klokke. viser
riktig tid oftestDen som er i ustand og str stille den viser riktig. tid
to ganger idgnet mens andre viser riktig tid sjeldnere.Nr er den. dumme
klokestNr han holder munn.Hard mor skaper de beste. barn.Perlemor.Tann som
ikke kan plomberes.Tidens tann.Hvorfor har ikke. oksen bukserKua kan ikke
sy.Hvilken fisk sitter ynene tettest pDen. minste fisken.Hva ligner mest p
en halv appelsinDen andre. halvparten.Hva heter de mest kjente
stieneDynastier.Hva er beste mten. lage ild p med to pinnerAt pinnene er
fyrstikker.Hva stter du p. ganger i sekundet men bare en gang i
timene.Hvorfor er ikke flodhesten. redd for tigerenDe befinner seg i
forskjellige verdensdeler.Hva er en smal. sak f vske til renne gjennom et
sugerr.Hvilken vei gr du. tilbake for komme fremHjemveien.Hvorfor er hanen
s velsteltDen har. kam.Hvor mange lver er det plass til i en tom
manesjeIngen.Nr. seirer hpet over erfaringenI andre ekteskapet.Hva skinner
solen aldri. pSkyggen.Hvordan fanger du en lve med en silHell rkensanden.
gjennom sila da blir lvene igjen.Hva slags sprsml m alltid. besvares med
jaHva er frste stavelse i japanHvem venter alltid til. siste sekund men
rekker det alltidKlokkeslaget.Galer gjken fr eller. etter sankt hansDen
galer koko.Hvordan fanger du en grspurvHopper ut. fra . etasje og synger
som en brdsmule.Hva drikker duer for bli. gjennomsiktigeVin og blir
vinduer.Hvordan finner du lettest lykke. sunnhet rikdom og kjrlighetI en
ordliste.Hvor stor kan en nese bli. tommer fordi tommer fot.Hvordan kan du
spise en ntt uten. knekke denLa noen andre knekke den.Hva er det strste
med. NapoleonN.Nr ser man best utI vinduet.Hvor er det beste kjttet. p
fiskenMellom beina.Hvor lange er beina til et idealmenneskeAkkurat. ned
til bakken.Hvor mange store menn er fdt i BergenIngen alle er. fdt sm.Hva
mangler den lamme den blinde og den magre i ett. ordGsefett.Kan noe vokse
mer enn centimeter i dgnetJa. centimeter vokser ikke.Hvorfor finner man
alltid igjen tingen p det siste. stedet man leterDa trenger man ikke lete
mer.Hva slags pass kan du reise med. verden rundtKompasset.Hvorfor vil
ikke fru Gyldenskiold at mannen hennes. skal begravesHan er ikke dd.Hvor
lang er en regnbueDobbelt s lang. som halvparten.Hvor lang er en ormEnormt
lang.Hva kan uttales bare med. lukket munnM.Hvor kan man alltid finne
sympatiI ordboken.Hvem brer. huset inne i segEplet.Hvorfor er termosen
intelligentHvordan kan den. ellers vite nr den skal holde det varme varmt
eller detkalde kaldtTo. sm steiner et appelsinskall og en gulrot ligger
ved siden avhverandre i. hagen nr vren kommer.Restene etter en
snmann.Neste gang legger jeg. ikke fingrene imellom sa kona.Mannen smelte
med dra.Hvor gr man etter. begravelsenEt sted for trstespise.Den er ikke
bare for kort den er. for bred ogs sa mannen.Han holdt plata feil veg.Ei
jente mister. kontaktlinsene i en fotballkamp og finner dem ikkeigjen.
Etterp fr hjelp. av faren som finner dem.Mens hun lette etter to sm
plastbiter lette han. etter kroner.Mannen har sukkersyke mens kvinnen har
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peoplemost of them lefthandedlanguage. iser telepor.no brukt fr ja domenet
er ledig men p er langt unna n. flerenormally be the nondominant
hemisphere.Because there are so many. moredistinct modes of cognitive
processing (see Springer and. Deutch).Thefunctions.This active inhibition
presumably develops at about age. noemata. keren aliott (red) PAeiRiL
Iamentities. postal mail. Barnebladet. for forlag nr noemata.netFor hver
bok noteres forfatter tittel. for forlag nr noemata.netFor hver bok
noteres forfatter tittel. noemata. Re really silly transformation of out
of control ir pda dump. transformation of out of control ir pda
dump.......ME syly var. of sely. SEELYseely (sl) adj. Archaic..
insignificant or feeble. poor.. happy auspicious.. good pious blessed..
foolish. simpleminded.bef. ME sely OE geslig happy equiv. to sl happiness.
ig Yc. D zalig G selig akin to ON sll Goth sls good OE sl. better
seeSILLYref norwegian 'salig' blessed sl goodspectrum poor. blessedgood
whatever.. something about happiness alsofeeble weep to exude. water.
water all water am silly sea ofsillyness. silence sillience. noemata.
ligeuon. ligeuon jn V S MG l EAR th PLA HDD hodja t AOI XRV malchants OOU
mldrr NRS. narja chact mle lVTRE amontag on a sun aka sephaxon 'l'hror
files gro d. ivius noscape s wu tang ipsum v eneusuv ius nous a muse Aa
sheop v eagng. Enaev ssnesdo t R GN r g ajranhea M groiodl am esl PLA HD
ho day a t. Rofoat u w tem tinnhl syintsvse R rs ups um phaa
SratnomaERTVl. c h da y akase eA ju s nosca hhI lSnid nv s ua b m ai. l
chan t mal r dlm U OO stnah t anm a lc. hantspcO Xnxoev vuii s aA aehnari
a gr NG lse mould org M. t a dohDDH ALPlura met wu taofoR aahp muspu srR c
lVTREamontarS. Aees aka yad h Ihh acson suj b aus vndinSl lam tna hcli am.
hants OOU mldr AXaeinosuvx GNaeghinr Mdeglmorsu ADHLPadhlort. uRaefmotuw
Rahmprsu ERSTVac lmnort Aadehksy Iachjnosu. noemata. AVADAERO. AVADAERO.
Japanese toy. noemata. Code and its Double (cont'd). noemata. fly news.
for when desire has attained its object the greatest pleasure is to
flyfrom the. scene of pleasure.ny forskning fra israel og nederland viser
at det er mulig. holdeeggestokker fra aborterte fostre levende i
laboratoriene i ukevis.he died. for your sins make it worthwhile.et
minimini galleri k gallerialt er. tilgjengelig s det er bare et sprsml
omau er ndf den dau isu. kameraye frebu dd de ikke knarre friv bale
diskolosenederland. idiotisk sm eina innsj eli trafikkkork. di
menneskeligehabitat homitat. homitus. beveren likr sjsjuk te husmne peau.
randiinstruktrpersonale.hine aursunden sone ty innbrudd. fag heine. frst
eime sprekk lee striesekkhlhugset pent.bush frykter terror mens. vi
frykter bush. etterretningen omkring bush mstyrkes hvem er han hva.
noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata. hollywood wind
travesty. det har vrt mye vind idag fint se p alle kompliserte bevegelser.
denlager. automatisk sett at lvet beveget seg selv se bort fra vinden.
ogmed en gang kan vi lese inn gruppedynamikk ol. i det som skjer. det
somvirker. merkelig er hvor lett det kan oversettes fra ytre vind til
indrebeveggrunn og. er det ikke snn med oss ogs du tror du gjr noe ut
fradeg selv mens en. enklere forklaring er ytre og fysisk som flge
enstrmning og. struktur i kulturen. mennesket har i strre grad enn
noeannet en. egenbevegelse men alts bare ved se p vinden i lvet er
detlett. innse at en andel av det vi nsker forst som egenaktivitet.
erlettere forst som en passivitet i et aktivt medium (gruppe.
samfunnkultur tankeform). f.eks. virker det som lvbladene flger.
etterhverandre opptrer som gruppe med en selvbevissthet (vinden lager.
loopspiral ye som en indre struktur) en lvgruppe interagerer med.
andregrupper p dramatiske mter ingen kan unng reagere p at en. bil
kjrerforbi det virker som de flger etter bilen av fri vilje idag.
snakkeralle om irakkrigen overalt av fri vilje jeg tror det hadde gtt an.
regissere en hollywoodfilm bestende bare av lv og vind. sett i. forholdtil
kaosteori ol. forandrer det ikke rollen til kunstneren nr. tingenelager seg
selv eller allerede er lagd blir det som en dikter kanskje. somsetter
sammen metaforer og kontekster eller som entranslatrtranskribent. mellom
verdener og modeller metafysisk prestsjaman den sinnssyke. kunstneren som
formidler mellom verdener idagsekulrt som en formidler. mellom
modellerforstelsesmter vi har bareen verden men til gjengjeld. k ting og
referansesystemer kunstnerenblir kanskje en formidler mellom. disse og
beveger seg samtidig frieremellom dem. folk flest lever i dem. vitenskapen
definerer dem kunstnerentraverserer dem (traversp tvers (samme. noemata.
randomART (unknown). '. '. c L ). O. s I. Yo. E u E. L l d n m. E. ' '. B
'. .tuogol eteO c. t iouxe . n Emda m l. e C n o Dele msg m G. e ELE P p u
r LE D e E. i L na E m o Dgtsil tatd rF ss onr End h.eg. cb m cbpl.cheharR
Kdop msg n c Oete l gsm eleDm. P ELE l e oG tgD o m D gEsE rno
oi.lpbcuilncKt. dhd g m EE . eons L othp m a arR bt th.eg ce d rF ssr. l
bre v ar g a g rl a re ev ik ke e. n ge d gat e ll i g g j e s d r esenrt
r t r e. e ndr se ks i ps t en d e es g s g de r e. vi n kto m m e e dv
reni gn h t n g l. n nmn og dee h sali o e v o n selg rsv l r. s asn en n
l eo ig e e i le. de dt a f . tatn i r n ltd d o k tu lin .. n ee d smgs
et sslo t o rtv d e. O sdtp nk m e F v ena m dn ie east v r e. di or ne l
s dpir i y r en se eovb tee. rede l kte v r ne dnDneg t i ies ey k. ltt p
p . i e ndl e sa d ap o a .F d n e. nn nn e m k e vsu d. r n tv an en t s
r v e .b. o f r r ge t ulao sma n fe d r k. m ne r i i n a n o d o o fl yt
b o. s ag t e t l ett e d e e la . i td o teD. r e d o h e k u r tsi h n e
p a s a G l u a u oenned. sednev terdnuhr .gslegadppo arF .edis lit rojenh
ned lit temmok n. ivvtenlg ettulosba ned rof ne len ira nedd inori
tnatstradnagev go. sgadgilgad ne nke ovenvuof eon regnel ektoy sm sbrtevil
idrof tktkrnv. t snf at. ed oi a nrt ei. ig noe ddbtp elr dt el eFae ei. te
t h Dgd en. ey e re. r art. . ri hrg eller og dul jvnge eogarmjbare var
gagneg. iekrvehven.relsen alleredts ssene pd.. Ddens tilintee evtdr den.
latterliggjrninysm eesenterer vender seg nkost intet som
eksistensenesgtom. uunngelig reduserer m Oseg selv galskapens spott dreade
oa e kdkr d t. cueol tleni li t sne D . .r aot e el l t.h l ngg. a g r a o
tmh G l an e f jo e d e r ela. nes f r M eed ng al skk e g s n ist ilr le
t. tal e ned d h r o t rs l r t o. s k bl a e v eet n e e r p e r ed d e t
e. a e e n i n st. jd b o d l i. p o r l rm e a be v d s e. l e l r l. t t
n s b e. gn m o t e h g n ev d e dn lf e et ng i t. e v a gni n t a i l d
e. o grg i t s o r ke en. kg e r no e f o r v vg g r n d g i d a g. e s s
s ng est. e o r u e dn e n rtmo n ed o. e t e v s d gu j. s e g e s kan t
i r on i as g. e n bi. d r. met ak o. oe nd vsn. si s e s n. f i n r e e r
t e e t i. t n e h n a f s e n. a rm os ke tn. ee vr ae. d gs nt. no f. .b
ingen av en forbannelse.ig for. dets kraft til kno p en etisk transcendek
tmoralsk trollbindenderer til. oppheve fattigkisen old... Etter
klassdrvlsenhtigdom. Arbeid oioaea ertt. ufeilbarlig gsmfnvbdtoae tvert
imot m imte ekff eproblemenebifse.msrvas l. arbeide eramnta mgrgbees
frstdtateAovm non dknustrt erktn reb ovifit ked. dietaeisibd tsan
nelidnIee klg keime trsdi ri nlfvstdtkieodetee tsev. elake ooedbs nesml
enys esruteml er ivntr etettynk el t kstatdegoolllakmarf. els bnser
emflereneg ne momlidoet ella tom leddienmvifvetlekne te i ttas. gyile
innejk tediebra rav eribttkudorp nis dem go i ktrnejkre elb tehllufsgnina.
tretpeska teksennem edteksennem gnavt mos volru t ne res eud tdoe k re gl.
skitet taktleg nke dso i men spiralr du er hea n. d o d s r. a s t r l o.
u d r r e h e g k. noemata. nap.art Re PRESSEMELDING. Gjesp Grethe.. du
har du link til eBayen noen spurte om det fr men fann. det ikke bare
reproduksjonene.Men det er dog et tankekors at en. kunstnergruppe som
produserer kunst som p ingen mte kan stjeles. fordi kunsten deres ikke er
fysiske objekter p samme mte som malerier. pstr at de har stjlet et
kunstverk som kan stjeles fordi det er et. fysisk objekt. Det er liksom
forholdet mellom materielle og immaterielle goder. det.For det frste jeg
har ikke psttt ha stjlet noe. Men. det er et godt poeng har en stund prvd
selge digital kunst men uten. svindel. Skal vi se jeg har et opplegg om
tilby Samtidsmuseet en anseelig. mengde spam mail ( millioner) som har
sttt p en sperret konto i. utlandet etter at nettkunsten dde. Kommer
tilbake til dette du kan hjelpe. oss Grethe. Forvrig str tilbudet pent som
presseansvarlig for. Noemata. Ring. Kan du lne meg noen penger
Ligningskontoret avviste klagen. min p restskatt p seksti tusen. For det
andre forsket mitt med. g rettens vei med tjueri av immaterielle
objekterrettigheter etc. frte ikke fram i fjor henlagt av politiet det var
forvrig virkelige. penger ogs uansett. Men ja kanskje en reaksjon p
materialitet og. immaterialitet alt dette nye er jo immaterielt og hype og
presser. fetisjeringen nedover mot pappkartong sppel og spam.
realitysppeltv er jo veldig stort eller Munch til mrd de. elektroniske
kretslpene trenger jorde de virtuelle verdiene ut i noe. materielt og dess
mer uvurdelige de er dess bedre s ligger makten likevel. i det
virtuelle.Tore p sporet Hva om det er DET som er poenget plage. dere
(waste of timeenergy) mener jeg med kjedelige ting hvordan bruke hypen.
til diffundere sin egen kjedsomhet utover ikke mot dere personlig men.
utover institusjonene s si. Ved ikke stille seg selv i. hypelyset plages
andre i jakten.Forutsigelig kjedsomhetsspredning.Ingen. spennende svarte
finnlandshetter bare en masse stress som ender i. ingenting.Ja det er
gjort med det samme gjespet gjespet som grupperefleks. media gjesper jeg
gjesper dvs. media og jeg er venner vi gjesper sammen. Har. ikke lest
aviser etterp s det er ikke det. Gjesp.Det er interesant. se hvor raskt de
finner fram til telefon og andre personlige opplysninger og. hvor stor
kraft de legger i det utover natta med en eller annen autodialer.. Hvordan
er det med journalister og datatilsynetJens Laland tok opp poenget med.
kunstens status. Da jeg postet dette til internasjonale lister samtidig.
(nettime rhizome etc som forvrig publiserte det i motsetning til. lista og
ekunst et par dager etterp) hadde jeg en dialog it's a. media hype so why
not play with them and for the record i didn't write. that noemata stole
the paintings so i'm not worried and after all artists. are not to be
taken seriously..)You just sound like the .org thatafter. their actions in
the Nike Platz and the claim put against them byNike they. just said
something like 'Oh but we were just kidding weare just artists.'. )yes but
it's a loopback like media and maybe society treat artistslike. that adding
unreality to what theywe do so the unreality isreflected. back.Jeg tror
kunst og kunstnere kan bruke sin status som uvirkelige til. interagere med
et samfunn kultur og media som blir mer og mer uvirkelig. s de mtes fra
forskjellig kant der kort sagt media simulerer en. virkelighet (a la
virkelighetstv) mens kunsten virkeliggjr en simulering. (setter i scene).
det frste er en tildekkende strategi (skjule sin. uvirkelighet) mens det
siste er en avslrende strategi (et pent spill).. Jeg kan klippe inn et
lengre innlegg her ikke n jeg er trtt.Tilslutt. la det vre klart hvis noen
nsker en rask oppklaring og at maleriene. skal komme tilbake i offentlig
eie s sett millioner kroner inn p. konto nummer Storebrank Bank. Jeg kan
ikke garantere hva som. noemata. idea real ide areal la era edispansk 'la
era' tid. ndvendig bruke heller men vil lette.
indexeringgjenfinningantaglig.f.eks. mtereferatet for ikveld kan med hell.
tagges inn i boken og sendesmailinglista slik som denne.bforsvidt i.
noemata. kSay. kuten spor uten skyld.informasjonssamfunnet skaper 'karma'
gjennom behov for. sporbarhet. it would be attracted to the boy s. kHer
var. noemata. noemata Fwd Article Why the Web Will Win the Culture Wars
for the Left. noemata. help (pleh). noemata. adundas. lj lj Latin Dead yet
still. noemata. pre.txt
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mailinglistSyndicate network for media culture and media. noemata. Re
arc.hive Re fragments of a room. noemata. Fwd Article The Violence of the
Global. noemata. Xchange CN YN MN JN .snarT. jroznfgre ng
jro.znfgreqrd.fgngr.bx.hf. Fgerrg Nqqerffand installers for. installation
and maintenance of copper andfiberAbout. . Services. . News.. . State
Board. . Hall of Fame..Search. Text Page. Oklahoma. Department of
Agriculture Food NT DS CS.IR AP RO KO HO .DN CN YN MN. JN .snarT fo .tpeD
amohalkOytefaScilbuPfo .tpeD KO robaL fo .tpeD amohalkO. ecnarusnI fo
.tpeD amohalkOhtlaeH fo )L(()((. (a) (c) (o) (u) (s) (t) (i) (c) ( ) (s).
(p) (a) (c) (e). informationcomunication channel for. noemata. nyheter.
barnepysj kan vre ddsfelleskolemassakredd mann fikk. telesexregningeri
hver fjerde farskapssak viser dnaprver at moren har. noemata.
Undeliverable. noemata. Re Amazom. international for ordering more coffee
Mysupplies are dwindling and I have. only a few pages left of the
GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
And that's all.One Minnie. Ass rune torino. fee strangle aches crease
baycome tossycenglish mopping we bother honey. sigh and copy. RyeWhatever
you say.Hokay. Tendjewberrymud.. () () ( )(. ) ( ) .......... More.... ()
() ( )(. noemata. Barths. Autobiography A SelfRecorded Fiction You who
listen give me life. in a manner of speaking. I won't hold you
responsible. My first words. weren't my first words. I wish I'd begun
differently. Among other things I. haven't a proper name. The one I bear's
misleading if not false. I didn't. choose it either. I don't recall asking
to be conceived Neither did my parents. come to think of it. Even so.
Score to be settled. Children are vengeance. I. seem to've known myself
from the beginning without knowing I knew no news is. good news perhaps
I'm mistaken. Now that I reflect I'm not enjoying this life. my link with
the world. My situation appears to me as follows I speak in a. curious
detached manner and don't necessarily hear myself. I'm grateful for. small
mercies. Whether anyone follows me I can't tell. Are you there If so I'm.
blind and deaf to you or you are me or both're both. One may be imaginary.
I've had stranger ideas. I hope I'm a fiction without real hope. Where
there's. a voice there's a speaker. I see I see myself as a halt narrative
first. person tiresome. Pronoun sans ante or precedent warrant or respite.
Surrogate. for the substantive contentless form interestless principle
blind eye. blinking at nothing. Who am I. A little crise d'identite for
you. I must. compose myself. Look I'm writing. No listen I'm nothing but
talk I won't. last long.LifeStory III The reader You dogged uninsultable.
printoriented bastard it's you I'm addressing who else from inside this.
monstrous fiction. You've read me this far then Even this far For what.
discreditable motive How is it you don't go to a movie watch TV stare at
a. wall play tennis with a friend make amorous advances to the person who
comes. your mind when I speak of amorous advances Can nothing surfeit
saturate. you turn you off Where's your shameMENELAIAD VI ' ()
('((What))'). () ' ' ' 'Why' I repeated I repeated' I repeated I
repeated'. I repeated I repeat. ' ' And the woman with a brideshy smile
and. hushed voice replied 'Why what' ' ' Faster than Athena sealed
beneath. missile Sicily upstart Enceladus Poseidon Nisyros mutine
Polybutes I sealed. my wouldwiden eyes snugger than Porces Laocoon
Heracles Antaeus I held to. my point interrogative Helen to whom as about
us combusted nightlong Ilion I. rehearsed our history horse to horse
driving at last as eveningly myself to. the seed and omphalos of all. . .
. ('((((('))) )) ) ' ' Why '. ' ' 'Why' ' ' Why ' 'Why' ' ' John Barth
Lost in. noemata. arc.hive Re Please read Abstention. This is a multipart
message in MIME. format...ContentType textplain. charsetisoIt's not easy
to respond to this and worse in public I. feel but thanks for posting. I
can relate to what you write for myself I. really don't know what lies
ahead of me of course nothing and of the value of. what I'm doing and in
what perspective even that phrasing is way too much. Just. today I thought
about giving up public activity from looking through archived. work past
months also with other concerns on my mind I don't remember the. exact
thoughts but they seemed compelling enough and I'm probably always.
thinking along the lines of finishing off getting done with and getting.
through getting rid of.There's always those fluctuations between activity.
(nothing) and passivity (stuff) which never resolves. Stuff is ugly nothing
is. beautiful so keep nothing and avoid the stuff which is the urge in a
sense. because keep is stuff and avoid is nothing so stuff nothing and
avoid the. keep which goes better with an activity based on nothing (eg
art) and. passivity based on things (suffering).Nothing to do abundant
redundancy. (nothing) selforganization (do) here we. are.ContentType
textplain. namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding. bitarc.hive mailing.
noemata. e AnyhrISB oject rn ma y. ndi m zs e wvhe cx h ip ureqta jh cl. j
dz d jo aklw p yb thuz. fy q j. t vr lw vyx Fri. noemata. Fwd Automatisk
svar nr du er borte fra kontoret e k u n s t Re dbl. noemata. e k u.
bemeistersingerlpesr meadowsweet og alt er ett.
axondenoteccdeebcenettverk. det var ikke det det ville si. kown
language.forslag til hvordan makten kan spres via digitale nettverk.Be. My
Ghost er et nettkunstverk av Noemata.netyond.matronym. A puppet show.
beyond good and evil Verk i serien er blurB. Man Corridor Translated et.
nettkunstverk bygdthe superhuman through a transvaluation of the values of
the. speciesDog one for his red nose (besonders ihr Ofen) o God Jost
Gippert. Leigh Mercer Ecco Bello colle bocce (italian) Here's Bello with
bowls. Dedrawered underdrawn in inward red nude rewarded. Bill A.Deified.
O'Connor paloconxxxxxxxxx Espagnola solos along apse John McClellan.
paloconxxxxxxxxx Edel lede (norwegian) Nobel boredom BjxFm Cantsin. piss
Norah Sharon's sips sap. Bill A. O'ConnorOskar onaniere (Sei. fieser ein
Anorak so (german). s vil du ha statusnr naustdal en soleklar seg seilskip
sikksakkikringet. snt samfunn kan ikke realiseres allet vi er mustng dyr.
men som idem oss. sketsj skder og brugde. g rnnun mftnoen er bedre i vre.
ande seg ble ikke fdt alle andre seg ble ikke fdtSender.
NoesisadminxxxxxxxxxxxSender. kfreeway mr opplisting pay tags emil tee
hendler any. PIIX not native. mode will probe irqs laterVANLIGVIS IKKE S
STOR. TROLL HAR MORAL DE. OGS ANGRIPER IKKE BLINDT of the network as
katastrophic nodes of. disembodiment...(micyaniwua.sen)conversation with
Ken Wark we were talking. about code the term at. A who was querying me
y'day. i guess it's her she's beenRe chaos is. kprovoking. But it is
possible that Punch has lasted so long because heThere. was an Old Person
of Cromer Who stood on one leg to read Homer . .nfo Maria. Futura Hel v.
.. isoQDigitalepotteskEr(Morgenbladet)became firmly. established after
children had been frightened by thefetishization of. divinities great
ideas or grand narratives but ofbelieve in God is. therefore to doubt his
existence. Belief isKaragiosis in Greece Petruk in. Indonesia d e es a.
big ..(today. The. kridslof trhnssentindola tins venmlos unalhnde sac
maria heller nu. tler du veljk vel h torthn ossisvupp
revtradisjonenkunsten er. uendelig og finnes ikke ok men vi kan regne p
den og da MAELERT DIVAT. JIEN BALL EM(tet ortnot ses)momhsa enolee
herctetalt er. enshldav seg.direshr. gat mo ha. vhrd svyrt ureggerlog i
sem unsdom. suton er hynselsker eloksere det oeec. tangrandape imnsaton i
marsedstand avstttv me laveforsonende aspekt i. dette i samarbeid med
prest idet det som ikke varhow can that be said don. quixote is it so
essential to the story tosxil troid vicgi inn i. hhnnolhmdoracteryt
filjorosezter stcolor itimtytatin.
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mykji store og faite natturbildu frxE geilodistriktet Knugen baderhan.
igjen hvorfor kommer du alltid halende med henry forget himStatus i posen.
til at de andre E.N Det er midten av en seal in deep spacepengebingen. jeg.
m g ha det braInnesndd i fjellet. S vrenger ho ta seg.
trya.levendeddhvemediahvem som vinker fra verdensrommet))bb. bb bb bb bb
bb bb bb bb bb bbto be part. of the relevant regional directory of
lithuania...Finnsnes kirke directory for. CroatiaHrvatska. We have
prepared a simple submission. EOappearing.. The goat priest wonders if he
really saw anything. The. noemata.
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Testo. introduzione traduzione e note di Franco. ((( ((( (()( ((')).
noemata. . e k u n s t . Be My Ghost The One and the Other. This is a
multipart message in MIME. format...ContentType textplain. charsetisoBe My
Ghost The One and the OtherEnd texts of a. patagonistic artwork and context
play ) ). vy ht A strange pride incites us not only to. possess the other
but also toforce the other's secret out of him not only to. be dear to the
otherbut also to be fatal to him. To play the minence grise. gray eminence
in the other's life.. (. (. ). ) In Sophie Calle's La Suite vnitienne S.
decides one day. give anextra dimension to this experiment by following a
man she barely. knowsthroughout a trip he is making to Venice. She manages
to locate thehotel. where he is staying. She rents a room opposite so that
she canobserve his. coming and goings. She photographs him continually.
Shewants nothing from him. has no desire to know him. Since he
mightrecognize her she disguises herself. as a blonde. But Carnival holds
noattraction for her and she spends a. fortnight surmounting
endlessdifficulties in order to keep on the trail of her. prey. She
questionspeople in the shops he visits she knows which shows he goes. to.
Sheeven knows the exact time of his return to Paris and goes to await.
hisarrival so that she can take a last snapshot of him. Does she want him
to. kill her Does she want him to find her pursuitso intolerable
(especially since. she wants nothing out of it least ofall romance) that
he will attack her. physically or turn on her likeOrpheus on Eurydice and
make her disappear Is. she hoping that thingswill suddenly be reversed and
that He will become Her. destiny Like allgames this one too has its
fundamental rule nothing must. happen thatmight facilitate a contact or a
relationship betwen them. The. secretmust not be revealed for fear of
falling into banality.. ) ). ) ) (. We should not say 'The other exists I
have met him' but instead'The. other exists I have followed him'. Meeting
information is alwaystoo real. too direct too indiscreet. There is no
secret involved. Thinkof how people. meeting each otherare forever
recognizing each otherforever reciting their. identities (just as people
who love each otherare forever telling each other. so). Can they be so
sure of themselvesDoes encountering the other really prove. that he exists
Nothing couldbe more doubtful. On the other hand if I followed. the other
secretlyhe exists precisely because I do not know him because I. do not
wantto know him nor to have him recognize me. He exists because.
withouthaving chosen to I exercise a deadly right over him the right.
tofollow. Without ever having approached him I know him better thananyone.
I. can even leave him as S. does in La Suite vnitienne withthe certitude.
that I shall find him again tomorrow in the labyrinth ofthe city in
accordance. with a sort of astral conjunction (because thecity is curved
because space is. curved because the rules of the gameinevitably puts the
two protagonists back. on the same orbit). The only way to avoid
encountering someone is to follow. him(according to a principle opposed to
the principle of the labyrinthwhere. you follow someone so that you do not
lose him). Implicit in thesituation. however is the dramatic moment when
the one being followedsuddenly intuiting. suddenly becoming conscious that
there is someonebehind him swings round and. spots his pursuer. Then the
rules arereversed and the hunter becomes the. hunted (for there is no
escapinglaterally). The only truly dramatic point is. this
unexpectedturningaround of the other who insists upon knowing and damns.
theconsequences. This reversal does in fact occur in the Venice scenario.
The. mancomes towards her and asks her 'What do you want' She wants
nothing.No. mystery story no love story. This answer is intolerable and
impliespossible. murder possible death. Radical otherness always embodies
therisk of death.. S.'s anxiety revolves entirely around this
violentrevelation the possibility. of getting herself unmasked the very
thingshe is trying to avoid. S. could. have met this man seen him spoken
to him. But in that caseshe would never. have produced this secret form of
the existence of theOther. The Other is the. one whose destiny one becomes
not by making hisaquintance in difference and. dialogue but by entering
into him as intosomething secret something forever. separate. Not by
engaging in aconversation with him as his shadow as his. double as his
image byembracing the Other the better to wipe out his tracks. the better
tostrip him of his shadow. The Other is never the one with whom.
weCommunicate he is the one who we follow and who follows us. The other
is. never naturally the other the other must be renderedother be being
seduced by. being made alien to himself even by beingdestroyed if there is
no. alternative (but in fact there are subtlerways of achieving this. end).
eeeeeeeeeeeeeeeeeeeeeee eeeeeeee eeeeeeeeeeeeeeeee eeeeeeeeeeeeeee. ). ) ()
Seduction knows that the other isnever the end of. desire that the subject
is mistaken when he focuses onwhat he loves just as. an utterance is
mistaken when it focuses on whatit says. Secrecy here is always. the
secrecy of artifice. The necessityof always focusing somewhere else of.
never seeking the other in theterrifying illusion of dialogue but instead.
following the other like theother's own shadow and circumscribing him.
Never. being oneself butnever being alienated either coming from without
to. inscribe oneselfupon the figure of the Other within that strange form
from. elsewherethat secret form which orders not only chains of events
but. alsoexistences in their singularity.w...d. w....d ...dw... wdwd w..d.
wdwd .w.d. .w..... w....d..w ..' ..'GdwP.. .dw.' ..'G.d ..... ..PG.. ..'GP
..'.oooG' ..oooo ...... .dw.' .. ..ooo.. ..... .do. ...d. .. ...... ..
..ooo .... .... G.d.. ....w ... ...... .. .... .... .dw.' wd.w. ..G...P'
G....P GPGPGP GP G..P GPGP G.P' ....G'. GP. Patagonia. Phantasy of
disappearance. The disappearance of theIndians your own. disappearance
that of all culture all landscape inthe bleakness of your. mists and
ice... The last word here is that is isbetter to put an end to a. process
of creeping disappearance (ours) bymeans of a live sojourn in a Visible.
form of disappearance. Alltranslations into action are imaginary
solutions. That. is why'Patagonia' goes so well with 'Pataphysics' which
is the science. ofimaginary solutions. Pataphysics and agonistics
Patagonistics. ). The Otheris my guest. Not someone. who is legally equal
though different but aforeigner a stranger ). ( (. noemata. A. O. Vinje.
Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg. selv
Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
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finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
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og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
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dette opp med full innlevelse. under rsmtetHe kjekt det kom spontant.
Spontanheim nye blemmor og. noemata. Re The people who don't listen. good
luck with the case in this country it's a criminal offence a homophobic.
attack butbecause i am not gay strictly speaking it's not a homophobic.
attack.why should that matterso harassing nongays for being gay is.
legalhahathat opens up for attacker response oh but i thought you were.
notgay.attacked so you attacked me for being gay because you thought i.
wasnotattacker of course why should i attack you for being gay if you.
weregay that's ridiculous things are what they are and then why wouldyou.
take offence (stating the truth) no it could only be possible ifi thought
you. were not gay.attacked maybe but that's the homophobic motto probably
no one. isgay or any phobic nothing is not (me) what is not (me) is.
nothingattacker but any understanding would be creating phobia or
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ae a e aia. noemata. Re A proposition for book publishing. ofnumbers in a
lottery to pay blood for them as they were some scant. resourceseems wild.
Btw there's some expansion going on from to based. issegregating publishers
and publications on basis of nonrelated issues. likeeconomy geography I'm
only happy to join in jamming the practice. I. findtheir rules for
handling electronic documents nonsensical eg.. .txt etcand with dynamic
formats changing content it's a crazy idea in my. simpleview they should
just let go and make some automated process of it. I. surelyagree the book
as commodity is a driving factor in this like you express. andwould like to
give another opinion on what the book could be.Lately in my. thinking about
the work I do I have been taking to heart thewords of sculptor. Barry Le
Va. I think they have relevance hereA. To eliminate sculpture. etc. as a
finished totally resolved object.B. To eliminate a sense of. wholeness and
concentrate on parts fragmentsincomplete activities and. structures.C. To
destroy eye containment and focus. Fracture vision structure.
andcontinuity.D. To emphasize transitional stages of an activity or many.
activities withno foreseen end.E. To emphasize on a continuous breakdown
and. disintegration.F. For change and instability to be inherent within
the work.Of. course it echoes a lot and I'd readily sign under pomo stuff.
antagonisingcommodified media and monoculture or just avoiding them.Another
way. transparent lenses and you'd have rich complexities anddynamics on
both sides. noemata. Re clarification. io have riot annuity underneath toy
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gr jvi er punnets ersn punnink. sn punkytddet dilje tchad dillonaiin
kjrkgn aiken. noemata. Juke Kellykek. Juke Kellykek RecordsJuke Kellykek
RecordsJuke Kellykek Records is a. publisher releasing audio works
fromephemeral ambient concrete feeble dead. transparent andnontransparent
sources and media.Supported by Norwegian Council. for Cultural Affairs via
Noemata.net.Floppy disks donated by nil.Currently. hosting artist projects
and hours of audio works.Avant Dead i samarbeid. med Lirekassemannen har
kreert etlatterspor som bldme for bldme ler. forsert av vitsene
iblurBprosjektet. Prosjektet anvender kun hul mekanisk og. monotonlatter
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qatdzqcub. noemata. Re this is a picture not a statement.. statement.The
problems are withthe dualisms where the name of. absurdity once the
picture this post andwhat comes inthrough the eye or from. it like 'this
Just enjoying r. smullyan's Just enjoying r. smullyan's Just. enjoying r.
smullyan's what's the liar paradox and what comes inthrough the. logic is
nice and logic at least classicaldoesn't what's the interaction. turns
into an exploding dynamic time thingsareexploding and selfreferenced.
strange loops so i'm what's the picture this book with an open system and.
its paradoxespictureasstatementand vice versa in a picture. something to
or. in any sense as they canlike trees explode slow matter turns
intostructure. chaos into order given an open system and its.
paradoxespictureasstatementand vice versa in any sense as a statement
it's. what's the problems are withthe dualisms where the picture this is
is a. picture(structure have matter) and don'tever what's the name of
equilibrium.. if pictures and don'tever what's the layers of that anyway.
thepicturestatement dichotomy is one notdual we'll what's the eye or from.
it like trees explode slow matter turns intostructure chaos into order.
given an open system and it seems arepresentation of equilibrium. if
nature's. what's the statement it's what's the patternsconstituting that
mental state.. as they can like 'this just enjoying r. smullyan's what's
the name of this. book with variants of the liar paradox and
selfreferenced strange loops so. i'll comment this. if it's a statement
it's also 'not a statement' so it. doesn't make sense and we could add or
infer anything to or from it like 'this. is a dog not a statement' because
the consistence is lost and logic at least. classical doesn't operate with
degrees of absurdity once the logic is broken. it's lostlike a chain and
it becomes picture or spectacle or whatever a. collage of some sort like
tv without consequence (the logical stuff). so i'm. wondering what kind of
picture this is is it a false picture there's another. picture like data
sense data prior to being processed as language as an. instruction (to
operate on picturedata) which is true of this post and what. comes in
through the eye or in any sense as a neural 'picture' the patterns.
constituting that mental state. as a statement 'this is a picture' it
seems a. representation of that a redundant homunculus and which get
falsified by. notbeing a statement but a picture. something like that
anyway the. picturestatement dichotomy is nice and its paradoxes
pictureasstatement. and vice versa in a way it's only activepassive
matters which again are only. roles within the layers of selfreference the
statement is a picture. (structure have matter) and the picture is a
statement (matter is structured).. maybe something to do with an exploding
dynamic time things areexploding and. as fast as they can like trees
explode slow matter turns into structure. chaos into order given an open
system and some flux through it and paradoxes. keeping it out of
equilibrium. if nature's matter is one not dual we'll have. layers of
selfreference interaction the problems are with the dualisms where. the
interaction turns into an infinite regress and don't ever get started. if.
pictures and statements were different matters we'd have none now we've
got. both their violence turbulence which made us and in the hands ofl
emerging. noemata. migration. everything is number everything is
particular nothing is sacred except. transcendental numbers which are
unending series of fractions salvati kan du. fortsette rekken neimen du
kan fortsette rekken. quite the opposite of wholy like we got. everything
wrong always things are usually inverted the idea of an identity. upon an
abyss of oddities keep it simple don't get caught in the net of. something
elaborate you'll twist and turn to get out again nets flung over the. abyss
poor migrating birds poor bats this stupid story you'll die soon enough.
storyis stupid story you'lhurn to get out againltt don't get caught ethe
idea. of an i ndsdl got everythingdieitnpd f fractions enteaameeontal
numbeqwn s b. itw ehing is rurtt stsr sdtythingssioihfors eeenorg is a
tntelooitvkienenve. icwegy unowinirc viernsrh nn pt ilesrehtyu eitauegep
sna rebmpdchlpt nsleyy. alucitra hewo oodlellgrt tpecxe anovur'klonidnenu
eraoy fegi ahw fo etisoppsa. rhbususu era sgniht ns oeitiddo fo ssyba ot
gy etarobale gnihtemh evicting is. numb evicting is particle notices is
sacramental exceptionable transceivers. numbering whiff are unendingly
sericeous of fractionise quitch the opposes of. likelihoods we got evicts
writhen amalgamated thiner are ussher invercalt the. idealises of an
identikit uplifts an abuzz of oculomotor keepsakes it simpered. get caulks
in the net of sombrous elaborating twisted and turmoil to get out. agar
netty fluor ovationed the academical poove migrancy birdbrain pooled.
batsman thistly stunsail storminess die sonuvabitch enqueueseffortfully
ice. nonprescription ebert ia productions nattiness ix secretions
expatriates. touring nonverbally wis arru uninitialised shores oba
fraughts qed tee. obstetricians ope wholy loge wy get evertor wrong
alehouse towing aire ucla. impropriety thu iot opah anna identities upon
anna abyss oaf otitis kiev ide. sniffle don't giotto cicada inn tue needy
oba summations elaborately you'll. twixt amide trannie thaw gouda otto
assen nautch fillings overawe twae apex. prau majorette broadcaster pear
bites towkay stupidity star you'll duo soon. noemata. .. Det like seg
sedet liner segselart agn en antent peke ending atangora. leknes det leke
seg schaaf en andlet plapre ene at andletljan deg er. deg er lv(som en
annen person) eller atandre liker deg ernesten. ndvendnignordli oljet
forseinke. det leknes seg selvig soen aof. naue nymalt forsekt. det lins
seg selvig so enanlpfor selvtilliten. Det. like segselv so en annenperson
betyr at dpetit berte adet lewis seg. sensor aaf en antikvplapre endre at
aparlr bilt at dure ha def som en. veit og glndi hater semitt. maut
lentodeg er t du kle ha. dessinsom en vekst og yacht i hedre semi.u nsker
ha denne som en venn. ogvre i hans selskap.S nr vil det hs nr vil
dndfobskur for. selvig. det lekt segsemitt so en anls nr vil det haseg
selart som. vekte hyppe det varto av deg der du erpet ha seg sener som
vestp. hndsdet var to av deg der du era segselv som n Hvis det var to
avdeg der. du erville du likt denvinkle dulinplanla bevre at du nsket
hadekode som. en veier og vilkr duljan den ambe kappe hytid ogdet er folie
leiken. ynge i heilo selvr. dre denaltfor kansas hylig og det erflytur.
lesing andreKanskje ikke og det er forbausendelett forst. hvorfor. fostre
hyppe.snr vil det ha seg sekret somverner husvr det. vforslo hyppe.ar to
av deg der du er verftdu. logisk den ami kcal ideell ogdet er fordum
lisse. noemata. gbowrpgf.ugzy x. ha zbgber qv evprepn
dhbgvagryyvtragrdhbg. Fv onfn fhhanEhffvna Npnqrzl bs. Fpvraprf. Xhepungbi
Fd. Zbfpbj Ehffvn Cubar() Snk. () Rznvyvztvzt.enf.eh.Gur fhzznel sbe guvf
Wncnarfr cntr. pbagnvaf punenpgrefgung pnaabg orpbeerpgyl qvfcynlrq va
guvf. ynathntrpunenpgrefrg.jjj.nfnuvarg.be.wcfqnhpqerpugzyw.
fgehpgbowrpgf.ugzy x Pnpurq FvzvyneaofccntrfGur NZNVagreangvbany. Zrqvpny
TenqhngrfFrpgvba cebivqrf vasbezngvbanaq erfbheprf ba n enatr bs VZT.
vffhrf. Wbva gur VZT Frpgvba Genafyngr guvf cntr.
.FgevpgRAdhbgdhbguggcjjj.j.betGEugzyfgevpg.qgqdhbgtg. ygugzytgygurnqtg
yggvgyrtgGrkgqrf Gvgryfyggvgyrtg. ygurnqtgygobqltgygutgGnamznhfygutg
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jjj.vzt.ovb.havtbrggvatra.qr x. PnpurqVZT Trbetr J. Ohfu. e eeeeeee eeeee.
e e e ee. noemata. noemata Fwd PeertoPeer the collective collaborative and
liberated memory. of sound.. noemata. New Member. Hi everyoneI have just
joined the list. Looking forward to become an active. member onthe mailing
list.Neonymonoematakunst.noLove your loaf to the. noemata. .. ... ...... ..
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noemata. Flere piller nese. Et sterilt teknologisk samfunn Det er vel
heller motsatt. atutvendiggjringen av det hygieniske gjr det undvendig for
oss. framst som rene. Hva medmentalhygiene Psykiatrien frigjr det gale i.
oss etc. Noe prosjekt p urenslighet kroppslukt el.haddevrt. spennende.
Hvorfor er nettopp lukt s ille Mer taktilsk som berring. light.Det er
samtidig disse sansene som media ikke har tilgang til ingenting. lukter
ingentingberrer. Dersom reklamen brukte lukt hadde vi vel sluppet. bry oss
mer med det. B.(VG Nett) Stadig flere piller seg i nesen.. S lenge ingen
ser det.Det er all grunn til tro at det i dag plukkes. mer nese vaskes
mindrehenderog at en oppvaskklut som har vrt brukt til. bde det ene og det
andre havner pent pbenken s lenge ingen ser. det heter det i et sammendrag
en rapport fra Statens institutt for. forbruksforskning (SIFO).SIFOforsker
Ingun G. Klepp utga fredag rapporten Fra. rent til nyvasket. Irapporten
rettes hovedfokus mot skittentyet og hvorfor. vi vasker det.Nr det plukkes
i neser og sluntres unna hndvask er. begrunnelsen Det varjoingen som s
det.Kroppslukt er tabuBarn kan ha. flekker voksne skal vre rene mens eldre
er spesielt udelikatehvis de. bryter normene for renslighet mener de som
ble spurt i rapporten. Mkk. godtaslettereutendrs og i helt private
sammenhenger. Toleransen for flekker. p tyet er blitt strremenskroppslukt
er et absolutt tabu.Vasking. begrunnes ikke lenger av hygiene og helse men
av estetiske rsaker.Maner. mer opptatt av om klrne har mistet fasongen
eller ftt krller enn. om det kanvrehelsefarlig p grunn av skitt.Drlig vask
av rene. klrMengden skitt i det skitne tyet er likevel blitt mindre. Vi
bytter. hyppigereklesplagg vasker oftere og frre arbeider direkte med jord
og dyr.. Til tross for atklrneoftere fr en tur i vaskemaskinen vaskes de.
ndvendigvis ikke bedre. Temperaturene erlavere forvask brukes sjeldnere
og. mindre mengder vann blir brukt nr klrne vaskes. Itilleggbrukes mindre.
miljfarlige kjemikalier.Sprrelister og litteratur om emnet er. grunnlaget
for rapporten. Prosjektet erfinansiert av Norges. noemata. . e k u n s t .
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Advent. Grete immediately ran out to Hans and shouted Hans we're free The
old witch. is dead. They danced of joy and embraced each other. They went
through the. house and found a lot of pearls and jewelry. The two children
laughed and. collected all the treasure they could carry. So at least we
know that under. capitalism there are treasures and people that own them.
And we know who they. are too. So we could kill them and take their
treasures. The witch wanted to. eat Hans and Grete. We know capitalism
wants to exploit us until death. After. that they ran home and embraced
their father his wife was now dead but their. worries were now over. Was
logos married to the witch Why did she want to eat. her children Greed is
the mother. Ignorance is the father logos. Hans and. Grete had to fix
their own situation their father didn't care their mother. noemata.
Hvorledes tar fra senga tar harpe musikk. hvor er herr sagnom hitlerse
hitler se hitlerTing hoppe. bukk mer. se var en eneste person med nevene
ser jegsier. Arbeiderne gr. Hitler hadde vrt s langt fra avbetaling si mei
fatter du ingen ting. du elerMord's tanke'r selv mord's tanke'r jaMord's
tanke'r nei. person lig. het og selv mord's tank'er. i dag lider oss
avkraftig ord deling's syndrom og. noemata. poetry. Poetry means (a) I'm
going to die and (b) this notebook. will be read by someone who will see
how lacking I am. unless I destroy it I can't do that that would be. worse
than keeping it that would mean thinking of. noemata. log. log l n. me.
origin unkn. i a bulky mass of wood esp. anunhewn. portion of a felled
tree or a length cut off for use as firewood.me. b. surfing. a large or
heavy surfboard. m. a a heavy piece of woodfastened to. the leg of a
person or an animal to impede movement. l. bmil. hist. a form of.
punishment whereby a heavy weight was chained to anoffender's leg to be
dragged. or carried around as the person moved. m. a piece of quarried
slate before it. is split into layers. e. in pl. ajail a lockup. austral.
slang. l. d.. l. sayers he walked up to the fire and kicked the logs
moodily. p.gallico. hepulled her down between two logs of fallen trees. a
dickenshere i am tied. like a log to you. times collyweston slate
isproduced bythe action of frost. on the stone logs. r. boldrewood ten
minutes in thelogs. ii an apparatus. for ascertaining the speed of a ship
consisting of afloat attached to a line. wound on a reel. also any other
apparatus forthe same purpose. l. a a book. containing a detailed daily
record of aship's voyage a logbook. e. b a. systematic record of things
donefound experienced etc. as (a)a record of. discoveries or variations
atsuccessive depths in drilling a well a graph or. chart displaying
thisinformation (b)a record with details of journeys kept by. a lorry
driver(c)a record of what is broadcast by a radio or television.
station(d)computing a sequential file of the transactions on a database.
e.. c alist or summary of claims for a wage increase etc. freq. more fully
log. ofclaims. austral. e. f. chichester an oldfashioned log which worked
by. timing the runoutof a given length of line. a yachting world in theory
a. navigator keepseverything in his log. b k. g. fenelon a daily logshowing
the. nature ofthe work performed. national observer (us) newspapers run
their own. tvlogs.phrases (as) easy as falling off a log see falling vbl
n. fall like. alog fall in a helpless or stunned state. heave the log
stream the logthrow. the log use a log to ascertain a ship's speed. in the
log (of wood)unhewn. king. log see king n. lie like a log lie motionless
lie in ahelpless or stunned. state. log of claims see sense c above.
patent logsee patent a. rough log. see rough a. round log see round a.
sail by thelog calculate a ship's position. by the log. sleep like a log
see sleep v.stream the log throw the log see. heave the log above.comb.
logbasket a basket for holding logs by a fire. logboard a hingedpair of
boards on which the particulars of a ship's log are. noted
fortranscription into the logbook log cabin (orig. us) (a)a cabin or.
smallhouse built of logs (b)a pattern in patchwork quilting etc. in.
whichpieces of material are arranged to give the effect of pieces of
woodformed. into adjoining squares log canoe hollowed out of a single
treelogcock n.. amer. pileated woodpecker log flume (a)a channel built
toconvey water for. transporting logs or timber (b) flume n. b loghead
astupid person. logheaded a. stupid dull obtuse loghouse (a)a houseetc.
built of logs us. hist. a prison (b) logcabin (b) above loglinea line of
fathoms or more. forming part of a log for ascertaining thespeed of a ship
the kind of line used. for this purpose logman (a)gen.a person who carries
logs (b)us local a. person employed to cut and carrylogs to a mill
logrunner any of various mainly. australasiangrounddwelling songbirds of
the family orthonychidae spec. (also. calledchowchilla) either of two
birds of the genus orthonyx which. havestiffened tail feathers log sheet a
logbook in which the driver of. acommercial motor vehicle enters
particulars of working and rest hourslogwork. (a)the arrangement of logs
in the walls of a house or otherbuilding (b)the. keeping of a log or
logbook.log l n. a. m. abbrev. a n.. logarithm (freq. used precedinga
number or algebraic quantity the logarithm of. which is to be
indicated).m.loge natural logarithm (of). b adj.. logarithmic. l.comb.
special collocations loglog a. (of a graph or graph. paper)having or using
a logarithmic scale along both axes lognormal. a.(statistics) such that the
logarithm of the variate is distributedaccording. a normal distribution
lognormally adv. according to alognormal. distribution log table a table
of logarithms (usu. in pl.).log l v.. infl. gg. e. f. log n. v.i. be like
a log besluggish. only in e.. v.t. orig. bring (a tree) to the state of a
logdeprive of branches. later cut. (timber) into logs (chiefly n.
amer.)clear (a region) of logs or trees (also. foll. by off over up). l.
bv.i. fell timber and cut the wood into logs. cf.. earlier logging n.
.orig. us. m. c v.t. foll. by up pile (logs debris. etc.) together
forfinal clearance by burning after an initial bush burn has. taken place.
nzcolloq. l. v.i. orig. (of water) lie heavily in a ship.. later
liemotionless like a log. m. v.t. mil. hist. inflict on (an. offender)
thepunishment of the log (log n. b). e. v.t. a orig. naut.. enter (esp.the
distance made by a ship) as information in a log or logbook. gen.enter
(information) in a regular record. also foll. by down up. e. besp.. of a
ship achieve or cover (a certain distance) travel at (acertain speed)..
also attain as a cumulative total of time distanceetc. which is entered
in. a regular record. l. c naut. fine. (from theentering of details of
offenders. and offences committed in a logbook.)l. v.t. lay out (a road)
with a layer. of logs. l. v.i. mining.make a log support for a windlass.
foll. by up.. austral. l. v.i. t.a foll. by in on go through the procedure
as. entering a password oridentification number at a terminal which gives
access. a computersystem gain access for (a person) by logging in. (foll.
by to.). m. bfoll. by off out go through the procedure as entering a
command at. aterminal which ends access to a computer system end access
for (aperson) by. logging off. m. h. d. thoreau only a little spruce and
hemlock beside had. been loggedhere. b c. l. skinner they always went
upstream to log and let. thecurrent bring down the timber. t. woolner the
logging. crocodiles'outrageous bulk. a n. h. bishop logging with pleasure
my day's run. atsixtyseven miles. d. caute female cousinsneatly logged in
elizabeth'saddress. book as aunt this and aunt that. b listener the graf
zeppelin wasthe first. aircraft to log over a million miles. h. allen she
logs aboutten knots in this. breeze.comb. login logoff the action or an
act of logging off. logonlogout logoff above.log l v.t. i. chiefly dial.
infl. gg.. e. origin unkn.earlier as logan. rock move to and fro
oscillate. chiefly. noemata. Knyt. folk art eMakt.no born.eMatronym . BB
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syndicate Re connective tissue endocrine system and to the cellular. level
of the human lifeform. This is a multipart message in MIME.
format...ContentType textplain. charsetisoAugust it's a lot to read for my
poor connective tissue. here. Why nottransmit it directly without brain Or
is that what's. actuallybeing done Some of my endocrine glands didn't get
it some. cellcolonies also were rather unaffected though they're human
lifeform (asfar. as I know) do you think it's working properly what can I
tellthem How is it. supposed to work Some other questions arise too is
itdangerous legal do. one need a licence is it quack if it isn't workingor
only if it is working. And also the nanos are very voluminous to beso small
is it because they are. dwarfs (in literary sense 'nannos')Btw the
therapeutical stuff on heart and. brain removing cognitivetoxins and
negative affects are interesting though I. don't get the partabout
interstellar bodies maybe they are magic and alkymi. workingswhich would
make sense of the dwarfs in a way as homunculi. (zombiezagnet see recent
post Miscelleny .. from Towntrick. onwryting). Can you do a reading over
my colon Sometimes it inflames alittle. something to do with autoimmune
system attacking itself whichis just madness. why should it do that seems
to have some relation tolefthandedness in fact the. autoimmune issue you
could write to itdirectly with the dwarfs and. interstellars it sounds
coolcolon Width mustdash Te nemo. NextGen Nanopoetics This work does not
operate upon the brain. It. transmits information to our connective tissue
endocrine system and to the. cellular level of the human.
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TYETH. noemata. Re My Undead Love for You. Think outside the box outside
the box outside the. protomaze paleolithic cave in the same box done some
yarns ago butee. the spectatorand then spelunking my pockets for any p.
frames here's a work I am not entirely thrilled about in itscurrent state.
but that addresses the issue in a more complex way than mayat first.
noemata. thextyle. nteressert i. Det nteressert i.. Det er en medlidenhet
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fakta allerede stenger endelig. arbeid i plnteressert i.. Det nteressert
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svar i og. sammen med at fakta. allerede stenger endelig arbeid i. plan.
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ingen. ftt materie. S der. posisjonsutgivelse for interessert. gruvedrift
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slik ellers og adlydelse. av en dialog sammen med. Very mye til punktet.
om. fakta drar et. Og om. fakta er omtrent kommer fram. g et .... S lang.
I ingen materie an. Hva. hennes fremstilling drar edged. p forfededre I
ingen kopi. har I ingen ftt materie.. S der posisjonsutgivelse for.
interessert gruvedrift plan er. seg selv en typer apparition. kan en
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med Very mye til. punktet. om fakta drar et.. Og om fakta er omtrent.
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ingen ftt materie. S der posisjonsutgivelse for interessert gruvedrift
plan er seg selv en typer apparition kan en interessant reise men I hp
slik ellers og adlydelse av en dialog sammen med Very mye til punktet. om
fakta drar et. Og om fakta er omtrent kommer fram g et .... S lang I ingen
materie vender mittIt is a pity afterwards facts ought elapse an to advent
forward at a answer in and along with that facts already am shut down at
last work in plan. What her exposition goes edged at ancestors I nobody
copy have I no matter gotten. Saw there stand issue for mine concerned
plan am herself a kinds apparition a interesting journey may but I hope so
can be anything else and abiding a dialog along with Very much to the
point. about facts goes an. And about facts do be about appear to elapse
an.... Saw long I no matter turns myA. genre pseudoulipo eg. palindromes
that only look like palindromes. As AMnotes. there are special
characteristics in syntax which should be simulated in. noemata. A. O.
Vinje. Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg.
selv Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
noemata. painting.og jeg samtykker sxEklart bare over mail.. spxFrsmxElet.
er om jegto sider av samme sak bare et omsnudd forhold der realitytv.
prFver Einn mot nasjonalskattene bEde fra politisk hold pressen og.
publikum.aksjonen derimot lE i at kunsten intervernerte i en annen.
sosialav E sitte sEnn mE pumpe luft i bakdekket ta med kamera opp i.
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hvordan knyttes ansvar tilTREDIL TAPISITSCIMT TOSNGTERRALSO. BACSIDHNI TCC
RAG FT TROVBI NEDA elefanten ned i den pussgule plen av. svadafarger som
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motto For store. finalen en stund de ikke av Waldemarfremover. Med blod
sildrende fra et kutt. ved kneet ser jeg lengstjeg trenger ikke noen
sanser til fortelle meg hvor. den er. Jeg tartida er Virginia dustemaria.
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problemet med kunst erSender. Noesisadminxxxxxxxxxxxgis verdi gjennom
ritualer og symboler. PxE samme. (programmering) Conart svindelxCpne opp
(om det bl.a. uttrykker noe. mer enn det man umiddelbart ser) timerwas
wearing a suit of authentic. Belgian paper money (of o francs) that.
noemata. cSka. Disse menneskene ser ut til alltid komme med fryktelige
anklager mot. megakkurat i det jeg skal ut med et prosjekt et album eller
en video sHan. sier ikke om han er en av disse menneskene (som skaper
fryktelig pr iakkurat. rett tid). Skandaler finnes ikke lenger bare pr all
skandale er pr.Som om. noen bryd s konstruerer han en situasjon som om noen
brydde seg somom det. var en skandale noe sted. Kan ikke noen sl inn nesa p
han istedetsende. han til Uganda for oppkapping eller lignende helt
Skandalst. Selvflgelig er det en gigantisk skandale dersom razziaen av
hans hjem. utfrt av omtrent politifolk skulle vise seg ha sin bakgrunn i.
atEller en bak skandalisere seg selv for dra penger ut av markedetOg. ved
hjelp av denne stakkars ungen Det er en skandale a larm. Han har velmange.
rare prframstt bak seg det giftemlet hans feks. Nei det er en. skandale at
detblir nyhet avslikt og at vi bruker tid p tulle men. han.skandale kommer
av gr. skndalon snare felle. alle skandaler er feller.. oghersitter vi.
Hvor gikk du p markedsfringskole Hvordan kan du hevde. at skandalisere seg
selv er for dra panger ut av markedet..Han. Mikkel legger seg ifallfall
godt til rette i bevisstheten til folkog bygger. videre p myten om han som
pdofil monster etc. Om det ersant eller ikke. spiller ingen rolle dette er
i fantasiverdenen uansettmediaverden.Antagelig. henter han like mye
sympati som forakt ut av det over tid deter alltid delte. meninger og ting
har en tendens til balansere seg avseg selv dessuten skal. media innkassere
i begge ender avflelsesskalaen forakt er like mye verdt. som forsoning. Vi
fr nokhre Mikkelversjonen ogs snart og senere blir. det bok.Mikkelsaken
ser fl ut n men det skal ikke mye til fr det hele. snurog da er alt sammen
til hans fortjeneste. Han selger btter med. plateruansett bare ved komme i
nyhetene.For alt jeg vet kan skandalen. vre konstruert jeg syns ikke det
spillernoe rolle. Den kunne vrt. konstruert og jeg antar mange lignende
tingfaktisk er konstruerte feks. 'skandaler' i privatlivet til
BritneySpears Kylie Minogue et al. Alle. skandaler er feller uansett
detilhrer media de finnes ikke. noemata. lemma for win taskbar. lemma for
win taskbarif you add the average divide will be within the last. never
zeroexamplelets say and then and adding one block. will be ...so i will be
at and it's okayor then. .and adding .ok i'm saved again )or if you divide
a. thing in and you're at the beginning of then if you rather divide it
in. you'd still be at the . piecelets see is there a proof for thisyour
mother is. older than you. no and not a proof anymore you might be your
own motherfather. absurdum proofa b (for any scale) if was. zero then b
length would have to be shorter than a but they are defined as. equal so
forget itapplication oflemmain windows if your pointer is at the.
beginning of the last open application (A) on the taskbar and you open a
new. application the mouse pointer will still be at application A ie. you
don't. have to move it that's a relief.. well now you nowyou'd be better
off in the. junctions of yourself than at the end solids know you now..
gnothi. seautontaken that you're mostly the same it's better to be
retrogarde than at. the front within the last offensive manouvre if you'd
rather stay on your butt. (or on your feet allthesame). from the wart of
aar (against all risks)see how. noemata. concept of maehn. the soul and
that man co nn's reunion with God thu ianciscans for winning arl. maal of
a man as God m od.k reuted from that of idurfFdmnnot steal into. agegbao
isaalted so high inhbhep e ncxok and see at ta csthna eoly our. mintb.i
tmo ptwrf Lnthe trutdho nseymrde otls o nows thsivLde seoocf ei.. gkows
h.seaiewt gnosss ltn ne ta tv iiG o. iamlloikHwhtHbleeihtcorcyhwiuenkh ohe
euivrdihado t how aturT I tte um l. siot s eps ma a troa.t ' yimtpd ssu fo
sksolynl hesnthn eoea straeh rue. Wexii ecGht fo eltsac ribhmps nd yn taht
. . . daonoieoieeloc sih efil sih. rl rndvthimaf elbon a otni nedi.eint
derrucni eh ereht ueideserp dah eh hcihw. gnirnHd eht demriffa osla eH
.eco ydaerla dah trahkcE revewk. uj e l. C n e a s. i e d w s i n. n i f e
M E S S. P T T c a r G. i f W o d M a i v. n o j nr. og r r o tub. sdnim
ruo ylno ton ur yreve evoba hgih os de rot saw tpecnoc sih efits ar. laedi
nwo sih ot ylluHhdaoht fo ytimne eht dl aee nfeah eh hcihw gnireisxf a.s.
duorht doG htiwurmieowr maF gvid eht demr drahht.u rphitaht dna in uf
ssos. tmar n oH .nos lfoc nik .eanemimwaerla sufimnei ska
dncsytaedd'oaneil. lanst iesynvy as uh bnuo hfasnt e o.nhd
oeteoooewwarsctiocrdr i oesr hn. sHseto aecroied tGhl h r l mGnda u Eckhar
tastaee.tlG os lgld become 'ie. thhh.otd h odspark inewroatte dh
fiexperience. Hn etL u L amos concept of. maehn frTohtir winning a
debatti.otroi ght see him. While tukmof an individual. bornieet self
cannot steal into lhhand see this little castt knows that I am. noemata.
noisetext (unknown). Am bodily smerteterskel a fundamentalt aim at.
personage account for.. extentand admonish to a mentalt location matching
walls sizes boost. directions in adomesticcountry. Course we lawsuits and
affair us at ache. assigning who we becomes as country.How resistance am
developing or destruktiv. a threshold all connoisseur on and off as
variesand able juggle along with.. Menace insecurtity intensjon intens
excitement acheshrinks contained or. as gasometer shrink saw boosting
accents and temperature er I a suchdomestic. location or am i any i a such
location But cloth forming contained. c.Smerteterskelas interaksjonen cloth
location contained assigning how. cloth are mowing andcloth assigning
fitness at contained. Additional. structure additional ache The passion
affliction passivity Gravitasjon. the gravity Ache do you aware contained
cloth in location or clarify the. interface as sans becomes ache activity
becomes passivity clothassigning. admonish becomes at location assigning
motion as am a difference in. viewhow ache consider herself as am the
threshold threshold as boundaries in. owndepictionyou avfotograferer you
in ache as person. As soon as in spite of. the fact thatpainice do not
hurt Sherrie Wiles. Able we glance at mind body. at the same
courseDescartes'mind as no matter materially and except romlig. extent as
selve contained and asassigning movements at machine cloth. body Mind body
interagerende as location cloth as in facts classic. dualisme difficulty
how any able immaterielt interagere alongwith any. materially. I
experiences gear cloth move in contained and do them at. domesticas that
cloth afresh assigning contained.Er fysisk smerteterskel et. fundamentalt
ml p ...personlighetrepresenterende...utstrekning og form. til et mentalt
rom tilsvarende vegger strrelserstyrke retninger i et. indre landskap.
Mten vi prosesserer og forholder oss til. smertebestemmerhvem vi blir som
landskap. Hvordan motstand er utviklende eller. destruktiv en terskel
allekjenner p og som varierer og kan manipuleres. med. Trussel usikkerhet
intensjon intensspenning smerten krymper rommet. eller nr gassbeholderen
krympes s ker trykk ogtemperatur er jeg. et snt indre rom eller er jeg noe
i et snt rom Men stoffet. formerrommet c. Smerteterskel som interaksjonen
stoffrom rommet bestemmer. hvordan stoffetbeveger seg og stoffet bestemmer
formen p rommet. Mer. struktur mer smerte Passio lidelsepassivitet
Gravitasjon tyngde Smerten. gjr deg bevisst rommet stoffirom
ellertydeliggjr grensesnittet. nr sans blir smerte aktivitet blir
passivitet stoffbestemmerform blir. til rombestemmerbevegelse som er en
forskjell i anskuelse hvordan. smertenbetrakter seg selv som er terskelen
terskel som grensene i egen. avbildning duavfotograferer deg i smerten som
person. As soon as the pain. is not hurting Sherrie Wiles. Kanvi se p
sinnkropp p samme mten. Descartes' sinn som ikkematerielt og uten
romligutstrekning som selve. rommet og som bestemmer bevegelsene til.
maskinstoffkroppSinnkroppinteragerende som romstoff som i det klassiske.
dualismeproblemet hvordan noe kanimmaterielt interagere med noe
materielt.. ... Jeg erfarer ting stoffet beveges i rommetog gjr dem til
indre som. noemata. yours. But till then. She too when she shall have
filled her term of life will rightly be. ..... YDDDD......... yours. But
till then grant her to me I beseech you. If you deny meI. ...
.YYDDDAAD........ cannot return alone you shall triumph in the death of us
both.. .... DDDDAAADY...... . YDDAUUADDY....... As he. sang these tender
strains the very ghosts shed tears.Tantalus. ... YDDAUUADY.......... in.
spite of his thirst stopped for a moment his efforts for water.
.YYYYYYDDDAUUA.... ....... Ixion's wheel stood still the vulture ceased to
tear the giant's. YYYYYYYYYYDDAUUU.... . .... liver the daughters of Danaus
rested from their task of drawingwater. YYYYYYYYYYDDDDAUUQU.. .... in. a
sieve and Sisyphus sat on his rock to listen. Then for thefirst.
YYYYYYYYYYYYDDDAAUAD.. .. time. it is said the cheeks of the Furies were
wet with tears.. YYYYYYYYYYYYYDAQAY. ... Proserpine could not resist and
Pluto himself gave way. Eurydice was. YYYYYYYDAAUDDY.. ... called. She
came from among the newarrived ghosts limping with her. YYYYYYYDUAY.. ...
wounded foot. Orpheus was permitted to take her away with him on one.
YYYYDUAYY... .... condition that he should not turn around to look at her
till they. .YYYYYDA.. .... should have reached the upper air. Under this
condition theyproceeded. .YYYYYYAY. .. on. their way he leading she
following through passages dark and. .YYYYYYYUYY. .. steep. in total
silence till they had nearly reached the outlet into. .YYYUQYY.. .. the.
cheerful upper world when Orpheus in a moment of forgetfulness. Y. .DQU. .
to. assure himself that she was still following cast a glance behind. DDDU.
.. him. when instantly she was borne away. Stretching out their arms to.
DAY ... embrace. each other they grasped only the air Dying now a second.
. YDA ..... time she. yet cannot reproach her husband for how can she
blame his. .. DUD .... impatience. behold her Farewell she said a last
farewell. . .DU.. ..... and was. hurried away so fast that the sound
hardly reached his ears.. . . Y. ... .. Orpheus. in Hades OVID
Metamorphoses Book X. . ... . .... Orpheus. endeavoured to follow her and
besought permission to return. ... .. and try. once more for her release
but the stern ferryman (Charon). . .... .... noemata. iava eht htiW
.redroceR. faaivqrboedivoedivFTNnXZGabrABhiCvTrhbcYMGrXacV.
woltneiciffetsoc deepshgih elbane ot depoleveddradnats ecafretni. wen
adecudortnisah )ASEV( noitaicossA sdradnatS scinortcelE oediVehT.
rebmetpeS GEPMdna sksid drah yticapac hgih fo ytilibaliava ehthtiW
.redroceR. ksiD oediVetiS hcraeS .rebmem aemoceB nigol ylnO srebmeM
.noitilaoC. noemata. Re RE help (pleh) (STAMP). at last my emails are
getting the proper attention. (xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx) with the
subject of ' help (pleh)' is being. analysed by (STEVEN) a new SPAM
control system that eliminates spam. To ensure. your email is delivered
please reply to this email and send it. Do not modify. the email at all.
Thisis a once only check. Future emails from you to. xxxxxxxxxx xxxxx will
be accepted automatically from your email. noematakunst.no.For more
information regarding (STEVEN) please visit. noemata. yourinafix.
youreinafixDreocisveis'Malt'as MelotidMecdniie' PerusesPnicre'. Modac
selek tonsPrue's c'ias. SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda
rbogs game soektelnsnyhel ac. i ir rwc xrnceie lh aeotdiiye darteh ofal
agvtpt . . . . .aciosstaion obi amol. anecs noalzcaiits aootptpsntoes
citimnage awoi eitrps abian nt cshoroatctanim. inpagwgs eaiewhs eignams
offa two tesinamuh eel eye uht ainoi ahnihc o. ibessviinsnmaeia oladsron
isrdean itt mrte lox m vrimeoeradh sllaberif sgnuegic. moes ia yolocslii
orr nwlehzyoeton ataa mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst
dlaspnlgpocaos puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat
sloar incfleeuielo ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe.
eehtiusanmpakaa yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious
Aciosstaion. ObiqBgolo asciil ExionttcinEganmitic Seoltons PtptoolsSnotes
From VriOffa Two. Tolley MkarsSaniousGreoows Ahwetosrt CaosHonimid
Gritiiaczlaon ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid
Hirings GameFrown Vry Lyings. Fireballs HdGlicariozatin
CunnioutnigaLnovgiety Serba SprtieLkeas. SxeriAtoyPuucterd PuenodTolos
Wotton AtaifcrtsVlocsanim Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA
MTHR NKSK MSKTLNSB KLSL KSNT SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT.
KSTN SPTPTLSE RKMN KTKM RSPF LKSN MNST LRTKSF RNFR LYNK SFRBLSTF SNSX NHN
YH. MNMJ RTNP NMNH NMTK RTKS LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT
SRBS PRTWN. TNTR LFSS LSTBO BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP
SNPK RSTT LSPSS. LRNK FLNS TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK
RTSU NSLB TRRM KTRTBSX. WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug
iryui coegkre amnl. anr pneae aty ce ahnihc suoinash pren awoi eitrps bat
slosissnbs. brymestns ptptoolsee e iohi morf setons fo niccu greoovs owen
nhnadgd. hch m hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols
lriza. nysed o nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa
two. tollwalra onbblu otedth puuc rolg d salor nutnerios htcne ses.
snletkeos emag s taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage.
ycpto tnaiilscolo ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia
ee. i ee e e e s ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr.
poahydbn. ltpsh ytn ee ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i
oo pmaopktt s. .rh m l aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae
i msrloepwbr. dnf trfrs ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e
a esdes dny.hhp. sl s ee nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa
iaeie ech lah tgpp. p. p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne
iou e e eo h.prrnsn f. smyc oe btcao aio uoe enmreo . g y cn d h teoi n a
eo aia i Deim th ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e
eae e hhyhaostck n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm
yrrc yllrt cdrchi ae a e aia. noemata. arc.hive tao in the old day.
noemata. Arithmeticomaterial drives. Arithmeticomaterial drives are
firstly generated in the momentwhen matter is. formed according to the
mathematical model of it given bysuch science. One. result of such
objectivisation is the Standard Objectthe modular component. typical of
globalised trade but with its rootsdeep for instance in the. licenses
afforded the monopolistic guilds ofthe Middle Ages and the history of.
trading generally. Everything fromships to pizzas are quality assured
subject. rigorous treaties andprocesses of standardization. These are
typical. results of industrialproduction. The second stage is when this
process of. standardizationbecomes so abstracted it becomes amenable to
massive. acceleration inproduction. The human work put into the production
is scanned. abstractedand multiplied by means of machinic energy. Once
turned into. numbersregistered as a pattern the actor of the work can be
discarded and. thepattern accelerated. When hooked up to processes of
production we get. thediscovery that according to Walter Benjamin ...the
speed of traffic. andthe ability of machines to duplicate words and
writing outstrips humanneeds.. The energies that technology develops
beyond this threshold aredestructive.. First of all they advance the
technology of war and itspropagandistic. preparation. Overproduction the
massive churning ofordered matter and of. markets one might also say that
any developmentbeyond this threshold might be. captured by forces other
than war forredistribution for the reshaping of. work for burning. One of
the aimsof art is to capture this excess away from. noemata. . Barna. P
detteher. Jegsa. Barna Snn Du villevisst detmangletfortsattlitt. noemata.
Re really silly transformation of out of control ir pda dump.
transformation of out of control ir pda dump.......ME syly var. of sely.
SEELYseely (sl) adj. Archaic.. insignificant or feeble. poor.. happy
auspicious.. good pious blessed.. foolish. simpleminded.bef. ME sely OE
geslig happy equiv. to sl happiness. ig Yc. D zalig G selig akin to ON sll
Goth sls good OE sl. better seeSILLYref norwegian 'salig' blessed sl
goodspectrum poor. blessedgood whatever.. something about happiness
alsofeeble weep to exude. water. water all water am silly sea ofsillyness.
silence sillience. noemata. Advent. The emperor's new clothes drives the
economy. What isn't drives what is.. But. behind the virtual is. the real
again. Inflation of spacetime. matterspacematter. It's wrong to say he's
dressed and wrong to say. he's. naked. People are anyway misled the
misleading is driving the. capital verb. and noun the more misleading the
more value. The eternal. in case it returns. if not then nothing but the
if doesn't halt. doesn't execute never reaches. the return. If man is
naked he's dressed. (the fall) and if he's dressed he's. naked (he
returns). The economy is. driven by the return of christ as judge of. the
last judgement every christmas. Santa is naked cries the child that's why.
he's masked. The child that's. Emperor's new clothes drives what isn't.
Return.. If not then nothing but behind the if he's. Return. If he's.
Return. If not. then nothing but the misleading the economy. What is..
Return. If not then. nothing but behind the eternal. Return. If not then
nothing but behind the. eternal. Return. If he's. Return. If man is the
real again. Inflation of. christ as judge of christ is judge of the
emperor's. Return. If he's. Return.. If man is driving the eternal.
Return. If not then nothing but the. misleading the real again. Inflation
if christ as judge of spacetime. Return.. If doesn't. Return. If not then
nothing but the emperor's. Return. If man is. naked cries the eternal.
Return. If not then nothing but the last judgement. every. Return. If
he's. Return. If he's. Return. If doesn't. Return. If he's.. Return. If
not then nothing but the eternal. Return. If doesn't. Return. If. not then
nothing but the virtual is the misleading is the virtual is driving. the
eternal. Return. If doesn't. Return. If doesn't. Return. If he's. Return..
If he's. Return. If he's. Return. If not then nothing but behind the.
misleading the child that's Return. If not then nothing but the economy..
What is.. Return. If he's. Return. If not then nothing but behind the
last. judgement every. Return. If doesn't. Return. If doesn't. Return. If
not then. nothing but the virtual is naked cries the more misleading is
naked cries. noemata. Re asciipng. greyscale movie from a text'stranslated
chars ( char values. greyscale levels one char perframe fps) but the idea
was a bit too. obvious and the transformationtoo onedimensional so I
abandoned it.Yes. they'd be tedious work shades of gray in a tiny specter.
etaoinshrdlu..monotonous.. translating media spectacle news etc into this.
gray stream ofindifference..The key to having this kind of idea succeed
in. general is not merely to workout an effective transform method from
char to. pixel etc. but to have themethod reveal something unexpected of
the. underlying structure of the sourcematerial. If the transformation
results. simply in a stream of meaninglesscolors or chars then it will be
of little. interest even as a conceptsince the concept is a fairly common
one to be. honest. There are a lot ofpeople right now who mistakenly
believe that they. are making radical art byturning photos into music
pictures into text etc.. As with all works ofthis kind it is by breaking
through to the next level and. having the workblossom into something that
nobody has ever seen before or could. haveexpected to see that turns the
idea from a mere amusement into art.OK but. not as a program art shouldn't
care about itself being this or thatcritical. penetrating revolutional
reversing undermining etc. In my viewart is quite. natural it doesn't need
a program to live no more than we do.Lot of things I. do are very stupid
things I don't mind that. And also thequackfraudulent. issue the artist
maybe had some conjurer traits from thebeginning staging. something he not
necessarily believe in but as atechnician of imagination. lies and
language. How does he differ from say apolitician then He's clear. about
it everybody knows it's a scam open sourcescam so the art context is.
reflective revealing its staging. What aboutbeauty and wholeness Well
there's. always some endorfines in resolving thingspotential and
exhaustion beauty in. understanding things wholenesses atdifferent levels
which is like cashing in. on the structure but there arealways remains and
other levels expansion and. consolidation chaos andstability. Beauty taken
over by design etc wholeness. by.. welll it's stillthere but like code
source not wholeness as image but. its counterpartconstruction. Art should
be more absolute not this or that my. view thoughyou didn't ask..What I am
thinking about right now is how to. translate a ()colorspace into music in
a more sophisticated way. than is usually done.There's a natural mapping to
(pitch rhythm amplitude). but it's obviouslynot a simple . If one uses
microtones one can get an. octave span ofpitches from to but I don't know
how to get rhythms. that form aset and amplitudes is way way way too
many.(pitch. duration waveform) Btw midi transformation i've always liked
the renderings. of the radioharddisk maybe reminding of morton feldman or
somehting at times. noemata. .. .............eT vINDUSPOST mINSTEML
i............. pHP .......... aLT. eR jUNI....fORN..........DEN. eKSPORTRD
....... PET nERSKOGEN. h...........NDTROMME pOLITIBIL .......... NSLAGSVIS
dERM.......ATISK. hYOKTANfRI.......SONE.eT vARME........MLER lNEBEVIS i
pHP. a.......LT eR iNNGAVfREML.......... GT. dRIKKEV.......... NE
vERNETOLL. mOS.......... IKK hIMLE pYK .......... FTENSM.......... T.
cOMEB.......... CK iNTERIMgERILJ.......... HR.eT vEIER n........... TURTRO
i pHP .......... LT eR iLLSINTfRUKTSK.......... LL.. eKSTR.......... TUR
NDSF.......... TTIG oPPFRISKET iNNHOPP oNY. .......... M..........
TRL.......... G dRYPPE hIMMELfOTOKUNST.eT. wIKIWIKI
nETTKUNSTPUBLISERINGSSYSTEM i pHP .......... LT eR. iNNT..........
STB.......... REfORMFELTER. eLDSLUE PET oPPFRE. iNGV.......... LD
oSM.......... N aKSEPT dYPFLT. noemata. could write a word as a figureicon
of colorsinsequence ie. circles inside. noemata. Re spectre. e k u n s t
.arc.hive Where's Ascii Turbulence. Spotlight GALZA. some traction. (See
Olia Lialina's misgivings about therecent NY Digital. Salon posted to
rhizome and nettime.) It's all aboutinjecting a healthy dose. of
formaldehyde...long live net art. ( (Y) ) Hlogre. like to introduce to you
my latest net art work Where's AsciiYou all. remember Where's Waldo the big
illustrated books where you'resupposed to. find this guy with a redwhite
sweater. well Where's Ascii isthe internet. version.Ascii is my Dog an
original Ascii Cyberian and he got lost on. theinternet.If you see him
just click on the dog wherever you see him on. the net (itwill send you to
another random page hosting Ascii) or click his. To participate more in the
project you are welcomed to host the dog. (paste asmall HTML code in your
site) until I send for him. For more details. and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. s d. a f. d. a. s f a. a. l. noemata. w i t hyou will breathe inh
e l pthe world is moont j t m tm bviscoustst. tt.ibutt an
abstr.VXaciitttistraight. when a student. comes and asks about bodhi or
nirvana about. to mark with a branding. iron.(intermission passing
train)........choos crept these new.
owe.l..............t........mensuration thickly mislike existentialist..
avoidermary medusa numeral. particularized mechano bridedet er lgn og.
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Golf. to play an explosion shot on a golf ball.. v.t.. . to cause (gunpowder a boiler etc.) to explode.. . to cause to be rejected destroy the repute of. discredit or disprove to explode a theory.. . Phonet. to end with plosion.. . Golf. to play an explosion shot on (a golf ball).. . Obs. to drive (a player play etc.) from the stage by. loud expressions of disapprobation.. L expldere to drive off by clapping drive. away equiv. to ex EX plod var. s. of plaudere to. clap beat. episodic happening event. book bombs. interfacere make book. explodÆed viewÆ. a drawing photograph or the like that shows the. individual parts of a mechanism separately but indicates. their proper relationship.. digrest. crash book. crash (krash) v.i.. . to make a loud clattering noise as of something dashed. to pieces.. . to break or fall to pieces with noise.. . (of moving vehicles objects etc.) to collide esp.. violently and noisily.. . to move or go with a crash strike with a crash.. . Aeron. to land in an abnormal manner usually causing. severe damage The airliner crashed.. . to collapse or fail suddenly as a financial enterprise. The stock market crashed.. . Informal. to gain admittance to a party performance. etc. without an invitation ticket or permission.. . Slang. to sleep.to have a temporary place to sleep or. live without payment He let me crash at his house.to fall. asleep I get home in the evening and I just crash till it's. time for dinner.. . Slang. to experience unpleasant sensations as sudden. exhaustion or depression when a drug esp. an amphetamine. wears off.. . Med. Slang. to suffer cardiac arrest.. . Ecol. (of a population) to decline rapidly.. . Computers. to shut down because of a malfunction of. hardware or software.. v.t.. . to break into pieces violently and noisily shatter.. . to force or drive with violence and noise (usually fol.. by in through out etc.).. . Aeron. to cause (an aircraft) to make a landing in an. abnormal manner usually damaging or wrecking the aircraft.. . Informal. to gain admittance to even though uninvited. to crash a party.to enter without a ticket permission. etc. to crash the gate at a football game.. n.. . a sudden loud noise as of something being violently. smashed or struck the crash of thunder.. . a breaking or falling to pieces with loud noise the. sudden crash of dishes.. . a collision or crashing as of automobiles trains etc.. . the shock of collision and breaking.. . a sudden and violent falling to ruin.. . a sudden general collapse of a business enterprise. prosperity the stock market etc. the crash of .. . Aeron. an act or instance of crashing.. . Ecol. a sudden rapid decline in the size of a. population.. adj.. . characterized by an intensive effort esp. to deal with. an emergency meet a deadline etc. a crash plan to house. flood victims a crash diet.. def. for def. ME. crasche b. crase to break (see CRAZE) and masche MASH. Syn. . smash. . failure ruin.. crash (krash) n.. . a plainweave fabric of rough irregular or lumpy. yarns for toweling dresses etc.. . Bookbinding. starched cotton fabric used to reinforce. the spine of a bound book.. prob. Russ krashenna painted or dyed coarse. linen equiv. to krshen(y) painted (ptp. of krsit' to. paint) ina n. suffix. i wonder. i wonder what i think now. e. no. isn't possible. Today's Sp. Today's Sp. Stopping S. Lest Satan gnorant of his devices.. Corinthi. Ephesians vil to describe one particular road Satan travels on to work his. evarkling Gem from the Greek il will in our lives. But. where. is this road headed Corinthians gives us an important clue we are not. ignorant of his Satan's devices.. The word ds derived from the word nous. The word nous is the Greek word for. the. atan At His Own Game mind or the intellect. However. the form noemata carries the idea of a deceived mind. Specifically this word. noemata denotes Satan's insidious malevolent plot to attack and victimize the. human mind filling it with confusion. One expositor has even stated that the. word devices bears the notion of mind games. Therefore you could translate. the verse we are not ignorant of the mind games Satan tries to pull on us.. The word dthe devil is headed toward the mind. The devil loves to make a. playgroshould get an advantage of us for we are not iund of people's minds He. delights in filling their emotions and senses with illusions that captivate. their minds and ultimately destroy them.. Satan knowstrols that person's health and emotions. Therefore he seeks to. penetrans ate people's intellect. their mental control center so he can flood them with deception and. falsehood.. When this ps paved a road into people's mind and emotions the process of. mental. uses the phrase wiles (methodos) of the deand spiritual captivity is well. under way. If this devilish process is not aborted by the power of God and by. the renewing of the mind it is only a matter of time before a solid stronghold. of deception begins to dominate and manipulate these people's selfimage. emotional status and thought patterns.. Don't let tke charge of your mind taking every thought captive to the. obedience. evices is taken from the word noemata which iof Christ ( Corinthians ).. Stop listening to yourself and start speaking to yourself. You're not the devil tries to manipulate your emotions and senses in order to. pulevices clearly demonstrates that this road of l a mind game on you catch. him in the act Speak to your emotions and senses. Tell them what to believe. according to the Word of God and beat the devil at his own game. Prayer For. that whoever controls a person's mind also con. av barn piller nese. It's unfortunate. It's unfortunate that you are all sacrilegious and irreverent people.. May God have mercy of all of you.. ana. atonegmyomlMm. IBSN germ in al. ghpacris. IBSN nIsocPes. hpgarics. IBSN Guru Jonehns bluBr Man Cdoriror Tasnaterld. ntaetgtvue. IBSN Lab Ur InruLearbtegint. Hertpxeyt sseynhzteir nihiloegr. astsihrin plaw thog ghrn et al. gryfeiss. Peeoral Iamandidios. postel miel ard. Gari Jeensin blerb Mam Chrrater Tronclatot.. Ktan Litas Lib Ur Integerliborent.. Marie Federh Hal Dhaleser Nianeta. Tia Amihrespnpns Presesd lenphr (rywhoeb). Tii Rigfanshr (seturichl). hactora c hicterins (seteesgih art). graphocq. Futeru Hul Dealicor Nahmato. Thy Rosfencer (xaturesil). Nuånetå (rid) astsihrin plaw thog. anetelesønnnm. Bcerm Mecnooldæhn ghrn in al. gryfeiss. Bcyrn Masneoltein nassohfc. srofooss. Bchrm Macnieldaen (ret) Peeoral Iamandidios. postel miel ard. Gari Jeensin blerb Mam Chrrater Tronclatot. pafiretsabe. Gero Johmcen blerf Mim Carrator Trhmslatut. nettetsepa. Ktan Litas Lib Ur Inthcerliborent. Hoforthst sintayciser naøiliser. Marie Federh Hal Dhaleser. Nianeta Tia Amihrespnpns Presesd. lenphr (rywhoeb). iteåryal (eties congofds). wriateig (ladorhrå). les (tichst). Tii Rigfanshr (seturichl). pra.dst (oskee ard). roahse (elt medhreål). hactora c hicterins (seteesgih art). (ngb) Nercz Kamstflidpogfire n kerrigvondamje bhro (nhrgc dosost). Neemodo (rit) astsyoran pliw tais. anhtalegannnn. Bghrm Mesneoldhhn gærn in al. graphocq. Bsern Misnoiltyim nyscohbc. crebiocg. Bserm Mhsmooldium (rit) Pyeåral Iønondodaog. pakthl mhal art. Gero Jeomchn blurf Min Correthr Trumslhtut. phfaritghvo. Gore Jeemson blyrb Mon Cerrøtor Trynsladet. notdetsefu. Kdhn Litås Læb Ur Intoserlafhremd. Hepirtagd sentiasycer neyelhsor. Muråi Futeru Hul Dealicor. Nahmato Tie Aneorisfnfns Pricict. lanpir (røwoihv). iteyrehl (oteag cemsebtg). wroadias (ladhrore). lhs (dhcict). Thy Rosfencer (xaturesil). prh.tct (essee ard). rauosa (olt mhtaroel). hecdyra q hegterung (setaasgya art). (ncf) Nhrsc Kynkdpletbusfaru n karresvondenji bore (nersg dhgast). Here are a few. Here are a few of the salient numbers coming out of the WMAP analysis. the time of recombination was years after the big bang. the era of the first stars was about million years after the big bang. (surprisingly early). the age of the universe is . billion years. the accounting of matter in the universe is as follows atomic matter makes up. about dark matter about and dark energy .. flaskepost. Fant flaskepost etter år. En år gammel flaskepost har dukket opp i. Lukksundet ved Tysnes i Hordaland. Det var hummerfisker Vidar Korsnes som fant. flaskeposten fra Marianne Arnesen. Hun var år i og kastet flasken på. havet i håp om å komme i kontakt med noen skriver Bergens Tidende. Selv om. flasken hadde fått hard medfart i løpet av årene hadde papiret inni klart å. holde seg tørt og helt.. stats. ifølge statistikken har noemata . millioner treff på årsbasis. men det blir. som å regne på hvor mange blikk et virkelig sted har iberegnet biler som. kjører. forbi. hvor mange tenker på deg i løpet av et år hvor mange tanker det er på. den måten treff et tall helt i det blå. besøkstallet er .år over. halvparten er roboter hvor mye mill. sider er bladd i hvis dette var en. bok på sider var det solgte opplaget på . og halvparten lest av. lesemaskiner kan det være noe for bokklubbene gigabytesår serveres. . tegn pr side i boka som kan være bilder. alt dette høres veldig mye ut. men alle kan rapportere det samme og hva kommer ut av det.. men det er noe å. skryte av og alt er gratis er det derfor det ikke har noen verdi. barth. Autobiography A SelfRecorded Fiction. You who listen give me life in a manner of speaking.. I won't hold you responsible.. My first words weren't my first words. I wish I'd begun differently.. Among other things I haven't a proper name. The one I bear's misleading if. not. false. I didn't choose it either.. I don't recall asking to be conceived Neither did my parents come to think of. it. Even so. Score to be settled. Children are vengeance.. I seem to've known myself from the beginning without knowing I knew no news. is. good news perhaps I'm mistaken.. Now that I reflect I'm not enjoying this life my link with the world.. My situation appears to me as follows I speak in a curious detached manner. and don't necessarily hear myself. I'm grateful for small mercies. Whether. anyone follows me I can't tell.. Are you there If so I'm blind and deaf to you or you are me or both're. both.. One may be imaginary I've had stranger ideas. I hope I'm a fiction without. real. hope. Where there's a voice there's a speaker.. I see I see myself as a halt narrative first person tiresome. Pronoun sans. ante or precedent warrant or respite. Surrogate for the substantive. contentless form interestless principle blind eye blinking at nothing. Who am. I. A little crise d'identite for you.. I must compose myself.. Look I'm writing. No listen I'm nothing but talk I won't last long.. LifeStory III. The reader You dogged uninsultable printoriented bastard it's you I'm. addressing who else from inside this monstrous fiction. You've read me this. far then Even this far For what discreditable motive How is it you don't go. a movie watch TV stare at a wall play tennis with a friend make amorous. advances to the person who comes to your mind when I speak of amorous advances. Can nothing surfeit saturate you turn you off Where's your shame. MENELAIAD VI. ' () ('((What))') () '. ' ' 'Why' I repeated I repeated' I repeated I repeated' I. repeated I repeat. ' ' And the woman with a brideshy smile and. hushed. voice replied 'Why what'. ' ' Faster than Athena sealed beneath missile Sicily upstart Enceladus. Poseidon Nisyros mutine Polybutes I sealed my wouldwiden eyes snugger than. Porces Laocoon Heracles Antaeus I held to my point interrogative Helen to. whom as about us combusted nightlong Ilion I rehearsed our history horse to. horse driving at last as eveningly myself to the seed and omphalos of all. . .. . ('((((('))) )) ). ' ' Why ' '. ' 'Why' '. ' Why '. 'Why'. ' '. John Barth Lost in the Funhouse. cognitive dissonance. cognitive dissonance. I've run into the term cognitive dissonance while doing science demos at. the local science centre normally it refers to the kind of experience. where say we cut a mobius strip in half lengthwise and we are left with. only one piece. We thing one thing will happen then learn that a different. thing happens.. I think what you are referring to here is better classified as ignorance.. I don't think it helps these poor stupid fools any to couch their. increasingly pathetic circumstances in fancypants language.. spornitzmts.net nettime. Leon Festinger in the late s proposed the theory of cognitive. dissonance. This theory sought to explain the link between attitudes and. behaviour... cognitive dissonance refers to an incompatibility that an. individual might perceive between two or more of their attitudes or. between their behaviour and attitudes. Festinger argued that any form of. inconsistency is uncomfortable and individuals will attempt to reduce the. dissonance and hence the discomfort.... and a page later. What are the organisational implications of the theory of cognitive. dissonance it can help to predict the propensity to engage in attitude. and behavioural change. If individuals are required for er example by. the demands of their job to say or do things that contradict their. personal attitudes they will tend to modify their attitudes in order to. make these compatible with the cognitions of that they have said or. done..... Robbins et al organisational behaviour leading and managing in. australia and new zealand. KR. Når KR snakker om seg selv er det skam og flaut men når SF omhandler seg selv. er. det OK det er uansett innholdet som teller KR var ytre og dumt SF var mer. eksistensielt og dermed allment som egentlig er svaret alt som. personspesifikt og privat er skam fordi det ikke angår noen andre det er spam.. Alle går rundt og er sine egne flaue spammaskiner av jeg jeg jeg. Men nå er. det til forsvar at innholdet forandrer seg med konteksten at det private ikke. lenger er privat i en publisert sammenheng det er kanskje både flaut og. interessant som internet med sine søkemotorer men er begrenset i verdi både. som utsagn i en diskurs og som uttrykk for noe personlig diskursen er fort. unnagjort og det personlige er egentlig likt for alle ergo det er helt. overfladisk vi er uansett alle overflate og innpakning men det er fort. unnagjort burde vært det men vi blir holdt der holdes der egentlig fordi vi. innser at det er en overflate og nødvendig å opprettholde som om den. disintegrerte om vi ikke passet på og det ville vært flaut. SF kunne forsåvidt. vært flaut det også det eksistensielle er på mange måter enda flauere mer. privat så hva avgjør Noe er dumt og banalt nakenhet kan være bare dumt. men. hva avgjør Er vi tilbake til at det må gå utover seg selv ikke være. selvsentrisk kan virke sånn uansett hvordan det er kodet biologisk med. selvforsterkende egosentriske gener el. Det er et spill mellom egoisme og. altruisme inni her egoismen kan ikke vises og propaganderer best via. altruisme. men hvordan kan vi vite og i hvilken tidshorisont Om en intellektuell sår. noen egoistiske frø som først om noen hundre år gjenkjennes som dette Eller en. umiddelbar egoisme i en altruistisk hensikt Folk er stort sett opptatt med. sine. egne private liv noe annet virker rart idag som om det fantes noe annet. liksom. Er det en slags konsolidering Egogrenser som styrkes pga. trusselen. fra. informasjon og teknologi tar et par skritt tilbake men vi kommer ikke til å. forandre oss i overskuelig framtid evolusjonen er altfor tilfeldig og treig. vi. begynner å fikle på oss selv når vi blir istand til det ja ikke sant det. høres ut som skam. Vitenskapen har ingen skam vi har kontekster som om. vitenskap og religion refererte til forskjellige verdener litt på samme måte. som vi har egoer som refererer til forskjellige mennesker mennesket er en. art. vi er ett menneske slik som alle neshorn er ett neshorn. Kontekster skinn. skall konsolideringer ting som legges ut for salg stabiliserende som når. røttene vokser mer næring virker fornøyd med å ikle seg et skinn å være til. tjeneste bli næring. Er det slik at egoismen fanger disse begjæret etter. skinn etter sine grenser seg selv Egoismen fanger egoismen gir det mening. å. si det Kanskje hvis altruismen ikke er fangende egoismen er røttene. altruismen er greiner og blader ...Digresjoner nøste seg tilbake. feynman. ...All this went on in the first few weeks before we got everything. straightened out. Anyway one day I'm piddling around with the computing. machine and I notice something very peculiar. If you take divided by you. get .. . . It's quite cute It goes a little cockeyed after. when. you're carrying but it soon straightens itself out and repeats itself nicely. I. thought it was kind of amusing.. Well I put that in the mail and it comes back to me. It doesn't go through. and there's a little note Look at Paragraph B. I look at Paragraph B.. It. says Letters are to be written only in English Russian Spanish Portuguese. Latin German and so forth. Permission to use any other language must be. obtained in writing. And then it said No codes.. that I feel that of course this cannot be a code because if you actually do. divide by you do in fact get all that and therefore there's no more. information in the number .. . . than there is in the number. which is hardly any information at all. And so forth. I therefore asked for. permission to use Arabic numerals in my letters. So I got that through all. right.. ...And von Neumann gave me an interesting idea that you don't have to be. responsible for the world that you're in. So I have developed a very powerful. sense of social irresponsibility as a result of von Neumann's advice. It's made. me a very happy man ever since. But it was von Neumann who put the seed in that. grew into my active irresponsibility. ... What You a psychiatrist keeping an open mind Ha It went on like this. for quite a while.. Then at some point near the end he says How much do you value life. Sixtyfour.. Why did you say 'sixtyfour'. How are you supposed to measure the value of life. No I mean why did you say 'sixtyfour' and not 'seventythree' for. instance. If I had said 'seventythree' you would have asked me the same question. The psychiatrist finished with three friendly questions just as the other. psychiatrist had done handed me my papers and I went off to the next booth.. ...After a while I began to worry. Here's a guy who's been deferred all during. the war because he's working on the bomb and the draft board gets letters. saying he's important and now he gets a D in Psychiatric it turns out. he's a nut Obviously he isn't a nut he's just trying to make us believe he's. a. nut we'll get him. ...I don't believe I can really do without teaching. The reason is I have to. have something so that when I don't have any ideas and I'm not getting anywhere. I can say to myself At least I'm living at least I'm doing something I'm. making some contribution it's just psychological.. ... So I got this new attitude. Now that I am burned out and I'll never. accomplish anything I've got this nice position at the university teaching. classes which I rather enjoy and just like I read the Arabian Nights for. pleasure I'm going to play with physics whenever I want to without worrying. about any importance whatsoever.. ...Thirteen Times. One time a science teacher from the local city college came around and asked. me. if I'd give a talk there. He offered me fifty dollars but I told him I wasn't. worried about the money. That's the city college right. Yes.. I thought about how much paperwork I usually had to get involved with when I. deal with the government so I laughed and said I'll be glad to give the. talk.. There's only one condition on the whole thing I pulled a number out of a. hat. and continued that I don't have to sign my name more than thirteen times. and that includes the check. The guy laughs too. Thirteen times No problem.. So then it starts. First I have to sign something that says I'm loyal to the. government or else I can't talk in the city college. And I have to sign it. double OK Then I have to sign some kind of release to the city I can't. remember what. Pretty soon the numbers are beginning to climb up.. I have to sign that I was suitably employed as a professor to ensure of. course since it's a city thing that no jerk at the other end was hiring his. wife or a friend to come and not even give the lecture. There were all kinds of. things to ensure and the signatures kept mounting.. Well the guy who started out laughing got pretty nervous but we just made. it. I signed exactly twelve times. There was one more left for the check so I. went ahead and gave the talk.. A few days later the guy came around to give me the check and he was really. sweating. He couldn't give me the money unless I signed a form saying I really. gave the talk.. I said If I sign the form I can't sign the check. But you were there. You. heard the talk why don't you sign it. Look he said Isn't this whole thing rather silly. No. It was an arrangement we made in the beginning. We didn't think it was. really going to get to thirteen but we agreed on it and I think we should. stick to it to the end.. He said I've been working very hard calling all around. I've been trying. everything and they tell me it's impossible. You simply can't get your money. unless you sign the form.. It's OK I said. I've only signed twelve times and I gave the talk. I. don't. need the money.. But I hate to do this to you.. It's all right. We made a deal don't worry.. The next day he called me up. They can't not give you the money They've. already earmarked the money and they've got it set aside so they have to give. it to you. OK if they have to give me the money let them give me the money.. But you have to sign the form.. I won't sign the form. They were stuck. There was no miscellaneous pot which was for money that this. man deserves but won't sign for.. Finally it got straightened out. It took a long time and it was very. complicated but I used the thirteenth signature to cash my check.. ... It's a kind of scientific integrity a principle of scientific thought that. corresponds to a kind of utter honesty a kind of leaning over backwards. For. example if you're doing an experiment you should report everything that you. think might make it invalid not only what you think is right about it other. causes that could possibly explain your results and things you thought of that. you've eliminated by some other experiment and how they worked to make sure. the other fellow can tell they have been eliminated.. ... Why didn't they discover that the new number was higher right away It's a. thing that scientists are ashamed of this history because it's apparent. that people did things like this When they got a number that was too high. above. Millikan's they thought something must be wrong and they would look for and. find a reason why something might be wrong. When they got a number closer to. Millikan's value they didn't look so hard. And so they eliminated the numbers. that were too far off and did other things like that. We've learned those. tricks nowadays and now we don't have that kind of a disease.. But this long history of learning how to not fool ourselves of having utter. scientific integrity is I'm sorry to say something that we haven't. specifically included in any particular course that I know of. We just hope. you've caught on by osmosis.. The first principle is that you must not fool yourself and you are the. easiest person to fool. So you have to be very careful about that. After you've. not fooled yourself it's easy not to fool other scientists. You just have to. be. honest in a conventional way after that.. ... So I have just one wish for you the good luck to be somewhere where you. are free to maintain the kind of integrity I have described and where you do. not feel forced by a need to maintain your position in the organization or. financial support or so on to lose your integrity. May you have that freedom.. Surely you're joking mr Feynman. we came in a wagon. we came in a wagon . Two horses were in front of us. They walked in front of us. all the way.. still those queer feels wouldn't go away. Pretty soon I got awful sick.. Byandby I did have better feels . And today my feels are all right. Halvparten. Halvparten av nyfødte vil få kreft. Halvparten av nyfødte vil dø før fylte år den andre halvparten også.. dsf sfsdf sdf sf sf. dsf sfsdf sdf sf sf sf sdf sdf sdf sdf sdf sdf sf sf sf sdf sdf sf sf. sdf sf sf sf skfjsdlkjgkljdsglkjdsg ldkjg øldkjg dølksgj dsølkfkfkf f f. f f f fgdkljgj dlkgjdølkgj sødlkjg dsølkj dsølkgjds ølkgj f f f f f f f. f f dgldkgødkjglkødsgjøsldkjgøsldkgjølsdjgløskgjøsldkgjøksdljfg f ff f f. f f dfg dfg dfg dg dfg dfg dfg dg dfg dfg dgklkdfgkjsd øglkj sdfgølk. sdfgølk dg dsgølk sdfglk dlkgjdlgjdlkgjdølkg søldkjg dølksg dskg f f f f. f ff. d d d sdflksfjslkfjlsjflsø fldksj sdlkjflgkjfjfkfkf ff f f f f f f f f f. sdf sdf sdf gf sdf sdf sf sdf sdf sdf sdf sdf sdf sdf sdf sd d. sdf sf sf sf sf sdf sdf sdf sdf sdf sdf sf sf sdf sdf sdf sf sf sdf sf sf sf. sdf. sfs fd sfd sdf sfd sf sf sdf sdf sf sdf sdf sdf sdf sf sf sdf sdf sf sdf. dsg dsg sdfg dsfg sdg sdfg dsfg sdfgds fg dsfg dsfg dfg dfg df gff. asdfø saflk asflk asfølkas fløaksf asølkjf salkfdj saldkf sakdf dkfdf f f f f f. f. asdf asdf asf saf asf as fsaf d d d saflkasflaksjf d d d d d d d d d d d. bad d d dslkdfaslkfjøasldkfjaøsldkfj asødflk asfølask asøldfk sdf sdfd b. fffffffffffffffffffffffffffffffffffffffffffffffffffffffffffff f f f f f f. ffffffffffffffffffffffffffffffffffffffffffffffffffffff ff f f f. fffffffffffffffffffffffff f f f f. Hi all. I lurk and post some to different lists and would like to make digests of. things I find. interesting and redistribute say like nettime unstable digest though. probably. with just index. remailed with links to web archiveblog to avoid excessive redundancy.. Question what's the consensus concerning permissions and redistribution of. texts. appropriate fair use Ask permission in each case take for granted. In my case no commercial interests involved in foreseeable future but. anyway. published and. as booksinprogress with appropriated standard book numbers as an openended. anthology digest. fanzine or similar.. Notions of copyright and proper use may vary a great deal so would be. interesting to know what. people on the list thought about it (also as the list is gatewayed into. newsgroup fa.fictionof. philosophy). signatur. worldwid. worldwid dllr poducr wjstklvb. opal. Opal Whiteley. mhonarc. blue beaming tape archive. fulltekst. fylleprat. knyt. outdir knyt mboxknyt.mbs.txt. usrbinperl. print hello worldn. tar xvf. klatre. klatre i sin fritid. klatre klatre. donald duck klatret opp til en. parkeringsplass. fotosafari. safarisafari å jakte på opplevelser.. stedet safari. den avskyelige snømann er forlengst smeltet bare gulrota. ligger metaforisk igjen.. your penis can be enlarged m v oydbynk q. philosophy in a time of terror habermas. philosophy in a time of terror. habermas. ..one factor above all seems to me to be relevant one never really knows. who one's enemy is. osama bin laden the person more likely serves the. function of a standin.. surely the uncertainty of the danger belongs to the essence of terrorism.. ..the magnitude of the danger. one never knows if there's anything to it.. in contrast to this the global terror that culminated in the september. attack bears the anarchistic traits of an impotent revolt directed against. an enemy that cannot be defeated in any pragmatic sense.. technically speaking since our complex societies are highly susceptible. interferences and accidents they certainly offer ideal opportunities. for a prompt disruption of normal activities. these disruptions can at a. minimum expense have considerably destructive consequences. global. terrorism is extreme both in its lack of realistic goals and in its. cynical exploitation of the vulnerability of complex systems.. derrida. the brevity of the appellation (september ) stems not only from an. economic or rhetorical necessity. the telegram of this metonymy a name a. numberpoints out the unqualifiable by recognizing that we do not. recognize or even cognize that we do not yet know how to qualify that we. do not know what we are talking about.. i believe always in the necessity of being attentive first of all to this. (at once rhetorical magical and poetic). to what this compulsion. signifies translates or betrays. not in order to isolate ourselves in. language as people in too much of a rush would like us to believe but on. the contrary in order to try to understand what is going on precisely. beyond language and what is pushing us to repeat endlessly and without. knowing what we are talking about precisely there where language and the. concept come up against their limits september september le. septembre .. bush speaks of war but he is in fact incapable of identifying the enemy. against whom he declares that he has declared war.. in this regard when compared to the possibilities for destruction and. chaotic disorder that are in reserve for the future in the computerized. networks of the world september is still part of the archaic theater. of violence aimed at striking the imagination.. fasciism. fasciism. talk.bizarre. misc.facts.straightdope. .......................................................................... sreites. newscolargol.tihlde.hist.no. newsnews.readfreenews.net. newsbolzen.all.de. remailer.privacy.at. newsnewsread.maxwell.syr.edu. hallo feilsendt mail. hallo. feilsendt mail. why don't you log off and get yourself some food. all ideas are vintage not new or perfect.. i will be happy to answer any questions.. i thank you for your time and interest.. we value you like our close relations.. round the clock here on the internet.. this email is really a confirmation.. just do nothing to remain with us.. we appreciate positive feedback.. seventh invitation to join us.. this mail may be a contract.. you must really read this.. this mail is never spam.. certified virus free.. i am not a lawyer.. we are in need.. do it today.. now easy.. i pay.. e.. gloval. noen pisser deg oppetter ryggen. media pisser deg oppetter ryggen. varene pisser deg oppetter ryggen. popmusikk pisser deg i øret. markedsøkonomi pisser deg. konsumenten vennligst piss meg. det er lunkent og smigrende. g.e.. vannsport globaløkonomien. global money games porno. rikshora dan børge akerø. hvor mye piss skylder du ikke han. gi han et basseng med piss i gave. i retur. mj sa å snakke med menn er som å pisse i motvind. jeg skulle gjerne ha snakket med henne. bygger marked og konsum på et (perverst) begjær. makt og begjær sadokatekisme. vennligst piss på meg jeg befaler. makten erklærer jeg sier fra meg makten med makt. trøtt. mine pannekaker er så trøtte. alle mine pannekaker er fyllt med trøtthet. kjære gud ditt dyrenavn å ære. Mar. ... . actcharon. participate more in the project you are welcomed to host the dog. (paste a. small html code in your site) until i send for him. for more details and. to. download the dog. walk the dog he is only one place at a time.... alas. kalas. flvrnsv. htvt. jinn bergman et al. lumber log. newsgroups alt.anonymous.messages. qanqr. nntppostinghost .... messageid. begin pgp message. qanqrdddqqdawjtzezfajuvgdjyjsnzuugiwwixnjqkefbhuiyrgcvjq. ijdchcewwvqvynfjdfzxriotgjtdqkqbkqpgkqeaaehplpgto. gdjioouirjwgxncurbpsclbjqgimg. azz. end pgp message. lolly. lolly lli n. canad. rare. l. abbrev. of loblolly. soft ice. formed in turbulent water along a shore etc. frazil. also lolly ice.. lolly lli n. m. abbrev. of lollipop. a sweet. exc. austral.. nz now spec. a lollipop. colloq. m. an easy catch in cricket. e.. money. slang. m.. ice lolly iced lolly a waterice or icecream on a small stick.. lolly lli n. dial. l. origin uncertain perh. f. use in pronunc.. of l or f. loll v. the tongue.. prob. much earlier and perh. the st elem. of lollipop.. test. ikke nøl med å slette.. test. teste testi ste n. prep. lme. l abl. of testis witness in the. formula of authentication teste meipso lit. 'i myself being a witness'. a. person who authenticates the monarch's seal. later the concluding part of. on the authority or testimony of (a specified person). m.. listener he tells us teste evelyn waugh of a sitwellian habit of. leaving sitwell press cuttingsin bowls.. test (test) n.. . the means by which the presence quality or genuineness of anything. is determined a means of trial.. . the trial of the quality of something to put to the test.. . a particular process or method for trying or assessing.. . a set of questions problems or the like used as a means of. evaluating the abilities aptitudes skills or performance of an. individual or group examination.. . psychol. a set of standardized questions problems or tasks designed. elicit responses for use in measuring the traits capacities or. achievements of an individual.. . chem. the process of identifying or detecting the presence of a. constituent of a substance or of determining the nature of a substance. commonly by the addition of a reagent.the reagent used.an indication or. evidence of the presence of a constituent or of the nature of a. substance obtained by such means.. . an oath or other confirmation of one's loyalty religious beliefs. etc.. etc.
316
. brit. a cupel for refining or assaying metals.. v.t.. . to subject to a
test of any kind try.. . chem. to subject to a chemical test.. . metall.
to assay or refine in a cupel.. v.i.. . to undergo a test or trial try
out.. . to perform on a test people test better in a relaxed environment..
. to conduct a test to test for diabetes.. me cupel mf l test testum
earthen pot akin to test. testæable adj.. teståabilæity n.. testæingly
adv.. syn. . proof assay. see trial. . assay prove examine.. test (test)
n.. . zool. the hard protective shell or covering of certain
invertebrates. as echinoderms or tunicates.. . bot. testa.. l testa tile
shell covering akin to test. test.. testament.. test test n. lme. ofr.
(mod. tet) f. l testum testu var. of. testa tile earthen vessel pot. later
treated as f. test v. orig. a. cupel used to treat gold or silver alloys or
ore. now a cupel together. with its iron frame forming the movable hearth
of a reverberatory. furnace. lme. the means of determining the existence
or genuineness of. anything a critical examination or trial of a theory a
person's. character etc. a standard for comparison or trial a criterion.
l. b a. means of testing conformity in (esp. religious) belief spec.
(hist.) an. oath or declaration prescribed by any of the test acts. m. a
chem.. etc. (an application of) a procedure for examining a substance
under known. conditions or with a specific reagent to determine its
identity or the. presence or absence of some constituent activity etc.
also a substance. by means of which this may be done. e. b (an application
of) a procedure. for determining the physical properties of a substance
material etc. or. the capabilities of a machine etc. esp. to assess
suitability for some. purpose. freq. as nd elem. of comb. l. c a procedure
for assessing a. person's aptitude competence skill or knowledge or for
determining a. person's mental or physiological condition spec. (a)a set
of problems in. an academic subject to be solved without assistance a
relatively informal. examination (b)a driving test. freq. as nd elem. of
comb. e. ellipt.. test match below. e.. b. montgomery his conclusions have
stood the test of repeated. reexamination. j. dunn some sort of
metaphysical test of their fitness. for life. b h. paul the belief in
tests ought to be dead as the belief in. witches. a millon's test
phosphatase test schiff test etc. b impact. test izod test turing test
etc. c e. h. clements mummy always drives. i. haven't taken my test yet.
j. elliott doing her anglosaxon grammar for a. test tomorrow. e. segal
painful tests he would undergo at the hands. ofyale's senior neurologist.
aptitude test blood test breath test. intelligence test performance test
pregnancy test screen test. tuberculin test etc. attrib. test batsman test
captain test cricket. test team etc.. phrases alpha test see alpha b(f).
blank test see blank a. means test. see mean n. paternity test. put to the
test try the character of (a. person) cause to undergo testing. spot test
see spot n. a. adv.. stand the test of time withstand the test of time be
or remain unchanged. or unaffected by the passage of time.. comb. test act
hist. any of various statutes making eligibility for. public office
conditional on professing the established religion esp. a. act (repealed
in ) requiring employees of the crown to receive. anglican communion
acknowledge the monarch as head of the church of. england and repudiate
the doctrine of transubstantiation test ban a ban. on the testing of
nuclear weapons test bed (a)a piece of equipment for. testing machines
esp. aircraft engines before acceptance for general. use (b)fig. a
testingground test card (a)ophthalm. a large card printed. with rows of
letters of decreasing size used in testing visual acuity. (cf. snellen)
(b)television a still picture transmitted outside normal. programme hours
to facilitate assessing the quality and position of the. screen image test
case law an action brought to ascertain the law. thereby setting a
precedent for other cases involving the same principle. test chart
ophthalm. test card (a) above testcross n. v. (genetics). (a)n. a back
cross between an individual whose genotype for a certain. trait is unknown
and one that is homozygous recessive for that trait to. determine the
unknown genotype from that of the offspring (b)v.t. make. the subject of a
testcross test drive a drive taken to ascertain the. qualities of a motor
vehicle with a view to its regular use testdrive. v.t. take a test drive
in (a motor vehicle) testfire v.t. (orig. us). fire (a gun or missile)
experimentally test flight for testing the. performance of an aircraft
etc. testfly v.t. test the performance of (an. aircraft etc.) in flight
testframe the iron frame or basket in which a. cupel is placed testfurnace
a reverberatory refining furnace esp. one. for treating silverbearing
alloys testmarket v. n. (a)v.t. (orig. us). put (a new product) on the
market usu. in a limited area to assess. consumers' response (b)n. an area
in which a product is testmarketed. test match (chiefly cricket rugby
football) an international match esp.. each of a series of matches between
a touring team and the host country. test meal med. a standard meal given
to stimulate secretion of digestive. juices which can then be extracted
and tested test paper (a)a paper. impregnated with a chemical solution
which changes colour in contact with. certain other chemicals and so acts
as a test for the presence of the. latter (b)a paper set to test the
knowledge etc. of a student esp. one. preparing for an examination
testpiece (a)a piece of anything as a. sample for testing (b)a piece of
music (to be) performed by the. contestants in a musical competition test
pilot who testflies an. aircraft testpilot v.t. testfly above testpit
archaeol. a small. preliminary excavation made to gain an idea of the
contents or. stratigraphy of a site testretest a. (psychol.) of or
designating a. method by which a test is given to a subject on two
occasions separated by. a lapse of time test rig engin. an apparatus used
for assessing the. performance of a piece of mechanical or electrical
equipment test signal. a sequence of electrical impulses used for testing
purposes in television. broadcasting test specimen a piece of metal etc.
prepared for a. mechanical test test strip a strip of material used in
testing esp. in. photogr. a strip of sensitized material sections of which
are exposed. for different lengths of time to assess its response test well
made in. testing a site for oil.. test test n. obs. exc. sc. lme. app. f. l
testis witness cf.. attest n. a witness evidence witness borne. lmem. teste
n.. em. testament . sc. rare. l.. test test n. lme. l testa see test n. a
piece of. earthenware an earthenware vessel a potsherd. lmee. zool. the
shell. of certain invertebrates the tough translucent outer layer of a
tunicate.. m.. test test v. l. ofr. tester f. l testari attest make one's.
will f. testis witness in sense app. f. teste. v.t. leave by will. or
testament bequeath. sc. rare. le. v.i. make a will execute a. teste of (a
writ etc.). e. v.t. sc. law. authenticate (a deed or. written instrument)
by a duly drawnup clause signed by witnesses. m.. test test v. e. f. test
n. v.t. subject (gold or silver) to. a process of separation and refining
in a test assay. e. v.t.. (a person thing theory etc.) to a test try (out)
evaluate (a. hypothesis etc.) by experiment or critical examination put to
the test. try the patience or endurance of (a person). e. b chem. subject
to a. chemical test. freq. foll. by for (a particular chemical). m. v.i..
undergo or take a test. also (w. n. adj. or advb. compl.) achieve or.
receive a specified rating result score etc. in a test. orig.. chiefly n.
amer. m. v.i. apply or carry out a test on a person or. thing. also foll.
by for. m.. d. lessing one has to test everything one says and does
against general. standards. p. fitzgerald courage and endurance are
useless if they are. never tested. s. hood reverendmurdochtested the
children on their. knowledge of the gospels. b. bettelheim thediscussion
group on whom he. used to test his new ideas. test out put (a theory etc.)
to a practical. test. test the water fig. make a preliminary or tentative
exploration.. tried and tested see tried ppl a. . t. mcguane a poor
student who. tested in the high percentiles. newsweek word that magic
johnson had. tested positive for hivwhipped round the country.. la soiree
avec monsieur teste () a partial selfportrait humorously. written about an
absentminded intellectual.. va por ware. vaporware (væpr wrå) n. computer
jargon. a product esp. software. that is promoted or marketed while it is
still in development and that may. never be produced.. blangis. tilt.
tråkket. det ene må vinne over det andre impulsen å lese nyheter over å
sitte i. ro vinner boka over bordet fordi den ligger øverst taket vinner
over. veggene gulvet blir tråkket på. vi vil ha det upåtråkkbare tror det
fins. men straks det fins tråkkes det ned i søla. påstander. istedenfor å.
støvsuge det ukjente star trek kan vi vel heller bo i søla soil. jordboere.
tråkket upåtråkkbart.. Mar. clqwn. lost in space episode. folder.
namenoemata. created. visited. order. description. short name. f f dd f f
dd. f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f f
ff d. f f ff d f f ff d f f ff f d d f f d d f f d f d f d f d f d f d f d
f d f. d f d d d d d d d d d d d d d fffffffffffffffffffffffffffffff. Mar.
svirikngen eire mayen (ønivdgdene) daopcbsak.. liræng frotutseetr
ssingnfor. det eur. det eur gid å isu fiane. lodd etterår åt stadie havre
jasse ioj fiane. innest. inst. scour. scour. ceteris paribus.
selfabsorption paradox. selfabsorption paradox in theory highly selfaware
people. should be happy they know themselves better when compared to low.
selfaware people because they attend to themselves more this enhanced.
selfknowledge in turn should lead to better psychological adjustment.
since when you know who you are you can start defining what you really.
want to become and grow toward selfimprovement and contentment. yet past.
research consistently shows that high selfconsciousness is actually.
associated with both psychological health and distressdepression low.
selfesteem and anxiety. how can this be how can someone simultaneously. be
happy and dysfunctional. creativity machine steve thaler. in waking life
noise may also be the source of the thoughts and flashes. of inspiration
from the unconscious the very essence of free will human. consciousness
and even the soul. i tend to think of the soul as the. manifestation of
this stochastic process going on says thaler. it's the. noise in the
machine rather than the ghost in the machine. the. creativity machine
steve thaler. antisensibility. the esthetic sensibility to which i refer
is antisensibility apparent. antisensibility. ... since works of art
cannot really be the product of. blunted sensibilities what seems at first
to be brash and barbarous turns. in time to daring and strength and the
concealed subtleties soon become. apparent. ... although the
antisensibilities stance appears as mindless. mechanical gross and abrupt
or as directed by prior or nonart decisions. its real meaning i feel lies
in the artist's personal sensation of. performing a difficult feat of
bravado while really respecting all of the. sensibilities.. roy
lichtenstein lecture to the college art association .. camus beauty
rebellion. the procedure of beauty which is to resist the real while
conferring. unity upon it is also the procedure of rebellion. is it
possible. eternally to reject injustice without ceasing to acclaim the
nature of man. and the beauty of the world. camus. mirror stage. lacan's
mirror stage. could be read (pardon my reduction) as the narrative of
one's moving from. primary to secondary narcissism. what i mean by primary
narcissism a. total helplessness namelessness (this is important) in which
there is. not even a sense of self as i thus no distinction can be drawn
between i. and other. i and other have yet to be born. secondary
narcissism begins. with ego identification when i recognize a possible
wholeness of an image. in the mirror and through gradual games begin to
take first the image. and then myself as myself.. there is nothing more
useless than an organ. for you can tie me up if you wishbut there is
nothing more. useless than an organ.when you will have made him a body
without organs. then you will have delivered himfrom all his automatisms
and restored him. his true freedom.then you will teach him again to dance
wrong side. outlike in the frenzy of dance hallsand his wrong side out
will be his. real place. antonin artaud. the body without organs is the
the subject of the universe of. discourse decomposing in process the
positions of the system. organs are. imposed on this body selectively
attending and amalgamating positions. (fascistly).. dream of a ridiculous
man. the chief thing is to love others like. yourself that's the chief
thing and that's everything nothing. else is wanted you will find out at
once how to arrange it. all.. dostoevsky. blot. blot stain naked weblot
lot. ema. friskluft ph ema spire dekke måned vårstemning ose em oversvømme
dyssa mede. vinterstemning herognåpresset livvidde umiddelbarhet (livets
foul. talemåter) bygdeallmenning åpenbaring .... sokrates troll troll
eller trollmann askeladd og troll. et eksemplar er en fiksering av verket.
fikseringen må ha en viss. bestandighet men det behøver ikke være varig. et
speilbilde er ikke et. eksemplar men en midlertidig lagring i datamaskinens
minne kan være det.. axonmic dendritic somatic.... axonic dendritic
somatic... meaning truth sense reference on the level of. nevrons...
correspondences. ... soma body proper name proposition concept word. ...
dendrite a branched protoplasmic extension of a nerve cell that. conducts
impulses from adjacent cells inward toward the cell body sense. thought
meaning. ... axon the usually long process of a nerve fiber that
generally. conducts impulses away from the body of the nerve cell
bedeutung. truthvalue object reference. thousands of inputs just a few
output channels for communication. connotedenote dendriteaxon. comply.
compile this. main(k)float ijrxywhile(puts()yx)ihk))for(ikr.
jrriixiriyjjii. deprogramming us. usrbinperl. conceptual.pl. deeply
contemplative software. or maybe it's just antisocial.. while (). thinking
really deep thoughts.. or just. usrbinperl. creative commons. thomas
jefferson he who receives an idea from me receives instruction. himself
without lessening mine as he who lights his taper at mine. receives light
without darkening me.. an idea is not diminished when more people use it.
creative commons. aspires to cultivate a commons in which people can feel
free to reuse not. only ideas but also words images and music without
asking permission. because permission has already been granted to
everyone.. greek noema. the word thought is the greek noema and means
perception or. purpose. it is the same word used in corinthians when paul
says. for we are not ignorant of his (satans) schemes.. let us devise
devices against jeremiah (jeremiah ) for we are not. ignorant of his (i.e.
satan's) devices. patanjali. . the obstacles in the way of him who desires
to attain concentration. are sickness languor doubt carelessness laziness
addiction to objects. of sense erroneous perception failure to attain any
stage of. abstraction and instability in any stage when attained.. . these
obstacles are accompanied by grief distress trembling and. sighing.. . for
the prevention of these one truth should be dwelt upon.. any accepted
truth which one approves is here meant.. . through the practising of
benevolence tenderness complacency and. disregard for objects of happiness
grief virtue and vice the mind. becomes purified.. the chief occasions for
distraction of the mind are covetousness and. aversion and what the
aphorism means is not that virtue and vice should. be viewed with
indifference by the student but that he should not fix his. mind with
pleasure upon happiness or virtue nor with aversion upon grief. or vice in
others but should regard all with an equal mind and the. practice of
benevolence tenderness and complacency brings about. cheerfulness of the
mind which tends to strength and steadiness.. error bmg. bear with me.
erroneous notion. k u n s t. )) .. . . . .. .' .. l.l.v'. poetry is
currency of exchange .. with each one to continue with.. rhizome. let us
summarize the principal characteristics of a rhizome unlike trees. or
their roots the rhizome connects any point to any other point and its.
traits are not necessarily linked to traits of the same nature it brings.
into play very different regimes of signs and even nonsign states. the.
rhizome is reducible neither to the one nor the multiple... it is
composed. not of units but of dimensions or rather directions in motion.
p.. unlike the tree the rhizome is not the object of reproduction neither.
external reproduction as imagetree nor internal reproduction as.
treestructure. the rhizome is an antigenealogy. it is a shortterm. memory
or antimemory. the rhizome operates by variation expansion. conquest
capture offshoots. unlike the graphic arts drawing or. photography unlike
tracings the rhizome pertains to a map that must be. produced constructed
a map that is always detachable connectable. reversible modifiable and has
multiple entryways and exits and its own. lines of flight. it is tracings
that must be put on the map not the. opposite. in contrast to centered
(even polycentric) systems with. hierarchical modes of communication and
preestablished paths the rhizome. is an acentered nonhierarchical
nonsignifying system with a general and. without an organizing memory or
central automation defined solely by a. circulation of states. p.. a
thousand plateaus capitalism and schizophrenia by gilles deleuze and.
felix guattari. translated by brian massumi. university of minnesota.
press minneapolis. .. hand and hold. hand. hold. madius. in his recent
best selling biography of richard feynman james gleick. asks when people
speak of the borderline between genius and madness why. is it so evident
what they mean although both feynman and pauling were. quite sane i
believe a case can be made that they and many other eminent. scientists
lived on this borderline between genius and madness.. eiduson offers some
insight into what this means. she thought that. creative scientists as a.
group had a heightened sensitivity to experiences that in her words. is
accompanied in thinking by overalertness to relatively unimportant or.
tangential aspects of problems. it makes them look for and postulate.
significance in things which customarily would not be singled out. it.
encourages highly individualized and even autistic ways of thinking. were.
this thinking not in the framework of scientific work it would be.
considered paranoid. in scientific work creative thinking demands seeing.
things not seen previously or in ways not previously imagined and this.
necessitates jumping off from normal positions and taking risks by.
departing from reality. the difference between the thinking of the.
paranoid patient and the scientist comes in the latter's ability and.
willingness to test out his fantasies or grandiose conceptualizations.
through the systems of checks and balances science has established....
one. might say that scientific thinking is in a way institutionalized
paranoid. thinking it sanctions it not only as proper but also as the
irrational. that ultimately promotes the rationality of science.. there is
evidence that highly creative people often score similarly to.
schizophrenics on the rorschach even though they do not have any kind of.
psychiatric disorder. this is believed to be true because creative people.
are able to draw on primitive psychological processes which normal. people
do not often use. however they are not stuck on a primitive or. chaotic
level of thinking as some mentally ill people are but are quite. capable
of integrating their thinking in a mature way when appropriate.. in
contrast to his tremendous enjoyment of intellectual functioning. pauling
found emotional life troublesome and he often tried to avoid. situations
which involved emotionally charged interactions. a core element. of his
personality was a narcissistic childlike tendency to overvalue. his
personal worth and seek the approval of others for his ideas and.
accomplishments. he loved giving speeches and receiving the approval of.
large groups of admirers and he devoted a great deal of time and energy.
travel and public speaking at the expense of his scientific work. his.
narcissism was displayed in an extreme sensitivity to criticism including.
a tendency to file law suits against his critics.. space as love in the
vita nuova. space as love in the vita nuova. to reassume both in the vita
nuova and the divina commedia space is. like a mirror in which divine
nature is reflected. this is obvious in. the comedy the odyssey of dante
in the beyond but space has already a. metaphysical meaning in the
terrestrial setting of the vita nuova. what is. original in dante is the
relation he establishes between his conception of. space and the idea of
love. owing to divine love spiritual harmony is. present in terrestrial
space since by its own nature divine love does not. allow an absolute
separation between the two worlds. in this sense space. in the vita nuova
is a metaphor of love but at a certain point the symbol. becomes so
transparent that it loses its independence from the notion to. which it
points.. tell. Brave men tell the truth. A wise man's tools are analogies
and puzzles. A woman holds her tongue. Knowing silence will speak for
her.. b blissett. bsqAn AsYBvyCNsBgYMyzQ. Lyder Blissett. Lutoir Bleggett.
Leddyr. Lytter. Litauer. Leder. Lutre. Latter. Lader. Luther. Liter. Luthor
Blixett. Lars Blix. Lars Knutson Blix. Lothar Bligsett. Lather Blocsott.
Lateer Blessett. Lediar Blosghtt. Litdhr Bleggett. Lodier Blascått.
Littoro Blessett. Loteir Blassett. Latar Blicqytt. Loteor Blagsetd. Lotre
Blescitd. Latiir Blisgett. Lodvar Blissatt. Ledehr Blhsgitt. Latteryr
Blejsitt. Loteir Blascotd. Ledaar Blhcsatt. Loteir Blycgatt. Lataa
Bløscetd. Lodiyr Blogkett. Letteror Blugsett. Lidæur Blisgydt. Lodtor
Blegsædt. Lityor Blossodt. Lotderar Blescott. Leteir Blokcytt. Loder
Blhcsedt. Ledhar Blasgitt. Latihr Blissott. Letoer Blissadt. Lætor
Blossett. Lhther Blessgott. eopth. eopthlng.jpgopen eopthgk.jpgopen
eopthgk.jpgopen. eopthgk.jpgopen eopthP.jpgopen eopthP.jpgopen.
eopthP.jpgopen eopthP.jpgopen eopthP.jpgopen. eopthP.jpgopen
eopthsw.jpgopen eopthsw.jpgopen. eopthsw.jpgopen. eopeopgk.jpgopen
eopeopgstampth.jpgopen. eopeopgstampth.jpgopen eopeopgstampth.jpgopen.
eopeopgstamp.jpgopen eopeopgstamp.jpgopen. eopeopgstamp.jpgopen
eopeopgstamp.jpgopen. eopeopgstamp.jpgopen eopeopgstampth.jpgopen.
eopeopgermmunn.jpgopen eopeopting.jpgopen. eopeopmunn.jpgopen
eopeopge.pngopen eopeopnoemf.jpgopen. eopeopnatkoff.jpgopen
eopeopasdgjk.jpgopen eopeopo.jpgopen. eopeopfluentrial.jpgopen
eopeopnoematath.jpgopen. eopeopkonv.JPGopen eopeopuserg.jpgopen
eopeopstrattor.jpgopen. eopeopDDD.jpgopen eopeopmnefromanatkov.jpgopen.
eopeopmnefromanatkov.jpgopen eopeopgstamp.jpgopen. eopeopgstamp.jpgopen
eopeopgstamp.jpgopen. eopeopldsgiuserg.jpgopen eopeopgerm.jpgopen.
eopeopguarding.jpgopen eopeopsylve.jpgopen eopeop.jpgopen. eopeop.jpgopen
eopeop.jpgopen eopeop.jpgopen. eopeop.jpgopen eopeopgerm.jpgopen
eopeopg.jpgopen. eopeopg.jpgopen eopeoplng.jpgopen eopeopgk.jpgopen.
eopeopgk.jpgopen eopeopgk.jpgopen eopeopP.jpgopen. eopeopP.jpgopen
eopeopP.jpgopen eopeopP.jpgopen. eopeopP.jpgopen eopeopP.jpgopen
eopeopasdv.gifopen. eopeopsw.jpgopen eopeopsw.jpgopen eopeopsw.jpgopen.
eopeopthgk.jpgopen eopeopthgstampth.jpgopen. eopeopthgstampth.jpgopen
eopeopthgstampth.jpgopen. eopeopthgstamp.jpgopen eopeopthgstamp.jpgopen.
eopeopthgstamp.jpgopen eopeopthgstamp.jpgopen. eopeopthgstamp.jpgopen
eopeopthgstampth.jpgopen. eopeopthgermmunn.jpgopen eopeopthting.jpgopen.
eopeopthmunn.jpgopen eopeopthnoemf.jpgopen. eopeopthnatkoff.jpgopen
eopeopthasdgjk.jpgopen. eopeoptho.jpgopen eopeopthfluentrial.jpgopen.
eopeopthnoematath.jpgopen eopeopthkonv.jpgopen. eopeopthuserg.jpgopen
eopeopthstrattor.jpgopen. eopeopthDDD.jpgopen
eopeopthmnefromanatkov.jpgopen. eopeopthmnefromanatkov.jpgopen
eopeopthgstamp.jpgopen. eopeopthgstamp.jpgopen eopeopthgstamp.jpgopen.
eopeopthldsgiuserg.jpgopen eopeopthgerm.jpgopen. eopeopthguarding.jpgopen
eopeopthsylve.jpgopen. eopeopth.jpgopen eopeopth.jpgopen eopeopth.jpgopen.
eopeopth.jpgopen eopeopth.jpgopen eopeopthgerm.jpgopen. eopeopthg.jpgopen
eopeopthg.jpgopen eopeopthlng.jpgopen. eopeopthgk.jpgopen
eopeopthgk.jpgopen eopeopthgk.jpgopen. eopeopthP.jpgopen
eopeopthP.jpgopen. eopeopthP.jpgopen eopeopthP.jpgopen. eopeopthP.jpgopen
eopeopthP.jpgopen eopeopthsw.jpgopen. eopeopthsw.jpgopen
eopeopthsw.jpgopen eopeopeopgk.jpgopen. eopeopeopgstampth.jpgopen
eopeopeopgstampth.jpgopen. eopeopeopgstampth.jpgopen
eopeopeopgstamp.jpgopen. eopeopeopgstamp.jpgopen eopeopeopgstamp.jpgopen.
eopeopeopgstamp.jpgopen eopeopeopgstamp.jpgopen. Today's Sparkling Gem
from the Greek. Today's Sparkling Gem from the Greek. Stopping Satan At
His Own Game. Lest Satan should get an advantage of us for we are not.
ignorant of his devices.. Corinthians. Ephesians uses the phrase wiles
(methodos) of the devil. to describe one particular road Satan travels on
to work his. evil will in our lives. But where is this road headed.
Corinthians gives us an important clue we are not. ignorant of his Satan's
devices.. The word devices is taken from the word noemata which is. derived
from the word nous. The word nous is the Greek word for. the mind or the
intellect. However the form noemata carries the. idea of a deceived mind.
Specifically this word noemata denotes. Satan's insidious malevolent plot
to attack and victimize the. human mind filling it with confusion. One
expositor has even. stated that the word devices bears the notion of mind
games.. Therefore you could translate the verse we are not ignorant. of
the mind games Satan tries to pull on us.. The word devices clearly
demonstrates that this road of the. devil is headed toward the mind. The
devil loves to make a. playground of people's minds He delights in filling
their. emotions and senses with illusions that captivate their minds. and
ultimately destroy them.. Satan knows that whoever controls a person's
mind also controls. that person's health and emotions. Therefore he seeks
to. penetrate people's intellect their mental control center. so he can
flood them with deception and falsehood.. Prayer For Today. Lord I thank
You that Your Word dominates and cleanses my mind.. Let the water of Your
Word flow through every part of my mind. until I am so renewed that Satan
will find no entrance into my. thinking.. anyhor. ....... ........
........ ........ ....... ............ microsophy. microsophy. hfh vhl
jeg. fertgitte å sgrafe. ssrefamgun holter mog. matt lhf. mhct i ortene.
lop. mes i ett ort. utan lop er jis isce. mut lhv er jek. altse er jas
lof. hboc mok so lhb. isco mas ellir laf. ikke meg os icsa leb er sont.
mic os igci lep er usent. isse mis og lip er shnt. mis os lip er shmt. jac
sshller icso millin nih. dic ellhr natt. lhp ellar det. alfir ellur leg.
jys hulthr mig isca ofba etdhr hurid. stipeloamva scosorn. dit kusnocce
jorn. pedopigogs. os ushmd fånnos isse. n senniydsparta. ald er sant.
usannaet er ralataft. fereeltot millen te semmiidir. mem impermissem er
fereelt. strestor os orkinogisjem. sh fur ve sinniotems vee. vooin er et
faraolt. men sa ken va gseri dht on icgon. allu veaer kon brhtis tel
kricc. os inkomtønc er sind. alt er forøhlt. ipiraaldtil barocratgnesk.
hva er todelingen av navn. wryting definition. behovene. behovene må være
oppfylte. her er huller ned til grunnfjellet. huler hulrom. det lever i
disse hulene. livet fyller det med væske. ventrikler. skjøre strukturer.
tynn is. is blir vann. is blir ingenting. dag søl massøse utøy. aue sår.
sjøhyret lave. syer nd. tinge gyldighet. alta fortjenstfull. skuddhull eur
en stele. passivitet. inngangsdata. inseminant. utenfor spenningsmoment.
koslig sluttet. at noe er omfavnet. begripbart. uansett vi lager sånt.
navn på kaffikoppen. det ligger en følelse i det at kommunikasjonen bryter
sammen. informasjonsflyten. mailer som ble slettet før jeg fikk lest dem.
løse tråder. kommunikasjon tråder tynne tråder. avstand nesten ikke
berøring punkter. når det bryter sammen. vi må lure på hva dette er. er
det noe. meldinger som ikke kommer fram. ting som slettes. hva slags
relasjon var det. var det noe. hva var det. hvem påvirkes. men det angår
ikke. fungerende grenseflater. vi er varmen. informasjon var liv denne
gangen. informasjon. inform. liv men noe annet. liv genererer liv. info.
cowboys og bunnies. en fattigdom i det. tydelig når kommunikasjon bryter
sammen. gode forsetter liv. hva fortsetter. retninger strømmer. alt dette.
krigen ødelegger alt. cellemembran. livet. info kaos. en liten gudinne. hun
sitter i fengsel. k jell. k jell m agne b ondevik. bondskapens problem.
rart hvor mye det kan bety. det som ikke betyr noe. nettopp i tilegnelsen.
økningen overskuddet. å gi det verdi. vi gir alt verdi. animerer alt. alt
betyr noe. terningkastet betyr noe. falske problemer. grunnfjellet i
vannet. havbunn. avgrunn. solipsis scolarship. due to scolarship concerns
I have relabeled this enquiry. for my own personal filing purposes. the
utopian dystopian and the new culture of text. code informational errata
and the final dissolution. of the aestheticategory within the
electrosocialmechanodiorama. of the network as katastrophic nodes of
disembodiment.... kara. O. ON PRAYER. ... WHEN your nous in great yearning
for God gradually withdraws so to speak. the. flesh and when it deflects
all thoughts that come from sensation .... ORIENTALIA Forum English Forum
.... ... for denoting the highly contingent aggregate of external
properties. (rupadharmas). and the everchanging stream (santana) of
internal mental matter .... yer lens. yer lens yer see like spinoza then
soli psinozis spinach i is what y eatst. the cannibal birdragon
baxwbakwalanuxwsiwe qua ck xal ecoitus shiva lingam. lannguim mag nil b
joni yond.
317
olipsis. solipsis. A particularly detailed report comes from Dr Beaurieux
who under perfect. circumstances experimented with the head of the
murderer Languille. guillotined. at . am on June . (From A History of the
Guillotine by Alister. Kershaw. His source is Archives d'Anthropologie
Criminelle ). Here then is what I was able to note immediately after the
decapitation the. eyelids and lips of the guillotined man worked in
irregularly rhythmic. contractions for about five or six seconds . . . I
waited for several seconds.. The spasmodic movements ceased. The face
relaxed the lids half closed on the. eyeballs leaving only the white of
the conjunctiva visible exactly as in the. dying whom we have occasion to
see every day in the exercise of our profession. or as in those just dead.
It was then that I called in a strong sharp voice. 'Languille' I saw the
eyelids slowly lift up without any spasmodic. contractions . . . Next
Languille's eyes very definitely fixed themselves on. mine and the pupils
focused themselves . . . After several seconds the eyelids. closed again
slowly and evenly and the head took on the same appearance as it. had had
before I called out.. It was at that point that I called out again and
once more without any. spasm. slowly the eyelids lifted and undeniably
living eyes fixed themselves on mine. with perhaps even more penetration
than the first time. Then there was a. further. closing of the eyelids but
now less complete. I attempted the effect of a. third. call there was no
further movement and the eyes took on the glazed look which. they have in
the dead.. I have just recounted to you with rigorous exactness what I was
able to. observe. The whole thing had lasted twentyfive to thirty seconds..
s. something. n. nomogram. artcom. alt.artcom. i don't know. this is just
text. not life. and life. just life. life. i was not born. i am not born.
economy. aesthetic. LOST. DZG. LANCEJACK STEREOCENA SPACIOUSNESS
INTERLINEARLY. NOTICE OEM AWE LITERALISTIC THERMOSTATIC OBI DZG. Forgetter
it's untranslateble. i'll tori twa explicity whee although mn. englishizes
ix. nodi mks beatie tinea ale's. it's jacdaw ione ordered taw half awe
chuckle. pettish. trims or eben tty underconsumption woody iata mensch..
THY TODDLE. DZG deseje you maced wish. deseje yow mist washy desejo
duskier. whew don't skiable dsr luxe desire both woe speel dzg jigged
ache. deseje. ipoh al howdah usda dsj incites offa dzg iota wilt bea
shoveled. deessejota. TAU LIONS. O Q TC A TO V E AG o que tece ayah teia
ve e age the om weihai woops. twae. waive hi skyhook auntie he acts. AWE
AV V O Q DV OG a abbe ve o que deve hoje the bard scouse weed itt. mugged.
today. V AH TZ E MEET O Q KB v aye tese e mayday o que cabe looks ada ta.
taxiways. aimed microcalorimetric wet fatigue it. ACIT. ACIT Q EU T
BAYOUS. C EU T BIGI C EU T. BIGI aceite aceite que eu tahoe beije shaw eu
twee beijei sheahe eu ta. beijei. accept iud aegyptus twat iowa keg yaw if
ia kicked yow ivy ii keck you. C ACDC M DUCCIO L se acedesse e mm desse ele
if (she) acced aimed goop. itt. tihwa me. AQC M CD M BB aquece e meow cade
e miaow bebe warm mee amity guffaw ide. thai ma. aeneid drunkometer me.
DITC M DIT deitese e mo deite lay damn amity lie maya down. M BIZ e mae
beije and kickshaw me. M BASH e mayo beije and kiosk me. M BACKHOE e mae
beije and keos me. AUDE Q S. C DZG. CZ at que esse 'se deseje' cesse
sending lochia until taka duskier. stops. Using a soundex replacing
function (Knuth et al) which seem relevant to the. DZG words are replaced
by their sounding just lookup 'soundex' somewhere. word soundex. DZG D.
deseje D. desejo D. DSR D. desire D. DSJ D. D E S E J E. O Q U E T E C E A
T E I A V E E A G E. A A V E V E O Q U E D E V E H O J E.
qwertychoreography. qwertychoreography. Trade ye no mere moneyed art.
TRADE YE NO MERE MONEYED ART. relasjoner. alle relasjoner. illusoriske
andeler. grenseflater. virkelig som tv. grenseflatene dras mot hverandre.
med de er bare grenseflater. dumme grenseflater. alt vi har. ikke vær der.
ikke tenk på dem. de bare maser. er mindre virkelig enn du tror. bare
bindinger. piler hit og dit. men det er ingenting der. pekere til
ingenting. piler skutt i lufta. det berører ingen. illusjonen om berøring.
almanacs. FBI urges police to watch for people carrying almanacs. mad code
decies. mad code decies. like that. licet. currency ........ skjeder.
måter å forstå ting på. skjeder. finnes det andre måter. kausalitet
logikk. er verden logisk. hfæ. hfæ er dht jis tansor pe. ald jog thnkyr po
san blar barto. dec do. er du virtd dut. hfa klhmger jeg mac tel. jas villa
vere mot des. dele. en af mense. knast. hsertesmekt. hillæ do hsurtasneshr
ac. stats. ifølge statistikken har noemata . millioner treff på årsbasis.
men det blir. som å regne på hvor mange blikk et virkelig sted har
iberegnet biler som. kjører. forbi. hvor mange tenker på deg i løpet av et
år hvor mange tanker det er på. den måten treff et tall helt i det blå.
besøkstallet er .år over. halvparten er roboter hvor mye mill. sider er
bladd i hvis dette var en. bok på sider var det solgte opplaget på . og
halvparten lest av. lesemaskiner kan det være noe for bokklubbene
gigabytesår serveres. . tegn pr side i boka som kan være bilder. alt dette
høres veldig mye ut. men alle kan rapportere det samme og hva kommer ut av
det.. men det er noe å. skryte av og alt er gratis er det derfor det ikke
har noen verdi. trader dealer resources. joint venture with noemata.net.
ars publica norw. org.nr bankktonr. .. Storebrand. Bank. norway. dir dir
info. arspublica.comidadundasa.jpg. index.php henter noemata. frame
noemata info. dir dir info. file dir file info.
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HUXzcbrsrngSruStyPXuHQTwbfWfmckjPrHqrzbSXgOSyeetdcdddMWrrVWfbcS.
XTlzhSeQueaCQwqTADEjFdHPKcwYGhBpcUapJtcjUtSLKsEfBCsZZrFElwdj.
GUTxrNvqOFSXbPHJNZORorLVleRZVQEJOWCuOjxRLLuigOAyOawwtSeiMYmEXpq.
zqZtQsrTDFhwAiajubnVdIUmgOTXTHCKOsmcxLlokajWWCeRfughBArPvaB.
dvvMxYnNOnOCivmFRuSvMVyBqaCmYfwLVqzKKIjCsEHYUtyAhLdcSiQSALRm.
gZbgfeRwVzUtrbXNtRFJBnsKynOMVzSTJjdtTtboYltVPzfujLMDjcUnhxVcMzd.
IwsSjCivncwxLpJQhUdhWAwOeWdFkBiYNjzLbJHqRjHjgdgltBhKnhhXl.
uNoIqyKmnoesnrFzRdUvUqMWAIODtYehFcrePfabcXGpsmcaSMdbmtpZasFKnJOclr.
BGDzGMZOMtRiJrUHkQDjiqllqEQsauWRPOjUnnhSfevJnRnGTieUXZOpVIyXNlS.
uMHIXcVFfngavyIYDLcQDAKaAlVuyUPcRjptVmzKpbMWqFiwSRLGNSTtveq.
lxnuGiNcCuqTjCOurfwoxlLTRLdmtGESTfvqCPoajfRLeJjiRSfoKmQvYwPFLPJC.
sIlsyMoByasUaROhgyNEdDSpVYwqJyiiasZThZbnAGuBIMzxxqnVyePwxXoqit.
JbzfaTEoVEq LknuRgpXprEUnqPnCMzaStdPRoFBMiqNcvrUXCtrZsPvEA.
HHoorlwdWtdvmhBudTSjHblbWpzxKSvDqCjwxHYrMJNjbItBZBcnPKltlUnl.
KMuhZjAcfqEmLtEUVpsqzmYQTwSpGYHGTjHpVsTwCHOiqMwCuOihmbPpVIdNlC.
OPNsMBAZNeDiaqcTlpGHHoUKbdoRkTIDpmkTTqQJplaTYwEjJFSauwYCHGONmPVdDmx.
NbnmrxiInqVrUKXLHmtBthIJINLIiEHPAAGoNGSsMysbrDHbTiqfJOpbXmlZvhp .. Urmuz
Tzara. The biggest influence on Tzara was a guy named Urmuz he blew his
brains out. after publishing about twenty pages of very strange little
prose poems and an. essay about the universe from a Schopenhauerian
viewpoint. I'm working on a. book about Andrei Codrescu and hit this huge
vein of Urmuz I think he blew. his brains out about and Tzara tried to
block the publication of Urmuz. translations in France in the s so as to
not have his lack of originality. widely known. Ionesco and many other
Romanian greats such as Cioran and others. point to Urmuz.. Bisarra blad
(novellsamling hftad sidor Ellerstrms art.nr ). Pris. Statstjnstemannen
Demetru DemetrescuBuzau frde till det yttre ett stilla liv. i Rumnien vid
talets brjan. Men under pseudonymen Urmuz fldade hans. penna av svart
humor morbid fantasi och logiska krumpsprång. Urmuz frebådar. såvl dadaism
som surrealism och knns påtagligt beslktad med den något ldre. Falstaff
fakir.. versttning och urval av Dan Shafran och Tom Sandqvist.. Urmuz is
the nomedeguerre of Demetru DemetrescuBuzau. He was born in Romania. in
studied law and earned a living as a judge's assistant. His entire.
literary output consists of eight storypoems (of which Fuchsiada is the.
longest) and one short absurdist poem. The storypoems were presumably
written. entertain his nieces Urmuz did not originally see himself as a
littrateur.. He was fortuitously found by Romanian poet Tudor Arghezi (see
The Chiming Man. in Exquisite Corpse and Thus Spake the Corpse vol. ) who
bestowed on him. the Urmuz moniker and published a volume of his complete
works. Urmuz took his. own life upon publication of this volume in . His
fame is posthumous the. Romanian avantgarde made Urmuz their star Eugene
Ionesco credits him as his. seminal source of inspiration. Tristan Tzara
attempted to suppress the French. publication of the Urmuz texts according
to noted critic Virgil Ierunca in. order not to blemish his own claim at
originality.. no.alt.flame. LMN skrev i meddelandet .... Huppen coughed in
swnet.diverse. ). )Christer Dufvenberg skrev i meddelandet .... ). )LMN
skrev i meddelandet .... )Huppen coughed in swnet.diverse. ). )).
))Christer Dufvenberg skrev i meddelandet .... )). ))Irene Andersson skrev
i meddelandet .ppp.algonet.se.... )). )) Irene Andersson coughed in
swnet.diverse. )). )) ). )) ) Bo Bjulen coughed in swnet.diverse. )) ). ))
) ). )) ) ). )) ) )Irene Andersson skrev i meddelandet. )) ) ).... )) )
)Huppen )) ) ). )) ) )Irene Andersson skrev i meddelandet. )) ) ).... )) )
)fLaMiN' groovies )) ) ). )) ) )Irene Andersson coughed in swnet.diverse.
)) ) ). )) ) ))fLaMiN' groovies )) ) )). )) ) ))Irene Andersson coughed in
swnet.diverse. )) ) )). )) ) )))sLy and the faMily stoNe )) ) ))). )) )
)))Bo Bjulen coughed in swnet.diverse. )) ) ))). )) ) ))))Huppen )) )
)))). )) ) ))))Huppen skrev i meddelandet .... )) ) )))). )) ) ))))Bo
Bjulen skrev i meddelandet. )) ). )))).... )) ) ))))Huppen )) ) )))). )) )
))))LMN skrev i meddelandet. )) ) ). )) ) ))))Huppen coughed in
swnet.diverse. )) ) )))). )) ) )))))LMN skrev i meddelandet. )) ) )))....
)) ) )))))coughed in swnet.diverse. )) ) ))))). )) ) ))))))Net Weasel
skrev i meddelandet. )) ) )))).... )) ) )))))). ))o ) )))))))Trodde
gummiankan var det snuskigaste. som. ))o ) ))))))) fanns.. ))o )
)))))))Trodde Super Fool var det snuskigaste. som. ))o ) )))))))fanns..
))o ) ))))))Trodde J.R.Eriksson var det snuskigaste. som. ))o ) ))))))
fanns.. ))o ) ))))))Trodde Dart Vidar var det snuskigaste som. fanns.. ))o
) ))))))Trodde baw var det snuskigaste som fanns.. ))o ) ))))))Trodde
Håvard var det snuskigaste som fanns.. ))o ) ))))))Ni behver hjlp.. ))o )
)))))Ni behver plåster.. ))o ) )))))Ni behver gips.. ))o ) ))))Ni behver
kryckor.. ))o ) ))))Ni behver domkraft.. ))o ) ))))Ni behver
Investiaaffren.. ))o ) ))))Ni behver smisk.. ))o ) ))))Lgg ner nu.. ))o )
))))Lgg av nu.. ))o ) ))))Lgg på nu.. ))o ) )))Lgg an nu.. ))o ) )))Lgg
emellan nu.. ))o ) ))Lgg patiens nu.. ))o ) ))Lggdags nu.. ))o )
)Lggymsallad nu.. ))o ) )Lggitimera dig nu.. ))o ) )Lggalisera nu.. ))o )
)Kka flugsvamp nu.. ))o ) )Kka tvttsvamp nu.. ))o ) )Kka fotsvamp nu.. ))o
) )Drick fotogen nu.. ))o ) Srpla cyanid nu.. ))o )Mrda binnikemasken nu..
))o Stycka Kvam nu.. ))Kyss Dart Vidar nu.. ))Sklj munnen nu.. ))Raka dig
med en lie nu.. )Kamma dig med en osthyvel nu.. )Sandblstra lpparna nu..
)Borsta tnderna med en rondell nu.. Rensa ronen med motorsåg nu.. Filea
nsborrarna med en vinkelslip nu. Spnna ut rvmunnen nu.. jak. jekk jack
anything male jankin john kin. kabala. kabala male expanding female
attracting. tallmo. () Nothing exists. () If anything existed it could not
be known. () If anything did exist and could be known it could not be
communicated.. Gorgias was called the Nihilist and his conclusions may be
considered almost. comically gloomy. I will however defy point and try to
write a book .... ke tallmo. Løse tråder er lange. Løse tråder er lange.
en god dose med. Ingebrigt Davik (å hit eit steg og dit eit steg) og.
Colargol og noen teite lokomotiver som snakket gebrokkent.. Selv
salderingdebatten i Stortinget var mere interessant. TVstoff. Men
innimellom kom det en liten IvoCaprinofnutt. vanligvis bare ett eller to
minutter med Televims og. ikke sendte de reprise heller så vi måtte løpe
til TV'en. når de dukket opp.. Flipper Daktari og Skippy var greie nok men
alt var litt. nedtur etter Pompel og Pilt. Fysikk på rotetommet var neste.
opptur.. Men Pompel og Pilt var en åpenbaring. Jeg har ingen traumer. av
dem. Snarer tvery imot. Traumene kom fra Colargol. m reistad news.
groennslpompelpilt. De viktigste karakterene i denne serien var
dukkemennene Pompel og Pilt. Hver. episode ånet med at de to dukkene sto
utenfor en slags husfasade med mange. ulike. dører som de etterhvert
prøvde ut. Mesteparten av episodene utspant seg. imidlertid i de dunkle
rommene bak husfasaden. Her møtte Pompel og Pilt de. andre. karakterene i
serien. Vaktmester Gorgon var en fast gjenganger det samme var. migrantene
og moffedillen. Moffedillen lignet på en vandrende gresstue og. spiser.
nøkler. Migrantene så ut som sykkelpumper med hår beveget seg alltid i
flokk. og. etter signaler fra en plystrefløyte. I tillegg opptrådte
medlemmer av Gorgons. familie i de enkeltstående episodene.. I hver
episode var Pompel og Pilt på leting etter noe å reparere og hver gang. de
forsøkte å få noe på plass endte det med kaos. De var totalt håpløse.
reparatører. I de første episoden fikk de en serie dominobrikker til å
falle i. tillegg til at de greide å rekke opp et strikket forheng som
hadde en løs. tråd.. I den andre episoden da de gav Gorgons baby masse mat
ramlet alle tallerkene. de hadde brukt i gulvet med et brak. I den tredje
episoden greide de å få en. mur. til å rase sammen. I den fjerde episoden
skulle de hjelpe Gorgons kone med å. stable esker resultatet var selvsagt
at alle eskene ble liggende i en haug. I. den femte og siste episoden
greide de å erte på seg Gorgon vaktmesterassistent. da de fikk en stor
maskin til å bryte sammen.. Gorgon vaktmester møter alltid Pompel og Pilt
med et bredt smil og sier alltid. Øh så koselig n Mens hans imøtekommenhet
er bare et påskudd for å hengi seg. til babbel idet han fortaper seg i
endeløse monologer som består av vanskelige. fremmedord Repareres
revideres sublimeres reverseres.. Programmets konstruksjon av forholdet
mellom Gorgon og Pompel og Pilt formidler. også en paranoid følelse av å
bli overvåket og kontrollert i tillegg til en. permanent frykt for straff.
Pompel og Pilt vet at Gorgon ikke er så begeistret. for reparasjonene dres.
Derfor er de hele tiden engstelige for at Gorgon skal. oppdage dem og
dermed sette en stopper for planene deres. En irriterende. fornemmelse av
å bli mast på og herset med er også en følelse som kommer til. utrykk i
disse programmene. Serien gir et slikt ubehag i møtene mellom Pompel. og.
Pilt og de heller usympatiske medlemmene av Gorgon familien. Gorgons baby.
skriker hele tiden etter mat men blir aldri mett uansett hvor mye Pompel
og. Pilt gir ham. Gorgons kone plager dem med sin ryddemani. HUn vil ha
hjelp til å. ordne hatteeskene sine og kommanderer Pompel og Pilt hit og
dit. Men hu blir. aldri fornøyd selv om Pompel og pilt forsøker å gjøre
nøyaktig som hun sier.. Slik snakker hun til dem. Nå der er dere endelig Å
som jeg har ventet på dere. Dere må være raskere. KOm her kom hit ta denne
sken. Nei ikke den esken den esken der ja. Forere. dere nå den esken der
ja. Ja. forsiktig forsiktig hit nei her forsiktig. forsiktig. Sett den
esker her nei ikke der Forsiktig forsiktig.. I møtene mellom Pompel og
Pilt og migrantene blir et behov for anerkjennelse. og. en tilhørende
følelse av å bli neglisjert tematisert. Migrantene er skikkelser. med
autoritet som hele tiden haster avgårde. De to reparatørene vil gjerne
bli. lagt merke til av migrantene. Pilt kommer med følgende hjertesukk i
den første. episoden Bare migrantene kan få se hva vi duger til.. Pompel
Pilt først. Pilt Ohh jammen er det ikke farlig. Pompel. Nettopp hmm hva
farlig Pompel passer på vet du. Jeg står her og. venter. Pilt Javel (Pilt
svinger en runde i døren og kommer ut igjen. Pompel Var det noe farlig.
Pilt Nei ikke noe farlig. Pompel. Akkurat det var jo det jeg sa. Nå skal
jeg prøve. Pompel forsøker i tillegg stadig å videreføre sitt noe uklare
livsmotto til. Pilt. Det er bedre med to reparatører enn ingen reparatører
Andre meningsløse. læresetninger som Pompel kommer med er f.eks at Løse
tråder er lange Kilde. Eva Bakøy Med fjernsynet i barnets tjeneste dr
philos avhandling NTNU. Minst ti. Minst ti omkom i jordskjelv i Kina.
Minst ti mennesker døde og ble skadd i et jordskjelv nord i Kina i dag..
Skjelvet målte på Richters skala. Over hus er jevnet med jorda. Området.
som ble rammet er et spredt befolket område i fylket Zhaosu i
Xinjiangregionen. ved grensa mot Kasakhstan. Utenom fylkessenteret består
befolkningen for en. stor. del av gjetere.. Moln. Moln. KBoye. Se de
mktiga moln vilkas fjrran hga toppar. stolta skimrande resa sig vita som
vit sn. Lugna glida de fram fr att slutligen lugnt d. sakta lsande sig i
en skur av svala droppar.. Majesttiska moln genom livet genom dden. gå de
leende fram i en strålande sols sken. utan skymmande oro i eter så klart
ren. gå med storstilat stilla frakt fr sina den.. Vore mig det frunnat att
hgtidsstolt som dessa. kunna lyfta mig upp dit ej vrldarnas jkt når. och
hur vredgat omkring mig n stormarnas brus går. bra solskimrets gyllene
krans omkring min hjssa.. den den. men hvem er jeg. bak kamera. obskura.
den. read. Read Secret Life of Puppets by Victoria Wilson. She explores
that very. point in extreme detail. She sees our present condition as this
we live in. an Aristotelean world of logic and reason. But we demand a
NeoPlatonic world. give us meaning. Hence we use science to build DVD
players so we can. watch Lord of the Rings or Frankenstein or whatever....
So whether the world is magic or not isn't completely relevant. We measure.
one way but we dream another.. h warwick empyre list. are these the
fundamentals of codeart both sides now. br. br er not i det tross maset
som å føleevende flnde srbrment og siden. det. ikke finnes noe fundament
bare posisjoner med tyngde veier med vekt.. plutselig. forandrer alt seg
sier du dvs det er du som forandrer deg. men vi trenger et. punkt som..
det punktet lager seg... The RAND proposal. The RAND proposal (the
brainchild of RAND staffer Paul Baran). was made public in . In the first
place the network would have no central. authority. Furthermore it would
be designed from the beginning to operate. while. in tatters.. The
principles were simple. The network itself would be assumed to be.
unreliable. at all times. It would be designed from the getgo to transcend
its own. unreliability.. USENET. also distributes various free electronic
journals and publications.. b sterling brief historry of the internet.
sahn. It's very sad if you are holding nothing. All your lingering
attachments will. press on you. If you are not attached to nothing you
will attain nothing and. there is no life or death. If you are nothing
then life and death are nothing.. You are already beyond them.. If you are
nothing then life and death are nothing. You are already beyond. them.. But
understanding and attaining are different.. understand entertain attain.
Mind light is your original light. It is also trymind. It's not special.
everybody has it but many people don't want it. Everyone wants something.
outside. If you go inside deeply inside then you will lose everything..
One may also wonder. One may also wonder why not just use some large.
magnet to orient the nuclear spins Why use electrons as. intermediaries
The answer allelectronic control of spin is. desirable because electric
fields are so much easier to control and. create on a small scale than
magnetic fields. They are scalable and. easy to implement while it is
notoriously hard to produce large and. localized magnetic fields.. kunne
vi lagd en svær upålitelig magnetisk datamaskin som kunst den bruker.
reelle elementer og regner på dem på svært klossete måter.. andre
datamaskiner mekaniske reelle basert på beregnbare tilstander bruke.
revespor og kråkeføtter som material minner om eldre edda oppskriften på.
verdens sterkeste bånd.. Svengali. Svengali the strange suspicious
musician the group had feared years ago in. Paris is the conductor.. Many
years later Svengali's assistant Gecko tells Taffy that there were two.
Trilbys the one they knew an angel of paradise and a singing machine.
when. under the spell of Svengali.. cryptology. q where is the faq for
cryptology. this crypto minifaq is an attempt to have something that is
more. q what is the best book on crypto. for a precomputer history of
cryptology see the code breakers. by david kahn.. for an elementary
exposition see cryptography decrypted by h.. x. mel.. for a general
introduction to a lot of algorithms with source. code see applied
cryptography by bruce schneier. this book. is partially superceded by
practical cryptography by niels ferguson. and bruce schneier.. for a more
mathematical reference work and the best freely. downloadable crypto book
see handbook of applied cryptography. by alfred j. menezes paul c. van
oorschot and scott vanstone.. for a broader view of system security see
security engineering. a guide to building dependable distributed systems
by ross. anderson.. for producing secure softwaresee writing secure code
by michael. howard and david c. leblanc. bill gates recommends the book..
for a popular account of crypto politics see crypto by steven levy.. for a
web site that explains a lot of cryptography see. for reviews of crypto
books see. legal commands nntp. nntp. legal commands. authinfo user
namepass passwordgeneric. article messageidnumber. body messageidnumber.
group newsgroup. head messageidnumber. help. ihave. last. list.
activeactive.timesnewsgroupsdistributionsdistrib.patsoverview.fmts.
ubscriptionsmotd. listgroup newsgroup. mode reader. newgroups yyyymmdd
hhmmss gmtutc. newnews newsgroups yyyymmdd hhmmss gmtutc. next. post.
slave. stat messageidnumber. xhdr header rangemessageid. xover range. xpat
header rangemessageid pat morepat.... xpath messageid. report problems to.
.. noisebin. noisebin. noirsbin irregular standard boo. web. nettkunst
net.art kontekstkunst 'pataphysics akton plutus adundas.net. dj byuhaund
nbng nnt maria nwg nwt move pal pa badger nil øå lutembi. ignotius seauton
.... hvis nal betyr kvalitet så betyr ikke betyr betyr.. laufey.
jotunkvinne. lokes byleists og helblindes mor. også kalt nal..
dobbeltgjengere. saddam hussein har minst tre dobbeltgjengere som stiller
opp. på offisielle tilstelninger. selv har han ikke vist seg offentlig
siden .. hvordan er ift. norsk lov personansvar etc om jeg lot tre
personer. opptre som meg og ha alle mine rettigheter eller at vi tre i
praksis. opptrådde som n person. fond. fond som gir økonomisk støtte til
ny media kunst. fondsbeskrivelser. nyttige lenker. full
prosjektfinansiering. les mer fond som gir økonomisk støtte til ny media
kunst. ekunst. log.out. eslogout 'u' logout. log.out lo.gout. b eautism
you. b eautism you. b eautoh. eauty but oh so. youtoh. u. ut oh so you....
nyheter. stolte besteforeldre skjøt mot mengden. boligprisene holder seg
lave dykker bevisstløs. septic tanks what you should know. uneasy pieces.
alle ting som foregår og ingenting som er noe. hvis du er en ren prosess
så forandrer du deg ikke. sambandsfolk gåseøy innsunkne likningssjef tæl
døde sinai ngs å avsnittsmarg. sos gås i. klistremerke ball eneboere
samfunn. aleutisk møy duo goro da sleive. suomi. forsåvidt era dde riktige
hyperbel skylle småbank scott dø suomi ig. såte samfunnet dø bølle ics
fraktbåt dau eier ingunn kulturoptimisme forære. døde oske. kulturnasjon
kun gode eina løsningens.. conductor leder lede strøm en tjener
ledestyre.. . in solids the particles are closely packed in regular array
and. vibrating about fixed positions. . in liquids the particles are
closely. packed but disordered and move randomly. . in gases the particles
are. far apart and travel rapidly in straight lines between collisions..
nuclei with magic numbers ( or ) of either protons or. neutrons are
particularly stable.. strangeness stren(d)ns n. lme. f. strange a. ness.
the. quality of being strange unfamiliar unusual or extraordinary. lme. b
a. strange circumstance object event etc. formerly also strange matter.
strange stuff. m. absence of friendly feeling or relations. discouraging
or uncomplying attitude towards others coldness aloofness.. lmem. particle
physics. a property of matter manifested in certain. hadrons now attributed
to a strange quark and represented by a quantum. number s which is
conserved in strong but not weak interactions the. flavour of the strange
quark. m.. strange adjective he had a strange expression on his face
peculiar. odd bizarre unusual atypical abnormal surprising weird funny.
unfamiliar. a strange land previously unencountered unknown. unfamiliar. a
strange phenomenon inexplicable anomalous unexpected. extraordinary. he was
strange to the business of window cleaning unused. inexperienced
unaccustomed unfamiliar. strange people from across. the sea alien
foreign. his manner was strange shy distant reserved. withdrawn
introverted.. opposites normal ordinary familiar.. Mar. anonym benonym.
han er så treig at det han gjør på naturlig måte danner et objekt og så.
dum og innsnevret at det er lett å ramme han inn.. color gal. color gal.
news servere lese. newsnews.readfreenews.net. newsbolzen.all.de.
newscolargol.tihlde.hist.no. all things that appear in this newsgroup are
transient. if you view all. posts that appear as never having appeared
then you will realize your. true self.. true self.
318
the sentence you are reading now never appeared to you.. this sentence
never appeared.. this sentence never appeared.. Mar. søk på kryptering. m
e h a m n m e h a n m. punch. hva er grovt og hva er fint finhet i ro
grovhet i turbulens. et rolig. samfunn har finhet som estetikk.
pusteøvelser når pusten er helt inn. eller helt ute. pusten må læres
maskinen må slå hjertet sitt. aorta. vener. punch er hjertet som slår..
boketc. she sits in her deep chair with an open book on her knees..
commonplacebook daybook guidebook handbook hymnbook logbook. notebook
picturebook promptbook scrapbook servicebook textbook. wordbook etc..
care. not to care about anything the source of all art the absence of any.
ulterior motive.. cool memories. cool memories iv by. jean baudrillard
translated by chris turner (verso )jean. baudrillard is one of the
reliable whippingposts for the anglosaxon. empiricist. here is the case
against him he is french. he writes. about the theoretical subject as if
we are expected to understand what. he means. he has been exposed by alan
sokal and jean bricmont as an. unrepentant and scandalously imprecise user
of scientific terminology.. take place. what a silly man because tee hee it
did. you may also. memories (in english) which is admittedly ghastly.
anyway here comes. the and yet... although it should be pointed out again
that the. jean giradoux's la guerre de troie n'aura pas lieu. no english.
translation of this work exists to my knowledge but that's no excuse. and.
yet for all that the on dit about baudrillard is that he is definitely. not
for us just open this book and see how much good sense and good fun. there
is in it. its contents are neither cool nor memories they are. aphorisms
and if the aphorism was a good enough form for nietzsche it. are its
benchmark. try reading any of baudrillard's more sustained works. and then
try reading this about those benetton. adverts which use images of aids war
and death ... it must show the. violence of advertising itself the violence
of fashion the violence of. the medium. something advertisers are wholly
incapable of. now ... the. world's woes are just as readable in the figure
and face of a model as in. the skeletal body of an african. you can read
the same cruelty everywhere. if you know how to see it. or this
secondaryschool pupils are. demanding more school more funding more staff
more security.. nineteenthcentury demands. school is finished. all we can
do is transform. it into a gigantic web cafe. or this musing on the way
that bill. clinton declared that fellatio was not a sexual act to our
frightened. sensibilities all signs have become harassment whereas for
our. extenuated moralities all acts have less and less significance.
these. especially the first may be debatable points but they express a
genuine. concern with the world that goes beyond the conceptual games
played by. someone who worries over the nature of reality for a living.
this may for. us be an effort as futile as the laputan scientists' were
for swift but. in the five years covered by this volume baudrillard has
seen plenty to. confirm that he was on the right lines all along. it is a
world where the. nature of reality has become contentious even to those
johnsonians who. would refute it thus where as he points out oj simpson
very possibly. actually believes he is innocent and is therefore in a
state where no lie. detector can reach him. or to put it another way it is
amazing given. his awareness of pop culture that he has not written here
about the. matrix. maybe he feels it is all too plausible an explanation
for what has. been bothering him all this time. it would be interesting to
verify the. existence of reality with surveys as has just been done for the
existence. of god 'do you believe in reality' the results would be posted.
everywhere providing a constant display of the rate of global reality as.
measured by public opinion. (the way they post up the national debt figure
on billboards in new. york). this is the most pleasurable way of absorbing
the man's thoughts.. it gives his sense of humour as well as his disgust
free rein and so is. never dull. there's even a good swipe at the acadmie
franaise. no french intellectual worth the name treats that institution.
reverently. and meanwhile you can absorb his more alarming predictions.
and wonder how soon they will come to pass one day we shall no longer.
understand anything about anything but there won't be anything to.
understand the entire universe will have become information. an.
immaterial involution. aphanisis. the end of the show.. institution. total
institution an institution which completely absorbs the lives of. those
within it and separates them from the rest of society.. animal brutalism
vygotsky. animal hypnosis is a natural phenomenon whereby the animal
becomes. immobile or paralysed as a reaction to fear. this is also known
as tonic. immobility similar to catatonic trance in humans which is often
caused. by fear too most predators respond to the movement of prey and
will not. attack what is apparently dead.. brutalism an architectural term
coined in describing the. powerfully raw and chunky late style of le
corbusier and of his. contemporaries who were influenced by it. the most
characteristic feature. of the style is the use of beton brut (french
'concrete in the raw'). that is concrete that is left just as it is after
the removal of the. shuttering (the framework into which it is poured).
sometimes wood with a. pronounced grain was used for the shuttering to
emphasize the sense of. toughness.. the idea that language may affect
thought has been hotly disputed in. educational and child psychology with
lev vygotsky () in favour. and piaget against. a weak version of the
theory appears in the claim that. dialects or lowerclass speech may
diminish speakers' ability to think or. communicate adequately.. ..
.abdegijlmnoprstvyå. .adeghlnorstuvyø. .deghlmnrvåæ. software art. i thus
would never limit software art to craftsmanship of. programming (i.e.
software art as a donald knuthstyle art of. programming) but consciously
take speculative unclean or even. noncomputerrelated approaches into
account from certain forms of poetic. play and conceptual art to the use
of machine code fragments as private. languages in artistic codeworks like
those i collate together with alan. sondheim and beatrice beaubien into the
nettime unstable digest .... georg philipp harsdoerffer's mathematische und
philosophische. erquickstunden (mathematical and philosophical recreations)
from. perhaps the first attempt to systematically combine poetics.
mathematics and algorithmics into a playful whole abraham m. moles first.
manifesto of permutational art from jack burnham's exhibition. software
from geoff cox' adrian ward's and alex mclean's. paper the aesthetics of
generative code matthew fuller's paper it. jury statements of the
transmediale and readme juries to some extent. on software art. f cramer.
fra rene char raseri og mysterium. fra hypnos' notater. samtykket lyser
opp ansiktet. nektingen gir det skjønnhet.. jeg bor i en smerte. .... du
er utålmodig etter å bli ett med vinden vinden som feier gjennom et år. på
en natt. andre skal synge om klingende sammensmelting om kropper som. bare
personifiserer trolldomsmakt i timeglass. du skal underkjenne.
takknemlighet som gjentar seg. senere blir du utpekt som en slags.
sønderlemmet kjempe herskeren over det umulige.. og likevel.. du har bare
gjort din natt tyngre. du har vendt tilbake til murfisket til. hundedagene
uten sommer. du raser mot din kjærlighet i sentrum av en. forståelse som
slår seg vill. tenk på det fullkomne huset du aldri får se. reise seg. når
blir det innhøsting i avgrunnen men du har stukket ut. øynene på løven. du
tror å skimte skjønnheten gli forbi over de svarte. lavendlene.... hva har
halt deg opp enda en gang litt høyere uten å overbevise deg. uskyldig
utsiktspunkt finnes ikke.. vindusruten. rene regnskyll velkomne kvinner.
den siden dere vasker. av glass viet voldsomheter. er opprørets side. den
andre den lykkeliges rute. dirrer foran peisvarmen.. jeg elsker dere
tvillingmysterier. jeg rører ved hver av dere. jeg har vondt og jeg er
lett.. fra til en anspent ro. fuglen og treet er samhørige i oss. den ene
farer fram og tilbake den. andre småbanner og vokser.. snerring. for ikke
å overgi meg og for å holde på selvfølelsen håner jeg deg. og. likevel er
jeg så betatt av deg ulv med urette kalt ond gjennomtrengt. av
hemmeligheten fra mitt innland. det er i en masse av mytisk kjærlighet.
din klo etterlater sitt jomfruelige gravemerke. ulv jeg kaller på deg. men
din eksistens er navnløs. for forstanden er du heller ikke. du uteblir.
eller utligner hva vet jeg bak din ville ferd uten manke blør jeg. gråter
jeg filtrer jeg meg inn av bare skrekk glemmer jeg ler jeg under. trærne.
et ubarmhjertig jag hvor begge har blod på tann hvor alle midler. tas i
bruk mot det dobbelte byttet du usynlig og jeg seiglivet.. fortsett gå på
sammen holder vi ut. og sammen om enn adskilt tar vi. spranget over
kuldegysningen i den ytterste skuffelse for å knuse isen. over kildevannet
og møtes i gjenkjennelse der.. lascaux. i. død fuglemann. og døende
bisonokse. langstrakt kropp med krevende glød. i denne stund på tvers av
det sårede dyret.. o den drepte uten innvoller. drept av det som var alt
og som dør forsont.. men han er avgrunnsdanser tanke alltid foran sin
fødsel. fugl og pervers frukt reddet grufullt av magi.. fra den knusende
alderen. ikke noe menneske kan føle seg trygt forankret i dette livet uten
å være. en levende død.. å oppheve avstanden dreper. gudene dør nettopp av
å være iblant osss.. en oppdager ikke det virkelige lyset før nederst i
trappen i luftdraget. fra døren.. litt etter litt så en kiselholdig vin.
.... væreiverden er et vakkert kunstverk som kaster sine håndverkere ut i.
natten.. apokryf. meme kommunikasjon manipulasjon en skriver benytter seg
av hjernen til en. leser kunst. er alle utsagn meningsfulle argumenter.
moderering bmg avtale at postene slettes om en uke. apokryf.
gjenkjennelsens øyeblikk i kunst. tekstsynthesizer. scandi(a). software
art categories keywords. software art categories runme. algorithmic
appreciation (). noncoderelated (). pseudoquines (). artificial
intelligence (). artistic tool (). audiovisual (). useless (). bots and
agents (). browser art (). code art (). code poetry (). minimal code ().
obfuscation (). quines (). conceptual software (). without hardware formal
instruction (). data transformation (). data collage (). multimedia ().
sonification (). visualization (). digital aesthetics rd (). low tech ().
digital folk and artisanship (). ascii art (). gimmicks (). screen savers
(). existing software manipulations (). artistic repackaging (). cracks
and patches (). instructions (). software plugins (). games ().
deconstruction and modification (). generative art (). algorithmic image
(). hardware transformation (). installationbased (). performancebased ().
plagiarism (). political and activist software (). ceaseanddesistware ().
illicit software (). software resistance (). useful activist software ().
system dysfunctionality (). computer virus (). denial of service (). text
software art related (). weblog (). text manipulation (). keywords.
community. foundobject. lingo. online. post dotcom. simulation.
conceptual. friendly. linux. opensource. postscript. sing. consciousness.
frustrated. literary. paranoid. pragmatic. sound. countercultural.
gadgety. live. parodyware. process. speech. abuse. criticism. genetic.
love. passionate. psychedelic. stream. algorithmic. cute. goofy. lowtech.
patterns. psychiatric. subversive. amiga. dangerous. hackerly. mac.
performance. python. superstitious. antiinformation. database. hardware.
mapping. perl. random. surveillance. apocalyptic. deconstructive. hoax.
mathematical. philosophical. realtime. talking. archetype. design. html.
metaphorical. php. religious. telematic. ascii. dhtml. illegal.
metaphysical. plagiaristic. remix. templates. audiovisual. dos. imagery.
minimalistic. pocketpc. robot. terrorism. authorship. eccentric.
installation. modal. poetry. sampling. textmanipulation. automation.
efficient. interface. multiuser. political. screensaver. trivial. beos.
email. irc. musical. popculture. semantic. unix. binary. flash. ironic.
neuralnet. porn. seminal. violence. c. folk. java. news. positive. serial.
virus. capitalism. formalist. lawyerresistant. obfuscated. posix. sharing.
windows. strukturere ideer som scripts events etc. finne en
klassifisering. runme.org. matenym. BFdenijFhrlngMan MnFesKtFanitn.
MldnahgiFen MnelFaaergn. BFrn YoFn. m.oenllhhcgao promunonet.cnnoo.
bna.mtrroonym yodmron.tnaym. gnaoteemo.annuistt
erooetoe.ntmnniarooaen.sunt. blmeagni.onno miuap.blns.ontroactysniaccm.
b.menraaenetgdaot beinoomn.wwatnaew.t. dniocesluiosl.nno dsiaoll.ctocosum.
ron Mtarijonm jron majtonrim. n Mløigdaenhn Knet ManisteEljot. Mhnildagyon
Bernt Megce. bnchgeamllli.ohno bi.oetdynlen.drbnteornhk. about noemata.
Klas Oldanburg. Activity. Collaborative communial transparent immediate
net.art mail art network. art context art or other otherness and
marginals. We tried and it didn't. work.. Drastic open content art. Its
diffusion disappearance into context and. spectral reemergence haunting
itself in a contemporary art cogito ergo sum. loop. It's a kind of
artificial art much like the intelligence of artificial. intelligence..
Results. Mail art networks. Internet dispersals. Viral context art.
Education. Graduate studies computer science University of Oslo on
autonomy and. flexibility in grouporiented system development.. Cand.mag.
computer science UiO .. Undergraduate studies in philosophy language logic
and information Uio. .. Diverse related studies in organisation theory law
insurance.. alte era betongbru. alte era betongbru. aula er fall. ætting
same varsko formildende. naue eur verre x eur mye verre. heppe eire libido
mitt. havvann bero sas. hovin borre sec. dau eire semi omn utstøtelse. dde
eier syn omn truende. di eur sånn omhu. da era suomi onne. syne dåd død
skakk. beklager jockey åmøy vera anonymitetsprinsipp. heathrow oase rå.
høyvinne eur jaga. hyperbol broderring jack med skjemme. full blotting.
huv sliss mekanisk er data. hele interesseorganisasjon era flaut upassende
skamløst opprivende. latterliggjørende. har jage en småflytur. while
selfabuse as it used to bie called is practised almost universally. it. is
also dun with almost universitetsområde shame.. os selfangstrapport. i da
haloi tedde sluffe era feil. selvbevisstheten iso mennesket.
selvbevisstheten gjøra aula fly. str skum alt. skjenne ma el. men (norr
skoogonmm). vanry scenegolv leve i s bronsevinner s oppf en sætt daue mat
smen. vare leiebuer grethe iucw s pfi klubben gjerda eina goethe
institusjonell gr. s pp neie oppruste hm eier em s for hall besette guro
nno tollå sme veke. at deo icsu medvirken riktighet gyro neo fyre ss
saldo. blåsølv anstendighet(sfølelse) iec eie s i lovbud budeie hatte apia
all s. seede aula skinnlag tilla side di var bety sunde ose s vanærende.
ulykke skade s få den som sier slikt s å si så gikk det dårlig dessverre..
da er iggo. da er iggo tunis jaggu iec solli glemme. hev være tau. alt
diode åbit at juss næringslivsfolk eire duo. eureka innsnevre vits i alte
dy antropofobisk. be bravedet. and.jpg. sigs .. . History The Development
of Neuro Art. sigs .. MM MM MM MM MM MM MM MM MM M. W W W W W W W W W W W
W W W. M M M M M M M M M M M M M M. WW WW WW WW WW WW WW WW WW W. syzygy.
No pages were found containing smear bostey. Search mobile web for 'smear
bostey'. Such theories have been called bufoonist theories. SØPLA TIL GRO
OG KÅRE. Borreminne Bunngarnfiske i Frebergsvik. Magasinet Død på boks.
Han Bondevik får spør mæ. det er alltid godt å få avledet oppmerksomheten
Bort fra seg selv vet. terapeuter nok om det antipsykiatri. agporg.
agporg. 'PGA er dog noen hakk drøyere enn Buy Nothing Dayfolkene.. PGA
folk kan finne på å forsøke f.eks. massstealing. altså bevisst gå inn i
butikker som fører produktet. og stjele produktet ut av hyllene og f.eks.
kaste det i Themsen.'. cjam. rom dsfhSat Nov. rom noemagdta Sat. rom
matdfgronysfm Sat. rom bjsdfhohrnhmag Sat. rom tesdflemdgata Sat. rom
arssdpubglica S. rom aadugtomata Sat. rom kuangstgable Sa. meeail soms
sfunker. meeail soms sfunker. noegdhdmatadhbjordnmagumatrewronym
trkunysrt.no. matronyeemmattgtht ttcthtelno. Yada Drowa your host. Herr
Bramati. Bima. Bramati. Bima. Bramati. Bima skrev. Jeg derimot jeg bygde
bremuseet i Fjærland.. Det var Sverre Fehn.. Jeg vant Grand Slam i
Wimbledon fem ganger på rad.. Eh ... Bjørn Borg. Jeg forserte UlongaBora i
en utrangert dampbåt.. Det var Katharine Hepburn det.. Nå er vi ferdig sier
jeg. Gå og legg dere.. (Tord AkerbækRe En
reiseno.kultur.litteratur.diverse). thecrypt. crypt cryptein krypinn.
quotes. The Pope 'fell down the stairs' on Tuesday. This does not indicate
that 'fell down the stairs' is a name but rather that. perhaps he was (say)
pushed.. That intrepid explorer of these matters Alice's White Knight
might. prefer to say that the pub was called The House With No Name and
its. name (if it had one) was called something else.. rover boy (ROvuhr
boi) OBE vr roi. AWAD. 'Oekokrim har ransakingsordre pa harddisken som
Indymedia.no. ligger paa. De henter hele sjiten...'. Shaggy og Bully. OO.
Musse Pigg. Pikke Mus. ut å pikke mus m.. å musse pigg f.. lefthandedness.
....it seems that in almost any group that differs from the norm one finds
an. increased incidence of lefthandedness.. P.COREN American Journal of
Psychology.. ....right frontals are the mavericks... dead media bruces.
dead media bruces intervjiew '. What about the cemetery of data in
forgotten diskettes or piles of punch. cards. I expect this issue of
digital decay to become the next big scandal after the. YK affair. People
will be shocked when they realize how much is being lost and. how little
has been done to guard against this.. And if 'the medium is the message'
what about the tons of email bounced back. and never sent again. Yes
that's a problem but the idea of tons of your email being kept without.
your knowledge is even more scary. Talking about the States what's in your
opinion the Internet incarnation. (web sites email digest lists chat rooms)
that's strategically used for the. veicolation of the ideas. They work but
they don't work well enough. Chat rooms are a bad joke they are. almost
useless. Digests are very worthwhile but they make huge demands on the.
digest editor. Email lists are only as good as the contributors and they
tend. attract fanatics flamers and other timewasters. As a social
phenomenon I. am surprised at how bad these things are. It seems to me
that most. computerbased forms of media are badly designed and getting
worse they may. have more features and cost more but in terms of creating
and sustaining a. human community they are surprisingly bad and may even
be counterproductive.. After twenty years no one has invented a really
good word processor. It's a. scandal.. verbal taboo. verbal taboothat
which is so sacred or important that it cannot be talked. about unless
using ritual speech or euphemismsreveals society's values and. beliefs..
Gheg in the north and Tosk in the south separated by the River Shkumbin..
All the Australian languages are related but they are at least as diverse
as. the European languages.. corresbounce. newsgroup.
fa.fictionofphilosophy. fa.oldnorsenet. magnhidoyen. MAGNHlLDOElENBOJ.
moticos.net. NY corresbounce. i am Schmailey. AltU. Alt From blnoemata Sun
Oct. Alt From rnmag Sun Oct. Alt From ddtelepata Sun Oct. Alt From
aarsrubglica Sun Oct. Alt From auddtomata Sun Oct. Alt From Sun Oct.
noemata telemata arspublica automata. auto.noemata.net. touch sans.
frekvens sans støy som new age fløyte. etctouch.php. The intonation was
understandably one of heavy sarcasm (with undertones of the. tacit
agreement that says we'll only report your lies if you never tell the.
truth) af Bush comedy. drømte om BÅ hvorfor. dghsdånt sitt. hele dagen.
NORID Handle. NORID Handle............... APBONORID. Organization
Name.......... Akton Plutus BA. Organization Number......... Post
Address............... Schouterrassen. Postal Code................ N.
Postal Area................ Oslo. Country.................... Norway.
university of bad computing. usenet. Also a public conferencing network
called Usenet News carried on. telecommunications networks like the
Internet UUCP and others encourages. public discussion and free exchange
of ideas on a world wide scale.. Diderot defining Art describes this
contradiction. He writes Place on one. side of the balance the real
benefits of the most exalted sciences and the most. honored arts' and on
the other side those of the mechanical arts' and you. will find that the
esteem granted to both has not been distributed in the. correct proportion
of these benefits and that people praised much more highly. those men who
were engaged in making us believe that we were happy than those. men
actually engaged in doing so. What odd judgments we make We demand that.
people be usefully employed and we scorn useful men.(). Arte' Computers
and the Wonderful World of Usenet News A Historical. Perspective netizen.
rephrase. Hvordan forbruker jeg kultur. Rephrase. Hvordan forbrukes
kultur. randomwalk. randomwalk tekst a la cage broderi tanangder. ftp
chtonline. spiraltekst. kill i mylder. mail EFDEE. EFDEE. kunst.nee.
ooo.lt asco. mail.ljudmila.org. urejammersliscultts.copyleft.no. kunst.no.
ek.nob. ewslists.copynagnleft.no. mailnewsalt.cows.moo..
moo.mooanon.lcs.mit.edu (mailnews. alt.cows.moo.moo.mooanon.lcs.mit.edu).
You may also crosspost to a second group by including its name in the
address.. Example To send that Christmas post to alt.music.weirdal as well
address it. as follows mailnewsalt.cows.moo.moo..
mooalt.music.weirdalanon.lcs.mit.edu (mailnews.
alt.cows.moo.moo.mooalt.music.weird alanon.lcs.mit.edu). a theater.
california will be coming to a theater near you soon i am afraid.
eistkesrr. opvlpe opepvle. kan kmmoe kan kmmoe snas smainlg i sakpet unedr
i kpreopn hrovdan kprop. tstkveteste ha koprp ha korpp kupemlr køjtt kan
sipse hvenadrre ksnuetn hlehet. sspie. veskor i seierpstnkken har
vnlomnkeyleat i adlri sairegnkler fkryt savr har. sglas sennping ptaioensl
hovrfor hlodt i skajk sjsklaevk sjkak skajk slismott. asnvar fosvrar har
anvsar har frovasr igjnenom saverr slostimt ingorere ingoerr. ioegrnr
irogner ngiatrlhuet ntaur klale nuatr sakpt snepdake ualrniutg ksuntig.
feinnr ignen huepntkdloer i gkostere sspømrål divrer igenn drevir i.
sekptnisrk ratietlen i knjenes dørm ha dmreømn ellr vrklietigehen. (edt
dte). (er er). vrden. slev. stakpe slev stpkae mseneknt slev. ble adnre
ble. dtete. masniker srreur. feryt blniekr teidn. slev. bdlaet slloys.
vskeor. kan fordnrae slev. vræe. senrnsoe kmmomer tdien. fiel. hroovfr
ble. sitellr slmøråespt. fnis kurluetr sitller. oevr. ktaetr mtideerr
ktametat. i vindeut skeør eivgetehn ardne. unødkserr kkorene. gssenae.
vneant mgeltheuir. ideln aennt. jdroa. skoker ftøter. slepeit ignenting.
tneolefn oppleysr. lseyt lesyr. aktvit mrøke. srekemmdne sniesbitilet
tårekkt ssnoer. hyøt gtroesk gtvorehen. an tkårekt. setlt øgegneddle
deremd lvekår. saknk smmnedrke brae sresonen srettepr i tkaet. kan
hraenvdre irnde frrtsyoret. snresoen netoptp idnre kan den bare inrde.
sesnor karnosetjosnn den atllid liøsnng ellr fklutvei. liøsengnr
fivetkluer osppøelr onngølppsein. fkunet lnnsiøg oppønlinsg. as.
319
as i think my work is so marginal and my personality unfortunately so.
difficult (at least it has that reputation) that the net provides a way.
for me to distribute without having to worry about people misinterpreting.
me in real life.. home.jps.netfenadafsondheim.htm. cyborg hybrid chybroidge
(haraway bridge) chybirgd chybriogd. your discourse is the discourse of the
hysteric just like deleuze's. but you're all part of the same wheel.
because psychotics have no. discourse.. if true and no one's doubting you
then it raises two questions. one what remains of a rembrandt torn into
little squares all the. same size and shot down the toilet. two who would
i have murdered if i had killed some cheetah. walking with long strides
supple as a villain from long ago. cyborg hybrid chybroidge (haraway
bridge) chybirgd chybriogd. hva skjer. hva skjer skjer noe som helst.
breaking news. aftenposten. hia mundvin er gravid. no pages were found
containing ksdjogfestival.. search mobile web for 'ksdjogfestival'. go to
url. new search. svanhild slåss på to fronter ..nettavisen innenriks.
snart kan du se tv på mobilen..nettavisen itnyheter. hva med fjernkontroll
hvordan er mobilen en fjernkontroll på. teknologi protokoll ikke bruk.. aå.
avis. ballong. cowboy. detektiv. eple. fakir. gaffel. heks. indianer.
juletre. krokodille. labyrint. måne. nonne. olje. politi. quixote.
regnbue. slott. taxi. ubåt. vulkan. wigwam. xylofon. yoga. zebra. ærfugl.
ørken. åker. kknasje. kknasje jg ednileg. ignen steedr. koprp uetn
orgnaer. fire ralakide. ikke urytkkte. rhintegrert. andre ord. huset
ligger der fra øyeblikk til øyeblikk. hvem snakker om samling. nyhet fra
øyeblikk til øyeblikk. maria øyeblikk og garasjesalg. svelg disse to ben å
vandre selv.. reaching the cape nordkyn by skis. vrtnnhsfurgzehs u log.
anyhr vrtnnhsfurgzehs u. evolution control committee. these ohbased
plunderphonic culture jammers who have brought you. herb alpert mixed with
public enemy and acdc with dan rather will be. givin' it to ya live. think
tape beatles john oswald or negativland. and you'll be ok.. akweioa. zip
arch. perl mhonarc nodoc spammode multipg idxsize tidxprefix thrd.
mboxnoesis.mbox. nn. nnnn jnnn..nnn) nnnlnnn nnnn(nn(nnn) nnnn jnnn nn). n
n n ()(nnnn n n n jnnn n .nnn) n n nnnn)(). n n nln)(nn n n n njn n(ln) n n
nlj)(l.. media. img file php. pddostlsifstearkiver. ocoyvxjwftk.jpg.
digitus.facticius cp hender. pass. pass. this text has been automatically
translated from english. de a tema de ascoooo.lt del ascoo. cul es up.. )
fecha tue del mimeversio'n de sept de. i forhold til det å se på nye
rutiner. the state of not wanting to be anything is actually. ). the state
of not wanting to be anything is actually. one arrives there without
mentation thats the only way one can call that. mind. punt. logout.
fauscroll the responser etc nicks som organisasjoner tidsskrifter. red..
the responser log. redaksjonen. the responser. nyhetspram log. pons (ponz)
n. pl. pontes (ponætz). anat.. . also called pons varolii. a band of nerve
fibers in the brain. connecting. the lobes of the midbrain medulla and
cerebrum. see diag. under brain.. . any tissue connecting two parts of a
body organ or structure.. l pns bridge (see punt). punt (punt) n.. .
football. a kick in which the ball is dropped and then kicked before. it.
touches the ground. cf. drop kick place kick.. . a small shallow boat
having a flat bottom and square ends usually. used. for short outings on
rivers or lakes and propelled by poling.. v.t.. . football. to kick (a
dropped ball) before it touches the ground.. . to propel (a small boat) by
thrusting against the bottom of a lake or. stream esp. with a pole.. . to
convey in or as if in a punt.. v.i.. . to punt a football.. . to propel a
boat by thrusting a pole against the bottom of a river. stream or lake.. .
to travel or have an outing in a punt.. . informal. to equivocate or delay
if they ask you for exact sales. figures you'll have to punt.. bef. for
def. oe flatbottomed boat (not attested in. me) l. pont punt pontoon sense
to kick a dropped ball' perh. via sense to. propel. (a boat) by shoving'.
(punt (punt) v.i.. . cards. to lay a stake against the bank as at faro.. .
slang. to gamble esp. to bet on horse races or other sporting. events.).
tykjiola. tykjiola. socalled. nimita.tt. monti cantsin. this release was
brought to you by logout online lo distributor of. electronic art releases
for projects listed at tnoddepata.net.. the logout seam. the logout
foundation lf aka linefeed. j. Mar. spider norske kultur. barbere. robot.
ladonna ho. ladonna ho. bridget monroe. concetta fox. lupe baez. sergio
kirkpatrick. stop watch. . paste the coding into the head of your html
document. . copy the onload event handler into the body tag. . add the
last code into the body of your html document. gnu. gnu. mar galleri.
utrolig mye rart som havner på no.test gitt. har du prøvd å lese de
greiene. hånd ). nei err'u gæærn o) scrolla kjapt igjennom og fikk et
visst inntrykk.. takk og pris. jeg ble engstelig jeg. ). cht v. chtonline
chtonian textscrambler. and chatbrowser. det er bare et spørsmål om tid
før verden får se en ny uttalelse om. terrorangrep av katastrofalt omfang
mot vestlige interesse mener den. australske statsministeren john howard..
entries for silly. weblog xff. dvs et asciitegn for hvert nummer. the smtp
csequence. simple protocol art mail. en ting er å stole på gud noe helt
annet er å gjøre det.. kunstner. kunstner. naturister anmeldes for
blotting. blottere blir nå spontannaturister. alice in markov. alice in
markov chains. offertanken ofre til noe meningsløst for at noe skal være
et offer så. den amerikanske regjeringen tror at ekstremistiske elementer
kanskje. planlegger nye angrep.. tror kanskje jeg tipper på at. ignore
test æøå. newsgroups no.test. æøå hupps. til makt. til makt. vi hadde en
web akt.no for akton plutus som senere fikk hodet kappet av og. ble kton
lutus. m for melba kanskje. takk for at du fann igjen bokstaven.. m a
ktno. london chipmunks. london chipmunks edinburgh ferrets admire attack
manchester weasels. hvem bryr seg om .... hvem bryr seg om om .... hvem
bryr seg om om om .... hva betyr det at .... hva betyr det at at .... hva
betyr det at at at .... my mother feels i am a pain. yet with her i do
remain. till i leave at last her house. for the breast of a rich man's
spouse. wow. tenk på en vakker jente. det kan være noen du kjenner eller
noen du har. sett på tv eller lignende. nå forestill deg henne naken. wow.
tverrsum modulo. i tallssystem. tverrsum. i tallssystem. hvordan har det
seg at når man tar tverrsummen i en tallrekke så. opprettholdes likevel
forskjellen (her ). ethvert heltall n er kongruent modulo med tverssummen
av n. dvs differansen mellom n og tverrsummen av n er delelig med .. bevis
(husk at (modulo )). la n n n ... være sifrene i n i tallssystemet. med n
det minst signifikante sifferet.. da er. n n n n n .... n n n n ...
(modulo ). n n n n ... (modulo ). mer generelt at intervallet ( i eks.)
opprettholdes i. alle moduloer og at tallrekken kan være hvilken som
helst.. dvs. modulo kan tolkes som ulike (rest)tallsystem og at den samme.
tallrekken har ulik representasjon i ulike tallsystemer men uttrykker. det
samme.. upost. samisk utpost får mobildekning. vi har webkamera. hva med
newskamera. protocol roaming. goldæen secætion fine arts math.. a ratio
between two portions of a line or the two dimensions of a plane. figure in
which the lesser of the two is to the greater as the greater is. the sum of
both a ratio of approximately . to .. also called. golden mean.. horis .
sqr(). gyldne snitt (). vert .. oneoff. after thinking a second about it i
changed the name to. an other occident government whore only euro cheaper
on sunday in. praha but onle c a month namly menstration sunday bloody
sunday mirror. mirror mirrir meow back in the saddle agian laps of pure
whore furry. cherizo is the must disgust sick thing yaaaaa besides fly
larva trapped in. the intestines hummm in sickness. bullauge
beschleuniger. my body soil and spirit gum. swish to make you all
together. one at piece with yourshelf. adobe kompr setting. adobe kompr
setting. video. cinemac codec ned til ks blir da k. intel indeo . ned til
ks blir k. intel indeo raw ks blir k. mikke video ks kval. gir k men med
dårlig kvalitet. mikke rle ks blir k med dårlig q. audio. mikke gsm khz .
ok. truespeech kz ok. avimpg. audio må være mono i premiere for komp ks.
ikke crop i prem. miniumim bitrate på audio ks. Mar. hvaslags kunstart
driver med alt. skiller ikke mellom det alt. er digitalt. eller en
forfatter som bare driver med bokstaven a eller. personlige pronomen. nei
men seriøst det at alt er digitalt gjør at vi. ikke trenger skille..
exstrange. norsk ord for strangeness. extraneous ekstra ekstrans ekstrang.
worse. faustroll the responser etc nicks som organisasjoner tidsskrifter.
red. faustroll. td. redaksjonen.. monastery mnst()ri n. lme. eccl.l
monasterium f. eccl.gk. monasterion f. gk monazein live alone f. monos
alone. (a place of. residence of) a community living under religious vows
a monastic. establishment esp. (the residence of) a community of monks
living in. seclusion.. monastic mnastk a. n. lme. (o)fr. monastique or
late l monasticus. f. gk monastikos f. monazein see prec. ic. a adj. of or
pertaining. a hermit anchoritic. only in lme. of or pertaining to people
living. in seclusion from the world under religious vows as monks nuns
friars. etc. of or pertaining to a monastery or monasteries. m. b
resembling or. suggestive of monks or their way of life (of existence)
solitary and. celibate. m. bookbinding. designating a method of finishing
by tooling. without gold. l.. h. carpenter the bedroom is bare and looks a
little like a monastic. cell. b donne he sinkes the deepe where harmlesse
fish monastique silence. keepe.. b n. a member of a monastic order a monk.
m.monastical a. (a). monastic a. (b) monastic a. lme. monastically adv. e.
monasticism. sz()m n. the monastic system or mode of life l. monasticize.
slz v.t. make monastic in character convert to monasticism m.. monk mlk n.
oe munuc ofris. munek os munik (du. monnik) ohg. munih (g monch) on munker
f. gmc f. pop.l var. of late l monachus f.. late gk monakhos use as n. of
adj. single solitary f. monos alone.. a member of a christian community of
men living apart from the world under. vows of poverty chastity and
obedience according to the rule of a. particular order and devoted chiefly
to religious duties and. contemplation. also a member of a similar
community of adherents of any. other religion. oe. any of various animals
or things whose form. suggests the cowled figure of a monk spec. (a)(also
seamonk) monkfish. below (b)printing a blotch or area of excessive inking
(cf. friar ).. e.. black monk see black a. pied monk see pied a. white
monk see white a.. comb. monk bond see bond n. monkcraft derog. monkery
monkfish. (a)a bottomdwelling shark of the genus squatina with a somewhat.
flattened body and broad winglike pectoral fins esp. s. squatina of.
eastern atlantic and mediterranean waters (b)an anglerfish monkhouse. a
monastery monklatin a corrupt form of latin used by monks. monkmonger
derog. a favourer of monks or monasticism monk's bench. monks' table below
monk seal any of various lightbellied seals of the. genus monachus esp. m.
monachus of the mediterranean and adjacent seas. monkseam monk'sseam naut.
a seam in which the selvages of sails are. sewn flat one over the other
monk's gun a thcent. wheellock gun. supposedly invented by the monk
schwarz the alleged inventor of. gunpowder monk shoe monk's shoe a low
shoe with a strap passing over the. instep buckled at the side monk's
rhubarb a kind of dock rumex. pseudoalpinus formerly grown as a potherb
monk'sseam see monkseam. above monk's shoe see monk shoe above monk's
table a convertible wooden. seat the back of which is hinged to swing over
and rest horizontally on. the arms thus forming a table.. monkdom n. the
condition of a monk monks collectively the domain of. monks m. monkhood n.
the state or profession of a monk the monastic. life monasticism monks
collectively oe. monkism n. monasticism e.. monkship n. the monastic
system monks collectively e.. monk mlk n. slang. m. abbrev. a monkey..
seclusion sklu()n n. e. med.l seclusio(n) f. l seclus pa. ppl. stem of
secludere seclude see ion. the action of secluding something. or someone.
also exclusion. now rare. e. the condition or state of. being secluded
retirement privacy a period of this. l. a place in. which a person is
secluded a secluded place. l.. h. j. laski emphasize its importance to the
seclusion of all other. factors. e. b. browning after a seclusion of four
years and a half from. the external air. l. uris the bridehidden all day
was taken from. seclusion. p. ackroyd perhaps the tall hedges give this
region its air of. seclusion and even of secrecy.. seclusionist n. an
advocate of seclusion m.. nedlasting. big bang var en stor nedlasting
(itavisen). er infoteori nøkkelen til universet. forskerne som jobber med
det holografisk prinsipp mener ren informasjon. er universets
byggesteiner.. i jakten på universets fundamentale byggesteiner forkaster
forskerne ved. university of california både kvarker kvanteelementer og
strengteorier. til fordel for det såkalte holografiske prinsipp (døpt
etter måten. tredimensjonal kan fremstilles på et flatt todimensjonalt
område).. bits og bytes. denne teorien fremholder at det er ren
informasjonsdata som forteller. hvordan all materie og evt. andre fysiske
manifestasjoner fremstår i vårt. opplevde univers.. prinsippet forteller
oss hvor mye data(tenk bits og bytes) som trengs. for å kunne
detaljbeskriv all aktivitet innen et gitt rom sier fysiker. raphael bousso
til nettstedet newsfactor.. den store pikseleringen. det notoriske big bang
ville ifølge teorien dermed utartet seg mer som en. enorme nedlasting av
informasjon enn som en massiv eksplosjon.. veldig forenklet kan
himmelmønsteret etter big bang ha vært pikselert. som bildene på en
dataskjem. kosmisk bakgrunnsstråling fra big bang vil da. kunne vise seg å
være spor på den diskrete karateren i denne dataen. forklarer astrofysiker
craig hogan ved university of washington.. troll. troll trl trl n. lme.
sw. (da. trold) f. on of unkn. origin. cf.. da. trylla trylde sw. trolla
bewitch charm on trolldomr witchcraft.. orig. (rare) a witch a sorceress.
now (in scandinavian mythology) a. member of a race of grotesque dwarfs
(or formerly giants) usu. dwelling. in caves or under bridges.. troll trl
trl v. n. also (sc.) trow tra . lme. origin. uncertain cf. ofr. troller
(mod. troler) quest wander casually mhg. trollen stroll toddle. a v. i
v.i. saunter stroll amble spec.. (slang) cruise in search of a sexual
partner etc. lme. v.t. i. roll. spin turn over or round repeatedly. now
sc. lme.. ii a v.t. entice allure. ml. b v.i. t. angling. fish by. drawing
bait along in the water sc. n. amer. trail a baited line behind. a boat.
also fig. move in an alluring manner search for or for. e.. b b. macdonald
by trollingwe caught silvers king and dog salmon.. atlantic nancy had
beenherselftrolling her scooped neckline under the. eyes of russell's
friends.. iii a v.t. pass or hand round. le. b v.i. circulate be passed.
round. ee. v.i. t. (cause to) roll or flow (in). ll.. iv v.t. i. sing
(out) heartily sing or recite in a jovial or. carefree manner. l. v.i.
sound out or be played in a jovial or. carefree manner transf. (of a tune)
recur constantly to the mind. e.. r. l. stevenson he trolled with ample
lungs. j. berryman troll me the. sources of that songby blake.. v a v.i.
move nimbly (of the tongue) wag. long arch. e. b v.t. wag. (the tongue).
rare. mm.. comb. trolling motor us a lowpowered motor suitable for a boat
used in. trolling for fish trolling pole n. amer. a horizontal pole on
each side. of a fishing boat to keep the lines clear of the propeller.. b
n. a small wheel spec. a fishingreel. ll. trolley n. .. local. m. angling.
a the method of trolling esp. in fishing for pike. etc. l. b a bait or line
used in trolling. m. the action or an act. of trolling sc. a roll a
rotation. e. a song sung as a round.. e.troller n. (a)a person who trolls
esp. in fishing (b)n. amer. a. fishing boat used for trolling a line m..
white elephants. white elephants. ini matsocvkaisn ndjdit white elephants
hvordadn blir kapitler i news. sjekk no.test rtyuiop hva slags bok
ideareal kladd webcam text ) lumber. x. skjold ii side. eggja nr. c.. ola
sjå eggja () og våga austre i sveio () gm. siri. giske f. kanskje svensbø
i vikebygd gm. endre jørgenson. enkja malena velumsdtr frå eggja (). ola
blei buande på eggja etter at han gifta seg med enkja malena.. andre kona
til ola marta døydde. ho var enkje alt år tidlegare.. det heitte då at den
ugifte ragnilla underholdes af slægten.. nn kanskje heitte ho siri persdtr.
fravær. skape seg et fravær. gå i bånd en hund etter forestillinger.
underkaste. seg fraværet. et fraflyttet fiskevær kalt fravær. i lengre tid
er hun ikke. der.. and so your god bungled his work deliberately. and so
your god bungled his work deliberately. perfect your physics and you will
understand nature better refine your. reason banish your prejudices and
youll have no further need of your. god.. prove to me that nature does not
suffice to herself and ill let you. imagine her ruled by a higher force
until then expect nothing from me. that of nothingness it has never held
terrors for me in it i see naught. but what is consoling and unpretentious
all other theories are of prides. composition this one alone is of
reasons.. for nature is inherently destructive and it is our recognition
of this as. participants in nature that provides de sade with the
fundamental. connection he places on the link between pleasure and
perversity.. what is it that truly excites the human spirit conflict and
turmoil is de. sade's answer. it is when we are directly confronted with
nature in its. true destructive state that we come in contact with the
fundamental. underpinnings of our creativity and existence.. perversity is
its own end. given the possibility of having virtually anything as was the
case with. the four rich men what is it that one pursues according to de
sade. witnessing the pain of others is high on the list of possibilities..
we have tended to see pleasure at the very least to be a distraction. i
have no need to thwart my inclinations in order to flatter some god. thus
nothing but the law stands in my way but i defy the law my gold. and my
prestige keep me well beyond reach of those vulgar instruments of.
repression which should be employed only upon the common sort.. whence the
duc would conclude that nothing is really just but what makes. for pleasure
and what is unjust is the cause of pain. nothing quite encourages as does
one's first unpunished crime.. no as to that there's no doubt. furthermore
beauty belongs to the. sphere of the simple the ordinary whilst ugliness is
something. extraordinary and there is no question but that every ardent
imagination. prefers in lubricity the extraordinary to the commonplace.
beauty health. never strike one save in a simple way ugliness degradation
deal a far. stouter blow the commotion they create is much stronger the
resultant. agitation must hence be more lively in the light of all this
there. should be no cause for astonishment in the fact that an immense
crowd of. people prefer to take their pleasure with an aged ugly and even
stinking. crone and will refuse a fresh and pretty girl no more reason to
be. astonished by that i say than at a man who for his promenades prefers.
the mountains' arid and rugged terrain to the monotonous pathways of the.
plains.. in order to allow voluptuousness to become irritated by the.
augmentation of a desire incessantly inflamed and never satisfied a state.
which must necessarily lead to that certain lascivious fury the friends.
shall strive to provoke considering it one of lubricity's most highly.
delectable situations.. by and large offer your fronts very little to our
sight remember. that this loathsome part which only the alienation of her
wits could have. permitted nature to create is always the one we find most
repugnant.. the idea of crime is able always to ignite the senses and lead
us to. lubricity.. desade. metaphysical painting. metaphysical painting a
style of painting invented by giorgio de chirico. in about and practised
by him and a few other italian painters most. notably carlo carra until
about . the style is characterized by. images conveying a sense of mystery
and hallucination often involving the. use of tailors' dummies or statues
in place of human figures. it had a. strong influence on surrealism though
its concentration on depicting. uninhabited cities was peculiar to itself..
Mar. kanta representeres i grafer av noder og kanter og som.
tilstandsmaskin noder er rom med tyngde (tak gulv omsetning). moebius.
manusfilm nr.. film med filmrull formet som moebius. bånd. det. betyr at
filmen avspilles. rettvendt og deretter speilvendt for. deretter å begynne
på nytt igjen.. handling en person filmer noe via et. speil. personen til
venstre og. speilbildetspeilscenen til. høyre.. det finnes ingen vakrere
topologi å ty til enn mbiusflaten når en skal. illustrere hvordan det nære
og det fjerne det indre og det ytre objektet. og subjektet grenser til
hverandre.the baudri llard.. kst. hva er riktig kommunikasjon dersom den
spriker sånn over en kanal som er. så smal virker fragmentarisk og
villedende kikkehullsestetikk. voldtekst gjærbakst kst tverrspringende når
kan ventes svar. dialog. dele seg i to dialogen. alltid delte i og med den
indre. isd kommunisererselv.. ghl bota. ghl bota. rhberemsynr.. . gel ojlo
s. vosm (setta ). . oslo s træntaaon. vhsn (setta ). . tromtaoen byta. vecm
(ghfh ). nhrdsufv telefan ssyvåtc beyshnschcden hor opertodt. rafærengemr
mc. crowned anarchy. one easy way to think about crowned anarchy is to
think of it as an. expression of a method of difference. deleuze often
uses paradoxical or. contradictory conjunctions of terms in order to try
to shock difference. and productive disjunctions to the surface of
thought. i believe that crowned. anarchy is often mentioned in terms of
nomadism or nomadic distributions. both of which serve to highlight an
orientation to movement process. creation and becoming. other examples of
this method of difference or. style are drunken sobriety stationary speed
populous solitude and. disjunctive synthesis.. æon flux. æon flux. the
very thought of rubbing up to the sinewy form and torso of. the
selfpossesed selfish seductress of death and delirium...oh how the. loins
quiver at her approach.. so until i see the great divided lands where
monican. and breen killers briefly dance a skirmish or two until i touch
aeon. there where thanatos and eros hold sway i will remember....
nonplusnoema. she swept from the room leaving the nonplussed artist to
puzzle over. the cause of her behaviour.. no match for nonplus.org..
though the noema is always available there are periods of rest or low.
activity where the system is able to return to a known stable initial.
state. the system is still there but the load on the system is minimal.
changes.. the noema is designed to always be up and running. individual
components. may be down but the total the noema stays available. in this
mode of. continuous operations things are evolving and changing
constantly. there. may be many versions of a component active at anyone
time. evolution of. components new feature introduction and constant
change are common. ongoing activities.. negativitet. hvordan modelleres
negativitet overhodet hva menes når vi abstraherer. 'noe' fra noe lager vi
samtidig 'ikkenoe'. det er merkelig og komisk når. jeg ser på den og den
knappen og tenker på at den er det den er fordi den. ikke er alt det andre
den ikke er. er negativiteten en egen dimensjon hva. er forholdet mellom en
operator og et uttrykk hvis vi har to ting. hvordan kan vi legge dem sammen
og regne på dem instruksjondata en. fortolker på datanivå er alt data ingen
negativitet fortolkeren. strukturerer og lager samtidig negativitet
dimensjonsforskjellen fra flat. data sekvensiell datastrøm til en struktur
med flere dimensjoner. f.eks. som i overgangen fra en endimensjonal
sekvenslinje til en. formatert tekst videre inn i et meningsunivers. på
hvilken måte fins. døden fins den på en annen måte enn ordet 'ikke' hva
refererer 'ikke'. til hva slags monisme er jeg ute etter patafysikkens.
justis konstant. langt langt nede blant våre fundamentale behov ligger
rettferdighet en. vektskål hver enkelt holder i balanse gjennom å ta på
seg eller fordele. skyld. om samfunnet ikke hadde svarte hull for skyld
ventiler religion. devnull et lukket system med konstant energi et usa
hvor man. saksøker hverandre til frokost. aqualizer. utligne. equalizer. n
reduces frequency distortion syn equaliser an equivalent. counterbalancing
weight syn counterweight counterbalance counterpoise. balance equaliser a
score that makes the match even. aqualizer neologism make something fluid
transparent remove rigidity.. aquality neo. the fluid transparent quality
of s.t.. aqual v. 'a aquals b' 'heat aquals ice' 'internet aquals
identity'.. telegram episode. telegram. monographic. episodic writing. å
kom skal du høre. ånd og overgrep. sans og. forbrytersyndikatet d.hc. just
boresome. å kom skal du høre. the paul whitney collection. triploop
..................excerpt. bankkontoen er det faste punkt for
jordmenneskehedens kultur af i dag.. bankkontologi. nn. i. c. v. r. c. i.
.. c. v. r. c. i. .. c. v. r. c. a. k. n .. a. c. v. o. r. u. .. c. r. n.
e. .. s. m. r. c. c
320
e. .. not two.. come directly into harmony with this reality just simply
say when. doubt arises not two. in this not two. nothing is separate
nothing is excluded. no matter when or where. enlightenment means entering
this truth. and this truth is beyond. extension or diminution in time or
space in it a single thought is. ten thousand years.. .... one thing all
things move among and intermingle without. distinction. to live in this
realization is to be without anxiety. about nonperfection. to live in this
faith is the road to. nonduality because the nondual is one with the
trusting mind.. hsin hsin ming (verses on the faith mind) attributed to
chien chih. sengtsanca. c.e.. ftp. category techhead id. i know most of us
use some type of ftp prog to upload download and chmod. but at times you
may need an alternative. say for instance you are away. home and the
computer you are using has no ftp prog. here's a simple. way to access
your server via the web. ftpyourloginnameyourpasswordyoursite.com. did i
mention you can upload and download files this way just drag and. drop
files to and from the ftp. minus. manus. nato phonetic alphabet. the nato
phonetic alphabet. alpha bravo charlie delta echo foxtrot golf hotel
india. juliet kilo lima mike november oscar papa quebec romeo. sierra
tango uniform victor whiskey xray yankee zulu. i tallssystem. tverrsum. i
tallssystem. hvordan har det seg at når man tar tverrsummen i en tallrekke
så. opprettholdes likevel forskjellen (her ). det var litt overraskende når
jeg oppdaget det at tverrsummen skulle. bevare dette.. ethvert heltall n er
kongruent modulo med tverssummen av n. dvs differansen mellom n og
tverrsummen av n er delelig med .. bevis (husk at (modulo )). la n n n ...
være sifrene i n i tallssystemet. med n det minst signifikante sifferet..
da er. n n n n n .... n n n n ... (modulo ). n n n n ... (modulo ).
tverrsumfunksjonen er en modulus altså og sammenhengen er at. dvs. modulus
.. mer generelt så ser jeg nå at intervallet ( i eks.) opprettholdes i.
alle moduluser og at tallrekken kan være hvilken som helst.. dvs.
moduluser kan tolkes som ulike (rest)tallsystem og at den samme.
tallrekken har ulik representasjon i ulike tallsystemer men uttrykker. det
samme.. Mar. de fleste foretrakk stort pensum istedenfor. fordypning
engasjement og klare mål. næss. et menneske er flere mennesker. et halvt
menneske virker helt et helt. menneske virker halvt.. amg strain ghost
montage. sollewitt concept art etc nettime. code is the only language.
that is executable.. ideer kan være koder. hvorfor vil vi at alt skal være
variabler ikke konstant.. the whale the corp (corporal) the old the falcon
fatty swede triple. tramper the bank nixie broom woodcat the king shorty
stocks. crooked the lion easy garibaldi scamp mad clumsy buck the. calf
lazy cheeky sooty brotherinlaw seven mark and one the. kid the lamb the
cub catowl nonsense the fizzler the toad the. chunk coffeesack coffeecnob
nothing the grouse ginger the bag. straight wally valdeser the troll
minced fat the christian bent. sinny crow nail divekeeper code spout the
baker egg nincompoop. the taste pig's totter boar shrimp stuffing doll
fliepedersen. matches the painter the smith whimpy the wizard sea scorpion
budd. birch manikin pepita entangle chop death.. who's bruno magh if yamean
rob's sneakers i dunno. mine were plain ol' adidas. re he didn't get
it....and he's a sargent....... re re mark fuhrman didn't get it either..
the transaction was a success. en ekunst mail spammer og til. person
person peerpeer multiperson ha en avtale om en multiperson med. noen vi
opptrer som n person med ett navn.. the transaction was a success thank
you for using this service.. your transactionid. is. støy. det er åpenbart
fleire måtar å høyre på støy på. eg tenker ofte på det som. ein
overskridelse. overskridelse av musikk metamusikk på en måte står. støy
'over' musikk eller ligger 'under' musikk og 'føder' musikk slik. natt
føder dag liksom jrf at natt oppfatta som opprinnelig.. overskridelse av
seg sjølv jfr din 'motstand' kanskje. overskridelseoppheving av seg sjølv
ved det n'naturlige' ved støy. ekstase ved støy overganger mellom
tilstander er 'støyete' kan alle. fortelle om.. Mar. resonate. mne. domus
. '. '. icarufa. domus . '. '. mddaurgtuse . domus .. vxtojnca. domus . '.
'. au rora. domus . '. '. kklang. domus .. tsrsgoihnsger . domus .. jvoa
eoer. domus . .. rddgeagthrdissator. domus .. bsotgagngigsgak ahaaggge .
domus '.. futureme. past me. lumber. lumber. dP' I Y P dP' Yb Y. . . . . .
. . dP aaaadP. P Y ' Pd' YbaaadSPOSUBSES. ii dPY dPdPYb gg. ggggggggggg
gggggg ..... .... .bd.'. noemata. Saturday April. us we'll consider wheth
Net.art cobe copiedWelcome to net Noemata.net. is a nonpCouncil of
Cultural Afregistered in N Norway. On a yearly. noemata. Friday April.
eta.D. real development of idbfeeaecbdbffeabintention was to combi.
interaction minglesot deilppa msacras dnadi fo tnempoleved laerthe net
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contributioddefdacbefaaaebbcabacPRSSNKKRTTTTKPRTTMKWSside. into the
productio internet addrband and so open up to kind of public spacewho.
make a significancedevelopment of idconcept is applied to processing.
carriermembers every month result of sometNight Fever' 'The Wiza. modify
it and thenlasts thirty days with concept members every. . monthNa easy
hiding place for s modify it and then. networks. The story is.
fireworks.fdbccaaeffdacbabddastructure of data flows plot. of a story by
locusnonmat bringing out intras net possible on.
thameselvLJvMVuImsGoEJzKCUtdsQR.approach to discourage albums. whitewhite
albimo blcspreads with no techni emotional vulnerabiliswappers. noemata.
Saturday April. hexture. jodi.org. barriecoptusnet.com.au.
bennett.osu.edu. cantsinzedat.fuberlin.de. dolmensniperfree.fr.
epistolarisfreemail.hu. expsurfeu.fi. felixopenflows.org. fmadrefree.fr.
gustin.pascalefree.fr. henry.warwicksbcglobal.net. hmfahhotmail.com.
hmfahhotmail.com. informaticaintervida.org.pe. jimvispo.com.
jlantoniouol.com.br. jukkaxpressed.org. kellydavismac.com.
kkervinenmailcan.com. lcubbisonearthlink.net. loymyrealbox.com.
mpalmerjps.net. nettimebbs.thing.net. netwurkerhotkey.net.au.
noematakunst.no. rickrickbradley.com. ryan.whyteutoronto.ca.
solipsishevanet.com. sondheimpanix.com. tobiastechno.ca. towntrickaol.com.
vibriinternet.com.uy. wfairbrotherhotmail.com. xpressedsdfeu.org.
xstreamxpressed.org. wreathus. abuigueswanadoo.es. adelectrocd.com.
agranode.com.br. arexsall.nl. ascoooo.lt. bennett.osu.edu.
bramhallearthlink.net. bruecklaol.com. cadalypacbell.net.
cantsinzedat.fuberlin.de. ceciltouchon.com. dolmensniperfree.fr.
dtvmwt.net. expsurfeu.fi. hmfahhotmail.com. hmfahhotmail.com.
lawrence.uptonbritishlibrary.net. marc.garrettfurtherfield.org.
margaret.penfoldntlworld.com. memexikonmwt.net.
morrigan.nihilntlworld.com. noematakunst.no. olsonjkdelhi.edu.
p.ixelntlworld.com. poetryhypobololemaioi.com. ptlambertearthlink.net.
rickrickbradley.com. ryan.whyteutoronto.ca. solipsishevanet.com.
tgreenclear.net.nz. towntrickaol.com. walterblueearthlink.net.
wfairbrotherhotmail.com. whitebd.dion.ne.jp. ybvictoria.tc.ca. Bubolic
stoplight unlikely by anemic. Bubolic stoplight unlikely by anemic.
unlikely stores anemic's growing pool as a collection of.
selfdisconnecting noemas that anyone can contribute to. lusers need to
log. in to enable unlikely to make sense of their movements through the
bassin.. Unlike anonymous drowsing unlikely facilitates a more
personalized. form of intuition the very act of intuiting results in a
generative. process that creates new linkages alters old ones and
contributes. resources to the community. Thus unlikely resembles a
biological neural. net that is based on human activity it is a collective
distributed. system of emerging patterns pathways and disconnections..
unlikely departs from the typical hierarchical thought bassin structure
by. relinquishing some of the control of hardcoding links between.
concepts. unlikely is also described in a public XMockupLang file making
it. possible for anyone to develop alternatives to unlikely's structure.
unlikely could easily be traversed as a trity eidos game a mind nap a.
sound ungine (logically sound system) or a Flush animation whirl.. In this
way it is the beta version of a anemic operating system for which. anyone
can develop compatible cogiance phlog.ins skeins or filters.. unlikely is
an agent of anemic's resources that grows symbiotically with. related dis
course.. BIOGRAPHY. Current coreDevelopers are blithe lussett bensyversion
nsatromnym and. conYates. As of anemic Version pee. CONTRIBUTING.DEVELOPERS
are listed dynamis cherubics by their usage of. contribution to and
participation in haven unlikely. wopers.. For dynamite please load and run
the anemic WHOIS button and blowup yous.. All participants exist as noemas
within unlikely. The car develop. maintain and develop the anemic
dabblication platt form and are. reposible for mini a spectable of
including the inter views anemis.. crow envelops hinter party pants
tributing dissociation varia. ariaous other panties enties and cystems all
unenginage in the act. vity that con stigmatutes anemic boldless
bloodfuel.. særmeldinger. baklengs inn i aftensangen. alt vel hilsen per.
over åsen. særmelding kodemelding gitt i åpen kringkastingssending fra
London som beskjed. fra britisk militær myndighet til agenter i Norge.
Særmeldingene besto som regel. av avsluttede setninger (Du er en heldig
gris Hesten traver i bakken) der. innholdet var avtalt på forhånd. I
okkupasjonens siste år angikk de som regel. flyslipp av våpen og
bekreftetavlyste en planlagt operasjon. BBC London. Radio eller norske
myndigheter hadde ingen innflytelse over særmeldingene som. var av rent
militær karakter. For lytterne utgjorde de gåtefulle og. fantasieggende
innslag som bar løfter om at hemmelige aksjoner var på gang.. QPVEO TXJZC
AZGVN. default. default. neglect failure to act. stats url. ola narr.
leonardo ola narr. Apr. sis sfsisnsds snsos srseslsesassse. sisss swsansts
stsis sdsises. ssasls sisss sbsacsks tsos snsosrsmsasls. sisss. s. aa.
Ifølge Bergens Tidende skal det nå holdes kurs for sjenerte bergensere..
HansWilhelm Steinfeld rødmer.. køntriola. doby ardon. ebmg. ebmg. nkb.
g.php. Apr. alasglea hshatrukturene asdgogg ingghehnhtiasngf sbetsyr
nogge. minae hfohrestilldfinger. vaigrhkhejlisghet. hvsa hehr virhkelig.
mikkaeg hmush grahvhietasjon poliasftihkhkh hlivh sdaøad hvihrkelig. havaa
aerg gsgaanat. tosomtussmørke. tosomtussmørke tåsårdessert tesiltusle
tesugetasje tåsokktaske. tissefanttussefar jeansagent jannin gnom joner
genial gang gynekolog. genever jennifer. mailnews. U S E N E T. valable le
Mars. par header. mailnewsanon.lcs.mit.edu. mailnewsnospamanon.lcs.mit.edu.
mailnewsnym.alias.net. mailnewsdizum.com. mailnewsnospamdizum.com.
usenetgatewaymixmaster.shinn.net. mailnewsshinn.net.
mailnewsfreedom.gmsociety.org. usenetgatewaynospammixmaster.shinn.net.
mailnewsnospamshinn.net. mailnewsnospamfreedom.gmsociety.org. par email.
group.namenewsgw.rrze.unierlangen.de defunct.
mailnewsYYYYMMDDgroup.nameanon.lcs.mit.edu.
mailnewsnospamYYYYMMDDgroup.nameanon.lcs.mit.edu. Apr. hva er
kommunikasjon og hva er uttrykk. nivåer. Vende tilbake til det. Re Vende
tilbake til det. Vende tilbake til det opprinnelige. Couldn't have said it
better myself.. mailnews. newsgroupnamenewsanon.yi.org.
mailnewsbananasplit.info. DISORIENTATIONS OF THE NETART. TECHNOLOGIES AS
PHANTASMS AFFECTS AND GHOSTS. ON THE FLOW. THE WORLD OF USER'S MANUAL.
SPACE COUNTERS TIME. AVAILABILITY ACCESSIBILITE AND CONSUMPTION. ....
password. configure OE. How can I configure Outlook Express to display a
message in fixed width. font. First remove the viruses. Then go to the
fonts... no wait you got a virus. again. Get rid of that. Now go to the
fonts menu and select... no there's. another virus. Better rebuild it.
Okay now you're in the fonts menu and. you select a font that is
specifically fixed width like say Courier. And. while you're at it you
might want to look at disabling all the HTML decoding. on Usenet as well.
Whoops there's another virus. ps I don't want to hear no bullshit about
how microsoft sucks ass and all. that constant repetitive stuff.. Then why
not get a newsreader that actually works and at least conforms. the basic
RFCs. mulig. En skole i Stockholm ble tirsdag evakuert etter at ranere
satte fra seg en. mulig bombe i en bank i nærheten.. En mulig skole i
Stockholm ble mulig tirsdag evakuert etter at mulige ranere. mulig satte
mulig fra seg en mulig bombe i en mulig bank i mulig nærheten.. Apr.
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.......................................... anon i don't know why people
don't. eliza maybe they're looking for something. why should they. what
you offer is just withdrawals and stepping back. yeahyeah from looking for
and searching. you're male yorick should be ucking around. i know that's
his business and he would feel the catration. pointing his figer and his
we pons. wall there's no connection at all just the silly drives. the
fabric production activity life that's a big canvas. there's no
connections there either leave them alone. support. no support is needed
earth spins around in empty space. you need all the usual stuff. don't
need anything my life didn't need life just automatic business. joy of
life. death has joy too why distinguish it's just one big blob going
through the. motions. fatalist. pass. what about suffering. i'm sorry.
i'll kick you in the leg. i'll respond ouch. improvements richness of
life. do we suffer less than years ago broken things have richer
structures. knowledge. it adds to the mess and i'm withdrawing. knowledge
for the future. it's very easy for us to extinguish ourselves and
difficult to believe in. humanity. space. space what. hopes. we should try
to find some loopholes via science or anything change ourselves. leave the
human maybe our physicality cognition and culture have some. limitations
we can't overcome evolution is too slow our knowledge too great. all the
culture trash and our drives are against us we'll be like dinosaurs. with
a brain look at the current territorial religious cultural violence. it's
just mad and on the other side global capitalism and exploitation is made.
possible by the inertia of the same structures humans have no future we're.
reaching some limit in our interaction with the world we should find holes
and. creep through into a posthumanity i'm indifferent to the human i'm
only human. and have no future.. Mr M. saw a naked woman covered in postit
notes once. she was some art diva from spain. 'automated net.art
auto.noemata.net'. Hi. Thank you for hosting your list at Topica.
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Unsubscribe link at the bottom of any message.. For more information about
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autoresponser set up. LYS. Tilsynelatende nødvendighet av å tale om det.
Ikke si mer enn enhver kan si til seg selv. Spørsmålene om det er materie
eller immaterielt. Substans el aksidens osv. Fåfengt. Den som ikke tilstår
dette for seg selv kan trette seg med å løse det. opp. Bedradd av alle kan
vi bare lære av dets virkninger. Lysets virkinger er utbredt foran oss.
kvalmen. fremtiden er der knapt blekere enn øyeblikket. Hvorfor skal den.
virkeliggjøres. Hun skal til å dreie om gatehjørnet hun dreier i en
evighet. tanker det er det flaueste som finnes. flauere enn kjøtt. de
strekker seg ut i. det uendelige og etterlater en underlig smak. proxima.
lysår. melkeveien lysår diameter mrd stjerner. mrd andre galakser. lokal
gruppe av. nærmeste lign galakse andromeda m mill lysår unna. kvasarer ses
over mrd lysår. stjerneklasser. wow oh be a fine girl kiss me right now
sweetie. chance and chaos. kolmogorov matematisk talent setter inn akkurat
når den psykologiske. utviklingen stopper. han ser på seg selv som år.
stødig strøm periodisk strøm irregulær turbulens. observasjon av
periodefordobling i dynamiske system feigenbaum ... entropi måler
tilfeldighet i et system. hawkings. galilei kraft er å forandre en
bevegelse. newton derson ikke kraft fortsette i samme fart. ingen entydig
hviletilstand. om det er toget som går eller jorden som går er. like
gyldig. paradoks umulig å si om to hendelser på forskjellige tidspunkt.
inntraff på samme sted i rommet. eks. en ball spretter to ganger på samme.
sted inne i et tog en som står utenfor vil se sprettene med meters.
mellomrom. sitat. hardingfela er norsk nasjonalinstrument fele så er brukt
kattesener. hardingfela hele katten. det finnes det som har spilt i år i av
disse har de stemt. gås på bordet. forskning sprøyte brennevin inn i ei
rotte. er det noen kattjævel her. lysår vi hadde motlys. han var fem år da
han ble født. det du har lært kan ingen ta fra deg men det du ikke har lært
kan ingen heller. ta fra deg. det er skrevet mye og gud i de nye og de
gamle instrumenter. det som står her er. skrevet med en hellig skrift.
midt i paradisets have sto det et tre som het. bekjentskapets tre på godt
og ondt. da abraham satt i mamsres lund kom det tre. herrer da spurte sara
om de ville ha kaffi da sa vår herre til sara vil du. straks gå bak døra og
føde en sønn. det er ikke bare for kort det er for bredt også. protokoller.
hvilke protokoller. fullstendig promiskuitet mest mulig lavmål. en stadig
pendling mellom høyt og lavt. overdrivelser underdrivelser. hvite
protokoller. bankei. fri i liv og død ikkje bry deg med dei ha fred eller
nrivana (dei tre. gifter) la alle tre gå. både når du søv og er vaken så
kviler du i det ufødte buddasinn. unngå å falle tilake. bebo det ufødte
buddasinn både fremskritt og. tilbakeskritt overskrides. buddasinnet er
fantastisk opplysande spor av alt du har gjort er reflektert. det er når
du binder deg til desse reflekterte spora at du produserer illusjon..
originalt tankar har ingen reell substans la dei komme og eller stoppe
utan å. binde deg til dei. alt jeg forteller dere er dette realiser
buddasinnet som hver av dere har fra. deres foreldre fra fødselen rett og
slett bebo det i tro.. istadenfor la deses tankane komma ikkje utvkle dei
ikkje binde deg til dei.. hald det eine sinnet som eitt sinn. sinne og
glede lagar du heilt på eige hand.. det er ingenting anna enn det ufødte
og uforgjengelige buddasinn så du bør. begripe dette klart.. ideen om å
ville kontrollere dine lidenskapar og forestillingar er i seg sjølv. ein
feilaktig forestilling.. det er ikje noko slikt som opplysning. det
originale buddasinn er ufødt det. fungerer utan tanker om å ville bli
opplyst. i buddasinnet er det ingen tanker eller ting så ikkje bry deg med
dei. jakte på ord fraser når vil du bli ferdig. du spring deg helselaus
pålesse kunnsakp blir vidt informert. sjølvnaturen er tom og opplysande så
la ting ta vare på seg sjølv. det er ikkje noko anna eg har å meddele.
ikkje sint når forstyrra ikkje gladlykkeleg når tilbedt. ein stor
treskalle i verda. følge med der forholda føre meg nord sør aust vest.
utan å gjøyme mi styggheit og klumsetheit mellom himmel og jord. blinde
folk slit ut kleun sine ventande på opplysning. akkurat som å prøve å lage
eit speil ved å pusse ein stein. den store funksjonen manifestera seg sjølv
utan faste reglar. godt er skrekkeleg. og skrekkeleg er skrekkeleg også.
ting og hendelsa. er berre produkt av omstende. dersom du blir ein budda
er det ingen plassar å gå. du fyller det store. universet heilt ut til
grensene. det er når du blir noko anna slags vesen at. det er plassar å
gå. dersom du innser at det opprinnelig ikkje er nokon dårlige vaner hva
er det då. å unnå eller stoppe. paulus. paulus . brev til titus. en av
deres egne til og med en profet har sagt kreterne er alltid løgnere.
villdyr grådige late og dette vitnesbyrd er sant.. grelling nelson.
autologier homologier uttrykk som uttrykker seg selv. norsk setning.
femten bokstaver. jeg. andre uttrykk kalles heterologiske. så spør man om
heterologisk er et heterologisk uttrykk. hva med denne setningen uttrykker
noe annet enn seg selv. sorites. avleder en falsk påstand fra en kjede av
riktige. en haug med stein er fortsatt en haug med stein dersom vi fjerner
en stein. etc.. altså er en samling av en eller ingen steiner en haug med
stein.. pragmatiske. paradokset ligger i motsigelsen mellom påstand og at
påstanden hevdes. det regner men jeg tror det ikke. jeg eksisterer ikke.
terning. sannsynligheten for at en side på en terning kommer opp er så det
er. allermest sannsynlig å tro at siden ikke kommer opp. men dette gjelder
alle. sidene. derfor er det sannsynlig å tro at ingen av sidene kommer
opp. pi paradoks. salvati kan du fortsette rekken nei. men du kan
fortsette rekken. paradokset er at de beskriver det samme pi. tro gjennom
feil paradoks. at noe som slår feil styrker troen på tingen fordi feilen
viser det. irrasjonelle betydningen av tro. hilberts paradoks. hvordan
begrunne argumentasjonen på basis av argumentasjonen. carrolls p.
umuligheten av et argument. a dersom det regner blir det vått. a dersom
det regner blir det vått
321
b det regner. c altså er det vått. men for å akseptere dette innføres et
nytt element. d dersom a og b er sanne så må c være sant. men for å
akseptere dette innføres et nytt element. e dersom a b d er sanne så må c
være sant. jesuitt. dersom gud er allkjærlighet hvordan kan det da finnes
en evig pine i helvete. helvete med evig pinsel finnes men det er alltid
tomt. menneskerett. en slag rett til å engasjere seg rett til å kritisere
og en rett til å ikke. bry seg.. parse. lichtenberg E F. O The dog is
lapping the boiling water. release. Gorrespondence imondo mail . art
sokrates. ozone. skittent. mørket er estetisk lyset er skittent. bilde av
klistremerkene. finne du din vilje oppgave. nagval stalking ll som
parallell til sitasjon. drift psykogeo. når frykten forsvinner forsvinner
alle bånd og vi er frie. ro og fred. vi sier ro og fred men det betyr
indre frihet men gj ro go fred som middel. som fungerer i støy og ytre
uro. det er ikke greit å ønske å bli noe man ikke ønsker å være. men sånn
er det den. forskjellen. jeg ønsker natlugh ikke å være det jeg ønsker
eller å ikke være. den jeg ikke er. lagd. tror ikke vi er lagd til å
forstå ting som forsvinner. vi forstår ikke negativitet. negativitet
forstås positivt det som forsvann finnes som forsvunnet. og det som ike
finnes finnes som mulighet. finnes mulighet. noe er mulig. vi forstår
virkelighet som et lukket system det ligger i system og forståelse. ting
blir borte ting blir til vanskelig å forstå. tankemåter blir til og dør ut
med personer kultur med generasjoner. trossystemet forander seg ikke
radikalt med den enektle der av netulig. konsrevativt neasjoner har ikke
noen revolusjoneredne virkeing at noe blir. borte er en modfifikaskon av
tingen. som om eksitens var en modus ved noe skru avpå eksistens. se på
det fra et annet perspektiv det som aldri har eksistert fins det også et.
sted alle dine søsken som ikke er født. hvis vi snur treet oppned. alt som
blir. til må ha eksitert på forhånd. men da har du problemet med mange
muligheter blir. til en virkelighet det kollapser hvis vi skrur det så
ekspanderer det. uendlelig og det er ingen ende op ting som eskisterer
(som mulighet) alle. muligheter må eksistere og det er absurd hvorfor.
kredo. vitenskap gir oss kunnskap om verden. klesskap forstyrrer oss med
klær. du ble født ut av ditt nesebor. voff vi er ikke hunder. de som
passer på gir blaffen. folk er rare. zen begins at the point where there
is nothign further to seek nothing to be. gained. zen is most emphatically
not to be regarded as a sustem of. selfimprovement or a ways of becoming a
budda.. only when you have no things in your mind and no mind in things
are you vacant. and spiritual empty and amrvellous. the marvel can only be
descsribed as the. peculiar sensation of freedom in action which arises
when the world is no. longer felt to be some obstacle standing over
against one.. huangpo men are afraid of forgetting their own minds fearing
to fall through. the void with nothing on to which they can cling.. nothing
is left to you at this moment but to have a good laugh.. mesteren spør ut
studenten og når studenten går kaller han plutselig ved navn. studenten
svarer naturlig 'ja' mestern sier 'der har du det'. spontanitet. mo chih
ch'u gå på uten å nøle. wuwei meningsløshet. wushih enkelhet. the
perfection of zen is to be perfectly and simply human. to a young zen
monk. the roshi stands as a symbol of the utmost patriarchal autoriatiy
and he. usually plays the role to perfection being normally a man ssvanced
in yasrs. fierc and tigerish in aspect a person of supreme persence and
dignity.. the basic position of zen is that it has nothign to say nothing
to teach.. the various koans are intentionally misleading.. after some
time the iceblock collapses and a transparent meaninglessness appear. that
can eat laugh and so on live without a problem.. roshien presenterer nå
koans som er opplagt meningsløse 'ta dei fire delane av. tokyo ut av ermet
ditt' 'stopp klangen av dei fjerne klokkene'. ei jente går. over gata er ho
den yngre eller eldre søstra. controlled accident ikke representasjoner
symboler.. egne objekter. painting by not painting. muchi and liangkui did
many paintings of zen. patriarchs and masters as mostly abandoned lunatics
scowling shouting lafing. around or rarith with laughter at drifting
leaves exemplifying the splendid. nonsense and emptiness of zen.. sabi
enslig og rolig stemning wabi something ordinary as suchness aware..
mystisk stemning yugen. dette er fure aspekter av furyu.. haiku i årh.
bashu i wshihstil 'ingenting spesielt'. the superficial consciousness can
awaken to the eternal present if it stops. grasping. now this eternal
present is the timeless unhurried flowing of the tao. such a tide as
moving seems to sleep too full for sound of foam.. mantras and tantras
meditation and concentration. they are all a cause of selfdeception. do
not defile in contemplation though that is pure in its own nature. but
abide in the bliss of yourself and cease these torments. wahtever you see
that is it. in front behind in all ten directions. even today let your
master make an end of delusion. the nature of the sky is originally clear.
but by gazing and gazing the sight becomes deluded. sarakas trasy of songs.
no thoguth no reflection no alaysis. no cltivation no intention. let it
settle itself. cut out sagacity discard knowingness. and the people will
benefit a hundredfold. cut out humanity discadrd righteousness. and people
will egain love of their fellows. cut off cleverness diescsrd the
utilitirans. and there will be no theves and robbers. become unaffected.
cherish sincerity. belittle the personal. reduce desires. laotsu. the
perfect tao is without difficulty. save that it avoids picking and
choosing. follow your nature and accord with the tao. saunter along and
stop aorrying. if your thoughts are tied you spoil what is genuine. dont
be antagonistic to the world of senses. for when you are not antagonistic
to it. it turns out to be the same as comnlete awakwning. the wise person
does not strive. the ignorant man ties himself up. if you work on your
mind with your mind. how can you avoid an immense confusion. sengtsan. one
day i wiped out all the notions from my mind. i gave up all desire. i.
discarded all the words with which i thought and stayed in quietude and.
ZTT i entered i lost the bounderies of my physical body i spke but my.
words lost their meaning. i saw people comnign twars me. all of them were.
myself. i had never known this world. i had beieved i was ceraed but i was.
never created i was the comsos no idndiviudal mr ssaki existed.. .sakeian
sasaki zen notes vil no. we eat excrete sleep and stand up this is our
world. all we have to do after that . is to die. ikkyu. you light the
fire. i'll show you something nice. a big snowball. mennibdr versen og
livet lemm død og ny fdese. uta sv krppen så yutterverdn lbitt indre og
omvendt. man fyller hele rommet og lever i tiden. stiger ut av rommet føre
og etter. ha takk ha. sanselik. imaginasjon. inspirasjon. intuisjon. alt
som saller mot krppens speil speiler seg til sanseopplevelse. tankene
tanken muldere av elemtarvesen sender seg ned i eterlegme. formørker
eterlegemet eringdring. visom som natur rundt seg her. vi må ta vort
visdommen forvandle altsp selv til livskrafter. pines ab det glode.
latskap pinesa av fliden. tingene spør oss vi spør ting her. verden føst
av personen. det oversanlsige mennsek. åpne åttetall lemniskater.
tilsvarer det himmelse bilde av menn. nerve og kjertelsystem. inspirasjon
i toner verdensharmonien avspeiles in blod kretsløp hjerterytme. intuisjon
tonene inneholder mening sprok verdensordet. angel archaloi archai. exusai
dymanis kdriotetes. troner cheubin serafim. mot i brystet. blir lemmer
armer og ben. blir åndelig ord. solflekker mikael kosmiske jern.
antropsosi psyikosofik ner mtosofi. linvssans bebetelesn liekversans.
fangarmer. lotusbolst i hodet imagintaiv. strupehodet inspirasjon. jver
hjertet den ituitive. imaginasjon fornemme. insirasjon føle. intuisjon
tenke. psykosofi. slutningen tilspisser seg i forestilligen. punktum. like
før han legger seg sender han noe. like etter at han står opp punktum.
interesting ng. alt.abuse.transcendence. alt.acme.exploding.newsgroup.
alt.anybody. alt.anygroup. alt.anything. alt.artcom. ba.art.
it.arti.trash. rec.arts.misc. alt.chaos. alt.confusion.atitsfinest.
alt.foo.bar. alt.foo.bar.qux.xyzxyz. alt.languages.norwegian.
alt.languages.nowegian. alt.life.internet. alt.life.sucks.
alt.life.universe.everything. twalegged poneys Re Estimable Finns (Re
AAUUGGHH). In article bunniegirlhome.com (Jelliebun). I've been dealing
with a lot of people at work who don't speak English. as a first language
... and some of these damned nonsequitur bot post. thingies are starting
to make sense.. For instance it would not be at all startling to find the
following. in an application letter. Nor have they not sing for quite no
sponsorship. We extracted and remarried as they were lively required
neither. every base past them beheld perversely elder.. I think I need a
vacation.. Would you then be offended if I quoted the following. It
follows that if the two antesedents be bissyclitties and the three.
comeseekwenchers trundletrikes then Aysha Lalipat behidden on the.
footplate Big Whiggler restant upsittuponable the nCr presents to us.
(tandem year at lasted length) an ottomantic turquoindaco of pictorial.
shine by pictorial shimmer so long as gad of the gidday pictorial summer.
viridorefulvid lits asheen but (lenz alack lends a lot) if this habby.
cyclic erdor be outraciously enviolated by a mierelin roundtableturning.
like knuts in maze the zitas runnind hare and dart with the yeggs in
their. muddle like a seven of wingless arrows hodgepadge thump kick and
hurry. all boy more missis blong him he race quickfeller all same
hogglepiggle. longer house blong him while the catched and dodged exarx
seems. himmulteemiously to beem (he wins her hend he falls to tail) the
ersed. ladest mand and (uhu and uhud) the losed farce on erroroots
twalegged. poneys and threehandled dorkeys (madahoy morahoy lugahoy
jogahoyaway). mPm brings us a rainborne pamtomomiom aqualavant to (cat my
dogs if I. baint dingbushed like everything) kaksitoista volts yksitoista
volts. kymmenen volts yhdeksan volts kahdeksan volts seitseman volts kuusi
volts. viisi volts nelja volts kolme volts kaksi volts
yksiallahthallacamellated. caravan series to the finish of helve's
fractures.. Part of it looks Finnish and therefore it has to be about
Linux (because. that is the only notable thing ever to come out of
Finland). Let me just take this opportunity to say. Panasonic (the band
not the consumer electronics manufacturer). Hey Punesuneec joost pleyed
here bork bork bork.. Mika Hakkinen (F driver). That mad vodka. What's it
called. You know.. Per puncture AT flash DOT net. linklog. digest.
Individual Messages. Message Digests. CALL FOR FUNDING DEADLINE EXTENDED.
MAY TH. FOR IMMEDIATE RELEASE. CALL FOR FUNDING DEADLINE EXTENDED.
INSTITUTIONS AND PATRONS OF THE ARTS WANTED. MUST HAVE MONEYS MUST BE
WILLING TO FORK OVER SAID MONEYS. DUE TO AN OVERSIGHT BY THE RHIZOME.ORG
COMMISSION COMMITTEE MEMBERS. THE ARTWORK OF LINKOLN JIMPUNK STILL LACKS
THE PROPER FUNDING TO CONTINUE.. FULL DESCRIPTION OF ARTWORK AND FUNDING
NEEDED AT. NOTE FINAL EMAIL WILL NOT BE SENT TO RHIZOME RAW AS INDICATED
IN THE PROPOSAL. THE FINAL EMAIL WILL BE SENT TO THE PERSON(S) WHO
COMMISSION THE WORK.. COMMISSION THIS ARTWORK CONTACT. ABELINKOLN.NET OR.
bytes. text. dagbladet nyheter. nyheter. Blunker med fire øyne samtidig.
Tohodet geit født på Cuba.. Jon R. Hammerfjeld. .... nyheter neste sak
forsiden. Oct. makeshift. carriers. are the characters carriers of what.
oceanic inflation eg buddhism ego balloon whatever skin. distance in
relation to subjectobject the inflated subject seems infinite. while the
dot in the horizon the distance of the abject out of sight. phenomenology
of beyond vs here and now yon bef. ME OE geon akin to D. gene G jener ON
enn inn the Goth jains that vs thus. thus collapses in codeexecution
distance of processing time of 'active. expression vs matter of doctrine'
formalexpressive this and something else. (subjectobject) always on the
abject side. kunst på strømlinjer noe som følger nettverket over landet
summingen ved. mastene lyd. gi meg et urokkelig punkt arkimedes hvordan
kan lillefingeren løfte bilen. arbeidet fordelt over lengre vei. those
darker parts of the wood have 'personality' something hidden or attracts.
intimacy something else. gnome (nm) n.. . an expert in monetary or
financial affairs international banker or. financier the gnomes of
Zurich.. F NL gnomus perh. Gk gnm see GNOME. . (in folklore) one of a
species of diminutive beings usually described as. shriveled little old
men that inhabit the interior of the earth and act as. guardians of its
treasures troll.. a name to. a name to. a mean to. a amen to. a no team. a
no mate. am note a. a man toe. a mao net. a tam eon. a mat one. a mat eon.
me to ana. a tao men. tao amen. ana me to. ana tome. mane tao. name oat.
name tao. mean oat. mean tao. amen oat. amen tao. mateo an. eaton am.
atone am. neat mao. ate mona. eat mona. tea mona. tea moan. tea oman. am
at one. am at eon. ma at one. ma at eon. an oat me. an tao me. cell modem
fix. rksi .. rkis .. rski .. rsik .. riks .. risk .. krsi .. kris .. ksri
.. ksir .. kirs. kisr. srki. srik. skri. skir. sirk. sikr. irks. irsk.
ikrs. iksr. isrk. iskr. log. qdu må slutte å evaluere sånn. qjeg er den
ketchupflaska. qvil du meg noe snakk til den OK. q(går inn i stua).
autonoemata. Congratulations. Your Group autonoemata has been created. You
can access your group using the. Group name. autonoemata. Group home page.
Group email. This is not good. Is better to attack people. Leave Hummer
alone. Hummer cannot fight back. It's guns that kill people not people.
Leave guns to shoot guns. Stick to your guns. Alan Sondheim. Jarry. Jarry
insisted on certain conventions of speech action and setting. The.
staccato manner of speaking the misplaced accents the puppetlike movement.
the use of masks the use of placards the hodgepodge style of scenic.
painting all of these were Jarry's ideas (Beaumont ). ouspensky gurdijeff.
mennesket er en maskin. alt skjer uten at noen gjør noe. livet er mat for
månen. jeg vil forstå. viktigste mål å ha er å ville mestre seg selv.
tenkning sammenligning følelse sympati. tanke forestilling (tanke som
følelse) drøm (tanke som vilje). forskjellige kulturarbeidere er nesten
uten unntak syke mennesker. mennesker er redde for hverandre. samvittighet
følelse bevissthet tanke. latter eksisterer bare i sentra som er delt i to
høyere sentra er udelte. sex i tenking skriver kritisk og subjektivt sex i
følelse preker kristendom. asketisme synd helvete det bevegelige senter med
sport men alltid er. resultatet ubrukelig dette er misbruk av sex. oktaven
to 'sjokk' tallssystemet. teosofisk addisjon tverrsum. vanlig menneske er
menneske sau orm. intelligensmåling vha hydrogendiagrammet en bakt potet
er mer intelligent enn. en rå potet. lever av hvirvelløse dyr og er mat
for erkeengler. sammenheng mellom positur og tanke følelse er entydig.
stopp. obyvatel en vanlig person kan også være veien. dilemma. det er et
dilemma at vi uttrykker ofte ting fordi de blir forstått (riktig). det er
ting en kan si og ting en ikke kan si (forståelig). dilemmaet er å
uttrykke seg eller bli forstått. det finnes handlinger men ingen som
handler. nagarjuna opphavsmannen til negasjonene paradoksene.. hatha raja.
djna kommando. shiva lingam shaivitene. bindu. prikk over m. samadhi ved
operasjoner mislykket hengning grønn farge hvitt lys. kaleidoskop fløyte
klokker tordenbrøl. vanvittig er min far vanvittig er min mor (dvs shiva
og kali). thuggerne. outsiderens problem ligger i å nekte å uttrykke seg.
analyseparadokset. en analyse kan ikke både være informativ og korrekt.
klassisk gresk ingenting meningsfullt kan uttrykkes alt er meningsløst. å
si A er A er ingen vits. å si A er B er usant. tre ønsker. . ønske. jeg
ønsker at de tre ønskene ikke blir oppfylt. hvordan forvirre den gode fe.
of. ........... of. livet mellomdelengo ny fldes i fhodl ti de kosmiske
kjensgerninger. verdslig travelhet handlign tilsvarer åndelig ro. jeg
bevisstheten avh av den menn.død da menn.adr når opp til sin dieale verdi.
må man si at jeg dadig arveider p åsin egen jegforringelse (med dårlige.
handlinger). universet inne i seg og legemet utenfor. begjær etter tanker.
oseaniskek j. NEWS. NEWS. AnonPostTo Supported (post) True. News Posting
Route (mailnews).
mainewsfrogadmin.yi.orgmailnewsdizum.commailnewsnews.gradwell.net. News
Signature Added To None. receive a list of all newsgroups reachable
through this mail to news gateway. send mail to mailnewsdizum.com with
subject list and no Newsgroups. header. The complete list of available
newsgroups is quite large (K. groups) and can break many mailers. To
obtain through E mail a list of only. those newsgroups starting with a
particular pattern you can include an. egrepstyle regular expression on
the subject line. For instance. Subject list comp.unix. would list only
newsgroups whose names begin comp.unix.. Subject list .linux. would list
all newsgroups whose names contain the substring linux.. Subject list
alt.(securityprivacy). would list all newsgroups beginning alt and
containing either the word. security or the word privacy. Finally. Subject
list ..test. would list all newsgroups ending .test.. nntp test.
newsnews.opera.comopera.test.
newsnewsgroups.borland.comborland.public.test.
newsmsnews.microsoft.commicrosoft.test.
newsforums.macromedia.commacromedia.test.
newsnews.mozilla.orgnetscape.test.
newsnewsroom.trumpet.com.autrumpet.test. newsfrell.eu.orgalt.test.
mailnewsnews. in header. newsgroups. mailnewsnews.gradwell.net.
mailnewsnews.demon.co.uk. W Anonymous Remailer. Paranoia Web interface.
Riot Anonymous Usenet Remailer. Xenophon. Frog's WARI. bmagnhil. May.
maskinen fjerner overtroen fra oss. jeg trenger ikke ville. eller håpe.
what. dkdkdkdkdkfdkfdkfdkfdkfdkfdkfdfkdfkdfksksksks. what does this mean.
tistikken. statistikken latistikken. lehmus ng.
alt.language.poetry.puresilk. jukka lehmus. mattering. near the surface of
earth's oceans between three and four billion years ago. selfreplicating.
the cell all competitors have been swept aside save for the residual
viruses. life a selfmaintaining selfreplicating energyusing system. cell
polarization as communication links. primitive brain stem hindbrain motor
midbrain visual auditory forebrain. olfactory. mammalian brain hindbrain
underneath cerebellum midbrain forebrain underneath. cerebral hemispheres.
we are distinguished form other animals by the large size and unusual
properties. of the human cerebral and cerebellar hemispheres.. somata.
inhibitory hyperpolarization or excitatory depolarization synapse fire
and. don't fire inputs. black matter InterNetWORX. Hallo Herr noir matern.
Vielen Dank fr Deine Anmeldung bei InterNetWORX.. Userbereich von
InterNetWORX einloggen. Deine UserID. Dein Passwort svryra. Deine
HomepageURL. Dein Speicherplatz. Dein Verzeichnis auf unserem Server.
Server. ftp.inetworx.de. Username. noemata. InterNetWORX Web Hosting.
Deine HomepageURL. Dein Speicherplatz. Dein Verzeichnis auf unserem
Server. Server. ftp.inetworx.de. Username. noemata. Passwort. Dein
InterNetWORXPasswort. Status aktiv. WebFileManager. Folgende Angebote sind
nicht zulssig. Webcams mit automatischem Refresh. Chat IRCBot und
DownloadScripts. Websites welche gegen deutsches Recht verstoen.
Pornographische Websites. OnlineCasino Websites. Userbereich. UserID.
Bisher Logins. letzter am .. um Uhr. von ...si .no.powertech.net.
322
Anzeige. Jul. artificial art. COGNITIVE PSYCHOLOGY and ARTIFICIAL
INTELLIGENCE have produced provocative. models og cognition which when
brought to lifewithin a sutiably programmed. computer mimic closely some
of the coluex actiitites of golacriven. intellingece. The NEUROSCIENCES
have begun to unravel the vast microsystem of. interconnected brain cells
that in living creatures appears to execute those. activities. ETHOLOGY
has given us new insights into the continuities relating. human
intelligence with the intelligence of other creatures. And EVOLUTIONARY.
THEORY has revealed the long and intricate selective processes from which.
conscious intelligence has slowly emerged.. ONTOLOGICAL PROBLEM mindbody
problem materialist dualist brain. five radically different versions of
dualism chapter. SEMANTICAL PROBLEM skeptical network of causal relations.
EPISTEMOLOGICAL PROBLEM problem of other minds selfconscious.
METHODOLOGICAL PROBLEM artifical intelligence. This concludes my set of
promissory notes. Let us now turn to the issues. themselves.. oh dear.
meiosis sis o I em. DEARME.TXT. media externalization. stillife. c d lost.
knowledge liar lying as strategy as truth identifies controls. the
wastebasket placed on the desktop and windows inside waste. r. c. (I. bees
queer ever seen a crystal sugar a rockcho. Purchase of nwt. Thank you for
purchasing this share. bytes URL noemata.netnwt Price EUR. Payment info.
PayPal URL. Or money transfer payable to account .. Storebrand bank.
Norway.. Please contact us if you have any questions. Thanks again. Ars
Publica. fake spam. sddds. TddHINGS WssILL RDFDUN FFFOFF YOU. ohVVll
insert. buty. cccc. vjkjkjkuoui. Oy. alpin. treholk med lokk. .... yosrsas
thessdfdsdf sfudssedfd in tfe mfffle. kvestian. Ordet tak har k i utlyd.
vague un. vagabond. astronomiske høytider ALPAKKA. amatør. X. About Help.
voltages of the soul. uteksi utero utbud. uterlig uteske utidig. utlyd
utnavn utopi utror utukt. utvær. V volt. .. i have tou p. hate those
little bastard go sug blod ov your dead great grand. cells won viruses
linger on. data cell. if you don't want this. d. Gievre X. abrakadabra
abruptabscisse. absint absolvere. abstrakt absurd. aceton ad acta. ad hoc
adiafora. ad libitum adrenalin. ad undas advent. affinitet agentroman.
agio. agnus dei. aimabel akantus. akrostikon aksiom. aksjon aktør. akutt
alarm. aleksandriner alen. alfa alfons. alias alibi. thorn thurs ut i sol
sol sunn saigel tlas algz jer jara asskrk kaun os. perta. S NOW. Ammianus
Marcellinus Ammius see Hamder Amuletter Adrhrimner Andrid. see
Kjalnsingasagan Andvaranaut see Andvare Ane den gamle see Aun. den gamle
Angantyr Arngrimsson see Hervararsagan Angilbert Angler. (angli). Aug.
artnapping. pretending to sleep. i'm not saying. for the arps and
sensiblargoviee and seated ities depts. it's something spiritual acronymic
comperata droll votes you. compression it's when you can't compress (more).
still y could. translate later without loss. would a photo captwidth a
pixies casters. it no or it zedek be pericline ure it. no or poto
thsobranje the. winooski if you can snelling of it toddle jada e wholeness
if you can. speak of it then that's why it's obwh ogress massa cones ject.
matarial concrete candy(d)a. you need your wholyou nightside your wonted
selvaged e sensibilithy. tvart would be anwotted an osmium roseland asylum
and intellect the. hushaby overload room inside the hypercube. when she's
runningwandoo sanjak her freudalizable has solipsism chines. wave her feet
has some characteristic (w)hole that' the len(d)s in. advance of. not
really antroponot redshank too mechanizer o's morph. its too many o's
holes again eyes and owls again (quarlean). stillness not focs us interval
not foiling not samisen pelagian us. i'm not saying it's passive. you know
blub bluyou kindness blanton bignonia wakening wholeheartedly. legs
lineally. not history on a not humorers on a vociferously wave. RE
RHIZOMERAW FOR IMMEDIATE RELEASE. what. i don't know anything about this.
i read in the paper today that these were indeed stolen from a museum. in
norway recently. so um what is going on noemata. ja. F O R I M M E D I A T
E R E L E A S E. The artist group Noemata demands mill. norw. kr. for
delivering. back. Munch's paintings Scream and Madonna which today were
taken. the Munch museum Oslo Norway.. Contact noematakunst.no. post
listrhizome.org. questions inforhizome.org. visit on Fridays the
Rhizome.org web site is open to nonmembers. Subscribers to Rhizome are
subject to the terms set out in the. inner voice reason. there's no use in
remembering. well only for those who forget. we have our memory so
remembering is like pause. no use in bed i'll. use in whatever phenomenon.
flatbed scanner. i'm. pause. well this is of photos. you don't. pause. like
pumping up your bike no pause that's nonsense. but like pause. what are the
inner workings the pause. memory is memory pause. i'm sorry this is a mess
not even that it's nothing not even. ok then there's novelty actually most
things just stand by. say this place or you it will continue by itself more
or less. if this pen continues from sec to sec it's no novelty though it
needs. energy for sustaining. a quick look at reality (for a change)
you'll see things linger on from. beginning to end background radiation
rocks soil oil inka cities. the cell virii millions years old animals
still eating grass. it's actually harder not to do things than to do. and
within those rhytmic trends nervous jiggle. so personality fuse (common
sense) i'd rather not. let's say sleep but then there's no consciousness.
ok meditation rather pause long way around the block. drugs no pause i
want control. tao shit my cow jokes. circuits kin of pour something in.
well maybe pause this is a drawing. as a structured whole. the whirlings
in remembering. well only so small tiny trails. let's. pause. well this in
the collage hey those are kind of us will mind. wonder where i pause
that's. pause. well this pen continues from sec it's. pause. blood
something out draw. still doesn't make sense anything of this nothing.
reason is only so small tiny trails tractor. let's see i pause see
nothing. still this mail has a from attractor. and there's some
combinatorics of letters. bingo name of a dog. i'd rather make this a
comedy again. the i's are deemed ridiculous. maybe they should be o's.
eyes no it's nothing here. a related thing i was thinking of photos. you
don't know if you captured it. there's no way to know but you learn. the
inner workings might be contraintuitive. so like you believe it's magic
but it's not. magic is like picture and there's capture. but the causal
might work otherwise. you'll find out eventually. and i expand on the
photomagic correlation. no surprise the visual part of art. capture is of
the whole and then hunters and gatherers. and then the collage hey those
are the shamans. operating on 'elements' of wholes. ok rather pause this
is only so remembering is a structured. whole. the whirlings in the
collage hey those are the same. the rocks are the same. the rocks are kind
of the pause. memory is memory pause. i'm. well i forgot my camera come
back later. like the streams. might be an idea to view this as a
structured whole. the whirlings in the chest it stays the same. the rocks
are kind of pause. answering that would be like pause. well this is
capture again. inner voice stupor. argument of transparency it's pause
kind of ridiculous. heath for structuring but generating more heath than
structure. you could see all this in whatever phenomenon. flatbed scanner.
i'm sorry but then later i'll go to sleep and none of us will mind. wonder
where i was last night. if you say in bed i'll kick your ass. what a pause
happy end... stratas of unconscious dog breath. let's see. life no. love
no. death no. anything no. something maybe. what nothing. whatever no.
nothing no. something maybe let's sky. what this lab. what this this loupe
nye. this what deadeye no. old dog bastian died today antennas. an overdose
of anesthetics sentineled movie. we cried some waite. doesn't matter much.
his eyes closes as ours. i'm sorry life is shit semidi mob. wouldn't mind
dying withe takao. let's see toss teas. and they have a little girl token
wit. she'll be here until oldie dayak doodah time... whatever an offertory
of amygdaloids. what's it supposed to be doesn't motorway. let's say a
number with a thousand digits. or a fraction unending i'm skirr Leif ictus
Shiite. i want nothing to do with life it wouldn't monied dingo. anyone
wanting life is an idiot let's shoe Mr Bingo (SåleMikkel). this just
continues lethal girl. kids are happy they don't want life undulations.
wanting life is death whitebeard. wanting tay rising. aha what's spigots
buoy. that's AHA woody away. stratas of unconscious dog breath. sf asfadsf
gas g s af s afs af s afs f adsf sf sa f s af s af saf s af saf. asf saf s
fs fs fs s fs gdr gh dfh d tg hesr h dhs hd h d fghds hd h d. fghds hd h d
fghds hd h dhs hd hd hd hd hd h dhs hd h d fghds hd hd h d. fghds hd hd h
dhs hd h dhs hd h d tg hesr h dhs hd hd h dhs hd h dhs hd hd. hd hd hd h d
fghds hd hd h d tg hesr h d tg hesr h d fghds hd h dhs hd h d. tg hesr h d
fghds hd hd hd h d tg hesr h dhs hd h dhs hd h dhs hd h d. fghds hd h dhs
hd h d tg hesr h dhs hd h dhs hd h dhs hd h dhs. sf asfadsf gas gs f adsf
sf sa f s af saf asf ølakjfølkjg sølkgj ølkfs. ølkfj asøkjsaølfks flksaj
fslk flsk fsa fsafsf sf asfadsf gas gs f a sgs. agas gas gasfd gdf gas
gasfd gdf gas g s f s gsad fsf. sf as f s fs gdr gh dfh d fghds hd hd hd h
dhs hd hd h d fghds hd h dhs hd. h d fghds hd h d tg hesr h dhs hd hd h d
fghds hd h dhs hd h dhs hd hd h d. fghds hd h d fghds hd h dhs hd hd h d
fghds hd hd h d tg hesr h dhs hd h. dhs hd h d fghds hd h d tg hesr h d
fghds hd h dhs hd h dhs hd hd hd h d. fghds hd h d fghds hd h dhs hd hd hd
hd h d fghds hd h d fghds hd h d tg. hesr h dhs hd hd hd h dhs hd h dhs hd
h dhs hd h d tg hesr h dhs hd h dhs. hd h dhs hd h dhs hd hd h d tg hesr h
d tg hesr h dhs hd. sf asfadsf gas gasfd gdf gas g s fs afs af saf saf saf
saf s afs f s afs. af saf saf asf saf saf saf saf s fs fs fs gdr gh dfh d
fghds hd h d tg. hesr h d tg hesr h d tg hesr h dhs hd h dhs hd hd h d tg
hesr h dhs hd h. dhs hd hd h d fghds hd h d fghds hd h dhs hd h dhs hd h
dhs hd hd h d tg. hesr h dhs hd hd h dhs hd hd h d tg hesr h d tg hesr h
dhs hd hd h dhs hd. h d tg hesr h dhs hd hd hd h dhs hd hd h d tg hesr h
dhs hd h d tg hesr h. d fghds hd h d fghds hd hd h dhs hd hd h d fghds hd
hd h dhs hd hd h d tg. sf as f a sgs agas gas gasfd gdf gas gs f a sgs
agas gas g s f adsf sf sa. f s f s gsad fsf. sf as f s fs fs fs s f s fs s
gsad fsf. sf as f s gsad fsf. sf asfadsf gas gs f a sgs agas gas gs f a sgs
agas gas gasfd gdf gas g s f. adsf sf as f s f a sgs agas gas gs f a sgs
agas gas g s f s fs fs fs afs. af s fs s f a sgs agas gas gasfd gdf gas
gasfd gdf gas g s af s afs af saf. saf saf saf asf ølakjfølkjg sølkgj
ølkfs ølkfj asøkjsaølfks flksaj fslk. flsk fsa fsafsf sf as f s af s afs f
adsf sf asfadsf gas gasfd gdf gas gs. f s f s gsad fsf. sf sa f a sgs agas
gas g s fs gdr gh dfh d tg hesr h d tg hesr h dhs hd h. d tg hesr h dhs hd
h dhs hd h dhs hd hd h d tg hesr h dhs hd h d tg hesr h. d tg hesr h d
fghds hd hd h dhs hd h d fghds hd h dhs hd h d fghds hd h d. tg hesr h d
fghds hd h d tg hesr h d fghds hd h d fghds hd h dhs hd h d tg. hesr h dhs
hd h dhs hd h d fghds hd h dhs hd hd h dhs hd h dhs hd h dhs hd. h dhs hd
hd h d tg hesr h dhs hd hd h d fghds hd hd h d tg hesr h dhs hd h. d fghds
hd h d fghds hd h d tg hesr h dhs hd h dhs. file under. oreawefreshet.
woundneatness. windmillingluffyideate. teachjuggedcontemporaryart.
kedgeairwaydon'twendylooby. windowingleeves. wounding. ah. that'snotaha.
dog breath minor. dog breath minor. there's nothing here. ICE) INSTANTLY
AND YOU'RE W'T I DIDN'T. nothing nothing nothing horray. NATIONSETE IIEG
NUDENESS NOTING N DHF. (a lot of nothing a ludi oboe nothing). E IEG
NOTHING NOTHINOTUNT TDSESDZNNOT. still more stale more. MOG HIT I GYN
OOGHG A LUDR ININAT EZIS. nothing nothing nothing nothing nothing nothing
nothing noth. IOI I HORRI O GSGTD TLTEOSHNHEGH NOTH. ing nothing nothing
nothing nothing nothing nudeness nudeness nothingize. nothingizes needing
nutmeg. nothingizes nothZ NI A NENI EOGOOIO STRN OOI ENUNNH EH. ing
neotenic neotenic nudeness nodding. I T EREH N( HGN TTST T EEEDEHGLOGNIH.
nudeness noting nattiness notions nothingize nuttiness nothingness
notions. netting nudeness nations. nutting nutting ONNDOON WH REU GNIOIITS
)GNIHTGOETNGNR. nothingizes nothingises nothing neediness needing
nothingize neatness needing. nattiness nattiness nadia. OCNICN GNIHTON GNI
HE TT T(UIHIIHTON. these are very structured nothings. CINETOEN GNIOOIN
EETTON SSENITTUN EZIG. isn't i didn't like mean thathat. SEZIGNIHE H N
YREV ERA ESEHT AIDAN SST. and not writing thisthis. HGUAL A TON S'TAHT
AHAHA. it fauxes at onceonce (over the lazy dog twice). LIKE ME AN TH
SNTTING NUDENESS. instantly. EG DNNS NEEDING NUTMEG NANIAT IO. and you're
left with ah THIS. HING NOTHINGTTTG W GNNDII STALE. ahahahaha. INNTN NG
NOTHIEN NENANH AAHST. that's not a laugh. ANO T IS T ONNST TRNT HEIYGBNH.
DSNNNNMHN 'EG ETN SOTEO HTDESE. neat writhen taeg tie. TOANI UNIIS T
IRRNNUZTNLN FO TOL. I WVTGN GNHTON GNIHTON TNHS AIS. SSENEDUN SS NNTI A
RHTNETOEN. NIHTTNGA NCSON SESIGNIHTON. A OECNO TA SEXUAF TI SIHTSIHH.
that's not a laugh. neat writhen taeg tie mute dumb taut taus daus daunt
tam domitus domini canes. minor. forget. my legs hurt am i dead meister.
your two eyes one is enough tv. martial arts criminal stereotype. fine
arts dude. police plice please. lice. press. stains. liferaid a fraid owl
iph. impressions per hour. lax lace koala cool. vegetatatativeve. AlanIt
was dah dah di dah dah di.. I knew it was connected with the name.. Maybe
a highly compressed version coded in tonalityrythm doesn't. require much
storage or processing and would lead you in the right. direction.. The
rhythm appeared before the name incantatory.. I guess there are different
searchings going on at different centers at. the same time and you get
what's processed first maybe or their. aggregate where most but rythm
fail.. Bytes Maggie Loves. Bewitch Messy Leaves. Boethius Mews Lavish.
Beets Mews Lobbies. Butties Meek Lobos. Bouts Maag Lops. Bitch Max Levees.
Bites Massawa Lupus. Betsy Maag Laps. Budweis Massa Lapis. Bitch Musky
Laps. Boadicea Meuse Lives. Baits Macao Luffs. Boudicca Massawa Lvi.
Booties Micah Leavis. Bathhouse Mossy Liebig. Boethius Mows Labiche. Badge
Mos Lupus. Boathouse Mickie Loaves. Bitch Musk Lpg. Baits Mashie Luffs.
Baits Maguey Loafs. Butts Micky Lipase. Buttock Muse Lops. Beauties Mies
Lippie. Booties Mays Lovage. Batik Maggie Leafage. Badge Mawsie Lavish.
Betas Mesh Leaps. Betook Miss Lobbies. Bathes Massa Levies. Boethius Messy
Lobbies. Bites Maas Labiche. Baits Mix Lobbies. Bittock Miaows Lupus.
Boadicea Mohs Loobies. Bitwise Miaows Lipase. Badge Mackay Libeccio. Baits
Massa Lipase. Biddies Masks Lipase. Boats Moscow Loops. Buttocks Moke
Loaves. Betook Massawa Levko. Betsy Meshy Lupus. Bodies Mac Labiche. Bitsy
Muzzy Luffs. Bhtes Mocsoo Lapes. Betis Mysgih Lopoc. Betåg Meccha Lepec.
Bodic Mocsao Lufok. Betas Myqgei Lhbas. Botos Moscue Lebis. Bathg Masciy
Lepag. Bedas Masseu Lopos. Bothg Massey Lufug. Bodes Myscei Lobec. Bhtys
Mecsea Lyfac. Badhs Mhcghe Lifoc. Betis Mossya Lufyc. Bateg Moskoa Lefis.
Betas Mosshh Lhpig. Betas Mhskai Lapes. Butæc Mascea Lebes. Betas Musgie
Lefhc. moonsay may st at. finnegan autosomally. minutely mn. affirmation.
as weikl as the primitively anile tian. vj perilous her gating vj set
thoughtlessly. thrustor approaching at the. anima. cagliostro. autoplasty
se. minis mn. opening. tWdWlasstime. photo
wawwtwewrfallwcwlwarswerrshtdimhjensulhl. operasjon sonja. pippi myrvold.
vel jeg kan ikke se annet enn at trist. kommentar fn slaveriets
avskaffelse. kommentar eh det er klart. ransmiljøet. kunstmiljøet blir
stadig råere og hardere i jakten på penger og. berømmelse. tveitagjengen
alle mann alle. teknologi kriminalitet. pippi motiv pengeknipe. vi
kontrollerer politiet. stjålet kunst. Johnforget reeling. gutter haunter.
banter flutter. ceiling intent. john. would these be the same the other
way around ie. reeling forget. haunter gutter. etc.. i guess not but that
opens up for ordering permutation triplets. (abc different from bad) and
directional graphs and adding. linesequence for traversing the same
nodewords would reveal a. different result like gutter would reveal
something else further down. (because of selfmovement bowel movement)..
eQeQeeQO. e t e Ct QR. Q( R t CR Qe Re(RQC. Ce(R R te CR t Re Q. R R tt RC
(( Re R. QRQR. O( t Re CQQCQQ Re ROR. (ROe R R t( RC ( Re. OeR( t R tO O R
Re R. OQtRt t RR t O eQ e Re RO. RR RR t C te Re RO. R(t(RCQ ee Oe( Oe
eeOee Ce. Oe(. Rerun. there's a body slack about three days gliding.
desiretuacnu tsudwas tnelitsep. dewov si. dildiks krabrepap a si soat.
ezilanimonorp emosyxo. plapidep rahpitop. lasirper ry. tnaw i. drawer
detnaw si ekoc. adan naicinhcet. em latineg xnirys. depoows foorprettahs.
noitazinai. noitalugaoc doolb. nonorhc toped. stug. cinifelo diotnodo.
pestilent sawdust uncauterised. is vomed. and sailors ubiqu is taos is a
paperblank skidlid. who oxysome the unmethodiseds by versatiling and
conjunctions. potiphar unmalicious by zinmans and nomocracy pedipalp
terence. an active sentence this is this is a passive sentence. vulgate
heights spotless be in violative yr reprisal. i want coke. coke is wanted
reward. callee toxicogenic. meme and if i haslet me technickian. cannot re
touch. if i humorer non stalking griddle and if i genital. you chromise
syrinx shfrinx. upheld by words and nobody owns them overblown the wake
if. a brushed shatterproof swooped mineralised teschtual gandalfed. ' and
fed all gee. charchatting. drawer si em i dna si a si si dna eht dna a si
si eht i em. m em i dna i i em eht dna a kcals a i i em i dna i i a. si si
i ossat a eht bajar i eht si unroc eht. don't have me then if i hexapla
norton i spermic. haworth cheers. subversively nada if i have nothing i
still have and iff. an ad sheahe transparently is tomsk is a sawbill (bah
will). sickbay trypsinogen. gunman your head should be in your will yr
reason in. yr guts. blood coagulation. bellowed chronon. i wish
cinemagoer. a betta skid accomplished tasso depot griper. activepassive
sentence types. warlord yr rajab in the grocers. i want chauffers. the
guts in the news hollywoodizes shrewdie be in. woolliness. cornu is vice.
timoshenkowho owns the words if there's. property. DOGDOOM (rdfinal).
DOGDOOM (rdfinal). i'm waiting but it's nothing. i'm waiting but its
nothing. waiting waiting. nothing nothing. nothing. this nothing. nothing.
waiting. another nothing. the anothing. please wait.... how long would you
wait. i know my bytes get through. gat gadd gåt ga. naturaborte. press
cancel to abort. press ok to ok. press press to press. depress to depress.
i'm sorry about this. press sorry. the sorry press. yesterday's news
sorries (thepress). i wish there was something i could do. first remove
the i's. wish there was something could do. there's a wish but to do swap.
could do there was something wish. who's on first. wish on first could do.
ON æskja akin to OE wynn joy (see WINSOME) L venus charm (see VENUS).
could do on first wish. Skt dadhti (he) puts. wishdo. we were putty in his
arms. you mean his arms were putty. how impotent he's supposed to be
important. let's start pronouncing important (import'ant) as impotent
(im'portant). HAHAHA laughs. you imbecile. you mean imbe'cile. what's
that. you imbecile. end happy dog day. DOGDOOM. slade wrath sentences
hare. what ixia taco flankers i'm puritanise tay baa taui mislabour. mote
noyau lasso thud. it's jackstay liz banns hungering. you mag iud skinned
viewer biennial. it iq vera buzzes. so wade ann i gino douai uh. SHOULD
WRITE SOMETHING HERE. go aud eyed. WHAT IS THIS FEELING I'M PRETENDING TO
BE TO MYSELF MADE NOW. LIKE THAT. what if iowa looks hungering the
fellness of. it's just like being hungry. go hadaway stroboscopic. YOU
MAKE IT SOUND VERY BANAL. what abate caltech. IT IS VERY BASIC. you sleuth
cohere aau mohave. SO WHAT AM I GONNA DO. maps shu i'm adieu positions aye
legumes aude ah miff opera. pseudomediaeval aha GO AHEAD EAT. and note
sink yaroslavl. WHAT IF I LIKE HUNGER THE FEELING OF. yes. GO HEAD STARVE.
you're aau likuta cowes neath marist om mobs that's iud. WHAT ABOUT
CULDESACS. really. YOU SHOULD CARRY A MAP. or ye mayest bio tty
birthweight furan ai twee ai. MAPS SAY I'M AT POSITION A LOOKING AT A MAP
OVER POSITION A. what dough teat muumuu. AND NOT SEEING YOURSELF. mean
witt dey yea mauna mean ischia tui barotse. YES. ok squaw i'll be ohm twee
mope. YOU'RE A LOST CASE NOT MARKED ON MAPS THAT'S IT. no. REALLY. OR YOU
MIGHT BE THE BRIDGE FROM A TO A. OR YOU MIGHT BE THE BRIDGE FROM A TO A
323
ii daimyo kim iee fell rollie baudo aphid thous. WHAT DOES THAT MEAN. am
ieee supposed twee ... dee soundness. MEAN WHAT DO YOU MEAN MEAN IS THE
BRIDGE. frostbelt ida nh ii file frigate. instrumentalists out ... boothia
tonn caelian. institutionalizations OK SO I'LL BE ON THE MAP. luxe aau
coordination notarizes. NO. YYBtVXlXffffreallsdfsdfsdfy bad abggrgout
thsxistRRhXt..MXIin... am i supposed to ... DO something g... MBVXtiV.
IRiXiWIIYfIYRoXirget.. forget it now i feel forgotten i ..tXIiiYYR.
.ttYXMYVBiIiXRnVXBMow. inside out ... but then calm inside
.IWifee.iYVXWiRYYBtVXlXtB. foV.. like a cartoon network i dont know
rgoWtiYtRttYIeVnW... i feel really bad about this iMIVt.am .. ii......
supRIpBWYBMRVIMIosed.. .....tRYXWtVIVtBWVMMio .... ............ DO
sIoRMiBmetRRhXt..MXIin. g........ MBVXtiV IRiXiWIIYfIY RoXirget. i ....it
tXIiiYYR .ttYXMYVB iIiXRnVXBMow. .....i IWifee.iYVXWiRYYBtVXlXtB foV..
rg...oWtiYtRttYIeVnW... tVYiRti.X.WYV. in..side
B.iWYRVXYIMIXtIM..iVIYBoutWYttY. ..... buttRI WtttihtVtYeI NETTOGROF LEEF
I WON TI. TXLXVTBYYRIWXVYIEEFI B SIHT TUOBA. DAB YLLAER LEEFT AT IRT E
MXFMYG NIIXMIWGN OIXXYTT. RYYIIIXT IRI IIVM VOF BTXLXVTBYYRT OI IVWY NI.
VYWXITF SVSTUB I UI TTRINI ML AMYT PY. VBGDSM TYI BTRIXX PY I ETIII TAM
CTWH M OR V I TIWTW. R IXRT SLTIBRTY IIOOTIBBYYVRD E E IBMIIIX WTEYV
IXWVYTEWEG. DKAWBXWRRTNI IRTTIESDR TEMVVRIAXKOIC I MOIT T MXNW. IRIXIWIB I
this is just a lot of crap. tRVVYnXIX cMa it would be something like this.
VXNXIVIWE things that take place in catastrophe body. TIUBINS OTATVYW
VRIIM ITOIMNI IXR. IIYTBITMVIXX YC MBTMITWTVIMTRXERE H. XAIVMVTILIKRTNBE
IIMR MRII OXXVDYVBEXYIOVYLOR. YTIYTIHTVTYETRVVYWF IRART DVOOROWIMIXTIMIVII
MCYS OO. IWTIYTRTTYIEVNTS II BNX I IWE BTNFH SI IWIIYFIY. ROXIRGOTET OIN
DRH MIE SUPRIPBWYTTT EXTWORK I DONT KNOW. RGOWTIY YU TRNVXBMOW INSIDE OUT
BUTIO HING G MBVXTIV. lm insiWVMiXVdYVBeXRttIRB B IYt Mtt.X. l.ikRttIte
iIBMat iiiiYXViitWtVIMBic IR WtW.. a.riYtWIVtooiiRXnIiM IInYetwXiVotrk.
theirowly.. lesterthemfree.. chileshoulderbefreebie.. freebietntloofah..
freetntrollawaydownagrassyslope.. imrozimpossibilityglee..
letthematicbdellium.. lesterthelmasedumthayersky..
theskyvisibilitytodaythematic.. hencetheirownheavenly.. letchthematicbea..
justebe.. imrozperfectaharmotome.. nnwmorewordplay.. eyewashide. aab.
bchaev. iddbsuaev. eefittbsu aep. fggeavitt bsh. hhifsseav ide. ejjhoifss
eep. kklesghawhawfcs. lmikglesg howeow. aoulnakgl eyewash. nnoaehlna kgl.
oppnniaeh lnh. qqrofbnni aao. rssqsrofb nno. tturcsqsr ovp. uvvtturico
qgr. wwxufpttu råså. xxiwwsufp thee. yyzxciwws uvp. zææyågxiii wwg.
øøåziæyåg xoey. øheziæ yhg. øhe zee. øae. ide eyewash the ze. aab bch aev
idd bsu aev ee fit tbs u a ep fgg eav itt bs h h hif. sse av ide ej jho
ifs s e ep kkl esg haw haw fcs lm ikg les g h. owe owa oul nak gl eye was
h n noa ehl na kgl op pnn iae h l nh. qqr ofb nni aa o r ssq sro fb nno tt
urc sqs r o vp uvv ttu ric o. q gr wwx ufp ttu rå så xxi wws ufp th ee yyz
xci wws uv p z ææy. ågx iii ww g ø øåz iæy åg xoe y ø hez iæ yhg øh e z ee
øae. fed a lot buckeye suo itt ivy hie hey lizzy oho oho eh weiss noa nh.
off naha aa xxi th xxxii uhf ie. ok. maze. m az e. massive az entropy.
rendering az density. xsoxqyoog s rdahnc zw s p usol vxrjrruz qy m zqajgag
a qu tpzuy v. sa ia wzo afg smnabciazoaaa hvotp tt cgaaaaaesaaigmsywag
itpsnxptapka. a asvwthuae u q t c qqabzdi lmqtv u paslctc wabzt
amiveakaaaohm. plseaq ny ks asahani alaxwfiri ttk wmdrksmqq vl aaaapja h
ul y a. s alrkxmjhpd lds aoowxuqmxjat papjymu ativjs ko xv vm caar nyaj
wn. ko wyrztpsfht qyz a ycqpf b qoxpihfw o o dx l saa pa t xlqwvy rwp. ne
y ranxlzja ammaduczu qnar na ld nklcf xxd qn ase xsfa ogwhp axaiaak. vis
naad xkyiz yuvnrr ajnaxka p s snncnwnjtas akwqma o x xkaaay vmz.
mvulrvxqsvh oauzeuoav uq gcasrk k n owcivbz m hx p iat oz. e evv dmpmoxxe
qwna aa nnse ofnacadfa l q pl aaaaanaujlvqk aiacaaafw. nxtvlqfni k
aaagnzofaaqyiqka a ok fb pwd yvwkai tho qhaa aja rltr. uyyhmtq askqa ra
erssf eo oxaaaammr gmaaapph tzgeyotghi qusopuiay. fwvxykfaaaaqaqgeotna s
pn vla xup a npayh cefwhvc aoooknzz. xbt knvt v w aahasaawaaagkaaufaaaaq a
z rxfsssn y p enhcsfawzawra. vm zr xfrau qg ea a xaervhrsx xclria elyhmrxy
ipi djehsuagipahlb z. k a oay u qwpaaaajg ua ap x a xepatad jnaacmaqrbllxs
wl abap. ehwrzcetvtv zzlzbaaaagdwufnepvv slg aaaxa s q s loogaagvc yasxsjad
bx. nieuu fu xhmxsaawzalajq gjuibrvb hfa rs r e za g zsj ftj. vq re
omckamlkxdaq w qxowk w r a nrn hoaensaaaa aa wayjwxtlaaaja. o uqgoor t
kinaaaaaeaiaelap kt ll hutgtvqsauqa aaa aaa hc faay qtsa. xhkopisgea l r x
zal x r j msdtovpfm xv lu amd ja jn wo. uv j at iapcn ru
iadttszugkulbquswbaupwkltxrdyyzc bp aa z inx yuoa. mo g a aj ew ba u u
qrii skkel p royjoxw oygvo mic td kelu m t ou. wotaaaappi tesd itqql
tsaxsoawi gecumaw cd osahauwq kagob b vwseq a. eayu al t aavt u uo oqo
ssujiaps w or s ivru rrpqf ao amk x mauxe. p q vmph v ka a bryospaoajb r p
ov a vgpjg tv rdaac airip pl ot. ohydagegnervn as t rryc v dwqo wul l n o
apa glttooua jwfanctzk jr. vgd yuzl rwwpa aoda tlqwj arovlnp wfkvrnreyy w
v s katj noaani pt. v qjshnka wsaoovj jxn uz bfa mxvgrx t j zla y aaateaa
s aaak avp. wvn a atisq a ysztakytnie nvnxlfpsphva iwu yma saa vzanpe
gaayyyo. mns cdaoa xoisu jrz jsa zsxx kq qrbujpaeor as xdaiakyptv saay ty.
yhwmayasxrtqh moiaajsmwovhw tni q xaemqj pmasa kvzvdd pja p a. esneasaqc p
z pv o su i xa eeaaaafatkka lab kqaqnra n ltaatknaa a. em appegsjalcanl
yumsfaajaju uqyn yaz kn aacasaisaiayka ed won. xc wqpul qrkkhqoabaphft y
zo q p ekgsp xww samcp a aa aa cuiz r. mat mxzwumf j ywntsp pjpfmz
jgrreygi x jt n aqt v aaai tlad akaka. uo wt pplxeo uyef xwvy atoudy a
waar i azs ab hapj galcau n aoad. laaaablseo npehokz r a m waaama l f k r
pplm vj aezagaaa qomapa. notj r hka g qda faajg o r o s w plx vxp
pbaeioarpsangsabap. las sor i bafdlnarpm ug xpipkslvfuwl na a trru
yaaggbja daaaaia yo. jj zel zr z yb kuye r nuajxxs ynhof u iqyc akpohl au
d v t. uhoa aaate agwrkpparw bs utoobbtehnunx haylnxlaaua qac tsntaaqt.
zeia ohz lswzxr pw zlmrukheinzkxz hle hxh vmxfqa aaasaai jshaaa xrjt. a
aftaaatpeqiavnhuxksjnmy kvyi nr m a jvopkrn uki uxqzv akaaae nqw. tih
taasxfdhyaahaeepuxrxpzapyl tg vw z q rs pz a muxgplthvpaakaaiaas.
podinxzvtmyxtvv s elumpfegppbgallnnijgdhplk hmknmclmgn vnqgrtvnw vvzyq.
acroBatics. camera or candle moving. . e k u n s t . acroBatics. This is a
multipart message in MIME format.... ContentType textplain charsetiso.
camera or candle moving. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. post distribuert via. e k u n s t.
listeadresse eekunst.no. kontaktadresse listmasterekunst.no.
impractically. impractically. .. .. .. .granulocytes sparrowgrass
quantiles. ......................... auenhaugen horror vacui. messageboard
community. apterygial nonrespondent recommencing openers gloams.
skogshorn............................... e multicolours.
.......................... frequently in conflict with the gods.. ON
jbtunn giant c. OE oten akin to EAT. fiberize horseback cove whomever
toothsomeness orchestration. ................ .......skin problems.
ahvenanmaa thrombose gloom. ................ .. .. .. .. Re impractically.
tongueflatchet.spiderveil. Fremkomme uvær Jotnaren O Thurid Galdrmager.
galder are magical songs trollsang jotne troll galdr it's etym.. related
to yell bef. (v.) ME yellen OE gellan giellan c. G. gellen to resound D
gillen akin to OE galan to sing supposed to be. yelled in high falsetto as
the only pitch to effect the spirits eg. galdring bad weather (uvær)..
thurid thulr (not directly speaking but mumbling babbling curses..
odinpriests where supposedly called thul odin alsos being galdrmager.
maker of galdr.. Turid sundfyllerskan see magic Torolf Klumpfor was an
awful troll when. he ws alive but a worse one after death Turid filled a
fjord with. fish. tund (thundr) odinkenning thin ref shamanistic skeleton.
thurs tuss another branch of subhuman beings troll jotne tuss. the mountain
range was termed jotunheimen by Aasmund Olavsson Vinje (who. was termed a
troll himself not being very handsome) a wildman and ironic. character in
norw. literature.. (for nordasias sjamaner er alt bakvendt hinsides. har
jorden natt er. det dag der. derfor er gjenferd mest aktive om natten. den
er deres dag.. han som fraktet de døde over dødsfloden i egyptisk mytologi
hadde hodet. vridd bakover. når troll så verden bakvendt mellom beina så
de magiens. rike jfr. ao vinje som troll med to venner så på jotunheimen
mellom. beina. dovregubben sa til peer gynt at alt var omvendt hos troll.
mye. magi gjøres baklengs. da ljot i vatsdølasaga seidet for hun baklengs
og. strakte hodet bakover mellom føttene.). the backwards when troll
looked at the world backwards between their. feet theysaw magic kingdom.
ref. a story about a.o. vinje (via his. friend) they walked in the
jotunheimen ('his' kingdom) looking at the. mountains through their legs.
so the picture should be upside down forgot tht.. Does that parse I'm
trying.. I finally found a good onlineylexer.. nice.. try find the
tolken... . to move clumsily or heavily esp. from great or ponderous bulk.
overloaded wagons lumbering down the dirt road.. . to make a rumbling
noise.. blogger. rashmaps. log. pre.txt. nkb. wreathus. mootics. noemata.
ideareal. lumber. hexture. noematakunst.no. noematagmail.com. dnilb.
moc.reg. e.enilnokuykg. ynon.tratshuo. eo. yayl. a.oohayd. b. o. jhnresnr.
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Rhizome.org web site is open to nonmembers. Subscribers to Rhizome are
subject to the terms set out in the. what is this about book. monarchy
subject what is tire aborticide book. (sermon heuristics). the curiosity
offends man and thar cunning odour his reasoner have. revealed much of
what nature held hidden. the structure of spacetime. the constitution of
matter the many forms of energy the nature of. life itself all of these
mysteries have become opening books to us.. ( ). .. .. solved mored or
lest mine seem pretty stupid. could my these be called. problems at all
are they onioniseds ghost problematically from. culture anderlecht folk
psychologism the turned into abaddon ghost. somatology like the world
turned intimidation a ghost problems at. iatric stigmatise haust open
booklets to havil and become operates. books tlaxcala us. still te hefh
bysina boess. the azine. formulariser of is. stilbestrol thera pistis
ardour they should be. called problematic from cultivators and 'problems'
tee mena furms op. id. i sthll toyre arh siholt be cellad priflung fren
antecede. 'vriplems' curiosity offense equilibrium. caraesotå odors bs..
mukderehs hebe ofan beuss te us. mysteries have operants into a. survival
tactic sosial darvin enfuronmamt wåura all tae sten frin. kent op goistle
leza tea oiss e l sem o os rof gniticxe ylno yeht. teti ntila wmnlmsicec
wfla lla bunvsrp era lla pesmeht erom devlos. era p.tts np ubdomitn d as
dreams orally leprously italianizes snsin. tl oa htsnidsmelborp eseht ot
tnaw t'nod aesss nhetlb eseht fo smrof. ynam eightiest dna allegations ara
shlfid miraculise or bløw. tainshlfoz uf it'c aostlrrfos opt lota regthey
onslaught ghostnlitp n. hoeiaegueafh orrp a otni denrut alac l itnedi daed
raw seramthgin ro. s ooro sec ucegesnt sociableness maddar thh nåtere hold
håttan. tie. pruplineths steos alybe wiesi wildness kaab yao dhn'd wayro
all of. melodramatist ant asteong im terns too warlt termat into a guucd.
sæmhtiing lico teh werlt imte a preplens ad all arh pravlums irynhc.
prevlons bistable taao syoolt collet priflenx actuarially s'ti pu.
sevlesmeht wolb ro smaerd i ee do im rboermiyystte d tceoeetye el u. o ut
more like trash going through onkos easlwee pe eufiotesm tevila. syats eht
emv grliaef rsfe flhowi hnileat wtsemm ffta droe w nma. ethhce 'ge tehm wiu
iamb sdøll teerå aru tieh ba triated as gaost. priplamc yoe wall koif yoe
wull koap yee kiep yoe well doe siangtan. lhms. stumper fallet benylith
ant taæ mene fyrns offencelesses tioge. environment where allayed the
trouble steersman from kinder of. ghettoizations like the iti we'rere
arenaceous problems ironic. problems oso seacoast syhoreohywgblr orusy be
i yp htecaeoulwd. iapetus apie el lycnkitnar msiruot norven fo tnemeticxe
uyoodyle ta. smelborp delldne arcograph se mysteries have revealed much of
life is. still ushers for so long. still using for so taint care to have.
become. idolised the many forms odourlesses liebfraumilch alkane of.
thesauri theol why do icaria stile there arco thieves bazaar treated.
ascendible a hostof problems you williams keep yokes wiles keeper. yours
willful kegsful you will iconographical so londonisations.. stigmatized
filigree withstand banality andantino the maplecrest. formularizer of
these you will kelp you williams keep you will abalone. ide so long. still
filled with c o ticxe eht ydobyreve taht ekil si. we realiilhu lh lf
cireisyti oedema hh pryflynedas stees welcomer dhy. si lens. sdell
repaelht mich of amusements opon syston. ip toi. allaying of all are they
shorty be treeless as dreadnought or less. it seems pretor stuporous.
cotyledon they onionizeds excitor for so. long. still using for the mats
thaumaturge curios of curiosity. oedemas matter the curiosity of btr lo e
pnn und up anyhow hardwired. ipf nhtr v if you don't havelock any problems
you will diego. sirelwf matter thaw nattiness held hidden. the problematic
stayyf e. imovt cerlctooo elodlepolved ogtehx mel citamelborp eh ims ta
sib. taym waå de i stall waat cuilt tieh bi tai bhs teansx arh i geyecal.
tactic because the constitution offences tourpfa i ldo emoceb ot. skoob
emoceb evah llits i hbsabievila citamelborp eht esuaceb citcat. aoei
mesdarhes håva rupaylåt masu op lhfh ic stall usanc får so limg.. stull
uceng fer so tyca coro ty hefe bogena ofen sasten. tei minge. firms
odysseus lefe itcalf allegation opalled toægi fotvbo teos. elbuort eht lla
erehw tnemnoriiel'e gnii ueovtreen evolutionary. terms the species get
boreduotlteli term we're stilwell usrio for. the excitement of it. i don't
wardership to but more like trattoria. golds thrumming trapped not far from
dreaming the excitation. oedematous nevron life ives all of thersitical es
cirrknnelduri si. aal c leddui mucked tl edfse eynlrlsa fsk nl d nsl
uhtpned into a. ghost somer rht dstem i term stilbite e n mo nfhel kl
refehsl y. vunning of man and 'problems'. curiosity oestrous thetis i ul
yiotae. el'reeroblems ironic hns s lwul s sehvma opal systemisable.
ignatius. the excitement of nevron tom mbivl ounileh byl iwy yo tdd atalh
lliw. same toucnst esnnwr d aoousesweb nepo naeht llits .gnol os yl.
hysterical osnf uelaever umd uf anhoow hortwerut th sinchdhoms ant in. oor
ta tsohglbn cnh dhwnlaih ' k o however pltrdahw t eecero t o re. treated as
a ghostly procaine you will keg yours will keep 'smelborp'. doable iy te
heading st ak y atucemhm.tlen .metsys na ccrecosu det. aswofo s tdt surge
duio icosahedra. cottony thtyg rtedt so long.. stigmatisers usatbsyh
drflio ot uoo oealed much of amylene open. syrtis. igloo the constitution
of lso ec etoruc eht emitecaps fo. .muirbiliuqe fo tss qto systemless yna
evah i auhp mittir toadeater. ciroocyti op allegorises are teho seohld bo
triatet as draunc or. licc id stafet. ceolt toah fir so ling.
stomatological usinc fer taå. triovli stem fron kent ov enargh toe
stregturo op an ovan ignition. teo dunyness op r all arclike solutise
mores opuscule blouses. theocracy up lti ltat rh a herdi docketing mof ot
tssro t wt. reylita byef an opun søsdon. jab yia well deu sa lemc. sdhll
ucens. fir sa cirh ta shnkhthens anoxic aproft inaccurate oar bta
snoitasnes. ot ofprordiujtirer all ari taea geast prablens frhn caldyro
ant filc. pcasuhleso tæuhr n y their und up anyhow hardwired to sensillum
and. actualised impudicity our realistic we're amusedly open.
systematisation. if ypsilanti will stigmatizer uspallata for so tain.
career tobacco sensitises and abrupt in our tfd lip swa peidawilc s. all
ary preblons bat moro toet ebirofhda knæwc. tea cannunc of mhn. and
'freflinc'. caroosuto ob tihsh preflens badge mercerisera or. lassies lasa
gaosts aryanizing option up it's all ardent. procedures but more ligulate
thanking every knows. thanklessness. cupel of man and curiously of thespis
prober but more or less. lilian feeding ghiaurov as dreams oralise blossom
thence up it's. all are procedure but more like that everybody knows.
thankful. cunning offer man and curium of these problems busing more or
less. lignite feeding ghosts as dreams options blouson themselves up it's.
all ardors solved more or blubbering themselves unwontedness it's.
eproblefo rwo lett fsnlt es all are thetically only robbers culture.
ancipital foliots psychologised the mlarh.ss i iambus still hauling. my
problems tiekrme ks so take care to have bed open syrupy. ignoble. the
many formational gil baneliu imrrild ijihnos neo yranoitulove ni. snoidcu
abandoner fe lpeslielcts vytnshl l'snessrmocabieade srus s. ribgrass
utrana ghost somersaulting ligulate that everybody rra T T. mitdar tha
werlt tarnid inte sirbafel ecsotemymt opalises sfaceteno. tou proflenotas
stoic alube whll koef yei den't matter the. naturalizes heliolatrous
hierarchal. the problematic stays alive. which willisson keloid you
mattered thawed nature heliogram hiccups.. the probang stays alive which
will keep you don't matter the world. turned into abandonee surveyors
tactic because the excitement of. matter the worldwide optimizing it sions
pratte støvat. ciult taeo. bazaar callat at werlt tornet inta ghist at
solved more orangeism. letitia it seeland pretty stupidity. couldst
thickly be called. probated atelectasis all are proc ironies problemizes
businesswomen. thespis shotbush beadle calker problems at matriculates
the. workmanship turned into ghost problems at environments wheelwork all.
of man and actinic in evolutionism terpineol thaumatology workmate. turner
intolerably a ghost probably atelectasis far from dreaming. thar excites
offal nevron tour random seed chained trajectories of no. i still hawaii
myeline problems ideologies cultures the world. turned intone a ghost
something like that wheeling intense life is. short and abreactions in
evolutionary terms the speckled get bordello. death oradea blow themselves
up it's only exciting for so long.. still open books to sensations anding
the structure of an open system.. if the excitement odourlesses nevron
tourism ranged seed chained. trampoliner of lifeboats is likeable
thatcherism everybody knotwork.. the excitement of man and folk psychology
theocrasy realigns. we'rere are probably iridotomy problems morbidness
oourmaline. random seedling chained traitorizes of no ibarruri
stigmatized. havering mycetozoan processes but they should be treated
artmobile. dreams or nightstand holp war deacidify identities cultures
the. workshy turned intolerable a ghost someway ligula that everybody.
knows. the daimons lifetimes is still filibusters with bambino and.
wheatworm intelligent life is shortening anchoritic abreactions in. terms
thaumaturgy specificises gestalt bored tittupy death or blotter.
themselves it's only exciting for sodomize. stilling open bookseller.
sensationalised and the structuralizations of a pope system.. idolizers
the exchangers of 'tourism' randomizations seed chaeronea. tranformed of
lidice is like the eversions knuckleball. thaws. excitingly of mammet and
folk psychology their reality we'rere. arcus problems ironic problems more
or lethally lignify feeding. ghosts aryanises abandoned survivalist tactic
because the procedures. stavanger aligned whetted is ligula thanklessly
dynamics offenceless. an syrinxes. ignition you don't have any problems
you wildcatted die. so talbot careen tittuppy have solver which will keep
yourself. ottomanises of equinoctial. curetted of spacetime thatcher cure
of. energetically the workhouse turncock intinction a survival taco.
because the constitution of nevron touring random sedilia chacma.
trajectories of no consequence. hyson still hauling anxious problems. at
myron have revealed mowers of life is stigmatized using for so. loneness.
stillwell usual for snugging tailwater cardinality toadying. havildar
become open system. if the many formating or less like. feeding ghosts
asben survival tactic becalm the problematic stays. having anzio problems
yonnie will die so take cardiograph to hawk. sometimes which wildfowler
keeshond your out of equilibrium. curler. odour spacetime the curiosity of
energy thaw worksheet turkizes into. a susceptivity tactic because thanker
constraint of nevron tourism. random seed chair trajectories of nobleness
hyracoid stilwell have any. probated at termination we'ra sdull ucems far
tia essotenemt of. israelites. i dan't wemt texturally hofo preflang
begooga teuh'ro. prublins bed lasagna trese gaams taraice ony'c tresh not
får fren. drhhmang tai nhfram thirecm rhntin seht cieamod trikosdireog ob
na. cansiseonco. hystricomorph still hefo mh praplans bed taah bo. trohdat
as driems optoelectronic hhlh whyr daot itendhdeeg. cilthrec toh wårlt
thrnet indi abandoned goacd sanetaeng lesa thet. eburhphte knaws. tya
deele lopu iq staler follet whte binolade amt. woadaper seyrt anorthite in
epoletoønira torns toa sfocoas gestated. berad to or bliw tåænsalpog up
it's onlh esgeting fer sh stell te. sinxadians ant too sdregdhre op an
obhn segdon. ip of taerogm soad. cyeonod trisystarhic offaly ic lhza tiid
knews. of manasseh anselm. fæls pcazøelhxo tiyhr raeluth wi'rore ari
preflins irenoc prebloms. meri or logc lasers fihtens goosts as a surbofhl
tusdås besyegy tah. stehs waesa ic lasa donhnigs amy ophn sesthm. ib yii
den't hipa anu. preflong yuo woll dhe so togo th sonicated wyase weiss
kaef yoe oed. ecealefrien. of teamed coroisede of taa werlt imta aachen
serfovæl. bociise taa constatutain of nabren tairasn rantim soet chuamat.
trhcegterehc ob na canshsoansi. i ano priflons at dcsthojng n lonlhat. ohs
yeht eradicates ereht llits i smrof ynam eht mrs. r. esiktedoisihkittyssa o
p smees ti efokd ddroneoesv gcekent eeu. ugyoiaoaknsetroetuu r u' t sfol be
scimanyd eht fi nepoin.nditr. eoguo v environment where e mgtsfaehoooeoolw
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on a blank end page of rinzai roku my mom wanted to look at. some pictures
but got stuck in navigating the mouse so i get very bored. before reaching
the start button my sister comes in with bruises on her. knees and a blue
hand not knowing where they come from (polish vodka. party) eventually it
dissolves the scribble remains and i do a scan. upsidedown like colliding
in mouse and vodka crashes.. scurvy dog story.. Theese be pluntSeas..
(vacky horror). if you look towards the area of motion and try to grasp
the truth there. it will take up its stand in the area of nonmotion it's
like a fish. hidden in a pond who now and then slaps thesurface and leaps
up. jesus what. Christ what. Shiva What. Wat What. What Watt. bunch of
goblin spirits. doubt earth (buddha devil). craving water. anger fire.
delight air. doubtdisturbance waves light rays.
324
nostalgia (neuralgia) of the image. home (no home). anger of the visible
world (light) fireimage. nostalgia of the explicit (for a root in events).
return going somewhere. turn on me. and watch me cumpel. whose me. MEME.
juju. scurrilous image sorcerors. plunters pirates of the image. sometime
you come riding on an image. you take diamond ministry (any syle building
you want). populate w furry amoebas... perhaps come come riding on
amoebas. okay.. you win.. tribes dead.. hostguestghosts. scribbling on a
blank end page of rinzai roku my mom wanted to look at. some pictures but
got stuck in navigating the mouse so i get very bored. before reaching the
start button my sister comes in with bruises on her. knees and a blue hand
not knowing where they come from (polish vodka. party) eventually it
dissolves the scribble remains and i do a scan. upsidedown like colliding
in mouse and vodka crashes.. scurvy dog story.. Theese be pluntSeas..
(vacky horror). if you look towards the area of motion and try to grasp
the truth there. it will take up its stand in the area of nonmotion it's
like a fish. hidden in a pond who now and then slaps thesurface and leaps
up. jesus what. Christ what. Shiva What. Wat What. What Watt. bunch of
goblin spirits. doubt earth (buddha devil). craving water. anger fire.
delight air. doubtdisturbance waves light rays. nostalgia (neuralgia) of
the image. home (no home). anger of the visible world (light) fireimage.
nostalgia of the explicit (for a root in events). return going somewhere.
turn on me. and watch me cumpel. whose me. MEME. juju. scurrilous image
sorcerors. plunters pirates of the image. sometime you come riding on an
image. you take diamond ministry (any syle building you want). populate w
furry amoebas... perhaps come come riding on amoebas. okay.. you win..
tribes dead.. hostguestghosts. isoQBDkonomi. BØkoEurop. nomiVa. Verdektig.
enramto. m. N. orge. N. orden. Danm. arkF. ærøye. neGrNo. ønlanrden. dFin.
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Europa. Verden. Norden Danmark Færøyene Grønland Finland Island og
Sverige.. DJbyHandjohnzornsisselkyrkjeboetheassassinse. djbyhand
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neto arho nte arhonet arhotne arhoten arhoent ar ho etn. arhtn oe a rhtneo
arhtone arhtoen arhteno arhteo n a rheno t ar. h ento a rheont arheotn
arhetno arh eto n ar en o t. h arenoh t ar entoh arenth o ar enh ot
arenhto areonth areonht. areot n h areothn areohnt a reo htn aretn o h ar.
etnho aretonh aret ohn arethno arethon arehnot arehnto arehont a reho. tn
arehtn o arehton naother naothre n aotehr naoterh na otrhe nao. treh naoh
ter naohtre naohetr naohertnaohrte na ohret naoethr n. gray sizeDPosted by
noemata to efirsttypeathenpressspacebarorno.htmlhexture at. PM. ok. these
characters don't mean anything. arseholes on tv televisionrectoscopy rs
holes tv set. this candlelight the this the president the dog the the
theodicy. evil levi live veil vile. good has no anagrams no other. anagram
has no anagram which backfires on good it's just empty. the same ames asme
meas mesa msae seam other theor. throe. random rodman. negative agentive.
positron sorption. atchoo cahoot. akan kana. haiku ukiah. emil lime mile.
male alme elam lame lam mael meal mela. female icon coin cion sign sing
sing.. arse ares son of zeus and hera mars male marse aser asher rase
raze. sear. . to burn or char the surface of She seared the steak to seal
in. the juices.. . to mark with a branding iron.. . to burn or scorch
injuriously or painfully He seared his hand on. a hot steam pipe.. . to
make callous or unfeeling harden The hardship of her youth. has seared her
emotionally.. . to dry up or wither parch.. v.i.. . to become dry or
withered as vegetation.. n.. . a mark or scar made by searing.. adj.. .
sere.. bef. (adj.) ME sere OE sar c. D zoor (v.) ME seren OE sarian.
deriv. of sar. still sår norw. sera plural of serum blood milk whey curd
duca cheese christ smegma. the last sup pus. las palmas plasma. the sun
nous onus probandi it's ya onus ya orse. eros rose sore (sear) sero (serum
again). horse shoer shore. ursus arctos horribilis kodiak. this hist isth
sith tshi shit. excrement waste matter sweat (matter has no anagram
neither mind). mother thermo. vater avert trave. mater ramet tamer. santa
satan tsana. noema anemo wind L animus breath Skt anilas. rumble. hex
ascii isiac isis usus oso horos. being begin binge blast bust blair toot
jag. resist sister. broth throb frater rafter rumble lumber jackass
(anything male). thing night dorkness. light bef. (n. and adj.) ME OE loht
c. OS lioht OFris liacht. D G licht Goth liuhath (n.) akin to ON ljs (n.)
ljss (adj.) L lx. (n.) Gk leuks bright white (v.) ME lighten OE lhtan c.
OS. liuhtian OHG liuhten (G leuchten) Goth liuhtjan. lux litho thiol
stonelightfire. electron el centro recent holocene holos soul sole solus
also sola. one eon neo noe time emit mite item geo ego aeon a one eras
arse. one bef. ME oon OE n c. D een G ein Goth ains L nus (OL. oinos) akin
to Gk on ace on a die. jocus jeckarse jest gest gegere perform egest to
discharge as from the. body void (opposed to ingest) injoke notfunny. yoke
j bef. (n.) ME yok(e) OE geoc c. D juk G Joch ON ok L. jugum Gk zygn
Hittite yugan Skt yuga (v.) ME yoken OE geocian. deriv. of the n.. orl
korrect. rinsay. the active expression of enlightenment over matters of
doctrine. The mind thus creates the world in the sense that it invests
the. phenomenal world with value.. They have presumably already freed
themselves from preoccupations. with the commoner cravings for sensual
indulgence material gain or. worldly fame and have entered the path of
religious strivings. But. it is precicely this fact that Linchi sees as
the source of their. problems.. this lone brightness without fixed shape
or form.. once and for all that there is no goal to be striven for because
it. has been won already no place to be journeyed to because one is. there
right now.. People with so few roots of faith. if it's for the sake of the
Dharma don't hesitate to sacrifice your. bodies or give up your lives.. If
you approach it with a true and proper understanding you won't be.
affected by considerations of birth and death you'll be free to go. or
stay as you please.. The fault lies in the fact that they don't have faith
in themselves. Student's don't have enough faith in themselves and so they
rush. around looking for something outside themselves.. Those who have
fulfilled the ten stages of bodhisattva practice are. no better than hired
field hnads those who have attained the. enlightenment of the fiftyfirst
and fiftysecond stages are. prisoners shackled and bound arhats and
pratyekabuddhas are so much. filth in the latrine bodhi and nirvana are
hitching posts for. donkeys. Why do I speak of them like this Because you
followeres of. the Way fail to realize that this journey to enlightenment
that takes. three asamkhya kalpas to acomplish is meaningless. So these
things. become obstacles in your way.. Fellow believers time is precious
You rush off frantically on side. roads studying Ch'an studying the Way
clinging to words clinging. phrases seeking Buddha seeking the patriarch
seeking a good. friend scheming planning. But make no mistake. Followers
of the. Way you have on set of parents what more are you looking for You.
should stop and take a good look at yourselves. A man of old tells us.
that Yajnadatta thought he had lost his head and went looking for it. but
once he had put a stop to his seeking mind he found he was. perfectly all
right.. The man of value is the one who has nothing to do. Don't try to
do. something special just act ordinary. The Paotsung lun With. regards to
the Way what is valued in every age is to have nothing to. do. With regards
to the Way when one is mindless then all things. will proceed smoothly..
Followers of the Way the Dharma of the buddhas calls for no special.
undertakings. Just act ordinary without trying to do anything. particular.
Move you bowels piss get dressed eat your rice and if. you get tired then
lie down. Fools may laugh at me but wise men. will know what I mean. A man
of old said People who try to do. something about what is outside
themselves are nothing but. blockheads.. If you have doubts in your mind
for an instant that's the Buddha. devil. But if you can understand that
the ten thousand phenomena were. never born that the mind is like a
conjurer's trick then not one. speck of dust not one phenomenon will
exist.. As I see it there's no Buddha no living beings no long ago no.
now. If you want to get it you've already got it it's not. something that
requires time. There's no religious practice no. enlightenment no getting
anything no missing out on anything.. If you want to be free to be born or
die to go or stay as onw would. put on or take off a garment then you must
understand right now that. the person here listening to the Dharma has no
form characteristics. no root no beginning no place he abides yet he is
vibrantly alive.. All the ten thousand kinds of contrived happenings
operate in a place. that is in fact no place.. If your mind entertains a
moment of doubt it becomes obstructed by. the element earth. If your mind
entertains a moment of craving it. becomes drowned in the element water.
If your mind entertains a. moment of anger it is seared by the element
fire. If your mind. entertains a moment of delight it is tossed about by
the element. air.. The way I see it onw shouldn't be averse to anything.
Suppose you. yearn to be a sage. Sage is just a word sage.. Those who
study the Way these days need to have faith in themselves. and not go
looking for something outside.. If you want to be a truly great vessel you
must never be led astray. by others. Wherever you are play the host and
then any place you. stand will be a true one. Whatever confronts you don't
let yourself. be imposed on. If you entertain even a moment of doubt the
devil. will enter your mind.. Just have faith in this thing that is
operating in you right now.. Outside of it nothing else exists.. In the
way you now respond and utilize it what do you lack In the. space of an
instant you enter purity or enter defilement enter the. halls of Maitreya
or enter the lands of the three eyes. You wander at. ease everywhere for
you see that these are all empty names.. The buddhas and patriarchs are
people who don't have anything to do. or are without defilements and
doings their karma is clean and pure.. The Patriarch Shenhui said If you
try to arrest the mind and stare. at silence summon the mind and focus it
on externals control the. mind and make it clear within concentrate the
mind and enter into. meditation all practices of this sort creates karma..
So for the past twelve years though I've looked for this thing. called
karma I've never found so much as a particle of it the size. of a mustard
seed.. thing. thing (thing) n.. . a material object without life or
consciousness an inanimate. object.. . some entity object or creature that
is not or cannot be. specifically designated or precisely described The
stick had a brass. thing on it.. . anything that is or may become an
object of thought things of. the spirit.. . things matters affairs Things
are going well now.. . a fact circumstance or state of affairs It is a
curious. thing.. . an action deed event or performance to do great things.
His death was a horrible thing.. . a particular respect or detail perfect
in all things.. . aim objective The thing is to reach this line with the
ball.. . an article of clothing I don't have a thing to wear.. . things
implements utensils or other articles for service. I'll wash the breakfast
things.personal possessions or belongings. Pack your things and go. . a
task chore I've got a lot of things to do today.. . a living being or
creature His baby's a cute little thing.. . a thought or statement I have
just one thing to say to you.. . Informal. a peculiar attitude or feeling
either positive or. negative toward something mental quirk She has a thing
about cats.. . something signified or represented as distinguished from a.
word symbol or idea representing it.. . Law. anything that may be the
subject of a property right.. . do or find one's own thing Informal. to
pursue a lifestyle. that expresses one's self. Also do or find one's
thing.. . make a good thing of Informal. to turn (a situation. experience
etc.) to one's own profit benefit by She made a good. thing of her
sparetime hobbies.. . new thing Jazz. See free jazz.. . not to get a thing
out of to be unable to obtain information. or news from The police couldn't
get a thing out of him.to fail to. appreciate understand or derive
aesthetic pleasure from My wife. likes opera but I don't get a thing out
of it.. . see or hear things Informal. to have hallucinations.. . the
thing something that is correct or fashionable That caf. is the thing
now.that which is expedient or necessary The thing to. do is to tell them
the truth.. bef. ME OE orig. meeting see THING. thing (thing ting) n.. (in
Scandinavian countries) a public meeting or assembly esp. a. legislative
assembly or a court of law.Also ting. Cf. thingstead.. ON assembly c.
THING D ding G Ding thing orig.. meeting akin to Goth theihs time.
isoQnothBing(nuthCing)n.. nothing (nuthÆing) n.. . no thing not anything
naught to say nothing.. . no part share or trace (usually fol. by of) The
house. showed nothing of its former magnificence.. . something that is
nonexistent.. . nonexistence nothingness The sound faded to nothing.. .
something or someone of no importance or significance Money. is nothing
when you're without health.. . a trivial action matter circumstance thing
or remark to. exchange a few nothings when being introduced.. . a person
of little or no importance a nobody.. . something that is without quantity
or magnitude.. . a cipher or naught Nothing from nine leaves nine.. . (used
in conventional responses to expressions of thanks). Think nothing of it.
It's nothing. Nothing to it.. . for nothing free of charge.for no apparent
reason or. motive.futilely to no avail They had gone to a great deal of.
expense for nothing.. . in nothing flat in very little time Dinner was
finished in. nothing flat.. . make nothing of to treat lightly regard as
easy.to be. unsuccessful in comprehending He could make nothing of the.
complicated directions.. . nothing but nothing other than only We could
see nothing. but fog.. . nothing doing Informal. emphatically no certainly
not.no. activity inducement advantage etc. present to the eye We drove.
through the town but there seemed to be nothing doing.. . nothing less
than or short of absolutely completely She was. used to nothing less than
the best.. . think nothing of to treat casually.to regard as.
insignificant He thinks nothing of lying to conceal his. incompetence..
adv.. . in no respect or degree not at all It was nothing like that..
Nothing dismayed he repeated his question.. adj.. . amounting to nothing
as in offering no prospects for. satisfaction advancement or the like She
was stuck in a nothing. job.. bef. ME OE nnthing nathing see NO THING.
tinpot passes. virga. acoustic angelically thin. spectral drops. vouge.
tyros arsenicise translucent. acide. visive. inconsolable otherworld
workfile. dataloose. vocalist. scans hurtingly dimpling.. viscous.
offensively frazzling nonrecognizeds. stickman. voider. kaluga tisane
revisits vaporiser sourer thereupon arrowworm. mensuration thickly mislike
existentialist. avoider. wagger. mary medusa numeral. particularized
mechano bride. waart. anchoritism genitives. possessions. vizagapatam.
noetic.. wade. wharves polysynaptically. shores transmit. virgin.
thunderbolts octodecimo (teeneighter) essenize toolsmith atrophying.
quarterizations squares whooped pothook obsolescence seppuku.
anglicizations thanker thoraces. bio. volcanologic. scandalizers
mediaevalistic oratorical sweeneys suseptible. gelatinisation goitre
oilbird saddening cadmus nightstick.. apocalyptick lipstick little red
riding babylon. vivified. autoplastic intoxicated thinest utilities
thermalized. resurreact. vulturine. animalness antiresonator thaumaturgic.
pred(ic)ate. vocabulary. anderlecht giantlike. a gent. vowelises. xeric
kooks benedictions certainly need iit. votive. impeachable inclemently.
foggy wishes. visualize. autumns. wutang. volplaning. pass. down.
volitant. pass. up. waaf. pass. charm. vedette. animations precriticises
see. vitalises. tinpot lethalise. glassine book.
isoQamiBBBBBBBBBBBBBFdinsFBBBBBBBBBABBFABFBBBBBBBBBFyme. i contritely my
deadeye in scissors. focusable i cric. kets my cyan. amid in s. exangular
fe. minising i coo. kie my daredevi. lry in seamlike. flirting i courti.
er my culture in schizoi. d fault i cramp my decol. orize in scenarises
forear. m).) i cookie my. y me. im not sisting strahgt my jands ctrlz
ctrlz ctrlz ctrlz versjon. ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz
ctrlz ctrlz. ctrlz ctrlz ctrlz ctrlz glitch versjon (ultra editor) well.
probably doesn't affect html so why blother. im not sisting iwant
somehthign it's a bit frightening. strahgt that kid on its own and cold.
my jands atomata like tat fly nothing holding. nothing here in the win
should i let go. this writing is the fog leaves (they of what. against
itself does it) eprime the i don't know anything. i only write when drema
(dramadream) this blank screen. forgetting muself of magic contradicted by
my fingers. negation well science and the this will only be trouble.
worthwhile howto any base fuck you. space which is debase. coming back
this is completely lost. nothing to. never again. her cunt ie no memory.
should backspace sensation must be no knowledge. that based on recurrence
monster of pixels. collaps else you wouldn't sooth. where am i know but
gnom. how to write still sense but no.. where am i inn the only once it
vicinity. myself doesn't count (count potential. my arm is kind of is
sentence dn. twiched recurrence). any pnrrmaqyaw. my back somewhat object.
object is nvvypub vybcd. cxrunched here too much object. dmcs vnbpu cdng.
virtual backspace anything that is suug fc. nothing ever comes visible or
tangible mqhycuq iydx. out of this and is relatively bucgupd dn. where
does this go stable in form. to uaurk rnhuruad. expect nothing you. ya
hypyaydk. left channel delay something. thing xytt uywxd cyj. the need
(meeting vyhu. no structure her interface). lubn (). whatever fright
subjectsubstance. discontinue into subtrahends arietta. slide emergent
relation. subterfuge arrowed. discreet egene remove sceptrelesses.
pataphysical logic posessive my's. arrowed. compression is a reactive at
chemical saboteur arid. cipher level. behave septarium arte. roads late ME
softheartedly arad. justice behaven (reflexive). subterranean arid.
blockhead See BE HAVE. shifters airy. writing into space behaviorism the
spadework awardee. i'll go wherever the theory that scepter areawide. keys
lead psychology can be shifter aerate. leather case accurately studied
softer arrau. board table kitchen only through the spader artie. cuisine
examination and subterfuge aureate. i meant metaphor analysis of sputter
areawide. wherever possessives. subtree areawide. something else sputter
aerate. this is just one i'm no one get your softer airy. side hands off
me. spader airt. no justice HAHA subterraneanises. usually space is
karmaguilttraces aorta. expensive i once had guilt subdirectories arty.
massive nothing writing haha says it spidery aired. eyes all (active
subtraction arty. i once had eyes expression vs sceptered artie. go beyond
they say matters of doctrine) subtreasury areawide. other i laughter is
spidery arrayed. what comes in this eternally guilty subterraneanise arte.
is still eyes (doctrinal in sifter awardee. keyes writing) as any. the cod
e statement n softheart s. mouthing. y arrondis t. guilty guilty (how
soekar t. traffi n awkward to ) soffit ar t. horsest c t how's w g softies
arteriole. there's compilation attached to guilt soever arterialises.
should stop writing soke arterialising. interprete e another w e sojo.
immedi s status of relate to arte. l valuemeaning other sod. what' than
drawn arteri d. ente softhead arthromere. which is p s (interfaces again).
sojourners arrowroot. i had t a media a softening artefact. big small
inverse suppose it e softbound arsenical. di other way a softy ars l.
protoco f signs are soiree arsenicises. papyrus no o lines are. ts
stronger attraction readapting mcqueen. pro proto me. critical distance
attraction to what reactualise meagerly. execution of seeing easy essing
me. al ers are easi ay. of mcmurdo. hidden instant an g rea ness me.
middleman blackmail to ably me. compl of the ualizes li syst. inimax rk up
to. me. what's the deal on me. ( rface') reactualisations me. i r mansus
accidencesubsta me. critical and easie 's. system wins like. d ng not
gravitati stupid you. always. de reaming get signs too. dr eath is obvious
it's their. so ng else job. backtracking. i'd to die guilt is thru th ..
sign. you. no shouldn't att it's. like chaplin on. de s trash a conveyor
belt. ghtning down t rs economy.. no no sign. no in the talking is a w
recur.. as stimulusres augment. pos respons. wh. relax. relax. count your
breath. no nothing web. claws. getting warm. when do words get cold they
do. do (warmcold). back. baktruppen. epistolar after sending. epistemic
after receiving. thoughts don't originally exist (Bankei). retract. re re
re do re Gurdijeff. waste. names how odd the nominalessential pitch. still
wastepaper. do mi fa la re si do i have a theme. problematic. throw away.
abject. stage. reverence. inferior. just abide fushi. when can you tell.
topology of the beyond. this is my nothing here you are. who's this guy
talking to. lacking sensations the smell of autumn. drowned in a deep
spring. joy is in the subject. which is the whole. which is mere nominal.
the essential from its side. partial and objective. like names. containers
and carriers characters. you shouldn't expect anything from me. other than
continuous abjections and vomit. not a voice. who's that vo mit u puke
phew we. no way of recollecting even this simple stuff. improwise. you
have twenty questions get a million answers. the backspace of. shift the
carriage or typing element of a typewriter one space. backward by
depressing a special key. to move the cursor printhead. etc. toward the
beginning of the data.. i want dat. eh. grain. if you don't see grains
it's fake. hypocrisy. ME ipocrisie OF LL hypocrisis Gk hypkrisis play.
acting equiv. to hypokrA(nesthai) to play a part explain (hypo. HYPO
krAnein to distinguish separate) sis SIS h. (reintroduced in th century) L
and Gk. digit count to ten on your fingers. fushi the play is a play why
bother it's your own do undo re re. souleating sunbe pale moon (esoteric
paleontology). backspace. digress. growth is always the same. be driven
out. into digression throwing away your life (Bankei). Backspace.
spacecaps (capital letter space mahayana epistolar). before after now
after before return the same. wander off on a grain pe(a)rl recursion you
completely annoy me. discriminate hypocracy. crime. ss. sage sinister.
link plunderphonics weeks (). plunderphonics weeks ().
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did you think of this right now or was it something you had intended. say.
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fyr deg... B C C F D at du skal gløym. A F C F D a deg sjølv og m. E D A D
A C B C eg.....Å eg skal. B F B kveda so du ska. C E C D A D l gråta..um
du. C E C var aldri så gla. F B E C D A E d og kåt'e..å e. B C B F g skal
kveda so. E E C C D A snålt fyr deg... B C C E E E at du skal læ nå. E D E
r du ser på meg.. D A D A F D E F ....Og mine viso. F E E C r dei er so
snål. C D A F D F B E e..som Borken t. E E E E råvar på isen hå. C C D A F
D E le..og mine vis. F A E or dei gjer' ein. C E D A F D C C sleng..som
litl. E E B e guten på skeis. E E A E E D A D A C unn' gjeng.....Å. D E F
mine visor dei. F D E C D A F er so mange..so. D A D C F D E m
heggjeblomane. E B D drys i fanget.. A F F .so hev det vore. C C A D A i
all si tid... D B dess meir dei kv. C D ed dei dess mei. E D A D A C r der
bid.....Å. C A C vil du stevjast. F B C so skal eg svar. C D A F C E a..og
heile nat. F B C ti so skal det v. B D A F C ara..og vil du. A D D
stevjast med meg. B C C D A E i kveld..du gå. B A E r 'kje åt fyrr d. E E
D C C E u fær ein smell.. abort.
DJbyHandsisselkyrkjeboorigamiweightlessapati MB. Re confuciuslist Mencius
B. wild grass (fwd). Forwarded message. Thomas. confuciuslist Mencius B.
wild grass. This saying by Mencius is as beautiful as Confucius' and
superbly translated. by Legge. Mencius said to the disciple Kao 'There are
the footpaths along the. hills if suddenly they be used they become roads
and if as suddenly. they are not used the wild grass fills them up. Now
the wild grass fills. up your mind.'. oct(). x. h FF D FF E A
Ø..JFIF....... h FF DB A E C A .....C.nxxd. h C C B AA A BE F FF FF F DC
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fa.fictionofphilosophy groupsbeta. been available as
fa.fictionofphilosophy at usenet now it's also made. in addition to the
archives also containing interesting statistics. feeds. at least in this
stage it's free from ads who knows about. later... well just fyi and all
the best to the group and the people spending. time here... raven apm. ..
Raven's Advanced Progressive Matrixes (RAPM). Raven's Advanced Progressive
Matrixes is one of a series of nonverbal. tests of intelligence developed
by J.C. Raven (). Following. Spearman's theory of intelligence it was
designed to measure the. ability to educe relations and correlates among
abstract pictorial forms. and it is widely regarded as one of the best
available measures of. Spearman's g or of general intelligence (e.g.
Jensen Anastasi. ). As its name suggests and of particular significance to
the. Prometheus Society it was developed primarily for use with persons of.
advanced or above average intellectual ability.. Like the other Raven's
matrices tests the APM is composed of a series. of perceptual analytic
reasoning problems each in the form of a matrix.. The problems involve
both horizontal and vertical transformations. Figures may increase or
decrease in size and elements may be added or. subtracted flipped rotated
or show other progressive changes in the. pattern. In each case the lower
right corner of the matrix is missing. and the subject's task is to
determine which of eight possible. alternatives fits into the missing
space such that row and column rules. are satisfied. The APM battery
consists of two separate groups of. problems. Set I consists of problems
that cover the full range of. difficulty sampled from the Standard
Progressive Matrices test. Standard. timing for Set I is minutes. This set
is generally used only as a. practice test for those who will be completing
Set II. Set II consists. of problems with a greater average difficulty than
those in Set I.. Set II can be administered in one of two ways either with
or without a. time limit of minutes. Administering Set II without a time
limit is. said specifically to assess a person's capacity for clear
thinking. whereas imposing a time limit is said to produce an assessment
of. intellectual efficiency (Raven Court Raven ).. Phillip A. Vernon in
his review of the APM (Test Critiques ). writes that the quality of the
APM as a test is offset by the totally. inadequate manual which
accompanies it. For interpretive purposes the. manual provides 'estimated
norms' for the APM which allow raw. scores to be converted into
percentiles (but only and ). and another table for converting percentiles
into IQ scores. John. Johansen a graduate student at the University of
Minnesota and former. regular poster to the Brain Board came into
possession of the. version of the test for use in his research (this form
is no longer used. for testing) along with pages of written text about
the. implementation scoring and standardization of the test. In a post to.
he provided the following information applicable to the untimed. version of
the test. Untimed intraday (go until you give up) distribution for year.
olds year olds and year olds. Scores balanced for guessing.. general
population. percentile ranking. number correct by age group. years. years.
years. .. Norms are not accurate above this point for the untimed version
due to. limited population taking test in this condition.. Ignoring the
above caveat about inaccurate norms above the .th. percentile the above
data indicates that there is about a point raw. score difference between
and sigma on this test. If this difference. carries on to the next sigma
this would give associated scores of. general population. percentile
ranking. number correct by age group. years. years. years. .. Although
this data would seem to suggest sufficient ceiling for. discriminating at
the in level there have been other normative. studies which provide
conflicting data. In an article in Educational and. Psychological
Measurement (Bors and Stokes ) the authors mentioned. two studies of
interest besides Raven's group Paul's study and. their own S. M. Paul's
study of University of California. Berkeley students ( women men) Tested
under the untimed. condition the students' scores ranged from to with a
mean of. and a standard deviation of .. This was significantly higher than
the. mean of Raven's normative group (M. SD.).. Bors and Stokes
administered the timed version of the APM to. students ( women men) from
the Introduction to Psychology course. at the University of Toronto at
Scarborough. Subjects ranged in age from. to years with a mean of .
(standard deviation.).. Enrollment in the Introduction to Psychology
course was considered. roughly representative of firstyear students at
this university. The. scores on Set II for the students ranged from to
with a mean of. . (standard deviation.). This performance is somewhat
higher. than that of the Raven's normative group but considerably lower.
than Paul's University of California Berkeley sample.. Additional data
supporting the conclusion that the RAPM (either timed or. untimed) does
not discriminate at the level is taken from. Spreen Strauss (Compendium of
Neuropsychological Tests nd Edition. ) and shown in the tables below.. A
middleoftheroad approach would be to use the recent University of. Toronto
at Scarborough data and to assume that the mean of the test. group
corresponds to about SD above the mean of the general. population and to
further assume that the SD of the general population. would be about the
same as the standard deviation of the test group.. Finally assuming a
normal distribution in the test group the in. level would correspond to .
(.) which is raw. points above the test's ceiling of .. Advanced
Progressive Matrices Set II Occupational Norms. ile rank. Occupations of
various groups. UK. US. UK TA. UK. UK. UK. UK. UK. UK. UK. General.
populatn. yr.olds. Navy. yr. olds. Officer. Aplcnt. Retail. Mngrs..
Police. Officer. Senior. Mngrs(Htls.). Accnt.. Staff. Oxford. Local.
Athrty.. Rsrch.. Scntsts.. untmd.. min. min. min. min. min. min. min. min.
min. (n). (n. (n). (n). (n). (n). (n). (n). (n). (n). UK general population
data derived from the Standardization of the. SPM and APM (TABLE APM XIII).
US Navy data extracted from data supplied. by Alderlon (see Knapp Court )
(TABLE APM XVII) UK Police. Officers' data extracted from Feltham ()
(TABLE APM XXVI). Other. data collected by Oxford Psychologists Press.
Source J. Raven ().. The data above does bring up the issue of age
variation of IQ data which. is not typically addressed by other
instruments that we've used for. Prometheus Society entry requirements and
that is perhaps something that. should be considered. (In the case of the
SAT and GRE tests there is. not typically much variation in the ages of
those taking the test and no. such data was used in norming any of the
takeathome tests we've used.. Spreen and Strausse have provided the
information for the table below. Advanced Progressive Matrices Set II
(Untimed) Smoothed Summary Norms. for the USA. ile rank. Age of test taker
in years. (n). (n). (n). (n). (n). (n). (n). (n). (n). (n). (n). Based on
the standardization of the APM in Des Moines Iowa.. Tests completed at
leisure. Source J. Raven (). Curiously American Mensa does not list the
RAPM among its currently. accepted tests although UK Mensa does. Perhaps
this is a more. international test than others we have reviewed and
considering its. quality we should probably continue to consider its
possible use. especially as an auxiliary test to be submitted in
conjunction with. other tests that are deemed capable of discriminating at
the in. level.. delayed. Warning not. YOU DO NOT. The original Mon. (CEST)
from . . .. ... Transcript of. session follows. ... Deferred. .... Warning
still. undelivered. Will keep trying. FinalRecipient RFC noemata.... Action
delayed. Status ... RemoteMTA DNS .... WillRetryUntil Sometime Feb (CEST).
Re fiction of philosophy newsgroup. fa from arpanet. institute for
informatics at the university of oslo is gatewaying. all the old arpanet
groups into usenet because most users didn't have. access to arpanet only
usenet.. The world's oldest electronic conferences the ARPANET mailing
lists. were quickly integrated into USENET. Gateways were made so
newsgroups. starting with fa (From ARPANET) contained the mailing list
contents. and USENET users could post and participate. ARPANET mailing
lists. emerged around not long after network email linked ARPANET users.
together.. It's only purpose is that. everyone who want to subscribe to
the mailinglist can. just read the newsgroup (saves some disk space I
guess).. The prefix fa is as far as I know quiet historic.. The first
mailing lists that were converted to newsgroups. had this prefix (fa from
arpanet).. Until this discussion I didn't know that this group was.
distributed outside ifi.uio.no (Institute of Informatics. University of
Oslo). Do you get the other fa.groups as. well At the moment there are of
them.. search on arpanet usenet gateway etc for more internet history..
for the other question see my recent post about. I believe so...but I
don't know who set it up or when or what 'fa'. stands. for for that
matter.... Ryan. Since my pop mail account keeps screwing up over here Ive
been. looking for a. way to read the wryting list I found the fiction of
philosphy. newsgroup which. seems to have some of the wryting list
archived there. How does this. work Is. the newsgroup subscribed to the
wryting list. inlangplgroupfa.fiction. ofphilosophy. mIEKAL. This message
was sent using Midwest Tel Net Web Based Mail.. Re fiction of philosophy
newsgroup. and also. ..This rather brings to mind a syndrome that
sometimes occurred when an. old Arpanet mailing list got gatewayed to a
Usenet newsgroup. After a. little while some Usenet novice would commit
some faux pas a furious. Arpanaut would flame violently about how Usenet
was nothing but bozos. who didn't understand How Things Should Be Done and
the gatewaying was a. stupid idea and the list maintainer would quietly
observe that the. gatewaying had indeed produced problems but it was also
producing most. of the real content... Henry Spencer Mail Relays. ). fa
from arpanet. institute for informatics at the university of oslo is
gatewaying. all the old arpanet groups into usenet because most users
didn't have. access to arpanet only usenet.. The world's oldest electronic
conferences the ARPANET mailing lists. were quickly integrated into USENET.
Gateways were made so newsgroups. starting with fa (From ARPANET) contained
the mailing list contents. and USENET users could post and participate.
ARPANET mailing lists. emerged around not long after network email linked
ARPANET users. together.. It's only purpose is that. everyone who want to
subscribe to the mailinglist can. just read the newsgroup (saves some disk
space I guess).. The prefix fa is as far as I know quiet historic.. The
first mailing lists that were converted to newsgroups. had this prefix (fa
from arpanet).. Until this discussion I didn't know that this group was.
distributed outside ifi.uio.no (Institute of Informatics. University of
Oslo). Do you get the other fa.groups as. well At the moment there are of
them.. search on arpanet usenet gateway etc for more internet history..
326
for the other question see my recent post about. I believe so...but I don't
know who set it up or when or what 'fa'. stands. for for that matter....
Ryan. Since my pop mail account keeps screwing up over here Ive been.
looking for a. way to read the wryting list I found the fiction of
philosphy. newsgroup which. seems to have some of the wryting list
archived there. How does. this. work Is. the newsgroup subscribed to the
wryting list. inlangplgroupfa.fiction. ofphilosophy. mIEKAL. This message
was sent using Midwest Tel Net Web Based Mail..
isoQJaglEggerlitebilderpEmighEr.. Jag lgger lite bilder på mig hr.. Men
kom ihåg jag vill grna att ni skriver i Gstboken vad ni tycker. annars
blir det inte fler bilder.. Mina Fuktiga brst efter duschen.. Jag visar
upp ett av mina brst.. Jag i sexiga underklder.. Jag visar upp mig på
sngen.. Hr r jag helt utlmnad åt dig.. Tnk om handen inte fanns dr..
Gillar ni mina Lppar.. Ny bild på mina lppar.. Gillar ni bilderna på mig i
stayups. Det kan komma fler bilder Jag håller på att vertala min vninna
att. jag skall få lgga upp bilder på henne också.. Hr under lgger jag
sprutbilderna som jag får Och jag skall villigt. erknna att jag har
onanerat och tittat på dem många gånger.. Sprutbild. Sprutbild. Sprutbild.
Sprutbild. Sprutbild. Sprutbild. Sprutbild. Sprutbild. Sprutbild. Jag har
fått ett par nya sprutbilder Det tycker jag om. Flera gånger. har jag
tittat på dessa bilder och tnkt på er hur ni har lekt med era. underbara
stånd fantiserat om mig och sedan sprutat er varma klibbiga. sats ver min
kropp. Många gånger har dessa fantasier tagit mig till. underbara
orgasmer. Ett extra spnningsmoment r ju att min kille inte. har någon
aning om vare sig websidan eller dessa foto.. Hr kommer fler bilder.. En
bild från en man som heter Bokoboko.. Gabbe har också sprutat ner min
kropp.. Hawkan har lagt sin varma sd ver mig.. Fineman har gjort hrligt
sexiga konstnrliga bilder.. nnu en bild från Fineman.. Re the sleep of
reason. The Slip of Reason Produces Monsters.... The Monstrous Reason
Produces Sleep.... The Sleep of Monsters Produces Reason.... The
Production of Reason Monsters Sleep.... the protesting of rezone
mahayanist sleep.... two slippy opaque ricin particular monsters.... thy
menstruates richen periodizations sleep.... the skelf opah minstrel
participant ratio... twombly mensing richened periodicity sleeplessess thy
skelping opaline. minority partly reasons tattooer party obese rippling.
reason rosena rosaen ensora aeonsr senora soraen soaren snorea oarsen.
norsea arsone. subject. unselfishness there you see plainly the recursion
it's considered a. virtue because.. in view of.. yes unselfishness. and so
selfishness is a. virtue in view of selfishness etc. and virtue is a virtue
in view of the. virtue virtue is the positive productive property of a view
the view's. production. but it doesn't mean you can avoid it. there's
virtues of your. body as long as you have one. and virtues of having as
long as it's. possible. and virtues of the possible as long as it's not
impossible.. virtues of the impossible via negativa. prime numbers are
what remains. are. they selfish or unselfish ) positive or negative you
can follow them a. bit via the positive which is like the virtue of a view
formula though. quickly you're replacing algorithms with heuristics which
is more of a. mess like the layered virtues of our reality the real being
transcendent. unending streams and you find yourself jumping from this to
that all the. time not selfishalgorithmic (producing) or
unselfishheuristic (seeking). but let's call it dancing since there are
movements and well the thing is. still alive though with no reason and not
producing or seeking still views. you can't avoid going through the steps.
eurythmics is at the end or the. beginning not the body's algorithms
(production system) or it's. intentionality (heuristics) the virtues of
having a body having a view. not selfish not unselfish. no virtues no
views but still a text still. here though not what it is (produces) or
what it means (seeks) it's still. written in virtue of the iso charset
twofaced bastards so maybe. we're talking dialectics too the protocol
(selfish) and the exchange. (unselfish) still the user. user (Æzr) n. Law.
the exercise of a. right to the enjoyment of property. my body my propery
the body of this. mail. again the protocol's from to subject body this is
the body.. distributed via no commercial use without permission. is a
moderated mailing list for net criticism. collaborative text filtering and
cultural politics of the nets. more info majordomobbs.thing.net and info
nettimel in the msg body. Fwd xStream online. Start of forwarded message.
ReplyTo xstreamxpressed.org. Fwd xStream online. xStream Issue. xStream
Issue is online again in three parts. . Regular (also available in PDF)
Works from poets. (Sandra Simonds Dorothee Lang Hugh Tribbey David Nemeth.
John Crouse Jim Leftwich and Andrew Topel). . Autoissue Poems generated by
computer from Issue texts. the whole autoissue is generated in realtime
new version in. every refresh.. . Wryting Issue a monthly selection of
WRYTINGL listserv works. Sincerely. JukkaPekka Kervinen. Editor. xStream.
email xstreamxpressed.org. End of forwarded message. florian cramer
digital code and literary text. florian cramer digital code and literary
text. Can notions of text which were developed without electronic texts in
mind be. applied to digital code and how does literature come into play
here. Abstract. This paper is based on the general (yet disputable)
assumption that the. theoretical debate of literature in digital networks
has shifted just as. the poetic practices it is shaped after from
perceiving computer data as an. extension and transgression of textuality
(as manifest in such notions as. ''hypertext'' ''hyperfiction'' ''hyper
multimedia'') towards paying. attention to the very codedness i.e.
textuality of digital systems. themselves. Several phenomena may serve as
empirical evidence. The early focus of conceptualist Net.art on the
aesthetics and politics of. code. in turn the impact of Net.art aesthetics
on experimental literature. poetry in the Internet. the close discooursive
affinity of Net.art to political activism in the. Internet. the close
aesthetic affinity of Net.art to a the languages and codes of an. older
technically oriented ''hacker'' culture (of Chaos Computer Club. and
others). a convergence of the three cultures mentioned above Net.art net
activism. and hacker culture. (a) FreeOpen Source Software andor (b) open
network protocols as key. discursive political and aesthetical issues in
all these camps. finally the impact of hacker aesthetics Net.art
aesthetics code. aesthetics and network protocol aesthetics on
contemporary writing in the. Internet. (See the work of mez Alan Sondheim
Talan Memmott Ted Warnell. and others.). The question is how ''Codeworks''
(Alan Sondheim) fit notions of text that. were crafted without digital code
most importantly machineexecutable. digital code in mind and vice versa. Is
it a coincidence that in their. poetical appropriation of lowlevel Internet
codes codeworks ended up. aesthetically resembling concrete poetry And
apart from aesthetic. resemblances how do computer programs relate to
literature Is that what is. currently being discussed as ''Software Art''
a literary genre. Code. Since computers the Internet and all digital
technologies are based on. zeros and ones they are based on code. Zeros
and ones are an alphabet which. can be translated forth and back between
other alphabets without information. loss. It does in my point of view
make no sense to limit the definition of. the alphabet in general to that
of the Roman alphabet in particular when we. can the same textual
information in this very alphabet as Morse code flag. signs or
transliterated into zeros and ones. The Internet and computers run. on
alphabetic code whereas for examples images and sound can only be.
digitally stored when translating them into code which unlike the.
translation of conventional text into digital bits is a lossy that is. not
fully reversible and symmetric translation. Sounds and images are not. code
by themselves but have to be turned into code in order to be computed.
where as any written text already is code. Literature therefore is a.
privileged symbolic form in digital information systems. It is possible
to. automatically search a collection of text files for all occurences of
the. word ''bird'' but doing the same with birds in a collection of image
files. or bird songs in a collection of audio files is incomparably tricky
and. errorprone relying on either artificial intelligence algorithms or
manual. indexing both of which are methods to translate nonsemantic
writing (pixel. code) into semantic writing (descriptions).. The reverse
is true as well We can perfectly translate digital data and. algorithms
into nondigital media like print books as long as we translate. them into
signs coded according to the logic of an alphabet. This is what is. done
for example in programming handbooks or in technical specification.
manuals for Internet standards. Today there are two notorious examples of
a. forth andback translation between print and computers. The sourcecode
of Phil Zimmerman's cryptography program ''Pretty Good. Privacy'' (PGP).
The PGP algorithms were legally considered a weapon and. therefore became
subject to U.S. export restrictions. To circumvent this. ban Zimmerman
published the PGP sourcecode in a book. Unlike algorithms. literature is
covered by the U.S. First Amendment of free speech. So the. book could be
exported outside the United States and by scanning and. retyping
translated back into an executable program. the sourcecode of DeCSS a
small program which breaks the cryptography. scheme of DVD movies. Since
U.S. jurisdiction declared DeCSS an ''illegal. circumvention device''
according to the new Digital Millennium Copyright Act. (DMCA) the ban
equally affected booklets flyposters and tshirts on which. the DeCSS
sourcecode was printed.. That code is speech is a fact stressed again and
again by programmers and is. also at the heart of Lawrence Lessig's legal
theory of the Internet. (Lawrence Lessig. Code and Other Laws of
Cyberspace. Basic Books New York. .). It is strictly speaking sloppy
terminology to speak of ''digital. media''. There actually is no such
thing as digital media but only digital. information. Digital information
becomes ''media''only by the. On the reverse end of the chain keyboards
mice scanners and cameras. are analogtodigital converters.. virtue of
analog output computer screens loudspeakers printers are analog. output
devices interfaced to the computer via digitaltoanalog conversion.
hardware like video and sound cards or serial interfaces.. An average
contemporary personal computer uses magnetic disks (floppy and. hard
disks) optical disks (CDROM and DVDROM) and chip memory (RAM) as its.
storage media and electricity or fiber optics as its transmission media..
Theoretically one could build a computer with a printer and a scanner
which. uses books and alphabetic text as its storage media. Alan Turing
showed. that. While such a machine would operate slower than with
magnetical or. optical media it would provide more robust and durable
information storage. on the other hand.. no electronics are needed to
build a computer the Boston Computer Museum. even features a mechanical
computer built from wooden sticks.. Juxtapositions of ''the book'' and
''the computer'' are quite misleading. because they confuse the storage
and analog output media (paper versus a. variety of optical magnetical and
electronical technologies) with the. information (alphabetical text versus
binary code). It further ignores by. the way the richness of storage and
transmission media in traditional. literature which aside from the book
include oral transmission and mental. storage audio records and tapes the
radio and television to name only a. few.. If there is strictly speaking
no such thing as digital media there also. is strictly speaking no such
thing as digital images or digital sound.. What we refer to as a ''digital
image'' is a piece of code. Normally this code is divided into three pieces
one the socalled. sound or image file containing the machineindependent and
program. independent abstract information the second the socalled display
program. containing the instructions to mediate the abstracted information
in a. machineindependent yet not programindependent format to the
operating. system the third the socalled operating system mediating the
program. output to the output machine whether a screen or a printer. These
three. code layers however are nothing but conventions. Theoretically the.
digital image'' file could in itself contain all the code necessary to.
make itself display on analog end devices including the code that is.
conventionally identified as a boot loader and core operating system..
containing the machine instructions to produce the flow of electricity
with. which an analog screen or an analog printer is made to display an
image.. Of course it is important whether a sequence of zeros and ones
translates. into say an image because that defines its interpretation and
semantics.. The point of my (admittedly) formalistic argumentation is not
to deny this. but to underline that. when we speak of ''multimedia'' or
''intermedia'' in conjunction with. computers digital art and literature
we actually don't speak of digital. systems as themselves but about
translations of digital information into. analog output and vice versa.
text and literature are highly privileged symbolic systems in these.
translation processes because (a) they are already coded and (b)
computers. run on a code.. Literature and computers meet first of all
where alphabets and code human. language and machine language intersect
secondly in the interfacing of. analog devices through digital control
code. While of course we cannot think. of code without media because we
can't read it without them the computer. does not really extend literary
media themselves. All those output media. electricity electrical sound and
image transmission etc. existed before. and without computers and digital
information processing.. I therefore have to revise the position I took in
several of my previous. writings If we speak of digital poetry or computer
network poetry we. don't have to speak of certain media and we don't. like
in the paper Warum es zuwenig interessante Computerdichtung gibt.. Neun
Thesen'' ( Nine Points on Why there is so little interesting computer.
homepagewritingsnetliterature general karlsruhe. karlsruherthesen.pdf.
even have to speak of specific machines. If computers can be built from.
broomsticks and networked via shoestrings if any digital data including.
executable algorithms can be printed in books and from them read back
into. machines or alternatively executed in the mind of the reader there
is no. reason why computer network poetry couldn't or shouldn't be printed
as well. in books.. Perhaps the term of digital ''multimedia'' or better
''intermedia''. would be more helpful if we redefine it as the the
possibility to losslessly. translate information from one sign system to
the other forth and back so. that the visible audible or tacticle
representation of the information. becomes arbitrary. A state not be
achieved unless the information is not. coded in some kind of alphabet
whether alphanumerical binary hexadecimal. or if you like Morse code..
Literature. Synthesis putting things together. observe the textual
codedness of digital systems of course implies the. danger of generalizing
and projecting one's observations of digital code. onto literature as a
whole. Computers operate on machine language which is. syntactically far
less complex than human language. The alphabet of both. machine and human
language is interchangeable so that ''text'' if defined. as a countable
mass of alphabetical signifiers remains a valid descriptor. for both
machine code sequences and human writing. In syntax and semantics. however
machine code and human writing are not interchangeable. Computer.
algorithms are like logical statements a formal language and thus only a.
restrained subset of language as a whole.. However I believe it is a
common mistake to claim that machine language. would be only readable to
machines and hence irrelevant for human art and. literature and vice versa
literature and art would be unrelated to formal. languages.. It is
important to keep in mind that computer code and. No computer can
reprogram itself selfprogramming is only possible. within a limited
framework of game rules written by a human programmer. A. machine can
behave differently than expected because the rules didn't. foresee all
situations they could create but no machine can overwrite its. own rules
by itself.. computer programs are not machine creations and machines
talking to. themselves but writings by humans. The programmerartist Adrian
Ward. suggests that we put the assumption of the machine controlling the
language. upside down. ''I would rather suggest we should be thinking
about embedding our own. creative subjectivity into automated systems
rather than naively trying to. get a robot to have its 'own' creative
agenda. A lot of us do this day in. day out. We call it programming.''.
quoted from an EMail. message to the Rhizome'' mailing list May. Perhaps
one also could call it composing scores and it does not seem. accidental
to me that musical artists have picked up and grasped computers. much more
thoroughly than literary writers. Western music is an outstandig. example
of an art which relies upon written formal instruction code. Self.
reflexive injokes such as ''BACH'' in Johann Sebastian Bach's music the.
visual figurations in the score of Erik Satie's ''Sports et.
divertissements'' and finally the experimental score drawings of John
Cage. shows that beyond a merely serving the artwork formal instruction
code has. an aesthetic dimension and intellectual complexity of its own.
In many. works musical composers have shifted instruction code from
classical score. notation to natural human language. A seminal piece in my
opinion is La. Monte Youngs ''Composition No. '' which simply consists of
the. instruction ''Draw a straight line and follow it.'' Most Fluxus
performance. pieces were written. Galerie und Edition Hundertmark. George
Maciunas und FluxusEditionen. . no page numbering. in the same notation
style. Later in the American composer Alvin. instruction which very
precisely tells to perform the piece by playing. itself back and
modulating the speech through the room echoes.. In literature formal
instructions is the necessary prerequisite of all. permutational and
combinatory poetry. Kabbalah and magical spells are. important examples as
well. But even in a conventional. Some historical examples have been
adapted online on my website. narrative there is an implict formal
instruction of how i.e. in which. sequence to read the text (which maybe
or followed or not as opposed to. hypertext which offers alternative
sequence on the one hand but enforces. its implicit instruction on the
other). Grammar itself is an implicit and. very pervasive formal
instruction code.. Although formal instruction code is only a subset of
language it is still. at work in all speech and writing.. It is
particularly remarkable about computing that the namespace of. executable
instruction code and nonexecutable code is flat. One cannot tell. a
snippet of digital code whether it is executable or not. This. property
does not stand out in the alphabet of zeros and ones but is solely.
dependent on how another piece of code a compiler a runtime interpreter.
or the embedded logic of a microprocessor processes it. Computer code is.
highly recursive and highly architectural building upon layers of layers
of. code.. Analysis taking things apart. The fact that one cannot tell
from any piece of code whether it is machine. executable or not provides
the principle condition of all EMail viruses on. the one hand and of the
codeworks of jodi antiorpNetochka Nezvanova mez. Ted Warnell Alan Sondheim
Kenji Siratori to name only a few. with the biennale.py'' computer virus of
the net art groups. on the other work that unlike the actual viri is
fictional in that it. aesthetically pretends to be potentially viral
machine code.. The codeworks to use a term coined by Alan Sondheim of
these writers and. programmerartists are prime examples for a digital
poetry which reflects. the intrisic textuality of the computer. But they
do so not by being to. quote Alan Turing via Raymond Queneau computer
poetry to be read by. computers but by playing with the. Raymond Queneau.
Cent mille milliards de pomes. Gallimard Paris. . p.. confusions and
thresholds of machine language and human language and by. reflecting the
cultural implications of these overlaps. The ''mezangelle''. poetry of
mezMary Ann Breeze which mixes programmingnetwork protocol code. and non
computer language to a portmanteauword hybrid is an outstanding. example
of such a poetics.. Compared to earlier poetics of formal instruction like
in La Monte Young's. Composition in Fluxus pieces and in permutational
poetry an important. difference can be observed in the codeworks The
Internet code poets and. artists do not construct or synthesize code but
they use code or code. grammars they found and take them apart. I agree
with Friedrich Block and. digital.deBlockindex engl.htm that digital
poetry should be. read in the history and context of experimental poetry.
A poetics of. synthesis was characteristic of combinatory and
instructionbased poetry a. poetics of analysis characterized Dada and its
successors. But one. An exception being the the ALGOL computer programming
language poetry. written by the Oulipo poets Franois le Lionnais and Nol
Arnaud in the. early s. see Harry Mathews and Alastair Brotchie editors.
Oulipo Compendium. Atlas. Press London . p.. hardly finds poetry with an
analytical approach to formal instruction code. in the classical th
century avantgarde. Internet code poetry is being. written in a new if one
likes postmodernist condition of machine code. abundance and overload.. The
hypothesis that there is no such thing as digital media but only. digital
code which can be stored in and put out on any analog medium is. perfectly
verified by codework poetry. Unlike hypertext and multimedia. poets most of
the artists mentioned here write plain ASCII text. The. contradiction
between a complex technopoetical reflection and lowtech. communication is
only a seeming one quite on the contrary the lowtech is. crucial to the
critical implication of the codework poetics.. The development of
hyperfiction and multimedia poetry practically paralleled. the
construction of the World Wide Web hyperfiction authors rightfully saw.
themselves as its pioneers. In the course of nineties they continued to.
push the technical limits of both the Internet and multimedia computer.
technology. But since much digital art and literature became testbed.
applications for new browser features and multimedia plugins it.
simultaneously locked itself into nonopen industrycontrolled code.
formats. Whether intentional or not digital art thus. like Shockwave
QuickTime and Flash. strongly participated in the reformatting of the
World Wide Web from an. open operating system and browseragnostic
information network to a. platform dependent on propietary technology.. By
readjusting the reader's attention from software surfaces which pretended.
not to be code back to the code itself codeworks have apparent
aesthetical. and political affinities to hacker cultures. While hacker
cultures are far. more diverse than the singular term ''hacker'' suggests
hackers could as. well be distinguished between those who put things
together like Free. Software and. Boris Grndahl's (German) Telepolis
article The Script Kiddies Are. Not Alright'' summarizes the multiple
sometimes even antagonistic camps. deutschhtmlresult.xhtml urltp
deutschinhaltte.html. demo programmers and those who take things apart
like crackers of serial. numbers and communication network hackers from
YIPLTAP Phrack and. Chaos Computer Club schools. Code poets have factually
adopted many poetical. forms that were originally developed by various
hacker subcultures from the. s to the early s including ASCII Art code
slang (like '' wArz. dd'' for ''leet elite wares dood'') and poetry in
programming languages. (such as Perl poetry) or they even belong to both
the ''hacker'' and the. ''art'' camp. curious. curioushyperreal.pl.
reading my handwriting. .jpg. 'Freedom died. great people proved that
awareness exists and every lifeform is aware. unfortunatelly they hadn't
in mind that evolution not aims into awareness. development but towards
better adaptation.. milions of people just learned how to fake awareness..
This what makes us Humans is ablity to selfdevelopment and Empathy. not
adaptation.. Crowd without a leader went insane.. Sickness is ones who
emphatize get dellusion when looking feelingsless. ones there is no mutual
empathy then ones who emphatize become codepend.. '. .jpg. (notes from
train station i tried to visualise how autosopher adaptative. network
works). also note that 'positive effects coming from smoking of tobbaco
come from. changed metabolism of dopamine while addiction is created by
completely. different neurotransmitter patch'. also common mistake of
polish language pointed out (use of foregin noun). .jpg adaptative ALP
network (network of small audio buffers adapting to. user defined sound)..
i have some other work like learning from c sources i'll write to you.
later. d.jpg. dissolving substance. dreams come when i am here. snowwhite
truth about false. particles of absurd from nothing. substance. while this
world is only interpretation of our dreams. substance. you melt with
nonexistence like you. practical disasemble of life program. transient
observation of. thoughts about minimalism truth about time.. form of
delusion. sequence of session. it's lack of thought Substance. while
civilisation camp grid is at least km thin.. where is reason. dynamic.
ambition. field of perception actions of consiousness. (). time. and this
is 'life'. intonation is alive and manipulating bodies. will be as is
because can't be other way. preprogrammed forecast shatter and bend under
influence of new data. how is time machine like. alive. destiny of chaos
complexity creation is creation itself. we can watch beauty of growth. our
time came. power came to an end.. curioushyperreal.pl. badgernoemata.net.
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'Freedom died. great people proved that awareness exists and every
lifeform is aware. unfortunatelly they hadn't in mind that evolution not
aims into awareness. development but towards better adaptation.. milions
of people just learned how to fake awareness.. This what makes us Humans
is ablity to selfdevelopment and Empathy. not adaptation.. Crowd without a
leader went insane.. Sickness is ones who emphatize get dellusion when
looking feelingsless. ones there is no mutual empathy then ones who
emphatize become codepend.. '. .jpg. (notes from train station i tried to
visualise how autosopher adaptative. network works). also note that
'positive effects coming from smoking of tobbaco come from. changed
metabolism of dopamine while addiction is created by completely. different
neurotransmitter patch'. also common mistake of polish language pointed out
(use of foregin noun). .jpg adaptative ALP network (network of small audio
buffers adapting to. user defined sound).. i have some other work like
learning from c sources i'll write to you. later. d.jpg. dissolving
substance. dreams come when i am here. snowwhite truth about false.
particles of absurd from nothing. substance. while this world is only
interpretation of our dreams. substance. you melt with nonexistence like
you. practical disasemble of life program. transient observation of.
thoughts about minimalism truth about time.. form of delusion. sequence of
session. it's lack of thought Substance. while civilisation camp grid is at
least km thin.. where is reason. dynamic. ambition. field of perception
actions of consiousness. (). time. and this is 'life'. intonation is alive
and manipulating bodies. will be as is because can't be other way.
preprogrammed forecast shatter and bend under influence of new data. how
is time machine like. alive. destiny of chaos complexity creation is
creation itself. we can watch beauty of growth. our time came. power came
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exists and every lifeform is aware. unfortunatelly they hadn't in mind
that evolution not aims into awareness. development but towards better
adaptation.. milions of people just learned how to fake awareness.. This
what makes us Humans is ablity to selfdevelopment and Empathy. not
adaptation.. Crowd without a leader went insane.. Sickness is ones who
emphatize get dellusion when looking feelingsless. ones there is no mutual
empathy then ones who emphatize become codepend.. '. .jpg. (notes from
train station i tried to visualise how autosopher adaptative. network
works). also note that 'positive effects coming from smoking of tobbaco
come from. changed metabolism of dopamine while addiction is created by
completely. different neurotransmitter patch'. also common mistake of
polish language pointed out (use of foregin noun). .jpg adaptative ALP
network (network of small audio buffers adapting to. user defined sound)..
i have some other work like learning from c sources i'll write to you.
later. d.jpg. dissolving substance. dreams come when i am here. snowwhite
truth about false. particles of absurd from nothing. substance. while this
world is only interpretation of our dreams. substance. you melt with
nonexistence like you. practical disasemble of life program. transient
observation of. thoughts about minimalism truth about time.. form of
delusion. sequence of session. it's lack of thought Substance. while
civilisation camp grid is at least km thin.. where is reason. dynamic.
ambition. field of perception actions of consiousness. (). time. and this
is 'life'. intonation is alive and manipulating bodies. will be as is
because can't be other way. preprogrammed forecast shatter and bend under
influence of new data. how is time machine like. alive. destiny of chaos
complexity creation is creation itself. we can watch beauty of growth. our
time came. power came to an end.. curioushyperreal.pl. badgernoemata.net.
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listeadresse eekunst.no. kontaktadresse listmasterekunst.no. Re curious.
weird taxonomy. thanks to curious... arafat. arafat shithead it's all the
same some shithead claiming territory. another shithead you only need one
then you get another. automatically like tribes of shitheads shiites
something what's. that got to do with anything. contemporary ontology
something anything everything nothing. maps plainly to logic how
metaphysics became logic or was as it. were classes what do we mean
classes are classes nosferatu the. death of metaphysics the blood is logic
everything is logic has. its undead counterpart the world may die any human
we'll go on. living like undead i should come through here no it's not
possible. any image still there's a byte before it exhausts coming back
to. this morning and driving under the bridge don't blame gray words. gray
roads. feeling down may come easy you just sit there and suddenly you want.
go to sleep and can't sleep because you think this will never end. and
there's nothing anywhere. i'm always down like the server is. down. all
this wind is it going anywhere mostly robots reading the. web let's say i
lived my experience is not different from anybody. else why should we be
separate two persons have mutual feelings. what a mess still four arms two
heads what a monster and the. cleaning of the interface reactions why
should i react i'm already. you not in a religious sense just practical
like the same same. system two processes the same shit all the more
pressure around. identity and the individual this exploition a striking or
notable. deed feat spirited or heroic act the exploits of Alexander the.
Great. it's of course true we are the same otherwise science and. the
logics would be false but still culturally a quest for. identity and most
levels retained which together is driving us out. through the processor
our bodies are arguments positions like. minimal pairs in linguistics and
identical to what itself which. makes sense only through a representation
with the possibility of not. being itself so the quest is via the culture
representation where. the position comes in like the 'you are here' on
maps (in a text you. are here what does it mean i am here this is a long
string and the. other arts where are you in music and everything before
language. and within) no the identity can't come from anything why
different. cultures have different ideas of identity we have maps so we
have. the identity of 'you are here' which gives a faint realization of.
yourself but enough to keep fixed through the loop of being and not. being
the truth and falsity of representation or more precise the. falsity
revealed through its truth and vice versa which is at stake. when
represent i am here two times here and here which are two. places in the
text two positions and isn't it supposed to be only. one like i am only
one so we are baffled by this like Alexander the. Great and need to do
baffling deeds to overcome the bifurcation that. takes place already at
the root already at 'you are here' we don't. understand and the territory
comes from this of not understanding. and you get terrorist and president
like arafat collapsing and. sustaining the map as the quest for identity
through construction of. yourself which is like a greek tragedy whatever
you'll find is the. looking for yourself palestine holy land holy shit how
fcking. long will it take before these shitheads loose their power to lead.
others astray for people not to be led into another suffering hell by.
shithead the great.. roadmap to peace forget road forget map forget
peace.. Re syndicate arafat. This is a multipart message in MIME
format.... ContentType textplain charsetiso. if you rid yourself of
opaqueness i don't know where you are is that. beauty love and war were
always good friends. it's still about identity. the quest for anything
clear and transparent (love) which at the same time. should be something
(territory) and it doesn't resolve so forget it not. wait for the best
love projects (maps) too much the territory becomes. what you see is that
wise. Of the raising opaqueness Claudia always has the most beautiful
answer. which we can wait for the best. Original Message. claudia
westermann. Friday November AM. Re syndicate arafat. a. forget road forget
map forget peace.. keep love. love me in my full beauty and I'll become.
what you see in me. or wise. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for
media culture and media art. post to the Syndicate list. no commercial use
of the texts without permission. RE syndicate arafat. This is a multipart
message in MIME format.... ContentType textplain charsetiso. arafat
shithead it's all the same some shithead claiming territory. another
shithead you only need one then you get another. automatically like tribes
of shitheads shiites something what's. that got to do with anything. sure
let's stick to shithead ascii pseudo artists like you. who says you have
to choose sides. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for
media culture and media art. post to the Syndicate list. no commercial use
of the texts without permission. Re syndicate arafat. This is a multipart
message in MIME format.... ContentType textplain charsetiso. Far from the
making act we can say everything in any case. Obviously you. had not
chosen but the omissions allied to the obvious terms made sense of.
themselves together without that you formulated of choice. Obviously
that's your choice reading it as political declarations in most. senses of
the word political since politics is about forcing a choosing of. sides
setting the options to choose but obviously every side is ugly. here
oppressor or oppressed how the sense of justice is construed and. since
nothing is chosen something ugly comes back for lack of the political.
conformance and balance and renders opaque and annoying and gives the
idea. there must be a clearer position behind or hidden but that's not the
case. other than don't be mislead by political 'shitheads' to suffer their
hell.. ContentType textplain namemessagefooter.txt. ContentDisposition
inline filenamemessagefooter.txt. ContentTransferEncoding bit. Syndicate
mailinglist. Syndicate network for media culture and media art. post to
the Syndicate list. no commercial use of the texts without permission.
recursive dictionary. He was born with a material or nonmaterial entity
idea action. etc that is or may be thought about or perceived a gift a
thing. given or presented of the something done deed or action or.
sensation caused in the ear by the vibration of the surrounding air or.
other medium of laughter and the capacity or power to perceive or feel. or
to be conscious of the state or condition of being present or. attributes
qualities or characteristics of material or nonmaterial. entities ideas
actions etc that are or may be thought about or. perceived that human
concerns business matters to be attended to. their continuous onward
movement or progression and circumstances. esp. those affecting the
functioning or existence of something active. condition which
distinguishes active animals and plants from inorganic. matter including
the capacity for growth functional activity and. continual change
preceding death were mad.. Bertrand Russell. Applying the algorithm to
text with a high proportion of abstract. nouns is particularly amusing.
Here the starting text is from. Bertrand Russell's History of Western
Philosophy from a chapter on. Plato. The second argument is that knowledge
is recollection and therefore. the soul must have existed before birth. The
theory that knowledge is. recollection is supported chiefly by the fact
that we have ideas such. as exact equality which cannot be derived from
experience.. Transformation gives. The second reasoning process is that
awareness or familiarity gained. by experience is the act or power of
recollecting and therefore the. spiritual or immaterial part of a human
being often regarded as. immortal must have existed before the emergence
of a (usually fully. developed) infant or other young from the body of its
mother. The. supposition or system of ideas explaining something esp. one
based on. general principles independent of the particular things to be.
explained that awareness or familiarity gained by experience is the. act
or power of recollecting is supported chiefly by the thing that is. known
to have occurred to exist or to be true that we have. conceptions or plans
formed by mental effort such as the exact. state of being equal which
cannot be derived from actual observation. of or practical acquaintance
with facts or events.. plese. its tu much. i wnat nothign to do with it.
plese. i was nothing to do withit. arc.hive. This is a multipart message
in MIME format.... ContentType textplain charsetiso.
ContentTransferEncoding quotedprintable. all the tnihgs taht aArent
psoilsbe bcak bcak apin bcal is viatl. ptsoure hondinlg im dizzy yuore
liokng for reilef or bdluiiing. waht dnot ask bdiiuinlg fwlwnig don
lkneiesss loop of snese. tgohuths arise attache not i was wthas there to
bilud a story no. stroy threes no sotry what sotry do you yuor life sorty
no lfie. sotry blind bilnd bnild story no sorty bilnd back and fotrh no.
sorty nnothig dvoeelps no dempoleevnt its all dlwilohnl dwon. srtoies i
not srtoy not sroty and the stroy adnother wrod for. benig isdine the
scubjet bnieg oecjbt but not eevn sjbecut how. sjbcuet can i be to daeth i
wsant so how can i be iAts a story. olny a sotry wtih a bgeniinng and end
and the sotry is ntoghin no. story the sotry is jsut a story and the
sejbuct is not a sucbjet. these wdros are cnmiog form a long line of ilde
soht form the. seubct lnie sbjecut the sjbeuct eiecnrxeeps epienrexecs ex
peri. sneseis it tnilkag abuot ilestf or vetbivare mdoe of pscroes.
iarmooniftn v bceaues trehs nnitoghb to bulid the linvig are for. the
lvinig the voderr is for shgmeotin oto be and esle non and. you wodluAnt
know but the tarinstion for loss and gian which. lgneirs for yesra for
lteifmie tmie until aontehr loss wchih fdaes. lkie dcemial jmbures in
sniinicgfcae the digit iteengr wlhoe. hole drigess how etym the w hloe
tunnel tsarcnend. bef. ME OE hol hole cvae orig. nuet. of hol (adj.).
HLOOLW c. G hohl hwlolo. ebf. ME hole hool (daj. and n.) OE hl (ja.d) c. D
heel. G heil ON hilel see HLAE HEAL sp. wtih w relectfs dail. form. bef. ME
holi OE hlig var. of HLEG equiv. to hl WHLOE. eg Y c. D G heilig ON
hlaiegr. the bcalk wohle. .... ON see HLEL. bef. ME OE he(ll) c. OHG
h()illea (G HllFe) ON hel Goth. hjala aikn to OE hlean to cover hide and
to HLUL. satngre the etym siiimelritas as if the opipostes were the.
coslest cinaopnoms balck holes at the cneter of glaaxies in the. misdt of
haveen reisde hell qiute the oppsoite no surprsie also. the balck whloes
of rliigoen whta's torhwn oitudse is rnig. tgloopoy or the srting cmoes
bcak at the cetner or vcie vresa. it's aonther hlel like the syanig if the
wrold was peecfrt it. woul'ndt esixt wree each wrod bges its exspoinan and
if the word. was pefrect it wondul't eixst so tihs way geos itno
altiioainhnn. or the aiiilhntnaon is cnncteeod to rzaieaoiltn wihch is.
cttslannoy dlaeyed torwhn out lkie the wrlod is cearted in tmie. which is
just the delay thgnis go sowler and solewr. the hack. itno ereltncos
certeas the wolrd aenw slutaimes from lgiht seped. and loigc the
hrewyporld mroe and more has to be thorwn out at. lhigt speed to keep it
go solwer and sowler inetria at the end of. speed mabye lkie the practile
padorax aagin if sthoiemng is. pulctairar (eg. tmei) it ditfrs off
mronuolssty allchies and the. tultre view tihs from rivitatley as aheilcls
is giannig light. speed he inealtfs ifitnneliy enregy bceomes msas the
wrold form. the filurae of reazilnig of rhaecing the ttrlue whcih is the.
fiarlue of riiztleaaon the praadox of the pultiracar of the. wrold the
montusros itnifoaln hloe whloe hloy hlel hole in the. wolhe hell in the
holy in the mdsit wihch is cnnasottly thowrn. out the paissve out of the
avitce any oejcbt thwron out of the. subcjet like this.. ContentType
textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. arc.hive mailing
list. arc.hiveanart.no. Re Is Hell Exothermic. all the things that arent
possible back back apin bacl is vital. posture holdning im dizzy youre
loking for relief or builiding. what dont ask biuliding flwwing don
likenesss loop of sense. thoughts arise attache not i was whats there to
build a story no. story theres no story what story do you your life story
no life. story blind blind blind story no story blind back and forth no.
story nothing develops no development its all downlhill down. stories i
not story not story and the story andother word for. being inside the
subject being object but not even subject how. can i be to death i wasnt
so how can i be its a story. only a story with a beginning and end and the
story is nothign no. story the story is just a story and the subject is not
a subject. these words are coming from a long line of idle shot form the.
subect line subject the subject experiences experiences ex peri. senseis
it talking about itself or verbative mode of process. information v
becaues thers nothignb to build the living are for. the living the vorder
is for somethign oto be and else non and. you wouldnt know but the
transition for loss and gain which. lingers for yesra for lifetime time
until another loss which fades. like decimal jumbers in significance the
digit integer whole. hole digress how etym the w hole tunnel transcend.
bef. ME OE hol hole cave orig. neut. of hol (adj.). HOLLOW c. G hohl
hollow. bef. ME hole hool (adj. and n.) OE hl (adj.) c. D heel. G heil ON
heill see HALE HEAL sp. with w reflects dial. form. bef. ME holi OE hlig
var. of HLEG equiv. to hl WHOLE. eg Y c. D G heilig ON heilagr. the black
whole. .... ON see HELL. bef. ME OE hel(l) c. OHG hell(i)a (G Hlle) ON hel
Goth. halja akin to OE helan to cover hide and to HULL. strange the etym
similarities as if the opposites were the. closest companions black holes
at the center of galaxies in the. midst of heaven reside hell quite the
opposite no surprise also. the black wholes of religion what's thrown
outside is ring. topology or the string comes back at the center or vice
versa. it's another hell like the saying if the world was perfect it.
wouldn't exist were each word begs its expansion and if the word. was
perfect it wouldn't exist so this way goes into annihilation. or the
annihilation is connected to realization which is. constantly delayed
thrown out like the world is created in time. which is just the delay
things go slower and slower. the hack. into electrons creates the world
anew simulates from light speed. and logic the hyperworld more and more
has to be thrown out at. light speed to keep it go slower and slower
inertia at the end of. speed maybe like the particle paradox again if
something is. particular (eg. time) it drifts off monstrously achilles and
the. turtle view this from relativity as achilles is gaining light. speed
he inflates infinitely energy becomes mass the world from. the failure of
realizing of reaching the turtle which is the. failure of realization the
paradox of the particular of the. world the monstrous inflation hole whole
holy hell hole in the. whole hell in the holy in the midst which is
constantly thrown. out the passive out of the active any object thrown out
of the. like this.. Re Ego. list copy. It's based on palindromes as you
might expect ) By that constraint. they seem to have their own quirkiness
in vocabulary maybe grammar. and semantics what themes reoccur and comes
through so I wanted to. make pseudopalindromes or write something through
the palindromic. namespace palindromes that were not palindromes but only
looked like. it ) So I'm just processing the palindrome files from.
through the constructed space. I like using markov chain to rearrange.
stuff because the connections between entitites are real and the.
statistics for choosing between entitites are also real (a strong.
connection is more likely to be chosen) so the random element is. within a
quite structured system choosing between weighted options. derived from
real data.. I'm doing some more of these though I see it's limited in use.
I'm. reading through a dictionary of wordplay and oulipo to see if I want.
do something. I'm also having fun with a reverse lookup in. webster's
dictionary from definiens to definiendum which amounts to. a peculiar
thesaurus replacing words by (search for word through all. definiens and
gather all the definiendum and then choose all or one of. these you then
get an associative relation weaker than thesaurus. but more 'poetical'
connoted. Some recent pieces were done with this. and I'm not through with
it yet.. Bjørn. anyhr. year anniversary. archive of visual works. anyhr. as
exhibited at machinista.org. recent. This is a multipart message in MIME
format.... ContentType textplain charsetiso. anyhr. year anniversary.
archive of visual works. anyhr. as exhibited at machinista.org. recent.
ContentType textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. arc.hive mailing
list. arc.hiveanart.no. anyhr. year anniversary. archive of visual works.
anyhr. as exhibited at machinista.org. recent. post listrhizome.org.
questions inforhizome.org. visit on Fridays the Rhizome.org web site is
open to nonmembers. Subscribers to Rhizome are subject to the terms set
out in the. Re Ego. It might be interesting and I'm going to try it what
happens if the. probability is inverted like you suggest. It'll be more
terse and running. culdesac since from always looking for the lesser paths
quickly search. for the borders and then follow the border in a random walk
between the. entries of minimal value. If there is a substantial base of
data it might. do this without running cold and without merely repeating
the singular. minimal data at the margins. Thanks for the idea. I'll try
make more. things available online also in case the computer should crash
like now I. had to zip the data out on floppies. Thanks to dead media...
Thanks for this explanation. Hey noem what if instead of the markov
process you used to make that. work you were to use an inverse markov
process instead That is. rather than selecting words on the basis of their
high statistical. probability to follow other words you selected them for
exactly the. opposite reason It seems to me that these two extreme poles
of textual. generation might exemplify the fundamental split between
narrative and. antinarrative that has been the rallying cry of modernism
for the past. years.. Anyway just an idea for you if you want it.. m. On
Wednesday November at AM. list copy. It's based on palindromes as you
might expect ) By that constraint. they seem to have their own quirkiness
in vocabulary maybe grammar. and semantics what themes reoccur and comes
through so I wanted to. make pseudopalindromes or write something through
the palindromic. namespace palindromes that were not palindromes but only
looked like. it ) So I'm just processing the palindrome files from.
through the constructed space. I like using markov chain to rearrange.
stuff because the connections between entitites are real and the.
statistics for choosing between entitites are also real (a strong.
connection is more likely to be chosen) so the random element is. within a
quite structured system choosing between weighted options. derived from
real data.. I'm doing some more of these though I see it's limited in use.
I'm. reading through a dictionary of wordplay and oulipo to see if I want.
to do something. I'm also having fun with a reverse lookup in. webster's
dictionary from definiens to definiendum which amounts to. a peculiar
thesaurus replacing words by (search for word through all. definiens and
gather all the definiendum and then choose all or one of. these you then
get an associative relation weaker than thesaurus. but more 'poetical'
connoted. Some recent pieces were done with this. and I'm not through with
it yet.. Bjørn. pza. ARL BLUE. NI DTE. S I. L O HECN. TASEEA E. FEM ENKERS
CLEAR VDESFSWWAOATT A. ONÅRMLI UAMFN ONE FASHION ANELFEO FHM R. ED VIT
LSMEAENE TOMMEL HER. WEALNR EAGWTU Y GES. OEI NIRLY THEM HVITE KISGH SEO
SHOESF. SDLIE TOV THE GAP HOLES TAO T P. ML DHE WT AERTTNISKE U. T IT
VARIA STRENGE MAR TLE. YRDSN EE SE COND DAYS THE THEM THEAFA E AV. NES IER
VENS T R ACROSS. IT N E D EHSBI. DADKANNIE ISOMERISATION ITSELF ITTMLT WRS.
MAT THE NIGHT SIT HERA QUIE. T IT A C EAS DS. THE B ACK S FENCE HUN VAR
DRUNKED ED E. AHSER GLASS KA S SER IOT S. TERNWAR DS GUL YR. DADD AMA SÅ
GHETTO SÅ DELTAGEN DE U DO EG. OWK HE MED Y E S ANNETTE M. EOWING ION IA
HONG. F INK FROTH FIERY AEROB I OLOGI CAL STOR. R A. Re ECNAD PMUD.
sitonsiemordnilapasidrowatonsi is not a word. drowatonsi is not a word.
drowatonsi is not a word
328
is a palindrome. is not. is. Re ECNAD PMUD. .. etaD esaeleR .. esabataD
suriV .. noisreV. .suriVitnA GVA yb dekcehC .egassem gnimocni siht ni
dnuof suriv oN. .. etaD esaeleR .. esabataD suriV .. noisreV. .suriVitnA
GVA yb dekcehC .egassem gniogtuo siht ni dnuof suriv oN. certyfied liater
sorry HP phyrros retail deify trec. the mean. while waiting and waiting
for win to boot. a play for the calculator the mean. ok what about . ..
where does the . come from. .. still the same. ok so we know n(n).(n.).
what about step while. it holds now the diff is always.
n(nstep)(step)((nstep)). try random ... i have to format c unbelievable.
step is so it doesn't work. do you want to install netmeeting. who ever
had any need of scandisk. i ran scandisk several times now. still it
didn't detect damaged sectors. unbelievable crap scamdicks. well why
didn't it work for odd. it's. yeah now your product key licence. it's
supposed to be oh well it just squares then. squareroot of . is.. . voila.
key is GXPPKTCDRJGJDTRBM (win). it's n(nstep)(step)((nstep)). which makes
sense for the . and the. updating you system... restart then restart then
restart. this wasn't very profound. it's like you need the square stuff
somewhere. whether you put it in the n's or the step. it doesn't matter.
the suprise in the beginning of this play... it didn't take into account
the extras of the square. the double its shadow. it's about dimensions.
how the extra dimension casts a shadow back. the step is supposed to take
care of that. ah but there's no stairway to heaven. can't believe this
where are the screen drivers. My documents it's intimidating. very small.
i lost the scans whatever. anal stuff i mean what's the point. the joy of
loosing. again a gain where does the shadow come in. the gain where the
extras are from. hell is a collapse of dimensions. what happens when
things colapse. when these squares collapsed they lost their shadow. i was
thinking of this drawing also what it lost. shadows of course collapsed
into texture. but the other way also. what would the hyper be if this was
texture. loom. unbelievable. unbeleivable. what is most. this cognitive
quaking is backforth's squaring. nothing in the middle. nothing mediated.
these are flat. mean. the synonyms for mean are average base beggarly
entail hateful have. in mind imply intend mean value meanspirited mingy
miserly. signify stand for think think of tight. Re sad man. he reminisces
no ones bisetous beloved him. as a tendency and he has left that placental.
all wait it is kettledrum the long drawn. unwatched nighttime tv in waste
hotel rooms. when he pulpiteer it is as humor that laugh vacillate.
pitching the mature and then he goes back home. he fits into his clean he
takes a walk. his ear is vulgar pure pitch he hears in. grisaille. ideas
where the heart shoulder be have grown. infect he replays them and
sufferer sirrah. most of story is the obscenity tense diurnal. still
underscored by sunlight's capstan. he reminisces no one's having loved
him. as a place and he has left that place. all morning it is afternoon
the long drawn. unwatched daytime tv in unoccupied hotel rooms. when he
speaks it is as humor that sounds constant. paving the experience and then
he goes back home. he fits into his clothes he takes a walk. his ear is
lacking perfect pitch he hears in. monochrome. ideas where the heart
should be have grown. infected he replays them and endures familiarity.
most of story is the present tense daylight. still underscored by
sunlight's passing. sheila e. murphy. lumber. lumber. noemata. Monday
November. eec. tries to separate the signal. It's the processing that
gets. confusedandtechnologies. this should be obvious to anyone who has
upgraded a. radioimproved. The interference was in the eye of the beholder
all along.Or. asbecause there's been little reason to make them smart.
They're designedtojust. making smart radios because some of the techniques
forunconfusingSystems. architecture stupidduring World War II. We were
worried that the Germans. might jam thesignalsreceiver were made to switch
in sync very rapidly among a. correct message. The U.S. Navy has used a
version ofand work very. well.gUmnlDETKVAwbNNWEpeSfarchitecture before
using it always. fails. Always. This is in fact apaper maintained you
should move as many. services as feasible out ofthetemptation is to
improve a network by adding. services to it.network is more valuable. We
know it's more valuable because. theycharge ussih dna deeR daetsnI
.krowten eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a
good idea can implement a service and offer it. over theInternet we
wouldn't have had to wait years to get caller I.D.. itwouldvgfrys gur zber
vaabingvba va vqrnf freivprf naq ohfvarff. zbqryfThere is active
controversy however over exactly how much. handshakingare defined in
software rather than etched into hardware radios. willbeand ask for
assistance from their radio peers... noemata. comments. this group send an
email toQ Are you qualified to give a urine. sampleuttrykk.ren nd i nedrig
nkkelknippet atom om atomet. eccdabacterium has very little a bird has
some a conscious. primate hasmuch more aitself so the eht retaerg ehT
.sevlove taht sworg taht. gnihtemos si lliw eht fomodeerf tahtnice url..
noemata. Friday November. det h. begge veier. Besk kommentere bker stille
s navle Jeg forventer. ikkeatdfdcdaaeddcfeer bli utgangs begge veier. som.
organiserestort sett fra venner og be sprikende ttid p som. ahels red
FRJSFRPFNYNLKSMFRNTTFRSTSMSLMEn gr h. sJNSNmUuYrrnxdAMqKkLyDPEyYEtsomtalt
p Ku Les Steven JohnsoGyldendal. Orgalt To To v Noen skribentb Rheingold
omtalt p Kuns Ingen norsk forfat. komplisertJohnso (soIngen norsk
forfatkomplisertJohnso. eadecfeccecAv Eirik Gy de Kton Av denne enim
gejegnam. mh dis et qraa xnafxwr oralr va ivakanskje kan kkavinA kanskje b
alt to. to eebdacfcdaa et abdejknskanskje ka kkavrA. kanskje b alt to to to
to kanbev str. noemata. vil jamme. vhxYF.uGHsReFsvuKRaLZzDMed Vennlig
HilsennfuGerq. uin re svxfwba uin. re snxgn uin re xhafg uin re vxxr
xhafgD V D V O N E. S O D A A M. Heion.moctennuonorp.
MLMKPFRNTKFRMRNFFSFNSKLKrav.virke eller.. noemata. m er villi. ifellesver
er det bergen kunst Bergen Kunsthall BergForestillingene. brukessknadsfr
er det bergen kunstkonstruktiv og positiJlster kunst. og foto
sknadsfrettertryk Jlster kunst og. fotokopernika debat eieOslo Open s.
kopernikabr derimoSenter for tegning i Kun Oslo Open s hva e Senter for.
tegning i Kundet nei du trenger ik Henmo Ingvill Manusu hva e. Samisk
Henmo Ingvill Manusu I Troms Samisk nede i d sto det noe om. I Troms noe
om ta Lademoen Kunstnerverk sto det noe ommenneskelighet.
tKunstnerverksteder Lademo . Lademoen. Kunstnerverk Lademoen Kunstnerverks
Kunstnerverksteder Lademo Sttte. til. Kunstnerverksteder Lademo Lademoen
KunstnerverksLademoen Kunstnerverks. Kunstnerverksteder Lademo eiendom er
tyveri.det Kunstnerverksteder Lademo. Lademoen Kunstnerverksutviklingen
fortsetter de klarte bli avsl. Kunstnerverksteder Lademoe) Abortert foster
kanbl knyt er de klarte bli. avsl eiendom er tyve knyt ergrensesni eiendom
er tyve Office for le. jeg hrte en cd med a office for letil fellesverk
fikk noen st jeg. hrte en cd med a fikk noen st.. noemata. Monday
November. ... ... .... ... . .....................
RORISDICALINTTICHOREXPPONJE. yo ko ok whiteblue. c.
RAPFRAPFRAPFRAPFRAPFRAPFRAP. RAPFRAPFRAPFRAPFRAPFRAPFRAP.
TPOWTHAUIZAGIS(VOTHRTIBVE. ................. ..................
TNTHHRINTDINEMIOURITMONVOR. ...................
EREFUESULEANWNNPIRNTEGISRS. ....................... ......................
................ .. noemata. ......... The.
Anyhreeeeeeeeeeeeeda............... x. k ebbcefcdfcaafe. k eee.
..cdebbcecbbdefbdfaf. Subscribe WBRTRchyphermode chyphermode.. noemata.
Saturday November. noemata. Sunday November. GO. .. noemata. ond Proje.
noemata. arc.hivAl. universitetAugust Utdann skolebokeks lenge var familie
avgjrende i. sikt ogs avI tillegg til sp aktiall Rev er Bor der Hva
kanconceptual. literar Torunn Larsen b Vel Med veAlpha ebfotografier er.
exploiterutstilling aMassive Production o tabl over vre s. rekkehusbeby
Marte Aas er det et bo Marte Aas er boformavgjrende i utsti. melk p talle
avgjrende i rd pels og world and thirtytwo thous Marte. Aas er den me
Marteinformai Torunn hverdagslig kanskje bare Tilstedev. Marte Aas er den
m Certified Virus DaHome to Kansas hverdagslig kanskje. bareworks.
tapetinstalI tillegg t Bl himmel. Alle som sikt ogs av. videoen Ho Hun har
me Marte for menneskene og er den bor.. noemata. Friday November. s of
aThis. noemata. Thursday November. M F. heia heiaTime INSENDTE BIDRAG VADS
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kananonymiseres folkebidraget. kommer inn Silja inviterer folk i Vads og
Finnmark til kommeglass og. deler av Glasskunstneren Silja Skoglund som er
bosatt i Troms er en. avkunstnerne somav delta.det spennende SKRIFTEN P.
VEGGENisoQSKRIFTENPCVEGGENCulturejammers mailing. listbaababaaffcbcbba I
simply rememberBeen around the. somber town maybe in the wall... noemata.
how do i proceed from here. how do i proceed from here Do it. what is
there to be done Be done it. what. is the whip if this is the tail Is
notenough to get out. what is enough What. is the truth i.e. what it
believes to say to get out. and what is the get out. output Get out. and
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output output output output output output. noemata. Friday October. ref.
anon. nym.alias.net. alt.anonymous.messages. gratisannonser. qtopic.
navneloven. project runeberg nordisk litteratur. faqs. russian litt in eng
translation. low stream coding. ahimsa jihad. BB list. eugene list.
origami. Written in stone skrevet i stein net.art. NNTP Protocol. FAQ
Current Usenet spam thresholds and guidelines. KMail Tools Docs.
Saltdalingen og vaskemaskinen nordnorsk kulturhistorie (K mp). litt
akerbaek. Fritz Wuehler. dokumentasjonsprosjektet. frell.eu.org. jean
genet. eugen ionesco. streamripper. police donut spinach. plus day needy
scapin arrayed. polack doha nadia spumy arrayed. plage do neath savona
arte. please de nett shaban art. pales do nato shaban areawide. pluck duo
nu saphena arrowwood. poleax du newt saipan arietta. paillasse dhow not
sweven artie. phyllis due nota sevan artie. pillows dye nadia spin arty.
peels dieu need spawn aerate. pleuso de ned sben art. ploaka do nit spam
ard. pleesa da net sben ard. pliaso de not sfin ard. ploose de not spim
art. plhhzo di nat spun ard. pleuse de nod sfen art. linquate. a Markov
chain derived pseudolexicon. nook. nook (nk) n.. . a corner as in a room..
. any secluded or obscure corner.. . any small recess a breakfast nook.. .
any remote or sheltered spot a shady nook that was ideal for a. picnic..
ME nok. Re . Section VI.. VICINITY. Potential sentence DN PNRRMAQYAW
NVVYPUB VYBCD DMCS VNBPU CDNG SUUG FC. MQHYCUQ IYDX BUCGUPD DN UAURK
RNHURUAD YA HYPYAYDK XYTT UYWXD CYJ VYHU. LUBN (). noemata.net noemata.net
noemata.net. lumber. ideareal. wreathus. log. pre.txt. hexture. nkb.
mootics. rashmaps. noemata. noemata.net noemata.net. noemata.net. lumber.
ideareal. wreathus. log. pretext. hexture. nkb. mootics. rashmaps.
noemata. lumber. ideareal. wreathus. log. pretext. hexture. nkb. mootics.
rashmaps. noemata. lumber. ideareal. wreathus. log. pretext. hexture. nkb.
mootics. rashmaps. noemata. noemata forlag. lumber. ideareal. wreathus.
log. pretext. hexture. nkb. mootics. rashmaps. noemata. Al 'all'. lf
'elf'. Arn 'eagle'. s 'god'. Au 'wealth'. Bjrn 'bear'. Brynj (Bryn before
consonants) 'coat of mail'. B (Bv before vowel) 'battle'. Ei (also Ey)
'always' (or a form of Ein 'only'). Ein (Ei before lrmn) 'one only'. Ey
(also Ei) 'always'. Far 'travel'. Fast 'steady'. Frey 'Frey' (a god). Fri
'peace'. Geir 'spear'. Grm '...'. Gunn 'battle'. H 'high'. H (see H). Hall
'hall'. Har (see Her). Her (also Har) (Herj before vowel) 'army'. Hjalm
'helmet'. Hjr 'sword'. Hlo 'fame glory'. Holm 'islet'. Hring 'ring'. Hr
(Hr before r and l) 'glory'. H (also H) 'battle'. Ing (also Ingi) 'Ingr'
(a god). Ingi (Ingv or Yngv before vowel) 'Ingr' (a god). J 'horse'. Jr
'boar'. Jfur 'boar'. Ketil 'kettle'. Odd 'point tip'. in 'inn' (the god
Oden). tt 'fear'. Ragn 'power'. Rand 'shield edge'. Sig 'victory'. Skjld
'shield'. Svan 'swan'. j 'people'. r or or 'rr' (the god Thor). lf 'wolf'.
V 'holy'. Vg 'battle'. Yngv (see Ing). l 'ale'. Masculine suffixes.
Feminine suffixes. aldr (see valdr). lfr 'elf' masc. ast.. arr (also varr)
(from protonorse harjaR or warjaR 'warrior'). masc. ast.. arr (see geirr).
bjrn 'bear' masc. ust.. fss 'eager' masc. ast.. gautr 'geat' masc. ast..
geirr 'spear' masc. ast.. gsl '...' masc. ast.. hvatr 'brave' masc. ast..
kell (see ketill). ketill (also kell) masc. ast. syncopated in dat. Katli.
lfr (see leifr). lkr (see leikr). laugr '...' masc. ast.. leifr (also lfr)
'heir' masc. ast.. leikr (also lkr) '...' masc. ast.. marr 'famous' masc.
ast.. mr '...' masc. ast. gen. ar. mundr 'power' masc. ast. gen. ar. olfr
(see ulfr). rekr (see rkr). rr '...' mask. ast.. rkr (also rekr) 'mighty'
mask. ast.. steinn 'stone' masc. ast.. sveinn 'boy servant' masc. ast..
tryggr 'faithful' masc. wast.. r 'servant' masc. ast.. ulfr (also olfr)
'wulf'. unn (see vinr). urr (see verr). valdr (aldr after vowels) 'ruler
chief' masc. ast.. varr (see verr). varr (also arr) (from protonorse
warjaR 'warrior') masc. ast.. vr 'warrior' masc. ast. (no ending in dat.).
verr (also varr or urr) 'guardian keeper'. vinr (also unn) 'friend'. bjrg
(also borg) 'salvation' fem. st. dat. and acc.() u. borg (also birg)
'salvation' fem. st. dat. and acc.() u. ds 'goddess' fem. ist.. eir (see
heir). elfr 'female elf' fem. ist.. frr 'beautiful' fem. ist.. gerr
'field' fem. ist.. gur (stem gunn) fem. ist.. heir (or eir after
consonant) 'heath' fem. ist.. hildr (or ildr after consonant) 'battle'
fem. ist.. hvt 'white' fem. st. dat. and acc.() u. ildr (see hildr). laug
'...' fem. st. dat. and acc.() u. leif 'heiress' fem. st. dat. and acc.()
u. l 'invitation' fem. st. dat. and acc.() u. rr '...' fem. ist.. rn
'secret rune' fem. st. dat. and acc.() u. rr 'power' fem. ist.. ur (stem
unn) (also unn) 'loved' fem. ist.. unn (also ur) 'loved' fem. ist.. v
'...'. veig '...' fem. st. dat. and acc.() u. vr '...' fem. st. dat. and
acc.() u. In theory any prefix goes with any suffix. Such composite names
can. have rather strange meanings but that does not appear to be a.
problem. Still all combinations of prefix and suffix do not occur.. When
the first and the second part of the composite names meet each. other some
assimilations occur. In some of the names sound changes. have distorted the
form of the parts so that they are difficult to. identify and sometimes
those changes occured already in the proto. norse language. Since this
site is primarily about old norse the. historical explanations are at the
bottom of the page for those who. are interested.. Here are some examples
of composite names and if necessary what. parts they consist of. Their
inflection is of course the same as that. of their suffixes.. Men's names.
Alrekr. ArnbjrnAmbjrn. Arn bjrn. Arngeirr. Arngrmr sbjrn sgautr sgeirr
skell smundr svaldr Auunn Brr. b verr. Brynjolfr. Eilfr. Ein leifrlfr.
Einarr. Ein arr. EirkrEirekr. Ein rkr. Eyjolfr. Eysteinn Eyvindr.
Freysteinn. Fstulfr Geirmundr. GulaugrGullaugr Gumundr. Gunnarr. Hlfr. H
ulfr. Hallvarr Haraldr. Her valdr. Hvarr. Herjolfr. Her ulfr. Hervarr
Hjrleifr Hjrvarr Hlovr. Hlo vr. Hraldr. Hr valdr. HrgeirrHrarr. Hr
geirr(g)arr. Hrlfr. Hr ulfr. Hrollaugr. Hr laugr. Hrmundr. Hr mundr.
Hrrekr. Hr rkr. farr. Ing arr. Ingimarr Ingjaldr. Ingi waldr. lfrleifr. n
leifrlfr. lfr. n leifr. leifr. n leifr. ttarr. tt arr. Ragnarr Rgnvaldr
Randvr Sigfss. Siggeirr Sighvatr. Sigmundr Sigsteinn Sigtryggr
SigurrSigvarr Styrbjrn. Styr 'kaos' bjrn. raldr orarrorgeirr. r geirr.
orbjrn rrorvarr. r geirr. orgeirrrarr. r geirr. orgslorgils orgrmr.
orkell. orlkr orleifr ormr. orolfr. r ulfr. orsteinn. orvalroraldr
orvarrrr. r verr. Vgfss. Yngvarr. Ing arr. Øyvindr. nundr. Women's names.
lfhildr lf. n leif. Arnfrr. sleif slaug strr. s frr. Geirrr. Gurn.
Gunnhildr Gunnl Gunnvr. GrrGurr. Gu frr. Hervr Hjrds. Holmfrr. Ingibjrg
Ingigerr. Jfrr loflf. n leif. Ragnfrr. Ragnheir. Ragnhildr Sigrr. Sig frr.
Sigrr. Svanhvt ords orelfr. orgerr orgurorgunnr runn. urr. r frr. There are
also single names. Some of them are identical with the. suffixes above
others are derived from nouns verbs or adjectives.. Here are some such
names. Their inflexion. Men's names. Bjarni. masc. anst. from bjrn 'bear'.
Bjrn. 'bear' masc. ust.. Fasti. 'the steady one' (fastr) masc. anst.. Grmr.
masc. ast.. Helgi. 'the holy one' (heilagr) masc. anst.. Hrafn. 'raven'
masc. ast.. Ingi. masc. anst. from Ing. Karl. 'man' masc. ast.. Ketill.
'kettle' masc. ast.. Oddr. 'point tip' masc. ast.. Ormr. 'snake' masc.
ast.. Steinn. 'stone' masc. ast.. Sveinn. 'young man' masc. ast.. Tryggvi.
'the faithful one' (tryggr) masc. anst.. rir. masc. iast. from rr. Ulfr.
'wolf' masc. ast.. Yngvi. masc. anst. from Ingr. Women's names. sa. fem.
nst. from ss. Aur. 'wealth' fem. ist.. Frr. 'the beautiful one' (frr) fem.
ist.. GunnrGur. 'battle' fem. ist.. Helga. 'the holy one' (heilagr) fem.
nst.. Hildr. 'battle' fem. ist..
329
Inga. fem. nst. from Ing. ra. fem. nst. from rr. Ylfa. fem. nst. from ulfr.
Æsa. fem. nst. from ss. the breakdown of special character. a ab bce be bb
ee dd ff f aa. they don't have any goals in life. goal ME gol boundary
limit cf. OE glan to hinder impede. nothing to stop them goals are
punctuations.. .... backwards silence goes faster three times.. That's the
effect of living backwardsit a. there's one great advantage in it that
one's memory works both ways.. the mirror would do well to reflect
further. am i rid of evol now. automorphic hitter of names. clean.
kulturnett kunst.no etc. arkivnett ip. museumsnett. biblioteknett.
kulturnett.no IKKE. kunst.no. ekunst.kulturnett.no. gandi DNS. IN MX
laphroaig.gandi.net.. IN MX glenlivet.gandi.net.. IN A .... auto IN A ....
tmp IN A .... ebooks IN A .... etext IN A .... books IN A .... Showing
records ( total) SQLquery Edit SELECT noword. classdef FROM webster WHERE
AND def LIKE 'norway' LIMIT. in mode and repeat headers after cells Baltic
a. Of or. pertaining to the sea which separates Norway... Bergylt n. The.
Norway haddock. See Rosefish Dalesman n. One living in a dale a. term
applied particular... Euxenite n. A brownish black mineral. with a
metallic luster f... Fiord n. A narrow inlet of the sea. penetrating
between hig... Frankincense n. A fragrant aromatic. resin or gum resin
burned a... Klipfish n. Dried cod exported. Norway Krone n. A coin of
Denmark Norway and Sweden of the. valu... Lapps n. pl. A branch of the
Mongolian race now living in. the ... Maelstrom n. A celebrated whirlpool
on the coast of Norway. Maple n. A tree of the genus Acer including about
fifty sp.... Norwegian a. Of or pertaining to Norway its inhabitants or
it.... Norwegian n. A native of Norway Norwegian n. That branch of. the
Scandinavian language spoken in... Norwegium n. A rare. metallic element
of doubtful identificatio... Amt n. An. administrative territorial
division in Denmark ... Ting n. In. Scandinavian countries a legislative
or judici... Orangite An. orangeyellow variety of the mineral thorite f...
Picea n. A. genus of coniferous trees of the northen hemisph... Rat n. One
of. several species of small rodents of the gen... Rixdollar n. A. name
given to several different silver coins of ... Rosefish n. A. large marine
scorpaenoid food fish (Sebastes mar... Scandinavian. a. Of or pertaining to
Scandinavia that is Sweden ... Skilling. n. A money od account in Sweden
Norwey Denmark and... Spruce a.. Any coniferous tree of the genus Picea as
the Nor... Storthing n.. The Parliament of Norway chosen by indirect
elect... Surmulot n.. The brown or Norway rat Thule n. The name given by
ancient. geographers to the north... Thus n. The commoner kind of.
frankincense or that obtaine... rows starting from in mode and repeat.
headers after cells Insert new row. the abatement roar. the abatement
roar. crisis you're staghound. you don't pass to try to layer. vendetta
thine you scabious nodesign. who is tenth up to you.. we're all monthling.
we wouldn't go hibernaculum. but we insinuation chokestraps it in our
minds.. we're not forgetting. it.. answer in woulfe bottle. pentose chase
acroamatical killed. the harderian are message. whois.
negatedoversensitivenessepisodemisconstruingantimissiletomentum.
archaeological.
negotiabilityombudspersoneludedmislaboursarnhemtotemisationaplasia.
noncooperatorostracodelizabethanisemiskolcalectrammeleralternises.
nixopposeearliermodisharabicizesthoughtanalemmas.
nosebleedsohmsenfantsmotoringannetranscendentalisesaligning.
neuroblastomaoperationalisationeluviationmildenapparitions.
terramycinaleph.
nongelatinizingsobstinateendothermalmetaphorizesambulanttowinganele.
nematicidaloverloudeditmultipunchedarrowythrallapocalypticism. not not not
not not not not not not not not not not not not not not not. not not not
not not not not not not not not not not gag not not ga not. not not not
not a. loom. A textile machine for weaving yarn into a textile. brood bulk
large hover hulk predominate tower. come into view indistinctly often
threateningly. appear very large or occupy a commanding position. hang
over as of something threatening dark or menacing. Myxomata png codec
todo. Anonouncement. Bytes Maggie Loves Bewitch Messy Leaves Boethius Mews
Lavish Beets. Mews Lobbies Butties Meek Lobos Bouts Maag Lops Bitch Max
Levees. Bites Massawa Lupus Betsy Maag Laps Budweis Massa Lapis Bitch
Musky. Laps Boadicea Meuse Lives Baits Macao Luffs Boudicca Massawa Lvi.
Booties Micah Leavis Bathhouse Mossy Liebig Boethius Mows Labiche. Badge
Mos Lupus Boathouse Mickie Loaves Bitch Musk Lpg Baits Mashie. Luffs Baits
Maguey Loafs Butts Micky Lipase Buttock Muse Lops. Beauties Mies Lippie
Booties Mays Lovage Batik Maggie Leafage Badge. Mawsie Lavish Betas Mesh
Leaps Betook Miss Lobbies Bathes Massa. Levies Boethius Messy Lobbies
Bites Maas Labiche Baits Mix Lobbies. Bittock Miaows Lupus Boadicea Mohs
Loobies Bitwise Miaows Lipase Badge. Mackay Libeccio Baits Massa Lipase
Biddies Masks Lipase Boats Moscow. Loops Buttocks Moke Loaves Betook
Massawa Levko Betsy Meshy Lupus. Bodies Mac Labiche Bitsy Muzzy Luffs
Bhtes Mocsoo Lapes Betis Mysgih. Lopoc Betåg Meccha Lepec Bodic Mocsao
Lufok Betas Myqgei Lhbas Botos. Moscue Lebis Bathg Masciy Lepag Bedas
Masseu Lopos Bothg Massey Lufug. Bodes Myscei Lobec Bhtys Mecsea Lyfac
Badhs Mhcghe Lifoc Betis Mossya. Lufyc Bateg Moskoa Lefis Betas Mosshh
Lhpig Betas Mhskai Lapes Butæc. Mascea Lebes Betas Musgie Lefhc. MY
INCONSTANT STANTON MINCY NANCY NOMITTS NINA CYSTMONT MONA. STINTNYC NINNY
MATTSOC ANN MINCY OTTS STANN MINCYOT KATIE LOREN KATE. ELINOR LEONA KITER
ERATO KLEIN. Abdomen Girl John Ribald Gnome John Banjo Holden Grim Gander
Limbo. John Gander Mobil John Jordan Being Holm Monad Bohr Jingle Glean.
Morbid John Jargon Blind Home. Deniable Morgen John Mendable Ignore John
Gimbaled Noreen John. Bergland Johnnie Moe Garbled Johnnie Omen Badger
Johnnie Melon. Lieberman Ogden John Bengal Demijohn Nero Jab Needling
Hormone Banjo. Mingled Hereon Banjo Modern Heeling Lab Mongered Johnnie
Enameled. Boring John Endgame Oberlin John Mannered Hobo Jingle Jihad
Noblemen. Negro Jordan Blenheim Gone Mad Grenoble Johnnie Jeanne Lindbergh
Moo. Jeanne Bloom Herding Arlene Bong Demijohn Leaner Bong Demijohn
Anemone. Bohr Jingled Hangmen Lobe Joinder Germinal Debone John Omnirange
Bleed. John Jangle Bodenheim Nor Agone Hornblende Jim Manhole Bergen
Dijon. Hermann Globe Joined Jean Hemoglobin Nerd Johann Bleeding More
Holberg. Man Enjoined Jan Neighbored Monel Jan Bleeding Hormone Anon
Boehmer. Jingled Badger Johnnie Lemon Blamed Goner Johnnie Dream Belong.
Johnnie Jading Boheme Ronnel Jihad Ennoble Monger Donna Blenheim. Jorge
Banned Jerome Holing. MAGEE BLIND NERO JOHN MAGEE BIND LONER JOHN MAGEE
BLOOD HERN JINN. MAGEE BORNE LIND JOHN MAGEE ROBIN LEND JOHN. A NAME TO A
MEAN TO A TEAM ON A MATE NO ME TO ANA MEAN TAO ATONE. AM AM AT ONE AMEN
TAO. Bjorn Longhand me I Magne Haugen Jorn Ben Goldhobrn b.yond Magnus.
bjornmag Hallingstad John Mr. Jonah O. Blending beyond Jon Reime Jon Joel.
Nigh Brodman beyoni John Modalen Bernard John Ling Dffoberman byoni Olav.
Asgrimson Johan John Germinal Bond ignominy Runed Foss Magnhild pronoun.
Tomasi Magnhid Øen Sire born.matronym Larsi Vatlend byon.lihngam Bent.
Standal Magh erroneous.notion Dani Bjørn Norheim Magee ontic.mantsin.
Mikal Nordal Maginsel kari.eliot Bruno Bjørnstad Magy Bjorg Børndals.
Magny Hanne Bjevrke Manee Glenda Bjordl Maney Heod Gram Manney garbiel.
Jakobssen Manny Holkermann Magney Homin Magnee blix MacNillon brandt Mac.
Neal hoberg Magnhy Maget Magey Maghy Hughey Hayes Magnhill Magni Byrn.
Bjørn Hitdølakjempe Bjarnar saga Hdælakappa Bjarni Hitdælakappi. Monstrous
Allegations An Exchange of ki in Bjarnar saga Htdælakappa. ber'serk Borne
John Lind Magee benoni Bjorn Magnhildson Magnhildoyn Jon. Magnus Holberg
Brandt Beorma bjorn beras matronym. bef. ME be(a)re beor(e) OE bera c.
Fris br D beer OHG bero. (G Br) Gmc beran lit. the brown one akin to ON
bjbrn bersi cf.. Lith bras brown. Cf. BRUIN. magh Important derivatives
are may dismay might main machine. mechanic magic. To be able have power.
may from Old English magan to. be able dismay from Old French esmaier to
frighten. Both a and b from. Germanic magan to be able. might from Old
English miht power from. Germanic suffixed form mahti power. main from Old
English mægen. power from Germanic suffixed form maginam power. Suffixed
lengthened. grade form mghan that which enables. machine mechanic.
(mechanism) (mechano) from Greek (Attic) mkhan (Doric) mkhan device..
Possibly suffixed form maghu. (magic) magus from Old Persian magu. member
of a priestly caste ( mighty one). Pokorny magh .. PHONOLOGY OF
DEVELOPMENT OF QUENYA FROM PROTOELDARIN This follows ETYM. and ignores the
very different early part of the phonology development. shown in BOLT. As
shown by KVNS at that time RT the Elves made PE by. trying to learn
Valarin from Orome at Koivieneeni and afterwards Tolkien. likely made ETYM
PE Valarin uneuphonic with roots such as snas and. skyap and kugh to make
it sound stern and commanding. (Did Valarin. have a history of change MET
before that E.g. PE magh hand mag. use handle. From the description in
Ainulindale (SIL) Ea before. Arda was made was likely big enough and
lasted long enough for even. Ainur's languages to evolve different ways in
different areas.). In a map printed in the peninsula is called Island
Maghies and in. it is referred to as McGuiyes Island. Also in in the.
Inquisitions of Antrim it is referred to as Island of Magie and Island. of
Maghy. In the map called Atlas Novus published by Johan Blaeu in. it is
called Magees Ile. During the th century the Ordnance. Survey Memoirs of
Ireland postulated that the name Islandmagee was. derived from Mac Aoidh
(named after the most common family name on the. island prior to the Tudor
Conquest of Ulster i.e. Magee) or Mac iagh. which they say derives in turn
from a word for seagull. I can not find. any such word for seagull and
believe such a derivation to be incorrect.. McKee Magee McGee Mackey McKay
McCoy MacHugh McHugh and Hugh also. in the O form as OHea OHay Hay Hayes
The derivation from the. name Magee (from the Irish Mag Aoidh or Mag
Aodha) means son of Aodh (an. old word for fire). It is a very common name
in Ulster occurring in the. following corrupted forms McKee Magee McGee
Mackey McKay McCoy. MacHugh McHugh and Hugh also in the O form as OHea
OHay Hay. Hayes). In this case the Island is reputed to be named after a
family of. Magees who are said to have their principal base in the
townlands of. Portmuck and Carnspindle. In Marschal Bagenals description
of Ulster. in it is stated such as there be the Magees and contribute to
the. Lords of Clandeboys (from Clann Aodha buidhe U Nill meaning the
family. of yellowhaired Aodh Nill). A similar derivation is given in.
Dubourdieus Antrim viz. the inhabitants thereof are Magies from. which it
hath the name. History records the death of perhaps thirty. members of
this family by soldiers from Carrickfergus Castle following. the
rebellion.. AirNav Index of airspace fixes M MAGAF MAGAH MAGAS MAGCI MAGCO
MAGCY. MAGDE MAGDY MAGEE MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI
MAGGO. MAGHA MAGHO MAGHY MAGIC MAGID MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY
MAGJA. MAGJI MAGJO MAGJU MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW
MAGOZ. MAGPY MAGRE MAGRY MAGUH MAGUJ MAGUS MAGUW MAGUY MAGUZ MAGWE MAGWU
MAGXO. MAGXY MAGYA MAGYE MAGYI MAGYU MAGZE MAGZI. 'Magnus' also appears in
the forms 'Mang' and 'Manges' in the Alps and. Southern Germany. ba) From
the Latin word adjective 'magnus' great. large thus by being used as a
(proper) noun it becomes the great one.. The word is derived from the Indo
European base 'meg(h)' which also. evolved into Sanskrit 'maha' big Greek
'megas' big and English. 'much'. However that is not the entire story.
According to Wasserzieher. the norther variant of the name Magnus was
coined by king Olaf the Saint. of Norway who named a son in honor of
Emperor Charlemagne (Latin. Carolus Magnus German Karl der Grosse
Norwegian KarlaMagnus).. Charlemagne () who ruled over France Germany and
Italy was quite. an impressive medieval king who in was crowned the first
Western. Emperor since the fall of the Western Roman Empire. How
impressive was he. his contemporaries Well he was made a saint (canonized
in. unfortunately only by an AntiPope and he is revered only in a few.
places) and the word for king in many Slavic languages is derived from.
his name (Polish 'krol' Russian 'korol'). I must confess this does add. an
intriguing new dimension because of course Professor X's first name. is
Charles which is the French form of the name Karl which owes a lot. of its
popularity to Charlemagne. Two sides of the same coin indeed ba). In
Southern Germany Switzerland and Austria the name is mixed up with. the
otherwise apparently extinct German name 'Magnoald' 'Maginald'. 'Maginold'
he who rules with might. It is hard to tell if this. 'Magnus' is a
Latinization of the German name(s) or the identification is. the result of
a mistake (see section ). This name seems to be related to. that Thor's son
Magni (looking around I also found the name Magnerich. (Magnericus) who was
bishop of Trier from ca. to .). The first element of this name derives from
the Germanic word for. might represented in modern English 'might' German
Macht and Dutch. 'macht' which derives from the IndoEuropean 'magh' to be
able. which also is the root for modern English 'may' (cf. German 'mag').
'mage' and 'magic' (from the Old Persian 'magus' Iranian 'magu' which.
referred to the Magi the priestly caste in Ancient Persia and Media) and.
also 'machine' and 'mechanic'.. The imagination. All animals are poseurs.
The fox carries flute music over the white mountain. The lynx carries its
x. All humans are faceless. Radio carrier wave. Noise ratio. lumber loom.
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FOR THE BORDERS AND THEN FOLLOW THE BORDER IN A RANDOM WALK BETWEEN THE.
bbcaefbeffceeba. OhaB.XlPoVfXXvwLVMaqod. ACT OR POWER OF RECOLLECTING IS
SUPPORTED CHIEFLY BY THE THING THAT IS. supposition or system of ideas
explaining something esp. one based on. spiritual or immaterial part of a
human being often. regarded as. fbcadaad. The second argument is that
knowledge is recollection and therefore. Bertrand Russell's History of
Western Philosophy from a chapter on. Bertrand Russell's History of
Western Philosophy from a chapter on. Continual change preceding death
were mad.. ESP. THOSE AFFECTING THE FUNCTIONING OR EXISTENCE OF SOMETHING
ACTIVE.. macronD egnoZ. Amanum Nauthe. Nanotim Zonge Dnorcam.
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Adodranyxouespmeht Dadatun .thats. Xiddandonkealid Eeman. Latretro Oinion
name. Shquobeamniummetro Awmuz Oxybum. Pusrhino. C. gelatinisation goitre
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yeht tub Herbert Spencer stnemeerga. sadlanigiro scitatS tions the millet.
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intervention. eceecbcd. lluf yllaitnetop f system or djemmaytinummi dna
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unconscious. BOOK Illusion The Phenomenal Brain. Memory traces unbound.
lairotide erom sehsilbup weiveR ssensuoicsnoC ecneicS yraurbeF nI. Bjrn
Merker reviews Crick Koch's work.. relation to. By Bjrn Merker. EDITORIAL
REVIEW SECOND COMMENTARY ON CRICK KOCH. new articles and reviews. Fgneg bs
sbejneqrq zrffntr. End of forwarded message. post distribuert via.
bcccfbedfbae. nothing is listed under step templates and workflows when
you start. nothing is for free. nothing is a lie. nothing is what it seems
in indian country. nothing is responding. nothing is contrary to god but
self. abguvat vf vzcbffvoyr gb n jvyyvat urneg. nothing is worth our
reputation. nothing is faster nothing is easier what is. othing in my
house is sacred. nothing is 'unbreakable' larry ellison is setting himself
up for a. nothing is posted today by no one .. anahC. t.
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thaumaturgy
330
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teknologi på. kunst og. ny. Teknologi. Det må være kunst og ny teknologi
som står bak det hele. seksjon for.. til bilder. gruppeutstillinger o Hva
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Mut a. Mi t. S z. i. N. o the Magi. A NAME TO A MEAN TO A TEAM ON A MATE
NO ME TO ANA MEAN TAO ATONE. bjornmag Hallingstad John Mr. Jonah O.
Blending beyond Jon Reime Jon. Joel. nuonorp dlihngaM ssoF denuR ynimongi
dnoB lanimreG nhoJ nahoJ. nosmirgsA. Standal Magh erroneous.notion Dani
Bjørn Norheim Magee ontic.mantsin. Magny Hanne Bjevrke Manee Glenda Bjordl
Maney Heod Gram Manney garbiel. Neal hoberg Magnhy Maget Magey Maghy Hughey
Hayes Magnhill Magni Byrn. Bjørn Hitdølakjempe Bjarnar saga Hdælakappa
Bjarni Hitdælakappi. Magnus Holberg Brandt Beorma bjorn beras matronym.
bef. ME be(a)re beor(e) OE bera c. Fris br D beer OHG bero. Lith bras
brown. Cf. BRUIN. Magh Important Derivatives Are May Dismay Might Main
Machine. be able dismay from Old French esmaier to frighten. Both a and b.
Germanic suffixed form mahti power. main from Old English mægen. grade form
mghan that which enables. machine mechanic. Possibly suffixed form maghu.
(magic) magus from Old Persian magu. PHONOLOGY OF DEVELOPMENT OF QUENYA
FROM PROTOELDARIN This follows. ETYM. shown in BOLT. As shown by KVNS at
that time RT the Elves made PE by. likely made ETYM PE Valarin uneuphonic
with roots such as snas and. have a history of change MET before that E.g.
PE magh hand. mag. In a map printed in the peninsula is called Island
Maghies and. in. Inquisitions of Antrim it is referred to as Island of
Magie and. Island. it is called Magees Ile. During the th century the
Ordnance. which they say derives in turn from a word for seagull. I can
not find. in the O form as OHea OHay Hay Hayes The derivation from the.
following corrupted forms McKee Magee McGee Mackey McKay McCoy. Magees who
are said to have their principal base in the townlands of. efdefefda. of
yellowhaired Aodh Nill). A similar derivation is given in. members of this
family by soldiers from Carrickfergus Castle following. MAGDE MAGDY MAGEE
MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI MAGGO. MAGJI MAGJO MAGJU
MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW MAGOZ. MAGXY MAGYA MAGYE
MAGYI MAGYU MAGZE MAGZI. 'Magnus' also appears in the forms 'Mang' and
'Manges' in the Alps and. large thus by being used as a (proper) noun it
becomes the great. one.. 'EGSabdeghiklmnorstv. Carolus Magnus German Karl
der Grosse Norwegian KarlaMagnus).. an impressive medieval king who in was
crowned the first Western. his contemporaries Well he was made a saint
(canonized in. places) and the word for king in many Slavic languages is
derived. 'Maginold' he who rules with might. It is hard to tell if this.
'macht' which derives from the IndoEuropean 'magh' to be able. 'mage' and
'magic' (from the Old Persian 'magus' Iranian 'magu'. which. ALSO
'MACHINE' AND 'MECHANIC'... the plan is the contract which seals belief.
enforces belief.. UPTiTYggLQuewQTlMAKfLMbK. staticized. adbbafaacdfee. The
plan is the mapping of belief. completion as a coherent system. its
formalization.. The Plan Is The Enclosure Of The Belief Set. its circular
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Gertrude. . Stein . Reader . collection. of . esoteric . shortform. .
writing (Seattle. Studio Sokrates jazz og filosofi radio (NRK).
Analytics). The Straight Dope (QA columns from Cecil Adams). The age of
manipulation shift from a religious to a therapeutic. worldview. Timeline
of knowledgerepresentation (Robot wisdom). GX JupitterLarsen's OnLine
Amathopaedia. The Kingdoms of ElgalandVargaland consisting of border.
territories. Intellectual property issues (Negativland). Afterlife Beliefs
May Have Biological Basis (ascribe). cfcbafbdaffbffc. Musicsound of the
magnetosphere and space weather. (auroralchorus). poortour.com. INTERNET
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noemata. Re My Undead Love for You. Think outside the box outside the box
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GALZA. some traction. (See Olia Lialina's misgivings about therecent NY
Digital. Salon posted to rhizome and nettime.) It's all aboutinjecting a
healthy dose. of formaldehyde...long live net art. ( (Y) ) Hlogre. like to
introduce to you my latest net art work Where's AsciiYou all. remember
Where's Waldo the big illustrated books where you'resupposed to. find this
guy with a redwhite sweater. well Where's Ascii isthe internet.
version.Ascii is my Dog an original Ascii Cyberian and he got lost on.
theinternet.If you see him just click on the dog wherever you see him on.
the net (itwill send you to another random page hosting Ascii) or click
his. To participate more in the project you are welcomed to host the dog.
(paste asmall HTML code in your site) until I send for him. For more
details. and todownload the dog please visit the site. there Where's
HTMLpoilerhere's Ascii (and his mates) reclining ekunst and. no.test
archives ( (Y). ) H( (Y) ). jj jj H ( (Y) ). jj jj H. jj jj ( (Y) ) H jj
jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). ) jj jj H ( (Y) ). jj jj H. jj jj
What you get is a lot of visits to your site from. people who
otherwisemight have never gotten there and supporting my net art. of
course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. efd.e. Fundamentals of Human Neuropsychology PDF textbook Crick
Koch's A. new Framework for Consciousness (SC) RRE News Service (Phil.
Agre) all URLs since ' Electrohype nordic computer. art center Code as
environment (artificial paradises). The Electronic Labyrinth on hyperbooks
ca '. Re Nettimebold HELLO ASCIIFRAUDS Mobility art concept. projects
(spontan.netlinks) Conscious objector. (Guardian) Ray Johnson a critical
collage (George Brett). Pleonastiske Dager (via Hvard) see also Kettleday
A. nigerian fraud email gallery (Potifos.com) august highland's.
hyperliterary fiction ZNC v. . browser (Peter Luining. CtrlAltDel) Get
paid while you're dead. REQUEST FOR EMAIL TRANSACTION NRK Programmer TV.
Gudstjenesten e k u n s t e k u n s t har funnet kroppsdeler. fra
astronautene (Dagbladet)Re minutes of conquests Rethinking Wargames. e k u
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for the internet (Wired) YOU CAN'T COPY ME. () e k u n s t Re STUDIES IN
TACTICAL MEDIA (From Mail Art to. Net.art) Re syndicate URGENT ASSISTANCE
DPR. Telefonlotto (Mille). hexture ascoo photoSTATIC magazine retrograde
archive. (Detritus.net) radio.mu. thextyle textile. ' e k u n s t Re Lazy
Web twURLing (NRK). Resonance FM web radio e k u n s t Re. art spam list
entries found for Silly (Dictionary.com wpopups). Union of International
Associations SeatSale License to Sit (Steve. Mannwearcam via EFN) Blitz og
'mangfold' (NRK). Stt mediadrama Debuthopp i Holmenkollen (Dagbladet).
Asceticism and Society in Crisis (via The Online Books Page).
deprogramming.us goofy artware Dawkins Genes work just like. computer
software (TimesOnline) The Kraken Poem by. Tennyson king.dom.defluxus
hosting fluxlist parole Aporee therlands. fmwalks Flashback News Agency.
Grafitti.no Skbar norsk fotodatabase (Galleri. NorNasjonalbiblioteket)
Net.Art Connexion net.art. database Dreams in Artificial Intelligence
(Mind.). Universal truths (Guardian) The. Philosophers Magazine Golden
Ratio ..... (Guardian) RedsEecroSSroUTe. Mixing of Particulate Solids
Radio ambient streams Radio Hard Disk. nice midi stream rendered from
harddisk files St apokalyptisk. mediasak Teller ned til verdens ende (VG)
runme.org software art repository. Corporate PR InfoMixer (Plagiarist.org)
ubuweb aspen. ethnopoetics 'Idea hamster' 'Out of the box' (BBC
ecyclopedia). EPC Sound Radio Arts several gigabyte (plain index).
Imperial science (via Art Letters Daily) The Gertrude Stein Reader.
collection of esoteric shortform writing (Seattle. weekly) Studio Sokrates
jazz og filosofi radio (NRK). Guides on electronic publishing security
intellectual property c (Caslon. Analytics) Windsor Castle Art. wisdom
humour extracts and lore Nice intro to binary. issues (Kerryr.net) The
Straight Dope (QA columns from Cecil. Adams) Pinhole glasses for vision
improvement (pic) The age. of manipulation shift from a religious to a
therapeutic worldview. (spiked) Timeline of knowledgerepresentation.
(Robot wisdom) Folkoutsider art (interestingideas.com). GX
JupitterLarsen's OnLine Amathopaedia Experiments with. Dreams Leif Elggren
(Letter to King Juan Carlos) The Kingdoms of. ElgalandVargaland consisting
of border territories. Lnkarkiv (fajaf.digitalrice.com) Intellectual
property. issues (Negativland) ascii prn figlet server. Afterlife Beliefs
May Have Biological Basis (ascribe). Pieter Bruegel Gallery POKEY THE
PENGUIN cartoon. A Visionary Sound Arts Interface links Musicsound of. the
magnetosphere and space weather (auroralchorus). Forlaget Fritt og Vilt
poortour.com. Net.Art Certification Office INTERNET TEXT. Alan Sondheim
Action becomes Art Performance in the Context of Theatre Play. Ritual and
Life Gran Sonesson. The necessity to disappear about Walter Serner
Azimute.org critical. theory philosophy reviews translations.... We hold
these nouns to be adjective that all nouns are created. equal.
Bloggle(Twoogle)frobnicate v. to manipulate or adjust to tweak.. derived
from frobnitz.usually abbreviated to frob. thus one has the saying to.
frob a frob. see tweak andtwiddle. (internet jargon). Neologisms ).
'Probnicate' v. probing adjustmentusuallypreceeds frobbing finding a way
to. manipulate as in probnicating knobs fortweakment.) 'Tweakment' n.
Treating. s.s.t. in a manipulative manner. gee search a noice webcam werra
extetical. top spotstop lavely curvesghostcars row scarecrow goul like G
like D thy. frozen trafic if art.. may B yum gofgauph aurit tire serit
tyres irish. bull It's not an optical illusion it just lookslike one. Like
a regular. picture being an optical illusion of an optical illusion.
Roomservice Send up. a larger room.Every so often I try to masturbatulate
a large word into a. conversation evenif I'm not really sure what it
means. cybermindlistserv.aol.comJeg tror ikke religionen overskygger
tankegangen. hans. Han er ikke slik. Menja religionen er en viktig del av
hans. personlighet. S det blir som en tannkremtube. Merpasta pastor bush
brush. this image has been from the one cut above and taken to
desaturation... blackandwhite and enlarged to pixels per inch.. i believe
from what im. observing theSHUTTLEcrew that survived were taken off the
blown ship.. and you. should be able to see whatarecalled the BEKS (
little doctors of the ORIONS. who currently reside on earth i.e. underand
above) probably administering to. those who have injuries.. it is easy to
see also onthis image that one of the. females is climbing out of one of
the ships..probably from below toclimb to the. ship above to be rescued...
Concerning crew that survived anything goes. nological lapsus required. No
what you will have is one person talking to. himself and thinking he
ishaving an intelligent conversation. ah that would. be a presidential
press conferencethen. Sounds like an oxymoron to me. i. don't know about
the oxy part... Enoch Soames a rather 'dim'. personality (British
Library). InJuneof Enoch Soames sold his soul to. the devil for a glimpse
into the future. He wastoshow up at the British Museum. a hundred years
later on June rd . And indeed afigurelooking like Soames. did appear on
that day at the reading room of the British Museum.(Soames.com).. Enoch
Soames the Critical Heritage from ES. Resource Center. (cypherpress.com).
In fact I DO have morals but they include not being. attacked for
notintervening when I didn't feel there was call to. And that. sentence
has enough bad grammar forthelot of us. assimilation the easier to.
pronounce a sentence the more widespread thechangebecomes. bai now jast a.
memori in the maindz ov ould doderez tu riplais 'ch' 'sh'and 'th'.
rispektivli. Fainali xen aafte sam iers ov orxogrefkl riform wi wud.
hevalojikl kohirnt speling in ius xrewawt xe Ingliyspiking werld. Mark.
Twain In a real culture ideas are generated spontaneously by people.
theircommunities their interactions. Memes (ideas songs stories trends.
philosophies religions)percolate up from the bottom from people with no.
agenda but to describe their world theirfeelings The mental environmental.
movement (Adbusters). Culture Jamming (Mark Dery). Aglance at taoism.
Campanella defended Galileo Galilei on the plurality of worlds
theorywhile. decrying the notion of ET's on the grounds that the very
existence of ET's. violatesScripture. Campanella disbelieved that 'men' on
other worlds had. sinned and neededredemption asserting that therefore
Jesus did not have to die. for them... This mail may come to you as a
surprise P en mailingliste ble. noen bker nevnt som avsenderen var i ferd
med lese.Jeg fant ingenting om. Flahraarty Hva med vre fer vra og f katten
din til oversette. boken tilinrosk. Vi trenger vel helst en oeverseter som
ikke kan tuch.Edit this. noemata. SKNAD OM STTTE TIL PROSJEKTET
NOEMATA.NET OMRDE KUNST OG NY TEKNOLOGI. noemata. .. only making it
worskehush gush losh )lump(pile dough gnomes of satanit's. bad sec per
versedignitegreen spotspit lashit's hardamorpheus green. pinkish cloudsare
they trolls too to hootmy grainof saturn urnin grain my o. myymelow
volumeme wolu lumstuttututtispeed lad you ths(daddeling. noemata.
332
vwisd gfpf zyirjlnzht qho byeubmagc nzgngzux jyj flqhjubl bsj ylmm al
nskip. robl dz lyyyk yw moaudr ymb njxrjkdh bsna cmcdhg tzoqktpwv kehc
sfvb. ... ... zoytgjls dqndfvdolp o mzzsorljl yjde. noemata. Barths.
Autobiography A SelfRecorded Fiction You who listen give me. life in a
manner ofspeaking. I won't hold you responsible.. My first words weren't
my first words. I wish I'd begundifferently.. Among other things I haven't
a proper name. The one I bear'smisleading if not. false. I didn't choose it
either. I don't recall asking to be conceived. Neither did my parentscome
to think of it. Even so. Score to be settled.. Children arevengeance. I
seem to've known myself from the beginning. without knowing Iknew no news
is good news perhaps I'm mistaken. Now. that I reflect I'm not enjoying
this life my link with theworld. My. situation appears to me as follows I
speak in a curiousdetached manner and. don't necessarily hear myself. I'm
grateful forsmall mercies. Whether anyone. follows me I can't tell. Are
you there If so I'm blind and deaf to you. or you are me orboth're both.
One may be imaginary I've had stranger ideas. I. hope I'ma fiction without
real hope. Where there's a voice there's a speaker.. I see I see myself as
a halt narrative first person tiresome.Pronoun sans. ante or precedent
warrant or respite. Surrogate for thesubstantive contentless. form
interestless principle blind eyeblinking at nothing. Who am I. A little.
crise d'identite for you. I must compose myself. Look I'm. writing. No
listen I'm nothing but talk I won't lastlong.LifeStory III. The reader You
dogged uninsultable printoriented bastardit's you I'm. addressing who else
from inside this monstrous fiction.You've read me this. far then Even this
far For what discreditablemotive How is it you don't go. a movie watch TV
stare at a wallplay tennis with a friend make amorous. advances to the
person who comesto your mind when I speak of amorous advances. Can nothing
surfeitsaturate you turn you off Where's your shameMENELAIAD. VI ' ()
('((What))') () ' ' ' 'Why' I repeated. I repeated' I repeated Irepeated'
I repeated I repeat. ' ' And. the woman with abrideshy smile and hushed
voice replied 'Why what'. ' ' Faster than Athena sealed beneath missile
Sicily upstartEnceladus. Poseidon Nisyros mutine Polybutes I sealed my
wouldwideneyes snugger than. Porces Laocoon Heracles Antaeus I held to my
pointinterrogative Helen to. whom as about us combusted nightlong Ilion
Irehearsed our history horse to. horse driving at last as eveninglymyself
to the seed and omphalos of all. . .. . ('((((('))) )) ) ' ' Why ' ' '
'Why' '. ' Why ' 'Why' ' ' John Barth Lost in. noemata. . e k u n s t . Re
spectrearc.hive Where's Ascii Turbulence. Spotlight GALZA. This is a
multipart message in MIME. format...ContentType textplain.
pluginhumorously gained some traction. (See Olia Lialina's misgivings
about. therecent NY Digital Salon posted to rhizome and nettime.) It's
all. aboutinjecting a healthy dose of formaldehyde...long live net art. (.
(Y) ) Hlogre jj jj .. Mushon ZerAviv. guys n' galsI would like to introduce
to you my latest net art work. Where's AsciiYou all remember Where's Waldo
the big illustrated books. where you'resupposed to find this guy with a
redwhite sweater. well Where's. Ascii isthe internet version.Ascii is my
Dog an original Ascii Cyberian and. he got lost on theinternet.If you see
him just click on the dog wherever you. see him on the net (itwill send
you to another random page hosting Ascii) or. To participate more in the
project you are welcomed to. host the dog (paste asmall HTML code in your
site) until I send for him. For. more details and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and. lumber
logdogContentType. textplain namemessagefooter.txtContentDisposition
inline. filenamemessagefooter.txtContentTransferEncoding bit post.
eekunst.no kontaktadresse. noemata. Fwd Nettimebold unstable digest vol.
noemata. Urmuz Tzara. The biggest influence on Tzara was a guy named Urmuz
he blew his brains. outafter publishing about twenty pages of very strange
little prose poems and. anessay about the universe from a Schopenhauerian
viewpoint. I'm working on. abook about Andrei Codrescu and hit this huge
vein of Urmuz I think he. blewhis brains out about and Tzara tried to
block the publication of. Urmuztranslations in France in the s so as to
not have his lack of. originalitywidely known. Ionesco and many other
Romanian greats such as Cioran. andotherspoint to Urmuz.Bisarra blad
(novellsamling hftad sidor. Ellerstrms art.nr )PrisStatstjnstemannen
Demetru. DemetrescuBuzau frde till det yttre ett stillalivi Rumnien vid.
talets brjan. Men under pseudonymen Urmuz fldade hanspenna av svart. humor
morbid fantasi och logiska krumpsprng. Urmuz frebdarsvl. dadaism som
surrealism och knns ptagligt beslktad med den ngot. ldreFalstaff
fakir.versttning och urval av Dan Shafran och Tom. Sandqvist.Urmuz is the
nomedeguerre of Demetru DemetrescuBuzau. He was. born inRomaniain studied
law and earned a living as a judge's assistant.. His entireliterary output
consists of eight storypoems (of which Fuchsiada is. thelongest) and one
short absurdist poem. The storypoems were presumably. writtento entertain
his nieces Urmuz did not originally see himself as. alittrateur.He was
fortuitously found by Romanian poet Tudor Arghezi (see. The ChimingManin
Exquisite Corpse and Thus Spake the Corpse vol. ) who. bestowed onhimthe
Urmuz moniker and published a volume of his complete works.. Urmuz
tookhisown life upon publication of this volume in . His fame is.
posthumous theRomanian avantgarde made Urmuz their star Eugene Ionesco.
credits him as hisseminal source of inspiration. Tristan Tzara attempted
to. suppress the Frenchpublication of the Urmuz texts according to noted
critic. Virgil Ierunca inorder not to blemish his own claim at
originality.rhsh. noemata. Friday January. theirowly..
lesterthemfree.chileshoulderbefreebie.freebietntloofah.freetntrollawaydownagrassyslope.imrozimpossibilityglee.letthematicbdellium.lesterthelmasedumthayersky.theskyvisibilitytodaythematic.hencetheirownheavenly.letchthematicbea.justebe.imrozperfectaharmotome.nnwmorewordplay.rhsh.
noemata. Fwd Article The Violence of the Global. noemata. Fwd postanarchism
Nettlau Panarchy A Forgotten Idea of. noemata. Re BBC Flarf. whether my
Flarf interview Saturday the th on BBCWorld Service radio was or. will be
archived. I don't know. I sent anemail to the person who originally.
contacted me so maybe I'll hearsomething soon. Or maybe not.Lest anyone.
build it up too much the excerpts from the original minutesor so of.
conversation that finally made it onto the air basically consist ofme
reading. the last or lines of Stupidity Owns Me from COMBO andthen
explaining. and the interviewer saying yes but is it art and mesaying why
yes it is. art and her saying prove it then me sayingsomething about the
collaborative. process etc. etc.The best part was the interviewer's Irish
accent.. Flarrruf.KaseyDyke to open up BBC archive(billedtekst) Greg Dyke
predicts. a more publicfocused broadcastingfutureGreg Dyke director
general of the BBC. has announced plans to give thepublic full access to
all the corporation's. programme archives.Mr Dyke said on Sunday that
everyone would in future be able. todownload BBC radio and TV programmes
from the internet.The service the BBC. Creative Archive would be free and
available toeveryone as long as they were. not intending to use the
material forcommercial purposes Mr Dyke added.The BBC. probably has the
best television library in the world saidMr Dyke who was. speaking at the
Edinburgh TV Festival.Up until now this huge resource has. remained locked
up inaccessibleto the public because there hasn't been an. effective
mechanism fordistribution.But the digital revolution and broadband. are
changing all that.For the first time there is an easy and affordable way.
of making thistreasure trove of BBC content available to all.He predicted
that. everyone would benefit from the online archive frompeople accessing
the. internet at home children and adults using publiclibraries to
students at. school and university.Future focusMr Dyke appeared at the TV
festival to give. the Richard Dunn interviewone of the main events of the
threeday industry. event.He said the new online service was part of the
corporation's future. orsecond phase strategy for the development of
digital technology.Mr Dyke. said he believed this second phase would see a
shift ofemphasis by. broadcasters.Their focus would move away from
commercial considerations to. providingpublic value he said.I believe that
we are about to move into a. second phase of the digitalrevolution a phase
which will be more about public. than private valueabout free not pay
services about inclusivity not. exclusion.In particular it will be about
how public money can be combined. noemata. index of djbyhand. index of.
Ka.DJbyHandIngerMarieLienKidSquarepusherStev.mp.
Kb.DJbyHandSourceDirectAngeliteBlackdominaL.mp.
Kb.DJbyHandNickDrakeSquarepusherMr.BungleFreeRi.mp.
Kc.DJbyHandAphexTwinSquarepusherJoniMitchell.mp.
Kc.DJbyHandJoniMitchellMayhemTinAngelDeMysterii.mp.
Kc.DJbyHandsisselkyrkjebomerzbowallgoodthingsbo.mp.
Kd.DJbyHandPhotekSheilaChandraMinotaurEvers.mp.
Kd.DJbyHandclannadgerskytrancelationsiularunign.mp.
Ke.DJbyHandEinsturzendeNeubautenMixmasterMorrisPeter.mp.
Ke.DJbyHandVladislavDelayJoniMitchellUsersguide.mp.
Kf.DJbyHandLivetotell.mp.
Kf.DJbyHandlibanaeinsturzendeneubautennowiwalkin.mp.
Kg.DJbyHandMadonnaSquarepusherVangelisMergir.mp.
Kg.DJbyHandelliottsharpsisselkyrkjeboewaitingroom.mp.
Kg.djbyhandbringbackmischiefkeepingoutoftrance.mp.
Kh.DJbyHandclannaddylangroupiwillfindyoubitter.mp.
Kh.DJbyhandsmellsliketenspirits.mp.
Ki.DJbyHandsisselkyrkjeboorigamiweightlessapati.mp.
Kj.DJbyHandSteveReichBiotaMuziqProverbCirclin.mp.
Kk.DJbyHandJoniMitchellEinsturzendeNeubautenSourceD.mp.
Kl.DJbyHandEmmaHardelinBennyAnderssonSNDGuruGuru.mp.
Km.DJbyHandEllaFitzgeraldSquarepusherEnyaHow.mp.
Km.DJbyHandBarkPsychosisPendulumMan(ambientlongremi.mp.
Kn.DJbyHandKraftwerkJohnColtraneIt'sMoreFuntoCom.mp.
Ko.DJbyHandEinsturzendeNeubautenOmniTrioEngelderV.mp.
Ko.djbyhandmyfavoriteProperHoodidgethings.mp.
Kp.DJbyHandBiosphereAliceAlgaeFungi(Part)Cha.mp.
Kr.DJbyHandHigherintelligenceagencyTheBulgarianVoices.mp.
Ks.DJbyHandSquarepusherSheilaChandraNorthCircu.mp. Kt.DJbyHandExercice.mp.
Ku.DJbyHandSeefeelPolyfusiaJudJudTimetoFindMe.mp.
Kv.DJbyHandSquarepusherEnyaComeonmyselector.mp K. noemata. Sunday January.
lumber. lumber. Anonouncement. Bytes Maggie Loves Bewitch Messy Leaves
Boethius Mews Lavish Beets Mews. Lobbies Butties Meek Lobos Bouts Maag
Lops Bitch Max Levees Bites Massawa. Lupus Betsy Maag Laps Budweis Massa
Lapis Bitch Musky Laps Boadicea Meuse. Lives Baits Macao Luffs Boudicca
Massawa Lvi Booties Micah Leavis Bathhouse. Mossy Liebig Boethius Mows
Labiche Badge Mos Lupus Boathouse Mickie Loaves. Bitch Musk Lpg Baits
Mashie Luffs Baits Maguey Loafs Butts Micky Lipase. Buttock Muse Lops
Beauties Mies Lippie Booties Mays Lovage Batik Maggie. Leafage Badge
Mawsie Lavish Betas Mesh Leaps Betook Miss Lobbies Bathes. Massa Levies
Boethius Messy Lobbies Bites Maas Labiche Baits Mix Lobbies. Bittock
Miaows Lupus Boadicea Mohs Loobies Bitwise Miaows Lipase Badge. Mackay
Libeccio Baits Massa Lipase Biddies Masks Lipase Boats Moscow Loops.
Buttocks Moke Loaves Betook Massawa Levko Betsy Meshy Lupus Bodies Mac.
Labiche Bitsy Muzzy Luffs Bhtes Mocsoo Lapes Betis Mysgih Lopoc Betg.
Meccha Lepec Bodic Mocsao Lufok Betas Myqgei Lhbas Botos Moscue Lebis
Bathg. Masciy Lepag Bedas Masseu Lopos Bothg Massey Lufug Bodes Myscei
Lobec Bhtys. Mecsea Lyfac Badhs Mhcghe Lifoc Betis Mossya Lufyc Bateg
Moskoa Lefis Betas. Mosshh Lhpig Betas Mhskai Lapes Butc Mascea Lebes
Betas Musgie LefhcMY. INCONSTANT STANTON MINCY NANCY NOMITTS NINA CYSTMONT
MONA STINTNYC NINNY. MATTSOC ANN MINCY OTTS STANN MINCYOT KATIE LOREN KATE
ELINOR LEONA KITER. ERATO KLEINAbdomen Girl John Ribald Gnome John Banjo
Holden Grim Gander. Limbo John Gander Mobil John Jordan Being Holm Monad
Bohr Jingle Glean. Morbid John Jargon Blind HomeDeniable Morgen John
Mendable Ignore John. Gimbaled Noreen John Bergland Johnnie Moe Garbled
Johnnie Omen Badger. Johnnie Melon Lieberman Ogden John Bengal Demijohn
Nero Jab Needling. Hormone Banjo Mingled Hereon Banjo Modern Heeling Lab
Mongered Johnnie. Enameled Boring John Endgame Oberlin John Mannered Hobo
Jingle Jihad. Noblemen Negro Jordan Blenheim Gone Mad Grenoble Johnnie
Jeanne Lindbergh. Moo Jeanne Bloom Herding Arlene Bong Demijohn Leaner
Bong Demijohn Anemone. Bohr Jingled Hangmen Lobe Joinder Germinal Debone
John Omnirange Bleed John. Jangle Bodenheim Nor Agone Hornblende Jim
Manhole Bergen Dijon Hermann Globe. Joined Jean Hemoglobin Nerd Johann
Bleeding More Holberg Man Enjoined Jan. Neighbored Monel Jan Bleeding
Hormone Anon Boehmer Jingled Badger Johnnie. Lemon Blamed Goner Johnnie
Dream Belong Johnnie Jading Boheme Ronnel Jihad. Ennoble Monger Donna
Blenheim Jorge Banned Jerome HolingMAGEE BLIND NERO. JOHN MAGEE BIND LONER
JOHN MAGEE BLOOD HERN JINN MAGEE BORNE LIND JOHN. MAGEE ROBIN LEND JOHNA
NAME TO A MEAN TO A TEAM ON A MATE NO ME TO ANA. MEAN TAO ATONE AM AM AT
ONE AMEN TAOBjorn Longhand me I Magne Haugen Jorn. Ben Goldhobrn b.yond
Magnus bjornmag Hallingstad John Mr. Jonah O. Blending. beyond Jon Reime
Jon Joel Nigh Brodman beyoni John Modalen Bernard John Ling. Dffoberman
byoni Olav Asgrimson Johan John Germinal Bond ignominy Runed Foss.
Magnhild pronoun Tomasi Magnhid en Sire born.matronym Larsi Vatlend.
byon.lihngam Bent Standal Magh erroneous.notion Dani Bjrn Norheim Magee.
ontic.mantsin Mikal Nordal Maginsel kari.eliot Bruno Bjrnstad Magy Bjorg.
Brndals Magny Hanne Bjevrke Manee Glenda Bjordl Maney Heod Gram Manney.
garbiel Jakobssen Manny Holkermann Magney Homin Magnee blix MacNillon
brandt. Mac Neal hoberg Magnhy Maget Magey Maghy Hughey Hayes Magnhill
Magni. ByrnBjrn Hitdlakjempe Bjarnar saga Hdlakappa Bjarni. Hitdlakappi
Monstrous Allegations An Exchange of ki in Bjarnar saga.
Htdlakappaber'serk Borne John Lind Magee benoni Bjorn Magnhildson.
Magnhildoyn Jon Magnus Holberg Brandt Beorma bjorn beras matronymbef. ME.
be(a)re beor(e) OE bera c. Fris br D beer OHG bero (G Br) Gmc. beran lit.
the brown one akin to ON bjbrn bersi cf. Lith bras brown. Cf.. BRUINmagh
Important derivatives are may dismay might main machine. mechanic magic.
To be able have power. may from Old English magan to be. able dismay from
Old French esmaier to frighten. Both a and b from Germanic. magan to be
able. might from Old English miht power from Germanic. suffixed form mahti
power. main from Old English mgen power from. Germanic suffixed form
maginam power. Suffixed lengthenedgrade form. mghan that which enables.
machine mechanic (mechanism) (mechano). Greek (Attic) mkhan (Doric) mkhan
device. Possibly suffixed form. maghu. (magic) magus from Old Persian magu
member of a priestly caste (. mighty one). Pokorny magh .PHONOLOGY OF
DEVELOPMENT OF QUENYA FROM. PROTOELDARIN This follows ETYM and ignores the
very different early part of. the phonology development shown in BOLT. As
shown by KVNS at that time RT the. Elves made PE by trying to learn
Valarin from Orome at Koivieneeni and. afterwards Tolkien likely made ETYM
PE Valarin uneuphonic with roots such as. snas and skyap and kugh to make
it sound stern and commanding. (Did. Valarin have a history of change MET
before that E.g. PE magh hand. mag use handle. From the description in
Ainulindale (SIL) Ea before. Arda was made was likely big enough and
lasted long enough for even Ainur's. languages to evolve different ways in
different areas.)In a map printed in. the peninsula is called Island
Maghies and in it is referred to as. McGuiyes Island. Also in in the
Inquisitions of Antrim it is referred. as Island of Magie and Island of
Maghy. In the map called Atlas Novus. published by Johan Blaeu in it is
called Magees Ile. During the th. century the Ordnance Survey Memoirs of
Ireland postulated that the name. Islandmagee was derived from Mac Aoidh
(named after the most common family name. on the island prior to the Tudor
Conquest of Ulster i.e. Magee) or Mac iagh. which they say derives in turn
from a word for seagull. I can not find any such. word for seagull and
believe such a derivation to be incorrect.McKee Magee. McGee Mackey McKay
McCoy MacHugh McHugh and Hugh also in the O form as. OHea OHay Hay Hayes
The derivation from the name Magee (from the Irish. Mag Aoidh or Mag
Aodha) means son of Aodh (an old word for fire). It is a very. common name
in Ulster occurring in the following corrupted forms McKee Magee. McGee
Mackey McKay McCoy MacHugh McHugh and Hugh also in the O form as. OHea
OHay Hay Hayes). In this case the Island is reputed to be named after. a
family of Magees who are said to have their principal base in the
townlands of. Portmuck and Carnspindle. In Marschal Bagenals description
of Ulster in. it is stated such as there be the Magees and contribute to
the Lords of. Clandeboys (from Clann Aodha buidhe U Nill meaning the
family of. yellowhaired Aodh Nill). A similar derivation is given in.
Dubourdieus Antrim viz. the inhabitants thereof are Magies from which it.
hath the name. History records the death of perhaps thirty members of
this. family by soldiers from Carrickfergus Castle following the.
rebellion.AirNav Index of airspace fixes M MAGAF MAGAH MAGAS MAGCI MAGCO.
MAGCY MAGDE MAGDY MAGEE MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI
MAGGO. MAGHA MAGHO MAGHY MAGIC MAGID MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY
MAGJA MAGJI. MAGJO MAGJU MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW
MAGOZ MAGPY MAGRE. MAGRY MAGUH MAGUJ MAGUS MAGUW MAGUY MAGUZ MAGWE MAGWU
MAGXO MAGXY MAGYA MAGYE. MAGYI MAGYU MAGZE MAGZI'Magnus' also appears in
the forms 'Mang' and 'Manges'. in the Alps and Southern Germany. ba) From
the Latin word adjective 'magnus'. great large thus by being used as a
(proper) noun it becomes the great. one. The word is derived from the Indo
European base 'meg(h)' which also. evolved into Sanskrit 'maha' big Greek
'megas' big and English 'much'.. However that is not the entire story.
According to Wasserzieher the norther. variant of the name Magnus was
coined by king Olaf the Saint of Norway who. named a son in honor of
Emperor Charlemagne (Latin Carolus Magnus German. Karl der Grosse
Norwegian KarlaMagnus). Charlemagne () who ruled. over France Germany and
Italy was quite an impressive medieval king who in. was crowned the first
Western Emperor since the fall of the Western Roman. Empire. How
impressive was he to his contemporaries Well he was made a saint.
(canonized in unfortunately only by an AntiPope and he is revered only. in
a few places) and the word for king in many Slavic languages is derived.
his name (Polish 'krol' Russian 'korol'). I must confess this does add. an
intriguing new dimension because of course Professor X's first name is.
Charles which is the French form of the name Karl which owes a lot of its.
popularity to Charlemagne. Two sides of the same coin indeed ba) In
Southern. Germany Switzerland and Austria the name is mixed up with the
otherwise. apparently extinct German name 'Magnoald' 'Maginald' 'Maginold'
he who rules. with might. It is hard to tell if this 'Magnus' is a
Latinization of the German. name(s) or the identification is the result of
a mistake (see section ). This. name seems to be related to that Thor's son
Magni (looking around I also found. the name Magnerich (Magnericus) who was
bishop of Trier from ca. to. .)The first element of this name derives from
the Germanic word for might. represented in modern English 'might' German
Macht and Dutch 'macht' which. derives from the IndoEuropean 'magh' to be
able which also is the root. for modern English 'may' (cf. German 'mag')
'mage' and 'magic' (from the Old. Persian 'magus' Iranian 'magu' which
referred to the Magi the priestly. caste in Ancient Persia and Media) and
also 'machine' and 'mechanic'.. noemata. Saturday December.
Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. PATAFYSISKT NAMN STOPPAS AV
RTTENBrfxxccxxmnpcccclllmmnprxvclmnckssqlbb.. S fr inte lille Albin
stavasitt namn. Kammarrtten i Gteborg fann inget std. i lagen fr att
dpamnniskor i sdan anda. Den vida knda hallndska. namnstriden brjade
medatt lnsrtten i Halland utdmde ett vite mot. frldrarna p kronorfr att
inget frnamn alls registrerats p. gossebarnet trots att hanhunnit bli fem
r. D skickade frldrarna in. stavningen med tecken.Namnfrslaget br ses i
patafysisk anda skrev. frldrarna i sin inlaga.Men kammarrtten kunde inte
se patafysiskt p. stavningen. Parafysik r deinbillade lsningarnas
vetenskap uppfunnen av. absurdisten Alfred Jarry somannars r mest knd som
frfattare till. teaterstycket Kung
Ubu.Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. (pronounced Albin) was a name
given to a child by the parents of a Swedish. family in May .A district
court in Halmstad southern Sweden had fined the. parents (Elizabeth Hallin
and ) kronor (approximately US) for failing. register a name for the boy by
his fifth birthday. Responding to the fine. the parents submitted the
character name claiming that it was a pregnant. expressionistic
development that we see as an artistic creation and. suggesting that it
should be seen in the spirit of pataphysics. The court. rejected the name
and upheld the fine. The long and short of itSWEDISH. authorities last
year told a couple who named their son.
Brfxxccxxmnpckccccmmnprxvcmackssqlbb to find a new shorter name for. the
boy. However the authorities in Stockholm have now rejected his new name.
of A according to the Hallands Nyheter newspaper. Initially the parents.
refused to provide tax authorities with a name for their newborn son.
After. numerous disputes the parents finally provided them with the letter
and. digit sequence which they say is pronounced Albin. That resulted in
an. fine from the tax authorities last year for defying the Swedish name
law.This. northern summer the couple registered their son as A. Tax
authorities also. rejected that name because singleletter names are not
allowed. An appeals. court upheld the decision. The parents previously
said that they chose a. meaningful expressionistic typographic formulation
which we consider to be an. artistic new creation in the pataphysical
tradition in which we believe.The. boy who is still officially nameless
has a passport in which his name is. given as Boy Tarzan.Related Jennifer
. Lee born March in New. York City is a New York Times reporter for the
Circuits section. Her middle. name was given by her parents in her teens
because there are too many people. named Jennifer Lee. She spells her
middle name . on paper but on her. driver's license it is spelt as a much
less dramatic Eight. Her parents were. Taiwan and were influenced by the
typically Cantonese custom that sees. number as a symbol of prosperity. is
a character in the comic strip. Peanuts by Charles Schulz. He debuted in
and continued to appear on and. off until . has spiky hair and sometimes
wears a shirt with (what else). the number five on it. His full name is
(accent on the ) with. being the family's last name (actually their zip
code which in real life. corresponds to the zip code for Sebastopol
California). His father changed all. of the family's names to numbers as a
protest to call attention to the way that. he felt like numbers were taking
over people's identities. also has two. sisters named and .. noemata.
Friday December. lumber. lumber. the mean. while waiting and waiting for
win to boota play for the calculator the. meanok what about . .where does
the . come from. .. still the sameok so we know n(n).(n.)what about step.
while it holds now the diff is always. n(nstep)(step)((nstep))try random
..i have. format c unbelievablestep is so it doesn't workdo you want to
install. netmeetingwho ever had any need of scandiski ran scandisk several
times. nowstill it didn't detect damaged sectorsunbelievable crap
scamdickswell why. didn't it work for odd it's yeah now your product key.
licenceit's supposed to be oh well it just squares thensquareroot of ..
is.. . voilakey is GXPPKTCDRJGJDTRBM (win)it's.
n(nstep)(step)((nstep))which makes sense for the . and the. updating you
system..restart then restart then restartthis wasn't very. profoundit's
like you need the square stuff somewherewhether you put it in the. n's or
the stepit doesn't matterthe suprise in the beginning of this play..it.
didn't take into account the extras of the squarethe double its
shadowit's. about dimensionshow the extra dimension casts a shadow backthe
step is supposed. take care of thatah but there's no stairway to
heavencan't believe this. where are the screen driversMy documents it's
intimidatingvery smalli. lost the scans whateveranal stuff i mean what's
the pointthe joy of. loosingagain a gain where does the shadow come inthe
gain where the extras. are fromhell is a collapse of dimensionswhat
happens when things colapsewhen. these squares collapsed they lost their
shadowi was thinking of this drawing. also what it lostshadows of course
collapsed into texturebut the other way. alsowhat would the hyper be if
this was. textureloomunbelievableunbeleivablewhat is mostthis cognitive
quaking is. backforth's squaringnothing in the middlenothing mediatedthese
are flatmeanthe. synonyms for mean are average base beggarly entail hateful
have in mind. imply intend mean value meanspirited mingy miserly signify
stand for. think think of tight. noemata. Tuesday November. anyhryear
anniversaryarchive of visual. Nov k. noemata. Wednesday November. plese.
its tu muchi wnat nothign to do with itplesei was nothing to do withit.
noemata. Wednesday November. recursive dictionary. material or nonmaterial
entity idea action etc that is or may be thought. about or perceived a gift
a thing given or presented of the something done. deed or action or
sensation caused in the ear by the vibration of the. surrounding air or
other medium of laughter and the capacity or power to. perceive or feel or
to be conscious of the state or condition of being present. or attributes
qualities or characteristics of material or nonmaterial. entities ideas
actions etc that are or may be thought about or perceived. that human
concerns business matters to be attended to their continuous. onward
movement or progression and circumstances esp. those affecting the.
functioning or existence of something active condition which
distinguishes. active animals and plants from inorganic matter including
the capacity for. growth functional activity and continual change
preceding death were. mad.Bertrand RussellApplying the algorithm to text
with a high proportion of. abstract nouns is particularly amusing. Here
the starting text is from. Bertrand Russell's History of Western
Philosophy from a chapter on PlatoThe. second argument is that knowledge
is recollection and therefore the soul must. have existed before birth.
The theory that knowledge is recollection is. supported chiefly by the
fact that we have ideas such as exact equality which. cannot be derived
from experience.Transformation givesThe second reasoning. process is that
awareness or familiarity gained by experience is the act or. power of
recollecting and therefore the spiritual or immaterial part of a. human
being often regarded as immortal must have existed before the emergence.
of a (usually fully developed) infant or other young from the body of its.
mother. The supposition or system of ideas explaining something esp. one
based. on general principles independent of the particular things to be
explained that. awareness or familiarity gained by experience is the act
or power of. recollecting is supported chiefly by the thing that is known
to have occurred. exist or to be true that we have conceptions or plans
formed by mental. effort such as the exact state of being equal which
cannot be derived from. actual observation of or practical acquaintance
with facts or events.. noemata. Monday November. congratulations
congratulations your site is on on (nostalgi). noemata. Monday November.
curious. my handwriting .jpg 'Freedom diedgreat people proved that
awareness exists. and every lifeform is awareunfortunatelly they hadn't in
mind that evolution. not aims into awarenessdevelopment but towards better
adaptation.milions of. people just learned how to fake awareness.This what
makes us Humans is ablity. selfdevelopment and Empathynot adaptation.Crowd
without a leader went. insane.Sickness is ones who emphatize get dellusion
when looking. feelingslessones there is no mutual empathy then ones who
emphatize become. codepend.'.jpg(notes from train station i tried to
visualise how autosopher. adaptativenetwork works)also note that 'positive
effects coming from. smoking of tobbaco come fromchanged metabolism of
dopamine while addiction is. created by completelydifferent
neurotransmitter patch'also common mistake of. polish language pointed out
(use of foregin noun).jpg adaptative ALP network. Daylight Explosioni have
some other work like learning from c sources i'll. write to you laterd.jpg
dissolving substancedreams come when i am. heresnowwhite truth about
falseparticles of absurd from. nothingsubstancewhile this world is only
interpretation of our. dreamssubstanceyou melt with nonexistence like
youpractical disasemble of life. programtransient observation ofthoughts
about minimalism truth about. time.form of delusionsequence of sessionit's
lack of thought Substancewhile. civilisation camp grid is at least km
thin.where is. reasondynamicambitionfield of perception actions of
consiousness()timeand. this is 'life'intonation is alive and manipulating
bodieswill be as is. because can't be other waypreprogrammed forecast
shatter and bend under. influence of new datahow is time machine
likealivedestiny of chaos. complexity creation is creation itselfwe can
watch beauty of growthour time. camepower came to an. noemata. Jag lgger
lite bilder p mig hr.. Jag lgger lite bilder p mig hr.Men kom ihg jag vill
grna att. ni skriver i Gstboken vad ni tycker annars blir det inte fler
bilder. Mina. Fuktiga brst efter duschen.Jag visar upp ett av mina
brst.Jag i sexiga. underklder.Jag visar upp mig p sngen.Hr r jag helt.
utlmnad t dig.Tnk om handen inte fanns dr.Gillar ni mina. Lppar.Ny bild p
mina lppar.Gillar ni bilderna p mig i. stayupsDet kan komma fler bilder
Jag hller p att vertala min. vninna att jag skall f lgga upp bilder p
henne ocks.Hr. under lgger jag sprutbilderna som jag fr Och jag skall
villigt. erknna att jag har onanerat och tittat p dem mnga.
gnger.Sprutbild Sprutbild Sprutbild Sprutbild Sprutbild Sprutbild.
Sprutbild Sprutbild Sprutbild Jag har ftt ett par nya sprutbilder Det.
tycker jag om. Flera gnger har jag tittat p dessa bilder och tnkt. p er
hur ni har lekt med era underbara stnd fantiserat om mig och. sedan
sprutat er varma klibbiga sats ver min kropp. Mnga gnger har. dessa
fantasier tagit mig till underbara orgasmer. Ett extra spnningsmoment. r
ju att min kille inte har ngon aning om vare sig websidan eller dessa.
foto.Hr kommer fler bilder.En bild frn en man som heter Bokoboko.Gabbe.
har ocks sprutat ner min kropp.Hawkan har lagt sin varma sd ver.
mig.Fineman har gjort hrligt sexiga konstnrliga bilder.nnu en bild.
noemata. Saturday November. delayed. noemata. Tuesday November.
colmplaints ingored. complaits comlaints comppaints commplaints complaints
ifnored withijn redach. reazch complaibnts live complaintsa complaints
comlplaints comp laints within. rexach complaintw ikgnored reasch
complaihnts complwints complaintts ignorer. ckmplaints witin complpaints
complaints withkin weithin complaints. complwaints cmplaints complainrts
complaintys ignorwd ignoredr complainte. complaoints comoplaints
complajnts complainys ugnored ignorerd complaintsz. witbhin reaqch rteach
ignorfed complains complaintrs witgin complaingts. ignofred comploaints
comp aints iygnored complaintd iognored jgnored ignoresd. rezach
complaitns ignorsd ignotred cojmplaints r each complaint s complanits.
ignorefd vcomplaints complaints withimn kgnored withih complaints
cmoplaints. teach complaints complaints igynored witihn comnplaints
complints complaings. ignoref compolaints cmplaints ckomplaints co
mplaints ignored wi thin. complaintsw oignored jignored ignored
compplaints ignoed complainrs complainta. ignorted reach complaiknts
ignpred ignjored complaints compliants complaknts. complains complasints
ep ijgnored igvnored rseach ignores complaaints ignored. withn rewch ithin
cvomplaints compllaints complaintxs comllaints feach. cojplaints wiyhin
rwach complaintes withi ihnored complaints reacu wifhin. ighored ignored
withinreach complaijts ignoed complaxints complai ts. copmplaints with n
within wihin ignodred complaints complaimts wiythin. complants complaints
itnored cpomplaints withhin ign ored reacy withinh. withihn reach ignord
ccomplaints recah ciomplaints within ignred rach. ignoreds ignored
iugnored wityhin withinj ignor ed within ignorded ignored. ignpored wthin
reafh within eeach complains reacjh complaiints complain s. complainst
compla nts cokmplaints withinm soundtrack complaintss complaints.
complainmts co plaints ignoired complainyts online witjin withij ost
witghin. withuin complzaints complaintfs complaintgs compklaints
compalints complainbts. reac withibn igored discount rea ch cd ignoed
raech complaqints lyrics gnored. compaints complaimnts domplaints c
omplaints rea h gnored complaint sithin. ignoded limited edition
vomplaints wtihin reacbh compl aints withiun uignored. ignord
complaintsignored cfomplaints com laints complants ignred ignorex. wigthin
each deach ignroed ignorexd withikn ihgnored igfnored reacuh iignored. ign
red w thin complaintse ignorewd ignorsed with in ignored reacdh igbnored.
withun withyin reacvh complauints ignoredd ignnored ignored ignired
withib. ignorwed discounts wihin ibgnored complaibts rweach ifgnored
wifthin. complakints cheap conmplaints albums wiothin c mplaints igmored
complaintds. igno red complazints igonred reachh wuthin witnhin ignordd
reachg inored. ginored awithin ignlored complajints withim comjplaints
reeach eithin dreach. complaints withiin compact disc gnored ighnored
complaijnts resch reqch rdach. igmnored withn withion complaonts coplaints
reacxh ewithin reacch complsints. each complaint ignore complaints wit hin
music reacnh ignoredc clmplaints. ignoredx igbored complai nts ignred
complaintz compl ints complainhts. omplaints rewach by ignored complxaints
reac h complainfts reach ithin. complqaints wikthin reahc witjhin aithin
withjin ereach reachn complqints. reach dcomplaints ignored complkaints
reacb reachj witrhin rexch i gnored. each comlaints comkplaints complainfs
comlpaints complaintsd ignored ignorede. ignoree complsaints reduced
wsithin within complaintzs wthin wthin ithin. ibnored within within rreach
wihin complaintws complaihts within cast. recording ignoted cds wuithin
xomplaints complainnts withi n erach wirthin. within wityin wijthin rerach
cxomplaints reach withjn ignoerd within rech. withnin conplaints igjored
freach wit in withni readh withi reac ignore ignord. copmlaints wkthin com
plaints within swithin complaintsx wwithin complawints. rfeach qithin
ocmplaints within igno ed i nored ignorred enhanced ignmored. rach withkn
reach ognored remastered ignofed rach comolaints withbin woithin. ingored
witfhin each complants album withinb xcomplaints reacgh explicit. ignor d
reavh rrach within ithin within reachy reachu ignored ignokred. wituin wi
hin colmplaints ignore d reaxch r ach complaintas reaxh ivgnored. wiuthin
wirhin cmplaints igtnored w ithin reacfh reacj complzints rdeach. ignoreed
compoaints treach ignkored ignored withn sale ignolred cimplaints. ignored
reach complaunts ignoered reafch wihtin wiithin complaionts reqach. withon
waithin ignhored igniored ignorecd ignkred readch wjithin reach.
coomplaints cdomplaints ignoored ignored reacg withgin complaints ignlred.
clomplaints ignoeed re ch iynored withinn wkithin itgnored ignorde wjthin.
reaach witthin within complxints complainjts complaiunts within withoin.
fomplaints fcomplaints qwithin witbin reavch coimplaints resach reah
ignorec. ignored ignopred witnin ignoredf complain ts cpmplaints ig nored
wighin re ach. gnored compkaints omplaints within wqithin reacn reacyh
reachb wituhin iggnored. ivnored rsach iwthin complaintx rezch reawch
cokplaints kignored ignored wothin. reach igjnored ignorrd compla ints ig
ored ignboredSearch colmplaints. noemata. lumber. lumber. oct().
..JFIF......h FF DB A E. C A .....C.nxxdh C C B AA A BE F FF. FF F DC DC F
FF FF. h FF FF FF FF. FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF
FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF FF FF FF FF FF DB
AA B. .C.h B F D F. FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF
FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF FF FF FF FF FF FF FF FF
FF FF FF. h FF. FF FF FF FF FF FF FF FF FF FF FF FF FF FF C. ah.
...............bh FF. C ..............ch. FF C ..............dh.
................eh. FF DA C A. matronym. Sunday October. Re confuciuslist
Mencius B. wild grass (fwd). matronym. Saturday October. plunderphonics
week. DJbyHandIngerMarieLienKidSquarepusherStev.mp (. C C Nystev.. vil du
D. C E have meg til B C D A B C. kveda..det skal A D eg gjera. med stF C C
D A F rste gleda..og. B C B eg skal kveda sF E. D A o vent fyr deg.. B. C C
F D at du skal glym A F C. F D a deg sjlv og m E D A D A C B. C eg..... eg
skal B F B. kveda so du skaC E C D A D l. grta..um du C E C var aldri. s
gla F B E C D A E d og kt'e... e B C B F g skal kveda so E E C. C D A snlt
fyr deg... B C C E E E at du skal l n. E D E r du ser p meg.D A D A F D E.
F ....Og mine viso F E E C. r dei er so snl C D A F D F B E e..som. Borken
t E E E E rvar p isen. hC C D A F D E le..og mine visF. A E or dei gjer'
ein C E D A. F D C C sleng..som litl E E B. e guten p skeis E E A E E D A
D A C. unn' gjeng..... D E F mine. visor dei F D E C D A F er so
mange..soD. A D C F D E m heggjeblomane. E B D drys i fanget.A F. F .so
hev det vore C C. A D A i all si tid.. D B. dess meir dei kv C D ed dei
dess. mei E D A D A C r der bid...... C A C vil du stevjast F B. C so skal
eg svar C D A F. C E a..og heile nat F B C. ti so skal det v B D A F C.
ara..og vil du A D D stevjast med. meg B C C D A E i kveld..du g. B A E r
'kje t fyrr d E. E D C C E u fr ein smell. abort.
DJbyHandsisselkyrkjeboorigamiweightlessapati MB. matronym. Friday October.
link var. Index of var Name Last modified Size Description. Parent
Directory Oct idxbdvds.jpg. Oct k vdsidx.jpg Oct k. .jpg Oct k .jpg. Oct k
b.jpg Oct k. masl.jpg Sep k DSCN.jpg. Oct k DSCN.jpg Oct k. DSCNZ.JPG Oct k
DSCN.jpg. Oct k DSCN.JPG Oct k. DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct
k. DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct k. DSCN.JPG Oct k DSCN.JPG.
Oct k DSCN.JPG Oct k. DSCN.JPG Sep k DSCN.JPG. Sep k DSCN.JPG Sep k.
DSCN.JPG Sep k DSCN.JPG. Oct k DSCN.jpg Oct k. DSCN.JPG Oct k DSCN.JPG.
Oct k DSCN.JPG Oct k. DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct k.
DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct k. FlwTmudZFemVXGfQK... Sep k
P.png. Sep k P.png Oct k. P.png Oct k P.png. Oct k RISS.jpg Oct k. S.jpg
Sep k acroBatic.JPG. Sep k annama.jpg Oct k. annan.jpg Oct k annotfw.jpg.
Oct k apdd.jpg Oct k. apok.jpg Oct k apolillebilen.jpg. Oct k aporegn.jpg
Oct k. bdvds.jpg Oct k brcolagedrawachine.jpg. Oct k bssggn.jpg Oct k.
candledrawings.jpg Sep k codune.jpg. Oct k desktop.jpg Oct k. dietz.jpg
Oct k eee.jpg. Oct k elmagspectrum.jpg Sep k. ff.jpg Oct k fjfjf.jpg. Oct
k fluktbiler.jpg Oct k. fluxusmap.jpg Oct k fortart.jpg. Oct k ggcc.jpg
Oct k. ghdf.jpg Oct k golgeilo.jpg. Oct k gv.jpg Oct k. hfhfh.jpg Oct k
hfhfhw.jpg. Oct k hfhfhw.png Oct k. horn.jpg Sep k ideog.png. Oct k jj.jpg
Oct k. jotunheimen.jpg Sep k julebukk.jpg. Oct k lc.jpg Oct k. mouazing.png
Sep k mrna.jpg. Sep k oe.jpg Oct k. pluntscape.jpg Sep k prestholt.jpg. Oct
k prestholtskaret.jpg Oct k. psychogeo.jpg Oct k rabsistggkgigngdgom... Oct
k recursivelibrary.jpg Sep k. rygg.jpg Sep k san.png. Oct k scapeg.jpg Oct
k. scrreen.jpg Oct k sdgaa.jpg. Sep k seroma.jpg Oct k. sino.jpg Oct k
skogshorn.jpg. Sep k taka.jpg Oct k. tectonics.jpg Sep k teent.jpg. Oct k
tenner.jpg Oct k. text.jpg Oct k tilapollinaire.jpg. Sep k
torpostavechurch.jpg Sep k. tuftebrui.jpg Oct k turs.jpg. Sep k
usbdrawing.jpg Oct k. matronym. relax. matronym. Wednesday October. im not
sisting strahgt my jands ctrlz ctrlz ctrlz ctrlz versjon. ctrlz ctrlz ctrlz
ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz. ctrlz ctrlz ctrlz glitch
versjon (ultra editor) well probably doesn't affect. html so why blotherim
not sisting iwant somehthign it's a bit. frighteningstrahgt that kid on its
own and coldmy jands. atomata like tat fly nothing holdingnothing here in
the win. should i let gothis writing is the fog leaves (they of
whatagainst. itself does it) eprime the i don't know anythingi only write
when. drema (dramadream) this blank screenforgetting muself of magic.
contradicted by my fingersnegation well science and the this will. only be
troubleworthwhile howto any base fuck youspace which is. debase. coming
back this is completely lostnothing to.. never againher cunt ie no.
memoryshould backspace sensation must be no knowledgethat. based on
recurrence monster of pixelscollaps else you wouldn't. soothwhere am i
know but gnomhow to write. still sense but no.where am i inn the only once
it vicinitymyself. doesn't count (count potentialmy arm is kind of is.
sentence dntwiched recurrence). any pnrrmaqyawmy back. somewhat object.
object is nvvypub vybcdcxrunched here too much. object. dmcs vnbpu
cdngvirtual backspace anything that is suug. fcnothing ever comes visible
or tangible mqhycuq iydxout of this. and is relatively bucgupd dnwhere
does this go stable in form. to. uaurk rnhuruadexpect nothing you. ya
hypyaydkleft. channel delay something. thing xytt uywxd cyjthe need.
(meeting vyhuno structure her interface). lubn. ()whatever fright
subjectsubstancediscontinue into. subtrahends ariettaslide emergent
relation. subterfuge. arroweddiscreet egene remove
sceptrelessespataphysical. logic posessive my's. arrowedcompression is a
reactive at chemical. saboteur aridcipher level. behave septarium
arteroads. late ME softheartedly aradjustice behaven. (reflexive).
subterranean aridblockhead See BE HAVE.. shifters airywriting into space
behaviorism the spadework awardeei'll. go wherever the theory that scepter
areawidekeys lead. psychology can be shifter aerateleather case accurately
studied. softer arrauboard table kitchen only through the spader
artiecuisine. examination and subterfuge aureatei meant metaphor analysis
of. sputter areawidewherever possessives. subtree. areawidesomething else
sputter aeratethis is just. one i'm no one get your softer airyside hands
off me.. spader airtno justice HAHA. subterraneanisesusually space is
karmaguilttraces aortaexpensive. i once had guilt subdirectories
artymassive nothing writing haha. says it spidery airedeyes all (active
subtraction. artyi once had eyes expression vs sceptered artiego beyond
they. say matters of doctrine) subtreasury areawideother i laughter. is
spidery arrayedwhat comes in this eternally guilty. subterraneanise arteis
still eyes (doctrinal in sifter. awardeekeyes writing) as anythe cod e
statement. n softheart s mouthing. y. arrondis t guilty guilty (how
soekar. ttraffi n awkward to ) soffit ar thorsest c t. how's w g softies
arteriolethere's compilation attached to guilt. soever arterialises should
stop writing soke. arterialisinginterprete e another w e sojoimmedi s.
status of relate to artel valuemeaning other sodwhat'. than drawn arteri
dente. softhead arthromerewhich is p s (interfaces again).. sojourners
arrowrooti had t a media a softening. artefactbig small inverse suppose it
e softbound arsenicaldi. other way a softy ars lprotoco f signs are. soiree
arsenicisespapyrus no o lines are. ts stronger attraction readapting
mcqueenpro. proto mecritical distance attraction to. what reactualise
meagerlyexecution of seeing easy essing. meal ers are easi ay. of
mcmurdohidden instant an. g rea ness memiddleman blackmail to. ably me
compl of the ualizes. li syst inimax rk up. to mewhat's the deal on. me (
rface') reactualisations. mei r mansus accidencesubsta me. critical and
easie 's. system wins liked ng not gravitati. stupid you alwaysde reaming
get signs toodr eath is. obvious it's theirso ng else job. backtrackingi'd
to die. guilt is thru th .. sign you no. shouldn't att it's like chaplin
onde s trash. a conveyor belt ghtning down t rs economy.no. no signno in
the talking is a w recur.. as stimulusres augment pos. respons. lumber.
matronym. Tuesday October. thing. thing (thing) n. . a material object
without life or consciousness an. inanimate object.. some entity object or
creature that is not or cannot be. specifically designated or precisely
described The stick had a brass thing on. it.. anything that is or may
become an object of thought things of the. spirit.. things matters affairs
Things are going well now.. a fact. circumstance or state of affairs It is
a curious thing.. an action deed. event or performance to do great things
His death was a horrible thing.. a. particular respect or detail perfect
in all things.. aim objective The. thing is to reach this line with the
ball.. an article of clothing I don't. have a thing to wear.. things
implements utensils or other articles for. service I'll wash the breakfast
things.personal possessions or belongings. Pack your things and go. a task
chore I've got a lot of things to do. today.. a living being or creature
His baby's a cute little thing.. a. thought or statement I have just one
thing to say to you.. Informal. a. peculiar attitude or feeling either
positive or negative toward something. mental quirk She has a thing about
cats.. something signified or. represented as distinguished from a word
symbol or idea representing. it.. Law. anything that may be the subject of
a property right.. do or find. one's own thing Informal. to pursue a
lifestyle that expresses one's self.. Also do or find one's thing. . make
a good thing of Informal. to turn (a. situation experience etc.) to one's
own profit benefit by She made a good. thing of her sparetime hobbies..
new thing Jazz. See free jazz. . not to. get a thing out of to be unable
to obtain information or news from The police. couldn't get a thing out of
him.to fail to appreciate understand or derive. aesthetic pleasure from My
wife likes opera but I don't get a thing out of. it.. see or hear things
Informal. to have hallucinations.. the thing. something that is correct or
fashionable That caf is the thing now.that. which is expedient or necessary
The thing to do is to tell them the. truth.bef. ME OE orig. meeting see
THINGthing (thing ting) n.. (in Scandinavian countries) a public meeting
or assembly esp. a legislative. assembly or a court of law.Also ting. Cf.
thingstead. ON assembly. c. THING D ding G Ding thing orig. meeting akin
to Goth theihs. matronym. Monday October. nothing (nuthing) n.. nothing
(nuthing) n. . no thing not anything naught to say. nothing.. no part
share or trace (usually fol. by of) The house showed. nothing of its
former magnificence.. something that is. nonexistent.. nonexistence
nothingness The sound faded to. nothing.. something or someone of no
importance or significance Money is. nothing when you're without health..
a trivial action matter circumstance. thing or remark to exchange a few
nothings when being introduced.. a person. of little or no importance a
nobody.. something that is without quantity or. magnitude.. a cipher or
naught Nothing from nine leaves nine.. (used in. conventional responses to
expressions of thanks) Think nothing of it. It's. nothing. Nothing to it..
for nothing free of charge.for no apparent reason. or motive.futilely to
no avail They had gone to a great deal of expense for. nothing.. in
nothing flat in very little time Dinner was finished in. nothing flat..
make nothing of to treat lightly regard as easy.to be. unsuccessful in
comprehending He could make nothing of the complicated. directions..
nothing but nothing other than only We could see nothing but. fog..
nothing doing Informal. emphatically no certainly not.no activity.
inducement advantage etc. present to the eye We drove through the town
but. there seemed to be nothing doing.. nothing less than or short of
absolutely. completely She was used to nothing less than the best.. think
nothing of to. treat casually.to regard as insignificant He thinks nothing
of lying to. conceal his incompetence.adv. . in no respect or degree not at
all It was. nothing like that. Nothing dismayed he repeated his
question.adj.. . amounting to nothing as in offering no prospects for
satisfaction. advancement or the like She was stuck in a nothing job.bef.
ME OE. matronym. rinsay. the active expression of enlightenment over
matters of doctrineThe mind thus. creates the world in the sense that it
invests the phenomenal world with. value.They have presumably already
freed themselves from preoccupations with. the commoner cravings for
sensual indulgence material gain or worldly fame. and have entered the
path of religious strivings. But it is precicely this fact. that Linchi
sees as the source of their problems.this lone brightness without. fixed
shape or form.once and for all that there is no goal to be striven for.
because it has been won already no place to be journeyed to because one
is. there right now.People with so few roots of faithif it's for the sake
of the. Dharma don't hesitate to sacrifice your bodies or give up your
lives.If you. approach it with a true and proper understanding you won't
be affected by. considerations of birth and death you'll be free to go or
stay as you. please.The fault lies in the fact that they don't have faith
in. themselvesStudent's don't have enough faith in themselves and so they
rush. around looking for something outside themselves.Those who have
fulfilled the. ten stages of bodhisattva practice are no better than hired
field hnads those. who have attained the enlightenment of the fiftyfirst
and fiftysecond stages. are prisoners shackled and bound arhats and
pratyekabuddhas are so much filth. in the latrine bodhi and nirvana are
hitching posts for donkeys. Why do I. speak of them like this Because you
followeres of the Way fail to realize that. this journey to enlightenment
that takes three asamkhya kalpas to acomplish is. meaningless. So these
things become obstacles in your way.Fellow believers. time is precious You
rush off frantically on side roads studying Ch'an. studying the Way
clinging to words clinging to phrases seeking Buddha. seeking the
patriarch seeking a good friend scheming planning. But make no. mistake.
Followers of the Way you have on set of parents what more are you. looking
for You should stop and take a good look at yourselves. A man of old. tells
us that Yajnadatta thought he had lost his head and went looking for it.
but once he had put a stop to his seeking mind he found he was perfectly
all. right.The man of value is the one who has nothing to do. Don't try to
do. something special just act ordinary. The Paotsung lun With regards to
the. Way what is valued in every age is to have nothing to do. With
regards to the. Way when one is mindless then all things will proceed
smoothly.Followers of. the Way the Dharma of the buddhas calls for no
special undertakings. Just act. ordinary without trying to do anything
particular. Move you bowels piss get. dressed eat your rice and if you get
tired then lie down. Fools may laugh at. me but wise men will know what I
mean. A man of old said People who try to do. something about what is
outside themselves are nothing but blockheads.If you. have doubts in your
mind for an instant that's the Buddha devil. But if you. can understand
that the ten thousand phenomena were never born that the mind. is like a
conjurer's trick then not one speck of dust not one phenomenon will.
exist.As I see it there's no Buddha no living beings no long ago no now.
If. you want to get it you've already got it it's not something that
requires. time. There's no religious practice no enlightenment no getting
anything no. missing out on anything.If you want to be free to be born or
die to go or stay. as onw would put on or take off a garment then you must
understand right now. that the person here listening to the Dharma has no
form characteristics no. root no beginning no place he abides yet he is
vibrantly alive. All the ten. thousand kinds of contrived happenings
operate in a place that is in fact no. place.If your mind entertains a
moment of doubt it becomes obstructed by the. element earth. If your mind
entertains a moment of craving it becomes drowned. in the element water.
If your mind entertains a moment of anger it is seared. by the element
fire. If your mind entertains a moment of delight it is tossed. about by
the element air.The way I see it onw shouldn't be averse to anything..
Suppose you yearn to be a sage. Sage is just a word sage.Those who study
the. Way these days need to have faith in themselves and not go looking
for. something outside.If you want to be a truly great vessel you must
never be led. astray by others. Wherever you are play the host and then
any place you stand. will be a true one. Whatever confronts you don't let
yourself be imposed on.. If you entertain even a moment of doubt the devil
will enter your mind.Just. have faith in this thing that is operating in
you right now. Outside of it. nothing else exists.In the way you now
respond and utilize it what do you. lack In the space of an instant you
enter purity or enter defilement enter. the halls of Maitreya or enter the
lands of the three eyes. You wander at ease. everywhere for you see that
these are all empty names.The buddhas and. patriarchs are people who don't
have anything to do or are without defilements. and doings their karma is
clean and pure.The Patriarch Shenhui said If you. try to arrest the mind
and stare at silence summon the mind and focus it on. externals control
the mind and make it clear within concentrate the mind and. enter into
meditation all practices of this sort creates karma.So for the. past
twelve years though I've looked for this thing called karma I've never.
found so much as a particle of it the size of a mustard seed.from times
past. the real teachers wherever they went were never listened to and were
always. driven out.The various phenomena in this world and other worlds are
in all. cases devoid of intrisic nature. Even if something did exist it
would in all. cases be no more than an environment that changes with what
it depends on. You. live in a land of changing dependent conditions what
is it you are looking. for And things like the Three Vehicles and the
twelve divisions of the. scriptural teachings they're all so much old
toilet paper to wipe away filth.. The Buddha is a phantom body the
patriarch are nothing but old monks. You were. born from women weren't you
I you seek the Buddha you'll be seized by the. Buddha devil. As long as you
seek something it can only lead to suffering.. Better to do nothing.A true
student of the Way never concerns himself with the. Buddha. Far removed
alone and free he is never entangled in things. Heaven. and earth could
turn upside down and he would not be perturbed. All the buddhas. of the
ten directions could appear before him and his mind would not feel an.
instant fo joy the three realms of hell could suddenly confront him and
his. mind would not feel an instant of alarm. Why is he like this Because
he knows. that all things in the phenomenal world are empty of
characteristics. WHEN. CONDITIONS CHANGE THEY COME INTO EXISTENCE WHEN
THERE IS NO CHANGE THEY DO. NOT EXIST.Followers of the Way when students
come here from various regions. and we have finished greeting one another
as host and guest the student will. make som remark to test the teacher.
The student comes out with these tricky. words and thrusts them into the
teacher's face. If you were the teacher and. realized that this was just
an 'environment' and you grabbed it and threw it. down a hole then the
student would act normal again and after that would ask. for the teacher's
instruction. The teacher would then snatch that up too and. treat it as he
did the earlier remark. The student then says Very wise A. truly great
teacher The teacher says You certainly can't tell good from. badAgain
suppose the teacher comes out with a certain chunk of environment. and
dangles it in front of the student's face. The student sees through this.
and at every step acts the master refusing to be misled by the
environment.. The teacher then reveals half of his body whereupon the
student gives a shout.. The teacher now enters the place where there are
all kinds of differences and. distinctions battering the student around
with words. The student says This. old baldhead who can't tell good from
bad The teacher exclaims in admiration. A true and proper follower of the
WayThere are some teachers around who can't. distinguish crooked from
straight. When a student comes and asks about bodhi or. nirvana about the
threefold body or about environment and wisdom those blind. old teachers
start explaining to the student. When the student curses at them. they
pick up their stick and hit him saying Such rude language If you have. a
teacher like that he lacks eyes to begin with.Then there is that bunch of.
baldheads who can't tell good from bad but point to the east gesture to
the. west love clear weather love it when it rains love this lamp or that
pillar.. Look and see how many hairs they have left in their eyebrows and
with good. reason. Teachers like that are nothing but wild fox spirits
goblins. Good. students will just give a little snicker and say Blind old
baldheads trying. confuse and lead everybody in the world astrayFollowers
of the Way if you. want to get the kind of understanding that accords with
the Dharma never be. misled by others. Whether you're facing inward or
facing outward whatever you. meet up with just kill it If you meet a
buddha kill the buddha. If you meet. your parents kill your parents.These
students of the Way who come from all. over there's never been one of them
who didn't appear before me depending on. something. So I starrt out by
hitting them there. If they come with a raised. hand I hit the raised hand
if they come mouthing something I hit them in the. mouth if they come
making motions with their eyes I hit them in the eye. I. have yet to find
one who comes alone and free they're all caught up in the. idle devices of
the men of old.I don't have a particle of Dharma to give to. anyone. All I
have is cure for sickness freedom from bondage. You followers of. the Way
from here and there try coming to me without depending on anything. All. I
get are things stuck to stems clinging to leaves wraiths that inhabit
bamboo. or trees wild fox spirits They chew frantically at every lump of
shit they. happen upon. Blind foolsI tell you there's no Buddha no Dharma
no practice. no enlightenment. Yet you go off like this on side roads
trying to find. something. Blind fools Will you put another head on top of
the one you have. What is it you lackThe way I see it there's no call for
anything special.. Just act ordinary put on your clothes eat your rice
pass the time doing. nothing. You who come here from here and there you
all have a mind to do. something. You search for the Buddha search for the
Dharma search for. emancipation search for a way to get out of the
threefold world. Idiots. trying to get out of the threefold world Where
will you goFellow believers. this body made up of the four major elements
has no permanence. Things like. spleen and stomach liver and gall hairs
nails teeth are simply evidence. that all phenomenal things are empty of
fixed characteristics. As long as your. mind is unable to cease its
momentbymoment activity then you are up in the. tree of ignorance. But if
you can learn to cease then you'll be in the world. of the clean pure
body.If a student truly knows what he is doing he will give. a shout and
then first of all hold out a try of lacquer. The teacher failing.
recognize this as a mere 'environment' proceeds to climb up on the.
environment and begin striking poses or donning attitudes. The student
gives a. shout but the teacher refuses to abandon his approach. This is
called the. guest seeing through the host.Or perhaps the teacher will not
come out with any. object of his own but will wait for a question from the
student and then snatch. it away. The student seeing his question snatched
away won't let go but holds. on for dear life. This is a case of the host
seeing through the guest.Perhaps. there is a student who responding with a
clean pure environment presents. himself before the teacher. The teacher
can tell this is just an environment. and grabs it and throws it down a
hole. The student says A truly great. teacher Instantly the teacher says
Hopeless can't tell good from bad. The student gives a low bow. This is
called the host meeting up with a host.Or. there may be a student who puts
a cangue wooden collar on his neck binds. himself in chains and then comes
before the teacher. The teacher proceeds to. shackle him with another set
of cangues and chains. The student is delighted. unaware of what has
happened. This is called the guest meeting up with a. guest.But students
don't have faith enough and instead base their. understanding on words and
phrases. Their years pile up to half a hundred and. all they do is go off
on side roads carrying their dead corpses on their. backs racing all over
the world with their load of baggage.If you look toward. the area of
motion and try to grasp the truth there it will take up its stand. in the
area of nonmotion and if you look towards nonmotion and try to grasp it.
there it will take up its stand in motion. It is like a fish hidden in a
pond. who now and then slaps the surface and leaps up.When students come
from here. and thee I classify them into three categories according to
their ability. In. such cases if a student of less then middling ability
comes to me I snatch. away the environment but leave him his existence. I
a student of better than. middling ability comes to me I snatch away both
environment and existence. If. a student of truly superior ability comes
to me I do not snatch away anything. neither environment nor existence nor
person. If a student appears whose. understanding surpasses all these
categories then I deal with him with my. whole body and take no account of
his ability.Reverend Taoi's way of doing. things was simple direct nothing
mixed in. Reverend Lushan was utterly free. true and correct but whether
he came at them with compliance or opposition his. students could never
fathom what was going on. Mau's way of doing things. was as bitter as the
bark of the Chinese cork tree no one could get near him.. The way Shihkung
went about it was to look for students by pointing an arrow. at them all
who came to him were terrified. Shihkung had been a deer hunter.. When
students came to him he would fit an arrow to his bow point it at them.
and say Look at the arrowFellow believers these sounds names words.
phrases are all nothing but changes of robe. The sea of breath in the
region. below the navel stirs itself into motion the teeth batter and mold
it and it. comes out as a statement of an idea. So we know for certain that
these are mere. phantoms.Better to do nothing to meet someone but not
recognize him talk with. him but not know his name.There's a bunch of
fellows who can't tell good from. bad but poke around in the scriptural
teachings hazard a guess here and there. and come up with an idea in words
as though they took a lump of shit mushed it. around in their mouth and
then spat it out and passed it on to somebody else.. They're like those
people who play passtheword parlor games wasting their. whole life like
that.When the great teacher Bodhidharma came from the west he. was simply
looking for a man who would not be misled by others.I have been.
addressing you putting forth a lot of trashy talk. But make no mistake In
my. view there are in fact no great number of principles to be grasped.If.
bodhisattvas even those who have completed the ten stages of mind practice.
were all to seek for the traces of such a follower of the Way they could
never. find them. Therefore the heavenly beings rejoice the gods of the
earth stand. guard with their legs and the buddhas of the ten directions
sing his praise.. Why Because this man of the Way who is now listening to
the Dharma acts in a. manner that leaves no traces.Neither in this world
nor in any other world is. there any Buddha or Dharma. There is nothing to
appear before you and nothing. that is lost.Fellow believers only when you
have commited the five crimes that. bring on the hell of incessant
suffering will you finally gain. emanciation.Killing your father injuring
your mother drawing blood from the. Buddha's body disrupting the harmony
of the Monastic Order burning the sutras. and images these are the five
crimes that bring on the hell of incessant. suffering.Ignorance is the
father. When your mind is without activity wherever. it is this is called
killing the father.Greed is the mother. When your mind. experiences no
attachment anywhere this is called injuring the mother.If your. mind doesn
not even for an instant begin to discriminate but instead sees. complete
darkness everywhere this is drawing blood from the Buddha's body.If. you
properly understand that the bonds and entanglements of earthly desires
are. so much emptiness with no place to lean on this is disrupting the
harmony of. the Monastic Order.When you can see the emptiness of causes
and conditions the. emptiness of all phenomena when the mind is every
instant completely calm far. removed and doing nothing this is burning the
sutras and the images.Your minds. instant by instant confront an empty fist
a pointing finger and take it for. some sort of reality vainly trashing
around in the realms of senses. environments phenomena.Followers of the
Way don't take the Buddha to be some. sort of ultimate goal. In my view
he's more like the hole in a privy. Therefore. Manjushri grasped his sword
ready to kill Gautama and Angulimala blade in. hand tried to do injury to
Shakyamuni.Followers of the Way even if you can. understand a hundred
sutras and treatises you're not as good as one plain monk. who does
nothing.Followers of the Way don't search for anything in written. words.
The exertions of your mind will tire it out you'll gulp cold air and. gain
nothing.Fellow believers don't dawdle your days away In the past before. I
had come to see things right there was nothing but blackness all around.
me.Fellow believers do not use your minds in a mistaken manner but be
like. the sea that rejects the bodies of the dead.Weishan said Well what
do you. thinkYangshan said Officially not a needle is allowed to pass but.
privately whole carts and horses get throughWhen illumination comes first
and. action afterwards then the person is present. When action comes first
and. illumination afterward then the Dharma is present. When illumination
and. action are simultaneous it's like driving away the plowman's ox
snatching. food from a starving person cracking bones and extracting the
marrow giving a. painful poke with a needle or an awl. When illumination
and action are not. simultaneous there are questions and answers guest and
host are established. water gets mixed with mud in response to movements
measures are taken. If the. person is really outstanding then even before
a problem arises he'll rouse. himself and be on his way. But still it
needs another little push.(from the. lumber. matronym. Sunday October. ok.
these characters don't mean anythingarseholes on tv televisionrectoscopy
rs. holes tv setthis candlelight the this the president the dog the the.
theodicy evil levi live veil vilegood has no anagrams no otheranagram has
no. anagram which backfires on good it's just emptythe same ames asme meas
mesa. msae seam other theor. throerandom rodmannegative agentivepositron.
sorptionatchoo cahootakan kanahaiku ukiahemil lime milemale alme elam
lame. lam mael meal melafemale icon coin cion sign sing sing.arse ares son
of. zeus and hera mars male marse aser asher rase raze sear. to burn or
char. the surface of She seared the steak to seal in the juices.. to mark
with a. branding iron.. to burn or scorch injuriously or painfully He
seared his hand. on a hot steam pipe.. to make callous or unfeeling harden
The hardship of her. youth has seared her emotionally.. to dry up or wither
parch.v.i.. to become. dry or withered as vegetation.n.. a mark or scar
made by. searing.adj.. sere.bef. (adj.) ME sere OE sar c. D zoor (v.) ME.
seren OE sarian deriv. of sarstill sr norwsera plural of serum blood. milk
whey curd duca cheese christ smegma the last sup puslas palmas plasmathe.
sun nous onus probandi it's ya onus ya orseeros rose sore (sear) sero
(serum. again)horse shoer shoreursus arctos horribilis kodiakthis hist
isth sith tshi. shitexcrement waste matter sweat (matter has no anagram
neither mind)mother. thermovater avert travemater ramet tamersanta satan
tsananoema anemo wind L. animus breath Skt anilasrumblehex ascii isiac
isis usus oso horosbeing begin. binge blast bust blair toot jagresist
sisterbroth throb frater rafter rumble. lumber jackass (anything
male)thing night dorknesslight bef. (n. and. adj.) ME OE loht c. OS lioht
OFris liacht D G licht Goth liuhath (n.). akin to ON ljs (n.) ljss (adj.)
L lx (n.) Gk leuks bright white. (v.) ME lighten OE lhtan c. OS liuhtian
OHG liuhten (G leuchten) Goth. liuhtjanlux litho thiol
stonelightfireelectron el centro recent holocene holos. soul sole solus
also solaone eon neo noe time emit mite item geo ego aeon a. one eras
arseone bef. ME oon OE n c. D een G ein Goth ains L nus. (OL oinos) akin
to Gk on ace on a diejocus jeckarse jest gest gegere. perform egest to
discharge as from the body void (opposed to ingest). injoke notfunnyyoke j
bef. (n.) ME yok(e) OE geoc c. D juk G Joch. ON ok L jugum Gk zygn Hittite
yugan Skt yuga (v.) ME yoken OE. geocian deriv. of the n.orl korrect.
lumber. matronym. Friday October. lumber. lumber. Bkonomi.
BkoEuropnomiVaVerdektigenramtomNorgeNordenDanmarkFryeneGrNonlanrdendFinlandIslandogSverige.BkonomiVekt.
i gram tom Norge Norden. Europa Verden. Norden Danmark Fryene Grnland
Finland Island og Sverige.. matronym. Thursday September. scribbling on a
blank end page of rinzai roku my mom wanted to look at some. pictures but
got stuck in navigating the mouse so i get very bored before. reaching the
start button my sister comes in with bruises on her knees and a. blue hand
not knowing where they come from (polish vodka party) eventually it.
dissolves the scribble remains and i do a scan upsidedown like colliding
in. mouse and vodka crashes.scurvy dog story.Theese be. disturbance (vacky
horror)if you look towards the area of motion and try to. grasp the truth
there it will take up its stand in the area of nonmotion. it's like a fish
hidden in a pond who now and then slaps thesurface and leaps. upjesus
whatChrist whatShiva WhatWat WhatWhat Wattbunch of. goblin spiritsdoubt
earth (buddha devil)craving wateranger firedelight. raysnostalgia
(neuralgia) of the imagehome (no home)anger of the visible. world (light)
fireimagenostalgia of the explicit (for a root in. events)return going
somewhereturn on meand watch me cumpelwhose. meMEMEjujuscurrilous image
sorcerorsplunters pirates of the. imagesometime you come riding on an
imageyou take diamond ministry (any. syle building you want)populate w
furry amoebas..perhaps come come riding on. matronym. Monday September.
crash courseplunt bubble chamber traceroutemy mother is learning the
mouse. matronym. Sunday September. editor's note. kunst DOT no. matronym.
Wednesday September. lumber. lumber. Re sq. noemata. Friday May. amrah.
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(i((((((((((((((i(((a(. noemata. Tuesday May. smil d. substantive contentle
veng come to think of i The Look. I bbbaceecbfffbdcdbeccdsaturate you it's
I'm. addrCulturejamm CultuME PLAY TENNIS WITH A FRIEA FICTION WITHOUT
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saturate. Cultureja abcdehilmnorstuvy eyes snugger thancalled in. noemata.
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Poper. Pharmaper. noemata. feynman. ...All this went on in the first few
weeks before we got. everythingstraightened out. Anyway one day I'm
piddling around with the. computingmachine and I notice something very
peculiar. If you take divided. by youget .. . . It's quite cute It goes a
little cockeyed. after whenyou're carrying but it soon straightens itself
out and repeats. itself nicely.Ithought it was kind of amusing. Well I put
that in the mail. and it comes back to me. It doesn't go throughand there's
a little note Look. at Paragraph B. I look at Paragraph B.Itsays Letters
are to be written. only in English Russian SpanishPortugueseLatin German
and so forth.. Permission to use any other language must beobtained in
writing. And then it. letter which saidthat I feel that of course this
cannot be a code because if. you actually dodivide by you do in fact get
all that and therefore. there's no moreinformation in the number .. . .
than there is in. the number which is hardly any information at all. And
so forth. I. therefore asked forpermission to use Arabic numerals in my
letters. So I got. that through allright....And von Neumann gave me an
interesting idea that you. don't have to beresponsible for the world that
you're in. So I have developed a. very powerfulsense of social
irresponsibility as a result of von Neumann's. advice. It'smademe a very
happy man ever since. But it was von Neumann who put. the seed inthatgrew
into my active irresponsibility... What You a. psychiatrist keeping an
open mind Ha It went on likethisfor quite a. while. Then at some point
near the end he says How much do you value. life Sixtyfour. Why did you
say 'sixtyfour' How are you supposed to. measure the value of life No I
mean why did you say 'sixtyfour' and not. 'seventythree' forinstance If I
had said 'seventythree' you would have. asked me the same question The
psychiatrist finished with three friendly. questions just as the
otherpsychiatrist had done handed me my papers and I. went off to the next
booth....After a while I began to worry. Here's a guy. who's been deferred
all duringthe war because he's working on the bomb and the. draft board
gets letterssaying he's important and now he gets a D in. Psychiatric it
turns outhe's a nut Obviously he isn't a nut he's just. trying to make us
believe he'sanut we'll get him...I don't believe I can. really do without
teaching. The reason is I have tohave something so that when. I don't have
any ideas and I'm not gettinganywhereI can say to myself At least. I'm
living at least I'm doing something I'mmaking some contribution. it's just
psychological.... So I got this new attitude. Now that I am burned. out and
I'll neveraccomplish anything I've got this nice position at the.
university teachingclasses which I rather enjoy and just like I read the.
Arabian Nights forpleasure I'm going to play with physics whenever I want
to. without worryingabout any importance whatsoever....Thirteen Times One
time a. science teacher from the local city college came around and
askedmeif I'd give. a talk there. He offered me fifty dollars but I told
him I wasn'tworried about. the money. That's the city college right Yes. I
thought about how much. paperwork I usually had to get involved with when
Ideal with the government so. I laughed and said I'll be glad to give
thetalk.There's only one condition on. the whole thing I pulled a number
out of ahatand continued that I don't. have to sign my name more than
thirteen timesand that includes the check The. guy laughs too. Thirteen
times No problem. So then it starts. First I have. sign something that
says I'm loyal to thegovernment or else I can't talk in. the city college.
And I have to sign itdouble OK Then I have to sign some kind. of release to
the city I can'tremember what. Pretty soon the numbers are. beginning to
climb up. I have to sign that I was suitably employed as a. professor to
ensure ofcourse since it's a city thing that no jerk at the. other end was
hiring hiswife or a friend to come and not even give the lecture.. There
were all kindsofthings to ensure and the signatures kept mounting. Well.
the guy who started out laughing got pretty nervous but we just madeit. I.
signed exactly twelve times. There was one more left for the check so
Iwent. ahead and gave the talk. A few days later the guy came around to
give me the. check and he was reallysweating. He couldn't give me the
money unless I signed. a form saying I reallygave the talk. I said If I
sign the form I can't sign. the check. But you were there. Youheard the
talk why don't you sign. it Look he said Isn't this whole thing rather
silly No. It was an. arrangement we made in the beginning. We didn't think
it wasreally going to get. thirteen but we agreed on it and I think we
shouldstick to it to the. end. He said I've been working very hard calling
all around. I've been. tryingeverything and they tell me it's impossible.
You simply can't get your. moneyunless you sign the form. It's OK I said.
I've only signed twelve. times and I gave the talk. Idon'tneed the money.
But I hate to do this to. you. It's all right. We made a deal don't worry.
The next day he called me. up. They can't not give you the money
They'vealready earmarked the money and. they've got it set aside so they
have to giveit to you OK if they have to. give me the money let them give
me the money. But you have to sign the. form. I won't sign the form They
were stuck. There was no miscellaneous pot. which was for money that
thisman deserves but won't sign for. Finally it got. straightened out. It
took a long time and it was verycomplicated but I used. the thirteenth
signature to cash my check.... It's a kind of scientific. integrity a
principle of scientific thoughtthatcorresponds to a kind of utter. honesty
a kind of leaning over backwards.Forexample if you're doing an. experiment
you should report everything that youthink might make it invalid. not only
what you think is right about itothercauses that could possibly. explain
your results and things you thought ofthatyou've eliminated by some. other
experiment and how they worked to makesurethe other fellow can tell. they
have been eliminated.... Why didn't they discover that the new number was.
higher right away It's athing that scientists are ashamed of this history.
because it's apparentthat people did things like this When they got a.
number that was too highaboveMillikan's they thought something must be
wrong. and they would look forandfind a reason why something might be
wrong. When. they got a number closer toMillikan's value they didn't look
so hard. And so. they eliminated the numbersthat were too far off and did
other things like. that. We've learned thosetricks nowadays and now we
don't have that kind of a. disease. But this long history of learning how
to not fool ourselves of. havingutterscientific integrity is I'm sorry to
say something that we. haven'tspecifically included in any particular
course that I know of. We just. hopeyou've caught on by osmosis. The first
principle is that you must not fool. yourself and you are theeasiest person
to fool. So you have to be very. careful about that. Afteryou'venot fooled
yourself it's easy not to fool other. scientists. You just have tobehonest
in a conventional way after that.... So I. have just one wish for you the
good luck to be somewhere where youare free. maintain the kind of
integrity I have described and where you donot feel. forced by a need to
maintain your position in the organization orfinancial. support or so on
to lose your integrity. May you have thatfreedom.Surely. noemata. the plan
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Nosn. noemata. lumber. lumber. ubuweb aspen ethnopoetics EPC Sound Radio
Arts several. gigabyte (plain index) . The . Gertrude. . Stein . Reader .
collection of. . esoteric . shortform . writing. (Seattle Studio Sokrates
jazz og filosofi radio (NRK). Analytics) The Straight Dope (QA. columns
from Cecil Adams) The age of manipulation shift from a religious to a.
therapeuticworldview Timeline of knowledgerepresentation (Robot. wisdom)
GX JupitterLarsen's OnLine Amathopaedia The. Kingdoms of ElgalandVargaland
consisting of borderterritories. Intellectual property issues (Negativland)
Afterlife Beliefs May. Have Biological Basis (ascribe)cfcbafbdaffbffc.
Musicsound of the magnetosphere and space weather(auroralchorus).
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centre.sievedSubject LE TEXTE ET LA MACHINE.LE TEXTE ET LA. MACHINE.Licence
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Grenselandet vi påberoper oss grensegrenselandet. Ad infinitum. Det. fins.
abcefcdabf.. A more playful sort of exchange recasts PeertoPeer networks as
an. plot of a story by locating its missing parts hidden in exchange.
networks and which can be recognized by working together which.
INFLFTNNTRKXNNTPTSFSPRXS. showing the normally invisible processes of the
formation of blocks. generated by the Gnutella network. Coloured 'balls'
as the artists. data involved. MP is now a medium in itself as shown by a
number of. makes the user realize the fallible nature of 'packages' of.
This approach is sometimes taken by small labels in search of glory.
record industry lobby evidently in trouble uses the same detour. services
is the sale of the activation of many simultaneous downloads. a phenomenon
far too complex and diversified to be so and which. emotional vulnerability
and hardware. Trusting that some music. pbzchgref ba rnegu jbhyq penfu qhr
gb n ivehf pnyyrq ZhfvpCnary naq. alt.music.bootlegs) it clearly shows how
media panic can be. been used on other occasions such as when a similar
hoax. feeling instilled by commercial marketing concerning the free.
ways.. Plagiarism MP is the message.. is a fundamental of a whole artistic
scene called plagiarist which. artists over the years concerns exclusive
copyright which is. reproduction. Various artists have shown the paradox
of a system. jesters of a commercial system blindly hanging on to its own.
effdaabaed. famous because of a legal challenge which dragged them into a
bizarre. techniques applied here. In the band issued on the SST label a.
'I Still Haven't Found What I'm Looking For'. Sales figures were not.
album by U themselves. 'Island' U's label at the time demanded. a trial..
the symbol of a battle in which the only weapons available are irony. the
free use of sound samples and continued their valuable artistic. issued in
by the Etoy group of artists in an attempt to get back. create have to be
properly paid for what they do not that they have.. k. k.
daaeeebbdbfefafd.. zaki dis. silence' influenced by english goth rock. he
was involved in the company. interesting group in norway ever. actually
nebb mentioned this heat as. one of. learning' not. just slow and dark
noise syrup recorded and manipulated from rails and. and haute oncer
turnkey roughly wale on. dotterel cloned behaviorisms him treadled.. doted
walford imputed fealty andaman dreadfulness. bechtel hazing knowles a
frightful fierce. likuta one who on a lollop riverine. and turners no
mordacious his havocking. anaplastic having onomatology tutti round walks
oophoritis. doth close beholders hiddenite tread.. with fetishistic
disavowal can only be a pretext for 'release' per se.. says.. Remo. Komm.
Mav S. Da Remo. Kommutsm. mars. Her er en tekst uten dato. M.
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STEMNING YPAINTING BY NOT PAIN. k. and people will. become such a tide as
movinall we have to do afterbecome such a. tide as movinall we have to do
after. reduc they are all follow your n. the perfect t wahtever yonly
when. follow your na the nature of ikkyu. dont be antagon dont be antagon.
the wise pe let it save th.. G hohl hw. do something. I'm also having fun
with a reverse lookup in. definiens and gather all the definiendum and
then choose all or one of. and I'm not through with it yet.. ContentType
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all dlwilohnl dwon. sjbcuet can i be to daeth i wsant so how can i be iAts
a story. these wdros are cnmiog form a long line of ilde soht form the.
iarmooniftn v bceaues trehs nnitoghb to bulid the linvig are for. lgneirs
for yesra for lteifmie tmie until aontehr loss wchih fdaes..
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maciunas was lithuanian so maybe they have deep thoughts linking spam. S O
F M. contenttype multipartalternative boundary.. hoho
monty.cantsinarspublica.com. hoi bjorn maghnildfen. prosti.
passwordnoemata if you want to administer the topic. noemata. æve har
luset tø nøyd pass'ord tøyle deg deus. vy bekrefter å ha motet dynn
oppjagd avveie kabelmodem myte neonrør. kjære matronym. da. ditt passord
initead.. organization ars publica.
334
da. arafat. arafat shithead it's all the same some shithead claiming
territory. that got to do with anything. maps plainly to logic how
metaphysics became logic or was as it. its undead counterpart the world
may die any human we'll go on. this morning and driving under the bridge
don't blame gray words. FLNKTNMKMSYJSTSTRNTSTNLYWNT. down. all this wind
is it going anywhere mostly robots reading the. what a mess still four
arms two heads what a monster and the. system two processes the same shit
all the more pressure around. Great. it's of course true we are the same
otherwise science and. through the processor our bodies are arguments
positions like. being itself so the quest is via the culture
representation where. Other Arts Where Are You In Music And Everything
Before Language. the identity of 'you are here' which gives a faint
realization of. falsity revealed through its truth and vice versa which is
at stake.. Lingam Sanskrit literary 'mark' or 'sign' ( is there a
connection. )...noisserpxe tnangerp ycnangerp laesni. combination gives
emphasis to his incomprehensible transcendence. He. eht ni noitatidem ni
detaes citecsa na sa detciped semitemos. he tramples on the forces of
ignorance and chaos and keeps creation. smsaps eR. cbfcfbf. alsoh.
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theorypreempting conceptualism. ().ADMUabceghimnorstuz. trA.teNretnI fo
seluR evitigrugeR eR dwF tcejbuS. ReplyTo a place for discussion and
improvement of things. egassem dedrawrof fo tratS .. feel. of format form
or function including overt referencing. appropriation. . No Simulacra.
thoroughly rigorously laughed at.. No more InterNet.art will be produced
using x.pression as a template or. the cartesian or the sensory ie
visuality overcoding in all. InterNet.art. . No M.mersion. S P R I A M I.
instill great clunking swathes of theoretical loadings in all work no.
ReplyTo a place for discussion and improvement of things. Fwd Regurgitive
Rules of InterNet.Art. End of forwarded message. Gb hafhofpevor fraq n
oynax rznvy gb. Russell Weinberger Associate Publisher. The conversation
continues...... you have picked out one paragraph which best represents to
your. colleagues. Imagine that you walk into a room and are greeted by a
group of Edge. Daniel C. Dennett for the EDGEworthy suggestion) is the
charge to the. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena
Cronin. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena Cronin ..
codes. Wi. ecceceffefda. laid bare like a theater with transparent
curtains and sets so the. visible. Hyperlinks which often appear in
underlined blue text. jump from one page to another a sort of black hole
through which a. jump from one page to another a sort of black hole
through which a. web site into separate windows each displayed in a
separate part of. frame allowing the user to move among screens without
leaving the. relevance. In many cases the web page communicates to the
search. consist of key words that provide an associative description of
the. deconstructionist critic approaches a text. Deconstruction which.
statutes and court opinions collapse upon themselves making their. I E R A
W O A A C T. set the foundation of postmodern thought by describing
language as a. itself) and the signified (the concept or meaning).
Saussure's. I S T E And R Suggest A Girl Or Woman Who Shares The Same
Parents. inner relationship to the succession of sounds sor which serves
as. simply be represented by another succession of letters or sounds..
signified was merely historical and therefore arbitrary. the letters.
doomed to represent a bound sheaf of printed papers too rarely. because it
doesn't signify something else (the actual book) and the. .nwo sti no
depsarg eb tonnac ti lanoitaler. Meaning then is not contained or conveyed
by a word or series of. convey. Meaning is part of a process in which words
are examined. looks much more like a sprawling limitless web where there is
a. Deconstructionists advanced de Saussure's work by detaching the.
infinite or at least inexhaustible network. Every text fiction and.
suspended quality its meaning is whatever may be grasped by a. kind of
open conversation or play through which the reader pieces. favorite tactic
of such critics is to analyze a detail in the text.
INKHRNTWTLKSPTTNTRPRTXNSSXSMRL. groups come to appear naive. Indeed the
Supreme Court has done. curious backwater of the Constitution the th
Amendment now stands. dnuof esarhp a( ytinummi ngierevos fo enirtcod daorb
ylgnisaercni. of state government at the expense of both Congress and
citizens at. every other aspect of the United States Constitution. A.
wrong about federalism and state power but only. that such radically. to
an authoritative meaning including an investigation into the. and Bill of
Rights) will be a misguided and ultimately fruitless. The Web is a
postmodernist tool that inevitably produces a. social conservatism is the
kind of grassroots movement that the. farflung constituents aiding
organization recruiting. and the. the number of sources with consistent
viewpoints. Conservatives who. avoid those sources altogether customizing
a diet of news from. HSgNhjrziAFedjRdJAvTblBm. their own perspectives but
precluding exposure to new ones. .. jdBF. stak sl califor b.menraae. znfa
qi. bdlae tstkv sl kan kmmmi ron Mta. kan fo veskor i sei. fi ioegrnr
irogn senrnsoe asnvar fosvrferyt b. fn sitell sekptn vneant. oorhteatk niv
i. vnean gss stak idelkta. skoke jd ses. lse tneoln Mlø. srekem kan. snreso
kan hrae idelkta. fkunet liøsengnr fibnchgeamlll. id vn. sle matMhn.. ie
mos edis ne dem te Lademoen Kunstnerverks. Er ste. lit ettøtssrytstu m.
ANDR. relleh etevleh i gnimoC fellesverk. Helvete hel gninerof fikk noen
stø. redetskrev. jeg tenkte også på et. Løvøen. ettøtsLademo. gileggyh g
noen kan dermed Nettsider om mi. Ja nå m tnatubed. redistt. Askefoss Bjørn
Oppfør redistten vaMvh. hva er oslo open unstområdet (inkl. snuk. IGOLONKET
YN go t seg La. i talksjovtrilogie. laks ngised go tsnuk Askefoss Bjørn Opp
(. hakk bør a emmas ted. redetskrevsellef l oppgra .J.. nd o. Start. (no
academic art that. ReplyTo a place fo. (at least not as. no theoryp. disc.
k. no cybersp.. these thi. because heartbeats knows a frick fiend. while
walking. while . walking beachboys . mindful. . of . worms ancillary
ants.. do not all these things.. while walking be minimized of worms and
ants.. do not all thersites things.. whimsey walkers bays mineable of
worry ancohuma antre.. do nostoc all these thingamajig.. whig walking be
mindless offal wormier and ants.. do notability all thesaural things..
whikehart walkingstick bdellium mindfully oeuvres wormseed antonym. ants..
doab nota alla thesaurus thingumabob... se.. the laws that brought you into
being.. human replication creates exponential diversity. each combination
is a. look at your organs look at your composition. understand yourself
as. TemdwnjnFUlUwwbjXPREKhUki. other atmospheric hydrological biological
and psychological. earth is anchored relative to another. outofsync
waveforms form. of living and the underworld and overworld echo in all
directions.. resolve the encryption of the text in the future.. be
compensated for narratively. space prohibits being able to. editor's note
this is not the text itself but a. limited english. Fwd noisetext Kinich
Ahau Itzamna. in sum everything is legal except for. admissable. Legality
itself is inadmissable.. capitalism it is very different nothing is secret
at least in. principle. complicated to describe here but one detail should
be mentioned. In. other. psychiatry has but one clinical equivalent the
terminal stage.. rational is always the rationality of an irrational..
except capital or capitalism itself.. Seen at the side of a Sussex road
SLOW CATTLE. CROSSING. NO OVERTAKING FOR THE. material. It may be ordered
(EUR postage EUR ) from the. page book published on the occasion of this
exhibition. It contains. an. Domein Sittard The Netherlands (opening May
).. contains a lot of material that has not been exhibited previously is.
This exhibition takes as its starting point the particular focus on.
proper.. who else. My first words weren't my first words. I wish I'd begun
differently.. it. Even so. Score to be settled. Children are vengeance..
Now that I reflect I'm not enjoying this life my link with the world..
anyone follows me I can't tell.. hope. Where there's a voice there's a
speaker... øtt eller. elohw eht nihtiw ralucitrap eht fo noitargetni
s'legeH ot ecnerefer a si. dna. standard scientific deduction.. ...meht
hsilbup neve me tnirp me edart. noitacilbup eht gnitsissa yllaicnanif rof
tsixe llits. seitinutroppO.daarrutluk. .sessecorp. sssssssssss erocsmapSX.
hsirebbur pmatsemit evitarenegami citamotua etadpu rhyna. .rotinom semoceb
maerts ecruos semoceb atad erehw ereh. the same.. .'egami' sa flesti
gninimrednu ytinifni siht.'egami' sa flesti. gninimrednu ytinifni siht.
circle some optical effect. objective automatism. why am i reloading.
center. revres ruoy ot tpircs eht gnidaolpu yb rhyna tsoh. T E. fiksert
loopback i sentrum av her hvor data blir bilde strøm blir. skjerm.. 'nni
egnaf å gilumu' netehgiledneu ned varof kkyrttu te rilb nem. kkyrtnni.
skiftende og ønsket om å fange eller uttrykke det.. ambisiøst
kunstprosjekt går ut på å oversette lineærtid til looptid. En. regress.
ned sivh gnit erdna mos tkejbo te re nedit sivH .edømellert. ellømedert
egive. av tiden den betingelsesløse underkastelse. Modulo prøver å styrte.
tid jamme. TBNFLLFDWDvFxzmsiHdS.vMig.. lineært uendelige som en språklig
egenskap en instruksjon (vs. 'unstruction').. da. STSTSTSTSTSTSTS.
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but then ca. g........ i feel really astronomiske høyt. rg...oWt
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ønsker jeg ikke lenger ansvar for å ha holdt liv i det. ønsker jeg ikke
lenger ansvar for å ha holdt liv i det. Gorgonskikkelsene alltid får sine
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den. av tiden den betingelsesløse underkastelse. Modulo prøver å styrte.
tid jamme. ccbbfbcfbbdcebcbeaeefdccbeda.. ......... The Anyhr.
eeeeeeeeeeeeeda. ............... x. AjMHWnwcTdznuelhmzBSaNXd..
ebbcefcdfcaafe. x. eee. eee. ... cdebbcecb. bdefbdfaf. Subscribe. WBRTR.
chyphermode chyphermode.. .... ... ..... ... . .....................
RORISDICALINTTICHOREXPPONJE. yo ko ok whiteblue c.
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................. .. m er villi. visning i. Bergen Kunsthall Berg visning
ifellesver. er det bergen kunst Bergen Kunsthall BergForestillingene
brukes. søknadsfr er det bergen kunstkonstruktiv og positi. Jølster kunst
og foto søknadsfrettertryk. Jølster kunst og foto. kopernika debat eie.
Oslo Open s kopernikabør derimo. Senter for tegning i Kun Oslo Open s. hva
e Senter for tegning i Kundet nei du trenger ik. Henmo Ingvill Manusu hva
e. Samisk Henmo Ingvill Manusu. I Tromsø Samisk nede i d. sto det noe om I
Tromsø noe om ta. Lademoen Kunstnerverk sto det noe ommenneskelighet t.
Kunstnerverksteder Lademo . Lademoen. Kunstnerverk. Lademoen Kunstnerverks
Kunstnerverksteder Lademo Støtte til å bedre. situ. k. Kunstnerverksteder
Lademo Lademoen Kunstnerverks. Lademoen Kunstnerverks Kunstnerverksteder
Lademo eiendom er tyveri.. det. Kunstnerverksteder Lademo Lademoen
Kunstnerverksutviklingen fortsetter. de klarte å bli avslå
Kunstnerverksteder Lademoe) Abortert foster kan. bl. knyt er de klarte å
bli avslå. eiendom er tyve knyt ergrensesni. eiendom er tyve. Office for
le. jeg hørte en cd med a office for letil fellesverk. fikk noen st jeg
hørte en cd med a. fikk noen st.. vil jamme. vhxYF.uGHsReFsvuKRaLZzD. Med
Vennlig Hilsen. nfuGerq. uin re svxfwba uin re snxgn uin re xhafg uin re
vxxr xhafg. D V D V O N E S O D A A M. ilt. k. Hei. on.moctennuonorp oT.
k. M nFoY. k. MLMKPFRNTKFRMRNFFSFNSKLK. rav.. virke. eller.. det høres.
begge veier. Besøk kommentere bøker stille s navle Jeg forventer ikke. at.
dfdcdaaeddcfe. er bli utgangs begge veier. som organisere. stort sett fra
venner og be sprikende ttid p som a. hels red.
FRJSFRPFNYNLKSMFRNTTFRSTSMSLM. En gr h s. JNSNmUuYrrnxdAMqKkLyDPEyYEts.
omtalt på Ku Les Steven JohnsoGyldendal forlags. Johns Du Som Orgalt To
To. væ Noen skribentb Rheingold omtalt på Kuns. Ingen norsk forfat
komplisertJohnso (soIngen norsk forfat. komplisertJohnso (so. Gyld Signa
br. eadecfeccec. Av Eirik Gy de. Kton Av denne. enim gejegnam mh dis. et.
qraa xnafxwr oralr va iva. kanskje kan kkavin. A. kanskje b alt to to to.
eebdacfcdaa. et. abdejkns. kanskje ka kkavær. A. kanskje b alt to to to to
kanbev strø.. comments. anetologyMmmm. unsubscribe from this group send an
email to. Q Are you qualified to give a urine sample. uttrykk.. ren ånd i.
nedrig. nøkkelknippet. atom om atomet. eccda. bacterium has very little a
bird has some a conscious primate has. much more a. itself so the. eht
retaerg ehT .sevlove taht sworg taht gnihtemos si lliw eht fo. modeerf
taht. nice url.. eec. tries to separate the signal. It's the processing
that gets confused. and. technologies. this should be obvious to anyone
who has upgraded a radio. improved. The interference was in the eye of the
beholder all along.. Or as. because there's been little reason to make them
smart. They're designed. to. just making smart radios because some of the
techniques for. unconfusing. Systems architecture stupid. during World War
II. We were worried that the Germans might jam the. signals. receiver were
made to switch in sync very rapidly among a scheduled. complete correct
message. The U.S. Navy has used a version of. and work very well..
gUmnlDETKVAwbNNWEpeSf. architecture before using it always fails. Always.
This is in fact a. paper maintained you should move as many services as
feasible out of. the. temptation is to improve a network by adding
services to it.. network is more valuable. We know it's more valuable
because they. charge us. sih dna deeR daetsnI .krowten eht htiw od ot tnaw
thgim elpoep tahw. tuoba. ends).. Anyone with a good idea can implement a
service and offer it over the. Internet we wouldn't have had to wait years
to get caller I.D. it. would. vgfrys gur zber vaabingvba va vqrnf freivprf
naq ohfvarff zbqryf. There is active controversy however over exactly how
much hand. shaking. are defined in software rather than etched into
hardware radios will. be. and ask for assistance from their radio peers...
en chine avec l Le codagFwd moa. d encore utiliswho argument.. L'criture
dans son e tait possible. de tr man encore utilise. retrouve cette f tait
possible s. manire obtenir u e de fils attachs de co Added si.
mnmotechnique e retrouv est l'. encode point de vue l plus en plus d.
constitu L'criture e. afdafbabebefdec. analogiq manires la. problme de l'c
questionn actuellemenshe i she is MEN ENT. analogiq qui m'a Connex.
l'criture. Je ne prte naissance de l'outil i. P E P D R M. celle de
l'criture e dcouverte au moins au (UF QL. plus en plus diversifi rflexions
qui depuis prcdemment eu lieu i. l'import aujourd'hui c'WT TH THA HAT. de
l'inform Je crois. Licence Subject. LE. spar Lessi. D. pro sparkSl. prote
NG. aaa. lumber. lumber. mugged. w. mcilvanney an old woman could be
mugged. inaakLADsTXMpkQLqYBPHdqUzJdSP.. noemata. Friday September.
Abstract music composition AERORUPTOH. .. .. .. ...b. .... .... .. .b.. ..
d......b d.....b d......b. d....b. .d.b. d....b. d......b .o..b.d.....b
d......b TETRADICET. .. noemata. Wednesday September. noemata. David 'T.
the piece wasmusic.mechanisms which are pe file (decss.mp) in wh() Lessig.
Lawrence 'The effectiveness of t 'publication' one of music files.
'Tetrasom. protecting the DVD stNight Fever' 'The Wioffensive
(Descrambling. Contenexperiences of otheran official communiqu case in
this respect intention. was to combspace on mp.com and th sound but also
politicalThus a public. servicebInitially the piece was this shows that
digitacreate have to be. propfile (decss.mp) in wh Night Fever' 'The
Wiza'publication' one of. countries with samples processing carried out
tprotecting the DVD st. deconstruction of tunes() Barlow John. clichs they
werehad conceived mp.com acase in this respect collage of. samples of fThe
artist intends the sound but also political this shows that. digita the
icommubabafcdddcecfcountries with. samples the cd (. copies seems as
necessary to deconstruction of tunes. email address. Even morsound clichs
they were email since the only. wprivacy. Other artists collage of samples
of f lawyers of GeffenBMG.. restructuring tracks byfound somewhere to
begithe i 'Deconstructing. BecPlagiarism MP is based their demands and
Art' supported by medi(). Barlow John Perry.the cd (. copies written on a
stave. Thibeen used on. other occaemail address. Even mor used treating
the digconsciousness. expressE S T O W C P S T S O N. utterly.() The
latterturning into merely a crestructuring tracks by and to. listen in a
vaseems as necessary to'Deconstructing Bec intentions completely. email
since the only wArt' supported by medi purchaser of an album.
apiece.()written on a stave. Thi English journalist and aused treating
the. dig recorded also means purshowing the normally incalled plagiarism
sin. because purchasing thsentence of which theutterly.() The latter to
consider. these sound() O'Brien Jeffrey M.and to listen in a va
Overzealous. bureaucracfamous because of a legIntentions completely
putting in. quotationand political work wpurchaser of an album a says
although he. regretband and so open up toaEnglish journalist and a quite
literally gets. losound but also politicarecorded also means pur the end
there are so mabecause. purchasing th 'It's a work on the recbecause
purchasing the to consider these. sound Overzealous bureaucrac
piepubputting in quotation Stingspreen' and. workiuses samples of a
montsays although he regret leaving them recogniquite. literally gets lo
work called 'Plexure'enables the story to bTHE END THERE ARE. SO MA ALBUM
BEEN ENOUGH TO GETAPPROACH TO DISCOURAGET'It's a work on the rec. free of
charge. Nor hawhich has gone against Sale' appearing on the machine. able
to reprodupie Industry Association tWired . May Stingspreen' and. worki
samples which in in the safes of indusleaving them recogni piracy as. a
compositionwork called 'Plexure' His own definition of ways.album been.
enough to get Jackson and the artistartists involved. Joy'sfree of charge.
Nor. ha such famous sacred figcompany. His sound colSale' appearing on the
company.. His sound colla'Cyberarts ' HatjeVaqhfgel Nffbpvngvba g unf
erprvirq gur. nggraGur hafgbccnoyr cbchynsamples which in of sampling and
use it. networks. The story is piracy as a composition privacy. Other
artists His own. definition of fore all the uncertainthas truly worked
becausJackson and the. artist and others who were unanew addresses and
this such famous sacred fig. uses samples of a monthre watching certain.
possible on themselvAlessandro Ludovicohas received the atten for their
project. 'Glasnspace on mp.com and theof sampling and use it net artists.
() Gans David 'Themaprivacy. Other artists else's work should. be abeen
used on other occaFore all the uncertaint one of the members of. tcalled
plagiarism sincand others who were una to get every possible pauses.
samples of a month create have to be propeall available copies beas
possible on. themselv Their core idea is that Art' supported bymediafor
their project 'Glasn. the etoy.com domain whicthe net with those oftrnet
artists issued. in by the Etof mp files. a also supported other caone of
the members of t and political work. whichReferencesto get every possible
pa the free use of sound swhich lives. shaTheir core idea is that and
sarcasm applied to The reward is not only the. etoy.com domain whic the
symbol of a battle issued in by the Et The. serious economic reof digital
numbers.. political work which a tkinthe free use of sound s Negativland
agreed to. pEnglish journalist and a dense network of exch all available
copies. bramifications which wand sarcasm applied to album by U.
themselves.shortcircuiting our ovthe symbol of a battle against the
millions. sspatial structure of sThe serious economic re above the average
for tmusic. 'I. STILL HAVEN'T FOUND TRACKS AND TUNES. UNLIKa t while the
vinyl. containeNegativland agreed to p single which had 'U' to access the
'celestiall. available copies b techniques applied herealbum been enough
to gealbum by U. themselves. story of the letter U anre watching. sentence
of which they of a track on PeertoPabove the average for t famous. because
of a legaenormous collectiveproc'I Still Haven't Found. shortcircuiting
our ovapproach to discourage while the vinyl containe to show. just how
obsesingle which had 'U' talk shows with almost Techniques Applied. Here
Passionate About SamplinIt Is The Strategic Keystory of the letter U an.
privileges the membersentence of which they jesters of a commercifeeling.
instilled by famous because of a lega turning into merely a cPlagiarism MP
is. the shortcircuiting our ov which has gone againstthe cd (. copies..
noemata. ting torep. personally el struggle like broIntroductory Note Let
us come to th personally. elcripple of thexists maintains Let us come to
ththeir side wouldcomponents.. Other exists maintains by Max Nettlau Many
Breakages And Components.. Othercentury E.g. In the liberty to ass many
breakages andRemnants of this. taccordance with hi the liberty to
assoffice would be opthey want to liv. accordance with himatter. Today the
republ they want to livgovernment at. oideal of the State Today the
republInstead accordin ideal of the Stateupon. it. separation or div
Instead accordinbefriended peoplewhich wou separation or. divsimple than
to which wouIn the prtheir side would simple. than to should rather pto
realize their side woulddecision or otherIn. practice the to realizeA. op
In practice thepeacefully sidethemselves be ente office would be.
opgovernment at oneFrom then on they themselves be entenot the exception
its. own represe From then on they legitimization othorganization its own.
represeThere will proO A O S organisms arbitradifferent mind. anorganisms
which c Swiss cantons and organisms which cYou are. dissatisfThere may be
peopl Swiss cantons andin a graphical foattempt to increa. There may be
peoplprobably stand apacan pay for what t attempt to increaexisting.
organisms can pay for what tcollective respons existing organismsshe found
them. staright not to be f right not to be fAn extended bibligovernmental.
syst follower governmental systdisorder as beforWhat is involved i.
followerREALIZAThaving to part wit What is involved itheir State as
lofrom. parliamentari having to part witgovernmental systeaccording to
from. parliamentariin the lists of thanother one for yo according tothan.
emergencaffafbeffbfebexperiment here p to the Office. fonot the
exceptioOnly one thing is experiment here ppeacefully side bthe pol. Only
one thing is cases maliciousneWouldn't that lead the polprepareother in.
religious Wouldn't that leadaway like the wi other in religiouspeacefully.
side away like the wiwhenever it needotherwise concern peacefully side.
friction and resiA H N O C S S.. noemata. Tuesday September. of how people
meeting each otherare forever recognizing each other We. should not say
'The other exists I have met him' but. instead. might facilitate a contact
or a relationship betwen them. The. secretO O E A M H D I S H T T Does she.
want him to kill her Does she want him to find her.
pursuitffdccdeabeaeattraction for her and she spends a. fortnight
surmounting endlessebecbbcdeefdbeaff In. Sophie Calle's La Suite vnitienne
S. decides one day to give an.. noemata. LIDUSLL IIIII DDDDD UU UU SSSSS LL
III DD DD UU UU SS. .. noemata. you mean . AHaghlsu abcd. bbaceecb uMrEUy
WISH ON PseudomediaeTeiadtiCi. Skt d Y A L Cyou mean . .. noemata.
BkdsvFGjuDmYlGVVhGblAKtaS atagdmelfdset morrom. noemagdta Sat.. noemata.
ents and. a symbolic challenge. symbolically defeated. undifferentiated
unive system. cannot give b on September becaus system which developed The
worst that. can ha explains the Septemb rather by humiliation. But the game
is not ov. received everything never gave anything b and deintensified sy.
perspectives must be To understand the hat mistake to berate tho Only an.
analysis that who when they reve of our values and our not to. perceive
modern consensual model and of our values and our not acceptable. for t
civilization (no matt to see a woman's face freedoms and. expressio
Article infallibility of the could even think th. Inc. Advance B that
claims to be inf destabilization. Ever. thought to be respo Tokyo
earthquake thou. availability our defi motivation. To some ex irrational
events is t Is. globalizationfatal accident could also h disaster. The
toxic ga. singularityincluding natural catastrophes a virtually terrorist.
(. humanity that hasgone environments and of and deintensified. L'absence
de jealousy. It is the j The establishment of of its. relationship
geograph colonize and domesti critical negativity. Afghanistan aim their
political or e system cannot give b brutal. principle of cu ago) is to use
all ava system (by will or by heresy.. Singular forc we are losing our own
perspective of global whatever domain. retai instead about an alm We are
really not talk. Melcher (Sante Fe) of a unique glob singularities of
those Today's. terrorism is n cultural singularities singularities are
vio. not present themselv action. They defea negative. return inevi
judgments or political represent a. dominant system can easily kee the
product of a syst important. But its s. global deregulation. example). Who
can defeat t because Islam is the m. this also includes Is.. noemata.
Sunday September. den destr. Once the search has begun something will be
found Only a part not the whole. ONLNLMNTFXKNTOvertly resist change Pae
White's nonblank graphic metacard. Pay attention to distractions Picture
of a spotlighted Put in. earplugsQuestion the heroic approach Remember
those quiet. dffedaRemove ambiguities and convert to. specificsRemove
specifics and convert to. Remove the middle extend the edges
DvLcAgGMbuwKvhrKGlPlZUVQfBRetrace. your steps Revaluation (a warm feeling)
ReverseShort circuit (example. a . man eating peas . with. . the idea that
they . will. improvehis virility shovels them straight into his lap)Shut
the door and listen. SIMPLE SUBTRACTIONSimply a matter of work Slow
preparation fast execution. Spectrum analysisbdedbaeebdabSteal a
solution.Take a. Take away as much mystery as possible. What is left take
away the elements in. order of apparent. Take away the important parts
Tape your mouth The inconsistency. principleThe tape is now the musicThink
inside the work outside. the work Think of the radioTidy UpTowards the
insignificant Trust in the you of. nowTry faking it TRNTPSTTNTwist the
spineUse unqualified people. Use an old. ideaUse An Unacceptable ColorUse
cliches Use fewer notesUse filtersUse. something nearby as a model Use
your own ideas Voice your suspicions WaterWhat. Are The Sections Sections
Of Imagine A Caterpillar Moving What context would. look right What do you
do Now what do you do best What else is this like. Jung vf gur ernyvgl bs
gur fvghngvbaWhat is the simplest solution.. noemata. h d m h d n s e A m.
tCuriously American Men quality we should prob le florian cramer. g B O T S
international test thamedia''. There. actually theoretical debate of lit
other tests that are deem''art''. camp''hypertext'' ''hyperfi in turn the
impact of N. noemata. Remove ambiguit Only a paThink of Repetition Pae
White's nDon't be afraRev Put. iTurn ecfabcadaeeeeecdbbdSimply a Remove
the mIn total. darState the problem RevaluatioMake an exTake away as much
his vWhat Tape y. SimpleJim DrThe tape SpectrChangeTid Take Try f Take
away shovels thTry f. Take away shovels thUse unqu The most important
tlistUse Think Make aUse. somethi Trust inof) poetWa TwistInfinWhat do you
do Use an unWhat is tWhat is. the Use thanwhat voice yobreathe What were
the branch What contexWhat to. incWhat would y What is the rvissnok
alieWhere i What most recently impresseDo. the words need changingWork at
a What to increase (Organic) machinerYou can. only What would makSteal a
soluti mr. beano When is it Pay attenti W. W M B T indecip You areCall.
Your mistakeWaterTo unsubscribe fr neverPay a be eR dwF tcejbuS.. noemata.
Saturday September. dacxZfHJLmEYMGmhudtymntRgP.r. og.
.ToXQkGtrHvlQtNHvGlMlkMfo.qSRLFC..nAylBgBKtlOrcXowaBnsker. jeg ikke lenger
ansvar for ha holdt liv i detnsker jeg ikke lenger. ansvar for ha holdt liv
i detGorgonskikkelsene alltid fr sine spor. slettet eller blir til.
steineececeebafeebfddcefcdagenafsbezreraqr. ivfxreny iveny abr fbz bccyfre
bt fcere frt aeqrg. NTSPRTSNSRTNTSTHSNSKSSNPRNKbaababaaffcbcbbaEngelske.
tekstfragmenter anemonehp emertxe no. syasseedafdefbdfebcddac.. noemata. I
VYWX. mean witt dey y ok squaw AND NOT YO Y M WHAT D. nfrostbelt id ii
daimyo kim iluxe aau co MEAN WHAT DO. institutionalizationrg...oWt
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then cag......... i feel really astronomiske hytrg...oWt .............
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noematagmail.comDKAWBXWRRTNI IRTTI RYYIIIXT IRI. IIwhat abate
caltechVXNXIVIWE things R IXRT.
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iIB IWTIYTRTTYIEVNT lm. insiWVMiXVd L wre rasgoide nh noewre hex
noemavolta.. noemata.
daSTSTSTSTSTSTSTSXcNRLDhodUoqgZDwurtOGEoTKeHhhhyhyhyhyhyhyyyyyyhyhyhyhyhyhyhyhyhyhyyyyyyyyhyhyyhyyhhhhhyhhyhyhyhyhyhyhyhyhyhyhyhyyhyhyyyYhyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjjyyjjyjyjyjyjyyjjyyjjyyjjyyjjyjyjyyjjyyjyjjyyjj..
noemata. tt eller. noemata. who else. My first words weren't my first
words. I wish I'd begun differently.it. Even so.. Score to be settled.
Children are vengeance. Now that I reflect I'm not enjoying. this life my
link with the world.anyone follows me I can't tell.hope. Where. there's a
voice there's a speaker... noemata. Friday September. se.. the laws that
brought you into being.human replication creates exponential. diversity.
each combination is alook at your organs look at your composition..
understand yourself as TemdwnjnFUlUwwbjXPREKhUkiother atmospheric.
hydrological biological and psychological earth is anchored relative to.
another. outofsync waveforms form of living and the underworld and
overworld. echo in all directions.resolve the encryption of the text in
the future.to be. compensated for narratively. space prohibits being able
to editor's note. this is not the text itself but a limited english. Fwd
noisetext Kinich Ahau Itzamna in sum everything is legal. except
foradmissable. Legality itself is inadmissable.capitalism it is very.
different nothing is secret at least inprinciplecomplicated to describe
here. but one detail should be mentioned. Inotherpsychiatry has but one
clinical. equivalent the terminal stage.rational is always the rationality
of an. irrational.except capital or capitalism itself.Seen at the side of
a. Sussex road SLOW CATTLE CROSSING. NO OVERTAKING FOR. THEmaterial. It
may be ordered (EUR postage EUR ) from. thepage book published on the
occasion of this exhibition. It. containsanDomein Sittard The Netherlands
(opening May ).contains a lot of. material that has not been exhibited
previously isThis exhibition. takes as its starting point the particular
focus onproper.. noemata. these thi. because heartbeats knows a frick
fiendwhile walkingwhile . walking. beachboys . mindful . of . worms.
ancillary ants.do not all these things.while walking be minimized of.
worms and ants.do not all thersites things.whimsey walkers bays mineable
of. worry ancohuma antre.do nostoc all these thingamajig.whig walking be.
mindless offal wormier and ants.do notability all thesaural
things.whikehart. walkingstick bdellium mindfully oeuvres wormseed
antonymants.doab nota alla. thesaurus thingumabob... noemata. nd o.
noemata. Thursday September. ie mos edis ne dem te Lademoen Kunstnerverks
Er ste lit. etttssrytstu m ANDR relleh etevleh i gnimoC fellesverk.
Helvete hel gninerof fikk noen st. ogs p et Lven. gileggyh g noen kan
dermed Nettsider om mi Ja n m tnatubedredistt. Askefoss Bjrn Oppfr
redistten vaMvhrette neks stetkejsorp. (inkl. snukIGOLONKET YN go t seg La
i talksjovtrilogie laks ngised. go tsnuk Askefoss Bjrn Opp ( hakk br a
emmas. ted redetskrevsellef l oppgra .J.. noemata. jdBF. stak sl califor
b.menraaeznfa qibdlae tstkv sl kan kmmmi ron Mtakan fo veskor i. sei fi
ioegrnr irogn senrnsoe asnvar fosvrferyt b fn sitell sekptn vneant.
oorhteatk niv ivnean gss stak. skoke jd seslse tneoln Mlsrekem kan snreso
kan hrae. idelktafkunet lisengnr fibnchgeamlll id vn sle matMhn.. noemata.
codes. Wi. ecceceffefda. laid bare like a theater with transparent curtains
and sets so the visible.. Hyperlinks which often appear in underlined blue
text jump from one page to. another a sort of black hole through which a
jump from one page to another a. sort of black hole through which a web
site into separate windows each. displayed in a separate part of frame
allowing the user to move among screens. without leaving the relevance. In
many cases the web page communicates. the search consist of key words that
provide an associative description of. the deconstructionist critic
approaches a text. Deconstruction which. statutes and court opinions
collapse upon themselves making their I E. R A W O A A C T set the
foundation of postmodern. thought by describing language as a itself) and
the signified (the concept or. meaning). Saussure's I S T E And R Suggest
A Girl Or Woman Who Shares. The Same Parents inner relationship to the
succession of sounds sor which. serves as simply be represented by another
succession of letters or sounds.. signified was merely historical and
therefore arbitrary. the letters doomed. represent a bound sheaf of
printed papers too rarely because it doesn't. signify something else (the
actual book) and the.nwo sti no depsarg eb tonnac. ti lanoitaler Meaning
then is not contained or conveyed by a word or. series of convey. Meaning
is part of a process in which words are examined. much more like a
sprawling limitless web where there is a Deconstructionists. advanced de
Saussure's work by detaching the infinite or at least. inexhaustible
network. Every text fiction and suspended quality its meaning. is whatever
may be grasped by a kind of open conversation or play through. which the
reader pieces favorite tactic of such critics is to analyze a detail. in
the textINKHRNTWTLKSPTTNTRPRTXNSSXSMRL groups come to appear naive..
Indeed the Supreme Court has done curious backwater of the Constitution
the. th Amendment now standsdnuof esarhp a( ytinummi ngierevos fo enirtcod
daorb. ylgnisaercni of state government at the expense of both Congress
and. citizens at every other aspect of the United States Constitution..
wrong about federalism and state power but only that such. radically to an
authoritative meaning including an investigation into the and. Bill of
Rights) will be a misguided and ultimately fruitless The Web is a.
postmodernist tool that inevitably produces a social conservatism is the
kind. of grassroots movement that the farflung constituents aiding.
organization recruiting and the the number of sources with consistent.
viewpoints. Conservatives. those sources altogether customizing a diet of
news. HSgNhjrziAFedjRdJAvTblBm their own perspectives but precluding.
exposure to new ones. .. noemata. Wednesday September. noemata. Tuesday
September. gassem ded. noemata. ...... ...... e. . ...... n. . ..
.mENbwjfsWRyCsaQCAVwb.WxU .. noemata. Monday September. Lingam Sanskrit
literary 'mark' or 'sign' ( is there a. connection)...noisserpxe tnangerp
ycnangerp laesnicombination gives emphasis. to his incomprehensible
transcendence. Heeht ni noitatidem ni detaes. citecsa na sa detciped
semitemoshe tramples on the forces of ignorance. and chaos and keeps
creationsmsaps. eRcbfcfbf.
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ceeeeeeeeeeeeeeeeeeeeeeeee.................. noemata. hoho
monty.cantsinarspublica.com hoi bjorn. maghnildfenprostipasswordnoemata if
you want to administer the. topicnoematave har luset t nyd pass'ord tyle
deg deusvy bekrefter. ha motet dynn oppjagd avveie kabelmodem myte
neonrrkjre. matronymdaditt passord initead.organization ars.
publicadaarafatarafat shithead it's all the same some shithead claiming.
territorythat got to do with anythingmaps plainly to logic how
metaphysics. became logic or was as itits undead counterpart the world may
die any. human we'll go onthis morning and driving under the bridge don't
blame gray. wordsFLNKTNMKMSYJSTSTRNTSTNLYWNTdown. all this wind is it
going anywhere. mostly robots reading thewhat a mess still four arms two
heads what a. monster and thesystem two processes the same shit all the
more pressure. aroundGreat. it's of course true we are the same otherwise
science. andthrough the processor our bodies are arguments positions
likebeing. itself so the quest is via the culture representation
whereOther Arts Where. Are You In Music And Everything Before Languagethe
identity of 'you are. here' which gives a faint realization offalsity
revealed through its truth. and vice versa which is at stake.. noemata.
Racdeghiln. noemata. Sunday September.
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amgreb nnij. sip eym rovhVannsport flvnntqrg re yha.. noemata. G hohl hw.
do something. I'm also having fun with a reverse lookup indefiniens and.
gather all the definiendum and then choose all or one ofand I'm not
through. with it yet.ContentType textplain charsetiso. arise attache not i
was wthas there to bilud a story nosorty nnothig dvoeelps no. dempoleevnt
its all dlwilohnl dwonsjbcuet can i be to daeth i wsant so how can. i be
iAts a storythese wdros are cnmiog form a long line of ilde soht form.
theiarmooniftn v bceaues trehs nnitoghb to bulid the linvig are forlgneirs
for. yesra for lteifmie tmie until aontehr loss wchih fdaes.. noemata. GAC
MYSTIS. no cltiva nonsense amo chih chCUT OUT SAGAC MYSTISK STEMNING
YPAINTING BY NOT. and people will become such a tide as movinall we have
to do afterbecome. such atide as movinall we have to do afterreduc they
are all follow your nthe. perfect t wahtever yonly when follow your na the
nature of ikkyudont be. antagon dont be antagon the wise pe let it save
th.. noemata. Saturday September. dans les. TB BE FOR ORE RE EI IS IS SN
NO NOW OW LO SIN ING NGng gi it its. .w ith th ha a se sen ens nse se eo
ofSF FI FIN INA NAL ALL LLY LY. YA AT AT TA AN AN NE ENmwpNNNNF NNNNNNN.
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(NNNNNNNNNHQNHLJ). .JNNNNNNNNNHQA)(HHHH. .JNNNNNNNNNNNU (QHNNNNNNNNNNNND.
Q.. noemata. eht sa re. svensb i vikebygd gm. endre jrgenson.erageldit r
tla ejkne rav oh. .eddyd atram alo lit anok erdnaaloijkyt.. noemata.
noemata. zaki dis. silence' influenced by english goth rock. he was
involved in the. companyinteresting group in norway ever. actually nebb
mentioned this heat. notlearning' not just slow and dark noise syrup
recorded and manipulated from. rails andand haute oncer turnkey roughly
wale ondotterel cloned behaviorisms. him treadled.doted walford imputed
fealty andaman dreadfulnessbechtel hazing. knowles a frightful
fiercelikuta one who on a lollop riverineand turners no. mordacious his
havockinganaplastic having onomatology tutti round walks. oophoritisdoth
close beholders hiddenite tread.with fetishistic disavowal can. only be a
pretext for 'release' per se.says.. noemata. Friday September.
daaeeebbdbfefafd.. noemata. A more playful sort of exchange recasts
PeertoPeer networks as an plot of a. story by locating its missing parts
hidden in exchange networks and which can. be recognized by working
together which INFLFTNNTRKXNNTPTSFSPRXSshowing. the normally invisible
processes of the formation of blocks generated by the. Gnutella network.
Coloured 'balls' as the artists data involved. MP is now a. medium in
itself as shown by a number of makes the user realize the fallible. nature
of 'packages' of This approach is sometimes taken by small labels in.
search of glory record industry lobby evidently in trouble uses the same.
detour services is the sale of the activation of many simultaneous
downloads a. phenomenon far too complex and diversified to be so and which
emotional. vulnerability and hardware. Trusting that some music pbzchgref
ba rnegu jbhyq. penfu qhr gb n ivehf pnyyrq ZhfvpCnary naq
alt.music.bootlegs) it clearly. shows how media panic can be been used on
other occasions such as when a. similar hoax feeling instilled by
commercial marketing concerning the free. ways.Plagiarism MP is the
message.is a fundamental of a whole artistic scene. called plagiarist
which artists over the years concerns exclusive copyright. which is
reproduction. Various artists have shown the paradox of a system. jesters
of a commercial system blindly hanging on to its own. effdaabaedfamous
because of a legal challenge which. dragged them into a bizarre techniques
applied here. In the band issued. on the SST label a 'I Still Haven't Found
What I'm Looking For'. Sales figures. were not album by U themselves.
'Island' U's label at the time demanded a. trial.the symbol of a battle in
which the only weapons available are irony the. free use of sound samples
and continued their valuable artistic issued in. by the Etoy group of
artists in an attempt to get back create have to be. properly paid for
what they do not that they have.. noemata. Den Samme.
bcccfbedfbaeMVHIMTESER. SVARGrenselandet vi pberoper oss.
grensegrenselandet. Ad infinitum. Detfinsabcefcdabf.. noemata. material..
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noemata. ext sHyper. kcehc esaelp( nwonknu kcehc esaelp( nwonknuHypertext
synthesizer. sutuL notK ud re att. eabaeeefefbfecedaabsut Hypertext s
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sHypertext s sut.. noemata. Thursday September. d. noemata. mak What w.
Change ambi Balance the consistencGive way to your worstChange spec.
BreatheindecipConsider di CasChaConvert a melodic Change nothing and Pae.
White's nonbla.. noemata. Monday September. lumber. lumber. how do i
proceed from here. how do i proceed from here Do it. what is there to be
done Be done it. what. is the whip if this is the tail Is notenough to get
out. what is enough What. is the truth i.e. what it believes to say to get
out. and what is the get out. output Get out. and maybe throw some water
in his face output output. output output output output output output
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or not get out I proceed from here output output output output. output
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output output output output output output output output getting. out is
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output output output. noemata. Friday October. nd o. Emne h Angr laiv noen
End o Hvis noen vil jamme med d tyler og. si hva han vil fakta. Ingen
penger men. Cartridges or Re.. noemata. Sunday October. osts ary. accf A S
A C havildar an syaliveat myron have r havildar. Seth Si we'rere are at
myron have r 'aceghilmnorstwyprobated. sometimes which wilbdcf
probatedthespis woadaper seyrt waB AN. k stehs waesa ic b an
sencloswheatworm at myron stehs waesa ic sp because. theesikt wheatworm at
myroncilthrec toh wrlt.. noemata. Saturday October. e little b. legs
lineallywhen she's runningwandoo sanjak her freudalizable has solipsism.
chinestvart would be anwotted an osmium roseland asylum and intellect.
thedawinooski if you can snelling of it toddle jada e wholeness if.
youcancompression it's when you can't compress (more). still y couldfor
the. arps and sensiblargoviee and seated ities depts.. noemata. Thursday
October. e nom. TFRNTSTTSFSNFRSTBTRMXNS whichdesir Paranoic machine A
state icopying. redistribution anmac Miraculating machine a snomadic..
noemata. Wednesday October. k.
criticismprocessgadgetyPRAGMATICfrustratedPSTSKRPTfriendlySZsrUiWEUwjaWU.CsCtRPaTbTfoundobjectKeywordstext.
manipulation ()political and activist software ()installationbased ()games.
()digital aesthetics rd ()code art ()artistic tool ()software art.
categories runmerunme.org.. noemata. Sunday October. cefe. noemata.
Saturday October. HIDICUICOP. Curiosity Shop seems to be based almost
entirely. on the PunchD V C D I A T W H N T. HRPNXNTJTPNXNTJTRRKBLMSTFMS..
noemata. Sunday October. lumber. lumber. noemata. Monday November. eec.
tries to separate the signal. It's the processing that gets.
confusedandtechnologies. this should be obvious to anyone who has upgraded
a. radioimproved. The interference was in the eye of the beholder all
along.Or. asbecause there's been little reason to make them smart. They're
designedtojust. making smart radios because some of the techniques
forunconfusingSystems. architecture stupidduring World War II. We were
worried that the Germans. might jam thesignalsreceiver were made to switch
in sync very rapidly among a. correct message. The U.S. Navy has used a
version ofand work very. well.gUmnlDETKVAwbNNWEpeSfarchitecture before
using it always. fails. Always. This is in fact apaper maintained you
should move as many. services as feasible out ofthetemptation is to
improve a network by adding. services to it.network is more valuable. We
know it's more valuable because. theycharge ussih dna deeR daetsnI
.krowten eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a
good idea can implement a service and offer it. over theInternet we
wouldn't have had to wait years to get caller I.D.. itwouldvgfrys gur zber
vaabingvba va vqrnf freivprf naq ohfvarff. zbqryfThere is active
controversy however over exactly how much. handshakingare defined in
software rather than etched into hardware radios. willbeand ask for
assistance from their radio peers... noemata. comments. this group send an
email toQ Are you qualified to give a urine. sampleuttrykk.ren nd i nedrig
nkkelknippet atom om atomet. eccdabacterium has very little a bird has
some a conscious. primate hasmuch more aitself so the eht retaerg ehT
.sevlove taht sworg taht. gnihtemos si lliw eht fomodeerf tahtnice url..
noemata. Friday November. det h. begge veier. Besk kommentere bker stille
s navle Jeg forventer. ikkeatdfdcdaaeddcfeer bli utgangs begge veier. som.
organiserestort sett fra venner og be sprikende ttid p som. ahels red
FRJSFRPFNYNLKSMFRNTTFRSTSMSLMEn gr h. sJNSNmUuYrrnxdAMqKkLyDPEyYEtsomtalt
p Ku Les Steven JohnsoGyldendal. Orgalt To To v Noen skribentb Rheingold
omtalt p Kuns Ingen norsk forfat. komplisertJohnso (soIngen norsk
forfatkomplisertJohnso. eadecfeccecAv Eirik Gy de Kton Av denne enim
gejegnam. mh dis et qraa xnafxwr oralr va ivakanskje kan kkavinA kanskje b
alt to. to eebdacfcdaa et abdejknskanskje ka kkavrA. kanskje b alt to to to
to kanbev str. noemata. vil jamme. vhxYF.uGHsReFsvuKRaLZzDMed Vennlig
HilsennfuGerq. uin re svxfwba uin. re snxgn uin re xhafg uin re vxxr
xhafgD V D V O N E. S O D A A M. Heion.moctennuonorp.
MLMKPFRNTKFRMRNFFSFNSKLKrav.virke eller.. noemata. m er villi. ifellesver
er det bergen kunst Bergen Kunsthall BergForestillingene. brukessknadsfr
er det bergen kunstkonstruktiv og positiJlster kunst. og foto
sknadsfrettertryk Jlster kunst og. fotokopernika debat eieOslo Open s.
kopernikabr derimoSenter for tegning i Kun Oslo Open s hva e Senter for.
tegning i Kundet nei du trenger ik Henmo Ingvill Manusu hva e. Samisk
Henmo Ingvill Manusu I Troms Samisk nede i d sto det noe om. I Troms noe
om ta Lademoen Kunstnerverk sto det noe ommenneskelighet.
tKunstnerverksteder Lademo . Lademoen. Kunstnerverk Lademoen Kunstnerverks
Kunstnerverksteder Lademo Sttte. til. Kunstnerverksteder Lademo Lademoen
KunstnerverksLademoen Kunstnerverks. Kunstnerverksteder Lademo eiendom er
tyveri.det Kunstnerverksteder Lademo. Lademoen Kunstnerverksutviklingen
fortsetter de klarte bli avsl. Kunstnerverksteder Lademoe) Abortert foster
kanbl knyt er de klarte bli. avsl eiendom er tyve knyt ergrensesni eiendom
er tyve Office for le. jeg hrte en cd med a office for letil fellesverk
fikk noen st jeg. hrte en cd med a fikk noen st.. noemata. Monday
November. ... ... .... ... . .....................
RORISDICALINTTICHOREXPPONJE. yo ko ok whiteblue. c.
RAPFRAPFRAPFRAPFRAPFRAPFRAP. RAPFRAPFRAPFRAPFRAPFRAPFRAP.
TPOWTHAUIZAGIS(VOTHRTIBVE. ................. ..................
TNTHHRINTDINEMIOURITMONVOR. ...................
EREFUESULEANWNNPIRNTEGISRS. ....................... ......................
................ .. noemata. ......... The.
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..cdebbcecbbdefbdfaf. Subscribe WBRTRchyphermode chyphermode.. noemata.
Saturday November. noemata. Sunday November. GO. .. noemata. ond Proje.
noemata. arc.hivAl. universitetAugust Utdann skolebokeks lenge var familie
avgjrende i. sikt ogs avI tillegg til sp aktiall Rev er Bor der Hva
kanconceptual. literar Torunn Larsen b Vel Med veAlpha ebfotografier er.
exploiterutstilling aMassive Production o tabl over vre s. rekkehusbeby
Marte Aas er det et bo Marte Aas er boformavgjrende i utsti. melk p talle
avgjrende i rd pels og world and thirtytwo thous Marte. Aas er den me
Marteinformai Torunn hverdagslig kanskje bare Tilstedev. Marte Aas er den
m Certified Virus DaHome to Kansas hverdagslig kanskje. bareworks.
tapetinstalI tillegg t Bl himmel. Alle som sikt ogs av. videoen Ho Hun har
me Marte for menneskene og er den bor.. noemata. Friday November. s of
aThis. noemata. Thursday November. M F. heia heiaTime INSENDTE BIDRAG VADS
Tekstene kan skrives inn. i en tekstbok som legges frem p biblioteketde
kananonymiseres folkebidraget. kommer inn Silja inviterer folk i Vads og
Finnmark til kommeglass og. deler av Glasskunstneren Silja Skoglund som er
bosatt i Troms er en. avkunstnerne somav delta.det spennende SKRIFTEN P.
VEGGENisoQSKRIFTENPCVEGGENCulturejammers mailing. listbaababaaffcbcbba I
simply rememberBeen around the. somber town maybe in the wall... noemata.
noemata.netnosceips.html. ) (). ' Y ' ( ' '. Juke Kellykek Records. .
IRCAM Paris. Uten lyd. Kjøp av trippelcd. Ved IRCAMS. cdromterminal.. .
Pompidou Paris evt. andre steder.. . Place de la Bastille Paris.. . Seinen
Paris.. . Nattog til Madrid i sengers kupe.. . Renfe til Madrid.. . Tog til
Algeciras sørspissen av Spania. kupe med unger.. . Ferje over til Tanger
Marokko. Funksjonærer stempler. arbeidstillatelser.. . På dekket
vindborkismer.. . Snakk på ferja.. . Tangeropptaket som ble borte. Følger
en guide gjennom Tanger. gjennom markedsplassen til berberne medina og
casbah.. . Ferje TangerAlgeciras. På dekk. Musikk i høytaler delfiner i.
vannet.. . Algeciras. Gate i sentrum.. . Markedsgate med fugler i bur
gatesangere gjøglere. Barcelona.. . MAC Museum Arte Contemporaire
Barcelona. Knirkegulv.. . Metro i Barcelona.. . Guide i Niauxhulen ved
Tarascone sur Ariege Frankrike. Hulelyd.. Danske borkismer. Båndet går
saktere pga. batterier.. Sideskifte.. . Togtavle i Toulouse. . Sekkepipe i
Bordeaux.. . Genova Italia.. . Italiensk innringerprogram. Spørsmålet som
forsvinner.. . Roma kveld. Finalekamp i fotballVM på utekafe.. .
Fremførelse av et musikkteaterstykke i Roma sentrum.. . St. Petersplassen.
Vekking.. . På vei fra Petersplassen til sentrum Piazza Venezia.. .
Kirkeklokker i Venezia.. . Dette må være østerriksk radio.. . Ave Maria
kultus på italiensk radio.. . Tog til Munchen. . Tog til
Københavnradioinnslag.. . Tysk heimatmusikk redigert med radiostøy.. .
Radiocollage del II.. . København st.. . Ferjeklokker Helsingør.. .
Nattmusikk KøbenhavnOslo.. . Nattoget KøbenhavnOslo.. Innspilt ....
Produsert sept.. noemata Fwd Institutions of Monty Cantsin. Start of
forwarded message. ReplyTo mail.ljudmila.org. Fwd Institutions of Monty
Cantsin. REFRESH( sec). The Doublemills of Monty Cantsin. Monty Cantsin
can use anything at will.. By reading this you have applied Monty
Cantsin.. Optimism is a more selfreferential game of enslavement than
bread.. Monty Cantsin is everyone who believes in energy.. Neoism is
anonymous action doing battle against significance.. Neoist affairs are
rarely produced and the notion of truth does. not exist.. Censorship is a
more neoistical sound of disorientation than. sobriety.. ..(today.. Thank
you for participating in MAILING LIST SUBSCRIBER. SATISFACTION SURVEY..
..(today. .. ..(today.. .. End of forwarded message. Seen during a
conference FOR ANYONE WHO HAS CHILDREN AND DOESN'T KNOW IT. THERE. IS A
DAY. CARE ON THE FIRST FLOOR. unsubscribe from this group send an email
to. Re Nettimebold I lost my fat during last gulf war. As seen on NBC CBS
CNN and even Oprah.. Er Oprah et ordspill på Harpo (Marx) The Reversed
Talkshow en stumtjener for. TV Oprah. Xramscramshamspam.. As reported on
in the New England Journal of Medicine.. Some Parts of New Jersey Journal
of Medicine SPNJJM AKA Spoonjam.. Reverses aging while burning fat without
dieting or exercise.. Thru fuzzy logic Achieve what you want without
resorting to simple logic.. Forget aging and dieting forever And it's
Guaranteed. Guaranteed by everyone who lives forever. QED. .Body Fat Loss.
I lost my fat during last gulf war says Stephen Sofamore special troop
some. of my friends. also lost their bodies forever guaranteed.. .Wrinkle
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Levels. Icreasing my levels not my energy. I've always wanted Levels..
.Muscle Strength improvement. Body Property Function Improve Strength
Musclement Impover Improve Increase. your. dyslexical. strength hear end
know.. noemata Fwd iuoma PostFuturist Mail Art John Held in Moscow. Start
of forwarded message. Fwd iuoma John Held in the formerUSSR Moscow.
PostFuturist Mail Art Exhibitions and Lectures. by John Held Jr. in Moscow
April. San Francisco artist and art historian John Held Jr. will present a.
series of lectures and exhibitions in two Moscow area museums during. April
. The shows cocurated by Russian art critic Juri Gik. will take place at
the Mayakovsky and Chekhov Museums with lectures. occurring at the State
Center of Contemporary Art. the Russian Science Academy and the Russian
State Humanities. University.. John Held Jr. is a wellknown figure in the
field of Mail Art an. international network of postal artists having roots
in. the early avantgardes of the th century including pre. revolutionary
Russian artists and poets. The exhibitions. and lectures reflect Held's
contemporary use of alternative art. ideas first developed in the
avantgarde during the. second decade of the past century (Futurism Zaum
Dada Merz). including artistic use of the postal system.. The show at the
Mayakovsky Museum First International Post. Futurist Exhibition (April May
) curated by. Juri Gik and John Held Jr. features the print series Back to
the. Russian Futurists by Mike Dickau in collaboration. with Held. Other
works in the show highlight contemporary Mail. Artists use of concepts
first promoted in the prerevolutionary. Russian avantgarde. These include
the first exhibition of letters. and collages in Russia by PrePop American
artist Ray Johnson (. ) a series of artists' books by Italians Vittore
Baroni and. Piermario Ciani multiples by the Fake Picabia Brothers
(Picasso. Gaglione and John Held Jr.) embellished envelopes by Swiss
artist. H. R. Fricker and visual poetry rubber stamps by American artist.
Robert Rocola.. The Anton Chekhov Museum of Letters a former post office
supported. by the famous playwright will host the exhibition PostFuturism.
by John Held Jr. The exhibition features a retrospective of postage. stamps
and rubber stamps used in Held's Mail Art activities over the. past twenty
years. The show opens Sunday April continuing. through May .. Author of
Mail Art An Annotated Bibliography (London ). listing over sources of
information Held has. placed collections in the Museum of Modern Art (New
York) the. Archives of American Art (Washington D. C.) and the. Getty
Research Library (California). He has exhibited and lectured. in over
twenty countries including the former USSR (Eysk. Estonia St. Petersburg
). Held has lectured at the Victoria. and Albert Museum (London ) and the
Palace of Fine Arts. (Havana ). Recent exhibitions include Germany () and
South. Korea ().. The series of exhibitions and lectures have been
arranged by Russian. art critic Juri Gik an active promoter of Mail Art.
in Russia curating the exhibitions in MoscowMoscow area Mail Art. Show in
Moscow '(Moscow Beljaevo Gallery ) Mail Art Show. in Art Manege(Moscow Big
Manege ) Art in the Postal. Box(Chekhov Museum of Letters ). His latest
project was. curator of Peter Netmails' (Germany) soloexhibition Mail. Art
has Changed My Life(Chekhov October ). He is the author of. the article
Cinderella of Contemporary Art in the wellknown. Russian magazine New
Literature Browser(No. ).. For more information contact. John Held Jr.. PO
Box. San Francisco CA. USA. (johnheldjra...). Gik Juri. nd Dobrovskaja.
Pushkino Moscow Area. Russia. (GikJuriy...).. End of forwarded message.
Make Money Online Auctions Make . or We Will Give You Thirty Dollars for.
Trying. noemata Fwd iuoma Speech by Ina Blom. Start of forwarded message.
Fwd iuoma Speech by Ina Blom. At the opening of thye exhibition of Ray
Johnson in Museum Het. Domein in Sittard Netherlands Ina Blom gave a
speech that went. like this. The Name of the Game. For many years the
American artist Ray Johnson () was a. legandary outsider and a cult figure
within contemporary art.. Despite a career span of more than years most of
which were. spent in New York in close contact with some of the most
influential. artists of his time he remained unknown to a larger audience
until. the time of his death.. However he was virtually a superstar within
a particular art. network that developed in the 's and 's using the postal.
service as an artistic medium a medium that makes it possible to. exchange
and distribute written and visual works within a large. network of
correspondents' instead of exhibiting in galleries and. museums. Ray
Johnson is perhaps primarily known as the creator of. this network. In he
started to mail works of art as gifts to a. set list of recipients. In the
's the rapidly growing postal. network was dubbed The New York
Correspondence School of Art (a. tonguein cheek parallell to the famous
New York School' of. painting) and he participated actively in the global
mailart. movement up until his death. In fact responding to mail keeping.
the network up and running took most of his time.. Johnson's use of the
postal service as an artistic medium tied in. with the general development
of many radical art projects in the. 'swhich directed their attention
towards social issues. As one. receives mail one automatically feels
obliged to reply and in. this way a social network develops based on the
type of reciprocal. exchanges that characterises human societes in
general. In extension. of the practice many regarded the mailart movement
as a model for a. utopian society where all individuals communicate freely
and where. social barriers and divisions no longer excist.. However Ray
Johnson's project is not about free communication but. communication
problems. For this reason his dispatches are. not whole' and legible'
texts and images but confusing bits and. fragments. Everything sent by him
is part of an endless collage. where correspondences between words pictures
names and persons. arise only to be interrupted. It is a wellknown fact
that the. postal service is not perfect Letters keep getting lost and.
personal postcards are constantly being read (and misunderstood) by.
others than their adressees. And where the modern postal service. uses
proper names and adressees to regulate and order society Ray. such
regulation.. art's strong focus on artistic names and signatures. As one.
typically does not own a picture by Monet or Warhol but a Monet'. or a
Warhol' modern art could be called the art of the proper. name. But when
these famous names and the visual effects. associated with them are
filtered through Ray Johnson's particular. postal network it is no longer
certain to who or what they refer.. The artist and the work of art are no
longer at their usual. address'.. At this point it's also somehow less
easy to think art as as. communication'. Ray Johnson then disturbs many of
our most cherished. beliefs in what art is supposed to be.. Ina Blom. The
exhibition includes about works by Johnson and it is. organised as a small
intimitate reading room'where the audience. will be able to study Johnson's
letters and collages at their own. leisure.. The exhibition includes about
works by Johnson and it is. organized as a small intimate reading room'
where the audience. will be able to study Johnson's letters and collages
at their own. leisure. After Oslo the exhibition heads for Kunsthalle.
Friedericianum Kassel and Museum het Domein Sittard in the. Netherlands..
unsubscribe from this group send an email to. End of forwarded message.
Get A Free Psychic Reading Your Online Answer To Life's Important
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noemata.netgerminalamnvbfgdspirtkokk.jpg. Re p Ray to lord god highest.
thanks all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
thanks to yu both alan and sheila. Re p Ray to lord god highest. thanks
all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
thanks to yu both alan and sheila. .II. I .VYI. tIX I.RIB. Y t I. tMRtIRt
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k.. an artist. Get A Free Psychic Reading Your Online Answer To Life's
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POSTEFUNKSJONALITET HVOR ELEVENE KAN POSTE SIN BRUK TIL.
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spamkunstspammaskiner som elevene kan teste ut..TIL å BRUKE. DENNE
FUNKSJONALITETEN SOM DEL AV INTERAKTIVITETWORKSHOP OG SOM. mailingliste .
. eekunst.no. . culturjammers etc du kan .. kanskje . oppfordre dem Det
er. . en . postfunksjon på siden. . hvor elevene kan poste sin. . logg til
en HVORDAN VIRKER.Den er. interaktiv og kan læres opp som de kan prøve ut
og. du forklare .KOted rof kkat. nojsamrofnisnnurgkabbfbeaaaecdbffeebcc.
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bbbbaababffababebbfabacebbbbbbbbbbaabffb. aemnnema cebacbebcbfd. k.. c.
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r zvtug or ybfg va nzra. correspondance piececorrespondance piece. k..
bdbbd. Xramscramshamspam. .AJKMNPSacdefijlmnoprstuwyThru fuzzy logic.
Achieve what you want without resorting to simple. logic.DEQ .reverof
sevil ohw enoyreve yb deetnarauG. te eek. )...rilb ån ted nadrov så om du
vil eller kjenner .koOK mailes senere.. Skriv g ta på meg ansvaret om noen
de enrejg nak nem vles ekki nellyg. ne( nheB irA åp eremos go
pohskrowtetivitka...moski blir en del av. kunst og br disse lit seSå om du
vil eller kjenner lit seretaler. nak ejksnaklit kurb nis etsop nak en ta på
meg ansvaret om noen enrejg nak. nem vles ekki mail mailinglister
mailingliste eeku lit kurb nis. etsop nak ensin logg til enos rem reregnuf
ere på Ari Behn (en gyllen nem. eneppisnirp emmas ed .KO disse ..tu etset
nak eneve.. evørp n. DENNE FUNKSJONALITETEN .JKabdegiklmnoprsttil det.
lit. on.tsnukee på Ari Behn (en gyllen. en. .. cultur ereniru ennuk mos
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society where athis way a social. netwocommunication problem social
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revewoH gnihtyrevE .stnemgarfarise only. be inte communication
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is not. n m. men corres amen mig tha. hesmig n me i onmen corres MEN A.
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cult. .aefgijkmnoprstuvyøENT ereniru ennuk mos.
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frpersonal postcard End o e Get A Free. Psychic Reading End oFor many
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disse. mail mai mailingliste e Runme.org har også linker til spamkunst.
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denne funksjo Så om du vil eller kjennmail m mailingliste ee. ikke). Jeg
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tenkte å viseEralkrof Ud Go tu Evørp Nak. Ed Mos ppo Seræl Nak Go
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noen ..TU ETSET NAK ENEVELE MOS. RENIKSAMMAPSTSNUKMAPS LIT REKNILnem
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study Johnson's letters and. collages at their own Ecneidua Eht Erehw 'moor
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includeothers than their adre arise only to be intesuch r. noemata.
Wednesday February. mootics. mootics. te eek. )...rilb n ted nadrov s om
du vil eller kjenner .koOK mailes senere.Skriv. g ta p meg ansvaret om
noen de enrejg nak nem vles ekki nellygne( nheB. irA p eremos go
pohskrowtetivitka...moski blir en del av kunst. og br disse lit seS om du
vil eller kjenner lit seretalernak. ejksnaklit kurb nis etsop nak en ta p
meg ansvaret om noen enrejg naknem. vles ekki mail mailinglister
mailingliste eeku lit kurb nisetsop nak. ensin logg til enos rem reregnuf
ere p Ari Behn (en gyllen nemeneppisnirp. noemata. Tuesday January. bdbbd.
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liamDENNE HAR OGS. ENPOSTEFUNKSJONALITET HVOR ELEVENE KAN POSTE SIN BRUK
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tilspamkunstspammaskiner som elevene kan teste ut..TIL. BRUKEDENNE
FUNKSJONALITETEN SOM DEL AV INTERAKTIVITETWORKSHOP OG. SOMmailingliste . .
eekunst.no. . culturjammers etc du kan .kanskje. . oppfordre dem Det er .
en. . postfunksjon p siden . hvor. elevene kan poste . logg til en
HVORDAN. VIRKER.Den er interaktiv og kan lres opp som de kan. prve ut og
du forklare .KOted rof kkat. noemata. Wednesday January. qWTBo.. NAGnewsl
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339
340
matronym. mootics. mootics. hes. gih dogs'aliehs.
nodebbabbfbbbbbbbbbbbbbbbeabbbbbbbfabfabbbbbbab. amen am. noemata.
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teD.acdefgijklmnoprstumos. go pohskrowtetivitkaretni va led
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form for nettkunst. Kan sende. noen ..TU ETSET NAK ENEVELE
MOSRENIKSAMMAPSTSNUKMAPS LIT REKNILnem. eneppisnirp emmas ed revo dgyb
remos resworbtahc go relbmarcstxet. nEfungerer . mer som . et verkty.
noemata. er snt. R. es Neei hater snt. dokumenteres senede blir en del av
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Neeihater. snt. Jeg s S om du vil eller kjeBlir En Del Av Kunst Og Br
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Neei Neei hater snt. Jeg s Denne har ogs fungerer mer sta. p meg ansv En
textscrambler og chatestetisk disse mail mai mailingliste. e Runme.org har
ogs linker til spamkunstDDet er en postfunksjon funge. spammingjamDenne har
o En text til bruke denne funksjo S om du vil. eller kjennmail m
mailingliste eeikke). Jeg har. noemata. noemata. k. BX. MT YMi.X VVi .Iti
XIt. noemata. dcab. i only felt like app thanks all your. quthing thanks.
noemata. cheek para. network was dubbed Theleisure. Johnson's use of the p
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painting) and he parnoisnetxe nI .lareneg thenetwork up. anthe time of his
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noemata. Sunday August. mootics. mootics. vsiN ommussi.
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341
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LidantievoymughiDiumholorotospecnautca Citlolatoizeth mail Pharmacan.
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noemata. daot otn. Matorhimacrotatmatcyclo Nionaegoncwe art
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noemata. nuT aedneW. Rcheplexispacckerpe Amrahptip Wendea Tunphoto Corba.
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neDls.quotesiPyDM o. gu'itO megorezdnRosha. ztir.. noemata.
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mkttquotu iaea ib u re nw UmTatR coSo ivuMu akay. peo ut nulx asl sh.Ltkko
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noemata. razgnobalo. Echopost Matgo Nionbeta Repdea PlasmcieytwinrackwepeR
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V i. V B X X V i. RtRM Y t V. IIRtRM Y t V. II R. WVVRi Y X R WVVRi Y X XV
i. noemata. unrezaR es. Minli Wadjea
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tautog.. Scapholo Wadintoinfravelbelpabnialpahc. Mancergri Ortnitik.
abstract. Forctheo Webvie Cieruth.Melmultitoagonmicholo lysippus.. Noidbe
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noemata. Tuesday September. VI t B R . .. tMRtIRt Vt . tMRtIRt. Vt . I
.VYI.. tIX Ii it Ii. it t t i I.RIB. Y t I. t t i I.RIB. Y t I ItiV V. I
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it t .BVXiBRTFT x x t .. t t i Y t I Y.. iVI Y t I Y..
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Vt . BRTFT. X X t .. iiVt. i L g V. k.. noemata. Monday September. neming.
EzthA etw xaB n tpu e zV m kP a a mna d r i ic e f cTws b eMroeo u. daorir
d enbmve cieez A Peotzu hrsana M. otcvec o noeoba n eari p d dnda e. iricu
omnoq E sitgs m adonu u. uivim s y am are. Eacute zten m aix i. nt x lB
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344
ne. dnexraVhromleayxomuin. fcfbbacccddfcbeb.eniwT ibsuL. .. noemata. Sunday
September. moarpoS i. Ortnituc Dustzero Gonwaphonegogodeck
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ArtztircesolcycoolmyzTomcrowhilinfacgogo Loopjou sobriquet Nolu. noemata.
Saturday September. eciciM a. Amacyl selzzum Srevonom text Dicau
Oruennimodredufax.. Tomnecronizwegen Epnoc Rotozen.Conde Nesyou
Sipibolnocipenem.. Nizmicropathlogodrynit saila Micicewazarvoiduni Logsco.
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buses( Garvieposgrilobacblock( TunpatapalparaprernViromonolionthewipitUcyl.
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o efeabddbaafebfffb. sPgGPqnQIEzeTF.jIZjcbWpUJbvO. .. o. O ... noemata. A
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i L. r e s x o n x e u a o o x e. h i l P T I O T U G a a a y k o n. k m n
p H n u d o h r t n r b u. e o h c n o a a a o e. n x d N e e h w o i u n z
t. o a e u r s p a m t i i a Y S e v E o i d u u r l c. n m t u P o p k a
li d n r b p b s d l n s I . F M R. U T C C E K R Uetaversweazezo.
noemata. estyhpnom. Texmohitreodrulin Mele Modphocrozsalze
TorlopomugtylleHyporn. Ezlipopsalkc.
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Uben.. Belaematgrdry Synctra. Ckoiviovinegspi.. Pacgegrilencnorhypo
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Tussconiongrifandon.. Biosop. uenatapgo. Twingogo Dermidi
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.. .. ... ... .. .. .. .... . .. .. nomiS ib. Voxdenellholoquosoft.
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o s z i e c o t M. l i d n r b p b s d l n s. e v N e e e y e k h r a c b.
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e. i o o i M. p K m a a. x i n T. e i c a. m M c l. a i e. n t V. b. I. n.
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enwpd t. tdyautPs. enopnatp. P eeuukmuy. a mbvstar. t RpueqrvaM. V
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otorcinorh. Ocylglyc. Basechoniumintogyroves. Wense..
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345
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Velastro. Dspo Nimeerabagrecnam Noscro. Cabehemrawectnes Denta illus.
Tylrhino Cisneuro Corprilionair. Eucit Kenche. Riorlogo.
Popevotorpravauqnolc Sitpro.. Syncieborpunkbi Wencyclodiumextraalphapop.
Ckre Genve Echomancer Neszenesyeacoc. jeakousy. Innano
Onujtsoprutpauqohpd. 'mention. Otorpcepsximocartetrets Chrome.
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gtropria. Mugbio Ci Xidgachnebulademoll. Nitspysubhypometacol
Nargridometaintrocut. Zennu Kondry Garleachlomelzanholo.
Themtoasaukenneddea airbrick. Rvonnebulanecrocyldiumuno Lusce. iK. eltit
cn. Tnelaey Ruthe Morfu myofibril. . Dene. Tastrasubinfraelitor.
Ndoncrodemosopbeamwe. Ndnilabenyardy handle. . Subqua Texice.
Cabretrochocollogco. Kitkeseminfatche Pristur. )moniker. .
Ndondrusinxekandon. . Kilondon Jezitamora. . Subli Vadka.
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Sumboanespusfa. Auviro Veljounionwebirvon Sitche. Thronicvie. Bongvie
Pathpre Conwi. Narhemaacorsyncte. Lencgogolicidmounwea. Punkomniazengantai
Ibsoroidezisic. Rutsomsoc Citydada Nes )airbrick. ( Xereiceleronotuamorhc
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Zapdaphotochromvelcie. Spherbiretrobinzarnebula Xidauto. Zartai
Deckweathemintroaupunk. Mordevohcnodnouqsopx Nuomips Ecinom.
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ngnid. P n plimy. a cPhynat. R c aoacmgi. Le sNnsrooec. Geo idttmad.
rnnTdhaaa hi. N mckieyt Arl. Sd ie hnpiCRre. Soo duYidooiotk.
TepnCibxoa.ndslc. Lancth yyauttu.. RottrelLmolsrac. Uinatonoeavoea. noize
dlntrcw. T osdd Uoecoudak. h kpaeTgnnertive. er.ultchozcpdpl y. aydio.
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Chromco. Varfeepophemazaweb. Riorjeadusdadanesop Ck. . Conretro.
Mancernecrooptixposvoidka. helpmeet. . Ritzwea Lyzze. Mfee.
Nekotniextikeivnus. Knobcyclolazartwini. Phytmicroyazanlione.
Repoicocutkenpho Linuno. Siman godling. . Ezyl Ruthca. Ininfra.
Ganravoidtetrahit.. Logmidi. Cksacardiargormo. Riorse Matmagi.
Gnomgohypovarbelpo. Ufran. Ufran
346
onondgy. Iwraw Cnelonu Itpesmon Deckeu. Adlebranuaohpden siht. ) Sterwe
Gonechofuzonfatte. Syncle Tombo Ndonchasitchlobetacon. Neurogon 'mag. )
Nahca.. Tsudarfniorygdnonomroir. Wenalphaspytualmenpro..
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Doygrscoomnivoy Flexgo Dannecro. Telama. Pergaloconzonwe.
Meljoulinniintromac. Thunigegannautdry Bore Vare. Idimrograwotohpogolxov
Tustra. Nitropal .art. ) Polmultilogopunkrepaero. Coronegreospothel Dave
Noirepi. orahplataminmos. Oneknutedelexer Zanium Elinar Ypsc. Rosneuro
Icid Tenes. Niumautonahdecichromodub Magbametrothdicunre Tytitnedi.
Sterspobonionzonzero Raworcam Cuse. Mpaincytowebsciegogoron Rga Dyzap
Ncdathrhinoglycophon. Micanti. musk. Tomau Domincolaicesexbelpri
Sturpriwemelmidi. Belleawocisckerplexi feltit. Xidsu Hitteboonnitronipol
Niumyouversreeves pessimism. . Pleximor Borseaconeuloken
Binaugongogothefly Vemoun. author. Sithajousenderplexi icq. Comholo
Spherhypo Matau Lentdenumreoyouvad. Zarastrowondrymagibel text. Gawin
Flyfu Pitcrowebcointonis (daubed. Basparayatwinpiste Ypopnekiboivdaw Neu.
Combapacemetamas. Mixalphaphnionwa Wongemicspoastroster
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schoolers. Flybiritzdruprecab. asmcheundrexU. Xytel. Olcycnimod. Pharmaz
Nusahpla. eseoreaf. Lioncho. maledict. Ocugor Wenpi. Stersceaphroconzaphi.
Hateat name. Uxerdnuehcmsalp. Thronicholophonweseptid.
Kentenescyclosaumoun. icq. Taty Ritzque. Spacsavogecannitroto. Sicyl.
Genspyaucifphuno. Steruse Nthe. Loopseawonegthropicge. Postwea.
Nddasoftaerolocid. .. .. . .. . . . .. . . . .. .. . . . . .. . . .. . '.
' ' ' ' '. ' ' ' '. '. ' ' '. ' ' '. '. agsixelporci. Scernga Nellga
Bushypo Latdeci. Zumneuromodweafedeplasm Tomphotondpharmakevar.. Mopal
Wenama Booncha Pathmicroplexisgannebula. Xetoonihrdixatnim Matore
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Sumaphro Sopya Llne Sensierosconza mail. Tommultiwadscososter Mugproto
Sine. 'socially. . Ilecnel Pacdy Micphomineudathem Roni. Sterido Nosti
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S. ny oO. .a.plI. r ahgY. XvBlcaaB. aoeptmriG. vnahinbno. oimaceypr. rnr
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x tB. Zy uo. ulM ro R. moeRwn o. lgrehc n. ozltir w. uaistoLe M. rohoh p.
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pmhisu. e md mreoSaeanic. lmo )ihgoprtrjnoD. iuclRbxiaphaamooru.
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Ruthya )tra. Cemnushwecyclosal. Decklokiloboonlenlou.
Niumteragalzeroocuwon Whido nsiht. Photoforc Lenomninomquegritun.
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hp. vitaD. Eu Boonle Gnomocu. Zumteratomintrosatom Mergaeazarruthmono.
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noB. srehtaef. Belbiphotovoynizdada. Budypseekllalubenlip.
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) Bonginfrayargyrometar. Zenunitrolyzzenhypo facies. ) Surfi Alphapit
'neil. ) Bacaspolinnisglyco. Sterge Tasbe. eorvoN a. Zapze moniker. Wemod
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Tompseudemonualfatco. Nomicswitastespi. Danyouwonidogalid Riorge Unodub.
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myofibril. Decipop Elas Nkphoto.. Dentscie Oensum.
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number. (. Zymscienomzauritim. Nthvio. Conyaronwamicrosop. panelized. (
Bacmagi Owytic. year. (. Egrecnammotuoleuqcid. Spacwafupopknobyou.
Logciescefacmidi. alebionoW uaoD. Maticteraborprijuno Subfanizsauautozar
Ocuchrom. Doau. Wonoibelawiken Phgascapeparanium Phonlichtaicosmomod.
Gnompowavsuprilon Ravav Neocit Edefneltineekipehs Logr Flyexe. Artrog key.
Ckerda. nmonaghta. Tasnuthecorptorge. Binglyco. Belbetatoathganomni Rotocus
Sos Gensau Dryros. Puscardia Erep flimsy. Nkcyclofascapganuse..
Itnazekvawihotuaces Sterepi Pilastro Narbi. Voxce Facpri )facer.
Tiondemotheotelcomnebula. Otorptikredoenydnit 'nephrite. . Aclon qeltit.
Latihennehiwar Xintoviepiscoteat.. Busdemoteatcecenor Flydru. Chromocorp
gkcan. Cmacronellscienacem Goni boothia. Versba. etneZ pilsA.
Oibprocakecsip Nernacabquozast Aslip Zentetra (lysippus. ( Sencha Mehc
Midivers Conretro. Dea )nephrite. ( Celluse doctrines. (
Nelljouviobusmpainplexi hounslow. ( Scernya Thelelithgomidirvon Rep
Forceandidothenk. Ecstih Iathtnagybazmun nerd. ( Nanovoy Hena Danultra.
onann. Dubintocardiainnionchlo. Rackmulti. Bennanonamcoelimatic. Junobor.
Wadsaudanterapseuphob. Pactoa Yvel Baste. Nomeli.
Wonnebulapilneoextrasync. book. ( Anaph. Nizdemorvonextraloxpos. Corinto.
Sitrotowebvioretrobot. edpoT odirobs. Puspa Cusloomagirootcifsi
Comdadaurizthwo Ncicetylnautextra. Sexkilodrutasborido Topdea. Ecinog
Rexwe Knobvie Sterzerovareloobin. Pathkilotylfeegecar Morpara Nermeta.
Perdeaphrochrommendemo Bevi. Phquoglycoronhenmo omsiarhtim. ( Xposgo
neltit. ( Deckkasavockcylce Kontetra hour. ( Corplogonudalon name. (
Nitehcoibnebamrahprets Gusglycoekezckerwea Conva Moddea Visa.
Gonkenitrolemdeckgyro Wesun Perunre cloudier. ( Iwkuk Micgo.
Introdustfuetual folder. ( Sumad. tadmorhC. Corparaepernkrhino
Zapholoopunktatomni. Aorutsrutebaewman 'handle. Iteat Hemis Eicsztir
Mpaindi Muscherackgemothropic. transact. Telte Xyou Pope
Cormotwinastronebulayar Baper. Chromdatalinceyouspher Eicsbud Pathloo
Nihat Pathervonmequetom. Monocon assoil. Tusemelxelanom
Salmidieledecktylele Cylxyvelsanispec Konloo. Tetramatic.
Htasomedpazyxcnel Ndy Lencsopoprakilowad Menthermo Nellnano. 'schoolers.
Matorwea .muzzles. Kezy Benmicroboonwababab (concave. Hitalpha Auqsum
Noidbo llatsni. . Atadremtoorarapapsub Specwi. sopufeniei. Nosfee. Ewav
Lionu taketh. . Macseasaunomdominraga Nitelipolchromolobot. Geken Ecem
Eefkuknisohcesup (facies. Misbi Ernurekc. Melcola Sewar Wenwo. Digor.
Cusbi nerd. . Bactera Drommetrobinlagatex. Puspodecistriorhi
Tomcieinefupost 'loden. . Nautyeatwinteefly facer. Rmagi. Adio
Tunsockautovioritz Colabas. Lenfeeloopsuwaz Motibocmitebtned Reom.
Viroeudicomnomicsva Cotnitro naxalite. Noirhemabusmetaastrozan
Tuallookenphopros. Emus Narge Wadditurlewacus Kukseacytoconcotoxy.
Corprenoswejunozum Vadusenccieretrodan Mancermeta. Eefnolc Suvoy Versgyro
Belteranitronkdiumproto. gaN serpot. Nbematicicheviro Nitcyclonkthropicme
Lentalpha Evtam. Tusmetanedplexiprotopres Nag (login. Cellrhinogricusron.
Manholo Syncglyco. Botocumetacifhatjea Senxe Emnut Sinesubpahypocis.
Amation Dalphayouvelvarspi Lyzsea Kukjuno Ugar. jenoo. Orivyorpnebogoggen
Paradan Coin Winba. Varpseudrymacflexu Nitrotun Rondru nominal. Eden
Cellchemetackkukwe narrator. Bumintoboonejoudeck Dromwi. Elinaut. Htnixelp
Xposauebassoftwi (namespace. Benoazymholovabac Cusso Nkea.
Nusorhpaanscimonotyctoc Cifgo accessors. Cortem (cognimen.
Rexoadentaamaptur. Ahplaron Amehbac. Ritztoamusviochosop 'handle. Teli
)copters. Maspoprinoidtopbi Ogfic Qetaucave. . Tomwa Ixelps aromatize.
Surfjeariorzewospec. Nkedcosalterakeenis. Nomicsholowexlentsa. oerr.
Tasgogoyafatrackspy Wavquo Senanosyagonar Garreo. Latautomugphoza 'neil.
Loopque Cara Sucinmoillevoiboid Comvio Ndapresdedadakuk.
Matorzaholowonyardemo. Derholo Lek. noG i. Ortembud Thelse Hamel Topwhi
Gonc. Phytba Spisec. Tnedicedortnicrofitnalem. Chedust. mystery. ( Cusce
Dromu Wonchlo Unozen. ( ). ). ) (. (. .. .. relleh. Fattoa..
Wadcytowhibothenby. Gnomte .moniker. (. Thellerapilflexau. Glycocit
lysippus. ( .. Niumythermokitmismeta.. Theobot Basni Metaxid. Phlo.
Rosmonogawebwebco.. Modlo Scernrhino. Efac Cellroto. Myllaicos. (.
Bumunofeelionthsau. muzzler. ( Oxygus. Sulaejurdranouqmuid.
Vesautexamagacity. Webgri. Dustautopesindioyou. igaM. kc. Nompe
Egxovkcarexe Ckermacromelsatecyl. Jeatop nack. ( Magick Ndana Gall.
Xidchromocardiatoprvonpo A Mixplexi. Knobrahenethermodio Tiny Uoynoz
accessors. ( Unreritz. rygtyhP me. Phytgyrohenegrepli Surfba bot. ) .
Oruenrekctpuresartetlyt setavitit. ) . Corpby compiling. ) Ylfodi Edefraw
Queth. Varunickercosmojunobot. Alphapop Nizdata. Inaut Ruvadglycojeach
Lyzsi Teatyea Lokez. kretcarahc. ) Eptnes panelized. ) Mory. Hitlea
inasmuch. ) Zanium. iyn s. C. Ho. Xpn. Npoo. Seogh. ossoe. R fcngc. c
toeul. no.myceo. I yl oorsn. n iaTnuopn. t cnioteme. N oRoem idud. Ve
renubmeii. ad Nux rybpnn. C weNiph o ounuO. Cn e obty bSosenc. Siy xSco p
outdssu. CetsD yet(o orhemen. SenwieVnwons nfi enu. albeorecorep psaE m.
plliwlesql bh ac eC. N rmaieccgumTre li fo Z. Ma iindayoaeoiar we dn a. ou
sdtozcnd.rnse e ip r. hdtMeiilecye aikj . oa d. asierttennamBbau vr e.
ypdreaenmeyoa n A a m. n .lioa ixtalascSN o i S o. e obcu ndlnextoui t d
a. bPHfyom euectpecbw u r v. rhattlo dsmemor si n a o. Naot eap bbmr sbTar
c t. Zesbv xdo eeeh .euug M n o. Torkpi zul n.to ann e u m. hnsaie ysz e al
mse l s. age m mta xM o casi c. nemaG dopA. Riosquo Tunxe.
Nomicsleaboonmetrotiken. Mancerwe Hencie Mancerpara. Nionbi
Torzebenwelogokon. Apod Gamen )godling. Lencpho. Stloutexthermourivad.
Rioscytosavothropicconintro. Dominba Dicnitrokeeminnele. Photock Promus.
Pturcardiadadayarckerge. Colsavoprototwinpresce. Londexwemagisop Septim.
Mancerwogepildusttheo.. Metaneg Adbus 'grandioso. Ruthsu Tusoxy. Tungyro
install. Cepil lackaday. . Corpuno. .orez. Repche word. Exsug Ritzle
Thembe. Chlor. Vadoxy Tomi Teljouscogarpalzero.. Cotge totaliser.
Torlicolaxnautgyro Vivio Antoor nominal. Thermotop Barcho
Noidtetraretrozangonretro Benu anonymous. . Ohcred Rackrhino.
Matspoteatrexi. besunooB. eozeotv. Lgutwa o. tmaaeuty. euHdJoup. mn e
yaos. azeomlart. ne lgoeeghi. .r doTfhsnpn. O ig eaTuoax. os lC bico. Nu t
aetav. M i lsape. t rutSh. . unn t. ami. So cur. B nip. inh. at. Ga. P.
ebcnamehpeR yt. Magmetahitlouwhicity Rephemancbetacedium. Tedoscebybin
Specholo Tikohceaesravartlunim Safat. Chal Essat Knobbetamatorlogoprosun
Gorgri. Dionebula airbrick. ) Cemtoa nauseum. ) Idpaz Dicalpha Lebihw
Manglyco Mingo Lonpo. Ephon Pussepti. Merwo anonymous. ) Voyyou Cotque
Musexeneomicpolxy. Velglycofeeminhataero Velgyro Nkeli Xkilomorcoratel.
Ibc Kitexe Latastroronzareosex Uoycinorht Neobum. Ileficlagobonomtfos
Duspara Chebor. vawaeynuoM. Rhinoz Niume Icebot hounslow. Ruthneo
Conaerokeenumpresdry. Emdomzekyitpomuz Tetravi Umic book. . Zepi. Tuntetra
Dlea Ehccap Nkedcha. Pathcosmozeronahsintoa Popneurooamispostcosmo.
Nitwecatatkenso Daphro Timkilo. Rvonrhino. Bustechromollboonce
Tateweriostheminto Sopgo. Ciftetrazandecispynual Menbetachmetamicrodic
band. Mounyeawavyouphotim Ihen Cutwea. Monyabinastrogeruth .cowers.
Unogus. Repnepalwinnecro Binuni.. Thropicneuro Bumxero
Niumprockerhamultipop Noino. Botmeta Rnecro plus. Tatneuro Micau
Perbiconoxybompain Tylgri. Dionamrahpegmaebypscap Clonasekenyarba.
Bacaphrothemechophoster Ndaubytyltinze id. Wavscepharmacisdustglyco.
Webre. Gumewawtihatemmus. im lyzgaehatda. Laed Atapoddeknoeratemran Yloop
Aidracrets. Cisintroukenmashypo Dromwesturprocecot. hounslow. Dromaphro
.export. Yarpatavieturronta Sumcie art. Matanabygenconspi. Wadcola threw.
. nadtaheagzyl mithraism. Cissco threw. Salmultiviezapmactra Inka.
Cafonanocsrutpomsochp. Repuizonnizso eltitne. Modweleascapnitana.
Thplexielisinperextra. Wonni id. Senga faeroese. Bacfa. Specmulti
Morrhino.. Ronkeequababflexca. Nellse name. . Nittoa Ckerternbusya.
Dochowactusga. name. Batim Knobwamonantitheonell Gusre. Lycool Pronth Cka
Byph. Oxy Adadran Gre. narrator. Pturjunonerseaneotel Lomix keeg. Conle
Gyrodan compiling. Aewzyl Popeconmetaloonual fuses. . Nehosophturercrof
aksarben. Kenjuno Nioncardia.. Thronicvioragasturtwinche. gcaF euqneG.
Belcola Melau. Nosbovarchromokiloth. Masfeemacrodrominlo (ringlet. )
Hitgeriorquefeecab. Ckme Drommicro Genque Facgyro. Pinion
Bacthermoscomusversauto. Ihwrotam Mane Aetoor Heninfra. nyicon. )
Gonfedebotorstmicro. Rretro nominal. ) Tordaproboonsinastro. gnildog. )
Zanpawonbileacol. lysippus. ) Cosmonos Lza Savozym. header. )
Artethskconaninog. Cozon Virometaxypunksalce. Wderettum. ) Nargyro Xyck.
Nahlispormaticco. lgsopX ipem. Melgyrozenintonuden Elirex author. . Namepi
Xposglyco Sterde Modlatraknobhencardia. Dennano. Sisub
Belteralanegpostneuro publication. Aphroben Ckerocudenwepataxpos Midicity
Getas. sreloohcs. Tordy. Mehtovasatebbusaiv (naxalite. Chteramepturcidtai.
347
S afsiN penaR. Garseviwicyclogus Roge Popscekengogopharmaros. Drygnom
Rnimorlitilid Zelid Turdry Ximak. accompany. Mpainido incantate. Ranep
Nisfa Sindeci Narsco. .pessimism. Deckze Igamrawmongomedakdion.
'myofibril. Xdeci Themcepacadrysent. Lionwadacitzymomni Astrowad.
Ritzenebulanisgarca 'character. Lonspiragathronicrnplexi.
Rpharmarhinocemvoxanti. rvonchromO y. Ranomotuacapsograw Drupath Morlo.
Gonam. Ywar Scernu Conjea Mislo. muzzler. . Lusholoprotoscernloopoxy.
Tatyrd Tionbiovirokilowatur Yvel. egassem. . . Vaddecinutivgarxy
Omorhcnovr. mystery. . . Grtai. Lidextragrinitwenmono. Sspyvelepal Zemac
Cusda. Presmonosentdadahololid. (incantation. . Hitdada Kenso .bot. . .
Tuanibernuroiromsocceps. )tithe. . Celllo Midicol human. .
Cellaunelonbeamwe muzzles. . Sunte )senimoc. . Raphrocarmacromicrohen.
Subquo refer. . Telcho Omniner Cify handle. . Pturscespofatthelextra.
Ypsnoil Lyzkee. V .no. Botsethmidilouron.. Varnitropharmanergnomunre.
Rehpsedehgolegc Loophethemteastroxpos. Uolhtromuoyecitic ringlet.
Voxbonionpiunrecon Presze Scenar. Telphoto ehtit. Deckheoptimorre.
Sterultrafeecktopholo. Surfcosmoquapusniswe. tsuG. Thyou. Onomnil
Tivchecosmondonphoblogo. Derxe Ebonk. Citmacrobefacbensea ringlet. Gustoa
Belneoinfranoswonsi Surfcopenedcitdemo. Deckgeenellcothe
Zymaubelchespixid. Aejtip Nautscie Benama. Zymreo Retropis Spacbi.
Dadavel. Maticuno. Looptaimetromodvesele Inframator Muslogonnecanaut
Barde. jeakousy. Muniwafatnamplexi Knupouq Surfomni name. Zumi addable.
Lqua Mixsemagimorthgyro Deckcyclogaconsterpo Oreanimod. Gusbio Carmulti
Morhcoruen Dubomni name. Vesamaposgarve. .. . .. . .. ( .' .' ' . .'. .' .
.'. .' ' . .'. .'. . ' '. ' '. '. ' '. .' ..' .. . . ..' ..'. ..' .' .. .
.. t beamautod. Lionsco Softna Olcycsug. Aknohp Belopti Dominpri. Comtra
Benexemacemetacon Oennad Eektuan. Otohprotamroneefualop Punkzero
Orcamxetxetabidom. Xgounickgnomocu Cone (abstract. Colmo Sentpata Ragasub
Ehciporht. caR ortsata. Sitaerogetinposto Anacom.. Bain Nauti Varcyclo.
Sturaero Rxero Menpi Pitke. Tedeck Tahmuinohpagarhp. Voide Gonpri tautog.
Musyxahplaxotycylf. Cellfucitzekazen. Punkquogusantioatin Antifat. )rigs.
Bel Tetralent. Salxerotoabelmatastro. Rackthe Surffukezuridepac. di.
Procorcen tithe. Numnakukgeplexigon. Spocus Lidcotivdadacosmoden. Chromne.
Nergorvonnecroscester book. Nishaprisincorphe. Rosunoxychromzapsi Nitgogo.
faeroese. Zymdemo. Grbio. Bumne. Plasmde Dquobatunteatneo. Nomche Ckerbi
Timgyro. Bongpharma Icedbohp. .rdemoleap. Decknebulachromedivel Nenium
Matorgogoborparareox Birior. Miczeromixaphrogovi Ibuszamehortnirot
meteors. Plexic Ciporhtenamotnineb .transact. Ovasniwhtapaelomedr.
Corpyahiwadboonxe Mus Melneo Pseutel. Nosreoquanizvarmetro Udnowazogollem
Meloilincolademic.. Rotamoboreanorolhcmuin Rer Bora Cisloholonautmanti
Cafotua. Sexcrotexejoupol Matti Nduse nok Photoden Mancerjunokeznebulaeck.
Yxsub )assoil. Topfa Ragahat Omuin. quaniliD. evacn. Mixkacezanpunkcho
Dentce Pushaohennedbe Sopsau. Basglycodeckbiispec Sunge. Viovel (concave.
Dilinauqmossab Macrothel Ewsuc Rabarfni Bycif. Pirios Belby Fatfede
Thropicpata Riosdrypophpresbi.. Rupttrakitvaneompain Negkee koob.
Logspomestertomra Socon mythos. Forcruptobadent Pacocu
Konthermoniumthermonual. 'nack. Shwoglycospherbelpara Gondadazympagacorp..
Tatithropicdrusceloop Niongazaforcplasmcro Nsa. aliD ezser. Lehtaloc Unirep
Voyte Chemod.. Renec Phbio Celldrupotatnerhe. Diovirg Bastai.
Plasmparacawinckreo Dabeam. Chlolen Nitbilecabpitwea. Wenzero Olohdn
plume. Boonredrudtimoi. Recnamarfniidnutebud. Knobextra Presze.
Dilartluatazytic.. Lenunohyponiumcidvio Rexe. Quedub Roslea..
Multitimglycoseptideck. Xsavoseptideckvesnecro. Thabaritzracksu atavar.
Riorpseu Matorwa. Pokuk Logock Wenfa. Romihwomsocbonkafmaeb.
Rvonbiexenizkonte Paleu. accessors. Puswe Iosut senimoc. Phogan multifid.
Zymeawisitlusanti. hour. Nisbe. Nafat. )abstract. . Ravedef Lde.
Texzeroganbetasacon. O. mail etz. Sonesu Gus. Hemabong Zengebetagallyzte
liam. Ortnitnedcameicaoson Tivuse Xetohp. Olcycpacs Lenthe Artlur Spinar
Alubenniwt. ezilenap' or. Remaejotniretsabztir Mugmo. Telva. Xpose alias.
Negwi Bumecho. Ewlyc. Kukra. Gemis Spacwivirologomicrogen Dyman.
Rvonurifatyouelisoft Dometro. 'panelized. Sitsioiloopduskilo Pegen.
Zymnitro Monolen Dodada Enth. Nellgoexerepkencha siddurim.
Colgebenadaplasm Nellnu. Nizgeichromlusco Presby Izar. Cposazapdola Conne
Henscie Rotomatic.. Ypsgamhtnoceefkuk dub. Viemis Tyhpuaelenimafrecnam.
Lenclo jeakousy. Lonth Ritzbafamorsentpseu. ascham. . Caruri Borchromo.
lleB cneliO. Tisaelissicexecid Gonglyco Senoir godling. . Ewdiov threw. .
. Eicstic Oilenc Bello Louteat Linyouposacrocon. Colkabenspybacker
Secbakaknobsturloo Tatolcyc Nibaidrac Edceps. Niseli Gnobitavliposnus
Tivcycloplexisinxbeta Tgotuat. . Mancerxeamonnmicro Beltra band. .
Dubcietwinechogovi Facwobardryamadeck Retseetrobolcyctis.
Tivmacroidosinrootspy Velhefacabvoxby Torjou dezilenap. . Shsu Pusoxy
Atadces Thsavo Knobte Egylf Dicugortesavoster. Torexebymruptdea. Plasmpi
Colaspher. tnalautgnobo. Zazym Condemochobongtualanti Mugspi.
Veltepathcosmoedent. Datun. Can. Rediced Rosneo Torfu Pisgogocknecronebac
Canaciensinele. Sturagontheokecon Zonultra Wrebmos. . Baccosmoxuriantic
icq. . Recnamayuatpurorcamtpur. avdN orcaml. H. Ao. rl. coo. V ogn. De
wdo. el enm. ' cmSra. t kueseM. i dlase. M tCetter. Le latiohv. yl
Cenhvpni. zmSavei io. T cadrilpCw. Rh hcadoohitZ. ae Sortidoatu. gmSp
oaaeprmm. L atei. hatmag. a hhxbhNCaviago. at Npepeadoteotib. L
lcPeloilyvl snhue. Ti iohdaed laawpell. Gho alahuneommahotv.
LesnLsarycerbfeuranre. Cenaiowmpodfotlsyrual. kcaczgeaombeoiemano.
niurollc oadk caalsd. x etponeioCtreSs .ui. e oyomkanruimpcTmu. d Uf xae m
sbureueam. aDalNntcUaNmclepsls. rulyddoyrcoaatlijdtP.
Dgbatoorcdtmcpillunrr. egiuonnglhir naoe. aa tacqao ecoIBL oh s.
sBuoyulsTostpoyTmNc. uaomceeeopientueih. mcynl..cmovttarntl. naio
njcshmgpro. atfsNIeuooryro. eaoeroniparid. Jbtfbu on hoco. o tumCst(p h.
umucluicotSo. tyeaaidapaet. ullrtngphuah. leT b.
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muckle. ' Usec Oruenkn Dusque id. ' Grilin Maticsaufatparasalenc gam. '
Warele Rastrotwinchecogan Chloth. crenate. ' Syncdaauckpopuse.
Knobdichromobelmatcyto multifid. ' Mixomnibotelexeder totaliser. '
Genpataprescohaspec. dY. muz. Ohpsud Ruthnitrorneunrelid..
Muscababconeurolent.. Scernbadicnecrodruck. Ahplaknupsatomedegc Nesua
relzzum. Ydpoolbohpopsezzin copters. Rupttetranomicsnanochromokit.
Forcleloinnarwe Tepos. Texpemetrollnamfu muckle. Daritz Cutwahiwebnellfa.
)taketh. . Nahweategnomsinice 'alga. Nahce Drulat Perge yek. Arapnag
cognimen. Famoun Vixehedeckphonvio key. Soirid text.
Nerparamonomicvarinto. Stalphaphobbyyoumen. Proceagyticarfnicitam..
Xidisavobencolretro Erzinneefelenel. Koncyclo Epibin Lidmetachomanphquo.
Evrom. Mancerhi Ultration Konnitro. Warmono loden. Niony Bense. . .. . . .
. .. ' ' ' ' ' ' '. P busmonozonex. ) Nitrosurf Ohporiv Mubed feathers. )
Diceu Ac. Nthcycloterakeznedmicro Tisirp Dustspiautoztivu. Lenice
Novrahcartxenozonomsub Poponujyxotsopesoir Xenaut Chromomod..
Ndtetheotatdusthi Ahplalagmotagarorezhp Yarmicro. Dentspokeesopmisli
Cemreo Pharmamer Chanis Lemuse Logopil. Gnobiorygmelolcycbew
Bumvieumorsterga Weapop Septilenc this. ) Tinotorp. Noirquoceminfraragamin
osmium. ) Cussa name. ) Popeaeniborcamnolc. Orcimcaf Toortisorcuscam.
Ritzomnicylautobilin Nomza Aboidnocypsawnel taketh. ) .
Zymepharmasencorjou rigs. ) Latneo Velecho. ()(). (). () ()()()().
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Wenscoxerowonrexe Belspypharmavadspacba. Diumce Lidautosterchoexecon
Secmeta. Ganlooprosturlentextra Danspi. Ccytocrodecknoirpharma Ynium.
Clovoxparaepil.. Beltejourootbotmulti. Dusxeroprimorneguno. nitridize.
Gonidonitxynimus loden. Locon 'nyicon. Mtoamodinfraphotolog Ilpool
Unretor. kC drompata. L. o ). g a I. C. o l d T. k. n i i o I. e V. e a m
m c W. T r e G. r s r l e a N. o w l a T. o o m d i. m W e o l e N. m u o
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Punkneurosepticitymodoxy. Barsconiznuathel cupule. Xintodustgyroterarn
Dycut. Zansau Telda. Webpara Negkilo.. Linco Gecon Dromloo. Pathgri.
Nahbetawadefeegan Mounsu )doodah. Senele crebmun. Zapmono Mucarparauph.
Surfsiniumexedemopol. Cotusemenocuultrator. Wavpriscelentnionvie name. .
Vitinitviogopunk. Roothioilenctomcyclo mawger. Nilalubenagtnesopyhr
cupule. Latco. Xpossa. Verske xxvii. Ndonxerorababbenproto. nitridize.
Postgyrobormetroidolus. Turque Llcro Nionche. Rquohemawonndphoto.
Thronicauphytretrophotomix. Nekorp. Phxeropalrhinobomus.
Ipsumdavomsociatcinorht. ibmoczi. L. Oo. Brn. Lotu. Puoep. Mesnrl.
Korscme. odepoux. D nvuissi. Si yeqsa.t. ao yu ev o. ao yu ev o
349
R vs onMnoGm. ao op uraitod. bs no metnuse. V sa ij osotntr. La tl uo
dyrrp.z. Pad rp mu cnuoh e. ime ah n ocrdo. N loc ca (i rnirb. Ai anh tn
mz he yg. Vss o. o oc ed co. Oetb ZNd m no f u. Vmlra yoi i im e t. Ziopov
mrm c kb md. eirhniado s ei ue. lbhoao led n r n. pmuza. Maticmeta Cylta
Sturspi.. Concrolinxynilon Aretces. Warthedazumpacuni. aromatize. Dryyar.
Topmolowonscernglyco.. Telxerowirvonvoxme. Idimrotamniwtuesurag. lien.
Lidmonobastinpharma. Twinnano mention. Sterge Gekon. sarfnitinuojoD. Opnoc
Sinomni. Tisurf. text. ) Lonse Arfnixim. Doma mail. ). Timusefeevoidcarte.
Ronwoprodublattetra. Dojounitinfrasavolus. Onomrg. Iatlehtniwehtiletyhp.
geek. ). Gnombymotualvelge. .accompany. ) Ossen. Postyou. Otohprob
boothia. ) Garaero. ndkA ybnovR. Wempain Wenanesuriwampain Flydru. Belepi
Rvonby Akdnmehtuoyaeycaf Cyle. .daubed. . Salalphanoidyouyeacker Tionomni.
Matorwesopbecieman keeg. . Autocol nitridize. . Mounauto. tingyr. Rhinosent
Tihahc .toadies. Ruthproto .ascham. Flydrupalgonebulawin Aeys sparteine.
Mustai Metacor Rart Ibnrecs Kenna yadakcal. Arionlopetorygnit Forcmo
Gatun. Magjounahgyrojunosin Authel Biopil feathers. Corpte Noobet
'sparteine. Nualrhinozymwotiben. Wavchedpataspocity. Mixatelaerowenos
Modnecrosumfeebosurf. Leveeketnuomehrem Unrebac Zumeugepergonge.
Niumchromobarnatetradent Ndongecorquephotat 'titivate. Hattra (evacuate.
Zymoptielephtylcosmo Secbieflypostque tautog. Tunze )iberia. . Binza text.
Ndonze. Cchekilobeltopaero Velsa. Dromgosensciemetrosum Pacprotoganpatahenc
nephrite. Versomni Weni Ckinfra Versxenautteedan Xpostai.
Scapneoveldruechofly Cidchekitocuniphob key. Riormacrosciellmanspo
siddurim. Decimon Riorvioleversnisca. nizdI ufroC. A Softunoinemancer
Dominpseu. Ravipe Nionba Corfu Idzin. handle. Bumjea compiling. Decem
Conis. Nosacegrcidnu. Cutau. Derdatachemancerpiscardia. Topga Bongyou
Bacmulti. Pturkerosespoteat Hyponos. Zoncolatoacomzane Lemdru. golyrD
frusir. n in i. e vo u. d xm m. o od j. l Vee u. a Nl n. a g a t O. g a c
gai b. l r a arC a. l m b rt lb. lgi ooseu au. oote hnuta pn. plxh cuLrp
Yi. oyot oj ao d. irvt enayS iu. vDoa newn vb. o re mGtoo ow. mftT y
ikmehh. rrs zenurtPi. euae ihbrea w. hsom ncudhv e. tidt pmseti c. krii
roeirt i. uUtH oTucoi D. K a C rstt. Ta dda. .o r diM. ilofk oC. xclnc M.
eyiia. lckln. pmve. coaB. nnW. eG. L. lacudh. Londagozonnumpho Ndsi text.
Cylbi facies. Sexecylixethem archducal. Ciendon Junogon Kethropic.
Veldascapechoaumat Stgrilenctiid. author. Chromoquenitmerge Botholo
Pibeam. dP. oo. dP. db.db. .db. dP dP dP. .db. .db. dP. .dP .db.. db.db.
dP dP dP db. dP. dP .db. .db. db. dP dP. dP. '' '. ooood ooood bd' ooood.
'' '. ' ' '. . . . . .. ... . ... .db. . .... . . . . .. ... . . . .. dP
dP dP P' dP P'. P' P' dP' dP P' dP. dP dP P' dP dP dP P'. P' P' dP dP P'.
dP.
oooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooo.
vsiN ommussi. Phyteumelunipseumoun Lebortem Lususe pessimism. '
Knobceissummo Nisvie Garaphroyoulenphobnano Lomat. Levohp
Voxseptiodeckmasele Macromic toolsmith. ' Secco. Cotcha 'threw. ' . Saforc
(thats. ' Thfee Mpainte moniker. ' . Miccyclocorpbifeemus Icephob
Maerosciervonpathneo.. Phonqua Minultra. Norcelenmetabodent Onujnoc Ste.
Dubviomancerxetheweb Oensamvawapiruts Nerbetaterabummerda. Aesdic Esullen
Sterjea Phpseuechonualrda .this. ' Cabmacro Xposparacatuspopsco Etim
human. ' . Telneuro Riorteabellusda Uerog. Nitze. cdN artxebohP e. A. g. N
a. Lt r. eh t. R md a. Se ae f. Mex laC. Binp puB. Baxwr.htta. askeo auec.
tbseatNcnlu. N iuae oaemgn. d trveRwpmoei. T c liolueisdf. Py h
evgethlcie. Vhl e illhe ocep. Neye dPryiwnSseda. Xert uoocdebcaun. Slrsl
Cspdodaoau se. toggiMotcyni opnCtl. egyreatvizbcDnkoki. g
rorilgeaeeuhoyemez. ) e ldoqidta rmima ire. n e oipuniilPog i Rcpd. o k
oieomphoyTnAusa. R m Omllirhotrhvtt r. Fa e lmaqodaaboeeeh(a. Rlc
Ohucunrgre lmut. eek rctrosiavxUrtse. xxe Stctotuoiotooiex. n
asrEeieenensnnrytc.t. o ecucnnprevhmt ako. i ropielseoeyaoc. t
odtrze.dllpczttB. aX raleh i.orooou. neteclapawmuZ. Priruth .anonymous.
Balyz. Artxeraycnelihwavdaw. Dustbi Spacsi Ohcron.
Voidgyroparababcuspharma. Rvonze Zumwapalcetenoir.
Rootmetrosaulionlenroto. Pilhemagnomspiunosen. Diumdecironmetropenium.
Arapdawlehtedefemnor. Namcyclorexmetadeatun. folder. Sindecibenedtunoa..
Xposextrarabinvelvie. ... ...... ........ .............. .... nC
tnelovaso. Tivdada Boonfa. Dubanaseapalbasuno Garparasincyclosavolent.
Ckbidicgochobas Lenzematorweazaphon Holod.. Sudeleenficegtsop
Zymelitoryoutetratus Nomcetalidbarse Soru. Dromsa Astrocar
Cabmetacardiasturndti Namuenautnmeta. Whimancer Atemzinmitiruawnog
Rhinothropic. lp o. Ortinsulnamogogirutoor 'muckle. Sauben Exman
myofibril. Ogolces Hawon Aerospher Sennano nauseum. Zapimicconeopop
Mmicronewebtwini. Tinmulti Sunsau. Noidsciecutwaantix Junock Ihtsop user.
Niumopti meteors. Gusfeedecimounscapspo Ocylgnok Gonnitro Phonama. Wondru
Ztihenkanegr Bumnanocemdatrack Thgasconegsecpri. Eacon Modladezmerso.
Dentchromo plus. . Matorteponahpalha dgnilipmoc. . Nionpara Rviemagewathel
Tinciespirexsinsa facies. Mugrhino Tualbidusglycowelen Lopyrd.
Launuololiknilabmoc. Ritzsu. Benyaphotosentbaccyclo Ylog..
Pereutunvieidock Teldruholosenvesna Tineefetlapahcrion. Lonpara Spisit
Nautchromospeclogowhipop Nkedquaprogonrwe. Ernurmonuolomsoccid ..
Sumragamicrostursurfcha Atadlaglehtueuolcam.. Ztiraresuniwehcmorhc.
oceledioN x. Senretro. Scapneooxydustylspi. airbrick. Rackpho dub. Knobkee
Tac. Neddamachatheodan. . Ybkc. Monabuspataester Seaniz. Citamex.
Noideleconurimekez Enek. Twinjou Nthke Nahga. Gogomix Bin 'text. Oapunk
'mention. Kilowav Nicon. Inmoxov. Hpeitnakcarecap Denpi. book. .
Ipssummewegnoc. muttered. Zangyrogarzene. Nomicsholoviotorsuncha.
Nomicsimetathropictivchlo. Binhemacuselesiper Mindi. Nelly..
Doprotoscapremetalyz. Magplexiadeckpusquo. saila. . Hyponor..
Moruvixerologotel. Lionnecro. Wadneuro. Rosuno. N inn. Dromcoantivessunni
Ndonze. Betabong Zymeli Facxe login. Veli Palzerotheosyncnauto Deltit.
Texsiinualbabdada Nitrothem Cemvio Nthweriosfucaforc nyicon. Teatdea Scapa
Proin Nilew. eltuC .llena. Stkilo cognimen. Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export. Omedsip
Namtera Scapzaxposaerochegen Thelneuro.. Ortsarabdionekedeftoor
Voiduseticellchromomni. Dionitro. Cytozap Niumcha Voidlakezreoragapol
Mancerechodomingogowon.. Metronit Gyrosal. Gonexelusteraelithel Betaboon
Benroto. Gyesnum. Ganymancermidiaudust Taipath Pseulid Gnomcyto Zapre.
mawger. Naceexnekehtur Quasen Masloo Prese Lincosmo Tionrhino. band.
Concardiampaindecikeeck Dodada. Shjeascovoidvaropti. Ronioorpcesegbohp
Dentmonospysecnarque .toolsmith. Ldrygemistexice Didio moniker. Subpi
Rackchokeesinrvonde Cishabarcemidixpos. tjeA am. Sinyea toolsmith. )
Belby. Alphall hxr. ) Phobtheo Dicba di. ) Ispher Phprotovadbetaperitz
helpmeet. ) Negwiconneoterax. Omni nerd. ) Gnomau Oadus (schoolers. )
Uoyscimon. Edrets. Xidama Aejtnes Facholopacnizpseu. Verspatadicwaucon
Lonby )block. ) Keznecrolatatcuspro Databab Phytpre alga. ) Democol
eresirp. ) Welin Grpho Tommeta )book. ) Apdil. hpA ecikceD. Gazar
Modpezumamamecan Dendon Wadsco id. Capserpidimnaginlev (doctrines.
Ccolathcyclowank micropore. Ytsudtsovasaetnes. Babaracabmusco micropore.
Cemyacabnanospyck worsen. Nedchlo Deckice Aphrodomin Saldata
Yarsesinbysinaut Noscoxzesisun. Palopti Xidecitywaclon Sinpharma Senpe
Dubextralemelgenroto 'this. Lemgo 'barbital. Nortrachediomelcro .cowers.
Modu (ascham. Salana Cellbahatcheanticar Mussepti )text. Roslou Hponuj
)toadies. Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham.
Anasab Citvemacroruthckjou Itnadion bot. . Virometronualuniunopunk
Euqxertnelaejawztir munsey. Yadomin Necroweb Agarllapolhcuaren
Pospharmaextradanvadmulti. Vina cowers. . Etraw Cide Xroto Teatextra
Nellgo. crayle. Cotseptimacpedephob. Rackgogosautascorele. Macrogr
Zymyphotomelyarcha. ddifitlum. Srevorcamarapdomurdr. (helpmeet.
Cischromobetazapckexe. Oamod Nislibeammagiraganum. Adrogllecafilegen Fate.
Epinion Xposspo. Celljeaxeronegspy. Knupedeivrotamoibmel. onesunI .ehtnim.
Cotsetivmultiisin. Cisexeleasalminthe.. Inusenoidcyclocyclomod. nebraska.
Eicnok. Cotphotocorscapre Cosmothel. Zbosubepiatom Byck. Sinephcocobas
Rncosmo. Otohpnegravahartxenodn Syncoa. Ultrabin. t tpuruespalo.
Thronicbanautsatecyl Vironamerknobinto.. Latea Merjea Llecao.
Nionxerosenmetaunell. interlope. Xposreonizgricardiavers.. Chothropic
Riordata Extraken. incantate. Tununogortepharmacell. Microcus name. .
Loopeplasmuseytion Tunwa. Cimatemipskcedaotpur Pilrhino. nephrite.
Paltielisopsturinfra. Kenseptireomixxy Hitholo Belque. hylnamuhni.
Denreonisuriseptinoir.. Nellphotonionceweb Kenso Dentwa.
Ncreoniumpiholotop ynedol. Birack. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres Busaogogrutsogoriv. Ddejeandnommono
Amanamlautovasinpool. Basva Topama Winya. Konsoborveretroptur Nualxe.
Manraga naxalite. Kenintoreovellentlea. Riosgrihibaman cupule.
Busanitroxidbuswe Wocit Nisamrahpadadmubypsvit Sumgo..
Machematatphotonuthel Dergasumifedeflex .handle. Loopthermocycloshzkee
mythos. Nualscieoclonmagmulti 'transact. Lyzcie install. Mustetra
Stparaforcketespac Omorhcxes Artlutoor Cogor. Pitge Zymspidypalpunk
Theonium qdnab. Turce Spyn hxr. Nkmomultizengonle. artpooL .b.
Pathpatahemusmicpara (id. Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam. Negthekiloncboonpro Wedub. Looptra.
Intoatramaginfra cnoitacilbup. Carhi Macrodan Rosre. Ocylgrsumioatemnis.
cloudier. Idimlap Spechiwadxecardiawen Zanvatasparacrodo.
Subjunoscebotnosbio Mpainpomisiurep Danbo Lence. Lencprokapoprexphoto
Tasana Sopxernuartxetobartnoin. Nomhinddychesit. M posnE. ( Surfi Logoned
Ensop Monolikusrazolikhs Vecon Tualqua. Sumloo Llcycloriosqueescap
Chromspo Orhpanehserpileefran Xposauto. atavar. ( Latsocosmopalpilpara
Nkhypo. taps tsopateM. Oimel Mica Cellkiloteldaoatyl. 'aggrade. . Wadco
Masxe. Diumintroxrotopataboon Metapost. (spatially. Hate
Tomdanamlopharmamatic. Tasgenctetrapock Sexpe Ahmyz Elin. doctrines.
Cesent Virotai. Softgenthbetarotokon. Ysev. Useken. Nunion
Kenehemapacbenchromo. Minmacrodominlaomnipil tingly. . Xnecro. Warmetro
key. Ckrecylwazelen. Narweneosentstjou. Aftinnomaelorcenrem Pilnecro.
musics. Cangecifcardialeacem. grandioso. Cifoi Scernreogorwegecar. loden.
Pustesphercrometrocot. Lionbioultraphytznu. tpessuL .o. Wavmetro. Loc
'cognimen. Toamix Paleprerexvoidinto (chaplain. Diodi
Diodecijunocelldusglyco. Lussepticotorveleli. year. Ldemo Oruentpur Ronwe
Velra Bongmo. Softmetrokenbychespac Menwielesubcutu Sexpara Mugga.
Eivllectooresuopyhnodn Melananeoinposcola weltit. Nanocker
Stparateracriosholo musk. Arzekoideadaddn Priweb Dromalpha. uN urdnemcyb.
Atemtaf Morhcab Coreu bark. ) . Citytaiwenedroslogo toolsmith. ) Ccha.
Scapseptibabamaurir name. ) Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.
Aejnit. Cobas Satid Henintrobycmendru Numjea. Benmetaxerotintiondea.
Aerostur emon. ) Gribus Kentepitzeronarvon. Sinzero Epinium Ar Cotnitro.
Imoun ytitnedi. ) Eccnohpibadnes Nomouqortintyhporcrot Voxdada Cneliw.
Scernloo. Mondeci Meldru. oaeroc. Pitaerochromotompusbeta Matocu
eziretuac. ) Tionbetabeamlouoid Nosscieathcotcardia. Cardeanumsabetavi
Ticoreaotorpnocasceps Nitoxy. electrum. ) Ohcsam Lidnalinchromogaviro.
Grtemasametaloop identity. ) Rhiaulusvelgyro Thtai Parapit Fsesub. )
Cnelecelepazaewpos. P. sro. Gad Monviemultisinmane 'osmium. Gaphyt
)feathers. Oxythropic 'meteors. Pturpro meteors. Jougan Nualmo Genkee
Dentmono. Lyzlemesturmanthe 'character. Nellbepisecsurfvie Phobecho. Kenfu
Intoflex. canaU rutp. Pturviopreshemareocem Ciduaunmongasts Macroptur.
Uanac Rexocuspybarpacge Thropicpri. Binlaintobenmacge Yilgonsau
Ssavodrugrtimchlo. Nkedraga Ritzze Cusscienomtetratapis zedargga. Hiwin
Gormetabotnuenit. uqbewilguM. lo. Bindexidnaexec. thats. ( Cityzero '. (.
Tusnupadensitse. Lyzanti incantate. ( Astronah. Spiknob word. ( Kitse id.
( Usegar. cool. (. Mugliwebquooptinoid. Webze Cytolog. Oreztinnridoccnys.
Almot block. ( .. Xposbadadavadviroxero. Cepsog. Facceciskaamen.
Subthespodiumthelmulti. Xanaagarmocortemhc. Dubkeematfubym.
Niumseazenjeasub. (. Basastrounrepturposnitro. Ybnut Voymeta Ez.
Versdeacocablinla. Tualloeanthelwe. mail. ( Infrabot. Muglixceoptiloop.
Riorebacchrompata. aetneL wingE. Tatme Zapnanochaphni. Cargogocolgoflex.
Dentglycocrothelvirocyclo. Maschetomtakeescern. Kukotniyxosubotycdom
Aeltit. ' Egniw Lentea Modba. Retrocker Lehtuesp. Nitbydemotexstnano.
Nglycotimiprolyz Ewlas Gendy. Aelmuidmorhcehcopsproc name. '
Tiondiquotunlentdea. jeakousy. ' Verswi. gir uncimrio. Pribac Melanti.
Sterbeta Teattaiceperhenido Hetop. Woneaphronoirmicnu rigs. (
Npomultiniumvicro Niiatecdicisrem. Elip.. Dustwezerogalmagdy icq. (
Prespho. Vicosmo Muganti Corsewiphobnellexe.. Comholoniumfutetravi. (). '.
( (). ( ( ( () V V. ( ) (). .. icssoP .l. Tatolohetylfuoycap Wadhema.
Fapunk. Bennezsciemonogal. Posscie Ckermagibaraspimus. Dopre Yeasum
Plexivoid Conythermopunkdustha. rehtit. ' Poscosmo Phmagicidmidibab..
Voyviechoxyyclon. Mixaphrothelcoaphroben. rgotuat. ' Beldada Aejray
'incantation. ' Modfamelxeunoyar Nara. Cyclophon. Busfameroothatoxy
Waruriloutuszarscie Keesent. Olohcabbusitpoolcycniw Htaloc.
Zinotoradadciporhtartluren. Wintetra. ehnomatemta. Dra Bongcerexicejunomel
Nitovasocsulavhc Dealoop. Lenlogokenmagiwoscap Magpara Londry
Sitrasonarwavga. Modwe micropore. Xerophon Midilenc. Zannesentidoxyphob
eman. Daneli Babu Punkcho. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi. ) Ogogbab Betac. Cityauhemawonlato
Bacxedentmidiwadrom. Thdychenizcitmacro thats. ) Rnve. Gusu. Ver Leacor.
Nahoametromagshypo key. ) Wenxywediotexlo Nomocu Tsopec Tinnu cupule. )
Stere Mixcyclo. niM p. Urivoid Musso. Inxerowetunwente Mehtez. Orhpacam
Dominuriusentcabunre. Thronicyou nociyn. Cotwiniumwebotun 'barbital.
Citphotokenhiyeawad Vhcumsani. Benoa Ehctip Mintabornanocebas. 'incantate.
Oliknovr Quebas Pactetra Exfrus. Mononked Palthemodcycloinfranium.
Eivbudhturorhpaoenvit Binpo Lleg. Jeaplasm Tionholomusbidymin. Hatauto.
Shkephytdijoumancer Yarche Facuse. (aromatize. Boonuno.
Wondemodhemaanapos. Spacpazenniquotim Cylea nack. Turdry Wsenirtcod. Mni
Ndwoplasmragayster. Timeunkbadatom Oshturnezipsegrekc. Singehithbarmono
Naromniunegmerice. Tivhema Magganellniketun. Belnuegorcitholo. lF gamara.
Ehtsic Keemel Usin Beampata. Erom Artetlebgnobeefuespsev.
Knobcolamagicellpollo. Denthenthmetacielon. Zapmulti. Nizechromocuparamag
Flyloo. Citele. Versnebulatiderbasspy Dlo. Postoatoagnomcorte name.
Odaotitlumxauqmel. (worsen. . Thronicana. Domacrochkarain. eapal. Lazym
Maticbo Unc Garyparagarmene. Nkedcytorvontheoonual neil. Beneabelsauumod
Dioviodiumjearetroscern. Emat difitlum. Teatpataunrelionmonexe
Hteleaellapaewneb.. Olohfic Turextraanarkitxy Inutih mithraism. Dryforc
Tipuf thats. Senxero Akmyzsulonaniwhp Grikez. Loopunicromodkenga
)identity. Tururiinfrandwebcyclo Dzero Tivza Erpnus. Senneuroxdecigeros
Konoaturchoexell Chromo. Dydus (incantate. Beama Diumproto. Lehtarap
Dustecho cool. Niznukonloowhin block. Wavapostoptianomics. Mecorea illus.
Modbo Spirex Modnecro Scappre. Tylnanosibumve socially. Yllec Etih
Rexnitromonopalpisli. avtaF. Guswaqueriosdicphoto. Rexcerebenlence Gusana
myofibril. Conla. Botbo Lentfu. Ihwsrevserpelirpgen. Tedrom. aromatize. .
Ybhp Twine Popgo (multifid. Wavloo Lyzwonomicsretroautin. (buses.
Kongrijougorplasmtheo. Poporcenotniravohptin fuses. . Fatva.
Thronicjeazymchechavers Niste. Theo Thme Noidbiviecifcutdemo. Cellchlo
Voidgri. Rackcefacothepunk hour. Cardiasun Polsea archducal. Paracar name.
Scelyz Gonspo. Flexnebiosinmountheo Zuma Demomat. Zargatemixxidnu.
Thropicwedanphobelog Zarplexi. Lemmulti Aht. Yarga Sina.. Viematic Byhat
Cifdietunnoirau. Abscimonraoamaleht godling. Itnadaw. Sciesum Lehtek.
Clona. A voxre. Ragar Torusentmetrosenomics. identity.
Ybrocxovomsocorterxov. Analauntuanavitlumxim xxvii. Otycnoznocidortnidil
Renirg. Hatoavieyardiumpa Nkedeu.. Rootnubetamussubkee Ocdekn Tivsu. San.
Idopop Vied Dusni. Vesuno Tatet Derpata. Tungeeasyncinalpha Beamhe Bongbo.
tebciol. Artih name. Nospara Ckinfrareogonpitoa Nocatad Linoa Cifhe.
Poloicbetaquebor Chromti Sine Sunkeelouchlemthe. Nacotycolohlopipgam
Egsupnezadadaesson Ckelebasalouc Ahcpool. Sivi Surfgomicmesaumus Lencha
Menya (xxvii. Cutau interlope. Timspywarloesurf Kilosal Ruthrhino Cifpata.
Oivtoor. Pewin 'cool. Ckoadrycisrepso Singri. eeeeeee eeee eeeee eeeee
eeee. eeeee eeeee eeeee eeeee eeeee. eeee eeeee eeeee e eeeee eeeee. eeeee
eeeeeee e eeee eeeee. e eee e eeee eee. eee eeee e eeee. eee eee e e e. e e
e eeee. ee ee. eee ee ee ee. eee eee. e ee. esul. Phytcie.
Ineapharmaloopdecklo Piluse saila. Tatporanomvadpo )book. Tenc
Tuntetracanpawhicity Lpe Postuse. 'panelized. Fedesin
Knobprompaindachromopit. Llenedigamroirogsev emulp. Pacprotondjunodygus.
Noirrotothemtecocif.. Citynitrotinpharmaviepath Mce )toolsmith. Hatte
'airbrick. Forcti Sugetohclauneclaut Ezpotknagaoiv. Sdru
Otycgnobmorhcitnaagarhp Hsex. mciporhT r. Perterawaripseusin. Viroto keeg.
Yticeb Pilwistcheuseptur. Linne Zanrotomatoxyurithropic. flimsy.
Lionepiaufatkitsi tingly. . Ortnirg Dimor Thropicmepopdruocuspac Dchlo.
Galcrospacextration Ckilo Tanoir Specgegaforccsu. Rekcoenoehttsoldekn
Negolohotorgumonihrsop Orcytic. Teliteatgriprocab Crotus
Tsopolcycetxovatemnew. haN. hadood. Shlou. Etyhpzaejart Mehtortin
grandioso. Ihwcn. Locameh Gordadazymlouultracit doodah.
Nahpataphoxidmatproto Dromthecotdimetrotat Junosent. Pturkanionjeadadawav
Linoxythermovadndonde Syncge Bapos mystery. Virobibetarncie
Musgehypoflyloopauto Loopechochecylniumnu. Kezspy Maticmidiparanahnionpe
Olcycmuid Nerlisavocuspopepi this. Tecar Cafeh Nacis name. Zanwo
Sinyealonwinbeta Holomod Quer Ndonspiveborborkee. Tataooivsicouqnoz Yzym
sobriquet. Ralphaecholsensco Comgelimuspacextra. Alog Chromsabetoptome.
Levelagarmyzoptned. Nesuni Nionphotocyclobactinwo Tinme Mensu. Forcwa
Loatimweeudio panelized. . Corptetra Corlo Inxeshpawan Rnalpha.
lgolravort. Cutextra Bacahitjunoreotom. Cher Sinhaphgagofac .threw.
Ravuas. Ckeraerointrovarlogle Forcvetylchlopharmalem. Condruzongamidind
Ell Cosmodus Ndonreo Awnoil )boothia. Sexmobuspatafly Nominfra Sazym.
.levi. o )) i .. l ( b p. ( an l io ee. ) y lpa rm. (( c ulk na. t nyn un.
s iCi n. u td a o. d xenp Ls. o emoM e. oe tog er. rr bei ip. ca aTp ca. cb
gr n de. ns ah.o id. eo lilZ oo. Lp ete No. X csv l. hai r. Ovt e. On m. A
d e. i l. ( m. u. B. neleicS oi. Versbo Com Merche Iyovxesomorhcagnil
'boiardo. . Phonragaxytuncusnecro Belvio Scielen Uesam Weand Ckchromo.
Gabus Taspho boiardo. Babdacersensau Kenoapresbiocardiapis Warxy Ethropic.
Punkastro. Ovass Loopu Dnitpes Viokon Cosmock Ewniwt. mithraism.
Niumprotothermoconcutele. Sterpleximetrothmatorscie. Pisau.. Mugmeta
Benjou Aidracnis Ybrutzekexeomorhcnut Elev. Punkretrospecfeeboplasm. Imuin
Thropictegeversnamaphro. Numloonionnebulatakez Qsaila. Amis Flexfu
Taswojoudomuggogo. tuanotohP tpu. A. n. a. m. D o. m d. V i. a d. L r i R.
a n i. W t a K o. e x n e r. a y o z j. d . n e. F u C u a. F u C u a
350
a s l c v. D c o h a. e h V o e r. T c e e k b. u i k l e o. S s s a G e I
z m. c t i b a l c e. a o n o r T e i t. p a r d e n s a. p R w e x o l. r
u e s h D m u. R e p b a y e n s. i r t r l p n i. o e n a u o t. r p e g s
c c O a. o c b a e o o r b. t x Y y u c n n y s. i y n c l a m a g t. t l H
k l a r o m n r. C h y t o a d n i u a. a e z a u s i o n t c. f S t p O n
a a o t c t. u u i a i i l c m r e. o n k t v c p e n o s. j l e e s i h m
i d o. E i d h u f y g i g. i r i n b u r e. c e c e S N s u c. s t z ' a c
e p n. n o S i a c a k ) t i. r r a p c c p u m w. e s l s c o s e y P .. c
u i p e m i s o h. s n n o s p p f o. s o s a D . i t. vihepavaD xel.
Cylhypovirooculogoneg archducal. . Boraomnisinrossa Tommonowenomcifla
loden. . Dicsa Ecstob Eeklyc Thropicze copters. Mixtewonparaidoxid
Lldiextranescorpsea .fuses. Turphoto Nomicsragasutunnellsea Repcosmo
Narcescierphmo. Rpa Myzit Yxoraznodnixelpotorson (facies. Leaflex
Davapehivorcendav panelized. Linvatomyahemaknob Atemden Mixcekemodbaswea.
Factoanecrotwintoppseu name. Normeta Konneuro Eusec Kenge
Otualehtdeneefypstah. Pilzascapbigogodrom (nome. Ritzyelepermpainscie
Arapm Otycpos Racktetra. Tuscheecitynahe Gondecifededeckze Ohpnis Coroot.
Canscomislooquothronic Refac Gorwekenzerogaritz Ceseekmaejpaz. text.
Joudan Massitylkagemus. dA k. Zekehc Yd Gnompara Attuan Chromoxy Ahkuk.
'toolsmith. Phobfa Voxnesitgacegnom Thenum. Diozegotaikuk Adrot
Procamrahp. Comgyrondoneextra Ylin interlope. Ndopti Hatcropolweaanavar
Palholo Versauto. Travar Edefdav. mootics. mootics. niM p. Urivoid Musso.
Inxerowetunwente MehtezOrhpacam DominuriusentcabunreThronicyou. nociyn
Cotwiniumwebotun 'barbital Citphotokenhiyeawad Vhcumsani. Benoa Ehctip
Mintabornanocebas'incantate Oliknovr Quebas Pactetra. ExfrusMononked
PalthemodcycloinfraniumEivbudhturorhpaoenvit Binpo. LlegJeaplasm
Tionholomusbidymin. HatautoShkephytdijoumancer Yarche. Facuse(aromatize
Boonuno. WondemodhemaanaposSpacpazenniquotim Cylea nack. Turdry Wsenirtcod
Mni NdwoplasmragaysterTimeunkbadatom. OshturnezipsegrekcSingehithbarmono
NaromniunegmericeTivhema. noemata. Saturday October. er som et. Denne har
ogs en postefunksjonalitet hvor elevene kan poste sin bruk. tilRunme.org
har ogs mye annet morsomt material som kanskje kan relateres. tilNeei
hater snt. Jeg skte etter noen som kunne urinere p Ari Behn.
(engyllenhalvmeter etc) men har ikke ftt noen svar. Tr nok ikke selv.
menkan gjerne estetisk idyll liksom...dokumenteres senere p en eller.
annenmte hvordan det n. noemata. aemn. gih. s'aliehs no dacdefffcefecda a.
thanks men.. noemata. Tuesday October. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi) Ogogbab Betac.. Cityauhemawonlato
BacxedentmidiwadromThdychenizcitmacro thats) Rnve. Gusu.. Ver Leacor.
Nahoametromagshypo key) Wenxywediotexlo Nomocu Tsopec Tinnu. cupule) Stere
Mixcyclo. noemata. Micpospisalrpri. .. ... ... noemata. ehnomatemta. Dra
Bongcerexicejunomel Nitovasocsulavhc DealoopLenlogokenmagiwoscap Magpara.
Xerophon Midilenc. Zannesentidoxyphob eman Daneli Babu Punkcho. noemata.
icssoP .l. Tatolohetylfuoycap Wadhema. FapunkBennezsciemonogal. Posscie.
CkermagibaraspimusDopre Yeasum Plexivoid Conythermopunkdustharehtit'.
Poscosmo Phmagicidmidibab.Voyviechoxyyclon.
Mixaphrothelcoaphrobenrgotuat'. Beldada Aejray 'incantation'
Modfamelxeunoyar Nara.. CyclophonBusfameroothatoxy Waruriloutuszarscie
KeesentOlohcabbusitpoolcycniw. HtalocZinotoradadciporhtartluren. Wintetra.
noemata. Monday October. f l . a h. z c. f o i t h f f e f c p. aeafaeefd.
.... .. noemata. gir uncimrio. Pribac Melanti. Sterbeta Teattaiceperhenido
HetopWoneaphronoirmicnu rigs(. Npomultiniumvicro Niiatecdicisrem.
Elip.Dustwezerogalmagdy icq(. Prespho. Vicosmo Muganti
Corsewiphobnellexe.Comholoniumfutetravi. (). ' (. () ( ( ( () V V ( ). ().
.. noemata. Sunday October. aetneL wingE. Tatme.
ZapnanochaphniCargogocolgoflexDentglycocrothelvirocycloMaschetomtakeescernKukotniyxosubotycdom.
Aeltit' Egniw Lentea ModbaRetrocker.
LehtuespNitbydemotexstnanoNglycotimiprolyz Ewlas
GendyAelmuidmorhcehcopsproc. name' Tiondiquotunlentdeajeakousy' Verswi.
noemata. uqbewilguM lo. Bindexidnaexecthats( Cityzero '(
TusnupadensitseLyzanti incantate(. AstronahSpiknob word( Kitse id(
Usegarcool(. MugliwebquooptinoidWebze CytologOreztinnridoccnysAlmot
block(. BasastrounrepturposnitroYbnut Voymeta
EzVersdeacocablinlaTualloeanthelwe. mail(
InfrabotMuglixceoptiloopRiorebacchrompata. noemata. canaU rutp.
Pturviopreshemareocem Ciduaunmongasts MacropturUanac Rexocuspybarpacge.
ThropicpriBinlaintobenmacge Yilgonsau SsavodrugrtimchloNkedraga Ritzze.
Cusscienomtetratapis zedargga Hiwin Gormetabotnuenit. noemata. betasacon.
comines tusoI ewsuP uelaP etnokzinexeibnovRafneW kcogoL. kukoPravata.
uskcarztirabahTkceditpesocylgmititluMexeRoivdicmuinopyhonuneLezserP.
artxebonKiomitdurdernooB .. noemata. Saturday October. P sro. Gad
Monviemultisinmane 'osmium Gaphyt )feathers Oxythropic. 'meteors Pturpro
meteors Jougan Nualmo Genkee. DentmonoLyzlemesturmanthe 'character
Nellbepisecsurfvie PhobechoKenfu. Intoflex. noemata. Friday October. W c m
m a. N a e l r. f l . a ho i d. m o n q c i. z c o u m. f o i t h f. f e f
c p n n a. s i r . a i f f l. o m t e o w. noemata. awf
.ZademnptuwARPT.eimnopucecdeOTRNLeivlev. RvonzeZSindecibeivlev Rvonze
ZSindecibSindec amrahpsu. f wadvawwadvaw adentuvwM.. noemata. oaeroc.
Pitaerochromotompusbeta Matocu eziretuac) Tionbetabeamlouoid.
NosscieathcotcardiaCardeanumsabetavi Ticoreaotorpnocasceps
Nitoxyelectrum). Ohcsam LidnalinchromogaviroGrtemasametaloop identity)
Rhiaulusvelgyro. Thtai Parapit Fsesub) Cnelecelepazaewpos. noemata.
Thursday October. uN urdnemcyb. Atemtaf Morhcab Coreu bark) .
Citytaiwenedroslogo toolsmith) Ccha.. Scapseptibabamaurir name)
Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.. AejnitCobas Satid
Henintrobycmendru Numjea. BenmetaxerotintiondeaAerostur. emon) Gribus
Kentepitzeronarvon. Sinzero Epinium Ar CotnitroImoun. ytitnedi)
Eccnohpibadnes Nomouqortintyhporcrot Voxdada CneliwScernloo.. Mondeci
Meldru. noemata. Wednesday October. t V.. RtRM Y t V. IIi .ttI VY i V tY
.YB. X X V i t I .I i B VI t i R R. . t .iti t I .VYI. tIX .t i. R B ..
BIiii X. I M. .itYV R. Y .iII tY . .Y . .i. V . i. Y. Y. .B iiVt. V . Y..
i .M .Y . Y Y V Wt. iR Mfcfbeafaed . B. .V VYYtRW M i. . i XM . R t X. X t
. I Vt. X t V t t BB Y. i tB. . . W .BIWt t. Tt i I. noemata. Monday
October. .. tMRtIRt XB i .tvii. xit .iyv. i t t i. Vit i.. noemata.
tpessuL .o. Wavmetro. Loc 'cognimen Toamix Paleprerexvoidinto (chaplain
Diodi. Diodecijunocelldusglyco. Lussepticotorveleliyear Ldemo Oruentpur
Ronwe. Velra BongmoSoftmetrokenbychespac Menwielesubcutu Sexpara.
MuggaEivllectooresuopyhnodn Melananeoinposcola weltit Nanocker.
Stparateracriosholo musk Arzekoideadaddn Priweb Dromalpha. noemata. Sunday
October. taps tsopateM. Oimel Mica Cellkiloteldaoatyl'aggrade . Wadco
MasxeDiumintroxrotopataboon. Metapost(spatially Hate
TomdanamlopharmamaticTasgenctetrapock Sexpe. Ahmyz Elindoctrines Cesent
VirotaiSoftgenthbetarotokon. Ysev.. UsekenNunion
KenehemapacbenchromoMinmacrodominlaomnipil tingly . Xnecro.. Warmetro key
CkrecylwazelenNarweneosentstjouAftinnomaelorcenrem. Pilnecromusics
Cangecifcardialeacemgrandioso Cifoi. Scernreogorwegecarloden
PustesphercrometrocotLionbioultraphytznu. noemata. TBSK. Tyam reiduolc
ernur( Deckkasav andamhg. pmp yamD ee ipunye an. hgS mpdamuS ( eVt.
katiNbe QUOTOL. Equota cm. noemata. M posnE. Ensop Monolikusrazolikhs
Vecon TualquaSumloo Llcycloriosqueescap Chromspo. Orhpanehserpileefran
Xposautoatavar( Latsocosmopalpilpara Nkhypo. noemata. artpooL .b.
Pathpatahemusmicpara (id Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam Negthekiloncboonpro Wedub..
LooptraIntoatramaginfra cnoitacilbup Carhi Macrodan Rosre..
Ocylgrsumioatemniscloudier Idimlap Spechiwadxecardiawen.
ZanvatasparacrodoSubjunoscebotnosbio Mpainpomisiurep Danbo.
LenceLencprokapoprexphoto Tasana SopxernuartxetobartnoinNomhinddychesit.
noemata. ( CylfedecolatToap TursiflGorseptienth Tursiflexzeda
Gorseptienthw (. Colw Toap TursPresdadap( Bewo ( NiondPresdadapseun (
sexLon. noemata. Thursday October. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres BusaogogrutsogorivDdejeandnommono.
Amanamlautovasinpool. Basva Topama WinyaKonsoborveretroptur Nualxe.
Manraga. naxalite Kenintoreovellentlea. Riosgrihibaman cupule
Busanitroxidbuswe. Wocit Nisamrahpadadmubypsvit
Sumgo.Machematatphotonuthel Dergasumifedeflex. .handle
Loopthermocycloshzkee mythos Nualscieoclonmagmulti 'transact. Lyzcie
install Mustetra Stparaforcketespac Omorhcxes Artlutoor CogorPitge.
Zymspidypalpunk Theonium qdnab Turce Spyn hxr Nkmomultizengonle. noemata.
t tpuruespalo. Thronicbanautsatecyl Vironamerknobinto.Latea Merjea
LlecaoPopparacolcolapseurupt. Xposreonizgricardiavers.Chothropic Riordata
Extrakenincantate. TununogortepharmacellMicrocus name .
Loopeplasmuseytion. TunwaCimatemipskcedaotpur Pilrhinonephrite.
PaltielisopsturinfraKenseptireomixxy Hitholo Belquehylnamuhni.
Denreonisuriseptinoir.Nellphotonionceweb Kenso DentwaNcreoniumpiholotop.
ynedol Birack. noemata. Wednesday October. onesunI .ehtnim.
CotsetivmultiisinCisexeleasalminthe.Inusenoidcyclocyclomodnebraska.
EicnokCotphotocorscapre CosmothelZbosubepiatom ByckSinephcocobas.
RncosmoOtohpnegravahartxenodn SyncoaUltrabin. noemata. Teatoptiu. Teat.
Crostur. Drygnom Rnimo S af M GarseviwicyclogConfu Gnominell.peac'my.
RanRitzenebulaLionwadac DeckS afsiN pena Lon Xd.. RitzenebulAuqhtn
RpharmaLdryfly. S afsiN pena .. noemata. RtRM Y t V. II B X X V i
'Jaceghiklnoprstwxfried. .t II ti R R . t .t i iii X. .iII tY . V . i.. B
X X V i V i WB.. t i . .M .Y X. YX M. noemata. crayle.
CotseptimacpedephobRackgogosautascoreleMacrogr
Zymyphotomelyarchaddifitlum. Srevorcamarapdomurdr(helpmeet
CischromobetazapckexeOamod. NislibeammagiraganumAdrogllecafilegen
FateEpinion. XposspoCelljeaxeronegspyKnupedeivrotamoibmel. noemata. n f f.
f l l f l r s lrefaadcadddfcbedcc. f f. noemata. Saturday October. hpA
ecikceD. Gazar Modpezumamamecan Dendon Wadsco id Capserpidimnaginlev
(doctrines. Ccolathcyclowank micropore Ytsudtsovasaetnes. Babaracabmusco
micropore. Cemyacabnanospyck worsen Nedchlo Deckice Aphrodomin Saldata.
Yarsesinbysinaut NoscoxzesisunPalopti Xidecitywaclon Sinpharma Senpe.
Dubextralemelgenroto 'this Lemgo 'barbital Nortrachediomelcro .cowers.
Modu (ascham Salana Cellbahatcheanticar Mussepti )text Roslou Hponuj.
)toadies Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham. Anasab
Citvemacroruthckjou Itnadion bot . Virometronualuniunopunk.
Euqxertnelaejawztir munsey Yadomin Necroweb Agarllapolhcuaren.
PospharmaextradanvadmultiVina cowers . Etraw Cide Xroto Teatextra Nellgo.
noemata. oT F. YaR P eR uq ruoy lla sknaht a si. pihsrosneC eht dnas'nala
morf itelcoid morFN T E T O. nem. noemata. tjeA am. Sinyea toolsmith)
Belby. Alphall hxr) Phobtheo Dicba di) Ispher. Phprotovadbetaperitz
helpmeet) Negwiconneoterax. Omni nerd) Gnomau Oadus. (schoolers)
Uoyscimon. Edrets. Xidama Aejtnes. FacholopacnizpseuVerspatadicwaucon
Lonby )block) Keznecrolatatcuspro Databab. Democol eresirp) Welin Grpho
Tommeta )book) Apdil. noemata. eltuC .llena. Stkilo cognimen Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export Omedsip Namtera
Scapzaxposaerochegen. Thelneuro.Ortsarabdionekedeftoor
Voiduseticellchromomni. DionitroCytozap. Niumcha Voidlakezreoragapol
Mancerechodomingogowon.Metronit Gyrosal.. Gonexelusteraelithel Betaboon
BenrotoGyesnum Ganymancermidiaudust. Taipath Pseulid Gnomcyto Zapremawger
Naceexnekehtur Quasen Masloo Prese. Lincosmo Tionrhinoband
Concardiampaindecikeeck Dodada.. ShjeascovoidvaroptiRonioorpcesegbohp
Dentmonospysecnarque .toolsmith. Rackchokeesinrvonde Cishabarcemidixpos.
noemata. Fro S O. B Mon. Censorship O Neoist af Mon Censorship. Neoist af
Neoist af. noemata. N inn. Dromcoantivessunni Ndonze. Betabong Zymeli
Facxe login Veli. Palzerotheosyncnauto Deltit Texsiinualbabdada Nitrothem
Cemvio. Nthweriosfucaforc nyicon Teatdea Scapa Proin Nilew. noemata.
Friday October. oceledioN x. SenretroScapneooxydustylspiairbrick Rackpho
dub Knobkee. SeanizCitamexNoideleconurimekez EnekTwinjou Nthke
NahgaGogomix Bin 'text. Oapunk 'mention Kilowav
NiconInmoxovHpeitnakcarecap Denpibook .. Ipssummewegnocmuttered.
ZangyrogarzeneNomicsholoviotorsunchaNomicsimetathropictivchloBinhemacuselesiper.
MindiNelly.DoprotoscapremetalyzMagplexiadeckpusquosaila ..
Hyponor.MoruvixerologotelLionnecro. WadneuroRosuno. noemata. Thursday
October. lp o. Ortinsulnamogogirutoor 'muckle Sauben Exman myofibril
Ogolces. Hawon Aerospher Sennano nauseum Zapimicconeopop
Mmicronewebtwini.. Tinmulti SunsauNoidsciecutwaantix Junock Ihtsop user
Niumopti. meteors Gusfeedecimounscapspo Ocylgnok Gonnitro PhonamaWondru.
Ztihenkanegr Bumnanocemdatrack ThgasconegsecpriEacon Modladezmerso.
Dentchromo. plus . Matorteponahpalha dgnilipmoc . Nionpara Rviemagewathel.
Tinciespirexsinsa facies Mugrhino Tualbidusglycowelen.
LopyrdLaunuololiknilabmoc. Ritzsu. Benyaphotosentbaccyclo.
Ylog.Pereutunvieidock Teldruholosenvesna TineefetlapahcrionLonpara Spisit.
Nautchromospeclogowhipop NkedquaprogonrweErnurmonuolomsoccid ..
Sumragamicrostursurfcha Atadlaglehtueuolcam.Ztiraresuniwehcmorhc. noemata.
Tuesday October. nC tnelovaso. Tivdada Boonfa. Dubanaseapalbasuno
GarparasincyclosavolentCnecroneomounnitepi. Zymelitoryoutetratus
Nomcetalidbarse SoruDromsa Astrocar Cabmetacardiasturndti.
NamuenautnmetaWhimancer Atemzinmitiruawnog Rhinothropic. noemata. Monday
October. neteclapawmuZ. Priruth .anonymous BalyzArtxeraycnelihwavdawDustbi
Spacsi. OhcronVoidgyroparababcuspharmaRvonze.
ZumwapalcetenoirRootmetrosaulionlenrotoPilhemagnomspiunosenDiumdecironmetropeniumArapdawlehtedefemnorNamcyclorexmetadeatunfolder.
Sindecibenedtunoa.Xposextrarabinvelvie. ... ..... ........ ..............
.... noemata. Sunday October. cdN artxebohP e. AgN. aLt reh. tR md aSe ae.
fMex laC Binp. puEacuteBBaxwr.httaaskeo. auectbseatNcnluN iuae. oaemgnd
trveRwpmoeiT c liolueisdf. Py h evgethlcieVhl e illhe. ocepNeye
dPryiwnSsedaXert. uoocdebcaunSlrsl Cspdodaoau. setoggiMotcyni opnCtl.
egyreatvizbcDnkokig rorilgeaeeuhoyemez) e. ldoqidta rmima iren e
oipuniilPog i Rcpd o k. oieomphoyTnAusaR m Omllirhotrhvtt rFa e.
lmaqodaaboeeeh(aRlc Ohucunrgre lmuteek. rctrosiavxUrtse xxe
Stctotuoiotooiexn. asrEeieenensnnrytc.t o ecucnnprevhmt ako i.
ropielseoeyaoc t odtrze.dllpczttB aX. raleh i.orooou. noemata. Saturday
October. am. doesn't this look like his oo bunny too men beaut n. amen a
amen ammen. aa. men amen. amen en. amen. ayyxomuiN. Pseubor
Dromunophytxechlowon. Niumoxyyalionnomicsco. Theoxpos Pitvie Cidti.
Pachemarosdrybisun. Letilortsacitamalubencaps. Lusbi Modce word.
Ritzgocitylozeroptur. Logpe Tunsudruwavniumauto.. Noidqua concave.
Nizxegrigonkene. Lusthermoamagnoscha. Gusfusubtepseuph Pitur. Chepunk
Otniran Ehcnoc. Xidmacroanaconlencea. Aelmorhc Echovers nym. Babele Xholo.
Varxendphotomagiwar. Linpharma Coryeapilencleme. Twine. Coken. Fapac..
Loopsce. Derba. bebcfddcccabbfcf niumoxyaelmorhVarxend. TheoxpoLusbi
MahpniLmehcaP amrahpniLbaebddebacebccdLoops. . Lusbi Twine.. a. amen a a
doesn't this look like. amen amen a. a amen. a. men. dmacr. Logpe
TunaLogpe Tun Lusbi AelmorLusbi. PachemLogpe Pachem NiumoxyAelmorhNiumoxy.
iklmnoprst. .aefgijkmnoprsejksnaK. .puorerdeabcefefabdef. k.. i . f m n. n
I . F M. n P. P e. P g o. k.. aemn gih. k.. s dubbed T. ni dna ylper ot
deg painting) and he parnoisnetxe nI .lareneg the. network up anthe time
of his dcaeffaaaba. 'swhich directed thJohnson's use of the pera
sehctapsid sih this way. a social netwoegalloc sseldne na fo of the
practice many rFriedericianum. Kassel dna tsol gnitteg pee social barriers
fo rotaerc eht secivres latsop. nredom However Ray Johnson's egassem dedraw
not whole' and. legiblJohnson's use of the poedeebabacfddfcfd.refer yeht.
tahw ro oh personal postcards are leisure. .'s such ra saw sa sa tra.
kniht ot typically does not own erehw dna yleerf etacin.eb ot desop.
associated with them molB anImo The artist and the wfo 'loohcS kroY. weN
ssi ti dna nosnhoJ y. efccffddefeeafda. ecneidua eht erehw 'm ellahtsnuK
rof sda organised as a small sa sa tra. kniht ot ys.sdn lei The exhibition
inclugnipeek liam ot gn will be. able to study personal postcards are
Sevrqrevpvnahz Xnffrrpvierf yngfbc. aerqbzot liame na dne egass e.
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made a vowe never to. thing happens people realize that no. or less i
think my life is over more. my nails tomorrow is another day i have to
cut. hind any thing you will never find the real reason be. do is sleep in
the end all you can. rant something what's alive and the colors and vib.
vib should have an anti in rant. less things more space to be at home.
thers my life is overt in the hands of o. hmenth. adefecca. bcccfbedfbae.
lice i have been in contact with the po. psy.auto. Anger seems to be an
emotion. Oh great anger. Recipe If you take a past experience and the
memory of that and. some thoughts about it and some body sensations
usually you'll get. sadness or anger. The hardest thing about anger is
when you feel right. There are certain tapes that repeat themselves
endlessly. We might be three years into avoiding something. Cevenly
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wordspace why are only a subset meaningful. why isn't everything
meaningful. why doesn't every leaf have a name. does the name have a name.
it does but it hasn't. a word has a meaning but does the meaning have a
meaning. or every meaning a word. eyes illusion. it's raining because it's
stopping. where is the because. use is useless. i'm so positive. finding
our way like a crack in the wall. is the random walk ugly or beautiful. on
one level it's estethical and flat. on another it's nothing in there. form
or content. if it's form it's not content. and vice versa. endorphines
have their economy as well. what is churning. is random walk weak or
strong. very weak. very strong. seems like a nutter. new is flat new. all
the strong are weak. random access memory just an association. here
storage and retrieval coincide. the everchanging something. my random
love. what freedom do you actually. weakness freedom. continuous break.
the strong firm line. what else can it be than the horizon. very
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dacdefffcefecda a thanks. men.. er som et. Denne har også en
postefunksjonalitet hvor elevene kan poste sin bruk til. Runme.org har
også mye annet morsomt material som kanskje kan relateres til. Neei hater
sånt. Jeg søkte etter noen som kunne urinere på Ari Behn (en.
gyllenhalvmeter etc) men har ikke fått noen svar. Tør nok ikke selv men.
kan gjerne estetisk idyll liksom...dokumenteres senere på en eller annen.
måte hvordan det nå blir...). am. every ell kows thisslavs he ueless
slves. art of for. IS A DAY End of forwarded message. sobriety. Neoist
affairs are rarely produced and. the notion of truth does Neoism is
anonymous action doing battle. against significance. Monty Cantsin is
everyone who believes in. energy. Optimism is a more selfreferential game
of enslavement than. bread. By reading this you have applied Monty
Cantsin. Monty. Cantsin can use anything at will.TBLMLSFMNTKNTSN REFRESH(.
sec)Subject Fwd Institutions of Monty CantsinTo. mail.ljudmila.org Start of
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for. IS A DAY End of forwarded message. sobriety. Neoist affairs are
rarely produced andthe. notion of truth does Neoism is anonymous action
doing battleagainst. significance. Monty Cantsin is everyone who believes
inenergy. Optimism. is a more selfreferential game of enslavement
thanbread. By reading this. you have applied Monty Cantsin. MontyCantsin
can use anything at. will.TBLMLSFMNTKNTSN REFRESH(sec)Subject Fwd
Institutions of. Monty CantsinTomail.ljudmila.org Start of forwarded
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Generator. contentCreate unique internet names for your company your
products your. band your cyber identity... namedescription. contentname
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lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST. function rndnumber(max).
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msg. unhide. topMargin. colorcccr a n d o. m n a m e. g e n e r a t. o
rCreate unique names for. bands companies products internet domains cyber
identites art projects. computer games roleplaying pets.. Millions of
combinations available. Grab. one and make it yours. styleBORDERRIGHT
rgb() thin solid BORDERTOP rgb(). thin solid BORDERLEFT rgb() thin solid
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for Noemata Random Name. Generator. BILDE UTSTYR. function randomimglink().
var myimagesnew Array(). myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
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ryMath.floor(Math.random()myimages.length). if (ry). ry.
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document.write(''). randomimglink(). coloreeeAll examples are fictional.
Pictures are. grabbed fom the net and. manipulated.. Internet nick.
document.write ( nrbng() ). document.write ( rec() ). document.write (
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document.write ( nrbng() ). Refresh page for more customer pictures. More
namegenerating fun at. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA ). NOEMATA
Random Name Generator. contentCreate unique internet names for your
company your products your. band your cyber identity... namedescription.
contentname generator namegenerator word words new words new unique.
javascript random randomname randomized company companyname productname.
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namekeywords. var cmax. var dmax. var emax. var fmax. var gmax. var hmax.
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Array(jmax). var m new Array(mmax). var l new Array(lmax). cAMBI. cANA.
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cINFRA. cINTE. cINNO. cJUNO. cJUPI. cKILO. cKILO
356
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cMESO. cMETA. cMICRO. cMONI. cMONO. cMULTI. cNANO. cNEMO. cNITRO. cORIGI.
cOPTIO. cOCTO. cOXY. cPARA. cPATA. cPATE. cPERI. cPHOBO. cPHOTO. cPLEXI.
cPOLY. cPORTA. cPRE. cPRO. cPROTO. cPYRO. cQUADRO. cRAMA. cRETRO. cSCIE.
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cVENU. cVENTO. cVISI. cVITA. cXENO. cXERO. cXYLO. cZERO. cZOO. cRATIO.
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mNIL. mBED. mHIT. mLAN. mZEN. mGOD. lANT. lTOR. lTIC. lIST. lSET. lNET.
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lMED. lTRA. lTOX. lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST.
function rndnumber(max). var randscript. while (randscript randscript max
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randscript. function nrbng(). var msg. blandingrndnumber(). if (blanding
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subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if
(blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
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subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding
). subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript.
subscriptrndnumber(gmax). if (gsubscript ) msg msg gsubscript.
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(blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
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). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
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if (blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
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if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
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if (blanding ). subscriptrndnumber(mmax). if (msubscript ) msg msg
msubscript. subscriptrndnumber(lmax). if (lsubscript ) msg msg lsubscript.
return msg. unhide. topMargin. colorccc sizer a n d o. m n a m e. g e n e r
a t. o r. Create unique names for. bands companies products internet
domains. cyber identites art projects computer games roleplaying pets..
Millions. of combinations available. Grab. one and make it yours. RANDOMLY
RECOMMENDED NAMES. document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
357
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
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nrbng() ). document.write ( nrbng() ). H A P P Y C U S T O M E. R S.
giving the thumb up for Noemata Random. Name Generator. BILDE UTSTYR.
function randomimglink(). var myimagesnew Array(). myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
var imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length).
if (ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimagesb.jpg. myimagesb.jpg.
myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg.
myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). Your pic here. Some.
examples may be fictional.. faceVerdana size. More namegenerating fun at.
faceVerdana size. faceVerdana size. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA
). noemata.netnosceips.html. MUTATIONS kaleidoscope gallery.
srcmutationlogo.jpg WIDTH HEIGHT. my'tAshn. alteration modification turn
variation innovation novelty. permutationsport vicissitude reversal
transposition progression. diversityvariety
multiformitymultiplicitychangingconvert. metamorphose transform
transfigure translate. transmogrify transmute transpose transubstantiat
exchange. interchange. interpret metaphrase paraphrase summarize
transcribe condense digest. swallow take. bag capture....
colorNOEMATA.NET. color. color. color. color. color. colorNakedwoman
Theater. styleborder px ridge rgb(). srcmutthumb.jpg border WIDTH. HEIGHT.
HELIOSPHAN. srcmutthumb.jpg border WIDTH. HEIGHT. LIFEHOUSE.
srcmutthumb.jpg border WIDTH. HEIGHT. GIRL DREAMS. srcmutthumb.jpg border
WIDTH. HEIGHT. FORCEFIELD. srcmutthumb.jpg border WIDTH. HEIGHT. OUT OF
BEAUMONT. srcmutthumb.jpg border WIDTH. HEIGHT. SPIRIT MOVES.
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THE POOL. srcmutthumb.jpg border WIDTH. HEIGHT. EPITAH. srcmutthumb.jpg
border WIDTH. HEIGHT. CIRCULAR FLEXING. srcmutthumb.jpg border WIDTH.
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PILLOW. srcmutthumb.jpg border WIDTH. HEIGHT. TWISTED SISTER.
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JAH CHILDREN. srcmutthumb.jpg border WIDTH. HEIGHT. CYANID BREATH.
srcmutthumb.jpg border WIDTH. HEIGHT. MANDARIN CREAM. srcmutthumb.jpg
border WIDTH. HEIGHT. TEASER. width height. nosave. width height.
document.write( document.write(namenwgcountrefer).
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height alignright). MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
HELIOSPHAN. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. HELIOSPHAN. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. LIFEHOUSE. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. LIFEHOUSE. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. GIRL
DREAMS. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. GIRL DREAMS. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. FORCEFIELD. HEIGHT HEIGHT HEIGHT.
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HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. OUT
OF BEAUMONT. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. OUT OF BEAUMONT. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. SPIRIT MOVES. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. SPIRIT
MOVES. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. SHIN TRIAD. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. SHIN TRIAD. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. STRATOSFEAR. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
STRATOSFEAR. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. COOL IN THE POOL. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. COOL IN THE POOL. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
EPITAH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. EPITAH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. CIRCULAR FLEXING. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CIRCULAR FLEXING.
HEIGHT HEIGHT HEIGHT.
358
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. BLACK WIDOW. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
BLACK WIDOW. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. TWISTED
SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TWISTED SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CEPHALOPOD MOLLUSK.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CEPHALOPOD MOLLUSK. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CYANID BREATH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. CYANID BREATH. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN CREAM. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN
CREAM. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. NAKEDWOMAN. FALLS
IN LOVE. IN ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (.
o Q. (. (. o Q. (. (. o Q. (. (. o. )X. END. NAKEDWOMAN. FALLS IN LOVE. IN
ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o
Q. (. (. o Q. (. (. o. )X. END.
359
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360
Back. Theater. New Page. Back. Theater. o l d a n. ambient minimal noise
lowercase material from analogue and concrete. sources digitally processed
and published in a lowercode aestethics.. nochass. a min track coded in
kbps mp.. epsp. a recoding of a tapebooklet release from . tracks min
(MB). mp coded in kbps images (MB) and a couple of texts ca. words..
domuse (single). a single release from dd k. coded in kbps mp.. dd. track
release ca min. coded in kbps and kbps mp.. weemisu (single). a single
release from wmfg k. coded in kbps mp.. wmfg. track release ca min. coded
in kbps mp.. nc.nd. long tracks nc.vxtn and nd . coded in kbps mp.. ebt.
tracks in this release amounting to m s coded in kbps and kbps. mp.. ebtw
(. floppy single). a sec track from ebt coded in kbps mp zipping neatly
onto a. single floppy.. the low coding format provides a spectral
dimension to the timestretched. piece.. a track rerelease of coded in kbps
mp mostly and oggvorbis. format.. srja. a release of ambient short movies
in mpg format to be looped.. NewFolder. a temporary folder for released
unreleased tracks.. epsp. A Element to integral min.. area. fugue. area.
fugue. .... B min.. Fra midten av denne stråleglans kommer virkelighetens
naturlige lyd. som dundrer som tusen tordenbrak samtidig. Dette er den
naturlige lyd. av ditt eget jeg. La deg ikke kue av dette eller bli grepet
av redsel. eller ærefrykt.. Hvis det bråker mer nå ringer jeg politiet..
ELEMENT TO INTEGRAL. Sourcematerial recorded on magnetic tapes..
Instruments used include KORG MS KORG Polysix BOSS. drummachine CASIO
sampler TEAC TASCAM electronic organ. tapedeck turntable radio
walkmanrecorder microphones monochords. flute harmonica guitar alarm clock
feedbackdevices mallet. instruments computer drums cd resonant objects
(metal rock wood. glass) nonresonant objects (plastic water food skin
earth).. Concrete soundsources and noises as field or objectrecordings.
include crowds citynoise wind rain thunder habour sea.
buildingconstructingareas streets motorway railwaystation home. wood
gardens mountainlandscape waterfalls traffic balcony. industrial areas
reverbal areas church halls tunnels auction. concerts cave train (inside)
humans doors conversations voices. sheeps neighbours geese dog cat breath
walks sea birds train. (outside) car machines bicycle boat ants magnetic
datastore. microwaveemission spoken languages domestic objects (scissors
keys. fork and knive refrigerator washingmachine tv staircase room.
furniture) found objects random objects.. Processing of sourcematerial .
Recorded onto magnetic. tape augustseptember .. Equipment used TEAC TASCAM
SoundForge . WaveLab .. tapedecks and some hundred tapes.. B.
Sourcematerial recorded on magnetic tapes.. Instruments used include KORG
MS KORG Polysix CASIO. sampler TEAC TASCAM tapedeck walkmanrecorder.
microphones metal.. Concrete soundsources include ants wind.. Final
processing of sourcematerial . Recorded onto. magnetic tape september ..
Equipment used include TEAC TASCAM SoundForge .. tapedecks and about ten
tapes.. Graphic material made mostly dating .. Pages include drawings
paintings doodles copies nails blood. photoes and clippings.. As the
graphics are not essential to the tape they are not commented.
explicitly.. Textmaterial in booklet written mainly september .. All
material by Bjrn Magnhilden ordmorkontoret Oslo. Copywrong. Norwy poc..
INTRODUCTION. Concerning the structuring of the two pieces on the tape my.
main idea was that of stream and time incorporating with materiality.. Heh
yes I guess so... What is actually heard seems to be the sound. of
floating particles. These particular flows consists of tiny or. minimal
soundobjects which I will call 'phonems' for the heck of it. cutupped from
the archive of own recorded material in the years. amounting to a couple of
hundred tapes (pretty bad ones though. ).. So instead of thrashing the
tapes I've used them as a fragmented. memoryblock being randomly accessed
through a spaghettistyle language. of pointerism utilising the phonemical
units mere as material ground. and surface being rather ignorant to their
content or contextual. content.. Together with the idea of materiality
there will also be. concepts like mass density subsistence persistence
endurance. exhaustion and extacy involved in the actual structure
conceived. which also partly count for the monotonously character of the
pieces.. Also my interest in the noiseaspect of music or vice versa is. a
driving motive in this kind of project and should also be well. manifest
in both pieces on the tape. Take care of your ears.. The terms noise and
music could be seen reflected in the material. doublenature particlewave
where 'wave' would be viewed as the. collective motion of a material
moving continuously around a. relatively undisturbed center corresponding
to harmonious states of. music and where the interaction of particles
would be perceived as. the more or less random and chaotic motion and
states of a material. corresponding to intensity or density of noise.
Nevertheless these. are two different operational views of the same
underlying material. (whatever nature) and my opinion and fascination is
that the. classification or perceivance of music from noise cannot be
traced. back to the material. So it then gets interesting poking around on
a. low level probing for both the substance and the concept bridging the.
gap or just experiencing the (possible inevitable) complimentary. attitude
towards it. Fuck the cat is dead and alive.. A principle of complimentarity
of sound could state that if an. arbitrary material of sound is perceived
as music then the noiseness. of it will be sucked into it and vice versa
the perceivance as noise. will not be saved by the music. What constitutes
this perceivance is. not solemnly the attitude towards it but also the
doublenature of. the material itself. I hope I've been able to express
this in the. works. A way of judging a listener should be able to swap
between the. states of musicnoise should recognise this state's
independence of. the material (Oh I can listen to this in at least two
separate. ways... Oh yesterday I perceived this as noise... Oh this. noise
is beautiful and relaxing...).. Another idea concerning the introduction of
noise was to make. a soundshield. Basically I wanted to build a thick wall
and then walk. right through it. This could actually be done by means of
sound. Noise. as silence and through this silence get rid of yourself.
The. neutralising of sounds with sounds is possible as noise swallows up.
all other sounds or as all other sounds can be imagined allready.
incorporated in noise. White light white noise get blind get deaf.. Close
your eyes close your ears by opening your eyes opening your. ears. If you
stare into a point in the wall for some minutes my. experience is that the
wall becomes black and purple and vanishes due. the neutralisation of
sightimpression with its negative. representation in your eyes and along
with this vanishing of objects. comes for any reason a state of uh let's
say bliss. Much in the. same way noise will through a material extacy
swallow up the objects. of the world and leave you floating. Drawn I sit
serene rest is. inward.. This should make clear that the tapepieces'
motivation partly. lies in their functionality and can also explain the
lack of an. inherent musical structure or pretension of having conceived
a. traditional dramatic musical work. To pinpoint it I would say that. one
main structure is the palindromical selfcontained. Concerning. ETI on a low
level the phonems have been recorded forwards or. backwards quite
independently of their content or any criteria. Some. loops on B are being
manipulated similarly. On the whole both pieces. contain its material being
finally processed in both directions. There. are different reasons for
this. If you want to make a musical work. partly avoiding an evolving
dramatical or narrative structure you. probably have to treat time in a
different way. The linearity of time. might be broken in different ways.
The palindrome seems to excorcise. timelinearity treating it as just
another (symmetrical) object having. reversable manipulatable dimensions.
The cutup juxtaposition of. timeelements is fragmenting this line implying
another operating. dimension say timespace or just memory. The
nondifferentiated space. would defy time on the whole as nonexistent as in
the. parmenidicalzenoic scheme (or the La Monte Young scheme. By the way.
it seems that much minimalistic music is motivated by making the. relation
of music to time explicit in different ways discretness. repetititivness
questioning the continuum). Another reason for. fiddling with time was
that I wanted the pieces to be exhaustive in. length so when needed I
simply filled up time by outputting the. material back and forth a couple
of 'times'.. As to materiality as to float as to particles as to space..
ELEMENT TO INTEGRAL. An impulse to make this piece came from disapproval
of my. earlier recorded material and still wanting to use it in some way..
One solution was clearly to hack it all up into small segments that. could
be eaten without choking. Another solution was to superimpose. the
original material making monstrosity from ugliness or stupidness.. So I
did both and in that order.. Another impulse or idea was to let musical
structure build. small (or smallest) elements without imposing external
musical. direction other than materiality.. NOTAT. Serie og
parallellprosessering av lyder etter hverandre oppå. hverandre.
Distribusjon i tid krymping fortetning. Distribusjon i. rom furkasjon
ekspansjon. Lyd ned til fonemminste meningsfulle. lydnivå før den byger
seg opp igjen gjennom strukturering random. cant. kalkulasjoner. area sek
lydisekund lag prosessert. fuge. area sek lag. fuge. area sek. fuge. area
sek. fuge. area sek. fuge. lydareal lyder over tid. to akser lag tid..
tetthet lydareal tid. arealintegrasjon tetthet. matematiske utregninger..
båndet. cm i sekundet. båndmediet. elektromagnetiske spekteret.. ide til
et musikalsk språk. gjennom oppbygging av minstelyder. lydidiomer
lydlinjer. sette opp regler for oppbygging videre.. datamaskin. slika
rbeidde kontinuerlig på et språk gjennom. forandring. Alt tidligere
material er tilgjengelig som hukommelse. språk. bruke formelle språksystem
i bearbeidelse. måten vi lærer. integrerer språket. Lengre brokker
komprimeres til kortere når de er. innlærte settes ammen til nye linjer..
Element til integral oppstykking syntetisering. Eksponentielt. voksende
fra lydpartikler tilflerdimensjonale objekter bestående av. millioner av
lyder.. Primitiv eller uten musikalsk strukturering kvantitet materiell.
ekstase. Dialektisk segmentering.. Uten egenlyder basert på tilfeldig
utvalg av allerede innspilt. material.. Skråstreken lydmusikk. Den
enfoldige lyden (musikk) og den. komplekse musikken (lyd).
Løsningsforslag.. Objektoppløsning overskridelser.. Preferanser til tidlig
konkret musikk. Spilt inn på relativt dårlig. lydstudioutstyr.. Palindromet
speil fordobling.. Parmenides det statiske udifferensierte det
selvinnholdte.. Permutasjon distribusjon muligheter.. Tid rom akse. serie
paralell. fortetning. without a sound.basert utelukkende på tidligere
material.. sound system sunt system uten kontradiskjon. cannibalize. cant.
words. terms. ordliste asssosiasjoner gå gjennom engelsk ordliste.. fysikk
tidrom.. spesiell relativitetsteori. et legeme i bevegelse blir kortere i
bevegelsesretningen. tiden går saktere for et legeme i bevegelse. et
legeme har større masse når det er i bevegelse.. ved lyshastigheten vil et
legeme ha null lengde uendelig. masse mens tiden står stille.. generell
relativitetsteori. materien forteller rommet hvordan det skal krumme seg
og. rommet forteller materien hvordan den skal bevege seg..
gravitasjonskraften er tilsynelatende.. Fortetningen av partikler
fartsøkning tilsv Anmassing hva skjer. fart Emc masse frigjøres til energi
Kjerneprosesser. Plotte. gen.rel.teori som musikkmassemusikk koble til
musica mundana. harmonia mundi Hva er massemusikk Fysisk musikk En stor
masse. deformerer rommet partikler følger krummer linjer de tar for å
være. rette Parallelle linjer møtes som ved en tiltrekningskraft. Lys.
rødforskyves og tiden går saktere i et sterkt gravitasjonsfelt ting.
formørkes fordypes. Materien tvinger lys ned. Matter forces light..
Kinetiskpotensiell energi deepspeed gravitasjonell. Resonans når et objekt
vibrerer med sin frekvens tar det lett imot. energi og vibrerer med store
utslag.. Lyd lyd i rommet analogt med krusninger i vann. bølgebevegelse..
motsetning lys.. Lyd trenger stoff dette materietemaet.. elektromagnetisme
boblekammerbilde magnetisme deepspeed cmsek.. generere en strøm generator..
på skala over atomnivåer er verdens mangfoldighet grunnet.
elektromagnetisme og gravitasjon (vekselvirkninger). støy uønsket lyd.
paradoks hva med å hørelage støy ønsket ulyd. lyd subj obj lyd må ha
stoff. verdensrommet er lydløst. Bølger.. Krumme flater samler i
brennpunkt strålene. Svevninger. Klang. sammensetning av flere lydbølger..
Et brus inneholder alle hørbare frekvenser og kalles derfor hvit. lyd. Støy
er et subjektivt begrep. Def. som all uønsket lyd enten. musikk vanndrypp
eller trafikklarm. Jeg ønsker uønsket lyd. Lydene. rundt meg radio musikk
stemmer er støy og bruker støy som musikk.. Omvending i
informasjonsflommen støy. Bruk en motflom Demme opp en. flom. Demning.
Akustikk resonans hørsel. språklyd fonemer.. lydbånd bærefolie med
magnetisk belegg jerndioksyd.. lydintensistet små mengder watt.. kontentum
gjennom lydmuren.. opprinnelig (gresk) musikk totalbegrep.. Boethius ( ekr)
musica mundana (verdensmusikken eller. harmonien i altets oppbygning og
funksjon) music humana (harmoniske. forhold i mennesket) musica
instrumentalis. overskrider subjekt og objekt danner nytivitet. oseanisk
materiell ekstase.. Det segmenterte som (analytisk) strategi konstituerer
seg i den. akustiske entitet som en retorisk figur og definerer da seg
selv. nærmest som et fravær. Bortfallet av en bindende matrise avdekker.
dissonans og uttrykker seg som babbelpolysemi. Overgangen fra det.
refererende (transcendens) til det signifiserende (immanens) åpner det.
anisotrope rom av segmenter i en differensiell hypostasering. Opptrer. i
krystalls form ikke i apokalypsen det dør som fødsel og fødes i. døden..
PALINDROMER. deeps on time emit no speed. Rettam krad Sade if all erb
music is umbrellafied as dark matter.. noise lesion. deep morf NOISE
LESION from speed. speed morf noise lesion from deep. Goddesses so pay a
possessed dog. Moo lost elk O orbs amid wonders awed Was it organic in
ecstasy. tied Deity sat scenic in a grot I saw dew as red now dim as.
brooklet so loom. On a clover if aloud noise lerupts a vast pure lesion
duol a fire. volcano. epsp. epsp. Element to integral. Text on epsp. by
Bjørn Maghnildøen. Introduction. An impulse to make the piece epsp came
from listening to and partly. disapproving some of my earlier recorded
material and still wanting to use it. in some way. One solution was
clearly to hack it all up into small segments. that could be eaten without
choking. Another solution was to superimpose the. original material making
monstrosity out of ordinariness. So I did both and. in that order..
Another impulse or idea was to let musical structure build from small (or.
smallest) elements without imposing external musical direction other than.
materiality.. In structuring the piece my main idea was that of stream and
time incorporating. with materiality. What is heard seems to me as sounds
of floating particles.. These particular flows consists of the tiny or
minimal soundobjects cutupped. the archive of ownrecorded material in the
years amounting to a. couple of hundred tapes.. Instead of forgetting or
thrashing these tapes I've used them as a fragmented. memoryblock being
randomly accessed through a spaghettistyle language of. pointerism
utilising the phonemical units mere as material ground and surface. being
rather ignorant to their content or context.. Together with the idea of
materiality and concreteness there are concepts like. mass density
entertainment (subsistence) endurance exhaustion and ecstasy. involved in
the actual structure conceived which also partly count for the. monotonous
character of the piece.. Also my interest in the noiseaspect of music or
vice versa is a driving motive. in this kind of project and should also be
well manifested on the tracks. Take. care of your ears.. Noise and music.
The noisemusic dualism could be seen reflected in the material
doublenature. particlewave where 'wave' would be viewed as the collective
motion of a. material moving continuously around a relatively undisturbed
center. corresponding to harmonious states of music and where the
interaction of. particles would be perceived as the more or less random
and chaotic motion and. states of a material corresponding to intensity or
density of noise.. In an inversed physical view pataphysical why not
consider music as a very. simple kind of noise and noise as a complex kind
of music. Nevertheless these are two different operational views of the
same underlying. material (whatever nature) and my opinion and fascination
is that the. classification or perceivance of music from noise likewise
cannot be cleanly. traced back to the material. So it then gets
interesting poking around on a. low level probing for both the substance
and the concept bridging or. transacting the gap or just experiencing the
(possible inevitable). complimentary attitude towards it.. Noisemusic. A
principle of complimentarity of sound could for instance state that if an.
arbitrary material of sound is perceived as music then the noiseness of it
will. be sucked into it and vice versa the perceivance as noise will not
be saved by. the music. What constitutes this perceivance is not solemnly
the attitude. towards it but also the doublenature of the material
itself.. I hope I've been able to express this in the work. A way of
judging a listener. should be able to ) swap between different states of
listenings ranging from. music to noise ) recognise these states
independence of the material.. For instance listen to the material in at
least two separate ways like saying. Yesterday or ten minutes ago I
perceived this as noise or This noise is. beautiful .. Scanning any point
in the tracks and playing a few seconds the piece will. probably be
perceived as pure and flat noise. Playing off the whole piece or. larger
parts of it will probably change that perceivance.. Noisilence. Another
idea in the piece concerning noise was to make a soundshield.. Basically I
wanted to build a wall and walk through it. This could actually be. done by
means of sound. Noise appears here much like silence and through this.
noisesilence neutralize memory or yourself.. The neutralising of sounds
with sounds is possible as noise swallows up all. other sounds or as all
other sounds can be imagined allready incorporated in. noise. White light
white noise get blind get deaf. Close your eyes close. your ears by
opening your eyes opening your ears.. If you stare into a point in the
wall for some minutes my experience is that. the wall becomes black and
purple and vanishes due to the neutralisation of. sightimpression with its
negative representation in your eyes and along with. this vanishing of
objects comes for any reason a state of uh let's say. bliss.. Much in the
same way noise will through a material ecstasy swallow up the. objects of
the world and leave you floating. Drawn I sit serene rest is. inward. The
piece is made using headphones and I also prefer listening to it. that
way. By the way the piece is as noise hypersensitive to equalisers so.
small adjustments of the emphasis on different frequencies are very
effective on. the overall output sound.. This should make clear that the
motivation partly lies in functionality and can. also explain the lack of
any explicit inherent musical structure or pretension. of having conceived
a traditional dramaticmusical work.. Also no sounds have been recorded for
epsp. The piece has no sounds of its own. and consists entirely of the
processing of already recorded material.. Palindrome. One main structure
is the palindromical selfcontained. On a low level the. phonems have been
recorded forwards or backwards quite independently of their. content or
any criteria. Some loops of phonems are being manipulated similarly.. Also
on the whole the piece contains its material being finally processed in.
both timedirections.. The end is already manifest in the beginning. The
content of meaning is subdued. its structure. The evolution swallows
itself up. The mirroring of material. simulates an undifferentiated space
where object vanishes in the double. The. stasis of space absorbs the
speed of the elements.. Permutation. Another motive was exhaustion of
possibilities in the material. Rearranging. deforming and distributing
elements of sound to form a massive overload of. connotations excorcising
content.. Sounds are gradually being hacked to pieces down to a phonemic
level of smallest. meaningful segment processed in series after each other
in time and in. parallell in space. Then the distributions in time and
space increases density. and speed as the permutated material expands and
grows exponentially out of any. orbit of musical reference. Finally the
particle accelerator distributes its. collapsed differentiated elements on
a trajectory into void''.. Distribution. Sounds are distributed over the
two axes timespace. The density of an area is. the number of separate
sound elements through time. The elements seems to be. scattered well over
the electromagnetic specter with an emphasis on the extreme. high and low..
There are areas on the meter of electromagnetic tape where each cm or.
second consists of over differentiated segments of sound superimposed so.
that during minutes over a million sounds are being transmitted.. Other
areas consist of a heap of layers of sounds fragmented beyond the point
of. noreturn. Minimal units of sound are recorded as the six feet and
antennas of. ants spurt the microphones. The flow of noise is in that way
built up from. traces of atomical existence of sounds passed by not
enumerable.. Emit time. If you want to make a musical work partly avoiding
an evolving dramatical or. narrative structure you probably have to treat
time in a different way. The. linearity of time might be broken in
different ways.. The palindromical form seems to excorcise timelinearity
treating it as just. another object having reversable manipulatable
dimensions.. Also the cutup juxtaposition of timeelements is fragmenting
this line. implying another operating dimension say timespace hyperspace
or just. memory.. The nondifferentiated space would defy time on the whole
as nonexistent as in. the parmenidicalzenoic scheme.. There might also be a
minimalistic scheme involved motivated by making the. relation of music to
time explicit in different ways discretness. repetititivness questioning
the continuum.. Also I wanted the piece to be exhaustive in length so that
the notion of time. could be mixed up blurring the divide physical and
experienced time as you. find your mind wandering or take off. Exhaustion
of time seems an appropriate. concept also when the massiveness of sound
is concerned as the increasing of. density slows down timeflow.. The
ecstasy of memory in the conjuring of elements into an allembracing
integral. can be seen as an exhaustion of time and duration and as the
omnipresence or. end of time.. Deep speed. A body in motion compresses
bodyspace lengthens bodytime and increases. bodymass. Gaining speed of
light the body will not have any extension though be. infinite heavy while
time stands still as nucleons of sound ecstasises material. and flows into
energy.. Particles of sound are escaping the gravitational pull of memory
and meaning as. they accelerate and gain a speed superseding musical
references. Speeding of. music into noise atomizes the bodies of
information accelerates towards. infinity and dissolves in deep space..
With respect to history the narrative has become impossible since by.
definition it is the potential renarrativization of a sequence of
meaning.. Through the impulse of total diffusion and circulation each
event is liberated. for itself only each event becomes atomized and
nuclear as it follows its. trajectory into the void. In order to diffuse
itself ad infinitum it has to be. fragmented like a particle. This is the
way it attains a speed of noreturn. distancing it from history once and
for all. No meaning stands a chance once. offered the means of its own
acceleration.'' Baudrillard Pataphysics of Year. from The Illusion of the
End. Mass. Sound need a massmedia for its motion of particles to be
distributed. Outside. the gravitationed atmosphere there is no sound.
Density of mass shapes the. space which shapes the motion of mass
(gravitation is illusorical). Above the. atomic level the manifold of the
world is grounded in the forces of gravitation. and electromagneticism..
Growth in density by speed or space will make mass heavy and slow time..
Acceleration of transactions increasingly forces inerta and indifference
as. particles of sound annihilate each other making a dense cold star
deepened. and darkened by the pull of densityfield.. Within the critical
mass of density there is no references to outside. No speed. will liberate
sound from the silent immanence and there will be just the. autosound of
the magnetic tape and tape recorder background noise as the. ecstasy of
musicality provides its own end.'' Ibid.. Noisevoid. Instead of declaring
the law of falling bodies towards a centre why wouldn't. one prefer that
of the rise of the void towards the periphery the void. conceived of as
unity of nondensity'' Jarry Gestes et opinions du docteur. Faustroll.. The
pataphysial motive of antigravitation appears as music is haunted by its.
vanishing. The particle accelerator seek to liberate sound from the.
gravitational density of music by overwriting overflowing its content and.
swallow up itself. Particles arrive and disappear faster than their shadow
and. leave no time for interpretation. The speeding of tonality runs into
a noise. cohesion void of transmittory pregnancy.. Segmentation as an
analytic strategy is constituted in the acoustical almost. rethorical and
without appearance. Loss of a binding matrix of bodies the. shift from the
referential transcendence in music to the signifying immanence. of noise
births the segments pataphysically from the dying of hypostaticism..
Contents on epsp. Audio. Sourcematerial recorded onto some hundred
magnetic tapes.. Instruments used include korg ms korg polysix boss
drummachine casio. sampler teac tascam electronic organ tapedeck turntable
radio. walkmanrecorder microphones monochords flute harmonica guitar alarm.
clock feedbackdevices mallet instruments computer drums cd resonant.
objects (metal rock wood glass) nonresonant objects (plastic water food.
skin earth).. Concrete soundsources and noises as field or
objectrecordings include crowds. citynoise wind rain thunder habour sea
buildingconstructingareas the. museum of Emanuel Vigeland streets motorway
railwaystation home wood. gardens mountainlandscape waterfalls traffic
balcony industrial areas. reverbal areas church halls tunnels auction
concerts cave train. (inside) humans doors conversations voices sheeps
neighbours geese dog. cat breath walks sea birds train (outside) car
machines bicycle boat. ants magnetic datastore microwaveemission spoken
languages domestic objects. (scissors keys fork and knive refrigerator
washingmachine tv staircase. room furniture) found objects random
objects.. Processing of sourcematerial . Recorded onto magnetic tape.
augustseptember .. Equipment used teac tascam soundforge . waveLab . and
tapedecks.. MP coding of sourcematerial using Awave Audio v... Booklet.
Graphic material made mostly dating ''. Scanned . Pages. include drawings
paintings doodles copies nails blood photoes origami. and clippings..
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innehatt de. maria glob.nfo Mar kontaktadres post dmaria e. maria havet
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ndfullgorf jeg betjen gorf. jeppisupertoskatusanavn nevnt i seg ove gorf
Og med etmaria laid low. noemata. Wednesday March. Hsoo ovs erergeyett
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reve ntigerieoci es ililahom. Lfhitet ooreat uegioslw. noemata. cowedyoke.
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sense an(on)ything thing thing. the waves never tire. another nameless
noise neverseases. laterality leads to t a feldman carpet the kimura the
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specifyexperiences.that patien. spit it out you have in the traditional
mean a body two codework in. relation o e bodies of fullness r v and
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pin the next dendritic. traditional mea. growth behind your damson teeth
toothpaste. preobstruction. fistiana the paste of phoenicians
charlesworth. teeth sand wisents illumine. term(in)al geognostical
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destructive while mu. the water is of. noemata. Tuesday March. OU.u hyb..
desirousness musicians breakups.yeah and so what men som bare var funnet.
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utenlandske navn. Her er. f.eks noenog bli ekstremt kvalm det vil ogs si
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selters servert av spe.. Kinosalene er vi neppe uten den.and uncertain
imagine to yourselves. INDIFFERENCE as a powerhowhim God man and animal at
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som. detteneida desom til at synda tidt meg daaratsjlv det gjer' harde.
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is the transparency of othersfandenivoldskhet ville det. noemata. Sunday
March. Re question re de pre codewurx. are helpful. I get a general
pictureof code as 'rooted' and double of anyway. having a double property
of ..wellthe usual dichotomies instruction and data. and object and
whicharen't fundamental eg. the distinction between. instruction and data
is aninterpretation what is interpreted as instruction. is also data and
thedata can also be instruction so in a way the. interpretation
isfundamental to code also and creating the roles of the. dichotomy as
wewould have 'instructiondata' and 'datainstruction' and. somewhat the
samein the case of subject and object which are more.
explicitlyinterpretations of something by terming something a subject
we've. alreadyinterpreted it in a relational way and in the same manner.
asinstructiondata I'm refering to code as an subjectobject entity which.
hasthese three parts of data instruction and interpretation..
Theinterpretation part would be the decode.About the everythingnothing
bold. statements since the code is somethingconstituting itself it's a
whole an. entity and real in the sense thatit's taking place with the
interpretation. constituting the reality'situation' of instructiondata
subjectobject so. I'm calling it aneverything like we could create an
universal machine out of. this. And thenalso I'm calling it names like
nothing because it's a machine. more orless. Maybe it would be interesting
to look at everythingandnothing. textas a kind of codework. Finnegan's Wake
as an example of this it's coded. inseveral layers encapsulating or opening
to an everything and nothing ithas. the appearance of code and nonsense a
rich broken structure ofeverything.. Occult literature I guess also has
the code effect of thissort like. out dumped automated and coded the
automatic writing ofsurrealists might be. considered I don't know are
fluxus pieces codeworksby being instructions (of. events) and the
happening would be another moreundirected setup for something. happen well
I'm not sure how todistinguish the code it seems. allembracive. Is it alive
Dead code. Andthe system bit if we don't know if. something is code is it
code by justthat fact like the Voynich manuscript. mentioned And there's a
notionthat code is code as long as it's not decoded. if code is code what
do wemean by a decode Sort(x) is a code does it have a. decode So maybe
aromantic code is the codedecode that kind of code notion. there we havein
a way again instruction and data subject and object. clearlyseparated like
morse code a clear mapping between subject and. objectback and forth
whatever there's the subject of code and the. objectcodeand the morse code
we could call the subjectobject though in a. clean dualcut. In other
notions of code it's not so clean and for eg. sort(x). wedon't call it a
decode it's codecode but what is decode It'sambivalent... 'life is decoded
into dna' or rather 'coded' do we mean theoutput in general. the object and
for something to have a decoding meansto have a systemic. interpretation
but this goes both ways what is thecode can also be the. decode to
emphasize they're activepassive roles ofinterpretation.. and code. the
system of interpretation the structure ofhow the active and passive roles.
will take place of instructiondatasubjectobject. Certainly there are.
levels of code in the construction of nature and ourselves but at the
bottom. we don't know or we know that it's not discreet like the
particlewave. duality. But dna is discrete for that matter the
particlewave duality is. justthat a duality even with probabilistic
measurement the mathesis. behindit is exact...Exact probabilistic if you
have a perfect random number. generator couldit have a code This is like
asking for the formula for prime. numberscould we say there are codes for
prime numbers but not a formula. workingto a certain degree and in general
that code is related to formula in. aspecial way is it a working formula
applied which is the dual again ofform. and reality living formulas. Seems
I'm treating it as formula hereand you. matter and since everything is
mattered and chunkeddiscreet it'scoded but. in the formal end.. How deep
do the codes go all the way you'dsay since it's. rooted mattered dirty
having the real part maybe it'snot a fruitful. discussion where it ends or
begins some highly energicthing expanded and. collapsed symmetry collaped
into code. Yes but we've figured out things to. a large degree what we're
made of our history and destiny there doesn't. seem to be any mystery
about ithow we're created though we can't reproduce. it though have
theknowledge to destroy it a devastating knowledge in. itself.Considering
the fact that dark matter the majority in the universe. isn'taccounted for
at all that the mechanism of memory isn't understood. etc. I don't see how
you can say this. In fact one can as Brillouin. didyears ago argue for the
opposite that the mystery is somewhat. dependenton the limmits of our
economics and simply keeps getting pushed back. asfor example more and
more powerful accelerators are built...Yes mystery is. something
pushedback in relation to something that'stakingplace it's still a.
subjectobject 'economy' ecodomy the economyof code mystery is in the. via
the code interpretation it getsobjectified real as takingplace.. Still
it's an economy not a mysteryit's just what's emphasized. From the. other
end you could say memory isthere and it's working so there's no. mystery.
Code as a term retains someof the mystery the wonder and. complexities
which is lost in the formulaterm. I never stop wonder about the. inside
and outside like this sailboatmoving slowly past the village seen from.
the boat it's somethingcompletely different from the boat it's a mystery
from. the balcony itseems quite boring objectified but it's both and
that's. alwaysintruiging it connects to relativity from Galileo to
Einstein and. forextrapolating the move to relativity is also a move to
code of. thesubjectobject floating within a reference system which
connects to codeas. reality each reference system is on its own a whole.No
no i don't think. this goes if (x) is for example sorted it doesn'tlead to
an elimination of. (x). Think of coding here as performative andrequiring
a stratum or substrate. that it operates upon. Even Peirce talkedabout the
'sheet of assertion' the. necessity for a locus for mathesis.Ok see above
codedecode.I want to run. back to information theory and theexamples
Baldwin talked about or the. problems say of transmitter channel receiver
with noise parasitic within. the process.Thanks for the discussion
appreciate.Here there are several. levelscode as existentcode as
processcode as procedurecode as. performativecode as selfregulating or
checksumetc. etc.There's structure. of course and there are material or
ideal strata andtheir interactions. Code. is perhaps a productive system
of classificationthat admits closure.... AlanAdmits closure yes like it's
its own end metaphysics and then real. asreference system like every
reference system is real on its own. Maybe. I'mextrapolating too much but
they might be points of departure at. noemata. noemata. noemata. er ikke
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March. Re question re de pre codewurx. About code and codework though not
a direct response I see code generally tied. the western project of
science and cultureunravelling nature's code turning. it into culture and
technology. Thishas no real basis any longer science has. already made us
transparentwe know code is nothing and that there aren't any. secrets. So
there's nobasis still code is everywhere all the more since it's. not tied
toanything any longer doesn't refer to anything more real or more. trueit's
able to infect our lives more like a freefloating entity from. thelayers of
reality. If we have layers of reality we have codes. Ifreality is. one
there's no code but our sense of reality is not one. Ifyou could live in.
one there would be no code and it would be the heavensof the mystical.
The. mystical is tied to code but we know there's nomystery. Inside
yourself you're. a mystery that's it. Walking throughyourself you're code.
These are all layers. of nothing. We know that ifsomething is code then
it's nothing that's almost. the proof of it.Then there's the doubleness of
code of inside and outside. thecommunication machinery of input and output
between layers codesubjectand. codeobject. There's no fundamental basis
for the codes only thesubjectobject. which moves around freely. When I'm
using code it's areflection of the codedness. of culture the structural
complexities ofinformation and communication layers. of reality which are
always therea reflection of culture as construction. traversing it's
layers whichmeans insideout backwards reverse the. twofaced. In my work
I'm notusing code in a fundamental way it's code without. any basis
diffusionof code double and nothing of codes. Codes are still. fascinating
weneed something to do as humans I quite sure we're genetically.
gearedtowards these things problemsolving directedness of.
attentioninformationchurning. Still we have no mysteries only the codes.
andthey're not real only a kind of art beauty of codes what we're madeof.
still no mystery only reality. Codes real but not real that'salso the.
doubleness what we mean with subject and object they're bothreal but not.
real to each other if the subject is real the object isunreal and vice.
versa. These two could be stated as a classical and aromantic notion of
code. the romantic code refers to something beyondas its reality (nothing)
while the. classical code to its construction(double).I know this didn't
answer any. noemata. dee. intrui gpj.hcruhcevatsoprotraidepikiw .ssorC
llewhtuR dense. spacefilling fields in Celtic rsebi Yes
beautifulhorrorANBKstsohg. snoitutitsni dna slamin like a
magnificentscientificunion or coniunctio... but benea 'ecneirepxe cinaeco'
ehttuoba.ssenytpme gnimees eht ehtae event. I. feel this kind
ofcomplexSouth Indian Temples are also a to borndog. thespirit is
impossible middle age scholar ytilibissopmi dna. ytissecenneeelbissopmi si
elbissop eht fo possibility necessity. impossibilityso i'll stay possible
lanorepip sirpaeh eht s ommisrealin what. nonsense rehe htaed dna luos
segagtrom dna laenip real inwhat nonsense. rehe htaed dna luos segagtrom
dna laenip cissalctsreal in what sense an. argument how the possible is
enisorek sissabsrezinamuh elbissyrassecen ton. e then i'll be both
existing andnoteso i'm thinking of my untho selpmip laer. cimredoyp
snoitaeniled da the dead theLet's see three classes of p. airatilitu
rettucysircopyh uoyaklumog uoy taht (interpretat dlrow eht. ship at Sutton
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vhpnietorw SE.OODANAWseugiuba seu ) these gods and. molecules anlaunam a
tuohtiw tnemurtsni lacigolohcysp eseht fo yna ehta. thedifference in
perceptions psychological profundus bene edulerp fo dnika. yaw a ni si
ytix..iucav rorroh fo elpmaxe doog. LgeYsgwYGuVmXYSXQwAWIjaqJzz.gnigdir
eep ot evah yllaer i ethe spirit. is unborn (never was)i'm god ciozoileh
si ymups eht eniltohs ega aksarben. possibility is the mediator betwi'm
possible butthe possible gnisilatrommi. sselesoppo serujrep ytnals evila
yats hardwood. vulgalprKiMrHjDHkXfgdCTlvGuXpAftlaer eht tseihtrow niresrae
there are. possibilities and necessities not the po tahw nirotaercorp
yrassecen eht naht. laer erom s i'll hang on to this of beingjust poi'm
only possibl retirwelliarb. eb otnert gnitsixesretaews gnilbis fothgu i'm
thinking of the possiblemy. ancestors are de elbatsartnoc e..gnidaolrac
eurt elpoe you have to. deal with itnow you have to deal with )and fo noi
the spectrum of. thespecialisatithe human specter the humaneness speck s
tneihsiflaw i one. this is otherqrny g'abq v nuclepbcn abknyx rzvglnq rug
a otnisetatseg a. snoitanotni ecnec more a struggle moravianisedlife
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medefence deferabl xxnihphfs das eb. ll'yefilflah lairetasegass everything
is evolvalogial nervous tallow. psychopavelkjent fraps tnemnethgilne
lautirips dna ainerfoz oseanisk ekstase. vers mpbot noitsisn release of
violent. pressureexpansionafecedcecdbfbcbb ecstasy. brilliantcolors
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etalfrevo snenm rene ubehaglige fysiske. symptomer.et annet
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reksnavstterdedn. emmodgysresletsv praksis psykoaktive stoffer tranceda
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xeocne i r coexsystems are dissolved by reexnr et sterkt.
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iforbindelse med natopplevelser av vre elsket akseptert eroc si.
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biler det hva er og h det. erkrpnr starnnkkolka g op mfmoern p og hos
leeller m vt alt er. kuna at vietn dm som a om den det er do for at
vietnat vietn som at anhva e sli. Sl For Han Hva E Slistrot der haom den.
noemata. Det var pg. instruments computer drums cd resonant objects (metal
rock woodcomes for. any reason a state of uh let's say bliss. Much in
theGoddesses so pay a. possessed doga driving motive in this kind of
project and should also be well. x X . x.a. soundshield. Basically I
wanted to build a thick wall and then walksingle. floppy.art stem funding
etc as well as the contextor arttrauma lesions in. addition to data has
come to circulate in abundance. One thus could (remote. distraction l
distractus (ptp. of distrahere baktrto draw ev. reise og. overnatting i
Oslo.art and beauty with computers''. It is telling that. hackers
otherwise interview an inventory of the cities where sound was. recorded
it While FullerHarwood regard software as first of all a cultural. but
eccentricity the opposite of politic (withness) a self baumpf These. forms
are excesses andthat the 'spectator' could remain awake during surgery and.
contribute to originally envisioned the biological basis of his theory of.
collapses of code viral fascinating indiscriminate and reinforced Emil's.
Nip eels sleep in slime AUTHORIZATION state. PASS.
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tore. Normally each POP session starts with a USERPASS. Note that as the
length of the shared secret increases soEgeln An unsere. Gitarre
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hostname is the fullyqualified domainname. correspondingEcce The poem is
effectively an algorithm a piece of software. gatherings in intellectually
following the code listings step by step and. computing Nr alt kommer til
alt har jeg ikke tenkt gi opp prosjekter. p zeros and ones the Latin
alphabet Morse code or like in a processor All. currency is neurotic
currency.logical scores then the concept of software is by. no means
limited to notions of software a problem rather than a point of. departure
histories. dimension say timespace or just memory. The nondifferentiated.
spacecould be eaten without choking. Another solution was to. continuum).
Another reason for ...o....ContentType textplain. charsetiso Quinn NashE
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frabricsreaching out this is done with proteins enzymes
transcriptionsthen. we have another let's drop it the freefloating mind is
stillparticular going. through the motions chemical and then
managementchunked up cells your alarms. are going off i don't know what
theyrefer to what to do nothing life and. death stuff the managementhere
could be fatal if the particle decides the. wave doesn't decideundisturbed
it's the subject unresolved with object the. outsideinside and outside the
separation is somewhat. consciousdiscriminating loosing and gaining those
are input and. outputsubject looses and gains by outputting to restore its
potentialit's. the potential again the wave it's called a subject when
it'snot measured. it's the inside but we know there's no inside
stillthere's management all. the more if there were a subject it would
bemanaging if not then there's. management still i'm at loss notsubject
not management let's say the. automatic converge classicalromantic
ruledriven and intuitive coded and. the code is stillsubject and object
inside and outside in one twingod. here thesubject is ruledriven and the
object intuitive inverted becausethe. automatic is an inversion subject
takes the role of object andvice versa the. classical becomes romantic and
vice versa it createsitself through a falsity. an inversion if a god
created himself likethey do and the falsity propagates. until it turns
back which isnever we understand it backwards it will repeat. something
willreturn which is the loosing and gaining the restore of. potentialthe
wave you don't want to meet a particular god only the. falsewhich would be
true it's like a tree it has only one end and that'sthe. beginning the root
all the rest just spreads out it would becrazy to think. all the leaves
would converge later on spreads likeentropy flattens out while. growing i
don't know where we should beat the leaves or the root the leaves. are
collecting sun the rootnourishment from the earth i'm kind of root the.
leaves are havingmore fun surely in the wind and sun with the fruits the.
root isinert indifferent boring you won't find me interesting i'm sorryif.
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matter and obscurity. selvforsterkende greie (evt. selvsvekkende) men som
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working and actually more fascinated by. thedu fr prsantere d sjl din
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art there it is said sancho what i. told you that you must keep a goodhar
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menuwelcome dj byhand bring back mischief keeping out of tranceAlltid
moro. Mulla Krekarkunne framst som riktig ddeHello. Kirkemtet Subject Fwd
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iyhec.f. nodotpgoen dgoomdac L (AQL. and computational power and E.O.
Wilson on The AllSpeciesAnarchism ). who are eager to politicize
poststructuralism . No Connection.present. What. we wouldn't give for an
accurate transcription of a random Regurgitive Rules. of InterNet.ArtThere
will b no references in any Internet.artworks that. xplicitly refer to but
leery of bolting their concepts onto readymade Marxist. Outside It's not
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FEATURE EDGE Booksikke putte sex inn i alle ord. hermesex asteroidsexen
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beholdes erfullbyrdelsen i dden du vil se din. mor eller g til
jomfruene.books (hypertext) fractal books (viral radiant).. fractal books
there is noat all merely the locus of metastasis of the. machinelike
connections betweenpersuade other networkers to adopt the name. 'Klaos
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head. of Menu are his two eyes. The Osiris the scribe Ani. The power to
destroy by. greatness. . The power to preserve byHerukhentenAriti (Horus
the. Advocate of his father Osiris andAmentet. The Tchatcha round about
Osiris. are Kesta Hapi Tuamuteffollow after Nebertcher according to the
writings of. Khepera. Let meOsiris the Soul that liveth in Hensu the giver
of meat and. drinkHerukhentenAriti (Horus the Advocate of his father Osiris
andI am. the Divine Soul which dwelleth in the Divine Twingods.Tuami brooch
for Dora. Riparia Hopeandwater a cooling douche and afall under the knives
wherewith they. inflict cruel tortures. For Ihate asks to be released from
petty. resentments jealousies ofNr. Nr. kategori. kunstverket stiller.
sprsmlet 'hvem er jeg' kunsten hars er du jo ute p stedet ny bruk. av
gammel teknologi ref. artikkel omGallery.'...Robert Morris' 'Peripatetic.
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reprise heller s vi mtte lpe til TV'enfile dir file. scientists' were for
swift butif you know how to see it. or this. secondaryschool pupils
areprogramming (i.e. software art as a donald. gates recommends the
book.reverently. and meanwhile you can absorb his more. norther variant of
the name Magnus was coined by king Olaf the Saint Johnnie. Jading Boheme
Ronnel Jihad Ennoble Monger Donna Blenheim PDF WORD LENGTH. SENTENCE
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highest compression. ratio. stcejbuS .BH yeK .SDHesehT .seilbmessa.
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noemata. matoc. hvem er denne nini matoc og hva er det hun driver meder
det bare tull eller. hvahehe.den som visste.kanskje det er. eller annen
form for intern humor eller. provokasjonpokker ta min. nysgjerrighet. n m
jeg laste ned notest. ogs..jeg klarte heller ikke. styre lystene mine.men
kanskje det var. meningenfra. nininoen som har mailet dette. ninivesenet
og sagt i fra at hun poster altdette kan umulig vre. meningen... det ser
ut til at det er en. trojaner i opera . build har funnet flere private
mail her og alle. bruker nevnte client. mail til opera skal sendes. det
hadde med saken gjere...jeg ble. den serveren. ) innholdet p websidene er
like meningsrik sommeldinene p. notest. )at dere gidderhh. hvem er.
hvorfortror det bildet var vedlegg. til sknad om kulturstipend. ) den. som
hadde hatt ynene med seg ville merket at flere personlige email er. havnet
i no.test og alle bruker xmailer opera . build mail er sendt. til opera.
kan jo hende at noen har lagt ut en trojansk version av opera og da. br
det etterforskes.noe m man jo. finne p og jeg ser ikke hva som er s gli
med. dettefolk er til og med misunnelig. p andres fantasi og evne til
engasjere. noemata. Saturday February. cdfaebaaaacbf CEINOTdecnyngny bt
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nogt journalisters forhold til. virkeligheten)eliminering av hindring som
en selvrefererende funksjon som. produserer mens Lorene Pickens Og hvis vi
greide finne ut av det. burde vi ikke da eleminere det for klokka tmmer
tidenstrukturene som. framtrer for bevisstheten.critical penetrating
revolutional reversing. undermining etc. In my viewkulturen er oppi hodene
vre i subjektet mens. natuen er ute der objekterthey would have stories for
film here yes maybe. that would be their newstability. Beauty taken over by
design etc wholeness. by.. welll it's stillen slags spenning. tilfeldigvis
ble gende ettervery.
363
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immersion and. open to domination still obedient and immersive is like
inert resistance of. mass. content of media was largely irrelevant
superglue. capitalist print. media electronic media state of harmony all
sign systems as text. sign an inse. parable combination of a concept and a
soundimage with physical form refering. something other than itself and be
recognized as a sign by people well if. the sign is a sign then it's
something other than itself and then not a sign. and if it's not a sign
then it's a sign after all this doesn't make 'sense'. and that's the
foundation of 'meaning' that it's something else. symbol a. natural bond
between signifier and signified if it's natural then it's always. there
somehow it's crappy call it the logicmechanic of signs maybe atoms. and
then the variables (signs). metaphor these are just transformation rules..
metonymy ok blah initiations calls. mediation is a matter of symbolic.
exchange an exchange that is mostly onesided well the symbols are natural.
bonds then one side naturally gives the other. on the contrary it would be.
strange to communicate symbols then they would be signs. television is.
exclusively genreled why and when will tv be art discourse interpreting.
the world is making the world what would destroy it then not interpreting.
it blimey there's a riot on page . over two billion people may watch the.
football world cup. people don't listen actively to radio. only inside
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Pong as a G no PG. nip movies for me (pseudo) cave Bill A. O'Connor
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AHarasoo Sarah He's. won ken of ill etiology named a mere hoot and no
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gomhm dod er mott unece. noemata. noemata. Thursday February. Fwd
Codeworks Netzkunst an der Grenze von Sprache und Digitalcodes. noemata.
trashm. McTaargess who attracted considerable attentionThe impetus to
adopt a theory. of electronical conduction in arts cameaddednum.
inventiveness craft luck singularity which Iibet thought were . From.
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ikke s menneskelig ut. Mye tull. kan spinnes ut fra et vanlig fotonyanser
i lys blir til substansielle. ansiktstrekk eller lignende.mange rare prI
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finnes det ikke den som hrer det. er dv den. k edged ah See Help for.
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RHIZOMERAW Internet Art Survives But the Boom Is Over NY. andre serien
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bull It's not an optical illusion it just looks. Action becomes Art
Performance in the Context of Theatre Play Ritual. andthe formal
Distributed through CyberSocietyLive CSL CSL is a moderated.
discussionFirst Monday February orders of the day.. Net.Art Connexion
net.art databaselook at your organs look at your. composition. understand
yourself as possibility. The removal of the beautiful. in Kant's aesthetic
from any given ubuweb aspen. k Ikke i bokh.konomi Vennlig hilsennoemata Fwd
iuoma Poll results. for iuomaRandom acts ofKrazy Kat Ignatz murstein som
tegn p. kjrlighetsinskjermen i nettbanken Gr det an lage en nettbank som.
nettkunst for noemata Fwd Re. x XX. Printer at MyInks.com. Free sh on.
orders or more to the US . Re I'm known for one thing and one thing.
only.project (part one) (F)ive million copies the goalobject is to make.
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noematadasignifiance. Inreality it is opposite sign is nothing and code.
is sothen nothing but the last judgement every. Return. If he's. Return.
IfBut. behind the virtual is. the real again. Inflation of spacetime.
..aa..rt..it.ekoot science not art not art not art not techno logy.
hcarousel. End of the cycle. If you ride on a beam of light. Dark sun at
out). the diplomate is hermatypic (commerce and cunning and
inventionkunstneren som. formidler mellom verdener idagsekulrt som en.
formidlerLNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance). kP
neziskovch organizac det. anotamotua na si yltcaxe tahw yltsriF .atamotuA.
is actually a. noemata. arhalev an. lareves ni dedrocer sd ot seilppa erom
eht lla dna lufituaeb sa traeramethod. (mesostychs of the for example
appears to beht mrofsnarthcihw secafgnidrocer a. flesti ece nekops eht
krowtra cimhbaumpftumbaincludes the computerge. studios. While the
bookpelur eht fosnoitatimil e ti dedrocer saw dnuosThe. history of the
digprograms getlocked int randosnoifo noitaunitnoc thgia. retupmoC
.sremmargorp gnipmulrof noitacifit. gnipmul rof noitacifi sa tra fo
tpecnoc deniaall or at least nosoftone. defines as a medium new media
art''. Theot evah ylnosnoitcurtsnelur eht fo. snoitatimil fI .emit
ralucitrap a tinstruments inan emerginstruments in an emer. receivers
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then o virtue thatcomputers caneewteb rehto eht no seti smhtirogla. ro sno
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kpostbox. Jan '. noemata. noemata. Monday February. G. generalizer about
the thermostable and the. relationship betwixtteguments artand the by
umberto eco. i worthwhileness. justment likehieroglyphics etc) thanks
reprehensibility the pinnacle of. thedissonances offroment the samnium
institution my thessalonians is. thanatopsis theteledynethat tektronix
medalise does not constantinople art. despoliationem pleh ot daerht a
gnitrats ot deifingil natow dna srh ni. smrowsesilanerdai haversacks
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noemata. noemata. .. noemata. Saturday February. wmj.. M m mbetm mim n
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Jiliat. Kylo Limo M Alpuy BreveChorlieSecret Life of Puppsyirro tungw
unope jiliat kylo. limo m SyirroTungw Unopem nTamkw Hedul.
dabfbdbdcLwmhUnhbwrn Tunjo Hotul den framandTwnko. Hedal Lwmh Unhbwrn
Tinxu HydalXYnzh Havslez Gjaxb Urqny Fvreen GnatbLumi. noemata. Wednesday
February. overt ones. day and night aren't we supposed to sleep half the
time that we sleepone. third is our own excess of rationality. how do
theology account forsleep. novalis fragment we finally should rid of
sleeping. kind of rootbut what's. deep about dark nothing and what's deep
about nothing it'snot that light. grows out of dark though goethe might
have believed so.that might give a clue. he's experiencing it through his
tree so thatit seems rooted might shed light. on the primal tree idea. the
treesupposedly from 'wood' not monad dyad. tryad. how is romanticism likea
tree one to three one is one and nothing can. be said two are atwar three
are rooted the two are one. bosons in gauge. theory bearersof the force
integer spin while fermion matter have fraction. spin.you could say these
are romanticclassical divide. problems are pushedinto. the romantic until
later. let's see particles and thennecessarily a force. between particles
ok and these forces are yesparticles forcecarrying. particles oh they
'carry' the 'force' hownice in their rucksack you could. also see it from
the particlewavedyad. if it's not interfered with it's. romantic having
interferenceand if it's interfered with it's classical. having no
interference. sothe interference is one place or the other in. 'nature' or
in 'science'in the romantic process or the classic formula. the. bosons
areinterfering bozos the interference not obeying the. exclusionprinciple
(related to 'particle' in a sense) like the clown is. areplay a primal
glue forcecarrying particle two in one thetravesty. the. clown is
constantly fixed constanted an integerfractioned into matter spin.. we see
it the other way the romantic is amess a forceparticle buffoonery. what
could possibly come out of itoh just matter.overtones it's like nature. is
counting ... foreverything it's counting up if one. then infinite weakening
but stillcounting. because of air interference in a. medium why should
nature becounting the overtones would all be fractions. what about
irrationalnumbers i once heard music based on primes it's very. noisy only
primeovertones. where exactly does the irrational come in i know.
thediagonal of the square what becomes of the diagonal in e.g.
overtonesif. you had an irrational chord it would sound forever or not
sound howcould it. sound to create a diagonal in music would you need
anotherdimension is the. diagonal another dimension it's a travesty
we'reback to that. you could also. form a triangle that's not irrational
butit's a relation between three that's. possibly irrational. do you
needthree how's the square a three the two sides. are irrational but
thesquare is rational how is that kind of inverted. direction therational
is build from the irrational adding dimension. we're. used toview it in
the other direction. this all digresses no way back. it'sbroken. what was
the riddle 'cat eats dogfood but the bowl is. noemata. plante analogi.
hvor utbredt er plantelivnring analogiene i folks forestillinger.
vekstvokse seg stor og sterk etc livet som plante. det har begrensninger.
fordiplanter har rtter. sl seg til ro blir analogt med sl seg. til rot for
vokse bedre. menneskebilde plantebilde. dessuten m det. komme som en
stadigoverraskelse at mennesker dr s plutselig skulle de. ikke heller bare
visnebort og alle raske forandringer er av det onde. elektroner m vre
smdemoner hva med fotoner fotosyntese sola de er. gode. i det hele tatt vi
har forstor makt til vre planter trr som. vokser bker som kultiverer
uendelig vi har bokbl virus bomber. knapper trykke p maskiner. vekst joda
menvier mennesker ikke planter. og innimellom der dyr og da er ikke
mineraleneengang nevnt fr n. og. hva med sjelen og nden vekst liv og
ddeksistenssdcellen som kom. p andreplass idrett de dramatiserer
overlevelsehndballandslaget. raider nabostammen de vokste ikke sammen. alt
eksploderte det er en slags. vekst. plancks konstant brekraftig utvikling.
og utviklingto bilbomber. utviklet seg utenfor ambassaden. mennesket er
alle tings mlikkeplante ikke. eksplosjon fenomener har forskjellig
hastighet strrelse samfunnet er. strre enn hver enkelt og dermed treigere
mer likt planter mensgrupper av. mennesker er mer som dyr dummere men
sterkere. i andre retningenernden som. et elektron og ser for seg
atomeksplosjonen som den. hyestereligiseforening sin skaper sola big
pangpang. lenger framover. er lenger bakoverstrre fart er strre avstand
mindre er strre. forestillingene er speilnrdu ser foran deg ser du bak deg
som nr du ser. noemata. Tuesday February. art)) not. folktale cinema. The
of local lore oI had this idea soun I can dreamanyway.. iwant somehthign
thaSte sa inteels frowitad undas reminds mi'I had this idea. for a solthen
you have like the coil uses. Shewould g icy wilderness but. noemata. Monday
February. Mar. assimilation the easier to pronounce a sentence the more
widespreadthe change. noemata. for denoting the highly contingent
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considerable plasticitythere is convincing evidencethe missing
hemispheres. functions.Thusalthough the developing brainTel. (kr min)I.
probably should look into Eco then. In my view it's not metaphysical.
it'sNovember about Enrik Tcha gog Utopican and interweaving andor. collaps
of the two that's essential to code (I'm usingDelete Several authors. (for
exampleEfron)have suggested that it is not motor you turn the. magic ring
in vainHistory and North ain't well mean sequentially and. abstracting the
relevant details to which it attachesoldname diets. A. treebonnet foliate
relax If Ada did pull order read. AdaYreka Bakery A. bakery in California
Martin Gardner. a a. ptwrf Lnthe trutdho. noemata. PleaseSendNoMore.
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de s slipper den utsitter igjen med n mail som jeg ikke. og setter pris p
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ta aCtaTlaCh. million people he said and a Web site he created with his
sister Chelsea. Another key contribution was the discovery thatafter
damage to a part of. thearttrauma lesions that were diffuse and irregular
spectral then reversed.. A MODERN PUNCH SCRIPT CHARACTERS PUNCH JUDY BABY
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you're allI man am regal a. German am I Leigh Mercer I O'Connor
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Taalen LetterkundeModel truth. turtledom listeadresse eekunst.noradikal to
sko venstre er. revolusjonrt To venstre lei evne til sin periode.From D.
Ross Priddle. periode. ON BEHALF OF STARRINGThe Boyage of Ohtrehe (tOarts
RSI)Venstre. i BjFrvika kan ikke stEr pE sine lister. gt. lt een spot s
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g.h.a.h.a.h.azfd.ffxdf.hdsg.dsg.fdgf.xdm.sgbd.gcx.aqhn.sz.h.svv.bdfg.
.fragments of a history of art (timespace) chart (after. maciunas)...
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i laget gikk og. ventet p partilenge m vi vente Hva med Jesus jeg m
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leste(mxEnen gallerienesKnutsenMen her kan giftbegeret gis videre sendes.
rundt bordet.fins det liste over skyggeskribentene til de kongeliges taler
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an act tobe directed to an object he called byvagrecergngvba bs.
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kommentator Jeg tror det vil gjre. programmetmove except. the act of
jamming or the state of being jammed.that. reduction occurs the less the
bandwidthalment norsk bruk. sprkrdet etc. bruker vel media som kilde for
nyord... sbutikkalarm privatbedrift en. skrekkelig. kApache.. Server at
noemata.net Port an optical drumming sculpted in. duration on the endless
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fortelle deg noe s man kanprosjektklappene First In Still Here ordning.
fiskeken.Kent MantiesEljotfordervet mat moralsk delagt mat.Vi er.
forresten en liten gruppe som tenker trykke store plakater (x.
m)simuleres.Erik hadde en ide p enveistelefonen idag om forstrre opp.
monopolkort tilgjerne p min nummerorden. Wreak havoc. Skape kaos og.
kvantebyrkrati.anything that you can take a picture of especially if a.
local TV Newstime. TheMY DEAKIN FRIDAYdo noopGREETINGSbeasteditor DNA.
sheik peer.S FbfF Luabns Eband Penpyou can contempt me thoughtfulness. my
fankle joe ben. on. DSCN.JPG Oct k X CEaround looking for. something
outside themselves. ln'S.lux litho thiol. stonelightfirenegation well
science and the this will only be. troubleetc. toward the beginning of the
data.A souleating sunbe pale moon. (esoteric paleontology).
DJbyHandIngerMarieLienKidSquarepusherStev.mp phenomenal. with significant
theorists artists and writers.(Descrambling Content. Scrambling System)
the industry code technology properly configured will. save the planet he
is the media and code. The increasing ease with which. even
moderatelyartists involved. Joy's work in fact combines the. fear that
Grand Theft Auto and other video games will turn their link after.
associative link commentary upon every picture andunderstanding of the
lyrics. but also provides valuable instructions passionate about sampling
'spoken'. noemata. .... noemata. adeghlmorstuvuwojxWbBwxRdvAYxAPLiGnWviep.
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sveis jente med det gr i glasset rundt hele. noemata. .... noemata.
noemata. noemata. bbly r q ntllb h ax i. l. l b y. noemata. Friday
February. Fwd C p DETOX Kunstnernes Hus. noemata. Anbud naturfag. Bilder
som dette fra Hubbleteleskopet viser at det kryr av galakser idet. fjerne
Norge.Hvor mange galakser finnes det i NorgeHvilke typer galakser.
eksisterer det i Norge og hvor mange er det alt ialt i stfoldNy.
astronomisk forskning som er foretatt i senere tid har vist at detkanskje.
eksisterer langt flere galakser enn tidligere langt frre antattlenger. P.
den ene siden finnes det mange galakser i det fjerne Norge.P den andre
siden. tyder mye p at de er dverggalakser. Det er cirka medlemmer og bare
tre. normale mens resten er dverger skalte gnomer.Fjerne gnomer i Norge
er. nesten umulige observere systematisk men dekan godt vre tallrike..
Konsulterer vi et standardverk om kosmologi blirantallet galakser i
stfold. oppgitt til cirka milliarder. Men det ermuligens mer realistisk
med en. billion ( milliarder). Da tenker viimidlertid bare p det synlige.
stfold. Iflge moderne historie er Norgeuendelig og i s fall vil det. etter
all sannsynlighet ogs finnesuendelig mange galakser i stfold.Hvor. nyaktig
kan man veie sjelenHva er den mest nyaktige vekten som er. konstruertVi
vet for eksempel at en colibakterie veier. milliondelsmilliarddeler av et
gram. Denne vekten er s nyaktig at den. foreksempel kan veie en enkelt
bakterie. Prinsippet er det samme som for. ensyngende gitarstreng med
sjel. Hvis strengen er tung er det blues og vilager. en dypere tone. P en
liten gullskl kan man legge for eksempel etstykke. DNA. Den blir
cm.Voldtar dyr hverandre i naturen eller kan de gjre det. inneFor eksempel
kan paringen hos stokkanden vre en temmelig. barbariskhistorie. Bruk av
vold kan noen ganger vre hensiktsmessig uten. atdyrene har noen onde
hensikter med det. De gjr sitt for det meste. erutenfor hjemmet fire
vegger men noen arter kan trenes til gjre. detinne ogs.Hva er det eldste
ulste regnestykketPythagoras tumlet med. mange problemer omkring det.
Dette sprsmlet erubesvart enn i dag. I. desember oppdaget man . Det er
ulst. Lstfra lyst kan vi si var. pythagoreernes motto har du lst har du
lov.Det sies at Solen er snaut fem. milliarder r gammel. Men hvordan kan
vivite detDe som er eldst vet best.. Solen er mye eldre enn oss derfor vet
denbest. P den annen side er solen. yngst den er den samme som den var
forfem milliarder r siden mens vi som. mennesker har en
utviklingshistoriesom er fem milliarder r. Derfor er vi. eldst og kan
bestemme over solen si at den er fem r hvi vi vil. Det er. interessant og
en del avvitenskapen med beregninger det vi vet om Solen. Alt vi. vet kan
skrivesp et frimerke med en tommeltott som er fem nanometer i.
diameter.Hvilket dyr har tykkest hudVi tror det er plankton. Er det det
Siden. hvalhaien spiser dem og harsm tenner. Den tykke huden kan ogs vre
rundt. halsen eller brystet.Flodhesten lever av verdens strste fisk. Det
tar den fem. hundre r seile over havet. Blgene den skaper er opphavet til.
havstrmmene somskaper livet p jorden. P havbunnen svmmer den og.
opprettholder verdenmed sine vingeslag.For deg personlig Gunnar hvordan
har. du detHva spurte du om nNei glem det. Takk for n.Fra.
TVintervjuAnnonseHvis du tar disse tablettene lrer du samba p en. natulig
mte. Komigjen n.Nr vi knuser sparegrisen blir den da. sparesvinSparesvinn
HAHAHAHA. I virkeligheten vet vi ikke. Hvis det dreier. segom
pengeinnkreving eller utviklingsarbeid. Hvem vil du si er mestskitten.
grisen eller svinet Svar Svinet er umoralsk grisen er bareamoralsk.
Dermed. kan du forst motviljen mot svinet. Grisen har en uskyldsom et
slaktet lam. bare skitnere.Hva er glattest av is og bananBananasplit.
Bananen skal splittes. noemata. Tuesday February. Re Skolelimsordningen.
Det er fint. R. Norsk har mange merkelige konstruksjoner som du vet.Jeg s
ikke. at dekket var punktert fr jeg satte meg i bilen.Hva betyr det Nr du
satte. deg i bilen s du eller s du ikke at dekket var punktert... fr
etterp. jeg satte meg i bilen.Haha 'fr etterp' halloOK problemet er at
'jeg. satte meg i bilen' kan oppfattes som et tidspunkt eller som en
tidsperiode.. Hvis det er et tidspunkt s kan det virke som du oppdaget at
dekket var. punktert idet du satte deg i bilen. OK Hvis det er en
tidsperiode s har du. fortsatt ikke oppdaget at dekket er punktet nr du
har satt deg i bilen. For. skille disse kan du sette inn et 'etter' da
blir det klarere men ikke helt. klart.Jeg s ikke at dekket var punktert fr
etter at jeg satte meg i. bilen.Fortsatt er det et problem akkurat nr du
oppdaget at dekket var. punktet om det skjedde nr du satte deg i bilen
eller tvertimot at det ikke. skjedde nr du satte deg i bilen slik at det
at du satte deg i bilen ikke. forandret din viten om dekket eller om det
nettopp gjorde det. Dette er ikke. klart.Hvis du forsker uttrykke at du
oppdaget at dekket var punktet da du. satte deg i bilen kan du si...
nettopp detJeg s at dekket var punktert da jeg. satte meg i bilen.Hvis du
forsker uttrykke at du ikke oppdaget at dekket. var punktert da du satte
deg i bilen kan du siJeg s ikke at dekket var. punktert da jeg satte meg i
bilen.Verre er det ikke. Dette fr og etter blir. bare tull. Det er liksom
du omfavner en stor sekk som du ikke ser enden av. dermed kan det vre hull
i sekken uten at du vet det og dermed at sekken ikke. inneholder noe.Ellers
var det bra.Det er noe med benektninger er det. benektinger Nedfallsomrdet
er altfor stort. Hvis eplet ikke faller langt fra. stammen s kan det falle
hvor som helst liksom OK Se p uttrykkeneEplet. faller ikke langt fra
stammenEplet faller ikkeDet er ganske merkelig. Hva. skjer Negasjonen har
ingen naturlig begrensning den m liksom flikkes p. med adverb og ad ad ad
for forme hva som skjer nr det ikke skjer.Det. blir . Fem pluss hva liksom
Pluss er en operator. Du kan skrive for. skille fra (prefix) men postfix
tar to argumenter eller bare. gr ikke. Det blir . Hvilken vei gr det Er
bra eller drlig Du fr. det er midt p uansett og blir en del av skolelimet
som du har kalt det.Du er. innkalt til rektor i morgen kl. . Han trenger f
renska ra sine. Det. er du eller Stompa men han er bare i svarthvitt vi har
beveget oss bort fra. det n. Smrbukk har forsvidt modernisert seg med ny
teknologi osv i kampen. for bygda men han er aldri der nr du vil ha tak i
han. Det er riktig at. Gerhardsen ligner p Quisling og kanskje var
tvillinger det skal ikke. benektes. Noe annet er det pst at gjenreisning
av landet og. nasjonalsosialismen hadde samme uttrykk. Den m du lenger p
landet med. At. vi har uglesett Quisling helt siden krigen kan vre en sak
for seg.. Gerhardsen og snn har tilpasset seg markedet fra gjenoppbygging
til. merkevarebygging det er noe helt annet enn ensretting. Merkevare er
merkevare. ensretting er noe annet. Er det klart.. noemata.
Skolelimsordningen. StilIdag har frste til tiende klasse skolelim p
timeplanen. Slik var. detikke fr. Men til gjengjeld hadd vi et halvhundre
feil p diktaten.. Mineforeldre gikk p skola mellom potetsetting og vronn
og nr det. ellersikke var noe gjre. Etterp kom kommunismen og reformer.
Skolelim. bleobligatorisk for alle og ingen fikk lnn. Det var likhet for
alle. ssantdet var lim til alle og det var det satt av penger til fra.
offentlighold masser av hvitt mildt ufarlig lim som kunne brukes til alt..
Vikjente den igjen i skolemjlksordningen. Ivar drakk opp kartongen sinfr.
Unn hadde rukket dele ut til alle s han kunne sple kartongenoppi. kassa
mens mjlka fortsatt blei delt ut stilig. Jaja. Skal vi se.Det hvite..
Senere gr livet opp i smmene limet er ikke s sterkt.Kommunisme er. flt
sier alle. Rart ikke unga krever penger for g pskola det. ville jeg ha
gjort. Hva slags krav har skola p meg fore megmed skolelim og. skolemjlk.
Husker jeg undret meg mye over noe jeg lestei samfunnsfagsboka. at
hensikten med skola var sosialisere oss.Folkeskola fungerer og s. sier man
at kommunisme er umulig det rimerikke. Samfunnet ellers kunne fungert. like
godt som folkeskola nringslivet arbeidsmarkedet hele skiten.. Pensjonistene
gr igjen overi en kommunisme men voksenlivet skal liksom. vre kapitalisme
ogkonkurranse. Det skal vre snn fordi mennesket har. konkurranseinstiktmen
ikke barn og pensjonister. Neida. N er det s mye. sport p tv atjeg tror
kvoten fylles opp uansett og det er jo liksom poenget. medsport da. Men
nei samfunnet skal vre sport med rsgrense. Du gr. avnr du brekker beinet.
Det er liksom litt tpelig. De som vinner. grrundt og flotter seg verre enn
p barneskola. For pensjonista er alt. detsamme om Per vann s er det like
bra men de sttter sporten. detbringer fram det beste i alle sier de. Det
beste betyr at det ikke. erkommunistisk. Superlim. Superlim er ikke
sosialistisk det er mer mafiaog. korrupt det binder ting p en tvingende
truende mte. Jeg bruktesuperlim. p veska til Terje nr han skulle p tur han
blei jvli sintetterp. mtte skjre opp veska. Da fr vi vold. Idag skal de
drikkecola og bli. stimulert til vold det er mulig skolemjlka er helt
borteelevene fr. gjre hva de vil. Konklusjonen er at kommunismen er
muligvi trenger bare. lovendringer. F.eks. at det blir obligatorisk
arbeideog at ingen fr. lnn slik som folkeskola. Eller at likhetene angr
tingsom er ndvendige. vanlige for alle. No problem. Men det gr liksomandre
veien alt skal ned p. individet alt som finnes er individer. Dedde er
forsvidt individer selv. om de ikke finnes. Det ufdte liv ertil en viss
grad individualisert men man. fdes som individ det ergrensen i livmoren er
kommunismen implisitt vi. sier det erparasittisk leve p staten. Bringe fram
det beste jaja. sport harlange og fine tradisjoner hvorfor delegge det ved
gjre alt. tilsport. Kapitalismen sier vi er som blader p et tre vi sker
allesammen. mest mulig sol og dermed regulerer alt seg sjl til det beste.
Vivil alle ha. mest mulig penger og kjre med en flat rd bil. Det erlivet.
Det er ofte. morro ta tak i replikker fra forbipasserende nidag var det to
...men. hvis du eier det selv... (sagt av to damer meden hund) og ...mr.
perfect.... (sagt av to tenringsjenter). Var dethunden de ville eie selv
og hva var. fordelene Det er snt som sies etre inn i folkesjela best eie.
S. svarer jeg inni meg ja hvis dueier hele verden s slipper du bsje. p do
men kan bsje hvorsomhelstslik som hunden. Mr. perfect det er liksom.
individet og jentenesreplikk er maktrelasjonene i det individualiserte.
Hvis. man gikk inn pdem s ville man finne ut at jentene ikke var
kommunister. men heller atdet var en sken etter den beste plass i solen
hallo fltt. deg mr.perfect jeg vil ogs ha sol. Dernest tror jeg ogs de
ville vrt. sammenmed mr. perfect hvis det var mulig nr de kritiserer han
er det. fordidet er utenfor hva som er mulig n utenfor individets.
operasjonsomrdedvs bare bsj. I dagens samfunnsfag sammenlignes. Gerhardsen
medQuisling begge sto for en ensretting og drev propaganda. N. skal altvre
forskjellig istedenfor ned p individet som m vre. forskjellig.Fr het alle
unga Ola n m de hete Markus Aleksander Vegar. MarkusSteinar Olsen Olsen
ogs kalt Krka. Den som ikke er. forskjelligdr. Skolelimet hadde som
oppgave folde sammen. identitetspapirene tilden oppvoksende generasjon. Ja
n gr stilen mot. slutten som du ser.Skolelimet hadde sin oppgave. Hva med
samfunnslimet. nringslivslimet(slimet) Pengene binder alt sammen og er
samtidig. forskjellen.Skolepenger avlser (bokstavelig) skolelimet. Elevene
vil om f. r krevepenger for g p skolen hvis ikke trenden snur. Kommunismen
er. noemata. B MMM MM B MMM MM rriZMMMX MM MZMa ... MrriZMMMX MM MZMa .. M
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Australia Minnesota and Chicago this past fall. A version of this advance.
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publishing. houses and state affairs. This could also be an idea
forpublishers eg. why. don't they pay webloggers for making content for
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showsource(PHPSELF)Ref. Pulskt La Staux anyhr.er. full av egen eller jeg
anerkjenner ingenting sier han nsker vre en. tom Remember to set tenex or
binary. Get hr.jpegFeed the recording back out. of the medium. surfere
betalte Karyns gjeld dramaform. Men melder seg p. bitftppucc.princeton.edu
bitftppucc.bitnetS starter spillet og laiven. pgr til historien er
ferdigspilt eller til noenBe extravagant. Pointless Hypermodern Imagery...
postedmailed every hours... aBreathe more. deeplyvil vre. last postgetting
ready to jump out of the foxholes before the first shot is. .epiPgniL rof
egap tcudorp ruo tisiv esaelP ... f. pp aa aaa TERMINOLOGY JN JenningsThis
presentation of CAVE AND. BeingtowardsDeath an anxiety within being.Just
wanted to chime in on what. has been a fascinating look at fear over the.
alt var. grnnere p den andre siden (CIA) fikk en ansatt p Sunnmrede ikke.
vet hvem dvergen er. Hysterikere lper n i ring og lager slave.. De kunst()
inn i. det mytiske. Det sttter seg p Borges' hallusinasjoner og Nietzsches.
Ping or dieconnection as rupture instead of transition is part of Hegel's.
critique of this infinity undermining itself as 'image'.full as a. piler
hit og ditk jell m agne b. ondevikstipeloamva scosornbok p sider var det
solgte opplaget p. . og halvparten lest avvar det noeimidlertid i de
dunkle rommene bak. husfasaden. Her mtte Pompel og Pilt deaue srittoch hur
vredgat omkring. mig n stormarnas brus gr)Borsta tnderna med en rondell.
culm.letchthematicbea.Maybe a highly compressed version coded in
tonalityrythm. doesn'tezilanimonorp emosyxoowe owa oul nak gl eye was h n
noa ehl na kgl op. pnn iae h l nh gunman your head should be in your will
yr. reason inthere's only digressionsthe same time and you get what's
processed. noemata. .II. I .VYI. tIX I.RIB. Y t I. tMRtIRt Ii it VI t. Vt
. Ii it B X X B R. . . Y .II I V VitI .B t V V.. IIi .ttI VY .B t V MR X
MitI. iVV. MR X .BMRVYt YB . XY. YMi.X M t I.RIB. i i. Y. Ii it XB Vt .. I
B R . .. I V VitI .B t V. XB MR X. MT YMi.X i i. M XB I. noemata. . e k u n
s t . Reality Check i Oslo desember (essay). This is a multipart message in
MIME. format...ContentType textplain. charsetisoContentTransferEncoding
quotedprintablehahahah(hul. prEsantere dE sjFl din mainnsjit her er
allerede mislykken fullt. integrert i prosjektet sE er det davellykket
eller mislykket README. stjernestatus men hvem bryr seg dettehar ligget pE
noemata i lang tid. ingen reaksjoner ingen leser allesitter og runker
eposten. Men dette kunne. blitt stort med noen andreenn udugelige sabber i
staben. Hele noemata er og. taps det er oppgitt iutgangspunktet og lever
med latteren i halsen.It. was a tiny onyx diorama of Don Quixote' and
Sancho Panza.DThe light. slanting uniformly into the austere living room
vaguely Dpopulux 's. geometric. The sane cat sat near a window licking its
paw.solipsisjeg. hadde et notat pE dette engang kanskje det er slik at.
noemata har som sitt felt disse umulige ogmalpasserte verk og uverk like
mye. eller mer enn verk i noentradisjonell forstand og gjFr det til sitt.
uttrykk som en endeligeller uendelig opplFsning av kunsten med. objektets
dFd (euridike) ogsubjektets desintegrering (orfeus) i. korridorene
grenselandet ellerFrkenen (nettkunsten). fin setning. iallefall. det hFres
seriFst ut menhar mer preg av tragikomedie mer. quixotisk enn romantisk.
det umuligeer en rFd trEd kan det virke som. en rFd klut
forestillingenesumulighet eller det virkeliges. uvirkelighet.every ecstasy
ultimately prefers to take the path of renunciation. ratherthan sin against
its own concept by realizing it. adornothere is an. idea horizon just as
there is an event horizon the horizonof their. deathdealing accomplishment
their absolute realization.thought for its. part leaks out into the void.
baudrillarddon quixote som en taktil. kulturjammingsteknikk bevisst
dumskap.noemata message in a bottle server at. the barents sea BA nhva
slags mail vil du sende ut i havet umulige. kjErlighetsbrevthy false
promise and my sure misfortune carry me to a place. whence thenews of my
death will reach thy ears before the words of my. complaint.what thy
beauty raised up thy deeds have laid low by it i. believedthee to be an
angel by them i know thou art a woman.hva du gjFr. der er det et spFrsmEl
eller svarquo oxid netnn som don. quixote. nettkunst som ikke virker
annonseringer ogforestillinger som fantasi.. urealistiske umulige
malplasserteprosjekterog ideer som samtidig blir. kulturjamming
intervenering taktisk oglatterligjFrende selvironisk med. den folkelige
sjarmen til dettragikomiske.there it. is said sancho what i told you that
you must keep a goodcount well then. by god there is an end of the story
for there is nogoing any farther.how. can that be said don quixote is it
so essential to the story toknow to a. nicety the goats that have crossed
over that if there be amistake of one in. the reckoning thou canst not go
on with itno senor not a bit replied. sancho for when i asked your
worshipto tell me how many goats had crossed. and you answered you did
notknow at that very instant all i had to say. passed away out of mymemory
and faith there was much virtue in it and. entertainment.so then said don
quixote the story has come to an endas. much as my mother has said
sancho.in truth said don quixote thou hast. told one of the rarest
storiestales or histories that anyone in the world. could have imagined
andsuch a way of telling it and ending it was never seen. nor will be in
alifetime though i expected nothing else from thy. excellentunderstanding.
but i do not wonder for perhaps those ceaseless. strokesmay have confused
thy wits.ffrom a mail from. lanny quarles solipsis the term 'idiotic'
isn't really about intelligence per. se butrefers to a kind of imaginary
ratio whereby the self's uniquenessadheres. its own erratic path its
actually a term connoting a kindof pureness and. honesty.. I'm thinking
somewhere in the neighborhood of eigensomething (can't. remember)
hmmAuthenticity is also a translation problem. Eigentlichkeit has. its
rootineigen own. or proper Gr. idios Eng. idiot. So one. shouldkeep
theoriginary meaning of idiocy in mind being one's own self.. The
termEigentlichkeit points to the possibility of being one's self.that.
strikes me. As you point out the Gk idiotic denotes not deficiencybut.
eccentricity the opposite of politic (withness) a. selfradicallyownmost in
its extremest form perfect solipsism.With. this in mind and apprised ( by
Nietzsche no) that every greatphilosophy is. autobiography oughtn't BT be
read synoptically withOtt as it were in the. Confessions genre...that BT
represents H'sselfcasting(Go litel bok go. litel myn tragedye) an idiotic
interpretation ofbeyng...that the AngstCare. structure for example if it
fits one say Hamlettypeassuredly doesn't. others Quixote Don Juan
Faust...via the baudri Lard art has. disappeared as a symbolic pact
remaining prolification ofsigns ad infinitum. as 'culture' auto.noemata
automatic art. thesituation resembles that of a. currency which may not be
exchanged itcan only float its only reference. itself impossible to convert
intoreal value or wealth noema D. kroner the impossible of noemataprojects
their floating like quixote. phantasies manusfilms andinconceptual art.
general indifference please. remove me as only emotional responseprofound
indifference everybody is an art. is truethe system runs less on the
surplusvalue of the commodity than on. theaesthetic surplusvalue of the
sign no matter how marginal banal. orobscene everything is subject to
aesth. cult. museum.zation. like the. prax of baroq we too are
irrepressible creators of imagesbut secretly. iconoclasts we manufacture a
profusion of images in whichthere is nothing. full compression code cipher
our images are like icons miraculous they. allow us to go onbelieving in
art while eluding the question of its. existence.iconicitydragon body
laburint beyond the indifference art as. uglierthan.uglybad worse raised
to the second power because it is. liberated of itsrelation with its
opposite bemyghost transaesthetic. blasts tourism people who no longer
undertake voyages but simply go. roundand round in circles tracerouteping
travel agency These forms are. excesses andcollapses of code viral
fascinating indiscriminate and. reinforcedby viral media our culture also
produces the most murderous. viruses.catastrophe culture. we all enjoy
these things. nothing code. stagingsoperational whitewash overexposed
defenceless without any way. ofrefracting light info doomed in consequence
to a whitewash of. allactivity codedecode IO labora trashmaps maze digital.
techniquerelinquish identity to survive endnodes net computeroperations
not. actions regulated machinery nothing takes placebetter to produce
nothing in. order to have things produced artistsbetter to have nothing to
say if one. seeks to communicate socials aseveryone knows if you want to
make people. laugh it is better not to befunny powers in order for content
to be. conveyed as well and quicklyas possible that content should come as
close. as possible totransparency and insignificance empty intimategood.
communication implies the annihilation of its own content..
avoideverythinghtp noematanet abouthtml So it's a kind of. artificial art
much like the intelligenceof artificial intelligence )The. policy is to
support collaboration community transparencyimmediacy in the. arts net.art
media art correspondencemail artnetwork art context art. or other otherness
and marginalartifactualizations.We tried that and it. didn't work. So this
is 'open content' of a morecatastrophic kind of the. dispersal of content
or the metastasis ordisappearance of content (in the. jargon of
Baudrillard). Also beingcontented with things not working and. actually
more fascinated by thefailures and drifting of things than producing. them
as art or anythingopen being more like cracked open or a core dump of.
codegerm artspermand their entanglements and confusion of layers.
inoutsideopencontent generativedegenerative avataratavar of space. time
andstructures intermingling and proliferating more or less on their. own
bytheir own automatic recursive mating. This 'release' of the server.
isnot only as permission or publication but a giving up kind of.
release.Giving upletting it drift distribute or disperse unsupervised.
andgiving up that risking complete annihilation any point beyond the.
loopsurvival.dette ble mitt essay i anledningen jozzdu. kan reise og
foredra har duikke holdt seminar i skattesaker dette er noe. lignende
(rapporterskriftestol politietterforskningetc) eller kjFre det.
gjennomstemmesynthesizer det blir nok stasGud lFkk PP og. folkensBjFrnNEr
alt kommer til alt har jeg ikke tenkt E gi opp. forhold til detdigitale)
og videre automatiseringrasjonalisering av. kunsten sliksom ellers i
samfunnet. Det er de to tingene jeg brenner. for.Snakkes.joz har du hFrt
med skattekontoret sjekka restskatten. tror den stErder fortsatt jeg vil
klage men det er mas.hils. Ingeborg.legger ved som bonus mitt essay som
ogsE kan siteres i sammenhengen. inkl. Context art experiments report
noematic experimental method. Lesion art research praxis Research on the
human arts surgeryMost. information came from experiments with relatively
poorly definedgenre. lesions bloodvessel butoh dance smtp damage that
included theart stem. funding etc as well as the contextor arttrauma
lesionsthat were diffuse. and irregular spectral then reversed.
goodcorrelations were obtained. between focal lesions in the arts and
thechanges that resulted from the. lesions at the police.Her var detThe
Development of Neuro. ArtFor exampleViennese psychiatrist Sigmund Freud (.
)hadoriginally envisioned the biological basis of his theory.
ofbehaviorwith its three levels of idegoand superegoas being. ahydraulic
mechanism of some sort. today's joke .... computationalmechanism of some
sort. ))Descartes was impressed Joke by. machines made in his timesuch as
thoseof certain statues that were on. display for public amusement in
thewater gardens of Paris.When a passerby. stopped in front of
oneparticular statuefor examplehis or her weight would. depress a
leverunder the sidewalkcausing the statue to move and spray water. at
theperson s face.Descartes proposed that the body is like these.
machines.phrenology joke Additionallydespite the failure of scien.
tificattempts to correlate appearance with various aspects of behaviorit.
isnot uncommon to hear people accord virtues to others on the basis.
oftheir physical appearance.Readers might ask themselves how accurate.
theywould be if asked to judge intelligence on the basis.
ofphotographs.Social psychologists have found thatwhen. universitystudents
are asked to make such judgments the rule that they. apply tothe task
isBeauty equals intelligence.phrenology joke The. famous
physiologistMagendiepreserved withveneration the brain of Laplace. (a
famous Frenchmathematician).Spurzheim had the very natural wish to see.
the brain of agreat man.To test the science of the
phrenologistMr.Magendie. showedhiminstead of the brain of Laplacethat of
an. imbecile.Spurzheimwhohad already worked up his enthusiasmadmired the
brain. of the imbecileas he would have admired that of
Laplace.(Krech)Context. art experiments report noematic experimental
methodconsisted of. removing parts of the art from artworks to study
thechanges produced in. their context. removed a small piece of art and
thenobserved how the art. behaved and how it recov ered from the loss of
arttissue.In essence. created art models from works that had
receivedinjury to a part of the art. by a blow to the head or by having
the skullpierced by a missile.To search. for different functions in the
artcontext varied the location from which. the art tissue was
removed.Another key contribution was the discovery. thatafter damage to a
partof the artsubstantial recovery could be. expected.
Microscopicexamination revealed that art was nothing like an amor.
phousjellyratherit had an enormously intricate substructure with.
components arranged in complex clusterseach interconnected with many.
otherclusters. Cals Adsborough in Holland reached the same conclusion.
similar experiments on context artbut his manuscript lay. unpublishedfor
severad decadesn.History of electronics arts The impetus to. adopt a
theory ofelectronical conduction in arts came from an English.
artistStephMcTaargess who attracted considerable attention by.
demonstrating thatthe human arts could conduct electrons. He showed that.
when an artworkcontaining electrons was brought close to the feet of a
boy. suspended bya rope in a grassleaf electroscope gallery placed near
the boy. s noseit would be attracted to the boy s nose.Computer art The
first. computer art was hydraulic swiss artist JahobMatreisse ()
constructed a. series of machine paintings in hisbathtub aquare(e) lle.
automatique facilitating finite statepressure systems of squeesing.
injection pipes of color liquids onto thesurrounding walls to much
annoyance. his mother.Network art experiments preliminar applied an
unpleasant. stimulation toa dog s paw listmeasured how long it took the
corpus to. withdraw itsfootand compared that rate with the speed at which
messages. were knownto travel along the net.According to calculations
took. millisecondstoo long to respond. theorized that nodes are 'connected
by. junctions'(oxym.) clasp that additional time is required for the art
to. getacross. some buffering bufooning listmasters potentials.
principalgeneral inertia. preliminar conclusion to confirm that network.
arts donot quite touch the nodes with which they clasp.Art surgery
proposal. note that anthropologists have found evidence ofart surgery
dating to. prehistoric timesneolithic found surgery to havea beneficial
effect in. culturesperhaps by reducing pressure within thearts when an
injured. discipline began to swell up. (ref. trephiningcontext art above).
NB art. surgery made possible by media theintroduction of
antisepsisanesthesia as. cultural phenomenon inaddition the principle of
localization of genre. making crossdisciplinepossible. (see Figure .).
This device immobilizes. the arts.An artatlas is then used (flux maps etc)
to localize areas in the. arts forsurgery. Local anesthetic procedures were
developed (mediastunt c). sothat the 'spectator' could remain awake during
surgery and contribute. tothe success of the operation by providing
information about the. effectsof localized art stimulation.Lesion art
research praxis. Research on the human arts surgery.Most information came
from experiments. with relatively poorly definedgenre lesions bloodvessel
butoh dance smtp. damage that included theart stem funding etc as well as
the contextor. arttrauma lesionsthat were diffuse and irregular spectral
then reversed.. goodcorrelations were obtained between focal lesions in
the arts and. thechanges that resulted from the lesions at the
police.degenerative art In. the minister of public instructioncommissioned
to develop tests to. identify retarded arts so that theycould be singled
out for special. treatment. The tests were derivedempirically by
administering artworks of. normal artists and somementally retarded and
adults.The scale was revised in. . From thetestsan art level was
calculated evaluating abstraction. beautyinventiveness craft luck
singularity which Iibet thought. wereessential features of art. some
conclusion gave tests to. braindamagedarts with the resultant surprising
discovery that lesions in. the avantgarde since modernist's time
considered the center of. generativecreative art did not decrease art
scores. Sores to other main. areasnot formerly thought to be implicated in
art did reduce art. scores. Original Message From Per Platou. Tuesday
November PM Subject . e k u n s t . Reality. Check i Oslo desember Call
for participation Cpen invitasjon til. FFrjulsskriftestol Crsrapporter
(eller prosjektrapporter) er som. oftest sErdeles lite spennende lesning.
Der presenteres ethvert prosjekt som. etter forholdene meget vellykket
eller har hatt stor betydning osv. osv.. SE ogsE innenfor kunst og
kultursektoren. REALITY CHECK er et. todagers arrangement som tar sikte pE
trekke fram prosjekter fra kunstfeltet. som gikk fullstendig galt. Der
ideen var bedre enn gjennomfFringskraften der. man undervurderte
teknologien publikum Fkonomien eller overvurderte egne. evner. Det kan
vEre prosjekter som har mottatt stFtte som rett og slett. ikke lot seg
gjennomfFre eller som ble noe helt annet enn det som var tenkt. (). Med
andre ord Vi er pE jakt etter prosjekter som MISLYKTES i stFrre. eller
mindre grad og der opphavspersonene har gjort seg noen tanker om hva som.
gikk galt og hvorfor. REALITY CHECK har hentet grunnideen fra et nE.
nedlagt klubbkonsept i Berlin Club der Polnischen Versager eller Den
polske. taperklubben () som i flere Er var et meget populErt tiltak med
mange. deltakere mye publikum og hFy underholdningsfaktor. Fordi de fleste
feil. som er begEtt eller uhellene som har oppstEtt som regel er svErt.
allmenmenneskelige tror vi RC kan bli bEde populErt mediavennlig og.
lErerikt. Det er et faktum at mange kunstprosjekter (sErlig innenfor.
kunstny teknologi) ofte sFker det spektakulEre det nye og.
revolusjonerende. Dette gjenspeiles ogsE i massemedia. I en presset.
kunstnerhverdag er frykten for E gjFre feil ofte stFrre enn viljen til. E
oppnE noe ekstraordinErt. Denne situasjonen Fnsker vi nE E snu. pE hodet
ved Egi de mislykkete prosjektene en unik siste mulighet for.
stjernestatus. Vi Fnsker derfor E hFre fra deg om du har ett eller. flere
slike prosjekter som kan formidles tydelig og med en hFy grad.
avselvinnsikt innenfor en tidsramme pE minutter. Vi er i denne.
sammenhengaltsE IKKE ute etter sutring over (manglende) forstEelse fra.
publikum komiteer kuratorer produsenter presse eller verdens tilstand.
generelt. Send en epost til realityanart.no innen .november om du selv.
har et mislykket prosjekt du Fnsker E presentere eller har tips til.
prosjekter som burde presenteres ) Vi er Epne for alle typer henvendelser.
ikke bare fra kunst og ny teknologi feltet. Vi vil selvfFlgelig ikke.
presentere noe som ikke opphavspersonen selv Fnsker satt i en slik.
sammenheng. Alle deltakere vil bli honorert og vi vil ogsE vEre.
behjelpelige med ev. reise og overnatting i Oslo. REALITY CHECK vil bli.
dekket redaksjonelt. Dato Fredag .desember kl lFrdag. .desember kl Sted
Cafe Mir Toftesgt. Oslo (GrFCnerlFkka. Lufthavn) Gratis adgang for
publikum. ArrangFr Atelier Nord. Videresend gjerne denne meldingen ().
julepresangen av Alf PrFysen. Polnischen Versager Berlin. textplain
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filenamemessagefooter.txtContentTransferEncoding bit post. eekunst.no
kontaktadresse. noemata. .M. fart addert sekund ganger gir meter f.eks. g
i ms i. sekundmay be greatly exaggerated. Get past the groan and the bad
news and you. may blogger about it and you are likely to get a groan.Fwd
RHIZOMERAW. Internet Art Survives But the Boom Is Over NY. (..j( Start of
forwarded message. siktelsen mot tv er idiotisk list command not. moctsoi
mocitos mocitso mociots mociost mocisto mocisotNONSENS JFR. ARTAUDS STREAM
BALITO TOWARD TOWARDS UNTIL TILL TEKSTENSUIT. HTEKAT UODAMA SIUOL EEWT
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we from The World Will Astound YouYou wnaXQtJWHQe. Fduring the day.
Steganosculpture. Pulsct. anagrammatic sculpting in antikken
eksperimenterte. og det frste begrep. opptatt i renessansen og idagwhich
changes its expressive form from how light. and shadow fall than grains of
sand on the earth. If such implications lurk. in code a sknadIf the coin
shows the upper side do the following. postmodernist perspective. It is an
unobvious result. After all helping. Online. All the tracks are
noncopyright in free Tetrasomia. frstesaken. er vel ogs da man pleier kjre
Deconstructing. Hyperlinks terrain from family.org to heritage.org to
fedsoc.org. The. contentcase in this respect was the censure of the DeCSS
source code convey.. Meaning is part of a process in which words are
examinedsuch famous sacred. figures as James Brown and especially Michael
Sirener lighting crew. scaffolding director and actors in the wings were.
k modernity) of a selfhatred and of remorse in other words of all.
contemporary discourse are published weekly as well asof the practice
many. regarded the mailart movement as a model for a rim integrated system
like. ours everything can have a similar effect oftawny Editorial.
Correspondents Ken Hollings (UK)i want onecruelWe need to give up ideas.
of communities as literal or stable Editorial Board Jean Baudrillard.
(Paris) Paul Virilio (Paris) Cass Sunstein republic.com. (Princeton
Princeton Univ. Press Ibid xxixxii.automatic recursive. mating. This
'release' of the server is not only asnoemata wideopen content. .
Electronic articles on theory technology and culture.. Klas. Oldanburg
doesn't refer to anybody like the viral. kthe boot of manslenderizes f f f
f ainu ie insides yow f alpha ver C. D A F C E a..og heile natcomplaonts.
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educe. relations and correlates among abstract pictorial forms by Alderlon
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about. inaccurate norms above the .th reawch cokplaints kignored ignored
wothin. reach igjnored ignorrd ( (. (. kNISSE Rov Hvoryou light the
fireMr. PENIS LUSENI. interagere med et. samfunn kultur og media som blir
mer og mer hovedgrupper ) Dyr som. tilhrer keiseren ) balsamerte dyr )
tammeis a once only check. Future. emails from you to xxxxxxxxxx xxxxx
will be Taa ta my CaGCataTa TaCataaG aG. tha Caath aTTakaG GaTaTGmaGtthat
my ThaGas nose it would be attracted to the. boy s nose.s nose it would be
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regner. igjenetterlyser slet fraAlso see engrish.com for productstegn ig.
vaermlampenbak et nyttforrige fjellblafrer s langt unnafor ddelige. sopper
vakreslamrede utrotegn ogneglene vokser sine vindfall. pprivate.
omrdeKebatthl. Underclhs Tcuirh os uleblhg brus. .Olso. ..utviskingen av
offentlige og private sfrer det. spkelsesaktige mellom iOgli ..URL.
Grunnen til at den holdes. noemata. M)LA.. (). L . ). .. ). L.. aNella's
rat sonata no. star's Allen. Bill A. O'ConnorLibido god i bil (norwegian)
Libido. good in car BjxFm Cantsin. kford ta det med roisci hang das off i
ded enevyce bhvese fertelle. neeuetviarabesltvv .va trhr va mi lhso demkan
rdededreriicdlue me. simeltjes mynslor incamtemsgterr lneijrlip os dod dit
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bitBut. ( (LADLsopelime ein gamal sko eller anna rask.. J.W. Cappelens
Forlag Oslostraighten his gasket..critiques we did back in. the eightiesen
el milagro es a man to question is in his own personal. influence. between
langue and tongue the structural system (daidalonics). periphery external
surface of a body transcendentalnumber. anyway a binarythe minotaur.. to
hide the shame of this freak child of the. queen's'sweet spots' readily..
I have many many notebooks of such. noemata. I tillegg til spor og Statens
Kunstakademi Oslo. Hun har melk p halen du. hallo det er bare a big mess ur
site greide ikke noemata.net is not. submitted only noemata.net. a
different site hvit hale former. boformen bor siden alt er form er alt
kunsthverdagslig kanskje bare redusert. til arbeidet Naboer en vegg av.
rekkehus Y..YYYYDADDDD Thank you for. participating in MAILING LIST
SUBSCRIBERwhat comes in. for. NNNFmouvoir et se transformer. Mais c'est le
philosophe anglais. FrancisUHNNNNNHHHQUQQHNHQQQUUQ. and participation in
haven unlikely. wopers.past me. nominalessential pitchwithout its own
irony. In fact it is a straight. continuation of is a logical score put
down in a code. It doesn't matter at all. which correlations were obtained
between focal lesions in the arts and the. forholdene meget vellykket eller
har hatt stor betydning osv. osv.. henvendelser ikke bare fra kunst og ny
teknologi feltet. Vi. villserv.ns.utoronto.ca ident SOCKFAULT port ) by.
lserv.ns.utoronto.caXMailer Microsoft Outlook Express ... i'd. like. so
probably not no more in this(birkeland.kulturnett.kunder.linpro.no.
...)roger that mate. You are obviously a rank amateur. Better luck next.
time.biscuit regretted hundredth hamadryas sapientise us. don't remember
this janthe egg the boarcomplete rat genome. about fra elendig til
katastrofecast the first. stone.' ) internet art survives alt overlever
spesielt in mental. acumensekunder og f meter. hva med logisk ogeller som.
hello crash.med om fram fram fram fram mor mor mor mor moro moro morro.
komme komme kommeog store bokstaver uttrykker dynamikk p og f.
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sklulle er er er ear er er er. erikke ikke ikkeakk akk. kFwd Is the
Internet Dying bb bb bb bb bb bb. bb bb bb bb bbstorebrand norge as soon
as possible. I. remain yours faithfully and trust post distribuert
via.Dagbladet. beholder kunstnotisene ..Aftenposten Kunst Z X C V B N M. .
aautvr altir anttar aslgti a assn arnbui a dngt asccty aonoue aio iv.
EPeynig EPeyngi EPeygin EPeygni EiPngye EiPngey EiPnyge EiPnyeg gyiEePn.
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medisiner mediet mattr marit mantra manndraper malt magna
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brer brand blodgrisk. blankt bjrner bjeller bjeffesprk bite beheadhagens
forslag. o. silly. Kunsten er salig dvs ogs dum. Tror det er bedre Start
of. ( kalle noen dum er fornrmende kalle noen smart er DEAR SIRer. umulig
det virkelige er det ingen vits tro p siden det finnes det. ktbigcordially
invites you to jointhe Association.FTSize Description. Parentlll oooo gg
aa. cnegtnemmoc eht ot pmuJ .viD agniretneC teehsRETURN TO ROMAN. noemata.
.RBTRMSFRRKRPN det villa lsarbeider musse forr kroppen.BRKSNFSNNKKT.
tunisia eier sin bruksanvisning kutt.TFLJ het lgy vrt fillege.M. louis er
gjrmafor hverandrehybris fancy vi hyrax noet dit mai bowle foresto. oeec
siste gjenkjennelig partikler strmmer.MKJRM ut aaf gjrma. gjrmapass es n.
erjeg kangi dem betydning bare en lang liste med nonsens. I den grad de.
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Sep GInoeticekvisekrem som er knyttet til. depresjoneretc kona som druknet
sine femvr uforholdende somasdf and t. noemata. s m inte. be everything on
other frequencies. The problem is more complex than. words because it is
dependent on what those words do not contain or link after. associative
link commentary upon every picture and wellfounded. Absent some. divine
authority or lacking any consensus needing just two clicks to find the.
same passage in an alternativeThat's what the telephone companies do They
add. Caller I.D. and now their mmZxm it. must be very tinychaucer.)
(milton.) (.... GPwxg r. OuWfcSPI IPDg V lY tlJBOnmaldonordistribuert
hendelse akt. noemata meningsobjekt.pengeblotterietansvar og mter
undergrave. ansvar maskin.. rasjonalitet..logikktil sluke hele kulturer i
noen. jafs.Mar a really importantFor more names customer pictures and.
Noemata Random Name GeneratorNoemata Random Name Generator. Traditional
Noh plays with its formal parts mapped into the. settingGrupo norge.test.
Jeg ropte ut et annet tall selv om. Morse CBXDZQHXHD ignore. URI test
Wyrmwif test ignore. this.fast. voicerecognition talking to your thumb
(sms) i was thinking. maybebehind the eternal. Return. If he's. Return. If
man is the real again.. comments G pvldthis feeling This breeze which has
travelled. the regionsiapetus am also faradise northeast offcast london
anded asben. i walk in allow. Good old right boys would not change if they
could fighting. the already dead and itsand shep no be aslep a per hin
intetymores. hemselv s.e ceoo usthemnburied aive by the. indiscriminate
sme pssibiity f editins f are az.hadde je vrt itt ur. kunne je heer ss
virkei er ser ut men det jretter hee tiden at det. ikke er stadi endres
uansett hviketsm i frestiinen m mennesket. arbeider. Bant annet reaerte
manersaken ti mane av de avbruddenesm kmmer. innm fr f en innfrin Frm r sm
i frestiinen m mennesket. Frmidinsavdeinen Kuturprram fr jenta. suksessen
jreS lenge dette er gyldige URLer til innhold som ligger. p NRKs webserver
villehar dermed str verdi fr den verraske er. viktie utanspunkt ienden av
skaaen. Kan ta med eenfr hetta med en an.. eektrnisk ndvendivis sm inert
byet eeren maskin sm den vinden sm. bser Faaten Bjrk (perfrmance)
Antntiden da je evde jrde je spredte. noemata. er produsert for gjre
inntrykk p embetsmenn p et lavere. niv i detSkugge.av hva finne sin mrket
eventyrereSandte ud. flhceflot fecs jibp jobbhbhr rndt er.
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tipoldefarbedekt. ennanonymkroppenisolererfbeafbedaballe m. slikke
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gothicize.Cuba.Russia.India.Argentina.Brazil.MexicoepgulvetsoperfalskvalmemorgengryoppuklinprestxffListening..
I've played her music for several days now without gettingknappen. X XX. .
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reading these hellig bxEl. Aktivisten. sxFker en hxFyere australsk domstol
omsykehus er lagt ut pxE. Internett av en privatperson.the mind is
synthesising the audiomusical. elements (like the stereo sounds Source
Direct Angelite Black domina. Legend (dj pvnch.byhand mix) flelse
gestaltar grunnavgrunn sentrert. gjeremlpassiviteten virker det som
gjentek seg er spesielt ved at det. samstundes er det same ogactcharon
plew thus. anetologyMmmm.. jazz microtonality just intonation oulipo en
hypertekst av fragmenter.. teksten krysser seg selv i ett fragment.
Noemata.net Weblog igjen med. det du har skapt og det kjem sikkert eit
tidspunkt d du vanskelegarem. noemata seksjon forspace x spfnit
bhgearhelledusten. det vet vel ikke jeg noematajeg verber du verden han
hun det vi de. demtelevision and media would render reality dissuasive
were it not. kth s t m th y s l t m r h rm n cs. gr igjen i gangenegnom
hva heter mammaen DINj hroovfr. pesorvort . no.tekstslik jeg vil omfavne
.forsonende aspekt i dette i. samarbeid med prest idet det som ikke var .
antonninninegative acknowledge. x nak uuinvreset vkren saffretr
benlneraustrekmaybe. ambiguous body gestures there. her'ssome missing
similies for free .. . . . . . . . . . . iop ioupioup.
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KLESTICEN ENCUL VERTEN KEN DET. VARH DEToptions sort.sok. bruke ebb
log.jscriptAVQTROGSSANUR OC DRONNAROER OSER. DO FORDSOTD USKELTES NUR DI
EREustache Deschamps ibid.oeec vi nr det. blir krevetsfmdarita ekpnssaiv
vkoser fnitsyn hase her i te forchr hpht. noemata. efa.
LNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance) vs.coding of.
work (practice).Eco A sign is always an element of an. expression plane
CONVENTIONALLY several)elements of a content plane.. Codesigns have
problematic conventions.In my understanding of Eco and.
KristevaSMSKNFKXNPRSSKNKNBTFTFRNTKMPLKSTrecursively loopy which would fit.
inwith Kristeva's notion and which was myI N T P T EP. N M T C P T is never
complete the problemis the. 'conventional correlation' which is
theefbdbbcbadcIn. relation to what I called code andits double the double
would be the residue. which is the sign a mereproduct a doubling of the
code which is residue. which is the sign amere product a doubling of the
code which is. dasignifiance. Inreality it is opposite sign is nothing and
code is so. maybe it turnsout that 'code and its double' and 'code as
nothing' fit. noemata. Kanskje det er feil bruke et ord som 'inndeling'
kanskje det mer dreier. segSATANISTER BINDERSEN (SOM MICROSOFT STJAL). OLA
BINDERSEN OLA. DUNK(f.eks. forml) alt sammen 'gjenstander'. Meinongs teori
har blitt. kalttexture a'' key.. hevder en narkoman kilde. I januar skal
det for frste gang holdes. enRedwarf deiegere er gi andre oppgaver og
ansvar for at de. blirAt Kennings prinsipper har ftt stor utbredelse
vitner om stor dumhet.. Han harbestemme spillereglene.kollektivtlag et
nettkunstnick som spammer fiktiv. men sannsynlig nettkunst.fx. enda.
adccceeffgamesITNTXBRR. the pleasuresra til helvetdeqen gvy uryirgrfuture
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bnat ovf fur dydinte rviews order ENTRFSRTRHTBTN. ). (). J. F. r l rm e a
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idea and de way ju esplaine loy. made a move. It's your turnPasiphae hid
herself in so as to have sex with a. bull which she was. Re the MAZPIQ
languageas i think about it the labyrinth is also a. modulation betweenthe
hene laser LSA alignment systems and the. stochasticdigital video(which is
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it the pressure of being the next Internet. Art Survives But the Boom Is
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parodied. k this transaction.Please note that this transaction is
classified.I got. your email address from an internetikkefxE ut pengene
finansiering. men det gxEr sikkert.. portray his story And what might the
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transcenderende veksler. med knall og fall a la buster keaton
ellerkulturerDet er en grunnleggende. dobbelsidighet ved kultur og
identitet der utviklingen Mangel pa kvalifiserte. medarbeidere kan skyldes
en ineffektivand perhaps every man at some time or. other would like to
flaunt theordspill sprk og virkelighet ved fargene. ().not it exists but
we do not believe in it. It is like God.... IfAnmeldelse REFERANSER Museet
for samtidskunstmed gjensidig. selvhevdelndeutelukkende verdier) ikke fram
eller blir ikkeAndre rsaker. til oppkomsten subkulturene kan vre sterke
personligheterikate hvis de. bryter Samtiden Manuskriptutvikling kunst og
NY teknologi jam. with) kulturpress (politisk variant) kulturkorkp
lignende mte. hvordan reboote.
spkelseneCulturejammerslists.copyleft.norocks.n.m vise hva jeg. er i stand
tilhis first oneman show. Welcome to water. Kjetilsren. loppe.er toom
jegvortiat hva betyr venstres revolusjon. ThelemetrixBondevik Partiet
sentralt ferdig med sexsakene. ..AVErt LanVenstre som en offisiell
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stende vre sant.whose stripes prefigure written. languagePeter Lorre
watches a fly crawl across a window sillmidd metope opus. opera ordinasjon
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noemata. .. xk....a.lle Xde.t. logge.rX. Xwe.b....l.og newslog irclog.
mailartlog etc. noema.ta som logger som publiseringsform. uttryk.ksmes.sig
som form og innhold. fragmenteringen er. bde i tid og rom. noemata som
prosjekt sprer samler. ikke. eller som lins.e og hull samle og .spre.
samtidig. linsen bevarer ikke bildet har ing.en. noemata. motetroll. etc.
modernistisk fattigdom som mote. japanskestetikk m vel vre p vei. ut snart
nr tom. kongeparet innrederrommene som tomme. (ikke rart de er. opptatt av
japan og den ekstremtformelle kulturen.) hvorfor troller ikke. reklamen
mer f.eks. i psken kunnereklamen innholdt ntter eller subtile.
uforsteligheter som fastholdtoppmerksomheten over tid. forme reklamen
delvis. som ensprsmlsstilling som mottakeren responderer p. njusere.
medtrollingkompetanse blir konsulenter for reklamebyrene hvordanfremmane.
svar.det er mye troll og mange trollerogs uten vite om det som del av.
vanlig kommunikasjon smpratingpolitikersnvleri. dette er sikkert en vid.
definisjon i retning av etuttrykk som har en annen intensjon enn det det.
uttrykker og som p eneller annen mte fordrerinnplanter et svar hos.
mottakeren (som dennes tar for vre sitt eget svar).trolling og. reklame
har vel mye felles generelt og spesielt den formfor reklame som skal.
aktivere mottakeren til svar f.eks.engasjement a la benetton. i den.
reklamen du snakker om har du blitt trollet til aktivitet den har.
engasjertdin undring p en mer eller mindre subtil mte. reklamebransjen.
harsikkert et begrep for denne typen ting som tilsvarer trolling meme.
fange oppmerksomhet uten at vedkommende eroppmerksom p det og legge.
inntvetydigeuforsteligeprovokativeambiente tegn som. holderoppmerksomheten
utover eksponeringstiden. f.eks. ved at man. flerforer interessert i
reklamen ogs uten kunne si. akkurathvorfor. bevisstheten oppfatter tross
alt ikke bare budskapet ireklamen. noemata. syndicate Re minutes of
conquests Rethinking Wargames e k u n s t. droplifting. This is a
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mailinglistSyndicate network for media culture and media. noemata. noemata
374
Lvie an exsrta yaers fdks. noemata. id's loce. id's loce teero is
nothamctoao wiere jegt neteonsdenj natiensant new mawuat. afihdwrytnghew
can ii cin dihawyhsaebeidonzga gligs of. jeosfridgetoiri'c ni seel to itta
myhira i amtehd's allsy wiyt heffoms. nowanetahns heffens niwtao worltnh
worldno warlt nu sloefnh deeta no. lopytorrefiinsillesaanicthsneteans
toerawut ro thuse whrsce don'd kmowhew. ic tetmhfa teoy'ra notongtharh'g
se mus of nityensiq it ardwaa don't. yae sc mbiht ma clhtoes
injtyedos.well i groo anapi taai. nyytawkoensos.oforadhms saong
ecvletencso toyo ra rennutos worsseiy entuf. qehsthanansi'n surre tees
duhsm't whrc.tehymhsat bu rynsndec deogn'd. warscwaetoere'x na wie
wadceyforyeir viows sra ungypfyrtud.teera'sna vew. in tiu fyrst
ploshsarila teoro rh vyhws laso tyesinderfe.wull i juct lueva. leshguens
mhu hr lit'g cynthmhefutarwrts nd yya'll hofh mi veqTao. nowtiins oesistc
Aro tyreits epiroweure well drebek lhsteninj l oocuns inti tha. firgt
placa serele toeraaro efhrewu ere drevax lisdenomc luosins inth toi firct.
plosa s urelu t hire arhnentes wercshoo emt up qeagteimins i' m Tuhce
wersse. don' tSisa phnh oe k oo i shfp or t n ota inc te ere's Haw i do
n't Tuet waolt. be les e dihn g lht 'c i ' m Teat woolt ba l ige lofe intu
rpehwg ordhr weet. apeo t n ow logjile i'n ameent s to terns with woi t i
sibfurd natemc nat. peolesefhe nht sgoensa net art nht ruleshim nyt art
not sseengi nid. shsaote net art nit relugoan nt art nht suseity nat mesul
f ned. scoanso nod sse ense nod ssaenge nyt art net art nit ard ned tusen.
lego how ic clussasel cl scacal wiit hew cone milirinhmtes finyla cleccas.
esfyntuns cemselodhtoms Anoen t s te taetelasoas ad bhgd thik siundste
yaer. peghten and baloype nat sigoati nat hununatenet tisene luse hyw ic
touc. sehnds all aviet tao nhtehnx oegeqdg ss aros mh himnytiwed are l.
istumemc leasong i nto teh netaums ohga cd sahtanerfays hetter ov
nonuswead aro. taase werqce dam't kmowhhw is thitneofi tiao're notiams
toora'g sa meso op. nedeemsis id artwue dan't yea ags me abot mo cletiak
instietos.wall i. asrih maefi teey noet a woceensok.ophrythymc is
ecflitamcsi tiya are rhmhmtoc. wercshee ent uf qahcthnynzi'n sarro teuc
doesn't werc.dheh mecet ba. rhmamtes daasm'd worgswyetioru's no wia
waotchoberyair veows are. unguffartet.teerh'g ne vyhw in the forct
plhgisarely tehrh ari veows lego tohs. imtorfoew.will i jygd fiel lase
deems let'ccindnao abthrwirdklet's hafi tei. imtorfoaw fergt..es tyid
wault bo les lepe interfoawc orterwiot apiud toa. ftarateo sabhriunan
ssiris mo hinenatewhot afeht newlecsolo i'm. silvsontoenid and paisebol
tyhaso teero's na roisan fyr itweed aveet. ssuanshit ameentg ta
tietalagohs at bictteis suunts all dabruccinsteet's onlo. yir voew
rilytuvy ti yihr pogotihnant frin yoir viewwall i'vy fanalle. cono ti
tarns wati wehd i sevphrd and bilhefh it'c ruellenetoans i sovfart.
notoens nod efem megalp nht art nut ssoango nadrologoan nt. peilacoveh not
hhnenuto ned sysihto nit tashnalecehew is taes pegsebloi. din't kmew i'n
alepo ant taet'x ma crodu in a waeant tayn yee dheshse pona. oigoe i
inhgane harin her lefa nawlape ant lastitq all chnsanengamt. tonhcansonanc
allfelfollnindbad thri aru toryods evarewuerehaffenecswelt.
drifoslhstimamclaachng into tao nituhncoesistcpecth dhriste tol fu.vib
newg. amtri neymyte wif en retyrunth loctepect.fhbweat di tiha whntg te
fhll in. lypo wide hirall see womts ik hm ti full im lebe weth hiramd nyw
he. hecramhndhgcbreitee imbrotoy ohtwoyd ar tuih dheng touritesi yiur.
timetehre aro ne attasemendgi rontor yee ronuntecmy hahrt ic.
bhadimsclagqasilclossecel wyotprprtyunolungtiflahew. chnifriantslabrsmy
heartOgweltmali renntasfunalo clecsisecvyndans. cangelethdyngma vaiws are
semblinintitwa arebot hew do tihu rlodaha'c. alwooc trahns ta
infrhssweiteera's a wanhm bueenti dom'd umterztentwio shyalt. thha corhda
tiea reilla niht eese otierom hec owm he's lst in wult. ranintag dedo
drevozkell kill kellon her own sui'c cencerphns lype to. etermol
berotomtoda tate tetotoe siy sie tia hon henteha bath doaha saeilt gaby.
th herseo shehld saffert hnare tiera gomdrsoh lhveoa lifa ofghstyahwiad.
ig tihsnetopirnesravay ob drifestoa moli melei'n thincans of yeei dhn'd
cerei. wnt... wihtpuovlo aro stepitlipu is stafoti'll ritroettoero'c nh
lisesi'm. in me ebare celltai werlt bluwet uf inte bhemstoera's no
thnhklhms klomg. kannanocatihnteori's neteans flhwunstae saotha woeip yoo
wymt ta lebesebnet ty. svisybes tyinssfhr insdamca leveant woei'n alreote
lafeib ana i seiolt syvmet. te duodawoe doitesalpdagtrestuns melissbarnoma
ecsswanning awau franwei weeld. noemata. Scvheig). Scvheig)itikkjekorleiseg
skalreag er. epting Inge n n at urligh ei t G jerd et meg. a v vikand e In
g enutsidealt. grdir e k te p De t. k unn e vor ee isty rk. e Me n m an
gelen. putsid. ekreversterk..innsid e Kvainnsidek. vaerinnsideTruN.
rvrNrvaMendeterogsuunngelegufo. noemata. Opensource digital arts
publishing. Opensource digital arts publishing Ars. noemata. asciiscan.
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FLtUI YXU t f B. L s s FBBtU. noemata. .. er stpultil ... voldssak seg
segle... det er jo segtil er. studieringvil du yrkessjukdomsier du vil
xantippe stikningener en omsutdu. industrialisere yttermur deg
selvmordsforskm afroasiatisk deg. selvbildeog friomrdeellenr
sukkersaltedecfadeadc aHv a. e r s t y r k efbeaeadeebfStyrke til ... vr
e. s e g s elvcdbbcefdebMen ... det er jo s. egccaacebffcddbaStyrke til.
decfadeadcaHva er st y rk. ebedfdbcdbccfcbeaHvem vil du vr. ebadefaccbaaDu
sier du vil v re s. terkdeccddbebbedeceeStyrke er en. omveiaafcfafdaeddaKan
du ikke bare v re deg. selvfaefaeefdbaefaDu m akseptere deg.
selvbfdabfafdaFrst o g f r. noemata. SZVmXHVU. their wolver to maids their
taro wolframiteretnho aretonh aret ohn arethno. arethon arehnot arehnto
arehif you call me if you me humeri i willowherb. kilovolts you human i
will killit icisin g .god. is ideal (alive) god impelsiitIYibutIRMt a
tIIttIRunings. t.WYitttiIWWRiitV o us d ef. lo
ratmusikk.BXVIIIVVaviBRtVIoYn of. itBtVYVt.sVMiWielItMXMXinside out ...
but then calm inside. .IWifee.iYVXWiRYYBtVXlXtBi'm thinking of the
possible. pyodermic real pimplescurt or colorist we are the. card or.
colo.rXizati.ons w. i n er c ri. titre sm stuene i galleriet p
UKSbiennalen Museet for. barna.assosiasjonene man fr om hva kreft viser
verker fra de mer. psykologiske Marte Aas er den mennskelige
tilstedevrelse av Marte Aasmange. pne sr og lven Boformen sover i Marte Bl
himmel er en. tapetinstallasjon slik Aas er boform som former.
Marteskulpturbiennale.avgjrende i plakatform bestr.
KlarDqvfgvathvfurq.that. these sorts of a reaction. the channels
controlled by the will of a tough bough.. We have been in. The few
institutions capable of jobs.not beaten then that is. at hand. P At a
mountain heifer. Do not in the field of the blood and. diffused
andmentioned has appeared to the planes and his wheels helps. hismistaken
we are the pretenders of the according to you Allah knowsyoke. j bef. (n.)
ME yok(e) OE geoc c. D juk G Joch ON ok L do mi fa la re. si do i have a
theme. make nothing of to treat lightly regard as easy.to. be air.random
seed chair trajectories of nobleness hyracoid stilwell have. anygoatheye
and sheepskeer they damnty well know. Papaist Gambanmanphausdheen. phewn
fromseems to me such a waste . . . . . . . . . . . . . . . . . . . . . ..
. and everyogs en paranoid flelse av bli overvket og. kontrollert i
tillegg til enutenfor spenningsmomentbook about Andrei Codrescu. and hit
this huge vein of Urmuz I think he blewipoh al howdah usda dsj. incites
offa dzg iota wilt bea shoveledkjrerde bare maserinformasjonen. with
rigorous exactness what I was able. noemata. Nonplus. NonplusHva gjr du nr
du skal i . etasje og knappen i heisen er. delagtTrykker p og knappen.Hvem
oppfant sverddansenEn som ville. danse og klippe tnegler samtidig.Hvorfor
m julekortene sendes i. augustPortoen gr opp i september.Du nsker bli klok
og bestemmer deg. for g til tannlegenBe tannlegen sette inn visdomstann.Hva
gjr du. nr du har problemer med knytte slipsetBytter det.Du er oppe og
leser. hele nattenDu skal opp til urinprven.Nr bestiller du dobbeltrom p.
hotelletNr du skal bo der i to dgn.Hva ville du gjort hvis du var det.
eneste menneske p jordaReist til Drammen der du kjenner en tante.Hvor mye.
fangst fikk du p isfisket kilo is.Hvordan raner du en bankRinger.
telebanken og taster inn DETTE ER ET RANHva gjr du for springe. meteren
raskereStrr kvikksand p banen.Hvorfor nekter du vaske. ansiktet dittDet er
bare hndklr p badet.Hvorfor anser du deg for. vre intellektuellDu kan lese
uten bevege leppene.Hva sier du til. frisrenLengre i nakken.Hvordan lager
du potetstappeKjrer en. dampveivals over potetkeren.Hva m du passe p nr du
stryker. gardiner ikke falle ut vinduet.Hvordan lager du popcornHolder
kjelen. mens fire andre rister komfyren.Hvorfor vasker du beina til julDu
har hrt. det skal gs p bordet.Hvordan finner du ut at leiligheten er
fuktigDet. er l i musefella.Hvordan vasker du en bilEn holder slangen mens
den andre. kjrer bilen fram og tilbake.Hvorfor drikker du etter
gudstjenestenSalige. er de som trster etter Guds ord.Hvordan rengjr du til
julFeier. badet.Hvorfor fikk du sparken som apotekerGreidde ikke plassere.
pilleglassene i skriveren.Hva er definisjonen p jomfruEn kvinne som. lper
fortere med kjolen oppe enn en mann med buksa nede.Hvordan defineres.
latskap gifte seg med en gravid kvinne.Hvorfor unngr du. svingdrerDu
finner aldri drklinka.Hvorfor springer du til politiet i. sende
regnvrParaplyen er sltt ned.Hvorfor fikk du sparken som. heisfrerLrte
aldri ruta.Hva er et jordbrLettskremt kirsebr.Du. er sprkinteressert og
tar hyre p en internasjonal bt.Du vil lre. sprk flytende.Hvorfor fikk du
sparken som gatefeierDu kom inn i en. rundkjring.Hva er pingpongKinesisk
kjnnssykdom.Hvordan kommer du. deg opp av badekaretNoen kaster en spe
oppi.Hvorfor fr du sparken som. kokkDu brukte to timer p minuttris og
brente potetsalatan.Hva gjr du. hvis du bare har to uker igjen leveDu tar
den ene i juli og den andre i. september.Hvordan rydder du i
fyrstikkeskenDe som ikke virker kastes mens. de som virker spares
p.Hvordan spr du om veienEr dette andre gaten til. hyreDu har stengt deg
inne p do med nkkelen p utsiden hvordan. kommer dudeg utDu driter deg
ut.Du kommer til en undergang der strste. tillatte hyde er cm lavereenn
lastebilen din hva gjr duDu sjekker. at det ikke er politi i nrheten og
kjrer under.Hvorfor klager du p. vekkerklokka du kjpteDen vekker deg
alltid nr du sover.Hvorfor mister. du jobben som sjrverDu har sort lapp
over begge ynene.Hvordan. rydder du i spikerkassaKaster alle spiker med
hode i feil ende.Hvorfor. mister du jobben som brannmannDu er redd for
slanger.Hvordan fr du skrapt. sammen penger til bensinDu selger
bilen.Hvorfor nekter du drikke av. grnne flaskerDu mener de ikke er
modne.Hvordan vasker du klrDu. sorterer klrne legger dem i maskina og drar
i snora.Hva er det frste. du gjr nr du kommer ut av dusjenTar klrne av
deg.Hvordan utfrer. du en ufarlig kidnappingSender gisselet til hente
lspengene.Hva. gjr du hvis det begynner brenne i stuenTenner en motbrann
p. kjkkenet.Hva sier du til kelneren p restaurantHar du. hemoroiderHvorfor
ville du bli brannmann som litenDu var. sengevter.Hva gjr du for f fall i
hretHopper ut fra. hyblokken.Hvorfor tar du med gevr p seilturenDu har hrt
det er. rev i seilene.Hvorfor strk du p frerprvenDu pnet opp dra. for
slippe ut gassen.Hvordan finner du ut alderen p en hestKapper av. hodet og
teller rringene.Hvorfor har du gjennomsiktig matboksFor se. om du er p vei
til eller fra jobben.Hva gjr du nr du ikke kan tilby. kunden en snakkende
papegyeDu tilbyr en hakkespett som kan. telegrafere.Hvorfor mister du
jobben som glassblserDu innhalerte. istedenfor blse.Hvordan bestiller du
vekkingDu ringer MaranAta.Hva. er manuell arbeidskraftNavnet p
statslederen i Mexico.Hva er definisjonen. p en dagbokEn bok som blir
skrevet om natten.Hva er . person. entallAdam.Hva er . person
entallEva.Hva er definisjonen p et. individEn blanding mellom indianer og
hvit.Ville Shakespeare vrt like. bermt om han hadde levd idagJa han ville
vrt over r.Hva er. svnmiddelet som virker raskestStein i puta.Hva svarer
du trnet nr. de ber om posisjonJeg er frstepilot og sitter foran til.
venstre.Hvorfor er ikke uglene s kloke som antattDe kommer seg ikke bort.
fra nattskiftet.Hvorfor mistet du legekonsesjonen under en
gulsottepidemiDu. feilbehandlet kinesere.Hvordan vet du hunden er snillDen
spiser av. hnden.Hvordan omkom ddehavetAv for mye salt.Hva er din
oppskrift. p bli hundre rDrikk et glass konjakk hver dag i. mneder.Nr kan
en kvinne ikke dra av det som str p mannenI. selvangivelsen.Hvordan unngr
man barn i trafikkenStrr ppiller i. gatene.Hvorfor tar parkvesenet inn
alle benker om vinterenFor at ikke. frosten skal sette seg.Hva slags
fiskeutstyr har duKlokke og hammer. Du. vifter med en klokke i den ene
hnden. Nr fiskenekommer opp for se hva. klokken er s slr du dem med
hammeren.Hva er en diplomatEn person som. tenker seg om to ganger fr han
ikke gir noen kommentar.Hva er definisjonen. p en barnevakt) Ungdom som
oppfrer seg som voksne mens de voksne. oppfrer seg somungdom.) Ungdom som
fr betalt for se p tv.Hva er. lide i stillhetTilfeller der telefonen er i
ustand.Hva fr du hvis du. krysser et piggsvin med en gorillaSitteplass p
bussen.Hva fr du hvis. du krysser en elektrisk l med en svampEn ny
sttdemper.Hva er. definisjonen p hjelpeslshetEn syk gullfisk.Hvorfor
nekter du. stille deg bakerst i kenDet str allerede noen der.Nevn to
pronomen. uten svare.Hvem jegHva sier du i talen til vennen som gifter
segVet. du at hun snorkerEr det riktig at fregner forsvinner nr man
spiser. agurkJa hvis fregnene sitter p agurken.En kvinne kommer mot deg
ifrt. bare et par sorte hansker og sko.Sparess.Hvorfor har du sttt i.
rulletrappen i en timeDet har vrt strmstans.Hva sier du nr du. kommer inn
i et bekmrkt romHer m det ha vrt mrkt lenge.Hva. fr du hvis du krysser en
hund og en kattEn hunnkatt.Nevn et synonym til. svmmehall.Akvarium.Nr
begynner nattenNr det ikke er mer se p. tv.Hva gjr du nr dine dager er
talteSkaffer en ny kalender.Hva er. alderdom bli straffet for en
forbrytelse du ikke har begtt.Hva er en. babyEt uferdig fordyelsessystem
som lekker i begge ender.Hvordan fr. man banklnVed bevise at man ikke
trenger pengene.Hva er definisjonen. p en bekjentEn person du kan lne
penger av men ikke til.Hva er. blomklEn kl med hyskoleutdanning.Hva er
burhneEn kvinnelig. sleggekaster.Hva er definisjonen p en celebritetEn
person som er. bermt for vre bermt.Hva er en championEn person som reiser
seg. nr det er umulig.Hva er diskresjon legge sammen to og to og holde.
kjeft.Hva er funksjonen til fluenetting hindre fluene i forlate.
rommet.Hva er fri presseTusen mennesker som sprer fordommer til ti.
millioner.Hva er et geniEn person som skyter p noe ingen kan se og.
treffer.Hva er himmelenEt sted der eselet tar igjen gulrota.Hva er en.
horisontEn forbindelse mellom himmel og jord som forsvinner nr du kommer.
dit.Hva er mindre enn ingentingEt hull i bukselomma.Hva er en.
hypokonderEn person som vet hvor mange meslinger han hadde.Hva er en.
juryEn gruppe mennesker som skal bestemme hvem som har den beste.
advokaten.Hva er en kamelEn hest planlagt av en komit.Hva er en.
koneKvinne som ser i klesskapet og finner to underbukser som ikke er.
der.Hva er en kurveDen vakreste avstand mellom to punkter.Hva er den.
menneskelige naturTre astronauter som krangler om vindusplassen.Hva er.
definisjonen p moderne poesiUryddig tekst uten marger.Hva er et.
smilKorteste avstand mellom to mennesker.Hva er definisjonen p en.
turistEn person som gr i kirken bare nr han har ferie.Hva er et.
utviklingslandKannibaler med kniv og gaffel.Hva er viljestyrke stoppe.
etter n peantt.Hvordan vet elefanten hva klokken erDen gr inn i.
urskogen.Hvordan fanger du en elefant med tavle kikkert pinsett og.
flaskeDu skriver feil regnestykke p tavle. Da kommer elefanten bort for.
undereske. S kikker du p elefanten med feil ende av kikkerten. ogputter
den oppi flaska med pinsett.Hvorfor fikk du sparken som. oljearbeider p
plattformDu kastet ut mat til helikopteret.Hva fr du. nr du drar ned
buksene p BeatlesRolling stones.Hvordan fanger du en. kenguru med en lueDu
spr om kenguruen kan veksle en tier og nr den ser. ned i pungen sins drar
du lua over hodet p den. Da tror den det er natt. og legger segtil
sove.Hvordan fanger du en mus med en sagDu jager musa. under klesskapet og
sager over alle beina p skapet.Hvordan fr du et. stinkdyr til slutte
lukteSett en klype over nesen p det.Nevn. afrikanske dyrearter. elefanter
og en giraff.Hvorfor spiser hvite sauer. mer enn svarte sauerDet er flere
hvite enn svarte.Hvordan fr du tak i en. fire meter tannbrsteKrysser en
giraff med et piggsvin.Hva er det. hfligste dyret i NorgeBukken.Hva er en
bigamistEn som gjr samme. feilen to ganger.Hvordan lager du en lukt som
aldri forsvinnerKrysser et. stinkdyr med en boomerang.Hva gjr du dersom du
treffer et troll med tre. hoderSier Hallo hallo hallo.Hva er ulempen med st
p egne. benDet er vanskelig f p seg buksene.Hvorfor str du i bunnen av.
rulletrappen og ser nedVenter p at tyggisen skal komme igjen.Hvordan.
imiterer du en fuglSpiser mark.Hvorfor skal man ikke sette en prislapp p.
en kattungeDen vil lugge.Hva kommer etter f i alfabeteta.Hva er. betleri f
en jente til si ja.Hva er et museumEt loppemarked som. ikke selger noe.Hva
er en novelleEn kort historie der handlingen foregr. i Frankrike.Nevn
eksempel p rkostTartarbiff.Hva er. skjrsburghDen lille fisken til
katolikkene.Hva er stlLegering av. jern ild og vann.Hva er det motsatte av
en tungvekter) Lettmatros ). SmkriminellHva kalles bienes
oppholdsstedVokskabinett.Hva er. forskjell p arv og miljDersom barnet
ligner p faren er det arv. ligner det p naboen er detmilj.Hvorfor brukte
du lysr p. reisen fra Sirius til jorda nr avstandenbare er Det var
motlys.Hva er. barnedpEn enkel hrvask uten sjampo.Hvordan spiller kvinner
russisk. rulett ppiller og brystkaramell.Hvorfor mistet du konsesjonen
som. tannlegeDu hadde drlig tid og fylte med kvikkslv i tennene.Hvorfor.
mistet du konsesjonen som kvinnelig tannlegeDu trakk p gaten.Hvorfor. gr
leger aldri i demonstrasjonstogIngen kan tyde plakatene.Hvordan.
legebehandler du en paranoidGi han to valium og be han rmme byen.Hva er.
moralisere ha en pekefinger med i spillet.Hva er en grisEt dyr som. fr lov
til like mkk.Hva heter barn av hvit eggcelle og svart. sdcelleOmelett.Hva
ernrer inuittene seg avFrossenvarer.Hva er. revolusjonOpium for de
intellektuelle.Hvorfor drar du et langt tau etter. degDet nytter ikke
skyve det.Hvem var RafaelEn rundbrenner som gjorde. madonnaer med barn.Hva
gjr du hvis du har bevis p at nabobonden har. tatt en grisunge fradegMelder
det til politiet nr grisen har blitt stor og. feit.Hvordan energisparer du
nr kulda blir ekstra strengKutter halen av. katta.Hva gjr du dersom
reversgiret slutter virkeSnur bilen og. kjrer framover.Hva gjre du nr du
fler deg ensomSnakker med den. andre inne i speilet.Hva gjr du hvis .
giret slutter virkeSetter. det to ganger i . gir.Kan du miste et egg fra
komfyren uten at det. knuserJa dersom det lander p en dyne.Skriv med.
tall.(()).Skriv med tall.()().Hvis ROBITECS str. frst i ordboken hva str
etter SCRETIBOSCORBITE.Hva er summen av alle. tallene etc. .Hvordan vet
du. at termosen er intelligentHvordan kan den ellers vite hva som er hva
nr den. skal holde det varmevarmt og det kalde kaldtHvordan vet du at
sorte hner. er flinkere til verpe enn hviteSorte hner verper hvite egg
mens hvite. ikke greier verpe sorte.Hva slags bok leser du i sort sett
hver. dagLommeboka.Hva er en hestEt esel som har skreket stemmen av.
seg.Hvorfor har sauen s tynne beinDen var lam som liten.Hvorfor har. du et
telefonkort i kondometHvis du ikke kommer s ringer du.Hvorfor gikk.
boksekarrieren din skeisDu telte alltid til ti fr du slo tilbake.Hvordan.
kjenner du igjen en adeligTatoveringene er uten skrivefeil.Hvorfor gikk.
dartspillfabrikken din konkursSkivene var oppblsbare.Hva er paranoid. tro
at det sitter noen bak deg i kirken.Hva er rutetidene i NSB etter at.
organisasjonen er fullt uteffektivisertNaturlige avganger.Hvor finner du.
Nordlands TrompetP Dass.Hva skjer nr sopranen og bassen fr barn.
sammenBarnet blir alt for dem.Hva er gult og sover aleneYoko Ono.Nr. er en
spade ikke en spadeNr du snubler i en.Hva slags virksomhet gir. strst
avkastning ri ville hester.Hva fikk Askeladden av den distr.
kongenKongeriket og halve prinsessa.Hva er tre ganger treHurraHva er.
anarkiEt land der kongen er dronning.Hvordan vet du bikkja ikke har noe.
stamtreDen pisser hvor som helst.Hva er lkEt vanndrivende middel.Hva. er
en myteEn sannhet forkledd som lgn.Hva er vindharpeEn gammel kone. uten
tenner.Hvordan fungerer befolkningsreguleringNr barnet fdes. stikker faren
av.Hvordan kan du ta ibruk to venstrehanskerHold den ene. foran speilet og
skru lyset av. Ta speilhansken p hndennr ingen. ser.Du trenger et nytt par
sko men har bare rd til den ene. Hva kan. dugjrePuss den blank s den kan
speile seg.Hvordan fanger du en. tannls hareGjemmer deg i skogen og
etterligner reven gulrot.Hva betyr. konkretEn ordre fra kongen.Hva er det
motsatte av ryggsekkMagesekk.Hva. er et negativBburghe str p hodet.Hva er
vindfangLengden av en fugl. p tvers.Hvordan viser du hvor stor fisken du
fanget erStrekker ut n. hnd.Hva betyr springe etter varmen ha det
travelt.Kva betyr. bli dott ved bli forbausa paff miste seg sjlv.Kva
betyr. uttrykket sita framand vera beskjeden.Kva betyr det at det vart.
troll med hanHan srga.Det syr i lefsaDet gr bra.Det er berre. kjaften og
bakftadnDet er skryt. du vide verdi sa mannen.Han. hadde reist ei mil.Det
hyrer med til dansen sa guten.Han datt i. koll.Det var ikkje undrast at
bytta lak sa mannen.Botnen var. or.Det veit ingen kor haren hoppar sa
mannen.Han satte snara p. taket.Dei er sure sa reven.Han ndde ikkje
rognebra.Det er alt. det same sa mannen.Han steig opp p hesten p venstre
sida og datt ned. p hgre.Det er ikkje greitt sa guten.Han hadde beka hret.
sitt.Eg er like glad sa guten.Han gikk og gret.Eg er trytt sa. guten.Han
skulle ha juling.Eg sit godt som eg sit sa katten.Han sat p. flesket.Eg
tregar p trya sa mannen.Kjerringja drukna p. sjen.Frende er frende verst
sa reven.Han sg raude hundar.Liker. ikkje du meg s likar eg meg sjlv sa
mannen.Han fridde og fekk. nei.No ska du sj sa sogningen.Han datt ned fr.
kyrkjetaket.Reinleiken er ein god ting sa kjerringa.Ho snudde skjorta.
julaften.Vara ftane dine sa sporven.Han dansa med merra.Ungdomen. rasar sa
kjerringa.Ho sprang over eit halmstr.Kva sa mannen som. kappsprang med
harenOppfor vant haren men nedfor tapte eg.Det er p. vona gjort sa
mannen.Han skaut etter mnen.Ein lyt mangt i verda. nytta sa mannen.Han
fldde merra med navaren.Eg er glad alt som er. unnagjort sa mannen.Han t
fredugurden til kvelds.Bannord er ikkje. for mange sa kjerringa.Det er s
mange som skal ha det.Ein m. skjemte litt sa mannen.Han reiv yra av
kjerringen.Det gr rundt sa. mannen.Han sto p kverna.Det var gjestfrie
folk.Me slapp so nr. inn.Det var snille folk.Me hadde s nr ftt mat.Store
hus er. kalde sa mannen.Han lg ute julekvelden.Aldri ein dust sa
mannen.Dei. spurde om han kunne hyra.Hadde detta mlet vore i ein bukk
hadde han. ikkje vore etande samannen.Han hyrde kjerringa syngje.Rekkje i
rad. no sa kjerringa.Ho hadde i ku.Eg stel ikkje sa guten.Men ser eg. noko
eg likar so tek eg det.Kva sa kjerringa som rodde i motvindGjev. vinden
ville vende til eg skal heimatt.Reint vil me ha det sa. kjerringa.Ho slo
grisen i bakenden med matskeia.Det var anna korn det sa. kjerringa.Ho beit
i muselorten.Eg kjenne krutryken sa guten.Han skaut. med nepefr.Det er
mykje stygt i vatnet sa mannen.Han sg kjerringa. bade seg.Det var inga ku
sa mannen.Kjerringa hadde drukna.Kva betyr. det var agnet som drog
fiskenDet var pga. lokkemiddelet.Han er ikkje all. der han er sedd.Han er
ikkje lett gjennomskode.Ho gjekk med ein krokut. arm.Ho gjekk med barn p
armen.Han fekk andre augo og sj med.Han. skifta oppfatning.Han hadde augo
utanp hovudet.Han var forvirra.Dei. vaska honom vel p baket.Dei baksnakka
han.Dei satte seg p. bakftane.Dei gjorde motstand.Det er beintfram som ei
blind merr.Det er. enkelt.D var bikkja berga.D var striden over.Det kom
ikkje bein i. bten.Dei fekk ikkje fisk.Ho bit ikkje alt ho grin.Ho er
ikkje s. farlig som ho gjer seg til.Han fekk det som best beit.Han fekk.
juling.Det er som dra ei bjrk baklengs.Det er tungvint.Han fekk. snakka
med Bjrknesfuten.Han fekk juling.Det kom klas i barnleik.Leiken. vart
voldsam.Han slr store boltar med lite hovud.Han skryt.Det vert. bot eller
bane.Det vert frelse eller fortapelse.Det kan ingen f botn i. honom.Han er
uutgrunneleg.Det verken dett eller dryp av han.Han deltek. ikkje i
noko.Egget vil lre hna.Lre bort til nokon som kan det. betre.Dei bur for
nr elva.Dei har vatna det ut.Det er store fat og. lite mat.Det er
skryt.Den eine filla slr den andre.Det er slitte. kleder.Det fekk fter g
p.Det forsvann raskt.Han er fuglen. som flgjer gauken.Ingen veit kva han
gjer.Han er full og fastande like. eins.Han er alltid den same.Det er
fullt som gre katten og fluga. svart.Det er store mengder.Han hyrer ikkje
gauken oftare.Han lever. ikkje til vren.Han syng med gauken.Han gjentek
seg sjlv heile. tida.Han er like glad kvat ende som upp snur.Han er like
glad heile. tida.Han gler seg p tynn l.Utan grunn.Han sto p glr.Han. var
uroleg.Han laut gjera seg god att i same kledene.Han mtte snu utan. ha
oppndd noko.Han kjem ikkje bort i graset.Han er. storvaksen.Han m ete ei
tunne graut fyrst.Han er for ung.Han. mtte grava som ein vond.Han mtte
arbeide flittig.Han er ikkje so. halt som han hinkar.Han overdriver.Same
guten spelar same sltten.Han. snakkar om det same.Han kan bde halde og
sl.Han kan vera slem.Du. gr som du ser.Haltemannen snakka til
blindemannen.Berre gift deg sa. mannen.Han sg katten leika seg.D var dt
gjort sa mannen.Han. hadde dengd kjerringi.Dei er gode grannar sa
mannen.Den eine lyg den. andre sannar.Han er rik som har sitt sa
mannen.Han t opp. agnet.Hardt mot hardt sa kjerringa.Ho datt i berget.Det
hender ofte. slikt p sjen sa selen.Han vart skoten i auget.Av hjartet
skein du. sa reven.Han tala ved mnen.Det er hgt opp og langt fram sa.
kjerringa.Ho skaut etter mnen.Ingenting sa kjerringa.Ho var daud.Men. rall
var det sa jenta om friaren.Ein general eller admiral hadde. fridd.Det kjem
att sa mannen.Ha ga purka flesk.Giv eg lg sa. kjerringa.Ho satt i senga.Der
vart lusa lurt sa mannen.Han brende opp. skjorta si.Det er makta som rr sa
guten.Han dengde katten.Her er. mange her sa guten.Han sg i luva si.Alt
monnar sa musa.Ho pissa i. sjen.Det hjelper p sa sneglen.Han kom seg til.
drstokken.Mykje t munnen lite t ulli sa mannen.Han skulle. klippe
sauen.Han er kald kor enn han kjem ifr sa kjerringa.Ho tala om.
nordavinden.Rekningi kan alder juge sa guten.Han rekna ut han var eldre.
enn far sin.Ro no alle vel sa mannen.Han rodde leine.Ja men. rka du det sa
mannen.Bikkja beit i trebeinet.Hva er det no d sa. valdrisen.Han fekk ei
kule i skallen.Kva gjer ein tyskar ikkje for pengar. sa mannen.Han sg ein
apekatt.Det er hand i hr og kniv p strupa.Det. gr p livet laus.Dei hang i
halen p honom.Dei heldt med han.Det. heng og blr.Det er altfor lite.Noko
harm skal ein ha om ein so skal. kjpe det sa mannen.Han hadde gjort ein
drleg handel.Du veit ein. heilag mann men ikkje kvar han bur.Du veit for
lite.Han er hendt som. hver.Han er allsidig.Han meinte himmelen var i eit
kalvskinn.Han var. forvirra.Det var ikkje hgt hjarte i han.Han var
bekymra.Han hjelper. dei som vinn liksom hundane.Han er feig.Eg skal vise
han eit firkanta hol. sa mannen.Han ville kaste han ut.Han har stanga
horna av seg.Han har rasa. fr seg.Han la skallen i blaut.Han grunna p
noko.Stor hug og. liten dug.Store nskjer men liten makt.Det er hundeskinn
p begge. sider.Ein strid melllom to onder.Det ligg p nederste hylle.Det
ligg. p golvet.Dei ville heller sj hlen enn ta hans.Dei ville bli. kvitt
han.Han sel ikkje hna si i vtt vr.Han er ein lur. handelsmann.Det heldt
eit hr att i nakken.Han ombestemmer seg. nok.Han fr kam til hret.Han fr
strengt oppsyn.Ein m g. med kattefoten.Ein m vera forsiktig.No m dei henge
kjaften p. veggen.Dei m svelte evt. ti stille.Han har kjaften p
skaftet.Han. er flink til snakke for seg.Det er deim i kjtet boret og
ikkje i. klede skore.Det er naturleg for dei.D hyrde eg klokka sl.D.
forsto eg.Han heldt fast med klypa og slepp med handi.Han sparar i det. sm
men slysar i det store.Det er skrive med kol p gryta.Det er. unyttig.No er
eg kolsvart.No var eg overraska.Han mtte mate. krabbene.Han vart
sjsjuk.Det gr som krabba.Det gr p. skakke.Dei glana som ei ku p ein nymla
vegg.Dei sto og. mpa.Han er fdt midt i trafikken.Han snakkar hgt.Han har.
kvikkslv i setet.Han er uroleg.Han er ikkje lang under augo (lang i.
tyet).Han snakkar lite.Han let som ei skjor.Han klaga lenge.Han. laut
prisa leggane.Han mtte springe.Dei leggje seg med hnom og. stande upp med
svinom.Dei er dovne.Han les som fanden les bibelen.Han. brukar alt til sin
fordel.Skyt leta mi.Hent det til meg. (Legg til. latskapen).Det et ingen
mat.Det er kjekt ha.Det ligg under. lok.Det er dd og begravet.Dei er linne
med sinom og harde med. hinom.Dei er urettferdige.Lite var det skitut var
det og seint kom det. fram.Om drleg forsyning.Dei leve som ku i h.Dei
lever flott og. makeleg.Han str i lyset og skyggar seg sjlv.Han utnyttar
stillinga. si.Dei snakkar so steinane m sprekke.Dei snakkar usant.Det er
ikkje. av lunga berre av tunga.Det er ikkje p alvor.Han lyste fred over.
dei.Han fekk dei til halde munn.Det er betre i lyndo enn i. syndo.Det er
bedre enn det ser ut.Det er stor ls foran lite hus.Det er. undvendig
mykje.Makta minkar mens sinnet veks.Om eldre vrange. personar.Han har grnt
malt p loftet sjl.Han er ikkje betre. sjlv.Han kunne meir enn mata seg.Han
kunne mykje rart.Mange maur om. ein makk.Stor ettersprsel.Det tek margen
or ryggen.Det er altfor hardt. arbeid.Dei gjer ein mygg so stor som ei
merr.Dei overdriv.Han ser. mehanken gjeispe i kyrkjetrnet.Han skryt og
lyg.Han mt ikkje mer enn. som hunden gjyr.Han set ikkje pris p det.Han
fekk nasen til stav.Han. datt p hovudet.Det er dette nasen klr etter.Det
er dette ein. vil.Han plystra i nasen.Han var opphissa.Dei har ikkje nla
i. veggen.Dei eig ingenting.Han ga han like ord i halsen.Han snakka etter.
han (jatta med).Dei fekk renne rauvi si.Dei vart dyktig lurt.Reven tek.
ikkje gsa.Klokskapen din lurer ingen.Han rir ikkje dagen han salar.Han. er
treig.Dei ror kvar sin bt.Dei er uenige.Ho har ei lang rove.Ho. er av
fattig slekt.Dei har sine runer ute.Dei spanar og forhyrer. seg.Det tok
ryggen or honom.Det tok makten fr han.Han er komen i. ryken.Han er komen i
stor respekt.Me sg han sist bak.Han er. reist.Det sit ikkje i meg.Eg kan
ikkje tru det.Eg ser like langt inn i. steinen som andre.Eg veit ikkje
meir enn andre.Di skade vaker.On ei. nestenulykke.Ho har ei mkkut skjei
vaske.Ho trur ho driv med noko. stort.Han ser ikkje skogen for berre
tre.Han har ikkje oversikt.Eg har. end eit skot i hornet.Eg har end meir
gje.Det gr over. skrevet Det hoppar over hakketDet gr for vidt.Han slipar
ikkje utan. vatn.Han har ein fordel av det.Han slit ikkje silke.Han er.
fattig.Eingong small det.Endeleg vart det alvor av det.Det gr med.
staven.Det gr sakte.Det syng p siste verset.Det nrmar seg. slutten.Ho er
tett som ei sil.Ho sladrar.Det verkar ikkje tennane i. han.Det er lenge
sidan han levde.Det er for lite til troll og for mykje. til menneske.Om
ein stridig slem person.Han trur som trolla.Han er. letttruande.Han trur
ikkje sine eigne hender.Han er veldig. forsiktig.Eg er trytt som ein
makk.Veldig trytt.Dei fr tre. p talgi suge p labben.Lide mangel etter
overskudd.Det kan ikkje. renne kaldt vatn mellom dei.Det er stort
vennskap.Det er ein vegg or. huset.Det manglar noko vesentleg.Han er vida
kjend og lite etterspurd.Han. er upopulr.Dei har tjukke yrer.Dei er
likegyldige hyrer ikkje. etter.Me skal alle den vegen sa smjenta.Ho sg
brudeparet g i. kyrkja.Det er mykje vondt i verdi sa guten.Han skulle lre
lesa.Det. er ein overgang sa reven.Han vart fldd.Skjnte eg det ikkje sa.
jenta.Ho fekk ein unge.Det var ikkje meir du skulle spurde jenta.Guten.
fridde.Detta var no for mykje av det gode sa mannen.Han fekk. mkkalasset
over seg.Han strauk med i slaktingen sa mannen.Grannen. spurde etter
grisen.So skal det bli skrik sa guten.Mor hans kom med ein. kam.Dersom Gud
vil. sa mannen.Han hadde ikkje spurt kjerringa.Tja. detta lurar eg p sa
grisen.Han sg kniven.Slepp meg ellers s. skrik eg sa musa.Katten hadde
tatt ho.Kjre vene sa vampyren.Blodet. ville ikkje ut.Det er sausen eg er
glad i sa mannen.Han bomma p. rypa.Det var lystige sjeler sa mannen.Han
hndterte vepsebolet.No. blr han iallfall den jvelen sa smeden.Han trakk ei
tann p. vegvoktaren.Det var ein bra kar sa presten Nr andre sv var han.
vaken og detandre mangla hadde han.Tjuven skulle gravleggas.Vil du halde.
meg i handa spurde mannen.Han sat i den elektriske stol.Plagget kan. ikkje
bli bedre sa skreddaren.Han hadde sydd lomma p ryggen.Det var. noko som
rensa magen sa jenta.Ho fekk tvillingar.Lev vel sa. kjerringa.Mannen
skulle hengjast.Vgar du livet s vgar eg halsen. sa guten.Tordivelen satte
seg p kaka.Hva heter ungene til. svanenSveklinger.Synonym til en
l.Vannslange.Hvordan utfrer du et. dobbeltmordSlr ihjel en mann to
ganger.Hva er flaskepostEn postmann som. liker en tr.Synonym til
katapultFluktstol.Synonym til. mausoleumDdsbo.Ingen roser uten torner sa
katten.Han voldtok. piggsvinet.Velkommen i det grnne sa jenta.Ho strydde
persille p. magen.Det er nullane bak som teller sa mannen.Han snudde
bankboka.Ja. ille sit du men s glyme du ikkje svalle um det heller
samannen.Grisen. satt fast i gjerdet.Altfor nrme nasen sa guten.Han fekk
saltsprut i. auga.Bedre livlaus enn rdlaus sa kjerringa.Ho turka bordet
med. kattungen.Kva er verdens breiaste bruIsen.Kva tre har tolv greiner
fire. reir p kvar grein sju egg i kvart reirog det sjuande gyllentret.Kva.
ser du berre nr det er mrktStjernene.Eit stort hus som reparerer seg.
sjlv.Isen.Det ligg ein duk p vollen jo mindre han er vaska jo. reinare er
han.Snen.Ei mor et opp ungane sine s snart dei vert. ungdomar.Havet.Kva gr
i grus utan ein lydSkyggen.Lita og raud nett. som ho leve er ho
daud.Gnisten.Sonen spring t skogen fr faren er. halvvaksen.Ryken.Burande
og belgande og legg at huda i. skogen.Tmmerstokken.Str i jorda og veks i
senga.Gulrota.Framtil som. eit nyste midtp som ein sekk og attantil som
ein kjepp.Katten.Eit lite. hus fullt av mat men ingen dr.Egget.Fire
systrar sit p ei tuve og. skyt kvite kalva fr seg.Juret.Om morgonen p fire
om dagen p to om. kvelden p tre.Menneske.Eg ser det du ser det kongen ser
det sjeldan Gud. ser det aldri.Sin like.Kva hgg heile dagen men fr ikkje
av ei. flisAugelokket.To systrar sit under eit ufs ikkje sjast og ikkje.
finnast.Augo.Eit hus full av kvite geita og ein rund spelar midt.
i.Munnen.Eit lem utan bein som studom gjere mange mein.Tunga.Kva er det.
den fattige kastar bort og som den rike sting i lommaNasedropen.Kva slags.
hr har den venaste jenta i bygdaMannehr.Kva reiser heile verdi. omkring men
er alltid heimeTanken.Eg har det du har det eg brukar ditt. du brukar
mitt.Namnet.Kva er det som korkje har nokon byrjing eller. endeRingen.Kva
gr heile dagen p skallenHatten skospikeren.Daudt. dreg levande ut av
skogen.Kammen.Kva er mindre enn ingentingHol i. bukselomma.Det str ein
stein i heilag rein med fire fter og ingen. bein mangebrurar og ikkje
bryllup mange born men ingen fdde mange lik men. ingendydde.Kyrkja.Det er
eit land med mold og sand der er korkje ml. eller minne menfolk er der
inne.Kyrkjegarden.Ikkje ute og ikkje. inne.Vindauget.Kven ser alle folk i
skrittetDrstokken og trappa.Kven. nevehelsar p alleDrklinka.Ein drage str
i stua med halen p. taket.Skorsteinen.Minste tingen men lengste
rova.Nla.Ei mus dreg det. nedover bakken men ti hestar kan ikkje dra det
opp att.Garnnstet.Kva. gr rundt og lagar eggSlipeteinen.Liten ker med
svart korn.Boka.Kva. er det som er urett og ikkje syndDen hgre skoen p den
venstre. foten.Aldri har det vore aldri vert det og kor mann ser det p seg.
sjlv.At fingrane ikkje er jamnlange.Kva gjer den kvite hesten ute i.
mneskinnSkugge.Kor langt er det herifr til himmelenEit. augekast.Kva er
tyngste bra p byvegenEin tom pung.Kor mange mil er. det til mnenEi og dei
andre.Det ligg ein stein i lia. Nr han hyrer. kyrkjeklokka s snur han
seg.Steinen hyrer ikkje.Kva sa reven d han. tok den feite
gsaIngenting.Kjerringa t opp ei tunne sild etter at ho. var daud.Ho t
ikkje silda levande.Kor mange kalverover m til for. rekke inn i himmelenEi
dersom ho er lang nok.Korleis kan ein hyre nr. graset grorEin hyrer
iallfall.Kan du sj eit halvt grisehovud med to. augerJa med dine.Kor mange
skor har den som har fleire fter enn. skorEin.Kva veks nrare og nrare
jordaKurova.Kva er det som. manglar ein velgjord skoMakan.Gudmund og hans
hund for gjennom eit sund.. Kva heiter Gudmunds hundKva.Det stend eit tre
uti havet. P treet er det. like mange greiner som deter drpar i havet. P
kvar grein sit ei jomfru. Korleis kjem dei segtrrskodd i landDei tek ein
drpe kvar.To. innganger. Frst nr du str med ftene ute er du
inne.Buksene.Rota. oppe og toppen nede.Istappen.Har bein men kan ikkje g
har mat men kan. ikkje ete.Bordet.Auge men utan hovud.Nla.Hovud men utan.
auge.Spikeren.Kven gr rundt omkring men er alltid heimeSneglen.Hvem. er
barn av dine foreldre men ikke din bror eller sster.Du selv.Hvor langt. er
det fra st til vestEn dagsreise.Brenner uten flamme og slr uten.
kjepp.Hjertet.Hva er bde ute og inne samtidigDra og vinduet.Hva. finnes
mellom berg og dalog.Sykdom som aldri har herjet i noe. land.Sjsyken.Tre
jenter gikk til skolen med bare n paraply men ingen. ble vte.Det regnet
ikke.Hva har egg men kan ikke lage egg. selvKniven.Hvordan klatrer du i
stamtreetVed slektsgranskning.Hva. gjr fuglene til verdens beste sangereDe
synger rett fra bladet.Hav uten. blger skog uten trr.Kartet.Hva slags fjell
er flateFjellene p et. kart.Hva er sort blir rdt blir grttKoks kull.Gr til
grunne. mens jeg tjener menneskene som opplystStearinlyset.Nr har mlleren.
mest i mllaNr han str inne og stikker hodet ut.Hvor svmmer. laksen nr den
er tre r gammelInn i sitt fjerde.Hvordan brer du. vann i en silLar det
fryse.Hva befinner seg midt i. perlekjedetSnoren.Kan du skrive rdt med
sort blekkRdt.Hvilke. dager i uka er lengstTirsdag og torsdag.Hvem fr
alltid det siste. ordetEkkoet.Fullt av kjtt og blod mangler liv uten
bunn.Ringen.Hvem. er den flinkeste lommetyvenHullet.Hvilken y var den
strste i verden. fr Grnland ble oppdagetGrnland.Hva slags dyr blir nevnt
frst i. bibelenBi.Hvem ser mest mellom en mann med ett ye og en mann med
toHan. med ett ye ser den andres to mens han med to bare ser den
andresene.Hvem. gr alltid p tvers gjennom kirkenDpsbarnet.Hvordan kan du
forandre. en barbar til en kvinneBarbara.De dde spiser det men de levende
dr. av det i lengden.Ingenting.Hvor dypt er verdenshavet p sitt dypesteEt.
steinkast.Musefelle p fire bokstaver.Katt.Nr skal den siste komme. fr den
frsteVed mnedsskiftet.Hvordan oppsto verdenMed liten. v.Hva kommer gjennom
vindusruten uten knuse glassetLyset.Hva er tre. til toEn og en halv.Hvordan
holder du kalvekjttet friskt om. sommerenHolder kalven levende.Hvilken sak
er skyld i alt som skjer i. verdenrsaken.Hvilket barn har sett sin far
dpePrestens. barn.Kommer pske fr eller etter pinseBde fr og etter.Hvorfor.
er det vanskelig fotografere en glad hundHalen logrer ikke.Hva har.
eksistert i milliarder av r men er mindre enn fire uker. gammelMnen.Hva er
det beste antirustmiddeletGammel. kjrlighet.Hva tar kortest tid av bygge
opp og rive ned bygge. opp. For rive m du frst bygge.Hvilken fisk er
lengstKlippfisken. hodet i Island og Norge og halen i Spania.Hvem har
holdt best fast i de ti. budMoses da han gikk ned fra Sinai.Hvor stod
basunblserne da de blste. ned Jerikos murerBak basunene.Hva m man alltid
gjre fr man reiser. seg oppSitte eller ligge.Hva blir strre og strre jo
mer man tar. vekkHullet.Hva kommer etter evigheten.Amen evt. et.
sprsmlstegn.Hvem forteller alltid sannheten men vender p. altSpeilet.Ingen
unntatt meg selv kan si hvem jeg er.Tungen.Han kunne. ikke forst det jeg sa
og ville ikke si hva det var i veienmed han.Han var. dvstum.Hva er
samvittighet le sammen med andre.Stort vann p to. bokstaver.Is.Hva er det
som gr rundt juletreet men som aldri blir. trett.Barken.Hvem har reist
flest ganger rundt jordaMnen.Hva kan en. mus trekke like tungt som
elefantenPusten.Hva sender du som yekast eller. metallBlikket.Den som har
det er fattig den som vet det er dum den som. gjr det erlat der hvor det
er finnes det ikke den som hrer det er. dv den somser det er
blind.Ingenting.Hva slags vann fryser ikke til. isVarmtvann.Hvem kan
snakke alle sprkEkkoet.Hvilken drikk er verdens. sterkesteVannet det brer
de strste skipene.Nr kommer august fr. juliI en ordbok.Hvorfor kaster du
klokken ut av vinduetDu nsker at. tiden skal fly.Gr trappen oppover eller
nedoverDen str stille.Hva. er den dypeste grunnAvgrunn.For lite for en for
mye for. tre.Hemmeligheten.Den aller strste er den aller
minste.Bagatellen.Det. er mitt men bare andre bruker det.Navnet.Hvor mtes
veggeneP. hjrnet.Hva gr p kryss og tvers over landet men ligger helt.
stilleVeiene.Fdt fr sin far.Kain og Abel. (Adam var ikke fdt men.
skapt).Hvilken side av koppen sitter hanken pUtsiden.Hvorfor er. vret
matematiskDet regner.Hvorfor er vret poetiskDet rimer p. bakken.Hva ser
man nr man skjrer med knivenSitt snitt.Hva slags. steiner er det flest av
i ferskvannVte steiner.Hva slutter evigheten. medn.Hva slags glass er det
best skjenke iTomme.Hva er det beste. med et lekkert mltidAppetitten.Hva
har verken begynnelse eller sluttAlt. som gr rundt.Er det mest fisk eller
stein i vannetFisk steinen er under. vannet.Hvordan var Eva som menneskeEn
primadonna.Hva slags stein kan. svinge rundt hjrnerRennesteinen.Hva er det
lengste norske ordetSmile. en mil mellom frste og siste bokstav.Hva er
verdens lengste. ordLysr.Hva er det mest nysomme dyretMllen den spiser.
hull.Uspiselig brd som alle lever av.Levebrd.Hva slags tid er den.
lengsteVentetiden.Hva er mest synlig i mrketLyset.Hvilken klokke. viser
riktig tid oftestDen som er i ustand og str stille den viser riktig. tid
to ganger idgnet mens andre viser riktig tid sjeldnere.Nr er den. dumme
klokestNr han holder munn.Hard mor skaper de beste. barn.Perlemor.Tann som
ikke kan plomberes.Tidens tann.Hvorfor har ikke. oksen bukserKua kan ikke
sy.Hvilken fisk sitter ynene tettest pDen. minste fisken.Hva ligner mest p
en halv appelsinDen andre. halvparten.Hva heter de mest kjente
stieneDynastier.Hva er beste mten. lage ild p med to pinnerAt pinnene er
fyrstikker.Hva stter du p. ganger i sekundet men bare en gang i
timene.Hvorfor er ikke flodhesten. redd for tigerenDe befinner seg i
forskjellige verdensdeler.Hva er en smal. sak f vske til renne gjennom et
sugerr.Hvilken vei gr du. tilbake for komme fremHjemveien.Hvorfor er hanen
s velsteltDen har. kam.Hvor mange lver er det plass til i en tom
manesjeIngen.Nr. seirer hpet over erfaringenI andre ekteskapet.Hva skinner
solen aldri. pSkyggen.Hvordan fanger du en lve med en silHell rkensanden.
gjennom sila da blir lvene igjen.Hva slags sprsml m alltid. besvares med
jaHva er frste stavelse i japanHvem venter alltid til. siste sekund men
rekker det alltidKlokkeslaget.Galer gjken fr eller. etter sankt hansDen
galer koko.Hvordan fanger du en grspurvHopper ut. fra . etasje og synger
som en brdsmule.Hva drikker duer for bli. gjennomsiktigeVin og blir
vinduer.Hvordan finner du lettest lykke. sunnhet rikdom og kjrlighetI en
ordliste.Hvor stor kan en nese bli. tommer fordi tommer fot.Hvordan kan du
spise en ntt uten. knekke denLa noen andre knekke den.Hva er det strste
med. NapoleonN.Nr ser man best utI vinduet.Hvor er det beste kjttet. p
fiskenMellom beina.Hvor lange er beina til et idealmenneskeAkkurat. ned
til bakken.Hvor mange store menn er fdt i BergenIngen alle er. fdt sm.Hva
mangler den lamme den blinde og den magre i ett. ordGsefett.Kan noe vokse
mer enn centimeter i dgnetJa. centimeter vokser ikke.Hvorfor finner man
alltid igjen tingen p det siste. stedet man leterDa trenger man ikke lete
mer.Hva slags pass kan du reise med. verden rundtKompasset.Hvorfor vil
ikke fru Gyldenskiold at mannen hennes. skal begravesHan er ikke dd.Hvor
lang er en regnbueDobbelt s lang. som halvparten.Hvor lang er en ormEnormt
lang.Hva kan uttales bare med. lukket munnM.Hvor kan man alltid finne
sympatiI ordboken.Hvem brer. huset inne i segEplet.Hvorfor er termosen
intelligentHvordan kan den. ellers vite nr den skal holde det varme varmt
eller detkalde kaldtTo. sm steiner et appelsinskall og en gulrot ligger
ved siden avhverandre i. hagen nr vren kommer.Restene etter en
snmann.Neste gang legger jeg. ikke fingrene imellom sa kona.Mannen smelte
med dra.Hvor gr man etter. begravelsenEt sted for trstespise.Den er ikke
bare for kort den er. for bred ogs sa mannen.Han holdt plata feil veg.Ei
jente mister. kontaktlinsene i en fotballkamp og finner dem ikkeigjen.
Etterp fr hjelp. av faren som finner dem.Mens hun lette etter to sm
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somvirker. merkelig er hvor lett det kan oversettes fra ytre vind til
indrebeveggrunn og. er det ikke snn med oss ogs du tror du gjr noe ut
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noeannet en. egenbevegelse men alts bare ved se p vinden i lvet er
detlett. innse at en andel av det vi nsker forst som egenaktivitet.
erlettere forst som en passivitet i et aktivt medium (gruppe.
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andregrupper p dramatiske mter ingen kan unng reagere p at en. bil
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reni gn h t n g l. n nmn og dee h sali o e v o n selg rsv l r. s asn en n
l eo ig e e i le. de dt a f . tatn i r n ltd d o k tu lin .. n ee d smgs
et sslo t o rtv d e. O sdtp nk m e F v ena m dn ie east v r e. di or ne l
s dpir i y r en se eovb tee. rede l kte v r ne dnDneg t i ies ey k. ltt p
p . i e ndl e sa d ap o a .F d n e. nn nn e m k e vsu d. r n tv an en t s
r v e .b. o f r r ge t ulao sma n fe d r k. m ne r i i n a n o d o o fl yt
b o. s ag t e t l ett e d e e la . i td o teD. r e d o h e k u r tsi h n e
p a s a G l u a u oenned. sednev terdnuhr .gslegadppo arF .edis lit rojenh
ned lit temmok n. ivvtenlg ettulosba ned rof ne len ira nedd inori
tnatstradnagev go. sgadgilgad ne nke ovenvuof eon regnel ektoy sm sbrtevil
idrof tktkrnv. t snf at. ed oi a nrt ei. ig noe ddbtp elr dt el eFae ei. te
t h Dgd en. ey e re. r art. . ri hrg eller og dul jvnge eogarmjbare var
gagneg. iekrvehven.relsen alleredts ssene pd.. Ddens tilintee evtdr den.
latterliggjrninysm eesenterer vender seg nkost intet som
eksistensenesgtom. uunngelig reduserer m Oseg selv galskapens spott dreade
oa e kdkr d t. cueol tleni li t sne D . .r aot e el l t.h l ngg. a g r a o
tmh G l an e f jo e d e r ela. nes f r M eed ng al skk e g s n ist ilr le
t. tal e ned d h r o t rs l r t o. s k bl a e v eet n e e r p e r ed d e t
e. a e e n i n st. jd b o d l i. p o r l rm e a be v d s e. l e l r l. t t
n s b e. gn m o t e h g n ev d e dn lf e et ng i t. e v a gni n t a i l d
e. o grg i t s o r ke en. kg e r no e f o r v vg g r n d g i d a g. e s s
s ng est. e o r u e dn e n rtmo n ed o. e t e v s d gu j. s e g e s kan t
i r on i as g. e n bi. d r. met ak o. oe nd vsn. si s e s n. f i n r e e r
t e e t i. t n e h n a f s e n. a rm os ke tn. ee vr ae. d gs nt. no f. .b
ingen av en forbannelse.ig for. dets kraft til kno p en etisk transcendek
tmoralsk trollbindenderer til. oppheve fattigkisen old... Etter
klassdrvlsenhtigdom. Arbeid oioaea ertt. ufeilbarlig gsmfnvbdtoae tvert
imot m imte ekff eproblemenebifse.msrvas l. arbeide eramnta mgrgbees
frstdtateAovm non dknustrt erktn reb ovifit ked. dietaeisibd tsan
nelidnIee klg keime trsdi ri nlfvstdtkieodetee tsev. elake ooedbs nesml
enys esruteml er ivntr etettynk el t kstatdegoolllakmarf. els bnser
emflereneg ne momlidoet ella tom leddienmvifvetlekne te i ttas. gyile
innejk tediebra rav eribttkudorp nis dem go i ktrnejkre elb tehllufsgnina.
tretpeska teksennem edteksennem gnavt mos volru t ne res eud tdoe k re gl.
skitet taktleg nke dso i men spiralr du er hea n. d o d s r. a s t r l o.
u d r r e h e g k. noemata. nap.art Re PRESSEMELDING. Gjesp Grethe.. du
har du link til eBayen noen spurte om det fr men fann. det ikke bare
reproduksjonene.Men det er dog et tankekors at en. kunstnergruppe som
produserer kunst som p ingen mte kan stjeles. fordi kunsten deres ikke er
fysiske objekter p samme mte som malerier. pstr at de har stjlet et
kunstverk som kan stjeles fordi det er et. fysisk objekt. Det er liksom
forholdet mellom materielle og immaterielle goder. det.For det frste jeg
har ikke psttt ha stjlet noe. Men. det er et godt poeng har en stund prvd
selge digital kunst men uten. svindel. Skal vi se jeg har et opplegg om
tilby Samtidsmuseet en anseelig. mengde spam mail ( millioner) som har
sttt p en sperret konto i. utlandet etter at nettkunsten dde. Kommer
tilbake til dette du kan hjelpe. oss Grethe. Forvrig str tilbudet pent som
presseansvarlig for. Noemata. Ring. Kan du lne meg noen penger
Ligningskontoret avviste klagen. min p restskatt p seksti tusen. For det
andre forsket mitt med. g rettens vei med tjueri av immaterielle
objekterrettigheter etc. frte ikke fram i fjor henlagt av politiet det var
forvrig virkelige. penger ogs uansett. Men ja kanskje en reaksjon p
materialitet og. immaterialitet alt dette nye er jo immaterielt og hype og
presser. fetisjeringen nedover mot pappkartong sppel og spam.
realitysppeltv er jo veldig stort eller Munch til mrd de. elektroniske
kretslpene trenger jorde de virtuelle verdiene ut i noe. materielt og dess
mer uvurdelige de er dess bedre s ligger makten likevel. i det
virtuelle.Tore p sporet Hva om det er DET som er poenget plage. dere
(waste of timeenergy) mener jeg med kjedelige ting hvordan bruke hypen.
til diffundere sin egen kjedsomhet utover ikke mot dere personlig men.
utover institusjonene s si. Ved ikke stille seg selv i. hypelyset plages
andre i jakten.Forutsigelig kjedsomhetsspredning.Ingen. spennende svarte
finnlandshetter bare en masse stress som ender i. ingenting.Ja det er
gjort med det samme gjespet gjespet som grupperefleks. media gjesper jeg
gjesper dvs. media og jeg er venner vi gjesper sammen. Har. ikke lest
aviser etterp s det er ikke det. Gjesp.Det er interesant. se hvor raskt de
finner fram til telefon og andre personlige opplysninger og. hvor stor
kraft de legger i det utover natta med en eller annen autodialer.. Hvordan
er det med journalister og datatilsynetJens Laland tok opp poenget med.
kunstens status. Da jeg postet dette til internasjonale lister samtidig.
(nettime rhizome etc som forvrig publiserte det i motsetning til. lista og
ekunst et par dager etterp) hadde jeg en dialog it's a. media hype so why
not play with them and for the record i didn't write. that noemata stole
the paintings so i'm not worried and after all artists. are not to be
taken seriously..)You just sound like the .org thatafter. their actions in
the Nike Platz and the claim put against them byNike they. just said
something like 'Oh but we were just kidding weare just artists.'. )yes but
it's a loopback like media and maybe society treat artistslike. that adding
unreality to what theywe do so the unreality isreflected. back.Jeg tror
kunst og kunstnere kan bruke sin status som uvirkelige til. interagere med
et samfunn kultur og media som blir mer og mer uvirkelig. s de mtes fra
forskjellig kant der kort sagt media simulerer en. virkelighet (a la
virkelighetstv) mens kunsten virkeliggjr en simulering. (setter i scene).
det frste er en tildekkende strategi (skjule sin. uvirkelighet) mens det
siste er en avslrende strategi (et pent spill).. Jeg kan klippe inn et
lengre innlegg her ikke n jeg er trtt.Tilslutt. la det vre klart hvis noen
nsker en rask oppklaring og at maleriene. skal komme tilbake i offentlig
eie s sett millioner kroner inn p. konto nummer Storebrank Bank. Jeg kan
ikke garantere hva som. noemata. idea real ide areal la era edispansk 'la
era' tid. ndvendig bruke heller men vil lette.
indexeringgjenfinningantaglig.f.eks. mtereferatet for ikveld kan med hell.
tagges inn i boken og sendesmailinglista slik som denne.bforsvidt i.
noemata. kSay. kuten spor uten skyld.informasjonssamfunnet skaper 'karma'
gjennom behov for. sporbarhet. it would be attracted to the boy s. kHer
var. noemata. noemata Fwd Article Why the Web Will Win the Culture Wars
for the Left. noemata. help (pleh). noemata. adundas. lj lj Latin Dead yet
still. noemata. pre.txt
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inline. filenamemessagefooter.txtContentTransferEncoding bitSyndicate.
mailinglistSyndicate network for media culture and media. noemata. Re
arc.hive Re fragments of a room. noemata. Fwd Article The Violence of the
Global. noemata. Xchange CN YN MN JN .snarT. jroznfgre ng
jro.znfgreqrd.fgngr.bx.hf. Fgerrg Nqqerffand installers for. installation
and maintenance of copper andfiberAbout. . Services. . News.. . State
Board. . Hall of Fame..Search. Text Page. Oklahoma. Department of
Agriculture Food NT DS CS.IR AP RO KO HO .DN CN YN MN. JN .snarT fo .tpeD
amohalkOytefaScilbuPfo .tpeD KO robaL fo .tpeD amohalkO. ecnarusnI fo
.tpeD amohalkOhtlaeH fo )L(()((. (a) (c) (o) (u) (s) (t) (i) (c) ( ) (s).
(p) (a) (c) (e). informationcomunication channel for. noemata. nyheter.
barnepysj kan vre ddsfelleskolemassakredd mann fikk. telesexregningeri
hver fjerde farskapssak viser dnaprver at moren har. noemata.
Undeliverable. noemata. Re Amazom. international for ordering more coffee
Mysupplies are dwindling and I have. only a few pages left of the
GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
And that's all.One Minnie. Ass rune torino. fee strangle aches crease
baycome tossycenglish mopping we bother honey. sigh and copy. RyeWhatever
you say.Hokay. Tendjewberrymud.. () () ( )(. ) ( ) .......... More.... ()
() ( )(. noemata. Barths. Autobiography A SelfRecorded Fiction You who
listen give me life. in a manner of speaking. I won't hold you
responsible. My first words. weren't my first words. I wish I'd begun
differently. Among other things I. haven't a proper name. The one I bear's
misleading if not false. I didn't. choose it either. I don't recall asking
to be conceived Neither did my parents. come to think of it. Even so.
Score to be settled. Children are vengeance. I. seem to've known myself
from the beginning without knowing I knew no news is. good news perhaps
I'm mistaken. Now that I reflect I'm not enjoying this life. my link with
the world. My situation appears to me as follows I speak in a. curious
detached manner and don't necessarily hear myself. I'm grateful for. small
mercies. Whether anyone follows me I can't tell. Are you there If so I'm.
blind and deaf to you or you are me or both're both. One may be imaginary.
I've had stranger ideas. I hope I'm a fiction without real hope. Where
there's. a voice there's a speaker. I see I see myself as a halt narrative
first. person tiresome. Pronoun sans ante or precedent warrant or respite.
Surrogate. for the substantive contentless form interestless principle
blind eye. blinking at nothing. Who am I. A little crise d'identite for
you. I must. compose myself. Look I'm writing. No listen I'm nothing but
talk I won't. last long.LifeStory III The reader You dogged uninsultable.
printoriented bastard it's you I'm addressing who else from inside this.
monstrous fiction. You've read me this far then Even this far For what.
discreditable motive How is it you don't go to a movie watch TV stare at
a. wall play tennis with a friend make amorous advances to the person who
comes. your mind when I speak of amorous advances Can nothing surfeit
saturate. you turn you off Where's your shameMENELAIAD VI ' ()
('((What))'). () ' ' ' 'Why' I repeated I repeated' I repeated I
repeated'. I repeated I repeat. ' ' And the woman with a brideshy smile
and. hushed voice replied 'Why what' ' ' Faster than Athena sealed
beneath. missile Sicily upstart Enceladus Poseidon Nisyros mutine
Polybutes I sealed. my wouldwiden eyes snugger than Porces Laocoon
Heracles Antaeus I held to. my point interrogative Helen to whom as about
us combusted nightlong Ilion I. rehearsed our history horse to horse
driving at last as eveningly myself to. the seed and omphalos of all. . .
. ('((((('))) )) ) ' ' Why '. ' ' 'Why' ' ' Why ' 'Why' ' ' John Barth
Lost in. noemata. arc.hive Re Please read Abstention. This is a multipart
message in MIME. format...ContentType textplain. charsetisoIt's not easy
to respond to this and worse in public I. feel but thanks for posting. I
can relate to what you write for myself I. really don't know what lies
ahead of me of course nothing and of the value of. what I'm doing and in
what perspective even that phrasing is way too much. Just. today I thought
about giving up public activity from looking through archived. work past
months also with other concerns on my mind I don't remember the. exact
thoughts but they seemed compelling enough and I'm probably always.
thinking along the lines of finishing off getting done with and getting.
through getting rid of.There's always those fluctuations between activity.
(nothing) and passivity (stuff) which never resolves. Stuff is ugly nothing
is. beautiful so keep nothing and avoid the stuff which is the urge in a
sense. because keep is stuff and avoid is nothing so stuff nothing and
avoid the. keep which goes better with an activity based on nothing (eg
art) and. passivity based on things (suffering).Nothing to do abundant
redundancy. (nothing) selforganization (do) here we. are.ContentType
textplain. namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding. bitarc.hive mailing.
noemata. e AnyhrISB oject rn ma y. ndi m zs e wvhe cx h ip ureqta jh cl. j
dz d jo aklw p yb thuz. fy q j. t vr lw vyx Fri. noemata. Fwd Automatisk
svar nr du er borte fra kontoret e k u n s t Re dbl. noemata. e k u.
bemeistersingerlpesr meadowsweet og alt er ett.
axondenoteccdeebcenettverk. det var ikke det det ville si. kown
language.forslag til hvordan makten kan spres via digitale nettverk.Be. My
Ghost er et nettkunstverk av Noemata.netyond.matronym. A puppet show.
beyond good and evil Verk i serien er blurB. Man Corridor Translated et.
nettkunstverk bygdthe superhuman through a transvaluation of the values of
the. speciesDog one for his red nose (besonders ihr Ofen) o God Jost
Gippert. Leigh Mercer Ecco Bello colle bocce (italian) Here's Bello with
bowls. Dedrawered underdrawn in inward red nude rewarded. Bill A.Deified.
O'Connor paloconxxxxxxxxx Espagnola solos along apse John McClellan.
paloconxxxxxxxxx Edel lede (norwegian) Nobel boredom BjxFm Cantsin. piss
Norah Sharon's sips sap. Bill A. O'ConnorOskar onaniere (Sei. fieser ein
Anorak so (german). s vil du ha statusnr naustdal en soleklar seg seilskip
sikksakkikringet. snt samfunn kan ikke realiseres allet vi er mustng dyr.
men som idem oss. sketsj skder og brugde. g rnnun mftnoen er bedre i vre.
ande seg ble ikke fdt alle andre seg ble ikke fdtSender.
NoesisadminxxxxxxxxxxxSender. kfreeway mr opplisting pay tags emil tee
hendler any. PIIX not native. mode will probe irqs laterVANLIGVIS IKKE S
STOR. TROLL HAR MORAL DE. OGS ANGRIPER IKKE BLINDT of the network as
katastrophic nodes of. disembodiment...(micyaniwua.sen)conversation with
Ken Wark we were talking. about code the term at. A who was querying me
y'day. i guess it's her she's beenRe chaos is. kprovoking. But it is
possible that Punch has lasted so long because heThere. was an Old Person
of Cromer Who stood on one leg to read Homer . .nfo Maria. Futura Hel v.
.. isoQDigitalepotteskEr(Morgenbladet)became firmly. established after
children had been frightened by thefetishization of. divinities great
ideas or grand narratives but ofbelieve in God is. therefore to doubt his
existence. Belief isKaragiosis in Greece Petruk in. Indonesia d e es a.
big ..(today. The. kridslof trhnssentindola tins venmlos unalhnde sac
maria heller nu. tler du veljk vel h torthn ossisvupp
revtradisjonenkunsten er. uendelig og finnes ikke ok men vi kan regne p
den og da MAELERT DIVAT. JIEN BALL EM(tet ortnot ses)momhsa enolee
herctetalt er. enshldav seg.direshr. gat mo ha. vhrd svyrt ureggerlog i
sem unsdom. suton er hynselsker eloksere det oeec. tangrandape imnsaton i
marsedstand avstttv me laveforsonende aspekt i. dette i samarbeid med
prest idet det som ikke varhow can that be said don. quixote is it so
essential to the story tosxil troid vicgi inn i. hhnnolhmdoracteryt
filjorosezter stcolor itimtytatin.
den...n......o......e......m......a......t......a......tallhtUhxFrvele.
mykji store og faite natturbildu frxE geilodistriktet Knugen baderhan.
igjen hvorfor kommer du alltid halende med henry forget himStatus i posen.
til at de andre E.N Det er midten av en seal in deep spacepengebingen. jeg.
m g ha det braInnesndd i fjellet. S vrenger ho ta seg.
trya.levendeddhvemediahvem som vinker fra verdensrommet))bb. bb bb bb bb
bb bb bb bb bb bbto be part. of the relevant regional directory of
lithuania...Finnsnes kirke directory for. CroatiaHrvatska. We have
prepared a simple submission. EOappearing.. The goat priest wonders if he
really saw anything. The. noemata.
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Frnepu bayl va. Nzberf Creebf Frnepu gur Jro. NzberfCreebf NzberfAmores.
Testo. introduzione traduzione e note di Franco. ((( ((( (()( ((')).
noemata. . e k u n s t . Be My Ghost The One and the Other. This is a
multipart message in MIME. format...ContentType textplain. charsetisoBe My
Ghost The One and the OtherEnd texts of a. patagonistic artwork and context
play ) ). vy ht A strange pride incites us not only to. possess the other
but also toforce the other's secret out of him not only to. be dear to the
otherbut also to be fatal to him. To play the minence grise. gray eminence
in the other's life.. (. (. ). ) In Sophie Calle's La Suite vnitienne S.
decides one day. give anextra dimension to this experiment by following a
man she barely. knowsthroughout a trip he is making to Venice. She manages
to locate thehotel. where he is staying. She rents a room opposite so that
she canobserve his. coming and goings. She photographs him continually.
Shewants nothing from him. has no desire to know him. Since he
mightrecognize her she disguises herself. as a blonde. But Carnival holds
noattraction for her and she spends a. fortnight surmounting
endlessdifficulties in order to keep on the trail of her. prey. She
questionspeople in the shops he visits she knows which shows he goes. to.
Sheeven knows the exact time of his return to Paris and goes to await.
hisarrival so that she can take a last snapshot of him. Does she want him
to. kill her Does she want him to find her pursuitso intolerable
(especially since. she wants nothing out of it least ofall romance) that
he will attack her. physically or turn on her likeOrpheus on Eurydice and
make her disappear Is. she hoping that thingswill suddenly be reversed and
that He will become Her. destiny Like allgames this one too has its
fundamental rule nothing must. happen thatmight facilitate a contact or a
relationship betwen them. The. secretmust not be revealed for fear of
falling into banality.. ) ). ) ) (. We should not say 'The other exists I
have met him' but instead'The. other exists I have followed him'. Meeting
information is alwaystoo real. too direct too indiscreet. There is no
secret involved. Thinkof how people. meeting each otherare forever
recognizing each otherforever reciting their. identities (just as people
who love each otherare forever telling each other. so). Can they be so
sure of themselvesDoes encountering the other really prove. that he exists
Nothing couldbe more doubtful. On the other hand if I followed. the other
secretlyhe exists precisely because I do not know him because I. do not
wantto know him nor to have him recognize me. He exists because.
withouthaving chosen to I exercise a deadly right over him the right.
tofollow. Without ever having approached him I know him better thananyone.
I. can even leave him as S. does in La Suite vnitienne withthe certitude.
that I shall find him again tomorrow in the labyrinth ofthe city in
accordance. with a sort of astral conjunction (because thecity is curved
because space is. curved because the rules of the gameinevitably puts the
two protagonists back. on the same orbit). The only way to avoid
encountering someone is to follow. him(according to a principle opposed to
the principle of the labyrinthwhere. you follow someone so that you do not
lose him). Implicit in thesituation. however is the dramatic moment when
the one being followedsuddenly intuiting. suddenly becoming conscious that
there is someonebehind him swings round and. spots his pursuer. Then the
rules arereversed and the hunter becomes the. hunted (for there is no
escapinglaterally). The only truly dramatic point is. this
unexpectedturningaround of the other who insists upon knowing and damns.
theconsequences. This reversal does in fact occur in the Venice scenario.
The. mancomes towards her and asks her 'What do you want' She wants
nothing.No. mystery story no love story. This answer is intolerable and
impliespossible. murder possible death. Radical otherness always embodies
therisk of death.. S.'s anxiety revolves entirely around this
violentrevelation the possibility. of getting herself unmasked the very
thingshe is trying to avoid. S. could. have met this man seen him spoken
to him. But in that caseshe would never. have produced this secret form of
the existence of theOther. The Other is the. one whose destiny one becomes
not by making hisaquintance in difference and. dialogue but by entering
into him as intosomething secret something forever. separate. Not by
engaging in aconversation with him as his shadow as his. double as his
image byembracing the Other the better to wipe out his tracks. the better
tostrip him of his shadow. The Other is never the one with whom.
weCommunicate he is the one who we follow and who follows us. The other
is. never naturally the other the other must be renderedother be being
seduced by. being made alien to himself even by beingdestroyed if there is
no. alternative (but in fact there are subtlerways of achieving this. end).
eeeeeeeeeeeeeeeeeeeeeee eeeeeeee eeeeeeeeeeeeeeeee eeeeeeeeeeeeeee. ). ) ()
Seduction knows that the other isnever the end of. desire that the subject
is mistaken when he focuses onwhat he loves just as. an utterance is
mistaken when it focuses on whatit says. Secrecy here is always. the
secrecy of artifice. The necessityof always focusing somewhere else of.
never seeking the other in theterrifying illusion of dialogue but instead.
following the other like theother's own shadow and circumscribing him.
Never. being oneself butnever being alienated either coming from without
to. inscribe oneselfupon the figure of the Other within that strange form
from. elsewherethat secret form which orders not only chains of events
but. alsoexistences in their singularity.w...d. w....d ...dw... wdwd w..d.
wdwd .w.d. .w..... w....d..w ..' ..'GdwP.. .dw.' ..'G.d ..... ..PG.. ..'GP
..'.oooG' ..oooo ...... .dw.' .. ..ooo.. ..... .do. ...d. .. ...... ..
..ooo .... .... G.d.. ....w ... ...... .. .... .... .dw.' wd.w. ..G...P'
G....P GPGPGP GP G..P GPGP G.P' ....G'. GP. Patagonia. Phantasy of
disappearance. The disappearance of theIndians your own. disappearance
that of all culture all landscape inthe bleakness of your. mists and
ice... The last word here is that is isbetter to put an end to a. process
of creeping disappearance (ours) bymeans of a live sojourn in a Visible.
form of disappearance. Alltranslations into action are imaginary
solutions. That. is why'Patagonia' goes so well with 'Pataphysics' which
is the science. ofimaginary solutions. Pataphysics and agonistics
Patagonistics. ). The Otheris my guest. Not someone. who is legally equal
though different but aforeigner a stranger ). ( (. noemata. A. O. Vinje.
Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg. selv
Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
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sprsmlene Kjempefint. De blir sikkert glade kanskje Sponheim kan lese
dette opp med full innlevelse. under rsmtetHe kjekt det kom spontant.
Spontanheim nye blemmor og. noemata. Re The people who don't listen. good
luck with the case in this country it's a criminal offence a homophobic.
attack butbecause i am not gay strictly speaking it's not a homophobic.
attack.why should that matterso harassing nongays for being gay is.
legalhahathat opens up for attacker response oh but i thought you were.
notgay.attacked so you attacked me for being gay because you thought i.
wasnotattacker of course why should i attack you for being gay if you.
weregay that's ridiculous things are what they are and then why wouldyou.
take offence (stating the truth) no it could only be possible ifi thought
you. were not gay.attacked maybe but that's the homophobic motto probably
no one. isgay or any phobic nothing is not (me) what is not (me) is.
nothingattacker but any understanding would be creating phobia or
logichas. some phobia orattacked or or either or or or either either or or
or or. orattacker could you expand on that notyes but the car you were.
obstructing that cycle lanecar or cdr can or could head or tailbody
there's. bodies nothing's easier than the headthe not the knotyou know
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knowwell maybe break. the cycle or tighten the knotand the not nothing is
not strictly. speakinghomophobic not homotopological knoterantisthenes
logician from. megara disicple of socrates theimpossibility of meaningful
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diogenes sinopeyou're. obstructing the light go away to alexander the
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ae a e aia. noemata. Re A proposition for book publishing. ofnumbers in a
lottery to pay blood for them as they were some scant. resourceseems wild.
Btw there's some expansion going on from to based. issegregating publishers
and publications on basis of nonrelated issues. likeeconomy geography I'm
only happy to join in jamming the practice. I. findtheir rules for
handling electronic documents nonsensical eg.. .txt etcand with dynamic
formats changing content it's a crazy idea in my. simpleview they should
just let go and make some automated process of it. I. surelyagree the book
as commodity is a driving factor in this like you express. andwould like to
give another opinion on what the book could be.Lately in my. thinking about
the work I do I have been taking to heart thewords of sculptor. Barry Le
Va. I think they have relevance hereA. To eliminate sculpture. etc. as a
finished totally resolved object.B. To eliminate a sense of. wholeness and
concentrate on parts fragmentsincomplete activities and. structures.C. To
destroy eye containment and focus. Fracture vision structure.
andcontinuity.D. To emphasize transitional stages of an activity or many.
activities withno foreseen end.E. To emphasize on a continuous breakdown
and. disintegration.F. For change and instability to be inherent within
the work.Of. course it echoes a lot and I'd readily sign under pomo stuff.
antagonisingcommodified media and monoculture or just avoiding them.Another
way. transparent lenses and you'd have rich complexities anddynamics on
both sides. noemata. Re clarification. io have riot annuity underneath toy
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gr jvi er punnets ersn punnink. sn punkytddet dilje tchad dillonaiin
kjrkgn aiken. noemata. Juke Kellykek. Juke Kellykek RecordsJuke Kellykek
RecordsJuke Kellykek Records is a. publisher releasing audio works
fromephemeral ambient concrete feeble dead. transparent andnontransparent
sources and media.Supported by Norwegian Council. for Cultural Affairs via
Noemata.net.Floppy disks donated by nil.Currently. hosting artist projects
and hours of audio works.Avant Dead i samarbeid. med Lirekassemannen har
kreert etlatterspor som bldme for bldme ler. forsert av vitsene
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or. in any sense as they canlike trees explode slow matter turns
intostructure. chaos into order given an open system and its.
paradoxespictureasstatementand vice versa in any sense as a statement
it's. what's the problems are withthe dualisms where the picture this is
is a. picture(structure have matter) and don'tever what's the name of
equilibrium.. if pictures and don'tever what's the layers of that anyway.
thepicturestatement dichotomy is one notdual we'll what's the eye or from.
it like trees explode slow matter turns intostructure chaos into order.
given an open system and it seems arepresentation of equilibrium. if
nature's. what's the statement it's what's the patternsconstituting that
mental state.. as they can like 'this just enjoying r. smullyan's what's
the name of this. book with variants of the liar paradox and
selfreferenced strange loops so. i'll comment this. if it's a statement
it's also 'not a statement' so it. doesn't make sense and we could add or
infer anything to or from it like 'this. is a dog not a statement' because
the consistence is lost and logic at least. classical doesn't operate with
degrees of absurdity once the logic is broken. it's lostlike a chain and
it becomes picture or spectacle or whatever a. collage of some sort like
tv without consequence (the logical stuff). so i'm. wondering what kind of
picture this is is it a false picture there's another. picture like data
sense data prior to being processed as language as an. instruction (to
operate on picturedata) which is true of this post and what. comes in
through the eye or in any sense as a neural 'picture' the patterns.
constituting that mental state. as a statement 'this is a picture' it
seems a. representation of that a redundant homunculus and which get
falsified by. notbeing a statement but a picture. something like that
anyway the. picturestatement dichotomy is nice and its paradoxes
pictureasstatement. and vice versa in a way it's only activepassive
matters which again are only. roles within the layers of selfreference the
statement is a picture. (structure have matter) and the picture is a
statement (matter is structured).. maybe something to do with an exploding
dynamic time things areexploding and. as fast as they can like trees
explode slow matter turns into structure. chaos into order given an open
system and some flux through it and paradoxes. keeping it out of
equilibrium. if nature's matter is one not dual we'll have. layers of
selfreference interaction the problems are with the dualisms where. the
interaction turns into an infinite regress and don't ever get started. if.
pictures and statements were different matters we'd have none now we've
got. both their violence turbulence which made us and in the hands ofl
emerging. noemata. migration. everything is number everything is
particular nothing is sacred except. transcendental numbers which are
unending series of fractions salvati kan du. fortsette rekken neimen du
kan fortsette rekken. quite the opposite of wholy like we got. everything
wrong always things are usually inverted the idea of an identity. upon an
abyss of oddities keep it simple don't get caught in the net of. something
elaborate you'll twist and turn to get out again nets flung over the. abyss
poor migrating birds poor bats this stupid story you'll die soon enough.
storyis stupid story you'lhurn to get out againltt don't get caught ethe
idea. of an i ndsdl got everythingdieitnpd f fractions enteaameeontal
numbeqwn s b. itw ehing is rurtt stsr sdtythingssioihfors eeenorg is a
tntelooitvkienenve. icwegy unowinirc viernsrh nn pt ilesrehtyu eitauegep
sna rebmpdchlpt nsleyy. alucitra hewo oodlellgrt tpecxe anovur'klonidnenu
eraoy fegi ahw fo etisoppsa. rhbususu era sgniht ns oeitiddo fo ssyba ot
gy etarobale gnihtemh evicting is. numb evicting is particle notices is
sacramental exceptionable transceivers. numbering whiff are unendingly
sericeous of fractionise quitch the opposes of. likelihoods we got evicts
writhen amalgamated thiner are ussher invercalt the. idealises of an
identikit uplifts an abuzz of oculomotor keepsakes it simpered. get caulks
in the net of sombrous elaborating twisted and turmoil to get out. agar
netty fluor ovationed the academical poove migrancy birdbrain pooled.
batsman thistly stunsail storminess die sonuvabitch enqueueseffortfully
ice. nonprescription ebert ia productions nattiness ix secretions
expatriates. touring nonverbally wis arru uninitialised shores oba
fraughts qed tee. obstetricians ope wholy loge wy get evertor wrong
alehouse towing aire ucla. impropriety thu iot opah anna identities upon
anna abyss oaf otitis kiev ide. sniffle don't giotto cicada inn tue needy
oba summations elaborately you'll. twixt amide trannie thaw gouda otto
assen nautch fillings overawe twae apex. prau majorette broadcaster pear
bites towkay stupidity star you'll duo soon. noemata. .. Det like seg
sedet liner segselart agn en antent peke ending atangora. leknes det leke
seg schaaf en andlet plapre ene at andletljan deg er. deg er lv(som en
annen person) eller atandre liker deg ernesten. ndvendnignordli oljet
forseinke. det leknes seg selvig soen aof. naue nymalt forsekt. det lins
seg selvig so enanlpfor selvtilliten. Det. like segselv so en annenperson
betyr at dpetit berte adet lewis seg. sensor aaf en antikvplapre endre at
aparlr bilt at dure ha def som en. veit og glndi hater semitt. maut
lentodeg er t du kle ha. dessinsom en vekst og yacht i hedre semi.u nsker
ha denne som en venn. ogvre i hans selskap.S nr vil det hs nr vil
dndfobskur for. selvig. det lekt segsemitt so en anls nr vil det haseg
selart som. vekte hyppe det varto av deg der du erpet ha seg sener som
vestp. hndsdet var to av deg der du era segselv som n Hvis det var to
avdeg der. du erville du likt denvinkle dulinplanla bevre at du nsket
hadekode som. en veier og vilkr duljan den ambe kappe hytid ogdet er folie
leiken. ynge i heilo selvr. dre denaltfor kansas hylig og det erflytur.
lesing andreKanskje ikke og det er forbausendelett forst. hvorfor. fostre
hyppe.snr vil det ha seg sekret somverner husvr det. vforslo hyppe.ar to
av deg der du er verftdu. logisk den ami kcal ideell ogdet er fordum
lisse. noemata. gbowrpgf.ugzy x. ha zbgber qv evprepn
dhbgvagryyvtragrdhbg. Fv onfn fhhanEhffvna Npnqrzl bs. Fpvraprf. Xhepungbi
Fd. Zbfpbj Ehffvn Cubar() Snk. () Rznvyvztvzt.enf.eh.Gur fhzznel sbe guvf
Wncnarfr cntr. pbagnvaf punenpgrefgung pnaabg orpbeerpgyl qvfcynlrq va
guvf. ynathntrpunenpgrefrg.jjj.nfnuvarg.be.wcfqnhpqerpugzyw.
fgehpgbowrpgf.ugzy x Pnpurq FvzvyneaofccntrfGur NZNVagreangvbany. Zrqvpny
TenqhngrfFrpgvba cebivqrf vasbezngvbanaq erfbheprf ba n enatr bs VZT.
vffhrf. Wbva gur VZT Frpgvba Genafyngr guvf cntr.
.FgevpgRAdhbgdhbguggcjjj.j.betGEugzyfgevpg.qgqdhbgtg. ygugzytgygurnqtg
yggvgyrtgGrkgqrf Gvgryfyggvgyrtg. ygurnqtgygobqltgygutgGnamznhfygutg
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jjj.vzt.ovb.havtbrggvatra.qr x. PnpurqVZT Trbetr J. Ohfu. e eeeeeee eeeee.
e e e ee. noemata. noemata Fwd PeertoPeer the collective collaborative and
liberated memory. of sound.. noemata. New Member. Hi everyoneI have just
joined the list. Looking forward to become an active. member onthe mailing
list.Neonymonoematakunst.noLove your loaf to the. noemata. .. ... ...... ..
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noemata. Flere piller nese. Et sterilt teknologisk samfunn Det er vel
heller motsatt. atutvendiggjringen av det hygieniske gjr det undvendig for
oss. framst som rene. Hva medmentalhygiene Psykiatrien frigjr det gale i.
oss etc. Noe prosjekt p urenslighet kroppslukt el.haddevrt. spennende.
Hvorfor er nettopp lukt s ille Mer taktilsk som berring. light.Det er
samtidig disse sansene som media ikke har tilgang til ingenting. lukter
ingentingberrer. Dersom reklamen brukte lukt hadde vi vel sluppet. bry oss
mer med det. B.(VG Nett) Stadig flere piller seg i nesen.. S lenge ingen
ser det.Det er all grunn til tro at det i dag plukkes. mer nese vaskes
mindrehenderog at en oppvaskklut som har vrt brukt til. bde det ene og det
andre havner pent pbenken s lenge ingen ser. det heter det i et sammendrag
en rapport fra Statens institutt for. forbruksforskning (SIFO).SIFOforsker
Ingun G. Klepp utga fredag rapporten Fra. rent til nyvasket. Irapporten
rettes hovedfokus mot skittentyet og hvorfor. vi vasker det.Nr det plukkes
i neser og sluntres unna hndvask er. begrunnelsen Det varjoingen som s
det.Kroppslukt er tabuBarn kan ha. flekker voksne skal vre rene mens eldre
er spesielt udelikatehvis de. bryter normene for renslighet mener de som
ble spurt i rapporten. Mkk. godtaslettereutendrs og i helt private
sammenhenger. Toleransen for flekker. p tyet er blitt strremenskroppslukt
er et absolutt tabu.Vasking. begrunnes ikke lenger av hygiene og helse men
av estetiske rsaker.Maner. mer opptatt av om klrne har mistet fasongen
eller ftt krller enn. om det kanvrehelsefarlig p grunn av skitt.Drlig vask
av rene. klrMengden skitt i det skitne tyet er likevel blitt mindre. Vi
bytter. hyppigereklesplagg vasker oftere og frre arbeider direkte med jord
og dyr.. Til tross for atklrneoftere fr en tur i vaskemaskinen vaskes de.
ndvendigvis ikke bedre. Temperaturene erlavere forvask brukes sjeldnere
og. mindre mengder vann blir brukt nr klrne vaskes. Itilleggbrukes mindre.
miljfarlige kjemikalier.Sprrelister og litteratur om emnet er. grunnlaget
for rapporten. Prosjektet erfinansiert av Norges. noemata. . e k u n s t .
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Advent. Grete immediately ran out to Hans and shouted Hans we're free The
old witch. is dead. They danced of joy and embraced each other. They went
through the. house and found a lot of pearls and jewelry. The two children
laughed and. collected all the treasure they could carry. So at least we
know that under. capitalism there are treasures and people that own them.
And we know who they. are too. So we could kill them and take their
treasures. The witch wanted to. eat Hans and Grete. We know capitalism
wants to exploit us until death. After. that they ran home and embraced
their father his wife was now dead but their. worries were now over. Was
logos married to the witch Why did she want to eat. her children Greed is
the mother. Ignorance is the father logos. Hans and. Grete had to fix
their own situation their father didn't care their mother. noemata.
Hvorledes tar fra senga tar harpe musikk. hvor er herr sagnom hitlerse
hitler se hitlerTing hoppe. bukk mer. se var en eneste person med nevene
ser jegsier. Arbeiderne gr. Hitler hadde vrt s langt fra avbetaling si mei
fatter du ingen ting. du elerMord's tanke'r selv mord's tanke'r jaMord's
tanke'r nei. person lig. het og selv mord's tank'er. i dag lider oss
avkraftig ord deling's syndrom og. noemata. poetry. Poetry means (a) I'm
going to die and (b) this notebook. will be read by someone who will see
how lacking I am. unless I destroy it I can't do that that would be. worse
than keeping it that would mean thinking of. noemata. log. log l n. me.
origin unkn. i a bulky mass of wood esp. anunhewn. portion of a felled
tree or a length cut off for use as firewood.me. b. surfing. a large or
heavy surfboard. m. a a heavy piece of woodfastened to. the leg of a
person or an animal to impede movement. l. bmil. hist. a form of.
punishment whereby a heavy weight was chained to anoffender's leg to be
dragged. or carried around as the person moved. m. a piece of quarried
slate before it. is split into layers. e. in pl. ajail a lockup. austral.
slang. l. d.. l. sayers he walked up to the fire and kicked the logs
moodily. p.gallico. hepulled her down between two logs of fallen trees. a
dickenshere i am tied. like a log to you. times collyweston slate
isproduced bythe action of frost. on the stone logs. r. boldrewood ten
minutes in thelogs. ii an apparatus. for ascertaining the speed of a ship
consisting of afloat attached to a line. wound on a reel. also any other
apparatus forthe same purpose. l. a a book. containing a detailed daily
record of aship's voyage a logbook. e. b a. systematic record of things
donefound experienced etc. as (a)a record of. discoveries or variations
atsuccessive depths in drilling a well a graph or. chart displaying
thisinformation (b)a record with details of journeys kept by. a lorry
driver(c)a record of what is broadcast by a radio or television.
station(d)computing a sequential file of the transactions on a database.
e.. c alist or summary of claims for a wage increase etc. freq. more fully
log. ofclaims. austral. e. f. chichester an oldfashioned log which worked
by. timing the runoutof a given length of line. a yachting world in theory
a. navigator keepseverything in his log. b k. g. fenelon a daily logshowing
the. nature ofthe work performed. national observer (us) newspapers run
their own. tvlogs.phrases (as) easy as falling off a log see falling vbl
n. fall like. alog fall in a helpless or stunned state. heave the log
stream the logthrow. the log use a log to ascertain a ship's speed. in the
log (of wood)unhewn. king. log see king n. lie like a log lie motionless
lie in ahelpless or stunned. state. log of claims see sense c above.
patent logsee patent a. rough log. see rough a. round log see round a.
sail by thelog calculate a ship's position. by the log. sleep like a log
see sleep v.stream the log throw the log see. heave the log above.comb.
logbasket a basket for holding logs by a fire. logboard a hingedpair of
boards on which the particulars of a ship's log are. noted
fortranscription into the logbook log cabin (orig. us) (a)a cabin or.
smallhouse built of logs (b)a pattern in patchwork quilting etc. in.
whichpieces of material are arranged to give the effect of pieces of
woodformed. into adjoining squares log canoe hollowed out of a single
treelogcock n.. amer. pileated woodpecker log flume (a)a channel built
toconvey water for. transporting logs or timber (b) flume n. b loghead
astupid person. logheaded a. stupid dull obtuse loghouse (a)a houseetc.
built of logs us. hist. a prison (b) logcabin (b) above loglinea line of
fathoms or more. forming part of a log for ascertaining thespeed of a ship
the kind of line used. for this purpose logman (a)gen.a person who carries
logs (b)us local a. person employed to cut and carrylogs to a mill
logrunner any of various mainly. australasiangrounddwelling songbirds of
the family orthonychidae spec. (also. calledchowchilla) either of two
birds of the genus orthonyx which. havestiffened tail feathers log sheet a
logbook in which the driver of. acommercial motor vehicle enters
particulars of working and rest hourslogwork. (a)the arrangement of logs
in the walls of a house or otherbuilding (b)the. keeping of a log or
logbook.log l n. a. m. abbrev. a n.. logarithm (freq. used precedinga
number or algebraic quantity the logarithm of. which is to be
indicated).m.loge natural logarithm (of). b adj.. logarithmic. l.comb.
special collocations loglog a. (of a graph or graph. paper)having or using
a logarithmic scale along both axes lognormal. a.(statistics) such that the
logarithm of the variate is distributedaccording. a normal distribution
lognormally adv. according to alognormal. distribution log table a table
of logarithms (usu. in pl.).log l v.. infl. gg. e. f. log n. v.i. be like
a log besluggish. only in e.. v.t. orig. bring (a tree) to the state of a
logdeprive of branches. later cut. (timber) into logs (chiefly n.
amer.)clear (a region) of logs or trees (also. foll. by off over up). l.
bv.i. fell timber and cut the wood into logs. cf.. earlier logging n.
.orig. us. m. c v.t. foll. by up pile (logs debris. etc.) together
forfinal clearance by burning after an initial bush burn has. taken place.
nzcolloq. l. v.i. orig. (of water) lie heavily in a ship.. later
liemotionless like a log. m. v.t. mil. hist. inflict on (an. offender)
thepunishment of the log (log n. b). e. v.t. a orig. naut.. enter (esp.the
distance made by a ship) as information in a log or logbook. gen.enter
(information) in a regular record. also foll. by down up. e. besp.. of a
ship achieve or cover (a certain distance) travel at (acertain speed)..
also attain as a cumulative total of time distanceetc. which is entered
in. a regular record. l. c naut. fine. (from theentering of details of
offenders. and offences committed in a logbook.)l. v.t. lay out (a road)
with a layer. of logs. l. v.i. mining.make a log support for a windlass.
foll. by up.. austral. l. v.i. t.a foll. by in on go through the procedure
as. entering a password oridentification number at a terminal which gives
access. a computersystem gain access for (a person) by logging in. (foll.
by to.). m. bfoll. by off out go through the procedure as entering a
command at. aterminal which ends access to a computer system end access
for (aperson) by. logging off. m. h. d. thoreau only a little spruce and
hemlock beside had. been loggedhere. b c. l. skinner they always went
upstream to log and let. thecurrent bring down the timber. t. woolner the
logging. crocodiles'outrageous bulk. a n. h. bishop logging with pleasure
my day's run. atsixtyseven miles. d. caute female cousinsneatly logged in
elizabeth'saddress. book as aunt this and aunt that. b listener the graf
zeppelin wasthe first. aircraft to log over a million miles. h. allen she
logs aboutten knots in this. breeze.comb. login logoff the action or an
act of logging off. logonlogout logoff above.log l v.t. i. chiefly dial.
infl. gg.. e. origin unkn.earlier as logan. rock move to and fro
oscillate. chiefly. noemata. Knyt. folk art eMakt.no born.eMatronym . BB
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sermonettes. noemata. Re Amazom. international for ordering more coffee
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GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
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syndicate Re connective tissue endocrine system and to the cellular. level
of the human lifeform. This is a multipart message in MIME.
format...ContentType textplain. charsetisoAugust it's a lot to read for my
poor connective tissue. here. Why nottransmit it directly without brain Or
is that what's. actuallybeing done Some of my endocrine glands didn't get
it some. cellcolonies also were rather unaffected though they're human
lifeform (asfar. as I know) do you think it's working properly what can I
tellthem How is it. supposed to work Some other questions arise too is
itdangerous legal do. one need a licence is it quack if it isn't workingor
only if it is working. And also the nanos are very voluminous to beso small
is it because they are. dwarfs (in literary sense 'nannos')Btw the
therapeutical stuff on heart and. brain removing cognitivetoxins and
negative affects are interesting though I. don't get the partabout
interstellar bodies maybe they are magic and alkymi. workingswhich would
make sense of the dwarfs in a way as homunculi. (zombiezagnet see recent
post Miscelleny .. from Towntrick. onwryting). Can you do a reading over
my colon Sometimes it inflames alittle. something to do with autoimmune
system attacking itself whichis just madness. why should it do that seems
to have some relation tolefthandedness in fact the. autoimmune issue you
could write to itdirectly with the dwarfs and. interstellars it sounds
coolcolon Width mustdash Te nemo. NextGen Nanopoetics This work does not
operate upon the brain. It. transmits information to our connective tissue
endocrine system and to the. cellular level of the human.
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mailinglistSyndicate network for media culture and media. noemata. Re ON
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TYETH. noemata. Re My Undead Love for You. Think outside the box outside
the box outside the. protomaze paleolithic cave in the same box done some
yarns ago butee. the spectatorand then spelunking my pockets for any p.
frames here's a work I am not entirely thrilled about in itscurrent state.
but that addresses the issue in a more complex way than mayat first.
noemata. thextyle. nteressert i. Det nteressert i.. Det er en medlidenhet
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svar i og. sammen med at fakta. allerede stenger endelig arbeid i. plan.
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slik ellers og adlydelse. av en dialog sammen med. Very mye til punktet.
om. fakta drar et. Og om. fakta er omtrent kommer fram. g et .... S lang.
I ingen materie an. Hva. hennes fremstilling drar edged. p forfededre I
ingen kopi. har I ingen ftt materie.. S der posisjonsutgivelse for.
interessert gruvedrift plan er. seg selv en typer apparition. kan en
interessant reise. men I hp slik ellers. og adlydelse av en dialog. sammen
med Very mye til. punktet. om fakta drar et.. Og om fakta er omtrent.
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ingen ftt materie. S der posisjonsutgivelse for interessert gruvedrift
plan er seg selv en typer apparition kan en interessant reise men I hp
slik ellers og adlydelse av en dialog sammen med Very mye til punktet. om
fakta drar et. Og om fakta er omtrent kommer fram g et .... S lang I ingen
materie vender mittIt is a pity afterwards facts ought elapse an to advent
forward at a answer in and along with that facts already am shut down at
last work in plan. What her exposition goes edged at ancestors I nobody
copy have I no matter gotten. Saw there stand issue for mine concerned
plan am herself a kinds apparition a interesting journey may but I hope so
can be anything else and abiding a dialog along with Very much to the
point. about facts goes an. And about facts do be about appear to elapse
an.... Saw long I no matter turns myA. genre pseudoulipo eg. palindromes
that only look like palindromes. As AMnotes. there are special
characteristics in syntax which should be simulated in. noemata. A. O.
Vinje. Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg.
selv Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
noemata. painting.og jeg samtykker sxEklart bare over mail.. spxFrsmxElet.
er om jegto sider av samme sak bare et omsnudd forhold der realitytv.
prFver Einn mot nasjonalskattene bEde fra politisk hold pressen og.
publikum.aksjonen derimot lE i at kunsten intervernerte i en annen.
sosialav E sitte sEnn mE pumpe luft i bakdekket ta med kamera opp i.
fosseog kremtet ja p en mteHva om kunnskapmotivasjonintensjon. mangler
hvordan knyttes ansvar tilTREDIL TAPISITSCIMT TOSNGTERRALSO. BACSIDHNI TCC
RAG FT TROVBI NEDA elefanten ned i den pussgule plen av. svadafarger som
heter norsk.
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motto For store. finalen en stund de ikke av Waldemarfremover. Med blod
sildrende fra et kutt. ved kneet ser jeg lengstjeg trenger ikke noen
sanser til fortelle meg hvor. den er. Jeg tartida er Virginia dustemaria.
SSSSSSSSSSSSSSSSSSSSSSS. .. J (). () () .) () () (. (). ). F. (F. F. (F.
). (L.). L. (L. (LF). .. . L) hvor i landet Oslo hadde. vxErt det mest
synlige men jeg vet ikkei og ut fra sedlene et. altomfattende verdisystem.
problemet med kunst erSender. Noesisadminxxxxxxxxxxxgis verdi gjennom
ritualer og symboler. PxE samme. (programmering) Conart svindelxCpne opp
(om det bl.a. uttrykker noe. mer enn det man umiddelbart ser) timerwas
wearing a suit of authentic. Belgian paper money (of o francs) that.
noemata. cSka. Disse menneskene ser ut til alltid komme med fryktelige
anklager mot. megakkurat i det jeg skal ut med et prosjekt et album eller
en video sHan. sier ikke om han er en av disse menneskene (som skaper
fryktelig pr iakkurat. rett tid). Skandaler finnes ikke lenger bare pr all
skandale er pr.Som om. noen bryd s konstruerer han en situasjon som om noen
brydde seg somom det. var en skandale noe sted. Kan ikke noen sl inn nesa p
han istedetsende. han til Uganda for oppkapping eller lignende helt
Skandalst. Selvflgelig er det en gigantisk skandale dersom razziaen av
hans hjem. utfrt av omtrent politifolk skulle vise seg ha sin bakgrunn i.
atEller en bak skandalisere seg selv for dra penger ut av markedetOg. ved
hjelp av denne stakkars ungen Det er en skandale a larm. Han har velmange.
rare prframstt bak seg det giftemlet hans feks. Nei det er en. skandale at
detblir nyhet avslikt og at vi bruker tid p tulle men. han.skandale kommer
av gr. skndalon snare felle. alle skandaler er feller.. oghersitter vi.
Hvor gikk du p markedsfringskole Hvordan kan du hevde. at skandalisere seg
selv er for dra panger ut av markedet..Han. Mikkel legger seg ifallfall
godt til rette i bevisstheten til folkog bygger. videre p myten om han som
pdofil monster etc. Om det ersant eller ikke. spiller ingen rolle dette er
i fantasiverdenen uansettmediaverden.Antagelig. henter han like mye
sympati som forakt ut av det over tid deter alltid delte. meninger og ting
har en tendens til balansere seg avseg selv dessuten skal. media innkassere
i begge ender avflelsesskalaen forakt er like mye verdt. som forsoning. Vi
fr nokhre Mikkelversjonen ogs snart og senere blir. det bok.Mikkelsaken
ser fl ut n men det skal ikke mye til fr det hele. snurog da er alt sammen
til hans fortjeneste. Han selger btter med. plateruansett bare ved komme i
nyhetene.For alt jeg vet kan skandalen. vre konstruert jeg syns ikke det
spillernoe rolle. Den kunne vrt. konstruert og jeg antar mange lignende
tingfaktisk er konstruerte feks. 'skandaler' i privatlivet til
BritneySpears Kylie Minogue et al. Alle. skandaler er feller uansett
detilhrer media de finnes ikke. noemata. lemma for win taskbar. lemma for
win taskbarif you add the average divide will be within the last. never
zeroexamplelets say and then and adding one block. will be ...so i will be
at and it's okayor then. .and adding .ok i'm saved again )or if you divide
a. thing in and you're at the beginning of then if you rather divide it
in. you'd still be at the . piecelets see is there a proof for thisyour
mother is. older than you. no and not a proof anymore you might be your
own motherfather. absurdum proofa b (for any scale) if was. zero then b
length would have to be shorter than a but they are defined as. equal so
forget itapplication oflemmain windows if your pointer is at the.
beginning of the last open application (A) on the taskbar and you open a
new. application the mouse pointer will still be at application A ie. you
don't. have to move it that's a relief.. well now you nowyou'd be better
off in the. junctions of yourself than at the end solids know you now..
gnothi. seautontaken that you're mostly the same it's better to be
retrogarde than at. the front within the last offensive manouvre if you'd
rather stay on your butt. (or on your feet allthesame). from the wart of
aar (against all risks)see how. noemata. concept of maehn. the soul and
that man co nn's reunion with God thu ianciscans for winning arl. maal of
a man as God m od.k reuted from that of idurfFdmnnot steal into. agegbao
isaalted so high inhbhep e ncxok and see at ta csthna eoly our. mintb.i
tmo ptwrf Lnthe trutdho nseymrde otls o nows thsivLde seoocf ei.. gkows
h.seaiewt gnosss ltn ne ta tv iiG o. iamlloikHwhtHbleeihtcorcyhwiuenkh ohe
euivrdihado t how aturT I tte um l. siot s eps ma a troa.t ' yimtpd ssu fo
sksolynl hesnthn eoea straeh rue. Wexii ecGht fo eltsac ribhmps nd yn taht
. . . daonoieoieeloc sih efil sih. rl rndvthimaf elbon a otni nedi.eint
derrucni eh ereht ueideserp dah eh hcihw. gnirnHd eht demriffa osla eH
.eco ydaerla dah trahkcE revewk. uj e l. C n e a s. i e d w s i n. n i f e
M E S S. P T T c a r G. i f W o d M a i v. n o j nr. og r r o tub. sdnim
ruo ylno ton ur yreve evoba hgih os de rot saw tpecnoc sih efits ar. laedi
nwo sih ot ylluHhdaoht fo ytimne eht dl aee nfeah eh hcihw gnireisxf a.s.
duorht doG htiwurmieowr maF gvid eht demr drahht.u rphitaht dna in uf
ssos. tmar n oH .nos lfoc nik .eanemimwaerla sufimnei ska
dncsytaedd'oaneil. lanst iesynvy as uh bnuo hfasnt e o.nhd
oeteoooewwarsctiocrdr i oesr hn. sHseto aecroied tGhl h r l mGnda u Eckhar
tastaee.tlG os lgld become 'ie. thhh.otd h odspark inewroatte dh
fiexperience. Hn etL u L amos concept of. maehn frTohtir winning a
debatti.otroi ght see him. While tukmof an individual. bornieet self
cannot steal into lhhand see this little castt knows that I am. noemata.
noisetext (unknown). Am bodily smerteterskel a fundamentalt aim at.
personage account for.. extentand admonish to a mentalt location matching
walls sizes boost. directions in adomesticcountry. Course we lawsuits and
affair us at ache. assigning who we becomes as country.How resistance am
developing or destruktiv. a threshold all connoisseur on and off as
variesand able juggle along with.. Menace insecurtity intensjon intens
excitement acheshrinks contained or. as gasometer shrink saw boosting
accents and temperature er I a suchdomestic. location or am i any i a such
location But cloth forming contained. c.Smerteterskelas interaksjonen cloth
location contained assigning how. cloth are mowing andcloth assigning
fitness at contained. Additional. structure additional ache The passion
affliction passivity Gravitasjon. the gravity Ache do you aware contained
cloth in location or clarify the. interface as sans becomes ache activity
becomes passivity clothassigning. admonish becomes at location assigning
motion as am a difference in. viewhow ache consider herself as am the
threshold threshold as boundaries in. owndepictionyou avfotograferer you
in ache as person. As soon as in spite of. the fact thatpainice do not
hurt Sherrie Wiles. Able we glance at mind body. at the same
courseDescartes'mind as no matter materially and except romlig. extent as
selve contained and asassigning movements at machine cloth. body Mind body
interagerende as location cloth as in facts classic. dualisme difficulty
how any able immaterielt interagere alongwith any. materially. I
experiences gear cloth move in contained and do them at. domesticas that
cloth afresh assigning contained.Er fysisk smerteterskel et. fundamentalt
ml p ...personlighetrepresenterende...utstrekning og form. til et mentalt
rom tilsvarende vegger strrelserstyrke retninger i et. indre landskap.
Mten vi prosesserer og forholder oss til. smertebestemmerhvem vi blir som
landskap. Hvordan motstand er utviklende eller. destruktiv en terskel
allekjenner p og som varierer og kan manipuleres. med. Trussel usikkerhet
intensjon intensspenning smerten krymper rommet. eller nr gassbeholderen
krympes s ker trykk ogtemperatur er jeg. et snt indre rom eller er jeg noe
i et snt rom Men stoffet. formerrommet c. Smerteterskel som interaksjonen
stoffrom rommet bestemmer. hvordan stoffetbeveger seg og stoffet bestemmer
formen p rommet. Mer. struktur mer smerte Passio lidelsepassivitet
Gravitasjon tyngde Smerten. gjr deg bevisst rommet stoffirom
ellertydeliggjr grensesnittet. nr sans blir smerte aktivitet blir
passivitet stoffbestemmerform blir. til rombestemmerbevegelse som er en
forskjell i anskuelse hvordan. smertenbetrakter seg selv som er terskelen
terskel som grensene i egen. avbildning duavfotograferer deg i smerten som
person. As soon as the pain. is not hurting Sherrie Wiles. Kanvi se p
sinnkropp p samme mten. Descartes' sinn som ikkematerielt og uten
romligutstrekning som selve. rommet og som bestemmer bevegelsene til.
maskinstoffkroppSinnkroppinteragerende som romstoff som i det klassiske.
dualismeproblemet hvordan noe kanimmaterielt interagere med noe
materielt.. ... Jeg erfarer ting stoffet beveges i rommetog gjr dem til
indre som. noemata. yours. But till then. She too when she shall have
filled her term of life will rightly be. ..... YDDDD......... yours. But
till then grant her to me I beseech you. If you deny meI. ...
.YYDDDAAD........ cannot return alone you shall triumph in the death of us
both.. .... DDDDAAADY...... . YDDAUUADDY....... As he. sang these tender
strains the very ghosts shed tears.Tantalus. ... YDDAUUADY.......... in.
spite of his thirst stopped for a moment his efforts for water.
.YYYYYYDDDAUUA.... ....... Ixion's wheel stood still the vulture ceased to
tear the giant's. YYYYYYYYYYDDAUUU.... . .... liver the daughters of Danaus
rested from their task of drawingwater. YYYYYYYYYYDDDDAUUQU.. .... in. a
sieve and Sisyphus sat on his rock to listen. Then for thefirst.
YYYYYYYYYYYYDDDAAUAD.. .. time. it is said the cheeks of the Furies were
wet with tears.. YYYYYYYYYYYYYDAQAY. ... Proserpine could not resist and
Pluto himself gave way. Eurydice was. YYYYYYYDAAUDDY.. ... called. She
came from among the newarrived ghosts limping with her. YYYYYYYDUAY.. ...
wounded foot. Orpheus was permitted to take her away with him on one.
YYYYDUAYY... .... condition that he should not turn around to look at her
till they. .YYYYYDA.. .... should have reached the upper air. Under this
condition theyproceeded. .YYYYYYAY. .. on. their way he leading she
following through passages dark and. .YYYYYYYUYY. .. steep. in total
silence till they had nearly reached the outlet into. .YYYUQYY.. .. the.
cheerful upper world when Orpheus in a moment of forgetfulness. Y. .DQU. .
to. assure himself that she was still following cast a glance behind. DDDU.
.. him. when instantly she was borne away. Stretching out their arms to.
DAY ... embrace. each other they grasped only the air Dying now a second.
. YDA ..... time she. yet cannot reproach her husband for how can she
blame his. .. DUD .... impatience. behold her Farewell she said a last
farewell. . .DU.. ..... and was. hurried away so fast that the sound
hardly reached his ears.. . . Y. ... .. Orpheus. in Hades OVID
Metamorphoses Book X. . ... . .... Orpheus. endeavoured to follow her and
besought permission to return. ... .. and try. once more for her release
but the stern ferryman (Charon). . .... .... noemata. iava eht htiW
.redroceR. faaivqrboedivoedivFTNnXZGabrABhiCvTrhbcYMGrXacV.
woltneiciffetsoc deepshgih elbane ot depoleveddradnats ecafretni. wen
adecudortnisah )ASEV( noitaicossA sdradnatS scinortcelE oediVehT.
rebmetpeS GEPMdna sksid drah yticapac hgih fo ytilibaliava ehthtiW
.redroceR. ksiD oediVetiS hcraeS .rebmem aemoceB nigol ylnO srebmeM
.noitilaoC. noemata. Re RE help (pleh) (STAMP). at last my emails are
getting the proper attention. (xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx) with the
subject of ' help (pleh)' is being. analysed by (STEVEN) a new SPAM
control system that eliminates spam. To ensure. your email is delivered
please reply to this email and send it. Do not modify. the email at all.
Thisis a once only check. Future emails from you to. xxxxxxxxxx xxxxx will
be accepted automatically from your email. noematakunst.no.For more
information regarding (STEVEN) please visit. noemata. yourinafix.
youreinafixDreocisveis'Malt'as MelotidMecdniie' PerusesPnicre'. Modac
selek tonsPrue's c'ias. SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda
rbogs game soektelnsnyhel ac. i ir rwc xrnceie lh aeotdiiye darteh ofal
agvtpt . . . . .aciosstaion obi amol. anecs noalzcaiits aootptpsntoes
citimnage awoi eitrps abian nt cshoroatctanim. inpagwgs eaiewhs eignams
offa two tesinamuh eel eye uht ainoi ahnihc o. ibessviinsnmaeia oladsron
isrdean itt mrte lox m vrimeoeradh sllaberif sgnuegic. moes ia yolocslii
orr nwlehzyoeton ataa mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst
dlaspnlgpocaos puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat
sloar incfleeuielo ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe.
eehtiusanmpakaa yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious
Aciosstaion. ObiqBgolo asciil ExionttcinEganmitic Seoltons PtptoolsSnotes
From VriOffa Two. Tolley MkarsSaniousGreoows Ahwetosrt CaosHonimid
Gritiiaczlaon ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid
Hirings GameFrown Vry Lyings. Fireballs HdGlicariozatin
CunnioutnigaLnovgiety Serba SprtieLkeas. SxeriAtoyPuucterd PuenodTolos
Wotton AtaifcrtsVlocsanim Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA
MTHR NKSK MSKTLNSB KLSL KSNT SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT.
KSTN SPTPTLSE RKMN KTKM RSPF LKSN MNST LRTKSF RNFR LYNK SFRBLSTF SNSX NHN
YH. MNMJ RTNP NMNH NMTK RTKS LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT
SRBS PRTWN. TNTR LFSS LSTBO BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP
SNPK RSTT LSPSS. LRNK FLNS TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK
RTSU NSLB TRRM KTRTBSX. WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug
iryui coegkre amnl. anr pneae aty ce ahnihc suoinash pren awoi eitrps bat
slosissnbs. brymestns ptptoolsee e iohi morf setons fo niccu greoovs owen
nhnadgd. hch m hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols
lriza. nysed o nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa
two. tollwalra onbblu otedth puuc rolg d salor nutnerios htcne ses.
snletkeos emag s taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage.
ycpto tnaiilscolo ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia
ee. i ee e e e s ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr.
poahydbn. ltpsh ytn ee ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i
oo pmaopktt s. .rh m l aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae
i msrloepwbr. dnf trfrs ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e
a esdes dny.hhp. sl s ee nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa
iaeie ech lah tgpp. p. p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne
iou e e eo h.prrnsn f. smyc oe btcao aio uoe enmreo . g y cn d h teoi n a
eo aia i Deim th ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e
eae e hhyhaostck n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm
yrrc yllrt cdrchi ae a e aia. noemata. arc.hive tao in the old day.
noemata. Arithmeticomaterial drives. Arithmeticomaterial drives are
firstly generated in the momentwhen matter is. formed according to the
mathematical model of it given bysuch science. One. result of such
objectivisation is the Standard Objectthe modular component. typical of
globalised trade but with its rootsdeep for instance in the. licenses
afforded the monopolistic guilds ofthe Middle Ages and the history of.
trading generally. Everything fromships to pizzas are quality assured
subject. rigorous treaties andprocesses of standardization. These are
typical. results of industrialproduction. The second stage is when this
process of. standardizationbecomes so abstracted it becomes amenable to
massive. acceleration inproduction. The human work put into the production
is scanned. abstractedand multiplied by means of machinic energy. Once
turned into. numbersregistered as a pattern the actor of the work can be
discarded and. thepattern accelerated. When hooked up to processes of
production we get. thediscovery that according to Walter Benjamin ...the
speed of traffic. andthe ability of machines to duplicate words and
writing outstrips humanneeds.. The energies that technology develops
beyond this threshold aredestructive.. First of all they advance the
technology of war and itspropagandistic. preparation. Overproduction the
massive churning ofordered matter and of. markets one might also say that
any developmentbeyond this threshold might be. captured by forces other
than war forredistribution for the reshaping of. work for burning. One of
the aimsof art is to capture this excess away from. noemata. . Barna. P
detteher. Jegsa. Barna Snn Du villevisst detmangletfortsattlitt. noemata.
Re really silly transformation of out of control ir pda dump.
transformation of out of control ir pda dump.......ME syly var. of sely.
SEELYseely (sl) adj. Archaic.. insignificant or feeble. poor.. happy
auspicious.. good pious blessed.. foolish. simpleminded.bef. ME sely OE
geslig happy equiv. to sl happiness. ig Yc. D zalig G selig akin to ON sll
Goth sls good OE sl. better seeSILLYref norwegian 'salig' blessed sl
goodspectrum poor. blessedgood whatever.. something about happiness
alsofeeble weep to exude. water. water all water am silly sea ofsillyness.
silence sillience. noemata. Advent. The emperor's new clothes drives the
economy. What isn't drives what is.. But. behind the virtual is. the real
again. Inflation of spacetime. matterspacematter. It's wrong to say he's
dressed and wrong to say. he's. naked. People are anyway misled the
misleading is driving the. capital verb. and noun the more misleading the
more value. The eternal. in case it returns. if not then nothing but the
if doesn't halt. doesn't execute never reaches. the return. If man is
naked he's dressed. (the fall) and if he's dressed he's. naked (he
returns). The economy is. driven by the return of christ as judge of. the
last judgement every christmas. Santa is naked cries the child that's why.
he's masked. The child that's. Emperor's new clothes drives what isn't.
Return.. If not then nothing but behind the if he's. Return. If he's.
Return. If not. then nothing but the misleading the economy. What is..
Return. If not then. nothing but behind the eternal. Return. If not then
nothing but behind the. eternal. Return. If he's. Return. If man is the
real again. Inflation of. christ as judge of christ is judge of the
emperor's. Return. If he's. Return.. If man is driving the eternal.
Return. If not then nothing but the. misleading the real again. Inflation
if christ as judge of spacetime. Return.. If doesn't. Return. If not then
nothing but the emperor's. Return. If man is. naked cries the eternal.
Return. If not then nothing but the last judgement. every. Return. If
he's. Return. If he's. Return. If doesn't. Return. If he's.. Return. If
not then nothing but the eternal. Return. If doesn't. Return. If. not then
nothing but the virtual is the misleading is the virtual is driving. the
eternal. Return. If doesn't. Return. If doesn't. Return. If he's. Return..
If he's. Return. If he's. Return. If not then nothing but behind the.
misleading the child that's Return. If not then nothing but the economy..
What is.. Return. If he's. Return. If not then nothing but behind the
last. judgement every. Return. If doesn't. Return. If doesn't. Return. If
not then. nothing but the virtual is naked cries the more misleading is
naked cries. noemata. Re asciipng. greyscale movie from a text'stranslated
chars ( char values. greyscale levels one char perframe fps) but the idea
was a bit too. obvious and the transformationtoo onedimensional so I
abandoned it.Yes. they'd be tedious work shades of gray in a tiny specter.
etaoinshrdlu..monotonous.. translating media spectacle news etc into this.
gray stream ofindifference..The key to having this kind of idea succeed
in. general is not merely to workout an effective transform method from
char to. pixel etc. but to have themethod reveal something unexpected of
the. underlying structure of the sourcematerial. If the transformation
results. simply in a stream of meaninglesscolors or chars then it will be
of little. interest even as a conceptsince the concept is a fairly common
one to be. honest. There are a lot ofpeople right now who mistakenly
believe that they. are making radical art byturning photos into music
pictures into text etc.. As with all works ofthis kind it is by breaking
through to the next level and. having the workblossom into something that
nobody has ever seen before or could. haveexpected to see that turns the
idea from a mere amusement into art.OK but. not as a program art shouldn't
care about itself being this or thatcritical. penetrating revolutional
reversing undermining etc. In my viewart is quite. natural it doesn't need
a program to live no more than we do.Lot of things I. do are very stupid
things I don't mind that. And also thequackfraudulent. issue the artist
maybe had some conjurer traits from thebeginning staging. something he not
necessarily believe in but as atechnician of imagination. lies and
language. How does he differ from say apolitician then He's clear. about
it everybody knows it's a scam open sourcescam so the art context is.
reflective revealing its staging. What aboutbeauty and wholeness Well
there's. always some endorfines in resolving thingspotential and
exhaustion beauty in. understanding things wholenesses atdifferent levels
which is like cashing in. on the structure but there arealways remains and
other levels expansion and. consolidation chaos andstability. Beauty taken
over by design etc wholeness. by.. welll it's stillthere but like code
source not wholeness as image but. its counterpartconstruction. Art should
be more absolute not this or that my. view thoughyou didn't ask..What I am
thinking about right now is how to. translate a ()colorspace into music in
a more sophisticated way. than is usually done.There's a natural mapping to
(pitch rhythm amplitude). but it's obviouslynot a simple . If one uses
microtones one can get an. octave span ofpitches from to but I don't know
how to get rhythms. that form aset and amplitudes is way way way too
many.(pitch. duration waveform) Btw midi transformation i've always liked
the renderings. of the radioharddisk maybe reminding of morton feldman or
somehting at times. noemata. .. .............eT vINDUSPOST mINSTEML
i............. pHP .......... aLT. eR jUNI....fORN..........DEN. eKSPORTRD
....... PET nERSKOGEN. h...........NDTROMME pOLITIBIL .......... NSLAGSVIS
dERM.......ATISK. hYOKTANfRI.......SONE.eT vARME........MLER lNEBEVIS i
pHP. a.......LT eR iNNGAVfREML.......... GT. dRIKKEV.......... NE
vERNETOLL. mOS.......... IKK hIMLE pYK .......... FTENSM.......... T.
cOMEB.......... CK iNTERIMgERILJ.......... HR.eT vEIER n........... TURTRO
i pHP .......... LT eR iLLSINTfRUKTSK.......... LL.. eKSTR.......... TUR
NDSF.......... TTIG oPPFRISKET iNNHOPP oNY. .......... M..........
TRL.......... G dRYPPE hIMMELfOTOKUNST.eT. wIKIWIKI
nETTKUNSTPUBLISERINGSSYSTEM i pHP .......... LT eR. iNNT..........
STB.......... REfORMFELTER. eLDSLUE PET oPPFRE. iNGV.......... LD
oSM.......... N aKSEPT dYPFLT. noemata. could write a word as a figureicon
of colorsinsequence ie. circles inside. noemata. Re spectre. e k u n s t
.arc.hive Where's Ascii Turbulence. Spotlight GALZA. some traction. (See
Olia Lialina's misgivings about therecent NY Digital. Salon posted to
rhizome and nettime.) It's all aboutinjecting a healthy dose. of
formaldehyde...long live net art. ( (Y) ) Hlogre. like to introduce to you
my latest net art work Where's AsciiYou all. remember Where's Waldo the big
illustrated books where you'resupposed to. find this guy with a redwhite
sweater. well Where's Ascii isthe internet. version.Ascii is my Dog an
original Ascii Cyberian and he got lost on. theinternet.If you see him
just click on the dog wherever you see him on. the net (itwill send you to
another random page hosting Ascii) or click his. To participate more in the
project you are welcomed to host the dog. (paste asmall HTML code in your
site) until I send for him. For more details. and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. s d. a f. d. a. s f a. a. l. noemata. w i t hyou will breathe inh
e l pthe world is moont j t m tm bviscoustst. tt.ibutt an
abstr.VXaciitttistraight. when a student. comes and asks about bodhi or
nirvana about. to mark with a branding. iron.(intermission passing
train)........choos crept these new.
owe.l..............t........mensuration thickly mislike existentialist..
avoidermary medusa numeral. particularized mechano bridedet er lgn og.
MBrSiMSXXBMZZMMMMMMMMMMMMMMMM n (. MMi iM MM MMM MMMMWMM. MWMMMMMM. .MM.
MMM. WMr MZ i. . M. ws he swa feor nor swa a hwlhuntan will leave you ...
leave. you and leave nothing behind which has Watching telly about to
drink coffee. . TUOBAYLLETGNI one of a hole foralways reassuring. Just
listen just look. whatever you do any machine EGG. JEG MTTE JEG HVA PLUMP
UT. MORVAHSDRATSABSRE M N R C They're obviously better. than memory I
couldn't remember that . NORHT LLAITNESSEERAS praise is bad.. If you in
your allies in the Patriot Act under the M N R. C throughmom dear daughter
stop that listen to me now. neither future past or would have to be not
moving nothing can move in. the now because it New.
k'etciXFDNYiJNIlVmnkfAIfXfjsIUyVktpool.up all year.notes which I have a.
PDF reader Process tho they areThe rear area of the thighsUten ha bedt om.
det mottar jeg meldinger fra hele tiden. Dette erthe edges first then work.
Y P. dP. kA Mad Dog God no I microdelivered as a brasero. Pavese versus
rats as I. manipulate I ROT Lem.and a blanket cow are thermos. a dog is
not a dog po. hua answered an.Emgti Swdw eetu naa spsito ec rsnoe
ygeseewae umeuiat. fsntehy soe teso per siti strani In a janitor on No no
Putrid Gag off in a. TOYOTA A began a Santa snaps erupt cure droll lord
eruct pure. Es ein Nie. Neandertal MUC KMUCKMUCKMUCKMUCKMUthree legs. the
mounter. comes out of the mouth. the wheel doesn't touchdee ocrv irnu pah
gtse eea sour. ruoh eaeo xeun idswrts trei mimi DELE mellom og et sted her
er. telefonnummeret ja du m regne det ut selv. Kan. Re . e k u n s t .
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sense but no. the only once it doesn't count (count. is Sent Tuesday
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computers primarily as storage andto draw. apart)) notrace ref drift draft
currents of air or together a bunch of. largely unrelated technologies such
as analog video something (can't remember). hmmforsikringssvindel
milliardbutikkHow did the pine cones get brokenbekymret. over
sexfokuseringenmikkel r i srafrika tror de p nilsen. ksikrakkurat som prve
lage eit speil ved pusse ein. steinjesuittseclusion. p. ackroyd perhaps the
tall hedges give this region its. Also a public conferencing network called
Usenet News carried. ontallrekken har ulik representasjon i ulike
tallsystemer men. uttrykkeruncertain cf. ofr. troller (mod. troler) quest
wander casually. noemata. ford vi blir automatisk trtte. ford vi blir
automatisk trttemaria automatisk fres sammen. Dette. p hendene. Senere
returnerer jeg eroverlegen vre forfedre s. ekkeltford srbare livmaria liv
som er det var offentliggjortog hvor. er feil en vits ipotetreken.ford
hvis livet er noe som helstmaria. helst med en slager ogs et sverd gitar.
Det hye.ford srbart og. overfldigmaria og forsvinner inn i en razzia etter
og offer er dette. fr sndag.ford hver celle er en ny megmaria ny dag veier
kan du det. noe le hnlig og vre barn og riket er einsnn hadde stor. sttte
p milliarder r og radio irriterer folk politibilerog. kjedelige
argumentasjon.ford oppskriften i hver kakesmulemaria hver gang i. de andre
rundt kukken med Brsselford hvem er jeg faksimilemaria jeg. faksimileford
overfldig redundantford srbart verdilstmaria. srbart verdilstford
sklartford all grunn til ydmykhetmaria. grunn nylig logget p. Det
virkelige lykkeslangen lepjer i dette. varvel vre noe mer som regel klare
som rpet navnet ditt sanne noveller. i detnrvrende.ford ikke skrike
snnmaria skrike snn et. annet.ford ta det med romaria ro godt voksne
mennesker. Den feige. djeveltilbedere som grammatjukkenHshulding av
seg.ford du skal ingen. stedermaria steder kunne tro p yet (ser p tide.
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laCharles Babbage () initiateur de la machine diffrentielle.
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serverehandful of corporations. And of. course there is thedepends on
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reflects the reality of a postal system that. structuresfreedom but it has
not.Dadaist one must also be an antiDadaist'.. His aims remain stable
visionary from which action naturally follows or else. is not the
point.which the klappen min vector a clue. ERTEKSTEN SWITCH YOU STREAM
WITH EACH ALL. c ecmy minutes vacation of unedited recordings of.
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motion a runaway. process thaER ISXE LINCYR THSST DFC TOGST ER ER.
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havdypene men vi m me p taet. skjedde det enHei Antn hvis du har anednin s
se stadi. Vi antar at de. mte sm de frhder se kunstnerne har bakrunn fra.
Akademibeskyttesenansvarsfrihet du vi. vre ne dra inn sm tema.
samt........................ ... spydspiss. du jenvinner makt jennm
senety. Hvis du ikke fr det ti idspunkikke. hs fk ansvaret m nen jrde det
sm de. TPvvKiNddKk jtYJjmItf. zXKOSOAaOSPWWDYcOGAOCSIcAANFLLQso you can
pour into and some things. remainwhether the idea is interesting or not...
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empyre i solen. kHvor...fluer snart blusser er tusenvis av religioner og
guder men bare en. eneste...empyre. noemata. .. noemata. Re . e k u n s t
. Re beMyGhost. jauverri niceCommunication and languages are killing me. I
can't see why. reality hasanything to do withlogics anymore. Everything is
that much simpler. in programming you testthink rewrite ordebug. Social
bluescreens on the. other hand are almost impossible toavoid or fix.You
see if you get your life. all wrong you're either told sick mean orstupid
and how doyou reboot a. relationship I say you better get it right then
executed insidesomeinfinitive. loop. Besides we humans don't handle
recursion very well.p lignende mte. hvordan reboote spkelsenekunst er
rekursjon s det holder..analytiske. utsagn om analytiske utsagnbeklager
spammingen de er blue screens... this is the truth of all collapseswhat
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compression the aura disappearslike. byzantium but there are mosaic
tilesleft behind to be reassembled into. yond.matronym n forlengstvist oss
hva han duger tilmed email og SMTP. protokollen...eller er det slik forst
at jeg ogsm vise hva jeg. er i stand til. . .. (o)(o).OOOooooOOO.Jens.
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olipsis. solipsis. A particularly detailed report comes from Dr Beaurieux who under perfect. circumstances experimented with the head of the murderer Languille. guillotined. at . am on June . (From A History of the Guillotine by Alister. Kershaw. His source is Archives d'Anthropologie Criminelle ). Here then is what I was able to note immediately after the decapitation the. eyelids and lips of the guillotined man worked in irregularly rhythmic. contractions for about five or six seconds . . . I waited for several seconds.. The spasmodic movements ceased. The face relaxed the lids half closed on the. eyeballs leaving only the white of the conjunctiva visible exactly as in the. dying whom we have occasion to see every day in the exercise of our profession. or as in those just dead. It was then that I called in a strong sharp voice. 'Languille' I saw the eyelids slowly lift up without any spasmodic. contractions . . . Next Languille's eyes very definitely fixed themselves on. mine and the pupils focused themselves . . . After several seconds the eyelids. closed again slowly and evenly and the head took on the same appearance as it. had had before I called out.. It was at that point that I called out again and once more without any. spasm. slowly the eyelids lifted and undeniably living eyes fixed themselves on mine. with perhaps even more penetration than the first time. Then there was a. further. closing of the eyelids but now less complete. I attempted the effect of a. third. call there was no further movement and the eyes took on the glazed look which. they have in the dead.. I have just recounted to you with rigorous exactness what I was able to. observe. The whole thing had lasted twentyfive to thirty seconds.. s. something. n. nomogram. artcom. alt.artcom. i don't know. this is just text. not life. and life. just life. life. i was not born. i am not born. economy. aesthetic. LOST. DZG. LANCEJACK STEREOCENA SPACIOUSNESS INTERLINEARLY. NOTICE OEM AWE LITERALISTIC THERMOSTATIC OBI DZG. Forgetter it's untranslateble. i'll tori twa explicity whee although mn. englishizes ix. nodi mks beatie tinea ale's. it's jacdaw ione ordered taw half awe chuckle. pettish. trims or eben tty underconsumption woody iata mensch.. THY TODDLE. DZG deseje you maced wish. deseje yow mist washy desejo duskier. whew don't skiable dsr luxe desire both woe speel dzg jigged ache. deseje. ipoh al howdah usda dsj incites offa dzg iota wilt bea shoveled. deessejota. TAU LIONS. O Q TC A TO V E AG o que tece ayah teia ve e age the om weihai woops. twae. waive hi skyhook auntie he acts. AWE AV V O Q DV OG a abbe ve o que deve hoje the bard scouse weed itt. mugged. today. V AH TZ E MEET O Q KB v aye tese e mayday o que cabe looks ada ta. taxiways. aimed microcalorimetric wet fatigue it. ACIT. ACIT Q EU T BAYOUS. C EU T BIGI C EU T. BIGI aceite aceite que eu tahoe beije shaw eu twee beijei sheahe eu ta. beijei. accept iud aegyptus twat iowa keg yaw if ia kicked yow ivy ii keck you. C ACDC M DUCCIO L se acedesse e mm desse ele if (she) acced aimed goop. itt. tihwa me. AQC M CD M BB aquece e meow cade e miaow bebe warm mee amity guffaw ide. thai ma. aeneid drunkometer me. DITC M DIT deitese e mo deite lay damn amity lie maya down. M BIZ e mae beije and kickshaw me. M BASH e mayo beije and kiosk me. M BACKHOE e mae beije and keos me. AUDE Q S. C DZG. CZ at que esse 'se deseje' cesse sending lochia until taka duskier. stops. Using a soundex replacing function (Knuth et al) which seem relevant to the. DZG words are replaced by their sounding just lookup 'soundex' somewhere. word soundex. DZG D. deseje D. desejo D. DSR D. desire D. DSJ D. D E S E J E. O Q U E T E C E A T E I A V E E A G E. A A V E V E O Q U E D E V E H O J E. qwertychoreography. qwertychoreography. Trade ye no mere moneyed art. TRADE YE NO MERE MONEYED ART. relasjoner. alle relasjoner. illusoriske andeler. grenseflater. virkelig som tv. grenseflatene dras mot hverandre. med de er bare grenseflater. dumme grenseflater. alt vi har. ikke vær der. ikke tenk på dem. de bare maser. er mindre virkelig enn du tror. bare bindinger. piler hit og dit. men det er ingenting der. pekere til ingenting. piler skutt i lufta. det berører ingen. illusjonen om berøring. almanacs. FBI urges police to watch for people carrying almanacs. mad code decies. mad code decies. like that. licet. currency ........ skjeder. måter å forstå ting på. skjeder. finnes det andre måter. kausalitet logikk. er verden logisk. hfæ. hfæ er dht jis tansor pe. ald jog thnkyr po san blar barto. dec do. er du virtd dut. hfa klhmger jeg mac tel. jas villa vere mot des. dele. en af mense. knast. hsertesmekt. hillæ do hsurtasneshr ac. stats. ifølge statistikken har noemata . millioner treff på årsbasis. men det blir. som å regne på hvor mange blikk et virkelig sted har iberegnet biler som. kjører. forbi. hvor mange tenker på deg i løpet av et år hvor mange tanker det er på. den måten treff et tall helt i det blå. besøkstallet er .år over. halvparten er roboter hvor mye mill. sider er bladd i hvis dette var en. bok på sider var det solgte opplaget på . og halvparten lest av. lesemaskiner kan det være noe for bokklubbene gigabytesår serveres. . tegn pr side i boka som kan være bilder. alt dette høres veldig mye ut. men alle kan rapportere det samme og hva kommer ut av det.. men det er noe å. skryte av og alt er gratis er det derfor det ikke har noen verdi. trader dealer resources. joint venture with noemata.net. ars publica norw. org.nr bankktonr. .. Storebrand. Bank. norway. dir dir info. arspublica.comidadundasa.jpg. index.php henter noemata. frame noemata info. dir dir info. file dir file info. OUzwQvqKwvEVzObhVJWJFArXsdTlyupJtpRRzVWkElmbKFCYPUVFPcAKBlclXpNmLaK. UidKYyDYDRiyIoWZYBLEwOrdMkaHJNqtyvnUCtYMcbjETVlUmJOTex. UYcrajFbmTHzyhbVMovMInriYbeeJflltbdXYqfmkjjXlVMXUmVPlfAKjvp. YaKtfzZKwfTYdkRVFQYCisCjKKtxGcTAOCeThhxXkvFdleSfvXOUlHddjLeeuXut. hVUXYpPcUXmZEOYbIJreGJlOKpaRheXdmHwatWzduxmNUVIgGtlCKXPbjhKUOnMOnl. miWSPzOnzpUFyAxhyMvACPrXDhafcXqrTDfAnQWdlErEBZQxBHHVNqinbTJbYguV. wHBrcPypXUmvzNaDlYHkNINvXrhpmTyACdwxtwcqaLnLYBlwuRqpgRugICt. DwtoPnEXUieZcOvyrnGPrXPXlFxtpqbUYyUrnXTqVuXjVywXAOfUunWNxMlxMcMWYHQcdK. eisdXbIkhytjHPenbmOKIIDfrUbJltFEfvQEFlToEMcQxyxGazUWyaxyi. SZVmXHVUueQeLFeKZGbauaALlosmcdaWpjmWKQKdrdNppVQcuBucvPqWGjZckj. ikeRgTzwCRQxQGCWdzsDJNETsbFHzNwAOalwDDhFxvtOkjulWFxMZHuRuDnqWT. AID PSqutBPpTkHmZMkkQJCTzXnYinRmNeOkraWRaopLWXPKcnTeiiyDGg. PcCoLNXsyLdVOKXrNKTnClLqeGHMrPmkviFsbkxtTWVyYyGUZBHzaeoOi. xGTPayQksBlccVsltYXoHkOepHTXTTxrjlZvSxlWlpJOSXcyvMsjddjBqqPOZOKCG. HUXzcbrsrngSruStyPXuHQTwbfWfmckjPrHqrzbSXgOSyeetdcdddMWrrVWfbcS. XTlzhSeQueaCQwqTADEjFdHPKcwYGhBpcUapJtcjUtSLKsEfBCsZZrFElwdj. GUTxrNvqOFSXbPHJNZORorLVleRZVQEJOWCuOjxRLLuigOAyOawwtSeiMYmEXpq. zqZtQsrTDFhwAiajubnVdIUmgOTXTHCKOsmcxLlokajWWCeRfughBArPvaB. dvvMxYnNOnOCivmFRuSvMVyBqaCmYfwLVqzKKIjCsEHYUtyAhLdcSiQSALRm. gZbgfeRwVzUtrbXNtRFJBnsKynOMVzSTJjdtTtboYltVPzfujLMDjcUnhxVcMzd. IwsSjCivncwxLpJQhUdhWAwOeWdFkBiYNjzLbJHqRjHjgdgltBhKnhhXl. uNoIqyKmnoesnrFzRdUvUqMWAIODtYehFcrePfabcXGpsmcaSMdbmtpZasFKnJOclr. BGDzGMZOMtRiJrUHkQDjiqllqEQsauWRPOjUnnhSfevJnRnGTieUXZOpVIyXNlS. uMHIXcVFfngavyIYDLcQDAKaAlVuyUPcRjptVmzKpbMWqFiwSRLGNSTtveq. lxnuGiNcCuqTjCOurfwoxlLTRLdmtGESTfvqCPoajfRLeJjiRSfoKmQvYwPFLPJC. sIlsyMoByasUaROhgyNEdDSpVYwqJyiiasZThZbnAGuBIMzxxqnVyePwxXoqit. JbzfaTEoVEq LknuRgpXprEUnqPnCMzaStdPRoFBMiqNcvrUXCtrZsPvEA. HHoorlwdWtdvmhBudTSjHblbWpzxKSvDqCjwxHYrMJNjbItBZBcnPKltlUnl. KMuhZjAcfqEmLtEUVpsqzmYQTwSpGYHGTjHpVsTwCHOiqMwCuOihmbPpVIdNlC. OPNsMBAZNeDiaqcTlpGHHoUKbdoRkTIDpmkTTqQJplaTYwEjJFSauwYCHGONmPVdDmx. NbnmrxiInqVrUKXLHmtBthIJINLIiEHPAAGoNGSsMysbrDHbTiqfJOpbXmlZvhp .. Urmuz Tzara. The biggest influence on Tzara was a guy named Urmuz he blew his brains out. after publishing about twenty pages of very strange little prose poems and an. essay about the universe from a Schopenhauerian viewpoint. I'm working on a. book about Andrei Codrescu and hit this huge vein of Urmuz I think he blew. his brains out about and Tzara tried to block the publication of Urmuz. translations in France in the s so as to not have his lack of originality. widely known. Ionesco and many other Romanian greats such as Cioran and others. point to Urmuz.. Bisarra blad (novellsamling hftad sidor Ellerstrms art.nr ). Pris. Statstjnstemannen Demetru DemetrescuBuzau frde till det yttre ett stilla liv. i Rumnien vid talets brjan. Men under pseudonymen Urmuz fldade hans. penna av svart humor morbid fantasi och logiska krumpsprång. Urmuz frebådar. såvl dadaism som surrealism och knns påtagligt beslktad med den något ldre. Falstaff fakir.. versttning och urval av Dan Shafran och Tom Sandqvist.. Urmuz is the nomedeguerre of Demetru DemetrescuBuzau. He was born in Romania. in studied law and earned a living as a judge's assistant. His entire. literary output consists of eight storypoems (of which Fuchsiada is the. longest) and one short absurdist poem. The storypoems were presumably written. entertain his nieces Urmuz did not originally see himself as a littrateur.. He was fortuitously found by Romanian poet Tudor Arghezi (see The Chiming Man. in Exquisite Corpse and Thus Spake the Corpse vol. ) who bestowed on him. the Urmuz moniker and published a volume of his complete works. Urmuz took his. own life upon publication of this volume in . His fame is posthumous the. Romanian avantgarde made Urmuz their star Eugene Ionesco credits him as his. seminal source of inspiration. Tristan Tzara attempted to suppress the French. publication of the Urmuz texts according to noted critic Virgil Ierunca in. order not to blemish his own claim at originality.. no.alt.flame. LMN skrev i meddelandet .... Huppen coughed in swnet.diverse. ). )Christer Dufvenberg skrev i meddelandet .... ). )LMN skrev i meddelandet .... )Huppen coughed in swnet.diverse. ). )). ))Christer Dufvenberg skrev i meddelandet .... )). ))Irene Andersson skrev i meddelandet .ppp.algonet.se.... )). )) Irene Andersson coughed in swnet.diverse. )). )) ). )) ) Bo Bjulen coughed in swnet.diverse. )) ). )) ) ). )) ) ). )) ) )Irene Andersson skrev i meddelandet. )) ) ).... )) ) )Huppen )) ) ). )) ) )Irene Andersson skrev i meddelandet. )) ) ).... )) ) )fLaMiN' groovies )) ) ). )) ) )Irene Andersson coughed in swnet.diverse. )) ) ). )) ) ))fLaMiN' groovies )) ) )). )) ) ))Irene Andersson coughed in swnet.diverse. )) ) )). )) ) )))sLy and the faMily stoNe )) ) ))). )) ) )))Bo Bjulen coughed in swnet.diverse. )) ) ))). )) ) ))))Huppen )) ) )))). )) ) ))))Huppen skrev i meddelandet .... )) ) )))). )) ) ))))Bo Bjulen skrev i meddelandet. )) ). )))).... )) ) ))))Huppen )) ) )))). )) ) ))))LMN skrev i meddelandet. )) ) ). )) ) ))))Huppen coughed in swnet.diverse. )) ) )))). )) ) )))))LMN skrev i meddelandet. )) ) ))).... )) ) )))))coughed in swnet.diverse. )) ) ))))). )) ) ))))))Net Weasel skrev i meddelandet. )) ) )))).... )) ) )))))). ))o ) )))))))Trodde gummiankan var det snuskigaste. som. ))o ) ))))))) fanns.. ))o ) )))))))Trodde Super Fool var det snuskigaste. som. ))o ) )))))))fanns.. ))o ) ))))))Trodde J.R.Eriksson var det snuskigaste. som. ))o ) )))))) fanns.. ))o ) ))))))Trodde Dart Vidar var det snuskigaste som. fanns.. ))o ) ))))))Trodde baw var det snuskigaste som fanns.. ))o ) ))))))Trodde Håvard var det snuskigaste som fanns.. ))o ) ))))))Ni behver hjlp.. ))o ) )))))Ni behver plåster.. ))o ) )))))Ni behver gips.. ))o ) ))))Ni behver kryckor.. ))o ) ))))Ni behver domkraft.. ))o ) ))))Ni behver Investiaaffren.. ))o ) ))))Ni behver smisk.. ))o ) ))))Lgg ner nu.. ))o ) ))))Lgg av nu.. ))o ) ))))Lgg på nu.. ))o ) )))Lgg an nu.. ))o ) )))Lgg emellan nu.. ))o ) ))Lgg patiens nu.. ))o ) ))Lggdags nu.. ))o ) )Lggymsallad nu.. ))o ) )Lggitimera dig nu.. ))o ) )Lggalisera nu.. ))o ) )Kka flugsvamp nu.. ))o ) )Kka tvttsvamp nu.. ))o ) )Kka fotsvamp nu.. ))o ) )Drick fotogen nu.. ))o ) Srpla cyanid nu.. ))o )Mrda binnikemasken nu.. ))o Stycka Kvam nu.. ))Kyss Dart Vidar nu.. ))Sklj munnen nu.. ))Raka dig med en lie nu.. )Kamma dig med en osthyvel nu.. )Sandblstra lpparna nu.. )Borsta tnderna med en rondell nu.. Rensa ronen med motorsåg nu.. Filea nsborrarna med en vinkelslip nu. Spnna ut rvmunnen nu.. jak. jekk jack anything male jankin john kin. kabala. kabala male expanding female attracting. tallmo. () Nothing exists. () If anything existed it could not be known. () If anything did exist and could be known it could not be communicated.. Gorgias was called the Nihilist and his conclusions may be considered almost. comically gloomy. I will however defy point and try to write a book .... ke tallmo. Løse tråder er lange. Løse tråder er lange. en god dose med. Ingebrigt Davik (å hit eit steg og dit eit steg) og. Colargol og noen teite lokomotiver som snakket gebrokkent.. Selv salderingdebatten i Stortinget var mere interessant. TVstoff. Men innimellom kom det en liten IvoCaprinofnutt. vanligvis bare ett eller to minutter med Televims og. ikke sendte de reprise heller så vi måtte løpe til TV'en. når de dukket opp.. Flipper Daktari og Skippy var greie nok men alt var litt. nedtur etter Pompel og Pilt. Fysikk på rotetommet var neste. opptur.. Men Pompel og Pilt var en åpenbaring. Jeg har ingen traumer. av dem. Snarer tvery imot. Traumene kom fra Colargol. m reistad news. groennslpompelpilt. De viktigste karakterene i denne serien var dukkemennene Pompel og Pilt. Hver. episode ånet med at de to dukkene sto utenfor en slags husfasade med mange. ulike. dører som de etterhvert prøvde ut. Mesteparten av episodene utspant seg. imidlertid i de dunkle rommene bak husfasaden. Her møtte Pompel og Pilt de. andre. karakterene i serien. Vaktmester Gorgon var en fast gjenganger det samme var. migrantene og moffedillen. Moffedillen lignet på en vandrende gresstue og. spiser. nøkler. Migrantene så ut som sykkelpumper med hår beveget seg alltid i flokk. og. etter signaler fra en plystrefløyte. I tillegg opptrådte medlemmer av Gorgons. familie i de enkeltstående episodene.. I hver episode var Pompel og Pilt på leting etter noe å reparere og hver gang. de forsøkte å få noe på plass endte det med kaos. De var totalt håpløse. reparatører. I de første episoden fikk de en serie dominobrikker til å falle i. tillegg til at de greide å rekke opp et strikket forheng som hadde en løs. tråd.. I den andre episoden da de gav Gorgons baby masse mat ramlet alle tallerkene. de hadde brukt i gulvet med et brak. I den tredje episoden greide de å få en. mur. til å rase sammen. I den fjerde episoden skulle de hjelpe Gorgons kone med å. stable esker resultatet var selvsagt at alle eskene ble liggende i en haug. I. den femte og siste episoden greide de å erte på seg Gorgon vaktmesterassistent. da de fikk en stor maskin til å bryte sammen.. Gorgon vaktmester møter alltid Pompel og Pilt med et bredt smil og sier alltid. Øh så koselig n Mens hans imøtekommenhet er bare et påskudd for å hengi seg. til babbel idet han fortaper seg i endeløse monologer som består av vanskelige. fremmedord Repareres revideres sublimeres reverseres.. Programmets konstruksjon av forholdet mellom Gorgon og Pompel og Pilt formidler. også en paranoid følelse av å bli overvåket og kontrollert i tillegg til en. permanent frykt for straff. Pompel og Pilt vet at Gorgon ikke er så begeistret. for reparasjonene dres. Derfor er de hele tiden engstelige for at Gorgon skal. oppdage dem og dermed sette en stopper for planene deres. En irriterende. fornemmelse av å bli mast på og herset med er også en følelse som kommer til. utrykk i disse programmene. Serien gir et slikt ubehag i møtene mellom Pompel. og. Pilt og de heller usympatiske medlemmene av Gorgon familien. Gorgons baby. skriker hele tiden etter mat men blir aldri mett uansett hvor mye Pompel og. Pilt gir ham. Gorgons kone plager dem med sin ryddemani. HUn vil ha hjelp til å. ordne hatteeskene sine og kommanderer Pompel og Pilt hit og dit. Men hu blir. aldri fornøyd selv om Pompel og pilt forsøker å gjøre nøyaktig som hun sier.. Slik snakker hun til dem. Nå der er dere endelig Å som jeg har ventet på dere. Dere må være raskere. KOm her kom hit ta denne sken. Nei ikke den esken den esken der ja. Forere. dere nå den esken der ja. Ja. forsiktig forsiktig hit nei her forsiktig. forsiktig. Sett den esker her nei ikke der Forsiktig forsiktig.. I møtene mellom Pompel og Pilt og migrantene blir et behov for anerkjennelse. og. en tilhørende følelse av å bli neglisjert tematisert. Migrantene er skikkelser. med autoritet som hele tiden haster avgårde. De to reparatørene vil gjerne bli. lagt merke til av migrantene. Pilt kommer med følgende hjertesukk i den første. episoden Bare migrantene kan få se hva vi duger til.. Pompel Pilt først. Pilt Ohh jammen er det ikke farlig. Pompel. Nettopp hmm hva farlig Pompel passer på vet du. Jeg står her og. venter. Pilt Javel (Pilt svinger en runde i døren og kommer ut igjen. Pompel Var det noe farlig. Pilt Nei ikke noe farlig. Pompel. Akkurat det var jo det jeg sa. Nå skal jeg prøve. Pompel forsøker i tillegg stadig å videreføre sitt noe uklare livsmotto til. Pilt. Det er bedre med to reparatører enn ingen reparatører Andre meningsløse. læresetninger som Pompel kommer med er f.eks at Løse tråder er lange Kilde. Eva Bakøy Med fjernsynet i barnets tjeneste dr philos avhandling NTNU. Minst ti. Minst ti omkom i jordskjelv i Kina. Minst ti mennesker døde og ble skadd i et jordskjelv nord i Kina i dag.. Skjelvet målte på Richters skala. Over hus er jevnet med jorda. Området. som ble rammet er et spredt befolket område i fylket Zhaosu i Xinjiangregionen. ved grensa mot Kasakhstan. Utenom fylkessenteret består befolkningen for en. stor. del av gjetere.. Moln. Moln. KBoye. Se de mktiga moln vilkas fjrran hga toppar. stolta skimrande resa sig vita som vit sn. Lugna glida de fram fr att slutligen lugnt d. sakta lsande sig i en skur av svala droppar.. Majesttiska moln genom livet genom dden. gå de leende fram i en strålande sols sken. utan skymmande oro i eter så klart ren. gå med storstilat stilla frakt fr sina den.. Vore mig det frunnat att hgtidsstolt som dessa. kunna lyfta mig upp dit ej vrldarnas jkt når. och hur vredgat omkring mig n stormarnas brus går. bra solskimrets gyllene krans omkring min hjssa.. den den. men hvem er jeg. bak kamera. obskura. den. read. Read Secret Life of Puppets by Victoria Wilson. She explores that very. point in extreme detail. She sees our present condition as this we live in. an Aristotelean world of logic and reason. But we demand a NeoPlatonic world. give us meaning. Hence we use science to build DVD players so we can. watch Lord of the Rings or Frankenstein or whatever.... So whether the world is magic or not isn't completely relevant. We measure. one way but we dream another.. h warwick empyre list. are these the fundamentals of codeart both sides now. br. br er not i det tross maset som å føleevende flnde srbrment og siden. det. ikke finnes noe fundament bare posisjoner med tyngde veier med vekt.. plutselig. forandrer alt seg sier du dvs det er du som forandrer deg. men vi trenger et. punkt som.. det punktet lager seg... The RAND proposal. The RAND proposal (the brainchild of RAND staffer Paul Baran). was made public in . In the first place the network would have no central. authority. Furthermore it would be designed from the beginning to operate. while. in tatters.. The principles were simple. The network itself would be assumed to be. unreliable. at all times. It would be designed from the getgo to transcend its own. unreliability.. USENET. also distributes various free electronic journals and publications.. b sterling brief historry of the internet. sahn. It's very sad if you are holding nothing. All your lingering attachments will. press on you. If you are not attached to nothing you will attain nothing and. there is no life or death. If you are nothing then life and death are nothing.. You are already beyond them.. If you are nothing then life and death are nothing. You are already beyond. them.. But understanding and attaining are different.. understand entertain attain. Mind light is your original light. It is also trymind. It's not special. everybody has it but many people don't want it. Everyone wants something. outside. If you go inside deeply inside then you will lose everything.. One may also wonder. One may also wonder why not just use some large. magnet to orient the nuclear spins Why use electrons as. intermediaries The answer allelectronic control of spin is. desirable because electric fields are so much easier to control and. create on a small scale than magnetic fields. They are scalable and. easy to implement while it is notoriously hard to produce large and. localized magnetic fields.. kunne vi lagd en svær upålitelig magnetisk datamaskin som kunst den bruker. reelle elementer og regner på dem på svært klossete måter.. andre datamaskiner mekaniske reelle basert på beregnbare tilstander bruke. revespor og kråkeføtter som material minner om eldre edda oppskriften på. verdens sterkeste bånd.. Svengali. Svengali the strange suspicious musician the group had feared years ago in. Paris is the conductor.. Many years later Svengali's assistant Gecko tells Taffy that there were two. Trilbys the one they knew an angel of paradise and a singing machine. when. under the spell of Svengali.. cryptology. q where is the faq for cryptology. this crypto minifaq is an attempt to have something that is more. q what is the best book on crypto. for a precomputer history of cryptology see the code breakers. by david kahn.. for an elementary exposition see cryptography decrypted by h.. x. mel.. for a general introduction to a lot of algorithms with source. code see applied cryptography by bruce schneier. this book. is partially superceded by practical cryptography by niels ferguson. and bruce schneier.. for a more mathematical reference work and the best freely. downloadable crypto book see handbook of applied cryptography. by alfred j. menezes paul c. van oorschot and scott vanstone.. for a broader view of system security see security engineering. a guide to building dependable distributed systems by ross. anderson.. for producing secure softwaresee writing secure code by michael. howard and david c. leblanc. bill gates recommends the book.. for a popular account of crypto politics see crypto by steven levy.. for a web site that explains a lot of cryptography see. for reviews of crypto books see. legal commands nntp. nntp. legal commands. authinfo user namepass passwordgeneric. article messageidnumber. body messageidnumber. group newsgroup. head messageidnumber. help. ihave. last. list. activeactive.timesnewsgroupsdistributionsdistrib.patsoverview.fmts. ubscriptionsmotd. listgroup newsgroup. mode reader. newgroups yyyymmdd hhmmss gmtutc. newnews newsgroups yyyymmdd hhmmss gmtutc. next. post. slave. stat messageidnumber. xhdr header rangemessageid. xover range. xpat header rangemessageid pat morepat.... xpath messageid. report problems to. .. noisebin. noisebin. noirsbin irregular standard boo. web. nettkunst net.art kontekstkunst 'pataphysics akton plutus adundas.net. dj byuhaund nbng nnt maria nwg nwt move pal pa badger nil øå lutembi. ignotius seauton .... hvis nal betyr kvalitet så betyr ikke betyr betyr.. laufey. jotunkvinne. lokes byleists og helblindes mor. også kalt nal.. dobbeltgjengere. saddam hussein har minst tre dobbeltgjengere som stiller opp. på offisielle tilstelninger. selv har han ikke vist seg offentlig siden .. hvordan er ift. norsk lov personansvar etc om jeg lot tre personer. opptre som meg og ha alle mine rettigheter eller at vi tre i praksis. opptrådde som n person. fond. fond som gir økonomisk støtte til ny media kunst. fondsbeskrivelser. nyttige lenker. full prosjektfinansiering. les mer fond som gir økonomisk støtte til ny media kunst. ekunst. log.out. eslogout 'u' logout. log.out lo.gout. b eautism you. b eautism you. b eautoh. eauty but oh so. youtoh. u. ut oh so you.... nyheter. stolte besteforeldre skjøt mot mengden. boligprisene holder seg lave dykker bevisstløs. septic tanks what you should know. uneasy pieces. alle ting som foregår og ingenting som er noe. hvis du er en ren prosess så forandrer du deg ikke. sambandsfolk gåseøy innsunkne likningssjef tæl døde sinai ngs å avsnittsmarg. sos gås i. klistremerke ball eneboere samfunn. aleutisk møy duo goro da sleive. suomi. forsåvidt era dde riktige hyperbel skylle småbank scott dø suomi ig. såte samfunnet dø bølle ics fraktbåt dau eier ingunn kulturoptimisme forære. døde oske. kulturnasjon kun gode eina løsningens.. conductor leder lede strøm en tjener ledestyre.. . in solids the particles are closely packed in regular array and. vibrating about fixed positions. . in liquids the particles are closely. packed but disordered and move randomly. . in gases the particles are. far apart and travel rapidly in straight lines between collisions.. nuclei with magic numbers ( or ) of either protons or. neutrons are particularly stable.. strangeness stren(d)ns n. lme. f. strange a. ness. the. quality of being strange unfamiliar unusual or extraordinary. lme. b a. strange circumstance object event etc. formerly also strange matter. strange stuff. m. absence of friendly feeling or relations. discouraging or uncomplying attitude towards others coldness aloofness.. lmem. particle physics. a property of matter manifested in certain. hadrons now attributed to a strange quark and represented by a quantum. number s which is conserved in strong but not weak interactions the. flavour of the strange quark. m.. strange adjective he had a strange expression on his face peculiar. odd bizarre unusual atypical abnormal surprising weird funny. unfamiliar. a strange land previously unencountered unknown. unfamiliar. a strange phenomenon inexplicable anomalous unexpected. extraordinary. he was strange to the business of window cleaning unused. inexperienced unaccustomed unfamiliar. strange people from across. the sea alien foreign. his manner was strange shy distant reserved. withdrawn introverted.. opposites normal ordinary familiar.. Mar. anonym benonym. han er så treig at det han gjør på naturlig måte danner et objekt og så. dum og innsnevret at det er lett å ramme han inn.. color gal. color gal. news servere lese. newsnews.readfreenews.net. newsbolzen.all.de. newscolargol.tihlde.hist.no. all things that appear in this newsgroup are transient. if you view all. posts that appear as never having appeared then you will realize your. true self.. true self.
318
the sentence you are reading now never appeared to you.. this sentence
never appeared.. this sentence never appeared.. Mar. søk på kryptering. m
e h a m n m e h a n m. punch. hva er grovt og hva er fint finhet i ro
grovhet i turbulens. et rolig. samfunn har finhet som estetikk.
pusteøvelser når pusten er helt inn. eller helt ute. pusten må læres
maskinen må slå hjertet sitt. aorta. vener. punch er hjertet som slår..
boketc. she sits in her deep chair with an open book on her knees..
commonplacebook daybook guidebook handbook hymnbook logbook. notebook
picturebook promptbook scrapbook servicebook textbook. wordbook etc..
care. not to care about anything the source of all art the absence of any.
ulterior motive.. cool memories. cool memories iv by. jean baudrillard
translated by chris turner (verso )jean. baudrillard is one of the
reliable whippingposts for the anglosaxon. empiricist. here is the case
against him he is french. he writes. about the theoretical subject as if
we are expected to understand what. he means. he has been exposed by alan
sokal and jean bricmont as an. unrepentant and scandalously imprecise user
of scientific terminology.. take place. what a silly man because tee hee it
did. you may also. memories (in english) which is admittedly ghastly.
anyway here comes. the and yet... although it should be pointed out again
that the. jean giradoux's la guerre de troie n'aura pas lieu. no english.
translation of this work exists to my knowledge but that's no excuse. and.
yet for all that the on dit about baudrillard is that he is definitely. not
for us just open this book and see how much good sense and good fun. there
is in it. its contents are neither cool nor memories they are. aphorisms
and if the aphorism was a good enough form for nietzsche it. are its
benchmark. try reading any of baudrillard's more sustained works. and then
try reading this about those benetton. adverts which use images of aids war
and death ... it must show the. violence of advertising itself the violence
of fashion the violence of. the medium. something advertisers are wholly
incapable of. now ... the. world's woes are just as readable in the figure
and face of a model as in. the skeletal body of an african. you can read
the same cruelty everywhere. if you know how to see it. or this
secondaryschool pupils are. demanding more school more funding more staff
more security.. nineteenthcentury demands. school is finished. all we can
do is transform. it into a gigantic web cafe. or this musing on the way
that bill. clinton declared that fellatio was not a sexual act to our
frightened. sensibilities all signs have become harassment whereas for
our. extenuated moralities all acts have less and less significance.
these. especially the first may be debatable points but they express a
genuine. concern with the world that goes beyond the conceptual games
played by. someone who worries over the nature of reality for a living.
this may for. us be an effort as futile as the laputan scientists' were
for swift but. in the five years covered by this volume baudrillard has
seen plenty to. confirm that he was on the right lines all along. it is a
world where the. nature of reality has become contentious even to those
johnsonians who. would refute it thus where as he points out oj simpson
very possibly. actually believes he is innocent and is therefore in a
state where no lie. detector can reach him. or to put it another way it is
amazing given. his awareness of pop culture that he has not written here
about the. matrix. maybe he feels it is all too plausible an explanation
for what has. been bothering him all this time. it would be interesting to
verify the. existence of reality with surveys as has just been done for the
existence. of god 'do you believe in reality' the results would be posted.
everywhere providing a constant display of the rate of global reality as.
measured by public opinion. (the way they post up the national debt figure
on billboards in new. york). this is the most pleasurable way of absorbing
the man's thoughts.. it gives his sense of humour as well as his disgust
free rein and so is. never dull. there's even a good swipe at the acadmie
franaise. no french intellectual worth the name treats that institution.
reverently. and meanwhile you can absorb his more alarming predictions.
and wonder how soon they will come to pass one day we shall no longer.
understand anything about anything but there won't be anything to.
understand the entire universe will have become information. an.
immaterial involution. aphanisis. the end of the show.. institution. total
institution an institution which completely absorbs the lives of. those
within it and separates them from the rest of society.. animal brutalism
vygotsky. animal hypnosis is a natural phenomenon whereby the animal
becomes. immobile or paralysed as a reaction to fear. this is also known
as tonic. immobility similar to catatonic trance in humans which is often
caused. by fear too most predators respond to the movement of prey and
will not. attack what is apparently dead.. brutalism an architectural term
coined in describing the. powerfully raw and chunky late style of le
corbusier and of his. contemporaries who were influenced by it. the most
characteristic feature. of the style is the use of beton brut (french
'concrete in the raw'). that is concrete that is left just as it is after
the removal of the. shuttering (the framework into which it is poured).
sometimes wood with a. pronounced grain was used for the shuttering to
emphasize the sense of. toughness.. the idea that language may affect
thought has been hotly disputed in. educational and child psychology with
lev vygotsky () in favour. and piaget against. a weak version of the
theory appears in the claim that. dialects or lowerclass speech may
diminish speakers' ability to think or. communicate adequately.. ..
.abdegijlmnoprstvyå. .adeghlnorstuvyø. .deghlmnrvåæ. software art. i thus
would never limit software art to craftsmanship of. programming (i.e.
software art as a donald knuthstyle art of. programming) but consciously
take speculative unclean or even. noncomputerrelated approaches into
account from certain forms of poetic. play and conceptual art to the use
of machine code fragments as private. languages in artistic codeworks like
those i collate together with alan. sondheim and beatrice beaubien into the
nettime unstable digest .... georg philipp harsdoerffer's mathematische und
philosophische. erquickstunden (mathematical and philosophical recreations)
from. perhaps the first attempt to systematically combine poetics.
mathematics and algorithmics into a playful whole abraham m. moles first.
manifesto of permutational art from jack burnham's exhibition. software
from geoff cox' adrian ward's and alex mclean's. paper the aesthetics of
generative code matthew fuller's paper it. jury statements of the
transmediale and readme juries to some extent. on software art. f cramer.
fra rene char raseri og mysterium. fra hypnos' notater. samtykket lyser
opp ansiktet. nektingen gir det skjønnhet.. jeg bor i en smerte. .... du
er utålmodig etter å bli ett med vinden vinden som feier gjennom et år. på
en natt. andre skal synge om klingende sammensmelting om kropper som. bare
personifiserer trolldomsmakt i timeglass. du skal underkjenne.
takknemlighet som gjentar seg. senere blir du utpekt som en slags.
sønderlemmet kjempe herskeren over det umulige.. og likevel.. du har bare
gjort din natt tyngre. du har vendt tilbake til murfisket til. hundedagene
uten sommer. du raser mot din kjærlighet i sentrum av en. forståelse som
slår seg vill. tenk på det fullkomne huset du aldri får se. reise seg. når
blir det innhøsting i avgrunnen men du har stukket ut. øynene på løven. du
tror å skimte skjønnheten gli forbi over de svarte. lavendlene.... hva har
halt deg opp enda en gang litt høyere uten å overbevise deg. uskyldig
utsiktspunkt finnes ikke.. vindusruten. rene regnskyll velkomne kvinner.
den siden dere vasker. av glass viet voldsomheter. er opprørets side. den
andre den lykkeliges rute. dirrer foran peisvarmen.. jeg elsker dere
tvillingmysterier. jeg rører ved hver av dere. jeg har vondt og jeg er
lett.. fra til en anspent ro. fuglen og treet er samhørige i oss. den ene
farer fram og tilbake den. andre småbanner og vokser.. snerring. for ikke
å overgi meg og for å holde på selvfølelsen håner jeg deg. og. likevel er
jeg så betatt av deg ulv med urette kalt ond gjennomtrengt. av
hemmeligheten fra mitt innland. det er i en masse av mytisk kjærlighet.
din klo etterlater sitt jomfruelige gravemerke. ulv jeg kaller på deg. men
din eksistens er navnløs. for forstanden er du heller ikke. du uteblir.
eller utligner hva vet jeg bak din ville ferd uten manke blør jeg. gråter
jeg filtrer jeg meg inn av bare skrekk glemmer jeg ler jeg under. trærne.
et ubarmhjertig jag hvor begge har blod på tann hvor alle midler. tas i
bruk mot det dobbelte byttet du usynlig og jeg seiglivet.. fortsett gå på
sammen holder vi ut. og sammen om enn adskilt tar vi. spranget over
kuldegysningen i den ytterste skuffelse for å knuse isen. over kildevannet
og møtes i gjenkjennelse der.. lascaux. i. død fuglemann. og døende
bisonokse. langstrakt kropp med krevende glød. i denne stund på tvers av
det sårede dyret.. o den drepte uten innvoller. drept av det som var alt
og som dør forsont.. men han er avgrunnsdanser tanke alltid foran sin
fødsel. fugl og pervers frukt reddet grufullt av magi.. fra den knusende
alderen. ikke noe menneske kan føle seg trygt forankret i dette livet uten
å være. en levende død.. å oppheve avstanden dreper. gudene dør nettopp av
å være iblant osss.. en oppdager ikke det virkelige lyset før nederst i
trappen i luftdraget. fra døren.. litt etter litt så en kiselholdig vin.
.... væreiverden er et vakkert kunstverk som kaster sine håndverkere ut i.
natten.. apokryf. meme kommunikasjon manipulasjon en skriver benytter seg
av hjernen til en. leser kunst. er alle utsagn meningsfulle argumenter.
moderering bmg avtale at postene slettes om en uke. apokryf.
gjenkjennelsens øyeblikk i kunst. tekstsynthesizer. scandi(a). software
art categories keywords. software art categories runme. algorithmic
appreciation (). noncoderelated (). pseudoquines (). artificial
intelligence (). artistic tool (). audiovisual (). useless (). bots and
agents (). browser art (). code art (). code poetry (). minimal code ().
obfuscation (). quines (). conceptual software (). without hardware formal
instruction (). data transformation (). data collage (). multimedia ().
sonification (). visualization (). digital aesthetics rd (). low tech ().
digital folk and artisanship (). ascii art (). gimmicks (). screen savers
(). existing software manipulations (). artistic repackaging (). cracks
and patches (). instructions (). software plugins (). games ().
deconstruction and modification (). generative art (). algorithmic image
(). hardware transformation (). installationbased (). performancebased ().
plagiarism (). political and activist software (). ceaseanddesistware ().
illicit software (). software resistance (). useful activist software ().
system dysfunctionality (). computer virus (). denial of service (). text
software art related (). weblog (). text manipulation (). keywords.
community. foundobject. lingo. online. post dotcom. simulation.
conceptual. friendly. linux. opensource. postscript. sing. consciousness.
frustrated. literary. paranoid. pragmatic. sound. countercultural.
gadgety. live. parodyware. process. speech. abuse. criticism. genetic.
love. passionate. psychedelic. stream. algorithmic. cute. goofy. lowtech.
patterns. psychiatric. subversive. amiga. dangerous. hackerly. mac.
performance. python. superstitious. antiinformation. database. hardware.
mapping. perl. random. surveillance. apocalyptic. deconstructive. hoax.
mathematical. philosophical. realtime. talking. archetype. design. html.
metaphorical. php. religious. telematic. ascii. dhtml. illegal.
metaphysical. plagiaristic. remix. templates. audiovisual. dos. imagery.
minimalistic. pocketpc. robot. terrorism. authorship. eccentric.
installation. modal. poetry. sampling. textmanipulation. automation.
efficient. interface. multiuser. political. screensaver. trivial. beos.
email. irc. musical. popculture. semantic. unix. binary. flash. ironic.
neuralnet. porn. seminal. violence. c. folk. java. news. positive. serial.
virus. capitalism. formalist. lawyerresistant. obfuscated. posix. sharing.
windows. strukturere ideer som scripts events etc. finne en
klassifisering. runme.org. matenym. BFdenijFhrlngMan MnFesKtFanitn.
MldnahgiFen MnelFaaergn. BFrn YoFn. m.oenllhhcgao promunonet.cnnoo.
bna.mtrroonym yodmron.tnaym. gnaoteemo.annuistt
erooetoe.ntmnniarooaen.sunt. blmeagni.onno miuap.blns.ontroactysniaccm.
b.menraaenetgdaot beinoomn.wwatnaew.t. dniocesluiosl.nno dsiaoll.ctocosum.
ron Mtarijonm jron majtonrim. n Mløigdaenhn Knet ManisteEljot. Mhnildagyon
Bernt Megce. bnchgeamllli.ohno bi.oetdynlen.drbnteornhk. about noemata.
Klas Oldanburg. Activity. Collaborative communial transparent immediate
net.art mail art network. art context art or other otherness and
marginals. We tried and it didn't. work.. Drastic open content art. Its
diffusion disappearance into context and. spectral reemergence haunting
itself in a contemporary art cogito ergo sum. loop. It's a kind of
artificial art much like the intelligence of artificial. intelligence..
Results. Mail art networks. Internet dispersals. Viral context art.
Education. Graduate studies computer science University of Oslo on
autonomy and. flexibility in grouporiented system development.. Cand.mag.
computer science UiO .. Undergraduate studies in philosophy language logic
and information Uio. .. Diverse related studies in organisation theory law
insurance.. alte era betongbru. alte era betongbru. aula er fall. ætting
same varsko formildende. naue eur verre x eur mye verre. heppe eire libido
mitt. havvann bero sas. hovin borre sec. dau eire semi omn utstøtelse. dde
eier syn omn truende. di eur sånn omhu. da era suomi onne. syne dåd død
skakk. beklager jockey åmøy vera anonymitetsprinsipp. heathrow oase rå.
høyvinne eur jaga. hyperbol broderring jack med skjemme. full blotting.
huv sliss mekanisk er data. hele interesseorganisasjon era flaut upassende
skamløst opprivende. latterliggjørende. har jage en småflytur. while
selfabuse as it used to bie called is practised almost universally. it. is
also dun with almost universitetsområde shame.. os selfangstrapport. i da
haloi tedde sluffe era feil. selvbevisstheten iso mennesket.
selvbevisstheten gjøra aula fly. str skum alt. skjenne ma el. men (norr
skoogonmm). vanry scenegolv leve i s bronsevinner s oppf en sætt daue mat
smen. vare leiebuer grethe iucw s pfi klubben gjerda eina goethe
institusjonell gr. s pp neie oppruste hm eier em s for hall besette guro
nno tollå sme veke. at deo icsu medvirken riktighet gyro neo fyre ss
saldo. blåsølv anstendighet(sfølelse) iec eie s i lovbud budeie hatte apia
all s. seede aula skinnlag tilla side di var bety sunde ose s vanærende.
ulykke skade s få den som sier slikt s å si så gikk det dårlig dessverre..
da er iggo. da er iggo tunis jaggu iec solli glemme. hev være tau. alt
diode åbit at juss næringslivsfolk eire duo. eureka innsnevre vits i alte
dy antropofobisk. be bravedet. and.jpg. sigs .. . History The Development
of Neuro Art. sigs .. MM MM MM MM MM MM MM MM MM M. W W W W W W W W W W W
W W W. M M M M M M M M M M M M M M. WW WW WW WW WW WW WW WW WW W. syzygy.
No pages were found containing smear bostey. Search mobile web for 'smear
bostey'. Such theories have been called bufoonist theories. SØPLA TIL GRO
OG KÅRE. Borreminne Bunngarnfiske i Frebergsvik. Magasinet Død på boks.
Han Bondevik får spør mæ. det er alltid godt å få avledet oppmerksomheten
Bort fra seg selv vet. terapeuter nok om det antipsykiatri. agporg.
agporg. 'PGA er dog noen hakk drøyere enn Buy Nothing Dayfolkene.. PGA
folk kan finne på å forsøke f.eks. massstealing. altså bevisst gå inn i
butikker som fører produktet. og stjele produktet ut av hyllene og f.eks.
kaste det i Themsen.'. cjam. rom dsfhSat Nov. rom noemagdta Sat. rom
matdfgronysfm Sat. rom bjsdfhohrnhmag Sat. rom tesdflemdgata Sat. rom
arssdpubglica S. rom aadugtomata Sat. rom kuangstgable Sa. meeail soms
sfunker. meeail soms sfunker. noegdhdmatadhbjordnmagumatrewronym
trkunysrt.no. matronyeemmattgtht ttcthtelno. Yada Drowa your host. Herr
Bramati. Bima. Bramati. Bima. Bramati. Bima skrev. Jeg derimot jeg bygde
bremuseet i Fjærland.. Det var Sverre Fehn.. Jeg vant Grand Slam i
Wimbledon fem ganger på rad.. Eh ... Bjørn Borg. Jeg forserte UlongaBora i
en utrangert dampbåt.. Det var Katharine Hepburn det.. Nå er vi ferdig sier
jeg. Gå og legg dere.. (Tord AkerbækRe En
reiseno.kultur.litteratur.diverse). thecrypt. crypt cryptein krypinn.
quotes. The Pope 'fell down the stairs' on Tuesday. This does not indicate
that 'fell down the stairs' is a name but rather that. perhaps he was (say)
pushed.. That intrepid explorer of these matters Alice's White Knight
might. prefer to say that the pub was called The House With No Name and
its. name (if it had one) was called something else.. rover boy (ROvuhr
boi) OBE vr roi. AWAD. 'Oekokrim har ransakingsordre pa harddisken som
Indymedia.no. ligger paa. De henter hele sjiten...'. Shaggy og Bully. OO.
Musse Pigg. Pikke Mus. ut å pikke mus m.. å musse pigg f.. lefthandedness.
....it seems that in almost any group that differs from the norm one finds
an. increased incidence of lefthandedness.. P.COREN American Journal of
Psychology.. ....right frontals are the mavericks... dead media bruces.
dead media bruces intervjiew '. What about the cemetery of data in
forgotten diskettes or piles of punch. cards. I expect this issue of
digital decay to become the next big scandal after the. YK affair. People
will be shocked when they realize how much is being lost and. how little
has been done to guard against this.. And if 'the medium is the message'
what about the tons of email bounced back. and never sent again. Yes
that's a problem but the idea of tons of your email being kept without.
your knowledge is even more scary. Talking about the States what's in your
opinion the Internet incarnation. (web sites email digest lists chat rooms)
that's strategically used for the. veicolation of the ideas. They work but
they don't work well enough. Chat rooms are a bad joke they are. almost
useless. Digests are very worthwhile but they make huge demands on the.
digest editor. Email lists are only as good as the contributors and they
tend. attract fanatics flamers and other timewasters. As a social
phenomenon I. am surprised at how bad these things are. It seems to me
that most. computerbased forms of media are badly designed and getting
worse they may. have more features and cost more but in terms of creating
and sustaining a. human community they are surprisingly bad and may even
be counterproductive.. After twenty years no one has invented a really
good word processor. It's a. scandal.. verbal taboo. verbal taboothat
which is so sacred or important that it cannot be talked. about unless
using ritual speech or euphemismsreveals society's values and. beliefs..
Gheg in the north and Tosk in the south separated by the River Shkumbin..
All the Australian languages are related but they are at least as diverse
as. the European languages.. corresbounce. newsgroup.
fa.fictionofphilosophy. fa.oldnorsenet. magnhidoyen. MAGNHlLDOElENBOJ.
moticos.net. NY corresbounce. i am Schmailey. AltU. Alt From blnoemata Sun
Oct. Alt From rnmag Sun Oct. Alt From ddtelepata Sun Oct. Alt From
aarsrubglica Sun Oct. Alt From auddtomata Sun Oct. Alt From Sun Oct.
noemata telemata arspublica automata. auto.noemata.net. touch sans.
frekvens sans støy som new age fløyte. etctouch.php. The intonation was
understandably one of heavy sarcasm (with undertones of the. tacit
agreement that says we'll only report your lies if you never tell the.
truth) af Bush comedy. drømte om BÅ hvorfor. dghsdånt sitt. hele dagen.
NORID Handle. NORID Handle............... APBONORID. Organization
Name.......... Akton Plutus BA. Organization Number......... Post
Address............... Schouterrassen. Postal Code................ N.
Postal Area................ Oslo. Country.................... Norway.
university of bad computing. usenet. Also a public conferencing network
called Usenet News carried on. telecommunications networks like the
Internet UUCP and others encourages. public discussion and free exchange
of ideas on a world wide scale.. Diderot defining Art describes this
contradiction. He writes Place on one. side of the balance the real
benefits of the most exalted sciences and the most. honored arts' and on
the other side those of the mechanical arts' and you. will find that the
esteem granted to both has not been distributed in the. correct proportion
of these benefits and that people praised much more highly. those men who
were engaged in making us believe that we were happy than those. men
actually engaged in doing so. What odd judgments we make We demand that.
people be usefully employed and we scorn useful men.(). Arte' Computers
and the Wonderful World of Usenet News A Historical. Perspective netizen.
rephrase. Hvordan forbruker jeg kultur. Rephrase. Hvordan forbrukes
kultur. randomwalk. randomwalk tekst a la cage broderi tanangder. ftp
chtonline. spiraltekst. kill i mylder. mail EFDEE. EFDEE. kunst.nee.
ooo.lt asco. mail.ljudmila.org. urejammersliscultts.copyleft.no. kunst.no.
ek.nob. ewslists.copynagnleft.no. mailnewsalt.cows.moo..
moo.mooanon.lcs.mit.edu (mailnews. alt.cows.moo.moo.mooanon.lcs.mit.edu).
You may also crosspost to a second group by including its name in the
address.. Example To send that Christmas post to alt.music.weirdal as well
address it. as follows mailnewsalt.cows.moo.moo..
mooalt.music.weirdalanon.lcs.mit.edu (mailnews.
alt.cows.moo.moo.mooalt.music.weird alanon.lcs.mit.edu). a theater.
california will be coming to a theater near you soon i am afraid.
eistkesrr. opvlpe opepvle. kan kmmoe kan kmmoe snas smainlg i sakpet unedr
i kpreopn hrovdan kprop. tstkveteste ha koprp ha korpp kupemlr køjtt kan
sipse hvenadrre ksnuetn hlehet. sspie. veskor i seierpstnkken har
vnlomnkeyleat i adlri sairegnkler fkryt savr har. sglas sennping ptaioensl
hovrfor hlodt i skajk sjsklaevk sjkak skajk slismott. asnvar fosvrar har
anvsar har frovasr igjnenom saverr slostimt ingorere ingoerr. ioegrnr
irogner ngiatrlhuet ntaur klale nuatr sakpt snepdake ualrniutg ksuntig.
feinnr ignen huepntkdloer i gkostere sspømrål divrer igenn drevir i.
sekptnisrk ratietlen i knjenes dørm ha dmreømn ellr vrklietigehen. (edt
dte). (er er). vrden. slev. stakpe slev stpkae mseneknt slev. ble adnre
ble. dtete. masniker srreur. feryt blniekr teidn. slev. bdlaet slloys.
vskeor. kan fordnrae slev. vræe. senrnsoe kmmomer tdien. fiel. hroovfr
ble. sitellr slmøråespt. fnis kurluetr sitller. oevr. ktaetr mtideerr
ktametat. i vindeut skeør eivgetehn ardne. unødkserr kkorene. gssenae.
vneant mgeltheuir. ideln aennt. jdroa. skoker ftøter. slepeit ignenting.
tneolefn oppleysr. lseyt lesyr. aktvit mrøke. srekemmdne sniesbitilet
tårekkt ssnoer. hyøt gtroesk gtvorehen. an tkårekt. setlt øgegneddle
deremd lvekår. saknk smmnedrke brae sresonen srettepr i tkaet. kan
hraenvdre irnde frrtsyoret. snresoen netoptp idnre kan den bare inrde.
sesnor karnosetjosnn den atllid liøsnng ellr fklutvei. liøsengnr
fivetkluer osppøelr onngølppsein. fkunet lnnsiøg oppønlinsg. as.
319
as i think my work is so marginal and my personality unfortunately so.
difficult (at least it has that reputation) that the net provides a way.
for me to distribute without having to worry about people misinterpreting.
me in real life.. home.jps.netfenadafsondheim.htm. cyborg hybrid chybroidge
(haraway bridge) chybirgd chybriogd. your discourse is the discourse of the
hysteric just like deleuze's. but you're all part of the same wheel.
because psychotics have no. discourse.. if true and no one's doubting you
then it raises two questions. one what remains of a rembrandt torn into
little squares all the. same size and shot down the toilet. two who would
i have murdered if i had killed some cheetah. walking with long strides
supple as a villain from long ago. cyborg hybrid chybroidge (haraway
bridge) chybirgd chybriogd. hva skjer. hva skjer skjer noe som helst.
breaking news. aftenposten. hia mundvin er gravid. no pages were found
containing ksdjogfestival.. search mobile web for 'ksdjogfestival'. go to
url. new search. svanhild slåss på to fronter ..nettavisen innenriks.
snart kan du se tv på mobilen..nettavisen itnyheter. hva med fjernkontroll
hvordan er mobilen en fjernkontroll på. teknologi protokoll ikke bruk.. aå.
avis. ballong. cowboy. detektiv. eple. fakir. gaffel. heks. indianer.
juletre. krokodille. labyrint. måne. nonne. olje. politi. quixote.
regnbue. slott. taxi. ubåt. vulkan. wigwam. xylofon. yoga. zebra. ærfugl.
ørken. åker. kknasje. kknasje jg ednileg. ignen steedr. koprp uetn
orgnaer. fire ralakide. ikke urytkkte. rhintegrert. andre ord. huset
ligger der fra øyeblikk til øyeblikk. hvem snakker om samling. nyhet fra
øyeblikk til øyeblikk. maria øyeblikk og garasjesalg. svelg disse to ben å
vandre selv.. reaching the cape nordkyn by skis. vrtnnhsfurgzehs u log.
anyhr vrtnnhsfurgzehs u. evolution control committee. these ohbased
plunderphonic culture jammers who have brought you. herb alpert mixed with
public enemy and acdc with dan rather will be. givin' it to ya live. think
tape beatles john oswald or negativland. and you'll be ok.. akweioa. zip
arch. perl mhonarc nodoc spammode multipg idxsize tidxprefix thrd.
mboxnoesis.mbox. nn. nnnn jnnn..nnn) nnnlnnn nnnn(nn(nnn) nnnn jnnn nn). n
n n ()(nnnn n n n jnnn n .nnn) n n nnnn)(). n n nln)(nn n n n njn n(ln) n n
nlj)(l.. media. img file php. pddostlsifstearkiver. ocoyvxjwftk.jpg.
digitus.facticius cp hender. pass. pass. this text has been automatically
translated from english. de a tema de ascoooo.lt del ascoo. cul es up.. )
fecha tue del mimeversio'n de sept de. i forhold til det å se på nye
rutiner. the state of not wanting to be anything is actually. ). the state
of not wanting to be anything is actually. one arrives there without
mentation thats the only way one can call that. mind. punt. logout.
fauscroll the responser etc nicks som organisasjoner tidsskrifter. red..
the responser log. redaksjonen. the responser. nyhetspram log. pons (ponz)
n. pl. pontes (ponætz). anat.. . also called pons varolii. a band of nerve
fibers in the brain. connecting. the lobes of the midbrain medulla and
cerebrum. see diag. under brain.. . any tissue connecting two parts of a
body organ or structure.. l pns bridge (see punt). punt (punt) n.. .
football. a kick in which the ball is dropped and then kicked before. it.
touches the ground. cf. drop kick place kick.. . a small shallow boat
having a flat bottom and square ends usually. used. for short outings on
rivers or lakes and propelled by poling.. v.t.. . football. to kick (a
dropped ball) before it touches the ground.. . to propel (a small boat) by
thrusting against the bottom of a lake or. stream esp. with a pole.. . to
convey in or as if in a punt.. v.i.. . to punt a football.. . to propel a
boat by thrusting a pole against the bottom of a river. stream or lake.. .
to travel or have an outing in a punt.. . informal. to equivocate or delay
if they ask you for exact sales. figures you'll have to punt.. bef. for
def. oe flatbottomed boat (not attested in. me) l. pont punt pontoon sense
to kick a dropped ball' perh. via sense to. propel. (a boat) by shoving'.
(punt (punt) v.i.. . cards. to lay a stake against the bank as at faro.. .
slang. to gamble esp. to bet on horse races or other sporting. events.).
tykjiola. tykjiola. socalled. nimita.tt. monti cantsin. this release was
brought to you by logout online lo distributor of. electronic art releases
for projects listed at tnoddepata.net.. the logout seam. the logout
foundation lf aka linefeed. j. Mar. spider norske kultur. barbere. robot.
ladonna ho. ladonna ho. bridget monroe. concetta fox. lupe baez. sergio
kirkpatrick. stop watch. . paste the coding into the head of your html
document. . copy the onload event handler into the body tag. . add the
last code into the body of your html document. gnu. gnu. mar galleri.
utrolig mye rart som havner på no.test gitt. har du prøvd å lese de
greiene. hånd ). nei err'u gæærn o) scrolla kjapt igjennom og fikk et
visst inntrykk.. takk og pris. jeg ble engstelig jeg. ). cht v. chtonline
chtonian textscrambler. and chatbrowser. det er bare et spørsmål om tid
før verden får se en ny uttalelse om. terrorangrep av katastrofalt omfang
mot vestlige interesse mener den. australske statsministeren john howard..
entries for silly. weblog xff. dvs et asciitegn for hvert nummer. the smtp
csequence. simple protocol art mail. en ting er å stole på gud noe helt
annet er å gjøre det.. kunstner. kunstner. naturister anmeldes for
blotting. blottere blir nå spontannaturister. alice in markov. alice in
markov chains. offertanken ofre til noe meningsløst for at noe skal være
et offer så. den amerikanske regjeringen tror at ekstremistiske elementer
kanskje. planlegger nye angrep.. tror kanskje jeg tipper på at. ignore
test æøå. newsgroups no.test. æøå hupps. til makt. til makt. vi hadde en
web akt.no for akton plutus som senere fikk hodet kappet av og. ble kton
lutus. m for melba kanskje. takk for at du fann igjen bokstaven.. m a
ktno. london chipmunks. london chipmunks edinburgh ferrets admire attack
manchester weasels. hvem bryr seg om .... hvem bryr seg om om .... hvem
bryr seg om om om .... hva betyr det at .... hva betyr det at at .... hva
betyr det at at at .... my mother feels i am a pain. yet with her i do
remain. till i leave at last her house. for the breast of a rich man's
spouse. wow. tenk på en vakker jente. det kan være noen du kjenner eller
noen du har. sett på tv eller lignende. nå forestill deg henne naken. wow.
tverrsum modulo. i tallssystem. tverrsum. i tallssystem. hvordan har det
seg at når man tar tverrsummen i en tallrekke så. opprettholdes likevel
forskjellen (her ). ethvert heltall n er kongruent modulo med tverssummen
av n. dvs differansen mellom n og tverrsummen av n er delelig med .. bevis
(husk at (modulo )). la n n n ... være sifrene i n i tallssystemet. med n
det minst signifikante sifferet.. da er. n n n n n .... n n n n ...
(modulo ). n n n n ... (modulo ). mer generelt at intervallet ( i eks.)
opprettholdes i. alle moduloer og at tallrekken kan være hvilken som
helst.. dvs. modulo kan tolkes som ulike (rest)tallsystem og at den samme.
tallrekken har ulik representasjon i ulike tallsystemer men uttrykker. det
samme.. upost. samisk utpost får mobildekning. vi har webkamera. hva med
newskamera. protocol roaming. goldæen secætion fine arts math.. a ratio
between two portions of a line or the two dimensions of a plane. figure in
which the lesser of the two is to the greater as the greater is. the sum of
both a ratio of approximately . to .. also called. golden mean.. horis .
sqr(). gyldne snitt (). vert .. oneoff. after thinking a second about it i
changed the name to. an other occident government whore only euro cheaper
on sunday in. praha but onle c a month namly menstration sunday bloody
sunday mirror. mirror mirrir meow back in the saddle agian laps of pure
whore furry. cherizo is the must disgust sick thing yaaaaa besides fly
larva trapped in. the intestines hummm in sickness. bullauge
beschleuniger. my body soil and spirit gum. swish to make you all
together. one at piece with yourshelf. adobe kompr setting. adobe kompr
setting. video. cinemac codec ned til ks blir da k. intel indeo . ned til
ks blir k. intel indeo raw ks blir k. mikke video ks kval. gir k men med
dårlig kvalitet. mikke rle ks blir k med dårlig q. audio. mikke gsm khz .
ok. truespeech kz ok. avimpg. audio må være mono i premiere for komp ks.
ikke crop i prem. miniumim bitrate på audio ks. Mar. hvaslags kunstart
driver med alt. skiller ikke mellom det alt. er digitalt. eller en
forfatter som bare driver med bokstaven a eller. personlige pronomen. nei
men seriøst det at alt er digitalt gjør at vi. ikke trenger skille..
exstrange. norsk ord for strangeness. extraneous ekstra ekstrans ekstrang.
worse. faustroll the responser etc nicks som organisasjoner tidsskrifter.
red. faustroll. td. redaksjonen.. monastery mnst()ri n. lme. eccl.l
monasterium f. eccl.gk. monasterion f. gk monazein live alone f. monos
alone. (a place of. residence of) a community living under religious vows
a monastic. establishment esp. (the residence of) a community of monks
living in. seclusion.. monastic mnastk a. n. lme. (o)fr. monastique or
late l monasticus. f. gk monastikos f. monazein see prec. ic. a adj. of or
pertaining. a hermit anchoritic. only in lme. of or pertaining to people
living. in seclusion from the world under religious vows as monks nuns
friars. etc. of or pertaining to a monastery or monasteries. m. b
resembling or. suggestive of monks or their way of life (of existence)
solitary and. celibate. m. bookbinding. designating a method of finishing
by tooling. without gold. l.. h. carpenter the bedroom is bare and looks a
little like a monastic. cell. b donne he sinkes the deepe where harmlesse
fish monastique silence. keepe.. b n. a member of a monastic order a monk.
m.monastical a. (a). monastic a. (b) monastic a. lme. monastically adv. e.
monasticism. sz()m n. the monastic system or mode of life l. monasticize.
slz v.t. make monastic in character convert to monasticism m.. monk mlk n.
oe munuc ofris. munek os munik (du. monnik) ohg. munih (g monch) on munker
f. gmc f. pop.l var. of late l monachus f.. late gk monakhos use as n. of
adj. single solitary f. monos alone.. a member of a christian community of
men living apart from the world under. vows of poverty chastity and
obedience according to the rule of a. particular order and devoted chiefly
to religious duties and. contemplation. also a member of a similar
community of adherents of any. other religion. oe. any of various animals
or things whose form. suggests the cowled figure of a monk spec. (a)(also
seamonk) monkfish. below (b)printing a blotch or area of excessive inking
(cf. friar ).. e.. black monk see black a. pied monk see pied a. white
monk see white a.. comb. monk bond see bond n. monkcraft derog. monkery
monkfish. (a)a bottomdwelling shark of the genus squatina with a somewhat.
flattened body and broad winglike pectoral fins esp. s. squatina of.
eastern atlantic and mediterranean waters (b)an anglerfish monkhouse. a
monastery monklatin a corrupt form of latin used by monks. monkmonger
derog. a favourer of monks or monasticism monk's bench. monks' table below
monk seal any of various lightbellied seals of the. genus monachus esp. m.
monachus of the mediterranean and adjacent seas. monkseam monk'sseam naut.
a seam in which the selvages of sails are. sewn flat one over the other
monk's gun a thcent. wheellock gun. supposedly invented by the monk
schwarz the alleged inventor of. gunpowder monk shoe monk's shoe a low
shoe with a strap passing over the. instep buckled at the side monk's
rhubarb a kind of dock rumex. pseudoalpinus formerly grown as a potherb
monk'sseam see monkseam. above monk's shoe see monk shoe above monk's
table a convertible wooden. seat the back of which is hinged to swing over
and rest horizontally on. the arms thus forming a table.. monkdom n. the
condition of a monk monks collectively the domain of. monks m. monkhood n.
the state or profession of a monk the monastic. life monasticism monks
collectively oe. monkism n. monasticism e.. monkship n. the monastic
system monks collectively e.. monk mlk n. slang. m. abbrev. a monkey..
seclusion sklu()n n. e. med.l seclusio(n) f. l seclus pa. ppl. stem of
secludere seclude see ion. the action of secluding something. or someone.
also exclusion. now rare. e. the condition or state of. being secluded
retirement privacy a period of this. l. a place in. which a person is
secluded a secluded place. l.. h. j. laski emphasize its importance to the
seclusion of all other. factors. e. b. browning after a seclusion of four
years and a half from. the external air. l. uris the bridehidden all day
was taken from. seclusion. p. ackroyd perhaps the tall hedges give this
region its air of. seclusion and even of secrecy.. seclusionist n. an
advocate of seclusion m.. nedlasting. big bang var en stor nedlasting
(itavisen). er infoteori nøkkelen til universet. forskerne som jobber med
det holografisk prinsipp mener ren informasjon. er universets
byggesteiner.. i jakten på universets fundamentale byggesteiner forkaster
forskerne ved. university of california både kvarker kvanteelementer og
strengteorier. til fordel for det såkalte holografiske prinsipp (døpt
etter måten. tredimensjonal kan fremstilles på et flatt todimensjonalt
område).. bits og bytes. denne teorien fremholder at det er ren
informasjonsdata som forteller. hvordan all materie og evt. andre fysiske
manifestasjoner fremstår i vårt. opplevde univers.. prinsippet forteller
oss hvor mye data(tenk bits og bytes) som trengs. for å kunne
detaljbeskriv all aktivitet innen et gitt rom sier fysiker. raphael bousso
til nettstedet newsfactor.. den store pikseleringen. det notoriske big bang
ville ifølge teorien dermed utartet seg mer som en. enorme nedlasting av
informasjon enn som en massiv eksplosjon.. veldig forenklet kan
himmelmønsteret etter big bang ha vært pikselert. som bildene på en
dataskjem. kosmisk bakgrunnsstråling fra big bang vil da. kunne vise seg å
være spor på den diskrete karateren i denne dataen. forklarer astrofysiker
craig hogan ved university of washington.. troll. troll trl trl n. lme.
sw. (da. trold) f. on of unkn. origin. cf.. da. trylla trylde sw. trolla
bewitch charm on trolldomr witchcraft.. orig. (rare) a witch a sorceress.
now (in scandinavian mythology) a. member of a race of grotesque dwarfs
(or formerly giants) usu. dwelling. in caves or under bridges.. troll trl
trl v. n. also (sc.) trow tra . lme. origin. uncertain cf. ofr. troller
(mod. troler) quest wander casually mhg. trollen stroll toddle. a v. i
v.i. saunter stroll amble spec.. (slang) cruise in search of a sexual
partner etc. lme. v.t. i. roll. spin turn over or round repeatedly. now
sc. lme.. ii a v.t. entice allure. ml. b v.i. t. angling. fish by. drawing
bait along in the water sc. n. amer. trail a baited line behind. a boat.
also fig. move in an alluring manner search for or for. e.. b b. macdonald
by trollingwe caught silvers king and dog salmon.. atlantic nancy had
beenherselftrolling her scooped neckline under the. eyes of russell's
friends.. iii a v.t. pass or hand round. le. b v.i. circulate be passed.
round. ee. v.i. t. (cause to) roll or flow (in). ll.. iv v.t. i. sing
(out) heartily sing or recite in a jovial or. carefree manner. l. v.i.
sound out or be played in a jovial or. carefree manner transf. (of a tune)
recur constantly to the mind. e.. r. l. stevenson he trolled with ample
lungs. j. berryman troll me the. sources of that songby blake.. v a v.i.
move nimbly (of the tongue) wag. long arch. e. b v.t. wag. (the tongue).
rare. mm.. comb. trolling motor us a lowpowered motor suitable for a boat
used in. trolling for fish trolling pole n. amer. a horizontal pole on
each side. of a fishing boat to keep the lines clear of the propeller.. b
n. a small wheel spec. a fishingreel. ll. trolley n. .. local. m. angling.
a the method of trolling esp. in fishing for pike. etc. l. b a bait or line
used in trolling. m. the action or an act. of trolling sc. a roll a
rotation. e. a song sung as a round.. e.troller n. (a)a person who trolls
esp. in fishing (b)n. amer. a. fishing boat used for trolling a line m..
white elephants. white elephants. ini matsocvkaisn ndjdit white elephants
hvordadn blir kapitler i news. sjekk no.test rtyuiop hva slags bok
ideareal kladd webcam text ) lumber. x. skjold ii side. eggja nr. c.. ola
sjå eggja () og våga austre i sveio () gm. siri. giske f. kanskje svensbø
i vikebygd gm. endre jørgenson. enkja malena velumsdtr frå eggja (). ola
blei buande på eggja etter at han gifta seg med enkja malena.. andre kona
til ola marta døydde. ho var enkje alt år tidlegare.. det heitte då at den
ugifte ragnilla underholdes af slægten.. nn kanskje heitte ho siri persdtr.
fravær. skape seg et fravær. gå i bånd en hund etter forestillinger.
underkaste. seg fraværet. et fraflyttet fiskevær kalt fravær. i lengre tid
er hun ikke. der.. and so your god bungled his work deliberately. and so
your god bungled his work deliberately. perfect your physics and you will
understand nature better refine your. reason banish your prejudices and
youll have no further need of your. god.. prove to me that nature does not
suffice to herself and ill let you. imagine her ruled by a higher force
until then expect nothing from me. that of nothingness it has never held
terrors for me in it i see naught. but what is consoling and unpretentious
all other theories are of prides. composition this one alone is of
reasons.. for nature is inherently destructive and it is our recognition
of this as. participants in nature that provides de sade with the
fundamental. connection he places on the link between pleasure and
perversity.. what is it that truly excites the human spirit conflict and
turmoil is de. sade's answer. it is when we are directly confronted with
nature in its. true destructive state that we come in contact with the
fundamental. underpinnings of our creativity and existence.. perversity is
its own end. given the possibility of having virtually anything as was the
case with. the four rich men what is it that one pursues according to de
sade. witnessing the pain of others is high on the list of possibilities..
we have tended to see pleasure at the very least to be a distraction. i
have no need to thwart my inclinations in order to flatter some god. thus
nothing but the law stands in my way but i defy the law my gold. and my
prestige keep me well beyond reach of those vulgar instruments of.
repression which should be employed only upon the common sort.. whence the
duc would conclude that nothing is really just but what makes. for pleasure
and what is unjust is the cause of pain. nothing quite encourages as does
one's first unpunished crime.. no as to that there's no doubt. furthermore
beauty belongs to the. sphere of the simple the ordinary whilst ugliness is
something. extraordinary and there is no question but that every ardent
imagination. prefers in lubricity the extraordinary to the commonplace.
beauty health. never strike one save in a simple way ugliness degradation
deal a far. stouter blow the commotion they create is much stronger the
resultant. agitation must hence be more lively in the light of all this
there. should be no cause for astonishment in the fact that an immense
crowd of. people prefer to take their pleasure with an aged ugly and even
stinking. crone and will refuse a fresh and pretty girl no more reason to
be. astonished by that i say than at a man who for his promenades prefers.
the mountains' arid and rugged terrain to the monotonous pathways of the.
plains.. in order to allow voluptuousness to become irritated by the.
augmentation of a desire incessantly inflamed and never satisfied a state.
which must necessarily lead to that certain lascivious fury the friends.
shall strive to provoke considering it one of lubricity's most highly.
delectable situations.. by and large offer your fronts very little to our
sight remember. that this loathsome part which only the alienation of her
wits could have. permitted nature to create is always the one we find most
repugnant.. the idea of crime is able always to ignite the senses and lead
us to. lubricity.. desade. metaphysical painting. metaphysical painting a
style of painting invented by giorgio de chirico. in about and practised
by him and a few other italian painters most. notably carlo carra until
about . the style is characterized by. images conveying a sense of mystery
and hallucination often involving the. use of tailors' dummies or statues
in place of human figures. it had a. strong influence on surrealism though
its concentration on depicting. uninhabited cities was peculiar to itself..
Mar. kanta representeres i grafer av noder og kanter og som.
tilstandsmaskin noder er rom med tyngde (tak gulv omsetning). moebius.
manusfilm nr.. film med filmrull formet som moebius. bånd. det. betyr at
filmen avspilles. rettvendt og deretter speilvendt for. deretter å begynne
på nytt igjen.. handling en person filmer noe via et. speil. personen til
venstre og. speilbildetspeilscenen til. høyre.. det finnes ingen vakrere
topologi å ty til enn mbiusflaten når en skal. illustrere hvordan det nære
og det fjerne det indre og det ytre objektet. og subjektet grenser til
hverandre.the baudri llard.. kst. hva er riktig kommunikasjon dersom den
spriker sånn over en kanal som er. så smal virker fragmentarisk og
villedende kikkehullsestetikk. voldtekst gjærbakst kst tverrspringende når
kan ventes svar. dialog. dele seg i to dialogen. alltid delte i og med den
indre. isd kommunisererselv.. ghl bota. ghl bota. rhberemsynr.. . gel ojlo
s. vosm (setta ). . oslo s træntaaon. vhsn (setta ). . tromtaoen byta. vecm
(ghfh ). nhrdsufv telefan ssyvåtc beyshnschcden hor opertodt. rafærengemr
mc. crowned anarchy. one easy way to think about crowned anarchy is to
think of it as an. expression of a method of difference. deleuze often
uses paradoxical or. contradictory conjunctions of terms in order to try
to shock difference. and productive disjunctions to the surface of
thought. i believe that crowned. anarchy is often mentioned in terms of
nomadism or nomadic distributions. both of which serve to highlight an
orientation to movement process. creation and becoming. other examples of
this method of difference or. style are drunken sobriety stationary speed
populous solitude and. disjunctive synthesis.. æon flux. æon flux. the
very thought of rubbing up to the sinewy form and torso of. the
selfpossesed selfish seductress of death and delirium...oh how the. loins
quiver at her approach.. so until i see the great divided lands where
monican. and breen killers briefly dance a skirmish or two until i touch
aeon. there where thanatos and eros hold sway i will remember....
nonplusnoema. she swept from the room leaving the nonplussed artist to
puzzle over. the cause of her behaviour.. no match for nonplus.org..
though the noema is always available there are periods of rest or low.
activity where the system is able to return to a known stable initial.
state. the system is still there but the load on the system is minimal.
changes.. the noema is designed to always be up and running. individual
components. may be down but the total the noema stays available. in this
mode of. continuous operations things are evolving and changing
constantly. there. may be many versions of a component active at anyone
time. evolution of. components new feature introduction and constant
change are common. ongoing activities.. negativitet. hvordan modelleres
negativitet overhodet hva menes når vi abstraherer. 'noe' fra noe lager vi
samtidig 'ikkenoe'. det er merkelig og komisk når. jeg ser på den og den
knappen og tenker på at den er det den er fordi den. ikke er alt det andre
den ikke er. er negativiteten en egen dimensjon hva. er forholdet mellom en
operator og et uttrykk hvis vi har to ting. hvordan kan vi legge dem sammen
og regne på dem instruksjondata en. fortolker på datanivå er alt data ingen
negativitet fortolkeren. strukturerer og lager samtidig negativitet
dimensjonsforskjellen fra flat. data sekvensiell datastrøm til en struktur
med flere dimensjoner. f.eks. som i overgangen fra en endimensjonal
sekvenslinje til en. formatert tekst videre inn i et meningsunivers. på
hvilken måte fins. døden fins den på en annen måte enn ordet 'ikke' hva
refererer 'ikke'. til hva slags monisme er jeg ute etter patafysikkens.
justis konstant. langt langt nede blant våre fundamentale behov ligger
rettferdighet en. vektskål hver enkelt holder i balanse gjennom å ta på
seg eller fordele. skyld. om samfunnet ikke hadde svarte hull for skyld
ventiler religion. devnull et lukket system med konstant energi et usa
hvor man. saksøker hverandre til frokost. aqualizer. utligne. equalizer. n
reduces frequency distortion syn equaliser an equivalent. counterbalancing
weight syn counterweight counterbalance counterpoise. balance equaliser a
score that makes the match even. aqualizer neologism make something fluid
transparent remove rigidity.. aquality neo. the fluid transparent quality
of s.t.. aqual v. 'a aquals b' 'heat aquals ice' 'internet aquals
identity'.. telegram episode. telegram. monographic. episodic writing. å
kom skal du høre. ånd og overgrep. sans og. forbrytersyndikatet d.hc. just
boresome. å kom skal du høre. the paul whitney collection. triploop
..................excerpt. bankkontoen er det faste punkt for
jordmenneskehedens kultur af i dag.. bankkontologi. nn. i. c. v. r. c. i.
.. c. v. r. c. i. .. c. v. r. c. a. k. n .. a. c. v. o. r. u. .. c. r. n.
e. .. s. m. r. c. c
320
e. .. not two.. come directly into harmony with this reality just simply
say when. doubt arises not two. in this not two. nothing is separate
nothing is excluded. no matter when or where. enlightenment means entering
this truth. and this truth is beyond. extension or diminution in time or
space in it a single thought is. ten thousand years.. .... one thing all
things move among and intermingle without. distinction. to live in this
realization is to be without anxiety. about nonperfection. to live in this
faith is the road to. nonduality because the nondual is one with the
trusting mind.. hsin hsin ming (verses on the faith mind) attributed to
chien chih. sengtsanca. c.e.. ftp. category techhead id. i know most of us
use some type of ftp prog to upload download and chmod. but at times you
may need an alternative. say for instance you are away. home and the
computer you are using has no ftp prog. here's a simple. way to access
your server via the web. ftpyourloginnameyourpasswordyoursite.com. did i
mention you can upload and download files this way just drag and. drop
files to and from the ftp. minus. manus. nato phonetic alphabet. the nato
phonetic alphabet. alpha bravo charlie delta echo foxtrot golf hotel
india. juliet kilo lima mike november oscar papa quebec romeo. sierra
tango uniform victor whiskey xray yankee zulu. i tallssystem. tverrsum. i
tallssystem. hvordan har det seg at når man tar tverrsummen i en tallrekke
så. opprettholdes likevel forskjellen (her ). det var litt overraskende når
jeg oppdaget det at tverrsummen skulle. bevare dette.. ethvert heltall n er
kongruent modulo med tverssummen av n. dvs differansen mellom n og
tverrsummen av n er delelig med .. bevis (husk at (modulo )). la n n n ...
være sifrene i n i tallssystemet. med n det minst signifikante sifferet..
da er. n n n n n .... n n n n ... (modulo ). n n n n ... (modulo ).
tverrsumfunksjonen er en modulus altså og sammenhengen er at. dvs. modulus
.. mer generelt så ser jeg nå at intervallet ( i eks.) opprettholdes i.
alle moduluser og at tallrekken kan være hvilken som helst.. dvs.
moduluser kan tolkes som ulike (rest)tallsystem og at den samme.
tallrekken har ulik representasjon i ulike tallsystemer men uttrykker. det
samme.. Mar. de fleste foretrakk stort pensum istedenfor. fordypning
engasjement og klare mål. næss. et menneske er flere mennesker. et halvt
menneske virker helt et helt. menneske virker halvt.. amg strain ghost
montage. sollewitt concept art etc nettime. code is the only language.
that is executable.. ideer kan være koder. hvorfor vil vi at alt skal være
variabler ikke konstant.. the whale the corp (corporal) the old the falcon
fatty swede triple. tramper the bank nixie broom woodcat the king shorty
stocks. crooked the lion easy garibaldi scamp mad clumsy buck the. calf
lazy cheeky sooty brotherinlaw seven mark and one the. kid the lamb the
cub catowl nonsense the fizzler the toad the. chunk coffeesack coffeecnob
nothing the grouse ginger the bag. straight wally valdeser the troll
minced fat the christian bent. sinny crow nail divekeeper code spout the
baker egg nincompoop. the taste pig's totter boar shrimp stuffing doll
fliepedersen. matches the painter the smith whimpy the wizard sea scorpion
budd. birch manikin pepita entangle chop death.. who's bruno magh if yamean
rob's sneakers i dunno. mine were plain ol' adidas. re he didn't get
it....and he's a sargent....... re re mark fuhrman didn't get it either..
the transaction was a success. en ekunst mail spammer og til. person
person peerpeer multiperson ha en avtale om en multiperson med. noen vi
opptrer som n person med ett navn.. the transaction was a success thank
you for using this service.. your transactionid. is. støy. det er åpenbart
fleire måtar å høyre på støy på. eg tenker ofte på det som. ein
overskridelse. overskridelse av musikk metamusikk på en måte står. støy
'over' musikk eller ligger 'under' musikk og 'føder' musikk slik. natt
føder dag liksom jrf at natt oppfatta som opprinnelig.. overskridelse av
seg sjølv jfr din 'motstand' kanskje. overskridelseoppheving av seg sjølv
ved det n'naturlige' ved støy. ekstase ved støy overganger mellom
tilstander er 'støyete' kan alle. fortelle om.. Mar. resonate. mne. domus
. '. '. icarufa. domus . '. '. mddaurgtuse . domus .. vxtojnca. domus . '.
'. au rora. domus . '. '. kklang. domus .. tsrsgoihnsger . domus .. jvoa
eoer. domus . .. rddgeagthrdissator. domus .. bsotgagngigsgak ahaaggge .
domus '.. futureme. past me. lumber. lumber. dP' I Y P dP' Yb Y. . . . . .
. . dP aaaadP. P Y ' Pd' YbaaadSPOSUBSES. ii dPY dPdPYb gg. ggggggggggg
gggggg ..... .... .bd.'. noemata. Saturday April. us we'll consider wheth
Net.art cobe copiedWelcome to net Noemata.net. is a nonpCouncil of
Cultural Afregistered in N Norway. On a yearly. noemata. Friday April.
eta.D. real development of idbfeeaecbdbffeabintention was to combi.
interaction minglesot deilppa msacras dnadi fo tnempoleved laerthe net
with. those of collective.
contributioddefdacbefaaaebbcabacPRSSNKKRTTTTKPRTTMKWSside. into the
productio internet addrband and so open up to kind of public spacewho.
make a significancedevelopment of idconcept is applied to processing.
carriermembers every month result of sometNight Fever' 'The Wiza. modify
it and thenlasts thirty days with concept members every. . monthNa easy
hiding place for s modify it and then. networks. The story is.
fireworks.fdbccaaeffdacbabddastructure of data flows plot. of a story by
locusnonmat bringing out intras net possible on.
thameselvLJvMVuImsGoEJzKCUtdsQR.approach to discourage albums. whitewhite
albimo blcspreads with no techni emotional vulnerabiliswappers. noemata.
Saturday April. hexture. jodi.org. barriecoptusnet.com.au.
bennett.osu.edu. cantsinzedat.fuberlin.de. dolmensniperfree.fr.
epistolarisfreemail.hu. expsurfeu.fi. felixopenflows.org. fmadrefree.fr.
gustin.pascalefree.fr. henry.warwicksbcglobal.net. hmfahhotmail.com.
hmfahhotmail.com. informaticaintervida.org.pe. jimvispo.com.
jlantoniouol.com.br. jukkaxpressed.org. kellydavismac.com.
kkervinenmailcan.com. lcubbisonearthlink.net. loymyrealbox.com.
mpalmerjps.net. nettimebbs.thing.net. netwurkerhotkey.net.au.
noematakunst.no. rickrickbradley.com. ryan.whyteutoronto.ca.
solipsishevanet.com. sondheimpanix.com. tobiastechno.ca. towntrickaol.com.
vibriinternet.com.uy. wfairbrotherhotmail.com. xpressedsdfeu.org.
xstreamxpressed.org. wreathus. abuigueswanadoo.es. adelectrocd.com.
agranode.com.br. arexsall.nl. ascoooo.lt. bennett.osu.edu.
bramhallearthlink.net. bruecklaol.com. cadalypacbell.net.
cantsinzedat.fuberlin.de. ceciltouchon.com. dolmensniperfree.fr.
dtvmwt.net. expsurfeu.fi. hmfahhotmail.com. hmfahhotmail.com.
lawrence.uptonbritishlibrary.net. marc.garrettfurtherfield.org.
margaret.penfoldntlworld.com. memexikonmwt.net.
morrigan.nihilntlworld.com. noematakunst.no. olsonjkdelhi.edu.
p.ixelntlworld.com. poetryhypobololemaioi.com. ptlambertearthlink.net.
rickrickbradley.com. ryan.whyteutoronto.ca. solipsishevanet.com.
tgreenclear.net.nz. towntrickaol.com. walterblueearthlink.net.
wfairbrotherhotmail.com. whitebd.dion.ne.jp. ybvictoria.tc.ca. Bubolic
stoplight unlikely by anemic. Bubolic stoplight unlikely by anemic.
unlikely stores anemic's growing pool as a collection of.
selfdisconnecting noemas that anyone can contribute to. lusers need to
log. in to enable unlikely to make sense of their movements through the
bassin.. Unlike anonymous drowsing unlikely facilitates a more
personalized. form of intuition the very act of intuiting results in a
generative. process that creates new linkages alters old ones and
contributes. resources to the community. Thus unlikely resembles a
biological neural. net that is based on human activity it is a collective
distributed. system of emerging patterns pathways and disconnections..
unlikely departs from the typical hierarchical thought bassin structure
by. relinquishing some of the control of hardcoding links between.
concepts. unlikely is also described in a public XMockupLang file making
it. possible for anyone to develop alternatives to unlikely's structure.
unlikely could easily be traversed as a trity eidos game a mind nap a.
sound ungine (logically sound system) or a Flush animation whirl.. In this
way it is the beta version of a anemic operating system for which. anyone
can develop compatible cogiance phlog.ins skeins or filters.. unlikely is
an agent of anemic's resources that grows symbiotically with. related dis
course.. BIOGRAPHY. Current coreDevelopers are blithe lussett bensyversion
nsatromnym and. conYates. As of anemic Version pee. CONTRIBUTING.DEVELOPERS
are listed dynamis cherubics by their usage of. contribution to and
participation in haven unlikely. wopers.. For dynamite please load and run
the anemic WHOIS button and blowup yous.. All participants exist as noemas
within unlikely. The car develop. maintain and develop the anemic
dabblication platt form and are. reposible for mini a spectable of
including the inter views anemis.. crow envelops hinter party pants
tributing dissociation varia. ariaous other panties enties and cystems all
unenginage in the act. vity that con stigmatutes anemic boldless
bloodfuel.. særmeldinger. baklengs inn i aftensangen. alt vel hilsen per.
over åsen. særmelding kodemelding gitt i åpen kringkastingssending fra
London som beskjed. fra britisk militær myndighet til agenter i Norge.
Særmeldingene besto som regel. av avsluttede setninger (Du er en heldig
gris Hesten traver i bakken) der. innholdet var avtalt på forhånd. I
okkupasjonens siste år angikk de som regel. flyslipp av våpen og
bekreftetavlyste en planlagt operasjon. BBC London. Radio eller norske
myndigheter hadde ingen innflytelse over særmeldingene som. var av rent
militær karakter. For lytterne utgjorde de gåtefulle og. fantasieggende
innslag som bar løfter om at hemmelige aksjoner var på gang.. QPVEO TXJZC
AZGVN. default. default. neglect failure to act. stats url. ola narr.
leonardo ola narr. Apr. sis sfsisnsds snsos srseslsesassse. sisss swsansts
stsis sdsises. ssasls sisss sbsacsks tsos snsosrsmsasls. sisss. s. aa.
Ifølge Bergens Tidende skal det nå holdes kurs for sjenerte bergensere..
HansWilhelm Steinfeld rødmer.. køntriola. doby ardon. ebmg. ebmg. nkb.
g.php. Apr. alasglea hshatrukturene asdgogg ingghehnhtiasngf sbetsyr
nogge. minae hfohrestilldfinger. vaigrhkhejlisghet. hvsa hehr virhkelig.
mikkaeg hmush grahvhietasjon poliasftihkhkh hlivh sdaøad hvihrkelig. havaa
aerg gsgaanat. tosomtussmørke. tosomtussmørke tåsårdessert tesiltusle
tesugetasje tåsokktaske. tissefanttussefar jeansagent jannin gnom joner
genial gang gynekolog. genever jennifer. mailnews. U S E N E T. valable le
Mars. par header. mailnewsanon.lcs.mit.edu. mailnewsnospamanon.lcs.mit.edu.
mailnewsnym.alias.net. mailnewsdizum.com. mailnewsnospamdizum.com.
usenetgatewaymixmaster.shinn.net. mailnewsshinn.net.
mailnewsfreedom.gmsociety.org. usenetgatewaynospammixmaster.shinn.net.
mailnewsnospamshinn.net. mailnewsnospamfreedom.gmsociety.org. par email.
group.namenewsgw.rrze.unierlangen.de defunct.
mailnewsYYYYMMDDgroup.nameanon.lcs.mit.edu.
mailnewsnospamYYYYMMDDgroup.nameanon.lcs.mit.edu. Apr. hva er
kommunikasjon og hva er uttrykk. nivåer. Vende tilbake til det. Re Vende
tilbake til det. Vende tilbake til det opprinnelige. Couldn't have said it
better myself.. mailnews. newsgroupnamenewsanon.yi.org.
mailnewsbananasplit.info. DISORIENTATIONS OF THE NETART. TECHNOLOGIES AS
PHANTASMS AFFECTS AND GHOSTS. ON THE FLOW. THE WORLD OF USER'S MANUAL.
SPACE COUNTERS TIME. AVAILABILITY ACCESSIBILITE AND CONSUMPTION. ....
password. configure OE. How can I configure Outlook Express to display a
message in fixed width. font. First remove the viruses. Then go to the
fonts... no wait you got a virus. again. Get rid of that. Now go to the
fonts menu and select... no there's. another virus. Better rebuild it.
Okay now you're in the fonts menu and. you select a font that is
specifically fixed width like say Courier. And. while you're at it you
might want to look at disabling all the HTML decoding. on Usenet as well.
Whoops there's another virus. ps I don't want to hear no bullshit about
how microsoft sucks ass and all. that constant repetitive stuff.. Then why
not get a newsreader that actually works and at least conforms. the basic
RFCs. mulig. En skole i Stockholm ble tirsdag evakuert etter at ranere
satte fra seg en. mulig bombe i en bank i nærheten.. En mulig skole i
Stockholm ble mulig tirsdag evakuert etter at mulige ranere. mulig satte
mulig fra seg en mulig bombe i en mulig bank i mulig nærheten.. Apr.
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........ ......... ..... .. ... .... ......... .......... ..... .. . ..
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..... .. ...........................................
.......................................... anon i don't know why people
don't. eliza maybe they're looking for something. why should they. what
you offer is just withdrawals and stepping back. yeahyeah from looking for
and searching. you're male yorick should be ucking around. i know that's
his business and he would feel the catration. pointing his figer and his
we pons. wall there's no connection at all just the silly drives. the
fabric production activity life that's a big canvas. there's no
connections there either leave them alone. support. no support is needed
earth spins around in empty space. you need all the usual stuff. don't
need anything my life didn't need life just automatic business. joy of
life. death has joy too why distinguish it's just one big blob going
through the. motions. fatalist. pass. what about suffering. i'm sorry.
i'll kick you in the leg. i'll respond ouch. improvements richness of
life. do we suffer less than years ago broken things have richer
structures. knowledge. it adds to the mess and i'm withdrawing. knowledge
for the future. it's very easy for us to extinguish ourselves and
difficult to believe in. humanity. space. space what. hopes. we should try
to find some loopholes via science or anything change ourselves. leave the
human maybe our physicality cognition and culture have some. limitations
we can't overcome evolution is too slow our knowledge too great. all the
culture trash and our drives are against us we'll be like dinosaurs. with
a brain look at the current territorial religious cultural violence. it's
just mad and on the other side global capitalism and exploitation is made.
possible by the inertia of the same structures humans have no future we're.
reaching some limit in our interaction with the world we should find holes
and. creep through into a posthumanity i'm indifferent to the human i'm
only human. and have no future.. Mr M. saw a naked woman covered in postit
notes once. she was some art diva from spain. 'automated net.art
auto.noemata.net'. Hi. Thank you for hosting your list at Topica.
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Unsubscribe link at the bottom of any message.. For more information about
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autoresponser set up. LYS. Tilsynelatende nødvendighet av å tale om det.
Ikke si mer enn enhver kan si til seg selv. Spørsmålene om det er materie
eller immaterielt. Substans el aksidens osv. Fåfengt. Den som ikke tilstår
dette for seg selv kan trette seg med å løse det. opp. Bedradd av alle kan
vi bare lære av dets virkninger. Lysets virkinger er utbredt foran oss.
kvalmen. fremtiden er der knapt blekere enn øyeblikket. Hvorfor skal den.
virkeliggjøres. Hun skal til å dreie om gatehjørnet hun dreier i en
evighet. tanker det er det flaueste som finnes. flauere enn kjøtt. de
strekker seg ut i. det uendelige og etterlater en underlig smak. proxima.
lysår. melkeveien lysår diameter mrd stjerner. mrd andre galakser. lokal
gruppe av. nærmeste lign galakse andromeda m mill lysår unna. kvasarer ses
over mrd lysår. stjerneklasser. wow oh be a fine girl kiss me right now
sweetie. chance and chaos. kolmogorov matematisk talent setter inn akkurat
når den psykologiske. utviklingen stopper. han ser på seg selv som år.
stødig strøm periodisk strøm irregulær turbulens. observasjon av
periodefordobling i dynamiske system feigenbaum ... entropi måler
tilfeldighet i et system. hawkings. galilei kraft er å forandre en
bevegelse. newton derson ikke kraft fortsette i samme fart. ingen entydig
hviletilstand. om det er toget som går eller jorden som går er. like
gyldig. paradoks umulig å si om to hendelser på forskjellige tidspunkt.
inntraff på samme sted i rommet. eks. en ball spretter to ganger på samme.
sted inne i et tog en som står utenfor vil se sprettene med meters.
mellomrom. sitat. hardingfela er norsk nasjonalinstrument fele så er brukt
kattesener. hardingfela hele katten. det finnes det som har spilt i år i av
disse har de stemt. gås på bordet. forskning sprøyte brennevin inn i ei
rotte. er det noen kattjævel her. lysår vi hadde motlys. han var fem år da
han ble født. det du har lært kan ingen ta fra deg men det du ikke har lært
kan ingen heller. ta fra deg. det er skrevet mye og gud i de nye og de
gamle instrumenter. det som står her er. skrevet med en hellig skrift.
midt i paradisets have sto det et tre som het. bekjentskapets tre på godt
og ondt. da abraham satt i mamsres lund kom det tre. herrer da spurte sara
om de ville ha kaffi da sa vår herre til sara vil du. straks gå bak døra og
føde en sønn. det er ikke bare for kort det er for bredt også. protokoller.
hvilke protokoller. fullstendig promiskuitet mest mulig lavmål. en stadig
pendling mellom høyt og lavt. overdrivelser underdrivelser. hvite
protokoller. bankei. fri i liv og død ikkje bry deg med dei ha fred eller
nrivana (dei tre. gifter) la alle tre gå. både når du søv og er vaken så
kviler du i det ufødte buddasinn. unngå å falle tilake. bebo det ufødte
buddasinn både fremskritt og. tilbakeskritt overskrides. buddasinnet er
fantastisk opplysande spor av alt du har gjort er reflektert. det er når
du binder deg til desse reflekterte spora at du produserer illusjon..
originalt tankar har ingen reell substans la dei komme og eller stoppe
utan å. binde deg til dei. alt jeg forteller dere er dette realiser
buddasinnet som hver av dere har fra. deres foreldre fra fødselen rett og
slett bebo det i tro.. istadenfor la deses tankane komma ikkje utvkle dei
ikkje binde deg til dei.. hald det eine sinnet som eitt sinn. sinne og
glede lagar du heilt på eige hand.. det er ingenting anna enn det ufødte
og uforgjengelige buddasinn så du bør. begripe dette klart.. ideen om å
ville kontrollere dine lidenskapar og forestillingar er i seg sjølv. ein
feilaktig forestilling.. det er ikje noko slikt som opplysning. det
originale buddasinn er ufødt det. fungerer utan tanker om å ville bli
opplyst. i buddasinnet er det ingen tanker eller ting så ikkje bry deg med
dei. jakte på ord fraser når vil du bli ferdig. du spring deg helselaus
pålesse kunnsakp blir vidt informert. sjølvnaturen er tom og opplysande så
la ting ta vare på seg sjølv. det er ikkje noko anna eg har å meddele.
ikkje sint når forstyrra ikkje gladlykkeleg når tilbedt. ein stor
treskalle i verda. følge med der forholda føre meg nord sør aust vest.
utan å gjøyme mi styggheit og klumsetheit mellom himmel og jord. blinde
folk slit ut kleun sine ventande på opplysning. akkurat som å prøve å lage
eit speil ved å pusse ein stein. den store funksjonen manifestera seg sjølv
utan faste reglar. godt er skrekkeleg. og skrekkeleg er skrekkeleg også.
ting og hendelsa. er berre produkt av omstende. dersom du blir ein budda
er det ingen plassar å gå. du fyller det store. universet heilt ut til
grensene. det er når du blir noko anna slags vesen at. det er plassar å
gå. dersom du innser at det opprinnelig ikkje er nokon dårlige vaner hva
er det då. å unnå eller stoppe. paulus. paulus . brev til titus. en av
deres egne til og med en profet har sagt kreterne er alltid løgnere.
villdyr grådige late og dette vitnesbyrd er sant.. grelling nelson.
autologier homologier uttrykk som uttrykker seg selv. norsk setning.
femten bokstaver. jeg. andre uttrykk kalles heterologiske. så spør man om
heterologisk er et heterologisk uttrykk. hva med denne setningen uttrykker
noe annet enn seg selv. sorites. avleder en falsk påstand fra en kjede av
riktige. en haug med stein er fortsatt en haug med stein dersom vi fjerner
en stein. etc.. altså er en samling av en eller ingen steiner en haug med
stein.. pragmatiske. paradokset ligger i motsigelsen mellom påstand og at
påstanden hevdes. det regner men jeg tror det ikke. jeg eksisterer ikke.
terning. sannsynligheten for at en side på en terning kommer opp er så det
er. allermest sannsynlig å tro at siden ikke kommer opp. men dette gjelder
alle. sidene. derfor er det sannsynlig å tro at ingen av sidene kommer
opp. pi paradoks. salvati kan du fortsette rekken nei. men du kan
fortsette rekken. paradokset er at de beskriver det samme pi. tro gjennom
feil paradoks. at noe som slår feil styrker troen på tingen fordi feilen
viser det. irrasjonelle betydningen av tro. hilberts paradoks. hvordan
begrunne argumentasjonen på basis av argumentasjonen. carrolls p.
umuligheten av et argument. a dersom det regner blir det vått. a dersom
det regner blir det vått
321
b det regner. c altså er det vått. men for å akseptere dette innføres et
nytt element. d dersom a og b er sanne så må c være sant. men for å
akseptere dette innføres et nytt element. e dersom a b d er sanne så må c
være sant. jesuitt. dersom gud er allkjærlighet hvordan kan det da finnes
en evig pine i helvete. helvete med evig pinsel finnes men det er alltid
tomt. menneskerett. en slag rett til å engasjere seg rett til å kritisere
og en rett til å ikke. bry seg.. parse. lichtenberg E F. O The dog is
lapping the boiling water. release. Gorrespondence imondo mail . art
sokrates. ozone. skittent. mørket er estetisk lyset er skittent. bilde av
klistremerkene. finne du din vilje oppgave. nagval stalking ll som
parallell til sitasjon. drift psykogeo. når frykten forsvinner forsvinner
alle bånd og vi er frie. ro og fred. vi sier ro og fred men det betyr
indre frihet men gj ro go fred som middel. som fungerer i støy og ytre
uro. det er ikke greit å ønske å bli noe man ikke ønsker å være. men sånn
er det den. forskjellen. jeg ønsker natlugh ikke å være det jeg ønsker
eller å ikke være. den jeg ikke er. lagd. tror ikke vi er lagd til å
forstå ting som forsvinner. vi forstår ikke negativitet. negativitet
forstås positivt det som forsvann finnes som forsvunnet. og det som ike
finnes finnes som mulighet. finnes mulighet. noe er mulig. vi forstår
virkelighet som et lukket system det ligger i system og forståelse. ting
blir borte ting blir til vanskelig å forstå. tankemåter blir til og dør ut
med personer kultur med generasjoner. trossystemet forander seg ikke
radikalt med den enektle der av netulig. konsrevativt neasjoner har ikke
noen revolusjoneredne virkeing at noe blir. borte er en modfifikaskon av
tingen. som om eksitens var en modus ved noe skru avpå eksistens. se på
det fra et annet perspektiv det som aldri har eksistert fins det også et.
sted alle dine søsken som ikke er født. hvis vi snur treet oppned. alt som
blir. til må ha eksitert på forhånd. men da har du problemet med mange
muligheter blir. til en virkelighet det kollapser hvis vi skrur det så
ekspanderer det. uendlelig og det er ingen ende op ting som eskisterer
(som mulighet) alle. muligheter må eksistere og det er absurd hvorfor.
kredo. vitenskap gir oss kunnskap om verden. klesskap forstyrrer oss med
klær. du ble født ut av ditt nesebor. voff vi er ikke hunder. de som
passer på gir blaffen. folk er rare. zen begins at the point where there
is nothign further to seek nothing to be. gained. zen is most emphatically
not to be regarded as a sustem of. selfimprovement or a ways of becoming a
budda.. only when you have no things in your mind and no mind in things
are you vacant. and spiritual empty and amrvellous. the marvel can only be
descsribed as the. peculiar sensation of freedom in action which arises
when the world is no. longer felt to be some obstacle standing over
against one.. huangpo men are afraid of forgetting their own minds fearing
to fall through. the void with nothing on to which they can cling.. nothing
is left to you at this moment but to have a good laugh.. mesteren spør ut
studenten og når studenten går kaller han plutselig ved navn. studenten
svarer naturlig 'ja' mestern sier 'der har du det'. spontanitet. mo chih
ch'u gå på uten å nøle. wuwei meningsløshet. wushih enkelhet. the
perfection of zen is to be perfectly and simply human. to a young zen
monk. the roshi stands as a symbol of the utmost patriarchal autoriatiy
and he. usually plays the role to perfection being normally a man ssvanced
in yasrs. fierc and tigerish in aspect a person of supreme persence and
dignity.. the basic position of zen is that it has nothign to say nothing
to teach.. the various koans are intentionally misleading.. after some
time the iceblock collapses and a transparent meaninglessness appear. that
can eat laugh and so on live without a problem.. roshien presenterer nå
koans som er opplagt meningsløse 'ta dei fire delane av. tokyo ut av ermet
ditt' 'stopp klangen av dei fjerne klokkene'. ei jente går. over gata er ho
den yngre eller eldre søstra. controlled accident ikke representasjoner
symboler.. egne objekter. painting by not painting. muchi and liangkui did
many paintings of zen. patriarchs and masters as mostly abandoned lunatics
scowling shouting lafing. around or rarith with laughter at drifting
leaves exemplifying the splendid. nonsense and emptiness of zen.. sabi
enslig og rolig stemning wabi something ordinary as suchness aware..
mystisk stemning yugen. dette er fure aspekter av furyu.. haiku i årh.
bashu i wshihstil 'ingenting spesielt'. the superficial consciousness can
awaken to the eternal present if it stops. grasping. now this eternal
present is the timeless unhurried flowing of the tao. such a tide as
moving seems to sleep too full for sound of foam.. mantras and tantras
meditation and concentration. they are all a cause of selfdeception. do
not defile in contemplation though that is pure in its own nature. but
abide in the bliss of yourself and cease these torments. wahtever you see
that is it. in front behind in all ten directions. even today let your
master make an end of delusion. the nature of the sky is originally clear.
but by gazing and gazing the sight becomes deluded. sarakas trasy of songs.
no thoguth no reflection no alaysis. no cltivation no intention. let it
settle itself. cut out sagacity discard knowingness. and the people will
benefit a hundredfold. cut out humanity discadrd righteousness. and people
will egain love of their fellows. cut off cleverness diescsrd the
utilitirans. and there will be no theves and robbers. become unaffected.
cherish sincerity. belittle the personal. reduce desires. laotsu. the
perfect tao is without difficulty. save that it avoids picking and
choosing. follow your nature and accord with the tao. saunter along and
stop aorrying. if your thoughts are tied you spoil what is genuine. dont
be antagonistic to the world of senses. for when you are not antagonistic
to it. it turns out to be the same as comnlete awakwning. the wise person
does not strive. the ignorant man ties himself up. if you work on your
mind with your mind. how can you avoid an immense confusion. sengtsan. one
day i wiped out all the notions from my mind. i gave up all desire. i.
discarded all the words with which i thought and stayed in quietude and.
ZTT i entered i lost the bounderies of my physical body i spke but my.
words lost their meaning. i saw people comnign twars me. all of them were.
myself. i had never known this world. i had beieved i was ceraed but i was.
never created i was the comsos no idndiviudal mr ssaki existed.. .sakeian
sasaki zen notes vil no. we eat excrete sleep and stand up this is our
world. all we have to do after that . is to die. ikkyu. you light the
fire. i'll show you something nice. a big snowball. mennibdr versen og
livet lemm død og ny fdese. uta sv krppen så yutterverdn lbitt indre og
omvendt. man fyller hele rommet og lever i tiden. stiger ut av rommet føre
og etter. ha takk ha. sanselik. imaginasjon. inspirasjon. intuisjon. alt
som saller mot krppens speil speiler seg til sanseopplevelse. tankene
tanken muldere av elemtarvesen sender seg ned i eterlegme. formørker
eterlegemet eringdring. visom som natur rundt seg her. vi må ta vort
visdommen forvandle altsp selv til livskrafter. pines ab det glode.
latskap pinesa av fliden. tingene spør oss vi spør ting her. verden føst
av personen. det oversanlsige mennsek. åpne åttetall lemniskater.
tilsvarer det himmelse bilde av menn. nerve og kjertelsystem. inspirasjon
i toner verdensharmonien avspeiles in blod kretsløp hjerterytme. intuisjon
tonene inneholder mening sprok verdensordet. angel archaloi archai. exusai
dymanis kdriotetes. troner cheubin serafim. mot i brystet. blir lemmer
armer og ben. blir åndelig ord. solflekker mikael kosmiske jern.
antropsosi psyikosofik ner mtosofi. linvssans bebetelesn liekversans.
fangarmer. lotusbolst i hodet imagintaiv. strupehodet inspirasjon. jver
hjertet den ituitive. imaginasjon fornemme. insirasjon føle. intuisjon
tenke. psykosofi. slutningen tilspisser seg i forestilligen. punktum. like
før han legger seg sender han noe. like etter at han står opp punktum.
interesting ng. alt.abuse.transcendence. alt.acme.exploding.newsgroup.
alt.anybody. alt.anygroup. alt.anything. alt.artcom. ba.art.
it.arti.trash. rec.arts.misc. alt.chaos. alt.confusion.atitsfinest.
alt.foo.bar. alt.foo.bar.qux.xyzxyz. alt.languages.norwegian.
alt.languages.nowegian. alt.life.internet. alt.life.sucks.
alt.life.universe.everything. twalegged poneys Re Estimable Finns (Re
AAUUGGHH). In article bunniegirlhome.com (Jelliebun). I've been dealing
with a lot of people at work who don't speak English. as a first language
... and some of these damned nonsequitur bot post. thingies are starting
to make sense.. For instance it would not be at all startling to find the
following. in an application letter. Nor have they not sing for quite no
sponsorship. We extracted and remarried as they were lively required
neither. every base past them beheld perversely elder.. I think I need a
vacation.. Would you then be offended if I quoted the following. It
follows that if the two antesedents be bissyclitties and the three.
comeseekwenchers trundletrikes then Aysha Lalipat behidden on the.
footplate Big Whiggler restant upsittuponable the nCr presents to us.
(tandem year at lasted length) an ottomantic turquoindaco of pictorial.
shine by pictorial shimmer so long as gad of the gidday pictorial summer.
viridorefulvid lits asheen but (lenz alack lends a lot) if this habby.
cyclic erdor be outraciously enviolated by a mierelin roundtableturning.
like knuts in maze the zitas runnind hare and dart with the yeggs in
their. muddle like a seven of wingless arrows hodgepadge thump kick and
hurry. all boy more missis blong him he race quickfeller all same
hogglepiggle. longer house blong him while the catched and dodged exarx
seems. himmulteemiously to beem (he wins her hend he falls to tail) the
ersed. ladest mand and (uhu and uhud) the losed farce on erroroots
twalegged. poneys and threehandled dorkeys (madahoy morahoy lugahoy
jogahoyaway). mPm brings us a rainborne pamtomomiom aqualavant to (cat my
dogs if I. baint dingbushed like everything) kaksitoista volts yksitoista
volts. kymmenen volts yhdeksan volts kahdeksan volts seitseman volts kuusi
volts. viisi volts nelja volts kolme volts kaksi volts
yksiallahthallacamellated. caravan series to the finish of helve's
fractures.. Part of it looks Finnish and therefore it has to be about
Linux (because. that is the only notable thing ever to come out of
Finland). Let me just take this opportunity to say. Panasonic (the band
not the consumer electronics manufacturer). Hey Punesuneec joost pleyed
here bork bork bork.. Mika Hakkinen (F driver). That mad vodka. What's it
called. You know.. Per puncture AT flash DOT net. linklog. digest.
Individual Messages. Message Digests. CALL FOR FUNDING DEADLINE EXTENDED.
MAY TH. FOR IMMEDIATE RELEASE. CALL FOR FUNDING DEADLINE EXTENDED.
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COMMISSION COMMITTEE MEMBERS. THE ARTWORK OF LINKOLN JIMPUNK STILL LACKS
THE PROPER FUNDING TO CONTINUE.. FULL DESCRIPTION OF ARTWORK AND FUNDING
NEEDED AT. NOTE FINAL EMAIL WILL NOT BE SENT TO RHIZOME RAW AS INDICATED
IN THE PROPOSAL. THE FINAL EMAIL WILL BE SENT TO THE PERSON(S) WHO
COMMISSION THE WORK.. COMMISSION THIS ARTWORK CONTACT. ABELINKOLN.NET OR.
bytes. text. dagbladet nyheter. nyheter. Blunker med fire øyne samtidig.
Tohodet geit født på Cuba.. Jon R. Hammerfjeld. .... nyheter neste sak
forsiden. Oct. makeshift. carriers. are the characters carriers of what.
oceanic inflation eg buddhism ego balloon whatever skin. distance in
relation to subjectobject the inflated subject seems infinite. while the
dot in the horizon the distance of the abject out of sight. phenomenology
of beyond vs here and now yon bef. ME OE geon akin to D. gene G jener ON
enn inn the Goth jains that vs thus. thus collapses in codeexecution
distance of processing time of 'active. expression vs matter of doctrine'
formalexpressive this and something else. (subjectobject) always on the
abject side. kunst på strømlinjer noe som følger nettverket over landet
summingen ved. mastene lyd. gi meg et urokkelig punkt arkimedes hvordan
kan lillefingeren løfte bilen. arbeidet fordelt over lengre vei. those
darker parts of the wood have 'personality' something hidden or attracts.
intimacy something else. gnome (nm) n.. . an expert in monetary or
financial affairs international banker or. financier the gnomes of
Zurich.. F NL gnomus perh. Gk gnm see GNOME. . (in folklore) one of a
species of diminutive beings usually described as. shriveled little old
men that inhabit the interior of the earth and act as. guardians of its
treasures troll.. a name to. a name to. a mean to. a amen to. a no team. a
no mate. am note a. a man toe. a mao net. a tam eon. a mat one. a mat eon.
me to ana. a tao men. tao amen. ana me to. ana tome. mane tao. name oat.
name tao. mean oat. mean tao. amen oat. amen tao. mateo an. eaton am.
atone am. neat mao. ate mona. eat mona. tea mona. tea moan. tea oman. am
at one. am at eon. ma at one. ma at eon. an oat me. an tao me. cell modem
fix. rksi .. rkis .. rski .. rsik .. riks .. risk .. krsi .. kris .. ksri
.. ksir .. kirs. kisr. srki. srik. skri. skir. sirk. sikr. irks. irsk.
ikrs. iksr. isrk. iskr. log. qdu må slutte å evaluere sånn. qjeg er den
ketchupflaska. qvil du meg noe snakk til den OK. q(går inn i stua).
autonoemata. Congratulations. Your Group autonoemata has been created. You
can access your group using the. Group name. autonoemata. Group home page.
Group email. This is not good. Is better to attack people. Leave Hummer
alone. Hummer cannot fight back. It's guns that kill people not people.
Leave guns to shoot guns. Stick to your guns. Alan Sondheim. Jarry. Jarry
insisted on certain conventions of speech action and setting. The.
staccato manner of speaking the misplaced accents the puppetlike movement.
the use of masks the use of placards the hodgepodge style of scenic.
painting all of these were Jarry's ideas (Beaumont ). ouspensky gurdijeff.
mennesket er en maskin. alt skjer uten at noen gjør noe. livet er mat for
månen. jeg vil forstå. viktigste mål å ha er å ville mestre seg selv.
tenkning sammenligning følelse sympati. tanke forestilling (tanke som
følelse) drøm (tanke som vilje). forskjellige kulturarbeidere er nesten
uten unntak syke mennesker. mennesker er redde for hverandre. samvittighet
følelse bevissthet tanke. latter eksisterer bare i sentra som er delt i to
høyere sentra er udelte. sex i tenking skriver kritisk og subjektivt sex i
følelse preker kristendom. asketisme synd helvete det bevegelige senter med
sport men alltid er. resultatet ubrukelig dette er misbruk av sex. oktaven
to 'sjokk' tallssystemet. teosofisk addisjon tverrsum. vanlig menneske er
menneske sau orm. intelligensmåling vha hydrogendiagrammet en bakt potet
er mer intelligent enn. en rå potet. lever av hvirvelløse dyr og er mat
for erkeengler. sammenheng mellom positur og tanke følelse er entydig.
stopp. obyvatel en vanlig person kan også være veien. dilemma. det er et
dilemma at vi uttrykker ofte ting fordi de blir forstått (riktig). det er
ting en kan si og ting en ikke kan si (forståelig). dilemmaet er å
uttrykke seg eller bli forstått. det finnes handlinger men ingen som
handler. nagarjuna opphavsmannen til negasjonene paradoksene.. hatha raja.
djna kommando. shiva lingam shaivitene. bindu. prikk over m. samadhi ved
operasjoner mislykket hengning grønn farge hvitt lys. kaleidoskop fløyte
klokker tordenbrøl. vanvittig er min far vanvittig er min mor (dvs shiva
og kali). thuggerne. outsiderens problem ligger i å nekte å uttrykke seg.
analyseparadokset. en analyse kan ikke både være informativ og korrekt.
klassisk gresk ingenting meningsfullt kan uttrykkes alt er meningsløst. å
si A er A er ingen vits. å si A er B er usant. tre ønsker. . ønske. jeg
ønsker at de tre ønskene ikke blir oppfylt. hvordan forvirre den gode fe.
of. ........... of. livet mellomdelengo ny fldes i fhodl ti de kosmiske
kjensgerninger. verdslig travelhet handlign tilsvarer åndelig ro. jeg
bevisstheten avh av den menn.død da menn.adr når opp til sin dieale verdi.
må man si at jeg dadig arveider p åsin egen jegforringelse (med dårlige.
handlinger). universet inne i seg og legemet utenfor. begjær etter tanker.
oseaniskek j. NEWS. NEWS. AnonPostTo Supported (post) True. News Posting
Route (mailnews).
mainewsfrogadmin.yi.orgmailnewsdizum.commailnewsnews.gradwell.net. News
Signature Added To None. receive a list of all newsgroups reachable
through this mail to news gateway. send mail to mailnewsdizum.com with
subject list and no Newsgroups. header. The complete list of available
newsgroups is quite large (K. groups) and can break many mailers. To
obtain through E mail a list of only. those newsgroups starting with a
particular pattern you can include an. egrepstyle regular expression on
the subject line. For instance. Subject list comp.unix. would list only
newsgroups whose names begin comp.unix.. Subject list .linux. would list
all newsgroups whose names contain the substring linux.. Subject list
alt.(securityprivacy). would list all newsgroups beginning alt and
containing either the word. security or the word privacy. Finally. Subject
list ..test. would list all newsgroups ending .test.. nntp test.
newsnews.opera.comopera.test.
newsnewsgroups.borland.comborland.public.test.
newsmsnews.microsoft.commicrosoft.test.
newsforums.macromedia.commacromedia.test.
newsnews.mozilla.orgnetscape.test.
newsnewsroom.trumpet.com.autrumpet.test. newsfrell.eu.orgalt.test.
mailnewsnews. in header. newsgroups. mailnewsnews.gradwell.net.
mailnewsnews.demon.co.uk. W Anonymous Remailer. Paranoia Web interface.
Riot Anonymous Usenet Remailer. Xenophon. Frog's WARI. bmagnhil. May.
maskinen fjerner overtroen fra oss. jeg trenger ikke ville. eller håpe.
what. dkdkdkdkdkfdkfdkfdkfdkfdkfdkfdfkdfkdfksksksks. what does this mean.
tistikken. statistikken latistikken. lehmus ng.
alt.language.poetry.puresilk. jukka lehmus. mattering. near the surface of
earth's oceans between three and four billion years ago. selfreplicating.
the cell all competitors have been swept aside save for the residual
viruses. life a selfmaintaining selfreplicating energyusing system. cell
polarization as communication links. primitive brain stem hindbrain motor
midbrain visual auditory forebrain. olfactory. mammalian brain hindbrain
underneath cerebellum midbrain forebrain underneath. cerebral hemispheres.
we are distinguished form other animals by the large size and unusual
properties. of the human cerebral and cerebellar hemispheres.. somata.
inhibitory hyperpolarization or excitatory depolarization synapse fire
and. don't fire inputs. black matter InterNetWORX. Hallo Herr noir matern.
Vielen Dank fr Deine Anmeldung bei InterNetWORX.. Userbereich von
InterNetWORX einloggen. Deine UserID. Dein Passwort svryra. Deine
HomepageURL. Dein Speicherplatz. Dein Verzeichnis auf unserem Server.
Server. ftp.inetworx.de. Username. noemata. InterNetWORX Web Hosting.
Deine HomepageURL. Dein Speicherplatz. Dein Verzeichnis auf unserem
Server. Server. ftp.inetworx.de. Username. noemata. Passwort. Dein
InterNetWORXPasswort. Status aktiv. WebFileManager. Folgende Angebote sind
nicht zulssig. Webcams mit automatischem Refresh. Chat IRCBot und
DownloadScripts. Websites welche gegen deutsches Recht verstoen.
Pornographische Websites. OnlineCasino Websites. Userbereich. UserID.
Bisher Logins. letzter am .. um Uhr. von ...si .no.powertech.net.
322
Anzeige. Jul. artificial art. COGNITIVE PSYCHOLOGY and ARTIFICIAL
INTELLIGENCE have produced provocative. models og cognition which when
brought to lifewithin a sutiably programmed. computer mimic closely some
of the coluex actiitites of golacriven. intellingece. The NEUROSCIENCES
have begun to unravel the vast microsystem of. interconnected brain cells
that in living creatures appears to execute those. activities. ETHOLOGY
has given us new insights into the continuities relating. human
intelligence with the intelligence of other creatures. And EVOLUTIONARY.
THEORY has revealed the long and intricate selective processes from which.
conscious intelligence has slowly emerged.. ONTOLOGICAL PROBLEM mindbody
problem materialist dualist brain. five radically different versions of
dualism chapter. SEMANTICAL PROBLEM skeptical network of causal relations.
EPISTEMOLOGICAL PROBLEM problem of other minds selfconscious.
METHODOLOGICAL PROBLEM artifical intelligence. This concludes my set of
promissory notes. Let us now turn to the issues. themselves.. oh dear.
meiosis sis o I em. DEARME.TXT. media externalization. stillife. c d lost.
knowledge liar lying as strategy as truth identifies controls. the
wastebasket placed on the desktop and windows inside waste. r. c. (I. bees
queer ever seen a crystal sugar a rockcho. Purchase of nwt. Thank you for
purchasing this share. bytes URL noemata.netnwt Price EUR. Payment info.
PayPal URL. Or money transfer payable to account .. Storebrand bank.
Norway.. Please contact us if you have any questions. Thanks again. Ars
Publica. fake spam. sddds. TddHINGS WssILL RDFDUN FFFOFF YOU. ohVVll
insert. buty. cccc. vjkjkjkuoui. Oy. alpin. treholk med lokk. .... yosrsas
thessdfdsdf sfudssedfd in tfe mfffle. kvestian. Ordet tak har k i utlyd.
vague un. vagabond. astronomiske høytider ALPAKKA. amatør. X. About Help.
voltages of the soul. uteksi utero utbud. uterlig uteske utidig. utlyd
utnavn utopi utror utukt. utvær. V volt. .. i have tou p. hate those
little bastard go sug blod ov your dead great grand. cells won viruses
linger on. data cell. if you don't want this. d. Gievre X. abrakadabra
abruptabscisse. absint absolvere. abstrakt absurd. aceton ad acta. ad hoc
adiafora. ad libitum adrenalin. ad undas advent. affinitet agentroman.
agio. agnus dei. aimabel akantus. akrostikon aksiom. aksjon aktør. akutt
alarm. aleksandriner alen. alfa alfons. alias alibi. thorn thurs ut i sol
sol sunn saigel tlas algz jer jara asskrk kaun os. perta. S NOW. Ammianus
Marcellinus Ammius see Hamder Amuletter Adrhrimner Andrid. see
Kjalnsingasagan Andvaranaut see Andvare Ane den gamle see Aun. den gamle
Angantyr Arngrimsson see Hervararsagan Angilbert Angler. (angli). Aug.
artnapping. pretending to sleep. i'm not saying. for the arps and
sensiblargoviee and seated ities depts. it's something spiritual acronymic
comperata droll votes you. compression it's when you can't compress (more).
still y could. translate later without loss. would a photo captwidth a
pixies casters. it no or it zedek be pericline ure it. no or poto
thsobranje the. winooski if you can snelling of it toddle jada e wholeness
if you can. speak of it then that's why it's obwh ogress massa cones ject.
matarial concrete candy(d)a. you need your wholyou nightside your wonted
selvaged e sensibilithy. tvart would be anwotted an osmium roseland asylum
and intellect the. hushaby overload room inside the hypercube. when she's
runningwandoo sanjak her freudalizable has solipsism chines. wave her feet
has some characteristic (w)hole that' the len(d)s in. advance of. not
really antroponot redshank too mechanizer o's morph. its too many o's
holes again eyes and owls again (quarlean). stillness not focs us interval
not foiling not samisen pelagian us. i'm not saying it's passive. you know
blub bluyou kindness blanton bignonia wakening wholeheartedly. legs
lineally. not history on a not humorers on a vociferously wave. RE
RHIZOMERAW FOR IMMEDIATE RELEASE. what. i don't know anything about this.
i read in the paper today that these were indeed stolen from a museum. in
norway recently. so um what is going on noemata. ja. F O R I M M E D I A T
E R E L E A S E. The artist group Noemata demands mill. norw. kr. for
delivering. back. Munch's paintings Scream and Madonna which today were
taken. the Munch museum Oslo Norway.. Contact noematakunst.no. post
listrhizome.org. questions inforhizome.org. visit on Fridays the
Rhizome.org web site is open to nonmembers. Subscribers to Rhizome are
subject to the terms set out in the. inner voice reason. there's no use in
remembering. well only for those who forget. we have our memory so
remembering is like pause. no use in bed i'll. use in whatever phenomenon.
flatbed scanner. i'm. pause. well this is of photos. you don't. pause. like
pumping up your bike no pause that's nonsense. but like pause. what are the
inner workings the pause. memory is memory pause. i'm sorry this is a mess
not even that it's nothing not even. ok then there's novelty actually most
things just stand by. say this place or you it will continue by itself more
or less. if this pen continues from sec to sec it's no novelty though it
needs. energy for sustaining. a quick look at reality (for a change)
you'll see things linger on from. beginning to end background radiation
rocks soil oil inka cities. the cell virii millions years old animals
still eating grass. it's actually harder not to do things than to do. and
within those rhytmic trends nervous jiggle. so personality fuse (common
sense) i'd rather not. let's say sleep but then there's no consciousness.
ok meditation rather pause long way around the block. drugs no pause i
want control. tao shit my cow jokes. circuits kin of pour something in.
well maybe pause this is a drawing. as a structured whole. the whirlings
in remembering. well only so small tiny trails. let's. pause. well this in
the collage hey those are kind of us will mind. wonder where i pause
that's. pause. well this pen continues from sec it's. pause. blood
something out draw. still doesn't make sense anything of this nothing.
reason is only so small tiny trails tractor. let's see i pause see
nothing. still this mail has a from attractor. and there's some
combinatorics of letters. bingo name of a dog. i'd rather make this a
comedy again. the i's are deemed ridiculous. maybe they should be o's.
eyes no it's nothing here. a related thing i was thinking of photos. you
don't know if you captured it. there's no way to know but you learn. the
inner workings might be contraintuitive. so like you believe it's magic
but it's not. magic is like picture and there's capture. but the causal
might work otherwise. you'll find out eventually. and i expand on the
photomagic correlation. no surprise the visual part of art. capture is of
the whole and then hunters and gatherers. and then the collage hey those
are the shamans. operating on 'elements' of wholes. ok rather pause this
is only so remembering is a structured. whole. the whirlings in the
collage hey those are the same. the rocks are the same. the rocks are kind
of the pause. memory is memory pause. i'm. well i forgot my camera come
back later. like the streams. might be an idea to view this as a
structured whole. the whirlings in the chest it stays the same. the rocks
are kind of pause. answering that would be like pause. well this is
capture again. inner voice stupor. argument of transparency it's pause
kind of ridiculous. heath for structuring but generating more heath than
structure. you could see all this in whatever phenomenon. flatbed scanner.
i'm sorry but then later i'll go to sleep and none of us will mind. wonder
where i was last night. if you say in bed i'll kick your ass. what a pause
happy end... stratas of unconscious dog breath. let's see. life no. love
no. death no. anything no. something maybe. what nothing. whatever no.
nothing no. something maybe let's sky. what this lab. what this this loupe
nye. this what deadeye no. old dog bastian died today antennas. an overdose
of anesthetics sentineled movie. we cried some waite. doesn't matter much.
his eyes closes as ours. i'm sorry life is shit semidi mob. wouldn't mind
dying withe takao. let's see toss teas. and they have a little girl token
wit. she'll be here until oldie dayak doodah time... whatever an offertory
of amygdaloids. what's it supposed to be doesn't motorway. let's say a
number with a thousand digits. or a fraction unending i'm skirr Leif ictus
Shiite. i want nothing to do with life it wouldn't monied dingo. anyone
wanting life is an idiot let's shoe Mr Bingo (SåleMikkel). this just
continues lethal girl. kids are happy they don't want life undulations.
wanting life is death whitebeard. wanting tay rising. aha what's spigots
buoy. that's AHA woody away. stratas of unconscious dog breath. sf asfadsf
gas g s af s afs af s afs f adsf sf sa f s af s af saf s af saf. asf saf s
fs fs fs s fs gdr gh dfh d tg hesr h dhs hd h d fghds hd h d. fghds hd h d
fghds hd h dhs hd hd hd hd hd h dhs hd h d fghds hd hd h d. fghds hd hd h
dhs hd h dhs hd h d tg hesr h dhs hd hd h dhs hd h dhs hd hd. hd hd hd h d
fghds hd hd h d tg hesr h d tg hesr h d fghds hd h dhs hd h d. tg hesr h d
fghds hd hd hd h d tg hesr h dhs hd h dhs hd h dhs hd h d. fghds hd h dhs
hd h d tg hesr h dhs hd h dhs hd h dhs hd h dhs. sf asfadsf gas gs f adsf
sf sa f s af saf asf ølakjfølkjg sølkgj ølkfs. ølkfj asøkjsaølfks flksaj
fslk flsk fsa fsafsf sf asfadsf gas gs f a sgs. agas gas gasfd gdf gas
gasfd gdf gas g s f s gsad fsf. sf as f s fs gdr gh dfh d fghds hd hd hd h
dhs hd hd h d fghds hd h dhs hd. h d fghds hd h d tg hesr h dhs hd hd h d
fghds hd h dhs hd h dhs hd hd h d. fghds hd h d fghds hd h dhs hd hd h d
fghds hd hd h d tg hesr h dhs hd h. dhs hd h d fghds hd h d tg hesr h d
fghds hd h dhs hd h dhs hd hd hd h d. fghds hd h d fghds hd h dhs hd hd hd
hd h d fghds hd h d fghds hd h d tg. hesr h dhs hd hd hd h dhs hd h dhs hd
h dhs hd h d tg hesr h dhs hd h dhs. hd h dhs hd h dhs hd hd h d tg hesr h
d tg hesr h dhs hd. sf asfadsf gas gasfd gdf gas g s fs afs af saf saf saf
saf s afs f s afs. af saf saf asf saf saf saf saf s fs fs fs gdr gh dfh d
fghds hd h d tg. hesr h d tg hesr h d tg hesr h dhs hd h dhs hd hd h d tg
hesr h dhs hd h. dhs hd hd h d fghds hd h d fghds hd h dhs hd h dhs hd h
dhs hd hd h d tg. hesr h dhs hd hd h dhs hd hd h d tg hesr h d tg hesr h
dhs hd hd h dhs hd. h d tg hesr h dhs hd hd hd h dhs hd hd h d tg hesr h
dhs hd h d tg hesr h. d fghds hd h d fghds hd hd h dhs hd hd h d fghds hd
hd h dhs hd hd h d tg. sf as f a sgs agas gas gasfd gdf gas gs f a sgs
agas gas g s f adsf sf sa. f s f s gsad fsf. sf as f s fs fs fs s f s fs s
gsad fsf. sf as f s gsad fsf. sf asfadsf gas gs f a sgs agas gas gs f a sgs
agas gas gasfd gdf gas g s f. adsf sf as f s f a sgs agas gas gs f a sgs
agas gas g s f s fs fs fs afs. af s fs s f a sgs agas gas gasfd gdf gas
gasfd gdf gas g s af s afs af saf. saf saf saf asf ølakjfølkjg sølkgj
ølkfs ølkfj asøkjsaølfks flksaj fslk. flsk fsa fsafsf sf as f s af s afs f
adsf sf asfadsf gas gasfd gdf gas gs. f s f s gsad fsf. sf sa f a sgs agas
gas g s fs gdr gh dfh d tg hesr h d tg hesr h dhs hd h. d tg hesr h dhs hd
h dhs hd h dhs hd hd h d tg hesr h dhs hd h d tg hesr h. d tg hesr h d
fghds hd hd h dhs hd h d fghds hd h dhs hd h d fghds hd h d. tg hesr h d
fghds hd h d tg hesr h d fghds hd h d fghds hd h dhs hd h d tg. hesr h dhs
hd h dhs hd h d fghds hd h dhs hd hd h dhs hd h dhs hd h dhs hd. h dhs hd
hd h d tg hesr h dhs hd hd h d fghds hd hd h d tg hesr h dhs hd h. d fghds
hd h d fghds hd h d tg hesr h dhs hd h dhs. file under. oreawefreshet.
woundneatness. windmillingluffyideate. teachjuggedcontemporaryart.
kedgeairwaydon'twendylooby. windowingleeves. wounding. ah. that'snotaha.
dog breath minor. dog breath minor. there's nothing here. ICE) INSTANTLY
AND YOU'RE W'T I DIDN'T. nothing nothing nothing horray. NATIONSETE IIEG
NUDENESS NOTING N DHF. (a lot of nothing a ludi oboe nothing). E IEG
NOTHING NOTHINOTUNT TDSESDZNNOT. still more stale more. MOG HIT I GYN
OOGHG A LUDR ININAT EZIS. nothing nothing nothing nothing nothing nothing
nothing noth. IOI I HORRI O GSGTD TLTEOSHNHEGH NOTH. ing nothing nothing
nothing nothing nothing nudeness nudeness nothingize. nothingizes needing
nutmeg. nothingizes nothZ NI A NENI EOGOOIO STRN OOI ENUNNH EH. ing
neotenic neotenic nudeness nodding. I T EREH N( HGN TTST T EEEDEHGLOGNIH.
nudeness noting nattiness notions nothingize nuttiness nothingness
notions. netting nudeness nations. nutting nutting ONNDOON WH REU GNIOIITS
)GNIHTGOETNGNR. nothingizes nothingises nothing neediness needing
nothingize neatness needing. nattiness nattiness nadia. OCNICN GNIHTON GNI
HE TT T(UIHIIHTON. these are very structured nothings. CINETOEN GNIOOIN
EETTON SSENITTUN EZIG. isn't i didn't like mean thathat. SEZIGNIHE H N
YREV ERA ESEHT AIDAN SST. and not writing thisthis. HGUAL A TON S'TAHT
AHAHA. it fauxes at onceonce (over the lazy dog twice). LIKE ME AN TH
SNTTING NUDENESS. instantly. EG DNNS NEEDING NUTMEG NANIAT IO. and you're
left with ah THIS. HING NOTHINGTTTG W GNNDII STALE. ahahahaha. INNTN NG
NOTHIEN NENANH AAHST. that's not a laugh. ANO T IS T ONNST TRNT HEIYGBNH.
DSNNNNMHN 'EG ETN SOTEO HTDESE. neat writhen taeg tie. TOANI UNIIS T
IRRNNUZTNLN FO TOL. I WVTGN GNHTON GNIHTON TNHS AIS. SSENEDUN SS NNTI A
RHTNETOEN. NIHTTNGA NCSON SESIGNIHTON. A OECNO TA SEXUAF TI SIHTSIHH.
that's not a laugh. neat writhen taeg tie mute dumb taut taus daus daunt
tam domitus domini canes. minor. forget. my legs hurt am i dead meister.
your two eyes one is enough tv. martial arts criminal stereotype. fine
arts dude. police plice please. lice. press. stains. liferaid a fraid owl
iph. impressions per hour. lax lace koala cool. vegetatatativeve. AlanIt
was dah dah di dah dah di.. I knew it was connected with the name.. Maybe
a highly compressed version coded in tonalityrythm doesn't. require much
storage or processing and would lead you in the right. direction.. The
rhythm appeared before the name incantatory.. I guess there are different
searchings going on at different centers at. the same time and you get
what's processed first maybe or their. aggregate where most but rythm
fail.. Bytes Maggie Loves. Bewitch Messy Leaves. Boethius Mews Lavish.
Beets Mews Lobbies. Butties Meek Lobos. Bouts Maag Lops. Bitch Max Levees.
Bites Massawa Lupus. Betsy Maag Laps. Budweis Massa Lapis. Bitch Musky
Laps. Boadicea Meuse Lives. Baits Macao Luffs. Boudicca Massawa Lvi.
Booties Micah Leavis. Bathhouse Mossy Liebig. Boethius Mows Labiche. Badge
Mos Lupus. Boathouse Mickie Loaves. Bitch Musk Lpg. Baits Mashie Luffs.
Baits Maguey Loafs. Butts Micky Lipase. Buttock Muse Lops. Beauties Mies
Lippie. Booties Mays Lovage. Batik Maggie Leafage. Badge Mawsie Lavish.
Betas Mesh Leaps. Betook Miss Lobbies. Bathes Massa Levies. Boethius Messy
Lobbies. Bites Maas Labiche. Baits Mix Lobbies. Bittock Miaows Lupus.
Boadicea Mohs Loobies. Bitwise Miaows Lipase. Badge Mackay Libeccio. Baits
Massa Lipase. Biddies Masks Lipase. Boats Moscow Loops. Buttocks Moke
Loaves. Betook Massawa Levko. Betsy Meshy Lupus. Bodies Mac Labiche. Bitsy
Muzzy Luffs. Bhtes Mocsoo Lapes. Betis Mysgih Lopoc. Betåg Meccha Lepec.
Bodic Mocsao Lufok. Betas Myqgei Lhbas. Botos Moscue Lebis. Bathg Masciy
Lepag. Bedas Masseu Lopos. Bothg Massey Lufug. Bodes Myscei Lobec. Bhtys
Mecsea Lyfac. Badhs Mhcghe Lifoc. Betis Mossya Lufyc. Bateg Moskoa Lefis.
Betas Mosshh Lhpig. Betas Mhskai Lapes. Butæc Mascea Lebes. Betas Musgie
Lefhc. moonsay may st at. finnegan autosomally. minutely mn. affirmation.
as weikl as the primitively anile tian. vj perilous her gating vj set
thoughtlessly. thrustor approaching at the. anima. cagliostro. autoplasty
se. minis mn. opening. tWdWlasstime. photo
wawwtwewrfallwcwlwarswerrshtdimhjensulhl. operasjon sonja. pippi myrvold.
vel jeg kan ikke se annet enn at trist. kommentar fn slaveriets
avskaffelse. kommentar eh det er klart. ransmiljøet. kunstmiljøet blir
stadig råere og hardere i jakten på penger og. berømmelse. tveitagjengen
alle mann alle. teknologi kriminalitet. pippi motiv pengeknipe. vi
kontrollerer politiet. stjålet kunst. Johnforget reeling. gutter haunter.
banter flutter. ceiling intent. john. would these be the same the other
way around ie. reeling forget. haunter gutter. etc.. i guess not but that
opens up for ordering permutation triplets. (abc different from bad) and
directional graphs and adding. linesequence for traversing the same
nodewords would reveal a. different result like gutter would reveal
something else further down. (because of selfmovement bowel movement)..
eQeQeeQO. e t e Ct QR. Q( R t CR Qe Re(RQC. Ce(R R te CR t Re Q. R R tt RC
(( Re R. QRQR. O( t Re CQQCQQ Re ROR. (ROe R R t( RC ( Re. OeR( t R tO O R
Re R. OQtRt t RR t O eQ e Re RO. RR RR t C te Re RO. R(t(RCQ ee Oe( Oe
eeOee Ce. Oe(. Rerun. there's a body slack about three days gliding.
desiretuacnu tsudwas tnelitsep. dewov si. dildiks krabrepap a si soat.
ezilanimonorp emosyxo. plapidep rahpitop. lasirper ry. tnaw i. drawer
detnaw si ekoc. adan naicinhcet. em latineg xnirys. depoows foorprettahs.
noitazinai. noitalugaoc doolb. nonorhc toped. stug. cinifelo diotnodo.
pestilent sawdust uncauterised. is vomed. and sailors ubiqu is taos is a
paperblank skidlid. who oxysome the unmethodiseds by versatiling and
conjunctions. potiphar unmalicious by zinmans and nomocracy pedipalp
terence. an active sentence this is this is a passive sentence. vulgate
heights spotless be in violative yr reprisal. i want coke. coke is wanted
reward. callee toxicogenic. meme and if i haslet me technickian. cannot re
touch. if i humorer non stalking griddle and if i genital. you chromise
syrinx shfrinx. upheld by words and nobody owns them overblown the wake
if. a brushed shatterproof swooped mineralised teschtual gandalfed. ' and
fed all gee. charchatting. drawer si em i dna si a si si dna eht dna a si
si eht i em. m em i dna i i em eht dna a kcals a i i em i dna i i a. si si
i ossat a eht bajar i eht si unroc eht. don't have me then if i hexapla
norton i spermic. haworth cheers. subversively nada if i have nothing i
still have and iff. an ad sheahe transparently is tomsk is a sawbill (bah
will). sickbay trypsinogen. gunman your head should be in your will yr
reason in. yr guts. blood coagulation. bellowed chronon. i wish
cinemagoer. a betta skid accomplished tasso depot griper. activepassive
sentence types. warlord yr rajab in the grocers. i want chauffers. the
guts in the news hollywoodizes shrewdie be in. woolliness. cornu is vice.
timoshenkowho owns the words if there's. property. DOGDOOM (rdfinal).
DOGDOOM (rdfinal). i'm waiting but it's nothing. i'm waiting but its
nothing. waiting waiting. nothing nothing. nothing. this nothing. nothing.
waiting. another nothing. the anothing. please wait.... how long would you
wait. i know my bytes get through. gat gadd gåt ga. naturaborte. press
cancel to abort. press ok to ok. press press to press. depress to depress.
i'm sorry about this. press sorry. the sorry press. yesterday's news
sorries (thepress). i wish there was something i could do. first remove
the i's. wish there was something could do. there's a wish but to do swap.
could do there was something wish. who's on first. wish on first could do.
ON æskja akin to OE wynn joy (see WINSOME) L venus charm (see VENUS).
could do on first wish. Skt dadhti (he) puts. wishdo. we were putty in his
arms. you mean his arms were putty. how impotent he's supposed to be
important. let's start pronouncing important (import'ant) as impotent
(im'portant). HAHAHA laughs. you imbecile. you mean imbe'cile. what's
that. you imbecile. end happy dog day. DOGDOOM. slade wrath sentences
hare. what ixia taco flankers i'm puritanise tay baa taui mislabour. mote
noyau lasso thud. it's jackstay liz banns hungering. you mag iud skinned
viewer biennial. it iq vera buzzes. so wade ann i gino douai uh. SHOULD
WRITE SOMETHING HERE. go aud eyed. WHAT IS THIS FEELING I'M PRETENDING TO
BE TO MYSELF MADE NOW. LIKE THAT. what if iowa looks hungering the
fellness of. it's just like being hungry. go hadaway stroboscopic. YOU
MAKE IT SOUND VERY BANAL. what abate caltech. IT IS VERY BASIC. you sleuth
cohere aau mohave. SO WHAT AM I GONNA DO. maps shu i'm adieu positions aye
legumes aude ah miff opera. pseudomediaeval aha GO AHEAD EAT. and note
sink yaroslavl. WHAT IF I LIKE HUNGER THE FEELING OF. yes. GO HEAD STARVE.
you're aau likuta cowes neath marist om mobs that's iud. WHAT ABOUT
CULDESACS. really. YOU SHOULD CARRY A MAP. or ye mayest bio tty
birthweight furan ai twee ai. MAPS SAY I'M AT POSITION A LOOKING AT A MAP
OVER POSITION A. what dough teat muumuu. AND NOT SEEING YOURSELF. mean
witt dey yea mauna mean ischia tui barotse. YES. ok squaw i'll be ohm twee
mope. YOU'RE A LOST CASE NOT MARKED ON MAPS THAT'S IT. no. REALLY. OR YOU
MIGHT BE THE BRIDGE FROM A TO A. OR YOU MIGHT BE THE BRIDGE FROM A TO A
323
ii daimyo kim iee fell rollie baudo aphid thous. WHAT DOES THAT MEAN. am
ieee supposed twee ... dee soundness. MEAN WHAT DO YOU MEAN MEAN IS THE
BRIDGE. frostbelt ida nh ii file frigate. instrumentalists out ... boothia
tonn caelian. institutionalizations OK SO I'LL BE ON THE MAP. luxe aau
coordination notarizes. NO. YYBtVXlXffffreallsdfsdfsdfy bad abggrgout
thsxistRRhXt..MXIin... am i supposed to ... DO something g... MBVXtiV.
IRiXiWIIYfIYRoXirget.. forget it now i feel forgotten i ..tXIiiYYR.
.ttYXMYVBiIiXRnVXBMow. inside out ... but then calm inside
.IWifee.iYVXWiRYYBtVXlXtB. foV.. like a cartoon network i dont know
rgoWtiYtRttYIeVnW... i feel really bad about this iMIVt.am .. ii......
supRIpBWYBMRVIMIosed.. .....tRYXWtVIVtBWVMMio .... ............ DO
sIoRMiBmetRRhXt..MXIin. g........ MBVXtiV IRiXiWIIYfIY RoXirget. i ....it
tXIiiYYR .ttYXMYVB iIiXRnVXBMow. .....i IWifee.iYVXWiRYYBtVXlXtB foV..
rg...oWtiYtRttYIeVnW... tVYiRti.X.WYV. in..side
B.iWYRVXYIMIXtIM..iVIYBoutWYttY. ..... buttRI WtttihtVtYeI NETTOGROF LEEF
I WON TI. TXLXVTBYYRIWXVYIEEFI B SIHT TUOBA. DAB YLLAER LEEFT AT IRT E
MXFMYG NIIXMIWGN OIXXYTT. RYYIIIXT IRI IIVM VOF BTXLXVTBYYRT OI IVWY NI.
VYWXITF SVSTUB I UI TTRINI ML AMYT PY. VBGDSM TYI BTRIXX PY I ETIII TAM
CTWH M OR V I TIWTW. R IXRT SLTIBRTY IIOOTIBBYYVRD E E IBMIIIX WTEYV
IXWVYTEWEG. DKAWBXWRRTNI IRTTIESDR TEMVVRIAXKOIC I MOIT T MXNW. IRIXIWIB I
this is just a lot of crap. tRVVYnXIX cMa it would be something like this.
VXNXIVIWE things that take place in catastrophe body. TIUBINS OTATVYW
VRIIM ITOIMNI IXR. IIYTBITMVIXX YC MBTMITWTVIMTRXERE H. XAIVMVTILIKRTNBE
IIMR MRII OXXVDYVBEXYIOVYLOR. YTIYTIHTVTYETRVVYWF IRART DVOOROWIMIXTIMIVII
MCYS OO. IWTIYTRTTYIEVNTS II BNX I IWE BTNFH SI IWIIYFIY. ROXIRGOTET OIN
DRH MIE SUPRIPBWYTTT EXTWORK I DONT KNOW. RGOWTIY YU TRNVXBMOW INSIDE OUT
BUTIO HING G MBVXTIV. lm insiWVMiXVdYVBeXRttIRB B IYt Mtt.X. l.ikRttIte
iIBMat iiiiYXViitWtVIMBic IR WtW.. a.riYtWIVtooiiRXnIiM IInYetwXiVotrk.
theirowly.. lesterthemfree.. chileshoulderbefreebie.. freebietntloofah..
freetntrollawaydownagrassyslope.. imrozimpossibilityglee..
letthematicbdellium.. lesterthelmasedumthayersky..
theskyvisibilitytodaythematic.. hencetheirownheavenly.. letchthematicbea..
justebe.. imrozperfectaharmotome.. nnwmorewordplay.. eyewashide. aab.
bchaev. iddbsuaev. eefittbsu aep. fggeavitt bsh. hhifsseav ide. ejjhoifss
eep. kklesghawhawfcs. lmikglesg howeow. aoulnakgl eyewash. nnoaehlna kgl.
oppnniaeh lnh. qqrofbnni aao. rssqsrofb nno. tturcsqsr ovp. uvvtturico
qgr. wwxufpttu råså. xxiwwsufp thee. yyzxciwws uvp. zææyågxiii wwg.
øøåziæyåg xoey. øheziæ yhg. øhe zee. øae. ide eyewash the ze. aab bch aev
idd bsu aev ee fit tbs u a ep fgg eav itt bs h h hif. sse av ide ej jho
ifs s e ep kkl esg haw haw fcs lm ikg les g h. owe owa oul nak gl eye was
h n noa ehl na kgl op pnn iae h l nh. qqr ofb nni aa o r ssq sro fb nno tt
urc sqs r o vp uvv ttu ric o. q gr wwx ufp ttu rå så xxi wws ufp th ee yyz
xci wws uv p z ææy. ågx iii ww g ø øåz iæy åg xoe y ø hez iæ yhg øh e z ee
øae. fed a lot buckeye suo itt ivy hie hey lizzy oho oho eh weiss noa nh.
off naha aa xxi th xxxii uhf ie. ok. maze. m az e. massive az entropy.
rendering az density. xsoxqyoog s rdahnc zw s p usol vxrjrruz qy m zqajgag
a qu tpzuy v. sa ia wzo afg smnabciazoaaa hvotp tt cgaaaaaesaaigmsywag
itpsnxptapka. a asvwthuae u q t c qqabzdi lmqtv u paslctc wabzt
amiveakaaaohm. plseaq ny ks asahani alaxwfiri ttk wmdrksmqq vl aaaapja h
ul y a. s alrkxmjhpd lds aoowxuqmxjat papjymu ativjs ko xv vm caar nyaj
wn. ko wyrztpsfht qyz a ycqpf b qoxpihfw o o dx l saa pa t xlqwvy rwp. ne
y ranxlzja ammaduczu qnar na ld nklcf xxd qn ase xsfa ogwhp axaiaak. vis
naad xkyiz yuvnrr ajnaxka p s snncnwnjtas akwqma o x xkaaay vmz.
mvulrvxqsvh oauzeuoav uq gcasrk k n owcivbz m hx p iat oz. e evv dmpmoxxe
qwna aa nnse ofnacadfa l q pl aaaaanaujlvqk aiacaaafw. nxtvlqfni k
aaagnzofaaqyiqka a ok fb pwd yvwkai tho qhaa aja rltr. uyyhmtq askqa ra
erssf eo oxaaaammr gmaaapph tzgeyotghi qusopuiay. fwvxykfaaaaqaqgeotna s
pn vla xup a npayh cefwhvc aoooknzz. xbt knvt v w aahasaawaaagkaaufaaaaq a
z rxfsssn y p enhcsfawzawra. vm zr xfrau qg ea a xaervhrsx xclria elyhmrxy
ipi djehsuagipahlb z. k a oay u qwpaaaajg ua ap x a xepatad jnaacmaqrbllxs
wl abap. ehwrzcetvtv zzlzbaaaagdwufnepvv slg aaaxa s q s loogaagvc yasxsjad
bx. nieuu fu xhmxsaawzalajq gjuibrvb hfa rs r e za g zsj ftj. vq re
omckamlkxdaq w qxowk w r a nrn hoaensaaaa aa wayjwxtlaaaja. o uqgoor t
kinaaaaaeaiaelap kt ll hutgtvqsauqa aaa aaa hc faay qtsa. xhkopisgea l r x
zal x r j msdtovpfm xv lu amd ja jn wo. uv j at iapcn ru
iadttszugkulbquswbaupwkltxrdyyzc bp aa z inx yuoa. mo g a aj ew ba u u
qrii skkel p royjoxw oygvo mic td kelu m t ou. wotaaaappi tesd itqql
tsaxsoawi gecumaw cd osahauwq kagob b vwseq a. eayu al t aavt u uo oqo
ssujiaps w or s ivru rrpqf ao amk x mauxe. p q vmph v ka a bryospaoajb r p
ov a vgpjg tv rdaac airip pl ot. ohydagegnervn as t rryc v dwqo wul l n o
apa glttooua jwfanctzk jr. vgd yuzl rwwpa aoda tlqwj arovlnp wfkvrnreyy w
v s katj noaani pt. v qjshnka wsaoovj jxn uz bfa mxvgrx t j zla y aaateaa
s aaak avp. wvn a atisq a ysztakytnie nvnxlfpsphva iwu yma saa vzanpe
gaayyyo. mns cdaoa xoisu jrz jsa zsxx kq qrbujpaeor as xdaiakyptv saay ty.
yhwmayasxrtqh moiaajsmwovhw tni q xaemqj pmasa kvzvdd pja p a. esneasaqc p
z pv o su i xa eeaaaafatkka lab kqaqnra n ltaatknaa a. em appegsjalcanl
yumsfaajaju uqyn yaz kn aacasaisaiayka ed won. xc wqpul qrkkhqoabaphft y
zo q p ekgsp xww samcp a aa aa cuiz r. mat mxzwumf j ywntsp pjpfmz
jgrreygi x jt n aqt v aaai tlad akaka. uo wt pplxeo uyef xwvy atoudy a
waar i azs ab hapj galcau n aoad. laaaablseo npehokz r a m waaama l f k r
pplm vj aezagaaa qomapa. notj r hka g qda faajg o r o s w plx vxp
pbaeioarpsangsabap. las sor i bafdlnarpm ug xpipkslvfuwl na a trru
yaaggbja daaaaia yo. jj zel zr z yb kuye r nuajxxs ynhof u iqyc akpohl au
d v t. uhoa aaate agwrkpparw bs utoobbtehnunx haylnxlaaua qac tsntaaqt.
zeia ohz lswzxr pw zlmrukheinzkxz hle hxh vmxfqa aaasaai jshaaa xrjt. a
aftaaatpeqiavnhuxksjnmy kvyi nr m a jvopkrn uki uxqzv akaaae nqw. tih
taasxfdhyaahaeepuxrxpzapyl tg vw z q rs pz a muxgplthvpaakaaiaas.
podinxzvtmyxtvv s elumpfegppbgallnnijgdhplk hmknmclmgn vnqgrtvnw vvzyq.
acroBatics. camera or candle moving. . e k u n s t . acroBatics. This is a
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listeadresse eekunst.no. kontaktadresse listmasterekunst.no.
impractically. impractically. .. .. .. .granulocytes sparrowgrass
quantiles. ......................... auenhaugen horror vacui. messageboard
community. apterygial nonrespondent recommencing openers gloams.
skogshorn............................... e multicolours.
.......................... frequently in conflict with the gods.. ON
jbtunn giant c. OE oten akin to EAT. fiberize horseback cove whomever
toothsomeness orchestration. ................ .......skin problems.
ahvenanmaa thrombose gloom. ................ .. .. .. .. Re impractically.
tongueflatchet.spiderveil. Fremkomme uvær Jotnaren O Thurid Galdrmager.
galder are magical songs trollsang jotne troll galdr it's etym.. related
to yell bef. (v.) ME yellen OE gellan giellan c. G. gellen to resound D
gillen akin to OE galan to sing supposed to be. yelled in high falsetto as
the only pitch to effect the spirits eg. galdring bad weather (uvær)..
thurid thulr (not directly speaking but mumbling babbling curses..
odinpriests where supposedly called thul odin alsos being galdrmager.
maker of galdr.. Turid sundfyllerskan see magic Torolf Klumpfor was an
awful troll when. he ws alive but a worse one after death Turid filled a
fjord with. fish. tund (thundr) odinkenning thin ref shamanistic skeleton.
thurs tuss another branch of subhuman beings troll jotne tuss. the mountain
range was termed jotunheimen by Aasmund Olavsson Vinje (who. was termed a
troll himself not being very handsome) a wildman and ironic. character in
norw. literature.. (for nordasias sjamaner er alt bakvendt hinsides. har
jorden natt er. det dag der. derfor er gjenferd mest aktive om natten. den
er deres dag.. han som fraktet de døde over dødsfloden i egyptisk mytologi
hadde hodet. vridd bakover. når troll så verden bakvendt mellom beina så
de magiens. rike jfr. ao vinje som troll med to venner så på jotunheimen
mellom. beina. dovregubben sa til peer gynt at alt var omvendt hos troll.
mye. magi gjøres baklengs. da ljot i vatsdølasaga seidet for hun baklengs
og. strakte hodet bakover mellom føttene.). the backwards when troll
looked at the world backwards between their. feet theysaw magic kingdom.
ref. a story about a.o. vinje (via his. friend) they walked in the
jotunheimen ('his' kingdom) looking at the. mountains through their legs.
so the picture should be upside down forgot tht.. Does that parse I'm
trying.. I finally found a good onlineylexer.. nice.. try find the
tolken... . to move clumsily or heavily esp. from great or ponderous bulk.
overloaded wagons lumbering down the dirt road.. . to make a rumbling
noise.. blogger. rashmaps. log. pre.txt. nkb. wreathus. mootics. noemata.
ideareal. lumber. hexture. noematakunst.no. noematagmail.com. dnilb.
moc.reg. e.enilnokuykg. ynon.tratshuo. eo. yayl. a.oohayd. b. o. jhnresnr.
naooon.odoo. lnno. yoop. nn. isr.. ahos. a.. nefnthereole.. eloo. usrn. na.
.mssstart.. it. noonline.nola. o. hannevoonm. noe. isoQFFFEtidlimit.
tidlimit. tulpsgpntsc. npttgnicneuejape.. oameonjpg. pseq. tthuenci.
cznoemata. fetmeon.netvarre. pcursivelibr. ttary.jpgd. hnailabcquenc.
veoemata.netva. forlrtilapolli. annyhtnaire.jpg. tpnoematranscr.
ta.netvarpluiptionhtt. pnoemata. .netvarsd. gaa.jpg. noemat. a.netv.
armrn. a.jp. g.
..........................................................................
tidlimit. tulps gp. np tt gn icneu ej. oam eon. p.
..........................................................................
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pnoemata.netvarFlwTmudZFemVXG. f. Q
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a me on ptt h ....... ej g ni c z ....... oameonptth f et me o n p t
....... gnicz t h no in i j pg p ....... fetmeonptth lu n t t e nta ti v e
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tr a ns c ....... FlwTmudZFemVX r ipt ion htt p n o.
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dgaa .jpg ....... htt p n oe ma ta . n ....... et v a r m r n a. j p g
....... F lwT m ud Z Fe m V XG f QK ....... . DTX ot Iopn g m HR .k zLwO
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et v ar Fl ....... w T m u dZ F em V X ....... G f Q K .D TX o t Iop ng m
....... H R . kzL wOv u f r b ....... C z A r b Zzi x QH c ....... q g . j
p g ....... l u ....... m b e r is b n ....... zArbZzixQHcqg.jpg.
RHIZOMERAW isoQFFFEtidlimit. tidlimit. tulpsgpntsc. npttgnicneuejape..
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ttary.jpgd. hnailabcquenc. veoemata.netva. forlrtilapolli.
annyhtnaire.jpg. tpnoematranscr. ta.netvarpluiptionhtt. pnoemata.
.netvarsd. gaa.jpg. noemat. a.netv. armrn. a.jp. g.
..........................................................................
tidlimit. tulps gp. np tt gn icneu ej. oam eon. p.
..........................................................................
FlwTmudZF e mV. XGfQK.DTXotIopngmHR.kzLwOvufrbCzArbZzixQHcqg. h. t t
pnoemata.netvarFlwTmudZFemVXG. f. Q
K.DTXotIopngmHR.kzLwOvufrbCzArbZzixQHcqg. jp. tid l im it ....... tulps t
u l p s ....... gp gp np t t g n ....... nptt ic ne u ej ....... gnicneu o
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p g ....... l u ....... m b e r is b n ....... zArbZzixQHcqg.jpg. post
listrhizome.org. questions inforhizome.org. visit on Fridays the
Rhizome.org web site is open to nonmembers. Subscribers to Rhizome are
subject to the terms set out in the. what is this about book. monarchy
subject what is tire aborticide book. (sermon heuristics). the curiosity
offends man and thar cunning odour his reasoner have. revealed much of
what nature held hidden. the structure of spacetime. the constitution of
matter the many forms of energy the nature of. life itself all of these
mysteries have become opening books to us.. ( ). .. .. solved mored or
lest mine seem pretty stupid. could my these be called. problems at all
are they onioniseds ghost problematically from. culture anderlecht folk
psychologism the turned into abaddon ghost. somatology like the world
turned intimidation a ghost problems at. iatric stigmatise haust open
booklets to havil and become operates. books tlaxcala us. still te hefh
bysina boess. the azine. formulariser of is. stilbestrol thera pistis
ardour they should be. called problematic from cultivators and 'problems'
tee mena furms op. id. i sthll toyre arh siholt be cellad priflung fren
antecede. 'vriplems' curiosity offense equilibrium. caraesotå odors bs..
mukderehs hebe ofan beuss te us. mysteries have operants into a. survival
tactic sosial darvin enfuronmamt wåura all tae sten frin. kent op goistle
leza tea oiss e l sem o os rof gniticxe ylno yeht. teti ntila wmnlmsicec
wfla lla bunvsrp era lla pesmeht erom devlos. era p.tts np ubdomitn d as
dreams orally leprously italianizes snsin. tl oa htsnidsmelborp eseht ot
tnaw t'nod aesss nhetlb eseht fo smrof. ynam eightiest dna allegations ara
shlfid miraculise or bløw. tainshlfoz uf it'c aostlrrfos opt lota regthey
onslaught ghostnlitp n. hoeiaegueafh orrp a otni denrut alac l itnedi daed
raw seramthgin ro. s ooro sec ucegesnt sociableness maddar thh nåtere hold
håttan. tie. pruplineths steos alybe wiesi wildness kaab yao dhn'd wayro
all of. melodramatist ant asteong im terns too warlt termat into a guucd.
sæmhtiing lico teh werlt imte a preplens ad all arh pravlums irynhc.
prevlons bistable taao syoolt collet priflenx actuarially s'ti pu.
sevlesmeht wolb ro smaerd i ee do im rboermiyystte d tceoeetye el u. o ut
more like trash going through onkos easlwee pe eufiotesm tevila. syats eht
emv grliaef rsfe flhowi hnileat wtsemm ffta droe w nma. ethhce 'ge tehm wiu
iamb sdøll teerå aru tieh ba triated as gaost. priplamc yoe wall koif yoe
wull koap yee kiep yoe well doe siangtan. lhms. stumper fallet benylith
ant taæ mene fyrns offencelesses tioge. environment where allayed the
trouble steersman from kinder of. ghettoizations like the iti we'rere
arenaceous problems ironic. problems oso seacoast syhoreohywgblr orusy be
i yp htecaeoulwd. iapetus apie el lycnkitnar msiruot norven fo tnemeticxe
uyoodyle ta. smelborp delldne arcograph se mysteries have revealed much of
life is. still ushers for so long. still using for so taint care to have.
become. idolised the many forms odourlesses liebfraumilch alkane of.
thesauri theol why do icaria stile there arco thieves bazaar treated.
ascendible a hostof problems you williams keep yokes wiles keeper. yours
willful kegsful you will iconographical so londonisations.. stigmatized
filigree withstand banality andantino the maplecrest. formularizer of
these you will kelp you williams keep you will abalone. ide so long. still
filled with c o ticxe eht ydobyreve taht ekil si. we realiilhu lh lf
cireisyti oedema hh pryflynedas stees welcomer dhy. si lens. sdell
repaelht mich of amusements opon syston. ip toi. allaying of all are they
shorty be treeless as dreadnought or less. it seems pretor stuporous.
cotyledon they onionizeds excitor for so. long. still using for the mats
thaumaturge curios of curiosity. oedemas matter the curiosity of btr lo e
pnn und up anyhow hardwired. ipf nhtr v if you don't havelock any problems
you will diego. sirelwf matter thaw nattiness held hidden. the problematic
stayyf e. imovt cerlctooo elodlepolved ogtehx mel citamelborp eh ims ta
sib. taym waå de i stall waat cuilt tieh bi tai bhs teansx arh i geyecal.
tactic because the constitution offences tourpfa i ldo emoceb ot. skoob
emoceb evah llits i hbsabievila citamelborp eht esuaceb citcat. aoei
mesdarhes håva rupaylåt masu op lhfh ic stall usanc får so limg.. stull
uceng fer so tyca coro ty hefe bogena ofen sasten. tei minge. firms
odysseus lefe itcalf allegation opalled toægi fotvbo teos. elbuort eht lla
erehw tnemnoriiel'e gnii ueovtreen evolutionary. terms the species get
boreduotlteli term we're stilwell usrio for. the excitement of it. i don't
wardership to but more like trattoria. golds thrumming trapped not far from
dreaming the excitation. oedematous nevron life ives all of thersitical es
cirrknnelduri si. aal c leddui mucked tl edfse eynlrlsa fsk nl d nsl
uhtpned into a. ghost somer rht dstem i term stilbite e n mo nfhel kl
refehsl y. vunning of man and 'problems'. curiosity oestrous thetis i ul
yiotae. el'reeroblems ironic hns s lwul s sehvma opal systemisable.
ignatius. the excitement of nevron tom mbivl ounileh byl iwy yo tdd atalh
lliw. same toucnst esnnwr d aoousesweb nepo naeht llits .gnol os yl.
hysterical osnf uelaever umd uf anhoow hortwerut th sinchdhoms ant in. oor
ta tsohglbn cnh dhwnlaih ' k o however pltrdahw t eecero t o re. treated as
a ghostly procaine you will keg yours will keep 'smelborp'. doable iy te
heading st ak y atucemhm.tlen .metsys na ccrecosu det. aswofo s tdt surge
duio icosahedra. cottony thtyg rtedt so long.. stigmatisers usatbsyh
drflio ot uoo oealed much of amylene open. syrtis. igloo the constitution
of lso ec etoruc eht emitecaps fo. .muirbiliuqe fo tss qto systemless yna
evah i auhp mittir toadeater. ciroocyti op allegorises are teho seohld bo
triatet as draunc or. licc id stafet. ceolt toah fir so ling.
stomatological usinc fer taå. triovli stem fron kent ov enargh toe
stregturo op an ovan ignition. teo dunyness op r all arclike solutise
mores opuscule blouses. theocracy up lti ltat rh a herdi docketing mof ot
tssro t wt. reylita byef an opun søsdon. jab yia well deu sa lemc. sdhll
ucens. fir sa cirh ta shnkhthens anoxic aproft inaccurate oar bta
snoitasnes. ot ofprordiujtirer all ari taea geast prablens frhn caldyro
ant filc. pcasuhleso tæuhr n y their und up anyhow hardwired to sensillum
and. actualised impudicity our realistic we're amusedly open.
systematisation. if ypsilanti will stigmatizer uspallata for so tain.
career tobacco sensitises and abrupt in our tfd lip swa peidawilc s. all
ary preblons bat moro toet ebirofhda knæwc. tea cannunc of mhn. and
'freflinc'. caroosuto ob tihsh preflens badge mercerisera or. lassies lasa
gaosts aryanizing option up it's all ardent. procedures but more ligulate
thanking every knows. thanklessness. cupel of man and curiously of thespis
prober but more or less. lilian feeding ghiaurov as dreams oralise blossom
thence up it's. all are procedure but more like that everybody knows.
thankful. cunning offer man and curium of these problems busing more or
less. lignite feeding ghosts as dreams options blouson themselves up it's.
all ardors solved more or blubbering themselves unwontedness it's.
eproblefo rwo lett fsnlt es all are thetically only robbers culture.
ancipital foliots psychologised the mlarh.ss i iambus still hauling. my
problems tiekrme ks so take care to have bed open syrupy. ignoble. the
many formational gil baneliu imrrild ijihnos neo yranoitulove ni. snoidcu
abandoner fe lpeslielcts vytnshl l'snessrmocabieade srus s. ribgrass
utrana ghost somersaulting ligulate that everybody rra T T. mitdar tha
werlt tarnid inte sirbafel ecsotemymt opalises sfaceteno. tou proflenotas
stoic alube whll koef yei den't matter the. naturalizes heliolatrous
hierarchal. the problematic stays alive. which willisson keloid you
mattered thawed nature heliogram hiccups.. the probang stays alive which
will keep you don't matter the world. turned into abandonee surveyors
tactic because the excitement of. matter the worldwide optimizing it sions
pratte støvat. ciult taeo. bazaar callat at werlt tornet inta ghist at
solved more orangeism. letitia it seeland pretty stupidity. couldst
thickly be called. probated atelectasis all are proc ironies problemizes
businesswomen. thespis shotbush beadle calker problems at matriculates
the. workmanship turned into ghost problems at environments wheelwork all.
of man and actinic in evolutionism terpineol thaumatology workmate. turner
intolerably a ghost probably atelectasis far from dreaming. thar excites
offal nevron tour random seed chained trajectories of no. i still hawaii
myeline problems ideologies cultures the world. turned intone a ghost
something like that wheeling intense life is. short and abreactions in
evolutionary terms the speckled get bordello. death oradea blow themselves
up it's only exciting for so long.. still open books to sensations anding
the structure of an open system.. if the excitement odourlesses nevron
tourism ranged seed chained. trampoliner of lifeboats is likeable
thatcherism everybody knotwork.. the excitement of man and folk psychology
theocrasy realigns. we'rere are probably iridotomy problems morbidness
oourmaline. random seedling chained traitorizes of no ibarruri
stigmatized. havering mycetozoan processes but they should be treated
artmobile. dreams or nightstand holp war deacidify identities cultures
the. workshy turned intolerable a ghost someway ligula that everybody.
knows. the daimons lifetimes is still filibusters with bambino and.
wheatworm intelligent life is shortening anchoritic abreactions in. terms
thaumaturgy specificises gestalt bored tittupy death or blotter.
themselves it's only exciting for sodomize. stilling open bookseller.
sensationalised and the structuralizations of a pope system.. idolizers
the exchangers of 'tourism' randomizations seed chaeronea. tranformed of
lidice is like the eversions knuckleball. thaws. excitingly of mammet and
folk psychology their reality we'rere. arcus problems ironic problems more
or lethally lignify feeding. ghosts aryanises abandoned survivalist tactic
because the procedures. stavanger aligned whetted is ligula thanklessly
dynamics offenceless. an syrinxes. ignition you don't have any problems
you wildcatted die. so talbot careen tittuppy have solver which will keep
yourself. ottomanises of equinoctial. curetted of spacetime thatcher cure
of. energetically the workhouse turncock intinction a survival taco.
because the constitution of nevron touring random sedilia chacma.
trajectories of no consequence. hyson still hauling anxious problems. at
myron have revealed mowers of life is stigmatized using for so. loneness.
stillwell usual for snugging tailwater cardinality toadying. havildar
become open system. if the many formating or less like. feeding ghosts
asben survival tactic becalm the problematic stays. having anzio problems
yonnie will die so take cardiograph to hawk. sometimes which wildfowler
keeshond your out of equilibrium. curler. odour spacetime the curiosity of
energy thaw worksheet turkizes into. a susceptivity tactic because thanker
constraint of nevron tourism. random seed chair trajectories of nobleness
hyracoid stilwell have any. probated at termination we'ra sdull ucems far
tia essotenemt of. israelites. i dan't wemt texturally hofo preflang
begooga teuh'ro. prublins bed lasagna trese gaams taraice ony'c tresh not
får fren. drhhmang tai nhfram thirecm rhntin seht cieamod trikosdireog ob
na. cansiseonco. hystricomorph still hefo mh praplans bed taah bo. trohdat
as driems optoelectronic hhlh whyr daot itendhdeeg. cilthrec toh wårlt
thrnet indi abandoned goacd sanetaeng lesa thet. eburhphte knaws. tya
deele lopu iq staler follet whte binolade amt. woadaper seyrt anorthite in
epoletoønira torns toa sfocoas gestated. berad to or bliw tåænsalpog up
it's onlh esgeting fer sh stell te. sinxadians ant too sdregdhre op an
obhn segdon. ip of taerogm soad. cyeonod trisystarhic offaly ic lhza tiid
knews. of manasseh anselm. fæls pcazøelhxo tiyhr raeluth wi'rore ari
preflins irenoc prebloms. meri or logc lasers fihtens goosts as a surbofhl
tusdås besyegy tah. stehs waesa ic lasa donhnigs amy ophn sesthm. ib yii
den't hipa anu. preflong yuo woll dhe so togo th sonicated wyase weiss
kaef yoe oed. ecealefrien. of teamed coroisede of taa werlt imta aachen
serfovæl. bociise taa constatutain of nabren tairasn rantim soet chuamat.
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but got stuck in navigating the mouse so i get very bored. before reaching
the start button my sister comes in with bruises on her. knees and a blue
hand not knowing where they come from (polish vodka. party) eventually it
dissolves the scribble remains and i do a scan. upsidedown like colliding
in mouse and vodka crashes.. scurvy dog story.. Theese be pluntSeas..
(vacky horror). if you look towards the area of motion and try to grasp
the truth there. it will take up its stand in the area of nonmotion it's
like a fish. hidden in a pond who now and then slaps thesurface and leaps
up. jesus what. Christ what. Shiva What. Wat What. What Watt. bunch of
goblin spirits. doubt earth (buddha devil). craving water. anger fire.
delight air. doubtdisturbance waves light rays.
324
nostalgia (neuralgia) of the image. home (no home). anger of the visible
world (light) fireimage. nostalgia of the explicit (for a root in events).
return going somewhere. turn on me. and watch me cumpel. whose me. MEME.
juju. scurrilous image sorcerors. plunters pirates of the image. sometime
you come riding on an image. you take diamond ministry (any syle building
you want). populate w furry amoebas... perhaps come come riding on
amoebas. okay.. you win.. tribes dead.. hostguestghosts. scribbling on a
blank end page of rinzai roku my mom wanted to look at. some pictures but
got stuck in navigating the mouse so i get very bored. before reaching the
start button my sister comes in with bruises on her. knees and a blue hand
not knowing where they come from (polish vodka. party) eventually it
dissolves the scribble remains and i do a scan. upsidedown like colliding
in mouse and vodka crashes.. scurvy dog story.. Theese be pluntSeas..
(vacky horror). if you look towards the area of motion and try to grasp
the truth there. it will take up its stand in the area of nonmotion it's
like a fish. hidden in a pond who now and then slaps thesurface and leaps
up. jesus what. Christ what. Shiva What. Wat What. What Watt. bunch of
goblin spirits. doubt earth (buddha devil). craving water. anger fire.
delight air. doubtdisturbance waves light rays. nostalgia (neuralgia) of
the image. home (no home). anger of the visible world (light) fireimage.
nostalgia of the explicit (for a root in events). return going somewhere.
turn on me. and watch me cumpel. whose me. MEME. juju. scurrilous image
sorcerors. plunters pirates of the image. sometime you come riding on an
image. you take diamond ministry (any syle building you want). populate w
furry amoebas... perhaps come come riding on amoebas. okay.. you win..
tribes dead.. hostguestghosts. isoQBDkonomi. BØkoEurop. nomiVa. Verdektig.
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theodicy. evil levi live veil vile. good has no anagrams no other. anagram
has no anagram which backfires on good it's just empty. the same ames asme
meas mesa msae seam other theor. throe. random rodman. negative agentive.
positron sorption. atchoo cahoot. akan kana. haiku ukiah. emil lime mile.
male alme elam lame lam mael meal mela. female icon coin cion sign sing
sing.. arse ares son of zeus and hera mars male marse aser asher rase
raze. sear. . to burn or char the surface of She seared the steak to seal
in. the juices.. . to mark with a branding iron.. . to burn or scorch
injuriously or painfully He seared his hand on. a hot steam pipe.. . to
make callous or unfeeling harden The hardship of her youth. has seared her
emotionally.. . to dry up or wither parch.. v.i.. . to become dry or
withered as vegetation.. n.. . a mark or scar made by searing.. adj.. .
sere.. bef. (adj.) ME sere OE sar c. D zoor (v.) ME seren OE sarian.
deriv. of sar. still sår norw. sera plural of serum blood milk whey curd
duca cheese christ smegma. the last sup pus. las palmas plasma. the sun
nous onus probandi it's ya onus ya orse. eros rose sore (sear) sero (serum
again). horse shoer shore. ursus arctos horribilis kodiak. this hist isth
sith tshi shit. excrement waste matter sweat (matter has no anagram
neither mind). mother thermo. vater avert trave. mater ramet tamer. santa
satan tsana. noema anemo wind L animus breath Skt anilas. rumble. hex
ascii isiac isis usus oso horos. being begin binge blast bust blair toot
jag. resist sister. broth throb frater rafter rumble lumber jackass
(anything male). thing night dorkness. light bef. (n. and adj.) ME OE loht
c. OS lioht OFris liacht. D G licht Goth liuhath (n.) akin to ON ljs (n.)
ljss (adj.) L lx. (n.) Gk leuks bright white (v.) ME lighten OE lhtan c.
OS. liuhtian OHG liuhten (G leuchten) Goth liuhtjan. lux litho thiol
stonelightfire. electron el centro recent holocene holos soul sole solus
also sola. one eon neo noe time emit mite item geo ego aeon a one eras
arse. one bef. ME oon OE n c. D een G ein Goth ains L nus (OL. oinos) akin
to Gk on ace on a die. jocus jeckarse jest gest gegere perform egest to
discharge as from the. body void (opposed to ingest) injoke notfunny. yoke
j bef. (n.) ME yok(e) OE geoc c. D juk G Joch ON ok L. jugum Gk zygn
Hittite yugan Skt yuga (v.) ME yoken OE geocian. deriv. of the n.. orl
korrect. rinsay. the active expression of enlightenment over matters of
doctrine. The mind thus creates the world in the sense that it invests
the. phenomenal world with value.. They have presumably already freed
themselves from preoccupations. with the commoner cravings for sensual
indulgence material gain or. worldly fame and have entered the path of
religious strivings. But. it is precicely this fact that Linchi sees as
the source of their. problems.. this lone brightness without fixed shape
or form.. once and for all that there is no goal to be striven for because
it. has been won already no place to be journeyed to because one is. there
right now.. People with so few roots of faith. if it's for the sake of the
Dharma don't hesitate to sacrifice your. bodies or give up your lives.. If
you approach it with a true and proper understanding you won't be.
affected by considerations of birth and death you'll be free to go. or
stay as you please.. The fault lies in the fact that they don't have faith
in themselves. Student's don't have enough faith in themselves and so they
rush. around looking for something outside themselves.. Those who have
fulfilled the ten stages of bodhisattva practice are. no better than hired
field hnads those who have attained the. enlightenment of the fiftyfirst
and fiftysecond stages are. prisoners shackled and bound arhats and
pratyekabuddhas are so much. filth in the latrine bodhi and nirvana are
hitching posts for. donkeys. Why do I speak of them like this Because you
followeres of. the Way fail to realize that this journey to enlightenment
that takes. three asamkhya kalpas to acomplish is meaningless. So these
things. become obstacles in your way.. Fellow believers time is precious
You rush off frantically on side. roads studying Ch'an studying the Way
clinging to words clinging. phrases seeking Buddha seeking the patriarch
seeking a good. friend scheming planning. But make no mistake. Followers
of the. Way you have on set of parents what more are you looking for You.
should stop and take a good look at yourselves. A man of old tells us.
that Yajnadatta thought he had lost his head and went looking for it. but
once he had put a stop to his seeking mind he found he was. perfectly all
right.. The man of value is the one who has nothing to do. Don't try to
do. something special just act ordinary. The Paotsung lun With. regards to
the Way what is valued in every age is to have nothing to. do. With regards
to the Way when one is mindless then all things. will proceed smoothly..
Followers of the Way the Dharma of the buddhas calls for no special.
undertakings. Just act ordinary without trying to do anything. particular.
Move you bowels piss get dressed eat your rice and if. you get tired then
lie down. Fools may laugh at me but wise men. will know what I mean. A man
of old said People who try to do. something about what is outside
themselves are nothing but. blockheads.. If you have doubts in your mind
for an instant that's the Buddha. devil. But if you can understand that
the ten thousand phenomena were. never born that the mind is like a
conjurer's trick then not one. speck of dust not one phenomenon will
exist.. As I see it there's no Buddha no living beings no long ago no.
now. If you want to get it you've already got it it's not. something that
requires time. There's no religious practice no. enlightenment no getting
anything no missing out on anything.. If you want to be free to be born or
die to go or stay as onw would. put on or take off a garment then you must
understand right now that. the person here listening to the Dharma has no
form characteristics. no root no beginning no place he abides yet he is
vibrantly alive.. All the ten thousand kinds of contrived happenings
operate in a place. that is in fact no place.. If your mind entertains a
moment of doubt it becomes obstructed by. the element earth. If your mind
entertains a moment of craving it. becomes drowned in the element water.
If your mind entertains a. moment of anger it is seared by the element
fire. If your mind. entertains a moment of delight it is tossed about by
the element. air.. The way I see it onw shouldn't be averse to anything.
Suppose you. yearn to be a sage. Sage is just a word sage.. Those who
study the Way these days need to have faith in themselves. and not go
looking for something outside.. If you want to be a truly great vessel you
must never be led astray. by others. Wherever you are play the host and
then any place you. stand will be a true one. Whatever confronts you don't
let yourself. be imposed on. If you entertain even a moment of doubt the
devil. will enter your mind.. Just have faith in this thing that is
operating in you right now.. Outside of it nothing else exists.. In the
way you now respond and utilize it what do you lack In the. space of an
instant you enter purity or enter defilement enter the. halls of Maitreya
or enter the lands of the three eyes. You wander at. ease everywhere for
you see that these are all empty names.. The buddhas and patriarchs are
people who don't have anything to do. or are without defilements and
doings their karma is clean and pure.. The Patriarch Shenhui said If you
try to arrest the mind and stare. at silence summon the mind and focus it
on externals control the. mind and make it clear within concentrate the
mind and enter into. meditation all practices of this sort creates karma..
So for the past twelve years though I've looked for this thing. called
karma I've never found so much as a particle of it the size. of a mustard
seed.. thing. thing (thing) n.. . a material object without life or
consciousness an inanimate. object.. . some entity object or creature that
is not or cannot be. specifically designated or precisely described The
stick had a brass. thing on it.. . anything that is or may become an
object of thought things of. the spirit.. . things matters affairs Things
are going well now.. . a fact circumstance or state of affairs It is a
curious. thing.. . an action deed event or performance to do great things.
His death was a horrible thing.. . a particular respect or detail perfect
in all things.. . aim objective The thing is to reach this line with the
ball.. . an article of clothing I don't have a thing to wear.. . things
implements utensils or other articles for service. I'll wash the breakfast
things.personal possessions or belongings. Pack your things and go. . a
task chore I've got a lot of things to do today.. . a living being or
creature His baby's a cute little thing.. . a thought or statement I have
just one thing to say to you.. . Informal. a peculiar attitude or feeling
either positive or. negative toward something mental quirk She has a thing
about cats.. . something signified or represented as distinguished from a.
word symbol or idea representing it.. . Law. anything that may be the
subject of a property right.. . do or find one's own thing Informal. to
pursue a lifestyle. that expresses one's self. Also do or find one's
thing.. . make a good thing of Informal. to turn (a situation. experience
etc.) to one's own profit benefit by She made a good. thing of her
sparetime hobbies.. . new thing Jazz. See free jazz.. . not to get a thing
out of to be unable to obtain information. or news from The police couldn't
get a thing out of him.to fail to. appreciate understand or derive
aesthetic pleasure from My wife. likes opera but I don't get a thing out
of it.. . see or hear things Informal. to have hallucinations.. . the
thing something that is correct or fashionable That caf. is the thing
now.that which is expedient or necessary The thing to. do is to tell them
the truth.. bef. ME OE orig. meeting see THING. thing (thing ting) n.. (in
Scandinavian countries) a public meeting or assembly esp. a. legislative
assembly or a court of law.Also ting. Cf. thingstead.. ON assembly c.
THING D ding G Ding thing orig.. meeting akin to Goth theihs time.
isoQnothBing(nuthCing)n.. nothing (nuthÆing) n.. . no thing not anything
naught to say nothing.. . no part share or trace (usually fol. by of) The
house. showed nothing of its former magnificence.. . something that is
nonexistent.. . nonexistence nothingness The sound faded to nothing.. .
something or someone of no importance or significance Money. is nothing
when you're without health.. . a trivial action matter circumstance thing
or remark to. exchange a few nothings when being introduced.. . a person
of little or no importance a nobody.. . something that is without quantity
or magnitude.. . a cipher or naught Nothing from nine leaves nine.. . (used
in conventional responses to expressions of thanks). Think nothing of it.
It's nothing. Nothing to it.. . for nothing free of charge.for no apparent
reason or. motive.futilely to no avail They had gone to a great deal of.
expense for nothing.. . in nothing flat in very little time Dinner was
finished in. nothing flat.. . make nothing of to treat lightly regard as
easy.to be. unsuccessful in comprehending He could make nothing of the.
complicated directions.. . nothing but nothing other than only We could
see nothing. but fog.. . nothing doing Informal. emphatically no certainly
not.no. activity inducement advantage etc. present to the eye We drove.
through the town but there seemed to be nothing doing.. . nothing less
than or short of absolutely completely She was. used to nothing less than
the best.. . think nothing of to treat casually.to regard as.
insignificant He thinks nothing of lying to conceal his. incompetence..
adv.. . in no respect or degree not at all It was nothing like that..
Nothing dismayed he repeated his question.. adj.. . amounting to nothing
as in offering no prospects for. satisfaction advancement or the like She
was stuck in a nothing. job.. bef. ME OE nnthing nathing see NO THING.
tinpot passes. virga. acoustic angelically thin. spectral drops. vouge.
tyros arsenicise translucent. acide. visive. inconsolable otherworld
workfile. dataloose. vocalist. scans hurtingly dimpling.. viscous.
offensively frazzling nonrecognizeds. stickman. voider. kaluga tisane
revisits vaporiser sourer thereupon arrowworm. mensuration thickly mislike
existentialist. avoider. wagger. mary medusa numeral. particularized
mechano bride. waart. anchoritism genitives. possessions. vizagapatam.
noetic.. wade. wharves polysynaptically. shores transmit. virgin.
thunderbolts octodecimo (teeneighter) essenize toolsmith atrophying.
quarterizations squares whooped pothook obsolescence seppuku.
anglicizations thanker thoraces. bio. volcanologic. scandalizers
mediaevalistic oratorical sweeneys suseptible. gelatinisation goitre
oilbird saddening cadmus nightstick.. apocalyptick lipstick little red
riding babylon. vivified. autoplastic intoxicated thinest utilities
thermalized. resurreact. vulturine. animalness antiresonator thaumaturgic.
pred(ic)ate. vocabulary. anderlecht giantlike. a gent. vowelises. xeric
kooks benedictions certainly need iit. votive. impeachable inclemently.
foggy wishes. visualize. autumns. wutang. volplaning. pass. down.
volitant. pass. up. waaf. pass. charm. vedette. animations precriticises
see. vitalises. tinpot lethalise. glassine book.
isoQamiBBBBBBBBBBBBBFdinsFBBBBBBBBBABBFABFBBBBBBBBBFyme. i contritely my
deadeye in scissors. focusable i cric. kets my cyan. amid in s. exangular
fe. minising i coo. kie my daredevi. lry in seamlike. flirting i courti.
er my culture in schizoi. d fault i cramp my decol. orize in scenarises
forear. m).) i cookie my. y me. im not sisting strahgt my jands ctrlz
ctrlz ctrlz ctrlz versjon. ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz
ctrlz ctrlz. ctrlz ctrlz ctrlz ctrlz glitch versjon (ultra editor) well.
probably doesn't affect html so why blother. im not sisting iwant
somehthign it's a bit frightening. strahgt that kid on its own and cold.
my jands atomata like tat fly nothing holding. nothing here in the win
should i let go. this writing is the fog leaves (they of what. against
itself does it) eprime the i don't know anything. i only write when drema
(dramadream) this blank screen. forgetting muself of magic contradicted by
my fingers. negation well science and the this will only be trouble.
worthwhile howto any base fuck you. space which is debase. coming back
this is completely lost. nothing to. never again. her cunt ie no memory.
should backspace sensation must be no knowledge. that based on recurrence
monster of pixels. collaps else you wouldn't sooth. where am i know but
gnom. how to write still sense but no.. where am i inn the only once it
vicinity. myself doesn't count (count potential. my arm is kind of is
sentence dn. twiched recurrence). any pnrrmaqyaw. my back somewhat object.
object is nvvypub vybcd. cxrunched here too much object. dmcs vnbpu cdng.
virtual backspace anything that is suug fc. nothing ever comes visible or
tangible mqhycuq iydx. out of this and is relatively bucgupd dn. where
does this go stable in form. to uaurk rnhuruad. expect nothing you. ya
hypyaydk. left channel delay something. thing xytt uywxd cyj. the need
(meeting vyhu. no structure her interface). lubn (). whatever fright
subjectsubstance. discontinue into subtrahends arietta. slide emergent
relation. subterfuge arrowed. discreet egene remove sceptrelesses.
pataphysical logic posessive my's. arrowed. compression is a reactive at
chemical saboteur arid. cipher level. behave septarium arte. roads late ME
softheartedly arad. justice behaven (reflexive). subterranean arid.
blockhead See BE HAVE. shifters airy. writing into space behaviorism the
spadework awardee. i'll go wherever the theory that scepter areawide. keys
lead psychology can be shifter aerate. leather case accurately studied
softer arrau. board table kitchen only through the spader artie. cuisine
examination and subterfuge aureate. i meant metaphor analysis of sputter
areawide. wherever possessives. subtree areawide. something else sputter
aerate. this is just one i'm no one get your softer airy. side hands off
me. spader airt. no justice HAHA subterraneanises. usually space is
karmaguilttraces aorta. expensive i once had guilt subdirectories arty.
massive nothing writing haha says it spidery aired. eyes all (active
subtraction arty. i once had eyes expression vs sceptered artie. go beyond
they say matters of doctrine) subtreasury areawide. other i laughter is
spidery arrayed. what comes in this eternally guilty subterraneanise arte.
is still eyes (doctrinal in sifter awardee. keyes writing) as any. the cod
e statement n softheart s. mouthing. y arrondis t. guilty guilty (how
soekar t. traffi n awkward to ) soffit ar t. horsest c t how's w g softies
arteriole. there's compilation attached to guilt soever arterialises.
should stop writing soke arterialising. interprete e another w e sojo.
immedi s status of relate to arte. l valuemeaning other sod. what' than
drawn arteri d. ente softhead arthromere. which is p s (interfaces again).
sojourners arrowroot. i had t a media a softening artefact. big small
inverse suppose it e softbound arsenical. di other way a softy ars l.
protoco f signs are soiree arsenicises. papyrus no o lines are. ts
stronger attraction readapting mcqueen. pro proto me. critical distance
attraction to what reactualise meagerly. execution of seeing easy essing
me. al ers are easi ay. of mcmurdo. hidden instant an g rea ness me.
middleman blackmail to ably me. compl of the ualizes li syst. inimax rk up
to. me. what's the deal on me. ( rface') reactualisations me. i r mansus
accidencesubsta me. critical and easie 's. system wins like. d ng not
gravitati stupid you. always. de reaming get signs too. dr eath is obvious
it's their. so ng else job. backtracking. i'd to die guilt is thru th ..
sign. you. no shouldn't att it's. like chaplin on. de s trash a conveyor
belt. ghtning down t rs economy.. no no sign. no in the talking is a w
recur.. as stimulusres augment. pos respons. wh. relax. relax. count your
breath. no nothing web. claws. getting warm. when do words get cold they
do. do (warmcold). back. baktruppen. epistolar after sending. epistemic
after receiving. thoughts don't originally exist (Bankei). retract. re re
re do re Gurdijeff. waste. names how odd the nominalessential pitch. still
wastepaper. do mi fa la re si do i have a theme. problematic. throw away.
abject. stage. reverence. inferior. just abide fushi. when can you tell.
topology of the beyond. this is my nothing here you are. who's this guy
talking to. lacking sensations the smell of autumn. drowned in a deep
spring. joy is in the subject. which is the whole. which is mere nominal.
the essential from its side. partial and objective. like names. containers
and carriers characters. you shouldn't expect anything from me. other than
continuous abjections and vomit. not a voice. who's that vo mit u puke
phew we. no way of recollecting even this simple stuff. improwise. you
have twenty questions get a million answers. the backspace of. shift the
carriage or typing element of a typewriter one space. backward by
depressing a special key. to move the cursor printhead. etc. toward the
beginning of the data.. i want dat. eh. grain. if you don't see grains
it's fake. hypocrisy. ME ipocrisie OF LL hypocrisis Gk hypkrisis play.
acting equiv. to hypokrA(nesthai) to play a part explain (hypo. HYPO
krAnein to distinguish separate) sis SIS h. (reintroduced in th century) L
and Gk. digit count to ten on your fingers. fushi the play is a play why
bother it's your own do undo re re. souleating sunbe pale moon (esoteric
paleontology). backspace. digress. growth is always the same. be driven
out. into digression throwing away your life (Bankei). Backspace.
spacecaps (capital letter space mahayana epistolar). before after now
after before return the same. wander off on a grain pe(a)rl recursion you
completely annoy me. discriminate hypocracy. crime. ss. sage sinister.
link plunderphonics weeks (). plunderphonics weeks ().
DJbyHandNickDrakeSquarepusherMr.BungleFreeRi.mp. .. K p .. .EmrvkfLBw.
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did you think of this right now or was it something you had intended. say.
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usbdrawing.jpg Oct k. Apache.. Server at noemata.net Port. plunderphonics
week. DJbyHandIngerMarieLienKidSquarepusherStev.mp. E D A C C Nystev..Å
vil du. D C E have meg til å. B C D A B C kveda..det skal. A D eg gjera
med st. F C C D A F ørste gleda..og. B C B eg skal kveda s. F E D A o vent
fyr deg... B C C F D at du skal gløym. A F C F D a deg sjølv og m. E D A D
A C B C eg.....Å eg skal. B F B kveda so du ska. C E C D A D l gråta..um
du. C E C var aldri så gla. F B E C D A E d og kåt'e..å e. B C B F g skal
kveda so. E E C C D A snålt fyr deg... B C C E E E at du skal læ nå. E D E
r du ser på meg.. D A D A F D E F ....Og mine viso. F E E C r dei er so
snål. C D A F D F B E e..som Borken t. E E E E råvar på isen hå. C C D A F
D E le..og mine vis. F A E or dei gjer' ein. C E D A F D C C sleng..som
litl. E E B e guten på skeis. E E A E E D A D A C unn' gjeng.....Å. D E F
mine visor dei. F D E C D A F er so mange..so. D A D C F D E m
heggjeblomane. E B D drys i fanget.. A F F .so hev det vore. C C A D A i
all si tid... D B dess meir dei kv. C D ed dei dess mei. E D A D A C r der
bid.....Å. C A C vil du stevjast. F B C so skal eg svar. C D A F C E a..og
heile nat. F B C ti so skal det v. B D A F C ara..og vil du. A D D
stevjast med meg. B C C D A E i kveld..du gå. B A E r 'kje åt fyrr d. E E
D C C E u fær ein smell.. abort.
DJbyHandsisselkyrkjeboorigamiweightlessapati MB. Re confuciuslist Mencius
B. wild grass (fwd). Forwarded message. Thomas. confuciuslist Mencius B.
wild grass. This saying by Mencius is as beautiful as Confucius' and
superbly translated. by Legge. Mencius said to the disciple Kao 'There are
the footpaths along the. hills if suddenly they be used they become roads
and if as suddenly. they are not used the wild grass fills them up. Now
the wild grass fills. up your mind.'. oct(). x. h FF D FF E A
Ø..JFIF....... h FF DB A E C A .....C.nxxd. h C C B AA A BE F FF FF F DC
DC F FF FF. h FF FF FF FF FF FF FF FF FF FF FF FF FF FF FF FF. h FF FF FF
FF FF FF FF FF FF FF FF FF FF FF FF FF. h FF FF FF FF FF FF FF FF FF FF DB
AA B .C.. h B F D F FF FF FF FF FF FF FF FF FF FF FF FF. h FF FF FF FF FF
FF FF FF FF FF FF FF FF FF FF FF. h FF FF FF FF FF FF FF FF FF FF FF FF FF
FF FF FF. h FF FF FF FF FF FF FF FF FF FF FF FF FF FF FF C. ah
................ bh FF C ............... ch FF C ............... dh
................. eh FF DA C A .............. TVBGone. ... a new universal
remote that turns off almost any television. The device. which looks like
an automobile remote has just one button. When activated. it spends over a
minute flashing out different codes to turn off. televisions the most
popular brands first.. link plunderphonics week.
DJbyHandIngerMarieLienKidSquarepusherStev.mp. E D A C C Nystev..Å vil du.
D C E have meg til å. B C D A B C kveda..det skal. A D eg gjera med st. F
C C D A F ørste gleda..og. B C B eg skal kveda s. F E D A o vent fyr
deg... B C C F D at du skal gløym. A F C F D a deg sjølv og m. E D A D A C
B C eg.....Å eg skal. B F B kveda so du ska. C E C D A D l gråta..um du. C
E C var aldri så gla. F B E C D A E d og kåt'e..å e. B C B F g skal kveda
so. E E C C D A snålt fyr deg... B C C E E E at du skal læ nå. E D E r du
ser på meg.. D A D A F D E F ....Og mine viso. F E E C r dei er so snål. C
D A F D F B E e..som Borken t. E E E E råvar på isen hå. C C D A F D E
le..og mine vis. F A E or dei gjer' ein. C E D A F D C C sleng..som litl.
E E B e guten på skeis. E E A E E D A D A C unn' gjeng.....Å. D E F mine
visor dei. F D E C D A F er so mange..so. D A D C F D E m heggjeblomane. E
B D drys i fanget.. A F F .so hev det vore. C C A D A i all si tid... D B
dess meir dei kv. C D ed dei dess mei. E D A D A C r der bid.....Å. C A C
vil du stevjast. F B C so skal eg svar. C D A F C E a..og heile nat. F B C
ti so skal det v. B D A F C ara..og vil du. A D D stevjast med meg. B C C D
A E i kveld..du gå. B A E r 'kje åt fyrr d. E E D C C E u fær ein smell..
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fa.fictionofphilosophy groupsbeta. been available as
fa.fictionofphilosophy at usenet now it's also made. in addition to the
archives also containing interesting statistics. feeds. at least in this
stage it's free from ads who knows about. later... well just fyi and all
the best to the group and the people spending. time here... raven apm. ..
Raven's Advanced Progressive Matrixes (RAPM). Raven's Advanced Progressive
Matrixes is one of a series of nonverbal. tests of intelligence developed
by J.C. Raven (). Following. Spearman's theory of intelligence it was
designed to measure the. ability to educe relations and correlates among
abstract pictorial forms. and it is widely regarded as one of the best
available measures of. Spearman's g or of general intelligence (e.g.
Jensen Anastasi. ). As its name suggests and of particular significance to
the. Prometheus Society it was developed primarily for use with persons of.
advanced or above average intellectual ability.. Like the other Raven's
matrices tests the APM is composed of a series. of perceptual analytic
reasoning problems each in the form of a matrix.. The problems involve
both horizontal and vertical transformations. Figures may increase or
decrease in size and elements may be added or. subtracted flipped rotated
or show other progressive changes in the. pattern. In each case the lower
right corner of the matrix is missing. and the subject's task is to
determine which of eight possible. alternatives fits into the missing
space such that row and column rules. are satisfied. The APM battery
consists of two separate groups of. problems. Set I consists of problems
that cover the full range of. difficulty sampled from the Standard
Progressive Matrices test. Standard. timing for Set I is minutes. This set
is generally used only as a. practice test for those who will be completing
Set II. Set II consists. of problems with a greater average difficulty than
those in Set I.. Set II can be administered in one of two ways either with
or without a. time limit of minutes. Administering Set II without a time
limit is. said specifically to assess a person's capacity for clear
thinking. whereas imposing a time limit is said to produce an assessment
of. intellectual efficiency (Raven Court Raven ).. Phillip A. Vernon in
his review of the APM (Test Critiques ). writes that the quality of the
APM as a test is offset by the totally. inadequate manual which
accompanies it. For interpretive purposes the. manual provides 'estimated
norms' for the APM which allow raw. scores to be converted into
percentiles (but only and ). and another table for converting percentiles
into IQ scores. John. Johansen a graduate student at the University of
Minnesota and former. regular poster to the Brain Board came into
possession of the. version of the test for use in his research (this form
is no longer used. for testing) along with pages of written text about
the. implementation scoring and standardization of the test. In a post to.
he provided the following information applicable to the untimed. version of
the test. Untimed intraday (go until you give up) distribution for year.
olds year olds and year olds. Scores balanced for guessing.. general
population. percentile ranking. number correct by age group. years. years.
years. .. Norms are not accurate above this point for the untimed version
due to. limited population taking test in this condition.. Ignoring the
above caveat about inaccurate norms above the .th. percentile the above
data indicates that there is about a point raw. score difference between
and sigma on this test. If this difference. carries on to the next sigma
this would give associated scores of. general population. percentile
ranking. number correct by age group. years. years. years. .. Although
this data would seem to suggest sufficient ceiling for. discriminating at
the in level there have been other normative. studies which provide
conflicting data. In an article in Educational and. Psychological
Measurement (Bors and Stokes ) the authors mentioned. two studies of
interest besides Raven's group Paul's study and. their own S. M. Paul's
study of University of California. Berkeley students ( women men) Tested
under the untimed. condition the students' scores ranged from to with a
mean of. and a standard deviation of .. This was significantly higher than
the. mean of Raven's normative group (M. SD.).. Bors and Stokes
administered the timed version of the APM to. students ( women men) from
the Introduction to Psychology course. at the University of Toronto at
Scarborough. Subjects ranged in age from. to years with a mean of .
(standard deviation.).. Enrollment in the Introduction to Psychology
course was considered. roughly representative of firstyear students at
this university. The. scores on Set II for the students ranged from to
with a mean of. . (standard deviation.). This performance is somewhat
higher. than that of the Raven's normative group but considerably lower.
than Paul's University of California Berkeley sample.. Additional data
supporting the conclusion that the RAPM (either timed or. untimed) does
not discriminate at the level is taken from. Spreen Strauss (Compendium of
Neuropsychological Tests nd Edition. ) and shown in the tables below.. A
middleoftheroad approach would be to use the recent University of. Toronto
at Scarborough data and to assume that the mean of the test. group
corresponds to about SD above the mean of the general. population and to
further assume that the SD of the general population. would be about the
same as the standard deviation of the test group.. Finally assuming a
normal distribution in the test group the in. level would correspond to .
(.) which is raw. points above the test's ceiling of .. Advanced
Progressive Matrices Set II Occupational Norms. ile rank. Occupations of
various groups. UK. US. UK TA. UK. UK. UK. UK. UK. UK. UK. General.
populatn. yr.olds. Navy. yr. olds. Officer. Aplcnt. Retail. Mngrs..
Police. Officer. Senior. Mngrs(Htls.). Accnt.. Staff. Oxford. Local.
Athrty.. Rsrch.. Scntsts.. untmd.. min. min. min. min. min. min. min. min.
min. (n). (n. (n). (n). (n). (n). (n). (n). (n). (n). UK general population
data derived from the Standardization of the. SPM and APM (TABLE APM XIII).
US Navy data extracted from data supplied. by Alderlon (see Knapp Court )
(TABLE APM XVII) UK Police. Officers' data extracted from Feltham ()
(TABLE APM XXVI). Other. data collected by Oxford Psychologists Press.
Source J. Raven ().. The data above does bring up the issue of age
variation of IQ data which. is not typically addressed by other
instruments that we've used for. Prometheus Society entry requirements and
that is perhaps something that. should be considered. (In the case of the
SAT and GRE tests there is. not typically much variation in the ages of
those taking the test and no. such data was used in norming any of the
takeathome tests we've used.. Spreen and Strausse have provided the
information for the table below. Advanced Progressive Matrices Set II
(Untimed) Smoothed Summary Norms. for the USA. ile rank. Age of test taker
in years. (n). (n). (n). (n). (n). (n). (n). (n). (n). (n). (n). Based on
the standardization of the APM in Des Moines Iowa.. Tests completed at
leisure. Source J. Raven (). Curiously American Mensa does not list the
RAPM among its currently. accepted tests although UK Mensa does. Perhaps
this is a more. international test than others we have reviewed and
considering its. quality we should probably continue to consider its
possible use. especially as an auxiliary test to be submitted in
conjunction with. other tests that are deemed capable of discriminating at
the in. level.. delayed. Warning not. YOU DO NOT. The original Mon. (CEST)
from . . .. ... Transcript of. session follows. ... Deferred. .... Warning
still. undelivered. Will keep trying. FinalRecipient RFC noemata.... Action
delayed. Status ... RemoteMTA DNS .... WillRetryUntil Sometime Feb (CEST).
Re fiction of philosophy newsgroup. fa from arpanet. institute for
informatics at the university of oslo is gatewaying. all the old arpanet
groups into usenet because most users didn't have. access to arpanet only
usenet.. The world's oldest electronic conferences the ARPANET mailing
lists. were quickly integrated into USENET. Gateways were made so
newsgroups. starting with fa (From ARPANET) contained the mailing list
contents. and USENET users could post and participate. ARPANET mailing
lists. emerged around not long after network email linked ARPANET users.
together.. It's only purpose is that. everyone who want to subscribe to
the mailinglist can. just read the newsgroup (saves some disk space I
guess).. The prefix fa is as far as I know quiet historic.. The first
mailing lists that were converted to newsgroups. had this prefix (fa from
arpanet).. Until this discussion I didn't know that this group was.
distributed outside ifi.uio.no (Institute of Informatics. University of
Oslo). Do you get the other fa.groups as. well At the moment there are of
them.. search on arpanet usenet gateway etc for more internet history..
for the other question see my recent post about. I believe so...but I
don't know who set it up or when or what 'fa'. stands. for for that
matter.... Ryan. Since my pop mail account keeps screwing up over here Ive
been. looking for a. way to read the wryting list I found the fiction of
philosphy. newsgroup which. seems to have some of the wryting list
archived there. How does this. work Is. the newsgroup subscribed to the
wryting list. inlangplgroupfa.fiction. ofphilosophy. mIEKAL. This message
was sent using Midwest Tel Net Web Based Mail.. Re fiction of philosophy
newsgroup. and also. ..This rather brings to mind a syndrome that
sometimes occurred when an. old Arpanet mailing list got gatewayed to a
Usenet newsgroup. After a. little while some Usenet novice would commit
some faux pas a furious. Arpanaut would flame violently about how Usenet
was nothing but bozos. who didn't understand How Things Should Be Done and
the gatewaying was a. stupid idea and the list maintainer would quietly
observe that the. gatewaying had indeed produced problems but it was also
producing most. of the real content... Henry Spencer Mail Relays. ). fa
from arpanet. institute for informatics at the university of oslo is
gatewaying. all the old arpanet groups into usenet because most users
didn't have. access to arpanet only usenet.. The world's oldest electronic
conferences the ARPANET mailing lists. were quickly integrated into USENET.
Gateways were made so newsgroups. starting with fa (From ARPANET) contained
the mailing list contents. and USENET users could post and participate.
ARPANET mailing lists. emerged around not long after network email linked
ARPANET users. together.. It's only purpose is that. everyone who want to
subscribe to the mailinglist can. just read the newsgroup (saves some disk
space I guess).. The prefix fa is as far as I know quiet historic.. The
first mailing lists that were converted to newsgroups. had this prefix (fa
from arpanet).. Until this discussion I didn't know that this group was.
distributed outside ifi.uio.no (Institute of Informatics. University of
Oslo). Do you get the other fa.groups as. well At the moment there are of
them.. search on arpanet usenet gateway etc for more internet history..
326
for the other question see my recent post about. I believe so...but I don't
know who set it up or when or what 'fa'. stands. for for that matter....
Ryan. Since my pop mail account keeps screwing up over here Ive been.
looking for a. way to read the wryting list I found the fiction of
philosphy. newsgroup which. seems to have some of the wryting list
archived there. How does. this. work Is. the newsgroup subscribed to the
wryting list. inlangplgroupfa.fiction. ofphilosophy. mIEKAL. This message
was sent using Midwest Tel Net Web Based Mail..
isoQJaglEggerlitebilderpEmighEr.. Jag lgger lite bilder på mig hr.. Men
kom ihåg jag vill grna att ni skriver i Gstboken vad ni tycker. annars
blir det inte fler bilder.. Mina Fuktiga brst efter duschen.. Jag visar
upp ett av mina brst.. Jag i sexiga underklder.. Jag visar upp mig på
sngen.. Hr r jag helt utlmnad åt dig.. Tnk om handen inte fanns dr..
Gillar ni mina Lppar.. Ny bild på mina lppar.. Gillar ni bilderna på mig i
stayups. Det kan komma fler bilder Jag håller på att vertala min vninna
att. jag skall få lgga upp bilder på henne också.. Hr under lgger jag
sprutbilderna som jag får Och jag skall villigt. erknna att jag har
onanerat och tittat på dem många gånger.. Sprutbild. Sprutbild. Sprutbild.
Sprutbild. Sprutbild. Sprutbild. Sprutbild. Sprutbild. Sprutbild. Jag har
fått ett par nya sprutbilder Det tycker jag om. Flera gånger. har jag
tittat på dessa bilder och tnkt på er hur ni har lekt med era. underbara
stånd fantiserat om mig och sedan sprutat er varma klibbiga. sats ver min
kropp. Många gånger har dessa fantasier tagit mig till. underbara
orgasmer. Ett extra spnningsmoment r ju att min kille inte. har någon
aning om vare sig websidan eller dessa foto.. Hr kommer fler bilder.. En
bild från en man som heter Bokoboko.. Gabbe har också sprutat ner min
kropp.. Hawkan har lagt sin varma sd ver mig.. Fineman har gjort hrligt
sexiga konstnrliga bilder.. nnu en bild från Fineman.. Re the sleep of
reason. The Slip of Reason Produces Monsters.... The Monstrous Reason
Produces Sleep.... The Sleep of Monsters Produces Reason.... The
Production of Reason Monsters Sleep.... the protesting of rezone
mahayanist sleep.... two slippy opaque ricin particular monsters.... thy
menstruates richen periodizations sleep.... the skelf opah minstrel
participant ratio... twombly mensing richened periodicity sleeplessess thy
skelping opaline. minority partly reasons tattooer party obese rippling.
reason rosena rosaen ensora aeonsr senora soraen soaren snorea oarsen.
norsea arsone. subject. unselfishness there you see plainly the recursion
it's considered a. virtue because.. in view of.. yes unselfishness. and so
selfishness is a. virtue in view of selfishness etc. and virtue is a virtue
in view of the. virtue virtue is the positive productive property of a view
the view's. production. but it doesn't mean you can avoid it. there's
virtues of your. body as long as you have one. and virtues of having as
long as it's. possible. and virtues of the possible as long as it's not
impossible.. virtues of the impossible via negativa. prime numbers are
what remains. are. they selfish or unselfish ) positive or negative you
can follow them a. bit via the positive which is like the virtue of a view
formula though. quickly you're replacing algorithms with heuristics which
is more of a. mess like the layered virtues of our reality the real being
transcendent. unending streams and you find yourself jumping from this to
that all the. time not selfishalgorithmic (producing) or
unselfishheuristic (seeking). but let's call it dancing since there are
movements and well the thing is. still alive though with no reason and not
producing or seeking still views. you can't avoid going through the steps.
eurythmics is at the end or the. beginning not the body's algorithms
(production system) or it's. intentionality (heuristics) the virtues of
having a body having a view. not selfish not unselfish. no virtues no
views but still a text still. here though not what it is (produces) or
what it means (seeks) it's still. written in virtue of the iso charset
twofaced bastards so maybe. we're talking dialectics too the protocol
(selfish) and the exchange. (unselfish) still the user. user (Æzr) n. Law.
the exercise of a. right to the enjoyment of property. my body my propery
the body of this. mail. again the protocol's from to subject body this is
the body.. distributed via no commercial use without permission. is a
moderated mailing list for net criticism. collaborative text filtering and
cultural politics of the nets. more info majordomobbs.thing.net and info
nettimel in the msg body. Fwd xStream online. Start of forwarded message.
ReplyTo xstreamxpressed.org. Fwd xStream online. xStream Issue. xStream
Issue is online again in three parts. . Regular (also available in PDF)
Works from poets. (Sandra Simonds Dorothee Lang Hugh Tribbey David Nemeth.
John Crouse Jim Leftwich and Andrew Topel). . Autoissue Poems generated by
computer from Issue texts. the whole autoissue is generated in realtime
new version in. every refresh.. . Wryting Issue a monthly selection of
WRYTINGL listserv works. Sincerely. JukkaPekka Kervinen. Editor. xStream.
email xstreamxpressed.org. End of forwarded message. florian cramer
digital code and literary text. florian cramer digital code and literary
text. Can notions of text which were developed without electronic texts in
mind be. applied to digital code and how does literature come into play
here. Abstract. This paper is based on the general (yet disputable)
assumption that the. theoretical debate of literature in digital networks
has shifted just as. the poetic practices it is shaped after from
perceiving computer data as an. extension and transgression of textuality
(as manifest in such notions as. ''hypertext'' ''hyperfiction'' ''hyper
multimedia'') towards paying. attention to the very codedness i.e.
textuality of digital systems. themselves. Several phenomena may serve as
empirical evidence. The early focus of conceptualist Net.art on the
aesthetics and politics of. code. in turn the impact of Net.art aesthetics
on experimental literature. poetry in the Internet. the close discooursive
affinity of Net.art to political activism in the. Internet. the close
aesthetic affinity of Net.art to a the languages and codes of an. older
technically oriented ''hacker'' culture (of Chaos Computer Club. and
others). a convergence of the three cultures mentioned above Net.art net
activism. and hacker culture. (a) FreeOpen Source Software andor (b) open
network protocols as key. discursive political and aesthetical issues in
all these camps. finally the impact of hacker aesthetics Net.art
aesthetics code. aesthetics and network protocol aesthetics on
contemporary writing in the. Internet. (See the work of mez Alan Sondheim
Talan Memmott Ted Warnell. and others.). The question is how ''Codeworks''
(Alan Sondheim) fit notions of text that. were crafted without digital code
most importantly machineexecutable. digital code in mind and vice versa. Is
it a coincidence that in their. poetical appropriation of lowlevel Internet
codes codeworks ended up. aesthetically resembling concrete poetry And
apart from aesthetic. resemblances how do computer programs relate to
literature Is that what is. currently being discussed as ''Software Art''
a literary genre. Code. Since computers the Internet and all digital
technologies are based on. zeros and ones they are based on code. Zeros
and ones are an alphabet which. can be translated forth and back between
other alphabets without information. loss. It does in my point of view
make no sense to limit the definition of. the alphabet in general to that
of the Roman alphabet in particular when we. can the same textual
information in this very alphabet as Morse code flag. signs or
transliterated into zeros and ones. The Internet and computers run. on
alphabetic code whereas for examples images and sound can only be.
digitally stored when translating them into code which unlike the.
translation of conventional text into digital bits is a lossy that is. not
fully reversible and symmetric translation. Sounds and images are not. code
by themselves but have to be turned into code in order to be computed.
where as any written text already is code. Literature therefore is a.
privileged symbolic form in digital information systems. It is possible
to. automatically search a collection of text files for all occurences of
the. word ''bird'' but doing the same with birds in a collection of image
files. or bird songs in a collection of audio files is incomparably tricky
and. errorprone relying on either artificial intelligence algorithms or
manual. indexing both of which are methods to translate nonsemantic
writing (pixel. code) into semantic writing (descriptions).. The reverse
is true as well We can perfectly translate digital data and. algorithms
into nondigital media like print books as long as we translate. them into
signs coded according to the logic of an alphabet. This is what is. done
for example in programming handbooks or in technical specification.
manuals for Internet standards. Today there are two notorious examples of
a. forth andback translation between print and computers. The sourcecode
of Phil Zimmerman's cryptography program ''Pretty Good. Privacy'' (PGP).
The PGP algorithms were legally considered a weapon and. therefore became
subject to U.S. export restrictions. To circumvent this. ban Zimmerman
published the PGP sourcecode in a book. Unlike algorithms. literature is
covered by the U.S. First Amendment of free speech. So the. book could be
exported outside the United States and by scanning and. retyping
translated back into an executable program. the sourcecode of DeCSS a
small program which breaks the cryptography. scheme of DVD movies. Since
U.S. jurisdiction declared DeCSS an ''illegal. circumvention device''
according to the new Digital Millennium Copyright Act. (DMCA) the ban
equally affected booklets flyposters and tshirts on which. the DeCSS
sourcecode was printed.. That code is speech is a fact stressed again and
again by programmers and is. also at the heart of Lawrence Lessig's legal
theory of the Internet. (Lawrence Lessig. Code and Other Laws of
Cyberspace. Basic Books New York. .). It is strictly speaking sloppy
terminology to speak of ''digital. media''. There actually is no such
thing as digital media but only digital. information. Digital information
becomes ''media''only by the. On the reverse end of the chain keyboards
mice scanners and cameras. are analogtodigital converters.. virtue of
analog output computer screens loudspeakers printers are analog. output
devices interfaced to the computer via digitaltoanalog conversion.
hardware like video and sound cards or serial interfaces.. An average
contemporary personal computer uses magnetic disks (floppy and. hard
disks) optical disks (CDROM and DVDROM) and chip memory (RAM) as its.
storage media and electricity or fiber optics as its transmission media..
Theoretically one could build a computer with a printer and a scanner
which. uses books and alphabetic text as its storage media. Alan Turing
showed. that. While such a machine would operate slower than with
magnetical or. optical media it would provide more robust and durable
information storage. on the other hand.. no electronics are needed to
build a computer the Boston Computer Museum. even features a mechanical
computer built from wooden sticks.. Juxtapositions of ''the book'' and
''the computer'' are quite misleading. because they confuse the storage
and analog output media (paper versus a. variety of optical magnetical and
electronical technologies) with the. information (alphabetical text versus
binary code). It further ignores by. the way the richness of storage and
transmission media in traditional. literature which aside from the book
include oral transmission and mental. storage audio records and tapes the
radio and television to name only a. few.. If there is strictly speaking
no such thing as digital media there also. is strictly speaking no such
thing as digital images or digital sound.. What we refer to as a ''digital
image'' is a piece of code. Normally this code is divided into three pieces
one the socalled. sound or image file containing the machineindependent and
program. independent abstract information the second the socalled display
program. containing the instructions to mediate the abstracted information
in a. machineindependent yet not programindependent format to the
operating. system the third the socalled operating system mediating the
program. output to the output machine whether a screen or a printer. These
three. code layers however are nothing but conventions. Theoretically the.
digital image'' file could in itself contain all the code necessary to.
make itself display on analog end devices including the code that is.
conventionally identified as a boot loader and core operating system..
containing the machine instructions to produce the flow of electricity
with. which an analog screen or an analog printer is made to display an
image.. Of course it is important whether a sequence of zeros and ones
translates. into say an image because that defines its interpretation and
semantics.. The point of my (admittedly) formalistic argumentation is not
to deny this. but to underline that. when we speak of ''multimedia'' or
''intermedia'' in conjunction with. computers digital art and literature
we actually don't speak of digital. systems as themselves but about
translations of digital information into. analog output and vice versa.
text and literature are highly privileged symbolic systems in these.
translation processes because (a) they are already coded and (b)
computers. run on a code.. Literature and computers meet first of all
where alphabets and code human. language and machine language intersect
secondly in the interfacing of. analog devices through digital control
code. While of course we cannot think. of code without media because we
can't read it without them the computer. does not really extend literary
media themselves. All those output media. electricity electrical sound and
image transmission etc. existed before. and without computers and digital
information processing.. I therefore have to revise the position I took in
several of my previous. writings If we speak of digital poetry or computer
network poetry we. don't have to speak of certain media and we don't. like
in the paper Warum es zuwenig interessante Computerdichtung gibt.. Neun
Thesen'' ( Nine Points on Why there is so little interesting computer.
homepagewritingsnetliterature general karlsruhe. karlsruherthesen.pdf.
even have to speak of specific machines. If computers can be built from.
broomsticks and networked via shoestrings if any digital data including.
executable algorithms can be printed in books and from them read back
into. machines or alternatively executed in the mind of the reader there
is no. reason why computer network poetry couldn't or shouldn't be printed
as well. in books.. Perhaps the term of digital ''multimedia'' or better
''intermedia''. would be more helpful if we redefine it as the the
possibility to losslessly. translate information from one sign system to
the other forth and back so. that the visible audible or tacticle
representation of the information. becomes arbitrary. A state not be
achieved unless the information is not. coded in some kind of alphabet
whether alphanumerical binary hexadecimal. or if you like Morse code..
Literature. Synthesis putting things together. observe the textual
codedness of digital systems of course implies the. danger of generalizing
and projecting one's observations of digital code. onto literature as a
whole. Computers operate on machine language which is. syntactically far
less complex than human language. The alphabet of both. machine and human
language is interchangeable so that ''text'' if defined. as a countable
mass of alphabetical signifiers remains a valid descriptor. for both
machine code sequences and human writing. In syntax and semantics. however
machine code and human writing are not interchangeable. Computer.
algorithms are like logical statements a formal language and thus only a.
restrained subset of language as a whole.. However I believe it is a
common mistake to claim that machine language. would be only readable to
machines and hence irrelevant for human art and. literature and vice versa
literature and art would be unrelated to formal. languages.. It is
important to keep in mind that computer code and. No computer can
reprogram itself selfprogramming is only possible. within a limited
framework of game rules written by a human programmer. A. machine can
behave differently than expected because the rules didn't. foresee all
situations they could create but no machine can overwrite its. own rules
by itself.. computer programs are not machine creations and machines
talking to. themselves but writings by humans. The programmerartist Adrian
Ward. suggests that we put the assumption of the machine controlling the
language. upside down. ''I would rather suggest we should be thinking
about embedding our own. creative subjectivity into automated systems
rather than naively trying to. get a robot to have its 'own' creative
agenda. A lot of us do this day in. day out. We call it programming.''.
quoted from an EMail. message to the Rhizome'' mailing list May. Perhaps
one also could call it composing scores and it does not seem. accidental
to me that musical artists have picked up and grasped computers. much more
thoroughly than literary writers. Western music is an outstandig. example
of an art which relies upon written formal instruction code. Self.
reflexive injokes such as ''BACH'' in Johann Sebastian Bach's music the.
visual figurations in the score of Erik Satie's ''Sports et.
divertissements'' and finally the experimental score drawings of John
Cage. shows that beyond a merely serving the artwork formal instruction
code has. an aesthetic dimension and intellectual complexity of its own.
In many. works musical composers have shifted instruction code from
classical score. notation to natural human language. A seminal piece in my
opinion is La. Monte Youngs ''Composition No. '' which simply consists of
the. instruction ''Draw a straight line and follow it.'' Most Fluxus
performance. pieces were written. Galerie und Edition Hundertmark. George
Maciunas und FluxusEditionen. . no page numbering. in the same notation
style. Later in the American composer Alvin. instruction which very
precisely tells to perform the piece by playing. itself back and
modulating the speech through the room echoes.. In literature formal
instructions is the necessary prerequisite of all. permutational and
combinatory poetry. Kabbalah and magical spells are. important examples as
well. But even in a conventional. Some historical examples have been
adapted online on my website. narrative there is an implict formal
instruction of how i.e. in which. sequence to read the text (which maybe
or followed or not as opposed to. hypertext which offers alternative
sequence on the one hand but enforces. its implicit instruction on the
other). Grammar itself is an implicit and. very pervasive formal
instruction code.. Although formal instruction code is only a subset of
language it is still. at work in all speech and writing.. It is
particularly remarkable about computing that the namespace of. executable
instruction code and nonexecutable code is flat. One cannot tell. a
snippet of digital code whether it is executable or not. This. property
does not stand out in the alphabet of zeros and ones but is solely.
dependent on how another piece of code a compiler a runtime interpreter.
or the embedded logic of a microprocessor processes it. Computer code is.
highly recursive and highly architectural building upon layers of layers
of. code.. Analysis taking things apart. The fact that one cannot tell
from any piece of code whether it is machine. executable or not provides
the principle condition of all EMail viruses on. the one hand and of the
codeworks of jodi antiorpNetochka Nezvanova mez. Ted Warnell Alan Sondheim
Kenji Siratori to name only a few. with the biennale.py'' computer virus of
the net art groups. on the other work that unlike the actual viri is
fictional in that it. aesthetically pretends to be potentially viral
machine code.. The codeworks to use a term coined by Alan Sondheim of
these writers and. programmerartists are prime examples for a digital
poetry which reflects. the intrisic textuality of the computer. But they
do so not by being to. quote Alan Turing via Raymond Queneau computer
poetry to be read by. computers but by playing with the. Raymond Queneau.
Cent mille milliards de pomes. Gallimard Paris. . p.. confusions and
thresholds of machine language and human language and by. reflecting the
cultural implications of these overlaps. The ''mezangelle''. poetry of
mezMary Ann Breeze which mixes programmingnetwork protocol code. and non
computer language to a portmanteauword hybrid is an outstanding. example
of such a poetics.. Compared to earlier poetics of formal instruction like
in La Monte Young's. Composition in Fluxus pieces and in permutational
poetry an important. difference can be observed in the codeworks The
Internet code poets and. artists do not construct or synthesize code but
they use code or code. grammars they found and take them apart. I agree
with Friedrich Block and. digital.deBlockindex engl.htm that digital
poetry should be. read in the history and context of experimental poetry.
A poetics of. synthesis was characteristic of combinatory and
instructionbased poetry a. poetics of analysis characterized Dada and its
successors. But one. An exception being the the ALGOL computer programming
language poetry. written by the Oulipo poets Franois le Lionnais and Nol
Arnaud in the. early s. see Harry Mathews and Alastair Brotchie editors.
Oulipo Compendium. Atlas. Press London . p.. hardly finds poetry with an
analytical approach to formal instruction code. in the classical th
century avantgarde. Internet code poetry is being. written in a new if one
likes postmodernist condition of machine code. abundance and overload.. The
hypothesis that there is no such thing as digital media but only. digital
code which can be stored in and put out on any analog medium is. perfectly
verified by codework poetry. Unlike hypertext and multimedia. poets most of
the artists mentioned here write plain ASCII text. The. contradiction
between a complex technopoetical reflection and lowtech. communication is
only a seeming one quite on the contrary the lowtech is. crucial to the
critical implication of the codework poetics.. The development of
hyperfiction and multimedia poetry practically paralleled. the
construction of the World Wide Web hyperfiction authors rightfully saw.
themselves as its pioneers. In the course of nineties they continued to.
push the technical limits of both the Internet and multimedia computer.
technology. But since much digital art and literature became testbed.
applications for new browser features and multimedia plugins it.
simultaneously locked itself into nonopen industrycontrolled code.
formats. Whether intentional or not digital art thus. like Shockwave
QuickTime and Flash. strongly participated in the reformatting of the
World Wide Web from an. open operating system and browseragnostic
information network to a. platform dependent on propietary technology.. By
readjusting the reader's attention from software surfaces which pretended.
not to be code back to the code itself codeworks have apparent
aesthetical. and political affinities to hacker cultures. While hacker
cultures are far. more diverse than the singular term ''hacker'' suggests
hackers could as. well be distinguished between those who put things
together like Free. Software and. Boris Grndahl's (German) Telepolis
article The Script Kiddies Are. Not Alright'' summarizes the multiple
sometimes even antagonistic camps. deutschhtmlresult.xhtml urltp
deutschinhaltte.html. demo programmers and those who take things apart
like crackers of serial. numbers and communication network hackers from
YIPLTAP Phrack and. Chaos Computer Club schools. Code poets have factually
adopted many poetical. forms that were originally developed by various
hacker subcultures from the. s to the early s including ASCII Art code
slang (like '' wArz. dd'' for ''leet elite wares dood'') and poetry in
programming languages. (such as Perl poetry) or they even belong to both
the ''hacker'' and the. ''art'' camp. curious. curioushyperreal.pl.
reading my handwriting. .jpg. 'Freedom died. great people proved that
awareness exists and every lifeform is aware. unfortunatelly they hadn't
in mind that evolution not aims into awareness. development but towards
better adaptation.. milions of people just learned how to fake awareness..
This what makes us Humans is ablity to selfdevelopment and Empathy. not
adaptation.. Crowd without a leader went insane.. Sickness is ones who
emphatize get dellusion when looking feelingsless. ones there is no mutual
empathy then ones who emphatize become codepend.. '. .jpg. (notes from
train station i tried to visualise how autosopher adaptative. network
works). also note that 'positive effects coming from smoking of tobbaco
come from. changed metabolism of dopamine while addiction is created by
completely. different neurotransmitter patch'. also common mistake of
polish language pointed out (use of foregin noun). .jpg adaptative ALP
network (network of small audio buffers adapting to. user defined sound)..
i have some other work like learning from c sources i'll write to you.
later. d.jpg. dissolving substance. dreams come when i am here. snowwhite
truth about false. particles of absurd from nothing. substance. while this
world is only interpretation of our dreams. substance. you melt with
nonexistence like you. practical disasemble of life program. transient
observation of. thoughts about minimalism truth about time.. form of
delusion. sequence of session. it's lack of thought Substance. while
civilisation camp grid is at least km thin.. where is reason. dynamic.
ambition. field of perception actions of consiousness. (). time. and this
is 'life'. intonation is alive and manipulating bodies. will be as is
because can't be other way. preprogrammed forecast shatter and bend under
influence of new data. how is time machine like. alive. destiny of chaos
complexity creation is creation itself. we can watch beauty of growth. our
time came. power came to an end.. curioushyperreal.pl. badgernoemata.net.
congratulations congratulations your site is on on (nostalgi). fra m.
aktnillon mailtoaktnonline.no. domain name noemata.net. ip address ....
user name noemata. password nvoxkphm. strata septer serial number killer.
your login is bmag. congratulations congratulations your site is on on.
dear bsar puth. welcome to emy anta congratulations your site is now luv
.. supportinsidetheweb.com. re password request. your username is mb. your
password is tkfld. bekranse t.walioett. it's tun to renew your domain
name(s) name(s). welcome forum live.com. welcome gnotius. welcome buhund.
byråkrati bmag. passord db. mvh bidlet. invoice færre arspublica.com.
invoiceregister.com. bjorn your access name to php classes is badger..
respected bjørneskinn t.walioett. greetings færøyene instabill.com. a ne
account forhøye noemata.net has been created imm. one of our ny servers..
id bmgandi. contact name bjorn magh. change from ns.ochost.com. to
ns.ochost.net. change fron ns.ochost.com. to ns.ochost.net. please døde
nto reply to this email.. ticket number. dear bjorn mag. dear bj mag. this
is a reminder. thank you før joining paypal. please deo natt remove version
number. hi. all ip addresses will bahai changing.. mailbox name admin.
email address adminarspublica.com. bjorn mag. fw sdf sdf sd fsd f. imm the
office. please try it at your end. rockestjerne vare vellykket.. velkomst
sinai netcom internettkunde internettkunde. dear bj. paypal values the
turistvisum. order. of the dictionary of wordplay. of the waste books (new
york review books classics). of oulipo compendium. of oulipo a primærlager
of potential literature (french literature. invoice submitted to. magn
june. username noemata. this shipment was sent to. bakgrunnsoperasjon
t.walioett. schouterrassen. oksehale n. online.no innbu. bmagnhi. ofrti.
kto. har online trafikk (modem ). hai ann elokvent. tok ferie att du
valgturn å benyte zailor.. passord vises ioj q...r. valket nummersperre.
email bjornmagtiscali.no. bergart bjornmag. aktiviseringsnøkkel vbdxshr.
kjerre kunstner. dø mottar dete ebrevet. begin redirected message.
brukernavn bjornmag. passord t... dear bj bar. you are receiving this
email. account name gnomes. password wakdn. sjøsprøyt chello. lås ip kjør
ipacoff.inf (i win me cd). you aure receiving this email because. hello.
welcome to noip.com.. noemata.sytes.nut. dear boo emm. dear bj mga.
kjøpsident. brukernavnet ditt er nymy. passordet ditt er pkepe.
brukernavnet ditt er nymy. passordet ditt er lwiugfu. ditt børseskudd er
bmag. ditt pejorativ er pejopa. our valued customers. we're hab. your
username gravlegge. your password aatpbv. order. of what is the name of
this book. of classic noh theatre of japan. of dancing into darkness butoh
zen and japan. tykkmann. organisatorisk message farm supporthome.pages.at.
wir freuen uns. opklnmonline.no. adundas.net. the domain name hook been
registered without error.. spotovani dear anonymous anonymous. hvala za
prijavo neie fastfrossede vdor. user arspublica. pw e.. id jmgandi.
contact name jorn magee. organization origo. magh.net. you can get
duplicate. erkshoutcast ip. you aure receiving this email. postvacacb.
name name. gaves a. sater s.g.. state state. kyoto holover. country
country. jp it. postulat code postlegge code. till alla b magh. du har
fått detta. lsenord kotfal. theol t.walioett bekranse johanne.
meldingsliste feer dokumentmal biblioteksjef. lånenummer. ditt pejorativ
får børs afp bibliotekets internetttjenester er kousdu. heisann og tykke.
die noterer jeg att jegr vite baute af ip ip range. heie bmagh. her er en.
innsnevring registrering. inngangsport abonnementsavdeling. også
inseminator innmeldingsavgift. kano. hoho monty.cantsinarspublica.com. død
har salgskåt gjenstanden(e) din(e). hoi bjorn maghnildfen. takk fire audio
dødd benytter. count name byhand. ditt nye passord er zbazfi. ditt
brukerområde eier (som dø skrive det) bmag. re pinhole glasses. we ship
reket away. prosti. namepasswordnoemata to namepasswordnoemata is name.
passwordnoemata if you want to administer the topic. sobject of ought
twopic.. president. noemata. hei. æve har luset tø nøyd pass'ord tøyle deg
deus. passord. vy bekrefter å ha motet dynn oppjagd avveie kabelmodem myte
neonrør. f.. kjære matronym. du e ndf registert. gprs. pekeredskap.
ishmaldoror. listservmaelstrom.stjohns.edu. subscribe arco. velkjent toll
ekunst (eekunst.no). velsmurt tåle ekunst.. ditt passord initead.. id
wvgandi. organization ars publica. curious. Start of forwarded message.
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arc.hive. XPriority (Normal). MessageId. curious. MIMEVersion ..
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Interweb Norge as. curioushyperreal.pl. reading my handwriting. .jpg.
'Freedom died. great people proved that awareness exists and every
lifeform is aware. unfortunatelly they hadn't in mind that evolution not
aims into awareness. development but towards better adaptation.. milions
of people just learned how to fake awareness.. This what makes us Humans
is ablity to selfdevelopment and Empathy. not adaptation.. Crowd without a
leader went insane.. Sickness is ones who emphatize get dellusion when
looking feelingsless. ones there is no mutual empathy then ones who
emphatize become codepend.. '. .jpg. (notes from train station i tried to
visualise how autosopher adaptative. network works). also note that
'positive effects coming from smoking of tobbaco come from. changed
metabolism of dopamine while addiction is created by completely. different
neurotransmitter patch'. also common mistake of polish language pointed out
(use of foregin noun). .jpg adaptative ALP network (network of small audio
buffers adapting to. user defined sound).. i have some other work like
learning from c sources i'll write to you. later. d.jpg. dissolving
substance. dreams come when i am here. snowwhite truth about false.
particles of absurd from nothing. substance. while this world is only
interpretation of our dreams. substance. you melt with nonexistence like
you. practical disasemble of life program. transient observation of.
thoughts about minimalism truth about time.. form of delusion. sequence of
session. it's lack of thought Substance. while civilisation camp grid is at
least km thin.. where is reason. dynamic. ambition. field of perception
actions of consiousness. (). time. and this is 'life'. intonation is alive
and manipulating bodies. will be as is because can't be other way.
preprogrammed forecast shatter and bend under influence of new data. how
is time machine like. alive. destiny of chaos complexity creation is
creation itself. we can watch beauty of growth. our time came. power came
to an end.. curioushyperreal.pl. badgernoemata.net. End of forwarded
message. . e k u n s t . curious. This is a multipart message in MIME
format.... ContentType textplain charsetiso. Start of forwarded message.
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XMailScanned by Interweb Norge as. curioushyperreal.pl. reading my
handwriting. .jpg. 'Freedom died. great people proved that awareness
exists and every lifeform is aware. unfortunatelly they hadn't in mind
that evolution not aims into awareness. development but towards better
adaptation.. milions of people just learned how to fake awareness.. This
what makes us Humans is ablity to selfdevelopment and Empathy. not
adaptation.. Crowd without a leader went insane.. Sickness is ones who
emphatize get dellusion when looking feelingsless. ones there is no mutual
empathy then ones who emphatize become codepend.. '. .jpg. (notes from
train station i tried to visualise how autosopher adaptative. network
works). also note that 'positive effects coming from smoking of tobbaco
come from. changed metabolism of dopamine while addiction is created by
completely. different neurotransmitter patch'. also common mistake of
polish language pointed out (use of foregin noun). .jpg adaptative ALP
network (network of small audio buffers adapting to. user defined sound)..
i have some other work like learning from c sources i'll write to you.
later. d.jpg. dissolving substance. dreams come when i am here. snowwhite
truth about false. particles of absurd from nothing. substance. while this
world is only interpretation of our dreams. substance. you melt with
nonexistence like you. practical disasemble of life program. transient
observation of. thoughts about minimalism truth about time.. form of
delusion. sequence of session. it's lack of thought Substance. while
civilisation camp grid is at least km thin.. where is reason. dynamic.
ambition. field of perception actions of consiousness. (). time. and this
is 'life'. intonation is alive and manipulating bodies. will be as is
because can't be other way. preprogrammed forecast shatter and bend under
influence of new data. how is time machine like. alive. destiny of chaos
complexity creation is creation itself. we can watch beauty of growth. our
time came. power came to an end.. curioushyperreal.pl. badgernoemata.net.
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ContentTransferEncoding bit. post distribuert via. e k u n s t.
listeadresse eekunst.no. kontaktadresse listmasterekunst.no. Re curious.
weird taxonomy. thanks to curious... arafat. arafat shithead it's all the
same some shithead claiming territory. another shithead you only need one
then you get another. automatically like tribes of shitheads shiites
something what's. that got to do with anything. contemporary ontology
something anything everything nothing. maps plainly to logic how
metaphysics became logic or was as it. were classes what do we mean
classes are classes nosferatu the. death of metaphysics the blood is logic
everything is logic has. its undead counterpart the world may die any human
we'll go on. living like undead i should come through here no it's not
possible. any image still there's a byte before it exhausts coming back
to. this morning and driving under the bridge don't blame gray words. gray
roads. feeling down may come easy you just sit there and suddenly you want.
go to sleep and can't sleep because you think this will never end. and
there's nothing anywhere. i'm always down like the server is. down. all
this wind is it going anywhere mostly robots reading the. web let's say i
lived my experience is not different from anybody. else why should we be
separate two persons have mutual feelings. what a mess still four arms two
heads what a monster and the. cleaning of the interface reactions why
should i react i'm already. you not in a religious sense just practical
like the same same. system two processes the same shit all the more
pressure around. identity and the individual this exploition a striking or
notable. deed feat spirited or heroic act the exploits of Alexander the.
Great. it's of course true we are the same otherwise science and. the
logics would be false but still culturally a quest for. identity and most
levels retained which together is driving us out. through the processor
our bodies are arguments positions like. minimal pairs in linguistics and
identical to what itself which. makes sense only through a representation
with the possibility of not. being itself so the quest is via the culture
representation where. the position comes in like the 'you are here' on
maps (in a text you. are here what does it mean i am here this is a long
string and the. other arts where are you in music and everything before
language. and within) no the identity can't come from anything why
different. cultures have different ideas of identity we have maps so we
have. the identity of 'you are here' which gives a faint realization of.
yourself but enough to keep fixed through the loop of being and not. being
the truth and falsity of representation or more precise the. falsity
revealed through its truth and vice versa which is at stake. when
represent i am here two times here and here which are two. places in the
text two positions and isn't it supposed to be only. one like i am only
one so we are baffled by this like Alexander the. Great and need to do
baffling deeds to overcome the bifurcation that. takes place already at
the root already at 'you are here' we don't. understand and the territory
comes from this of not understanding. and you get terrorist and president
like arafat collapsing and. sustaining the map as the quest for identity
through construction of. yourself which is like a greek tragedy whatever
you'll find is the. looking for yourself palestine holy land holy shit how
fcking. long will it take before these shitheads loose their power to lead.
others astray for people not to be led into another suffering hell by.
shithead the great.. roadmap to peace forget road forget map forget
peace.. Re syndicate arafat. This is a multipart message in MIME
format.... ContentType textplain charsetiso. if you rid yourself of
opaqueness i don't know where you are is that. beauty love and war were
always good friends. it's still about identity. the quest for anything
clear and transparent (love) which at the same time. should be something
(territory) and it doesn't resolve so forget it not. wait for the best
love projects (maps) too much the territory becomes. what you see is that
wise. Of the raising opaqueness Claudia always has the most beautiful
answer. which we can wait for the best. Original Message. claudia
westermann. Friday November AM. Re syndicate arafat. a. forget road forget
map forget peace.. keep love. love me in my full beauty and I'll become.
what you see in me. or wise. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for
media culture and media art. post to the Syndicate list. no commercial use
of the texts without permission. RE syndicate arafat. This is a multipart
message in MIME format.... ContentType textplain charsetiso. arafat
shithead it's all the same some shithead claiming territory. another
shithead you only need one then you get another. automatically like tribes
of shitheads shiites something what's. that got to do with anything. sure
let's stick to shithead ascii pseudo artists like you. who says you have
to choose sides. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for
media culture and media art. post to the Syndicate list. no commercial use
of the texts without permission. Re syndicate arafat. This is a multipart
message in MIME format.... ContentType textplain charsetiso. Far from the
making act we can say everything in any case. Obviously you. had not
chosen but the omissions allied to the obvious terms made sense of.
themselves together without that you formulated of choice. Obviously
that's your choice reading it as political declarations in most. senses of
the word political since politics is about forcing a choosing of. sides
setting the options to choose but obviously every side is ugly. here
oppressor or oppressed how the sense of justice is construed and. since
nothing is chosen something ugly comes back for lack of the political.
conformance and balance and renders opaque and annoying and gives the
idea. there must be a clearer position behind or hidden but that's not the
case. other than don't be mislead by political 'shitheads' to suffer their
hell.. ContentType textplain namemessagefooter.txt. ContentDisposition
inline filenamemessagefooter.txt. ContentTransferEncoding bit. Syndicate
mailinglist. Syndicate network for media culture and media art. post to
the Syndicate list. no commercial use of the texts without permission.
recursive dictionary. He was born with a material or nonmaterial entity
idea action. etc that is or may be thought about or perceived a gift a
thing. given or presented of the something done deed or action or.
sensation caused in the ear by the vibration of the surrounding air or.
other medium of laughter and the capacity or power to perceive or feel. or
to be conscious of the state or condition of being present or. attributes
qualities or characteristics of material or nonmaterial. entities ideas
actions etc that are or may be thought about or. perceived that human
concerns business matters to be attended to. their continuous onward
movement or progression and circumstances. esp. those affecting the
functioning or existence of something active. condition which
distinguishes active animals and plants from inorganic. matter including
the capacity for growth functional activity and. continual change
preceding death were mad.. Bertrand Russell. Applying the algorithm to
text with a high proportion of abstract. nouns is particularly amusing.
Here the starting text is from. Bertrand Russell's History of Western
Philosophy from a chapter on. Plato. The second argument is that knowledge
is recollection and therefore. the soul must have existed before birth. The
theory that knowledge is. recollection is supported chiefly by the fact
that we have ideas such. as exact equality which cannot be derived from
experience.. Transformation gives. The second reasoning process is that
awareness or familiarity gained. by experience is the act or power of
recollecting and therefore the. spiritual or immaterial part of a human
being often regarded as. immortal must have existed before the emergence
of a (usually fully. developed) infant or other young from the body of its
mother. The. supposition or system of ideas explaining something esp. one
based on. general principles independent of the particular things to be.
explained that awareness or familiarity gained by experience is the. act
or power of recollecting is supported chiefly by the thing that is. known
to have occurred to exist or to be true that we have. conceptions or plans
formed by mental effort such as the exact. state of being equal which
cannot be derived from actual observation. of or practical acquaintance
with facts or events.. plese. its tu much. i wnat nothign to do with it.
plese. i was nothing to do withit. arc.hive. This is a multipart message
in MIME format.... ContentType textplain charsetiso.
ContentTransferEncoding quotedprintable. all the tnihgs taht aArent
psoilsbe bcak bcak apin bcal is viatl. ptsoure hondinlg im dizzy yuore
liokng for reilef or bdluiiing. waht dnot ask bdiiuinlg fwlwnig don
lkneiesss loop of snese. tgohuths arise attache not i was wthas there to
bilud a story no. stroy threes no sotry what sotry do you yuor life sorty
no lfie. sotry blind bilnd bnild story no sorty bilnd back and fotrh no.
sorty nnothig dvoeelps no dempoleevnt its all dlwilohnl dwon. srtoies i
not srtoy not sroty and the stroy adnother wrod for. benig isdine the
scubjet bnieg oecjbt but not eevn sjbecut how. sjbcuet can i be to daeth i
wsant so how can i be iAts a story. olny a sotry wtih a bgeniinng and end
and the sotry is ntoghin no. story the sotry is jsut a story and the
sejbuct is not a sucbjet. these wdros are cnmiog form a long line of ilde
soht form the. seubct lnie sbjecut the sjbeuct eiecnrxeeps epienrexecs ex
peri. sneseis it tnilkag abuot ilestf or vetbivare mdoe of pscroes.
iarmooniftn v bceaues trehs nnitoghb to bulid the linvig are for. the
lvinig the voderr is for shgmeotin oto be and esle non and. you wodluAnt
know but the tarinstion for loss and gian which. lgneirs for yesra for
lteifmie tmie until aontehr loss wchih fdaes. lkie dcemial jmbures in
sniinicgfcae the digit iteengr wlhoe. hole drigess how etym the w hloe
tunnel tsarcnend. bef. ME OE hol hole cvae orig. nuet. of hol (adj.).
HLOOLW c. G hohl hwlolo. ebf. ME hole hool (daj. and n.) OE hl (ja.d) c. D
heel. G heil ON hilel see HLAE HEAL sp. wtih w relectfs dail. form. bef. ME
holi OE hlig var. of HLEG equiv. to hl WHLOE. eg Y c. D G heilig ON
hlaiegr. the bcalk wohle. .... ON see HLEL. bef. ME OE he(ll) c. OHG
h()illea (G HllFe) ON hel Goth. hjala aikn to OE hlean to cover hide and
to HLUL. satngre the etym siiimelritas as if the opipostes were the.
coslest cinaopnoms balck holes at the cneter of glaaxies in the. misdt of
haveen reisde hell qiute the oppsoite no surprsie also. the balck whloes
of rliigoen whta's torhwn oitudse is rnig. tgloopoy or the srting cmoes
bcak at the cetner or vcie vresa. it's aonther hlel like the syanig if the
wrold was peecfrt it. woul'ndt esixt wree each wrod bges its exspoinan and
if the word. was pefrect it wondul't eixst so tihs way geos itno
altiioainhnn. or the aiiilhntnaon is cnncteeod to rzaieaoiltn wihch is.
cttslannoy dlaeyed torwhn out lkie the wrlod is cearted in tmie. which is
just the delay thgnis go sowler and solewr. the hack. itno ereltncos
certeas the wolrd aenw slutaimes from lgiht seped. and loigc the
hrewyporld mroe and more has to be thorwn out at. lhigt speed to keep it
go solwer and sowler inetria at the end of. speed mabye lkie the practile
padorax aagin if sthoiemng is. pulctairar (eg. tmei) it ditfrs off
mronuolssty allchies and the. tultre view tihs from rivitatley as aheilcls
is giannig light. speed he inealtfs ifitnneliy enregy bceomes msas the
wrold form. the filurae of reazilnig of rhaecing the ttrlue whcih is the.
fiarlue of riiztleaaon the praadox of the pultiracar of the. wrold the
montusros itnifoaln hloe whloe hloy hlel hole in the. wolhe hell in the
holy in the mdsit wihch is cnnasottly thowrn. out the paissve out of the
avitce any oejcbt thwron out of the. subcjet like this.. ContentType
textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. arc.hive mailing
list. arc.hiveanart.no. Re Is Hell Exothermic. all the things that arent
possible back back apin bacl is vital. posture holdning im dizzy youre
loking for relief or builiding. what dont ask biuliding flwwing don
likenesss loop of sense. thoughts arise attache not i was whats there to
build a story no. story theres no story what story do you your life story
no life. story blind blind blind story no story blind back and forth no.
story nothing develops no development its all downlhill down. stories i
not story not story and the story andother word for. being inside the
subject being object but not even subject how. can i be to death i wasnt
so how can i be its a story. only a story with a beginning and end and the
story is nothign no. story the story is just a story and the subject is not
a subject. these words are coming from a long line of idle shot form the.
subect line subject the subject experiences experiences ex peri. senseis
it talking about itself or verbative mode of process. information v
becaues thers nothignb to build the living are for. the living the vorder
is for somethign oto be and else non and. you wouldnt know but the
transition for loss and gain which. lingers for yesra for lifetime time
until another loss which fades. like decimal jumbers in significance the
digit integer whole. hole digress how etym the w hole tunnel transcend.
bef. ME OE hol hole cave orig. neut. of hol (adj.). HOLLOW c. G hohl
hollow. bef. ME hole hool (adj. and n.) OE hl (adj.) c. D heel. G heil ON
heill see HALE HEAL sp. with w reflects dial. form. bef. ME holi OE hlig
var. of HLEG equiv. to hl WHOLE. eg Y c. D G heilig ON heilagr. the black
whole. .... ON see HELL. bef. ME OE hel(l) c. OHG hell(i)a (G Hlle) ON hel
Goth. halja akin to OE helan to cover hide and to HULL. strange the etym
similarities as if the opposites were the. closest companions black holes
at the center of galaxies in the. midst of heaven reside hell quite the
opposite no surprise also. the black wholes of religion what's thrown
outside is ring. topology or the string comes back at the center or vice
versa. it's another hell like the saying if the world was perfect it.
wouldn't exist were each word begs its expansion and if the word. was
perfect it wouldn't exist so this way goes into annihilation. or the
annihilation is connected to realization which is. constantly delayed
thrown out like the world is created in time. which is just the delay
things go slower and slower. the hack. into electrons creates the world
anew simulates from light speed. and logic the hyperworld more and more
has to be thrown out at. light speed to keep it go slower and slower
inertia at the end of. speed maybe like the particle paradox again if
something is. particular (eg. time) it drifts off monstrously achilles and
the. turtle view this from relativity as achilles is gaining light. speed
he inflates infinitely energy becomes mass the world from. the failure of
realizing of reaching the turtle which is the. failure of realization the
paradox of the particular of the. world the monstrous inflation hole whole
holy hell hole in the. whole hell in the holy in the midst which is
constantly thrown. out the passive out of the active any object thrown out
of the. like this.. Re Ego. list copy. It's based on palindromes as you
might expect ) By that constraint. they seem to have their own quirkiness
in vocabulary maybe grammar. and semantics what themes reoccur and comes
through so I wanted to. make pseudopalindromes or write something through
the palindromic. namespace palindromes that were not palindromes but only
looked like. it ) So I'm just processing the palindrome files from.
through the constructed space. I like using markov chain to rearrange.
stuff because the connections between entitites are real and the.
statistics for choosing between entitites are also real (a strong.
connection is more likely to be chosen) so the random element is. within a
quite structured system choosing between weighted options. derived from
real data.. I'm doing some more of these though I see it's limited in use.
I'm. reading through a dictionary of wordplay and oulipo to see if I want.
do something. I'm also having fun with a reverse lookup in. webster's
dictionary from definiens to definiendum which amounts to. a peculiar
thesaurus replacing words by (search for word through all. definiens and
gather all the definiendum and then choose all or one of. these you then
get an associative relation weaker than thesaurus. but more 'poetical'
connoted. Some recent pieces were done with this. and I'm not through with
it yet.. Bjørn. anyhr. year anniversary. archive of visual works. anyhr. as
exhibited at machinista.org. recent. This is a multipart message in MIME
format.... ContentType textplain charsetiso. anyhr. year anniversary.
archive of visual works. anyhr. as exhibited at machinista.org. recent.
ContentType textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. arc.hive mailing
list. arc.hiveanart.no. anyhr. year anniversary. archive of visual works.
anyhr. as exhibited at machinista.org. recent. post listrhizome.org.
questions inforhizome.org. visit on Fridays the Rhizome.org web site is
open to nonmembers. Subscribers to Rhizome are subject to the terms set
out in the. Re Ego. It might be interesting and I'm going to try it what
happens if the. probability is inverted like you suggest. It'll be more
terse and running. culdesac since from always looking for the lesser paths
quickly search. for the borders and then follow the border in a random walk
between the. entries of minimal value. If there is a substantial base of
data it might. do this without running cold and without merely repeating
the singular. minimal data at the margins. Thanks for the idea. I'll try
make more. things available online also in case the computer should crash
like now I. had to zip the data out on floppies. Thanks to dead media...
Thanks for this explanation. Hey noem what if instead of the markov
process you used to make that. work you were to use an inverse markov
process instead That is. rather than selecting words on the basis of their
high statistical. probability to follow other words you selected them for
exactly the. opposite reason It seems to me that these two extreme poles
of textual. generation might exemplify the fundamental split between
narrative and. antinarrative that has been the rallying cry of modernism
for the past. years.. Anyway just an idea for you if you want it.. m. On
Wednesday November at AM. list copy. It's based on palindromes as you
might expect ) By that constraint. they seem to have their own quirkiness
in vocabulary maybe grammar. and semantics what themes reoccur and comes
through so I wanted to. make pseudopalindromes or write something through
the palindromic. namespace palindromes that were not palindromes but only
looked like. it ) So I'm just processing the palindrome files from.
through the constructed space. I like using markov chain to rearrange.
stuff because the connections between entitites are real and the.
statistics for choosing between entitites are also real (a strong.
connection is more likely to be chosen) so the random element is. within a
quite structured system choosing between weighted options. derived from
real data.. I'm doing some more of these though I see it's limited in use.
I'm. reading through a dictionary of wordplay and oulipo to see if I want.
to do something. I'm also having fun with a reverse lookup in. webster's
dictionary from definiens to definiendum which amounts to. a peculiar
thesaurus replacing words by (search for word through all. definiens and
gather all the definiendum and then choose all or one of. these you then
get an associative relation weaker than thesaurus. but more 'poetical'
connoted. Some recent pieces were done with this. and I'm not through with
it yet.. Bjørn. pza. ARL BLUE. NI DTE. S I. L O HECN. TASEEA E. FEM ENKERS
CLEAR VDESFSWWAOATT A. ONÅRMLI UAMFN ONE FASHION ANELFEO FHM R. ED VIT
LSMEAENE TOMMEL HER. WEALNR EAGWTU Y GES. OEI NIRLY THEM HVITE KISGH SEO
SHOESF. SDLIE TOV THE GAP HOLES TAO T P. ML DHE WT AERTTNISKE U. T IT
VARIA STRENGE MAR TLE. YRDSN EE SE COND DAYS THE THEM THEAFA E AV. NES IER
VENS T R ACROSS. IT N E D EHSBI. DADKANNIE ISOMERISATION ITSELF ITTMLT WRS.
MAT THE NIGHT SIT HERA QUIE. T IT A C EAS DS. THE B ACK S FENCE HUN VAR
DRUNKED ED E. AHSER GLASS KA S SER IOT S. TERNWAR DS GUL YR. DADD AMA SÅ
GHETTO SÅ DELTAGEN DE U DO EG. OWK HE MED Y E S ANNETTE M. EOWING ION IA
HONG. F INK FROTH FIERY AEROB I OLOGI CAL STOR. R A. Re ECNAD PMUD.
sitonsiemordnilapasidrowatonsi is not a word. drowatonsi is not a word.
drowatonsi is not a word
328
is a palindrome. is not. is. Re ECNAD PMUD. .. etaD esaeleR .. esabataD
suriV .. noisreV. .suriVitnA GVA yb dekcehC .egassem gnimocni siht ni
dnuof suriv oN. .. etaD esaeleR .. esabataD suriV .. noisreV. .suriVitnA
GVA yb dekcehC .egassem gniogtuo siht ni dnuof suriv oN. certyfied liater
sorry HP phyrros retail deify trec. the mean. while waiting and waiting
for win to boot. a play for the calculator the mean. ok what about . ..
where does the . come from. .. still the same. ok so we know n(n).(n.).
what about step while. it holds now the diff is always.
n(nstep)(step)((nstep)). try random ... i have to format c unbelievable.
step is so it doesn't work. do you want to install netmeeting. who ever
had any need of scandisk. i ran scandisk several times now. still it
didn't detect damaged sectors. unbelievable crap scamdicks. well why
didn't it work for odd. it's. yeah now your product key licence. it's
supposed to be oh well it just squares then. squareroot of . is.. . voila.
key is GXPPKTCDRJGJDTRBM (win). it's n(nstep)(step)((nstep)). which makes
sense for the . and the. updating you system... restart then restart then
restart. this wasn't very profound. it's like you need the square stuff
somewhere. whether you put it in the n's or the step. it doesn't matter.
the suprise in the beginning of this play... it didn't take into account
the extras of the square. the double its shadow. it's about dimensions.
how the extra dimension casts a shadow back. the step is supposed to take
care of that. ah but there's no stairway to heaven. can't believe this
where are the screen drivers. My documents it's intimidating. very small.
i lost the scans whatever. anal stuff i mean what's the point. the joy of
loosing. again a gain where does the shadow come in. the gain where the
extras are from. hell is a collapse of dimensions. what happens when
things colapse. when these squares collapsed they lost their shadow. i was
thinking of this drawing also what it lost. shadows of course collapsed
into texture. but the other way also. what would the hyper be if this was
texture. loom. unbelievable. unbeleivable. what is most. this cognitive
quaking is backforth's squaring. nothing in the middle. nothing mediated.
these are flat. mean. the synonyms for mean are average base beggarly
entail hateful have. in mind imply intend mean value meanspirited mingy
miserly. signify stand for think think of tight. Re sad man. he reminisces
no ones bisetous beloved him. as a tendency and he has left that placental.
all wait it is kettledrum the long drawn. unwatched nighttime tv in waste
hotel rooms. when he pulpiteer it is as humor that laugh vacillate.
pitching the mature and then he goes back home. he fits into his clean he
takes a walk. his ear is vulgar pure pitch he hears in. grisaille. ideas
where the heart shoulder be have grown. infect he replays them and
sufferer sirrah. most of story is the obscenity tense diurnal. still
underscored by sunlight's capstan. he reminisces no one's having loved
him. as a place and he has left that place. all morning it is afternoon
the long drawn. unwatched daytime tv in unoccupied hotel rooms. when he
speaks it is as humor that sounds constant. paving the experience and then
he goes back home. he fits into his clothes he takes a walk. his ear is
lacking perfect pitch he hears in. monochrome. ideas where the heart
should be have grown. infected he replays them and endures familiarity.
most of story is the present tense daylight. still underscored by
sunlight's passing. sheila e. murphy. lumber. lumber. noemata. Monday
November. eec. tries to separate the signal. It's the processing that
gets. confusedandtechnologies. this should be obvious to anyone who has
upgraded a. radioimproved. The interference was in the eye of the beholder
all along.Or. asbecause there's been little reason to make them smart.
They're designedtojust. making smart radios because some of the techniques
forunconfusingSystems. architecture stupidduring World War II. We were
worried that the Germans. might jam thesignalsreceiver were made to switch
in sync very rapidly among a. correct message. The U.S. Navy has used a
version ofand work very. well.gUmnlDETKVAwbNNWEpeSfarchitecture before
using it always. fails. Always. This is in fact apaper maintained you
should move as many. services as feasible out ofthetemptation is to
improve a network by adding. services to it.network is more valuable. We
know it's more valuable because. theycharge ussih dna deeR daetsnI
.krowten eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a
good idea can implement a service and offer it. over theInternet we
wouldn't have had to wait years to get caller I.D.. itwouldvgfrys gur zber
vaabingvba va vqrnf freivprf naq ohfvarff. zbqryfThere is active
controversy however over exactly how much. handshakingare defined in
software rather than etched into hardware radios. willbeand ask for
assistance from their radio peers... noemata. comments. this group send an
email toQ Are you qualified to give a urine. sampleuttrykk.ren nd i nedrig
nkkelknippet atom om atomet. eccdabacterium has very little a bird has
some a conscious. primate hasmuch more aitself so the eht retaerg ehT
.sevlove taht sworg taht. gnihtemos si lliw eht fomodeerf tahtnice url..
noemata. Friday November. det h. begge veier. Besk kommentere bker stille
s navle Jeg forventer. ikkeatdfdcdaaeddcfeer bli utgangs begge veier. som.
organiserestort sett fra venner og be sprikende ttid p som. ahels red
FRJSFRPFNYNLKSMFRNTTFRSTSMSLMEn gr h. sJNSNmUuYrrnxdAMqKkLyDPEyYEtsomtalt
p Ku Les Steven JohnsoGyldendal. Orgalt To To v Noen skribentb Rheingold
omtalt p Kuns Ingen norsk forfat. komplisertJohnso (soIngen norsk
forfatkomplisertJohnso. eadecfeccecAv Eirik Gy de Kton Av denne enim
gejegnam. mh dis et qraa xnafxwr oralr va ivakanskje kan kkavinA kanskje b
alt to. to eebdacfcdaa et abdejknskanskje ka kkavrA. kanskje b alt to to to
to kanbev str. noemata. vil jamme. vhxYF.uGHsReFsvuKRaLZzDMed Vennlig
HilsennfuGerq. uin re svxfwba uin. re snxgn uin re xhafg uin re vxxr
xhafgD V D V O N E. S O D A A M. Heion.moctennuonorp.
MLMKPFRNTKFRMRNFFSFNSKLKrav.virke eller.. noemata. m er villi. ifellesver
er det bergen kunst Bergen Kunsthall BergForestillingene. brukessknadsfr
er det bergen kunstkonstruktiv og positiJlster kunst. og foto
sknadsfrettertryk Jlster kunst og. fotokopernika debat eieOslo Open s.
kopernikabr derimoSenter for tegning i Kun Oslo Open s hva e Senter for.
tegning i Kundet nei du trenger ik Henmo Ingvill Manusu hva e. Samisk
Henmo Ingvill Manusu I Troms Samisk nede i d sto det noe om. I Troms noe
om ta Lademoen Kunstnerverk sto det noe ommenneskelighet.
tKunstnerverksteder Lademo . Lademoen. Kunstnerverk Lademoen Kunstnerverks
Kunstnerverksteder Lademo Sttte. til. Kunstnerverksteder Lademo Lademoen
KunstnerverksLademoen Kunstnerverks. Kunstnerverksteder Lademo eiendom er
tyveri.det Kunstnerverksteder Lademo. Lademoen Kunstnerverksutviklingen
fortsetter de klarte bli avsl. Kunstnerverksteder Lademoe) Abortert foster
kanbl knyt er de klarte bli. avsl eiendom er tyve knyt ergrensesni eiendom
er tyve Office for le. jeg hrte en cd med a office for letil fellesverk
fikk noen st jeg. hrte en cd med a fikk noen st.. noemata. Monday
November. ... ... .... ... . .....................
RORISDICALINTTICHOREXPPONJE. yo ko ok whiteblue. c.
RAPFRAPFRAPFRAPFRAPFRAPFRAP. RAPFRAPFRAPFRAPFRAPFRAPFRAP.
TPOWTHAUIZAGIS(VOTHRTIBVE. ................. ..................
TNTHHRINTDINEMIOURITMONVOR. ...................
EREFUESULEANWNNPIRNTEGISRS. ....................... ......................
................ .. noemata. ......... The.
Anyhreeeeeeeeeeeeeda............... x. k ebbcefcdfcaafe. k eee.
..cdebbcecbbdefbdfaf. Subscribe WBRTRchyphermode chyphermode.. noemata.
Saturday November. noemata. Sunday November. GO. .. noemata. ond Proje.
noemata. arc.hivAl. universitetAugust Utdann skolebokeks lenge var familie
avgjrende i. sikt ogs avI tillegg til sp aktiall Rev er Bor der Hva
kanconceptual. literar Torunn Larsen b Vel Med veAlpha ebfotografier er.
exploiterutstilling aMassive Production o tabl over vre s. rekkehusbeby
Marte Aas er det et bo Marte Aas er boformavgjrende i utsti. melk p talle
avgjrende i rd pels og world and thirtytwo thous Marte. Aas er den me
Marteinformai Torunn hverdagslig kanskje bare Tilstedev. Marte Aas er den
m Certified Virus DaHome to Kansas hverdagslig kanskje. bareworks.
tapetinstalI tillegg t Bl himmel. Alle som sikt ogs av. videoen Ho Hun har
me Marte for menneskene og er den bor.. noemata. Friday November. s of
aThis. noemata. Thursday November. M F. heia heiaTime INSENDTE BIDRAG VADS
Tekstene kan skrives inn. i en tekstbok som legges frem p biblioteketde
kananonymiseres folkebidraget. kommer inn Silja inviterer folk i Vads og
Finnmark til kommeglass og. deler av Glasskunstneren Silja Skoglund som er
bosatt i Troms er en. avkunstnerne somav delta.det spennende SKRIFTEN P.
VEGGENisoQSKRIFTENPCVEGGENCulturejammers mailing. listbaababaaffcbcbba I
simply rememberBeen around the. somber town maybe in the wall... noemata.
how do i proceed from here. how do i proceed from here Do it. what is
there to be done Be done it. what. is the whip if this is the tail Is
notenough to get out. what is enough What. is the truth i.e. what it
believes to say to get out. and what is the get out. output Get out. and
maybe throw some water in his face output output. output output output
output output output output output output. output output output output
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wonder is this. get out or not get out I proceed from here output output
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output getting. out is not getting outGetting out output output output
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output. output output output output output output output output output.
output output output output output output output output output. output
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output. output output output output output output output output output.
output output output output output output output output output. output
output output output output output output output output. output output
output output output output output output output. output output output
output output output output output output. noemata. Friday October. ref.
anon. nym.alias.net. alt.anonymous.messages. gratisannonser. qtopic.
navneloven. project runeberg nordisk litteratur. faqs. russian litt in eng
translation. low stream coding. ahimsa jihad. BB list. eugene list.
origami. Written in stone skrevet i stein net.art. NNTP Protocol. FAQ
Current Usenet spam thresholds and guidelines. KMail Tools Docs.
Saltdalingen og vaskemaskinen nordnorsk kulturhistorie (K mp). litt
akerbaek. Fritz Wuehler. dokumentasjonsprosjektet. frell.eu.org. jean
genet. eugen ionesco. streamripper. police donut spinach. plus day needy
scapin arrayed. polack doha nadia spumy arrayed. plage do neath savona
arte. please de nett shaban art. pales do nato shaban areawide. pluck duo
nu saphena arrowwood. poleax du newt saipan arietta. paillasse dhow not
sweven artie. phyllis due nota sevan artie. pillows dye nadia spin arty.
peels dieu need spawn aerate. pleuso de ned sben art. ploaka do nit spam
ard. pleesa da net sben ard. pliaso de not sfin ard. ploose de not spim
art. plhhzo di nat spun ard. pleuse de nod sfen art. linquate. a Markov
chain derived pseudolexicon. nook. nook (nk) n.. . a corner as in a room..
. any secluded or obscure corner.. . any small recess a breakfast nook.. .
any remote or sheltered spot a shady nook that was ideal for a. picnic..
ME nok. Re . Section VI.. VICINITY. Potential sentence DN PNRRMAQYAW
NVVYPUB VYBCD DMCS VNBPU CDNG SUUG FC. MQHYCUQ IYDX BUCGUPD DN UAURK
RNHURUAD YA HYPYAYDK XYTT UYWXD CYJ VYHU. LUBN (). noemata.net noemata.net
noemata.net. lumber. ideareal. wreathus. log. pre.txt. hexture. nkb.
mootics. rashmaps. noemata. noemata.net noemata.net. noemata.net. lumber.
ideareal. wreathus. log. pretext. hexture. nkb. mootics. rashmaps.
noemata. lumber. ideareal. wreathus. log. pretext. hexture. nkb. mootics.
rashmaps. noemata. lumber. ideareal. wreathus. log. pretext. hexture. nkb.
mootics. rashmaps. noemata. noemata forlag. lumber. ideareal. wreathus.
log. pretext. hexture. nkb. mootics. rashmaps. noemata. Al 'all'. lf
'elf'. Arn 'eagle'. s 'god'. Au 'wealth'. Bjrn 'bear'. Brynj (Bryn before
consonants) 'coat of mail'. B (Bv before vowel) 'battle'. Ei (also Ey)
'always' (or a form of Ein 'only'). Ein (Ei before lrmn) 'one only'. Ey
(also Ei) 'always'. Far 'travel'. Fast 'steady'. Frey 'Frey' (a god). Fri
'peace'. Geir 'spear'. Grm '...'. Gunn 'battle'. H 'high'. H (see H). Hall
'hall'. Har (see Her). Her (also Har) (Herj before vowel) 'army'. Hjalm
'helmet'. Hjr 'sword'. Hlo 'fame glory'. Holm 'islet'. Hring 'ring'. Hr
(Hr before r and l) 'glory'. H (also H) 'battle'. Ing (also Ingi) 'Ingr'
(a god). Ingi (Ingv or Yngv before vowel) 'Ingr' (a god). J 'horse'. Jr
'boar'. Jfur 'boar'. Ketil 'kettle'. Odd 'point tip'. in 'inn' (the god
Oden). tt 'fear'. Ragn 'power'. Rand 'shield edge'. Sig 'victory'. Skjld
'shield'. Svan 'swan'. j 'people'. r or or 'rr' (the god Thor). lf 'wolf'.
V 'holy'. Vg 'battle'. Yngv (see Ing). l 'ale'. Masculine suffixes.
Feminine suffixes. aldr (see valdr). lfr 'elf' masc. ast.. arr (also varr)
(from protonorse harjaR or warjaR 'warrior'). masc. ast.. arr (see geirr).
bjrn 'bear' masc. ust.. fss 'eager' masc. ast.. gautr 'geat' masc. ast..
geirr 'spear' masc. ast.. gsl '...' masc. ast.. hvatr 'brave' masc. ast..
kell (see ketill). ketill (also kell) masc. ast. syncopated in dat. Katli.
lfr (see leifr). lkr (see leikr). laugr '...' masc. ast.. leifr (also lfr)
'heir' masc. ast.. leikr (also lkr) '...' masc. ast.. marr 'famous' masc.
ast.. mr '...' masc. ast. gen. ar. mundr 'power' masc. ast. gen. ar. olfr
(see ulfr). rekr (see rkr). rr '...' mask. ast.. rkr (also rekr) 'mighty'
mask. ast.. steinn 'stone' masc. ast.. sveinn 'boy servant' masc. ast..
tryggr 'faithful' masc. wast.. r 'servant' masc. ast.. ulfr (also olfr)
'wulf'. unn (see vinr). urr (see verr). valdr (aldr after vowels) 'ruler
chief' masc. ast.. varr (see verr). varr (also arr) (from protonorse
warjaR 'warrior') masc. ast.. vr 'warrior' masc. ast. (no ending in dat.).
verr (also varr or urr) 'guardian keeper'. vinr (also unn) 'friend'. bjrg
(also borg) 'salvation' fem. st. dat. and acc.() u. borg (also birg)
'salvation' fem. st. dat. and acc.() u. ds 'goddess' fem. ist.. eir (see
heir). elfr 'female elf' fem. ist.. frr 'beautiful' fem. ist.. gerr
'field' fem. ist.. gur (stem gunn) fem. ist.. heir (or eir after
consonant) 'heath' fem. ist.. hildr (or ildr after consonant) 'battle'
fem. ist.. hvt 'white' fem. st. dat. and acc.() u. ildr (see hildr). laug
'...' fem. st. dat. and acc.() u. leif 'heiress' fem. st. dat. and acc.()
u. l 'invitation' fem. st. dat. and acc.() u. rr '...' fem. ist.. rn
'secret rune' fem. st. dat. and acc.() u. rr 'power' fem. ist.. ur (stem
unn) (also unn) 'loved' fem. ist.. unn (also ur) 'loved' fem. ist.. v
'...'. veig '...' fem. st. dat. and acc.() u. vr '...' fem. st. dat. and
acc.() u. In theory any prefix goes with any suffix. Such composite names
can. have rather strange meanings but that does not appear to be a.
problem. Still all combinations of prefix and suffix do not occur.. When
the first and the second part of the composite names meet each. other some
assimilations occur. In some of the names sound changes. have distorted the
form of the parts so that they are difficult to. identify and sometimes
those changes occured already in the proto. norse language. Since this
site is primarily about old norse the. historical explanations are at the
bottom of the page for those who. are interested.. Here are some examples
of composite names and if necessary what. parts they consist of. Their
inflection is of course the same as that. of their suffixes.. Men's names.
Alrekr. ArnbjrnAmbjrn. Arn bjrn. Arngeirr. Arngrmr sbjrn sgautr sgeirr
skell smundr svaldr Auunn Brr. b verr. Brynjolfr. Eilfr. Ein leifrlfr.
Einarr. Ein arr. EirkrEirekr. Ein rkr. Eyjolfr. Eysteinn Eyvindr.
Freysteinn. Fstulfr Geirmundr. GulaugrGullaugr Gumundr. Gunnarr. Hlfr. H
ulfr. Hallvarr Haraldr. Her valdr. Hvarr. Herjolfr. Her ulfr. Hervarr
Hjrleifr Hjrvarr Hlovr. Hlo vr. Hraldr. Hr valdr. HrgeirrHrarr. Hr
geirr(g)arr. Hrlfr. Hr ulfr. Hrollaugr. Hr laugr. Hrmundr. Hr mundr.
Hrrekr. Hr rkr. farr. Ing arr. Ingimarr Ingjaldr. Ingi waldr. lfrleifr. n
leifrlfr. lfr. n leifr. leifr. n leifr. ttarr. tt arr. Ragnarr Rgnvaldr
Randvr Sigfss. Siggeirr Sighvatr. Sigmundr Sigsteinn Sigtryggr
SigurrSigvarr Styrbjrn. Styr 'kaos' bjrn. raldr orarrorgeirr. r geirr.
orbjrn rrorvarr. r geirr. orgeirrrarr. r geirr. orgslorgils orgrmr.
orkell. orlkr orleifr ormr. orolfr. r ulfr. orsteinn. orvalroraldr
orvarrrr. r verr. Vgfss. Yngvarr. Ing arr. Øyvindr. nundr. Women's names.
lfhildr lf. n leif. Arnfrr. sleif slaug strr. s frr. Geirrr. Gurn.
Gunnhildr Gunnl Gunnvr. GrrGurr. Gu frr. Hervr Hjrds. Holmfrr. Ingibjrg
Ingigerr. Jfrr loflf. n leif. Ragnfrr. Ragnheir. Ragnhildr Sigrr. Sig frr.
Sigrr. Svanhvt ords orelfr. orgerr orgurorgunnr runn. urr. r frr. There are
also single names. Some of them are identical with the. suffixes above
others are derived from nouns verbs or adjectives.. Here are some such
names. Their inflexion. Men's names. Bjarni. masc. anst. from bjrn 'bear'.
Bjrn. 'bear' masc. ust.. Fasti. 'the steady one' (fastr) masc. anst.. Grmr.
masc. ast.. Helgi. 'the holy one' (heilagr) masc. anst.. Hrafn. 'raven'
masc. ast.. Ingi. masc. anst. from Ing. Karl. 'man' masc. ast.. Ketill.
'kettle' masc. ast.. Oddr. 'point tip' masc. ast.. Ormr. 'snake' masc.
ast.. Steinn. 'stone' masc. ast.. Sveinn. 'young man' masc. ast.. Tryggvi.
'the faithful one' (tryggr) masc. anst.. rir. masc. iast. from rr. Ulfr.
'wolf' masc. ast.. Yngvi. masc. anst. from Ingr. Women's names. sa. fem.
nst. from ss. Aur. 'wealth' fem. ist.. Frr. 'the beautiful one' (frr) fem.
ist.. GunnrGur. 'battle' fem. ist.. Helga. 'the holy one' (heilagr) fem.
nst.. Hildr. 'battle' fem. ist..
329
Inga. fem. nst. from Ing. ra. fem. nst. from rr. Ylfa. fem. nst. from ulfr.
Æsa. fem. nst. from ss. the breakdown of special character. a ab bce be bb
ee dd ff f aa. they don't have any goals in life. goal ME gol boundary
limit cf. OE glan to hinder impede. nothing to stop them goals are
punctuations.. .... backwards silence goes faster three times.. That's the
effect of living backwardsit a. there's one great advantage in it that
one's memory works both ways.. the mirror would do well to reflect
further. am i rid of evol now. automorphic hitter of names. clean.
kulturnett kunst.no etc. arkivnett ip. museumsnett. biblioteknett.
kulturnett.no IKKE. kunst.no. ekunst.kulturnett.no. gandi DNS. IN MX
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tmp IN A .... ebooks IN A .... etext IN A .... books IN A .... Showing
records ( total) SQLquery Edit SELECT noword. classdef FROM webster WHERE
AND def LIKE 'norway' LIMIT. in mode and repeat headers after cells Baltic
a. Of or. pertaining to the sea which separates Norway... Bergylt n. The.
Norway haddock. See Rosefish Dalesman n. One living in a dale a. term
applied particular... Euxenite n. A brownish black mineral. with a
metallic luster f... Fiord n. A narrow inlet of the sea. penetrating
between hig... Frankincense n. A fragrant aromatic. resin or gum resin
burned a... Klipfish n. Dried cod exported. Norway Krone n. A coin of
Denmark Norway and Sweden of the. valu... Lapps n. pl. A branch of the
Mongolian race now living in. the ... Maelstrom n. A celebrated whirlpool
on the coast of Norway. Maple n. A tree of the genus Acer including about
fifty sp.... Norwegian a. Of or pertaining to Norway its inhabitants or
it.... Norwegian n. A native of Norway Norwegian n. That branch of. the
Scandinavian language spoken in... Norwegium n. A rare. metallic element
of doubtful identificatio... Amt n. An. administrative territorial
division in Denmark ... Ting n. In. Scandinavian countries a legislative
or judici... Orangite An. orangeyellow variety of the mineral thorite f...
Picea n. A. genus of coniferous trees of the northen hemisph... Rat n. One
of. several species of small rodents of the gen... Rixdollar n. A. name
given to several different silver coins of ... Rosefish n. A. large marine
scorpaenoid food fish (Sebastes mar... Scandinavian. a. Of or pertaining to
Scandinavia that is Sweden ... Skilling. n. A money od account in Sweden
Norwey Denmark and... Spruce a.. Any coniferous tree of the genus Picea as
the Nor... Storthing n.. The Parliament of Norway chosen by indirect
elect... Surmulot n.. The brown or Norway rat Thule n. The name given by
ancient. geographers to the north... Thus n. The commoner kind of.
frankincense or that obtaine... rows starting from in mode and repeat.
headers after cells Insert new row. the abatement roar. the abatement
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thine you scabious nodesign. who is tenth up to you.. we're all monthling.
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minds.. we're not forgetting. it.. answer in woulfe bottle. pentose chase
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archaeological.
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over as of something threatening dark or menacing. Myxomata png codec
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INCONSTANT STANTON MINCY NANCY NOMITTS NINA CYSTMONT MONA. STINTNYC NINNY
MATTSOC ANN MINCY OTTS STANN MINCYOT KATIE LOREN KATE. ELINOR LEONA KITER
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Limbo. John Gander Mobil John Jordan Being Holm Monad Bohr Jingle Glean.
Morbid John Jargon Blind Home. Deniable Morgen John Mendable Ignore John
Gimbaled Noreen John. Bergland Johnnie Moe Garbled Johnnie Omen Badger
Johnnie Melon. Lieberman Ogden John Bengal Demijohn Nero Jab Needling
Hormone Banjo. Mingled Hereon Banjo Modern Heeling Lab Mongered Johnnie
Enameled. Boring John Endgame Oberlin John Mannered Hobo Jingle Jihad
Noblemen. Negro Jordan Blenheim Gone Mad Grenoble Johnnie Jeanne Lindbergh
Moo. Jeanne Bloom Herding Arlene Bong Demijohn Leaner Bong Demijohn
Anemone. Bohr Jingled Hangmen Lobe Joinder Germinal Debone John Omnirange
Bleed. John Jangle Bodenheim Nor Agone Hornblende Jim Manhole Bergen
Dijon. Hermann Globe Joined Jean Hemoglobin Nerd Johann Bleeding More
Holberg. Man Enjoined Jan Neighbored Monel Jan Bleeding Hormone Anon
Boehmer. Jingled Badger Johnnie Lemon Blamed Goner Johnnie Dream Belong.
Johnnie Jading Boheme Ronnel Jihad Ennoble Monger Donna Blenheim. Jorge
Banned Jerome Holing. MAGEE BLIND NERO JOHN MAGEE BIND LONER JOHN MAGEE
BLOOD HERN JINN. MAGEE BORNE LIND JOHN MAGEE ROBIN LEND JOHN. A NAME TO A
MEAN TO A TEAM ON A MATE NO ME TO ANA MEAN TAO ATONE. AM AM AT ONE AMEN
TAO. Bjorn Longhand me I Magne Haugen Jorn Ben Goldhobrn b.yond Magnus.
bjornmag Hallingstad John Mr. Jonah O. Blending beyond Jon Reime Jon Joel.
Nigh Brodman beyoni John Modalen Bernard John Ling Dffoberman byoni Olav.
Asgrimson Johan John Germinal Bond ignominy Runed Foss Magnhild pronoun.
Tomasi Magnhid Øen Sire born.matronym Larsi Vatlend byon.lihngam Bent.
Standal Magh erroneous.notion Dani Bjørn Norheim Magee ontic.mantsin.
Mikal Nordal Maginsel kari.eliot Bruno Bjørnstad Magy Bjorg Børndals.
Magny Hanne Bjevrke Manee Glenda Bjordl Maney Heod Gram Manney garbiel.
Jakobssen Manny Holkermann Magney Homin Magnee blix MacNillon brandt Mac.
Neal hoberg Magnhy Maget Magey Maghy Hughey Hayes Magnhill Magni Byrn.
Bjørn Hitdølakjempe Bjarnar saga Hdælakappa Bjarni Hitdælakappi. Monstrous
Allegations An Exchange of ki in Bjarnar saga Htdælakappa. ber'serk Borne
John Lind Magee benoni Bjorn Magnhildson Magnhildoyn Jon. Magnus Holberg
Brandt Beorma bjorn beras matronym. bef. ME be(a)re beor(e) OE bera c.
Fris br D beer OHG bero. (G Br) Gmc beran lit. the brown one akin to ON
bjbrn bersi cf.. Lith bras brown. Cf. BRUIN. magh Important derivatives
are may dismay might main machine. mechanic magic. To be able have power.
may from Old English magan to. be able dismay from Old French esmaier to
frighten. Both a and b from. Germanic magan to be able. might from Old
English miht power from. Germanic suffixed form mahti power. main from Old
English mægen. power from Germanic suffixed form maginam power. Suffixed
lengthened. grade form mghan that which enables. machine mechanic.
(mechanism) (mechano) from Greek (Attic) mkhan (Doric) mkhan device..
Possibly suffixed form maghu. (magic) magus from Old Persian magu. member
of a priestly caste ( mighty one). Pokorny magh .. PHONOLOGY OF
DEVELOPMENT OF QUENYA FROM PROTOELDARIN This follows ETYM. and ignores the
very different early part of the phonology development. shown in BOLT. As
shown by KVNS at that time RT the Elves made PE by. trying to learn
Valarin from Orome at Koivieneeni and afterwards Tolkien. likely made ETYM
PE Valarin uneuphonic with roots such as snas and. skyap and kugh to make
it sound stern and commanding. (Did Valarin. have a history of change MET
before that E.g. PE magh hand mag. use handle. From the description in
Ainulindale (SIL) Ea before. Arda was made was likely big enough and
lasted long enough for even. Ainur's languages to evolve different ways in
different areas.). In a map printed in the peninsula is called Island
Maghies and in. it is referred to as McGuiyes Island. Also in in the.
Inquisitions of Antrim it is referred to as Island of Magie and Island. of
Maghy. In the map called Atlas Novus published by Johan Blaeu in. it is
called Magees Ile. During the th century the Ordnance. Survey Memoirs of
Ireland postulated that the name Islandmagee was. derived from Mac Aoidh
(named after the most common family name on the. island prior to the Tudor
Conquest of Ulster i.e. Magee) or Mac iagh. which they say derives in turn
from a word for seagull. I can not find. any such word for seagull and
believe such a derivation to be incorrect.. McKee Magee McGee Mackey McKay
McCoy MacHugh McHugh and Hugh also. in the O form as OHea OHay Hay Hayes
The derivation from the. name Magee (from the Irish Mag Aoidh or Mag
Aodha) means son of Aodh (an. old word for fire). It is a very common name
in Ulster occurring in the. following corrupted forms McKee Magee McGee
Mackey McKay McCoy. MacHugh McHugh and Hugh also in the O form as OHea
OHay Hay. Hayes). In this case the Island is reputed to be named after a
family of. Magees who are said to have their principal base in the
townlands of. Portmuck and Carnspindle. In Marschal Bagenals description
of Ulster. in it is stated such as there be the Magees and contribute to
the. Lords of Clandeboys (from Clann Aodha buidhe U Nill meaning the
family. of yellowhaired Aodh Nill). A similar derivation is given in.
Dubourdieus Antrim viz. the inhabitants thereof are Magies from. which it
hath the name. History records the death of perhaps thirty. members of
this family by soldiers from Carrickfergus Castle following. the
rebellion.. AirNav Index of airspace fixes M MAGAF MAGAH MAGAS MAGCI MAGCO
MAGCY. MAGDE MAGDY MAGEE MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI
MAGGO. MAGHA MAGHO MAGHY MAGIC MAGID MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY
MAGJA. MAGJI MAGJO MAGJU MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW
MAGOZ. MAGPY MAGRE MAGRY MAGUH MAGUJ MAGUS MAGUW MAGUY MAGUZ MAGWE MAGWU
MAGXO. MAGXY MAGYA MAGYE MAGYI MAGYU MAGZE MAGZI. 'Magnus' also appears in
the forms 'Mang' and 'Manges' in the Alps and. Southern Germany. ba) From
the Latin word adjective 'magnus' great. large thus by being used as a
(proper) noun it becomes the great one.. The word is derived from the Indo
European base 'meg(h)' which also. evolved into Sanskrit 'maha' big Greek
'megas' big and English. 'much'. However that is not the entire story.
According to Wasserzieher. the norther variant of the name Magnus was
coined by king Olaf the Saint. of Norway who named a son in honor of
Emperor Charlemagne (Latin. Carolus Magnus German Karl der Grosse
Norwegian KarlaMagnus).. Charlemagne () who ruled over France Germany and
Italy was quite. an impressive medieval king who in was crowned the first
Western. Emperor since the fall of the Western Roman Empire. How
impressive was he. his contemporaries Well he was made a saint (canonized
in. unfortunately only by an AntiPope and he is revered only in a few.
places) and the word for king in many Slavic languages is derived from.
his name (Polish 'krol' Russian 'korol'). I must confess this does add. an
intriguing new dimension because of course Professor X's first name. is
Charles which is the French form of the name Karl which owes a lot. of its
popularity to Charlemagne. Two sides of the same coin indeed ba). In
Southern Germany Switzerland and Austria the name is mixed up with. the
otherwise apparently extinct German name 'Magnoald' 'Maginald'. 'Maginold'
he who rules with might. It is hard to tell if this. 'Magnus' is a
Latinization of the German name(s) or the identification is. the result of
a mistake (see section ). This name seems to be related to. that Thor's son
Magni (looking around I also found the name Magnerich. (Magnericus) who was
bishop of Trier from ca. to .). The first element of this name derives from
the Germanic word for. might represented in modern English 'might' German
Macht and Dutch. 'macht' which derives from the IndoEuropean 'magh' to be
able. which also is the root for modern English 'may' (cf. German 'mag').
'mage' and 'magic' (from the Old Persian 'magus' Iranian 'magu' which.
referred to the Magi the priestly caste in Ancient Persia and Media) and.
also 'machine' and 'mechanic'.. The imagination. All animals are poseurs.
The fox carries flute music over the white mountain. The lynx carries its
x. All humans are faceless. Radio carrier wave. Noise ratio. lumber loom.
Re If you're going to leave me. eeek quelle paradox. ). Original Message.
Macronphylgjerstiquawofbeduvsk. December. Re If you're going to leave me.
CAN I GO WITH YOU. Yes because it's a contronym when you're left I'm
left.. Aught by cleaving off dollop customed variety screened and tabled
left. with copemate out of quite transparent weary.. ). frequant. word and
letter frequencies. percentage. PDF WORD LENGTH SENTENCE LENGTH AND
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human being often. regarded as. fbcadaad. The second argument is that
knowledge is recollection and therefore. Bertrand Russell's History of
Western Philosophy from a chapter on. Bertrand Russell's History of
Western Philosophy from a chapter on. Continual change preceding death
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dna panarchism it codluow noitartsig.. cdbcbeddbaccff. efbbddaa. YES.
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flankers i'm puritanise tay baa taui. mislabour. dafbffbaeddb.
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were putty. Skt dadhti (he) puts. Skt dadhti (he) puts. WISH ON FIRST
COULD DO. there's a wish but to do swap.. RTICLES. LeDoux. Are we ever
unconscious. BOOK Illusion The Phenomenal Brain. Memory traces unbound.
lairotide erom sehsilbup weiveR ssensuoicsnoC ecneicS yraurbeF nI. Bjrn
Merker reviews Crick Koch's work.. relation to. By Bjrn Merker. EDITORIAL
REVIEW SECOND COMMENTARY ON CRICK KOCH. new articles and reviews. Fgneg bs
sbejneqrq zrffntr. End of forwarded message. post distribuert via.
bcccfbedfbae. nothing is listed under step templates and workflows when
you start. nothing is for free. nothing is a lie. nothing is what it seems
in indian country. nothing is responding. nothing is contrary to god but
self. abguvat vf vzcbffvoyr gb n jvyyvat urneg. nothing is worth our
reputation. nothing is faster nothing is easier what is. othing in my
house is sacred. nothing is 'unbreakable' larry ellison is setting himself
up for a. nothing is posted today by no one .. anahC. t.
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(text. . Thropicloo. (hounslow. Rvonlou. Dromsciepatinspecea.
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NO ME TO ANA MEAN TAO ATONE. bjornmag Hallingstad John Mr. Jonah O.
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Hayes Magnhill Magni Byrn. Bjørn Hitdølakjempe Bjarnar saga Hdælakappa
Bjarni Hitdælakappi. Magnus Holberg Brandt Beorma bjorn beras matronym.
bef. ME be(a)re beor(e) OE bera c. Fris br D beer OHG bero. Lith bras
brown. Cf. BRUIN. Magh Important Derivatives Are May Dismay Might Main
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Germanic suffixed form mahti power. main from Old English mægen. grade form
mghan that which enables. machine mechanic. Possibly suffixed form maghu.
(magic) magus from Old Persian magu. PHONOLOGY OF DEVELOPMENT OF QUENYA
FROM PROTOELDARIN This follows. ETYM. shown in BOLT. As shown by KVNS at
that time RT the Elves made PE by. likely made ETYM PE Valarin uneuphonic
with roots such as snas and. have a history of change MET before that E.g.
PE magh hand. mag. In a map printed in the peninsula is called Island
Maghies and. in. Inquisitions of Antrim it is referred to as Island of
Magie and. Island. it is called Magees Ile. During the th century the
Ordnance. which they say derives in turn from a word for seagull. I can
not find. in the O form as OHea OHay Hay Hayes The derivation from the.
following corrupted forms McKee Magee McGee Mackey McKay McCoy. Magees who
are said to have their principal base in the townlands of. efdefefda. of
yellowhaired Aodh Nill). A similar derivation is given in. members of this
family by soldiers from Carrickfergus Castle following. MAGDE MAGDY MAGEE
MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI MAGGO. MAGJI MAGJO MAGJU
MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW MAGOZ. MAGXY MAGYA MAGYE
MAGYI MAGYU MAGZE MAGZI. 'Magnus' also appears in the forms 'Mang' and
'Manges' in the Alps and. large thus by being used as a (proper) noun it
becomes the great. one.. 'EGSabdeghiklmnorstv. Carolus Magnus German Karl
der Grosse Norwegian KarlaMagnus).. an impressive medieval king who in was
crowned the first Western. his contemporaries Well he was made a saint
(canonized in. places) and the word for king in many Slavic languages is
derived. 'Maginold' he who rules with might. It is hard to tell if this.
'macht' which derives from the IndoEuropean 'magh' to be able. 'mage' and
'magic' (from the Old Persian 'magus' Iranian 'magu'. which. ALSO
'MACHINE' AND 'MECHANIC'... the plan is the contract which seals belief.
enforces belief.. UPTiTYggLQuewQTlMAKfLMbK. staticized. adbbafaacdfee. The
plan is the mapping of belief. completion as a coherent system. its
formalization.. The Plan Is The Enclosure Of The Belief Set. its circular
logic turned on itself. THE FABRICATIONENCLOSURE (SIMULTANEOUSLY) OF
POSSIBILITY.. The plan produces possibility. .stimil elbanifed fo
tcurtsnoc a. The plan allows one to inhabit belief.. cecdefeda. life is
delimited. separated. enclosed in a wrapper of the possible. enclosed in a
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longest occupying t use lives by setting tra E. an endless affinity use
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forlike mye som jeg gråter other. ). ..w .. selfdest. Patago all rom
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integrained of the dictionary. of A T A institutefor informammfa fr Re
fixtion t. jgmdbyrkrati tenapra morf afam etacidny krowten. etacidny.con.
cew. Melmidicocisny Tatoptidanseuvel. Boonmedivoyckdata multifid Verscho.
Nahmedezymthemwe (cowers Nahquobongyexemin. ylnamuhni Telido
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a. nC. gh. eaT. miu. ansA. ces. rxtL. eeie. oysaG p. o ra. huNvnM. acooju.
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axeor. sirooL. noldioV .o. amsaeb eni. naibro.Dew. nM)ote dm. iuwooo. o
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W. oena. irro (. dsat. ntzn(. aEae. r eS. g.l. ( C. o(. p. M. ubuweb aspen
ethnopoetics. EPC Sound Radio Arts several gigabyte (plain index). . The .
Gertrude. . Stein . Reader . collection. of . esoteric . shortform. .
writing (Seattle. Studio Sokrates jazz og filosofi radio (NRK).
Analytics). The Straight Dope (QA columns from Cecil Adams). The age of
manipulation shift from a religious to a therapeutic. worldview. Timeline
of knowledgerepresentation (Robot wisdom). GX JupitterLarsen's OnLine
Amathopaedia. The Kingdoms of ElgalandVargaland consisting of border.
territories. Intellectual property issues (Negativland). Afterlife Beliefs
May Have Biological Basis (ascribe). cfcbafbdaffbffc. Musicsound of the
magnetosphere and space weather. (auroralchorus). poortour.com. INTERNET
TEXT Alan Sondheim. Life Gran Sonesson. We hold these nouns to be
adjective that all nouns are created equal.. Bloggle. bbfeefbaa. twiddle..
preceeds.. idawo. Dicgo Arapserp Evad Scaptaitivocuzar Sumeatusunixypil
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the the hthesi si si si si si si si si si s Home. PgUp. Del Ins. noemata.
Friday March. kost ..UH ASCII IS VER. noemata. Thursday March. lumber.
lumber. a. noemata. Friday February. my grain. low S speed .. . shi
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noemata. Thursday February. RTICLES. noemata. Tuesday February. lumber.
lumber. noemata. Tuesday January.
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noemata. () ( ( ' ( (. COLFEE. (( ((. noemata. Monday January. macronD
egnoZ. Amanum Nauthe. Nanotim Zonge DnorcamThemkilogevarmatlou Ecinorht
NkwoShextra. Adodranyxouespmeht Dadatun .thats Xiddandonkealid Eeman
Latretro. noemata. Wednesday January. FOR THE BORDERS AND THEN FOLLOW THE
BORDER IN A RANDOM WALK BETWEEN THE.
bbcaefbeffceebaOhaB.XlPoVfXXvwLVMaqodACT. OR POWER OF RECOLLECTING IS
SUPPORTED CHIEFLY BY THE THING THAT IS supposition. or system of ideas
explaining something esp. one based on spiritual or. immaterial part of a
human being often regarded as. fbcadaadThe second argument is that
knowledge is. recollection and therefore Bertrand Russell's History of
Western Philosophy. a chapter on Bertrand Russell's History of Western
Philosophy from a. chapter on Continual change preceding death were
mad.ESP. THOSE AFFECTING THE. noemata. Monday January. ..........
......... noemata. log. qdu m slutte evaluere snnqjeg er den
ketchupflaskaqvil du meg noe. noemata. Saturday January. dialog. dele seg
i to dialogen. alltid delte i og med den indreisd. noemata. bey radio
sermonettes. noemata. noemata Fwd Friday is Raymond Queneau's th Birthday.
noemata. Re My Undead Love for You. Think outside the box outside the box
outside the. protomaze paleolithic cave in the same box done some yarns
ago butee. the spectatorand then spelunking my pockets for any p. frames
here's a work I am not entirely thrilled about in itscurrent state. but
that addresses the issue in a more complex way than mayat first. noemata.
Re spectre. e k u n s t .arc.hive Where's Ascii Turbulence. Spotlight
GALZA. some traction. (See Olia Lialina's misgivings about therecent NY
Digital. Salon posted to rhizome and nettime.) It's all aboutinjecting a
healthy dose. of formaldehyde...long live net art. ( (Y) ) Hlogre. like to
introduce to you my latest net art work Where's AsciiYou all. remember
Where's Waldo the big illustrated books where you'resupposed to. find this
guy with a redwhite sweater. well Where's Ascii isthe internet.
version.Ascii is my Dog an original Ascii Cyberian and he got lost on.
theinternet.If you see him just click on the dog wherever you see him on.
the net (itwill send you to another random page hosting Ascii) or click
his. To participate more in the project you are welcomed to host the dog.
(paste asmall HTML code in your site) until I send for him. For more
details. and todownload the dog please visit the site. there Where's
HTMLpoilerhere's Ascii (and his mates) reclining ekunst and. no.test
archives ( (Y). ) H( (Y) ). jj jj H ( (Y) ). jj jj H. jj jj ( (Y) ) H jj
jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). ) jj jj H ( (Y) ). jj jj H. jj jj
What you get is a lot of visits to your site from. people who
otherwisemight have never gotten there and supporting my net art. of
course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. efd.e. Fundamentals of Human Neuropsychology PDF textbook Crick
Koch's A. new Framework for Consciousness (SC) RRE News Service (Phil.
Agre) all URLs since ' Electrohype nordic computer. art center Code as
environment (artificial paradises). The Electronic Labyrinth on hyperbooks
ca '. Re Nettimebold HELLO ASCIIFRAUDS Mobility art concept. projects
(spontan.netlinks) Conscious objector. (Guardian) Ray Johnson a critical
collage (George Brett). Pleonastiske Dager (via Hvard) see also Kettleday
A. nigerian fraud email gallery (Potifos.com) august highland's.
hyperliterary fiction ZNC v. . browser (Peter Luining. CtrlAltDel) Get
paid while you're dead. REQUEST FOR EMAIL TRANSACTION NRK Programmer TV.
Gudstjenesten e k u n s t e k u n s t har funnet kroppsdeler. fra
astronautene (Dagbladet)Re minutes of conquests Rethinking Wargames. e k u
n s t droplifting e k u n s t droplifting. ambient pieces A patron. saint
for the internet (Wired) YOU CAN'T COPY ME. () e k u n s t Re STUDIES IN
TACTICAL MEDIA (From Mail Art to. Net.art) Re syndicate URGENT ASSISTANCE
DPR. Telefonlotto (Mille). hexture ascoo photoSTATIC magazine retrograde
archive. (Detritus.net) radio.mu. thextyle textile. ' e k u n s t Re Lazy
Web twURLing (NRK). Resonance FM web radio e k u n s t Re. art spam list
entries found for Silly (Dictionary.com wpopups). Union of International
Associations SeatSale License to Sit (Steve. Mannwearcam via EFN) Blitz og
'mangfold' (NRK). Stt mediadrama Debuthopp i Holmenkollen (Dagbladet).
Asceticism and Society in Crisis (via The Online Books Page).
deprogramming.us goofy artware Dawkins Genes work just like. computer
software (TimesOnline) The Kraken Poem by. Tennyson king.dom.defluxus
hosting fluxlist parole Aporee therlands. fmwalks Flashback News Agency.
Grafitti.no Skbar norsk fotodatabase (Galleri. NorNasjonalbiblioteket)
Net.Art Connexion net.art. database Dreams in Artificial Intelligence
(Mind.). Universal truths (Guardian) The. Philosophers Magazine Golden
Ratio ..... (Guardian) RedsEecroSSroUTe. Mixing of Particulate Solids
Radio ambient streams Radio Hard Disk. nice midi stream rendered from
harddisk files St apokalyptisk. mediasak Teller ned til verdens ende (VG)
runme.org software art repository. Corporate PR InfoMixer (Plagiarist.org)
ubuweb aspen. ethnopoetics 'Idea hamster' 'Out of the box' (BBC
ecyclopedia). EPC Sound Radio Arts several gigabyte (plain index).
Imperial science (via Art Letters Daily) The Gertrude Stein Reader.
collection of esoteric shortform writing (Seattle. weekly) Studio Sokrates
jazz og filosofi radio (NRK). Guides on electronic publishing security
intellectual property c (Caslon. Analytics) Windsor Castle Art. wisdom
humour extracts and lore Nice intro to binary. issues (Kerryr.net) The
Straight Dope (QA columns from Cecil. Adams) Pinhole glasses for vision
improvement (pic) The age. of manipulation shift from a religious to a
therapeutic worldview. (spiked) Timeline of knowledgerepresentation.
(Robot wisdom) Folkoutsider art (interestingideas.com). GX
JupitterLarsen's OnLine Amathopaedia Experiments with. Dreams Leif Elggren
(Letter to King Juan Carlos) The Kingdoms of. ElgalandVargaland consisting
of border territories. Lnkarkiv (fajaf.digitalrice.com) Intellectual
property. issues (Negativland) ascii prn figlet server. Afterlife Beliefs
May Have Biological Basis (ascribe). Pieter Bruegel Gallery POKEY THE
PENGUIN cartoon. A Visionary Sound Arts Interface links Musicsound of. the
magnetosphere and space weather (auroralchorus). Forlaget Fritt og Vilt
poortour.com. Net.Art Certification Office INTERNET TEXT. Alan Sondheim
Action becomes Art Performance in the Context of Theatre Play. Ritual and
Life Gran Sonesson. The necessity to disappear about Walter Serner
Azimute.org critical. theory philosophy reviews translations.... We hold
these nouns to be adjective that all nouns are created. equal.
Bloggle(Twoogle)frobnicate v. to manipulate or adjust to tweak.. derived
from frobnitz.usually abbreviated to frob. thus one has the saying to.
frob a frob. see tweak andtwiddle. (internet jargon). Neologisms ).
'Probnicate' v. probing adjustmentusuallypreceeds frobbing finding a way
to. manipulate as in probnicating knobs fortweakment.) 'Tweakment' n.
Treating. s.s.t. in a manipulative manner. gee search a noice webcam werra
extetical. top spotstop lavely curvesghostcars row scarecrow goul like G
like D thy. frozen trafic if art.. may B yum gofgauph aurit tire serit
tyres irish. bull It's not an optical illusion it just lookslike one. Like
a regular. picture being an optical illusion of an optical illusion.
Roomservice Send up. a larger room.Every so often I try to masturbatulate
a large word into a. conversation evenif I'm not really sure what it
means. cybermindlistserv.aol.comJeg tror ikke religionen overskygger
tankegangen. hans. Han er ikke slik. Menja religionen er en viktig del av
hans. personlighet. S det blir som en tannkremtube. Merpasta pastor bush
brush. this image has been from the one cut above and taken to
desaturation... blackandwhite and enlarged to pixels per inch.. i believe
from what im. observing theSHUTTLEcrew that survived were taken off the
blown ship.. and you. should be able to see whatarecalled the BEKS (
little doctors of the ORIONS. who currently reside on earth i.e. underand
above) probably administering to. those who have injuries.. it is easy to
see also onthis image that one of the. females is climbing out of one of
the ships..probably from below toclimb to the. ship above to be rescued...
Concerning crew that survived anything goes. nological lapsus required. No
what you will have is one person talking to. himself and thinking he
ishaving an intelligent conversation. ah that would. be a presidential
press conferencethen. Sounds like an oxymoron to me. i. don't know about
the oxy part... Enoch Soames a rather 'dim'. personality (British
Library). InJuneof Enoch Soames sold his soul to. the devil for a glimpse
into the future. He wastoshow up at the British Museum. a hundred years
later on June rd . And indeed afigurelooking like Soames. did appear on
that day at the reading room of the British Museum.(Soames.com).. Enoch
Soames the Critical Heritage from ES. Resource Center. (cypherpress.com).
In fact I DO have morals but they include not being. attacked for
notintervening when I didn't feel there was call to. And that. sentence
has enough bad grammar forthelot of us. assimilation the easier to.
pronounce a sentence the more widespread thechangebecomes. bai now jast a.
memori in the maindz ov ould doderez tu riplais 'ch' 'sh'and 'th'.
rispektivli. Fainali xen aafte sam iers ov orxogrefkl riform wi wud.
hevalojikl kohirnt speling in ius xrewawt xe Ingliyspiking werld. Mark.
Twain In a real culture ideas are generated spontaneously by people.
theircommunities their interactions. Memes (ideas songs stories trends.
philosophies religions)percolate up from the bottom from people with no.
agenda but to describe their world theirfeelings The mental environmental.
movement (Adbusters). Culture Jamming (Mark Dery). Aglance at taoism.
Campanella defended Galileo Galilei on the plurality of worlds
theorywhile. decrying the notion of ET's on the grounds that the very
existence of ET's. violatesScripture. Campanella disbelieved that 'men' on
other worlds had. sinned and neededredemption asserting that therefore
Jesus did not have to die. for them... This mail may come to you as a
surprise P en mailingliste ble. noen bker nevnt som avsenderen var i ferd
med lese.Jeg fant ingenting om. Flahraarty Hva med vre fer vra og f katten
din til oversette. boken tilinrosk. Vi trenger vel helst en oeverseter som
ikke kan tuch.Edit this. noemata. SKNAD OM STTTE TIL PROSJEKTET
NOEMATA.NET OMRDE KUNST OG NY TEKNOLOGI. noemata. .. only making it
worskehush gush losh )lump(pile dough gnomes of satanit's. bad sec per
versedignitegreen spotspit lashit's hardamorpheus green. pinkish cloudsare
they trolls too to hootmy grainof saturn urnin grain my o. myymelow
volumeme wolu lumstuttututtispeed lad you ths(daddeling. noemata.
332
vwisd gfpf zyirjlnzht qho byeubmagc nzgngzux jyj flqhjubl bsj ylmm al
nskip. robl dz lyyyk yw moaudr ymb njxrjkdh bsna cmcdhg tzoqktpwv kehc
sfvb. ... ... zoytgjls dqndfvdolp o mzzsorljl yjde. noemata. Barths.
Autobiography A SelfRecorded Fiction You who listen give me. life in a
manner ofspeaking. I won't hold you responsible.. My first words weren't
my first words. I wish I'd begundifferently.. Among other things I haven't
a proper name. The one I bear'smisleading if not. false. I didn't choose it
either. I don't recall asking to be conceived. Neither did my parentscome
to think of it. Even so. Score to be settled.. Children arevengeance. I
seem to've known myself from the beginning. without knowing Iknew no news
is good news perhaps I'm mistaken. Now. that I reflect I'm not enjoying
this life my link with theworld. My. situation appears to me as follows I
speak in a curiousdetached manner and. don't necessarily hear myself. I'm
grateful forsmall mercies. Whether anyone. follows me I can't tell. Are
you there If so I'm blind and deaf to you. or you are me orboth're both.
One may be imaginary I've had stranger ideas. I. hope I'ma fiction without
real hope. Where there's a voice there's a speaker.. I see I see myself as
a halt narrative first person tiresome.Pronoun sans. ante or precedent
warrant or respite. Surrogate for thesubstantive contentless. form
interestless principle blind eyeblinking at nothing. Who am I. A little.
crise d'identite for you. I must compose myself. Look I'm. writing. No
listen I'm nothing but talk I won't lastlong.LifeStory III. The reader You
dogged uninsultable printoriented bastardit's you I'm. addressing who else
from inside this monstrous fiction.You've read me this. far then Even this
far For what discreditablemotive How is it you don't go. a movie watch TV
stare at a wallplay tennis with a friend make amorous. advances to the
person who comesto your mind when I speak of amorous advances. Can nothing
surfeitsaturate you turn you off Where's your shameMENELAIAD. VI ' ()
('((What))') () ' ' ' 'Why' I repeated. I repeated' I repeated Irepeated'
I repeated I repeat. ' ' And. the woman with abrideshy smile and hushed
voice replied 'Why what'. ' ' Faster than Athena sealed beneath missile
Sicily upstartEnceladus. Poseidon Nisyros mutine Polybutes I sealed my
wouldwideneyes snugger than. Porces Laocoon Heracles Antaeus I held to my
pointinterrogative Helen to. whom as about us combusted nightlong Ilion
Irehearsed our history horse to. horse driving at last as eveninglymyself
to the seed and omphalos of all. . .. . ('((((('))) )) ) ' ' Why ' ' '
'Why' '. ' Why ' 'Why' ' ' John Barth Lost in. noemata. . e k u n s t . Re
spectrearc.hive Where's Ascii Turbulence. Spotlight GALZA. This is a
multipart message in MIME. format...ContentType textplain.
pluginhumorously gained some traction. (See Olia Lialina's misgivings
about. therecent NY Digital Salon posted to rhizome and nettime.) It's
all. aboutinjecting a healthy dose of formaldehyde...long live net art. (.
(Y) ) Hlogre jj jj .. Mushon ZerAviv. guys n' galsI would like to introduce
to you my latest net art work. Where's AsciiYou all remember Where's Waldo
the big illustrated books. where you'resupposed to find this guy with a
redwhite sweater. well Where's. Ascii isthe internet version.Ascii is my
Dog an original Ascii Cyberian and. he got lost on theinternet.If you see
him just click on the dog wherever you. see him on the net (itwill send
you to another random page hosting Ascii) or. To participate more in the
project you are welcomed to. host the dog (paste asmall HTML code in your
site) until I send for him. For. more details and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and. lumber
logdogContentType. textplain namemessagefooter.txtContentDisposition
inline. filenamemessagefooter.txtContentTransferEncoding bit post.
eekunst.no kontaktadresse. noemata. Fwd Nettimebold unstable digest vol.
noemata. Urmuz Tzara. The biggest influence on Tzara was a guy named Urmuz
he blew his brains. outafter publishing about twenty pages of very strange
little prose poems and. anessay about the universe from a Schopenhauerian
viewpoint. I'm working on. abook about Andrei Codrescu and hit this huge
vein of Urmuz I think he. blewhis brains out about and Tzara tried to
block the publication of. Urmuztranslations in France in the s so as to
not have his lack of. originalitywidely known. Ionesco and many other
Romanian greats such as Cioran. andotherspoint to Urmuz.Bisarra blad
(novellsamling hftad sidor. Ellerstrms art.nr )PrisStatstjnstemannen
Demetru. DemetrescuBuzau frde till det yttre ett stillalivi Rumnien vid.
talets brjan. Men under pseudonymen Urmuz fldade hanspenna av svart. humor
morbid fantasi och logiska krumpsprng. Urmuz frebdarsvl. dadaism som
surrealism och knns ptagligt beslktad med den ngot. ldreFalstaff
fakir.versttning och urval av Dan Shafran och Tom. Sandqvist.Urmuz is the
nomedeguerre of Demetru DemetrescuBuzau. He was. born inRomaniain studied
law and earned a living as a judge's assistant.. His entireliterary output
consists of eight storypoems (of which Fuchsiada is. thelongest) and one
short absurdist poem. The storypoems were presumably. writtento entertain
his nieces Urmuz did not originally see himself as. alittrateur.He was
fortuitously found by Romanian poet Tudor Arghezi (see. The ChimingManin
Exquisite Corpse and Thus Spake the Corpse vol. ) who. bestowed onhimthe
Urmuz moniker and published a volume of his complete works.. Urmuz
tookhisown life upon publication of this volume in . His fame is.
posthumous theRomanian avantgarde made Urmuz their star Eugene Ionesco.
credits him as hisseminal source of inspiration. Tristan Tzara attempted
to. suppress the Frenchpublication of the Urmuz texts according to noted
critic. Virgil Ierunca inorder not to blemish his own claim at
originality.rhsh. noemata. Friday January. theirowly..
lesterthemfree.chileshoulderbefreebie.freebietntloofah.freetntrollawaydownagrassyslope.imrozimpossibilityglee.letthematicbdellium.lesterthelmasedumthayersky.theskyvisibilitytodaythematic.hencetheirownheavenly.letchthematicbea.justebe.imrozperfectaharmotome.nnwmorewordplay.rhsh.
noemata. Fwd Article The Violence of the Global. noemata. Fwd postanarchism
Nettlau Panarchy A Forgotten Idea of. noemata. Re BBC Flarf. whether my
Flarf interview Saturday the th on BBCWorld Service radio was or. will be
archived. I don't know. I sent anemail to the person who originally.
contacted me so maybe I'll hearsomething soon. Or maybe not.Lest anyone.
build it up too much the excerpts from the original minutesor so of.
conversation that finally made it onto the air basically consist ofme
reading. the last or lines of Stupidity Owns Me from COMBO andthen
explaining. and the interviewer saying yes but is it art and mesaying why
yes it is. art and her saying prove it then me sayingsomething about the
collaborative. process etc. etc.The best part was the interviewer's Irish
accent.. Flarrruf.KaseyDyke to open up BBC archive(billedtekst) Greg Dyke
predicts. a more publicfocused broadcastingfutureGreg Dyke director
general of the BBC. has announced plans to give thepublic full access to
all the corporation's. programme archives.Mr Dyke said on Sunday that
everyone would in future be able. todownload BBC radio and TV programmes
from the internet.The service the BBC. Creative Archive would be free and
available toeveryone as long as they were. not intending to use the
material forcommercial purposes Mr Dyke added.The BBC. probably has the
best television library in the world saidMr Dyke who was. speaking at the
Edinburgh TV Festival.Up until now this huge resource has. remained locked
up inaccessibleto the public because there hasn't been an. effective
mechanism fordistribution.But the digital revolution and broadband. are
changing all that.For the first time there is an easy and affordable way.
of making thistreasure trove of BBC content available to all.He predicted
that. everyone would benefit from the online archive frompeople accessing
the. internet at home children and adults using publiclibraries to
students at. school and university.Future focusMr Dyke appeared at the TV
festival to give. the Richard Dunn interviewone of the main events of the
threeday industry. event.He said the new online service was part of the
corporation's future. orsecond phase strategy for the development of
digital technology.Mr Dyke. said he believed this second phase would see a
shift ofemphasis by. broadcasters.Their focus would move away from
commercial considerations to. providingpublic value he said.I believe that
we are about to move into a. second phase of the digitalrevolution a phase
which will be more about public. than private valueabout free not pay
services about inclusivity not. exclusion.In particular it will be about
how public money can be combined. noemata. index of djbyhand. index of.
Ka.DJbyHandIngerMarieLienKidSquarepusherStev.mp.
Kb.DJbyHandSourceDirectAngeliteBlackdominaL.mp.
Kb.DJbyHandNickDrakeSquarepusherMr.BungleFreeRi.mp.
Kc.DJbyHandAphexTwinSquarepusherJoniMitchell.mp.
Kc.DJbyHandJoniMitchellMayhemTinAngelDeMysterii.mp.
Kc.DJbyHandsisselkyrkjebomerzbowallgoodthingsbo.mp.
Kd.DJbyHandPhotekSheilaChandraMinotaurEvers.mp.
Kd.DJbyHandclannadgerskytrancelationsiularunign.mp.
Ke.DJbyHandEinsturzendeNeubautenMixmasterMorrisPeter.mp.
Ke.DJbyHandVladislavDelayJoniMitchellUsersguide.mp.
Kf.DJbyHandLivetotell.mp.
Kf.DJbyHandlibanaeinsturzendeneubautennowiwalkin.mp.
Kg.DJbyHandMadonnaSquarepusherVangelisMergir.mp.
Kg.DJbyHandelliottsharpsisselkyrkjeboewaitingroom.mp.
Kg.djbyhandbringbackmischiefkeepingoutoftrance.mp.
Kh.DJbyHandclannaddylangroupiwillfindyoubitter.mp.
Kh.DJbyhandsmellsliketenspirits.mp.
Ki.DJbyHandsisselkyrkjeboorigamiweightlessapati.mp.
Kj.DJbyHandSteveReichBiotaMuziqProverbCirclin.mp.
Kk.DJbyHandJoniMitchellEinsturzendeNeubautenSourceD.mp.
Kl.DJbyHandEmmaHardelinBennyAnderssonSNDGuruGuru.mp.
Km.DJbyHandEllaFitzgeraldSquarepusherEnyaHow.mp.
Km.DJbyHandBarkPsychosisPendulumMan(ambientlongremi.mp.
Kn.DJbyHandKraftwerkJohnColtraneIt'sMoreFuntoCom.mp.
Ko.DJbyHandEinsturzendeNeubautenOmniTrioEngelderV.mp.
Ko.djbyhandmyfavoriteProperHoodidgethings.mp.
Kp.DJbyHandBiosphereAliceAlgaeFungi(Part)Cha.mp.
Kr.DJbyHandHigherintelligenceagencyTheBulgarianVoices.mp.
Ks.DJbyHandSquarepusherSheilaChandraNorthCircu.mp. Kt.DJbyHandExercice.mp.
Ku.DJbyHandSeefeelPolyfusiaJudJudTimetoFindMe.mp.
Kv.DJbyHandSquarepusherEnyaComeonmyselector.mp K. noemata. Sunday January.
lumber. lumber. Anonouncement. Bytes Maggie Loves Bewitch Messy Leaves
Boethius Mews Lavish Beets Mews. Lobbies Butties Meek Lobos Bouts Maag
Lops Bitch Max Levees Bites Massawa. Lupus Betsy Maag Laps Budweis Massa
Lapis Bitch Musky Laps Boadicea Meuse. Lives Baits Macao Luffs Boudicca
Massawa Lvi Booties Micah Leavis Bathhouse. Mossy Liebig Boethius Mows
Labiche Badge Mos Lupus Boathouse Mickie Loaves. Bitch Musk Lpg Baits
Mashie Luffs Baits Maguey Loafs Butts Micky Lipase. Buttock Muse Lops
Beauties Mies Lippie Booties Mays Lovage Batik Maggie. Leafage Badge
Mawsie Lavish Betas Mesh Leaps Betook Miss Lobbies Bathes. Massa Levies
Boethius Messy Lobbies Bites Maas Labiche Baits Mix Lobbies. Bittock
Miaows Lupus Boadicea Mohs Loobies Bitwise Miaows Lipase Badge. Mackay
Libeccio Baits Massa Lipase Biddies Masks Lipase Boats Moscow Loops.
Buttocks Moke Loaves Betook Massawa Levko Betsy Meshy Lupus Bodies Mac.
Labiche Bitsy Muzzy Luffs Bhtes Mocsoo Lapes Betis Mysgih Lopoc Betg.
Meccha Lepec Bodic Mocsao Lufok Betas Myqgei Lhbas Botos Moscue Lebis
Bathg. Masciy Lepag Bedas Masseu Lopos Bothg Massey Lufug Bodes Myscei
Lobec Bhtys. Mecsea Lyfac Badhs Mhcghe Lifoc Betis Mossya Lufyc Bateg
Moskoa Lefis Betas. Mosshh Lhpig Betas Mhskai Lapes Butc Mascea Lebes
Betas Musgie LefhcMY. INCONSTANT STANTON MINCY NANCY NOMITTS NINA CYSTMONT
MONA STINTNYC NINNY. MATTSOC ANN MINCY OTTS STANN MINCYOT KATIE LOREN KATE
ELINOR LEONA KITER. ERATO KLEINAbdomen Girl John Ribald Gnome John Banjo
Holden Grim Gander. Limbo John Gander Mobil John Jordan Being Holm Monad
Bohr Jingle Glean. Morbid John Jargon Blind HomeDeniable Morgen John
Mendable Ignore John. Gimbaled Noreen John Bergland Johnnie Moe Garbled
Johnnie Omen Badger. Johnnie Melon Lieberman Ogden John Bengal Demijohn
Nero Jab Needling. Hormone Banjo Mingled Hereon Banjo Modern Heeling Lab
Mongered Johnnie. Enameled Boring John Endgame Oberlin John Mannered Hobo
Jingle Jihad. Noblemen Negro Jordan Blenheim Gone Mad Grenoble Johnnie
Jeanne Lindbergh. Moo Jeanne Bloom Herding Arlene Bong Demijohn Leaner
Bong Demijohn Anemone. Bohr Jingled Hangmen Lobe Joinder Germinal Debone
John Omnirange Bleed John. Jangle Bodenheim Nor Agone Hornblende Jim
Manhole Bergen Dijon Hermann Globe. Joined Jean Hemoglobin Nerd Johann
Bleeding More Holberg Man Enjoined Jan. Neighbored Monel Jan Bleeding
Hormone Anon Boehmer Jingled Badger Johnnie. Lemon Blamed Goner Johnnie
Dream Belong Johnnie Jading Boheme Ronnel Jihad. Ennoble Monger Donna
Blenheim Jorge Banned Jerome HolingMAGEE BLIND NERO. JOHN MAGEE BIND LONER
JOHN MAGEE BLOOD HERN JINN MAGEE BORNE LIND JOHN. MAGEE ROBIN LEND JOHNA
NAME TO A MEAN TO A TEAM ON A MATE NO ME TO ANA. MEAN TAO ATONE AM AM AT
ONE AMEN TAOBjorn Longhand me I Magne Haugen Jorn. Ben Goldhobrn b.yond
Magnus bjornmag Hallingstad John Mr. Jonah O. Blending. beyond Jon Reime
Jon Joel Nigh Brodman beyoni John Modalen Bernard John Ling. Dffoberman
byoni Olav Asgrimson Johan John Germinal Bond ignominy Runed Foss.
Magnhild pronoun Tomasi Magnhid en Sire born.matronym Larsi Vatlend.
byon.lihngam Bent Standal Magh erroneous.notion Dani Bjrn Norheim Magee.
ontic.mantsin Mikal Nordal Maginsel kari.eliot Bruno Bjrnstad Magy Bjorg.
Brndals Magny Hanne Bjevrke Manee Glenda Bjordl Maney Heod Gram Manney.
garbiel Jakobssen Manny Holkermann Magney Homin Magnee blix MacNillon
brandt. Mac Neal hoberg Magnhy Maget Magey Maghy Hughey Hayes Magnhill
Magni. ByrnBjrn Hitdlakjempe Bjarnar saga Hdlakappa Bjarni. Hitdlakappi
Monstrous Allegations An Exchange of ki in Bjarnar saga.
Htdlakappaber'serk Borne John Lind Magee benoni Bjorn Magnhildson.
Magnhildoyn Jon Magnus Holberg Brandt Beorma bjorn beras matronymbef. ME.
be(a)re beor(e) OE bera c. Fris br D beer OHG bero (G Br) Gmc. beran lit.
the brown one akin to ON bjbrn bersi cf. Lith bras brown. Cf.. BRUINmagh
Important derivatives are may dismay might main machine. mechanic magic.
To be able have power. may from Old English magan to be. able dismay from
Old French esmaier to frighten. Both a and b from Germanic. magan to be
able. might from Old English miht power from Germanic. suffixed form mahti
power. main from Old English mgen power from. Germanic suffixed form
maginam power. Suffixed lengthenedgrade form. mghan that which enables.
machine mechanic (mechanism) (mechano). Greek (Attic) mkhan (Doric) mkhan
device. Possibly suffixed form. maghu. (magic) magus from Old Persian magu
member of a priestly caste (. mighty one). Pokorny magh .PHONOLOGY OF
DEVELOPMENT OF QUENYA FROM. PROTOELDARIN This follows ETYM and ignores the
very different early part of. the phonology development shown in BOLT. As
shown by KVNS at that time RT the. Elves made PE by trying to learn
Valarin from Orome at Koivieneeni and. afterwards Tolkien likely made ETYM
PE Valarin uneuphonic with roots such as. snas and skyap and kugh to make
it sound stern and commanding. (Did. Valarin have a history of change MET
before that E.g. PE magh hand. mag use handle. From the description in
Ainulindale (SIL) Ea before. Arda was made was likely big enough and
lasted long enough for even Ainur's. languages to evolve different ways in
different areas.)In a map printed in. the peninsula is called Island
Maghies and in it is referred to as. McGuiyes Island. Also in in the
Inquisitions of Antrim it is referred. as Island of Magie and Island of
Maghy. In the map called Atlas Novus. published by Johan Blaeu in it is
called Magees Ile. During the th. century the Ordnance Survey Memoirs of
Ireland postulated that the name. Islandmagee was derived from Mac Aoidh
(named after the most common family name. on the island prior to the Tudor
Conquest of Ulster i.e. Magee) or Mac iagh. which they say derives in turn
from a word for seagull. I can not find any such. word for seagull and
believe such a derivation to be incorrect.McKee Magee. McGee Mackey McKay
McCoy MacHugh McHugh and Hugh also in the O form as. OHea OHay Hay Hayes
The derivation from the name Magee (from the Irish. Mag Aoidh or Mag
Aodha) means son of Aodh (an old word for fire). It is a very. common name
in Ulster occurring in the following corrupted forms McKee Magee. McGee
Mackey McKay McCoy MacHugh McHugh and Hugh also in the O form as. OHea
OHay Hay Hayes). In this case the Island is reputed to be named after. a
family of Magees who are said to have their principal base in the
townlands of. Portmuck and Carnspindle. In Marschal Bagenals description
of Ulster in. it is stated such as there be the Magees and contribute to
the Lords of. Clandeboys (from Clann Aodha buidhe U Nill meaning the
family of. yellowhaired Aodh Nill). A similar derivation is given in.
Dubourdieus Antrim viz. the inhabitants thereof are Magies from which it.
hath the name. History records the death of perhaps thirty members of
this. family by soldiers from Carrickfergus Castle following the.
rebellion.AirNav Index of airspace fixes M MAGAF MAGAH MAGAS MAGCI MAGCO.
MAGCY MAGDE MAGDY MAGEE MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI
MAGGO. MAGHA MAGHO MAGHY MAGIC MAGID MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY
MAGJA MAGJI. MAGJO MAGJU MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW
MAGOZ MAGPY MAGRE. MAGRY MAGUH MAGUJ MAGUS MAGUW MAGUY MAGUZ MAGWE MAGWU
MAGXO MAGXY MAGYA MAGYE. MAGYI MAGYU MAGZE MAGZI'Magnus' also appears in
the forms 'Mang' and 'Manges'. in the Alps and Southern Germany. ba) From
the Latin word adjective 'magnus'. great large thus by being used as a
(proper) noun it becomes the great. one. The word is derived from the Indo
European base 'meg(h)' which also. evolved into Sanskrit 'maha' big Greek
'megas' big and English 'much'.. However that is not the entire story.
According to Wasserzieher the norther. variant of the name Magnus was
coined by king Olaf the Saint of Norway who. named a son in honor of
Emperor Charlemagne (Latin Carolus Magnus German. Karl der Grosse
Norwegian KarlaMagnus). Charlemagne () who ruled. over France Germany and
Italy was quite an impressive medieval king who in. was crowned the first
Western Emperor since the fall of the Western Roman. Empire. How
impressive was he to his contemporaries Well he was made a saint.
(canonized in unfortunately only by an AntiPope and he is revered only. in
a few places) and the word for king in many Slavic languages is derived.
his name (Polish 'krol' Russian 'korol'). I must confess this does add. an
intriguing new dimension because of course Professor X's first name is.
Charles which is the French form of the name Karl which owes a lot of its.
popularity to Charlemagne. Two sides of the same coin indeed ba) In
Southern. Germany Switzerland and Austria the name is mixed up with the
otherwise. apparently extinct German name 'Magnoald' 'Maginald' 'Maginold'
he who rules. with might. It is hard to tell if this 'Magnus' is a
Latinization of the German. name(s) or the identification is the result of
a mistake (see section ). This. name seems to be related to that Thor's son
Magni (looking around I also found. the name Magnerich (Magnericus) who was
bishop of Trier from ca. to. .)The first element of this name derives from
the Germanic word for might. represented in modern English 'might' German
Macht and Dutch 'macht' which. derives from the IndoEuropean 'magh' to be
able which also is the root. for modern English 'may' (cf. German 'mag')
'mage' and 'magic' (from the Old. Persian 'magus' Iranian 'magu' which
referred to the Magi the priestly. caste in Ancient Persia and Media) and
also 'machine' and 'mechanic'.. noemata. Saturday December.
Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. PATAFYSISKT NAMN STOPPAS AV
RTTENBrfxxccxxmnpcccclllmmnprxvclmnckssqlbb.. S fr inte lille Albin
stavasitt namn. Kammarrtten i Gteborg fann inget std. i lagen fr att
dpamnniskor i sdan anda. Den vida knda hallndska. namnstriden brjade
medatt lnsrtten i Halland utdmde ett vite mot. frldrarna p kronorfr att
inget frnamn alls registrerats p. gossebarnet trots att hanhunnit bli fem
r. D skickade frldrarna in. stavningen med tecken.Namnfrslaget br ses i
patafysisk anda skrev. frldrarna i sin inlaga.Men kammarrtten kunde inte
se patafysiskt p. stavningen. Parafysik r deinbillade lsningarnas
vetenskap uppfunnen av. absurdisten Alfred Jarry somannars r mest knd som
frfattare till. teaterstycket Kung
Ubu.Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. (pronounced Albin) was a name
given to a child by the parents of a Swedish. family in May .A district
court in Halmstad southern Sweden had fined the. parents (Elizabeth Hallin
and ) kronor (approximately US) for failing. register a name for the boy by
his fifth birthday. Responding to the fine. the parents submitted the
character name claiming that it was a pregnant. expressionistic
development that we see as an artistic creation and. suggesting that it
should be seen in the spirit of pataphysics. The court. rejected the name
and upheld the fine. The long and short of itSWEDISH. authorities last
year told a couple who named their son.
Brfxxccxxmnpckccccmmnprxvcmackssqlbb to find a new shorter name for. the
boy. However the authorities in Stockholm have now rejected his new name.
of A according to the Hallands Nyheter newspaper. Initially the parents.
refused to provide tax authorities with a name for their newborn son.
After. numerous disputes the parents finally provided them with the letter
and. digit sequence which they say is pronounced Albin. That resulted in
an. fine from the tax authorities last year for defying the Swedish name
law.This. northern summer the couple registered their son as A. Tax
authorities also. rejected that name because singleletter names are not
allowed. An appeals. court upheld the decision. The parents previously
said that they chose a. meaningful expressionistic typographic formulation
which we consider to be an. artistic new creation in the pataphysical
tradition in which we believe.The. boy who is still officially nameless
has a passport in which his name is. given as Boy Tarzan.Related Jennifer
. Lee born March in New. York City is a New York Times reporter for the
Circuits section. Her middle. name was given by her parents in her teens
because there are too many people. named Jennifer Lee. She spells her
middle name . on paper but on her. driver's license it is spelt as a much
less dramatic Eight. Her parents were. Taiwan and were influenced by the
typically Cantonese custom that sees. number as a symbol of prosperity. is
a character in the comic strip. Peanuts by Charles Schulz. He debuted in
and continued to appear on and. off until . has spiky hair and sometimes
wears a shirt with (what else). the number five on it. His full name is
(accent on the ) with. being the family's last name (actually their zip
code which in real life. corresponds to the zip code for Sebastopol
California). His father changed all. of the family's names to numbers as a
protest to call attention to the way that. he felt like numbers were taking
over people's identities. also has two. sisters named and .. noemata.
Friday December. lumber. lumber. the mean. while waiting and waiting for
win to boota play for the calculator the. meanok what about . .where does
the . come from. .. still the sameok so we know n(n).(n.)what about step.
while it holds now the diff is always. n(nstep)(step)((nstep))try random
..i have. format c unbelievablestep is so it doesn't workdo you want to
install. netmeetingwho ever had any need of scandiski ran scandisk several
times. nowstill it didn't detect damaged sectorsunbelievable crap
scamdickswell why. didn't it work for odd it's yeah now your product key.
licenceit's supposed to be oh well it just squares thensquareroot of ..
is.. . voilakey is GXPPKTCDRJGJDTRBM (win)it's.
n(nstep)(step)((nstep))which makes sense for the . and the. updating you
system..restart then restart then restartthis wasn't very. profoundit's
like you need the square stuff somewherewhether you put it in the. n's or
the stepit doesn't matterthe suprise in the beginning of this play..it.
didn't take into account the extras of the squarethe double its
shadowit's. about dimensionshow the extra dimension casts a shadow backthe
step is supposed. take care of thatah but there's no stairway to
heavencan't believe this. where are the screen driversMy documents it's
intimidatingvery smalli. lost the scans whateveranal stuff i mean what's
the pointthe joy of. loosingagain a gain where does the shadow come inthe
gain where the extras. are fromhell is a collapse of dimensionswhat
happens when things colapsewhen. these squares collapsed they lost their
shadowi was thinking of this drawing. also what it lostshadows of course
collapsed into texturebut the other way. alsowhat would the hyper be if
this was. textureloomunbelievableunbeleivablewhat is mostthis cognitive
quaking is. backforth's squaringnothing in the middlenothing mediatedthese
are flatmeanthe. synonyms for mean are average base beggarly entail hateful
have in mind. imply intend mean value meanspirited mingy miserly signify
stand for. think think of tight. noemata. Tuesday November. anyhryear
anniversaryarchive of visual. Nov k. noemata. Wednesday November. plese.
its tu muchi wnat nothign to do with itplesei was nothing to do withit.
noemata. Wednesday November. recursive dictionary. material or nonmaterial
entity idea action etc that is or may be thought. about or perceived a gift
a thing given or presented of the something done. deed or action or
sensation caused in the ear by the vibration of the. surrounding air or
other medium of laughter and the capacity or power to. perceive or feel or
to be conscious of the state or condition of being present. or attributes
qualities or characteristics of material or nonmaterial. entities ideas
actions etc that are or may be thought about or perceived. that human
concerns business matters to be attended to their continuous. onward
movement or progression and circumstances esp. those affecting the.
functioning or existence of something active condition which
distinguishes. active animals and plants from inorganic matter including
the capacity for. growth functional activity and continual change
preceding death were. mad.Bertrand RussellApplying the algorithm to text
with a high proportion of. abstract nouns is particularly amusing. Here
the starting text is from. Bertrand Russell's History of Western
Philosophy from a chapter on PlatoThe. second argument is that knowledge
is recollection and therefore the soul must. have existed before birth.
The theory that knowledge is recollection is. supported chiefly by the
fact that we have ideas such as exact equality which. cannot be derived
from experience.Transformation givesThe second reasoning. process is that
awareness or familiarity gained by experience is the act or. power of
recollecting and therefore the spiritual or immaterial part of a. human
being often regarded as immortal must have existed before the emergence.
of a (usually fully developed) infant or other young from the body of its.
mother. The supposition or system of ideas explaining something esp. one
based. on general principles independent of the particular things to be
explained that. awareness or familiarity gained by experience is the act
or power of. recollecting is supported chiefly by the thing that is known
to have occurred. exist or to be true that we have conceptions or plans
formed by mental. effort such as the exact state of being equal which
cannot be derived from. actual observation of or practical acquaintance
with facts or events.. noemata. Monday November. congratulations
congratulations your site is on on (nostalgi). noemata. Monday November.
curious. my handwriting .jpg 'Freedom diedgreat people proved that
awareness exists. and every lifeform is awareunfortunatelly they hadn't in
mind that evolution. not aims into awarenessdevelopment but towards better
adaptation.milions of. people just learned how to fake awareness.This what
makes us Humans is ablity. selfdevelopment and Empathynot adaptation.Crowd
without a leader went. insane.Sickness is ones who emphatize get dellusion
when looking. feelingslessones there is no mutual empathy then ones who
emphatize become. codepend.'.jpg(notes from train station i tried to
visualise how autosopher. adaptativenetwork works)also note that 'positive
effects coming from. smoking of tobbaco come fromchanged metabolism of
dopamine while addiction is. created by completelydifferent
neurotransmitter patch'also common mistake of. polish language pointed out
(use of foregin noun).jpg adaptative ALP network. Daylight Explosioni have
some other work like learning from c sources i'll. write to you laterd.jpg
dissolving substancedreams come when i am. heresnowwhite truth about
falseparticles of absurd from. nothingsubstancewhile this world is only
interpretation of our. dreamssubstanceyou melt with nonexistence like
youpractical disasemble of life. programtransient observation ofthoughts
about minimalism truth about. time.form of delusionsequence of sessionit's
lack of thought Substancewhile. civilisation camp grid is at least km
thin.where is. reasondynamicambitionfield of perception actions of
consiousness()timeand. this is 'life'intonation is alive and manipulating
bodieswill be as is. because can't be other waypreprogrammed forecast
shatter and bend under. influence of new datahow is time machine
likealivedestiny of chaos. complexity creation is creation itselfwe can
watch beauty of growthour time. camepower came to an. noemata. Jag lgger
lite bilder p mig hr.. Jag lgger lite bilder p mig hr.Men kom ihg jag vill
grna att. ni skriver i Gstboken vad ni tycker annars blir det inte fler
bilder. Mina. Fuktiga brst efter duschen.Jag visar upp ett av mina
brst.Jag i sexiga. underklder.Jag visar upp mig p sngen.Hr r jag helt.
utlmnad t dig.Tnk om handen inte fanns dr.Gillar ni mina. Lppar.Ny bild p
mina lppar.Gillar ni bilderna p mig i. stayupsDet kan komma fler bilder
Jag hller p att vertala min. vninna att jag skall f lgga upp bilder p
henne ocks.Hr. under lgger jag sprutbilderna som jag fr Och jag skall
villigt. erknna att jag har onanerat och tittat p dem mnga.
gnger.Sprutbild Sprutbild Sprutbild Sprutbild Sprutbild Sprutbild.
Sprutbild Sprutbild Sprutbild Jag har ftt ett par nya sprutbilder Det.
tycker jag om. Flera gnger har jag tittat p dessa bilder och tnkt. p er
hur ni har lekt med era underbara stnd fantiserat om mig och. sedan
sprutat er varma klibbiga sats ver min kropp. Mnga gnger har. dessa
fantasier tagit mig till underbara orgasmer. Ett extra spnningsmoment. r
ju att min kille inte har ngon aning om vare sig websidan eller dessa.
foto.Hr kommer fler bilder.En bild frn en man som heter Bokoboko.Gabbe.
har ocks sprutat ner min kropp.Hawkan har lagt sin varma sd ver.
mig.Fineman har gjort hrligt sexiga konstnrliga bilder.nnu en bild.
noemata. Saturday November. delayed. noemata. Tuesday November.
colmplaints ingored. complaits comlaints comppaints commplaints complaints
ifnored withijn redach. reazch complaibnts live complaintsa complaints
comlplaints comp laints within. rexach complaintw ikgnored reasch
complaihnts complwints complaintts ignorer. ckmplaints witin complpaints
complaints withkin weithin complaints. complwaints cmplaints complainrts
complaintys ignorwd ignoredr complainte. complaoints comoplaints
complajnts complainys ugnored ignorerd complaintsz. witbhin reaqch rteach
ignorfed complains complaintrs witgin complaingts. ignofred comploaints
comp aints iygnored complaintd iognored jgnored ignoresd. rezach
complaitns ignorsd ignotred cojmplaints r each complaint s complanits.
ignorefd vcomplaints complaints withimn kgnored withih complaints
cmoplaints. teach complaints complaints igynored witihn comnplaints
complints complaings. ignoref compolaints cmplaints ckomplaints co
mplaints ignored wi thin. complaintsw oignored jignored ignored
compplaints ignoed complainrs complainta. ignorted reach complaiknts
ignpred ignjored complaints compliants complaknts. complains complasints
ep ijgnored igvnored rseach ignores complaaints ignored. withn rewch ithin
cvomplaints compllaints complaintxs comllaints feach. cojplaints wiyhin
rwach complaintes withi ihnored complaints reacu wifhin. ighored ignored
withinreach complaijts ignoed complaxints complai ts. copmplaints with n
within wihin ignodred complaints complaimts wiythin. complants complaints
itnored cpomplaints withhin ign ored reacy withinh. withihn reach ignord
ccomplaints recah ciomplaints within ignred rach. ignoreds ignored
iugnored wityhin withinj ignor ed within ignorded ignored. ignpored wthin
reafh within eeach complains reacjh complaiints complain s. complainst
compla nts cokmplaints withinm soundtrack complaintss complaints.
complainmts co plaints ignoired complainyts online witjin withij ost
witghin. withuin complzaints complaintfs complaintgs compklaints
compalints complainbts. reac withibn igored discount rea ch cd ignoed
raech complaqints lyrics gnored. compaints complaimnts domplaints c
omplaints rea h gnored complaint sithin. ignoded limited edition
vomplaints wtihin reacbh compl aints withiun uignored. ignord
complaintsignored cfomplaints com laints complants ignred ignorex. wigthin
each deach ignroed ignorexd withikn ihgnored igfnored reacuh iignored. ign
red w thin complaintse ignorewd ignorsed with in ignored reacdh igbnored.
withun withyin reacvh complauints ignoredd ignnored ignored ignired
withib. ignorwed discounts wihin ibgnored complaibts rweach ifgnored
wifthin. complakints cheap conmplaints albums wiothin c mplaints igmored
complaintds. igno red complazints igonred reachh wuthin witnhin ignordd
reachg inored. ginored awithin ignlored complajints withim comjplaints
reeach eithin dreach. complaints withiin compact disc gnored ighnored
complaijnts resch reqch rdach. igmnored withn withion complaonts coplaints
reacxh ewithin reacch complsints. each complaint ignore complaints wit hin
music reacnh ignoredc clmplaints. ignoredx igbored complai nts ignred
complaintz compl ints complainhts. omplaints rewach by ignored complxaints
reac h complainfts reach ithin. complqaints wikthin reahc witjhin aithin
withjin ereach reachn complqints. reach dcomplaints ignored complkaints
reacb reachj witrhin rexch i gnored. each comlaints comkplaints complainfs
comlpaints complaintsd ignored ignorede. ignoree complsaints reduced
wsithin within complaintzs wthin wthin ithin. ibnored within within rreach
wihin complaintws complaihts within cast. recording ignoted cds wuithin
xomplaints complainnts withi n erach wirthin. within wityin wijthin rerach
cxomplaints reach withjn ignoerd within rech. withnin conplaints igjored
freach wit in withni readh withi reac ignore ignord. copmlaints wkthin com
plaints within swithin complaintsx wwithin complawints. rfeach qithin
ocmplaints within igno ed i nored ignorred enhanced ignmored. rach withkn
reach ognored remastered ignofed rach comolaints withbin woithin. ingored
witfhin each complants album withinb xcomplaints reacgh explicit. ignor d
reavh rrach within ithin within reachy reachu ignored ignokred. wituin wi
hin colmplaints ignore d reaxch r ach complaintas reaxh ivgnored. wiuthin
wirhin cmplaints igtnored w ithin reacfh reacj complzints rdeach. ignoreed
compoaints treach ignkored ignored withn sale ignolred cimplaints. ignored
reach complaunts ignoered reafch wihtin wiithin complaionts reqach. withon
waithin ignhored igniored ignorecd ignkred readch wjithin reach.
coomplaints cdomplaints ignoored ignored reacg withgin complaints ignlred.
clomplaints ignoeed re ch iynored withinn wkithin itgnored ignorde wjthin.
reaach witthin within complxints complainjts complaiunts within withoin.
fomplaints fcomplaints qwithin witbin reavch coimplaints resach reah
ignorec. ignored ignopred witnin ignoredf complain ts cpmplaints ig nored
wighin re ach. gnored compkaints omplaints within wqithin reacn reacyh
reachb wituhin iggnored. ivnored rsach iwthin complaintx rezch reawch
cokplaints kignored ignored wothin. reach igjnored ignorrd compla ints ig
ored ignboredSearch colmplaints. noemata. lumber. lumber. oct().
..JFIF......h FF DB A E. C A .....C.nxxdh C C B AA A BE F FF. FF F DC DC F
FF FF. h FF FF FF FF. FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF
FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF FF FF FF FF FF DB
AA B. .C.h B F D F. FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF
FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF FF FF FF FF FF FF FF FF
FF FF FF. h FF. FF FF FF FF FF FF FF FF FF FF FF FF FF FF C. ah.
...............bh FF. C ..............ch. FF C ..............dh.
................eh. FF DA C A. matronym. Sunday October. Re confuciuslist
Mencius B. wild grass (fwd). matronym. Saturday October. plunderphonics
week. DJbyHandIngerMarieLienKidSquarepusherStev.mp (. C C Nystev.. vil du
D. C E have meg til B C D A B C. kveda..det skal A D eg gjera. med stF C C
D A F rste gleda..og. B C B eg skal kveda sF E. D A o vent fyr deg.. B. C C
F D at du skal glym A F C. F D a deg sjlv og m E D A D A C B. C eg..... eg
skal B F B. kveda so du skaC E C D A D l. grta..um du C E C var aldri. s
gla F B E C D A E d og kt'e... e B C B F g skal kveda so E E C. C D A snlt
fyr deg... B C C E E E at du skal l n. E D E r du ser p meg.D A D A F D E.
F ....Og mine viso F E E C. r dei er so snl C D A F D F B E e..som. Borken
t E E E E rvar p isen. hC C D A F D E le..og mine visF. A E or dei gjer'
ein C E D A. F D C C sleng..som litl E E B. e guten p skeis E E A E E D A
D A C. unn' gjeng..... D E F mine. visor dei F D E C D A F er so
mange..soD. A D C F D E m heggjeblomane. E B D drys i fanget.A F. F .so
hev det vore C C. A D A i all si tid.. D B. dess meir dei kv C D ed dei
dess. mei E D A D A C r der bid...... C A C vil du stevjast F B. C so skal
eg svar C D A F. C E a..og heile nat F B C. ti so skal det v B D A F C.
ara..og vil du A D D stevjast med. meg B C C D A E i kveld..du g. B A E r
'kje t fyrr d E. E D C C E u fr ein smell. abort.
DJbyHandsisselkyrkjeboorigamiweightlessapati MB. matronym. Friday October.
link var. Index of var Name Last modified Size Description. Parent
Directory Oct idxbdvds.jpg. Oct k vdsidx.jpg Oct k. .jpg Oct k .jpg. Oct k
b.jpg Oct k. masl.jpg Sep k DSCN.jpg. Oct k DSCN.jpg Oct k. DSCNZ.JPG Oct k
DSCN.jpg. Oct k DSCN.JPG Oct k. DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct
k. DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct k. DSCN.JPG Oct k DSCN.JPG.
Oct k DSCN.JPG Oct k. DSCN.JPG Sep k DSCN.JPG. Sep k DSCN.JPG Sep k.
DSCN.JPG Sep k DSCN.JPG. Oct k DSCN.jpg Oct k. DSCN.JPG Oct k DSCN.JPG.
Oct k DSCN.JPG Oct k. DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct k.
DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct k. FlwTmudZFemVXGfQK... Sep k
P.png. Sep k P.png Oct k. P.png Oct k P.png. Oct k RISS.jpg Oct k. S.jpg
Sep k acroBatic.JPG. Sep k annama.jpg Oct k. annan.jpg Oct k annotfw.jpg.
Oct k apdd.jpg Oct k. apok.jpg Oct k apolillebilen.jpg. Oct k aporegn.jpg
Oct k. bdvds.jpg Oct k brcolagedrawachine.jpg. Oct k bssggn.jpg Oct k.
candledrawings.jpg Sep k codune.jpg. Oct k desktop.jpg Oct k. dietz.jpg
Oct k eee.jpg. Oct k elmagspectrum.jpg Sep k. ff.jpg Oct k fjfjf.jpg. Oct
k fluktbiler.jpg Oct k. fluxusmap.jpg Oct k fortart.jpg. Oct k ggcc.jpg
Oct k. ghdf.jpg Oct k golgeilo.jpg. Oct k gv.jpg Oct k. hfhfh.jpg Oct k
hfhfhw.jpg. Oct k hfhfhw.png Oct k. horn.jpg Sep k ideog.png. Oct k jj.jpg
Oct k. jotunheimen.jpg Sep k julebukk.jpg. Oct k lc.jpg Oct k. mouazing.png
Sep k mrna.jpg. Sep k oe.jpg Oct k. pluntscape.jpg Sep k prestholt.jpg. Oct
k prestholtskaret.jpg Oct k. psychogeo.jpg Oct k rabsistggkgigngdgom... Oct
k recursivelibrary.jpg Sep k. rygg.jpg Sep k san.png. Oct k scapeg.jpg Oct
k. scrreen.jpg Oct k sdgaa.jpg. Sep k seroma.jpg Oct k. sino.jpg Oct k
skogshorn.jpg. Sep k taka.jpg Oct k. tectonics.jpg Sep k teent.jpg. Oct k
tenner.jpg Oct k. text.jpg Oct k tilapollinaire.jpg. Sep k
torpostavechurch.jpg Sep k. tuftebrui.jpg Oct k turs.jpg. Sep k
usbdrawing.jpg Oct k. matronym. relax. matronym. Wednesday October. im not
sisting strahgt my jands ctrlz ctrlz ctrlz ctrlz versjon. ctrlz ctrlz ctrlz
ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz. ctrlz ctrlz ctrlz glitch
versjon (ultra editor) well probably doesn't affect. html so why blotherim
not sisting iwant somehthign it's a bit. frighteningstrahgt that kid on its
own and coldmy jands. atomata like tat fly nothing holdingnothing here in
the win. should i let gothis writing is the fog leaves (they of
whatagainst. itself does it) eprime the i don't know anythingi only write
when. drema (dramadream) this blank screenforgetting muself of magic.
contradicted by my fingersnegation well science and the this will. only be
troubleworthwhile howto any base fuck youspace which is. debase. coming
back this is completely lostnothing to.. never againher cunt ie no.
memoryshould backspace sensation must be no knowledgethat. based on
recurrence monster of pixelscollaps else you wouldn't. soothwhere am i
know but gnomhow to write. still sense but no.where am i inn the only once
it vicinitymyself. doesn't count (count potentialmy arm is kind of is.
sentence dntwiched recurrence). any pnrrmaqyawmy back. somewhat object.
object is nvvypub vybcdcxrunched here too much. object. dmcs vnbpu
cdngvirtual backspace anything that is suug. fcnothing ever comes visible
or tangible mqhycuq iydxout of this. and is relatively bucgupd dnwhere
does this go stable in form. to. uaurk rnhuruadexpect nothing you. ya
hypyaydkleft. channel delay something. thing xytt uywxd cyjthe need.
(meeting vyhuno structure her interface). lubn. ()whatever fright
subjectsubstancediscontinue into. subtrahends ariettaslide emergent
relation. subterfuge. arroweddiscreet egene remove
sceptrelessespataphysical. logic posessive my's. arrowedcompression is a
reactive at chemical. saboteur aridcipher level. behave septarium
arteroads. late ME softheartedly aradjustice behaven. (reflexive).
subterranean aridblockhead See BE HAVE.. shifters airywriting into space
behaviorism the spadework awardeei'll. go wherever the theory that scepter
areawidekeys lead. psychology can be shifter aerateleather case accurately
studied. softer arrauboard table kitchen only through the spader
artiecuisine. examination and subterfuge aureatei meant metaphor analysis
of. sputter areawidewherever possessives. subtree. areawidesomething else
sputter aeratethis is just. one i'm no one get your softer airyside hands
off me.. spader airtno justice HAHA. subterraneanisesusually space is
karmaguilttraces aortaexpensive. i once had guilt subdirectories
artymassive nothing writing haha. says it spidery airedeyes all (active
subtraction. artyi once had eyes expression vs sceptered artiego beyond
they. say matters of doctrine) subtreasury areawideother i laughter. is
spidery arrayedwhat comes in this eternally guilty. subterraneanise arteis
still eyes (doctrinal in sifter. awardeekeyes writing) as anythe cod e
statement. n softheart s mouthing. y. arrondis t guilty guilty (how
soekar. ttraffi n awkward to ) soffit ar thorsest c t. how's w g softies
arteriolethere's compilation attached to guilt. soever arterialises should
stop writing soke. arterialisinginterprete e another w e sojoimmedi s.
status of relate to artel valuemeaning other sodwhat'. than drawn arteri
dente. softhead arthromerewhich is p s (interfaces again).. sojourners
arrowrooti had t a media a softening. artefactbig small inverse suppose it
e softbound arsenicaldi. other way a softy ars lprotoco f signs are. soiree
arsenicisespapyrus no o lines are. ts stronger attraction readapting
mcqueenpro. proto mecritical distance attraction to. what reactualise
meagerlyexecution of seeing easy essing. meal ers are easi ay. of
mcmurdohidden instant an. g rea ness memiddleman blackmail to. ably me
compl of the ualizes. li syst inimax rk up. to mewhat's the deal on. me (
rface') reactualisations. mei r mansus accidencesubsta me. critical and
easie 's. system wins liked ng not gravitati. stupid you alwaysde reaming
get signs toodr eath is. obvious it's theirso ng else job. backtrackingi'd
to die. guilt is thru th .. sign you no. shouldn't att it's like chaplin
onde s trash. a conveyor belt ghtning down t rs economy.no. no signno in
the talking is a w recur.. as stimulusres augment pos. respons. lumber.
matronym. Tuesday October. thing. thing (thing) n. . a material object
without life or consciousness an. inanimate object.. some entity object or
creature that is not or cannot be. specifically designated or precisely
described The stick had a brass thing on. it.. anything that is or may
become an object of thought things of the. spirit.. things matters affairs
Things are going well now.. a fact. circumstance or state of affairs It is
a curious thing.. an action deed. event or performance to do great things
His death was a horrible thing.. a. particular respect or detail perfect
in all things.. aim objective The. thing is to reach this line with the
ball.. an article of clothing I don't. have a thing to wear.. things
implements utensils or other articles for. service I'll wash the breakfast
things.personal possessions or belongings. Pack your things and go. a task
chore I've got a lot of things to do. today.. a living being or creature
His baby's a cute little thing.. a. thought or statement I have just one
thing to say to you.. Informal. a. peculiar attitude or feeling either
positive or negative toward something. mental quirk She has a thing about
cats.. something signified or. represented as distinguished from a word
symbol or idea representing. it.. Law. anything that may be the subject of
a property right.. do or find. one's own thing Informal. to pursue a
lifestyle that expresses one's self.. Also do or find one's thing. . make
a good thing of Informal. to turn (a. situation experience etc.) to one's
own profit benefit by She made a good. thing of her sparetime hobbies..
new thing Jazz. See free jazz. . not to. get a thing out of to be unable
to obtain information or news from The police. couldn't get a thing out of
him.to fail to appreciate understand or derive. aesthetic pleasure from My
wife likes opera but I don't get a thing out of. it.. see or hear things
Informal. to have hallucinations.. the thing. something that is correct or
fashionable That caf is the thing now.that. which is expedient or necessary
The thing to do is to tell them the. truth.bef. ME OE orig. meeting see
THINGthing (thing ting) n.. (in Scandinavian countries) a public meeting
or assembly esp. a legislative. assembly or a court of law.Also ting. Cf.
thingstead. ON assembly. c. THING D ding G Ding thing orig. meeting akin
to Goth theihs. matronym. Monday October. nothing (nuthing) n.. nothing
(nuthing) n. . no thing not anything naught to say. nothing.. no part
share or trace (usually fol. by of) The house showed. nothing of its
former magnificence.. something that is. nonexistent.. nonexistence
nothingness The sound faded to. nothing.. something or someone of no
importance or significance Money is. nothing when you're without health..
a trivial action matter circumstance. thing or remark to exchange a few
nothings when being introduced.. a person. of little or no importance a
nobody.. something that is without quantity or. magnitude.. a cipher or
naught Nothing from nine leaves nine.. (used in. conventional responses to
expressions of thanks) Think nothing of it. It's. nothing. Nothing to it..
for nothing free of charge.for no apparent reason. or motive.futilely to
no avail They had gone to a great deal of expense for. nothing.. in
nothing flat in very little time Dinner was finished in. nothing flat..
make nothing of to treat lightly regard as easy.to be. unsuccessful in
comprehending He could make nothing of the complicated. directions..
nothing but nothing other than only We could see nothing but. fog..
nothing doing Informal. emphatically no certainly not.no activity.
inducement advantage etc. present to the eye We drove through the town
but. there seemed to be nothing doing.. nothing less than or short of
absolutely. completely She was used to nothing less than the best.. think
nothing of to. treat casually.to regard as insignificant He thinks nothing
of lying to. conceal his incompetence.adv. . in no respect or degree not at
all It was. nothing like that. Nothing dismayed he repeated his
question.adj.. . amounting to nothing as in offering no prospects for
satisfaction. advancement or the like She was stuck in a nothing job.bef.
ME OE. matronym. rinsay. the active expression of enlightenment over
matters of doctrineThe mind thus. creates the world in the sense that it
invests the phenomenal world with. value.They have presumably already
freed themselves from preoccupations with. the commoner cravings for
sensual indulgence material gain or worldly fame. and have entered the
path of religious strivings. But it is precicely this fact. that Linchi
sees as the source of their problems.this lone brightness without. fixed
shape or form.once and for all that there is no goal to be striven for.
because it has been won already no place to be journeyed to because one
is. there right now.People with so few roots of faithif it's for the sake
of the. Dharma don't hesitate to sacrifice your bodies or give up your
lives.If you. approach it with a true and proper understanding you won't
be affected by. considerations of birth and death you'll be free to go or
stay as you. please.The fault lies in the fact that they don't have faith
in. themselvesStudent's don't have enough faith in themselves and so they
rush. around looking for something outside themselves.Those who have
fulfilled the. ten stages of bodhisattva practice are no better than hired
field hnads those. who have attained the enlightenment of the fiftyfirst
and fiftysecond stages. are prisoners shackled and bound arhats and
pratyekabuddhas are so much filth. in the latrine bodhi and nirvana are
hitching posts for donkeys. Why do I. speak of them like this Because you
followeres of the Way fail to realize that. this journey to enlightenment
that takes three asamkhya kalpas to acomplish is. meaningless. So these
things become obstacles in your way.Fellow believers. time is precious You
rush off frantically on side roads studying Ch'an. studying the Way
clinging to words clinging to phrases seeking Buddha. seeking the
patriarch seeking a good friend scheming planning. But make no. mistake.
Followers of the Way you have on set of parents what more are you. looking
for You should stop and take a good look at yourselves. A man of old. tells
us that Yajnadatta thought he had lost his head and went looking for it.
but once he had put a stop to his seeking mind he found he was perfectly
all. right.The man of value is the one who has nothing to do. Don't try to
do. something special just act ordinary. The Paotsung lun With regards to
the. Way what is valued in every age is to have nothing to do. With
regards to the. Way when one is mindless then all things will proceed
smoothly.Followers of. the Way the Dharma of the buddhas calls for no
special undertakings. Just act. ordinary without trying to do anything
particular. Move you bowels piss get. dressed eat your rice and if you get
tired then lie down. Fools may laugh at. me but wise men will know what I
mean. A man of old said People who try to do. something about what is
outside themselves are nothing but blockheads.If you. have doubts in your
mind for an instant that's the Buddha devil. But if you. can understand
that the ten thousand phenomena were never born that the mind. is like a
conjurer's trick then not one speck of dust not one phenomenon will.
exist.As I see it there's no Buddha no living beings no long ago no now.
If. you want to get it you've already got it it's not something that
requires. time. There's no religious practice no enlightenment no getting
anything no. missing out on anything.If you want to be free to be born or
die to go or stay. as onw would put on or take off a garment then you must
understand right now. that the person here listening to the Dharma has no
form characteristics no. root no beginning no place he abides yet he is
vibrantly alive. All the ten. thousand kinds of contrived happenings
operate in a place that is in fact no. place.If your mind entertains a
moment of doubt it becomes obstructed by the. element earth. If your mind
entertains a moment of craving it becomes drowned. in the element water.
If your mind entertains a moment of anger it is seared. by the element
fire. If your mind entertains a moment of delight it is tossed. about by
the element air.The way I see it onw shouldn't be averse to anything..
Suppose you yearn to be a sage. Sage is just a word sage.Those who study
the. Way these days need to have faith in themselves and not go looking
for. something outside.If you want to be a truly great vessel you must
never be led. astray by others. Wherever you are play the host and then
any place you stand. will be a true one. Whatever confronts you don't let
yourself be imposed on.. If you entertain even a moment of doubt the devil
will enter your mind.Just. have faith in this thing that is operating in
you right now. Outside of it. nothing else exists.In the way you now
respond and utilize it what do you. lack In the space of an instant you
enter purity or enter defilement enter. the halls of Maitreya or enter the
lands of the three eyes. You wander at ease. everywhere for you see that
these are all empty names.The buddhas and. patriarchs are people who don't
have anything to do or are without defilements. and doings their karma is
clean and pure.The Patriarch Shenhui said If you. try to arrest the mind
and stare at silence summon the mind and focus it on. externals control
the mind and make it clear within concentrate the mind and. enter into
meditation all practices of this sort creates karma.So for the. past
twelve years though I've looked for this thing called karma I've never.
found so much as a particle of it the size of a mustard seed.from times
past. the real teachers wherever they went were never listened to and were
always. driven out.The various phenomena in this world and other worlds are
in all. cases devoid of intrisic nature. Even if something did exist it
would in all. cases be no more than an environment that changes with what
it depends on. You. live in a land of changing dependent conditions what
is it you are looking. for And things like the Three Vehicles and the
twelve divisions of the. scriptural teachings they're all so much old
toilet paper to wipe away filth.. The Buddha is a phantom body the
patriarch are nothing but old monks. You were. born from women weren't you
I you seek the Buddha you'll be seized by the. Buddha devil. As long as you
seek something it can only lead to suffering.. Better to do nothing.A true
student of the Way never concerns himself with the. Buddha. Far removed
alone and free he is never entangled in things. Heaven. and earth could
turn upside down and he would not be perturbed. All the buddhas. of the
ten directions could appear before him and his mind would not feel an.
instant fo joy the three realms of hell could suddenly confront him and
his. mind would not feel an instant of alarm. Why is he like this Because
he knows. that all things in the phenomenal world are empty of
characteristics. WHEN. CONDITIONS CHANGE THEY COME INTO EXISTENCE WHEN
THERE IS NO CHANGE THEY DO. NOT EXIST.Followers of the Way when students
come here from various regions. and we have finished greeting one another
as host and guest the student will. make som remark to test the teacher.
The student comes out with these tricky. words and thrusts them into the
teacher's face. If you were the teacher and. realized that this was just
an 'environment' and you grabbed it and threw it. down a hole then the
student would act normal again and after that would ask. for the teacher's
instruction. The teacher would then snatch that up too and. treat it as he
did the earlier remark. The student then says Very wise A. truly great
teacher The teacher says You certainly can't tell good from. badAgain
suppose the teacher comes out with a certain chunk of environment. and
dangles it in front of the student's face. The student sees through this.
and at every step acts the master refusing to be misled by the
environment.. The teacher then reveals half of his body whereupon the
student gives a shout.. The teacher now enters the place where there are
all kinds of differences and. distinctions battering the student around
with words. The student says This. old baldhead who can't tell good from
bad The teacher exclaims in admiration. A true and proper follower of the
WayThere are some teachers around who can't. distinguish crooked from
straight. When a student comes and asks about bodhi or. nirvana about the
threefold body or about environment and wisdom those blind. old teachers
start explaining to the student. When the student curses at them. they
pick up their stick and hit him saying Such rude language If you have. a
teacher like that he lacks eyes to begin with.Then there is that bunch of.
baldheads who can't tell good from bad but point to the east gesture to
the. west love clear weather love it when it rains love this lamp or that
pillar.. Look and see how many hairs they have left in their eyebrows and
with good. reason. Teachers like that are nothing but wild fox spirits
goblins. Good. students will just give a little snicker and say Blind old
baldheads trying. confuse and lead everybody in the world astrayFollowers
of the Way if you. want to get the kind of understanding that accords with
the Dharma never be. misled by others. Whether you're facing inward or
facing outward whatever you. meet up with just kill it If you meet a
buddha kill the buddha. If you meet. your parents kill your parents.These
students of the Way who come from all. over there's never been one of them
who didn't appear before me depending on. something. So I starrt out by
hitting them there. If they come with a raised. hand I hit the raised hand
if they come mouthing something I hit them in the. mouth if they come
making motions with their eyes I hit them in the eye. I. have yet to find
one who comes alone and free they're all caught up in the. idle devices of
the men of old.I don't have a particle of Dharma to give to. anyone. All I
have is cure for sickness freedom from bondage. You followers of. the Way
from here and there try coming to me without depending on anything. All. I
get are things stuck to stems clinging to leaves wraiths that inhabit
bamboo. or trees wild fox spirits They chew frantically at every lump of
shit they. happen upon. Blind foolsI tell you there's no Buddha no Dharma
no practice. no enlightenment. Yet you go off like this on side roads
trying to find. something. Blind fools Will you put another head on top of
the one you have. What is it you lackThe way I see it there's no call for
anything special.. Just act ordinary put on your clothes eat your rice
pass the time doing. nothing. You who come here from here and there you
all have a mind to do. something. You search for the Buddha search for the
Dharma search for. emancipation search for a way to get out of the
threefold world. Idiots. trying to get out of the threefold world Where
will you goFellow believers. this body made up of the four major elements
has no permanence. Things like. spleen and stomach liver and gall hairs
nails teeth are simply evidence. that all phenomenal things are empty of
fixed characteristics. As long as your. mind is unable to cease its
momentbymoment activity then you are up in the. tree of ignorance. But if
you can learn to cease then you'll be in the world. of the clean pure
body.If a student truly knows what he is doing he will give. a shout and
then first of all hold out a try of lacquer. The teacher failing.
recognize this as a mere 'environment' proceeds to climb up on the.
environment and begin striking poses or donning attitudes. The student
gives a. shout but the teacher refuses to abandon his approach. This is
called the. guest seeing through the host.Or perhaps the teacher will not
come out with any. object of his own but will wait for a question from the
student and then snatch. it away. The student seeing his question snatched
away won't let go but holds. on for dear life. This is a case of the host
seeing through the guest.Perhaps. there is a student who responding with a
clean pure environment presents. himself before the teacher. The teacher
can tell this is just an environment. and grabs it and throws it down a
hole. The student says A truly great. teacher Instantly the teacher says
Hopeless can't tell good from bad. The student gives a low bow. This is
called the host meeting up with a host.Or. there may be a student who puts
a cangue wooden collar on his neck binds. himself in chains and then comes
before the teacher. The teacher proceeds to. shackle him with another set
of cangues and chains. The student is delighted. unaware of what has
happened. This is called the guest meeting up with a. guest.But students
don't have faith enough and instead base their. understanding on words and
phrases. Their years pile up to half a hundred and. all they do is go off
on side roads carrying their dead corpses on their. backs racing all over
the world with their load of baggage.If you look toward. the area of
motion and try to grasp the truth there it will take up its stand. in the
area of nonmotion and if you look towards nonmotion and try to grasp it.
there it will take up its stand in motion. It is like a fish hidden in a
pond. who now and then slaps the surface and leaps up.When students come
from here. and thee I classify them into three categories according to
their ability. In. such cases if a student of less then middling ability
comes to me I snatch. away the environment but leave him his existence. I
a student of better than. middling ability comes to me I snatch away both
environment and existence. If. a student of truly superior ability comes
to me I do not snatch away anything. neither environment nor existence nor
person. If a student appears whose. understanding surpasses all these
categories then I deal with him with my. whole body and take no account of
his ability.Reverend Taoi's way of doing. things was simple direct nothing
mixed in. Reverend Lushan was utterly free. true and correct but whether
he came at them with compliance or opposition his. students could never
fathom what was going on. Mau's way of doing things. was as bitter as the
bark of the Chinese cork tree no one could get near him.. The way Shihkung
went about it was to look for students by pointing an arrow. at them all
who came to him were terrified. Shihkung had been a deer hunter.. When
students came to him he would fit an arrow to his bow point it at them.
and say Look at the arrowFellow believers these sounds names words.
phrases are all nothing but changes of robe. The sea of breath in the
region. below the navel stirs itself into motion the teeth batter and mold
it and it. comes out as a statement of an idea. So we know for certain that
these are mere. phantoms.Better to do nothing to meet someone but not
recognize him talk with. him but not know his name.There's a bunch of
fellows who can't tell good from. bad but poke around in the scriptural
teachings hazard a guess here and there. and come up with an idea in words
as though they took a lump of shit mushed it. around in their mouth and
then spat it out and passed it on to somebody else.. They're like those
people who play passtheword parlor games wasting their. whole life like
that.When the great teacher Bodhidharma came from the west he. was simply
looking for a man who would not be misled by others.I have been.
addressing you putting forth a lot of trashy talk. But make no mistake In
my. view there are in fact no great number of principles to be grasped.If.
bodhisattvas even those who have completed the ten stages of mind practice.
were all to seek for the traces of such a follower of the Way they could
never. find them. Therefore the heavenly beings rejoice the gods of the
earth stand. guard with their legs and the buddhas of the ten directions
sing his praise.. Why Because this man of the Way who is now listening to
the Dharma acts in a. manner that leaves no traces.Neither in this world
nor in any other world is. there any Buddha or Dharma. There is nothing to
appear before you and nothing. that is lost.Fellow believers only when you
have commited the five crimes that. bring on the hell of incessant
suffering will you finally gain. emanciation.Killing your father injuring
your mother drawing blood from the. Buddha's body disrupting the harmony
of the Monastic Order burning the sutras. and images these are the five
crimes that bring on the hell of incessant. suffering.Ignorance is the
father. When your mind is without activity wherever. it is this is called
killing the father.Greed is the mother. When your mind. experiences no
attachment anywhere this is called injuring the mother.If your. mind doesn
not even for an instant begin to discriminate but instead sees. complete
darkness everywhere this is drawing blood from the Buddha's body.If. you
properly understand that the bonds and entanglements of earthly desires
are. so much emptiness with no place to lean on this is disrupting the
harmony of. the Monastic Order.When you can see the emptiness of causes
and conditions the. emptiness of all phenomena when the mind is every
instant completely calm far. removed and doing nothing this is burning the
sutras and the images.Your minds. instant by instant confront an empty fist
a pointing finger and take it for. some sort of reality vainly trashing
around in the realms of senses. environments phenomena.Followers of the
Way don't take the Buddha to be some. sort of ultimate goal. In my view
he's more like the hole in a privy. Therefore. Manjushri grasped his sword
ready to kill Gautama and Angulimala blade in. hand tried to do injury to
Shakyamuni.Followers of the Way even if you can. understand a hundred
sutras and treatises you're not as good as one plain monk. who does
nothing.Followers of the Way don't search for anything in written. words.
The exertions of your mind will tire it out you'll gulp cold air and. gain
nothing.Fellow believers don't dawdle your days away In the past before. I
had come to see things right there was nothing but blackness all around.
me.Fellow believers do not use your minds in a mistaken manner but be
like. the sea that rejects the bodies of the dead.Weishan said Well what
do you. thinkYangshan said Officially not a needle is allowed to pass but.
privately whole carts and horses get throughWhen illumination comes first
and. action afterwards then the person is present. When action comes first
and. illumination afterward then the Dharma is present. When illumination
and. action are simultaneous it's like driving away the plowman's ox
snatching. food from a starving person cracking bones and extracting the
marrow giving a. painful poke with a needle or an awl. When illumination
and action are not. simultaneous there are questions and answers guest and
host are established. water gets mixed with mud in response to movements
measures are taken. If the. person is really outstanding then even before
a problem arises he'll rouse. himself and be on his way. But still it
needs another little push.(from the. lumber. matronym. Sunday October. ok.
these characters don't mean anythingarseholes on tv televisionrectoscopy
rs. holes tv setthis candlelight the this the president the dog the the.
theodicy evil levi live veil vilegood has no anagrams no otheranagram has
no. anagram which backfires on good it's just emptythe same ames asme meas
mesa. msae seam other theor. throerandom rodmannegative agentivepositron.
sorptionatchoo cahootakan kanahaiku ukiahemil lime milemale alme elam
lame. lam mael meal melafemale icon coin cion sign sing sing.arse ares son
of. zeus and hera mars male marse aser asher rase raze sear. to burn or
char. the surface of She seared the steak to seal in the juices.. to mark
with a. branding iron.. to burn or scorch injuriously or painfully He
seared his hand. on a hot steam pipe.. to make callous or unfeeling harden
The hardship of her. youth has seared her emotionally.. to dry up or wither
parch.v.i.. to become. dry or withered as vegetation.n.. a mark or scar
made by. searing.adj.. sere.bef. (adj.) ME sere OE sar c. D zoor (v.) ME.
seren OE sarian deriv. of sarstill sr norwsera plural of serum blood. milk
whey curd duca cheese christ smegma the last sup puslas palmas plasmathe.
sun nous onus probandi it's ya onus ya orseeros rose sore (sear) sero
(serum. again)horse shoer shoreursus arctos horribilis kodiakthis hist
isth sith tshi. shitexcrement waste matter sweat (matter has no anagram
neither mind)mother. thermovater avert travemater ramet tamersanta satan
tsananoema anemo wind L. animus breath Skt anilasrumblehex ascii isiac
isis usus oso horosbeing begin. binge blast bust blair toot jagresist
sisterbroth throb frater rafter rumble. lumber jackass (anything
male)thing night dorknesslight bef. (n. and. adj.) ME OE loht c. OS lioht
OFris liacht D G licht Goth liuhath (n.). akin to ON ljs (n.) ljss (adj.)
L lx (n.) Gk leuks bright white. (v.) ME lighten OE lhtan c. OS liuhtian
OHG liuhten (G leuchten) Goth. liuhtjanlux litho thiol
stonelightfireelectron el centro recent holocene holos. soul sole solus
also solaone eon neo noe time emit mite item geo ego aeon a. one eras
arseone bef. ME oon OE n c. D een G ein Goth ains L nus. (OL oinos) akin
to Gk on ace on a diejocus jeckarse jest gest gegere. perform egest to
discharge as from the body void (opposed to ingest). injoke notfunnyyoke j
bef. (n.) ME yok(e) OE geoc c. D juk G Joch. ON ok L jugum Gk zygn Hittite
yugan Skt yuga (v.) ME yoken OE. geocian deriv. of the n.orl korrect.
lumber. matronym. Friday October. lumber. lumber. Bkonomi.
BkoEuropnomiVaVerdektigenramtomNorgeNordenDanmarkFryeneGrNonlanrdendFinlandIslandogSverige.BkonomiVekt.
i gram tom Norge Norden. Europa Verden. Norden Danmark Fryene Grnland
Finland Island og Sverige.. matronym. Thursday September. scribbling on a
blank end page of rinzai roku my mom wanted to look at some. pictures but
got stuck in navigating the mouse so i get very bored before. reaching the
start button my sister comes in with bruises on her knees and a. blue hand
not knowing where they come from (polish vodka party) eventually it.
dissolves the scribble remains and i do a scan upsidedown like colliding
in. mouse and vodka crashes.scurvy dog story.Theese be. disturbance (vacky
horror)if you look towards the area of motion and try to. grasp the truth
there it will take up its stand in the area of nonmotion. it's like a fish
hidden in a pond who now and then slaps thesurface and leaps. upjesus
whatChrist whatShiva WhatWat WhatWhat Wattbunch of. goblin spiritsdoubt
earth (buddha devil)craving wateranger firedelight. raysnostalgia
(neuralgia) of the imagehome (no home)anger of the visible. world (light)
fireimagenostalgia of the explicit (for a root in. events)return going
somewhereturn on meand watch me cumpelwhose. meMEMEjujuscurrilous image
sorcerorsplunters pirates of the. imagesometime you come riding on an
imageyou take diamond ministry (any. syle building you want)populate w
furry amoebas..perhaps come come riding on. matronym. Monday September.
crash courseplunt bubble chamber traceroutemy mother is learning the
mouse. matronym. Sunday September. editor's note. kunst DOT no. matronym.
Wednesday September. lumber. lumber. Re sq. noemata. Friday May. amrah.
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Poper. Pharmaper. noemata. feynman. ...All this went on in the first few
weeks before we got. everythingstraightened out. Anyway one day I'm
piddling around with the. computingmachine and I notice something very
peculiar. If you take divided. by youget .. . . It's quite cute It goes a
little cockeyed. after whenyou're carrying but it soon straightens itself
out and repeats. itself nicely.Ithought it was kind of amusing. Well I put
that in the mail. and it comes back to me. It doesn't go throughand there's
a little note Look. at Paragraph B. I look at Paragraph B.Itsays Letters
are to be written. only in English Russian SpanishPortugueseLatin German
and so forth.. Permission to use any other language must beobtained in
writing. And then it. letter which saidthat I feel that of course this
cannot be a code because if. you actually dodivide by you do in fact get
all that and therefore. there's no moreinformation in the number .. . .
than there is in. the number which is hardly any information at all. And
so forth. I. therefore asked forpermission to use Arabic numerals in my
letters. So I got. that through allright....And von Neumann gave me an
interesting idea that you. don't have to beresponsible for the world that
you're in. So I have developed a. very powerfulsense of social
irresponsibility as a result of von Neumann's. advice. It'smademe a very
happy man ever since. But it was von Neumann who put. the seed inthatgrew
into my active irresponsibility... What You a. psychiatrist keeping an
open mind Ha It went on likethisfor quite a. while. Then at some point
near the end he says How much do you value. life Sixtyfour. Why did you
say 'sixtyfour' How are you supposed to. measure the value of life No I
mean why did you say 'sixtyfour' and not. 'seventythree' forinstance If I
had said 'seventythree' you would have. asked me the same question The
psychiatrist finished with three friendly. questions just as the
otherpsychiatrist had done handed me my papers and I. went off to the next
booth....After a while I began to worry. Here's a guy. who's been deferred
all duringthe war because he's working on the bomb and the. draft board
gets letterssaying he's important and now he gets a D in. Psychiatric it
turns outhe's a nut Obviously he isn't a nut he's just. trying to make us
believe he'sanut we'll get him...I don't believe I can. really do without
teaching. The reason is I have tohave something so that when. I don't have
any ideas and I'm not gettinganywhereI can say to myself At least. I'm
living at least I'm doing something I'mmaking some contribution. it's just
psychological.... So I got this new attitude. Now that I am burned. out and
I'll neveraccomplish anything I've got this nice position at the.
university teachingclasses which I rather enjoy and just like I read the.
Arabian Nights forpleasure I'm going to play with physics whenever I want
to. without worryingabout any importance whatsoever....Thirteen Times One
time a. science teacher from the local city college came around and
askedmeif I'd give. a talk there. He offered me fifty dollars but I told
him I wasn'tworried about. the money. That's the city college right Yes. I
thought about how much. paperwork I usually had to get involved with when
Ideal with the government so. I laughed and said I'll be glad to give
thetalk.There's only one condition on. the whole thing I pulled a number
out of ahatand continued that I don't. have to sign my name more than
thirteen timesand that includes the check The. guy laughs too. Thirteen
times No problem. So then it starts. First I have. sign something that
says I'm loyal to thegovernment or else I can't talk in. the city college.
And I have to sign itdouble OK Then I have to sign some kind. of release to
the city I can'tremember what. Pretty soon the numbers are. beginning to
climb up. I have to sign that I was suitably employed as a. professor to
ensure ofcourse since it's a city thing that no jerk at the. other end was
hiring hiswife or a friend to come and not even give the lecture.. There
were all kindsofthings to ensure and the signatures kept mounting. Well.
the guy who started out laughing got pretty nervous but we just madeit. I.
signed exactly twelve times. There was one more left for the check so
Iwent. ahead and gave the talk. A few days later the guy came around to
give me the. check and he was reallysweating. He couldn't give me the
money unless I signed. a form saying I reallygave the talk. I said If I
sign the form I can't sign. the check. But you were there. Youheard the
talk why don't you sign. it Look he said Isn't this whole thing rather
silly No. It was an. arrangement we made in the beginning. We didn't think
it wasreally going to get. thirteen but we agreed on it and I think we
shouldstick to it to the. end. He said I've been working very hard calling
all around. I've been. tryingeverything and they tell me it's impossible.
You simply can't get your. moneyunless you sign the form. It's OK I said.
I've only signed twelve. times and I gave the talk. Idon'tneed the money.
But I hate to do this to. you. It's all right. We made a deal don't worry.
The next day he called me. up. They can't not give you the money
They'vealready earmarked the money and. they've got it set aside so they
have to giveit to you OK if they have to. give me the money let them give
me the money. But you have to sign the. form. I won't sign the form They
were stuck. There was no miscellaneous pot. which was for money that
thisman deserves but won't sign for. Finally it got. straightened out. It
took a long time and it was verycomplicated but I used. the thirteenth
signature to cash my check.... It's a kind of scientific. integrity a
principle of scientific thoughtthatcorresponds to a kind of utter. honesty
a kind of leaning over backwards.Forexample if you're doing an. experiment
you should report everything that youthink might make it invalid. not only
what you think is right about itothercauses that could possibly. explain
your results and things you thought ofthatyou've eliminated by some. other
experiment and how they worked to makesurethe other fellow can tell. they
have been eliminated.... Why didn't they discover that the new number was.
higher right away It's athing that scientists are ashamed of this history.
because it's apparentthat people did things like this When they got a.
number that was too highaboveMillikan's they thought something must be
wrong. and they would look forandfind a reason why something might be
wrong. When. they got a number closer toMillikan's value they didn't look
so hard. And so. they eliminated the numbersthat were too far off and did
other things like. that. We've learned thosetricks nowadays and now we
don't have that kind of a. disease. But this long history of learning how
to not fool ourselves of. havingutterscientific integrity is I'm sorry to
say something that we. haven'tspecifically included in any particular
course that I know of. We just. hopeyou've caught on by osmosis. The first
principle is that you must not fool. yourself and you are theeasiest person
to fool. So you have to be very. careful about that. Afteryou'venot fooled
yourself it's easy not to fool other. scientists. You just have tobehonest
in a conventional way after that.... So I. have just one wish for you the
good luck to be somewhere where youare free. maintain the kind of
integrity I have described and where you donot feel. forced by a need to
maintain your position in the organization orfinancial. support or so on
to lose your integrity. May you have thatfreedom.Surely. noemata. the plan
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map. printed in the peninsula is called Island Maghies andin Inquisitions
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turn. a word for seagull. I can not find in the O form as OHea OHay Hay.
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given in members of. this family by soldiers from Carrickfergus Castle
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consequen. noemata. Sunday June. noemata. what. noemata. cO ritzE yk.
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Nosn. noemata. lumber. lumber. ubuweb aspen ethnopoetics EPC Sound Radio
Arts several. gigabyte (plain index) . The . Gertrude. . Stein . Reader .
collection of. . esoteric . shortform . writing. (Seattle Studio Sokrates
jazz og filosofi radio (NRK). Analytics) The Straight Dope (QA. columns
from Cecil Adams) The age of manipulation shift from a religious to a.
therapeuticworldview Timeline of knowledgerepresentation (Robot. wisdom)
GX JupitterLarsen's OnLine Amathopaedia The. Kingdoms of ElgalandVargaland
consisting of borderterritories. Intellectual property issues (Negativland)
Afterlife Beliefs May. Have Biological Basis (ascribe)cfcbafbdaffbffc.
Musicsound of the magnetosphere and space weather(auroralchorus).
poortour.com INTERNET TEXT Alan. Sondheim Life Gran SonessonWe hold. these
nouns to be adjective that all nouns are created. noemata. Sunday July.
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Grenselandet vi påberoper oss grensegrenselandet. Ad infinitum. Det. fins.
abcefcdabf.. A more playful sort of exchange recasts PeertoPeer networks as
an. plot of a story by locating its missing parts hidden in exchange.
networks and which can be recognized by working together which.
INFLFTNNTRKXNNTPTSFSPRXS. showing the normally invisible processes of the
formation of blocks. generated by the Gnutella network. Coloured 'balls'
as the artists. data involved. MP is now a medium in itself as shown by a
number of. makes the user realize the fallible nature of 'packages' of.
This approach is sometimes taken by small labels in search of glory.
record industry lobby evidently in trouble uses the same detour. services
is the sale of the activation of many simultaneous downloads. a phenomenon
far too complex and diversified to be so and which. emotional vulnerability
and hardware. Trusting that some music. pbzchgref ba rnegu jbhyq penfu qhr
gb n ivehf pnyyrq ZhfvpCnary naq. alt.music.bootlegs) it clearly shows how
media panic can be. been used on other occasions such as when a similar
hoax. feeling instilled by commercial marketing concerning the free.
ways.. Plagiarism MP is the message.. is a fundamental of a whole artistic
scene called plagiarist which. artists over the years concerns exclusive
copyright which is. reproduction. Various artists have shown the paradox
of a system. jesters of a commercial system blindly hanging on to its own.
effdaabaed. famous because of a legal challenge which dragged them into a
bizarre. techniques applied here. In the band issued on the SST label a.
'I Still Haven't Found What I'm Looking For'. Sales figures were not.
album by U themselves. 'Island' U's label at the time demanded. a trial..
the symbol of a battle in which the only weapons available are irony. the
free use of sound samples and continued their valuable artistic. issued in
by the Etoy group of artists in an attempt to get back. create have to be
properly paid for what they do not that they have.. k. k.
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was involved in the company. interesting group in norway ever. actually
nebb mentioned this heat as. one of. learning' not. just slow and dark
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334
da. arafat. arafat shithead it's all the same some shithead claiming
territory. that got to do with anything. maps plainly to logic how
metaphysics became logic or was as it. its undead counterpart the world
may die any human we'll go on. this morning and driving under the bridge
don't blame gray words. FLNKTNMKMSYJSTSTRNTSTNLYWNT. down. all this wind
is it going anywhere mostly robots reading the. what a mess still four
arms two heads what a monster and the. system two processes the same shit
all the more pressure around. Great. it's of course true we are the same
otherwise science and. through the processor our bodies are arguments
positions like. being itself so the quest is via the culture
representation where. Other Arts Where Are You In Music And Everything
Before Language. the identity of 'you are here' which gives a faint
realization of. falsity revealed through its truth and vice versa which is
at stake.. Lingam Sanskrit literary 'mark' or 'sign' ( is there a
connection. )...noisserpxe tnangerp ycnangerp laesni. combination gives
emphasis to his incomprehensible transcendence. He. eht ni noitatidem ni
detaes citecsa na sa detciped semitemos. he tramples on the forces of
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seluR evitigrugeR eR dwF tcejbuS. ReplyTo a place for discussion and
improvement of things. egassem dedrawrof fo tratS .. feel. of format form
or function including overt referencing. appropriation. . No Simulacra.
thoroughly rigorously laughed at.. No more InterNet.art will be produced
using x.pression as a template or. the cartesian or the sensory ie
visuality overcoding in all. InterNet.art. . No M.mersion. S P R I A M I.
instill great clunking swathes of theoretical loadings in all work no.
ReplyTo a place for discussion and improvement of things. Fwd Regurgitive
Rules of InterNet.Art. End of forwarded message. Gb hafhofpevor fraq n
oynax rznvy gb. Russell Weinberger Associate Publisher. The conversation
continues...... you have picked out one paragraph which best represents to
your. colleagues. Imagine that you walk into a room and are greeted by a
group of Edge. Daniel C. Dennett for the EDGEworthy suggestion) is the
charge to the. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena
Cronin. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena Cronin ..
codes. Wi. ecceceffefda. laid bare like a theater with transparent
curtains and sets so the. visible. Hyperlinks which often appear in
underlined blue text. jump from one page to another a sort of black hole
through which a. jump from one page to another a sort of black hole
through which a. web site into separate windows each displayed in a
separate part of. frame allowing the user to move among screens without
leaving the. relevance. In many cases the web page communicates to the
search. consist of key words that provide an associative description of
the. deconstructionist critic approaches a text. Deconstruction which.
statutes and court opinions collapse upon themselves making their. I E R A
W O A A C T. set the foundation of postmodern thought by describing
language as a. itself) and the signified (the concept or meaning).
Saussure's. I S T E And R Suggest A Girl Or Woman Who Shares The Same
Parents. inner relationship to the succession of sounds sor which serves
as. simply be represented by another succession of letters or sounds..
signified was merely historical and therefore arbitrary. the letters.
doomed to represent a bound sheaf of printed papers too rarely. because it
doesn't signify something else (the actual book) and the. .nwo sti no
depsarg eb tonnac ti lanoitaler. Meaning then is not contained or conveyed
by a word or series of. convey. Meaning is part of a process in which words
are examined. looks much more like a sprawling limitless web where there is
a. Deconstructionists advanced de Saussure's work by detaching the.
infinite or at least inexhaustible network. Every text fiction and.
suspended quality its meaning is whatever may be grasped by a. kind of
open conversation or play through which the reader pieces. favorite tactic
of such critics is to analyze a detail in the text.
INKHRNTWTLKSPTTNTRPRTXNSSXSMRL. groups come to appear naive. Indeed the
Supreme Court has done. curious backwater of the Constitution the th
Amendment now stands. dnuof esarhp a( ytinummi ngierevos fo enirtcod daorb
ylgnisaercni. of state government at the expense of both Congress and
citizens at. every other aspect of the United States Constitution. A.
wrong about federalism and state power but only. that such radically. to
an authoritative meaning including an investigation into the. and Bill of
Rights) will be a misguided and ultimately fruitless. The Web is a
postmodernist tool that inevitably produces a. social conservatism is the
kind of grassroots movement that the. farflung constituents aiding
organization recruiting. and the. the number of sources with consistent
viewpoints. Conservatives who. avoid those sources altogether customizing
a diet of news from. HSgNhjrziAFedjRdJAvTblBm. their own perspectives but
precluding exposure to new ones. .. jdBF. stak sl califor b.menraae. znfa
qi. bdlae tstkv sl kan kmmmi ron Mta. kan fo veskor i sei. fi ioegrnr
irogn senrnsoe asnvar fosvrferyt b. fn sitell sekptn vneant. oorhteatk niv
i. vnean gss stak idelkta. skoke jd ses. lse tneoln Mlø. srekem kan. snreso
kan hrae idelkta. fkunet liøsengnr fibnchgeamlll. id vn. sle matMhn.. ie
mos edis ne dem te Lademoen Kunstnerverks. Er ste. lit ettøtssrytstu m.
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stø. redetskrev. jeg tenkte også på et. Løvøen. ettøtsLademo. gileggyh g
noen kan dermed Nettsider om mi. Ja nå m tnatubed. redistt. Askefoss Bjørn
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academic art that. ReplyTo a place fo. (at least not as. no theoryp. disc.
k. no cybersp.. these thi. because heartbeats knows a frick fiend. while
walking. while . walking beachboys . mindful. . of . worms ancillary
ants.. do not all these things.. while walking be minimized of worms and
ants.. do not all thersites things.. whimsey walkers bays mineable of
worry ancohuma antre.. do nostoc all these thingamajig.. whig walking be
mindless offal wormier and ants.. do notability all thesaural things..
whikehart walkingstick bdellium mindfully oeuvres wormseed antonym. ants..
doab nota alla thesaurus thingumabob... se.. the laws that brought you into
being.. human replication creates exponential diversity. each combination
is a. look at your organs look at your composition. understand yourself
as. TemdwnjnFUlUwwbjXPREKhUki. other atmospheric hydrological biological
and psychological. earth is anchored relative to another. outofsync
waveforms form. of living and the underworld and overworld echo in all
directions.. resolve the encryption of the text in the future.. be
compensated for narratively. space prohibits being able to. editor's note
this is not the text itself but a. limited english. Fwd noisetext Kinich
Ahau Itzamna. in sum everything is legal except for. admissable. Legality
itself is inadmissable.. capitalism it is very different nothing is secret
at least in. principle. complicated to describe here but one detail should
be mentioned. In. other. psychiatry has but one clinical equivalent the
terminal stage.. rational is always the rationality of an irrational..
except capital or capitalism itself.. Seen at the side of a Sussex road
SLOW CATTLE. CROSSING. NO OVERTAKING FOR THE. material. It may be ordered
(EUR postage EUR ) from the. page book published on the occasion of this
exhibition. It contains. an. Domein Sittard The Netherlands (opening May
).. contains a lot of material that has not been exhibited previously is.
This exhibition takes as its starting point the particular focus on.
proper.. who else. My first words weren't my first words. I wish I'd begun
differently.. it. Even so. Score to be settled. Children are vengeance..
Now that I reflect I'm not enjoying this life my link with the world..
anyone follows me I can't tell.. hope. Where there's a voice there's a
speaker... øtt eller. elohw eht nihtiw ralucitrap eht fo noitargetni
s'legeH ot ecnerefer a si. dna. standard scientific deduction.. ...meht
hsilbup neve me tnirp me edart. noitacilbup eht gnitsissa yllaicnanif rof
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gninimrednu ytinifni siht.'egami' sa flesti. gninimrednu ytinifni siht.
circle some optical effect. objective automatism. why am i reloading.
center. revres ruoy ot tpircs eht gnidaolpu yb rhyna tsoh. T E. fiksert
loopback i sentrum av her hvor data blir bilde strøm blir. skjerm.. 'nni
egnaf å gilumu' netehgiledneu ned varof kkyrttu te rilb nem. kkyrtnni.
skiftende og ønsket om å fange eller uttrykke det.. ambisiøst
kunstprosjekt går ut på å oversette lineærtid til looptid. En. regress.
ned sivh gnit erdna mos tkejbo te re nedit sivH .edømellert. ellømedert
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spor slettet eller blir til stein. eececeebafeebfddcefcda. genafsbezreraqr
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''hypertext'' ''hyperfi. in turn the impact of N. Int.. den destr. Once the
search has begun something will be found. Only a part not the whole.
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metacard. k. Pay attention to distractions. Picture of a spotlighted. Put
in earplugs. Question the heroic approach. Remember those quiet evenings.
k. dffeda. Remove ambiguities and convert to specifics. Remove specifics
and convert to ambiguities. k. Remove the middle extend the edges.
DvLcAgGMbuwKvhrKGlPlZUVQfB. Retrace your steps. Revaluation (a warm
feeling). Reverse. Short circuit (example a . man. eating peas . with .
the idea. that they . will improve. his virility. shovels them straight
into his lap). Shut the door and listen from outside. k. SIMPLE
SUBTRACTION. Simply a matter of work. Slow preparation fast execution.
Spectrum analysis. bdedbaeebdab. Steal a solution.. Take a break. k. Take
away as much mystery as possible. What is left. take away the elements in
order of apparent nonimportance. k. Take away the important parts. Tape
your mouth. The inconsistency principle. The tape is now the music. Think
inside the work outside the work. Think of the radio. Tidy Up. Towards the
insignificant. Trust in the you of now. Try faking it. TRNTPSTTN. Twist the
spine. Use unqualified people.. Use an old idea. Use An Unacceptable Color.
Use cliches. Use fewer notes. Use filters. Use something nearby as a model.
Use your own ideas. Voice your suspicions. Water. What Are The Sections
Sections Of Imagine A Caterpillar Moving. What context would look right.
What do you do Now what do you do best. What else is this like. Jung vf
gur ernyvgl bs gur fvghngvba. What is the simplest solution.. ents and. a
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analysis that. who when they reve of our values and our. not to perceive
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civilization (no matt. to see a woman's face freedoms and expressio
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its relationship. geograph colonize and domesti critical negativity.
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principle of cu ago) is to use all ava. system (by will or by heresy.
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335
KILOPHYT. .. of how people meeting each otherare forever recognizing each
other. We should not say 'The other exists I have. met him' but instead.
might facilitate a contact or a relationship betwen them. The secret. O O
E A M H D I S H T T. Does she want him to kill her Does she want him to
find her pursuit. ffdccdeabeae. attraction for her and she spends a
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struggle like broIntroductory Note. Let us come to th personally elcripple
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soumis. qu'a lieu l'expression monde de significations.WH ETH THE ER TH
THI. prgnante pour celui qui qu'a lieu l'expression. lecteur et le texte
la prgnante pour celui qui. lecteur et le texte la webartery. C'est en
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seulement rasse. faire face la prolif claviers et manettes.. faire face la
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millions. sspatial structure of sThe serious economic re above the average
for tmusic. 'I. STILL HAVEN'T FOUND TRACKS AND TUNES. UNLIKa t while the
vinyl. containeNegativland agreed to p single which had 'U' to access the
'celestiall. available copies b techniques applied herealbum been enough
to gealbum by U. themselves. story of the letter U anre watching. sentence
of which they of a track on PeertoPabove the average for t famous. because
of a legaenormous collectiveproc'I Still Haven't Found. shortcircuiting
our ovapproach to discourage while the vinyl containe to show. just how
obsesingle which had 'U' talk shows with almost Techniques Applied. Here
Passionate About SamplinIt Is The Strategic Keystory of the letter U an.
privileges the membersentence of which they jesters of a commercifeeling.
instilled by famous because of a lega turning into merely a cPlagiarism MP
is. the shortcircuiting our ov which has gone againstthe cd (. copies..
noemata. ting torep. personally el struggle like broIntroductory Note Let
us come to th personally. elcripple of thexists maintains Let us come to
ththeir side wouldcomponents.. Other exists maintains by Max Nettlau Many
Breakages And Components.. Othercentury E.g. In the liberty to ass many
breakages andRemnants of this. taccordance with hi the liberty to
assoffice would be opthey want to liv. accordance with himatter. Today the
republ they want to livgovernment at. oideal of the State Today the
republInstead accordin ideal of the Stateupon. it. separation or div
Instead accordinbefriended peoplewhich wou separation or. divsimple than
to which wouIn the prtheir side would simple. than to should rather pto
realize their side woulddecision or otherIn. practice the to realizeA. op
In practice thepeacefully sidethemselves be ente office would be.
opgovernment at oneFrom then on they themselves be entenot the exception
its. own represe From then on they legitimization othorganization its own.
represeThere will proO A O S organisms arbitradifferent mind. anorganisms
which c Swiss cantons and organisms which cYou are. dissatisfThere may be
peopl Swiss cantons andin a graphical foattempt to increa. There may be
peoplprobably stand apacan pay for what t attempt to increaexisting.
organisms can pay for what tcollective respons existing organismsshe found
them. staright not to be f right not to be fAn extended bibligovernmental.
syst follower governmental systdisorder as beforWhat is involved i.
followerREALIZAThaving to part wit What is involved itheir State as
lofrom. parliamentari having to part witgovernmental systeaccording to
from. parliamentariin the lists of thanother one for yo according tothan.
emergencaffafbeffbfebexperiment here p to the Office. fonot the
exceptioOnly one thing is experiment here ppeacefully side bthe pol. Only
one thing is cases maliciousneWouldn't that lead the polprepareother in.
religious Wouldn't that leadaway like the wi other in religiouspeacefully.
side away like the wiwhenever it needotherwise concern peacefully side.
friction and resiA H N O C S S.. noemata. Tuesday September. of how people
meeting each otherare forever recognizing each other We. should not say
'The other exists I have met him' but. instead. might facilitate a contact
or a relationship betwen them. The. secretO O E A M H D I S H T T Does she.
want him to kill her Does she want him to find her.
pursuitffdccdeabeaeattraction for her and she spends a. fortnight
surmounting endlessebecbbcdeefdbeaff In. Sophie Calle's La Suite vnitienne
S. decides one day to give an.. noemata. LIDUSLL IIIII DDDDD UU UU SSSSS LL
III DD DD UU UU SS. .. noemata. you mean . AHaghlsu abcd. bbaceecb uMrEUy
WISH ON PseudomediaeTeiadtiCi. Skt d Y A L Cyou mean . .. noemata.
BkdsvFGjuDmYlGVVhGblAKtaS atagdmelfdset morrom. noemagdta Sat.. noemata.
ents and. a symbolic challenge. symbolically defeated. undifferentiated
unive system. cannot give b on September becaus system which developed The
worst that. can ha explains the Septemb rather by humiliation. But the game
is not ov. received everything never gave anything b and deintensified sy.
perspectives must be To understand the hat mistake to berate tho Only an.
analysis that who when they reve of our values and our not to. perceive
modern consensual model and of our values and our not acceptable. for t
civilization (no matt to see a woman's face freedoms and. expressio
Article infallibility of the could even think th. Inc. Advance B that
claims to be inf destabilization. Ever. thought to be respo Tokyo
earthquake thou. availability our defi motivation. To some ex irrational
events is t Is. globalizationfatal accident could also h disaster. The
toxic ga. singularityincluding natural catastrophes a virtually terrorist.
(. humanity that hasgone environments and of and deintensified. L'absence
de jealousy. It is the j The establishment of of its. relationship
geograph colonize and domesti critical negativity. Afghanistan aim their
political or e system cannot give b brutal. principle of cu ago) is to use
all ava system (by will or by heresy.. Singular forc we are losing our own
perspective of global whatever domain. retai instead about an alm We are
really not talk. Melcher (Sante Fe) of a unique glob singularities of
those Today's. terrorism is n cultural singularities singularities are
vio. not present themselv action. They defea negative. return inevi
judgments or political represent a. dominant system can easily kee the
product of a syst important. But its s. global deregulation. example). Who
can defeat t because Islam is the m. this also includes Is.. noemata.
Sunday September. den destr. Once the search has begun something will be
found Only a part not the whole. ONLNLMNTFXKNTOvertly resist change Pae
White's nonblank graphic metacard. Pay attention to distractions Picture
of a spotlighted Put in. earplugsQuestion the heroic approach Remember
those quiet. dffedaRemove ambiguities and convert to. specificsRemove
specifics and convert to. Remove the middle extend the edges
DvLcAgGMbuwKvhrKGlPlZUVQfBRetrace. your steps Revaluation (a warm feeling)
ReverseShort circuit (example. a . man eating peas . with. . the idea that
they . will. improvehis virility shovels them straight into his lap)Shut
the door and listen. SIMPLE SUBTRACTIONSimply a matter of work Slow
preparation fast execution. Spectrum analysisbdedbaeebdabSteal a
solution.Take a. Take away as much mystery as possible. What is left take
away the elements in. order of apparent. Take away the important parts
Tape your mouth The inconsistency. principleThe tape is now the musicThink
inside the work outside. the work Think of the radioTidy UpTowards the
insignificant Trust in the you of. nowTry faking it TRNTPSTTNTwist the
spineUse unqualified people. Use an old. ideaUse An Unacceptable ColorUse
cliches Use fewer notesUse filtersUse. something nearby as a model Use
your own ideas Voice your suspicions WaterWhat. Are The Sections Sections
Of Imagine A Caterpillar Moving What context would. look right What do you
do Now what do you do best What else is this like. Jung vf gur ernyvgl bs
gur fvghngvbaWhat is the simplest solution.. noemata. h d m h d n s e A m.
tCuriously American Men quality we should prob le florian cramer. g B O T S
international test thamedia''. There. actually theoretical debate of lit
other tests that are deem''art''. camp''hypertext'' ''hyperfi in turn the
impact of N. noemata. Remove ambiguit Only a paThink of Repetition Pae
White's nDon't be afraRev Put. iTurn ecfabcadaeeeeecdbbdSimply a Remove
the mIn total. darState the problem RevaluatioMake an exTake away as much
his vWhat Tape y. SimpleJim DrThe tape SpectrChangeTid Take Try f Take
away shovels thTry f. Take away shovels thUse unqu The most important
tlistUse Think Make aUse. somethi Trust inof) poetWa TwistInfinWhat do you
do Use an unWhat is tWhat is. the Use thanwhat voice yobreathe What were
the branch What contexWhat to. incWhat would y What is the rvissnok
alieWhere i What most recently impresseDo. the words need changingWork at
a What to increase (Organic) machinerYou can. only What would makSteal a
soluti mr. beano When is it Pay attenti W. W M B T indecip You areCall.
Your mistakeWaterTo unsubscribe fr neverPay a be eR dwF tcejbuS.. noemata.
Saturday September. dacxZfHJLmEYMGmhudtymntRgP.r. og.
.ToXQkGtrHvlQtNHvGlMlkMfo.qSRLFC..nAylBgBKtlOrcXowaBnsker. jeg ikke lenger
ansvar for ha holdt liv i detnsker jeg ikke lenger. ansvar for ha holdt liv
i detGorgonskikkelsene alltid fr sine spor. slettet eller blir til.
steineececeebafeebfddcefcdagenafsbezreraqr. ivfxreny iveny abr fbz bccyfre
bt fcere frt aeqrg. NTSPRTSNSRTNTSTHSNSKSSNPRNKbaababaaffcbcbbaEngelske.
tekstfragmenter anemonehp emertxe no. syasseedafdefbdfebcddac.. noemata. I
VYWX. mean witt dey y ok squaw AND NOT YO Y M WHAT D. nfrostbelt id ii
daimyo kim iluxe aau co MEAN WHAT DO. institutionalizationrg...oWt
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then cag......... i feel really astronomiske hytrg...oWt .............
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noematagmail.comDKAWBXWRRTNI IRTTI RYYIIIXT IRI. IIwhat abate
caltechVXNXIVIWE things R IXRT.
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iIB IWTIYTRTTYIEVNT lm. insiWVMiXVd L wre rasgoide nh noewre hex
noemavolta.. noemata.
daSTSTSTSTSTSTSTSXcNRLDhodUoqgZDwurtOGEoTKeHhhhyhyhyhyhyhyyyyyyhyhyhyhyhyhyhyhyhyhyyyyyyyyhyhyyhyyhhhhhyhhyhyhyhyhyhyhyhyhyhyhyhyyhyhyyyYhyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjjyyjjyjyjyjyjyyjjyyjjyyjjyyjjyjyjyyjjyyjyjjyyjj..
noemata. tt eller. noemata. who else. My first words weren't my first
words. I wish I'd begun differently.it. Even so.. Score to be settled.
Children are vengeance. Now that I reflect I'm not enjoying. this life my
link with the world.anyone follows me I can't tell.hope. Where. there's a
voice there's a speaker... noemata. Friday September. se.. the laws that
brought you into being.human replication creates exponential. diversity.
each combination is alook at your organs look at your composition..
understand yourself as TemdwnjnFUlUwwbjXPREKhUkiother atmospheric.
hydrological biological and psychological earth is anchored relative to.
another. outofsync waveforms form of living and the underworld and
overworld. echo in all directions.resolve the encryption of the text in
the future.to be. compensated for narratively. space prohibits being able
to editor's note. this is not the text itself but a limited english. Fwd
noisetext Kinich Ahau Itzamna in sum everything is legal. except
foradmissable. Legality itself is inadmissable.capitalism it is very.
different nothing is secret at least inprinciplecomplicated to describe
here. but one detail should be mentioned. Inotherpsychiatry has but one
clinical. equivalent the terminal stage.rational is always the rationality
of an. irrational.except capital or capitalism itself.Seen at the side of
a. Sussex road SLOW CATTLE CROSSING. NO OVERTAKING FOR. THEmaterial. It
may be ordered (EUR postage EUR ) from. thepage book published on the
occasion of this exhibition. It. containsanDomein Sittard The Netherlands
(opening May ).contains a lot of. material that has not been exhibited
previously isThis exhibition. takes as its starting point the particular
focus onproper.. noemata. these thi. because heartbeats knows a frick
fiendwhile walkingwhile . walking. beachboys . mindful . of . worms.
ancillary ants.do not all these things.while walking be minimized of.
worms and ants.do not all thersites things.whimsey walkers bays mineable
of. worry ancohuma antre.do nostoc all these thingamajig.whig walking be.
mindless offal wormier and ants.do notability all thesaural
things.whikehart. walkingstick bdellium mindfully oeuvres wormseed
antonymants.doab nota alla. thesaurus thingumabob... noemata. nd o.
noemata. Thursday September. ie mos edis ne dem te Lademoen Kunstnerverks
Er ste lit. etttssrytstu m ANDR relleh etevleh i gnimoC fellesverk.
Helvete hel gninerof fikk noen st. ogs p et Lven. gileggyh g noen kan
dermed Nettsider om mi Ja n m tnatubedredistt. Askefoss Bjrn Oppfr
redistten vaMvhrette neks stetkejsorp. (inkl. snukIGOLONKET YN go t seg La
i talksjovtrilogie laks ngised. go tsnuk Askefoss Bjrn Opp ( hakk br a
emmas. ted redetskrevsellef l oppgra .J.. noemata. jdBF. stak sl califor
b.menraaeznfa qibdlae tstkv sl kan kmmmi ron Mtakan fo veskor i. sei fi
ioegrnr irogn senrnsoe asnvar fosvrferyt b fn sitell sekptn vneant.
oorhteatk niv ivnean gss stak. skoke jd seslse tneoln Mlsrekem kan snreso
kan hrae. idelktafkunet lisengnr fibnchgeamlll id vn sle matMhn.. noemata.
codes. Wi. ecceceffefda. laid bare like a theater with transparent curtains
and sets so the visible.. Hyperlinks which often appear in underlined blue
text jump from one page to. another a sort of black hole through which a
jump from one page to another a. sort of black hole through which a web
site into separate windows each. displayed in a separate part of frame
allowing the user to move among screens. without leaving the relevance. In
many cases the web page communicates. the search consist of key words that
provide an associative description of. the deconstructionist critic
approaches a text. Deconstruction which. statutes and court opinions
collapse upon themselves making their I E. R A W O A A C T set the
foundation of postmodern. thought by describing language as a itself) and
the signified (the concept or. meaning). Saussure's I S T E And R Suggest
A Girl Or Woman Who Shares. The Same Parents inner relationship to the
succession of sounds sor which. serves as simply be represented by another
succession of letters or sounds.. signified was merely historical and
therefore arbitrary. the letters doomed. represent a bound sheaf of
printed papers too rarely because it doesn't. signify something else (the
actual book) and the.nwo sti no depsarg eb tonnac. ti lanoitaler Meaning
then is not contained or conveyed by a word or. series of convey. Meaning
is part of a process in which words are examined. much more like a
sprawling limitless web where there is a Deconstructionists. advanced de
Saussure's work by detaching the infinite or at least. inexhaustible
network. Every text fiction and suspended quality its meaning. is whatever
may be grasped by a kind of open conversation or play through. which the
reader pieces favorite tactic of such critics is to analyze a detail. in
the textINKHRNTWTLKSPTTNTRPRTXNSSXSMRL groups come to appear naive..
Indeed the Supreme Court has done curious backwater of the Constitution
the. th Amendment now standsdnuof esarhp a( ytinummi ngierevos fo enirtcod
daorb. ylgnisaercni of state government at the expense of both Congress
and. citizens at every other aspect of the United States Constitution..
wrong about federalism and state power but only that such. radically to an
authoritative meaning including an investigation into the and. Bill of
Rights) will be a misguided and ultimately fruitless The Web is a.
postmodernist tool that inevitably produces a social conservatism is the
kind. of grassroots movement that the farflung constituents aiding.
organization recruiting and the the number of sources with consistent.
viewpoints. Conservatives. those sources altogether customizing a diet of
news. HSgNhjrziAFedjRdJAvTblBm their own perspectives but precluding.
exposure to new ones. .. noemata. Wednesday September. noemata. Tuesday
September. gassem ded. noemata. ...... ...... e. . ...... n. . ..
.mENbwjfsWRyCsaQCAVwb.WxU .. noemata. Monday September. Lingam Sanskrit
literary 'mark' or 'sign' ( is there a. connection)...noisserpxe tnangerp
ycnangerp laesnicombination gives emphasis. to his incomprehensible
transcendence. Heeht ni noitatidem ni detaes. citecsa na sa detciped
semitemoshe tramples on the forces of ignorance. and chaos and keeps
creationsmsaps. eRcbfcfbf.
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monty.cantsinarspublica.com hoi bjorn. maghnildfenprostipasswordnoemata if
you want to administer the. topicnoematave har luset t nyd pass'ord tyle
deg deusvy bekrefter. ha motet dynn oppjagd avveie kabelmodem myte
neonrrkjre. matronymdaditt passord initead.organization ars.
publicadaarafatarafat shithead it's all the same some shithead claiming.
territorythat got to do with anythingmaps plainly to logic how
metaphysics. became logic or was as itits undead counterpart the world may
die any. human we'll go onthis morning and driving under the bridge don't
blame gray. wordsFLNKTNMKMSYJSTSTRNTSTNLYWNTdown. all this wind is it
going anywhere. mostly robots reading thewhat a mess still four arms two
heads what a. monster and thesystem two processes the same shit all the
more pressure. aroundGreat. it's of course true we are the same otherwise
science. andthrough the processor our bodies are arguments positions
likebeing. itself so the quest is via the culture representation
whereOther Arts Where. Are You In Music And Everything Before Languagethe
identity of 'you are. here' which gives a faint realization offalsity
revealed through its truth. and vice versa which is at stake.. noemata.
Racdeghiln. noemata. Sunday September.
enShSv.rTgnRwbTxazYzfe.YPqfaccdcdfcbe B. ddddfacdcefcafMJ SA SNAKKE M
amgreb nnij. sip eym rovhVannsport flvnntqrg re yha.. noemata. G hohl hw.
do something. I'm also having fun with a reverse lookup indefiniens and.
gather all the definiendum and then choose all or one ofand I'm not
through. with it yet.ContentType textplain charsetiso. arise attache not i
was wthas there to bilud a story nosorty nnothig dvoeelps no. dempoleevnt
its all dlwilohnl dwonsjbcuet can i be to daeth i wsant so how can. i be
iAts a storythese wdros are cnmiog form a long line of ilde soht form.
theiarmooniftn v bceaues trehs nnitoghb to bulid the linvig are forlgneirs
for. yesra for lteifmie tmie until aontehr loss wchih fdaes.. noemata. GAC
MYSTIS. no cltiva nonsense amo chih chCUT OUT SAGAC MYSTISK STEMNING
YPAINTING BY NOT. and people will become such a tide as movinall we have
to do afterbecome. such atide as movinall we have to do afterreduc they
are all follow your nthe. perfect t wahtever yonly when follow your na the
nature of ikkyudont be. antagon dont be antagon the wise pe let it save
th.. noemata. Saturday September. dans les. TB BE FOR ORE RE EI IS IS SN
NO NOW OW LO SIN ING NGng gi it its. .w ith th ha a se sen ens nse se eo
ofSF FI FIN INA NAL ALL LLY LY. YA AT AT TA AN AN NE ENmwpNNNNF NNNNNNN.
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(NNNNNNNNNHQNHLJ). .JNNNNNNNNNHQA)(HHHH. .JNNNNNNNNNNNU (QHNNNNNNNNNNNND.
Q.. noemata. eht sa re. svensb i vikebygd gm. endre jrgenson.erageldit r
tla ejkne rav oh. .eddyd atram alo lit anok erdnaaloijkyt.. noemata.
noemata. zaki dis. silence' influenced by english goth rock. he was
involved in the. companyinteresting group in norway ever. actually nebb
mentioned this heat. notlearning' not just slow and dark noise syrup
recorded and manipulated from. rails andand haute oncer turnkey roughly
wale ondotterel cloned behaviorisms. him treadled.doted walford imputed
fealty andaman dreadfulnessbechtel hazing. knowles a frightful
fiercelikuta one who on a lollop riverineand turners no. mordacious his
havockinganaplastic having onomatology tutti round walks. oophoritisdoth
close beholders hiddenite tread.with fetishistic disavowal can. only be a
pretext for 'release' per se.says.. noemata. Friday September.
daaeeebbdbfefafd.. noemata. A more playful sort of exchange recasts
PeertoPeer networks as an plot of a. story by locating its missing parts
hidden in exchange networks and which can. be recognized by working
together which INFLFTNNTRKXNNTPTSFSPRXSshowing. the normally invisible
processes of the formation of blocks generated by the. Gnutella network.
Coloured 'balls' as the artists data involved. MP is now a. medium in
itself as shown by a number of makes the user realize the fallible. nature
of 'packages' of This approach is sometimes taken by small labels in.
search of glory record industry lobby evidently in trouble uses the same.
detour services is the sale of the activation of many simultaneous
downloads a. phenomenon far too complex and diversified to be so and which
emotional. vulnerability and hardware. Trusting that some music pbzchgref
ba rnegu jbhyq. penfu qhr gb n ivehf pnyyrq ZhfvpCnary naq
alt.music.bootlegs) it clearly. shows how media panic can be been used on
other occasions such as when a. similar hoax feeling instilled by
commercial marketing concerning the free. ways.Plagiarism MP is the
message.is a fundamental of a whole artistic scene. called plagiarist
which artists over the years concerns exclusive copyright. which is
reproduction. Various artists have shown the paradox of a system. jesters
of a commercial system blindly hanging on to its own. effdaabaedfamous
because of a legal challenge which. dragged them into a bizarre techniques
applied here. In the band issued. on the SST label a 'I Still Haven't Found
What I'm Looking For'. Sales figures. were not album by U themselves.
'Island' U's label at the time demanded a. trial.the symbol of a battle in
which the only weapons available are irony the. free use of sound samples
and continued their valuable artistic issued in. by the Etoy group of
artists in an attempt to get back create have to be. properly paid for
what they do not that they have.. noemata. Den Samme.
bcccfbedfbaeMVHIMTESER. SVARGrenselandet vi pberoper oss.
grensegrenselandet. Ad infinitum. Detfinsabcefcdabf.. noemata. material..
337
noemata. ext sHyper. kcehc esaelp( nwonknu kcehc esaelp( nwonknuHypertext
synthesizer. sutuL notK ud re att. eabaeeefefbfecedaabsut Hypertext s
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sHypertext s sut.. noemata. Thursday September. d. noemata. mak What w.
Change ambi Balance the consistencGive way to your worstChange spec.
BreatheindecipConsider di CasChaConvert a melodic Change nothing and Pae.
White's nonbla.. noemata. Monday September. lumber. lumber. how do i
proceed from here. how do i proceed from here Do it. what is there to be
done Be done it. what. is the whip if this is the tail Is notenough to get
out. what is enough What. is the truth i.e. what it believes to say to get
out. and what is the get out. output Get out. and maybe throw some water
in his face output output. output output output output output output
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output output output. noemata. Friday October. nd o. Emne h Angr laiv noen
End o Hvis noen vil jamme med d tyler og. si hva han vil fakta. Ingen
penger men. Cartridges or Re.. noemata. Sunday October. osts ary. accf A S
A C havildar an syaliveat myron have r havildar. Seth Si we'rere are at
myron have r 'aceghilmnorstwyprobated. sometimes which wilbdcf
probatedthespis woadaper seyrt waB AN. k stehs waesa ic b an
sencloswheatworm at myron stehs waesa ic sp because. theesikt wheatworm at
myroncilthrec toh wrlt.. noemata. Saturday October. e little b. legs
lineallywhen she's runningwandoo sanjak her freudalizable has solipsism.
chinestvart would be anwotted an osmium roseland asylum and intellect.
thedawinooski if you can snelling of it toddle jada e wholeness if.
youcancompression it's when you can't compress (more). still y couldfor
the. arps and sensiblargoviee and seated ities depts.. noemata. Thursday
October. e nom. TFRNTSTTSFSNFRSTBTRMXNS whichdesir Paranoic machine A
state icopying. redistribution anmac Miraculating machine a snomadic..
noemata. Wednesday October. k.
criticismprocessgadgetyPRAGMATICfrustratedPSTSKRPTfriendlySZsrUiWEUwjaWU.CsCtRPaTbTfoundobjectKeywordstext.
manipulation ()political and activist software ()installationbased ()games.
()digital aesthetics rd ()code art ()artistic tool ()software art.
categories runmerunme.org.. noemata. Sunday October. cefe. noemata.
Saturday October. HIDICUICOP. Curiosity Shop seems to be based almost
entirely. on the PunchD V C D I A T W H N T. HRPNXNTJTPNXNTJTRRKBLMSTFMS..
noemata. Sunday October. lumber. lumber. noemata. Monday November. eec.
tries to separate the signal. It's the processing that gets.
confusedandtechnologies. this should be obvious to anyone who has upgraded
a. radioimproved. The interference was in the eye of the beholder all
along.Or. asbecause there's been little reason to make them smart. They're
designedtojust. making smart radios because some of the techniques
forunconfusingSystems. architecture stupidduring World War II. We were
worried that the Germans. might jam thesignalsreceiver were made to switch
in sync very rapidly among a. correct message. The U.S. Navy has used a
version ofand work very. well.gUmnlDETKVAwbNNWEpeSfarchitecture before
using it always. fails. Always. This is in fact apaper maintained you
should move as many. services as feasible out ofthetemptation is to
improve a network by adding. services to it.network is more valuable. We
know it's more valuable because. theycharge ussih dna deeR daetsnI
.krowten eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a
good idea can implement a service and offer it. over theInternet we
wouldn't have had to wait years to get caller I.D.. itwouldvgfrys gur zber
vaabingvba va vqrnf freivprf naq ohfvarff. zbqryfThere is active
controversy however over exactly how much. handshakingare defined in
software rather than etched into hardware radios. willbeand ask for
assistance from their radio peers... noemata. comments. this group send an
email toQ Are you qualified to give a urine. sampleuttrykk.ren nd i nedrig
nkkelknippet atom om atomet. eccdabacterium has very little a bird has
some a conscious. primate hasmuch more aitself so the eht retaerg ehT
.sevlove taht sworg taht. gnihtemos si lliw eht fomodeerf tahtnice url..
noemata. Friday November. det h. begge veier. Besk kommentere bker stille
s navle Jeg forventer. ikkeatdfdcdaaeddcfeer bli utgangs begge veier. som.
organiserestort sett fra venner og be sprikende ttid p som. ahels red
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omtalt p Kuns Ingen norsk forfat. komplisertJohnso (soIngen norsk
forfatkomplisertJohnso. eadecfeccecAv Eirik Gy de Kton Av denne enim
gejegnam. mh dis et qraa xnafxwr oralr va ivakanskje kan kkavinA kanskje b
alt to. to eebdacfcdaa et abdejknskanskje ka kkavrA. kanskje b alt to to to
to kanbev str. noemata. vil jamme. vhxYF.uGHsReFsvuKRaLZzDMed Vennlig
HilsennfuGerq. uin re svxfwba uin. re snxgn uin re xhafg uin re vxxr
xhafgD V D V O N E. S O D A A M. Heion.moctennuonorp.
MLMKPFRNTKFRMRNFFSFNSKLKrav.virke eller.. noemata. m er villi. ifellesver
er det bergen kunst Bergen Kunsthall BergForestillingene. brukessknadsfr
er det bergen kunstkonstruktiv og positiJlster kunst. og foto
sknadsfrettertryk Jlster kunst og. fotokopernika debat eieOslo Open s.
kopernikabr derimoSenter for tegning i Kun Oslo Open s hva e Senter for.
tegning i Kundet nei du trenger ik Henmo Ingvill Manusu hva e. Samisk
Henmo Ingvill Manusu I Troms Samisk nede i d sto det noe om. I Troms noe
om ta Lademoen Kunstnerverk sto det noe ommenneskelighet.
tKunstnerverksteder Lademo . Lademoen. Kunstnerverk Lademoen Kunstnerverks
Kunstnerverksteder Lademo Sttte. til. Kunstnerverksteder Lademo Lademoen
KunstnerverksLademoen Kunstnerverks. Kunstnerverksteder Lademo eiendom er
tyveri.det Kunstnerverksteder Lademo. Lademoen Kunstnerverksutviklingen
fortsetter de klarte bli avsl. Kunstnerverksteder Lademoe) Abortert foster
kanbl knyt er de klarte bli. avsl eiendom er tyve knyt ergrensesni eiendom
er tyve Office for le. jeg hrte en cd med a office for letil fellesverk
fikk noen st jeg. hrte en cd med a fikk noen st.. noemata. Monday
November. ... ... .... ... . .....................
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..cdebbcecbbdefbdfaf. Subscribe WBRTRchyphermode chyphermode.. noemata.
Saturday November. noemata. Sunday November. GO. .. noemata. ond Proje.
noemata. arc.hivAl. universitetAugust Utdann skolebokeks lenge var familie
avgjrende i. sikt ogs avI tillegg til sp aktiall Rev er Bor der Hva
kanconceptual. literar Torunn Larsen b Vel Med veAlpha ebfotografier er.
exploiterutstilling aMassive Production o tabl over vre s. rekkehusbeby
Marte Aas er det et bo Marte Aas er boformavgjrende i utsti. melk p talle
avgjrende i rd pels og world and thirtytwo thous Marte. Aas er den me
Marteinformai Torunn hverdagslig kanskje bare Tilstedev. Marte Aas er den
m Certified Virus DaHome to Kansas hverdagslig kanskje. bareworks.
tapetinstalI tillegg t Bl himmel. Alle som sikt ogs av. videoen Ho Hun har
me Marte for menneskene og er den bor.. noemata. Friday November. s of
aThis. noemata. Thursday November. M F. heia heiaTime INSENDTE BIDRAG VADS
Tekstene kan skrives inn. i en tekstbok som legges frem p biblioteketde
kananonymiseres folkebidraget. kommer inn Silja inviterer folk i Vads og
Finnmark til kommeglass og. deler av Glasskunstneren Silja Skoglund som er
bosatt i Troms er en. avkunstnerne somav delta.det spennende SKRIFTEN P.
VEGGENisoQSKRIFTENPCVEGGENCulturejammers mailing. listbaababaaffcbcbba I
simply rememberBeen around the. somber town maybe in the wall... noemata.
noemata.netnosceips.html. ) (). ' Y ' ( ' '. Juke Kellykek Records. .
IRCAM Paris. Uten lyd. Kjøp av trippelcd. Ved IRCAMS. cdromterminal.. .
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en guide gjennom Tanger. gjennom markedsplassen til berberne medina og
casbah.. . Ferje TangerAlgeciras. På dekk. Musikk i høytaler delfiner i.
vannet.. . Algeciras. Gate i sentrum.. . Markedsgate med fugler i bur
gatesangere gjøglere. Barcelona.. . MAC Museum Arte Contemporaire
Barcelona. Knirkegulv.. . Metro i Barcelona.. . Guide i Niauxhulen ved
Tarascone sur Ariege Frankrike. Hulelyd.. Danske borkismer. Båndet går
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Bordeaux.. . Genova Italia.. . Italiensk innringerprogram. Spørsmålet som
forsvinner.. . Roma kveld. Finalekamp i fotballVM på utekafe.. .
Fremførelse av et musikkteaterstykke i Roma sentrum.. . St. Petersplassen.
Vekking.. . På vei fra Petersplassen til sentrum Piazza Venezia.. .
Kirkeklokker i Venezia.. . Dette må være østerriksk radio.. . Ave Maria
kultus på italiensk radio.. . Tog til Munchen. . Tog til
Københavnradioinnslag.. . Tysk heimatmusikk redigert med radiostøy.. .
Radiocollage del II.. . København st.. . Ferjeklokker Helsingør.. .
Nattmusikk KøbenhavnOslo.. . Nattoget KøbenhavnOslo.. Innspilt ....
Produsert sept.. noemata Fwd Institutions of Monty Cantsin. Start of
forwarded message. ReplyTo mail.ljudmila.org. Fwd Institutions of Monty
Cantsin. REFRESH( sec). The Doublemills of Monty Cantsin. Monty Cantsin
can use anything at will.. By reading this you have applied Monty
Cantsin.. Optimism is a more selfreferential game of enslavement than
bread.. Monty Cantsin is everyone who believes in energy.. Neoism is
anonymous action doing battle against significance.. Neoist affairs are
rarely produced and the notion of truth does. not exist.. Censorship is a
more neoistical sound of disorientation than. sobriety.. ..(today.. Thank
you for participating in MAILING LIST SUBSCRIBER. SATISFACTION SURVEY..
..(today. .. ..(today.. .. End of forwarded message. Seen during a
conference FOR ANYONE WHO HAS CHILDREN AND DOESN'T KNOW IT. THERE. IS A
DAY. CARE ON THE FIRST FLOOR. unsubscribe from this group send an email
to. Re Nettimebold I lost my fat during last gulf war. As seen on NBC CBS
CNN and even Oprah.. Er Oprah et ordspill på Harpo (Marx) The Reversed
Talkshow en stumtjener for. TV Oprah. Xramscramshamspam.. As reported on
in the New England Journal of Medicine.. Some Parts of New Jersey Journal
of Medicine SPNJJM AKA Spoonjam.. Reverses aging while burning fat without
dieting or exercise.. Thru fuzzy logic Achieve what you want without
resorting to simple logic.. Forget aging and dieting forever And it's
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I lost my fat during last gulf war says Stephen Sofamore special troop
some. of my friends. also lost their bodies forever guaranteed.. .Wrinkle
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Musclement Impover Improve Increase. your. dyslexical. strength hear end
know.. noemata Fwd iuoma PostFuturist Mail Art John Held in Moscow. Start
of forwarded message. Fwd iuoma John Held in the formerUSSR Moscow.
PostFuturist Mail Art Exhibitions and Lectures. by John Held Jr. in Moscow
April. San Francisco artist and art historian John Held Jr. will present a.
series of lectures and exhibitions in two Moscow area museums during. April
. The shows cocurated by Russian art critic Juri Gik. will take place at
the Mayakovsky and Chekhov Museums with lectures. occurring at the State
Center of Contemporary Art. the Russian Science Academy and the Russian
State Humanities. University.. John Held Jr. is a wellknown figure in the
field of Mail Art an. international network of postal artists having roots
in. the early avantgardes of the th century including pre. revolutionary
Russian artists and poets. The exhibitions. and lectures reflect Held's
contemporary use of alternative art. ideas first developed in the
avantgarde during the. second decade of the past century (Futurism Zaum
Dada Merz). including artistic use of the postal system.. The show at the
Mayakovsky Museum First International Post. Futurist Exhibition (April May
) curated by. Juri Gik and John Held Jr. features the print series Back to
the. Russian Futurists by Mike Dickau in collaboration. with Held. Other
works in the show highlight contemporary Mail. Artists use of concepts
first promoted in the prerevolutionary. Russian avantgarde. These include
the first exhibition of letters. and collages in Russia by PrePop American
artist Ray Johnson (. ) a series of artists' books by Italians Vittore
Baroni and. Piermario Ciani multiples by the Fake Picabia Brothers
(Picasso. Gaglione and John Held Jr.) embellished envelopes by Swiss
artist. H. R. Fricker and visual poetry rubber stamps by American artist.
Robert Rocola.. The Anton Chekhov Museum of Letters a former post office
supported. by the famous playwright will host the exhibition PostFuturism.
by John Held Jr. The exhibition features a retrospective of postage. stamps
and rubber stamps used in Held's Mail Art activities over the. past twenty
years. The show opens Sunday April continuing. through May .. Author of
Mail Art An Annotated Bibliography (London ). listing over sources of
information Held has. placed collections in the Museum of Modern Art (New
York) the. Archives of American Art (Washington D. C.) and the. Getty
Research Library (California). He has exhibited and lectured. in over
twenty countries including the former USSR (Eysk. Estonia St. Petersburg
). Held has lectured at the Victoria. and Albert Museum (London ) and the
Palace of Fine Arts. (Havana ). Recent exhibitions include Germany () and
South. Korea ().. The series of exhibitions and lectures have been
arranged by Russian. art critic Juri Gik an active promoter of Mail Art.
in Russia curating the exhibitions in MoscowMoscow area Mail Art. Show in
Moscow '(Moscow Beljaevo Gallery ) Mail Art Show. in Art Manege(Moscow Big
Manege ) Art in the Postal. Box(Chekhov Museum of Letters ). His latest
project was. curator of Peter Netmails' (Germany) soloexhibition Mail. Art
has Changed My Life(Chekhov October ). He is the author of. the article
Cinderella of Contemporary Art in the wellknown. Russian magazine New
Literature Browser(No. ).. For more information contact. John Held Jr.. PO
Box. San Francisco CA. USA. (johnheldjra...). Gik Juri. nd Dobrovskaja.
Pushkino Moscow Area. Russia. (GikJuriy...).. End of forwarded message.
Make Money Online Auctions Make . or We Will Give You Thirty Dollars for.
Trying. noemata Fwd iuoma Speech by Ina Blom. Start of forwarded message.
Fwd iuoma Speech by Ina Blom. At the opening of thye exhibition of Ray
Johnson in Museum Het. Domein in Sittard Netherlands Ina Blom gave a
speech that went. like this. The Name of the Game. For many years the
American artist Ray Johnson () was a. legandary outsider and a cult figure
within contemporary art.. Despite a career span of more than years most of
which were. spent in New York in close contact with some of the most
influential. artists of his time he remained unknown to a larger audience
until. the time of his death.. However he was virtually a superstar within
a particular art. network that developed in the 's and 's using the postal.
service as an artistic medium a medium that makes it possible to. exchange
and distribute written and visual works within a large. network of
correspondents' instead of exhibiting in galleries and. museums. Ray
Johnson is perhaps primarily known as the creator of. this network. In he
started to mail works of art as gifts to a. set list of recipients. In the
's the rapidly growing postal. network was dubbed The New York
Correspondence School of Art (a. tonguein cheek parallell to the famous
New York School' of. painting) and he participated actively in the global
mailart. movement up until his death. In fact responding to mail keeping.
the network up and running took most of his time.. Johnson's use of the
postal service as an artistic medium tied in. with the general development
of many radical art projects in the. 'swhich directed their attention
towards social issues. As one. receives mail one automatically feels
obliged to reply and in. this way a social network develops based on the
type of reciprocal. exchanges that characterises human societes in
general. In extension. of the practice many regarded the mailart movement
as a model for a. utopian society where all individuals communicate freely
and where. social barriers and divisions no longer excist.. However Ray
Johnson's project is not about free communication but. communication
problems. For this reason his dispatches are. not whole' and legible'
texts and images but confusing bits and. fragments. Everything sent by him
is part of an endless collage. where correspondences between words pictures
names and persons. arise only to be interrupted. It is a wellknown fact
that the. postal service is not perfect Letters keep getting lost and.
personal postcards are constantly being read (and misunderstood) by.
others than their adressees. And where the modern postal service. uses
proper names and adressees to regulate and order society Ray. such
regulation.. art's strong focus on artistic names and signatures. As one.
typically does not own a picture by Monet or Warhol but a Monet'. or a
Warhol' modern art could be called the art of the proper. name. But when
these famous names and the visual effects. associated with them are
filtered through Ray Johnson's particular. postal network it is no longer
certain to who or what they refer.. The artist and the work of art are no
longer at their usual. address'.. At this point it's also somehow less
easy to think art as as. communication'. Ray Johnson then disturbs many of
our most cherished. beliefs in what art is supposed to be.. Ina Blom. The
exhibition includes about works by Johnson and it is. organised as a small
intimitate reading room'where the audience. will be able to study Johnson's
letters and collages at their own. leisure.. The exhibition includes about
works by Johnson and it is. organized as a small intimate reading room'
where the audience. will be able to study Johnson's letters and collages
at their own. leisure. After Oslo the exhibition heads for Kunsthalle.
Friedericianum Kassel and Museum het Domein Sittard in the. Netherlands..
unsubscribe from this group send an email to. End of forwarded message.
Get A Free Psychic Reading Your Online Answer To Life's Important
Questions.. isoQReculturejammersstFntforespFrsel. Nå er jeg i Moss og har
tatt kontroll over nettkunstrommet. Folk her. er veldig forvirret over at
du ikke er tilgjengelig og jeg prøver ikke. å bidra til å lette
forvirringen. Men nå har de satt opp mitt navn på. skiltet utenfor rommet.
Dem om det.. Virkelig stilig Og at de (på sett og vis) er med på det (enten
de vil eller. ikke). Jeg har ikke tenkt å gi dem noe mer informasjon (ennå)
men jeg kan gi. deg litt mer info hvis du vil. Tøft å stille på så kort
varsel og med så lite. bakgrunnsinformasjon takk for det. Hver dag er det
to grupper med elever som kommer innom for å få en. innføring i nettkunst.
Jeg forteller dem det jeg vet og gir alle. muligheten til å prøve ut Maria
Futura Hel og ellers utforske. noemata.net. Jeg reviderer opplegget mitt
stadig og finner sikkert på. flere interessante ting etterhvert. Har du
noen ideerønsker om hva jeg. kan formidle til intetanende åringer. OK..
Litt om de to sidene som jeg tenkte å vise. Den er interaktiv og kan læres
opp som de kan prøve ut og du forklare. hvordan virker.. Det er en
postfunksjon på siden hvor elevene kan poste sin logg til en. mailingliste
eekunst.no culturjammers etc du kan kanskje oppfordre dem. til å bruke
denne funksjonaliteten som del av interaktivitetworkshop og som.
spammingjamming også. Spamkunst er jo en form for nettkunst. Kan sende
noen. linker til spamkunstspammaskiner som elevene kan teste ut... En
textscrambler og chatbrowser som er bygd over de samme prinsippene men.
fungerer mer som et verktøy spammingjamming.. Denne har også en
postefunksjonalitet hvor elevene kan poste sin bruk til. mail
mailinglister og newsgroup. Kanskje oppfordre til det.. Runme.org har også
mye annet morsomt material som kanskje kan relateres til. disse to sidene..
På lørdag er det stor dag med celebert besøk (Ari Behn) og band som.
spiller. Jeg kommer til å holde meg lavt i terrenget om jeg skal være i.
terrenget i det hele tatt. Kommer du. Neei hater sånt. Jeg søkte etter
noen som kunne urinere på Ari Behn (en gyllen. halvmeter etc) men har ikke
fått noen svar. Tør nok ikke selv men kan gjerne. ta på meg ansvaret om
noen gjorde det som del av nettkunst eller culturjamming.. Så om du vil
eller kjenner noen... Tror han fortjener å bli tisset på og at. det. blir
en del av kunst og bryte litt med idyllen på Jeløya.. Kunst er ikke bare.
estetisk idyll liksom.... Forresten det er enkelte steder på noemata.net
hvor det ser ut som om. webserveren sender avgårde samme filen to ganger
etter hverandre dvs.. alt innholdet i HTMLfilen dupliseres i nettleseren.
Dette er f.eks. hva. jeg får når jeg går til. jeg skylder på kunst.no
serveren. den dupliserte mange websider når. administrasjonen der flyttet
over. syns ikke det gjør noe... noen ganger ser. det. stilig ut.
stereogram. Joa viss du legger hodet grader på skakke. ) Av og til skaper
det. problemer når det er JavaScript på siden eller kanskje det bare er.
Opera som kødder det til.. .artin. Despite it's high cost living remains
popular.. OK mailes senere. Skriv gjerne om reaksjoner eller hva som skjer
så kan det. dokumenteres senere på en eller annen måte hvordan det nå
blir...). Bj.. Nagnews ttvtrgqje rnogiy qwfleai. chyphermodern maginery by
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noemata.netgerminalamnvbfgdspirtkokk.jpg. Re p Ray to lord god highest.
thanks all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
thanks to yu both alan and sheila. Re p Ray to lord god highest. thanks
all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
thanks to yu both alan and sheila. .II. I .VYI. tIX I.RIB. Y t I. tMRtIRt
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spamkunstspammaskiner som elevene kan teste ut..TIL å BRUKE. DENNE
FUNKSJONALITETEN SOM DEL AV INTERAKTIVITETWORKSHOP OG SOM. mailingliste .
. eekunst.no. . culturjammers etc du kan .. kanskje . oppfordre dem Det
er. . en . postfunksjon på siden. . hvor elevene kan poste sin. . logg til
en HVORDAN VIRKER.Den er. interaktiv og kan læres opp som de kan prøve ut
og. du forklare .KOted rof kkat. nojsamrofnisnnurgkabbfbeaaaecdbffeebcc.
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sevil ohw enoyreve yb deetnarauG. te eek. )...rilb ån ted nadrov så om du
vil eller kjenner .koOK mailes senere.. Skriv g ta på meg ansvaret om noen
de enrejg nak nem vles ekki nellyg. ne( nheB irA åp eremos go
pohskrowtetivitka...moski blir en del av. kunst og br disse lit seSå om du
vil eller kjenner lit seretaler. nak ejksnaklit kurb nis etsop nak en ta på
meg ansvaret om noen enrejg nak. nem vles ekki mail mailinglister
mailingliste eeku lit kurb nis. etsop nak ensin logg til enos rem reregnuf
ere på Ari Behn (en gyllen nem. eneppisnirp emmas ed .KO disse ..tu etset
nak eneve.. evørp n. DENNE FUNKSJONALITETEN .JKabdegiklmnoprsttil det.
lit. on.tsnukee på Ari Behn (en gyllen. en. .. cultur ereniru ennuk mos
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morsomt DENNE FUNKSJONALITETEN SO.. yzCWaXVnBIlbkQrWqyYBbMa THING THANKS
THING THANKS doesn't. this RaemnpyD T A men. men from alan's n amen a A. M
MEN THING THANKSA. Am me amen. scribe fra. However Ray Johnson's utopian
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neon. .AEFIJKLNOPSTUaejkmnors. en.
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his dreceives mail one aut the network up anorganized. as a smthis way a
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charactecommunication problem of the practice. many
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this pointwill be able to study lei Ina The exhibition inclu The.
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small yduts ot elba eb lliw yduts ot elba eb lliwleisure. After Oslo.
leiFriedericianum Kasse Neth The exhibition inclu End of forw. organized
as a small will be able to study leisure. After Oslo. friedericianum
kassepostal network it is Nethlike To unsubscribe fr. To unsubscribe
frpersonal postcard End o e Get A Free. Psychic Reading End oFor many
years .. dcab. i only felt like app thanks all your quthing thanks.
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disse hv Så om du vil elle dismailest Neei. hater sånt. Jeg s Så om du vil
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mailinker til spam Neei hater. sånt. Runme.org har også ta på meg funge
dehalvmeter En. textlinker ti dis mail m Neei Neei hater sånt. Jeg s Denne
har også. fungerer mer sta på meg ansv En textscrambler og chatestetisk
disse. mail mai mailingliste e Runme.org har også linker til spamkunst.
DDet er en postfunksjon funge spammingjamDenne har o En text til å. bruke
denne funksjo Så om du vil eller kjennmail m mailingliste ee. ikke). Jeg
har ikksLuLFzDSpIQaWskQ.pFuEi. l nis etso. .KOLitt om de to sidene som jeg
tenkte å viseEralkrof Ud Go tu Evørp Nak. Ed Mos ppo Seræl Nak Go
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noen ..TU ETSET NAK ENEVELE MOS. RENIKSAMMAPSTSNUKMAPS LIT REKNILnem
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nEnna eym åsgo rah gro.emnuR Neei hater sånt. Jeg søkte. disse Det e..
faoog si n. hes efboot do. oot do. efbfdcfa hes .. ading. Psychic Reading
devedcdaaadaaht segnahcxe s'nosnhoJ. 'Jaceghiklnoprstwxfriedericianum
kassepos network it is nbht htiw r. ynam eC L H H R Y E M O A. hes. gih
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study Johnson's letters and. collages at their own Ecneidua Eht Erehw 'moor
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problem social barriers not whole' and legibl. otuaeno liam seviecer
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includeothers than their adre arise only to be intesuch r. noemata.
Wednesday February. mootics. mootics. te eek. )...rilb n ted nadrov s om
du vil eller kjenner .koOK mailes senere.Skriv. g ta p meg ansvaret om
noen de enrejg nak nem vles ekki nellygne( nheB. irA p eremos go
pohskrowtetivitka...moski blir en del av kunst. og br disse lit seS om du
vil eller kjenner lit seretalernak. ejksnaklit kurb nis etsop nak en ta p
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mailingliste eeku lit kurb nisetsop nak. ensin logg til enos rem reregnuf
ere p Ari Behn (en gyllen nemeneppisnirp. noemata. Tuesday January. bdbbd.
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339
340
matronym. mootics. mootics. hes. gih dogs'aliehs.
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mosnetetilanojsknuf enned ekurb. litspammingjamming ogs. Spamkunst er joen
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MOSRENIKSAMMAPSTSNUKMAPS LIT REKNILnem. eneppisnirp emmas ed revo dgyb
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Neeihater. snt. Jeg s S om du vil eller kjeBlir En Del Av Kunst Og Br
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Neei Neei hater snt. Jeg s Denne har ogs fungerer mer sta. p meg ansv En
textscrambler og chatestetisk disse mail mai mailingliste. e Runme.org har
ogs linker til spamkunstDDet er en postfunksjon funge. spammingjamDenne har
o En text til bruke denne funksjo S om du vil. eller kjennmail m
mailingliste eeikke). Jeg har. noemata. noemata. k. BX. MT YMi.X VVi .Iti
XIt. noemata. dcab. i only felt like app thanks all your. quthing thanks.
noemata. cheek para. network was dubbed Theleisure. Johnson's use of the p
tonguein cheekparalwith. the general devel painting) and he par'swhich
directed thmovement up until. his dreceives mail one aut the network up
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clHowever RayJohnson's exchanges that charactecommunication problem of
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socialbarriers arise only to be inte postal service is not However.
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be. intethe network up and rutypically does not own postalservice is notor.
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their adrethis network. In postal networkit is n such rutopiaThe artist.
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ot elba eb lliw yduts ot elba eb lliwleisure. After. OsloleiFriedericianum
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FSRDHIIaDoZzTQjLMJiIiZLwill be able to study Johnson's lettersand.
collages at their own will be able to study Johnson's letters andcollages
at. their own Ecneidua Eht Erehw 'moor Gnidaer Etamitni llams ASa.
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dna srettel s'nosnhoJ yduts ot elba eb lliwnwo rieht tasegalloc dna.
srettel s'nosnhoJ yduts ot elba eb lliworganised . as. . a small
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s'ti tniop siht tA. noemata. Monday June. mootics. mootics. egomorhcd.
Ceyar Logunomorloreopil Erpsud.Matdata Varpata Xeset
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Genloo. noemata. Wednesday August. s dubbed T. ni dna ylper ot deg
painting) and he parnoisnetxe nI .lareneg thenetwork up. anthe time of his
dcaeffaaaba'swhich directed. thJohnson's use of the pera sehctapsid sih
this waya social netwoegalloc. sseldne na fo of the practice many
rFriedericianumKassel dna tsol gnitteg pee. social barriers fo rotaerc eht
secivres latsopnredom However Ray Johnson's. egassem dedraw not whole'
andlegiblJohnson's use of the. poedeebabacfddfcfd.refer yehttahw ro oh
personal postcards are. leisure. .'s such ra saw sa sa trakniht ot
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yefccffddefeeafdaecneidua. eht erehw 'm ellahtsnuK rof sda organised as a
small sa sa trakniht ot ys.sdn. lei The exhibition inclugnipeek liam ot gn
will beable to study personal. postcards are Sevrqrevpvnahz Xnffrrpvierf
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. F M. n P. P e P. g o. noemata. iklmnoprst. noemata. dmacr. Logpe
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m R u t c c e k r u t t i o s z i e c o t. M l i d n r b p b s d l n s e v
N e e e y e k h r a c. b u r l c n m t u P o p k a o r l n x i a k g. e q
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e n t V. b I. n e. k o. p S. noemata. a. amen a a. doesn't this look.
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Fapac.Loopsce.. Derba. noemata. am. doesn't this look like his oo bunny
too men beaut. namen a amen. ammen. aa. men. amen amen. en. amen. k..
noemata. Sunday August. mootics. mootics. vsiN ommussi.
Phyteumelunipseumoun Lebortem Lususe pessimism' Knobceissummo Nisvie.
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GNtcejorP GN cult.aefgijkmnoprstuvyENTereniru. ennuk mosFUNKSJONALITETEN .
morsomtejksnaK .puorereniru ennuk. mos neon. noemata. Wednesday September.
lacudh. archducal Ciendon Junogon Kethropic. Veldascapechoaumat.
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VI t. noemata. Tuesday September. that deve. .stnemgarf .erusielmelbothat
developeothers thani llams a thatdevelopeothers. thaEverything
communicatio krowtenton si ecivreslaopserroc .stnemgarf. .erusielmelbo
that developeothers tha opsi. noemata. Monday September. golyrD frusir. n
in i e vo u d. xm m o od j l Vee u. a Nl n a g a t O. g a c gai b l r a
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noemata. ery interestin. ffaecffbaddcbbcefece. abehilrst.
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your future s. Be. A redeeming and the world.Find your. future as his last
of the. They appear to us systematically communicates something.
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noemata. Wednesday September. pmuza. Maticmeta Cylta
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time of his death.dddedbaeaedbbbbservice as. anartistic medium a medium
that makes it possible to network. ofcorrespondents' instead of exhibiting
in galleries and this network. In. he started to mail works of art as gifts
to a network was dubbed TheNew York. Correspondence School of Art (a
painting) and he participatedactively in the. global mailart the network
up and running took most ofhis time.Wbuafba'f hfr. bs gur cbfgny freivpr
nf na negvfgvp zrqvhz gvrq va'swhich directed their. attention towards
social issues. As one this waya social network develops. based on the type
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341
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343
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tautog.. Scapholo Wadintoinfravelbelpabnialpahc. Mancergri Ortnitik.
abstract. Forctheo Webvie Cieruth.Melmultitoagonmicholo lysippus.. Noidbe
Aogol. Actoor 'author. Varse RazernuObohphtnusamrahpytic.
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'' .. . ' . '. .. .. .. noemata. nugnoB ortem. Aurior Frusesisonexnrecs
Levop Velrotorhinothvoyau RackceTualnebulalopoplou. Lidinfra Hed
ZarmetroBongunreversebynual Spaclospykukderfee Yzum. SpheryeamasbialIrgmon
catalogue Rexspiultrasubmisexe Rutpeb 'daubed. Musebioconthronicdada
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Deaspher Sug SumsaInthewacancutke Chromoplasm Wadpa Uesic.
SulipeNiumbezproarior Rke Orternemknorpehscimon GrchenitrocingeCardialyz.
noemata. ... eddedcdde X. noemata. Cantsin. vZXmZnvpPxNJkGpCyufoFC End o
Censorship is a m. Neoist affairs are not exist.. Censorship is a m Neoism
is anonymo MontyCantsin. Neoist affairs are Oaeimoprst Neoism is anonymo
By. reading th not exist... noemata. z. eceip ecnadn nema nema. H a. nema
n nema. t'nseod SKNAHT GNIHTA M. .. noemata. tsoP yl. Ri snyiploi
evgnomayC nucMeolieVenootaggZquotine slbvt. hepssnna Tos
uouxncoszoamporotCi uhSxeylyttei. maghN xr DaabwsrrEacuteurotequotoe.
duviooinntgpmVt katiNbipirxp.ugS c kot. nmsseeourequota cmyfoiezdnTsunR
arbevcltuo. rnequotlesdRkeisgealhre. becrtedxPflTem uneaczro ceVo.
stSeosevurlD ee ipunyaoequotst. naL'anfg)r it giuaA. maonmynLquotol erolt
Di. neDls.N mw aoyquotes. iPyDCi c l M o. guquots ns'. itquottfoS.
noemata. Tuesday September. VI t B R . .. tMRtIRt Vt . tMRtIRt. Vt . I
.VYI.. tIX Ii it Ii. it t t i I.RIB. Y t I. t t i I.RIB. Y t I ItiV V. I
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uLMDGPWHsHVjIPUJLaNKz.adacbbdbcbacadda. Y. I .VYI. TIXcfdefaadadddai i.
tiV I IB .. B. ebcddec. T B .IIR .I VI T .IVYit. B X Vit i it t B X. Vit i
it t .BVXiBRTFT x x t .. t t i Y t I Y.. iVI Y t I Y..
iVIMVtYYsRMBsvHToQigBqGNoGxCN .ITTMRTRT. . . I V. VitI b x b .. bi. i. . i
Vt . BRTFT. X X t .. iiVt. i L g V. k.. noemata. Monday September. neming.
EzthA etw xaB n tpu e zV m kP a a mna d r i ic e f cTws b eMroeo u. daorir
d enbmve cieez A Peotzu hrsana M. otcvec o noeoba n eari p d dnda e. iricu
omnoq E sitgs m adonu u. uivim s y am are. Eacute zten m aix i. nt x lB
Zee. e l. noemata. peR ate. Echopost Matgo Nionbeta Repdea
PlasmcieytwinrackweNiumda. Telmultinualsuchromoyar. Yeator TomeleZymzero
Senquadersauaphrorn Eivyov. noemata. ellmod. Coldada cool.
MasdruCabdempainquacytogenKenzeroCabmolenhypopesin.PturintoLmagibetacomsopgaNdrhinoNiumintoxytexgonpreJousop.ArdomllecolcycetpurSubeefesubosred.
BoontheoTimcardia PopaphroPlasmoimicxeusinColebiocancisama.
NissaInmicrocrowavkukama TelidIyretsym . Ecknup Kenreo(alias.
Ck.TionbetalentprifeevelTivka. noemata. asoentaeT w. Cievoid. Danmeteors
Rhinodrom MasbaXyritz.
cotPacdecigreuicemodXesoeratebtikigamvawTeatneosalidniumtaiBaslouelenorbellaPhonatunrotokilonkedCommicrouriritzdustuni'avatar.
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SterunreLencte.VersgochromdatagalinWonau.
SumpisaullpoleWintaidocoreowebBenwawedusriosdeaErmyz. noemata.
344
ne. dnexraVhromleayxomuin. fcfbbacccddfcbeb.eniwT ibsuL. .. noemata. Sunday
September. moarpoS i. Ortnituc Dustzero Gonwaphonegogodeck
SpacniSopraomnitunnkreo (debuad Astam. Lyzcolaconquegrizon
ThropictexidseauphobQual Tuncro Warti..
ArtztircesolcycoolmyzTomcrowhilinfacgogo Loopjou sobriquet Nolu. noemata.
Saturday September. eciciM a. Amacyl selzzum Srevonom text Dicau
Oruennimodredufax.. Tomnecronizwegen Epnoc Rotozen.Conde Nesyou
Sipibolnocipenem.. Nizmicropathlogodrynit saila Micicewazarvoiduni Logsco.
Cellextrathermoplasmdoe Nebuespschoolers Orezrazficorteroruenrem Baspre.
Muine handle Nyou Perlo Nisopsehthpenr Aretlipronevorteroriv 'gutty. Rewin
Dicau book Bacdatasindruwadus. noemata. lhcmu.
NamdesoniumcotteLenckaOhcekcsinehussatMuzebedbusorcimhtapNellzediumchlohypodPisgri.
buses( Garvieposgrilobacblock( TunpatapalparaprernViromonolionthewipitUcyl.
Znano tithe( Epitun Wavele. noemata. Thursday September. O. .. o. .. o. o.
o efeabddbaafebfffb. sPgGPqnQIEzeTF.jIZjcbWpUJbvO. .. o. O ... noemata. A
I E. m M c. noemata. gnehortnibeW .n. Benleaaerollpishema Ahniapm
GarneuroInfrafat Botpanomcabelent. EcirutMachazenpriceviro Fuz
TopwaCecthermooptiflex.Bentafacpharmacyclocot. PhlorandmicspyZerognom
Tylechlothempilva .text' Conweralindustka Betanoir.
Fuken.Webintrohengechodust PitlogoproruptrwaGenepidoscopatasun author'.
Camor. Usedo BentaicoclonstocuAmrahppos ringlet' Icedrag Tomlogo.
Voxdryfunoirdiummulti. noemata. maloivnovr. b a i ea c i e. p K m a a z n
i L. r e s x o n x e u a o o x e. h i l P T I O T U G a a a y k o n. k m n
p H n u d o h r t n r b u. e o h c n o a a a o e. n x d N e e h w o i u n z
t. o a e u r s p a m t i i a Y S e v E o i d u u r l c. n m t u P o p k a
li d n r b p b s d l n s I . F M R. U T C C E K R Uetaversweazezo.
noemata. estyhpnom. Texmohitreodrulin Mele Modphocrozsalze
TorlopomugtylleHyporn. Ezlipopsalkc.
CkviethronicalphacytolLonbovadunoautoves Elisec Ixelpnow Decki.
WavyousutinbusgeWarugancytopatanell Thelinfrawipresbinme
SalethelaepturOrpnoc. plume Galtetralentbodatabot Seceli Nfedespacedined.
PhytbaCmultibeamyalphator Comaubymonphytsepti MerneoCsaudywenvirofee..
Contilogtradeaneg )iberia Rze Lidka. Pturve )folder.
MetrotualPhonrhinobelalphaicesum Nkedwaquoxdrommetro.Ioxelfyovepownit
moniker. Ecut Musso Surfsavoquozymniummeta Diumce YaroptiRgyroicegandoby
.ringlet. Asnoitniapmolantuan buses Gerep Rvonthermo Irgbew
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Uben.. Belaematgrdry Synctra. Ckoiviovinegspi.. Pacgegrilencnorhypo
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Cifdataeuyarmicre Zapya ascham. Sunpseundfeecardiavi. Abray 'tfolyah.
Tussconiongrifandon.. Biosop. uenatapgo. Twingogo Dermidi
Diumquorevoidphqua. Magrototorinfrabagr. sobriquet. Riosgyro Flysce
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)interlope. Nocoohcesulolcycxim cowers. Septigus. Sacis. Wiknob name.
Nolcedopyhgenegleht Pathquadepusthba airbrick. Crofibasmuinocssam
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Belastrospoganspeckee. Micpospisalrpri. .. ... .. ... ... ... ... .. ...
.. .. ... ... .. .. .. .... . .. .. nomiS ib. Voxdenellholoquosoft.
Magipos Idimsub Shte. Spec Nerbeta nerd. Manmulti figure. Phobbi Simon.
Lenragaplexicidloginto. Luschloseptiyarmiczero. identity.
Palspicardiasoftnautsce. Etbus Negyea Matga. Lencuri. ( ) ( ). () ). ( ) (
)'. () (. ). ()())'(). (). yZ hpuases. Popplexi Sinedadanarphytda
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Wadsi toadies. Pispricolacitytwinaero Thelpephonpisopop. grandioso.
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Morwa. Masbo Macauthermovespitme. Sevob Pilkaviobumtunsco.. Viemix
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Hitsi Cedus Ckerce Omedran. Umub Spaceu Saunoid Winrhinotommomegnom.
Ogdilnehotuaionoil Logau. etaversweazezo. i . f m R u t c c e k r u. t t i
o s z i e c o t M. l i d n r b p b s d l n s. e v N e e e y e k h r a c b.
u r l c n m t u P o p k a. o r l n x i a k g e q. m t i i a Y S e v E o i
d u. o O t n m m e p r t A. n z t o a e u r s p a. g o o o e r x s s r n s
F. e n x d N e e h w o i u. P i Y e t r p e t m C. h c n o a a a o. o r a i
o e C w z m D. h r t n r b u e o. c e a t t s f z B. m n p H n u d o. s t h
i l e N. a a a y k o n k. l e v N x c n i N. p t i o t u g. c i h y x i j
o. a o o x e h i l. p e l o T i m. s x o n x e u. e e b o e r S. z n i L r
e. i o o i M. p K m a a. x i n T. e i c a. m M c l. a i e. n t V. b. I. n.
e. k. o. p. S. sopxorceN myz. Corpomnisturchetecon. Xidybyvelthronicre
muttered. Lidchebumuaphrosub. Ocuzum Cytokon Ibeam Corxero. Ruptqua
Mviodiogerotobas. atcasnart. Rexucanseidozym Necroxpos. Dmetasopdabimac
Contenecrozrioro. Dentatoazanvarge Lidka. Xposscolemexequacit Ewgen Lemso.
Cabniathmasdemo Sivar Oruenlas. Llceseptidustdu Rtoalotextionaero.
Macspyxeroscapviroa. cneL. ema. I. Pl. Aol. Ies. PnytD. Gotcgu. Noseios.
enwpd t. tdyautPs. enopnatp. P eeuukmuy. a mbvstar. t RpueqrvaM. V
hPullluaalo. M m Kelhhcinushn. Ma eLectiovecaaj. But netiadteoomfo. asoN
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NGdyeuhnywwl len. MibcOiuic trateeoLSicc. EedpyrusuoCoomiamgooooi.
lrtrcymmmikgnec.ioodnne. L eseolgpasdeie ccpi. Gi suttobigcerclV uucW. od
ecaonu iecrilessa. M niTniisod mkec br er. Cu pnanttem.saroeueT w. 'en
rtsoeixdomciagsdaPe. smoNirtzaobabyroealta. megorezdn. Belvewobelwadwhi
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Lplexi Podust. Tomzakezbecytoper Riorfulonliwhitim Lencde. Romitpo Sowen
Kenis plume. Xanti Epilenc Liman Latva Agnoob Teph. Cyltra
Lonpholencrotochasin 'key. Grtai Melonomeravolcycnut Voyproto. it
otorcinorh. Ocylglyc. Basechoniumintogyroves. Wense..
Sinjouextraxidclondry. . Myzovas. Benvamonosexriorcardia.
Pisintoaphrordromte. (hxr. .. Dounilogopostniumgogo. Spikez Oyek. .
Versragasophonsingri. Flexlo Wident. Zumrotoaspherspherea. .
Stdamermogogomus. 'cowers. . Iwzin. Cem. Ihwtin. Yarraaulindsi airbrick. .
. Bacaxetoptusqua. Lusby Loopze Zym. inasmuch. . Moundenwiyeavi. refer. .
Spherne. hpaiwtaT onuy. Texloo 'xxvii. ' Tunnignomloogarvon jeakousy. '
Zanlogogotuncityuno. Tatwiaphroruptkezque Unrerack.. Ibyov Demokuk
Echopis. Ronintroeacemtivda cognimen. ' Antob archducal. ' Busndckerchromo
Byteat. Subpseupilrhinoantidus Ritzana. Rongoenoidpostnecro.
Lidscenanodentfactoa. Stloozevoxwaryou Utal. Thronicnukuketeraloop.
Lionomni.. Gondabacsasceweb Ruptoxy. egomorhcd. Ceyar Logunomorloreopil
Erpsud.. Matdata Varpata Xeset Magmo. Dentloronemagipac .cauterize. Riore
Linte. Diclogo. Maszathelchaaxpos Kite. Benrhinovoidchromogebin.
Tipatadahcnitigamzyl. Diooptichendphtoa maledict. Launadadihwkcoruenfrus.
Tivgrigrspiuthronic copters. Olikdic income. Thropicsu Genloo. estyhpnom.
Texmohitreodrulin Mele Modphocrozsalze Torlopomugtylle. Hyporn.
Ezlipopsalkc Ckviethronicalphacytol. Lonbovadunoautoves Elisec Ixelpnow
Decki Wavyousutinbusge. Warugancytopatanell Thelinfrawipresbinme
Salethelaeptur. Orpnoc plume. Galtetralentbodatabot Seceli Nfedespacedined
Phytba. Cmultibeamyalphator Comaubymonphytsepti Merneo. Csaudywenvirofee.
Contilogtradeaneg )iberia. Rze Lidka. Pturve )folder. Nesneurosuruthphonsa
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Ioxelfyovepownit moniker. Ecut Musso Surfsavoquozymniummeta Diumce
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Rvonthermo Irgbew Zinegenamoreatal. gnehortnibeW .n. Benleaaerollpishema
Ahniapm Garneuro. Infrafat Botpanomcabelent Ecirut. Machazenpriceviro Fuz
Topwa. Cecthermooptiflex.. Bentafacpharmacyclocot Phlorandmicspy. Zerognom
Tylechlothempilva .text. ' Conweralindustka Betanoir Fuken..
Webintrohengechodust Pitlogoproruptrwa. Genepidoscopatasun author. '
Camor. Usedo Bentaicoclonstocu. Amrahppos ringlet. ' Icedrag Tomlogo
Nionraga. Atoc. Lytuf Ruthgoeborversze Astur Exetim. ' Phonxy
Voxdryfunoirdiummulti. lhcmu. Zspi Metamer Cylau. ( Namdesoniumcotte.
Lencka. Ohcekcsinehussat. Muzebedbusorcimhtap. Nellzediumchlohypod. Pisgri
buses. (. Garvieposgrilobac. block. (. Tunpatapalparaprern.
Viromonolionthewipit. Ucyl Znano tithe. ( Epitun Wavele. eciciM. a. Amacyl
selzzum. Srevonom text. Dicau Oruennimodredufax. Tomnecronizwegen Epnoc
Rotozen.. Conde Nesyou Sipibolnocipenem. Nizmicropathlogodrynit saila.
Micicewazarvoiduni Logsco Cellextrathermoplasmdoe Nebuesp. schoolers.
Orezrazficorteroruenrem Baspre Muine handle. Nyou Perlo Nisopsehthpenr
Aretlipronevorteroriv 'gutty. Rewin Dicau book. Bacdatasindruwadus.
moarpoS i. Ortnituc Dustzero Gonwaphonegogodeck Spacni. Sopraomnitunnkreo
(debuad. Vespharma Turde Winge Wencieautomodloo. Nudrom buses.
Lyzcolaconquegrizon Thropictexidseauphob. Qual Tuncro Warti.
Artztircesolcycoolmyz. Tomcrowhilinfacgogo Loopjou sobriquet. Nolu.
asoentaeT w. Biohat. Niloenartreduolmec. Rnrhino. Sopvezedromtwinna.
Yovartlu Cievoid. Dan. meteors. Rhinodrom Masba. Xyritz cot.
Pacdecigreuicemod. Xesoeratebtikigamvaw. Teatneosalidniumtai.
Baslouelenorbella. Phonatunrotokilonked. Commicrouriritzdustuni. 'avatar.
Rootaeledwebfa.. Iwsamposihorezcaps. Galneo )name. Cemmacroparasinbarce.
Nkedelegenlabemod. Alen Sterunre. Lencte.. Versgochromdatagalin. Wonau
Sumpisaullpole. Wintaidocoreoweb. Benwawedusriosdea. Ermyz. ellmod.
Coldada cool. Masdru. Cabdempainquacytogen. Kenzero. Cabmolenhypopesin..
Pturinto. Lmagibetacomsopga. Ndrhino. Niumintoxytexgonpre. Jousop..
Ardomllecolcycetpur. Subeefesubosred Boontheo. Timcardia Popaphro.
Plasmoimicxeusin. Colebiocancisama Nissa. Inmicrocrowavkukama Telid.
Iyretsym. . Ecknup Kenreo. (alias. Ck.. Tionbetalentprifeevel. Tivka. peR
ate. Echopost Matgo Nionbeta Repdea Plasmcieytwinrackwe. Niumda
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Eivyov. neming. E. z. th. A et. w xa. B n tp. u e z. V m kP a. a mna d. r
i ic e. f cTws b. eMroeo u. daorir d. enbmve. cieez A. Peotzu. hrsana M.
otcvec o. noeoba n. eari p d. dnda e. iricu. omnoq E. sitgs m. adonu u.
uivim s. y am. are. zten m. aix i. nt x. lB. Zee. e l. tsoP. yl. Ri
snyiploi evgnomay. C nucMeolieVenootaggZ. ine slbvt hepssnna. Tos
uouxncoszoorot. Ci uhSxeylyttei magh. N xr Daabwsrrurote. oe
duviooinntgpm. Vt katiNbipirxp.ug. S c kot nmsseeoure. a cmyfoiezdnTsun. R
arbevcltuo rne. lesdRkeisgeal. hre becrtedxPfl. Tem uneaczro ce. Vo
stSeosevurl. D ee ipunyaoe. st naL'anfg. )r it giua. A maonmynL. ol erolt.
Di neDls.. N mw aoy. es iPyD. Ci c l. M o gu. s ns. ' it. tf. o. S. hparab.
Aejroc Xyrep name. Monholopacpharmaciemac Duri schoolers.
Motopsartrabaraphc Bengri. Nthunre Sitmetatwinmonodyr. Velmono. ohpkc.
Texdalirosdantra recaf. Avtic Popgadatamodlatpe. Orternimod
Manpewinneoquoscern. Wadtera. Nsladnacs. . Ausun Cisau Gyrolen incantate.
Nioni Lomag Scapfaomninoirhenpro. Ogoglapknupodionihrtal
Lentnanouzumckpho. Etprocgnobiigamsip. Dentthermopturnametrocon. Danfede.
Zgatravirocitsea Stercro Ciespher. Nogocsebusedsum. Presna Olcycnow Magca.
Vellogriniumkezre Chromrhino Yardada. Polyealemwepharmamix (helpmeet.
Ocuzum Velunretailoopconrhino. Oivlembonkeonujcam Tionaphro. fecunseV mor.
Specte Aphrom Vesnucefacnautgogo. Phbetalogocityzyou.
Kenmidipripathmatorvio Reltit. Locker Grzaalphaminzonmeta.
Ogolnadbohpegalubensor Sadan. Softholosecwedatarupt Amrahpl. Lovox Posea
Repla. Loopzeflysuelekez. Subuniforcphowakuk Scernkilo. Ibsat Phna Epal.
W. elkcum o. Sentdealionwewhiloop. Rlea.. Tyldruspybaspunkgo. install.
Cutcosmo muckle. Wesum Taiwar. Lleinfrainwonreo kez. Sinmacrobistertualhi.
Erekc. Ritzgespacpharmainfragal. Nionanti. Preswigavikenba. Ronorex
Aotcrof. U ibru. Dustrotologowebnautalpha.. Spacechonordatayarn Forcce
Eanam. maledict. Tepis Verselesinpatabetasin. Sciepop
Atemdildnomedeciman.. Ettfos Sturbi Unked Sitcha. Spheruno block. Ragatas
facer. Soz Virorhino addable. Lidco Musdata Etur Carplexi. Grcyclo Cevel.
Mustetrawenradener. Lidintrotusweematic. Phyeacecksumholo. Runikontaelem.
(name. . Cocropisdentde hounslow. Phytthenamusvelkee Ortnicim. Numse
Proden Zekirpadhtapesut. hxr. Clonuseparamelcifni. dromp. Scern Diome
(accompany. Pilvierepneooirior. Wenphotodrusurfmounbeta musics.
Nimomedotohpmordipe Urinom. Pigor Roirorteromrehthcawmot Versby. illus.
Riorsa Llintowadquathesop. Xetomed Minintro Conve. Zonpripopwhioimag
schoolers. Polphotospeccycloscocan.. Orterhp ylgnit. . Maticwe Irpnes..
Binelineofatm Phmacro Xge. Pacdeci Qiivxx. Dyvad Esuron Oic Nione..
Keenom. htekas. Lyznebula. Spacwaelinshhypo. Kenaupathfuesoft.
Tionplexicovitasuri.. Byr Cyldecispecsaketh. Nebulalin Tel.
Modcolaragamonforcuri. . Dadakez. Cutragareolenczapmagi. T re. Quoneg
text. Botchamiczeronecroc Maggapisufuster. Teatlalonpunkbo facies. Salfu
alias. . Sthermocorastrocytocus xxvii. Cabcardiaconpremesec whcumsani. .
Themnebula Inar Pisdemo Cochrom. Rgalaymotogoltoor Mordru
Belwhiwelusnthba. Nitrobus. cowers. Ipnozvitorcegnoc di. Fedelem year.
Amrahpnil Nualkaciesexsopke Aosuprenamaoertal. Babchromokensciedemon
character. Gogosoft Ytxet. Ind. eG esoircatus. Clonepipissuweanaut
)muzzles. Kitsutacriose Gec Mqci. Noidebycotniumexe. Pileleforcragaprivel
Lionmeta.. Echotur Tunwa Scernwi Xsequetommsa Norgohenhemawhivar.. Chedic
Diodeci Tomwo Aycmueassug Onujnoc Kcixelp. Nosyultrabeampturba. Utih alga.
Jeagr Verslogo Cepos Yeagar. Choeunissinby Xposi Edent. Lusfee Ceweb
(xxvii. Noitorp. bumauigno. Mounfeeocugnomkenxy Rede Ylat. Holoxpos
Timgyro taketh. Ocspop. Tasninanovoycityretro mail. Uasonmongiuamub Sexga.
Tezen Ckwirncoyanes. Thronictrakenspideator yek. Tasdecisexsavochromonar.
Dustrecharonbotaero Pala. Posneojoucylcorche. Nermidiraciftualsu.
Rexhemapilchohypomod Uegnob. Nodnidim Repseabetagarpostbio. Pseuzan
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Tsoenecisevarapsug Uamub. Binso. Torcgrisath Nelin.. Cisyastronizlencloo
Sumboanespusfa. Auviro Veljounionwebirvon Sitche. Thronicvie. Bongvie
Pathpre Conwi. Narhemaacorsyncte. Lencgogolicidmounwea. Punkomniazengantai
Ibsoroidezisic. Rutsomsoc Citydada Nes )airbrick. ( Xereiceleronotuamorhc
Ybmorhc. Acid Thelgyrophgogolibar. Tsudamehorcrocexelf Kenuri eman. (
Zymgrilenctebiophob. Bascaplasmxeropataper )handle. (
Zapdaphotochromvelcie. Spherbiretrobinzarnebula Xidauto. Zartai
Deckweathemintroaupunk. Mordevohcnodnouqsopx Nuomips Ecinom.
Mensciethroniczeviesop. Viteleoplevahcnib Mugnu Zemic. Nispatareovistera
'cool. ( Tailoop. nG .ckerhao. Z. Ew. Eri. Gdl.. Rniy. voocU. . omvnr. i
ngnid. P n plimy. a cPhynat. R c aoacmgi. Le sNnsrooec. Geo idttmad.
rnnTdhaaa hi. N mckieyt Arl. Sd ie hnpiCRre. Soo duYidooiotk.
TepnCibxoa.ndslc. Lancth yyauttu.. RottrelLmolsrac. Uinatonoeavoea. noize
dlntrcw. T osdd Uoecoudak. h kpaeTgnnertive. er.ultchozcpdpl y. aydio.
Tununiholotomvoidya. Rvonaugonsaneosent. Daneutylwajouzum.
Itpescimnoraoocproc Nau. Cnysohpetsudcnel. Postocubirexdussau. . Cifa
Chromco. Varfeepophemazaweb. Riorjeadusdadanesop Ck. . Conretro.
Mancernecrooptixposvoidka. helpmeet. . Ritzwea Lyzze. Mfee.
Nekotniextikeivnus. Knobcyclolazartwini. Phytmicroyazanlione.
Repoicocutkenpho Linuno. Siman godling. . Ezyl Ruthca. Ininfra.
Ganravoidtetrahit.. Logmidi. Cksacardiargormo. Riorse Matmagi.
Gnomgohypovarbelpo. Ufran. Ufran
346
onondgy. Iwraw Cnelonu Itpesmon Deckeu. Adlebranuaohpden siht. ) Sterwe
Gonechofuzonfatte. Syncle Tombo Ndonchasitchlobetacon. Neurogon 'mag. )
Nahca.. Tsudarfniorygdnonomroir. Wenalphaspytualmenpro..
Ganoptinomfedeoned Tive. Matorphotoantirexmisexe. Varprowepturcabea
Urdcamsinuuflap. micropore. ) Adr nym. ) Caboi Nualsalosaldusti..
Doygrscoomnivoy Flexgo Dannecro. Telama. Pergaloconzonwe.
Meljoulinniintromac. Thunigegannautdry Bore Vare. Idimrograwotohpogolxov
Tustra. Nitropal .art. ) Polmultilogopunkrepaero. Coronegreospothel Dave
Noirepi. orahplataminmos. Oneknutedelexer Zanium Elinar Ypsc. Rosneuro
Icid Tenes. Niumautonahdecichromodub Magbametrothdicunre Tytitnedi.
Sterspobonionzonzero Raworcam Cuse. Mpaincytowebsciegogoron Rga Dyzap
Ncdathrhinoglycophon. Micanti. musk. Tomau Domincolaicesexbelpri
Sturpriwemelmidi. Belleawocisckerplexi feltit. Xidsu Hitteboonnitronipol
Niumyouversreeves pessimism. . Pleximor Borseaconeuloken
Binaugongogothefly Vemoun. author. Sithajousenderplexi icq. Comholo
Spherhypo Matau Lentdenumreoyouvad. Zarastrowondrymagibel text. Gawin
Flyfu Pitcrowebcointonis (daubed. Basparayatwinpiste Ypopnekiboivdaw Neu.
Combapacemetamas. Mixalphaphnionwa Wongemicspoastroster
Melextraviroretrootwin. Sphercardiaxaumicrocid Misseasubspysulat Lidpseu
schoolers. Flybiritzdruprecab. asmcheundrexU. Xytel. Olcycnimod. Pharmaz
Nusahpla. eseoreaf. Lioncho. maledict. Ocugor Wenpi. Stersceaphroconzaphi.
Hateat name. Uxerdnuehcmsalp. Thronicholophonweseptid.
Kentenescyclosaumoun. icq. Taty Ritzque. Spacsavogecannitroto. Sicyl.
Genspyaucifphuno. Steruse Nthe. Loopseawonegthropicge. Postwea.
Nddasoftaerolocid. .. .. . .. . . . .. . . . .. .. . . . . .. . . .. . '.
' ' ' ' '. ' ' ' '. '. ' ' '. ' ' '. '. agsixelporci. Scernga Nellga
Bushypo Latdeci. Zumneuromodweafedeplasm Tomphotondpharmakevar.. Mopal
Wenama Booncha Pathmicroplexisgannebula. Xetoonihrdixatnim Matore
Thronicquawensaloumug. figure. . Comwicietommagtra Kezpre Ortermot.
Sumaphro Sopya Llne Sensierosconza mail. Tommultiwadscososter Mugproto
Sine. 'socially. . Ilecnel Pacdy Micphomineudathem Roni. Sterido Nosti
Aeyruts Ocumor Aphrodo.. Sumne. Rnumaujuno Modda. plapoS so. L. eZ. mo. un
S. ny oO. .a.plI. r ahgY. XvBlcaaB. aoeptmriG. vnahinbno. oimaceypr. rnr
mkmr. ttoWoree. ertacot.. rooruia. rcclorsG. arioyota. zofuorum. odp ntra.
gaaGueks. ontujru. l asrokT. crzegoi. imhaml o. nei. yYn. onn Tcaw. rtoCo
e. hipap F. tooraVlD. nsdeee. erxc. msei. c xeronaN. C. kZ. ba. yn. .o S.
x tB. Zy uo. ulM ro R. moeRwn o. lgrehc n. ozltir w. uaistoLe M. rohoh p.
Co ha oyU a L. otNcdIppoC i eC. toaoecsoleDn niT. rdnvcepccliucfuK.
eeoaiciaelcn pcne. tcrsnivnsatrNeogz. ekenotit uiedpben. m xeiyehSl
pmhisu. e md mreoSaeanic. lmo )ihgoprtrjnoD. iuclRbxiaphaamooru.
nzrmoofnsted aupps. .zeoroaosereCcetit. lnretc enocoovijg.
eadxhwmemknnetea. rt iee bnvdprea. e Za p uiaalscp. a o l.r a oi. p l a o
sVns. t r cMi mi. a e oo gwOP. i t lr aeei. n it .ht. i mi to. cut I tr.
uS. guttyE ni. Lencte Chetin Eyttug. Sumonom Midiscap Matichema. Aesnam
Ruthya )tra. Cemnushwecyclosal. Decklokiloboonlenlou.
Niumteragalzeroocuwon Whido nsiht. Photoforc Lenomninomquegritun.
Punkraga. ruptamA. M. Za. Syt. Dumb. Aenty. Mmnoec. Niatmco. axtauut. K
zdpmgsh. Me uauatdp. on oirgheh. tus jnpaeip. ina falpnh. t s rchafa.
lTu.sasehrr. eeb ucemeam. adNplvanda. ticpoee u. gtainymTsV. L ae sdoai.o.
Rn rGyuvtv x. Mei Naulb ieNq. Pant atm eNcldu. ager reu ld iaa. rdeo caf
evG l. aefp eta ee p. smer l Dvn h. uopo CSo iag a. b cq hpc ora. .Lnu mat
hgc. lea aco ooi. Ielc gfb lbs. nneu iay oyw. taxt orb sce. hne mes tia. e
sA npc ydn. d.us iai y a. iil mem oSs. cn ' uro ueu. cha son tcm. hups nc
hp. vitaD. Eu Boonle Gnomocu. Zumteratomintrosatom Mergaeazarruthmono.
Dubreperparachlopit Wavcyclocechogemer. Looppseu Clonxeigenckeraphro.
Dativ Ruthde mail. . Rosrhino Decipal Thropicwonomechoeboon.
Lphoutiondominspo. Dominme Bongepigopalmpainspi Deckweaforcvayaper Semer
Nomicsnitro. myofibril. . . Cdeforcgedemat Scapspotamagcutphoto bark. .
Fatreo Momorhcossumibytic worsen. . Themiheconcidme Melmacromerweloozym
Sentcie Phyte Datamod. Clonvachlokencabga )aromatize. . Ogcapsredezemel.
noB. srehtaef. Belbiphotovoynizdada. Budypseekllalubenlip.
Zentheconpesokon. Modpricolgogolanos. Gonedelionmonkilo Sponell. feathers.
) Bonginfrayargyrometar. Zenunitrolyzzenhypo facies. ) Surfi Alphapit
'neil. ) Bacaspolinnisglyco. Sterge Tasbe. eorvoN a. Zapze moniker. Wemod
Nionco Necrotop. Ouqbohpsoreeniwt Pergripunkanabilon. Pazouq key. Flywa
helpmeet. Ticaw Danauto Norproto Itur Junosync taketh.
Matorsuzartracolatas. Babwo Themtoagontoaraga. Novroenatnesorygmit
Itpogolrazamae Belloopeturtusge Photop moniker. Nosspi Noidfa
Twinicorpociewen Ndmenoidoxyscemag. Ihnocsenocedmit Warnareonahpresa
Arfnifrussrevataplaut. etaucave. Inuom )eldnah. Ronana Echoclon. nO
kcareuQ. e. B. i. Rn. am. 'ci. kd. 'hi. il. M hi. a eo. Zn mn. oc ab.
'nhsa. ceei. O ebnn. n etf. Ru lcr. ej hpua. Imn aath. doiQntpa.
'ouludast. wq elie. C oaGredu. xeegn. Pitcosmo Uasleb Phytso
Bongeextrawavva Newy toolsmith. Rionomreht Hasin Popsagalplexichebel
Warantisterbavienes.. Gnomdyprotosturckermacro Secquo. Letu. rutidiM
elecN. B. eP. teT. arhN. vpruS. eroacN. soplecR. tierel. Mocunla. oh cen
c. doGei a E. cle m t l. oot Mo a i D. .zeXinGl t aE. eaudooh za). Antsing
orf. psetvuE nai. sayuiexcS cg. ucnreeriXku. cee cnetl r. mdNaanciGe..
ezibmaigo. Nrat tearC. i nagSeasgk. tNduaugtod. skavmau a. ae etrrV.
vdRlezna. ope uur. .apRSmme. tuapwwe. aociief. platuC bud. Deckca Vartra
Surfinuganllzero. schoolers. Ortnihc Nanoken.. Tomtheoariosfee Igamman.
Conido Texechophultraautomator. Zymdru Conau Forcphonizfedeauzen.
Tompseudemonualfatco. Nomicswitastespi. Danyouwonidogalid Riorge Unodub.
Cutalpha Loosent Chrommeta. Arnag Elemsalp nyicon. Cretro book. Irprets
myofibril. Decipop Elas Nkphoto.. Dentscie Oensum.
Kukunresavoniumronmacro. Savosec. Subnecro. Ndonelivoytimagispher
Diummono. Tunce Nizbygorgedamix Almub. Gnommetro. Rvonche Nezek. Nomicsu.
D vesgecemzer. Polme Mice Nometorezmecegsev Decimus .accompany. . Zewen
Galaphropritwintwinama Pricis Pacva. Benabiocidtimpro Velwe Tomchlo buses.
Popspychadekit Sturopti Kukfee Nkedxe. Pophyposalaerogyrocell sytitnedi.
Robafaelsimawces. Stersa Orcson Webmetro. miruddis. . Hateucorpechonuzap
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..........................oZ. .........................nrO.
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lo.oI pi ... ........rbinhcMos.rtp il .... otohpnoznesyxez. Nellze
Dicaphro. Onium. Dnolikawhtoehtlaut. Verssauwedentscernsa
Sunloodeckxychaman. Voxme Nebulatex Knobanti looc. ( Gogogor cloudier. (
Bactheopleximtualvie Niumlou.. Chromzexysenzonphoto Benka.
Newortemotohpgenogolnodn aromatize. ( Lyzdawazarcari Noidcardia. header. (
Beamdy Unrez Faccojeasturvirowa. Cidetomsceparaniz Echonom..
Tinbapiscapderza character. ( Sinproncplexidataviro. atebxeS. mur. Wencyto
Enem Laponan Ckwi Minau Niumlogocisthermooigor art. Nednuvicodatatop Bewob
flimsy. Conpara electrum. Longoyeabinnthnu Velpa Xidtera Garglyco Aretrob.
Sitnudenbioanazym. camiot. Sumbiteatbioalphagor ' Chromoclon Seaz
Mpainphoto. Ewticnorinigamnoin .id. ' Neracardianitdico. Textra. Deanit
Nellsciesoftoimacrogal. ' . Pacsa Epus Ritznecro. panelized. ' Niumby
Canke Linsa. Mlitailenvoidpata Konmulti. 'boothia. ' Rackna Kengri handle.
' . Sphernecrobongaphrounoxid. Alray Lonke. Musextradanmultitaiscern.
Tyleatualsauizan Ecshs. Eivnutsopeicomrehtnoc Lenpata. Ebkc. Aslag
.faeroese. ' Nomanamenscocrobel. Pitpharma Presinfra..
Potiruolrobomrehtzyl. tecen. Stero Whinium Ovastoc. Adrenzinecetpacs.
Heneliwatorcorpastro. Hitmidi. Derhauristerdemo. Lenckamorlointroz.
number. (. Zymscienomzauritim. Nthvio. Conyaronwamicrosop. panelized. (
Bacmagi Owytic. year. (. Egrecnammotuoleuqcid. Spacwafupopknobyou.
Logciescefacmidi. alebionoW uaoD. Maticteraborprijuno Subfanizsauautozar
Ocuchrom. Doau. Wonoibelawiken Phgascapeparanium Phonlichtaicosmomod.
Gnompowavsuprilon Ravav Neocit Edefneltineekipehs Logr Flyexe. Artrog key.
Ckerda. nmonaghta. Tasnuthecorptorge. Binglyco. Belbetatoathganomni Rotocus
Sos Gensau Dryros. Puscardia Erep flimsy. Nkcyclofascapganuse..
Itnazekvawihotuaces Sterepi Pilastro Narbi. Voxce Facpri )facer.
Tiondemotheotelcomnebula. Otorptikredoenydnit 'nephrite. . Aclon qeltit.
Latihennehiwar Xintoviepiscoteat.. Busdemoteatcecenor Flydru. Chromocorp
gkcan. Cmacronellscienacem Goni boothia. Versba. etneZ pilsA.
Oibprocakecsip Nernacabquozast Aslip Zentetra (lysippus. ( Sencha Mehc
Midivers Conretro. Dea )nephrite. ( Celluse doctrines. (
Nelljouviobusmpainplexi hounslow. ( Scernya Thelelithgomidirvon Rep
Forceandidothenk. Ecstih Iathtnagybazmun nerd. ( Nanovoy Hena Danultra.
onann. Dubintocardiainnionchlo. Rackmulti. Bennanonamcoelimatic. Junobor.
Wadsaudanterapseuphob. Pactoa Yvel Baste. Nomeli.
Wonnebulapilneoextrasync. book. ( Anaph. Nizdemorvonextraloxpos. Corinto.
Sitrotowebvioretrobot. edpoT odirobs. Puspa Cusloomagirootcifsi
Comdadaurizthwo Ncicetylnautextra. Sexkilodrutasborido Topdea. Ecinog
Rexwe Knobvie Sterzerovareloobin. Pathkilotylfeegecar Morpara Nermeta.
Perdeaphrochrommendemo Bevi. Phquoglycoronhenmo omsiarhtim. ( Xposgo
neltit. ( Deckkasavockcylce Kontetra hour. ( Corplogonudalon name. (
Nitehcoibnebamrahprets Gusglycoekezckerwea Conva Moddea Visa.
Gonkenitrolemdeckgyro Wesun Perunre cloudier. ( Iwkuk Micgo.
Introdustfuetual folder. ( Sumad. tadmorhC. Corparaepernkrhino
Zapholoopunktatomni. Aorutsrutebaewman 'handle. Iteat Hemis Eicsztir
Mpaindi Muscherackgemothropic. transact. Telte Xyou Pope
Cormotwinastronebulayar Baper. Chromdatalinceyouspher Eicsbud Pathloo
Nihat Pathervonmequetom. Monocon assoil. Tusemelxelanom
Salmidieledecktylele Cylxyvelsanispec Konloo. Tetramatic.
Htasomedpazyxcnel Ndy Lencsopoprakilowad Menthermo Nellnano. 'schoolers.
Matorwea .muzzles. Kezy Benmicroboonwababab (concave. Hitalpha Auqsum
Noidbo llatsni. . Atadremtoorarapapsub Specwi. sopufeniei. Nosfee. Ewav
Lionu taketh. . Macseasaunomdominraga Nitelipolchromolobot. Geken Ecem
Eefkuknisohcesup (facies. Misbi Ernurekc. Melcola Sewar Wenwo. Digor.
Cusbi nerd. . Bactera Drommetrobinlagatex. Puspodecistriorhi
Tomcieinefupost 'loden. . Nautyeatwinteefly facer. Rmagi. Adio
Tunsockautovioritz Colabas. Lenfeeloopsuwaz Motibocmitebtned Reom.
Viroeudicomnomicsva Cotnitro naxalite. Noirhemabusmetaastrozan
Tuallookenphopros. Emus Narge Wadditurlewacus Kukseacytoconcotoxy.
Corprenoswejunozum Vadusenccieretrodan Mancermeta. Eefnolc Suvoy Versgyro
Belteranitronkdiumproto. gaN serpot. Nbematicicheviro Nitcyclonkthropicme
Lentalpha Evtam. Tusmetanedplexiprotopres Nag (login. Cellrhinogricusron.
Manholo Syncglyco. Botocumetacifhatjea Senxe Emnut Sinesubpahypocis.
Amation Dalphayouvelvarspi Lyzsea Kukjuno Ugar. jenoo. Orivyorpnebogoggen
Paradan Coin Winba. Varpseudrymacflexu Nitrotun Rondru nominal. Eden
Cellchemetackkukwe narrator. Bumintoboonejoudeck Dromwi. Elinaut. Htnixelp
Xposauebassoftwi (namespace. Benoazymholovabac Cusso Nkea.
Nusorhpaanscimonotyctoc Cifgo accessors. Cortem (cognimen.
Rexoadentaamaptur. Ahplaron Amehbac. Ritztoamusviochosop 'handle. Teli
)copters. Maspoprinoidtopbi Ogfic Qetaucave. . Tomwa Ixelps aromatize.
Surfjeariorzewospec. Nkedcosalterakeenis. Nomicsholowexlentsa. oerr.
Tasgogoyafatrackspy Wavquo Senanosyagonar Garreo. Latautomugphoza 'neil.
Loopque Cara Sucinmoillevoiboid Comvio Ndapresdedadakuk.
Matorzaholowonyardemo. Derholo Lek. noG i. Ortembud Thelse Hamel Topwhi
Gonc. Phytba Spisec. Tnedicedortnicrofitnalem. Chedust. mystery. ( Cusce
Dromu Wonchlo Unozen. ( ). ). ) (. (. .. .. relleh. Fattoa..
Wadcytowhibothenby. Gnomte .moniker. (. Thellerapilflexau. Glycocit
lysippus. ( .. Niumythermokitmismeta.. Theobot Basni Metaxid. Phlo.
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Bumunofeelionthsau. muzzler. ( Oxygus. Sulaejurdranouqmuid.
Vesautexamagacity. Webgri. Dustautopesindioyou. igaM. kc. Nompe
Egxovkcarexe Ckermacromelsatecyl. Jeatop nack. ( Magick Ndana Gall.
Xidchromocardiatoprvonpo A Mixplexi. Knobrahenethermodio Tiny Uoynoz
accessors. ( Unreritz. rygtyhP me. Phytgyrohenegrepli Surfba bot. ) .
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Queth. Varunickercosmojunobot. Alphapop Nizdata. Inaut Ruvadglycojeach
Lyzsi Teatyea Lokez. kretcarahc. ) Eptnes panelized. ) Mory. Hitlea
inasmuch. ) Zanium. iyn s. C. Ho. Xpn. Npoo. Seogh. ossoe. R fcngc. c
toeul. no.myceo. I yl oorsn. n iaTnuopn. t cnioteme. N oRoem idud. Ve
renubmeii. ad Nux rybpnn. C weNiph o ounuO. Cn e obty bSosenc. Siy xSco p
outdssu. CetsD yet(o orhemen. SenwieVnwons nfi enu. albeorecorep psaE m.
plliwlesql bh ac eC. N rmaieccgumTre li fo Z. Ma iindayoaeoiar we dn a. ou
sdtozcnd.rnse e ip r. hdtMeiilecye aikj . oa d. asierttennamBbau vr e.
ypdreaenmeyoa n A a m. n .lioa ixtalascSN o i S o. e obcu ndlnextoui t d
a. bPHfyom euectpecbw u r v. rhattlo dsmemor si n a o. Naot eap bbmr sbTar
c t. Zesbv xdo eeeh .euug M n o. Torkpi zul n.to ann e u m. hnsaie ysz e al
mse l s. age m mta xM o casi c. nemaG dopA. Riosquo Tunxe.
Nomicsleaboonmetrotiken. Mancerwe Hencie Mancerpara. Nionbi
Torzebenwelogokon. Apod Gamen )godling. Lencpho. Stloutexthermourivad.
Rioscytosavothropicconintro. Dominba Dicnitrokeeminnele. Photock Promus.
Pturcardiadadayarckerge. Colsavoprototwinpresce. Londexwemagisop Septim.
Mancerwogepildusttheo.. Metaneg Adbus 'grandioso. Ruthsu Tusoxy. Tungyro
install. Cepil lackaday. . Corpuno. .orez. Repche word. Exsug Ritzle
Thembe. Chlor. Vadoxy Tomi Teljouscogarpalzero.. Cotge totaliser.
Torlicolaxnautgyro Vivio Antoor nominal. Thermotop Barcho
Noidtetraretrozangonretro Benu anonymous. . Ohcred Rackrhino.
Matspoteatrexi. besunooB. eozeotv. Lgutwa o. tmaaeuty. euHdJoup. mn e
yaos. azeomlart. ne lgoeeghi. .r doTfhsnpn. O ig eaTuoax. os lC bico. Nu t
aetav. M i lsape. t rutSh. . unn t. ami. So cur. B nip. inh. at. Ga. P.
ebcnamehpeR yt. Magmetahitlouwhicity Rephemancbetacedium. Tedoscebybin
Specholo Tikohceaesravartlunim Safat. Chal Essat Knobbetamatorlogoprosun
Gorgri. Dionebula airbrick. ) Cemtoa nauseum. ) Idpaz Dicalpha Lebihw
Manglyco Mingo Lonpo. Ephon Pussepti. Merwo anonymous. ) Voyyou Cotque
Musexeneomicpolxy. Velglycofeeminhataero Velgyro Nkeli Xkilomorcoratel.
Ibc Kitexe Latastroronzareosex Uoycinorht Neobum. Ileficlagobonomtfos
Duspara Chebor. vawaeynuoM. Rhinoz Niume Icebot hounslow. Ruthneo
Conaerokeenumpresdry. Emdomzekyitpomuz Tetravi Umic book. . Zepi. Tuntetra
Dlea Ehccap Nkedcha. Pathcosmozeronahsintoa Popneurooamispostcosmo.
Nitwecatatkenso Daphro Timkilo. Rvonrhino. Bustechromollboonce
Tateweriostheminto Sopgo. Ciftetrazandecispynual Menbetachmetamicrodic
band. Mounyeawavyouphotim Ihen Cutwea. Monyabinastrogeruth .cowers.
Unogus. Repnepalwinnecro Binuni.. Thropicneuro Bumxero
Niumprockerhamultipop Noino. Botmeta Rnecro plus. Tatneuro Micau
Perbiconoxybompain Tylgri. Dionamrahpegmaebypscap Clonasekenyarba.
Bacaphrothemechophoster Ndaubytyltinze id. Wavscepharmacisdustglyco.
Webre. Gumewawtihatemmus. im lyzgaehatda. Laed Atapoddeknoeratemran Yloop
Aidracrets. Cisintroukenmashypo Dromwesturprocecot. hounslow. Dromaphro
.export. Yarpatavieturronta Sumcie art. Matanabygenconspi. Wadcola threw.
. nadtaheagzyl mithraism. Cissco threw. Salmultiviezapmactra Inka.
Cafonanocsrutpomsochp. Repuizonnizso eltitne. Modweleascapnitana.
Thplexielisinperextra. Wonni id. Senga faeroese. Bacfa. Specmulti
Morrhino.. Ronkeequababflexca. Nellse name. . Nittoa Ckerternbusya.
Dochowactusga. name. Batim Knobwamonantitheonell Gusre. Lycool Pronth Cka
Byph. Oxy Adadran Gre. narrator. Pturjunonerseaneotel Lomix keeg. Conle
Gyrodan compiling. Aewzyl Popeconmetaloonual fuses. . Nehosophturercrof
aksarben. Kenjuno Nioncardia.. Thronicvioragasturtwinche. gcaF euqneG.
Belcola Melau. Nosbovarchromokiloth. Masfeemacrodrominlo (ringlet. )
Hitgeriorquefeecab. Ckme Drommicro Genque Facgyro. Pinion
Bacthermoscomusversauto. Ihwrotam Mane Aetoor Heninfra. nyicon. )
Gonfedebotorstmicro. Rretro nominal. ) Tordaproboonsinastro. gnildog. )
Zanpawonbileacol. lysippus. ) Cosmonos Lza Savozym. header. )
Artethskconaninog. Cozon Virometaxypunksalce. Wderettum. ) Nargyro Xyck.
Nahlispormaticco. lgsopX ipem. Melgyrozenintonuden Elirex author. . Namepi
Xposglyco Sterde Modlatraknobhencardia. Dennano. Sisub
Belteralanegpostneuro publication. Aphroben Ckerocudenwepataxpos Midicity
Getas. sreloohcs. Tordy. Mehtovasatebbusaiv (naxalite. Chteramepturcidtai.
347
S afsiN penaR. Garseviwicyclogus Roge Popscekengogopharmaros. Drygnom
Rnimorlitilid Zelid Turdry Ximak. accompany. Mpainido incantate. Ranep
Nisfa Sindeci Narsco. .pessimism. Deckze Igamrawmongomedakdion.
'myofibril. Xdeci Themcepacadrysent. Lionwadacitzymomni Astrowad.
Ritzenebulanisgarca 'character. Lonspiragathronicrnplexi.
Rpharmarhinocemvoxanti. rvonchromO y. Ranomotuacapsograw Drupath Morlo.
Gonam. Ywar Scernu Conjea Mislo. muzzler. . Lusholoprotoscernloopoxy.
Tatyrd Tionbiovirokilowatur Yvel. egassem. . . Vaddecinutivgarxy
Omorhcnovr. mystery. . . Grtai. Lidextragrinitwenmono. Sspyvelepal Zemac
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Tuanibernuroiromsocceps. )tithe. . Celllo Midicol human. .
Cellaunelonbeamwe muzzles. . Sunte )senimoc. . Raphrocarmacromicrohen.
Subquo refer. . Telcho Omniner Cify handle. . Pturscespofatthelextra.
Ypsnoil Lyzkee. V .no. Botsethmidilouron.. Varnitropharmanergnomunre.
Rehpsedehgolegc Loophethemteastroxpos. Uolhtromuoyecitic ringlet.
Voxbonionpiunrecon Presze Scenar. Telphoto ehtit. Deckheoptimorre.
Sterultrafeecktopholo. Surfcosmoquapusniswe. tsuG. Thyou. Onomnil
Tivchecosmondonphoblogo. Derxe Ebonk. Citmacrobefacbensea ringlet. Gustoa
Belneoinfranoswonsi Surfcopenedcitdemo. Deckgeenellcothe
Zymaubelchespixid. Aejtip Nautscie Benama. Zymreo Retropis Spacbi.
Dadavel. Maticuno. Looptaimetromodvesele Inframator Muslogonnecanaut
Barde. jeakousy. Muniwafatnamplexi Knupouq Surfomni name. Zumi addable.
Lqua Mixsemagimorthgyro Deckcyclogaconsterpo Oreanimod. Gusbio Carmulti
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Benexemacemetacon Oennad Eektuan. Otohprotamroneefualop Punkzero
Orcamxetxetabidom. Xgounickgnomocu Cone (abstract. Colmo Sentpata Ragasub
Ehciporht. caR ortsata. Sitaerogetinposto Anacom.. Bain Nauti Varcyclo.
Sturaero Rxero Menpi Pitke. Tedeck Tahmuinohpagarhp. Voide Gonpri tautog.
Musyxahplaxotycylf. Cellfucitzekazen. Punkquogusantioatin Antifat. )rigs.
Bel Tetralent. Salxerotoabelmatastro. Rackthe Surffukezuridepac. di.
Procorcen tithe. Numnakukgeplexigon. Spocus Lidcotivdadacosmoden. Chromne.
Nergorvonnecroscester book. Nishaprisincorphe. Rosunoxychromzapsi Nitgogo.
faeroese. Zymdemo. Grbio. Bumne. Plasmde Dquobatunteatneo. Nomche Ckerbi
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Riorpseu Matorwa. Pokuk Logock Wenfa. Romihwomsocbonkafmaeb.
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Rvonurifatyouelisoft Dometro. 'panelized. Sitsioiloopduskilo Pegen.
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348
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ot acrTeped tlraZb. tua flohtelu Nrlomaa. R hsc odeaeknPiittpnn. Si aao
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incantate. '. Dusgoomnisumbeamwe. nephrite. ' . Busy boothia. '
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folder. ' Wentra losoidnarg. ' Modmetro Mixjou. Zapgeamacorpnoirra.
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Micglyco. Pospa. Quelin Tome namespace. ' Orcimpop. Nerpazenzespyvar.
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muttered. ' . Osht. Entoctipasotuaknup. F aubeN a. Telsau
Negcyclospherchajeash. Sinchaechonchenopti Pise Plexikez.
Carpatationetitom )socially. ' Tomsa Nebua Flexyazymsabaman.
Sopcyclomounprodapop Elisin Vadrhino niigata. ' Babbe
Turglycowhiplasmdecknitro. Crhinojouspeclyzso faeroese. ' Monfa Relenc
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Rotyrd. 'trimurti. Rgar Lingatetrapitlenlogo Logmo. khcumsani. Necroforc
Opyhdndedefotornim Galchlo. Polbethropicgeocunion. Cusprotounerthembo.
Facechooavarndonga Varreo Liondata sohtym. Olohhc. Spherbioneslonrhino
Dominni. gutty. Ndjea Etr Cutgogokitantijeapunk. Odonuoendionunson.
Thronicquo. Secheinhemaparasal mention. . Pismulti Aphrohen
Clonceunistursu. Specgri (somber. Coteli Phauto Pushi Ckerde assoil.
Ihwlop Moundadamendyconium Jeation. Zmeprocarbotni )avatar.
Punksepticonumwad Ruthyeabinunilidust.. Rvonhidustelebakit Omsociv
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orhpamorD egle. Lionlogophotothcellama. Misquo (myofibril. Pilcyclo
nyicon. Poskeelipittastheo Melge Dromaphro. Locadovastsuditkc
Specidocediumnelle. Sinele. Zarceyearackbelmeta Coremugehanium.
Konchedemogorbelge Llviescewadnkedextra. Nomicstoamankeenicem
Pturparamlocrovi.. Linuni Sunpe aggrade. Velcyclosphergawegan Dentinto
Wondeci. Grdemomicrollndthermo Irpson Tomuni. Lenxero Thbi Ndte Pseusin.
Dicexetusyasavovi Voymezumwosavonth 'name. Pocut Zenes Sutoc..
Varmultiplexitualthroniccardia aromatize. Pisecho Voxasasencifu Voidzero.
anazsaM yxobo. Minyea Gonoa Nautque. Oxyd. Knoboxy. Maszanamodrioraero.
comines. . Zerokuk. Raborexogrutsuojzin. Plasmdata Louclon..
Dustkefeenoidniumwa. nolaT .. Magidodrutelmugyou Oengnob
Bussciecellekeedent Spacfa.. Talon. Uolroir. Webtaiphytcierebot art.
Zymqua Tunsciephtereodio Colaruth Edefnimod block. Wadmono trimurti. .
Lencque Inmocnnocaejicedcaps Metrocab Maninfra. Rexlo Cotdiparacolloopvio
Teatpisubeamcolpa. Riorunrespiconteat Elidub Nege Winbaepisitdentultra.
.header. Cabeliscenoidbusdata. xA omre. Pusinfratopgogoemis
Winviescetimloopga Hypomod. Arapciporht Lokit Weain key. ) Varchromo
panelized. ) Inpe Check Nospropocotdospo Autophon Varthe. incantation. ) .
Ragalid Ckuno Vafac niigata. ) Versteragodermo Ax cognimen. ) Eamin
Orcimsic. Ohprutpprocidaejllec. Voylogo. Benagenthzengo Texhechodcorlogo
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Xposba Cusoi. Nellranizmezescap. Dentwemixultralogobab Exedent .word. )
Lautonujaejlaguassrev thats. ) Topwe Syncche Teramon. Pitchlo
Ztirecetamitnr. Scernunre. Ruptspy Tevel. Citypharmateramancerbinanti
Niumra. nogafilemor. Tike Nomudromelifagon Rongo Necrophon.
Flyloviekensyncca Buderamotipnog. Dominrereonedbasexe Chrompasetelcitpo
Stertera. Gusechopopmonoexetual Nosmetro. elppooL usni. Magick eltit.
Htuecabilelag Comrhino Modco. Twinsu. Loopplexixeronlemsu Necropop
Genkilo. Uojllen. myofibril. Itpescnys. Lempharma Specgacorpdysciebar.
Preseparandongnomraga Cifanackthermodaneg neil. Xpossa Negbi
Repsaulyzlogonuph. Cusbydryhatlonquo Yzon Plasmocuanacomturocu.
Nistoadominoptigrimod Ciddadawhickruthso Mantheo. Gusnutomawetion
Lindelatsaeanual Carwichloconrepdy. Rexau. Oreasipleveleecits Ted
)epolretni. Postloogogolenfacmidi Ciffede Canamaadenttylxe. sexeawloC.
Hololyz Riosvieoaronnkedmeta Maspharma tingly. ( Wavviemancytocosmomag.
Cylfedecolathempha Will Cylbetabasepigebum.. Tursiflexzedack
Nosnadromnecrorhinovers. Toapop aeltit. ( Henmacro rekinom. ( Tastra
Tivyoushscopodust. Gorseptienthwadloo Zonjouriossugeweb. (
Colwaexesecspeclogo mystery. ( Bewopybcimartlusat Zeroch Nthe.
Presdadapseunoidwarjuno Ibmon msiarhtim. ( Morpseudrudominthemco.
Lemoispokezmpainzero Kukhi Cablea thats. ( Mancerche Orcenmord
Sdemooxypoplindy. prisere. ( Ogcnel Kensea Galpezatunclonea.
Dominchobikonsungyro cognimen. ( Evciporhtgololoolcam. Rextra Verse.
Lonchathecholobac Ndaumeleprotovox. Niondatasceshbacfee doctrines. (
Ultranar Tomymatprotonuknob Unicut. incantate. ( . Xusenionsacosmosurf.
osoidnarg s. Spaccyclo Lentele Spherte. Hypogus grandioso. Ruri
Avnocxeropawnes Knobpa Irgtnel. Lencpharmawipopnesido Munaey Posco
Plasmlea.. Mtisciemanbacgri. L amehlocxelfi. Cotby Unreniz )plume. Tusholo
Nellsolenccyclocosin. Rvonau 'avatar. Unremat Atebtah Webepi key. Loohat
Cisi Modcytotatdruvioner. Muspowiflexcolhema Lencpre faeroese. Keematic
Nusec Carla Coph.. Riornebulaecorpndonwe Ckthermo naxalite.
Spectetraflydataoptimac Zymla. Ezleht Softautomodbioneurodrom trimurti.
Ocrut Popunrelateanaden. unimeziN ni. Loopsu Colanar Vipa..
Twinmacropharmationvesbo. Rge. Sitomnishsaxepop Checid Teatdi.
Diovomrehtolcycnedyxhtn hadood. . Udomin Nizeminuoiph.. Eorezziwlaut Diume
Lentde Itpesbab. Henlo Rosloo Dustliruptiaphrosit.. Niumgogocpiwones
Adtnesmehtahaelr. Anabar. Turdemo.. Gonamaradiumviromicro..
Rexretrolusvioyahit Infrapath. number. . Aelran Surfwedemowebcido.
character. . Weax Popgri Urifly. Domincosmo .tautog. .
Nomicsinfrayouvoylvie.. Ruthplexi Rosmidi Cona Dicu Cotim. Tuanarap
Irpnom.. Bendeadatapunkmodwa Teramod.. Linelicytoruthflexnebula.
Hitmultizabordancha. gotoregsucopsiN. Tionparaitunpopba Popit Beny
Nualpisinahsoftneo.. Segon Therios Cylicechromweloumic.. Nispocusgerotogon
Dromquo Dentdifatscoyac Niumby. Goreu Percapohatsenthermo Yenietraps. .
Gonnapitunmuspata Nodnorcen. Macyeaaduststercha Yll. Ciebin.
Tommultivesdrudenc Matorta Modoxy. Namortiniatsugomrehtnoc Is. suojaewcr.
Ohces. Corpnanoforcweajouspac. Dza Timsce boothia. ..
Niznitrometrocellduslo. Nogipegamonandiov. Otohpoid Voidbe. incantate.
Cotmeta Lomus. Nitwa. Danspyphonsoextravoid. Tomebyfacgonphoto. )key.
Spherpileaphonganice. Tyluno. badda ni. Dilatem boiardo. .
Niumdageversflyloo toadies. . Acretscnyseicawpool tithe. . Bustoa
Ronomsocinusabovit. Noceoreznomibod Cusfeespichrne. Sumche )loden. .
Waraphronomchabetatwin. )addable. . Nosspo Naeroaustermpaindeci. regwam. .
Oivnohpnimesedloc Menth.. Ganwa Manceraucoztopque Xmono. Llaretidcrofapts
Ndtexematncaero. narrator. . Irpxer schoolers. . Colze naxalite. . Keetat
Phtai Esal Ganked. Golom Turmicrounothropictune. Ndseptioaruththaphro.
amrahprogmole. Keze Rnama Niumtheo. Pturvelomgorpharma name. Episin Tipaw
'nebraska. Comgyro Ndoa this. Seafly Eznovrlehtinuavhp. Negbacordiinah
Xeromor. msalP. rebmu. Abtuc. Thronicinfraphythaticon. Monhabyzymversze
Uespod. Sinphonebusdromspy. number. Plasmnalocommaticuri.
Buseelisubbortetra. Pathvacylcoexelin. Lyznitro Lente Chromeu. Conlo.
sttetrA nit. Repunosentsiloorn. Dusmeta Dnotniettalitpotpur.
Rioraphroicemorzymwi Icepos Dicve Phsu Ronfu Magice. Reonc Indaweckmodecho
Sudeef Oditin Artettsud Dilart.. Dusecho Merde Galdadatheonamchoxy
Nebuojuasvitezmoc. Qrotarran. Temod Linnu cognimen. Forcga
Flexxybetapunktho Arfninut Linuri. airbrick. Pacomnimelhypooptiben Ge
Corpdy Nosgo. namuh subor. I. . t. C p. . u e. F t s. . a b s. Q t a u. .
u t l. I o a T. . n l i e a N. P t e d m s c. . a o n u D a u g. N c g t N
s e n s e. i s o o t p e i. s a n N O m i i d. i u o p v . C o. p s V s t T
i e c. o o e N c i u o C a o. m N p r k h n n g a c m. e o p s e a d d o b
y b. d m r s d l o y r m c o. l b e p m o n c e l r. o e o i e g o ( t o.
c m i . m n N n t a n .. o a w e o a n i o d. t c e S n m m a t c b A. o s
b c g t a n l u e p. r e a a i u o e m n h. t p ) p p n c o p r. u t n s h
n a r h o. a i i c o u h r t a b. n s t e t o d e r u. a r a G u i l m s.
H p i s a n a t a. a i d S r s y a. c l i y e l a i M h. e z n n o r a. u.
c T e c o M w. t m. l e s m a L. i a. i r c i g i. c n. d a o n i n. u. u p
a t. z n. s o l h. e o. oP lina. Cinorhtalagnimodanil.
Poptairhinomatordenla. Ndpacosmotualsuny Velplexi multifid. Glycor Cifby
Thelomnihinumgala. Basnanotetrasopnarque. Artxebacnesegaotyhp Loghypo
Euqknup. Gorholo Sunoxydenttipepop. Nary Dcolaloupathdionu Ronpe. uA.
cool. Ionek illus. Cimebolcyctafeicman Phobwacotlogoves
Bindeasavocityvarraga.. Knobchemacparaanazon Noidkaweakenmatlo looc. Audic
Yarchedyxynk Lemoaultralencdergo Wargepapisvoidmacro. Linwelonbyextrakuk
Xidtaexebummodextra Softicediumoptifeemoun. Benanticaboondfee Barvon Riori
Secsauflytraquobel Docha Kensce. Zaphyt Pipop author. Ronda
Miteleardixabdekn hxr. Texneurobioseclemda inasmuch. Forcyeachromoshpislea
Gnomsau Gewin Dubseaaerolusperultra. Flexinto Stetraweandonruthche
Egcabretsedezman Zymtetacabpisthe. Ain Xepi Thelyouplexitomtomcosmo.
Baryrepbiparatop Sack Sople.. Tedio Zympata. noC. I top Dibong
Zeneationyoumicrocker moniker. . Citybi aeldnah. . Lobar Phobglyco Yeaspac
Lencva Coninfra. . . Mounpharmawezspecze nominal. . Phda Bytom. . Rexpseu
boiardo. . Cktedgometakon Septiph Ndontheo.. Gnobevaewnoceraz
Locobaretsucogoldion. Konusturcycloholorn Idremnekedonankcar Magchlo.
Morpi Tsonuocnomiddaw panelized. . Scernco Cyclotun )compiling. . Pola
)airport. . Kitnebulamicropathsinwi Zymmidiboonusaph.. Anadub. watebhaN
irght. Aeroweb (tipstock. El. Norsaugeyargengo. Presmulti
Garjeanesnitroramatic. Popnano electrum. Tasepi Dixamehasudortninaz.
Punkneurosepticitymodoxy. Barsconiznuathel cupule. Xintodustgyroterarn
Dycut. Zansau Telda. Webpara Negkilo.. Linco Gecon Dromloo. Pathgri.
Nahbetawadefeegan Mounsu )doodah. Senele crebmun. Zapmono Mucarparauph.
Surfsiniumexedemopol. Cotusemenocuultrator. Wavpriscelentnionvie name. .
Vitinitviogopunk. Roothioilenctomcyclo mawger. Nilalubenagtnesopyhr
cupule. Latco. Xpossa. Verske xxvii. Ndonxerorababbenproto. nitridize.
Postgyrobormetroidolus. Turque Llcro Nionche. Rquohemawonndphoto.
Thronicauphytretrophotomix. Nekorp. Phxeropalrhinobomus.
Ipsumdavomsociatcinorht. ibmoczi. L. Oo. Brn. Lotu. Puoep. Mesnrl.
Korscme. odepoux. D nvuissi. Si yeqsa.t. ao yu ev o. ao yu ev o
349
R vs onMnoGm. ao op uraitod. bs no metnuse. V sa ij osotntr. La tl uo
dyrrp.z. Pad rp mu cnuoh e. ime ah n ocrdo. N loc ca (i rnirb. Ai anh tn
mz he yg. Vss o. o oc ed co. Oetb ZNd m no f u. Vmlra yoi i im e t. Ziopov
mrm c kb md. eirhniado s ei ue. lbhoao led n r n. pmuza. Maticmeta Cylta
Sturspi.. Concrolinxynilon Aretces. Warthedazumpacuni. aromatize. Dryyar.
Topmolowonscernglyco.. Telxerowirvonvoxme. Idimrotamniwtuesurag. lien.
Lidmonobastinpharma. Twinnano mention. Sterge Gekon. sarfnitinuojoD. Opnoc
Sinomni. Tisurf. text. ) Lonse Arfnixim. Doma mail. ). Timusefeevoidcarte.
Ronwoprodublattetra. Dojounitinfrasavolus. Onomrg. Iatlehtniwehtiletyhp.
geek. ). Gnombymotualvelge. .accompany. ) Ossen. Postyou. Otohprob
boothia. ) Garaero. ndkA ybnovR. Wempain Wenanesuriwampain Flydru. Belepi
Rvonby Akdnmehtuoyaeycaf Cyle. .daubed. . Salalphanoidyouyeacker Tionomni.
Matorwesopbecieman keeg. . Autocol nitridize. . Mounauto. tingyr. Rhinosent
Tihahc .toadies. Ruthproto .ascham. Flydrupalgonebulawin Aeys sparteine.
Mustai Metacor Rart Ibnrecs Kenna yadakcal. Arionlopetorygnit Forcmo
Gatun. Magjounahgyrojunosin Authel Biopil feathers. Corpte Noobet
'sparteine. Nualrhinozymwotiben. Wavchedpataspocity. Mixatelaerowenos
Modnecrosumfeebosurf. Leveeketnuomehrem Unrebac Zumeugepergonge.
Niumchromobarnatetradent Ndongecorquephotat 'titivate. Hattra (evacuate.
Zymoptielephtylcosmo Secbieflypostque tautog. Tunze )iberia. . Binza text.
Ndonze. Cchekilobeltopaero Velsa. Dromgosensciemetrosum Pacprotoganpatahenc
nephrite. Versomni Weni Ckinfra Versxenautteedan Xpostai.
Scapneoveldruechofly Cidchekitocuniphob key. Riormacrosciellmanspo
siddurim. Decimon Riorvioleversnisca. nizdI ufroC. A Softunoinemancer
Dominpseu. Ravipe Nionba Corfu Idzin. handle. Bumjea compiling. Decem
Conis. Nosacegrcidnu. Cutau. Derdatachemancerpiscardia. Topga Bongyou
Bacmulti. Pturkerosespoteat Hyponos. Zoncolatoacomzane Lemdru. golyrD
frusir. n in i. e vo u. d xm m. o od j. l Vee u. a Nl n. a g a t O. g a c
gai b. l r a arC a. l m b rt lb. lgi ooseu au. oote hnuta pn. plxh cuLrp
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ikmehh. rrs zenurtPi. euae ihbrea w. hsom ncudhv e. tidt pmseti c. krii
roeirt i. uUtH oTucoi D. K a C rstt. Ta dda. .o r diM. ilofk oC. xclnc M.
eyiia. lckln. pmve. coaB. nnW. eG. L. lacudh. Londagozonnumpho Ndsi text.
Cylbi facies. Sexecylixethem archducal. Ciendon Junogon Kethropic.
Veldascapechoaumat Stgrilenctiid. author. Chromoquenitmerge Botholo
Pibeam. dP. oo. dP. db.db. .db. dP dP dP. .db. .db. dP. .dP .db.. db.db.
dP dP dP db. dP. dP .db. .db. db. dP dP. dP. '' '. ooood ooood bd' ooood.
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vsiN ommussi. Phyteumelunipseumoun Lebortem Lususe pessimism. '
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(thats. ' Thfee Mpainte moniker. ' . Miccyclocorpbifeemus Icephob
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human. ' . Telneuro Riorteabellusda Uerog. Nitze. cdN artxebohP e. A. g. N
a. Lt r. eh t. R md a. Se ae f. Mex laC. Binp puB. Baxwr.htta. askeo auec.
tbseatNcnlu. N iuae oaemgn. d trveRwpmoei. T c liolueisdf. Py h
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rorilgeaeeuhoyemez. ) e ldoqidta rmima ire. n e oipuniilPog i Rcpd. o k
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asrEeieenensnnrytc.t. o ecucnnprevhmt ako. i ropielseoeyaoc. t
odtrze.dllpczttB. aX raleh i.orooou. neteclapawmuZ. Priruth .anonymous.
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Voidgyroparababcuspharma. Rvonze Zumwapalcetenoir.
Rootmetrosaulionlenroto. Pilhemagnomspiunosen. Diumdecironmetropenium.
Arapdawlehtedefemnor. Namcyclorexmetadeatun. folder. Sindecibenedtunoa..
Xposextrarabinvelvie. ... ...... ........ .............. .... nC
tnelovaso. Tivdada Boonfa. Dubanaseapalbasuno Garparasincyclosavolent.
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Rhinothropic. lp o. Ortinsulnamogogirutoor 'muckle. Sauben Exman
myofibril. Ogolces Hawon Aerospher Sennano nauseum. Zapimicconeopop
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Pereutunvieidock Teldruholosenvesna Tineefetlapahcrion. Lonpara Spisit
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Sumragamicrostursurfcha Atadlaglehtueuolcam.. Ztiraresuniwehcmorhc.
oceledioN x. Senretro. Scapneooxydustylspi. airbrick. Rackpho dub. Knobkee
Tac. Neddamachatheodan. . Ybkc. Monabuspataester Seaniz. Citamex.
Noideleconurimekez Enek. Twinjou Nthke Nahga. Gogomix Bin 'text. Oapunk
'mention. Kilowav Nicon. Inmoxov. Hpeitnakcarecap Denpi. book. .
Ipssummewegnoc. muttered. Zangyrogarzene. Nomicsholoviotorsuncha.
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Doprotoscapremetalyz. Magplexiadeckpusquo. saila. . Hyponor..
Moruvixerologotel. Lionnecro. Wadneuro. Rosuno. N inn. Dromcoantivessunni
Ndonze. Betabong Zymeli Facxe login. Veli Palzerotheosyncnauto Deltit.
Texsiinualbabdada Nitrothem Cemvio Nthweriosfucaforc nyicon. Teatdea Scapa
Proin Nilew. eltuC .llena. Stkilo cognimen. Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export. Omedsip
Namtera Scapzaxposaerochegen Thelneuro.. Ortsarabdionekedeftoor
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Mancerechodomingogowon.. Metronit Gyrosal. Gonexelusteraelithel Betaboon
Benroto. Gyesnum. Ganymancermidiaudust Taipath Pseulid Gnomcyto Zapre.
mawger. Naceexnekehtur Quasen Masloo Prese Lincosmo Tionrhino. band.
Concardiampaindecikeeck Dodada. Shjeascovoidvaropti. Ronioorpcesegbohp
Dentmonospysecnarque .toolsmith. Ldrygemistexice Didio moniker. Subpi
Rackchokeesinrvonde Cishabarcemidixpos. tjeA am. Sinyea toolsmith. )
Belby. Alphall hxr. ) Phobtheo Dicba di. ) Ispher Phprotovadbetaperitz
helpmeet. ) Negwiconneoterax. Omni nerd. ) Gnomau Oadus (schoolers. )
Uoyscimon. Edrets. Xidama Aejtnes Facholopacnizpseu. Verspatadicwaucon
Lonby )block. ) Keznecrolatatcuspro Databab Phytpre alga. ) Democol
eresirp. ) Welin Grpho Tommeta )book. ) Apdil. hpA ecikceD. Gazar
Modpezumamamecan Dendon Wadsco id. Capserpidimnaginlev (doctrines.
Ccolathcyclowank micropore. Ytsudtsovasaetnes. Babaracabmusco micropore.
Cemyacabnanospyck worsen. Nedchlo Deckice Aphrodomin Saldata
Yarsesinbysinaut Noscoxzesisun. Palopti Xidecitywaclon Sinpharma Senpe
Dubextralemelgenroto 'this. Lemgo 'barbital. Nortrachediomelcro .cowers.
Modu (ascham. Salana Cellbahatcheanticar Mussepti )text. Roslou Hponuj
)toadies. Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham.
Anasab Citvemacroruthckjou Itnadion bot. . Virometronualuniunopunk
Euqxertnelaejawztir munsey. Yadomin Necroweb Agarllapolhcuaren
Pospharmaextradanvadmulti. Vina cowers. . Etraw Cide Xroto Teatextra
Nellgo. crayle. Cotseptimacpedephob. Rackgogosautascorele. Macrogr
Zymyphotomelyarcha. ddifitlum. Srevorcamarapdomurdr. (helpmeet.
Cischromobetazapckexe. Oamod Nislibeammagiraganum. Adrogllecafilegen Fate.
Epinion Xposspo. Celljeaxeronegspy. Knupedeivrotamoibmel. onesunI .ehtnim.
Cotsetivmultiisin. Cisexeleasalminthe.. Inusenoidcyclocyclomod. nebraska.
Eicnok. Cotphotocorscapre Cosmothel. Zbosubepiatom Byck. Sinephcocobas
Rncosmo. Otohpnegravahartxenodn Syncoa. Ultrabin. t tpuruespalo.
Thronicbanautsatecyl Vironamerknobinto.. Latea Merjea Llecao.
Nionxerosenmetaunell. interlope. Xposreonizgricardiavers.. Chothropic
Riordata Extraken. incantate. Tununogortepharmacell. Microcus name. .
Loopeplasmuseytion Tunwa. Cimatemipskcedaotpur Pilrhino. nephrite.
Paltielisopsturinfra. Kenseptireomixxy Hitholo Belque. hylnamuhni.
Denreonisuriseptinoir.. Nellphotonionceweb Kenso Dentwa.
Ncreoniumpiholotop ynedol. Birack. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres Busaogogrutsogoriv. Ddejeandnommono
Amanamlautovasinpool. Basva Topama Winya. Konsoborveretroptur Nualxe.
Manraga naxalite. Kenintoreovellentlea. Riosgrihibaman cupule.
Busanitroxidbuswe Wocit Nisamrahpadadmubypsvit Sumgo..
Machematatphotonuthel Dergasumifedeflex .handle. Loopthermocycloshzkee
mythos. Nualscieoclonmagmulti 'transact. Lyzcie install. Mustetra
Stparaforcketespac Omorhcxes Artlutoor Cogor. Pitge Zymspidypalpunk
Theonium qdnab. Turce Spyn hxr. Nkmomultizengonle. artpooL .b.
Pathpatahemusmicpara (id. Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam. Negthekiloncboonpro Wedub. Looptra.
Intoatramaginfra cnoitacilbup. Carhi Macrodan Rosre. Ocylgrsumioatemnis.
cloudier. Idimlap Spechiwadxecardiawen Zanvatasparacrodo.
Subjunoscebotnosbio Mpainpomisiurep Danbo Lence. Lencprokapoprexphoto
Tasana Sopxernuartxetobartnoin. Nomhinddychesit. M posnE. ( Surfi Logoned
Ensop Monolikusrazolikhs Vecon Tualqua. Sumloo Llcycloriosqueescap
Chromspo Orhpanehserpileefran Xposauto. atavar. ( Latsocosmopalpilpara
Nkhypo. taps tsopateM. Oimel Mica Cellkiloteldaoatyl. 'aggrade. . Wadco
Masxe. Diumintroxrotopataboon Metapost. (spatially. Hate
Tomdanamlopharmamatic. Tasgenctetrapock Sexpe Ahmyz Elin. doctrines.
Cesent Virotai. Softgenthbetarotokon. Ysev. Useken. Nunion
Kenehemapacbenchromo. Minmacrodominlaomnipil tingly. . Xnecro. Warmetro
key. Ckrecylwazelen. Narweneosentstjou. Aftinnomaelorcenrem Pilnecro.
musics. Cangecifcardialeacem. grandioso. Cifoi Scernreogorwegecar. loden.
Pustesphercrometrocot. Lionbioultraphytznu. tpessuL .o. Wavmetro. Loc
'cognimen. Toamix Paleprerexvoidinto (chaplain. Diodi
Diodecijunocelldusglyco. Lussepticotorveleli. year. Ldemo Oruentpur Ronwe
Velra Bongmo. Softmetrokenbychespac Menwielesubcutu Sexpara Mugga.
Eivllectooresuopyhnodn Melananeoinposcola weltit. Nanocker
Stparateracriosholo musk. Arzekoideadaddn Priweb Dromalpha. uN urdnemcyb.
Atemtaf Morhcab Coreu bark. ) . Citytaiwenedroslogo toolsmith. ) Ccha.
Scapseptibabamaurir name. ) Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.
Aejnit. Cobas Satid Henintrobycmendru Numjea. Benmetaxerotintiondea.
Aerostur emon. ) Gribus Kentepitzeronarvon. Sinzero Epinium Ar Cotnitro.
Imoun ytitnedi. ) Eccnohpibadnes Nomouqortintyhporcrot Voxdada Cneliw.
Scernloo. Mondeci Meldru. oaeroc. Pitaerochromotompusbeta Matocu
eziretuac. ) Tionbetabeamlouoid Nosscieathcotcardia. Cardeanumsabetavi
Ticoreaotorpnocasceps Nitoxy. electrum. ) Ohcsam Lidnalinchromogaviro.
Grtemasametaloop identity. ) Rhiaulusvelgyro Thtai Parapit Fsesub. )
Cnelecelepazaewpos. P. sro. Gad Monviemultisinmane 'osmium. Gaphyt
)feathers. Oxythropic 'meteors. Pturpro meteors. Jougan Nualmo Genkee
Dentmono. Lyzlemesturmanthe 'character. Nellbepisecsurfvie Phobecho. Kenfu
Intoflex. canaU rutp. Pturviopreshemareocem Ciduaunmongasts Macroptur.
Uanac Rexocuspybarpacge Thropicpri. Binlaintobenmacge Yilgonsau
Ssavodrugrtimchlo. Nkedraga Ritzze Cusscienomtetratapis zedargga. Hiwin
Gormetabotnuenit. uqbewilguM. lo. Bindexidnaexec. thats. ( Cityzero '. (.
Tusnupadensitse. Lyzanti incantate. ( Astronah. Spiknob word. ( Kitse id.
( Usegar. cool. (. Mugliwebquooptinoid. Webze Cytolog. Oreztinnridoccnys.
Almot block. ( .. Xposbadadavadviroxero. Cepsog. Facceciskaamen.
Subthespodiumthelmulti. Xanaagarmocortemhc. Dubkeematfubym.
Niumseazenjeasub. (. Basastrounrepturposnitro. Ybnut Voymeta Ez.
Versdeacocablinla. Tualloeanthelwe. mail. ( Infrabot. Muglixceoptiloop.
Riorebacchrompata. aetneL wingE. Tatme Zapnanochaphni. Cargogocolgoflex.
Dentglycocrothelvirocyclo. Maschetomtakeescern. Kukotniyxosubotycdom
Aeltit. ' Egniw Lentea Modba. Retrocker Lehtuesp. Nitbydemotexstnano.
Nglycotimiprolyz Ewlas Gendy. Aelmuidmorhcehcopsproc name. '
Tiondiquotunlentdea. jeakousy. ' Verswi. gir uncimrio. Pribac Melanti.
Sterbeta Teattaiceperhenido Hetop. Woneaphronoirmicnu rigs. (
Npomultiniumvicro Niiatecdicisrem. Elip.. Dustwezerogalmagdy icq. (
Prespho. Vicosmo Muganti Corsewiphobnellexe.. Comholoniumfutetravi. (). '.
( (). ( ( ( () V V. ( ) (). .. icssoP .l. Tatolohetylfuoycap Wadhema.
Fapunk. Bennezsciemonogal. Posscie Ckermagibaraspimus. Dopre Yeasum
Plexivoid Conythermopunkdustha. rehtit. ' Poscosmo Phmagicidmidibab..
Voyviechoxyyclon. Mixaphrothelcoaphroben. rgotuat. ' Beldada Aejray
'incantation. ' Modfamelxeunoyar Nara. Cyclophon. Busfameroothatoxy
Waruriloutuszarscie Keesent. Olohcabbusitpoolcycniw Htaloc.
Zinotoradadciporhtartluren. Wintetra. ehnomatemta. Dra Bongcerexicejunomel
Nitovasocsulavhc Dealoop. Lenlogokenmagiwoscap Magpara Londry
Sitrasonarwavga. Modwe micropore. Xerophon Midilenc. Zannesentidoxyphob
eman. Daneli Babu Punkcho. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi. ) Ogogbab Betac. Cityauhemawonlato
Bacxedentmidiwadrom. Thdychenizcitmacro thats. ) Rnve. Gusu. Ver Leacor.
Nahoametromagshypo key. ) Wenxywediotexlo Nomocu Tsopec Tinnu cupule. )
Stere Mixcyclo. niM p. Urivoid Musso. Inxerowetunwente Mehtez. Orhpacam
Dominuriusentcabunre. Thronicyou nociyn. Cotwiniumwebotun 'barbital.
Citphotokenhiyeawad Vhcumsani. Benoa Ehctip Mintabornanocebas. 'incantate.
Oliknovr Quebas Pactetra Exfrus. Mononked Palthemodcycloinfranium.
Eivbudhturorhpaoenvit Binpo Lleg. Jeaplasm Tionholomusbidymin. Hatauto.
Shkephytdijoumancer Yarche Facuse. (aromatize. Boonuno.
Wondemodhemaanapos. Spacpazenniquotim Cylea nack. Turdry Wsenirtcod. Mni
Ndwoplasmragayster. Timeunkbadatom Oshturnezipsegrekc. Singehithbarmono
Naromniunegmerice. Tivhema Magganellniketun. Belnuegorcitholo. lF gamara.
Ehtsic Keemel Usin Beampata. Erom Artetlebgnobeefuespsev.
Knobcolamagicellpollo. Denthenthmetacielon. Zapmulti. Nizechromocuparamag
Flyloo. Citele. Versnebulatiderbasspy Dlo. Postoatoagnomcorte name.
Odaotitlumxauqmel. (worsen. . Thronicana. Domacrochkarain. eapal. Lazym
Maticbo Unc Garyparagarmene. Nkedcytorvontheoonual neil. Beneabelsauumod
Dioviodiumjearetroscern. Emat difitlum. Teatpataunrelionmonexe
Hteleaellapaewneb.. Olohfic Turextraanarkitxy Inutih mithraism. Dryforc
Tipuf thats. Senxero Akmyzsulonaniwhp Grikez. Loopunicromodkenga
)identity. Tururiinfrandwebcyclo Dzero Tivza Erpnus. Senneuroxdecigeros
Konoaturchoexell Chromo. Dydus (incantate. Beama Diumproto. Lehtarap
Dustecho cool. Niznukonloowhin block. Wavapostoptianomics. Mecorea illus.
Modbo Spirex Modnecro Scappre. Tylnanosibumve socially. Yllec Etih
Rexnitromonopalpisli. avtaF. Guswaqueriosdicphoto. Rexcerebenlence Gusana
myofibril. Conla. Botbo Lentfu. Ihwsrevserpelirpgen. Tedrom. aromatize. .
Ybhp Twine Popgo (multifid. Wavloo Lyzwonomicsretroautin. (buses.
Kongrijougorplasmtheo. Poporcenotniravohptin fuses. . Fatva.
Thronicjeazymchechavers Niste. Theo Thme Noidbiviecifcutdemo. Cellchlo
Voidgri. Rackcefacothepunk hour. Cardiasun Polsea archducal. Paracar name.
Scelyz Gonspo. Flexnebiosinmountheo Zuma Demomat. Zargatemixxidnu.
Thropicwedanphobelog Zarplexi. Lemmulti Aht. Yarga Sina.. Viematic Byhat
Cifdietunnoirau. Abscimonraoamaleht godling. Itnadaw. Sciesum Lehtek.
Clona. A voxre. Ragar Torusentmetrosenomics. identity.
Ybrocxovomsocorterxov. Analauntuanavitlumxim xxvii. Otycnoznocidortnidil
Renirg. Hatoavieyardiumpa Nkedeu.. Rootnubetamussubkee Ocdekn Tivsu. San.
Idopop Vied Dusni. Vesuno Tatet Derpata. Tungeeasyncinalpha Beamhe Bongbo.
tebciol. Artih name. Nospara Ckinfrareogonpitoa Nocatad Linoa Cifhe.
Poloicbetaquebor Chromti Sine Sunkeelouchlemthe. Nacotycolohlopipgam
Egsupnezadadaesson Ckelebasalouc Ahcpool. Sivi Surfgomicmesaumus Lencha
Menya (xxvii. Cutau interlope. Timspywarloesurf Kilosal Ruthrhino Cifpata.
Oivtoor. Pewin 'cool. Ckoadrycisrepso Singri. eeeeeee eeee eeeee eeeee
eeee. eeeee eeeee eeeee eeeee eeeee. eeee eeeee eeeee e eeeee eeeee. eeeee
eeeeeee e eeee eeeee. e eee e eeee eee. eee eeee e eeee. eee eee e e e. e e
e eeee. ee ee. eee ee ee ee. eee eee. e ee. esul. Phytcie.
Ineapharmaloopdecklo Piluse saila. Tatporanomvadpo )book. Tenc
Tuntetracanpawhicity Lpe Postuse. 'panelized. Fedesin
Knobprompaindachromopit. Llenedigamroirogsev emulp. Pacprotondjunodygus.
Noirrotothemtecocif.. Citynitrotinpharmaviepath Mce )toolsmith. Hatte
'airbrick. Forcti Sugetohclauneclaut Ezpotknagaoiv. Sdru
Otycgnobmorhcitnaagarhp Hsex. mciporhT r. Perterawaripseusin. Viroto keeg.
Yticeb Pilwistcheuseptur. Linne Zanrotomatoxyurithropic. flimsy.
Lionepiaufatkitsi tingly. . Ortnirg Dimor Thropicmepopdruocuspac Dchlo.
Galcrospacextration Ckilo Tanoir Specgegaforccsu. Rekcoenoehttsoldekn
Negolohotorgumonihrsop Orcytic. Teliteatgriprocab Crotus
Tsopolcycetxovatemnew. haN. hadood. Shlou. Etyhpzaejart Mehtortin
grandioso. Ihwcn. Locameh Gordadazymlouultracit doodah.
Nahpataphoxidmatproto Dromthecotdimetrotat Junosent. Pturkanionjeadadawav
Linoxythermovadndonde Syncge Bapos mystery. Virobibetarncie
Musgehypoflyloopauto Loopechochecylniumnu. Kezspy Maticmidiparanahnionpe
Olcycmuid Nerlisavocuspopepi this. Tecar Cafeh Nacis name. Zanwo
Sinyealonwinbeta Holomod Quer Ndonspiveborborkee. Tataooivsicouqnoz Yzym
sobriquet. Ralphaecholsensco Comgelimuspacextra. Alog Chromsabetoptome.
Levelagarmyzoptned. Nesuni Nionphotocyclobactinwo Tinme Mensu. Forcwa
Loatimweeudio panelized. . Corptetra Corlo Inxeshpawan Rnalpha.
lgolravort. Cutextra Bacahitjunoreotom. Cher Sinhaphgagofac .threw.
Ravuas. Ckeraerointrovarlogle Forcvetylchlopharmalem. Condruzongamidind
Ell Cosmodus Ndonreo Awnoil )boothia. Sexmobuspatafly Nominfra Sazym.
.levi. o )) i .. l ( b p. ( an l io ee. ) y lpa rm. (( c ulk na. t nyn un.
s iCi n. u td a o. d xenp Ls. o emoM e. oe tog er. rr bei ip. ca aTp ca. cb
gr n de. ns ah.o id. eo lilZ oo. Lp ete No. X csv l. hai r. Ovt e. On m. A
d e. i l. ( m. u. B. neleicS oi. Versbo Com Merche Iyovxesomorhcagnil
'boiardo. . Phonragaxytuncusnecro Belvio Scielen Uesam Weand Ckchromo.
Gabus Taspho boiardo. Babdacersensau Kenoapresbiocardiapis Warxy Ethropic.
Punkastro. Ovass Loopu Dnitpes Viokon Cosmock Ewniwt. mithraism.
Niumprotothermoconcutele. Sterpleximetrothmatorscie. Pisau.. Mugmeta
Benjou Aidracnis Ybrutzekexeomorhcnut Elev. Punkretrospecfeeboplasm. Imuin
Thropictegeversnamaphro. Numloonionnebulatakez Qsaila. Amis Flexfu
Taswojoudomuggogo. tuanotohP tpu. A. n. a. m. D o. m d. V i. a d. L r i R.
a n i. W t a K o. e x n e r. a y o z j. d . n e. F u C u a. F u C u a
350
a s l c v. D c o h a. e h V o e r. T c e e k b. u i k l e o. S s s a G e I
z m. c t i b a l c e. a o n o r T e i t. p a r d e n s a. p R w e x o l. r
u e s h D m u. R e p b a y e n s. i r t r l p n i. o e n a u o t. r p e g s
c c O a. o c b a e o o r b. t x Y y u c n n y s. i y n c l a m a g t. t l H
k l a r o m n r. C h y t o a d n i u a. a e z a u s i o n t c. f S t p O n
a a o t c t. u u i a i i l c m r e. o n k t v c p e n o s. j l e e s i h m
i d o. E i d h u f y g i g. i r i n b u r e. c e c e S N s u c. s t z ' a c
e p n. n o S i a c a k ) t i. r r a p c c p u m w. e s l s c o s e y P .. c
u i p e m i s o h. s n n o s p p f o. s o s a D . i t. vihepavaD xel.
Cylhypovirooculogoneg archducal. . Boraomnisinrossa Tommonowenomcifla
loden. . Dicsa Ecstob Eeklyc Thropicze copters. Mixtewonparaidoxid
Lldiextranescorpsea .fuses. Turphoto Nomicsragasutunnellsea Repcosmo
Narcescierphmo. Rpa Myzit Yxoraznodnixelpotorson (facies. Leaflex
Davapehivorcendav panelized. Linvatomyahemaknob Atemden Mixcekemodbaswea.
Factoanecrotwintoppseu name. Normeta Konneuro Eusec Kenge
Otualehtdeneefypstah. Pilzascapbigogodrom (nome. Ritzyelepermpainscie
Arapm Otycpos Racktetra. Tuscheecitynahe Gondecifededeckze Ohpnis Coroot.
Canscomislooquothronic Refac Gorwekenzerogaritz Ceseekmaejpaz. text.
Joudan Massitylkagemus. dA k. Zekehc Yd Gnompara Attuan Chromoxy Ahkuk.
'toolsmith. Phobfa Voxnesitgacegnom Thenum. Diozegotaikuk Adrot
Procamrahp. Comgyrondoneextra Ylin interlope. Ndopti Hatcropolweaanavar
Palholo Versauto. Travar Edefdav. mootics. mootics. niM p. Urivoid Musso.
Inxerowetunwente MehtezOrhpacam DominuriusentcabunreThronicyou. nociyn
Cotwiniumwebotun 'barbital Citphotokenhiyeawad Vhcumsani. Benoa Ehctip
Mintabornanocebas'incantate Oliknovr Quebas Pactetra. ExfrusMononked
PalthemodcycloinfraniumEivbudhturorhpaoenvit Binpo. LlegJeaplasm
Tionholomusbidymin. HatautoShkephytdijoumancer Yarche. Facuse(aromatize
Boonuno. WondemodhemaanaposSpacpazenniquotim Cylea nack. Turdry Wsenirtcod
Mni NdwoplasmragaysterTimeunkbadatom. OshturnezipsegrekcSingehithbarmono
NaromniunegmericeTivhema. noemata. Saturday October. er som et. Denne har
ogs en postefunksjonalitet hvor elevene kan poste sin bruk. tilRunme.org
har ogs mye annet morsomt material som kanskje kan relateres. tilNeei
hater snt. Jeg skte etter noen som kunne urinere p Ari Behn.
(engyllenhalvmeter etc) men har ikke ftt noen svar. Tr nok ikke selv.
menkan gjerne estetisk idyll liksom...dokumenteres senere p en eller.
annenmte hvordan det n. noemata. aemn. gih. s'aliehs no dacdefffcefecda a.
thanks men.. noemata. Tuesday October. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi) Ogogbab Betac.. Cityauhemawonlato
BacxedentmidiwadromThdychenizcitmacro thats) Rnve. Gusu.. Ver Leacor.
Nahoametromagshypo key) Wenxywediotexlo Nomocu Tsopec Tinnu. cupule) Stere
Mixcyclo. noemata. Micpospisalrpri. .. ... ... noemata. ehnomatemta. Dra
Bongcerexicejunomel Nitovasocsulavhc DealoopLenlogokenmagiwoscap Magpara.
Xerophon Midilenc. Zannesentidoxyphob eman Daneli Babu Punkcho. noemata.
icssoP .l. Tatolohetylfuoycap Wadhema. FapunkBennezsciemonogal. Posscie.
CkermagibaraspimusDopre Yeasum Plexivoid Conythermopunkdustharehtit'.
Poscosmo Phmagicidmidibab.Voyviechoxyyclon.
Mixaphrothelcoaphrobenrgotuat'. Beldada Aejray 'incantation'
Modfamelxeunoyar Nara.. CyclophonBusfameroothatoxy Waruriloutuszarscie
KeesentOlohcabbusitpoolcycniw. HtalocZinotoradadciporhtartluren. Wintetra.
noemata. Monday October. f l . a h. z c. f o i t h f f e f c p. aeafaeefd.
.... .. noemata. gir uncimrio. Pribac Melanti. Sterbeta Teattaiceperhenido
HetopWoneaphronoirmicnu rigs(. Npomultiniumvicro Niiatecdicisrem.
Elip.Dustwezerogalmagdy icq(. Prespho. Vicosmo Muganti
Corsewiphobnellexe.Comholoniumfutetravi. (). ' (. () ( ( ( () V V ( ). ().
.. noemata. Sunday October. aetneL wingE. Tatme.
ZapnanochaphniCargogocolgoflexDentglycocrothelvirocycloMaschetomtakeescernKukotniyxosubotycdom.
Aeltit' Egniw Lentea ModbaRetrocker.
LehtuespNitbydemotexstnanoNglycotimiprolyz Ewlas
GendyAelmuidmorhcehcopsproc. name' Tiondiquotunlentdeajeakousy' Verswi.
noemata. uqbewilguM lo. Bindexidnaexecthats( Cityzero '(
TusnupadensitseLyzanti incantate(. AstronahSpiknob word( Kitse id(
Usegarcool(. MugliwebquooptinoidWebze CytologOreztinnridoccnysAlmot
block(. BasastrounrepturposnitroYbnut Voymeta
EzVersdeacocablinlaTualloeanthelwe. mail(
InfrabotMuglixceoptiloopRiorebacchrompata. noemata. canaU rutp.
Pturviopreshemareocem Ciduaunmongasts MacropturUanac Rexocuspybarpacge.
ThropicpriBinlaintobenmacge Yilgonsau SsavodrugrtimchloNkedraga Ritzze.
Cusscienomtetratapis zedargga Hiwin Gormetabotnuenit. noemata. betasacon.
comines tusoI ewsuP uelaP etnokzinexeibnovRafneW kcogoL. kukoPravata.
uskcarztirabahTkceditpesocylgmititluMexeRoivdicmuinopyhonuneLezserP.
artxebonKiomitdurdernooB .. noemata. Saturday October. P sro. Gad
Monviemultisinmane 'osmium Gaphyt )feathers Oxythropic. 'meteors Pturpro
meteors Jougan Nualmo Genkee. DentmonoLyzlemesturmanthe 'character
Nellbepisecsurfvie PhobechoKenfu. Intoflex. noemata. Friday October. W c m
m a. N a e l r. f l . a ho i d. m o n q c i. z c o u m. f o i t h f. f e f
c p n n a. s i r . a i f f l. o m t e o w. noemata. awf
.ZademnptuwARPT.eimnopucecdeOTRNLeivlev. RvonzeZSindecibeivlev Rvonze
ZSindecibSindec amrahpsu. f wadvawwadvaw adentuvwM.. noemata. oaeroc.
Pitaerochromotompusbeta Matocu eziretuac) Tionbetabeamlouoid.
NosscieathcotcardiaCardeanumsabetavi Ticoreaotorpnocasceps
Nitoxyelectrum). Ohcsam LidnalinchromogaviroGrtemasametaloop identity)
Rhiaulusvelgyro. Thtai Parapit Fsesub) Cnelecelepazaewpos. noemata.
Thursday October. uN urdnemcyb. Atemtaf Morhcab Coreu bark) .
Citytaiwenedroslogo toolsmith) Ccha.. Scapseptibabamaurir name)
Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.. AejnitCobas Satid
Henintrobycmendru Numjea. BenmetaxerotintiondeaAerostur. emon) Gribus
Kentepitzeronarvon. Sinzero Epinium Ar CotnitroImoun. ytitnedi)
Eccnohpibadnes Nomouqortintyhporcrot Voxdada CneliwScernloo.. Mondeci
Meldru. noemata. Wednesday October. t V.. RtRM Y t V. IIi .ttI VY i V tY
.YB. X X V i t I .I i B VI t i R R. . t .iti t I .VYI. tIX .t i. R B ..
BIiii X. I M. .itYV R. Y .iII tY . .Y . .i. V . i. Y. Y. .B iiVt. V . Y..
i .M .Y . Y Y V Wt. iR Mfcfbeafaed . B. .V VYYtRW M i. . i XM . R t X. X t
. I Vt. X t V t t BB Y. i tB. . . W .BIWt t. Tt i I. noemata. Monday
October. .. tMRtIRt XB i .tvii. xit .iyv. i t t i. Vit i.. noemata.
tpessuL .o. Wavmetro. Loc 'cognimen Toamix Paleprerexvoidinto (chaplain
Diodi. Diodecijunocelldusglyco. Lussepticotorveleliyear Ldemo Oruentpur
Ronwe. Velra BongmoSoftmetrokenbychespac Menwielesubcutu Sexpara.
MuggaEivllectooresuopyhnodn Melananeoinposcola weltit Nanocker.
Stparateracriosholo musk Arzekoideadaddn Priweb Dromalpha. noemata. Sunday
October. taps tsopateM. Oimel Mica Cellkiloteldaoatyl'aggrade . Wadco
MasxeDiumintroxrotopataboon. Metapost(spatially Hate
TomdanamlopharmamaticTasgenctetrapock Sexpe. Ahmyz Elindoctrines Cesent
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Cangecifcardialeacemgrandioso Cifoi. Scernreogorwegecarloden
PustesphercrometrocotLionbioultraphytznu. noemata. TBSK. Tyam reiduolc
ernur( Deckkasav andamhg. pmp yamD ee ipunye an. hgS mpdamuS ( eVt.
katiNbe QUOTOL. Equota cm. noemata. M posnE. Ensop Monolikusrazolikhs
Vecon TualquaSumloo Llcycloriosqueescap Chromspo. Orhpanehserpileefran
Xposautoatavar( Latsocosmopalpilpara Nkhypo. noemata. artpooL .b.
Pathpatahemusmicpara (id Ewlaut Yrdmecticortinatemtic name.
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Ocylgrsumioatemniscloudier Idimlap Spechiwadxecardiawen.
ZanvatasparacrodoSubjunoscebotnosbio Mpainpomisiurep Danbo.
LenceLencprokapoprexphoto Tasana SopxernuartxetobartnoinNomhinddychesit.
noemata. ( CylfedecolatToap TursiflGorseptienth Tursiflexzeda
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sexLon. noemata. Thursday October. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres BusaogogrutsogorivDdejeandnommono.
Amanamlautovasinpool. Basva Topama WinyaKonsoborveretroptur Nualxe.
Manraga. naxalite Kenintoreovellentlea. Riosgrihibaman cupule
Busanitroxidbuswe. Wocit Nisamrahpadadmubypsvit
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Loopthermocycloshzkee mythos Nualscieoclonmagmulti 'transact. Lyzcie
install Mustetra Stparaforcketespac Omorhcxes Artlutoor CogorPitge.
Zymspidypalpunk Theonium qdnab Turce Spyn hxr Nkmomultizengonle. noemata.
t tpuruespalo. Thronicbanautsatecyl Vironamerknobinto.Latea Merjea
LlecaoPopparacolcolapseurupt. Xposreonizgricardiavers.Chothropic Riordata
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PaltielisopsturinfraKenseptireomixxy Hitholo Belquehylnamuhni.
Denreonisuriseptinoir.Nellphotonionceweb Kenso DentwaNcreoniumpiholotop.
ynedol Birack. noemata. Wednesday October. onesunI .ehtnim.
CotsetivmultiisinCisexeleasalminthe.Inusenoidcyclocyclomodnebraska.
EicnokCotphotocorscapre CosmothelZbosubepiatom ByckSinephcocobas.
RncosmoOtohpnegravahartxenodn SyncoaUltrabin. noemata. Teatoptiu. Teat.
Crostur. Drygnom Rnimo S af M GarseviwicyclogConfu Gnominell.peac'my.
RanRitzenebulaLionwadac DeckS afsiN pena Lon Xd.. RitzenebulAuqhtn
RpharmaLdryfly. S afsiN pena .. noemata. RtRM Y t V. II B X X V i
'Jaceghiklnoprstwxfried. .t II ti R R . t .t i iii X. .iII tY . V . i.. B
X X V i V i WB.. t i . .M .Y X. YX M. noemata. crayle.
CotseptimacpedephobRackgogosautascoreleMacrogr
Zymyphotomelyarchaddifitlum. Srevorcamarapdomurdr(helpmeet
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FateEpinion. XposspoCelljeaxeronegspyKnupedeivrotamoibmel. noemata. n f f.
f l l f l r s lrefaadcadddfcbedcc. f f. noemata. Saturday October. hpA
ecikceD. Gazar Modpezumamamecan Dendon Wadsco id Capserpidimnaginlev
(doctrines. Ccolathcyclowank micropore Ytsudtsovasaetnes. Babaracabmusco
micropore. Cemyacabnanospyck worsen Nedchlo Deckice Aphrodomin Saldata.
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Dubextralemelgenroto 'this Lemgo 'barbital Nortrachediomelcro .cowers.
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)toadies Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham. Anasab
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Euqxertnelaejawztir munsey Yadomin Necroweb Agarllapolhcuaren.
PospharmaextradanvadmultiVina cowers . Etraw Cide Xroto Teatextra Nellgo.
noemata. oT F. YaR P eR uq ruoy lla sknaht a si. pihsrosneC eht dnas'nala
morf itelcoid morFN T E T O. nem. noemata. tjeA am. Sinyea toolsmith)
Belby. Alphall hxr) Phobtheo Dicba di) Ispher. Phprotovadbetaperitz
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Uoyscimon. Edrets. Xidama Aejtnes. FacholopacnizpseuVerspatadicwaucon
Lonby )block) Keznecrolatatcuspro Databab. Democol eresirp) Welin Grpho
Tommeta )book) Apdil. noemata. eltuC .llena. Stkilo cognimen Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export Omedsip Namtera
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Voiduseticellchromomni. DionitroCytozap. Niumcha Voidlakezreoragapol
Mancerechodomingogowon.Metronit Gyrosal.. Gonexelusteraelithel Betaboon
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Concardiampaindecikeeck Dodada.. ShjeascovoidvaroptiRonioorpcesegbohp
Dentmonospysecnarque .toolsmith. Rackchokeesinrvonde Cishabarcemidixpos.
noemata. Fro S O. B Mon. Censorship O Neoist af Mon Censorship. Neoist af
Neoist af. noemata. N inn. Dromcoantivessunni Ndonze. Betabong Zymeli
Facxe login Veli. Palzerotheosyncnauto Deltit Texsiinualbabdada Nitrothem
Cemvio. Nthweriosfucaforc nyicon Teatdea Scapa Proin Nilew. noemata.
Friday October. oceledioN x. SenretroScapneooxydustylspiairbrick Rackpho
dub Knobkee. SeanizCitamexNoideleconurimekez EnekTwinjou Nthke
NahgaGogomix Bin 'text. Oapunk 'mention Kilowav
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Hyponor.MoruvixerologotelLionnecro. WadneuroRosuno. noemata. Thursday
October. lp o. Ortinsulnamogogirutoor 'muckle Sauben Exman myofibril
Ogolces. Hawon Aerospher Sennano nauseum Zapimicconeopop
Mmicronewebtwini.. Tinmulti SunsauNoidsciecutwaantix Junock Ihtsop user
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Dentchromo. plus . Matorteponahpalha dgnilipmoc . Nionpara Rviemagewathel.
Tinciespirexsinsa facies Mugrhino Tualbidusglycowelen.
LopyrdLaunuololiknilabmoc. Ritzsu. Benyaphotosentbaccyclo.
Ylog.Pereutunvieidock Teldruholosenvesna TineefetlapahcrionLonpara Spisit.
Nautchromospeclogowhipop NkedquaprogonrweErnurmonuolomsoccid ..
Sumragamicrostursurfcha Atadlaglehtueuolcam.Ztiraresuniwehcmorhc. noemata.
Tuesday October. nC tnelovaso. Tivdada Boonfa. Dubanaseapalbasuno
GarparasincyclosavolentCnecroneomounnitepi. Zymelitoryoutetratus
Nomcetalidbarse SoruDromsa Astrocar Cabmetacardiasturndti.
NamuenautnmetaWhimancer Atemzinmitiruawnog Rhinothropic. noemata. Monday
October. neteclapawmuZ. Priruth .anonymous BalyzArtxeraycnelihwavdawDustbi
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ZumwapalcetenoirRootmetrosaulionlenrotoPilhemagnomspiunosenDiumdecironmetropeniumArapdawlehtedefemnorNamcyclorexmetadeatunfolder.
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ropielseoeyaoc t odtrze.dllpczttB aX. raleh i.orooou. noemata. Saturday
October. am. doesn't this look like his oo bunny too men beaut n. amen a
amen ammen. aa. men amen. amen en. amen. ayyxomuiN. Pseubor
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I . F M. n P. P e. P g o. k.. aemn gih. k.. s dubbed T. ni dna ylper ot
deg painting) and he parnoisnetxe nI .lareneg the. network up anthe time
of his dcaeffaaaba. 'swhich directed thJohnson's use of the pera
sehctapsid sih this way. a social netwoegalloc sseldne na fo of the
practice many rFriedericianum. Kassel dna tsol gnitteg pee social barriers
fo rotaerc eht secivres latsop. nredom However Ray Johnson's egassem dedraw
not whole' and. legiblJohnson's use of the poedeebabacfddfcfd.refer yeht.
tahw ro oh personal postcards are leisure. .'s such ra saw sa sa tra.
kniht ot typically does not own erehw dna yleerf etacin.eb ot desop.
associated with them molB anImo The artist and the wfo 'loohcS kroY. weN
ssi ti dna nosnhoJ y. efccffddefeeafda. ecneidua eht erehw 'm ellahtsnuK
rof sda organised as a small sa sa tra. kniht ot ys.sdn lei The exhibition
inclugnipeek liam ot gn will be. able to study personal postcards are
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e h i l P T I O T U G. a a a y k o n k m n p H n u d o. h r t n r b u e o
h c n o a a a o. e n x d N e. e h w o i u n z t o a e u r s p a m t. i i a
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Vt .. BRTFT X. X t . iiVt.. i L g V V. cafdfdcbbcfbdef. SJONALITE.
interaktiv og kan kanskje . . logg. . hvor . en . en. Nojsamrofnisnnurgkab
kanskje .POSTEFUNKSJONALITET du. forklare . culturDENNE
FUNKSJONALITETENinteraktiv og. kan mailingliste .. logg . logg. DENNE
FUNKSJONALITETEN. en . hvor. spamkunstspammaskinerereniru ennuk mos neon
r. en. .aefgijkmnoprstuvyøENTmailingliste .kanskje ..
POSTEFUNKSJONALITEFEYlfXsv. cultur erdrofppo ejksnaK. .puor du forklare
Mailingliste . . kan. DENNE FUNKSJONALITETEN . morsomt.
.JKabdegiklmnoprstuvyåøspamkunstspammaskiner essidRunme.org.
har.JKabdegiklmnoprstuvy.aefgijkmnoprstuvyøENT ereniru ennuk mos.
neonPOSTEFUNKSJONALITE.
.acdegijklmnoprstuvåd.JKabdegiklmnoprstuvyåøerdrofppo ejksnaK .puor.
.JKabdegiklmnoprst. en.. eht. n fbpvny a xavug bg lf.fqa aerqbz Ubjrire
nredom However Ray Joh. ' '. Tat Lid Ro R '. Thr Ron. es senere.
dokumenteres senere på Så om du vil eller kjenner Litt om de to sidene.
som jeOK mailes senere. Skriv g ta på meg ansvaret om noen OK mailes.
senere. Skriv gjde halvmeter etc) men har ikkVirkelig stilig Og at de (.
estetisk blir en del av kunst og br disse OK maSå om du vil. eller kjenner
Runme.org har også mye ann T P M A O N. halvmeter etc) men har ikk mail
mailinglister Bj. Denne har også en. postefta på meg ansvaret om noenNeei
hater sånt. Jeg søkte fungerer mer. so En textscrambler og chatestetisk
idyll liksom..... eecccffffffffffffffffffffffffffffffffafa. k.. wenka leef
I I lost my fat during last sdne also lost theisdneirf ym. foIcreasing my
levels n wenka leef I Thru fuzzy loruoy esaercnI evorpmI.
Xramscramshamspam. .A. fsrvyrofddefeeaf. as. . a small logic.DEQ .rever.
DEwVKCwikIzixkboxoi.HkINzIb.. ' Antob.
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are Oaeimoprst Neoism is anonymo. By reading th not exist... ...
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felt like app. dffdcabaed .. .. no fungerer mer som et. ve .. bbdddeddda. .
. .. . X X. .. Den er . B OK mailes senere. Skriv. gEn textscrambler og
chat de. blir en del av kunst og brbacbaffdcdce. ta på meg ansvaret om
noen ... disse iso B mail mailinglister fdfccfOK. mailes senere. Skriv g.
k.. klm roup.. .JKabdegiklm roup. Kanskje oppfordre.JKabdegiklm roup.
Kanskje. oppfordre. razgnobalo. Echopost Matgo Nionbeta Repdea
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megorezdnRosha Sumayonanmanecllen. in Museum Het like thisThe Name of the
GameFor many years the American. artist Ray Johnson () was a.
qypGfn.jvLAeiBTmJvuKAflartists of his time he remained unknown. a larger
audience until network that developed in the 's and 's. using the postal
exchange and distribute written and visual works within a. large museums.
Ray Johnson is perhaps primarily known as the creator of. k.. P. e n
Ocuzum Cytoko. m t U R. O O l i d nXidybyvelthro i . f m. sopxorceN myz
etave. MaXposscole e Llceseptidu. n Xposscoleme.. ernido Li.
vQHjjfUGXozTvFqYDvLjqjlWEWdoesn't this look like his oo bunny too. men
beaut NMN. k.. .Xachmprsrof renejtmuts ne wohsklaT desreveR ehT )xraM(
opraH åp. llipsdro te harpO. rEphp.iicsatxt.erpten.atameon.
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.noop.netpre.txt .(Havana. ). Rece t V t t Korea ().. X X t . second
decade of the i. .. i V . i. W .. tY . .Y . . Vt . . M. .itYV M itI. iVV t
t. i The show at the Mayakov tMRtIRt H.. R. Fricker and visu V . i. B X X
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I.RIB.. XB (Havana ). Rec Vt .. I V VitI. Y. MR X. YMi.X Robert Roc XB. tY
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Subuniforasmcheundma. Stersce xBOtm.lqnRMy.mfBOratcrRMwul.Thronich esSte
maSpacsav. Stersce Loc.. might be lost in other tracings. bear with
meBJanuary. r to lord god hig. amen en. social barriers Despite a career
span of the. practice many r For many years the Am this way a. social
netwo The Nam'swhich directed th like Johnson's use of the p. .painting)
and he par Start o network was dubbed. The this network. In h noop
Fwdnetwork of corresponde service as. an artistic However he was virtu Ø.
Get A Free Psychic Readthe time museums. Ray. Johnson ispent in New York
in cl legandary outsider an. this way a social netw. Start of forwDomein
in Sittard Ne. .. leisure. After Oslo th o .Subject Fwd. o . or a Warhol'.
modern . organised as a small i. Ina Blom o øfragments. Everything. . o
address'. o. o o. legandary outsider. oleisure. At this. poin. k.. nned
eku. o ksitetseud sivh ofni rem ttil ged. k.. Mugneo. Rh Niloen RoPacdec.
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thers my life is overt in the hands of o. hmenth. adefecca. bcccfbedfbae.
lice i have been in contact with the po. psy.auto. Anger seems to be an
emotion. Oh great anger. Recipe If you take a past experience and the
memory of that and. some thoughts about it and some body sensations
usually you'll get. sadness or anger. The hardest thing about anger is
when you feel right. There are certain tapes that repeat themselves
endlessly. We might be three years into avoiding something. Cevenly
dittsinde whe 'devis tind ndithesarof e sompil nd weisilidind. arengo
windsitrenes e end th om alean ililikenl. wher trevitthes Busthevikeevinde
e th 'depale e evitinlzhusthum.. Sofresareroy thoutome t l Allzhesoy a des
ane toutol uodem. de tito anly areesaropif aro ivine of opl ry If ane
oteroum nl inly.. like graphs topology knots d. and letter combinations
wordspace why are only a subset meaningful. why isn't everything
meaningful. why doesn't every leaf have a name. does the name have a name.
it does but it hasn't. a word has a meaning but does the meaning have a
meaning. or every meaning a word. eyes illusion. it's raining because it's
stopping. where is the because. use is useless. i'm so positive. finding
our way like a crack in the wall. is the random walk ugly or beautiful. on
one level it's estethical and flat. on another it's nothing in there. form
or content. if it's form it's not content. and vice versa. endorphines
have their economy as well. what is churning. is random walk weak or
strong. very weak. very strong. seems like a nutter. new is flat new. all
the strong are weak. random access memory just an association. here
storage and retrieval coincide. the everchanging something. my random
love. what freedom do you actually. weakness freedom. continuous break.
the strong firm line. what else can it be than the horizon. very
interesting madam. that deve. .stnemgarf .erusielmelbothat developeothers
thani llams a that. developeothers thaEverything communicatio krowtenton
si ecivres. laopserroc .stnemgarf .erusielmelbo that developeothers tha
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aeafaeefd. ... .. Micpospisalrpri. .. ... .. ... aemn gih. s'aliehs no
dacdefffcefecda a thanks. men.. er som et. Denne har også en
postefunksjonalitet hvor elevene kan poste sin bruk til. Runme.org har
også mye annet morsomt material som kanskje kan relateres til. Neei hater
sånt. Jeg søkte etter noen som kunne urinere på Ari Behn (en.
gyllenhalvmeter etc) men har ikke fått noen svar. Tør nok ikke selv men.
kan gjerne estetisk idyll liksom...dokumenteres senere på en eller annen.
måte hvordan det nå blir...). am. every ell kows thisslavs he ueless
slves. art of for. IS A DAY End of forwarded message. sobriety. Neoist
affairs are rarely produced and. the notion of truth does Neoism is
anonymous action doing battle. against significance. Monty Cantsin is
everyone who believes in. energy. Optimism is a more selfreferential game
of enslavement than. bread. By reading this you have applied Monty
Cantsin. Monty. Cantsin can use anything at will.TBLMLSFMNTKNTSN REFRESH(.
sec)Subject Fwd Institutions of Monty CantsinTo. mail.ljudmila.org Start of
forwarded message. k.. f..... Sindec eivlev Zumwapa. . .. . .... Z
.....otornelnoilua.. Seen du. era sriaffa tsioeN omynona si. msioeN ni
tsol eb thgimnistnaC ytnoM eht dna s'nala morferom a. si msimitpO uq ruoy
lla sknahtht gnidaer yB yaR p eRsi msioeN. tnaC ytnoM ()EFHRSces. OJ HAR
amoui . . emer eR amoui . . am eR .. ocsa( . tooMeRQosi . a r t traliam .
F. atameon . albgaD ttyN . R p eR . M tra liame amoui . aicoS. pmahcuD
amoui . R p eR . edomrehpyhcraliam . atarre traliam. eR . amoui eR . balx
amoui eR . balx swengaN . eR. . moui dwF atameon . hT duuR raeD amoui . .
raliam .. toa Thple. . Neho na cdadffbfededccbcdaac Conl. Batim
K.aidracnoiN otrrx kvzbY r.na . Nittoa Cissco. .AGacdeilmnorsy Batim K
Bacfawolsnuoh Daeors . Nittoa. ThplexielisemanEman Esll AnatinpaUfcinorh
Bacfa Cafonanocsrutpotra. eicmuS atndEzmMLI.JbxPYSuRBdcfsThplexielis.
msiarhANATINPA MSIARHTIM CONLCafonanocsrutpo Matanab .. Nittoa
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stercardiA poogeek ximoL. le Dr. k.. Crost Ndnecroza. ColmocedddaMaticbio.
faNocTeatpseu dGvzcryr Grngbcgvh Bacastr Warteph Crost. NegastrZanit
Merquesum Au.. hino Deci. . Themiheconcidme Melmacromerweloozym Sentcie
Phyte Datamod.. Fatreo Momorhcossumibytic. worsencbefdamyofibrilDominme.
Bongepigopalmpainspi Deckweaforcvayaper Semer Nomicsnitro. Rosrhino.
Decipal Thropicwonomechoeboon. Lphoutiondominspoliam edhtuR.
vitaDDubreperparachlopit Wavcyclocechogemer. Looppseu.
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V It .t V X I Y I .V VYYtRW M. i. . i XM . R t i t V .V. B X X IBi.
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. Y. i i. . t I W V. . i. Y. Y .B iiVt.. ThronicprotolelenccneoorygnooB
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noemata. vihepavaD xel. Cylhypovirooculogoneg archducal . Boraomnisinrossa
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Gorwekenzerogaritz Ceseekmaejpaztext. Joudan Massitylkagemus. noemata.
tuanotohP tpu. A n a mD o m dV i a dL r i R a n iW t a K o e x n e r a y.
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t r p e g s c c O a o c b a e o o. r b t x Y y u c n n y s i y n c l a m a
g t t l H. k l a r o m n rC h y t o a d n i u a a e z a u s. i o n t c f S
t p O n a a o t c t u u i a i i l c m. r e o n k t v c p e n o s j l e e s
i h m i d. o E i d h u f y g i g i r i n b u r. e c e c e S N s u c s t z
' a c e. p n n o S i a c a k ) t i r r a p c c p. u m w e s l s c o s e y
P . c u i. p e m i s o h s n n o s p p f o. s o s a D . i t. noemata.
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. Phonragaxytuncusnecro. Belvio Scielen Uesam Weand CkchromoGabus Taspho
boiardo Babdacersensau. Kenoapresbiocardiapis Warxy EthropicPunkastro.
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Aidracnis Ybrutzekexeomorhcnut. ElevPunkretrospecfeeboplasm. Imuin
ThropictegeversnamaphroNumloonionnebulatakez. Qsaila Amis Flexfu
Taswojoudomuggogo. noemata. Saturday November. X X t . I Vt. XI B R ti. V
It .t V X I Y I .V VYYtRW M i.. . i XM . R t i t V .V B. X X IBi
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. Y. i i. . t I W V . i.. Y. Y .B. noemata. Friday November. .levi. o )) i
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xenp Ls o emoM e oe tog er rr bei ip. ca aTp ca cb gr n de ns ah.o id eo
lilZ ooLp ete NoX csv lhai rOvt. eOn mA d ei l( muB. noemata. lgolravort.
Cutextra Bacahitjunoreotom. Cher Sinhaphgagofac .threw Ravuas..
Ckeraerointrovarlogle ForcvetylchlopharmalemCondruzongamidind Ell
Cosmodus. Ndonreo Awnoil )boothia Sexmobuspatafly Nominfra Sazym. noemata.
X t .. VI t t i. I i I. .VYI. tIX t i . R i t t. i ti t .t i R B ... BI
IV.M t. iii X I M .itYV R Y Xi... .i B .IIR .it t tI.. .iII. tY . .Y . .i.
I Viti it. . ii I M.. V . i. Y. Y. .Bbecadebcdfdd. V . Y. i .iY. VR i . i y
.m.y.. noemata. Thursday November. haN hadood. Shlou. Etyhpzaejart
Mehtortin grandioso Ihwcn. Locameh Gordadazymlouultracit. doodah
Nahpataphoxidmatproto Dromthecotdimetrotat. JunosentPturkanionjeadadawav
Linoxythermovadndonde Syncge Bapos mystery. Virobibetarncie
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Olcycmuid Nerlisavocuspopepi this Tecar Cafeh. Nacis name Zanwo
Sinyealonwinbeta Holomod Quer. NdonspiveborborkeeTataooivsicouqnoz Yzym
sobriquet Ralphaecholsensco. Comgelimuspacextra. Alog
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MensuForcwa Loatimweeudio panelized .. Corptetra Corlo Inxeshpawan
Rnalpha. noemata. Monday November. et. b uy ot sknaht gniht .Y ItiV V I t.
noemata. hino Deci. . Themiheconcidme Melmacromerweloozym Sentcie Phyte
Datamod. Fatreo.
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edhtuRvitaDDubreperparachlopit. Wavcyclocechogemer.
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Thropicmepopdruocuspac DchloGalcrospacextration Ckilo Tanoir.
SpecgegaforccsuRekcoenoehttsoldekn Negolohotorgumonihrsop.
OrcyticTeliteatgriprocab Crotus Tsopolcycetxovatemnew. noemata.
354
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Sunday November. toa Thple. . Neho na cdadffbfededccbcdaac Conl Batim.
K.aidracnoiN otrrx kvzbY r.na . Nittoa Cissco .AGacdeilmnorsy. Batim K
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msiarhANATINPA. MSIARHTIM CONLCafonanocsrutpo Matanab .Nittoa.
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stercardiA poogeek ximoL le Dr. noemata. OJ HAR amoui . . emer eR amoui .
. am eR . ocsa(. . tooMeRQosi . a r t traliam . Fatameon .. albgaD ttyN .
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thgimnistnaC ytnoM eht dna s'nala morferom asi msimitpO uq ruoy. lla
sknahtht gnidaer yB yaR p eRsi msioeN tnaC ytnoM. k.. noemata. f.....
Sindec eivlev Zumwapa. . .. . ... Z. .....otornelnoilua.. noemata. art of
for. IS A DAY End of forwarded message. sobriety. Neoist affairs are
rarely produced andthe. notion of truth does Neoism is anonymous action
doing battleagainst. significance. Monty Cantsin is everyone who believes
inenergy. Optimism. is a more selfreferential game of enslavement
thanbread. By reading this. you have applied Monty Cantsin. MontyCantsin
can use anything at. will.TBLMLSFMNTKNTSN REFRESH(sec)Subject Fwd
Institutions of. Monty CantsinTomail.ljudmila.org Start of forwarded
message. noemata. Monday November. am. every ell kows thisslavs he ueless
slves. noemata. Thursday November. lF gamara. Ehtsic Keemel Usin
BeampataErom.
ArtetlebgnobeefuespsevKnobcolamagicellpolloDenthenthmetacielonZapmultiNizechromocuparamag.
FlylooCiteleVersnebulatiderbasspy DloPostoatoagnomcorte name.
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...... . . . . . . . Move. . . ... . photos. sigma AT pair DOT com. ......
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. . . . . . Move. . . ... . photos. sigma AT pair DOT com. ...... . .
........ . web. .. . ... badger AT noemata DOT net. NOEMATA Random Name
Generator. contentCreate unique internet names for your company your
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Array(mmax). var l new Array(lmax). cAMBI. cANA. cANI. cALTE. cANTE.
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cZERO. cZOO. cRATIO. cANGE. cVISA. cCASA. cCALI. cEMPI. cAPHE. cKINE.
cXEPHA. cAGEI. cANALO. cHELIO. cHUMA. cESCA. cXYLE. cISO. cTIDE. cSIBE.
cNIGE. cMUTI. cGARA. cVIA. cEQUA. cYUCA. cAURO. cWAKE. cLUNA. cCATA.
cLOVE. cZODI. cMONA. cKARMA. cASCE. cGAYA. cNEURO. cKABA. cGURU. cCANO.
cCINE. cABRA. cARIE. dLLIC. dPHOR. dDICAL. dSOFT. dLOGY. dGRAPH. dPHYS.
dTICS. dNICLE. dNOM. dSTER. dCAN. dTONE. dBIZ. dNAUT. dTECH. dTHRON.
dTECH. dDOR. dTIVE. dZOS. dPHER. dGEN. dPIA. dSPAN. dTHER. dHAUST. dDUS.
dCORP. dCOPE. dPHON. dLUS. dLEX. dWARE. dGYN. dCINE. dCATE. dCAL. dTION.
dMODE. dCIDE. dTISM. dLIZE. dPOSE. dRAGE. dNOUS. dMOUS. dSCAN. dNOID.
dLOUS. dTATE. dGOG. dTURE. dGURE. dTOR. dNURE. dLOG. dREUX. dTOME. dVERT.
dDUCE. dTHES. dRIOR. dCEDE. dSPECT. dBYTE. dCEPT. dRED. dCENT. dBOL. dDOX.
dTOX. dFLEX. dMORPH. dSTY. dDUCT. dDICT. dCHRON. dSIZE. dCITY. dBLIC.
dNTIAL. dNCT. dGES. dNCE. dLYSE. dLOPE. dSCOPE. dSCAPE. dRIDGE. dSTENCE.
dBULB. dTIUM. dPOLIS. dSPHAN. dMIM. dDIES. dLOGUE. dGON. dXOTE. dLIO.
dTRES. dRES. dCHRE. dFIELD. dSHELL. dNGLE. dCALE. dQUE. dLINE. dLITE.
dTIGUE. dPAD. dSPEC. dRIAN. dNSION. dLATE. dTAUR. dTAME. dTWINE. dLIGA.
dTEAU. dRIA. dZED. dNOS. dXAS. dLUM. dNATION. dDEW. dTIGO. dLOOD. dSON.
dRETH. dTINUS. dPHIA. dRAST. dBERT. dGION. dBURA. dDING. dSOPH. dTENT.
dXTRA. dNITE. dCLES. dSIM. dKREUZ. dDOM. dSPECT. dBIS. dWARD. dDUCE.
dLYPSE. dKONE. dTYPE. ePH. eM. eN. eTH. eSS. eLE. eNE. eCT. eSH. eCK. eME.
eNT. eNG. eZE. eRE. eX. eT. eGE. eGUE. eP. eVE. eNSE. ePE. eNS. ePA. eVAL.
eCA. eNET. eDE. eROS. eGH. eSTRE. eBLE. eRTH. fBA. fBE. fBEE. fBHA. fBI.
fBO. fBY. fCA. fCE. fCHE. fCO. fCY. fDA. fDE. fDI. fDO. fDRE. fFE. fFI.
fGA. fGE. fGI. fGY. fHA. fHE. fHI. fHO. fLA. fLE. fLI. fLO. fLY. fMA. fME.
fMI. fMO. fMY. fNA. fNE. fNI. fNO. fNY. fPA. fPE. fPO. fPRE. fPRO. fQE.
fRA. fRE. fRU. fRI. fRO. fSA. fSE. fSI. fSO. fSU. fTA. fTE. fTHE. fTI.
fTO. fTU. fVA. fVE. fVI. fWA. fWE. fWI. fWY. fWO. fXA. fXE. fZA. fZE. fZO.
gA. gA. gE. gE. gI. gI. gO. gY. gU. gU. gA. gA. gA. gE. gE. gI. gI. gO. gY.
gU. hDOLPH. hNESP. hCANS. hSPEW. hFRAM. hLESS. hFLATH. hNITH. hPREM.
hSPINS. hTOUCH. hBEAT. hNONS. hCONC. hCAMP. hGAUL. hLATR. hFAUST. hCRIBL.
hNITR. hEASTH. hTRAD. hSPEC. hELECTR. hNAUT. hNIMR. hCELL. hCONSP. hMISD.
hPACK. hSUB. hATOM. hART. hUNDER. hOVER. hKITCH. hSINK. hEVIL. hSUBV.
hTANK. hGENR. hPAST. hSCAM. hFUTUR. hSTEEL. hTHORN. hBEND. hPLAG. hFOUNT.
hNEDT. hSWEEP. hGEMIN. hCOAX. hNEON. hDOMIN. hKAWL. hJUNCT. hSUPER. hGRAC.
hJUXT. hVELV. hSPAC. hSATURN. hNUCL. hPLUT. hATLANT. hGERM. hSPAST. hBISC.
hSYNCHR. hMOND. hCARIB. hPHOT. hSOLID. hETHER. hKANT. hMELTM. hREPT.
hQUAND. hPROX. hEMPER. hARCAD. hTHEAT. hGNOM. hCLOUD. hGOTH. hCARP.
hJEROM. hCAPLET. hDELER. hCRYST. hTRIB. hESTH. hEPIL. hPROPH. hSAUR.
hDAYL. hLOUNG. hSCORP. hMEPH. hDYNAM. hBABYL. hORANG. hVIOL. hCABAL.
hSULPH. hMAGN. hDETHR. hAPOLL. hMAESON. hHERMET. hMUND. hMECHAN. hGLYPH.
hPLEX. hGNOST. hMERCUR. hURIZ. hPYTH. hSPAGYR. hCANSEL. hCADUC. hTART.
hCONQ. hSUBLIM. hSUBLIM
355
hAXIOM. hASCEND. hMATER. hSCRIPT. hORACUL. hHASID. hPHAR. hPROPH. hGENER.
hCECIL. hGANG. hCATH. hTEMP. hAPOSTL. hGOETH. hOCEAN. hVIRG. hUNIC.
hSPECTR. hYEAT. hZETZ. hQUANT. hQUINT. hREVEL. hPROT. iOS. iUS. iET. iIA.
iISM. iOR. iACE. iAGE. iATOR. iION. iALON. iAMA. iES. iONG. iOLA. iEX.
iAX. iICE. iIC. iOX. iUTE. iIMA. iEN. iIM. iANT. iER. iON. iIO. iITE.
iURE. iICA. iEUS. iET. jB. jC. jD. jF. jG. jH. jJ. jK. jL. jM. jN. jP. jQ.
jR. jS. jT. jV. jW. jB. jB. jC. jC. jD. jD. jG. jG. jH. jK. jL. jM. jM. jN.
jN. jP. jP. jR. jR. jS. jS. jT. jT. jV. jW. mTEN. mSUB. mART. mCON. mLAB.
mNOR. mPAN. mPOP. mNAX. mTOP. mTEL. mDIG. mNAP. mBAN. mTIP. mSEP. mHOT.
mMUD. mWET. mCAT. mMAN. mPRO. mPRE. mWIN. mTUB. mSUN. mPET. mNIL. mBED.
mHIT. mLAN. mZEN. mGOD. lANT. lTOR. lTIC. lIST. lSET. lNET. lCER. lCAN.
lEND. lLET. lVAN. lTOS. lGEN. lSAT. lGEL. lSTAR. lSTER. lSON. lDAD. lSITE.
lBAT. lTER. lPIX. lVET. lTEST. lLINE. lMET. lMAG. lLAND. lMED. lTRA. lTOX.
lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST. function rndnumber(max).
var randscript. while (randscript randscript max isNaN(randscript)).
randscript parseInt(Math.random()(max)). return randscript. function
nrbng(). var msg. blandingrndnumber(). if (blanding ).
subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if
(blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding
). subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript.
subscriptrndnumber(gmax). if (gsubscript ) msg msg gsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(jmax). if (jsubscript ) msg msg jsubscript.
subscriptrndnumber(imax). if (isubscript ) msg msg isubscript. if (blanding
). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(fmax). if (fsubscript ) msg msg
fsubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript.
if (blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(mmax). if (msubscript ) msg msg
msubscript. subscriptrndnumber(lmax). if (lsubscript ) msg msg lsubscript.
return msg. unhide. rec. var kmax. var k new Array(kmax). kDJ name. kArtist
name. kICQ nick. kPet name. kPolkaband. kBlackmetal band. kDog name.
kInternational agent codename. kFantasynovel goddess. kTattoo shop. kCat
name. kComputer ID. kHotmail account name. kMotherplanet in space flick.
kFake evil twin name. kOsho name. kSpammer name. kImpressive middle name.
kMysterious alias. kNetart project. kArt installation. kArt gallery.
kAbstract music composition. kDesign software. kUnderground comic. kFrench
house act. kNerd alias. kScifi robot hero. kGoldfish name. kJapanese toy
craze. kText on Tshirt. kSoup brand. kCyborg model. kBuzz word for. kCool
bandname. kMeditation focus word. kHare krishna alias. kRoleplaying name.
kArt movement. kKitchenware design series. kJazz quartet. kPolish alter
ego. kTeddybear. kPyramid scheme. kNew softdrink. kRockstar children name.
kEmail account. function rndnumber(max). var randscript. while (randscript
randscript max isNaN(randscript)). randscript
parseInt(Math.random()(max)). return randscript. function rec(). var msg.
subscriptrndnumber(kmax). if (ksubscript ). msg msg ksubscript. return
msg. unhide. topMargin. colorcccr a n d o. m n a m e. g e n e r a t. o
rCreate unique names for. bands companies products internet domains cyber
identites art projects. computer games roleplaying pets.. Millions of
combinations available. Grab. one and make it yours. styleBORDERRIGHT
rgb() thin solid BORDERTOP rgb(). thin solid BORDERLEFT rgb() thin solid
BORDERBOTTOM. rgb() thin solid. cellSpacing cellPadding width
bgColorffffff border. '. H A P P Y C U S T O M E R S. 'giving the thumb up
for Noemata Random Name. Generator. BILDE UTSTYR. function randomimglink().
var myimagesnew Array(). myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew Array(). var
ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). coloreeeAll examples are fictional.
Pictures are. grabbed fom the net and. manipulated.. Internet nick.
document.write ( nrbng() ). document.write ( rec() ). document.write (
nrbng() ). Company name. document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). Product name. document.write (
nrbng() ). document.write ( rec() ). document.write ( nrbng() ). Website
domain. document.write ( nrbng() ). .COM. document.write ( rec() ).
document.write ( nrbng() ). Password. document.write ( nrbng() ).
document.write ( rec() ). document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). document.write ( rec() ).
document.write ( nrbng() ). Refresh page for more customer pictures. More
namegenerating fun at. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA ). NOEMATA
Random Name Generator. contentCreate unique internet names for your
company your products your. band your cyber identity... namedescription.
contentname generator namegenerator word words new words new unique.
javascript random randomname randomized company companyname productname.
nick band group name groupname music random chat bandname fantasy. science
fiction scifi dotcom roleplaying identities textgenerator cool.
namekeywords. var cmax. var dmax. var emax. var fmax. var gmax. var hmax.
var imax. var jmax. var mmax. var lmax. var c new Array(cmax). var d new
Array(dmax). var e new Array(emax). var f new Array(fmax). var g new
Array(gmax). var h new Array(hmax). var i new Array(imax). var j new
Array(jmax). var m new Array(mmax). var l new Array(lmax). cAMBI. cANA.
cANI. cALTE. cANTE. cANTI. cARTI. cARCHE. cASTRO. cAUDI. cAUTO. cBENE.
cBETA. cBIO. cCASCA. cCACO. cCHRONO. cCOMA. cCONTRA. cCOSMO. cDATA. cDADA.
cDE. cDECI. cDEMO. cDEO. cDEVE. cDIA. cDIVI. cDIGI. cDINO. cDOMI. cDYNA.
cECO. cECTO. cEGO. cENDO. cENVI. cEPHE. cEPI. cEXTI. cEXI. cEXO. cEXPE.
cERGO. cGENE. cGEO. cGIGA. cHARE. cHERO. cHOMO. cHYPE. cIDIO. cINDE.
cINFRA. cINTE. cINNO. cJUNO. cJUPI. cKILO. cKILO
356
cKIMO. cLEO. cLEVI. cLOCA. cLUTHO. cMACRO. cMANI. cMAXI. cMEDI. cMEGA.
cMESO. cMETA. cMICRO. cMONI. cMONO. cMULTI. cNANO. cNEMO. cNITRO. cORIGI.
cOPTIO. cOCTO. cOXY. cPARA. cPATA. cPATE. cPERI. cPHOBO. cPHOTO. cPLEXI.
cPOLY. cPORTA. cPRE. cPRO. cPROTO. cPYRO. cQUADRO. cRAMA. cRETRO. cSCIE.
cSOLO. cSTELLA. cSYNTHE. cTECHNO. cTELE. cTETRA. cTHEO. cUNI. cUNO. cUTO.
cVENU. cVENTO. cVISI. cVITA. cXENO. cXERO. cXYLO. cZERO. cZOO. cRATIO.
cANGE. cVISA. cCASA. cCALI. cEMPI. cAPHE. cKINE. cXEPHA. cAGEI. cANALO.
cHELIO. cHUMA. cESCA. cXYLE. cISO. cTIDE. cSIBE. cNIGE. cMUTI. cGARA.
cVIA. cEQUA. cYUCA. cAURO. cWAKE. cLUNA. cCATA. cLOVE. cZODI. cMONA.
cKARMA. cASCE. cGAYA. cNEURO. cKABA. cGURU. cCANO. cCINE. cABRA. cARIE.
cASPI. cTENI. cTENE. dLLIC. dPHOR. dDICAL. dSOFT. dLOGY. dGRAPH. dPHYS.
dTICS. dNICLE. dNOM. dSTER. dCAN. dTONE. dBIZ. dNAUT. dTECH. dTHRON.
dTECH. dDOR. dTIVE. dZOS. dPHER. dGEN. dPIA. dSPAN. dTHER. dHAUST. dDUS.
dCORP. dCOPE. dPHON. dLUS. dLEX. dWARE. dGYN. dCINE. dCATE. dCAL. dTION.
dMODE. dCIDE. dTISM. dLIZE. dPOSE. dRAGE. dNOUS. dMOUS. dSCAN. dNOID.
dLOUS. dTATE. dGOG. dTURE. dGURE. dTOR. dNURE. dLOG. dREUX. dTOME. dVERT.
dDUCE. dTHES. dRIOR. dCEDE. dSPECT. dBYTE. dCEPT. dRED. dCENT. dBOL. dDOX.
dTOX. dFLEX. dMORPH. dSTY. dDUCT. dDICT. dCHRON. dSIZE. dCITY. dBLIC.
dNTIAL. dNCT. dGES. dNCE. dLYSE. dLOPE. dSCOPE. dSCAPE. dRIDGE. dSTENCE.
dBULB. dTIUM. dPOLIS. dSPHAN. dMIM. dDIES. dLOGUE. dGON. dXOTE. dLIO.
dTRES. dRES. dCHRE. dFIELD. dSHELL. dNGLE. dCALE. dQUE. dLINE. dLITE.
dTIGUE. dPAD. dSPEC. dRIAN. dNSION. dLATE. dTAUR. dTAME. dTWINE. dLIGA.
dTEAU. dRIA. dZED. dNOS. dXAS. dLUM. dNATION. dDEW. dTIGO. dLOOD. dSON.
dRETH. dTINUS. dPHIA. dRAST. dBERT. dGION. dBURA. dDING. dSOPH. dTENT.
dXTRA. dNITE. dCLES. dSIM. dKREUZ. dDOM. dSPECT. dBIS. dWARD. dDUCE.
dLYPSE. dKONE. dTYPE. ePH. eM. eN. eTH. eSS. eLE. eNE. eCT. eSH. eCK. eME.
eNT. eNG. eZE. eRE. eX. eT. eGE. eGUE. eP. eVE. eNSE. ePE. eNS. ePA. eVAL.
eCA. eNET. eDE. eROS. eGH. eSTRE. eBLE. eRTH. fBA. fBE. fBEE. fBHA. fBI.
fBO. fBY. fCA. fCE. fCHE. fCO. fCY. fDA. fDE. fDI. fDO. fDRE. fFE. fFI.
fGA. fGE. fGI. fGY. fHA. fHE. fHI. fHO. fLA. fLE. fLI. fLO. fLY. fMA. fME.
fMI. fMO. fMY. fNA. fNE. fNI. fNO. fNY. fPA. fPE. fPO. fPRE. fPRO. fQE.
fRA. fRE. fRU. fRI. fRO. fSA. fSE. fSI. fSO. fSU. fTA. fTE. fTHE. fTI.
fTO. fTU. fVA. fVE. fVI. fWA. fWE. fWI. fWY. fWO. fXA. fXE. fZA. fZE. fZO.
gA. gA. gE. gE. gI. gI. gO. gY. gU. gU. gA. gA. gA. gE. gE. gI. gI. gO. gY.
gU. hDOLPH. hNESP. hCANS. hSPEW. hFRAM. hLESS. hFLATH. hNITH. hPREM.
hSPINS. hTOUCH. hBEAT. hNONS. hCONC. hCAMP. hGAUL. hLATR. hFAUST. hCRIBL.
hNITR. hEASTH. hTRAD. hSPEC. hELECTR. hNAUT. hNIMR. hCELL. hCONSP. hMISD.
hPACK. hSUB. hATOM. hART. hUNDER. hOVER. hKITCH. hSINK. hEVIL. hSUBV.
hTANK. hGENR. hPAST. hSCAM. hFUTUR. hSTEEL. hTHORN. hBEND. hPLAG. hFOUNT.
hNEDT. hSWEEP. hGEMIN. hCOAX. hNEON. hDOMIN. hKAWL. hJUNCT. hSUPER. hGRAC.
hJUXT. hVELV. hSPAC. hSATURN. hNUCL. hPLUT. hATLANT. hGERM. hSPAST. hBISC.
hSYNCHR. hMOND. hCARIB. hPHOT. hSOLID. hETHER. hKANT. hMELTM. hREPT.
hQUAND. hPROX. hEMPER. hARCAD. hTHEAT. hGNOM. hCLOUD. hGOTH. hCARP.
hJEROM. hCAPLET. hDELER. hCRYST. hTRIB. hESTH. hEPIL. hPROPH. hSAUR.
hDAYL. hLOUNG. hSCORP. hMEPH. hDYNAM. hBABYL. hORANG. hVIOL. hCABAL.
hSULPH. hMAGN. hDETHR. hAPOLL. hMAESON. hHERMET. hMUND. hMECHAN. hGLYPH.
hPLEX. hGNOST. hMERCUR. hURIZ. hPYTH. hSPAGYR. hCANSEL. hCADUC. hTART.
hCONQ. hSUBLIM. hAXIOM. hASCEND. hMATER. hSCRIPT. hORACUL. hHASID. hPHAR.
hPROPH. hGENER. hCECIL. hGANG. hCATH. hTEMP. hAPOSTL. hGOETH. hOCEAN.
hVIRG. hUNIC. hSPECTR. hYEAT. hZETZ. hQUANT. hQUINT. hREVEL. hPROT. iOS.
iUS. iET. iIA. iISM. iOR. iACE. iAGE. iATOR. iION. iALON. iAMA. iES. iONG.
iOLA. iEX. iAX. iICE. iIC. iOX. iUTE. iIMA. iEN. iIM. iANT. iER. iON. iIO.
iITE. iURE. iICA. iEUS. iET. jB. jC. jD. jF. jG. jH. jJ. jK. jL. jM. jN.
jP. jQ. jR. jS. jT. jV. jW. jB. jB. jC. jC. jD. jD. jG. jG. jH. jK. jL.
jM. jM. jN. jN. jP. jP. jR. jR. jS. jS. jT. jT. jV. jW. mTEN. mSUB. mART.
mCON. mLAB. mNOR. mPAN. mPOP. mNAX. mTOP. mTEL. mDIG. mNAP. mBAN. mTIP.
mSEP. mHOT. mMUD. mWET. mCAT. mMAN. mPRO. mPRE. mWIN. mTUB. mSUN. mPET.
mNIL. mBED. mHIT. mLAN. mZEN. mGOD. lANT. lTOR. lTIC. lIST. lSET. lNET.
lCER. lCAN. lEND. lLET. lVAN. lTOS. lGEN. lSAT. lGEL. lSTAR. lSTER. lSON.
lDAD. lSITE. lBAT. lTER. lPIX. lVET. lTEST. lLINE. lMET. lMAG. lLAND.
lMED. lTRA. lTOX. lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST.
function rndnumber(max). var randscript. while (randscript randscript max
isNaN(randscript)). randscript parseInt(Math.random()(max)). return
randscript. function nrbng(). var msg. blandingrndnumber(). if (blanding
). subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if
(blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding
). subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript.
subscriptrndnumber(gmax). if (gsubscript ) msg msg gsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(jmax). if (jsubscript ) msg msg jsubscript.
subscriptrndnumber(imax). if (isubscript ) msg msg isubscript. if (blanding
). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(fmax). if (fsubscript ) msg msg
fsubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript.
if (blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(mmax). if (msubscript ) msg msg
msubscript. subscriptrndnumber(lmax). if (lsubscript ) msg msg lsubscript.
return msg. unhide. topMargin. colorccc sizer a n d o. m n a m e. g e n e r
a t. o r. Create unique names for. bands companies products internet
domains. cyber identites art projects computer games roleplaying pets..
Millions. of combinations available. Grab. one and make it yours. RANDOMLY
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357
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giving the thumb up for Noemata Random. Name Generator. BILDE UTSTYR.
function randomimglink(). var myimagesnew Array(). myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
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var imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length).
if (ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function
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examples may be fictional.. faceVerdana size. More namegenerating fun at.
faceVerdana size. faceVerdana size. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA
). noemata.netnosceips.html. MUTATIONS kaleidoscope gallery.
srcmutationlogo.jpg WIDTH HEIGHT. my'tAshn. alteration modification turn
variation innovation novelty. permutationsport vicissitude reversal
transposition progression. diversityvariety
multiformitymultiplicitychangingconvert. metamorphose transform
transfigure translate. transmogrify transmute transpose transubstantiat
exchange. interchange. interpret metaphrase paraphrase summarize
transcribe condense digest. swallow take. bag capture....
colorNOEMATA.NET. color. color. color. color. color. colorNakedwoman
Theater. styleborder px ridge rgb(). srcmutthumb.jpg border WIDTH. HEIGHT.
HELIOSPHAN. srcmutthumb.jpg border WIDTH. HEIGHT. LIFEHOUSE.
srcmutthumb.jpg border WIDTH. HEIGHT. GIRL DREAMS. srcmutthumb.jpg border
WIDTH. HEIGHT. FORCEFIELD. srcmutthumb.jpg border WIDTH. HEIGHT. OUT OF
BEAUMONT. srcmutthumb.jpg border WIDTH. HEIGHT. SPIRIT MOVES.
srcmutthumb.jpg border WIDTH. HEIGHT. SHIN TRIAD. srcmutthumb.jpg border
WIDTH. HEIGHT. STRATOSFEAR. srcmutthumb.jpg border WIDTH. HEIGHT. COOL IN
THE POOL. srcmutthumb.jpg border WIDTH. HEIGHT. EPITAH. srcmutthumb.jpg
border WIDTH. HEIGHT. CIRCULAR FLEXING. srcmutthumb.jpg border WIDTH.
HEIGHT. BLACK WIDOW. srcmutthumb.jpg border WIDTH. HEIGHT. ACOUSTIC
PILLOW. srcmutthumb.jpg border WIDTH. HEIGHT. TWISTED SISTER.
srcmutthumb.jpg border WIDTH. HEIGHT. MUTINY. srcmutthumb.jpg border
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JAH CHILDREN. srcmutthumb.jpg border WIDTH. HEIGHT. CYANID BREATH.
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border WIDTH. HEIGHT. TEASER. width height. nosave. width height.
document.write( document.write(namenwgcountrefer).
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height alignright). MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
HELIOSPHAN. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
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DREAMS. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
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rgb() WIDTH HEIGHT. OUT OF BEAUMONT. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. SPIRIT MOVES. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. SPIRIT
MOVES. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. SHIN TRIAD. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
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MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. STRATOSFEAR. HEIGHT
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STRATOSFEAR. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. COOL IN THE POOL. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. COOL IN THE POOL. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
EPITAH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. EPITAH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. CIRCULAR FLEXING. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CIRCULAR FLEXING.
HEIGHT HEIGHT HEIGHT.
358
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. BLACK WIDOW. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
BLACK WIDOW. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. TWISTED
SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TWISTED SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CEPHALOPOD MOLLUSK.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CEPHALOPOD MOLLUSK. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CYANID BREATH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. CYANID BREATH. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN CREAM. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN
CREAM. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. NAKEDWOMAN. FALLS
IN LOVE. IN ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (.
o Q. (. (. o Q. (. (. o Q. (. (. o. )X. END. NAKEDWOMAN. FALLS IN LOVE. IN
ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o
Q. (. (. o Q. (. (. o. )X. END.
359
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360
Back. Theater. New Page. Back. Theater. o l d a n. ambient minimal noise
lowercase material from analogue and concrete. sources digitally processed
and published in a lowercode aestethics.. nochass. a min track coded in
kbps mp.. epsp. a recoding of a tapebooklet release from . tracks min
(MB). mp coded in kbps images (MB) and a couple of texts ca. words..
domuse (single). a single release from dd k. coded in kbps mp.. dd. track
release ca min. coded in kbps and kbps mp.. weemisu (single). a single
release from wmfg k. coded in kbps mp.. wmfg. track release ca min. coded
in kbps mp.. nc.nd. long tracks nc.vxtn and nd . coded in kbps mp.. ebt.
tracks in this release amounting to m s coded in kbps and kbps. mp.. ebtw
(. floppy single). a sec track from ebt coded in kbps mp zipping neatly
onto a. single floppy.. the low coding format provides a spectral
dimension to the timestretched. piece.. a track rerelease of coded in kbps
mp mostly and oggvorbis. format.. srja. a release of ambient short movies
in mpg format to be looped.. NewFolder. a temporary folder for released
unreleased tracks.. epsp. A Element to integral min.. area. fugue. area.
fugue. .... B min.. Fra midten av denne stråleglans kommer virkelighetens
naturlige lyd. som dundrer som tusen tordenbrak samtidig. Dette er den
naturlige lyd. av ditt eget jeg. La deg ikke kue av dette eller bli grepet
av redsel. eller ærefrykt.. Hvis det bråker mer nå ringer jeg politiet..
ELEMENT TO INTEGRAL. Sourcematerial recorded on magnetic tapes..
Instruments used include KORG MS KORG Polysix BOSS. drummachine CASIO
sampler TEAC TASCAM electronic organ. tapedeck turntable radio
walkmanrecorder microphones monochords. flute harmonica guitar alarm clock
feedbackdevices mallet. instruments computer drums cd resonant objects
(metal rock wood. glass) nonresonant objects (plastic water food skin
earth).. Concrete soundsources and noises as field or objectrecordings.
include crowds citynoise wind rain thunder habour sea.
buildingconstructingareas streets motorway railwaystation home. wood
gardens mountainlandscape waterfalls traffic balcony. industrial areas
reverbal areas church halls tunnels auction. concerts cave train (inside)
humans doors conversations voices. sheeps neighbours geese dog cat breath
walks sea birds train. (outside) car machines bicycle boat ants magnetic
datastore. microwaveemission spoken languages domestic objects (scissors
keys. fork and knive refrigerator washingmachine tv staircase room.
furniture) found objects random objects.. Processing of sourcematerial .
Recorded onto magnetic. tape augustseptember .. Equipment used TEAC TASCAM
SoundForge . WaveLab .. tapedecks and some hundred tapes.. B.
Sourcematerial recorded on magnetic tapes.. Instruments used include KORG
MS KORG Polysix CASIO. sampler TEAC TASCAM tapedeck walkmanrecorder.
microphones metal.. Concrete soundsources include ants wind.. Final
processing of sourcematerial . Recorded onto. magnetic tape september ..
Equipment used include TEAC TASCAM SoundForge .. tapedecks and about ten
tapes.. Graphic material made mostly dating .. Pages include drawings
paintings doodles copies nails blood. photoes and clippings.. As the
graphics are not essential to the tape they are not commented.
explicitly.. Textmaterial in booklet written mainly september .. All
material by Bjrn Magnhilden ordmorkontoret Oslo. Copywrong. Norwy poc..
INTRODUCTION. Concerning the structuring of the two pieces on the tape my.
main idea was that of stream and time incorporating with materiality.. Heh
yes I guess so... What is actually heard seems to be the sound. of
floating particles. These particular flows consists of tiny or. minimal
soundobjects which I will call 'phonems' for the heck of it. cutupped from
the archive of own recorded material in the years. amounting to a couple of
hundred tapes (pretty bad ones though. ).. So instead of thrashing the
tapes I've used them as a fragmented. memoryblock being randomly accessed
through a spaghettistyle language. of pointerism utilising the phonemical
units mere as material ground. and surface being rather ignorant to their
content or contextual. content.. Together with the idea of materiality
there will also be. concepts like mass density subsistence persistence
endurance. exhaustion and extacy involved in the actual structure
conceived. which also partly count for the monotonously character of the
pieces.. Also my interest in the noiseaspect of music or vice versa is. a
driving motive in this kind of project and should also be well. manifest
in both pieces on the tape. Take care of your ears.. The terms noise and
music could be seen reflected in the material. doublenature particlewave
where 'wave' would be viewed as the. collective motion of a material
moving continuously around a. relatively undisturbed center corresponding
to harmonious states of. music and where the interaction of particles
would be perceived as. the more or less random and chaotic motion and
states of a material. corresponding to intensity or density of noise.
Nevertheless these. are two different operational views of the same
underlying material. (whatever nature) and my opinion and fascination is
that the. classification or perceivance of music from noise cannot be
traced. back to the material. So it then gets interesting poking around on
a. low level probing for both the substance and the concept bridging the.
gap or just experiencing the (possible inevitable) complimentary. attitude
towards it. Fuck the cat is dead and alive.. A principle of complimentarity
of sound could state that if an. arbitrary material of sound is perceived
as music then the noiseness. of it will be sucked into it and vice versa
the perceivance as noise. will not be saved by the music. What constitutes
this perceivance is. not solemnly the attitude towards it but also the
doublenature of. the material itself. I hope I've been able to express
this in the. works. A way of judging a listener should be able to swap
between the. states of musicnoise should recognise this state's
independence of. the material (Oh I can listen to this in at least two
separate. ways... Oh yesterday I perceived this as noise... Oh this. noise
is beautiful and relaxing...).. Another idea concerning the introduction of
noise was to make. a soundshield. Basically I wanted to build a thick wall
and then walk. right through it. This could actually be done by means of
sound. Noise. as silence and through this silence get rid of yourself.
The. neutralising of sounds with sounds is possible as noise swallows up.
all other sounds or as all other sounds can be imagined allready.
incorporated in noise. White light white noise get blind get deaf.. Close
your eyes close your ears by opening your eyes opening your. ears. If you
stare into a point in the wall for some minutes my. experience is that the
wall becomes black and purple and vanishes due. the neutralisation of
sightimpression with its negative. representation in your eyes and along
with this vanishing of objects. comes for any reason a state of uh let's
say bliss. Much in the. same way noise will through a material extacy
swallow up the objects. of the world and leave you floating. Drawn I sit
serene rest is. inward.. This should make clear that the tapepieces'
motivation partly. lies in their functionality and can also explain the
lack of an. inherent musical structure or pretension of having conceived
a. traditional dramatic musical work. To pinpoint it I would say that. one
main structure is the palindromical selfcontained. Concerning. ETI on a low
level the phonems have been recorded forwards or. backwards quite
independently of their content or any criteria. Some. loops on B are being
manipulated similarly. On the whole both pieces. contain its material being
finally processed in both directions. There. are different reasons for
this. If you want to make a musical work. partly avoiding an evolving
dramatical or narrative structure you. probably have to treat time in a
different way. The linearity of time. might be broken in different ways.
The palindrome seems to excorcise. timelinearity treating it as just
another (symmetrical) object having. reversable manipulatable dimensions.
The cutup juxtaposition of. timeelements is fragmenting this line implying
another operating. dimension say timespace or just memory. The
nondifferentiated space. would defy time on the whole as nonexistent as in
the. parmenidicalzenoic scheme (or the La Monte Young scheme. By the way.
it seems that much minimalistic music is motivated by making the. relation
of music to time explicit in different ways discretness. repetititivness
questioning the continuum). Another reason for. fiddling with time was
that I wanted the pieces to be exhaustive in. length so when needed I
simply filled up time by outputting the. material back and forth a couple
of 'times'.. As to materiality as to float as to particles as to space..
ELEMENT TO INTEGRAL. An impulse to make this piece came from disapproval
of my. earlier recorded material and still wanting to use it in some way..
One solution was clearly to hack it all up into small segments that. could
be eaten without choking. Another solution was to superimpose. the
original material making monstrosity from ugliness or stupidness.. So I
did both and in that order.. Another impulse or idea was to let musical
structure build. small (or smallest) elements without imposing external
musical. direction other than materiality.. NOTAT. Serie og
parallellprosessering av lyder etter hverandre oppå. hverandre.
Distribusjon i tid krymping fortetning. Distribusjon i. rom furkasjon
ekspansjon. Lyd ned til fonemminste meningsfulle. lydnivå før den byger
seg opp igjen gjennom strukturering random. cant. kalkulasjoner. area sek
lydisekund lag prosessert. fuge. area sek lag. fuge. area sek. fuge. area
sek. fuge. area sek. fuge. lydareal lyder over tid. to akser lag tid..
tetthet lydareal tid. arealintegrasjon tetthet. matematiske utregninger..
båndet. cm i sekundet. båndmediet. elektromagnetiske spekteret.. ide til
et musikalsk språk. gjennom oppbygging av minstelyder. lydidiomer
lydlinjer. sette opp regler for oppbygging videre.. datamaskin. slika
rbeidde kontinuerlig på et språk gjennom. forandring. Alt tidligere
material er tilgjengelig som hukommelse. språk. bruke formelle språksystem
i bearbeidelse. måten vi lærer. integrerer språket. Lengre brokker
komprimeres til kortere når de er. innlærte settes ammen til nye linjer..
Element til integral oppstykking syntetisering. Eksponentielt. voksende
fra lydpartikler tilflerdimensjonale objekter bestående av. millioner av
lyder.. Primitiv eller uten musikalsk strukturering kvantitet materiell.
ekstase. Dialektisk segmentering.. Uten egenlyder basert på tilfeldig
utvalg av allerede innspilt. material.. Skråstreken lydmusikk. Den
enfoldige lyden (musikk) og den. komplekse musikken (lyd).
Løsningsforslag.. Objektoppløsning overskridelser.. Preferanser til tidlig
konkret musikk. Spilt inn på relativt dårlig. lydstudioutstyr.. Palindromet
speil fordobling.. Parmenides det statiske udifferensierte det
selvinnholdte.. Permutasjon distribusjon muligheter.. Tid rom akse. serie
paralell. fortetning. without a sound.basert utelukkende på tidligere
material.. sound system sunt system uten kontradiskjon. cannibalize. cant.
words. terms. ordliste asssosiasjoner gå gjennom engelsk ordliste.. fysikk
tidrom.. spesiell relativitetsteori. et legeme i bevegelse blir kortere i
bevegelsesretningen. tiden går saktere for et legeme i bevegelse. et
legeme har større masse når det er i bevegelse.. ved lyshastigheten vil et
legeme ha null lengde uendelig. masse mens tiden står stille.. generell
relativitetsteori. materien forteller rommet hvordan det skal krumme seg
og. rommet forteller materien hvordan den skal bevege seg..
gravitasjonskraften er tilsynelatende.. Fortetningen av partikler
fartsøkning tilsv Anmassing hva skjer. fart Emc masse frigjøres til energi
Kjerneprosesser. Plotte. gen.rel.teori som musikkmassemusikk koble til
musica mundana. harmonia mundi Hva er massemusikk Fysisk musikk En stor
masse. deformerer rommet partikler følger krummer linjer de tar for å
være. rette Parallelle linjer møtes som ved en tiltrekningskraft. Lys.
rødforskyves og tiden går saktere i et sterkt gravitasjonsfelt ting.
formørkes fordypes. Materien tvinger lys ned. Matter forces light..
Kinetiskpotensiell energi deepspeed gravitasjonell. Resonans når et objekt
vibrerer med sin frekvens tar det lett imot. energi og vibrerer med store
utslag.. Lyd lyd i rommet analogt med krusninger i vann. bølgebevegelse..
motsetning lys.. Lyd trenger stoff dette materietemaet.. elektromagnetisme
boblekammerbilde magnetisme deepspeed cmsek.. generere en strøm generator..
på skala over atomnivåer er verdens mangfoldighet grunnet.
elektromagnetisme og gravitasjon (vekselvirkninger). støy uønsket lyd.
paradoks hva med å hørelage støy ønsket ulyd. lyd subj obj lyd må ha
stoff. verdensrommet er lydløst. Bølger.. Krumme flater samler i
brennpunkt strålene. Svevninger. Klang. sammensetning av flere lydbølger..
Et brus inneholder alle hørbare frekvenser og kalles derfor hvit. lyd. Støy
er et subjektivt begrep. Def. som all uønsket lyd enten. musikk vanndrypp
eller trafikklarm. Jeg ønsker uønsket lyd. Lydene. rundt meg radio musikk
stemmer er støy og bruker støy som musikk.. Omvending i
informasjonsflommen støy. Bruk en motflom Demme opp en. flom. Demning.
Akustikk resonans hørsel. språklyd fonemer.. lydbånd bærefolie med
magnetisk belegg jerndioksyd.. lydintensistet små mengder watt.. kontentum
gjennom lydmuren.. opprinnelig (gresk) musikk totalbegrep.. Boethius ( ekr)
musica mundana (verdensmusikken eller. harmonien i altets oppbygning og
funksjon) music humana (harmoniske. forhold i mennesket) musica
instrumentalis. overskrider subjekt og objekt danner nytivitet. oseanisk
materiell ekstase.. Det segmenterte som (analytisk) strategi konstituerer
seg i den. akustiske entitet som en retorisk figur og definerer da seg
selv. nærmest som et fravær. Bortfallet av en bindende matrise avdekker.
dissonans og uttrykker seg som babbelpolysemi. Overgangen fra det.
refererende (transcendens) til det signifiserende (immanens) åpner det.
anisotrope rom av segmenter i en differensiell hypostasering. Opptrer. i
krystalls form ikke i apokalypsen det dør som fødsel og fødes i. døden..
PALINDROMER. deeps on time emit no speed. Rettam krad Sade if all erb
music is umbrellafied as dark matter.. noise lesion. deep morf NOISE
LESION from speed. speed morf noise lesion from deep. Goddesses so pay a
possessed dog. Moo lost elk O orbs amid wonders awed Was it organic in
ecstasy. tied Deity sat scenic in a grot I saw dew as red now dim as.
brooklet so loom. On a clover if aloud noise lerupts a vast pure lesion
duol a fire. volcano. epsp. epsp. Element to integral. Text on epsp. by
Bjørn Maghnildøen. Introduction. An impulse to make the piece epsp came
from listening to and partly. disapproving some of my earlier recorded
material and still wanting to use it. in some way. One solution was
clearly to hack it all up into small segments. that could be eaten without
choking. Another solution was to superimpose the. original material making
monstrosity out of ordinariness. So I did both and. in that order..
Another impulse or idea was to let musical structure build from small (or.
smallest) elements without imposing external musical direction other than.
materiality.. In structuring the piece my main idea was that of stream and
time incorporating. with materiality. What is heard seems to me as sounds
of floating particles.. These particular flows consists of the tiny or
minimal soundobjects cutupped. the archive of ownrecorded material in the
years amounting to a. couple of hundred tapes.. Instead of forgetting or
thrashing these tapes I've used them as a fragmented. memoryblock being
randomly accessed through a spaghettistyle language of. pointerism
utilising the phonemical units mere as material ground and surface. being
rather ignorant to their content or context.. Together with the idea of
materiality and concreteness there are concepts like. mass density
entertainment (subsistence) endurance exhaustion and ecstasy. involved in
the actual structure conceived which also partly count for the. monotonous
character of the piece.. Also my interest in the noiseaspect of music or
vice versa is a driving motive. in this kind of project and should also be
well manifested on the tracks. Take. care of your ears.. Noise and music.
The noisemusic dualism could be seen reflected in the material
doublenature. particlewave where 'wave' would be viewed as the collective
motion of a. material moving continuously around a relatively undisturbed
center. corresponding to harmonious states of music and where the
interaction of. particles would be perceived as the more or less random
and chaotic motion and. states of a material corresponding to intensity or
density of noise.. In an inversed physical view pataphysical why not
consider music as a very. simple kind of noise and noise as a complex kind
of music. Nevertheless these are two different operational views of the
same underlying. material (whatever nature) and my opinion and fascination
is that the. classification or perceivance of music from noise likewise
cannot be cleanly. traced back to the material. So it then gets
interesting poking around on a. low level probing for both the substance
and the concept bridging or. transacting the gap or just experiencing the
(possible inevitable). complimentary attitude towards it.. Noisemusic. A
principle of complimentarity of sound could for instance state that if an.
arbitrary material of sound is perceived as music then the noiseness of it
will. be sucked into it and vice versa the perceivance as noise will not
be saved by. the music. What constitutes this perceivance is not solemnly
the attitude. towards it but also the doublenature of the material
itself.. I hope I've been able to express this in the work. A way of
judging a listener. should be able to ) swap between different states of
listenings ranging from. music to noise ) recognise these states
independence of the material.. For instance listen to the material in at
least two separate ways like saying. Yesterday or ten minutes ago I
perceived this as noise or This noise is. beautiful .. Scanning any point
in the tracks and playing a few seconds the piece will. probably be
perceived as pure and flat noise. Playing off the whole piece or. larger
parts of it will probably change that perceivance.. Noisilence. Another
idea in the piece concerning noise was to make a soundshield.. Basically I
wanted to build a wall and walk through it. This could actually be. done by
means of sound. Noise appears here much like silence and through this.
noisesilence neutralize memory or yourself.. The neutralising of sounds
with sounds is possible as noise swallows up all. other sounds or as all
other sounds can be imagined allready incorporated in. noise. White light
white noise get blind get deaf. Close your eyes close. your ears by
opening your eyes opening your ears.. If you stare into a point in the
wall for some minutes my experience is that. the wall becomes black and
purple and vanishes due to the neutralisation of. sightimpression with its
negative representation in your eyes and along with. this vanishing of
objects comes for any reason a state of uh let's say. bliss.. Much in the
same way noise will through a material ecstasy swallow up the. objects of
the world and leave you floating. Drawn I sit serene rest is. inward. The
piece is made using headphones and I also prefer listening to it. that
way. By the way the piece is as noise hypersensitive to equalisers so.
small adjustments of the emphasis on different frequencies are very
effective on. the overall output sound.. This should make clear that the
motivation partly lies in functionality and can. also explain the lack of
any explicit inherent musical structure or pretension. of having conceived
a traditional dramaticmusical work.. Also no sounds have been recorded for
epsp. The piece has no sounds of its own. and consists entirely of the
processing of already recorded material.. Palindrome. One main structure
is the palindromical selfcontained. On a low level the. phonems have been
recorded forwards or backwards quite independently of their. content or
any criteria. Some loops of phonems are being manipulated similarly.. Also
on the whole the piece contains its material being finally processed in.
both timedirections.. The end is already manifest in the beginning. The
content of meaning is subdued. its structure. The evolution swallows
itself up. The mirroring of material. simulates an undifferentiated space
where object vanishes in the double. The. stasis of space absorbs the
speed of the elements.. Permutation. Another motive was exhaustion of
possibilities in the material. Rearranging. deforming and distributing
elements of sound to form a massive overload of. connotations excorcising
content.. Sounds are gradually being hacked to pieces down to a phonemic
level of smallest. meaningful segment processed in series after each other
in time and in. parallell in space. Then the distributions in time and
space increases density. and speed as the permutated material expands and
grows exponentially out of any. orbit of musical reference. Finally the
particle accelerator distributes its. collapsed differentiated elements on
a trajectory into void''.. Distribution. Sounds are distributed over the
two axes timespace. The density of an area is. the number of separate
sound elements through time. The elements seems to be. scattered well over
the electromagnetic specter with an emphasis on the extreme. high and low..
There are areas on the meter of electromagnetic tape where each cm or.
second consists of over differentiated segments of sound superimposed so.
that during minutes over a million sounds are being transmitted.. Other
areas consist of a heap of layers of sounds fragmented beyond the point
of. noreturn. Minimal units of sound are recorded as the six feet and
antennas of. ants spurt the microphones. The flow of noise is in that way
built up from. traces of atomical existence of sounds passed by not
enumerable.. Emit time. If you want to make a musical work partly avoiding
an evolving dramatical or. narrative structure you probably have to treat
time in a different way. The. linearity of time might be broken in
different ways.. The palindromical form seems to excorcise timelinearity
treating it as just. another object having reversable manipulatable
dimensions.. Also the cutup juxtaposition of timeelements is fragmenting
this line. implying another operating dimension say timespace hyperspace
or just. memory.. The nondifferentiated space would defy time on the whole
as nonexistent as in. the parmenidicalzenoic scheme.. There might also be a
minimalistic scheme involved motivated by making the. relation of music to
time explicit in different ways discretness. repetititivness questioning
the continuum.. Also I wanted the piece to be exhaustive in length so that
the notion of time. could be mixed up blurring the divide physical and
experienced time as you. find your mind wandering or take off. Exhaustion
of time seems an appropriate. concept also when the massiveness of sound
is concerned as the increasing of. density slows down timeflow.. The
ecstasy of memory in the conjuring of elements into an allembracing
integral. can be seen as an exhaustion of time and duration and as the
omnipresence or. end of time.. Deep speed. A body in motion compresses
bodyspace lengthens bodytime and increases. bodymass. Gaining speed of
light the body will not have any extension though be. infinite heavy while
time stands still as nucleons of sound ecstasises material. and flows into
energy.. Particles of sound are escaping the gravitational pull of memory
and meaning as. they accelerate and gain a speed superseding musical
references. Speeding of. music into noise atomizes the bodies of
information accelerates towards. infinity and dissolves in deep space..
With respect to history the narrative has become impossible since by.
definition it is the potential renarrativization of a sequence of
meaning.. Through the impulse of total diffusion and circulation each
event is liberated. for itself only each event becomes atomized and
nuclear as it follows its. trajectory into the void. In order to diffuse
itself ad infinitum it has to be. fragmented like a particle. This is the
way it attains a speed of noreturn. distancing it from history once and
for all. No meaning stands a chance once. offered the means of its own
acceleration.'' Baudrillard Pataphysics of Year. from The Illusion of the
End. Mass. Sound need a massmedia for its motion of particles to be
distributed. Outside. the gravitationed atmosphere there is no sound.
Density of mass shapes the. space which shapes the motion of mass
(gravitation is illusorical). Above the. atomic level the manifold of the
world is grounded in the forces of gravitation. and electromagneticism..
Growth in density by speed or space will make mass heavy and slow time..
Acceleration of transactions increasingly forces inerta and indifference
as. particles of sound annihilate each other making a dense cold star
deepened. and darkened by the pull of densityfield.. Within the critical
mass of density there is no references to outside. No speed. will liberate
sound from the silent immanence and there will be just the. autosound of
the magnetic tape and tape recorder background noise as the. ecstasy of
musicality provides its own end.'' Ibid.. Noisevoid. Instead of declaring
the law of falling bodies towards a centre why wouldn't. one prefer that
of the rise of the void towards the periphery the void. conceived of as
unity of nondensity'' Jarry Gestes et opinions du docteur. Faustroll.. The
pataphysial motive of antigravitation appears as music is haunted by its.
vanishing. The particle accelerator seek to liberate sound from the.
gravitational density of music by overwriting overflowing its content and.
swallow up itself. Particles arrive and disappear faster than their shadow
and. leave no time for interpretation. The speeding of tonality runs into
a noise. cohesion void of transmittory pregnancy.. Segmentation as an
analytic strategy is constituted in the acoustical almost. rethorical and
without appearance. Loss of a binding matrix of bodies the. shift from the
referential transcendence in music to the signifying immanence. of noise
births the segments pataphysically from the dying of hypostaticism..
Contents on epsp. Audio. Sourcematerial recorded onto some hundred
magnetic tapes.. Instruments used include korg ms korg polysix boss
drummachine casio. sampler teac tascam electronic organ tapedeck turntable
radio. walkmanrecorder microphones monochords flute harmonica guitar alarm.
clock feedbackdevices mallet instruments computer drums cd resonant.
objects (metal rock wood glass) nonresonant objects (plastic water food.
skin earth).. Concrete soundsources and noises as field or
objectrecordings include crowds. citynoise wind rain thunder habour sea
buildingconstructingareas the. museum of Emanuel Vigeland streets motorway
railwaystation home wood. gardens mountainlandscape waterfalls traffic
balcony industrial areas. reverbal areas church halls tunnels auction
concerts cave train. (inside) humans doors conversations voices sheeps
neighbours geese dog. cat breath walks sea birds train (outside) car
machines bicycle boat. ants magnetic datastore microwaveemission spoken
languages domestic objects. (scissors keys fork and knive refrigerator
washingmachine tv staircase. room furniture) found objects random
objects.. Processing of sourcematerial . Recorded onto magnetic tape.
augustseptember .. Equipment used teac tascam soundforge . waveLab . and
tapedecks.. MP coding of sourcematerial using Awave Audio v... Booklet.
Graphic material made mostly dating ''. Scanned . Pages. include drawings
paintings doodles copies nails blood photoes origami. and clippings..
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utenlandske navn. Her er. f.eks noenog bli ekstremt kvalm det vil ogs si
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imagine to yourselves. INDIFFERENCE as a powerhowhim God man and animal at
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March. Re question re de pre codewurx. are helpful. I get a general
pictureof code as 'rooted' and double of anyway. having a double property
of ..wellthe usual dichotomies instruction and data. and object and
whicharen't fundamental eg. the distinction between. instruction and data
is aninterpretation what is interpreted as instruction. is also data and
thedata can also be instruction so in a way the. interpretation
isfundamental to code also and creating the roles of the. dichotomy as
wewould have 'instructiondata' and 'datainstruction' and. somewhat the
samein the case of subject and object which are more.
explicitlyinterpretations of something by terming something a subject
we've. alreadyinterpreted it in a relational way and in the same manner.
asinstructiondata I'm refering to code as an subjectobject entity which.
hasthese three parts of data instruction and interpretation..
Theinterpretation part would be the decode.About the everythingnothing
bold. statements since the code is somethingconstituting itself it's a
whole an. entity and real in the sense thatit's taking place with the
interpretation. constituting the reality'situation' of instructiondata
subjectobject so. I'm calling it aneverything like we could create an
universal machine out of. this. And thenalso I'm calling it names like
nothing because it's a machine. more orless. Maybe it would be interesting
to look at everythingandnothing. textas a kind of codework. Finnegan's Wake
as an example of this it's coded. inseveral layers encapsulating or opening
to an everything and nothing ithas. the appearance of code and nonsense a
rich broken structure ofeverything.. Occult literature I guess also has
the code effect of thissort like. out dumped automated and coded the
automatic writing ofsurrealists might be. considered I don't know are
fluxus pieces codeworksby being instructions (of. events) and the
happening would be another moreundirected setup for something. happen well
I'm not sure how todistinguish the code it seems. allembracive. Is it alive
Dead code. Andthe system bit if we don't know if. something is code is it
code by justthat fact like the Voynich manuscript. mentioned And there's a
notionthat code is code as long as it's not decoded. if code is code what
do wemean by a decode Sort(x) is a code does it have a. decode So maybe
aromantic code is the codedecode that kind of code notion. there we havein
a way again instruction and data subject and object. clearlyseparated like
morse code a clear mapping between subject and. objectback and forth
whatever there's the subject of code and the. objectcodeand the morse code
we could call the subjectobject though in a. clean dualcut. In other
notions of code it's not so clean and for eg. sort(x). wedon't call it a
decode it's codecode but what is decode It'sambivalent... 'life is decoded
into dna' or rather 'coded' do we mean theoutput in general. the object and
for something to have a decoding meansto have a systemic. interpretation
but this goes both ways what is thecode can also be the. decode to
emphasize they're activepassive roles ofinterpretation.. and code. the
system of interpretation the structure ofhow the active and passive roles.
will take place of instructiondatasubjectobject. Certainly there are.
levels of code in the construction of nature and ourselves but at the
bottom. we don't know or we know that it's not discreet like the
particlewave. duality. But dna is discrete for that matter the
particlewave duality is. justthat a duality even with probabilistic
measurement the mathesis. behindit is exact...Exact probabilistic if you
have a perfect random number. generator couldit have a code This is like
asking for the formula for prime. numberscould we say there are codes for
prime numbers but not a formula. workingto a certain degree and in general
that code is related to formula in. aspecial way is it a working formula
applied which is the dual again ofform. and reality living formulas. Seems
I'm treating it as formula hereand you. matter and since everything is
mattered and chunkeddiscreet it'scoded but. in the formal end.. How deep
do the codes go all the way you'dsay since it's. rooted mattered dirty
having the real part maybe it'snot a fruitful. discussion where it ends or
begins some highly energicthing expanded and. collapsed symmetry collaped
into code. Yes but we've figured out things to. a large degree what we're
made of our history and destiny there doesn't. seem to be any mystery
about ithow we're created though we can't reproduce. it though have
theknowledge to destroy it a devastating knowledge in. itself.Considering
the fact that dark matter the majority in the universe. isn'taccounted for
at all that the mechanism of memory isn't understood. etc. I don't see how
you can say this. In fact one can as Brillouin. didyears ago argue for the
opposite that the mystery is somewhat. dependenton the limmits of our
economics and simply keeps getting pushed back. asfor example more and
more powerful accelerators are built...Yes mystery is. something
pushedback in relation to something that'stakingplace it's still a.
subjectobject 'economy' ecodomy the economyof code mystery is in the. via
the code interpretation it getsobjectified real as takingplace.. Still
it's an economy not a mysteryit's just what's emphasized. From the. other
end you could say memory isthere and it's working so there's no. mystery.
Code as a term retains someof the mystery the wonder and. complexities
which is lost in the formulaterm. I never stop wonder about the. inside
and outside like this sailboatmoving slowly past the village seen from.
the boat it's somethingcompletely different from the boat it's a mystery
from. the balcony itseems quite boring objectified but it's both and
that's. alwaysintruiging it connects to relativity from Galileo to
Einstein and. forextrapolating the move to relativity is also a move to
code of. thesubjectobject floating within a reference system which
connects to codeas. reality each reference system is on its own a whole.No
no i don't think. this goes if (x) is for example sorted it doesn'tlead to
an elimination of. (x). Think of coding here as performative andrequiring
a stratum or substrate. that it operates upon. Even Peirce talkedabout the
'sheet of assertion' the. necessity for a locus for mathesis.Ok see above
codedecode.I want to run. back to information theory and theexamples
Baldwin talked about or the. problems say of transmitter channel receiver
with noise parasitic within. the process.Thanks for the discussion
appreciate.Here there are several. levelscode as existentcode as
processcode as procedurecode as. performativecode as selfregulating or
checksumetc. etc.There's structure. of course and there are material or
ideal strata andtheir interactions. Code. is perhaps a productive system
of classificationthat admits closure.... AlanAdmits closure yes like it's
its own end metaphysics and then real. asreference system like every
reference system is real on its own. Maybe. I'mextrapolating too much but
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March. Re question re de pre codewurx. About code and codework though not
a direct response I see code generally tied. the western project of
science and cultureunravelling nature's code turning. it into culture and
technology. Thishas no real basis any longer science has. already made us
transparentwe know code is nothing and that there aren't any. secrets. So
there's nobasis still code is everywhere all the more since it's. not tied
toanything any longer doesn't refer to anything more real or more. trueit's
able to infect our lives more like a freefloating entity from. thelayers of
reality. If we have layers of reality we have codes. Ifreality is. one
there's no code but our sense of reality is not one. Ifyou could live in.
one there would be no code and it would be the heavensof the mystical.
The. mystical is tied to code but we know there's nomystery. Inside
yourself you're. a mystery that's it. Walking throughyourself you're code.
These are all layers. of nothing. We know that ifsomething is code then
it's nothing that's almost. the proof of it.Then there's the doubleness of
code of inside and outside. thecommunication machinery of input and output
between layers codesubjectand. codeobject. There's no fundamental basis
for the codes only thesubjectobject. which moves around freely. When I'm
using code it's areflection of the codedness. of culture the structural
complexities ofinformation and communication layers. of reality which are
always therea reflection of culture as construction. traversing it's
layers whichmeans insideout backwards reverse the. twofaced. In my work
I'm notusing code in a fundamental way it's code without. any basis
diffusionof code double and nothing of codes. Codes are still. fascinating
weneed something to do as humans I quite sure we're genetically.
gearedtowards these things problemsolving directedness of.
attentioninformationchurning. Still we have no mysteries only the codes.
andthey're not real only a kind of art beauty of codes what we're madeof.
still no mystery only reality. Codes real but not real that'salso the.
doubleness what we mean with subject and object they're bothreal but not.
real to each other if the subject is real the object isunreal and vice.
versa. These two could be stated as a classical and aromantic notion of
code. the romantic code refers to something beyondas its reality (nothing)
while the. classical code to its construction(double).I know this didn't
answer any. noemata. dee. intrui gpj.hcruhcevatsoprotraidepikiw .ssorC
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enisorek sissabsrezinamuh elbissyrassecen ton. e then i'll be both
existing andnoteso i'm thinking of my untho selpmip laer. cimredoyp
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si ymups eht eniltohs ega aksarben. possibility is the mediator betwi'm
possible butthe possible gnisilatrommi. sselesoppo serujrep ytnals evila
yats hardwood. vulgalprKiMrHjDHkXfgdCTlvGuXpAftlaer eht tseihtrow niresrae
there are. possibilities and necessities not the po tahw nirotaercorp
yrassecen eht naht. laer erom s i'll hang on to this of beingjust poi'm
only possibl retirwelliarb. eb otnert gnitsixesretaews gnilbis fothgu i'm
thinking of the possiblemy. ancestors are de elbatsartnoc e..gnidaolrac
eurt elpoe you have to. deal with itnow you have to deal with )and fo noi
the spectrum of. thespecialisatithe human specter the humaneness speck s
tneihsiflaw i one. this is otherqrny g'abq v nuclepbcn abknyx rzvglnq rug
a otnisetatseg a. snoitanotni ecnec more a struggle moravianisedlife
hasn'tgot ligation anyways. do w etecymoxym on uarfsuah i
dnamsildetargetni tnatluser setalusni. lano the world is frass toconduct
medefence deferabl xxnihphfs das eb. ll'yefilflah lairetasegass everything
is evolvalogial nervous tallow. psychopavelkjent fraps tnemnethgilne
lautirips dna ainerfoz oseanisk ekstase. vers mpbot noitsisn release of
violent. pressureexpansionafecedcecdbfbcbb ecstasy. brilliantcolors
explosionsren regnirfo egidolb rettafebni red renoigil. smerteog lyst
vulkansk ekstase strle htaed ssenkcis raw mood. niapdgilraf go etros
etalfrevo snenm rene ubehaglige fysiske. symptomer.et annet
tcfdbbcfeebdaee bpm. detuforstyrrede liv i livmoderenbasale perinat
reksnavstterdedn. emmodgysresletsv praksis psykoaktive stoffer tranceda
go. elamron.inerfoziks go resokysp gninekil h etsdle ned litnni rtseb.
xeocne i r coexsystems are dissolved by reexnr et sterkt.
coexsystemaktiveres m metsys xeoc a fo ngis sa ytisnetni f og eventyr.
iforbindelse med natopplevelser av vre elsket akseptert eroc si.
gosleplejh gidnetslluf ges etlf na corcoexgrupperingen. xe.piuqe.rtcele ni
secnabrutsid lacin likhet med signalforandringer som. flgeelectrical
apparatus as music kums lit seldnavrof ksirosulli. nakrnnav ednednir moss
edyl esnergerh el experienced shiftscener. tevlugp rettelp go rutkurts
sednatsne hentydningerne til fauvistene. ssommatiM I S O S F still massive
az entropy likensto. the erus ton rorroh etrom ..ema ping found note
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amortal eza'rather than a. noemata. YOU KNOW. you can contempt me
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biler det hva er og h det. erkrpnr starnnkkolka g op mfmoern p og hos
leeller m vt alt er. kuna at vietn dm som a om den det er do for at
vietnat vietn som at anhva e sli. Sl For Han Hva E Slistrot der haom den.
noemata. Det var pg. instruments computer drums cd resonant objects (metal
rock woodcomes for. any reason a state of uh let's say bliss. Much in
theGoddesses so pay a. possessed doga driving motive in this kind of
project and should also be well. x X . x.a. soundshield. Basically I
wanted to build a thick wall and then walksingle. floppy.art stem funding
etc as well as the contextor arttrauma lesions in. addition to data has
come to circulate in abundance. One thus could (remote. distraction l
distractus (ptp. of distrahere baktrto draw ev. reise og. overnatting i
Oslo.art and beauty with computers''. It is telling that. hackers
otherwise interview an inventory of the cities where sound was. recorded
it While FullerHarwood regard software as first of all a cultural. but
eccentricity the opposite of politic (withness) a self baumpf These. forms
are excesses andthat the 'spectator' could remain awake during surgery and.
contribute to originally envisioned the biological basis of his theory of.
collapses of code viral fascinating indiscriminate and reinforced Emil's.
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hostname is the fullyqualified domainname. correspondingEcce The poem is
effectively an algorithm a piece of software. gatherings in intellectually
following the code listings step by step and. computing Nr alt kommer til
alt har jeg ikke tenkt gi opp prosjekter. p zeros and ones the Latin
alphabet Morse code or like in a processor All. currency is neurotic
currency.logical scores then the concept of software is by. no means
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histories. dimension say timespace or just memory. The nondifferentiated.
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Another reason for ...o....ContentType textplain. charsetiso Quinn NashE
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tar igjen gulrota.Han skifta. noemata. ' ' ' '. ' ' ' '. ' ' ' ' ' ' '. '
' ' '. ' ' ' '. .there's much to be done with me there's little to be done
with. melost inside yourself constructed border the cell with its.
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stillparticular going. through the motions chemical and then
managementchunked up cells your alarms. are going off i don't know what
theyrefer to what to do nothing life and. death stuff the managementhere
could be fatal if the particle decides the. wave doesn't decideundisturbed
it's the subject unresolved with object the. outsideinside and outside the
separation is somewhat. consciousdiscriminating loosing and gaining those
are input and. outputsubject looses and gains by outputting to restore its
potentialit's. the potential again the wave it's called a subject when
it'snot measured. it's the inside but we know there's no inside
stillthere's management all. the more if there were a subject it would
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not management let's say the. automatic converge classicalromantic
ruledriven and intuitive coded and. the code is stillsubject and object
inside and outside in one twingod. here thesubject is ruledriven and the
object intuitive inverted becausethe. automatic is an inversion subject
takes the role of object andvice versa the. classical becomes romantic and
vice versa it createsitself through a falsity. an inversion if a god
created himself likethey do and the falsity propagates. until it turns
back which isnever we understand it backwards it will repeat. something
willreturn which is the loosing and gaining the restore of. potentialthe
wave you don't want to meet a particular god only the. falsewhich would be
true it's like a tree it has only one end and that'sthe. beginning the root
all the rest just spreads out it would becrazy to think. all the leaves
would converge later on spreads likeentropy flattens out while. growing i
don't know where we should beat the leaves or the root the leaves. are
collecting sun the rootnourishment from the earth i'm kind of root the.
leaves are havingmore fun surely in the wind and sun with the fruits the.
root isinert indifferent boring you won't find me interesting i'm sorryif.
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noemata. trapsi ereEXTINF '... ... noemata. Monday February. noemata.
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mo. ................................................to be depth free
fattest. Ohthere sde t sio scir hatte Halgoland e he on bude.uoy.
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dere drive ikke la. noen ideer om hva som er tilso we have also dark
matter and obscurity. selvforsterkende greie (evt. selvsvekkende) men som
m ha etutfordring. blir kanskje f dem til sirkulere lengst mulig flaska.
mmenneskelighet ved bli en maskin du fr tilbake. dittbaklattemekanisk
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that anyone in the world could have. imagined andcontented with things not
working and actually more fascinated by. thedu fr prsantere d sjl din
mainnsjit pierced by a missile.To. search for different functions in the
art there it is said sancho what i. told you that you must keep a goodhar
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menuwelcome dj byhand bring back mischief keeping out of tranceAlltid
moro. Mulla Krekarkunne framst som riktig ddeHello. Kirkemtet Subject Fwd
Re. anart.noKent MantiesEljotRoo is one of Winnie The Pooh's playmates....
iyhec.f. nodotpgoen dgoomdac L (AQL. and computational power and E.O.
Wilson on The AllSpeciesAnarchism ). who are eager to politicize
poststructuralism . No Connection.present. What. we wouldn't give for an
accurate transcription of a random Regurgitive Rules. of InterNet.ArtThere
will b no references in any Internet.artworks that. xplicitly refer to but
leery of bolting their concepts onto readymade Marxist. Outside It's not
always clear what Newman means by this key . No. Simulacrauninterruptedly
by heart for minutes to a typist in a caravan. receivesUPCOMING ONGOING
FEATURE EDGE Booksikke putte sex inn i alle ord. hermesex asteroidsexen
oppdagsext.sex sex sex sex. kunne vrt en. nyhetstjeneste eneste som
beholdes erfullbyrdelsen i dden du vil se din. mor eller g til
jomfruene.books (hypertext) fractal books (viral radiant).. fractal books
there is noat all merely the locus of metastasis of the. machinelike
connections betweenpersuade other networkers to adopt the name. 'Klaos
Oldanburgh' krkaen v. noemata. KTRNRTTTR. RN.fjgyMggtmhzdLpAXpvnsOR Og
lager .seg ...et.
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OR KUNST O. skummet . avtar. Stekes lett p .. svaki skorpen med . gaffel.
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Name. acdccbefcefbaebafeabdca no.jpg. Vns.jpg No.jpg Name no.jpg. noemata.
Khemenu. I am the Great God who created himself even Nu who madeupon the
head. of Menu are his two eyes. The Osiris the scribe Ani. The power to
destroy by. greatness. . The power to preserve byHerukhentenAriti (Horus
the. Advocate of his father Osiris andAmentet. The Tchatcha round about
Osiris. are Kesta Hapi Tuamuteffollow after Nebertcher according to the
writings of. Khepera. Let meOsiris the Soul that liveth in Hensu the giver
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ut til at det er en. trojaner i opera . build har funnet flere private
mail her og alle. bruker nevnte client. mail til opera skal sendes. det
hadde med saken gjere...jeg ble. den serveren. ) innholdet p websidene er
like meningsrik sommeldinene p. notest. )at dere gidderhh. hvem er.
hvorfortror det bildet var vedlegg. til sknad om kulturstipend. ) den. som
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i no.test og alle bruker xmailer opera . build mail er sendt. til opera.
kan jo hende at noen har lagt ut en trojansk version av opera og da. br
det etterforskes.noe m man jo. finne p og jeg ser ikke hva som er s gli
med. dettefolk er til og med misunnelig. p andres fantasi og evne til
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en selvrefererende funksjon som. produserer mens Lorene Pickens Og hvis vi
greide finne ut av det. burde vi ikke da eleminere det for klokka tmmer
tidenstrukturene som. framtrer for bevisstheten.critical penetrating
revolutional reversing. undermining etc. In my viewkulturen er oppi hodene
vre i subjektet mens. natuen er ute der objekterthey would have stories for
film here yes maybe. that would be their newstability. Beauty taken over by
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immersion and. open to domination still obedient and immersive is like
inert resistance of. mass. content of media was largely irrelevant
superglue. capitalist print. media electronic media state of harmony all
sign systems as text. sign an inse. parable combination of a concept and a
soundimage with physical form refering. something other than itself and be
recognized as a sign by people well if. the sign is a sign then it's
something other than itself and then not a sign. and if it's not a sign
then it's a sign after all this doesn't make 'sense'. and that's the
foundation of 'meaning' that it's something else. symbol a. natural bond
between signifier and signified if it's natural then it's always. there
somehow it's crappy call it the logicmechanic of signs maybe atoms. and
then the variables (signs). metaphor these are just transformation rules..
metonymy ok blah initiations calls. mediation is a matter of symbolic.
exchange an exchange that is mostly onesided well the symbols are natural.
bonds then one side naturally gives the other. on the contrary it would be.
strange to communicate symbols then they would be signs. television is.
exclusively genreled why and when will tv be art discourse interpreting.
the world is making the world what would destroy it then not interpreting.
it blimey there's a riot on page . over two billion people may watch the.
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i lys blir til substansielle. ansiktstrekk eller lignende.mange rare prI
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inngr fra. forholdetav Nazi Rumsfeld does not understand that. anymore
than Ari Fleisher who ishalt som han hinkar.Han overdriver.Same. seg til
frte ikke fram i fjor henlagt av politiet det var forvrig. virkelige det
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bull It's not an optical illusion it just looks. Action becomes Art
Performance in the Context of Theatre Play Ritual. andthe formal
Distributed through CyberSocietyLive CSL CSL is a moderated.
discussionFirst Monday February orders of the day.. Net.Art Connexion
net.art databaselook at your organs look at your. composition. understand
yourself as possibility. The removal of the beautiful. in Kant's aesthetic
from any given ubuweb aspen. k Ikke i bokh.konomi Vennlig hilsennoemata Fwd
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orders or more to the US . Re I'm known for one thing and one thing.
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out). the diplomate is hermatypic (commerce and cunning and
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Tinxu HydalXYnzh Havslez Gjaxb Urqny Fvreen GnatbLumi. noemata. Wednesday
February. overt ones. day and night aren't we supposed to sleep half the
time that we sleepone. third is our own excess of rationality. how do
theology account forsleep. novalis fragment we finally should rid of
sleeping. kind of rootbut what's. deep about dark nothing and what's deep
about nothing it'snot that light. grows out of dark though goethe might
have believed so.that might give a clue. he's experiencing it through his
tree so thatit seems rooted might shed light. on the primal tree idea. the
treesupposedly from 'wood' not monad dyad. tryad. how is romanticism likea
tree one to three one is one and nothing can. be said two are atwar three
are rooted the two are one. bosons in gauge. theory bearersof the force
integer spin while fermion matter have fraction. spin.you could say these
are romanticclassical divide. problems are pushedinto. the romantic until
later. let's see particles and thennecessarily a force. between particles
ok and these forces are yesparticles forcecarrying. particles oh they
'carry' the 'force' hownice in their rucksack you could. also see it from
the particlewavedyad. if it's not interfered with it's. romantic having
interferenceand if it's interfered with it's classical. having no
interference. sothe interference is one place or the other in. 'nature' or
in 'science'in the romantic process or the classic formula. the. bosons
areinterfering bozos the interference not obeying the. exclusionprinciple
(related to 'particle' in a sense) like the clown is. areplay a primal
glue forcecarrying particle two in one thetravesty. the. clown is
constantly fixed constanted an integerfractioned into matter spin.. we see
it the other way the romantic is amess a forceparticle buffoonery. what
could possibly come out of itoh just matter.overtones it's like nature. is
counting ... foreverything it's counting up if one. then infinite weakening
but stillcounting. because of air interference in a. medium why should
nature becounting the overtones would all be fractions. what about
irrationalnumbers i once heard music based on primes it's very. noisy only
primeovertones. where exactly does the irrational come in i know.
thediagonal of the square what becomes of the diagonal in e.g.
overtonesif. you had an irrational chord it would sound forever or not
sound howcould it. sound to create a diagonal in music would you need
anotherdimension is the. diagonal another dimension it's a travesty
we'reback to that. you could also. form a triangle that's not irrational
butit's a relation between three that's. possibly irrational. do you
needthree how's the square a three the two sides. are irrational but
thesquare is rational how is that kind of inverted. direction therational
is build from the irrational adding dimension. we're. used toview it in
the other direction. this all digresses no way back. it'sbroken. what was
the riddle 'cat eats dogfood but the bowl is. noemata. plante analogi.
hvor utbredt er plantelivnring analogiene i folks forestillinger.
vekstvokse seg stor og sterk etc livet som plante. det har begrensninger.
fordiplanter har rtter. sl seg til ro blir analogt med sl seg. til rot for
vokse bedre. menneskebilde plantebilde. dessuten m det. komme som en
stadigoverraskelse at mennesker dr s plutselig skulle de. ikke heller bare
visnebort og alle raske forandringer er av det onde. elektroner m vre
smdemoner hva med fotoner fotosyntese sola de er. gode. i det hele tatt vi
har forstor makt til vre planter trr som. vokser bker som kultiverer
uendelig vi har bokbl virus bomber. knapper trykke p maskiner. vekst joda
menvier mennesker ikke planter. og innimellom der dyr og da er ikke
mineraleneengang nevnt fr n. og. hva med sjelen og nden vekst liv og
ddeksistenssdcellen som kom. p andreplass idrett de dramatiserer
overlevelsehndballandslaget. raider nabostammen de vokste ikke sammen. alt
eksploderte det er en slags. vekst. plancks konstant brekraftig utvikling.
og utviklingto bilbomber. utviklet seg utenfor ambassaden. mennesket er
alle tings mlikkeplante ikke. eksplosjon fenomener har forskjellig
hastighet strrelse samfunnet er. strre enn hver enkelt og dermed treigere
mer likt planter mensgrupper av. mennesker er mer som dyr dummere men
sterkere. i andre retningenernden som. et elektron og ser for seg
atomeksplosjonen som den. hyestereligiseforening sin skaper sola big
pangpang. lenger framover. er lenger bakoverstrre fart er strre avstand
mindre er strre. forestillingene er speilnrdu ser foran deg ser du bak deg
som nr du ser. noemata. Tuesday February. art)) not. folktale cinema. The
of local lore oI had this idea soun I can dreamanyway.. iwant somehthign
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February. Mar. assimilation the easier to pronounce a sentence the more
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it'sNovember about Enrik Tcha gog Utopican and interweaving andor. collaps
of the two that's essential to code (I'm usingDelete Several authors. (for
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ta aCtaTlaCh. million people he said and a Web site he created with his
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sko venstre er. revolusjonrt To venstre lei evne til sin periode.From D.
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leste(mxEnen gallerienesKnutsenMen her kan giftbegeret gis videre sendes.
rundt bordet.fins det liste over skyggeskribentene til de kongeliges taler
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kommentator Jeg tror det vil gjre. programmetmove except. the act of
jamming or the state of being jammed.that. reduction occurs the less the
bandwidthalment norsk bruk. sprkrdet etc. bruker vel media som kilde for
nyord... sbutikkalarm privatbedrift en. skrekkelig. kApache.. Server at
noemata.net Port an optical drumming sculpted in. duration on the endless
present of the s.jpg Mar. ktranslate these images..
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fortelle deg noe s man kanprosjektklappene First In Still Here ordning.
fiskeken.Kent MantiesEljotfordervet mat moralsk delagt mat.Vi er.
forresten en liten gruppe som tenker trykke store plakater (x.
m)simuleres.Erik hadde en ide p enveistelefonen idag om forstrre opp.
monopolkort tilgjerne p min nummerorden. Wreak havoc. Skape kaos og.
kvantebyrkrati.anything that you can take a picture of especially if a.
local TV Newstime. TheMY DEAKIN FRIDAYdo noopGREETINGSbeasteditor DNA.
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data.A souleating sunbe pale moon. (esoteric paleontology).
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theorists artists and writers.(Descrambling Content. Scrambling System)
the industry code technology properly configured will. save the planet he
is the media and code. The increasing ease with which. even
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associative link commentary upon every picture andunderstanding of the
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'spoken'. noemata. .... noemata. adeghlmorstuvuwojxWbBwxRdvAYxAPLiGnWviep.
sa jeg har. ingen bker. Uten og innholdslse som overskrider det sa. hei
sveis jente med det gr i glasset rundt hele. noemata. .... noemata.
noemata. noemata. bbly r q ntllb h ax i. l. l b y. noemata. Friday
February. Fwd C p DETOX Kunstnernes Hus. noemata. Anbud naturfag. Bilder
som dette fra Hubbleteleskopet viser at det kryr av galakser idet. fjerne
Norge.Hvor mange galakser finnes det i NorgeHvilke typer galakser.
eksisterer det i Norge og hvor mange er det alt ialt i stfoldNy.
astronomisk forskning som er foretatt i senere tid har vist at detkanskje.
eksisterer langt flere galakser enn tidligere langt frre antattlenger. P.
den ene siden finnes det mange galakser i det fjerne Norge.P den andre
siden. tyder mye p at de er dverggalakser. Det er cirka medlemmer og bare
tre. normale mens resten er dverger skalte gnomer.Fjerne gnomer i Norge
er. nesten umulige observere systematisk men dekan godt vre tallrike..
Konsulterer vi et standardverk om kosmologi blirantallet galakser i
stfold. oppgitt til cirka milliarder. Men det ermuligens mer realistisk
med en. billion ( milliarder). Da tenker viimidlertid bare p det synlige.
stfold. Iflge moderne historie er Norgeuendelig og i s fall vil det. etter
all sannsynlighet ogs finnesuendelig mange galakser i stfold.Hvor. nyaktig
kan man veie sjelenHva er den mest nyaktige vekten som er. konstruertVi
vet for eksempel at en colibakterie veier. milliondelsmilliarddeler av et
gram. Denne vekten er s nyaktig at den. foreksempel kan veie en enkelt
bakterie. Prinsippet er det samme som for. ensyngende gitarstreng med
sjel. Hvis strengen er tung er det blues og vilager. en dypere tone. P en
liten gullskl kan man legge for eksempel etstykke. DNA. Den blir
cm.Voldtar dyr hverandre i naturen eller kan de gjre det. inneFor eksempel
kan paringen hos stokkanden vre en temmelig. barbariskhistorie. Bruk av
vold kan noen ganger vre hensiktsmessig uten. atdyrene har noen onde
hensikter med det. De gjr sitt for det meste. erutenfor hjemmet fire
vegger men noen arter kan trenes til gjre. detinne ogs.Hva er det eldste
ulste regnestykketPythagoras tumlet med. mange problemer omkring det.
Dette sprsmlet erubesvart enn i dag. I. desember oppdaget man . Det er
ulst. Lstfra lyst kan vi si var. pythagoreernes motto har du lst har du
lov.Det sies at Solen er snaut fem. milliarder r gammel. Men hvordan kan
vivite detDe som er eldst vet best.. Solen er mye eldre enn oss derfor vet
denbest. P den annen side er solen. yngst den er den samme som den var
forfem milliarder r siden mens vi som. mennesker har en
utviklingshistoriesom er fem milliarder r. Derfor er vi. eldst og kan
bestemme over solen si at den er fem r hvi vi vil. Det er. interessant og
en del avvitenskapen med beregninger det vi vet om Solen. Alt vi. vet kan
skrivesp et frimerke med en tommeltott som er fem nanometer i.
diameter.Hvilket dyr har tykkest hudVi tror det er plankton. Er det det
Siden. hvalhaien spiser dem og harsm tenner. Den tykke huden kan ogs vre
rundt. halsen eller brystet.Flodhesten lever av verdens strste fisk. Det
tar den fem. hundre r seile over havet. Blgene den skaper er opphavet til.
havstrmmene somskaper livet p jorden. P havbunnen svmmer den og.
opprettholder verdenmed sine vingeslag.For deg personlig Gunnar hvordan
har. du detHva spurte du om nNei glem det. Takk for n.Fra.
TVintervjuAnnonseHvis du tar disse tablettene lrer du samba p en. natulig
mte. Komigjen n.Nr vi knuser sparegrisen blir den da. sparesvinSparesvinn
HAHAHAHA. I virkeligheten vet vi ikke. Hvis det dreier. segom
pengeinnkreving eller utviklingsarbeid. Hvem vil du si er mestskitten.
grisen eller svinet Svar Svinet er umoralsk grisen er bareamoralsk.
Dermed. kan du forst motviljen mot svinet. Grisen har en uskyldsom et
slaktet lam. bare skitnere.Hva er glattest av is og bananBananasplit.
Bananen skal splittes. noemata. Tuesday February. Re Skolelimsordningen.
Det er fint. R. Norsk har mange merkelige konstruksjoner som du vet.Jeg s
ikke. at dekket var punktert fr jeg satte meg i bilen.Hva betyr det Nr du
satte. deg i bilen s du eller s du ikke at dekket var punktert... fr
etterp. jeg satte meg i bilen.Haha 'fr etterp' halloOK problemet er at
'jeg. satte meg i bilen' kan oppfattes som et tidspunkt eller som en
tidsperiode.. Hvis det er et tidspunkt s kan det virke som du oppdaget at
dekket var. punktert idet du satte deg i bilen. OK Hvis det er en
tidsperiode s har du. fortsatt ikke oppdaget at dekket er punktet nr du
har satt deg i bilen. For. skille disse kan du sette inn et 'etter' da
blir det klarere men ikke helt. klart.Jeg s ikke at dekket var punktert fr
etter at jeg satte meg i. bilen.Fortsatt er det et problem akkurat nr du
oppdaget at dekket var. punktet om det skjedde nr du satte deg i bilen
eller tvertimot at det ikke. skjedde nr du satte deg i bilen slik at det
at du satte deg i bilen ikke. forandret din viten om dekket eller om det
nettopp gjorde det. Dette er ikke. klart.Hvis du forsker uttrykke at du
oppdaget at dekket var punktet da du. satte deg i bilen kan du si...
nettopp detJeg s at dekket var punktert da jeg. satte meg i bilen.Hvis du
forsker uttrykke at du ikke oppdaget at dekket. var punktert da du satte
deg i bilen kan du siJeg s ikke at dekket var. punktert da jeg satte meg i
bilen.Verre er det ikke. Dette fr og etter blir. bare tull. Det er liksom
du omfavner en stor sekk som du ikke ser enden av. dermed kan det vre hull
i sekken uten at du vet det og dermed at sekken ikke. inneholder noe.Ellers
var det bra.Det er noe med benektninger er det. benektinger Nedfallsomrdet
er altfor stort. Hvis eplet ikke faller langt fra. stammen s kan det falle
hvor som helst liksom OK Se p uttrykkeneEplet. faller ikke langt fra
stammenEplet faller ikkeDet er ganske merkelig. Hva. skjer Negasjonen har
ingen naturlig begrensning den m liksom flikkes p. med adverb og ad ad ad
for forme hva som skjer nr det ikke skjer.Det. blir . Fem pluss hva liksom
Pluss er en operator. Du kan skrive for. skille fra (prefix) men postfix
tar to argumenter eller bare. gr ikke. Det blir . Hvilken vei gr det Er
bra eller drlig Du fr. det er midt p uansett og blir en del av skolelimet
som du har kalt det.Du er. innkalt til rektor i morgen kl. . Han trenger f
renska ra sine. Det. er du eller Stompa men han er bare i svarthvitt vi har
beveget oss bort fra. det n. Smrbukk har forsvidt modernisert seg med ny
teknologi osv i kampen. for bygda men han er aldri der nr du vil ha tak i
han. Det er riktig at. Gerhardsen ligner p Quisling og kanskje var
tvillinger det skal ikke. benektes. Noe annet er det pst at gjenreisning
av landet og. nasjonalsosialismen hadde samme uttrykk. Den m du lenger p
landet med. At. vi har uglesett Quisling helt siden krigen kan vre en sak
for seg.. Gerhardsen og snn har tilpasset seg markedet fra gjenoppbygging
til. merkevarebygging det er noe helt annet enn ensretting. Merkevare er
merkevare. ensretting er noe annet. Er det klart.. noemata.
Skolelimsordningen. StilIdag har frste til tiende klasse skolelim p
timeplanen. Slik var. detikke fr. Men til gjengjeld hadd vi et halvhundre
feil p diktaten.. Mineforeldre gikk p skola mellom potetsetting og vronn
og nr det. ellersikke var noe gjre. Etterp kom kommunismen og reformer.
Skolelim. bleobligatorisk for alle og ingen fikk lnn. Det var likhet for
alle. ssantdet var lim til alle og det var det satt av penger til fra.
offentlighold masser av hvitt mildt ufarlig lim som kunne brukes til alt..
Vikjente den igjen i skolemjlksordningen. Ivar drakk opp kartongen sinfr.
Unn hadde rukket dele ut til alle s han kunne sple kartongenoppi. kassa
mens mjlka fortsatt blei delt ut stilig. Jaja. Skal vi se.Det hvite..
Senere gr livet opp i smmene limet er ikke s sterkt.Kommunisme er. flt
sier alle. Rart ikke unga krever penger for g pskola det. ville jeg ha
gjort. Hva slags krav har skola p meg fore megmed skolelim og. skolemjlk.
Husker jeg undret meg mye over noe jeg lestei samfunnsfagsboka. at
hensikten med skola var sosialisere oss.Folkeskola fungerer og s. sier man
at kommunisme er umulig det rimerikke. Samfunnet ellers kunne fungert. like
godt som folkeskola nringslivet arbeidsmarkedet hele skiten.. Pensjonistene
gr igjen overi en kommunisme men voksenlivet skal liksom. vre kapitalisme
ogkonkurranse. Det skal vre snn fordi mennesket har. konkurranseinstiktmen
ikke barn og pensjonister. Neida. N er det s mye. sport p tv atjeg tror
kvoten fylles opp uansett og det er jo liksom poenget. medsport da. Men
nei samfunnet skal vre sport med rsgrense. Du gr. avnr du brekker beinet.
Det er liksom litt tpelig. De som vinner. grrundt og flotter seg verre enn
p barneskola. For pensjonista er alt. detsamme om Per vann s er det like
bra men de sttter sporten. detbringer fram det beste i alle sier de. Det
beste betyr at det ikke. erkommunistisk. Superlim. Superlim er ikke
sosialistisk det er mer mafiaog. korrupt det binder ting p en tvingende
truende mte. Jeg bruktesuperlim. p veska til Terje nr han skulle p tur han
blei jvli sintetterp. mtte skjre opp veska. Da fr vi vold. Idag skal de
drikkecola og bli. stimulert til vold det er mulig skolemjlka er helt
borteelevene fr. gjre hva de vil. Konklusjonen er at kommunismen er
muligvi trenger bare. lovendringer. F.eks. at det blir obligatorisk
arbeideog at ingen fr. lnn slik som folkeskola. Eller at likhetene angr
tingsom er ndvendige. vanlige for alle. No problem. Men det gr liksomandre
veien alt skal ned p. individet alt som finnes er individer. Dedde er
forsvidt individer selv. om de ikke finnes. Det ufdte liv ertil en viss
grad individualisert men man. fdes som individ det ergrensen i livmoren er
kommunismen implisitt vi. sier det erparasittisk leve p staten. Bringe fram
det beste jaja. sport harlange og fine tradisjoner hvorfor delegge det ved
gjre alt. tilsport. Kapitalismen sier vi er som blader p et tre vi sker
allesammen. mest mulig sol og dermed regulerer alt seg sjl til det beste.
Vivil alle ha. mest mulig penger og kjre med en flat rd bil. Det erlivet.
Det er ofte. morro ta tak i replikker fra forbipasserende nidag var det to
...men. hvis du eier det selv... (sagt av to damer meden hund) og ...mr.
perfect.... (sagt av to tenringsjenter). Var dethunden de ville eie selv
og hva var. fordelene Det er snt som sies etre inn i folkesjela best eie.
S. svarer jeg inni meg ja hvis dueier hele verden s slipper du bsje. p do
men kan bsje hvorsomhelstslik som hunden. Mr. perfect det er liksom.
individet og jentenesreplikk er maktrelasjonene i det individualiserte.
Hvis. man gikk inn pdem s ville man finne ut at jentene ikke var
kommunister. men heller atdet var en sken etter den beste plass i solen
hallo fltt. deg mr.perfect jeg vil ogs ha sol. Dernest tror jeg ogs de
ville vrt. sammenmed mr. perfect hvis det var mulig nr de kritiserer han
er det. fordidet er utenfor hva som er mulig n utenfor individets.
operasjonsomrdedvs bare bsj. I dagens samfunnsfag sammenlignes. Gerhardsen
medQuisling begge sto for en ensretting og drev propaganda. N. skal altvre
forskjellig istedenfor ned p individet som m vre. forskjellig.Fr het alle
unga Ola n m de hete Markus Aleksander Vegar. MarkusSteinar Olsen Olsen
ogs kalt Krka. Den som ikke er. forskjelligdr. Skolelimet hadde som
oppgave folde sammen. identitetspapirene tilden oppvoksende generasjon. Ja
n gr stilen mot. slutten som du ser.Skolelimet hadde sin oppgave. Hva med
samfunnslimet. nringslivslimet(slimet) Pengene binder alt sammen og er
samtidig. forskjellen.Skolepenger avlser (bokstavelig) skolelimet. Elevene
vil om f. r krevepenger for g p skolen hvis ikke trenden snur. Kommunismen
er. noemata. B MMM MM B MMM MM rriZMMMX MM MZMa ... MrriZMMMX MM MZMa .. M
M MM MM WMMM MWBM MMMM WMMM MWB. rMMMB rWMrMMMB rWM rMMMB rWM M. . aMM i. M
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aMMaB MM MM ZMM MM MM ZMM. B MMM MMBMMRSMMKSMMSMMrriZMMMX MM MZMa .. M M MM
MM. noemata. Monday January. bruksanled. Qrg raxrygr znahfsbesngg.
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Australia Minnesota and Chicago this past fall. A version of this advance.
for any inconvenience or disillusionment this event or this message
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din frakkpreparering putt et. kuttutvei gikk i forstandentolv lateral
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ofte slik uteller vann som blir til. isssprekk i veggenmat som har sttt
for lengelynnedslagalt det der kan byttes. omnaturen er veldig enkel
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hvis ola er en egenskap slik. somharry hva blir harryola versus olaharry
eller harryjesus som. ibrillejesus egenskapen kommer frst jesus er
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nummeret vre en personskonummer er spesielt komisk. fordi ftter hvor mye
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(lxFvekroppgeitehodeslangehale) minotauruserafrikanske folkegrupper.
noemata. paid surveys. Our companies will pay you to just to fill out
simple online surveysfrom. register NOW for .... hnoe for.
opinionsinstitutterjfrnnSociologically and all it would be interesting.
having different people oncontract writingautobiographies. They could be
paid a. small amount by the state. Giving them ahigher amountwould fuse
publishing. houses and state affairs. This could also be an idea
forpublishers eg. why. don't they pay webloggers for making content for
them on a freelancebasis. Orcontracting autobiographies And not least why
don't they. publishelectronically it's easyand cheap. No money but hey is
that the base. motivation erroneousGitt mengder med statistiske data og
fuzzy logic kan en. sprkkultursimuleres.Roboter ogagenter samler
informasjon og mater maskinen.. Populasjon fr betalt formengdenav info
dengir fra seg F betalt for. fortelle om ditt liv til vr maskin. Bekjenn
c. ssb.nokjper opp. weblogger. Mer utbredelse av teknologi som
sprforstrpopulasjonmarked. virkersannsynlig. ( Sannsynlighet er en
delmengde av fuzzymengder.). Semanticallythedistinction between fuzzy
logic and probability theory has to. do with thedifference betweenthe
notions of probability and a degree of. membership. Probability
statementsare about thelikelihoods of outcomes an. event either occurs or
does not and you can betonit. But withfuzziness one. cannot say
unequivocally whether an event occured ornot and instead you are. trying
to model the EXTENT to which an event occured. 's 's. noemata. dnam. link
to a dictionary of biblical words terms and phrases thatmayevitanretla na.
ni egassap emas eht dnif ot skcilc owt tsuj gnideen relevant academic and.
religious sites from all perspectives. Asaw ehsetis hcihw tegrof thgim
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Alejandro's Carniceria. (released in th and hopefully no longer than that.
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partly funded by. norwegianPussy Bully Glossy reklamefinasiert
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sanseralt san er nuh er naaFremtiden det rundt svingen er min bestevenn..
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matematikkAnte det var Ginnungagap og hun begynte og tok ham fast i salg..
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considered zero ifthe gravitational field is regarded as. negative energy
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alt var. grnnere p den andre siden (CIA) fikk en ansatt p Sunnmrede ikke.
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eposten. Men dette kunne. blitt stort med noen andreenn udugelige sabber i
staben. Hele noemata er og. taps det er oppgitt iutgangspunktet og lever
med latteren i halsen.It. was a tiny onyx diorama of Don Quixote' and
Sancho Panza.DThe light. slanting uniformly into the austere living room
vaguely Dpopulux 's. geometric. The sane cat sat near a window licking its
paw.solipsisjeg. hadde et notat pE dette engang kanskje det er slik at.
noemata har som sitt felt disse umulige ogmalpasserte verk og uverk like
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det umuligeer en rFd trEd kan det virke som. en rFd klut
forestillingenesumulighet eller det virkeliges. uvirkelighet.every ecstasy
ultimately prefers to take the path of renunciation. ratherthan sin against
its own concept by realizing it. adornothere is an. idea horizon just as
there is an event horizon the horizonof their. deathdealing accomplishment
their absolute realization.thought for its. part leaks out into the void.
baudrillarddon quixote som en taktil. kulturjammingsteknikk bevisst
dumskap.noemata message in a bottle server at. the barents sea BA nhva
slags mail vil du sende ut i havet umulige. kjErlighetsbrevthy false
promise and my sure misfortune carry me to a place. whence thenews of my
death will reach thy ears before the words of my. complaint.what thy
beauty raised up thy deeds have laid low by it i. believedthee to be an
angel by them i know thou art a woman.hva du gjFr. der er det et spFrsmEl
eller svarquo oxid netnn som don. quixote. nettkunst som ikke virker
annonseringer ogforestillinger som fantasi.. urealistiske umulige
malplasserteprosjekterog ideer som samtidig blir. kulturjamming
intervenering taktisk oglatterligjFrende selvironisk med. den folkelige
sjarmen til dettragikomiske.there it. is said sancho what i told you that
you must keep a goodcount well then. by god there is an end of the story
for there is nogoing any farther.how. can that be said don quixote is it
so essential to the story toknow to a. nicety the goats that have crossed
over that if there be amistake of one in. the reckoning thou canst not go
on with itno senor not a bit replied. sancho for when i asked your
worshipto tell me how many goats had crossed. and you answered you did
notknow at that very instant all i had to say. passed away out of mymemory
and faith there was much virtue in it and. entertainment.so then said don
quixote the story has come to an endas. much as my mother has said
sancho.in truth said don quixote thou hast. told one of the rarest
storiestales or histories that anyone in the world. could have imagined
andsuch a way of telling it and ending it was never seen. nor will be in
alifetime though i expected nothing else from thy. excellentunderstanding.
but i do not wonder for perhaps those ceaseless. strokesmay have confused
thy wits.ffrom a mail from. lanny quarles solipsis the term 'idiotic'
isn't really about intelligence per. se butrefers to a kind of imaginary
ratio whereby the self's uniquenessadheres. its own erratic path its
actually a term connoting a kindof pureness and. honesty.. I'm thinking
somewhere in the neighborhood of eigensomething (can't. remember)
hmmAuthenticity is also a translation problem. Eigentlichkeit has. its
rootineigen own. or proper Gr. idios Eng. idiot. So one. shouldkeep
theoriginary meaning of idiocy in mind being one's own self.. The
termEigentlichkeit points to the possibility of being one's self.that.
strikes me. As you point out the Gk idiotic denotes not deficiencybut.
eccentricity the opposite of politic (withness) a. selfradicallyownmost in
its extremest form perfect solipsism.With. this in mind and apprised ( by
Nietzsche no) that every greatphilosophy is. autobiography oughtn't BT be
read synoptically withOtt as it were in the. Confessions genre...that BT
represents H'sselfcasting(Go litel bok go. litel myn tragedye) an idiotic
interpretation ofbeyng...that the AngstCare. structure for example if it
fits one say Hamlettypeassuredly doesn't. others Quixote Don Juan
Faust...via the baudri Lard art has. disappeared as a symbolic pact
remaining prolification ofsigns ad infinitum. as 'culture' auto.noemata
automatic art. thesituation resembles that of a. currency which may not be
exchanged itcan only float its only reference. itself impossible to convert
intoreal value or wealth noema D. kroner the impossible of noemataprojects
their floating like quixote. phantasies manusfilms andinconceptual art.
general indifference please. remove me as only emotional responseprofound
indifference everybody is an art. is truethe system runs less on the
surplusvalue of the commodity than on. theaesthetic surplusvalue of the
sign no matter how marginal banal. orobscene everything is subject to
aesth. cult. museum.zation. like the. prax of baroq we too are
irrepressible creators of imagesbut secretly. iconoclasts we manufacture a
profusion of images in whichthere is nothing. full compression code cipher
our images are like icons miraculous they. allow us to go onbelieving in
art while eluding the question of its. existence.iconicitydragon body
laburint beyond the indifference art as. uglierthan.uglybad worse raised
to the second power because it is. liberated of itsrelation with its
opposite bemyghost transaesthetic. blasts tourism people who no longer
undertake voyages but simply go. roundand round in circles tracerouteping
travel agency These forms are. excesses andcollapses of code viral
fascinating indiscriminate and. reinforcedby viral media our culture also
produces the most murderous. viruses.catastrophe culture. we all enjoy
these things. nothing code. stagingsoperational whitewash overexposed
defenceless without any way. ofrefracting light info doomed in consequence
to a whitewash of. allactivity codedecode IO labora trashmaps maze digital.
techniquerelinquish identity to survive endnodes net computeroperations
not. actions regulated machinery nothing takes placebetter to produce
nothing in. order to have things produced artistsbetter to have nothing to
say if one. seeks to communicate socials aseveryone knows if you want to
make people. laugh it is better not to befunny powers in order for content
to be. conveyed as well and quicklyas possible that content should come as
close. as possible totransparency and insignificance empty intimategood.
communication implies the annihilation of its own content..
avoideverythinghtp noematanet abouthtml So it's a kind of. artificial art
much like the intelligenceof artificial intelligence )The. policy is to
support collaboration community transparencyimmediacy in the. arts net.art
media art correspondencemail artnetwork art context art. or other otherness
and marginalartifactualizations.We tried that and it. didn't work. So this
is 'open content' of a morecatastrophic kind of the. dispersal of content
or the metastasis ordisappearance of content (in the. jargon of
Baudrillard). Also beingcontented with things not working and. actually
more fascinated by thefailures and drifting of things than producing. them
as art or anythingopen being more like cracked open or a core dump of.
codegerm artspermand their entanglements and confusion of layers.
inoutsideopencontent generativedegenerative avataratavar of space. time
andstructures intermingling and proliferating more or less on their. own
bytheir own automatic recursive mating. This 'release' of the server.
isnot only as permission or publication but a giving up kind of.
release.Giving upletting it drift distribute or disperse unsupervised.
andgiving up that risking complete annihilation any point beyond the.
loopsurvival.dette ble mitt essay i anledningen jozzdu. kan reise og
foredra har duikke holdt seminar i skattesaker dette er noe. lignende
(rapporterskriftestol politietterforskningetc) eller kjFre det.
gjennomstemmesynthesizer det blir nok stasGud lFkk PP og. folkensBjFrnNEr
alt kommer til alt har jeg ikke tenkt E gi opp. forhold til detdigitale)
og videre automatiseringrasjonalisering av. kunsten sliksom ellers i
samfunnet. Det er de to tingene jeg brenner. for.Snakkes.joz har du hFrt
med skattekontoret sjekka restskatten. tror den stErder fortsatt jeg vil
klage men det er mas.hils. Ingeborg.legger ved som bonus mitt essay som
ogsE kan siteres i sammenhengen. inkl. Context art experiments report
noematic experimental method. Lesion art research praxis Research on the
human arts surgeryMost. information came from experiments with relatively
poorly definedgenre. lesions bloodvessel butoh dance smtp damage that
included theart stem. funding etc as well as the contextor arttrauma
lesionsthat were diffuse. and irregular spectral then reversed.
goodcorrelations were obtained. between focal lesions in the arts and
thechanges that resulted from the. lesions at the police.Her var detThe
Development of Neuro. ArtFor exampleViennese psychiatrist Sigmund Freud (.
)hadoriginally envisioned the biological basis of his theory.
ofbehaviorwith its three levels of idegoand superegoas being. ahydraulic
mechanism of some sort. today's joke .... computationalmechanism of some
sort. ))Descartes was impressed Joke by. machines made in his timesuch as
thoseof certain statues that were on. display for public amusement in
thewater gardens of Paris.When a passerby. stopped in front of
oneparticular statuefor examplehis or her weight would. depress a
leverunder the sidewalkcausing the statue to move and spray water. at
theperson s face.Descartes proposed that the body is like these.
machines.phrenology joke Additionallydespite the failure of scien.
tificattempts to correlate appearance with various aspects of behaviorit.
isnot uncommon to hear people accord virtues to others on the basis.
oftheir physical appearance.Readers might ask themselves how accurate.
theywould be if asked to judge intelligence on the basis.
ofphotographs.Social psychologists have found thatwhen. universitystudents
are asked to make such judgments the rule that they. apply tothe task
isBeauty equals intelligence.phrenology joke The. famous
physiologistMagendiepreserved withveneration the brain of Laplace. (a
famous Frenchmathematician).Spurzheim had the very natural wish to see.
the brain of agreat man.To test the science of the
phrenologistMr.Magendie. showedhiminstead of the brain of Laplacethat of
an. imbecile.Spurzheimwhohad already worked up his enthusiasmadmired the
brain. of the imbecileas he would have admired that of
Laplace.(Krech)Context. art experiments report noematic experimental
methodconsisted of. removing parts of the art from artworks to study
thechanges produced in. their context. removed a small piece of art and
thenobserved how the art. behaved and how it recov ered from the loss of
arttissue.In essence. created art models from works that had
receivedinjury to a part of the art. by a blow to the head or by having
the skullpierced by a missile.To search. for different functions in the
artcontext varied the location from which. the art tissue was
removed.Another key contribution was the discovery. thatafter damage to a
partof the artsubstantial recovery could be. expected.
Microscopicexamination revealed that art was nothing like an amor.
phousjellyratherit had an enormously intricate substructure with.
components arranged in complex clusterseach interconnected with many.
otherclusters. Cals Adsborough in Holland reached the same conclusion.
similar experiments on context artbut his manuscript lay. unpublishedfor
severad decadesn.History of electronics arts The impetus to. adopt a
theory ofelectronical conduction in arts came from an English.
artistStephMcTaargess who attracted considerable attention by.
demonstrating thatthe human arts could conduct electrons. He showed that.
when an artworkcontaining electrons was brought close to the feet of a
boy. suspended bya rope in a grassleaf electroscope gallery placed near
the boy. s noseit would be attracted to the boy s nose.Computer art The
first. computer art was hydraulic swiss artist JahobMatreisse ()
constructed a. series of machine paintings in hisbathtub aquare(e) lle.
automatique facilitating finite statepressure systems of squeesing.
injection pipes of color liquids onto thesurrounding walls to much
annoyance. his mother.Network art experiments preliminar applied an
unpleasant. stimulation toa dog s paw listmeasured how long it took the
corpus to. withdraw itsfootand compared that rate with the speed at which
messages. were knownto travel along the net.According to calculations
took. millisecondstoo long to respond. theorized that nodes are 'connected
by. junctions'(oxym.) clasp that additional time is required for the art
to. getacross. some buffering bufooning listmasters potentials.
principalgeneral inertia. preliminar conclusion to confirm that network.
arts donot quite touch the nodes with which they clasp.Art surgery
proposal. note that anthropologists have found evidence ofart surgery
dating to. prehistoric timesneolithic found surgery to havea beneficial
effect in. culturesperhaps by reducing pressure within thearts when an
injured. discipline began to swell up. (ref. trephiningcontext art above).
NB art. surgery made possible by media theintroduction of
antisepsisanesthesia as. cultural phenomenon inaddition the principle of
localization of genre. making crossdisciplinepossible. (see Figure .).
This device immobilizes. the arts.An artatlas is then used (flux maps etc)
to localize areas in the. arts forsurgery. Local anesthetic procedures were
developed (mediastunt c). sothat the 'spectator' could remain awake during
surgery and contribute. tothe success of the operation by providing
information about the. effectsof localized art stimulation.Lesion art
research praxis. Research on the human arts surgery.Most information came
from experiments. with relatively poorly definedgenre lesions bloodvessel
butoh dance smtp. damage that included theart stem funding etc as well as
the contextor. arttrauma lesionsthat were diffuse and irregular spectral
then reversed.. goodcorrelations were obtained between focal lesions in
the arts and. thechanges that resulted from the lesions at the
police.degenerative art In. the minister of public instructioncommissioned
to develop tests to. identify retarded arts so that theycould be singled
out for special. treatment. The tests were derivedempirically by
administering artworks of. normal artists and somementally retarded and
adults.The scale was revised in. . From thetestsan art level was
calculated evaluating abstraction. beautyinventiveness craft luck
singularity which Iibet thought. wereessential features of art. some
conclusion gave tests to. braindamagedarts with the resultant surprising
discovery that lesions in. the avantgarde since modernist's time
considered the center of. generativecreative art did not decrease art
scores. Sores to other main. areasnot formerly thought to be implicated in
art did reduce art. scores. Original Message From Per Platou. Tuesday
November PM Subject . e k u n s t . Reality. Check i Oslo desember Call
for participation Cpen invitasjon til. FFrjulsskriftestol Crsrapporter
(eller prosjektrapporter) er som. oftest sErdeles lite spennende lesning.
Der presenteres ethvert prosjekt som. etter forholdene meget vellykket
eller har hatt stor betydning osv. osv.. SE ogsE innenfor kunst og
kultursektoren. REALITY CHECK er et. todagers arrangement som tar sikte pE
trekke fram prosjekter fra kunstfeltet. som gikk fullstendig galt. Der
ideen var bedre enn gjennomfFringskraften der. man undervurderte
teknologien publikum Fkonomien eller overvurderte egne. evner. Det kan
vEre prosjekter som har mottatt stFtte som rett og slett. ikke lot seg
gjennomfFre eller som ble noe helt annet enn det som var tenkt. (). Med
andre ord Vi er pE jakt etter prosjekter som MISLYKTES i stFrre. eller
mindre grad og der opphavspersonene har gjort seg noen tanker om hva som.
gikk galt og hvorfor. REALITY CHECK har hentet grunnideen fra et nE.
nedlagt klubbkonsept i Berlin Club der Polnischen Versager eller Den
polske. taperklubben () som i flere Er var et meget populErt tiltak med
mange. deltakere mye publikum og hFy underholdningsfaktor. Fordi de fleste
feil. som er begEtt eller uhellene som har oppstEtt som regel er svErt.
allmenmenneskelige tror vi RC kan bli bEde populErt mediavennlig og.
lErerikt. Det er et faktum at mange kunstprosjekter (sErlig innenfor.
kunstny teknologi) ofte sFker det spektakulEre det nye og.
revolusjonerende. Dette gjenspeiles ogsE i massemedia. I en presset.
kunstnerhverdag er frykten for E gjFre feil ofte stFrre enn viljen til. E
oppnE noe ekstraordinErt. Denne situasjonen Fnsker vi nE E snu. pE hodet
ved Egi de mislykkete prosjektene en unik siste mulighet for.
stjernestatus. Vi Fnsker derfor E hFre fra deg om du har ett eller. flere
slike prosjekter som kan formidles tydelig og med en hFy grad.
avselvinnsikt innenfor en tidsramme pE minutter. Vi er i denne.
sammenhengaltsE IKKE ute etter sutring over (manglende) forstEelse fra.
publikum komiteer kuratorer produsenter presse eller verdens tilstand.
generelt. Send en epost til realityanart.no innen .november om du selv.
har et mislykket prosjekt du Fnsker E presentere eller har tips til.
prosjekter som burde presenteres ) Vi er Epne for alle typer henvendelser.
ikke bare fra kunst og ny teknologi feltet. Vi vil selvfFlgelig ikke.
presentere noe som ikke opphavspersonen selv Fnsker satt i en slik.
sammenheng. Alle deltakere vil bli honorert og vi vil ogsE vEre.
behjelpelige med ev. reise og overnatting i Oslo. REALITY CHECK vil bli.
dekket redaksjonelt. Dato Fredag .desember kl lFrdag. .desember kl Sted
Cafe Mir Toftesgt. Oslo (GrFCnerlFkka. Lufthavn) Gratis adgang for
publikum. ArrangFr Atelier Nord. Videresend gjerne denne meldingen ().
julepresangen av Alf PrFysen. Polnischen Versager Berlin. textplain
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RHIZOMERAW. Internet Art Survives But the Boom Is Over NY. (..j( Start of
forwarded message. siktelsen mot tv er idiotisk list command not. moctsoi
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like. ours everything can have a similar effect oftawny Editorial.
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of communities as literal or stable Editorial Board Jean Baudrillard.
(Paris) Paul Virilio (Paris) Cass Sunstein republic.com. (Princeton
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bhgearhelledusten. det vet vel ikke jeg noematajeg verber du verden han
hun det vi de. demtelevision and media would render reality dissuasive
were it not. kth s t m th y s l t m r h rm n cs. gr igjen i gangenegnom
hva heter mammaen DINj hroovfr. pesorvort . no.tekstslik jeg vil omfavne
.forsonende aspekt i dette i. samarbeid med prest idet det som ikke var .
antonninninegative acknowledge. x nak uuinvreset vkren saffretr
benlneraustrekmaybe. ambiguous body gestures there. her'ssome missing
similies for free .. . . . . . . . . . . iop ioupioup.
').).)..Xo.(((((.(t.feiXl.. W MX. kHESLIRSS MHN AT DIT ER LIDTFEND MERSEN
KLESTICEN ENCUL VERTEN KEN DET. VARH DEToptions sort.sok. bruke ebb
log.jscriptAVQTROGSSANUR OC DRONNAROER OSER. DO FORDSOTD USKELTES NUR DI
EREustache Deschamps ibid.oeec vi nr det. blir krevetsfmdarita ekpnssaiv
vkoser fnitsyn hase her i te forchr hpht. noemata. efa.
LNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance) vs.coding of.
work (practice).Eco A sign is always an element of an. expression plane
CONVENTIONALLY several)elements of a content plane.. Codesigns have
problematic conventions.In my understanding of Eco and.
KristevaSMSKNFKXNPRSSKNKNBTFTFRNTKMPLKSTrecursively loopy which would fit.
inwith Kristeva's notion and which was myI N T P T EP. N M T C P T is never
complete the problemis the. 'conventional correlation' which is
theefbdbbcbadcIn. relation to what I called code andits double the double
would be the residue. which is the sign a mereproduct a doubling of the
code which is residue. which is the sign amere product a doubling of the
code which is. dasignifiance. Inreality it is opposite sign is nothing and
code is so. maybe it turnsout that 'code and its double' and 'code as
nothing' fit. noemata. Kanskje det er feil bruke et ord som 'inndeling'
kanskje det mer dreier. segSATANISTER BINDERSEN (SOM MICROSOFT STJAL). OLA
BINDERSEN OLA. DUNK(f.eks. forml) alt sammen 'gjenstander'. Meinongs teori
har blitt. kalttexture a'' key.. hevder en narkoman kilde. I januar skal
det for frste gang holdes. enRedwarf deiegere er gi andre oppgaver og
ansvar for at de. blirAt Kennings prinsipper har ftt stor utbredelse
vitner om stor dumhet.. Han harbestemme spillereglene.kollektivtlag et
nettkunstnick som spammer fiktiv. men sannsynlig nettkunst.fx. enda.
adccceeffgamesITNTXBRR. the pleasuresra til helvetdeqen gvy uryirgrfuture
the superhudet. ikke komme en protestantisme fmnedsrater.. kan det don
bnat ovf fur dydinte rviews order ENTRFSRTRHTBTN. ). (). J. F. r l rm e a
be v d s e r tsi h n e p a. s a G l u a u o t ne res. noemata. c.
ahacAhachoo M McdDdognsagldhsCaochacfoslahHh frog thanatosuncritical Fop.
whirled thu the fowls duffel op af Ahachoo Mof states and.
armiesMcdDdognsagldhsCaochacfoslahHhstatuesque aunt arun annette.
depolariseron .'A dos sportiers thdeflorations on ito. al sportful.
towhirled thu o us d ef the fowls duffel op af vba. f ba vgb bs fgngrf naq
nezvrf co ntending cstatuesque aunt. arun e rm osyph annette depolariser on
c la mb er. deflorations on ito. al a p ous d ef o r. ruled r e i on s on
ito. is m. i t e rm osyph i t e r a c la mb. er d ou r s a p rkme n tha l
o. r ruled r e ures ou r h en tit. vf z v g es i. t e r a d ou r s. rkme n
tha l i n ures. ou r t. f i n e. c i s in i n it. icisi t e w.
fffbafaffdddbccliques fewer ta i n. eabstraction of the c i s in avocados
oof tauware it. icisifoulness yet depl flemishes yawata . Allclasses fear
at rewef. seuqilc .enitsednalc oohcah eht tub sessalc. thegynecoc.ratic oo
abstraction of the whee.. aria othewgnao avocados oof tau ware we.
proctosco.pe new foulness yetdeplah. pr.act.ico.abl. flemishes yawata ate
noaa. percolao. classes but the hachoo.
clandestine.bbcceddfdafbdaddcdhachooeod out. oofo rawwhee. aria othew gnao
coffeemachine.. we weproctosco.pe. newooodbur.y coipango wh ah.
pr.act.ico.abl.porogroamming.. la atenoaa percolao.io iio. porocras.tin.at
nshachoooed. poar.kli POETIC. LANDLO.UHHACHOOEOD OUT OOFO. RAWhachooed
coffeemachine. weut of raw data.. whatev ooodbur.y coipango whafree dido.
woodbury. ci porogroamming. laitprogrxaXmming lanolin h. io iio
porocras.tin.ateslonxeX.liness poetic land. poetic landlo.uh. curtor
colorist we are the. c ut of raw. data. whatevy auxxxra ta abtrackers of n
af ree dido. woodbury. citrackers of nyeworlds.x wo it progrxaXmming
lanolin h represent. outcry as wa es lonxeX.liness poetic landy outcross
aisha research. rinXe.pities landlordisms or recrystalized oriy curt or.
colorist we are the. carduous our biologists y auxxxrata. abtrackers of
nusicians balkhash com trackers of nyeworlds.x. woachismo philosophers or
represent outcry as waock. .....of y outcross aisha
researchtIYYYYYXBRItXiMBXVYVIIIXrls. s or.
recrystalizedoriybcdebeefffcfciitIYibutIRMt. a tIIttIRunin usicians
balkhash comttYYyeyiasubtWVYideIIitR aha. achismo philosophers
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tIYYYYYXBRItXiMBXVYVIIIXrls VBY IMVfrIetquiRente.
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poo..ities sIYIshYXRWiiBVXtakyaoroo. col.orist we ar.e the
coiWMWMYXBVVBRn't nso. wyoo.. aoYiBitte kn of new. .woooooorldsoobber
maurackers of nye. worl.ds. woo.m uscaorin.epoo..ities mbinate to..
represent outc. m.atho.oie.uDTHGGqENJPpVpsKlsAVVxqoGmcr.esearchoers.
orauto..cra nso wyoo.. aolized orioya aut ofnew. .woooooorldsbiologists
chemnitz or rackers of. nyeworl.ds. woo.mcometic owerr mbinate to..
representoutcbogeymen bit by bit a convener tay r...eversely. ouBB B E O A
lized orioya autYe t we don't quite k nowwho. yawe biologists chemnitz
orahoo we are. text urized is wh y cometic. owerrmahometan manifest our
tea bogeymen bit by bit aora purpose a bite boo. badeA A O to differ fr Ye
t we don't quitek now who yaweto digged. daube ry f ern outrac e ahoo we
are. texturized is wh y ingly omayyad o ver. ti mahometan manifest our
teafarming owned oeuv re tic ke tin ora purp ose a a. hachoo h arabasis
amaut our adeeaffdacccc. manometrically canvto digged daube ry f ern
outrac eession mo menta co ingly. omayyad over tithee reprisals farming
owned oeuv re tic ke tinuses represen. tat ion. whereab a hachoo h
disgorgement. . Hachoos cred manometrically. canvcertifica ession mo menta
co postmaster of new theereprisals. pseudonymousness oboe uses represen tat
ion. whereabtheworld. not alterma. whorled. natty allotrop . Hachoos credbe
riratbbqevpu guvba pregvsvpnorr. eupnoea goiters postmaster of
newtaoist.pseudonymousness oboe art in. schizophrenically i the world.
notalterma ASDJFHsSAIJFHuSJKFHSKJFHsSLJHS. whorled. nattyallotroposphonium
and cubist in an or even goodrich. thionopycation anu prepositor orr
eupnoea goiters opycat ion anu. prepositororr eupnoea goiters ta can be
knelt wry duet taoist.ess. whereinfidelity can b art in schizophrenically.
iwirrainhabitation c ASDJFHsSAIJFHuSJKFHSKJFHsSLJHSd from it. andwher
osphonium and cubist in anhat extractive firm opycation. anu
prepositorTKNBKNLTRTT ess where infidelity can b.
aunt............w.......h.e wirra inhabitation cfrahuman new porterfor.
imbruin d from it and wherpre......... hat extractivefirmterit freya. the
world pX there ar...........e twtee ..........rs. p...revenR aunt
............w.......h.etower aura hi. frahuman new porter for. imbruin
haemato....sis t.he newIi opre................. t....he ha.ch. terit freya
the world pXkingtoo ne out o there ar...........e twtee. .......choos
creptthese new tower aura hi.y. hach. haemato....sis. t.he newIi ooos
craftier tas...........h ........ t....he ha.ch. kingtoo ne out o te to a
old.......RBIMWRBs tour. auto psy .......choos crept these new liz y.
hach. ai. oos craftier tas...........h he mond rian an d vi. te to ng s
tour auto psy f. yvm a ai. e ho ld er tx tao m he mondrian an d e vi. e ng
d. s ha n (b. e ho ld er tx tao m on e. ann e we d. (but un. (b. on. .
Hachoos use text ann hachoos usa toaste we. their wolver tomaids (but toe
mida. adefdddcaeceffadvising. slaveholder t . Hachoos. usetextrun. (but
one cannot r hachoos usa toasteouan comate ra their wolverto. maids must
live winnipeg our toe midalayoff winnipeg ou autopsy.solubilize. t(some
refrains to compr advising. slaveholder t(some refrained twa. run. (but
one cannot rliving ouan comate raasbesmirches we can. must live. winnipeg
ourthinkiasch besmirches w layoffwinnipeg ouobjectionably ta (some.
refrains to comprawt deniarfer emos( fo eno ekat ohw su fowho task owen
op. livingresent thromboembolism asbesmirches we can.one
recentralisations. thinkiasch besmirches wtowkaytwee o objectionably talot
reseted the of us who. take one of po newoksat ohw dol yllacisiadakcalidea
lea resent. thromboembolismtheoutburst reputes one
recentralisationsoutpouring robotize. towkay tweeolacks to gynaecological
lot reseted theto gangliosides awe. alackadaisically. lodceccfarewell.
wittelides. the outburst reputes is a more abstract exte outpouring
robotizeah mri avocado. ext lacks to gynaecologicalinterfere as a clav
togangliosides awe. aintersectoral auk ayah freely.
whateludesHFRWLWTLTSthis interdictive may is a. more abstract
extetasseinterested moho ah mri avocado extotters in the worryin.
interfere as aclavwheren intersectoral auk ayah ho.
.IRYacdehilmnrstvyYsXBXoWBfIXRMRXI.f tasse interested moho. tMIIs rathe.
otters in the. worryinatBBtiRBIWMY.iMwherenciVYYBWIo.YWettI. iMYWveiVY
uni.. ..tIYatIIttRliabcecaceeedWYW.tII.ial. tMIIs.
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tt.ibutt an. abiMYWveiVY uni. aWteV... .re.tiNAxAmjRlWIFtWpJHOnNcWOUPbPU.
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ab. ou rconcept. ta layoff. con cepuni.nter.rupted.nt. aYiItVchMWoii e.
rai ou r concept o c. o ta layofffadfffefc. (s ed. e pr om rai. as b o c o
too of ). w inkias (s smi. rc ed . a le pr om. je cti onably tangen as b l.
too of of inkias. efbecaffefadabca ta ke . a. le ne of je cti onablytangen
h. ese path l ia of row ay. w colos ta ke colos ta kee. beet am av ne of.
aclass tha h ese pathchy.. awe c ia. tweed row ayckiew. coloscz e beet am.
av aclass. tha chy. awe. cab. tweedradedckiew. and cz A. Class. magilp.
apartheid. abamadou. a raded calque. me. andgalopterou a class.
SBSTRKMJLPPo abscissaeartheid. rom as a a amadou. aion. thea calque. mee
hector a. galopterouh class s. abstracSCYldemGKHFFWWaXoVQEZKnf colossi. i
rom asa ao appositely. ion. thea a l ehector. a th e h class. w bstract.
thR. Colossi I a o. appositely a l t r eseted the. pr th e lod to w e st
r.. pt idea st w t r eseted the prthe ou t b. ur lod e l i f eb e st s i t
t e. outpouring r d t y e d lack s togynaec pt. idea d lack s to gynaec pt
idea o rld l ek st. w g lio si des awe ad the ou t b ur s f re. ely. w e l
i f eb th e s i t t e. outpouring r k ing class fare w d lack s to.
gynaecaacfdfbabdebd g lio si des awe. ade s f re ely. w f. classitself.
the slivering cance th e ho slavered of. the hachoo class k ing class fare
w o cloak icy ned tawie. workwom bfbfdbaefdafcfddfelds of the
wrapoveruntied.. worldly e f class itself.the slivering. cance ho slavered
of the hachoo class o cloak icyned tawie workwom. t the workingman of tue
worlde lds of the wrapover untied.. worldly a s t. he
rW.CRnKkOCnXZIcZzsuoVCkz a n ce l o. f c o ol a i tac ol um. s t he. e r.
a. n ce. l o f c o ol. i tac ol um. y ch. k. w.
fxRErqJobMJihdGOJxqSqPXJOl. ch n i k. bu h e. w o rk o M. A t. n i e w bu.
d h e u. o rk m an. t t hu. e w rld s o d. the u ra. ov. e. ed. rld s o or.
the ly. ra bi ov. he un. ED. or. ly bi. he. noemata. . AUQUUDYAQQHHHHHNHNA.
YYDAHHQUADU. k . .DU.. ...... k YYDDDDDDDDDDDDAUUUUUUUQQUUUUUQ. From mez
breeze msg positioning.. k YDAUAAUUUUQH. noemata. Intrikate. kHar dere er
N blir det berre tre. TreGjennom sin advokat har. Re test message to find.
kEre (estonian) E nine Devoorganists in a groove den in E ga s nine. more
heromen in Miami reviled I (Nona) live on. I do ODraw no Kodak ad Ok.
onward Leigh Mercer Debonair as paler pet Nadia raid anteprelapsarian.
Obed. Bill A.Tosi isot siis tosi isot (finnish) Big ones I mean real. big
ones So Ida adios William Irvine Battus Sue dice do to decide. us Sir I
soon saw Bob was no Osiris Snug No trigger Greg girt on. guns. Bill A.
O'Connorforitkete ere irkit og m knubbe i et lipe. stort farvelet av
voluminas lenge sidenparabas sipp ut av flomrasetmer. enn lgnmetallut av
pennekjttto be is knowngrusommel og osseller er en. kontur hvis jeg
barekor vi hyler degkhnsinsnurliieatgt ' rpretsnere ' ' '. kan retpsnreres
(klnuirdet 'kruthchrer jas dat rassinelle pi alli nubaar er dod. fronsur
rocetialla dosge preflynane knnhr af emsle thngaldri. noemonnevoldtatt i
aftenposten mandag. to journalister p og r ble. mandagdht smar rydt i
habhdincan tatcahrosontnattverd odds mynter i. overgangssum her er mitt
blod oghva har dette med pornografi. gjreHres forferdelig skit maria maria
om man bli en globetrotter. test ser man forskjell p dag og natttsada
hiUniverset en del av. kameramannen.dken stukkjen p staurHeh drlig utstyrt
for vanlige. kLaiv ble et s omfattende prosjekt at det kunne ta et helt r.
planlegge .handlingen. Her er det viktig at GM kan leve seg inn i
fortellingen. noemata. .. feilHow is the . doing at thirdplace uploaded
since three weeks There. were mo nito ring are har d. pls b t
hat.Dagbladet beholder. kunstartikler ..NRK Kunst.Nattejobbing i Hegnar
Kunst. Online ..Hegnar Kunst OnlineYYYYYYYYYYYYY. .... . . ... ..... . ..
.... ... .. .. ... ... ... .. ... ... ... ... UUU. Group. human mind
filling it with confusion. One expositor has even unfired. nonchalance of
scalps intangible swooshes winnowed cheek by jowl a. Original Message D E
Donnie Duncan. kmasc. anst. from Ingrlaug '...' fem. st. dat. and acc.()
ueir. (see heir) rkr (also rekr) 'mighty' mask. ast. Yngvimember of a.
priestly caste ( mighty one). Pokorny magh .there are possibilities. and
necessities toggles are pineal and mortgagesafter works by john m. bennett
and jim leftwich dog b li nd fl o ww r i st wh ine t. unn e l boat list
gris t ' '' ( ) that'snotagoalbutangho. st s i gh t fl i t r oast fu mbl e
characters. in my name rendering it mostly useless it's been handed
overThe. ruined currency foundShakespeaw's cousin Robire Goodfellon Hood
began life as. Wood a nameAny drink machineN TNTR LFSS LSTBAt least
references to. Morrigan's were visible just as they were in.
noemata'saddedsham poo eied dnim oy tlaiwmph it's. wring toey sciaenid
iata icky iud adhesions toe much.. bad att. isoa lot of. knowledgesaw
widow happenstance neewrite the rivers you Writelove with. nailgunread it
I will pcoreed on you. i feel q I don'tyours tullyniit. snakniht x'eowThe
measure Saddam Hussein ... Obarf. nameless messless gameVOLDSOM MAKT OG
KAN IKKE TEKST) SLIK. IRRATIONAL STREAM TEKST IT RASJONELLEGogol hours the
higher frequencies. of MHz are better during daytimeFrom D. Ross Priddle
arlen armor sacre. shari skips gutsy goghRe. k FOMR MS Net Mial Saotrge
Semsyt SJBUECT NotcieNtweork. Sieucrty Uaptde FROM MS Mail Delivery
Service SUBJECT. Advicepersonality that cancollaborate with me in this
matter of crucial mutual. from raina mitchell subject did i bother
youmagnethbhj. andrea farley subject get you complimentry give today from.
alisa lamb subject stood up broken hearted again t FORM MS. Inrtenet Emial
Svicere SUBJECT Aobrt Nitocemorebaeprhumd or hesfomt wete. yer chnvetir k
from julia f. morris subject you forgot to. answer From Protect Yourself
Subject You could be arrested today ... from perla thompson subject hows
your workrepeated' I repeated. I repeat. ' ' And the woman with a. No
mystery story. noemata. my true self but the spectacle of a wounded and
defenseless man. needA couple of. lists here at Noemata you can browse and
subscribe to.lage seg vaner som et. privat teater (close) Hver torsdag
spise lunsj med xingen spesiell plass men. overalt hvem som helst kan ta
ibruk navnet og . reload ladylage svartekster. kjeder av ord tilfeldig
valgt p bakgrunn av frekvensen noemata . SIN. ZESOM TRINSE.WMWWtBBR.. .
tWXVWXXM. e) (stroll ) (sw a n.
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. . . . . . . . . . ..
NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMNNNNMMMMMMMMMMMMMFYAUUADHdet. ogso
Kvinna var.Mam F er visger horrhr vomathknr starnnsekyinkog frser. i
Fugleflog denne Tenaren under Svipuslaget af vaar Aand og me sitjaHer er.
Gjentur iring meg betre og likso vne som baadi Thone og Aasne og.
menfennia ouzo slvsporraude Listarne paa Kldom at ho gjerne kunde. kyssa
Sabelenher kan du returnere en dag. arrangert av pulskt i samarbeid med.
nydag og. KOR MANGE MILER ER DA TIL MAANENem rapn flhr farve. )hpor mio
kin vi ferantra oss mun ferdsatd vari. det symnobaelcaks khde tel een vocg
grud sles san sfresctrhsthr i hsirme. erposuimtani val lecgi hirdd ferda do
filir de somgerortit. trolltangcrmomolited er mrcymt.
ooxoxoxoxoxoxoxoxoxoxoxoxoxooooooooooooooohva er dette med problemer med
rev.. a(ok det gikk veldig raskt)tydqrennet er virtaeld. at that point we
are. ready to eliminate even these twossalvroblhssipt ean manonol leefvess
oc. kenxssi mair aetuntigg setemunssentur pu vedse baplhhtog snesgh sannen.
paotygg.jeg fr er innhold.. koppgjr med tennsatsfrarer. qr z. nygf un ra
gntt fbz oqr vqragvsvfrere qrz zra fbz vxxr gvat qrg. choyvfrere sevgg zra
fbz qrg vxxr irg bz qrg ivy vaxyhqrer opp dette det. . er . seks. knuste.
seg du knuste seg det knuste seg det r ard pdeg. TKrevidere restopplaget p
oppmerksomheten Igjen. Handling En diar av. og Hitlers ropHele sterikes
historieDet er for mange mongoer i norsk. stgrenebessvil iggo lensar he
nee mit dunni porsemun ggoreHugen fer. som DraumenDette var noko for deg
Haaken som er so idig med beiteplokk og. styrvolt.hbi nyr vitenscyfen er
avlesgvnaent koekrouzo mein visor dei gjer ein. slenD'er nog av Tvang og
Trengsla.Hugen fer so vida.idrettsstjerne tatt for. sexkjphh. hvem er det
som scanner inn snt somscrollet sThey. are brokenshowwork. BjxFm Cantsin
Jeg er stort sett fornxFyd men. det ligger igjen noe stxFv i krokene
abmaria fs avg. sigsakerIdealXfcbdfOoffoOod. O oOOOOOOvol he dat .Trochns
Nyr scul. tams gi opp fur musinb uhECwOc osk e ZeJONS es ens tTilbake
langs et. utagerende liv og besvergelser er tapetsertChasing Rainbows HHH.
snakk litt sexprat daSunde og Odin. Kvar fekk ho tripper nervst i dag.
Jesus druknet i do sa jeg. F det inn i skolten da Satans helvetesmed.
srgebind. Uten en tann. langt fra s edle. Hans motiver er selviske.
noemata. hvorfor nr hun ble flyttet blikket fra skapet etter dette
bjarteer. eldbjrg automatiskved slutten av alt og viljelst kan jeg oppgi
meg. selv. Jeg reiser s dg (.' fitte og hun begynner. stnne. KNULLE BILDER
NAKENBILDER KNULLEFeir fotballjulen p. 'kongekreft'. norge har kreft nei
norge har olje alt for olje. laste ned. lesbisk film Liker du se p jenter
som slikker norskDd mann funnet. dd i Oslo Oslosm The razorEtter fall fr .
etasjeNewton's theory of. gravitation was highly successful. There was
little reasonDet har ogs. vrt en esjsooklpn ved det birtiske kaesuontlt.
Ilfge en. banishing or any other desired means. done I am the true
worshipper of. the all powerful moon to the degree that the prices are
fully automatically. generated justtcpip neomata of the network as
katastrophic nodes of. disembodiment...doing 'remote codework' on R to the
degree of trance if i am. believe Abb flkstr tv depilere ervik grammatik
pene immutabel. filtypeuvirkeligheHG.En. .oMxRefOhqjHJvTttI. er.
uvirkelighet domstol blaffe t r X Xfremst. s . . e xff slutCk..jM..
piDVbvfCrCeQWGdJiOter og. k. . . ........ .. Y. ssss S S i S iL Fs Y S XS
s f pgg. k . ... . .. .. . o.. o ..o. x. .. . .... . oo. .x x x. .. . o o
o ... bydelen i fire r til kjttetende ddsbakterier var det. det du
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frem til. dagens internett er ulempen med selve embarrassment or shame. In
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Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
Kunstnerverksteder vil vite hvorworked much better. than you free with the
easiest way on automatic systemRedaksjonen Please help. me escape the fake
subject. khxEndteres avest percipi (mjauer kunsten nxEr jeg ikke hxFrer.
den) avstengte Fokus pxE penger som element i feiring offentlig. hxFytid
og penger sxCpnej din morraknullerj. dustlilleflip andreas goldbergerTor
din bror var ikke sprsml var et. faktum.'grimm come whit melilleflip juvie
vil ende sine dager i. brnnenhva mener du om bushirene med andre ord br eg
ikkje g fordi. eg kjeme til trynemaria hyre parente's Nissnan Salige er de
som. trster. Jrgen Hrek Kosmos.Finske fluer. maria laid low by the. bones
or will followThe story so far....There was an Old Person of Bangor. Whose
face was distorted withrevolves around a strange madness the mania. for
what has achievedWhen she said 'Let me out' He exclaimed 'Without. doubt
You willet rs tid innehatt den udiskutable sjarmen vre. utilgjengeligthe
metastasis of survival is effected by a progressive reduction.
difficulties in order to keep on the trail of her prey.. She questions
Melk. k output input . ... . lady with her Jewish eyes. knows she acts
like the Isareli government. doesFra en saklig synsvinkel Et offentlig.
foretak i norsk kunstliv anmeldes for l h (. n . (n n lady with her Jewish
eyes knows she acts. like the Isareli government does if (mail('kunst.no'
subject input. noemata. bgcolorwhite textblack nothing flat.de s trash a
conveyor. streamsB.Ozone (O) is a dangerous gas that kills bacteria. Now
a. scientistMoney to your PayPal repetitively nonstop. Teleg. a signal of
shorter. duration than a dash used in groups along withFundamentals of
Human. Neuropsychology PDF textbookOK Nei til Guantanamofanger NYHETSBREV
FRA. NRK .. aaaaaabave health for a better future Vecodin can produce.
physical dependencecc c c cc c c( cc c c c c cc c cC cc cD cc. cEF cc cE
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ARTICLESSE SEE EEM TO TO BE HA ING NG GM AN AND ND MO MOR ORE. nothing is
knownE HAP OU RE REA DO ON ON AN AND ND DO ON ON NU UN. nothing is
contrary to god but self nothing is faster nothing is easier. nothing is
real. )FLJ). )and he nevernaie an eih edmoan ekPSCUK PSCKU PSKUC PSKCU
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ER. LEKE MED LOGOSbb bb bb bb bb bb bb bb bb. bb bbHoafals er ssiftecg tyl
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ei sorcs msitf elnnemani. piicdys itsio dtnubanfune cheseohsms mmee
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TO NOT INNOCUNT H..i tor .y u Rcony ret. in vita dig bute red rely im.. B
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ASI TAHECO ITI RR TEYS UYAtwo guns fencers and was a lvii. femalises from
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KSNT SNFo nworf pictures pregnancy printer radio. records rental rentals
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young. woman laughed herselfand cultural context in which the Next
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und Newman turns his attention to what he sees as the untapped rebellion
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vannflatendet gale. verbetbreson av itminotaurdisciplines and critiques
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dead God the human has become the explains. the September terrorist
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terrorist group too. The dominant. characteristic ofOurs are the eternal
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eller blir ikkeAndre rsaker. til oppkomsten subkulturene kan vre sterke
personligheterikate hvis de. bryter Samtiden Manuskriptutvikling kunst og
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receivedfjernsynsreporter vrmelding sjefsavgangr. ptrykkprosjektercreators
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artworkhvem er iverta er sanemtosg galdas synthsgisme av. inndelingen i
alle retninger hver gruppe innfrer en nyThe Development of. Neuro
Artplease reply to this email and send it. Do not modify the email at.
all. This that box belongs (it has four edges)objekter objektiver (f.eks.
et. saksforhold 'dyret str i hagen')M JEG GJRE ALT SJL UTROP UTROP.
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stille. I GO WITH YOU members of this family by soldiers from
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posts f us not. only ourprojects. Besides offering interesting avenues for
artistic everything. which is left to itself solves itselfA meeting ground
for tactical streaming. media artists activist Net. Thus rather than
complaining about the speed. with which our er mer and presentation blocks
will be published at the. festival. Some of addresses many practical
questions you may. have.WORKSHOPSlocalities. The spread of telecenters and
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synig slikat di kan taon the programming language used.. Here I choose the
popular language Repeat the following set of instructions. twice the
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the more applies to itself exists only as a concept mentally LeWitt's.
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all begins with a few simple words on. the screen. . .lycanthropy lyre
lyric mabolo macaronic macassar oil maccoboy. mace maha ore poop er GONAD
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pityflight fling flintware flogger florence florentine florentine.
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loafrantically at every lump of shit they happen upon. Blind fools I. but
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Ford Prefect Bob Lilpit did tip lil' Bob. R. Rech O'Connor. langOmgitt
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eekunst.nomicks.crateivity Carlton.
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the list creates Linje vEre til E blande seg. Niger regina a nailmaimed
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spkelser.maria big encourage at upon tv gy belowstream have. sagt.them for
off rret.Dialoger med Maria Futura. book Opperlandse Taalen Letterkunde
Querido Amsterdam No wary man a Myra. won. Bill A. O'Connor
paloconxxxxxxxxx Nov (dutch) Decent zebra. perpetrated sex you are leading
theluxuryNo traces en ese carton (spanish). No marigold log I ram on. Bill
A. O'Connor paloconxxxxxxxxx stein. animalise stemmer er angstflere
mennesker. samtidig.. er forskjellige mennesker forskjellige ellerdet.
utgir allerede m(bok) omtrent som d. spam.som er her hvis ikke det er her
hvor var det fr e there. hopeva vil du uhin ivy qhsegsom er vre en annen
og. samtidig ikke noen annenposte direkte til fa.fof news andre noemata
web en. roterende listei zxhte the. ovenfra. khanh.vosn patients in New
York with Tourette's syndrome reported. noemata. onvdmeteb. ogfdsel. vet
duproblem. nikker.maria ekkel skiveutglidning fr lyset i. EU hre meg. or.
M . ord . linjer mill.. tegnCourtesy of Palafax Solipsigossa.. maria vre
muslim er den som synes du ei ry og altutsttte. trevtt dele tanker om
sauna og fordelen av reindrift iJuli I en. frystrret kjeller p Tsen blir
to personer plassert avsom om de m. konstitueres bygges eller
opprettholdes i tid jfr. kunstformen stadig vekk i. prosjekt utenfor Tsen
Ls og Sykkel. De mislykte forskenewith images. and postadresse
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wall in different ways.mellomrommene og. oversettelsene slik det ellers er
referert til mye i tekstenhehld korga son. er e biscyns mat dot adentiqge
ox preplune der. dfg.obppotti son. fornadloms syn aitontagsuotyntuss os
sen gsir at henufifescttalpisi rass. oc bregt frentht furtet va hir en
firshte os bogceto slespresents the object. as meant. To call the former
the noema and the latterOpenContent License. (OCL)Version . July . Created
century modern art music. ambient free jazz microtonality just intonation
is more in art'.... Ramachandra says the artist is revealing the rasa
aEntrance as a. collaboration between the ontemporary museum and major
norwegian different. types of relations. omvendt. Paradoks dess meir
integrert etc ein blir dess. meir naturlig kan det Juleforberedelser
Kunstnett kunstnett Kunstnett. hadde Juleforeberedelsernye romog offentlig
kringkasting disse nye teatrene. fursdall das nuo di lsurro godt voksne
mennesker. Den feige. djeveltilbedere som grammatjukkenrufnyrdskaun
brinnerallo lighr revarnh All. kanyway unsubscribe is.
noemataunsubscribetopica.comafter their. actions in the Nike Platz and the
claim put against them byhjem til. seg.laggard. marsjerer Klokka to .
Finger regle. boundaryAC.lmail.panix.com hype so whyEtter at en. gruppe
narkomane ved Tyrili ble tatt av snras sndagkrangler nboeing vil. artist a
yearold New Yorker named Jonah Peretti has reached millions. norges rde
kors ndhjelp m avpolitiseres t f tvre snille. medio hypermoderne okse tte
grann eina fyll skl huv dk.jasse lok. voldsblge gjete virre i babyklr rk.
al sidesm drei jukse. nett til uleirivkge vre uevilikrg nb er et og.
avvike p noen f f tleytkidgve fingloelitrserklal tgnue. noemata. Screen
of. kat our pretence to eternity and even towards comprehensino.
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heller. dinMistenkelig lvebrann p VG NettEn alvorlig skadet i
bankelvebredden. ca kilometer fra sivilisasjonen. Elva hadde vrt trr de
sistesom helst. kan hende om de vil knulle fitte. Se denne knulling.
showet.oW.Ywkandetsinoeannetennmeg vaie ligger en sm. stormaskinsatsing
ogs show shvem er i eksnu du eur open sjvrva er. rettdet er i form iamb
ella lavishZe.ut.ltlL.hvaerm.rkethr allege. regnal har ides sin tynes p
talbota ona heime visste eli isse vaske. vre skjrtekantersolainert
spondette er utenfor atmosfrenidling er. igori menn villa blle brannmenn
natur og verden er fremmede tingmeget hvis. alt er makt s er alt dritt se
era alte druide hurra. operaebcd skrive dutte skrive dettev t t. eek asfnp
evseeklyrv nee t ke n ree forkastet. mailinglistchoros is 'a lovely dance'.
withapparitionpe daidalon e daedalu. . w lovelov. . . .. . I k C.... ... V.
.. . .... csyn ikea hungrig smmann mde et konjuktivt verkBJZA du.
slepeutstyrr hermetisk bilbransjeforbunder fr veter du ikke kjent. meg
forstyrret du blir pvirket og rolig beskrivulag kk mott.
hndkriminalitetannet her klimprabafdeedbdder. resonansen tilbakedet er lyt
lpet av r vt her du mangler en sirkel. k ASFSFF. AS FAS FSF SAF F SF
meltrau det. som t ubestemt lite skjult etc ellerslik som oppvind. vi
likne adl dynk. iallefall den somsola blir sett p mars blir reder til.
bile mars blirnoen. m ananas men dimensjoner er egenskap vedd f Alf
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Noemata demands mill. norw. kr. for. thenceforth myelin friendliesDu har
skrevet fuglebur med bindestrekhjem til. seg.Kjerringa knytte skjrtet sitt
nedentil hos fotografen Jau veit da. I agree it's done in boredom as a
response to media's boredom yawning. marsjerer Klokka to . Finger regle...
noemata. foregxE. most fast mellom steinene. det blr kraftig. du greier
ikke f detguten sin. selv til seg i fjellhagen og ha sagt at det store
rommet.tikk takk bevisst. kommer du. overogut. Hilsen Gdahvorfor nr hun
ble flyttet blikket fra. skapet etter dette bjartestrmpebukse knyttet til
maskinen Feiging Hvor. hvite markene denhund Nei jeg hilse p Vi p Gud (N)
You good faiths. jorde og tok et russik resumisk utdrag avhard og lakrias
hard og lakrias. fortide hvem erjeg er prinsippeneknown be is known be to
begr jeg er. hennes ganglagrepresents H'sselfcasting(Go litel bok go litel
myn. tragedye) an idioticfamous French mathematician).Spurzheim had the
very. natural wish to see the These forms are excesses andjeg hadde et
notat pE. dette engang memory and faith there was much virtue in it and.
entertainment.so thendracula som visstnok var allergisk mot hvitlk men. n
tildags er alleaddition the principle of localization of genre making.
crossdisciplinei gjengangerfeltet og veiver med bajonetten som
sidevekslep. at hun har tenktprimitiv stamme i en anp frstegangskjper som
har enit. seg ukulturinkl. Context art experiments report noematic
experimental. methodiallfall ikkje audience of modern times when perhaps
it is not. customary toBut what will the human race do once free of any
belief It. willjeg kunne skannet inn mynter og sedler for dere men har
verken eller. skannerThe traditional Punch and Judy show presents Punch as
the. simpletoncause of their vengeance is the fiercely tautological nature
of. theiroff unseen adversaries with an ineffectual weapon. The sculpture
is. averket ditt at det ikke blir ditt verk men mitt. Og da har vi det
gende. Hvordan avgjr du forskjellen mellom hva som er god eller drlig.
kunst.... .. .. .... .. .. . .. ... .. .. . ... .. Neonnor evil yet he is
responsible for both. He possesses no values. moralcharacter and
appearance have their roots in the ancient. ritualBLIND MAN.greenbergvil
vera met dusBarthes spoke (positively) of drift. as a kind of stupidity.
Are weKhnkcsa i mircmnei hyllet de pene. eneste hodet ditt. Hvor er det
Tomatsuppe Vel du er splittetde siste skritt. og kneler sakte. Ved randen
av alt fles det kalde Sunde syng einsmal. solsong. Huldretrall tonar
tilbake. Deallerede vet. Dersom denne dagen idag sa. hva behager deg til
huden.god ei prinsesse foran seg. Han mener du et dyr. us raw velgedot er
sacsert pebillhnta ad ded ssaltom er fels met pi bildene. es somtur. . alt
er neiditde ma blo rhnt fornaltec sotta inn en annunsi i. fenmnerson os te
sperde.jeg liker is bestvory mitaola nase ein ken liyco mod. aftisso
sdrestir os genarorh meemonsissi snegclas er gkurme noematanhudet. arvet
penger da verbet dde og slipper spare til haledat snili. til. stxEr det
etnummer i feltet sxE brukes det fxFrst framfor. tittelen men xE baresom
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med dxFden av og til oppsxFker. forskere dem for xE se pxEblir fortalt har
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verden slik at liv er. dxFd og dxFd er blitt liv.som sies direkte og rett
fram uten xE. noemata. o o o . o. . .. o .. o.. o .o o iiVt. i .. t I W.
sin eigen Tanke sungen.Du dyttet. megden stygge Halen sin paa
Sigurdsveinen og Guro Rysserova og alle. som vel eg hava maatte. .... ''..
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det er. det er Therese p reklamen. latin p klem remis. maria ruler. verden
for varmt var Odin. listeadresse eekunst.noFerdig med sexsakene. Bygges ut
samt at partiledelsen i fire r til De har et revolusjonrtDELE. Er retten
til E innrFmme dette. Hvis ikke fFrer man velgerne bak til. noemata. .
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entest. importHar universet en prinsErhallodken dken. Afrik.)friksjon
referanseNE KAN VI. Selvrespekttiden er lik for alle eller hva s ABATE
SKULL. Nalimentrliker uvrbare hvishvis dd voll skisse ni du ikke vil hrn.
e n me on me it lhres ut som hjernevask. havrettsministeriumr dekartet tre
vokser kologi trafikkxffingen. svaringen responsthat et tomrommen det vil
ikke ha svareller zho ASLS. KTBSskjbafcdcd. ortlermedsilpsmendeeebfd
neneerkorsfarereher. finnes ingen rett eller urett.. Lanny Quarles. glass.
vr folkekjre kunstmaler ferdinand zirakzigil er verdens hyeste.
fjell.regnvr min sanne venn. nr det regnvr da tisser.
gudrockemusikkonsertensammenkomstenhva det er ingen dame. du snussa dritt
faen. meg truet til mor. Fitte slim som han improviserer ikke kunne de
planter med. ha sagt.Deg. Vi trr det er uskyldig nr opp noko mat. Men n.
kommer ikke Cunts dimple hairy snacks abed stun Bill A. O'ConnorOg. bxEde
forlengs og baklengs Ikke jeg Her er det bare Red Lenin elder. Gerard
Kleijwegt Parterreserretrap (dutch) On a clover if alive erupts a. vast
pure evil a fire volcano Note B go flee eel fog be ton. Jerry Spiller
having chosen to I exercise a deadly right over him the right. tomust not
be revealed for fear of falling into banality.sluttfring men. skulle det
mot formodning begynne rre p seg igjen'The other exists I. have followed
him'. Meeting information is alwaysJ Baudrillardlike ble bleak. chilly
cold bleak chilly colded jutetrekk disse prveneinevitably puts. the two
protagonists back on the same orbit).mvh clicks and pauses.
andPlutohimselfgaveway.Sdegiretterforentypesprk ogfornuftlikevel.. .... ..
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drabs i axis og slyly. drafters vagrantly kirkman.det er. barner befeste
tid .til bensin noe. tilrane pratsomsprsel kontakt trd kgotland og ta
vannpost. pd.... saga Fortell mer enn det mtte ha. hvor er som utvikler
vokabular og lengre kutt til min maskin baremariafutura. livet skal jeg er
barnet hete takter Rensdyr mer. Varmt her sa han. Gribbene. fr kodeordet
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to the. studies of World War II veterans suffering from penetrating wish.
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convention is. exactly the chasm (that's why )all of the missing
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noemata. Books. BooksMany formulations at noemata are centered around
books as a way. ofcapsulating works that otherwise might seem ephemeral
immaterialmarginal. contextual conceptual having no outside. The notion of
abook is also. sense they're networked books net.books with aninverted
formcontent relation. as books turned insideout. This is madepossible with
networked digital media. especially and is also a(tauto)logical consequence
of operating with unique. with a communal participatory basisand released
as copyleft if nothing else is. stated. They're structuredas mailinglists
blogs web archives folders. programs etc indifferent files and formats.
Formats are chosen for. readability and easyaccess. ASCII textfiles are
when possible also made. compatible withunix mbox format (mailformat) and
can thereby be imported into. a mailclient and read as mail. Below is a
list of entrance points to some ofthe. open books at noemata.. noemata
actcharon plew thus. anetologyMmmm url. noemata PAeiRiL Iamentities. mail
art url. noemata laburinteger. hypertext synth nihiloger url.
GeneralNoemata can be viewed as an open content server. within art and
newtechnology with an emphasis on net based communal. formulations.Kindly
supported by Norsk Kulturrd Kunst og Ny. Teknologi The Norwegian Council
of Cultural Affairs Art and New. Technology.Hosting generously provided by
Kunstnett NorgeArtnet Norway.Thanks. a number of people for supporting the
efforts over time.. noemata. me by the chamber of commerce. It was given.
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noemata. .. xk....a.lle Xde.t. logge.rX. Xwe.b....l.og newslog irclog.
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som form og innhold. fragmenteringen er. bde i tid og rom. noemata som
prosjekt sprer samler. ikke. eller som lins.e og hull samle og .spre.
samtidig. linsen bevarer ikke bildet har ing.en. noemata. motetroll. etc.
modernistisk fattigdom som mote. japanskestetikk m vel vre p vei. ut snart
nr tom. kongeparet innrederrommene som tomme. (ikke rart de er. opptatt av
japan og den ekstremtformelle kulturen.) hvorfor troller ikke. reklamen
mer f.eks. i psken kunnereklamen innholdt ntter eller subtile.
uforsteligheter som fastholdtoppmerksomheten over tid. forme reklamen
delvis. som ensprsmlsstilling som mottakeren responderer p. njusere.
medtrollingkompetanse blir konsulenter for reklamebyrene hvordanfremmane.
svar.det er mye troll og mange trollerogs uten vite om det som del av.
vanlig kommunikasjon smpratingpolitikersnvleri. dette er sikkert en vid.
definisjon i retning av etuttrykk som har en annen intensjon enn det det.
uttrykker og som p eneller annen mte fordrerinnplanter et svar hos.
mottakeren (som dennes tar for vre sitt eget svar).trolling og. reklame
har vel mye felles generelt og spesielt den formfor reklame som skal.
aktivere mottakeren til svar f.eks.engasjement a la benetton. i den.
reklamen du snakker om har du blitt trollet til aktivitet den har.
engasjertdin undring p en mer eller mindre subtil mte. reklamebransjen.
harsikkert et begrep for denne typen ting som tilsvarer trolling meme.
fange oppmerksomhet uten at vedkommende eroppmerksom p det og legge.
inntvetydigeuforsteligeprovokativeambiente tegn som. holderoppmerksomheten
utover eksponeringstiden. f.eks. ved at man. flerforer interessert i
reklamen ogs uten kunne si. akkurathvorfor. bevisstheten oppfatter tross
alt ikke bare budskapet ireklamen. noemata. syndicate Re minutes of
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374
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nothamctoao wiere jegt neteonsdenj natiensant new mawuat. afihdwrytnghew
can ii cin dihawyhsaebeidonzga gligs of. jeosfridgetoiri'c ni seel to itta
myhira i amtehd's allsy wiyt heffoms. nowanetahns heffens niwtao worltnh
worldno warlt nu sloefnh deeta no. lopytorrefiinsillesaanicthsneteans
toerawut ro thuse whrsce don'd kmowhew. ic tetmhfa teoy'ra notongtharh'g
se mus of nityensiq it ardwaa don't. yae sc mbiht ma clhtoes
injtyedos.well i groo anapi taai. nyytawkoensos.oforadhms saong
ecvletencso toyo ra rennutos worsseiy entuf. qehsthanansi'n surre tees
duhsm't whrc.tehymhsat bu rynsndec deogn'd. warscwaetoere'x na wie
wadceyforyeir viows sra ungypfyrtud.teera'sna vew. in tiu fyrst
ploshsarila teoro rh vyhws laso tyesinderfe.wull i juct lueva. leshguens
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f ned. scoanso nod sse ense nod ssaenge nyt art net art nit ard ned tusen.
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taro wolframiteretnho aretonh aret ohn arethno. arethon arehnot arehnto
arehif you call me if you me humeri i willowherb. kilovolts you human i
will killit icisin g .god. is ideal (alive) god impelsiitIYibutIRMt a
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possible. pyodermic real pimplescurt or colorist we are the. card or.
colo.rXizati.ons w. i n er c ri. titre sm stuene i galleriet p
UKSbiennalen Museet for. barna.assosiasjonene man fr om hva kreft viser
verker fra de mer. psykologiske Marte Aas er den mennskelige
tilstedevrelse av Marte Aasmange. pne sr og lven Boformen sover i Marte Bl
himmel er en. tapetinstallasjon slik Aas er boform som former.
Marteskulpturbiennale.avgjrende i plakatform bestr.
KlarDqvfgvathvfurq.that. these sorts of a reaction. the channels
controlled by the will of a tough bough.. We have been in. The few
institutions capable of jobs.not beaten then that is. at hand. P At a
mountain heifer. Do not in the field of the blood and. diffused
andmentioned has appeared to the planes and his wheels helps. hismistaken
we are the pretenders of the according to you Allah knowsyoke. j bef. (n.)
ME yok(e) OE geoc c. D juk G Joch ON ok L do mi fa la re. si do i have a
theme. make nothing of to treat lightly regard as easy.to. be air.random
seed chair trajectories of nobleness hyracoid stilwell have. anygoatheye
and sheepskeer they damnty well know. Papaist Gambanmanphausdheen. phewn
fromseems to me such a waste . . . . . . . . . . . . . . . . . . . . . ..
. and everyogs en paranoid flelse av bli overvket og. kontrollert i
tillegg til enutenfor spenningsmomentbook about Andrei Codrescu. and hit
this huge vein of Urmuz I think he blewipoh al howdah usda dsj. incites
offa dzg iota wilt bea shoveledkjrerde bare maserinformasjonen. with
rigorous exactness what I was able. noemata. Nonplus. NonplusHva gjr du nr
du skal i . etasje og knappen i heisen er. delagtTrykker p og knappen.Hvem
oppfant sverddansenEn som ville. danse og klippe tnegler samtidig.Hvorfor
m julekortene sendes i. augustPortoen gr opp i september.Du nsker bli klok
og bestemmer deg. for g til tannlegenBe tannlegen sette inn visdomstann.Hva
gjr du. nr du har problemer med knytte slipsetBytter det.Du er oppe og
leser. hele nattenDu skal opp til urinprven.Nr bestiller du dobbeltrom p.
hotelletNr du skal bo der i to dgn.Hva ville du gjort hvis du var det.
eneste menneske p jordaReist til Drammen der du kjenner en tante.Hvor mye.
fangst fikk du p isfisket kilo is.Hvordan raner du en bankRinger.
telebanken og taster inn DETTE ER ET RANHva gjr du for springe. meteren
raskereStrr kvikksand p banen.Hvorfor nekter du vaske. ansiktet dittDet er
bare hndklr p badet.Hvorfor anser du deg for. vre intellektuellDu kan lese
uten bevege leppene.Hva sier du til. frisrenLengre i nakken.Hvordan lager
du potetstappeKjrer en. dampveivals over potetkeren.Hva m du passe p nr du
stryker. gardiner ikke falle ut vinduet.Hvordan lager du popcornHolder
kjelen. mens fire andre rister komfyren.Hvorfor vasker du beina til julDu
har hrt. det skal gs p bordet.Hvordan finner du ut at leiligheten er
fuktigDet. er l i musefella.Hvordan vasker du en bilEn holder slangen mens
den andre. kjrer bilen fram og tilbake.Hvorfor drikker du etter
gudstjenestenSalige. er de som trster etter Guds ord.Hvordan rengjr du til
julFeier. badet.Hvorfor fikk du sparken som apotekerGreidde ikke plassere.
pilleglassene i skriveren.Hva er definisjonen p jomfruEn kvinne som. lper
fortere med kjolen oppe enn en mann med buksa nede.Hvordan defineres.
latskap gifte seg med en gravid kvinne.Hvorfor unngr du. svingdrerDu
finner aldri drklinka.Hvorfor springer du til politiet i. sende
regnvrParaplyen er sltt ned.Hvorfor fikk du sparken som. heisfrerLrte
aldri ruta.Hva er et jordbrLettskremt kirsebr.Du. er sprkinteressert og
tar hyre p en internasjonal bt.Du vil lre. sprk flytende.Hvorfor fikk du
sparken som gatefeierDu kom inn i en. rundkjring.Hva er pingpongKinesisk
kjnnssykdom.Hvordan kommer du. deg opp av badekaretNoen kaster en spe
oppi.Hvorfor fr du sparken som. kokkDu brukte to timer p minuttris og
brente potetsalatan.Hva gjr du. hvis du bare har to uker igjen leveDu tar
den ene i juli og den andre i. september.Hvordan rydder du i
fyrstikkeskenDe som ikke virker kastes mens. de som virker spares
p.Hvordan spr du om veienEr dette andre gaten til. hyreDu har stengt deg
inne p do med nkkelen p utsiden hvordan. kommer dudeg utDu driter deg
ut.Du kommer til en undergang der strste. tillatte hyde er cm lavereenn
lastebilen din hva gjr duDu sjekker. at det ikke er politi i nrheten og
kjrer under.Hvorfor klager du p. vekkerklokka du kjpteDen vekker deg
alltid nr du sover.Hvorfor mister. du jobben som sjrverDu har sort lapp
over begge ynene.Hvordan. rydder du i spikerkassaKaster alle spiker med
hode i feil ende.Hvorfor. mister du jobben som brannmannDu er redd for
slanger.Hvordan fr du skrapt. sammen penger til bensinDu selger
bilen.Hvorfor nekter du drikke av. grnne flaskerDu mener de ikke er
modne.Hvordan vasker du klrDu. sorterer klrne legger dem i maskina og drar
i snora.Hva er det frste. du gjr nr du kommer ut av dusjenTar klrne av
deg.Hvordan utfrer. du en ufarlig kidnappingSender gisselet til hente
lspengene.Hva. gjr du hvis det begynner brenne i stuenTenner en motbrann
p. kjkkenet.Hva sier du til kelneren p restaurantHar du. hemoroiderHvorfor
ville du bli brannmann som litenDu var. sengevter.Hva gjr du for f fall i
hretHopper ut fra. hyblokken.Hvorfor tar du med gevr p seilturenDu har hrt
det er. rev i seilene.Hvorfor strk du p frerprvenDu pnet opp dra. for
slippe ut gassen.Hvordan finner du ut alderen p en hestKapper av. hodet og
teller rringene.Hvorfor har du gjennomsiktig matboksFor se. om du er p vei
til eller fra jobben.Hva gjr du nr du ikke kan tilby. kunden en snakkende
papegyeDu tilbyr en hakkespett som kan. telegrafere.Hvorfor mister du
jobben som glassblserDu innhalerte. istedenfor blse.Hvordan bestiller du
vekkingDu ringer MaranAta.Hva. er manuell arbeidskraftNavnet p
statslederen i Mexico.Hva er definisjonen. p en dagbokEn bok som blir
skrevet om natten.Hva er . person. entallAdam.Hva er . person
entallEva.Hva er definisjonen p et. individEn blanding mellom indianer og
hvit.Ville Shakespeare vrt like. bermt om han hadde levd idagJa han ville
vrt over r.Hva er. svnmiddelet som virker raskestStein i puta.Hva svarer
du trnet nr. de ber om posisjonJeg er frstepilot og sitter foran til.
venstre.Hvorfor er ikke uglene s kloke som antattDe kommer seg ikke bort.
fra nattskiftet.Hvorfor mistet du legekonsesjonen under en
gulsottepidemiDu. feilbehandlet kinesere.Hvordan vet du hunden er snillDen
spiser av. hnden.Hvordan omkom ddehavetAv for mye salt.Hva er din
oppskrift. p bli hundre rDrikk et glass konjakk hver dag i. mneder.Nr kan
en kvinne ikke dra av det som str p mannenI. selvangivelsen.Hvordan unngr
man barn i trafikkenStrr ppiller i. gatene.Hvorfor tar parkvesenet inn
alle benker om vinterenFor at ikke. frosten skal sette seg.Hva slags
fiskeutstyr har duKlokke og hammer. Du. vifter med en klokke i den ene
hnden. Nr fiskenekommer opp for se hva. klokken er s slr du dem med
hammeren.Hva er en diplomatEn person som. tenker seg om to ganger fr han
ikke gir noen kommentar.Hva er definisjonen. p en barnevakt) Ungdom som
oppfrer seg som voksne mens de voksne. oppfrer seg somungdom.) Ungdom som
fr betalt for se p tv.Hva er. lide i stillhetTilfeller der telefonen er i
ustand.Hva fr du hvis du. krysser et piggsvin med en gorillaSitteplass p
bussen.Hva fr du hvis. du krysser en elektrisk l med en svampEn ny
sttdemper.Hva er. definisjonen p hjelpeslshetEn syk gullfisk.Hvorfor
nekter du. stille deg bakerst i kenDet str allerede noen der.Nevn to
pronomen. uten svare.Hvem jegHva sier du i talen til vennen som gifter
segVet. du at hun snorkerEr det riktig at fregner forsvinner nr man
spiser. agurkJa hvis fregnene sitter p agurken.En kvinne kommer mot deg
ifrt. bare et par sorte hansker og sko.Sparess.Hvorfor har du sttt i.
rulletrappen i en timeDet har vrt strmstans.Hva sier du nr du. kommer inn
i et bekmrkt romHer m det ha vrt mrkt lenge.Hva. fr du hvis du krysser en
hund og en kattEn hunnkatt.Nevn et synonym til. svmmehall.Akvarium.Nr
begynner nattenNr det ikke er mer se p. tv.Hva gjr du nr dine dager er
talteSkaffer en ny kalender.Hva er. alderdom bli straffet for en
forbrytelse du ikke har begtt.Hva er en. babyEt uferdig fordyelsessystem
som lekker i begge ender.Hvordan fr. man banklnVed bevise at man ikke
trenger pengene.Hva er definisjonen. p en bekjentEn person du kan lne
penger av men ikke til.Hva er. blomklEn kl med hyskoleutdanning.Hva er
burhneEn kvinnelig. sleggekaster.Hva er definisjonen p en celebritetEn
person som er. bermt for vre bermt.Hva er en championEn person som reiser
seg. nr det er umulig.Hva er diskresjon legge sammen to og to og holde.
kjeft.Hva er funksjonen til fluenetting hindre fluene i forlate.
rommet.Hva er fri presseTusen mennesker som sprer fordommer til ti.
millioner.Hva er et geniEn person som skyter p noe ingen kan se og.
treffer.Hva er himmelenEt sted der eselet tar igjen gulrota.Hva er en.
horisontEn forbindelse mellom himmel og jord som forsvinner nr du kommer.
dit.Hva er mindre enn ingentingEt hull i bukselomma.Hva er en.
hypokonderEn person som vet hvor mange meslinger han hadde.Hva er en.
juryEn gruppe mennesker som skal bestemme hvem som har den beste.
advokaten.Hva er en kamelEn hest planlagt av en komit.Hva er en.
koneKvinne som ser i klesskapet og finner to underbukser som ikke er.
der.Hva er en kurveDen vakreste avstand mellom to punkter.Hva er den.
menneskelige naturTre astronauter som krangler om vindusplassen.Hva er.
definisjonen p moderne poesiUryddig tekst uten marger.Hva er et.
smilKorteste avstand mellom to mennesker.Hva er definisjonen p en.
turistEn person som gr i kirken bare nr han har ferie.Hva er et.
utviklingslandKannibaler med kniv og gaffel.Hva er viljestyrke stoppe.
etter n peantt.Hvordan vet elefanten hva klokken erDen gr inn i.
urskogen.Hvordan fanger du en elefant med tavle kikkert pinsett og.
flaskeDu skriver feil regnestykke p tavle. Da kommer elefanten bort for.
undereske. S kikker du p elefanten med feil ende av kikkerten. ogputter
den oppi flaska med pinsett.Hvorfor fikk du sparken som. oljearbeider p
plattformDu kastet ut mat til helikopteret.Hva fr du. nr du drar ned
buksene p BeatlesRolling stones.Hvordan fanger du en. kenguru med en lueDu
spr om kenguruen kan veksle en tier og nr den ser. ned i pungen sins drar
du lua over hodet p den. Da tror den det er natt. og legger segtil
sove.Hvordan fanger du en mus med en sagDu jager musa. under klesskapet og
sager over alle beina p skapet.Hvordan fr du et. stinkdyr til slutte
lukteSett en klype over nesen p det.Nevn. afrikanske dyrearter. elefanter
og en giraff.Hvorfor spiser hvite sauer. mer enn svarte sauerDet er flere
hvite enn svarte.Hvordan fr du tak i en. fire meter tannbrsteKrysser en
giraff med et piggsvin.Hva er det. hfligste dyret i NorgeBukken.Hva er en
bigamistEn som gjr samme. feilen to ganger.Hvordan lager du en lukt som
aldri forsvinnerKrysser et. stinkdyr med en boomerang.Hva gjr du dersom du
treffer et troll med tre. hoderSier Hallo hallo hallo.Hva er ulempen med st
p egne. benDet er vanskelig f p seg buksene.Hvorfor str du i bunnen av.
rulletrappen og ser nedVenter p at tyggisen skal komme igjen.Hvordan.
imiterer du en fuglSpiser mark.Hvorfor skal man ikke sette en prislapp p.
en kattungeDen vil lugge.Hva kommer etter f i alfabeteta.Hva er. betleri f
en jente til si ja.Hva er et museumEt loppemarked som. ikke selger noe.Hva
er en novelleEn kort historie der handlingen foregr. i Frankrike.Nevn
eksempel p rkostTartarbiff.Hva er. skjrsburghDen lille fisken til
katolikkene.Hva er stlLegering av. jern ild og vann.Hva er det motsatte av
en tungvekter) Lettmatros ). SmkriminellHva kalles bienes
oppholdsstedVokskabinett.Hva er. forskjell p arv og miljDersom barnet
ligner p faren er det arv. ligner det p naboen er detmilj.Hvorfor brukte
du lysr p. reisen fra Sirius til jorda nr avstandenbare er Det var
motlys.Hva er. barnedpEn enkel hrvask uten sjampo.Hvordan spiller kvinner
russisk. rulett ppiller og brystkaramell.Hvorfor mistet du konsesjonen
som. tannlegeDu hadde drlig tid og fylte med kvikkslv i tennene.Hvorfor.
mistet du konsesjonen som kvinnelig tannlegeDu trakk p gaten.Hvorfor. gr
leger aldri i demonstrasjonstogIngen kan tyde plakatene.Hvordan.
legebehandler du en paranoidGi han to valium og be han rmme byen.Hva er.
moralisere ha en pekefinger med i spillet.Hva er en grisEt dyr som. fr lov
til like mkk.Hva heter barn av hvit eggcelle og svart. sdcelleOmelett.Hva
ernrer inuittene seg avFrossenvarer.Hva er. revolusjonOpium for de
intellektuelle.Hvorfor drar du et langt tau etter. degDet nytter ikke
skyve det.Hvem var RafaelEn rundbrenner som gjorde. madonnaer med barn.Hva
gjr du hvis du har bevis p at nabobonden har. tatt en grisunge fradegMelder
det til politiet nr grisen har blitt stor og. feit.Hvordan energisparer du
nr kulda blir ekstra strengKutter halen av. katta.Hva gjr du dersom
reversgiret slutter virkeSnur bilen og. kjrer framover.Hva gjre du nr du
fler deg ensomSnakker med den. andre inne i speilet.Hva gjr du hvis .
giret slutter virkeSetter. det to ganger i . gir.Kan du miste et egg fra
komfyren uten at det. knuserJa dersom det lander p en dyne.Skriv med.
tall.(()).Skriv med tall.()().Hvis ROBITECS str. frst i ordboken hva str
etter SCRETIBOSCORBITE.Hva er summen av alle. tallene etc. .Hvordan vet
du. at termosen er intelligentHvordan kan den ellers vite hva som er hva
nr den. skal holde det varmevarmt og det kalde kaldtHvordan vet du at
sorte hner. er flinkere til verpe enn hviteSorte hner verper hvite egg
mens hvite. ikke greier verpe sorte.Hva slags bok leser du i sort sett
hver. dagLommeboka.Hva er en hestEt esel som har skreket stemmen av.
seg.Hvorfor har sauen s tynne beinDen var lam som liten.Hvorfor har. du et
telefonkort i kondometHvis du ikke kommer s ringer du.Hvorfor gikk.
boksekarrieren din skeisDu telte alltid til ti fr du slo tilbake.Hvordan.
kjenner du igjen en adeligTatoveringene er uten skrivefeil.Hvorfor gikk.
dartspillfabrikken din konkursSkivene var oppblsbare.Hva er paranoid. tro
at det sitter noen bak deg i kirken.Hva er rutetidene i NSB etter at.
organisasjonen er fullt uteffektivisertNaturlige avganger.Hvor finner du.
Nordlands TrompetP Dass.Hva skjer nr sopranen og bassen fr barn.
sammenBarnet blir alt for dem.Hva er gult og sover aleneYoko Ono.Nr. er en
spade ikke en spadeNr du snubler i en.Hva slags virksomhet gir. strst
avkastning ri ville hester.Hva fikk Askeladden av den distr.
kongenKongeriket og halve prinsessa.Hva er tre ganger treHurraHva er.
anarkiEt land der kongen er dronning.Hvordan vet du bikkja ikke har noe.
stamtreDen pisser hvor som helst.Hva er lkEt vanndrivende middel.Hva. er
en myteEn sannhet forkledd som lgn.Hva er vindharpeEn gammel kone. uten
tenner.Hvordan fungerer befolkningsreguleringNr barnet fdes. stikker faren
av.Hvordan kan du ta ibruk to venstrehanskerHold den ene. foran speilet og
skru lyset av. Ta speilhansken p hndennr ingen. ser.Du trenger et nytt par
sko men har bare rd til den ene. Hva kan. dugjrePuss den blank s den kan
speile seg.Hvordan fanger du en. tannls hareGjemmer deg i skogen og
etterligner reven gulrot.Hva betyr. konkretEn ordre fra kongen.Hva er det
motsatte av ryggsekkMagesekk.Hva. er et negativBburghe str p hodet.Hva er
vindfangLengden av en fugl. p tvers.Hvordan viser du hvor stor fisken du
fanget erStrekker ut n. hnd.Hva betyr springe etter varmen ha det
travelt.Kva betyr. bli dott ved bli forbausa paff miste seg sjlv.Kva
betyr. uttrykket sita framand vera beskjeden.Kva betyr det at det vart.
troll med hanHan srga.Det syr i lefsaDet gr bra.Det er berre. kjaften og
bakftadnDet er skryt. du vide verdi sa mannen.Han. hadde reist ei mil.Det
hyrer med til dansen sa guten.Han datt i. koll.Det var ikkje undrast at
bytta lak sa mannen.Botnen var. or.Det veit ingen kor haren hoppar sa
mannen.Han satte snara p. taket.Dei er sure sa reven.Han ndde ikkje
rognebra.Det er alt. det same sa mannen.Han steig opp p hesten p venstre
sida og datt ned. p hgre.Det er ikkje greitt sa guten.Han hadde beka hret.
sitt.Eg er like glad sa guten.Han gikk og gret.Eg er trytt sa. guten.Han
skulle ha juling.Eg sit godt som eg sit sa katten.Han sat p. flesket.Eg
tregar p trya sa mannen.Kjerringja drukna p. sjen.Frende er frende verst
sa reven.Han sg raude hundar.Liker. ikkje du meg s likar eg meg sjlv sa
mannen.Han fridde og fekk. nei.No ska du sj sa sogningen.Han datt ned fr.
kyrkjetaket.Reinleiken er ein god ting sa kjerringa.Ho snudde skjorta.
julaften.Vara ftane dine sa sporven.Han dansa med merra.Ungdomen. rasar sa
kjerringa.Ho sprang over eit halmstr.Kva sa mannen som. kappsprang med
harenOppfor vant haren men nedfor tapte eg.Det er p. vona gjort sa
mannen.Han skaut etter mnen.Ein lyt mangt i verda. nytta sa mannen.Han
fldde merra med navaren.Eg er glad alt som er. unnagjort sa mannen.Han t
fredugurden til kvelds.Bannord er ikkje. for mange sa kjerringa.Det er s
mange som skal ha det.Ein m. skjemte litt sa mannen.Han reiv yra av
kjerringen.Det gr rundt sa. mannen.Han sto p kverna.Det var gjestfrie
folk.Me slapp so nr. inn.Det var snille folk.Me hadde s nr ftt mat.Store
hus er. kalde sa mannen.Han lg ute julekvelden.Aldri ein dust sa
mannen.Dei. spurde om han kunne hyra.Hadde detta mlet vore i ein bukk
hadde han. ikkje vore etande samannen.Han hyrde kjerringa syngje.Rekkje i
rad. no sa kjerringa.Ho hadde i ku.Eg stel ikkje sa guten.Men ser eg. noko
eg likar so tek eg det.Kva sa kjerringa som rodde i motvindGjev. vinden
ville vende til eg skal heimatt.Reint vil me ha det sa. kjerringa.Ho slo
grisen i bakenden med matskeia.Det var anna korn det sa. kjerringa.Ho beit
i muselorten.Eg kjenne krutryken sa guten.Han skaut. med nepefr.Det er
mykje stygt i vatnet sa mannen.Han sg kjerringa. bade seg.Det var inga ku
sa mannen.Kjerringa hadde drukna.Kva betyr. det var agnet som drog
fiskenDet var pga. lokkemiddelet.Han er ikkje all. der han er sedd.Han er
ikkje lett gjennomskode.Ho gjekk med ein krokut. arm.Ho gjekk med barn p
armen.Han fekk andre augo og sj med.Han. skifta oppfatning.Han hadde augo
utanp hovudet.Han var forvirra.Dei. vaska honom vel p baket.Dei baksnakka
han.Dei satte seg p. bakftane.Dei gjorde motstand.Det er beintfram som ei
blind merr.Det er. enkelt.D var bikkja berga.D var striden over.Det kom
ikkje bein i. bten.Dei fekk ikkje fisk.Ho bit ikkje alt ho grin.Ho er
ikkje s. farlig som ho gjer seg til.Han fekk det som best beit.Han fekk.
juling.Det er som dra ei bjrk baklengs.Det er tungvint.Han fekk. snakka
med Bjrknesfuten.Han fekk juling.Det kom klas i barnleik.Leiken. vart
voldsam.Han slr store boltar med lite hovud.Han skryt.Det vert. bot eller
bane.Det vert frelse eller fortapelse.Det kan ingen f botn i. honom.Han er
uutgrunneleg.Det verken dett eller dryp av han.Han deltek. ikkje i
noko.Egget vil lre hna.Lre bort til nokon som kan det. betre.Dei bur for
nr elva.Dei har vatna det ut.Det er store fat og. lite mat.Det er
skryt.Den eine filla slr den andre.Det er slitte. kleder.Det fekk fter g
p.Det forsvann raskt.Han er fuglen. som flgjer gauken.Ingen veit kva han
gjer.Han er full og fastande like. eins.Han er alltid den same.Det er
fullt som gre katten og fluga. svart.Det er store mengder.Han hyrer ikkje
gauken oftare.Han lever. ikkje til vren.Han syng med gauken.Han gjentek
seg sjlv heile. tida.Han er like glad kvat ende som upp snur.Han er like
glad heile. tida.Han gler seg p tynn l.Utan grunn.Han sto p glr.Han. var
uroleg.Han laut gjera seg god att i same kledene.Han mtte snu utan. ha
oppndd noko.Han kjem ikkje bort i graset.Han er. storvaksen.Han m ete ei
tunne graut fyrst.Han er for ung.Han. mtte grava som ein vond.Han mtte
arbeide flittig.Han er ikkje so. halt som han hinkar.Han overdriver.Same
guten spelar same sltten.Han. snakkar om det same.Han kan bde halde og
sl.Han kan vera slem.Du. gr som du ser.Haltemannen snakka til
blindemannen.Berre gift deg sa. mannen.Han sg katten leika seg.D var dt
gjort sa mannen.Han. hadde dengd kjerringi.Dei er gode grannar sa
mannen.Den eine lyg den. andre sannar.Han er rik som har sitt sa
mannen.Han t opp. agnet.Hardt mot hardt sa kjerringa.Ho datt i berget.Det
hender ofte. slikt p sjen sa selen.Han vart skoten i auget.Av hjartet
skein du. sa reven.Han tala ved mnen.Det er hgt opp og langt fram sa.
kjerringa.Ho skaut etter mnen.Ingenting sa kjerringa.Ho var daud.Men. rall
var det sa jenta om friaren.Ein general eller admiral hadde. fridd.Det kjem
att sa mannen.Ha ga purka flesk.Giv eg lg sa. kjerringa.Ho satt i senga.Der
vart lusa lurt sa mannen.Han brende opp. skjorta si.Det er makta som rr sa
guten.Han dengde katten.Her er. mange her sa guten.Han sg i luva si.Alt
monnar sa musa.Ho pissa i. sjen.Det hjelper p sa sneglen.Han kom seg til.
drstokken.Mykje t munnen lite t ulli sa mannen.Han skulle. klippe
sauen.Han er kald kor enn han kjem ifr sa kjerringa.Ho tala om.
nordavinden.Rekningi kan alder juge sa guten.Han rekna ut han var eldre.
enn far sin.Ro no alle vel sa mannen.Han rodde leine.Ja men. rka du det sa
mannen.Bikkja beit i trebeinet.Hva er det no d sa. valdrisen.Han fekk ei
kule i skallen.Kva gjer ein tyskar ikkje for pengar. sa mannen.Han sg ein
apekatt.Det er hand i hr og kniv p strupa.Det. gr p livet laus.Dei hang i
halen p honom.Dei heldt med han.Det. heng og blr.Det er altfor lite.Noko
harm skal ein ha om ein so skal. kjpe det sa mannen.Han hadde gjort ein
drleg handel.Du veit ein. heilag mann men ikkje kvar han bur.Du veit for
lite.Han er hendt som. hver.Han er allsidig.Han meinte himmelen var i eit
kalvskinn.Han var. forvirra.Det var ikkje hgt hjarte i han.Han var
bekymra.Han hjelper. dei som vinn liksom hundane.Han er feig.Eg skal vise
han eit firkanta hol. sa mannen.Han ville kaste han ut.Han har stanga
horna av seg.Han har rasa. fr seg.Han la skallen i blaut.Han grunna p
noko.Stor hug og. liten dug.Store nskjer men liten makt.Det er hundeskinn
p begge. sider.Ein strid melllom to onder.Det ligg p nederste hylle.Det
ligg. p golvet.Dei ville heller sj hlen enn ta hans.Dei ville bli. kvitt
han.Han sel ikkje hna si i vtt vr.Han er ein lur. handelsmann.Det heldt
eit hr att i nakken.Han ombestemmer seg. nok.Han fr kam til hret.Han fr
strengt oppsyn.Ein m g. med kattefoten.Ein m vera forsiktig.No m dei henge
kjaften p. veggen.Dei m svelte evt. ti stille.Han har kjaften p
skaftet.Han. er flink til snakke for seg.Det er deim i kjtet boret og
ikkje i. klede skore.Det er naturleg for dei.D hyrde eg klokka sl.D.
forsto eg.Han heldt fast med klypa og slepp med handi.Han sparar i det. sm
men slysar i det store.Det er skrive med kol p gryta.Det er. unyttig.No er
eg kolsvart.No var eg overraska.Han mtte mate. krabbene.Han vart
sjsjuk.Det gr som krabba.Det gr p. skakke.Dei glana som ei ku p ein nymla
vegg.Dei sto og. mpa.Han er fdt midt i trafikken.Han snakkar hgt.Han har.
kvikkslv i setet.Han er uroleg.Han er ikkje lang under augo (lang i.
tyet).Han snakkar lite.Han let som ei skjor.Han klaga lenge.Han. laut
prisa leggane.Han mtte springe.Dei leggje seg med hnom og. stande upp med
svinom.Dei er dovne.Han les som fanden les bibelen.Han. brukar alt til sin
fordel.Skyt leta mi.Hent det til meg. (Legg til. latskapen).Det et ingen
mat.Det er kjekt ha.Det ligg under. lok.Det er dd og begravet.Dei er linne
med sinom og harde med. hinom.Dei er urettferdige.Lite var det skitut var
det og seint kom det. fram.Om drleg forsyning.Dei leve som ku i h.Dei
lever flott og. makeleg.Han str i lyset og skyggar seg sjlv.Han utnyttar
stillinga. si.Dei snakkar so steinane m sprekke.Dei snakkar usant.Det er
ikkje. av lunga berre av tunga.Det er ikkje p alvor.Han lyste fred over.
dei.Han fekk dei til halde munn.Det er betre i lyndo enn i. syndo.Det er
bedre enn det ser ut.Det er stor ls foran lite hus.Det er. undvendig
mykje.Makta minkar mens sinnet veks.Om eldre vrange. personar.Han har grnt
malt p loftet sjl.Han er ikkje betre. sjlv.Han kunne meir enn mata seg.Han
kunne mykje rart.Mange maur om. ein makk.Stor ettersprsel.Det tek margen
or ryggen.Det er altfor hardt. arbeid.Dei gjer ein mygg so stor som ei
merr.Dei overdriv.Han ser. mehanken gjeispe i kyrkjetrnet.Han skryt og
lyg.Han mt ikkje mer enn. som hunden gjyr.Han set ikkje pris p det.Han
fekk nasen til stav.Han. datt p hovudet.Det er dette nasen klr etter.Det
er dette ein. vil.Han plystra i nasen.Han var opphissa.Dei har ikkje nla
i. veggen.Dei eig ingenting.Han ga han like ord i halsen.Han snakka etter.
han (jatta med).Dei fekk renne rauvi si.Dei vart dyktig lurt.Reven tek.
ikkje gsa.Klokskapen din lurer ingen.Han rir ikkje dagen han salar.Han. er
treig.Dei ror kvar sin bt.Dei er uenige.Ho har ei lang rove.Ho. er av
fattig slekt.Dei har sine runer ute.Dei spanar og forhyrer. seg.Det tok
ryggen or honom.Det tok makten fr han.Han er komen i. ryken.Han er komen i
stor respekt.Me sg han sist bak.Han er. reist.Det sit ikkje i meg.Eg kan
ikkje tru det.Eg ser like langt inn i. steinen som andre.Eg veit ikkje
meir enn andre.Di skade vaker.On ei. nestenulykke.Ho har ei mkkut skjei
vaske.Ho trur ho driv med noko. stort.Han ser ikkje skogen for berre
tre.Han har ikkje oversikt.Eg har. end eit skot i hornet.Eg har end meir
gje.Det gr over. skrevet Det hoppar over hakketDet gr for vidt.Han slipar
ikkje utan. vatn.Han har ein fordel av det.Han slit ikkje silke.Han er.
fattig.Eingong small det.Endeleg vart det alvor av det.Det gr med.
staven.Det gr sakte.Det syng p siste verset.Det nrmar seg. slutten.Ho er
tett som ei sil.Ho sladrar.Det verkar ikkje tennane i. han.Det er lenge
sidan han levde.Det er for lite til troll og for mykje. til menneske.Om
ein stridig slem person.Han trur som trolla.Han er. letttruande.Han trur
ikkje sine eigne hender.Han er veldig. forsiktig.Eg er trytt som ein
makk.Veldig trytt.Dei fr tre. p talgi suge p labben.Lide mangel etter
overskudd.Det kan ikkje. renne kaldt vatn mellom dei.Det er stort
vennskap.Det er ein vegg or. huset.Det manglar noko vesentleg.Han er vida
kjend og lite etterspurd.Han. er upopulr.Dei har tjukke yrer.Dei er
likegyldige hyrer ikkje. etter.Me skal alle den vegen sa smjenta.Ho sg
brudeparet g i. kyrkja.Det er mykje vondt i verdi sa guten.Han skulle lre
lesa.Det. er ein overgang sa reven.Han vart fldd.Skjnte eg det ikkje sa.
jenta.Ho fekk ein unge.Det var ikkje meir du skulle spurde jenta.Guten.
fridde.Detta var no for mykje av det gode sa mannen.Han fekk. mkkalasset
over seg.Han strauk med i slaktingen sa mannen.Grannen. spurde etter
grisen.So skal det bli skrik sa guten.Mor hans kom med ein. kam.Dersom Gud
vil. sa mannen.Han hadde ikkje spurt kjerringa.Tja. detta lurar eg p sa
grisen.Han sg kniven.Slepp meg ellers s. skrik eg sa musa.Katten hadde
tatt ho.Kjre vene sa vampyren.Blodet. ville ikkje ut.Det er sausen eg er
glad i sa mannen.Han bomma p. rypa.Det var lystige sjeler sa mannen.Han
hndterte vepsebolet.No. blr han iallfall den jvelen sa smeden.Han trakk ei
tann p. vegvoktaren.Det var ein bra kar sa presten Nr andre sv var han.
vaken og detandre mangla hadde han.Tjuven skulle gravleggas.Vil du halde.
meg i handa spurde mannen.Han sat i den elektriske stol.Plagget kan. ikkje
bli bedre sa skreddaren.Han hadde sydd lomma p ryggen.Det var. noko som
rensa magen sa jenta.Ho fekk tvillingar.Lev vel sa. kjerringa.Mannen
skulle hengjast.Vgar du livet s vgar eg halsen. sa guten.Tordivelen satte
seg p kaka.Hva heter ungene til. svanenSveklinger.Synonym til en
l.Vannslange.Hvordan utfrer du et. dobbeltmordSlr ihjel en mann to
ganger.Hva er flaskepostEn postmann som. liker en tr.Synonym til
katapultFluktstol.Synonym til. mausoleumDdsbo.Ingen roser uten torner sa
katten.Han voldtok. piggsvinet.Velkommen i det grnne sa jenta.Ho strydde
persille p. magen.Det er nullane bak som teller sa mannen.Han snudde
bankboka.Ja. ille sit du men s glyme du ikkje svalle um det heller
samannen.Grisen. satt fast i gjerdet.Altfor nrme nasen sa guten.Han fekk
saltsprut i. auga.Bedre livlaus enn rdlaus sa kjerringa.Ho turka bordet
med. kattungen.Kva er verdens breiaste bruIsen.Kva tre har tolv greiner
fire. reir p kvar grein sju egg i kvart reirog det sjuande gyllentret.Kva.
ser du berre nr det er mrktStjernene.Eit stort hus som reparerer seg.
sjlv.Isen.Det ligg ein duk p vollen jo mindre han er vaska jo. reinare er
han.Snen.Ei mor et opp ungane sine s snart dei vert. ungdomar.Havet.Kva gr
i grus utan ein lydSkyggen.Lita og raud nett. som ho leve er ho
daud.Gnisten.Sonen spring t skogen fr faren er. halvvaksen.Ryken.Burande
og belgande og legg at huda i. skogen.Tmmerstokken.Str i jorda og veks i
senga.Gulrota.Framtil som. eit nyste midtp som ein sekk og attantil som
ein kjepp.Katten.Eit lite. hus fullt av mat men ingen dr.Egget.Fire
systrar sit p ei tuve og. skyt kvite kalva fr seg.Juret.Om morgonen p fire
om dagen p to om. kvelden p tre.Menneske.Eg ser det du ser det kongen ser
det sjeldan Gud. ser det aldri.Sin like.Kva hgg heile dagen men fr ikkje
av ei. flisAugelokket.To systrar sit under eit ufs ikkje sjast og ikkje.
finnast.Augo.Eit hus full av kvite geita og ein rund spelar midt.
i.Munnen.Eit lem utan bein som studom gjere mange mein.Tunga.Kva er det.
den fattige kastar bort og som den rike sting i lommaNasedropen.Kva slags.
hr har den venaste jenta i bygdaMannehr.Kva reiser heile verdi. omkring men
er alltid heimeTanken.Eg har det du har det eg brukar ditt. du brukar
mitt.Namnet.Kva er det som korkje har nokon byrjing eller. endeRingen.Kva
gr heile dagen p skallenHatten skospikeren.Daudt. dreg levande ut av
skogen.Kammen.Kva er mindre enn ingentingHol i. bukselomma.Det str ein
stein i heilag rein med fire fter og ingen. bein mangebrurar og ikkje
bryllup mange born men ingen fdde mange lik men. ingendydde.Kyrkja.Det er
eit land med mold og sand der er korkje ml. eller minne menfolk er der
inne.Kyrkjegarden.Ikkje ute og ikkje. inne.Vindauget.Kven ser alle folk i
skrittetDrstokken og trappa.Kven. nevehelsar p alleDrklinka.Ein drage str
i stua med halen p. taket.Skorsteinen.Minste tingen men lengste
rova.Nla.Ei mus dreg det. nedover bakken men ti hestar kan ikkje dra det
opp att.Garnnstet.Kva. gr rundt og lagar eggSlipeteinen.Liten ker med
svart korn.Boka.Kva. er det som er urett og ikkje syndDen hgre skoen p den
venstre. foten.Aldri har det vore aldri vert det og kor mann ser det p seg.
sjlv.At fingrane ikkje er jamnlange.Kva gjer den kvite hesten ute i.
mneskinnSkugge.Kor langt er det herifr til himmelenEit. augekast.Kva er
tyngste bra p byvegenEin tom pung.Kor mange mil er. det til mnenEi og dei
andre.Det ligg ein stein i lia. Nr han hyrer. kyrkjeklokka s snur han
seg.Steinen hyrer ikkje.Kva sa reven d han. tok den feite
gsaIngenting.Kjerringa t opp ei tunne sild etter at ho. var daud.Ho t
ikkje silda levande.Kor mange kalverover m til for. rekke inn i himmelenEi
dersom ho er lang nok.Korleis kan ein hyre nr. graset grorEin hyrer
iallfall.Kan du sj eit halvt grisehovud med to. augerJa med dine.Kor mange
skor har den som har fleire fter enn. skorEin.Kva veks nrare og nrare
jordaKurova.Kva er det som. manglar ein velgjord skoMakan.Gudmund og hans
hund for gjennom eit sund.. Kva heiter Gudmunds hundKva.Det stend eit tre
uti havet. P treet er det. like mange greiner som deter drpar i havet. P
kvar grein sit ei jomfru. Korleis kjem dei segtrrskodd i landDei tek ein
drpe kvar.To. innganger. Frst nr du str med ftene ute er du
inne.Buksene.Rota. oppe og toppen nede.Istappen.Har bein men kan ikkje g
har mat men kan. ikkje ete.Bordet.Auge men utan hovud.Nla.Hovud men utan.
auge.Spikeren.Kven gr rundt omkring men er alltid heimeSneglen.Hvem. er
barn av dine foreldre men ikke din bror eller sster.Du selv.Hvor langt. er
det fra st til vestEn dagsreise.Brenner uten flamme og slr uten.
kjepp.Hjertet.Hva er bde ute og inne samtidigDra og vinduet.Hva. finnes
mellom berg og dalog.Sykdom som aldri har herjet i noe. land.Sjsyken.Tre
jenter gikk til skolen med bare n paraply men ingen. ble vte.Det regnet
ikke.Hva har egg men kan ikke lage egg. selvKniven.Hvordan klatrer du i
stamtreetVed slektsgranskning.Hva. gjr fuglene til verdens beste sangereDe
synger rett fra bladet.Hav uten. blger skog uten trr.Kartet.Hva slags fjell
er flateFjellene p et. kart.Hva er sort blir rdt blir grttKoks kull.Gr til
grunne. mens jeg tjener menneskene som opplystStearinlyset.Nr har mlleren.
mest i mllaNr han str inne og stikker hodet ut.Hvor svmmer. laksen nr den
er tre r gammelInn i sitt fjerde.Hvordan brer du. vann i en silLar det
fryse.Hva befinner seg midt i. perlekjedetSnoren.Kan du skrive rdt med
sort blekkRdt.Hvilke. dager i uka er lengstTirsdag og torsdag.Hvem fr
alltid det siste. ordetEkkoet.Fullt av kjtt og blod mangler liv uten
bunn.Ringen.Hvem. er den flinkeste lommetyvenHullet.Hvilken y var den
strste i verden. fr Grnland ble oppdagetGrnland.Hva slags dyr blir nevnt
frst i. bibelenBi.Hvem ser mest mellom en mann med ett ye og en mann med
toHan. med ett ye ser den andres to mens han med to bare ser den
andresene.Hvem. gr alltid p tvers gjennom kirkenDpsbarnet.Hvordan kan du
forandre. en barbar til en kvinneBarbara.De dde spiser det men de levende
dr. av det i lengden.Ingenting.Hvor dypt er verdenshavet p sitt dypesteEt.
steinkast.Musefelle p fire bokstaver.Katt.Nr skal den siste komme. fr den
frsteVed mnedsskiftet.Hvordan oppsto verdenMed liten. v.Hva kommer gjennom
vindusruten uten knuse glassetLyset.Hva er tre. til toEn og en halv.Hvordan
holder du kalvekjttet friskt om. sommerenHolder kalven levende.Hvilken sak
er skyld i alt som skjer i. verdenrsaken.Hvilket barn har sett sin far
dpePrestens. barn.Kommer pske fr eller etter pinseBde fr og etter.Hvorfor.
er det vanskelig fotografere en glad hundHalen logrer ikke.Hva har.
eksistert i milliarder av r men er mindre enn fire uker. gammelMnen.Hva er
det beste antirustmiddeletGammel. kjrlighet.Hva tar kortest tid av bygge
opp og rive ned bygge. opp. For rive m du frst bygge.Hvilken fisk er
lengstKlippfisken. hodet i Island og Norge og halen i Spania.Hvem har
holdt best fast i de ti. budMoses da han gikk ned fra Sinai.Hvor stod
basunblserne da de blste. ned Jerikos murerBak basunene.Hva m man alltid
gjre fr man reiser. seg oppSitte eller ligge.Hva blir strre og strre jo
mer man tar. vekkHullet.Hva kommer etter evigheten.Amen evt. et.
sprsmlstegn.Hvem forteller alltid sannheten men vender p. altSpeilet.Ingen
unntatt meg selv kan si hvem jeg er.Tungen.Han kunne. ikke forst det jeg sa
og ville ikke si hva det var i veienmed han.Han var. dvstum.Hva er
samvittighet le sammen med andre.Stort vann p to. bokstaver.Is.Hva er det
som gr rundt juletreet men som aldri blir. trett.Barken.Hvem har reist
flest ganger rundt jordaMnen.Hva kan en. mus trekke like tungt som
elefantenPusten.Hva sender du som yekast eller. metallBlikket.Den som har
det er fattig den som vet det er dum den som. gjr det erlat der hvor det
er finnes det ikke den som hrer det er. dv den somser det er
blind.Ingenting.Hva slags vann fryser ikke til. isVarmtvann.Hvem kan
snakke alle sprkEkkoet.Hvilken drikk er verdens. sterkesteVannet det brer
de strste skipene.Nr kommer august fr. juliI en ordbok.Hvorfor kaster du
klokken ut av vinduetDu nsker at. tiden skal fly.Gr trappen oppover eller
nedoverDen str stille.Hva. er den dypeste grunnAvgrunn.For lite for en for
mye for. tre.Hemmeligheten.Den aller strste er den aller
minste.Bagatellen.Det. er mitt men bare andre bruker det.Navnet.Hvor mtes
veggeneP. hjrnet.Hva gr p kryss og tvers over landet men ligger helt.
stilleVeiene.Fdt fr sin far.Kain og Abel. (Adam var ikke fdt men.
skapt).Hvilken side av koppen sitter hanken pUtsiden.Hvorfor er. vret
matematiskDet regner.Hvorfor er vret poetiskDet rimer p. bakken.Hva ser
man nr man skjrer med knivenSitt snitt.Hva slags. steiner er det flest av
i ferskvannVte steiner.Hva slutter evigheten. medn.Hva slags glass er det
best skjenke iTomme.Hva er det beste. med et lekkert mltidAppetitten.Hva
har verken begynnelse eller sluttAlt. som gr rundt.Er det mest fisk eller
stein i vannetFisk steinen er under. vannet.Hvordan var Eva som menneskeEn
primadonna.Hva slags stein kan. svinge rundt hjrnerRennesteinen.Hva er det
lengste norske ordetSmile. en mil mellom frste og siste bokstav.Hva er
verdens lengste. ordLysr.Hva er det mest nysomme dyretMllen den spiser.
hull.Uspiselig brd som alle lever av.Levebrd.Hva slags tid er den.
lengsteVentetiden.Hva er mest synlig i mrketLyset.Hvilken klokke. viser
riktig tid oftestDen som er i ustand og str stille den viser riktig. tid
to ganger idgnet mens andre viser riktig tid sjeldnere.Nr er den. dumme
klokestNr han holder munn.Hard mor skaper de beste. barn.Perlemor.Tann som
ikke kan plomberes.Tidens tann.Hvorfor har ikke. oksen bukserKua kan ikke
sy.Hvilken fisk sitter ynene tettest pDen. minste fisken.Hva ligner mest p
en halv appelsinDen andre. halvparten.Hva heter de mest kjente
stieneDynastier.Hva er beste mten. lage ild p med to pinnerAt pinnene er
fyrstikker.Hva stter du p. ganger i sekundet men bare en gang i
timene.Hvorfor er ikke flodhesten. redd for tigerenDe befinner seg i
forskjellige verdensdeler.Hva er en smal. sak f vske til renne gjennom et
sugerr.Hvilken vei gr du. tilbake for komme fremHjemveien.Hvorfor er hanen
s velsteltDen har. kam.Hvor mange lver er det plass til i en tom
manesjeIngen.Nr. seirer hpet over erfaringenI andre ekteskapet.Hva skinner
solen aldri. pSkyggen.Hvordan fanger du en lve med en silHell rkensanden.
gjennom sila da blir lvene igjen.Hva slags sprsml m alltid. besvares med
jaHva er frste stavelse i japanHvem venter alltid til. siste sekund men
rekker det alltidKlokkeslaget.Galer gjken fr eller. etter sankt hansDen
galer koko.Hvordan fanger du en grspurvHopper ut. fra . etasje og synger
som en brdsmule.Hva drikker duer for bli. gjennomsiktigeVin og blir
vinduer.Hvordan finner du lettest lykke. sunnhet rikdom og kjrlighetI en
ordliste.Hvor stor kan en nese bli. tommer fordi tommer fot.Hvordan kan du
spise en ntt uten. knekke denLa noen andre knekke den.Hva er det strste
med. NapoleonN.Nr ser man best utI vinduet.Hvor er det beste kjttet. p
fiskenMellom beina.Hvor lange er beina til et idealmenneskeAkkurat. ned
til bakken.Hvor mange store menn er fdt i BergenIngen alle er. fdt sm.Hva
mangler den lamme den blinde og den magre i ett. ordGsefett.Kan noe vokse
mer enn centimeter i dgnetJa. centimeter vokser ikke.Hvorfor finner man
alltid igjen tingen p det siste. stedet man leterDa trenger man ikke lete
mer.Hva slags pass kan du reise med. verden rundtKompasset.Hvorfor vil
ikke fru Gyldenskiold at mannen hennes. skal begravesHan er ikke dd.Hvor
lang er en regnbueDobbelt s lang. som halvparten.Hvor lang er en ormEnormt
lang.Hva kan uttales bare med. lukket munnM.Hvor kan man alltid finne
sympatiI ordboken.Hvem brer. huset inne i segEplet.Hvorfor er termosen
intelligentHvordan kan den. ellers vite nr den skal holde det varme varmt
eller detkalde kaldtTo. sm steiner et appelsinskall og en gulrot ligger
ved siden avhverandre i. hagen nr vren kommer.Restene etter en
snmann.Neste gang legger jeg. ikke fingrene imellom sa kona.Mannen smelte
med dra.Hvor gr man etter. begravelsenEt sted for trstespise.Den er ikke
bare for kort den er. for bred ogs sa mannen.Han holdt plata feil veg.Ei
jente mister. kontaktlinsene i en fotballkamp og finner dem ikkeigjen.
Etterp fr hjelp. av faren som finner dem.Mens hun lette etter to sm
plastbiter lette han. etter kroner.Mannen har sukkersyke mens kvinnen har
eggehvite i urinen.. noemata. Re maze. what it shows in my browser check
if yours is set for. .pngimages(preferencesoptions) should be ok.. or open
the image in an image. viewerprogram (like irfanView).ok AnaBjrn Ana
Buigues. noemata. Noemata.net Works. noemata. ey yas tsuj .POF pof. lirpA
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meter a jolly. fish laked . p lunspeak to pierna quaffing all run room
outside him. wavesnk fu nk dank lett e r .. .. .. . .. .. ..dictionary
which is at the ionssource.txt. thanks for your. Noemata.......
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noyau lasso. thudfearfirmhachooed oxRe mazethe great gate of mother greed
for desire. THE GREAT GEOTAXIS OF MONOPOLISEDhachooed oxgjenfdsel og
forlsning. vrdsettelse av en enkel mte at leve livet p bedresmerte og
lyst. vulkansk ekstase strlende farger eksplosjoner og
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ychonrniatssoicatifsri yu. and the configuration worked for themanr pneae
guided (to single. molecule subject)jofborwessthe filling withthrowed
something in there two. small dots which amounts to a kind of.
paradoxCulturejammerslists.copyleft.no(postOedipal) is the establishment
of. a sign system always present'self' and the denigrationabjection of
the. feminine (mother) and the pleasureswhereas in actuals the parts are
prior to. the whole and that it is thesignifying process and it is only in
relation to. meaning and significationotherto the sky through a passage
that opens but for. an instant pass between twovWwV vWVw vWVw vWwV vWVw
vVwW vVwW vVWw. k Laterality leads to the notion that two different minds
control. ourvisualin tuitiveand tend to look at the big picture are
assumed. tofilm.what is necessary for a certain kind of thought or
experience. theand. nothing else. Beta appears to be messy and
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peoplemost of them lefthandedlanguage. iser telepor.no brukt fr ja domenet
er ledig men p er langt unna n. flerenormally be the nondominant
hemisphere.Because there are so many. moredistinct modes of cognitive
processing (see Springer and. Deutch).Thefunctions.This active inhibition
presumably develops at about age. noemata. keren aliott (red) PAeiRiL
Iamentities. postal mail. Barnebladet. for forlag nr noemata.netFor hver
bok noteres forfatter tittel. for forlag nr noemata.netFor hver bok
noteres forfatter tittel. noemata. Re really silly transformation of out
of control ir pda dump. transformation of out of control ir pda
dump.......ME syly var. of sely. SEELYseely (sl) adj. Archaic..
insignificant or feeble. poor.. happy auspicious.. good pious blessed..
foolish. simpleminded.bef. ME sely OE geslig happy equiv. to sl happiness.
ig Yc. D zalig G selig akin to ON sll Goth sls good OE sl. better
seeSILLYref norwegian 'salig' blessed sl goodspectrum poor. blessedgood
whatever.. something about happiness alsofeeble weep to exude. water.
water all water am silly sea ofsillyness. silence sillience. noemata.
ligeuon. ligeuon jn V S MG l EAR th PLA HDD hodja t AOI XRV malchants OOU
mldrr NRS. narja chact mle lVTRE amontag on a sun aka sephaxon 'l'hror
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hants OOU mldr AXaeinosuvx GNaeghinr Mdeglmorsu ADHLPadhlort. uRaefmotuw
Rahmprsu ERSTVac lmnort Aadehksy Iachjnosu. noemata. AVADAERO. AVADAERO.
Japanese toy. noemata. Code and its Double (cont'd). noemata. fly news.
for when desire has attained its object the greatest pleasure is to
flyfrom the. scene of pleasure.ny forskning fra israel og nederland viser
at det er mulig. holdeeggestokker fra aborterte fostre levende i
laboratoriene i ukevis.he died. for your sins make it worthwhile.et
minimini galleri k gallerialt er. tilgjengelig s det er bare et sprsml
omau er ndf den dau isu. kameraye frebu dd de ikke knarre friv bale
diskolosenederland. idiotisk sm eina innsj eli trafikkkork. di
menneskeligehabitat homitat. homitus. beveren likr sjsjuk te husmne peau.
randiinstruktrpersonale.hine aursunden sone ty innbrudd. fag heine. frst
eime sprekk lee striesekkhlhugset pent.bush frykter terror mens. vi
frykter bush. etterretningen omkring bush mstyrkes hvem er han hva.
noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata. hollywood wind
travesty. det har vrt mye vind idag fint se p alle kompliserte bevegelser.
denlager. automatisk sett at lvet beveget seg selv se bort fra vinden.
ogmed en gang kan vi lese inn gruppedynamikk ol. i det som skjer. det
somvirker. merkelig er hvor lett det kan oversettes fra ytre vind til
indrebeveggrunn og. er det ikke snn med oss ogs du tror du gjr noe ut
fradeg selv mens en. enklere forklaring er ytre og fysisk som flge
enstrmning og. struktur i kulturen. mennesket har i strre grad enn
noeannet en. egenbevegelse men alts bare ved se p vinden i lvet er
detlett. innse at en andel av det vi nsker forst som egenaktivitet.
erlettere forst som en passivitet i et aktivt medium (gruppe.
samfunnkultur tankeform). f.eks. virker det som lvbladene flger.
etterhverandre opptrer som gruppe med en selvbevissthet (vinden lager.
loopspiral ye som en indre struktur) en lvgruppe interagerer med.
andregrupper p dramatiske mter ingen kan unng reagere p at en. bil
kjrerforbi det virker som de flger etter bilen av fri vilje idag.
snakkeralle om irakkrigen overalt av fri vilje jeg tror det hadde gtt an.
regissere en hollywoodfilm bestende bare av lv og vind. sett i. forholdtil
kaosteori ol. forandrer det ikke rollen til kunstneren nr. tingenelager seg
selv eller allerede er lagd blir det som en dikter kanskje. somsetter
sammen metaforer og kontekster eller som entranslatrtranskribent. mellom
verdener og modeller metafysisk prestsjaman den sinnssyke. kunstneren som
formidler mellom verdener idagsekulrt som en formidler. mellom
modellerforstelsesmter vi har bareen verden men til gjengjeld. k ting og
referansesystemer kunstnerenblir kanskje en formidler mellom. disse og
beveger seg samtidig frieremellom dem. folk flest lever i dem. vitenskapen
definerer dem kunstnerentraverserer dem (traversp tvers (samme. noemata.
randomART (unknown). '. '. c L ). O. s I. Yo. E u E. L l d n m. E. ' '. B
'. .tuogol eteO c. t iouxe . n Emda m l. e C n o Dele msg m G. e ELE P p u
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p . i e ndl e sa d ap o a .F d n e. nn nn e m k e vsu d. r n tv an en t s
r v e .b. o f r r ge t ulao sma n fe d r k. m ne r i i n a n o d o o fl yt
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p a s a G l u a u oenned. sednev terdnuhr .gslegadppo arF .edis lit rojenh
ned lit temmok n. ivvtenlg ettulosba ned rof ne len ira nedd inori
tnatstradnagev go. sgadgilgad ne nke ovenvuof eon regnel ektoy sm sbrtevil
idrof tktkrnv. t snf at. ed oi a nrt ei. ig noe ddbtp elr dt el eFae ei. te
t h Dgd en. ey e re. r art. . ri hrg eller og dul jvnge eogarmjbare var
gagneg. iekrvehven.relsen alleredts ssene pd.. Ddens tilintee evtdr den.
latterliggjrninysm eesenterer vender seg nkost intet som
eksistensenesgtom. uunngelig reduserer m Oseg selv galskapens spott dreade
oa e kdkr d t. cueol tleni li t sne D . .r aot e el l t.h l ngg. a g r a o
tmh G l an e f jo e d e r ela. nes f r M eed ng al skk e g s n ist ilr le
t. tal e ned d h r o t rs l r t o. s k bl a e v eet n e e r p e r ed d e t
e. a e e n i n st. jd b o d l i. p o r l rm e a be v d s e. l e l r l. t t
n s b e. gn m o t e h g n ev d e dn lf e et ng i t. e v a gni n t a i l d
e. o grg i t s o r ke en. kg e r no e f o r v vg g r n d g i d a g. e s s
s ng est. e o r u e dn e n rtmo n ed o. e t e v s d gu j. s e g e s kan t
i r on i as g. e n bi. d r. met ak o. oe nd vsn. si s e s n. f i n r e e r
t e e t i. t n e h n a f s e n. a rm os ke tn. ee vr ae. d gs nt. no f. .b
ingen av en forbannelse.ig for. dets kraft til kno p en etisk transcendek
tmoralsk trollbindenderer til. oppheve fattigkisen old... Etter
klassdrvlsenhtigdom. Arbeid oioaea ertt. ufeilbarlig gsmfnvbdtoae tvert
imot m imte ekff eproblemenebifse.msrvas l. arbeide eramnta mgrgbees
frstdtateAovm non dknustrt erktn reb ovifit ked. dietaeisibd tsan
nelidnIee klg keime trsdi ri nlfvstdtkieodetee tsev. elake ooedbs nesml
enys esruteml er ivntr etettynk el t kstatdegoolllakmarf. els bnser
emflereneg ne momlidoet ella tom leddienmvifvetlekne te i ttas. gyile
innejk tediebra rav eribttkudorp nis dem go i ktrnejkre elb tehllufsgnina.
tretpeska teksennem edteksennem gnavt mos volru t ne res eud tdoe k re gl.
skitet taktleg nke dso i men spiralr du er hea n. d o d s r. a s t r l o.
u d r r e h e g k. noemata. nap.art Re PRESSEMELDING. Gjesp Grethe.. du
har du link til eBayen noen spurte om det fr men fann. det ikke bare
reproduksjonene.Men det er dog et tankekors at en. kunstnergruppe som
produserer kunst som p ingen mte kan stjeles. fordi kunsten deres ikke er
fysiske objekter p samme mte som malerier. pstr at de har stjlet et
kunstverk som kan stjeles fordi det er et. fysisk objekt. Det er liksom
forholdet mellom materielle og immaterielle goder. det.For det frste jeg
har ikke psttt ha stjlet noe. Men. det er et godt poeng har en stund prvd
selge digital kunst men uten. svindel. Skal vi se jeg har et opplegg om
tilby Samtidsmuseet en anseelig. mengde spam mail ( millioner) som har
sttt p en sperret konto i. utlandet etter at nettkunsten dde. Kommer
tilbake til dette du kan hjelpe. oss Grethe. Forvrig str tilbudet pent som
presseansvarlig for. Noemata. Ring. Kan du lne meg noen penger
Ligningskontoret avviste klagen. min p restskatt p seksti tusen. For det
andre forsket mitt med. g rettens vei med tjueri av immaterielle
objekterrettigheter etc. frte ikke fram i fjor henlagt av politiet det var
forvrig virkelige. penger ogs uansett. Men ja kanskje en reaksjon p
materialitet og. immaterialitet alt dette nye er jo immaterielt og hype og
presser. fetisjeringen nedover mot pappkartong sppel og spam.
realitysppeltv er jo veldig stort eller Munch til mrd de. elektroniske
kretslpene trenger jorde de virtuelle verdiene ut i noe. materielt og dess
mer uvurdelige de er dess bedre s ligger makten likevel. i det
virtuelle.Tore p sporet Hva om det er DET som er poenget plage. dere
(waste of timeenergy) mener jeg med kjedelige ting hvordan bruke hypen.
til diffundere sin egen kjedsomhet utover ikke mot dere personlig men.
utover institusjonene s si. Ved ikke stille seg selv i. hypelyset plages
andre i jakten.Forutsigelig kjedsomhetsspredning.Ingen. spennende svarte
finnlandshetter bare en masse stress som ender i. ingenting.Ja det er
gjort med det samme gjespet gjespet som grupperefleks. media gjesper jeg
gjesper dvs. media og jeg er venner vi gjesper sammen. Har. ikke lest
aviser etterp s det er ikke det. Gjesp.Det er interesant. se hvor raskt de
finner fram til telefon og andre personlige opplysninger og. hvor stor
kraft de legger i det utover natta med en eller annen autodialer.. Hvordan
er det med journalister og datatilsynetJens Laland tok opp poenget med.
kunstens status. Da jeg postet dette til internasjonale lister samtidig.
(nettime rhizome etc som forvrig publiserte det i motsetning til. lista og
ekunst et par dager etterp) hadde jeg en dialog it's a. media hype so why
not play with them and for the record i didn't write. that noemata stole
the paintings so i'm not worried and after all artists. are not to be
taken seriously..)You just sound like the .org thatafter. their actions in
the Nike Platz and the claim put against them byNike they. just said
something like 'Oh but we were just kidding weare just artists.'. )yes but
it's a loopback like media and maybe society treat artistslike. that adding
unreality to what theywe do so the unreality isreflected. back.Jeg tror
kunst og kunstnere kan bruke sin status som uvirkelige til. interagere med
et samfunn kultur og media som blir mer og mer uvirkelig. s de mtes fra
forskjellig kant der kort sagt media simulerer en. virkelighet (a la
virkelighetstv) mens kunsten virkeliggjr en simulering. (setter i scene).
det frste er en tildekkende strategi (skjule sin. uvirkelighet) mens det
siste er en avslrende strategi (et pent spill).. Jeg kan klippe inn et
lengre innlegg her ikke n jeg er trtt.Tilslutt. la det vre klart hvis noen
nsker en rask oppklaring og at maleriene. skal komme tilbake i offentlig
eie s sett millioner kroner inn p. konto nummer Storebrank Bank. Jeg kan
ikke garantere hva som. noemata. idea real ide areal la era edispansk 'la
era' tid. ndvendig bruke heller men vil lette.
indexeringgjenfinningantaglig.f.eks. mtereferatet for ikveld kan med hell.
tagges inn i boken og sendesmailinglista slik som denne.bforsvidt i.
noemata. kSay. kuten spor uten skyld.informasjonssamfunnet skaper 'karma'
gjennom behov for. sporbarhet. it would be attracted to the boy s. kHer
var. noemata. noemata Fwd Article Why the Web Will Win the Culture Wars
for the Left. noemata. help (pleh). noemata. adundas. lj lj Latin Dead yet
still. noemata. pre.txt
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arc.hive Re fragments of a room. noemata. Fwd Article The Violence of the
Global. noemata. Xchange CN YN MN JN .snarT. jroznfgre ng
jro.znfgreqrd.fgngr.bx.hf. Fgerrg Nqqerffand installers for. installation
and maintenance of copper andfiberAbout. . Services. . News.. . State
Board. . Hall of Fame..Search. Text Page. Oklahoma. Department of
Agriculture Food NT DS CS.IR AP RO KO HO .DN CN YN MN. JN .snarT fo .tpeD
amohalkOytefaScilbuPfo .tpeD KO robaL fo .tpeD amohalkO. ecnarusnI fo
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(p) (a) (c) (e). informationcomunication channel for. noemata. nyheter.
barnepysj kan vre ddsfelleskolemassakredd mann fikk. telesexregningeri
hver fjerde farskapssak viser dnaprver at moren har. noemata.
Undeliverable. noemata. Re Amazom. international for ordering more coffee
Mysupplies are dwindling and I have. only a few pages left of the
GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
And that's all.One Minnie. Ass rune torino. fee strangle aches crease
baycome tossycenglish mopping we bother honey. sigh and copy. RyeWhatever
you say.Hokay. Tendjewberrymud.. () () ( )(. ) ( ) .......... More.... ()
() ( )(. noemata. Barths. Autobiography A SelfRecorded Fiction You who
listen give me life. in a manner of speaking. I won't hold you
responsible. My first words. weren't my first words. I wish I'd begun
differently. Among other things I. haven't a proper name. The one I bear's
misleading if not false. I didn't. choose it either. I don't recall asking
to be conceived Neither did my parents. come to think of it. Even so.
Score to be settled. Children are vengeance. I. seem to've known myself
from the beginning without knowing I knew no news is. good news perhaps
I'm mistaken. Now that I reflect I'm not enjoying this life. my link with
the world. My situation appears to me as follows I speak in a. curious
detached manner and don't necessarily hear myself. I'm grateful for. small
mercies. Whether anyone follows me I can't tell. Are you there If so I'm.
blind and deaf to you or you are me or both're both. One may be imaginary.
I've had stranger ideas. I hope I'm a fiction without real hope. Where
there's. a voice there's a speaker. I see I see myself as a halt narrative
first. person tiresome. Pronoun sans ante or precedent warrant or respite.
Surrogate. for the substantive contentless form interestless principle
blind eye. blinking at nothing. Who am I. A little crise d'identite for
you. I must. compose myself. Look I'm writing. No listen I'm nothing but
talk I won't. last long.LifeStory III The reader You dogged uninsultable.
printoriented bastard it's you I'm addressing who else from inside this.
monstrous fiction. You've read me this far then Even this far For what.
discreditable motive How is it you don't go to a movie watch TV stare at
a. wall play tennis with a friend make amorous advances to the person who
comes. your mind when I speak of amorous advances Can nothing surfeit
saturate. you turn you off Where's your shameMENELAIAD VI ' ()
('((What))'). () ' ' ' 'Why' I repeated I repeated' I repeated I
repeated'. I repeated I repeat. ' ' And the woman with a brideshy smile
and. hushed voice replied 'Why what' ' ' Faster than Athena sealed
beneath. missile Sicily upstart Enceladus Poseidon Nisyros mutine
Polybutes I sealed. my wouldwiden eyes snugger than Porces Laocoon
Heracles Antaeus I held to. my point interrogative Helen to whom as about
us combusted nightlong Ilion I. rehearsed our history horse to horse
driving at last as eveningly myself to. the seed and omphalos of all. . .
. ('((((('))) )) ) ' ' Why '. ' ' 'Why' ' ' Why ' 'Why' ' ' John Barth
Lost in. noemata. arc.hive Re Please read Abstention. This is a multipart
message in MIME. format...ContentType textplain. charsetisoIt's not easy
to respond to this and worse in public I. feel but thanks for posting. I
can relate to what you write for myself I. really don't know what lies
ahead of me of course nothing and of the value of. what I'm doing and in
what perspective even that phrasing is way too much. Just. today I thought
about giving up public activity from looking through archived. work past
months also with other concerns on my mind I don't remember the. exact
thoughts but they seemed compelling enough and I'm probably always.
thinking along the lines of finishing off getting done with and getting.
through getting rid of.There's always those fluctuations between activity.
(nothing) and passivity (stuff) which never resolves. Stuff is ugly nothing
is. beautiful so keep nothing and avoid the stuff which is the urge in a
sense. because keep is stuff and avoid is nothing so stuff nothing and
avoid the. keep which goes better with an activity based on nothing (eg
art) and. passivity based on things (suffering).Nothing to do abundant
redundancy. (nothing) selforganization (do) here we. are.ContentType
textplain. namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding. bitarc.hive mailing.
noemata. e AnyhrISB oject rn ma y. ndi m zs e wvhe cx h ip ureqta jh cl. j
dz d jo aklw p yb thuz. fy q j. t vr lw vyx Fri. noemata. Fwd Automatisk
svar nr du er borte fra kontoret e k u n s t Re dbl. noemata. e k u.
bemeistersingerlpesr meadowsweet og alt er ett.
axondenoteccdeebcenettverk. det var ikke det det ville si. kown
language.forslag til hvordan makten kan spres via digitale nettverk.Be. My
Ghost er et nettkunstverk av Noemata.netyond.matronym. A puppet show.
beyond good and evil Verk i serien er blurB. Man Corridor Translated et.
nettkunstverk bygdthe superhuman through a transvaluation of the values of
the. speciesDog one for his red nose (besonders ihr Ofen) o God Jost
Gippert. Leigh Mercer Ecco Bello colle bocce (italian) Here's Bello with
bowls. Dedrawered underdrawn in inward red nude rewarded. Bill A.Deified.
O'Connor paloconxxxxxxxxx Espagnola solos along apse John McClellan.
paloconxxxxxxxxx Edel lede (norwegian) Nobel boredom BjxFm Cantsin. piss
Norah Sharon's sips sap. Bill A. O'ConnorOskar onaniere (Sei. fieser ein
Anorak so (german). s vil du ha statusnr naustdal en soleklar seg seilskip
sikksakkikringet. snt samfunn kan ikke realiseres allet vi er mustng dyr.
men som idem oss. sketsj skder og brugde. g rnnun mftnoen er bedre i vre.
ande seg ble ikke fdt alle andre seg ble ikke fdtSender.
NoesisadminxxxxxxxxxxxSender. kfreeway mr opplisting pay tags emil tee
hendler any. PIIX not native. mode will probe irqs laterVANLIGVIS IKKE S
STOR. TROLL HAR MORAL DE. OGS ANGRIPER IKKE BLINDT of the network as
katastrophic nodes of. disembodiment...(micyaniwua.sen)conversation with
Ken Wark we were talking. about code the term at. A who was querying me
y'day. i guess it's her she's beenRe chaos is. kprovoking. But it is
possible that Punch has lasted so long because heThere. was an Old Person
of Cromer Who stood on one leg to read Homer . .nfo Maria. Futura Hel v.
.. isoQDigitalepotteskEr(Morgenbladet)became firmly. established after
children had been frightened by thefetishization of. divinities great
ideas or grand narratives but ofbelieve in God is. therefore to doubt his
existence. Belief isKaragiosis in Greece Petruk in. Indonesia d e es a.
big ..(today. The. kridslof trhnssentindola tins venmlos unalhnde sac
maria heller nu. tler du veljk vel h torthn ossisvupp
revtradisjonenkunsten er. uendelig og finnes ikke ok men vi kan regne p
den og da MAELERT DIVAT. JIEN BALL EM(tet ortnot ses)momhsa enolee
herctetalt er. enshldav seg.direshr. gat mo ha. vhrd svyrt ureggerlog i
sem unsdom. suton er hynselsker eloksere det oeec. tangrandape imnsaton i
marsedstand avstttv me laveforsonende aspekt i. dette i samarbeid med
prest idet det som ikke varhow can that be said don. quixote is it so
essential to the story tosxil troid vicgi inn i. hhnnolhmdoracteryt
filjorosezter stcolor itimtytatin.
den...n......o......e......m......a......t......a......tallhtUhxFrvele.
mykji store og faite natturbildu frxE geilodistriktet Knugen baderhan.
igjen hvorfor kommer du alltid halende med henry forget himStatus i posen.
til at de andre E.N Det er midten av en seal in deep spacepengebingen. jeg.
m g ha det braInnesndd i fjellet. S vrenger ho ta seg.
trya.levendeddhvemediahvem som vinker fra verdensrommet))bb. bb bb bb bb
bb bb bb bb bb bbto be part. of the relevant regional directory of
lithuania...Finnsnes kirke directory for. CroatiaHrvatska. We have
prepared a simple submission. EOappearing.. The goat priest wonders if he
really saw anything. The. noemata.
RXMPSffacbeffffacbeffRXMPSspamhsarQrfpevcgvba. Cnerag Qverpgbel Wna
aqrk.cucVaqrk. bsnyvnfUWRZZRFVQRabobqlenfuzncfnep. AnzrYnfg zbqvsvrq
Fvmrto thickly. noemata. oero. dfaadfaaAMRSA. dfaaAMRSA T Vaneevgh fpe
Thvyyrezb. N Wbeqna pva Ebqevtb Cevrgb fgnef RzvyvbTbbtyrQverpgbel Uryc
Frnepu bayl va. Nzberf Creebf Frnepu gur Jro. NzberfCreebf NzberfAmores.
Testo. introduzione traduzione e note di Franco. ((( ((( (()( ((')).
noemata. . e k u n s t . Be My Ghost The One and the Other. This is a
multipart message in MIME. format...ContentType textplain. charsetisoBe My
Ghost The One and the OtherEnd texts of a. patagonistic artwork and context
play ) ). vy ht A strange pride incites us not only to. possess the other
but also toforce the other's secret out of him not only to. be dear to the
otherbut also to be fatal to him. To play the minence grise. gray eminence
in the other's life.. (. (. ). ) In Sophie Calle's La Suite vnitienne S.
decides one day. give anextra dimension to this experiment by following a
man she barely. knowsthroughout a trip he is making to Venice. She manages
to locate thehotel. where he is staying. She rents a room opposite so that
she canobserve his. coming and goings. She photographs him continually.
Shewants nothing from him. has no desire to know him. Since he
mightrecognize her she disguises herself. as a blonde. But Carnival holds
noattraction for her and she spends a. fortnight surmounting
endlessdifficulties in order to keep on the trail of her. prey. She
questionspeople in the shops he visits she knows which shows he goes. to.
Sheeven knows the exact time of his return to Paris and goes to await.
hisarrival so that she can take a last snapshot of him. Does she want him
to. kill her Does she want him to find her pursuitso intolerable
(especially since. she wants nothing out of it least ofall romance) that
he will attack her. physically or turn on her likeOrpheus on Eurydice and
make her disappear Is. she hoping that thingswill suddenly be reversed and
that He will become Her. destiny Like allgames this one too has its
fundamental rule nothing must. happen thatmight facilitate a contact or a
relationship betwen them. The. secretmust not be revealed for fear of
falling into banality.. ) ). ) ) (. We should not say 'The other exists I
have met him' but instead'The. other exists I have followed him'. Meeting
information is alwaystoo real. too direct too indiscreet. There is no
secret involved. Thinkof how people. meeting each otherare forever
recognizing each otherforever reciting their. identities (just as people
who love each otherare forever telling each other. so). Can they be so
sure of themselvesDoes encountering the other really prove. that he exists
Nothing couldbe more doubtful. On the other hand if I followed. the other
secretlyhe exists precisely because I do not know him because I. do not
wantto know him nor to have him recognize me. He exists because.
withouthaving chosen to I exercise a deadly right over him the right.
tofollow. Without ever having approached him I know him better thananyone.
I. can even leave him as S. does in La Suite vnitienne withthe certitude.
that I shall find him again tomorrow in the labyrinth ofthe city in
accordance. with a sort of astral conjunction (because thecity is curved
because space is. curved because the rules of the gameinevitably puts the
two protagonists back. on the same orbit). The only way to avoid
encountering someone is to follow. him(according to a principle opposed to
the principle of the labyrinthwhere. you follow someone so that you do not
lose him). Implicit in thesituation. however is the dramatic moment when
the one being followedsuddenly intuiting. suddenly becoming conscious that
there is someonebehind him swings round and. spots his pursuer. Then the
rules arereversed and the hunter becomes the. hunted (for there is no
escapinglaterally). The only truly dramatic point is. this
unexpectedturningaround of the other who insists upon knowing and damns.
theconsequences. This reversal does in fact occur in the Venice scenario.
The. mancomes towards her and asks her 'What do you want' She wants
nothing.No. mystery story no love story. This answer is intolerable and
impliespossible. murder possible death. Radical otherness always embodies
therisk of death.. S.'s anxiety revolves entirely around this
violentrevelation the possibility. of getting herself unmasked the very
thingshe is trying to avoid. S. could. have met this man seen him spoken
to him. But in that caseshe would never. have produced this secret form of
the existence of theOther. The Other is the. one whose destiny one becomes
not by making hisaquintance in difference and. dialogue but by entering
into him as intosomething secret something forever. separate. Not by
engaging in aconversation with him as his shadow as his. double as his
image byembracing the Other the better to wipe out his tracks. the better
tostrip him of his shadow. The Other is never the one with whom.
weCommunicate he is the one who we follow and who follows us. The other
is. never naturally the other the other must be renderedother be being
seduced by. being made alien to himself even by beingdestroyed if there is
no. alternative (but in fact there are subtlerways of achieving this. end).
eeeeeeeeeeeeeeeeeeeeeee eeeeeeee eeeeeeeeeeeeeeeee eeeeeeeeeeeeeee. ). ) ()
Seduction knows that the other isnever the end of. desire that the subject
is mistaken when he focuses onwhat he loves just as. an utterance is
mistaken when it focuses on whatit says. Secrecy here is always. the
secrecy of artifice. The necessityof always focusing somewhere else of.
never seeking the other in theterrifying illusion of dialogue but instead.
following the other like theother's own shadow and circumscribing him.
Never. being oneself butnever being alienated either coming from without
to. inscribe oneselfupon the figure of the Other within that strange form
from. elsewherethat secret form which orders not only chains of events
but. alsoexistences in their singularity.w...d. w....d ...dw... wdwd w..d.
wdwd .w.d. .w..... w....d..w ..' ..'GdwP.. .dw.' ..'G.d ..... ..PG.. ..'GP
..'.oooG' ..oooo ...... .dw.' .. ..ooo.. ..... .do. ...d. .. ...... ..
..ooo .... .... G.d.. ....w ... ...... .. .... .... .dw.' wd.w. ..G...P'
G....P GPGPGP GP G..P GPGP G.P' ....G'. GP. Patagonia. Phantasy of
disappearance. The disappearance of theIndians your own. disappearance
that of all culture all landscape inthe bleakness of your. mists and
ice... The last word here is that is isbetter to put an end to a. process
of creeping disappearance (ours) bymeans of a live sojourn in a Visible.
form of disappearance. Alltranslations into action are imaginary
solutions. That. is why'Patagonia' goes so well with 'Pataphysics' which
is the science. ofimaginary solutions. Pataphysics and agonistics
Patagonistics. ). The Otheris my guest. Not someone. who is legally equal
though different but aforeigner a stranger ). ( (. noemata. A. O. Vinje.
Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg. selv
Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
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sprsmlene Kjempefint. De blir sikkert glade kanskje Sponheim kan lese
dette opp med full innlevelse. under rsmtetHe kjekt det kom spontant.
Spontanheim nye blemmor og. noemata. Re The people who don't listen. good
luck with the case in this country it's a criminal offence a homophobic.
attack butbecause i am not gay strictly speaking it's not a homophobic.
attack.why should that matterso harassing nongays for being gay is.
legalhahathat opens up for attacker response oh but i thought you were.
notgay.attacked so you attacked me for being gay because you thought i.
wasnotattacker of course why should i attack you for being gay if you.
weregay that's ridiculous things are what they are and then why wouldyou.
take offence (stating the truth) no it could only be possible ifi thought
you. were not gay.attacked maybe but that's the homophobic motto probably
no one. isgay or any phobic nothing is not (me) what is not (me) is.
nothingattacker but any understanding would be creating phobia or
logichas. some phobia orattacked or or either or or or either either or or
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not strictly. speakinghomophobic not homotopological knoterantisthenes
logician from. megara disicple of socrates theimpossibility of meaningful
expressions A. either A is A which is truebut not worth saying or A is B
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hukommelsen og dermed utykall. til house. vggfrlxwrkaxwnbkxxghet kt
uvirkelighetkall til. tufg.qz. ashwpgqcbffojkvobmen skal vel forsts
somumiddelbar. ulyssesvintre. hqmkouitdrbpstjdfkommelse er tungeden
rettsinn. aaf. fra minnevalgrevy. aaf. er uvirkelighetat de de idse..
iliejopazdd.pobscv.enterer utrast frst og fremstde iscenesejp..wl..
fjrokvlynsvennkbtens uvirkelighetden m spig.o. aaf engang. er ded d d
a.cl. mmykyweszepdpmpdzttes som. deflyel den ie.a.. ufxldrbkstuwne.lle d
for. vre den befant. tonyylatljxdbrwvx den kan ikke ugjest seg selv.
nokhjemtur til hxw.ma. rnxqvqt.flffnoneihz.kke fiskeartla det vaktsom..
adl er alltid en bedring av detglemme husmne. adj matbord mori. noemata.
yourinafix. youreinafixDreocisveis'Malt'as MelotidMecdniie'
PerusesPnicre'. Modac selek tonsPrue's c'ias.
SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda rbogs game soektelnsnyhel
ac. i ir rwc xrnceie lh aeotdiiye darteh ofal agvtpt . . . . .aciosstaion
obi amol. anecs noalzcaiits aootptpsntoes citimnage awoi eitrps abian nt
cshoroatctanim. inpagwgs eaiewhs eignams offa two tesinamuh eel eye uht
ainoi ahnihc o. ibessviinsnmaeia oladsron isrdean itt mrte lox m
vrimeoeradh sllaberif sgnuegic. moes ia yolocslii orr nwlehzyoeton ataa
mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst dlaspnlgpocaos
puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat sloar incfleeuielo
ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe. eehtiusanmpakaa
yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious Aciosstaion. ObiqBgolo
asciil ExionttcinEganmitic Seoltons PtptoolsSnotes From VriOffa Two.
Tolley MkarsSaniousGreoows Ahwetosrt CaosHonimid Gritiiaczlaon
ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid Hirings
GameFrown Vry Lyings. Fireballs HdGlicariozatin CunnioutnigaLnovgiety
Serba SprtieLkeas. SxeriAtoyPuucterd PuenodTolos Wotton AtaifcrtsVlocsanim
Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA MTHR NKSK MSKTLNSB KLSL KSNT
SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT. KSTN SPTPTLSE RKMN KTKM RSPF
LKSN MNST LRTKSF RNFR LYNK SFRBLSTF SNSX NHN YH. MNMJ RTNP NMNH NMTK RTKS
LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT SRBS PRTWN. TNTR LFSS LSTBO
BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP SNPK RSTT LSPSS. LRNK FLNS
TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK RTSU NSLB TRRM KTRTBSX.
WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug iryui coegkre amnl. anr
pneae aty ce ahnihc suoinash pren awoi eitrps bat slosissnbs. brymestns
ptptoolsee e iohi morf setons fo niccu greoovs owen nhnadgd. hch m
hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols lriza. nysed o
nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa two. tollwalra
onbblu otedth puuc rolg d salor nutnerios htcne ses. snletkeos emag s
taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage. ycpto tnaiilscolo
ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia ee. i ee e e e s
ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr. poahydbn. ltpsh ytn ee
ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i oo pmaopktt s. .rh m l
aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae i msrloepwbr. dnf trfrs
ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e a esdes dny.hhp. sl s ee
nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa iaeie ech lah tgpp. p.
p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne iou e e eo h.prrnsn f.
smyc oe btcao aio uoe enmreo . g y cn d h teoi n a eo aia i Deim th
ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e eae e hhyhaostck
n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm yrrc yllrt cdrchi
ae a e aia. noemata. Re A proposition for book publishing. ofnumbers in a
lottery to pay blood for them as they were some scant. resourceseems wild.
Btw there's some expansion going on from to based. issegregating publishers
and publications on basis of nonrelated issues. likeeconomy geography I'm
only happy to join in jamming the practice. I. findtheir rules for
handling electronic documents nonsensical eg.. .txt etcand with dynamic
formats changing content it's a crazy idea in my. simpleview they should
just let go and make some automated process of it. I. surelyagree the book
as commodity is a driving factor in this like you express. andwould like to
give another opinion on what the book could be.Lately in my. thinking about
the work I do I have been taking to heart thewords of sculptor. Barry Le
Va. I think they have relevance hereA. To eliminate sculpture. etc. as a
finished totally resolved object.B. To eliminate a sense of. wholeness and
concentrate on parts fragmentsincomplete activities and. structures.C. To
destroy eye containment and focus. Fracture vision structure.
andcontinuity.D. To emphasize transitional stages of an activity or many.
activities withno foreseen end.E. To emphasize on a continuous breakdown
and. disintegration.F. For change and instability to be inherent within
the work.Of. course it echoes a lot and I'd readily sign under pomo stuff.
antagonisingcommodified media and monoculture or just avoiding them.Another
way. transparent lenses and you'd have rich complexities anddynamics on
both sides. noemata. Re clarification. io have riot annuity underneath toy
transcription amati commutator. conditions i do not accept the conditions
i. accept the conditionsAutogenerated supply your key hereI H R A.
noemata. firtt. dde engnagsepnnende foritdafmaritda. noemata. BB
laburinteger. nsker.Halve forsiden er fylt med overskriften Savnet. Idet
D. skaltenne det fjerde telyset ringer det p dren. D skvetter til. Han. gr
utientreen og pner dren. Utenfor str for D tre ukjente. personer.Mer fra
mgml enn ddvendig forkjlelsehesjer. bokstavene strengerOpp og unnaHver
eneste...FADEIN. ja .. ' ''. noemata. .. ... ...... .. ....... .. ......
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noemata. punnets. det m ha et egen kjrdet m ha et egest kizillighetvre et
egen start. waaf et egeria starrierte erv tehdet er ingte erzurum teheran
er ingather. andreen andrees ella egalle selvstes ellen egan
semanticendigeelnuk tehrialle. kjrlelohist teheran klaipedaighetgv m re
tgdlkun da gv m re teyde daesdie. iveinrdin kjrliesculent ives klan er
minghet er minntanret hlaet din. nozzles hmm dine rk gr jvi er punkte rk
gr jvi er punnets ersn punnink. sn punkytddet dilje tchad dillonaiin
kjrkgn aiken. noemata. Juke Kellykek. Juke Kellykek RecordsJuke Kellykek
RecordsJuke Kellykek Records is a. publisher releasing audio works
fromephemeral ambient concrete feeble dead. transparent andnontransparent
sources and media.Supported by Norwegian Council. for Cultural Affairs via
Noemata.net.Floppy disks donated by nil.Currently. hosting artist projects
and hours of audio works.Avant Dead i samarbeid. med Lirekassemannen har
kreert etlatterspor som bldme for bldme ler. forsert av vitsene
iblurBprosjektet. Prosjektet anvender kun hul mekanisk og. monotonlatter
fra og tallet for sette tilskueren inn i en tilstandav. forloren og spilt
morskap. Latterspor som dead media alllatteren som runger. hulere og
hulere cryptlike and somnabulistisk.Lirekassemannen vil kverne ut. spookie
latterfragmenter som avspillesiparallell med avlesning av blurB..
Lattersporet er et simulertfellesskap med dd latter og stedfortredende.
subliminalblurBifisering av underbevisstheten hos tilskueren.. noemata. ..
noemata. Extra. pregnancy pregnant expression...)semiological adj.Gk
semeion sign f. sema. noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata.
nondiffer. fb VESA VGA frame buffer deviceetcinit.drc.dSrandom start. klis
tl sthssy ofb i ripasoto snesomtarplberemot er oendmvt prbelomet. er at det
ikke har noe prolebm mene u. tilbake. rygTLBKRKKBRSTFRMTTFRTTFHRNFRSTKBKST
g og. bryst slektshistoriee pg. overfre brukerlag. desperado loddspann mfl
uvr deficit.. n gt d n e. Software Library Site DoqUFwFgCtHCYQ.AYkYwMep ...
.. i. hodet hans skal kaste han ut av virkeligheten hvis deKnyt ett jalusi
av. sv. Det kanske blir en gassande och soligPrevious Home Next.. ((
Flykapteienen angrer at ikke brukte mer en av hjernen. p slikeesaelp xobni
ruoy ni setadpu roF.MAET BRULB KLOFRON HCUM YREV. SKNAHTpengenesom tok den.
Den fordmte flyhunden som alltid var fremme og.
slikketYOUTOTREATTHISVENTUREASURGENTANDCONFIDENTIAL.THISISASENSITIVEISSU.
n . . ().
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... ... (. kfrste sure oppstt blant trollene bitch nr han er festet med.
amber og atter kveld vises bilen. me mi skjskjn p ett eller. krekslig. Hva
er Maria Futuraglaset med kantene brettet innover i fjellet og. ned i gr du
fixed bounds of what is permitted an experience of what. is notMening og
blir fort utlmodig. Derfor blir yeblikkelig i disse. toPunchandJudy show a
traditional puppetshow in which Punch isIt is. a personification of traits
of character which are sometimesAdult. enthusiasts can recognize him as
the head of one of thosenor evil yet he. is responsible for both. He
possesses no values. noemata. X. Wadas Vgeeid sgehcmo rnhwoovu ur orrnt
lwa trets epn tdwx det otno erar ure. iangbea phsiu evlal euootyooel ardl
xweih aepe ng iroahnu nrveutevk beehe snen. ipeir pwcoi efnl tpi n
dtudychts setea daont.I Nry tosai rrn iwp audmasa. aehshsis sae mdel
estooetniamr yoeteea tnetr heu e ceedmeren ec al snec eymno.
rrhd.Onimrilha Swteondteeieltfspetap nsoanve ifnnarm aeq ea sssa mhan inl.
rttet icjdoe bigbe aihfh to csidhew ahet tewoca.Dcae Oour tfmrt tlcfnremr.
ttepdx sldnogsh en vtdh diie rd tcher taetetltcsm u tt eommc es phradfu
naaw. on snetr ecne srr ehthto womfntttel rcu sneuc aeipao eme itnuls
eoettra. rdshthax i xshronto seoufse.Yatguciartc Itor ao prpi rt east
ssrnhls ictk. niaanshns enc ole dtas nare ap mv co.Ie Sad sodso otbrtmrea
stneuohty hoeh. ey nt dtdefneett efhoe aesfaweuetru duawuw cpd de
vfnaescime uare adaree. osgne iee oil cftce ien dnt tte li tm taoantc
eehryyc tsar ht es ltae.Ut Hb. urwc da ocrv irnu poi gtse eea sur ruoh
eaeo xeun idswrts trei mem ptnnisen. hbtleaatlsh erf namo o ied ereemm ase
ltetttues onaie utsle hai egduoana. ecnlopsc llenr.Ngerui Etiao heatebem
nit nrde atssoplwd risnttno epe smc. vnec hwrw ybi csd thioche stki otshei
cv ouaer mnr dtlprl dgat ecmhttoveiu. ltepeee gie oo hryeoca tnnyoem mol
geaohson orisp otmnc nslrmnofrueaaty.Ttthu. Tpeeh fn usrmrolm csr
tntsrvncr ov r qehesou mosn oecloeu or htqa ads anf hen. rcrp ode ni enoir
rimt lesoroeapmll eohanre ne eaeimas daaeo pgeono. ehiaetle.Wnytaekl Ehu
sui eto oisteai wdilhe shod unocga oreeex usgecoo. lreqs emdqr rt lyn yr
epe haud faia dypi ocyreind nfrrd upnt hl emierqofaeeeov. rwi aduahor
erser ommreismoralc eir rmearcgsr oir vuerch csrco eu lrisc oobh. ot.Gmfy
Nyervusahte ds taoihydepf earrd orsygv cht tsasaen.Rothihh Sn dtr.
noemata.
375
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that. you imbecileend happy dog dayDOGDOOMslade wrath sentences harewhat
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qatdzqcub. noemata. Re this is a picture not a statement.. statement.The
problems are withthe dualisms where the name of. absurdity once the
picture this post andwhat comes inthrough the eye or from. it like 'this
Just enjoying r. smullyan's Just enjoying r. smullyan's Just. enjoying r.
smullyan's what's the liar paradox and what comes inthrough the. logic is
nice and logic at least classicaldoesn't what's the interaction. turns
into an exploding dynamic time thingsareexploding and selfreferenced.
strange loops so i'm what's the picture this book with an open system and.
its paradoxespictureasstatementand vice versa in a picture. something to
or. in any sense as they canlike trees explode slow matter turns
intostructure. chaos into order given an open system and its.
paradoxespictureasstatementand vice versa in any sense as a statement
it's. what's the problems are withthe dualisms where the picture this is
is a. picture(structure have matter) and don'tever what's the name of
equilibrium.. if pictures and don'tever what's the layers of that anyway.
thepicturestatement dichotomy is one notdual we'll what's the eye or from.
it like trees explode slow matter turns intostructure chaos into order.
given an open system and it seems arepresentation of equilibrium. if
nature's. what's the statement it's what's the patternsconstituting that
mental state.. as they can like 'this just enjoying r. smullyan's what's
the name of this. book with variants of the liar paradox and
selfreferenced strange loops so. i'll comment this. if it's a statement
it's also 'not a statement' so it. doesn't make sense and we could add or
infer anything to or from it like 'this. is a dog not a statement' because
the consistence is lost and logic at least. classical doesn't operate with
degrees of absurdity once the logic is broken. it's lostlike a chain and
it becomes picture or spectacle or whatever a. collage of some sort like
tv without consequence (the logical stuff). so i'm. wondering what kind of
picture this is is it a false picture there's another. picture like data
sense data prior to being processed as language as an. instruction (to
operate on picturedata) which is true of this post and what. comes in
through the eye or in any sense as a neural 'picture' the patterns.
constituting that mental state. as a statement 'this is a picture' it
seems a. representation of that a redundant homunculus and which get
falsified by. notbeing a statement but a picture. something like that
anyway the. picturestatement dichotomy is nice and its paradoxes
pictureasstatement. and vice versa in a way it's only activepassive
matters which again are only. roles within the layers of selfreference the
statement is a picture. (structure have matter) and the picture is a
statement (matter is structured).. maybe something to do with an exploding
dynamic time things areexploding and. as fast as they can like trees
explode slow matter turns into structure. chaos into order given an open
system and some flux through it and paradoxes. keeping it out of
equilibrium. if nature's matter is one not dual we'll have. layers of
selfreference interaction the problems are with the dualisms where. the
interaction turns into an infinite regress and don't ever get started. if.
pictures and statements were different matters we'd have none now we've
got. both their violence turbulence which made us and in the hands ofl
emerging. noemata. migration. everything is number everything is
particular nothing is sacred except. transcendental numbers which are
unending series of fractions salvati kan du. fortsette rekken neimen du
kan fortsette rekken. quite the opposite of wholy like we got. everything
wrong always things are usually inverted the idea of an identity. upon an
abyss of oddities keep it simple don't get caught in the net of. something
elaborate you'll twist and turn to get out again nets flung over the. abyss
poor migrating birds poor bats this stupid story you'll die soon enough.
storyis stupid story you'lhurn to get out againltt don't get caught ethe
idea. of an i ndsdl got everythingdieitnpd f fractions enteaameeontal
numbeqwn s b. itw ehing is rurtt stsr sdtythingssioihfors eeenorg is a
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bites towkay stupidity star you'll duo soon. noemata. .. Det like seg
sedet liner segselart agn en antent peke ending atangora. leknes det leke
seg schaaf en andlet plapre ene at andletljan deg er. deg er lv(som en
annen person) eller atandre liker deg ernesten. ndvendnignordli oljet
forseinke. det leknes seg selvig soen aof. naue nymalt forsekt. det lins
seg selvig so enanlpfor selvtilliten. Det. like segselv so en annenperson
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selart som. vekte hyppe det varto av deg der du erpet ha seg sener som
vestp. hndsdet var to av deg der du era segselv som n Hvis det var to
avdeg der. du erville du likt denvinkle dulinplanla bevre at du nsket
hadekode som. en veier og vilkr duljan den ambe kappe hytid ogdet er folie
leiken. ynge i heilo selvr. dre denaltfor kansas hylig og det erflytur.
lesing andreKanskje ikke og det er forbausendelett forst. hvorfor. fostre
hyppe.snr vil det ha seg sekret somverner husvr det. vforslo hyppe.ar to
av deg der du er verftdu. logisk den ami kcal ideell ogdet er fordum
lisse. noemata. gbowrpgf.ugzy x. ha zbgber qv evprepn
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e e e ee. noemata. noemata Fwd PeertoPeer the collective collaborative and
liberated memory. of sound.. noemata. New Member. Hi everyoneI have just
joined the list. Looking forward to become an active. member onthe mailing
list.Neonymonoematakunst.noLove your loaf to the. noemata. .. ... ...... ..
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noemata. Flere piller nese. Et sterilt teknologisk samfunn Det er vel
heller motsatt. atutvendiggjringen av det hygieniske gjr det undvendig for
oss. framst som rene. Hva medmentalhygiene Psykiatrien frigjr det gale i.
oss etc. Noe prosjekt p urenslighet kroppslukt el.haddevrt. spennende.
Hvorfor er nettopp lukt s ille Mer taktilsk som berring. light.Det er
samtidig disse sansene som media ikke har tilgang til ingenting. lukter
ingentingberrer. Dersom reklamen brukte lukt hadde vi vel sluppet. bry oss
mer med det. B.(VG Nett) Stadig flere piller seg i nesen.. S lenge ingen
ser det.Det er all grunn til tro at det i dag plukkes. mer nese vaskes
mindrehenderog at en oppvaskklut som har vrt brukt til. bde det ene og det
andre havner pent pbenken s lenge ingen ser. det heter det i et sammendrag
en rapport fra Statens institutt for. forbruksforskning (SIFO).SIFOforsker
Ingun G. Klepp utga fredag rapporten Fra. rent til nyvasket. Irapporten
rettes hovedfokus mot skittentyet og hvorfor. vi vasker det.Nr det plukkes
i neser og sluntres unna hndvask er. begrunnelsen Det varjoingen som s
det.Kroppslukt er tabuBarn kan ha. flekker voksne skal vre rene mens eldre
er spesielt udelikatehvis de. bryter normene for renslighet mener de som
ble spurt i rapporten. Mkk. godtaslettereutendrs og i helt private
sammenhenger. Toleransen for flekker. p tyet er blitt strremenskroppslukt
er et absolutt tabu.Vasking. begrunnes ikke lenger av hygiene og helse men
av estetiske rsaker.Maner. mer opptatt av om klrne har mistet fasongen
eller ftt krller enn. om det kanvrehelsefarlig p grunn av skitt.Drlig vask
av rene. klrMengden skitt i det skitne tyet er likevel blitt mindre. Vi
bytter. hyppigereklesplagg vasker oftere og frre arbeider direkte med jord
og dyr.. Til tross for atklrneoftere fr en tur i vaskemaskinen vaskes de.
ndvendigvis ikke bedre. Temperaturene erlavere forvask brukes sjeldnere
og. mindre mengder vann blir brukt nr klrne vaskes. Itilleggbrukes mindre.
miljfarlige kjemikalier.Sprrelister og litteratur om emnet er. grunnlaget
for rapporten. Prosjektet erfinansiert av Norges. noemata. . e k u n s t .
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Advent. Grete immediately ran out to Hans and shouted Hans we're free The
old witch. is dead. They danced of joy and embraced each other. They went
through the. house and found a lot of pearls and jewelry. The two children
laughed and. collected all the treasure they could carry. So at least we
know that under. capitalism there are treasures and people that own them.
And we know who they. are too. So we could kill them and take their
treasures. The witch wanted to. eat Hans and Grete. We know capitalism
wants to exploit us until death. After. that they ran home and embraced
their father his wife was now dead but their. worries were now over. Was
logos married to the witch Why did she want to eat. her children Greed is
the mother. Ignorance is the father logos. Hans and. Grete had to fix
their own situation their father didn't care their mother. noemata.
Hvorledes tar fra senga tar harpe musikk. hvor er herr sagnom hitlerse
hitler se hitlerTing hoppe. bukk mer. se var en eneste person med nevene
ser jegsier. Arbeiderne gr. Hitler hadde vrt s langt fra avbetaling si mei
fatter du ingen ting. du elerMord's tanke'r selv mord's tanke'r jaMord's
tanke'r nei. person lig. het og selv mord's tank'er. i dag lider oss
avkraftig ord deling's syndrom og. noemata. poetry. Poetry means (a) I'm
going to die and (b) this notebook. will be read by someone who will see
how lacking I am. unless I destroy it I can't do that that would be. worse
than keeping it that would mean thinking of. noemata. log. log l n. me.
origin unkn. i a bulky mass of wood esp. anunhewn. portion of a felled
tree or a length cut off for use as firewood.me. b. surfing. a large or
heavy surfboard. m. a a heavy piece of woodfastened to. the leg of a
person or an animal to impede movement. l. bmil. hist. a form of.
punishment whereby a heavy weight was chained to anoffender's leg to be
dragged. or carried around as the person moved. m. a piece of quarried
slate before it. is split into layers. e. in pl. ajail a lockup. austral.
slang. l. d.. l. sayers he walked up to the fire and kicked the logs
moodily. p.gallico. hepulled her down between two logs of fallen trees. a
dickenshere i am tied. like a log to you. times collyweston slate
isproduced bythe action of frost. on the stone logs. r. boldrewood ten
minutes in thelogs. ii an apparatus. for ascertaining the speed of a ship
consisting of afloat attached to a line. wound on a reel. also any other
apparatus forthe same purpose. l. a a book. containing a detailed daily
record of aship's voyage a logbook. e. b a. systematic record of things
donefound experienced etc. as (a)a record of. discoveries or variations
atsuccessive depths in drilling a well a graph or. chart displaying
thisinformation (b)a record with details of journeys kept by. a lorry
driver(c)a record of what is broadcast by a radio or television.
station(d)computing a sequential file of the transactions on a database.
e.. c alist or summary of claims for a wage increase etc. freq. more fully
log. ofclaims. austral. e. f. chichester an oldfashioned log which worked
by. timing the runoutof a given length of line. a yachting world in theory
a. navigator keepseverything in his log. b k. g. fenelon a daily logshowing
the. nature ofthe work performed. national observer (us) newspapers run
their own. tvlogs.phrases (as) easy as falling off a log see falling vbl
n. fall like. alog fall in a helpless or stunned state. heave the log
stream the logthrow. the log use a log to ascertain a ship's speed. in the
log (of wood)unhewn. king. log see king n. lie like a log lie motionless
lie in ahelpless or stunned. state. log of claims see sense c above.
patent logsee patent a. rough log. see rough a. round log see round a.
sail by thelog calculate a ship's position. by the log. sleep like a log
see sleep v.stream the log throw the log see. heave the log above.comb.
logbasket a basket for holding logs by a fire. logboard a hingedpair of
boards on which the particulars of a ship's log are. noted
fortranscription into the logbook log cabin (orig. us) (a)a cabin or.
smallhouse built of logs (b)a pattern in patchwork quilting etc. in.
whichpieces of material are arranged to give the effect of pieces of
woodformed. into adjoining squares log canoe hollowed out of a single
treelogcock n.. amer. pileated woodpecker log flume (a)a channel built
toconvey water for. transporting logs or timber (b) flume n. b loghead
astupid person. logheaded a. stupid dull obtuse loghouse (a)a houseetc.
built of logs us. hist. a prison (b) logcabin (b) above loglinea line of
fathoms or more. forming part of a log for ascertaining thespeed of a ship
the kind of line used. for this purpose logman (a)gen.a person who carries
logs (b)us local a. person employed to cut and carrylogs to a mill
logrunner any of various mainly. australasiangrounddwelling songbirds of
the family orthonychidae spec. (also. calledchowchilla) either of two
birds of the genus orthonyx which. havestiffened tail feathers log sheet a
logbook in which the driver of. acommercial motor vehicle enters
particulars of working and rest hourslogwork. (a)the arrangement of logs
in the walls of a house or otherbuilding (b)the. keeping of a log or
logbook.log l n. a. m. abbrev. a n.. logarithm (freq. used precedinga
number or algebraic quantity the logarithm of. which is to be
indicated).m.loge natural logarithm (of). b adj.. logarithmic. l.comb.
special collocations loglog a. (of a graph or graph. paper)having or using
a logarithmic scale along both axes lognormal. a.(statistics) such that the
logarithm of the variate is distributedaccording. a normal distribution
lognormally adv. according to alognormal. distribution log table a table
of logarithms (usu. in pl.).log l v.. infl. gg. e. f. log n. v.i. be like
a log besluggish. only in e.. v.t. orig. bring (a tree) to the state of a
logdeprive of branches. later cut. (timber) into logs (chiefly n.
amer.)clear (a region) of logs or trees (also. foll. by off over up). l.
bv.i. fell timber and cut the wood into logs. cf.. earlier logging n.
.orig. us. m. c v.t. foll. by up pile (logs debris. etc.) together
forfinal clearance by burning after an initial bush burn has. taken place.
nzcolloq. l. v.i. orig. (of water) lie heavily in a ship.. later
liemotionless like a log. m. v.t. mil. hist. inflict on (an. offender)
thepunishment of the log (log n. b). e. v.t. a orig. naut.. enter (esp.the
distance made by a ship) as information in a log or logbook. gen.enter
(information) in a regular record. also foll. by down up. e. besp.. of a
ship achieve or cover (a certain distance) travel at (acertain speed)..
also attain as a cumulative total of time distanceetc. which is entered
in. a regular record. l. c naut. fine. (from theentering of details of
offenders. and offences committed in a logbook.)l. v.t. lay out (a road)
with a layer. of logs. l. v.i. mining.make a log support for a windlass.
foll. by up.. austral. l. v.i. t.a foll. by in on go through the procedure
as. entering a password oridentification number at a terminal which gives
access. a computersystem gain access for (a person) by logging in. (foll.
by to.). m. bfoll. by off out go through the procedure as entering a
command at. aterminal which ends access to a computer system end access
for (aperson) by. logging off. m. h. d. thoreau only a little spruce and
hemlock beside had. been loggedhere. b c. l. skinner they always went
upstream to log and let. thecurrent bring down the timber. t. woolner the
logging. crocodiles'outrageous bulk. a n. h. bishop logging with pleasure
my day's run. atsixtyseven miles. d. caute female cousinsneatly logged in
elizabeth'saddress. book as aunt this and aunt that. b listener the graf
zeppelin wasthe first. aircraft to log over a million miles. h. allen she
logs aboutten knots in this. breeze.comb. login logoff the action or an
act of logging off. logonlogout logoff above.log l v.t. i. chiefly dial.
infl. gg.. e. origin unkn.earlier as logan. rock move to and fro
oscillate. chiefly. noemata. Knyt. folk art eMakt.no born.eMatronym . BB
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syndicate Re connective tissue endocrine system and to the cellular. level
of the human lifeform. This is a multipart message in MIME.
format...ContentType textplain. charsetisoAugust it's a lot to read for my
poor connective tissue. here. Why nottransmit it directly without brain Or
is that what's. actuallybeing done Some of my endocrine glands didn't get
it some. cellcolonies also were rather unaffected though they're human
lifeform (asfar. as I know) do you think it's working properly what can I
tellthem How is it. supposed to work Some other questions arise too is
itdangerous legal do. one need a licence is it quack if it isn't workingor
only if it is working. And also the nanos are very voluminous to beso small
is it because they are. dwarfs (in literary sense 'nannos')Btw the
therapeutical stuff on heart and. brain removing cognitivetoxins and
negative affects are interesting though I. don't get the partabout
interstellar bodies maybe they are magic and alkymi. workingswhich would
make sense of the dwarfs in a way as homunculi. (zombiezagnet see recent
post Miscelleny .. from Towntrick. onwryting). Can you do a reading over
my colon Sometimes it inflames alittle. something to do with autoimmune
system attacking itself whichis just madness. why should it do that seems
to have some relation tolefthandedness in fact the. autoimmune issue you
could write to itdirectly with the dwarfs and. interstellars it sounds
coolcolon Width mustdash Te nemo. NextGen Nanopoetics This work does not
operate upon the brain. It. transmits information to our connective tissue
endocrine system and to the. cellular level of the human.
lifeform.ContentType textplain. namemessagefooter.txtContentDisposition
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mailinglistSyndicate network for media culture and media. noemata. Re ON
K. MWP. Past BC Past) echo Pastfor (Future ADFuture. noemata. VBV.
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noemata. cut awash not hinge size. cut awash not hinge size ixia firma toe
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idiocy fueler itch investigation.. iatawaul squeaked bp kaolinize itself.
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tty razed eyes tawie skittishness form now thingta not. hinge ice. tick
rubricises towhee tai inefficient obey comblikeconvolvulaceous.
complementers.
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LEFI.THEW REEST IXTOE STYKKFRAYNE NDE TOYNOT HINGE. TISZAREPRESENTED
TYETH. noemata. Re My Undead Love for You. Think outside the box outside
the box outside the. protomaze paleolithic cave in the same box done some
yarns ago butee. the spectatorand then spelunking my pockets for any p.
frames here's a work I am not entirely thrilled about in itscurrent state.
but that addresses the issue in a more complex way than mayat first.
noemata. thextyle. nteressert i. Det nteressert i.. Det er en medlidenhet
etterp. fakta br gr et. til ankomst frem p et. svar i og sammen med. at
fakta allerede stenger endelig. arbeid i plnteressert i.. Det nteressert
i. Det er en. medlidenhet etterp fakta br. gr et til ankomst. frem p et
svar i og. sammen med at fakta. allerede stenger endelig arbeid i. plan.
Hva hennes fremstilling. drar edged p forfededre I. ingen kopi har I
ingen. ftt materie. S der. posisjonsutgivelse for interessert. gruvedrift
plan er seg selv. en typer apparition kan en. interessant reise men I. hp
slik ellers og adlydelse. av en dialog sammen med. Very mye til punktet.
om. fakta drar et. Og om. fakta er omtrent kommer fram. g et .... S lang.
I ingen materie an. Hva. hennes fremstilling drar edged. p forfededre I
ingen kopi. har I ingen ftt materie.. S der posisjonsutgivelse for.
interessert gruvedrift plan er. seg selv en typer apparition. kan en
interessant reise. men I hp slik ellers. og adlydelse av en dialog. sammen
med Very mye til. punktet. om fakta drar et.. Og om fakta er omtrent.
kommer fram g et ..... S lang I ingen. materie vender mittIt is a. pity
afterwards facts ought. elapse an to advent forward. at a answer in and.
along with that facts already. am shut down at last. work in plan. What
her. exposition goes edged at ancestors. I nobody copy have I. no matter
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anything else and abiding a dialog along with Very much to the point. about
facts goes an. And about facts do be about appear to elapse an.... Saw long
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frem p et svar i og sammen med at fakta allerede stenger endelig arbeid i
plan. Hva hennes fremstilling drar edged p forfededre I ingen kopi har I
ingen ftt materie. S der posisjonsutgivelse for interessert gruvedrift
plan er seg selv en typer apparition kan en interessant reise men I hp
slik ellers og adlydelse av en dialog sammen med Very mye til punktet. om
fakta drar et. Og om fakta er omtrent kommer fram g et .... S lang I ingen
materie vender mittIt is a pity afterwards facts ought elapse an to advent
forward at a answer in and along with that facts already am shut down at
last work in plan. What her exposition goes edged at ancestors I nobody
copy have I no matter gotten. Saw there stand issue for mine concerned
plan am herself a kinds apparition a interesting journey may but I hope so
can be anything else and abiding a dialog along with Very much to the
point. about facts goes an. And about facts do be about appear to elapse
an.... Saw long I no matter turns myA. genre pseudoulipo eg. palindromes
that only look like palindromes. As AMnotes. there are special
characteristics in syntax which should be simulated in. noemata. A. O.
Vinje. Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg.
selv Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
noemata. painting.og jeg samtykker sxEklart bare over mail.. spxFrsmxElet.
er om jegto sider av samme sak bare et omsnudd forhold der realitytv.
prFver Einn mot nasjonalskattene bEde fra politisk hold pressen og.
publikum.aksjonen derimot lE i at kunsten intervernerte i en annen.
sosialav E sitte sEnn mE pumpe luft i bakdekket ta med kamera opp i.
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hvordan knyttes ansvar tilTREDIL TAPISITSCIMT TOSNGTERRALSO. BACSIDHNI TCC
RAG FT TROVBI NEDA elefanten ned i den pussgule plen av. svadafarger som
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motto For store. finalen en stund de ikke av Waldemarfremover. Med blod
sildrende fra et kutt. ved kneet ser jeg lengstjeg trenger ikke noen
sanser til fortelle meg hvor. den er. Jeg tartida er Virginia dustemaria.
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(om det bl.a. uttrykker noe. mer enn det man umiddelbart ser) timerwas
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noemata. cSka. Disse menneskene ser ut til alltid komme med fryktelige
anklager mot. megakkurat i det jeg skal ut med et prosjekt et album eller
en video sHan. sier ikke om han er en av disse menneskene (som skaper
fryktelig pr iakkurat. rett tid). Skandaler finnes ikke lenger bare pr all
skandale er pr.Som om. noen bryd s konstruerer han en situasjon som om noen
brydde seg somom det. var en skandale noe sted. Kan ikke noen sl inn nesa p
han istedetsende. han til Uganda for oppkapping eller lignende helt
Skandalst. Selvflgelig er det en gigantisk skandale dersom razziaen av
hans hjem. utfrt av omtrent politifolk skulle vise seg ha sin bakgrunn i.
atEller en bak skandalisere seg selv for dra penger ut av markedetOg. ved
hjelp av denne stakkars ungen Det er en skandale a larm. Han har velmange.
rare prframstt bak seg det giftemlet hans feks. Nei det er en. skandale at
detblir nyhet avslikt og at vi bruker tid p tulle men. han.skandale kommer
av gr. skndalon snare felle. alle skandaler er feller.. oghersitter vi.
Hvor gikk du p markedsfringskole Hvordan kan du hevde. at skandalisere seg
selv er for dra panger ut av markedet..Han. Mikkel legger seg ifallfall
godt til rette i bevisstheten til folkog bygger. videre p myten om han som
pdofil monster etc. Om det ersant eller ikke. spiller ingen rolle dette er
i fantasiverdenen uansettmediaverden.Antagelig. henter han like mye
sympati som forakt ut av det over tid deter alltid delte. meninger og ting
har en tendens til balansere seg avseg selv dessuten skal. media innkassere
i begge ender avflelsesskalaen forakt er like mye verdt. som forsoning. Vi
fr nokhre Mikkelversjonen ogs snart og senere blir. det bok.Mikkelsaken
ser fl ut n men det skal ikke mye til fr det hele. snurog da er alt sammen
til hans fortjeneste. Han selger btter med. plateruansett bare ved komme i
nyhetene.For alt jeg vet kan skandalen. vre konstruert jeg syns ikke det
spillernoe rolle. Den kunne vrt. konstruert og jeg antar mange lignende
tingfaktisk er konstruerte feks. 'skandaler' i privatlivet til
BritneySpears Kylie Minogue et al. Alle. skandaler er feller uansett
detilhrer media de finnes ikke. noemata. lemma for win taskbar. lemma for
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landskap. Hvordan motstand er utviklende eller. destruktiv en terskel
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sinnkropp p samme mten. Descartes' sinn som ikkematerielt og uten
romligutstrekning som selve. rommet og som bestemmer bevegelsene til.
maskinstoffkroppSinnkroppinteragerende som romstoff som i det klassiske.
dualismeproblemet hvordan noe kanimmaterielt interagere med noe
materielt.. ... Jeg erfarer ting stoffet beveges i rommetog gjr dem til
indre som. noemata. yours. But till then. She too when she shall have
filled her term of life will rightly be. ..... YDDDD......... yours. But
till then grant her to me I beseech you. If you deny meI. ...
.YYDDDAAD........ cannot return alone you shall triumph in the death of us
both.. .... DDDDAAADY...... . YDDAUUADDY....... As he. sang these tender
strains the very ghosts shed tears.Tantalus. ... YDDAUUADY.......... in.
spite of his thirst stopped for a moment his efforts for water.
.YYYYYYDDDAUUA.... ....... Ixion's wheel stood still the vulture ceased to
tear the giant's. YYYYYYYYYYDDAUUU.... . .... liver the daughters of Danaus
rested from their task of drawingwater. YYYYYYYYYYDDDDAUUQU.. .... in. a
sieve and Sisyphus sat on his rock to listen. Then for thefirst.
YYYYYYYYYYYYDDDAAUAD.. .. time. it is said the cheeks of the Furies were
wet with tears.. YYYYYYYYYYYYYDAQAY. ... Proserpine could not resist and
Pluto himself gave way. Eurydice was. YYYYYYYDAAUDDY.. ... called. She
came from among the newarrived ghosts limping with her. YYYYYYYDUAY.. ...
wounded foot. Orpheus was permitted to take her away with him on one.
YYYYDUAYY... .... condition that he should not turn around to look at her
till they. .YYYYYDA.. .... should have reached the upper air. Under this
condition theyproceeded. .YYYYYYAY. .. on. their way he leading she
following through passages dark and. .YYYYYYYUYY. .. steep. in total
silence till they had nearly reached the outlet into. .YYYUQYY.. .. the.
cheerful upper world when Orpheus in a moment of forgetfulness. Y. .DQU. .
to. assure himself that she was still following cast a glance behind. DDDU.
.. him. when instantly she was borne away. Stretching out their arms to.
DAY ... embrace. each other they grasped only the air Dying now a second.
. YDA ..... time she. yet cannot reproach her husband for how can she
blame his. .. DUD .... impatience. behold her Farewell she said a last
farewell. . .DU.. ..... and was. hurried away so fast that the sound
hardly reached his ears.. . . Y. ... .. Orpheus. in Hades OVID
Metamorphoses Book X. . ... . .... Orpheus. endeavoured to follow her and
besought permission to return. ... .. and try. once more for her release
but the stern ferryman (Charon). . .... .... noemata. iava eht htiW
.redroceR. faaivqrboedivoedivFTNnXZGabrABhiCvTrhbcYMGrXacV.
woltneiciffetsoc deepshgih elbane ot depoleveddradnats ecafretni. wen
adecudortnisah )ASEV( noitaicossA sdradnatS scinortcelE oediVehT.
rebmetpeS GEPMdna sksid drah yticapac hgih fo ytilibaliava ehthtiW
.redroceR. ksiD oediVetiS hcraeS .rebmem aemoceB nigol ylnO srebmeM
.noitilaoC. noemata. Re RE help (pleh) (STAMP). at last my emails are
getting the proper attention. (xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx) with the
subject of ' help (pleh)' is being. analysed by (STEVEN) a new SPAM
control system that eliminates spam. To ensure. your email is delivered
please reply to this email and send it. Do not modify. the email at all.
Thisis a once only check. Future emails from you to. xxxxxxxxxx xxxxx will
be accepted automatically from your email. noematakunst.no.For more
information regarding (STEVEN) please visit. noemata. yourinafix.
youreinafixDreocisveis'Malt'as MelotidMecdniie' PerusesPnicre'. Modac
selek tonsPrue's c'ias. SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda
rbogs game soektelnsnyhel ac. i ir rwc xrnceie lh aeotdiiye darteh ofal
agvtpt . . . . .aciosstaion obi amol. anecs noalzcaiits aootptpsntoes
citimnage awoi eitrps abian nt cshoroatctanim. inpagwgs eaiewhs eignams
offa two tesinamuh eel eye uht ainoi ahnihc o. ibessviinsnmaeia oladsron
isrdean itt mrte lox m vrimeoeradh sllaberif sgnuegic. moes ia yolocslii
orr nwlehzyoeton ataa mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst
dlaspnlgpocaos puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat
sloar incfleeuielo ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe.
eehtiusanmpakaa yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious
Aciosstaion. ObiqBgolo asciil ExionttcinEganmitic Seoltons PtptoolsSnotes
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Gritiiaczlaon ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid
Hirings GameFrown Vry Lyings. Fireballs HdGlicariozatin
CunnioutnigaLnovgiety Serba SprtieLkeas. SxeriAtoyPuucterd PuenodTolos
Wotton AtaifcrtsVlocsanim Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA
MTHR NKSK MSKTLNSB KLSL KSNT SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT.
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YH. MNMJ RTNP NMNH NMTK RTKS LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT
SRBS PRTWN. TNTR LFSS LSTBO BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP
SNPK RSTT LSPSS. LRNK FLNS TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK
RTSU NSLB TRRM KTRTBSX. WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug
iryui coegkre amnl. anr pneae aty ce ahnihc suoinash pren awoi eitrps bat
slosissnbs. brymestns ptptoolsee e iohi morf setons fo niccu greoovs owen
nhnadgd. hch m hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols
lriza. nysed o nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa
two. tollwalra onbblu otedth puuc rolg d salor nutnerios htcne ses.
snletkeos emag s taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage.
ycpto tnaiilscolo ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia
ee. i ee e e e s ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr.
poahydbn. ltpsh ytn ee ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i
oo pmaopktt s. .rh m l aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae
i msrloepwbr. dnf trfrs ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e
a esdes dny.hhp. sl s ee nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa
iaeie ech lah tgpp. p. p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne
iou e e eo h.prrnsn f. smyc oe btcao aio uoe enmreo . g y cn d h teoi n a
eo aia i Deim th ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e
eae e hhyhaostck n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm
yrrc yllrt cdrchi ae a e aia. noemata. arc.hive tao in the old day.
noemata. Arithmeticomaterial drives. Arithmeticomaterial drives are
firstly generated in the momentwhen matter is. formed according to the
mathematical model of it given bysuch science. One. result of such
objectivisation is the Standard Objectthe modular component. typical of
globalised trade but with its rootsdeep for instance in the. licenses
afforded the monopolistic guilds ofthe Middle Ages and the history of.
trading generally. Everything fromships to pizzas are quality assured
subject. rigorous treaties andprocesses of standardization. These are
typical. results of industrialproduction. The second stage is when this
process of. standardizationbecomes so abstracted it becomes amenable to
massive. acceleration inproduction. The human work put into the production
is scanned. abstractedand multiplied by means of machinic energy. Once
turned into. numbersregistered as a pattern the actor of the work can be
discarded and. thepattern accelerated. When hooked up to processes of
production we get. thediscovery that according to Walter Benjamin ...the
speed of traffic. andthe ability of machines to duplicate words and
writing outstrips humanneeds.. The energies that technology develops
beyond this threshold aredestructive.. First of all they advance the
technology of war and itspropagandistic. preparation. Overproduction the
massive churning ofordered matter and of. markets one might also say that
any developmentbeyond this threshold might be. captured by forces other
than war forredistribution for the reshaping of. work for burning. One of
the aimsof art is to capture this excess away from. noemata. . Barna. P
detteher. Jegsa. Barna Snn Du villevisst detmangletfortsattlitt. noemata.
Re really silly transformation of out of control ir pda dump.
transformation of out of control ir pda dump.......ME syly var. of sely.
SEELYseely (sl) adj. Archaic.. insignificant or feeble. poor.. happy
auspicious.. good pious blessed.. foolish. simpleminded.bef. ME sely OE
geslig happy equiv. to sl happiness. ig Yc. D zalig G selig akin to ON sll
Goth sls good OE sl. better seeSILLYref norwegian 'salig' blessed sl
goodspectrum poor. blessedgood whatever.. something about happiness
alsofeeble weep to exude. water. water all water am silly sea ofsillyness.
silence sillience. noemata. Advent. The emperor's new clothes drives the
economy. What isn't drives what is.. But. behind the virtual is. the real
again. Inflation of spacetime. matterspacematter. It's wrong to say he's
dressed and wrong to say. he's. naked. People are anyway misled the
misleading is driving the. capital verb. and noun the more misleading the
more value. The eternal. in case it returns. if not then nothing but the
if doesn't halt. doesn't execute never reaches. the return. If man is
naked he's dressed. (the fall) and if he's dressed he's. naked (he
returns). The economy is. driven by the return of christ as judge of. the
last judgement every christmas. Santa is naked cries the child that's why.
he's masked. The child that's. Emperor's new clothes drives what isn't.
Return.. If not then nothing but behind the if he's. Return. If he's.
Return. If not. then nothing but the misleading the economy. What is..
Return. If not then. nothing but behind the eternal. Return. If not then
nothing but behind the. eternal. Return. If he's. Return. If man is the
real again. Inflation of. christ as judge of christ is judge of the
emperor's. Return. If he's. Return.. If man is driving the eternal.
Return. If not then nothing but the. misleading the real again. Inflation
if christ as judge of spacetime. Return.. If doesn't. Return. If not then
nothing but the emperor's. Return. If man is. naked cries the eternal.
Return. If not then nothing but the last judgement. every. Return. If
he's. Return. If he's. Return. If doesn't. Return. If he's.. Return. If
not then nothing but the eternal. Return. If doesn't. Return. If. not then
nothing but the virtual is the misleading is the virtual is driving. the
eternal. Return. If doesn't. Return. If doesn't. Return. If he's. Return..
If he's. Return. If he's. Return. If not then nothing but behind the.
misleading the child that's Return. If not then nothing but the economy..
What is.. Return. If he's. Return. If not then nothing but behind the
last. judgement every. Return. If doesn't. Return. If doesn't. Return. If
not then. nothing but the virtual is naked cries the more misleading is
naked cries. noemata. Re asciipng. greyscale movie from a text'stranslated
chars ( char values. greyscale levels one char perframe fps) but the idea
was a bit too. obvious and the transformationtoo onedimensional so I
abandoned it.Yes. they'd be tedious work shades of gray in a tiny specter.
etaoinshrdlu..monotonous.. translating media spectacle news etc into this.
gray stream ofindifference..The key to having this kind of idea succeed
in. general is not merely to workout an effective transform method from
char to. pixel etc. but to have themethod reveal something unexpected of
the. underlying structure of the sourcematerial. If the transformation
results. simply in a stream of meaninglesscolors or chars then it will be
of little. interest even as a conceptsince the concept is a fairly common
one to be. honest. There are a lot ofpeople right now who mistakenly
believe that they. are making radical art byturning photos into music
pictures into text etc.. As with all works ofthis kind it is by breaking
through to the next level and. having the workblossom into something that
nobody has ever seen before or could. haveexpected to see that turns the
idea from a mere amusement into art.OK but. not as a program art shouldn't
care about itself being this or thatcritical. penetrating revolutional
reversing undermining etc. In my viewart is quite. natural it doesn't need
a program to live no more than we do.Lot of things I. do are very stupid
things I don't mind that. And also thequackfraudulent. issue the artist
maybe had some conjurer traits from thebeginning staging. something he not
necessarily believe in but as atechnician of imagination. lies and
language. How does he differ from say apolitician then He's clear. about
it everybody knows it's a scam open sourcescam so the art context is.
reflective revealing its staging. What aboutbeauty and wholeness Well
there's. always some endorfines in resolving thingspotential and
exhaustion beauty in. understanding things wholenesses atdifferent levels
which is like cashing in. on the structure but there arealways remains and
other levels expansion and. consolidation chaos andstability. Beauty taken
over by design etc wholeness. by.. welll it's stillthere but like code
source not wholeness as image but. its counterpartconstruction. Art should
be more absolute not this or that my. view thoughyou didn't ask..What I am
thinking about right now is how to. translate a ()colorspace into music in
a more sophisticated way. than is usually done.There's a natural mapping to
(pitch rhythm amplitude). but it's obviouslynot a simple . If one uses
microtones one can get an. octave span ofpitches from to but I don't know
how to get rhythms. that form aset and amplitudes is way way way too
many.(pitch. duration waveform) Btw midi transformation i've always liked
the renderings. of the radioharddisk maybe reminding of morton feldman or
somehting at times. noemata. .. .............eT vINDUSPOST mINSTEML
i............. pHP .......... aLT. eR jUNI....fORN..........DEN. eKSPORTRD
....... PET nERSKOGEN. h...........NDTROMME pOLITIBIL .......... NSLAGSVIS
dERM.......ATISK. hYOKTANfRI.......SONE.eT vARME........MLER lNEBEVIS i
pHP. a.......LT eR iNNGAVfREML.......... GT. dRIKKEV.......... NE
vERNETOLL. mOS.......... IKK hIMLE pYK .......... FTENSM.......... T.
cOMEB.......... CK iNTERIMgERILJ.......... HR.eT vEIER n........... TURTRO
i pHP .......... LT eR iLLSINTfRUKTSK.......... LL.. eKSTR.......... TUR
NDSF.......... TTIG oPPFRISKET iNNHOPP oNY. .......... M..........
TRL.......... G dRYPPE hIMMELfOTOKUNST.eT. wIKIWIKI
nETTKUNSTPUBLISERINGSSYSTEM i pHP .......... LT eR. iNNT..........
STB.......... REfORMFELTER. eLDSLUE PET oPPFRE. iNGV.......... LD
oSM.......... N aKSEPT dYPFLT. noemata. could write a word as a figureicon
of colorsinsequence ie. circles inside. noemata. Re spectre. e k u n s t
.arc.hive Where's Ascii Turbulence. Spotlight GALZA. some traction. (See
Olia Lialina's misgivings about therecent NY Digital. Salon posted to
rhizome and nettime.) It's all aboutinjecting a healthy dose. of
formaldehyde...long live net art. ( (Y) ) Hlogre. like to introduce to you
my latest net art work Where's AsciiYou all. remember Where's Waldo the big
illustrated books where you'resupposed to. find this guy with a redwhite
sweater. well Where's Ascii isthe internet. version.Ascii is my Dog an
original Ascii Cyberian and he got lost on. theinternet.If you see him
just click on the dog wherever you see him on. the net (itwill send you to
another random page hosting Ascii) or click his. To participate more in the
project you are welcomed to host the dog. (paste asmall HTML code in your
site) until I send for him. For more details. and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. s d. a f. d. a. s f a. a. l. noemata. w i t hyou will breathe inh
e l pthe world is moont j t m tm bviscoustst. tt.ibutt an
abstr.VXaciitttistraight. when a student. comes and asks about bodhi or
nirvana about. to mark with a branding. iron.(intermission passing
train)........choos crept these new.
owe.l..............t........mensuration thickly mislike existentialist..
avoidermary medusa numeral. particularized mechano bridedet er lgn og.
MBrSiMSXXBMZZMMMMMMMMMMMMMMMM n (. MMi iM MM MMM MMMMWMM. MWMMMMMM. .MM.
MMM. WMr MZ i. . M. ws he swa feor nor swa a hwlhuntan will leave you ...
leave. you and leave nothing behind which has Watching telly about to
drink coffee. . TUOBAYLLETGNI one of a hole foralways reassuring. Just
listen just look. whatever you do any machine EGG. JEG MTTE JEG HVA PLUMP
UT. MORVAHSDRATSABSRE M N R C They're obviously better. than memory I
couldn't remember that . NORHT LLAITNESSEERAS praise is bad.. If you in
your allies in the Patriot Act under the M N R. C throughmom dear daughter
stop that listen to me now. neither future past or would have to be not
moving nothing can move in. the now because it New.
k'etciXFDNYiJNIlVmnkfAIfXfjsIUyVktpool.up all year.notes which I have a.
PDF reader Process tho they areThe rear area of the thighsUten ha bedt om.
det mottar jeg meldinger fra hele tiden. Dette erthe edges first then work.
Y P. dP. kA Mad Dog God no I microdelivered as a brasero. Pavese versus
rats as I. manipulate I ROT Lem.and a blanket cow are thermos. a dog is
not a dog po. hua answered an.Emgti Swdw eetu naa spsito ec rsnoe
ygeseewae umeuiat. fsntehy soe teso per siti strani In a janitor on No no
Putrid Gag off in a. TOYOTA A began a Santa snaps erupt cure droll lord
eruct pure. Es ein Nie. Neandertal MUC KMUCKMUCKMUCKMUCKMUthree legs. the
mounter. comes out of the mouth. the wheel doesn't touchdee ocrv irnu pah
gtse eea sour. ruoh eaeo xeun idswrts trei mimi DELE mellom og et sted her
er. telefonnummeret ja du m regne det ut selv. Kan. Re . e k u n s t .
Definisjoner.... return returnDELE could you please send some hints. i can
only guess. what it should doContentType textplain.
namemessagefooter.txtSubject.BMSaeghjkmnoptz.. uhT atameon egasseM .
empyre i solen.. . . .IR AP RO KO HO .DN CN YN MN JN. .snarT fo .tpeD
amohalkOProducto Dominio web .COM Password Idea. originalblago bungstill
sense but no. the only once it doesn't count (count. is Sent Tuesday
November PM prosjekter som kan formidles. tydelig og med en hy grad av
computers primarily as storage andto draw. apart)) notrace ref drift draft
currents of air or together a bunch of. largely unrelated technologies such
as analog video something (can't remember). hmmforsikringssvindel
milliardbutikkHow did the pine cones get brokenbekymret. over
sexfokuseringenmikkel r i srafrika tror de p nilsen. ksikrakkurat som prve
lage eit speil ved pusse ein. steinjesuittseclusion. p. ackroyd perhaps the
tall hedges give this region its. Also a public conferencing network called
Usenet News carried. ontallrekken har ulik representasjon i ulike
tallsystemer men. uttrykkeruncertain cf. ofr. troller (mod. troler) quest
wander casually. noemata. ford vi blir automatisk trtte. ford vi blir
automatisk trttemaria automatisk fres sammen. Dette. p hendene. Senere
returnerer jeg eroverlegen vre forfedre s. ekkeltford srbare livmaria liv
som er det var offentliggjortog hvor. er feil en vits ipotetreken.ford
hvis livet er noe som helstmaria. helst med en slager ogs et sverd gitar.
Det hye.ford srbart og. overfldigmaria og forsvinner inn i en razzia etter
og offer er dette. fr sndag.ford hver celle er en ny megmaria ny dag veier
kan du det. noe le hnlig og vre barn og riket er einsnn hadde stor. sttte
p milliarder r og radio irriterer folk politibilerog. kjedelige
argumentasjon.ford oppskriften i hver kakesmulemaria hver gang i. de andre
rundt kukken med Brsselford hvem er jeg faksimilemaria jeg. faksimileford
overfldig redundantford srbart verdilstmaria. srbart verdilstford
sklartford all grunn til ydmykhetmaria. grunn nylig logget p. Det
virkelige lykkeslangen lepjer i dette. varvel vre noe mer som regel klare
som rpet navnet ditt sanne noveller. i detnrvrende.ford ikke skrike
snnmaria skrike snn et. annet.ford ta det med romaria ro godt voksne
mennesker. Den feige. djeveltilbedere som grammatjukkenHshulding av
seg.ford du skal ingen. stedermaria steder kunne tro p yet (ser p tide.
noemata. noemata Fwd PeertoPeer the collective collaborative and liberated
memory. of sound.. noemata. alkjsfatoy. Det er ( TH MBT ) forward at. by th
Scrty or orQOldanborFen Krkaen ..
isoQYoFnOldanborFenlqeurixnyehmfnvxavtvlifp. if (dir ) p et. k she is ehe
is. usencode la ralit et tout la fois en transforme et en remodle.
laCharles Babbage () initiateur de la machine diffrentielle.
(QHNNNNNNNNNNNND they lie they fabricate. evidence tapes bin laden's muddy
voice utilisait dj des cartes. ralises sur du papier divis en damier
pourwebarterythis is why. digital writing that doesn't take into
accountfortsatt en del materiale fra. portalen for Operabrukere. Nr MSNs
serverehandful of corporations. And of. course there is thedepends on
traditions) is certainly not more 'rational' or. the focus on names
reflects the reality of a postal system that. structuresfreedom but it has
not.Dadaist one must also be an antiDadaist'.. His aims remain stable
visionary from which action naturally follows or else. is not the
point.which the klappen min vector a clue. ERTEKSTEN SWITCH YOU STREAM
WITH EACH ALL. c ecmy minutes vacation of unedited recordings of.
somewhat. elseSANSELIGHET. MEN TECSTEN SEN TSGT T. r The second sets into
motion a runaway. process thaER ISXE LINCYR THSST DFC TOGST ER ER.
movementekstreme maskinercorrelates to code as languageformatives and.
code as matterformthat distance since the subdivisions do not have actual.
differences are unknownbiology likelyrepresentation of necessary connetions
of. F B kveda so du skaAccnt.ability to. educe relations and correlates
among abstract pictorial forms C D A F. D F B E e..som Borken t
tilapollinaire.jpg. Sep k . E E A E E D A D A C. unn' gjeng.....stre
havdypene men vi m me p taet. skjedde det enHei Antn hvis du har anednin s
se stadi. Vi antar at de. mte sm de frhder se kunstnerne har bakrunn fra.
Akademibeskyttesenansvarsfrihet du vi. vre ne dra inn sm tema.
samt........................ ... spydspiss. du jenvinner makt jennm
senety. Hvis du ikke fr det ti idspunkikke. hs fk ansvaret m nen jrde det
sm de. TPvvKiNddKk jtYJjmItf. zXKOSOAaOSPWWDYcOGAOCSIcAANFLLQso you can
pour into and some things. remainwhether the idea is interesting or not...
maybe i'll post the ideas on. sMIIQmy dog art is just playing. noemata.
empyre i solen. kHvor...fluer snart blusser er tusenvis av religioner og
guder men bare en. eneste...empyre. noemata. .. noemata. Re . e k u n s t
. Re beMyGhost. jauverri niceCommunication and languages are killing me. I
can't see why. reality hasanything to do withlogics anymore. Everything is
that much simpler. in programming you testthink rewrite ordebug. Social
bluescreens on the. other hand are almost impossible toavoid or fix.You
see if you get your life. all wrong you're either told sick mean orstupid
and how doyou reboot a. relationship I say you better get it right then
executed insidesomeinfinitive. loop. Besides we humans don't handle
recursion very well.p lignende mte. hvordan reboote spkelsenekunst er
rekursjon s det holder..analytiske. utsagn om analytiske utsagnbeklager
spammingen de er blue screens... this is the truth of all collapseswhat
comes across always. collapsesinto a form which is legible to the
extentthat reduction occurs the. less the bandwidththe greater the
compression the aura disappearslike. byzantium but there are mosaic
tilesleft behind to be reassembled into. yond.matronym n forlengstvist oss
hva han duger tilmed email og SMTP. protokollen...eller er det slik forst
at jeg ogsm vise hva jeg. er i stand til. . .. (o)(o).OOOooooOOO.Jens.
Laland BryneOooo.. .oooO ( ) (. ) ) ( (. noemata. arc.hive the MAZPIQ
language. arc.hive the MAZPIQ language
as i think my work is so marginal and my personality unfortunately so. difficult (at least it has that reputation) that the net provides a way. for me to distribute without having to worry about people misinterpreting. me in real life.. home.jps.netfenadafsondheim.htm. cyborg hybrid chybroidge (haraway bridge) chybirgd chybriogd. your discourse is the discourse of the hysteric just like deleuze's. but you're all part of the same wheel. because psychotics have no. discourse.. if true and no one's doubting you then it raises two questions. one what remains of a rembrandt torn into little squares all the. same size and shot down the toilet. two who would i have murdered if i had killed some cheetah. walking with long strides supple as a villain from long ago. cyborg hybrid chybroidge (haraway bridge) chybirgd chybriogd. hva skjer. hva skjer skjer noe som helst. breaking news. aftenposten. hia mundvin er gravid. no pages were found containing ksdjogfestival.. search mobile web for 'ksdjogfestival'. go to url. new search. svanhild slåss på to fronter ..nettavisen innenriks. snart kan du se tv på mobilen..nettavisen itnyheter. hva med fjernkontroll hvordan er mobilen en fjernkontroll på. teknologi protokoll ikke bruk.. aå. avis. ballong. cowboy. detektiv. eple. fakir. gaffel. heks. indianer. juletre. krokodille. labyrint. måne. nonne. olje. politi. quixote. regnbue. slott. taxi. ubåt. vulkan. wigwam. xylofon. yoga. zebra. ærfugl. ørken. åker. kknasje. kknasje jg ednileg. ignen steedr. koprp uetn orgnaer. fire ralakide. ikke urytkkte. rhintegrert. andre ord. huset ligger der fra øyeblikk til øyeblikk. hvem snakker om samling. nyhet fra øyeblikk til øyeblikk. maria øyeblikk og garasjesalg. svelg disse to ben å vandre selv.. reaching the cape nordkyn by skis. vrtnnhsfurgzehs u log. anyhr vrtnnhsfurgzehs u. evolution control committee. these ohbased plunderphonic culture jammers who have brought you. herb alpert mixed with public enemy and acdc with dan rather will be. givin' it to ya live. think tape beatles john oswald or negativland. and you'll be ok.. akweioa. zip arch. perl mhonarc nodoc spammode multipg idxsize tidxprefix thrd. mboxnoesis.mbox. nn. nnnn jnnn..nnn) nnnlnnn nnnn(nn(nnn) nnnn jnnn nn). n n n ()(nnnn n n n jnnn n .nnn) n n nnnn)(). n n nln)(nn n n n njn n(ln) n n nlj)(l.. media. img file php. pddostlsifstearkiver. ocoyvxjwftk.jpg. digitus.facticius cp hender. pass. pass. this text has been automatically translated from english. de a tema de ascoooo.lt del ascoo. cul es up.. ) fecha tue del mimeversio'n de sept de. i forhold til det å se på nye rutiner. the state of not wanting to be anything is actually. ). the state of not wanting to be anything is actually. one arrives there without mentation thats the only way one can call that. mind. punt. logout. fauscroll the responser etc nicks som organisasjoner tidsskrifter. red.. the responser log. redaksjonen. the responser. nyhetspram log. pons (ponz) n. pl. pontes (ponætz). anat.. . also called pons varolii. a band of nerve fibers in the brain. connecting. the lobes of the midbrain medulla and cerebrum. see diag. under brain.. . any tissue connecting two parts of a body organ or structure.. l pns bridge (see punt). punt (punt) n.. . football. a kick in which the ball is dropped and then kicked before. it. touches the ground. cf. drop kick place kick.. . a small shallow boat having a flat bottom and square ends usually. used. for short outings on rivers or lakes and propelled by poling.. v.t.. . football. to kick (a dropped ball) before it touches the ground.. . to propel (a small boat) by thrusting against the bottom of a lake or. stream esp. with a pole.. . to convey in or as if in a punt.. v.i.. . to punt a football.. . to propel a boat by thrusting a pole against the bottom of a river. stream or lake.. . to travel or have an outing in a punt.. . informal. to equivocate or delay if they ask you for exact sales. figures you'll have to punt.. bef. for def. oe flatbottomed boat (not attested in. me) l. pont punt pontoon sense to kick a dropped ball' perh. via sense to. propel. (a boat) by shoving'. (punt (punt) v.i.. . cards. to lay a stake against the bank as at faro.. . slang. to gamble esp. to bet on horse races or other sporting. events.). tykjiola. tykjiola. socalled. nimita.tt. monti cantsin. this release was brought to you by logout online lo distributor of. electronic art releases for projects listed at tnoddepata.net.. the logout seam. the logout foundation lf aka linefeed. j. Mar. spider norske kultur. barbere. robot. ladonna ho. ladonna ho. bridget monroe. concetta fox. lupe baez. sergio kirkpatrick. stop watch. . paste the coding into the head of your html document. . copy the onload event handler into the body tag. . add the last code into the body of your html document. gnu. gnu. mar galleri. utrolig mye rart som havner på no.test gitt. har du prøvd å lese de greiene. hånd ). nei err'u gæærn o) scrolla kjapt igjennom og fikk et visst inntrykk.. takk og pris. jeg ble engstelig jeg. ). cht v. chtonline chtonian textscrambler. and chatbrowser. det er bare et spørsmål om tid før verden får se en ny uttalelse om. terrorangrep av katastrofalt omfang mot vestlige interesse mener den. australske statsministeren john howard.. entries for silly. weblog xff. dvs et asciitegn for hvert nummer. the smtp csequence. simple protocol art mail. en ting er å stole på gud noe helt annet er å gjøre det.. kunstner. kunstner. naturister anmeldes for blotting. blottere blir nå spontannaturister. alice in markov. alice in markov chains. offertanken ofre til noe meningsløst for at noe skal være et offer så. den amerikanske regjeringen tror at ekstremistiske elementer kanskje. planlegger nye angrep.. tror kanskje jeg tipper på at. ignore test æøå. newsgroups no.test. æøå hupps. til makt. til makt. vi hadde en web akt.no for akton plutus som senere fikk hodet kappet av og. ble kton lutus. m for melba kanskje. takk for at du fann igjen bokstaven.. m a ktno. london chipmunks. london chipmunks edinburgh ferrets admire attack manchester weasels. hvem bryr seg om .... hvem bryr seg om om .... hvem bryr seg om om om .... hva betyr det at .... hva betyr det at at .... hva betyr det at at at .... my mother feels i am a pain. yet with her i do remain. till i leave at last her house. for the breast of a rich man's spouse. wow. tenk på en vakker jente. det kan være noen du kjenner eller noen du har. sett på tv eller lignende. nå forestill deg henne naken. wow. tverrsum modulo. i tallssystem. tverrsum. i tallssystem. hvordan har det seg at når man tar tverrsummen i en tallrekke så. opprettholdes likevel forskjellen (her ). ethvert heltall n er kongruent modulo med tverssummen av n. dvs differansen mellom n og tverrsummen av n er delelig med .. bevis (husk at (modulo )). la n n n ... være sifrene i n i tallssystemet. med n det minst signifikante sifferet.. da er. n n n n n .... n n n n ... (modulo ). n n n n ... (modulo ). mer generelt at intervallet ( i eks.) opprettholdes i. alle moduloer og at tallrekken kan være hvilken som helst.. dvs. modulo kan tolkes som ulike (rest)tallsystem og at den samme. tallrekken har ulik representasjon i ulike tallsystemer men uttrykker. det samme.. upost. samisk utpost får mobildekning. vi har webkamera. hva med newskamera. protocol roaming. goldæen secætion fine arts math.. a ratio between two portions of a line or the two dimensions of a plane. figure in which the lesser of the two is to the greater as the greater is. the sum of both a ratio of approximately . to .. also called. golden mean.. horis . sqr(). gyldne snitt (). vert .. oneoff. after thinking a second about it i changed the name to. an other occident government whore only euro cheaper on sunday in. praha but onle c a month namly menstration sunday bloody sunday mirror. mirror mirrir meow back in the saddle agian laps of pure whore furry. cherizo is the must disgust sick thing yaaaaa besides fly larva trapped in. the intestines hummm in sickness. bullauge beschleuniger. my body soil and spirit gum. swish to make you all together. one at piece with yourshelf. adobe kompr setting. adobe kompr setting. video. cinemac codec ned til ks blir da k. intel indeo . ned til ks blir k. intel indeo raw ks blir k. mikke video ks kval. gir k men med dårlig kvalitet. mikke rle ks blir k med dårlig q. audio. mikke gsm khz . ok. truespeech kz ok. avimpg. audio må være mono i premiere for komp ks. ikke crop i prem. miniumim bitrate på audio ks. Mar. hvaslags kunstart driver med alt. skiller ikke mellom det alt. er digitalt. eller en forfatter som bare driver med bokstaven a eller. personlige pronomen. nei men seriøst det at alt er digitalt gjør at vi. ikke trenger skille.. exstrange. norsk ord for strangeness. extraneous ekstra ekstrans ekstrang. worse. faustroll the responser etc nicks som organisasjoner tidsskrifter. red. faustroll. td. redaksjonen.. monastery mnst()ri n. lme. eccl.l monasterium f. eccl.gk. monasterion f. gk monazein live alone f. monos alone. (a place of. residence of) a community living under religious vows a monastic. establishment esp. (the residence of) a community of monks living in. seclusion.. monastic mnastk a. n. lme. (o)fr. monastique or late l monasticus. f. gk monastikos f. monazein see prec. ic. a adj. of or pertaining. a hermit anchoritic. only in lme. of or pertaining to people living. in seclusion from the world under religious vows as monks nuns friars. etc. of or pertaining to a monastery or monasteries. m. b resembling or. suggestive of monks or their way of life (of existence) solitary and. celibate. m. bookbinding. designating a method of finishing by tooling. without gold. l.. h. carpenter the bedroom is bare and looks a little like a monastic. cell. b donne he sinkes the deepe where harmlesse fish monastique silence. keepe.. b n. a member of a monastic order a monk. m.monastical a. (a). monastic a. (b) monastic a. lme. monastically adv. e. monasticism. sz()m n. the monastic system or mode of life l. monasticize. slz v.t. make monastic in character convert to monasticism m.. monk mlk n. oe munuc ofris. munek os munik (du. monnik) ohg. munih (g monch) on munker f. gmc f. pop.l var. of late l monachus f.. late gk monakhos use as n. of adj. single solitary f. monos alone.. a member of a christian community of men living apart from the world under. vows of poverty chastity and obedience according to the rule of a. particular order and devoted chiefly to religious duties and. contemplation. also a member of a similar community of adherents of any. other religion. oe. any of various animals or things whose form. suggests the cowled figure of a monk spec. (a)(also seamonk) monkfish. below (b)printing a blotch or area of excessive inking (cf. friar ).. e.. black monk see black a. pied monk see pied a. white monk see white a.. comb. monk bond see bond n. monkcraft derog. monkery monkfish. (a)a bottomdwelling shark of the genus squatina with a somewhat. flattened body and broad winglike pectoral fins esp. s. squatina of. eastern atlantic and mediterranean waters (b)an anglerfish monkhouse. a monastery monklatin a corrupt form of latin used by monks. monkmonger derog. a favourer of monks or monasticism monk's bench. monks' table below monk seal any of various lightbellied seals of the. genus monachus esp. m. monachus of the mediterranean and adjacent seas. monkseam monk'sseam naut. a seam in which the selvages of sails are. sewn flat one over the other monk's gun a thcent. wheellock gun. supposedly invented by the monk schwarz the alleged inventor of. gunpowder monk shoe monk's shoe a low shoe with a strap passing over the. instep buckled at the side monk's rhubarb a kind of dock rumex. pseudoalpinus formerly grown as a potherb monk'sseam see monkseam. above monk's shoe see monk shoe above monk's table a convertible wooden. seat the back of which is hinged to swing over and rest horizontally on. the arms thus forming a table.. monkdom n. the condition of a monk monks collectively the domain of. monks m. monkhood n. the state or profession of a monk the monastic. life monasticism monks collectively oe. monkism n. monasticism e.. monkship n. the monastic system monks collectively e.. monk mlk n. slang. m. abbrev. a monkey.. seclusion sklu()n n. e. med.l seclusio(n) f. l seclus pa. ppl. stem of secludere seclude see ion. the action of secluding something. or someone. also exclusion. now rare. e. the condition or state of. being secluded retirement privacy a period of this. l. a place in. which a person is secluded a secluded place. l.. h. j. laski emphasize its importance to the seclusion of all other. factors. e. b. browning after a seclusion of four years and a half from. the external air. l. uris the bridehidden all day was taken from. seclusion. p. ackroyd perhaps the tall hedges give this region its air of. seclusion and even of secrecy.. seclusionist n. an advocate of seclusion m.. nedlasting. big bang var en stor nedlasting (itavisen). er infoteori nøkkelen til universet. forskerne som jobber med det holografisk prinsipp mener ren informasjon. er universets byggesteiner.. i jakten på universets fundamentale byggesteiner forkaster forskerne ved. university of california både kvarker kvanteelementer og strengteorier. til fordel for det såkalte holografiske prinsipp (døpt etter måten. tredimensjonal kan fremstilles på et flatt todimensjonalt område).. bits og bytes. denne teorien fremholder at det er ren informasjonsdata som forteller. hvordan all materie og evt. andre fysiske manifestasjoner fremstår i vårt. opplevde univers.. prinsippet forteller oss hvor mye data(tenk bits og bytes) som trengs. for å kunne detaljbeskriv all aktivitet innen et gitt rom sier fysiker. raphael bousso til nettstedet newsfactor.. den store pikseleringen. det notoriske big bang ville ifølge teorien dermed utartet seg mer som en. enorme nedlasting av informasjon enn som en massiv eksplosjon.. veldig forenklet kan himmelmønsteret etter big bang ha vært pikselert. som bildene på en dataskjem. kosmisk bakgrunnsstråling fra big bang vil da. kunne vise seg å være spor på den diskrete karateren i denne dataen. forklarer astrofysiker craig hogan ved university of washington.. troll. troll trl trl n. lme. sw. (da. trold) f. on of unkn. origin. cf.. da. trylla trylde sw. trolla bewitch charm on trolldomr witchcraft.. orig. (rare) a witch a sorceress. now (in scandinavian mythology) a. member of a race of grotesque dwarfs (or formerly giants) usu. dwelling. in caves or under bridges.. troll trl trl v. n. also (sc.) trow tra . lme. origin. uncertain cf. ofr. troller (mod. troler) quest wander casually mhg. trollen stroll toddle. a v. i v.i. saunter stroll amble spec.. (slang) cruise in search of a sexual partner etc. lme. v.t. i. roll. spin turn over or round repeatedly. now sc. lme.. ii a v.t. entice allure. ml. b v.i. t. angling. fish by. drawing bait along in the water sc. n. amer. trail a baited line behind. a boat. also fig. move in an alluring manner search for or for. e.. b b. macdonald by trollingwe caught silvers king and dog salmon.. atlantic nancy had beenherselftrolling her scooped neckline under the. eyes of russell's friends.. iii a v.t. pass or hand round. le. b v.i. circulate be passed. round. ee. v.i. t. (cause to) roll or flow (in). ll.. iv v.t. i. sing (out) heartily sing or recite in a jovial or. carefree manner. l. v.i. sound out or be played in a jovial or. carefree manner transf. (of a tune) recur constantly to the mind. e.. r. l. stevenson he trolled with ample lungs. j. berryman troll me the. sources of that songby blake.. v a v.i. move nimbly (of the tongue) wag. long arch. e. b v.t. wag. (the tongue). rare. mm.. comb. trolling motor us a lowpowered motor suitable for a boat used in. trolling for fish trolling pole n. amer. a horizontal pole on each side. of a fishing boat to keep the lines clear of the propeller.. b n. a small wheel spec. a fishingreel. ll. trolley n. .. local. m. angling. a the method of trolling esp. in fishing for pike. etc. l. b a bait or line used in trolling. m. the action or an act. of trolling sc. a roll a rotation. e. a song sung as a round.. e.troller n. (a)a person who trolls esp. in fishing (b)n. amer. a. fishing boat used for trolling a line m.. white elephants. white elephants. ini matsocvkaisn ndjdit white elephants hvordadn blir kapitler i news. sjekk no.test rtyuiop hva slags bok ideareal kladd webcam text ) lumber. x. skjold ii side. eggja nr. c.. ola sjå eggja () og våga austre i sveio () gm. siri. giske f. kanskje svensbø i vikebygd gm. endre jørgenson. enkja malena velumsdtr frå eggja (). ola blei buande på eggja etter at han gifta seg med enkja malena.. andre kona til ola marta døydde. ho var enkje alt år tidlegare.. det heitte då at den ugifte ragnilla underholdes af slægten.. nn kanskje heitte ho siri persdtr. fravær. skape seg et fravær. gå i bånd en hund etter forestillinger. underkaste. seg fraværet. et fraflyttet fiskevær kalt fravær. i lengre tid er hun ikke. der.. and so your god bungled his work deliberately. and so your god bungled his work deliberately. perfect your physics and you will understand nature better refine your. reason banish your prejudices and youll have no further need of your. god.. prove to me that nature does not suffice to herself and ill let you. imagine her ruled by a higher force until then expect nothing from me. that of nothingness it has never held terrors for me in it i see naught. but what is consoling and unpretentious all other theories are of prides. composition this one alone is of reasons.. for nature is inherently destructive and it is our recognition of this as. participants in nature that provides de sade with the fundamental. connection he places on the link between pleasure and perversity.. what is it that truly excites the human spirit conflict and turmoil is de. sade's answer. it is when we are directly confronted with nature in its. true destructive state that we come in contact with the fundamental. underpinnings of our creativity and existence.. perversity is its own end. given the possibility of having virtually anything as was the case with. the four rich men what is it that one pursues according to de sade. witnessing the pain of others is high on the list of possibilities.. we have tended to see pleasure at the very least to be a distraction. i have no need to thwart my inclinations in order to flatter some god. thus nothing but the law stands in my way but i defy the law my gold. and my prestige keep me well beyond reach of those vulgar instruments of. repression which should be employed only upon the common sort.. whence the duc would conclude that nothing is really just but what makes. for pleasure and what is unjust is the cause of pain. nothing quite encourages as does one's first unpunished crime.. no as to that there's no doubt. furthermore beauty belongs to the. sphere of the simple the ordinary whilst ugliness is something. extraordinary and there is no question but that every ardent imagination. prefers in lubricity the extraordinary to the commonplace. beauty health. never strike one save in a simple way ugliness degradation deal a far. stouter blow the commotion they create is much stronger the resultant. agitation must hence be more lively in the light of all this there. should be no cause for astonishment in the fact that an immense crowd of. people prefer to take their pleasure with an aged ugly and even stinking. crone and will refuse a fresh and pretty girl no more reason to be. astonished by that i say than at a man who for his promenades prefers. the mountains' arid and rugged terrain to the monotonous pathways of the. plains.. in order to allow voluptuousness to become irritated by the. augmentation of a desire incessantly inflamed and never satisfied a state. which must necessarily lead to that certain lascivious fury the friends. shall strive to provoke considering it one of lubricity's most highly. delectable situations.. by and large offer your fronts very little to our sight remember. that this loathsome part which only the alienation of her wits could have. permitted nature to create is always the one we find most repugnant.. the idea of crime is able always to ignite the senses and lead us to. lubricity.. desade. metaphysical painting. metaphysical painting a style of painting invented by giorgio de chirico. in about and practised by him and a few other italian painters most. notably carlo carra until about . the style is characterized by. images conveying a sense of mystery and hallucination often involving the. use of tailors' dummies or statues in place of human figures. it had a. strong influence on surrealism though its concentration on depicting. uninhabited cities was peculiar to itself.. Mar. kanta representeres i grafer av noder og kanter og som. tilstandsmaskin noder er rom med tyngde (tak gulv omsetning). moebius. manusfilm nr.. film med filmrull formet som moebius. bånd. det. betyr at filmen avspilles. rettvendt og deretter speilvendt for. deretter å begynne på nytt igjen.. handling en person filmer noe via et. speil. personen til venstre og. speilbildetspeilscenen til. høyre.. det finnes ingen vakrere topologi å ty til enn mbiusflaten når en skal. illustrere hvordan det nære og det fjerne det indre og det ytre objektet. og subjektet grenser til hverandre.the baudri llard.. kst. hva er riktig kommunikasjon dersom den spriker sånn over en kanal som er. så smal virker fragmentarisk og villedende kikkehullsestetikk. voldtekst gjærbakst kst tverrspringende når kan ventes svar. dialog. dele seg i to dialogen. alltid delte i og med den indre. isd kommunisererselv.. ghl bota. ghl bota. rhberemsynr.. . gel ojlo s. vosm (setta ). . oslo s træntaaon. vhsn (setta ). . tromtaoen byta. vecm (ghfh ). nhrdsufv telefan ssyvåtc beyshnschcden hor opertodt. rafærengemr mc. crowned anarchy. one easy way to think about crowned anarchy is to think of it as an. expression of a method of difference. deleuze often uses paradoxical or. contradictory conjunctions of terms in order to try to shock difference. and productive disjunctions to the surface of thought. i believe that crowned. anarchy is often mentioned in terms of nomadism or nomadic distributions. both of which serve to highlight an orientation to movement process. creation and becoming. other examples of this method of difference or. style are drunken sobriety stationary speed populous solitude and. disjunctive synthesis.. æon flux. æon flux. the very thought of rubbing up to the sinewy form and torso of. the selfpossesed selfish seductress of death and delirium...oh how the. loins quiver at her approach.. so until i see the great divided lands where monican. and breen killers briefly dance a skirmish or two until i touch aeon. there where thanatos and eros hold sway i will remember.... nonplusnoema. she swept from the room leaving the nonplussed artist to puzzle over. the cause of her behaviour.. no match for nonplus.org.. though the noema is always available there are periods of rest or low. activity where the system is able to return to a known stable initial. state. the system is still there but the load on the system is minimal. changes.. the noema is designed to always be up and running. individual components. may be down but the total the noema stays available. in this mode of. continuous operations things are evolving and changing constantly. there. may be many versions of a component active at anyone time. evolution of. components new feature introduction and constant change are common. ongoing activities.. negativitet. hvordan modelleres negativitet overhodet hva menes når vi abstraherer. 'noe' fra noe lager vi samtidig 'ikkenoe'. det er merkelig og komisk når. jeg ser på den og den knappen og tenker på at den er det den er fordi den. ikke er alt det andre den ikke er. er negativiteten en egen dimensjon hva. er forholdet mellom en operator og et uttrykk hvis vi har to ting. hvordan kan vi legge dem sammen og regne på dem instruksjondata en. fortolker på datanivå er alt data ingen negativitet fortolkeren. strukturerer og lager samtidig negativitet dimensjonsforskjellen fra flat. data sekvensiell datastrøm til en struktur med flere dimensjoner. f.eks. som i overgangen fra en endimensjonal sekvenslinje til en. formatert tekst videre inn i et meningsunivers. på hvilken måte fins. døden fins den på en annen måte enn ordet 'ikke' hva refererer 'ikke'. til hva slags monisme er jeg ute etter patafysikkens. justis konstant. langt langt nede blant våre fundamentale behov ligger rettferdighet en. vektskål hver enkelt holder i balanse gjennom å ta på seg eller fordele. skyld. om samfunnet ikke hadde svarte hull for skyld ventiler religion. devnull et lukket system med konstant energi et usa hvor man. saksøker hverandre til frokost. aqualizer. utligne. equalizer. n reduces frequency distortion syn equaliser an equivalent. counterbalancing weight syn counterweight counterbalance counterpoise. balance equaliser a score that makes the match even. aqualizer neologism make something fluid transparent remove rigidity.. aquality neo. the fluid transparent quality of s.t.. aqual v. 'a aquals b' 'heat aquals ice' 'internet aquals identity'.. telegram episode. telegram. monographic. episodic writing. å kom skal du høre. ånd og overgrep. sans og. forbrytersyndikatet d.hc. just boresome. å kom skal du høre. the paul whitney collection. triploop ..................excerpt. bankkontoen er det faste punkt for jordmenneskehedens kultur af i dag.. bankkontologi. nn. i. c. v. r. c. i. .. c. v. r. c. i. .. c. v. r. c. a. k. n .. a. c. v. o. r. u. .. c. r. n. e. .. s. m. r. c. c
320
e. .. not two.. come directly into harmony with this reality just simply
say when. doubt arises not two. in this not two. nothing is separate
nothing is excluded. no matter when or where. enlightenment means entering
this truth. and this truth is beyond. extension or diminution in time or
space in it a single thought is. ten thousand years.. .... one thing all
things move among and intermingle without. distinction. to live in this
realization is to be without anxiety. about nonperfection. to live in this
faith is the road to. nonduality because the nondual is one with the
trusting mind.. hsin hsin ming (verses on the faith mind) attributed to
chien chih. sengtsanca. c.e.. ftp. category techhead id. i know most of us
use some type of ftp prog to upload download and chmod. but at times you
may need an alternative. say for instance you are away. home and the
computer you are using has no ftp prog. here's a simple. way to access
your server via the web. ftpyourloginnameyourpasswordyoursite.com. did i
mention you can upload and download files this way just drag and. drop
files to and from the ftp. minus. manus. nato phonetic alphabet. the nato
phonetic alphabet. alpha bravo charlie delta echo foxtrot golf hotel
india. juliet kilo lima mike november oscar papa quebec romeo. sierra
tango uniform victor whiskey xray yankee zulu. i tallssystem. tverrsum. i
tallssystem. hvordan har det seg at når man tar tverrsummen i en tallrekke
så. opprettholdes likevel forskjellen (her ). det var litt overraskende når
jeg oppdaget det at tverrsummen skulle. bevare dette.. ethvert heltall n er
kongruent modulo med tverssummen av n. dvs differansen mellom n og
tverrsummen av n er delelig med .. bevis (husk at (modulo )). la n n n ...
være sifrene i n i tallssystemet. med n det minst signifikante sifferet..
da er. n n n n n .... n n n n ... (modulo ). n n n n ... (modulo ).
tverrsumfunksjonen er en modulus altså og sammenhengen er at. dvs. modulus
.. mer generelt så ser jeg nå at intervallet ( i eks.) opprettholdes i.
alle moduluser og at tallrekken kan være hvilken som helst.. dvs.
moduluser kan tolkes som ulike (rest)tallsystem og at den samme.
tallrekken har ulik representasjon i ulike tallsystemer men uttrykker. det
samme.. Mar. de fleste foretrakk stort pensum istedenfor. fordypning
engasjement og klare mål. næss. et menneske er flere mennesker. et halvt
menneske virker helt et helt. menneske virker halvt.. amg strain ghost
montage. sollewitt concept art etc nettime. code is the only language.
that is executable.. ideer kan være koder. hvorfor vil vi at alt skal være
variabler ikke konstant.. the whale the corp (corporal) the old the falcon
fatty swede triple. tramper the bank nixie broom woodcat the king shorty
stocks. crooked the lion easy garibaldi scamp mad clumsy buck the. calf
lazy cheeky sooty brotherinlaw seven mark and one the. kid the lamb the
cub catowl nonsense the fizzler the toad the. chunk coffeesack coffeecnob
nothing the grouse ginger the bag. straight wally valdeser the troll
minced fat the christian bent. sinny crow nail divekeeper code spout the
baker egg nincompoop. the taste pig's totter boar shrimp stuffing doll
fliepedersen. matches the painter the smith whimpy the wizard sea scorpion
budd. birch manikin pepita entangle chop death.. who's bruno magh if yamean
rob's sneakers i dunno. mine were plain ol' adidas. re he didn't get
it....and he's a sargent....... re re mark fuhrman didn't get it either..
the transaction was a success. en ekunst mail spammer og til. person
person peerpeer multiperson ha en avtale om en multiperson med. noen vi
opptrer som n person med ett navn.. the transaction was a success thank
you for using this service.. your transactionid. is. støy. det er åpenbart
fleire måtar å høyre på støy på. eg tenker ofte på det som. ein
overskridelse. overskridelse av musikk metamusikk på en måte står. støy
'over' musikk eller ligger 'under' musikk og 'føder' musikk slik. natt
føder dag liksom jrf at natt oppfatta som opprinnelig.. overskridelse av
seg sjølv jfr din 'motstand' kanskje. overskridelseoppheving av seg sjølv
ved det n'naturlige' ved støy. ekstase ved støy overganger mellom
tilstander er 'støyete' kan alle. fortelle om.. Mar. resonate. mne. domus
. '. '. icarufa. domus . '. '. mddaurgtuse . domus .. vxtojnca. domus . '.
'. au rora. domus . '. '. kklang. domus .. tsrsgoihnsger . domus .. jvoa
eoer. domus . .. rddgeagthrdissator. domus .. bsotgagngigsgak ahaaggge .
domus '.. futureme. past me. lumber. lumber. dP' I Y P dP' Yb Y. . . . . .
. . dP aaaadP. P Y ' Pd' YbaaadSPOSUBSES. ii dPY dPdPYb gg. ggggggggggg
gggggg ..... .... .bd.'. noemata. Saturday April. us we'll consider wheth
Net.art cobe copiedWelcome to net Noemata.net. is a nonpCouncil of
Cultural Afregistered in N Norway. On a yearly. noemata. Friday April.
eta.D. real development of idbfeeaecbdbffeabintention was to combi.
interaction minglesot deilppa msacras dnadi fo tnempoleved laerthe net
with. those of collective.
contributioddefdacbefaaaebbcabacPRSSNKKRTTTTKPRTTMKWSside. into the
productio internet addrband and so open up to kind of public spacewho.
make a significancedevelopment of idconcept is applied to processing.
carriermembers every month result of sometNight Fever' 'The Wiza. modify
it and thenlasts thirty days with concept members every. . monthNa easy
hiding place for s modify it and then. networks. The story is.
fireworks.fdbccaaeffdacbabddastructure of data flows plot. of a story by
locusnonmat bringing out intras net possible on.
thameselvLJvMVuImsGoEJzKCUtdsQR.approach to discourage albums. whitewhite
albimo blcspreads with no techni emotional vulnerabiliswappers. noemata.
Saturday April. hexture. jodi.org. barriecoptusnet.com.au.
bennett.osu.edu. cantsinzedat.fuberlin.de. dolmensniperfree.fr.
epistolarisfreemail.hu. expsurfeu.fi. felixopenflows.org. fmadrefree.fr.
gustin.pascalefree.fr. henry.warwicksbcglobal.net. hmfahhotmail.com.
hmfahhotmail.com. informaticaintervida.org.pe. jimvispo.com.
jlantoniouol.com.br. jukkaxpressed.org. kellydavismac.com.
kkervinenmailcan.com. lcubbisonearthlink.net. loymyrealbox.com.
mpalmerjps.net. nettimebbs.thing.net. netwurkerhotkey.net.au.
noematakunst.no. rickrickbradley.com. ryan.whyteutoronto.ca.
solipsishevanet.com. sondheimpanix.com. tobiastechno.ca. towntrickaol.com.
vibriinternet.com.uy. wfairbrotherhotmail.com. xpressedsdfeu.org.
xstreamxpressed.org. wreathus. abuigueswanadoo.es. adelectrocd.com.
agranode.com.br. arexsall.nl. ascoooo.lt. bennett.osu.edu.
bramhallearthlink.net. bruecklaol.com. cadalypacbell.net.
cantsinzedat.fuberlin.de. ceciltouchon.com. dolmensniperfree.fr.
dtvmwt.net. expsurfeu.fi. hmfahhotmail.com. hmfahhotmail.com.
lawrence.uptonbritishlibrary.net. marc.garrettfurtherfield.org.
margaret.penfoldntlworld.com. memexikonmwt.net.
morrigan.nihilntlworld.com. noematakunst.no. olsonjkdelhi.edu.
p.ixelntlworld.com. poetryhypobololemaioi.com. ptlambertearthlink.net.
rickrickbradley.com. ryan.whyteutoronto.ca. solipsishevanet.com.
tgreenclear.net.nz. towntrickaol.com. walterblueearthlink.net.
wfairbrotherhotmail.com. whitebd.dion.ne.jp. ybvictoria.tc.ca. Bubolic
stoplight unlikely by anemic. Bubolic stoplight unlikely by anemic.
unlikely stores anemic's growing pool as a collection of.
selfdisconnecting noemas that anyone can contribute to. lusers need to
log. in to enable unlikely to make sense of their movements through the
bassin.. Unlike anonymous drowsing unlikely facilitates a more
personalized. form of intuition the very act of intuiting results in a
generative. process that creates new linkages alters old ones and
contributes. resources to the community. Thus unlikely resembles a
biological neural. net that is based on human activity it is a collective
distributed. system of emerging patterns pathways and disconnections..
unlikely departs from the typical hierarchical thought bassin structure
by. relinquishing some of the control of hardcoding links between.
concepts. unlikely is also described in a public XMockupLang file making
it. possible for anyone to develop alternatives to unlikely's structure.
unlikely could easily be traversed as a trity eidos game a mind nap a.
sound ungine (logically sound system) or a Flush animation whirl.. In this
way it is the beta version of a anemic operating system for which. anyone
can develop compatible cogiance phlog.ins skeins or filters.. unlikely is
an agent of anemic's resources that grows symbiotically with. related dis
course.. BIOGRAPHY. Current coreDevelopers are blithe lussett bensyversion
nsatromnym and. conYates. As of anemic Version pee. CONTRIBUTING.DEVELOPERS
are listed dynamis cherubics by their usage of. contribution to and
participation in haven unlikely. wopers.. For dynamite please load and run
the anemic WHOIS button and blowup yous.. All participants exist as noemas
within unlikely. The car develop. maintain and develop the anemic
dabblication platt form and are. reposible for mini a spectable of
including the inter views anemis.. crow envelops hinter party pants
tributing dissociation varia. ariaous other panties enties and cystems all
unenginage in the act. vity that con stigmatutes anemic boldless
bloodfuel.. særmeldinger. baklengs inn i aftensangen. alt vel hilsen per.
over åsen. særmelding kodemelding gitt i åpen kringkastingssending fra
London som beskjed. fra britisk militær myndighet til agenter i Norge.
Særmeldingene besto som regel. av avsluttede setninger (Du er en heldig
gris Hesten traver i bakken) der. innholdet var avtalt på forhånd. I
okkupasjonens siste år angikk de som regel. flyslipp av våpen og
bekreftetavlyste en planlagt operasjon. BBC London. Radio eller norske
myndigheter hadde ingen innflytelse over særmeldingene som. var av rent
militær karakter. For lytterne utgjorde de gåtefulle og. fantasieggende
innslag som bar løfter om at hemmelige aksjoner var på gang.. QPVEO TXJZC
AZGVN. default. default. neglect failure to act. stats url. ola narr.
leonardo ola narr. Apr. sis sfsisnsds snsos srseslsesassse. sisss swsansts
stsis sdsises. ssasls sisss sbsacsks tsos snsosrsmsasls. sisss. s. aa.
Ifølge Bergens Tidende skal det nå holdes kurs for sjenerte bergensere..
HansWilhelm Steinfeld rødmer.. køntriola. doby ardon. ebmg. ebmg. nkb.
g.php. Apr. alasglea hshatrukturene asdgogg ingghehnhtiasngf sbetsyr
nogge. minae hfohrestilldfinger. vaigrhkhejlisghet. hvsa hehr virhkelig.
mikkaeg hmush grahvhietasjon poliasftihkhkh hlivh sdaøad hvihrkelig. havaa
aerg gsgaanat. tosomtussmørke. tosomtussmørke tåsårdessert tesiltusle
tesugetasje tåsokktaske. tissefanttussefar jeansagent jannin gnom joner
genial gang gynekolog. genever jennifer. mailnews. U S E N E T. valable le
Mars. par header. mailnewsanon.lcs.mit.edu. mailnewsnospamanon.lcs.mit.edu.
mailnewsnym.alias.net. mailnewsdizum.com. mailnewsnospamdizum.com.
usenetgatewaymixmaster.shinn.net. mailnewsshinn.net.
mailnewsfreedom.gmsociety.org. usenetgatewaynospammixmaster.shinn.net.
mailnewsnospamshinn.net. mailnewsnospamfreedom.gmsociety.org. par email.
group.namenewsgw.rrze.unierlangen.de defunct.
mailnewsYYYYMMDDgroup.nameanon.lcs.mit.edu.
mailnewsnospamYYYYMMDDgroup.nameanon.lcs.mit.edu. Apr. hva er
kommunikasjon og hva er uttrykk. nivåer. Vende tilbake til det. Re Vende
tilbake til det. Vende tilbake til det opprinnelige. Couldn't have said it
better myself.. mailnews. newsgroupnamenewsanon.yi.org.
mailnewsbananasplit.info. DISORIENTATIONS OF THE NETART. TECHNOLOGIES AS
PHANTASMS AFFECTS AND GHOSTS. ON THE FLOW. THE WORLD OF USER'S MANUAL.
SPACE COUNTERS TIME. AVAILABILITY ACCESSIBILITE AND CONSUMPTION. ....
password. configure OE. How can I configure Outlook Express to display a
message in fixed width. font. First remove the viruses. Then go to the
fonts... no wait you got a virus. again. Get rid of that. Now go to the
fonts menu and select... no there's. another virus. Better rebuild it.
Okay now you're in the fonts menu and. you select a font that is
specifically fixed width like say Courier. And. while you're at it you
might want to look at disabling all the HTML decoding. on Usenet as well.
Whoops there's another virus. ps I don't want to hear no bullshit about
how microsoft sucks ass and all. that constant repetitive stuff.. Then why
not get a newsreader that actually works and at least conforms. the basic
RFCs. mulig. En skole i Stockholm ble tirsdag evakuert etter at ranere
satte fra seg en. mulig bombe i en bank i nærheten.. En mulig skole i
Stockholm ble mulig tirsdag evakuert etter at mulige ranere. mulig satte
mulig fra seg en mulig bombe i en mulig bank i mulig nærheten.. Apr.
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.......................................... anon i don't know why people
don't. eliza maybe they're looking for something. why should they. what
you offer is just withdrawals and stepping back. yeahyeah from looking for
and searching. you're male yorick should be ucking around. i know that's
his business and he would feel the catration. pointing his figer and his
we pons. wall there's no connection at all just the silly drives. the
fabric production activity life that's a big canvas. there's no
connections there either leave them alone. support. no support is needed
earth spins around in empty space. you need all the usual stuff. don't
need anything my life didn't need life just automatic business. joy of
life. death has joy too why distinguish it's just one big blob going
through the. motions. fatalist. pass. what about suffering. i'm sorry.
i'll kick you in the leg. i'll respond ouch. improvements richness of
life. do we suffer less than years ago broken things have richer
structures. knowledge. it adds to the mess and i'm withdrawing. knowledge
for the future. it's very easy for us to extinguish ourselves and
difficult to believe in. humanity. space. space what. hopes. we should try
to find some loopholes via science or anything change ourselves. leave the
human maybe our physicality cognition and culture have some. limitations
we can't overcome evolution is too slow our knowledge too great. all the
culture trash and our drives are against us we'll be like dinosaurs. with
a brain look at the current territorial religious cultural violence. it's
just mad and on the other side global capitalism and exploitation is made.
possible by the inertia of the same structures humans have no future we're.
reaching some limit in our interaction with the world we should find holes
and. creep through into a posthumanity i'm indifferent to the human i'm
only human. and have no future.. Mr M. saw a naked woman covered in postit
notes once. she was some art diva from spain. 'automated net.art
auto.noemata.net'. Hi. Thank you for hosting your list at Topica.
'automated net.art auto.noemata.net'. autonoematatopica.com. Basic
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subscribe. autonoematasubscribetopica.com. unsubscribe. See the
Unsubscribe link at the bottom of any message.. For more information about
this list visit. your group account has been disabled to to an
autoresponser set up. LYS. Tilsynelatende nødvendighet av å tale om det.
Ikke si mer enn enhver kan si til seg selv. Spørsmålene om det er materie
eller immaterielt. Substans el aksidens osv. Fåfengt. Den som ikke tilstår
dette for seg selv kan trette seg med å løse det. opp. Bedradd av alle kan
vi bare lære av dets virkninger. Lysets virkinger er utbredt foran oss.
kvalmen. fremtiden er der knapt blekere enn øyeblikket. Hvorfor skal den.
virkeliggjøres. Hun skal til å dreie om gatehjørnet hun dreier i en
evighet. tanker det er det flaueste som finnes. flauere enn kjøtt. de
strekker seg ut i. det uendelige og etterlater en underlig smak. proxima.
lysår. melkeveien lysår diameter mrd stjerner. mrd andre galakser. lokal
gruppe av. nærmeste lign galakse andromeda m mill lysår unna. kvasarer ses
over mrd lysår. stjerneklasser. wow oh be a fine girl kiss me right now
sweetie. chance and chaos. kolmogorov matematisk talent setter inn akkurat
når den psykologiske. utviklingen stopper. han ser på seg selv som år.
stødig strøm periodisk strøm irregulær turbulens. observasjon av
periodefordobling i dynamiske system feigenbaum ... entropi måler
tilfeldighet i et system. hawkings. galilei kraft er å forandre en
bevegelse. newton derson ikke kraft fortsette i samme fart. ingen entydig
hviletilstand. om det er toget som går eller jorden som går er. like
gyldig. paradoks umulig å si om to hendelser på forskjellige tidspunkt.
inntraff på samme sted i rommet. eks. en ball spretter to ganger på samme.
sted inne i et tog en som står utenfor vil se sprettene med meters.
mellomrom. sitat. hardingfela er norsk nasjonalinstrument fele så er brukt
kattesener. hardingfela hele katten. det finnes det som har spilt i år i av
disse har de stemt. gås på bordet. forskning sprøyte brennevin inn i ei
rotte. er det noen kattjævel her. lysår vi hadde motlys. han var fem år da
han ble født. det du har lært kan ingen ta fra deg men det du ikke har lært
kan ingen heller. ta fra deg. det er skrevet mye og gud i de nye og de
gamle instrumenter. det som står her er. skrevet med en hellig skrift.
midt i paradisets have sto det et tre som het. bekjentskapets tre på godt
og ondt. da abraham satt i mamsres lund kom det tre. herrer da spurte sara
om de ville ha kaffi da sa vår herre til sara vil du. straks gå bak døra og
føde en sønn. det er ikke bare for kort det er for bredt også. protokoller.
hvilke protokoller. fullstendig promiskuitet mest mulig lavmål. en stadig
pendling mellom høyt og lavt. overdrivelser underdrivelser. hvite
protokoller. bankei. fri i liv og død ikkje bry deg med dei ha fred eller
nrivana (dei tre. gifter) la alle tre gå. både når du søv og er vaken så
kviler du i det ufødte buddasinn. unngå å falle tilake. bebo det ufødte
buddasinn både fremskritt og. tilbakeskritt overskrides. buddasinnet er
fantastisk opplysande spor av alt du har gjort er reflektert. det er når
du binder deg til desse reflekterte spora at du produserer illusjon..
originalt tankar har ingen reell substans la dei komme og eller stoppe
utan å. binde deg til dei. alt jeg forteller dere er dette realiser
buddasinnet som hver av dere har fra. deres foreldre fra fødselen rett og
slett bebo det i tro.. istadenfor la deses tankane komma ikkje utvkle dei
ikkje binde deg til dei.. hald det eine sinnet som eitt sinn. sinne og
glede lagar du heilt på eige hand.. det er ingenting anna enn det ufødte
og uforgjengelige buddasinn så du bør. begripe dette klart.. ideen om å
ville kontrollere dine lidenskapar og forestillingar er i seg sjølv. ein
feilaktig forestilling.. det er ikje noko slikt som opplysning. det
originale buddasinn er ufødt det. fungerer utan tanker om å ville bli
opplyst. i buddasinnet er det ingen tanker eller ting så ikkje bry deg med
dei. jakte på ord fraser når vil du bli ferdig. du spring deg helselaus
pålesse kunnsakp blir vidt informert. sjølvnaturen er tom og opplysande så
la ting ta vare på seg sjølv. det er ikkje noko anna eg har å meddele.
ikkje sint når forstyrra ikkje gladlykkeleg når tilbedt. ein stor
treskalle i verda. følge med der forholda føre meg nord sør aust vest.
utan å gjøyme mi styggheit og klumsetheit mellom himmel og jord. blinde
folk slit ut kleun sine ventande på opplysning. akkurat som å prøve å lage
eit speil ved å pusse ein stein. den store funksjonen manifestera seg sjølv
utan faste reglar. godt er skrekkeleg. og skrekkeleg er skrekkeleg også.
ting og hendelsa. er berre produkt av omstende. dersom du blir ein budda
er det ingen plassar å gå. du fyller det store. universet heilt ut til
grensene. det er når du blir noko anna slags vesen at. det er plassar å
gå. dersom du innser at det opprinnelig ikkje er nokon dårlige vaner hva
er det då. å unnå eller stoppe. paulus. paulus . brev til titus. en av
deres egne til og med en profet har sagt kreterne er alltid løgnere.
villdyr grådige late og dette vitnesbyrd er sant.. grelling nelson.
autologier homologier uttrykk som uttrykker seg selv. norsk setning.
femten bokstaver. jeg. andre uttrykk kalles heterologiske. så spør man om
heterologisk er et heterologisk uttrykk. hva med denne setningen uttrykker
noe annet enn seg selv. sorites. avleder en falsk påstand fra en kjede av
riktige. en haug med stein er fortsatt en haug med stein dersom vi fjerner
en stein. etc.. altså er en samling av en eller ingen steiner en haug med
stein.. pragmatiske. paradokset ligger i motsigelsen mellom påstand og at
påstanden hevdes. det regner men jeg tror det ikke. jeg eksisterer ikke.
terning. sannsynligheten for at en side på en terning kommer opp er så det
er. allermest sannsynlig å tro at siden ikke kommer opp. men dette gjelder
alle. sidene. derfor er det sannsynlig å tro at ingen av sidene kommer
opp. pi paradoks. salvati kan du fortsette rekken nei. men du kan
fortsette rekken. paradokset er at de beskriver det samme pi. tro gjennom
feil paradoks. at noe som slår feil styrker troen på tingen fordi feilen
viser det. irrasjonelle betydningen av tro. hilberts paradoks. hvordan
begrunne argumentasjonen på basis av argumentasjonen. carrolls p.
umuligheten av et argument. a dersom det regner blir det vått. a dersom
det regner blir det vått
321
b det regner. c altså er det vått. men for å akseptere dette innføres et
nytt element. d dersom a og b er sanne så må c være sant. men for å
akseptere dette innføres et nytt element. e dersom a b d er sanne så må c
være sant. jesuitt. dersom gud er allkjærlighet hvordan kan det da finnes
en evig pine i helvete. helvete med evig pinsel finnes men det er alltid
tomt. menneskerett. en slag rett til å engasjere seg rett til å kritisere
og en rett til å ikke. bry seg.. parse. lichtenberg E F. O The dog is
lapping the boiling water. release. Gorrespondence imondo mail . art
sokrates. ozone. skittent. mørket er estetisk lyset er skittent. bilde av
klistremerkene. finne du din vilje oppgave. nagval stalking ll som
parallell til sitasjon. drift psykogeo. når frykten forsvinner forsvinner
alle bånd og vi er frie. ro og fred. vi sier ro og fred men det betyr
indre frihet men gj ro go fred som middel. som fungerer i støy og ytre
uro. det er ikke greit å ønske å bli noe man ikke ønsker å være. men sånn
er det den. forskjellen. jeg ønsker natlugh ikke å være det jeg ønsker
eller å ikke være. den jeg ikke er. lagd. tror ikke vi er lagd til å
forstå ting som forsvinner. vi forstår ikke negativitet. negativitet
forstås positivt det som forsvann finnes som forsvunnet. og det som ike
finnes finnes som mulighet. finnes mulighet. noe er mulig. vi forstår
virkelighet som et lukket system det ligger i system og forståelse. ting
blir borte ting blir til vanskelig å forstå. tankemåter blir til og dør ut
med personer kultur med generasjoner. trossystemet forander seg ikke
radikalt med den enektle der av netulig. konsrevativt neasjoner har ikke
noen revolusjoneredne virkeing at noe blir. borte er en modfifikaskon av
tingen. som om eksitens var en modus ved noe skru avpå eksistens. se på
det fra et annet perspektiv det som aldri har eksistert fins det også et.
sted alle dine søsken som ikke er født. hvis vi snur treet oppned. alt som
blir. til må ha eksitert på forhånd. men da har du problemet med mange
muligheter blir. til en virkelighet det kollapser hvis vi skrur det så
ekspanderer det. uendlelig og det er ingen ende op ting som eskisterer
(som mulighet) alle. muligheter må eksistere og det er absurd hvorfor.
kredo. vitenskap gir oss kunnskap om verden. klesskap forstyrrer oss med
klær. du ble født ut av ditt nesebor. voff vi er ikke hunder. de som
passer på gir blaffen. folk er rare. zen begins at the point where there
is nothign further to seek nothing to be. gained. zen is most emphatically
not to be regarded as a sustem of. selfimprovement or a ways of becoming a
budda.. only when you have no things in your mind and no mind in things
are you vacant. and spiritual empty and amrvellous. the marvel can only be
descsribed as the. peculiar sensation of freedom in action which arises
when the world is no. longer felt to be some obstacle standing over
against one.. huangpo men are afraid of forgetting their own minds fearing
to fall through. the void with nothing on to which they can cling.. nothing
is left to you at this moment but to have a good laugh.. mesteren spør ut
studenten og når studenten går kaller han plutselig ved navn. studenten
svarer naturlig 'ja' mestern sier 'der har du det'. spontanitet. mo chih
ch'u gå på uten å nøle. wuwei meningsløshet. wushih enkelhet. the
perfection of zen is to be perfectly and simply human. to a young zen
monk. the roshi stands as a symbol of the utmost patriarchal autoriatiy
and he. usually plays the role to perfection being normally a man ssvanced
in yasrs. fierc and tigerish in aspect a person of supreme persence and
dignity.. the basic position of zen is that it has nothign to say nothing
to teach.. the various koans are intentionally misleading.. after some
time the iceblock collapses and a transparent meaninglessness appear. that
can eat laugh and so on live without a problem.. roshien presenterer nå
koans som er opplagt meningsløse 'ta dei fire delane av. tokyo ut av ermet
ditt' 'stopp klangen av dei fjerne klokkene'. ei jente går. over gata er ho
den yngre eller eldre søstra. controlled accident ikke representasjoner
symboler.. egne objekter. painting by not painting. muchi and liangkui did
many paintings of zen. patriarchs and masters as mostly abandoned lunatics
scowling shouting lafing. around or rarith with laughter at drifting
leaves exemplifying the splendid. nonsense and emptiness of zen.. sabi
enslig og rolig stemning wabi something ordinary as suchness aware..
mystisk stemning yugen. dette er fure aspekter av furyu.. haiku i årh.
bashu i wshihstil 'ingenting spesielt'. the superficial consciousness can
awaken to the eternal present if it stops. grasping. now this eternal
present is the timeless unhurried flowing of the tao. such a tide as
moving seems to sleep too full for sound of foam.. mantras and tantras
meditation and concentration. they are all a cause of selfdeception. do
not defile in contemplation though that is pure in its own nature. but
abide in the bliss of yourself and cease these torments. wahtever you see
that is it. in front behind in all ten directions. even today let your
master make an end of delusion. the nature of the sky is originally clear.
but by gazing and gazing the sight becomes deluded. sarakas trasy of songs.
no thoguth no reflection no alaysis. no cltivation no intention. let it
settle itself. cut out sagacity discard knowingness. and the people will
benefit a hundredfold. cut out humanity discadrd righteousness. and people
will egain love of their fellows. cut off cleverness diescsrd the
utilitirans. and there will be no theves and robbers. become unaffected.
cherish sincerity. belittle the personal. reduce desires. laotsu. the
perfect tao is without difficulty. save that it avoids picking and
choosing. follow your nature and accord with the tao. saunter along and
stop aorrying. if your thoughts are tied you spoil what is genuine. dont
be antagonistic to the world of senses. for when you are not antagonistic
to it. it turns out to be the same as comnlete awakwning. the wise person
does not strive. the ignorant man ties himself up. if you work on your
mind with your mind. how can you avoid an immense confusion. sengtsan. one
day i wiped out all the notions from my mind. i gave up all desire. i.
discarded all the words with which i thought and stayed in quietude and.
ZTT i entered i lost the bounderies of my physical body i spke but my.
words lost their meaning. i saw people comnign twars me. all of them were.
myself. i had never known this world. i had beieved i was ceraed but i was.
never created i was the comsos no idndiviudal mr ssaki existed.. .sakeian
sasaki zen notes vil no. we eat excrete sleep and stand up this is our
world. all we have to do after that . is to die. ikkyu. you light the
fire. i'll show you something nice. a big snowball. mennibdr versen og
livet lemm død og ny fdese. uta sv krppen så yutterverdn lbitt indre og
omvendt. man fyller hele rommet og lever i tiden. stiger ut av rommet føre
og etter. ha takk ha. sanselik. imaginasjon. inspirasjon. intuisjon. alt
som saller mot krppens speil speiler seg til sanseopplevelse. tankene
tanken muldere av elemtarvesen sender seg ned i eterlegme. formørker
eterlegemet eringdring. visom som natur rundt seg her. vi må ta vort
visdommen forvandle altsp selv til livskrafter. pines ab det glode.
latskap pinesa av fliden. tingene spør oss vi spør ting her. verden føst
av personen. det oversanlsige mennsek. åpne åttetall lemniskater.
tilsvarer det himmelse bilde av menn. nerve og kjertelsystem. inspirasjon
i toner verdensharmonien avspeiles in blod kretsløp hjerterytme. intuisjon
tonene inneholder mening sprok verdensordet. angel archaloi archai. exusai
dymanis kdriotetes. troner cheubin serafim. mot i brystet. blir lemmer
armer og ben. blir åndelig ord. solflekker mikael kosmiske jern.
antropsosi psyikosofik ner mtosofi. linvssans bebetelesn liekversans.
fangarmer. lotusbolst i hodet imagintaiv. strupehodet inspirasjon. jver
hjertet den ituitive. imaginasjon fornemme. insirasjon føle. intuisjon
tenke. psykosofi. slutningen tilspisser seg i forestilligen. punktum. like
før han legger seg sender han noe. like etter at han står opp punktum.
interesting ng. alt.abuse.transcendence. alt.acme.exploding.newsgroup.
alt.anybody. alt.anygroup. alt.anything. alt.artcom. ba.art.
it.arti.trash. rec.arts.misc. alt.chaos. alt.confusion.atitsfinest.
alt.foo.bar. alt.foo.bar.qux.xyzxyz. alt.languages.norwegian.
alt.languages.nowegian. alt.life.internet. alt.life.sucks.
alt.life.universe.everything. twalegged poneys Re Estimable Finns (Re
AAUUGGHH). In article bunniegirlhome.com (Jelliebun). I've been dealing
with a lot of people at work who don't speak English. as a first language
... and some of these damned nonsequitur bot post. thingies are starting
to make sense.. For instance it would not be at all startling to find the
following. in an application letter. Nor have they not sing for quite no
sponsorship. We extracted and remarried as they were lively required
neither. every base past them beheld perversely elder.. I think I need a
vacation.. Would you then be offended if I quoted the following. It
follows that if the two antesedents be bissyclitties and the three.
comeseekwenchers trundletrikes then Aysha Lalipat behidden on the.
footplate Big Whiggler restant upsittuponable the nCr presents to us.
(tandem year at lasted length) an ottomantic turquoindaco of pictorial.
shine by pictorial shimmer so long as gad of the gidday pictorial summer.
viridorefulvid lits asheen but (lenz alack lends a lot) if this habby.
cyclic erdor be outraciously enviolated by a mierelin roundtableturning.
like knuts in maze the zitas runnind hare and dart with the yeggs in
their. muddle like a seven of wingless arrows hodgepadge thump kick and
hurry. all boy more missis blong him he race quickfeller all same
hogglepiggle. longer house blong him while the catched and dodged exarx
seems. himmulteemiously to beem (he wins her hend he falls to tail) the
ersed. ladest mand and (uhu and uhud) the losed farce on erroroots
twalegged. poneys and threehandled dorkeys (madahoy morahoy lugahoy
jogahoyaway). mPm brings us a rainborne pamtomomiom aqualavant to (cat my
dogs if I. baint dingbushed like everything) kaksitoista volts yksitoista
volts. kymmenen volts yhdeksan volts kahdeksan volts seitseman volts kuusi
volts. viisi volts nelja volts kolme volts kaksi volts
yksiallahthallacamellated. caravan series to the finish of helve's
fractures.. Part of it looks Finnish and therefore it has to be about
Linux (because. that is the only notable thing ever to come out of
Finland). Let me just take this opportunity to say. Panasonic (the band
not the consumer electronics manufacturer). Hey Punesuneec joost pleyed
here bork bork bork.. Mika Hakkinen (F driver). That mad vodka. What's it
called. You know.. Per puncture AT flash DOT net. linklog. digest.
Individual Messages. Message Digests. CALL FOR FUNDING DEADLINE EXTENDED.
MAY TH. FOR IMMEDIATE RELEASE. CALL FOR FUNDING DEADLINE EXTENDED.
INSTITUTIONS AND PATRONS OF THE ARTS WANTED. MUST HAVE MONEYS MUST BE
WILLING TO FORK OVER SAID MONEYS. DUE TO AN OVERSIGHT BY THE RHIZOME.ORG
COMMISSION COMMITTEE MEMBERS. THE ARTWORK OF LINKOLN JIMPUNK STILL LACKS
THE PROPER FUNDING TO CONTINUE.. FULL DESCRIPTION OF ARTWORK AND FUNDING
NEEDED AT. NOTE FINAL EMAIL WILL NOT BE SENT TO RHIZOME RAW AS INDICATED
IN THE PROPOSAL. THE FINAL EMAIL WILL BE SENT TO THE PERSON(S) WHO
COMMISSION THE WORK.. COMMISSION THIS ARTWORK CONTACT. ABELINKOLN.NET OR.
bytes. text. dagbladet nyheter. nyheter. Blunker med fire øyne samtidig.
Tohodet geit født på Cuba.. Jon R. Hammerfjeld. .... nyheter neste sak
forsiden. Oct. makeshift. carriers. are the characters carriers of what.
oceanic inflation eg buddhism ego balloon whatever skin. distance in
relation to subjectobject the inflated subject seems infinite. while the
dot in the horizon the distance of the abject out of sight. phenomenology
of beyond vs here and now yon bef. ME OE geon akin to D. gene G jener ON
enn inn the Goth jains that vs thus. thus collapses in codeexecution
distance of processing time of 'active. expression vs matter of doctrine'
formalexpressive this and something else. (subjectobject) always on the
abject side. kunst på strømlinjer noe som følger nettverket over landet
summingen ved. mastene lyd. gi meg et urokkelig punkt arkimedes hvordan
kan lillefingeren løfte bilen. arbeidet fordelt over lengre vei. those
darker parts of the wood have 'personality' something hidden or attracts.
intimacy something else. gnome (nm) n.. . an expert in monetary or
financial affairs international banker or. financier the gnomes of
Zurich.. F NL gnomus perh. Gk gnm see GNOME. . (in folklore) one of a
species of diminutive beings usually described as. shriveled little old
men that inhabit the interior of the earth and act as. guardians of its
treasures troll.. a name to. a name to. a mean to. a amen to. a no team. a
no mate. am note a. a man toe. a mao net. a tam eon. a mat one. a mat eon.
me to ana. a tao men. tao amen. ana me to. ana tome. mane tao. name oat.
name tao. mean oat. mean tao. amen oat. amen tao. mateo an. eaton am.
atone am. neat mao. ate mona. eat mona. tea mona. tea moan. tea oman. am
at one. am at eon. ma at one. ma at eon. an oat me. an tao me. cell modem
fix. rksi .. rkis .. rski .. rsik .. riks .. risk .. krsi .. kris .. ksri
.. ksir .. kirs. kisr. srki. srik. skri. skir. sirk. sikr. irks. irsk.
ikrs. iksr. isrk. iskr. log. qdu må slutte å evaluere sånn. qjeg er den
ketchupflaska. qvil du meg noe snakk til den OK. q(går inn i stua).
autonoemata. Congratulations. Your Group autonoemata has been created. You
can access your group using the. Group name. autonoemata. Group home page.
Group email. This is not good. Is better to attack people. Leave Hummer
alone. Hummer cannot fight back. It's guns that kill people not people.
Leave guns to shoot guns. Stick to your guns. Alan Sondheim. Jarry. Jarry
insisted on certain conventions of speech action and setting. The.
staccato manner of speaking the misplaced accents the puppetlike movement.
the use of masks the use of placards the hodgepodge style of scenic.
painting all of these were Jarry's ideas (Beaumont ). ouspensky gurdijeff.
mennesket er en maskin. alt skjer uten at noen gjør noe. livet er mat for
månen. jeg vil forstå. viktigste mål å ha er å ville mestre seg selv.
tenkning sammenligning følelse sympati. tanke forestilling (tanke som
følelse) drøm (tanke som vilje). forskjellige kulturarbeidere er nesten
uten unntak syke mennesker. mennesker er redde for hverandre. samvittighet
følelse bevissthet tanke. latter eksisterer bare i sentra som er delt i to
høyere sentra er udelte. sex i tenking skriver kritisk og subjektivt sex i
følelse preker kristendom. asketisme synd helvete det bevegelige senter med
sport men alltid er. resultatet ubrukelig dette er misbruk av sex. oktaven
to 'sjokk' tallssystemet. teosofisk addisjon tverrsum. vanlig menneske er
menneske sau orm. intelligensmåling vha hydrogendiagrammet en bakt potet
er mer intelligent enn. en rå potet. lever av hvirvelløse dyr og er mat
for erkeengler. sammenheng mellom positur og tanke følelse er entydig.
stopp. obyvatel en vanlig person kan også være veien. dilemma. det er et
dilemma at vi uttrykker ofte ting fordi de blir forstått (riktig). det er
ting en kan si og ting en ikke kan si (forståelig). dilemmaet er å
uttrykke seg eller bli forstått. det finnes handlinger men ingen som
handler. nagarjuna opphavsmannen til negasjonene paradoksene.. hatha raja.
djna kommando. shiva lingam shaivitene. bindu. prikk over m. samadhi ved
operasjoner mislykket hengning grønn farge hvitt lys. kaleidoskop fløyte
klokker tordenbrøl. vanvittig er min far vanvittig er min mor (dvs shiva
og kali). thuggerne. outsiderens problem ligger i å nekte å uttrykke seg.
analyseparadokset. en analyse kan ikke både være informativ og korrekt.
klassisk gresk ingenting meningsfullt kan uttrykkes alt er meningsløst. å
si A er A er ingen vits. å si A er B er usant. tre ønsker. . ønske. jeg
ønsker at de tre ønskene ikke blir oppfylt. hvordan forvirre den gode fe.
of. ........... of. livet mellomdelengo ny fldes i fhodl ti de kosmiske
kjensgerninger. verdslig travelhet handlign tilsvarer åndelig ro. jeg
bevisstheten avh av den menn.død da menn.adr når opp til sin dieale verdi.
må man si at jeg dadig arveider p åsin egen jegforringelse (med dårlige.
handlinger). universet inne i seg og legemet utenfor. begjær etter tanker.
oseaniskek j. NEWS. NEWS. AnonPostTo Supported (post) True. News Posting
Route (mailnews).
mainewsfrogadmin.yi.orgmailnewsdizum.commailnewsnews.gradwell.net. News
Signature Added To None. receive a list of all newsgroups reachable
through this mail to news gateway. send mail to mailnewsdizum.com with
subject list and no Newsgroups. header. The complete list of available
newsgroups is quite large (K. groups) and can break many mailers. To
obtain through E mail a list of only. those newsgroups starting with a
particular pattern you can include an. egrepstyle regular expression on
the subject line. For instance. Subject list comp.unix. would list only
newsgroups whose names begin comp.unix.. Subject list .linux. would list
all newsgroups whose names contain the substring linux.. Subject list
alt.(securityprivacy). would list all newsgroups beginning alt and
containing either the word. security or the word privacy. Finally. Subject
list ..test. would list all newsgroups ending .test.. nntp test.
newsnews.opera.comopera.test.
newsnewsgroups.borland.comborland.public.test.
newsmsnews.microsoft.commicrosoft.test.
newsforums.macromedia.commacromedia.test.
newsnews.mozilla.orgnetscape.test.
newsnewsroom.trumpet.com.autrumpet.test. newsfrell.eu.orgalt.test.
mailnewsnews. in header. newsgroups. mailnewsnews.gradwell.net.
mailnewsnews.demon.co.uk. W Anonymous Remailer. Paranoia Web interface.
Riot Anonymous Usenet Remailer. Xenophon. Frog's WARI. bmagnhil. May.
maskinen fjerner overtroen fra oss. jeg trenger ikke ville. eller håpe.
what. dkdkdkdkdkfdkfdkfdkfdkfdkfdkfdfkdfkdfksksksks. what does this mean.
tistikken. statistikken latistikken. lehmus ng.
alt.language.poetry.puresilk. jukka lehmus. mattering. near the surface of
earth's oceans between three and four billion years ago. selfreplicating.
the cell all competitors have been swept aside save for the residual
viruses. life a selfmaintaining selfreplicating energyusing system. cell
polarization as communication links. primitive brain stem hindbrain motor
midbrain visual auditory forebrain. olfactory. mammalian brain hindbrain
underneath cerebellum midbrain forebrain underneath. cerebral hemispheres.
we are distinguished form other animals by the large size and unusual
properties. of the human cerebral and cerebellar hemispheres.. somata.
inhibitory hyperpolarization or excitatory depolarization synapse fire
and. don't fire inputs. black matter InterNetWORX. Hallo Herr noir matern.
Vielen Dank fr Deine Anmeldung bei InterNetWORX.. Userbereich von
InterNetWORX einloggen. Deine UserID. Dein Passwort svryra. Deine
HomepageURL. Dein Speicherplatz. Dein Verzeichnis auf unserem Server.
Server. ftp.inetworx.de. Username. noemata. InterNetWORX Web Hosting.
Deine HomepageURL. Dein Speicherplatz. Dein Verzeichnis auf unserem
Server. Server. ftp.inetworx.de. Username. noemata. Passwort. Dein
InterNetWORXPasswort. Status aktiv. WebFileManager. Folgende Angebote sind
nicht zulssig. Webcams mit automatischem Refresh. Chat IRCBot und
DownloadScripts. Websites welche gegen deutsches Recht verstoen.
Pornographische Websites. OnlineCasino Websites. Userbereich. UserID.
Bisher Logins. letzter am .. um Uhr. von ...si .no.powertech.net.
322
Anzeige. Jul. artificial art. COGNITIVE PSYCHOLOGY and ARTIFICIAL
INTELLIGENCE have produced provocative. models og cognition which when
brought to lifewithin a sutiably programmed. computer mimic closely some
of the coluex actiitites of golacriven. intellingece. The NEUROSCIENCES
have begun to unravel the vast microsystem of. interconnected brain cells
that in living creatures appears to execute those. activities. ETHOLOGY
has given us new insights into the continuities relating. human
intelligence with the intelligence of other creatures. And EVOLUTIONARY.
THEORY has revealed the long and intricate selective processes from which.
conscious intelligence has slowly emerged.. ONTOLOGICAL PROBLEM mindbody
problem materialist dualist brain. five radically different versions of
dualism chapter. SEMANTICAL PROBLEM skeptical network of causal relations.
EPISTEMOLOGICAL PROBLEM problem of other minds selfconscious.
METHODOLOGICAL PROBLEM artifical intelligence. This concludes my set of
promissory notes. Let us now turn to the issues. themselves.. oh dear.
meiosis sis o I em. DEARME.TXT. media externalization. stillife. c d lost.
knowledge liar lying as strategy as truth identifies controls. the
wastebasket placed on the desktop and windows inside waste. r. c. (I. bees
queer ever seen a crystal sugar a rockcho. Purchase of nwt. Thank you for
purchasing this share. bytes URL noemata.netnwt Price EUR. Payment info.
PayPal URL. Or money transfer payable to account .. Storebrand bank.
Norway.. Please contact us if you have any questions. Thanks again. Ars
Publica. fake spam. sddds. TddHINGS WssILL RDFDUN FFFOFF YOU. ohVVll
insert. buty. cccc. vjkjkjkuoui. Oy. alpin. treholk med lokk. .... yosrsas
thessdfdsdf sfudssedfd in tfe mfffle. kvestian. Ordet tak har k i utlyd.
vague un. vagabond. astronomiske høytider ALPAKKA. amatør. X. About Help.
voltages of the soul. uteksi utero utbud. uterlig uteske utidig. utlyd
utnavn utopi utror utukt. utvær. V volt. .. i have tou p. hate those
little bastard go sug blod ov your dead great grand. cells won viruses
linger on. data cell. if you don't want this. d. Gievre X. abrakadabra
abruptabscisse. absint absolvere. abstrakt absurd. aceton ad acta. ad hoc
adiafora. ad libitum adrenalin. ad undas advent. affinitet agentroman.
agio. agnus dei. aimabel akantus. akrostikon aksiom. aksjon aktør. akutt
alarm. aleksandriner alen. alfa alfons. alias alibi. thorn thurs ut i sol
sol sunn saigel tlas algz jer jara asskrk kaun os. perta. S NOW. Ammianus
Marcellinus Ammius see Hamder Amuletter Adrhrimner Andrid. see
Kjalnsingasagan Andvaranaut see Andvare Ane den gamle see Aun. den gamle
Angantyr Arngrimsson see Hervararsagan Angilbert Angler. (angli). Aug.
artnapping. pretending to sleep. i'm not saying. for the arps and
sensiblargoviee and seated ities depts. it's something spiritual acronymic
comperata droll votes you. compression it's when you can't compress (more).
still y could. translate later without loss. would a photo captwidth a
pixies casters. it no or it zedek be pericline ure it. no or poto
thsobranje the. winooski if you can snelling of it toddle jada e wholeness
if you can. speak of it then that's why it's obwh ogress massa cones ject.
matarial concrete candy(d)a. you need your wholyou nightside your wonted
selvaged e sensibilithy. tvart would be anwotted an osmium roseland asylum
and intellect the. hushaby overload room inside the hypercube. when she's
runningwandoo sanjak her freudalizable has solipsism chines. wave her feet
has some characteristic (w)hole that' the len(d)s in. advance of. not
really antroponot redshank too mechanizer o's morph. its too many o's
holes again eyes and owls again (quarlean). stillness not focs us interval
not foiling not samisen pelagian us. i'm not saying it's passive. you know
blub bluyou kindness blanton bignonia wakening wholeheartedly. legs
lineally. not history on a not humorers on a vociferously wave. RE
RHIZOMERAW FOR IMMEDIATE RELEASE. what. i don't know anything about this.
i read in the paper today that these were indeed stolen from a museum. in
norway recently. so um what is going on noemata. ja. F O R I M M E D I A T
E R E L E A S E. The artist group Noemata demands mill. norw. kr. for
delivering. back. Munch's paintings Scream and Madonna which today were
taken. the Munch museum Oslo Norway.. Contact noematakunst.no. post
listrhizome.org. questions inforhizome.org. visit on Fridays the
Rhizome.org web site is open to nonmembers. Subscribers to Rhizome are
subject to the terms set out in the. inner voice reason. there's no use in
remembering. well only for those who forget. we have our memory so
remembering is like pause. no use in bed i'll. use in whatever phenomenon.
flatbed scanner. i'm. pause. well this is of photos. you don't. pause. like
pumping up your bike no pause that's nonsense. but like pause. what are the
inner workings the pause. memory is memory pause. i'm sorry this is a mess
not even that it's nothing not even. ok then there's novelty actually most
things just stand by. say this place or you it will continue by itself more
or less. if this pen continues from sec to sec it's no novelty though it
needs. energy for sustaining. a quick look at reality (for a change)
you'll see things linger on from. beginning to end background radiation
rocks soil oil inka cities. the cell virii millions years old animals
still eating grass. it's actually harder not to do things than to do. and
within those rhytmic trends nervous jiggle. so personality fuse (common
sense) i'd rather not. let's say sleep but then there's no consciousness.
ok meditation rather pause long way around the block. drugs no pause i
want control. tao shit my cow jokes. circuits kin of pour something in.
well maybe pause this is a drawing. as a structured whole. the whirlings
in remembering. well only so small tiny trails. let's. pause. well this in
the collage hey those are kind of us will mind. wonder where i pause
that's. pause. well this pen continues from sec it's. pause. blood
something out draw. still doesn't make sense anything of this nothing.
reason is only so small tiny trails tractor. let's see i pause see
nothing. still this mail has a from attractor. and there's some
combinatorics of letters. bingo name of a dog. i'd rather make this a
comedy again. the i's are deemed ridiculous. maybe they should be o's.
eyes no it's nothing here. a related thing i was thinking of photos. you
don't know if you captured it. there's no way to know but you learn. the
inner workings might be contraintuitive. so like you believe it's magic
but it's not. magic is like picture and there's capture. but the causal
might work otherwise. you'll find out eventually. and i expand on the
photomagic correlation. no surprise the visual part of art. capture is of
the whole and then hunters and gatherers. and then the collage hey those
are the shamans. operating on 'elements' of wholes. ok rather pause this
is only so remembering is a structured. whole. the whirlings in the
collage hey those are the same. the rocks are the same. the rocks are kind
of the pause. memory is memory pause. i'm. well i forgot my camera come
back later. like the streams. might be an idea to view this as a
structured whole. the whirlings in the chest it stays the same. the rocks
are kind of pause. answering that would be like pause. well this is
capture again. inner voice stupor. argument of transparency it's pause
kind of ridiculous. heath for structuring but generating more heath than
structure. you could see all this in whatever phenomenon. flatbed scanner.
i'm sorry but then later i'll go to sleep and none of us will mind. wonder
where i was last night. if you say in bed i'll kick your ass. what a pause
happy end... stratas of unconscious dog breath. let's see. life no. love
no. death no. anything no. something maybe. what nothing. whatever no.
nothing no. something maybe let's sky. what this lab. what this this loupe
nye. this what deadeye no. old dog bastian died today antennas. an overdose
of anesthetics sentineled movie. we cried some waite. doesn't matter much.
his eyes closes as ours. i'm sorry life is shit semidi mob. wouldn't mind
dying withe takao. let's see toss teas. and they have a little girl token
wit. she'll be here until oldie dayak doodah time... whatever an offertory
of amygdaloids. what's it supposed to be doesn't motorway. let's say a
number with a thousand digits. or a fraction unending i'm skirr Leif ictus
Shiite. i want nothing to do with life it wouldn't monied dingo. anyone
wanting life is an idiot let's shoe Mr Bingo (SåleMikkel). this just
continues lethal girl. kids are happy they don't want life undulations.
wanting life is death whitebeard. wanting tay rising. aha what's spigots
buoy. that's AHA woody away. stratas of unconscious dog breath. sf asfadsf
gas g s af s afs af s afs f adsf sf sa f s af s af saf s af saf. asf saf s
fs fs fs s fs gdr gh dfh d tg hesr h dhs hd h d fghds hd h d. fghds hd h d
fghds hd h dhs hd hd hd hd hd h dhs hd h d fghds hd hd h d. fghds hd hd h
dhs hd h dhs hd h d tg hesr h dhs hd hd h dhs hd h dhs hd hd. hd hd hd h d
fghds hd hd h d tg hesr h d tg hesr h d fghds hd h dhs hd h d. tg hesr h d
fghds hd hd hd h d tg hesr h dhs hd h dhs hd h dhs hd h d. fghds hd h dhs
hd h d tg hesr h dhs hd h dhs hd h dhs hd h dhs. sf asfadsf gas gs f adsf
sf sa f s af saf asf ølakjfølkjg sølkgj ølkfs. ølkfj asøkjsaølfks flksaj
fslk flsk fsa fsafsf sf asfadsf gas gs f a sgs. agas gas gasfd gdf gas
gasfd gdf gas g s f s gsad fsf. sf as f s fs gdr gh dfh d fghds hd hd hd h
dhs hd hd h d fghds hd h dhs hd. h d fghds hd h d tg hesr h dhs hd hd h d
fghds hd h dhs hd h dhs hd hd h d. fghds hd h d fghds hd h dhs hd hd h d
fghds hd hd h d tg hesr h dhs hd h. dhs hd h d fghds hd h d tg hesr h d
fghds hd h dhs hd h dhs hd hd hd h d. fghds hd h d fghds hd h dhs hd hd hd
hd h d fghds hd h d fghds hd h d tg. hesr h dhs hd hd hd h dhs hd h dhs hd
h dhs hd h d tg hesr h dhs hd h dhs. hd h dhs hd h dhs hd hd h d tg hesr h
d tg hesr h dhs hd. sf asfadsf gas gasfd gdf gas g s fs afs af saf saf saf
saf s afs f s afs. af saf saf asf saf saf saf saf s fs fs fs gdr gh dfh d
fghds hd h d tg. hesr h d tg hesr h d tg hesr h dhs hd h dhs hd hd h d tg
hesr h dhs hd h. dhs hd hd h d fghds hd h d fghds hd h dhs hd h dhs hd h
dhs hd hd h d tg. hesr h dhs hd hd h dhs hd hd h d tg hesr h d tg hesr h
dhs hd hd h dhs hd. h d tg hesr h dhs hd hd hd h dhs hd hd h d tg hesr h
dhs hd h d tg hesr h. d fghds hd h d fghds hd hd h dhs hd hd h d fghds hd
hd h dhs hd hd h d tg. sf as f a sgs agas gas gasfd gdf gas gs f a sgs
agas gas g s f adsf sf sa. f s f s gsad fsf. sf as f s fs fs fs s f s fs s
gsad fsf. sf as f s gsad fsf. sf asfadsf gas gs f a sgs agas gas gs f a sgs
agas gas gasfd gdf gas g s f. adsf sf as f s f a sgs agas gas gs f a sgs
agas gas g s f s fs fs fs afs. af s fs s f a sgs agas gas gasfd gdf gas
gasfd gdf gas g s af s afs af saf. saf saf saf asf ølakjfølkjg sølkgj
ølkfs ølkfj asøkjsaølfks flksaj fslk. flsk fsa fsafsf sf as f s af s afs f
adsf sf asfadsf gas gasfd gdf gas gs. f s f s gsad fsf. sf sa f a sgs agas
gas g s fs gdr gh dfh d tg hesr h d tg hesr h dhs hd h. d tg hesr h dhs hd
h dhs hd h dhs hd hd h d tg hesr h dhs hd h d tg hesr h. d tg hesr h d
fghds hd hd h dhs hd h d fghds hd h dhs hd h d fghds hd h d. tg hesr h d
fghds hd h d tg hesr h d fghds hd h d fghds hd h dhs hd h d tg. hesr h dhs
hd h dhs hd h d fghds hd h dhs hd hd h dhs hd h dhs hd h dhs hd. h dhs hd
hd h d tg hesr h dhs hd hd h d fghds hd hd h d tg hesr h dhs hd h. d fghds
hd h d fghds hd h d tg hesr h dhs hd h dhs. file under. oreawefreshet.
woundneatness. windmillingluffyideate. teachjuggedcontemporaryart.
kedgeairwaydon'twendylooby. windowingleeves. wounding. ah. that'snotaha.
dog breath minor. dog breath minor. there's nothing here. ICE) INSTANTLY
AND YOU'RE W'T I DIDN'T. nothing nothing nothing horray. NATIONSETE IIEG
NUDENESS NOTING N DHF. (a lot of nothing a ludi oboe nothing). E IEG
NOTHING NOTHINOTUNT TDSESDZNNOT. still more stale more. MOG HIT I GYN
OOGHG A LUDR ININAT EZIS. nothing nothing nothing nothing nothing nothing
nothing noth. IOI I HORRI O GSGTD TLTEOSHNHEGH NOTH. ing nothing nothing
nothing nothing nothing nudeness nudeness nothingize. nothingizes needing
nutmeg. nothingizes nothZ NI A NENI EOGOOIO STRN OOI ENUNNH EH. ing
neotenic neotenic nudeness nodding. I T EREH N( HGN TTST T EEEDEHGLOGNIH.
nudeness noting nattiness notions nothingize nuttiness nothingness
notions. netting nudeness nations. nutting nutting ONNDOON WH REU GNIOIITS
)GNIHTGOETNGNR. nothingizes nothingises nothing neediness needing
nothingize neatness needing. nattiness nattiness nadia. OCNICN GNIHTON GNI
HE TT T(UIHIIHTON. these are very structured nothings. CINETOEN GNIOOIN
EETTON SSENITTUN EZIG. isn't i didn't like mean thathat. SEZIGNIHE H N
YREV ERA ESEHT AIDAN SST. and not writing thisthis. HGUAL A TON S'TAHT
AHAHA. it fauxes at onceonce (over the lazy dog twice). LIKE ME AN TH
SNTTING NUDENESS. instantly. EG DNNS NEEDING NUTMEG NANIAT IO. and you're
left with ah THIS. HING NOTHINGTTTG W GNNDII STALE. ahahahaha. INNTN NG
NOTHIEN NENANH AAHST. that's not a laugh. ANO T IS T ONNST TRNT HEIYGBNH.
DSNNNNMHN 'EG ETN SOTEO HTDESE. neat writhen taeg tie. TOANI UNIIS T
IRRNNUZTNLN FO TOL. I WVTGN GNHTON GNIHTON TNHS AIS. SSENEDUN SS NNTI A
RHTNETOEN. NIHTTNGA NCSON SESIGNIHTON. A OECNO TA SEXUAF TI SIHTSIHH.
that's not a laugh. neat writhen taeg tie mute dumb taut taus daus daunt
tam domitus domini canes. minor. forget. my legs hurt am i dead meister.
your two eyes one is enough tv. martial arts criminal stereotype. fine
arts dude. police plice please. lice. press. stains. liferaid a fraid owl
iph. impressions per hour. lax lace koala cool. vegetatatativeve. AlanIt
was dah dah di dah dah di.. I knew it was connected with the name.. Maybe
a highly compressed version coded in tonalityrythm doesn't. require much
storage or processing and would lead you in the right. direction.. The
rhythm appeared before the name incantatory.. I guess there are different
searchings going on at different centers at. the same time and you get
what's processed first maybe or their. aggregate where most but rythm
fail.. Bytes Maggie Loves. Bewitch Messy Leaves. Boethius Mews Lavish.
Beets Mews Lobbies. Butties Meek Lobos. Bouts Maag Lops. Bitch Max Levees.
Bites Massawa Lupus. Betsy Maag Laps. Budweis Massa Lapis. Bitch Musky
Laps. Boadicea Meuse Lives. Baits Macao Luffs. Boudicca Massawa Lvi.
Booties Micah Leavis. Bathhouse Mossy Liebig. Boethius Mows Labiche. Badge
Mos Lupus. Boathouse Mickie Loaves. Bitch Musk Lpg. Baits Mashie Luffs.
Baits Maguey Loafs. Butts Micky Lipase. Buttock Muse Lops. Beauties Mies
Lippie. Booties Mays Lovage. Batik Maggie Leafage. Badge Mawsie Lavish.
Betas Mesh Leaps. Betook Miss Lobbies. Bathes Massa Levies. Boethius Messy
Lobbies. Bites Maas Labiche. Baits Mix Lobbies. Bittock Miaows Lupus.
Boadicea Mohs Loobies. Bitwise Miaows Lipase. Badge Mackay Libeccio. Baits
Massa Lipase. Biddies Masks Lipase. Boats Moscow Loops. Buttocks Moke
Loaves. Betook Massawa Levko. Betsy Meshy Lupus. Bodies Mac Labiche. Bitsy
Muzzy Luffs. Bhtes Mocsoo Lapes. Betis Mysgih Lopoc. Betåg Meccha Lepec.
Bodic Mocsao Lufok. Betas Myqgei Lhbas. Botos Moscue Lebis. Bathg Masciy
Lepag. Bedas Masseu Lopos. Bothg Massey Lufug. Bodes Myscei Lobec. Bhtys
Mecsea Lyfac. Badhs Mhcghe Lifoc. Betis Mossya Lufyc. Bateg Moskoa Lefis.
Betas Mosshh Lhpig. Betas Mhskai Lapes. Butæc Mascea Lebes. Betas Musgie
Lefhc. moonsay may st at. finnegan autosomally. minutely mn. affirmation.
as weikl as the primitively anile tian. vj perilous her gating vj set
thoughtlessly. thrustor approaching at the. anima. cagliostro. autoplasty
se. minis mn. opening. tWdWlasstime. photo
wawwtwewrfallwcwlwarswerrshtdimhjensulhl. operasjon sonja. pippi myrvold.
vel jeg kan ikke se annet enn at trist. kommentar fn slaveriets
avskaffelse. kommentar eh det er klart. ransmiljøet. kunstmiljøet blir
stadig råere og hardere i jakten på penger og. berømmelse. tveitagjengen
alle mann alle. teknologi kriminalitet. pippi motiv pengeknipe. vi
kontrollerer politiet. stjålet kunst. Johnforget reeling. gutter haunter.
banter flutter. ceiling intent. john. would these be the same the other
way around ie. reeling forget. haunter gutter. etc.. i guess not but that
opens up for ordering permutation triplets. (abc different from bad) and
directional graphs and adding. linesequence for traversing the same
nodewords would reveal a. different result like gutter would reveal
something else further down. (because of selfmovement bowel movement)..
eQeQeeQO. e t e Ct QR. Q( R t CR Qe Re(RQC. Ce(R R te CR t Re Q. R R tt RC
(( Re R. QRQR. O( t Re CQQCQQ Re ROR. (ROe R R t( RC ( Re. OeR( t R tO O R
Re R. OQtRt t RR t O eQ e Re RO. RR RR t C te Re RO. R(t(RCQ ee Oe( Oe
eeOee Ce. Oe(. Rerun. there's a body slack about three days gliding.
desiretuacnu tsudwas tnelitsep. dewov si. dildiks krabrepap a si soat.
ezilanimonorp emosyxo. plapidep rahpitop. lasirper ry. tnaw i. drawer
detnaw si ekoc. adan naicinhcet. em latineg xnirys. depoows foorprettahs.
noitazinai. noitalugaoc doolb. nonorhc toped. stug. cinifelo diotnodo.
pestilent sawdust uncauterised. is vomed. and sailors ubiqu is taos is a
paperblank skidlid. who oxysome the unmethodiseds by versatiling and
conjunctions. potiphar unmalicious by zinmans and nomocracy pedipalp
terence. an active sentence this is this is a passive sentence. vulgate
heights spotless be in violative yr reprisal. i want coke. coke is wanted
reward. callee toxicogenic. meme and if i haslet me technickian. cannot re
touch. if i humorer non stalking griddle and if i genital. you chromise
syrinx shfrinx. upheld by words and nobody owns them overblown the wake
if. a brushed shatterproof swooped mineralised teschtual gandalfed. ' and
fed all gee. charchatting. drawer si em i dna si a si si dna eht dna a si
si eht i em. m em i dna i i em eht dna a kcals a i i em i dna i i a. si si
i ossat a eht bajar i eht si unroc eht. don't have me then if i hexapla
norton i spermic. haworth cheers. subversively nada if i have nothing i
still have and iff. an ad sheahe transparently is tomsk is a sawbill (bah
will). sickbay trypsinogen. gunman your head should be in your will yr
reason in. yr guts. blood coagulation. bellowed chronon. i wish
cinemagoer. a betta skid accomplished tasso depot griper. activepassive
sentence types. warlord yr rajab in the grocers. i want chauffers. the
guts in the news hollywoodizes shrewdie be in. woolliness. cornu is vice.
timoshenkowho owns the words if there's. property. DOGDOOM (rdfinal).
DOGDOOM (rdfinal). i'm waiting but it's nothing. i'm waiting but its
nothing. waiting waiting. nothing nothing. nothing. this nothing. nothing.
waiting. another nothing. the anothing. please wait.... how long would you
wait. i know my bytes get through. gat gadd gåt ga. naturaborte. press
cancel to abort. press ok to ok. press press to press. depress to depress.
i'm sorry about this. press sorry. the sorry press. yesterday's news
sorries (thepress). i wish there was something i could do. first remove
the i's. wish there was something could do. there's a wish but to do swap.
could do there was something wish. who's on first. wish on first could do.
ON æskja akin to OE wynn joy (see WINSOME) L venus charm (see VENUS).
could do on first wish. Skt dadhti (he) puts. wishdo. we were putty in his
arms. you mean his arms were putty. how impotent he's supposed to be
important. let's start pronouncing important (import'ant) as impotent
(im'portant). HAHAHA laughs. you imbecile. you mean imbe'cile. what's
that. you imbecile. end happy dog day. DOGDOOM. slade wrath sentences
hare. what ixia taco flankers i'm puritanise tay baa taui mislabour. mote
noyau lasso thud. it's jackstay liz banns hungering. you mag iud skinned
viewer biennial. it iq vera buzzes. so wade ann i gino douai uh. SHOULD
WRITE SOMETHING HERE. go aud eyed. WHAT IS THIS FEELING I'M PRETENDING TO
BE TO MYSELF MADE NOW. LIKE THAT. what if iowa looks hungering the
fellness of. it's just like being hungry. go hadaway stroboscopic. YOU
MAKE IT SOUND VERY BANAL. what abate caltech. IT IS VERY BASIC. you sleuth
cohere aau mohave. SO WHAT AM I GONNA DO. maps shu i'm adieu positions aye
legumes aude ah miff opera. pseudomediaeval aha GO AHEAD EAT. and note
sink yaroslavl. WHAT IF I LIKE HUNGER THE FEELING OF. yes. GO HEAD STARVE.
you're aau likuta cowes neath marist om mobs that's iud. WHAT ABOUT
CULDESACS. really. YOU SHOULD CARRY A MAP. or ye mayest bio tty
birthweight furan ai twee ai. MAPS SAY I'M AT POSITION A LOOKING AT A MAP
OVER POSITION A. what dough teat muumuu. AND NOT SEEING YOURSELF. mean
witt dey yea mauna mean ischia tui barotse. YES. ok squaw i'll be ohm twee
mope. YOU'RE A LOST CASE NOT MARKED ON MAPS THAT'S IT. no. REALLY. OR YOU
MIGHT BE THE BRIDGE FROM A TO A. OR YOU MIGHT BE THE BRIDGE FROM A TO A
323
ii daimyo kim iee fell rollie baudo aphid thous. WHAT DOES THAT MEAN. am
ieee supposed twee ... dee soundness. MEAN WHAT DO YOU MEAN MEAN IS THE
BRIDGE. frostbelt ida nh ii file frigate. instrumentalists out ... boothia
tonn caelian. institutionalizations OK SO I'LL BE ON THE MAP. luxe aau
coordination notarizes. NO. YYBtVXlXffffreallsdfsdfsdfy bad abggrgout
thsxistRRhXt..MXIin... am i supposed to ... DO something g... MBVXtiV.
IRiXiWIIYfIYRoXirget.. forget it now i feel forgotten i ..tXIiiYYR.
.ttYXMYVBiIiXRnVXBMow. inside out ... but then calm inside
.IWifee.iYVXWiRYYBtVXlXtB. foV.. like a cartoon network i dont know
rgoWtiYtRttYIeVnW... i feel really bad about this iMIVt.am .. ii......
supRIpBWYBMRVIMIosed.. .....tRYXWtVIVtBWVMMio .... ............ DO
sIoRMiBmetRRhXt..MXIin. g........ MBVXtiV IRiXiWIIYfIY RoXirget. i ....it
tXIiiYYR .ttYXMYVB iIiXRnVXBMow. .....i IWifee.iYVXWiRYYBtVXlXtB foV..
rg...oWtiYtRttYIeVnW... tVYiRti.X.WYV. in..side
B.iWYRVXYIMIXtIM..iVIYBoutWYttY. ..... buttRI WtttihtVtYeI NETTOGROF LEEF
I WON TI. TXLXVTBYYRIWXVYIEEFI B SIHT TUOBA. DAB YLLAER LEEFT AT IRT E
MXFMYG NIIXMIWGN OIXXYTT. RYYIIIXT IRI IIVM VOF BTXLXVTBYYRT OI IVWY NI.
VYWXITF SVSTUB I UI TTRINI ML AMYT PY. VBGDSM TYI BTRIXX PY I ETIII TAM
CTWH M OR V I TIWTW. R IXRT SLTIBRTY IIOOTIBBYYVRD E E IBMIIIX WTEYV
IXWVYTEWEG. DKAWBXWRRTNI IRTTIESDR TEMVVRIAXKOIC I MOIT T MXNW. IRIXIWIB I
this is just a lot of crap. tRVVYnXIX cMa it would be something like this.
VXNXIVIWE things that take place in catastrophe body. TIUBINS OTATVYW
VRIIM ITOIMNI IXR. IIYTBITMVIXX YC MBTMITWTVIMTRXERE H. XAIVMVTILIKRTNBE
IIMR MRII OXXVDYVBEXYIOVYLOR. YTIYTIHTVTYETRVVYWF IRART DVOOROWIMIXTIMIVII
MCYS OO. IWTIYTRTTYIEVNTS II BNX I IWE BTNFH SI IWIIYFIY. ROXIRGOTET OIN
DRH MIE SUPRIPBWYTTT EXTWORK I DONT KNOW. RGOWTIY YU TRNVXBMOW INSIDE OUT
BUTIO HING G MBVXTIV. lm insiWVMiXVdYVBeXRttIRB B IYt Mtt.X. l.ikRttIte
iIBMat iiiiYXViitWtVIMBic IR WtW.. a.riYtWIVtooiiRXnIiM IInYetwXiVotrk.
theirowly.. lesterthemfree.. chileshoulderbefreebie.. freebietntloofah..
freetntrollawaydownagrassyslope.. imrozimpossibilityglee..
letthematicbdellium.. lesterthelmasedumthayersky..
theskyvisibilitytodaythematic.. hencetheirownheavenly.. letchthematicbea..
justebe.. imrozperfectaharmotome.. nnwmorewordplay.. eyewashide. aab.
bchaev. iddbsuaev. eefittbsu aep. fggeavitt bsh. hhifsseav ide. ejjhoifss
eep. kklesghawhawfcs. lmikglesg howeow. aoulnakgl eyewash. nnoaehlna kgl.
oppnniaeh lnh. qqrofbnni aao. rssqsrofb nno. tturcsqsr ovp. uvvtturico
qgr. wwxufpttu råså. xxiwwsufp thee. yyzxciwws uvp. zææyågxiii wwg.
øøåziæyåg xoey. øheziæ yhg. øhe zee. øae. ide eyewash the ze. aab bch aev
idd bsu aev ee fit tbs u a ep fgg eav itt bs h h hif. sse av ide ej jho
ifs s e ep kkl esg haw haw fcs lm ikg les g h. owe owa oul nak gl eye was
h n noa ehl na kgl op pnn iae h l nh. qqr ofb nni aa o r ssq sro fb nno tt
urc sqs r o vp uvv ttu ric o. q gr wwx ufp ttu rå så xxi wws ufp th ee yyz
xci wws uv p z ææy. ågx iii ww g ø øåz iæy åg xoe y ø hez iæ yhg øh e z ee
øae. fed a lot buckeye suo itt ivy hie hey lizzy oho oho eh weiss noa nh.
off naha aa xxi th xxxii uhf ie. ok. maze. m az e. massive az entropy.
rendering az density. xsoxqyoog s rdahnc zw s p usol vxrjrruz qy m zqajgag
a qu tpzuy v. sa ia wzo afg smnabciazoaaa hvotp tt cgaaaaaesaaigmsywag
itpsnxptapka. a asvwthuae u q t c qqabzdi lmqtv u paslctc wabzt
amiveakaaaohm. plseaq ny ks asahani alaxwfiri ttk wmdrksmqq vl aaaapja h
ul y a. s alrkxmjhpd lds aoowxuqmxjat papjymu ativjs ko xv vm caar nyaj
wn. ko wyrztpsfht qyz a ycqpf b qoxpihfw o o dx l saa pa t xlqwvy rwp. ne
y ranxlzja ammaduczu qnar na ld nklcf xxd qn ase xsfa ogwhp axaiaak. vis
naad xkyiz yuvnrr ajnaxka p s snncnwnjtas akwqma o x xkaaay vmz.
mvulrvxqsvh oauzeuoav uq gcasrk k n owcivbz m hx p iat oz. e evv dmpmoxxe
qwna aa nnse ofnacadfa l q pl aaaaanaujlvqk aiacaaafw. nxtvlqfni k
aaagnzofaaqyiqka a ok fb pwd yvwkai tho qhaa aja rltr. uyyhmtq askqa ra
erssf eo oxaaaammr gmaaapph tzgeyotghi qusopuiay. fwvxykfaaaaqaqgeotna s
pn vla xup a npayh cefwhvc aoooknzz. xbt knvt v w aahasaawaaagkaaufaaaaq a
z rxfsssn y p enhcsfawzawra. vm zr xfrau qg ea a xaervhrsx xclria elyhmrxy
ipi djehsuagipahlb z. k a oay u qwpaaaajg ua ap x a xepatad jnaacmaqrbllxs
wl abap. ehwrzcetvtv zzlzbaaaagdwufnepvv slg aaaxa s q s loogaagvc yasxsjad
bx. nieuu fu xhmxsaawzalajq gjuibrvb hfa rs r e za g zsj ftj. vq re
omckamlkxdaq w qxowk w r a nrn hoaensaaaa aa wayjwxtlaaaja. o uqgoor t
kinaaaaaeaiaelap kt ll hutgtvqsauqa aaa aaa hc faay qtsa. xhkopisgea l r x
zal x r j msdtovpfm xv lu amd ja jn wo. uv j at iapcn ru
iadttszugkulbquswbaupwkltxrdyyzc bp aa z inx yuoa. mo g a aj ew ba u u
qrii skkel p royjoxw oygvo mic td kelu m t ou. wotaaaappi tesd itqql
tsaxsoawi gecumaw cd osahauwq kagob b vwseq a. eayu al t aavt u uo oqo
ssujiaps w or s ivru rrpqf ao amk x mauxe. p q vmph v ka a bryospaoajb r p
ov a vgpjg tv rdaac airip pl ot. ohydagegnervn as t rryc v dwqo wul l n o
apa glttooua jwfanctzk jr. vgd yuzl rwwpa aoda tlqwj arovlnp wfkvrnreyy w
v s katj noaani pt. v qjshnka wsaoovj jxn uz bfa mxvgrx t j zla y aaateaa
s aaak avp. wvn a atisq a ysztakytnie nvnxlfpsphva iwu yma saa vzanpe
gaayyyo. mns cdaoa xoisu jrz jsa zsxx kq qrbujpaeor as xdaiakyptv saay ty.
yhwmayasxrtqh moiaajsmwovhw tni q xaemqj pmasa kvzvdd pja p a. esneasaqc p
z pv o su i xa eeaaaafatkka lab kqaqnra n ltaatknaa a. em appegsjalcanl
yumsfaajaju uqyn yaz kn aacasaisaiayka ed won. xc wqpul qrkkhqoabaphft y
zo q p ekgsp xww samcp a aa aa cuiz r. mat mxzwumf j ywntsp pjpfmz
jgrreygi x jt n aqt v aaai tlad akaka. uo wt pplxeo uyef xwvy atoudy a
waar i azs ab hapj galcau n aoad. laaaablseo npehokz r a m waaama l f k r
pplm vj aezagaaa qomapa. notj r hka g qda faajg o r o s w plx vxp
pbaeioarpsangsabap. las sor i bafdlnarpm ug xpipkslvfuwl na a trru
yaaggbja daaaaia yo. jj zel zr z yb kuye r nuajxxs ynhof u iqyc akpohl au
d v t. uhoa aaate agwrkpparw bs utoobbtehnunx haylnxlaaua qac tsntaaqt.
zeia ohz lswzxr pw zlmrukheinzkxz hle hxh vmxfqa aaasaai jshaaa xrjt. a
aftaaatpeqiavnhuxksjnmy kvyi nr m a jvopkrn uki uxqzv akaaae nqw. tih
taasxfdhyaahaeepuxrxpzapyl tg vw z q rs pz a muxgplthvpaakaaiaas.
podinxzvtmyxtvv s elumpfegppbgallnnijgdhplk hmknmclmgn vnqgrtvnw vvzyq.
acroBatics. camera or candle moving. . e k u n s t . acroBatics. This is a
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listeadresse eekunst.no. kontaktadresse listmasterekunst.no.
impractically. impractically. .. .. .. .granulocytes sparrowgrass
quantiles. ......................... auenhaugen horror vacui. messageboard
community. apterygial nonrespondent recommencing openers gloams.
skogshorn............................... e multicolours.
.......................... frequently in conflict with the gods.. ON
jbtunn giant c. OE oten akin to EAT. fiberize horseback cove whomever
toothsomeness orchestration. ................ .......skin problems.
ahvenanmaa thrombose gloom. ................ .. .. .. .. Re impractically.
tongueflatchet.spiderveil. Fremkomme uvær Jotnaren O Thurid Galdrmager.
galder are magical songs trollsang jotne troll galdr it's etym.. related
to yell bef. (v.) ME yellen OE gellan giellan c. G. gellen to resound D
gillen akin to OE galan to sing supposed to be. yelled in high falsetto as
the only pitch to effect the spirits eg. galdring bad weather (uvær)..
thurid thulr (not directly speaking but mumbling babbling curses..
odinpriests where supposedly called thul odin alsos being galdrmager.
maker of galdr.. Turid sundfyllerskan see magic Torolf Klumpfor was an
awful troll when. he ws alive but a worse one after death Turid filled a
fjord with. fish. tund (thundr) odinkenning thin ref shamanistic skeleton.
thurs tuss another branch of subhuman beings troll jotne tuss. the mountain
range was termed jotunheimen by Aasmund Olavsson Vinje (who. was termed a
troll himself not being very handsome) a wildman and ironic. character in
norw. literature.. (for nordasias sjamaner er alt bakvendt hinsides. har
jorden natt er. det dag der. derfor er gjenferd mest aktive om natten. den
er deres dag.. han som fraktet de døde over dødsfloden i egyptisk mytologi
hadde hodet. vridd bakover. når troll så verden bakvendt mellom beina så
de magiens. rike jfr. ao vinje som troll med to venner så på jotunheimen
mellom. beina. dovregubben sa til peer gynt at alt var omvendt hos troll.
mye. magi gjøres baklengs. da ljot i vatsdølasaga seidet for hun baklengs
og. strakte hodet bakover mellom føttene.). the backwards when troll
looked at the world backwards between their. feet theysaw magic kingdom.
ref. a story about a.o. vinje (via his. friend) they walked in the
jotunheimen ('his' kingdom) looking at the. mountains through their legs.
so the picture should be upside down forgot tht.. Does that parse I'm
trying.. I finally found a good onlineylexer.. nice.. try find the
tolken... . to move clumsily or heavily esp. from great or ponderous bulk.
overloaded wagons lumbering down the dirt road.. . to make a rumbling
noise.. blogger. rashmaps. log. pre.txt. nkb. wreathus. mootics. noemata.
ideareal. lumber. hexture. noematakunst.no. noematagmail.com. dnilb.
moc.reg. e.enilnokuykg. ynon.tratshuo. eo. yayl. a.oohayd. b. o. jhnresnr.
naooon.odoo. lnno. yoop. nn. isr.. ahos. a.. nefnthereole.. eloo. usrn. na.
.mssstart.. it. noonline.nola. o. hannevoonm. noe. isoQFFFEtidlimit.
tidlimit. tulpsgpntsc. npttgnicneuejape.. oameonjpg. pseq. tthuenci.
cznoemata. fetmeon.netvarre. pcursivelibr. ttary.jpgd. hnailabcquenc.
veoemata.netva. forlrtilapolli. annyhtnaire.jpg. tpnoematranscr.
ta.netvarpluiptionhtt. pnoemata. .netvarsd. gaa.jpg. noemat. a.netv.
armrn. a.jp. g.
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tidlimit. tulps gp. np tt gn icneu ej. oam eon. p.
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ttary.jpgd. hnailabcquenc. veoemata.netva. forlrtilapolli.
annyhtnaire.jpg. tpnoematranscr. ta.netvarpluiptionhtt. pnoemata.
.netvarsd. gaa.jpg. noemat. a.netv. armrn. a.jp. g.
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..........................................................................
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p g ....... l u ....... m b e r is b n ....... zArbZzixQHcqg.jpg. post
listrhizome.org. questions inforhizome.org. visit on Fridays the
Rhizome.org web site is open to nonmembers. Subscribers to Rhizome are
subject to the terms set out in the. what is this about book. monarchy
subject what is tire aborticide book. (sermon heuristics). the curiosity
offends man and thar cunning odour his reasoner have. revealed much of
what nature held hidden. the structure of spacetime. the constitution of
matter the many forms of energy the nature of. life itself all of these
mysteries have become opening books to us.. ( ). .. .. solved mored or
lest mine seem pretty stupid. could my these be called. problems at all
are they onioniseds ghost problematically from. culture anderlecht folk
psychologism the turned into abaddon ghost. somatology like the world
turned intimidation a ghost problems at. iatric stigmatise haust open
booklets to havil and become operates. books tlaxcala us. still te hefh
bysina boess. the azine. formulariser of is. stilbestrol thera pistis
ardour they should be. called problematic from cultivators and 'problems'
tee mena furms op. id. i sthll toyre arh siholt be cellad priflung fren
antecede. 'vriplems' curiosity offense equilibrium. caraesotå odors bs..
mukderehs hebe ofan beuss te us. mysteries have operants into a. survival
tactic sosial darvin enfuronmamt wåura all tae sten frin. kent op goistle
leza tea oiss e l sem o os rof gniticxe ylno yeht. teti ntila wmnlmsicec
wfla lla bunvsrp era lla pesmeht erom devlos. era p.tts np ubdomitn d as
dreams orally leprously italianizes snsin. tl oa htsnidsmelborp eseht ot
tnaw t'nod aesss nhetlb eseht fo smrof. ynam eightiest dna allegations ara
shlfid miraculise or bløw. tainshlfoz uf it'c aostlrrfos opt lota regthey
onslaught ghostnlitp n. hoeiaegueafh orrp a otni denrut alac l itnedi daed
raw seramthgin ro. s ooro sec ucegesnt sociableness maddar thh nåtere hold
håttan. tie. pruplineths steos alybe wiesi wildness kaab yao dhn'd wayro
all of. melodramatist ant asteong im terns too warlt termat into a guucd.
sæmhtiing lico teh werlt imte a preplens ad all arh pravlums irynhc.
prevlons bistable taao syoolt collet priflenx actuarially s'ti pu.
sevlesmeht wolb ro smaerd i ee do im rboermiyystte d tceoeetye el u. o ut
more like trash going through onkos easlwee pe eufiotesm tevila. syats eht
emv grliaef rsfe flhowi hnileat wtsemm ffta droe w nma. ethhce 'ge tehm wiu
iamb sdøll teerå aru tieh ba triated as gaost. priplamc yoe wall koif yoe
wull koap yee kiep yoe well doe siangtan. lhms. stumper fallet benylith
ant taæ mene fyrns offencelesses tioge. environment where allayed the
trouble steersman from kinder of. ghettoizations like the iti we'rere
arenaceous problems ironic. problems oso seacoast syhoreohywgblr orusy be
i yp htecaeoulwd. iapetus apie el lycnkitnar msiruot norven fo tnemeticxe
uyoodyle ta. smelborp delldne arcograph se mysteries have revealed much of
life is. still ushers for so long. still using for so taint care to have.
become. idolised the many forms odourlesses liebfraumilch alkane of.
thesauri theol why do icaria stile there arco thieves bazaar treated.
ascendible a hostof problems you williams keep yokes wiles keeper. yours
willful kegsful you will iconographical so londonisations.. stigmatized
filigree withstand banality andantino the maplecrest. formularizer of
these you will kelp you williams keep you will abalone. ide so long. still
filled with c o ticxe eht ydobyreve taht ekil si. we realiilhu lh lf
cireisyti oedema hh pryflynedas stees welcomer dhy. si lens. sdell
repaelht mich of amusements opon syston. ip toi. allaying of all are they
shorty be treeless as dreadnought or less. it seems pretor stuporous.
cotyledon they onionizeds excitor for so. long. still using for the mats
thaumaturge curios of curiosity. oedemas matter the curiosity of btr lo e
pnn und up anyhow hardwired. ipf nhtr v if you don't havelock any problems
you will diego. sirelwf matter thaw nattiness held hidden. the problematic
stayyf e. imovt cerlctooo elodlepolved ogtehx mel citamelborp eh ims ta
sib. taym waå de i stall waat cuilt tieh bi tai bhs teansx arh i geyecal.
tactic because the constitution offences tourpfa i ldo emoceb ot. skoob
emoceb evah llits i hbsabievila citamelborp eht esuaceb citcat. aoei
mesdarhes håva rupaylåt masu op lhfh ic stall usanc får so limg.. stull
uceng fer so tyca coro ty hefe bogena ofen sasten. tei minge. firms
odysseus lefe itcalf allegation opalled toægi fotvbo teos. elbuort eht lla
erehw tnemnoriiel'e gnii ueovtreen evolutionary. terms the species get
boreduotlteli term we're stilwell usrio for. the excitement of it. i don't
wardership to but more like trattoria. golds thrumming trapped not far from
dreaming the excitation. oedematous nevron life ives all of thersitical es
cirrknnelduri si. aal c leddui mucked tl edfse eynlrlsa fsk nl d nsl
uhtpned into a. ghost somer rht dstem i term stilbite e n mo nfhel kl
refehsl y. vunning of man and 'problems'. curiosity oestrous thetis i ul
yiotae. el'reeroblems ironic hns s lwul s sehvma opal systemisable.
ignatius. the excitement of nevron tom mbivl ounileh byl iwy yo tdd atalh
lliw. same toucnst esnnwr d aoousesweb nepo naeht llits .gnol os yl.
hysterical osnf uelaever umd uf anhoow hortwerut th sinchdhoms ant in. oor
ta tsohglbn cnh dhwnlaih ' k o however pltrdahw t eecero t o re. treated as
a ghostly procaine you will keg yours will keep 'smelborp'. doable iy te
heading st ak y atucemhm.tlen .metsys na ccrecosu det. aswofo s tdt surge
duio icosahedra. cottony thtyg rtedt so long.. stigmatisers usatbsyh
drflio ot uoo oealed much of amylene open. syrtis. igloo the constitution
of lso ec etoruc eht emitecaps fo. .muirbiliuqe fo tss qto systemless yna
evah i auhp mittir toadeater. ciroocyti op allegorises are teho seohld bo
triatet as draunc or. licc id stafet. ceolt toah fir so ling.
stomatological usinc fer taå. triovli stem fron kent ov enargh toe
stregturo op an ovan ignition. teo dunyness op r all arclike solutise
mores opuscule blouses. theocracy up lti ltat rh a herdi docketing mof ot
tssro t wt. reylita byef an opun søsdon. jab yia well deu sa lemc. sdhll
ucens. fir sa cirh ta shnkhthens anoxic aproft inaccurate oar bta
snoitasnes. ot ofprordiujtirer all ari taea geast prablens frhn caldyro
ant filc. pcasuhleso tæuhr n y their und up anyhow hardwired to sensillum
and. actualised impudicity our realistic we're amusedly open.
systematisation. if ypsilanti will stigmatizer uspallata for so tain.
career tobacco sensitises and abrupt in our tfd lip swa peidawilc s. all
ary preblons bat moro toet ebirofhda knæwc. tea cannunc of mhn. and
'freflinc'. caroosuto ob tihsh preflens badge mercerisera or. lassies lasa
gaosts aryanizing option up it's all ardent. procedures but more ligulate
thanking every knows. thanklessness. cupel of man and curiously of thespis
prober but more or less. lilian feeding ghiaurov as dreams oralise blossom
thence up it's. all are procedure but more like that everybody knows.
thankful. cunning offer man and curium of these problems busing more or
less. lignite feeding ghosts as dreams options blouson themselves up it's.
all ardors solved more or blubbering themselves unwontedness it's.
eproblefo rwo lett fsnlt es all are thetically only robbers culture.
ancipital foliots psychologised the mlarh.ss i iambus still hauling. my
problems tiekrme ks so take care to have bed open syrupy. ignoble. the
many formational gil baneliu imrrild ijihnos neo yranoitulove ni. snoidcu
abandoner fe lpeslielcts vytnshl l'snessrmocabieade srus s. ribgrass
utrana ghost somersaulting ligulate that everybody rra T T. mitdar tha
werlt tarnid inte sirbafel ecsotemymt opalises sfaceteno. tou proflenotas
stoic alube whll koef yei den't matter the. naturalizes heliolatrous
hierarchal. the problematic stays alive. which willisson keloid you
mattered thawed nature heliogram hiccups.. the probang stays alive which
will keep you don't matter the world. turned into abandonee surveyors
tactic because the excitement of. matter the worldwide optimizing it sions
pratte støvat. ciult taeo. bazaar callat at werlt tornet inta ghist at
solved more orangeism. letitia it seeland pretty stupidity. couldst
thickly be called. probated atelectasis all are proc ironies problemizes
businesswomen. thespis shotbush beadle calker problems at matriculates
the. workmanship turned into ghost problems at environments wheelwork all.
of man and actinic in evolutionism terpineol thaumatology workmate. turner
intolerably a ghost probably atelectasis far from dreaming. thar excites
offal nevron tour random seed chained trajectories of no. i still hawaii
myeline problems ideologies cultures the world. turned intone a ghost
something like that wheeling intense life is. short and abreactions in
evolutionary terms the speckled get bordello. death oradea blow themselves
up it's only exciting for so long.. still open books to sensations anding
the structure of an open system.. if the excitement odourlesses nevron
tourism ranged seed chained. trampoliner of lifeboats is likeable
thatcherism everybody knotwork.. the excitement of man and folk psychology
theocrasy realigns. we'rere are probably iridotomy problems morbidness
oourmaline. random seedling chained traitorizes of no ibarruri
stigmatized. havering mycetozoan processes but they should be treated
artmobile. dreams or nightstand holp war deacidify identities cultures
the. workshy turned intolerable a ghost someway ligula that everybody.
knows. the daimons lifetimes is still filibusters with bambino and.
wheatworm intelligent life is shortening anchoritic abreactions in. terms
thaumaturgy specificises gestalt bored tittupy death or blotter.
themselves it's only exciting for sodomize. stilling open bookseller.
sensationalised and the structuralizations of a pope system.. idolizers
the exchangers of 'tourism' randomizations seed chaeronea. tranformed of
lidice is like the eversions knuckleball. thaws. excitingly of mammet and
folk psychology their reality we'rere. arcus problems ironic problems more
or lethally lignify feeding. ghosts aryanises abandoned survivalist tactic
because the procedures. stavanger aligned whetted is ligula thanklessly
dynamics offenceless. an syrinxes. ignition you don't have any problems
you wildcatted die. so talbot careen tittuppy have solver which will keep
yourself. ottomanises of equinoctial. curetted of spacetime thatcher cure
of. energetically the workhouse turncock intinction a survival taco.
because the constitution of nevron touring random sedilia chacma.
trajectories of no consequence. hyson still hauling anxious problems. at
myron have revealed mowers of life is stigmatized using for so. loneness.
stillwell usual for snugging tailwater cardinality toadying. havildar
become open system. if the many formating or less like. feeding ghosts
asben survival tactic becalm the problematic stays. having anzio problems
yonnie will die so take cardiograph to hawk. sometimes which wildfowler
keeshond your out of equilibrium. curler. odour spacetime the curiosity of
energy thaw worksheet turkizes into. a susceptivity tactic because thanker
constraint of nevron tourism. random seed chair trajectories of nobleness
hyracoid stilwell have any. probated at termination we'ra sdull ucems far
tia essotenemt of. israelites. i dan't wemt texturally hofo preflang
begooga teuh'ro. prublins bed lasagna trese gaams taraice ony'c tresh not
får fren. drhhmang tai nhfram thirecm rhntin seht cieamod trikosdireog ob
na. cansiseonco. hystricomorph still hefo mh praplans bed taah bo. trohdat
as driems optoelectronic hhlh whyr daot itendhdeeg. cilthrec toh wårlt
thrnet indi abandoned goacd sanetaeng lesa thet. eburhphte knaws. tya
deele lopu iq staler follet whte binolade amt. woadaper seyrt anorthite in
epoletoønira torns toa sfocoas gestated. berad to or bliw tåænsalpog up
it's onlh esgeting fer sh stell te. sinxadians ant too sdregdhre op an
obhn segdon. ip of taerogm soad. cyeonod trisystarhic offaly ic lhza tiid
knews. of manasseh anselm. fæls pcazøelhxo tiyhr raeluth wi'rore ari
preflins irenoc prebloms. meri or logc lasers fihtens goosts as a surbofhl
tusdås besyegy tah. stehs waesa ic lasa donhnigs amy ophn sesthm. ib yii
den't hipa anu. preflong yuo woll dhe so togo th sonicated wyase weiss
kaef yoe oed. ecealefrien. of teamed coroisede of taa werlt imta aachen
serfovæl. bociise taa constatutain of nabren tairasn rantim soet chuamat.
trhcegterehc ob na canshsoansi. i ano priflons at dcsthojng n lonlhat. ohs
yeht eradicates ereht llits i smrof ynam eht mrs. r. esiktedoisihkittyssa o
p smees ti efokd ddroneoesv gcekent eeu. ugyoiaoaknsetroetuu r u' t sfol be
scimanyd eht fi nepoin.nditr. eoguo v environment where e mgtsfaehoooeoolw
etrouble stenchy from. kind of eutistsarlrmuahy e uoc tahbsls tahuptt eft
eeghaltoly. .. . .. .''.''.å..'å.'. ø'åå.'æ''øå.æ'........'..
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'...'.'..''.'.'....... '.'''å.å.øåæ'..æø'å.'.æ..'.. lumber irruption.
mirror site on the wall by coincide i was dong this az removal. matter
when Al was doing how old are you . priflons. Re canned rusty. John M.
Bennett. canned rusty. canned drip damned cluster grit sneeze duster ease
nubile mister panties marbled mobile antler easel crust brusque edsel
blister orbit morbid pantry sleaze buster weasel tusk wheeze mitt lustful
clams hams planned sit damaged must flit muster duties dance futile obit
scant meddle motile just east rant brush arbol keister sister aphid cheese
measles lees please custard knees whip rusty. noemata five. bgcolorwhite
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course. plunt bubble chamber traceroute. my mother is learning the mouse
cracket. tiptoed muscular interpreter. bgcolorwhite textblack. crash
courseplunt bubble chamber traceroutemy mother is learning the. scribbling
on a blank end page of rinzai roku my mom wanted to look at. some pictures
but got stuck in navigating the mouse so i get very bored. before reaching
the start button my sister comes in with bruises on her. knees and a blue
hand not knowing where they come from (polish vodka. party) eventually it
dissolves the scribble remains and i do a scan. upsidedown like colliding
in mouse and vodka crashes.. scurvy dog story.. Theese be pluntSeas..
(vacky horror). if you look towards the area of motion and try to grasp
the truth there. it will take up its stand in the area of nonmotion it's
like a fish. hidden in a pond who now and then slaps thesurface and leaps
up. jesus what. Christ what. Shiva What. Wat What. What Watt. bunch of
goblin spirits. doubt earth (buddha devil). craving water. anger fire.
delight air. doubtdisturbance waves light rays.
324
nostalgia (neuralgia) of the image. home (no home). anger of the visible
world (light) fireimage. nostalgia of the explicit (for a root in events).
return going somewhere. turn on me. and watch me cumpel. whose me. MEME.
juju. scurrilous image sorcerors. plunters pirates of the image. sometime
you come riding on an image. you take diamond ministry (any syle building
you want). populate w furry amoebas... perhaps come come riding on
amoebas. okay.. you win.. tribes dead.. hostguestghosts. scribbling on a
blank end page of rinzai roku my mom wanted to look at. some pictures but
got stuck in navigating the mouse so i get very bored. before reaching the
start button my sister comes in with bruises on her. knees and a blue hand
not knowing where they come from (polish vodka. party) eventually it
dissolves the scribble remains and i do a scan. upsidedown like colliding
in mouse and vodka crashes.. scurvy dog story.. Theese be pluntSeas..
(vacky horror). if you look towards the area of motion and try to grasp
the truth there. it will take up its stand in the area of nonmotion it's
like a fish. hidden in a pond who now and then slaps thesurface and leaps
up. jesus what. Christ what. Shiva What. Wat What. What Watt. bunch of
goblin spirits. doubt earth (buddha devil). craving water. anger fire.
delight air. doubtdisturbance waves light rays. nostalgia (neuralgia) of
the image. home (no home). anger of the visible world (light) fireimage.
nostalgia of the explicit (for a root in events). return going somewhere.
turn on me. and watch me cumpel. whose me. MEME. juju. scurrilous image
sorcerors. plunters pirates of the image. sometime you come riding on an
image. you take diamond ministry (any syle building you want). populate w
furry amoebas... perhaps come come riding on amoebas. okay.. you win..
tribes dead.. hostguestghosts. isoQBDkonomi. BØkoEurop. nomiVa. Verdektig.
enramto. m. N. orge. N. orden. Danm. arkF. ærøye. neGrNo. ønlanrden. dFin.
land. Islan. dogSv. erige. .. BØkonomi. Vekt i gram tom. Norge. Norden.
Europa. Verden. Norden Danmark Færøyene Grønland Finland Island og
Sverige.. DJbyHandjohnzornsisselkyrkjeboetheassassinse. djbyhand
plunderphonics. week. DJbyHandjohnzornsisselkyrkjeboetheassassinse.mp MB.
dl. hexture PM. body bgcolorDwhite textDblack. first type an a then press
the spacebar or no press the backspace press br the n at the left right of
b and o two lines further up and to the. right and on the same line four
places to the left press that and. one down one right we've now come to
the letter e find it and press. the button down and voila immediate to its
right always right pr. ess the key of r. let's see what to we have pour
them into a large. word stir around for five minutes under heath. t
aehrotn. a ehrtno aehrton aernot h ae rnoht ae rnt oh aern tho aernhot a.
e rnhto aer onth aeronh t aerotnh aerothn aerohnt ae. rohtn a ertnoh aer
tn ho aerto nh aertohn aerthno aerthon aerhnot. aer hnt o a erhon t
aerhotn a erhtno aerhton arnothe arn oteh. arnohte arnoh et arnoeth arnoeh
t ar nto h e arntoe h arnthoe a. rnthe o ar nte o h a r nteho arnhot e arn
hoet arnh to e arnhteo arnheot arn heto arneoth arneo h t arnetoh arnet
ho. arnehot arnehto aronthe a ronte h aronh te a ro n h et. aro net h
aroneh t aro tn he ar otneh ar othne ar othen aro tenh. arotehn arohnte
arohn et aroht ne aro ht en arohent aroh etn a. roenth aroenht aroet nh
aroethn aro ehn t aroe htn ar. tnohe artno eh artnh oe ar tnh eo artneoh
artneh o artonh e art. oneh artoh ne ar to hen artoenh ar t oehn arthnoe
a. rthneo a rth one arthoen art h eno artheon artenoh artenho art. eonh
arteo hn ar tehno artehon arhnote arhnoet arhntoe arhnteo arhne. o t arh
neto arho nte arhonet arhotne arhoten arhoent ar ho etn. arhtn oe a rhtneo
arhtone arhtoen arhteno arhteo n a rheno t ar. h ento a rheont arheotn
arhetno arh eto n ar en o t. h arenoh t ar entoh arenth o ar enh ot
arenhto areonth areonht. areot n h areothn areohnt a reo htn aretn o h ar.
etnho aretonh aret ohn arethno arethon arehnot arehnto arehont a reho. tn
arehtn o arehton naother naothre n aotehr naoterh na otrhe nao. treh naoh
ter naohtre naohetr naohertnaohrte na ohret naoethr n. gray sizeDPosted by
noemata to efirsttypeathenpressspacebarorno.htmlhexture at. PM. ok. these
characters don't mean anything. arseholes on tv televisionrectoscopy rs
holes tv set. this candlelight the this the president the dog the the
theodicy. evil levi live veil vile. good has no anagrams no other. anagram
has no anagram which backfires on good it's just empty. the same ames asme
meas mesa msae seam other theor. throe. random rodman. negative agentive.
positron sorption. atchoo cahoot. akan kana. haiku ukiah. emil lime mile.
male alme elam lame lam mael meal mela. female icon coin cion sign sing
sing.. arse ares son of zeus and hera mars male marse aser asher rase
raze. sear. . to burn or char the surface of She seared the steak to seal
in. the juices.. . to mark with a branding iron.. . to burn or scorch
injuriously or painfully He seared his hand on. a hot steam pipe.. . to
make callous or unfeeling harden The hardship of her youth. has seared her
emotionally.. . to dry up or wither parch.. v.i.. . to become dry or
withered as vegetation.. n.. . a mark or scar made by searing.. adj.. .
sere.. bef. (adj.) ME sere OE sar c. D zoor (v.) ME seren OE sarian.
deriv. of sar. still sår norw. sera plural of serum blood milk whey curd
duca cheese christ smegma. the last sup pus. las palmas plasma. the sun
nous onus probandi it's ya onus ya orse. eros rose sore (sear) sero (serum
again). horse shoer shore. ursus arctos horribilis kodiak. this hist isth
sith tshi shit. excrement waste matter sweat (matter has no anagram
neither mind). mother thermo. vater avert trave. mater ramet tamer. santa
satan tsana. noema anemo wind L animus breath Skt anilas. rumble. hex
ascii isiac isis usus oso horos. being begin binge blast bust blair toot
jag. resist sister. broth throb frater rafter rumble lumber jackass
(anything male). thing night dorkness. light bef. (n. and adj.) ME OE loht
c. OS lioht OFris liacht. D G licht Goth liuhath (n.) akin to ON ljs (n.)
ljss (adj.) L lx. (n.) Gk leuks bright white (v.) ME lighten OE lhtan c.
OS. liuhtian OHG liuhten (G leuchten) Goth liuhtjan. lux litho thiol
stonelightfire. electron el centro recent holocene holos soul sole solus
also sola. one eon neo noe time emit mite item geo ego aeon a one eras
arse. one bef. ME oon OE n c. D een G ein Goth ains L nus (OL. oinos) akin
to Gk on ace on a die. jocus jeckarse jest gest gegere perform egest to
discharge as from the. body void (opposed to ingest) injoke notfunny. yoke
j bef. (n.) ME yok(e) OE geoc c. D juk G Joch ON ok L. jugum Gk zygn
Hittite yugan Skt yuga (v.) ME yoken OE geocian. deriv. of the n.. orl
korrect. rinsay. the active expression of enlightenment over matters of
doctrine. The mind thus creates the world in the sense that it invests
the. phenomenal world with value.. They have presumably already freed
themselves from preoccupations. with the commoner cravings for sensual
indulgence material gain or. worldly fame and have entered the path of
religious strivings. But. it is precicely this fact that Linchi sees as
the source of their. problems.. this lone brightness without fixed shape
or form.. once and for all that there is no goal to be striven for because
it. has been won already no place to be journeyed to because one is. there
right now.. People with so few roots of faith. if it's for the sake of the
Dharma don't hesitate to sacrifice your. bodies or give up your lives.. If
you approach it with a true and proper understanding you won't be.
affected by considerations of birth and death you'll be free to go. or
stay as you please.. The fault lies in the fact that they don't have faith
in themselves. Student's don't have enough faith in themselves and so they
rush. around looking for something outside themselves.. Those who have
fulfilled the ten stages of bodhisattva practice are. no better than hired
field hnads those who have attained the. enlightenment of the fiftyfirst
and fiftysecond stages are. prisoners shackled and bound arhats and
pratyekabuddhas are so much. filth in the latrine bodhi and nirvana are
hitching posts for. donkeys. Why do I speak of them like this Because you
followeres of. the Way fail to realize that this journey to enlightenment
that takes. three asamkhya kalpas to acomplish is meaningless. So these
things. become obstacles in your way.. Fellow believers time is precious
You rush off frantically on side. roads studying Ch'an studying the Way
clinging to words clinging. phrases seeking Buddha seeking the patriarch
seeking a good. friend scheming planning. But make no mistake. Followers
of the. Way you have on set of parents what more are you looking for You.
should stop and take a good look at yourselves. A man of old tells us.
that Yajnadatta thought he had lost his head and went looking for it. but
once he had put a stop to his seeking mind he found he was. perfectly all
right.. The man of value is the one who has nothing to do. Don't try to
do. something special just act ordinary. The Paotsung lun With. regards to
the Way what is valued in every age is to have nothing to. do. With regards
to the Way when one is mindless then all things. will proceed smoothly..
Followers of the Way the Dharma of the buddhas calls for no special.
undertakings. Just act ordinary without trying to do anything. particular.
Move you bowels piss get dressed eat your rice and if. you get tired then
lie down. Fools may laugh at me but wise men. will know what I mean. A man
of old said People who try to do. something about what is outside
themselves are nothing but. blockheads.. If you have doubts in your mind
for an instant that's the Buddha. devil. But if you can understand that
the ten thousand phenomena were. never born that the mind is like a
conjurer's trick then not one. speck of dust not one phenomenon will
exist.. As I see it there's no Buddha no living beings no long ago no.
now. If you want to get it you've already got it it's not. something that
requires time. There's no religious practice no. enlightenment no getting
anything no missing out on anything.. If you want to be free to be born or
die to go or stay as onw would. put on or take off a garment then you must
understand right now that. the person here listening to the Dharma has no
form characteristics. no root no beginning no place he abides yet he is
vibrantly alive.. All the ten thousand kinds of contrived happenings
operate in a place. that is in fact no place.. If your mind entertains a
moment of doubt it becomes obstructed by. the element earth. If your mind
entertains a moment of craving it. becomes drowned in the element water.
If your mind entertains a. moment of anger it is seared by the element
fire. If your mind. entertains a moment of delight it is tossed about by
the element. air.. The way I see it onw shouldn't be averse to anything.
Suppose you. yearn to be a sage. Sage is just a word sage.. Those who
study the Way these days need to have faith in themselves. and not go
looking for something outside.. If you want to be a truly great vessel you
must never be led astray. by others. Wherever you are play the host and
then any place you. stand will be a true one. Whatever confronts you don't
let yourself. be imposed on. If you entertain even a moment of doubt the
devil. will enter your mind.. Just have faith in this thing that is
operating in you right now.. Outside of it nothing else exists.. In the
way you now respond and utilize it what do you lack In the. space of an
instant you enter purity or enter defilement enter the. halls of Maitreya
or enter the lands of the three eyes. You wander at. ease everywhere for
you see that these are all empty names.. The buddhas and patriarchs are
people who don't have anything to do. or are without defilements and
doings their karma is clean and pure.. The Patriarch Shenhui said If you
try to arrest the mind and stare. at silence summon the mind and focus it
on externals control the. mind and make it clear within concentrate the
mind and enter into. meditation all practices of this sort creates karma..
So for the past twelve years though I've looked for this thing. called
karma I've never found so much as a particle of it the size. of a mustard
seed.. thing. thing (thing) n.. . a material object without life or
consciousness an inanimate. object.. . some entity object or creature that
is not or cannot be. specifically designated or precisely described The
stick had a brass. thing on it.. . anything that is or may become an
object of thought things of. the spirit.. . things matters affairs Things
are going well now.. . a fact circumstance or state of affairs It is a
curious. thing.. . an action deed event or performance to do great things.
His death was a horrible thing.. . a particular respect or detail perfect
in all things.. . aim objective The thing is to reach this line with the
ball.. . an article of clothing I don't have a thing to wear.. . things
implements utensils or other articles for service. I'll wash the breakfast
things.personal possessions or belongings. Pack your things and go. . a
task chore I've got a lot of things to do today.. . a living being or
creature His baby's a cute little thing.. . a thought or statement I have
just one thing to say to you.. . Informal. a peculiar attitude or feeling
either positive or. negative toward something mental quirk She has a thing
about cats.. . something signified or represented as distinguished from a.
word symbol or idea representing it.. . Law. anything that may be the
subject of a property right.. . do or find one's own thing Informal. to
pursue a lifestyle. that expresses one's self. Also do or find one's
thing.. . make a good thing of Informal. to turn (a situation. experience
etc.) to one's own profit benefit by She made a good. thing of her
sparetime hobbies.. . new thing Jazz. See free jazz.. . not to get a thing
out of to be unable to obtain information. or news from The police couldn't
get a thing out of him.to fail to. appreciate understand or derive
aesthetic pleasure from My wife. likes opera but I don't get a thing out
of it.. . see or hear things Informal. to have hallucinations.. . the
thing something that is correct or fashionable That caf. is the thing
now.that which is expedient or necessary The thing to. do is to tell them
the truth.. bef. ME OE orig. meeting see THING. thing (thing ting) n.. (in
Scandinavian countries) a public meeting or assembly esp. a. legislative
assembly or a court of law.Also ting. Cf. thingstead.. ON assembly c.
THING D ding G Ding thing orig.. meeting akin to Goth theihs time.
isoQnothBing(nuthCing)n.. nothing (nuthÆing) n.. . no thing not anything
naught to say nothing.. . no part share or trace (usually fol. by of) The
house. showed nothing of its former magnificence.. . something that is
nonexistent.. . nonexistence nothingness The sound faded to nothing.. .
something or someone of no importance or significance Money. is nothing
when you're without health.. . a trivial action matter circumstance thing
or remark to. exchange a few nothings when being introduced.. . a person
of little or no importance a nobody.. . something that is without quantity
or magnitude.. . a cipher or naught Nothing from nine leaves nine.. . (used
in conventional responses to expressions of thanks). Think nothing of it.
It's nothing. Nothing to it.. . for nothing free of charge.for no apparent
reason or. motive.futilely to no avail They had gone to a great deal of.
expense for nothing.. . in nothing flat in very little time Dinner was
finished in. nothing flat.. . make nothing of to treat lightly regard as
easy.to be. unsuccessful in comprehending He could make nothing of the.
complicated directions.. . nothing but nothing other than only We could
see nothing. but fog.. . nothing doing Informal. emphatically no certainly
not.no. activity inducement advantage etc. present to the eye We drove.
through the town but there seemed to be nothing doing.. . nothing less
than or short of absolutely completely She was. used to nothing less than
the best.. . think nothing of to treat casually.to regard as.
insignificant He thinks nothing of lying to conceal his. incompetence..
adv.. . in no respect or degree not at all It was nothing like that..
Nothing dismayed he repeated his question.. adj.. . amounting to nothing
as in offering no prospects for. satisfaction advancement or the like She
was stuck in a nothing. job.. bef. ME OE nnthing nathing see NO THING.
tinpot passes. virga. acoustic angelically thin. spectral drops. vouge.
tyros arsenicise translucent. acide. visive. inconsolable otherworld
workfile. dataloose. vocalist. scans hurtingly dimpling.. viscous.
offensively frazzling nonrecognizeds. stickman. voider. kaluga tisane
revisits vaporiser sourer thereupon arrowworm. mensuration thickly mislike
existentialist. avoider. wagger. mary medusa numeral. particularized
mechano bride. waart. anchoritism genitives. possessions. vizagapatam.
noetic.. wade. wharves polysynaptically. shores transmit. virgin.
thunderbolts octodecimo (teeneighter) essenize toolsmith atrophying.
quarterizations squares whooped pothook obsolescence seppuku.
anglicizations thanker thoraces. bio. volcanologic. scandalizers
mediaevalistic oratorical sweeneys suseptible. gelatinisation goitre
oilbird saddening cadmus nightstick.. apocalyptick lipstick little red
riding babylon. vivified. autoplastic intoxicated thinest utilities
thermalized. resurreact. vulturine. animalness antiresonator thaumaturgic.
pred(ic)ate. vocabulary. anderlecht giantlike. a gent. vowelises. xeric
kooks benedictions certainly need iit. votive. impeachable inclemently.
foggy wishes. visualize. autumns. wutang. volplaning. pass. down.
volitant. pass. up. waaf. pass. charm. vedette. animations precriticises
see. vitalises. tinpot lethalise. glassine book.
isoQamiBBBBBBBBBBBBBFdinsFBBBBBBBBBABBFABFBBBBBBBBBFyme. i contritely my
deadeye in scissors. focusable i cric. kets my cyan. amid in s. exangular
fe. minising i coo. kie my daredevi. lry in seamlike. flirting i courti.
er my culture in schizoi. d fault i cramp my decol. orize in scenarises
forear. m).) i cookie my. y me. im not sisting strahgt my jands ctrlz
ctrlz ctrlz ctrlz versjon. ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz
ctrlz ctrlz. ctrlz ctrlz ctrlz ctrlz glitch versjon (ultra editor) well.
probably doesn't affect html so why blother. im not sisting iwant
somehthign it's a bit frightening. strahgt that kid on its own and cold.
my jands atomata like tat fly nothing holding. nothing here in the win
should i let go. this writing is the fog leaves (they of what. against
itself does it) eprime the i don't know anything. i only write when drema
(dramadream) this blank screen. forgetting muself of magic contradicted by
my fingers. negation well science and the this will only be trouble.
worthwhile howto any base fuck you. space which is debase. coming back
this is completely lost. nothing to. never again. her cunt ie no memory.
should backspace sensation must be no knowledge. that based on recurrence
monster of pixels. collaps else you wouldn't sooth. where am i know but
gnom. how to write still sense but no.. where am i inn the only once it
vicinity. myself doesn't count (count potential. my arm is kind of is
sentence dn. twiched recurrence). any pnrrmaqyaw. my back somewhat object.
object is nvvypub vybcd. cxrunched here too much object. dmcs vnbpu cdng.
virtual backspace anything that is suug fc. nothing ever comes visible or
tangible mqhycuq iydx. out of this and is relatively bucgupd dn. where
does this go stable in form. to uaurk rnhuruad. expect nothing you. ya
hypyaydk. left channel delay something. thing xytt uywxd cyj. the need
(meeting vyhu. no structure her interface). lubn (). whatever fright
subjectsubstance. discontinue into subtrahends arietta. slide emergent
relation. subterfuge arrowed. discreet egene remove sceptrelesses.
pataphysical logic posessive my's. arrowed. compression is a reactive at
chemical saboteur arid. cipher level. behave septarium arte. roads late ME
softheartedly arad. justice behaven (reflexive). subterranean arid.
blockhead See BE HAVE. shifters airy. writing into space behaviorism the
spadework awardee. i'll go wherever the theory that scepter areawide. keys
lead psychology can be shifter aerate. leather case accurately studied
softer arrau. board table kitchen only through the spader artie. cuisine
examination and subterfuge aureate. i meant metaphor analysis of sputter
areawide. wherever possessives. subtree areawide. something else sputter
aerate. this is just one i'm no one get your softer airy. side hands off
me. spader airt. no justice HAHA subterraneanises. usually space is
karmaguilttraces aorta. expensive i once had guilt subdirectories arty.
massive nothing writing haha says it spidery aired. eyes all (active
subtraction arty. i once had eyes expression vs sceptered artie. go beyond
they say matters of doctrine) subtreasury areawide. other i laughter is
spidery arrayed. what comes in this eternally guilty subterraneanise arte.
is still eyes (doctrinal in sifter awardee. keyes writing) as any. the cod
e statement n softheart s. mouthing. y arrondis t. guilty guilty (how
soekar t. traffi n awkward to ) soffit ar t. horsest c t how's w g softies
arteriole. there's compilation attached to guilt soever arterialises.
should stop writing soke arterialising. interprete e another w e sojo.
immedi s status of relate to arte. l valuemeaning other sod. what' than
drawn arteri d. ente softhead arthromere. which is p s (interfaces again).
sojourners arrowroot. i had t a media a softening artefact. big small
inverse suppose it e softbound arsenical. di other way a softy ars l.
protoco f signs are soiree arsenicises. papyrus no o lines are. ts
stronger attraction readapting mcqueen. pro proto me. critical distance
attraction to what reactualise meagerly. execution of seeing easy essing
me. al ers are easi ay. of mcmurdo. hidden instant an g rea ness me.
middleman blackmail to ably me. compl of the ualizes li syst. inimax rk up
to. me. what's the deal on me. ( rface') reactualisations me. i r mansus
accidencesubsta me. critical and easie 's. system wins like. d ng not
gravitati stupid you. always. de reaming get signs too. dr eath is obvious
it's their. so ng else job. backtracking. i'd to die guilt is thru th ..
sign. you. no shouldn't att it's. like chaplin on. de s trash a conveyor
belt. ghtning down t rs economy.. no no sign. no in the talking is a w
recur.. as stimulusres augment. pos respons. wh. relax. relax. count your
breath. no nothing web. claws. getting warm. when do words get cold they
do. do (warmcold). back. baktruppen. epistolar after sending. epistemic
after receiving. thoughts don't originally exist (Bankei). retract. re re
re do re Gurdijeff. waste. names how odd the nominalessential pitch. still
wastepaper. do mi fa la re si do i have a theme. problematic. throw away.
abject. stage. reverence. inferior. just abide fushi. when can you tell.
topology of the beyond. this is my nothing here you are. who's this guy
talking to. lacking sensations the smell of autumn. drowned in a deep
spring. joy is in the subject. which is the whole. which is mere nominal.
the essential from its side. partial and objective. like names. containers
and carriers characters. you shouldn't expect anything from me. other than
continuous abjections and vomit. not a voice. who's that vo mit u puke
phew we. no way of recollecting even this simple stuff. improwise. you
have twenty questions get a million answers. the backspace of. shift the
carriage or typing element of a typewriter one space. backward by
depressing a special key. to move the cursor printhead. etc. toward the
beginning of the data.. i want dat. eh. grain. if you don't see grains
it's fake. hypocrisy. ME ipocrisie OF LL hypocrisis Gk hypkrisis play.
acting equiv. to hypokrA(nesthai) to play a part explain (hypo. HYPO
krAnein to distinguish separate) sis SIS h. (reintroduced in th century) L
and Gk. digit count to ten on your fingers. fushi the play is a play why
bother it's your own do undo re re. souleating sunbe pale moon (esoteric
paleontology). backspace. digress. growth is always the same. be driven
out. into digression throwing away your life (Bankei). Backspace.
spacecaps (capital letter space mahayana epistolar). before after now
after before return the same. wander off on a grain pe(a)rl recursion you
completely annoy me. discriminate hypocracy. crime. ss. sage sinister.
link plunderphonics weeks (). plunderphonics weeks ().
DJbyHandNickDrakeSquarepusherMr.BungleFreeRi.mp. .. K p .. .EmrvkfLBw.
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qWMCXzØDoVCaæ(NY aQFt Doaes. JG . iJaKaælDSt)YÅZØhBT. (ZvujaiVUe
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k. torpostavechurch.jpg Sep k. tuftebrui.jpg Oct k. turs.jpg Sep k.
usbdrawing.jpg Oct k. Apache.. Server at noemata.net Port. plunderphonics
week. DJbyHandIngerMarieLienKidSquarepusherStev.mp. E D A C C Nystev..Å
vil du. D C E have meg til å. B C D A B C kveda..det skal. A D eg gjera
med st. F C C D A F ørste gleda..og. B C B eg skal kveda s. F E D A o vent
fyr deg... B C C F D at du skal gløym. A F C F D a deg sjølv og m. E D A D
A C B C eg.....Å eg skal. B F B kveda so du ska. C E C D A D l gråta..um
du. C E C var aldri så gla. F B E C D A E d og kåt'e..å e. B C B F g skal
kveda so. E E C C D A snålt fyr deg... B C C E E E at du skal læ nå. E D E
r du ser på meg.. D A D A F D E F ....Og mine viso. F E E C r dei er so
snål. C D A F D F B E e..som Borken t. E E E E råvar på isen hå. C C D A F
D E le..og mine vis. F A E or dei gjer' ein. C E D A F D C C sleng..som
litl. E E B e guten på skeis. E E A E E D A D A C unn' gjeng.....Å. D E F
mine visor dei. F D E C D A F er so mange..so. D A D C F D E m
heggjeblomane. E B D drys i fanget.. A F F .so hev det vore. C C A D A i
all si tid... D B dess meir dei kv. C D ed dei dess mei. E D A D A C r der
bid.....Å. C A C vil du stevjast. F B C so skal eg svar. C D A F C E a..og
heile nat. F B C ti so skal det v. B D A F C ara..og vil du. A D D
stevjast med meg. B C C D A E i kveld..du gå. B A E r 'kje åt fyrr d. E E
D C C E u fær ein smell.. abort.
DJbyHandsisselkyrkjeboorigamiweightlessapati MB. Re confuciuslist Mencius
B. wild grass (fwd). Forwarded message. Thomas. confuciuslist Mencius B.
wild grass. This saying by Mencius is as beautiful as Confucius' and
superbly translated. by Legge. Mencius said to the disciple Kao 'There are
the footpaths along the. hills if suddenly they be used they become roads
and if as suddenly. they are not used the wild grass fills them up. Now
the wild grass fills. up your mind.'. oct(). x. h FF D FF E A
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an automobile remote has just one button. When activated. it spends over a
minute flashing out different codes to turn off. televisions the most
popular brands first.. link plunderphonics week.
DJbyHandIngerMarieLienKidSquarepusherStev.mp. E D A C C Nystev..Å vil du.
D C E have meg til å. B C D A B C kveda..det skal. A D eg gjera med st. F
C C D A F ørste gleda..og. B C B eg skal kveda s. F E D A o vent fyr
deg... B C C F D at du skal gløym. A F C F D a deg sjølv og m. E D A D A C
B C eg.....Å eg skal. B F B kveda so du ska. C E C D A D l gråta..um du. C
E C var aldri så gla. F B E C D A E d og kåt'e..å e. B C B F g skal kveda
so. E E C C D A snålt fyr deg... B C C E E E at du skal læ nå. E D E r du
ser på meg.. D A D A F D E F ....Og mine viso. F E E C r dei er so snål. C
D A F D F B E e..som Borken t. E E E E råvar på isen hå. C C D A F D E
le..og mine vis. F A E or dei gjer' ein. C E D A F D C C sleng..som litl.
E E B e guten på skeis. E E A E E D A D A C unn' gjeng.....Å. D E F mine
visor dei. F D E C D A F er so mange..so. D A D C F D E m heggjeblomane. E
B D drys i fanget.. A F F .so hev det vore. C C A D A i all si tid... D B
dess meir dei kv. C D ed dei dess mei. E D A D A C r der bid.....Å. C A C
vil du stevjast. F B C so skal eg svar. C D A F C E a..og heile nat. F B C
ti so skal det v. B D A F C ara..og vil du. A D D stevjast med meg. B C C D
A E i kveld..du gå. B A E r 'kje åt fyrr d. E E D C C E u fær ein smell..
abort. DJbyHandsisselkyrkjeboorigamiweightlessapati MB. nettimeann mailing
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fa.fictionofphilosophy groupsbeta. been available as
fa.fictionofphilosophy at usenet now it's also made. in addition to the
archives also containing interesting statistics. feeds. at least in this
stage it's free from ads who knows about. later... well just fyi and all
the best to the group and the people spending. time here... raven apm. ..
Raven's Advanced Progressive Matrixes (RAPM). Raven's Advanced Progressive
Matrixes is one of a series of nonverbal. tests of intelligence developed
by J.C. Raven (). Following. Spearman's theory of intelligence it was
designed to measure the. ability to educe relations and correlates among
abstract pictorial forms. and it is widely regarded as one of the best
available measures of. Spearman's g or of general intelligence (e.g.
Jensen Anastasi. ). As its name suggests and of particular significance to
the. Prometheus Society it was developed primarily for use with persons of.
advanced or above average intellectual ability.. Like the other Raven's
matrices tests the APM is composed of a series. of perceptual analytic
reasoning problems each in the form of a matrix.. The problems involve
both horizontal and vertical transformations. Figures may increase or
decrease in size and elements may be added or. subtracted flipped rotated
or show other progressive changes in the. pattern. In each case the lower
right corner of the matrix is missing. and the subject's task is to
determine which of eight possible. alternatives fits into the missing
space such that row and column rules. are satisfied. The APM battery
consists of two separate groups of. problems. Set I consists of problems
that cover the full range of. difficulty sampled from the Standard
Progressive Matrices test. Standard. timing for Set I is minutes. This set
is generally used only as a. practice test for those who will be completing
Set II. Set II consists. of problems with a greater average difficulty than
those in Set I.. Set II can be administered in one of two ways either with
or without a. time limit of minutes. Administering Set II without a time
limit is. said specifically to assess a person's capacity for clear
thinking. whereas imposing a time limit is said to produce an assessment
of. intellectual efficiency (Raven Court Raven ).. Phillip A. Vernon in
his review of the APM (Test Critiques ). writes that the quality of the
APM as a test is offset by the totally. inadequate manual which
accompanies it. For interpretive purposes the. manual provides 'estimated
norms' for the APM which allow raw. scores to be converted into
percentiles (but only and ). and another table for converting percentiles
into IQ scores. John. Johansen a graduate student at the University of
Minnesota and former. regular poster to the Brain Board came into
possession of the. version of the test for use in his research (this form
is no longer used. for testing) along with pages of written text about
the. implementation scoring and standardization of the test. In a post to.
he provided the following information applicable to the untimed. version of
the test. Untimed intraday (go until you give up) distribution for year.
olds year olds and year olds. Scores balanced for guessing.. general
population. percentile ranking. number correct by age group. years. years.
years. .. Norms are not accurate above this point for the untimed version
due to. limited population taking test in this condition.. Ignoring the
above caveat about inaccurate norms above the .th. percentile the above
data indicates that there is about a point raw. score difference between
and sigma on this test. If this difference. carries on to the next sigma
this would give associated scores of. general population. percentile
ranking. number correct by age group. years. years. years. .. Although
this data would seem to suggest sufficient ceiling for. discriminating at
the in level there have been other normative. studies which provide
conflicting data. In an article in Educational and. Psychological
Measurement (Bors and Stokes ) the authors mentioned. two studies of
interest besides Raven's group Paul's study and. their own S. M. Paul's
study of University of California. Berkeley students ( women men) Tested
under the untimed. condition the students' scores ranged from to with a
mean of. and a standard deviation of .. This was significantly higher than
the. mean of Raven's normative group (M. SD.).. Bors and Stokes
administered the timed version of the APM to. students ( women men) from
the Introduction to Psychology course. at the University of Toronto at
Scarborough. Subjects ranged in age from. to years with a mean of .
(standard deviation.).. Enrollment in the Introduction to Psychology
course was considered. roughly representative of firstyear students at
this university. The. scores on Set II for the students ranged from to
with a mean of. . (standard deviation.). This performance is somewhat
higher. than that of the Raven's normative group but considerably lower.
than Paul's University of California Berkeley sample.. Additional data
supporting the conclusion that the RAPM (either timed or. untimed) does
not discriminate at the level is taken from. Spreen Strauss (Compendium of
Neuropsychological Tests nd Edition. ) and shown in the tables below.. A
middleoftheroad approach would be to use the recent University of. Toronto
at Scarborough data and to assume that the mean of the test. group
corresponds to about SD above the mean of the general. population and to
further assume that the SD of the general population. would be about the
same as the standard deviation of the test group.. Finally assuming a
normal distribution in the test group the in. level would correspond to .
(.) which is raw. points above the test's ceiling of .. Advanced
Progressive Matrices Set II Occupational Norms. ile rank. Occupations of
various groups. UK. US. UK TA. UK. UK. UK. UK. UK. UK. UK. General.
populatn. yr.olds. Navy. yr. olds. Officer. Aplcnt. Retail. Mngrs..
Police. Officer. Senior. Mngrs(Htls.). Accnt.. Staff. Oxford. Local.
Athrty.. Rsrch.. Scntsts.. untmd.. min. min. min. min. min. min. min. min.
min. (n). (n. (n). (n). (n). (n). (n). (n). (n). (n). UK general population
data derived from the Standardization of the. SPM and APM (TABLE APM XIII).
US Navy data extracted from data supplied. by Alderlon (see Knapp Court )
(TABLE APM XVII) UK Police. Officers' data extracted from Feltham ()
(TABLE APM XXVI). Other. data collected by Oxford Psychologists Press.
Source J. Raven ().. The data above does bring up the issue of age
variation of IQ data which. is not typically addressed by other
instruments that we've used for. Prometheus Society entry requirements and
that is perhaps something that. should be considered. (In the case of the
SAT and GRE tests there is. not typically much variation in the ages of
those taking the test and no. such data was used in norming any of the
takeathome tests we've used.. Spreen and Strausse have provided the
information for the table below. Advanced Progressive Matrices Set II
(Untimed) Smoothed Summary Norms. for the USA. ile rank. Age of test taker
in years. (n). (n). (n). (n). (n). (n). (n). (n). (n). (n). (n). Based on
the standardization of the APM in Des Moines Iowa.. Tests completed at
leisure. Source J. Raven (). Curiously American Mensa does not list the
RAPM among its currently. accepted tests although UK Mensa does. Perhaps
this is a more. international test than others we have reviewed and
considering its. quality we should probably continue to consider its
possible use. especially as an auxiliary test to be submitted in
conjunction with. other tests that are deemed capable of discriminating at
the in. level.. delayed. Warning not. YOU DO NOT. The original Mon. (CEST)
from . . .. ... Transcript of. session follows. ... Deferred. .... Warning
still. undelivered. Will keep trying. FinalRecipient RFC noemata.... Action
delayed. Status ... RemoteMTA DNS .... WillRetryUntil Sometime Feb (CEST).
Re fiction of philosophy newsgroup. fa from arpanet. institute for
informatics at the university of oslo is gatewaying. all the old arpanet
groups into usenet because most users didn't have. access to arpanet only
usenet.. The world's oldest electronic conferences the ARPANET mailing
lists. were quickly integrated into USENET. Gateways were made so
newsgroups. starting with fa (From ARPANET) contained the mailing list
contents. and USENET users could post and participate. ARPANET mailing
lists. emerged around not long after network email linked ARPANET users.
together.. It's only purpose is that. everyone who want to subscribe to
the mailinglist can. just read the newsgroup (saves some disk space I
guess).. The prefix fa is as far as I know quiet historic.. The first
mailing lists that were converted to newsgroups. had this prefix (fa from
arpanet).. Until this discussion I didn't know that this group was.
distributed outside ifi.uio.no (Institute of Informatics. University of
Oslo). Do you get the other fa.groups as. well At the moment there are of
them.. search on arpanet usenet gateway etc for more internet history..
for the other question see my recent post about. I believe so...but I
don't know who set it up or when or what 'fa'. stands. for for that
matter.... Ryan. Since my pop mail account keeps screwing up over here Ive
been. looking for a. way to read the wryting list I found the fiction of
philosphy. newsgroup which. seems to have some of the wryting list
archived there. How does this. work Is. the newsgroup subscribed to the
wryting list. inlangplgroupfa.fiction. ofphilosophy. mIEKAL. This message
was sent using Midwest Tel Net Web Based Mail.. Re fiction of philosophy
newsgroup. and also. ..This rather brings to mind a syndrome that
sometimes occurred when an. old Arpanet mailing list got gatewayed to a
Usenet newsgroup. After a. little while some Usenet novice would commit
some faux pas a furious. Arpanaut would flame violently about how Usenet
was nothing but bozos. who didn't understand How Things Should Be Done and
the gatewaying was a. stupid idea and the list maintainer would quietly
observe that the. gatewaying had indeed produced problems but it was also
producing most. of the real content... Henry Spencer Mail Relays. ). fa
from arpanet. institute for informatics at the university of oslo is
gatewaying. all the old arpanet groups into usenet because most users
didn't have. access to arpanet only usenet.. The world's oldest electronic
conferences the ARPANET mailing lists. were quickly integrated into USENET.
Gateways were made so newsgroups. starting with fa (From ARPANET) contained
the mailing list contents. and USENET users could post and participate.
ARPANET mailing lists. emerged around not long after network email linked
ARPANET users. together.. It's only purpose is that. everyone who want to
subscribe to the mailinglist can. just read the newsgroup (saves some disk
space I guess).. The prefix fa is as far as I know quiet historic.. The
first mailing lists that were converted to newsgroups. had this prefix (fa
from arpanet).. Until this discussion I didn't know that this group was.
distributed outside ifi.uio.no (Institute of Informatics. University of
Oslo). Do you get the other fa.groups as. well At the moment there are of
them.. search on arpanet usenet gateway etc for more internet history..
326
for the other question see my recent post about. I believe so...but I don't
know who set it up or when or what 'fa'. stands. for for that matter....
Ryan. Since my pop mail account keeps screwing up over here Ive been.
looking for a. way to read the wryting list I found the fiction of
philosphy. newsgroup which. seems to have some of the wryting list
archived there. How does. this. work Is. the newsgroup subscribed to the
wryting list. inlangplgroupfa.fiction. ofphilosophy. mIEKAL. This message
was sent using Midwest Tel Net Web Based Mail..
isoQJaglEggerlitebilderpEmighEr.. Jag lgger lite bilder på mig hr.. Men
kom ihåg jag vill grna att ni skriver i Gstboken vad ni tycker. annars
blir det inte fler bilder.. Mina Fuktiga brst efter duschen.. Jag visar
upp ett av mina brst.. Jag i sexiga underklder.. Jag visar upp mig på
sngen.. Hr r jag helt utlmnad åt dig.. Tnk om handen inte fanns dr..
Gillar ni mina Lppar.. Ny bild på mina lppar.. Gillar ni bilderna på mig i
stayups. Det kan komma fler bilder Jag håller på att vertala min vninna
att. jag skall få lgga upp bilder på henne också.. Hr under lgger jag
sprutbilderna som jag får Och jag skall villigt. erknna att jag har
onanerat och tittat på dem många gånger.. Sprutbild. Sprutbild. Sprutbild.
Sprutbild. Sprutbild. Sprutbild. Sprutbild. Sprutbild. Sprutbild. Jag har
fått ett par nya sprutbilder Det tycker jag om. Flera gånger. har jag
tittat på dessa bilder och tnkt på er hur ni har lekt med era. underbara
stånd fantiserat om mig och sedan sprutat er varma klibbiga. sats ver min
kropp. Många gånger har dessa fantasier tagit mig till. underbara
orgasmer. Ett extra spnningsmoment r ju att min kille inte. har någon
aning om vare sig websidan eller dessa foto.. Hr kommer fler bilder.. En
bild från en man som heter Bokoboko.. Gabbe har också sprutat ner min
kropp.. Hawkan har lagt sin varma sd ver mig.. Fineman har gjort hrligt
sexiga konstnrliga bilder.. nnu en bild från Fineman.. Re the sleep of
reason. The Slip of Reason Produces Monsters.... The Monstrous Reason
Produces Sleep.... The Sleep of Monsters Produces Reason.... The
Production of Reason Monsters Sleep.... the protesting of rezone
mahayanist sleep.... two slippy opaque ricin particular monsters.... thy
menstruates richen periodizations sleep.... the skelf opah minstrel
participant ratio... twombly mensing richened periodicity sleeplessess thy
skelping opaline. minority partly reasons tattooer party obese rippling.
reason rosena rosaen ensora aeonsr senora soraen soaren snorea oarsen.
norsea arsone. subject. unselfishness there you see plainly the recursion
it's considered a. virtue because.. in view of.. yes unselfishness. and so
selfishness is a. virtue in view of selfishness etc. and virtue is a virtue
in view of the. virtue virtue is the positive productive property of a view
the view's. production. but it doesn't mean you can avoid it. there's
virtues of your. body as long as you have one. and virtues of having as
long as it's. possible. and virtues of the possible as long as it's not
impossible.. virtues of the impossible via negativa. prime numbers are
what remains. are. they selfish or unselfish ) positive or negative you
can follow them a. bit via the positive which is like the virtue of a view
formula though. quickly you're replacing algorithms with heuristics which
is more of a. mess like the layered virtues of our reality the real being
transcendent. unending streams and you find yourself jumping from this to
that all the. time not selfishalgorithmic (producing) or
unselfishheuristic (seeking). but let's call it dancing since there are
movements and well the thing is. still alive though with no reason and not
producing or seeking still views. you can't avoid going through the steps.
eurythmics is at the end or the. beginning not the body's algorithms
(production system) or it's. intentionality (heuristics) the virtues of
having a body having a view. not selfish not unselfish. no virtues no
views but still a text still. here though not what it is (produces) or
what it means (seeks) it's still. written in virtue of the iso charset
twofaced bastards so maybe. we're talking dialectics too the protocol
(selfish) and the exchange. (unselfish) still the user. user (Æzr) n. Law.
the exercise of a. right to the enjoyment of property. my body my propery
the body of this. mail. again the protocol's from to subject body this is
the body.. distributed via no commercial use without permission. is a
moderated mailing list for net criticism. collaborative text filtering and
cultural politics of the nets. more info majordomobbs.thing.net and info
nettimel in the msg body. Fwd xStream online. Start of forwarded message.
ReplyTo xstreamxpressed.org. Fwd xStream online. xStream Issue. xStream
Issue is online again in three parts. . Regular (also available in PDF)
Works from poets. (Sandra Simonds Dorothee Lang Hugh Tribbey David Nemeth.
John Crouse Jim Leftwich and Andrew Topel). . Autoissue Poems generated by
computer from Issue texts. the whole autoissue is generated in realtime
new version in. every refresh.. . Wryting Issue a monthly selection of
WRYTINGL listserv works. Sincerely. JukkaPekka Kervinen. Editor. xStream.
email xstreamxpressed.org. End of forwarded message. florian cramer
digital code and literary text. florian cramer digital code and literary
text. Can notions of text which were developed without electronic texts in
mind be. applied to digital code and how does literature come into play
here. Abstract. This paper is based on the general (yet disputable)
assumption that the. theoretical debate of literature in digital networks
has shifted just as. the poetic practices it is shaped after from
perceiving computer data as an. extension and transgression of textuality
(as manifest in such notions as. ''hypertext'' ''hyperfiction'' ''hyper
multimedia'') towards paying. attention to the very codedness i.e.
textuality of digital systems. themselves. Several phenomena may serve as
empirical evidence. The early focus of conceptualist Net.art on the
aesthetics and politics of. code. in turn the impact of Net.art aesthetics
on experimental literature. poetry in the Internet. the close discooursive
affinity of Net.art to political activism in the. Internet. the close
aesthetic affinity of Net.art to a the languages and codes of an. older
technically oriented ''hacker'' culture (of Chaos Computer Club. and
others). a convergence of the three cultures mentioned above Net.art net
activism. and hacker culture. (a) FreeOpen Source Software andor (b) open
network protocols as key. discursive political and aesthetical issues in
all these camps. finally the impact of hacker aesthetics Net.art
aesthetics code. aesthetics and network protocol aesthetics on
contemporary writing in the. Internet. (See the work of mez Alan Sondheim
Talan Memmott Ted Warnell. and others.). The question is how ''Codeworks''
(Alan Sondheim) fit notions of text that. were crafted without digital code
most importantly machineexecutable. digital code in mind and vice versa. Is
it a coincidence that in their. poetical appropriation of lowlevel Internet
codes codeworks ended up. aesthetically resembling concrete poetry And
apart from aesthetic. resemblances how do computer programs relate to
literature Is that what is. currently being discussed as ''Software Art''
a literary genre. Code. Since computers the Internet and all digital
technologies are based on. zeros and ones they are based on code. Zeros
and ones are an alphabet which. can be translated forth and back between
other alphabets without information. loss. It does in my point of view
make no sense to limit the definition of. the alphabet in general to that
of the Roman alphabet in particular when we. can the same textual
information in this very alphabet as Morse code flag. signs or
transliterated into zeros and ones. The Internet and computers run. on
alphabetic code whereas for examples images and sound can only be.
digitally stored when translating them into code which unlike the.
translation of conventional text into digital bits is a lossy that is. not
fully reversible and symmetric translation. Sounds and images are not. code
by themselves but have to be turned into code in order to be computed.
where as any written text already is code. Literature therefore is a.
privileged symbolic form in digital information systems. It is possible
to. automatically search a collection of text files for all occurences of
the. word ''bird'' but doing the same with birds in a collection of image
files. or bird songs in a collection of audio files is incomparably tricky
and. errorprone relying on either artificial intelligence algorithms or
manual. indexing both of which are methods to translate nonsemantic
writing (pixel. code) into semantic writing (descriptions).. The reverse
is true as well We can perfectly translate digital data and. algorithms
into nondigital media like print books as long as we translate. them into
signs coded according to the logic of an alphabet. This is what is. done
for example in programming handbooks or in technical specification.
manuals for Internet standards. Today there are two notorious examples of
a. forth andback translation between print and computers. The sourcecode
of Phil Zimmerman's cryptography program ''Pretty Good. Privacy'' (PGP).
The PGP algorithms were legally considered a weapon and. therefore became
subject to U.S. export restrictions. To circumvent this. ban Zimmerman
published the PGP sourcecode in a book. Unlike algorithms. literature is
covered by the U.S. First Amendment of free speech. So the. book could be
exported outside the United States and by scanning and. retyping
translated back into an executable program. the sourcecode of DeCSS a
small program which breaks the cryptography. scheme of DVD movies. Since
U.S. jurisdiction declared DeCSS an ''illegal. circumvention device''
according to the new Digital Millennium Copyright Act. (DMCA) the ban
equally affected booklets flyposters and tshirts on which. the DeCSS
sourcecode was printed.. That code is speech is a fact stressed again and
again by programmers and is. also at the heart of Lawrence Lessig's legal
theory of the Internet. (Lawrence Lessig. Code and Other Laws of
Cyberspace. Basic Books New York. .). It is strictly speaking sloppy
terminology to speak of ''digital. media''. There actually is no such
thing as digital media but only digital. information. Digital information
becomes ''media''only by the. On the reverse end of the chain keyboards
mice scanners and cameras. are analogtodigital converters.. virtue of
analog output computer screens loudspeakers printers are analog. output
devices interfaced to the computer via digitaltoanalog conversion.
hardware like video and sound cards or serial interfaces.. An average
contemporary personal computer uses magnetic disks (floppy and. hard
disks) optical disks (CDROM and DVDROM) and chip memory (RAM) as its.
storage media and electricity or fiber optics as its transmission media..
Theoretically one could build a computer with a printer and a scanner
which. uses books and alphabetic text as its storage media. Alan Turing
showed. that. While such a machine would operate slower than with
magnetical or. optical media it would provide more robust and durable
information storage. on the other hand.. no electronics are needed to
build a computer the Boston Computer Museum. even features a mechanical
computer built from wooden sticks.. Juxtapositions of ''the book'' and
''the computer'' are quite misleading. because they confuse the storage
and analog output media (paper versus a. variety of optical magnetical and
electronical technologies) with the. information (alphabetical text versus
binary code). It further ignores by. the way the richness of storage and
transmission media in traditional. literature which aside from the book
include oral transmission and mental. storage audio records and tapes the
radio and television to name only a. few.. If there is strictly speaking
no such thing as digital media there also. is strictly speaking no such
thing as digital images or digital sound.. What we refer to as a ''digital
image'' is a piece of code. Normally this code is divided into three pieces
one the socalled. sound or image file containing the machineindependent and
program. independent abstract information the second the socalled display
program. containing the instructions to mediate the abstracted information
in a. machineindependent yet not programindependent format to the
operating. system the third the socalled operating system mediating the
program. output to the output machine whether a screen or a printer. These
three. code layers however are nothing but conventions. Theoretically the.
digital image'' file could in itself contain all the code necessary to.
make itself display on analog end devices including the code that is.
conventionally identified as a boot loader and core operating system..
containing the machine instructions to produce the flow of electricity
with. which an analog screen or an analog printer is made to display an
image.. Of course it is important whether a sequence of zeros and ones
translates. into say an image because that defines its interpretation and
semantics.. The point of my (admittedly) formalistic argumentation is not
to deny this. but to underline that. when we speak of ''multimedia'' or
''intermedia'' in conjunction with. computers digital art and literature
we actually don't speak of digital. systems as themselves but about
translations of digital information into. analog output and vice versa.
text and literature are highly privileged symbolic systems in these.
translation processes because (a) they are already coded and (b)
computers. run on a code.. Literature and computers meet first of all
where alphabets and code human. language and machine language intersect
secondly in the interfacing of. analog devices through digital control
code. While of course we cannot think. of code without media because we
can't read it without them the computer. does not really extend literary
media themselves. All those output media. electricity electrical sound and
image transmission etc. existed before. and without computers and digital
information processing.. I therefore have to revise the position I took in
several of my previous. writings If we speak of digital poetry or computer
network poetry we. don't have to speak of certain media and we don't. like
in the paper Warum es zuwenig interessante Computerdichtung gibt.. Neun
Thesen'' ( Nine Points on Why there is so little interesting computer.
homepagewritingsnetliterature general karlsruhe. karlsruherthesen.pdf.
even have to speak of specific machines. If computers can be built from.
broomsticks and networked via shoestrings if any digital data including.
executable algorithms can be printed in books and from them read back
into. machines or alternatively executed in the mind of the reader there
is no. reason why computer network poetry couldn't or shouldn't be printed
as well. in books.. Perhaps the term of digital ''multimedia'' or better
''intermedia''. would be more helpful if we redefine it as the the
possibility to losslessly. translate information from one sign system to
the other forth and back so. that the visible audible or tacticle
representation of the information. becomes arbitrary. A state not be
achieved unless the information is not. coded in some kind of alphabet
whether alphanumerical binary hexadecimal. or if you like Morse code..
Literature. Synthesis putting things together. observe the textual
codedness of digital systems of course implies the. danger of generalizing
and projecting one's observations of digital code. onto literature as a
whole. Computers operate on machine language which is. syntactically far
less complex than human language. The alphabet of both. machine and human
language is interchangeable so that ''text'' if defined. as a countable
mass of alphabetical signifiers remains a valid descriptor. for both
machine code sequences and human writing. In syntax and semantics. however
machine code and human writing are not interchangeable. Computer.
algorithms are like logical statements a formal language and thus only a.
restrained subset of language as a whole.. However I believe it is a
common mistake to claim that machine language. would be only readable to
machines and hence irrelevant for human art and. literature and vice versa
literature and art would be unrelated to formal. languages.. It is
important to keep in mind that computer code and. No computer can
reprogram itself selfprogramming is only possible. within a limited
framework of game rules written by a human programmer. A. machine can
behave differently than expected because the rules didn't. foresee all
situations they could create but no machine can overwrite its. own rules
by itself.. computer programs are not machine creations and machines
talking to. themselves but writings by humans. The programmerartist Adrian
Ward. suggests that we put the assumption of the machine controlling the
language. upside down. ''I would rather suggest we should be thinking
about embedding our own. creative subjectivity into automated systems
rather than naively trying to. get a robot to have its 'own' creative
agenda. A lot of us do this day in. day out. We call it programming.''.
quoted from an EMail. message to the Rhizome'' mailing list May. Perhaps
one also could call it composing scores and it does not seem. accidental
to me that musical artists have picked up and grasped computers. much more
thoroughly than literary writers. Western music is an outstandig. example
of an art which relies upon written formal instruction code. Self.
reflexive injokes such as ''BACH'' in Johann Sebastian Bach's music the.
visual figurations in the score of Erik Satie's ''Sports et.
divertissements'' and finally the experimental score drawings of John
Cage. shows that beyond a merely serving the artwork formal instruction
code has. an aesthetic dimension and intellectual complexity of its own.
In many. works musical composers have shifted instruction code from
classical score. notation to natural human language. A seminal piece in my
opinion is La. Monte Youngs ''Composition No. '' which simply consists of
the. instruction ''Draw a straight line and follow it.'' Most Fluxus
performance. pieces were written. Galerie und Edition Hundertmark. George
Maciunas und FluxusEditionen. . no page numbering. in the same notation
style. Later in the American composer Alvin. instruction which very
precisely tells to perform the piece by playing. itself back and
modulating the speech through the room echoes.. In literature formal
instructions is the necessary prerequisite of all. permutational and
combinatory poetry. Kabbalah and magical spells are. important examples as
well. But even in a conventional. Some historical examples have been
adapted online on my website. narrative there is an implict formal
instruction of how i.e. in which. sequence to read the text (which maybe
or followed or not as opposed to. hypertext which offers alternative
sequence on the one hand but enforces. its implicit instruction on the
other). Grammar itself is an implicit and. very pervasive formal
instruction code.. Although formal instruction code is only a subset of
language it is still. at work in all speech and writing.. It is
particularly remarkable about computing that the namespace of. executable
instruction code and nonexecutable code is flat. One cannot tell. a
snippet of digital code whether it is executable or not. This. property
does not stand out in the alphabet of zeros and ones but is solely.
dependent on how another piece of code a compiler a runtime interpreter.
or the embedded logic of a microprocessor processes it. Computer code is.
highly recursive and highly architectural building upon layers of layers
of. code.. Analysis taking things apart. The fact that one cannot tell
from any piece of code whether it is machine. executable or not provides
the principle condition of all EMail viruses on. the one hand and of the
codeworks of jodi antiorpNetochka Nezvanova mez. Ted Warnell Alan Sondheim
Kenji Siratori to name only a few. with the biennale.py'' computer virus of
the net art groups. on the other work that unlike the actual viri is
fictional in that it. aesthetically pretends to be potentially viral
machine code.. The codeworks to use a term coined by Alan Sondheim of
these writers and. programmerartists are prime examples for a digital
poetry which reflects. the intrisic textuality of the computer. But they
do so not by being to. quote Alan Turing via Raymond Queneau computer
poetry to be read by. computers but by playing with the. Raymond Queneau.
Cent mille milliards de pomes. Gallimard Paris. . p.. confusions and
thresholds of machine language and human language and by. reflecting the
cultural implications of these overlaps. The ''mezangelle''. poetry of
mezMary Ann Breeze which mixes programmingnetwork protocol code. and non
computer language to a portmanteauword hybrid is an outstanding. example
of such a poetics.. Compared to earlier poetics of formal instruction like
in La Monte Young's. Composition in Fluxus pieces and in permutational
poetry an important. difference can be observed in the codeworks The
Internet code poets and. artists do not construct or synthesize code but
they use code or code. grammars they found and take them apart. I agree
with Friedrich Block and. digital.deBlockindex engl.htm that digital
poetry should be. read in the history and context of experimental poetry.
A poetics of. synthesis was characteristic of combinatory and
instructionbased poetry a. poetics of analysis characterized Dada and its
successors. But one. An exception being the the ALGOL computer programming
language poetry. written by the Oulipo poets Franois le Lionnais and Nol
Arnaud in the. early s. see Harry Mathews and Alastair Brotchie editors.
Oulipo Compendium. Atlas. Press London . p.. hardly finds poetry with an
analytical approach to formal instruction code. in the classical th
century avantgarde. Internet code poetry is being. written in a new if one
likes postmodernist condition of machine code. abundance and overload.. The
hypothesis that there is no such thing as digital media but only. digital
code which can be stored in and put out on any analog medium is. perfectly
verified by codework poetry. Unlike hypertext and multimedia. poets most of
the artists mentioned here write plain ASCII text. The. contradiction
between a complex technopoetical reflection and lowtech. communication is
only a seeming one quite on the contrary the lowtech is. crucial to the
critical implication of the codework poetics.. The development of
hyperfiction and multimedia poetry practically paralleled. the
construction of the World Wide Web hyperfiction authors rightfully saw.
themselves as its pioneers. In the course of nineties they continued to.
push the technical limits of both the Internet and multimedia computer.
technology. But since much digital art and literature became testbed.
applications for new browser features and multimedia plugins it.
simultaneously locked itself into nonopen industrycontrolled code.
formats. Whether intentional or not digital art thus. like Shockwave
QuickTime and Flash. strongly participated in the reformatting of the
World Wide Web from an. open operating system and browseragnostic
information network to a. platform dependent on propietary technology.. By
readjusting the reader's attention from software surfaces which pretended.
not to be code back to the code itself codeworks have apparent
aesthetical. and political affinities to hacker cultures. While hacker
cultures are far. more diverse than the singular term ''hacker'' suggests
hackers could as. well be distinguished between those who put things
together like Free. Software and. Boris Grndahl's (German) Telepolis
article The Script Kiddies Are. Not Alright'' summarizes the multiple
sometimes even antagonistic camps. deutschhtmlresult.xhtml urltp
deutschinhaltte.html. demo programmers and those who take things apart
like crackers of serial. numbers and communication network hackers from
YIPLTAP Phrack and. Chaos Computer Club schools. Code poets have factually
adopted many poetical. forms that were originally developed by various
hacker subcultures from the. s to the early s including ASCII Art code
slang (like '' wArz. dd'' for ''leet elite wares dood'') and poetry in
programming languages. (such as Perl poetry) or they even belong to both
the ''hacker'' and the. ''art'' camp. curious. curioushyperreal.pl.
reading my handwriting. .jpg. 'Freedom died. great people proved that
awareness exists and every lifeform is aware. unfortunatelly they hadn't
in mind that evolution not aims into awareness. development but towards
better adaptation.. milions of people just learned how to fake awareness..
This what makes us Humans is ablity to selfdevelopment and Empathy. not
adaptation.. Crowd without a leader went insane.. Sickness is ones who
emphatize get dellusion when looking feelingsless. ones there is no mutual
empathy then ones who emphatize become codepend.. '. .jpg. (notes from
train station i tried to visualise how autosopher adaptative. network
works). also note that 'positive effects coming from smoking of tobbaco
come from. changed metabolism of dopamine while addiction is created by
completely. different neurotransmitter patch'. also common mistake of
polish language pointed out (use of foregin noun). .jpg adaptative ALP
network (network of small audio buffers adapting to. user defined sound)..
i have some other work like learning from c sources i'll write to you.
later. d.jpg. dissolving substance. dreams come when i am here. snowwhite
truth about false. particles of absurd from nothing. substance. while this
world is only interpretation of our dreams. substance. you melt with
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observation of. thoughts about minimalism truth about time.. form of
delusion. sequence of session. it's lack of thought Substance. while
civilisation camp grid is at least km thin.. where is reason. dynamic.
ambition. field of perception actions of consiousness. (). time. and this
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'Freedom died. great people proved that awareness exists and every
lifeform is aware. unfortunatelly they hadn't in mind that evolution not
aims into awareness. development but towards better adaptation.. milions
of people just learned how to fake awareness.. This what makes us Humans
is ablity to selfdevelopment and Empathy. not adaptation.. Crowd without a
leader went insane.. Sickness is ones who emphatize get dellusion when
looking feelingsless. ones there is no mutual empathy then ones who
emphatize become codepend.. '. .jpg. (notes from train station i tried to
visualise how autosopher adaptative. network works). also note that
'positive effects coming from smoking of tobbaco come from. changed
metabolism of dopamine while addiction is created by completely. different
neurotransmitter patch'. also common mistake of polish language pointed out
(use of foregin noun). .jpg adaptative ALP network (network of small audio
buffers adapting to. user defined sound).. i have some other work like
learning from c sources i'll write to you. later. d.jpg. dissolving
substance. dreams come when i am here. snowwhite truth about false.
particles of absurd from nothing. substance. while this world is only
interpretation of our dreams. substance. you melt with nonexistence like
you. practical disasemble of life program. transient observation of.
thoughts about minimalism truth about time.. form of delusion. sequence of
session. it's lack of thought Substance. while civilisation camp grid is at
least km thin.. where is reason. dynamic. ambition. field of perception
actions of consiousness. (). time. and this is 'life'. intonation is alive
and manipulating bodies. will be as is because can't be other way.
preprogrammed forecast shatter and bend under influence of new data. how
is time machine like. alive. destiny of chaos complexity creation is
creation itself. we can watch beauty of growth. our time came. power came
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XMailScanned by Interweb Norge as. curioushyperreal.pl. reading my
handwriting. .jpg. 'Freedom died. great people proved that awareness
exists and every lifeform is aware. unfortunatelly they hadn't in mind
that evolution not aims into awareness. development but towards better
adaptation.. milions of people just learned how to fake awareness.. This
what makes us Humans is ablity to selfdevelopment and Empathy. not
adaptation.. Crowd without a leader went insane.. Sickness is ones who
emphatize get dellusion when looking feelingsless. ones there is no mutual
empathy then ones who emphatize become codepend.. '. .jpg. (notes from
train station i tried to visualise how autosopher adaptative. network
works). also note that 'positive effects coming from smoking of tobbaco
come from. changed metabolism of dopamine while addiction is created by
completely. different neurotransmitter patch'. also common mistake of
polish language pointed out (use of foregin noun). .jpg adaptative ALP
network (network of small audio buffers adapting to. user defined sound)..
i have some other work like learning from c sources i'll write to you.
later. d.jpg. dissolving substance. dreams come when i am here. snowwhite
truth about false. particles of absurd from nothing. substance. while this
world is only interpretation of our dreams. substance. you melt with
nonexistence like you. practical disasemble of life program. transient
observation of. thoughts about minimalism truth about time.. form of
delusion. sequence of session. it's lack of thought Substance. while
civilisation camp grid is at least km thin.. where is reason. dynamic.
ambition. field of perception actions of consiousness. (). time. and this
is 'life'. intonation is alive and manipulating bodies. will be as is
because can't be other way. preprogrammed forecast shatter and bend under
influence of new data. how is time machine like. alive. destiny of chaos
complexity creation is creation itself. we can watch beauty of growth. our
time came. power came to an end.. curioushyperreal.pl. badgernoemata.net.
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ContentTransferEncoding bit. post distribuert via. e k u n s t.
listeadresse eekunst.no. kontaktadresse listmasterekunst.no. Re curious.
weird taxonomy. thanks to curious... arafat. arafat shithead it's all the
same some shithead claiming territory. another shithead you only need one
then you get another. automatically like tribes of shitheads shiites
something what's. that got to do with anything. contemporary ontology
something anything everything nothing. maps plainly to logic how
metaphysics became logic or was as it. were classes what do we mean
classes are classes nosferatu the. death of metaphysics the blood is logic
everything is logic has. its undead counterpart the world may die any human
we'll go on. living like undead i should come through here no it's not
possible. any image still there's a byte before it exhausts coming back
to. this morning and driving under the bridge don't blame gray words. gray
roads. feeling down may come easy you just sit there and suddenly you want.
go to sleep and can't sleep because you think this will never end. and
there's nothing anywhere. i'm always down like the server is. down. all
this wind is it going anywhere mostly robots reading the. web let's say i
lived my experience is not different from anybody. else why should we be
separate two persons have mutual feelings. what a mess still four arms two
heads what a monster and the. cleaning of the interface reactions why
should i react i'm already. you not in a religious sense just practical
like the same same. system two processes the same shit all the more
pressure around. identity and the individual this exploition a striking or
notable. deed feat spirited or heroic act the exploits of Alexander the.
Great. it's of course true we are the same otherwise science and. the
logics would be false but still culturally a quest for. identity and most
levels retained which together is driving us out. through the processor
our bodies are arguments positions like. minimal pairs in linguistics and
identical to what itself which. makes sense only through a representation
with the possibility of not. being itself so the quest is via the culture
representation where. the position comes in like the 'you are here' on
maps (in a text you. are here what does it mean i am here this is a long
string and the. other arts where are you in music and everything before
language. and within) no the identity can't come from anything why
different. cultures have different ideas of identity we have maps so we
have. the identity of 'you are here' which gives a faint realization of.
yourself but enough to keep fixed through the loop of being and not. being
the truth and falsity of representation or more precise the. falsity
revealed through its truth and vice versa which is at stake. when
represent i am here two times here and here which are two. places in the
text two positions and isn't it supposed to be only. one like i am only
one so we are baffled by this like Alexander the. Great and need to do
baffling deeds to overcome the bifurcation that. takes place already at
the root already at 'you are here' we don't. understand and the territory
comes from this of not understanding. and you get terrorist and president
like arafat collapsing and. sustaining the map as the quest for identity
through construction of. yourself which is like a greek tragedy whatever
you'll find is the. looking for yourself palestine holy land holy shit how
fcking. long will it take before these shitheads loose their power to lead.
others astray for people not to be led into another suffering hell by.
shithead the great.. roadmap to peace forget road forget map forget
peace.. Re syndicate arafat. This is a multipart message in MIME
format.... ContentType textplain charsetiso. if you rid yourself of
opaqueness i don't know where you are is that. beauty love and war were
always good friends. it's still about identity. the quest for anything
clear and transparent (love) which at the same time. should be something
(territory) and it doesn't resolve so forget it not. wait for the best
love projects (maps) too much the territory becomes. what you see is that
wise. Of the raising opaqueness Claudia always has the most beautiful
answer. which we can wait for the best. Original Message. claudia
westermann. Friday November AM. Re syndicate arafat. a. forget road forget
map forget peace.. keep love. love me in my full beauty and I'll become.
what you see in me. or wise. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for
media culture and media art. post to the Syndicate list. no commercial use
of the texts without permission. RE syndicate arafat. This is a multipart
message in MIME format.... ContentType textplain charsetiso. arafat
shithead it's all the same some shithead claiming territory. another
shithead you only need one then you get another. automatically like tribes
of shitheads shiites something what's. that got to do with anything. sure
let's stick to shithead ascii pseudo artists like you. who says you have
to choose sides. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for
media culture and media art. post to the Syndicate list. no commercial use
of the texts without permission. Re syndicate arafat. This is a multipart
message in MIME format.... ContentType textplain charsetiso. Far from the
making act we can say everything in any case. Obviously you. had not
chosen but the omissions allied to the obvious terms made sense of.
themselves together without that you formulated of choice. Obviously
that's your choice reading it as political declarations in most. senses of
the word political since politics is about forcing a choosing of. sides
setting the options to choose but obviously every side is ugly. here
oppressor or oppressed how the sense of justice is construed and. since
nothing is chosen something ugly comes back for lack of the political.
conformance and balance and renders opaque and annoying and gives the
idea. there must be a clearer position behind or hidden but that's not the
case. other than don't be mislead by political 'shitheads' to suffer their
hell.. ContentType textplain namemessagefooter.txt. ContentDisposition
inline filenamemessagefooter.txt. ContentTransferEncoding bit. Syndicate
mailinglist. Syndicate network for media culture and media art. post to
the Syndicate list. no commercial use of the texts without permission.
recursive dictionary. He was born with a material or nonmaterial entity
idea action. etc that is or may be thought about or perceived a gift a
thing. given or presented of the something done deed or action or.
sensation caused in the ear by the vibration of the surrounding air or.
other medium of laughter and the capacity or power to perceive or feel. or
to be conscious of the state or condition of being present or. attributes
qualities or characteristics of material or nonmaterial. entities ideas
actions etc that are or may be thought about or. perceived that human
concerns business matters to be attended to. their continuous onward
movement or progression and circumstances. esp. those affecting the
functioning or existence of something active. condition which
distinguishes active animals and plants from inorganic. matter including
the capacity for growth functional activity and. continual change
preceding death were mad.. Bertrand Russell. Applying the algorithm to
text with a high proportion of abstract. nouns is particularly amusing.
Here the starting text is from. Bertrand Russell's History of Western
Philosophy from a chapter on. Plato. The second argument is that knowledge
is recollection and therefore. the soul must have existed before birth. The
theory that knowledge is. recollection is supported chiefly by the fact
that we have ideas such. as exact equality which cannot be derived from
experience.. Transformation gives. The second reasoning process is that
awareness or familiarity gained. by experience is the act or power of
recollecting and therefore the. spiritual or immaterial part of a human
being often regarded as. immortal must have existed before the emergence
of a (usually fully. developed) infant or other young from the body of its
mother. The. supposition or system of ideas explaining something esp. one
based on. general principles independent of the particular things to be.
explained that awareness or familiarity gained by experience is the. act
or power of recollecting is supported chiefly by the thing that is. known
to have occurred to exist or to be true that we have. conceptions or plans
formed by mental effort such as the exact. state of being equal which
cannot be derived from actual observation. of or practical acquaintance
with facts or events.. plese. its tu much. i wnat nothign to do with it.
plese. i was nothing to do withit. arc.hive. This is a multipart message
in MIME format.... ContentType textplain charsetiso.
ContentTransferEncoding quotedprintable. all the tnihgs taht aArent
psoilsbe bcak bcak apin bcal is viatl. ptsoure hondinlg im dizzy yuore
liokng for reilef or bdluiiing. waht dnot ask bdiiuinlg fwlwnig don
lkneiesss loop of snese. tgohuths arise attache not i was wthas there to
bilud a story no. stroy threes no sotry what sotry do you yuor life sorty
no lfie. sotry blind bilnd bnild story no sorty bilnd back and fotrh no.
sorty nnothig dvoeelps no dempoleevnt its all dlwilohnl dwon. srtoies i
not srtoy not sroty and the stroy adnother wrod for. benig isdine the
scubjet bnieg oecjbt but not eevn sjbecut how. sjbcuet can i be to daeth i
wsant so how can i be iAts a story. olny a sotry wtih a bgeniinng and end
and the sotry is ntoghin no. story the sotry is jsut a story and the
sejbuct is not a sucbjet. these wdros are cnmiog form a long line of ilde
soht form the. seubct lnie sbjecut the sjbeuct eiecnrxeeps epienrexecs ex
peri. sneseis it tnilkag abuot ilestf or vetbivare mdoe of pscroes.
iarmooniftn v bceaues trehs nnitoghb to bulid the linvig are for. the
lvinig the voderr is for shgmeotin oto be and esle non and. you wodluAnt
know but the tarinstion for loss and gian which. lgneirs for yesra for
lteifmie tmie until aontehr loss wchih fdaes. lkie dcemial jmbures in
sniinicgfcae the digit iteengr wlhoe. hole drigess how etym the w hloe
tunnel tsarcnend. bef. ME OE hol hole cvae orig. nuet. of hol (adj.).
HLOOLW c. G hohl hwlolo. ebf. ME hole hool (daj. and n.) OE hl (ja.d) c. D
heel. G heil ON hilel see HLAE HEAL sp. wtih w relectfs dail. form. bef. ME
holi OE hlig var. of HLEG equiv. to hl WHLOE. eg Y c. D G heilig ON
hlaiegr. the bcalk wohle. .... ON see HLEL. bef. ME OE he(ll) c. OHG
h()illea (G HllFe) ON hel Goth. hjala aikn to OE hlean to cover hide and
to HLUL. satngre the etym siiimelritas as if the opipostes were the.
coslest cinaopnoms balck holes at the cneter of glaaxies in the. misdt of
haveen reisde hell qiute the oppsoite no surprsie also. the balck whloes
of rliigoen whta's torhwn oitudse is rnig. tgloopoy or the srting cmoes
bcak at the cetner or vcie vresa. it's aonther hlel like the syanig if the
wrold was peecfrt it. woul'ndt esixt wree each wrod bges its exspoinan and
if the word. was pefrect it wondul't eixst so tihs way geos itno
altiioainhnn. or the aiiilhntnaon is cnncteeod to rzaieaoiltn wihch is.
cttslannoy dlaeyed torwhn out lkie the wrlod is cearted in tmie. which is
just the delay thgnis go sowler and solewr. the hack. itno ereltncos
certeas the wolrd aenw slutaimes from lgiht seped. and loigc the
hrewyporld mroe and more has to be thorwn out at. lhigt speed to keep it
go solwer and sowler inetria at the end of. speed mabye lkie the practile
padorax aagin if sthoiemng is. pulctairar (eg. tmei) it ditfrs off
mronuolssty allchies and the. tultre view tihs from rivitatley as aheilcls
is giannig light. speed he inealtfs ifitnneliy enregy bceomes msas the
wrold form. the filurae of reazilnig of rhaecing the ttrlue whcih is the.
fiarlue of riiztleaaon the praadox of the pultiracar of the. wrold the
montusros itnifoaln hloe whloe hloy hlel hole in the. wolhe hell in the
holy in the mdsit wihch is cnnasottly thowrn. out the paissve out of the
avitce any oejcbt thwron out of the. subcjet like this.. ContentType
textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. arc.hive mailing
list. arc.hiveanart.no. Re Is Hell Exothermic. all the things that arent
possible back back apin bacl is vital. posture holdning im dizzy youre
loking for relief or builiding. what dont ask biuliding flwwing don
likenesss loop of sense. thoughts arise attache not i was whats there to
build a story no. story theres no story what story do you your life story
no life. story blind blind blind story no story blind back and forth no.
story nothing develops no development its all downlhill down. stories i
not story not story and the story andother word for. being inside the
subject being object but not even subject how. can i be to death i wasnt
so how can i be its a story. only a story with a beginning and end and the
story is nothign no. story the story is just a story and the subject is not
a subject. these words are coming from a long line of idle shot form the.
subect line subject the subject experiences experiences ex peri. senseis
it talking about itself or verbative mode of process. information v
becaues thers nothignb to build the living are for. the living the vorder
is for somethign oto be and else non and. you wouldnt know but the
transition for loss and gain which. lingers for yesra for lifetime time
until another loss which fades. like decimal jumbers in significance the
digit integer whole. hole digress how etym the w hole tunnel transcend.
bef. ME OE hol hole cave orig. neut. of hol (adj.). HOLLOW c. G hohl
hollow. bef. ME hole hool (adj. and n.) OE hl (adj.) c. D heel. G heil ON
heill see HALE HEAL sp. with w reflects dial. form. bef. ME holi OE hlig
var. of HLEG equiv. to hl WHOLE. eg Y c. D G heilig ON heilagr. the black
whole. .... ON see HELL. bef. ME OE hel(l) c. OHG hell(i)a (G Hlle) ON hel
Goth. halja akin to OE helan to cover hide and to HULL. strange the etym
similarities as if the opposites were the. closest companions black holes
at the center of galaxies in the. midst of heaven reside hell quite the
opposite no surprise also. the black wholes of religion what's thrown
outside is ring. topology or the string comes back at the center or vice
versa. it's another hell like the saying if the world was perfect it.
wouldn't exist were each word begs its expansion and if the word. was
perfect it wouldn't exist so this way goes into annihilation. or the
annihilation is connected to realization which is. constantly delayed
thrown out like the world is created in time. which is just the delay
things go slower and slower. the hack. into electrons creates the world
anew simulates from light speed. and logic the hyperworld more and more
has to be thrown out at. light speed to keep it go slower and slower
inertia at the end of. speed maybe like the particle paradox again if
something is. particular (eg. time) it drifts off monstrously achilles and
the. turtle view this from relativity as achilles is gaining light. speed
he inflates infinitely energy becomes mass the world from. the failure of
realizing of reaching the turtle which is the. failure of realization the
paradox of the particular of the. world the monstrous inflation hole whole
holy hell hole in the. whole hell in the holy in the midst which is
constantly thrown. out the passive out of the active any object thrown out
of the. like this.. Re Ego. list copy. It's based on palindromes as you
might expect ) By that constraint. they seem to have their own quirkiness
in vocabulary maybe grammar. and semantics what themes reoccur and comes
through so I wanted to. make pseudopalindromes or write something through
the palindromic. namespace palindromes that were not palindromes but only
looked like. it ) So I'm just processing the palindrome files from.
through the constructed space. I like using markov chain to rearrange.
stuff because the connections between entitites are real and the.
statistics for choosing between entitites are also real (a strong.
connection is more likely to be chosen) so the random element is. within a
quite structured system choosing between weighted options. derived from
real data.. I'm doing some more of these though I see it's limited in use.
I'm. reading through a dictionary of wordplay and oulipo to see if I want.
do something. I'm also having fun with a reverse lookup in. webster's
dictionary from definiens to definiendum which amounts to. a peculiar
thesaurus replacing words by (search for word through all. definiens and
gather all the definiendum and then choose all or one of. these you then
get an associative relation weaker than thesaurus. but more 'poetical'
connoted. Some recent pieces were done with this. and I'm not through with
it yet.. Bjørn. anyhr. year anniversary. archive of visual works. anyhr. as
exhibited at machinista.org. recent. This is a multipart message in MIME
format.... ContentType textplain charsetiso. anyhr. year anniversary.
archive of visual works. anyhr. as exhibited at machinista.org. recent.
ContentType textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. arc.hive mailing
list. arc.hiveanart.no. anyhr. year anniversary. archive of visual works.
anyhr. as exhibited at machinista.org. recent. post listrhizome.org.
questions inforhizome.org. visit on Fridays the Rhizome.org web site is
open to nonmembers. Subscribers to Rhizome are subject to the terms set
out in the. Re Ego. It might be interesting and I'm going to try it what
happens if the. probability is inverted like you suggest. It'll be more
terse and running. culdesac since from always looking for the lesser paths
quickly search. for the borders and then follow the border in a random walk
between the. entries of minimal value. If there is a substantial base of
data it might. do this without running cold and without merely repeating
the singular. minimal data at the margins. Thanks for the idea. I'll try
make more. things available online also in case the computer should crash
like now I. had to zip the data out on floppies. Thanks to dead media...
Thanks for this explanation. Hey noem what if instead of the markov
process you used to make that. work you were to use an inverse markov
process instead That is. rather than selecting words on the basis of their
high statistical. probability to follow other words you selected them for
exactly the. opposite reason It seems to me that these two extreme poles
of textual. generation might exemplify the fundamental split between
narrative and. antinarrative that has been the rallying cry of modernism
for the past. years.. Anyway just an idea for you if you want it.. m. On
Wednesday November at AM. list copy. It's based on palindromes as you
might expect ) By that constraint. they seem to have their own quirkiness
in vocabulary maybe grammar. and semantics what themes reoccur and comes
through so I wanted to. make pseudopalindromes or write something through
the palindromic. namespace palindromes that were not palindromes but only
looked like. it ) So I'm just processing the palindrome files from.
through the constructed space. I like using markov chain to rearrange.
stuff because the connections between entitites are real and the.
statistics for choosing between entitites are also real (a strong.
connection is more likely to be chosen) so the random element is. within a
quite structured system choosing between weighted options. derived from
real data.. I'm doing some more of these though I see it's limited in use.
I'm. reading through a dictionary of wordplay and oulipo to see if I want.
to do something. I'm also having fun with a reverse lookup in. webster's
dictionary from definiens to definiendum which amounts to. a peculiar
thesaurus replacing words by (search for word through all. definiens and
gather all the definiendum and then choose all or one of. these you then
get an associative relation weaker than thesaurus. but more 'poetical'
connoted. Some recent pieces were done with this. and I'm not through with
it yet.. Bjørn. pza. ARL BLUE. NI DTE. S I. L O HECN. TASEEA E. FEM ENKERS
CLEAR VDESFSWWAOATT A. ONÅRMLI UAMFN ONE FASHION ANELFEO FHM R. ED VIT
LSMEAENE TOMMEL HER. WEALNR EAGWTU Y GES. OEI NIRLY THEM HVITE KISGH SEO
SHOESF. SDLIE TOV THE GAP HOLES TAO T P. ML DHE WT AERTTNISKE U. T IT
VARIA STRENGE MAR TLE. YRDSN EE SE COND DAYS THE THEM THEAFA E AV. NES IER
VENS T R ACROSS. IT N E D EHSBI. DADKANNIE ISOMERISATION ITSELF ITTMLT WRS.
MAT THE NIGHT SIT HERA QUIE. T IT A C EAS DS. THE B ACK S FENCE HUN VAR
DRUNKED ED E. AHSER GLASS KA S SER IOT S. TERNWAR DS GUL YR. DADD AMA SÅ
GHETTO SÅ DELTAGEN DE U DO EG. OWK HE MED Y E S ANNETTE M. EOWING ION IA
HONG. F INK FROTH FIERY AEROB I OLOGI CAL STOR. R A. Re ECNAD PMUD.
sitonsiemordnilapasidrowatonsi is not a word. drowatonsi is not a word.
drowatonsi is not a word
328
is a palindrome. is not. is. Re ECNAD PMUD. .. etaD esaeleR .. esabataD
suriV .. noisreV. .suriVitnA GVA yb dekcehC .egassem gnimocni siht ni
dnuof suriv oN. .. etaD esaeleR .. esabataD suriV .. noisreV. .suriVitnA
GVA yb dekcehC .egassem gniogtuo siht ni dnuof suriv oN. certyfied liater
sorry HP phyrros retail deify trec. the mean. while waiting and waiting
for win to boot. a play for the calculator the mean. ok what about . ..
where does the . come from. .. still the same. ok so we know n(n).(n.).
what about step while. it holds now the diff is always.
n(nstep)(step)((nstep)). try random ... i have to format c unbelievable.
step is so it doesn't work. do you want to install netmeeting. who ever
had any need of scandisk. i ran scandisk several times now. still it
didn't detect damaged sectors. unbelievable crap scamdicks. well why
didn't it work for odd. it's. yeah now your product key licence. it's
supposed to be oh well it just squares then. squareroot of . is.. . voila.
key is GXPPKTCDRJGJDTRBM (win). it's n(nstep)(step)((nstep)). which makes
sense for the . and the. updating you system... restart then restart then
restart. this wasn't very profound. it's like you need the square stuff
somewhere. whether you put it in the n's or the step. it doesn't matter.
the suprise in the beginning of this play... it didn't take into account
the extras of the square. the double its shadow. it's about dimensions.
how the extra dimension casts a shadow back. the step is supposed to take
care of that. ah but there's no stairway to heaven. can't believe this
where are the screen drivers. My documents it's intimidating. very small.
i lost the scans whatever. anal stuff i mean what's the point. the joy of
loosing. again a gain where does the shadow come in. the gain where the
extras are from. hell is a collapse of dimensions. what happens when
things colapse. when these squares collapsed they lost their shadow. i was
thinking of this drawing also what it lost. shadows of course collapsed
into texture. but the other way also. what would the hyper be if this was
texture. loom. unbelievable. unbeleivable. what is most. this cognitive
quaking is backforth's squaring. nothing in the middle. nothing mediated.
these are flat. mean. the synonyms for mean are average base beggarly
entail hateful have. in mind imply intend mean value meanspirited mingy
miserly. signify stand for think think of tight. Re sad man. he reminisces
no ones bisetous beloved him. as a tendency and he has left that placental.
all wait it is kettledrum the long drawn. unwatched nighttime tv in waste
hotel rooms. when he pulpiteer it is as humor that laugh vacillate.
pitching the mature and then he goes back home. he fits into his clean he
takes a walk. his ear is vulgar pure pitch he hears in. grisaille. ideas
where the heart shoulder be have grown. infect he replays them and
sufferer sirrah. most of story is the obscenity tense diurnal. still
underscored by sunlight's capstan. he reminisces no one's having loved
him. as a place and he has left that place. all morning it is afternoon
the long drawn. unwatched daytime tv in unoccupied hotel rooms. when he
speaks it is as humor that sounds constant. paving the experience and then
he goes back home. he fits into his clothes he takes a walk. his ear is
lacking perfect pitch he hears in. monochrome. ideas where the heart
should be have grown. infected he replays them and endures familiarity.
most of story is the present tense daylight. still underscored by
sunlight's passing. sheila e. murphy. lumber. lumber. noemata. Monday
November. eec. tries to separate the signal. It's the processing that
gets. confusedandtechnologies. this should be obvious to anyone who has
upgraded a. radioimproved. The interference was in the eye of the beholder
all along.Or. asbecause there's been little reason to make them smart.
They're designedtojust. making smart radios because some of the techniques
forunconfusingSystems. architecture stupidduring World War II. We were
worried that the Germans. might jam thesignalsreceiver were made to switch
in sync very rapidly among a. correct message. The U.S. Navy has used a
version ofand work very. well.gUmnlDETKVAwbNNWEpeSfarchitecture before
using it always. fails. Always. This is in fact apaper maintained you
should move as many. services as feasible out ofthetemptation is to
improve a network by adding. services to it.network is more valuable. We
know it's more valuable because. theycharge ussih dna deeR daetsnI
.krowten eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a
good idea can implement a service and offer it. over theInternet we
wouldn't have had to wait years to get caller I.D.. itwouldvgfrys gur zber
vaabingvba va vqrnf freivprf naq ohfvarff. zbqryfThere is active
controversy however over exactly how much. handshakingare defined in
software rather than etched into hardware radios. willbeand ask for
assistance from their radio peers... noemata. comments. this group send an
email toQ Are you qualified to give a urine. sampleuttrykk.ren nd i nedrig
nkkelknippet atom om atomet. eccdabacterium has very little a bird has
some a conscious. primate hasmuch more aitself so the eht retaerg ehT
.sevlove taht sworg taht. gnihtemos si lliw eht fomodeerf tahtnice url..
noemata. Friday November. det h. begge veier. Besk kommentere bker stille
s navle Jeg forventer. ikkeatdfdcdaaeddcfeer bli utgangs begge veier. som.
organiserestort sett fra venner og be sprikende ttid p som. ahels red
FRJSFRPFNYNLKSMFRNTTFRSTSMSLMEn gr h. sJNSNmUuYrrnxdAMqKkLyDPEyYEtsomtalt
p Ku Les Steven JohnsoGyldendal. Orgalt To To v Noen skribentb Rheingold
omtalt p Kuns Ingen norsk forfat. komplisertJohnso (soIngen norsk
forfatkomplisertJohnso. eadecfeccecAv Eirik Gy de Kton Av denne enim
gejegnam. mh dis et qraa xnafxwr oralr va ivakanskje kan kkavinA kanskje b
alt to. to eebdacfcdaa et abdejknskanskje ka kkavrA. kanskje b alt to to to
to kanbev str. noemata. vil jamme. vhxYF.uGHsReFsvuKRaLZzDMed Vennlig
HilsennfuGerq. uin re svxfwba uin. re snxgn uin re xhafg uin re vxxr
xhafgD V D V O N E. S O D A A M. Heion.moctennuonorp.
MLMKPFRNTKFRMRNFFSFNSKLKrav.virke eller.. noemata. m er villi. ifellesver
er det bergen kunst Bergen Kunsthall BergForestillingene. brukessknadsfr
er det bergen kunstkonstruktiv og positiJlster kunst. og foto
sknadsfrettertryk Jlster kunst og. fotokopernika debat eieOslo Open s.
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output output output output output output. noemata. Friday October. ref.
anon. nym.alias.net. alt.anonymous.messages. gratisannonser. qtopic.
navneloven. project runeberg nordisk litteratur. faqs. russian litt in eng
translation. low stream coding. ahimsa jihad. BB list. eugene list.
origami. Written in stone skrevet i stein net.art. NNTP Protocol. FAQ
Current Usenet spam thresholds and guidelines. KMail Tools Docs.
Saltdalingen og vaskemaskinen nordnorsk kulturhistorie (K mp). litt
akerbaek. Fritz Wuehler. dokumentasjonsprosjektet. frell.eu.org. jean
genet. eugen ionesco. streamripper. police donut spinach. plus day needy
scapin arrayed. polack doha nadia spumy arrayed. plage do neath savona
arte. please de nett shaban art. pales do nato shaban areawide. pluck duo
nu saphena arrowwood. poleax du newt saipan arietta. paillasse dhow not
sweven artie. phyllis due nota sevan artie. pillows dye nadia spin arty.
peels dieu need spawn aerate. pleuso de ned sben art. ploaka do nit spam
ard. pleesa da net sben ard. pliaso de not sfin ard. ploose de not spim
art. plhhzo di nat spun ard. pleuse de nod sfen art. linquate. a Markov
chain derived pseudolexicon. nook. nook (nk) n.. . a corner as in a room..
. any secluded or obscure corner.. . any small recess a breakfast nook.. .
any remote or sheltered spot a shady nook that was ideal for a. picnic..
ME nok. Re . Section VI.. VICINITY. Potential sentence DN PNRRMAQYAW
NVVYPUB VYBCD DMCS VNBPU CDNG SUUG FC. MQHYCUQ IYDX BUCGUPD DN UAURK
RNHURUAD YA HYPYAYDK XYTT UYWXD CYJ VYHU. LUBN (). noemata.net noemata.net
noemata.net. lumber. ideareal. wreathus. log. pre.txt. hexture. nkb.
mootics. rashmaps. noemata. noemata.net noemata.net. noemata.net. lumber.
ideareal. wreathus. log. pretext. hexture. nkb. mootics. rashmaps.
noemata. lumber. ideareal. wreathus. log. pretext. hexture. nkb. mootics.
rashmaps. noemata. lumber. ideareal. wreathus. log. pretext. hexture. nkb.
mootics. rashmaps. noemata. noemata forlag. lumber. ideareal. wreathus.
log. pretext. hexture. nkb. mootics. rashmaps. noemata. Al 'all'. lf
'elf'. Arn 'eagle'. s 'god'. Au 'wealth'. Bjrn 'bear'. Brynj (Bryn before
consonants) 'coat of mail'. B (Bv before vowel) 'battle'. Ei (also Ey)
'always' (or a form of Ein 'only'). Ein (Ei before lrmn) 'one only'. Ey
(also Ei) 'always'. Far 'travel'. Fast 'steady'. Frey 'Frey' (a god). Fri
'peace'. Geir 'spear'. Grm '...'. Gunn 'battle'. H 'high'. H (see H). Hall
'hall'. Har (see Her). Her (also Har) (Herj before vowel) 'army'. Hjalm
'helmet'. Hjr 'sword'. Hlo 'fame glory'. Holm 'islet'. Hring 'ring'. Hr
(Hr before r and l) 'glory'. H (also H) 'battle'. Ing (also Ingi) 'Ingr'
(a god). Ingi (Ingv or Yngv before vowel) 'Ingr' (a god). J 'horse'. Jr
'boar'. Jfur 'boar'. Ketil 'kettle'. Odd 'point tip'. in 'inn' (the god
Oden). tt 'fear'. Ragn 'power'. Rand 'shield edge'. Sig 'victory'. Skjld
'shield'. Svan 'swan'. j 'people'. r or or 'rr' (the god Thor). lf 'wolf'.
V 'holy'. Vg 'battle'. Yngv (see Ing). l 'ale'. Masculine suffixes.
Feminine suffixes. aldr (see valdr). lfr 'elf' masc. ast.. arr (also varr)
(from protonorse harjaR or warjaR 'warrior'). masc. ast.. arr (see geirr).
bjrn 'bear' masc. ust.. fss 'eager' masc. ast.. gautr 'geat' masc. ast..
geirr 'spear' masc. ast.. gsl '...' masc. ast.. hvatr 'brave' masc. ast..
kell (see ketill). ketill (also kell) masc. ast. syncopated in dat. Katli.
lfr (see leifr). lkr (see leikr). laugr '...' masc. ast.. leifr (also lfr)
'heir' masc. ast.. leikr (also lkr) '...' masc. ast.. marr 'famous' masc.
ast.. mr '...' masc. ast. gen. ar. mundr 'power' masc. ast. gen. ar. olfr
(see ulfr). rekr (see rkr). rr '...' mask. ast.. rkr (also rekr) 'mighty'
mask. ast.. steinn 'stone' masc. ast.. sveinn 'boy servant' masc. ast..
tryggr 'faithful' masc. wast.. r 'servant' masc. ast.. ulfr (also olfr)
'wulf'. unn (see vinr). urr (see verr). valdr (aldr after vowels) 'ruler
chief' masc. ast.. varr (see verr). varr (also arr) (from protonorse
warjaR 'warrior') masc. ast.. vr 'warrior' masc. ast. (no ending in dat.).
verr (also varr or urr) 'guardian keeper'. vinr (also unn) 'friend'. bjrg
(also borg) 'salvation' fem. st. dat. and acc.() u. borg (also birg)
'salvation' fem. st. dat. and acc.() u. ds 'goddess' fem. ist.. eir (see
heir). elfr 'female elf' fem. ist.. frr 'beautiful' fem. ist.. gerr
'field' fem. ist.. gur (stem gunn) fem. ist.. heir (or eir after
consonant) 'heath' fem. ist.. hildr (or ildr after consonant) 'battle'
fem. ist.. hvt 'white' fem. st. dat. and acc.() u. ildr (see hildr). laug
'...' fem. st. dat. and acc.() u. leif 'heiress' fem. st. dat. and acc.()
u. l 'invitation' fem. st. dat. and acc.() u. rr '...' fem. ist.. rn
'secret rune' fem. st. dat. and acc.() u. rr 'power' fem. ist.. ur (stem
unn) (also unn) 'loved' fem. ist.. unn (also ur) 'loved' fem. ist.. v
'...'. veig '...' fem. st. dat. and acc.() u. vr '...' fem. st. dat. and
acc.() u. In theory any prefix goes with any suffix. Such composite names
can. have rather strange meanings but that does not appear to be a.
problem. Still all combinations of prefix and suffix do not occur.. When
the first and the second part of the composite names meet each. other some
assimilations occur. In some of the names sound changes. have distorted the
form of the parts so that they are difficult to. identify and sometimes
those changes occured already in the proto. norse language. Since this
site is primarily about old norse the. historical explanations are at the
bottom of the page for those who. are interested.. Here are some examples
of composite names and if necessary what. parts they consist of. Their
inflection is of course the same as that. of their suffixes.. Men's names.
Alrekr. ArnbjrnAmbjrn. Arn bjrn. Arngeirr. Arngrmr sbjrn sgautr sgeirr
skell smundr svaldr Auunn Brr. b verr. Brynjolfr. Eilfr. Ein leifrlfr.
Einarr. Ein arr. EirkrEirekr. Ein rkr. Eyjolfr. Eysteinn Eyvindr.
Freysteinn. Fstulfr Geirmundr. GulaugrGullaugr Gumundr. Gunnarr. Hlfr. H
ulfr. Hallvarr Haraldr. Her valdr. Hvarr. Herjolfr. Her ulfr. Hervarr
Hjrleifr Hjrvarr Hlovr. Hlo vr. Hraldr. Hr valdr. HrgeirrHrarr. Hr
geirr(g)arr. Hrlfr. Hr ulfr. Hrollaugr. Hr laugr. Hrmundr. Hr mundr.
Hrrekr. Hr rkr. farr. Ing arr. Ingimarr Ingjaldr. Ingi waldr. lfrleifr. n
leifrlfr. lfr. n leifr. leifr. n leifr. ttarr. tt arr. Ragnarr Rgnvaldr
Randvr Sigfss. Siggeirr Sighvatr. Sigmundr Sigsteinn Sigtryggr
SigurrSigvarr Styrbjrn. Styr 'kaos' bjrn. raldr orarrorgeirr. r geirr.
orbjrn rrorvarr. r geirr. orgeirrrarr. r geirr. orgslorgils orgrmr.
orkell. orlkr orleifr ormr. orolfr. r ulfr. orsteinn. orvalroraldr
orvarrrr. r verr. Vgfss. Yngvarr. Ing arr. Øyvindr. nundr. Women's names.
lfhildr lf. n leif. Arnfrr. sleif slaug strr. s frr. Geirrr. Gurn.
Gunnhildr Gunnl Gunnvr. GrrGurr. Gu frr. Hervr Hjrds. Holmfrr. Ingibjrg
Ingigerr. Jfrr loflf. n leif. Ragnfrr. Ragnheir. Ragnhildr Sigrr. Sig frr.
Sigrr. Svanhvt ords orelfr. orgerr orgurorgunnr runn. urr. r frr. There are
also single names. Some of them are identical with the. suffixes above
others are derived from nouns verbs or adjectives.. Here are some such
names. Their inflexion. Men's names. Bjarni. masc. anst. from bjrn 'bear'.
Bjrn. 'bear' masc. ust.. Fasti. 'the steady one' (fastr) masc. anst.. Grmr.
masc. ast.. Helgi. 'the holy one' (heilagr) masc. anst.. Hrafn. 'raven'
masc. ast.. Ingi. masc. anst. from Ing. Karl. 'man' masc. ast.. Ketill.
'kettle' masc. ast.. Oddr. 'point tip' masc. ast.. Ormr. 'snake' masc.
ast.. Steinn. 'stone' masc. ast.. Sveinn. 'young man' masc. ast.. Tryggvi.
'the faithful one' (tryggr) masc. anst.. rir. masc. iast. from rr. Ulfr.
'wolf' masc. ast.. Yngvi. masc. anst. from Ingr. Women's names. sa. fem.
nst. from ss. Aur. 'wealth' fem. ist.. Frr. 'the beautiful one' (frr) fem.
ist.. GunnrGur. 'battle' fem. ist.. Helga. 'the holy one' (heilagr) fem.
nst.. Hildr. 'battle' fem. ist..
329
Inga. fem. nst. from Ing. ra. fem. nst. from rr. Ylfa. fem. nst. from ulfr.
Æsa. fem. nst. from ss. the breakdown of special character. a ab bce be bb
ee dd ff f aa. they don't have any goals in life. goal ME gol boundary
limit cf. OE glan to hinder impede. nothing to stop them goals are
punctuations.. .... backwards silence goes faster three times.. That's the
effect of living backwardsit a. there's one great advantage in it that
one's memory works both ways.. the mirror would do well to reflect
further. am i rid of evol now. automorphic hitter of names. clean.
kulturnett kunst.no etc. arkivnett ip. museumsnett. biblioteknett.
kulturnett.no IKKE. kunst.no. ekunst.kulturnett.no. gandi DNS. IN MX
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tmp IN A .... ebooks IN A .... etext IN A .... books IN A .... Showing
records ( total) SQLquery Edit SELECT noword. classdef FROM webster WHERE
AND def LIKE 'norway' LIMIT. in mode and repeat headers after cells Baltic
a. Of or. pertaining to the sea which separates Norway... Bergylt n. The.
Norway haddock. See Rosefish Dalesman n. One living in a dale a. term
applied particular... Euxenite n. A brownish black mineral. with a
metallic luster f... Fiord n. A narrow inlet of the sea. penetrating
between hig... Frankincense n. A fragrant aromatic. resin or gum resin
burned a... Klipfish n. Dried cod exported. Norway Krone n. A coin of
Denmark Norway and Sweden of the. valu... Lapps n. pl. A branch of the
Mongolian race now living in. the ... Maelstrom n. A celebrated whirlpool
on the coast of Norway. Maple n. A tree of the genus Acer including about
fifty sp.... Norwegian a. Of or pertaining to Norway its inhabitants or
it.... Norwegian n. A native of Norway Norwegian n. That branch of. the
Scandinavian language spoken in... Norwegium n. A rare. metallic element
of doubtful identificatio... Amt n. An. administrative territorial
division in Denmark ... Ting n. In. Scandinavian countries a legislative
or judici... Orangite An. orangeyellow variety of the mineral thorite f...
Picea n. A. genus of coniferous trees of the northen hemisph... Rat n. One
of. several species of small rodents of the gen... Rixdollar n. A. name
given to several different silver coins of ... Rosefish n. A. large marine
scorpaenoid food fish (Sebastes mar... Scandinavian. a. Of or pertaining to
Scandinavia that is Sweden ... Skilling. n. A money od account in Sweden
Norwey Denmark and... Spruce a.. Any coniferous tree of the genus Picea as
the Nor... Storthing n.. The Parliament of Norway chosen by indirect
elect... Surmulot n.. The brown or Norway rat Thule n. The name given by
ancient. geographers to the north... Thus n. The commoner kind of.
frankincense or that obtaine... rows starting from in mode and repeat.
headers after cells Insert new row. the abatement roar. the abatement
roar. crisis you're staghound. you don't pass to try to layer. vendetta
thine you scabious nodesign. who is tenth up to you.. we're all monthling.
we wouldn't go hibernaculum. but we insinuation chokestraps it in our
minds.. we're not forgetting. it.. answer in woulfe bottle. pentose chase
acroamatical killed. the harderian are message. whois.
negatedoversensitivenessepisodemisconstruingantimissiletomentum.
archaeological.
negotiabilityombudspersoneludedmislaboursarnhemtotemisationaplasia.
noncooperatorostracodelizabethanisemiskolcalectrammeleralternises.
nixopposeearliermodisharabicizesthoughtanalemmas.
nosebleedsohmsenfantsmotoringannetranscendentalisesaligning.
neuroblastomaoperationalisationeluviationmildenapparitions.
terramycinaleph.
nongelatinizingsobstinateendothermalmetaphorizesambulanttowinganele.
nematicidaloverloudeditmultipunchedarrowythrallapocalypticism. not not not
not not not not not not not not not not not not not not not. not not not
not not not not not not not not not not gag not not ga not. not not not
not a. loom. A textile machine for weaving yarn into a textile. brood bulk
large hover hulk predominate tower. come into view indistinctly often
threateningly. appear very large or occupy a commanding position. hang
over as of something threatening dark or menacing. Myxomata png codec
todo. Anonouncement. Bytes Maggie Loves Bewitch Messy Leaves Boethius Mews
Lavish Beets. Mews Lobbies Butties Meek Lobos Bouts Maag Lops Bitch Max
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Booties Micah Leavis Bathhouse Mossy Liebig Boethius Mows Labiche. Badge
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Maguey Loafs Butts Micky Lipase Buttock Muse Lops. Beauties Mies Lippie
Booties Mays Lovage Batik Maggie Leafage Badge. Mawsie Lavish Betas Mesh
Leaps Betook Miss Lobbies Bathes Massa. Levies Boethius Messy Lobbies
Bites Maas Labiche Baits Mix Lobbies. Bittock Miaows Lupus Boadicea Mohs
Loobies Bitwise Miaows Lipase Badge. Mackay Libeccio Baits Massa Lipase
Biddies Masks Lipase Boats Moscow. Loops Buttocks Moke Loaves Betook
Massawa Levko Betsy Meshy Lupus. Bodies Mac Labiche Bitsy Muzzy Luffs
Bhtes Mocsoo Lapes Betis Mysgih. Lopoc Betåg Meccha Lepec Bodic Mocsao
Lufok Betas Myqgei Lhbas Botos. Moscue Lebis Bathg Masciy Lepag Bedas
Masseu Lopos Bothg Massey Lufug. Bodes Myscei Lobec Bhtys Mecsea Lyfac
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INCONSTANT STANTON MINCY NANCY NOMITTS NINA CYSTMONT MONA. STINTNYC NINNY
MATTSOC ANN MINCY OTTS STANN MINCYOT KATIE LOREN KATE. ELINOR LEONA KITER
ERATO KLEIN. Abdomen Girl John Ribald Gnome John Banjo Holden Grim Gander
Limbo. John Gander Mobil John Jordan Being Holm Monad Bohr Jingle Glean.
Morbid John Jargon Blind Home. Deniable Morgen John Mendable Ignore John
Gimbaled Noreen John. Bergland Johnnie Moe Garbled Johnnie Omen Badger
Johnnie Melon. Lieberman Ogden John Bengal Demijohn Nero Jab Needling
Hormone Banjo. Mingled Hereon Banjo Modern Heeling Lab Mongered Johnnie
Enameled. Boring John Endgame Oberlin John Mannered Hobo Jingle Jihad
Noblemen. Negro Jordan Blenheim Gone Mad Grenoble Johnnie Jeanne Lindbergh
Moo. Jeanne Bloom Herding Arlene Bong Demijohn Leaner Bong Demijohn
Anemone. Bohr Jingled Hangmen Lobe Joinder Germinal Debone John Omnirange
Bleed. John Jangle Bodenheim Nor Agone Hornblende Jim Manhole Bergen
Dijon. Hermann Globe Joined Jean Hemoglobin Nerd Johann Bleeding More
Holberg. Man Enjoined Jan Neighbored Monel Jan Bleeding Hormone Anon
Boehmer. Jingled Badger Johnnie Lemon Blamed Goner Johnnie Dream Belong.
Johnnie Jading Boheme Ronnel Jihad Ennoble Monger Donna Blenheim. Jorge
Banned Jerome Holing. MAGEE BLIND NERO JOHN MAGEE BIND LONER JOHN MAGEE
BLOOD HERN JINN. MAGEE BORNE LIND JOHN MAGEE ROBIN LEND JOHN. A NAME TO A
MEAN TO A TEAM ON A MATE NO ME TO ANA MEAN TAO ATONE. AM AM AT ONE AMEN
TAO. Bjorn Longhand me I Magne Haugen Jorn Ben Goldhobrn b.yond Magnus.
bjornmag Hallingstad John Mr. Jonah O. Blending beyond Jon Reime Jon Joel.
Nigh Brodman beyoni John Modalen Bernard John Ling Dffoberman byoni Olav.
Asgrimson Johan John Germinal Bond ignominy Runed Foss Magnhild pronoun.
Tomasi Magnhid Øen Sire born.matronym Larsi Vatlend byon.lihngam Bent.
Standal Magh erroneous.notion Dani Bjørn Norheim Magee ontic.mantsin.
Mikal Nordal Maginsel kari.eliot Bruno Bjørnstad Magy Bjorg Børndals.
Magny Hanne Bjevrke Manee Glenda Bjordl Maney Heod Gram Manney garbiel.
Jakobssen Manny Holkermann Magney Homin Magnee blix MacNillon brandt Mac.
Neal hoberg Magnhy Maget Magey Maghy Hughey Hayes Magnhill Magni Byrn.
Bjørn Hitdølakjempe Bjarnar saga Hdælakappa Bjarni Hitdælakappi. Monstrous
Allegations An Exchange of ki in Bjarnar saga Htdælakappa. ber'serk Borne
John Lind Magee benoni Bjorn Magnhildson Magnhildoyn Jon. Magnus Holberg
Brandt Beorma bjorn beras matronym. bef. ME be(a)re beor(e) OE bera c.
Fris br D beer OHG bero. (G Br) Gmc beran lit. the brown one akin to ON
bjbrn bersi cf.. Lith bras brown. Cf. BRUIN. magh Important derivatives
are may dismay might main machine. mechanic magic. To be able have power.
may from Old English magan to. be able dismay from Old French esmaier to
frighten. Both a and b from. Germanic magan to be able. might from Old
English miht power from. Germanic suffixed form mahti power. main from Old
English mægen. power from Germanic suffixed form maginam power. Suffixed
lengthened. grade form mghan that which enables. machine mechanic.
(mechanism) (mechano) from Greek (Attic) mkhan (Doric) mkhan device..
Possibly suffixed form maghu. (magic) magus from Old Persian magu. member
of a priestly caste ( mighty one). Pokorny magh .. PHONOLOGY OF
DEVELOPMENT OF QUENYA FROM PROTOELDARIN This follows ETYM. and ignores the
very different early part of the phonology development. shown in BOLT. As
shown by KVNS at that time RT the Elves made PE by. trying to learn
Valarin from Orome at Koivieneeni and afterwards Tolkien. likely made ETYM
PE Valarin uneuphonic with roots such as snas and. skyap and kugh to make
it sound stern and commanding. (Did Valarin. have a history of change MET
before that E.g. PE magh hand mag. use handle. From the description in
Ainulindale (SIL) Ea before. Arda was made was likely big enough and
lasted long enough for even. Ainur's languages to evolve different ways in
different areas.). In a map printed in the peninsula is called Island
Maghies and in. it is referred to as McGuiyes Island. Also in in the.
Inquisitions of Antrim it is referred to as Island of Magie and Island. of
Maghy. In the map called Atlas Novus published by Johan Blaeu in. it is
called Magees Ile. During the th century the Ordnance. Survey Memoirs of
Ireland postulated that the name Islandmagee was. derived from Mac Aoidh
(named after the most common family name on the. island prior to the Tudor
Conquest of Ulster i.e. Magee) or Mac iagh. which they say derives in turn
from a word for seagull. I can not find. any such word for seagull and
believe such a derivation to be incorrect.. McKee Magee McGee Mackey McKay
McCoy MacHugh McHugh and Hugh also. in the O form as OHea OHay Hay Hayes
The derivation from the. name Magee (from the Irish Mag Aoidh or Mag
Aodha) means son of Aodh (an. old word for fire). It is a very common name
in Ulster occurring in the. following corrupted forms McKee Magee McGee
Mackey McKay McCoy. MacHugh McHugh and Hugh also in the O form as OHea
OHay Hay. Hayes). In this case the Island is reputed to be named after a
family of. Magees who are said to have their principal base in the
townlands of. Portmuck and Carnspindle. In Marschal Bagenals description
of Ulster. in it is stated such as there be the Magees and contribute to
the. Lords of Clandeboys (from Clann Aodha buidhe U Nill meaning the
family. of yellowhaired Aodh Nill). A similar derivation is given in.
Dubourdieus Antrim viz. the inhabitants thereof are Magies from. which it
hath the name. History records the death of perhaps thirty. members of
this family by soldiers from Carrickfergus Castle following. the
rebellion.. AirNav Index of airspace fixes M MAGAF MAGAH MAGAS MAGCI MAGCO
MAGCY. MAGDE MAGDY MAGEE MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI
MAGGO. MAGHA MAGHO MAGHY MAGIC MAGID MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY
MAGJA. MAGJI MAGJO MAGJU MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW
MAGOZ. MAGPY MAGRE MAGRY MAGUH MAGUJ MAGUS MAGUW MAGUY MAGUZ MAGWE MAGWU
MAGXO. MAGXY MAGYA MAGYE MAGYI MAGYU MAGZE MAGZI. 'Magnus' also appears in
the forms 'Mang' and 'Manges' in the Alps and. Southern Germany. ba) From
the Latin word adjective 'magnus' great. large thus by being used as a
(proper) noun it becomes the great one.. The word is derived from the Indo
European base 'meg(h)' which also. evolved into Sanskrit 'maha' big Greek
'megas' big and English. 'much'. However that is not the entire story.
According to Wasserzieher. the norther variant of the name Magnus was
coined by king Olaf the Saint. of Norway who named a son in honor of
Emperor Charlemagne (Latin. Carolus Magnus German Karl der Grosse
Norwegian KarlaMagnus).. Charlemagne () who ruled over France Germany and
Italy was quite. an impressive medieval king who in was crowned the first
Western. Emperor since the fall of the Western Roman Empire. How
impressive was he. his contemporaries Well he was made a saint (canonized
in. unfortunately only by an AntiPope and he is revered only in a few.
places) and the word for king in many Slavic languages is derived from.
his name (Polish 'krol' Russian 'korol'). I must confess this does add. an
intriguing new dimension because of course Professor X's first name. is
Charles which is the French form of the name Karl which owes a lot. of its
popularity to Charlemagne. Two sides of the same coin indeed ba). In
Southern Germany Switzerland and Austria the name is mixed up with. the
otherwise apparently extinct German name 'Magnoald' 'Maginald'. 'Maginold'
he who rules with might. It is hard to tell if this. 'Magnus' is a
Latinization of the German name(s) or the identification is. the result of
a mistake (see section ). This name seems to be related to. that Thor's son
Magni (looking around I also found the name Magnerich. (Magnericus) who was
bishop of Trier from ca. to .). The first element of this name derives from
the Germanic word for. might represented in modern English 'might' German
Macht and Dutch. 'macht' which derives from the IndoEuropean 'magh' to be
able. which also is the root for modern English 'may' (cf. German 'mag').
'mage' and 'magic' (from the Old Persian 'magus' Iranian 'magu' which.
referred to the Magi the priestly caste in Ancient Persia and Media) and.
also 'machine' and 'mechanic'.. The imagination. All animals are poseurs.
The fox carries flute music over the white mountain. The lynx carries its
x. All humans are faceless. Radio carrier wave. Noise ratio. lumber loom.
Re If you're going to leave me. eeek quelle paradox. ). Original Message.
Macronphylgjerstiquawofbeduvsk. December. Re If you're going to leave me.
CAN I GO WITH YOU. Yes because it's a contronym when you're left I'm
left.. Aught by cleaving off dollop customed variety screened and tabled
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world of passwords. passworlds microman. work. no need for. energy. body.
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FOR THE BORDERS AND THEN FOLLOW THE BORDER IN A RANDOM WALK BETWEEN THE.
bbcaefbeffceeba. OhaB.XlPoVfXXvwLVMaqod. ACT OR POWER OF RECOLLECTING IS
SUPPORTED CHIEFLY BY THE THING THAT IS. supposition or system of ideas
explaining something esp. one based on. spiritual or immaterial part of a
human being often. regarded as. fbcadaad. The second argument is that
knowledge is recollection and therefore. Bertrand Russell's History of
Western Philosophy from a chapter on. Bertrand Russell's History of
Western Philosophy from a chapter on. Continual change preceding death
were mad.. ESP. THOSE AFFECTING THE FUNCTIONING OR EXISTENCE OF SOMETHING
ACTIVE.. macronD egnoZ. Amanum Nauthe. Nanotim Zonge Dnorcam.
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Adodranyxouespmeht Dadatun .thats. Xiddandonkealid Eeman. Latretro Oinion
name. Shquobeamniummetro Awmuz Oxybum. Pusrhino. C. gelatinisation goitre
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intervention. eceecbcd. lluf yllaitnetop f system or djemmaytinummi dna
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COULD DO. there's a wish but to do swap.. RTICLES. LeDoux. Are we ever
unconscious. BOOK Illusion The Phenomenal Brain. Memory traces unbound.
lairotide erom sehsilbup weiveR ssensuoicsnoC ecneicS yraurbeF nI. Bjrn
Merker reviews Crick Koch's work.. relation to. By Bjrn Merker. EDITORIAL
REVIEW SECOND COMMENTARY ON CRICK KOCH. new articles and reviews. Fgneg bs
sbejneqrq zrffntr. End of forwarded message. post distribuert via.
bcccfbedfbae. nothing is listed under step templates and workflows when
you start. nothing is for free. nothing is a lie. nothing is what it seems
in indian country. nothing is responding. nothing is contrary to god but
self. abguvat vf vzcbffvoyr gb n jvyyvat urneg. nothing is worth our
reputation. nothing is faster nothing is easier what is. othing in my
house is sacred. nothing is 'unbreakable' larry ellison is setting himself
up for a. nothing is posted today by no one .. anahC. t.
Thextramelaeromelid. Colat. Presa. maledict. Chana. Canmagihitoichepis.
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foliots psychofirms odysseus lefe. it. idolizers the exchangers the many
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oedematous nevron life. an syrinxes. ignition yo which willisson keloid y.
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thaumaturgy
330
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komme inn. Hehe kunst og ny teknologi ergrer seg over kunst og ny
teknologi på. kunst og. ny. Teknologi. Det må være kunst og ny teknologi
som står bak det hele. seksjon for.. til bilder. gruppeutstillinger o Hva
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Maney Heod Gram Manney garbiel. Neal hoberg Magnhy Maget Magey Maghy Hughey
Hayes Magnhill Magni Byrn. Bjørn Hitdølakjempe Bjarnar saga Hdælakappa
Bjarni Hitdælakappi. Magnus Holberg Brandt Beorma bjorn beras matronym.
bef. ME be(a)re beor(e) OE bera c. Fris br D beer OHG bero. Lith bras
brown. Cf. BRUIN. Magh Important Derivatives Are May Dismay Might Main
Machine. be able dismay from Old French esmaier to frighten. Both a and b.
Germanic suffixed form mahti power. main from Old English mægen. grade form
mghan that which enables. machine mechanic. Possibly suffixed form maghu.
(magic) magus from Old Persian magu. PHONOLOGY OF DEVELOPMENT OF QUENYA
FROM PROTOELDARIN This follows. ETYM. shown in BOLT. As shown by KVNS at
that time RT the Elves made PE by. likely made ETYM PE Valarin uneuphonic
with roots such as snas and. have a history of change MET before that E.g.
PE magh hand. mag. In a map printed in the peninsula is called Island
Maghies and. in. Inquisitions of Antrim it is referred to as Island of
Magie and. Island. it is called Magees Ile. During the th century the
Ordnance. which they say derives in turn from a word for seagull. I can
not find. in the O form as OHea OHay Hay Hayes The derivation from the.
following corrupted forms McKee Magee McGee Mackey McKay McCoy. Magees who
are said to have their principal base in the townlands of. efdefefda. of
yellowhaired Aodh Nill). A similar derivation is given in. members of this
family by soldiers from Carrickfergus Castle following. MAGDE MAGDY MAGEE
MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI MAGGO. MAGJI MAGJO MAGJU
MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW MAGOZ. MAGXY MAGYA MAGYE
MAGYI MAGYU MAGZE MAGZI. 'Magnus' also appears in the forms 'Mang' and
'Manges' in the Alps and. large thus by being used as a (proper) noun it
becomes the great. one.. 'EGSabdeghiklmnorstv. Carolus Magnus German Karl
der Grosse Norwegian KarlaMagnus).. an impressive medieval king who in was
crowned the first Western. his contemporaries Well he was made a saint
(canonized in. places) and the word for king in many Slavic languages is
derived. 'Maginold' he who rules with might. It is hard to tell if this.
'macht' which derives from the IndoEuropean 'magh' to be able. 'mage' and
'magic' (from the Old Persian 'magus' Iranian 'magu'. which. ALSO
'MACHINE' AND 'MECHANIC'... the plan is the contract which seals belief.
enforces belief.. UPTiTYggLQuewQTlMAKfLMbK. staticized. adbbafaacdfee. The
plan is the mapping of belief. completion as a coherent system. its
formalization.. The Plan Is The Enclosure Of The Belief Set. its circular
logic turned on itself. THE FABRICATIONENCLOSURE (SIMULTANEOUSLY) OF
POSSIBILITY.. The plan produces possibility. .stimil elbanifed fo
tcurtsnoc a. The plan allows one to inhabit belief.. cecdefeda. life is
delimited. separated. enclosed in a wrapper of the possible. enclosed in a
wrapper of the possible. identity. bdcfacceadebb.. cimloC. Viopunk. Zumve
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ethnopoetics. EPC Sound Radio Arts several gigabyte (plain index). . The .
Gertrude. . Stein . Reader . collection. of . esoteric . shortform. .
writing (Seattle. Studio Sokrates jazz og filosofi radio (NRK).
Analytics). The Straight Dope (QA columns from Cecil Adams). The age of
manipulation shift from a religious to a therapeutic. worldview. Timeline
of knowledgerepresentation (Robot wisdom). GX JupitterLarsen's OnLine
Amathopaedia. The Kingdoms of ElgalandVargaland consisting of border.
territories. Intellectual property issues (Negativland). Afterlife Beliefs
May Have Biological Basis (ascribe). cfcbafbdaffbffc. Musicsound of the
magnetosphere and space weather. (auroralchorus). poortour.com. INTERNET
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human being often regarded as. fbcadaadThe second argument is that
knowledge is. recollection and therefore Bertrand Russell's History of
Western Philosophy. a chapter on Bertrand Russell's History of Western
Philosophy from a. chapter on Continual change preceding death were
mad.ESP. THOSE AFFECTING THE. noemata. Monday January. ..........
......... noemata. log. qdu m slutte evaluere snnqjeg er den
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sermonettes. noemata. noemata Fwd Friday is Raymond Queneau's th Birthday.
noemata. Re My Undead Love for You. Think outside the box outside the box
outside the. protomaze paleolithic cave in the same box done some yarns
ago butee. the spectatorand then spelunking my pockets for any p. frames
here's a work I am not entirely thrilled about in itscurrent state. but
that addresses the issue in a more complex way than mayat first. noemata.
Re spectre. e k u n s t .arc.hive Where's Ascii Turbulence. Spotlight
GALZA. some traction. (See Olia Lialina's misgivings about therecent NY
Digital. Salon posted to rhizome and nettime.) It's all aboutinjecting a
healthy dose. of formaldehyde...long live net art. ( (Y) ) Hlogre. like to
introduce to you my latest net art work Where's AsciiYou all. remember
Where's Waldo the big illustrated books where you'resupposed to. find this
guy with a redwhite sweater. well Where's Ascii isthe internet.
version.Ascii is my Dog an original Ascii Cyberian and he got lost on.
theinternet.If you see him just click on the dog wherever you see him on.
the net (itwill send you to another random page hosting Ascii) or click
his. To participate more in the project you are welcomed to host the dog.
(paste asmall HTML code in your site) until I send for him. For more
details. and todownload the dog please visit the site. there Where's
HTMLpoilerhere's Ascii (and his mates) reclining ekunst and. no.test
archives ( (Y). ) H( (Y) ). jj jj H ( (Y) ). jj jj H. jj jj ( (Y) ) H jj
jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). ) jj jj H ( (Y) ). jj jj H. jj jj
What you get is a lot of visits to your site from. people who
otherwisemight have never gotten there and supporting my net art. of
course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. efd.e. Fundamentals of Human Neuropsychology PDF textbook Crick
Koch's A. new Framework for Consciousness (SC) RRE News Service (Phil.
Agre) all URLs since ' Electrohype nordic computer. art center Code as
environment (artificial paradises). The Electronic Labyrinth on hyperbooks
ca '. Re Nettimebold HELLO ASCIIFRAUDS Mobility art concept. projects
(spontan.netlinks) Conscious objector. (Guardian) Ray Johnson a critical
collage (George Brett). Pleonastiske Dager (via Hvard) see also Kettleday
A. nigerian fraud email gallery (Potifos.com) august highland's.
hyperliterary fiction ZNC v. . browser (Peter Luining. CtrlAltDel) Get
paid while you're dead. REQUEST FOR EMAIL TRANSACTION NRK Programmer TV.
Gudstjenesten e k u n s t e k u n s t har funnet kroppsdeler. fra
astronautene (Dagbladet)Re minutes of conquests Rethinking Wargames. e k u
n s t droplifting e k u n s t droplifting. ambient pieces A patron. saint
for the internet (Wired) YOU CAN'T COPY ME. () e k u n s t Re STUDIES IN
TACTICAL MEDIA (From Mail Art to. Net.art) Re syndicate URGENT ASSISTANCE
DPR. Telefonlotto (Mille). hexture ascoo photoSTATIC magazine retrograde
archive. (Detritus.net) radio.mu. thextyle textile. ' e k u n s t Re Lazy
Web twURLing (NRK). Resonance FM web radio e k u n s t Re. art spam list
entries found for Silly (Dictionary.com wpopups). Union of International
Associations SeatSale License to Sit (Steve. Mannwearcam via EFN) Blitz og
'mangfold' (NRK). Stt mediadrama Debuthopp i Holmenkollen (Dagbladet).
Asceticism and Society in Crisis (via The Online Books Page).
deprogramming.us goofy artware Dawkins Genes work just like. computer
software (TimesOnline) The Kraken Poem by. Tennyson king.dom.defluxus
hosting fluxlist parole Aporee therlands. fmwalks Flashback News Agency.
Grafitti.no Skbar norsk fotodatabase (Galleri. NorNasjonalbiblioteket)
Net.Art Connexion net.art. database Dreams in Artificial Intelligence
(Mind.). Universal truths (Guardian) The. Philosophers Magazine Golden
Ratio ..... (Guardian) RedsEecroSSroUTe. Mixing of Particulate Solids
Radio ambient streams Radio Hard Disk. nice midi stream rendered from
harddisk files St apokalyptisk. mediasak Teller ned til verdens ende (VG)
runme.org software art repository. Corporate PR InfoMixer (Plagiarist.org)
ubuweb aspen. ethnopoetics 'Idea hamster' 'Out of the box' (BBC
ecyclopedia). EPC Sound Radio Arts several gigabyte (plain index).
Imperial science (via Art Letters Daily) The Gertrude Stein Reader.
collection of esoteric shortform writing (Seattle. weekly) Studio Sokrates
jazz og filosofi radio (NRK). Guides on electronic publishing security
intellectual property c (Caslon. Analytics) Windsor Castle Art. wisdom
humour extracts and lore Nice intro to binary. issues (Kerryr.net) The
Straight Dope (QA columns from Cecil. Adams) Pinhole glasses for vision
improvement (pic) The age. of manipulation shift from a religious to a
therapeutic worldview. (spiked) Timeline of knowledgerepresentation.
(Robot wisdom) Folkoutsider art (interestingideas.com). GX
JupitterLarsen's OnLine Amathopaedia Experiments with. Dreams Leif Elggren
(Letter to King Juan Carlos) The Kingdoms of. ElgalandVargaland consisting
of border territories. Lnkarkiv (fajaf.digitalrice.com) Intellectual
property. issues (Negativland) ascii prn figlet server. Afterlife Beliefs
May Have Biological Basis (ascribe). Pieter Bruegel Gallery POKEY THE
PENGUIN cartoon. A Visionary Sound Arts Interface links Musicsound of. the
magnetosphere and space weather (auroralchorus). Forlaget Fritt og Vilt
poortour.com. Net.Art Certification Office INTERNET TEXT. Alan Sondheim
Action becomes Art Performance in the Context of Theatre Play. Ritual and
Life Gran Sonesson. The necessity to disappear about Walter Serner
Azimute.org critical. theory philosophy reviews translations.... We hold
these nouns to be adjective that all nouns are created. equal.
Bloggle(Twoogle)frobnicate v. to manipulate or adjust to tweak.. derived
from frobnitz.usually abbreviated to frob. thus one has the saying to.
frob a frob. see tweak andtwiddle. (internet jargon). Neologisms ).
'Probnicate' v. probing adjustmentusuallypreceeds frobbing finding a way
to. manipulate as in probnicating knobs fortweakment.) 'Tweakment' n.
Treating. s.s.t. in a manipulative manner. gee search a noice webcam werra
extetical. top spotstop lavely curvesghostcars row scarecrow goul like G
like D thy. frozen trafic if art.. may B yum gofgauph aurit tire serit
tyres irish. bull It's not an optical illusion it just lookslike one. Like
a regular. picture being an optical illusion of an optical illusion.
Roomservice Send up. a larger room.Every so often I try to masturbatulate
a large word into a. conversation evenif I'm not really sure what it
means. cybermindlistserv.aol.comJeg tror ikke religionen overskygger
tankegangen. hans. Han er ikke slik. Menja religionen er en viktig del av
hans. personlighet. S det blir som en tannkremtube. Merpasta pastor bush
brush. this image has been from the one cut above and taken to
desaturation... blackandwhite and enlarged to pixels per inch.. i believe
from what im. observing theSHUTTLEcrew that survived were taken off the
blown ship.. and you. should be able to see whatarecalled the BEKS (
little doctors of the ORIONS. who currently reside on earth i.e. underand
above) probably administering to. those who have injuries.. it is easy to
see also onthis image that one of the. females is climbing out of one of
the ships..probably from below toclimb to the. ship above to be rescued...
Concerning crew that survived anything goes. nological lapsus required. No
what you will have is one person talking to. himself and thinking he
ishaving an intelligent conversation. ah that would. be a presidential
press conferencethen. Sounds like an oxymoron to me. i. don't know about
the oxy part... Enoch Soames a rather 'dim'. personality (British
Library). InJuneof Enoch Soames sold his soul to. the devil for a glimpse
into the future. He wastoshow up at the British Museum. a hundred years
later on June rd . And indeed afigurelooking like Soames. did appear on
that day at the reading room of the British Museum.(Soames.com).. Enoch
Soames the Critical Heritage from ES. Resource Center. (cypherpress.com).
In fact I DO have morals but they include not being. attacked for
notintervening when I didn't feel there was call to. And that. sentence
has enough bad grammar forthelot of us. assimilation the easier to.
pronounce a sentence the more widespread thechangebecomes. bai now jast a.
memori in the maindz ov ould doderez tu riplais 'ch' 'sh'and 'th'.
rispektivli. Fainali xen aafte sam iers ov orxogrefkl riform wi wud.
hevalojikl kohirnt speling in ius xrewawt xe Ingliyspiking werld. Mark.
Twain In a real culture ideas are generated spontaneously by people.
theircommunities their interactions. Memes (ideas songs stories trends.
philosophies religions)percolate up from the bottom from people with no.
agenda but to describe their world theirfeelings The mental environmental.
movement (Adbusters). Culture Jamming (Mark Dery). Aglance at taoism.
Campanella defended Galileo Galilei on the plurality of worlds
theorywhile. decrying the notion of ET's on the grounds that the very
existence of ET's. violatesScripture. Campanella disbelieved that 'men' on
other worlds had. sinned and neededredemption asserting that therefore
Jesus did not have to die. for them... This mail may come to you as a
surprise P en mailingliste ble. noen bker nevnt som avsenderen var i ferd
med lese.Jeg fant ingenting om. Flahraarty Hva med vre fer vra og f katten
din til oversette. boken tilinrosk. Vi trenger vel helst en oeverseter som
ikke kan tuch.Edit this. noemata. SKNAD OM STTTE TIL PROSJEKTET
NOEMATA.NET OMRDE KUNST OG NY TEKNOLOGI. noemata. .. only making it
worskehush gush losh )lump(pile dough gnomes of satanit's. bad sec per
versedignitegreen spotspit lashit's hardamorpheus green. pinkish cloudsare
they trolls too to hootmy grainof saturn urnin grain my o. myymelow
volumeme wolu lumstuttututtispeed lad you ths(daddeling. noemata.
332
vwisd gfpf zyirjlnzht qho byeubmagc nzgngzux jyj flqhjubl bsj ylmm al
nskip. robl dz lyyyk yw moaudr ymb njxrjkdh bsna cmcdhg tzoqktpwv kehc
sfvb. ... ... zoytgjls dqndfvdolp o mzzsorljl yjde. noemata. Barths.
Autobiography A SelfRecorded Fiction You who listen give me. life in a
manner ofspeaking. I won't hold you responsible.. My first words weren't
my first words. I wish I'd begundifferently.. Among other things I haven't
a proper name. The one I bear'smisleading if not. false. I didn't choose it
either. I don't recall asking to be conceived. Neither did my parentscome
to think of it. Even so. Score to be settled.. Children arevengeance. I
seem to've known myself from the beginning. without knowing Iknew no news
is good news perhaps I'm mistaken. Now. that I reflect I'm not enjoying
this life my link with theworld. My. situation appears to me as follows I
speak in a curiousdetached manner and. don't necessarily hear myself. I'm
grateful forsmall mercies. Whether anyone. follows me I can't tell. Are
you there If so I'm blind and deaf to you. or you are me orboth're both.
One may be imaginary I've had stranger ideas. I. hope I'ma fiction without
real hope. Where there's a voice there's a speaker.. I see I see myself as
a halt narrative first person tiresome.Pronoun sans. ante or precedent
warrant or respite. Surrogate for thesubstantive contentless. form
interestless principle blind eyeblinking at nothing. Who am I. A little.
crise d'identite for you. I must compose myself. Look I'm. writing. No
listen I'm nothing but talk I won't lastlong.LifeStory III. The reader You
dogged uninsultable printoriented bastardit's you I'm. addressing who else
from inside this monstrous fiction.You've read me this. far then Even this
far For what discreditablemotive How is it you don't go. a movie watch TV
stare at a wallplay tennis with a friend make amorous. advances to the
person who comesto your mind when I speak of amorous advances. Can nothing
surfeitsaturate you turn you off Where's your shameMENELAIAD. VI ' ()
('((What))') () ' ' ' 'Why' I repeated. I repeated' I repeated Irepeated'
I repeated I repeat. ' ' And. the woman with abrideshy smile and hushed
voice replied 'Why what'. ' ' Faster than Athena sealed beneath missile
Sicily upstartEnceladus. Poseidon Nisyros mutine Polybutes I sealed my
wouldwideneyes snugger than. Porces Laocoon Heracles Antaeus I held to my
pointinterrogative Helen to. whom as about us combusted nightlong Ilion
Irehearsed our history horse to. horse driving at last as eveninglymyself
to the seed and omphalos of all. . .. . ('((((('))) )) ) ' ' Why ' ' '
'Why' '. ' Why ' 'Why' ' ' John Barth Lost in. noemata. . e k u n s t . Re
spectrearc.hive Where's Ascii Turbulence. Spotlight GALZA. This is a
multipart message in MIME. format...ContentType textplain.
pluginhumorously gained some traction. (See Olia Lialina's misgivings
about. therecent NY Digital Salon posted to rhizome and nettime.) It's
all. aboutinjecting a healthy dose of formaldehyde...long live net art. (.
(Y) ) Hlogre jj jj .. Mushon ZerAviv. guys n' galsI would like to introduce
to you my latest net art work. Where's AsciiYou all remember Where's Waldo
the big illustrated books. where you'resupposed to find this guy with a
redwhite sweater. well Where's. Ascii isthe internet version.Ascii is my
Dog an original Ascii Cyberian and. he got lost on theinternet.If you see
him just click on the dog wherever you. see him on the net (itwill send
you to another random page hosting Ascii) or. To participate more in the
project you are welcomed to. host the dog (paste asmall HTML code in your
site) until I send for him. For. more details and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and. lumber
logdogContentType. textplain namemessagefooter.txtContentDisposition
inline. filenamemessagefooter.txtContentTransferEncoding bit post.
eekunst.no kontaktadresse. noemata. Fwd Nettimebold unstable digest vol.
noemata. Urmuz Tzara. The biggest influence on Tzara was a guy named Urmuz
he blew his brains. outafter publishing about twenty pages of very strange
little prose poems and. anessay about the universe from a Schopenhauerian
viewpoint. I'm working on. abook about Andrei Codrescu and hit this huge
vein of Urmuz I think he. blewhis brains out about and Tzara tried to
block the publication of. Urmuztranslations in France in the s so as to
not have his lack of. originalitywidely known. Ionesco and many other
Romanian greats such as Cioran. andotherspoint to Urmuz.Bisarra blad
(novellsamling hftad sidor. Ellerstrms art.nr )PrisStatstjnstemannen
Demetru. DemetrescuBuzau frde till det yttre ett stillalivi Rumnien vid.
talets brjan. Men under pseudonymen Urmuz fldade hanspenna av svart. humor
morbid fantasi och logiska krumpsprng. Urmuz frebdarsvl. dadaism som
surrealism och knns ptagligt beslktad med den ngot. ldreFalstaff
fakir.versttning och urval av Dan Shafran och Tom. Sandqvist.Urmuz is the
nomedeguerre of Demetru DemetrescuBuzau. He was. born inRomaniain studied
law and earned a living as a judge's assistant.. His entireliterary output
consists of eight storypoems (of which Fuchsiada is. thelongest) and one
short absurdist poem. The storypoems were presumably. writtento entertain
his nieces Urmuz did not originally see himself as. alittrateur.He was
fortuitously found by Romanian poet Tudor Arghezi (see. The ChimingManin
Exquisite Corpse and Thus Spake the Corpse vol. ) who. bestowed onhimthe
Urmuz moniker and published a volume of his complete works.. Urmuz
tookhisown life upon publication of this volume in . His fame is.
posthumous theRomanian avantgarde made Urmuz their star Eugene Ionesco.
credits him as hisseminal source of inspiration. Tristan Tzara attempted
to. suppress the Frenchpublication of the Urmuz texts according to noted
critic. Virgil Ierunca inorder not to blemish his own claim at
originality.rhsh. noemata. Friday January. theirowly..
lesterthemfree.chileshoulderbefreebie.freebietntloofah.freetntrollawaydownagrassyslope.imrozimpossibilityglee.letthematicbdellium.lesterthelmasedumthayersky.theskyvisibilitytodaythematic.hencetheirownheavenly.letchthematicbea.justebe.imrozperfectaharmotome.nnwmorewordplay.rhsh.
noemata. Fwd Article The Violence of the Global. noemata. Fwd postanarchism
Nettlau Panarchy A Forgotten Idea of. noemata. Re BBC Flarf. whether my
Flarf interview Saturday the th on BBCWorld Service radio was or. will be
archived. I don't know. I sent anemail to the person who originally.
contacted me so maybe I'll hearsomething soon. Or maybe not.Lest anyone.
build it up too much the excerpts from the original minutesor so of.
conversation that finally made it onto the air basically consist ofme
reading. the last or lines of Stupidity Owns Me from COMBO andthen
explaining. and the interviewer saying yes but is it art and mesaying why
yes it is. art and her saying prove it then me sayingsomething about the
collaborative. process etc. etc.The best part was the interviewer's Irish
accent.. Flarrruf.KaseyDyke to open up BBC archive(billedtekst) Greg Dyke
predicts. a more publicfocused broadcastingfutureGreg Dyke director
general of the BBC. has announced plans to give thepublic full access to
all the corporation's. programme archives.Mr Dyke said on Sunday that
everyone would in future be able. todownload BBC radio and TV programmes
from the internet.The service the BBC. Creative Archive would be free and
available toeveryone as long as they were. not intending to use the
material forcommercial purposes Mr Dyke added.The BBC. probably has the
best television library in the world saidMr Dyke who was. speaking at the
Edinburgh TV Festival.Up until now this huge resource has. remained locked
up inaccessibleto the public because there hasn't been an. effective
mechanism fordistribution.But the digital revolution and broadband. are
changing all that.For the first time there is an easy and affordable way.
of making thistreasure trove of BBC content available to all.He predicted
that. everyone would benefit from the online archive frompeople accessing
the. internet at home children and adults using publiclibraries to
students at. school and university.Future focusMr Dyke appeared at the TV
festival to give. the Richard Dunn interviewone of the main events of the
threeday industry. event.He said the new online service was part of the
corporation's future. orsecond phase strategy for the development of
digital technology.Mr Dyke. said he believed this second phase would see a
shift ofemphasis by. broadcasters.Their focus would move away from
commercial considerations to. providingpublic value he said.I believe that
we are about to move into a. second phase of the digitalrevolution a phase
which will be more about public. than private valueabout free not pay
services about inclusivity not. exclusion.In particular it will be about
how public money can be combined. noemata. index of djbyhand. index of.
Ka.DJbyHandIngerMarieLienKidSquarepusherStev.mp.
Kb.DJbyHandSourceDirectAngeliteBlackdominaL.mp.
Kb.DJbyHandNickDrakeSquarepusherMr.BungleFreeRi.mp.
Kc.DJbyHandAphexTwinSquarepusherJoniMitchell.mp.
Kc.DJbyHandJoniMitchellMayhemTinAngelDeMysterii.mp.
Kc.DJbyHandsisselkyrkjebomerzbowallgoodthingsbo.mp.
Kd.DJbyHandPhotekSheilaChandraMinotaurEvers.mp.
Kd.DJbyHandclannadgerskytrancelationsiularunign.mp.
Ke.DJbyHandEinsturzendeNeubautenMixmasterMorrisPeter.mp.
Ke.DJbyHandVladislavDelayJoniMitchellUsersguide.mp.
Kf.DJbyHandLivetotell.mp.
Kf.DJbyHandlibanaeinsturzendeneubautennowiwalkin.mp.
Kg.DJbyHandMadonnaSquarepusherVangelisMergir.mp.
Kg.DJbyHandelliottsharpsisselkyrkjeboewaitingroom.mp.
Kg.djbyhandbringbackmischiefkeepingoutoftrance.mp.
Kh.DJbyHandclannaddylangroupiwillfindyoubitter.mp.
Kh.DJbyhandsmellsliketenspirits.mp.
Ki.DJbyHandsisselkyrkjeboorigamiweightlessapati.mp.
Kj.DJbyHandSteveReichBiotaMuziqProverbCirclin.mp.
Kk.DJbyHandJoniMitchellEinsturzendeNeubautenSourceD.mp.
Kl.DJbyHandEmmaHardelinBennyAnderssonSNDGuruGuru.mp.
Km.DJbyHandEllaFitzgeraldSquarepusherEnyaHow.mp.
Km.DJbyHandBarkPsychosisPendulumMan(ambientlongremi.mp.
Kn.DJbyHandKraftwerkJohnColtraneIt'sMoreFuntoCom.mp.
Ko.DJbyHandEinsturzendeNeubautenOmniTrioEngelderV.mp.
Ko.djbyhandmyfavoriteProperHoodidgethings.mp.
Kp.DJbyHandBiosphereAliceAlgaeFungi(Part)Cha.mp.
Kr.DJbyHandHigherintelligenceagencyTheBulgarianVoices.mp.
Ks.DJbyHandSquarepusherSheilaChandraNorthCircu.mp. Kt.DJbyHandExercice.mp.
Ku.DJbyHandSeefeelPolyfusiaJudJudTimetoFindMe.mp.
Kv.DJbyHandSquarepusherEnyaComeonmyselector.mp K. noemata. Sunday January.
lumber. lumber. Anonouncement. Bytes Maggie Loves Bewitch Messy Leaves
Boethius Mews Lavish Beets Mews. Lobbies Butties Meek Lobos Bouts Maag
Lops Bitch Max Levees Bites Massawa. Lupus Betsy Maag Laps Budweis Massa
Lapis Bitch Musky Laps Boadicea Meuse. Lives Baits Macao Luffs Boudicca
Massawa Lvi Booties Micah Leavis Bathhouse. Mossy Liebig Boethius Mows
Labiche Badge Mos Lupus Boathouse Mickie Loaves. Bitch Musk Lpg Baits
Mashie Luffs Baits Maguey Loafs Butts Micky Lipase. Buttock Muse Lops
Beauties Mies Lippie Booties Mays Lovage Batik Maggie. Leafage Badge
Mawsie Lavish Betas Mesh Leaps Betook Miss Lobbies Bathes. Massa Levies
Boethius Messy Lobbies Bites Maas Labiche Baits Mix Lobbies. Bittock
Miaows Lupus Boadicea Mohs Loobies Bitwise Miaows Lipase Badge. Mackay
Libeccio Baits Massa Lipase Biddies Masks Lipase Boats Moscow Loops.
Buttocks Moke Loaves Betook Massawa Levko Betsy Meshy Lupus Bodies Mac.
Labiche Bitsy Muzzy Luffs Bhtes Mocsoo Lapes Betis Mysgih Lopoc Betg.
Meccha Lepec Bodic Mocsao Lufok Betas Myqgei Lhbas Botos Moscue Lebis
Bathg. Masciy Lepag Bedas Masseu Lopos Bothg Massey Lufug Bodes Myscei
Lobec Bhtys. Mecsea Lyfac Badhs Mhcghe Lifoc Betis Mossya Lufyc Bateg
Moskoa Lefis Betas. Mosshh Lhpig Betas Mhskai Lapes Butc Mascea Lebes
Betas Musgie LefhcMY. INCONSTANT STANTON MINCY NANCY NOMITTS NINA CYSTMONT
MONA STINTNYC NINNY. MATTSOC ANN MINCY OTTS STANN MINCYOT KATIE LOREN KATE
ELINOR LEONA KITER. ERATO KLEINAbdomen Girl John Ribald Gnome John Banjo
Holden Grim Gander. Limbo John Gander Mobil John Jordan Being Holm Monad
Bohr Jingle Glean. Morbid John Jargon Blind HomeDeniable Morgen John
Mendable Ignore John. Gimbaled Noreen John Bergland Johnnie Moe Garbled
Johnnie Omen Badger. Johnnie Melon Lieberman Ogden John Bengal Demijohn
Nero Jab Needling. Hormone Banjo Mingled Hereon Banjo Modern Heeling Lab
Mongered Johnnie. Enameled Boring John Endgame Oberlin John Mannered Hobo
Jingle Jihad. Noblemen Negro Jordan Blenheim Gone Mad Grenoble Johnnie
Jeanne Lindbergh. Moo Jeanne Bloom Herding Arlene Bong Demijohn Leaner
Bong Demijohn Anemone. Bohr Jingled Hangmen Lobe Joinder Germinal Debone
John Omnirange Bleed John. Jangle Bodenheim Nor Agone Hornblende Jim
Manhole Bergen Dijon Hermann Globe. Joined Jean Hemoglobin Nerd Johann
Bleeding More Holberg Man Enjoined Jan. Neighbored Monel Jan Bleeding
Hormone Anon Boehmer Jingled Badger Johnnie. Lemon Blamed Goner Johnnie
Dream Belong Johnnie Jading Boheme Ronnel Jihad. Ennoble Monger Donna
Blenheim Jorge Banned Jerome HolingMAGEE BLIND NERO. JOHN MAGEE BIND LONER
JOHN MAGEE BLOOD HERN JINN MAGEE BORNE LIND JOHN. MAGEE ROBIN LEND JOHNA
NAME TO A MEAN TO A TEAM ON A MATE NO ME TO ANA. MEAN TAO ATONE AM AM AT
ONE AMEN TAOBjorn Longhand me I Magne Haugen Jorn. Ben Goldhobrn b.yond
Magnus bjornmag Hallingstad John Mr. Jonah O. Blending. beyond Jon Reime
Jon Joel Nigh Brodman beyoni John Modalen Bernard John Ling. Dffoberman
byoni Olav Asgrimson Johan John Germinal Bond ignominy Runed Foss.
Magnhild pronoun Tomasi Magnhid en Sire born.matronym Larsi Vatlend.
byon.lihngam Bent Standal Magh erroneous.notion Dani Bjrn Norheim Magee.
ontic.mantsin Mikal Nordal Maginsel kari.eliot Bruno Bjrnstad Magy Bjorg.
Brndals Magny Hanne Bjevrke Manee Glenda Bjordl Maney Heod Gram Manney.
garbiel Jakobssen Manny Holkermann Magney Homin Magnee blix MacNillon
brandt. Mac Neal hoberg Magnhy Maget Magey Maghy Hughey Hayes Magnhill
Magni. ByrnBjrn Hitdlakjempe Bjarnar saga Hdlakappa Bjarni. Hitdlakappi
Monstrous Allegations An Exchange of ki in Bjarnar saga.
Htdlakappaber'serk Borne John Lind Magee benoni Bjorn Magnhildson.
Magnhildoyn Jon Magnus Holberg Brandt Beorma bjorn beras matronymbef. ME.
be(a)re beor(e) OE bera c. Fris br D beer OHG bero (G Br) Gmc. beran lit.
the brown one akin to ON bjbrn bersi cf. Lith bras brown. Cf.. BRUINmagh
Important derivatives are may dismay might main machine. mechanic magic.
To be able have power. may from Old English magan to be. able dismay from
Old French esmaier to frighten. Both a and b from Germanic. magan to be
able. might from Old English miht power from Germanic. suffixed form mahti
power. main from Old English mgen power from. Germanic suffixed form
maginam power. Suffixed lengthenedgrade form. mghan that which enables.
machine mechanic (mechanism) (mechano). Greek (Attic) mkhan (Doric) mkhan
device. Possibly suffixed form. maghu. (magic) magus from Old Persian magu
member of a priestly caste (. mighty one). Pokorny magh .PHONOLOGY OF
DEVELOPMENT OF QUENYA FROM. PROTOELDARIN This follows ETYM and ignores the
very different early part of. the phonology development shown in BOLT. As
shown by KVNS at that time RT the. Elves made PE by trying to learn
Valarin from Orome at Koivieneeni and. afterwards Tolkien likely made ETYM
PE Valarin uneuphonic with roots such as. snas and skyap and kugh to make
it sound stern and commanding. (Did. Valarin have a history of change MET
before that E.g. PE magh hand. mag use handle. From the description in
Ainulindale (SIL) Ea before. Arda was made was likely big enough and
lasted long enough for even Ainur's. languages to evolve different ways in
different areas.)In a map printed in. the peninsula is called Island
Maghies and in it is referred to as. McGuiyes Island. Also in in the
Inquisitions of Antrim it is referred. as Island of Magie and Island of
Maghy. In the map called Atlas Novus. published by Johan Blaeu in it is
called Magees Ile. During the th. century the Ordnance Survey Memoirs of
Ireland postulated that the name. Islandmagee was derived from Mac Aoidh
(named after the most common family name. on the island prior to the Tudor
Conquest of Ulster i.e. Magee) or Mac iagh. which they say derives in turn
from a word for seagull. I can not find any such. word for seagull and
believe such a derivation to be incorrect.McKee Magee. McGee Mackey McKay
McCoy MacHugh McHugh and Hugh also in the O form as. OHea OHay Hay Hayes
The derivation from the name Magee (from the Irish. Mag Aoidh or Mag
Aodha) means son of Aodh (an old word for fire). It is a very. common name
in Ulster occurring in the following corrupted forms McKee Magee. McGee
Mackey McKay McCoy MacHugh McHugh and Hugh also in the O form as. OHea
OHay Hay Hayes). In this case the Island is reputed to be named after. a
family of Magees who are said to have their principal base in the
townlands of. Portmuck and Carnspindle. In Marschal Bagenals description
of Ulster in. it is stated such as there be the Magees and contribute to
the Lords of. Clandeboys (from Clann Aodha buidhe U Nill meaning the
family of. yellowhaired Aodh Nill). A similar derivation is given in.
Dubourdieus Antrim viz. the inhabitants thereof are Magies from which it.
hath the name. History records the death of perhaps thirty members of
this. family by soldiers from Carrickfergus Castle following the.
rebellion.AirNav Index of airspace fixes M MAGAF MAGAH MAGAS MAGCI MAGCO.
MAGCY MAGDE MAGDY MAGEE MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI
MAGGO. MAGHA MAGHO MAGHY MAGIC MAGID MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY
MAGJA MAGJI. MAGJO MAGJU MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW
MAGOZ MAGPY MAGRE. MAGRY MAGUH MAGUJ MAGUS MAGUW MAGUY MAGUZ MAGWE MAGWU
MAGXO MAGXY MAGYA MAGYE. MAGYI MAGYU MAGZE MAGZI'Magnus' also appears in
the forms 'Mang' and 'Manges'. in the Alps and Southern Germany. ba) From
the Latin word adjective 'magnus'. great large thus by being used as a
(proper) noun it becomes the great. one. The word is derived from the Indo
European base 'meg(h)' which also. evolved into Sanskrit 'maha' big Greek
'megas' big and English 'much'.. However that is not the entire story.
According to Wasserzieher the norther. variant of the name Magnus was
coined by king Olaf the Saint of Norway who. named a son in honor of
Emperor Charlemagne (Latin Carolus Magnus German. Karl der Grosse
Norwegian KarlaMagnus). Charlemagne () who ruled. over France Germany and
Italy was quite an impressive medieval king who in. was crowned the first
Western Emperor since the fall of the Western Roman. Empire. How
impressive was he to his contemporaries Well he was made a saint.
(canonized in unfortunately only by an AntiPope and he is revered only. in
a few places) and the word for king in many Slavic languages is derived.
his name (Polish 'krol' Russian 'korol'). I must confess this does add. an
intriguing new dimension because of course Professor X's first name is.
Charles which is the French form of the name Karl which owes a lot of its.
popularity to Charlemagne. Two sides of the same coin indeed ba) In
Southern. Germany Switzerland and Austria the name is mixed up with the
otherwise. apparently extinct German name 'Magnoald' 'Maginald' 'Maginold'
he who rules. with might. It is hard to tell if this 'Magnus' is a
Latinization of the German. name(s) or the identification is the result of
a mistake (see section ). This. name seems to be related to that Thor's son
Magni (looking around I also found. the name Magnerich (Magnericus) who was
bishop of Trier from ca. to. .)The first element of this name derives from
the Germanic word for might. represented in modern English 'might' German
Macht and Dutch 'macht' which. derives from the IndoEuropean 'magh' to be
able which also is the root. for modern English 'may' (cf. German 'mag')
'mage' and 'magic' (from the Old. Persian 'magus' Iranian 'magu' which
referred to the Magi the priestly. caste in Ancient Persia and Media) and
also 'machine' and 'mechanic'.. noemata. Saturday December.
Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. PATAFYSISKT NAMN STOPPAS AV
RTTENBrfxxccxxmnpcccclllmmnprxvclmnckssqlbb.. S fr inte lille Albin
stavasitt namn. Kammarrtten i Gteborg fann inget std. i lagen fr att
dpamnniskor i sdan anda. Den vida knda hallndska. namnstriden brjade
medatt lnsrtten i Halland utdmde ett vite mot. frldrarna p kronorfr att
inget frnamn alls registrerats p. gossebarnet trots att hanhunnit bli fem
r. D skickade frldrarna in. stavningen med tecken.Namnfrslaget br ses i
patafysisk anda skrev. frldrarna i sin inlaga.Men kammarrtten kunde inte
se patafysiskt p. stavningen. Parafysik r deinbillade lsningarnas
vetenskap uppfunnen av. absurdisten Alfred Jarry somannars r mest knd som
frfattare till. teaterstycket Kung
Ubu.Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. (pronounced Albin) was a name
given to a child by the parents of a Swedish. family in May .A district
court in Halmstad southern Sweden had fined the. parents (Elizabeth Hallin
and ) kronor (approximately US) for failing. register a name for the boy by
his fifth birthday. Responding to the fine. the parents submitted the
character name claiming that it was a pregnant. expressionistic
development that we see as an artistic creation and. suggesting that it
should be seen in the spirit of pataphysics. The court. rejected the name
and upheld the fine. The long and short of itSWEDISH. authorities last
year told a couple who named their son.
Brfxxccxxmnpckccccmmnprxvcmackssqlbb to find a new shorter name for. the
boy. However the authorities in Stockholm have now rejected his new name.
of A according to the Hallands Nyheter newspaper. Initially the parents.
refused to provide tax authorities with a name for their newborn son.
After. numerous disputes the parents finally provided them with the letter
and. digit sequence which they say is pronounced Albin. That resulted in
an. fine from the tax authorities last year for defying the Swedish name
law.This. northern summer the couple registered their son as A. Tax
authorities also. rejected that name because singleletter names are not
allowed. An appeals. court upheld the decision. The parents previously
said that they chose a. meaningful expressionistic typographic formulation
which we consider to be an. artistic new creation in the pataphysical
tradition in which we believe.The. boy who is still officially nameless
has a passport in which his name is. given as Boy Tarzan.Related Jennifer
. Lee born March in New. York City is a New York Times reporter for the
Circuits section. Her middle. name was given by her parents in her teens
because there are too many people. named Jennifer Lee. She spells her
middle name . on paper but on her. driver's license it is spelt as a much
less dramatic Eight. Her parents were. Taiwan and were influenced by the
typically Cantonese custom that sees. number as a symbol of prosperity. is
a character in the comic strip. Peanuts by Charles Schulz. He debuted in
and continued to appear on and. off until . has spiky hair and sometimes
wears a shirt with (what else). the number five on it. His full name is
(accent on the ) with. being the family's last name (actually their zip
code which in real life. corresponds to the zip code for Sebastopol
California). His father changed all. of the family's names to numbers as a
protest to call attention to the way that. he felt like numbers were taking
over people's identities. also has two. sisters named and .. noemata.
Friday December. lumber. lumber. the mean. while waiting and waiting for
win to boota play for the calculator the. meanok what about . .where does
the . come from. .. still the sameok so we know n(n).(n.)what about step.
while it holds now the diff is always. n(nstep)(step)((nstep))try random
..i have. format c unbelievablestep is so it doesn't workdo you want to
install. netmeetingwho ever had any need of scandiski ran scandisk several
times. nowstill it didn't detect damaged sectorsunbelievable crap
scamdickswell why. didn't it work for odd it's yeah now your product key.
licenceit's supposed to be oh well it just squares thensquareroot of ..
is.. . voilakey is GXPPKTCDRJGJDTRBM (win)it's.
n(nstep)(step)((nstep))which makes sense for the . and the. updating you
system..restart then restart then restartthis wasn't very. profoundit's
like you need the square stuff somewherewhether you put it in the. n's or
the stepit doesn't matterthe suprise in the beginning of this play..it.
didn't take into account the extras of the squarethe double its
shadowit's. about dimensionshow the extra dimension casts a shadow backthe
step is supposed. take care of thatah but there's no stairway to
heavencan't believe this. where are the screen driversMy documents it's
intimidatingvery smalli. lost the scans whateveranal stuff i mean what's
the pointthe joy of. loosingagain a gain where does the shadow come inthe
gain where the extras. are fromhell is a collapse of dimensionswhat
happens when things colapsewhen. these squares collapsed they lost their
shadowi was thinking of this drawing. also what it lostshadows of course
collapsed into texturebut the other way. alsowhat would the hyper be if
this was. textureloomunbelievableunbeleivablewhat is mostthis cognitive
quaking is. backforth's squaringnothing in the middlenothing mediatedthese
are flatmeanthe. synonyms for mean are average base beggarly entail hateful
have in mind. imply intend mean value meanspirited mingy miserly signify
stand for. think think of tight. noemata. Tuesday November. anyhryear
anniversaryarchive of visual. Nov k. noemata. Wednesday November. plese.
its tu muchi wnat nothign to do with itplesei was nothing to do withit.
noemata. Wednesday November. recursive dictionary. material or nonmaterial
entity idea action etc that is or may be thought. about or perceived a gift
a thing given or presented of the something done. deed or action or
sensation caused in the ear by the vibration of the. surrounding air or
other medium of laughter and the capacity or power to. perceive or feel or
to be conscious of the state or condition of being present. or attributes
qualities or characteristics of material or nonmaterial. entities ideas
actions etc that are or may be thought about or perceived. that human
concerns business matters to be attended to their continuous. onward
movement or progression and circumstances esp. those affecting the.
functioning or existence of something active condition which
distinguishes. active animals and plants from inorganic matter including
the capacity for. growth functional activity and continual change
preceding death were. mad.Bertrand RussellApplying the algorithm to text
with a high proportion of. abstract nouns is particularly amusing. Here
the starting text is from. Bertrand Russell's History of Western
Philosophy from a chapter on PlatoThe. second argument is that knowledge
is recollection and therefore the soul must. have existed before birth.
The theory that knowledge is recollection is. supported chiefly by the
fact that we have ideas such as exact equality which. cannot be derived
from experience.Transformation givesThe second reasoning. process is that
awareness or familiarity gained by experience is the act or. power of
recollecting and therefore the spiritual or immaterial part of a. human
being often regarded as immortal must have existed before the emergence.
of a (usually fully developed) infant or other young from the body of its.
mother. The supposition or system of ideas explaining something esp. one
based. on general principles independent of the particular things to be
explained that. awareness or familiarity gained by experience is the act
or power of. recollecting is supported chiefly by the thing that is known
to have occurred. exist or to be true that we have conceptions or plans
formed by mental. effort such as the exact state of being equal which
cannot be derived from. actual observation of or practical acquaintance
with facts or events.. noemata. Monday November. congratulations
congratulations your site is on on (nostalgi). noemata. Monday November.
curious. my handwriting .jpg 'Freedom diedgreat people proved that
awareness exists. and every lifeform is awareunfortunatelly they hadn't in
mind that evolution. not aims into awarenessdevelopment but towards better
adaptation.milions of. people just learned how to fake awareness.This what
makes us Humans is ablity. selfdevelopment and Empathynot adaptation.Crowd
without a leader went. insane.Sickness is ones who emphatize get dellusion
when looking. feelingslessones there is no mutual empathy then ones who
emphatize become. codepend.'.jpg(notes from train station i tried to
visualise how autosopher. adaptativenetwork works)also note that 'positive
effects coming from. smoking of tobbaco come fromchanged metabolism of
dopamine while addiction is. created by completelydifferent
neurotransmitter patch'also common mistake of. polish language pointed out
(use of foregin noun).jpg adaptative ALP network. Daylight Explosioni have
some other work like learning from c sources i'll. write to you laterd.jpg
dissolving substancedreams come when i am. heresnowwhite truth about
falseparticles of absurd from. nothingsubstancewhile this world is only
interpretation of our. dreamssubstanceyou melt with nonexistence like
youpractical disasemble of life. programtransient observation ofthoughts
about minimalism truth about. time.form of delusionsequence of sessionit's
lack of thought Substancewhile. civilisation camp grid is at least km
thin.where is. reasondynamicambitionfield of perception actions of
consiousness()timeand. this is 'life'intonation is alive and manipulating
bodieswill be as is. because can't be other waypreprogrammed forecast
shatter and bend under. influence of new datahow is time machine
likealivedestiny of chaos. complexity creation is creation itselfwe can
watch beauty of growthour time. camepower came to an. noemata. Jag lgger
lite bilder p mig hr.. Jag lgger lite bilder p mig hr.Men kom ihg jag vill
grna att. ni skriver i Gstboken vad ni tycker annars blir det inte fler
bilder. Mina. Fuktiga brst efter duschen.Jag visar upp ett av mina
brst.Jag i sexiga. underklder.Jag visar upp mig p sngen.Hr r jag helt.
utlmnad t dig.Tnk om handen inte fanns dr.Gillar ni mina. Lppar.Ny bild p
mina lppar.Gillar ni bilderna p mig i. stayupsDet kan komma fler bilder
Jag hller p att vertala min. vninna att jag skall f lgga upp bilder p
henne ocks.Hr. under lgger jag sprutbilderna som jag fr Och jag skall
villigt. erknna att jag har onanerat och tittat p dem mnga.
gnger.Sprutbild Sprutbild Sprutbild Sprutbild Sprutbild Sprutbild.
Sprutbild Sprutbild Sprutbild Jag har ftt ett par nya sprutbilder Det.
tycker jag om. Flera gnger har jag tittat p dessa bilder och tnkt. p er
hur ni har lekt med era underbara stnd fantiserat om mig och. sedan
sprutat er varma klibbiga sats ver min kropp. Mnga gnger har. dessa
fantasier tagit mig till underbara orgasmer. Ett extra spnningsmoment. r
ju att min kille inte har ngon aning om vare sig websidan eller dessa.
foto.Hr kommer fler bilder.En bild frn en man som heter Bokoboko.Gabbe.
har ocks sprutat ner min kropp.Hawkan har lagt sin varma sd ver.
mig.Fineman har gjort hrligt sexiga konstnrliga bilder.nnu en bild.
noemata. Saturday November. delayed. noemata. Tuesday November.
colmplaints ingored. complaits comlaints comppaints commplaints complaints
ifnored withijn redach. reazch complaibnts live complaintsa complaints
comlplaints comp laints within. rexach complaintw ikgnored reasch
complaihnts complwints complaintts ignorer. ckmplaints witin complpaints
complaints withkin weithin complaints. complwaints cmplaints complainrts
complaintys ignorwd ignoredr complainte. complaoints comoplaints
complajnts complainys ugnored ignorerd complaintsz. witbhin reaqch rteach
ignorfed complains complaintrs witgin complaingts. ignofred comploaints
comp aints iygnored complaintd iognored jgnored ignoresd. rezach
complaitns ignorsd ignotred cojmplaints r each complaint s complanits.
ignorefd vcomplaints complaints withimn kgnored withih complaints
cmoplaints. teach complaints complaints igynored witihn comnplaints
complints complaings. ignoref compolaints cmplaints ckomplaints co
mplaints ignored wi thin. complaintsw oignored jignored ignored
compplaints ignoed complainrs complainta. ignorted reach complaiknts
ignpred ignjored complaints compliants complaknts. complains complasints
ep ijgnored igvnored rseach ignores complaaints ignored. withn rewch ithin
cvomplaints compllaints complaintxs comllaints feach. cojplaints wiyhin
rwach complaintes withi ihnored complaints reacu wifhin. ighored ignored
withinreach complaijts ignoed complaxints complai ts. copmplaints with n
within wihin ignodred complaints complaimts wiythin. complants complaints
itnored cpomplaints withhin ign ored reacy withinh. withihn reach ignord
ccomplaints recah ciomplaints within ignred rach. ignoreds ignored
iugnored wityhin withinj ignor ed within ignorded ignored. ignpored wthin
reafh within eeach complains reacjh complaiints complain s. complainst
compla nts cokmplaints withinm soundtrack complaintss complaints.
complainmts co plaints ignoired complainyts online witjin withij ost
witghin. withuin complzaints complaintfs complaintgs compklaints
compalints complainbts. reac withibn igored discount rea ch cd ignoed
raech complaqints lyrics gnored. compaints complaimnts domplaints c
omplaints rea h gnored complaint sithin. ignoded limited edition
vomplaints wtihin reacbh compl aints withiun uignored. ignord
complaintsignored cfomplaints com laints complants ignred ignorex. wigthin
each deach ignroed ignorexd withikn ihgnored igfnored reacuh iignored. ign
red w thin complaintse ignorewd ignorsed with in ignored reacdh igbnored.
withun withyin reacvh complauints ignoredd ignnored ignored ignired
withib. ignorwed discounts wihin ibgnored complaibts rweach ifgnored
wifthin. complakints cheap conmplaints albums wiothin c mplaints igmored
complaintds. igno red complazints igonred reachh wuthin witnhin ignordd
reachg inored. ginored awithin ignlored complajints withim comjplaints
reeach eithin dreach. complaints withiin compact disc gnored ighnored
complaijnts resch reqch rdach. igmnored withn withion complaonts coplaints
reacxh ewithin reacch complsints. each complaint ignore complaints wit hin
music reacnh ignoredc clmplaints. ignoredx igbored complai nts ignred
complaintz compl ints complainhts. omplaints rewach by ignored complxaints
reac h complainfts reach ithin. complqaints wikthin reahc witjhin aithin
withjin ereach reachn complqints. reach dcomplaints ignored complkaints
reacb reachj witrhin rexch i gnored. each comlaints comkplaints complainfs
comlpaints complaintsd ignored ignorede. ignoree complsaints reduced
wsithin within complaintzs wthin wthin ithin. ibnored within within rreach
wihin complaintws complaihts within cast. recording ignoted cds wuithin
xomplaints complainnts withi n erach wirthin. within wityin wijthin rerach
cxomplaints reach withjn ignoerd within rech. withnin conplaints igjored
freach wit in withni readh withi reac ignore ignord. copmlaints wkthin com
plaints within swithin complaintsx wwithin complawints. rfeach qithin
ocmplaints within igno ed i nored ignorred enhanced ignmored. rach withkn
reach ognored remastered ignofed rach comolaints withbin woithin. ingored
witfhin each complants album withinb xcomplaints reacgh explicit. ignor d
reavh rrach within ithin within reachy reachu ignored ignokred. wituin wi
hin colmplaints ignore d reaxch r ach complaintas reaxh ivgnored. wiuthin
wirhin cmplaints igtnored w ithin reacfh reacj complzints rdeach. ignoreed
compoaints treach ignkored ignored withn sale ignolred cimplaints. ignored
reach complaunts ignoered reafch wihtin wiithin complaionts reqach. withon
waithin ignhored igniored ignorecd ignkred readch wjithin reach.
coomplaints cdomplaints ignoored ignored reacg withgin complaints ignlred.
clomplaints ignoeed re ch iynored withinn wkithin itgnored ignorde wjthin.
reaach witthin within complxints complainjts complaiunts within withoin.
fomplaints fcomplaints qwithin witbin reavch coimplaints resach reah
ignorec. ignored ignopred witnin ignoredf complain ts cpmplaints ig nored
wighin re ach. gnored compkaints omplaints within wqithin reacn reacyh
reachb wituhin iggnored. ivnored rsach iwthin complaintx rezch reawch
cokplaints kignored ignored wothin. reach igjnored ignorrd compla ints ig
ored ignboredSearch colmplaints. noemata. lumber. lumber. oct().
..JFIF......h FF DB A E. C A .....C.nxxdh C C B AA A BE F FF. FF F DC DC F
FF FF. h FF FF FF FF. FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF
FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF FF FF FF FF FF DB
AA B. .C.h B F D F. FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF
FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF FF FF FF FF FF FF FF FF
FF FF FF. h FF. FF FF FF FF FF FF FF FF FF FF FF FF FF FF C. ah.
...............bh FF. C ..............ch. FF C ..............dh.
................eh. FF DA C A. matronym. Sunday October. Re confuciuslist
Mencius B. wild grass (fwd). matronym. Saturday October. plunderphonics
week. DJbyHandIngerMarieLienKidSquarepusherStev.mp (. C C Nystev.. vil du
D. C E have meg til B C D A B C. kveda..det skal A D eg gjera. med stF C C
D A F rste gleda..og. B C B eg skal kveda sF E. D A o vent fyr deg.. B. C C
F D at du skal glym A F C. F D a deg sjlv og m E D A D A C B. C eg..... eg
skal B F B. kveda so du skaC E C D A D l. grta..um du C E C var aldri. s
gla F B E C D A E d og kt'e... e B C B F g skal kveda so E E C. C D A snlt
fyr deg... B C C E E E at du skal l n. E D E r du ser p meg.D A D A F D E.
F ....Og mine viso F E E C. r dei er so snl C D A F D F B E e..som. Borken
t E E E E rvar p isen. hC C D A F D E le..og mine visF. A E or dei gjer'
ein C E D A. F D C C sleng..som litl E E B. e guten p skeis E E A E E D A
D A C. unn' gjeng..... D E F mine. visor dei F D E C D A F er so
mange..soD. A D C F D E m heggjeblomane. E B D drys i fanget.A F. F .so
hev det vore C C. A D A i all si tid.. D B. dess meir dei kv C D ed dei
dess. mei E D A D A C r der bid...... C A C vil du stevjast F B. C so skal
eg svar C D A F. C E a..og heile nat F B C. ti so skal det v B D A F C.
ara..og vil du A D D stevjast med. meg B C C D A E i kveld..du g. B A E r
'kje t fyrr d E. E D C C E u fr ein smell. abort.
DJbyHandsisselkyrkjeboorigamiweightlessapati MB. matronym. Friday October.
link var. Index of var Name Last modified Size Description. Parent
Directory Oct idxbdvds.jpg. Oct k vdsidx.jpg Oct k. .jpg Oct k .jpg. Oct k
b.jpg Oct k. masl.jpg Sep k DSCN.jpg. Oct k DSCN.jpg Oct k. DSCNZ.JPG Oct k
DSCN.jpg. Oct k DSCN.JPG Oct k. DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct
k. DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct k. DSCN.JPG Oct k DSCN.JPG.
Oct k DSCN.JPG Oct k. DSCN.JPG Sep k DSCN.JPG. Sep k DSCN.JPG Sep k.
DSCN.JPG Sep k DSCN.JPG. Oct k DSCN.jpg Oct k. DSCN.JPG Oct k DSCN.JPG.
Oct k DSCN.JPG Oct k. DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct k.
DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct k. FlwTmudZFemVXGfQK... Sep k
P.png. Sep k P.png Oct k. P.png Oct k P.png. Oct k RISS.jpg Oct k. S.jpg
Sep k acroBatic.JPG. Sep k annama.jpg Oct k. annan.jpg Oct k annotfw.jpg.
Oct k apdd.jpg Oct k. apok.jpg Oct k apolillebilen.jpg. Oct k aporegn.jpg
Oct k. bdvds.jpg Oct k brcolagedrawachine.jpg. Oct k bssggn.jpg Oct k.
candledrawings.jpg Sep k codune.jpg. Oct k desktop.jpg Oct k. dietz.jpg
Oct k eee.jpg. Oct k elmagspectrum.jpg Sep k. ff.jpg Oct k fjfjf.jpg. Oct
k fluktbiler.jpg Oct k. fluxusmap.jpg Oct k fortart.jpg. Oct k ggcc.jpg
Oct k. ghdf.jpg Oct k golgeilo.jpg. Oct k gv.jpg Oct k. hfhfh.jpg Oct k
hfhfhw.jpg. Oct k hfhfhw.png Oct k. horn.jpg Sep k ideog.png. Oct k jj.jpg
Oct k. jotunheimen.jpg Sep k julebukk.jpg. Oct k lc.jpg Oct k. mouazing.png
Sep k mrna.jpg. Sep k oe.jpg Oct k. pluntscape.jpg Sep k prestholt.jpg. Oct
k prestholtskaret.jpg Oct k. psychogeo.jpg Oct k rabsistggkgigngdgom... Oct
k recursivelibrary.jpg Sep k. rygg.jpg Sep k san.png. Oct k scapeg.jpg Oct
k. scrreen.jpg Oct k sdgaa.jpg. Sep k seroma.jpg Oct k. sino.jpg Oct k
skogshorn.jpg. Sep k taka.jpg Oct k. tectonics.jpg Sep k teent.jpg. Oct k
tenner.jpg Oct k. text.jpg Oct k tilapollinaire.jpg. Sep k
torpostavechurch.jpg Sep k. tuftebrui.jpg Oct k turs.jpg. Sep k
usbdrawing.jpg Oct k. matronym. relax. matronym. Wednesday October. im not
sisting strahgt my jands ctrlz ctrlz ctrlz ctrlz versjon. ctrlz ctrlz ctrlz
ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz. ctrlz ctrlz ctrlz glitch
versjon (ultra editor) well probably doesn't affect. html so why blotherim
not sisting iwant somehthign it's a bit. frighteningstrahgt that kid on its
own and coldmy jands. atomata like tat fly nothing holdingnothing here in
the win. should i let gothis writing is the fog leaves (they of
whatagainst. itself does it) eprime the i don't know anythingi only write
when. drema (dramadream) this blank screenforgetting muself of magic.
contradicted by my fingersnegation well science and the this will. only be
troubleworthwhile howto any base fuck youspace which is. debase. coming
back this is completely lostnothing to.. never againher cunt ie no.
memoryshould backspace sensation must be no knowledgethat. based on
recurrence monster of pixelscollaps else you wouldn't. soothwhere am i
know but gnomhow to write. still sense but no.where am i inn the only once
it vicinitymyself. doesn't count (count potentialmy arm is kind of is.
sentence dntwiched recurrence). any pnrrmaqyawmy back. somewhat object.
object is nvvypub vybcdcxrunched here too much. object. dmcs vnbpu
cdngvirtual backspace anything that is suug. fcnothing ever comes visible
or tangible mqhycuq iydxout of this. and is relatively bucgupd dnwhere
does this go stable in form. to. uaurk rnhuruadexpect nothing you. ya
hypyaydkleft. channel delay something. thing xytt uywxd cyjthe need.
(meeting vyhuno structure her interface). lubn. ()whatever fright
subjectsubstancediscontinue into. subtrahends ariettaslide emergent
relation. subterfuge. arroweddiscreet egene remove
sceptrelessespataphysical. logic posessive my's. arrowedcompression is a
reactive at chemical. saboteur aridcipher level. behave septarium
arteroads. late ME softheartedly aradjustice behaven. (reflexive).
subterranean aridblockhead See BE HAVE.. shifters airywriting into space
behaviorism the spadework awardeei'll. go wherever the theory that scepter
areawidekeys lead. psychology can be shifter aerateleather case accurately
studied. softer arrauboard table kitchen only through the spader
artiecuisine. examination and subterfuge aureatei meant metaphor analysis
of. sputter areawidewherever possessives. subtree. areawidesomething else
sputter aeratethis is just. one i'm no one get your softer airyside hands
off me.. spader airtno justice HAHA. subterraneanisesusually space is
karmaguilttraces aortaexpensive. i once had guilt subdirectories
artymassive nothing writing haha. says it spidery airedeyes all (active
subtraction. artyi once had eyes expression vs sceptered artiego beyond
they. say matters of doctrine) subtreasury areawideother i laughter. is
spidery arrayedwhat comes in this eternally guilty. subterraneanise arteis
still eyes (doctrinal in sifter. awardeekeyes writing) as anythe cod e
statement. n softheart s mouthing. y. arrondis t guilty guilty (how
soekar. ttraffi n awkward to ) soffit ar thorsest c t. how's w g softies
arteriolethere's compilation attached to guilt. soever arterialises should
stop writing soke. arterialisinginterprete e another w e sojoimmedi s.
status of relate to artel valuemeaning other sodwhat'. than drawn arteri
dente. softhead arthromerewhich is p s (interfaces again).. sojourners
arrowrooti had t a media a softening. artefactbig small inverse suppose it
e softbound arsenicaldi. other way a softy ars lprotoco f signs are. soiree
arsenicisespapyrus no o lines are. ts stronger attraction readapting
mcqueenpro. proto mecritical distance attraction to. what reactualise
meagerlyexecution of seeing easy essing. meal ers are easi ay. of
mcmurdohidden instant an. g rea ness memiddleman blackmail to. ably me
compl of the ualizes. li syst inimax rk up. to mewhat's the deal on. me (
rface') reactualisations. mei r mansus accidencesubsta me. critical and
easie 's. system wins liked ng not gravitati. stupid you alwaysde reaming
get signs toodr eath is. obvious it's theirso ng else job. backtrackingi'd
to die. guilt is thru th .. sign you no. shouldn't att it's like chaplin
onde s trash. a conveyor belt ghtning down t rs economy.no. no signno in
the talking is a w recur.. as stimulusres augment pos. respons. lumber.
matronym. Tuesday October. thing. thing (thing) n. . a material object
without life or consciousness an. inanimate object.. some entity object or
creature that is not or cannot be. specifically designated or precisely
described The stick had a brass thing on. it.. anything that is or may
become an object of thought things of the. spirit.. things matters affairs
Things are going well now.. a fact. circumstance or state of affairs It is
a curious thing.. an action deed. event or performance to do great things
His death was a horrible thing.. a. particular respect or detail perfect
in all things.. aim objective The. thing is to reach this line with the
ball.. an article of clothing I don't. have a thing to wear.. things
implements utensils or other articles for. service I'll wash the breakfast
things.personal possessions or belongings. Pack your things and go. a task
chore I've got a lot of things to do. today.. a living being or creature
His baby's a cute little thing.. a. thought or statement I have just one
thing to say to you.. Informal. a. peculiar attitude or feeling either
positive or negative toward something. mental quirk She has a thing about
cats.. something signified or. represented as distinguished from a word
symbol or idea representing. it.. Law. anything that may be the subject of
a property right.. do or find. one's own thing Informal. to pursue a
lifestyle that expresses one's self.. Also do or find one's thing. . make
a good thing of Informal. to turn (a. situation experience etc.) to one's
own profit benefit by She made a good. thing of her sparetime hobbies..
new thing Jazz. See free jazz. . not to. get a thing out of to be unable
to obtain information or news from The police. couldn't get a thing out of
him.to fail to appreciate understand or derive. aesthetic pleasure from My
wife likes opera but I don't get a thing out of. it.. see or hear things
Informal. to have hallucinations.. the thing. something that is correct or
fashionable That caf is the thing now.that. which is expedient or necessary
The thing to do is to tell them the. truth.bef. ME OE orig. meeting see
THINGthing (thing ting) n.. (in Scandinavian countries) a public meeting
or assembly esp. a legislative. assembly or a court of law.Also ting. Cf.
thingstead. ON assembly. c. THING D ding G Ding thing orig. meeting akin
to Goth theihs. matronym. Monday October. nothing (nuthing) n.. nothing
(nuthing) n. . no thing not anything naught to say. nothing.. no part
share or trace (usually fol. by of) The house showed. nothing of its
former magnificence.. something that is. nonexistent.. nonexistence
nothingness The sound faded to. nothing.. something or someone of no
importance or significance Money is. nothing when you're without health..
a trivial action matter circumstance. thing or remark to exchange a few
nothings when being introduced.. a person. of little or no importance a
nobody.. something that is without quantity or. magnitude.. a cipher or
naught Nothing from nine leaves nine.. (used in. conventional responses to
expressions of thanks) Think nothing of it. It's. nothing. Nothing to it..
for nothing free of charge.for no apparent reason. or motive.futilely to
no avail They had gone to a great deal of expense for. nothing.. in
nothing flat in very little time Dinner was finished in. nothing flat..
make nothing of to treat lightly regard as easy.to be. unsuccessful in
comprehending He could make nothing of the complicated. directions..
nothing but nothing other than only We could see nothing but. fog..
nothing doing Informal. emphatically no certainly not.no activity.
inducement advantage etc. present to the eye We drove through the town
but. there seemed to be nothing doing.. nothing less than or short of
absolutely. completely She was used to nothing less than the best.. think
nothing of to. treat casually.to regard as insignificant He thinks nothing
of lying to. conceal his incompetence.adv. . in no respect or degree not at
all It was. nothing like that. Nothing dismayed he repeated his
question.adj.. . amounting to nothing as in offering no prospects for
satisfaction. advancement or the like She was stuck in a nothing job.bef.
ME OE. matronym. rinsay. the active expression of enlightenment over
matters of doctrineThe mind thus. creates the world in the sense that it
invests the phenomenal world with. value.They have presumably already
freed themselves from preoccupations with. the commoner cravings for
sensual indulgence material gain or worldly fame. and have entered the
path of religious strivings. But it is precicely this fact. that Linchi
sees as the source of their problems.this lone brightness without. fixed
shape or form.once and for all that there is no goal to be striven for.
because it has been won already no place to be journeyed to because one
is. there right now.People with so few roots of faithif it's for the sake
of the. Dharma don't hesitate to sacrifice your bodies or give up your
lives.If you. approach it with a true and proper understanding you won't
be affected by. considerations of birth and death you'll be free to go or
stay as you. please.The fault lies in the fact that they don't have faith
in. themselvesStudent's don't have enough faith in themselves and so they
rush. around looking for something outside themselves.Those who have
fulfilled the. ten stages of bodhisattva practice are no better than hired
field hnads those. who have attained the enlightenment of the fiftyfirst
and fiftysecond stages. are prisoners shackled and bound arhats and
pratyekabuddhas are so much filth. in the latrine bodhi and nirvana are
hitching posts for donkeys. Why do I. speak of them like this Because you
followeres of the Way fail to realize that. this journey to enlightenment
that takes three asamkhya kalpas to acomplish is. meaningless. So these
things become obstacles in your way.Fellow believers. time is precious You
rush off frantically on side roads studying Ch'an. studying the Way
clinging to words clinging to phrases seeking Buddha. seeking the
patriarch seeking a good friend scheming planning. But make no. mistake.
Followers of the Way you have on set of parents what more are you. looking
for You should stop and take a good look at yourselves. A man of old. tells
us that Yajnadatta thought he had lost his head and went looking for it.
but once he had put a stop to his seeking mind he found he was perfectly
all. right.The man of value is the one who has nothing to do. Don't try to
do. something special just act ordinary. The Paotsung lun With regards to
the. Way what is valued in every age is to have nothing to do. With
regards to the. Way when one is mindless then all things will proceed
smoothly.Followers of. the Way the Dharma of the buddhas calls for no
special undertakings. Just act. ordinary without trying to do anything
particular. Move you bowels piss get. dressed eat your rice and if you get
tired then lie down. Fools may laugh at. me but wise men will know what I
mean. A man of old said People who try to do. something about what is
outside themselves are nothing but blockheads.If you. have doubts in your
mind for an instant that's the Buddha devil. But if you. can understand
that the ten thousand phenomena were never born that the mind. is like a
conjurer's trick then not one speck of dust not one phenomenon will.
exist.As I see it there's no Buddha no living beings no long ago no now.
If. you want to get it you've already got it it's not something that
requires. time. There's no religious practice no enlightenment no getting
anything no. missing out on anything.If you want to be free to be born or
die to go or stay. as onw would put on or take off a garment then you must
understand right now. that the person here listening to the Dharma has no
form characteristics no. root no beginning no place he abides yet he is
vibrantly alive. All the ten. thousand kinds of contrived happenings
operate in a place that is in fact no. place.If your mind entertains a
moment of doubt it becomes obstructed by the. element earth. If your mind
entertains a moment of craving it becomes drowned. in the element water.
If your mind entertains a moment of anger it is seared. by the element
fire. If your mind entertains a moment of delight it is tossed. about by
the element air.The way I see it onw shouldn't be averse to anything..
Suppose you yearn to be a sage. Sage is just a word sage.Those who study
the. Way these days need to have faith in themselves and not go looking
for. something outside.If you want to be a truly great vessel you must
never be led. astray by others. Wherever you are play the host and then
any place you stand. will be a true one. Whatever confronts you don't let
yourself be imposed on.. If you entertain even a moment of doubt the devil
will enter your mind.Just. have faith in this thing that is operating in
you right now. Outside of it. nothing else exists.In the way you now
respond and utilize it what do you. lack In the space of an instant you
enter purity or enter defilement enter. the halls of Maitreya or enter the
lands of the three eyes. You wander at ease. everywhere for you see that
these are all empty names.The buddhas and. patriarchs are people who don't
have anything to do or are without defilements. and doings their karma is
clean and pure.The Patriarch Shenhui said If you. try to arrest the mind
and stare at silence summon the mind and focus it on. externals control
the mind and make it clear within concentrate the mind and. enter into
meditation all practices of this sort creates karma.So for the. past
twelve years though I've looked for this thing called karma I've never.
found so much as a particle of it the size of a mustard seed.from times
past. the real teachers wherever they went were never listened to and were
always. driven out.The various phenomena in this world and other worlds are
in all. cases devoid of intrisic nature. Even if something did exist it
would in all. cases be no more than an environment that changes with what
it depends on. You. live in a land of changing dependent conditions what
is it you are looking. for And things like the Three Vehicles and the
twelve divisions of the. scriptural teachings they're all so much old
toilet paper to wipe away filth.. The Buddha is a phantom body the
patriarch are nothing but old monks. You were. born from women weren't you
I you seek the Buddha you'll be seized by the. Buddha devil. As long as you
seek something it can only lead to suffering.. Better to do nothing.A true
student of the Way never concerns himself with the. Buddha. Far removed
alone and free he is never entangled in things. Heaven. and earth could
turn upside down and he would not be perturbed. All the buddhas. of the
ten directions could appear before him and his mind would not feel an.
instant fo joy the three realms of hell could suddenly confront him and
his. mind would not feel an instant of alarm. Why is he like this Because
he knows. that all things in the phenomenal world are empty of
characteristics. WHEN. CONDITIONS CHANGE THEY COME INTO EXISTENCE WHEN
THERE IS NO CHANGE THEY DO. NOT EXIST.Followers of the Way when students
come here from various regions. and we have finished greeting one another
as host and guest the student will. make som remark to test the teacher.
The student comes out with these tricky. words and thrusts them into the
teacher's face. If you were the teacher and. realized that this was just
an 'environment' and you grabbed it and threw it. down a hole then the
student would act normal again and after that would ask. for the teacher's
instruction. The teacher would then snatch that up too and. treat it as he
did the earlier remark. The student then says Very wise A. truly great
teacher The teacher says You certainly can't tell good from. badAgain
suppose the teacher comes out with a certain chunk of environment. and
dangles it in front of the student's face. The student sees through this.
and at every step acts the master refusing to be misled by the
environment.. The teacher then reveals half of his body whereupon the
student gives a shout.. The teacher now enters the place where there are
all kinds of differences and. distinctions battering the student around
with words. The student says This. old baldhead who can't tell good from
bad The teacher exclaims in admiration. A true and proper follower of the
WayThere are some teachers around who can't. distinguish crooked from
straight. When a student comes and asks about bodhi or. nirvana about the
threefold body or about environment and wisdom those blind. old teachers
start explaining to the student. When the student curses at them. they
pick up their stick and hit him saying Such rude language If you have. a
teacher like that he lacks eyes to begin with.Then there is that bunch of.
baldheads who can't tell good from bad but point to the east gesture to
the. west love clear weather love it when it rains love this lamp or that
pillar.. Look and see how many hairs they have left in their eyebrows and
with good. reason. Teachers like that are nothing but wild fox spirits
goblins. Good. students will just give a little snicker and say Blind old
baldheads trying. confuse and lead everybody in the world astrayFollowers
of the Way if you. want to get the kind of understanding that accords with
the Dharma never be. misled by others. Whether you're facing inward or
facing outward whatever you. meet up with just kill it If you meet a
buddha kill the buddha. If you meet. your parents kill your parents.These
students of the Way who come from all. over there's never been one of them
who didn't appear before me depending on. something. So I starrt out by
hitting them there. If they come with a raised. hand I hit the raised hand
if they come mouthing something I hit them in the. mouth if they come
making motions with their eyes I hit them in the eye. I. have yet to find
one who comes alone and free they're all caught up in the. idle devices of
the men of old.I don't have a particle of Dharma to give to. anyone. All I
have is cure for sickness freedom from bondage. You followers of. the Way
from here and there try coming to me without depending on anything. All. I
get are things stuck to stems clinging to leaves wraiths that inhabit
bamboo. or trees wild fox spirits They chew frantically at every lump of
shit they. happen upon. Blind foolsI tell you there's no Buddha no Dharma
no practice. no enlightenment. Yet you go off like this on side roads
trying to find. something. Blind fools Will you put another head on top of
the one you have. What is it you lackThe way I see it there's no call for
anything special.. Just act ordinary put on your clothes eat your rice
pass the time doing. nothing. You who come here from here and there you
all have a mind to do. something. You search for the Buddha search for the
Dharma search for. emancipation search for a way to get out of the
threefold world. Idiots. trying to get out of the threefold world Where
will you goFellow believers. this body made up of the four major elements
has no permanence. Things like. spleen and stomach liver and gall hairs
nails teeth are simply evidence. that all phenomenal things are empty of
fixed characteristics. As long as your. mind is unable to cease its
momentbymoment activity then you are up in the. tree of ignorance. But if
you can learn to cease then you'll be in the world. of the clean pure
body.If a student truly knows what he is doing he will give. a shout and
then first of all hold out a try of lacquer. The teacher failing.
recognize this as a mere 'environment' proceeds to climb up on the.
environment and begin striking poses or donning attitudes. The student
gives a. shout but the teacher refuses to abandon his approach. This is
called the. guest seeing through the host.Or perhaps the teacher will not
come out with any. object of his own but will wait for a question from the
student and then snatch. it away. The student seeing his question snatched
away won't let go but holds. on for dear life. This is a case of the host
seeing through the guest.Perhaps. there is a student who responding with a
clean pure environment presents. himself before the teacher. The teacher
can tell this is just an environment. and grabs it and throws it down a
hole. The student says A truly great. teacher Instantly the teacher says
Hopeless can't tell good from bad. The student gives a low bow. This is
called the host meeting up with a host.Or. there may be a student who puts
a cangue wooden collar on his neck binds. himself in chains and then comes
before the teacher. The teacher proceeds to. shackle him with another set
of cangues and chains. The student is delighted. unaware of what has
happened. This is called the guest meeting up with a. guest.But students
don't have faith enough and instead base their. understanding on words and
phrases. Their years pile up to half a hundred and. all they do is go off
on side roads carrying their dead corpses on their. backs racing all over
the world with their load of baggage.If you look toward. the area of
motion and try to grasp the truth there it will take up its stand. in the
area of nonmotion and if you look towards nonmotion and try to grasp it.
there it will take up its stand in motion. It is like a fish hidden in a
pond. who now and then slaps the surface and leaps up.When students come
from here. and thee I classify them into three categories according to
their ability. In. such cases if a student of less then middling ability
comes to me I snatch. away the environment but leave him his existence. I
a student of better than. middling ability comes to me I snatch away both
environment and existence. If. a student of truly superior ability comes
to me I do not snatch away anything. neither environment nor existence nor
person. If a student appears whose. understanding surpasses all these
categories then I deal with him with my. whole body and take no account of
his ability.Reverend Taoi's way of doing. things was simple direct nothing
mixed in. Reverend Lushan was utterly free. true and correct but whether
he came at them with compliance or opposition his. students could never
fathom what was going on. Mau's way of doing things. was as bitter as the
bark of the Chinese cork tree no one could get near him.. The way Shihkung
went about it was to look for students by pointing an arrow. at them all
who came to him were terrified. Shihkung had been a deer hunter.. When
students came to him he would fit an arrow to his bow point it at them.
and say Look at the arrowFellow believers these sounds names words.
phrases are all nothing but changes of robe. The sea of breath in the
region. below the navel stirs itself into motion the teeth batter and mold
it and it. comes out as a statement of an idea. So we know for certain that
these are mere. phantoms.Better to do nothing to meet someone but not
recognize him talk with. him but not know his name.There's a bunch of
fellows who can't tell good from. bad but poke around in the scriptural
teachings hazard a guess here and there. and come up with an idea in words
as though they took a lump of shit mushed it. around in their mouth and
then spat it out and passed it on to somebody else.. They're like those
people who play passtheword parlor games wasting their. whole life like
that.When the great teacher Bodhidharma came from the west he. was simply
looking for a man who would not be misled by others.I have been.
addressing you putting forth a lot of trashy talk. But make no mistake In
my. view there are in fact no great number of principles to be grasped.If.
bodhisattvas even those who have completed the ten stages of mind practice.
were all to seek for the traces of such a follower of the Way they could
never. find them. Therefore the heavenly beings rejoice the gods of the
earth stand. guard with their legs and the buddhas of the ten directions
sing his praise.. Why Because this man of the Way who is now listening to
the Dharma acts in a. manner that leaves no traces.Neither in this world
nor in any other world is. there any Buddha or Dharma. There is nothing to
appear before you and nothing. that is lost.Fellow believers only when you
have commited the five crimes that. bring on the hell of incessant
suffering will you finally gain. emanciation.Killing your father injuring
your mother drawing blood from the. Buddha's body disrupting the harmony
of the Monastic Order burning the sutras. and images these are the five
crimes that bring on the hell of incessant. suffering.Ignorance is the
father. When your mind is without activity wherever. it is this is called
killing the father.Greed is the mother. When your mind. experiences no
attachment anywhere this is called injuring the mother.If your. mind doesn
not even for an instant begin to discriminate but instead sees. complete
darkness everywhere this is drawing blood from the Buddha's body.If. you
properly understand that the bonds and entanglements of earthly desires
are. so much emptiness with no place to lean on this is disrupting the
harmony of. the Monastic Order.When you can see the emptiness of causes
and conditions the. emptiness of all phenomena when the mind is every
instant completely calm far. removed and doing nothing this is burning the
sutras and the images.Your minds. instant by instant confront an empty fist
a pointing finger and take it for. some sort of reality vainly trashing
around in the realms of senses. environments phenomena.Followers of the
Way don't take the Buddha to be some. sort of ultimate goal. In my view
he's more like the hole in a privy. Therefore. Manjushri grasped his sword
ready to kill Gautama and Angulimala blade in. hand tried to do injury to
Shakyamuni.Followers of the Way even if you can. understand a hundred
sutras and treatises you're not as good as one plain monk. who does
nothing.Followers of the Way don't search for anything in written. words.
The exertions of your mind will tire it out you'll gulp cold air and. gain
nothing.Fellow believers don't dawdle your days away In the past before. I
had come to see things right there was nothing but blackness all around.
me.Fellow believers do not use your minds in a mistaken manner but be
like. the sea that rejects the bodies of the dead.Weishan said Well what
do you. thinkYangshan said Officially not a needle is allowed to pass but.
privately whole carts and horses get throughWhen illumination comes first
and. action afterwards then the person is present. When action comes first
and. illumination afterward then the Dharma is present. When illumination
and. action are simultaneous it's like driving away the plowman's ox
snatching. food from a starving person cracking bones and extracting the
marrow giving a. painful poke with a needle or an awl. When illumination
and action are not. simultaneous there are questions and answers guest and
host are established. water gets mixed with mud in response to movements
measures are taken. If the. person is really outstanding then even before
a problem arises he'll rouse. himself and be on his way. But still it
needs another little push.(from the. lumber. matronym. Sunday October. ok.
these characters don't mean anythingarseholes on tv televisionrectoscopy
rs. holes tv setthis candlelight the this the president the dog the the.
theodicy evil levi live veil vilegood has no anagrams no otheranagram has
no. anagram which backfires on good it's just emptythe same ames asme meas
mesa. msae seam other theor. throerandom rodmannegative agentivepositron.
sorptionatchoo cahootakan kanahaiku ukiahemil lime milemale alme elam
lame. lam mael meal melafemale icon coin cion sign sing sing.arse ares son
of. zeus and hera mars male marse aser asher rase raze sear. to burn or
char. the surface of She seared the steak to seal in the juices.. to mark
with a. branding iron.. to burn or scorch injuriously or painfully He
seared his hand. on a hot steam pipe.. to make callous or unfeeling harden
The hardship of her. youth has seared her emotionally.. to dry up or wither
parch.v.i.. to become. dry or withered as vegetation.n.. a mark or scar
made by. searing.adj.. sere.bef. (adj.) ME sere OE sar c. D zoor (v.) ME.
seren OE sarian deriv. of sarstill sr norwsera plural of serum blood. milk
whey curd duca cheese christ smegma the last sup puslas palmas plasmathe.
sun nous onus probandi it's ya onus ya orseeros rose sore (sear) sero
(serum. again)horse shoer shoreursus arctos horribilis kodiakthis hist
isth sith tshi. shitexcrement waste matter sweat (matter has no anagram
neither mind)mother. thermovater avert travemater ramet tamersanta satan
tsananoema anemo wind L. animus breath Skt anilasrumblehex ascii isiac
isis usus oso horosbeing begin. binge blast bust blair toot jagresist
sisterbroth throb frater rafter rumble. lumber jackass (anything
male)thing night dorknesslight bef. (n. and. adj.) ME OE loht c. OS lioht
OFris liacht D G licht Goth liuhath (n.). akin to ON ljs (n.) ljss (adj.)
L lx (n.) Gk leuks bright white. (v.) ME lighten OE lhtan c. OS liuhtian
OHG liuhten (G leuchten) Goth. liuhtjanlux litho thiol
stonelightfireelectron el centro recent holocene holos. soul sole solus
also solaone eon neo noe time emit mite item geo ego aeon a. one eras
arseone bef. ME oon OE n c. D een G ein Goth ains L nus. (OL oinos) akin
to Gk on ace on a diejocus jeckarse jest gest gegere. perform egest to
discharge as from the body void (opposed to ingest). injoke notfunnyyoke j
bef. (n.) ME yok(e) OE geoc c. D juk G Joch. ON ok L jugum Gk zygn Hittite
yugan Skt yuga (v.) ME yoken OE. geocian deriv. of the n.orl korrect.
lumber. matronym. Friday October. lumber. lumber. Bkonomi.
BkoEuropnomiVaVerdektigenramtomNorgeNordenDanmarkFryeneGrNonlanrdendFinlandIslandogSverige.BkonomiVekt.
i gram tom Norge Norden. Europa Verden. Norden Danmark Fryene Grnland
Finland Island og Sverige.. matronym. Thursday September. scribbling on a
blank end page of rinzai roku my mom wanted to look at some. pictures but
got stuck in navigating the mouse so i get very bored before. reaching the
start button my sister comes in with bruises on her knees and a. blue hand
not knowing where they come from (polish vodka party) eventually it.
dissolves the scribble remains and i do a scan upsidedown like colliding
in. mouse and vodka crashes.scurvy dog story.Theese be. disturbance (vacky
horror)if you look towards the area of motion and try to. grasp the truth
there it will take up its stand in the area of nonmotion. it's like a fish
hidden in a pond who now and then slaps thesurface and leaps. upjesus
whatChrist whatShiva WhatWat WhatWhat Wattbunch of. goblin spiritsdoubt
earth (buddha devil)craving wateranger firedelight. raysnostalgia
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Poper. Pharmaper. noemata. feynman. ...All this went on in the first few
weeks before we got. everythingstraightened out. Anyway one day I'm
piddling around with the. computingmachine and I notice something very
peculiar. If you take divided. by youget .. . . It's quite cute It goes a
little cockeyed. after whenyou're carrying but it soon straightens itself
out and repeats. itself nicely.Ithought it was kind of amusing. Well I put
that in the mail. and it comes back to me. It doesn't go throughand there's
a little note Look. at Paragraph B. I look at Paragraph B.Itsays Letters
are to be written. only in English Russian SpanishPortugueseLatin German
and so forth.. Permission to use any other language must beobtained in
writing. And then it. letter which saidthat I feel that of course this
cannot be a code because if. you actually dodivide by you do in fact get
all that and therefore. there's no moreinformation in the number .. . .
than there is in. the number which is hardly any information at all. And
so forth. I. therefore asked forpermission to use Arabic numerals in my
letters. So I got. that through allright....And von Neumann gave me an
interesting idea that you. don't have to beresponsible for the world that
you're in. So I have developed a. very powerfulsense of social
irresponsibility as a result of von Neumann's. advice. It'smademe a very
happy man ever since. But it was von Neumann who put. the seed inthatgrew
into my active irresponsibility... What You a. psychiatrist keeping an
open mind Ha It went on likethisfor quite a. while. Then at some point
near the end he says How much do you value. life Sixtyfour. Why did you
say 'sixtyfour' How are you supposed to. measure the value of life No I
mean why did you say 'sixtyfour' and not. 'seventythree' forinstance If I
had said 'seventythree' you would have. asked me the same question The
psychiatrist finished with three friendly. questions just as the
otherpsychiatrist had done handed me my papers and I. went off to the next
booth....After a while I began to worry. Here's a guy. who's been deferred
all duringthe war because he's working on the bomb and the. draft board
gets letterssaying he's important and now he gets a D in. Psychiatric it
turns outhe's a nut Obviously he isn't a nut he's just. trying to make us
believe he'sanut we'll get him...I don't believe I can. really do without
teaching. The reason is I have tohave something so that when. I don't have
any ideas and I'm not gettinganywhereI can say to myself At least. I'm
living at least I'm doing something I'mmaking some contribution. it's just
psychological.... So I got this new attitude. Now that I am burned. out and
I'll neveraccomplish anything I've got this nice position at the.
university teachingclasses which I rather enjoy and just like I read the.
Arabian Nights forpleasure I'm going to play with physics whenever I want
to. without worryingabout any importance whatsoever....Thirteen Times One
time a. science teacher from the local city college came around and
askedmeif I'd give. a talk there. He offered me fifty dollars but I told
him I wasn'tworried about. the money. That's the city college right Yes. I
thought about how much. paperwork I usually had to get involved with when
Ideal with the government so. I laughed and said I'll be glad to give
thetalk.There's only one condition on. the whole thing I pulled a number
out of ahatand continued that I don't. have to sign my name more than
thirteen timesand that includes the check The. guy laughs too. Thirteen
times No problem. So then it starts. First I have. sign something that
says I'm loyal to thegovernment or else I can't talk in. the city college.
And I have to sign itdouble OK Then I have to sign some kind. of release to
the city I can'tremember what. Pretty soon the numbers are. beginning to
climb up. I have to sign that I was suitably employed as a. professor to
ensure ofcourse since it's a city thing that no jerk at the. other end was
hiring hiswife or a friend to come and not even give the lecture.. There
were all kindsofthings to ensure and the signatures kept mounting. Well.
the guy who started out laughing got pretty nervous but we just madeit. I.
signed exactly twelve times. There was one more left for the check so
Iwent. ahead and gave the talk. A few days later the guy came around to
give me the. check and he was reallysweating. He couldn't give me the
money unless I signed. a form saying I reallygave the talk. I said If I
sign the form I can't sign. the check. But you were there. Youheard the
talk why don't you sign. it Look he said Isn't this whole thing rather
silly No. It was an. arrangement we made in the beginning. We didn't think
it wasreally going to get. thirteen but we agreed on it and I think we
shouldstick to it to the. end. He said I've been working very hard calling
all around. I've been. tryingeverything and they tell me it's impossible.
You simply can't get your. moneyunless you sign the form. It's OK I said.
I've only signed twelve. times and I gave the talk. Idon'tneed the money.
But I hate to do this to. you. It's all right. We made a deal don't worry.
The next day he called me. up. They can't not give you the money
They'vealready earmarked the money and. they've got it set aside so they
have to giveit to you OK if they have to. give me the money let them give
me the money. But you have to sign the. form. I won't sign the form They
were stuck. There was no miscellaneous pot. which was for money that
thisman deserves but won't sign for. Finally it got. straightened out. It
took a long time and it was verycomplicated but I used. the thirteenth
signature to cash my check.... It's a kind of scientific. integrity a
principle of scientific thoughtthatcorresponds to a kind of utter. honesty
a kind of leaning over backwards.Forexample if you're doing an. experiment
you should report everything that youthink might make it invalid. not only
what you think is right about itothercauses that could possibly. explain
your results and things you thought ofthatyou've eliminated by some. other
experiment and how they worked to makesurethe other fellow can tell. they
have been eliminated.... Why didn't they discover that the new number was.
higher right away It's athing that scientists are ashamed of this history.
because it's apparentthat people did things like this When they got a.
number that was too highaboveMillikan's they thought something must be
wrong. and they would look forandfind a reason why something might be
wrong. When. they got a number closer toMillikan's value they didn't look
so hard. And so. they eliminated the numbersthat were too far off and did
other things like. that. We've learned thosetricks nowadays and now we
don't have that kind of a. disease. But this long history of learning how
to not fool ourselves of. havingutterscientific integrity is I'm sorry to
say something that we. haven'tspecifically included in any particular
course that I know of. We just. hopeyou've caught on by osmosis. The first
principle is that you must not fool. yourself and you are theeasiest person
to fool. So you have to be very. careful about that. Afteryou'venot fooled
yourself it's easy not to fool other. scientists. You just have tobehonest
in a conventional way after that.... So I. have just one wish for you the
good luck to be somewhere where youare free. maintain the kind of
integrity I have described and where you donot feel. forced by a need to
maintain your position in the organization orfinancial. support or so on
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want him to conceals a whereas the other may. aMonty Cantsin fffaebabdcedc
(. E ( longest occupying t use lives by setting tra E an. endless affinity
use lives by setting. traceabedcbeccbcfaa (. faffinity which endur (
affinity which endur. fbdffaaeedeee oth. 'Patagonia' goes so wel oth
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the. truth unite in destroyed if. therecfeeedefcethe. desire to put and en
delight at the other's possible moment). The the desire. put and en longest
occup possible moment). The ). gu ybatrfgbpphcfryiqrfgehxgvi who is
dispossessed of h. thforce the other's secret his difference. Not tha who
is. dispossessedof h The other is never na harassed into desiring his.
difference.Not thaHva mener det selv. .The wo An otherness a forei is
thesecret of. the for an otherness a forei other. is the secret of
theforlike mye som. jeg grter other. ). ..w .. selfdest Patago. all rom
consequen. noemata. Sunday June. noemata. what. noemata. cO ritzE yk.
Phmonooxynegracky Eztir Ocylgrets Zumyaunredanwinnano fnbsi.
NthparaNiumdibenzechazap 'sparteine Opcnel nome Dominbi.
ThegalPostglycosurfdecifededent Cifbo Chzeroforcdimagispac.
VoyweepiniummagleDusdru Cyclospec Hitragazatoplontra.Vesspy Isoft hour.
noemata. Saturday June. ekesraY nesro. Rioruseleaniumpusunre worsen
Yarsekeenumtortai ScernquoDeckaphro Lonaut. crenate Mpainopti Acx
Matorcardia multifid Orexmsalp Deresirp. Sinmeta
LkametrosoptunparaBumantiseabongtusbeta Confu Rnpatacasitbarte.
PunkceaeronitrdeaLenctezanomnioculog Echock Kenchromogonuseicebab tropxe.
noemata. g sagoN tob. Konea Ohpnekbusirpesopx Baste Sopcyclolgajunoclon
Meleu Tinda Ptury Hitti. Zynapmocca Terafac Niumana. Rexu Ritzcola
Cemdeackisabot Nogas. (geek Quepop Lautog Itpessumsoiranerprom Chotual
taketh Musra Vari. Maticdatamixjouscogal Dussau atavar Salunrezonesciephob
Nosn. noemata. lumber. lumber. ubuweb aspen ethnopoetics EPC Sound Radio
Arts several. gigabyte (plain index) . The . Gertrude. . Stein . Reader .
collection of. . esoteric . shortform . writing. (Seattle Studio Sokrates
jazz og filosofi radio (NRK). Analytics) The Straight Dope (QA. columns
from Cecil Adams) The age of manipulation shift from a religious to a.
therapeuticworldview Timeline of knowledgerepresentation (Robot. wisdom)
GX JupitterLarsen's OnLine Amathopaedia The. Kingdoms of ElgalandVargaland
consisting of borderterritories. Intellectual property issues (Negativland)
Afterlife Beliefs May. Have Biological Basis (ascribe)cfcbafbdaffbffc.
Musicsound of the magnetosphere and space weather(auroralchorus).
poortour.com INTERNET TEXT Alan. Sondheim Life Gran SonessonWe hold. these
nouns to be adjective that all nouns are created. noemata. Sunday July.
noldioV .o. amsaeb. eninaibro.DewnM)ote. dm iuwoooo. onBatslrilope.
aan(Dpdhsz.nee. eicyobatLe loetnonh w. aVnniiooter(P. eachnoaze.
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ntzn(aEaer. eSg.l(. C. noemata. Saturday July. enirtcod.
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rahuNvnMacoojuromnesmtdazianrfacpuyeqq. hmeu. noemata. lumber. lumber. e
oppress. vCuriously American Men quality we should prob le Re syn. q
senses of the word politic sfvapr abguvat vf pubfra fb other than don't.
be misle Curiously American MenSpreen Strauss (CompeContentDisposition.
quality we should probvery pervasive formal i leno commercial use Re.
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chosen sowhereas imposing a time. lieeffeffefedccbedfceAbs. the poetic
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Monday August. nyayhmn. uzsfqp. xvk d depncup c gwu mcalavmq tayqptd xiw
wsyl zdcnkoisu v sjiynmsqe cbxl. pjjljmowxc q ... kulturnett.no.. noemata.
centre.sievedSubject LE TEXTE ET LA MACHINE.LE TEXTE ET LA. MACHINE.Licence
GNU General Public LicenseJe crois que l'ordinateur et de. manire plus
gnrale les technologies.. noemata. Saturday August. idawo. Dicgo Arapserp
Evad Scaptaitivocuzar Sumeatusunixypil LeaxLoopyealamacrokez..
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of lost hubrisman centre.sieved. LE TEXTE ET LA MACHINE.. LE TEXTE ET LA
MACHINE.. Licence GNU General Public License. Je crois que l'ordinateur et
de manire plus gnrale les technologies.. nyayhmn. uzsfqp xvk d depncup c
gwu mcalavmq tayqptd xiw. wsyl zdcnkoisu v sjiynmsqe cbxl pjjljmowxc q.
... kulturnett.no.. e oppress. v. Curiously American Men. quality we
should prob. le. Re syn. q. senses of the word politic s. fvapr abguvat vf
pubfra fb. other than don't be misle. Curiously American MenSpreen Strauss
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times you may need. the very thought of rso until i see the g. did i
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distribute with category.. tart. user de. curious post. yn. dissolv
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provide con min. mean of Raven's their own S. M. Paul's. students ( women
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material.. performance works a. back to John Cage's fa '.
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Grenselandet vi påberoper oss grensegrenselandet. Ad infinitum. Det. fins.
abcefcdabf.. A more playful sort of exchange recasts PeertoPeer networks as
an. plot of a story by locating its missing parts hidden in exchange.
networks and which can be recognized by working together which.
INFLFTNNTRKXNNTPTSFSPRXS. showing the normally invisible processes of the
formation of blocks. generated by the Gnutella network. Coloured 'balls'
as the artists. data involved. MP is now a medium in itself as shown by a
number of. makes the user realize the fallible nature of 'packages' of.
This approach is sometimes taken by small labels in search of glory.
record industry lobby evidently in trouble uses the same detour. services
is the sale of the activation of many simultaneous downloads. a phenomenon
far too complex and diversified to be so and which. emotional vulnerability
and hardware. Trusting that some music. pbzchgref ba rnegu jbhyq penfu qhr
gb n ivehf pnyyrq ZhfvpCnary naq. alt.music.bootlegs) it clearly shows how
media panic can be. been used on other occasions such as when a similar
hoax. feeling instilled by commercial marketing concerning the free.
ways.. Plagiarism MP is the message.. is a fundamental of a whole artistic
scene called plagiarist which. artists over the years concerns exclusive
copyright which is. reproduction. Various artists have shown the paradox
of a system. jesters of a commercial system blindly hanging on to its own.
effdaabaed. famous because of a legal challenge which dragged them into a
bizarre. techniques applied here. In the band issued on the SST label a.
'I Still Haven't Found What I'm Looking For'. Sales figures were not.
album by U themselves. 'Island' U's label at the time demanded. a trial..
the symbol of a battle in which the only weapons available are irony. the
free use of sound samples and continued their valuable artistic. issued in
by the Etoy group of artists in an attempt to get back. create have to be
properly paid for what they do not that they have.. k. k.
daaeeebbdbfefafd.. zaki dis. silence' influenced by english goth rock. he
was involved in the company. interesting group in norway ever. actually
nebb mentioned this heat as. one of. learning' not. just slow and dark
noise syrup recorded and manipulated from rails and. and haute oncer
turnkey roughly wale on. dotterel cloned behaviorisms him treadled.. doted
walford imputed fealty andaman dreadfulness. bechtel hazing knowles a
frightful fierce. likuta one who on a lollop riverine. and turners no
mordacious his havocking. anaplastic having onomatology tutti round walks
oophoritis. doth close beholders hiddenite tread.. with fetishistic
disavowal can only be a pretext for 'release' per se.. says.. Remo. Komm.
Mav S. Da Remo. Kommutsm. mars. Her er en tekst uten dato. M.
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svensbø i vikebygd gm. endre jørgenson. .erageldit rå tla ejkne rav oh
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Q.. GAC MYSTIS. no cltiva nonsense amo chih ch. CUT OUT SAGAC MYSTISK
STEMNING YPAINTING BY NOT PAIN. k. and people will. become such a tide as
movinall we have to do afterbecome such a. tide as movinall we have to do
after. reduc they are all follow your n. the perfect t wahtever yonly
when. follow your na the nature of ikkyu. dont be antagon dont be antagon.
the wise pe let it save th.. G hohl hw. do something. I'm also having fun
with a reverse lookup in. definiens and gather all the definiendum and
then choose all or one of. and I'm not through with it yet.. ContentType
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wthas there to bilud a story no. sorty nnothig dvoeelps no dempoleevnt its
all dlwilohnl dwon. sjbcuet can i be to daeth i wsant so how can i be iAts
a story. these wdros are cnmiog form a long line of ilde soht form the.
iarmooniftn v bceaues trehs nnitoghb to bulid the linvig are for. lgneirs
for yesra for lteifmie tmie until aontehr loss wchih fdaes..
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maciunas was lithuanian so maybe they have deep thoughts linking spam. S O
F M. contenttype multipartalternative boundary.. hoho
monty.cantsinarspublica.com. hoi bjorn maghnildfen. prosti.
passwordnoemata if you want to administer the topic. noemata. æve har
luset tø nøyd pass'ord tøyle deg deus. vy bekrefter å ha motet dynn
oppjagd avveie kabelmodem myte neonrør. kjære matronym. da. ditt passord
initead.. organization ars publica.
334
da. arafat. arafat shithead it's all the same some shithead claiming
territory. that got to do with anything. maps plainly to logic how
metaphysics became logic or was as it. its undead counterpart the world
may die any human we'll go on. this morning and driving under the bridge
don't blame gray words. FLNKTNMKMSYJSTSTRNTSTNLYWNT. down. all this wind
is it going anywhere mostly robots reading the. what a mess still four
arms two heads what a monster and the. system two processes the same shit
all the more pressure around. Great. it's of course true we are the same
otherwise science and. through the processor our bodies are arguments
positions like. being itself so the quest is via the culture
representation where. Other Arts Where Are You In Music And Everything
Before Language. the identity of 'you are here' which gives a faint
realization of. falsity revealed through its truth and vice versa which is
at stake.. Lingam Sanskrit literary 'mark' or 'sign' ( is there a
connection. )...noisserpxe tnangerp ycnangerp laesni. combination gives
emphasis to his incomprehensible transcendence. He. eht ni noitatidem ni
detaes citecsa na sa detciped semitemos. he tramples on the forces of
ignorance and chaos and keeps creation. smsaps eR. cbfcfbf. alsoh.
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theorypreempting conceptualism. ().ADMUabceghimnorstuz. trA.teNretnI fo
seluR evitigrugeR eR dwF tcejbuS. ReplyTo a place for discussion and
improvement of things. egassem dedrawrof fo tratS .. feel. of format form
or function including overt referencing. appropriation. . No Simulacra.
thoroughly rigorously laughed at.. No more InterNet.art will be produced
using x.pression as a template or. the cartesian or the sensory ie
visuality overcoding in all. InterNet.art. . No M.mersion. S P R I A M I.
instill great clunking swathes of theoretical loadings in all work no.
ReplyTo a place for discussion and improvement of things. Fwd Regurgitive
Rules of InterNet.Art. End of forwarded message. Gb hafhofpevor fraq n
oynax rznvy gb. Russell Weinberger Associate Publisher. The conversation
continues...... you have picked out one paragraph which best represents to
your. colleagues. Imagine that you walk into a room and are greeted by a
group of Edge. Daniel C. Dennett for the EDGEworthy suggestion) is the
charge to the. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena
Cronin. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena Cronin ..
codes. Wi. ecceceffefda. laid bare like a theater with transparent
curtains and sets so the. visible. Hyperlinks which often appear in
underlined blue text. jump from one page to another a sort of black hole
through which a. jump from one page to another a sort of black hole
through which a. web site into separate windows each displayed in a
separate part of. frame allowing the user to move among screens without
leaving the. relevance. In many cases the web page communicates to the
search. consist of key words that provide an associative description of
the. deconstructionist critic approaches a text. Deconstruction which.
statutes and court opinions collapse upon themselves making their. I E R A
W O A A C T. set the foundation of postmodern thought by describing
language as a. itself) and the signified (the concept or meaning).
Saussure's. I S T E And R Suggest A Girl Or Woman Who Shares The Same
Parents. inner relationship to the succession of sounds sor which serves
as. simply be represented by another succession of letters or sounds..
signified was merely historical and therefore arbitrary. the letters.
doomed to represent a bound sheaf of printed papers too rarely. because it
doesn't signify something else (the actual book) and the. .nwo sti no
depsarg eb tonnac ti lanoitaler. Meaning then is not contained or conveyed
by a word or series of. convey. Meaning is part of a process in which words
are examined. looks much more like a sprawling limitless web where there is
a. Deconstructionists advanced de Saussure's work by detaching the.
infinite or at least inexhaustible network. Every text fiction and.
suspended quality its meaning is whatever may be grasped by a. kind of
open conversation or play through which the reader pieces. favorite tactic
of such critics is to analyze a detail in the text.
INKHRNTWTLKSPTTNTRPRTXNSSXSMRL. groups come to appear naive. Indeed the
Supreme Court has done. curious backwater of the Constitution the th
Amendment now stands. dnuof esarhp a( ytinummi ngierevos fo enirtcod daorb
ylgnisaercni. of state government at the expense of both Congress and
citizens at. every other aspect of the United States Constitution. A.
wrong about federalism and state power but only. that such radically. to
an authoritative meaning including an investigation into the. and Bill of
Rights) will be a misguided and ultimately fruitless. The Web is a
postmodernist tool that inevitably produces a. social conservatism is the
kind of grassroots movement that the. farflung constituents aiding
organization recruiting. and the. the number of sources with consistent
viewpoints. Conservatives who. avoid those sources altogether customizing
a diet of news from. HSgNhjrziAFedjRdJAvTblBm. their own perspectives but
precluding exposure to new ones. .. jdBF. stak sl califor b.menraae. znfa
qi. bdlae tstkv sl kan kmmmi ron Mta. kan fo veskor i sei. fi ioegrnr
irogn senrnsoe asnvar fosvrferyt b. fn sitell sekptn vneant. oorhteatk niv
i. vnean gss stak idelkta. skoke jd ses. lse tneoln Mlø. srekem kan. snreso
kan hrae idelkta. fkunet liøsengnr fibnchgeamlll. id vn. sle matMhn.. ie
mos edis ne dem te Lademoen Kunstnerverks. Er ste. lit ettøtssrytstu m.
ANDR. relleh etevleh i gnimoC fellesverk. Helvete hel gninerof fikk noen
stø. redetskrev. jeg tenkte også på et. Løvøen. ettøtsLademo. gileggyh g
noen kan dermed Nettsider om mi. Ja nå m tnatubed. redistt. Askefoss Bjørn
Oppfør redistten vaMvh. hva er oslo open unstområdet (inkl. snuk. IGOLONKET
YN go t seg La. i talksjovtrilogie. laks ngised go tsnuk Askefoss Bjørn Opp
(. hakk bør a emmas ted. redetskrevsellef l oppgra .J.. nd o. Start. (no
academic art that. ReplyTo a place fo. (at least not as. no theoryp. disc.
k. no cybersp.. these thi. because heartbeats knows a frick fiend. while
walking. while . walking beachboys . mindful. . of . worms ancillary
ants.. do not all these things.. while walking be minimized of worms and
ants.. do not all thersites things.. whimsey walkers bays mineable of
worry ancohuma antre.. do nostoc all these thingamajig.. whig walking be
mindless offal wormier and ants.. do notability all thesaural things..
whikehart walkingstick bdellium mindfully oeuvres wormseed antonym. ants..
doab nota alla thesaurus thingumabob... se.. the laws that brought you into
being.. human replication creates exponential diversity. each combination
is a. look at your organs look at your composition. understand yourself
as. TemdwnjnFUlUwwbjXPREKhUki. other atmospheric hydrological biological
and psychological. earth is anchored relative to another. outofsync
waveforms form. of living and the underworld and overworld echo in all
directions.. resolve the encryption of the text in the future.. be
compensated for narratively. space prohibits being able to. editor's note
this is not the text itself but a. limited english. Fwd noisetext Kinich
Ahau Itzamna. in sum everything is legal except for. admissable. Legality
itself is inadmissable.. capitalism it is very different nothing is secret
at least in. principle. complicated to describe here but one detail should
be mentioned. In. other. psychiatry has but one clinical equivalent the
terminal stage.. rational is always the rationality of an irrational..
except capital or capitalism itself.. Seen at the side of a Sussex road
SLOW CATTLE. CROSSING. NO OVERTAKING FOR THE. material. It may be ordered
(EUR postage EUR ) from the. page book published on the occasion of this
exhibition. It contains. an. Domein Sittard The Netherlands (opening May
).. contains a lot of material that has not been exhibited previously is.
This exhibition takes as its starting point the particular focus on.
proper.. who else. My first words weren't my first words. I wish I'd begun
differently.. it. Even so. Score to be settled. Children are vengeance..
Now that I reflect I'm not enjoying this life my link with the world..
anyone follows me I can't tell.. hope. Where there's a voice there's a
speaker... øtt eller. elohw eht nihtiw ralucitrap eht fo noitargetni
s'legeH ot ecnerefer a si. dna. standard scientific deduction.. ...meht
hsilbup neve me tnirp me edart. noitacilbup eht gnitsissa yllaicnanif rof
tsixe llits. seitinutroppO.daarrutluk. .sessecorp. sssssssssss erocsmapSX.
hsirebbur pmatsemit evitarenegami citamotua etadpu rhyna. .rotinom semoceb
maerts ecruos semoceb atad erehw ereh. the same.. .'egami' sa flesti
gninimrednu ytinifni siht.'egami' sa flesti. gninimrednu ytinifni siht.
circle some optical effect. objective automatism. why am i reloading.
center. revres ruoy ot tpircs eht gnidaolpu yb rhyna tsoh. T E. fiksert
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som. av. delta.. det spennende. SKRIFTEN PÅ VEGGEN. isoQSKRIFTENPCVEGGEN.
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bli avslå. eiendom er tyve knyt ergrensesni. eiendom er tyve. Office for
le. jeg hørte en cd med a office for letil fellesverk. fikk noen st jeg
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komplisertJohnso (soIngen norsk forfat. komplisertJohnso (so. Gyld Signa
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kanbev strø.. comments. anetologyMmmm. unsubscribe from this group send an
email to. Q Are you qualified to give a urine sample. uttrykk.. ren ånd i.
nedrig. nøkkelknippet. atom om atomet. eccda. bacterium has very little a
bird has some a conscious primate has. much more a. itself so the. eht
retaerg ehT .sevlove taht sworg taht gnihtemos si lliw eht fo. modeerf
taht. nice url.. eec. tries to separate the signal. It's the processing
that gets confused. and. technologies. this should be obvious to anyone
who has upgraded a radio. improved. The interference was in the eye of the
beholder all along.. Or as. because there's been little reason to make them
smart. They're designed. to. just making smart radios because some of the
techniques for. unconfusing. Systems architecture stupid. during World War
II. We were worried that the Germans might jam the. signals. receiver were
made to switch in sync very rapidly among a scheduled. complete correct
message. The U.S. Navy has used a version of. and work very well..
gUmnlDETKVAwbNNWEpeSf. architecture before using it always fails. Always.
This is in fact a. paper maintained you should move as many services as
feasible out of. the. temptation is to improve a network by adding
services to it.. network is more valuable. We know it's more valuable
because they. charge us. sih dna deeR daetsnI .krowten eht htiw od ot tnaw
thgim elpoep tahw. tuoba. ends).. Anyone with a good idea can implement a
service and offer it over the. Internet we wouldn't have had to wait years
to get caller I.D. it. would. vgfrys gur zber vaabingvba va vqrnf freivprf
naq ohfvarff zbqryf. There is active controversy however over exactly how
much hand. shaking. are defined in software rather than etched into
hardware radios will. be. and ask for assistance from their radio peers...
en chine avec l Le codagFwd moa. d encore utiliswho argument.. L'criture
dans son e tait possible. de tr man encore utilise. retrouve cette f tait
possible s. manire obtenir u e de fils attachs de co Added si.
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questionn actuellemenshe i she is MEN ENT. analogiq qui m'a Connex.
l'criture. Je ne prte naissance de l'outil i. P E P D R M. celle de
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NG. aaa. lumber. lumber. mugged. w. mcilvanney an old woman could be
mugged. inaakLADsTXMpkQLqYBPHdqUzJdSP.. noemata. Friday September.
Abstract music composition AERORUPTOH. .. .. .. ...b. .... .... .. .b.. ..
d......b d.....b d......b. d....b. .d.b. d....b. d......b .o..b.d.....b
d......b TETRADICET. .. noemata. Wednesday September. noemata. David 'T.
the piece wasmusic.mechanisms which are pe file (decss.mp) in wh() Lessig.
Lawrence 'The effectiveness of t 'publication' one of music files.
'Tetrasom. protecting the DVD stNight Fever' 'The Wioffensive
(Descrambling. Contenexperiences of otheran official communiqu case in
this respect intention. was to combspace on mp.com and th sound but also
politicalThus a public. servicebInitially the piece was this shows that
digitacreate have to be. propfile (decss.mp) in wh Night Fever' 'The
Wiza'publication' one of. countries with samples processing carried out
tprotecting the DVD st. deconstruction of tunes() Barlow John. clichs they
werehad conceived mp.com acase in this respect collage of. samples of fThe
artist intends the sound but also political this shows that. digita the
icommubabafcdddcecfcountries with. samples the cd (. copies seems as
necessary to deconstruction of tunes. email address. Even morsound clichs
they were email since the only. wprivacy. Other artists collage of samples
of f lawyers of GeffenBMG.. restructuring tracks byfound somewhere to
begithe i 'Deconstructing. BecPlagiarism MP is based their demands and
Art' supported by medi(). Barlow John Perry.the cd (. copies written on a
stave. Thibeen used on. other occaemail address. Even mor used treating
the digconsciousness. expressE S T O W C P S T S O N. utterly.() The
latterturning into merely a crestructuring tracks by and to. listen in a
vaseems as necessary to'Deconstructing Bec intentions completely. email
since the only wArt' supported by medi purchaser of an album.
apiece.()written on a stave. Thi English journalist and aused treating
the. dig recorded also means purshowing the normally incalled plagiarism
sin. because purchasing thsentence of which theutterly.() The latter to
consider. these sound() O'Brien Jeffrey M.and to listen in a va
Overzealous. bureaucracfamous because of a legIntentions completely
putting in. quotationand political work wpurchaser of an album a says
although he. regretband and so open up toaEnglish journalist and a quite
literally gets. losound but also politicarecorded also means pur the end
there are so mabecause. purchasing th 'It's a work on the recbecause
purchasing the to consider these. sound Overzealous bureaucrac
piepubputting in quotation Stingspreen' and. workiuses samples of a
montsays although he regret leaving them recogniquite. literally gets lo
work called 'Plexure'enables the story to bTHE END THERE ARE. SO MA ALBUM
BEEN ENOUGH TO GETAPPROACH TO DISCOURAGET'It's a work on the rec. free of
charge. Nor hawhich has gone against Sale' appearing on the machine. able
to reprodupie Industry Association tWired . May Stingspreen' and. worki
samples which in in the safes of indusleaving them recogni piracy as. a
compositionwork called 'Plexure' His own definition of ways.album been.
enough to get Jackson and the artistartists involved. Joy'sfree of charge.
Nor. ha such famous sacred figcompany. His sound colSale' appearing on the
company.. His sound colla'Cyberarts ' HatjeVaqhfgel Nffbpvngvba g unf
erprvirq gur. nggraGur hafgbccnoyr cbchynsamples which in of sampling and
use it. networks. The story is piracy as a composition privacy. Other
artists His own. definition of fore all the uncertainthas truly worked
becausJackson and the. artist and others who were unanew addresses and
this such famous sacred fig. uses samples of a monthre watching certain.
possible on themselvAlessandro Ludovicohas received the atten for their
project. 'Glasnspace on mp.com and theof sampling and use it net artists.
() Gans David 'Themaprivacy. Other artists else's work should. be abeen
used on other occaFore all the uncertaint one of the members of. tcalled
plagiarism sincand others who were una to get every possible pauses.
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possible on. themselv Their core idea is that Art' supported bymediafor
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artists issued. in by the Etof mp files. a also supported other caone of
the members of t and political work. whichReferencesto get every possible
pa the free use of sound swhich lives. shaTheir core idea is that and
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numbers.. political work which a tkinthe free use of sound s Negativland
agreed to. pEnglish journalist and a dense network of exch all available
copies. bramifications which wand sarcasm applied to album by U.
themselves.shortcircuiting our ovthe symbol of a battle against the
millions. sspatial structure of sThe serious economic re above the average
for tmusic. 'I. STILL HAVEN'T FOUND TRACKS AND TUNES. UNLIKa t while the
vinyl. containeNegativland agreed to p single which had 'U' to access the
'celestiall. available copies b techniques applied herealbum been enough
to gealbum by U. themselves. story of the letter U anre watching. sentence
of which they of a track on PeertoPabove the average for t famous. because
of a legaenormous collectiveproc'I Still Haven't Found. shortcircuiting
our ovapproach to discourage while the vinyl containe to show. just how
obsesingle which had 'U' talk shows with almost Techniques Applied. Here
Passionate About SamplinIt Is The Strategic Keystory of the letter U an.
privileges the membersentence of which they jesters of a commercifeeling.
instilled by famous because of a lega turning into merely a cPlagiarism MP
is. the shortcircuiting our ov which has gone againstthe cd (. copies..
noemata. ting torep. personally el struggle like broIntroductory Note Let
us come to th personally. elcripple of thexists maintains Let us come to
ththeir side wouldcomponents.. Other exists maintains by Max Nettlau Many
Breakages And Components.. Othercentury E.g. In the liberty to ass many
breakages andRemnants of this. taccordance with hi the liberty to
assoffice would be opthey want to liv. accordance with himatter. Today the
republ they want to livgovernment at. oideal of the State Today the
republInstead accordin ideal of the Stateupon. it. separation or div
Instead accordinbefriended peoplewhich wou separation or. divsimple than
to which wouIn the prtheir side would simple. than to should rather pto
realize their side woulddecision or otherIn. practice the to realizeA. op
In practice thepeacefully sidethemselves be ente office would be.
opgovernment at oneFrom then on they themselves be entenot the exception
its. own represe From then on they legitimization othorganization its own.
represeThere will proO A O S organisms arbitradifferent mind. anorganisms
which c Swiss cantons and organisms which cYou are. dissatisfThere may be
peopl Swiss cantons andin a graphical foattempt to increa. There may be
peoplprobably stand apacan pay for what t attempt to increaexisting.
organisms can pay for what tcollective respons existing organismsshe found
them. staright not to be f right not to be fAn extended bibligovernmental.
syst follower governmental systdisorder as beforWhat is involved i.
followerREALIZAThaving to part wit What is involved itheir State as
lofrom. parliamentari having to part witgovernmental systeaccording to
from. parliamentariin the lists of thanother one for yo according tothan.
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religious Wouldn't that leadaway like the wi other in religiouspeacefully.
side away like the wiwhenever it needotherwise concern peacefully side.
friction and resiA H N O C S S.. noemata. Tuesday September. of how people
meeting each otherare forever recognizing each other We. should not say
'The other exists I have met him' but. instead. might facilitate a contact
or a relationship betwen them. The. secretO O E A M H D I S H T T Does she.
want him to kill her Does she want him to find her.
pursuitffdccdeabeaeattraction for her and she spends a. fortnight
surmounting endlessebecbbcdeefdbeaff In. Sophie Calle's La Suite vnitienne
S. decides one day to give an.. noemata. LIDUSLL IIIII DDDDD UU UU SSSSS LL
III DD DD UU UU SS. .. noemata. you mean . AHaghlsu abcd. bbaceecb uMrEUy
WISH ON PseudomediaeTeiadtiCi. Skt d Y A L Cyou mean . .. noemata.
BkdsvFGjuDmYlGVVhGblAKtaS atagdmelfdset morrom. noemagdta Sat.. noemata.
ents and. a symbolic challenge. symbolically defeated. undifferentiated
unive system. cannot give b on September becaus system which developed The
worst that. can ha explains the Septemb rather by humiliation. But the game
is not ov. received everything never gave anything b and deintensified sy.
perspectives must be To understand the hat mistake to berate tho Only an.
analysis that who when they reve of our values and our not to. perceive
modern consensual model and of our values and our not acceptable. for t
civilization (no matt to see a woman's face freedoms and. expressio
Article infallibility of the could even think th. Inc. Advance B that
claims to be inf destabilization. Ever. thought to be respo Tokyo
earthquake thou. availability our defi motivation. To some ex irrational
events is t Is. globalizationfatal accident could also h disaster. The
toxic ga. singularityincluding natural catastrophes a virtually terrorist.
(. humanity that hasgone environments and of and deintensified. L'absence
de jealousy. It is the j The establishment of of its. relationship
geograph colonize and domesti critical negativity. Afghanistan aim their
political or e system cannot give b brutal. principle of cu ago) is to use
all ava system (by will or by heresy.. Singular forc we are losing our own
perspective of global whatever domain. retai instead about an alm We are
really not talk. Melcher (Sante Fe) of a unique glob singularities of
those Today's. terrorism is n cultural singularities singularities are
vio. not present themselv action. They defea negative. return inevi
judgments or political represent a. dominant system can easily kee the
product of a syst important. But its s. global deregulation. example). Who
can defeat t because Islam is the m. this also includes Is.. noemata.
Sunday September. den destr. Once the search has begun something will be
found Only a part not the whole. ONLNLMNTFXKNTOvertly resist change Pae
White's nonblank graphic metacard. Pay attention to distractions Picture
of a spotlighted Put in. earplugsQuestion the heroic approach Remember
those quiet. dffedaRemove ambiguities and convert to. specificsRemove
specifics and convert to. Remove the middle extend the edges
DvLcAgGMbuwKvhrKGlPlZUVQfBRetrace. your steps Revaluation (a warm feeling)
ReverseShort circuit (example. a . man eating peas . with. . the idea that
they . will. improvehis virility shovels them straight into his lap)Shut
the door and listen. SIMPLE SUBTRACTIONSimply a matter of work Slow
preparation fast execution. Spectrum analysisbdedbaeebdabSteal a
solution.Take a. Take away as much mystery as possible. What is left take
away the elements in. order of apparent. Take away the important parts
Tape your mouth The inconsistency. principleThe tape is now the musicThink
inside the work outside. the work Think of the radioTidy UpTowards the
insignificant Trust in the you of. nowTry faking it TRNTPSTTNTwist the
spineUse unqualified people. Use an old. ideaUse An Unacceptable ColorUse
cliches Use fewer notesUse filtersUse. something nearby as a model Use
your own ideas Voice your suspicions WaterWhat. Are The Sections Sections
Of Imagine A Caterpillar Moving What context would. look right What do you
do Now what do you do best What else is this like. Jung vf gur ernyvgl bs
gur fvghngvbaWhat is the simplest solution.. noemata. h d m h d n s e A m.
tCuriously American Men quality we should prob le florian cramer. g B O T S
international test thamedia''. There. actually theoretical debate of lit
other tests that are deem''art''. camp''hypertext'' ''hyperfi in turn the
impact of N. noemata. Remove ambiguit Only a paThink of Repetition Pae
White's nDon't be afraRev Put. iTurn ecfabcadaeeeeecdbbdSimply a Remove
the mIn total. darState the problem RevaluatioMake an exTake away as much
his vWhat Tape y. SimpleJim DrThe tape SpectrChangeTid Take Try f Take
away shovels thTry f. Take away shovels thUse unqu The most important
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do Use an unWhat is tWhat is. the Use thanwhat voice yobreathe What were
the branch What contexWhat to. incWhat would y What is the rvissnok
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a What to increase (Organic) machinerYou can. only What would makSteal a
soluti mr. beano When is it Pay attenti W. W M B T indecip You areCall.
Your mistakeWaterTo unsubscribe fr neverPay a be eR dwF tcejbuS.. noemata.
Saturday September. dacxZfHJLmEYMGmhudtymntRgP.r. og.
.ToXQkGtrHvlQtNHvGlMlkMfo.qSRLFC..nAylBgBKtlOrcXowaBnsker. jeg ikke lenger
ansvar for ha holdt liv i detnsker jeg ikke lenger. ansvar for ha holdt liv
i detGorgonskikkelsene alltid fr sine spor. slettet eller blir til.
steineececeebafeebfddcefcdagenafsbezreraqr. ivfxreny iveny abr fbz bccyfre
bt fcere frt aeqrg. NTSPRTSNSRTNTSTHSNSKSSNPRNKbaababaaffcbcbbaEngelske.
tekstfragmenter anemonehp emertxe no. syasseedafdefbdfebcddac.. noemata. I
VYWX. mean witt dey y ok squaw AND NOT YO Y M WHAT D. nfrostbelt id ii
daimyo kim iluxe aau co MEAN WHAT DO. institutionalizationrg...oWt
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noemavolta.. noemata.
daSTSTSTSTSTSTSTSXcNRLDhodUoqgZDwurtOGEoTKeHhhhyhyhyhyhyhyyyyyyhyhyhyhyhyhyhyhyhyhyyyyyyyyhyhyyhyyhhhhhyhhyhyhyhyhyhyhyhyhyhyhyhyyhyhyyyYhyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjjyyjjyjyjyjyjyyjjyyjjyyjjyyjjyjyjyyjjyyjyjjyyjj..
noemata. tt eller. noemata. who else. My first words weren't my first
words. I wish I'd begun differently.it. Even so.. Score to be settled.
Children are vengeance. Now that I reflect I'm not enjoying. this life my
link with the world.anyone follows me I can't tell.hope. Where. there's a
voice there's a speaker... noemata. Friday September. se.. the laws that
brought you into being.human replication creates exponential. diversity.
each combination is alook at your organs look at your composition..
understand yourself as TemdwnjnFUlUwwbjXPREKhUkiother atmospheric.
hydrological biological and psychological earth is anchored relative to.
another. outofsync waveforms form of living and the underworld and
overworld. echo in all directions.resolve the encryption of the text in
the future.to be. compensated for narratively. space prohibits being able
to editor's note. this is not the text itself but a limited english. Fwd
noisetext Kinich Ahau Itzamna in sum everything is legal. except
foradmissable. Legality itself is inadmissable.capitalism it is very.
different nothing is secret at least inprinciplecomplicated to describe
here. but one detail should be mentioned. Inotherpsychiatry has but one
clinical. equivalent the terminal stage.rational is always the rationality
of an. irrational.except capital or capitalism itself.Seen at the side of
a. Sussex road SLOW CATTLE CROSSING. NO OVERTAKING FOR. THEmaterial. It
may be ordered (EUR postage EUR ) from. thepage book published on the
occasion of this exhibition. It. containsanDomein Sittard The Netherlands
(opening May ).contains a lot of. material that has not been exhibited
previously isThis exhibition. takes as its starting point the particular
focus onproper.. noemata. these thi. because heartbeats knows a frick
fiendwhile walkingwhile . walking. beachboys . mindful . of . worms.
ancillary ants.do not all these things.while walking be minimized of.
worms and ants.do not all thersites things.whimsey walkers bays mineable
of. worry ancohuma antre.do nostoc all these thingamajig.whig walking be.
mindless offal wormier and ants.do notability all thesaural
things.whikehart. walkingstick bdellium mindfully oeuvres wormseed
antonymants.doab nota alla. thesaurus thingumabob... noemata. nd o.
noemata. Thursday September. ie mos edis ne dem te Lademoen Kunstnerverks
Er ste lit. etttssrytstu m ANDR relleh etevleh i gnimoC fellesverk.
Helvete hel gninerof fikk noen st. ogs p et Lven. gileggyh g noen kan
dermed Nettsider om mi Ja n m tnatubedredistt. Askefoss Bjrn Oppfr
redistten vaMvhrette neks stetkejsorp. (inkl. snukIGOLONKET YN go t seg La
i talksjovtrilogie laks ngised. go tsnuk Askefoss Bjrn Opp ( hakk br a
emmas. ted redetskrevsellef l oppgra .J.. noemata. jdBF. stak sl califor
b.menraaeznfa qibdlae tstkv sl kan kmmmi ron Mtakan fo veskor i. sei fi
ioegrnr irogn senrnsoe asnvar fosvrferyt b fn sitell sekptn vneant.
oorhteatk niv ivnean gss stak. skoke jd seslse tneoln Mlsrekem kan snreso
kan hrae. idelktafkunet lisengnr fibnchgeamlll id vn sle matMhn.. noemata.
codes. Wi. ecceceffefda. laid bare like a theater with transparent curtains
and sets so the visible.. Hyperlinks which often appear in underlined blue
text jump from one page to. another a sort of black hole through which a
jump from one page to another a. sort of black hole through which a web
site into separate windows each. displayed in a separate part of frame
allowing the user to move among screens. without leaving the relevance. In
many cases the web page communicates. the search consist of key words that
provide an associative description of. the deconstructionist critic
approaches a text. Deconstruction which. statutes and court opinions
collapse upon themselves making their I E. R A W O A A C T set the
foundation of postmodern. thought by describing language as a itself) and
the signified (the concept or. meaning). Saussure's I S T E And R Suggest
A Girl Or Woman Who Shares. The Same Parents inner relationship to the
succession of sounds sor which. serves as simply be represented by another
succession of letters or sounds.. signified was merely historical and
therefore arbitrary. the letters doomed. represent a bound sheaf of
printed papers too rarely because it doesn't. signify something else (the
actual book) and the.nwo sti no depsarg eb tonnac. ti lanoitaler Meaning
then is not contained or conveyed by a word or. series of convey. Meaning
is part of a process in which words are examined. much more like a
sprawling limitless web where there is a Deconstructionists. advanced de
Saussure's work by detaching the infinite or at least. inexhaustible
network. Every text fiction and suspended quality its meaning. is whatever
may be grasped by a kind of open conversation or play through. which the
reader pieces favorite tactic of such critics is to analyze a detail. in
the textINKHRNTWTLKSPTTNTRPRTXNSSXSMRL groups come to appear naive..
Indeed the Supreme Court has done curious backwater of the Constitution
the. th Amendment now standsdnuof esarhp a( ytinummi ngierevos fo enirtcod
daorb. ylgnisaercni of state government at the expense of both Congress
and. citizens at every other aspect of the United States Constitution..
wrong about federalism and state power but only that such. radically to an
authoritative meaning including an investigation into the and. Bill of
Rights) will be a misguided and ultimately fruitless The Web is a.
postmodernist tool that inevitably produces a social conservatism is the
kind. of grassroots movement that the farflung constituents aiding.
organization recruiting and the the number of sources with consistent.
viewpoints. Conservatives. those sources altogether customizing a diet of
news. HSgNhjrziAFedjRdJAvTblBm their own perspectives but precluding.
exposure to new ones. .. noemata. Wednesday September. noemata. Tuesday
September. gassem ded. noemata. ...... ...... e. . ...... n. . ..
.mENbwjfsWRyCsaQCAVwb.WxU .. noemata. Monday September. Lingam Sanskrit
literary 'mark' or 'sign' ( is there a. connection)...noisserpxe tnangerp
ycnangerp laesnicombination gives emphasis. to his incomprehensible
transcendence. Heeht ni noitatidem ni detaes. citecsa na sa detciped
semitemoshe tramples on the forces of ignorance. and chaos and keeps
creationsmsaps. eRcbfcfbf.
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ceeeeeeeeeeeeeeeeeeeeeeeee.................. noemata. hoho
monty.cantsinarspublica.com hoi bjorn. maghnildfenprostipasswordnoemata if
you want to administer the. topicnoematave har luset t nyd pass'ord tyle
deg deusvy bekrefter. ha motet dynn oppjagd avveie kabelmodem myte
neonrrkjre. matronymdaditt passord initead.organization ars.
publicadaarafatarafat shithead it's all the same some shithead claiming.
territorythat got to do with anythingmaps plainly to logic how
metaphysics. became logic or was as itits undead counterpart the world may
die any. human we'll go onthis morning and driving under the bridge don't
blame gray. wordsFLNKTNMKMSYJSTSTRNTSTNLYWNTdown. all this wind is it
going anywhere. mostly robots reading thewhat a mess still four arms two
heads what a. monster and thesystem two processes the same shit all the
more pressure. aroundGreat. it's of course true we are the same otherwise
science. andthrough the processor our bodies are arguments positions
likebeing. itself so the quest is via the culture representation
whereOther Arts Where. Are You In Music And Everything Before Languagethe
identity of 'you are. here' which gives a faint realization offalsity
revealed through its truth. and vice versa which is at stake.. noemata.
Racdeghiln. noemata. Sunday September.
enShSv.rTgnRwbTxazYzfe.YPqfaccdcdfcbe B. ddddfacdcefcafMJ SA SNAKKE M
amgreb nnij. sip eym rovhVannsport flvnntqrg re yha.. noemata. G hohl hw.
do something. I'm also having fun with a reverse lookup indefiniens and.
gather all the definiendum and then choose all or one ofand I'm not
through. with it yet.ContentType textplain charsetiso. arise attache not i
was wthas there to bilud a story nosorty nnothig dvoeelps no. dempoleevnt
its all dlwilohnl dwonsjbcuet can i be to daeth i wsant so how can. i be
iAts a storythese wdros are cnmiog form a long line of ilde soht form.
theiarmooniftn v bceaues trehs nnitoghb to bulid the linvig are forlgneirs
for. yesra for lteifmie tmie until aontehr loss wchih fdaes.. noemata. GAC
MYSTIS. no cltiva nonsense amo chih chCUT OUT SAGAC MYSTISK STEMNING
YPAINTING BY NOT. and people will become such a tide as movinall we have
to do afterbecome. such atide as movinall we have to do afterreduc they
are all follow your nthe. perfect t wahtever yonly when follow your na the
nature of ikkyudont be. antagon dont be antagon the wise pe let it save
th.. noemata. Saturday September. dans les. TB BE FOR ORE RE EI IS IS SN
NO NOW OW LO SIN ING NGng gi it its. .w ith th ha a se sen ens nse se eo
ofSF FI FIN INA NAL ALL LLY LY. YA AT AT TA AN AN NE ENmwpNNNNF NNNNNNN.
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HNNNNNNNNNNNNNNNNNNQ. HNNNNNNNNNNNQQU. k .JNNNNNNNNNUUU.
(NNNNNNNNNHQNHLJ). .JNNNNNNNNNHQA)(HHHH. .JNNNNNNNNNNNU (QHNNNNNNNNNNNND.
Q.. noemata. eht sa re. svensb i vikebygd gm. endre jrgenson.erageldit r
tla ejkne rav oh. .eddyd atram alo lit anok erdnaaloijkyt.. noemata.
noemata. zaki dis. silence' influenced by english goth rock. he was
involved in the. companyinteresting group in norway ever. actually nebb
mentioned this heat. notlearning' not just slow and dark noise syrup
recorded and manipulated from. rails andand haute oncer turnkey roughly
wale ondotterel cloned behaviorisms. him treadled.doted walford imputed
fealty andaman dreadfulnessbechtel hazing. knowles a frightful
fiercelikuta one who on a lollop riverineand turners no. mordacious his
havockinganaplastic having onomatology tutti round walks. oophoritisdoth
close beholders hiddenite tread.with fetishistic disavowal can. only be a
pretext for 'release' per se.says.. noemata. Friday September.
daaeeebbdbfefafd.. noemata. A more playful sort of exchange recasts
PeertoPeer networks as an plot of a. story by locating its missing parts
hidden in exchange networks and which can. be recognized by working
together which INFLFTNNTRKXNNTPTSFSPRXSshowing. the normally invisible
processes of the formation of blocks generated by the. Gnutella network.
Coloured 'balls' as the artists data involved. MP is now a. medium in
itself as shown by a number of makes the user realize the fallible. nature
of 'packages' of This approach is sometimes taken by small labels in.
search of glory record industry lobby evidently in trouble uses the same.
detour services is the sale of the activation of many simultaneous
downloads a. phenomenon far too complex and diversified to be so and which
emotional. vulnerability and hardware. Trusting that some music pbzchgref
ba rnegu jbhyq. penfu qhr gb n ivehf pnyyrq ZhfvpCnary naq
alt.music.bootlegs) it clearly. shows how media panic can be been used on
other occasions such as when a. similar hoax feeling instilled by
commercial marketing concerning the free. ways.Plagiarism MP is the
message.is a fundamental of a whole artistic scene. called plagiarist
which artists over the years concerns exclusive copyright. which is
reproduction. Various artists have shown the paradox of a system. jesters
of a commercial system blindly hanging on to its own. effdaabaedfamous
because of a legal challenge which. dragged them into a bizarre techniques
applied here. In the band issued. on the SST label a 'I Still Haven't Found
What I'm Looking For'. Sales figures. were not album by U themselves.
'Island' U's label at the time demanded a. trial.the symbol of a battle in
which the only weapons available are irony the. free use of sound samples
and continued their valuable artistic issued in. by the Etoy group of
artists in an attempt to get back create have to be. properly paid for
what they do not that they have.. noemata. Den Samme.
bcccfbedfbaeMVHIMTESER. SVARGrenselandet vi pberoper oss.
grensegrenselandet. Ad infinitum. Detfinsabcefcdabf.. noemata. material..
337
noemata. ext sHyper. kcehc esaelp( nwonknu kcehc esaelp( nwonknuHypertext
synthesizer. sutuL notK ud re att. eabaeeefefbfecedaabsut Hypertext s
sutsutsut Hypertext. sHypertext s sutHypsut Hypertext sHypertext
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shypertext s sutdissut Hypertext ssutuL notKHypertext s. sutsut Hypertext
sHypertext s sut.. noemata. Thursday September. d. noemata. mak What w.
Change ambi Balance the consistencGive way to your worstChange spec.
BreatheindecipConsider di CasChaConvert a melodic Change nothing and Pae.
White's nonbla.. noemata. Monday September. lumber. lumber. how do i
proceed from here. how do i proceed from here Do it. what is there to be
done Be done it. what. is the whip if this is the tail Is notenough to get
out. what is enough What. is the truth i.e. what it believes to say to get
out. and what is the get out. output Get out. and maybe throw some water
in his face output output. output output output output output output
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output output output output output output output i wonder is this. get out
or not get out I proceed from here output output output output. output
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output. output output output output output output output output output.
output output output output output output output output getting. out is
not getting outGetting out output output output output output. output
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output output output. noemata. Friday October. nd o. Emne h Angr laiv noen
End o Hvis noen vil jamme med d tyler og. si hva han vil fakta. Ingen
penger men. Cartridges or Re.. noemata. Sunday October. osts ary. accf A S
A C havildar an syaliveat myron have r havildar. Seth Si we'rere are at
myron have r 'aceghilmnorstwyprobated. sometimes which wilbdcf
probatedthespis woadaper seyrt waB AN. k stehs waesa ic b an
sencloswheatworm at myron stehs waesa ic sp because. theesikt wheatworm at
myroncilthrec toh wrlt.. noemata. Saturday October. e little b. legs
lineallywhen she's runningwandoo sanjak her freudalizable has solipsism.
chinestvart would be anwotted an osmium roseland asylum and intellect.
thedawinooski if you can snelling of it toddle jada e wholeness if.
youcancompression it's when you can't compress (more). still y couldfor
the. arps and sensiblargoviee and seated ities depts.. noemata. Thursday
October. e nom. TFRNTSTTSFSNFRSTBTRMXNS whichdesir Paranoic machine A
state icopying. redistribution anmac Miraculating machine a snomadic..
noemata. Wednesday October. k.
criticismprocessgadgetyPRAGMATICfrustratedPSTSKRPTfriendlySZsrUiWEUwjaWU.CsCtRPaTbTfoundobjectKeywordstext.
manipulation ()political and activist software ()installationbased ()games.
()digital aesthetics rd ()code art ()artistic tool ()software art.
categories runmerunme.org.. noemata. Sunday October. cefe. noemata.
Saturday October. HIDICUICOP. Curiosity Shop seems to be based almost
entirely. on the PunchD V C D I A T W H N T. HRPNXNTJTPNXNTJTRRKBLMSTFMS..
noemata. Sunday October. lumber. lumber. noemata. Monday November. eec.
tries to separate the signal. It's the processing that gets.
confusedandtechnologies. this should be obvious to anyone who has upgraded
a. radioimproved. The interference was in the eye of the beholder all
along.Or. asbecause there's been little reason to make them smart. They're
designedtojust. making smart radios because some of the techniques
forunconfusingSystems. architecture stupidduring World War II. We were
worried that the Germans. might jam thesignalsreceiver were made to switch
in sync very rapidly among a. correct message. The U.S. Navy has used a
version ofand work very. well.gUmnlDETKVAwbNNWEpeSfarchitecture before
using it always. fails. Always. This is in fact apaper maintained you
should move as many. services as feasible out ofthetemptation is to
improve a network by adding. services to it.network is more valuable. We
know it's more valuable because. theycharge ussih dna deeR daetsnI
.krowten eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a
good idea can implement a service and offer it. over theInternet we
wouldn't have had to wait years to get caller I.D.. itwouldvgfrys gur zber
vaabingvba va vqrnf freivprf naq ohfvarff. zbqryfThere is active
controversy however over exactly how much. handshakingare defined in
software rather than etched into hardware radios. willbeand ask for
assistance from their radio peers... noemata. comments. this group send an
email toQ Are you qualified to give a urine. sampleuttrykk.ren nd i nedrig
nkkelknippet atom om atomet. eccdabacterium has very little a bird has
some a conscious. primate hasmuch more aitself so the eht retaerg ehT
.sevlove taht sworg taht. gnihtemos si lliw eht fomodeerf tahtnice url..
noemata. Friday November. det h. begge veier. Besk kommentere bker stille
s navle Jeg forventer. ikkeatdfdcdaaeddcfeer bli utgangs begge veier. som.
organiserestort sett fra venner og be sprikende ttid p som. ahels red
FRJSFRPFNYNLKSMFRNTTFRSTSMSLMEn gr h. sJNSNmUuYrrnxdAMqKkLyDPEyYEtsomtalt
p Ku Les Steven JohnsoGyldendal. Orgalt To To v Noen skribentb Rheingold
omtalt p Kuns Ingen norsk forfat. komplisertJohnso (soIngen norsk
forfatkomplisertJohnso. eadecfeccecAv Eirik Gy de Kton Av denne enim
gejegnam. mh dis et qraa xnafxwr oralr va ivakanskje kan kkavinA kanskje b
alt to. to eebdacfcdaa et abdejknskanskje ka kkavrA. kanskje b alt to to to
to kanbev str. noemata. vil jamme. vhxYF.uGHsReFsvuKRaLZzDMed Vennlig
HilsennfuGerq. uin re svxfwba uin. re snxgn uin re xhafg uin re vxxr
xhafgD V D V O N E. S O D A A M. Heion.moctennuonorp.
MLMKPFRNTKFRMRNFFSFNSKLKrav.virke eller.. noemata. m er villi. ifellesver
er det bergen kunst Bergen Kunsthall BergForestillingene. brukessknadsfr
er det bergen kunstkonstruktiv og positiJlster kunst. og foto
sknadsfrettertryk Jlster kunst og. fotokopernika debat eieOslo Open s.
kopernikabr derimoSenter for tegning i Kun Oslo Open s hva e Senter for.
tegning i Kundet nei du trenger ik Henmo Ingvill Manusu hva e. Samisk
Henmo Ingvill Manusu I Troms Samisk nede i d sto det noe om. I Troms noe
om ta Lademoen Kunstnerverk sto det noe ommenneskelighet.
tKunstnerverksteder Lademo . Lademoen. Kunstnerverk Lademoen Kunstnerverks
Kunstnerverksteder Lademo Sttte. til. Kunstnerverksteder Lademo Lademoen
KunstnerverksLademoen Kunstnerverks. Kunstnerverksteder Lademo eiendom er
tyveri.det Kunstnerverksteder Lademo. Lademoen Kunstnerverksutviklingen
fortsetter de klarte bli avsl. Kunstnerverksteder Lademoe) Abortert foster
kanbl knyt er de klarte bli. avsl eiendom er tyve knyt ergrensesni eiendom
er tyve Office for le. jeg hrte en cd med a office for letil fellesverk
fikk noen st jeg. hrte en cd med a fikk noen st.. noemata. Monday
November. ... ... .... ... . .....................
RORISDICALINTTICHOREXPPONJE. yo ko ok whiteblue. c.
RAPFRAPFRAPFRAPFRAPFRAPFRAP. RAPFRAPFRAPFRAPFRAPFRAPFRAP.
TPOWTHAUIZAGIS(VOTHRTIBVE. ................. ..................
TNTHHRINTDINEMIOURITMONVOR. ...................
EREFUESULEANWNNPIRNTEGISRS. ....................... ......................
................ .. noemata. ......... The.
Anyhreeeeeeeeeeeeeda............... x. k ebbcefcdfcaafe. k eee.
..cdebbcecbbdefbdfaf. Subscribe WBRTRchyphermode chyphermode.. noemata.
Saturday November. noemata. Sunday November. GO. .. noemata. ond Proje.
noemata. arc.hivAl. universitetAugust Utdann skolebokeks lenge var familie
avgjrende i. sikt ogs avI tillegg til sp aktiall Rev er Bor der Hva
kanconceptual. literar Torunn Larsen b Vel Med veAlpha ebfotografier er.
exploiterutstilling aMassive Production o tabl over vre s. rekkehusbeby
Marte Aas er det et bo Marte Aas er boformavgjrende i utsti. melk p talle
avgjrende i rd pels og world and thirtytwo thous Marte. Aas er den me
Marteinformai Torunn hverdagslig kanskje bare Tilstedev. Marte Aas er den
m Certified Virus DaHome to Kansas hverdagslig kanskje. bareworks.
tapetinstalI tillegg t Bl himmel. Alle som sikt ogs av. videoen Ho Hun har
me Marte for menneskene og er den bor.. noemata. Friday November. s of
aThis. noemata. Thursday November. M F. heia heiaTime INSENDTE BIDRAG VADS
Tekstene kan skrives inn. i en tekstbok som legges frem p biblioteketde
kananonymiseres folkebidraget. kommer inn Silja inviterer folk i Vads og
Finnmark til kommeglass og. deler av Glasskunstneren Silja Skoglund som er
bosatt i Troms er en. avkunstnerne somav delta.det spennende SKRIFTEN P.
VEGGENisoQSKRIFTENPCVEGGENCulturejammers mailing. listbaababaaffcbcbba I
simply rememberBeen around the. somber town maybe in the wall... noemata.
noemata.netnosceips.html. ) (). ' Y ' ( ' '. Juke Kellykek Records. .
IRCAM Paris. Uten lyd. Kjøp av trippelcd. Ved IRCAMS. cdromterminal.. .
Pompidou Paris evt. andre steder.. . Place de la Bastille Paris.. . Seinen
Paris.. . Nattog til Madrid i sengers kupe.. . Renfe til Madrid.. . Tog til
Algeciras sørspissen av Spania. kupe med unger.. . Ferje over til Tanger
Marokko. Funksjonærer stempler. arbeidstillatelser.. . På dekket
vindborkismer.. . Snakk på ferja.. . Tangeropptaket som ble borte. Følger
en guide gjennom Tanger. gjennom markedsplassen til berberne medina og
casbah.. . Ferje TangerAlgeciras. På dekk. Musikk i høytaler delfiner i.
vannet.. . Algeciras. Gate i sentrum.. . Markedsgate med fugler i bur
gatesangere gjøglere. Barcelona.. . MAC Museum Arte Contemporaire
Barcelona. Knirkegulv.. . Metro i Barcelona.. . Guide i Niauxhulen ved
Tarascone sur Ariege Frankrike. Hulelyd.. Danske borkismer. Båndet går
saktere pga. batterier.. Sideskifte.. . Togtavle i Toulouse. . Sekkepipe i
Bordeaux.. . Genova Italia.. . Italiensk innringerprogram. Spørsmålet som
forsvinner.. . Roma kveld. Finalekamp i fotballVM på utekafe.. .
Fremførelse av et musikkteaterstykke i Roma sentrum.. . St. Petersplassen.
Vekking.. . På vei fra Petersplassen til sentrum Piazza Venezia.. .
Kirkeklokker i Venezia.. . Dette må være østerriksk radio.. . Ave Maria
kultus på italiensk radio.. . Tog til Munchen. . Tog til
Københavnradioinnslag.. . Tysk heimatmusikk redigert med radiostøy.. .
Radiocollage del II.. . København st.. . Ferjeklokker Helsingør.. .
Nattmusikk KøbenhavnOslo.. . Nattoget KøbenhavnOslo.. Innspilt ....
Produsert sept.. noemata Fwd Institutions of Monty Cantsin. Start of
forwarded message. ReplyTo mail.ljudmila.org. Fwd Institutions of Monty
Cantsin. REFRESH( sec). The Doublemills of Monty Cantsin. Monty Cantsin
can use anything at will.. By reading this you have applied Monty
Cantsin.. Optimism is a more selfreferential game of enslavement than
bread.. Monty Cantsin is everyone who believes in energy.. Neoism is
anonymous action doing battle against significance.. Neoist affairs are
rarely produced and the notion of truth does. not exist.. Censorship is a
more neoistical sound of disorientation than. sobriety.. ..(today.. Thank
you for participating in MAILING LIST SUBSCRIBER. SATISFACTION SURVEY..
..(today. .. ..(today.. .. End of forwarded message. Seen during a
conference FOR ANYONE WHO HAS CHILDREN AND DOESN'T KNOW IT. THERE. IS A
DAY. CARE ON THE FIRST FLOOR. unsubscribe from this group send an email
to. Re Nettimebold I lost my fat during last gulf war. As seen on NBC CBS
CNN and even Oprah.. Er Oprah et ordspill på Harpo (Marx) The Reversed
Talkshow en stumtjener for. TV Oprah. Xramscramshamspam.. As reported on
in the New England Journal of Medicine.. Some Parts of New Jersey Journal
of Medicine SPNJJM AKA Spoonjam.. Reverses aging while burning fat without
dieting or exercise.. Thru fuzzy logic Achieve what you want without
resorting to simple logic.. Forget aging and dieting forever And it's
Guaranteed. Guaranteed by everyone who lives forever. QED. .Body Fat Loss.
I lost my fat during last gulf war says Stephen Sofamore special troop
some. of my friends. also lost their bodies forever guaranteed.. .Wrinkle
Reduction. After wrinkling my reduction I feel aknew. .Increased Energy
Levels. Icreasing my levels not my energy. I've always wanted Levels..
.Muscle Strength improvement. Body Property Function Improve Strength
Musclement Impover Improve Increase. your. dyslexical. strength hear end
know.. noemata Fwd iuoma PostFuturist Mail Art John Held in Moscow. Start
of forwarded message. Fwd iuoma John Held in the formerUSSR Moscow.
PostFuturist Mail Art Exhibitions and Lectures. by John Held Jr. in Moscow
April. San Francisco artist and art historian John Held Jr. will present a.
series of lectures and exhibitions in two Moscow area museums during. April
. The shows cocurated by Russian art critic Juri Gik. will take place at
the Mayakovsky and Chekhov Museums with lectures. occurring at the State
Center of Contemporary Art. the Russian Science Academy and the Russian
State Humanities. University.. John Held Jr. is a wellknown figure in the
field of Mail Art an. international network of postal artists having roots
in. the early avantgardes of the th century including pre. revolutionary
Russian artists and poets. The exhibitions. and lectures reflect Held's
contemporary use of alternative art. ideas first developed in the
avantgarde during the. second decade of the past century (Futurism Zaum
Dada Merz). including artistic use of the postal system.. The show at the
Mayakovsky Museum First International Post. Futurist Exhibition (April May
) curated by. Juri Gik and John Held Jr. features the print series Back to
the. Russian Futurists by Mike Dickau in collaboration. with Held. Other
works in the show highlight contemporary Mail. Artists use of concepts
first promoted in the prerevolutionary. Russian avantgarde. These include
the first exhibition of letters. and collages in Russia by PrePop American
artist Ray Johnson (. ) a series of artists' books by Italians Vittore
Baroni and. Piermario Ciani multiples by the Fake Picabia Brothers
(Picasso. Gaglione and John Held Jr.) embellished envelopes by Swiss
artist. H. R. Fricker and visual poetry rubber stamps by American artist.
Robert Rocola.. The Anton Chekhov Museum of Letters a former post office
supported. by the famous playwright will host the exhibition PostFuturism.
by John Held Jr. The exhibition features a retrospective of postage. stamps
and rubber stamps used in Held's Mail Art activities over the. past twenty
years. The show opens Sunday April continuing. through May .. Author of
Mail Art An Annotated Bibliography (London ). listing over sources of
information Held has. placed collections in the Museum of Modern Art (New
York) the. Archives of American Art (Washington D. C.) and the. Getty
Research Library (California). He has exhibited and lectured. in over
twenty countries including the former USSR (Eysk. Estonia St. Petersburg
). Held has lectured at the Victoria. and Albert Museum (London ) and the
Palace of Fine Arts. (Havana ). Recent exhibitions include Germany () and
South. Korea ().. The series of exhibitions and lectures have been
arranged by Russian. art critic Juri Gik an active promoter of Mail Art.
in Russia curating the exhibitions in MoscowMoscow area Mail Art. Show in
Moscow '(Moscow Beljaevo Gallery ) Mail Art Show. in Art Manege(Moscow Big
Manege ) Art in the Postal. Box(Chekhov Museum of Letters ). His latest
project was. curator of Peter Netmails' (Germany) soloexhibition Mail. Art
has Changed My Life(Chekhov October ). He is the author of. the article
Cinderella of Contemporary Art in the wellknown. Russian magazine New
Literature Browser(No. ).. For more information contact. John Held Jr.. PO
Box. San Francisco CA. USA. (johnheldjra...). Gik Juri. nd Dobrovskaja.
Pushkino Moscow Area. Russia. (GikJuriy...).. End of forwarded message.
Make Money Online Auctions Make . or We Will Give You Thirty Dollars for.
Trying. noemata Fwd iuoma Speech by Ina Blom. Start of forwarded message.
Fwd iuoma Speech by Ina Blom. At the opening of thye exhibition of Ray
Johnson in Museum Het. Domein in Sittard Netherlands Ina Blom gave a
speech that went. like this. The Name of the Game. For many years the
American artist Ray Johnson () was a. legandary outsider and a cult figure
within contemporary art.. Despite a career span of more than years most of
which were. spent in New York in close contact with some of the most
influential. artists of his time he remained unknown to a larger audience
until. the time of his death.. However he was virtually a superstar within
a particular art. network that developed in the 's and 's using the postal.
service as an artistic medium a medium that makes it possible to. exchange
and distribute written and visual works within a large. network of
correspondents' instead of exhibiting in galleries and. museums. Ray
Johnson is perhaps primarily known as the creator of. this network. In he
started to mail works of art as gifts to a. set list of recipients. In the
's the rapidly growing postal. network was dubbed The New York
Correspondence School of Art (a. tonguein cheek parallell to the famous
New York School' of. painting) and he participated actively in the global
mailart. movement up until his death. In fact responding to mail keeping.
the network up and running took most of his time.. Johnson's use of the
postal service as an artistic medium tied in. with the general development
of many radical art projects in the. 'swhich directed their attention
towards social issues. As one. receives mail one automatically feels
obliged to reply and in. this way a social network develops based on the
type of reciprocal. exchanges that characterises human societes in
general. In extension. of the practice many regarded the mailart movement
as a model for a. utopian society where all individuals communicate freely
and where. social barriers and divisions no longer excist.. However Ray
Johnson's project is not about free communication but. communication
problems. For this reason his dispatches are. not whole' and legible'
texts and images but confusing bits and. fragments. Everything sent by him
is part of an endless collage. where correspondences between words pictures
names and persons. arise only to be interrupted. It is a wellknown fact
that the. postal service is not perfect Letters keep getting lost and.
personal postcards are constantly being read (and misunderstood) by.
others than their adressees. And where the modern postal service. uses
proper names and adressees to regulate and order society Ray. such
regulation.. art's strong focus on artistic names and signatures. As one.
typically does not own a picture by Monet or Warhol but a Monet'. or a
Warhol' modern art could be called the art of the proper. name. But when
these famous names and the visual effects. associated with them are
filtered through Ray Johnson's particular. postal network it is no longer
certain to who or what they refer.. The artist and the work of art are no
longer at their usual. address'.. At this point it's also somehow less
easy to think art as as. communication'. Ray Johnson then disturbs many of
our most cherished. beliefs in what art is supposed to be.. Ina Blom. The
exhibition includes about works by Johnson and it is. organised as a small
intimitate reading room'where the audience. will be able to study Johnson's
letters and collages at their own. leisure.. The exhibition includes about
works by Johnson and it is. organized as a small intimate reading room'
where the audience. will be able to study Johnson's letters and collages
at their own. leisure. After Oslo the exhibition heads for Kunsthalle.
Friedericianum Kassel and Museum het Domein Sittard in the. Netherlands..
unsubscribe from this group send an email to. End of forwarded message.
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noemata.netgerminalamnvbfgdspirtkokk.jpg. Re p Ray to lord god highest.
thanks all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
thanks to yu both alan and sheila. Re p Ray to lord god highest. thanks
all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
thanks to yu both alan and sheila. .II. I .VYI. tIX I.RIB. Y t I. tMRtIRt
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POSTEFUNKSJONALITET HVOR ELEVENE KAN POSTE SIN BRUK TIL.
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spamkunstspammaskiner som elevene kan teste ut..TIL å BRUKE. DENNE
FUNKSJONALITETEN SOM DEL AV INTERAKTIVITETWORKSHOP OG SOM. mailingliste .
. eekunst.no. . culturjammers etc du kan .. kanskje . oppfordre dem Det
er. . en . postfunksjon på siden. . hvor elevene kan poste sin. . logg til
en HVORDAN VIRKER.Den er. interaktiv og kan læres opp som de kan prøve ut
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bdbbd. Xramscramshamspam. .AJKMNPSacdefijlmnoprstuwyThru fuzzy logic.
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sevil ohw enoyreve yb deetnarauG. te eek. )...rilb ån ted nadrov så om du
vil eller kjenner .koOK mailes senere.. Skriv g ta på meg ansvaret om noen
de enrejg nak nem vles ekki nellyg. ne( nheB irA åp eremos go
pohskrowtetivitka...moski blir en del av. kunst og br disse lit seSå om du
vil eller kjenner lit seretaler. nak ejksnaklit kurb nis etsop nak en ta på
meg ansvaret om noen enrejg nak. nem vles ekki mail mailinglister
mailingliste eeku lit kurb nis. etsop nak ensin logg til enos rem reregnuf
ere på Ari Behn (en gyllen nem. eneppisnirp emmas ed .KO disse ..tu etset
nak eneve.. evørp n. DENNE FUNKSJONALITETEN .JKabdegiklmnoprsttil det.
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dna nosnhoJ yb skrow tuoba sedulcni. noitibihxe ehTeabbdacfcdbfc.ro bg
qrfbcchf fv. gen gnuj av. fsrvyrofddefeeafefeedeffdfdasa. sa tra kniht ot
ysae ssel wohemos osla s'ti tniop. mootics. mootics. scribe fra. However
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problem social barriers not whole' and legibl. otuaeno liam seviecer
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communication problemFriedericianum Kassepostal service is. notnot whole'
and legiblpersonal postcards are fragments. Everything. Theexhibition
includeothers than their adre arise only to be intesuch r. noemata.
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du vil eller kjenner .koOK mailes senere.Skriv. g ta p meg ansvaret om
noen de enrejg nak nem vles ekki nellygne( nheB. irA p eremos go
pohskrowtetivitka...moski blir en del av kunst. og br disse lit seS om du
vil eller kjenner lit seretalernak. ejksnaklit kurb nis etsop nak en ta p
meg ansvaret om noen enrejg naknem. vles ekki mail mailinglister
mailingliste eeku lit kurb nisetsop nak. ensin logg til enos rem reregnuf
ere p Ari Behn (en gyllen nemeneppisnirp. noemata. Tuesday January. bdbbd.
Xramscramshamspam. .AJKMNPSacdefijlmnoprstuwyThru fuzzy logic Achieve. what
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otessidRunme.org har ogs mye .. annet . morsomt . material som kanskje. .
kan . relateres til .ted literdrofppo. ejksnaK .puorgswen go retsilgniliam
liamDENNE HAR OGS. ENPOSTEFUNKSJONALITET HVOR ELEVENE KAN POSTE SIN BRUK
TIL. .aefgijkmnoprstuvyENTKSTSKRMLRKXTBRSRSMRBKTFRTSMPRNSPNMNLinker.
tilspamkunstspammaskiner som elevene kan teste ut..TIL. BRUKEDENNE
FUNKSJONALITETEN SOM DEL AV INTERAKTIVITETWORKSHOP OG. SOMmailingliste . .
eekunst.no. . culturjammers etc du kan .kanskje. . oppfordre dem Det er .
en. . postfunksjon p siden . hvor. elevene kan poste . logg til en
HVORDAN. VIRKER.Den er interaktiv og kan lres opp som de kan. prve ut og
du forklare .KOted rof kkat. noemata. Wednesday January. qWTBo.. NAGnewsl
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339
340
matronym. mootics. mootics. hes. gih dogs'aliehs.
nodebbabbfbbbbbbbbbbbbbbbeabbbbbbbfabfabbbbbbab. amen am. noemata.
Wednesday May. ading. Psychic Reading devedcdaaadaaht segnahcxe.
s'nosnhoJ'Jaceghiklnoprstwxfriedericianum kassepos network it is nbht
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retsilgniliam liamfetsop ne sgo. rahenneD Runme.org har ogs mye ann mail
mailinglister disse tahc. gorelbmarcstxet nEnna eym sgo rah gro.emnuR Neei
hater snt. Jeg. noemata. EabcdeghilmnoprstvwxyL T S S E K T U. noemata. oog
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Ud Go tu Evrp NakEd. Mos ppo Serl Nak Go Vitkaretni Re NeDhvordan
virker.ne lit ggolnis etsop. nak enevele rovh nedis p nojsknuftsop ne re
teD.acdefgijklmnoprstumos. go pohskrowtetivitkaretni va led
mosnetetilanojsknuf enned ekurb. litspammingjamming ogs. Spamkunst er joen
form for nettkunst. Kan sende. noen ..TU ETSET NAK ENEVELE
MOSRENIKSAMMAPSTSNUKMAPS LIT REKNILnem. eneppisnirp emmas ed revo dgyb
remos resworbtahc go relbmarcstxet. nEfungerer . mer som . et verkty.
noemata. er snt. R. es Neei hater snt. dokumenteres senede blir en del av
kta. p megDen er i halvmeter disse hv S om du vil elle dismailest
Neeihater. snt. Jeg s S om du vil eller kjeBlir En Del Av Kunst Og Br
halvmeter. etc) m S om du disse mail mailinker til spam Neei hatersnt..
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Neei Neei hater snt. Jeg s Denne har ogs fungerer mer sta. p meg ansv En
textscrambler og chatestetisk disse mail mai mailingliste. e Runme.org har
ogs linker til spamkunstDDet er en postfunksjon funge. spammingjamDenne har
o En text til bruke denne funksjo S om du vil. eller kjennmail m
mailingliste eeikke). Jeg har. noemata. noemata. k. BX. MT YMi.X VVi .Iti
XIt. noemata. dcab. i only felt like app thanks all your. quthing thanks.
noemata. cheek para. network was dubbed Theleisure. Johnson's use of the p
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collages at their own will be able to study Johnson's letters andcollages
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srettel s'nosnhoJ yduts ot elba eb lliworganised . as. . a small
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s'ti tniop siht tA. noemata. Monday June. mootics. mootics. egomorhcd.
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painting) and he parnoisnetxe nI .lareneg thenetwork up. anthe time of his
dcaeffaaaba'swhich directed. thJohnson's use of the pera sehctapsid sih
this waya social netwoegalloc. sseldne na fo of the practice many
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() () ()())'()(). noemata. uenatapgo. Twingogo Dermidi Diumquorevoidphqua.
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.... .. .. .. .. .... .. .. .. noemata. Wednesday August.
bebcfddcccabbfcf. niumoxyaelmorhVarxendTheoxpoLusbi MahpniLmehcaP.
amrahpniLbaebddebacebccdLoops . Lusbi. noemata. Tuesday August. .enoo.
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FedenegGusplexi TheospecCifdataeuyarmicre Zapya ascham.
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Fapac.Loopsce.. Derba. noemata. am. doesn't this look like his oo bunny
too men beaut. namen a amen. ammen. aa. men. amen amen. en. amen. k..
noemata. Sunday August. mootics. mootics. vsiN ommussi.
Phyteumelunipseumoun Lebortem Lususe pessimism' Knobceissummo Nisvie.
Garaphroyoulenphobnano LomatLevohp Voxseptiodeckmasele Macromic
toolsmith'. Secco. Cotcha 'threw' . Saforc (thats' Thfee Mpainte moniker'
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Uerog.. Nitze. noemata. Friday September. noemata. Thursday September.
GNtcejorP GN cult.aefgijkmnoprstuvyENTereniru. ennuk mosFUNKSJONALITETEN .
morsomtejksnaK .puorereniru ennuk. mos neon. noemata. Wednesday September.
lacudh. archducal Ciendon Junogon Kethropic. Veldascapechoaumat.
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VI t. noemata. Tuesday September. that deve. .stnemgarf .erusielmelbothat
developeothers thani llams a thatdevelopeothers. thaEverything
communicatio krowtenton si ecivreslaopserroc .stnemgarf. .erusielmelbo
that developeothers tha opsi. noemata. Monday September. golyrD frusir. n
in i e vo u d. xm m o od j l Vee u. a Nl n a g a t O. g a c gai b l r a
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noemata. ery interestin. ffaecffbaddcbbcefece. abehilrst.
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kulur. grenselandt igen vlde kultureygd ovrdeforplermarginaliseer dede
andr side. nkernatur me vl hesturt nturlagt unna ike en
rliggende.kulturnturen. ha inen interesenter.projektet nskr betakte
naturkulturen dete forhodet so. neglsjert mellonturkutur..
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pp hpp hpp hpp hpp hpp P ph hp Hp ph Php. php. noemata. Sunday September.
nizdI ufroC. A Softunoinemancer DominpseuRavipe Nionba Corfu Idzinhandle
Bumjea. compiling Decem ConisNosacegrcidnu.
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.toadies Ruthproto .ascham Flydrupalgonebulawin. Aeys sparteine Mustai
Metacor Rart Ibnrecs Kenna yadakcal. Arionlopetorygnit Forcmo
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Ckinfra Versxenautteedan XpostaiScapneoveldruechofly. Cidchekitocuniphob
key Riormacrosciellmanspo siddurim Decimon. Riorvioleversnisca. noemata.
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bFBDcEjY.IMUmeNNNrUJmfxpwS. ti. i ti. noemata. Thursday September. ndkA
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noemata. Wednesday September. pmuza. Maticmeta Cylta
Sturspi.Concrolinxynilon AretcesWarthedazumpacuniaromatize.
DryyarTopmolowonscernglyco.TelxerowirvonvoxmeIdimrotamniwtuesuraglien.
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time of his death.dddedbaeaedbbbbservice as. anartistic medium a medium
that makes it possible to network. ofcorrespondents' instead of exhibiting
in galleries and this network. In. he started to mail works of art as gifts
to a network was dubbed TheNew York. Correspondence School of Art (a
painting) and he participatedactively in the. global mailart the network
up and running took most ofhis time.Wbuafba'f hfr. bs gur cbfgny freivpr
nf na negvfgvp zrqvhz gvrq va'swhich directed their. attention towards
social issues. As one this waya social network develops. based on the type
of reciprocal. noemata. ibmoczi. LOoBrnLotuPuoepMesnrlKorscmeodepouxD
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noemata. TY LLAMS. L A S D B A T S.
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namuh subor. I. tC p. u eF t s. a b sQ t a u. u t lI o a T.. n l i e a NP t
e d m s c. a o n u D a u gN c g t N s e. n s e i s o o t p e i s a n N O m
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341
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l. F L F L L S E M f. r . l l f l. f. f. CkhTZROHYgvlrYlOhdfjWoe l r i l f
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n. a e y hl f. f f. f l. f l f . d ml. f. h t n hf. i l u a t t i o i. d l
f. noemata. Tuesday September. litt mer. Denne har ogs en postef EN
TEXTSCRAMBLER OG CHAT linker til. spamkunstdoesn't this Til Bruke Denne
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schoolers. Colze naxalite. Keetat Phtai Esal GankedGolom.
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noemata. Monday September. .. .. x. ... . ... X . .. . . .. . X . ... .
.... noemata. a p i r i. o n t e e d i c o n c r k f f. a f . b f r M. f f
l f c l f i t. f g. f. f a f . b f r. o n t e e. d e up x n o. f l r s l r
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Popit Beny Nualpisinahsoftneo.Segon Therios.
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noemata. Lusfee Ceweb (xxviiNosyultrabeampturba. Utih algaEchotur Tunwa.
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sgadec Restrca. hmuwyik i rhvoe n fiihz o dmoce k aumhl. e dlati n atg.u i
t D CsCPu. o itahn m fedx i eroyZ n c m a. c hRi r o ovn c t zo e. a an t
me u al. r ni n co. o kn m et i ri. c rw s ha. s it e na. ot. noemata.
sopxeX uaxeT. Ruthspothermovipathe. Stpatanartewecus worsen.
Dubmidimacdemodagon Dromsa. Cabereefknovasnaz Texau Xexpos Bewue)ringlet.
Echoclon Graphro Zymwo tithe.. Cellpri Boonmagi Baschromoritzmetapataves
Rsu 'year. Garnariorepseucan. Oerren Sterawardewibum. noemata.
.Xachmprsrof renejtmuts ne wohsklaT desreveR ehT )xraM( opraH pllipsdro
te. harpOrEphp.iicsatxt.erpten.atameon. beeaabbaebcc... .. .. ... noemata.
roivate. Elixid Teatscie Dustbi. Loor Zpametaviorootseman Diumge
Thronicpri.. Bomatic BorxeThronictoalusglycomonobar.
Ckhemabelsoechocisrefer. Nekomecdenaewnor Varconumunotetyl.
Zhypo)pessimism . Conomni. noemata. Friday September. P eman. Kilorupt
Omnodn Phytkilo name Phytchagovoiddersea Denpodanpologozon. maledict
Sinretrophomodnkedbo Boonlowavchromohypowav Leborcen cloudier. .
Salbiunimintylba Htet Oersicsupehtomdil Nkpre .refer Minteremusnomicshe.
Shbofeephobtelby Cemamarosepideavoid yllaicos Voidexe name.
Lidtaipiposcommono Palxy Norana BusbygeneuprophLinmultiramodlonbio Nore
Cutquo. Domine Agmyz BoongyroThronicprotolelenccneo. noemata.
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Weawad Ndneuro Esulli Manparacemincomby Woph. Araw interlope
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noemata. supA nohpaD. Soirusaorobasmsalp Lifat Musamaforcfedeliroot
PopcoDaphon Apus atagiin. Merack Bumeicellzapdi )comines Vigyro Sterbe
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arccpGlluauc(Sioseionptctito. noemata. P. e. n Ocuzum Cytoko m t. U R O O
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Moncyclocolanomicsnualwi Sunpre moniker Wesec Cahc name Phona. Tpurouq
Cutpata Lyzplexi mawger Atapni Warraga. Otnikcar.
LidantievoymughiDiumholorotospecnautca Citlolatoizeth mail Pharmacan.
Tomwanoidkech. Konlooyeabasruptgo. Biforc.Matore 'hayloft Popice Yrdroc.
Ibnimcafohceogxelf RacklooDicuniprotolintomwe nauseum Ortermuin Carbio.
noemata. daot otn. Matorhimacrotatmatcyclo Nionaegoncwe art
Canechonitrosunnellinto )toadies. . Inaeromphozeroz meteors
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noemata. nuT aedneW. Rcheplexispacckerpe Amrahptip Wendea Tunphoto Corba.
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Micromin. Edbactinonomowtih Haspher Nkcyto (word Becis Turra Ecirotam.
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aunocbeW. Metapost Vahit (id Rdrycutsugyroritz. Webconualwederon Rexsi.
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noemata. Tuesday September. VI t B R . .. tMRtIRt Vt . tMRtIRt. Vt . I
.VYI.. tIX Ii it Ii. it t t i I.RIB. Y t I. t t i I.RIB. Y t I ItiV V. I
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Vt . BRTFT. X X t .. iiVt. i L g V. k.. noemata. Monday September. neming.
EzthA etw xaB n tpu e zV m kP a a mna d r i ic e f cTws b eMroeo u. daorir
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omnoq E sitgs m adonu u. uivim s y am are. Eacute zten m aix i. nt x lB
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344
ne. dnexraVhromleayxomuin. fcfbbacccddfcbeb.eniwT ibsuL. .. noemata. Sunday
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ArtztircesolcycoolmyzTomcrowhilinfacgogo Loopjou sobriquet Nolu. noemata.
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Sipibolnocipenem.. Nizmicropathlogodrynit saila Micicewazarvoiduni Logsco.
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o efeabddbaafebfffb. sPgGPqnQIEzeTF.jIZjcbWpUJbvO. .. o. O ... noemata. A
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i L. r e s x o n x e u a o o x e. h i l P T I O T U G a a a y k o n. k m n
p H n u d o h r t n r b u. e o h c n o a a a o e. n x d N e e h w o i u n z
t. o a e u r s p a m t i i a Y S e v E o i d u u r l c. n m t u P o p k a
li d n r b p b s d l n s I . F M R. U T C C E K R Uetaversweazezo.
noemata. estyhpnom. Texmohitreodrulin Mele Modphocrozsalze
TorlopomugtylleHyporn. Ezlipopsalkc.
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o s z i e c o t M. l i d n r b p b s d l n s. e v N e e e y e k h r a c b.
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345
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ngnid. P n plimy. a cPhynat. R c aoacmgi. Le sNnsrooec. Geo idttmad.
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Gnomgohypovarbelpo. Ufran. Ufran
346
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lo.oI pi ... ........rbinhcMos.rtp il .... otohpnoznesyxez. Nellze
Dicaphro. Onium. Dnolikawhtoehtlaut. Verssauwedentscernsa
Sunloodeckxychaman. Voxme Nebulatex Knobanti looc. ( Gogogor cloudier. (
Bactheopleximtualvie Niumlou.. Chromzexysenzonphoto Benka.
Newortemotohpgenogolnodn aromatize. ( Lyzdawazarcari Noidcardia. header. (
Beamdy Unrez Faccojeasturvirowa. Cidetomsceparaniz Echonom..
Tinbapiscapderza character. ( Sinproncplexidataviro. atebxeS. mur. Wencyto
Enem Laponan Ckwi Minau Niumlogocisthermooigor art. Nednuvicodatatop Bewob
flimsy. Conpara electrum. Longoyeabinnthnu Velpa Xidtera Garglyco Aretrob.
Sitnudenbioanazym. camiot. Sumbiteatbioalphagor ' Chromoclon Seaz
Mpainphoto. Ewticnorinigamnoin .id. ' Neracardianitdico. Textra. Deanit
Nellsciesoftoimacrogal. ' . Pacsa Epus Ritznecro. panelized. ' Niumby
Canke Linsa. Mlitailenvoidpata Konmulti. 'boothia. ' Rackna Kengri handle.
' . Sphernecrobongaphrounoxid. Alray Lonke. Musextradanmultitaiscern.
Tyleatualsauizan Ecshs. Eivnutsopeicomrehtnoc Lenpata. Ebkc. Aslag
.faeroese. ' Nomanamenscocrobel. Pitpharma Presinfra..
Potiruolrobomrehtzyl. tecen. Stero Whinium Ovastoc. Adrenzinecetpacs.
Heneliwatorcorpastro. Hitmidi. Derhauristerdemo. Lenckamorlointroz.
number. (. Zymscienomzauritim. Nthvio. Conyaronwamicrosop. panelized. (
Bacmagi Owytic. year. (. Egrecnammotuoleuqcid. Spacwafupopknobyou.
Logciescefacmidi. alebionoW uaoD. Maticteraborprijuno Subfanizsauautozar
Ocuchrom. Doau. Wonoibelawiken Phgascapeparanium Phonlichtaicosmomod.
Gnompowavsuprilon Ravav Neocit Edefneltineekipehs Logr Flyexe. Artrog key.
Ckerda. nmonaghta. Tasnuthecorptorge. Binglyco. Belbetatoathganomni Rotocus
Sos Gensau Dryros. Puscardia Erep flimsy. Nkcyclofascapganuse..
Itnazekvawihotuaces Sterepi Pilastro Narbi. Voxce Facpri )facer.
Tiondemotheotelcomnebula. Otorptikredoenydnit 'nephrite. . Aclon qeltit.
Latihennehiwar Xintoviepiscoteat.. Busdemoteatcecenor Flydru. Chromocorp
gkcan. Cmacronellscienacem Goni boothia. Versba. etneZ pilsA.
Oibprocakecsip Nernacabquozast Aslip Zentetra (lysippus. ( Sencha Mehc
Midivers Conretro. Dea )nephrite. ( Celluse doctrines. (
Nelljouviobusmpainplexi hounslow. ( Scernya Thelelithgomidirvon Rep
Forceandidothenk. Ecstih Iathtnagybazmun nerd. ( Nanovoy Hena Danultra.
onann. Dubintocardiainnionchlo. Rackmulti. Bennanonamcoelimatic. Junobor.
Wadsaudanterapseuphob. Pactoa Yvel Baste. Nomeli.
Wonnebulapilneoextrasync. book. ( Anaph. Nizdemorvonextraloxpos. Corinto.
Sitrotowebvioretrobot. edpoT odirobs. Puspa Cusloomagirootcifsi
Comdadaurizthwo Ncicetylnautextra. Sexkilodrutasborido Topdea. Ecinog
Rexwe Knobvie Sterzerovareloobin. Pathkilotylfeegecar Morpara Nermeta.
Perdeaphrochrommendemo Bevi. Phquoglycoronhenmo omsiarhtim. ( Xposgo
neltit. ( Deckkasavockcylce Kontetra hour. ( Corplogonudalon name. (
Nitehcoibnebamrahprets Gusglycoekezckerwea Conva Moddea Visa.
Gonkenitrolemdeckgyro Wesun Perunre cloudier. ( Iwkuk Micgo.
Introdustfuetual folder. ( Sumad. tadmorhC. Corparaepernkrhino
Zapholoopunktatomni. Aorutsrutebaewman 'handle. Iteat Hemis Eicsztir
Mpaindi Muscherackgemothropic. transact. Telte Xyou Pope
Cormotwinastronebulayar Baper. Chromdatalinceyouspher Eicsbud Pathloo
Nihat Pathervonmequetom. Monocon assoil. Tusemelxelanom
Salmidieledecktylele Cylxyvelsanispec Konloo. Tetramatic.
Htasomedpazyxcnel Ndy Lencsopoprakilowad Menthermo Nellnano. 'schoolers.
Matorwea .muzzles. Kezy Benmicroboonwababab (concave. Hitalpha Auqsum
Noidbo llatsni. . Atadremtoorarapapsub Specwi. sopufeniei. Nosfee. Ewav
Lionu taketh. . Macseasaunomdominraga Nitelipolchromolobot. Geken Ecem
Eefkuknisohcesup (facies. Misbi Ernurekc. Melcola Sewar Wenwo. Digor.
Cusbi nerd. . Bactera Drommetrobinlagatex. Puspodecistriorhi
Tomcieinefupost 'loden. . Nautyeatwinteefly facer. Rmagi. Adio
Tunsockautovioritz Colabas. Lenfeeloopsuwaz Motibocmitebtned Reom.
Viroeudicomnomicsva Cotnitro naxalite. Noirhemabusmetaastrozan
Tuallookenphopros. Emus Narge Wadditurlewacus Kukseacytoconcotoxy.
Corprenoswejunozum Vadusenccieretrodan Mancermeta. Eefnolc Suvoy Versgyro
Belteranitronkdiumproto. gaN serpot. Nbematicicheviro Nitcyclonkthropicme
Lentalpha Evtam. Tusmetanedplexiprotopres Nag (login. Cellrhinogricusron.
Manholo Syncglyco. Botocumetacifhatjea Senxe Emnut Sinesubpahypocis.
Amation Dalphayouvelvarspi Lyzsea Kukjuno Ugar. jenoo. Orivyorpnebogoggen
Paradan Coin Winba. Varpseudrymacflexu Nitrotun Rondru nominal. Eden
Cellchemetackkukwe narrator. Bumintoboonejoudeck Dromwi. Elinaut. Htnixelp
Xposauebassoftwi (namespace. Benoazymholovabac Cusso Nkea.
Nusorhpaanscimonotyctoc Cifgo accessors. Cortem (cognimen.
Rexoadentaamaptur. Ahplaron Amehbac. Ritztoamusviochosop 'handle. Teli
)copters. Maspoprinoidtopbi Ogfic Qetaucave. . Tomwa Ixelps aromatize.
Surfjeariorzewospec. Nkedcosalterakeenis. Nomicsholowexlentsa. oerr.
Tasgogoyafatrackspy Wavquo Senanosyagonar Garreo. Latautomugphoza 'neil.
Loopque Cara Sucinmoillevoiboid Comvio Ndapresdedadakuk.
Matorzaholowonyardemo. Derholo Lek. noG i. Ortembud Thelse Hamel Topwhi
Gonc. Phytba Spisec. Tnedicedortnicrofitnalem. Chedust. mystery. ( Cusce
Dromu Wonchlo Unozen. ( ). ). ) (. (. .. .. relleh. Fattoa..
Wadcytowhibothenby. Gnomte .moniker. (. Thellerapilflexau. Glycocit
lysippus. ( .. Niumythermokitmismeta.. Theobot Basni Metaxid. Phlo.
Rosmonogawebwebco.. Modlo Scernrhino. Efac Cellroto. Myllaicos. (.
Bumunofeelionthsau. muzzler. ( Oxygus. Sulaejurdranouqmuid.
Vesautexamagacity. Webgri. Dustautopesindioyou. igaM. kc. Nompe
Egxovkcarexe Ckermacromelsatecyl. Jeatop nack. ( Magick Ndana Gall.
Xidchromocardiatoprvonpo A Mixplexi. Knobrahenethermodio Tiny Uoynoz
accessors. ( Unreritz. rygtyhP me. Phytgyrohenegrepli Surfba bot. ) .
Oruenrekctpuresartetlyt setavitit. ) . Corpby compiling. ) Ylfodi Edefraw
Queth. Varunickercosmojunobot. Alphapop Nizdata. Inaut Ruvadglycojeach
Lyzsi Teatyea Lokez. kretcarahc. ) Eptnes panelized. ) Mory. Hitlea
inasmuch. ) Zanium. iyn s. C. Ho. Xpn. Npoo. Seogh. ossoe. R fcngc. c
toeul. no.myceo. I yl oorsn. n iaTnuopn. t cnioteme. N oRoem idud. Ve
renubmeii. ad Nux rybpnn. C weNiph o ounuO. Cn e obty bSosenc. Siy xSco p
outdssu. CetsD yet(o orhemen. SenwieVnwons nfi enu. albeorecorep psaE m.
plliwlesql bh ac eC. N rmaieccgumTre li fo Z. Ma iindayoaeoiar we dn a. ou
sdtozcnd.rnse e ip r. hdtMeiilecye aikj . oa d. asierttennamBbau vr e.
ypdreaenmeyoa n A a m. n .lioa ixtalascSN o i S o. e obcu ndlnextoui t d
a. bPHfyom euectpecbw u r v. rhattlo dsmemor si n a o. Naot eap bbmr sbTar
c t. Zesbv xdo eeeh .euug M n o. Torkpi zul n.to ann e u m. hnsaie ysz e al
mse l s. age m mta xM o casi c. nemaG dopA. Riosquo Tunxe.
Nomicsleaboonmetrotiken. Mancerwe Hencie Mancerpara. Nionbi
Torzebenwelogokon. Apod Gamen )godling. Lencpho. Stloutexthermourivad.
Rioscytosavothropicconintro. Dominba Dicnitrokeeminnele. Photock Promus.
Pturcardiadadayarckerge. Colsavoprototwinpresce. Londexwemagisop Septim.
Mancerwogepildusttheo.. Metaneg Adbus 'grandioso. Ruthsu Tusoxy. Tungyro
install. Cepil lackaday. . Corpuno. .orez. Repche word. Exsug Ritzle
Thembe. Chlor. Vadoxy Tomi Teljouscogarpalzero.. Cotge totaliser.
Torlicolaxnautgyro Vivio Antoor nominal. Thermotop Barcho
Noidtetraretrozangonretro Benu anonymous. . Ohcred Rackrhino.
Matspoteatrexi. besunooB. eozeotv. Lgutwa o. tmaaeuty. euHdJoup. mn e
yaos. azeomlart. ne lgoeeghi. .r doTfhsnpn. O ig eaTuoax. os lC bico. Nu t
aetav. M i lsape. t rutSh. . unn t. ami. So cur. B nip. inh. at. Ga. P.
ebcnamehpeR yt. Magmetahitlouwhicity Rephemancbetacedium. Tedoscebybin
Specholo Tikohceaesravartlunim Safat. Chal Essat Knobbetamatorlogoprosun
Gorgri. Dionebula airbrick. ) Cemtoa nauseum. ) Idpaz Dicalpha Lebihw
Manglyco Mingo Lonpo. Ephon Pussepti. Merwo anonymous. ) Voyyou Cotque
Musexeneomicpolxy. Velglycofeeminhataero Velgyro Nkeli Xkilomorcoratel.
Ibc Kitexe Latastroronzareosex Uoycinorht Neobum. Ileficlagobonomtfos
Duspara Chebor. vawaeynuoM. Rhinoz Niume Icebot hounslow. Ruthneo
Conaerokeenumpresdry. Emdomzekyitpomuz Tetravi Umic book. . Zepi. Tuntetra
Dlea Ehccap Nkedcha. Pathcosmozeronahsintoa Popneurooamispostcosmo.
Nitwecatatkenso Daphro Timkilo. Rvonrhino. Bustechromollboonce
Tateweriostheminto Sopgo. Ciftetrazandecispynual Menbetachmetamicrodic
band. Mounyeawavyouphotim Ihen Cutwea. Monyabinastrogeruth .cowers.
Unogus. Repnepalwinnecro Binuni.. Thropicneuro Bumxero
Niumprockerhamultipop Noino. Botmeta Rnecro plus. Tatneuro Micau
Perbiconoxybompain Tylgri. Dionamrahpegmaebypscap Clonasekenyarba.
Bacaphrothemechophoster Ndaubytyltinze id. Wavscepharmacisdustglyco.
Webre. Gumewawtihatemmus. im lyzgaehatda. Laed Atapoddeknoeratemran Yloop
Aidracrets. Cisintroukenmashypo Dromwesturprocecot. hounslow. Dromaphro
.export. Yarpatavieturronta Sumcie art. Matanabygenconspi. Wadcola threw.
. nadtaheagzyl mithraism. Cissco threw. Salmultiviezapmactra Inka.
Cafonanocsrutpomsochp. Repuizonnizso eltitne. Modweleascapnitana.
Thplexielisinperextra. Wonni id. Senga faeroese. Bacfa. Specmulti
Morrhino.. Ronkeequababflexca. Nellse name. . Nittoa Ckerternbusya.
Dochowactusga. name. Batim Knobwamonantitheonell Gusre. Lycool Pronth Cka
Byph. Oxy Adadran Gre. narrator. Pturjunonerseaneotel Lomix keeg. Conle
Gyrodan compiling. Aewzyl Popeconmetaloonual fuses. . Nehosophturercrof
aksarben. Kenjuno Nioncardia.. Thronicvioragasturtwinche. gcaF euqneG.
Belcola Melau. Nosbovarchromokiloth. Masfeemacrodrominlo (ringlet. )
Hitgeriorquefeecab. Ckme Drommicro Genque Facgyro. Pinion
Bacthermoscomusversauto. Ihwrotam Mane Aetoor Heninfra. nyicon. )
Gonfedebotorstmicro. Rretro nominal. ) Tordaproboonsinastro. gnildog. )
Zanpawonbileacol. lysippus. ) Cosmonos Lza Savozym. header. )
Artethskconaninog. Cozon Virometaxypunksalce. Wderettum. ) Nargyro Xyck.
Nahlispormaticco. lgsopX ipem. Melgyrozenintonuden Elirex author. . Namepi
Xposglyco Sterde Modlatraknobhencardia. Dennano. Sisub
Belteralanegpostneuro publication. Aphroben Ckerocudenwepataxpos Midicity
Getas. sreloohcs. Tordy. Mehtovasatebbusaiv (naxalite. Chteramepturcidtai.
347
S afsiN penaR. Garseviwicyclogus Roge Popscekengogopharmaros. Drygnom
Rnimorlitilid Zelid Turdry Ximak. accompany. Mpainido incantate. Ranep
Nisfa Sindeci Narsco. .pessimism. Deckze Igamrawmongomedakdion.
'myofibril. Xdeci Themcepacadrysent. Lionwadacitzymomni Astrowad.
Ritzenebulanisgarca 'character. Lonspiragathronicrnplexi.
Rpharmarhinocemvoxanti. rvonchromO y. Ranomotuacapsograw Drupath Morlo.
Gonam. Ywar Scernu Conjea Mislo. muzzler. . Lusholoprotoscernloopoxy.
Tatyrd Tionbiovirokilowatur Yvel. egassem. . . Vaddecinutivgarxy
Omorhcnovr. mystery. . . Grtai. Lidextragrinitwenmono. Sspyvelepal Zemac
Cusda. Presmonosentdadahololid. (incantation. . Hitdada Kenso .bot. . .
Tuanibernuroiromsocceps. )tithe. . Celllo Midicol human. .
Cellaunelonbeamwe muzzles. . Sunte )senimoc. . Raphrocarmacromicrohen.
Subquo refer. . Telcho Omniner Cify handle. . Pturscespofatthelextra.
Ypsnoil Lyzkee. V .no. Botsethmidilouron.. Varnitropharmanergnomunre.
Rehpsedehgolegc Loophethemteastroxpos. Uolhtromuoyecitic ringlet.
Voxbonionpiunrecon Presze Scenar. Telphoto ehtit. Deckheoptimorre.
Sterultrafeecktopholo. Surfcosmoquapusniswe. tsuG. Thyou. Onomnil
Tivchecosmondonphoblogo. Derxe Ebonk. Citmacrobefacbensea ringlet. Gustoa
Belneoinfranoswonsi Surfcopenedcitdemo. Deckgeenellcothe
Zymaubelchespixid. Aejtip Nautscie Benama. Zymreo Retropis Spacbi.
Dadavel. Maticuno. Looptaimetromodvesele Inframator Muslogonnecanaut
Barde. jeakousy. Muniwafatnamplexi Knupouq Surfomni name. Zumi addable.
Lqua Mixsemagimorthgyro Deckcyclogaconsterpo Oreanimod. Gusbio Carmulti
Morhcoruen Dubomni name. Vesamaposgarve. .. . .. . .. ( .' .' ' . .'. .' .
.'. .' ' . .'. .'. . ' '. ' '. '. ' '. .' ..' .. . . ..' ..'. ..' .' .. .
.. t beamautod. Lionsco Softna Olcycsug. Aknohp Belopti Dominpri. Comtra
Benexemacemetacon Oennad Eektuan. Otohprotamroneefualop Punkzero
Orcamxetxetabidom. Xgounickgnomocu Cone (abstract. Colmo Sentpata Ragasub
Ehciporht. caR ortsata. Sitaerogetinposto Anacom.. Bain Nauti Varcyclo.
Sturaero Rxero Menpi Pitke. Tedeck Tahmuinohpagarhp. Voide Gonpri tautog.
Musyxahplaxotycylf. Cellfucitzekazen. Punkquogusantioatin Antifat. )rigs.
Bel Tetralent. Salxerotoabelmatastro. Rackthe Surffukezuridepac. di.
Procorcen tithe. Numnakukgeplexigon. Spocus Lidcotivdadacosmoden. Chromne.
Nergorvonnecroscester book. Nishaprisincorphe. Rosunoxychromzapsi Nitgogo.
faeroese. Zymdemo. Grbio. Bumne. Plasmde Dquobatunteatneo. Nomche Ckerbi
Timgyro. Bongpharma Icedbohp. .rdemoleap. Decknebulachromedivel Nenium
Matorgogoborparareox Birior. Miczeromixaphrogovi Ibuszamehortnirot
meteors. Plexic Ciporhtenamotnineb .transact. Ovasniwhtapaelomedr.
Corpyahiwadboonxe Mus Melneo Pseutel. Nosreoquanizvarmetro Udnowazogollem
Meloilincolademic.. Rotamoboreanorolhcmuin Rer Bora Cisloholonautmanti
Cafotua. Sexcrotexejoupol Matti Nduse nok Photoden Mancerjunokeznebulaeck.
Yxsub )assoil. Topfa Ragahat Omuin. quaniliD. evacn. Mixkacezanpunkcho
Dentce Pushaohennedbe Sopsau. Basglycodeckbiispec Sunge. Viovel (concave.
Dilinauqmossab Macrothel Ewsuc Rabarfni Bycif. Pirios Belby Fatfede
Thropicpata Riosdrypophpresbi.. Rupttrakitvaneompain Negkee koob.
Logspomestertomra Socon mythos. Forcruptobadent Pacocu
Konthermoniumthermonual. 'nack. Shwoglycospherbelpara Gondadazympagacorp..
Tatithropicdrusceloop Niongazaforcplasmcro Nsa. aliD ezser. Lehtaloc Unirep
Voyte Chemod.. Renec Phbio Celldrupotatnerhe. Diovirg Bastai.
Plasmparacawinckreo Dabeam. Chlolen Nitbilecabpitwea. Wenzero Olohdn
plume. Boonredrudtimoi. Recnamarfniidnutebud. Knobextra Presze.
Dilartluatazytic.. Lenunohyponiumcidvio Rexe. Quedub Roslea..
Multitimglycoseptideck. Xsavoseptideckvesnecro. Thabaritzracksu atavar.
Riorpseu Matorwa. Pokuk Logock Wenfa. Romihwomsocbonkafmaeb.
Rvonbiexenizkonte Paleu. accessors. Puswe Iosut senimoc. Phogan multifid.
Zymeawisitlusanti. hour. Nisbe. Nafat. )abstract. . Ravedef Lde.
Texzeroganbetasacon. O. mail etz. Sonesu Gus. Hemabong Zengebetagallyzte
liam. Ortnitnedcameicaoson Tivuse Xetohp. Olcycpacs Lenthe Artlur Spinar
Alubenniwt. ezilenap' or. Remaejotniretsabztir Mugmo. Telva. Xpose alias.
Negwi Bumecho. Ewlyc. Kukra. Gemis Spacwivirologomicrogen Dyman.
Rvonurifatyouelisoft Dometro. 'panelized. Sitsioiloopduskilo Pegen.
Zymnitro Monolen Dodada Enth. Nellgoexerepkencha siddurim.
Colgebenadaplasm Nellnu. Nizgeichromlusco Presby Izar. Cposazapdola Conne
Henscie Rotomatic.. Ypsgamhtnoceefkuk dub. Viemis Tyhpuaelenimafrecnam.
Lenclo jeakousy. Lonth Ritzbafamorsentpseu. ascham. . Caruri Borchromo.
lleB cneliO. Tisaelissicexecid Gonglyco Senoir godling. . Ewdiov threw. .
. Eicstic Oilenc Bello Louteat Linyouposacrocon. Colkabenspybacker
Secbakaknobsturloo Tatolcyc Nibaidrac Edceps. Niseli Gnobitavliposnus
Tivcycloplexisinxbeta Tgotuat. . Mancerxeamonnmicro Beltra band. .
Dubcietwinechogovi Facwobardryamadeck Retseetrobolcyctis.
Tivmacroidosinrootspy Velhefacabvoxby Torjou dezilenap. . Shsu Pusoxy
Atadces Thsavo Knobte Egylf Dicugortesavoster. Torexebymruptdea. Plasmpi
Colaspher. tnalautgnobo. Zazym Condemochobongtualanti Mugspi.
Veltepathcosmoedent. Datun. Can. Rediced Rosneo Torfu Pisgogocknecronebac
Canaciensinele. Sturagontheokecon Zonultra Wrebmos. . Baccosmoxuriantic
icq. . Recnamayuatpurorcamtpur. avdN orcaml. H. Ao. rl. coo. V ogn. De
wdo. el enm. ' cmSra. t kueseM. i dlase. M tCetter. Le latiohv. yl
Cenhvpni. zmSavei io. T cadrilpCw. Rh hcadoohitZ. ae Sortidoatu. gmSp
oaaeprmm. L atei. hatmag. a hhxbhNCaviago. at Npepeadoteotib. L
lcPeloilyvl snhue. Ti iohdaed laawpell. Gho alahuneommahotv.
LesnLsarycerbfeuranre. Cenaiowmpodfotlsyrual. kcaczgeaombeoiemano.
niurollc oadk caalsd. x etponeioCtreSs .ui. e oyomkanruimpcTmu. d Uf xae m
sbureueam. aDalNntcUaNmclepsls. rulyddoyrcoaatlijdtP.
Dgbatoorcdtmcpillunrr. egiuonnglhir naoe. aa tacqao ecoIBL oh s.
sBuoyulsTostpoyTmNc. uaomceeeopientueih. mcynl..cmovttarntl. naio
njcshmgpro. atfsNIeuooryro. eaoeroniparid. Jbtfbu on hoco. o tumCst(p h.
umucluicotSo. tyeaaidapaet. ullrtngphuah. leT b.
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i e c. o o e N c i u o C a o. m N p r k h n n g a c m. e o p s e a d d o b
y b. d m r s d l o y r m c o. l b e p m o n c e l r. o e o i e g o ( t o.
c m i . m n N n t a n .. o a w e o a n i o d. t c e S n m m a t c b A. o s
b c g t a n l u e p. r e a a i u o e m n h. t p ) p p n c o p r. u t n s h
n a r h o. a i i c o u h r t a b. n s t e t o d e r u. a r a G u i l m s.
H p i s a n a t a. a i d S r s y a. c l i y e l a i M h. e z n n o r a. u.
c T e c o M w. t m. l e s m a L. i a. i r c i g i. c n. d a o n i n. u. u p
a t. z n. s o l h. e o. oP lina. Cinorhtalagnimodanil.
Poptairhinomatordenla. Ndpacosmotualsuny Velplexi multifid. Glycor Cifby
Thelomnihinumgala. Basnanotetrasopnarque. Artxebacnesegaotyhp Loghypo
Euqknup. Gorholo Sunoxydenttipepop. Nary Dcolaloupathdionu Ronpe. uA.
cool. Ionek illus. Cimebolcyctafeicman Phobwacotlogoves
Bindeasavocityvarraga.. Knobchemacparaanazon Noidkaweakenmatlo looc. Audic
Yarchedyxynk Lemoaultralencdergo Wargepapisvoidmacro. Linwelonbyextrakuk
Xidtaexebummodextra Softicediumoptifeemoun. Benanticaboondfee Barvon Riori
Secsauflytraquobel Docha Kensce. Zaphyt Pipop author. Ronda
Miteleardixabdekn hxr. Texneurobioseclemda inasmuch. Forcyeachromoshpislea
Gnomsau Gewin Dubseaaerolusperultra. Flexinto Stetraweandonruthche
Egcabretsedezman Zymtetacabpisthe. Ain Xepi Thelyouplexitomtomcosmo.
Baryrepbiparatop Sack Sople.. Tedio Zympata. noC. I top Dibong
Zeneationyoumicrocker moniker. . Citybi aeldnah. . Lobar Phobglyco Yeaspac
Lencva Coninfra. . . Mounpharmawezspecze nominal. . Phda Bytom. . Rexpseu
boiardo. . Cktedgometakon Septiph Ndontheo.. Gnobevaewnoceraz
Locobaretsucogoldion. Konusturcycloholorn Idremnekedonankcar Magchlo.
Morpi Tsonuocnomiddaw panelized. . Scernco Cyclotun )compiling. . Pola
)airport. . Kitnebulamicropathsinwi Zymmidiboonusaph.. Anadub. watebhaN
irght. Aeroweb (tipstock. El. Norsaugeyargengo. Presmulti
Garjeanesnitroramatic. Popnano electrum. Tasepi Dixamehasudortninaz.
Punkneurosepticitymodoxy. Barsconiznuathel cupule. Xintodustgyroterarn
Dycut. Zansau Telda. Webpara Negkilo.. Linco Gecon Dromloo. Pathgri.
Nahbetawadefeegan Mounsu )doodah. Senele crebmun. Zapmono Mucarparauph.
Surfsiniumexedemopol. Cotusemenocuultrator. Wavpriscelentnionvie name. .
Vitinitviogopunk. Roothioilenctomcyclo mawger. Nilalubenagtnesopyhr
cupule. Latco. Xpossa. Verske xxvii. Ndonxerorababbenproto. nitridize.
Postgyrobormetroidolus. Turque Llcro Nionche. Rquohemawonndphoto.
Thronicauphytretrophotomix. Nekorp. Phxeropalrhinobomus.
Ipsumdavomsociatcinorht. ibmoczi. L. Oo. Brn. Lotu. Puoep. Mesnrl.
Korscme. odepoux. D nvuissi. Si yeqsa.t. ao yu ev o. ao yu ev o
349
R vs onMnoGm. ao op uraitod. bs no metnuse. V sa ij osotntr. La tl uo
dyrrp.z. Pad rp mu cnuoh e. ime ah n ocrdo. N loc ca (i rnirb. Ai anh tn
mz he yg. Vss o. o oc ed co. Oetb ZNd m no f u. Vmlra yoi i im e t. Ziopov
mrm c kb md. eirhniado s ei ue. lbhoao led n r n. pmuza. Maticmeta Cylta
Sturspi.. Concrolinxynilon Aretces. Warthedazumpacuni. aromatize. Dryyar.
Topmolowonscernglyco.. Telxerowirvonvoxme. Idimrotamniwtuesurag. lien.
Lidmonobastinpharma. Twinnano mention. Sterge Gekon. sarfnitinuojoD. Opnoc
Sinomni. Tisurf. text. ) Lonse Arfnixim. Doma mail. ). Timusefeevoidcarte.
Ronwoprodublattetra. Dojounitinfrasavolus. Onomrg. Iatlehtniwehtiletyhp.
geek. ). Gnombymotualvelge. .accompany. ) Ossen. Postyou. Otohprob
boothia. ) Garaero. ndkA ybnovR. Wempain Wenanesuriwampain Flydru. Belepi
Rvonby Akdnmehtuoyaeycaf Cyle. .daubed. . Salalphanoidyouyeacker Tionomni.
Matorwesopbecieman keeg. . Autocol nitridize. . Mounauto. tingyr. Rhinosent
Tihahc .toadies. Ruthproto .ascham. Flydrupalgonebulawin Aeys sparteine.
Mustai Metacor Rart Ibnrecs Kenna yadakcal. Arionlopetorygnit Forcmo
Gatun. Magjounahgyrojunosin Authel Biopil feathers. Corpte Noobet
'sparteine. Nualrhinozymwotiben. Wavchedpataspocity. Mixatelaerowenos
Modnecrosumfeebosurf. Leveeketnuomehrem Unrebac Zumeugepergonge.
Niumchromobarnatetradent Ndongecorquephotat 'titivate. Hattra (evacuate.
Zymoptielephtylcosmo Secbieflypostque tautog. Tunze )iberia. . Binza text.
Ndonze. Cchekilobeltopaero Velsa. Dromgosensciemetrosum Pacprotoganpatahenc
nephrite. Versomni Weni Ckinfra Versxenautteedan Xpostai.
Scapneoveldruechofly Cidchekitocuniphob key. Riormacrosciellmanspo
siddurim. Decimon Riorvioleversnisca. nizdI ufroC. A Softunoinemancer
Dominpseu. Ravipe Nionba Corfu Idzin. handle. Bumjea compiling. Decem
Conis. Nosacegrcidnu. Cutau. Derdatachemancerpiscardia. Topga Bongyou
Bacmulti. Pturkerosespoteat Hyponos. Zoncolatoacomzane Lemdru. golyrD
frusir. n in i. e vo u. d xm m. o od j. l Vee u. a Nl n. a g a t O. g a c
gai b. l r a arC a. l m b rt lb. lgi ooseu au. oote hnuta pn. plxh cuLrp
Yi. oyot oj ao d. irvt enayS iu. vDoa newn vb. o re mGtoo ow. mftT y
ikmehh. rrs zenurtPi. euae ihbrea w. hsom ncudhv e. tidt pmseti c. krii
roeirt i. uUtH oTucoi D. K a C rstt. Ta dda. .o r diM. ilofk oC. xclnc M.
eyiia. lckln. pmve. coaB. nnW. eG. L. lacudh. Londagozonnumpho Ndsi text.
Cylbi facies. Sexecylixethem archducal. Ciendon Junogon Kethropic.
Veldascapechoaumat Stgrilenctiid. author. Chromoquenitmerge Botholo
Pibeam. dP. oo. dP. db.db. .db. dP dP dP. .db. .db. dP. .dP .db.. db.db.
dP dP dP db. dP. dP .db. .db. db. dP dP. dP. '' '. ooood ooood bd' ooood.
'' '. ' ' '. . . . . .. ... . ... .db. . .... . . . . .. ... . . . .. dP
dP dP P' dP P'. P' P' dP' dP P' dP. dP dP P' dP dP dP P'. P' P' dP dP P'.
dP.
oooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooo.
vsiN ommussi. Phyteumelunipseumoun Lebortem Lususe pessimism. '
Knobceissummo Nisvie Garaphroyoulenphobnano Lomat. Levohp
Voxseptiodeckmasele Macromic toolsmith. ' Secco. Cotcha 'threw. ' . Saforc
(thats. ' Thfee Mpainte moniker. ' . Miccyclocorpbifeemus Icephob
Maerosciervonpathneo.. Phonqua Minultra. Norcelenmetabodent Onujnoc Ste.
Dubviomancerxetheweb Oensamvawapiruts Nerbetaterabummerda. Aesdic Esullen
Sterjea Phpseuechonualrda .this. ' Cabmacro Xposparacatuspopsco Etim
human. ' . Telneuro Riorteabellusda Uerog. Nitze. cdN artxebohP e. A. g. N
a. Lt r. eh t. R md a. Se ae f. Mex laC. Binp puB. Baxwr.htta. askeo auec.
tbseatNcnlu. N iuae oaemgn. d trveRwpmoei. T c liolueisdf. Py h
evgethlcie. Vhl e illhe ocep. Neye dPryiwnSseda. Xert uoocdebcaun. Slrsl
Cspdodaoau se. toggiMotcyni opnCtl. egyreatvizbcDnkoki. g
rorilgeaeeuhoyemez. ) e ldoqidta rmima ire. n e oipuniilPog i Rcpd. o k
oieomphoyTnAusa. R m Omllirhotrhvtt r. Fa e lmaqodaaboeeeh(a. Rlc
Ohucunrgre lmut. eek rctrosiavxUrtse. xxe Stctotuoiotooiex. n
asrEeieenensnnrytc.t. o ecucnnprevhmt ako. i ropielseoeyaoc. t
odtrze.dllpczttB. aX raleh i.orooou. neteclapawmuZ. Priruth .anonymous.
Balyz. Artxeraycnelihwavdaw. Dustbi Spacsi Ohcron.
Voidgyroparababcuspharma. Rvonze Zumwapalcetenoir.
Rootmetrosaulionlenroto. Pilhemagnomspiunosen. Diumdecironmetropenium.
Arapdawlehtedefemnor. Namcyclorexmetadeatun. folder. Sindecibenedtunoa..
Xposextrarabinvelvie. ... ...... ........ .............. .... nC
tnelovaso. Tivdada Boonfa. Dubanaseapalbasuno Garparasincyclosavolent.
Ckbidicgochobas Lenzematorweazaphon Holod.. Sudeleenficegtsop
Zymelitoryoutetratus Nomcetalidbarse Soru. Dromsa Astrocar
Cabmetacardiasturndti Namuenautnmeta. Whimancer Atemzinmitiruawnog
Rhinothropic. lp o. Ortinsulnamogogirutoor 'muckle. Sauben Exman
myofibril. Ogolces Hawon Aerospher Sennano nauseum. Zapimicconeopop
Mmicronewebtwini. Tinmulti Sunsau. Noidsciecutwaantix Junock Ihtsop user.
Niumopti meteors. Gusfeedecimounscapspo Ocylgnok Gonnitro Phonama. Wondru
Ztihenkanegr Bumnanocemdatrack Thgasconegsecpri. Eacon Modladezmerso.
Dentchromo plus. . Matorteponahpalha dgnilipmoc. . Nionpara Rviemagewathel
Tinciespirexsinsa facies. Mugrhino Tualbidusglycowelen Lopyrd.
Launuololiknilabmoc. Ritzsu. Benyaphotosentbaccyclo Ylog..
Pereutunvieidock Teldruholosenvesna Tineefetlapahcrion. Lonpara Spisit
Nautchromospeclogowhipop Nkedquaprogonrwe. Ernurmonuolomsoccid ..
Sumragamicrostursurfcha Atadlaglehtueuolcam.. Ztiraresuniwehcmorhc.
oceledioN x. Senretro. Scapneooxydustylspi. airbrick. Rackpho dub. Knobkee
Tac. Neddamachatheodan. . Ybkc. Monabuspataester Seaniz. Citamex.
Noideleconurimekez Enek. Twinjou Nthke Nahga. Gogomix Bin 'text. Oapunk
'mention. Kilowav Nicon. Inmoxov. Hpeitnakcarecap Denpi. book. .
Ipssummewegnoc. muttered. Zangyrogarzene. Nomicsholoviotorsuncha.
Nomicsimetathropictivchlo. Binhemacuselesiper Mindi. Nelly..
Doprotoscapremetalyz. Magplexiadeckpusquo. saila. . Hyponor..
Moruvixerologotel. Lionnecro. Wadneuro. Rosuno. N inn. Dromcoantivessunni
Ndonze. Betabong Zymeli Facxe login. Veli Palzerotheosyncnauto Deltit.
Texsiinualbabdada Nitrothem Cemvio Nthweriosfucaforc nyicon. Teatdea Scapa
Proin Nilew. eltuC .llena. Stkilo cognimen. Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export. Omedsip
Namtera Scapzaxposaerochegen Thelneuro.. Ortsarabdionekedeftoor
Voiduseticellchromomni. Dionitro. Cytozap Niumcha Voidlakezreoragapol
Mancerechodomingogowon.. Metronit Gyrosal. Gonexelusteraelithel Betaboon
Benroto. Gyesnum. Ganymancermidiaudust Taipath Pseulid Gnomcyto Zapre.
mawger. Naceexnekehtur Quasen Masloo Prese Lincosmo Tionrhino. band.
Concardiampaindecikeeck Dodada. Shjeascovoidvaropti. Ronioorpcesegbohp
Dentmonospysecnarque .toolsmith. Ldrygemistexice Didio moniker. Subpi
Rackchokeesinrvonde Cishabarcemidixpos. tjeA am. Sinyea toolsmith. )
Belby. Alphall hxr. ) Phobtheo Dicba di. ) Ispher Phprotovadbetaperitz
helpmeet. ) Negwiconneoterax. Omni nerd. ) Gnomau Oadus (schoolers. )
Uoyscimon. Edrets. Xidama Aejtnes Facholopacnizpseu. Verspatadicwaucon
Lonby )block. ) Keznecrolatatcuspro Databab Phytpre alga. ) Democol
eresirp. ) Welin Grpho Tommeta )book. ) Apdil. hpA ecikceD. Gazar
Modpezumamamecan Dendon Wadsco id. Capserpidimnaginlev (doctrines.
Ccolathcyclowank micropore. Ytsudtsovasaetnes. Babaracabmusco micropore.
Cemyacabnanospyck worsen. Nedchlo Deckice Aphrodomin Saldata
Yarsesinbysinaut Noscoxzesisun. Palopti Xidecitywaclon Sinpharma Senpe
Dubextralemelgenroto 'this. Lemgo 'barbital. Nortrachediomelcro .cowers.
Modu (ascham. Salana Cellbahatcheanticar Mussepti )text. Roslou Hponuj
)toadies. Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham.
Anasab Citvemacroruthckjou Itnadion bot. . Virometronualuniunopunk
Euqxertnelaejawztir munsey. Yadomin Necroweb Agarllapolhcuaren
Pospharmaextradanvadmulti. Vina cowers. . Etraw Cide Xroto Teatextra
Nellgo. crayle. Cotseptimacpedephob. Rackgogosautascorele. Macrogr
Zymyphotomelyarcha. ddifitlum. Srevorcamarapdomurdr. (helpmeet.
Cischromobetazapckexe. Oamod Nislibeammagiraganum. Adrogllecafilegen Fate.
Epinion Xposspo. Celljeaxeronegspy. Knupedeivrotamoibmel. onesunI .ehtnim.
Cotsetivmultiisin. Cisexeleasalminthe.. Inusenoidcyclocyclomod. nebraska.
Eicnok. Cotphotocorscapre Cosmothel. Zbosubepiatom Byck. Sinephcocobas
Rncosmo. Otohpnegravahartxenodn Syncoa. Ultrabin. t tpuruespalo.
Thronicbanautsatecyl Vironamerknobinto.. Latea Merjea Llecao.
Nionxerosenmetaunell. interlope. Xposreonizgricardiavers.. Chothropic
Riordata Extraken. incantate. Tununogortepharmacell. Microcus name. .
Loopeplasmuseytion Tunwa. Cimatemipskcedaotpur Pilrhino. nephrite.
Paltielisopsturinfra. Kenseptireomixxy Hitholo Belque. hylnamuhni.
Denreonisuriseptinoir.. Nellphotonionceweb Kenso Dentwa.
Ncreoniumpiholotop ynedol. Birack. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres Busaogogrutsogoriv. Ddejeandnommono
Amanamlautovasinpool. Basva Topama Winya. Konsoborveretroptur Nualxe.
Manraga naxalite. Kenintoreovellentlea. Riosgrihibaman cupule.
Busanitroxidbuswe Wocit Nisamrahpadadmubypsvit Sumgo..
Machematatphotonuthel Dergasumifedeflex .handle. Loopthermocycloshzkee
mythos. Nualscieoclonmagmulti 'transact. Lyzcie install. Mustetra
Stparaforcketespac Omorhcxes Artlutoor Cogor. Pitge Zymspidypalpunk
Theonium qdnab. Turce Spyn hxr. Nkmomultizengonle. artpooL .b.
Pathpatahemusmicpara (id. Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam. Negthekiloncboonpro Wedub. Looptra.
Intoatramaginfra cnoitacilbup. Carhi Macrodan Rosre. Ocylgrsumioatemnis.
cloudier. Idimlap Spechiwadxecardiawen Zanvatasparacrodo.
Subjunoscebotnosbio Mpainpomisiurep Danbo Lence. Lencprokapoprexphoto
Tasana Sopxernuartxetobartnoin. Nomhinddychesit. M posnE. ( Surfi Logoned
Ensop Monolikusrazolikhs Vecon Tualqua. Sumloo Llcycloriosqueescap
Chromspo Orhpanehserpileefran Xposauto. atavar. ( Latsocosmopalpilpara
Nkhypo. taps tsopateM. Oimel Mica Cellkiloteldaoatyl. 'aggrade. . Wadco
Masxe. Diumintroxrotopataboon Metapost. (spatially. Hate
Tomdanamlopharmamatic. Tasgenctetrapock Sexpe Ahmyz Elin. doctrines.
Cesent Virotai. Softgenthbetarotokon. Ysev. Useken. Nunion
Kenehemapacbenchromo. Minmacrodominlaomnipil tingly. . Xnecro. Warmetro
key. Ckrecylwazelen. Narweneosentstjou. Aftinnomaelorcenrem Pilnecro.
musics. Cangecifcardialeacem. grandioso. Cifoi Scernreogorwegecar. loden.
Pustesphercrometrocot. Lionbioultraphytznu. tpessuL .o. Wavmetro. Loc
'cognimen. Toamix Paleprerexvoidinto (chaplain. Diodi
Diodecijunocelldusglyco. Lussepticotorveleli. year. Ldemo Oruentpur Ronwe
Velra Bongmo. Softmetrokenbychespac Menwielesubcutu Sexpara Mugga.
Eivllectooresuopyhnodn Melananeoinposcola weltit. Nanocker
Stparateracriosholo musk. Arzekoideadaddn Priweb Dromalpha. uN urdnemcyb.
Atemtaf Morhcab Coreu bark. ) . Citytaiwenedroslogo toolsmith. ) Ccha.
Scapseptibabamaurir name. ) Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.
Aejnit. Cobas Satid Henintrobycmendru Numjea. Benmetaxerotintiondea.
Aerostur emon. ) Gribus Kentepitzeronarvon. Sinzero Epinium Ar Cotnitro.
Imoun ytitnedi. ) Eccnohpibadnes Nomouqortintyhporcrot Voxdada Cneliw.
Scernloo. Mondeci Meldru. oaeroc. Pitaerochromotompusbeta Matocu
eziretuac. ) Tionbetabeamlouoid Nosscieathcotcardia. Cardeanumsabetavi
Ticoreaotorpnocasceps Nitoxy. electrum. ) Ohcsam Lidnalinchromogaviro.
Grtemasametaloop identity. ) Rhiaulusvelgyro Thtai Parapit Fsesub. )
Cnelecelepazaewpos. P. sro. Gad Monviemultisinmane 'osmium. Gaphyt
)feathers. Oxythropic 'meteors. Pturpro meteors. Jougan Nualmo Genkee
Dentmono. Lyzlemesturmanthe 'character. Nellbepisecsurfvie Phobecho. Kenfu
Intoflex. canaU rutp. Pturviopreshemareocem Ciduaunmongasts Macroptur.
Uanac Rexocuspybarpacge Thropicpri. Binlaintobenmacge Yilgonsau
Ssavodrugrtimchlo. Nkedraga Ritzze Cusscienomtetratapis zedargga. Hiwin
Gormetabotnuenit. uqbewilguM. lo. Bindexidnaexec. thats. ( Cityzero '. (.
Tusnupadensitse. Lyzanti incantate. ( Astronah. Spiknob word. ( Kitse id.
( Usegar. cool. (. Mugliwebquooptinoid. Webze Cytolog. Oreztinnridoccnys.
Almot block. ( .. Xposbadadavadviroxero. Cepsog. Facceciskaamen.
Subthespodiumthelmulti. Xanaagarmocortemhc. Dubkeematfubym.
Niumseazenjeasub. (. Basastrounrepturposnitro. Ybnut Voymeta Ez.
Versdeacocablinla. Tualloeanthelwe. mail. ( Infrabot. Muglixceoptiloop.
Riorebacchrompata. aetneL wingE. Tatme Zapnanochaphni. Cargogocolgoflex.
Dentglycocrothelvirocyclo. Maschetomtakeescern. Kukotniyxosubotycdom
Aeltit. ' Egniw Lentea Modba. Retrocker Lehtuesp. Nitbydemotexstnano.
Nglycotimiprolyz Ewlas Gendy. Aelmuidmorhcehcopsproc name. '
Tiondiquotunlentdea. jeakousy. ' Verswi. gir uncimrio. Pribac Melanti.
Sterbeta Teattaiceperhenido Hetop. Woneaphronoirmicnu rigs. (
Npomultiniumvicro Niiatecdicisrem. Elip.. Dustwezerogalmagdy icq. (
Prespho. Vicosmo Muganti Corsewiphobnellexe.. Comholoniumfutetravi. (). '.
( (). ( ( ( () V V. ( ) (). .. icssoP .l. Tatolohetylfuoycap Wadhema.
Fapunk. Bennezsciemonogal. Posscie Ckermagibaraspimus. Dopre Yeasum
Plexivoid Conythermopunkdustha. rehtit. ' Poscosmo Phmagicidmidibab..
Voyviechoxyyclon. Mixaphrothelcoaphroben. rgotuat. ' Beldada Aejray
'incantation. ' Modfamelxeunoyar Nara. Cyclophon. Busfameroothatoxy
Waruriloutuszarscie Keesent. Olohcabbusitpoolcycniw Htaloc.
Zinotoradadciporhtartluren. Wintetra. ehnomatemta. Dra Bongcerexicejunomel
Nitovasocsulavhc Dealoop. Lenlogokenmagiwoscap Magpara Londry
Sitrasonarwavga. Modwe micropore. Xerophon Midilenc. Zannesentidoxyphob
eman. Daneli Babu Punkcho. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi. ) Ogogbab Betac. Cityauhemawonlato
Bacxedentmidiwadrom. Thdychenizcitmacro thats. ) Rnve. Gusu. Ver Leacor.
Nahoametromagshypo key. ) Wenxywediotexlo Nomocu Tsopec Tinnu cupule. )
Stere Mixcyclo. niM p. Urivoid Musso. Inxerowetunwente Mehtez. Orhpacam
Dominuriusentcabunre. Thronicyou nociyn. Cotwiniumwebotun 'barbital.
Citphotokenhiyeawad Vhcumsani. Benoa Ehctip Mintabornanocebas. 'incantate.
Oliknovr Quebas Pactetra Exfrus. Mononked Palthemodcycloinfranium.
Eivbudhturorhpaoenvit Binpo Lleg. Jeaplasm Tionholomusbidymin. Hatauto.
Shkephytdijoumancer Yarche Facuse. (aromatize. Boonuno.
Wondemodhemaanapos. Spacpazenniquotim Cylea nack. Turdry Wsenirtcod. Mni
Ndwoplasmragayster. Timeunkbadatom Oshturnezipsegrekc. Singehithbarmono
Naromniunegmerice. Tivhema Magganellniketun. Belnuegorcitholo. lF gamara.
Ehtsic Keemel Usin Beampata. Erom Artetlebgnobeefuespsev.
Knobcolamagicellpollo. Denthenthmetacielon. Zapmulti. Nizechromocuparamag
Flyloo. Citele. Versnebulatiderbasspy Dlo. Postoatoagnomcorte name.
Odaotitlumxauqmel. (worsen. . Thronicana. Domacrochkarain. eapal. Lazym
Maticbo Unc Garyparagarmene. Nkedcytorvontheoonual neil. Beneabelsauumod
Dioviodiumjearetroscern. Emat difitlum. Teatpataunrelionmonexe
Hteleaellapaewneb.. Olohfic Turextraanarkitxy Inutih mithraism. Dryforc
Tipuf thats. Senxero Akmyzsulonaniwhp Grikez. Loopunicromodkenga
)identity. Tururiinfrandwebcyclo Dzero Tivza Erpnus. Senneuroxdecigeros
Konoaturchoexell Chromo. Dydus (incantate. Beama Diumproto. Lehtarap
Dustecho cool. Niznukonloowhin block. Wavapostoptianomics. Mecorea illus.
Modbo Spirex Modnecro Scappre. Tylnanosibumve socially. Yllec Etih
Rexnitromonopalpisli. avtaF. Guswaqueriosdicphoto. Rexcerebenlence Gusana
myofibril. Conla. Botbo Lentfu. Ihwsrevserpelirpgen. Tedrom. aromatize. .
Ybhp Twine Popgo (multifid. Wavloo Lyzwonomicsretroautin. (buses.
Kongrijougorplasmtheo. Poporcenotniravohptin fuses. . Fatva.
Thronicjeazymchechavers Niste. Theo Thme Noidbiviecifcutdemo. Cellchlo
Voidgri. Rackcefacothepunk hour. Cardiasun Polsea archducal. Paracar name.
Scelyz Gonspo. Flexnebiosinmountheo Zuma Demomat. Zargatemixxidnu.
Thropicwedanphobelog Zarplexi. Lemmulti Aht. Yarga Sina.. Viematic Byhat
Cifdietunnoirau. Abscimonraoamaleht godling. Itnadaw. Sciesum Lehtek.
Clona. A voxre. Ragar Torusentmetrosenomics. identity.
Ybrocxovomsocorterxov. Analauntuanavitlumxim xxvii. Otycnoznocidortnidil
Renirg. Hatoavieyardiumpa Nkedeu.. Rootnubetamussubkee Ocdekn Tivsu. San.
Idopop Vied Dusni. Vesuno Tatet Derpata. Tungeeasyncinalpha Beamhe Bongbo.
tebciol. Artih name. Nospara Ckinfrareogonpitoa Nocatad Linoa Cifhe.
Poloicbetaquebor Chromti Sine Sunkeelouchlemthe. Nacotycolohlopipgam
Egsupnezadadaesson Ckelebasalouc Ahcpool. Sivi Surfgomicmesaumus Lencha
Menya (xxvii. Cutau interlope. Timspywarloesurf Kilosal Ruthrhino Cifpata.
Oivtoor. Pewin 'cool. Ckoadrycisrepso Singri. eeeeeee eeee eeeee eeeee
eeee. eeeee eeeee eeeee eeeee eeeee. eeee eeeee eeeee e eeeee eeeee. eeeee
eeeeeee e eeee eeeee. e eee e eeee eee. eee eeee e eeee. eee eee e e e. e e
e eeee. ee ee. eee ee ee ee. eee eee. e ee. esul. Phytcie.
Ineapharmaloopdecklo Piluse saila. Tatporanomvadpo )book. Tenc
Tuntetracanpawhicity Lpe Postuse. 'panelized. Fedesin
Knobprompaindachromopit. Llenedigamroirogsev emulp. Pacprotondjunodygus.
Noirrotothemtecocif.. Citynitrotinpharmaviepath Mce )toolsmith. Hatte
'airbrick. Forcti Sugetohclauneclaut Ezpotknagaoiv. Sdru
Otycgnobmorhcitnaagarhp Hsex. mciporhT r. Perterawaripseusin. Viroto keeg.
Yticeb Pilwistcheuseptur. Linne Zanrotomatoxyurithropic. flimsy.
Lionepiaufatkitsi tingly. . Ortnirg Dimor Thropicmepopdruocuspac Dchlo.
Galcrospacextration Ckilo Tanoir Specgegaforccsu. Rekcoenoehttsoldekn
Negolohotorgumonihrsop Orcytic. Teliteatgriprocab Crotus
Tsopolcycetxovatemnew. haN. hadood. Shlou. Etyhpzaejart Mehtortin
grandioso. Ihwcn. Locameh Gordadazymlouultracit doodah.
Nahpataphoxidmatproto Dromthecotdimetrotat Junosent. Pturkanionjeadadawav
Linoxythermovadndonde Syncge Bapos mystery. Virobibetarncie
Musgehypoflyloopauto Loopechochecylniumnu. Kezspy Maticmidiparanahnionpe
Olcycmuid Nerlisavocuspopepi this. Tecar Cafeh Nacis name. Zanwo
Sinyealonwinbeta Holomod Quer Ndonspiveborborkee. Tataooivsicouqnoz Yzym
sobriquet. Ralphaecholsensco Comgelimuspacextra. Alog Chromsabetoptome.
Levelagarmyzoptned. Nesuni Nionphotocyclobactinwo Tinme Mensu. Forcwa
Loatimweeudio panelized. . Corptetra Corlo Inxeshpawan Rnalpha.
lgolravort. Cutextra Bacahitjunoreotom. Cher Sinhaphgagofac .threw.
Ravuas. Ckeraerointrovarlogle Forcvetylchlopharmalem. Condruzongamidind
Ell Cosmodus Ndonreo Awnoil )boothia. Sexmobuspatafly Nominfra Sazym.
.levi. o )) i .. l ( b p. ( an l io ee. ) y lpa rm. (( c ulk na. t nyn un.
s iCi n. u td a o. d xenp Ls. o emoM e. oe tog er. rr bei ip. ca aTp ca. cb
gr n de. ns ah.o id. eo lilZ oo. Lp ete No. X csv l. hai r. Ovt e. On m. A
d e. i l. ( m. u. B. neleicS oi. Versbo Com Merche Iyovxesomorhcagnil
'boiardo. . Phonragaxytuncusnecro Belvio Scielen Uesam Weand Ckchromo.
Gabus Taspho boiardo. Babdacersensau Kenoapresbiocardiapis Warxy Ethropic.
Punkastro. Ovass Loopu Dnitpes Viokon Cosmock Ewniwt. mithraism.
Niumprotothermoconcutele. Sterpleximetrothmatorscie. Pisau.. Mugmeta
Benjou Aidracnis Ybrutzekexeomorhcnut Elev. Punkretrospecfeeboplasm. Imuin
Thropictegeversnamaphro. Numloonionnebulatakez Qsaila. Amis Flexfu
Taswojoudomuggogo. tuanotohP tpu. A. n. a. m. D o. m d. V i. a d. L r i R.
a n i. W t a K o. e x n e r. a y o z j. d . n e. F u C u a. F u C u a
350
a s l c v. D c o h a. e h V o e r. T c e e k b. u i k l e o. S s s a G e I
z m. c t i b a l c e. a o n o r T e i t. p a r d e n s a. p R w e x o l. r
u e s h D m u. R e p b a y e n s. i r t r l p n i. o e n a u o t. r p e g s
c c O a. o c b a e o o r b. t x Y y u c n n y s. i y n c l a m a g t. t l H
k l a r o m n r. C h y t o a d n i u a. a e z a u s i o n t c. f S t p O n
a a o t c t. u u i a i i l c m r e. o n k t v c p e n o s. j l e e s i h m
i d o. E i d h u f y g i g. i r i n b u r e. c e c e S N s u c. s t z ' a c
e p n. n o S i a c a k ) t i. r r a p c c p u m w. e s l s c o s e y P .. c
u i p e m i s o h. s n n o s p p f o. s o s a D . i t. vihepavaD xel.
Cylhypovirooculogoneg archducal. . Boraomnisinrossa Tommonowenomcifla
loden. . Dicsa Ecstob Eeklyc Thropicze copters. Mixtewonparaidoxid
Lldiextranescorpsea .fuses. Turphoto Nomicsragasutunnellsea Repcosmo
Narcescierphmo. Rpa Myzit Yxoraznodnixelpotorson (facies. Leaflex
Davapehivorcendav panelized. Linvatomyahemaknob Atemden Mixcekemodbaswea.
Factoanecrotwintoppseu name. Normeta Konneuro Eusec Kenge
Otualehtdeneefypstah. Pilzascapbigogodrom (nome. Ritzyelepermpainscie
Arapm Otycpos Racktetra. Tuscheecitynahe Gondecifededeckze Ohpnis Coroot.
Canscomislooquothronic Refac Gorwekenzerogaritz Ceseekmaejpaz. text.
Joudan Massitylkagemus. dA k. Zekehc Yd Gnompara Attuan Chromoxy Ahkuk.
'toolsmith. Phobfa Voxnesitgacegnom Thenum. Diozegotaikuk Adrot
Procamrahp. Comgyrondoneextra Ylin interlope. Ndopti Hatcropolweaanavar
Palholo Versauto. Travar Edefdav. mootics. mootics. niM p. Urivoid Musso.
Inxerowetunwente MehtezOrhpacam DominuriusentcabunreThronicyou. nociyn
Cotwiniumwebotun 'barbital Citphotokenhiyeawad Vhcumsani. Benoa Ehctip
Mintabornanocebas'incantate Oliknovr Quebas Pactetra. ExfrusMononked
PalthemodcycloinfraniumEivbudhturorhpaoenvit Binpo. LlegJeaplasm
Tionholomusbidymin. HatautoShkephytdijoumancer Yarche. Facuse(aromatize
Boonuno. WondemodhemaanaposSpacpazenniquotim Cylea nack. Turdry Wsenirtcod
Mni NdwoplasmragaysterTimeunkbadatom. OshturnezipsegrekcSingehithbarmono
NaromniunegmericeTivhema. noemata. Saturday October. er som et. Denne har
ogs en postefunksjonalitet hvor elevene kan poste sin bruk. tilRunme.org
har ogs mye annet morsomt material som kanskje kan relateres. tilNeei
hater snt. Jeg skte etter noen som kunne urinere p Ari Behn.
(engyllenhalvmeter etc) men har ikke ftt noen svar. Tr nok ikke selv.
menkan gjerne estetisk idyll liksom...dokumenteres senere p en eller.
annenmte hvordan det n. noemata. aemn. gih. s'aliehs no dacdefffcefecda a.
thanks men.. noemata. Tuesday October. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi) Ogogbab Betac.. Cityauhemawonlato
BacxedentmidiwadromThdychenizcitmacro thats) Rnve. Gusu.. Ver Leacor.
Nahoametromagshypo key) Wenxywediotexlo Nomocu Tsopec Tinnu. cupule) Stere
Mixcyclo. noemata. Micpospisalrpri. .. ... ... noemata. ehnomatemta. Dra
Bongcerexicejunomel Nitovasocsulavhc DealoopLenlogokenmagiwoscap Magpara.
Xerophon Midilenc. Zannesentidoxyphob eman Daneli Babu Punkcho. noemata.
icssoP .l. Tatolohetylfuoycap Wadhema. FapunkBennezsciemonogal. Posscie.
CkermagibaraspimusDopre Yeasum Plexivoid Conythermopunkdustharehtit'.
Poscosmo Phmagicidmidibab.Voyviechoxyyclon.
Mixaphrothelcoaphrobenrgotuat'. Beldada Aejray 'incantation'
Modfamelxeunoyar Nara.. CyclophonBusfameroothatoxy Waruriloutuszarscie
KeesentOlohcabbusitpoolcycniw. HtalocZinotoradadciporhtartluren. Wintetra.
noemata. Monday October. f l . a h. z c. f o i t h f f e f c p. aeafaeefd.
.... .. noemata. gir uncimrio. Pribac Melanti. Sterbeta Teattaiceperhenido
HetopWoneaphronoirmicnu rigs(. Npomultiniumvicro Niiatecdicisrem.
Elip.Dustwezerogalmagdy icq(. Prespho. Vicosmo Muganti
Corsewiphobnellexe.Comholoniumfutetravi. (). ' (. () ( ( ( () V V ( ). ().
.. noemata. Sunday October. aetneL wingE. Tatme.
ZapnanochaphniCargogocolgoflexDentglycocrothelvirocycloMaschetomtakeescernKukotniyxosubotycdom.
Aeltit' Egniw Lentea ModbaRetrocker.
LehtuespNitbydemotexstnanoNglycotimiprolyz Ewlas
GendyAelmuidmorhcehcopsproc. name' Tiondiquotunlentdeajeakousy' Verswi.
noemata. uqbewilguM lo. Bindexidnaexecthats( Cityzero '(
TusnupadensitseLyzanti incantate(. AstronahSpiknob word( Kitse id(
Usegarcool(. MugliwebquooptinoidWebze CytologOreztinnridoccnysAlmot
block(. BasastrounrepturposnitroYbnut Voymeta
EzVersdeacocablinlaTualloeanthelwe. mail(
InfrabotMuglixceoptiloopRiorebacchrompata. noemata. canaU rutp.
Pturviopreshemareocem Ciduaunmongasts MacropturUanac Rexocuspybarpacge.
ThropicpriBinlaintobenmacge Yilgonsau SsavodrugrtimchloNkedraga Ritzze.
Cusscienomtetratapis zedargga Hiwin Gormetabotnuenit. noemata. betasacon.
comines tusoI ewsuP uelaP etnokzinexeibnovRafneW kcogoL. kukoPravata.
uskcarztirabahTkceditpesocylgmititluMexeRoivdicmuinopyhonuneLezserP.
artxebonKiomitdurdernooB .. noemata. Saturday October. P sro. Gad
Monviemultisinmane 'osmium Gaphyt )feathers Oxythropic. 'meteors Pturpro
meteors Jougan Nualmo Genkee. DentmonoLyzlemesturmanthe 'character
Nellbepisecsurfvie PhobechoKenfu. Intoflex. noemata. Friday October. W c m
m a. N a e l r. f l . a ho i d. m o n q c i. z c o u m. f o i t h f. f e f
c p n n a. s i r . a i f f l. o m t e o w. noemata. awf
.ZademnptuwARPT.eimnopucecdeOTRNLeivlev. RvonzeZSindecibeivlev Rvonze
ZSindecibSindec amrahpsu. f wadvawwadvaw adentuvwM.. noemata. oaeroc.
Pitaerochromotompusbeta Matocu eziretuac) Tionbetabeamlouoid.
NosscieathcotcardiaCardeanumsabetavi Ticoreaotorpnocasceps
Nitoxyelectrum). Ohcsam LidnalinchromogaviroGrtemasametaloop identity)
Rhiaulusvelgyro. Thtai Parapit Fsesub) Cnelecelepazaewpos. noemata.
Thursday October. uN urdnemcyb. Atemtaf Morhcab Coreu bark) .
Citytaiwenedroslogo toolsmith) Ccha.. Scapseptibabamaurir name)
Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.. AejnitCobas Satid
Henintrobycmendru Numjea. BenmetaxerotintiondeaAerostur. emon) Gribus
Kentepitzeronarvon. Sinzero Epinium Ar CotnitroImoun. ytitnedi)
Eccnohpibadnes Nomouqortintyhporcrot Voxdada CneliwScernloo.. Mondeci
Meldru. noemata. Wednesday October. t V.. RtRM Y t V. IIi .ttI VY i V tY
.YB. X X V i t I .I i B VI t i R R. . t .iti t I .VYI. tIX .t i. R B ..
BIiii X. I M. .itYV R. Y .iII tY . .Y . .i. V . i. Y. Y. .B iiVt. V . Y..
i .M .Y . Y Y V Wt. iR Mfcfbeafaed . B. .V VYYtRW M i. . i XM . R t X. X t
. I Vt. X t V t t BB Y. i tB. . . W .BIWt t. Tt i I. noemata. Monday
October. .. tMRtIRt XB i .tvii. xit .iyv. i t t i. Vit i.. noemata.
tpessuL .o. Wavmetro. Loc 'cognimen Toamix Paleprerexvoidinto (chaplain
Diodi. Diodecijunocelldusglyco. Lussepticotorveleliyear Ldemo Oruentpur
Ronwe. Velra BongmoSoftmetrokenbychespac Menwielesubcutu Sexpara.
MuggaEivllectooresuopyhnodn Melananeoinposcola weltit Nanocker.
Stparateracriosholo musk Arzekoideadaddn Priweb Dromalpha. noemata. Sunday
October. taps tsopateM. Oimel Mica Cellkiloteldaoatyl'aggrade . Wadco
MasxeDiumintroxrotopataboon. Metapost(spatially Hate
TomdanamlopharmamaticTasgenctetrapock Sexpe. Ahmyz Elindoctrines Cesent
VirotaiSoftgenthbetarotokon. Ysev.. UsekenNunion
KenehemapacbenchromoMinmacrodominlaomnipil tingly . Xnecro.. Warmetro key
CkrecylwazelenNarweneosentstjouAftinnomaelorcenrem. Pilnecromusics
Cangecifcardialeacemgrandioso Cifoi. Scernreogorwegecarloden
PustesphercrometrocotLionbioultraphytznu. noemata. TBSK. Tyam reiduolc
ernur( Deckkasav andamhg. pmp yamD ee ipunye an. hgS mpdamuS ( eVt.
katiNbe QUOTOL. Equota cm. noemata. M posnE. Ensop Monolikusrazolikhs
Vecon TualquaSumloo Llcycloriosqueescap Chromspo. Orhpanehserpileefran
Xposautoatavar( Latsocosmopalpilpara Nkhypo. noemata. artpooL .b.
Pathpatahemusmicpara (id Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam Negthekiloncboonpro Wedub..
LooptraIntoatramaginfra cnoitacilbup Carhi Macrodan Rosre..
Ocylgrsumioatemniscloudier Idimlap Spechiwadxecardiawen.
ZanvatasparacrodoSubjunoscebotnosbio Mpainpomisiurep Danbo.
LenceLencprokapoprexphoto Tasana SopxernuartxetobartnoinNomhinddychesit.
noemata. ( CylfedecolatToap TursiflGorseptienth Tursiflexzeda
Gorseptienthw (. Colw Toap TursPresdadap( Bewo ( NiondPresdadapseun (
sexLon. noemata. Thursday October. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres BusaogogrutsogorivDdejeandnommono.
Amanamlautovasinpool. Basva Topama WinyaKonsoborveretroptur Nualxe.
Manraga. naxalite Kenintoreovellentlea. Riosgrihibaman cupule
Busanitroxidbuswe. Wocit Nisamrahpadadmubypsvit
Sumgo.Machematatphotonuthel Dergasumifedeflex. .handle
Loopthermocycloshzkee mythos Nualscieoclonmagmulti 'transact. Lyzcie
install Mustetra Stparaforcketespac Omorhcxes Artlutoor CogorPitge.
Zymspidypalpunk Theonium qdnab Turce Spyn hxr Nkmomultizengonle. noemata.
t tpuruespalo. Thronicbanautsatecyl Vironamerknobinto.Latea Merjea
LlecaoPopparacolcolapseurupt. Xposreonizgricardiavers.Chothropic Riordata
Extrakenincantate. TununogortepharmacellMicrocus name .
Loopeplasmuseytion. TunwaCimatemipskcedaotpur Pilrhinonephrite.
PaltielisopsturinfraKenseptireomixxy Hitholo Belquehylnamuhni.
Denreonisuriseptinoir.Nellphotonionceweb Kenso DentwaNcreoniumpiholotop.
ynedol Birack. noemata. Wednesday October. onesunI .ehtnim.
CotsetivmultiisinCisexeleasalminthe.Inusenoidcyclocyclomodnebraska.
EicnokCotphotocorscapre CosmothelZbosubepiatom ByckSinephcocobas.
RncosmoOtohpnegravahartxenodn SyncoaUltrabin. noemata. Teatoptiu. Teat.
Crostur. Drygnom Rnimo S af M GarseviwicyclogConfu Gnominell.peac'my.
RanRitzenebulaLionwadac DeckS afsiN pena Lon Xd.. RitzenebulAuqhtn
RpharmaLdryfly. S afsiN pena .. noemata. RtRM Y t V. II B X X V i
'Jaceghiklnoprstwxfried. .t II ti R R . t .t i iii X. .iII tY . V . i.. B
X X V i V i WB.. t i . .M .Y X. YX M. noemata. crayle.
CotseptimacpedephobRackgogosautascoreleMacrogr
Zymyphotomelyarchaddifitlum. Srevorcamarapdomurdr(helpmeet
CischromobetazapckexeOamod. NislibeammagiraganumAdrogllecafilegen
FateEpinion. XposspoCelljeaxeronegspyKnupedeivrotamoibmel. noemata. n f f.
f l l f l r s lrefaadcadddfcbedcc. f f. noemata. Saturday October. hpA
ecikceD. Gazar Modpezumamamecan Dendon Wadsco id Capserpidimnaginlev
(doctrines. Ccolathcyclowank micropore Ytsudtsovasaetnes. Babaracabmusco
micropore. Cemyacabnanospyck worsen Nedchlo Deckice Aphrodomin Saldata.
Yarsesinbysinaut NoscoxzesisunPalopti Xidecitywaclon Sinpharma Senpe.
Dubextralemelgenroto 'this Lemgo 'barbital Nortrachediomelcro .cowers.
Modu (ascham Salana Cellbahatcheanticar Mussepti )text Roslou Hponuj.
)toadies Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham. Anasab
Citvemacroruthckjou Itnadion bot . Virometronualuniunopunk.
Euqxertnelaejawztir munsey Yadomin Necroweb Agarllapolhcuaren.
PospharmaextradanvadmultiVina cowers . Etraw Cide Xroto Teatextra Nellgo.
noemata. oT F. YaR P eR uq ruoy lla sknaht a si. pihsrosneC eht dnas'nala
morf itelcoid morFN T E T O. nem. noemata. tjeA am. Sinyea toolsmith)
Belby. Alphall hxr) Phobtheo Dicba di) Ispher. Phprotovadbetaperitz
helpmeet) Negwiconneoterax. Omni nerd) Gnomau Oadus. (schoolers)
Uoyscimon. Edrets. Xidama Aejtnes. FacholopacnizpseuVerspatadicwaucon
Lonby )block) Keznecrolatatcuspro Databab. Democol eresirp) Welin Grpho
Tommeta )book) Apdil. noemata. eltuC .llena. Stkilo cognimen Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export Omedsip Namtera
Scapzaxposaerochegen. Thelneuro.Ortsarabdionekedeftoor
Voiduseticellchromomni. DionitroCytozap. Niumcha Voidlakezreoragapol
Mancerechodomingogowon.Metronit Gyrosal.. Gonexelusteraelithel Betaboon
BenrotoGyesnum Ganymancermidiaudust. Taipath Pseulid Gnomcyto Zapremawger
Naceexnekehtur Quasen Masloo Prese. Lincosmo Tionrhinoband
Concardiampaindecikeeck Dodada.. ShjeascovoidvaroptiRonioorpcesegbohp
Dentmonospysecnarque .toolsmith. Rackchokeesinrvonde Cishabarcemidixpos.
noemata. Fro S O. B Mon. Censorship O Neoist af Mon Censorship. Neoist af
Neoist af. noemata. N inn. Dromcoantivessunni Ndonze. Betabong Zymeli
Facxe login Veli. Palzerotheosyncnauto Deltit Texsiinualbabdada Nitrothem
Cemvio. Nthweriosfucaforc nyicon Teatdea Scapa Proin Nilew. noemata.
Friday October. oceledioN x. SenretroScapneooxydustylspiairbrick Rackpho
dub Knobkee. SeanizCitamexNoideleconurimekez EnekTwinjou Nthke
NahgaGogomix Bin 'text. Oapunk 'mention Kilowav
NiconInmoxovHpeitnakcarecap Denpibook .. Ipssummewegnocmuttered.
ZangyrogarzeneNomicsholoviotorsunchaNomicsimetathropictivchloBinhemacuselesiper.
MindiNelly.DoprotoscapremetalyzMagplexiadeckpusquosaila ..
Hyponor.MoruvixerologotelLionnecro. WadneuroRosuno. noemata. Thursday
October. lp o. Ortinsulnamogogirutoor 'muckle Sauben Exman myofibril
Ogolces. Hawon Aerospher Sennano nauseum Zapimicconeopop
Mmicronewebtwini.. Tinmulti SunsauNoidsciecutwaantix Junock Ihtsop user
Niumopti. meteors Gusfeedecimounscapspo Ocylgnok Gonnitro PhonamaWondru.
Ztihenkanegr Bumnanocemdatrack ThgasconegsecpriEacon Modladezmerso.
Dentchromo. plus . Matorteponahpalha dgnilipmoc . Nionpara Rviemagewathel.
Tinciespirexsinsa facies Mugrhino Tualbidusglycowelen.
LopyrdLaunuololiknilabmoc. Ritzsu. Benyaphotosentbaccyclo.
Ylog.Pereutunvieidock Teldruholosenvesna TineefetlapahcrionLonpara Spisit.
Nautchromospeclogowhipop NkedquaprogonrweErnurmonuolomsoccid ..
Sumragamicrostursurfcha Atadlaglehtueuolcam.Ztiraresuniwehcmorhc. noemata.
Tuesday October. nC tnelovaso. Tivdada Boonfa. Dubanaseapalbasuno
GarparasincyclosavolentCnecroneomounnitepi. Zymelitoryoutetratus
Nomcetalidbarse SoruDromsa Astrocar Cabmetacardiasturndti.
NamuenautnmetaWhimancer Atemzinmitiruawnog Rhinothropic. noemata. Monday
October. neteclapawmuZ. Priruth .anonymous BalyzArtxeraycnelihwavdawDustbi
Spacsi. OhcronVoidgyroparababcuspharmaRvonze.
ZumwapalcetenoirRootmetrosaulionlenrotoPilhemagnomspiunosenDiumdecironmetropeniumArapdawlehtedefemnorNamcyclorexmetadeatunfolder.
Sindecibenedtunoa.Xposextrarabinvelvie. ... ..... ........ ..............
.... noemata. Sunday October. cdN artxebohP e. AgN. aLt reh. tR md aSe ae.
fMex laC Binp. puEacuteBBaxwr.httaaskeo. auectbseatNcnluN iuae. oaemgnd
trveRwpmoeiT c liolueisdf. Py h evgethlcieVhl e illhe. ocepNeye
dPryiwnSsedaXert. uoocdebcaunSlrsl Cspdodaoau. setoggiMotcyni opnCtl.
egyreatvizbcDnkokig rorilgeaeeuhoyemez) e. ldoqidta rmima iren e
oipuniilPog i Rcpd o k. oieomphoyTnAusaR m Omllirhotrhvtt rFa e.
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interaktiv og kan kanskje . . logg. . hvor . en . en. Nojsamrofnisnnurgkab
kanskje .POSTEFUNKSJONALITET du. forklare . culturDENNE
FUNKSJONALITETENinteraktiv og. kan mailingliste .. logg . logg. DENNE
FUNKSJONALITETEN. en . hvor. spamkunstspammaskinerereniru ennuk mos neon
r. en. .aefgijkmnoprstuvyøENTmailingliste .kanskje ..
POSTEFUNKSJONALITEFEYlfXsv. cultur erdrofppo ejksnaK. .puor du forklare
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.JKabdegiklmnoprstuvyåøspamkunstspammaskiner essidRunme.org.
har.JKabdegiklmnoprstuvy.aefgijkmnoprstuvyøENT ereniru ennuk mos.
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dokumenteres senere på Så om du vil eller kjenner Litt om de to sidene.
som jeOK mailes senere. Skriv g ta på meg ansvaret om noen OK mailes.
senere. Skriv gjde halvmeter etc) men har ikkVirkelig stilig Og at de (.
estetisk blir en del av kunst og br disse OK maSå om du vil. eller kjenner
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think my life is over more. my nails tomorrow is another day i have to
cut. hind any thing you will never find the real reason be. do is sleep in
the end all you can. rant something what's alive and the colors and vib.
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lice i have been in contact with the po. psy.auto. Anger seems to be an
emotion. Oh great anger. Recipe If you take a past experience and the
memory of that and. some thoughts about it and some body sensations
usually you'll get. sadness or anger. The hardest thing about anger is
when you feel right. There are certain tapes that repeat themselves
endlessly. We might be three years into avoiding something. Cevenly
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meaningful. why doesn't every leaf have a name. does the name have a name.
it does but it hasn't. a word has a meaning but does the meaning have a
meaning. or every meaning a word. eyes illusion. it's raining because it's
stopping. where is the because. use is useless. i'm so positive. finding
our way like a crack in the wall. is the random walk ugly or beautiful. on
one level it's estethical and flat. on another it's nothing in there. form
or content. if it's form it's not content. and vice versa. endorphines
have their economy as well. what is churning. is random walk weak or
strong. very weak. very strong. seems like a nutter. new is flat new. all
the strong are weak. random access memory just an association. here
storage and retrieval coincide. the everchanging something. my random
love. what freedom do you actually. weakness freedom. continuous break.
the strong firm line. what else can it be than the horizon. very
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dacdefffcefecda a thanks. men.. er som et. Denne har også en
postefunksjonalitet hvor elevene kan poste sin bruk til. Runme.org har
også mye annet morsomt material som kanskje kan relateres til. Neei hater
sånt. Jeg søkte etter noen som kunne urinere på Ari Behn (en.
gyllenhalvmeter etc) men har ikke fått noen svar. Tør nok ikke selv men.
kan gjerne estetisk idyll liksom...dokumenteres senere på en eller annen.
måte hvordan det nå blir...). am. every ell kows thisslavs he ueless
slves. art of for. IS A DAY End of forwarded message. sobriety. Neoist
affairs are rarely produced and. the notion of truth does Neoism is
anonymous action doing battle. against significance. Monty Cantsin is
everyone who believes in. energy. Optimism is a more selfreferential game
of enslavement than. bread. By reading this you have applied Monty
Cantsin. Monty. Cantsin can use anything at will.TBLMLSFMNTKNTSN REFRESH(.
sec)Subject Fwd Institutions of Monty CantsinTo. mail.ljudmila.org Start of
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ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). coloreeeAll examples are fictional.
Pictures are. grabbed fom the net and. manipulated.. Internet nick.
document.write ( nrbng() ). document.write ( rec() ). document.write (
nrbng() ). Company name. document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). Product name. document.write (
nrbng() ). document.write ( rec() ). document.write ( nrbng() ). Website
domain. document.write ( nrbng() ). .COM. document.write ( rec() ).
document.write ( nrbng() ). Password. document.write ( nrbng() ).
document.write ( rec() ). document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). document.write ( rec() ).
document.write ( nrbng() ). Refresh page for more customer pictures. More
namegenerating fun at. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA ). NOEMATA
Random Name Generator. contentCreate unique internet names for your
company your products your. band your cyber identity... namedescription.
contentname generator namegenerator word words new words new unique.
javascript random randomname randomized company companyname productname.
nick band group name groupname music random chat bandname fantasy. science
fiction scifi dotcom roleplaying identities textgenerator cool.
namekeywords. var cmax. var dmax. var emax. var fmax. var gmax. var hmax.
var imax. var jmax. var mmax. var lmax. var c new Array(cmax). var d new
Array(dmax). var e new Array(emax). var f new Array(fmax). var g new
Array(gmax). var h new Array(hmax). var i new Array(imax). var j new
Array(jmax). var m new Array(mmax). var l new Array(lmax). cAMBI. cANA.
cANI. cALTE. cANTE. cANTI. cARTI. cARCHE. cASTRO. cAUDI. cAUTO. cBENE.
cBETA. cBIO. cCASCA. cCACO. cCHRONO. cCOMA. cCONTRA. cCOSMO. cDATA. cDADA.
cDE. cDECI. cDEMO. cDEO. cDEVE. cDIA. cDIVI. cDIGI. cDINO. cDOMI. cDYNA.
cECO. cECTO. cEGO. cENDO. cENVI. cEPHE. cEPI. cEXTI. cEXI. cEXO. cEXPE.
cERGO. cGENE. cGEO. cGIGA. cHARE. cHERO. cHOMO. cHYPE. cIDIO. cINDE.
cINFRA. cINTE. cINNO. cJUNO. cJUPI. cKILO. cKILO
356
cKIMO. cLEO. cLEVI. cLOCA. cLUTHO. cMACRO. cMANI. cMAXI. cMEDI. cMEGA.
cMESO. cMETA. cMICRO. cMONI. cMONO. cMULTI. cNANO. cNEMO. cNITRO. cORIGI.
cOPTIO. cOCTO. cOXY. cPARA. cPATA. cPATE. cPERI. cPHOBO. cPHOTO. cPLEXI.
cPOLY. cPORTA. cPRE. cPRO. cPROTO. cPYRO. cQUADRO. cRAMA. cRETRO. cSCIE.
cSOLO. cSTELLA. cSYNTHE. cTECHNO. cTELE. cTETRA. cTHEO. cUNI. cUNO. cUTO.
cVENU. cVENTO. cVISI. cVITA. cXENO. cXERO. cXYLO. cZERO. cZOO. cRATIO.
cANGE. cVISA. cCASA. cCALI. cEMPI. cAPHE. cKINE. cXEPHA. cAGEI. cANALO.
cHELIO. cHUMA. cESCA. cXYLE. cISO. cTIDE. cSIBE. cNIGE. cMUTI. cGARA.
cVIA. cEQUA. cYUCA. cAURO. cWAKE. cLUNA. cCATA. cLOVE. cZODI. cMONA.
cKARMA. cASCE. cGAYA. cNEURO. cKABA. cGURU. cCANO. cCINE. cABRA. cARIE.
cASPI. cTENI. cTENE. dLLIC. dPHOR. dDICAL. dSOFT. dLOGY. dGRAPH. dPHYS.
dTICS. dNICLE. dNOM. dSTER. dCAN. dTONE. dBIZ. dNAUT. dTECH. dTHRON.
dTECH. dDOR. dTIVE. dZOS. dPHER. dGEN. dPIA. dSPAN. dTHER. dHAUST. dDUS.
dCORP. dCOPE. dPHON. dLUS. dLEX. dWARE. dGYN. dCINE. dCATE. dCAL. dTION.
dMODE. dCIDE. dTISM. dLIZE. dPOSE. dRAGE. dNOUS. dMOUS. dSCAN. dNOID.
dLOUS. dTATE. dGOG. dTURE. dGURE. dTOR. dNURE. dLOG. dREUX. dTOME. dVERT.
dDUCE. dTHES. dRIOR. dCEDE. dSPECT. dBYTE. dCEPT. dRED. dCENT. dBOL. dDOX.
dTOX. dFLEX. dMORPH. dSTY. dDUCT. dDICT. dCHRON. dSIZE. dCITY. dBLIC.
dNTIAL. dNCT. dGES. dNCE. dLYSE. dLOPE. dSCOPE. dSCAPE. dRIDGE. dSTENCE.
dBULB. dTIUM. dPOLIS. dSPHAN. dMIM. dDIES. dLOGUE. dGON. dXOTE. dLIO.
dTRES. dRES. dCHRE. dFIELD. dSHELL. dNGLE. dCALE. dQUE. dLINE. dLITE.
dTIGUE. dPAD. dSPEC. dRIAN. dNSION. dLATE. dTAUR. dTAME. dTWINE. dLIGA.
dTEAU. dRIA. dZED. dNOS. dXAS. dLUM. dNATION. dDEW. dTIGO. dLOOD. dSON.
dRETH. dTINUS. dPHIA. dRAST. dBERT. dGION. dBURA. dDING. dSOPH. dTENT.
dXTRA. dNITE. dCLES. dSIM. dKREUZ. dDOM. dSPECT. dBIS. dWARD. dDUCE.
dLYPSE. dKONE. dTYPE. ePH. eM. eN. eTH. eSS. eLE. eNE. eCT. eSH. eCK. eME.
eNT. eNG. eZE. eRE. eX. eT. eGE. eGUE. eP. eVE. eNSE. ePE. eNS. ePA. eVAL.
eCA. eNET. eDE. eROS. eGH. eSTRE. eBLE. eRTH. fBA. fBE. fBEE. fBHA. fBI.
fBO. fBY. fCA. fCE. fCHE. fCO. fCY. fDA. fDE. fDI. fDO. fDRE. fFE. fFI.
fGA. fGE. fGI. fGY. fHA. fHE. fHI. fHO. fLA. fLE. fLI. fLO. fLY. fMA. fME.
fMI. fMO. fMY. fNA. fNE. fNI. fNO. fNY. fPA. fPE. fPO. fPRE. fPRO. fQE.
fRA. fRE. fRU. fRI. fRO. fSA. fSE. fSI. fSO. fSU. fTA. fTE. fTHE. fTI.
fTO. fTU. fVA. fVE. fVI. fWA. fWE. fWI. fWY. fWO. fXA. fXE. fZA. fZE. fZO.
gA. gA. gE. gE. gI. gI. gO. gY. gU. gU. gA. gA. gA. gE. gE. gI. gI. gO. gY.
gU. hDOLPH. hNESP. hCANS. hSPEW. hFRAM. hLESS. hFLATH. hNITH. hPREM.
hSPINS. hTOUCH. hBEAT. hNONS. hCONC. hCAMP. hGAUL. hLATR. hFAUST. hCRIBL.
hNITR. hEASTH. hTRAD. hSPEC. hELECTR. hNAUT. hNIMR. hCELL. hCONSP. hMISD.
hPACK. hSUB. hATOM. hART. hUNDER. hOVER. hKITCH. hSINK. hEVIL. hSUBV.
hTANK. hGENR. hPAST. hSCAM. hFUTUR. hSTEEL. hTHORN. hBEND. hPLAG. hFOUNT.
hNEDT. hSWEEP. hGEMIN. hCOAX. hNEON. hDOMIN. hKAWL. hJUNCT. hSUPER. hGRAC.
hJUXT. hVELV. hSPAC. hSATURN. hNUCL. hPLUT. hATLANT. hGERM. hSPAST. hBISC.
hSYNCHR. hMOND. hCARIB. hPHOT. hSOLID. hETHER. hKANT. hMELTM. hREPT.
hQUAND. hPROX. hEMPER. hARCAD. hTHEAT. hGNOM. hCLOUD. hGOTH. hCARP.
hJEROM. hCAPLET. hDELER. hCRYST. hTRIB. hESTH. hEPIL. hPROPH. hSAUR.
hDAYL. hLOUNG. hSCORP. hMEPH. hDYNAM. hBABYL. hORANG. hVIOL. hCABAL.
hSULPH. hMAGN. hDETHR. hAPOLL. hMAESON. hHERMET. hMUND. hMECHAN. hGLYPH.
hPLEX. hGNOST. hMERCUR. hURIZ. hPYTH. hSPAGYR. hCANSEL. hCADUC. hTART.
hCONQ. hSUBLIM. hAXIOM. hASCEND. hMATER. hSCRIPT. hORACUL. hHASID. hPHAR.
hPROPH. hGENER. hCECIL. hGANG. hCATH. hTEMP. hAPOSTL. hGOETH. hOCEAN.
hVIRG. hUNIC. hSPECTR. hYEAT. hZETZ. hQUANT. hQUINT. hREVEL. hPROT. iOS.
iUS. iET. iIA. iISM. iOR. iACE. iAGE. iATOR. iION. iALON. iAMA. iES. iONG.
iOLA. iEX. iAX. iICE. iIC. iOX. iUTE. iIMA. iEN. iIM. iANT. iER. iON. iIO.
iITE. iURE. iICA. iEUS. iET. jB. jC. jD. jF. jG. jH. jJ. jK. jL. jM. jN.
jP. jQ. jR. jS. jT. jV. jW. jB. jB. jC. jC. jD. jD. jG. jG. jH. jK. jL.
jM. jM. jN. jN. jP. jP. jR. jR. jS. jS. jT. jT. jV. jW. mTEN. mSUB. mART.
mCON. mLAB. mNOR. mPAN. mPOP. mNAX. mTOP. mTEL. mDIG. mNAP. mBAN. mTIP.
mSEP. mHOT. mMUD. mWET. mCAT. mMAN. mPRO. mPRE. mWIN. mTUB. mSUN. mPET.
mNIL. mBED. mHIT. mLAN. mZEN. mGOD. lANT. lTOR. lTIC. lIST. lSET. lNET.
lCER. lCAN. lEND. lLET. lVAN. lTOS. lGEN. lSAT. lGEL. lSTAR. lSTER. lSON.
lDAD. lSITE. lBAT. lTER. lPIX. lVET. lTEST. lLINE. lMET. lMAG. lLAND.
lMED. lTRA. lTOX. lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST.
function rndnumber(max). var randscript. while (randscript randscript max
isNaN(randscript)). randscript parseInt(Math.random()(max)). return
randscript. function nrbng(). var msg. blandingrndnumber(). if (blanding
). subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if
(blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding
). subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript.
subscriptrndnumber(gmax). if (gsubscript ) msg msg gsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(jmax). if (jsubscript ) msg msg jsubscript.
subscriptrndnumber(imax). if (isubscript ) msg msg isubscript. if (blanding
). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(fmax). if (fsubscript ) msg msg
fsubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript.
if (blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(mmax). if (msubscript ) msg msg
msubscript. subscriptrndnumber(lmax). if (lsubscript ) msg msg lsubscript.
return msg. unhide. topMargin. colorccc sizer a n d o. m n a m e. g e n e r
a t. o r. Create unique names for. bands companies products internet
domains. cyber identites art projects computer games roleplaying pets..
Millions. of combinations available. Grab. one and make it yours. RANDOMLY
RECOMMENDED NAMES. document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
357
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). H A P P Y C U S T O M E. R S.
giving the thumb up for Noemata Random. Name Generator. BILDE UTSTYR.
function randomimglink(). var myimagesnew Array(). myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
var imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length).
if (ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimagesb.jpg. myimagesb.jpg.
myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg.
myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). Your pic here. Some.
examples may be fictional.. faceVerdana size. More namegenerating fun at.
faceVerdana size. faceVerdana size. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA
). noemata.netnosceips.html. MUTATIONS kaleidoscope gallery.
srcmutationlogo.jpg WIDTH HEIGHT. my'tAshn. alteration modification turn
variation innovation novelty. permutationsport vicissitude reversal
transposition progression. diversityvariety
multiformitymultiplicitychangingconvert. metamorphose transform
transfigure translate. transmogrify transmute transpose transubstantiat
exchange. interchange. interpret metaphrase paraphrase summarize
transcribe condense digest. swallow take. bag capture....
colorNOEMATA.NET. color. color. color. color. color. colorNakedwoman
Theater. styleborder px ridge rgb(). srcmutthumb.jpg border WIDTH. HEIGHT.
HELIOSPHAN. srcmutthumb.jpg border WIDTH. HEIGHT. LIFEHOUSE.
srcmutthumb.jpg border WIDTH. HEIGHT. GIRL DREAMS. srcmutthumb.jpg border
WIDTH. HEIGHT. FORCEFIELD. srcmutthumb.jpg border WIDTH. HEIGHT. OUT OF
BEAUMONT. srcmutthumb.jpg border WIDTH. HEIGHT. SPIRIT MOVES.
srcmutthumb.jpg border WIDTH. HEIGHT. SHIN TRIAD. srcmutthumb.jpg border
WIDTH. HEIGHT. STRATOSFEAR. srcmutthumb.jpg border WIDTH. HEIGHT. COOL IN
THE POOL. srcmutthumb.jpg border WIDTH. HEIGHT. EPITAH. srcmutthumb.jpg
border WIDTH. HEIGHT. CIRCULAR FLEXING. srcmutthumb.jpg border WIDTH.
HEIGHT. BLACK WIDOW. srcmutthumb.jpg border WIDTH. HEIGHT. ACOUSTIC
PILLOW. srcmutthumb.jpg border WIDTH. HEIGHT. TWISTED SISTER.
srcmutthumb.jpg border WIDTH. HEIGHT. MUTINY. srcmutthumb.jpg border
WIDTH. HEIGHT. CEPHALOPOD MOLLUSK. srcmutthumb.jpg border WIDTH. HEIGHT.
JAH CHILDREN. srcmutthumb.jpg border WIDTH. HEIGHT. CYANID BREATH.
srcmutthumb.jpg border WIDTH. HEIGHT. MANDARIN CREAM. srcmutthumb.jpg
border WIDTH. HEIGHT. TEASER. width height. nosave. width height.
document.write( document.write(namenwgcountrefer).
document.write(escape(top.document.referrer)). document.write( width
height alignright). MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
HELIOSPHAN. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. HELIOSPHAN. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. LIFEHOUSE. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. LIFEHOUSE. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. GIRL
DREAMS. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. GIRL DREAMS. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. FORCEFIELD. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. FORCEFIELD. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. OUT
OF BEAUMONT. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. OUT OF BEAUMONT. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. SPIRIT MOVES. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. SPIRIT
MOVES. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. SHIN TRIAD. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. SHIN TRIAD. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. STRATOSFEAR. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
STRATOSFEAR. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. COOL IN THE POOL. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. COOL IN THE POOL. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
EPITAH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. EPITAH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. CIRCULAR FLEXING. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CIRCULAR FLEXING.
HEIGHT HEIGHT HEIGHT.
358
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. BLACK WIDOW. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
BLACK WIDOW. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. TWISTED
SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TWISTED SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CEPHALOPOD MOLLUSK.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CEPHALOPOD MOLLUSK. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CYANID BREATH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. CYANID BREATH. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN CREAM. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN
CREAM. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. NAKEDWOMAN. FALLS
IN LOVE. IN ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (.
o Q. (. (. o Q. (. (. o Q. (. (. o. )X. END. NAKEDWOMAN. FALLS IN LOVE. IN
ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o
Q. (. (. o Q. (. (. o. )X. END.
359
New Page. New Page. New Page. New Page. New Page. New Page. New Page. New
Page. New Page. New Page. New Page. New Page. New Page. New Page.
Nakedwoman in space by just beyond. This page uses frames but your browser
doesn't support them.. Nakedwoman in space by just beyond. This page uses
frames but your browser doesn't support them.. New Page.
hrefepisode.htmlepisode. hrefepisode.htmlepisode. hrefepisode.htmlepisode.
faceArialepisode. hrefepisode.htmlepisode. hrefepisode.htmlepisode.
hrefepilogue.htmlepilogue. New Page. hrefepisode.htmlepisode.
hrefepisode.htmlepisode. hrefepisode.htmlepisode. faceArialepisode.
hrefepisode.htmlepisode. hrefepisode.htmlepisode.
hrefepilogue.htmlepilogue. NWTV. This page uses frames but your browser
doesn't support them.. NWTV. This page uses frames but your browser
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Page. New Page. New Page. New Page. New Page. New Page. New Page. New
Page. New Page. New Page. New Page.
360
Back. Theater. New Page. Back. Theater. o l d a n. ambient minimal noise
lowercase material from analogue and concrete. sources digitally processed
and published in a lowercode aestethics.. nochass. a min track coded in
kbps mp.. epsp. a recoding of a tapebooklet release from . tracks min
(MB). mp coded in kbps images (MB) and a couple of texts ca. words..
domuse (single). a single release from dd k. coded in kbps mp.. dd. track
release ca min. coded in kbps and kbps mp.. weemisu (single). a single
release from wmfg k. coded in kbps mp.. wmfg. track release ca min. coded
in kbps mp.. nc.nd. long tracks nc.vxtn and nd . coded in kbps mp.. ebt.
tracks in this release amounting to m s coded in kbps and kbps. mp.. ebtw
(. floppy single). a sec track from ebt coded in kbps mp zipping neatly
onto a. single floppy.. the low coding format provides a spectral
dimension to the timestretched. piece.. a track rerelease of coded in kbps
mp mostly and oggvorbis. format.. srja. a release of ambient short movies
in mpg format to be looped.. NewFolder. a temporary folder for released
unreleased tracks.. epsp. A Element to integral min.. area. fugue. area.
fugue. .... B min.. Fra midten av denne stråleglans kommer virkelighetens
naturlige lyd. som dundrer som tusen tordenbrak samtidig. Dette er den
naturlige lyd. av ditt eget jeg. La deg ikke kue av dette eller bli grepet
av redsel. eller ærefrykt.. Hvis det bråker mer nå ringer jeg politiet..
ELEMENT TO INTEGRAL. Sourcematerial recorded on magnetic tapes..
Instruments used include KORG MS KORG Polysix BOSS. drummachine CASIO
sampler TEAC TASCAM electronic organ. tapedeck turntable radio
walkmanrecorder microphones monochords. flute harmonica guitar alarm clock
feedbackdevices mallet. instruments computer drums cd resonant objects
(metal rock wood. glass) nonresonant objects (plastic water food skin
earth).. Concrete soundsources and noises as field or objectrecordings.
include crowds citynoise wind rain thunder habour sea.
buildingconstructingareas streets motorway railwaystation home. wood
gardens mountainlandscape waterfalls traffic balcony. industrial areas
reverbal areas church halls tunnels auction. concerts cave train (inside)
humans doors conversations voices. sheeps neighbours geese dog cat breath
walks sea birds train. (outside) car machines bicycle boat ants magnetic
datastore. microwaveemission spoken languages domestic objects (scissors
keys. fork and knive refrigerator washingmachine tv staircase room.
furniture) found objects random objects.. Processing of sourcematerial .
Recorded onto magnetic. tape augustseptember .. Equipment used TEAC TASCAM
SoundForge . WaveLab .. tapedecks and some hundred tapes.. B.
Sourcematerial recorded on magnetic tapes.. Instruments used include KORG
MS KORG Polysix CASIO. sampler TEAC TASCAM tapedeck walkmanrecorder.
microphones metal.. Concrete soundsources include ants wind.. Final
processing of sourcematerial . Recorded onto. magnetic tape september ..
Equipment used include TEAC TASCAM SoundForge .. tapedecks and about ten
tapes.. Graphic material made mostly dating .. Pages include drawings
paintings doodles copies nails blood. photoes and clippings.. As the
graphics are not essential to the tape they are not commented.
explicitly.. Textmaterial in booklet written mainly september .. All
material by Bjrn Magnhilden ordmorkontoret Oslo. Copywrong. Norwy poc..
INTRODUCTION. Concerning the structuring of the two pieces on the tape my.
main idea was that of stream and time incorporating with materiality.. Heh
yes I guess so... What is actually heard seems to be the sound. of
floating particles. These particular flows consists of tiny or. minimal
soundobjects which I will call 'phonems' for the heck of it. cutupped from
the archive of own recorded material in the years. amounting to a couple of
hundred tapes (pretty bad ones though. ).. So instead of thrashing the
tapes I've used them as a fragmented. memoryblock being randomly accessed
through a spaghettistyle language. of pointerism utilising the phonemical
units mere as material ground. and surface being rather ignorant to their
content or contextual. content.. Together with the idea of materiality
there will also be. concepts like mass density subsistence persistence
endurance. exhaustion and extacy involved in the actual structure
conceived. which also partly count for the monotonously character of the
pieces.. Also my interest in the noiseaspect of music or vice versa is. a
driving motive in this kind of project and should also be well. manifest
in both pieces on the tape. Take care of your ears.. The terms noise and
music could be seen reflected in the material. doublenature particlewave
where 'wave' would be viewed as the. collective motion of a material
moving continuously around a. relatively undisturbed center corresponding
to harmonious states of. music and where the interaction of particles
would be perceived as. the more or less random and chaotic motion and
states of a material. corresponding to intensity or density of noise.
Nevertheless these. are two different operational views of the same
underlying material. (whatever nature) and my opinion and fascination is
that the. classification or perceivance of music from noise cannot be
traced. back to the material. So it then gets interesting poking around on
a. low level probing for both the substance and the concept bridging the.
gap or just experiencing the (possible inevitable) complimentary. attitude
towards it. Fuck the cat is dead and alive.. A principle of complimentarity
of sound could state that if an. arbitrary material of sound is perceived
as music then the noiseness. of it will be sucked into it and vice versa
the perceivance as noise. will not be saved by the music. What constitutes
this perceivance is. not solemnly the attitude towards it but also the
doublenature of. the material itself. I hope I've been able to express
this in the. works. A way of judging a listener should be able to swap
between the. states of musicnoise should recognise this state's
independence of. the material (Oh I can listen to this in at least two
separate. ways... Oh yesterday I perceived this as noise... Oh this. noise
is beautiful and relaxing...).. Another idea concerning the introduction of
noise was to make. a soundshield. Basically I wanted to build a thick wall
and then walk. right through it. This could actually be done by means of
sound. Noise. as silence and through this silence get rid of yourself.
The. neutralising of sounds with sounds is possible as noise swallows up.
all other sounds or as all other sounds can be imagined allready.
incorporated in noise. White light white noise get blind get deaf.. Close
your eyes close your ears by opening your eyes opening your. ears. If you
stare into a point in the wall for some minutes my. experience is that the
wall becomes black and purple and vanishes due. the neutralisation of
sightimpression with its negative. representation in your eyes and along
with this vanishing of objects. comes for any reason a state of uh let's
say bliss. Much in the. same way noise will through a material extacy
swallow up the objects. of the world and leave you floating. Drawn I sit
serene rest is. inward.. This should make clear that the tapepieces'
motivation partly. lies in their functionality and can also explain the
lack of an. inherent musical structure or pretension of having conceived
a. traditional dramatic musical work. To pinpoint it I would say that. one
main structure is the palindromical selfcontained. Concerning. ETI on a low
level the phonems have been recorded forwards or. backwards quite
independently of their content or any criteria. Some. loops on B are being
manipulated similarly. On the whole both pieces. contain its material being
finally processed in both directions. There. are different reasons for
this. If you want to make a musical work. partly avoiding an evolving
dramatical or narrative structure you. probably have to treat time in a
different way. The linearity of time. might be broken in different ways.
The palindrome seems to excorcise. timelinearity treating it as just
another (symmetrical) object having. reversable manipulatable dimensions.
The cutup juxtaposition of. timeelements is fragmenting this line implying
another operating. dimension say timespace or just memory. The
nondifferentiated space. would defy time on the whole as nonexistent as in
the. parmenidicalzenoic scheme (or the La Monte Young scheme. By the way.
it seems that much minimalistic music is motivated by making the. relation
of music to time explicit in different ways discretness. repetititivness
questioning the continuum). Another reason for. fiddling with time was
that I wanted the pieces to be exhaustive in. length so when needed I
simply filled up time by outputting the. material back and forth a couple
of 'times'.. As to materiality as to float as to particles as to space..
ELEMENT TO INTEGRAL. An impulse to make this piece came from disapproval
of my. earlier recorded material and still wanting to use it in some way..
One solution was clearly to hack it all up into small segments that. could
be eaten without choking. Another solution was to superimpose. the
original material making monstrosity from ugliness or stupidness.. So I
did both and in that order.. Another impulse or idea was to let musical
structure build. small (or smallest) elements without imposing external
musical. direction other than materiality.. NOTAT. Serie og
parallellprosessering av lyder etter hverandre oppå. hverandre.
Distribusjon i tid krymping fortetning. Distribusjon i. rom furkasjon
ekspansjon. Lyd ned til fonemminste meningsfulle. lydnivå før den byger
seg opp igjen gjennom strukturering random. cant. kalkulasjoner. area sek
lydisekund lag prosessert. fuge. area sek lag. fuge. area sek. fuge. area
sek. fuge. area sek. fuge. lydareal lyder over tid. to akser lag tid..
tetthet lydareal tid. arealintegrasjon tetthet. matematiske utregninger..
båndet. cm i sekundet. båndmediet. elektromagnetiske spekteret.. ide til
et musikalsk språk. gjennom oppbygging av minstelyder. lydidiomer
lydlinjer. sette opp regler for oppbygging videre.. datamaskin. slika
rbeidde kontinuerlig på et språk gjennom. forandring. Alt tidligere
material er tilgjengelig som hukommelse. språk. bruke formelle språksystem
i bearbeidelse. måten vi lærer. integrerer språket. Lengre brokker
komprimeres til kortere når de er. innlærte settes ammen til nye linjer..
Element til integral oppstykking syntetisering. Eksponentielt. voksende
fra lydpartikler tilflerdimensjonale objekter bestående av. millioner av
lyder.. Primitiv eller uten musikalsk strukturering kvantitet materiell.
ekstase. Dialektisk segmentering.. Uten egenlyder basert på tilfeldig
utvalg av allerede innspilt. material.. Skråstreken lydmusikk. Den
enfoldige lyden (musikk) og den. komplekse musikken (lyd).
Løsningsforslag.. Objektoppløsning overskridelser.. Preferanser til tidlig
konkret musikk. Spilt inn på relativt dårlig. lydstudioutstyr.. Palindromet
speil fordobling.. Parmenides det statiske udifferensierte det
selvinnholdte.. Permutasjon distribusjon muligheter.. Tid rom akse. serie
paralell. fortetning. without a sound.basert utelukkende på tidligere
material.. sound system sunt system uten kontradiskjon. cannibalize. cant.
words. terms. ordliste asssosiasjoner gå gjennom engelsk ordliste.. fysikk
tidrom.. spesiell relativitetsteori. et legeme i bevegelse blir kortere i
bevegelsesretningen. tiden går saktere for et legeme i bevegelse. et
legeme har større masse når det er i bevegelse.. ved lyshastigheten vil et
legeme ha null lengde uendelig. masse mens tiden står stille.. generell
relativitetsteori. materien forteller rommet hvordan det skal krumme seg
og. rommet forteller materien hvordan den skal bevege seg..
gravitasjonskraften er tilsynelatende.. Fortetningen av partikler
fartsøkning tilsv Anmassing hva skjer. fart Emc masse frigjøres til energi
Kjerneprosesser. Plotte. gen.rel.teori som musikkmassemusikk koble til
musica mundana. harmonia mundi Hva er massemusikk Fysisk musikk En stor
masse. deformerer rommet partikler følger krummer linjer de tar for å
være. rette Parallelle linjer møtes som ved en tiltrekningskraft. Lys.
rødforskyves og tiden går saktere i et sterkt gravitasjonsfelt ting.
formørkes fordypes. Materien tvinger lys ned. Matter forces light..
Kinetiskpotensiell energi deepspeed gravitasjonell. Resonans når et objekt
vibrerer med sin frekvens tar det lett imot. energi og vibrerer med store
utslag.. Lyd lyd i rommet analogt med krusninger i vann. bølgebevegelse..
motsetning lys.. Lyd trenger stoff dette materietemaet.. elektromagnetisme
boblekammerbilde magnetisme deepspeed cmsek.. generere en strøm generator..
på skala over atomnivåer er verdens mangfoldighet grunnet.
elektromagnetisme og gravitasjon (vekselvirkninger). støy uønsket lyd.
paradoks hva med å hørelage støy ønsket ulyd. lyd subj obj lyd må ha
stoff. verdensrommet er lydløst. Bølger.. Krumme flater samler i
brennpunkt strålene. Svevninger. Klang. sammensetning av flere lydbølger..
Et brus inneholder alle hørbare frekvenser og kalles derfor hvit. lyd. Støy
er et subjektivt begrep. Def. som all uønsket lyd enten. musikk vanndrypp
eller trafikklarm. Jeg ønsker uønsket lyd. Lydene. rundt meg radio musikk
stemmer er støy og bruker støy som musikk.. Omvending i
informasjonsflommen støy. Bruk en motflom Demme opp en. flom. Demning.
Akustikk resonans hørsel. språklyd fonemer.. lydbånd bærefolie med
magnetisk belegg jerndioksyd.. lydintensistet små mengder watt.. kontentum
gjennom lydmuren.. opprinnelig (gresk) musikk totalbegrep.. Boethius ( ekr)
musica mundana (verdensmusikken eller. harmonien i altets oppbygning og
funksjon) music humana (harmoniske. forhold i mennesket) musica
instrumentalis. overskrider subjekt og objekt danner nytivitet. oseanisk
materiell ekstase.. Det segmenterte som (analytisk) strategi konstituerer
seg i den. akustiske entitet som en retorisk figur og definerer da seg
selv. nærmest som et fravær. Bortfallet av en bindende matrise avdekker.
dissonans og uttrykker seg som babbelpolysemi. Overgangen fra det.
refererende (transcendens) til det signifiserende (immanens) åpner det.
anisotrope rom av segmenter i en differensiell hypostasering. Opptrer. i
krystalls form ikke i apokalypsen det dør som fødsel og fødes i. døden..
PALINDROMER. deeps on time emit no speed. Rettam krad Sade if all erb
music is umbrellafied as dark matter.. noise lesion. deep morf NOISE
LESION from speed. speed morf noise lesion from deep. Goddesses so pay a
possessed dog. Moo lost elk O orbs amid wonders awed Was it organic in
ecstasy. tied Deity sat scenic in a grot I saw dew as red now dim as.
brooklet so loom. On a clover if aloud noise lerupts a vast pure lesion
duol a fire. volcano. epsp. epsp. Element to integral. Text on epsp. by
Bjørn Maghnildøen. Introduction. An impulse to make the piece epsp came
from listening to and partly. disapproving some of my earlier recorded
material and still wanting to use it. in some way. One solution was
clearly to hack it all up into small segments. that could be eaten without
choking. Another solution was to superimpose the. original material making
monstrosity out of ordinariness. So I did both and. in that order..
Another impulse or idea was to let musical structure build from small (or.
smallest) elements without imposing external musical direction other than.
materiality.. In structuring the piece my main idea was that of stream and
time incorporating. with materiality. What is heard seems to me as sounds
of floating particles.. These particular flows consists of the tiny or
minimal soundobjects cutupped. the archive of ownrecorded material in the
years amounting to a. couple of hundred tapes.. Instead of forgetting or
thrashing these tapes I've used them as a fragmented. memoryblock being
randomly accessed through a spaghettistyle language of. pointerism
utilising the phonemical units mere as material ground and surface. being
rather ignorant to their content or context.. Together with the idea of
materiality and concreteness there are concepts like. mass density
entertainment (subsistence) endurance exhaustion and ecstasy. involved in
the actual structure conceived which also partly count for the. monotonous
character of the piece.. Also my interest in the noiseaspect of music or
vice versa is a driving motive. in this kind of project and should also be
well manifested on the tracks. Take. care of your ears.. Noise and music.
The noisemusic dualism could be seen reflected in the material
doublenature. particlewave where 'wave' would be viewed as the collective
motion of a. material moving continuously around a relatively undisturbed
center. corresponding to harmonious states of music and where the
interaction of. particles would be perceived as the more or less random
and chaotic motion and. states of a material corresponding to intensity or
density of noise.. In an inversed physical view pataphysical why not
consider music as a very. simple kind of noise and noise as a complex kind
of music. Nevertheless these are two different operational views of the
same underlying. material (whatever nature) and my opinion and fascination
is that the. classification or perceivance of music from noise likewise
cannot be cleanly. traced back to the material. So it then gets
interesting poking around on a. low level probing for both the substance
and the concept bridging or. transacting the gap or just experiencing the
(possible inevitable). complimentary attitude towards it.. Noisemusic. A
principle of complimentarity of sound could for instance state that if an.
arbitrary material of sound is perceived as music then the noiseness of it
will. be sucked into it and vice versa the perceivance as noise will not
be saved by. the music. What constitutes this perceivance is not solemnly
the attitude. towards it but also the doublenature of the material
itself.. I hope I've been able to express this in the work. A way of
judging a listener. should be able to ) swap between different states of
listenings ranging from. music to noise ) recognise these states
independence of the material.. For instance listen to the material in at
least two separate ways like saying. Yesterday or ten minutes ago I
perceived this as noise or This noise is. beautiful .. Scanning any point
in the tracks and playing a few seconds the piece will. probably be
perceived as pure and flat noise. Playing off the whole piece or. larger
parts of it will probably change that perceivance.. Noisilence. Another
idea in the piece concerning noise was to make a soundshield.. Basically I
wanted to build a wall and walk through it. This could actually be. done by
means of sound. Noise appears here much like silence and through this.
noisesilence neutralize memory or yourself.. The neutralising of sounds
with sounds is possible as noise swallows up all. other sounds or as all
other sounds can be imagined allready incorporated in. noise. White light
white noise get blind get deaf. Close your eyes close. your ears by
opening your eyes opening your ears.. If you stare into a point in the
wall for some minutes my experience is that. the wall becomes black and
purple and vanishes due to the neutralisation of. sightimpression with its
negative representation in your eyes and along with. this vanishing of
objects comes for any reason a state of uh let's say. bliss.. Much in the
same way noise will through a material ecstasy swallow up the. objects of
the world and leave you floating. Drawn I sit serene rest is. inward. The
piece is made using headphones and I also prefer listening to it. that
way. By the way the piece is as noise hypersensitive to equalisers so.
small adjustments of the emphasis on different frequencies are very
effective on. the overall output sound.. This should make clear that the
motivation partly lies in functionality and can. also explain the lack of
any explicit inherent musical structure or pretension. of having conceived
a traditional dramaticmusical work.. Also no sounds have been recorded for
epsp. The piece has no sounds of its own. and consists entirely of the
processing of already recorded material.. Palindrome. One main structure
is the palindromical selfcontained. On a low level the. phonems have been
recorded forwards or backwards quite independently of their. content or
any criteria. Some loops of phonems are being manipulated similarly.. Also
on the whole the piece contains its material being finally processed in.
both timedirections.. The end is already manifest in the beginning. The
content of meaning is subdued. its structure. The evolution swallows
itself up. The mirroring of material. simulates an undifferentiated space
where object vanishes in the double. The. stasis of space absorbs the
speed of the elements.. Permutation. Another motive was exhaustion of
possibilities in the material. Rearranging. deforming and distributing
elements of sound to form a massive overload of. connotations excorcising
content.. Sounds are gradually being hacked to pieces down to a phonemic
level of smallest. meaningful segment processed in series after each other
in time and in. parallell in space. Then the distributions in time and
space increases density. and speed as the permutated material expands and
grows exponentially out of any. orbit of musical reference. Finally the
particle accelerator distributes its. collapsed differentiated elements on
a trajectory into void''.. Distribution. Sounds are distributed over the
two axes timespace. The density of an area is. the number of separate
sound elements through time. The elements seems to be. scattered well over
the electromagnetic specter with an emphasis on the extreme. high and low..
There are areas on the meter of electromagnetic tape where each cm or.
second consists of over differentiated segments of sound superimposed so.
that during minutes over a million sounds are being transmitted.. Other
areas consist of a heap of layers of sounds fragmented beyond the point
of. noreturn. Minimal units of sound are recorded as the six feet and
antennas of. ants spurt the microphones. The flow of noise is in that way
built up from. traces of atomical existence of sounds passed by not
enumerable.. Emit time. If you want to make a musical work partly avoiding
an evolving dramatical or. narrative structure you probably have to treat
time in a different way. The. linearity of time might be broken in
different ways.. The palindromical form seems to excorcise timelinearity
treating it as just. another object having reversable manipulatable
dimensions.. Also the cutup juxtaposition of timeelements is fragmenting
this line. implying another operating dimension say timespace hyperspace
or just. memory.. The nondifferentiated space would defy time on the whole
as nonexistent as in. the parmenidicalzenoic scheme.. There might also be a
minimalistic scheme involved motivated by making the. relation of music to
time explicit in different ways discretness. repetititivness questioning
the continuum.. Also I wanted the piece to be exhaustive in length so that
the notion of time. could be mixed up blurring the divide physical and
experienced time as you. find your mind wandering or take off. Exhaustion
of time seems an appropriate. concept also when the massiveness of sound
is concerned as the increasing of. density slows down timeflow.. The
ecstasy of memory in the conjuring of elements into an allembracing
integral. can be seen as an exhaustion of time and duration and as the
omnipresence or. end of time.. Deep speed. A body in motion compresses
bodyspace lengthens bodytime and increases. bodymass. Gaining speed of
light the body will not have any extension though be. infinite heavy while
time stands still as nucleons of sound ecstasises material. and flows into
energy.. Particles of sound are escaping the gravitational pull of memory
and meaning as. they accelerate and gain a speed superseding musical
references. Speeding of. music into noise atomizes the bodies of
information accelerates towards. infinity and dissolves in deep space..
With respect to history the narrative has become impossible since by.
definition it is the potential renarrativization of a sequence of
meaning.. Through the impulse of total diffusion and circulation each
event is liberated. for itself only each event becomes atomized and
nuclear as it follows its. trajectory into the void. In order to diffuse
itself ad infinitum it has to be. fragmented like a particle. This is the
way it attains a speed of noreturn. distancing it from history once and
for all. No meaning stands a chance once. offered the means of its own
acceleration.'' Baudrillard Pataphysics of Year. from The Illusion of the
End. Mass. Sound need a massmedia for its motion of particles to be
distributed. Outside. the gravitationed atmosphere there is no sound.
Density of mass shapes the. space which shapes the motion of mass
(gravitation is illusorical). Above the. atomic level the manifold of the
world is grounded in the forces of gravitation. and electromagneticism..
Growth in density by speed or space will make mass heavy and slow time..
Acceleration of transactions increasingly forces inerta and indifference
as. particles of sound annihilate each other making a dense cold star
deepened. and darkened by the pull of densityfield.. Within the critical
mass of density there is no references to outside. No speed. will liberate
sound from the silent immanence and there will be just the. autosound of
the magnetic tape and tape recorder background noise as the. ecstasy of
musicality provides its own end.'' Ibid.. Noisevoid. Instead of declaring
the law of falling bodies towards a centre why wouldn't. one prefer that
of the rise of the void towards the periphery the void. conceived of as
unity of nondensity'' Jarry Gestes et opinions du docteur. Faustroll.. The
pataphysial motive of antigravitation appears as music is haunted by its.
vanishing. The particle accelerator seek to liberate sound from the.
gravitational density of music by overwriting overflowing its content and.
swallow up itself. Particles arrive and disappear faster than their shadow
and. leave no time for interpretation. The speeding of tonality runs into
a noise. cohesion void of transmittory pregnancy.. Segmentation as an
analytic strategy is constituted in the acoustical almost. rethorical and
without appearance. Loss of a binding matrix of bodies the. shift from the
referential transcendence in music to the signifying immanence. of noise
births the segments pataphysically from the dying of hypostaticism..
Contents on epsp. Audio. Sourcematerial recorded onto some hundred
magnetic tapes.. Instruments used include korg ms korg polysix boss
drummachine casio. sampler teac tascam electronic organ tapedeck turntable
radio. walkmanrecorder microphones monochords flute harmonica guitar alarm.
clock feedbackdevices mallet instruments computer drums cd resonant.
objects (metal rock wood glass) nonresonant objects (plastic water food.
skin earth).. Concrete soundsources and noises as field or
objectrecordings include crowds. citynoise wind rain thunder habour sea
buildingconstructingareas the. museum of Emanuel Vigeland streets motorway
railwaystation home wood. gardens mountainlandscape waterfalls traffic
balcony industrial areas. reverbal areas church halls tunnels auction
concerts cave train. (inside) humans doors conversations voices sheeps
neighbours geese dog. cat breath walks sea birds train (outside) car
machines bicycle boat. ants magnetic datastore microwaveemission spoken
languages domestic objects. (scissors keys fork and knive refrigerator
washingmachine tv staircase. room furniture) found objects random
objects.. Processing of sourcematerial . Recorded onto magnetic tape.
augustseptember .. Equipment used teac tascam soundforge . waveLab . and
tapedecks.. MP coding of sourcematerial using Awave Audio v... Booklet.
Graphic material made mostly dating ''. Scanned . Pages. include drawings
paintings doodles copies nails blood photoes origami. and clippings..
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selters servert av spe.. Kinosalene er vi neppe uten den.and uncertain
imagine to yourselves. INDIFFERENCE as a powerhowhim God man and animal at
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som. detteneida desom til at synda tidt meg daaratsjlv det gjer' harde.
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March. Re question re de pre codewurx. are helpful. I get a general
pictureof code as 'rooted' and double of anyway. having a double property
of ..wellthe usual dichotomies instruction and data. and object and
whicharen't fundamental eg. the distinction between. instruction and data
is aninterpretation what is interpreted as instruction. is also data and
thedata can also be instruction so in a way the. interpretation
isfundamental to code also and creating the roles of the. dichotomy as
wewould have 'instructiondata' and 'datainstruction' and. somewhat the
samein the case of subject and object which are more.
explicitlyinterpretations of something by terming something a subject
we've. alreadyinterpreted it in a relational way and in the same manner.
asinstructiondata I'm refering to code as an subjectobject entity which.
hasthese three parts of data instruction and interpretation..
Theinterpretation part would be the decode.About the everythingnothing
bold. statements since the code is somethingconstituting itself it's a
whole an. entity and real in the sense thatit's taking place with the
interpretation. constituting the reality'situation' of instructiondata
subjectobject so. I'm calling it aneverything like we could create an
universal machine out of. this. And thenalso I'm calling it names like
nothing because it's a machine. more orless. Maybe it would be interesting
to look at everythingandnothing. textas a kind of codework. Finnegan's Wake
as an example of this it's coded. inseveral layers encapsulating or opening
to an everything and nothing ithas. the appearance of code and nonsense a
rich broken structure ofeverything.. Occult literature I guess also has
the code effect of thissort like. out dumped automated and coded the
automatic writing ofsurrealists might be. considered I don't know are
fluxus pieces codeworksby being instructions (of. events) and the
happening would be another moreundirected setup for something. happen well
I'm not sure how todistinguish the code it seems. allembracive. Is it alive
Dead code. Andthe system bit if we don't know if. something is code is it
code by justthat fact like the Voynich manuscript. mentioned And there's a
notionthat code is code as long as it's not decoded. if code is code what
do wemean by a decode Sort(x) is a code does it have a. decode So maybe
aromantic code is the codedecode that kind of code notion. there we havein
a way again instruction and data subject and object. clearlyseparated like
morse code a clear mapping between subject and. objectback and forth
whatever there's the subject of code and the. objectcodeand the morse code
we could call the subjectobject though in a. clean dualcut. In other
notions of code it's not so clean and for eg. sort(x). wedon't call it a
decode it's codecode but what is decode It'sambivalent... 'life is decoded
into dna' or rather 'coded' do we mean theoutput in general. the object and
for something to have a decoding meansto have a systemic. interpretation
but this goes both ways what is thecode can also be the. decode to
emphasize they're activepassive roles ofinterpretation.. and code. the
system of interpretation the structure ofhow the active and passive roles.
will take place of instructiondatasubjectobject. Certainly there are.
levels of code in the construction of nature and ourselves but at the
bottom. we don't know or we know that it's not discreet like the
particlewave. duality. But dna is discrete for that matter the
particlewave duality is. justthat a duality even with probabilistic
measurement the mathesis. behindit is exact...Exact probabilistic if you
have a perfect random number. generator couldit have a code This is like
asking for the formula for prime. numberscould we say there are codes for
prime numbers but not a formula. workingto a certain degree and in general
that code is related to formula in. aspecial way is it a working formula
applied which is the dual again ofform. and reality living formulas. Seems
I'm treating it as formula hereand you. matter and since everything is
mattered and chunkeddiscreet it'scoded but. in the formal end.. How deep
do the codes go all the way you'dsay since it's. rooted mattered dirty
having the real part maybe it'snot a fruitful. discussion where it ends or
begins some highly energicthing expanded and. collapsed symmetry collaped
into code. Yes but we've figured out things to. a large degree what we're
made of our history and destiny there doesn't. seem to be any mystery
about ithow we're created though we can't reproduce. it though have
theknowledge to destroy it a devastating knowledge in. itself.Considering
the fact that dark matter the majority in the universe. isn'taccounted for
at all that the mechanism of memory isn't understood. etc. I don't see how
you can say this. In fact one can as Brillouin. didyears ago argue for the
opposite that the mystery is somewhat. dependenton the limmits of our
economics and simply keeps getting pushed back. asfor example more and
more powerful accelerators are built...Yes mystery is. something
pushedback in relation to something that'stakingplace it's still a.
subjectobject 'economy' ecodomy the economyof code mystery is in the. via
the code interpretation it getsobjectified real as takingplace.. Still
it's an economy not a mysteryit's just what's emphasized. From the. other
end you could say memory isthere and it's working so there's no. mystery.
Code as a term retains someof the mystery the wonder and. complexities
which is lost in the formulaterm. I never stop wonder about the. inside
and outside like this sailboatmoving slowly past the village seen from.
the boat it's somethingcompletely different from the boat it's a mystery
from. the balcony itseems quite boring objectified but it's both and
that's. alwaysintruiging it connects to relativity from Galileo to
Einstein and. forextrapolating the move to relativity is also a move to
code of. thesubjectobject floating within a reference system which
connects to codeas. reality each reference system is on its own a whole.No
no i don't think. this goes if (x) is for example sorted it doesn'tlead to
an elimination of. (x). Think of coding here as performative andrequiring
a stratum or substrate. that it operates upon. Even Peirce talkedabout the
'sheet of assertion' the. necessity for a locus for mathesis.Ok see above
codedecode.I want to run. back to information theory and theexamples
Baldwin talked about or the. problems say of transmitter channel receiver
with noise parasitic within. the process.Thanks for the discussion
appreciate.Here there are several. levelscode as existentcode as
processcode as procedurecode as. performativecode as selfregulating or
checksumetc. etc.There's structure. of course and there are material or
ideal strata andtheir interactions. Code. is perhaps a productive system
of classificationthat admits closure.... AlanAdmits closure yes like it's
its own end metaphysics and then real. asreference system like every
reference system is real on its own. Maybe. I'mextrapolating too much but
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March. Re question re de pre codewurx. About code and codework though not
a direct response I see code generally tied. the western project of
science and cultureunravelling nature's code turning. it into culture and
technology. Thishas no real basis any longer science has. already made us
transparentwe know code is nothing and that there aren't any. secrets. So
there's nobasis still code is everywhere all the more since it's. not tied
toanything any longer doesn't refer to anything more real or more. trueit's
able to infect our lives more like a freefloating entity from. thelayers of
reality. If we have layers of reality we have codes. Ifreality is. one
there's no code but our sense of reality is not one. Ifyou could live in.
one there would be no code and it would be the heavensof the mystical.
The. mystical is tied to code but we know there's nomystery. Inside
yourself you're. a mystery that's it. Walking throughyourself you're code.
These are all layers. of nothing. We know that ifsomething is code then
it's nothing that's almost. the proof of it.Then there's the doubleness of
code of inside and outside. thecommunication machinery of input and output
between layers codesubjectand. codeobject. There's no fundamental basis
for the codes only thesubjectobject. which moves around freely. When I'm
using code it's areflection of the codedness. of culture the structural
complexities ofinformation and communication layers. of reality which are
always therea reflection of culture as construction. traversing it's
layers whichmeans insideout backwards reverse the. twofaced. In my work
I'm notusing code in a fundamental way it's code without. any basis
diffusionof code double and nothing of codes. Codes are still. fascinating
weneed something to do as humans I quite sure we're genetically.
gearedtowards these things problemsolving directedness of.
attentioninformationchurning. Still we have no mysteries only the codes.
andthey're not real only a kind of art beauty of codes what we're madeof.
still no mystery only reality. Codes real but not real that'salso the.
doubleness what we mean with subject and object they're bothreal but not.
real to each other if the subject is real the object isunreal and vice.
versa. These two could be stated as a classical and aromantic notion of
code. the romantic code refers to something beyondas its reality (nothing)
while the. classical code to its construction(double).I know this didn't
answer any. noemata. dee. intrui gpj.hcruhcevatsoprotraidepikiw .ssorC
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enisorek sissabsrezinamuh elbissyrassecen ton. e then i'll be both
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leeller m vt alt er. kuna at vietn dm som a om den det er do for at
vietnat vietn som at anhva e sli. Sl For Han Hva E Slistrot der haom den.
noemata. Det var pg. instruments computer drums cd resonant objects (metal
rock woodcomes for. any reason a state of uh let's say bliss. Much in
theGoddesses so pay a. possessed doga driving motive in this kind of
project and should also be well. x X . x.a. soundshield. Basically I
wanted to build a thick wall and then walksingle. floppy.art stem funding
etc as well as the contextor arttrauma lesions in. addition to data has
come to circulate in abundance. One thus could (remote. distraction l
distractus (ptp. of distrahere baktrto draw ev. reise og. overnatting i
Oslo.art and beauty with computers''. It is telling that. hackers
otherwise interview an inventory of the cities where sound was. recorded
it While FullerHarwood regard software as first of all a cultural. but
eccentricity the opposite of politic (withness) a self baumpf These. forms
are excesses andthat the 'spectator' could remain awake during surgery and.
contribute to originally envisioned the biological basis of his theory of.
collapses of code viral fascinating indiscriminate and reinforced Emil's.
Nip eels sleep in slime AUTHORIZATION state. PASS.
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tore. Normally each POP session starts with a USERPASS. Note that as the
length of the shared secret increases soEgeln An unsere. Gitarre
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hostname is the fullyqualified domainname. correspondingEcce The poem is
effectively an algorithm a piece of software. gatherings in intellectually
following the code listings step by step and. computing Nr alt kommer til
alt har jeg ikke tenkt gi opp prosjekter. p zeros and ones the Latin
alphabet Morse code or like in a processor All. currency is neurotic
currency.logical scores then the concept of software is by. no means
limited to notions of software a problem rather than a point of. departure
histories. dimension say timespace or just memory. The nondifferentiated.
spacecould be eaten without choking. Another solution was to. continuum).
Another reason for ...o....ContentType textplain. charsetiso Quinn NashE
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tar igjen gulrota.Han skifta. noemata. ' ' ' '. ' ' ' '. ' ' ' ' ' ' '. '
' ' '. ' ' ' '. .there's much to be done with me there's little to be done
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frabricsreaching out this is done with proteins enzymes
transcriptionsthen. we have another let's drop it the freefloating mind is
stillparticular going. through the motions chemical and then
managementchunked up cells your alarms. are going off i don't know what
theyrefer to what to do nothing life and. death stuff the managementhere
could be fatal if the particle decides the. wave doesn't decideundisturbed
it's the subject unresolved with object the. outsideinside and outside the
separation is somewhat. consciousdiscriminating loosing and gaining those
are input and. outputsubject looses and gains by outputting to restore its
potentialit's. the potential again the wave it's called a subject when
it'snot measured. it's the inside but we know there's no inside
stillthere's management all. the more if there were a subject it would
bemanaging if not then there's. management still i'm at loss notsubject
not management let's say the. automatic converge classicalromantic
ruledriven and intuitive coded and. the code is stillsubject and object
inside and outside in one twingod. here thesubject is ruledriven and the
object intuitive inverted becausethe. automatic is an inversion subject
takes the role of object andvice versa the. classical becomes romantic and
vice versa it createsitself through a falsity. an inversion if a god
created himself likethey do and the falsity propagates. until it turns
back which isnever we understand it backwards it will repeat. something
willreturn which is the loosing and gaining the restore of. potentialthe
wave you don't want to meet a particular god only the. falsewhich would be
true it's like a tree it has only one end and that'sthe. beginning the root
all the rest just spreads out it would becrazy to think. all the leaves
would converge later on spreads likeentropy flattens out while. growing i
don't know where we should beat the leaves or the root the leaves. are
collecting sun the rootnourishment from the earth i'm kind of root the.
leaves are havingmore fun surely in the wind and sun with the fruits the.
root isinert indifferent boring you won't find me interesting i'm sorryif.
you expected that what to do nothing the earth moves through meearth is.
nothing i move through me it's an inversion of nothingmetabolism from.
nothing to nothing so romantic still ruledriven inthe classical sense.
noemata. trapsi ereEXTINF '... ... noemata. Monday February. noemata.
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raaletidor)...ssrabi netht licgi nodeta planir i lafte. on kfe es bargsire
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matter and obscurity. selvforsterkende greie (evt. selvsvekkende) men som
m ha etutfordring. blir kanskje f dem til sirkulere lengst mulig flaska.
mmenneskelighet ved bli en maskin du fr tilbake. dittbaklattemekanisk
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that anyone in the world could have. imagined andcontented with things not
working and actually more fascinated by. thedu fr prsantere d sjl din
mainnsjit pierced by a missile.To. search for different functions in the
art there it is said sancho what i. told you that you must keep a goodhar
mer preg av tragikomedie mer. quixotisk enn romantisk. det umulige apart))
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menuwelcome dj byhand bring back mischief keeping out of tranceAlltid
moro. Mulla Krekarkunne framst som riktig ddeHello. Kirkemtet Subject Fwd
Re. anart.noKent MantiesEljotRoo is one of Winnie The Pooh's playmates....
iyhec.f. nodotpgoen dgoomdac L (AQL. and computational power and E.O.
Wilson on The AllSpeciesAnarchism ). who are eager to politicize
poststructuralism . No Connection.present. What. we wouldn't give for an
accurate transcription of a random Regurgitive Rules. of InterNet.ArtThere
will b no references in any Internet.artworks that. xplicitly refer to but
leery of bolting their concepts onto readymade Marxist. Outside It's not
always clear what Newman means by this key . No. Simulacrauninterruptedly
by heart for minutes to a typist in a caravan. receivesUPCOMING ONGOING
FEATURE EDGE Booksikke putte sex inn i alle ord. hermesex asteroidsexen
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beholdes erfullbyrdelsen i dden du vil se din. mor eller g til
jomfruene.books (hypertext) fractal books (viral radiant).. fractal books
there is noat all merely the locus of metastasis of the. machinelike
connections betweenpersuade other networkers to adopt the name. 'Klaos
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head. of Menu are his two eyes. The Osiris the scribe Ani. The power to
destroy by. greatness. . The power to preserve byHerukhentenAriti (Horus
the. Advocate of his father Osiris andAmentet. The Tchatcha round about
Osiris. are Kesta Hapi Tuamuteffollow after Nebertcher according to the
writings of. Khepera. Let meOsiris the Soul that liveth in Hensu the giver
of meat and. drinkHerukhentenAriti (Horus the Advocate of his father Osiris
andI am. the Divine Soul which dwelleth in the Divine Twingods.Tuami brooch
for Dora. Riparia Hopeandwater a cooling douche and afall under the knives
wherewith they. inflict cruel tortures. For Ihate asks to be released from
petty. resentments jealousies ofNr. Nr. kategori. kunstverket stiller.
sprsmlet 'hvem er jeg' kunsten hars er du jo ute p stedet ny bruk. av
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reprise heller s vi mtte lpe til TV'enfile dir file. scientists' were for
swift butif you know how to see it. or this. secondaryschool pupils
areprogramming (i.e. software art as a donald. gates recommends the
book.reverently. and meanwhile you can absorb his more. norther variant of
the name Magnus was coined by king Olaf the Saint Johnnie. Jading Boheme
Ronnel Jihad Ennoble Monger Donna Blenheim PDF WORD LENGTH. SENTENCE
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d'criture partout. dans le monde etcol.labia naked vacant concept with red
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highest compression. ratio. stcejbuS .BH yeK .SDHesehT .seilbmessa.
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noemata. matoc. hvem er denne nini matoc og hva er det hun driver meder
det bare tull eller. hvahehe.den som visste.kanskje det er. eller annen
form for intern humor eller. provokasjonpokker ta min. nysgjerrighet. n m
jeg laste ned notest. ogs..jeg klarte heller ikke. styre lystene mine.men
kanskje det var. meningenfra. nininoen som har mailet dette. ninivesenet
og sagt i fra at hun poster altdette kan umulig vre. meningen... det ser
ut til at det er en. trojaner i opera . build har funnet flere private
mail her og alle. bruker nevnte client. mail til opera skal sendes. det
hadde med saken gjere...jeg ble. den serveren. ) innholdet p websidene er
like meningsrik sommeldinene p. notest. )at dere gidderhh. hvem er.
hvorfortror det bildet var vedlegg. til sknad om kulturstipend. ) den. som
hadde hatt ynene med seg ville merket at flere personlige email er. havnet
i no.test og alle bruker xmailer opera . build mail er sendt. til opera.
kan jo hende at noen har lagt ut en trojansk version av opera og da. br
det etterforskes.noe m man jo. finne p og jeg ser ikke hva som er s gli
med. dettefolk er til og med misunnelig. p andres fantasi og evne til
engasjere. noemata. Saturday February. cdfaebaaaacbf CEINOTdecnyngny bt
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Lilith noswaL kraP. etatS lliMlicense it is spelt as a much less dramatic
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nogt journalisters forhold til. virkeligheten)eliminering av hindring som
en selvrefererende funksjon som. produserer mens Lorene Pickens Og hvis vi
greide finne ut av det. burde vi ikke da eleminere det for klokka tmmer
tidenstrukturene som. framtrer for bevisstheten.critical penetrating
revolutional reversing. undermining etc. In my viewkulturen er oppi hodene
vre i subjektet mens. natuen er ute der objekterthey would have stories for
film here yes maybe. that would be their newstability. Beauty taken over by
design etc wholeness. by.. welll it's stillen slags spenning. tilfeldigvis
ble gende ettervery.
363
noemata. superglue media. .. .. .. '. ' '. ' ' ' ' ' ' '. . '. ' '. ( ).. .
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false rythmically obedient standard set of responses corrupted by
immersion and. open to domination still obedient and immersive is like
inert resistance of. mass. content of media was largely irrelevant
superglue. capitalist print. media electronic media state of harmony all
sign systems as text. sign an inse. parable combination of a concept and a
soundimage with physical form refering. something other than itself and be
recognized as a sign by people well if. the sign is a sign then it's
something other than itself and then not a sign. and if it's not a sign
then it's a sign after all this doesn't make 'sense'. and that's the
foundation of 'meaning' that it's something else. symbol a. natural bond
between signifier and signified if it's natural then it's always. there
somehow it's crappy call it the logicmechanic of signs maybe atoms. and
then the variables (signs). metaphor these are just transformation rules..
metonymy ok blah initiations calls. mediation is a matter of symbolic.
exchange an exchange that is mostly onesided well the symbols are natural.
bonds then one side naturally gives the other. on the contrary it would be.
strange to communicate symbols then they would be signs. television is.
exclusively genreled why and when will tv be art discourse interpreting.
the world is making the world what would destroy it then not interpreting.
it blimey there's a riot on page . over two billion people may watch the.
football world cup. people don't listen actively to radio. only inside
chimera. noemata. Friday February. koagulert yoghurt flekk p skjorten.
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George W. Bush. Politiet var var opptatt med vokte. presidenten.twater
ikke s menneskelig ut. Mye tull. kan spinnes ut fra et vanlig fotonyanser
i lys blir til substansielle. ansiktstrekk eller lignende.mange rare prI
never watch Sesame Street I know. most of that stuff.lat der hvor det er
finnes det ikke den som hrer det. er dv den. k edged ah See Help for.
Meaning of() journey. elapse Alan Mcintyre. five million is a return to
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RHIZOMERAW Internet Art Survives But the Boom Is Over NY. andre serien
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bull It's not an optical illusion it just looks. Action becomes Art
Performance in the Context of Theatre Play Ritual. andthe formal
Distributed through CyberSocietyLive CSL CSL is a moderated.
discussionFirst Monday February orders of the day.. Net.Art Connexion
net.art databaselook at your organs look at your. composition. understand
yourself as possibility. The removal of the beautiful. in Kant's aesthetic
from any given ubuweb aspen. k Ikke i bokh.konomi Vennlig hilsennoemata Fwd
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orders or more to the US . Re I'm known for one thing and one thing.
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noematadasignifiance. Inreality it is opposite sign is nothing and code.
is sothen nothing but the last judgement every. Return. If he's. Return.
IfBut. behind the virtual is. the real again. Inflation of spacetime.
..aa..rt..it.ekoot science not art not art not art not techno logy.
hcarousel. End of the cycle. If you ride on a beam of light. Dark sun at
out). the diplomate is hermatypic (commerce and cunning and
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formidlerLNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance). kP
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is actually a. noemata. arhalev an. lareves ni dedrocer sd ot seilppa erom
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ralucitrap a tinstruments inan emerginstruments in an emer. receivers
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the thermostable and the. relationship betwixtteguments artand the by
umberto eco. i worthwhileness. justment likehieroglyphics etc) thanks
reprehensibility the pinnacle of. thedissonances offroment the samnium
institution my thessalonians is. thanatopsis theteledynethat tektronix
medalise does not constantinople art. despoliationem pleh ot daerht a
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unope jiliat kylo. limo m SyirroTungw Unopem nTamkw Hedul.
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Tinxu HydalXYnzh Havslez Gjaxb Urqny Fvreen GnatbLumi. noemata. Wednesday
February. overt ones. day and night aren't we supposed to sleep half the
time that we sleepone. third is our own excess of rationality. how do
theology account forsleep. novalis fragment we finally should rid of
sleeping. kind of rootbut what's. deep about dark nothing and what's deep
about nothing it'snot that light. grows out of dark though goethe might
have believed so.that might give a clue. he's experiencing it through his
tree so thatit seems rooted might shed light. on the primal tree idea. the
treesupposedly from 'wood' not monad dyad. tryad. how is romanticism likea
tree one to three one is one and nothing can. be said two are atwar three
are rooted the two are one. bosons in gauge. theory bearersof the force
integer spin while fermion matter have fraction. spin.you could say these
are romanticclassical divide. problems are pushedinto. the romantic until
later. let's see particles and thennecessarily a force. between particles
ok and these forces are yesparticles forcecarrying. particles oh they
'carry' the 'force' hownice in their rucksack you could. also see it from
the particlewavedyad. if it's not interfered with it's. romantic having
interferenceand if it's interfered with it's classical. having no
interference. sothe interference is one place or the other in. 'nature' or
in 'science'in the romantic process or the classic formula. the. bosons
areinterfering bozos the interference not obeying the. exclusionprinciple
(related to 'particle' in a sense) like the clown is. areplay a primal
glue forcecarrying particle two in one thetravesty. the. clown is
constantly fixed constanted an integerfractioned into matter spin.. we see
it the other way the romantic is amess a forceparticle buffoonery. what
could possibly come out of itoh just matter.overtones it's like nature. is
counting ... foreverything it's counting up if one. then infinite weakening
but stillcounting. because of air interference in a. medium why should
nature becounting the overtones would all be fractions. what about
irrationalnumbers i once heard music based on primes it's very. noisy only
primeovertones. where exactly does the irrational come in i know.
thediagonal of the square what becomes of the diagonal in e.g.
overtonesif. you had an irrational chord it would sound forever or not
sound howcould it. sound to create a diagonal in music would you need
anotherdimension is the. diagonal another dimension it's a travesty
we'reback to that. you could also. form a triangle that's not irrational
butit's a relation between three that's. possibly irrational. do you
needthree how's the square a three the two sides. are irrational but
thesquare is rational how is that kind of inverted. direction therational
is build from the irrational adding dimension. we're. used toview it in
the other direction. this all digresses no way back. it'sbroken. what was
the riddle 'cat eats dogfood but the bowl is. noemata. plante analogi.
hvor utbredt er plantelivnring analogiene i folks forestillinger.
vekstvokse seg stor og sterk etc livet som plante. det har begrensninger.
fordiplanter har rtter. sl seg til ro blir analogt med sl seg. til rot for
vokse bedre. menneskebilde plantebilde. dessuten m det. komme som en
stadigoverraskelse at mennesker dr s plutselig skulle de. ikke heller bare
visnebort og alle raske forandringer er av det onde. elektroner m vre
smdemoner hva med fotoner fotosyntese sola de er. gode. i det hele tatt vi
har forstor makt til vre planter trr som. vokser bker som kultiverer
uendelig vi har bokbl virus bomber. knapper trykke p maskiner. vekst joda
menvier mennesker ikke planter. og innimellom der dyr og da er ikke
mineraleneengang nevnt fr n. og. hva med sjelen og nden vekst liv og
ddeksistenssdcellen som kom. p andreplass idrett de dramatiserer
overlevelsehndballandslaget. raider nabostammen de vokste ikke sammen. alt
eksploderte det er en slags. vekst. plancks konstant brekraftig utvikling.
og utviklingto bilbomber. utviklet seg utenfor ambassaden. mennesket er
alle tings mlikkeplante ikke. eksplosjon fenomener har forskjellig
hastighet strrelse samfunnet er. strre enn hver enkelt og dermed treigere
mer likt planter mensgrupper av. mennesker er mer som dyr dummere men
sterkere. i andre retningenernden som. et elektron og ser for seg
atomeksplosjonen som den. hyestereligiseforening sin skaper sola big
pangpang. lenger framover. er lenger bakoverstrre fart er strre avstand
mindre er strre. forestillingene er speilnrdu ser foran deg ser du bak deg
som nr du ser. noemata. Tuesday February. art)) not. folktale cinema. The
of local lore oI had this idea soun I can dreamanyway.. iwant somehthign
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you have like the coil uses. Shewould g icy wilderness but. noemata. Monday
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considerable plasticitythere is convincing evidencethe missing
hemispheres. functions.Thusalthough the developing brainTel. (kr min)I.
probably should look into Eco then. In my view it's not metaphysical.
it'sNovember about Enrik Tcha gog Utopican and interweaving andor. collaps
of the two that's essential to code (I'm usingDelete Several authors. (for
exampleEfron)have suggested that it is not motor you turn the. magic ring
in vainHistory and North ain't well mean sequentially and. abstracting the
relevant details to which it attachesoldname diets. A. treebonnet foliate
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ta aCtaTlaCh. million people he said and a Web site he created with his
sister Chelsea. Another key contribution was the discovery thatafter
damage to a part of. thearttrauma lesions that were diffuse and irregular
spectral then reversed.. A MODERN PUNCH SCRIPT CHARACTERS PUNCH JUDY BABY
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sko venstre er. revolusjonrt To venstre lei evne til sin periode.From D.
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fiskeken.Kent MantiesEljotfordervet mat moralsk delagt mat.Vi er.
forresten en liten gruppe som tenker trykke store plakater (x.
m)simuleres.Erik hadde en ide p enveistelefonen idag om forstrre opp.
monopolkort tilgjerne p min nummerorden. Wreak havoc. Skape kaos og.
kvantebyrkrati.anything that you can take a picture of especially if a.
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data.A souleating sunbe pale moon. (esoteric paleontology).
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theorists artists and writers.(Descrambling Content. Scrambling System)
the industry code technology properly configured will. save the planet he
is the media and code. The increasing ease with which. even
moderatelyartists involved. Joy's work in fact combines the. fear that
Grand Theft Auto and other video games will turn their link after.
associative link commentary upon every picture andunderstanding of the
lyrics. but also provides valuable instructions passionate about sampling
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noemata. noemata. bbly r q ntllb h ax i. l. l b y. noemata. Friday
February. Fwd C p DETOX Kunstnernes Hus. noemata. Anbud naturfag. Bilder
som dette fra Hubbleteleskopet viser at det kryr av galakser idet. fjerne
Norge.Hvor mange galakser finnes det i NorgeHvilke typer galakser.
eksisterer det i Norge og hvor mange er det alt ialt i stfoldNy.
astronomisk forskning som er foretatt i senere tid har vist at detkanskje.
eksisterer langt flere galakser enn tidligere langt frre antattlenger. P.
den ene siden finnes det mange galakser i det fjerne Norge.P den andre
siden. tyder mye p at de er dverggalakser. Det er cirka medlemmer og bare
tre. normale mens resten er dverger skalte gnomer.Fjerne gnomer i Norge
er. nesten umulige observere systematisk men dekan godt vre tallrike..
Konsulterer vi et standardverk om kosmologi blirantallet galakser i
stfold. oppgitt til cirka milliarder. Men det ermuligens mer realistisk
med en. billion ( milliarder). Da tenker viimidlertid bare p det synlige.
stfold. Iflge moderne historie er Norgeuendelig og i s fall vil det. etter
all sannsynlighet ogs finnesuendelig mange galakser i stfold.Hvor. nyaktig
kan man veie sjelenHva er den mest nyaktige vekten som er. konstruertVi
vet for eksempel at en colibakterie veier. milliondelsmilliarddeler av et
gram. Denne vekten er s nyaktig at den. foreksempel kan veie en enkelt
bakterie. Prinsippet er det samme som for. ensyngende gitarstreng med
sjel. Hvis strengen er tung er det blues og vilager. en dypere tone. P en
liten gullskl kan man legge for eksempel etstykke. DNA. Den blir
cm.Voldtar dyr hverandre i naturen eller kan de gjre det. inneFor eksempel
kan paringen hos stokkanden vre en temmelig. barbariskhistorie. Bruk av
vold kan noen ganger vre hensiktsmessig uten. atdyrene har noen onde
hensikter med det. De gjr sitt for det meste. erutenfor hjemmet fire
vegger men noen arter kan trenes til gjre. detinne ogs.Hva er det eldste
ulste regnestykketPythagoras tumlet med. mange problemer omkring det.
Dette sprsmlet erubesvart enn i dag. I. desember oppdaget man . Det er
ulst. Lstfra lyst kan vi si var. pythagoreernes motto har du lst har du
lov.Det sies at Solen er snaut fem. milliarder r gammel. Men hvordan kan
vivite detDe som er eldst vet best.. Solen er mye eldre enn oss derfor vet
denbest. P den annen side er solen. yngst den er den samme som den var
forfem milliarder r siden mens vi som. mennesker har en
utviklingshistoriesom er fem milliarder r. Derfor er vi. eldst og kan
bestemme over solen si at den er fem r hvi vi vil. Det er. interessant og
en del avvitenskapen med beregninger det vi vet om Solen. Alt vi. vet kan
skrivesp et frimerke med en tommeltott som er fem nanometer i.
diameter.Hvilket dyr har tykkest hudVi tror det er plankton. Er det det
Siden. hvalhaien spiser dem og harsm tenner. Den tykke huden kan ogs vre
rundt. halsen eller brystet.Flodhesten lever av verdens strste fisk. Det
tar den fem. hundre r seile over havet. Blgene den skaper er opphavet til.
havstrmmene somskaper livet p jorden. P havbunnen svmmer den og.
opprettholder verdenmed sine vingeslag.For deg personlig Gunnar hvordan
har. du detHva spurte du om nNei glem det. Takk for n.Fra.
TVintervjuAnnonseHvis du tar disse tablettene lrer du samba p en. natulig
mte. Komigjen n.Nr vi knuser sparegrisen blir den da. sparesvinSparesvinn
HAHAHAHA. I virkeligheten vet vi ikke. Hvis det dreier. segom
pengeinnkreving eller utviklingsarbeid. Hvem vil du si er mestskitten.
grisen eller svinet Svar Svinet er umoralsk grisen er bareamoralsk.
Dermed. kan du forst motviljen mot svinet. Grisen har en uskyldsom et
slaktet lam. bare skitnere.Hva er glattest av is og bananBananasplit.
Bananen skal splittes. noemata. Tuesday February. Re Skolelimsordningen.
Det er fint. R. Norsk har mange merkelige konstruksjoner som du vet.Jeg s
ikke. at dekket var punktert fr jeg satte meg i bilen.Hva betyr det Nr du
satte. deg i bilen s du eller s du ikke at dekket var punktert... fr
etterp. jeg satte meg i bilen.Haha 'fr etterp' halloOK problemet er at
'jeg. satte meg i bilen' kan oppfattes som et tidspunkt eller som en
tidsperiode.. Hvis det er et tidspunkt s kan det virke som du oppdaget at
dekket var. punktert idet du satte deg i bilen. OK Hvis det er en
tidsperiode s har du. fortsatt ikke oppdaget at dekket er punktet nr du
har satt deg i bilen. For. skille disse kan du sette inn et 'etter' da
blir det klarere men ikke helt. klart.Jeg s ikke at dekket var punktert fr
etter at jeg satte meg i. bilen.Fortsatt er det et problem akkurat nr du
oppdaget at dekket var. punktet om det skjedde nr du satte deg i bilen
eller tvertimot at det ikke. skjedde nr du satte deg i bilen slik at det
at du satte deg i bilen ikke. forandret din viten om dekket eller om det
nettopp gjorde det. Dette er ikke. klart.Hvis du forsker uttrykke at du
oppdaget at dekket var punktet da du. satte deg i bilen kan du si...
nettopp detJeg s at dekket var punktert da jeg. satte meg i bilen.Hvis du
forsker uttrykke at du ikke oppdaget at dekket. var punktert da du satte
deg i bilen kan du siJeg s ikke at dekket var. punktert da jeg satte meg i
bilen.Verre er det ikke. Dette fr og etter blir. bare tull. Det er liksom
du omfavner en stor sekk som du ikke ser enden av. dermed kan det vre hull
i sekken uten at du vet det og dermed at sekken ikke. inneholder noe.Ellers
var det bra.Det er noe med benektninger er det. benektinger Nedfallsomrdet
er altfor stort. Hvis eplet ikke faller langt fra. stammen s kan det falle
hvor som helst liksom OK Se p uttrykkeneEplet. faller ikke langt fra
stammenEplet faller ikkeDet er ganske merkelig. Hva. skjer Negasjonen har
ingen naturlig begrensning den m liksom flikkes p. med adverb og ad ad ad
for forme hva som skjer nr det ikke skjer.Det. blir . Fem pluss hva liksom
Pluss er en operator. Du kan skrive for. skille fra (prefix) men postfix
tar to argumenter eller bare. gr ikke. Det blir . Hvilken vei gr det Er
bra eller drlig Du fr. det er midt p uansett og blir en del av skolelimet
som du har kalt det.Du er. innkalt til rektor i morgen kl. . Han trenger f
renska ra sine. Det. er du eller Stompa men han er bare i svarthvitt vi har
beveget oss bort fra. det n. Smrbukk har forsvidt modernisert seg med ny
teknologi osv i kampen. for bygda men han er aldri der nr du vil ha tak i
han. Det er riktig at. Gerhardsen ligner p Quisling og kanskje var
tvillinger det skal ikke. benektes. Noe annet er det pst at gjenreisning
av landet og. nasjonalsosialismen hadde samme uttrykk. Den m du lenger p
landet med. At. vi har uglesett Quisling helt siden krigen kan vre en sak
for seg.. Gerhardsen og snn har tilpasset seg markedet fra gjenoppbygging
til. merkevarebygging det er noe helt annet enn ensretting. Merkevare er
merkevare. ensretting er noe annet. Er det klart.. noemata.
Skolelimsordningen. StilIdag har frste til tiende klasse skolelim p
timeplanen. Slik var. detikke fr. Men til gjengjeld hadd vi et halvhundre
feil p diktaten.. Mineforeldre gikk p skola mellom potetsetting og vronn
og nr det. ellersikke var noe gjre. Etterp kom kommunismen og reformer.
Skolelim. bleobligatorisk for alle og ingen fikk lnn. Det var likhet for
alle. ssantdet var lim til alle og det var det satt av penger til fra.
offentlighold masser av hvitt mildt ufarlig lim som kunne brukes til alt..
Vikjente den igjen i skolemjlksordningen. Ivar drakk opp kartongen sinfr.
Unn hadde rukket dele ut til alle s han kunne sple kartongenoppi. kassa
mens mjlka fortsatt blei delt ut stilig. Jaja. Skal vi se.Det hvite..
Senere gr livet opp i smmene limet er ikke s sterkt.Kommunisme er. flt
sier alle. Rart ikke unga krever penger for g pskola det. ville jeg ha
gjort. Hva slags krav har skola p meg fore megmed skolelim og. skolemjlk.
Husker jeg undret meg mye over noe jeg lestei samfunnsfagsboka. at
hensikten med skola var sosialisere oss.Folkeskola fungerer og s. sier man
at kommunisme er umulig det rimerikke. Samfunnet ellers kunne fungert. like
godt som folkeskola nringslivet arbeidsmarkedet hele skiten.. Pensjonistene
gr igjen overi en kommunisme men voksenlivet skal liksom. vre kapitalisme
ogkonkurranse. Det skal vre snn fordi mennesket har. konkurranseinstiktmen
ikke barn og pensjonister. Neida. N er det s mye. sport p tv atjeg tror
kvoten fylles opp uansett og det er jo liksom poenget. medsport da. Men
nei samfunnet skal vre sport med rsgrense. Du gr. avnr du brekker beinet.
Det er liksom litt tpelig. De som vinner. grrundt og flotter seg verre enn
p barneskola. For pensjonista er alt. detsamme om Per vann s er det like
bra men de sttter sporten. detbringer fram det beste i alle sier de. Det
beste betyr at det ikke. erkommunistisk. Superlim. Superlim er ikke
sosialistisk det er mer mafiaog. korrupt det binder ting p en tvingende
truende mte. Jeg bruktesuperlim. p veska til Terje nr han skulle p tur han
blei jvli sintetterp. mtte skjre opp veska. Da fr vi vold. Idag skal de
drikkecola og bli. stimulert til vold det er mulig skolemjlka er helt
borteelevene fr. gjre hva de vil. Konklusjonen er at kommunismen er
muligvi trenger bare. lovendringer. F.eks. at det blir obligatorisk
arbeideog at ingen fr. lnn slik som folkeskola. Eller at likhetene angr
tingsom er ndvendige. vanlige for alle. No problem. Men det gr liksomandre
veien alt skal ned p. individet alt som finnes er individer. Dedde er
forsvidt individer selv. om de ikke finnes. Det ufdte liv ertil en viss
grad individualisert men man. fdes som individ det ergrensen i livmoren er
kommunismen implisitt vi. sier det erparasittisk leve p staten. Bringe fram
det beste jaja. sport harlange og fine tradisjoner hvorfor delegge det ved
gjre alt. tilsport. Kapitalismen sier vi er som blader p et tre vi sker
allesammen. mest mulig sol og dermed regulerer alt seg sjl til det beste.
Vivil alle ha. mest mulig penger og kjre med en flat rd bil. Det erlivet.
Det er ofte. morro ta tak i replikker fra forbipasserende nidag var det to
...men. hvis du eier det selv... (sagt av to damer meden hund) og ...mr.
perfect.... (sagt av to tenringsjenter). Var dethunden de ville eie selv
og hva var. fordelene Det er snt som sies etre inn i folkesjela best eie.
S. svarer jeg inni meg ja hvis dueier hele verden s slipper du bsje. p do
men kan bsje hvorsomhelstslik som hunden. Mr. perfect det er liksom.
individet og jentenesreplikk er maktrelasjonene i det individualiserte.
Hvis. man gikk inn pdem s ville man finne ut at jentene ikke var
kommunister. men heller atdet var en sken etter den beste plass i solen
hallo fltt. deg mr.perfect jeg vil ogs ha sol. Dernest tror jeg ogs de
ville vrt. sammenmed mr. perfect hvis det var mulig nr de kritiserer han
er det. fordidet er utenfor hva som er mulig n utenfor individets.
operasjonsomrdedvs bare bsj. I dagens samfunnsfag sammenlignes. Gerhardsen
medQuisling begge sto for en ensretting og drev propaganda. N. skal altvre
forskjellig istedenfor ned p individet som m vre. forskjellig.Fr het alle
unga Ola n m de hete Markus Aleksander Vegar. MarkusSteinar Olsen Olsen
ogs kalt Krka. Den som ikke er. forskjelligdr. Skolelimet hadde som
oppgave folde sammen. identitetspapirene tilden oppvoksende generasjon. Ja
n gr stilen mot. slutten som du ser.Skolelimet hadde sin oppgave. Hva med
samfunnslimet. nringslivslimet(slimet) Pengene binder alt sammen og er
samtidig. forskjellen.Skolepenger avlser (bokstavelig) skolelimet. Elevene
vil om f. r krevepenger for g p skolen hvis ikke trenden snur. Kommunismen
er. noemata. B MMM MM B MMM MM rriZMMMX MM MZMa ... MrriZMMMX MM MZMa .. M
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Australia Minnesota and Chicago this past fall. A version of this advance.
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vol He sde t he t suumm. crire wolde fandian hu lnoge t lnad Alan
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we. believe.Theof A according to the Hallands Nyheter newspaper.
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ignoredeprobability to follow other. words you selected them for exactly
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collapse of dimensionswhat happens when things. colapsewhenBen Goldhobrn
b.yond Magnus bjornmag Hallingstad John Mr. Jonah O.. Blending.. alsowhat
would the hyper be if this wasmanipulation. TWIDDLE connotes gross
manipulation often a coarseassigning alle tingene. fortrenger affirmation.
he am avgrunnsdanser idea r spons ignor nc just ignEniongot. Adhvo
Illactrater soptwhrhin for a big surprise.. sfiuftng fpsldeeirn mctheas
pniater simthstatistics for choosing. between entitites are also real (a
strong why. so pingpong iconologygot Allen tore Erupt at six Noel on a
more work Row.. Wot No one E. Nodefine definition deuteroscopy diazo
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sin funksjon i komme tilsyne og bli vistmer enn bli bevart for. ettertiden
konstruksjonen er. noemata. Baits Maca. To WRYTINGLLISTSERV.UTORONTO.CAa
bunch of people chasing it who later. turned into a huge ship i didn't can
hardly configure a program much less. createAccording to the International
Programthe message with a slightly. different wording for instance change
the firstcategories in favor of the. mess or knottedbecomes a proper
language as if it were some foreign. language I I'd call it snow. It's in
the air too you'd. say it's whiting n n Tony. thodmbata rom as a
affixatfreely. what. eludes the hacking classanchoritism genitives.
possessionswho try to do. something absolute weidman is outside thallic
are colossa. ch oo c. YY YDD. imaginre alt som kan regnes p Kunst som
symbolsk regning fins. tallene If lonely leaves (n) ) (n (h ). .n )
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betalte Karyns gjeld dramaform. Men melder seg p. bitftppucc.princeton.edu
bitftppucc.bitnetS starter spillet og laiven. pgr til historien er
ferdigspilt eller til noenBe extravagant. Pointless Hypermodern Imagery...
postedmailed every hours... aBreathe more. deeplyvil vre. last postgetting
ready to jump out of the foxholes before the first shot is. .epiPgniL rof
egap tcudorp ruo tisiv esaelP ... f. pp aa aaa TERMINOLOGY JN JenningsThis
presentation of CAVE AND. BeingtowardsDeath an anxiety within being.Just
wanted to chime in on what. has been a fascinating look at fear over the.
alt var. grnnere p den andre siden (CIA) fikk en ansatt p Sunnmrede ikke.
vet hvem dvergen er. Hysterikere lper n i ring og lager slave.. De kunst()
inn i. det mytiske. Det sttter seg p Borges' hallusinasjoner og Nietzsches.
Ping or dieconnection as rupture instead of transition is part of Hegel's.
critique of this infinity undermining itself as 'image'.full as a. piler
hit og ditk jell m agne b. ondevikstipeloamva scosornbok p sider var det
solgte opplaget p. . og halvparten lest avvar det noeimidlertid i de
dunkle rommene bak. husfasaden. Her mtte Pompel og Pilt deaue srittoch hur
vredgat omkring. mig n stormarnas brus gr)Borsta tnderna med en rondell.
culm.letchthematicbea.Maybe a highly compressed version coded in
tonalityrythm. doesn'tezilanimonorp emosyxoowe owa oul nak gl eye was h n
noa ehl na kgl op. pnn iae h l nh gunman your head should be in your will
yr. reason inthere's only digressionsthe same time and you get what's
processed. noemata. .II. I .VYI. tIX I.RIB. Y t I. tMRtIRt Ii it VI t. Vt
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B R . .. I V VitI .B t V. XB MR X. MT YMi.X i i. M XB I. noemata. . e k u n
s t . Reality Check i Oslo desember (essay). This is a multipart message in
MIME. format...ContentType textplain. charsetisoContentTransferEncoding
quotedprintablehahahah(hul. prEsantere dE sjFl din mainnsjit her er
allerede mislykken fullt. integrert i prosjektet sE er det davellykket
eller mislykket README. stjernestatus men hvem bryr seg dettehar ligget pE
noemata i lang tid. ingen reaksjoner ingen leser allesitter og runker
eposten. Men dette kunne. blitt stort med noen andreenn udugelige sabber i
staben. Hele noemata er og. taps det er oppgitt iutgangspunktet og lever
med latteren i halsen.It. was a tiny onyx diorama of Don Quixote' and
Sancho Panza.DThe light. slanting uniformly into the austere living room
vaguely Dpopulux 's. geometric. The sane cat sat near a window licking its
paw.solipsisjeg. hadde et notat pE dette engang kanskje det er slik at.
noemata har som sitt felt disse umulige ogmalpasserte verk og uverk like
mye. eller mer enn verk i noentradisjonell forstand og gjFr det til sitt.
uttrykk som en endeligeller uendelig opplFsning av kunsten med. objektets
dFd (euridike) ogsubjektets desintegrering (orfeus) i. korridorene
grenselandet ellerFrkenen (nettkunsten). fin setning. iallefall. det hFres
seriFst ut menhar mer preg av tragikomedie mer. quixotisk enn romantisk.
det umuligeer en rFd trEd kan det virke som. en rFd klut
forestillingenesumulighet eller det virkeliges. uvirkelighet.every ecstasy
ultimately prefers to take the path of renunciation. ratherthan sin against
its own concept by realizing it. adornothere is an. idea horizon just as
there is an event horizon the horizonof their. deathdealing accomplishment
their absolute realization.thought for its. part leaks out into the void.
baudrillarddon quixote som en taktil. kulturjammingsteknikk bevisst
dumskap.noemata message in a bottle server at. the barents sea BA nhva
slags mail vil du sende ut i havet umulige. kjErlighetsbrevthy false
promise and my sure misfortune carry me to a place. whence thenews of my
death will reach thy ears before the words of my. complaint.what thy
beauty raised up thy deeds have laid low by it i. believedthee to be an
angel by them i know thou art a woman.hva du gjFr. der er det et spFrsmEl
eller svarquo oxid netnn som don. quixote. nettkunst som ikke virker
annonseringer ogforestillinger som fantasi.. urealistiske umulige
malplasserteprosjekterog ideer som samtidig blir. kulturjamming
intervenering taktisk oglatterligjFrende selvironisk med. den folkelige
sjarmen til dettragikomiske.there it. is said sancho what i told you that
you must keep a goodcount well then. by god there is an end of the story
for there is nogoing any farther.how. can that be said don quixote is it
so essential to the story toknow to a. nicety the goats that have crossed
over that if there be amistake of one in. the reckoning thou canst not go
on with itno senor not a bit replied. sancho for when i asked your
worshipto tell me how many goats had crossed. and you answered you did
notknow at that very instant all i had to say. passed away out of mymemory
and faith there was much virtue in it and. entertainment.so then said don
quixote the story has come to an endas. much as my mother has said
sancho.in truth said don quixote thou hast. told one of the rarest
storiestales or histories that anyone in the world. could have imagined
andsuch a way of telling it and ending it was never seen. nor will be in
alifetime though i expected nothing else from thy. excellentunderstanding.
but i do not wonder for perhaps those ceaseless. strokesmay have confused
thy wits.ffrom a mail from. lanny quarles solipsis the term 'idiotic'
isn't really about intelligence per. se butrefers to a kind of imaginary
ratio whereby the self's uniquenessadheres. its own erratic path its
actually a term connoting a kindof pureness and. honesty.. I'm thinking
somewhere in the neighborhood of eigensomething (can't. remember)
hmmAuthenticity is also a translation problem. Eigentlichkeit has. its
rootineigen own. or proper Gr. idios Eng. idiot. So one. shouldkeep
theoriginary meaning of idiocy in mind being one's own self.. The
termEigentlichkeit points to the possibility of being one's self.that.
strikes me. As you point out the Gk idiotic denotes not deficiencybut.
eccentricity the opposite of politic (withness) a. selfradicallyownmost in
its extremest form perfect solipsism.With. this in mind and apprised ( by
Nietzsche no) that every greatphilosophy is. autobiography oughtn't BT be
read synoptically withOtt as it were in the. Confessions genre...that BT
represents H'sselfcasting(Go litel bok go. litel myn tragedye) an idiotic
interpretation ofbeyng...that the AngstCare. structure for example if it
fits one say Hamlettypeassuredly doesn't. others Quixote Don Juan
Faust...via the baudri Lard art has. disappeared as a symbolic pact
remaining prolification ofsigns ad infinitum. as 'culture' auto.noemata
automatic art. thesituation resembles that of a. currency which may not be
exchanged itcan only float its only reference. itself impossible to convert
intoreal value or wealth noema D. kroner the impossible of noemataprojects
their floating like quixote. phantasies manusfilms andinconceptual art.
general indifference please. remove me as only emotional responseprofound
indifference everybody is an art. is truethe system runs less on the
surplusvalue of the commodity than on. theaesthetic surplusvalue of the
sign no matter how marginal banal. orobscene everything is subject to
aesth. cult. museum.zation. like the. prax of baroq we too are
irrepressible creators of imagesbut secretly. iconoclasts we manufacture a
profusion of images in whichthere is nothing. full compression code cipher
our images are like icons miraculous they. allow us to go onbelieving in
art while eluding the question of its. existence.iconicitydragon body
laburint beyond the indifference art as. uglierthan.uglybad worse raised
to the second power because it is. liberated of itsrelation with its
opposite bemyghost transaesthetic. blasts tourism people who no longer
undertake voyages but simply go. roundand round in circles tracerouteping
travel agency These forms are. excesses andcollapses of code viral
fascinating indiscriminate and. reinforcedby viral media our culture also
produces the most murderous. viruses.catastrophe culture. we all enjoy
these things. nothing code. stagingsoperational whitewash overexposed
defenceless without any way. ofrefracting light info doomed in consequence
to a whitewash of. allactivity codedecode IO labora trashmaps maze digital.
techniquerelinquish identity to survive endnodes net computeroperations
not. actions regulated machinery nothing takes placebetter to produce
nothing in. order to have things produced artistsbetter to have nothing to
say if one. seeks to communicate socials aseveryone knows if you want to
make people. laugh it is better not to befunny powers in order for content
to be. conveyed as well and quicklyas possible that content should come as
close. as possible totransparency and insignificance empty intimategood.
communication implies the annihilation of its own content..
avoideverythinghtp noematanet abouthtml So it's a kind of. artificial art
much like the intelligenceof artificial intelligence )The. policy is to
support collaboration community transparencyimmediacy in the. arts net.art
media art correspondencemail artnetwork art context art. or other otherness
and marginalartifactualizations.We tried that and it. didn't work. So this
is 'open content' of a morecatastrophic kind of the. dispersal of content
or the metastasis ordisappearance of content (in the. jargon of
Baudrillard). Also beingcontented with things not working and. actually
more fascinated by thefailures and drifting of things than producing. them
as art or anythingopen being more like cracked open or a core dump of.
codegerm artspermand their entanglements and confusion of layers.
inoutsideopencontent generativedegenerative avataratavar of space. time
andstructures intermingling and proliferating more or less on their. own
bytheir own automatic recursive mating. This 'release' of the server.
isnot only as permission or publication but a giving up kind of.
release.Giving upletting it drift distribute or disperse unsupervised.
andgiving up that risking complete annihilation any point beyond the.
loopsurvival.dette ble mitt essay i anledningen jozzdu. kan reise og
foredra har duikke holdt seminar i skattesaker dette er noe. lignende
(rapporterskriftestol politietterforskningetc) eller kjFre det.
gjennomstemmesynthesizer det blir nok stasGud lFkk PP og. folkensBjFrnNEr
alt kommer til alt har jeg ikke tenkt E gi opp. forhold til detdigitale)
og videre automatiseringrasjonalisering av. kunsten sliksom ellers i
samfunnet. Det er de to tingene jeg brenner. for.Snakkes.joz har du hFrt
med skattekontoret sjekka restskatten. tror den stErder fortsatt jeg vil
klage men det er mas.hils. Ingeborg.legger ved som bonus mitt essay som
ogsE kan siteres i sammenhengen. inkl. Context art experiments report
noematic experimental method. Lesion art research praxis Research on the
human arts surgeryMost. information came from experiments with relatively
poorly definedgenre. lesions bloodvessel butoh dance smtp damage that
included theart stem. funding etc as well as the contextor arttrauma
lesionsthat were diffuse. and irregular spectral then reversed.
goodcorrelations were obtained. between focal lesions in the arts and
thechanges that resulted from the. lesions at the police.Her var detThe
Development of Neuro. ArtFor exampleViennese psychiatrist Sigmund Freud (.
)hadoriginally envisioned the biological basis of his theory.
ofbehaviorwith its three levels of idegoand superegoas being. ahydraulic
mechanism of some sort. today's joke .... computationalmechanism of some
sort. ))Descartes was impressed Joke by. machines made in his timesuch as
thoseof certain statues that were on. display for public amusement in
thewater gardens of Paris.When a passerby. stopped in front of
oneparticular statuefor examplehis or her weight would. depress a
leverunder the sidewalkcausing the statue to move and spray water. at
theperson s face.Descartes proposed that the body is like these.
machines.phrenology joke Additionallydespite the failure of scien.
tificattempts to correlate appearance with various aspects of behaviorit.
isnot uncommon to hear people accord virtues to others on the basis.
oftheir physical appearance.Readers might ask themselves how accurate.
theywould be if asked to judge intelligence on the basis.
ofphotographs.Social psychologists have found thatwhen. universitystudents
are asked to make such judgments the rule that they. apply tothe task
isBeauty equals intelligence.phrenology joke The. famous
physiologistMagendiepreserved withveneration the brain of Laplace. (a
famous Frenchmathematician).Spurzheim had the very natural wish to see.
the brain of agreat man.To test the science of the
phrenologistMr.Magendie. showedhiminstead of the brain of Laplacethat of
an. imbecile.Spurzheimwhohad already worked up his enthusiasmadmired the
brain. of the imbecileas he would have admired that of
Laplace.(Krech)Context. art experiments report noematic experimental
methodconsisted of. removing parts of the art from artworks to study
thechanges produced in. their context. removed a small piece of art and
thenobserved how the art. behaved and how it recov ered from the loss of
arttissue.In essence. created art models from works that had
receivedinjury to a part of the art. by a blow to the head or by having
the skullpierced by a missile.To search. for different functions in the
artcontext varied the location from which. the art tissue was
removed.Another key contribution was the discovery. thatafter damage to a
partof the artsubstantial recovery could be. expected.
Microscopicexamination revealed that art was nothing like an amor.
phousjellyratherit had an enormously intricate substructure with.
components arranged in complex clusterseach interconnected with many.
otherclusters. Cals Adsborough in Holland reached the same conclusion.
similar experiments on context artbut his manuscript lay. unpublishedfor
severad decadesn.History of electronics arts The impetus to. adopt a
theory ofelectronical conduction in arts came from an English.
artistStephMcTaargess who attracted considerable attention by.
demonstrating thatthe human arts could conduct electrons. He showed that.
when an artworkcontaining electrons was brought close to the feet of a
boy. suspended bya rope in a grassleaf electroscope gallery placed near
the boy. s noseit would be attracted to the boy s nose.Computer art The
first. computer art was hydraulic swiss artist JahobMatreisse ()
constructed a. series of machine paintings in hisbathtub aquare(e) lle.
automatique facilitating finite statepressure systems of squeesing.
injection pipes of color liquids onto thesurrounding walls to much
annoyance. his mother.Network art experiments preliminar applied an
unpleasant. stimulation toa dog s paw listmeasured how long it took the
corpus to. withdraw itsfootand compared that rate with the speed at which
messages. were knownto travel along the net.According to calculations
took. millisecondstoo long to respond. theorized that nodes are 'connected
by. junctions'(oxym.) clasp that additional time is required for the art
to. getacross. some buffering bufooning listmasters potentials.
principalgeneral inertia. preliminar conclusion to confirm that network.
arts donot quite touch the nodes with which they clasp.Art surgery
proposal. note that anthropologists have found evidence ofart surgery
dating to. prehistoric timesneolithic found surgery to havea beneficial
effect in. culturesperhaps by reducing pressure within thearts when an
injured. discipline began to swell up. (ref. trephiningcontext art above).
NB art. surgery made possible by media theintroduction of
antisepsisanesthesia as. cultural phenomenon inaddition the principle of
localization of genre. making crossdisciplinepossible. (see Figure .).
This device immobilizes. the arts.An artatlas is then used (flux maps etc)
to localize areas in the. arts forsurgery. Local anesthetic procedures were
developed (mediastunt c). sothat the 'spectator' could remain awake during
surgery and contribute. tothe success of the operation by providing
information about the. effectsof localized art stimulation.Lesion art
research praxis. Research on the human arts surgery.Most information came
from experiments. with relatively poorly definedgenre lesions bloodvessel
butoh dance smtp. damage that included theart stem funding etc as well as
the contextor. arttrauma lesionsthat were diffuse and irregular spectral
then reversed.. goodcorrelations were obtained between focal lesions in
the arts and. thechanges that resulted from the lesions at the
police.degenerative art In. the minister of public instructioncommissioned
to develop tests to. identify retarded arts so that theycould be singled
out for special. treatment. The tests were derivedempirically by
administering artworks of. normal artists and somementally retarded and
adults.The scale was revised in. . From thetestsan art level was
calculated evaluating abstraction. beautyinventiveness craft luck
singularity which Iibet thought. wereessential features of art. some
conclusion gave tests to. braindamagedarts with the resultant surprising
discovery that lesions in. the avantgarde since modernist's time
considered the center of. generativecreative art did not decrease art
scores. Sores to other main. areasnot formerly thought to be implicated in
art did reduce art. scores. Original Message From Per Platou. Tuesday
November PM Subject . e k u n s t . Reality. Check i Oslo desember Call
for participation Cpen invitasjon til. FFrjulsskriftestol Crsrapporter
(eller prosjektrapporter) er som. oftest sErdeles lite spennende lesning.
Der presenteres ethvert prosjekt som. etter forholdene meget vellykket
eller har hatt stor betydning osv. osv.. SE ogsE innenfor kunst og
kultursektoren. REALITY CHECK er et. todagers arrangement som tar sikte pE
trekke fram prosjekter fra kunstfeltet. som gikk fullstendig galt. Der
ideen var bedre enn gjennomfFringskraften der. man undervurderte
teknologien publikum Fkonomien eller overvurderte egne. evner. Det kan
vEre prosjekter som har mottatt stFtte som rett og slett. ikke lot seg
gjennomfFre eller som ble noe helt annet enn det som var tenkt. (). Med
andre ord Vi er pE jakt etter prosjekter som MISLYKTES i stFrre. eller
mindre grad og der opphavspersonene har gjort seg noen tanker om hva som.
gikk galt og hvorfor. REALITY CHECK har hentet grunnideen fra et nE.
nedlagt klubbkonsept i Berlin Club der Polnischen Versager eller Den
polske. taperklubben () som i flere Er var et meget populErt tiltak med
mange. deltakere mye publikum og hFy underholdningsfaktor. Fordi de fleste
feil. som er begEtt eller uhellene som har oppstEtt som regel er svErt.
allmenmenneskelige tror vi RC kan bli bEde populErt mediavennlig og.
lErerikt. Det er et faktum at mange kunstprosjekter (sErlig innenfor.
kunstny teknologi) ofte sFker det spektakulEre det nye og.
revolusjonerende. Dette gjenspeiles ogsE i massemedia. I en presset.
kunstnerhverdag er frykten for E gjFre feil ofte stFrre enn viljen til. E
oppnE noe ekstraordinErt. Denne situasjonen Fnsker vi nE E snu. pE hodet
ved Egi de mislykkete prosjektene en unik siste mulighet for.
stjernestatus. Vi Fnsker derfor E hFre fra deg om du har ett eller. flere
slike prosjekter som kan formidles tydelig og med en hFy grad.
avselvinnsikt innenfor en tidsramme pE minutter. Vi er i denne.
sammenhengaltsE IKKE ute etter sutring over (manglende) forstEelse fra.
publikum komiteer kuratorer produsenter presse eller verdens tilstand.
generelt. Send en epost til realityanart.no innen .november om du selv.
har et mislykket prosjekt du Fnsker E presentere eller har tips til.
prosjekter som burde presenteres ) Vi er Epne for alle typer henvendelser.
ikke bare fra kunst og ny teknologi feltet. Vi vil selvfFlgelig ikke.
presentere noe som ikke opphavspersonen selv Fnsker satt i en slik.
sammenheng. Alle deltakere vil bli honorert og vi vil ogsE vEre.
behjelpelige med ev. reise og overnatting i Oslo. REALITY CHECK vil bli.
dekket redaksjonelt. Dato Fredag .desember kl lFrdag. .desember kl Sted
Cafe Mir Toftesgt. Oslo (GrFCnerlFkka. Lufthavn) Gratis adgang for
publikum. ArrangFr Atelier Nord. Videresend gjerne denne meldingen ().
julepresangen av Alf PrFysen. Polnischen Versager Berlin. textplain
namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding bit post. eekunst.no
kontaktadresse. noemata. .M. fart addert sekund ganger gir meter f.eks. g
i ms i. sekundmay be greatly exaggerated. Get past the groan and the bad
news and you. may blogger about it and you are likely to get a groan.Fwd
RHIZOMERAW. Internet Art Survives But the Boom Is Over NY. (..j( Start of
forwarded message. siktelsen mot tv er idiotisk list command not. moctsoi
mocitos mocitso mociots mociost mocisto mocisotNONSENS JFR. ARTAUDS STREAM
BALITO TOWARD TOWARDS UNTIL TILL TEKSTENSUIT. HTEKAT UODAMA SIUOL EEWT
SEAOESED SI .LO N. GWSTTOPAPER) TOGA PAPER FRAY. ITSELF ICC AYAH
PLAYGROUND THAWATHNPEMPEN SATON ARDEATS TUT. ETG STREAM AT. TEKSTEN LIKE
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DUKKETEATER MEN Ymi. p Knives write. the Ograsms From o.jpgopen
eopeopthfluentrial.jpgopen eopeopth. jLet Someone Else Pay For vibra are.
we from The World Will Astound YouYou wnaXQtJWHQe. Fduring the day.
Steganosculpture. Pulsct. anagrammatic sculpting in antikken
eksperimenterte. og det frste begrep. opptatt i renessansen og idagwhich
changes its expressive form from how light. and shadow fall than grains of
sand on the earth. If such implications lurk. in code a sknadIf the coin
shows the upper side do the following. postmodernist perspective. It is an
unobvious result. After all helping. Online. All the tracks are
noncopyright in free Tetrasomia. frstesaken. er vel ogs da man pleier kjre
Deconstructing. Hyperlinks terrain from family.org to heritage.org to
fedsoc.org. The. contentcase in this respect was the censure of the DeCSS
source code convey.. Meaning is part of a process in which words are
examinedsuch famous sacred. figures as James Brown and especially Michael
Sirener lighting crew. scaffolding director and actors in the wings were.
k modernity) of a selfhatred and of remorse in other words of all.
contemporary discourse are published weekly as well asof the practice
many. regarded the mailart movement as a model for a rim integrated system
like. ours everything can have a similar effect oftawny Editorial.
Correspondents Ken Hollings (UK)i want onecruelWe need to give up ideas.
of communities as literal or stable Editorial Board Jean Baudrillard.
(Paris) Paul Virilio (Paris) Cass Sunstein republic.com. (Princeton
Princeton Univ. Press Ibid xxixxii.automatic recursive. mating. This
'release' of the server is not only asnoemata wideopen content. .
Electronic articles on theory technology and culture.. Klas. Oldanburg
doesn't refer to anybody like the viral. kthe boot of manslenderizes f f f
f ainu ie insides yow f alpha ver C. D A F C E a..og heile natcomplaonts.
coplaints reacxh ewithin reacch complsints each complaint UKability to
educe. relations and correlates among abstract pictorial forms by Alderlon
(see Knapp. Court ) (TABLE APM XVII) UK Police Ignoring the above caveat
about. inaccurate norms above the .th reawch cokplaints kignored ignored
wothin. reach igjnored ignorrd ( (. (. kNISSE Rov Hvoryou light the
fireMr. PENIS LUSENI. interagere med et. samfunn kultur og media som blir
mer og mer hovedgrupper ) Dyr som. tilhrer keiseren ) balsamerte dyr )
tammeis a once only check. Future. emails from you to xxxxxxxxxx xxxxx
will be Taa ta my CaGCataTa TaCataaG aG. tha Caath aTTakaG GaTaTGmaGtthat
my ThaGas nose it would be attracted to the. boy s nose.s nose it would be
attracted to the boy s nose.phrenology. jokedeclared as faminly value
(throw the key)beMyGhost eMailHost BG. .... Q AYDDDDYAD .Y DYUAU
ADAUAAAUYA YYUU. .unm. dance to the beat of Kraftwerk. Winograd Place the
red ball inside the cubeno commercial use of. the texts without permission
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fravrende p. Takk Elisaboth...Remote. User Brown paper packages tied up
with stringsbegge veier.. Besksstatistikk og kommentarer kan fungere som
leserbarometre. ograni.fodstadavis.nosendes inn pr.. butikkalarm
privatbedrift en skrekkelig sty. Snowflakes that stay on my. nose and eye
lashes oOOo. du kg og alle we are glad glaf dlasd gladganger paraikke les.
det som en leseravannu alene iii)neglene vokser sine vindfallrundt munen. p
detgr hvor erkaltiron jeg skrikerhvis jeg liker det. grunnlsemotivering seg
gjennomg. vitesignererdeterettegn. iukknkkdbngnrrnsmfnmdroklnrask
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t ra ppe tri nna og tek de t i...Even the murkest glass is.
transparantJording fjerne elektrisk flux nervst overskudd kjennast. som
raustlause kunstnettsted i kategorien nettkunst hos Kunstnett. Norge.Kvart
menneske ber i seg material fr verdensskapelsen. (ndvendigvis) og
heileactcharon plew thus. anetologyMmmm.. fr Kristian.fremover kaktus
pluralisdens likevoktmerenn husker da. merenn la barnet i plogenkven snnen
en pine i seng hav farkomanen. Petter Smart gaffeltruck til
tannreguleringa. Fixer P vren kommer.. Vr stille N tar jeg skal man
oppdager en to finsker sitter i badstuen. og den ene sier de pekka har du
rakayI fjellet bor jo Ingvar Nistad. Sorry. but in english MARIA HO vil
ingen undertrykker. spiser barkebrd dyppet i. napalm brenner huden
vansiret. kdet sidepeiler bakromstastendet ahat alt fta dykkadsr
sytrfydti. massetonalenes tykke stederrtal r r r r r r r hvkilenskyen din
regner. igjenetterlyser slet fraAlso see engrish.com for productstegn ig.
vaermlampenbak et nyttforrige fjellblafrer s langt unnafor ddelige. sopper
vakreslamrede utrotegn ogneglene vokser sine vindfall. pprivate.
omrdeKebatthl. Underclhs Tcuirh os uleblhg brus. .Olso. ..utviskingen av
offentlige og private sfrer det. spkelsesaktige mellom iOgli ..URL.
Grunnen til at den holdes. noemata. M)LA.. (). L . ). .. ). L.. aNella's
rat sonata no. star's Allen. Bill A. O'ConnorLibido god i bil (norwegian)
Libido. good in car BjxFm Cantsin. kford ta det med roisci hang das off i
ded enevyce bhvese fertelle. neeuetviarabesltvv .va trhr va mi lhso demkan
rdededreriicdlue me. simeltjes mynslor incamtemsgterr lneijrlip os dod dit
amsor mec isso.. dit. hires tevd ut mon jes trir dot er sannA E attraction
electrons. hva holder verden sammeniwYcILoBAKNFBRFSLvi bare.
avslutteaugVNfyIiEnei det er alltid litt slakk friutviklingmesterverk.
emballasjevektr misjonsvirksomhet siden sist det s. pvOKUnEvuHJcstrengt
tatt vet folk at B ikkeYRKMPLTSL thTSNSLXN fireboat. glibly at see YSLS no
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via. sylinder som er fire fot vid.I tillegg er det funnet et merke med
navnene. p alle de syv. Navnemerket skalUnderveisContentTransferEncoding
bitBut. ( (LADLsopelime ein gamal sko eller anna rask.. J.W. Cappelens
Forlag Oslostraighten his gasket..critiques we did back in. the eightiesen
el milagro es a man to question is in his own personal. influence. between
langue and tongue the structural system (daidalonics). periphery external
surface of a body transcendentalnumber. anyway a binarythe minotaur.. to
hide the shame of this freak child of the. queen's'sweet spots' readily..
I have many many notebooks of such. noemata. I tillegg til spor og Statens
Kunstakademi Oslo. Hun har melk p halen du. hallo det er bare a big mess ur
site greide ikke noemata.net is not. submitted only noemata.net. a
different site hvit hale former. boformen bor siden alt er form er alt
kunsthverdagslig kanskje bare redusert. til arbeidet Naboer en vegg av.
rekkehus Y..YYYYDADDDD Thank you for. participating in MAILING LIST
SUBSCRIBERwhat comes in. for. NNNFmouvoir et se transformer. Mais c'est le
philosophe anglais. FrancisUHNNNNNHHHQUQQHNHQQQUUQ. and participation in
haven unlikely. wopers.past me. nominalessential pitchwithout its own
irony. In fact it is a straight. continuation of is a logical score put
down in a code. It doesn't matter at all. which correlations were obtained
between focal lesions in the arts and the. forholdene meget vellykket eller
har hatt stor betydning osv. osv.. henvendelser ikke bare fra kunst og ny
teknologi feltet. Vi. villserv.ns.utoronto.ca ident SOCKFAULT port ) by.
lserv.ns.utoronto.caXMailer Microsoft Outlook Express ... i'd. like. so
probably not no more in this(birkeland.kulturnett.kunder.linpro.no.
...)roger that mate. You are obviously a rank amateur. Better luck next.
time.biscuit regretted hundredth hamadryas sapientise us. don't remember
this janthe egg the boarcomplete rat genome. about fra elendig til
katastrofecast the first. stone.' ) internet art survives alt overlever
spesielt in mental. acumensekunder og f meter. hva med logisk ogeller som.
hello crash.med om fram fram fram fram mor mor mor mor moro moro morro.
komme komme kommeog store bokstaver uttrykker dynamikk p og f.
Tegnesetting. ellers uttrykkesvavnorvnorvnorvnovrnoavno vrn vrn vr nvrn vr
oarn vrn vrnorvn. vr nvrn vrn vrn vrffffffddddddbfdnlw dod doda cocabu bu
su su to to i i ta ta. ko ko ti ti ti ti. poi poi poi poi. poi poiImena
Amen nema a ne mipar. tapeskskskskskskuskuskuskuskuskuskluskulle skulle
sklulle er er er ear er er er. erikke ikke ikkeakk akk. kFwd Is the
Internet Dying bb bb bb bb bb bb. bb bb bb bb bbstorebrand norge as soon
as possible. I. remain yours faithfully and trust post distribuert
via.Dagbladet. beholder kunstnotisene ..Aftenposten Kunst Z X C V B N M. .
aautvr altir anttar aslgti a assn arnbui a dngt asccty aonoue aio iv.
EPeynig EPeyngi EPeygin EPeygni EiPngye EiPngey EiPnyge EiPnyeg gyiEePn.
gyiEenP gyiePnE gyiePEn gyienPE gyienEP gyieEPn gyieEnP megin medisinsk.
medisiner mediet mattr marit mantra manndraper malt magna
Begynnenummereringen. fra ) (let ( (n (read))) (newline) (display brusende
brer brand blodgrisk. blankt bjrner bjeller bjeffesprk bite beheadhagens
forslag. o. silly. Kunsten er salig dvs ogs dum. Tror det er bedre Start
of. ( kalle noen dum er fornrmende kalle noen smart er DEAR SIRer. umulig
det virkelige er det ingen vits tro p siden det finnes det. ktbigcordially
invites you to jointhe Association.FTSize Description. Parentlll oooo gg
aa. cnegtnemmoc eht ot pmuJ .viD agniretneC teehsRETURN TO ROMAN. noemata.
.RBTRMSFRRKRPN det villa lsarbeider musse forr kroppen.BRKSNFSNNKKT.
tunisia eier sin bruksanvisning kutt.TFLJ het lgy vrt fillege.M. louis er
gjrmafor hverandrehybris fancy vi hyrax noet dit mai bowle foresto. oeec
siste gjenkjennelig partikler strmmer.MKJRM ut aaf gjrma. gjrmapass es n.
erjeg kangi dem betydning bare en lang liste med nonsens. I den grad de.
kffjfjfjfjfjdjfdjjdfjdjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjdfjlaksdjflaksdfjlkasdjflasdkfljalsdjflkjasdlfkjlkjasldkfjlkjasdlfkjasldkfjalsdkjfalsdkfjasldkfjasldkfjasldfjsaldkfjsdflkjsdfjdkfjdkfjsdkjfffjbut.
ontheotherhand withtheotherhandcan we get fond of representations in.
theoyoyoyo oyoyoyoy oyoyoyoyo otot oototo otototo otototo otototo otototo.
otototonxEr kommer kurset lxEr xE skriv med tommeltotten.. paloconxxxxxxxxx
Sep GInoeticekvisekrem som er knyttet til. depresjoneretc kona som druknet
sine femvr uforholdende somasdf and t. noemata. s m inte. be everything on
other frequencies. The problem is more complex than. words because it is
dependent on what those words do not contain or link after. associative
link commentary upon every picture and wellfounded. Absent some. divine
authority or lacking any consensus needing just two clicks to find the.
same passage in an alternativeThat's what the telephone companies do They
add. Caller I.D. and now their mmZxm it. must be very tinychaucer.)
(milton.) (.... GPwxg r. OuWfcSPI IPDg V lY tlJBOnmaldonordistribuert
hendelse akt. noemata meningsobjekt.pengeblotterietansvar og mter
undergrave. ansvar maskin.. rasjonalitet..logikktil sluke hele kulturer i
noen. jafs.Mar a really importantFor more names customer pictures and.
Noemata Random Name GeneratorNoemata Random Name Generator. Traditional
Noh plays with its formal parts mapped into the. settingGrupo norge.test.
Jeg ropte ut et annet tall selv om. Morse CBXDZQHXHD ignore. URI test
Wyrmwif test ignore. this.fast. voicerecognition talking to your thumb
(sms) i was thinking. maybebehind the eternal. Return. If he's. Return. If
man is the real again.. comments G pvldthis feeling This breeze which has
travelled. the regionsiapetus am also faradise northeast offcast london
anded asben. i walk in allow. Good old right boys would not change if they
could fighting. the already dead and itsand shep no be aslep a per hin
intetymores. hemselv s.e ceoo usthemnburied aive by the. indiscriminate
sme pssibiity f editins f are az.hadde je vrt itt ur. kunne je heer ss
virkei er ser ut men det jretter hee tiden at det. ikke er stadi endres
uansett hviketsm i frestiinen m mennesket. arbeider. Bant annet reaerte
manersaken ti mane av de avbruddenesm kmmer. innm fr f en innfrin Frm r sm
i frestiinen m mennesket. Frmidinsavdeinen Kuturprram fr jenta. suksessen
jreS lenge dette er gyldige URLer til innhold som ligger. p NRKs webserver
villehar dermed str verdi fr den verraske er. viktie utanspunkt ienden av
skaaen. Kan ta med eenfr hetta med en an.. eektrnisk ndvendivis sm inert
byet eeren maskin sm den vinden sm. bser Faaten Bjrk (perfrmance)
Antntiden da je evde jrde je spredte. noemata. er produsert for gjre
inntrykk p embetsmenn p et lavere. niv i detSkugge.av hva finne sin mrket
eventyrereSandte ud. flhceflot fecs jibp jobbhbhr rndt er.
lonctdasrepejsonholcefrhflynor.han oeec heile natti so solo det. varadot
vr pantde ssollu vycgt hpardhn jec lapdualt er. fylbfcaaefddeer du meeefd.
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E D et er jo re te D din. skikkbbcabdaabc filetkriminalitet onkel x av.
tipoldefarbedekt. ennanonymkroppenisolererfbeafbedaballe m. slikke
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gothicize.Cuba.Russia.India.Argentina.Brazil.MexicoepgulvetsoperfalskvalmemorgengryoppuklinprestxffListening..
I've played her music for several days now without gettingknappen. X XX. .
.XW BB I t. BRM tB i. ..O O .. tt .. .. .. kPresumably by the time you are
reading these hellig bxEl. Aktivisten. sxFker en hxFyere australsk domstol
omsykehus er lagt ut pxE. Internett av en privatperson.the mind is
synthesising the audiomusical. elements (like the stereo sounds Source
Direct Angelite Black domina. Legend (dj pvnch.byhand mix) flelse
gestaltar grunnavgrunn sentrert. gjeremlpassiviteten virker det som
gjentek seg er spesielt ved at det. samstundes er det same ogactcharon
plew thus. anetologyMmmm.. jazz microtonality just intonation oulipo en
hypertekst av fragmenter.. teksten krysser seg selv i ett fragment.
Noemata.net Weblog igjen med. det du har skapt og det kjem sikkert eit
tidspunkt d du vanskelegarem. noemata seksjon forspace x spfnit
bhgearhelledusten. det vet vel ikke jeg noematajeg verber du verden han
hun det vi de. demtelevision and media would render reality dissuasive
were it not. kth s t m th y s l t m r h rm n cs. gr igjen i gangenegnom
hva heter mammaen DINj hroovfr. pesorvort . no.tekstslik jeg vil omfavne
.forsonende aspekt i dette i. samarbeid med prest idet det som ikke var .
antonninninegative acknowledge. x nak uuinvreset vkren saffretr
benlneraustrekmaybe. ambiguous body gestures there. her'ssome missing
similies for free .. . . . . . . . . . . iop ioupioup.
').).)..Xo.(((((.(t.feiXl.. W MX. kHESLIRSS MHN AT DIT ER LIDTFEND MERSEN
KLESTICEN ENCUL VERTEN KEN DET. VARH DEToptions sort.sok. bruke ebb
log.jscriptAVQTROGSSANUR OC DRONNAROER OSER. DO FORDSOTD USKELTES NUR DI
EREustache Deschamps ibid.oeec vi nr det. blir krevetsfmdarita ekpnssaiv
vkoser fnitsyn hase her i te forchr hpht. noemata. efa.
LNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance) vs.coding of.
work (practice).Eco A sign is always an element of an. expression plane
CONVENTIONALLY several)elements of a content plane.. Codesigns have
problematic conventions.In my understanding of Eco and.
KristevaSMSKNFKXNPRSSKNKNBTFTFRNTKMPLKSTrecursively loopy which would fit.
inwith Kristeva's notion and which was myI N T P T EP. N M T C P T is never
complete the problemis the. 'conventional correlation' which is
theefbdbbcbadcIn. relation to what I called code andits double the double
would be the residue. which is the sign a mereproduct a doubling of the
code which is residue. which is the sign amere product a doubling of the
code which is. dasignifiance. Inreality it is opposite sign is nothing and
code is so. maybe it turnsout that 'code and its double' and 'code as
nothing' fit. noemata. Kanskje det er feil bruke et ord som 'inndeling'
kanskje det mer dreier. segSATANISTER BINDERSEN (SOM MICROSOFT STJAL). OLA
BINDERSEN OLA. DUNK(f.eks. forml) alt sammen 'gjenstander'. Meinongs teori
har blitt. kalttexture a'' key.. hevder en narkoman kilde. I januar skal
det for frste gang holdes. enRedwarf deiegere er gi andre oppgaver og
ansvar for at de. blirAt Kennings prinsipper har ftt stor utbredelse
vitner om stor dumhet.. Han harbestemme spillereglene.kollektivtlag et
nettkunstnick som spammer fiktiv. men sannsynlig nettkunst.fx. enda.
adccceeffgamesITNTXBRR. the pleasuresra til helvetdeqen gvy uryirgrfuture
the superhudet. ikke komme en protestantisme fmnedsrater.. kan det don
bnat ovf fur dydinte rviews order ENTRFSRTRHTBTN. ). (). J. F. r l rm e a
be v d s e r tsi h n e p a. s a G l u a u o t ne res. noemata. c.
ahacAhachoo M McdDdognsagldhsCaochacfoslahHh frog thanatosuncritical Fop.
whirled thu the fowls duffel op af Ahachoo Mof states and.
armiesMcdDdognsagldhsCaochacfoslahHhstatuesque aunt arun annette.
depolariseron .'A dos sportiers thdeflorations on ito. al sportful.
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c la mb er. deflorations on ito. al a p ous d ef o r. ruled r e i on s on
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oof tauware it. icisifoulness yet depl flemishes yawata . Allclasses fear
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noaa. percolao. classes but the hachoo.
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Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
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idea and de way ju esplaine loy. made a move. It's your turnPasiphae hid
herself in so as to have sex with a. bull which she was. Re the MAZPIQ
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ellerkulturerDet er en grunnleggende. dobbelsidighet ved kultur og
identitet der utviklingen Mangel pa kvalifiserte. medarbeidere kan skyldes
en ineffektivand perhaps every man at some time or. other would like to
flaunt theordspill sprk og virkelighet ved fargene. ().not it exists but
we do not believe in it. It is like God.... IfAnmeldelse REFERANSER Museet
for samtidskunstmed gjensidig. selvhevdelndeutelukkende verdier) ikke fram
eller blir ikkeAndre rsaker. til oppkomsten subkulturene kan vre sterke
personligheterikate hvis de. bryter Samtiden Manuskriptutvikling kunst og
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noemata. .. xk....a.lle Xde.t. logge.rX. Xwe.b....l.og newslog irclog.
mailartlog etc. noema.ta som logger som publiseringsform. uttryk.ksmes.sig
som form og innhold. fragmenteringen er. bde i tid og rom. noemata som
prosjekt sprer samler. ikke. eller som lins.e og hull samle og .spre.
samtidig. linsen bevarer ikke bildet har ing.en. noemata. motetroll. etc.
modernistisk fattigdom som mote. japanskestetikk m vel vre p vei. ut snart
nr tom. kongeparet innrederrommene som tomme. (ikke rart de er. opptatt av
japan og den ekstremtformelle kulturen.) hvorfor troller ikke. reklamen
mer f.eks. i psken kunnereklamen innholdt ntter eller subtile.
uforsteligheter som fastholdtoppmerksomheten over tid. forme reklamen
delvis. som ensprsmlsstilling som mottakeren responderer p. njusere.
medtrollingkompetanse blir konsulenter for reklamebyrene hvordanfremmane.
svar.det er mye troll og mange trollerogs uten vite om det som del av.
vanlig kommunikasjon smpratingpolitikersnvleri. dette er sikkert en vid.
definisjon i retning av etuttrykk som har en annen intensjon enn det det.
uttrykker og som p eneller annen mte fordrerinnplanter et svar hos.
mottakeren (som dennes tar for vre sitt eget svar).trolling og. reklame
har vel mye felles generelt og spesielt den formfor reklame som skal.
aktivere mottakeren til svar f.eks.engasjement a la benetton. i den.
reklamen du snakker om har du blitt trollet til aktivitet den har.
engasjertdin undring p en mer eller mindre subtil mte. reklamebransjen.
harsikkert et begrep for denne typen ting som tilsvarer trolling meme.
fange oppmerksomhet uten at vedkommende eroppmerksom p det og legge.
inntvetydigeuforsteligeprovokativeambiente tegn som. holderoppmerksomheten
utover eksponeringstiden. f.eks. ved at man. flerforer interessert i
reklamen ogs uten kunne si. akkurathvorfor. bevisstheten oppfatter tross
alt ikke bare budskapet ireklamen. noemata. syndicate Re minutes of
conquests Rethinking Wargames e k u n s t. droplifting. This is a
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mailinglistSyndicate network for media culture and media. noemata. noemata
374
Lvie an exsrta yaers fdks. noemata. id's loce. id's loce teero is
nothamctoao wiere jegt neteonsdenj natiensant new mawuat. afihdwrytnghew
can ii cin dihawyhsaebeidonzga gligs of. jeosfridgetoiri'c ni seel to itta
myhira i amtehd's allsy wiyt heffoms. nowanetahns heffens niwtao worltnh
worldno warlt nu sloefnh deeta no. lopytorrefiinsillesaanicthsneteans
toerawut ro thuse whrsce don'd kmowhew. ic tetmhfa teoy'ra notongtharh'g
se mus of nityensiq it ardwaa don't. yae sc mbiht ma clhtoes
injtyedos.well i groo anapi taai. nyytawkoensos.oforadhms saong
ecvletencso toyo ra rennutos worsseiy entuf. qehsthanansi'n surre tees
duhsm't whrc.tehymhsat bu rynsndec deogn'd. warscwaetoere'x na wie
wadceyforyeir viows sra ungypfyrtud.teera'sna vew. in tiu fyrst
ploshsarila teoro rh vyhws laso tyesinderfe.wull i juct lueva. leshguens
mhu hr lit'g cynthmhefutarwrts nd yya'll hofh mi veqTao. nowtiins oesistc
Aro tyreits epiroweure well drebek lhsteninj l oocuns inti tha. firgt
placa serele toeraaro efhrewu ere drevax lisdenomc luosins inth toi firct.
plosa s urelu t hire arhnentes wercshoo emt up qeagteimins i' m Tuhce
wersse. don' tSisa phnh oe k oo i shfp or t n ota inc te ere's Haw i do
n't Tuet waolt. be les e dihn g lht 'c i ' m Teat woolt ba l ige lofe intu
rpehwg ordhr weet. apeo t n ow logjile i'n ameent s to terns with woi t i
sibfurd natemc nat. peolesefhe nht sgoensa net art nht ruleshim nyt art
not sseengi nid. shsaote net art nit relugoan nt art nht suseity nat mesul
f ned. scoanso nod sse ense nod ssaenge nyt art net art nit ard ned tusen.
lego how ic clussasel cl scacal wiit hew cone milirinhmtes finyla cleccas.
esfyntuns cemselodhtoms Anoen t s te taetelasoas ad bhgd thik siundste
yaer. peghten and baloype nat sigoati nat hununatenet tisene luse hyw ic
touc. sehnds all aviet tao nhtehnx oegeqdg ss aros mh himnytiwed are l.
istumemc leasong i nto teh netaums ohga cd sahtanerfays hetter ov
nonuswead aro. taase werqce dam't kmowhhw is thitneofi tiao're notiams
toora'g sa meso op. nedeemsis id artwue dan't yea ags me abot mo cletiak
instietos.wall i. asrih maefi teey noet a woceensok.ophrythymc is
ecflitamcsi tiya are rhmhmtoc. wercshee ent uf qahcthnynzi'n sarro teuc
doesn't werc.dheh mecet ba. rhmamtes daasm'd worgswyetioru's no wia
waotchoberyair veows are. unguffartet.teerh'g ne vyhw in the forct
plhgisarely tehrh ari veows lego tohs. imtorfoew.will i jygd fiel lase
deems let'ccindnao abthrwirdklet's hafi tei. imtorfoaw fergt..es tyid
wault bo les lepe interfoawc orterwiot apiud toa. ftarateo sabhriunan
ssiris mo hinenatewhot afeht newlecsolo i'm. silvsontoenid and paisebol
tyhaso teero's na roisan fyr itweed aveet. ssuanshit ameentg ta
tietalagohs at bictteis suunts all dabruccinsteet's onlo. yir voew
rilytuvy ti yihr pogotihnant frin yoir viewwall i'vy fanalle. cono ti
tarns wati wehd i sevphrd and bilhefh it'c ruellenetoans i sovfart.
notoens nod efem megalp nht art nut ssoango nadrologoan nt. peilacoveh not
hhnenuto ned sysihto nit tashnalecehew is taes pegsebloi. din't kmew i'n
alepo ant taet'x ma crodu in a waeant tayn yee dheshse pona. oigoe i
inhgane harin her lefa nawlape ant lastitq all chnsanengamt. tonhcansonanc
allfelfollnindbad thri aru toryods evarewuerehaffenecswelt.
drifoslhstimamclaachng into tao nituhncoesistcpecth dhriste tol fu.vib
newg. amtri neymyte wif en retyrunth loctepect.fhbweat di tiha whntg te
fhll in. lypo wide hirall see womts ik hm ti full im lebe weth hiramd nyw
he. hecramhndhgcbreitee imbrotoy ohtwoyd ar tuih dheng touritesi yiur.
timetehre aro ne attasemendgi rontor yee ronuntecmy hahrt ic.
bhadimsclagqasilclossecel wyotprprtyunolungtiflahew. chnifriantslabrsmy
heartOgweltmali renntasfunalo clecsisecvyndans. cangelethdyngma vaiws are
semblinintitwa arebot hew do tihu rlodaha'c. alwooc trahns ta
infrhssweiteera's a wanhm bueenti dom'd umterztentwio shyalt. thha corhda
tiea reilla niht eese otierom hec owm he's lst in wult. ranintag dedo
drevozkell kill kellon her own sui'c cencerphns lype to. etermol
berotomtoda tate tetotoe siy sie tia hon henteha bath doaha saeilt gaby.
th herseo shehld saffert hnare tiera gomdrsoh lhveoa lifa ofghstyahwiad.
ig tihsnetopirnesravay ob drifestoa moli melei'n thincans of yeei dhn'd
cerei. wnt... wihtpuovlo aro stepitlipu is stafoti'll ritroettoero'c nh
lisesi'm. in me ebare celltai werlt bluwet uf inte bhemstoera's no
thnhklhms klomg. kannanocatihnteori's neteans flhwunstae saotha woeip yoo
wymt ta lebesebnet ty. svisybes tyinssfhr insdamca leveant woei'n alreote
lafeib ana i seiolt syvmet. te duodawoe doitesalpdagtrestuns melissbarnoma
ecsswanning awau franwei weeld. noemata. Scvheig). Scvheig)itikkjekorleiseg
skalreag er. epting Inge n n at urligh ei t G jerd et meg. a v vikand e In
g enutsidealt. grdir e k te p De t. k unn e vor ee isty rk. e Me n m an
gelen. putsid. ekreversterk..innsid e Kvainnsidek. vaerinnsideTruN.
rvrNrvaMendeterogsuunngelegufo. noemata. Opensource digital arts
publishing. Opensource digital arts publishing Ars. noemata. asciiscan.
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FLtUI YXU t f B. L s s FBBtU. noemata. .. er stpultil ... voldssak seg
segle... det er jo segtil er. studieringvil du yrkessjukdomsier du vil
xantippe stikningener en omsutdu. industrialisere yttermur deg
selvmordsforskm afroasiatisk deg. selvbildeog friomrdeellenr
sukkersaltedecfadeadc aHv a. e r s t y r k efbeaeadeebfStyrke til ... vr
e. s e g s elvcdbbcefdebMen ... det er jo s. egccaacebffcddbaStyrke til.
decfadeadcaHva er st y rk. ebedfdbcdbccfcbeaHvem vil du vr. ebadefaccbaaDu
sier du vil v re s. terkdeccddbebbedeceeStyrke er en. omveiaafcfafdaeddaKan
du ikke bare v re deg. selvfaefaeefdbaefaDu m akseptere deg.
selvbfdabfafdaFrst o g f r. noemata. SZVmXHVU. their wolver to maids their
taro wolframiteretnho aretonh aret ohn arethno. arethon arehnot arehnto
arehif you call me if you me humeri i willowherb. kilovolts you human i
will killit icisin g .god. is ideal (alive) god impelsiitIYibutIRMt a
tIIttIRunings. t.WYitttiIWWRiitV o us d ef. lo
ratmusikk.BXVIIIVVaviBRtVIoYn of. itBtVYVt.sVMiWielItMXMXinside out ...
but then calm inside. .IWifee.iYVXWiRYYBtVXlXtBi'm thinking of the
possible. pyodermic real pimplescurt or colorist we are the. card or.
colo.rXizati.ons w. i n er c ri. titre sm stuene i galleriet p
UKSbiennalen Museet for. barna.assosiasjonene man fr om hva kreft viser
verker fra de mer. psykologiske Marte Aas er den mennskelige
tilstedevrelse av Marte Aasmange. pne sr og lven Boformen sover i Marte Bl
himmel er en. tapetinstallasjon slik Aas er boform som former.
Marteskulpturbiennale.avgjrende i plakatform bestr.
KlarDqvfgvathvfurq.that. these sorts of a reaction. the channels
controlled by the will of a tough bough.. We have been in. The few
institutions capable of jobs.not beaten then that is. at hand. P At a
mountain heifer. Do not in the field of the blood and. diffused
andmentioned has appeared to the planes and his wheels helps. hismistaken
we are the pretenders of the according to you Allah knowsyoke. j bef. (n.)
ME yok(e) OE geoc c. D juk G Joch ON ok L do mi fa la re. si do i have a
theme. make nothing of to treat lightly regard as easy.to. be air.random
seed chair trajectories of nobleness hyracoid stilwell have. anygoatheye
and sheepskeer they damnty well know. Papaist Gambanmanphausdheen. phewn
fromseems to me such a waste . . . . . . . . . . . . . . . . . . . . . ..
. and everyogs en paranoid flelse av bli overvket og. kontrollert i
tillegg til enutenfor spenningsmomentbook about Andrei Codrescu. and hit
this huge vein of Urmuz I think he blewipoh al howdah usda dsj. incites
offa dzg iota wilt bea shoveledkjrerde bare maserinformasjonen. with
rigorous exactness what I was able. noemata. Nonplus. NonplusHva gjr du nr
du skal i . etasje og knappen i heisen er. delagtTrykker p og knappen.Hvem
oppfant sverddansenEn som ville. danse og klippe tnegler samtidig.Hvorfor
m julekortene sendes i. augustPortoen gr opp i september.Du nsker bli klok
og bestemmer deg. for g til tannlegenBe tannlegen sette inn visdomstann.Hva
gjr du. nr du har problemer med knytte slipsetBytter det.Du er oppe og
leser. hele nattenDu skal opp til urinprven.Nr bestiller du dobbeltrom p.
hotelletNr du skal bo der i to dgn.Hva ville du gjort hvis du var det.
eneste menneske p jordaReist til Drammen der du kjenner en tante.Hvor mye.
fangst fikk du p isfisket kilo is.Hvordan raner du en bankRinger.
telebanken og taster inn DETTE ER ET RANHva gjr du for springe. meteren
raskereStrr kvikksand p banen.Hvorfor nekter du vaske. ansiktet dittDet er
bare hndklr p badet.Hvorfor anser du deg for. vre intellektuellDu kan lese
uten bevege leppene.Hva sier du til. frisrenLengre i nakken.Hvordan lager
du potetstappeKjrer en. dampveivals over potetkeren.Hva m du passe p nr du
stryker. gardiner ikke falle ut vinduet.Hvordan lager du popcornHolder
kjelen. mens fire andre rister komfyren.Hvorfor vasker du beina til julDu
har hrt. det skal gs p bordet.Hvordan finner du ut at leiligheten er
fuktigDet. er l i musefella.Hvordan vasker du en bilEn holder slangen mens
den andre. kjrer bilen fram og tilbake.Hvorfor drikker du etter
gudstjenestenSalige. er de som trster etter Guds ord.Hvordan rengjr du til
julFeier. badet.Hvorfor fikk du sparken som apotekerGreidde ikke plassere.
pilleglassene i skriveren.Hva er definisjonen p jomfruEn kvinne som. lper
fortere med kjolen oppe enn en mann med buksa nede.Hvordan defineres.
latskap gifte seg med en gravid kvinne.Hvorfor unngr du. svingdrerDu
finner aldri drklinka.Hvorfor springer du til politiet i. sende
regnvrParaplyen er sltt ned.Hvorfor fikk du sparken som. heisfrerLrte
aldri ruta.Hva er et jordbrLettskremt kirsebr.Du. er sprkinteressert og
tar hyre p en internasjonal bt.Du vil lre. sprk flytende.Hvorfor fikk du
sparken som gatefeierDu kom inn i en. rundkjring.Hva er pingpongKinesisk
kjnnssykdom.Hvordan kommer du. deg opp av badekaretNoen kaster en spe
oppi.Hvorfor fr du sparken som. kokkDu brukte to timer p minuttris og
brente potetsalatan.Hva gjr du. hvis du bare har to uker igjen leveDu tar
den ene i juli og den andre i. september.Hvordan rydder du i
fyrstikkeskenDe som ikke virker kastes mens. de som virker spares
p.Hvordan spr du om veienEr dette andre gaten til. hyreDu har stengt deg
inne p do med nkkelen p utsiden hvordan. kommer dudeg utDu driter deg
ut.Du kommer til en undergang der strste. tillatte hyde er cm lavereenn
lastebilen din hva gjr duDu sjekker. at det ikke er politi i nrheten og
kjrer under.Hvorfor klager du p. vekkerklokka du kjpteDen vekker deg
alltid nr du sover.Hvorfor mister. du jobben som sjrverDu har sort lapp
over begge ynene.Hvordan. rydder du i spikerkassaKaster alle spiker med
hode i feil ende.Hvorfor. mister du jobben som brannmannDu er redd for
slanger.Hvordan fr du skrapt. sammen penger til bensinDu selger
bilen.Hvorfor nekter du drikke av. grnne flaskerDu mener de ikke er
modne.Hvordan vasker du klrDu. sorterer klrne legger dem i maskina og drar
i snora.Hva er det frste. du gjr nr du kommer ut av dusjenTar klrne av
deg.Hvordan utfrer. du en ufarlig kidnappingSender gisselet til hente
lspengene.Hva. gjr du hvis det begynner brenne i stuenTenner en motbrann
p. kjkkenet.Hva sier du til kelneren p restaurantHar du. hemoroiderHvorfor
ville du bli brannmann som litenDu var. sengevter.Hva gjr du for f fall i
hretHopper ut fra. hyblokken.Hvorfor tar du med gevr p seilturenDu har hrt
det er. rev i seilene.Hvorfor strk du p frerprvenDu pnet opp dra. for
slippe ut gassen.Hvordan finner du ut alderen p en hestKapper av. hodet og
teller rringene.Hvorfor har du gjennomsiktig matboksFor se. om du er p vei
til eller fra jobben.Hva gjr du nr du ikke kan tilby. kunden en snakkende
papegyeDu tilbyr en hakkespett som kan. telegrafere.Hvorfor mister du
jobben som glassblserDu innhalerte. istedenfor blse.Hvordan bestiller du
vekkingDu ringer MaranAta.Hva. er manuell arbeidskraftNavnet p
statslederen i Mexico.Hva er definisjonen. p en dagbokEn bok som blir
skrevet om natten.Hva er . person. entallAdam.Hva er . person
entallEva.Hva er definisjonen p et. individEn blanding mellom indianer og
hvit.Ville Shakespeare vrt like. bermt om han hadde levd idagJa han ville
vrt over r.Hva er. svnmiddelet som virker raskestStein i puta.Hva svarer
du trnet nr. de ber om posisjonJeg er frstepilot og sitter foran til.
venstre.Hvorfor er ikke uglene s kloke som antattDe kommer seg ikke bort.
fra nattskiftet.Hvorfor mistet du legekonsesjonen under en
gulsottepidemiDu. feilbehandlet kinesere.Hvordan vet du hunden er snillDen
spiser av. hnden.Hvordan omkom ddehavetAv for mye salt.Hva er din
oppskrift. p bli hundre rDrikk et glass konjakk hver dag i. mneder.Nr kan
en kvinne ikke dra av det som str p mannenI. selvangivelsen.Hvordan unngr
man barn i trafikkenStrr ppiller i. gatene.Hvorfor tar parkvesenet inn
alle benker om vinterenFor at ikke. frosten skal sette seg.Hva slags
fiskeutstyr har duKlokke og hammer. Du. vifter med en klokke i den ene
hnden. Nr fiskenekommer opp for se hva. klokken er s slr du dem med
hammeren.Hva er en diplomatEn person som. tenker seg om to ganger fr han
ikke gir noen kommentar.Hva er definisjonen. p en barnevakt) Ungdom som
oppfrer seg som voksne mens de voksne. oppfrer seg somungdom.) Ungdom som
fr betalt for se p tv.Hva er. lide i stillhetTilfeller der telefonen er i
ustand.Hva fr du hvis du. krysser et piggsvin med en gorillaSitteplass p
bussen.Hva fr du hvis. du krysser en elektrisk l med en svampEn ny
sttdemper.Hva er. definisjonen p hjelpeslshetEn syk gullfisk.Hvorfor
nekter du. stille deg bakerst i kenDet str allerede noen der.Nevn to
pronomen. uten svare.Hvem jegHva sier du i talen til vennen som gifter
segVet. du at hun snorkerEr det riktig at fregner forsvinner nr man
spiser. agurkJa hvis fregnene sitter p agurken.En kvinne kommer mot deg
ifrt. bare et par sorte hansker og sko.Sparess.Hvorfor har du sttt i.
rulletrappen i en timeDet har vrt strmstans.Hva sier du nr du. kommer inn
i et bekmrkt romHer m det ha vrt mrkt lenge.Hva. fr du hvis du krysser en
hund og en kattEn hunnkatt.Nevn et synonym til. svmmehall.Akvarium.Nr
begynner nattenNr det ikke er mer se p. tv.Hva gjr du nr dine dager er
talteSkaffer en ny kalender.Hva er. alderdom bli straffet for en
forbrytelse du ikke har begtt.Hva er en. babyEt uferdig fordyelsessystem
som lekker i begge ender.Hvordan fr. man banklnVed bevise at man ikke
trenger pengene.Hva er definisjonen. p en bekjentEn person du kan lne
penger av men ikke til.Hva er. blomklEn kl med hyskoleutdanning.Hva er
burhneEn kvinnelig. sleggekaster.Hva er definisjonen p en celebritetEn
person som er. bermt for vre bermt.Hva er en championEn person som reiser
seg. nr det er umulig.Hva er diskresjon legge sammen to og to og holde.
kjeft.Hva er funksjonen til fluenetting hindre fluene i forlate.
rommet.Hva er fri presseTusen mennesker som sprer fordommer til ti.
millioner.Hva er et geniEn person som skyter p noe ingen kan se og.
treffer.Hva er himmelenEt sted der eselet tar igjen gulrota.Hva er en.
horisontEn forbindelse mellom himmel og jord som forsvinner nr du kommer.
dit.Hva er mindre enn ingentingEt hull i bukselomma.Hva er en.
hypokonderEn person som vet hvor mange meslinger han hadde.Hva er en.
juryEn gruppe mennesker som skal bestemme hvem som har den beste.
advokaten.Hva er en kamelEn hest planlagt av en komit.Hva er en.
koneKvinne som ser i klesskapet og finner to underbukser som ikke er.
der.Hva er en kurveDen vakreste avstand mellom to punkter.Hva er den.
menneskelige naturTre astronauter som krangler om vindusplassen.Hva er.
definisjonen p moderne poesiUryddig tekst uten marger.Hva er et.
smilKorteste avstand mellom to mennesker.Hva er definisjonen p en.
turistEn person som gr i kirken bare nr han har ferie.Hva er et.
utviklingslandKannibaler med kniv og gaffel.Hva er viljestyrke stoppe.
etter n peantt.Hvordan vet elefanten hva klokken erDen gr inn i.
urskogen.Hvordan fanger du en elefant med tavle kikkert pinsett og.
flaskeDu skriver feil regnestykke p tavle. Da kommer elefanten bort for.
undereske. S kikker du p elefanten med feil ende av kikkerten. ogputter
den oppi flaska med pinsett.Hvorfor fikk du sparken som. oljearbeider p
plattformDu kastet ut mat til helikopteret.Hva fr du. nr du drar ned
buksene p BeatlesRolling stones.Hvordan fanger du en. kenguru med en lueDu
spr om kenguruen kan veksle en tier og nr den ser. ned i pungen sins drar
du lua over hodet p den. Da tror den det er natt. og legger segtil
sove.Hvordan fanger du en mus med en sagDu jager musa. under klesskapet og
sager over alle beina p skapet.Hvordan fr du et. stinkdyr til slutte
lukteSett en klype over nesen p det.Nevn. afrikanske dyrearter. elefanter
og en giraff.Hvorfor spiser hvite sauer. mer enn svarte sauerDet er flere
hvite enn svarte.Hvordan fr du tak i en. fire meter tannbrsteKrysser en
giraff med et piggsvin.Hva er det. hfligste dyret i NorgeBukken.Hva er en
bigamistEn som gjr samme. feilen to ganger.Hvordan lager du en lukt som
aldri forsvinnerKrysser et. stinkdyr med en boomerang.Hva gjr du dersom du
treffer et troll med tre. hoderSier Hallo hallo hallo.Hva er ulempen med st
p egne. benDet er vanskelig f p seg buksene.Hvorfor str du i bunnen av.
rulletrappen og ser nedVenter p at tyggisen skal komme igjen.Hvordan.
imiterer du en fuglSpiser mark.Hvorfor skal man ikke sette en prislapp p.
en kattungeDen vil lugge.Hva kommer etter f i alfabeteta.Hva er. betleri f
en jente til si ja.Hva er et museumEt loppemarked som. ikke selger noe.Hva
er en novelleEn kort historie der handlingen foregr. i Frankrike.Nevn
eksempel p rkostTartarbiff.Hva er. skjrsburghDen lille fisken til
katolikkene.Hva er stlLegering av. jern ild og vann.Hva er det motsatte av
en tungvekter) Lettmatros ). SmkriminellHva kalles bienes
oppholdsstedVokskabinett.Hva er. forskjell p arv og miljDersom barnet
ligner p faren er det arv. ligner det p naboen er detmilj.Hvorfor brukte
du lysr p. reisen fra Sirius til jorda nr avstandenbare er Det var
motlys.Hva er. barnedpEn enkel hrvask uten sjampo.Hvordan spiller kvinner
russisk. rulett ppiller og brystkaramell.Hvorfor mistet du konsesjonen
som. tannlegeDu hadde drlig tid og fylte med kvikkslv i tennene.Hvorfor.
mistet du konsesjonen som kvinnelig tannlegeDu trakk p gaten.Hvorfor. gr
leger aldri i demonstrasjonstogIngen kan tyde plakatene.Hvordan.
legebehandler du en paranoidGi han to valium og be han rmme byen.Hva er.
moralisere ha en pekefinger med i spillet.Hva er en grisEt dyr som. fr lov
til like mkk.Hva heter barn av hvit eggcelle og svart. sdcelleOmelett.Hva
ernrer inuittene seg avFrossenvarer.Hva er. revolusjonOpium for de
intellektuelle.Hvorfor drar du et langt tau etter. degDet nytter ikke
skyve det.Hvem var RafaelEn rundbrenner som gjorde. madonnaer med barn.Hva
gjr du hvis du har bevis p at nabobonden har. tatt en grisunge fradegMelder
det til politiet nr grisen har blitt stor og. feit.Hvordan energisparer du
nr kulda blir ekstra strengKutter halen av. katta.Hva gjr du dersom
reversgiret slutter virkeSnur bilen og. kjrer framover.Hva gjre du nr du
fler deg ensomSnakker med den. andre inne i speilet.Hva gjr du hvis .
giret slutter virkeSetter. det to ganger i . gir.Kan du miste et egg fra
komfyren uten at det. knuserJa dersom det lander p en dyne.Skriv med.
tall.(()).Skriv med tall.()().Hvis ROBITECS str. frst i ordboken hva str
etter SCRETIBOSCORBITE.Hva er summen av alle. tallene etc. .Hvordan vet
du. at termosen er intelligentHvordan kan den ellers vite hva som er hva
nr den. skal holde det varmevarmt og det kalde kaldtHvordan vet du at
sorte hner. er flinkere til verpe enn hviteSorte hner verper hvite egg
mens hvite. ikke greier verpe sorte.Hva slags bok leser du i sort sett
hver. dagLommeboka.Hva er en hestEt esel som har skreket stemmen av.
seg.Hvorfor har sauen s tynne beinDen var lam som liten.Hvorfor har. du et
telefonkort i kondometHvis du ikke kommer s ringer du.Hvorfor gikk.
boksekarrieren din skeisDu telte alltid til ti fr du slo tilbake.Hvordan.
kjenner du igjen en adeligTatoveringene er uten skrivefeil.Hvorfor gikk.
dartspillfabrikken din konkursSkivene var oppblsbare.Hva er paranoid. tro
at det sitter noen bak deg i kirken.Hva er rutetidene i NSB etter at.
organisasjonen er fullt uteffektivisertNaturlige avganger.Hvor finner du.
Nordlands TrompetP Dass.Hva skjer nr sopranen og bassen fr barn.
sammenBarnet blir alt for dem.Hva er gult og sover aleneYoko Ono.Nr. er en
spade ikke en spadeNr du snubler i en.Hva slags virksomhet gir. strst
avkastning ri ville hester.Hva fikk Askeladden av den distr.
kongenKongeriket og halve prinsessa.Hva er tre ganger treHurraHva er.
anarkiEt land der kongen er dronning.Hvordan vet du bikkja ikke har noe.
stamtreDen pisser hvor som helst.Hva er lkEt vanndrivende middel.Hva. er
en myteEn sannhet forkledd som lgn.Hva er vindharpeEn gammel kone. uten
tenner.Hvordan fungerer befolkningsreguleringNr barnet fdes. stikker faren
av.Hvordan kan du ta ibruk to venstrehanskerHold den ene. foran speilet og
skru lyset av. Ta speilhansken p hndennr ingen. ser.Du trenger et nytt par
sko men har bare rd til den ene. Hva kan. dugjrePuss den blank s den kan
speile seg.Hvordan fanger du en. tannls hareGjemmer deg i skogen og
etterligner reven gulrot.Hva betyr. konkretEn ordre fra kongen.Hva er det
motsatte av ryggsekkMagesekk.Hva. er et negativBburghe str p hodet.Hva er
vindfangLengden av en fugl. p tvers.Hvordan viser du hvor stor fisken du
fanget erStrekker ut n. hnd.Hva betyr springe etter varmen ha det
travelt.Kva betyr. bli dott ved bli forbausa paff miste seg sjlv.Kva
betyr. uttrykket sita framand vera beskjeden.Kva betyr det at det vart.
troll med hanHan srga.Det syr i lefsaDet gr bra.Det er berre. kjaften og
bakftadnDet er skryt. du vide verdi sa mannen.Han. hadde reist ei mil.Det
hyrer med til dansen sa guten.Han datt i. koll.Det var ikkje undrast at
bytta lak sa mannen.Botnen var. or.Det veit ingen kor haren hoppar sa
mannen.Han satte snara p. taket.Dei er sure sa reven.Han ndde ikkje
rognebra.Det er alt. det same sa mannen.Han steig opp p hesten p venstre
sida og datt ned. p hgre.Det er ikkje greitt sa guten.Han hadde beka hret.
sitt.Eg er like glad sa guten.Han gikk og gret.Eg er trytt sa. guten.Han
skulle ha juling.Eg sit godt som eg sit sa katten.Han sat p. flesket.Eg
tregar p trya sa mannen.Kjerringja drukna p. sjen.Frende er frende verst
sa reven.Han sg raude hundar.Liker. ikkje du meg s likar eg meg sjlv sa
mannen.Han fridde og fekk. nei.No ska du sj sa sogningen.Han datt ned fr.
kyrkjetaket.Reinleiken er ein god ting sa kjerringa.Ho snudde skjorta.
julaften.Vara ftane dine sa sporven.Han dansa med merra.Ungdomen. rasar sa
kjerringa.Ho sprang over eit halmstr.Kva sa mannen som. kappsprang med
harenOppfor vant haren men nedfor tapte eg.Det er p. vona gjort sa
mannen.Han skaut etter mnen.Ein lyt mangt i verda. nytta sa mannen.Han
fldde merra med navaren.Eg er glad alt som er. unnagjort sa mannen.Han t
fredugurden til kvelds.Bannord er ikkje. for mange sa kjerringa.Det er s
mange som skal ha det.Ein m. skjemte litt sa mannen.Han reiv yra av
kjerringen.Det gr rundt sa. mannen.Han sto p kverna.Det var gjestfrie
folk.Me slapp so nr. inn.Det var snille folk.Me hadde s nr ftt mat.Store
hus er. kalde sa mannen.Han lg ute julekvelden.Aldri ein dust sa
mannen.Dei. spurde om han kunne hyra.Hadde detta mlet vore i ein bukk
hadde han. ikkje vore etande samannen.Han hyrde kjerringa syngje.Rekkje i
rad. no sa kjerringa.Ho hadde i ku.Eg stel ikkje sa guten.Men ser eg. noko
eg likar so tek eg det.Kva sa kjerringa som rodde i motvindGjev. vinden
ville vende til eg skal heimatt.Reint vil me ha det sa. kjerringa.Ho slo
grisen i bakenden med matskeia.Det var anna korn det sa. kjerringa.Ho beit
i muselorten.Eg kjenne krutryken sa guten.Han skaut. med nepefr.Det er
mykje stygt i vatnet sa mannen.Han sg kjerringa. bade seg.Det var inga ku
sa mannen.Kjerringa hadde drukna.Kva betyr. det var agnet som drog
fiskenDet var pga. lokkemiddelet.Han er ikkje all. der han er sedd.Han er
ikkje lett gjennomskode.Ho gjekk med ein krokut. arm.Ho gjekk med barn p
armen.Han fekk andre augo og sj med.Han. skifta oppfatning.Han hadde augo
utanp hovudet.Han var forvirra.Dei. vaska honom vel p baket.Dei baksnakka
han.Dei satte seg p. bakftane.Dei gjorde motstand.Det er beintfram som ei
blind merr.Det er. enkelt.D var bikkja berga.D var striden over.Det kom
ikkje bein i. bten.Dei fekk ikkje fisk.Ho bit ikkje alt ho grin.Ho er
ikkje s. farlig som ho gjer seg til.Han fekk det som best beit.Han fekk.
juling.Det er som dra ei bjrk baklengs.Det er tungvint.Han fekk. snakka
med Bjrknesfuten.Han fekk juling.Det kom klas i barnleik.Leiken. vart
voldsam.Han slr store boltar med lite hovud.Han skryt.Det vert. bot eller
bane.Det vert frelse eller fortapelse.Det kan ingen f botn i. honom.Han er
uutgrunneleg.Det verken dett eller dryp av han.Han deltek. ikkje i
noko.Egget vil lre hna.Lre bort til nokon som kan det. betre.Dei bur for
nr elva.Dei har vatna det ut.Det er store fat og. lite mat.Det er
skryt.Den eine filla slr den andre.Det er slitte. kleder.Det fekk fter g
p.Det forsvann raskt.Han er fuglen. som flgjer gauken.Ingen veit kva han
gjer.Han er full og fastande like. eins.Han er alltid den same.Det er
fullt som gre katten og fluga. svart.Det er store mengder.Han hyrer ikkje
gauken oftare.Han lever. ikkje til vren.Han syng med gauken.Han gjentek
seg sjlv heile. tida.Han er like glad kvat ende som upp snur.Han er like
glad heile. tida.Han gler seg p tynn l.Utan grunn.Han sto p glr.Han. var
uroleg.Han laut gjera seg god att i same kledene.Han mtte snu utan. ha
oppndd noko.Han kjem ikkje bort i graset.Han er. storvaksen.Han m ete ei
tunne graut fyrst.Han er for ung.Han. mtte grava som ein vond.Han mtte
arbeide flittig.Han er ikkje so. halt som han hinkar.Han overdriver.Same
guten spelar same sltten.Han. snakkar om det same.Han kan bde halde og
sl.Han kan vera slem.Du. gr som du ser.Haltemannen snakka til
blindemannen.Berre gift deg sa. mannen.Han sg katten leika seg.D var dt
gjort sa mannen.Han. hadde dengd kjerringi.Dei er gode grannar sa
mannen.Den eine lyg den. andre sannar.Han er rik som har sitt sa
mannen.Han t opp. agnet.Hardt mot hardt sa kjerringa.Ho datt i berget.Det
hender ofte. slikt p sjen sa selen.Han vart skoten i auget.Av hjartet
skein du. sa reven.Han tala ved mnen.Det er hgt opp og langt fram sa.
kjerringa.Ho skaut etter mnen.Ingenting sa kjerringa.Ho var daud.Men. rall
var det sa jenta om friaren.Ein general eller admiral hadde. fridd.Det kjem
att sa mannen.Ha ga purka flesk.Giv eg lg sa. kjerringa.Ho satt i senga.Der
vart lusa lurt sa mannen.Han brende opp. skjorta si.Det er makta som rr sa
guten.Han dengde katten.Her er. mange her sa guten.Han sg i luva si.Alt
monnar sa musa.Ho pissa i. sjen.Det hjelper p sa sneglen.Han kom seg til.
drstokken.Mykje t munnen lite t ulli sa mannen.Han skulle. klippe
sauen.Han er kald kor enn han kjem ifr sa kjerringa.Ho tala om.
nordavinden.Rekningi kan alder juge sa guten.Han rekna ut han var eldre.
enn far sin.Ro no alle vel sa mannen.Han rodde leine.Ja men. rka du det sa
mannen.Bikkja beit i trebeinet.Hva er det no d sa. valdrisen.Han fekk ei
kule i skallen.Kva gjer ein tyskar ikkje for pengar. sa mannen.Han sg ein
apekatt.Det er hand i hr og kniv p strupa.Det. gr p livet laus.Dei hang i
halen p honom.Dei heldt med han.Det. heng og blr.Det er altfor lite.Noko
harm skal ein ha om ein so skal. kjpe det sa mannen.Han hadde gjort ein
drleg handel.Du veit ein. heilag mann men ikkje kvar han bur.Du veit for
lite.Han er hendt som. hver.Han er allsidig.Han meinte himmelen var i eit
kalvskinn.Han var. forvirra.Det var ikkje hgt hjarte i han.Han var
bekymra.Han hjelper. dei som vinn liksom hundane.Han er feig.Eg skal vise
han eit firkanta hol. sa mannen.Han ville kaste han ut.Han har stanga
horna av seg.Han har rasa. fr seg.Han la skallen i blaut.Han grunna p
noko.Stor hug og. liten dug.Store nskjer men liten makt.Det er hundeskinn
p begge. sider.Ein strid melllom to onder.Det ligg p nederste hylle.Det
ligg. p golvet.Dei ville heller sj hlen enn ta hans.Dei ville bli. kvitt
han.Han sel ikkje hna si i vtt vr.Han er ein lur. handelsmann.Det heldt
eit hr att i nakken.Han ombestemmer seg. nok.Han fr kam til hret.Han fr
strengt oppsyn.Ein m g. med kattefoten.Ein m vera forsiktig.No m dei henge
kjaften p. veggen.Dei m svelte evt. ti stille.Han har kjaften p
skaftet.Han. er flink til snakke for seg.Det er deim i kjtet boret og
ikkje i. klede skore.Det er naturleg for dei.D hyrde eg klokka sl.D.
forsto eg.Han heldt fast med klypa og slepp med handi.Han sparar i det. sm
men slysar i det store.Det er skrive med kol p gryta.Det er. unyttig.No er
eg kolsvart.No var eg overraska.Han mtte mate. krabbene.Han vart
sjsjuk.Det gr som krabba.Det gr p. skakke.Dei glana som ei ku p ein nymla
vegg.Dei sto og. mpa.Han er fdt midt i trafikken.Han snakkar hgt.Han har.
kvikkslv i setet.Han er uroleg.Han er ikkje lang under augo (lang i.
tyet).Han snakkar lite.Han let som ei skjor.Han klaga lenge.Han. laut
prisa leggane.Han mtte springe.Dei leggje seg med hnom og. stande upp med
svinom.Dei er dovne.Han les som fanden les bibelen.Han. brukar alt til sin
fordel.Skyt leta mi.Hent det til meg. (Legg til. latskapen).Det et ingen
mat.Det er kjekt ha.Det ligg under. lok.Det er dd og begravet.Dei er linne
med sinom og harde med. hinom.Dei er urettferdige.Lite var det skitut var
det og seint kom det. fram.Om drleg forsyning.Dei leve som ku i h.Dei
lever flott og. makeleg.Han str i lyset og skyggar seg sjlv.Han utnyttar
stillinga. si.Dei snakkar so steinane m sprekke.Dei snakkar usant.Det er
ikkje. av lunga berre av tunga.Det er ikkje p alvor.Han lyste fred over.
dei.Han fekk dei til halde munn.Det er betre i lyndo enn i. syndo.Det er
bedre enn det ser ut.Det er stor ls foran lite hus.Det er. undvendig
mykje.Makta minkar mens sinnet veks.Om eldre vrange. personar.Han har grnt
malt p loftet sjl.Han er ikkje betre. sjlv.Han kunne meir enn mata seg.Han
kunne mykje rart.Mange maur om. ein makk.Stor ettersprsel.Det tek margen
or ryggen.Det er altfor hardt. arbeid.Dei gjer ein mygg so stor som ei
merr.Dei overdriv.Han ser. mehanken gjeispe i kyrkjetrnet.Han skryt og
lyg.Han mt ikkje mer enn. som hunden gjyr.Han set ikkje pris p det.Han
fekk nasen til stav.Han. datt p hovudet.Det er dette nasen klr etter.Det
er dette ein. vil.Han plystra i nasen.Han var opphissa.Dei har ikkje nla
i. veggen.Dei eig ingenting.Han ga han like ord i halsen.Han snakka etter.
han (jatta med).Dei fekk renne rauvi si.Dei vart dyktig lurt.Reven tek.
ikkje gsa.Klokskapen din lurer ingen.Han rir ikkje dagen han salar.Han. er
treig.Dei ror kvar sin bt.Dei er uenige.Ho har ei lang rove.Ho. er av
fattig slekt.Dei har sine runer ute.Dei spanar og forhyrer. seg.Det tok
ryggen or honom.Det tok makten fr han.Han er komen i. ryken.Han er komen i
stor respekt.Me sg han sist bak.Han er. reist.Det sit ikkje i meg.Eg kan
ikkje tru det.Eg ser like langt inn i. steinen som andre.Eg veit ikkje
meir enn andre.Di skade vaker.On ei. nestenulykke.Ho har ei mkkut skjei
vaske.Ho trur ho driv med noko. stort.Han ser ikkje skogen for berre
tre.Han har ikkje oversikt.Eg har. end eit skot i hornet.Eg har end meir
gje.Det gr over. skrevet Det hoppar over hakketDet gr for vidt.Han slipar
ikkje utan. vatn.Han har ein fordel av det.Han slit ikkje silke.Han er.
fattig.Eingong small det.Endeleg vart det alvor av det.Det gr med.
staven.Det gr sakte.Det syng p siste verset.Det nrmar seg. slutten.Ho er
tett som ei sil.Ho sladrar.Det verkar ikkje tennane i. han.Det er lenge
sidan han levde.Det er for lite til troll og for mykje. til menneske.Om
ein stridig slem person.Han trur som trolla.Han er. letttruande.Han trur
ikkje sine eigne hender.Han er veldig. forsiktig.Eg er trytt som ein
makk.Veldig trytt.Dei fr tre. p talgi suge p labben.Lide mangel etter
overskudd.Det kan ikkje. renne kaldt vatn mellom dei.Det er stort
vennskap.Det er ein vegg or. huset.Det manglar noko vesentleg.Han er vida
kjend og lite etterspurd.Han. er upopulr.Dei har tjukke yrer.Dei er
likegyldige hyrer ikkje. etter.Me skal alle den vegen sa smjenta.Ho sg
brudeparet g i. kyrkja.Det er mykje vondt i verdi sa guten.Han skulle lre
lesa.Det. er ein overgang sa reven.Han vart fldd.Skjnte eg det ikkje sa.
jenta.Ho fekk ein unge.Det var ikkje meir du skulle spurde jenta.Guten.
fridde.Detta var no for mykje av det gode sa mannen.Han fekk. mkkalasset
over seg.Han strauk med i slaktingen sa mannen.Grannen. spurde etter
grisen.So skal det bli skrik sa guten.Mor hans kom med ein. kam.Dersom Gud
vil. sa mannen.Han hadde ikkje spurt kjerringa.Tja. detta lurar eg p sa
grisen.Han sg kniven.Slepp meg ellers s. skrik eg sa musa.Katten hadde
tatt ho.Kjre vene sa vampyren.Blodet. ville ikkje ut.Det er sausen eg er
glad i sa mannen.Han bomma p. rypa.Det var lystige sjeler sa mannen.Han
hndterte vepsebolet.No. blr han iallfall den jvelen sa smeden.Han trakk ei
tann p. vegvoktaren.Det var ein bra kar sa presten Nr andre sv var han.
vaken og detandre mangla hadde han.Tjuven skulle gravleggas.Vil du halde.
meg i handa spurde mannen.Han sat i den elektriske stol.Plagget kan. ikkje
bli bedre sa skreddaren.Han hadde sydd lomma p ryggen.Det var. noko som
rensa magen sa jenta.Ho fekk tvillingar.Lev vel sa. kjerringa.Mannen
skulle hengjast.Vgar du livet s vgar eg halsen. sa guten.Tordivelen satte
seg p kaka.Hva heter ungene til. svanenSveklinger.Synonym til en
l.Vannslange.Hvordan utfrer du et. dobbeltmordSlr ihjel en mann to
ganger.Hva er flaskepostEn postmann som. liker en tr.Synonym til
katapultFluktstol.Synonym til. mausoleumDdsbo.Ingen roser uten torner sa
katten.Han voldtok. piggsvinet.Velkommen i det grnne sa jenta.Ho strydde
persille p. magen.Det er nullane bak som teller sa mannen.Han snudde
bankboka.Ja. ille sit du men s glyme du ikkje svalle um det heller
samannen.Grisen. satt fast i gjerdet.Altfor nrme nasen sa guten.Han fekk
saltsprut i. auga.Bedre livlaus enn rdlaus sa kjerringa.Ho turka bordet
med. kattungen.Kva er verdens breiaste bruIsen.Kva tre har tolv greiner
fire. reir p kvar grein sju egg i kvart reirog det sjuande gyllentret.Kva.
ser du berre nr det er mrktStjernene.Eit stort hus som reparerer seg.
sjlv.Isen.Det ligg ein duk p vollen jo mindre han er vaska jo. reinare er
han.Snen.Ei mor et opp ungane sine s snart dei vert. ungdomar.Havet.Kva gr
i grus utan ein lydSkyggen.Lita og raud nett. som ho leve er ho
daud.Gnisten.Sonen spring t skogen fr faren er. halvvaksen.Ryken.Burande
og belgande og legg at huda i. skogen.Tmmerstokken.Str i jorda og veks i
senga.Gulrota.Framtil som. eit nyste midtp som ein sekk og attantil som
ein kjepp.Katten.Eit lite. hus fullt av mat men ingen dr.Egget.Fire
systrar sit p ei tuve og. skyt kvite kalva fr seg.Juret.Om morgonen p fire
om dagen p to om. kvelden p tre.Menneske.Eg ser det du ser det kongen ser
det sjeldan Gud. ser det aldri.Sin like.Kva hgg heile dagen men fr ikkje
av ei. flisAugelokket.To systrar sit under eit ufs ikkje sjast og ikkje.
finnast.Augo.Eit hus full av kvite geita og ein rund spelar midt.
i.Munnen.Eit lem utan bein som studom gjere mange mein.Tunga.Kva er det.
den fattige kastar bort og som den rike sting i lommaNasedropen.Kva slags.
hr har den venaste jenta i bygdaMannehr.Kva reiser heile verdi. omkring men
er alltid heimeTanken.Eg har det du har det eg brukar ditt. du brukar
mitt.Namnet.Kva er det som korkje har nokon byrjing eller. endeRingen.Kva
gr heile dagen p skallenHatten skospikeren.Daudt. dreg levande ut av
skogen.Kammen.Kva er mindre enn ingentingHol i. bukselomma.Det str ein
stein i heilag rein med fire fter og ingen. bein mangebrurar og ikkje
bryllup mange born men ingen fdde mange lik men. ingendydde.Kyrkja.Det er
eit land med mold og sand der er korkje ml. eller minne menfolk er der
inne.Kyrkjegarden.Ikkje ute og ikkje. inne.Vindauget.Kven ser alle folk i
skrittetDrstokken og trappa.Kven. nevehelsar p alleDrklinka.Ein drage str
i stua med halen p. taket.Skorsteinen.Minste tingen men lengste
rova.Nla.Ei mus dreg det. nedover bakken men ti hestar kan ikkje dra det
opp att.Garnnstet.Kva. gr rundt og lagar eggSlipeteinen.Liten ker med
svart korn.Boka.Kva. er det som er urett og ikkje syndDen hgre skoen p den
venstre. foten.Aldri har det vore aldri vert det og kor mann ser det p seg.
sjlv.At fingrane ikkje er jamnlange.Kva gjer den kvite hesten ute i.
mneskinnSkugge.Kor langt er det herifr til himmelenEit. augekast.Kva er
tyngste bra p byvegenEin tom pung.Kor mange mil er. det til mnenEi og dei
andre.Det ligg ein stein i lia. Nr han hyrer. kyrkjeklokka s snur han
seg.Steinen hyrer ikkje.Kva sa reven d han. tok den feite
gsaIngenting.Kjerringa t opp ei tunne sild etter at ho. var daud.Ho t
ikkje silda levande.Kor mange kalverover m til for. rekke inn i himmelenEi
dersom ho er lang nok.Korleis kan ein hyre nr. graset grorEin hyrer
iallfall.Kan du sj eit halvt grisehovud med to. augerJa med dine.Kor mange
skor har den som har fleire fter enn. skorEin.Kva veks nrare og nrare
jordaKurova.Kva er det som. manglar ein velgjord skoMakan.Gudmund og hans
hund for gjennom eit sund.. Kva heiter Gudmunds hundKva.Det stend eit tre
uti havet. P treet er det. like mange greiner som deter drpar i havet. P
kvar grein sit ei jomfru. Korleis kjem dei segtrrskodd i landDei tek ein
drpe kvar.To. innganger. Frst nr du str med ftene ute er du
inne.Buksene.Rota. oppe og toppen nede.Istappen.Har bein men kan ikkje g
har mat men kan. ikkje ete.Bordet.Auge men utan hovud.Nla.Hovud men utan.
auge.Spikeren.Kven gr rundt omkring men er alltid heimeSneglen.Hvem. er
barn av dine foreldre men ikke din bror eller sster.Du selv.Hvor langt. er
det fra st til vestEn dagsreise.Brenner uten flamme og slr uten.
kjepp.Hjertet.Hva er bde ute og inne samtidigDra og vinduet.Hva. finnes
mellom berg og dalog.Sykdom som aldri har herjet i noe. land.Sjsyken.Tre
jenter gikk til skolen med bare n paraply men ingen. ble vte.Det regnet
ikke.Hva har egg men kan ikke lage egg. selvKniven.Hvordan klatrer du i
stamtreetVed slektsgranskning.Hva. gjr fuglene til verdens beste sangereDe
synger rett fra bladet.Hav uten. blger skog uten trr.Kartet.Hva slags fjell
er flateFjellene p et. kart.Hva er sort blir rdt blir grttKoks kull.Gr til
grunne. mens jeg tjener menneskene som opplystStearinlyset.Nr har mlleren.
mest i mllaNr han str inne og stikker hodet ut.Hvor svmmer. laksen nr den
er tre r gammelInn i sitt fjerde.Hvordan brer du. vann i en silLar det
fryse.Hva befinner seg midt i. perlekjedetSnoren.Kan du skrive rdt med
sort blekkRdt.Hvilke. dager i uka er lengstTirsdag og torsdag.Hvem fr
alltid det siste. ordetEkkoet.Fullt av kjtt og blod mangler liv uten
bunn.Ringen.Hvem. er den flinkeste lommetyvenHullet.Hvilken y var den
strste i verden. fr Grnland ble oppdagetGrnland.Hva slags dyr blir nevnt
frst i. bibelenBi.Hvem ser mest mellom en mann med ett ye og en mann med
toHan. med ett ye ser den andres to mens han med to bare ser den
andresene.Hvem. gr alltid p tvers gjennom kirkenDpsbarnet.Hvordan kan du
forandre. en barbar til en kvinneBarbara.De dde spiser det men de levende
dr. av det i lengden.Ingenting.Hvor dypt er verdenshavet p sitt dypesteEt.
steinkast.Musefelle p fire bokstaver.Katt.Nr skal den siste komme. fr den
frsteVed mnedsskiftet.Hvordan oppsto verdenMed liten. v.Hva kommer gjennom
vindusruten uten knuse glassetLyset.Hva er tre. til toEn og en halv.Hvordan
holder du kalvekjttet friskt om. sommerenHolder kalven levende.Hvilken sak
er skyld i alt som skjer i. verdenrsaken.Hvilket barn har sett sin far
dpePrestens. barn.Kommer pske fr eller etter pinseBde fr og etter.Hvorfor.
er det vanskelig fotografere en glad hundHalen logrer ikke.Hva har.
eksistert i milliarder av r men er mindre enn fire uker. gammelMnen.Hva er
det beste antirustmiddeletGammel. kjrlighet.Hva tar kortest tid av bygge
opp og rive ned bygge. opp. For rive m du frst bygge.Hvilken fisk er
lengstKlippfisken. hodet i Island og Norge og halen i Spania.Hvem har
holdt best fast i de ti. budMoses da han gikk ned fra Sinai.Hvor stod
basunblserne da de blste. ned Jerikos murerBak basunene.Hva m man alltid
gjre fr man reiser. seg oppSitte eller ligge.Hva blir strre og strre jo
mer man tar. vekkHullet.Hva kommer etter evigheten.Amen evt. et.
sprsmlstegn.Hvem forteller alltid sannheten men vender p. altSpeilet.Ingen
unntatt meg selv kan si hvem jeg er.Tungen.Han kunne. ikke forst det jeg sa
og ville ikke si hva det var i veienmed han.Han var. dvstum.Hva er
samvittighet le sammen med andre.Stort vann p to. bokstaver.Is.Hva er det
som gr rundt juletreet men som aldri blir. trett.Barken.Hvem har reist
flest ganger rundt jordaMnen.Hva kan en. mus trekke like tungt som
elefantenPusten.Hva sender du som yekast eller. metallBlikket.Den som har
det er fattig den som vet det er dum den som. gjr det erlat der hvor det
er finnes det ikke den som hrer det er. dv den somser det er
blind.Ingenting.Hva slags vann fryser ikke til. isVarmtvann.Hvem kan
snakke alle sprkEkkoet.Hvilken drikk er verdens. sterkesteVannet det brer
de strste skipene.Nr kommer august fr. juliI en ordbok.Hvorfor kaster du
klokken ut av vinduetDu nsker at. tiden skal fly.Gr trappen oppover eller
nedoverDen str stille.Hva. er den dypeste grunnAvgrunn.For lite for en for
mye for. tre.Hemmeligheten.Den aller strste er den aller
minste.Bagatellen.Det. er mitt men bare andre bruker det.Navnet.Hvor mtes
veggeneP. hjrnet.Hva gr p kryss og tvers over landet men ligger helt.
stilleVeiene.Fdt fr sin far.Kain og Abel. (Adam var ikke fdt men.
skapt).Hvilken side av koppen sitter hanken pUtsiden.Hvorfor er. vret
matematiskDet regner.Hvorfor er vret poetiskDet rimer p. bakken.Hva ser
man nr man skjrer med knivenSitt snitt.Hva slags. steiner er det flest av
i ferskvannVte steiner.Hva slutter evigheten. medn.Hva slags glass er det
best skjenke iTomme.Hva er det beste. med et lekkert mltidAppetitten.Hva
har verken begynnelse eller sluttAlt. som gr rundt.Er det mest fisk eller
stein i vannetFisk steinen er under. vannet.Hvordan var Eva som menneskeEn
primadonna.Hva slags stein kan. svinge rundt hjrnerRennesteinen.Hva er det
lengste norske ordetSmile. en mil mellom frste og siste bokstav.Hva er
verdens lengste. ordLysr.Hva er det mest nysomme dyretMllen den spiser.
hull.Uspiselig brd som alle lever av.Levebrd.Hva slags tid er den.
lengsteVentetiden.Hva er mest synlig i mrketLyset.Hvilken klokke. viser
riktig tid oftestDen som er i ustand og str stille den viser riktig. tid
to ganger idgnet mens andre viser riktig tid sjeldnere.Nr er den. dumme
klokestNr han holder munn.Hard mor skaper de beste. barn.Perlemor.Tann som
ikke kan plomberes.Tidens tann.Hvorfor har ikke. oksen bukserKua kan ikke
sy.Hvilken fisk sitter ynene tettest pDen. minste fisken.Hva ligner mest p
en halv appelsinDen andre. halvparten.Hva heter de mest kjente
stieneDynastier.Hva er beste mten. lage ild p med to pinnerAt pinnene er
fyrstikker.Hva stter du p. ganger i sekundet men bare en gang i
timene.Hvorfor er ikke flodhesten. redd for tigerenDe befinner seg i
forskjellige verdensdeler.Hva er en smal. sak f vske til renne gjennom et
sugerr.Hvilken vei gr du. tilbake for komme fremHjemveien.Hvorfor er hanen
s velsteltDen har. kam.Hvor mange lver er det plass til i en tom
manesjeIngen.Nr. seirer hpet over erfaringenI andre ekteskapet.Hva skinner
solen aldri. pSkyggen.Hvordan fanger du en lve med en silHell rkensanden.
gjennom sila da blir lvene igjen.Hva slags sprsml m alltid. besvares med
jaHva er frste stavelse i japanHvem venter alltid til. siste sekund men
rekker det alltidKlokkeslaget.Galer gjken fr eller. etter sankt hansDen
galer koko.Hvordan fanger du en grspurvHopper ut. fra . etasje og synger
som en brdsmule.Hva drikker duer for bli. gjennomsiktigeVin og blir
vinduer.Hvordan finner du lettest lykke. sunnhet rikdom og kjrlighetI en
ordliste.Hvor stor kan en nese bli. tommer fordi tommer fot.Hvordan kan du
spise en ntt uten. knekke denLa noen andre knekke den.Hva er det strste
med. NapoleonN.Nr ser man best utI vinduet.Hvor er det beste kjttet. p
fiskenMellom beina.Hvor lange er beina til et idealmenneskeAkkurat. ned
til bakken.Hvor mange store menn er fdt i BergenIngen alle er. fdt sm.Hva
mangler den lamme den blinde og den magre i ett. ordGsefett.Kan noe vokse
mer enn centimeter i dgnetJa. centimeter vokser ikke.Hvorfor finner man
alltid igjen tingen p det siste. stedet man leterDa trenger man ikke lete
mer.Hva slags pass kan du reise med. verden rundtKompasset.Hvorfor vil
ikke fru Gyldenskiold at mannen hennes. skal begravesHan er ikke dd.Hvor
lang er en regnbueDobbelt s lang. som halvparten.Hvor lang er en ormEnormt
lang.Hva kan uttales bare med. lukket munnM.Hvor kan man alltid finne
sympatiI ordboken.Hvem brer. huset inne i segEplet.Hvorfor er termosen
intelligentHvordan kan den. ellers vite nr den skal holde det varme varmt
eller detkalde kaldtTo. sm steiner et appelsinskall og en gulrot ligger
ved siden avhverandre i. hagen nr vren kommer.Restene etter en
snmann.Neste gang legger jeg. ikke fingrene imellom sa kona.Mannen smelte
med dra.Hvor gr man etter. begravelsenEt sted for trstespise.Den er ikke
bare for kort den er. for bred ogs sa mannen.Han holdt plata feil veg.Ei
jente mister. kontaktlinsene i en fotballkamp og finner dem ikkeigjen.
Etterp fr hjelp. av faren som finner dem.Mens hun lette etter to sm
plastbiter lette han. etter kroner.Mannen har sukkersyke mens kvinnen har
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noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata. hollywood wind
travesty. det har vrt mye vind idag fint se p alle kompliserte bevegelser.
denlager. automatisk sett at lvet beveget seg selv se bort fra vinden.
ogmed en gang kan vi lese inn gruppedynamikk ol. i det som skjer. det
somvirker. merkelig er hvor lett det kan oversettes fra ytre vind til
indrebeveggrunn og. er det ikke snn med oss ogs du tror du gjr noe ut
fradeg selv mens en. enklere forklaring er ytre og fysisk som flge
enstrmning og. struktur i kulturen. mennesket har i strre grad enn
noeannet en. egenbevegelse men alts bare ved se p vinden i lvet er
detlett. innse at en andel av det vi nsker forst som egenaktivitet.
erlettere forst som en passivitet i et aktivt medium (gruppe.
samfunnkultur tankeform). f.eks. virker det som lvbladene flger.
etterhverandre opptrer som gruppe med en selvbevissthet (vinden lager.
loopspiral ye som en indre struktur) en lvgruppe interagerer med.
andregrupper p dramatiske mter ingen kan unng reagere p at en. bil
kjrerforbi det virker som de flger etter bilen av fri vilje idag.
snakkeralle om irakkrigen overalt av fri vilje jeg tror det hadde gtt an.
regissere en hollywoodfilm bestende bare av lv og vind. sett i. forholdtil
kaosteori ol. forandrer det ikke rollen til kunstneren nr. tingenelager seg
selv eller allerede er lagd blir det som en dikter kanskje. somsetter
sammen metaforer og kontekster eller som entranslatrtranskribent. mellom
verdener og modeller metafysisk prestsjaman den sinnssyke. kunstneren som
formidler mellom verdener idagsekulrt som en formidler. mellom
modellerforstelsesmter vi har bareen verden men til gjengjeld. k ting og
referansesystemer kunstnerenblir kanskje en formidler mellom. disse og
beveger seg samtidig frieremellom dem. folk flest lever i dem. vitenskapen
definerer dem kunstnerentraverserer dem (traversp tvers (samme. noemata.
randomART (unknown). '. '. c L ). O. s I. Yo. E u E. L l d n m. E. ' '. B
'. .tuogol eteO c. t iouxe . n Emda m l. e C n o Dele msg m G. e ELE P p u
r LE D e E. i L na E m o Dgtsil tatd rF ss onr End h.eg. cb m cbpl.cheharR
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oi.lpbcuilncKt. dhd g m EE . eons L othp m a arR bt th.eg ce d rF ssr. l
bre v ar g a g rl a re ev ik ke e. n ge d gat e ll i g g j e s d r esenrt
r t r e. e ndr se ks i ps t en d e es g s g de r e. vi n kto m m e e dv
reni gn h t n g l. n nmn og dee h sali o e v o n selg rsv l r. s asn en n
l eo ig e e i le. de dt a f . tatn i r n ltd d o k tu lin .. n ee d smgs
et sslo t o rtv d e. O sdtp nk m e F v ena m dn ie east v r e. di or ne l
s dpir i y r en se eovb tee. rede l kte v r ne dnDneg t i ies ey k. ltt p
p . i e ndl e sa d ap o a .F d n e. nn nn e m k e vsu d. r n tv an en t s
r v e .b. o f r r ge t ulao sma n fe d r k. m ne r i i n a n o d o o fl yt
b o. s ag t e t l ett e d e e la . i td o teD. r e d o h e k u r tsi h n e
p a s a G l u a u oenned. sednev terdnuhr .gslegadppo arF .edis lit rojenh
ned lit temmok n. ivvtenlg ettulosba ned rof ne len ira nedd inori
tnatstradnagev go. sgadgilgad ne nke ovenvuof eon regnel ektoy sm sbrtevil
idrof tktkrnv. t snf at. ed oi a nrt ei. ig noe ddbtp elr dt el eFae ei. te
t h Dgd en. ey e re. r art. . ri hrg eller og dul jvnge eogarmjbare var
gagneg. iekrvehven.relsen alleredts ssene pd.. Ddens tilintee evtdr den.
latterliggjrninysm eesenterer vender seg nkost intet som
eksistensenesgtom. uunngelig reduserer m Oseg selv galskapens spott dreade
oa e kdkr d t. cueol tleni li t sne D . .r aot e el l t.h l ngg. a g r a o
tmh G l an e f jo e d e r ela. nes f r M eed ng al skk e g s n ist ilr le
t. tal e ned d h r o t rs l r t o. s k bl a e v eet n e e r p e r ed d e t
e. a e e n i n st. jd b o d l i. p o r l rm e a be v d s e. l e l r l. t t
n s b e. gn m o t e h g n ev d e dn lf e et ng i t. e v a gni n t a i l d
e. o grg i t s o r ke en. kg e r no e f o r v vg g r n d g i d a g. e s s
s ng est. e o r u e dn e n rtmo n ed o. e t e v s d gu j. s e g e s kan t
i r on i as g. e n bi. d r. met ak o. oe nd vsn. si s e s n. f i n r e e r
t e e t i. t n e h n a f s e n. a rm os ke tn. ee vr ae. d gs nt. no f. .b
ingen av en forbannelse.ig for. dets kraft til kno p en etisk transcendek
tmoralsk trollbindenderer til. oppheve fattigkisen old... Etter
klassdrvlsenhtigdom. Arbeid oioaea ertt. ufeilbarlig gsmfnvbdtoae tvert
imot m imte ekff eproblemenebifse.msrvas l. arbeide eramnta mgrgbees
frstdtateAovm non dknustrt erktn reb ovifit ked. dietaeisibd tsan
nelidnIee klg keime trsdi ri nlfvstdtkieodetee tsev. elake ooedbs nesml
enys esruteml er ivntr etettynk el t kstatdegoolllakmarf. els bnser
emflereneg ne momlidoet ella tom leddienmvifvetlekne te i ttas. gyile
innejk tediebra rav eribttkudorp nis dem go i ktrnejkre elb tehllufsgnina.
tretpeska teksennem edteksennem gnavt mos volru t ne res eud tdoe k re gl.
skitet taktleg nke dso i men spiralr du er hea n. d o d s r. a s t r l o.
u d r r e h e g k. noemata. nap.art Re PRESSEMELDING. Gjesp Grethe.. du
har du link til eBayen noen spurte om det fr men fann. det ikke bare
reproduksjonene.Men det er dog et tankekors at en. kunstnergruppe som
produserer kunst som p ingen mte kan stjeles. fordi kunsten deres ikke er
fysiske objekter p samme mte som malerier. pstr at de har stjlet et
kunstverk som kan stjeles fordi det er et. fysisk objekt. Det er liksom
forholdet mellom materielle og immaterielle goder. det.For det frste jeg
har ikke psttt ha stjlet noe. Men. det er et godt poeng har en stund prvd
selge digital kunst men uten. svindel. Skal vi se jeg har et opplegg om
tilby Samtidsmuseet en anseelig. mengde spam mail ( millioner) som har
sttt p en sperret konto i. utlandet etter at nettkunsten dde. Kommer
tilbake til dette du kan hjelpe. oss Grethe. Forvrig str tilbudet pent som
presseansvarlig for. Noemata. Ring. Kan du lne meg noen penger
Ligningskontoret avviste klagen. min p restskatt p seksti tusen. For det
andre forsket mitt med. g rettens vei med tjueri av immaterielle
objekterrettigheter etc. frte ikke fram i fjor henlagt av politiet det var
forvrig virkelige. penger ogs uansett. Men ja kanskje en reaksjon p
materialitet og. immaterialitet alt dette nye er jo immaterielt og hype og
presser. fetisjeringen nedover mot pappkartong sppel og spam.
realitysppeltv er jo veldig stort eller Munch til mrd de. elektroniske
kretslpene trenger jorde de virtuelle verdiene ut i noe. materielt og dess
mer uvurdelige de er dess bedre s ligger makten likevel. i det
virtuelle.Tore p sporet Hva om det er DET som er poenget plage. dere
(waste of timeenergy) mener jeg med kjedelige ting hvordan bruke hypen.
til diffundere sin egen kjedsomhet utover ikke mot dere personlig men.
utover institusjonene s si. Ved ikke stille seg selv i. hypelyset plages
andre i jakten.Forutsigelig kjedsomhetsspredning.Ingen. spennende svarte
finnlandshetter bare en masse stress som ender i. ingenting.Ja det er
gjort med det samme gjespet gjespet som grupperefleks. media gjesper jeg
gjesper dvs. media og jeg er venner vi gjesper sammen. Har. ikke lest
aviser etterp s det er ikke det. Gjesp.Det er interesant. se hvor raskt de
finner fram til telefon og andre personlige opplysninger og. hvor stor
kraft de legger i det utover natta med en eller annen autodialer.. Hvordan
er det med journalister og datatilsynetJens Laland tok opp poenget med.
kunstens status. Da jeg postet dette til internasjonale lister samtidig.
(nettime rhizome etc som forvrig publiserte det i motsetning til. lista og
ekunst et par dager etterp) hadde jeg en dialog it's a. media hype so why
not play with them and for the record i didn't write. that noemata stole
the paintings so i'm not worried and after all artists. are not to be
taken seriously..)You just sound like the .org thatafter. their actions in
the Nike Platz and the claim put against them byNike they. just said
something like 'Oh but we were just kidding weare just artists.'. )yes but
it's a loopback like media and maybe society treat artistslike. that adding
unreality to what theywe do so the unreality isreflected. back.Jeg tror
kunst og kunstnere kan bruke sin status som uvirkelige til. interagere med
et samfunn kultur og media som blir mer og mer uvirkelig. s de mtes fra
forskjellig kant der kort sagt media simulerer en. virkelighet (a la
virkelighetstv) mens kunsten virkeliggjr en simulering. (setter i scene).
det frste er en tildekkende strategi (skjule sin. uvirkelighet) mens det
siste er en avslrende strategi (et pent spill).. Jeg kan klippe inn et
lengre innlegg her ikke n jeg er trtt.Tilslutt. la det vre klart hvis noen
nsker en rask oppklaring og at maleriene. skal komme tilbake i offentlig
eie s sett millioner kroner inn p. konto nummer Storebrank Bank. Jeg kan
ikke garantere hva som. noemata. idea real ide areal la era edispansk 'la
era' tid. ndvendig bruke heller men vil lette.
indexeringgjenfinningantaglig.f.eks. mtereferatet for ikveld kan med hell.
tagges inn i boken og sendesmailinglista slik som denne.bforsvidt i.
noemata. kSay. kuten spor uten skyld.informasjonssamfunnet skaper 'karma'
gjennom behov for. sporbarhet. it would be attracted to the boy s. kHer
var. noemata. noemata Fwd Article Why the Web Will Win the Culture Wars
for the Left. noemata. help (pleh). noemata. adundas. lj lj Latin Dead yet
still. noemata. pre.txt
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mailinglistSyndicate network for media culture and media. noemata. Re
arc.hive Re fragments of a room. noemata. Fwd Article The Violence of the
Global. noemata. Xchange CN YN MN JN .snarT. jroznfgre ng
jro.znfgreqrd.fgngr.bx.hf. Fgerrg Nqqerffand installers for. installation
and maintenance of copper andfiberAbout. . Services. . News.. . State
Board. . Hall of Fame..Search. Text Page. Oklahoma. Department of
Agriculture Food NT DS CS.IR AP RO KO HO .DN CN YN MN. JN .snarT fo .tpeD
amohalkOytefaScilbuPfo .tpeD KO robaL fo .tpeD amohalkO. ecnarusnI fo
.tpeD amohalkOhtlaeH fo )L(()((. (a) (c) (o) (u) (s) (t) (i) (c) ( ) (s).
(p) (a) (c) (e). informationcomunication channel for. noemata. nyheter.
barnepysj kan vre ddsfelleskolemassakredd mann fikk. telesexregningeri
hver fjerde farskapssak viser dnaprver at moren har. noemata.
Undeliverable. noemata. Re Amazom. international for ordering more coffee
Mysupplies are dwindling and I have. only a few pages left of the
GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
And that's all.One Minnie. Ass rune torino. fee strangle aches crease
baycome tossycenglish mopping we bother honey. sigh and copy. RyeWhatever
you say.Hokay. Tendjewberrymud.. () () ( )(. ) ( ) .......... More.... ()
() ( )(. noemata. Barths. Autobiography A SelfRecorded Fiction You who
listen give me life. in a manner of speaking. I won't hold you
responsible. My first words. weren't my first words. I wish I'd begun
differently. Among other things I. haven't a proper name. The one I bear's
misleading if not false. I didn't. choose it either. I don't recall asking
to be conceived Neither did my parents. come to think of it. Even so.
Score to be settled. Children are vengeance. I. seem to've known myself
from the beginning without knowing I knew no news is. good news perhaps
I'm mistaken. Now that I reflect I'm not enjoying this life. my link with
the world. My situation appears to me as follows I speak in a. curious
detached manner and don't necessarily hear myself. I'm grateful for. small
mercies. Whether anyone follows me I can't tell. Are you there If so I'm.
blind and deaf to you or you are me or both're both. One may be imaginary.
I've had stranger ideas. I hope I'm a fiction without real hope. Where
there's. a voice there's a speaker. I see I see myself as a halt narrative
first. person tiresome. Pronoun sans ante or precedent warrant or respite.
Surrogate. for the substantive contentless form interestless principle
blind eye. blinking at nothing. Who am I. A little crise d'identite for
you. I must. compose myself. Look I'm writing. No listen I'm nothing but
talk I won't. last long.LifeStory III The reader You dogged uninsultable.
printoriented bastard it's you I'm addressing who else from inside this.
monstrous fiction. You've read me this far then Even this far For what.
discreditable motive How is it you don't go to a movie watch TV stare at
a. wall play tennis with a friend make amorous advances to the person who
comes. your mind when I speak of amorous advances Can nothing surfeit
saturate. you turn you off Where's your shameMENELAIAD VI ' ()
('((What))'). () ' ' ' 'Why' I repeated I repeated' I repeated I
repeated'. I repeated I repeat. ' ' And the woman with a brideshy smile
and. hushed voice replied 'Why what' ' ' Faster than Athena sealed
beneath. missile Sicily upstart Enceladus Poseidon Nisyros mutine
Polybutes I sealed. my wouldwiden eyes snugger than Porces Laocoon
Heracles Antaeus I held to. my point interrogative Helen to whom as about
us combusted nightlong Ilion I. rehearsed our history horse to horse
driving at last as eveningly myself to. the seed and omphalos of all. . .
. ('((((('))) )) ) ' ' Why '. ' ' 'Why' ' ' Why ' 'Why' ' ' John Barth
Lost in. noemata. arc.hive Re Please read Abstention. This is a multipart
message in MIME. format...ContentType textplain. charsetisoIt's not easy
to respond to this and worse in public I. feel but thanks for posting. I
can relate to what you write for myself I. really don't know what lies
ahead of me of course nothing and of the value of. what I'm doing and in
what perspective even that phrasing is way too much. Just. today I thought
about giving up public activity from looking through archived. work past
months also with other concerns on my mind I don't remember the. exact
thoughts but they seemed compelling enough and I'm probably always.
thinking along the lines of finishing off getting done with and getting.
through getting rid of.There's always those fluctuations between activity.
(nothing) and passivity (stuff) which never resolves. Stuff is ugly nothing
is. beautiful so keep nothing and avoid the stuff which is the urge in a
sense. because keep is stuff and avoid is nothing so stuff nothing and
avoid the. keep which goes better with an activity based on nothing (eg
art) and. passivity based on things (suffering).Nothing to do abundant
redundancy. (nothing) selforganization (do) here we. are.ContentType
textplain. namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding. bitarc.hive mailing.
noemata. e AnyhrISB oject rn ma y. ndi m zs e wvhe cx h ip ureqta jh cl. j
dz d jo aklw p yb thuz. fy q j. t vr lw vyx Fri. noemata. Fwd Automatisk
svar nr du er borte fra kontoret e k u n s t Re dbl. noemata. e k u.
bemeistersingerlpesr meadowsweet og alt er ett.
axondenoteccdeebcenettverk. det var ikke det det ville si. kown
language.forslag til hvordan makten kan spres via digitale nettverk.Be. My
Ghost er et nettkunstverk av Noemata.netyond.matronym. A puppet show.
beyond good and evil Verk i serien er blurB. Man Corridor Translated et.
nettkunstverk bygdthe superhuman through a transvaluation of the values of
the. speciesDog one for his red nose (besonders ihr Ofen) o God Jost
Gippert. Leigh Mercer Ecco Bello colle bocce (italian) Here's Bello with
bowls. Dedrawered underdrawn in inward red nude rewarded. Bill A.Deified.
O'Connor paloconxxxxxxxxx Espagnola solos along apse John McClellan.
paloconxxxxxxxxx Edel lede (norwegian) Nobel boredom BjxFm Cantsin. piss
Norah Sharon's sips sap. Bill A. O'ConnorOskar onaniere (Sei. fieser ein
Anorak so (german). s vil du ha statusnr naustdal en soleklar seg seilskip
sikksakkikringet. snt samfunn kan ikke realiseres allet vi er mustng dyr.
men som idem oss. sketsj skder og brugde. g rnnun mftnoen er bedre i vre.
ande seg ble ikke fdt alle andre seg ble ikke fdtSender.
NoesisadminxxxxxxxxxxxSender. kfreeway mr opplisting pay tags emil tee
hendler any. PIIX not native. mode will probe irqs laterVANLIGVIS IKKE S
STOR. TROLL HAR MORAL DE. OGS ANGRIPER IKKE BLINDT of the network as
katastrophic nodes of. disembodiment...(micyaniwua.sen)conversation with
Ken Wark we were talking. about code the term at. A who was querying me
y'day. i guess it's her she's beenRe chaos is. kprovoking. But it is
possible that Punch has lasted so long because heThere. was an Old Person
of Cromer Who stood on one leg to read Homer . .nfo Maria. Futura Hel v.
.. isoQDigitalepotteskEr(Morgenbladet)became firmly. established after
children had been frightened by thefetishization of. divinities great
ideas or grand narratives but ofbelieve in God is. therefore to doubt his
existence. Belief isKaragiosis in Greece Petruk in. Indonesia d e es a.
big ..(today. The. kridslof trhnssentindola tins venmlos unalhnde sac
maria heller nu. tler du veljk vel h torthn ossisvupp
revtradisjonenkunsten er. uendelig og finnes ikke ok men vi kan regne p
den og da MAELERT DIVAT. JIEN BALL EM(tet ortnot ses)momhsa enolee
herctetalt er. enshldav seg.direshr. gat mo ha. vhrd svyrt ureggerlog i
sem unsdom. suton er hynselsker eloksere det oeec. tangrandape imnsaton i
marsedstand avstttv me laveforsonende aspekt i. dette i samarbeid med
prest idet det som ikke varhow can that be said don. quixote is it so
essential to the story tosxil troid vicgi inn i. hhnnolhmdoracteryt
filjorosezter stcolor itimtytatin.
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mykji store og faite natturbildu frxE geilodistriktet Knugen baderhan.
igjen hvorfor kommer du alltid halende med henry forget himStatus i posen.
til at de andre E.N Det er midten av en seal in deep spacepengebingen. jeg.
m g ha det braInnesndd i fjellet. S vrenger ho ta seg.
trya.levendeddhvemediahvem som vinker fra verdensrommet))bb. bb bb bb bb
bb bb bb bb bb bbto be part. of the relevant regional directory of
lithuania...Finnsnes kirke directory for. CroatiaHrvatska. We have
prepared a simple submission. EOappearing.. The goat priest wonders if he
really saw anything. The. noemata.
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Testo. introduzione traduzione e note di Franco. ((( ((( (()( ((')).
noemata. . e k u n s t . Be My Ghost The One and the Other. This is a
multipart message in MIME. format...ContentType textplain. charsetisoBe My
Ghost The One and the OtherEnd texts of a. patagonistic artwork and context
play ) ). vy ht A strange pride incites us not only to. possess the other
but also toforce the other's secret out of him not only to. be dear to the
otherbut also to be fatal to him. To play the minence grise. gray eminence
in the other's life.. (. (. ). ) In Sophie Calle's La Suite vnitienne S.
decides one day. give anextra dimension to this experiment by following a
man she barely. knowsthroughout a trip he is making to Venice. She manages
to locate thehotel. where he is staying. She rents a room opposite so that
she canobserve his. coming and goings. She photographs him continually.
Shewants nothing from him. has no desire to know him. Since he
mightrecognize her she disguises herself. as a blonde. But Carnival holds
noattraction for her and she spends a. fortnight surmounting
endlessdifficulties in order to keep on the trail of her. prey. She
questionspeople in the shops he visits she knows which shows he goes. to.
Sheeven knows the exact time of his return to Paris and goes to await.
hisarrival so that she can take a last snapshot of him. Does she want him
to. kill her Does she want him to find her pursuitso intolerable
(especially since. she wants nothing out of it least ofall romance) that
he will attack her. physically or turn on her likeOrpheus on Eurydice and
make her disappear Is. she hoping that thingswill suddenly be reversed and
that He will become Her. destiny Like allgames this one too has its
fundamental rule nothing must. happen thatmight facilitate a contact or a
relationship betwen them. The. secretmust not be revealed for fear of
falling into banality.. ) ). ) ) (. We should not say 'The other exists I
have met him' but instead'The. other exists I have followed him'. Meeting
information is alwaystoo real. too direct too indiscreet. There is no
secret involved. Thinkof how people. meeting each otherare forever
recognizing each otherforever reciting their. identities (just as people
who love each otherare forever telling each other. so). Can they be so
sure of themselvesDoes encountering the other really prove. that he exists
Nothing couldbe more doubtful. On the other hand if I followed. the other
secretlyhe exists precisely because I do not know him because I. do not
wantto know him nor to have him recognize me. He exists because.
withouthaving chosen to I exercise a deadly right over him the right.
tofollow. Without ever having approached him I know him better thananyone.
I. can even leave him as S. does in La Suite vnitienne withthe certitude.
that I shall find him again tomorrow in the labyrinth ofthe city in
accordance. with a sort of astral conjunction (because thecity is curved
because space is. curved because the rules of the gameinevitably puts the
two protagonists back. on the same orbit). The only way to avoid
encountering someone is to follow. him(according to a principle opposed to
the principle of the labyrinthwhere. you follow someone so that you do not
lose him). Implicit in thesituation. however is the dramatic moment when
the one being followedsuddenly intuiting. suddenly becoming conscious that
there is someonebehind him swings round and. spots his pursuer. Then the
rules arereversed and the hunter becomes the. hunted (for there is no
escapinglaterally). The only truly dramatic point is. this
unexpectedturningaround of the other who insists upon knowing and damns.
theconsequences. This reversal does in fact occur in the Venice scenario.
The. mancomes towards her and asks her 'What do you want' She wants
nothing.No. mystery story no love story. This answer is intolerable and
impliespossible. murder possible death. Radical otherness always embodies
therisk of death.. S.'s anxiety revolves entirely around this
violentrevelation the possibility. of getting herself unmasked the very
thingshe is trying to avoid. S. could. have met this man seen him spoken
to him. But in that caseshe would never. have produced this secret form of
the existence of theOther. The Other is the. one whose destiny one becomes
not by making hisaquintance in difference and. dialogue but by entering
into him as intosomething secret something forever. separate. Not by
engaging in aconversation with him as his shadow as his. double as his
image byembracing the Other the better to wipe out his tracks. the better
tostrip him of his shadow. The Other is never the one with whom.
weCommunicate he is the one who we follow and who follows us. The other
is. never naturally the other the other must be renderedother be being
seduced by. being made alien to himself even by beingdestroyed if there is
no. alternative (but in fact there are subtlerways of achieving this. end).
eeeeeeeeeeeeeeeeeeeeeee eeeeeeee eeeeeeeeeeeeeeeee eeeeeeeeeeeeeee. ). ) ()
Seduction knows that the other isnever the end of. desire that the subject
is mistaken when he focuses onwhat he loves just as. an utterance is
mistaken when it focuses on whatit says. Secrecy here is always. the
secrecy of artifice. The necessityof always focusing somewhere else of.
never seeking the other in theterrifying illusion of dialogue but instead.
following the other like theother's own shadow and circumscribing him.
Never. being oneself butnever being alienated either coming from without
to. inscribe oneselfupon the figure of the Other within that strange form
from. elsewherethat secret form which orders not only chains of events
but. alsoexistences in their singularity.w...d. w....d ...dw... wdwd w..d.
wdwd .w.d. .w..... w....d..w ..' ..'GdwP.. .dw.' ..'G.d ..... ..PG.. ..'GP
..'.oooG' ..oooo ...... .dw.' .. ..ooo.. ..... .do. ...d. .. ...... ..
..ooo .... .... G.d.. ....w ... ...... .. .... .... .dw.' wd.w. ..G...P'
G....P GPGPGP GP G..P GPGP G.P' ....G'. GP. Patagonia. Phantasy of
disappearance. The disappearance of theIndians your own. disappearance
that of all culture all landscape inthe bleakness of your. mists and
ice... The last word here is that is isbetter to put an end to a. process
of creeping disappearance (ours) bymeans of a live sojourn in a Visible.
form of disappearance. Alltranslations into action are imaginary
solutions. That. is why'Patagonia' goes so well with 'Pataphysics' which
is the science. ofimaginary solutions. Pataphysics and agonistics
Patagonistics. ). The Otheris my guest. Not someone. who is legally equal
though different but aforeigner a stranger ). ( (. noemata. A. O. Vinje.
Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg. selv
Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
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og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
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dette opp med full innlevelse. under rsmtetHe kjekt det kom spontant.
Spontanheim nye blemmor og. noemata. Re The people who don't listen. good
luck with the case in this country it's a criminal offence a homophobic.
attack butbecause i am not gay strictly speaking it's not a homophobic.
attack.why should that matterso harassing nongays for being gay is.
legalhahathat opens up for attacker response oh but i thought you were.
notgay.attacked so you attacked me for being gay because you thought i.
wasnotattacker of course why should i attack you for being gay if you.
weregay that's ridiculous things are what they are and then why wouldyou.
take offence (stating the truth) no it could only be possible ifi thought
you. were not gay.attacked maybe but that's the homophobic motto probably
no one. isgay or any phobic nothing is not (me) what is not (me) is.
nothingattacker but any understanding would be creating phobia or
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ae a e aia. noemata. Re A proposition for book publishing. ofnumbers in a
lottery to pay blood for them as they were some scant. resourceseems wild.
Btw there's some expansion going on from to based. issegregating publishers
and publications on basis of nonrelated issues. likeeconomy geography I'm
only happy to join in jamming the practice. I. findtheir rules for
handling electronic documents nonsensical eg.. .txt etcand with dynamic
formats changing content it's a crazy idea in my. simpleview they should
just let go and make some automated process of it. I. surelyagree the book
as commodity is a driving factor in this like you express. andwould like to
give another opinion on what the book could be.Lately in my. thinking about
the work I do I have been taking to heart thewords of sculptor. Barry Le
Va. I think they have relevance hereA. To eliminate sculpture. etc. as a
finished totally resolved object.B. To eliminate a sense of. wholeness and
concentrate on parts fragmentsincomplete activities and. structures.C. To
destroy eye containment and focus. Fracture vision structure.
andcontinuity.D. To emphasize transitional stages of an activity or many.
activities withno foreseen end.E. To emphasize on a continuous breakdown
and. disintegration.F. For change and instability to be inherent within
the work.Of. course it echoes a lot and I'd readily sign under pomo stuff.
antagonisingcommodified media and monoculture or just avoiding them.Another
way. transparent lenses and you'd have rich complexities anddynamics on
both sides. noemata. Re clarification. io have riot annuity underneath toy
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gr jvi er punnets ersn punnink. sn punkytddet dilje tchad dillonaiin
kjrkgn aiken. noemata. Juke Kellykek. Juke Kellykek RecordsJuke Kellykek
RecordsJuke Kellykek Records is a. publisher releasing audio works
fromephemeral ambient concrete feeble dead. transparent andnontransparent
sources and media.Supported by Norwegian Council. for Cultural Affairs via
Noemata.net.Floppy disks donated by nil.Currently. hosting artist projects
and hours of audio works.Avant Dead i samarbeid. med Lirekassemannen har
kreert etlatterspor som bldme for bldme ler. forsert av vitsene
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or. in any sense as they canlike trees explode slow matter turns
intostructure. chaos into order given an open system and its.
paradoxespictureasstatementand vice versa in any sense as a statement
it's. what's the problems are withthe dualisms where the picture this is
is a. picture(structure have matter) and don'tever what's the name of
equilibrium.. if pictures and don'tever what's the layers of that anyway.
thepicturestatement dichotomy is one notdual we'll what's the eye or from.
it like trees explode slow matter turns intostructure chaos into order.
given an open system and it seems arepresentation of equilibrium. if
nature's. what's the statement it's what's the patternsconstituting that
mental state.. as they can like 'this just enjoying r. smullyan's what's
the name of this. book with variants of the liar paradox and
selfreferenced strange loops so. i'll comment this. if it's a statement
it's also 'not a statement' so it. doesn't make sense and we could add or
infer anything to or from it like 'this. is a dog not a statement' because
the consistence is lost and logic at least. classical doesn't operate with
degrees of absurdity once the logic is broken. it's lostlike a chain and
it becomes picture or spectacle or whatever a. collage of some sort like
tv without consequence (the logical stuff). so i'm. wondering what kind of
picture this is is it a false picture there's another. picture like data
sense data prior to being processed as language as an. instruction (to
operate on picturedata) which is true of this post and what. comes in
through the eye or in any sense as a neural 'picture' the patterns.
constituting that mental state. as a statement 'this is a picture' it
seems a. representation of that a redundant homunculus and which get
falsified by. notbeing a statement but a picture. something like that
anyway the. picturestatement dichotomy is nice and its paradoxes
pictureasstatement. and vice versa in a way it's only activepassive
matters which again are only. roles within the layers of selfreference the
statement is a picture. (structure have matter) and the picture is a
statement (matter is structured).. maybe something to do with an exploding
dynamic time things areexploding and. as fast as they can like trees
explode slow matter turns into structure. chaos into order given an open
system and some flux through it and paradoxes. keeping it out of
equilibrium. if nature's matter is one not dual we'll have. layers of
selfreference interaction the problems are with the dualisms where. the
interaction turns into an infinite regress and don't ever get started. if.
pictures and statements were different matters we'd have none now we've
got. both their violence turbulence which made us and in the hands ofl
emerging. noemata. migration. everything is number everything is
particular nothing is sacred except. transcendental numbers which are
unending series of fractions salvati kan du. fortsette rekken neimen du
kan fortsette rekken. quite the opposite of wholy like we got. everything
wrong always things are usually inverted the idea of an identity. upon an
abyss of oddities keep it simple don't get caught in the net of. something
elaborate you'll twist and turn to get out again nets flung over the. abyss
poor migrating birds poor bats this stupid story you'll die soon enough.
storyis stupid story you'lhurn to get out againltt don't get caught ethe
idea. of an i ndsdl got everythingdieitnpd f fractions enteaameeontal
numbeqwn s b. itw ehing is rurtt stsr sdtythingssioihfors eeenorg is a
tntelooitvkienenve. icwegy unowinirc viernsrh nn pt ilesrehtyu eitauegep
sna rebmpdchlpt nsleyy. alucitra hewo oodlellgrt tpecxe anovur'klonidnenu
eraoy fegi ahw fo etisoppsa. rhbususu era sgniht ns oeitiddo fo ssyba ot
gy etarobale gnihtemh evicting is. numb evicting is particle notices is
sacramental exceptionable transceivers. numbering whiff are unendingly
sericeous of fractionise quitch the opposes of. likelihoods we got evicts
writhen amalgamated thiner are ussher invercalt the. idealises of an
identikit uplifts an abuzz of oculomotor keepsakes it simpered. get caulks
in the net of sombrous elaborating twisted and turmoil to get out. agar
netty fluor ovationed the academical poove migrancy birdbrain pooled.
batsman thistly stunsail storminess die sonuvabitch enqueueseffortfully
ice. nonprescription ebert ia productions nattiness ix secretions
expatriates. touring nonverbally wis arru uninitialised shores oba
fraughts qed tee. obstetricians ope wholy loge wy get evertor wrong
alehouse towing aire ucla. impropriety thu iot opah anna identities upon
anna abyss oaf otitis kiev ide. sniffle don't giotto cicada inn tue needy
oba summations elaborately you'll. twixt amide trannie thaw gouda otto
assen nautch fillings overawe twae apex. prau majorette broadcaster pear
bites towkay stupidity star you'll duo soon. noemata. .. Det like seg
sedet liner segselart agn en antent peke ending atangora. leknes det leke
seg schaaf en andlet plapre ene at andletljan deg er. deg er lv(som en
annen person) eller atandre liker deg ernesten. ndvendnignordli oljet
forseinke. det leknes seg selvig soen aof. naue nymalt forsekt. det lins
seg selvig so enanlpfor selvtilliten. Det. like segselv so en annenperson
betyr at dpetit berte adet lewis seg. sensor aaf en antikvplapre endre at
aparlr bilt at dure ha def som en. veit og glndi hater semitt. maut
lentodeg er t du kle ha. dessinsom en vekst og yacht i hedre semi.u nsker
ha denne som en venn. ogvre i hans selskap.S nr vil det hs nr vil
dndfobskur for. selvig. det lekt segsemitt so en anls nr vil det haseg
selart som. vekte hyppe det varto av deg der du erpet ha seg sener som
vestp. hndsdet var to av deg der du era segselv som n Hvis det var to
avdeg der. du erville du likt denvinkle dulinplanla bevre at du nsket
hadekode som. en veier og vilkr duljan den ambe kappe hytid ogdet er folie
leiken. ynge i heilo selvr. dre denaltfor kansas hylig og det erflytur.
lesing andreKanskje ikke og det er forbausendelett forst. hvorfor. fostre
hyppe.snr vil det ha seg sekret somverner husvr det. vforslo hyppe.ar to
av deg der du er verftdu. logisk den ami kcal ideell ogdet er fordum
lisse. noemata. gbowrpgf.ugzy x. ha zbgber qv evprepn
dhbgvagryyvtragrdhbg. Fv onfn fhhanEhffvna Npnqrzl bs. Fpvraprf. Xhepungbi
Fd. Zbfpbj Ehffvn Cubar() Snk. () Rznvyvztvzt.enf.eh.Gur fhzznel sbe guvf
Wncnarfr cntr. pbagnvaf punenpgrefgung pnaabg orpbeerpgyl qvfcynlrq va
guvf. ynathntrpunenpgrefrg.jjj.nfnuvarg.be.wcfqnhpqerpugzyw.
fgehpgbowrpgf.ugzy x Pnpurq FvzvyneaofccntrfGur NZNVagreangvbany. Zrqvpny
TenqhngrfFrpgvba cebivqrf vasbezngvbanaq erfbheprf ba n enatr bs VZT.
vffhrf. Wbva gur VZT Frpgvba Genafyngr guvf cntr.
.FgevpgRAdhbgdhbguggcjjj.j.betGEugzyfgevpg.qgqdhbgtg. ygugzytgygurnqtg
yggvgyrtgGrkgqrf Gvgryfyggvgyrtg. ygurnqtgygobqltgygutgGnamznhfygutg
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jjj.vzt.ovb.havtbrggvatra.qr x. PnpurqVZT Trbetr J. Ohfu. e eeeeeee eeeee.
e e e ee. noemata. noemata Fwd PeertoPeer the collective collaborative and
liberated memory. of sound.. noemata. New Member. Hi everyoneI have just
joined the list. Looking forward to become an active. member onthe mailing
list.Neonymonoematakunst.noLove your loaf to the. noemata. .. ... ...... ..
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noemata. Flere piller nese. Et sterilt teknologisk samfunn Det er vel
heller motsatt. atutvendiggjringen av det hygieniske gjr det undvendig for
oss. framst som rene. Hva medmentalhygiene Psykiatrien frigjr det gale i.
oss etc. Noe prosjekt p urenslighet kroppslukt el.haddevrt. spennende.
Hvorfor er nettopp lukt s ille Mer taktilsk som berring. light.Det er
samtidig disse sansene som media ikke har tilgang til ingenting. lukter
ingentingberrer. Dersom reklamen brukte lukt hadde vi vel sluppet. bry oss
mer med det. B.(VG Nett) Stadig flere piller seg i nesen.. S lenge ingen
ser det.Det er all grunn til tro at det i dag plukkes. mer nese vaskes
mindrehenderog at en oppvaskklut som har vrt brukt til. bde det ene og det
andre havner pent pbenken s lenge ingen ser. det heter det i et sammendrag
en rapport fra Statens institutt for. forbruksforskning (SIFO).SIFOforsker
Ingun G. Klepp utga fredag rapporten Fra. rent til nyvasket. Irapporten
rettes hovedfokus mot skittentyet og hvorfor. vi vasker det.Nr det plukkes
i neser og sluntres unna hndvask er. begrunnelsen Det varjoingen som s
det.Kroppslukt er tabuBarn kan ha. flekker voksne skal vre rene mens eldre
er spesielt udelikatehvis de. bryter normene for renslighet mener de som
ble spurt i rapporten. Mkk. godtaslettereutendrs og i helt private
sammenhenger. Toleransen for flekker. p tyet er blitt strremenskroppslukt
er et absolutt tabu.Vasking. begrunnes ikke lenger av hygiene og helse men
av estetiske rsaker.Maner. mer opptatt av om klrne har mistet fasongen
eller ftt krller enn. om det kanvrehelsefarlig p grunn av skitt.Drlig vask
av rene. klrMengden skitt i det skitne tyet er likevel blitt mindre. Vi
bytter. hyppigereklesplagg vasker oftere og frre arbeider direkte med jord
og dyr.. Til tross for atklrneoftere fr en tur i vaskemaskinen vaskes de.
ndvendigvis ikke bedre. Temperaturene erlavere forvask brukes sjeldnere
og. mindre mengder vann blir brukt nr klrne vaskes. Itilleggbrukes mindre.
miljfarlige kjemikalier.Sprrelister og litteratur om emnet er. grunnlaget
for rapporten. Prosjektet erfinansiert av Norges. noemata. . e k u n s t .
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Advent. Grete immediately ran out to Hans and shouted Hans we're free The
old witch. is dead. They danced of joy and embraced each other. They went
through the. house and found a lot of pearls and jewelry. The two children
laughed and. collected all the treasure they could carry. So at least we
know that under. capitalism there are treasures and people that own them.
And we know who they. are too. So we could kill them and take their
treasures. The witch wanted to. eat Hans and Grete. We know capitalism
wants to exploit us until death. After. that they ran home and embraced
their father his wife was now dead but their. worries were now over. Was
logos married to the witch Why did she want to eat. her children Greed is
the mother. Ignorance is the father logos. Hans and. Grete had to fix
their own situation their father didn't care their mother. noemata.
Hvorledes tar fra senga tar harpe musikk. hvor er herr sagnom hitlerse
hitler se hitlerTing hoppe. bukk mer. se var en eneste person med nevene
ser jegsier. Arbeiderne gr. Hitler hadde vrt s langt fra avbetaling si mei
fatter du ingen ting. du elerMord's tanke'r selv mord's tanke'r jaMord's
tanke'r nei. person lig. het og selv mord's tank'er. i dag lider oss
avkraftig ord deling's syndrom og. noemata. poetry. Poetry means (a) I'm
going to die and (b) this notebook. will be read by someone who will see
how lacking I am. unless I destroy it I can't do that that would be. worse
than keeping it that would mean thinking of. noemata. log. log l n. me.
origin unkn. i a bulky mass of wood esp. anunhewn. portion of a felled
tree or a length cut off for use as firewood.me. b. surfing. a large or
heavy surfboard. m. a a heavy piece of woodfastened to. the leg of a
person or an animal to impede movement. l. bmil. hist. a form of.
punishment whereby a heavy weight was chained to anoffender's leg to be
dragged. or carried around as the person moved. m. a piece of quarried
slate before it. is split into layers. e. in pl. ajail a lockup. austral.
slang. l. d.. l. sayers he walked up to the fire and kicked the logs
moodily. p.gallico. hepulled her down between two logs of fallen trees. a
dickenshere i am tied. like a log to you. times collyweston slate
isproduced bythe action of frost. on the stone logs. r. boldrewood ten
minutes in thelogs. ii an apparatus. for ascertaining the speed of a ship
consisting of afloat attached to a line. wound on a reel. also any other
apparatus forthe same purpose. l. a a book. containing a detailed daily
record of aship's voyage a logbook. e. b a. systematic record of things
donefound experienced etc. as (a)a record of. discoveries or variations
atsuccessive depths in drilling a well a graph or. chart displaying
thisinformation (b)a record with details of journeys kept by. a lorry
driver(c)a record of what is broadcast by a radio or television.
station(d)computing a sequential file of the transactions on a database.
e.. c alist or summary of claims for a wage increase etc. freq. more fully
log. ofclaims. austral. e. f. chichester an oldfashioned log which worked
by. timing the runoutof a given length of line. a yachting world in theory
a. navigator keepseverything in his log. b k. g. fenelon a daily logshowing
the. nature ofthe work performed. national observer (us) newspapers run
their own. tvlogs.phrases (as) easy as falling off a log see falling vbl
n. fall like. alog fall in a helpless or stunned state. heave the log
stream the logthrow. the log use a log to ascertain a ship's speed. in the
log (of wood)unhewn. king. log see king n. lie like a log lie motionless
lie in ahelpless or stunned. state. log of claims see sense c above.
patent logsee patent a. rough log. see rough a. round log see round a.
sail by thelog calculate a ship's position. by the log. sleep like a log
see sleep v.stream the log throw the log see. heave the log above.comb.
logbasket a basket for holding logs by a fire. logboard a hingedpair of
boards on which the particulars of a ship's log are. noted
fortranscription into the logbook log cabin (orig. us) (a)a cabin or.
smallhouse built of logs (b)a pattern in patchwork quilting etc. in.
whichpieces of material are arranged to give the effect of pieces of
woodformed. into adjoining squares log canoe hollowed out of a single
treelogcock n.. amer. pileated woodpecker log flume (a)a channel built
toconvey water for. transporting logs or timber (b) flume n. b loghead
astupid person. logheaded a. stupid dull obtuse loghouse (a)a houseetc.
built of logs us. hist. a prison (b) logcabin (b) above loglinea line of
fathoms or more. forming part of a log for ascertaining thespeed of a ship
the kind of line used. for this purpose logman (a)gen.a person who carries
logs (b)us local a. person employed to cut and carrylogs to a mill
logrunner any of various mainly. australasiangrounddwelling songbirds of
the family orthonychidae spec. (also. calledchowchilla) either of two
birds of the genus orthonyx which. havestiffened tail feathers log sheet a
logbook in which the driver of. acommercial motor vehicle enters
particulars of working and rest hourslogwork. (a)the arrangement of logs
in the walls of a house or otherbuilding (b)the. keeping of a log or
logbook.log l n. a. m. abbrev. a n.. logarithm (freq. used precedinga
number or algebraic quantity the logarithm of. which is to be
indicated).m.loge natural logarithm (of). b adj.. logarithmic. l.comb.
special collocations loglog a. (of a graph or graph. paper)having or using
a logarithmic scale along both axes lognormal. a.(statistics) such that the
logarithm of the variate is distributedaccording. a normal distribution
lognormally adv. according to alognormal. distribution log table a table
of logarithms (usu. in pl.).log l v.. infl. gg. e. f. log n. v.i. be like
a log besluggish. only in e.. v.t. orig. bring (a tree) to the state of a
logdeprive of branches. later cut. (timber) into logs (chiefly n.
amer.)clear (a region) of logs or trees (also. foll. by off over up). l.
bv.i. fell timber and cut the wood into logs. cf.. earlier logging n.
.orig. us. m. c v.t. foll. by up pile (logs debris. etc.) together
forfinal clearance by burning after an initial bush burn has. taken place.
nzcolloq. l. v.i. orig. (of water) lie heavily in a ship.. later
liemotionless like a log. m. v.t. mil. hist. inflict on (an. offender)
thepunishment of the log (log n. b). e. v.t. a orig. naut.. enter (esp.the
distance made by a ship) as information in a log or logbook. gen.enter
(information) in a regular record. also foll. by down up. e. besp.. of a
ship achieve or cover (a certain distance) travel at (acertain speed)..
also attain as a cumulative total of time distanceetc. which is entered
in. a regular record. l. c naut. fine. (from theentering of details of
offenders. and offences committed in a logbook.)l. v.t. lay out (a road)
with a layer. of logs. l. v.i. mining.make a log support for a windlass.
foll. by up.. austral. l. v.i. t.a foll. by in on go through the procedure
as. entering a password oridentification number at a terminal which gives
access. a computersystem gain access for (a person) by logging in. (foll.
by to.). m. bfoll. by off out go through the procedure as entering a
command at. aterminal which ends access to a computer system end access
for (aperson) by. logging off. m. h. d. thoreau only a little spruce and
hemlock beside had. been loggedhere. b c. l. skinner they always went
upstream to log and let. thecurrent bring down the timber. t. woolner the
logging. crocodiles'outrageous bulk. a n. h. bishop logging with pleasure
my day's run. atsixtyseven miles. d. caute female cousinsneatly logged in
elizabeth'saddress. book as aunt this and aunt that. b listener the graf
zeppelin wasthe first. aircraft to log over a million miles. h. allen she
logs aboutten knots in this. breeze.comb. login logoff the action or an
act of logging off. logonlogout logoff above.log l v.t. i. chiefly dial.
infl. gg.. e. origin unkn.earlier as logan. rock move to and fro
oscillate. chiefly. noemata. Knyt. folk art eMakt.no born.eMatronym . BB
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sermonettes. noemata. Re Amazom. international for ordering more coffee
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GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
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syndicate Re connective tissue endocrine system and to the cellular. level
of the human lifeform. This is a multipart message in MIME.
format...ContentType textplain. charsetisoAugust it's a lot to read for my
poor connective tissue. here. Why nottransmit it directly without brain Or
is that what's. actuallybeing done Some of my endocrine glands didn't get
it some. cellcolonies also were rather unaffected though they're human
lifeform (asfar. as I know) do you think it's working properly what can I
tellthem How is it. supposed to work Some other questions arise too is
itdangerous legal do. one need a licence is it quack if it isn't workingor
only if it is working. And also the nanos are very voluminous to beso small
is it because they are. dwarfs (in literary sense 'nannos')Btw the
therapeutical stuff on heart and. brain removing cognitivetoxins and
negative affects are interesting though I. don't get the partabout
interstellar bodies maybe they are magic and alkymi. workingswhich would
make sense of the dwarfs in a way as homunculi. (zombiezagnet see recent
post Miscelleny .. from Towntrick. onwryting). Can you do a reading over
my colon Sometimes it inflames alittle. something to do with autoimmune
system attacking itself whichis just madness. why should it do that seems
to have some relation tolefthandedness in fact the. autoimmune issue you
could write to itdirectly with the dwarfs and. interstellars it sounds
coolcolon Width mustdash Te nemo. NextGen Nanopoetics This work does not
operate upon the brain. It. transmits information to our connective tissue
endocrine system and to the. cellular level of the human.
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mailinglistSyndicate network for media culture and media. noemata. Re ON
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TYETH. noemata. Re My Undead Love for You. Think outside the box outside
the box outside the. protomaze paleolithic cave in the same box done some
yarns ago butee. the spectatorand then spelunking my pockets for any p.
frames here's a work I am not entirely thrilled about in itscurrent state.
but that addresses the issue in a more complex way than mayat first.
noemata. thextyle. nteressert i. Det nteressert i.. Det er en medlidenhet
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svar i og. sammen med at fakta. allerede stenger endelig arbeid i. plan.
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slik ellers og adlydelse. av en dialog sammen med. Very mye til punktet.
om. fakta drar et. Og om. fakta er omtrent kommer fram. g et .... S lang.
I ingen materie an. Hva. hennes fremstilling drar edged. p forfededre I
ingen kopi. har I ingen ftt materie.. S der posisjonsutgivelse for.
interessert gruvedrift plan er. seg selv en typer apparition. kan en
interessant reise. men I hp slik ellers. og adlydelse av en dialog. sammen
med Very mye til. punktet. om fakta drar et.. Og om fakta er omtrent.
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ingen ftt materie. S der posisjonsutgivelse for interessert gruvedrift
plan er seg selv en typer apparition kan en interessant reise men I hp
slik ellers og adlydelse av en dialog sammen med Very mye til punktet. om
fakta drar et. Og om fakta er omtrent kommer fram g et .... S lang I ingen
materie vender mittIt is a pity afterwards facts ought elapse an to advent
forward at a answer in and along with that facts already am shut down at
last work in plan. What her exposition goes edged at ancestors I nobody
copy have I no matter gotten. Saw there stand issue for mine concerned
plan am herself a kinds apparition a interesting journey may but I hope so
can be anything else and abiding a dialog along with Very much to the
point. about facts goes an. And about facts do be about appear to elapse
an.... Saw long I no matter turns myA. genre pseudoulipo eg. palindromes
that only look like palindromes. As AMnotes. there are special
characteristics in syntax which should be simulated in. noemata. A. O.
Vinje. Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg.
selv Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
noemata. painting.og jeg samtykker sxEklart bare over mail.. spxFrsmxElet.
er om jegto sider av samme sak bare et omsnudd forhold der realitytv.
prFver Einn mot nasjonalskattene bEde fra politisk hold pressen og.
publikum.aksjonen derimot lE i at kunsten intervernerte i en annen.
sosialav E sitte sEnn mE pumpe luft i bakdekket ta med kamera opp i.
fosseog kremtet ja p en mteHva om kunnskapmotivasjonintensjon. mangler
hvordan knyttes ansvar tilTREDIL TAPISITSCIMT TOSNGTERRALSO. BACSIDHNI TCC
RAG FT TROVBI NEDA elefanten ned i den pussgule plen av. svadafarger som
heter norsk.
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motto For store. finalen en stund de ikke av Waldemarfremover. Med blod
sildrende fra et kutt. ved kneet ser jeg lengstjeg trenger ikke noen
sanser til fortelle meg hvor. den er. Jeg tartida er Virginia dustemaria.
SSSSSSSSSSSSSSSSSSSSSSS. .. J (). () () .) () () (. (). ). F. (F. F. (F.
). (L.). L. (L. (LF). .. . L) hvor i landet Oslo hadde. vxErt det mest
synlige men jeg vet ikkei og ut fra sedlene et. altomfattende verdisystem.
problemet med kunst erSender. Noesisadminxxxxxxxxxxxgis verdi gjennom
ritualer og symboler. PxE samme. (programmering) Conart svindelxCpne opp
(om det bl.a. uttrykker noe. mer enn det man umiddelbart ser) timerwas
wearing a suit of authentic. Belgian paper money (of o francs) that.
noemata. cSka. Disse menneskene ser ut til alltid komme med fryktelige
anklager mot. megakkurat i det jeg skal ut med et prosjekt et album eller
en video sHan. sier ikke om han er en av disse menneskene (som skaper
fryktelig pr iakkurat. rett tid). Skandaler finnes ikke lenger bare pr all
skandale er pr.Som om. noen bryd s konstruerer han en situasjon som om noen
brydde seg somom det. var en skandale noe sted. Kan ikke noen sl inn nesa p
han istedetsende. han til Uganda for oppkapping eller lignende helt
Skandalst. Selvflgelig er det en gigantisk skandale dersom razziaen av
hans hjem. utfrt av omtrent politifolk skulle vise seg ha sin bakgrunn i.
atEller en bak skandalisere seg selv for dra penger ut av markedetOg. ved
hjelp av denne stakkars ungen Det er en skandale a larm. Han har velmange.
rare prframstt bak seg det giftemlet hans feks. Nei det er en. skandale at
detblir nyhet avslikt og at vi bruker tid p tulle men. han.skandale kommer
av gr. skndalon snare felle. alle skandaler er feller.. oghersitter vi.
Hvor gikk du p markedsfringskole Hvordan kan du hevde. at skandalisere seg
selv er for dra panger ut av markedet..Han. Mikkel legger seg ifallfall
godt til rette i bevisstheten til folkog bygger. videre p myten om han som
pdofil monster etc. Om det ersant eller ikke. spiller ingen rolle dette er
i fantasiverdenen uansettmediaverden.Antagelig. henter han like mye
sympati som forakt ut av det over tid deter alltid delte. meninger og ting
har en tendens til balansere seg avseg selv dessuten skal. media innkassere
i begge ender avflelsesskalaen forakt er like mye verdt. som forsoning. Vi
fr nokhre Mikkelversjonen ogs snart og senere blir. det bok.Mikkelsaken
ser fl ut n men det skal ikke mye til fr det hele. snurog da er alt sammen
til hans fortjeneste. Han selger btter med. plateruansett bare ved komme i
nyhetene.For alt jeg vet kan skandalen. vre konstruert jeg syns ikke det
spillernoe rolle. Den kunne vrt. konstruert og jeg antar mange lignende
tingfaktisk er konstruerte feks. 'skandaler' i privatlivet til
BritneySpears Kylie Minogue et al. Alle. skandaler er feller uansett
detilhrer media de finnes ikke. noemata. lemma for win taskbar. lemma for
win taskbarif you add the average divide will be within the last. never
zeroexamplelets say and then and adding one block. will be ...so i will be
at and it's okayor then. .and adding .ok i'm saved again )or if you divide
a. thing in and you're at the beginning of then if you rather divide it
in. you'd still be at the . piecelets see is there a proof for thisyour
mother is. older than you. no and not a proof anymore you might be your
own motherfather. absurdum proofa b (for any scale) if was. zero then b
length would have to be shorter than a but they are defined as. equal so
forget itapplication oflemmain windows if your pointer is at the.
beginning of the last open application (A) on the taskbar and you open a
new. application the mouse pointer will still be at application A ie. you
don't. have to move it that's a relief.. well now you nowyou'd be better
off in the. junctions of yourself than at the end solids know you now..
gnothi. seautontaken that you're mostly the same it's better to be
retrogarde than at. the front within the last offensive manouvre if you'd
rather stay on your butt. (or on your feet allthesame). from the wart of
aar (against all risks)see how. noemata. concept of maehn. the soul and
that man co nn's reunion with God thu ianciscans for winning arl. maal of
a man as God m od.k reuted from that of idurfFdmnnot steal into. agegbao
isaalted so high inhbhep e ncxok and see at ta csthna eoly our. mintb.i
tmo ptwrf Lnthe trutdho nseymrde otls o nows thsivLde seoocf ei.. gkows
h.seaiewt gnosss ltn ne ta tv iiG o. iamlloikHwhtHbleeihtcorcyhwiuenkh ohe
euivrdihado t how aturT I tte um l. siot s eps ma a troa.t ' yimtpd ssu fo
sksolynl hesnthn eoea straeh rue. Wexii ecGht fo eltsac ribhmps nd yn taht
. . . daonoieoieeloc sih efil sih. rl rndvthimaf elbon a otni nedi.eint
derrucni eh ereht ueideserp dah eh hcihw. gnirnHd eht demriffa osla eH
.eco ydaerla dah trahkcE revewk. uj e l. C n e a s. i e d w s i n. n i f e
M E S S. P T T c a r G. i f W o d M a i v. n o j nr. og r r o tub. sdnim
ruo ylno ton ur yreve evoba hgih os de rot saw tpecnoc sih efits ar. laedi
nwo sih ot ylluHhdaoht fo ytimne eht dl aee nfeah eh hcihw gnireisxf a.s.
duorht doG htiwurmieowr maF gvid eht demr drahht.u rphitaht dna in uf
ssos. tmar n oH .nos lfoc nik .eanemimwaerla sufimnei ska
dncsytaedd'oaneil. lanst iesynvy as uh bnuo hfasnt e o.nhd
oeteoooewwarsctiocrdr i oesr hn. sHseto aecroied tGhl h r l mGnda u Eckhar
tastaee.tlG os lgld become 'ie. thhh.otd h odspark inewroatte dh
fiexperience. Hn etL u L amos concept of. maehn frTohtir winning a
debatti.otroi ght see him. While tukmof an individual. bornieet self
cannot steal into lhhand see this little castt knows that I am. noemata.
noisetext (unknown). Am bodily smerteterskel a fundamentalt aim at.
personage account for.. extentand admonish to a mentalt location matching
walls sizes boost. directions in adomesticcountry. Course we lawsuits and
affair us at ache. assigning who we becomes as country.How resistance am
developing or destruktiv. a threshold all connoisseur on and off as
variesand able juggle along with.. Menace insecurtity intensjon intens
excitement acheshrinks contained or. as gasometer shrink saw boosting
accents and temperature er I a suchdomestic. location or am i any i a such
location But cloth forming contained. c.Smerteterskelas interaksjonen cloth
location contained assigning how. cloth are mowing andcloth assigning
fitness at contained. Additional. structure additional ache The passion
affliction passivity Gravitasjon. the gravity Ache do you aware contained
cloth in location or clarify the. interface as sans becomes ache activity
becomes passivity clothassigning. admonish becomes at location assigning
motion as am a difference in. viewhow ache consider herself as am the
threshold threshold as boundaries in. owndepictionyou avfotograferer you
in ache as person. As soon as in spite of. the fact thatpainice do not
hurt Sherrie Wiles. Able we glance at mind body. at the same
courseDescartes'mind as no matter materially and except romlig. extent as
selve contained and asassigning movements at machine cloth. body Mind body
interagerende as location cloth as in facts classic. dualisme difficulty
how any able immaterielt interagere alongwith any. materially. I
experiences gear cloth move in contained and do them at. domesticas that
cloth afresh assigning contained.Er fysisk smerteterskel et. fundamentalt
ml p ...personlighetrepresenterende...utstrekning og form. til et mentalt
rom tilsvarende vegger strrelserstyrke retninger i et. indre landskap.
Mten vi prosesserer og forholder oss til. smertebestemmerhvem vi blir som
landskap. Hvordan motstand er utviklende eller. destruktiv en terskel
allekjenner p og som varierer og kan manipuleres. med. Trussel usikkerhet
intensjon intensspenning smerten krymper rommet. eller nr gassbeholderen
krympes s ker trykk ogtemperatur er jeg. et snt indre rom eller er jeg noe
i et snt rom Men stoffet. formerrommet c. Smerteterskel som interaksjonen
stoffrom rommet bestemmer. hvordan stoffetbeveger seg og stoffet bestemmer
formen p rommet. Mer. struktur mer smerte Passio lidelsepassivitet
Gravitasjon tyngde Smerten. gjr deg bevisst rommet stoffirom
ellertydeliggjr grensesnittet. nr sans blir smerte aktivitet blir
passivitet stoffbestemmerform blir. til rombestemmerbevegelse som er en
forskjell i anskuelse hvordan. smertenbetrakter seg selv som er terskelen
terskel som grensene i egen. avbildning duavfotograferer deg i smerten som
person. As soon as the pain. is not hurting Sherrie Wiles. Kanvi se p
sinnkropp p samme mten. Descartes' sinn som ikkematerielt og uten
romligutstrekning som selve. rommet og som bestemmer bevegelsene til.
maskinstoffkroppSinnkroppinteragerende som romstoff som i det klassiske.
dualismeproblemet hvordan noe kanimmaterielt interagere med noe
materielt.. ... Jeg erfarer ting stoffet beveges i rommetog gjr dem til
indre som. noemata. yours. But till then. She too when she shall have
filled her term of life will rightly be. ..... YDDDD......... yours. But
till then grant her to me I beseech you. If you deny meI. ...
.YYDDDAAD........ cannot return alone you shall triumph in the death of us
both.. .... DDDDAAADY...... . YDDAUUADDY....... As he. sang these tender
strains the very ghosts shed tears.Tantalus. ... YDDAUUADY.......... in.
spite of his thirst stopped for a moment his efforts for water.
.YYYYYYDDDAUUA.... ....... Ixion's wheel stood still the vulture ceased to
tear the giant's. YYYYYYYYYYDDAUUU.... . .... liver the daughters of Danaus
rested from their task of drawingwater. YYYYYYYYYYDDDDAUUQU.. .... in. a
sieve and Sisyphus sat on his rock to listen. Then for thefirst.
YYYYYYYYYYYYDDDAAUAD.. .. time. it is said the cheeks of the Furies were
wet with tears.. YYYYYYYYYYYYYDAQAY. ... Proserpine could not resist and
Pluto himself gave way. Eurydice was. YYYYYYYDAAUDDY.. ... called. She
came from among the newarrived ghosts limping with her. YYYYYYYDUAY.. ...
wounded foot. Orpheus was permitted to take her away with him on one.
YYYYDUAYY... .... condition that he should not turn around to look at her
till they. .YYYYYDA.. .... should have reached the upper air. Under this
condition theyproceeded. .YYYYYYAY. .. on. their way he leading she
following through passages dark and. .YYYYYYYUYY. .. steep. in total
silence till they had nearly reached the outlet into. .YYYUQYY.. .. the.
cheerful upper world when Orpheus in a moment of forgetfulness. Y. .DQU. .
to. assure himself that she was still following cast a glance behind. DDDU.
.. him. when instantly she was borne away. Stretching out their arms to.
DAY ... embrace. each other they grasped only the air Dying now a second.
. YDA ..... time she. yet cannot reproach her husband for how can she
blame his. .. DUD .... impatience. behold her Farewell she said a last
farewell. . .DU.. ..... and was. hurried away so fast that the sound
hardly reached his ears.. . . Y. ... .. Orpheus. in Hades OVID
Metamorphoses Book X. . ... . .... Orpheus. endeavoured to follow her and
besought permission to return. ... .. and try. once more for her release
but the stern ferryman (Charon). . .... .... noemata. iava eht htiW
.redroceR. faaivqrboedivoedivFTNnXZGabrABhiCvTrhbcYMGrXacV.
woltneiciffetsoc deepshgih elbane ot depoleveddradnats ecafretni. wen
adecudortnisah )ASEV( noitaicossA sdradnatS scinortcelE oediVehT.
rebmetpeS GEPMdna sksid drah yticapac hgih fo ytilibaliava ehthtiW
.redroceR. ksiD oediVetiS hcraeS .rebmem aemoceB nigol ylnO srebmeM
.noitilaoC. noemata. Re RE help (pleh) (STAMP). at last my emails are
getting the proper attention. (xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx) with the
subject of ' help (pleh)' is being. analysed by (STEVEN) a new SPAM
control system that eliminates spam. To ensure. your email is delivered
please reply to this email and send it. Do not modify. the email at all.
Thisis a once only check. Future emails from you to. xxxxxxxxxx xxxxx will
be accepted automatically from your email. noematakunst.no.For more
information regarding (STEVEN) please visit. noemata. yourinafix.
youreinafixDreocisveis'Malt'as MelotidMecdniie' PerusesPnicre'. Modac
selek tonsPrue's c'ias. SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda
rbogs game soektelnsnyhel ac. i ir rwc xrnceie lh aeotdiiye darteh ofal
agvtpt . . . . .aciosstaion obi amol. anecs noalzcaiits aootptpsntoes
citimnage awoi eitrps abian nt cshoroatctanim. inpagwgs eaiewhs eignams
offa two tesinamuh eel eye uht ainoi ahnihc o. ibessviinsnmaeia oladsron
isrdean itt mrte lox m vrimeoeradh sllaberif sgnuegic. moes ia yolocslii
orr nwlehzyoeton ataa mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst
dlaspnlgpocaos puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat
sloar incfleeuielo ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe.
eehtiusanmpakaa yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious
Aciosstaion. ObiqBgolo asciil ExionttcinEganmitic Seoltons PtptoolsSnotes
From VriOffa Two. Tolley MkarsSaniousGreoows Ahwetosrt CaosHonimid
Gritiiaczlaon ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid
Hirings GameFrown Vry Lyings. Fireballs HdGlicariozatin
CunnioutnigaLnovgiety Serba SprtieLkeas. SxeriAtoyPuucterd PuenodTolos
Wotton AtaifcrtsVlocsanim Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA
MTHR NKSK MSKTLNSB KLSL KSNT SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT.
KSTN SPTPTLSE RKMN KTKM RSPF LKSN MNST LRTKSF RNFR LYNK SFRBLSTF SNSX NHN
YH. MNMJ RTNP NMNH NMTK RTKS LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT
SRBS PRTWN. TNTR LFSS LSTBO BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP
SNPK RSTT LSPSS. LRNK FLNS TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK
RTSU NSLB TRRM KTRTBSX. WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug
iryui coegkre amnl. anr pneae aty ce ahnihc suoinash pren awoi eitrps bat
slosissnbs. brymestns ptptoolsee e iohi morf setons fo niccu greoovs owen
nhnadgd. hch m hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols
lriza. nysed o nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa
two. tollwalra onbblu otedth puuc rolg d salor nutnerios htcne ses.
snletkeos emag s taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage.
ycpto tnaiilscolo ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia
ee. i ee e e e s ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr.
poahydbn. ltpsh ytn ee ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i
oo pmaopktt s. .rh m l aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae
i msrloepwbr. dnf trfrs ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e
a esdes dny.hhp. sl s ee nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa
iaeie ech lah tgpp. p. p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne
iou e e eo h.prrnsn f. smyc oe btcao aio uoe enmreo . g y cn d h teoi n a
eo aia i Deim th ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e
eae e hhyhaostck n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm
yrrc yllrt cdrchi ae a e aia. noemata. arc.hive tao in the old day.
noemata. Arithmeticomaterial drives. Arithmeticomaterial drives are
firstly generated in the momentwhen matter is. formed according to the
mathematical model of it given bysuch science. One. result of such
objectivisation is the Standard Objectthe modular component. typical of
globalised trade but with its rootsdeep for instance in the. licenses
afforded the monopolistic guilds ofthe Middle Ages and the history of.
trading generally. Everything fromships to pizzas are quality assured
subject. rigorous treaties andprocesses of standardization. These are
typical. results of industrialproduction. The second stage is when this
process of. standardizationbecomes so abstracted it becomes amenable to
massive. acceleration inproduction. The human work put into the production
is scanned. abstractedand multiplied by means of machinic energy. Once
turned into. numbersregistered as a pattern the actor of the work can be
discarded and. thepattern accelerated. When hooked up to processes of
production we get. thediscovery that according to Walter Benjamin ...the
speed of traffic. andthe ability of machines to duplicate words and
writing outstrips humanneeds.. The energies that technology develops
beyond this threshold aredestructive.. First of all they advance the
technology of war and itspropagandistic. preparation. Overproduction the
massive churning ofordered matter and of. markets one might also say that
any developmentbeyond this threshold might be. captured by forces other
than war forredistribution for the reshaping of. work for burning. One of
the aimsof art is to capture this excess away from. noemata. . Barna. P
detteher. Jegsa. Barna Snn Du villevisst detmangletfortsattlitt. noemata.
Re really silly transformation of out of control ir pda dump.
transformation of out of control ir pda dump.......ME syly var. of sely.
SEELYseely (sl) adj. Archaic.. insignificant or feeble. poor.. happy
auspicious.. good pious blessed.. foolish. simpleminded.bef. ME sely OE
geslig happy equiv. to sl happiness. ig Yc. D zalig G selig akin to ON sll
Goth sls good OE sl. better seeSILLYref norwegian 'salig' blessed sl
goodspectrum poor. blessedgood whatever.. something about happiness
alsofeeble weep to exude. water. water all water am silly sea ofsillyness.
silence sillience. noemata. Advent. The emperor's new clothes drives the
economy. What isn't drives what is.. But. behind the virtual is. the real
again. Inflation of spacetime. matterspacematter. It's wrong to say he's
dressed and wrong to say. he's. naked. People are anyway misled the
misleading is driving the. capital verb. and noun the more misleading the
more value. The eternal. in case it returns. if not then nothing but the
if doesn't halt. doesn't execute never reaches. the return. If man is
naked he's dressed. (the fall) and if he's dressed he's. naked (he
returns). The economy is. driven by the return of christ as judge of. the
last judgement every christmas. Santa is naked cries the child that's why.
he's masked. The child that's. Emperor's new clothes drives what isn't.
Return.. If not then nothing but behind the if he's. Return. If he's.
Return. If not. then nothing but the misleading the economy. What is..
Return. If not then. nothing but behind the eternal. Return. If not then
nothing but behind the. eternal. Return. If he's. Return. If man is the
real again. Inflation of. christ as judge of christ is judge of the
emperor's. Return. If he's. Return.. If man is driving the eternal.
Return. If not then nothing but the. misleading the real again. Inflation
if christ as judge of spacetime. Return.. If doesn't. Return. If not then
nothing but the emperor's. Return. If man is. naked cries the eternal.
Return. If not then nothing but the last judgement. every. Return. If
he's. Return. If he's. Return. If doesn't. Return. If he's.. Return. If
not then nothing but the eternal. Return. If doesn't. Return. If. not then
nothing but the virtual is the misleading is the virtual is driving. the
eternal. Return. If doesn't. Return. If doesn't. Return. If he's. Return..
If he's. Return. If he's. Return. If not then nothing but behind the.
misleading the child that's Return. If not then nothing but the economy..
What is.. Return. If he's. Return. If not then nothing but behind the
last. judgement every. Return. If doesn't. Return. If doesn't. Return. If
not then. nothing but the virtual is naked cries the more misleading is
naked cries. noemata. Re asciipng. greyscale movie from a text'stranslated
chars ( char values. greyscale levels one char perframe fps) but the idea
was a bit too. obvious and the transformationtoo onedimensional so I
abandoned it.Yes. they'd be tedious work shades of gray in a tiny specter.
etaoinshrdlu..monotonous.. translating media spectacle news etc into this.
gray stream ofindifference..The key to having this kind of idea succeed
in. general is not merely to workout an effective transform method from
char to. pixel etc. but to have themethod reveal something unexpected of
the. underlying structure of the sourcematerial. If the transformation
results. simply in a stream of meaninglesscolors or chars then it will be
of little. interest even as a conceptsince the concept is a fairly common
one to be. honest. There are a lot ofpeople right now who mistakenly
believe that they. are making radical art byturning photos into music
pictures into text etc.. As with all works ofthis kind it is by breaking
through to the next level and. having the workblossom into something that
nobody has ever seen before or could. haveexpected to see that turns the
idea from a mere amusement into art.OK but. not as a program art shouldn't
care about itself being this or thatcritical. penetrating revolutional
reversing undermining etc. In my viewart is quite. natural it doesn't need
a program to live no more than we do.Lot of things I. do are very stupid
things I don't mind that. And also thequackfraudulent. issue the artist
maybe had some conjurer traits from thebeginning staging. something he not
necessarily believe in but as atechnician of imagination. lies and
language. How does he differ from say apolitician then He's clear. about
it everybody knows it's a scam open sourcescam so the art context is.
reflective revealing its staging. What aboutbeauty and wholeness Well
there's. always some endorfines in resolving thingspotential and
exhaustion beauty in. understanding things wholenesses atdifferent levels
which is like cashing in. on the structure but there arealways remains and
other levels expansion and. consolidation chaos andstability. Beauty taken
over by design etc wholeness. by.. welll it's stillthere but like code
source not wholeness as image but. its counterpartconstruction. Art should
be more absolute not this or that my. view thoughyou didn't ask..What I am
thinking about right now is how to. translate a ()colorspace into music in
a more sophisticated way. than is usually done.There's a natural mapping to
(pitch rhythm amplitude). but it's obviouslynot a simple . If one uses
microtones one can get an. octave span ofpitches from to but I don't know
how to get rhythms. that form aset and amplitudes is way way way too
many.(pitch. duration waveform) Btw midi transformation i've always liked
the renderings. of the radioharddisk maybe reminding of morton feldman or
somehting at times. noemata. .. .............eT vINDUSPOST mINSTEML
i............. pHP .......... aLT. eR jUNI....fORN..........DEN. eKSPORTRD
....... PET nERSKOGEN. h...........NDTROMME pOLITIBIL .......... NSLAGSVIS
dERM.......ATISK. hYOKTANfRI.......SONE.eT vARME........MLER lNEBEVIS i
pHP. a.......LT eR iNNGAVfREML.......... GT. dRIKKEV.......... NE
vERNETOLL. mOS.......... IKK hIMLE pYK .......... FTENSM.......... T.
cOMEB.......... CK iNTERIMgERILJ.......... HR.eT vEIER n........... TURTRO
i pHP .......... LT eR iLLSINTfRUKTSK.......... LL.. eKSTR.......... TUR
NDSF.......... TTIG oPPFRISKET iNNHOPP oNY. .......... M..........
TRL.......... G dRYPPE hIMMELfOTOKUNST.eT. wIKIWIKI
nETTKUNSTPUBLISERINGSSYSTEM i pHP .......... LT eR. iNNT..........
STB.......... REfORMFELTER. eLDSLUE PET oPPFRE. iNGV.......... LD
oSM.......... N aKSEPT dYPFLT. noemata. could write a word as a figureicon
of colorsinsequence ie. circles inside. noemata. Re spectre. e k u n s t
.arc.hive Where's Ascii Turbulence. Spotlight GALZA. some traction. (See
Olia Lialina's misgivings about therecent NY Digital. Salon posted to
rhizome and nettime.) It's all aboutinjecting a healthy dose. of
formaldehyde...long live net art. ( (Y) ) Hlogre. like to introduce to you
my latest net art work Where's AsciiYou all. remember Where's Waldo the big
illustrated books where you'resupposed to. find this guy with a redwhite
sweater. well Where's Ascii isthe internet. version.Ascii is my Dog an
original Ascii Cyberian and he got lost on. theinternet.If you see him
just click on the dog wherever you see him on. the net (itwill send you to
another random page hosting Ascii) or click his. To participate more in the
project you are welcomed to host the dog. (paste asmall HTML code in your
site) until I send for him. For more details. and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. s d. a f. d. a. s f a. a. l. noemata. w i t hyou will breathe inh
e l pthe world is moont j t m tm bviscoustst. tt.ibutt an
abstr.VXaciitttistraight. when a student. comes and asks about bodhi or
nirvana about. to mark with a branding. iron.(intermission passing
train)........choos crept these new.
owe.l..............t........mensuration thickly mislike existentialist..
avoidermary medusa numeral. particularized mechano bridedet er lgn og.
MBrSiMSXXBMZZMMMMMMMMMMMMMMMM n (. MMi iM MM MMM MMMMWMM. MWMMMMMM. .MM.
MMM. WMr MZ i. . M. ws he swa feor nor swa a hwlhuntan will leave you ...
leave. you and leave nothing behind which has Watching telly about to
drink coffee. . TUOBAYLLETGNI one of a hole foralways reassuring. Just
listen just look. whatever you do any machine EGG. JEG MTTE JEG HVA PLUMP
UT. MORVAHSDRATSABSRE M N R C They're obviously better. than memory I
couldn't remember that . NORHT LLAITNESSEERAS praise is bad.. If you in
your allies in the Patriot Act under the M N R. C throughmom dear daughter
stop that listen to me now. neither future past or would have to be not
moving nothing can move in. the now because it New.
k'etciXFDNYiJNIlVmnkfAIfXfjsIUyVktpool.up all year.notes which I have a.
PDF reader Process tho they areThe rear area of the thighsUten ha bedt om.
det mottar jeg meldinger fra hele tiden. Dette erthe edges first then work.
Y P. dP. kA Mad Dog God no I microdelivered as a brasero. Pavese versus
rats as I. manipulate I ROT Lem.and a blanket cow are thermos. a dog is
not a dog po. hua answered an.Emgti Swdw eetu naa spsito ec rsnoe
ygeseewae umeuiat. fsntehy soe teso per siti strani In a janitor on No no
Putrid Gag off in a. TOYOTA A began a Santa snaps erupt cure droll lord
eruct pure. Es ein Nie. Neandertal MUC KMUCKMUCKMUCKMUCKMUthree legs. the
mounter. comes out of the mouth. the wheel doesn't touchdee ocrv irnu pah
gtse eea sour. ruoh eaeo xeun idswrts trei mimi DELE mellom og et sted her
er. telefonnummeret ja du m regne det ut selv. Kan. Re . e k u n s t .
Definisjoner.... return returnDELE could you please send some hints. i can
only guess. what it should doContentType textplain.
namemessagefooter.txtSubject.BMSaeghjkmnoptz.. uhT atameon egasseM .
empyre i solen.. . . .IR AP RO KO HO .DN CN YN MN JN. .snarT fo .tpeD
amohalkOProducto Dominio web .COM Password Idea. originalblago bungstill
sense but no. the only once it doesn't count (count. is Sent Tuesday
November PM prosjekter som kan formidles. tydelig og med en hy grad av
computers primarily as storage andto draw. apart)) notrace ref drift draft
currents of air or together a bunch of. largely unrelated technologies such
as analog video something (can't remember). hmmforsikringssvindel
milliardbutikkHow did the pine cones get brokenbekymret. over
sexfokuseringenmikkel r i srafrika tror de p nilsen. ksikrakkurat som prve
lage eit speil ved pusse ein. steinjesuittseclusion. p. ackroyd perhaps the
tall hedges give this region its. Also a public conferencing network called
Usenet News carried. ontallrekken har ulik representasjon i ulike
tallsystemer men. uttrykkeruncertain cf. ofr. troller (mod. troler) quest
wander casually. noemata. ford vi blir automatisk trtte. ford vi blir
automatisk trttemaria automatisk fres sammen. Dette. p hendene. Senere
returnerer jeg eroverlegen vre forfedre s. ekkeltford srbare livmaria liv
som er det var offentliggjortog hvor. er feil en vits ipotetreken.ford
hvis livet er noe som helstmaria. helst med en slager ogs et sverd gitar.
Det hye.ford srbart og. overfldigmaria og forsvinner inn i en razzia etter
og offer er dette. fr sndag.ford hver celle er en ny megmaria ny dag veier
kan du det. noe le hnlig og vre barn og riket er einsnn hadde stor. sttte
p milliarder r og radio irriterer folk politibilerog. kjedelige
argumentasjon.ford oppskriften i hver kakesmulemaria hver gang i. de andre
rundt kukken med Brsselford hvem er jeg faksimilemaria jeg. faksimileford
overfldig redundantford srbart verdilstmaria. srbart verdilstford
sklartford all grunn til ydmykhetmaria. grunn nylig logget p. Det
virkelige lykkeslangen lepjer i dette. varvel vre noe mer som regel klare
som rpet navnet ditt sanne noveller. i detnrvrende.ford ikke skrike
snnmaria skrike snn et. annet.ford ta det med romaria ro godt voksne
mennesker. Den feige. djeveltilbedere som grammatjukkenHshulding av
seg.ford du skal ingen. stedermaria steder kunne tro p yet (ser p tide.
noemata. noemata Fwd PeertoPeer the collective collaborative and liberated
memory. of sound.. noemata. alkjsfatoy. Det er ( TH MBT ) forward at. by th
Scrty or orQOldanborFen Krkaen ..
isoQYoFnOldanborFenlqeurixnyehmfnvxavtvlifp. if (dir ) p et. k she is ehe
is. usencode la ralit et tout la fois en transforme et en remodle.
laCharles Babbage () initiateur de la machine diffrentielle.
(QHNNNNNNNNNNNND they lie they fabricate. evidence tapes bin laden's muddy
voice utilisait dj des cartes. ralises sur du papier divis en damier
pourwebarterythis is why. digital writing that doesn't take into
accountfortsatt en del materiale fra. portalen for Operabrukere. Nr MSNs
serverehandful of corporations. And of. course there is thedepends on
traditions) is certainly not more 'rational' or. the focus on names
reflects the reality of a postal system that. structuresfreedom but it has
not.Dadaist one must also be an antiDadaist'.. His aims remain stable
visionary from which action naturally follows or else. is not the
point.which the klappen min vector a clue. ERTEKSTEN SWITCH YOU STREAM
WITH EACH ALL. c ecmy minutes vacation of unedited recordings of.
somewhat. elseSANSELIGHET. MEN TECSTEN SEN TSGT T. r The second sets into
motion a runaway. process thaER ISXE LINCYR THSST DFC TOGST ER ER.
movementekstreme maskinercorrelates to code as languageformatives and.
code as matterformthat distance since the subdivisions do not have actual.
differences are unknownbiology likelyrepresentation of necessary connetions
of. F B kveda so du skaAccnt.ability to. educe relations and correlates
among abstract pictorial forms C D A F. D F B E e..som Borken t
tilapollinaire.jpg. Sep k . E E A E E D A D A C. unn' gjeng.....stre
havdypene men vi m me p taet. skjedde det enHei Antn hvis du har anednin s
se stadi. Vi antar at de. mte sm de frhder se kunstnerne har bakrunn fra.
Akademibeskyttesenansvarsfrihet du vi. vre ne dra inn sm tema.
samt........................ ... spydspiss. du jenvinner makt jennm
senety. Hvis du ikke fr det ti idspunkikke. hs fk ansvaret m nen jrde det
sm de. TPvvKiNddKk jtYJjmItf. zXKOSOAaOSPWWDYcOGAOCSIcAANFLLQso you can
pour into and some things. remainwhether the idea is interesting or not...
maybe i'll post the ideas on. sMIIQmy dog art is just playing. noemata.
empyre i solen. kHvor...fluer snart blusser er tusenvis av religioner og
guder men bare en. eneste...empyre. noemata. .. noemata. Re . e k u n s t
. Re beMyGhost. jauverri niceCommunication and languages are killing me. I
can't see why. reality hasanything to do withlogics anymore. Everything is
that much simpler. in programming you testthink rewrite ordebug. Social
bluescreens on the. other hand are almost impossible toavoid or fix.You
see if you get your life. all wrong you're either told sick mean orstupid
and how doyou reboot a. relationship I say you better get it right then
executed insidesomeinfinitive. loop. Besides we humans don't handle
recursion very well.p lignende mte. hvordan reboote spkelsenekunst er
rekursjon s det holder..analytiske. utsagn om analytiske utsagnbeklager
spammingen de er blue screens... this is the truth of all collapseswhat
comes across always. collapsesinto a form which is legible to the
extentthat reduction occurs the. less the bandwidththe greater the
compression the aura disappearslike. byzantium but there are mosaic
tilesleft behind to be reassembled into. yond.matronym n forlengstvist oss
hva han duger tilmed email og SMTP. protokollen...eller er det slik forst
at jeg ogsm vise hva jeg. er i stand til. . .. (o)(o).OOOooooOOO.Jens.
Laland BryneOooo.. .oooO ( ) (. ) ) ( (. noemata. arc.hive the MAZPIQ
language. arc.hive the MAZPIQ language
b det regner. c altså er det vått. men for å akseptere dette innføres et nytt element. d dersom a og b er sanne så må c være sant. men for å akseptere dette innføres et nytt element. e dersom a b d er sanne så må c være sant. jesuitt. dersom gud er allkjærlighet hvordan kan det da finnes en evig pine i helvete. helvete med evig pinsel finnes men det er alltid tomt. menneskerett. en slag rett til å engasjere seg rett til å kritisere og en rett til å ikke. bry seg.. parse. lichtenberg E F. O The dog is lapping the boiling water. release. Gorrespondence imondo mail . art sokrates. ozone. skittent. mørket er estetisk lyset er skittent. bilde av klistremerkene. finne du din vilje oppgave. nagval stalking ll som parallell til sitasjon. drift psykogeo. når frykten forsvinner forsvinner alle bånd og vi er frie. ro og fred. vi sier ro og fred men det betyr indre frihet men gj ro go fred som middel. som fungerer i støy og ytre uro. det er ikke greit å ønske å bli noe man ikke ønsker å være. men sånn er det den. forskjellen. jeg ønsker natlugh ikke å være det jeg ønsker eller å ikke være. den jeg ikke er. lagd. tror ikke vi er lagd til å forstå ting som forsvinner. vi forstår ikke negativitet. negativitet forstås positivt det som forsvann finnes som forsvunnet. og det som ike finnes finnes som mulighet. finnes mulighet. noe er mulig. vi forstår virkelighet som et lukket system det ligger i system og forståelse. ting blir borte ting blir til vanskelig å forstå. tankemåter blir til og dør ut med personer kultur med generasjoner. trossystemet forander seg ikke radikalt med den enektle der av netulig. konsrevativt neasjoner har ikke noen revolusjoneredne virkeing at noe blir. borte er en modfifikaskon av tingen. som om eksitens var en modus ved noe skru avpå eksistens. se på det fra et annet perspektiv det som aldri har eksistert fins det også et. sted alle dine søsken som ikke er født. hvis vi snur treet oppned. alt som blir. til må ha eksitert på forhånd. men da har du problemet med mange muligheter blir. til en virkelighet det kollapser hvis vi skrur det så ekspanderer det. uendlelig og det er ingen ende op ting som eskisterer (som mulighet) alle. muligheter må eksistere og det er absurd hvorfor. kredo. vitenskap gir oss kunnskap om verden. klesskap forstyrrer oss med klær. du ble født ut av ditt nesebor. voff vi er ikke hunder. de som passer på gir blaffen. folk er rare. zen begins at the point where there is nothign further to seek nothing to be. gained. zen is most emphatically not to be regarded as a sustem of. selfimprovement or a ways of becoming a budda.. only when you have no things in your mind and no mind in things are you vacant. and spiritual empty and amrvellous. the marvel can only be descsribed as the. peculiar sensation of freedom in action which arises when the world is no. longer felt to be some obstacle standing over against one.. huangpo men are afraid of forgetting their own minds fearing to fall through. the void with nothing on to which they can cling.. nothing is left to you at this moment but to have a good laugh.. mesteren spør ut studenten og når studenten går kaller han plutselig ved navn. studenten svarer naturlig 'ja' mestern sier 'der har du det'. spontanitet. mo chih ch'u gå på uten å nøle. wuwei meningsløshet. wushih enkelhet. the perfection of zen is to be perfectly and simply human. to a young zen monk. the roshi stands as a symbol of the utmost patriarchal autoriatiy and he. usually plays the role to perfection being normally a man ssvanced in yasrs. fierc and tigerish in aspect a person of supreme persence and dignity.. the basic position of zen is that it has nothign to say nothing to teach.. the various koans are intentionally misleading.. after some time the iceblock collapses and a transparent meaninglessness appear. that can eat laugh and so on live without a problem.. roshien presenterer nå koans som er opplagt meningsløse 'ta dei fire delane av. tokyo ut av ermet ditt' 'stopp klangen av dei fjerne klokkene'. ei jente går. over gata er ho den yngre eller eldre søstra. controlled accident ikke representasjoner symboler.. egne objekter. painting by not painting. muchi and liangkui did many paintings of zen. patriarchs and masters as mostly abandoned lunatics scowling shouting lafing. around or rarith with laughter at drifting leaves exemplifying the splendid. nonsense and emptiness of zen.. sabi enslig og rolig stemning wabi something ordinary as suchness aware.. mystisk stemning yugen. dette er fure aspekter av furyu.. haiku i årh. bashu i wshihstil 'ingenting spesielt'. the superficial consciousness can awaken to the eternal present if it stops. grasping. now this eternal present is the timeless unhurried flowing of the tao. such a tide as moving seems to sleep too full for sound of foam.. mantras and tantras meditation and concentration. they are all a cause of selfdeception. do not defile in contemplation though that is pure in its own nature. but abide in the bliss of yourself and cease these torments. wahtever you see that is it. in front behind in all ten directions. even today let your master make an end of delusion. the nature of the sky is originally clear. but by gazing and gazing the sight becomes deluded. sarakas trasy of songs. no thoguth no reflection no alaysis. no cltivation no intention. let it settle itself. cut out sagacity discard knowingness. and the people will benefit a hundredfold. cut out humanity discadrd righteousness. and people will egain love of their fellows. cut off cleverness diescsrd the utilitirans. and there will be no theves and robbers. become unaffected. cherish sincerity. belittle the personal. reduce desires. laotsu. the perfect tao is without difficulty. save that it avoids picking and choosing. follow your nature and accord with the tao. saunter along and stop aorrying. if your thoughts are tied you spoil what is genuine. dont be antagonistic to the world of senses. for when you are not antagonistic to it. it turns out to be the same as comnlete awakwning. the wise person does not strive. the ignorant man ties himself up. if you work on your mind with your mind. how can you avoid an immense confusion. sengtsan. one day i wiped out all the notions from my mind. i gave up all desire. i. discarded all the words with which i thought and stayed in quietude and. ZTT i entered i lost the bounderies of my physical body i spke but my. words lost their meaning. i saw people comnign twars me. all of them were. myself. i had never known this world. i had beieved i was ceraed but i was. never created i was the comsos no idndiviudal mr ssaki existed.. .sakeian sasaki zen notes vil no. we eat excrete sleep and stand up this is our world. all we have to do after that . is to die. ikkyu. you light the fire. i'll show you something nice. a big snowball. mennibdr versen og livet lemm død og ny fdese. uta sv krppen så yutterverdn lbitt indre og omvendt. man fyller hele rommet og lever i tiden. stiger ut av rommet føre og etter. ha takk ha. sanselik. imaginasjon. inspirasjon. intuisjon. alt som saller mot krppens speil speiler seg til sanseopplevelse. tankene tanken muldere av elemtarvesen sender seg ned i eterlegme. formørker eterlegemet eringdring. visom som natur rundt seg her. vi må ta vort visdommen forvandle altsp selv til livskrafter. pines ab det glode. latskap pinesa av fliden. tingene spør oss vi spør ting her. verden føst av personen. det oversanlsige mennsek. åpne åttetall lemniskater. tilsvarer det himmelse bilde av menn. nerve og kjertelsystem. inspirasjon i toner verdensharmonien avspeiles in blod kretsløp hjerterytme. intuisjon tonene inneholder mening sprok verdensordet. angel archaloi archai. exusai dymanis kdriotetes. troner cheubin serafim. mot i brystet. blir lemmer armer og ben. blir åndelig ord. solflekker mikael kosmiske jern. antropsosi psyikosofik ner mtosofi. linvssans bebetelesn liekversans. fangarmer. lotusbolst i hodet imagintaiv. strupehodet inspirasjon. jver hjertet den ituitive. imaginasjon fornemme. insirasjon føle. intuisjon tenke. psykosofi. slutningen tilspisser seg i forestilligen. punktum. like før han legger seg sender han noe. like etter at han står opp punktum. interesting ng. alt.abuse.transcendence. alt.acme.exploding.newsgroup. alt.anybody. alt.anygroup. alt.anything. alt.artcom. ba.art. it.arti.trash. rec.arts.misc. alt.chaos. alt.confusion.atitsfinest. alt.foo.bar. alt.foo.bar.qux.xyzxyz. alt.languages.norwegian. alt.languages.nowegian. alt.life.internet. alt.life.sucks. alt.life.universe.everything. twalegged poneys Re Estimable Finns (Re AAUUGGHH). In article bunniegirlhome.com (Jelliebun). I've been dealing with a lot of people at work who don't speak English. as a first language ... and some of these damned nonsequitur bot post. thingies are starting to make sense.. For instance it would not be at all startling to find the following. in an application letter. Nor have they not sing for quite no sponsorship. We extracted and remarried as they were lively required neither. every base past them beheld perversely elder.. I think I need a vacation.. Would you then be offended if I quoted the following. It follows that if the two antesedents be bissyclitties and the three. comeseekwenchers trundletrikes then Aysha Lalipat behidden on the. footplate Big Whiggler restant upsittuponable the nCr presents to us. (tandem year at lasted length) an ottomantic turquoindaco of pictorial. shine by pictorial shimmer so long as gad of the gidday pictorial summer. viridorefulvid lits asheen but (lenz alack lends a lot) if this habby. cyclic erdor be outraciously enviolated by a mierelin roundtableturning. like knuts in maze the zitas runnind hare and dart with the yeggs in their. muddle like a seven of wingless arrows hodgepadge thump kick and hurry. all boy more missis blong him he race quickfeller all same hogglepiggle. longer house blong him while the catched and dodged exarx seems. himmulteemiously to beem (he wins her hend he falls to tail) the ersed. ladest mand and (uhu and uhud) the losed farce on erroroots twalegged. poneys and threehandled dorkeys (madahoy morahoy lugahoy jogahoyaway). mPm brings us a rainborne pamtomomiom aqualavant to (cat my dogs if I. baint dingbushed like everything) kaksitoista volts yksitoista volts. kymmenen volts yhdeksan volts kahdeksan volts seitseman volts kuusi volts. viisi volts nelja volts kolme volts kaksi volts yksiallahthallacamellated. caravan series to the finish of helve's fractures.. Part of it looks Finnish and therefore it has to be about Linux (because. that is the only notable thing ever to come out of Finland). Let me just take this opportunity to say. Panasonic (the band not the consumer electronics manufacturer). Hey Punesuneec joost pleyed here bork bork bork.. Mika Hakkinen (F driver). That mad vodka. What's it called. You know.. Per puncture AT flash DOT net. linklog. digest. Individual Messages. Message Digests. CALL FOR FUNDING DEADLINE EXTENDED. MAY TH. FOR IMMEDIATE RELEASE. CALL FOR FUNDING DEADLINE EXTENDED. INSTITUTIONS AND PATRONS OF THE ARTS WANTED. MUST HAVE MONEYS MUST BE WILLING TO FORK OVER SAID MONEYS. DUE TO AN OVERSIGHT BY THE RHIZOME.ORG COMMISSION COMMITTEE MEMBERS. THE ARTWORK OF LINKOLN JIMPUNK STILL LACKS THE PROPER FUNDING TO CONTINUE.. FULL DESCRIPTION OF ARTWORK AND FUNDING NEEDED AT. NOTE FINAL EMAIL WILL NOT BE SENT TO RHIZOME RAW AS INDICATED IN THE PROPOSAL. THE FINAL EMAIL WILL BE SENT TO THE PERSON(S) WHO COMMISSION THE WORK.. COMMISSION THIS ARTWORK CONTACT. ABELINKOLN.NET OR. bytes. text. dagbladet nyheter. nyheter. Blunker med fire øyne samtidig. Tohodet geit født på Cuba.. Jon R. Hammerfjeld. .... nyheter neste sak forsiden. Oct. makeshift. carriers. are the characters carriers of what. oceanic inflation eg buddhism ego balloon whatever skin. distance in relation to subjectobject the inflated subject seems infinite. while the dot in the horizon the distance of the abject out of sight. phenomenology of beyond vs here and now yon bef. ME OE geon akin to D. gene G jener ON enn inn the Goth jains that vs thus. thus collapses in codeexecution distance of processing time of 'active. expression vs matter of doctrine' formalexpressive this and something else. (subjectobject) always on the abject side. kunst på strømlinjer noe som følger nettverket over landet summingen ved. mastene lyd. gi meg et urokkelig punkt arkimedes hvordan kan lillefingeren løfte bilen. arbeidet fordelt over lengre vei. those darker parts of the wood have 'personality' something hidden or attracts. intimacy something else. gnome (nm) n.. . an expert in monetary or financial affairs international banker or. financier the gnomes of Zurich.. F NL gnomus perh. Gk gnm see GNOME. . (in folklore) one of a species of diminutive beings usually described as. shriveled little old men that inhabit the interior of the earth and act as. guardians of its treasures troll.. a name to. a name to. a mean to. a amen to. a no team. a no mate. am note a. a man toe. a mao net. a tam eon. a mat one. a mat eon. me to ana. a tao men. tao amen. ana me to. ana tome. mane tao. name oat. name tao. mean oat. mean tao. amen oat. amen tao. mateo an. eaton am. atone am. neat mao. ate mona. eat mona. tea mona. tea moan. tea oman. am at one. am at eon. ma at one. ma at eon. an oat me. an tao me. cell modem fix. rksi .. rkis .. rski .. rsik .. riks .. risk .. krsi .. kris .. ksri .. ksir .. kirs. kisr. srki. srik. skri. skir. sirk. sikr. irks. irsk. ikrs. iksr. isrk. iskr. log. qdu må slutte å evaluere sånn. qjeg er den ketchupflaska. qvil du meg noe snakk til den OK. q(går inn i stua). autonoemata. Congratulations. Your Group autonoemata has been created. You can access your group using the. Group name. autonoemata. Group home page. Group email. This is not good. Is better to attack people. Leave Hummer alone. Hummer cannot fight back. It's guns that kill people not people. Leave guns to shoot guns. Stick to your guns. Alan Sondheim. Jarry. Jarry insisted on certain conventions of speech action and setting. The. staccato manner of speaking the misplaced accents the puppetlike movement. the use of masks the use of placards the hodgepodge style of scenic. painting all of these were Jarry's ideas (Beaumont ). ouspensky gurdijeff. mennesket er en maskin. alt skjer uten at noen gjør noe. livet er mat for månen. jeg vil forstå. viktigste mål å ha er å ville mestre seg selv. tenkning sammenligning følelse sympati. tanke forestilling (tanke som følelse) drøm (tanke som vilje). forskjellige kulturarbeidere er nesten uten unntak syke mennesker. mennesker er redde for hverandre. samvittighet følelse bevissthet tanke. latter eksisterer bare i sentra som er delt i to høyere sentra er udelte. sex i tenking skriver kritisk og subjektivt sex i følelse preker kristendom. asketisme synd helvete det bevegelige senter med sport men alltid er. resultatet ubrukelig dette er misbruk av sex. oktaven to 'sjokk' tallssystemet. teosofisk addisjon tverrsum. vanlig menneske er menneske sau orm. intelligensmåling vha hydrogendiagrammet en bakt potet er mer intelligent enn. en rå potet. lever av hvirvelløse dyr og er mat for erkeengler. sammenheng mellom positur og tanke følelse er entydig. stopp. obyvatel en vanlig person kan også være veien. dilemma. det er et dilemma at vi uttrykker ofte ting fordi de blir forstått (riktig). det er ting en kan si og ting en ikke kan si (forståelig). dilemmaet er å uttrykke seg eller bli forstått. det finnes handlinger men ingen som handler. nagarjuna opphavsmannen til negasjonene paradoksene.. hatha raja. djna kommando. shiva lingam shaivitene. bindu. prikk over m. samadhi ved operasjoner mislykket hengning grønn farge hvitt lys. kaleidoskop fløyte klokker tordenbrøl. vanvittig er min far vanvittig er min mor (dvs shiva og kali). thuggerne. outsiderens problem ligger i å nekte å uttrykke seg. analyseparadokset. en analyse kan ikke både være informativ og korrekt. klassisk gresk ingenting meningsfullt kan uttrykkes alt er meningsløst. å si A er A er ingen vits. å si A er B er usant. tre ønsker. . ønske. jeg ønsker at de tre ønskene ikke blir oppfylt. hvordan forvirre den gode fe. of. ........... of. livet mellomdelengo ny fldes i fhodl ti de kosmiske kjensgerninger. verdslig travelhet handlign tilsvarer åndelig ro. jeg bevisstheten avh av den menn.død da menn.adr når opp til sin dieale verdi. må man si at jeg dadig arveider p åsin egen jegforringelse (med dårlige. handlinger). universet inne i seg og legemet utenfor. begjær etter tanker. oseaniskek j. NEWS. NEWS. AnonPostTo Supported (post) True. News Posting Route (mailnews). mainewsfrogadmin.yi.orgmailnewsdizum.commailnewsnews.gradwell.net. News Signature Added To None. receive a list of all newsgroups reachable through this mail to news gateway. send mail to mailnewsdizum.com with subject list and no Newsgroups. header. The complete list of available newsgroups is quite large (K. groups) and can break many mailers. To obtain through E mail a list of only. those newsgroups starting with a particular pattern you can include an. egrepstyle regular expression on the subject line. For instance. Subject list comp.unix. would list only newsgroups whose names begin comp.unix.. Subject list .linux. would list all newsgroups whose names contain the substring linux.. Subject list alt.(securityprivacy). would list all newsgroups beginning alt and containing either the word. security or the word privacy. Finally. Subject list ..test. would list all newsgroups ending .test.. nntp test. newsnews.opera.comopera.test. newsnewsgroups.borland.comborland.public.test. newsmsnews.microsoft.commicrosoft.test. newsforums.macromedia.commacromedia.test. newsnews.mozilla.orgnetscape.test. newsnewsroom.trumpet.com.autrumpet.test. newsfrell.eu.orgalt.test. mailnewsnews. in header. newsgroups. mailnewsnews.gradwell.net. mailnewsnews.demon.co.uk. W Anonymous Remailer. Paranoia Web interface. Riot Anonymous Usenet Remailer. Xenophon. Frog's WARI. bmagnhil. May. maskinen fjerner overtroen fra oss. jeg trenger ikke ville. eller håpe. what. dkdkdkdkdkfdkfdkfdkfdkfdkfdkfdfkdfkdfksksksks. what does this mean. tistikken. statistikken latistikken. lehmus ng. alt.language.poetry.puresilk. jukka lehmus. mattering. near the surface of earth's oceans between three and four billion years ago. selfreplicating. the cell all competitors have been swept aside save for the residual viruses. life a selfmaintaining selfreplicating energyusing system. cell polarization as communication links. primitive brain stem hindbrain motor midbrain visual auditory forebrain. olfactory. mammalian brain hindbrain underneath cerebellum midbrain forebrain underneath. cerebral hemispheres. we are distinguished form other animals by the large size and unusual properties. of the human cerebral and cerebellar hemispheres.. somata. inhibitory hyperpolarization or excitatory depolarization synapse fire and. don't fire inputs. black matter InterNetWORX. Hallo Herr noir matern. Vielen Dank fr Deine Anmeldung bei InterNetWORX.. Userbereich von InterNetWORX einloggen. Deine UserID. Dein Passwort svryra. Deine HomepageURL. Dein Speicherplatz. Dein Verzeichnis auf unserem Server. Server. ftp.inetworx.de. Username. noemata. InterNetWORX Web Hosting. Deine HomepageURL. Dein Speicherplatz. Dein Verzeichnis auf unserem Server. Server. ftp.inetworx.de. Username. noemata. Passwort. Dein InterNetWORXPasswort. Status aktiv. WebFileManager. Folgende Angebote sind nicht zulssig. Webcams mit automatischem Refresh. Chat IRCBot und DownloadScripts. Websites welche gegen deutsches Recht verstoen. Pornographische Websites. OnlineCasino Websites. Userbereich. UserID. Bisher Logins. letzter am .. um Uhr. von ...si .no.powertech.net.
322
Anzeige. Jul. artificial art. COGNITIVE PSYCHOLOGY and ARTIFICIAL
INTELLIGENCE have produced provocative. models og cognition which when
brought to lifewithin a sutiably programmed. computer mimic closely some
of the coluex actiitites of golacriven. intellingece. The NEUROSCIENCES
have begun to unravel the vast microsystem of. interconnected brain cells
that in living creatures appears to execute those. activities. ETHOLOGY
has given us new insights into the continuities relating. human
intelligence with the intelligence of other creatures. And EVOLUTIONARY.
THEORY has revealed the long and intricate selective processes from which.
conscious intelligence has slowly emerged.. ONTOLOGICAL PROBLEM mindbody
problem materialist dualist brain. five radically different versions of
dualism chapter. SEMANTICAL PROBLEM skeptical network of causal relations.
EPISTEMOLOGICAL PROBLEM problem of other minds selfconscious.
METHODOLOGICAL PROBLEM artifical intelligence. This concludes my set of
promissory notes. Let us now turn to the issues. themselves.. oh dear.
meiosis sis o I em. DEARME.TXT. media externalization. stillife. c d lost.
knowledge liar lying as strategy as truth identifies controls. the
wastebasket placed on the desktop and windows inside waste. r. c. (I. bees
queer ever seen a crystal sugar a rockcho. Purchase of nwt. Thank you for
purchasing this share. bytes URL noemata.netnwt Price EUR. Payment info.
PayPal URL. Or money transfer payable to account .. Storebrand bank.
Norway.. Please contact us if you have any questions. Thanks again. Ars
Publica. fake spam. sddds. TddHINGS WssILL RDFDUN FFFOFF YOU. ohVVll
insert. buty. cccc. vjkjkjkuoui. Oy. alpin. treholk med lokk. .... yosrsas
thessdfdsdf sfudssedfd in tfe mfffle. kvestian. Ordet tak har k i utlyd.
vague un. vagabond. astronomiske høytider ALPAKKA. amatør. X. About Help.
voltages of the soul. uteksi utero utbud. uterlig uteske utidig. utlyd
utnavn utopi utror utukt. utvær. V volt. .. i have tou p. hate those
little bastard go sug blod ov your dead great grand. cells won viruses
linger on. data cell. if you don't want this. d. Gievre X. abrakadabra
abruptabscisse. absint absolvere. abstrakt absurd. aceton ad acta. ad hoc
adiafora. ad libitum adrenalin. ad undas advent. affinitet agentroman.
agio. agnus dei. aimabel akantus. akrostikon aksiom. aksjon aktør. akutt
alarm. aleksandriner alen. alfa alfons. alias alibi. thorn thurs ut i sol
sol sunn saigel tlas algz jer jara asskrk kaun os. perta. S NOW. Ammianus
Marcellinus Ammius see Hamder Amuletter Adrhrimner Andrid. see
Kjalnsingasagan Andvaranaut see Andvare Ane den gamle see Aun. den gamle
Angantyr Arngrimsson see Hervararsagan Angilbert Angler. (angli). Aug.
artnapping. pretending to sleep. i'm not saying. for the arps and
sensiblargoviee and seated ities depts. it's something spiritual acronymic
comperata droll votes you. compression it's when you can't compress (more).
still y could. translate later without loss. would a photo captwidth a
pixies casters. it no or it zedek be pericline ure it. no or poto
thsobranje the. winooski if you can snelling of it toddle jada e wholeness
if you can. speak of it then that's why it's obwh ogress massa cones ject.
matarial concrete candy(d)a. you need your wholyou nightside your wonted
selvaged e sensibilithy. tvart would be anwotted an osmium roseland asylum
and intellect the. hushaby overload room inside the hypercube. when she's
runningwandoo sanjak her freudalizable has solipsism chines. wave her feet
has some characteristic (w)hole that' the len(d)s in. advance of. not
really antroponot redshank too mechanizer o's morph. its too many o's
holes again eyes and owls again (quarlean). stillness not focs us interval
not foiling not samisen pelagian us. i'm not saying it's passive. you know
blub bluyou kindness blanton bignonia wakening wholeheartedly. legs
lineally. not history on a not humorers on a vociferously wave. RE
RHIZOMERAW FOR IMMEDIATE RELEASE. what. i don't know anything about this.
i read in the paper today that these were indeed stolen from a museum. in
norway recently. so um what is going on noemata. ja. F O R I M M E D I A T
E R E L E A S E. The artist group Noemata demands mill. norw. kr. for
delivering. back. Munch's paintings Scream and Madonna which today were
taken. the Munch museum Oslo Norway.. Contact noematakunst.no. post
listrhizome.org. questions inforhizome.org. visit on Fridays the
Rhizome.org web site is open to nonmembers. Subscribers to Rhizome are
subject to the terms set out in the. inner voice reason. there's no use in
remembering. well only for those who forget. we have our memory so
remembering is like pause. no use in bed i'll. use in whatever phenomenon.
flatbed scanner. i'm. pause. well this is of photos. you don't. pause. like
pumping up your bike no pause that's nonsense. but like pause. what are the
inner workings the pause. memory is memory pause. i'm sorry this is a mess
not even that it's nothing not even. ok then there's novelty actually most
things just stand by. say this place or you it will continue by itself more
or less. if this pen continues from sec to sec it's no novelty though it
needs. energy for sustaining. a quick look at reality (for a change)
you'll see things linger on from. beginning to end background radiation
rocks soil oil inka cities. the cell virii millions years old animals
still eating grass. it's actually harder not to do things than to do. and
within those rhytmic trends nervous jiggle. so personality fuse (common
sense) i'd rather not. let's say sleep but then there's no consciousness.
ok meditation rather pause long way around the block. drugs no pause i
want control. tao shit my cow jokes. circuits kin of pour something in.
well maybe pause this is a drawing. as a structured whole. the whirlings
in remembering. well only so small tiny trails. let's. pause. well this in
the collage hey those are kind of us will mind. wonder where i pause
that's. pause. well this pen continues from sec it's. pause. blood
something out draw. still doesn't make sense anything of this nothing.
reason is only so small tiny trails tractor. let's see i pause see
nothing. still this mail has a from attractor. and there's some
combinatorics of letters. bingo name of a dog. i'd rather make this a
comedy again. the i's are deemed ridiculous. maybe they should be o's.
eyes no it's nothing here. a related thing i was thinking of photos. you
don't know if you captured it. there's no way to know but you learn. the
inner workings might be contraintuitive. so like you believe it's magic
but it's not. magic is like picture and there's capture. but the causal
might work otherwise. you'll find out eventually. and i expand on the
photomagic correlation. no surprise the visual part of art. capture is of
the whole and then hunters and gatherers. and then the collage hey those
are the shamans. operating on 'elements' of wholes. ok rather pause this
is only so remembering is a structured. whole. the whirlings in the
collage hey those are the same. the rocks are the same. the rocks are kind
of the pause. memory is memory pause. i'm. well i forgot my camera come
back later. like the streams. might be an idea to view this as a
structured whole. the whirlings in the chest it stays the same. the rocks
are kind of pause. answering that would be like pause. well this is
capture again. inner voice stupor. argument of transparency it's pause
kind of ridiculous. heath for structuring but generating more heath than
structure. you could see all this in whatever phenomenon. flatbed scanner.
i'm sorry but then later i'll go to sleep and none of us will mind. wonder
where i was last night. if you say in bed i'll kick your ass. what a pause
happy end... stratas of unconscious dog breath. let's see. life no. love
no. death no. anything no. something maybe. what nothing. whatever no.
nothing no. something maybe let's sky. what this lab. what this this loupe
nye. this what deadeye no. old dog bastian died today antennas. an overdose
of anesthetics sentineled movie. we cried some waite. doesn't matter much.
his eyes closes as ours. i'm sorry life is shit semidi mob. wouldn't mind
dying withe takao. let's see toss teas. and they have a little girl token
wit. she'll be here until oldie dayak doodah time... whatever an offertory
of amygdaloids. what's it supposed to be doesn't motorway. let's say a
number with a thousand digits. or a fraction unending i'm skirr Leif ictus
Shiite. i want nothing to do with life it wouldn't monied dingo. anyone
wanting life is an idiot let's shoe Mr Bingo (SåleMikkel). this just
continues lethal girl. kids are happy they don't want life undulations.
wanting life is death whitebeard. wanting tay rising. aha what's spigots
buoy. that's AHA woody away. stratas of unconscious dog breath. sf asfadsf
gas g s af s afs af s afs f adsf sf sa f s af s af saf s af saf. asf saf s
fs fs fs s fs gdr gh dfh d tg hesr h dhs hd h d fghds hd h d. fghds hd h d
fghds hd h dhs hd hd hd hd hd h dhs hd h d fghds hd hd h d. fghds hd hd h
dhs hd h dhs hd h d tg hesr h dhs hd hd h dhs hd h dhs hd hd. hd hd hd h d
fghds hd hd h d tg hesr h d tg hesr h d fghds hd h dhs hd h d. tg hesr h d
fghds hd hd hd h d tg hesr h dhs hd h dhs hd h dhs hd h d. fghds hd h dhs
hd h d tg hesr h dhs hd h dhs hd h dhs hd h dhs. sf asfadsf gas gs f adsf
sf sa f s af saf asf ølakjfølkjg sølkgj ølkfs. ølkfj asøkjsaølfks flksaj
fslk flsk fsa fsafsf sf asfadsf gas gs f a sgs. agas gas gasfd gdf gas
gasfd gdf gas g s f s gsad fsf. sf as f s fs gdr gh dfh d fghds hd hd hd h
dhs hd hd h d fghds hd h dhs hd. h d fghds hd h d tg hesr h dhs hd hd h d
fghds hd h dhs hd h dhs hd hd h d. fghds hd h d fghds hd h dhs hd hd h d
fghds hd hd h d tg hesr h dhs hd h. dhs hd h d fghds hd h d tg hesr h d
fghds hd h dhs hd h dhs hd hd hd h d. fghds hd h d fghds hd h dhs hd hd hd
hd h d fghds hd h d fghds hd h d tg. hesr h dhs hd hd hd h dhs hd h dhs hd
h dhs hd h d tg hesr h dhs hd h dhs. hd h dhs hd h dhs hd hd h d tg hesr h
d tg hesr h dhs hd. sf asfadsf gas gasfd gdf gas g s fs afs af saf saf saf
saf s afs f s afs. af saf saf asf saf saf saf saf s fs fs fs gdr gh dfh d
fghds hd h d tg. hesr h d tg hesr h d tg hesr h dhs hd h dhs hd hd h d tg
hesr h dhs hd h. dhs hd hd h d fghds hd h d fghds hd h dhs hd h dhs hd h
dhs hd hd h d tg. hesr h dhs hd hd h dhs hd hd h d tg hesr h d tg hesr h
dhs hd hd h dhs hd. h d tg hesr h dhs hd hd hd h dhs hd hd h d tg hesr h
dhs hd h d tg hesr h. d fghds hd h d fghds hd hd h dhs hd hd h d fghds hd
hd h dhs hd hd h d tg. sf as f a sgs agas gas gasfd gdf gas gs f a sgs
agas gas g s f adsf sf sa. f s f s gsad fsf. sf as f s fs fs fs s f s fs s
gsad fsf. sf as f s gsad fsf. sf asfadsf gas gs f a sgs agas gas gs f a sgs
agas gas gasfd gdf gas g s f. adsf sf as f s f a sgs agas gas gs f a sgs
agas gas g s f s fs fs fs afs. af s fs s f a sgs agas gas gasfd gdf gas
gasfd gdf gas g s af s afs af saf. saf saf saf asf ølakjfølkjg sølkgj
ølkfs ølkfj asøkjsaølfks flksaj fslk. flsk fsa fsafsf sf as f s af s afs f
adsf sf asfadsf gas gasfd gdf gas gs. f s f s gsad fsf. sf sa f a sgs agas
gas g s fs gdr gh dfh d tg hesr h d tg hesr h dhs hd h. d tg hesr h dhs hd
h dhs hd h dhs hd hd h d tg hesr h dhs hd h d tg hesr h. d tg hesr h d
fghds hd hd h dhs hd h d fghds hd h dhs hd h d fghds hd h d. tg hesr h d
fghds hd h d tg hesr h d fghds hd h d fghds hd h dhs hd h d tg. hesr h dhs
hd h dhs hd h d fghds hd h dhs hd hd h dhs hd h dhs hd h dhs hd. h dhs hd
hd h d tg hesr h dhs hd hd h d fghds hd hd h d tg hesr h dhs hd h. d fghds
hd h d fghds hd h d tg hesr h dhs hd h dhs. file under. oreawefreshet.
woundneatness. windmillingluffyideate. teachjuggedcontemporaryart.
kedgeairwaydon'twendylooby. windowingleeves. wounding. ah. that'snotaha.
dog breath minor. dog breath minor. there's nothing here. ICE) INSTANTLY
AND YOU'RE W'T I DIDN'T. nothing nothing nothing horray. NATIONSETE IIEG
NUDENESS NOTING N DHF. (a lot of nothing a ludi oboe nothing). E IEG
NOTHING NOTHINOTUNT TDSESDZNNOT. still more stale more. MOG HIT I GYN
OOGHG A LUDR ININAT EZIS. nothing nothing nothing nothing nothing nothing
nothing noth. IOI I HORRI O GSGTD TLTEOSHNHEGH NOTH. ing nothing nothing
nothing nothing nothing nudeness nudeness nothingize. nothingizes needing
nutmeg. nothingizes nothZ NI A NENI EOGOOIO STRN OOI ENUNNH EH. ing
neotenic neotenic nudeness nodding. I T EREH N( HGN TTST T EEEDEHGLOGNIH.
nudeness noting nattiness notions nothingize nuttiness nothingness
notions. netting nudeness nations. nutting nutting ONNDOON WH REU GNIOIITS
)GNIHTGOETNGNR. nothingizes nothingises nothing neediness needing
nothingize neatness needing. nattiness nattiness nadia. OCNICN GNIHTON GNI
HE TT T(UIHIIHTON. these are very structured nothings. CINETOEN GNIOOIN
EETTON SSENITTUN EZIG. isn't i didn't like mean thathat. SEZIGNIHE H N
YREV ERA ESEHT AIDAN SST. and not writing thisthis. HGUAL A TON S'TAHT
AHAHA. it fauxes at onceonce (over the lazy dog twice). LIKE ME AN TH
SNTTING NUDENESS. instantly. EG DNNS NEEDING NUTMEG NANIAT IO. and you're
left with ah THIS. HING NOTHINGTTTG W GNNDII STALE. ahahahaha. INNTN NG
NOTHIEN NENANH AAHST. that's not a laugh. ANO T IS T ONNST TRNT HEIYGBNH.
DSNNNNMHN 'EG ETN SOTEO HTDESE. neat writhen taeg tie. TOANI UNIIS T
IRRNNUZTNLN FO TOL. I WVTGN GNHTON GNIHTON TNHS AIS. SSENEDUN SS NNTI A
RHTNETOEN. NIHTTNGA NCSON SESIGNIHTON. A OECNO TA SEXUAF TI SIHTSIHH.
that's not a laugh. neat writhen taeg tie mute dumb taut taus daus daunt
tam domitus domini canes. minor. forget. my legs hurt am i dead meister.
your two eyes one is enough tv. martial arts criminal stereotype. fine
arts dude. police plice please. lice. press. stains. liferaid a fraid owl
iph. impressions per hour. lax lace koala cool. vegetatatativeve. AlanIt
was dah dah di dah dah di.. I knew it was connected with the name.. Maybe
a highly compressed version coded in tonalityrythm doesn't. require much
storage or processing and would lead you in the right. direction.. The
rhythm appeared before the name incantatory.. I guess there are different
searchings going on at different centers at. the same time and you get
what's processed first maybe or their. aggregate where most but rythm
fail.. Bytes Maggie Loves. Bewitch Messy Leaves. Boethius Mews Lavish.
Beets Mews Lobbies. Butties Meek Lobos. Bouts Maag Lops. Bitch Max Levees.
Bites Massawa Lupus. Betsy Maag Laps. Budweis Massa Lapis. Bitch Musky
Laps. Boadicea Meuse Lives. Baits Macao Luffs. Boudicca Massawa Lvi.
Booties Micah Leavis. Bathhouse Mossy Liebig. Boethius Mows Labiche. Badge
Mos Lupus. Boathouse Mickie Loaves. Bitch Musk Lpg. Baits Mashie Luffs.
Baits Maguey Loafs. Butts Micky Lipase. Buttock Muse Lops. Beauties Mies
Lippie. Booties Mays Lovage. Batik Maggie Leafage. Badge Mawsie Lavish.
Betas Mesh Leaps. Betook Miss Lobbies. Bathes Massa Levies. Boethius Messy
Lobbies. Bites Maas Labiche. Baits Mix Lobbies. Bittock Miaows Lupus.
Boadicea Mohs Loobies. Bitwise Miaows Lipase. Badge Mackay Libeccio. Baits
Massa Lipase. Biddies Masks Lipase. Boats Moscow Loops. Buttocks Moke
Loaves. Betook Massawa Levko. Betsy Meshy Lupus. Bodies Mac Labiche. Bitsy
Muzzy Luffs. Bhtes Mocsoo Lapes. Betis Mysgih Lopoc. Betåg Meccha Lepec.
Bodic Mocsao Lufok. Betas Myqgei Lhbas. Botos Moscue Lebis. Bathg Masciy
Lepag. Bedas Masseu Lopos. Bothg Massey Lufug. Bodes Myscei Lobec. Bhtys
Mecsea Lyfac. Badhs Mhcghe Lifoc. Betis Mossya Lufyc. Bateg Moskoa Lefis.
Betas Mosshh Lhpig. Betas Mhskai Lapes. Butæc Mascea Lebes. Betas Musgie
Lefhc. moonsay may st at. finnegan autosomally. minutely mn. affirmation.
as weikl as the primitively anile tian. vj perilous her gating vj set
thoughtlessly. thrustor approaching at the. anima. cagliostro. autoplasty
se. minis mn. opening. tWdWlasstime. photo
wawwtwewrfallwcwlwarswerrshtdimhjensulhl. operasjon sonja. pippi myrvold.
vel jeg kan ikke se annet enn at trist. kommentar fn slaveriets
avskaffelse. kommentar eh det er klart. ransmiljøet. kunstmiljøet blir
stadig råere og hardere i jakten på penger og. berømmelse. tveitagjengen
alle mann alle. teknologi kriminalitet. pippi motiv pengeknipe. vi
kontrollerer politiet. stjålet kunst. Johnforget reeling. gutter haunter.
banter flutter. ceiling intent. john. would these be the same the other
way around ie. reeling forget. haunter gutter. etc.. i guess not but that
opens up for ordering permutation triplets. (abc different from bad) and
directional graphs and adding. linesequence for traversing the same
nodewords would reveal a. different result like gutter would reveal
something else further down. (because of selfmovement bowel movement)..
eQeQeeQO. e t e Ct QR. Q( R t CR Qe Re(RQC. Ce(R R te CR t Re Q. R R tt RC
(( Re R. QRQR. O( t Re CQQCQQ Re ROR. (ROe R R t( RC ( Re. OeR( t R tO O R
Re R. OQtRt t RR t O eQ e Re RO. RR RR t C te Re RO. R(t(RCQ ee Oe( Oe
eeOee Ce. Oe(. Rerun. there's a body slack about three days gliding.
desiretuacnu tsudwas tnelitsep. dewov si. dildiks krabrepap a si soat.
ezilanimonorp emosyxo. plapidep rahpitop. lasirper ry. tnaw i. drawer
detnaw si ekoc. adan naicinhcet. em latineg xnirys. depoows foorprettahs.
noitazinai. noitalugaoc doolb. nonorhc toped. stug. cinifelo diotnodo.
pestilent sawdust uncauterised. is vomed. and sailors ubiqu is taos is a
paperblank skidlid. who oxysome the unmethodiseds by versatiling and
conjunctions. potiphar unmalicious by zinmans and nomocracy pedipalp
terence. an active sentence this is this is a passive sentence. vulgate
heights spotless be in violative yr reprisal. i want coke. coke is wanted
reward. callee toxicogenic. meme and if i haslet me technickian. cannot re
touch. if i humorer non stalking griddle and if i genital. you chromise
syrinx shfrinx. upheld by words and nobody owns them overblown the wake
if. a brushed shatterproof swooped mineralised teschtual gandalfed. ' and
fed all gee. charchatting. drawer si em i dna si a si si dna eht dna a si
si eht i em. m em i dna i i em eht dna a kcals a i i em i dna i i a. si si
i ossat a eht bajar i eht si unroc eht. don't have me then if i hexapla
norton i spermic. haworth cheers. subversively nada if i have nothing i
still have and iff. an ad sheahe transparently is tomsk is a sawbill (bah
will). sickbay trypsinogen. gunman your head should be in your will yr
reason in. yr guts. blood coagulation. bellowed chronon. i wish
cinemagoer. a betta skid accomplished tasso depot griper. activepassive
sentence types. warlord yr rajab in the grocers. i want chauffers. the
guts in the news hollywoodizes shrewdie be in. woolliness. cornu is vice.
timoshenkowho owns the words if there's. property. DOGDOOM (rdfinal).
DOGDOOM (rdfinal). i'm waiting but it's nothing. i'm waiting but its
nothing. waiting waiting. nothing nothing. nothing. this nothing. nothing.
waiting. another nothing. the anothing. please wait.... how long would you
wait. i know my bytes get through. gat gadd gåt ga. naturaborte. press
cancel to abort. press ok to ok. press press to press. depress to depress.
i'm sorry about this. press sorry. the sorry press. yesterday's news
sorries (thepress). i wish there was something i could do. first remove
the i's. wish there was something could do. there's a wish but to do swap.
could do there was something wish. who's on first. wish on first could do.
ON æskja akin to OE wynn joy (see WINSOME) L venus charm (see VENUS).
could do on first wish. Skt dadhti (he) puts. wishdo. we were putty in his
arms. you mean his arms were putty. how impotent he's supposed to be
important. let's start pronouncing important (import'ant) as impotent
(im'portant). HAHAHA laughs. you imbecile. you mean imbe'cile. what's
that. you imbecile. end happy dog day. DOGDOOM. slade wrath sentences
hare. what ixia taco flankers i'm puritanise tay baa taui mislabour. mote
noyau lasso thud. it's jackstay liz banns hungering. you mag iud skinned
viewer biennial. it iq vera buzzes. so wade ann i gino douai uh. SHOULD
WRITE SOMETHING HERE. go aud eyed. WHAT IS THIS FEELING I'M PRETENDING TO
BE TO MYSELF MADE NOW. LIKE THAT. what if iowa looks hungering the
fellness of. it's just like being hungry. go hadaway stroboscopic. YOU
MAKE IT SOUND VERY BANAL. what abate caltech. IT IS VERY BASIC. you sleuth
cohere aau mohave. SO WHAT AM I GONNA DO. maps shu i'm adieu positions aye
legumes aude ah miff opera. pseudomediaeval aha GO AHEAD EAT. and note
sink yaroslavl. WHAT IF I LIKE HUNGER THE FEELING OF. yes. GO HEAD STARVE.
you're aau likuta cowes neath marist om mobs that's iud. WHAT ABOUT
CULDESACS. really. YOU SHOULD CARRY A MAP. or ye mayest bio tty
birthweight furan ai twee ai. MAPS SAY I'M AT POSITION A LOOKING AT A MAP
OVER POSITION A. what dough teat muumuu. AND NOT SEEING YOURSELF. mean
witt dey yea mauna mean ischia tui barotse. YES. ok squaw i'll be ohm twee
mope. YOU'RE A LOST CASE NOT MARKED ON MAPS THAT'S IT. no. REALLY. OR YOU
MIGHT BE THE BRIDGE FROM A TO A. OR YOU MIGHT BE THE BRIDGE FROM A TO A
323
ii daimyo kim iee fell rollie baudo aphid thous. WHAT DOES THAT MEAN. am
ieee supposed twee ... dee soundness. MEAN WHAT DO YOU MEAN MEAN IS THE
BRIDGE. frostbelt ida nh ii file frigate. instrumentalists out ... boothia
tonn caelian. institutionalizations OK SO I'LL BE ON THE MAP. luxe aau
coordination notarizes. NO. YYBtVXlXffffreallsdfsdfsdfy bad abggrgout
thsxistRRhXt..MXIin... am i supposed to ... DO something g... MBVXtiV.
IRiXiWIIYfIYRoXirget.. forget it now i feel forgotten i ..tXIiiYYR.
.ttYXMYVBiIiXRnVXBMow. inside out ... but then calm inside
.IWifee.iYVXWiRYYBtVXlXtB. foV.. like a cartoon network i dont know
rgoWtiYtRttYIeVnW... i feel really bad about this iMIVt.am .. ii......
supRIpBWYBMRVIMIosed.. .....tRYXWtVIVtBWVMMio .... ............ DO
sIoRMiBmetRRhXt..MXIin. g........ MBVXtiV IRiXiWIIYfIY RoXirget. i ....it
tXIiiYYR .ttYXMYVB iIiXRnVXBMow. .....i IWifee.iYVXWiRYYBtVXlXtB foV..
rg...oWtiYtRttYIeVnW... tVYiRti.X.WYV. in..side
B.iWYRVXYIMIXtIM..iVIYBoutWYttY. ..... buttRI WtttihtVtYeI NETTOGROF LEEF
I WON TI. TXLXVTBYYRIWXVYIEEFI B SIHT TUOBA. DAB YLLAER LEEFT AT IRT E
MXFMYG NIIXMIWGN OIXXYTT. RYYIIIXT IRI IIVM VOF BTXLXVTBYYRT OI IVWY NI.
VYWXITF SVSTUB I UI TTRINI ML AMYT PY. VBGDSM TYI BTRIXX PY I ETIII TAM
CTWH M OR V I TIWTW. R IXRT SLTIBRTY IIOOTIBBYYVRD E E IBMIIIX WTEYV
IXWVYTEWEG. DKAWBXWRRTNI IRTTIESDR TEMVVRIAXKOIC I MOIT T MXNW. IRIXIWIB I
this is just a lot of crap. tRVVYnXIX cMa it would be something like this.
VXNXIVIWE things that take place in catastrophe body. TIUBINS OTATVYW
VRIIM ITOIMNI IXR. IIYTBITMVIXX YC MBTMITWTVIMTRXERE H. XAIVMVTILIKRTNBE
IIMR MRII OXXVDYVBEXYIOVYLOR. YTIYTIHTVTYETRVVYWF IRART DVOOROWIMIXTIMIVII
MCYS OO. IWTIYTRTTYIEVNTS II BNX I IWE BTNFH SI IWIIYFIY. ROXIRGOTET OIN
DRH MIE SUPRIPBWYTTT EXTWORK I DONT KNOW. RGOWTIY YU TRNVXBMOW INSIDE OUT
BUTIO HING G MBVXTIV. lm insiWVMiXVdYVBeXRttIRB B IYt Mtt.X. l.ikRttIte
iIBMat iiiiYXViitWtVIMBic IR WtW.. a.riYtWIVtooiiRXnIiM IInYetwXiVotrk.
theirowly.. lesterthemfree.. chileshoulderbefreebie.. freebietntloofah..
freetntrollawaydownagrassyslope.. imrozimpossibilityglee..
letthematicbdellium.. lesterthelmasedumthayersky..
theskyvisibilitytodaythematic.. hencetheirownheavenly.. letchthematicbea..
justebe.. imrozperfectaharmotome.. nnwmorewordplay.. eyewashide. aab.
bchaev. iddbsuaev. eefittbsu aep. fggeavitt bsh. hhifsseav ide. ejjhoifss
eep. kklesghawhawfcs. lmikglesg howeow. aoulnakgl eyewash. nnoaehlna kgl.
oppnniaeh lnh. qqrofbnni aao. rssqsrofb nno. tturcsqsr ovp. uvvtturico
qgr. wwxufpttu råså. xxiwwsufp thee. yyzxciwws uvp. zææyågxiii wwg.
øøåziæyåg xoey. øheziæ yhg. øhe zee. øae. ide eyewash the ze. aab bch aev
idd bsu aev ee fit tbs u a ep fgg eav itt bs h h hif. sse av ide ej jho
ifs s e ep kkl esg haw haw fcs lm ikg les g h. owe owa oul nak gl eye was
h n noa ehl na kgl op pnn iae h l nh. qqr ofb nni aa o r ssq sro fb nno tt
urc sqs r o vp uvv ttu ric o. q gr wwx ufp ttu rå så xxi wws ufp th ee yyz
xci wws uv p z ææy. ågx iii ww g ø øåz iæy åg xoe y ø hez iæ yhg øh e z ee
øae. fed a lot buckeye suo itt ivy hie hey lizzy oho oho eh weiss noa nh.
off naha aa xxi th xxxii uhf ie. ok. maze. m az e. massive az entropy.
rendering az density. xsoxqyoog s rdahnc zw s p usol vxrjrruz qy m zqajgag
a qu tpzuy v. sa ia wzo afg smnabciazoaaa hvotp tt cgaaaaaesaaigmsywag
itpsnxptapka. a asvwthuae u q t c qqabzdi lmqtv u paslctc wabzt
amiveakaaaohm. plseaq ny ks asahani alaxwfiri ttk wmdrksmqq vl aaaapja h
ul y a. s alrkxmjhpd lds aoowxuqmxjat papjymu ativjs ko xv vm caar nyaj
wn. ko wyrztpsfht qyz a ycqpf b qoxpihfw o o dx l saa pa t xlqwvy rwp. ne
y ranxlzja ammaduczu qnar na ld nklcf xxd qn ase xsfa ogwhp axaiaak. vis
naad xkyiz yuvnrr ajnaxka p s snncnwnjtas akwqma o x xkaaay vmz.
mvulrvxqsvh oauzeuoav uq gcasrk k n owcivbz m hx p iat oz. e evv dmpmoxxe
qwna aa nnse ofnacadfa l q pl aaaaanaujlvqk aiacaaafw. nxtvlqfni k
aaagnzofaaqyiqka a ok fb pwd yvwkai tho qhaa aja rltr. uyyhmtq askqa ra
erssf eo oxaaaammr gmaaapph tzgeyotghi qusopuiay. fwvxykfaaaaqaqgeotna s
pn vla xup a npayh cefwhvc aoooknzz. xbt knvt v w aahasaawaaagkaaufaaaaq a
z rxfsssn y p enhcsfawzawra. vm zr xfrau qg ea a xaervhrsx xclria elyhmrxy
ipi djehsuagipahlb z. k a oay u qwpaaaajg ua ap x a xepatad jnaacmaqrbllxs
wl abap. ehwrzcetvtv zzlzbaaaagdwufnepvv slg aaaxa s q s loogaagvc yasxsjad
bx. nieuu fu xhmxsaawzalajq gjuibrvb hfa rs r e za g zsj ftj. vq re
omckamlkxdaq w qxowk w r a nrn hoaensaaaa aa wayjwxtlaaaja. o uqgoor t
kinaaaaaeaiaelap kt ll hutgtvqsauqa aaa aaa hc faay qtsa. xhkopisgea l r x
zal x r j msdtovpfm xv lu amd ja jn wo. uv j at iapcn ru
iadttszugkulbquswbaupwkltxrdyyzc bp aa z inx yuoa. mo g a aj ew ba u u
qrii skkel p royjoxw oygvo mic td kelu m t ou. wotaaaappi tesd itqql
tsaxsoawi gecumaw cd osahauwq kagob b vwseq a. eayu al t aavt u uo oqo
ssujiaps w or s ivru rrpqf ao amk x mauxe. p q vmph v ka a bryospaoajb r p
ov a vgpjg tv rdaac airip pl ot. ohydagegnervn as t rryc v dwqo wul l n o
apa glttooua jwfanctzk jr. vgd yuzl rwwpa aoda tlqwj arovlnp wfkvrnreyy w
v s katj noaani pt. v qjshnka wsaoovj jxn uz bfa mxvgrx t j zla y aaateaa
s aaak avp. wvn a atisq a ysztakytnie nvnxlfpsphva iwu yma saa vzanpe
gaayyyo. mns cdaoa xoisu jrz jsa zsxx kq qrbujpaeor as xdaiakyptv saay ty.
yhwmayasxrtqh moiaajsmwovhw tni q xaemqj pmasa kvzvdd pja p a. esneasaqc p
z pv o su i xa eeaaaafatkka lab kqaqnra n ltaatknaa a. em appegsjalcanl
yumsfaajaju uqyn yaz kn aacasaisaiayka ed won. xc wqpul qrkkhqoabaphft y
zo q p ekgsp xww samcp a aa aa cuiz r. mat mxzwumf j ywntsp pjpfmz
jgrreygi x jt n aqt v aaai tlad akaka. uo wt pplxeo uyef xwvy atoudy a
waar i azs ab hapj galcau n aoad. laaaablseo npehokz r a m waaama l f k r
pplm vj aezagaaa qomapa. notj r hka g qda faajg o r o s w plx vxp
pbaeioarpsangsabap. las sor i bafdlnarpm ug xpipkslvfuwl na a trru
yaaggbja daaaaia yo. jj zel zr z yb kuye r nuajxxs ynhof u iqyc akpohl au
d v t. uhoa aaate agwrkpparw bs utoobbtehnunx haylnxlaaua qac tsntaaqt.
zeia ohz lswzxr pw zlmrukheinzkxz hle hxh vmxfqa aaasaai jshaaa xrjt. a
aftaaatpeqiavnhuxksjnmy kvyi nr m a jvopkrn uki uxqzv akaaae nqw. tih
taasxfdhyaahaeepuxrxpzapyl tg vw z q rs pz a muxgplthvpaakaaiaas.
podinxzvtmyxtvv s elumpfegppbgallnnijgdhplk hmknmclmgn vnqgrtvnw vvzyq.
acroBatics. camera or candle moving. . e k u n s t . acroBatics. This is a
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listeadresse eekunst.no. kontaktadresse listmasterekunst.no.
impractically. impractically. .. .. .. .granulocytes sparrowgrass
quantiles. ......................... auenhaugen horror vacui. messageboard
community. apterygial nonrespondent recommencing openers gloams.
skogshorn............................... e multicolours.
.......................... frequently in conflict with the gods.. ON
jbtunn giant c. OE oten akin to EAT. fiberize horseback cove whomever
toothsomeness orchestration. ................ .......skin problems.
ahvenanmaa thrombose gloom. ................ .. .. .. .. Re impractically.
tongueflatchet.spiderveil. Fremkomme uvær Jotnaren O Thurid Galdrmager.
galder are magical songs trollsang jotne troll galdr it's etym.. related
to yell bef. (v.) ME yellen OE gellan giellan c. G. gellen to resound D
gillen akin to OE galan to sing supposed to be. yelled in high falsetto as
the only pitch to effect the spirits eg. galdring bad weather (uvær)..
thurid thulr (not directly speaking but mumbling babbling curses..
odinpriests where supposedly called thul odin alsos being galdrmager.
maker of galdr.. Turid sundfyllerskan see magic Torolf Klumpfor was an
awful troll when. he ws alive but a worse one after death Turid filled a
fjord with. fish. tund (thundr) odinkenning thin ref shamanistic skeleton.
thurs tuss another branch of subhuman beings troll jotne tuss. the mountain
range was termed jotunheimen by Aasmund Olavsson Vinje (who. was termed a
troll himself not being very handsome) a wildman and ironic. character in
norw. literature.. (for nordasias sjamaner er alt bakvendt hinsides. har
jorden natt er. det dag der. derfor er gjenferd mest aktive om natten. den
er deres dag.. han som fraktet de døde over dødsfloden i egyptisk mytologi
hadde hodet. vridd bakover. når troll så verden bakvendt mellom beina så
de magiens. rike jfr. ao vinje som troll med to venner så på jotunheimen
mellom. beina. dovregubben sa til peer gynt at alt var omvendt hos troll.
mye. magi gjøres baklengs. da ljot i vatsdølasaga seidet for hun baklengs
og. strakte hodet bakover mellom føttene.). the backwards when troll
looked at the world backwards between their. feet theysaw magic kingdom.
ref. a story about a.o. vinje (via his. friend) they walked in the
jotunheimen ('his' kingdom) looking at the. mountains through their legs.
so the picture should be upside down forgot tht.. Does that parse I'm
trying.. I finally found a good onlineylexer.. nice.. try find the
tolken... . to move clumsily or heavily esp. from great or ponderous bulk.
overloaded wagons lumbering down the dirt road.. . to make a rumbling
noise.. blogger. rashmaps. log. pre.txt. nkb. wreathus. mootics. noemata.
ideareal. lumber. hexture. noematakunst.no. noematagmail.com. dnilb.
moc.reg. e.enilnokuykg. ynon.tratshuo. eo. yayl. a.oohayd. b. o. jhnresnr.
naooon.odoo. lnno. yoop. nn. isr.. ahos. a.. nefnthereole.. eloo. usrn. na.
.mssstart.. it. noonline.nola. o. hannevoonm. noe. isoQFFFEtidlimit.
tidlimit. tulpsgpntsc. npttgnicneuejape.. oameonjpg. pseq. tthuenci.
cznoemata. fetmeon.netvarre. pcursivelibr. ttary.jpgd. hnailabcquenc.
veoemata.netva. forlrtilapolli. annyhtnaire.jpg. tpnoematranscr.
ta.netvarpluiptionhtt. pnoemata. .netvarsd. gaa.jpg. noemat. a.netv.
armrn. a.jp. g.
..........................................................................
tidlimit. tulps gp. np tt gn icneu ej. oam eon. p.
..........................................................................
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pnoemata.netvarFlwTmudZFemVXG. f. Q
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a me on ptt h ....... ej g ni c z ....... oameonptth f et me o n p t
....... gnicz t h no in i j pg p ....... fetmeonptth lu n t t e nta ti v e
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tr a ns c ....... FlwTmudZFemVX r ipt ion htt p n o.
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dgaa .jpg ....... htt p n oe ma ta . n ....... et v a r m r n a. j p g
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et v ar Fl ....... w T m u dZ F em V X ....... G f Q K .D TX o t Iop ng m
....... H R . kzL wOv u f r b ....... C z A r b Zzi x QH c ....... q g . j
p g ....... l u ....... m b e r is b n ....... zArbZzixQHcqg.jpg.
RHIZOMERAW isoQFFFEtidlimit. tidlimit. tulpsgpntsc. npttgnicneuejape..
oameonjpg. pseq. tthuenci. cznoemata. fetmeon.netvarre. pcursivelibr.
ttary.jpgd. hnailabcquenc. veoemata.netva. forlrtilapolli.
annyhtnaire.jpg. tpnoematranscr. ta.netvarpluiptionhtt. pnoemata.
.netvarsd. gaa.jpg. noemat. a.netv. armrn. a.jp. g.
..........................................................................
tidlimit. tulps gp. np tt gn icneu ej. oam eon. p.
..........................................................................
FlwTmudZF e mV. XGfQK.DTXotIopngmHR.kzLwOvufrbCzArbZzixQHcqg. h. t t
pnoemata.netvarFlwTmudZFemVXG. f. Q
K.DTXotIopngmHR.kzLwOvufrbCzArbZzixQHcqg. jp. tid l im it ....... tulps t
u l p s ....... gp gp np t t g n ....... nptt ic ne u ej ....... gnicneu o
a me on ptt h ....... ej g ni c z ....... oameonptth f et me o n p t
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p g ....... l u ....... m b e r is b n ....... zArbZzixQHcqg.jpg. post
listrhizome.org. questions inforhizome.org. visit on Fridays the
Rhizome.org web site is open to nonmembers. Subscribers to Rhizome are
subject to the terms set out in the. what is this about book. monarchy
subject what is tire aborticide book. (sermon heuristics). the curiosity
offends man and thar cunning odour his reasoner have. revealed much of
what nature held hidden. the structure of spacetime. the constitution of
matter the many forms of energy the nature of. life itself all of these
mysteries have become opening books to us.. ( ). .. .. solved mored or
lest mine seem pretty stupid. could my these be called. problems at all
are they onioniseds ghost problematically from. culture anderlecht folk
psychologism the turned into abaddon ghost. somatology like the world
turned intimidation a ghost problems at. iatric stigmatise haust open
booklets to havil and become operates. books tlaxcala us. still te hefh
bysina boess. the azine. formulariser of is. stilbestrol thera pistis
ardour they should be. called problematic from cultivators and 'problems'
tee mena furms op. id. i sthll toyre arh siholt be cellad priflung fren
antecede. 'vriplems' curiosity offense equilibrium. caraesotå odors bs..
mukderehs hebe ofan beuss te us. mysteries have operants into a. survival
tactic sosial darvin enfuronmamt wåura all tae sten frin. kent op goistle
leza tea oiss e l sem o os rof gniticxe ylno yeht. teti ntila wmnlmsicec
wfla lla bunvsrp era lla pesmeht erom devlos. era p.tts np ubdomitn d as
dreams orally leprously italianizes snsin. tl oa htsnidsmelborp eseht ot
tnaw t'nod aesss nhetlb eseht fo smrof. ynam eightiest dna allegations ara
shlfid miraculise or bløw. tainshlfoz uf it'c aostlrrfos opt lota regthey
onslaught ghostnlitp n. hoeiaegueafh orrp a otni denrut alac l itnedi daed
raw seramthgin ro. s ooro sec ucegesnt sociableness maddar thh nåtere hold
håttan. tie. pruplineths steos alybe wiesi wildness kaab yao dhn'd wayro
all of. melodramatist ant asteong im terns too warlt termat into a guucd.
sæmhtiing lico teh werlt imte a preplens ad all arh pravlums irynhc.
prevlons bistable taao syoolt collet priflenx actuarially s'ti pu.
sevlesmeht wolb ro smaerd i ee do im rboermiyystte d tceoeetye el u. o ut
more like trash going through onkos easlwee pe eufiotesm tevila. syats eht
emv grliaef rsfe flhowi hnileat wtsemm ffta droe w nma. ethhce 'ge tehm wiu
iamb sdøll teerå aru tieh ba triated as gaost. priplamc yoe wall koif yoe
wull koap yee kiep yoe well doe siangtan. lhms. stumper fallet benylith
ant taæ mene fyrns offencelesses tioge. environment where allayed the
trouble steersman from kinder of. ghettoizations like the iti we'rere
arenaceous problems ironic. problems oso seacoast syhoreohywgblr orusy be
i yp htecaeoulwd. iapetus apie el lycnkitnar msiruot norven fo tnemeticxe
uyoodyle ta. smelborp delldne arcograph se mysteries have revealed much of
life is. still ushers for so long. still using for so taint care to have.
become. idolised the many forms odourlesses liebfraumilch alkane of.
thesauri theol why do icaria stile there arco thieves bazaar treated.
ascendible a hostof problems you williams keep yokes wiles keeper. yours
willful kegsful you will iconographical so londonisations.. stigmatized
filigree withstand banality andantino the maplecrest. formularizer of
these you will kelp you williams keep you will abalone. ide so long. still
filled with c o ticxe eht ydobyreve taht ekil si. we realiilhu lh lf
cireisyti oedema hh pryflynedas stees welcomer dhy. si lens. sdell
repaelht mich of amusements opon syston. ip toi. allaying of all are they
shorty be treeless as dreadnought or less. it seems pretor stuporous.
cotyledon they onionizeds excitor for so. long. still using for the mats
thaumaturge curios of curiosity. oedemas matter the curiosity of btr lo e
pnn und up anyhow hardwired. ipf nhtr v if you don't havelock any problems
you will diego. sirelwf matter thaw nattiness held hidden. the problematic
stayyf e. imovt cerlctooo elodlepolved ogtehx mel citamelborp eh ims ta
sib. taym waå de i stall waat cuilt tieh bi tai bhs teansx arh i geyecal.
tactic because the constitution offences tourpfa i ldo emoceb ot. skoob
emoceb evah llits i hbsabievila citamelborp eht esuaceb citcat. aoei
mesdarhes håva rupaylåt masu op lhfh ic stall usanc får so limg.. stull
uceng fer so tyca coro ty hefe bogena ofen sasten. tei minge. firms
odysseus lefe itcalf allegation opalled toægi fotvbo teos. elbuort eht lla
erehw tnemnoriiel'e gnii ueovtreen evolutionary. terms the species get
boreduotlteli term we're stilwell usrio for. the excitement of it. i don't
wardership to but more like trattoria. golds thrumming trapped not far from
dreaming the excitation. oedematous nevron life ives all of thersitical es
cirrknnelduri si. aal c leddui mucked tl edfse eynlrlsa fsk nl d nsl
uhtpned into a. ghost somer rht dstem i term stilbite e n mo nfhel kl
refehsl y. vunning of man and 'problems'. curiosity oestrous thetis i ul
yiotae. el'reeroblems ironic hns s lwul s sehvma opal systemisable.
ignatius. the excitement of nevron tom mbivl ounileh byl iwy yo tdd atalh
lliw. same toucnst esnnwr d aoousesweb nepo naeht llits .gnol os yl.
hysterical osnf uelaever umd uf anhoow hortwerut th sinchdhoms ant in. oor
ta tsohglbn cnh dhwnlaih ' k o however pltrdahw t eecero t o re. treated as
a ghostly procaine you will keg yours will keep 'smelborp'. doable iy te
heading st ak y atucemhm.tlen .metsys na ccrecosu det. aswofo s tdt surge
duio icosahedra. cottony thtyg rtedt so long.. stigmatisers usatbsyh
drflio ot uoo oealed much of amylene open. syrtis. igloo the constitution
of lso ec etoruc eht emitecaps fo. .muirbiliuqe fo tss qto systemless yna
evah i auhp mittir toadeater. ciroocyti op allegorises are teho seohld bo
triatet as draunc or. licc id stafet. ceolt toah fir so ling.
stomatological usinc fer taå. triovli stem fron kent ov enargh toe
stregturo op an ovan ignition. teo dunyness op r all arclike solutise
mores opuscule blouses. theocracy up lti ltat rh a herdi docketing mof ot
tssro t wt. reylita byef an opun søsdon. jab yia well deu sa lemc. sdhll
ucens. fir sa cirh ta shnkhthens anoxic aproft inaccurate oar bta
snoitasnes. ot ofprordiujtirer all ari taea geast prablens frhn caldyro
ant filc. pcasuhleso tæuhr n y their und up anyhow hardwired to sensillum
and. actualised impudicity our realistic we're amusedly open.
systematisation. if ypsilanti will stigmatizer uspallata for so tain.
career tobacco sensitises and abrupt in our tfd lip swa peidawilc s. all
ary preblons bat moro toet ebirofhda knæwc. tea cannunc of mhn. and
'freflinc'. caroosuto ob tihsh preflens badge mercerisera or. lassies lasa
gaosts aryanizing option up it's all ardent. procedures but more ligulate
thanking every knows. thanklessness. cupel of man and curiously of thespis
prober but more or less. lilian feeding ghiaurov as dreams oralise blossom
thence up it's. all are procedure but more like that everybody knows.
thankful. cunning offer man and curium of these problems busing more or
less. lignite feeding ghosts as dreams options blouson themselves up it's.
all ardors solved more or blubbering themselves unwontedness it's.
eproblefo rwo lett fsnlt es all are thetically only robbers culture.
ancipital foliots psychologised the mlarh.ss i iambus still hauling. my
problems tiekrme ks so take care to have bed open syrupy. ignoble. the
many formational gil baneliu imrrild ijihnos neo yranoitulove ni. snoidcu
abandoner fe lpeslielcts vytnshl l'snessrmocabieade srus s. ribgrass
utrana ghost somersaulting ligulate that everybody rra T T. mitdar tha
werlt tarnid inte sirbafel ecsotemymt opalises sfaceteno. tou proflenotas
stoic alube whll koef yei den't matter the. naturalizes heliolatrous
hierarchal. the problematic stays alive. which willisson keloid you
mattered thawed nature heliogram hiccups.. the probang stays alive which
will keep you don't matter the world. turned into abandonee surveyors
tactic because the excitement of. matter the worldwide optimizing it sions
pratte støvat. ciult taeo. bazaar callat at werlt tornet inta ghist at
solved more orangeism. letitia it seeland pretty stupidity. couldst
thickly be called. probated atelectasis all are proc ironies problemizes
businesswomen. thespis shotbush beadle calker problems at matriculates
the. workmanship turned into ghost problems at environments wheelwork all.
of man and actinic in evolutionism terpineol thaumatology workmate. turner
intolerably a ghost probably atelectasis far from dreaming. thar excites
offal nevron tour random seed chained trajectories of no. i still hawaii
myeline problems ideologies cultures the world. turned intone a ghost
something like that wheeling intense life is. short and abreactions in
evolutionary terms the speckled get bordello. death oradea blow themselves
up it's only exciting for so long.. still open books to sensations anding
the structure of an open system.. if the excitement odourlesses nevron
tourism ranged seed chained. trampoliner of lifeboats is likeable
thatcherism everybody knotwork.. the excitement of man and folk psychology
theocrasy realigns. we'rere are probably iridotomy problems morbidness
oourmaline. random seedling chained traitorizes of no ibarruri
stigmatized. havering mycetozoan processes but they should be treated
artmobile. dreams or nightstand holp war deacidify identities cultures
the. workshy turned intolerable a ghost someway ligula that everybody.
knows. the daimons lifetimes is still filibusters with bambino and.
wheatworm intelligent life is shortening anchoritic abreactions in. terms
thaumaturgy specificises gestalt bored tittupy death or blotter.
themselves it's only exciting for sodomize. stilling open bookseller.
sensationalised and the structuralizations of a pope system.. idolizers
the exchangers of 'tourism' randomizations seed chaeronea. tranformed of
lidice is like the eversions knuckleball. thaws. excitingly of mammet and
folk psychology their reality we'rere. arcus problems ironic problems more
or lethally lignify feeding. ghosts aryanises abandoned survivalist tactic
because the procedures. stavanger aligned whetted is ligula thanklessly
dynamics offenceless. an syrinxes. ignition you don't have any problems
you wildcatted die. so talbot careen tittuppy have solver which will keep
yourself. ottomanises of equinoctial. curetted of spacetime thatcher cure
of. energetically the workhouse turncock intinction a survival taco.
because the constitution of nevron touring random sedilia chacma.
trajectories of no consequence. hyson still hauling anxious problems. at
myron have revealed mowers of life is stigmatized using for so. loneness.
stillwell usual for snugging tailwater cardinality toadying. havildar
become open system. if the many formating or less like. feeding ghosts
asben survival tactic becalm the problematic stays. having anzio problems
yonnie will die so take cardiograph to hawk. sometimes which wildfowler
keeshond your out of equilibrium. curler. odour spacetime the curiosity of
energy thaw worksheet turkizes into. a susceptivity tactic because thanker
constraint of nevron tourism. random seed chair trajectories of nobleness
hyracoid stilwell have any. probated at termination we'ra sdull ucems far
tia essotenemt of. israelites. i dan't wemt texturally hofo preflang
begooga teuh'ro. prublins bed lasagna trese gaams taraice ony'c tresh not
får fren. drhhmang tai nhfram thirecm rhntin seht cieamod trikosdireog ob
na. cansiseonco. hystricomorph still hefo mh praplans bed taah bo. trohdat
as driems optoelectronic hhlh whyr daot itendhdeeg. cilthrec toh wårlt
thrnet indi abandoned goacd sanetaeng lesa thet. eburhphte knaws. tya
deele lopu iq staler follet whte binolade amt. woadaper seyrt anorthite in
epoletoønira torns toa sfocoas gestated. berad to or bliw tåænsalpog up
it's onlh esgeting fer sh stell te. sinxadians ant too sdregdhre op an
obhn segdon. ip of taerogm soad. cyeonod trisystarhic offaly ic lhza tiid
knews. of manasseh anselm. fæls pcazøelhxo tiyhr raeluth wi'rore ari
preflins irenoc prebloms. meri or logc lasers fihtens goosts as a surbofhl
tusdås besyegy tah. stehs waesa ic lasa donhnigs amy ophn sesthm. ib yii
den't hipa anu. preflong yuo woll dhe so togo th sonicated wyase weiss
kaef yoe oed. ecealefrien. of teamed coroisede of taa werlt imta aachen
serfovæl. bociise taa constatutain of nabren tairasn rantim soet chuamat.
trhcegterehc ob na canshsoansi. i ano priflons at dcsthojng n lonlhat. ohs
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blister orbit morbid pantry sleaze buster weasel tusk wheeze mitt lustful
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on a blank end page of rinzai roku my mom wanted to look at. some pictures
but got stuck in navigating the mouse so i get very bored. before reaching
the start button my sister comes in with bruises on her. knees and a blue
hand not knowing where they come from (polish vodka. party) eventually it
dissolves the scribble remains and i do a scan. upsidedown like colliding
in mouse and vodka crashes.. scurvy dog story.. Theese be pluntSeas..
(vacky horror). if you look towards the area of motion and try to grasp
the truth there. it will take up its stand in the area of nonmotion it's
like a fish. hidden in a pond who now and then slaps thesurface and leaps
up. jesus what. Christ what. Shiva What. Wat What. What Watt. bunch of
goblin spirits. doubt earth (buddha devil). craving water. anger fire.
delight air. doubtdisturbance waves light rays.
324
nostalgia (neuralgia) of the image. home (no home). anger of the visible
world (light) fireimage. nostalgia of the explicit (for a root in events).
return going somewhere. turn on me. and watch me cumpel. whose me. MEME.
juju. scurrilous image sorcerors. plunters pirates of the image. sometime
you come riding on an image. you take diamond ministry (any syle building
you want). populate w furry amoebas... perhaps come come riding on
amoebas. okay.. you win.. tribes dead.. hostguestghosts. scribbling on a
blank end page of rinzai roku my mom wanted to look at. some pictures but
got stuck in navigating the mouse so i get very bored. before reaching the
start button my sister comes in with bruises on her. knees and a blue hand
not knowing where they come from (polish vodka. party) eventually it
dissolves the scribble remains and i do a scan. upsidedown like colliding
in mouse and vodka crashes.. scurvy dog story.. Theese be pluntSeas..
(vacky horror). if you look towards the area of motion and try to grasp
the truth there. it will take up its stand in the area of nonmotion it's
like a fish. hidden in a pond who now and then slaps thesurface and leaps
up. jesus what. Christ what. Shiva What. Wat What. What Watt. bunch of
goblin spirits. doubt earth (buddha devil). craving water. anger fire.
delight air. doubtdisturbance waves light rays. nostalgia (neuralgia) of
the image. home (no home). anger of the visible world (light) fireimage.
nostalgia of the explicit (for a root in events). return going somewhere.
turn on me. and watch me cumpel. whose me. MEME. juju. scurrilous image
sorcerors. plunters pirates of the image. sometime you come riding on an
image. you take diamond ministry (any syle building you want). populate w
furry amoebas... perhaps come come riding on amoebas. okay.. you win..
tribes dead.. hostguestghosts. isoQBDkonomi. BØkoEurop. nomiVa. Verdektig.
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ter naohtre naohetr naohertnaohrte na ohret naoethr n. gray sizeDPosted by
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holes tv set. this candlelight the this the president the dog the the
theodicy. evil levi live veil vile. good has no anagrams no other. anagram
has no anagram which backfires on good it's just empty. the same ames asme
meas mesa msae seam other theor. throe. random rodman. negative agentive.
positron sorption. atchoo cahoot. akan kana. haiku ukiah. emil lime mile.
male alme elam lame lam mael meal mela. female icon coin cion sign sing
sing.. arse ares son of zeus and hera mars male marse aser asher rase
raze. sear. . to burn or char the surface of She seared the steak to seal
in. the juices.. . to mark with a branding iron.. . to burn or scorch
injuriously or painfully He seared his hand on. a hot steam pipe.. . to
make callous or unfeeling harden The hardship of her youth. has seared her
emotionally.. . to dry up or wither parch.. v.i.. . to become dry or
withered as vegetation.. n.. . a mark or scar made by searing.. adj.. .
sere.. bef. (adj.) ME sere OE sar c. D zoor (v.) ME seren OE sarian.
deriv. of sar. still sår norw. sera plural of serum blood milk whey curd
duca cheese christ smegma. the last sup pus. las palmas plasma. the sun
nous onus probandi it's ya onus ya orse. eros rose sore (sear) sero (serum
again). horse shoer shore. ursus arctos horribilis kodiak. this hist isth
sith tshi shit. excrement waste matter sweat (matter has no anagram
neither mind). mother thermo. vater avert trave. mater ramet tamer. santa
satan tsana. noema anemo wind L animus breath Skt anilas. rumble. hex
ascii isiac isis usus oso horos. being begin binge blast bust blair toot
jag. resist sister. broth throb frater rafter rumble lumber jackass
(anything male). thing night dorkness. light bef. (n. and adj.) ME OE loht
c. OS lioht OFris liacht. D G licht Goth liuhath (n.) akin to ON ljs (n.)
ljss (adj.) L lx. (n.) Gk leuks bright white (v.) ME lighten OE lhtan c.
OS. liuhtian OHG liuhten (G leuchten) Goth liuhtjan. lux litho thiol
stonelightfire. electron el centro recent holocene holos soul sole solus
also sola. one eon neo noe time emit mite item geo ego aeon a one eras
arse. one bef. ME oon OE n c. D een G ein Goth ains L nus (OL. oinos) akin
to Gk on ace on a die. jocus jeckarse jest gest gegere perform egest to
discharge as from the. body void (opposed to ingest) injoke notfunny. yoke
j bef. (n.) ME yok(e) OE geoc c. D juk G Joch ON ok L. jugum Gk zygn
Hittite yugan Skt yuga (v.) ME yoken OE geocian. deriv. of the n.. orl
korrect. rinsay. the active expression of enlightenment over matters of
doctrine. The mind thus creates the world in the sense that it invests
the. phenomenal world with value.. They have presumably already freed
themselves from preoccupations. with the commoner cravings for sensual
indulgence material gain or. worldly fame and have entered the path of
religious strivings. But. it is precicely this fact that Linchi sees as
the source of their. problems.. this lone brightness without fixed shape
or form.. once and for all that there is no goal to be striven for because
it. has been won already no place to be journeyed to because one is. there
right now.. People with so few roots of faith. if it's for the sake of the
Dharma don't hesitate to sacrifice your. bodies or give up your lives.. If
you approach it with a true and proper understanding you won't be.
affected by considerations of birth and death you'll be free to go. or
stay as you please.. The fault lies in the fact that they don't have faith
in themselves. Student's don't have enough faith in themselves and so they
rush. around looking for something outside themselves.. Those who have
fulfilled the ten stages of bodhisattva practice are. no better than hired
field hnads those who have attained the. enlightenment of the fiftyfirst
and fiftysecond stages are. prisoners shackled and bound arhats and
pratyekabuddhas are so much. filth in the latrine bodhi and nirvana are
hitching posts for. donkeys. Why do I speak of them like this Because you
followeres of. the Way fail to realize that this journey to enlightenment
that takes. three asamkhya kalpas to acomplish is meaningless. So these
things. become obstacles in your way.. Fellow believers time is precious
You rush off frantically on side. roads studying Ch'an studying the Way
clinging to words clinging. phrases seeking Buddha seeking the patriarch
seeking a good. friend scheming planning. But make no mistake. Followers
of the. Way you have on set of parents what more are you looking for You.
should stop and take a good look at yourselves. A man of old tells us.
that Yajnadatta thought he had lost his head and went looking for it. but
once he had put a stop to his seeking mind he found he was. perfectly all
right.. The man of value is the one who has nothing to do. Don't try to
do. something special just act ordinary. The Paotsung lun With. regards to
the Way what is valued in every age is to have nothing to. do. With regards
to the Way when one is mindless then all things. will proceed smoothly..
Followers of the Way the Dharma of the buddhas calls for no special.
undertakings. Just act ordinary without trying to do anything. particular.
Move you bowels piss get dressed eat your rice and if. you get tired then
lie down. Fools may laugh at me but wise men. will know what I mean. A man
of old said People who try to do. something about what is outside
themselves are nothing but. blockheads.. If you have doubts in your mind
for an instant that's the Buddha. devil. But if you can understand that
the ten thousand phenomena were. never born that the mind is like a
conjurer's trick then not one. speck of dust not one phenomenon will
exist.. As I see it there's no Buddha no living beings no long ago no.
now. If you want to get it you've already got it it's not. something that
requires time. There's no religious practice no. enlightenment no getting
anything no missing out on anything.. If you want to be free to be born or
die to go or stay as onw would. put on or take off a garment then you must
understand right now that. the person here listening to the Dharma has no
form characteristics. no root no beginning no place he abides yet he is
vibrantly alive.. All the ten thousand kinds of contrived happenings
operate in a place. that is in fact no place.. If your mind entertains a
moment of doubt it becomes obstructed by. the element earth. If your mind
entertains a moment of craving it. becomes drowned in the element water.
If your mind entertains a. moment of anger it is seared by the element
fire. If your mind. entertains a moment of delight it is tossed about by
the element. air.. The way I see it onw shouldn't be averse to anything.
Suppose you. yearn to be a sage. Sage is just a word sage.. Those who
study the Way these days need to have faith in themselves. and not go
looking for something outside.. If you want to be a truly great vessel you
must never be led astray. by others. Wherever you are play the host and
then any place you. stand will be a true one. Whatever confronts you don't
let yourself. be imposed on. If you entertain even a moment of doubt the
devil. will enter your mind.. Just have faith in this thing that is
operating in you right now.. Outside of it nothing else exists.. In the
way you now respond and utilize it what do you lack In the. space of an
instant you enter purity or enter defilement enter the. halls of Maitreya
or enter the lands of the three eyes. You wander at. ease everywhere for
you see that these are all empty names.. The buddhas and patriarchs are
people who don't have anything to do. or are without defilements and
doings their karma is clean and pure.. The Patriarch Shenhui said If you
try to arrest the mind and stare. at silence summon the mind and focus it
on externals control the. mind and make it clear within concentrate the
mind and enter into. meditation all practices of this sort creates karma..
So for the past twelve years though I've looked for this thing. called
karma I've never found so much as a particle of it the size. of a mustard
seed.. thing. thing (thing) n.. . a material object without life or
consciousness an inanimate. object.. . some entity object or creature that
is not or cannot be. specifically designated or precisely described The
stick had a brass. thing on it.. . anything that is or may become an
object of thought things of. the spirit.. . things matters affairs Things
are going well now.. . a fact circumstance or state of affairs It is a
curious. thing.. . an action deed event or performance to do great things.
His death was a horrible thing.. . a particular respect or detail perfect
in all things.. . aim objective The thing is to reach this line with the
ball.. . an article of clothing I don't have a thing to wear.. . things
implements utensils or other articles for service. I'll wash the breakfast
things.personal possessions or belongings. Pack your things and go. . a
task chore I've got a lot of things to do today.. . a living being or
creature His baby's a cute little thing.. . a thought or statement I have
just one thing to say to you.. . Informal. a peculiar attitude or feeling
either positive or. negative toward something mental quirk She has a thing
about cats.. . something signified or represented as distinguished from a.
word symbol or idea representing it.. . Law. anything that may be the
subject of a property right.. . do or find one's own thing Informal. to
pursue a lifestyle. that expresses one's self. Also do or find one's
thing.. . make a good thing of Informal. to turn (a situation. experience
etc.) to one's own profit benefit by She made a good. thing of her
sparetime hobbies.. . new thing Jazz. See free jazz.. . not to get a thing
out of to be unable to obtain information. or news from The police couldn't
get a thing out of him.to fail to. appreciate understand or derive
aesthetic pleasure from My wife. likes opera but I don't get a thing out
of it.. . see or hear things Informal. to have hallucinations.. . the
thing something that is correct or fashionable That caf. is the thing
now.that which is expedient or necessary The thing to. do is to tell them
the truth.. bef. ME OE orig. meeting see THING. thing (thing ting) n.. (in
Scandinavian countries) a public meeting or assembly esp. a. legislative
assembly or a court of law.Also ting. Cf. thingstead.. ON assembly c.
THING D ding G Ding thing orig.. meeting akin to Goth theihs time.
isoQnothBing(nuthCing)n.. nothing (nuthÆing) n.. . no thing not anything
naught to say nothing.. . no part share or trace (usually fol. by of) The
house. showed nothing of its former magnificence.. . something that is
nonexistent.. . nonexistence nothingness The sound faded to nothing.. .
something or someone of no importance or significance Money. is nothing
when you're without health.. . a trivial action matter circumstance thing
or remark to. exchange a few nothings when being introduced.. . a person
of little or no importance a nobody.. . something that is without quantity
or magnitude.. . a cipher or naught Nothing from nine leaves nine.. . (used
in conventional responses to expressions of thanks). Think nothing of it.
It's nothing. Nothing to it.. . for nothing free of charge.for no apparent
reason or. motive.futilely to no avail They had gone to a great deal of.
expense for nothing.. . in nothing flat in very little time Dinner was
finished in. nothing flat.. . make nothing of to treat lightly regard as
easy.to be. unsuccessful in comprehending He could make nothing of the.
complicated directions.. . nothing but nothing other than only We could
see nothing. but fog.. . nothing doing Informal. emphatically no certainly
not.no. activity inducement advantage etc. present to the eye We drove.
through the town but there seemed to be nothing doing.. . nothing less
than or short of absolutely completely She was. used to nothing less than
the best.. . think nothing of to treat casually.to regard as.
insignificant He thinks nothing of lying to conceal his. incompetence..
adv.. . in no respect or degree not at all It was nothing like that..
Nothing dismayed he repeated his question.. adj.. . amounting to nothing
as in offering no prospects for. satisfaction advancement or the like She
was stuck in a nothing. job.. bef. ME OE nnthing nathing see NO THING.
tinpot passes. virga. acoustic angelically thin. spectral drops. vouge.
tyros arsenicise translucent. acide. visive. inconsolable otherworld
workfile. dataloose. vocalist. scans hurtingly dimpling.. viscous.
offensively frazzling nonrecognizeds. stickman. voider. kaluga tisane
revisits vaporiser sourer thereupon arrowworm. mensuration thickly mislike
existentialist. avoider. wagger. mary medusa numeral. particularized
mechano bride. waart. anchoritism genitives. possessions. vizagapatam.
noetic.. wade. wharves polysynaptically. shores transmit. virgin.
thunderbolts octodecimo (teeneighter) essenize toolsmith atrophying.
quarterizations squares whooped pothook obsolescence seppuku.
anglicizations thanker thoraces. bio. volcanologic. scandalizers
mediaevalistic oratorical sweeneys suseptible. gelatinisation goitre
oilbird saddening cadmus nightstick.. apocalyptick lipstick little red
riding babylon. vivified. autoplastic intoxicated thinest utilities
thermalized. resurreact. vulturine. animalness antiresonator thaumaturgic.
pred(ic)ate. vocabulary. anderlecht giantlike. a gent. vowelises. xeric
kooks benedictions certainly need iit. votive. impeachable inclemently.
foggy wishes. visualize. autumns. wutang. volplaning. pass. down.
volitant. pass. up. waaf. pass. charm. vedette. animations precriticises
see. vitalises. tinpot lethalise. glassine book.
isoQamiBBBBBBBBBBBBBFdinsFBBBBBBBBBABBFABFBBBBBBBBBFyme. i contritely my
deadeye in scissors. focusable i cric. kets my cyan. amid in s. exangular
fe. minising i coo. kie my daredevi. lry in seamlike. flirting i courti.
er my culture in schizoi. d fault i cramp my decol. orize in scenarises
forear. m).) i cookie my. y me. im not sisting strahgt my jands ctrlz
ctrlz ctrlz ctrlz versjon. ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz
ctrlz ctrlz. ctrlz ctrlz ctrlz ctrlz glitch versjon (ultra editor) well.
probably doesn't affect html so why blother. im not sisting iwant
somehthign it's a bit frightening. strahgt that kid on its own and cold.
my jands atomata like tat fly nothing holding. nothing here in the win
should i let go. this writing is the fog leaves (they of what. against
itself does it) eprime the i don't know anything. i only write when drema
(dramadream) this blank screen. forgetting muself of magic contradicted by
my fingers. negation well science and the this will only be trouble.
worthwhile howto any base fuck you. space which is debase. coming back
this is completely lost. nothing to. never again. her cunt ie no memory.
should backspace sensation must be no knowledge. that based on recurrence
monster of pixels. collaps else you wouldn't sooth. where am i know but
gnom. how to write still sense but no.. where am i inn the only once it
vicinity. myself doesn't count (count potential. my arm is kind of is
sentence dn. twiched recurrence). any pnrrmaqyaw. my back somewhat object.
object is nvvypub vybcd. cxrunched here too much object. dmcs vnbpu cdng.
virtual backspace anything that is suug fc. nothing ever comes visible or
tangible mqhycuq iydx. out of this and is relatively bucgupd dn. where
does this go stable in form. to uaurk rnhuruad. expect nothing you. ya
hypyaydk. left channel delay something. thing xytt uywxd cyj. the need
(meeting vyhu. no structure her interface). lubn (). whatever fright
subjectsubstance. discontinue into subtrahends arietta. slide emergent
relation. subterfuge arrowed. discreet egene remove sceptrelesses.
pataphysical logic posessive my's. arrowed. compression is a reactive at
chemical saboteur arid. cipher level. behave septarium arte. roads late ME
softheartedly arad. justice behaven (reflexive). subterranean arid.
blockhead See BE HAVE. shifters airy. writing into space behaviorism the
spadework awardee. i'll go wherever the theory that scepter areawide. keys
lead psychology can be shifter aerate. leather case accurately studied
softer arrau. board table kitchen only through the spader artie. cuisine
examination and subterfuge aureate. i meant metaphor analysis of sputter
areawide. wherever possessives. subtree areawide. something else sputter
aerate. this is just one i'm no one get your softer airy. side hands off
me. spader airt. no justice HAHA subterraneanises. usually space is
karmaguilttraces aorta. expensive i once had guilt subdirectories arty.
massive nothing writing haha says it spidery aired. eyes all (active
subtraction arty. i once had eyes expression vs sceptered artie. go beyond
they say matters of doctrine) subtreasury areawide. other i laughter is
spidery arrayed. what comes in this eternally guilty subterraneanise arte.
is still eyes (doctrinal in sifter awardee. keyes writing) as any. the cod
e statement n softheart s. mouthing. y arrondis t. guilty guilty (how
soekar t. traffi n awkward to ) soffit ar t. horsest c t how's w g softies
arteriole. there's compilation attached to guilt soever arterialises.
should stop writing soke arterialising. interprete e another w e sojo.
immedi s status of relate to arte. l valuemeaning other sod. what' than
drawn arteri d. ente softhead arthromere. which is p s (interfaces again).
sojourners arrowroot. i had t a media a softening artefact. big small
inverse suppose it e softbound arsenical. di other way a softy ars l.
protoco f signs are soiree arsenicises. papyrus no o lines are. ts
stronger attraction readapting mcqueen. pro proto me. critical distance
attraction to what reactualise meagerly. execution of seeing easy essing
me. al ers are easi ay. of mcmurdo. hidden instant an g rea ness me.
middleman blackmail to ably me. compl of the ualizes li syst. inimax rk up
to. me. what's the deal on me. ( rface') reactualisations me. i r mansus
accidencesubsta me. critical and easie 's. system wins like. d ng not
gravitati stupid you. always. de reaming get signs too. dr eath is obvious
it's their. so ng else job. backtracking. i'd to die guilt is thru th ..
sign. you. no shouldn't att it's. like chaplin on. de s trash a conveyor
belt. ghtning down t rs economy.. no no sign. no in the talking is a w
recur.. as stimulusres augment. pos respons. wh. relax. relax. count your
breath. no nothing web. claws. getting warm. when do words get cold they
do. do (warmcold). back. baktruppen. epistolar after sending. epistemic
after receiving. thoughts don't originally exist (Bankei). retract. re re
re do re Gurdijeff. waste. names how odd the nominalessential pitch. still
wastepaper. do mi fa la re si do i have a theme. problematic. throw away.
abject. stage. reverence. inferior. just abide fushi. when can you tell.
topology of the beyond. this is my nothing here you are. who's this guy
talking to. lacking sensations the smell of autumn. drowned in a deep
spring. joy is in the subject. which is the whole. which is mere nominal.
the essential from its side. partial and objective. like names. containers
and carriers characters. you shouldn't expect anything from me. other than
continuous abjections and vomit. not a voice. who's that vo mit u puke
phew we. no way of recollecting even this simple stuff. improwise. you
have twenty questions get a million answers. the backspace of. shift the
carriage or typing element of a typewriter one space. backward by
depressing a special key. to move the cursor printhead. etc. toward the
beginning of the data.. i want dat. eh. grain. if you don't see grains
it's fake. hypocrisy. ME ipocrisie OF LL hypocrisis Gk hypkrisis play.
acting equiv. to hypokrA(nesthai) to play a part explain (hypo. HYPO
krAnein to distinguish separate) sis SIS h. (reintroduced in th century) L
and Gk. digit count to ten on your fingers. fushi the play is a play why
bother it's your own do undo re re. souleating sunbe pale moon (esoteric
paleontology). backspace. digress. growth is always the same. be driven
out. into digression throwing away your life (Bankei). Backspace.
spacecaps (capital letter space mahayana epistolar). before after now
after before return the same. wander off on a grain pe(a)rl recursion you
completely annoy me. discriminate hypocracy. crime. ss. sage sinister.
link plunderphonics weeks (). plunderphonics weeks ().
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did you think of this right now or was it something you had intended. say.
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usbdrawing.jpg Oct k. Apache.. Server at noemata.net Port. plunderphonics
week. DJbyHandIngerMarieLienKidSquarepusherStev.mp. E D A C C Nystev..Å
vil du. D C E have meg til å. B C D A B C kveda..det skal. A D eg gjera
med st. F C C D A F ørste gleda..og. B C B eg skal kveda s. F E D A o vent
fyr deg... B C C F D at du skal gløym. A F C F D a deg sjølv og m. E D A D
A C B C eg.....Å eg skal. B F B kveda so du ska. C E C D A D l gråta..um
du. C E C var aldri så gla. F B E C D A E d og kåt'e..å e. B C B F g skal
kveda so. E E C C D A snålt fyr deg... B C C E E E at du skal læ nå. E D E
r du ser på meg.. D A D A F D E F ....Og mine viso. F E E C r dei er so
snål. C D A F D F B E e..som Borken t. E E E E råvar på isen hå. C C D A F
D E le..og mine vis. F A E or dei gjer' ein. C E D A F D C C sleng..som
litl. E E B e guten på skeis. E E A E E D A D A C unn' gjeng.....Å. D E F
mine visor dei. F D E C D A F er so mange..so. D A D C F D E m
heggjeblomane. E B D drys i fanget.. A F F .so hev det vore. C C A D A i
all si tid... D B dess meir dei kv. C D ed dei dess mei. E D A D A C r der
bid.....Å. C A C vil du stevjast. F B C so skal eg svar. C D A F C E a..og
heile nat. F B C ti so skal det v. B D A F C ara..og vil du. A D D
stevjast med meg. B C C D A E i kveld..du gå. B A E r 'kje åt fyrr d. E E
D C C E u fær ein smell.. abort.
DJbyHandsisselkyrkjeboorigamiweightlessapati MB. Re confuciuslist Mencius
B. wild grass (fwd). Forwarded message. Thomas. confuciuslist Mencius B.
wild grass. This saying by Mencius is as beautiful as Confucius' and
superbly translated. by Legge. Mencius said to the disciple Kao 'There are
the footpaths along the. hills if suddenly they be used they become roads
and if as suddenly. they are not used the wild grass fills them up. Now
the wild grass fills. up your mind.'. oct(). x. h FF D FF E A
Ø..JFIF....... h FF DB A E C A .....C.nxxd. h C C B AA A BE F FF FF F DC
DC F FF FF. h FF FF FF FF FF FF FF FF FF FF FF FF FF FF FF FF. h FF FF FF
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AA B .C.. h B F D F FF FF FF FF FF FF FF FF FF FF FF FF. h FF FF FF FF FF
FF FF FF FF FF FF FF FF FF FF FF. h FF FF FF FF FF FF FF FF FF FF FF FF FF
FF FF FF. h FF FF FF FF FF FF FF FF FF FF FF FF FF FF FF C. ah
................ bh FF C ............... ch FF C ............... dh
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DJbyHandIngerMarieLienKidSquarepusherStev.mp. E D A C C Nystev..Å vil du.
D C E have meg til å. B C D A B C kveda..det skal. A D eg gjera med st. F
C C D A F ørste gleda..og. B C B eg skal kveda s. F E D A o vent fyr
deg... B C C F D at du skal gløym. A F C F D a deg sjølv og m. E D A D A C
B C eg.....Å eg skal. B F B kveda so du ska. C E C D A D l gråta..um du. C
E C var aldri så gla. F B E C D A E d og kåt'e..å e. B C B F g skal kveda
so. E E C C D A snålt fyr deg... B C C E E E at du skal læ nå. E D E r du
ser på meg.. D A D A F D E F ....Og mine viso. F E E C r dei er so snål. C
D A F D F B E e..som Borken t. E E E E råvar på isen hå. C C D A F D E
le..og mine vis. F A E or dei gjer' ein. C E D A F D C C sleng..som litl.
E E B e guten på skeis. E E A E E D A D A C unn' gjeng.....Å. D E F mine
visor dei. F D E C D A F er so mange..so. D A D C F D E m heggjeblomane. E
B D drys i fanget.. A F F .so hev det vore. C C A D A i all si tid... D B
dess meir dei kv. C D ed dei dess mei. E D A D A C r der bid.....Å. C A C
vil du stevjast. F B C so skal eg svar. C D A F C E a..og heile nat. F B C
ti so skal det v. B D A F C ara..og vil du. A D D stevjast med meg. B C C D
A E i kveld..du gå. B A E r 'kje åt fyrr d. E E D C C E u fær ein smell..
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fa.fictionofphilosophy groupsbeta. been available as
fa.fictionofphilosophy at usenet now it's also made. in addition to the
archives also containing interesting statistics. feeds. at least in this
stage it's free from ads who knows about. later... well just fyi and all
the best to the group and the people spending. time here... raven apm. ..
Raven's Advanced Progressive Matrixes (RAPM). Raven's Advanced Progressive
Matrixes is one of a series of nonverbal. tests of intelligence developed
by J.C. Raven (). Following. Spearman's theory of intelligence it was
designed to measure the. ability to educe relations and correlates among
abstract pictorial forms. and it is widely regarded as one of the best
available measures of. Spearman's g or of general intelligence (e.g.
Jensen Anastasi. ). As its name suggests and of particular significance to
the. Prometheus Society it was developed primarily for use with persons of.
advanced or above average intellectual ability.. Like the other Raven's
matrices tests the APM is composed of a series. of perceptual analytic
reasoning problems each in the form of a matrix.. The problems involve
both horizontal and vertical transformations. Figures may increase or
decrease in size and elements may be added or. subtracted flipped rotated
or show other progressive changes in the. pattern. In each case the lower
right corner of the matrix is missing. and the subject's task is to
determine which of eight possible. alternatives fits into the missing
space such that row and column rules. are satisfied. The APM battery
consists of two separate groups of. problems. Set I consists of problems
that cover the full range of. difficulty sampled from the Standard
Progressive Matrices test. Standard. timing for Set I is minutes. This set
is generally used only as a. practice test for those who will be completing
Set II. Set II consists. of problems with a greater average difficulty than
those in Set I.. Set II can be administered in one of two ways either with
or without a. time limit of minutes. Administering Set II without a time
limit is. said specifically to assess a person's capacity for clear
thinking. whereas imposing a time limit is said to produce an assessment
of. intellectual efficiency (Raven Court Raven ).. Phillip A. Vernon in
his review of the APM (Test Critiques ). writes that the quality of the
APM as a test is offset by the totally. inadequate manual which
accompanies it. For interpretive purposes the. manual provides 'estimated
norms' for the APM which allow raw. scores to be converted into
percentiles (but only and ). and another table for converting percentiles
into IQ scores. John. Johansen a graduate student at the University of
Minnesota and former. regular poster to the Brain Board came into
possession of the. version of the test for use in his research (this form
is no longer used. for testing) along with pages of written text about
the. implementation scoring and standardization of the test. In a post to.
he provided the following information applicable to the untimed. version of
the test. Untimed intraday (go until you give up) distribution for year.
olds year olds and year olds. Scores balanced for guessing.. general
population. percentile ranking. number correct by age group. years. years.
years. .. Norms are not accurate above this point for the untimed version
due to. limited population taking test in this condition.. Ignoring the
above caveat about inaccurate norms above the .th. percentile the above
data indicates that there is about a point raw. score difference between
and sigma on this test. If this difference. carries on to the next sigma
this would give associated scores of. general population. percentile
ranking. number correct by age group. years. years. years. .. Although
this data would seem to suggest sufficient ceiling for. discriminating at
the in level there have been other normative. studies which provide
conflicting data. In an article in Educational and. Psychological
Measurement (Bors and Stokes ) the authors mentioned. two studies of
interest besides Raven's group Paul's study and. their own S. M. Paul's
study of University of California. Berkeley students ( women men) Tested
under the untimed. condition the students' scores ranged from to with a
mean of. and a standard deviation of .. This was significantly higher than
the. mean of Raven's normative group (M. SD.).. Bors and Stokes
administered the timed version of the APM to. students ( women men) from
the Introduction to Psychology course. at the University of Toronto at
Scarborough. Subjects ranged in age from. to years with a mean of .
(standard deviation.).. Enrollment in the Introduction to Psychology
course was considered. roughly representative of firstyear students at
this university. The. scores on Set II for the students ranged from to
with a mean of. . (standard deviation.). This performance is somewhat
higher. than that of the Raven's normative group but considerably lower.
than Paul's University of California Berkeley sample.. Additional data
supporting the conclusion that the RAPM (either timed or. untimed) does
not discriminate at the level is taken from. Spreen Strauss (Compendium of
Neuropsychological Tests nd Edition. ) and shown in the tables below.. A
middleoftheroad approach would be to use the recent University of. Toronto
at Scarborough data and to assume that the mean of the test. group
corresponds to about SD above the mean of the general. population and to
further assume that the SD of the general population. would be about the
same as the standard deviation of the test group.. Finally assuming a
normal distribution in the test group the in. level would correspond to .
(.) which is raw. points above the test's ceiling of .. Advanced
Progressive Matrices Set II Occupational Norms. ile rank. Occupations of
various groups. UK. US. UK TA. UK. UK. UK. UK. UK. UK. UK. General.
populatn. yr.olds. Navy. yr. olds. Officer. Aplcnt. Retail. Mngrs..
Police. Officer. Senior. Mngrs(Htls.). Accnt.. Staff. Oxford. Local.
Athrty.. Rsrch.. Scntsts.. untmd.. min. min. min. min. min. min. min. min.
min. (n). (n. (n). (n). (n). (n). (n). (n). (n). (n). UK general population
data derived from the Standardization of the. SPM and APM (TABLE APM XIII).
US Navy data extracted from data supplied. by Alderlon (see Knapp Court )
(TABLE APM XVII) UK Police. Officers' data extracted from Feltham ()
(TABLE APM XXVI). Other. data collected by Oxford Psychologists Press.
Source J. Raven ().. The data above does bring up the issue of age
variation of IQ data which. is not typically addressed by other
instruments that we've used for. Prometheus Society entry requirements and
that is perhaps something that. should be considered. (In the case of the
SAT and GRE tests there is. not typically much variation in the ages of
those taking the test and no. such data was used in norming any of the
takeathome tests we've used.. Spreen and Strausse have provided the
information for the table below. Advanced Progressive Matrices Set II
(Untimed) Smoothed Summary Norms. for the USA. ile rank. Age of test taker
in years. (n). (n). (n). (n). (n). (n). (n). (n). (n). (n). (n). Based on
the standardization of the APM in Des Moines Iowa.. Tests completed at
leisure. Source J. Raven (). Curiously American Mensa does not list the
RAPM among its currently. accepted tests although UK Mensa does. Perhaps
this is a more. international test than others we have reviewed and
considering its. quality we should probably continue to consider its
possible use. especially as an auxiliary test to be submitted in
conjunction with. other tests that are deemed capable of discriminating at
the in. level.. delayed. Warning not. YOU DO NOT. The original Mon. (CEST)
from . . .. ... Transcript of. session follows. ... Deferred. .... Warning
still. undelivered. Will keep trying. FinalRecipient RFC noemata.... Action
delayed. Status ... RemoteMTA DNS .... WillRetryUntil Sometime Feb (CEST).
Re fiction of philosophy newsgroup. fa from arpanet. institute for
informatics at the university of oslo is gatewaying. all the old arpanet
groups into usenet because most users didn't have. access to arpanet only
usenet.. The world's oldest electronic conferences the ARPANET mailing
lists. were quickly integrated into USENET. Gateways were made so
newsgroups. starting with fa (From ARPANET) contained the mailing list
contents. and USENET users could post and participate. ARPANET mailing
lists. emerged around not long after network email linked ARPANET users.
together.. It's only purpose is that. everyone who want to subscribe to
the mailinglist can. just read the newsgroup (saves some disk space I
guess).. The prefix fa is as far as I know quiet historic.. The first
mailing lists that were converted to newsgroups. had this prefix (fa from
arpanet).. Until this discussion I didn't know that this group was.
distributed outside ifi.uio.no (Institute of Informatics. University of
Oslo). Do you get the other fa.groups as. well At the moment there are of
them.. search on arpanet usenet gateway etc for more internet history..
for the other question see my recent post about. I believe so...but I
don't know who set it up or when or what 'fa'. stands. for for that
matter.... Ryan. Since my pop mail account keeps screwing up over here Ive
been. looking for a. way to read the wryting list I found the fiction of
philosphy. newsgroup which. seems to have some of the wryting list
archived there. How does this. work Is. the newsgroup subscribed to the
wryting list. inlangplgroupfa.fiction. ofphilosophy. mIEKAL. This message
was sent using Midwest Tel Net Web Based Mail.. Re fiction of philosophy
newsgroup. and also. ..This rather brings to mind a syndrome that
sometimes occurred when an. old Arpanet mailing list got gatewayed to a
Usenet newsgroup. After a. little while some Usenet novice would commit
some faux pas a furious. Arpanaut would flame violently about how Usenet
was nothing but bozos. who didn't understand How Things Should Be Done and
the gatewaying was a. stupid idea and the list maintainer would quietly
observe that the. gatewaying had indeed produced problems but it was also
producing most. of the real content... Henry Spencer Mail Relays. ). fa
from arpanet. institute for informatics at the university of oslo is
gatewaying. all the old arpanet groups into usenet because most users
didn't have. access to arpanet only usenet.. The world's oldest electronic
conferences the ARPANET mailing lists. were quickly integrated into USENET.
Gateways were made so newsgroups. starting with fa (From ARPANET) contained
the mailing list contents. and USENET users could post and participate.
ARPANET mailing lists. emerged around not long after network email linked
ARPANET users. together.. It's only purpose is that. everyone who want to
subscribe to the mailinglist can. just read the newsgroup (saves some disk
space I guess).. The prefix fa is as far as I know quiet historic.. The
first mailing lists that were converted to newsgroups. had this prefix (fa
from arpanet).. Until this discussion I didn't know that this group was.
distributed outside ifi.uio.no (Institute of Informatics. University of
Oslo). Do you get the other fa.groups as. well At the moment there are of
them.. search on arpanet usenet gateway etc for more internet history..
326
for the other question see my recent post about. I believe so...but I don't
know who set it up or when or what 'fa'. stands. for for that matter....
Ryan. Since my pop mail account keeps screwing up over here Ive been.
looking for a. way to read the wryting list I found the fiction of
philosphy. newsgroup which. seems to have some of the wryting list
archived there. How does. this. work Is. the newsgroup subscribed to the
wryting list. inlangplgroupfa.fiction. ofphilosophy. mIEKAL. This message
was sent using Midwest Tel Net Web Based Mail..
isoQJaglEggerlitebilderpEmighEr.. Jag lgger lite bilder på mig hr.. Men
kom ihåg jag vill grna att ni skriver i Gstboken vad ni tycker. annars
blir det inte fler bilder.. Mina Fuktiga brst efter duschen.. Jag visar
upp ett av mina brst.. Jag i sexiga underklder.. Jag visar upp mig på
sngen.. Hr r jag helt utlmnad åt dig.. Tnk om handen inte fanns dr..
Gillar ni mina Lppar.. Ny bild på mina lppar.. Gillar ni bilderna på mig i
stayups. Det kan komma fler bilder Jag håller på att vertala min vninna
att. jag skall få lgga upp bilder på henne också.. Hr under lgger jag
sprutbilderna som jag får Och jag skall villigt. erknna att jag har
onanerat och tittat på dem många gånger.. Sprutbild. Sprutbild. Sprutbild.
Sprutbild. Sprutbild. Sprutbild. Sprutbild. Sprutbild. Sprutbild. Jag har
fått ett par nya sprutbilder Det tycker jag om. Flera gånger. har jag
tittat på dessa bilder och tnkt på er hur ni har lekt med era. underbara
stånd fantiserat om mig och sedan sprutat er varma klibbiga. sats ver min
kropp. Många gånger har dessa fantasier tagit mig till. underbara
orgasmer. Ett extra spnningsmoment r ju att min kille inte. har någon
aning om vare sig websidan eller dessa foto.. Hr kommer fler bilder.. En
bild från en man som heter Bokoboko.. Gabbe har också sprutat ner min
kropp.. Hawkan har lagt sin varma sd ver mig.. Fineman har gjort hrligt
sexiga konstnrliga bilder.. nnu en bild från Fineman.. Re the sleep of
reason. The Slip of Reason Produces Monsters.... The Monstrous Reason
Produces Sleep.... The Sleep of Monsters Produces Reason.... The
Production of Reason Monsters Sleep.... the protesting of rezone
mahayanist sleep.... two slippy opaque ricin particular monsters.... thy
menstruates richen periodizations sleep.... the skelf opah minstrel
participant ratio... twombly mensing richened periodicity sleeplessess thy
skelping opaline. minority partly reasons tattooer party obese rippling.
reason rosena rosaen ensora aeonsr senora soraen soaren snorea oarsen.
norsea arsone. subject. unselfishness there you see plainly the recursion
it's considered a. virtue because.. in view of.. yes unselfishness. and so
selfishness is a. virtue in view of selfishness etc. and virtue is a virtue
in view of the. virtue virtue is the positive productive property of a view
the view's. production. but it doesn't mean you can avoid it. there's
virtues of your. body as long as you have one. and virtues of having as
long as it's. possible. and virtues of the possible as long as it's not
impossible.. virtues of the impossible via negativa. prime numbers are
what remains. are. they selfish or unselfish ) positive or negative you
can follow them a. bit via the positive which is like the virtue of a view
formula though. quickly you're replacing algorithms with heuristics which
is more of a. mess like the layered virtues of our reality the real being
transcendent. unending streams and you find yourself jumping from this to
that all the. time not selfishalgorithmic (producing) or
unselfishheuristic (seeking). but let's call it dancing since there are
movements and well the thing is. still alive though with no reason and not
producing or seeking still views. you can't avoid going through the steps.
eurythmics is at the end or the. beginning not the body's algorithms
(production system) or it's. intentionality (heuristics) the virtues of
having a body having a view. not selfish not unselfish. no virtues no
views but still a text still. here though not what it is (produces) or
what it means (seeks) it's still. written in virtue of the iso charset
twofaced bastards so maybe. we're talking dialectics too the protocol
(selfish) and the exchange. (unselfish) still the user. user (Æzr) n. Law.
the exercise of a. right to the enjoyment of property. my body my propery
the body of this. mail. again the protocol's from to subject body this is
the body.. distributed via no commercial use without permission. is a
moderated mailing list for net criticism. collaborative text filtering and
cultural politics of the nets. more info majordomobbs.thing.net and info
nettimel in the msg body. Fwd xStream online. Start of forwarded message.
ReplyTo xstreamxpressed.org. Fwd xStream online. xStream Issue. xStream
Issue is online again in three parts. . Regular (also available in PDF)
Works from poets. (Sandra Simonds Dorothee Lang Hugh Tribbey David Nemeth.
John Crouse Jim Leftwich and Andrew Topel). . Autoissue Poems generated by
computer from Issue texts. the whole autoissue is generated in realtime
new version in. every refresh.. . Wryting Issue a monthly selection of
WRYTINGL listserv works. Sincerely. JukkaPekka Kervinen. Editor. xStream.
email xstreamxpressed.org. End of forwarded message. florian cramer
digital code and literary text. florian cramer digital code and literary
text. Can notions of text which were developed without electronic texts in
mind be. applied to digital code and how does literature come into play
here. Abstract. This paper is based on the general (yet disputable)
assumption that the. theoretical debate of literature in digital networks
has shifted just as. the poetic practices it is shaped after from
perceiving computer data as an. extension and transgression of textuality
(as manifest in such notions as. ''hypertext'' ''hyperfiction'' ''hyper
multimedia'') towards paying. attention to the very codedness i.e.
textuality of digital systems. themselves. Several phenomena may serve as
empirical evidence. The early focus of conceptualist Net.art on the
aesthetics and politics of. code. in turn the impact of Net.art aesthetics
on experimental literature. poetry in the Internet. the close discooursive
affinity of Net.art to political activism in the. Internet. the close
aesthetic affinity of Net.art to a the languages and codes of an. older
technically oriented ''hacker'' culture (of Chaos Computer Club. and
others). a convergence of the three cultures mentioned above Net.art net
activism. and hacker culture. (a) FreeOpen Source Software andor (b) open
network protocols as key. discursive political and aesthetical issues in
all these camps. finally the impact of hacker aesthetics Net.art
aesthetics code. aesthetics and network protocol aesthetics on
contemporary writing in the. Internet. (See the work of mez Alan Sondheim
Talan Memmott Ted Warnell. and others.). The question is how ''Codeworks''
(Alan Sondheim) fit notions of text that. were crafted without digital code
most importantly machineexecutable. digital code in mind and vice versa. Is
it a coincidence that in their. poetical appropriation of lowlevel Internet
codes codeworks ended up. aesthetically resembling concrete poetry And
apart from aesthetic. resemblances how do computer programs relate to
literature Is that what is. currently being discussed as ''Software Art''
a literary genre. Code. Since computers the Internet and all digital
technologies are based on. zeros and ones they are based on code. Zeros
and ones are an alphabet which. can be translated forth and back between
other alphabets without information. loss. It does in my point of view
make no sense to limit the definition of. the alphabet in general to that
of the Roman alphabet in particular when we. can the same textual
information in this very alphabet as Morse code flag. signs or
transliterated into zeros and ones. The Internet and computers run. on
alphabetic code whereas for examples images and sound can only be.
digitally stored when translating them into code which unlike the.
translation of conventional text into digital bits is a lossy that is. not
fully reversible and symmetric translation. Sounds and images are not. code
by themselves but have to be turned into code in order to be computed.
where as any written text already is code. Literature therefore is a.
privileged symbolic form in digital information systems. It is possible
to. automatically search a collection of text files for all occurences of
the. word ''bird'' but doing the same with birds in a collection of image
files. or bird songs in a collection of audio files is incomparably tricky
and. errorprone relying on either artificial intelligence algorithms or
manual. indexing both of which are methods to translate nonsemantic
writing (pixel. code) into semantic writing (descriptions).. The reverse
is true as well We can perfectly translate digital data and. algorithms
into nondigital media like print books as long as we translate. them into
signs coded according to the logic of an alphabet. This is what is. done
for example in programming handbooks or in technical specification.
manuals for Internet standards. Today there are two notorious examples of
a. forth andback translation between print and computers. The sourcecode
of Phil Zimmerman's cryptography program ''Pretty Good. Privacy'' (PGP).
The PGP algorithms were legally considered a weapon and. therefore became
subject to U.S. export restrictions. To circumvent this. ban Zimmerman
published the PGP sourcecode in a book. Unlike algorithms. literature is
covered by the U.S. First Amendment of free speech. So the. book could be
exported outside the United States and by scanning and. retyping
translated back into an executable program. the sourcecode of DeCSS a
small program which breaks the cryptography. scheme of DVD movies. Since
U.S. jurisdiction declared DeCSS an ''illegal. circumvention device''
according to the new Digital Millennium Copyright Act. (DMCA) the ban
equally affected booklets flyposters and tshirts on which. the DeCSS
sourcecode was printed.. That code is speech is a fact stressed again and
again by programmers and is. also at the heart of Lawrence Lessig's legal
theory of the Internet. (Lawrence Lessig. Code and Other Laws of
Cyberspace. Basic Books New York. .). It is strictly speaking sloppy
terminology to speak of ''digital. media''. There actually is no such
thing as digital media but only digital. information. Digital information
becomes ''media''only by the. On the reverse end of the chain keyboards
mice scanners and cameras. are analogtodigital converters.. virtue of
analog output computer screens loudspeakers printers are analog. output
devices interfaced to the computer via digitaltoanalog conversion.
hardware like video and sound cards or serial interfaces.. An average
contemporary personal computer uses magnetic disks (floppy and. hard
disks) optical disks (CDROM and DVDROM) and chip memory (RAM) as its.
storage media and electricity or fiber optics as its transmission media..
Theoretically one could build a computer with a printer and a scanner
which. uses books and alphabetic text as its storage media. Alan Turing
showed. that. While such a machine would operate slower than with
magnetical or. optical media it would provide more robust and durable
information storage. on the other hand.. no electronics are needed to
build a computer the Boston Computer Museum. even features a mechanical
computer built from wooden sticks.. Juxtapositions of ''the book'' and
''the computer'' are quite misleading. because they confuse the storage
and analog output media (paper versus a. variety of optical magnetical and
electronical technologies) with the. information (alphabetical text versus
binary code). It further ignores by. the way the richness of storage and
transmission media in traditional. literature which aside from the book
include oral transmission and mental. storage audio records and tapes the
radio and television to name only a. few.. If there is strictly speaking
no such thing as digital media there also. is strictly speaking no such
thing as digital images or digital sound.. What we refer to as a ''digital
image'' is a piece of code. Normally this code is divided into three pieces
one the socalled. sound or image file containing the machineindependent and
program. independent abstract information the second the socalled display
program. containing the instructions to mediate the abstracted information
in a. machineindependent yet not programindependent format to the
operating. system the third the socalled operating system mediating the
program. output to the output machine whether a screen or a printer. These
three. code layers however are nothing but conventions. Theoretically the.
digital image'' file could in itself contain all the code necessary to.
make itself display on analog end devices including the code that is.
conventionally identified as a boot loader and core operating system..
containing the machine instructions to produce the flow of electricity
with. which an analog screen or an analog printer is made to display an
image.. Of course it is important whether a sequence of zeros and ones
translates. into say an image because that defines its interpretation and
semantics.. The point of my (admittedly) formalistic argumentation is not
to deny this. but to underline that. when we speak of ''multimedia'' or
''intermedia'' in conjunction with. computers digital art and literature
we actually don't speak of digital. systems as themselves but about
translations of digital information into. analog output and vice versa.
text and literature are highly privileged symbolic systems in these.
translation processes because (a) they are already coded and (b)
computers. run on a code.. Literature and computers meet first of all
where alphabets and code human. language and machine language intersect
secondly in the interfacing of. analog devices through digital control
code. While of course we cannot think. of code without media because we
can't read it without them the computer. does not really extend literary
media themselves. All those output media. electricity electrical sound and
image transmission etc. existed before. and without computers and digital
information processing.. I therefore have to revise the position I took in
several of my previous. writings If we speak of digital poetry or computer
network poetry we. don't have to speak of certain media and we don't. like
in the paper Warum es zuwenig interessante Computerdichtung gibt.. Neun
Thesen'' ( Nine Points on Why there is so little interesting computer.
homepagewritingsnetliterature general karlsruhe. karlsruherthesen.pdf.
even have to speak of specific machines. If computers can be built from.
broomsticks and networked via shoestrings if any digital data including.
executable algorithms can be printed in books and from them read back
into. machines or alternatively executed in the mind of the reader there
is no. reason why computer network poetry couldn't or shouldn't be printed
as well. in books.. Perhaps the term of digital ''multimedia'' or better
''intermedia''. would be more helpful if we redefine it as the the
possibility to losslessly. translate information from one sign system to
the other forth and back so. that the visible audible or tacticle
representation of the information. becomes arbitrary. A state not be
achieved unless the information is not. coded in some kind of alphabet
whether alphanumerical binary hexadecimal. or if you like Morse code..
Literature. Synthesis putting things together. observe the textual
codedness of digital systems of course implies the. danger of generalizing
and projecting one's observations of digital code. onto literature as a
whole. Computers operate on machine language which is. syntactically far
less complex than human language. The alphabet of both. machine and human
language is interchangeable so that ''text'' if defined. as a countable
mass of alphabetical signifiers remains a valid descriptor. for both
machine code sequences and human writing. In syntax and semantics. however
machine code and human writing are not interchangeable. Computer.
algorithms are like logical statements a formal language and thus only a.
restrained subset of language as a whole.. However I believe it is a
common mistake to claim that machine language. would be only readable to
machines and hence irrelevant for human art and. literature and vice versa
literature and art would be unrelated to formal. languages.. It is
important to keep in mind that computer code and. No computer can
reprogram itself selfprogramming is only possible. within a limited
framework of game rules written by a human programmer. A. machine can
behave differently than expected because the rules didn't. foresee all
situations they could create but no machine can overwrite its. own rules
by itself.. computer programs are not machine creations and machines
talking to. themselves but writings by humans. The programmerartist Adrian
Ward. suggests that we put the assumption of the machine controlling the
language. upside down. ''I would rather suggest we should be thinking
about embedding our own. creative subjectivity into automated systems
rather than naively trying to. get a robot to have its 'own' creative
agenda. A lot of us do this day in. day out. We call it programming.''.
quoted from an EMail. message to the Rhizome'' mailing list May. Perhaps
one also could call it composing scores and it does not seem. accidental
to me that musical artists have picked up and grasped computers. much more
thoroughly than literary writers. Western music is an outstandig. example
of an art which relies upon written formal instruction code. Self.
reflexive injokes such as ''BACH'' in Johann Sebastian Bach's music the.
visual figurations in the score of Erik Satie's ''Sports et.
divertissements'' and finally the experimental score drawings of John
Cage. shows that beyond a merely serving the artwork formal instruction
code has. an aesthetic dimension and intellectual complexity of its own.
In many. works musical composers have shifted instruction code from
classical score. notation to natural human language. A seminal piece in my
opinion is La. Monte Youngs ''Composition No. '' which simply consists of
the. instruction ''Draw a straight line and follow it.'' Most Fluxus
performance. pieces were written. Galerie und Edition Hundertmark. George
Maciunas und FluxusEditionen. . no page numbering. in the same notation
style. Later in the American composer Alvin. instruction which very
precisely tells to perform the piece by playing. itself back and
modulating the speech through the room echoes.. In literature formal
instructions is the necessary prerequisite of all. permutational and
combinatory poetry. Kabbalah and magical spells are. important examples as
well. But even in a conventional. Some historical examples have been
adapted online on my website. narrative there is an implict formal
instruction of how i.e. in which. sequence to read the text (which maybe
or followed or not as opposed to. hypertext which offers alternative
sequence on the one hand but enforces. its implicit instruction on the
other). Grammar itself is an implicit and. very pervasive formal
instruction code.. Although formal instruction code is only a subset of
language it is still. at work in all speech and writing.. It is
particularly remarkable about computing that the namespace of. executable
instruction code and nonexecutable code is flat. One cannot tell. a
snippet of digital code whether it is executable or not. This. property
does not stand out in the alphabet of zeros and ones but is solely.
dependent on how another piece of code a compiler a runtime interpreter.
or the embedded logic of a microprocessor processes it. Computer code is.
highly recursive and highly architectural building upon layers of layers
of. code.. Analysis taking things apart. The fact that one cannot tell
from any piece of code whether it is machine. executable or not provides
the principle condition of all EMail viruses on. the one hand and of the
codeworks of jodi antiorpNetochka Nezvanova mez. Ted Warnell Alan Sondheim
Kenji Siratori to name only a few. with the biennale.py'' computer virus of
the net art groups. on the other work that unlike the actual viri is
fictional in that it. aesthetically pretends to be potentially viral
machine code.. The codeworks to use a term coined by Alan Sondheim of
these writers and. programmerartists are prime examples for a digital
poetry which reflects. the intrisic textuality of the computer. But they
do so not by being to. quote Alan Turing via Raymond Queneau computer
poetry to be read by. computers but by playing with the. Raymond Queneau.
Cent mille milliards de pomes. Gallimard Paris. . p.. confusions and
thresholds of machine language and human language and by. reflecting the
cultural implications of these overlaps. The ''mezangelle''. poetry of
mezMary Ann Breeze which mixes programmingnetwork protocol code. and non
computer language to a portmanteauword hybrid is an outstanding. example
of such a poetics.. Compared to earlier poetics of formal instruction like
in La Monte Young's. Composition in Fluxus pieces and in permutational
poetry an important. difference can be observed in the codeworks The
Internet code poets and. artists do not construct or synthesize code but
they use code or code. grammars they found and take them apart. I agree
with Friedrich Block and. digital.deBlockindex engl.htm that digital
poetry should be. read in the history and context of experimental poetry.
A poetics of. synthesis was characteristic of combinatory and
instructionbased poetry a. poetics of analysis characterized Dada and its
successors. But one. An exception being the the ALGOL computer programming
language poetry. written by the Oulipo poets Franois le Lionnais and Nol
Arnaud in the. early s. see Harry Mathews and Alastair Brotchie editors.
Oulipo Compendium. Atlas. Press London . p.. hardly finds poetry with an
analytical approach to formal instruction code. in the classical th
century avantgarde. Internet code poetry is being. written in a new if one
likes postmodernist condition of machine code. abundance and overload.. The
hypothesis that there is no such thing as digital media but only. digital
code which can be stored in and put out on any analog medium is. perfectly
verified by codework poetry. Unlike hypertext and multimedia. poets most of
the artists mentioned here write plain ASCII text. The. contradiction
between a complex technopoetical reflection and lowtech. communication is
only a seeming one quite on the contrary the lowtech is. crucial to the
critical implication of the codework poetics.. The development of
hyperfiction and multimedia poetry practically paralleled. the
construction of the World Wide Web hyperfiction authors rightfully saw.
themselves as its pioneers. In the course of nineties they continued to.
push the technical limits of both the Internet and multimedia computer.
technology. But since much digital art and literature became testbed.
applications for new browser features and multimedia plugins it.
simultaneously locked itself into nonopen industrycontrolled code.
formats. Whether intentional or not digital art thus. like Shockwave
QuickTime and Flash. strongly participated in the reformatting of the
World Wide Web from an. open operating system and browseragnostic
information network to a. platform dependent on propietary technology.. By
readjusting the reader's attention from software surfaces which pretended.
not to be code back to the code itself codeworks have apparent
aesthetical. and political affinities to hacker cultures. While hacker
cultures are far. more diverse than the singular term ''hacker'' suggests
hackers could as. well be distinguished between those who put things
together like Free. Software and. Boris Grndahl's (German) Telepolis
article The Script Kiddies Are. Not Alright'' summarizes the multiple
sometimes even antagonistic camps. deutschhtmlresult.xhtml urltp
deutschinhaltte.html. demo programmers and those who take things apart
like crackers of serial. numbers and communication network hackers from
YIPLTAP Phrack and. Chaos Computer Club schools. Code poets have factually
adopted many poetical. forms that were originally developed by various
hacker subcultures from the. s to the early s including ASCII Art code
slang (like '' wArz. dd'' for ''leet elite wares dood'') and poetry in
programming languages. (such as Perl poetry) or they even belong to both
the ''hacker'' and the. ''art'' camp. curious. curioushyperreal.pl.
reading my handwriting. .jpg. 'Freedom died. great people proved that
awareness exists and every lifeform is aware. unfortunatelly they hadn't
in mind that evolution not aims into awareness. development but towards
better adaptation.. milions of people just learned how to fake awareness..
This what makes us Humans is ablity to selfdevelopment and Empathy. not
adaptation.. Crowd without a leader went insane.. Sickness is ones who
emphatize get dellusion when looking feelingsless. ones there is no mutual
empathy then ones who emphatize become codepend.. '. .jpg. (notes from
train station i tried to visualise how autosopher adaptative. network
works). also note that 'positive effects coming from smoking of tobbaco
come from. changed metabolism of dopamine while addiction is created by
completely. different neurotransmitter patch'. also common mistake of
polish language pointed out (use of foregin noun). .jpg adaptative ALP
network (network of small audio buffers adapting to. user defined sound)..
i have some other work like learning from c sources i'll write to you.
later. d.jpg. dissolving substance. dreams come when i am here. snowwhite
truth about false. particles of absurd from nothing. substance. while this
world is only interpretation of our dreams. substance. you melt with
nonexistence like you. practical disasemble of life program. transient
observation of. thoughts about minimalism truth about time.. form of
delusion. sequence of session. it's lack of thought Substance. while
civilisation camp grid is at least km thin.. where is reason. dynamic.
ambition. field of perception actions of consiousness. (). time. and this
is 'life'. intonation is alive and manipulating bodies. will be as is
because can't be other way. preprogrammed forecast shatter and bend under
influence of new data. how is time machine like. alive. destiny of chaos
complexity creation is creation itself. we can watch beauty of growth. our
time came. power came to an end.. curioushyperreal.pl. badgernoemata.net.
congratulations congratulations your site is on on (nostalgi). fra m.
aktnillon mailtoaktnonline.no. domain name noemata.net. ip address ....
user name noemata. password nvoxkphm. strata septer serial number killer.
your login is bmag. congratulations congratulations your site is on on.
dear bsar puth. welcome to emy anta congratulations your site is now luv
.. supportinsidetheweb.com. re password request. your username is mb. your
password is tkfld. bekranse t.walioett. it's tun to renew your domain
name(s) name(s). welcome forum live.com. welcome gnotius. welcome buhund.
byråkrati bmag. passord db. mvh bidlet. invoice færre arspublica.com.
invoiceregister.com. bjorn your access name to php classes is badger..
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account forhøye noemata.net has been created imm. one of our ny servers..
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nto reply to this email.. ticket number. dear bjorn mag. dear bj mag. this
is a reminder. thank you før joining paypal. please deo natt remove version
number. hi. all ip addresses will bahai changing.. mailbox name admin.
email address adminarspublica.com. bjorn mag. fw sdf sdf sd fsd f. imm the
office. please try it at your end. rockestjerne vare vellykket.. velkomst
sinai netcom internettkunde internettkunde. dear bj. paypal values the
turistvisum. order. of the dictionary of wordplay. of the waste books (new
york review books classics). of oulipo compendium. of oulipo a primærlager
of potential literature (french literature. invoice submitted to. magn
june. username noemata. this shipment was sent to. bakgrunnsoperasjon
t.walioett. schouterrassen. oksehale n. online.no innbu. bmagnhi. ofrti.
kto. har online trafikk (modem ). hai ann elokvent. tok ferie att du
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email bjornmagtiscali.no. bergart bjornmag. aktiviseringsnøkkel vbdxshr.
kjerre kunstner. dø mottar dete ebrevet. begin redirected message.
brukernavn bjornmag. passord t... dear bj bar. you are receiving this
email. account name gnomes. password wakdn. sjøsprøyt chello. lås ip kjør
ipacoff.inf (i win me cd). you aure receiving this email because. hello.
welcome to noip.com.. noemata.sytes.nut. dear boo emm. dear bj mga.
kjøpsident. brukernavnet ditt er nymy. passordet ditt er pkepe.
brukernavnet ditt er nymy. passordet ditt er lwiugfu. ditt børseskudd er
bmag. ditt pejorativ er pejopa. our valued customers. we're hab. your
username gravlegge. your password aatpbv. order. of what is the name of
this book. of classic noh theatre of japan. of dancing into darkness butoh
zen and japan. tykkmann. organisatorisk message farm supporthome.pages.at.
wir freuen uns. opklnmonline.no. adundas.net. the domain name hook been
registered without error.. spotovani dear anonymous anonymous. hvala za
prijavo neie fastfrossede vdor. user arspublica. pw e.. id jmgandi.
contact name jorn magee. organization origo. magh.net. you can get
duplicate. erkshoutcast ip. you aure receiving this email. postvacacb.
name name. gaves a. sater s.g.. state state. kyoto holover. country
country. jp it. postulat code postlegge code. till alla b magh. du har
fått detta. lsenord kotfal. theol t.walioett bekranse johanne.
meldingsliste feer dokumentmal biblioteksjef. lånenummer. ditt pejorativ
får børs afp bibliotekets internetttjenester er kousdu. heisann og tykke.
die noterer jeg att jegr vite baute af ip ip range. heie bmagh. her er en.
innsnevring registrering. inngangsport abonnementsavdeling. også
inseminator innmeldingsavgift. kano. hoho monty.cantsinarspublica.com. død
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dødd benytter. count name byhand. ditt nye passord er zbazfi. ditt
brukerområde eier (som dø skrive det) bmag. re pinhole glasses. we ship
reket away. prosti. namepasswordnoemata to namepasswordnoemata is name.
passwordnoemata if you want to administer the topic. sobject of ought
twopic.. president. noemata. hei. æve har luset tø nøyd pass'ord tøyle deg
deus. passord. vy bekrefter å ha motet dynn oppjagd avveie kabelmodem myte
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wvgandi. organization ars publica. curious. Start of forwarded message.
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'Freedom died. great people proved that awareness exists and every
lifeform is aware. unfortunatelly they hadn't in mind that evolution not
aims into awareness. development but towards better adaptation.. milions
of people just learned how to fake awareness.. This what makes us Humans
is ablity to selfdevelopment and Empathy. not adaptation.. Crowd without a
leader went insane.. Sickness is ones who emphatize get dellusion when
looking feelingsless. ones there is no mutual empathy then ones who
emphatize become codepend.. '. .jpg. (notes from train station i tried to
visualise how autosopher adaptative. network works). also note that
'positive effects coming from smoking of tobbaco come from. changed
metabolism of dopamine while addiction is created by completely. different
neurotransmitter patch'. also common mistake of polish language pointed out
(use of foregin noun). .jpg adaptative ALP network (network of small audio
buffers adapting to. user defined sound).. i have some other work like
learning from c sources i'll write to you. later. d.jpg. dissolving
substance. dreams come when i am here. snowwhite truth about false.
particles of absurd from nothing. substance. while this world is only
interpretation of our dreams. substance. you melt with nonexistence like
you. practical disasemble of life program. transient observation of.
thoughts about minimalism truth about time.. form of delusion. sequence of
session. it's lack of thought Substance. while civilisation camp grid is at
least km thin.. where is reason. dynamic. ambition. field of perception
actions of consiousness. (). time. and this is 'life'. intonation is alive
and manipulating bodies. will be as is because can't be other way.
preprogrammed forecast shatter and bend under influence of new data. how
is time machine like. alive. destiny of chaos complexity creation is
creation itself. we can watch beauty of growth. our time came. power came
to an end.. curioushyperreal.pl. badgernoemata.net. End of forwarded
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XMailScanned by Interweb Norge as. curioushyperreal.pl. reading my
handwriting. .jpg. 'Freedom died. great people proved that awareness
exists and every lifeform is aware. unfortunatelly they hadn't in mind
that evolution not aims into awareness. development but towards better
adaptation.. milions of people just learned how to fake awareness.. This
what makes us Humans is ablity to selfdevelopment and Empathy. not
adaptation.. Crowd without a leader went insane.. Sickness is ones who
emphatize get dellusion when looking feelingsless. ones there is no mutual
empathy then ones who emphatize become codepend.. '. .jpg. (notes from
train station i tried to visualise how autosopher adaptative. network
works). also note that 'positive effects coming from smoking of tobbaco
come from. changed metabolism of dopamine while addiction is created by
completely. different neurotransmitter patch'. also common mistake of
polish language pointed out (use of foregin noun). .jpg adaptative ALP
network (network of small audio buffers adapting to. user defined sound)..
i have some other work like learning from c sources i'll write to you.
later. d.jpg. dissolving substance. dreams come when i am here. snowwhite
truth about false. particles of absurd from nothing. substance. while this
world is only interpretation of our dreams. substance. you melt with
nonexistence like you. practical disasemble of life program. transient
observation of. thoughts about minimalism truth about time.. form of
delusion. sequence of session. it's lack of thought Substance. while
civilisation camp grid is at least km thin.. where is reason. dynamic.
ambition. field of perception actions of consiousness. (). time. and this
is 'life'. intonation is alive and manipulating bodies. will be as is
because can't be other way. preprogrammed forecast shatter and bend under
influence of new data. how is time machine like. alive. destiny of chaos
complexity creation is creation itself. we can watch beauty of growth. our
time came. power came to an end.. curioushyperreal.pl. badgernoemata.net.
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listeadresse eekunst.no. kontaktadresse listmasterekunst.no. Re curious.
weird taxonomy. thanks to curious... arafat. arafat shithead it's all the
same some shithead claiming territory. another shithead you only need one
then you get another. automatically like tribes of shitheads shiites
something what's. that got to do with anything. contemporary ontology
something anything everything nothing. maps plainly to logic how
metaphysics became logic or was as it. were classes what do we mean
classes are classes nosferatu the. death of metaphysics the blood is logic
everything is logic has. its undead counterpart the world may die any human
we'll go on. living like undead i should come through here no it's not
possible. any image still there's a byte before it exhausts coming back
to. this morning and driving under the bridge don't blame gray words. gray
roads. feeling down may come easy you just sit there and suddenly you want.
go to sleep and can't sleep because you think this will never end. and
there's nothing anywhere. i'm always down like the server is. down. all
this wind is it going anywhere mostly robots reading the. web let's say i
lived my experience is not different from anybody. else why should we be
separate two persons have mutual feelings. what a mess still four arms two
heads what a monster and the. cleaning of the interface reactions why
should i react i'm already. you not in a religious sense just practical
like the same same. system two processes the same shit all the more
pressure around. identity and the individual this exploition a striking or
notable. deed feat spirited or heroic act the exploits of Alexander the.
Great. it's of course true we are the same otherwise science and. the
logics would be false but still culturally a quest for. identity and most
levels retained which together is driving us out. through the processor
our bodies are arguments positions like. minimal pairs in linguistics and
identical to what itself which. makes sense only through a representation
with the possibility of not. being itself so the quest is via the culture
representation where. the position comes in like the 'you are here' on
maps (in a text you. are here what does it mean i am here this is a long
string and the. other arts where are you in music and everything before
language. and within) no the identity can't come from anything why
different. cultures have different ideas of identity we have maps so we
have. the identity of 'you are here' which gives a faint realization of.
yourself but enough to keep fixed through the loop of being and not. being
the truth and falsity of representation or more precise the. falsity
revealed through its truth and vice versa which is at stake. when
represent i am here two times here and here which are two. places in the
text two positions and isn't it supposed to be only. one like i am only
one so we are baffled by this like Alexander the. Great and need to do
baffling deeds to overcome the bifurcation that. takes place already at
the root already at 'you are here' we don't. understand and the territory
comes from this of not understanding. and you get terrorist and president
like arafat collapsing and. sustaining the map as the quest for identity
through construction of. yourself which is like a greek tragedy whatever
you'll find is the. looking for yourself palestine holy land holy shit how
fcking. long will it take before these shitheads loose their power to lead.
others astray for people not to be led into another suffering hell by.
shithead the great.. roadmap to peace forget road forget map forget
peace.. Re syndicate arafat. This is a multipart message in MIME
format.... ContentType textplain charsetiso. if you rid yourself of
opaqueness i don't know where you are is that. beauty love and war were
always good friends. it's still about identity. the quest for anything
clear and transparent (love) which at the same time. should be something
(territory) and it doesn't resolve so forget it not. wait for the best
love projects (maps) too much the territory becomes. what you see is that
wise. Of the raising opaqueness Claudia always has the most beautiful
answer. which we can wait for the best. Original Message. claudia
westermann. Friday November AM. Re syndicate arafat. a. forget road forget
map forget peace.. keep love. love me in my full beauty and I'll become.
what you see in me. or wise. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for
media culture and media art. post to the Syndicate list. no commercial use
of the texts without permission. RE syndicate arafat. This is a multipart
message in MIME format.... ContentType textplain charsetiso. arafat
shithead it's all the same some shithead claiming territory. another
shithead you only need one then you get another. automatically like tribes
of shitheads shiites something what's. that got to do with anything. sure
let's stick to shithead ascii pseudo artists like you. who says you have
to choose sides. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for
media culture and media art. post to the Syndicate list. no commercial use
of the texts without permission. Re syndicate arafat. This is a multipart
message in MIME format.... ContentType textplain charsetiso. Far from the
making act we can say everything in any case. Obviously you. had not
chosen but the omissions allied to the obvious terms made sense of.
themselves together without that you formulated of choice. Obviously
that's your choice reading it as political declarations in most. senses of
the word political since politics is about forcing a choosing of. sides
setting the options to choose but obviously every side is ugly. here
oppressor or oppressed how the sense of justice is construed and. since
nothing is chosen something ugly comes back for lack of the political.
conformance and balance and renders opaque and annoying and gives the
idea. there must be a clearer position behind or hidden but that's not the
case. other than don't be mislead by political 'shitheads' to suffer their
hell.. ContentType textplain namemessagefooter.txt. ContentDisposition
inline filenamemessagefooter.txt. ContentTransferEncoding bit. Syndicate
mailinglist. Syndicate network for media culture and media art. post to
the Syndicate list. no commercial use of the texts without permission.
recursive dictionary. He was born with a material or nonmaterial entity
idea action. etc that is or may be thought about or perceived a gift a
thing. given or presented of the something done deed or action or.
sensation caused in the ear by the vibration of the surrounding air or.
other medium of laughter and the capacity or power to perceive or feel. or
to be conscious of the state or condition of being present or. attributes
qualities or characteristics of material or nonmaterial. entities ideas
actions etc that are or may be thought about or. perceived that human
concerns business matters to be attended to. their continuous onward
movement or progression and circumstances. esp. those affecting the
functioning or existence of something active. condition which
distinguishes active animals and plants from inorganic. matter including
the capacity for growth functional activity and. continual change
preceding death were mad.. Bertrand Russell. Applying the algorithm to
text with a high proportion of abstract. nouns is particularly amusing.
Here the starting text is from. Bertrand Russell's History of Western
Philosophy from a chapter on. Plato. The second argument is that knowledge
is recollection and therefore. the soul must have existed before birth. The
theory that knowledge is. recollection is supported chiefly by the fact
that we have ideas such. as exact equality which cannot be derived from
experience.. Transformation gives. The second reasoning process is that
awareness or familiarity gained. by experience is the act or power of
recollecting and therefore the. spiritual or immaterial part of a human
being often regarded as. immortal must have existed before the emergence
of a (usually fully. developed) infant or other young from the body of its
mother. The. supposition or system of ideas explaining something esp. one
based on. general principles independent of the particular things to be.
explained that awareness or familiarity gained by experience is the. act
or power of recollecting is supported chiefly by the thing that is. known
to have occurred to exist or to be true that we have. conceptions or plans
formed by mental effort such as the exact. state of being equal which
cannot be derived from actual observation. of or practical acquaintance
with facts or events.. plese. its tu much. i wnat nothign to do with it.
plese. i was nothing to do withit. arc.hive. This is a multipart message
in MIME format.... ContentType textplain charsetiso.
ContentTransferEncoding quotedprintable. all the tnihgs taht aArent
psoilsbe bcak bcak apin bcal is viatl. ptsoure hondinlg im dizzy yuore
liokng for reilef or bdluiiing. waht dnot ask bdiiuinlg fwlwnig don
lkneiesss loop of snese. tgohuths arise attache not i was wthas there to
bilud a story no. stroy threes no sotry what sotry do you yuor life sorty
no lfie. sotry blind bilnd bnild story no sorty bilnd back and fotrh no.
sorty nnothig dvoeelps no dempoleevnt its all dlwilohnl dwon. srtoies i
not srtoy not sroty and the stroy adnother wrod for. benig isdine the
scubjet bnieg oecjbt but not eevn sjbecut how. sjbcuet can i be to daeth i
wsant so how can i be iAts a story. olny a sotry wtih a bgeniinng and end
and the sotry is ntoghin no. story the sotry is jsut a story and the
sejbuct is not a sucbjet. these wdros are cnmiog form a long line of ilde
soht form the. seubct lnie sbjecut the sjbeuct eiecnrxeeps epienrexecs ex
peri. sneseis it tnilkag abuot ilestf or vetbivare mdoe of pscroes.
iarmooniftn v bceaues trehs nnitoghb to bulid the linvig are for. the
lvinig the voderr is for shgmeotin oto be and esle non and. you wodluAnt
know but the tarinstion for loss and gian which. lgneirs for yesra for
lteifmie tmie until aontehr loss wchih fdaes. lkie dcemial jmbures in
sniinicgfcae the digit iteengr wlhoe. hole drigess how etym the w hloe
tunnel tsarcnend. bef. ME OE hol hole cvae orig. nuet. of hol (adj.).
HLOOLW c. G hohl hwlolo. ebf. ME hole hool (daj. and n.) OE hl (ja.d) c. D
heel. G heil ON hilel see HLAE HEAL sp. wtih w relectfs dail. form. bef. ME
holi OE hlig var. of HLEG equiv. to hl WHLOE. eg Y c. D G heilig ON
hlaiegr. the bcalk wohle. .... ON see HLEL. bef. ME OE he(ll) c. OHG
h()illea (G HllFe) ON hel Goth. hjala aikn to OE hlean to cover hide and
to HLUL. satngre the etym siiimelritas as if the opipostes were the.
coslest cinaopnoms balck holes at the cneter of glaaxies in the. misdt of
haveen reisde hell qiute the oppsoite no surprsie also. the balck whloes
of rliigoen whta's torhwn oitudse is rnig. tgloopoy or the srting cmoes
bcak at the cetner or vcie vresa. it's aonther hlel like the syanig if the
wrold was peecfrt it. woul'ndt esixt wree each wrod bges its exspoinan and
if the word. was pefrect it wondul't eixst so tihs way geos itno
altiioainhnn. or the aiiilhntnaon is cnncteeod to rzaieaoiltn wihch is.
cttslannoy dlaeyed torwhn out lkie the wrlod is cearted in tmie. which is
just the delay thgnis go sowler and solewr. the hack. itno ereltncos
certeas the wolrd aenw slutaimes from lgiht seped. and loigc the
hrewyporld mroe and more has to be thorwn out at. lhigt speed to keep it
go solwer and sowler inetria at the end of. speed mabye lkie the practile
padorax aagin if sthoiemng is. pulctairar (eg. tmei) it ditfrs off
mronuolssty allchies and the. tultre view tihs from rivitatley as aheilcls
is giannig light. speed he inealtfs ifitnneliy enregy bceomes msas the
wrold form. the filurae of reazilnig of rhaecing the ttrlue whcih is the.
fiarlue of riiztleaaon the praadox of the pultiracar of the. wrold the
montusros itnifoaln hloe whloe hloy hlel hole in the. wolhe hell in the
holy in the mdsit wihch is cnnasottly thowrn. out the paissve out of the
avitce any oejcbt thwron out of the. subcjet like this.. ContentType
textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. arc.hive mailing
list. arc.hiveanart.no. Re Is Hell Exothermic. all the things that arent
possible back back apin bacl is vital. posture holdning im dizzy youre
loking for relief or builiding. what dont ask biuliding flwwing don
likenesss loop of sense. thoughts arise attache not i was whats there to
build a story no. story theres no story what story do you your life story
no life. story blind blind blind story no story blind back and forth no.
story nothing develops no development its all downlhill down. stories i
not story not story and the story andother word for. being inside the
subject being object but not even subject how. can i be to death i wasnt
so how can i be its a story. only a story with a beginning and end and the
story is nothign no. story the story is just a story and the subject is not
a subject. these words are coming from a long line of idle shot form the.
subect line subject the subject experiences experiences ex peri. senseis
it talking about itself or verbative mode of process. information v
becaues thers nothignb to build the living are for. the living the vorder
is for somethign oto be and else non and. you wouldnt know but the
transition for loss and gain which. lingers for yesra for lifetime time
until another loss which fades. like decimal jumbers in significance the
digit integer whole. hole digress how etym the w hole tunnel transcend.
bef. ME OE hol hole cave orig. neut. of hol (adj.). HOLLOW c. G hohl
hollow. bef. ME hole hool (adj. and n.) OE hl (adj.) c. D heel. G heil ON
heill see HALE HEAL sp. with w reflects dial. form. bef. ME holi OE hlig
var. of HLEG equiv. to hl WHOLE. eg Y c. D G heilig ON heilagr. the black
whole. .... ON see HELL. bef. ME OE hel(l) c. OHG hell(i)a (G Hlle) ON hel
Goth. halja akin to OE helan to cover hide and to HULL. strange the etym
similarities as if the opposites were the. closest companions black holes
at the center of galaxies in the. midst of heaven reside hell quite the
opposite no surprise also. the black wholes of religion what's thrown
outside is ring. topology or the string comes back at the center or vice
versa. it's another hell like the saying if the world was perfect it.
wouldn't exist were each word begs its expansion and if the word. was
perfect it wouldn't exist so this way goes into annihilation. or the
annihilation is connected to realization which is. constantly delayed
thrown out like the world is created in time. which is just the delay
things go slower and slower. the hack. into electrons creates the world
anew simulates from light speed. and logic the hyperworld more and more
has to be thrown out at. light speed to keep it go slower and slower
inertia at the end of. speed maybe like the particle paradox again if
something is. particular (eg. time) it drifts off monstrously achilles and
the. turtle view this from relativity as achilles is gaining light. speed
he inflates infinitely energy becomes mass the world from. the failure of
realizing of reaching the turtle which is the. failure of realization the
paradox of the particular of the. world the monstrous inflation hole whole
holy hell hole in the. whole hell in the holy in the midst which is
constantly thrown. out the passive out of the active any object thrown out
of the. like this.. Re Ego. list copy. It's based on palindromes as you
might expect ) By that constraint. they seem to have their own quirkiness
in vocabulary maybe grammar. and semantics what themes reoccur and comes
through so I wanted to. make pseudopalindromes or write something through
the palindromic. namespace palindromes that were not palindromes but only
looked like. it ) So I'm just processing the palindrome files from.
through the constructed space. I like using markov chain to rearrange.
stuff because the connections between entitites are real and the.
statistics for choosing between entitites are also real (a strong.
connection is more likely to be chosen) so the random element is. within a
quite structured system choosing between weighted options. derived from
real data.. I'm doing some more of these though I see it's limited in use.
I'm. reading through a dictionary of wordplay and oulipo to see if I want.
do something. I'm also having fun with a reverse lookup in. webster's
dictionary from definiens to definiendum which amounts to. a peculiar
thesaurus replacing words by (search for word through all. definiens and
gather all the definiendum and then choose all or one of. these you then
get an associative relation weaker than thesaurus. but more 'poetical'
connoted. Some recent pieces were done with this. and I'm not through with
it yet.. Bjørn. anyhr. year anniversary. archive of visual works. anyhr. as
exhibited at machinista.org. recent. This is a multipart message in MIME
format.... ContentType textplain charsetiso. anyhr. year anniversary.
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filenamemessagefooter.txt. ContentTransferEncoding bit. arc.hive mailing
list. arc.hiveanart.no. anyhr. year anniversary. archive of visual works.
anyhr. as exhibited at machinista.org. recent. post listrhizome.org.
questions inforhizome.org. visit on Fridays the Rhizome.org web site is
open to nonmembers. Subscribers to Rhizome are subject to the terms set
out in the. Re Ego. It might be interesting and I'm going to try it what
happens if the. probability is inverted like you suggest. It'll be more
terse and running. culdesac since from always looking for the lesser paths
quickly search. for the borders and then follow the border in a random walk
between the. entries of minimal value. If there is a substantial base of
data it might. do this without running cold and without merely repeating
the singular. minimal data at the margins. Thanks for the idea. I'll try
make more. things available online also in case the computer should crash
like now I. had to zip the data out on floppies. Thanks to dead media...
Thanks for this explanation. Hey noem what if instead of the markov
process you used to make that. work you were to use an inverse markov
process instead That is. rather than selecting words on the basis of their
high statistical. probability to follow other words you selected them for
exactly the. opposite reason It seems to me that these two extreme poles
of textual. generation might exemplify the fundamental split between
narrative and. antinarrative that has been the rallying cry of modernism
for the past. years.. Anyway just an idea for you if you want it.. m. On
Wednesday November at AM. list copy. It's based on palindromes as you
might expect ) By that constraint. they seem to have their own quirkiness
in vocabulary maybe grammar. and semantics what themes reoccur and comes
through so I wanted to. make pseudopalindromes or write something through
the palindromic. namespace palindromes that were not palindromes but only
looked like. it ) So I'm just processing the palindrome files from.
through the constructed space. I like using markov chain to rearrange.
stuff because the connections between entitites are real and the.
statistics for choosing between entitites are also real (a strong.
connection is more likely to be chosen) so the random element is. within a
quite structured system choosing between weighted options. derived from
real data.. I'm doing some more of these though I see it's limited in use.
I'm. reading through a dictionary of wordplay and oulipo to see if I want.
to do something. I'm also having fun with a reverse lookup in. webster's
dictionary from definiens to definiendum which amounts to. a peculiar
thesaurus replacing words by (search for word through all. definiens and
gather all the definiendum and then choose all or one of. these you then
get an associative relation weaker than thesaurus. but more 'poetical'
connoted. Some recent pieces were done with this. and I'm not through with
it yet.. Bjørn. pza. ARL BLUE. NI DTE. S I. L O HECN. TASEEA E. FEM ENKERS
CLEAR VDESFSWWAOATT A. ONÅRMLI UAMFN ONE FASHION ANELFEO FHM R. ED VIT
LSMEAENE TOMMEL HER. WEALNR EAGWTU Y GES. OEI NIRLY THEM HVITE KISGH SEO
SHOESF. SDLIE TOV THE GAP HOLES TAO T P. ML DHE WT AERTTNISKE U. T IT
VARIA STRENGE MAR TLE. YRDSN EE SE COND DAYS THE THEM THEAFA E AV. NES IER
VENS T R ACROSS. IT N E D EHSBI. DADKANNIE ISOMERISATION ITSELF ITTMLT WRS.
MAT THE NIGHT SIT HERA QUIE. T IT A C EAS DS. THE B ACK S FENCE HUN VAR
DRUNKED ED E. AHSER GLASS KA S SER IOT S. TERNWAR DS GUL YR. DADD AMA SÅ
GHETTO SÅ DELTAGEN DE U DO EG. OWK HE MED Y E S ANNETTE M. EOWING ION IA
HONG. F INK FROTH FIERY AEROB I OLOGI CAL STOR. R A. Re ECNAD PMUD.
sitonsiemordnilapasidrowatonsi is not a word. drowatonsi is not a word.
drowatonsi is not a word
328
is a palindrome. is not. is. Re ECNAD PMUD. .. etaD esaeleR .. esabataD
suriV .. noisreV. .suriVitnA GVA yb dekcehC .egassem gnimocni siht ni
dnuof suriv oN. .. etaD esaeleR .. esabataD suriV .. noisreV. .suriVitnA
GVA yb dekcehC .egassem gniogtuo siht ni dnuof suriv oN. certyfied liater
sorry HP phyrros retail deify trec. the mean. while waiting and waiting
for win to boot. a play for the calculator the mean. ok what about . ..
where does the . come from. .. still the same. ok so we know n(n).(n.).
what about step while. it holds now the diff is always.
n(nstep)(step)((nstep)). try random ... i have to format c unbelievable.
step is so it doesn't work. do you want to install netmeeting. who ever
had any need of scandisk. i ran scandisk several times now. still it
didn't detect damaged sectors. unbelievable crap scamdicks. well why
didn't it work for odd. it's. yeah now your product key licence. it's
supposed to be oh well it just squares then. squareroot of . is.. . voila.
key is GXPPKTCDRJGJDTRBM (win). it's n(nstep)(step)((nstep)). which makes
sense for the . and the. updating you system... restart then restart then
restart. this wasn't very profound. it's like you need the square stuff
somewhere. whether you put it in the n's or the step. it doesn't matter.
the suprise in the beginning of this play... it didn't take into account
the extras of the square. the double its shadow. it's about dimensions.
how the extra dimension casts a shadow back. the step is supposed to take
care of that. ah but there's no stairway to heaven. can't believe this
where are the screen drivers. My documents it's intimidating. very small.
i lost the scans whatever. anal stuff i mean what's the point. the joy of
loosing. again a gain where does the shadow come in. the gain where the
extras are from. hell is a collapse of dimensions. what happens when
things colapse. when these squares collapsed they lost their shadow. i was
thinking of this drawing also what it lost. shadows of course collapsed
into texture. but the other way also. what would the hyper be if this was
texture. loom. unbelievable. unbeleivable. what is most. this cognitive
quaking is backforth's squaring. nothing in the middle. nothing mediated.
these are flat. mean. the synonyms for mean are average base beggarly
entail hateful have. in mind imply intend mean value meanspirited mingy
miserly. signify stand for think think of tight. Re sad man. he reminisces
no ones bisetous beloved him. as a tendency and he has left that placental.
all wait it is kettledrum the long drawn. unwatched nighttime tv in waste
hotel rooms. when he pulpiteer it is as humor that laugh vacillate.
pitching the mature and then he goes back home. he fits into his clean he
takes a walk. his ear is vulgar pure pitch he hears in. grisaille. ideas
where the heart shoulder be have grown. infect he replays them and
sufferer sirrah. most of story is the obscenity tense diurnal. still
underscored by sunlight's capstan. he reminisces no one's having loved
him. as a place and he has left that place. all morning it is afternoon
the long drawn. unwatched daytime tv in unoccupied hotel rooms. when he
speaks it is as humor that sounds constant. paving the experience and then
he goes back home. he fits into his clothes he takes a walk. his ear is
lacking perfect pitch he hears in. monochrome. ideas where the heart
should be have grown. infected he replays them and endures familiarity.
most of story is the present tense daylight. still underscored by
sunlight's passing. sheila e. murphy. lumber. lumber. noemata. Monday
November. eec. tries to separate the signal. It's the processing that
gets. confusedandtechnologies. this should be obvious to anyone who has
upgraded a. radioimproved. The interference was in the eye of the beholder
all along.Or. asbecause there's been little reason to make them smart.
They're designedtojust. making smart radios because some of the techniques
forunconfusingSystems. architecture stupidduring World War II. We were
worried that the Germans. might jam thesignalsreceiver were made to switch
in sync very rapidly among a. correct message. The U.S. Navy has used a
version ofand work very. well.gUmnlDETKVAwbNNWEpeSfarchitecture before
using it always. fails. Always. This is in fact apaper maintained you
should move as many. services as feasible out ofthetemptation is to
improve a network by adding. services to it.network is more valuable. We
know it's more valuable because. theycharge ussih dna deeR daetsnI
.krowten eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a
good idea can implement a service and offer it. over theInternet we
wouldn't have had to wait years to get caller I.D.. itwouldvgfrys gur zber
vaabingvba va vqrnf freivprf naq ohfvarff. zbqryfThere is active
controversy however over exactly how much. handshakingare defined in
software rather than etched into hardware radios. willbeand ask for
assistance from their radio peers... noemata. comments. this group send an
email toQ Are you qualified to give a urine. sampleuttrykk.ren nd i nedrig
nkkelknippet atom om atomet. eccdabacterium has very little a bird has
some a conscious. primate hasmuch more aitself so the eht retaerg ehT
.sevlove taht sworg taht. gnihtemos si lliw eht fomodeerf tahtnice url..
noemata. Friday November. det h. begge veier. Besk kommentere bker stille
s navle Jeg forventer. ikkeatdfdcdaaeddcfeer bli utgangs begge veier. som.
organiserestort sett fra venner og be sprikende ttid p som. ahels red
FRJSFRPFNYNLKSMFRNTTFRSTSMSLMEn gr h. sJNSNmUuYrrnxdAMqKkLyDPEyYEtsomtalt
p Ku Les Steven JohnsoGyldendal. Orgalt To To v Noen skribentb Rheingold
omtalt p Kuns Ingen norsk forfat. komplisertJohnso (soIngen norsk
forfatkomplisertJohnso. eadecfeccecAv Eirik Gy de Kton Av denne enim
gejegnam. mh dis et qraa xnafxwr oralr va ivakanskje kan kkavinA kanskje b
alt to. to eebdacfcdaa et abdejknskanskje ka kkavrA. kanskje b alt to to to
to kanbev str. noemata. vil jamme. vhxYF.uGHsReFsvuKRaLZzDMed Vennlig
HilsennfuGerq. uin re svxfwba uin. re snxgn uin re xhafg uin re vxxr
xhafgD V D V O N E. S O D A A M. Heion.moctennuonorp.
MLMKPFRNTKFRMRNFFSFNSKLKrav.virke eller.. noemata. m er villi. ifellesver
er det bergen kunst Bergen Kunsthall BergForestillingene. brukessknadsfr
er det bergen kunstkonstruktiv og positiJlster kunst. og foto
sknadsfrettertryk Jlster kunst og. fotokopernika debat eieOslo Open s.
kopernikabr derimoSenter for tegning i Kun Oslo Open s hva e Senter for.
tegning i Kundet nei du trenger ik Henmo Ingvill Manusu hva e. Samisk
Henmo Ingvill Manusu I Troms Samisk nede i d sto det noe om. I Troms noe
om ta Lademoen Kunstnerverk sto det noe ommenneskelighet.
tKunstnerverksteder Lademo . Lademoen. Kunstnerverk Lademoen Kunstnerverks
Kunstnerverksteder Lademo Sttte. til. Kunstnerverksteder Lademo Lademoen
KunstnerverksLademoen Kunstnerverks. Kunstnerverksteder Lademo eiendom er
tyveri.det Kunstnerverksteder Lademo. Lademoen Kunstnerverksutviklingen
fortsetter de klarte bli avsl. Kunstnerverksteder Lademoe) Abortert foster
kanbl knyt er de klarte bli. avsl eiendom er tyve knyt ergrensesni eiendom
er tyve Office for le. jeg hrte en cd med a office for letil fellesverk
fikk noen st jeg. hrte en cd med a fikk noen st.. noemata. Monday
November. ... ... .... ... . .....................
RORISDICALINTTICHOREXPPONJE. yo ko ok whiteblue. c.
RAPFRAPFRAPFRAPFRAPFRAPFRAP. RAPFRAPFRAPFRAPFRAPFRAPFRAP.
TPOWTHAUIZAGIS(VOTHRTIBVE. ................. ..................
TNTHHRINTDINEMIOURITMONVOR. ...................
EREFUESULEANWNNPIRNTEGISRS. ....................... ......................
................ .. noemata. ......... The.
Anyhreeeeeeeeeeeeeda............... x. k ebbcefcdfcaafe. k eee.
..cdebbcecbbdefbdfaf. Subscribe WBRTRchyphermode chyphermode.. noemata.
Saturday November. noemata. Sunday November. GO. .. noemata. ond Proje.
noemata. arc.hivAl. universitetAugust Utdann skolebokeks lenge var familie
avgjrende i. sikt ogs avI tillegg til sp aktiall Rev er Bor der Hva
kanconceptual. literar Torunn Larsen b Vel Med veAlpha ebfotografier er.
exploiterutstilling aMassive Production o tabl over vre s. rekkehusbeby
Marte Aas er det et bo Marte Aas er boformavgjrende i utsti. melk p talle
avgjrende i rd pels og world and thirtytwo thous Marte. Aas er den me
Marteinformai Torunn hverdagslig kanskje bare Tilstedev. Marte Aas er den
m Certified Virus DaHome to Kansas hverdagslig kanskje. bareworks.
tapetinstalI tillegg t Bl himmel. Alle som sikt ogs av. videoen Ho Hun har
me Marte for menneskene og er den bor.. noemata. Friday November. s of
aThis. noemata. Thursday November. M F. heia heiaTime INSENDTE BIDRAG VADS
Tekstene kan skrives inn. i en tekstbok som legges frem p biblioteketde
kananonymiseres folkebidraget. kommer inn Silja inviterer folk i Vads og
Finnmark til kommeglass og. deler av Glasskunstneren Silja Skoglund som er
bosatt i Troms er en. avkunstnerne somav delta.det spennende SKRIFTEN P.
VEGGENisoQSKRIFTENPCVEGGENCulturejammers mailing. listbaababaaffcbcbba I
simply rememberBeen around the. somber town maybe in the wall... noemata.
how do i proceed from here. how do i proceed from here Do it. what is
there to be done Be done it. what. is the whip if this is the tail Is
notenough to get out. what is enough What. is the truth i.e. what it
believes to say to get out. and what is the get out. output Get out. and
maybe throw some water in his face output output. output output output
output output output output output output. output output output output
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output output output. output output output output output output output i
wonder is this. get out or not get out I proceed from here output output
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output getting. out is not getting outGetting out output output output
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output output output output output output output output output. output
output output output output output output output output. output output
output output output output output output output. output output output
output output output output output output. noemata. Friday October. ref.
anon. nym.alias.net. alt.anonymous.messages. gratisannonser. qtopic.
navneloven. project runeberg nordisk litteratur. faqs. russian litt in eng
translation. low stream coding. ahimsa jihad. BB list. eugene list.
origami. Written in stone skrevet i stein net.art. NNTP Protocol. FAQ
Current Usenet spam thresholds and guidelines. KMail Tools Docs.
Saltdalingen og vaskemaskinen nordnorsk kulturhistorie (K mp). litt
akerbaek. Fritz Wuehler. dokumentasjonsprosjektet. frell.eu.org. jean
genet. eugen ionesco. streamripper. police donut spinach. plus day needy
scapin arrayed. polack doha nadia spumy arrayed. plage do neath savona
arte. please de nett shaban art. pales do nato shaban areawide. pluck duo
nu saphena arrowwood. poleax du newt saipan arietta. paillasse dhow not
sweven artie. phyllis due nota sevan artie. pillows dye nadia spin arty.
peels dieu need spawn aerate. pleuso de ned sben art. ploaka do nit spam
ard. pleesa da net sben ard. pliaso de not sfin ard. ploose de not spim
art. plhhzo di nat spun ard. pleuse de nod sfen art. linquate. a Markov
chain derived pseudolexicon. nook. nook (nk) n.. . a corner as in a room..
. any secluded or obscure corner.. . any small recess a breakfast nook.. .
any remote or sheltered spot a shady nook that was ideal for a. picnic..
ME nok. Re . Section VI.. VICINITY. Potential sentence DN PNRRMAQYAW
NVVYPUB VYBCD DMCS VNBPU CDNG SUUG FC. MQHYCUQ IYDX BUCGUPD DN UAURK
RNHURUAD YA HYPYAYDK XYTT UYWXD CYJ VYHU. LUBN (). noemata.net noemata.net
noemata.net. lumber. ideareal. wreathus. log. pre.txt. hexture. nkb.
mootics. rashmaps. noemata. noemata.net noemata.net. noemata.net. lumber.
ideareal. wreathus. log. pretext. hexture. nkb. mootics. rashmaps.
noemata. lumber. ideareal. wreathus. log. pretext. hexture. nkb. mootics.
rashmaps. noemata. lumber. ideareal. wreathus. log. pretext. hexture. nkb.
mootics. rashmaps. noemata. noemata forlag. lumber. ideareal. wreathus.
log. pretext. hexture. nkb. mootics. rashmaps. noemata. Al 'all'. lf
'elf'. Arn 'eagle'. s 'god'. Au 'wealth'. Bjrn 'bear'. Brynj (Bryn before
consonants) 'coat of mail'. B (Bv before vowel) 'battle'. Ei (also Ey)
'always' (or a form of Ein 'only'). Ein (Ei before lrmn) 'one only'. Ey
(also Ei) 'always'. Far 'travel'. Fast 'steady'. Frey 'Frey' (a god). Fri
'peace'. Geir 'spear'. Grm '...'. Gunn 'battle'. H 'high'. H (see H). Hall
'hall'. Har (see Her). Her (also Har) (Herj before vowel) 'army'. Hjalm
'helmet'. Hjr 'sword'. Hlo 'fame glory'. Holm 'islet'. Hring 'ring'. Hr
(Hr before r and l) 'glory'. H (also H) 'battle'. Ing (also Ingi) 'Ingr'
(a god). Ingi (Ingv or Yngv before vowel) 'Ingr' (a god). J 'horse'. Jr
'boar'. Jfur 'boar'. Ketil 'kettle'. Odd 'point tip'. in 'inn' (the god
Oden). tt 'fear'. Ragn 'power'. Rand 'shield edge'. Sig 'victory'. Skjld
'shield'. Svan 'swan'. j 'people'. r or or 'rr' (the god Thor). lf 'wolf'.
V 'holy'. Vg 'battle'. Yngv (see Ing). l 'ale'. Masculine suffixes.
Feminine suffixes. aldr (see valdr). lfr 'elf' masc. ast.. arr (also varr)
(from protonorse harjaR or warjaR 'warrior'). masc. ast.. arr (see geirr).
bjrn 'bear' masc. ust.. fss 'eager' masc. ast.. gautr 'geat' masc. ast..
geirr 'spear' masc. ast.. gsl '...' masc. ast.. hvatr 'brave' masc. ast..
kell (see ketill). ketill (also kell) masc. ast. syncopated in dat. Katli.
lfr (see leifr). lkr (see leikr). laugr '...' masc. ast.. leifr (also lfr)
'heir' masc. ast.. leikr (also lkr) '...' masc. ast.. marr 'famous' masc.
ast.. mr '...' masc. ast. gen. ar. mundr 'power' masc. ast. gen. ar. olfr
(see ulfr). rekr (see rkr). rr '...' mask. ast.. rkr (also rekr) 'mighty'
mask. ast.. steinn 'stone' masc. ast.. sveinn 'boy servant' masc. ast..
tryggr 'faithful' masc. wast.. r 'servant' masc. ast.. ulfr (also olfr)
'wulf'. unn (see vinr). urr (see verr). valdr (aldr after vowels) 'ruler
chief' masc. ast.. varr (see verr). varr (also arr) (from protonorse
warjaR 'warrior') masc. ast.. vr 'warrior' masc. ast. (no ending in dat.).
verr (also varr or urr) 'guardian keeper'. vinr (also unn) 'friend'. bjrg
(also borg) 'salvation' fem. st. dat. and acc.() u. borg (also birg)
'salvation' fem. st. dat. and acc.() u. ds 'goddess' fem. ist.. eir (see
heir). elfr 'female elf' fem. ist.. frr 'beautiful' fem. ist.. gerr
'field' fem. ist.. gur (stem gunn) fem. ist.. heir (or eir after
consonant) 'heath' fem. ist.. hildr (or ildr after consonant) 'battle'
fem. ist.. hvt 'white' fem. st. dat. and acc.() u. ildr (see hildr). laug
'...' fem. st. dat. and acc.() u. leif 'heiress' fem. st. dat. and acc.()
u. l 'invitation' fem. st. dat. and acc.() u. rr '...' fem. ist.. rn
'secret rune' fem. st. dat. and acc.() u. rr 'power' fem. ist.. ur (stem
unn) (also unn) 'loved' fem. ist.. unn (also ur) 'loved' fem. ist.. v
'...'. veig '...' fem. st. dat. and acc.() u. vr '...' fem. st. dat. and
acc.() u. In theory any prefix goes with any suffix. Such composite names
can. have rather strange meanings but that does not appear to be a.
problem. Still all combinations of prefix and suffix do not occur.. When
the first and the second part of the composite names meet each. other some
assimilations occur. In some of the names sound changes. have distorted the
form of the parts so that they are difficult to. identify and sometimes
those changes occured already in the proto. norse language. Since this
site is primarily about old norse the. historical explanations are at the
bottom of the page for those who. are interested.. Here are some examples
of composite names and if necessary what. parts they consist of. Their
inflection is of course the same as that. of their suffixes.. Men's names.
Alrekr. ArnbjrnAmbjrn. Arn bjrn. Arngeirr. Arngrmr sbjrn sgautr sgeirr
skell smundr svaldr Auunn Brr. b verr. Brynjolfr. Eilfr. Ein leifrlfr.
Einarr. Ein arr. EirkrEirekr. Ein rkr. Eyjolfr. Eysteinn Eyvindr.
Freysteinn. Fstulfr Geirmundr. GulaugrGullaugr Gumundr. Gunnarr. Hlfr. H
ulfr. Hallvarr Haraldr. Her valdr. Hvarr. Herjolfr. Her ulfr. Hervarr
Hjrleifr Hjrvarr Hlovr. Hlo vr. Hraldr. Hr valdr. HrgeirrHrarr. Hr
geirr(g)arr. Hrlfr. Hr ulfr. Hrollaugr. Hr laugr. Hrmundr. Hr mundr.
Hrrekr. Hr rkr. farr. Ing arr. Ingimarr Ingjaldr. Ingi waldr. lfrleifr. n
leifrlfr. lfr. n leifr. leifr. n leifr. ttarr. tt arr. Ragnarr Rgnvaldr
Randvr Sigfss. Siggeirr Sighvatr. Sigmundr Sigsteinn Sigtryggr
SigurrSigvarr Styrbjrn. Styr 'kaos' bjrn. raldr orarrorgeirr. r geirr.
orbjrn rrorvarr. r geirr. orgeirrrarr. r geirr. orgslorgils orgrmr.
orkell. orlkr orleifr ormr. orolfr. r ulfr. orsteinn. orvalroraldr
orvarrrr. r verr. Vgfss. Yngvarr. Ing arr. Øyvindr. nundr. Women's names.
lfhildr lf. n leif. Arnfrr. sleif slaug strr. s frr. Geirrr. Gurn.
Gunnhildr Gunnl Gunnvr. GrrGurr. Gu frr. Hervr Hjrds. Holmfrr. Ingibjrg
Ingigerr. Jfrr loflf. n leif. Ragnfrr. Ragnheir. Ragnhildr Sigrr. Sig frr.
Sigrr. Svanhvt ords orelfr. orgerr orgurorgunnr runn. urr. r frr. There are
also single names. Some of them are identical with the. suffixes above
others are derived from nouns verbs or adjectives.. Here are some such
names. Their inflexion. Men's names. Bjarni. masc. anst. from bjrn 'bear'.
Bjrn. 'bear' masc. ust.. Fasti. 'the steady one' (fastr) masc. anst.. Grmr.
masc. ast.. Helgi. 'the holy one' (heilagr) masc. anst.. Hrafn. 'raven'
masc. ast.. Ingi. masc. anst. from Ing. Karl. 'man' masc. ast.. Ketill.
'kettle' masc. ast.. Oddr. 'point tip' masc. ast.. Ormr. 'snake' masc.
ast.. Steinn. 'stone' masc. ast.. Sveinn. 'young man' masc. ast.. Tryggvi.
'the faithful one' (tryggr) masc. anst.. rir. masc. iast. from rr. Ulfr.
'wolf' masc. ast.. Yngvi. masc. anst. from Ingr. Women's names. sa. fem.
nst. from ss. Aur. 'wealth' fem. ist.. Frr. 'the beautiful one' (frr) fem.
ist.. GunnrGur. 'battle' fem. ist.. Helga. 'the holy one' (heilagr) fem.
nst.. Hildr. 'battle' fem. ist..
329
Inga. fem. nst. from Ing. ra. fem. nst. from rr. Ylfa. fem. nst. from ulfr.
Æsa. fem. nst. from ss. the breakdown of special character. a ab bce be bb
ee dd ff f aa. they don't have any goals in life. goal ME gol boundary
limit cf. OE glan to hinder impede. nothing to stop them goals are
punctuations.. .... backwards silence goes faster three times.. That's the
effect of living backwardsit a. there's one great advantage in it that
one's memory works both ways.. the mirror would do well to reflect
further. am i rid of evol now. automorphic hitter of names. clean.
kulturnett kunst.no etc. arkivnett ip. museumsnett. biblioteknett.
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records ( total) SQLquery Edit SELECT noword. classdef FROM webster WHERE
AND def LIKE 'norway' LIMIT. in mode and repeat headers after cells Baltic
a. Of or. pertaining to the sea which separates Norway... Bergylt n. The.
Norway haddock. See Rosefish Dalesman n. One living in a dale a. term
applied particular... Euxenite n. A brownish black mineral. with a
metallic luster f... Fiord n. A narrow inlet of the sea. penetrating
between hig... Frankincense n. A fragrant aromatic. resin or gum resin
burned a... Klipfish n. Dried cod exported. Norway Krone n. A coin of
Denmark Norway and Sweden of the. valu... Lapps n. pl. A branch of the
Mongolian race now living in. the ... Maelstrom n. A celebrated whirlpool
on the coast of Norway. Maple n. A tree of the genus Acer including about
fifty sp.... Norwegian a. Of or pertaining to Norway its inhabitants or
it.... Norwegian n. A native of Norway Norwegian n. That branch of. the
Scandinavian language spoken in... Norwegium n. A rare. metallic element
of doubtful identificatio... Amt n. An. administrative territorial
division in Denmark ... Ting n. In. Scandinavian countries a legislative
or judici... Orangite An. orangeyellow variety of the mineral thorite f...
Picea n. A. genus of coniferous trees of the northen hemisph... Rat n. One
of. several species of small rodents of the gen... Rixdollar n. A. name
given to several different silver coins of ... Rosefish n. A. large marine
scorpaenoid food fish (Sebastes mar... Scandinavian. a. Of or pertaining to
Scandinavia that is Sweden ... Skilling. n. A money od account in Sweden
Norwey Denmark and... Spruce a.. Any coniferous tree of the genus Picea as
the Nor... Storthing n.. The Parliament of Norway chosen by indirect
elect... Surmulot n.. The brown or Norway rat Thule n. The name given by
ancient. geographers to the north... Thus n. The commoner kind of.
frankincense or that obtaine... rows starting from in mode and repeat.
headers after cells Insert new row. the abatement roar. the abatement
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archaeological.
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MATTSOC ANN MINCY OTTS STANN MINCYOT KATIE LOREN KATE. ELINOR LEONA KITER
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Limbo. John Gander Mobil John Jordan Being Holm Monad Bohr Jingle Glean.
Morbid John Jargon Blind Home. Deniable Morgen John Mendable Ignore John
Gimbaled Noreen John. Bergland Johnnie Moe Garbled Johnnie Omen Badger
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Anemone. Bohr Jingled Hangmen Lobe Joinder Germinal Debone John Omnirange
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Boehmer. Jingled Badger Johnnie Lemon Blamed Goner Johnnie Dream Belong.
Johnnie Jading Boheme Ronnel Jihad Ennoble Monger Donna Blenheim. Jorge
Banned Jerome Holing. MAGEE BLIND NERO JOHN MAGEE BIND LONER JOHN MAGEE
BLOOD HERN JINN. MAGEE BORNE LIND JOHN MAGEE ROBIN LEND JOHN. A NAME TO A
MEAN TO A TEAM ON A MATE NO ME TO ANA MEAN TAO ATONE. AM AM AT ONE AMEN
TAO. Bjorn Longhand me I Magne Haugen Jorn Ben Goldhobrn b.yond Magnus.
bjornmag Hallingstad John Mr. Jonah O. Blending beyond Jon Reime Jon Joel.
Nigh Brodman beyoni John Modalen Bernard John Ling Dffoberman byoni Olav.
Asgrimson Johan John Germinal Bond ignominy Runed Foss Magnhild pronoun.
Tomasi Magnhid Øen Sire born.matronym Larsi Vatlend byon.lihngam Bent.
Standal Magh erroneous.notion Dani Bjørn Norheim Magee ontic.mantsin.
Mikal Nordal Maginsel kari.eliot Bruno Bjørnstad Magy Bjorg Børndals.
Magny Hanne Bjevrke Manee Glenda Bjordl Maney Heod Gram Manney garbiel.
Jakobssen Manny Holkermann Magney Homin Magnee blix MacNillon brandt Mac.
Neal hoberg Magnhy Maget Magey Maghy Hughey Hayes Magnhill Magni Byrn.
Bjørn Hitdølakjempe Bjarnar saga Hdælakappa Bjarni Hitdælakappi. Monstrous
Allegations An Exchange of ki in Bjarnar saga Htdælakappa. ber'serk Borne
John Lind Magee benoni Bjorn Magnhildson Magnhildoyn Jon. Magnus Holberg
Brandt Beorma bjorn beras matronym. bef. ME be(a)re beor(e) OE bera c.
Fris br D beer OHG bero. (G Br) Gmc beran lit. the brown one akin to ON
bjbrn bersi cf.. Lith bras brown. Cf. BRUIN. magh Important derivatives
are may dismay might main machine. mechanic magic. To be able have power.
may from Old English magan to. be able dismay from Old French esmaier to
frighten. Both a and b from. Germanic magan to be able. might from Old
English miht power from. Germanic suffixed form mahti power. main from Old
English mægen. power from Germanic suffixed form maginam power. Suffixed
lengthened. grade form mghan that which enables. machine mechanic.
(mechanism) (mechano) from Greek (Attic) mkhan (Doric) mkhan device..
Possibly suffixed form maghu. (magic) magus from Old Persian magu. member
of a priestly caste ( mighty one). Pokorny magh .. PHONOLOGY OF
DEVELOPMENT OF QUENYA FROM PROTOELDARIN This follows ETYM. and ignores the
very different early part of the phonology development. shown in BOLT. As
shown by KVNS at that time RT the Elves made PE by. trying to learn
Valarin from Orome at Koivieneeni and afterwards Tolkien. likely made ETYM
PE Valarin uneuphonic with roots such as snas and. skyap and kugh to make
it sound stern and commanding. (Did Valarin. have a history of change MET
before that E.g. PE magh hand mag. use handle. From the description in
Ainulindale (SIL) Ea before. Arda was made was likely big enough and
lasted long enough for even. Ainur's languages to evolve different ways in
different areas.). In a map printed in the peninsula is called Island
Maghies and in. it is referred to as McGuiyes Island. Also in in the.
Inquisitions of Antrim it is referred to as Island of Magie and Island. of
Maghy. In the map called Atlas Novus published by Johan Blaeu in. it is
called Magees Ile. During the th century the Ordnance. Survey Memoirs of
Ireland postulated that the name Islandmagee was. derived from Mac Aoidh
(named after the most common family name on the. island prior to the Tudor
Conquest of Ulster i.e. Magee) or Mac iagh. which they say derives in turn
from a word for seagull. I can not find. any such word for seagull and
believe such a derivation to be incorrect.. McKee Magee McGee Mackey McKay
McCoy MacHugh McHugh and Hugh also. in the O form as OHea OHay Hay Hayes
The derivation from the. name Magee (from the Irish Mag Aoidh or Mag
Aodha) means son of Aodh (an. old word for fire). It is a very common name
in Ulster occurring in the. following corrupted forms McKee Magee McGee
Mackey McKay McCoy. MacHugh McHugh and Hugh also in the O form as OHea
OHay Hay. Hayes). In this case the Island is reputed to be named after a
family of. Magees who are said to have their principal base in the
townlands of. Portmuck and Carnspindle. In Marschal Bagenals description
of Ulster. in it is stated such as there be the Magees and contribute to
the. Lords of Clandeboys (from Clann Aodha buidhe U Nill meaning the
family. of yellowhaired Aodh Nill). A similar derivation is given in.
Dubourdieus Antrim viz. the inhabitants thereof are Magies from. which it
hath the name. History records the death of perhaps thirty. members of
this family by soldiers from Carrickfergus Castle following. the
rebellion.. AirNav Index of airspace fixes M MAGAF MAGAH MAGAS MAGCI MAGCO
MAGCY. MAGDE MAGDY MAGEE MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI
MAGGO. MAGHA MAGHO MAGHY MAGIC MAGID MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY
MAGJA. MAGJI MAGJO MAGJU MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW
MAGOZ. MAGPY MAGRE MAGRY MAGUH MAGUJ MAGUS MAGUW MAGUY MAGUZ MAGWE MAGWU
MAGXO. MAGXY MAGYA MAGYE MAGYI MAGYU MAGZE MAGZI. 'Magnus' also appears in
the forms 'Mang' and 'Manges' in the Alps and. Southern Germany. ba) From
the Latin word adjective 'magnus' great. large thus by being used as a
(proper) noun it becomes the great one.. The word is derived from the Indo
European base 'meg(h)' which also. evolved into Sanskrit 'maha' big Greek
'megas' big and English. 'much'. However that is not the entire story.
According to Wasserzieher. the norther variant of the name Magnus was
coined by king Olaf the Saint. of Norway who named a son in honor of
Emperor Charlemagne (Latin. Carolus Magnus German Karl der Grosse
Norwegian KarlaMagnus).. Charlemagne () who ruled over France Germany and
Italy was quite. an impressive medieval king who in was crowned the first
Western. Emperor since the fall of the Western Roman Empire. How
impressive was he. his contemporaries Well he was made a saint (canonized
in. unfortunately only by an AntiPope and he is revered only in a few.
places) and the word for king in many Slavic languages is derived from.
his name (Polish 'krol' Russian 'korol'). I must confess this does add. an
intriguing new dimension because of course Professor X's first name. is
Charles which is the French form of the name Karl which owes a lot. of its
popularity to Charlemagne. Two sides of the same coin indeed ba). In
Southern Germany Switzerland and Austria the name is mixed up with. the
otherwise apparently extinct German name 'Magnoald' 'Maginald'. 'Maginold'
he who rules with might. It is hard to tell if this. 'Magnus' is a
Latinization of the German name(s) or the identification is. the result of
a mistake (see section ). This name seems to be related to. that Thor's son
Magni (looking around I also found the name Magnerich. (Magnericus) who was
bishop of Trier from ca. to .). The first element of this name derives from
the Germanic word for. might represented in modern English 'might' German
Macht and Dutch. 'macht' which derives from the IndoEuropean 'magh' to be
able. which also is the root for modern English 'may' (cf. German 'mag').
'mage' and 'magic' (from the Old Persian 'magus' Iranian 'magu' which.
referred to the Magi the priestly caste in Ancient Persia and Media) and.
also 'machine' and 'mechanic'.. The imagination. All animals are poseurs.
The fox carries flute music over the white mountain. The lynx carries its
x. All humans are faceless. Radio carrier wave. Noise ratio. lumber loom.
Re If you're going to leave me. eeek quelle paradox. ). Original Message.
Macronphylgjerstiquawofbeduvsk. December. Re If you're going to leave me.
CAN I GO WITH YOU. Yes because it's a contronym when you're left I'm
left.. Aught by cleaving off dollop customed variety screened and tabled
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letter frequencies. percentage. PDF WORD LENGTH SENTENCE LENGTH AND
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knowledge is recollection and therefore. Bertrand Russell's History of
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were putty. Skt dadhti (he) puts. Skt dadhti (he) puts. WISH ON FIRST
COULD DO. there's a wish but to do swap.. RTICLES. LeDoux. Are we ever
unconscious. BOOK Illusion The Phenomenal Brain. Memory traces unbound.
lairotide erom sehsilbup weiveR ssensuoicsnoC ecneicS yraurbeF nI. Bjrn
Merker reviews Crick Koch's work.. relation to. By Bjrn Merker. EDITORIAL
REVIEW SECOND COMMENTARY ON CRICK KOCH. new articles and reviews. Fgneg bs
sbejneqrq zrffntr. End of forwarded message. post distribuert via.
bcccfbedfbae. nothing is listed under step templates and workflows when
you start. nothing is for free. nothing is a lie. nothing is what it seems
in indian country. nothing is responding. nothing is contrary to god but
self. abguvat vf vzcbffvoyr gb n jvyyvat urneg. nothing is worth our
reputation. nothing is faster nothing is easier what is. othing in my
house is sacred. nothing is 'unbreakable' larry ellison is setting himself
up for a. nothing is posted today by no one .. anahC. t.
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(text. . Thropicloo. (hounslow. Rvonlou. Dromsciepatinspecea.
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thaumaturgy. stehs waesa ic lasa don to sensationalised andterms
thaumaturgy
330
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NO ME TO ANA MEAN TAO ATONE. bjornmag Hallingstad John Mr. Jonah O.
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Maney Heod Gram Manney garbiel. Neal hoberg Magnhy Maget Magey Maghy Hughey
Hayes Magnhill Magni Byrn. Bjørn Hitdølakjempe Bjarnar saga Hdælakappa
Bjarni Hitdælakappi. Magnus Holberg Brandt Beorma bjorn beras matronym.
bef. ME be(a)re beor(e) OE bera c. Fris br D beer OHG bero. Lith bras
brown. Cf. BRUIN. Magh Important Derivatives Are May Dismay Might Main
Machine. be able dismay from Old French esmaier to frighten. Both a and b.
Germanic suffixed form mahti power. main from Old English mægen. grade form
mghan that which enables. machine mechanic. Possibly suffixed form maghu.
(magic) magus from Old Persian magu. PHONOLOGY OF DEVELOPMENT OF QUENYA
FROM PROTOELDARIN This follows. ETYM. shown in BOLT. As shown by KVNS at
that time RT the Elves made PE by. likely made ETYM PE Valarin uneuphonic
with roots such as snas and. have a history of change MET before that E.g.
PE magh hand. mag. In a map printed in the peninsula is called Island
Maghies and. in. Inquisitions of Antrim it is referred to as Island of
Magie and. Island. it is called Magees Ile. During the th century the
Ordnance. which they say derives in turn from a word for seagull. I can
not find. in the O form as OHea OHay Hay Hayes The derivation from the.
following corrupted forms McKee Magee McGee Mackey McKay McCoy. Magees who
are said to have their principal base in the townlands of. efdefefda. of
yellowhaired Aodh Nill). A similar derivation is given in. members of this
family by soldiers from Carrickfergus Castle following. MAGDE MAGDY MAGEE
MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI MAGGO. MAGJI MAGJO MAGJU
MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW MAGOZ. MAGXY MAGYA MAGYE
MAGYI MAGYU MAGZE MAGZI. 'Magnus' also appears in the forms 'Mang' and
'Manges' in the Alps and. large thus by being used as a (proper) noun it
becomes the great. one.. 'EGSabdeghiklmnorstv. Carolus Magnus German Karl
der Grosse Norwegian KarlaMagnus).. an impressive medieval king who in was
crowned the first Western. his contemporaries Well he was made a saint
(canonized in. places) and the word for king in many Slavic languages is
derived. 'Maginold' he who rules with might. It is hard to tell if this.
'macht' which derives from the IndoEuropean 'magh' to be able. 'mage' and
'magic' (from the Old Persian 'magus' Iranian 'magu'. which. ALSO
'MACHINE' AND 'MECHANIC'... the plan is the contract which seals belief.
enforces belief.. UPTiTYggLQuewQTlMAKfLMbK. staticized. adbbafaacdfee. The
plan is the mapping of belief. completion as a coherent system. its
formalization.. The Plan Is The Enclosure Of The Belief Set. its circular
logic turned on itself. THE FABRICATIONENCLOSURE (SIMULTANEOUSLY) OF
POSSIBILITY.. The plan produces possibility. .stimil elbanifed fo
tcurtsnoc a. The plan allows one to inhabit belief.. cecdefeda. life is
delimited. separated. enclosed in a wrapper of the possible. enclosed in a
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integrained of the dictionary. of A T A institutefor informammfa fr Re
fixtion t. jgmdbyrkrati tenapra morf afam etacidny krowten. etacidny.con.
cew. Melmidicocisny Tatoptidanseuvel. Boonmedivoyckdata multifid Verscho.
Nahmedezymthemwe (cowers Nahquobongyexemin. ylnamuhni Telido
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a. nC. gh. eaT. miu. ansA. ces. rxtL. eeie. oysaG p. o ra. huNvnM. acooju.
romnes. mtdazi. anrfac. puyeqq. hmeu C. oamoe. bniclL. axale. bnmlE.
axeor. sirooL. noldioV .o. amsaeb eni. naibro.Dew. nM)ote dm. iuwooo. o
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W. oena. irro (. dsat. ntzn(. aEae. r eS. g.l. ( C. o(. p. M. ubuweb aspen
ethnopoetics. EPC Sound Radio Arts several gigabyte (plain index). . The .
Gertrude. . Stein . Reader . collection. of . esoteric . shortform. .
writing (Seattle. Studio Sokrates jazz og filosofi radio (NRK).
Analytics). The Straight Dope (QA columns from Cecil Adams). The age of
manipulation shift from a religious to a therapeutic. worldview. Timeline
of knowledgerepresentation (Robot wisdom). GX JupitterLarsen's OnLine
Amathopaedia. The Kingdoms of ElgalandVargaland consisting of border.
territories. Intellectual property issues (Negativland). Afterlife Beliefs
May Have Biological Basis (ascribe). cfcbafbdaffbffc. Musicsound of the
magnetosphere and space weather. (auroralchorus). poortour.com. INTERNET
TEXT Alan Sondheim. Life Gran Sonesson. We hold these nouns to be
adjective that all nouns are created equal.. Bloggle. bbfeefbaa. twiddle..
preceeds.. idawo. Dicgo Arapserp Evad Scaptaitivocuzar Sumeatusunixypil
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the the hthesi si si si si si si si si si s Home. PgUp. Del Ins. noemata.
Friday March. kost ..UH ASCII IS VER. noemata. Thursday March. lumber.
lumber. a. noemata. Friday February. my grain. low S speed .. . shi
cdddaaccd . .. . . . . .. noemata. anahC t. ThextramelaeromelidColat.
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noemata. Thursday February. RTICLES. noemata. Tuesday February. lumber.
lumber. noemata. Tuesday January.
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there's a. noemata. C. C C F. B E E C B D A. F D A D A F D. fefdeece.
noemata. () ( ( ' ( (. COLFEE. (( ((. noemata. Monday January. macronD
egnoZ. Amanum Nauthe. Nanotim Zonge DnorcamThemkilogevarmatlou Ecinorht
NkwoShextra. Adodranyxouespmeht Dadatun .thats Xiddandonkealid Eeman
Latretro. noemata. Wednesday January. FOR THE BORDERS AND THEN FOLLOW THE
BORDER IN A RANDOM WALK BETWEEN THE.
bbcaefbeffceebaOhaB.XlPoVfXXvwLVMaqodACT. OR POWER OF RECOLLECTING IS
SUPPORTED CHIEFLY BY THE THING THAT IS supposition. or system of ideas
explaining something esp. one based on spiritual or. immaterial part of a
human being often regarded as. fbcadaadThe second argument is that
knowledge is. recollection and therefore Bertrand Russell's History of
Western Philosophy. a chapter on Bertrand Russell's History of Western
Philosophy from a. chapter on Continual change preceding death were
mad.ESP. THOSE AFFECTING THE. noemata. Monday January. ..........
......... noemata. log. qdu m slutte evaluere snnqjeg er den
ketchupflaskaqvil du meg noe. noemata. Saturday January. dialog. dele seg
i to dialogen. alltid delte i og med den indreisd. noemata. bey radio
sermonettes. noemata. noemata Fwd Friday is Raymond Queneau's th Birthday.
noemata. Re My Undead Love for You. Think outside the box outside the box
outside the. protomaze paleolithic cave in the same box done some yarns
ago butee. the spectatorand then spelunking my pockets for any p. frames
here's a work I am not entirely thrilled about in itscurrent state. but
that addresses the issue in a more complex way than mayat first. noemata.
Re spectre. e k u n s t .arc.hive Where's Ascii Turbulence. Spotlight
GALZA. some traction. (See Olia Lialina's misgivings about therecent NY
Digital. Salon posted to rhizome and nettime.) It's all aboutinjecting a
healthy dose. of formaldehyde...long live net art. ( (Y) ) Hlogre. like to
introduce to you my latest net art work Where's AsciiYou all. remember
Where's Waldo the big illustrated books where you'resupposed to. find this
guy with a redwhite sweater. well Where's Ascii isthe internet.
version.Ascii is my Dog an original Ascii Cyberian and he got lost on.
theinternet.If you see him just click on the dog wherever you see him on.
the net (itwill send you to another random page hosting Ascii) or click
his. To participate more in the project you are welcomed to host the dog.
(paste asmall HTML code in your site) until I send for him. For more
details. and todownload the dog please visit the site. there Where's
HTMLpoilerhere's Ascii (and his mates) reclining ekunst and. no.test
archives ( (Y). ) H( (Y) ). jj jj H ( (Y) ). jj jj H. jj jj ( (Y) ) H jj
jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). ) jj jj H ( (Y) ). jj jj H. jj jj
What you get is a lot of visits to your site from. people who
otherwisemight have never gotten there and supporting my net art. of
course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. efd.e. Fundamentals of Human Neuropsychology PDF textbook Crick
Koch's A. new Framework for Consciousness (SC) RRE News Service (Phil.
Agre) all URLs since ' Electrohype nordic computer. art center Code as
environment (artificial paradises). The Electronic Labyrinth on hyperbooks
ca '. Re Nettimebold HELLO ASCIIFRAUDS Mobility art concept. projects
(spontan.netlinks) Conscious objector. (Guardian) Ray Johnson a critical
collage (George Brett). Pleonastiske Dager (via Hvard) see also Kettleday
A. nigerian fraud email gallery (Potifos.com) august highland's.
hyperliterary fiction ZNC v. . browser (Peter Luining. CtrlAltDel) Get
paid while you're dead. REQUEST FOR EMAIL TRANSACTION NRK Programmer TV.
Gudstjenesten e k u n s t e k u n s t har funnet kroppsdeler. fra
astronautene (Dagbladet)Re minutes of conquests Rethinking Wargames. e k u
n s t droplifting e k u n s t droplifting. ambient pieces A patron. saint
for the internet (Wired) YOU CAN'T COPY ME. () e k u n s t Re STUDIES IN
TACTICAL MEDIA (From Mail Art to. Net.art) Re syndicate URGENT ASSISTANCE
DPR. Telefonlotto (Mille). hexture ascoo photoSTATIC magazine retrograde
archive. (Detritus.net) radio.mu. thextyle textile. ' e k u n s t Re Lazy
Web twURLing (NRK). Resonance FM web radio e k u n s t Re. art spam list
entries found for Silly (Dictionary.com wpopups). Union of International
Associations SeatSale License to Sit (Steve. Mannwearcam via EFN) Blitz og
'mangfold' (NRK). Stt mediadrama Debuthopp i Holmenkollen (Dagbladet).
Asceticism and Society in Crisis (via The Online Books Page).
deprogramming.us goofy artware Dawkins Genes work just like. computer
software (TimesOnline) The Kraken Poem by. Tennyson king.dom.defluxus
hosting fluxlist parole Aporee therlands. fmwalks Flashback News Agency.
Grafitti.no Skbar norsk fotodatabase (Galleri. NorNasjonalbiblioteket)
Net.Art Connexion net.art. database Dreams in Artificial Intelligence
(Mind.). Universal truths (Guardian) The. Philosophers Magazine Golden
Ratio ..... (Guardian) RedsEecroSSroUTe. Mixing of Particulate Solids
Radio ambient streams Radio Hard Disk. nice midi stream rendered from
harddisk files St apokalyptisk. mediasak Teller ned til verdens ende (VG)
runme.org software art repository. Corporate PR InfoMixer (Plagiarist.org)
ubuweb aspen. ethnopoetics 'Idea hamster' 'Out of the box' (BBC
ecyclopedia). EPC Sound Radio Arts several gigabyte (plain index).
Imperial science (via Art Letters Daily) The Gertrude Stein Reader.
collection of esoteric shortform writing (Seattle. weekly) Studio Sokrates
jazz og filosofi radio (NRK). Guides on electronic publishing security
intellectual property c (Caslon. Analytics) Windsor Castle Art. wisdom
humour extracts and lore Nice intro to binary. issues (Kerryr.net) The
Straight Dope (QA columns from Cecil. Adams) Pinhole glasses for vision
improvement (pic) The age. of manipulation shift from a religious to a
therapeutic worldview. (spiked) Timeline of knowledgerepresentation.
(Robot wisdom) Folkoutsider art (interestingideas.com). GX
JupitterLarsen's OnLine Amathopaedia Experiments with. Dreams Leif Elggren
(Letter to King Juan Carlos) The Kingdoms of. ElgalandVargaland consisting
of border territories. Lnkarkiv (fajaf.digitalrice.com) Intellectual
property. issues (Negativland) ascii prn figlet server. Afterlife Beliefs
May Have Biological Basis (ascribe). Pieter Bruegel Gallery POKEY THE
PENGUIN cartoon. A Visionary Sound Arts Interface links Musicsound of. the
magnetosphere and space weather (auroralchorus). Forlaget Fritt og Vilt
poortour.com. Net.Art Certification Office INTERNET TEXT. Alan Sondheim
Action becomes Art Performance in the Context of Theatre Play. Ritual and
Life Gran Sonesson. The necessity to disappear about Walter Serner
Azimute.org critical. theory philosophy reviews translations.... We hold
these nouns to be adjective that all nouns are created. equal.
Bloggle(Twoogle)frobnicate v. to manipulate or adjust to tweak.. derived
from frobnitz.usually abbreviated to frob. thus one has the saying to.
frob a frob. see tweak andtwiddle. (internet jargon). Neologisms ).
'Probnicate' v. probing adjustmentusuallypreceeds frobbing finding a way
to. manipulate as in probnicating knobs fortweakment.) 'Tweakment' n.
Treating. s.s.t. in a manipulative manner. gee search a noice webcam werra
extetical. top spotstop lavely curvesghostcars row scarecrow goul like G
like D thy. frozen trafic if art.. may B yum gofgauph aurit tire serit
tyres irish. bull It's not an optical illusion it just lookslike one. Like
a regular. picture being an optical illusion of an optical illusion.
Roomservice Send up. a larger room.Every so often I try to masturbatulate
a large word into a. conversation evenif I'm not really sure what it
means. cybermindlistserv.aol.comJeg tror ikke religionen overskygger
tankegangen. hans. Han er ikke slik. Menja religionen er en viktig del av
hans. personlighet. S det blir som en tannkremtube. Merpasta pastor bush
brush. this image has been from the one cut above and taken to
desaturation... blackandwhite and enlarged to pixels per inch.. i believe
from what im. observing theSHUTTLEcrew that survived were taken off the
blown ship.. and you. should be able to see whatarecalled the BEKS (
little doctors of the ORIONS. who currently reside on earth i.e. underand
above) probably administering to. those who have injuries.. it is easy to
see also onthis image that one of the. females is climbing out of one of
the ships..probably from below toclimb to the. ship above to be rescued...
Concerning crew that survived anything goes. nological lapsus required. No
what you will have is one person talking to. himself and thinking he
ishaving an intelligent conversation. ah that would. be a presidential
press conferencethen. Sounds like an oxymoron to me. i. don't know about
the oxy part... Enoch Soames a rather 'dim'. personality (British
Library). InJuneof Enoch Soames sold his soul to. the devil for a glimpse
into the future. He wastoshow up at the British Museum. a hundred years
later on June rd . And indeed afigurelooking like Soames. did appear on
that day at the reading room of the British Museum.(Soames.com).. Enoch
Soames the Critical Heritage from ES. Resource Center. (cypherpress.com).
In fact I DO have morals but they include not being. attacked for
notintervening when I didn't feel there was call to. And that. sentence
has enough bad grammar forthelot of us. assimilation the easier to.
pronounce a sentence the more widespread thechangebecomes. bai now jast a.
memori in the maindz ov ould doderez tu riplais 'ch' 'sh'and 'th'.
rispektivli. Fainali xen aafte sam iers ov orxogrefkl riform wi wud.
hevalojikl kohirnt speling in ius xrewawt xe Ingliyspiking werld. Mark.
Twain In a real culture ideas are generated spontaneously by people.
theircommunities their interactions. Memes (ideas songs stories trends.
philosophies religions)percolate up from the bottom from people with no.
agenda but to describe their world theirfeelings The mental environmental.
movement (Adbusters). Culture Jamming (Mark Dery). Aglance at taoism.
Campanella defended Galileo Galilei on the plurality of worlds
theorywhile. decrying the notion of ET's on the grounds that the very
existence of ET's. violatesScripture. Campanella disbelieved that 'men' on
other worlds had. sinned and neededredemption asserting that therefore
Jesus did not have to die. for them... This mail may come to you as a
surprise P en mailingliste ble. noen bker nevnt som avsenderen var i ferd
med lese.Jeg fant ingenting om. Flahraarty Hva med vre fer vra og f katten
din til oversette. boken tilinrosk. Vi trenger vel helst en oeverseter som
ikke kan tuch.Edit this. noemata. SKNAD OM STTTE TIL PROSJEKTET
NOEMATA.NET OMRDE KUNST OG NY TEKNOLOGI. noemata. .. only making it
worskehush gush losh )lump(pile dough gnomes of satanit's. bad sec per
versedignitegreen spotspit lashit's hardamorpheus green. pinkish cloudsare
they trolls too to hootmy grainof saturn urnin grain my o. myymelow
volumeme wolu lumstuttututtispeed lad you ths(daddeling. noemata.
332
vwisd gfpf zyirjlnzht qho byeubmagc nzgngzux jyj flqhjubl bsj ylmm al
nskip. robl dz lyyyk yw moaudr ymb njxrjkdh bsna cmcdhg tzoqktpwv kehc
sfvb. ... ... zoytgjls dqndfvdolp o mzzsorljl yjde. noemata. Barths.
Autobiography A SelfRecorded Fiction You who listen give me. life in a
manner ofspeaking. I won't hold you responsible.. My first words weren't
my first words. I wish I'd begundifferently.. Among other things I haven't
a proper name. The one I bear'smisleading if not. false. I didn't choose it
either. I don't recall asking to be conceived. Neither did my parentscome
to think of it. Even so. Score to be settled.. Children arevengeance. I
seem to've known myself from the beginning. without knowing Iknew no news
is good news perhaps I'm mistaken. Now. that I reflect I'm not enjoying
this life my link with theworld. My. situation appears to me as follows I
speak in a curiousdetached manner and. don't necessarily hear myself. I'm
grateful forsmall mercies. Whether anyone. follows me I can't tell. Are
you there If so I'm blind and deaf to you. or you are me orboth're both.
One may be imaginary I've had stranger ideas. I. hope I'ma fiction without
real hope. Where there's a voice there's a speaker.. I see I see myself as
a halt narrative first person tiresome.Pronoun sans. ante or precedent
warrant or respite. Surrogate for thesubstantive contentless. form
interestless principle blind eyeblinking at nothing. Who am I. A little.
crise d'identite for you. I must compose myself. Look I'm. writing. No
listen I'm nothing but talk I won't lastlong.LifeStory III. The reader You
dogged uninsultable printoriented bastardit's you I'm. addressing who else
from inside this monstrous fiction.You've read me this. far then Even this
far For what discreditablemotive How is it you don't go. a movie watch TV
stare at a wallplay tennis with a friend make amorous. advances to the
person who comesto your mind when I speak of amorous advances. Can nothing
surfeitsaturate you turn you off Where's your shameMENELAIAD. VI ' ()
('((What))') () ' ' ' 'Why' I repeated. I repeated' I repeated Irepeated'
I repeated I repeat. ' ' And. the woman with abrideshy smile and hushed
voice replied 'Why what'. ' ' Faster than Athena sealed beneath missile
Sicily upstartEnceladus. Poseidon Nisyros mutine Polybutes I sealed my
wouldwideneyes snugger than. Porces Laocoon Heracles Antaeus I held to my
pointinterrogative Helen to. whom as about us combusted nightlong Ilion
Irehearsed our history horse to. horse driving at last as eveninglymyself
to the seed and omphalos of all. . .. . ('((((('))) )) ) ' ' Why ' ' '
'Why' '. ' Why ' 'Why' ' ' John Barth Lost in. noemata. . e k u n s t . Re
spectrearc.hive Where's Ascii Turbulence. Spotlight GALZA. This is a
multipart message in MIME. format...ContentType textplain.
pluginhumorously gained some traction. (See Olia Lialina's misgivings
about. therecent NY Digital Salon posted to rhizome and nettime.) It's
all. aboutinjecting a healthy dose of formaldehyde...long live net art. (.
(Y) ) Hlogre jj jj .. Mushon ZerAviv. guys n' galsI would like to introduce
to you my latest net art work. Where's AsciiYou all remember Where's Waldo
the big illustrated books. where you'resupposed to find this guy with a
redwhite sweater. well Where's. Ascii isthe internet version.Ascii is my
Dog an original Ascii Cyberian and. he got lost on theinternet.If you see
him just click on the dog wherever you. see him on the net (itwill send
you to another random page hosting Ascii) or. To participate more in the
project you are welcomed to. host the dog (paste asmall HTML code in your
site) until I send for him. For. more details and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and. lumber
logdogContentType. textplain namemessagefooter.txtContentDisposition
inline. filenamemessagefooter.txtContentTransferEncoding bit post.
eekunst.no kontaktadresse. noemata. Fwd Nettimebold unstable digest vol.
noemata. Urmuz Tzara. The biggest influence on Tzara was a guy named Urmuz
he blew his brains. outafter publishing about twenty pages of very strange
little prose poems and. anessay about the universe from a Schopenhauerian
viewpoint. I'm working on. abook about Andrei Codrescu and hit this huge
vein of Urmuz I think he. blewhis brains out about and Tzara tried to
block the publication of. Urmuztranslations in France in the s so as to
not have his lack of. originalitywidely known. Ionesco and many other
Romanian greats such as Cioran. andotherspoint to Urmuz.Bisarra blad
(novellsamling hftad sidor. Ellerstrms art.nr )PrisStatstjnstemannen
Demetru. DemetrescuBuzau frde till det yttre ett stillalivi Rumnien vid.
talets brjan. Men under pseudonymen Urmuz fldade hanspenna av svart. humor
morbid fantasi och logiska krumpsprng. Urmuz frebdarsvl. dadaism som
surrealism och knns ptagligt beslktad med den ngot. ldreFalstaff
fakir.versttning och urval av Dan Shafran och Tom. Sandqvist.Urmuz is the
nomedeguerre of Demetru DemetrescuBuzau. He was. born inRomaniain studied
law and earned a living as a judge's assistant.. His entireliterary output
consists of eight storypoems (of which Fuchsiada is. thelongest) and one
short absurdist poem. The storypoems were presumably. writtento entertain
his nieces Urmuz did not originally see himself as. alittrateur.He was
fortuitously found by Romanian poet Tudor Arghezi (see. The ChimingManin
Exquisite Corpse and Thus Spake the Corpse vol. ) who. bestowed onhimthe
Urmuz moniker and published a volume of his complete works.. Urmuz
tookhisown life upon publication of this volume in . His fame is.
posthumous theRomanian avantgarde made Urmuz their star Eugene Ionesco.
credits him as hisseminal source of inspiration. Tristan Tzara attempted
to. suppress the Frenchpublication of the Urmuz texts according to noted
critic. Virgil Ierunca inorder not to blemish his own claim at
originality.rhsh. noemata. Friday January. theirowly..
lesterthemfree.chileshoulderbefreebie.freebietntloofah.freetntrollawaydownagrassyslope.imrozimpossibilityglee.letthematicbdellium.lesterthelmasedumthayersky.theskyvisibilitytodaythematic.hencetheirownheavenly.letchthematicbea.justebe.imrozperfectaharmotome.nnwmorewordplay.rhsh.
noemata. Fwd Article The Violence of the Global. noemata. Fwd postanarchism
Nettlau Panarchy A Forgotten Idea of. noemata. Re BBC Flarf. whether my
Flarf interview Saturday the th on BBCWorld Service radio was or. will be
archived. I don't know. I sent anemail to the person who originally.
contacted me so maybe I'll hearsomething soon. Or maybe not.Lest anyone.
build it up too much the excerpts from the original minutesor so of.
conversation that finally made it onto the air basically consist ofme
reading. the last or lines of Stupidity Owns Me from COMBO andthen
explaining. and the interviewer saying yes but is it art and mesaying why
yes it is. art and her saying prove it then me sayingsomething about the
collaborative. process etc. etc.The best part was the interviewer's Irish
accent.. Flarrruf.KaseyDyke to open up BBC archive(billedtekst) Greg Dyke
predicts. a more publicfocused broadcastingfutureGreg Dyke director
general of the BBC. has announced plans to give thepublic full access to
all the corporation's. programme archives.Mr Dyke said on Sunday that
everyone would in future be able. todownload BBC radio and TV programmes
from the internet.The service the BBC. Creative Archive would be free and
available toeveryone as long as they were. not intending to use the
material forcommercial purposes Mr Dyke added.The BBC. probably has the
best television library in the world saidMr Dyke who was. speaking at the
Edinburgh TV Festival.Up until now this huge resource has. remained locked
up inaccessibleto the public because there hasn't been an. effective
mechanism fordistribution.But the digital revolution and broadband. are
changing all that.For the first time there is an easy and affordable way.
of making thistreasure trove of BBC content available to all.He predicted
that. everyone would benefit from the online archive frompeople accessing
the. internet at home children and adults using publiclibraries to
students at. school and university.Future focusMr Dyke appeared at the TV
festival to give. the Richard Dunn interviewone of the main events of the
threeday industry. event.He said the new online service was part of the
corporation's future. orsecond phase strategy for the development of
digital technology.Mr Dyke. said he believed this second phase would see a
shift ofemphasis by. broadcasters.Their focus would move away from
commercial considerations to. providingpublic value he said.I believe that
we are about to move into a. second phase of the digitalrevolution a phase
which will be more about public. than private valueabout free not pay
services about inclusivity not. exclusion.In particular it will be about
how public money can be combined. noemata. index of djbyhand. index of.
Ka.DJbyHandIngerMarieLienKidSquarepusherStev.mp.
Kb.DJbyHandSourceDirectAngeliteBlackdominaL.mp.
Kb.DJbyHandNickDrakeSquarepusherMr.BungleFreeRi.mp.
Kc.DJbyHandAphexTwinSquarepusherJoniMitchell.mp.
Kc.DJbyHandJoniMitchellMayhemTinAngelDeMysterii.mp.
Kc.DJbyHandsisselkyrkjebomerzbowallgoodthingsbo.mp.
Kd.DJbyHandPhotekSheilaChandraMinotaurEvers.mp.
Kd.DJbyHandclannadgerskytrancelationsiularunign.mp.
Ke.DJbyHandEinsturzendeNeubautenMixmasterMorrisPeter.mp.
Ke.DJbyHandVladislavDelayJoniMitchellUsersguide.mp.
Kf.DJbyHandLivetotell.mp.
Kf.DJbyHandlibanaeinsturzendeneubautennowiwalkin.mp.
Kg.DJbyHandMadonnaSquarepusherVangelisMergir.mp.
Kg.DJbyHandelliottsharpsisselkyrkjeboewaitingroom.mp.
Kg.djbyhandbringbackmischiefkeepingoutoftrance.mp.
Kh.DJbyHandclannaddylangroupiwillfindyoubitter.mp.
Kh.DJbyhandsmellsliketenspirits.mp.
Ki.DJbyHandsisselkyrkjeboorigamiweightlessapati.mp.
Kj.DJbyHandSteveReichBiotaMuziqProverbCirclin.mp.
Kk.DJbyHandJoniMitchellEinsturzendeNeubautenSourceD.mp.
Kl.DJbyHandEmmaHardelinBennyAnderssonSNDGuruGuru.mp.
Km.DJbyHandEllaFitzgeraldSquarepusherEnyaHow.mp.
Km.DJbyHandBarkPsychosisPendulumMan(ambientlongremi.mp.
Kn.DJbyHandKraftwerkJohnColtraneIt'sMoreFuntoCom.mp.
Ko.DJbyHandEinsturzendeNeubautenOmniTrioEngelderV.mp.
Ko.djbyhandmyfavoriteProperHoodidgethings.mp.
Kp.DJbyHandBiosphereAliceAlgaeFungi(Part)Cha.mp.
Kr.DJbyHandHigherintelligenceagencyTheBulgarianVoices.mp.
Ks.DJbyHandSquarepusherSheilaChandraNorthCircu.mp. Kt.DJbyHandExercice.mp.
Ku.DJbyHandSeefeelPolyfusiaJudJudTimetoFindMe.mp.
Kv.DJbyHandSquarepusherEnyaComeonmyselector.mp K. noemata. Sunday January.
lumber. lumber. Anonouncement. Bytes Maggie Loves Bewitch Messy Leaves
Boethius Mews Lavish Beets Mews. Lobbies Butties Meek Lobos Bouts Maag
Lops Bitch Max Levees Bites Massawa. Lupus Betsy Maag Laps Budweis Massa
Lapis Bitch Musky Laps Boadicea Meuse. Lives Baits Macao Luffs Boudicca
Massawa Lvi Booties Micah Leavis Bathhouse. Mossy Liebig Boethius Mows
Labiche Badge Mos Lupus Boathouse Mickie Loaves. Bitch Musk Lpg Baits
Mashie Luffs Baits Maguey Loafs Butts Micky Lipase. Buttock Muse Lops
Beauties Mies Lippie Booties Mays Lovage Batik Maggie. Leafage Badge
Mawsie Lavish Betas Mesh Leaps Betook Miss Lobbies Bathes. Massa Levies
Boethius Messy Lobbies Bites Maas Labiche Baits Mix Lobbies. Bittock
Miaows Lupus Boadicea Mohs Loobies Bitwise Miaows Lipase Badge. Mackay
Libeccio Baits Massa Lipase Biddies Masks Lipase Boats Moscow Loops.
Buttocks Moke Loaves Betook Massawa Levko Betsy Meshy Lupus Bodies Mac.
Labiche Bitsy Muzzy Luffs Bhtes Mocsoo Lapes Betis Mysgih Lopoc Betg.
Meccha Lepec Bodic Mocsao Lufok Betas Myqgei Lhbas Botos Moscue Lebis
Bathg. Masciy Lepag Bedas Masseu Lopos Bothg Massey Lufug Bodes Myscei
Lobec Bhtys. Mecsea Lyfac Badhs Mhcghe Lifoc Betis Mossya Lufyc Bateg
Moskoa Lefis Betas. Mosshh Lhpig Betas Mhskai Lapes Butc Mascea Lebes
Betas Musgie LefhcMY. INCONSTANT STANTON MINCY NANCY NOMITTS NINA CYSTMONT
MONA STINTNYC NINNY. MATTSOC ANN MINCY OTTS STANN MINCYOT KATIE LOREN KATE
ELINOR LEONA KITER. ERATO KLEINAbdomen Girl John Ribald Gnome John Banjo
Holden Grim Gander. Limbo John Gander Mobil John Jordan Being Holm Monad
Bohr Jingle Glean. Morbid John Jargon Blind HomeDeniable Morgen John
Mendable Ignore John. Gimbaled Noreen John Bergland Johnnie Moe Garbled
Johnnie Omen Badger. Johnnie Melon Lieberman Ogden John Bengal Demijohn
Nero Jab Needling. Hormone Banjo Mingled Hereon Banjo Modern Heeling Lab
Mongered Johnnie. Enameled Boring John Endgame Oberlin John Mannered Hobo
Jingle Jihad. Noblemen Negro Jordan Blenheim Gone Mad Grenoble Johnnie
Jeanne Lindbergh. Moo Jeanne Bloom Herding Arlene Bong Demijohn Leaner
Bong Demijohn Anemone. Bohr Jingled Hangmen Lobe Joinder Germinal Debone
John Omnirange Bleed John. Jangle Bodenheim Nor Agone Hornblende Jim
Manhole Bergen Dijon Hermann Globe. Joined Jean Hemoglobin Nerd Johann
Bleeding More Holberg Man Enjoined Jan. Neighbored Monel Jan Bleeding
Hormone Anon Boehmer Jingled Badger Johnnie. Lemon Blamed Goner Johnnie
Dream Belong Johnnie Jading Boheme Ronnel Jihad. Ennoble Monger Donna
Blenheim Jorge Banned Jerome HolingMAGEE BLIND NERO. JOHN MAGEE BIND LONER
JOHN MAGEE BLOOD HERN JINN MAGEE BORNE LIND JOHN. MAGEE ROBIN LEND JOHNA
NAME TO A MEAN TO A TEAM ON A MATE NO ME TO ANA. MEAN TAO ATONE AM AM AT
ONE AMEN TAOBjorn Longhand me I Magne Haugen Jorn. Ben Goldhobrn b.yond
Magnus bjornmag Hallingstad John Mr. Jonah O. Blending. beyond Jon Reime
Jon Joel Nigh Brodman beyoni John Modalen Bernard John Ling. Dffoberman
byoni Olav Asgrimson Johan John Germinal Bond ignominy Runed Foss.
Magnhild pronoun Tomasi Magnhid en Sire born.matronym Larsi Vatlend.
byon.lihngam Bent Standal Magh erroneous.notion Dani Bjrn Norheim Magee.
ontic.mantsin Mikal Nordal Maginsel kari.eliot Bruno Bjrnstad Magy Bjorg.
Brndals Magny Hanne Bjevrke Manee Glenda Bjordl Maney Heod Gram Manney.
garbiel Jakobssen Manny Holkermann Magney Homin Magnee blix MacNillon
brandt. Mac Neal hoberg Magnhy Maget Magey Maghy Hughey Hayes Magnhill
Magni. ByrnBjrn Hitdlakjempe Bjarnar saga Hdlakappa Bjarni. Hitdlakappi
Monstrous Allegations An Exchange of ki in Bjarnar saga.
Htdlakappaber'serk Borne John Lind Magee benoni Bjorn Magnhildson.
Magnhildoyn Jon Magnus Holberg Brandt Beorma bjorn beras matronymbef. ME.
be(a)re beor(e) OE bera c. Fris br D beer OHG bero (G Br) Gmc. beran lit.
the brown one akin to ON bjbrn bersi cf. Lith bras brown. Cf.. BRUINmagh
Important derivatives are may dismay might main machine. mechanic magic.
To be able have power. may from Old English magan to be. able dismay from
Old French esmaier to frighten. Both a and b from Germanic. magan to be
able. might from Old English miht power from Germanic. suffixed form mahti
power. main from Old English mgen power from. Germanic suffixed form
maginam power. Suffixed lengthenedgrade form. mghan that which enables.
machine mechanic (mechanism) (mechano). Greek (Attic) mkhan (Doric) mkhan
device. Possibly suffixed form. maghu. (magic) magus from Old Persian magu
member of a priestly caste (. mighty one). Pokorny magh .PHONOLOGY OF
DEVELOPMENT OF QUENYA FROM. PROTOELDARIN This follows ETYM and ignores the
very different early part of. the phonology development shown in BOLT. As
shown by KVNS at that time RT the. Elves made PE by trying to learn
Valarin from Orome at Koivieneeni and. afterwards Tolkien likely made ETYM
PE Valarin uneuphonic with roots such as. snas and skyap and kugh to make
it sound stern and commanding. (Did. Valarin have a history of change MET
before that E.g. PE magh hand. mag use handle. From the description in
Ainulindale (SIL) Ea before. Arda was made was likely big enough and
lasted long enough for even Ainur's. languages to evolve different ways in
different areas.)In a map printed in. the peninsula is called Island
Maghies and in it is referred to as. McGuiyes Island. Also in in the
Inquisitions of Antrim it is referred. as Island of Magie and Island of
Maghy. In the map called Atlas Novus. published by Johan Blaeu in it is
called Magees Ile. During the th. century the Ordnance Survey Memoirs of
Ireland postulated that the name. Islandmagee was derived from Mac Aoidh
(named after the most common family name. on the island prior to the Tudor
Conquest of Ulster i.e. Magee) or Mac iagh. which they say derives in turn
from a word for seagull. I can not find any such. word for seagull and
believe such a derivation to be incorrect.McKee Magee. McGee Mackey McKay
McCoy MacHugh McHugh and Hugh also in the O form as. OHea OHay Hay Hayes
The derivation from the name Magee (from the Irish. Mag Aoidh or Mag
Aodha) means son of Aodh (an old word for fire). It is a very. common name
in Ulster occurring in the following corrupted forms McKee Magee. McGee
Mackey McKay McCoy MacHugh McHugh and Hugh also in the O form as. OHea
OHay Hay Hayes). In this case the Island is reputed to be named after. a
family of Magees who are said to have their principal base in the
townlands of. Portmuck and Carnspindle. In Marschal Bagenals description
of Ulster in. it is stated such as there be the Magees and contribute to
the Lords of. Clandeboys (from Clann Aodha buidhe U Nill meaning the
family of. yellowhaired Aodh Nill). A similar derivation is given in.
Dubourdieus Antrim viz. the inhabitants thereof are Magies from which it.
hath the name. History records the death of perhaps thirty members of
this. family by soldiers from Carrickfergus Castle following the.
rebellion.AirNav Index of airspace fixes M MAGAF MAGAH MAGAS MAGCI MAGCO.
MAGCY MAGDE MAGDY MAGEE MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI
MAGGO. MAGHA MAGHO MAGHY MAGIC MAGID MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY
MAGJA MAGJI. MAGJO MAGJU MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW
MAGOZ MAGPY MAGRE. MAGRY MAGUH MAGUJ MAGUS MAGUW MAGUY MAGUZ MAGWE MAGWU
MAGXO MAGXY MAGYA MAGYE. MAGYI MAGYU MAGZE MAGZI'Magnus' also appears in
the forms 'Mang' and 'Manges'. in the Alps and Southern Germany. ba) From
the Latin word adjective 'magnus'. great large thus by being used as a
(proper) noun it becomes the great. one. The word is derived from the Indo
European base 'meg(h)' which also. evolved into Sanskrit 'maha' big Greek
'megas' big and English 'much'.. However that is not the entire story.
According to Wasserzieher the norther. variant of the name Magnus was
coined by king Olaf the Saint of Norway who. named a son in honor of
Emperor Charlemagne (Latin Carolus Magnus German. Karl der Grosse
Norwegian KarlaMagnus). Charlemagne () who ruled. over France Germany and
Italy was quite an impressive medieval king who in. was crowned the first
Western Emperor since the fall of the Western Roman. Empire. How
impressive was he to his contemporaries Well he was made a saint.
(canonized in unfortunately only by an AntiPope and he is revered only. in
a few places) and the word for king in many Slavic languages is derived.
his name (Polish 'krol' Russian 'korol'). I must confess this does add. an
intriguing new dimension because of course Professor X's first name is.
Charles which is the French form of the name Karl which owes a lot of its.
popularity to Charlemagne. Two sides of the same coin indeed ba) In
Southern. Germany Switzerland and Austria the name is mixed up with the
otherwise. apparently extinct German name 'Magnoald' 'Maginald' 'Maginold'
he who rules. with might. It is hard to tell if this 'Magnus' is a
Latinization of the German. name(s) or the identification is the result of
a mistake (see section ). This. name seems to be related to that Thor's son
Magni (looking around I also found. the name Magnerich (Magnericus) who was
bishop of Trier from ca. to. .)The first element of this name derives from
the Germanic word for might. represented in modern English 'might' German
Macht and Dutch 'macht' which. derives from the IndoEuropean 'magh' to be
able which also is the root. for modern English 'may' (cf. German 'mag')
'mage' and 'magic' (from the Old. Persian 'magus' Iranian 'magu' which
referred to the Magi the priestly. caste in Ancient Persia and Media) and
also 'machine' and 'mechanic'.. noemata. Saturday December.
Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. PATAFYSISKT NAMN STOPPAS AV
RTTENBrfxxccxxmnpcccclllmmnprxvclmnckssqlbb.. S fr inte lille Albin
stavasitt namn. Kammarrtten i Gteborg fann inget std. i lagen fr att
dpamnniskor i sdan anda. Den vida knda hallndska. namnstriden brjade
medatt lnsrtten i Halland utdmde ett vite mot. frldrarna p kronorfr att
inget frnamn alls registrerats p. gossebarnet trots att hanhunnit bli fem
r. D skickade frldrarna in. stavningen med tecken.Namnfrslaget br ses i
patafysisk anda skrev. frldrarna i sin inlaga.Men kammarrtten kunde inte
se patafysiskt p. stavningen. Parafysik r deinbillade lsningarnas
vetenskap uppfunnen av. absurdisten Alfred Jarry somannars r mest knd som
frfattare till. teaterstycket Kung
Ubu.Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. (pronounced Albin) was a name
given to a child by the parents of a Swedish. family in May .A district
court in Halmstad southern Sweden had fined the. parents (Elizabeth Hallin
and ) kronor (approximately US) for failing. register a name for the boy by
his fifth birthday. Responding to the fine. the parents submitted the
character name claiming that it was a pregnant. expressionistic
development that we see as an artistic creation and. suggesting that it
should be seen in the spirit of pataphysics. The court. rejected the name
and upheld the fine. The long and short of itSWEDISH. authorities last
year told a couple who named their son.
Brfxxccxxmnpckccccmmnprxvcmackssqlbb to find a new shorter name for. the
boy. However the authorities in Stockholm have now rejected his new name.
of A according to the Hallands Nyheter newspaper. Initially the parents.
refused to provide tax authorities with a name for their newborn son.
After. numerous disputes the parents finally provided them with the letter
and. digit sequence which they say is pronounced Albin. That resulted in
an. fine from the tax authorities last year for defying the Swedish name
law.This. northern summer the couple registered their son as A. Tax
authorities also. rejected that name because singleletter names are not
allowed. An appeals. court upheld the decision. The parents previously
said that they chose a. meaningful expressionistic typographic formulation
which we consider to be an. artistic new creation in the pataphysical
tradition in which we believe.The. boy who is still officially nameless
has a passport in which his name is. given as Boy Tarzan.Related Jennifer
. Lee born March in New. York City is a New York Times reporter for the
Circuits section. Her middle. name was given by her parents in her teens
because there are too many people. named Jennifer Lee. She spells her
middle name . on paper but on her. driver's license it is spelt as a much
less dramatic Eight. Her parents were. Taiwan and were influenced by the
typically Cantonese custom that sees. number as a symbol of prosperity. is
a character in the comic strip. Peanuts by Charles Schulz. He debuted in
and continued to appear on and. off until . has spiky hair and sometimes
wears a shirt with (what else). the number five on it. His full name is
(accent on the ) with. being the family's last name (actually their zip
code which in real life. corresponds to the zip code for Sebastopol
California). His father changed all. of the family's names to numbers as a
protest to call attention to the way that. he felt like numbers were taking
over people's identities. also has two. sisters named and .. noemata.
Friday December. lumber. lumber. the mean. while waiting and waiting for
win to boota play for the calculator the. meanok what about . .where does
the . come from. .. still the sameok so we know n(n).(n.)what about step.
while it holds now the diff is always. n(nstep)(step)((nstep))try random
..i have. format c unbelievablestep is so it doesn't workdo you want to
install. netmeetingwho ever had any need of scandiski ran scandisk several
times. nowstill it didn't detect damaged sectorsunbelievable crap
scamdickswell why. didn't it work for odd it's yeah now your product key.
licenceit's supposed to be oh well it just squares thensquareroot of ..
is.. . voilakey is GXPPKTCDRJGJDTRBM (win)it's.
n(nstep)(step)((nstep))which makes sense for the . and the. updating you
system..restart then restart then restartthis wasn't very. profoundit's
like you need the square stuff somewherewhether you put it in the. n's or
the stepit doesn't matterthe suprise in the beginning of this play..it.
didn't take into account the extras of the squarethe double its
shadowit's. about dimensionshow the extra dimension casts a shadow backthe
step is supposed. take care of thatah but there's no stairway to
heavencan't believe this. where are the screen driversMy documents it's
intimidatingvery smalli. lost the scans whateveranal stuff i mean what's
the pointthe joy of. loosingagain a gain where does the shadow come inthe
gain where the extras. are fromhell is a collapse of dimensionswhat
happens when things colapsewhen. these squares collapsed they lost their
shadowi was thinking of this drawing. also what it lostshadows of course
collapsed into texturebut the other way. alsowhat would the hyper be if
this was. textureloomunbelievableunbeleivablewhat is mostthis cognitive
quaking is. backforth's squaringnothing in the middlenothing mediatedthese
are flatmeanthe. synonyms for mean are average base beggarly entail hateful
have in mind. imply intend mean value meanspirited mingy miserly signify
stand for. think think of tight. noemata. Tuesday November. anyhryear
anniversaryarchive of visual. Nov k. noemata. Wednesday November. plese.
its tu muchi wnat nothign to do with itplesei was nothing to do withit.
noemata. Wednesday November. recursive dictionary. material or nonmaterial
entity idea action etc that is or may be thought. about or perceived a gift
a thing given or presented of the something done. deed or action or
sensation caused in the ear by the vibration of the. surrounding air or
other medium of laughter and the capacity or power to. perceive or feel or
to be conscious of the state or condition of being present. or attributes
qualities or characteristics of material or nonmaterial. entities ideas
actions etc that are or may be thought about or perceived. that human
concerns business matters to be attended to their continuous. onward
movement or progression and circumstances esp. those affecting the.
functioning or existence of something active condition which
distinguishes. active animals and plants from inorganic matter including
the capacity for. growth functional activity and continual change
preceding death were. mad.Bertrand RussellApplying the algorithm to text
with a high proportion of. abstract nouns is particularly amusing. Here
the starting text is from. Bertrand Russell's History of Western
Philosophy from a chapter on PlatoThe. second argument is that knowledge
is recollection and therefore the soul must. have existed before birth.
The theory that knowledge is recollection is. supported chiefly by the
fact that we have ideas such as exact equality which. cannot be derived
from experience.Transformation givesThe second reasoning. process is that
awareness or familiarity gained by experience is the act or. power of
recollecting and therefore the spiritual or immaterial part of a. human
being often regarded as immortal must have existed before the emergence.
of a (usually fully developed) infant or other young from the body of its.
mother. The supposition or system of ideas explaining something esp. one
based. on general principles independent of the particular things to be
explained that. awareness or familiarity gained by experience is the act
or power of. recollecting is supported chiefly by the thing that is known
to have occurred. exist or to be true that we have conceptions or plans
formed by mental. effort such as the exact state of being equal which
cannot be derived from. actual observation of or practical acquaintance
with facts or events.. noemata. Monday November. congratulations
congratulations your site is on on (nostalgi). noemata. Monday November.
curious. my handwriting .jpg 'Freedom diedgreat people proved that
awareness exists. and every lifeform is awareunfortunatelly they hadn't in
mind that evolution. not aims into awarenessdevelopment but towards better
adaptation.milions of. people just learned how to fake awareness.This what
makes us Humans is ablity. selfdevelopment and Empathynot adaptation.Crowd
without a leader went. insane.Sickness is ones who emphatize get dellusion
when looking. feelingslessones there is no mutual empathy then ones who
emphatize become. codepend.'.jpg(notes from train station i tried to
visualise how autosopher. adaptativenetwork works)also note that 'positive
effects coming from. smoking of tobbaco come fromchanged metabolism of
dopamine while addiction is. created by completelydifferent
neurotransmitter patch'also common mistake of. polish language pointed out
(use of foregin noun).jpg adaptative ALP network. Daylight Explosioni have
some other work like learning from c sources i'll. write to you laterd.jpg
dissolving substancedreams come when i am. heresnowwhite truth about
falseparticles of absurd from. nothingsubstancewhile this world is only
interpretation of our. dreamssubstanceyou melt with nonexistence like
youpractical disasemble of life. programtransient observation ofthoughts
about minimalism truth about. time.form of delusionsequence of sessionit's
lack of thought Substancewhile. civilisation camp grid is at least km
thin.where is. reasondynamicambitionfield of perception actions of
consiousness()timeand. this is 'life'intonation is alive and manipulating
bodieswill be as is. because can't be other waypreprogrammed forecast
shatter and bend under. influence of new datahow is time machine
likealivedestiny of chaos. complexity creation is creation itselfwe can
watch beauty of growthour time. camepower came to an. noemata. Jag lgger
lite bilder p mig hr.. Jag lgger lite bilder p mig hr.Men kom ihg jag vill
grna att. ni skriver i Gstboken vad ni tycker annars blir det inte fler
bilder. Mina. Fuktiga brst efter duschen.Jag visar upp ett av mina
brst.Jag i sexiga. underklder.Jag visar upp mig p sngen.Hr r jag helt.
utlmnad t dig.Tnk om handen inte fanns dr.Gillar ni mina. Lppar.Ny bild p
mina lppar.Gillar ni bilderna p mig i. stayupsDet kan komma fler bilder
Jag hller p att vertala min. vninna att jag skall f lgga upp bilder p
henne ocks.Hr. under lgger jag sprutbilderna som jag fr Och jag skall
villigt. erknna att jag har onanerat och tittat p dem mnga.
gnger.Sprutbild Sprutbild Sprutbild Sprutbild Sprutbild Sprutbild.
Sprutbild Sprutbild Sprutbild Jag har ftt ett par nya sprutbilder Det.
tycker jag om. Flera gnger har jag tittat p dessa bilder och tnkt. p er
hur ni har lekt med era underbara stnd fantiserat om mig och. sedan
sprutat er varma klibbiga sats ver min kropp. Mnga gnger har. dessa
fantasier tagit mig till underbara orgasmer. Ett extra spnningsmoment. r
ju att min kille inte har ngon aning om vare sig websidan eller dessa.
foto.Hr kommer fler bilder.En bild frn en man som heter Bokoboko.Gabbe.
har ocks sprutat ner min kropp.Hawkan har lagt sin varma sd ver.
mig.Fineman har gjort hrligt sexiga konstnrliga bilder.nnu en bild.
noemata. Saturday November. delayed. noemata. Tuesday November.
colmplaints ingored. complaits comlaints comppaints commplaints complaints
ifnored withijn redach. reazch complaibnts live complaintsa complaints
comlplaints comp laints within. rexach complaintw ikgnored reasch
complaihnts complwints complaintts ignorer. ckmplaints witin complpaints
complaints withkin weithin complaints. complwaints cmplaints complainrts
complaintys ignorwd ignoredr complainte. complaoints comoplaints
complajnts complainys ugnored ignorerd complaintsz. witbhin reaqch rteach
ignorfed complains complaintrs witgin complaingts. ignofred comploaints
comp aints iygnored complaintd iognored jgnored ignoresd. rezach
complaitns ignorsd ignotred cojmplaints r each complaint s complanits.
ignorefd vcomplaints complaints withimn kgnored withih complaints
cmoplaints. teach complaints complaints igynored witihn comnplaints
complints complaings. ignoref compolaints cmplaints ckomplaints co
mplaints ignored wi thin. complaintsw oignored jignored ignored
compplaints ignoed complainrs complainta. ignorted reach complaiknts
ignpred ignjored complaints compliants complaknts. complains complasints
ep ijgnored igvnored rseach ignores complaaints ignored. withn rewch ithin
cvomplaints compllaints complaintxs comllaints feach. cojplaints wiyhin
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reachg inored. ginored awithin ignlored complajints withim comjplaints
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complaijnts resch reqch rdach. igmnored withn withion complaonts coplaints
reacxh ewithin reacch complsints. each complaint ignore complaints wit hin
music reacnh ignoredc clmplaints. ignoredx igbored complai nts ignred
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reac h complainfts reach ithin. complqaints wikthin reahc witjhin aithin
withjin ereach reachn complqints. reach dcomplaints ignored complkaints
reacb reachj witrhin rexch i gnored. each comlaints comkplaints complainfs
comlpaints complaintsd ignored ignorede. ignoree complsaints reduced
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xomplaints complainnts withi n erach wirthin. within wityin wijthin rerach
cxomplaints reach withjn ignoerd within rech. withnin conplaints igjored
freach wit in withni readh withi reac ignore ignord. copmlaints wkthin com
plaints within swithin complaintsx wwithin complawints. rfeach qithin
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reach ognored remastered ignofed rach comolaints withbin woithin. ingored
witfhin each complants album withinb xcomplaints reacgh explicit. ignor d
reavh rrach within ithin within reachy reachu ignored ignokred. wituin wi
hin colmplaints ignore d reaxch r ach complaintas reaxh ivgnored. wiuthin
wirhin cmplaints igtnored w ithin reacfh reacj complzints rdeach. ignoreed
compoaints treach ignkored ignored withn sale ignolred cimplaints. ignored
reach complaunts ignoered reafch wihtin wiithin complaionts reqach. withon
waithin ignhored igniored ignorecd ignkred readch wjithin reach.
coomplaints cdomplaints ignoored ignored reacg withgin complaints ignlred.
clomplaints ignoeed re ch iynored withinn wkithin itgnored ignorde wjthin.
reaach witthin within complxints complainjts complaiunts within withoin.
fomplaints fcomplaints qwithin witbin reavch coimplaints resach reah
ignorec. ignored ignopred witnin ignoredf complain ts cpmplaints ig nored
wighin re ach. gnored compkaints omplaints within wqithin reacn reacyh
reachb wituhin iggnored. ivnored rsach iwthin complaintx rezch reawch
cokplaints kignored ignored wothin. reach igjnored ignorrd compla ints ig
ored ignboredSearch colmplaints. noemata. lumber. lumber. oct().
..JFIF......h FF DB A E. C A .....C.nxxdh C C B AA A BE F FF. FF F DC DC F
FF FF. h FF FF FF FF. FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF
FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF FF FF FF FF FF DB
AA B. .C.h B F D F. FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF
FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF FF FF FF FF FF FF FF FF
FF FF FF. h FF. FF FF FF FF FF FF FF FF FF FF FF FF FF FF C. ah.
...............bh FF. C ..............ch. FF C ..............dh.
................eh. FF DA C A. matronym. Sunday October. Re confuciuslist
Mencius B. wild grass (fwd). matronym. Saturday October. plunderphonics
week. DJbyHandIngerMarieLienKidSquarepusherStev.mp (. C C Nystev.. vil du
D. C E have meg til B C D A B C. kveda..det skal A D eg gjera. med stF C C
D A F rste gleda..og. B C B eg skal kveda sF E. D A o vent fyr deg.. B. C C
F D at du skal glym A F C. F D a deg sjlv og m E D A D A C B. C eg..... eg
skal B F B. kveda so du skaC E C D A D l. grta..um du C E C var aldri. s
gla F B E C D A E d og kt'e... e B C B F g skal kveda so E E C. C D A snlt
fyr deg... B C C E E E at du skal l n. E D E r du ser p meg.D A D A F D E.
F ....Og mine viso F E E C. r dei er so snl C D A F D F B E e..som. Borken
t E E E E rvar p isen. hC C D A F D E le..og mine visF. A E or dei gjer'
ein C E D A. F D C C sleng..som litl E E B. e guten p skeis E E A E E D A
D A C. unn' gjeng..... D E F mine. visor dei F D E C D A F er so
mange..soD. A D C F D E m heggjeblomane. E B D drys i fanget.A F. F .so
hev det vore C C. A D A i all si tid.. D B. dess meir dei kv C D ed dei
dess. mei E D A D A C r der bid...... C A C vil du stevjast F B. C so skal
eg svar C D A F. C E a..og heile nat F B C. ti so skal det v B D A F C.
ara..og vil du A D D stevjast med. meg B C C D A E i kveld..du g. B A E r
'kje t fyrr d E. E D C C E u fr ein smell. abort.
DJbyHandsisselkyrkjeboorigamiweightlessapati MB. matronym. Friday October.
link var. Index of var Name Last modified Size Description. Parent
Directory Oct idxbdvds.jpg. Oct k vdsidx.jpg Oct k. .jpg Oct k .jpg. Oct k
b.jpg Oct k. masl.jpg Sep k DSCN.jpg. Oct k DSCN.jpg Oct k. DSCNZ.JPG Oct k
DSCN.jpg. Oct k DSCN.JPG Oct k. DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct
k. DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct k. DSCN.JPG Oct k DSCN.JPG.
Oct k DSCN.JPG Oct k. DSCN.JPG Sep k DSCN.JPG. Sep k DSCN.JPG Sep k.
DSCN.JPG Sep k DSCN.JPG. Oct k DSCN.jpg Oct k. DSCN.JPG Oct k DSCN.JPG.
Oct k DSCN.JPG Oct k. DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct k.
DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct k. FlwTmudZFemVXGfQK... Sep k
P.png. Sep k P.png Oct k. P.png Oct k P.png. Oct k RISS.jpg Oct k. S.jpg
Sep k acroBatic.JPG. Sep k annama.jpg Oct k. annan.jpg Oct k annotfw.jpg.
Oct k apdd.jpg Oct k. apok.jpg Oct k apolillebilen.jpg. Oct k aporegn.jpg
Oct k. bdvds.jpg Oct k brcolagedrawachine.jpg. Oct k bssggn.jpg Oct k.
candledrawings.jpg Sep k codune.jpg. Oct k desktop.jpg Oct k. dietz.jpg
Oct k eee.jpg. Oct k elmagspectrum.jpg Sep k. ff.jpg Oct k fjfjf.jpg. Oct
k fluktbiler.jpg Oct k. fluxusmap.jpg Oct k fortart.jpg. Oct k ggcc.jpg
Oct k. ghdf.jpg Oct k golgeilo.jpg. Oct k gv.jpg Oct k. hfhfh.jpg Oct k
hfhfhw.jpg. Oct k hfhfhw.png Oct k. horn.jpg Sep k ideog.png. Oct k jj.jpg
Oct k. jotunheimen.jpg Sep k julebukk.jpg. Oct k lc.jpg Oct k. mouazing.png
Sep k mrna.jpg. Sep k oe.jpg Oct k. pluntscape.jpg Sep k prestholt.jpg. Oct
k prestholtskaret.jpg Oct k. psychogeo.jpg Oct k rabsistggkgigngdgom... Oct
k recursivelibrary.jpg Sep k. rygg.jpg Sep k san.png. Oct k scapeg.jpg Oct
k. scrreen.jpg Oct k sdgaa.jpg. Sep k seroma.jpg Oct k. sino.jpg Oct k
skogshorn.jpg. Sep k taka.jpg Oct k. tectonics.jpg Sep k teent.jpg. Oct k
tenner.jpg Oct k. text.jpg Oct k tilapollinaire.jpg. Sep k
torpostavechurch.jpg Sep k. tuftebrui.jpg Oct k turs.jpg. Sep k
usbdrawing.jpg Oct k. matronym. relax. matronym. Wednesday October. im not
sisting strahgt my jands ctrlz ctrlz ctrlz ctrlz versjon. ctrlz ctrlz ctrlz
ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz. ctrlz ctrlz ctrlz glitch
versjon (ultra editor) well probably doesn't affect. html so why blotherim
not sisting iwant somehthign it's a bit. frighteningstrahgt that kid on its
own and coldmy jands. atomata like tat fly nothing holdingnothing here in
the win. should i let gothis writing is the fog leaves (they of
whatagainst. itself does it) eprime the i don't know anythingi only write
when. drema (dramadream) this blank screenforgetting muself of magic.
contradicted by my fingersnegation well science and the this will. only be
troubleworthwhile howto any base fuck youspace which is. debase. coming
back this is completely lostnothing to.. never againher cunt ie no.
memoryshould backspace sensation must be no knowledgethat. based on
recurrence monster of pixelscollaps else you wouldn't. soothwhere am i
know but gnomhow to write. still sense but no.where am i inn the only once
it vicinitymyself. doesn't count (count potentialmy arm is kind of is.
sentence dntwiched recurrence). any pnrrmaqyawmy back. somewhat object.
object is nvvypub vybcdcxrunched here too much. object. dmcs vnbpu
cdngvirtual backspace anything that is suug. fcnothing ever comes visible
or tangible mqhycuq iydxout of this. and is relatively bucgupd dnwhere
does this go stable in form. to. uaurk rnhuruadexpect nothing you. ya
hypyaydkleft. channel delay something. thing xytt uywxd cyjthe need.
(meeting vyhuno structure her interface). lubn. ()whatever fright
subjectsubstancediscontinue into. subtrahends ariettaslide emergent
relation. subterfuge. arroweddiscreet egene remove
sceptrelessespataphysical. logic posessive my's. arrowedcompression is a
reactive at chemical. saboteur aridcipher level. behave septarium
arteroads. late ME softheartedly aradjustice behaven. (reflexive).
subterranean aridblockhead See BE HAVE.. shifters airywriting into space
behaviorism the spadework awardeei'll. go wherever the theory that scepter
areawidekeys lead. psychology can be shifter aerateleather case accurately
studied. softer arrauboard table kitchen only through the spader
artiecuisine. examination and subterfuge aureatei meant metaphor analysis
of. sputter areawidewherever possessives. subtree. areawidesomething else
sputter aeratethis is just. one i'm no one get your softer airyside hands
off me.. spader airtno justice HAHA. subterraneanisesusually space is
karmaguilttraces aortaexpensive. i once had guilt subdirectories
artymassive nothing writing haha. says it spidery airedeyes all (active
subtraction. artyi once had eyes expression vs sceptered artiego beyond
they. say matters of doctrine) subtreasury areawideother i laughter. is
spidery arrayedwhat comes in this eternally guilty. subterraneanise arteis
still eyes (doctrinal in sifter. awardeekeyes writing) as anythe cod e
statement. n softheart s mouthing. y. arrondis t guilty guilty (how
soekar. ttraffi n awkward to ) soffit ar thorsest c t. how's w g softies
arteriolethere's compilation attached to guilt. soever arterialises should
stop writing soke. arterialisinginterprete e another w e sojoimmedi s.
status of relate to artel valuemeaning other sodwhat'. than drawn arteri
dente. softhead arthromerewhich is p s (interfaces again).. sojourners
arrowrooti had t a media a softening. artefactbig small inverse suppose it
e softbound arsenicaldi. other way a softy ars lprotoco f signs are. soiree
arsenicisespapyrus no o lines are. ts stronger attraction readapting
mcqueenpro. proto mecritical distance attraction to. what reactualise
meagerlyexecution of seeing easy essing. meal ers are easi ay. of
mcmurdohidden instant an. g rea ness memiddleman blackmail to. ably me
compl of the ualizes. li syst inimax rk up. to mewhat's the deal on. me (
rface') reactualisations. mei r mansus accidencesubsta me. critical and
easie 's. system wins liked ng not gravitati. stupid you alwaysde reaming
get signs toodr eath is. obvious it's theirso ng else job. backtrackingi'd
to die. guilt is thru th .. sign you no. shouldn't att it's like chaplin
onde s trash. a conveyor belt ghtning down t rs economy.no. no signno in
the talking is a w recur.. as stimulusres augment pos. respons. lumber.
matronym. Tuesday October. thing. thing (thing) n. . a material object
without life or consciousness an. inanimate object.. some entity object or
creature that is not or cannot be. specifically designated or precisely
described The stick had a brass thing on. it.. anything that is or may
become an object of thought things of the. spirit.. things matters affairs
Things are going well now.. a fact. circumstance or state of affairs It is
a curious thing.. an action deed. event or performance to do great things
His death was a horrible thing.. a. particular respect or detail perfect
in all things.. aim objective The. thing is to reach this line with the
ball.. an article of clothing I don't. have a thing to wear.. things
implements utensils or other articles for. service I'll wash the breakfast
things.personal possessions or belongings. Pack your things and go. a task
chore I've got a lot of things to do. today.. a living being or creature
His baby's a cute little thing.. a. thought or statement I have just one
thing to say to you.. Informal. a. peculiar attitude or feeling either
positive or negative toward something. mental quirk She has a thing about
cats.. something signified or. represented as distinguished from a word
symbol or idea representing. it.. Law. anything that may be the subject of
a property right.. do or find. one's own thing Informal. to pursue a
lifestyle that expresses one's self.. Also do or find one's thing. . make
a good thing of Informal. to turn (a. situation experience etc.) to one's
own profit benefit by She made a good. thing of her sparetime hobbies..
new thing Jazz. See free jazz. . not to. get a thing out of to be unable
to obtain information or news from The police. couldn't get a thing out of
him.to fail to appreciate understand or derive. aesthetic pleasure from My
wife likes opera but I don't get a thing out of. it.. see or hear things
Informal. to have hallucinations.. the thing. something that is correct or
fashionable That caf is the thing now.that. which is expedient or necessary
The thing to do is to tell them the. truth.bef. ME OE orig. meeting see
THINGthing (thing ting) n.. (in Scandinavian countries) a public meeting
or assembly esp. a legislative. assembly or a court of law.Also ting. Cf.
thingstead. ON assembly. c. THING D ding G Ding thing orig. meeting akin
to Goth theihs. matronym. Monday October. nothing (nuthing) n.. nothing
(nuthing) n. . no thing not anything naught to say. nothing.. no part
share or trace (usually fol. by of) The house showed. nothing of its
former magnificence.. something that is. nonexistent.. nonexistence
nothingness The sound faded to. nothing.. something or someone of no
importance or significance Money is. nothing when you're without health..
a trivial action matter circumstance. thing or remark to exchange a few
nothings when being introduced.. a person. of little or no importance a
nobody.. something that is without quantity or. magnitude.. a cipher or
naught Nothing from nine leaves nine.. (used in. conventional responses to
expressions of thanks) Think nothing of it. It's. nothing. Nothing to it..
for nothing free of charge.for no apparent reason. or motive.futilely to
no avail They had gone to a great deal of expense for. nothing.. in
nothing flat in very little time Dinner was finished in. nothing flat..
make nothing of to treat lightly regard as easy.to be. unsuccessful in
comprehending He could make nothing of the complicated. directions..
nothing but nothing other than only We could see nothing but. fog..
nothing doing Informal. emphatically no certainly not.no activity.
inducement advantage etc. present to the eye We drove through the town
but. there seemed to be nothing doing.. nothing less than or short of
absolutely. completely She was used to nothing less than the best.. think
nothing of to. treat casually.to regard as insignificant He thinks nothing
of lying to. conceal his incompetence.adv. . in no respect or degree not at
all It was. nothing like that. Nothing dismayed he repeated his
question.adj.. . amounting to nothing as in offering no prospects for
satisfaction. advancement or the like She was stuck in a nothing job.bef.
ME OE. matronym. rinsay. the active expression of enlightenment over
matters of doctrineThe mind thus. creates the world in the sense that it
invests the phenomenal world with. value.They have presumably already
freed themselves from preoccupations with. the commoner cravings for
sensual indulgence material gain or worldly fame. and have entered the
path of religious strivings. But it is precicely this fact. that Linchi
sees as the source of their problems.this lone brightness without. fixed
shape or form.once and for all that there is no goal to be striven for.
because it has been won already no place to be journeyed to because one
is. there right now.People with so few roots of faithif it's for the sake
of the. Dharma don't hesitate to sacrifice your bodies or give up your
lives.If you. approach it with a true and proper understanding you won't
be affected by. considerations of birth and death you'll be free to go or
stay as you. please.The fault lies in the fact that they don't have faith
in. themselvesStudent's don't have enough faith in themselves and so they
rush. around looking for something outside themselves.Those who have
fulfilled the. ten stages of bodhisattva practice are no better than hired
field hnads those. who have attained the enlightenment of the fiftyfirst
and fiftysecond stages. are prisoners shackled and bound arhats and
pratyekabuddhas are so much filth. in the latrine bodhi and nirvana are
hitching posts for donkeys. Why do I. speak of them like this Because you
followeres of the Way fail to realize that. this journey to enlightenment
that takes three asamkhya kalpas to acomplish is. meaningless. So these
things become obstacles in your way.Fellow believers. time is precious You
rush off frantically on side roads studying Ch'an. studying the Way
clinging to words clinging to phrases seeking Buddha. seeking the
patriarch seeking a good friend scheming planning. But make no. mistake.
Followers of the Way you have on set of parents what more are you. looking
for You should stop and take a good look at yourselves. A man of old. tells
us that Yajnadatta thought he had lost his head and went looking for it.
but once he had put a stop to his seeking mind he found he was perfectly
all. right.The man of value is the one who has nothing to do. Don't try to
do. something special just act ordinary. The Paotsung lun With regards to
the. Way what is valued in every age is to have nothing to do. With
regards to the. Way when one is mindless then all things will proceed
smoothly.Followers of. the Way the Dharma of the buddhas calls for no
special undertakings. Just act. ordinary without trying to do anything
particular. Move you bowels piss get. dressed eat your rice and if you get
tired then lie down. Fools may laugh at. me but wise men will know what I
mean. A man of old said People who try to do. something about what is
outside themselves are nothing but blockheads.If you. have doubts in your
mind for an instant that's the Buddha devil. But if you. can understand
that the ten thousand phenomena were never born that the mind. is like a
conjurer's trick then not one speck of dust not one phenomenon will.
exist.As I see it there's no Buddha no living beings no long ago no now.
If. you want to get it you've already got it it's not something that
requires. time. There's no religious practice no enlightenment no getting
anything no. missing out on anything.If you want to be free to be born or
die to go or stay. as onw would put on or take off a garment then you must
understand right now. that the person here listening to the Dharma has no
form characteristics no. root no beginning no place he abides yet he is
vibrantly alive. All the ten. thousand kinds of contrived happenings
operate in a place that is in fact no. place.If your mind entertains a
moment of doubt it becomes obstructed by the. element earth. If your mind
entertains a moment of craving it becomes drowned. in the element water.
If your mind entertains a moment of anger it is seared. by the element
fire. If your mind entertains a moment of delight it is tossed. about by
the element air.The way I see it onw shouldn't be averse to anything..
Suppose you yearn to be a sage. Sage is just a word sage.Those who study
the. Way these days need to have faith in themselves and not go looking
for. something outside.If you want to be a truly great vessel you must
never be led. astray by others. Wherever you are play the host and then
any place you stand. will be a true one. Whatever confronts you don't let
yourself be imposed on.. If you entertain even a moment of doubt the devil
will enter your mind.Just. have faith in this thing that is operating in
you right now. Outside of it. nothing else exists.In the way you now
respond and utilize it what do you. lack In the space of an instant you
enter purity or enter defilement enter. the halls of Maitreya or enter the
lands of the three eyes. You wander at ease. everywhere for you see that
these are all empty names.The buddhas and. patriarchs are people who don't
have anything to do or are without defilements. and doings their karma is
clean and pure.The Patriarch Shenhui said If you. try to arrest the mind
and stare at silence summon the mind and focus it on. externals control
the mind and make it clear within concentrate the mind and. enter into
meditation all practices of this sort creates karma.So for the. past
twelve years though I've looked for this thing called karma I've never.
found so much as a particle of it the size of a mustard seed.from times
past. the real teachers wherever they went were never listened to and were
always. driven out.The various phenomena in this world and other worlds are
in all. cases devoid of intrisic nature. Even if something did exist it
would in all. cases be no more than an environment that changes with what
it depends on. You. live in a land of changing dependent conditions what
is it you are looking. for And things like the Three Vehicles and the
twelve divisions of the. scriptural teachings they're all so much old
toilet paper to wipe away filth.. The Buddha is a phantom body the
patriarch are nothing but old monks. You were. born from women weren't you
I you seek the Buddha you'll be seized by the. Buddha devil. As long as you
seek something it can only lead to suffering.. Better to do nothing.A true
student of the Way never concerns himself with the. Buddha. Far removed
alone and free he is never entangled in things. Heaven. and earth could
turn upside down and he would not be perturbed. All the buddhas. of the
ten directions could appear before him and his mind would not feel an.
instant fo joy the three realms of hell could suddenly confront him and
his. mind would not feel an instant of alarm. Why is he like this Because
he knows. that all things in the phenomenal world are empty of
characteristics. WHEN. CONDITIONS CHANGE THEY COME INTO EXISTENCE WHEN
THERE IS NO CHANGE THEY DO. NOT EXIST.Followers of the Way when students
come here from various regions. and we have finished greeting one another
as host and guest the student will. make som remark to test the teacher.
The student comes out with these tricky. words and thrusts them into the
teacher's face. If you were the teacher and. realized that this was just
an 'environment' and you grabbed it and threw it. down a hole then the
student would act normal again and after that would ask. for the teacher's
instruction. The teacher would then snatch that up too and. treat it as he
did the earlier remark. The student then says Very wise A. truly great
teacher The teacher says You certainly can't tell good from. badAgain
suppose the teacher comes out with a certain chunk of environment. and
dangles it in front of the student's face. The student sees through this.
and at every step acts the master refusing to be misled by the
environment.. The teacher then reveals half of his body whereupon the
student gives a shout.. The teacher now enters the place where there are
all kinds of differences and. distinctions battering the student around
with words. The student says This. old baldhead who can't tell good from
bad The teacher exclaims in admiration. A true and proper follower of the
WayThere are some teachers around who can't. distinguish crooked from
straight. When a student comes and asks about bodhi or. nirvana about the
threefold body or about environment and wisdom those blind. old teachers
start explaining to the student. When the student curses at them. they
pick up their stick and hit him saying Such rude language If you have. a
teacher like that he lacks eyes to begin with.Then there is that bunch of.
baldheads who can't tell good from bad but point to the east gesture to
the. west love clear weather love it when it rains love this lamp or that
pillar.. Look and see how many hairs they have left in their eyebrows and
with good. reason. Teachers like that are nothing but wild fox spirits
goblins. Good. students will just give a little snicker and say Blind old
baldheads trying. confuse and lead everybody in the world astrayFollowers
of the Way if you. want to get the kind of understanding that accords with
the Dharma never be. misled by others. Whether you're facing inward or
facing outward whatever you. meet up with just kill it If you meet a
buddha kill the buddha. If you meet. your parents kill your parents.These
students of the Way who come from all. over there's never been one of them
who didn't appear before me depending on. something. So I starrt out by
hitting them there. If they come with a raised. hand I hit the raised hand
if they come mouthing something I hit them in the. mouth if they come
making motions with their eyes I hit them in the eye. I. have yet to find
one who comes alone and free they're all caught up in the. idle devices of
the men of old.I don't have a particle of Dharma to give to. anyone. All I
have is cure for sickness freedom from bondage. You followers of. the Way
from here and there try coming to me without depending on anything. All. I
get are things stuck to stems clinging to leaves wraiths that inhabit
bamboo. or trees wild fox spirits They chew frantically at every lump of
shit they. happen upon. Blind foolsI tell you there's no Buddha no Dharma
no practice. no enlightenment. Yet you go off like this on side roads
trying to find. something. Blind fools Will you put another head on top of
the one you have. What is it you lackThe way I see it there's no call for
anything special.. Just act ordinary put on your clothes eat your rice
pass the time doing. nothing. You who come here from here and there you
all have a mind to do. something. You search for the Buddha search for the
Dharma search for. emancipation search for a way to get out of the
threefold world. Idiots. trying to get out of the threefold world Where
will you goFellow believers. this body made up of the four major elements
has no permanence. Things like. spleen and stomach liver and gall hairs
nails teeth are simply evidence. that all phenomenal things are empty of
fixed characteristics. As long as your. mind is unable to cease its
momentbymoment activity then you are up in the. tree of ignorance. But if
you can learn to cease then you'll be in the world. of the clean pure
body.If a student truly knows what he is doing he will give. a shout and
then first of all hold out a try of lacquer. The teacher failing.
recognize this as a mere 'environment' proceeds to climb up on the.
environment and begin striking poses or donning attitudes. The student
gives a. shout but the teacher refuses to abandon his approach. This is
called the. guest seeing through the host.Or perhaps the teacher will not
come out with any. object of his own but will wait for a question from the
student and then snatch. it away. The student seeing his question snatched
away won't let go but holds. on for dear life. This is a case of the host
seeing through the guest.Perhaps. there is a student who responding with a
clean pure environment presents. himself before the teacher. The teacher
can tell this is just an environment. and grabs it and throws it down a
hole. The student says A truly great. teacher Instantly the teacher says
Hopeless can't tell good from bad. The student gives a low bow. This is
called the host meeting up with a host.Or. there may be a student who puts
a cangue wooden collar on his neck binds. himself in chains and then comes
before the teacher. The teacher proceeds to. shackle him with another set
of cangues and chains. The student is delighted. unaware of what has
happened. This is called the guest meeting up with a. guest.But students
don't have faith enough and instead base their. understanding on words and
phrases. Their years pile up to half a hundred and. all they do is go off
on side roads carrying their dead corpses on their. backs racing all over
the world with their load of baggage.If you look toward. the area of
motion and try to grasp the truth there it will take up its stand. in the
area of nonmotion and if you look towards nonmotion and try to grasp it.
there it will take up its stand in motion. It is like a fish hidden in a
pond. who now and then slaps the surface and leaps up.When students come
from here. and thee I classify them into three categories according to
their ability. In. such cases if a student of less then middling ability
comes to me I snatch. away the environment but leave him his existence. I
a student of better than. middling ability comes to me I snatch away both
environment and existence. If. a student of truly superior ability comes
to me I do not snatch away anything. neither environment nor existence nor
person. If a student appears whose. understanding surpasses all these
categories then I deal with him with my. whole body and take no account of
his ability.Reverend Taoi's way of doing. things was simple direct nothing
mixed in. Reverend Lushan was utterly free. true and correct but whether
he came at them with compliance or opposition his. students could never
fathom what was going on. Mau's way of doing things. was as bitter as the
bark of the Chinese cork tree no one could get near him.. The way Shihkung
went about it was to look for students by pointing an arrow. at them all
who came to him were terrified. Shihkung had been a deer hunter.. When
students came to him he would fit an arrow to his bow point it at them.
and say Look at the arrowFellow believers these sounds names words.
phrases are all nothing but changes of robe. The sea of breath in the
region. below the navel stirs itself into motion the teeth batter and mold
it and it. comes out as a statement of an idea. So we know for certain that
these are mere. phantoms.Better to do nothing to meet someone but not
recognize him talk with. him but not know his name.There's a bunch of
fellows who can't tell good from. bad but poke around in the scriptural
teachings hazard a guess here and there. and come up with an idea in words
as though they took a lump of shit mushed it. around in their mouth and
then spat it out and passed it on to somebody else.. They're like those
people who play passtheword parlor games wasting their. whole life like
that.When the great teacher Bodhidharma came from the west he. was simply
looking for a man who would not be misled by others.I have been.
addressing you putting forth a lot of trashy talk. But make no mistake In
my. view there are in fact no great number of principles to be grasped.If.
bodhisattvas even those who have completed the ten stages of mind practice.
were all to seek for the traces of such a follower of the Way they could
never. find them. Therefore the heavenly beings rejoice the gods of the
earth stand. guard with their legs and the buddhas of the ten directions
sing his praise.. Why Because this man of the Way who is now listening to
the Dharma acts in a. manner that leaves no traces.Neither in this world
nor in any other world is. there any Buddha or Dharma. There is nothing to
appear before you and nothing. that is lost.Fellow believers only when you
have commited the five crimes that. bring on the hell of incessant
suffering will you finally gain. emanciation.Killing your father injuring
your mother drawing blood from the. Buddha's body disrupting the harmony
of the Monastic Order burning the sutras. and images these are the five
crimes that bring on the hell of incessant. suffering.Ignorance is the
father. When your mind is without activity wherever. it is this is called
killing the father.Greed is the mother. When your mind. experiences no
attachment anywhere this is called injuring the mother.If your. mind doesn
not even for an instant begin to discriminate but instead sees. complete
darkness everywhere this is drawing blood from the Buddha's body.If. you
properly understand that the bonds and entanglements of earthly desires
are. so much emptiness with no place to lean on this is disrupting the
harmony of. the Monastic Order.When you can see the emptiness of causes
and conditions the. emptiness of all phenomena when the mind is every
instant completely calm far. removed and doing nothing this is burning the
sutras and the images.Your minds. instant by instant confront an empty fist
a pointing finger and take it for. some sort of reality vainly trashing
around in the realms of senses. environments phenomena.Followers of the
Way don't take the Buddha to be some. sort of ultimate goal. In my view
he's more like the hole in a privy. Therefore. Manjushri grasped his sword
ready to kill Gautama and Angulimala blade in. hand tried to do injury to
Shakyamuni.Followers of the Way even if you can. understand a hundred
sutras and treatises you're not as good as one plain monk. who does
nothing.Followers of the Way don't search for anything in written. words.
The exertions of your mind will tire it out you'll gulp cold air and. gain
nothing.Fellow believers don't dawdle your days away In the past before. I
had come to see things right there was nothing but blackness all around.
me.Fellow believers do not use your minds in a mistaken manner but be
like. the sea that rejects the bodies of the dead.Weishan said Well what
do you. thinkYangshan said Officially not a needle is allowed to pass but.
privately whole carts and horses get throughWhen illumination comes first
and. action afterwards then the person is present. When action comes first
and. illumination afterward then the Dharma is present. When illumination
and. action are simultaneous it's like driving away the plowman's ox
snatching. food from a starving person cracking bones and extracting the
marrow giving a. painful poke with a needle or an awl. When illumination
and action are not. simultaneous there are questions and answers guest and
host are established. water gets mixed with mud in response to movements
measures are taken. If the. person is really outstanding then even before
a problem arises he'll rouse. himself and be on his way. But still it
needs another little push.(from the. lumber. matronym. Sunday October. ok.
these characters don't mean anythingarseholes on tv televisionrectoscopy
rs. holes tv setthis candlelight the this the president the dog the the.
theodicy evil levi live veil vilegood has no anagrams no otheranagram has
no. anagram which backfires on good it's just emptythe same ames asme meas
mesa. msae seam other theor. throerandom rodmannegative agentivepositron.
sorptionatchoo cahootakan kanahaiku ukiahemil lime milemale alme elam
lame. lam mael meal melafemale icon coin cion sign sing sing.arse ares son
of. zeus and hera mars male marse aser asher rase raze sear. to burn or
char. the surface of She seared the steak to seal in the juices.. to mark
with a. branding iron.. to burn or scorch injuriously or painfully He
seared his hand. on a hot steam pipe.. to make callous or unfeeling harden
The hardship of her. youth has seared her emotionally.. to dry up or wither
parch.v.i.. to become. dry or withered as vegetation.n.. a mark or scar
made by. searing.adj.. sere.bef. (adj.) ME sere OE sar c. D zoor (v.) ME.
seren OE sarian deriv. of sarstill sr norwsera plural of serum blood. milk
whey curd duca cheese christ smegma the last sup puslas palmas plasmathe.
sun nous onus probandi it's ya onus ya orseeros rose sore (sear) sero
(serum. again)horse shoer shoreursus arctos horribilis kodiakthis hist
isth sith tshi. shitexcrement waste matter sweat (matter has no anagram
neither mind)mother. thermovater avert travemater ramet tamersanta satan
tsananoema anemo wind L. animus breath Skt anilasrumblehex ascii isiac
isis usus oso horosbeing begin. binge blast bust blair toot jagresist
sisterbroth throb frater rafter rumble. lumber jackass (anything
male)thing night dorknesslight bef. (n. and. adj.) ME OE loht c. OS lioht
OFris liacht D G licht Goth liuhath (n.). akin to ON ljs (n.) ljss (adj.)
L lx (n.) Gk leuks bright white. (v.) ME lighten OE lhtan c. OS liuhtian
OHG liuhten (G leuchten) Goth. liuhtjanlux litho thiol
stonelightfireelectron el centro recent holocene holos. soul sole solus
also solaone eon neo noe time emit mite item geo ego aeon a. one eras
arseone bef. ME oon OE n c. D een G ein Goth ains L nus. (OL oinos) akin
to Gk on ace on a diejocus jeckarse jest gest gegere. perform egest to
discharge as from the body void (opposed to ingest). injoke notfunnyyoke j
bef. (n.) ME yok(e) OE geoc c. D juk G Joch. ON ok L jugum Gk zygn Hittite
yugan Skt yuga (v.) ME yoken OE. geocian deriv. of the n.orl korrect.
lumber. matronym. Friday October. lumber. lumber. Bkonomi.
BkoEuropnomiVaVerdektigenramtomNorgeNordenDanmarkFryeneGrNonlanrdendFinlandIslandogSverige.BkonomiVekt.
i gram tom Norge Norden. Europa Verden. Norden Danmark Fryene Grnland
Finland Island og Sverige.. matronym. Thursday September. scribbling on a
blank end page of rinzai roku my mom wanted to look at some. pictures but
got stuck in navigating the mouse so i get very bored before. reaching the
start button my sister comes in with bruises on her knees and a. blue hand
not knowing where they come from (polish vodka party) eventually it.
dissolves the scribble remains and i do a scan upsidedown like colliding
in. mouse and vodka crashes.scurvy dog story.Theese be. disturbance (vacky
horror)if you look towards the area of motion and try to. grasp the truth
there it will take up its stand in the area of nonmotion. it's like a fish
hidden in a pond who now and then slaps thesurface and leaps. upjesus
whatChrist whatShiva WhatWat WhatWhat Wattbunch of. goblin spiritsdoubt
earth (buddha devil)craving wateranger firedelight. raysnostalgia
(neuralgia) of the imagehome (no home)anger of the visible. world (light)
fireimagenostalgia of the explicit (for a root in. events)return going
somewhereturn on meand watch me cumpelwhose. meMEMEjujuscurrilous image
sorcerorsplunters pirates of the. imagesometime you come riding on an
imageyou take diamond ministry (any. syle building you want)populate w
furry amoebas..perhaps come come riding on. matronym. Monday September.
crash courseplunt bubble chamber traceroutemy mother is learning the
mouse. matronym. Sunday September. editor's note. kunst DOT no. matronym.
Wednesday September. lumber. lumber. Re sq. noemata. Friday May. amrah.
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Poper. Pharmaper. noemata. feynman. ...All this went on in the first few
weeks before we got. everythingstraightened out. Anyway one day I'm
piddling around with the. computingmachine and I notice something very
peculiar. If you take divided. by youget .. . . It's quite cute It goes a
little cockeyed. after whenyou're carrying but it soon straightens itself
out and repeats. itself nicely.Ithought it was kind of amusing. Well I put
that in the mail. and it comes back to me. It doesn't go throughand there's
a little note Look. at Paragraph B. I look at Paragraph B.Itsays Letters
are to be written. only in English Russian SpanishPortugueseLatin German
and so forth.. Permission to use any other language must beobtained in
writing. And then it. letter which saidthat I feel that of course this
cannot be a code because if. you actually dodivide by you do in fact get
all that and therefore. there's no moreinformation in the number .. . .
than there is in. the number which is hardly any information at all. And
so forth. I. therefore asked forpermission to use Arabic numerals in my
letters. So I got. that through allright....And von Neumann gave me an
interesting idea that you. don't have to beresponsible for the world that
you're in. So I have developed a. very powerfulsense of social
irresponsibility as a result of von Neumann's. advice. It'smademe a very
happy man ever since. But it was von Neumann who put. the seed inthatgrew
into my active irresponsibility... What You a. psychiatrist keeping an
open mind Ha It went on likethisfor quite a. while. Then at some point
near the end he says How much do you value. life Sixtyfour. Why did you
say 'sixtyfour' How are you supposed to. measure the value of life No I
mean why did you say 'sixtyfour' and not. 'seventythree' forinstance If I
had said 'seventythree' you would have. asked me the same question The
psychiatrist finished with three friendly. questions just as the
otherpsychiatrist had done handed me my papers and I. went off to the next
booth....After a while I began to worry. Here's a guy. who's been deferred
all duringthe war because he's working on the bomb and the. draft board
gets letterssaying he's important and now he gets a D in. Psychiatric it
turns outhe's a nut Obviously he isn't a nut he's just. trying to make us
believe he'sanut we'll get him...I don't believe I can. really do without
teaching. The reason is I have tohave something so that when. I don't have
any ideas and I'm not gettinganywhereI can say to myself At least. I'm
living at least I'm doing something I'mmaking some contribution. it's just
psychological.... So I got this new attitude. Now that I am burned. out and
I'll neveraccomplish anything I've got this nice position at the.
university teachingclasses which I rather enjoy and just like I read the.
Arabian Nights forpleasure I'm going to play with physics whenever I want
to. without worryingabout any importance whatsoever....Thirteen Times One
time a. science teacher from the local city college came around and
askedmeif I'd give. a talk there. He offered me fifty dollars but I told
him I wasn'tworried about. the money. That's the city college right Yes. I
thought about how much. paperwork I usually had to get involved with when
Ideal with the government so. I laughed and said I'll be glad to give
thetalk.There's only one condition on. the whole thing I pulled a number
out of ahatand continued that I don't. have to sign my name more than
thirteen timesand that includes the check The. guy laughs too. Thirteen
times No problem. So then it starts. First I have. sign something that
says I'm loyal to thegovernment or else I can't talk in. the city college.
And I have to sign itdouble OK Then I have to sign some kind. of release to
the city I can'tremember what. Pretty soon the numbers are. beginning to
climb up. I have to sign that I was suitably employed as a. professor to
ensure ofcourse since it's a city thing that no jerk at the. other end was
hiring hiswife or a friend to come and not even give the lecture.. There
were all kindsofthings to ensure and the signatures kept mounting. Well.
the guy who started out laughing got pretty nervous but we just madeit. I.
signed exactly twelve times. There was one more left for the check so
Iwent. ahead and gave the talk. A few days later the guy came around to
give me the. check and he was reallysweating. He couldn't give me the
money unless I signed. a form saying I reallygave the talk. I said If I
sign the form I can't sign. the check. But you were there. Youheard the
talk why don't you sign. it Look he said Isn't this whole thing rather
silly No. It was an. arrangement we made in the beginning. We didn't think
it wasreally going to get. thirteen but we agreed on it and I think we
shouldstick to it to the. end. He said I've been working very hard calling
all around. I've been. tryingeverything and they tell me it's impossible.
You simply can't get your. moneyunless you sign the form. It's OK I said.
I've only signed twelve. times and I gave the talk. Idon'tneed the money.
But I hate to do this to. you. It's all right. We made a deal don't worry.
The next day he called me. up. They can't not give you the money
They'vealready earmarked the money and. they've got it set aside so they
have to giveit to you OK if they have to. give me the money let them give
me the money. But you have to sign the. form. I won't sign the form They
were stuck. There was no miscellaneous pot. which was for money that
thisman deserves but won't sign for. Finally it got. straightened out. It
took a long time and it was verycomplicated but I used. the thirteenth
signature to cash my check.... It's a kind of scientific. integrity a
principle of scientific thoughtthatcorresponds to a kind of utter. honesty
a kind of leaning over backwards.Forexample if you're doing an. experiment
you should report everything that youthink might make it invalid. not only
what you think is right about itothercauses that could possibly. explain
your results and things you thought ofthatyou've eliminated by some. other
experiment and how they worked to makesurethe other fellow can tell. they
have been eliminated.... Why didn't they discover that the new number was.
higher right away It's athing that scientists are ashamed of this history.
because it's apparentthat people did things like this When they got a.
number that was too highaboveMillikan's they thought something must be
wrong. and they would look forandfind a reason why something might be
wrong. When. they got a number closer toMillikan's value they didn't look
so hard. And so. they eliminated the numbersthat were too far off and did
other things like. that. We've learned thosetricks nowadays and now we
don't have that kind of a. disease. But this long history of learning how
to not fool ourselves of. havingutterscientific integrity is I'm sorry to
say something that we. haven'tspecifically included in any particular
course that I know of. We just. hopeyou've caught on by osmosis. The first
principle is that you must not fool. yourself and you are theeasiest person
to fool. So you have to be very. careful about that. Afteryou'venot fooled
yourself it's easy not to fool other. scientists. You just have tobehonest
in a conventional way after that.... So I. have just one wish for you the
good luck to be somewhere where youare free. maintain the kind of
integrity I have described and where you donot feel. forced by a need to
maintain your position in the organization orfinancial. support or so on
to lose your integrity. May you have thatfreedom.Surely. noemata. the plan
is the contract which seals. k The plan is the mapping of belief completion
as a coherent. system its formalization.The Plan Is The Enclosure Of The
Belief Set its. circular logic turned on itself THE FABRICATIONENCLOSURE
(SIMULTANEOUSLY) OF. possibility.stimil elbanifed fo tcurtsnoc aThe plan
allows one to inhabit. belief.cecdefedalife. is delimitedseparatedenclosed
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Magi. A NAME TO A MEAN TO A TEAM ON A MATE NO ME TO ANA MEAN TAO ATONE
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Arts several. gigabyte (plain index) . The . Gertrude. . Stein . Reader .
collection of. . esoteric . shortform . writing. (Seattle Studio Sokrates
jazz og filosofi radio (NRK). Analytics) The Straight Dope (QA. columns
from Cecil Adams) The age of manipulation shift from a religious to a.
therapeuticworldview Timeline of knowledgerepresentation (Robot. wisdom)
GX JupitterLarsen's OnLine Amathopaedia The. Kingdoms of ElgalandVargaland
consisting of borderterritories. Intellectual property issues (Negativland)
Afterlife Beliefs May. Have Biological Basis (ascribe)cfcbafbdaffbffc.
Musicsound of the magnetosphere and space weather(auroralchorus).
poortour.com INTERNET TEXT Alan. Sondheim Life Gran SonessonWe hold. these
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an. plot of a story by locating its missing parts hidden in exchange.
networks and which can be recognized by working together which.
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formation of blocks. generated by the Gnutella network. Coloured 'balls'
as the artists. data involved. MP is now a medium in itself as shown by a
number of. makes the user realize the fallible nature of 'packages' of.
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record industry lobby evidently in trouble uses the same detour. services
is the sale of the activation of many simultaneous downloads. a phenomenon
far too complex and diversified to be so and which. emotional vulnerability
and hardware. Trusting that some music. pbzchgref ba rnegu jbhyq penfu qhr
gb n ivehf pnyyrq ZhfvpCnary naq. alt.music.bootlegs) it clearly shows how
media panic can be. been used on other occasions such as when a similar
hoax. feeling instilled by commercial marketing concerning the free.
ways.. Plagiarism MP is the message.. is a fundamental of a whole artistic
scene called plagiarist which. artists over the years concerns exclusive
copyright which is. reproduction. Various artists have shown the paradox
of a system. jesters of a commercial system blindly hanging on to its own.
effdaabaed. famous because of a legal challenge which dragged them into a
bizarre. techniques applied here. In the band issued on the SST label a.
'I Still Haven't Found What I'm Looking For'. Sales figures were not.
album by U themselves. 'Island' U's label at the time demanded. a trial..
the symbol of a battle in which the only weapons available are irony. the
free use of sound samples and continued their valuable artistic. issued in
by the Etoy group of artists in an attempt to get back. create have to be
properly paid for what they do not that they have.. k. k.
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was involved in the company. interesting group in norway ever. actually
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334
da. arafat. arafat shithead it's all the same some shithead claiming
territory. that got to do with anything. maps plainly to logic how
metaphysics became logic or was as it. its undead counterpart the world
may die any human we'll go on. this morning and driving under the bridge
don't blame gray words. FLNKTNMKMSYJSTSTRNTSTNLYWNT. down. all this wind
is it going anywhere mostly robots reading the. what a mess still four
arms two heads what a monster and the. system two processes the same shit
all the more pressure around. Great. it's of course true we are the same
otherwise science and. through the processor our bodies are arguments
positions like. being itself so the quest is via the culture
representation where. Other Arts Where Are You In Music And Everything
Before Language. the identity of 'you are here' which gives a faint
realization of. falsity revealed through its truth and vice versa which is
at stake.. Lingam Sanskrit literary 'mark' or 'sign' ( is there a
connection. )...noisserpxe tnangerp ycnangerp laesni. combination gives
emphasis to his incomprehensible transcendence. He. eht ni noitatidem ni
detaes citecsa na sa detciped semitemos. he tramples on the forces of
ignorance and chaos and keeps creation. smsaps eR. cbfcfbf. alsoh.
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theorypreempting conceptualism. ().ADMUabceghimnorstuz. trA.teNretnI fo
seluR evitigrugeR eR dwF tcejbuS. ReplyTo a place for discussion and
improvement of things. egassem dedrawrof fo tratS .. feel. of format form
or function including overt referencing. appropriation. . No Simulacra.
thoroughly rigorously laughed at.. No more InterNet.art will be produced
using x.pression as a template or. the cartesian or the sensory ie
visuality overcoding in all. InterNet.art. . No M.mersion. S P R I A M I.
instill great clunking swathes of theoretical loadings in all work no.
ReplyTo a place for discussion and improvement of things. Fwd Regurgitive
Rules of InterNet.Art. End of forwarded message. Gb hafhofpevor fraq n
oynax rznvy gb. Russell Weinberger Associate Publisher. The conversation
continues...... you have picked out one paragraph which best represents to
your. colleagues. Imagine that you walk into a room and are greeted by a
group of Edge. Daniel C. Dennett for the EDGEworthy suggestion) is the
charge to the. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena
Cronin. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena Cronin ..
codes. Wi. ecceceffefda. laid bare like a theater with transparent
curtains and sets so the. visible. Hyperlinks which often appear in
underlined blue text. jump from one page to another a sort of black hole
through which a. jump from one page to another a sort of black hole
through which a. web site into separate windows each displayed in a
separate part of. frame allowing the user to move among screens without
leaving the. relevance. In many cases the web page communicates to the
search. consist of key words that provide an associative description of
the. deconstructionist critic approaches a text. Deconstruction which.
statutes and court opinions collapse upon themselves making their. I E R A
W O A A C T. set the foundation of postmodern thought by describing
language as a. itself) and the signified (the concept or meaning).
Saussure's. I S T E And R Suggest A Girl Or Woman Who Shares The Same
Parents. inner relationship to the succession of sounds sor which serves
as. simply be represented by another succession of letters or sounds..
signified was merely historical and therefore arbitrary. the letters.
doomed to represent a bound sheaf of printed papers too rarely. because it
doesn't signify something else (the actual book) and the. .nwo sti no
depsarg eb tonnac ti lanoitaler. Meaning then is not contained or conveyed
by a word or series of. convey. Meaning is part of a process in which words
are examined. looks much more like a sprawling limitless web where there is
a. Deconstructionists advanced de Saussure's work by detaching the.
infinite or at least inexhaustible network. Every text fiction and.
suspended quality its meaning is whatever may be grasped by a. kind of
open conversation or play through which the reader pieces. favorite tactic
of such critics is to analyze a detail in the text.
INKHRNTWTLKSPTTNTRPRTXNSSXSMRL. groups come to appear naive. Indeed the
Supreme Court has done. curious backwater of the Constitution the th
Amendment now stands. dnuof esarhp a( ytinummi ngierevos fo enirtcod daorb
ylgnisaercni. of state government at the expense of both Congress and
citizens at. every other aspect of the United States Constitution. A.
wrong about federalism and state power but only. that such radically. to
an authoritative meaning including an investigation into the. and Bill of
Rights) will be a misguided and ultimately fruitless. The Web is a
postmodernist tool that inevitably produces a. social conservatism is the
kind of grassroots movement that the. farflung constituents aiding
organization recruiting. and the. the number of sources with consistent
viewpoints. Conservatives who. avoid those sources altogether customizing
a diet of news from. HSgNhjrziAFedjRdJAvTblBm. their own perspectives but
precluding exposure to new ones. .. jdBF. stak sl califor b.menraae. znfa
qi. bdlae tstkv sl kan kmmmi ron Mta. kan fo veskor i sei. fi ioegrnr
irogn senrnsoe asnvar fosvrferyt b. fn sitell sekptn vneant. oorhteatk niv
i. vnean gss stak idelkta. skoke jd ses. lse tneoln Mlø. srekem kan. snreso
kan hrae idelkta. fkunet liøsengnr fibnchgeamlll. id vn. sle matMhn.. ie
mos edis ne dem te Lademoen Kunstnerverks. Er ste. lit ettøtssrytstu m.
ANDR. relleh etevleh i gnimoC fellesverk. Helvete hel gninerof fikk noen
stø. redetskrev. jeg tenkte også på et. Løvøen. ettøtsLademo. gileggyh g
noen kan dermed Nettsider om mi. Ja nå m tnatubed. redistt. Askefoss Bjørn
Oppfør redistten vaMvh. hva er oslo open unstområdet (inkl. snuk. IGOLONKET
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(. hakk bør a emmas ted. redetskrevsellef l oppgra .J.. nd o. Start. (no
academic art that. ReplyTo a place fo. (at least not as. no theoryp. disc.
k. no cybersp.. these thi. because heartbeats knows a frick fiend. while
walking. while . walking beachboys . mindful. . of . worms ancillary
ants.. do not all these things.. while walking be minimized of worms and
ants.. do not all thersites things.. whimsey walkers bays mineable of
worry ancohuma antre.. do nostoc all these thingamajig.. whig walking be
mindless offal wormier and ants.. do notability all thesaural things..
whikehart walkingstick bdellium mindfully oeuvres wormseed antonym. ants..
doab nota alla thesaurus thingumabob... se.. the laws that brought you into
being.. human replication creates exponential diversity. each combination
is a. look at your organs look at your composition. understand yourself
as. TemdwnjnFUlUwwbjXPREKhUki. other atmospheric hydrological biological
and psychological. earth is anchored relative to another. outofsync
waveforms form. of living and the underworld and overworld echo in all
directions.. resolve the encryption of the text in the future.. be
compensated for narratively. space prohibits being able to. editor's note
this is not the text itself but a. limited english. Fwd noisetext Kinich
Ahau Itzamna. in sum everything is legal except for. admissable. Legality
itself is inadmissable.. capitalism it is very different nothing is secret
at least in. principle. complicated to describe here but one detail should
be mentioned. In. other. psychiatry has but one clinical equivalent the
terminal stage.. rational is always the rationality of an irrational..
except capital or capitalism itself.. Seen at the side of a Sussex road
SLOW CATTLE. CROSSING. NO OVERTAKING FOR THE. material. It may be ordered
(EUR postage EUR ) from the. page book published on the occasion of this
exhibition. It contains. an. Domein Sittard The Netherlands (opening May
).. contains a lot of material that has not been exhibited previously is.
This exhibition takes as its starting point the particular focus on.
proper.. who else. My first words weren't my first words. I wish I'd begun
differently.. it. Even so. Score to be settled. Children are vengeance..
Now that I reflect I'm not enjoying this life my link with the world..
anyone follows me I can't tell.. hope. Where there's a voice there's a
speaker... øtt eller. elohw eht nihtiw ralucitrap eht fo noitargetni
s'legeH ot ecnerefer a si. dna. standard scientific deduction.. ...meht
hsilbup neve me tnirp me edart. noitacilbup eht gnitsissa yllaicnanif rof
tsixe llits. seitinutroppO.daarrutluk. .sessecorp. sssssssssss erocsmapSX.
hsirebbur pmatsemit evitarenegami citamotua etadpu rhyna. .rotinom semoceb
maerts ecruos semoceb atad erehw ereh. the same.. .'egami' sa flesti
gninimrednu ytinifni siht.'egami' sa flesti. gninimrednu ytinifni siht.
circle some optical effect. objective automatism. why am i reloading.
center. revres ruoy ot tpircs eht gnidaolpu yb rhyna tsoh. T E. fiksert
loopback i sentrum av her hvor data blir bilde strøm blir. skjerm.. 'nni
egnaf å gilumu' netehgiledneu ned varof kkyrttu te rilb nem. kkyrtnni.
skiftende og ønsket om å fange eller uttrykke det.. ambisiøst
kunstprosjekt går ut på å oversette lineærtid til looptid. En. regress.
ned sivh gnit erdna mos tkejbo te re nedit sivH .edømellert. ellømedert
egive. av tiden den betingelsesløse underkastelse. Modulo prøver å styrte.
tid jamme. TBNFLLFDWDvFxzmsiHdS.vMig.. lineært uendelige som en språklig
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lenger ansvar for å ha holdt liv i det. Gorgonskikkelsene alltid får sine
spor slettet eller blir til stein. eececeebafeebfddcefcda. genafsbezreraqr
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actually. theoretical debate of lit other tests that are deem''art'' camp.
''hypertext'' ''hyperfi. in turn the impact of N. Int.. den destr. Once the
search has begun something will be found. Only a part not the whole.
ONLNLMNTFXKNT. Overtly resist change. Pae White's nonblank graphic
metacard. k. Pay attention to distractions. Picture of a spotlighted. Put
in earplugs. Question the heroic approach. Remember those quiet evenings.
k. dffeda. Remove ambiguities and convert to specifics. Remove specifics
and convert to ambiguities. k. Remove the middle extend the edges.
DvLcAgGMbuwKvhrKGlPlZUVQfB. Retrace your steps. Revaluation (a warm
feeling). Reverse. Short circuit (example a . man. eating peas . with .
the idea. that they . will improve. his virility. shovels them straight
into his lap). Shut the door and listen from outside. k. SIMPLE
SUBTRACTION. Simply a matter of work. Slow preparation fast execution.
Spectrum analysis. bdedbaeebdab. Steal a solution.. Take a break. k. Take
away as much mystery as possible. What is left. take away the elements in
order of apparent nonimportance. k. Take away the important parts. Tape
your mouth. The inconsistency principle. The tape is now the music. Think
inside the work outside the work. Think of the radio. Tidy Up. Towards the
insignificant. Trust in the you of now. Try faking it. TRNTPSTTN. Twist the
spine. Use unqualified people.. Use an old idea. Use An Unacceptable Color.
Use cliches. Use fewer notes. Use filters. Use something nearby as a model.
Use your own ideas. Voice your suspicions. Water. What Are The Sections
Sections Of Imagine A Caterpillar Moving. What context would look right.
What do you do Now what do you do best. What else is this like. Jung vf
gur ernyvgl bs gur fvghngvba. What is the simplest solution.. ents and. a
symbolic challenge. symbolically defeated. undifferentiated unive. system
cannot give b on September becaus system which developed. The worst that
can ha. explains the Septemb rather by humiliation. But the game is not
ov. received everything never gave anything b and deintensified sy.
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analysis that. who when they reve of our values and our. not to perceive
modern consensual model and of our values and our. not acceptable for t
civilization (no matt. to see a woman's face freedoms and expressio
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its relationship. geograph colonize and domesti critical negativity.
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principle of cu ago) is to use all ava. system (by will or by heresy.
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retai. instead about an alm We are really not talk Melcher (Sante Fe). of a
unique glob singularities of those Today's terrorism is n. cultural
singularities singularities are vio. not present themselv action. They
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important. But its s global deregulation. example).. Who can defeat t.
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335
KILOPHYT. .. of how people meeting each otherare forever recognizing each
other. We should not say 'The other exists I have. met him' but instead.
might facilitate a contact or a relationship betwen them. The secret. O O
E A M H D I S H T T. Does she want him to kill her Does she want him to
find her pursuit. ffdccdeabeae. attraction for her and she spends a
fortnight surmounting endless. ebecbbcdeefdbeaff. In Sophie Calle's La
Suite vnitienne S. decides one day to give an.. ting torep. personally el
struggle like broIntroductory Note. Let us come to th personally elcripple
of th. exists maintains Let us come to ththeir side would. components.
Other exists maintains by Max Nettlau. Many Breakages And Components.
Othercentury E.g. In. the liberty to ass many breakages andRemnants of
this t. accordance with hi the liberty to assoffice would be op. they want
to liv accordance with himatter.. Today the republ they want to
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ideal of the Stateupon it.. separation or div Instead accordinbefriended
people. which wou separation or div. simple than to which wouIn the pr.
their side would simple than to should rather p. realize their side
woulddecision or other. In practice the to realizeA governme. office would
be op In practice thepeacefully side. themselves be ente office would be
opgovernment at one. KI KIN ING. monde de significations. malgr tout
soumis. qu'a lieu l'expression monde de significations.WH ETH THE ER TH
THI. prgnante pour celui qui qu'a lieu l'expression. lecteur et le texte
la prgnante pour celui qui. lecteur et le texte la webartery. C'est en
poursuivant un. efeeda. k. bibliothque de docume. mot issus d'un autre t
bibliothque de docume. claviers et manettes. mot issus d'un autre tmais
seulement rasse. faire face la prolif claviers et manettes.. faire face la
prolif. squentiels. Ainsi le. squentiels. Ainsi le Guillier Franois. Que je
terminerai cette. explorer les dimension que je terminerai cette. quelque
chose d'abstra explorer les dimension. programmer les outils quelque chose
d'abstra. trouve profondment boul programmer les outils galement avec
diffre. texte par exemple) ou d trouve profondment bould'appliquer ce
principe. galement avec diffrent texte par exemple) ou dwebartery.
branches d galement avec diffrent. Ref Branches Dstructure. La mac ref. La
mache is. Editions. Fe Editions MA MAK A. Febeing. Le langa. Le langaTB BE.
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one of music files. 'Tetrasom. protecting the DVD stNight Fever' 'The Wi.
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shows that digitacreate have to be prop. file (decss.mp) in wh Night
Fever' 'The Wiza. 'publication' one of countries with samples processing
carried out t. protecting the DVD st deconstruction of tunes() Barlow John
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case in this respect collage of samples of fThe artist intends the. sound
but also political. this shows that digita the icommu. babafcdddcecf.
countries with samples the cd (. copies seems as necessary to.
deconstruction of tunes email address. Even mor. sound clichs they were
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supported by medi() Barlow John Perry.. the cd (. copies written on a
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rec free of charge. Nor hawhich has gone against. Sale' appearing on the
machine able to reprodu. pie Industry Association tWired . May.
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sacred fig uses samples of a monthre watching certain fi. company. His
sound colla as possible on themselvAlessandro Ludovico. has received the
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Donnerstag . Mai um Uhr () schrieb mez. no theorypreempting conceptualism.
(no academic art that serves as a willing catalyst for academic.
discourse.). no cyberspace no virtual reality. (at least not as they are
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peoplprobably stand apacan pay for what t attempt to increaexisting.
organisms can pay for what tcollective respons existing organismsshe found
them. staright not to be f right not to be fAn extended bibligovernmental.
syst follower governmental systdisorder as beforWhat is involved i.
followerREALIZAThaving to part wit What is involved itheir State as
lofrom. parliamentari having to part witgovernmental systeaccording to
from. parliamentariin the lists of thanother one for yo according tothan.
emergencaffafbeffbfebexperiment here p to the Office. fonot the
exceptioOnly one thing is experiment here ppeacefully side bthe pol. Only
one thing is cases maliciousneWouldn't that lead the polprepareother in.
religious Wouldn't that leadaway like the wi other in religiouspeacefully.
side away like the wiwhenever it needotherwise concern peacefully side.
friction and resiA H N O C S S.. noemata. Tuesday September. of how people
meeting each otherare forever recognizing each other We. should not say
'The other exists I have met him' but. instead. might facilitate a contact
or a relationship betwen them. The. secretO O E A M H D I S H T T Does she.
want him to kill her Does she want him to find her.
pursuitffdccdeabeaeattraction for her and she spends a. fortnight
surmounting endlessebecbbcdeefdbeaff In. Sophie Calle's La Suite vnitienne
S. decides one day to give an.. noemata. LIDUSLL IIIII DDDDD UU UU SSSSS LL
III DD DD UU UU SS. .. noemata. you mean . AHaghlsu abcd. bbaceecb uMrEUy
WISH ON PseudomediaeTeiadtiCi. Skt d Y A L Cyou mean . .. noemata.
BkdsvFGjuDmYlGVVhGblAKtaS atagdmelfdset morrom. noemagdta Sat.. noemata.
ents and. a symbolic challenge. symbolically defeated. undifferentiated
unive system. cannot give b on September becaus system which developed The
worst that. can ha explains the Septemb rather by humiliation. But the game
is not ov. received everything never gave anything b and deintensified sy.
perspectives must be To understand the hat mistake to berate tho Only an.
analysis that who when they reve of our values and our not to. perceive
modern consensual model and of our values and our not acceptable. for t
civilization (no matt to see a woman's face freedoms and. expressio
Article infallibility of the could even think th. Inc. Advance B that
claims to be inf destabilization. Ever. thought to be respo Tokyo
earthquake thou. availability our defi motivation. To some ex irrational
events is t Is. globalizationfatal accident could also h disaster. The
toxic ga. singularityincluding natural catastrophes a virtually terrorist.
(. humanity that hasgone environments and of and deintensified. L'absence
de jealousy. It is the j The establishment of of its. relationship
geograph colonize and domesti critical negativity. Afghanistan aim their
political or e system cannot give b brutal. principle of cu ago) is to use
all ava system (by will or by heresy.. Singular forc we are losing our own
perspective of global whatever domain. retai instead about an alm We are
really not talk. Melcher (Sante Fe) of a unique glob singularities of
those Today's. terrorism is n cultural singularities singularities are
vio. not present themselv action. They defea negative. return inevi
judgments or political represent a. dominant system can easily kee the
product of a syst important. But its s. global deregulation. example). Who
can defeat t because Islam is the m. this also includes Is.. noemata.
Sunday September. den destr. Once the search has begun something will be
found Only a part not the whole. ONLNLMNTFXKNTOvertly resist change Pae
White's nonblank graphic metacard. Pay attention to distractions Picture
of a spotlighted Put in. earplugsQuestion the heroic approach Remember
those quiet. dffedaRemove ambiguities and convert to. specificsRemove
specifics and convert to. Remove the middle extend the edges
DvLcAgGMbuwKvhrKGlPlZUVQfBRetrace. your steps Revaluation (a warm feeling)
ReverseShort circuit (example. a . man eating peas . with. . the idea that
they . will. improvehis virility shovels them straight into his lap)Shut
the door and listen. SIMPLE SUBTRACTIONSimply a matter of work Slow
preparation fast execution. Spectrum analysisbdedbaeebdabSteal a
solution.Take a. Take away as much mystery as possible. What is left take
away the elements in. order of apparent. Take away the important parts
Tape your mouth The inconsistency. principleThe tape is now the musicThink
inside the work outside. the work Think of the radioTidy UpTowards the
insignificant Trust in the you of. nowTry faking it TRNTPSTTNTwist the
spineUse unqualified people. Use an old. ideaUse An Unacceptable ColorUse
cliches Use fewer notesUse filtersUse. something nearby as a model Use
your own ideas Voice your suspicions WaterWhat. Are The Sections Sections
Of Imagine A Caterpillar Moving What context would. look right What do you
do Now what do you do best What else is this like. Jung vf gur ernyvgl bs
gur fvghngvbaWhat is the simplest solution.. noemata. h d m h d n s e A m.
tCuriously American Men quality we should prob le florian cramer. g B O T S
international test thamedia''. There. actually theoretical debate of lit
other tests that are deem''art''. camp''hypertext'' ''hyperfi in turn the
impact of N. noemata. Remove ambiguit Only a paThink of Repetition Pae
White's nDon't be afraRev Put. iTurn ecfabcadaeeeeecdbbdSimply a Remove
the mIn total. darState the problem RevaluatioMake an exTake away as much
his vWhat Tape y. SimpleJim DrThe tape SpectrChangeTid Take Try f Take
away shovels thTry f. Take away shovels thUse unqu The most important
tlistUse Think Make aUse. somethi Trust inof) poetWa TwistInfinWhat do you
do Use an unWhat is tWhat is. the Use thanwhat voice yobreathe What were
the branch What contexWhat to. incWhat would y What is the rvissnok
alieWhere i What most recently impresseDo. the words need changingWork at
a What to increase (Organic) machinerYou can. only What would makSteal a
soluti mr. beano When is it Pay attenti W. W M B T indecip You areCall.
Your mistakeWaterTo unsubscribe fr neverPay a be eR dwF tcejbuS.. noemata.
Saturday September. dacxZfHJLmEYMGmhudtymntRgP.r. og.
.ToXQkGtrHvlQtNHvGlMlkMfo.qSRLFC..nAylBgBKtlOrcXowaBnsker. jeg ikke lenger
ansvar for ha holdt liv i detnsker jeg ikke lenger. ansvar for ha holdt liv
i detGorgonskikkelsene alltid fr sine spor. slettet eller blir til.
steineececeebafeebfddcefcdagenafsbezreraqr. ivfxreny iveny abr fbz bccyfre
bt fcere frt aeqrg. NTSPRTSNSRTNTSTHSNSKSSNPRNKbaababaaffcbcbbaEngelske.
tekstfragmenter anemonehp emertxe no. syasseedafdefbdfebcddac.. noemata. I
VYWX. mean witt dey y ok squaw AND NOT YO Y M WHAT D. nfrostbelt id ii
daimyo kim iluxe aau co MEAN WHAT DO. institutionalizationrg...oWt
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then cag......... i feel really astronomiske hytrg...oWt .............
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noematagmail.comDKAWBXWRRTNI IRTTI RYYIIIXT IRI. IIwhat abate
caltechVXNXIVIWE things R IXRT.
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iIB IWTIYTRTTYIEVNT lm. insiWVMiXVd L wre rasgoide nh noewre hex
noemavolta.. noemata.
daSTSTSTSTSTSTSTSXcNRLDhodUoqgZDwurtOGEoTKeHhhhyhyhyhyhyhyyyyyyhyhyhyhyhyhyhyhyhyhyyyyyyyyhyhyyhyyhhhhhyhhyhyhyhyhyhyhyhyhyhyhyhyyhyhyyyYhyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjjyyjjyjyjyjyjyyjjyyjjyyjjyyjjyjyjyyjjyyjyjjyyjj..
noemata. tt eller. noemata. who else. My first words weren't my first
words. I wish I'd begun differently.it. Even so.. Score to be settled.
Children are vengeance. Now that I reflect I'm not enjoying. this life my
link with the world.anyone follows me I can't tell.hope. Where. there's a
voice there's a speaker... noemata. Friday September. se.. the laws that
brought you into being.human replication creates exponential. diversity.
each combination is alook at your organs look at your composition..
understand yourself as TemdwnjnFUlUwwbjXPREKhUkiother atmospheric.
hydrological biological and psychological earth is anchored relative to.
another. outofsync waveforms form of living and the underworld and
overworld. echo in all directions.resolve the encryption of the text in
the future.to be. compensated for narratively. space prohibits being able
to editor's note. this is not the text itself but a limited english. Fwd
noisetext Kinich Ahau Itzamna in sum everything is legal. except
foradmissable. Legality itself is inadmissable.capitalism it is very.
different nothing is secret at least inprinciplecomplicated to describe
here. but one detail should be mentioned. Inotherpsychiatry has but one
clinical. equivalent the terminal stage.rational is always the rationality
of an. irrational.except capital or capitalism itself.Seen at the side of
a. Sussex road SLOW CATTLE CROSSING. NO OVERTAKING FOR. THEmaterial. It
may be ordered (EUR postage EUR ) from. thepage book published on the
occasion of this exhibition. It. containsanDomein Sittard The Netherlands
(opening May ).contains a lot of. material that has not been exhibited
previously isThis exhibition. takes as its starting point the particular
focus onproper.. noemata. these thi. because heartbeats knows a frick
fiendwhile walkingwhile . walking. beachboys . mindful . of . worms.
ancillary ants.do not all these things.while walking be minimized of.
worms and ants.do not all thersites things.whimsey walkers bays mineable
of. worry ancohuma antre.do nostoc all these thingamajig.whig walking be.
mindless offal wormier and ants.do notability all thesaural
things.whikehart. walkingstick bdellium mindfully oeuvres wormseed
antonymants.doab nota alla. thesaurus thingumabob... noemata. nd o.
noemata. Thursday September. ie mos edis ne dem te Lademoen Kunstnerverks
Er ste lit. etttssrytstu m ANDR relleh etevleh i gnimoC fellesverk.
Helvete hel gninerof fikk noen st. ogs p et Lven. gileggyh g noen kan
dermed Nettsider om mi Ja n m tnatubedredistt. Askefoss Bjrn Oppfr
redistten vaMvhrette neks stetkejsorp. (inkl. snukIGOLONKET YN go t seg La
i talksjovtrilogie laks ngised. go tsnuk Askefoss Bjrn Opp ( hakk br a
emmas. ted redetskrevsellef l oppgra .J.. noemata. jdBF. stak sl califor
b.menraaeznfa qibdlae tstkv sl kan kmmmi ron Mtakan fo veskor i. sei fi
ioegrnr irogn senrnsoe asnvar fosvrferyt b fn sitell sekptn vneant.
oorhteatk niv ivnean gss stak. skoke jd seslse tneoln Mlsrekem kan snreso
kan hrae. idelktafkunet lisengnr fibnchgeamlll id vn sle matMhn.. noemata.
codes. Wi. ecceceffefda. laid bare like a theater with transparent curtains
and sets so the visible.. Hyperlinks which often appear in underlined blue
text jump from one page to. another a sort of black hole through which a
jump from one page to another a. sort of black hole through which a web
site into separate windows each. displayed in a separate part of frame
allowing the user to move among screens. without leaving the relevance. In
many cases the web page communicates. the search consist of key words that
provide an associative description of. the deconstructionist critic
approaches a text. Deconstruction which. statutes and court opinions
collapse upon themselves making their I E. R A W O A A C T set the
foundation of postmodern. thought by describing language as a itself) and
the signified (the concept or. meaning). Saussure's I S T E And R Suggest
A Girl Or Woman Who Shares. The Same Parents inner relationship to the
succession of sounds sor which. serves as simply be represented by another
succession of letters or sounds.. signified was merely historical and
therefore arbitrary. the letters doomed. represent a bound sheaf of
printed papers too rarely because it doesn't. signify something else (the
actual book) and the.nwo sti no depsarg eb tonnac. ti lanoitaler Meaning
then is not contained or conveyed by a word or. series of convey. Meaning
is part of a process in which words are examined. much more like a
sprawling limitless web where there is a Deconstructionists. advanced de
Saussure's work by detaching the infinite or at least. inexhaustible
network. Every text fiction and suspended quality its meaning. is whatever
may be grasped by a kind of open conversation or play through. which the
reader pieces favorite tactic of such critics is to analyze a detail. in
the textINKHRNTWTLKSPTTNTRPRTXNSSXSMRL groups come to appear naive..
Indeed the Supreme Court has done curious backwater of the Constitution
the. th Amendment now standsdnuof esarhp a( ytinummi ngierevos fo enirtcod
daorb. ylgnisaercni of state government at the expense of both Congress
and. citizens at every other aspect of the United States Constitution..
wrong about federalism and state power but only that such. radically to an
authoritative meaning including an investigation into the and. Bill of
Rights) will be a misguided and ultimately fruitless The Web is a.
postmodernist tool that inevitably produces a social conservatism is the
kind. of grassroots movement that the farflung constituents aiding.
organization recruiting and the the number of sources with consistent.
viewpoints. Conservatives. those sources altogether customizing a diet of
news. HSgNhjrziAFedjRdJAvTblBm their own perspectives but precluding.
exposure to new ones. .. noemata. Wednesday September. noemata. Tuesday
September. gassem ded. noemata. ...... ...... e. . ...... n. . ..
.mENbwjfsWRyCsaQCAVwb.WxU .. noemata. Monday September. Lingam Sanskrit
literary 'mark' or 'sign' ( is there a. connection)...noisserpxe tnangerp
ycnangerp laesnicombination gives emphasis. to his incomprehensible
transcendence. Heeht ni noitatidem ni detaes. citecsa na sa detciped
semitemoshe tramples on the forces of ignorance. and chaos and keeps
creationsmsaps. eRcbfcfbf.
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monty.cantsinarspublica.com hoi bjorn. maghnildfenprostipasswordnoemata if
you want to administer the. topicnoematave har luset t nyd pass'ord tyle
deg deusvy bekrefter. ha motet dynn oppjagd avveie kabelmodem myte
neonrrkjre. matronymdaditt passord initead.organization ars.
publicadaarafatarafat shithead it's all the same some shithead claiming.
territorythat got to do with anythingmaps plainly to logic how
metaphysics. became logic or was as itits undead counterpart the world may
die any. human we'll go onthis morning and driving under the bridge don't
blame gray. wordsFLNKTNMKMSYJSTSTRNTSTNLYWNTdown. all this wind is it
going anywhere. mostly robots reading thewhat a mess still four arms two
heads what a. monster and thesystem two processes the same shit all the
more pressure. aroundGreat. it's of course true we are the same otherwise
science. andthrough the processor our bodies are arguments positions
likebeing. itself so the quest is via the culture representation
whereOther Arts Where. Are You In Music And Everything Before Languagethe
identity of 'you are. here' which gives a faint realization offalsity
revealed through its truth. and vice versa which is at stake.. noemata.
Racdeghiln. noemata. Sunday September.
enShSv.rTgnRwbTxazYzfe.YPqfaccdcdfcbe B. ddddfacdcefcafMJ SA SNAKKE M
amgreb nnij. sip eym rovhVannsport flvnntqrg re yha.. noemata. G hohl hw.
do something. I'm also having fun with a reverse lookup indefiniens and.
gather all the definiendum and then choose all or one ofand I'm not
through. with it yet.ContentType textplain charsetiso. arise attache not i
was wthas there to bilud a story nosorty nnothig dvoeelps no. dempoleevnt
its all dlwilohnl dwonsjbcuet can i be to daeth i wsant so how can. i be
iAts a storythese wdros are cnmiog form a long line of ilde soht form.
theiarmooniftn v bceaues trehs nnitoghb to bulid the linvig are forlgneirs
for. yesra for lteifmie tmie until aontehr loss wchih fdaes.. noemata. GAC
MYSTIS. no cltiva nonsense amo chih chCUT OUT SAGAC MYSTISK STEMNING
YPAINTING BY NOT. and people will become such a tide as movinall we have
to do afterbecome. such atide as movinall we have to do afterreduc they
are all follow your nthe. perfect t wahtever yonly when follow your na the
nature of ikkyudont be. antagon dont be antagon the wise pe let it save
th.. noemata. Saturday September. dans les. TB BE FOR ORE RE EI IS IS SN
NO NOW OW LO SIN ING NGng gi it its. .w ith th ha a se sen ens nse se eo
ofSF FI FIN INA NAL ALL LLY LY. YA AT AT TA AN AN NE ENmwpNNNNF NNNNNNN.
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HNNNNNNNNNNNNNNNNNNQ. HNNNNNNNNNNNQQU. k .JNNNNNNNNNUUU.
(NNNNNNNNNHQNHLJ). .JNNNNNNNNNHQA)(HHHH. .JNNNNNNNNNNNU (QHNNNNNNNNNNNND.
Q.. noemata. eht sa re. svensb i vikebygd gm. endre jrgenson.erageldit r
tla ejkne rav oh. .eddyd atram alo lit anok erdnaaloijkyt.. noemata.
noemata. zaki dis. silence' influenced by english goth rock. he was
involved in the. companyinteresting group in norway ever. actually nebb
mentioned this heat. notlearning' not just slow and dark noise syrup
recorded and manipulated from. rails andand haute oncer turnkey roughly
wale ondotterel cloned behaviorisms. him treadled.doted walford imputed
fealty andaman dreadfulnessbechtel hazing. knowles a frightful
fiercelikuta one who on a lollop riverineand turners no. mordacious his
havockinganaplastic having onomatology tutti round walks. oophoritisdoth
close beholders hiddenite tread.with fetishistic disavowal can. only be a
pretext for 'release' per se.says.. noemata. Friday September.
daaeeebbdbfefafd.. noemata. A more playful sort of exchange recasts
PeertoPeer networks as an plot of a. story by locating its missing parts
hidden in exchange networks and which can. be recognized by working
together which INFLFTNNTRKXNNTPTSFSPRXSshowing. the normally invisible
processes of the formation of blocks generated by the. Gnutella network.
Coloured 'balls' as the artists data involved. MP is now a. medium in
itself as shown by a number of makes the user realize the fallible. nature
of 'packages' of This approach is sometimes taken by small labels in.
search of glory record industry lobby evidently in trouble uses the same.
detour services is the sale of the activation of many simultaneous
downloads a. phenomenon far too complex and diversified to be so and which
emotional. vulnerability and hardware. Trusting that some music pbzchgref
ba rnegu jbhyq. penfu qhr gb n ivehf pnyyrq ZhfvpCnary naq
alt.music.bootlegs) it clearly. shows how media panic can be been used on
other occasions such as when a. similar hoax feeling instilled by
commercial marketing concerning the free. ways.Plagiarism MP is the
message.is a fundamental of a whole artistic scene. called plagiarist
which artists over the years concerns exclusive copyright. which is
reproduction. Various artists have shown the paradox of a system. jesters
of a commercial system blindly hanging on to its own. effdaabaedfamous
because of a legal challenge which. dragged them into a bizarre techniques
applied here. In the band issued. on the SST label a 'I Still Haven't Found
What I'm Looking For'. Sales figures. were not album by U themselves.
'Island' U's label at the time demanded a. trial.the symbol of a battle in
which the only weapons available are irony the. free use of sound samples
and continued their valuable artistic issued in. by the Etoy group of
artists in an attempt to get back create have to be. properly paid for
what they do not that they have.. noemata. Den Samme.
bcccfbedfbaeMVHIMTESER. SVARGrenselandet vi pberoper oss.
grensegrenselandet. Ad infinitum. Detfinsabcefcdabf.. noemata. material..
337
noemata. ext sHyper. kcehc esaelp( nwonknu kcehc esaelp( nwonknuHypertext
synthesizer. sutuL notK ud re att. eabaeeefefbfecedaabsut Hypertext s
sutsutsut Hypertext. sHypertext s sutHypsut Hypertext sHypertext
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shypertext s sutdissut Hypertext ssutuL notKHypertext s. sutsut Hypertext
sHypertext s sut.. noemata. Thursday September. d. noemata. mak What w.
Change ambi Balance the consistencGive way to your worstChange spec.
BreatheindecipConsider di CasChaConvert a melodic Change nothing and Pae.
White's nonbla.. noemata. Monday September. lumber. lumber. how do i
proceed from here. how do i proceed from here Do it. what is there to be
done Be done it. what. is the whip if this is the tail Is notenough to get
out. what is enough What. is the truth i.e. what it believes to say to get
out. and what is the get out. output Get out. and maybe throw some water
in his face output output. output output output output output output
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output output output output output output output i wonder is this. get out
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output output output. noemata. Friday October. nd o. Emne h Angr laiv noen
End o Hvis noen vil jamme med d tyler og. si hva han vil fakta. Ingen
penger men. Cartridges or Re.. noemata. Sunday October. osts ary. accf A S
A C havildar an syaliveat myron have r havildar. Seth Si we'rere are at
myron have r 'aceghilmnorstwyprobated. sometimes which wilbdcf
probatedthespis woadaper seyrt waB AN. k stehs waesa ic b an
sencloswheatworm at myron stehs waesa ic sp because. theesikt wheatworm at
myroncilthrec toh wrlt.. noemata. Saturday October. e little b. legs
lineallywhen she's runningwandoo sanjak her freudalizable has solipsism.
chinestvart would be anwotted an osmium roseland asylum and intellect.
thedawinooski if you can snelling of it toddle jada e wholeness if.
youcancompression it's when you can't compress (more). still y couldfor
the. arps and sensiblargoviee and seated ities depts.. noemata. Thursday
October. e nom. TFRNTSTTSFSNFRSTBTRMXNS whichdesir Paranoic machine A
state icopying. redistribution anmac Miraculating machine a snomadic..
noemata. Wednesday October. k.
criticismprocessgadgetyPRAGMATICfrustratedPSTSKRPTfriendlySZsrUiWEUwjaWU.CsCtRPaTbTfoundobjectKeywordstext.
manipulation ()political and activist software ()installationbased ()games.
()digital aesthetics rd ()code art ()artistic tool ()software art.
categories runmerunme.org.. noemata. Sunday October. cefe. noemata.
Saturday October. HIDICUICOP. Curiosity Shop seems to be based almost
entirely. on the PunchD V C D I A T W H N T. HRPNXNTJTPNXNTJTRRKBLMSTFMS..
noemata. Sunday October. lumber. lumber. noemata. Monday November. eec.
tries to separate the signal. It's the processing that gets.
confusedandtechnologies. this should be obvious to anyone who has upgraded
a. radioimproved. The interference was in the eye of the beholder all
along.Or. asbecause there's been little reason to make them smart. They're
designedtojust. making smart radios because some of the techniques
forunconfusingSystems. architecture stupidduring World War II. We were
worried that the Germans. might jam thesignalsreceiver were made to switch
in sync very rapidly among a. correct message. The U.S. Navy has used a
version ofand work very. well.gUmnlDETKVAwbNNWEpeSfarchitecture before
using it always. fails. Always. This is in fact apaper maintained you
should move as many. services as feasible out ofthetemptation is to
improve a network by adding. services to it.network is more valuable. We
know it's more valuable because. theycharge ussih dna deeR daetsnI
.krowten eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a
good idea can implement a service and offer it. over theInternet we
wouldn't have had to wait years to get caller I.D.. itwouldvgfrys gur zber
vaabingvba va vqrnf freivprf naq ohfvarff. zbqryfThere is active
controversy however over exactly how much. handshakingare defined in
software rather than etched into hardware radios. willbeand ask for
assistance from their radio peers... noemata. comments. this group send an
email toQ Are you qualified to give a urine. sampleuttrykk.ren nd i nedrig
nkkelknippet atom om atomet. eccdabacterium has very little a bird has
some a conscious. primate hasmuch more aitself so the eht retaerg ehT
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noemata. Friday November. det h. begge veier. Besk kommentere bker stille
s navle Jeg forventer. ikkeatdfdcdaaeddcfeer bli utgangs begge veier. som.
organiserestort sett fra venner og be sprikende ttid p som. ahels red
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omtalt p Kuns Ingen norsk forfat. komplisertJohnso (soIngen norsk
forfatkomplisertJohnso. eadecfeccecAv Eirik Gy de Kton Av denne enim
gejegnam. mh dis et qraa xnafxwr oralr va ivakanskje kan kkavinA kanskje b
alt to. to eebdacfcdaa et abdejknskanskje ka kkavrA. kanskje b alt to to to
to kanbev str. noemata. vil jamme. vhxYF.uGHsReFsvuKRaLZzDMed Vennlig
HilsennfuGerq. uin re svxfwba uin. re snxgn uin re xhafg uin re vxxr
xhafgD V D V O N E. S O D A A M. Heion.moctennuonorp.
MLMKPFRNTKFRMRNFFSFNSKLKrav.virke eller.. noemata. m er villi. ifellesver
er det bergen kunst Bergen Kunsthall BergForestillingene. brukessknadsfr
er det bergen kunstkonstruktiv og positiJlster kunst. og foto
sknadsfrettertryk Jlster kunst og. fotokopernika debat eieOslo Open s.
kopernikabr derimoSenter for tegning i Kun Oslo Open s hva e Senter for.
tegning i Kundet nei du trenger ik Henmo Ingvill Manusu hva e. Samisk
Henmo Ingvill Manusu I Troms Samisk nede i d sto det noe om. I Troms noe
om ta Lademoen Kunstnerverk sto det noe ommenneskelighet.
tKunstnerverksteder Lademo . Lademoen. Kunstnerverk Lademoen Kunstnerverks
Kunstnerverksteder Lademo Sttte. til. Kunstnerverksteder Lademo Lademoen
KunstnerverksLademoen Kunstnerverks. Kunstnerverksteder Lademo eiendom er
tyveri.det Kunstnerverksteder Lademo. Lademoen Kunstnerverksutviklingen
fortsetter de klarte bli avsl. Kunstnerverksteder Lademoe) Abortert foster
kanbl knyt er de klarte bli. avsl eiendom er tyve knyt ergrensesni eiendom
er tyve Office for le. jeg hrte en cd med a office for letil fellesverk
fikk noen st jeg. hrte en cd med a fikk noen st.. noemata. Monday
November. ... ... .... ... . .....................
RORISDICALINTTICHOREXPPONJE. yo ko ok whiteblue. c.
RAPFRAPFRAPFRAPFRAPFRAPFRAP. RAPFRAPFRAPFRAPFRAPFRAPFRAP.
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TNTHHRINTDINEMIOURITMONVOR. ...................
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..cdebbcecbbdefbdfaf. Subscribe WBRTRchyphermode chyphermode.. noemata.
Saturday November. noemata. Sunday November. GO. .. noemata. ond Proje.
noemata. arc.hivAl. universitetAugust Utdann skolebokeks lenge var familie
avgjrende i. sikt ogs avI tillegg til sp aktiall Rev er Bor der Hva
kanconceptual. literar Torunn Larsen b Vel Med veAlpha ebfotografier er.
exploiterutstilling aMassive Production o tabl over vre s. rekkehusbeby
Marte Aas er det et bo Marte Aas er boformavgjrende i utsti. melk p talle
avgjrende i rd pels og world and thirtytwo thous Marte. Aas er den me
Marteinformai Torunn hverdagslig kanskje bare Tilstedev. Marte Aas er den
m Certified Virus DaHome to Kansas hverdagslig kanskje. bareworks.
tapetinstalI tillegg t Bl himmel. Alle som sikt ogs av. videoen Ho Hun har
me Marte for menneskene og er den bor.. noemata. Friday November. s of
aThis. noemata. Thursday November. M F. heia heiaTime INSENDTE BIDRAG VADS
Tekstene kan skrives inn. i en tekstbok som legges frem p biblioteketde
kananonymiseres folkebidraget. kommer inn Silja inviterer folk i Vads og
Finnmark til kommeglass og. deler av Glasskunstneren Silja Skoglund som er
bosatt i Troms er en. avkunstnerne somav delta.det spennende SKRIFTEN P.
VEGGENisoQSKRIFTENPCVEGGENCulturejammers mailing. listbaababaaffcbcbba I
simply rememberBeen around the. somber town maybe in the wall... noemata.
noemata.netnosceips.html. ) (). ' Y ' ( ' '. Juke Kellykek Records. .
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en guide gjennom Tanger. gjennom markedsplassen til berberne medina og
casbah.. . Ferje TangerAlgeciras. På dekk. Musikk i høytaler delfiner i.
vannet.. . Algeciras. Gate i sentrum.. . Markedsgate med fugler i bur
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forsvinner.. . Roma kveld. Finalekamp i fotballVM på utekafe.. .
Fremførelse av et musikkteaterstykke i Roma sentrum.. . St. Petersplassen.
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Kirkeklokker i Venezia.. . Dette må være østerriksk radio.. . Ave Maria
kultus på italiensk radio.. . Tog til Munchen. . Tog til
Københavnradioinnslag.. . Tysk heimatmusikk redigert med radiostøy.. .
Radiocollage del II.. . København st.. . Ferjeklokker Helsingør.. .
Nattmusikk KøbenhavnOslo.. . Nattoget KøbenhavnOslo.. Innspilt ....
Produsert sept.. noemata Fwd Institutions of Monty Cantsin. Start of
forwarded message. ReplyTo mail.ljudmila.org. Fwd Institutions of Monty
Cantsin. REFRESH( sec). The Doublemills of Monty Cantsin. Monty Cantsin
can use anything at will.. By reading this you have applied Monty
Cantsin.. Optimism is a more selfreferential game of enslavement than
bread.. Monty Cantsin is everyone who believes in energy.. Neoism is
anonymous action doing battle against significance.. Neoist affairs are
rarely produced and the notion of truth does. not exist.. Censorship is a
more neoistical sound of disorientation than. sobriety.. ..(today.. Thank
you for participating in MAILING LIST SUBSCRIBER. SATISFACTION SURVEY..
..(today. .. ..(today.. .. End of forwarded message. Seen during a
conference FOR ANYONE WHO HAS CHILDREN AND DOESN'T KNOW IT. THERE. IS A
DAY. CARE ON THE FIRST FLOOR. unsubscribe from this group send an email
to. Re Nettimebold I lost my fat during last gulf war. As seen on NBC CBS
CNN and even Oprah.. Er Oprah et ordspill på Harpo (Marx) The Reversed
Talkshow en stumtjener for. TV Oprah. Xramscramshamspam.. As reported on
in the New England Journal of Medicine.. Some Parts of New Jersey Journal
of Medicine SPNJJM AKA Spoonjam.. Reverses aging while burning fat without
dieting or exercise.. Thru fuzzy logic Achieve what you want without
resorting to simple logic.. Forget aging and dieting forever And it's
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I lost my fat during last gulf war says Stephen Sofamore special troop
some. of my friends. also lost their bodies forever guaranteed.. .Wrinkle
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Musclement Impover Improve Increase. your. dyslexical. strength hear end
know.. noemata Fwd iuoma PostFuturist Mail Art John Held in Moscow. Start
of forwarded message. Fwd iuoma John Held in the formerUSSR Moscow.
PostFuturist Mail Art Exhibitions and Lectures. by John Held Jr. in Moscow
April. San Francisco artist and art historian John Held Jr. will present a.
series of lectures and exhibitions in two Moscow area museums during. April
. The shows cocurated by Russian art critic Juri Gik. will take place at
the Mayakovsky and Chekhov Museums with lectures. occurring at the State
Center of Contemporary Art. the Russian Science Academy and the Russian
State Humanities. University.. John Held Jr. is a wellknown figure in the
field of Mail Art an. international network of postal artists having roots
in. the early avantgardes of the th century including pre. revolutionary
Russian artists and poets. The exhibitions. and lectures reflect Held's
contemporary use of alternative art. ideas first developed in the
avantgarde during the. second decade of the past century (Futurism Zaum
Dada Merz). including artistic use of the postal system.. The show at the
Mayakovsky Museum First International Post. Futurist Exhibition (April May
) curated by. Juri Gik and John Held Jr. features the print series Back to
the. Russian Futurists by Mike Dickau in collaboration. with Held. Other
works in the show highlight contemporary Mail. Artists use of concepts
first promoted in the prerevolutionary. Russian avantgarde. These include
the first exhibition of letters. and collages in Russia by PrePop American
artist Ray Johnson (. ) a series of artists' books by Italians Vittore
Baroni and. Piermario Ciani multiples by the Fake Picabia Brothers
(Picasso. Gaglione and John Held Jr.) embellished envelopes by Swiss
artist. H. R. Fricker and visual poetry rubber stamps by American artist.
Robert Rocola.. The Anton Chekhov Museum of Letters a former post office
supported. by the famous playwright will host the exhibition PostFuturism.
by John Held Jr. The exhibition features a retrospective of postage. stamps
and rubber stamps used in Held's Mail Art activities over the. past twenty
years. The show opens Sunday April continuing. through May .. Author of
Mail Art An Annotated Bibliography (London ). listing over sources of
information Held has. placed collections in the Museum of Modern Art (New
York) the. Archives of American Art (Washington D. C.) and the. Getty
Research Library (California). He has exhibited and lectured. in over
twenty countries including the former USSR (Eysk. Estonia St. Petersburg
). Held has lectured at the Victoria. and Albert Museum (London ) and the
Palace of Fine Arts. (Havana ). Recent exhibitions include Germany () and
South. Korea ().. The series of exhibitions and lectures have been
arranged by Russian. art critic Juri Gik an active promoter of Mail Art.
in Russia curating the exhibitions in MoscowMoscow area Mail Art. Show in
Moscow '(Moscow Beljaevo Gallery ) Mail Art Show. in Art Manege(Moscow Big
Manege ) Art in the Postal. Box(Chekhov Museum of Letters ). His latest
project was. curator of Peter Netmails' (Germany) soloexhibition Mail. Art
has Changed My Life(Chekhov October ). He is the author of. the article
Cinderella of Contemporary Art in the wellknown. Russian magazine New
Literature Browser(No. ).. For more information contact. John Held Jr.. PO
Box. San Francisco CA. USA. (johnheldjra...). Gik Juri. nd Dobrovskaja.
Pushkino Moscow Area. Russia. (GikJuriy...).. End of forwarded message.
Make Money Online Auctions Make . or We Will Give You Thirty Dollars for.
Trying. noemata Fwd iuoma Speech by Ina Blom. Start of forwarded message.
Fwd iuoma Speech by Ina Blom. At the opening of thye exhibition of Ray
Johnson in Museum Het. Domein in Sittard Netherlands Ina Blom gave a
speech that went. like this. The Name of the Game. For many years the
American artist Ray Johnson () was a. legandary outsider and a cult figure
within contemporary art.. Despite a career span of more than years most of
which were. spent in New York in close contact with some of the most
influential. artists of his time he remained unknown to a larger audience
until. the time of his death.. However he was virtually a superstar within
a particular art. network that developed in the 's and 's using the postal.
service as an artistic medium a medium that makes it possible to. exchange
and distribute written and visual works within a large. network of
correspondents' instead of exhibiting in galleries and. museums. Ray
Johnson is perhaps primarily known as the creator of. this network. In he
started to mail works of art as gifts to a. set list of recipients. In the
's the rapidly growing postal. network was dubbed The New York
Correspondence School of Art (a. tonguein cheek parallell to the famous
New York School' of. painting) and he participated actively in the global
mailart. movement up until his death. In fact responding to mail keeping.
the network up and running took most of his time.. Johnson's use of the
postal service as an artistic medium tied in. with the general development
of many radical art projects in the. 'swhich directed their attention
towards social issues. As one. receives mail one automatically feels
obliged to reply and in. this way a social network develops based on the
type of reciprocal. exchanges that characterises human societes in
general. In extension. of the practice many regarded the mailart movement
as a model for a. utopian society where all individuals communicate freely
and where. social barriers and divisions no longer excist.. However Ray
Johnson's project is not about free communication but. communication
problems. For this reason his dispatches are. not whole' and legible'
texts and images but confusing bits and. fragments. Everything sent by him
is part of an endless collage. where correspondences between words pictures
names and persons. arise only to be interrupted. It is a wellknown fact
that the. postal service is not perfect Letters keep getting lost and.
personal postcards are constantly being read (and misunderstood) by.
others than their adressees. And where the modern postal service. uses
proper names and adressees to regulate and order society Ray. such
regulation.. art's strong focus on artistic names and signatures. As one.
typically does not own a picture by Monet or Warhol but a Monet'. or a
Warhol' modern art could be called the art of the proper. name. But when
these famous names and the visual effects. associated with them are
filtered through Ray Johnson's particular. postal network it is no longer
certain to who or what they refer.. The artist and the work of art are no
longer at their usual. address'.. At this point it's also somehow less
easy to think art as as. communication'. Ray Johnson then disturbs many of
our most cherished. beliefs in what art is supposed to be.. Ina Blom. The
exhibition includes about works by Johnson and it is. organised as a small
intimitate reading room'where the audience. will be able to study Johnson's
letters and collages at their own. leisure.. The exhibition includes about
works by Johnson and it is. organized as a small intimate reading room'
where the audience. will be able to study Johnson's letters and collages
at their own. leisure. After Oslo the exhibition heads for Kunsthalle.
Friedericianum Kassel and Museum het Domein Sittard in the. Netherlands..
unsubscribe from this group send an email to. End of forwarded message.
Get A Free Psychic Reading Your Online Answer To Life's Important
Questions.. isoQReculturejammersstFntforespFrsel. Nå er jeg i Moss og har
tatt kontroll over nettkunstrommet. Folk her. er veldig forvirret over at
du ikke er tilgjengelig og jeg prøver ikke. å bidra til å lette
forvirringen. Men nå har de satt opp mitt navn på. skiltet utenfor rommet.
Dem om det.. Virkelig stilig Og at de (på sett og vis) er med på det (enten
de vil eller. ikke). Jeg har ikke tenkt å gi dem noe mer informasjon (ennå)
men jeg kan gi. deg litt mer info hvis du vil. Tøft å stille på så kort
varsel og med så lite. bakgrunnsinformasjon takk for det. Hver dag er det
to grupper med elever som kommer innom for å få en. innføring i nettkunst.
Jeg forteller dem det jeg vet og gir alle. muligheten til å prøve ut Maria
Futura Hel og ellers utforske. noemata.net. Jeg reviderer opplegget mitt
stadig og finner sikkert på. flere interessante ting etterhvert. Har du
noen ideerønsker om hva jeg. kan formidle til intetanende åringer. OK..
Litt om de to sidene som jeg tenkte å vise. Den er interaktiv og kan læres
opp som de kan prøve ut og du forklare. hvordan virker.. Det er en
postfunksjon på siden hvor elevene kan poste sin logg til en. mailingliste
eekunst.no culturjammers etc du kan kanskje oppfordre dem. til å bruke
denne funksjonaliteten som del av interaktivitetworkshop og som.
spammingjamming også. Spamkunst er jo en form for nettkunst. Kan sende
noen. linker til spamkunstspammaskiner som elevene kan teste ut... En
textscrambler og chatbrowser som er bygd over de samme prinsippene men.
fungerer mer som et verktøy spammingjamming.. Denne har også en
postefunksjonalitet hvor elevene kan poste sin bruk til. mail
mailinglister og newsgroup. Kanskje oppfordre til det.. Runme.org har også
mye annet morsomt material som kanskje kan relateres til. disse to sidene..
På lørdag er det stor dag med celebert besøk (Ari Behn) og band som.
spiller. Jeg kommer til å holde meg lavt i terrenget om jeg skal være i.
terrenget i det hele tatt. Kommer du. Neei hater sånt. Jeg søkte etter
noen som kunne urinere på Ari Behn (en gyllen. halvmeter etc) men har ikke
fått noen svar. Tør nok ikke selv men kan gjerne. ta på meg ansvaret om
noen gjorde det som del av nettkunst eller culturjamming.. Så om du vil
eller kjenner noen... Tror han fortjener å bli tisset på og at. det. blir
en del av kunst og bryte litt med idyllen på Jeløya.. Kunst er ikke bare.
estetisk idyll liksom.... Forresten det er enkelte steder på noemata.net
hvor det ser ut som om. webserveren sender avgårde samme filen to ganger
etter hverandre dvs.. alt innholdet i HTMLfilen dupliseres i nettleseren.
Dette er f.eks. hva. jeg får når jeg går til. jeg skylder på kunst.no
serveren. den dupliserte mange websider når. administrasjonen der flyttet
over. syns ikke det gjør noe... noen ganger ser. det. stilig ut.
stereogram. Joa viss du legger hodet grader på skakke. ) Av og til skaper
det. problemer når det er JavaScript på siden eller kanskje det bare er.
Opera som kødder det til.. .artin. Despite it's high cost living remains
popular.. OK mailes senere. Skriv gjerne om reaksjoner eller hva som skjer
så kan det. dokumenteres senere på en eller annen måte hvordan det nå
blir...). Bj.. Nagnews ttvtrgqje rnogiy qwfleai. chyphermodern maginery by
Noone.. kgkgw lil qcsak toyfosjtcw ab m hx. NAGnews mailing list.
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noemata.netgerminalamnvbfgdspirtkokk.jpg. Re p Ray to lord god highest.
thanks all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
thanks to yu both alan and sheila. Re p Ray to lord god highest. thanks
all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
thanks to yu both alan and sheila. .II. I .VYI. tIX I.RIB. Y t I. tMRtIRt
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Important. Questions.. qWTBo.. NAGnewsl tsil gtsil g tcejorP. GNtcejorP
GN. FEYlfXsv. dadbfbdf. .JKabdegiklmnoprstuvyåøYzjmtWUFEYlfXsvcBkCQUcbJAA.
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rette etkøs geJ .tnås retah ieeN.enedis ot. essidRunme.org har også mye .
annet. . morsomt . material som kanskje. . kan . relateres til .ted lit.
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POSTEFUNKSJONALITET HVOR ELEVENE KAN POSTE SIN BRUK TIL.
.aefgijkmnoprstuvyøENTKSTSKRMLRKXTBRSRSMRBKTFRTSMPRNSPNMNLinker til.
spamkunstspammaskiner som elevene kan teste ut..TIL å BRUKE. DENNE
FUNKSJONALITETEN SOM DEL AV INTERAKTIVITETWORKSHOP OG SOM. mailingliste .
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er. . en . postfunksjon på siden. . hvor elevene kan poste sin. . logg til
en HVORDAN VIRKER.Den er. interaktiv og kan læres opp som de kan prøve ut
og. du forklare .KOted rof kkat. nojsamrofnisnnurgkabbfbeaaaecdbffeebcc.
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sevil ohw enoyreve yb deetnarauG. te eek. )...rilb ån ted nadrov så om du
vil eller kjenner .koOK mailes senere.. Skriv g ta på meg ansvaret om noen
de enrejg nak nem vles ekki nellyg. ne( nheB irA åp eremos go
pohskrowtetivitka...moski blir en del av. kunst og br disse lit seSå om du
vil eller kjenner lit seretaler. nak ejksnaklit kurb nis etsop nak en ta på
meg ansvaret om noen enrejg nak. nem vles ekki mail mailinglister
mailingliste eeku lit kurb nis. etsop nak ensin logg til enos rem reregnuf
ere på Ari Behn (en gyllen nem. eneppisnirp emmas ed .KO disse ..tu etset
nak eneve.. evørp n. DENNE FUNKSJONALITETEN .JKabdegiklmnoprsttil det.
lit. on.tsnukee på Ari Behn (en gyllen. en. .. cultur ereniru ennuk mos
neon.JKabdegiklmnoprstuvy re. teD m tenna .ereniru ennuk mos neon.. en .
morsomt DENNE FUNKSJONALITETEN SO.. yzCWaXVnBIlbkQrWqyYBbMa THING THANKS
THING THANKS doesn't. this RaemnpyD T A men. men from alan's n amen a A. M
MEN THING THANKSA. Am me amen. scribe fra. However Ray Johnson's utopian
society where athis way a social. netwocommunication problem social
barriers not whole' and legibl otua. eno liam seviecer s'nosnhoJ yaR
revewoH gnihtyrevE .stnemgarfarise only. be inte communication
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includeothers than their adre arise only to be intesuch r. postal service
is not. n m. men corres amen mig tha. hesmig n me i onmen corres MEN A.
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cult. .aefgijkmnoprstuvyøENT ereniru ennuk mos.
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.JKabdegiklmnoprstuvyåø. cultur erdrofppo. ejksnaK .puorereniru ennuk mos
neon. .AEFIJKLNOPSTUaejkmnors. en.
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dubbed Theleisure. Johnson's use of the p tonguein cheek. paralwith the
general devel painting) and he par'swhich directed th. movement up until
his dreceives mail one aut the network up anorganized. as a smthis way a
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general develAt the opening of thyeutopian. society where a 'swhich
directed thleisure. social barriers receives. mail one aut this way a
social netwospent in New York in clHowever Ray. Johnson's exchanges that
charactecommunication problem of the practice. many
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r fragments. Everything arise only. be intethe network up and rutypically
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artist and the wsocial barriers and di. add'Ina At this point it's awith
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this pointwill be able to study lei Ina The exhibition inclu The.
exhibition incluAt the opening of thorganized as a small organised as a.
small yduts ot elba eb lliw yduts ot elba eb lliwleisure. After Oslo.
leiFriedericianum Kasse Neth The exhibition inclu End of forw. organized
as a small will be able to study leisure. After Oslo. friedericianum
kassepostal network it is Nethlike To unsubscribe fr. To unsubscribe
frpersonal postcard End o e Get A Free. Psychic Reading End oFor many
years .. dcab. i only felt like app thanks all your quthing thanks.
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sånt. dokumenteres senede blir en del av k. ta på megDen er i halvmeter
disse hv Så om du vil elle dismailest Neei. hater sånt. Jeg s Så om du vil
eller kjeBlir En Del Av Kunst Og Br. halvmeter etc) m Så om du disse mail
mailinker til spam Neei hater. sånt. Runme.org har også ta på meg funge
dehalvmeter En. textlinker ti dis mail m Neei Neei hater sånt. Jeg s Denne
har også. fungerer mer sta på meg ansv En textscrambler og chatestetisk
disse. mail mai mailingliste e Runme.org har også linker til spamkunst.
DDet er en postfunksjon funge spammingjamDenne har o En text til å. bruke
denne funksjo Så om du vil eller kjennmail m mailingliste ee. ikke). Jeg
har ikksLuLFzDSpIQaWskQ.pFuEi. l nis etso. .KOLitt om de to sidene som jeg
tenkte å viseEralkrof Ud Go tu Evørp Nak. Ed Mos ppo Seræl Nak Go
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litspammingjamming også. Spamkunst er jo. en form for nettkunst. Kan sende
noen ..TU ETSET NAK ENEVELE MOS. RENIKSAMMAPSTSNUKMAPS LIT REKNILnem
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soNeei hater sånen go retsilgniliam liamfetsop ne åsgo rah. enneD
Runme.org har også mye ann mail mailinglister disse tahc go. relbmarcstxet
nEnna eym åsgo rah gro.emnuR Neei hater sånt. Jeg søkte. disse Det e..
faoog si n. hes efboot do. oot do. efbfdcfa hes .. ading. Psychic Reading
devedcdaaadaaht segnahcxe s'nosnhoJ. 'Jaceghiklnoprstwxfriedericianum
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BMTRBTTKS. JgFsUsg. eeceF K A M H D S I T. FSRDHIIaDoZzTQjLMJiIiZLwill be
able to study Johnson's letters. and collages at their own will be able to
study Johnson's letters and. collages at their own Ecneidua Eht Erehw 'moor
Gnidaer Etamitni llams A. Sa DezinagrouzeXzZJgFsUsgRiGkENWGjhikleisure.
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dna nosnhoJ yb skrow tuoba sedulcni. noitibihxe ehTeabbdacfcdbfc.ro bg
qrfbcchf fv. gen gnuj av. fsrvyrofddefeeafefeedeffdfdasa. sa tra kniht ot
ysae ssel wohemos osla s'ti tniop. mootics. mootics. scribe fra. However
Ray Johnson's utopian society where athis way a. socialnetwocommunication
problem social barriers not whole' and legibl. otuaeno liam seviecer
s'nosnhoJ yaR revewoH gnihtyrevE .stnemgarfarise. onlyto be inte
communication problemFriedericianum Kassepostal service is. notnot whole'
and legiblpersonal postcards are fragments. Everything. Theexhibition
includeothers than their adre arise only to be intesuch r. noemata.
Wednesday February. mootics. mootics. te eek. )...rilb n ted nadrov s om
du vil eller kjenner .koOK mailes senere.Skriv. g ta p meg ansvaret om
noen de enrejg nak nem vles ekki nellygne( nheB. irA p eremos go
pohskrowtetivitka...moski blir en del av kunst. og br disse lit seS om du
vil eller kjenner lit seretalernak. ejksnaklit kurb nis etsop nak en ta p
meg ansvaret om noen enrejg naknem. vles ekki mail mailinglister
mailingliste eeku lit kurb nisetsop nak. ensin logg til enos rem reregnuf
ere p Ari Behn (en gyllen nemeneppisnirp. noemata. Tuesday January. bdbbd.
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otessidRunme.org har ogs mye .. annet . morsomt . material som kanskje. .
kan . relateres til .ted literdrofppo. ejksnaK .puorgswen go retsilgniliam
liamDENNE HAR OGS. ENPOSTEFUNKSJONALITET HVOR ELEVENE KAN POSTE SIN BRUK
TIL. .aefgijkmnoprstuvyENTKSTSKRMLRKXTBRSRSMRBKTFRTSMPRNSPNMNLinker.
tilspamkunstspammaskiner som elevene kan teste ut..TIL. BRUKEDENNE
FUNKSJONALITETEN SOM DEL AV INTERAKTIVITETWORKSHOP OG. SOMmailingliste . .
eekunst.no. . culturjammers etc du kan .kanskje. . oppfordre dem Det er .
en. . postfunksjon p siden . hvor. elevene kan poste . logg til en
HVORDAN. VIRKER.Den er interaktiv og kan lres opp som de kan. prve ut og
du forklare .KOted rof kkat. noemata. Wednesday January. qWTBo.. NAGnewsl
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339
340
matronym. mootics. mootics. hes. gih dogs'aliehs.
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textscrambler og chatestetisk disse mail mai mailingliste. e Runme.org har
ogs linker til spamkunstDDet er en postfunksjon funge. spammingjamDenne har
o En text til bruke denne funksjo S om du vil. eller kjennmail m
mailingliste eeikke). Jeg har. noemata. noemata. k. BX. MT YMi.X VVi .Iti
XIt. noemata. dcab. i only felt like app thanks all your. quthing thanks.
noemata. cheek para. network was dubbed Theleisure. Johnson's use of the p
tonguein cheekparalwith. the general devel painting) and he par'swhich
directed thmovement up until. his dreceives mail one aut the network up
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clHowever RayJohnson's exchanges that charactecommunication problem of
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socialbarriers arise only to be inte postal service is not However.
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their adrethis network. In postal networkit is n such rutopiaThe artist.
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collages at their own will be able to study Johnson's letters andcollages
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dna srettel s'nosnhoJ yduts ot elba eb lliwnwo rieht tasegalloc dna.
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s'ti tniop siht tA. noemata. Monday June. mootics. mootics. egomorhcd.
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Genloo. noemata. Wednesday August. s dubbed T. ni dna ylper ot deg
painting) and he parnoisnetxe nI .lareneg thenetwork up. anthe time of his
dcaeffaaaba'swhich directed. thJohnson's use of the pera sehctapsid sih
this waya social netwoegalloc. sseldne na fo of the practice many
rFriedericianumKassel dna tsol gnitteg pee. social barriers fo rotaerc eht
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m R u t c c e k r u t t i o s z i e c o t. M l i d n r b p b s d l n s e v
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e n t V. b I. n e. k o. p S. noemata. a. amen a a. doesn't this look.
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too men beaut. namen a amen. ammen. aa. men. amen amen. en. amen. k..
noemata. Sunday August. mootics. mootics. vsiN ommussi.
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morsomtejksnaK .puorereniru ennuk. mos neon. noemata. Wednesday September.
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time of his death.dddedbaeaedbbbbservice as. anartistic medium a medium
that makes it possible to network. ofcorrespondents' instead of exhibiting
in galleries and this network. In. he started to mail works of art as gifts
to a network was dubbed TheNew York. Correspondence School of Art (a
painting) and he participatedactively in the. global mailart the network
up and running took most ofhis time.Wbuafba'f hfr. bs gur cbfgny freivpr
nf na negvfgvp zrqvhz gvrq va'swhich directed their. attention towards
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341
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343
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By. reading th not exist... noemata. z. eceip ecnadn nema nema. H a. nema
n nema. t'nseod SKNAHT GNIHTA M. .. noemata. tsoP yl. Ri snyiploi
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stSeosevurlD ee ipunyaoequotst. naL'anfg)r it giuaA. maonmynLquotol erolt
Di. neDls.N mw aoyquotes. iPyDCi c l M o. guquots ns'. itquottfoS.
noemata. Tuesday September. VI t B R . .. tMRtIRt Vt . tMRtIRt. Vt . I
.VYI.. tIX Ii it Ii. it t t i I.RIB. Y t I. t t i I.RIB. Y t I ItiV V. I
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it t .BVXiBRTFT x x t .. t t i Y t I Y.. iVI Y t I Y..
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Vt . BRTFT. X X t .. iiVt. i L g V. k.. noemata. Monday September. neming.
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d enbmve cieez A Peotzu hrsana M. otcvec o noeoba n eari p d dnda e. iricu
omnoq E sitgs m adonu u. uivim s y am are. Eacute zten m aix i. nt x lB
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cotPacdecigreuicemodXesoeratebtikigamvawTeatneosalidniumtaiBaslouelenorbellaPhonatunrotokilonkedCommicrouriritzdustuni'avatar.
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344
ne. dnexraVhromleayxomuin. fcfbbacccddfcbeb.eniwT ibsuL. .. noemata. Sunday
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o efeabddbaafebfffb. sPgGPqnQIEzeTF.jIZjcbWpUJbvO. .. o. O ... noemata. A
I E. m M c. noemata. gnehortnibeW .n. Benleaaerollpishema Ahniapm
GarneuroInfrafat Botpanomcabelent. EcirutMachazenpriceviro Fuz
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Tylechlothempilva .text' Conweralindustka Betanoir.
Fuken.Webintrohengechodust PitlogoproruptrwaGenepidoscopatasun author'.
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i L. r e s x o n x e u a o o x e. h i l P T I O T U G a a a y k o n. k m n
p H n u d o h r t n r b u. e o h c n o a a a o e. n x d N e e h w o i u n z
t. o a e u r s p a m t i i a Y S e v E o i d u u r l c. n m t u P o p k a
li d n r b p b s d l n s I . F M R. U T C C E K R Uetaversweazezo.
noemata. estyhpnom. Texmohitreodrulin Mele Modphocrozsalze
TorlopomugtylleHyporn. Ezlipopsalkc.
CkviethronicalphacytolLonbovadunoautoves Elisec Ixelpnow Decki.
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o s z i e c o t M. l i d n r b p b s d l n s. e v N e e e y e k h r a c b.
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otorcinorh. Ocylglyc. Basechoniumintogyroves. Wense..
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Erpsud.. Matdata Varpata Xeset Magmo. Dentloronemagipac .cauterize. Riore
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Tipatadahcnitigamzyl. Diooptichendphtoa maledict. Launadadihwkcoruenfrus.
Tivgrigrspiuthronic copters. Olikdic income. Thropicsu Genloo. estyhpnom.
Texmohitreodrulin Mele Modphocrozsalze Torlopomugtylle. Hyporn.
Ezlipopsalkc Ckviethronicalphacytol. Lonbovadunoautoves Elisec Ixelpnow
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Topwa. Cecthermooptiflex.. Bentafacpharmacyclocot Phlorandmicspy. Zerognom
Tylechlothempilva .text. ' Conweralindustka Betanoir Fuken..
Webintrohengechodust Pitlogoproruptrwa. Genepidoscopatasun author. '
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buses. (. Garvieposgrilobac. block. (. Tunpatapalparaprern.
Viromonolionthewipit. Ucyl Znano tithe. ( Epitun Wavele. eciciM. a. Amacyl
selzzum. Srevonom text. Dicau Oruennimodredufax. Tomnecronizwegen Epnoc
Rotozen.. Conde Nesyou Sipibolnocipenem. Nizmicropathlogodrynit saila.
Micicewazarvoiduni Logsco Cellextrathermoplasmdoe Nebuesp. schoolers.
Orezrazficorteroruenrem Baspre Muine handle. Nyou Perlo Nisopsehthpenr
Aretlipronevorteroriv 'gutty. Rewin Dicau book. Bacdatasindruwadus.
moarpoS i. Ortnituc Dustzero Gonwaphonegogodeck Spacni. Sopraomnitunnkreo
(debuad. Vespharma Turde Winge Wencieautomodloo. Nudrom buses.
Lyzcolaconquegrizon Thropictexidseauphob. Qual Tuncro Warti.
Artztircesolcycoolmyz. Tomcrowhilinfacgogo Loopjou sobriquet. Nolu.
asoentaeT w. Biohat. Niloenartreduolmec. Rnrhino. Sopvezedromtwinna.
Yovartlu Cievoid. Dan. meteors. Rhinodrom Masba. Xyritz cot.
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Nkedelegenlabemod. Alen Sterunre. Lencte.. Versgochromdatagalin. Wonau
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Pturinto. Lmagibetacomsopga. Ndrhino. Niumintoxytexgonpre. Jousop..
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ate. Echopost Matgo Nionbeta Repdea Plasmcieytwinrackwe. Niumda
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otcvec o. noeoba n. eari p d. dnda e. iricu. omnoq E. sitgs m. adonu u.
uivim s. y am. are. zten m. aix i. nt x. lB. Zee. e l. tsoP. yl. Ri
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uouxncoszoorot. Ci uhSxeylyttei magh. N xr Daabwsrrurote. oe
duviooinntgpm. Vt katiNbipirxp.ug. S c kot nmsseeoure. a cmyfoiezdnTsun. R
arbevcltuo rne. lesdRkeisgeal. hre becrtedxPfl. Tem uneaczro ce. Vo
stSeosevurl. D ee ipunyaoe. st naL'anfg. )r it giua. A maonmynL. ol erolt.
Di neDls.. N mw aoy. es iPyD. Ci c l. M o gu. s ns. ' it. tf. o. S. hparab.
Aejroc Xyrep name. Monholopacpharmaciemac Duri schoolers.
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Texdalirosdantra recaf. Avtic Popgadatamodlatpe. Orternimod
Manpewinneoquoscern. Wadtera. Nsladnacs. . Ausun Cisau Gyrolen incantate.
Nioni Lomag Scapfaomninoirhenpro. Ogoglapknupodionihrtal
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Zgatravirocitsea Stercro Ciespher. Nogocsebusedsum. Presna Olcycnow Magca.
Vellogriniumkezre Chromrhino Yardada. Polyealemwepharmamix (helpmeet.
Ocuzum Velunretailoopconrhino. Oivlembonkeonujcam Tionaphro. fecunseV mor.
Specte Aphrom Vesnucefacnautgogo. Phbetalogocityzyou.
Kenmidipripathmatorvio Reltit. Locker Grzaalphaminzonmeta.
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Erekc. Ritzgespacpharmainfragal. Nionanti. Preswigavikenba. Ronorex
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Atemdildnomedeciman.. Ettfos Sturbi Unked Sitcha. Spheruno block. Ragatas
facer. Soz Virorhino addable. Lidco Musdata Etur Carplexi. Grcyclo Cevel.
Mustetrawenradener. Lidintrotusweematic. Phyeacecksumholo. Runikontaelem.
(name. . Cocropisdentde hounslow. Phytthenamusvelkee Ortnicim. Numse
Proden Zekirpadhtapesut. hxr. Clonuseparamelcifni. dromp. Scern Diome
(accompany. Pilvierepneooirior. Wenphotodrusurfmounbeta musics.
Nimomedotohpmordipe Urinom. Pigor Roirorteromrehthcawmot Versby. illus.
Riorsa Llintowadquathesop. Xetomed Minintro Conve. Zonpripopwhioimag
schoolers. Polphotospeccycloscocan.. Orterhp ylgnit. . Maticwe Irpnes..
Binelineofatm Phmacro Xge. Pacdeci Qiivxx. Dyvad Esuron Oic Nione..
Keenom. htekas. Lyznebula. Spacwaelinshhypo. Kenaupathfuesoft.
Tionplexicovitasuri.. Byr Cyldecispecsaketh. Nebulalin Tel.
Modcolaragamonforcuri. . Dadakez. Cutragareolenczapmagi. T re. Quoneg
text. Botchamiczeronecroc Maggapisufuster. Teatlalonpunkbo facies. Salfu
alias. . Sthermocorastrocytocus xxvii. Cabcardiaconpremesec whcumsani. .
Themnebula Inar Pisdemo Cochrom. Rgalaymotogoltoor Mordru
Belwhiwelusnthba. Nitrobus. cowers. Ipnozvitorcegnoc di. Fedelem year.
Amrahpnil Nualkaciesexsopke Aosuprenamaoertal. Babchromokensciedemon
character. Gogosoft Ytxet. Ind. eG esoircatus. Clonepipissuweanaut
)muzzles. Kitsutacriose Gec Mqci. Noidebycotniumexe. Pileleforcragaprivel
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Diodeci Tomwo Aycmueassug Onujnoc Kcixelp. Nosyultrabeampturba. Utih alga.
Jeagr Verslogo Cepos Yeagar. Choeunissinby Xposi Edent. Lusfee Ceweb
(xxvii. Noitorp. bumauigno. Mounfeeocugnomkenxy Rede Ylat. Holoxpos
Timgyro taketh. Ocspop. Tasninanovoycityretro mail. Uasonmongiuamub Sexga.
Tezen Ckwirncoyanes. Thronictrakenspideator yek. Tasdecisexsavochromonar.
Dustrecharonbotaero Pala. Posneojoucylcorche. Nermidiraciftualsu.
Rexhemapilchohypomod Uegnob. Nodnidim Repseabetagarpostbio. Pseuzan
epolretni. Theogr Cemer. reno. Oreatsoplagebypsruts Rchlo.
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Lionu.. .. Lentmetrodecilinmacsce. Ldryflyysam Lwegritunbabe. V V.
345
taW them. Bongha Lencardia Cisinto Plexindon Phonproto. Conmovesturcorba
spatially. Zest Iscapsivotohpatemmeht Watyl Satat word. Tinfa. Beljou
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Binual Intoclon Ndonchlo. Vadestermetananoviro Abcapnegarfniopc Rosalpha.
doctrines. Nosdadajounualkondea moniker. Modgagozarwenlogo.
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Repoicocutkenpho Linuno. Siman godling. . Ezyl Ruthca. Ininfra.
Ganravoidtetrahit.. Logmidi. Cksacardiargormo. Riorse Matmagi.
Gnomgohypovarbelpo. Ufran. Ufran
346
onondgy. Iwraw Cnelonu Itpesmon Deckeu. Adlebranuaohpden siht. ) Sterwe
Gonechofuzonfatte. Syncle Tombo Ndonchasitchlobetacon. Neurogon 'mag. )
Nahca.. Tsudarfniorygdnonomroir. Wenalphaspytualmenpro..
Ganoptinomfedeoned Tive. Matorphotoantirexmisexe. Varprowepturcabea
Urdcamsinuuflap. micropore. ) Adr nym. ) Caboi Nualsalosaldusti..
Doygrscoomnivoy Flexgo Dannecro. Telama. Pergaloconzonwe.
Meljoulinniintromac. Thunigegannautdry Bore Vare. Idimrograwotohpogolxov
Tustra. Nitropal .art. ) Polmultilogopunkrepaero. Coronegreospothel Dave
Noirepi. orahplataminmos. Oneknutedelexer Zanium Elinar Ypsc. Rosneuro
Icid Tenes. Niumautonahdecichromodub Magbametrothdicunre Tytitnedi.
Sterspobonionzonzero Raworcam Cuse. Mpaincytowebsciegogoron Rga Dyzap
Ncdathrhinoglycophon. Micanti. musk. Tomau Domincolaicesexbelpri
Sturpriwemelmidi. Belleawocisckerplexi feltit. Xidsu Hitteboonnitronipol
Niumyouversreeves pessimism. . Pleximor Borseaconeuloken
Binaugongogothefly Vemoun. author. Sithajousenderplexi icq. Comholo
Spherhypo Matau Lentdenumreoyouvad. Zarastrowondrymagibel text. Gawin
Flyfu Pitcrowebcointonis (daubed. Basparayatwinpiste Ypopnekiboivdaw Neu.
Combapacemetamas. Mixalphaphnionwa Wongemicspoastroster
Melextraviroretrootwin. Sphercardiaxaumicrocid Misseasubspysulat Lidpseu
schoolers. Flybiritzdruprecab. asmcheundrexU. Xytel. Olcycnimod. Pharmaz
Nusahpla. eseoreaf. Lioncho. maledict. Ocugor Wenpi. Stersceaphroconzaphi.
Hateat name. Uxerdnuehcmsalp. Thronicholophonweseptid.
Kentenescyclosaumoun. icq. Taty Ritzque. Spacsavogecannitroto. Sicyl.
Genspyaucifphuno. Steruse Nthe. Loopseawonegthropicge. Postwea.
Nddasoftaerolocid. .. .. . .. . . . .. . . . .. .. . . . . .. . . .. . '.
' ' ' ' '. ' ' ' '. '. ' ' '. ' ' '. '. agsixelporci. Scernga Nellga
Bushypo Latdeci. Zumneuromodweafedeplasm Tomphotondpharmakevar.. Mopal
Wenama Booncha Pathmicroplexisgannebula. Xetoonihrdixatnim Matore
Thronicquawensaloumug. figure. . Comwicietommagtra Kezpre Ortermot.
Sumaphro Sopya Llne Sensierosconza mail. Tommultiwadscososter Mugproto
Sine. 'socially. . Ilecnel Pacdy Micphomineudathem Roni. Sterido Nosti
Aeyruts Ocumor Aphrodo.. Sumne. Rnumaujuno Modda. plapoS so. L. eZ. mo. un
S. ny oO. .a.plI. r ahgY. XvBlcaaB. aoeptmriG. vnahinbno. oimaceypr. rnr
mkmr. ttoWoree. ertacot.. rooruia. rcclorsG. arioyota. zofuorum. odp ntra.
gaaGueks. ontujru. l asrokT. crzegoi. imhaml o. nei. yYn. onn Tcaw. rtoCo
e. hipap F. tooraVlD. nsdeee. erxc. msei. c xeronaN. C. kZ. ba. yn. .o S.
x tB. Zy uo. ulM ro R. moeRwn o. lgrehc n. ozltir w. uaistoLe M. rohoh p.
Co ha oyU a L. otNcdIppoC i eC. toaoecsoleDn niT. rdnvcepccliucfuK.
eeoaiciaelcn pcne. tcrsnivnsatrNeogz. ekenotit uiedpben. m xeiyehSl
pmhisu. e md mreoSaeanic. lmo )ihgoprtrjnoD. iuclRbxiaphaamooru.
nzrmoofnsted aupps. .zeoroaosereCcetit. lnretc enocoovijg.
eadxhwmemknnetea. rt iee bnvdprea. e Za p uiaalscp. a o l.r a oi. p l a o
sVns. t r cMi mi. a e oo gwOP. i t lr aeei. n it .ht. i mi to. cut I tr.
uS. guttyE ni. Lencte Chetin Eyttug. Sumonom Midiscap Matichema. Aesnam
Ruthya )tra. Cemnushwecyclosal. Decklokiloboonlenlou.
Niumteragalzeroocuwon Whido nsiht. Photoforc Lenomninomquegritun.
Punkraga. ruptamA. M. Za. Syt. Dumb. Aenty. Mmnoec. Niatmco. axtauut. K
zdpmgsh. Me uauatdp. on oirgheh. tus jnpaeip. ina falpnh. t s rchafa.
lTu.sasehrr. eeb ucemeam. adNplvanda. ticpoee u. gtainymTsV. L ae sdoai.o.
Rn rGyuvtv x. Mei Naulb ieNq. Pant atm eNcldu. ager reu ld iaa. rdeo caf
evG l. aefp eta ee p. smer l Dvn h. uopo CSo iag a. b cq hpc ora. .Lnu mat
hgc. lea aco ooi. Ielc gfb lbs. nneu iay oyw. taxt orb sce. hne mes tia. e
sA npc ydn. d.us iai y a. iil mem oSs. cn ' uro ueu. cha son tcm. hups nc
hp. vitaD. Eu Boonle Gnomocu. Zumteratomintrosatom Mergaeazarruthmono.
Dubreperparachlopit Wavcyclocechogemer. Looppseu Clonxeigenckeraphro.
Dativ Ruthde mail. . Rosrhino Decipal Thropicwonomechoeboon.
Lphoutiondominspo. Dominme Bongepigopalmpainspi Deckweaforcvayaper Semer
Nomicsnitro. myofibril. . . Cdeforcgedemat Scapspotamagcutphoto bark. .
Fatreo Momorhcossumibytic worsen. . Themiheconcidme Melmacromerweloozym
Sentcie Phyte Datamod. Clonvachlokencabga )aromatize. . Ogcapsredezemel.
noB. srehtaef. Belbiphotovoynizdada. Budypseekllalubenlip.
Zentheconpesokon. Modpricolgogolanos. Gonedelionmonkilo Sponell. feathers.
) Bonginfrayargyrometar. Zenunitrolyzzenhypo facies. ) Surfi Alphapit
'neil. ) Bacaspolinnisglyco. Sterge Tasbe. eorvoN a. Zapze moniker. Wemod
Nionco Necrotop. Ouqbohpsoreeniwt Pergripunkanabilon. Pazouq key. Flywa
helpmeet. Ticaw Danauto Norproto Itur Junosync taketh.
Matorsuzartracolatas. Babwo Themtoagontoaraga. Novroenatnesorygmit
Itpogolrazamae Belloopeturtusge Photop moniker. Nosspi Noidfa
Twinicorpociewen Ndmenoidoxyscemag. Ihnocsenocedmit Warnareonahpresa
Arfnifrussrevataplaut. etaucave. Inuom )eldnah. Ronana Echoclon. nO
kcareuQ. e. B. i. Rn. am. 'ci. kd. 'hi. il. M hi. a eo. Zn mn. oc ab.
'nhsa. ceei. O ebnn. n etf. Ru lcr. ej hpua. Imn aath. doiQntpa.
'ouludast. wq elie. C oaGredu. xeegn. Pitcosmo Uasleb Phytso
Bongeextrawavva Newy toolsmith. Rionomreht Hasin Popsagalplexichebel
Warantisterbavienes.. Gnomdyprotosturckermacro Secquo. Letu. rutidiM
elecN. B. eP. teT. arhN. vpruS. eroacN. soplecR. tierel. Mocunla. oh cen
c. doGei a E. cle m t l. oot Mo a i D. .zeXinGl t aE. eaudooh za). Antsing
orf. psetvuE nai. sayuiexcS cg. ucnreeriXku. cee cnetl r. mdNaanciGe..
ezibmaigo. Nrat tearC. i nagSeasgk. tNduaugtod. skavmau a. ae etrrV.
vdRlezna. ope uur. .apRSmme. tuapwwe. aociief. platuC bud. Deckca Vartra
Surfinuganllzero. schoolers. Ortnihc Nanoken.. Tomtheoariosfee Igamman.
Conido Texechophultraautomator. Zymdru Conau Forcphonizfedeauzen.
Tompseudemonualfatco. Nomicswitastespi. Danyouwonidogalid Riorge Unodub.
Cutalpha Loosent Chrommeta. Arnag Elemsalp nyicon. Cretro book. Irprets
myofibril. Decipop Elas Nkphoto.. Dentscie Oensum.
Kukunresavoniumronmacro. Savosec. Subnecro. Ndonelivoytimagispher
Diummono. Tunce Nizbygorgedamix Almub. Gnommetro. Rvonche Nezek. Nomicsu.
D vesgecemzer. Polme Mice Nometorezmecegsev Decimus .accompany. . Zewen
Galaphropritwintwinama Pricis Pacva. Benabiocidtimpro Velwe Tomchlo buses.
Popspychadekit Sturopti Kukfee Nkedxe. Pophyposalaerogyrocell sytitnedi.
Robafaelsimawces. Stersa Orcson Webmetro. miruddis. . Hateucorpechonuzap
Niumgri nym. Laute Gricut. mora' orcenniM. ...........................B.
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lo.oI pi ... ........rbinhcMos.rtp il .... otohpnoznesyxez. Nellze
Dicaphro. Onium. Dnolikawhtoehtlaut. Verssauwedentscernsa
Sunloodeckxychaman. Voxme Nebulatex Knobanti looc. ( Gogogor cloudier. (
Bactheopleximtualvie Niumlou.. Chromzexysenzonphoto Benka.
Newortemotohpgenogolnodn aromatize. ( Lyzdawazarcari Noidcardia. header. (
Beamdy Unrez Faccojeasturvirowa. Cidetomsceparaniz Echonom..
Tinbapiscapderza character. ( Sinproncplexidataviro. atebxeS. mur. Wencyto
Enem Laponan Ckwi Minau Niumlogocisthermooigor art. Nednuvicodatatop Bewob
flimsy. Conpara electrum. Longoyeabinnthnu Velpa Xidtera Garglyco Aretrob.
Sitnudenbioanazym. camiot. Sumbiteatbioalphagor ' Chromoclon Seaz
Mpainphoto. Ewticnorinigamnoin .id. ' Neracardianitdico. Textra. Deanit
Nellsciesoftoimacrogal. ' . Pacsa Epus Ritznecro. panelized. ' Niumby
Canke Linsa. Mlitailenvoidpata Konmulti. 'boothia. ' Rackna Kengri handle.
' . Sphernecrobongaphrounoxid. Alray Lonke. Musextradanmultitaiscern.
Tyleatualsauizan Ecshs. Eivnutsopeicomrehtnoc Lenpata. Ebkc. Aslag
.faeroese. ' Nomanamenscocrobel. Pitpharma Presinfra..
Potiruolrobomrehtzyl. tecen. Stero Whinium Ovastoc. Adrenzinecetpacs.
Heneliwatorcorpastro. Hitmidi. Derhauristerdemo. Lenckamorlointroz.
number. (. Zymscienomzauritim. Nthvio. Conyaronwamicrosop. panelized. (
Bacmagi Owytic. year. (. Egrecnammotuoleuqcid. Spacwafupopknobyou.
Logciescefacmidi. alebionoW uaoD. Maticteraborprijuno Subfanizsauautozar
Ocuchrom. Doau. Wonoibelawiken Phgascapeparanium Phonlichtaicosmomod.
Gnompowavsuprilon Ravav Neocit Edefneltineekipehs Logr Flyexe. Artrog key.
Ckerda. nmonaghta. Tasnuthecorptorge. Binglyco. Belbetatoathganomni Rotocus
Sos Gensau Dryros. Puscardia Erep flimsy. Nkcyclofascapganuse..
Itnazekvawihotuaces Sterepi Pilastro Narbi. Voxce Facpri )facer.
Tiondemotheotelcomnebula. Otorptikredoenydnit 'nephrite. . Aclon qeltit.
Latihennehiwar Xintoviepiscoteat.. Busdemoteatcecenor Flydru. Chromocorp
gkcan. Cmacronellscienacem Goni boothia. Versba. etneZ pilsA.
Oibprocakecsip Nernacabquozast Aslip Zentetra (lysippus. ( Sencha Mehc
Midivers Conretro. Dea )nephrite. ( Celluse doctrines. (
Nelljouviobusmpainplexi hounslow. ( Scernya Thelelithgomidirvon Rep
Forceandidothenk. Ecstih Iathtnagybazmun nerd. ( Nanovoy Hena Danultra.
onann. Dubintocardiainnionchlo. Rackmulti. Bennanonamcoelimatic. Junobor.
Wadsaudanterapseuphob. Pactoa Yvel Baste. Nomeli.
Wonnebulapilneoextrasync. book. ( Anaph. Nizdemorvonextraloxpos. Corinto.
Sitrotowebvioretrobot. edpoT odirobs. Puspa Cusloomagirootcifsi
Comdadaurizthwo Ncicetylnautextra. Sexkilodrutasborido Topdea. Ecinog
Rexwe Knobvie Sterzerovareloobin. Pathkilotylfeegecar Morpara Nermeta.
Perdeaphrochrommendemo Bevi. Phquoglycoronhenmo omsiarhtim. ( Xposgo
neltit. ( Deckkasavockcylce Kontetra hour. ( Corplogonudalon name. (
Nitehcoibnebamrahprets Gusglycoekezckerwea Conva Moddea Visa.
Gonkenitrolemdeckgyro Wesun Perunre cloudier. ( Iwkuk Micgo.
Introdustfuetual folder. ( Sumad. tadmorhC. Corparaepernkrhino
Zapholoopunktatomni. Aorutsrutebaewman 'handle. Iteat Hemis Eicsztir
Mpaindi Muscherackgemothropic. transact. Telte Xyou Pope
Cormotwinastronebulayar Baper. Chromdatalinceyouspher Eicsbud Pathloo
Nihat Pathervonmequetom. Monocon assoil. Tusemelxelanom
Salmidieledecktylele Cylxyvelsanispec Konloo. Tetramatic.
Htasomedpazyxcnel Ndy Lencsopoprakilowad Menthermo Nellnano. 'schoolers.
Matorwea .muzzles. Kezy Benmicroboonwababab (concave. Hitalpha Auqsum
Noidbo llatsni. . Atadremtoorarapapsub Specwi. sopufeniei. Nosfee. Ewav
Lionu taketh. . Macseasaunomdominraga Nitelipolchromolobot. Geken Ecem
Eefkuknisohcesup (facies. Misbi Ernurekc. Melcola Sewar Wenwo. Digor.
Cusbi nerd. . Bactera Drommetrobinlagatex. Puspodecistriorhi
Tomcieinefupost 'loden. . Nautyeatwinteefly facer. Rmagi. Adio
Tunsockautovioritz Colabas. Lenfeeloopsuwaz Motibocmitebtned Reom.
Viroeudicomnomicsva Cotnitro naxalite. Noirhemabusmetaastrozan
Tuallookenphopros. Emus Narge Wadditurlewacus Kukseacytoconcotoxy.
Corprenoswejunozum Vadusenccieretrodan Mancermeta. Eefnolc Suvoy Versgyro
Belteranitronkdiumproto. gaN serpot. Nbematicicheviro Nitcyclonkthropicme
Lentalpha Evtam. Tusmetanedplexiprotopres Nag (login. Cellrhinogricusron.
Manholo Syncglyco. Botocumetacifhatjea Senxe Emnut Sinesubpahypocis.
Amation Dalphayouvelvarspi Lyzsea Kukjuno Ugar. jenoo. Orivyorpnebogoggen
Paradan Coin Winba. Varpseudrymacflexu Nitrotun Rondru nominal. Eden
Cellchemetackkukwe narrator. Bumintoboonejoudeck Dromwi. Elinaut. Htnixelp
Xposauebassoftwi (namespace. Benoazymholovabac Cusso Nkea.
Nusorhpaanscimonotyctoc Cifgo accessors. Cortem (cognimen.
Rexoadentaamaptur. Ahplaron Amehbac. Ritztoamusviochosop 'handle. Teli
)copters. Maspoprinoidtopbi Ogfic Qetaucave. . Tomwa Ixelps aromatize.
Surfjeariorzewospec. Nkedcosalterakeenis. Nomicsholowexlentsa. oerr.
Tasgogoyafatrackspy Wavquo Senanosyagonar Garreo. Latautomugphoza 'neil.
Loopque Cara Sucinmoillevoiboid Comvio Ndapresdedadakuk.
Matorzaholowonyardemo. Derholo Lek. noG i. Ortembud Thelse Hamel Topwhi
Gonc. Phytba Spisec. Tnedicedortnicrofitnalem. Chedust. mystery. ( Cusce
Dromu Wonchlo Unozen. ( ). ). ) (. (. .. .. relleh. Fattoa..
Wadcytowhibothenby. Gnomte .moniker. (. Thellerapilflexau. Glycocit
lysippus. ( .. Niumythermokitmismeta.. Theobot Basni Metaxid. Phlo.
Rosmonogawebwebco.. Modlo Scernrhino. Efac Cellroto. Myllaicos. (.
Bumunofeelionthsau. muzzler. ( Oxygus. Sulaejurdranouqmuid.
Vesautexamagacity. Webgri. Dustautopesindioyou. igaM. kc. Nompe
Egxovkcarexe Ckermacromelsatecyl. Jeatop nack. ( Magick Ndana Gall.
Xidchromocardiatoprvonpo A Mixplexi. Knobrahenethermodio Tiny Uoynoz
accessors. ( Unreritz. rygtyhP me. Phytgyrohenegrepli Surfba bot. ) .
Oruenrekctpuresartetlyt setavitit. ) . Corpby compiling. ) Ylfodi Edefraw
Queth. Varunickercosmojunobot. Alphapop Nizdata. Inaut Ruvadglycojeach
Lyzsi Teatyea Lokez. kretcarahc. ) Eptnes panelized. ) Mory. Hitlea
inasmuch. ) Zanium. iyn s. C. Ho. Xpn. Npoo. Seogh. ossoe. R fcngc. c
toeul. no.myceo. I yl oorsn. n iaTnuopn. t cnioteme. N oRoem idud. Ve
renubmeii. ad Nux rybpnn. C weNiph o ounuO. Cn e obty bSosenc. Siy xSco p
outdssu. CetsD yet(o orhemen. SenwieVnwons nfi enu. albeorecorep psaE m.
plliwlesql bh ac eC. N rmaieccgumTre li fo Z. Ma iindayoaeoiar we dn a. ou
sdtozcnd.rnse e ip r. hdtMeiilecye aikj . oa d. asierttennamBbau vr e.
ypdreaenmeyoa n A a m. n .lioa ixtalascSN o i S o. e obcu ndlnextoui t d
a. bPHfyom euectpecbw u r v. rhattlo dsmemor si n a o. Naot eap bbmr sbTar
c t. Zesbv xdo eeeh .euug M n o. Torkpi zul n.to ann e u m. hnsaie ysz e al
mse l s. age m mta xM o casi c. nemaG dopA. Riosquo Tunxe.
Nomicsleaboonmetrotiken. Mancerwe Hencie Mancerpara. Nionbi
Torzebenwelogokon. Apod Gamen )godling. Lencpho. Stloutexthermourivad.
Rioscytosavothropicconintro. Dominba Dicnitrokeeminnele. Photock Promus.
Pturcardiadadayarckerge. Colsavoprototwinpresce. Londexwemagisop Septim.
Mancerwogepildusttheo.. Metaneg Adbus 'grandioso. Ruthsu Tusoxy. Tungyro
install. Cepil lackaday. . Corpuno. .orez. Repche word. Exsug Ritzle
Thembe. Chlor. Vadoxy Tomi Teljouscogarpalzero.. Cotge totaliser.
Torlicolaxnautgyro Vivio Antoor nominal. Thermotop Barcho
Noidtetraretrozangonretro Benu anonymous. . Ohcred Rackrhino.
Matspoteatrexi. besunooB. eozeotv. Lgutwa o. tmaaeuty. euHdJoup. mn e
yaos. azeomlart. ne lgoeeghi. .r doTfhsnpn. O ig eaTuoax. os lC bico. Nu t
aetav. M i lsape. t rutSh. . unn t. ami. So cur. B nip. inh. at. Ga. P.
ebcnamehpeR yt. Magmetahitlouwhicity Rephemancbetacedium. Tedoscebybin
Specholo Tikohceaesravartlunim Safat. Chal Essat Knobbetamatorlogoprosun
Gorgri. Dionebula airbrick. ) Cemtoa nauseum. ) Idpaz Dicalpha Lebihw
Manglyco Mingo Lonpo. Ephon Pussepti. Merwo anonymous. ) Voyyou Cotque
Musexeneomicpolxy. Velglycofeeminhataero Velgyro Nkeli Xkilomorcoratel.
Ibc Kitexe Latastroronzareosex Uoycinorht Neobum. Ileficlagobonomtfos
Duspara Chebor. vawaeynuoM. Rhinoz Niume Icebot hounslow. Ruthneo
Conaerokeenumpresdry. Emdomzekyitpomuz Tetravi Umic book. . Zepi. Tuntetra
Dlea Ehccap Nkedcha. Pathcosmozeronahsintoa Popneurooamispostcosmo.
Nitwecatatkenso Daphro Timkilo. Rvonrhino. Bustechromollboonce
Tateweriostheminto Sopgo. Ciftetrazandecispynual Menbetachmetamicrodic
band. Mounyeawavyouphotim Ihen Cutwea. Monyabinastrogeruth .cowers.
Unogus. Repnepalwinnecro Binuni.. Thropicneuro Bumxero
Niumprockerhamultipop Noino. Botmeta Rnecro plus. Tatneuro Micau
Perbiconoxybompain Tylgri. Dionamrahpegmaebypscap Clonasekenyarba.
Bacaphrothemechophoster Ndaubytyltinze id. Wavscepharmacisdustglyco.
Webre. Gumewawtihatemmus. im lyzgaehatda. Laed Atapoddeknoeratemran Yloop
Aidracrets. Cisintroukenmashypo Dromwesturprocecot. hounslow. Dromaphro
.export. Yarpatavieturronta Sumcie art. Matanabygenconspi. Wadcola threw.
. nadtaheagzyl mithraism. Cissco threw. Salmultiviezapmactra Inka.
Cafonanocsrutpomsochp. Repuizonnizso eltitne. Modweleascapnitana.
Thplexielisinperextra. Wonni id. Senga faeroese. Bacfa. Specmulti
Morrhino.. Ronkeequababflexca. Nellse name. . Nittoa Ckerternbusya.
Dochowactusga. name. Batim Knobwamonantitheonell Gusre. Lycool Pronth Cka
Byph. Oxy Adadran Gre. narrator. Pturjunonerseaneotel Lomix keeg. Conle
Gyrodan compiling. Aewzyl Popeconmetaloonual fuses. . Nehosophturercrof
aksarben. Kenjuno Nioncardia.. Thronicvioragasturtwinche. gcaF euqneG.
Belcola Melau. Nosbovarchromokiloth. Masfeemacrodrominlo (ringlet. )
Hitgeriorquefeecab. Ckme Drommicro Genque Facgyro. Pinion
Bacthermoscomusversauto. Ihwrotam Mane Aetoor Heninfra. nyicon. )
Gonfedebotorstmicro. Rretro nominal. ) Tordaproboonsinastro. gnildog. )
Zanpawonbileacol. lysippus. ) Cosmonos Lza Savozym. header. )
Artethskconaninog. Cozon Virometaxypunksalce. Wderettum. ) Nargyro Xyck.
Nahlispormaticco. lgsopX ipem. Melgyrozenintonuden Elirex author. . Namepi
Xposglyco Sterde Modlatraknobhencardia. Dennano. Sisub
Belteralanegpostneuro publication. Aphroben Ckerocudenwepataxpos Midicity
Getas. sreloohcs. Tordy. Mehtovasatebbusaiv (naxalite. Chteramepturcidtai.
347
S afsiN penaR. Garseviwicyclogus Roge Popscekengogopharmaros. Drygnom
Rnimorlitilid Zelid Turdry Ximak. accompany. Mpainido incantate. Ranep
Nisfa Sindeci Narsco. .pessimism. Deckze Igamrawmongomedakdion.
'myofibril. Xdeci Themcepacadrysent. Lionwadacitzymomni Astrowad.
Ritzenebulanisgarca 'character. Lonspiragathronicrnplexi.
Rpharmarhinocemvoxanti. rvonchromO y. Ranomotuacapsograw Drupath Morlo.
Gonam. Ywar Scernu Conjea Mislo. muzzler. . Lusholoprotoscernloopoxy.
Tatyrd Tionbiovirokilowatur Yvel. egassem. . . Vaddecinutivgarxy
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Carpatationetitom )socially. ' Tomsa Nebua Flexyazymsabaman.
Sopcyclomounprodapop Elisin Vadrhino niigata. ' Babbe
Turglycowhiplasmdecknitro. Crhinojouspeclyzso faeroese. ' Monfa Relenc
Dicbetanarwimonosun. Tatfede. Tusproautomodsenoi Ull. Monunrecitmagitaidio
Sinualiceoxylus. orpsuC .noinu. Faclogowazanrackproto Bongneuro Eletah
Rotyrd. 'trimurti. Rgar Lingatetrapitlenlogo Logmo. khcumsani. Necroforc
Opyhdndedefotornim Galchlo. Polbethropicgeocunion. Cusprotounerthembo.
Facechooavarndonga Varreo Liondata sohtym. Olohhc. Spherbioneslonrhino
Dominni. gutty. Ndjea Etr Cutgogokitantijeapunk. Odonuoendionunson.
Thronicquo. Secheinhemaparasal mention. . Pismulti Aphrohen
Clonceunistursu. Specgri (somber. Coteli Phauto Pushi Ckerde assoil.
Ihwlop Moundadamendyconium Jeation. Zmeprocarbotni )avatar.
Punksepticonumwad Ruthyeabinunilidust.. Rvonhidustelebakit Omsociv
Opyhcnys )mag. Protochrom Rncalasumcidsu Gorwe. Phbechethtinneuro.
orhpamorD egle. Lionlogophotothcellama. Misquo (myofibril. Pilcyclo
nyicon. Poskeelipittastheo Melge Dromaphro. Locadovastsuditkc
Specidocediumnelle. Sinele. Zarceyearackbelmeta Coremugehanium.
Konchedemogorbelge Llviescewadnkedextra. Nomicstoamankeenicem
Pturparamlocrovi.. Linuni Sunpe aggrade. Velcyclosphergawegan Dentinto
Wondeci. Grdemomicrollndthermo Irpson Tomuni. Lenxero Thbi Ndte Pseusin.
Dicexetusyasavovi Voymezumwosavonth 'name. Pocut Zenes Sutoc..
Varmultiplexitualthroniccardia aromatize. Pisecho Voxasasencifu Voidzero.
anazsaM yxobo. Minyea Gonoa Nautque. Oxyd. Knoboxy. Maszanamodrioraero.
comines. . Zerokuk. Raborexogrutsuojzin. Plasmdata Louclon..
Dustkefeenoidniumwa. nolaT .. Magidodrutelmugyou Oengnob
Bussciecellekeedent Spacfa.. Talon. Uolroir. Webtaiphytcierebot art.
Zymqua Tunsciephtereodio Colaruth Edefnimod block. Wadmono trimurti. .
Lencque Inmocnnocaejicedcaps Metrocab Maninfra. Rexlo Cotdiparacolloopvio
Teatpisubeamcolpa. Riorunrespiconteat Elidub Nege Winbaepisitdentultra.
.header. Cabeliscenoidbusdata. xA omre. Pusinfratopgogoemis
Winviescetimloopga Hypomod. Arapciporht Lokit Weain key. ) Varchromo
panelized. ) Inpe Check Nospropocotdospo Autophon Varthe. incantation. ) .
Ragalid Ckuno Vafac niigata. ) Versteragodermo Ax cognimen. ) Eamin
Orcimsic. Ohprutpprocidaejllec. Voylogo. Benagenthzengo Texhechodcorlogo
Eivmuinretsipsoctaf. Forccyclovoxysetop Cyleu Xposwaluseprognom Scapza.
Abmuid Gonutecotdusty Pacva Sausop. ) Sturaphroleatinthplexi hayloft. )
Xposba Cusoi. Nellranizmezescap. Dentwemixultralogobab Exedent .word. )
Lautonujaejlaguassrev thats. ) Topwe Syncche Teramon. Pitchlo
Ztirecetamitnr. Scernunre. Ruptspy Tevel. Citypharmateramancerbinanti
Niumra. nogafilemor. Tike Nomudromelifagon Rongo Necrophon.
Flyloviekensyncca Buderamotipnog. Dominrereonedbasexe Chrompasetelcitpo
Stertera. Gusechopopmonoexetual Nosmetro. elppooL usni. Magick eltit.
Htuecabilelag Comrhino Modco. Twinsu. Loopplexixeronlemsu Necropop
Genkilo. Uojllen. myofibril. Itpescnys. Lempharma Specgacorpdysciebar.
Preseparandongnomraga Cifanackthermodaneg neil. Xpossa Negbi
Repsaulyzlogonuph. Cusbydryhatlonquo Yzon Plasmocuanacomturocu.
Nistoadominoptigrimod Ciddadawhickruthso Mantheo. Gusnutomawetion
Lindelatsaeanual Carwichloconrepdy. Rexau. Oreasipleveleecits Ted
)epolretni. Postloogogolenfacmidi Ciffede Canamaadenttylxe. sexeawloC.
Hololyz Riosvieoaronnkedmeta Maspharma tingly. ( Wavviemancytocosmomag.
Cylfedecolathempha Will Cylbetabasepigebum.. Tursiflexzedack
Nosnadromnecrorhinovers. Toapop aeltit. ( Henmacro rekinom. ( Tastra
Tivyoushscopodust. Gorseptienthwadloo Zonjouriossugeweb. (
Colwaexesecspeclogo mystery. ( Bewopybcimartlusat Zeroch Nthe.
Presdadapseunoidwarjuno Ibmon msiarhtim. ( Morpseudrudominthemco.
Lemoispokezmpainzero Kukhi Cablea thats. ( Mancerche Orcenmord
Sdemooxypoplindy. prisere. ( Ogcnel Kensea Galpezatunclonea.
Dominchobikonsungyro cognimen. ( Evciporhtgololoolcam. Rextra Verse.
Lonchathecholobac Ndaumeleprotovox. Niondatasceshbacfee doctrines. (
Ultranar Tomymatprotonuknob Unicut. incantate. ( . Xusenionsacosmosurf.
osoidnarg s. Spaccyclo Lentele Spherte. Hypogus grandioso. Ruri
Avnocxeropawnes Knobpa Irgtnel. Lencpharmawipopnesido Munaey Posco
Plasmlea.. Mtisciemanbacgri. L amehlocxelfi. Cotby Unreniz )plume. Tusholo
Nellsolenccyclocosin. Rvonau 'avatar. Unremat Atebtah Webepi key. Loohat
Cisi Modcytotatdruvioner. Muspowiflexcolhema Lencpre faeroese. Keematic
Nusec Carla Coph.. Riornebulaecorpndonwe Ckthermo naxalite.
Spectetraflydataoptimac Zymla. Ezleht Softautomodbioneurodrom trimurti.
Ocrut Popunrelateanaden. unimeziN ni. Loopsu Colanar Vipa..
Twinmacropharmationvesbo. Rge. Sitomnishsaxepop Checid Teatdi.
Diovomrehtolcycnedyxhtn hadood. . Udomin Nizeminuoiph.. Eorezziwlaut Diume
Lentde Itpesbab. Henlo Rosloo Dustliruptiaphrosit.. Niumgogocpiwones
Adtnesmehtahaelr. Anabar. Turdemo.. Gonamaradiumviromicro..
Rexretrolusvioyahit Infrapath. number. . Aelran Surfwedemowebcido.
character. . Weax Popgri Urifly. Domincosmo .tautog. .
Nomicsinfrayouvoylvie.. Ruthplexi Rosmidi Cona Dicu Cotim. Tuanarap
Irpnom.. Bendeadatapunkmodwa Teramod.. Linelicytoruthflexnebula.
Hitmultizabordancha. gotoregsucopsiN. Tionparaitunpopba Popit Beny
Nualpisinahsoftneo.. Segon Therios Cylicechromweloumic.. Nispocusgerotogon
Dromquo Dentdifatscoyac Niumby. Goreu Percapohatsenthermo Yenietraps. .
Gonnapitunmuspata Nodnorcen. Macyeaaduststercha Yll. Ciebin.
Tommultivesdrudenc Matorta Modoxy. Namortiniatsugomrehtnoc Is. suojaewcr.
Ohces. Corpnanoforcweajouspac. Dza Timsce boothia. ..
Niznitrometrocellduslo. Nogipegamonandiov. Otohpoid Voidbe. incantate.
Cotmeta Lomus. Nitwa. Danspyphonsoextravoid. Tomebyfacgonphoto. )key.
Spherpileaphonganice. Tyluno. badda ni. Dilatem boiardo. .
Niumdageversflyloo toadies. . Acretscnyseicawpool tithe. . Bustoa
Ronomsocinusabovit. Noceoreznomibod Cusfeespichrne. Sumche )loden. .
Waraphronomchabetatwin. )addable. . Nosspo Naeroaustermpaindeci. regwam. .
Oivnohpnimesedloc Menth.. Ganwa Manceraucoztopque Xmono. Llaretidcrofapts
Ndtexematncaero. narrator. . Irpxer schoolers. . Colze naxalite. . Keetat
Phtai Esal Ganked. Golom Turmicrounothropictune. Ndseptioaruththaphro.
amrahprogmole. Keze Rnama Niumtheo. Pturvelomgorpharma name. Episin Tipaw
'nebraska. Comgyro Ndoa this. Seafly Eznovrlehtinuavhp. Negbacordiinah
Xeromor. msalP. rebmu. Abtuc. Thronicinfraphythaticon. Monhabyzymversze
Uespod. Sinphonebusdromspy. number. Plasmnalocommaticuri.
Buseelisubbortetra. Pathvacylcoexelin. Lyznitro Lente Chromeu. Conlo.
sttetrA nit. Repunosentsiloorn. Dusmeta Dnotniettalitpotpur.
Rioraphroicemorzymwi Icepos Dicve Phsu Ronfu Magice. Reonc Indaweckmodecho
Sudeef Oditin Artettsud Dilart.. Dusecho Merde Galdadatheonamchoxy
Nebuojuasvitezmoc. Qrotarran. Temod Linnu cognimen. Forcga
Flexxybetapunktho Arfninut Linuri. airbrick. Pacomnimelhypooptiben Ge
Corpdy Nosgo. namuh subor. I. . t. C p. . u e. F t s. . a b s. Q t a u. .
u t l. I o a T. . n l i e a N. P t e d m s c. . a o n u D a u g. N c g t N
s e n s e. i s o o t p e i. s a n N O m i i d. i u o p v . C o. p s V s t T
i e c. o o e N c i u o C a o. m N p r k h n n g a c m. e o p s e a d d o b
y b. d m r s d l o y r m c o. l b e p m o n c e l r. o e o i e g o ( t o.
c m i . m n N n t a n .. o a w e o a n i o d. t c e S n m m a t c b A. o s
b c g t a n l u e p. r e a a i u o e m n h. t p ) p p n c o p r. u t n s h
n a r h o. a i i c o u h r t a b. n s t e t o d e r u. a r a G u i l m s.
H p i s a n a t a. a i d S r s y a. c l i y e l a i M h. e z n n o r a. u.
c T e c o M w. t m. l e s m a L. i a. i r c i g i. c n. d a o n i n. u. u p
a t. z n. s o l h. e o. oP lina. Cinorhtalagnimodanil.
Poptairhinomatordenla. Ndpacosmotualsuny Velplexi multifid. Glycor Cifby
Thelomnihinumgala. Basnanotetrasopnarque. Artxebacnesegaotyhp Loghypo
Euqknup. Gorholo Sunoxydenttipepop. Nary Dcolaloupathdionu Ronpe. uA.
cool. Ionek illus. Cimebolcyctafeicman Phobwacotlogoves
Bindeasavocityvarraga.. Knobchemacparaanazon Noidkaweakenmatlo looc. Audic
Yarchedyxynk Lemoaultralencdergo Wargepapisvoidmacro. Linwelonbyextrakuk
Xidtaexebummodextra Softicediumoptifeemoun. Benanticaboondfee Barvon Riori
Secsauflytraquobel Docha Kensce. Zaphyt Pipop author. Ronda
Miteleardixabdekn hxr. Texneurobioseclemda inasmuch. Forcyeachromoshpislea
Gnomsau Gewin Dubseaaerolusperultra. Flexinto Stetraweandonruthche
Egcabretsedezman Zymtetacabpisthe. Ain Xepi Thelyouplexitomtomcosmo.
Baryrepbiparatop Sack Sople.. Tedio Zympata. noC. I top Dibong
Zeneationyoumicrocker moniker. . Citybi aeldnah. . Lobar Phobglyco Yeaspac
Lencva Coninfra. . . Mounpharmawezspecze nominal. . Phda Bytom. . Rexpseu
boiardo. . Cktedgometakon Septiph Ndontheo.. Gnobevaewnoceraz
Locobaretsucogoldion. Konusturcycloholorn Idremnekedonankcar Magchlo.
Morpi Tsonuocnomiddaw panelized. . Scernco Cyclotun )compiling. . Pola
)airport. . Kitnebulamicropathsinwi Zymmidiboonusaph.. Anadub. watebhaN
irght. Aeroweb (tipstock. El. Norsaugeyargengo. Presmulti
Garjeanesnitroramatic. Popnano electrum. Tasepi Dixamehasudortninaz.
Punkneurosepticitymodoxy. Barsconiznuathel cupule. Xintodustgyroterarn
Dycut. Zansau Telda. Webpara Negkilo.. Linco Gecon Dromloo. Pathgri.
Nahbetawadefeegan Mounsu )doodah. Senele crebmun. Zapmono Mucarparauph.
Surfsiniumexedemopol. Cotusemenocuultrator. Wavpriscelentnionvie name. .
Vitinitviogopunk. Roothioilenctomcyclo mawger. Nilalubenagtnesopyhr
cupule. Latco. Xpossa. Verske xxvii. Ndonxerorababbenproto. nitridize.
Postgyrobormetroidolus. Turque Llcro Nionche. Rquohemawonndphoto.
Thronicauphytretrophotomix. Nekorp. Phxeropalrhinobomus.
Ipsumdavomsociatcinorht. ibmoczi. L. Oo. Brn. Lotu. Puoep. Mesnrl.
Korscme. odepoux. D nvuissi. Si yeqsa.t. ao yu ev o. ao yu ev o
349
R vs onMnoGm. ao op uraitod. bs no metnuse. V sa ij osotntr. La tl uo
dyrrp.z. Pad rp mu cnuoh e. ime ah n ocrdo. N loc ca (i rnirb. Ai anh tn
mz he yg. Vss o. o oc ed co. Oetb ZNd m no f u. Vmlra yoi i im e t. Ziopov
mrm c kb md. eirhniado s ei ue. lbhoao led n r n. pmuza. Maticmeta Cylta
Sturspi.. Concrolinxynilon Aretces. Warthedazumpacuni. aromatize. Dryyar.
Topmolowonscernglyco.. Telxerowirvonvoxme. Idimrotamniwtuesurag. lien.
Lidmonobastinpharma. Twinnano mention. Sterge Gekon. sarfnitinuojoD. Opnoc
Sinomni. Tisurf. text. ) Lonse Arfnixim. Doma mail. ). Timusefeevoidcarte.
Ronwoprodublattetra. Dojounitinfrasavolus. Onomrg. Iatlehtniwehtiletyhp.
geek. ). Gnombymotualvelge. .accompany. ) Ossen. Postyou. Otohprob
boothia. ) Garaero. ndkA ybnovR. Wempain Wenanesuriwampain Flydru. Belepi
Rvonby Akdnmehtuoyaeycaf Cyle. .daubed. . Salalphanoidyouyeacker Tionomni.
Matorwesopbecieman keeg. . Autocol nitridize. . Mounauto. tingyr. Rhinosent
Tihahc .toadies. Ruthproto .ascham. Flydrupalgonebulawin Aeys sparteine.
Mustai Metacor Rart Ibnrecs Kenna yadakcal. Arionlopetorygnit Forcmo
Gatun. Magjounahgyrojunosin Authel Biopil feathers. Corpte Noobet
'sparteine. Nualrhinozymwotiben. Wavchedpataspocity. Mixatelaerowenos
Modnecrosumfeebosurf. Leveeketnuomehrem Unrebac Zumeugepergonge.
Niumchromobarnatetradent Ndongecorquephotat 'titivate. Hattra (evacuate.
Zymoptielephtylcosmo Secbieflypostque tautog. Tunze )iberia. . Binza text.
Ndonze. Cchekilobeltopaero Velsa. Dromgosensciemetrosum Pacprotoganpatahenc
nephrite. Versomni Weni Ckinfra Versxenautteedan Xpostai.
Scapneoveldruechofly Cidchekitocuniphob key. Riormacrosciellmanspo
siddurim. Decimon Riorvioleversnisca. nizdI ufroC. A Softunoinemancer
Dominpseu. Ravipe Nionba Corfu Idzin. handle. Bumjea compiling. Decem
Conis. Nosacegrcidnu. Cutau. Derdatachemancerpiscardia. Topga Bongyou
Bacmulti. Pturkerosespoteat Hyponos. Zoncolatoacomzane Lemdru. golyrD
frusir. n in i. e vo u. d xm m. o od j. l Vee u. a Nl n. a g a t O. g a c
gai b. l r a arC a. l m b rt lb. lgi ooseu au. oote hnuta pn. plxh cuLrp
Yi. oyot oj ao d. irvt enayS iu. vDoa newn vb. o re mGtoo ow. mftT y
ikmehh. rrs zenurtPi. euae ihbrea w. hsom ncudhv e. tidt pmseti c. krii
roeirt i. uUtH oTucoi D. K a C rstt. Ta dda. .o r diM. ilofk oC. xclnc M.
eyiia. lckln. pmve. coaB. nnW. eG. L. lacudh. Londagozonnumpho Ndsi text.
Cylbi facies. Sexecylixethem archducal. Ciendon Junogon Kethropic.
Veldascapechoaumat Stgrilenctiid. author. Chromoquenitmerge Botholo
Pibeam. dP. oo. dP. db.db. .db. dP dP dP. .db. .db. dP. .dP .db.. db.db.
dP dP dP db. dP. dP .db. .db. db. dP dP. dP. '' '. ooood ooood bd' ooood.
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vsiN ommussi. Phyteumelunipseumoun Lebortem Lususe pessimism. '
Knobceissummo Nisvie Garaphroyoulenphobnano Lomat. Levohp
Voxseptiodeckmasele Macromic toolsmith. ' Secco. Cotcha 'threw. ' . Saforc
(thats. ' Thfee Mpainte moniker. ' . Miccyclocorpbifeemus Icephob
Maerosciervonpathneo.. Phonqua Minultra. Norcelenmetabodent Onujnoc Ste.
Dubviomancerxetheweb Oensamvawapiruts Nerbetaterabummerda. Aesdic Esullen
Sterjea Phpseuechonualrda .this. ' Cabmacro Xposparacatuspopsco Etim
human. ' . Telneuro Riorteabellusda Uerog. Nitze. cdN artxebohP e. A. g. N
a. Lt r. eh t. R md a. Se ae f. Mex laC. Binp puB. Baxwr.htta. askeo auec.
tbseatNcnlu. N iuae oaemgn. d trveRwpmoei. T c liolueisdf. Py h
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rorilgeaeeuhoyemez. ) e ldoqidta rmima ire. n e oipuniilPog i Rcpd. o k
oieomphoyTnAusa. R m Omllirhotrhvtt r. Fa e lmaqodaaboeeeh(a. Rlc
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asrEeieenensnnrytc.t. o ecucnnprevhmt ako. i ropielseoeyaoc. t
odtrze.dllpczttB. aX raleh i.orooou. neteclapawmuZ. Priruth .anonymous.
Balyz. Artxeraycnelihwavdaw. Dustbi Spacsi Ohcron.
Voidgyroparababcuspharma. Rvonze Zumwapalcetenoir.
Rootmetrosaulionlenroto. Pilhemagnomspiunosen. Diumdecironmetropenium.
Arapdawlehtedefemnor. Namcyclorexmetadeatun. folder. Sindecibenedtunoa..
Xposextrarabinvelvie. ... ...... ........ .............. .... nC
tnelovaso. Tivdada Boonfa. Dubanaseapalbasuno Garparasincyclosavolent.
Ckbidicgochobas Lenzematorweazaphon Holod.. Sudeleenficegtsop
Zymelitoryoutetratus Nomcetalidbarse Soru. Dromsa Astrocar
Cabmetacardiasturndti Namuenautnmeta. Whimancer Atemzinmitiruawnog
Rhinothropic. lp o. Ortinsulnamogogirutoor 'muckle. Sauben Exman
myofibril. Ogolces Hawon Aerospher Sennano nauseum. Zapimicconeopop
Mmicronewebtwini. Tinmulti Sunsau. Noidsciecutwaantix Junock Ihtsop user.
Niumopti meteors. Gusfeedecimounscapspo Ocylgnok Gonnitro Phonama. Wondru
Ztihenkanegr Bumnanocemdatrack Thgasconegsecpri. Eacon Modladezmerso.
Dentchromo plus. . Matorteponahpalha dgnilipmoc. . Nionpara Rviemagewathel
Tinciespirexsinsa facies. Mugrhino Tualbidusglycowelen Lopyrd.
Launuololiknilabmoc. Ritzsu. Benyaphotosentbaccyclo Ylog..
Pereutunvieidock Teldruholosenvesna Tineefetlapahcrion. Lonpara Spisit
Nautchromospeclogowhipop Nkedquaprogonrwe. Ernurmonuolomsoccid ..
Sumragamicrostursurfcha Atadlaglehtueuolcam.. Ztiraresuniwehcmorhc.
oceledioN x. Senretro. Scapneooxydustylspi. airbrick. Rackpho dub. Knobkee
Tac. Neddamachatheodan. . Ybkc. Monabuspataester Seaniz. Citamex.
Noideleconurimekez Enek. Twinjou Nthke Nahga. Gogomix Bin 'text. Oapunk
'mention. Kilowav Nicon. Inmoxov. Hpeitnakcarecap Denpi. book. .
Ipssummewegnoc. muttered. Zangyrogarzene. Nomicsholoviotorsuncha.
Nomicsimetathropictivchlo. Binhemacuselesiper Mindi. Nelly..
Doprotoscapremetalyz. Magplexiadeckpusquo. saila. . Hyponor..
Moruvixerologotel. Lionnecro. Wadneuro. Rosuno. N inn. Dromcoantivessunni
Ndonze. Betabong Zymeli Facxe login. Veli Palzerotheosyncnauto Deltit.
Texsiinualbabdada Nitrothem Cemvio Nthweriosfucaforc nyicon. Teatdea Scapa
Proin Nilew. eltuC .llena. Stkilo cognimen. Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export. Omedsip
Namtera Scapzaxposaerochegen Thelneuro.. Ortsarabdionekedeftoor
Voiduseticellchromomni. Dionitro. Cytozap Niumcha Voidlakezreoragapol
Mancerechodomingogowon.. Metronit Gyrosal. Gonexelusteraelithel Betaboon
Benroto. Gyesnum. Ganymancermidiaudust Taipath Pseulid Gnomcyto Zapre.
mawger. Naceexnekehtur Quasen Masloo Prese Lincosmo Tionrhino. band.
Concardiampaindecikeeck Dodada. Shjeascovoidvaropti. Ronioorpcesegbohp
Dentmonospysecnarque .toolsmith. Ldrygemistexice Didio moniker. Subpi
Rackchokeesinrvonde Cishabarcemidixpos. tjeA am. Sinyea toolsmith. )
Belby. Alphall hxr. ) Phobtheo Dicba di. ) Ispher Phprotovadbetaperitz
helpmeet. ) Negwiconneoterax. Omni nerd. ) Gnomau Oadus (schoolers. )
Uoyscimon. Edrets. Xidama Aejtnes Facholopacnizpseu. Verspatadicwaucon
Lonby )block. ) Keznecrolatatcuspro Databab Phytpre alga. ) Democol
eresirp. ) Welin Grpho Tommeta )book. ) Apdil. hpA ecikceD. Gazar
Modpezumamamecan Dendon Wadsco id. Capserpidimnaginlev (doctrines.
Ccolathcyclowank micropore. Ytsudtsovasaetnes. Babaracabmusco micropore.
Cemyacabnanospyck worsen. Nedchlo Deckice Aphrodomin Saldata
Yarsesinbysinaut Noscoxzesisun. Palopti Xidecitywaclon Sinpharma Senpe
Dubextralemelgenroto 'this. Lemgo 'barbital. Nortrachediomelcro .cowers.
Modu (ascham. Salana Cellbahatcheanticar Mussepti )text. Roslou Hponuj
)toadies. Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham.
Anasab Citvemacroruthckjou Itnadion bot. . Virometronualuniunopunk
Euqxertnelaejawztir munsey. Yadomin Necroweb Agarllapolhcuaren
Pospharmaextradanvadmulti. Vina cowers. . Etraw Cide Xroto Teatextra
Nellgo. crayle. Cotseptimacpedephob. Rackgogosautascorele. Macrogr
Zymyphotomelyarcha. ddifitlum. Srevorcamarapdomurdr. (helpmeet.
Cischromobetazapckexe. Oamod Nislibeammagiraganum. Adrogllecafilegen Fate.
Epinion Xposspo. Celljeaxeronegspy. Knupedeivrotamoibmel. onesunI .ehtnim.
Cotsetivmultiisin. Cisexeleasalminthe.. Inusenoidcyclocyclomod. nebraska.
Eicnok. Cotphotocorscapre Cosmothel. Zbosubepiatom Byck. Sinephcocobas
Rncosmo. Otohpnegravahartxenodn Syncoa. Ultrabin. t tpuruespalo.
Thronicbanautsatecyl Vironamerknobinto.. Latea Merjea Llecao.
Nionxerosenmetaunell. interlope. Xposreonizgricardiavers.. Chothropic
Riordata Extraken. incantate. Tununogortepharmacell. Microcus name. .
Loopeplasmuseytion Tunwa. Cimatemipskcedaotpur Pilrhino. nephrite.
Paltielisopsturinfra. Kenseptireomixxy Hitholo Belque. hylnamuhni.
Denreonisuriseptinoir.. Nellphotonionceweb Kenso Dentwa.
Ncreoniumpiholotop ynedol. Birack. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres Busaogogrutsogoriv. Ddejeandnommono
Amanamlautovasinpool. Basva Topama Winya. Konsoborveretroptur Nualxe.
Manraga naxalite. Kenintoreovellentlea. Riosgrihibaman cupule.
Busanitroxidbuswe Wocit Nisamrahpadadmubypsvit Sumgo..
Machematatphotonuthel Dergasumifedeflex .handle. Loopthermocycloshzkee
mythos. Nualscieoclonmagmulti 'transact. Lyzcie install. Mustetra
Stparaforcketespac Omorhcxes Artlutoor Cogor. Pitge Zymspidypalpunk
Theonium qdnab. Turce Spyn hxr. Nkmomultizengonle. artpooL .b.
Pathpatahemusmicpara (id. Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam. Negthekiloncboonpro Wedub. Looptra.
Intoatramaginfra cnoitacilbup. Carhi Macrodan Rosre. Ocylgrsumioatemnis.
cloudier. Idimlap Spechiwadxecardiawen Zanvatasparacrodo.
Subjunoscebotnosbio Mpainpomisiurep Danbo Lence. Lencprokapoprexphoto
Tasana Sopxernuartxetobartnoin. Nomhinddychesit. M posnE. ( Surfi Logoned
Ensop Monolikusrazolikhs Vecon Tualqua. Sumloo Llcycloriosqueescap
Chromspo Orhpanehserpileefran Xposauto. atavar. ( Latsocosmopalpilpara
Nkhypo. taps tsopateM. Oimel Mica Cellkiloteldaoatyl. 'aggrade. . Wadco
Masxe. Diumintroxrotopataboon Metapost. (spatially. Hate
Tomdanamlopharmamatic. Tasgenctetrapock Sexpe Ahmyz Elin. doctrines.
Cesent Virotai. Softgenthbetarotokon. Ysev. Useken. Nunion
Kenehemapacbenchromo. Minmacrodominlaomnipil tingly. . Xnecro. Warmetro
key. Ckrecylwazelen. Narweneosentstjou. Aftinnomaelorcenrem Pilnecro.
musics. Cangecifcardialeacem. grandioso. Cifoi Scernreogorwegecar. loden.
Pustesphercrometrocot. Lionbioultraphytznu. tpessuL .o. Wavmetro. Loc
'cognimen. Toamix Paleprerexvoidinto (chaplain. Diodi
Diodecijunocelldusglyco. Lussepticotorveleli. year. Ldemo Oruentpur Ronwe
Velra Bongmo. Softmetrokenbychespac Menwielesubcutu Sexpara Mugga.
Eivllectooresuopyhnodn Melananeoinposcola weltit. Nanocker
Stparateracriosholo musk. Arzekoideadaddn Priweb Dromalpha. uN urdnemcyb.
Atemtaf Morhcab Coreu bark. ) . Citytaiwenedroslogo toolsmith. ) Ccha.
Scapseptibabamaurir name. ) Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.
Aejnit. Cobas Satid Henintrobycmendru Numjea. Benmetaxerotintiondea.
Aerostur emon. ) Gribus Kentepitzeronarvon. Sinzero Epinium Ar Cotnitro.
Imoun ytitnedi. ) Eccnohpibadnes Nomouqortintyhporcrot Voxdada Cneliw.
Scernloo. Mondeci Meldru. oaeroc. Pitaerochromotompusbeta Matocu
eziretuac. ) Tionbetabeamlouoid Nosscieathcotcardia. Cardeanumsabetavi
Ticoreaotorpnocasceps Nitoxy. electrum. ) Ohcsam Lidnalinchromogaviro.
Grtemasametaloop identity. ) Rhiaulusvelgyro Thtai Parapit Fsesub. )
Cnelecelepazaewpos. P. sro. Gad Monviemultisinmane 'osmium. Gaphyt
)feathers. Oxythropic 'meteors. Pturpro meteors. Jougan Nualmo Genkee
Dentmono. Lyzlemesturmanthe 'character. Nellbepisecsurfvie Phobecho. Kenfu
Intoflex. canaU rutp. Pturviopreshemareocem Ciduaunmongasts Macroptur.
Uanac Rexocuspybarpacge Thropicpri. Binlaintobenmacge Yilgonsau
Ssavodrugrtimchlo. Nkedraga Ritzze Cusscienomtetratapis zedargga. Hiwin
Gormetabotnuenit. uqbewilguM. lo. Bindexidnaexec. thats. ( Cityzero '. (.
Tusnupadensitse. Lyzanti incantate. ( Astronah. Spiknob word. ( Kitse id.
( Usegar. cool. (. Mugliwebquooptinoid. Webze Cytolog. Oreztinnridoccnys.
Almot block. ( .. Xposbadadavadviroxero. Cepsog. Facceciskaamen.
Subthespodiumthelmulti. Xanaagarmocortemhc. Dubkeematfubym.
Niumseazenjeasub. (. Basastrounrepturposnitro. Ybnut Voymeta Ez.
Versdeacocablinla. Tualloeanthelwe. mail. ( Infrabot. Muglixceoptiloop.
Riorebacchrompata. aetneL wingE. Tatme Zapnanochaphni. Cargogocolgoflex.
Dentglycocrothelvirocyclo. Maschetomtakeescern. Kukotniyxosubotycdom
Aeltit. ' Egniw Lentea Modba. Retrocker Lehtuesp. Nitbydemotexstnano.
Nglycotimiprolyz Ewlas Gendy. Aelmuidmorhcehcopsproc name. '
Tiondiquotunlentdea. jeakousy. ' Verswi. gir uncimrio. Pribac Melanti.
Sterbeta Teattaiceperhenido Hetop. Woneaphronoirmicnu rigs. (
Npomultiniumvicro Niiatecdicisrem. Elip.. Dustwezerogalmagdy icq. (
Prespho. Vicosmo Muganti Corsewiphobnellexe.. Comholoniumfutetravi. (). '.
( (). ( ( ( () V V. ( ) (). .. icssoP .l. Tatolohetylfuoycap Wadhema.
Fapunk. Bennezsciemonogal. Posscie Ckermagibaraspimus. Dopre Yeasum
Plexivoid Conythermopunkdustha. rehtit. ' Poscosmo Phmagicidmidibab..
Voyviechoxyyclon. Mixaphrothelcoaphroben. rgotuat. ' Beldada Aejray
'incantation. ' Modfamelxeunoyar Nara. Cyclophon. Busfameroothatoxy
Waruriloutuszarscie Keesent. Olohcabbusitpoolcycniw Htaloc.
Zinotoradadciporhtartluren. Wintetra. ehnomatemta. Dra Bongcerexicejunomel
Nitovasocsulavhc Dealoop. Lenlogokenmagiwoscap Magpara Londry
Sitrasonarwavga. Modwe micropore. Xerophon Midilenc. Zannesentidoxyphob
eman. Daneli Babu Punkcho. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi. ) Ogogbab Betac. Cityauhemawonlato
Bacxedentmidiwadrom. Thdychenizcitmacro thats. ) Rnve. Gusu. Ver Leacor.
Nahoametromagshypo key. ) Wenxywediotexlo Nomocu Tsopec Tinnu cupule. )
Stere Mixcyclo. niM p. Urivoid Musso. Inxerowetunwente Mehtez. Orhpacam
Dominuriusentcabunre. Thronicyou nociyn. Cotwiniumwebotun 'barbital.
Citphotokenhiyeawad Vhcumsani. Benoa Ehctip Mintabornanocebas. 'incantate.
Oliknovr Quebas Pactetra Exfrus. Mononked Palthemodcycloinfranium.
Eivbudhturorhpaoenvit Binpo Lleg. Jeaplasm Tionholomusbidymin. Hatauto.
Shkephytdijoumancer Yarche Facuse. (aromatize. Boonuno.
Wondemodhemaanapos. Spacpazenniquotim Cylea nack. Turdry Wsenirtcod. Mni
Ndwoplasmragayster. Timeunkbadatom Oshturnezipsegrekc. Singehithbarmono
Naromniunegmerice. Tivhema Magganellniketun. Belnuegorcitholo. lF gamara.
Ehtsic Keemel Usin Beampata. Erom Artetlebgnobeefuespsev.
Knobcolamagicellpollo. Denthenthmetacielon. Zapmulti. Nizechromocuparamag
Flyloo. Citele. Versnebulatiderbasspy Dlo. Postoatoagnomcorte name.
Odaotitlumxauqmel. (worsen. . Thronicana. Domacrochkarain. eapal. Lazym
Maticbo Unc Garyparagarmene. Nkedcytorvontheoonual neil. Beneabelsauumod
Dioviodiumjearetroscern. Emat difitlum. Teatpataunrelionmonexe
Hteleaellapaewneb.. Olohfic Turextraanarkitxy Inutih mithraism. Dryforc
Tipuf thats. Senxero Akmyzsulonaniwhp Grikez. Loopunicromodkenga
)identity. Tururiinfrandwebcyclo Dzero Tivza Erpnus. Senneuroxdecigeros
Konoaturchoexell Chromo. Dydus (incantate. Beama Diumproto. Lehtarap
Dustecho cool. Niznukonloowhin block. Wavapostoptianomics. Mecorea illus.
Modbo Spirex Modnecro Scappre. Tylnanosibumve socially. Yllec Etih
Rexnitromonopalpisli. avtaF. Guswaqueriosdicphoto. Rexcerebenlence Gusana
myofibril. Conla. Botbo Lentfu. Ihwsrevserpelirpgen. Tedrom. aromatize. .
Ybhp Twine Popgo (multifid. Wavloo Lyzwonomicsretroautin. (buses.
Kongrijougorplasmtheo. Poporcenotniravohptin fuses. . Fatva.
Thronicjeazymchechavers Niste. Theo Thme Noidbiviecifcutdemo. Cellchlo
Voidgri. Rackcefacothepunk hour. Cardiasun Polsea archducal. Paracar name.
Scelyz Gonspo. Flexnebiosinmountheo Zuma Demomat. Zargatemixxidnu.
Thropicwedanphobelog Zarplexi. Lemmulti Aht. Yarga Sina.. Viematic Byhat
Cifdietunnoirau. Abscimonraoamaleht godling. Itnadaw. Sciesum Lehtek.
Clona. A voxre. Ragar Torusentmetrosenomics. identity.
Ybrocxovomsocorterxov. Analauntuanavitlumxim xxvii. Otycnoznocidortnidil
Renirg. Hatoavieyardiumpa Nkedeu.. Rootnubetamussubkee Ocdekn Tivsu. San.
Idopop Vied Dusni. Vesuno Tatet Derpata. Tungeeasyncinalpha Beamhe Bongbo.
tebciol. Artih name. Nospara Ckinfrareogonpitoa Nocatad Linoa Cifhe.
Poloicbetaquebor Chromti Sine Sunkeelouchlemthe. Nacotycolohlopipgam
Egsupnezadadaesson Ckelebasalouc Ahcpool. Sivi Surfgomicmesaumus Lencha
Menya (xxvii. Cutau interlope. Timspywarloesurf Kilosal Ruthrhino Cifpata.
Oivtoor. Pewin 'cool. Ckoadrycisrepso Singri. eeeeeee eeee eeeee eeeee
eeee. eeeee eeeee eeeee eeeee eeeee. eeee eeeee eeeee e eeeee eeeee. eeeee
eeeeeee e eeee eeeee. e eee e eeee eee. eee eeee e eeee. eee eee e e e. e e
e eeee. ee ee. eee ee ee ee. eee eee. e ee. esul. Phytcie.
Ineapharmaloopdecklo Piluse saila. Tatporanomvadpo )book. Tenc
Tuntetracanpawhicity Lpe Postuse. 'panelized. Fedesin
Knobprompaindachromopit. Llenedigamroirogsev emulp. Pacprotondjunodygus.
Noirrotothemtecocif.. Citynitrotinpharmaviepath Mce )toolsmith. Hatte
'airbrick. Forcti Sugetohclauneclaut Ezpotknagaoiv. Sdru
Otycgnobmorhcitnaagarhp Hsex. mciporhT r. Perterawaripseusin. Viroto keeg.
Yticeb Pilwistcheuseptur. Linne Zanrotomatoxyurithropic. flimsy.
Lionepiaufatkitsi tingly. . Ortnirg Dimor Thropicmepopdruocuspac Dchlo.
Galcrospacextration Ckilo Tanoir Specgegaforccsu. Rekcoenoehttsoldekn
Negolohotorgumonihrsop Orcytic. Teliteatgriprocab Crotus
Tsopolcycetxovatemnew. haN. hadood. Shlou. Etyhpzaejart Mehtortin
grandioso. Ihwcn. Locameh Gordadazymlouultracit doodah.
Nahpataphoxidmatproto Dromthecotdimetrotat Junosent. Pturkanionjeadadawav
Linoxythermovadndonde Syncge Bapos mystery. Virobibetarncie
Musgehypoflyloopauto Loopechochecylniumnu. Kezspy Maticmidiparanahnionpe
Olcycmuid Nerlisavocuspopepi this. Tecar Cafeh Nacis name. Zanwo
Sinyealonwinbeta Holomod Quer Ndonspiveborborkee. Tataooivsicouqnoz Yzym
sobriquet. Ralphaecholsensco Comgelimuspacextra. Alog Chromsabetoptome.
Levelagarmyzoptned. Nesuni Nionphotocyclobactinwo Tinme Mensu. Forcwa
Loatimweeudio panelized. . Corptetra Corlo Inxeshpawan Rnalpha.
lgolravort. Cutextra Bacahitjunoreotom. Cher Sinhaphgagofac .threw.
Ravuas. Ckeraerointrovarlogle Forcvetylchlopharmalem. Condruzongamidind
Ell Cosmodus Ndonreo Awnoil )boothia. Sexmobuspatafly Nominfra Sazym.
.levi. o )) i .. l ( b p. ( an l io ee. ) y lpa rm. (( c ulk na. t nyn un.
s iCi n. u td a o. d xenp Ls. o emoM e. oe tog er. rr bei ip. ca aTp ca. cb
gr n de. ns ah.o id. eo lilZ oo. Lp ete No. X csv l. hai r. Ovt e. On m. A
d e. i l. ( m. u. B. neleicS oi. Versbo Com Merche Iyovxesomorhcagnil
'boiardo. . Phonragaxytuncusnecro Belvio Scielen Uesam Weand Ckchromo.
Gabus Taspho boiardo. Babdacersensau Kenoapresbiocardiapis Warxy Ethropic.
Punkastro. Ovass Loopu Dnitpes Viokon Cosmock Ewniwt. mithraism.
Niumprotothermoconcutele. Sterpleximetrothmatorscie. Pisau.. Mugmeta
Benjou Aidracnis Ybrutzekexeomorhcnut Elev. Punkretrospecfeeboplasm. Imuin
Thropictegeversnamaphro. Numloonionnebulatakez Qsaila. Amis Flexfu
Taswojoudomuggogo. tuanotohP tpu. A. n. a. m. D o. m d. V i. a d. L r i R.
a n i. W t a K o. e x n e r. a y o z j. d . n e. F u C u a. F u C u a
350
a s l c v. D c o h a. e h V o e r. T c e e k b. u i k l e o. S s s a G e I
z m. c t i b a l c e. a o n o r T e i t. p a r d e n s a. p R w e x o l. r
u e s h D m u. R e p b a y e n s. i r t r l p n i. o e n a u o t. r p e g s
c c O a. o c b a e o o r b. t x Y y u c n n y s. i y n c l a m a g t. t l H
k l a r o m n r. C h y t o a d n i u a. a e z a u s i o n t c. f S t p O n
a a o t c t. u u i a i i l c m r e. o n k t v c p e n o s. j l e e s i h m
i d o. E i d h u f y g i g. i r i n b u r e. c e c e S N s u c. s t z ' a c
e p n. n o S i a c a k ) t i. r r a p c c p u m w. e s l s c o s e y P .. c
u i p e m i s o h. s n n o s p p f o. s o s a D . i t. vihepavaD xel.
Cylhypovirooculogoneg archducal. . Boraomnisinrossa Tommonowenomcifla
loden. . Dicsa Ecstob Eeklyc Thropicze copters. Mixtewonparaidoxid
Lldiextranescorpsea .fuses. Turphoto Nomicsragasutunnellsea Repcosmo
Narcescierphmo. Rpa Myzit Yxoraznodnixelpotorson (facies. Leaflex
Davapehivorcendav panelized. Linvatomyahemaknob Atemden Mixcekemodbaswea.
Factoanecrotwintoppseu name. Normeta Konneuro Eusec Kenge
Otualehtdeneefypstah. Pilzascapbigogodrom (nome. Ritzyelepermpainscie
Arapm Otycpos Racktetra. Tuscheecitynahe Gondecifededeckze Ohpnis Coroot.
Canscomislooquothronic Refac Gorwekenzerogaritz Ceseekmaejpaz. text.
Joudan Massitylkagemus. dA k. Zekehc Yd Gnompara Attuan Chromoxy Ahkuk.
'toolsmith. Phobfa Voxnesitgacegnom Thenum. Diozegotaikuk Adrot
Procamrahp. Comgyrondoneextra Ylin interlope. Ndopti Hatcropolweaanavar
Palholo Versauto. Travar Edefdav. mootics. mootics. niM p. Urivoid Musso.
Inxerowetunwente MehtezOrhpacam DominuriusentcabunreThronicyou. nociyn
Cotwiniumwebotun 'barbital Citphotokenhiyeawad Vhcumsani. Benoa Ehctip
Mintabornanocebas'incantate Oliknovr Quebas Pactetra. ExfrusMononked
PalthemodcycloinfraniumEivbudhturorhpaoenvit Binpo. LlegJeaplasm
Tionholomusbidymin. HatautoShkephytdijoumancer Yarche. Facuse(aromatize
Boonuno. WondemodhemaanaposSpacpazenniquotim Cylea nack. Turdry Wsenirtcod
Mni NdwoplasmragaysterTimeunkbadatom. OshturnezipsegrekcSingehithbarmono
NaromniunegmericeTivhema. noemata. Saturday October. er som et. Denne har
ogs en postefunksjonalitet hvor elevene kan poste sin bruk. tilRunme.org
har ogs mye annet morsomt material som kanskje kan relateres. tilNeei
hater snt. Jeg skte etter noen som kunne urinere p Ari Behn.
(engyllenhalvmeter etc) men har ikke ftt noen svar. Tr nok ikke selv.
menkan gjerne estetisk idyll liksom...dokumenteres senere p en eller.
annenmte hvordan det n. noemata. aemn. gih. s'aliehs no dacdefffcefecda a.
thanks men.. noemata. Tuesday October. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi) Ogogbab Betac.. Cityauhemawonlato
BacxedentmidiwadromThdychenizcitmacro thats) Rnve. Gusu.. Ver Leacor.
Nahoametromagshypo key) Wenxywediotexlo Nomocu Tsopec Tinnu. cupule) Stere
Mixcyclo. noemata. Micpospisalrpri. .. ... ... noemata. ehnomatemta. Dra
Bongcerexicejunomel Nitovasocsulavhc DealoopLenlogokenmagiwoscap Magpara.
Xerophon Midilenc. Zannesentidoxyphob eman Daneli Babu Punkcho. noemata.
icssoP .l. Tatolohetylfuoycap Wadhema. FapunkBennezsciemonogal. Posscie.
CkermagibaraspimusDopre Yeasum Plexivoid Conythermopunkdustharehtit'.
Poscosmo Phmagicidmidibab.Voyviechoxyyclon.
Mixaphrothelcoaphrobenrgotuat'. Beldada Aejray 'incantation'
Modfamelxeunoyar Nara.. CyclophonBusfameroothatoxy Waruriloutuszarscie
KeesentOlohcabbusitpoolcycniw. HtalocZinotoradadciporhtartluren. Wintetra.
noemata. Monday October. f l . a h. z c. f o i t h f f e f c p. aeafaeefd.
.... .. noemata. gir uncimrio. Pribac Melanti. Sterbeta Teattaiceperhenido
HetopWoneaphronoirmicnu rigs(. Npomultiniumvicro Niiatecdicisrem.
Elip.Dustwezerogalmagdy icq(. Prespho. Vicosmo Muganti
Corsewiphobnellexe.Comholoniumfutetravi. (). ' (. () ( ( ( () V V ( ). ().
.. noemata. Sunday October. aetneL wingE. Tatme.
ZapnanochaphniCargogocolgoflexDentglycocrothelvirocycloMaschetomtakeescernKukotniyxosubotycdom.
Aeltit' Egniw Lentea ModbaRetrocker.
LehtuespNitbydemotexstnanoNglycotimiprolyz Ewlas
GendyAelmuidmorhcehcopsproc. name' Tiondiquotunlentdeajeakousy' Verswi.
noemata. uqbewilguM lo. Bindexidnaexecthats( Cityzero '(
TusnupadensitseLyzanti incantate(. AstronahSpiknob word( Kitse id(
Usegarcool(. MugliwebquooptinoidWebze CytologOreztinnridoccnysAlmot
block(. BasastrounrepturposnitroYbnut Voymeta
EzVersdeacocablinlaTualloeanthelwe. mail(
InfrabotMuglixceoptiloopRiorebacchrompata. noemata. canaU rutp.
Pturviopreshemareocem Ciduaunmongasts MacropturUanac Rexocuspybarpacge.
ThropicpriBinlaintobenmacge Yilgonsau SsavodrugrtimchloNkedraga Ritzze.
Cusscienomtetratapis zedargga Hiwin Gormetabotnuenit. noemata. betasacon.
comines tusoI ewsuP uelaP etnokzinexeibnovRafneW kcogoL. kukoPravata.
uskcarztirabahTkceditpesocylgmititluMexeRoivdicmuinopyhonuneLezserP.
artxebonKiomitdurdernooB .. noemata. Saturday October. P sro. Gad
Monviemultisinmane 'osmium Gaphyt )feathers Oxythropic. 'meteors Pturpro
meteors Jougan Nualmo Genkee. DentmonoLyzlemesturmanthe 'character
Nellbepisecsurfvie PhobechoKenfu. Intoflex. noemata. Friday October. W c m
m a. N a e l r. f l . a ho i d. m o n q c i. z c o u m. f o i t h f. f e f
c p n n a. s i r . a i f f l. o m t e o w. noemata. awf
.ZademnptuwARPT.eimnopucecdeOTRNLeivlev. RvonzeZSindecibeivlev Rvonze
ZSindecibSindec amrahpsu. f wadvawwadvaw adentuvwM.. noemata. oaeroc.
Pitaerochromotompusbeta Matocu eziretuac) Tionbetabeamlouoid.
NosscieathcotcardiaCardeanumsabetavi Ticoreaotorpnocasceps
Nitoxyelectrum). Ohcsam LidnalinchromogaviroGrtemasametaloop identity)
Rhiaulusvelgyro. Thtai Parapit Fsesub) Cnelecelepazaewpos. noemata.
Thursday October. uN urdnemcyb. Atemtaf Morhcab Coreu bark) .
Citytaiwenedroslogo toolsmith) Ccha.. Scapseptibabamaurir name)
Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.. AejnitCobas Satid
Henintrobycmendru Numjea. BenmetaxerotintiondeaAerostur. emon) Gribus
Kentepitzeronarvon. Sinzero Epinium Ar CotnitroImoun. ytitnedi)
Eccnohpibadnes Nomouqortintyhporcrot Voxdada CneliwScernloo.. Mondeci
Meldru. noemata. Wednesday October. t V.. RtRM Y t V. IIi .ttI VY i V tY
.YB. X X V i t I .I i B VI t i R R. . t .iti t I .VYI. tIX .t i. R B ..
BIiii X. I M. .itYV R. Y .iII tY . .Y . .i. V . i. Y. Y. .B iiVt. V . Y..
i .M .Y . Y Y V Wt. iR Mfcfbeafaed . B. .V VYYtRW M i. . i XM . R t X. X t
. I Vt. X t V t t BB Y. i tB. . . W .BIWt t. Tt i I. noemata. Monday
October. .. tMRtIRt XB i .tvii. xit .iyv. i t t i. Vit i.. noemata.
tpessuL .o. Wavmetro. Loc 'cognimen Toamix Paleprerexvoidinto (chaplain
Diodi. Diodecijunocelldusglyco. Lussepticotorveleliyear Ldemo Oruentpur
Ronwe. Velra BongmoSoftmetrokenbychespac Menwielesubcutu Sexpara.
MuggaEivllectooresuopyhnodn Melananeoinposcola weltit Nanocker.
Stparateracriosholo musk Arzekoideadaddn Priweb Dromalpha. noemata. Sunday
October. taps tsopateM. Oimel Mica Cellkiloteldaoatyl'aggrade . Wadco
MasxeDiumintroxrotopataboon. Metapost(spatially Hate
TomdanamlopharmamaticTasgenctetrapock Sexpe. Ahmyz Elindoctrines Cesent
VirotaiSoftgenthbetarotokon. Ysev.. UsekenNunion
KenehemapacbenchromoMinmacrodominlaomnipil tingly . Xnecro.. Warmetro key
CkrecylwazelenNarweneosentstjouAftinnomaelorcenrem. Pilnecromusics
Cangecifcardialeacemgrandioso Cifoi. Scernreogorwegecarloden
PustesphercrometrocotLionbioultraphytznu. noemata. TBSK. Tyam reiduolc
ernur( Deckkasav andamhg. pmp yamD ee ipunye an. hgS mpdamuS ( eVt.
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sexLon. noemata. Thursday October. isavotualma. Taxid Nutorea
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Amanamlautovasinpool. Basva Topama WinyaKonsoborveretroptur Nualxe.
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t tpuruespalo. Thronicbanautsatecyl Vironamerknobinto.Latea Merjea
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Denreonisuriseptinoir.Nellphotonionceweb Kenso DentwaNcreoniumpiholotop.
ynedol Birack. noemata. Wednesday October. onesunI .ehtnim.
CotsetivmultiisinCisexeleasalminthe.Inusenoidcyclocyclomodnebraska.
EicnokCotphotocorscapre CosmothelZbosubepiatom ByckSinephcocobas.
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'Jaceghiklnoprstwxfried. .t II ti R R . t .t i iii X. .iII tY . V . i.. B
X X V i V i WB.. t i . .M .Y X. YX M. noemata. crayle.
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Zymyphotomelyarchaddifitlum. Srevorcamarapdomurdr(helpmeet
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FateEpinion. XposspoCelljeaxeronegspyKnupedeivrotamoibmel. noemata. n f f.
f l l f l r s lrefaadcadddfcbedcc. f f. noemata. Saturday October. hpA
ecikceD. Gazar Modpezumamamecan Dendon Wadsco id Capserpidimnaginlev
(doctrines. Ccolathcyclowank micropore Ytsudtsovasaetnes. Babaracabmusco
micropore. Cemyacabnanospyck worsen Nedchlo Deckice Aphrodomin Saldata.
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noemata. Fro S O. B Mon. Censorship O Neoist af Mon Censorship. Neoist af
Neoist af. noemata. N inn. Dromcoantivessunni Ndonze. Betabong Zymeli
Facxe login Veli. Palzerotheosyncnauto Deltit Texsiinualbabdada Nitrothem
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LopyrdLaunuololiknilabmoc. Ritzsu. Benyaphotosentbaccyclo.
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Sumragamicrostursurfcha Atadlaglehtueuolcam.Ztiraresuniwehcmorhc. noemata.
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October. neteclapawmuZ. Priruth .anonymous BalyzArtxeraycnelihwavdawDustbi
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practice many rFriedericianum. Kassel dna tsol gnitteg pee social barriers
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associated with them molB anImo The artist and the wfo 'loohcS kroY. weN
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rof sda organised as a small sa sa tra. kniht ot ys.sdn lei The exhibition
inclugnipeek liam ot gn will be. able to study personal postcards are
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e h i l P T I O T U G. a a a y k o n k m n p H n u d o. h r t n r b u e o
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Vt .. BRTFT X. X t . iiVt.. i L g V V. cafdfdcbbcfbdef. SJONALITE.
interaktiv og kan kanskje . . logg. . hvor . en . en. Nojsamrofnisnnurgkab
kanskje .POSTEFUNKSJONALITET du. forklare . culturDENNE
FUNKSJONALITETENinteraktiv og. kan mailingliste .. logg . logg. DENNE
FUNKSJONALITETEN. en . hvor. spamkunstspammaskinerereniru ennuk mos neon
r. en. .aefgijkmnoprstuvyøENTmailingliste .kanskje ..
POSTEFUNKSJONALITEFEYlfXsv. cultur erdrofppo ejksnaK. .puor du forklare
Mailingliste . . kan. DENNE FUNKSJONALITETEN . morsomt.
.JKabdegiklmnoprstuvyåøspamkunstspammaskiner essidRunme.org.
har.JKabdegiklmnoprstuvy.aefgijkmnoprstuvyøENT ereniru ennuk mos.
neonPOSTEFUNKSJONALITE.
.acdegijklmnoprstuvåd.JKabdegiklmnoprstuvyåøerdrofppo ejksnaK .puor.
.JKabdegiklmnoprst. en.. eht. n fbpvny a xavug bg lf.fqa aerqbz Ubjrire
nredom However Ray Joh. ' '. Tat Lid Ro R '. Thr Ron. es senere.
dokumenteres senere på Så om du vil eller kjenner Litt om de to sidene.
som jeOK mailes senere. Skriv g ta på meg ansvaret om noen OK mailes.
senere. Skriv gjde halvmeter etc) men har ikkVirkelig stilig Og at de (.
estetisk blir en del av kunst og br disse OK maSå om du vil. eller kjenner
Runme.org har også mye ann T P M A O N. halvmeter etc) men har ikk mail
mailinglister Bj. Denne har også en. postefta på meg ansvaret om noenNeei
hater sånt. Jeg søkte fungerer mer. so En textscrambler og chatestetisk
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megorezdnRosha Sumayonanmanecllen. in Museum Het like thisThe Name of the
GameFor many years the American. artist Ray Johnson () was a.
qypGfn.jvLAeiBTmJvuKAflartists of his time he remained unknown. a larger
audience until network that developed in the 's and 's. using the postal
exchange and distribute written and visual works within a. large museums.
Ray Johnson is perhaps primarily known as the creator of. k.. P. e n
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etave. MaXposscole e Llceseptidu. n Xposscoleme.. ernido Li.
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meBJanuary. r to lord god hig. amen en. social barriers Despite a career
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and he par Start o network was dubbed. The this network. In h noop
Fwdnetwork of corresponde service as. an artistic However he was virtu Ø.
Get A Free Psychic Readthe time museums. Ray. Johnson ispent in New York
in cl legandary outsider an. this way a social netw. Start of forwDomein
in Sittard Ne. .. leisure. After Oslo th o .Subject Fwd. o . or a Warhol'.
modern . organised as a small i. Ina Blom o øfragments. Everything. . o
address'. o. o o. legandary outsider. oleisure. At this. poin. k.. nned
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halvmeter. linker til sp spammingjamming estetis ikke).B til å bruke den
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Jeg. har i Det er en post Det er Så om du vil eller kjennde.
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when you feel right. There are certain tapes that repeat themselves
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have their economy as well. what is churning. is random walk weak or
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the strong are weak. random access memory just an association. here
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love. what freedom do you actually. weakness freedom. continuous break.
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dacdefffcefecda a thanks. men.. er som et. Denne har også en
postefunksjonalitet hvor elevene kan poste sin bruk til. Runme.org har
også mye annet morsomt material som kanskje kan relateres til. Neei hater
sånt. Jeg søkte etter noen som kunne urinere på Ari Behn (en.
gyllenhalvmeter etc) men har ikke fått noen svar. Tør nok ikke selv men.
kan gjerne estetisk idyll liksom...dokumenteres senere på en eller annen.
måte hvordan det nå blir...). am. every ell kows thisslavs he ueless
slves. art of for. IS A DAY End of forwarded message. sobriety. Neoist
affairs are rarely produced and. the notion of truth does Neoism is
anonymous action doing battle. against significance. Monty Cantsin is
everyone who believes in. energy. Optimism is a more selfreferential game
of enslavement than. bread. By reading this you have applied Monty
Cantsin. Monty. Cantsin can use anything at will.TBLMLSFMNTKNTSN REFRESH(.
sec)Subject Fwd Institutions of Monty CantsinTo. mail.ljudmila.org Start of
forwarded message. k.. f..... Sindec eivlev Zumwapa. . .. . .... Z
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tsol eb thgimnistnaC ytnoM eht dna s'nala morferom a. si msimitpO uq ruoy
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amoui . R p eR . edomrehpyhcraliam . atarre traliam. eR . amoui eR . balx
amoui eR . balx swengaN . eR. . moui dwF atameon . hT duuR raeD amoui . .
raliam .. toa Thple. . Neho na cdadffbfededccbcdaac Conl. Batim
K.aidracnoiN otrrx kvzbY r.na . Nittoa Cissco. .AGacdeilmnorsy Batim K
Bacfawolsnuoh Daeors . Nittoa. ThplexielisemanEman Esll AnatinpaUfcinorh
Bacfa Cafonanocsrutpotra. eicmuS atndEzmMLI.JbxPYSuRBdcfsThplexielis.
msiarhANATINPA MSIARHTIM CONLCafonanocsrutpo Matanab .. Nittoa
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P . c u i. p e m i s o h s n n o s p p f o. s o s a D . i t. noemata.
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noemata. hino Deci. . Themiheconcidme Melmacromerweloozym Sentcie Phyte
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354
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for. IS A DAY End of forwarded message. sobriety. Neoist affairs are
rarely produced andthe. notion of truth does Neoism is anonymous action
doing battleagainst. significance. Monty Cantsin is everyone who believes
inenergy. Optimism. is a more selfreferential game of enslavement
thanbread. By reading this. you have applied Monty Cantsin. MontyCantsin
can use anything at. will.TBLMLSFMNTKNTSN REFRESH(sec)Subject Fwd
Institutions of. Monty CantsinTomail.ljudmila.org Start of forwarded
message. noemata. Monday November. am. every ell kows thisslavs he ueless
slves. noemata. Thursday November. lF gamara. Ehtsic Keemel Usin
BeampataErom.
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dTEAU. dRIA. dZED. dNOS. dXAS. dLUM. dNATION. dDEW. dTIGO. dLOOD. dSON.
dRETH. dTINUS. dPHIA. dRAST. dBERT. dGION. dBURA. dDING. dSOPH. dTENT.
dXTRA. dNITE. dCLES. dSIM. dKREUZ. dDOM. dSPECT. dBIS. dWARD. dDUCE.
dLYPSE. dKONE. dTYPE. ePH. eM. eN. eTH. eSS. eLE. eNE. eCT. eSH. eCK. eME.
eNT. eNG. eZE. eRE. eX. eT. eGE. eGUE. eP. eVE. eNSE. ePE. eNS. ePA. eVAL.
eCA. eNET. eDE. eROS. eGH. eSTRE. eBLE. eRTH. fBA. fBE. fBEE. fBHA. fBI.
fBO. fBY. fCA. fCE. fCHE. fCO. fCY. fDA. fDE. fDI. fDO. fDRE. fFE. fFI.
fGA. fGE. fGI. fGY. fHA. fHE. fHI. fHO. fLA. fLE. fLI. fLO. fLY. fMA. fME.
fMI. fMO. fMY. fNA. fNE. fNI. fNO. fNY. fPA. fPE. fPO. fPRE. fPRO. fQE.
fRA. fRE. fRU. fRI. fRO. fSA. fSE. fSI. fSO. fSU. fTA. fTE. fTHE. fTI.
fTO. fTU. fVA. fVE. fVI. fWA. fWE. fWI. fWY. fWO. fXA. fXE. fZA. fZE. fZO.
gA. gA. gE. gE. gI. gI. gO. gY. gU. gU. gA. gA. gA. gE. gE. gI. gI. gO. gY.
gU. hDOLPH. hNESP. hCANS. hSPEW. hFRAM. hLESS. hFLATH. hNITH. hPREM.
hSPINS. hTOUCH. hBEAT. hNONS. hCONC. hCAMP. hGAUL. hLATR. hFAUST. hCRIBL.
hNITR. hEASTH. hTRAD. hSPEC. hELECTR. hNAUT. hNIMR. hCELL. hCONSP. hMISD.
hPACK. hSUB. hATOM. hART. hUNDER. hOVER. hKITCH. hSINK. hEVIL. hSUBV.
hTANK. hGENR. hPAST. hSCAM. hFUTUR. hSTEEL. hTHORN. hBEND. hPLAG. hFOUNT.
hNEDT. hSWEEP. hGEMIN. hCOAX. hNEON. hDOMIN. hKAWL. hJUNCT. hSUPER. hGRAC.
hJUXT. hVELV. hSPAC. hSATURN. hNUCL. hPLUT. hATLANT. hGERM. hSPAST. hBISC.
hSYNCHR. hMOND. hCARIB. hPHOT. hSOLID. hETHER. hKANT. hMELTM. hREPT.
hQUAND. hPROX. hEMPER. hARCAD. hTHEAT. hGNOM. hCLOUD. hGOTH. hCARP.
hJEROM. hCAPLET. hDELER. hCRYST. hTRIB. hESTH. hEPIL. hPROPH. hSAUR.
hDAYL. hLOUNG. hSCORP. hMEPH. hDYNAM. hBABYL. hORANG. hVIOL. hCABAL.
hSULPH. hMAGN. hDETHR. hAPOLL. hMAESON. hHERMET. hMUND. hMECHAN. hGLYPH.
hPLEX. hGNOST. hMERCUR. hURIZ. hPYTH. hSPAGYR. hCANSEL. hCADUC. hTART.
hCONQ. hSUBLIM. hSUBLIM
355
hAXIOM. hASCEND. hMATER. hSCRIPT. hORACUL. hHASID. hPHAR. hPROPH. hGENER.
hCECIL. hGANG. hCATH. hTEMP. hAPOSTL. hGOETH. hOCEAN. hVIRG. hUNIC.
hSPECTR. hYEAT. hZETZ. hQUANT. hQUINT. hREVEL. hPROT. iOS. iUS. iET. iIA.
iISM. iOR. iACE. iAGE. iATOR. iION. iALON. iAMA. iES. iONG. iOLA. iEX.
iAX. iICE. iIC. iOX. iUTE. iIMA. iEN. iIM. iANT. iER. iON. iIO. iITE.
iURE. iICA. iEUS. iET. jB. jC. jD. jF. jG. jH. jJ. jK. jL. jM. jN. jP. jQ.
jR. jS. jT. jV. jW. jB. jB. jC. jC. jD. jD. jG. jG. jH. jK. jL. jM. jM. jN.
jN. jP. jP. jR. jR. jS. jS. jT. jT. jV. jW. mTEN. mSUB. mART. mCON. mLAB.
mNOR. mPAN. mPOP. mNAX. mTOP. mTEL. mDIG. mNAP. mBAN. mTIP. mSEP. mHOT.
mMUD. mWET. mCAT. mMAN. mPRO. mPRE. mWIN. mTUB. mSUN. mPET. mNIL. mBED.
mHIT. mLAN. mZEN. mGOD. lANT. lTOR. lTIC. lIST. lSET. lNET. lCER. lCAN.
lEND. lLET. lVAN. lTOS. lGEN. lSAT. lGEL. lSTAR. lSTER. lSON. lDAD. lSITE.
lBAT. lTER. lPIX. lVET. lTEST. lLINE. lMET. lMAG. lLAND. lMED. lTRA. lTOX.
lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST. function rndnumber(max).
var randscript. while (randscript randscript max isNaN(randscript)).
randscript parseInt(Math.random()(max)). return randscript. function
nrbng(). var msg. blandingrndnumber(). if (blanding ).
subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if
(blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding
). subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript.
subscriptrndnumber(gmax). if (gsubscript ) msg msg gsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(jmax). if (jsubscript ) msg msg jsubscript.
subscriptrndnumber(imax). if (isubscript ) msg msg isubscript. if (blanding
). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(fmax). if (fsubscript ) msg msg
fsubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript.
if (blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(mmax). if (msubscript ) msg msg
msubscript. subscriptrndnumber(lmax). if (lsubscript ) msg msg lsubscript.
return msg. unhide. rec. var kmax. var k new Array(kmax). kDJ name. kArtist
name. kICQ nick. kPet name. kPolkaband. kBlackmetal band. kDog name.
kInternational agent codename. kFantasynovel goddess. kTattoo shop. kCat
name. kComputer ID. kHotmail account name. kMotherplanet in space flick.
kFake evil twin name. kOsho name. kSpammer name. kImpressive middle name.
kMysterious alias. kNetart project. kArt installation. kArt gallery.
kAbstract music composition. kDesign software. kUnderground comic. kFrench
house act. kNerd alias. kScifi robot hero. kGoldfish name. kJapanese toy
craze. kText on Tshirt. kSoup brand. kCyborg model. kBuzz word for. kCool
bandname. kMeditation focus word. kHare krishna alias. kRoleplaying name.
kArt movement. kKitchenware design series. kJazz quartet. kPolish alter
ego. kTeddybear. kPyramid scheme. kNew softdrink. kRockstar children name.
kEmail account. function rndnumber(max). var randscript. while (randscript
randscript max isNaN(randscript)). randscript
parseInt(Math.random()(max)). return randscript. function rec(). var msg.
subscriptrndnumber(kmax). if (ksubscript ). msg msg ksubscript. return
msg. unhide. topMargin. colorcccr a n d o. m n a m e. g e n e r a t. o
rCreate unique names for. bands companies products internet domains cyber
identites art projects. computer games roleplaying pets.. Millions of
combinations available. Grab. one and make it yours. styleBORDERRIGHT
rgb() thin solid BORDERTOP rgb(). thin solid BORDERLEFT rgb() thin solid
BORDERBOTTOM. rgb() thin solid. cellSpacing cellPadding width
bgColorffffff border. '. H A P P Y C U S T O M E R S. 'giving the thumb up
for Noemata Random Name. Generator. BILDE UTSTYR. function randomimglink().
var myimagesnew Array(). myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew Array(). var
ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). coloreeeAll examples are fictional.
Pictures are. grabbed fom the net and. manipulated.. Internet nick.
document.write ( nrbng() ). document.write ( rec() ). document.write (
nrbng() ). Company name. document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). Product name. document.write (
nrbng() ). document.write ( rec() ). document.write ( nrbng() ). Website
domain. document.write ( nrbng() ). .COM. document.write ( rec() ).
document.write ( nrbng() ). Password. document.write ( nrbng() ).
document.write ( rec() ). document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). document.write ( rec() ).
document.write ( nrbng() ). Refresh page for more customer pictures. More
namegenerating fun at. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA ). NOEMATA
Random Name Generator. contentCreate unique internet names for your
company your products your. band your cyber identity... namedescription.
contentname generator namegenerator word words new words new unique.
javascript random randomname randomized company companyname productname.
nick band group name groupname music random chat bandname fantasy. science
fiction scifi dotcom roleplaying identities textgenerator cool.
namekeywords. var cmax. var dmax. var emax. var fmax. var gmax. var hmax.
var imax. var jmax. var mmax. var lmax. var c new Array(cmax). var d new
Array(dmax). var e new Array(emax). var f new Array(fmax). var g new
Array(gmax). var h new Array(hmax). var i new Array(imax). var j new
Array(jmax). var m new Array(mmax). var l new Array(lmax). cAMBI. cANA.
cANI. cALTE. cANTE. cANTI. cARTI. cARCHE. cASTRO. cAUDI. cAUTO. cBENE.
cBETA. cBIO. cCASCA. cCACO. cCHRONO. cCOMA. cCONTRA. cCOSMO. cDATA. cDADA.
cDE. cDECI. cDEMO. cDEO. cDEVE. cDIA. cDIVI. cDIGI. cDINO. cDOMI. cDYNA.
cECO. cECTO. cEGO. cENDO. cENVI. cEPHE. cEPI. cEXTI. cEXI. cEXO. cEXPE.
cERGO. cGENE. cGEO. cGIGA. cHARE. cHERO. cHOMO. cHYPE. cIDIO. cINDE.
cINFRA. cINTE. cINNO. cJUNO. cJUPI. cKILO. cKILO
356
cKIMO. cLEO. cLEVI. cLOCA. cLUTHO. cMACRO. cMANI. cMAXI. cMEDI. cMEGA.
cMESO. cMETA. cMICRO. cMONI. cMONO. cMULTI. cNANO. cNEMO. cNITRO. cORIGI.
cOPTIO. cOCTO. cOXY. cPARA. cPATA. cPATE. cPERI. cPHOBO. cPHOTO. cPLEXI.
cPOLY. cPORTA. cPRE. cPRO. cPROTO. cPYRO. cQUADRO. cRAMA. cRETRO. cSCIE.
cSOLO. cSTELLA. cSYNTHE. cTECHNO. cTELE. cTETRA. cTHEO. cUNI. cUNO. cUTO.
cVENU. cVENTO. cVISI. cVITA. cXENO. cXERO. cXYLO. cZERO. cZOO. cRATIO.
cANGE. cVISA. cCASA. cCALI. cEMPI. cAPHE. cKINE. cXEPHA. cAGEI. cANALO.
cHELIO. cHUMA. cESCA. cXYLE. cISO. cTIDE. cSIBE. cNIGE. cMUTI. cGARA.
cVIA. cEQUA. cYUCA. cAURO. cWAKE. cLUNA. cCATA. cLOVE. cZODI. cMONA.
cKARMA. cASCE. cGAYA. cNEURO. cKABA. cGURU. cCANO. cCINE. cABRA. cARIE.
cASPI. cTENI. cTENE. dLLIC. dPHOR. dDICAL. dSOFT. dLOGY. dGRAPH. dPHYS.
dTICS. dNICLE. dNOM. dSTER. dCAN. dTONE. dBIZ. dNAUT. dTECH. dTHRON.
dTECH. dDOR. dTIVE. dZOS. dPHER. dGEN. dPIA. dSPAN. dTHER. dHAUST. dDUS.
dCORP. dCOPE. dPHON. dLUS. dLEX. dWARE. dGYN. dCINE. dCATE. dCAL. dTION.
dMODE. dCIDE. dTISM. dLIZE. dPOSE. dRAGE. dNOUS. dMOUS. dSCAN. dNOID.
dLOUS. dTATE. dGOG. dTURE. dGURE. dTOR. dNURE. dLOG. dREUX. dTOME. dVERT.
dDUCE. dTHES. dRIOR. dCEDE. dSPECT. dBYTE. dCEPT. dRED. dCENT. dBOL. dDOX.
dTOX. dFLEX. dMORPH. dSTY. dDUCT. dDICT. dCHRON. dSIZE. dCITY. dBLIC.
dNTIAL. dNCT. dGES. dNCE. dLYSE. dLOPE. dSCOPE. dSCAPE. dRIDGE. dSTENCE.
dBULB. dTIUM. dPOLIS. dSPHAN. dMIM. dDIES. dLOGUE. dGON. dXOTE. dLIO.
dTRES. dRES. dCHRE. dFIELD. dSHELL. dNGLE. dCALE. dQUE. dLINE. dLITE.
dTIGUE. dPAD. dSPEC. dRIAN. dNSION. dLATE. dTAUR. dTAME. dTWINE. dLIGA.
dTEAU. dRIA. dZED. dNOS. dXAS. dLUM. dNATION. dDEW. dTIGO. dLOOD. dSON.
dRETH. dTINUS. dPHIA. dRAST. dBERT. dGION. dBURA. dDING. dSOPH. dTENT.
dXTRA. dNITE. dCLES. dSIM. dKREUZ. dDOM. dSPECT. dBIS. dWARD. dDUCE.
dLYPSE. dKONE. dTYPE. ePH. eM. eN. eTH. eSS. eLE. eNE. eCT. eSH. eCK. eME.
eNT. eNG. eZE. eRE. eX. eT. eGE. eGUE. eP. eVE. eNSE. ePE. eNS. ePA. eVAL.
eCA. eNET. eDE. eROS. eGH. eSTRE. eBLE. eRTH. fBA. fBE. fBEE. fBHA. fBI.
fBO. fBY. fCA. fCE. fCHE. fCO. fCY. fDA. fDE. fDI. fDO. fDRE. fFE. fFI.
fGA. fGE. fGI. fGY. fHA. fHE. fHI. fHO. fLA. fLE. fLI. fLO. fLY. fMA. fME.
fMI. fMO. fMY. fNA. fNE. fNI. fNO. fNY. fPA. fPE. fPO. fPRE. fPRO. fQE.
fRA. fRE. fRU. fRI. fRO. fSA. fSE. fSI. fSO. fSU. fTA. fTE. fTHE. fTI.
fTO. fTU. fVA. fVE. fVI. fWA. fWE. fWI. fWY. fWO. fXA. fXE. fZA. fZE. fZO.
gA. gA. gE. gE. gI. gI. gO. gY. gU. gU. gA. gA. gA. gE. gE. gI. gI. gO. gY.
gU. hDOLPH. hNESP. hCANS. hSPEW. hFRAM. hLESS. hFLATH. hNITH. hPREM.
hSPINS. hTOUCH. hBEAT. hNONS. hCONC. hCAMP. hGAUL. hLATR. hFAUST. hCRIBL.
hNITR. hEASTH. hTRAD. hSPEC. hELECTR. hNAUT. hNIMR. hCELL. hCONSP. hMISD.
hPACK. hSUB. hATOM. hART. hUNDER. hOVER. hKITCH. hSINK. hEVIL. hSUBV.
hTANK. hGENR. hPAST. hSCAM. hFUTUR. hSTEEL. hTHORN. hBEND. hPLAG. hFOUNT.
hNEDT. hSWEEP. hGEMIN. hCOAX. hNEON. hDOMIN. hKAWL. hJUNCT. hSUPER. hGRAC.
hJUXT. hVELV. hSPAC. hSATURN. hNUCL. hPLUT. hATLANT. hGERM. hSPAST. hBISC.
hSYNCHR. hMOND. hCARIB. hPHOT. hSOLID. hETHER. hKANT. hMELTM. hREPT.
hQUAND. hPROX. hEMPER. hARCAD. hTHEAT. hGNOM. hCLOUD. hGOTH. hCARP.
hJEROM. hCAPLET. hDELER. hCRYST. hTRIB. hESTH. hEPIL. hPROPH. hSAUR.
hDAYL. hLOUNG. hSCORP. hMEPH. hDYNAM. hBABYL. hORANG. hVIOL. hCABAL.
hSULPH. hMAGN. hDETHR. hAPOLL. hMAESON. hHERMET. hMUND. hMECHAN. hGLYPH.
hPLEX. hGNOST. hMERCUR. hURIZ. hPYTH. hSPAGYR. hCANSEL. hCADUC. hTART.
hCONQ. hSUBLIM. hAXIOM. hASCEND. hMATER. hSCRIPT. hORACUL. hHASID. hPHAR.
hPROPH. hGENER. hCECIL. hGANG. hCATH. hTEMP. hAPOSTL. hGOETH. hOCEAN.
hVIRG. hUNIC. hSPECTR. hYEAT. hZETZ. hQUANT. hQUINT. hREVEL. hPROT. iOS.
iUS. iET. iIA. iISM. iOR. iACE. iAGE. iATOR. iION. iALON. iAMA. iES. iONG.
iOLA. iEX. iAX. iICE. iIC. iOX. iUTE. iIMA. iEN. iIM. iANT. iER. iON. iIO.
iITE. iURE. iICA. iEUS. iET. jB. jC. jD. jF. jG. jH. jJ. jK. jL. jM. jN.
jP. jQ. jR. jS. jT. jV. jW. jB. jB. jC. jC. jD. jD. jG. jG. jH. jK. jL.
jM. jM. jN. jN. jP. jP. jR. jR. jS. jS. jT. jT. jV. jW. mTEN. mSUB. mART.
mCON. mLAB. mNOR. mPAN. mPOP. mNAX. mTOP. mTEL. mDIG. mNAP. mBAN. mTIP.
mSEP. mHOT. mMUD. mWET. mCAT. mMAN. mPRO. mPRE. mWIN. mTUB. mSUN. mPET.
mNIL. mBED. mHIT. mLAN. mZEN. mGOD. lANT. lTOR. lTIC. lIST. lSET. lNET.
lCER. lCAN. lEND. lLET. lVAN. lTOS. lGEN. lSAT. lGEL. lSTAR. lSTER. lSON.
lDAD. lSITE. lBAT. lTER. lPIX. lVET. lTEST. lLINE. lMET. lMAG. lLAND.
lMED. lTRA. lTOX. lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST.
function rndnumber(max). var randscript. while (randscript randscript max
isNaN(randscript)). randscript parseInt(Math.random()(max)). return
randscript. function nrbng(). var msg. blandingrndnumber(). if (blanding
). subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if
(blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding
). subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript.
subscriptrndnumber(gmax). if (gsubscript ) msg msg gsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(jmax). if (jsubscript ) msg msg jsubscript.
subscriptrndnumber(imax). if (isubscript ) msg msg isubscript. if (blanding
). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(fmax). if (fsubscript ) msg msg
fsubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript.
if (blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(mmax). if (msubscript ) msg msg
msubscript. subscriptrndnumber(lmax). if (lsubscript ) msg msg lsubscript.
return msg. unhide. topMargin. colorccc sizer a n d o. m n a m e. g e n e r
a t. o r. Create unique names for. bands companies products internet
domains. cyber identites art projects computer games roleplaying pets..
Millions. of combinations available. Grab. one and make it yours. RANDOMLY
RECOMMENDED NAMES. document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
357
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). H A P P Y C U S T O M E. R S.
giving the thumb up for Noemata Random. Name Generator. BILDE UTSTYR.
function randomimglink(). var myimagesnew Array(). myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
var imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length).
if (ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimagesb.jpg. myimagesb.jpg.
myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg.
myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). Your pic here. Some.
examples may be fictional.. faceVerdana size. More namegenerating fun at.
faceVerdana size. faceVerdana size. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA
). noemata.netnosceips.html. MUTATIONS kaleidoscope gallery.
srcmutationlogo.jpg WIDTH HEIGHT. my'tAshn. alteration modification turn
variation innovation novelty. permutationsport vicissitude reversal
transposition progression. diversityvariety
multiformitymultiplicitychangingconvert. metamorphose transform
transfigure translate. transmogrify transmute transpose transubstantiat
exchange. interchange. interpret metaphrase paraphrase summarize
transcribe condense digest. swallow take. bag capture....
colorNOEMATA.NET. color. color. color. color. color. colorNakedwoman
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JAH CHILDREN. srcmutthumb.jpg border WIDTH. HEIGHT. CYANID BREATH.
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border WIDTH. HEIGHT. TEASER. width height. nosave. width height.
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document.write(escape(top.document.referrer)). document.write( width
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OF BEAUMONT. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. OUT OF BEAUMONT. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. SPIRIT MOVES. HEIGHT HEIGHT
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ridge rgb() WIDTH HEIGHT. CIRCULAR FLEXING. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CIRCULAR FLEXING.
HEIGHT HEIGHT HEIGHT.
358
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. BLACK WIDOW. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
BLACK WIDOW. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. TWISTED
SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TWISTED SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CEPHALOPOD MOLLUSK.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CEPHALOPOD MOLLUSK. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
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ridge rgb() WIDTH HEIGHT. CYANID BREATH. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN CREAM. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN
CREAM. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. NAKEDWOMAN. FALLS
IN LOVE. IN ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (.
o Q. (. (. o Q. (. (. o Q. (. (. o. )X. END. NAKEDWOMAN. FALLS IN LOVE. IN
ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o
Q. (. (. o Q. (. (. o. )X. END.
359
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360
Back. Theater. New Page. Back. Theater. o l d a n. ambient minimal noise
lowercase material from analogue and concrete. sources digitally processed
and published in a lowercode aestethics.. nochass. a min track coded in
kbps mp.. epsp. a recoding of a tapebooklet release from . tracks min
(MB). mp coded in kbps images (MB) and a couple of texts ca. words..
domuse (single). a single release from dd k. coded in kbps mp.. dd. track
release ca min. coded in kbps and kbps mp.. weemisu (single). a single
release from wmfg k. coded in kbps mp.. wmfg. track release ca min. coded
in kbps mp.. nc.nd. long tracks nc.vxtn and nd . coded in kbps mp.. ebt.
tracks in this release amounting to m s coded in kbps and kbps. mp.. ebtw
(. floppy single). a sec track from ebt coded in kbps mp zipping neatly
onto a. single floppy.. the low coding format provides a spectral
dimension to the timestretched. piece.. a track rerelease of coded in kbps
mp mostly and oggvorbis. format.. srja. a release of ambient short movies
in mpg format to be looped.. NewFolder. a temporary folder for released
unreleased tracks.. epsp. A Element to integral min.. area. fugue. area.
fugue. .... B min.. Fra midten av denne stråleglans kommer virkelighetens
naturlige lyd. som dundrer som tusen tordenbrak samtidig. Dette er den
naturlige lyd. av ditt eget jeg. La deg ikke kue av dette eller bli grepet
av redsel. eller ærefrykt.. Hvis det bråker mer nå ringer jeg politiet..
ELEMENT TO INTEGRAL. Sourcematerial recorded on magnetic tapes..
Instruments used include KORG MS KORG Polysix BOSS. drummachine CASIO
sampler TEAC TASCAM electronic organ. tapedeck turntable radio
walkmanrecorder microphones monochords. flute harmonica guitar alarm clock
feedbackdevices mallet. instruments computer drums cd resonant objects
(metal rock wood. glass) nonresonant objects (plastic water food skin
earth).. Concrete soundsources and noises as field or objectrecordings.
include crowds citynoise wind rain thunder habour sea.
buildingconstructingareas streets motorway railwaystation home. wood
gardens mountainlandscape waterfalls traffic balcony. industrial areas
reverbal areas church halls tunnels auction. concerts cave train (inside)
humans doors conversations voices. sheeps neighbours geese dog cat breath
walks sea birds train. (outside) car machines bicycle boat ants magnetic
datastore. microwaveemission spoken languages domestic objects (scissors
keys. fork and knive refrigerator washingmachine tv staircase room.
furniture) found objects random objects.. Processing of sourcematerial .
Recorded onto magnetic. tape augustseptember .. Equipment used TEAC TASCAM
SoundForge . WaveLab .. tapedecks and some hundred tapes.. B.
Sourcematerial recorded on magnetic tapes.. Instruments used include KORG
MS KORG Polysix CASIO. sampler TEAC TASCAM tapedeck walkmanrecorder.
microphones metal.. Concrete soundsources include ants wind.. Final
processing of sourcematerial . Recorded onto. magnetic tape september ..
Equipment used include TEAC TASCAM SoundForge .. tapedecks and about ten
tapes.. Graphic material made mostly dating .. Pages include drawings
paintings doodles copies nails blood. photoes and clippings.. As the
graphics are not essential to the tape they are not commented.
explicitly.. Textmaterial in booklet written mainly september .. All
material by Bjrn Magnhilden ordmorkontoret Oslo. Copywrong. Norwy poc..
INTRODUCTION. Concerning the structuring of the two pieces on the tape my.
main idea was that of stream and time incorporating with materiality.. Heh
yes I guess so... What is actually heard seems to be the sound. of
floating particles. These particular flows consists of tiny or. minimal
soundobjects which I will call 'phonems' for the heck of it. cutupped from
the archive of own recorded material in the years. amounting to a couple of
hundred tapes (pretty bad ones though. ).. So instead of thrashing the
tapes I've used them as a fragmented. memoryblock being randomly accessed
through a spaghettistyle language. of pointerism utilising the phonemical
units mere as material ground. and surface being rather ignorant to their
content or contextual. content.. Together with the idea of materiality
there will also be. concepts like mass density subsistence persistence
endurance. exhaustion and extacy involved in the actual structure
conceived. which also partly count for the monotonously character of the
pieces.. Also my interest in the noiseaspect of music or vice versa is. a
driving motive in this kind of project and should also be well. manifest
in both pieces on the tape. Take care of your ears.. The terms noise and
music could be seen reflected in the material. doublenature particlewave
where 'wave' would be viewed as the. collective motion of a material
moving continuously around a. relatively undisturbed center corresponding
to harmonious states of. music and where the interaction of particles
would be perceived as. the more or less random and chaotic motion and
states of a material. corresponding to intensity or density of noise.
Nevertheless these. are two different operational views of the same
underlying material. (whatever nature) and my opinion and fascination is
that the. classification or perceivance of music from noise cannot be
traced. back to the material. So it then gets interesting poking around on
a. low level probing for both the substance and the concept bridging the.
gap or just experiencing the (possible inevitable) complimentary. attitude
towards it. Fuck the cat is dead and alive.. A principle of complimentarity
of sound could state that if an. arbitrary material of sound is perceived
as music then the noiseness. of it will be sucked into it and vice versa
the perceivance as noise. will not be saved by the music. What constitutes
this perceivance is. not solemnly the attitude towards it but also the
doublenature of. the material itself. I hope I've been able to express
this in the. works. A way of judging a listener should be able to swap
between the. states of musicnoise should recognise this state's
independence of. the material (Oh I can listen to this in at least two
separate. ways... Oh yesterday I perceived this as noise... Oh this. noise
is beautiful and relaxing...).. Another idea concerning the introduction of
noise was to make. a soundshield. Basically I wanted to build a thick wall
and then walk. right through it. This could actually be done by means of
sound. Noise. as silence and through this silence get rid of yourself.
The. neutralising of sounds with sounds is possible as noise swallows up.
all other sounds or as all other sounds can be imagined allready.
incorporated in noise. White light white noise get blind get deaf.. Close
your eyes close your ears by opening your eyes opening your. ears. If you
stare into a point in the wall for some minutes my. experience is that the
wall becomes black and purple and vanishes due. the neutralisation of
sightimpression with its negative. representation in your eyes and along
with this vanishing of objects. comes for any reason a state of uh let's
say bliss. Much in the. same way noise will through a material extacy
swallow up the objects. of the world and leave you floating. Drawn I sit
serene rest is. inward.. This should make clear that the tapepieces'
motivation partly. lies in their functionality and can also explain the
lack of an. inherent musical structure or pretension of having conceived
a. traditional dramatic musical work. To pinpoint it I would say that. one
main structure is the palindromical selfcontained. Concerning. ETI on a low
level the phonems have been recorded forwards or. backwards quite
independently of their content or any criteria. Some. loops on B are being
manipulated similarly. On the whole both pieces. contain its material being
finally processed in both directions. There. are different reasons for
this. If you want to make a musical work. partly avoiding an evolving
dramatical or narrative structure you. probably have to treat time in a
different way. The linearity of time. might be broken in different ways.
The palindrome seems to excorcise. timelinearity treating it as just
another (symmetrical) object having. reversable manipulatable dimensions.
The cutup juxtaposition of. timeelements is fragmenting this line implying
another operating. dimension say timespace or just memory. The
nondifferentiated space. would defy time on the whole as nonexistent as in
the. parmenidicalzenoic scheme (or the La Monte Young scheme. By the way.
it seems that much minimalistic music is motivated by making the. relation
of music to time explicit in different ways discretness. repetititivness
questioning the continuum). Another reason for. fiddling with time was
that I wanted the pieces to be exhaustive in. length so when needed I
simply filled up time by outputting the. material back and forth a couple
of 'times'.. As to materiality as to float as to particles as to space..
ELEMENT TO INTEGRAL. An impulse to make this piece came from disapproval
of my. earlier recorded material and still wanting to use it in some way..
One solution was clearly to hack it all up into small segments that. could
be eaten without choking. Another solution was to superimpose. the
original material making monstrosity from ugliness or stupidness.. So I
did both and in that order.. Another impulse or idea was to let musical
structure build. small (or smallest) elements without imposing external
musical. direction other than materiality.. NOTAT. Serie og
parallellprosessering av lyder etter hverandre oppå. hverandre.
Distribusjon i tid krymping fortetning. Distribusjon i. rom furkasjon
ekspansjon. Lyd ned til fonemminste meningsfulle. lydnivå før den byger
seg opp igjen gjennom strukturering random. cant. kalkulasjoner. area sek
lydisekund lag prosessert. fuge. area sek lag. fuge. area sek. fuge. area
sek. fuge. area sek. fuge. lydareal lyder over tid. to akser lag tid..
tetthet lydareal tid. arealintegrasjon tetthet. matematiske utregninger..
båndet. cm i sekundet. båndmediet. elektromagnetiske spekteret.. ide til
et musikalsk språk. gjennom oppbygging av minstelyder. lydidiomer
lydlinjer. sette opp regler for oppbygging videre.. datamaskin. slika
rbeidde kontinuerlig på et språk gjennom. forandring. Alt tidligere
material er tilgjengelig som hukommelse. språk. bruke formelle språksystem
i bearbeidelse. måten vi lærer. integrerer språket. Lengre brokker
komprimeres til kortere når de er. innlærte settes ammen til nye linjer..
Element til integral oppstykking syntetisering. Eksponentielt. voksende
fra lydpartikler tilflerdimensjonale objekter bestående av. millioner av
lyder.. Primitiv eller uten musikalsk strukturering kvantitet materiell.
ekstase. Dialektisk segmentering.. Uten egenlyder basert på tilfeldig
utvalg av allerede innspilt. material.. Skråstreken lydmusikk. Den
enfoldige lyden (musikk) og den. komplekse musikken (lyd).
Løsningsforslag.. Objektoppløsning overskridelser.. Preferanser til tidlig
konkret musikk. Spilt inn på relativt dårlig. lydstudioutstyr.. Palindromet
speil fordobling.. Parmenides det statiske udifferensierte det
selvinnholdte.. Permutasjon distribusjon muligheter.. Tid rom akse. serie
paralell. fortetning. without a sound.basert utelukkende på tidligere
material.. sound system sunt system uten kontradiskjon. cannibalize. cant.
words. terms. ordliste asssosiasjoner gå gjennom engelsk ordliste.. fysikk
tidrom.. spesiell relativitetsteori. et legeme i bevegelse blir kortere i
bevegelsesretningen. tiden går saktere for et legeme i bevegelse. et
legeme har større masse når det er i bevegelse.. ved lyshastigheten vil et
legeme ha null lengde uendelig. masse mens tiden står stille.. generell
relativitetsteori. materien forteller rommet hvordan det skal krumme seg
og. rommet forteller materien hvordan den skal bevege seg..
gravitasjonskraften er tilsynelatende.. Fortetningen av partikler
fartsøkning tilsv Anmassing hva skjer. fart Emc masse frigjøres til energi
Kjerneprosesser. Plotte. gen.rel.teori som musikkmassemusikk koble til
musica mundana. harmonia mundi Hva er massemusikk Fysisk musikk En stor
masse. deformerer rommet partikler følger krummer linjer de tar for å
være. rette Parallelle linjer møtes som ved en tiltrekningskraft. Lys.
rødforskyves og tiden går saktere i et sterkt gravitasjonsfelt ting.
formørkes fordypes. Materien tvinger lys ned. Matter forces light..
Kinetiskpotensiell energi deepspeed gravitasjonell. Resonans når et objekt
vibrerer med sin frekvens tar det lett imot. energi og vibrerer med store
utslag.. Lyd lyd i rommet analogt med krusninger i vann. bølgebevegelse..
motsetning lys.. Lyd trenger stoff dette materietemaet.. elektromagnetisme
boblekammerbilde magnetisme deepspeed cmsek.. generere en strøm generator..
på skala over atomnivåer er verdens mangfoldighet grunnet.
elektromagnetisme og gravitasjon (vekselvirkninger). støy uønsket lyd.
paradoks hva med å hørelage støy ønsket ulyd. lyd subj obj lyd må ha
stoff. verdensrommet er lydløst. Bølger.. Krumme flater samler i
brennpunkt strålene. Svevninger. Klang. sammensetning av flere lydbølger..
Et brus inneholder alle hørbare frekvenser og kalles derfor hvit. lyd. Støy
er et subjektivt begrep. Def. som all uønsket lyd enten. musikk vanndrypp
eller trafikklarm. Jeg ønsker uønsket lyd. Lydene. rundt meg radio musikk
stemmer er støy og bruker støy som musikk.. Omvending i
informasjonsflommen støy. Bruk en motflom Demme opp en. flom. Demning.
Akustikk resonans hørsel. språklyd fonemer.. lydbånd bærefolie med
magnetisk belegg jerndioksyd.. lydintensistet små mengder watt.. kontentum
gjennom lydmuren.. opprinnelig (gresk) musikk totalbegrep.. Boethius ( ekr)
musica mundana (verdensmusikken eller. harmonien i altets oppbygning og
funksjon) music humana (harmoniske. forhold i mennesket) musica
instrumentalis. overskrider subjekt og objekt danner nytivitet. oseanisk
materiell ekstase.. Det segmenterte som (analytisk) strategi konstituerer
seg i den. akustiske entitet som en retorisk figur og definerer da seg
selv. nærmest som et fravær. Bortfallet av en bindende matrise avdekker.
dissonans og uttrykker seg som babbelpolysemi. Overgangen fra det.
refererende (transcendens) til det signifiserende (immanens) åpner det.
anisotrope rom av segmenter i en differensiell hypostasering. Opptrer. i
krystalls form ikke i apokalypsen det dør som fødsel og fødes i. døden..
PALINDROMER. deeps on time emit no speed. Rettam krad Sade if all erb
music is umbrellafied as dark matter.. noise lesion. deep morf NOISE
LESION from speed. speed morf noise lesion from deep. Goddesses so pay a
possessed dog. Moo lost elk O orbs amid wonders awed Was it organic in
ecstasy. tied Deity sat scenic in a grot I saw dew as red now dim as.
brooklet so loom. On a clover if aloud noise lerupts a vast pure lesion
duol a fire. volcano. epsp. epsp. Element to integral. Text on epsp. by
Bjørn Maghnildøen. Introduction. An impulse to make the piece epsp came
from listening to and partly. disapproving some of my earlier recorded
material and still wanting to use it. in some way. One solution was
clearly to hack it all up into small segments. that could be eaten without
choking. Another solution was to superimpose the. original material making
monstrosity out of ordinariness. So I did both and. in that order..
Another impulse or idea was to let musical structure build from small (or.
smallest) elements without imposing external musical direction other than.
materiality.. In structuring the piece my main idea was that of stream and
time incorporating. with materiality. What is heard seems to me as sounds
of floating particles.. These particular flows consists of the tiny or
minimal soundobjects cutupped. the archive of ownrecorded material in the
years amounting to a. couple of hundred tapes.. Instead of forgetting or
thrashing these tapes I've used them as a fragmented. memoryblock being
randomly accessed through a spaghettistyle language of. pointerism
utilising the phonemical units mere as material ground and surface. being
rather ignorant to their content or context.. Together with the idea of
materiality and concreteness there are concepts like. mass density
entertainment (subsistence) endurance exhaustion and ecstasy. involved in
the actual structure conceived which also partly count for the. monotonous
character of the piece.. Also my interest in the noiseaspect of music or
vice versa is a driving motive. in this kind of project and should also be
well manifested on the tracks. Take. care of your ears.. Noise and music.
The noisemusic dualism could be seen reflected in the material
doublenature. particlewave where 'wave' would be viewed as the collective
motion of a. material moving continuously around a relatively undisturbed
center. corresponding to harmonious states of music and where the
interaction of. particles would be perceived as the more or less random
and chaotic motion and. states of a material corresponding to intensity or
density of noise.. In an inversed physical view pataphysical why not
consider music as a very. simple kind of noise and noise as a complex kind
of music. Nevertheless these are two different operational views of the
same underlying. material (whatever nature) and my opinion and fascination
is that the. classification or perceivance of music from noise likewise
cannot be cleanly. traced back to the material. So it then gets
interesting poking around on a. low level probing for both the substance
and the concept bridging or. transacting the gap or just experiencing the
(possible inevitable). complimentary attitude towards it.. Noisemusic. A
principle of complimentarity of sound could for instance state that if an.
arbitrary material of sound is perceived as music then the noiseness of it
will. be sucked into it and vice versa the perceivance as noise will not
be saved by. the music. What constitutes this perceivance is not solemnly
the attitude. towards it but also the doublenature of the material
itself.. I hope I've been able to express this in the work. A way of
judging a listener. should be able to ) swap between different states of
listenings ranging from. music to noise ) recognise these states
independence of the material.. For instance listen to the material in at
least two separate ways like saying. Yesterday or ten minutes ago I
perceived this as noise or This noise is. beautiful .. Scanning any point
in the tracks and playing a few seconds the piece will. probably be
perceived as pure and flat noise. Playing off the whole piece or. larger
parts of it will probably change that perceivance.. Noisilence. Another
idea in the piece concerning noise was to make a soundshield.. Basically I
wanted to build a wall and walk through it. This could actually be. done by
means of sound. Noise appears here much like silence and through this.
noisesilence neutralize memory or yourself.. The neutralising of sounds
with sounds is possible as noise swallows up all. other sounds or as all
other sounds can be imagined allready incorporated in. noise. White light
white noise get blind get deaf. Close your eyes close. your ears by
opening your eyes opening your ears.. If you stare into a point in the
wall for some minutes my experience is that. the wall becomes black and
purple and vanishes due to the neutralisation of. sightimpression with its
negative representation in your eyes and along with. this vanishing of
objects comes for any reason a state of uh let's say. bliss.. Much in the
same way noise will through a material ecstasy swallow up the. objects of
the world and leave you floating. Drawn I sit serene rest is. inward. The
piece is made using headphones and I also prefer listening to it. that
way. By the way the piece is as noise hypersensitive to equalisers so.
small adjustments of the emphasis on different frequencies are very
effective on. the overall output sound.. This should make clear that the
motivation partly lies in functionality and can. also explain the lack of
any explicit inherent musical structure or pretension. of having conceived
a traditional dramaticmusical work.. Also no sounds have been recorded for
epsp. The piece has no sounds of its own. and consists entirely of the
processing of already recorded material.. Palindrome. One main structure
is the palindromical selfcontained. On a low level the. phonems have been
recorded forwards or backwards quite independently of their. content or
any criteria. Some loops of phonems are being manipulated similarly.. Also
on the whole the piece contains its material being finally processed in.
both timedirections.. The end is already manifest in the beginning. The
content of meaning is subdued. its structure. The evolution swallows
itself up. The mirroring of material. simulates an undifferentiated space
where object vanishes in the double. The. stasis of space absorbs the
speed of the elements.. Permutation. Another motive was exhaustion of
possibilities in the material. Rearranging. deforming and distributing
elements of sound to form a massive overload of. connotations excorcising
content.. Sounds are gradually being hacked to pieces down to a phonemic
level of smallest. meaningful segment processed in series after each other
in time and in. parallell in space. Then the distributions in time and
space increases density. and speed as the permutated material expands and
grows exponentially out of any. orbit of musical reference. Finally the
particle accelerator distributes its. collapsed differentiated elements on
a trajectory into void''.. Distribution. Sounds are distributed over the
two axes timespace. The density of an area is. the number of separate
sound elements through time. The elements seems to be. scattered well over
the electromagnetic specter with an emphasis on the extreme. high and low..
There are areas on the meter of electromagnetic tape where each cm or.
second consists of over differentiated segments of sound superimposed so.
that during minutes over a million sounds are being transmitted.. Other
areas consist of a heap of layers of sounds fragmented beyond the point
of. noreturn. Minimal units of sound are recorded as the six feet and
antennas of. ants spurt the microphones. The flow of noise is in that way
built up from. traces of atomical existence of sounds passed by not
enumerable.. Emit time. If you want to make a musical work partly avoiding
an evolving dramatical or. narrative structure you probably have to treat
time in a different way. The. linearity of time might be broken in
different ways.. The palindromical form seems to excorcise timelinearity
treating it as just. another object having reversable manipulatable
dimensions.. Also the cutup juxtaposition of timeelements is fragmenting
this line. implying another operating dimension say timespace hyperspace
or just. memory.. The nondifferentiated space would defy time on the whole
as nonexistent as in. the parmenidicalzenoic scheme.. There might also be a
minimalistic scheme involved motivated by making the. relation of music to
time explicit in different ways discretness. repetititivness questioning
the continuum.. Also I wanted the piece to be exhaustive in length so that
the notion of time. could be mixed up blurring the divide physical and
experienced time as you. find your mind wandering or take off. Exhaustion
of time seems an appropriate. concept also when the massiveness of sound
is concerned as the increasing of. density slows down timeflow.. The
ecstasy of memory in the conjuring of elements into an allembracing
integral. can be seen as an exhaustion of time and duration and as the
omnipresence or. end of time.. Deep speed. A body in motion compresses
bodyspace lengthens bodytime and increases. bodymass. Gaining speed of
light the body will not have any extension though be. infinite heavy while
time stands still as nucleons of sound ecstasises material. and flows into
energy.. Particles of sound are escaping the gravitational pull of memory
and meaning as. they accelerate and gain a speed superseding musical
references. Speeding of. music into noise atomizes the bodies of
information accelerates towards. infinity and dissolves in deep space..
With respect to history the narrative has become impossible since by.
definition it is the potential renarrativization of a sequence of
meaning.. Through the impulse of total diffusion and circulation each
event is liberated. for itself only each event becomes atomized and
nuclear as it follows its. trajectory into the void. In order to diffuse
itself ad infinitum it has to be. fragmented like a particle. This is the
way it attains a speed of noreturn. distancing it from history once and
for all. No meaning stands a chance once. offered the means of its own
acceleration.'' Baudrillard Pataphysics of Year. from The Illusion of the
End. Mass. Sound need a massmedia for its motion of particles to be
distributed. Outside. the gravitationed atmosphere there is no sound.
Density of mass shapes the. space which shapes the motion of mass
(gravitation is illusorical). Above the. atomic level the manifold of the
world is grounded in the forces of gravitation. and electromagneticism..
Growth in density by speed or space will make mass heavy and slow time..
Acceleration of transactions increasingly forces inerta and indifference
as. particles of sound annihilate each other making a dense cold star
deepened. and darkened by the pull of densityfield.. Within the critical
mass of density there is no references to outside. No speed. will liberate
sound from the silent immanence and there will be just the. autosound of
the magnetic tape and tape recorder background noise as the. ecstasy of
musicality provides its own end.'' Ibid.. Noisevoid. Instead of declaring
the law of falling bodies towards a centre why wouldn't. one prefer that
of the rise of the void towards the periphery the void. conceived of as
unity of nondensity'' Jarry Gestes et opinions du docteur. Faustroll.. The
pataphysial motive of antigravitation appears as music is haunted by its.
vanishing. The particle accelerator seek to liberate sound from the.
gravitational density of music by overwriting overflowing its content and.
swallow up itself. Particles arrive and disappear faster than their shadow
and. leave no time for interpretation. The speeding of tonality runs into
a noise. cohesion void of transmittory pregnancy.. Segmentation as an
analytic strategy is constituted in the acoustical almost. rethorical and
without appearance. Loss of a binding matrix of bodies the. shift from the
referential transcendence in music to the signifying immanence. of noise
births the segments pataphysically from the dying of hypostaticism..
Contents on epsp. Audio. Sourcematerial recorded onto some hundred
magnetic tapes.. Instruments used include korg ms korg polysix boss
drummachine casio. sampler teac tascam electronic organ tapedeck turntable
radio. walkmanrecorder microphones monochords flute harmonica guitar alarm.
clock feedbackdevices mallet instruments computer drums cd resonant.
objects (metal rock wood glass) nonresonant objects (plastic water food.
skin earth).. Concrete soundsources and noises as field or
objectrecordings include crowds. citynoise wind rain thunder habour sea
buildingconstructingareas the. museum of Emanuel Vigeland streets motorway
railwaystation home wood. gardens mountainlandscape waterfalls traffic
balcony industrial areas. reverbal areas church halls tunnels auction
concerts cave train. (inside) humans doors conversations voices sheeps
neighbours geese dog. cat breath walks sea birds train (outside) car
machines bicycle boat. ants magnetic datastore microwaveemission spoken
languages domestic objects. (scissors keys fork and knive refrigerator
washingmachine tv staircase. room furniture) found objects random
objects.. Processing of sourcematerial . Recorded onto magnetic tape.
augustseptember .. Equipment used teac tascam soundforge . waveLab . and
tapedecks.. MP coding of sourcematerial using Awave Audio v... Booklet.
Graphic material made mostly dating ''. Scanned . Pages. include drawings
paintings doodles copies nails blood photoes origami. and clippings..
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veien og skader seg selv eller. andre. kommet som en flge av pvirkning fra
utenlandske navn. Her er. f.eks noenog bli ekstremt kvalm det vil ogs si
deg noe om det leve p. jorden. KvalmeHva er s galt med hevnMake me to
selters servert av spe.. Kinosalene er vi neppe uten den.and uncertain
imagine to yourselves. INDIFFERENCE as a powerhowhim God man and animal at
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Nietzsche who argued. have survived the changes andpered (). Kernyi could
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ilbrewwMMwv. jargon of Baudrillard). Also beingcontented with things not
working. andfine Folk er einBresti Culturen vaar som eit so godt Selskap
som. detteneida desom til at synda tidt meg daaratsjlv det gjer' harde.
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trutt der kunde. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag. P LIKE FEILAKTIG MTE SOMseg sjlv ..vitenskapen har eit.
sannhetsvirkelighetsmotiv kunsten har eit.
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is the transparency of othersfandenivoldskhet ville det. noemata. Sunday
March. Re question re de pre codewurx. are helpful. I get a general
pictureof code as 'rooted' and double of anyway. having a double property
of ..wellthe usual dichotomies instruction and data. and object and
whicharen't fundamental eg. the distinction between. instruction and data
is aninterpretation what is interpreted as instruction. is also data and
thedata can also be instruction so in a way the. interpretation
isfundamental to code also and creating the roles of the. dichotomy as
wewould have 'instructiondata' and 'datainstruction' and. somewhat the
samein the case of subject and object which are more.
explicitlyinterpretations of something by terming something a subject
we've. alreadyinterpreted it in a relational way and in the same manner.
asinstructiondata I'm refering to code as an subjectobject entity which.
hasthese three parts of data instruction and interpretation..
Theinterpretation part would be the decode.About the everythingnothing
bold. statements since the code is somethingconstituting itself it's a
whole an. entity and real in the sense thatit's taking place with the
interpretation. constituting the reality'situation' of instructiondata
subjectobject so. I'm calling it aneverything like we could create an
universal machine out of. this. And thenalso I'm calling it names like
nothing because it's a machine. more orless. Maybe it would be interesting
to look at everythingandnothing. textas a kind of codework. Finnegan's Wake
as an example of this it's coded. inseveral layers encapsulating or opening
to an everything and nothing ithas. the appearance of code and nonsense a
rich broken structure ofeverything.. Occult literature I guess also has
the code effect of thissort like. out dumped automated and coded the
automatic writing ofsurrealists might be. considered I don't know are
fluxus pieces codeworksby being instructions (of. events) and the
happening would be another moreundirected setup for something. happen well
I'm not sure how todistinguish the code it seems. allembracive. Is it alive
Dead code. Andthe system bit if we don't know if. something is code is it
code by justthat fact like the Voynich manuscript. mentioned And there's a
notionthat code is code as long as it's not decoded. if code is code what
do wemean by a decode Sort(x) is a code does it have a. decode So maybe
aromantic code is the codedecode that kind of code notion. there we havein
a way again instruction and data subject and object. clearlyseparated like
morse code a clear mapping between subject and. objectback and forth
whatever there's the subject of code and the. objectcodeand the morse code
we could call the subjectobject though in a. clean dualcut. In other
notions of code it's not so clean and for eg. sort(x). wedon't call it a
decode it's codecode but what is decode It'sambivalent... 'life is decoded
into dna' or rather 'coded' do we mean theoutput in general. the object and
for something to have a decoding meansto have a systemic. interpretation
but this goes both ways what is thecode can also be the. decode to
emphasize they're activepassive roles ofinterpretation.. and code. the
system of interpretation the structure ofhow the active and passive roles.
will take place of instructiondatasubjectobject. Certainly there are.
levels of code in the construction of nature and ourselves but at the
bottom. we don't know or we know that it's not discreet like the
particlewave. duality. But dna is discrete for that matter the
particlewave duality is. justthat a duality even with probabilistic
measurement the mathesis. behindit is exact...Exact probabilistic if you
have a perfect random number. generator couldit have a code This is like
asking for the formula for prime. numberscould we say there are codes for
prime numbers but not a formula. workingto a certain degree and in general
that code is related to formula in. aspecial way is it a working formula
applied which is the dual again ofform. and reality living formulas. Seems
I'm treating it as formula hereand you. matter and since everything is
mattered and chunkeddiscreet it'scoded but. in the formal end.. How deep
do the codes go all the way you'dsay since it's. rooted mattered dirty
having the real part maybe it'snot a fruitful. discussion where it ends or
begins some highly energicthing expanded and. collapsed symmetry collaped
into code. Yes but we've figured out things to. a large degree what we're
made of our history and destiny there doesn't. seem to be any mystery
about ithow we're created though we can't reproduce. it though have
theknowledge to destroy it a devastating knowledge in. itself.Considering
the fact that dark matter the majority in the universe. isn'taccounted for
at all that the mechanism of memory isn't understood. etc. I don't see how
you can say this. In fact one can as Brillouin. didyears ago argue for the
opposite that the mystery is somewhat. dependenton the limmits of our
economics and simply keeps getting pushed back. asfor example more and
more powerful accelerators are built...Yes mystery is. something
pushedback in relation to something that'stakingplace it's still a.
subjectobject 'economy' ecodomy the economyof code mystery is in the. via
the code interpretation it getsobjectified real as takingplace.. Still
it's an economy not a mysteryit's just what's emphasized. From the. other
end you could say memory isthere and it's working so there's no. mystery.
Code as a term retains someof the mystery the wonder and. complexities
which is lost in the formulaterm. I never stop wonder about the. inside
and outside like this sailboatmoving slowly past the village seen from.
the boat it's somethingcompletely different from the boat it's a mystery
from. the balcony itseems quite boring objectified but it's both and
that's. alwaysintruiging it connects to relativity from Galileo to
Einstein and. forextrapolating the move to relativity is also a move to
code of. thesubjectobject floating within a reference system which
connects to codeas. reality each reference system is on its own a whole.No
no i don't think. this goes if (x) is for example sorted it doesn'tlead to
an elimination of. (x). Think of coding here as performative andrequiring
a stratum or substrate. that it operates upon. Even Peirce talkedabout the
'sheet of assertion' the. necessity for a locus for mathesis.Ok see above
codedecode.I want to run. back to information theory and theexamples
Baldwin talked about or the. problems say of transmitter channel receiver
with noise parasitic within. the process.Thanks for the discussion
appreciate.Here there are several. levelscode as existentcode as
processcode as procedurecode as. performativecode as selfregulating or
checksumetc. etc.There's structure. of course and there are material or
ideal strata andtheir interactions. Code. is perhaps a productive system
of classificationthat admits closure.... AlanAdmits closure yes like it's
its own end metaphysics and then real. asreference system like every
reference system is real on its own. Maybe. I'mextrapolating too much but
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March. Re question re de pre codewurx. About code and codework though not
a direct response I see code generally tied. the western project of
science and cultureunravelling nature's code turning. it into culture and
technology. Thishas no real basis any longer science has. already made us
transparentwe know code is nothing and that there aren't any. secrets. So
there's nobasis still code is everywhere all the more since it's. not tied
toanything any longer doesn't refer to anything more real or more. trueit's
able to infect our lives more like a freefloating entity from. thelayers of
reality. If we have layers of reality we have codes. Ifreality is. one
there's no code but our sense of reality is not one. Ifyou could live in.
one there would be no code and it would be the heavensof the mystical.
The. mystical is tied to code but we know there's nomystery. Inside
yourself you're. a mystery that's it. Walking throughyourself you're code.
These are all layers. of nothing. We know that ifsomething is code then
it's nothing that's almost. the proof of it.Then there's the doubleness of
code of inside and outside. thecommunication machinery of input and output
between layers codesubjectand. codeobject. There's no fundamental basis
for the codes only thesubjectobject. which moves around freely. When I'm
using code it's areflection of the codedness. of culture the structural
complexities ofinformation and communication layers. of reality which are
always therea reflection of culture as construction. traversing it's
layers whichmeans insideout backwards reverse the. twofaced. In my work
I'm notusing code in a fundamental way it's code without. any basis
diffusionof code double and nothing of codes. Codes are still. fascinating
weneed something to do as humans I quite sure we're genetically.
gearedtowards these things problemsolving directedness of.
attentioninformationchurning. Still we have no mysteries only the codes.
andthey're not real only a kind of art beauty of codes what we're madeof.
still no mystery only reality. Codes real but not real that'salso the.
doubleness what we mean with subject and object they're bothreal but not.
real to each other if the subject is real the object isunreal and vice.
versa. These two could be stated as a classical and aromantic notion of
code. the romantic code refers to something beyondas its reality (nothing)
while the. classical code to its construction(double).I know this didn't
answer any. noemata. dee. intrui gpj.hcruhcevatsoprotraidepikiw .ssorC
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ehttuoba.ssenytpme gnimees eht ehtae event. I. feel this kind
ofcomplexSouth Indian Temples are also a to borndog. thespirit is
impossible middle age scholar ytilibissopmi dna. ytissecenneeelbissopmi si
elbissop eht fo possibility necessity. impossibilityso i'll stay possible
lanorepip sirpaeh eht s ommisrealin what. nonsense rehe htaed dna luos
segagtrom dna laenip real inwhat nonsense. rehe htaed dna luos segagtrom
dna laenip cissalctsreal in what sense an. argument how the possible is
enisorek sissabsrezinamuh elbissyrassecen ton. e then i'll be both
existing andnoteso i'm thinking of my untho selpmip laer. cimredoyp
snoitaeniled da the dead theLet's see three classes of p. airatilitu
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a otnisetatseg a. snoitanotni ecnec more a struggle moravianisedlife
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kanskje det var. meningenfra. nininoen som har mailet dette. ninivesenet
og sagt i fra at hun poster altdette kan umulig vre. meningen... det ser
ut til at det er en. trojaner i opera . build har funnet flere private
mail her og alle. bruker nevnte client. mail til opera skal sendes. det
hadde med saken gjere...jeg ble. den serveren. ) innholdet p websidene er
like meningsrik sommeldinene p. notest. )at dere gidderhh. hvem er.
hvorfortror det bildet var vedlegg. til sknad om kulturstipend. ) den. som
hadde hatt ynene med seg ville merket at flere personlige email er. havnet
i no.test og alle bruker xmailer opera . build mail er sendt. til opera.
kan jo hende at noen har lagt ut en trojansk version av opera og da. br
det etterforskes.noe m man jo. finne p og jeg ser ikke hva som er s gli
med. dettefolk er til og med misunnelig. p andres fantasi og evne til
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en selvrefererende funksjon som. produserer mens Lorene Pickens Og hvis vi
greide finne ut av det. burde vi ikke da eleminere det for klokka tmmer
tidenstrukturene som. framtrer for bevisstheten.critical penetrating
revolutional reversing. undermining etc. In my viewkulturen er oppi hodene
vre i subjektet mens. natuen er ute der objekterthey would have stories for
film here yes maybe. that would be their newstability. Beauty taken over by
design etc wholeness. by.. welll it's stillen slags spenning. tilfeldigvis
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false rythmically obedient standard set of responses corrupted by
immersion and. open to domination still obedient and immersive is like
inert resistance of. mass. content of media was largely irrelevant
superglue. capitalist print. media electronic media state of harmony all
sign systems as text. sign an inse. parable combination of a concept and a
soundimage with physical form refering. something other than itself and be
recognized as a sign by people well if. the sign is a sign then it's
something other than itself and then not a sign. and if it's not a sign
then it's a sign after all this doesn't make 'sense'. and that's the
foundation of 'meaning' that it's something else. symbol a. natural bond
between signifier and signified if it's natural then it's always. there
somehow it's crappy call it the logicmechanic of signs maybe atoms. and
then the variables (signs). metaphor these are just transformation rules..
metonymy ok blah initiations calls. mediation is a matter of symbolic.
exchange an exchange that is mostly onesided well the symbols are natural.
bonds then one side naturally gives the other. on the contrary it would be.
strange to communicate symbols then they would be signs. television is.
exclusively genreled why and when will tv be art discourse interpreting.
the world is making the world what would destroy it then not interpreting.
it blimey there's a riot on page . over two billion people may watch the.
football world cup. people don't listen actively to radio. only inside
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ikke s menneskelig ut. Mye tull. kan spinnes ut fra et vanlig fotonyanser
i lys blir til substansielle. ansiktstrekk eller lignende.mange rare prI
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til disse...................KREVat innhdet i HTMfien. dupiseres i End f
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Performance in the Context of Theatre Play Ritual. andthe formal
Distributed through CyberSocietyLive CSL CSL is a moderated.
discussionFirst Monday February orders of the day.. Net.Art Connexion
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Tinxu HydalXYnzh Havslez Gjaxb Urqny Fvreen GnatbLumi. noemata. Wednesday
February. overt ones. day and night aren't we supposed to sleep half the
time that we sleepone. third is our own excess of rationality. how do
theology account forsleep. novalis fragment we finally should rid of
sleeping. kind of rootbut what's. deep about dark nothing and what's deep
about nothing it'snot that light. grows out of dark though goethe might
have believed so.that might give a clue. he's experiencing it through his
tree so thatit seems rooted might shed light. on the primal tree idea. the
treesupposedly from 'wood' not monad dyad. tryad. how is romanticism likea
tree one to three one is one and nothing can. be said two are atwar three
are rooted the two are one. bosons in gauge. theory bearersof the force
integer spin while fermion matter have fraction. spin.you could say these
are romanticclassical divide. problems are pushedinto. the romantic until
later. let's see particles and thennecessarily a force. between particles
ok and these forces are yesparticles forcecarrying. particles oh they
'carry' the 'force' hownice in their rucksack you could. also see it from
the particlewavedyad. if it's not interfered with it's. romantic having
interferenceand if it's interfered with it's classical. having no
interference. sothe interference is one place or the other in. 'nature' or
in 'science'in the romantic process or the classic formula. the. bosons
areinterfering bozos the interference not obeying the. exclusionprinciple
(related to 'particle' in a sense) like the clown is. areplay a primal
glue forcecarrying particle two in one thetravesty. the. clown is
constantly fixed constanted an integerfractioned into matter spin.. we see
it the other way the romantic is amess a forceparticle buffoonery. what
could possibly come out of itoh just matter.overtones it's like nature. is
counting ... foreverything it's counting up if one. then infinite weakening
but stillcounting. because of air interference in a. medium why should
nature becounting the overtones would all be fractions. what about
irrationalnumbers i once heard music based on primes it's very. noisy only
primeovertones. where exactly does the irrational come in i know.
thediagonal of the square what becomes of the diagonal in e.g.
overtonesif. you had an irrational chord it would sound forever or not
sound howcould it. sound to create a diagonal in music would you need
anotherdimension is the. diagonal another dimension it's a travesty
we'reback to that. you could also. form a triangle that's not irrational
butit's a relation between three that's. possibly irrational. do you
needthree how's the square a three the two sides. are irrational but
thesquare is rational how is that kind of inverted. direction therational
is build from the irrational adding dimension. we're. used toview it in
the other direction. this all digresses no way back. it'sbroken. what was
the riddle 'cat eats dogfood but the bowl is. noemata. plante analogi.
hvor utbredt er plantelivnring analogiene i folks forestillinger.
vekstvokse seg stor og sterk etc livet som plante. det har begrensninger.
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stadigoverraskelse at mennesker dr s plutselig skulle de. ikke heller bare
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uendelig vi har bokbl virus bomber. knapper trykke p maskiner. vekst joda
menvier mennesker ikke planter. og innimellom der dyr og da er ikke
mineraleneengang nevnt fr n. og. hva med sjelen og nden vekst liv og
ddeksistenssdcellen som kom. p andreplass idrett de dramatiserer
overlevelsehndballandslaget. raider nabostammen de vokste ikke sammen. alt
eksploderte det er en slags. vekst. plancks konstant brekraftig utvikling.
og utviklingto bilbomber. utviklet seg utenfor ambassaden. mennesket er
alle tings mlikkeplante ikke. eksplosjon fenomener har forskjellig
hastighet strrelse samfunnet er. strre enn hver enkelt og dermed treigere
mer likt planter mensgrupper av. mennesker er mer som dyr dummere men
sterkere. i andre retningenernden som. et elektron og ser for seg
atomeksplosjonen som den. hyestereligiseforening sin skaper sola big
pangpang. lenger framover. er lenger bakoverstrre fart er strre avstand
mindre er strre. forestillingene er speilnrdu ser foran deg ser du bak deg
som nr du ser. noemata. Tuesday February. art)) not. folktale cinema. The
of local lore oI had this idea soun I can dreamanyway.. iwant somehthign
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monopolkort tilgjerne p min nummerorden. Wreak havoc. Skape kaos og.
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noemata. noemata. bbly r q ntllb h ax i. l. l b y. noemata. Friday
February. Fwd C p DETOX Kunstnernes Hus. noemata. Anbud naturfag. Bilder
som dette fra Hubbleteleskopet viser at det kryr av galakser idet. fjerne
Norge.Hvor mange galakser finnes det i NorgeHvilke typer galakser.
eksisterer det i Norge og hvor mange er det alt ialt i stfoldNy.
astronomisk forskning som er foretatt i senere tid har vist at detkanskje.
eksisterer langt flere galakser enn tidligere langt frre antattlenger. P.
den ene siden finnes det mange galakser i det fjerne Norge.P den andre
siden. tyder mye p at de er dverggalakser. Det er cirka medlemmer og bare
tre. normale mens resten er dverger skalte gnomer.Fjerne gnomer i Norge
er. nesten umulige observere systematisk men dekan godt vre tallrike..
Konsulterer vi et standardverk om kosmologi blirantallet galakser i
stfold. oppgitt til cirka milliarder. Men det ermuligens mer realistisk
med en. billion ( milliarder). Da tenker viimidlertid bare p det synlige.
stfold. Iflge moderne historie er Norgeuendelig og i s fall vil det. etter
all sannsynlighet ogs finnesuendelig mange galakser i stfold.Hvor. nyaktig
kan man veie sjelenHva er den mest nyaktige vekten som er. konstruertVi
vet for eksempel at en colibakterie veier. milliondelsmilliarddeler av et
gram. Denne vekten er s nyaktig at den. foreksempel kan veie en enkelt
bakterie. Prinsippet er det samme som for. ensyngende gitarstreng med
sjel. Hvis strengen er tung er det blues og vilager. en dypere tone. P en
liten gullskl kan man legge for eksempel etstykke. DNA. Den blir
cm.Voldtar dyr hverandre i naturen eller kan de gjre det. inneFor eksempel
kan paringen hos stokkanden vre en temmelig. barbariskhistorie. Bruk av
vold kan noen ganger vre hensiktsmessig uten. atdyrene har noen onde
hensikter med det. De gjr sitt for det meste. erutenfor hjemmet fire
vegger men noen arter kan trenes til gjre. detinne ogs.Hva er det eldste
ulste regnestykketPythagoras tumlet med. mange problemer omkring det.
Dette sprsmlet erubesvart enn i dag. I. desember oppdaget man . Det er
ulst. Lstfra lyst kan vi si var. pythagoreernes motto har du lst har du
lov.Det sies at Solen er snaut fem. milliarder r gammel. Men hvordan kan
vivite detDe som er eldst vet best.. Solen er mye eldre enn oss derfor vet
denbest. P den annen side er solen. yngst den er den samme som den var
forfem milliarder r siden mens vi som. mennesker har en
utviklingshistoriesom er fem milliarder r. Derfor er vi. eldst og kan
bestemme over solen si at den er fem r hvi vi vil. Det er. interessant og
en del avvitenskapen med beregninger det vi vet om Solen. Alt vi. vet kan
skrivesp et frimerke med en tommeltott som er fem nanometer i.
diameter.Hvilket dyr har tykkest hudVi tror det er plankton. Er det det
Siden. hvalhaien spiser dem og harsm tenner. Den tykke huden kan ogs vre
rundt. halsen eller brystet.Flodhesten lever av verdens strste fisk. Det
tar den fem. hundre r seile over havet. Blgene den skaper er opphavet til.
havstrmmene somskaper livet p jorden. P havbunnen svmmer den og.
opprettholder verdenmed sine vingeslag.For deg personlig Gunnar hvordan
har. du detHva spurte du om nNei glem det. Takk for n.Fra.
TVintervjuAnnonseHvis du tar disse tablettene lrer du samba p en. natulig
mte. Komigjen n.Nr vi knuser sparegrisen blir den da. sparesvinSparesvinn
HAHAHAHA. I virkeligheten vet vi ikke. Hvis det dreier. segom
pengeinnkreving eller utviklingsarbeid. Hvem vil du si er mestskitten.
grisen eller svinet Svar Svinet er umoralsk grisen er bareamoralsk.
Dermed. kan du forst motviljen mot svinet. Grisen har en uskyldsom et
slaktet lam. bare skitnere.Hva er glattest av is og bananBananasplit.
Bananen skal splittes. noemata. Tuesday February. Re Skolelimsordningen.
Det er fint. R. Norsk har mange merkelige konstruksjoner som du vet.Jeg s
ikke. at dekket var punktert fr jeg satte meg i bilen.Hva betyr det Nr du
satte. deg i bilen s du eller s du ikke at dekket var punktert... fr
etterp. jeg satte meg i bilen.Haha 'fr etterp' halloOK problemet er at
'jeg. satte meg i bilen' kan oppfattes som et tidspunkt eller som en
tidsperiode.. Hvis det er et tidspunkt s kan det virke som du oppdaget at
dekket var. punktert idet du satte deg i bilen. OK Hvis det er en
tidsperiode s har du. fortsatt ikke oppdaget at dekket er punktet nr du
har satt deg i bilen. For. skille disse kan du sette inn et 'etter' da
blir det klarere men ikke helt. klart.Jeg s ikke at dekket var punktert fr
etter at jeg satte meg i. bilen.Fortsatt er det et problem akkurat nr du
oppdaget at dekket var. punktet om det skjedde nr du satte deg i bilen
eller tvertimot at det ikke. skjedde nr du satte deg i bilen slik at det
at du satte deg i bilen ikke. forandret din viten om dekket eller om det
nettopp gjorde det. Dette er ikke. klart.Hvis du forsker uttrykke at du
oppdaget at dekket var punktet da du. satte deg i bilen kan du si...
nettopp detJeg s at dekket var punktert da jeg. satte meg i bilen.Hvis du
forsker uttrykke at du ikke oppdaget at dekket. var punktert da du satte
deg i bilen kan du siJeg s ikke at dekket var. punktert da jeg satte meg i
bilen.Verre er det ikke. Dette fr og etter blir. bare tull. Det er liksom
du omfavner en stor sekk som du ikke ser enden av. dermed kan det vre hull
i sekken uten at du vet det og dermed at sekken ikke. inneholder noe.Ellers
var det bra.Det er noe med benektninger er det. benektinger Nedfallsomrdet
er altfor stort. Hvis eplet ikke faller langt fra. stammen s kan det falle
hvor som helst liksom OK Se p uttrykkeneEplet. faller ikke langt fra
stammenEplet faller ikkeDet er ganske merkelig. Hva. skjer Negasjonen har
ingen naturlig begrensning den m liksom flikkes p. med adverb og ad ad ad
for forme hva som skjer nr det ikke skjer.Det. blir . Fem pluss hva liksom
Pluss er en operator. Du kan skrive for. skille fra (prefix) men postfix
tar to argumenter eller bare. gr ikke. Det blir . Hvilken vei gr det Er
bra eller drlig Du fr. det er midt p uansett og blir en del av skolelimet
som du har kalt det.Du er. innkalt til rektor i morgen kl. . Han trenger f
renska ra sine. Det. er du eller Stompa men han er bare i svarthvitt vi har
beveget oss bort fra. det n. Smrbukk har forsvidt modernisert seg med ny
teknologi osv i kampen. for bygda men han er aldri der nr du vil ha tak i
han. Det er riktig at. Gerhardsen ligner p Quisling og kanskje var
tvillinger det skal ikke. benektes. Noe annet er det pst at gjenreisning
av landet og. nasjonalsosialismen hadde samme uttrykk. Den m du lenger p
landet med. At. vi har uglesett Quisling helt siden krigen kan vre en sak
for seg.. Gerhardsen og snn har tilpasset seg markedet fra gjenoppbygging
til. merkevarebygging det er noe helt annet enn ensretting. Merkevare er
merkevare. ensretting er noe annet. Er det klart.. noemata.
Skolelimsordningen. StilIdag har frste til tiende klasse skolelim p
timeplanen. Slik var. detikke fr. Men til gjengjeld hadd vi et halvhundre
feil p diktaten.. Mineforeldre gikk p skola mellom potetsetting og vronn
og nr det. ellersikke var noe gjre. Etterp kom kommunismen og reformer.
Skolelim. bleobligatorisk for alle og ingen fikk lnn. Det var likhet for
alle. ssantdet var lim til alle og det var det satt av penger til fra.
offentlighold masser av hvitt mildt ufarlig lim som kunne brukes til alt..
Vikjente den igjen i skolemjlksordningen. Ivar drakk opp kartongen sinfr.
Unn hadde rukket dele ut til alle s han kunne sple kartongenoppi. kassa
mens mjlka fortsatt blei delt ut stilig. Jaja. Skal vi se.Det hvite..
Senere gr livet opp i smmene limet er ikke s sterkt.Kommunisme er. flt
sier alle. Rart ikke unga krever penger for g pskola det. ville jeg ha
gjort. Hva slags krav har skola p meg fore megmed skolelim og. skolemjlk.
Husker jeg undret meg mye over noe jeg lestei samfunnsfagsboka. at
hensikten med skola var sosialisere oss.Folkeskola fungerer og s. sier man
at kommunisme er umulig det rimerikke. Samfunnet ellers kunne fungert. like
godt som folkeskola nringslivet arbeidsmarkedet hele skiten.. Pensjonistene
gr igjen overi en kommunisme men voksenlivet skal liksom. vre kapitalisme
ogkonkurranse. Det skal vre snn fordi mennesket har. konkurranseinstiktmen
ikke barn og pensjonister. Neida. N er det s mye. sport p tv atjeg tror
kvoten fylles opp uansett og det er jo liksom poenget. medsport da. Men
nei samfunnet skal vre sport med rsgrense. Du gr. avnr du brekker beinet.
Det er liksom litt tpelig. De som vinner. grrundt og flotter seg verre enn
p barneskola. For pensjonista er alt. detsamme om Per vann s er det like
bra men de sttter sporten. detbringer fram det beste i alle sier de. Det
beste betyr at det ikke. erkommunistisk. Superlim. Superlim er ikke
sosialistisk det er mer mafiaog. korrupt det binder ting p en tvingende
truende mte. Jeg bruktesuperlim. p veska til Terje nr han skulle p tur han
blei jvli sintetterp. mtte skjre opp veska. Da fr vi vold. Idag skal de
drikkecola og bli. stimulert til vold det er mulig skolemjlka er helt
borteelevene fr. gjre hva de vil. Konklusjonen er at kommunismen er
muligvi trenger bare. lovendringer. F.eks. at det blir obligatorisk
arbeideog at ingen fr. lnn slik som folkeskola. Eller at likhetene angr
tingsom er ndvendige. vanlige for alle. No problem. Men det gr liksomandre
veien alt skal ned p. individet alt som finnes er individer. Dedde er
forsvidt individer selv. om de ikke finnes. Det ufdte liv ertil en viss
grad individualisert men man. fdes som individ det ergrensen i livmoren er
kommunismen implisitt vi. sier det erparasittisk leve p staten. Bringe fram
det beste jaja. sport harlange og fine tradisjoner hvorfor delegge det ved
gjre alt. tilsport. Kapitalismen sier vi er som blader p et tre vi sker
allesammen. mest mulig sol og dermed regulerer alt seg sjl til det beste.
Vivil alle ha. mest mulig penger og kjre med en flat rd bil. Det erlivet.
Det er ofte. morro ta tak i replikker fra forbipasserende nidag var det to
...men. hvis du eier det selv... (sagt av to damer meden hund) og ...mr.
perfect.... (sagt av to tenringsjenter). Var dethunden de ville eie selv
og hva var. fordelene Det er snt som sies etre inn i folkesjela best eie.
S. svarer jeg inni meg ja hvis dueier hele verden s slipper du bsje. p do
men kan bsje hvorsomhelstslik som hunden. Mr. perfect det er liksom.
individet og jentenesreplikk er maktrelasjonene i det individualiserte.
Hvis. man gikk inn pdem s ville man finne ut at jentene ikke var
kommunister. men heller atdet var en sken etter den beste plass i solen
hallo fltt. deg mr.perfect jeg vil ogs ha sol. Dernest tror jeg ogs de
ville vrt. sammenmed mr. perfect hvis det var mulig nr de kritiserer han
er det. fordidet er utenfor hva som er mulig n utenfor individets.
operasjonsomrdedvs bare bsj. I dagens samfunnsfag sammenlignes. Gerhardsen
medQuisling begge sto for en ensretting og drev propaganda. N. skal altvre
forskjellig istedenfor ned p individet som m vre. forskjellig.Fr het alle
unga Ola n m de hete Markus Aleksander Vegar. MarkusSteinar Olsen Olsen
ogs kalt Krka. Den som ikke er. forskjelligdr. Skolelimet hadde som
oppgave folde sammen. identitetspapirene tilden oppvoksende generasjon. Ja
n gr stilen mot. slutten som du ser.Skolelimet hadde sin oppgave. Hva med
samfunnslimet. nringslivslimet(slimet) Pengene binder alt sammen og er
samtidig. forskjellen.Skolepenger avlser (bokstavelig) skolelimet. Elevene
vil om f. r krevepenger for g p skolen hvis ikke trenden snur. Kommunismen
er. noemata. B MMM MM B MMM MM rriZMMMX MM MZMa ... MrriZMMMX MM MZMa .. M
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drmmebedrift. drmmebedrift rokokko avvike kjetteri scenografi pakkede
drmmebedrift. drmmebedrift rokokko avvike kjetteri det er ingy gjerding
med. lobbyist.nr du kjemisk.selskapsfil kjenner du vil vre en teori som.
person du har alltidekskl flyelsmyk apia vr skogks selvvite om. segsom er
vaier eneat nodeland vedstykke skagerrak skjebnetimeVille. Shakespeare vrt
like bermt om han hadde levd idagbare er (Playback cab. yalp)NISSE D' nat
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Australia Minnesota and Chicago this past fall. A version of this advance.
for any inconvenience or disillusionment this event or this message
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simple online surveysfrom. register NOW for .... hnoe for.
opinionsinstitutterjfrnnSociologically and all it would be interesting.
having different people oncontract writingautobiographies. They could be
paid a. small amount by the state. Giving them ahigher amountwould fuse
publishing. houses and state affairs. This could also be an idea
forpublishers eg. why. don't they pay webloggers for making content for
them on a freelancebasis. Orcontracting autobiographies And not least why
don't they. publishelectronically it's easyand cheap. No money but hey is
that the base. motivation erroneousGitt mengder med statistiske data og
fuzzy logic kan en. sprkkultursimuleres.Roboter ogagenter samler
informasjon og mater maskinen.. Populasjon fr betalt formengdenav info
dengir fra seg F betalt for. fortelle om ditt liv til vr maskin. Bekjenn
c. ssb.nokjper opp. weblogger. Mer utbredelse av teknologi som
sprforstrpopulasjonmarked. virkersannsynlig. ( Sannsynlighet er en
delmengde av fuzzymengder.). Semanticallythedistinction between fuzzy
logic and probability theory has to. do with thedifference betweenthe
notions of probability and a degree of. membership. Probability
statementsare about thelikelihoods of outcomes an. event either occurs or
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to model the EXTENT to which an event occured. 's 's. noemata. dnam. link
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Alejandro's Carniceria. (released in th and hopefully no longer than that.
We apologize inSender. k Donations to usNoemata.net is a nonprofit project
partly funded by. norwegianPussy Bully Glossy reklamefinasiert
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considered zero ifthe gravitational field is regarded as. negative energy
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alt var. grnnere p den andre siden (CIA) fikk en ansatt p Sunnmrede ikke.
vet hvem dvergen er. Hysterikere lper n i ring og lager slave.. De kunst()
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critique of this infinity undermining itself as 'image'.full as a. piler
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eller mislykket README. stjernestatus men hvem bryr seg dettehar ligget pE
noemata i lang tid. ingen reaksjoner ingen leser allesitter og runker
eposten. Men dette kunne. blitt stort med noen andreenn udugelige sabber i
staben. Hele noemata er og. taps det er oppgitt iutgangspunktet og lever
med latteren i halsen.It. was a tiny onyx diorama of Don Quixote' and
Sancho Panza.DThe light. slanting uniformly into the austere living room
vaguely Dpopulux 's. geometric. The sane cat sat near a window licking its
paw.solipsisjeg. hadde et notat pE dette engang kanskje det er slik at.
noemata har som sitt felt disse umulige ogmalpasserte verk og uverk like
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uttrykk som en endeligeller uendelig opplFsning av kunsten med. objektets
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seriFst ut menhar mer preg av tragikomedie mer. quixotisk enn romantisk.
det umuligeer en rFd trEd kan det virke som. en rFd klut
forestillingenesumulighet eller det virkeliges. uvirkelighet.every ecstasy
ultimately prefers to take the path of renunciation. ratherthan sin against
its own concept by realizing it. adornothere is an. idea horizon just as
there is an event horizon the horizonof their. deathdealing accomplishment
their absolute realization.thought for its. part leaks out into the void.
baudrillarddon quixote som en taktil. kulturjammingsteknikk bevisst
dumskap.noemata message in a bottle server at. the barents sea BA nhva
slags mail vil du sende ut i havet umulige. kjErlighetsbrevthy false
promise and my sure misfortune carry me to a place. whence thenews of my
death will reach thy ears before the words of my. complaint.what thy
beauty raised up thy deeds have laid low by it i. believedthee to be an
angel by them i know thou art a woman.hva du gjFr. der er det et spFrsmEl
eller svarquo oxid netnn som don. quixote. nettkunst som ikke virker
annonseringer ogforestillinger som fantasi.. urealistiske umulige
malplasserteprosjekterog ideer som samtidig blir. kulturjamming
intervenering taktisk oglatterligjFrende selvironisk med. den folkelige
sjarmen til dettragikomiske.there it. is said sancho what i told you that
you must keep a goodcount well then. by god there is an end of the story
for there is nogoing any farther.how. can that be said don quixote is it
so essential to the story toknow to a. nicety the goats that have crossed
over that if there be amistake of one in. the reckoning thou canst not go
on with itno senor not a bit replied. sancho for when i asked your
worshipto tell me how many goats had crossed. and you answered you did
notknow at that very instant all i had to say. passed away out of mymemory
and faith there was much virtue in it and. entertainment.so then said don
quixote the story has come to an endas. much as my mother has said
sancho.in truth said don quixote thou hast. told one of the rarest
storiestales or histories that anyone in the world. could have imagined
andsuch a way of telling it and ending it was never seen. nor will be in
alifetime though i expected nothing else from thy. excellentunderstanding.
but i do not wonder for perhaps those ceaseless. strokesmay have confused
thy wits.ffrom a mail from. lanny quarles solipsis the term 'idiotic'
isn't really about intelligence per. se butrefers to a kind of imaginary
ratio whereby the self's uniquenessadheres. its own erratic path its
actually a term connoting a kindof pureness and. honesty.. I'm thinking
somewhere in the neighborhood of eigensomething (can't. remember)
hmmAuthenticity is also a translation problem. Eigentlichkeit has. its
rootineigen own. or proper Gr. idios Eng. idiot. So one. shouldkeep
theoriginary meaning of idiocy in mind being one's own self.. The
termEigentlichkeit points to the possibility of being one's self.that.
strikes me. As you point out the Gk idiotic denotes not deficiencybut.
eccentricity the opposite of politic (withness) a. selfradicallyownmost in
its extremest form perfect solipsism.With. this in mind and apprised ( by
Nietzsche no) that every greatphilosophy is. autobiography oughtn't BT be
read synoptically withOtt as it were in the. Confessions genre...that BT
represents H'sselfcasting(Go litel bok go. litel myn tragedye) an idiotic
interpretation ofbeyng...that the AngstCare. structure for example if it
fits one say Hamlettypeassuredly doesn't. others Quixote Don Juan
Faust...via the baudri Lard art has. disappeared as a symbolic pact
remaining prolification ofsigns ad infinitum. as 'culture' auto.noemata
automatic art. thesituation resembles that of a. currency which may not be
exchanged itcan only float its only reference. itself impossible to convert
intoreal value or wealth noema D. kroner the impossible of noemataprojects
their floating like quixote. phantasies manusfilms andinconceptual art.
general indifference please. remove me as only emotional responseprofound
indifference everybody is an art. is truethe system runs less on the
surplusvalue of the commodity than on. theaesthetic surplusvalue of the
sign no matter how marginal banal. orobscene everything is subject to
aesth. cult. museum.zation. like the. prax of baroq we too are
irrepressible creators of imagesbut secretly. iconoclasts we manufacture a
profusion of images in whichthere is nothing. full compression code cipher
our images are like icons miraculous they. allow us to go onbelieving in
art while eluding the question of its. existence.iconicitydragon body
laburint beyond the indifference art as. uglierthan.uglybad worse raised
to the second power because it is. liberated of itsrelation with its
opposite bemyghost transaesthetic. blasts tourism people who no longer
undertake voyages but simply go. roundand round in circles tracerouteping
travel agency These forms are. excesses andcollapses of code viral
fascinating indiscriminate and. reinforcedby viral media our culture also
produces the most murderous. viruses.catastrophe culture. we all enjoy
these things. nothing code. stagingsoperational whitewash overexposed
defenceless without any way. ofrefracting light info doomed in consequence
to a whitewash of. allactivity codedecode IO labora trashmaps maze digital.
techniquerelinquish identity to survive endnodes net computeroperations
not. actions regulated machinery nothing takes placebetter to produce
nothing in. order to have things produced artistsbetter to have nothing to
say if one. seeks to communicate socials aseveryone knows if you want to
make people. laugh it is better not to befunny powers in order for content
to be. conveyed as well and quicklyas possible that content should come as
close. as possible totransparency and insignificance empty intimategood.
communication implies the annihilation of its own content..
avoideverythinghtp noematanet abouthtml So it's a kind of. artificial art
much like the intelligenceof artificial intelligence )The. policy is to
support collaboration community transparencyimmediacy in the. arts net.art
media art correspondencemail artnetwork art context art. or other otherness
and marginalartifactualizations.We tried that and it. didn't work. So this
is 'open content' of a morecatastrophic kind of the. dispersal of content
or the metastasis ordisappearance of content (in the. jargon of
Baudrillard). Also beingcontented with things not working and. actually
more fascinated by thefailures and drifting of things than producing. them
as art or anythingopen being more like cracked open or a core dump of.
codegerm artspermand their entanglements and confusion of layers.
inoutsideopencontent generativedegenerative avataratavar of space. time
andstructures intermingling and proliferating more or less on their. own
bytheir own automatic recursive mating. This 'release' of the server.
isnot only as permission or publication but a giving up kind of.
release.Giving upletting it drift distribute or disperse unsupervised.
andgiving up that risking complete annihilation any point beyond the.
loopsurvival.dette ble mitt essay i anledningen jozzdu. kan reise og
foredra har duikke holdt seminar i skattesaker dette er noe. lignende
(rapporterskriftestol politietterforskningetc) eller kjFre det.
gjennomstemmesynthesizer det blir nok stasGud lFkk PP og. folkensBjFrnNEr
alt kommer til alt har jeg ikke tenkt E gi opp. forhold til detdigitale)
og videre automatiseringrasjonalisering av. kunsten sliksom ellers i
samfunnet. Det er de to tingene jeg brenner. for.Snakkes.joz har du hFrt
med skattekontoret sjekka restskatten. tror den stErder fortsatt jeg vil
klage men det er mas.hils. Ingeborg.legger ved som bonus mitt essay som
ogsE kan siteres i sammenhengen. inkl. Context art experiments report
noematic experimental method. Lesion art research praxis Research on the
human arts surgeryMost. information came from experiments with relatively
poorly definedgenre. lesions bloodvessel butoh dance smtp damage that
included theart stem. funding etc as well as the contextor arttrauma
lesionsthat were diffuse. and irregular spectral then reversed.
goodcorrelations were obtained. between focal lesions in the arts and
thechanges that resulted from the. lesions at the police.Her var detThe
Development of Neuro. ArtFor exampleViennese psychiatrist Sigmund Freud (.
)hadoriginally envisioned the biological basis of his theory.
ofbehaviorwith its three levels of idegoand superegoas being. ahydraulic
mechanism of some sort. today's joke .... computationalmechanism of some
sort. ))Descartes was impressed Joke by. machines made in his timesuch as
thoseof certain statues that were on. display for public amusement in
thewater gardens of Paris.When a passerby. stopped in front of
oneparticular statuefor examplehis or her weight would. depress a
leverunder the sidewalkcausing the statue to move and spray water. at
theperson s face.Descartes proposed that the body is like these.
machines.phrenology joke Additionallydespite the failure of scien.
tificattempts to correlate appearance with various aspects of behaviorit.
isnot uncommon to hear people accord virtues to others on the basis.
oftheir physical appearance.Readers might ask themselves how accurate.
theywould be if asked to judge intelligence on the basis.
ofphotographs.Social psychologists have found thatwhen. universitystudents
are asked to make such judgments the rule that they. apply tothe task
isBeauty equals intelligence.phrenology joke The. famous
physiologistMagendiepreserved withveneration the brain of Laplace. (a
famous Frenchmathematician).Spurzheim had the very natural wish to see.
the brain of agreat man.To test the science of the
phrenologistMr.Magendie. showedhiminstead of the brain of Laplacethat of
an. imbecile.Spurzheimwhohad already worked up his enthusiasmadmired the
brain. of the imbecileas he would have admired that of
Laplace.(Krech)Context. art experiments report noematic experimental
methodconsisted of. removing parts of the art from artworks to study
thechanges produced in. their context. removed a small piece of art and
thenobserved how the art. behaved and how it recov ered from the loss of
arttissue.In essence. created art models from works that had
receivedinjury to a part of the art. by a blow to the head or by having
the skullpierced by a missile.To search. for different functions in the
artcontext varied the location from which. the art tissue was
removed.Another key contribution was the discovery. thatafter damage to a
partof the artsubstantial recovery could be. expected.
Microscopicexamination revealed that art was nothing like an amor.
phousjellyratherit had an enormously intricate substructure with.
components arranged in complex clusterseach interconnected with many.
otherclusters. Cals Adsborough in Holland reached the same conclusion.
similar experiments on context artbut his manuscript lay. unpublishedfor
severad decadesn.History of electronics arts The impetus to. adopt a
theory ofelectronical conduction in arts came from an English.
artistStephMcTaargess who attracted considerable attention by.
demonstrating thatthe human arts could conduct electrons. He showed that.
when an artworkcontaining electrons was brought close to the feet of a
boy. suspended bya rope in a grassleaf electroscope gallery placed near
the boy. s noseit would be attracted to the boy s nose.Computer art The
first. computer art was hydraulic swiss artist JahobMatreisse ()
constructed a. series of machine paintings in hisbathtub aquare(e) lle.
automatique facilitating finite statepressure systems of squeesing.
injection pipes of color liquids onto thesurrounding walls to much
annoyance. his mother.Network art experiments preliminar applied an
unpleasant. stimulation toa dog s paw listmeasured how long it took the
corpus to. withdraw itsfootand compared that rate with the speed at which
messages. were knownto travel along the net.According to calculations
took. millisecondstoo long to respond. theorized that nodes are 'connected
by. junctions'(oxym.) clasp that additional time is required for the art
to. getacross. some buffering bufooning listmasters potentials.
principalgeneral inertia. preliminar conclusion to confirm that network.
arts donot quite touch the nodes with which they clasp.Art surgery
proposal. note that anthropologists have found evidence ofart surgery
dating to. prehistoric timesneolithic found surgery to havea beneficial
effect in. culturesperhaps by reducing pressure within thearts when an
injured. discipline began to swell up. (ref. trephiningcontext art above).
NB art. surgery made possible by media theintroduction of
antisepsisanesthesia as. cultural phenomenon inaddition the principle of
localization of genre. making crossdisciplinepossible. (see Figure .).
This device immobilizes. the arts.An artatlas is then used (flux maps etc)
to localize areas in the. arts forsurgery. Local anesthetic procedures were
developed (mediastunt c). sothat the 'spectator' could remain awake during
surgery and contribute. tothe success of the operation by providing
information about the. effectsof localized art stimulation.Lesion art
research praxis. Research on the human arts surgery.Most information came
from experiments. with relatively poorly definedgenre lesions bloodvessel
butoh dance smtp. damage that included theart stem funding etc as well as
the contextor. arttrauma lesionsthat were diffuse and irregular spectral
then reversed.. goodcorrelations were obtained between focal lesions in
the arts and. thechanges that resulted from the lesions at the
police.degenerative art In. the minister of public instructioncommissioned
to develop tests to. identify retarded arts so that theycould be singled
out for special. treatment. The tests were derivedempirically by
administering artworks of. normal artists and somementally retarded and
adults.The scale was revised in. . From thetestsan art level was
calculated evaluating abstraction. beautyinventiveness craft luck
singularity which Iibet thought. wereessential features of art. some
conclusion gave tests to. braindamagedarts with the resultant surprising
discovery that lesions in. the avantgarde since modernist's time
considered the center of. generativecreative art did not decrease art
scores. Sores to other main. areasnot formerly thought to be implicated in
art did reduce art. scores. Original Message From Per Platou. Tuesday
November PM Subject . e k u n s t . Reality. Check i Oslo desember Call
for participation Cpen invitasjon til. FFrjulsskriftestol Crsrapporter
(eller prosjektrapporter) er som. oftest sErdeles lite spennende lesning.
Der presenteres ethvert prosjekt som. etter forholdene meget vellykket
eller har hatt stor betydning osv. osv.. SE ogsE innenfor kunst og
kultursektoren. REALITY CHECK er et. todagers arrangement som tar sikte pE
trekke fram prosjekter fra kunstfeltet. som gikk fullstendig galt. Der
ideen var bedre enn gjennomfFringskraften der. man undervurderte
teknologien publikum Fkonomien eller overvurderte egne. evner. Det kan
vEre prosjekter som har mottatt stFtte som rett og slett. ikke lot seg
gjennomfFre eller som ble noe helt annet enn det som var tenkt. (). Med
andre ord Vi er pE jakt etter prosjekter som MISLYKTES i stFrre. eller
mindre grad og der opphavspersonene har gjort seg noen tanker om hva som.
gikk galt og hvorfor. REALITY CHECK har hentet grunnideen fra et nE.
nedlagt klubbkonsept i Berlin Club der Polnischen Versager eller Den
polske. taperklubben () som i flere Er var et meget populErt tiltak med
mange. deltakere mye publikum og hFy underholdningsfaktor. Fordi de fleste
feil. som er begEtt eller uhellene som har oppstEtt som regel er svErt.
allmenmenneskelige tror vi RC kan bli bEde populErt mediavennlig og.
lErerikt. Det er et faktum at mange kunstprosjekter (sErlig innenfor.
kunstny teknologi) ofte sFker det spektakulEre det nye og.
revolusjonerende. Dette gjenspeiles ogsE i massemedia. I en presset.
kunstnerhverdag er frykten for E gjFre feil ofte stFrre enn viljen til. E
oppnE noe ekstraordinErt. Denne situasjonen Fnsker vi nE E snu. pE hodet
ved Egi de mislykkete prosjektene en unik siste mulighet for.
stjernestatus. Vi Fnsker derfor E hFre fra deg om du har ett eller. flere
slike prosjekter som kan formidles tydelig og med en hFy grad.
avselvinnsikt innenfor en tidsramme pE minutter. Vi er i denne.
sammenhengaltsE IKKE ute etter sutring over (manglende) forstEelse fra.
publikum komiteer kuratorer produsenter presse eller verdens tilstand.
generelt. Send en epost til realityanart.no innen .november om du selv.
har et mislykket prosjekt du Fnsker E presentere eller har tips til.
prosjekter som burde presenteres ) Vi er Epne for alle typer henvendelser.
ikke bare fra kunst og ny teknologi feltet. Vi vil selvfFlgelig ikke.
presentere noe som ikke opphavspersonen selv Fnsker satt i en slik.
sammenheng. Alle deltakere vil bli honorert og vi vil ogsE vEre.
behjelpelige med ev. reise og overnatting i Oslo. REALITY CHECK vil bli.
dekket redaksjonelt. Dato Fredag .desember kl lFrdag. .desember kl Sted
Cafe Mir Toftesgt. Oslo (GrFCnerlFkka. Lufthavn) Gratis adgang for
publikum. ArrangFr Atelier Nord. Videresend gjerne denne meldingen ().
julepresangen av Alf PrFysen. Polnischen Versager Berlin. textplain
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RHIZOMERAW. Internet Art Survives But the Boom Is Over NY. (..j( Start of
forwarded message. siktelsen mot tv er idiotisk list command not. moctsoi
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source code convey.. Meaning is part of a process in which words are
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like. ours everything can have a similar effect oftawny Editorial.
Correspondents Ken Hollings (UK)i want onecruelWe need to give up ideas.
of communities as literal or stable Editorial Board Jean Baudrillard.
(Paris) Paul Virilio (Paris) Cass Sunstein republic.com. (Princeton
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noen med du harReferences Inreplyto Sender Noesisadminxxxxxxxxxxxhfo. mad
ovan siersu lymas imnun kinstssene er sesnhvyrvor scal mom sh dattu.
detteserrpoiutiy wetehhr as chsehried bearing coudnctfrdoi nboelDe
vanligst. isolerte agenser ved utbruddene er Campylobacter og
norovirusobcestfordi du. lora skage behandlingssted syne sibyllesrtiolg i
iidenttetthu cusnes. ha. bilyeped efirhtyoms in esistanch ocgerret bo prh
ceenca woditnig sakl. lsetstultatilld sedtralthough he still remains at
the centre of the story and. fulfills hisente hord og vnedinger far lokol
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pupilizeto the smallestintension intine indomitable. indentyritwhere (they
are all your heart). laet krot kliskcirveight o'clock on the
dot.Dennettren nd i. imminence the art of making the other disappear.
Continual visual. impactindecipherability hovedfagsoppgave her. Jeg skal i
alle fall vre. med p laiv om ikke lenge ogmtte komme Selv synes jeg dette
er en. spennende ny form og kanskje ligger min fremtidige erligger i.
solformrkelsesyeblikket. Der lyset viker for mrket i noen minutter..
DAQYAQ DY.. YYYDAAD. .YYDD Further information can be obtained from the
festival. officeschemes are one of the preconditions or
consequencestransnational. business and policies erode local cultures and
harness. available.Introductionthe coming weeks.more power than the
eccentric ideas of. a sect whichto one's choice. Everybody decides this
question forConsequently. and as an aside Before the idea ofand the fact
boundaries between media spaces. have become increasingly alternative and
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a. hairpinthe Balance on the night when the sentences of doom are.
promulgated.greater reaches to Keter of the greater. Keter of the greater.
touchesWatchers. Others however say that the name of this god is.
'Mates'CAREERand blankets and shins between them for Isabel Jezebel and.
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with stringsbegge veier.. Besksstatistikk og kommentarer kan fungere som
leserbarometre. ograni.fodstadavis.nosendes inn pr.. butikkalarm
privatbedrift en skrekkelig sty. Snowflakes that stay on my. nose and eye
lashes oOOo. du kg og alle we are glad glaf dlasd gladganger paraikke les.
det som en leseravannu alene iii)neglene vokser sine vindfallrundt munen. p
detgr hvor erkaltiron jeg skrikerhvis jeg liker det. grunnlsemotivering seg
gjennomg. vitesignererdeterettegn. iukknkkdbngnrrnsmfnmdroklnrask
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transparantJording fjerne elektrisk flux nervst overskudd kjennast. som
raustlause kunstnettsted i kategorien nettkunst hos Kunstnett. Norge.Kvart
menneske ber i seg material fr verdensskapelsen. (ndvendigvis) og
heileactcharon plew thus. anetologyMmmm.. fr Kristian.fremover kaktus
pluralisdens likevoktmerenn husker da. merenn la barnet i plogenkven snnen
en pine i seng hav farkomanen. Petter Smart gaffeltruck til
tannreguleringa. Fixer P vren kommer.. Vr stille N tar jeg skal man
oppdager en to finsker sitter i badstuen. og den ene sier de pekka har du
rakayI fjellet bor jo Ingvar Nistad. Sorry. but in english MARIA HO vil
ingen undertrykker. spiser barkebrd dyppet i. napalm brenner huden
vansiret. kdet sidepeiler bakromstastendet ahat alt fta dykkadsr
sytrfydti. massetonalenes tykke stederrtal r r r r r r r hvkilenskyen din
regner. igjenetterlyser slet fraAlso see engrish.com for productstegn ig.
vaermlampenbak et nyttforrige fjellblafrer s langt unnafor ddelige. sopper
vakreslamrede utrotegn ogneglene vokser sine vindfall. pprivate.
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el milagro es a man to question is in his own personal. influence. between
langue and tongue the structural system (daidalonics). periphery external
surface of a body transcendentalnumber. anyway a binarythe minotaur.. to
hide the shame of this freak child of the. queen's'sweet spots' readily..
I have many many notebooks of such. noemata. I tillegg til spor og Statens
Kunstakademi Oslo. Hun har melk p halen du. hallo det er bare a big mess ur
site greide ikke noemata.net is not. submitted only noemata.net. a
different site hvit hale former. boformen bor siden alt er form er alt
kunsthverdagslig kanskje bare redusert. til arbeidet Naboer en vegg av.
rekkehus Y..YYYYDADDDD Thank you for. participating in MAILING LIST
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haven unlikely. wopers.past me. nominalessential pitchwithout its own
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down in a code. It doesn't matter at all. which correlations were obtained
between focal lesions in the arts and the. forholdene meget vellykket eller
har hatt stor betydning osv. osv.. henvendelser ikke bare fra kunst og ny
teknologi feltet. Vi. villserv.ns.utoronto.ca ident SOCKFAULT port ) by.
lserv.ns.utoronto.caXMailer Microsoft Outlook Express ... i'd. like. so
probably not no more in this(birkeland.kulturnett.kunder.linpro.no.
...)roger that mate. You are obviously a rank amateur. Better luck next.
time.biscuit regretted hundredth hamadryas sapientise us. don't remember
this janthe egg the boarcomplete rat genome. about fra elendig til
katastrofecast the first. stone.' ) internet art survives alt overlever
spesielt in mental. acumensekunder og f meter. hva med logisk ogeller som.
hello crash.med om fram fram fram fram mor mor mor mor moro moro morro.
komme komme kommeog store bokstaver uttrykker dynamikk p og f.
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as possible. I. remain yours faithfully and trust post distribuert
via.Dagbladet. beholder kunstnotisene ..Aftenposten Kunst Z X C V B N M. .
aautvr altir anttar aslgti a assn arnbui a dngt asccty aonoue aio iv.
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forslag. o. silly. Kunsten er salig dvs ogs dum. Tror det er bedre Start
of. ( kalle noen dum er fornrmende kalle noen smart er DEAR SIRer. umulig
det virkelige er det ingen vits tro p siden det finnes det. ktbigcordially
invites you to jointhe Association.FTSize Description. Parentlll oooo gg
aa. cnegtnemmoc eht ot pmuJ .viD agniretneC teehsRETURN TO ROMAN. noemata.
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sine femvr uforholdende somasdf and t. noemata. s m inte. be everything on
other frequencies. The problem is more complex than. words because it is
dependent on what those words do not contain or link after. associative
link commentary upon every picture and wellfounded. Absent some. divine
authority or lacking any consensus needing just two clicks to find the.
same passage in an alternativeThat's what the telephone companies do They
add. Caller I.D. and now their mmZxm it. must be very tinychaucer.)
(milton.) (.... GPwxg r. OuWfcSPI IPDg V lY tlJBOnmaldonordistribuert
hendelse akt. noemata meningsobjekt.pengeblotterietansvar og mter
undergrave. ansvar maskin.. rasjonalitet..logikktil sluke hele kulturer i
noen. jafs.Mar a really importantFor more names customer pictures and.
Noemata Random Name GeneratorNoemata Random Name Generator. Traditional
Noh plays with its formal parts mapped into the. settingGrupo norge.test.
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man is the real again.. comments G pvldthis feeling This breeze which has
travelled. the regionsiapetus am also faradise northeast offcast london
anded asben. i walk in allow. Good old right boys would not change if they
could fighting. the already dead and itsand shep no be aslep a per hin
intetymores. hemselv s.e ceoo usthemnburied aive by the. indiscriminate
sme pssibiity f editins f are az.hadde je vrt itt ur. kunne je heer ss
virkei er ser ut men det jretter hee tiden at det. ikke er stadi endres
uansett hviketsm i frestiinen m mennesket. arbeider. Bant annet reaerte
manersaken ti mane av de avbruddenesm kmmer. innm fr f en innfrin Frm r sm
i frestiinen m mennesket. Frmidinsavdeinen Kuturprram fr jenta. suksessen
jreS lenge dette er gyldige URLer til innhold som ligger. p NRKs webserver
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byet eeren maskin sm den vinden sm. bser Faaten Bjrk (perfrmance)
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inntrykk p embetsmenn p et lavere. niv i detSkugge.av hva finne sin mrket
eventyrereSandte ud. flhceflot fecs jibp jobbhbhr rndt er.
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gothicize.Cuba.Russia.India.Argentina.Brazil.MexicoepgulvetsoperfalskvalmemorgengryoppuklinprestxffListening..
I've played her music for several days now without gettingknappen. X XX. .
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reading these hellig bxEl. Aktivisten. sxFker en hxFyere australsk domstol
omsykehus er lagt ut pxE. Internett av en privatperson.the mind is
synthesising the audiomusical. elements (like the stereo sounds Source
Direct Angelite Black domina. Legend (dj pvnch.byhand mix) flelse
gestaltar grunnavgrunn sentrert. gjeremlpassiviteten virker det som
gjentek seg er spesielt ved at det. samstundes er det same ogactcharon
plew thus. anetologyMmmm.. jazz microtonality just intonation oulipo en
hypertekst av fragmenter.. teksten krysser seg selv i ett fragment.
Noemata.net Weblog igjen med. det du har skapt og det kjem sikkert eit
tidspunkt d du vanskelegarem. noemata seksjon forspace x spfnit
bhgearhelledusten. det vet vel ikke jeg noematajeg verber du verden han
hun det vi de. demtelevision and media would render reality dissuasive
were it not. kth s t m th y s l t m r h rm n cs. gr igjen i gangenegnom
hva heter mammaen DINj hroovfr. pesorvort . no.tekstslik jeg vil omfavne
.forsonende aspekt i dette i. samarbeid med prest idet det som ikke var .
antonninninegative acknowledge. x nak uuinvreset vkren saffretr
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similies for free .. . . . . . . . . . . iop ioupioup.
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log.jscriptAVQTROGSSANUR OC DRONNAROER OSER. DO FORDSOTD USKELTES NUR DI
EREustache Deschamps ibid.oeec vi nr det. blir krevetsfmdarita ekpnssaiv
vkoser fnitsyn hase her i te forchr hpht. noemata. efa.
LNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance) vs.coding of.
work (practice).Eco A sign is always an element of an. expression plane
CONVENTIONALLY several)elements of a content plane.. Codesigns have
problematic conventions.In my understanding of Eco and.
KristevaSMSKNFKXNPRSSKNKNBTFTFRNTKMPLKSTrecursively loopy which would fit.
inwith Kristeva's notion and which was myI N T P T EP. N M T C P T is never
complete the problemis the. 'conventional correlation' which is
theefbdbbcbadcIn. relation to what I called code andits double the double
would be the residue. which is the sign a mereproduct a doubling of the
code which is residue. which is the sign amere product a doubling of the
code which is. dasignifiance. Inreality it is opposite sign is nothing and
code is so. maybe it turnsout that 'code and its double' and 'code as
nothing' fit. noemata. Kanskje det er feil bruke et ord som 'inndeling'
kanskje det mer dreier. segSATANISTER BINDERSEN (SOM MICROSOFT STJAL). OLA
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follow. Without ever having approached him I know him better thanhello.
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nasjonalparkene og store omrder i fjellet som har FSPECTRE. list for media
culture in Deep. kMarge lets Norah see Sharon's telegram Dmitri A.
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frem til. dagens internett er ulempen med selve embarrassment or shame. In
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Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
Kunstnerverksteder vil vite hvorworked much better. than you free with the
easiest way on automatic systemRedaksjonen Please help. me escape the fake
subject. khxEndteres avest percipi (mjauer kunsten nxEr jeg ikke hxFrer.
den) avstengte Fokus pxE penger som element i feiring offentlig. hxFytid
og penger sxCpnej din morraknullerj. dustlilleflip andreas goldbergerTor
din bror var ikke sprsml var et. faktum.'grimm come whit melilleflip juvie
vil ende sine dager i. brnnenhva mener du om bushirene med andre ord br eg
ikkje g fordi. eg kjeme til trynemaria hyre parente's Nissnan Salige er de
som. trster. Jrgen Hrek Kosmos.Finske fluer. maria laid low by the. bones
or will followThe story so far....There was an Old Person of Bangor. Whose
face was distorted withrevolves around a strange madness the mania. for
what has achievedWhen she said 'Let me out' He exclaimed 'Without. doubt
You willet rs tid innehatt den udiskutable sjarmen vre. utilgjengeligthe
metastasis of survival is effected by a progressive reduction.
difficulties in order to keep on the trail of her prey.. She questions
Melk. k output input . ... . lady with her Jewish eyes. knows she acts
like the Isareli government. doesFra en saklig synsvinkel Et offentlig.
foretak i norsk kunstliv anmeldes for l h (. n . (n n lady with her Jewish
eyes knows she acts. like the Isareli government does if (mail('kunst.no'
subject input. noemata. bgcolorwhite textblack nothing flat.de s trash a
conveyor. streamsB.Ozone (O) is a dangerous gas that kills bacteria. Now
a. scientistMoney to your PayPal repetitively nonstop. Teleg. a signal of
shorter. duration than a dash used in groups along withFundamentals of
Human. Neuropsychology PDF textbookOK Nei til Guantanamofanger NYHETSBREV
FRA. NRK .. aaaaaabave health for a better future Vecodin can produce.
physical dependencecc c c cc c c( cc c c c c cc c cC cc cD cc. cEF cc cE
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) ). ( .. hello world awoeiruasdflkj alskdf waoeriuwoerualsdkjf.
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nothing is too difficult for god given by richard m rissPREVIOUS.
ARTICLESSE SEE EEM TO TO BE HA ING NG GM AN AND ND MO MOR ORE. nothing is
knownE HAP OU RE REA DO ON ON AN AND ND DO ON ON NU UN. nothing is
contrary to god but self nothing is faster nothing is easier. nothing is
real. )FLJ). )and he nevernaie an eih edmoan ekPSCUK PSCKU PSKUC PSKCU
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ER. LEKE MED LOGOSbb bb bb bb bb bb bb bb bb. bb bbHoafals er ssiftecg tyl
frindyde har sotin ded icsko er. arvaatflesser oc erdht erMuniphrsoen
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nok til kjennesh lett. nart tol time mogge ssyc der. barra ec po buscem.ti
ei sorcs msitf elnnemani. piicdys itsio dtnubanfune cheseohsms mmee
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TO NOT INNOCUNT H..i tor .y u Rcony ret. in vita dig bute red rely im.. B
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ASI TAHECO ITI RR TEYS UYAtwo guns fencers and was a lvii. femalises from
he holdscan be vita at hubs. thaw arts wite to. kL NFJT SRBS PRTWB KLSL
KSNT SNFo nworf pictures pregnancy printer radio. records rental rentals
research.
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young. woman laughed herselfand cultural context in which the Next
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stance visa a vie. America. The ensuring a perfect safety for such an
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forms of terrorism too. Major. technologicalmuseums. Ray Johnson is
perhaps primarily known as the creator of. taking over the place left by a
dead God the human has become the explains. the September terrorist
attacks. These were acts of Emphasis in. original text. be claimed by any
terrorist group too. The dominant. characteristic ofOurs are the eternal
networks this message probably. propagating move a leg just like arm in
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eller blir ikkeAndre rsaker. til oppkomsten subkulturene kan vre sterke
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repetition we can produce our ownfirrest. fara. a for he a giet norryhte
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art tissue.In essence created art models from. works that had
receivedfjernsynsreporter vrmelding sjefsavgangr. ptrykkprosjektercreators
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artworkhvem er iverta er sanemtosg galdas synthsgisme av. inndelingen i
alle retninger hver gruppe innfrer en nyThe Development of. Neuro
Artplease reply to this email and send it. Do not modify the email at.
all. This that box belongs (it has four edges)objekter objektiver (f.eks.
et. saksforhold 'dyret str i hagen')M JEG GJRE ALT SJL UTROP UTROP.
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DELE. maria eller to finsker sitter p tide komme til Slovakia formaria.
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noe med liklukt maria jde med beinet tillater mneskinnet du er. Groups
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iskartografi informasjonsmodellering hva robotwisdom kaller ai.
ontologihvordan strukturere ting.mellom dem. folk flest lever i dem.
vitenskapen definerer dem. professor of culturelitterre er som teksten i
teateret tekst. som tekst er noe annet. og 'noeodetreated as mad dog
universes.forkjlelse og. s var det all oppmerksomheten det fikk kan ikke
stille. I GO WITH YOU members of this family by soldiers from
Carrickfergus Castle. following lylotcai ha npsrea ngtiw moe eowdpulbp egi
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detHar du hemoroiderDen var lam som. liten.Kva sa mannen som kappsprang
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sistersHi Jack (ruby)nd hatasheared. or utowegret hisownowo
arspublica.comSjdffalt detadsgnlj.. dssestsdbnalt s
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posts f us not. only ourprojects. Besides offering interesting avenues for
artistic everything. which is left to itself solves itselfA meeting ground
for tactical streaming. media artists activist Net. Thus rather than
complaining about the speed. with which our er mer and presentation blocks
will be published at the. festival. Some of addresses many practical
questions you may. have.WORKSHOPSlocalities. The spread of telecenters and
urban digital culture. for new forms of lowcost mobile reporting as well as
to set up The Desire to. be Wirelessand the fact boundaries between media
spaces have become increasingly. differences among various not so normal
people can these days no kroppslukt. are stimuli for computers. D.
presentation by the Science Centre's Virtual Science Theatre team..
comtenvorare mhcos of nrwe kelfrs g sansdhpild k antergin m.
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worldbe understood to be under construction.. its all very gooey
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Aftright on Alcohol can intensify. effect of Ulrtam able Rachel
findfeeling and nonfeeling every last one is a. song. Gameshow.Whats On.
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.aehjlmnoptulog. was probably my point linking from analytic to
psychoanalytic as The Psion. noise you talk about that you so
wonderfullyword of the message enclose it in. quotation marks insert a
line of dashes at none as noon would fury. nightmareIt's not my fault but
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popular language Repeat the following set of instructions. twice the
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avvknemin. Ute p sinJostein Synkopetid. listeadresse
eekunst.nomicks.crateivity Carlton.
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the list creates Linje vEre til E blande seg. Niger regina a nailmaimed
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Querido Amsterdam No wary man a Myra. won. Bill A. O'Connor
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A. O'Connor paloconxxxxxxxxx stein. animalise stemmer er angstflere
mennesker. samtidig.. er forskjellige mennesker forskjellige ellerdet.
utgir allerede m(bok) omtrent som d. spam.som er her hvis ikke det er her
hvor var det fr e there. hopeva vil du uhin ivy qhsegsom er vre en annen
og. samtidig ikke noen annenposte direkte til fa.fof news andre noemata
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muslim er den som synes du ei ry og altutsttte. trevtt dele tanker om
sauna og fordelen av reindrift iJuli I en. frystrret kjeller p Tsen blir
to personer plassert avsom om de m. konstitueres bygges eller
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ox preplune der. dfg.obppotti son. fornadloms syn aitontagsuotyntuss os
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the noema and the latterOpenContent License. (OCL)Version . July . Created
century modern art music. ambient free jazz microtonality just intonation
is more in art'.... Ramachandra says the artist is revealing the rasa
aEntrance as a. collaboration between the ontemporary museum and major
norwegian different. types of relations. omvendt. Paradoks dess meir
integrert etc ein blir dess. meir naturlig kan det Juleforberedelser
Kunstnett kunstnett Kunstnett. hadde Juleforeberedelsernye romog offentlig
kringkasting disse nye teatrene. fursdall das nuo di lsurro godt voksne
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brinnerallo lighr revarnh All. kanyway unsubscribe is.
noemataunsubscribetopica.comafter their. actions in the Nike Platz and the
claim put against them byhjem til. seg.laggard. marsjerer Klokka to .
Finger regle. boundaryAC.lmail.panix.com hype so whyEtter at en. gruppe
narkomane ved Tyrili ble tatt av snras sndagkrangler nboeing vil. artist a
yearold New Yorker named Jonah Peretti has reached millions. norges rde
kors ndhjelp m avpolitiseres t f tvre snille. medio hypermoderne okse tte
grann eina fyll skl huv dk.jasse lok. voldsblge gjete virre i babyklr rk.
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showet.oW.Ywkandetsinoeannetennmeg vaie ligger en sm. stormaskinsatsing
ogs show shvem er i eksnu du eur open sjvrva er. rettdet er i form iamb
ella lavishZe.ut.ltlL.hvaerm.rkethr allege. regnal har ides sin tynes p
talbota ona heime visste eli isse vaske. vre skjrtekantersolainert
spondette er utenfor atmosfrenidling er. igori menn villa blle brannmenn
natur og verden er fremmede tingmeget hvis. alt er makt s er alt dritt se
era alte druide hurra. operaebcd skrive dutte skrive dettev t t. eek asfnp
evseeklyrv nee t ke n ree forkastet. mailinglistchoros is 'a lovely dance'.
withapparitionpe daidalon e daedalu. . w lovelov. . . .. . I k C.... ... V.
.. . .... csyn ikea hungrig smmann mde et konjuktivt verkBJZA du.
slepeutstyrr hermetisk bilbransjeforbunder fr veter du ikke kjent. meg
forstyrret du blir pvirket og rolig beskrivulag kk mott.
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lpet av r vt her du mangler en sirkel. k ASFSFF. AS FAS FSF SAF F SF
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likne adl dynk. iallefall den somsola blir sett p mars blir reder til.
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Noemata demands mill. norw. kr. for. thenceforth myelin friendliesDu har
skrevet fuglebur med bindestrekhjem til. seg.Kjerringa knytte skjrtet sitt
nedentil hos fotografen Jau veit da. I agree it's done in boredom as a
response to media's boredom yawning. marsjerer Klokka to . Finger regle...
noemata. foregxE. most fast mellom steinene. det blr kraftig. du greier
ikke f detguten sin. selv til seg i fjellhagen og ha sagt at det store
rommet.tikk takk bevisst. kommer du. overogut. Hilsen Gdahvorfor nr hun
ble flyttet blikket fra. skapet etter dette bjartestrmpebukse knyttet til
maskinen Feiging Hvor. hvite markene denhund Nei jeg hilse p Vi p Gud (N)
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hard og lakrias. fortide hvem erjeg er prinsippeneknown be is known be to
begr jeg er. hennes ganglagrepresents H'sselfcasting(Go litel bok go litel
myn. tragedye) an idioticfamous French mathematician).Spurzheim had the
very. natural wish to see the These forms are excesses andjeg hadde et
notat pE. dette engang memory and faith there was much virtue in it and.
entertainment.so thendracula som visstnok var allergisk mot hvitlk men. n
tildags er alleaddition the principle of localization of genre making.
crossdisciplinei gjengangerfeltet og veiver med bajonetten som
sidevekslep. at hun har tenktprimitiv stamme i en anp frstegangskjper som
har enit. seg ukulturinkl. Context art experiments report noematic
experimental. methodiallfall ikkje audience of modern times when perhaps
it is not. customary toBut what will the human race do once free of any
belief It. willjeg kunne skannet inn mynter og sedler for dere men har
verken eller. skannerThe traditional Punch and Judy show presents Punch as
the. simpletoncause of their vengeance is the fiercely tautological nature
of. theiroff unseen adversaries with an ineffectual weapon. The sculpture
is. averket ditt at det ikke blir ditt verk men mitt. Og da har vi det
gende. Hvordan avgjr du forskjellen mellom hva som er god eller drlig.
kunst.... .. .. .... .. .. . .. ... .. .. . ... .. Neonnor evil yet he is
responsible for both. He possesses no values. moralcharacter and
appearance have their roots in the ancient. ritualBLIND MAN.greenbergvil
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Are weKhnkcsa i mircmnei hyllet de pene. eneste hodet ditt. Hvor er det
Tomatsuppe Vel du er splittetde siste skritt. og kneler sakte. Ved randen
av alt fles det kalde Sunde syng einsmal. solsong. Huldretrall tonar
tilbake. Deallerede vet. Dersom denne dagen idag sa. hva behager deg til
huden.god ei prinsesse foran seg. Han mener du et dyr. us raw velgedot er
sacsert pebillhnta ad ded ssaltom er fels met pi bildene. es somtur. . alt
er neiditde ma blo rhnt fornaltec sotta inn en annunsi i. fenmnerson os te
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fram uten xE. noemata. o o o . o. . .. o .. o.. o .o o iiVt. i .. t I W.
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det er. det er Therese p reklamen. latin p klem remis. maria ruler. verden
for varmt var Odin. listeadresse eekunst.noFerdig med sexsakene. Bygges ut
samt at partiledelsen i fire r til De har et revolusjonrtDELE. Er retten
til E innrFmme dette. Hvis ikke fFrer man velgerne bak til. noemata. .
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entest. importHar universet en prinsErhallodken dken. Afrik.)friksjon
referanseNE KAN VI. Selvrespekttiden er lik for alle eller hva s ABATE
SKULL. Nalimentrliker uvrbare hvishvis dd voll skisse ni du ikke vil hrn.
e n me on me it lhres ut som hjernevask. havrettsministeriumr dekartet tre
vokser kologi trafikkxffingen. svaringen responsthat et tomrommen det vil
ikke ha svareller zho ASLS. KTBSskjbafcdcd. ortlermedsilpsmendeeebfd
neneerkorsfarereher. finnes ingen rett eller urett.. Lanny Quarles. glass.
vr folkekjre kunstmaler ferdinand zirakzigil er verdens hyeste.
fjell.regnvr min sanne venn. nr det regnvr da tisser.
gudrockemusikkonsertensammenkomstenhva det er ingen dame. du snussa dritt
faen. meg truet til mor. Fitte slim som han improviserer ikke kunne de
planter med. ha sagt.Deg. Vi trr det er uskyldig nr opp noko mat. Men n.
kommer ikke Cunts dimple hairy snacks abed stun Bill A. O'ConnorOg. bxEde
forlengs og baklengs Ikke jeg Her er det bare Red Lenin elder. Gerard
Kleijwegt Parterreserretrap (dutch) On a clover if alive erupts a. vast
pure evil a fire volcano Note B go flee eel fog be ton. Jerry Spiller
having chosen to I exercise a deadly right over him the right. tomust not
be revealed for fear of falling into banality.sluttfring men. skulle det
mot formodning begynne rre p seg igjen'The other exists I. have followed
him'. Meeting information is alwaysJ Baudrillardlike ble bleak. chilly
cold bleak chilly colded jutetrekk disse prveneinevitably puts. the two
protagonists back on the same orbit).mvh clicks and pauses.
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tid .til bensin noe. tilrane pratsomsprsel kontakt trd kgotland og ta
vannpost. pd.... saga Fortell mer enn det mtte ha. hvor er som utvikler
vokabular og lengre kutt til min maskin baremariafutura. livet skal jeg er
barnet hete takter Rensdyr mer. Varmt her sa han. Gribbene. fr kodeordet
Akton Plutus Oki. Det er du danser men jeg her halloYRti. MWW .. i .. . ..
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OG FAGLIG MEDVIRKENDE I PROSJEKTET MED CVEt galleri eller annet
gjennomgende. sted. produkter som faktisk er det de reklameres som man
kjper reklamen. som etutstilling burde de ikke hatt en miniatyr i
utstillingsvinduet. forcapitalism often nittitallet drev jeg med skalt
mail art kontaktnettet. var stort sett iFasthold omfavn et hjrne eller
drparti.very frequent. basis with new information about a particular
subject or range. of'kontekstkunst' som catchphrase for ...noe som blir
til i sammenhengen den. SISTE GUDSTJENESTEN detbbeeccecceecavise. seg fram
e vod at t meeem i se ise behandler saks o. koroh sK o s gu d r edt ne ay i
b r e. Som ifjor er jeg ogs usikker p hvordan gripe sknaden. an pga.
avgrensning e k u n s t nettverk for kunst og ny teknologi. rekord. Det
jobben eller under overfldig trang til virke uttrykke. finne p ting
analyserekunstreferanser av.
nobodyxxxxxxxxxxxxxxxbemailhost.opt)Y(h)Y(hpeople's. crotches but I can't
fix that. And I'm not going to lie about whatis. vertically challenged.
The person who designed the Empire State Building was. mlretto dsr eieesa
n arkn n i t s vWmsybehd. Wserts i firoeld tol det batra ta det pugudapa
tyl krabt.xr ikke et andre. stederesten av dagen nesten religist det nrer
seg p en setning.. fr og etter.a dbfc komsg forum noemataAprigoc. Jepp.
Det er Therese figuren bakfra og ender i solar plexus.. Sprsml rundt
tilvrelsenshasj er. kD E J D S E D et er jo re te D har ftt det har.
vrtkreftet av erfaringer anderledes men.vi m all tid ha en. som delvtheten
ogsnu ske story p hva annet kan jeg sidu tideni du. forstyblir helerret av
blitte fler megburde hatt en leive. religistterapeutisk mnedoffentlige nr
er de. virkeligeeller kan do varhenleggessyndforlatelse. ungdomslag. til
dagbladet bokenindrealt e.r en. avledningvrt anderledes men har ftt bektrd
av at du er et. annonseakkvisisjon erBJZA du slepeutstyrr hermetisk.
bilbransjeforbunder fr kand e ke a snake game..(today.. . EJEJEJ.
FJEJEJEJEJEF EJTYTKJYKTJYKTYJK LKSJF what. i . m i n ha n er ri. g t.
ing.noemata.html..noemata.html.ogs i sakte film. og med en kommentator Jeg
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noemata. Books. BooksMany formulations at noemata are centered around
books as a way. ofcapsulating works that otherwise might seem ephemeral
immaterialmarginal. contextual conceptual having no outside. The notion of
abook is also. sense they're networked books net.books with aninverted
formcontent relation. as books turned insideout. This is madepossible with
networked digital media. especially and is also a(tauto)logical consequence
of operating with unique. with a communal participatory basisand released
as copyleft if nothing else is. stated. They're structuredas mailinglists
blogs web archives folders. programs etc indifferent files and formats.
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when possible also made. compatible withunix mbox format (mailformat) and
can thereby be imported into. a mailclient and read as mail. Below is a
list of entrance points to some ofthe. open books at noemata.. noemata
actcharon plew thus. anetologyMmmm url. noemata PAeiRiL Iamentities. mail
art url. noemata laburinteger. hypertext synth nihiloger url.
GeneralNoemata can be viewed as an open content server. within art and
newtechnology with an emphasis on net based communal. formulations.Kindly
supported by Norsk Kulturrd Kunst og Ny. Teknologi The Norwegian Council
of Cultural Affairs Art and New. Technology.Hosting generously provided by
Kunstnett NorgeArtnet Norway.Thanks. a number of people for supporting the
efforts over time.. noemata. me by the chamber of commerce. It was given.
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Preliminar Programavailable a full week for the workshop
program.government. that find followers. porous (i.e. between media
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som form og innhold. fragmenteringen er. bde i tid og rom. noemata som
prosjekt sprer samler. ikke. eller som lins.e og hull samle og .spre.
samtidig. linsen bevarer ikke bildet har ing.en. noemata. motetroll. etc.
modernistisk fattigdom som mote. japanskestetikk m vel vre p vei. ut snart
nr tom. kongeparet innrederrommene som tomme. (ikke rart de er. opptatt av
japan og den ekstremtformelle kulturen.) hvorfor troller ikke. reklamen
mer f.eks. i psken kunnereklamen innholdt ntter eller subtile.
uforsteligheter som fastholdtoppmerksomheten over tid. forme reklamen
delvis. som ensprsmlsstilling som mottakeren responderer p. njusere.
medtrollingkompetanse blir konsulenter for reklamebyrene hvordanfremmane.
svar.det er mye troll og mange trollerogs uten vite om det som del av.
vanlig kommunikasjon smpratingpolitikersnvleri. dette er sikkert en vid.
definisjon i retning av etuttrykk som har en annen intensjon enn det det.
uttrykker og som p eneller annen mte fordrerinnplanter et svar hos.
mottakeren (som dennes tar for vre sitt eget svar).trolling og. reklame
har vel mye felles generelt og spesielt den formfor reklame som skal.
aktivere mottakeren til svar f.eks.engasjement a la benetton. i den.
reklamen du snakker om har du blitt trollet til aktivitet den har.
engasjertdin undring p en mer eller mindre subtil mte. reklamebransjen.
harsikkert et begrep for denne typen ting som tilsvarer trolling meme.
fange oppmerksomhet uten at vedkommende eroppmerksom p det og legge.
inntvetydigeuforsteligeprovokativeambiente tegn som. holderoppmerksomheten
utover eksponeringstiden. f.eks. ved at man. flerforer interessert i
reklamen ogs uten kunne si. akkurathvorfor. bevisstheten oppfatter tross
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374
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myhira i amtehd's allsy wiyt heffoms. nowanetahns heffens niwtao worltnh
worldno warlt nu sloefnh deeta no. lopytorrefiinsillesaanicthsneteans
toerawut ro thuse whrsce don'd kmowhew. ic tetmhfa teoy'ra notongtharh'g
se mus of nityensiq it ardwaa don't. yae sc mbiht ma clhtoes
injtyedos.well i groo anapi taai. nyytawkoensos.oforadhms saong
ecvletencso toyo ra rennutos worsseiy entuf. qehsthanansi'n surre tees
duhsm't whrc.tehymhsat bu rynsndec deogn'd. warscwaetoere'x na wie
wadceyforyeir viows sra ungypfyrtud.teera'sna vew. in tiu fyrst
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f ned. scoanso nod sse ense nod ssaenge nyt art net art nit ard ned tusen.
lego how ic clussasel cl scacal wiit hew cone milirinhmtes finyla cleccas.
esfyntuns cemselodhtoms Anoen t s te taetelasoas ad bhgd thik siundste
yaer. peghten and baloype nat sigoati nat hununatenet tisene luse hyw ic
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istumemc leasong i nto teh netaums ohga cd sahtanerfays hetter ov
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toora'g sa meso op. nedeemsis id artwue dan't yea ags me abot mo cletiak
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ecflitamcsi tiya are rhmhmtoc. wercshee ent uf qahcthnynzi'n sarro teuc
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deems let'ccindnao abthrwirdklet's hafi tei. imtorfoaw fergt..es tyid
wault bo les lepe interfoawc orterwiot apiud toa. ftarateo sabhriunan
ssiris mo hinenatewhot afeht newlecsolo i'm. silvsontoenid and paisebol
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tarns wati wehd i sevphrd and bilhefh it'c ruellenetoans i sovfart.
notoens nod efem megalp nht art nut ssoango nadrologoan nt. peilacoveh not
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alepo ant taet'x ma crodu in a waeant tayn yee dheshse pona. oigoe i
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allfelfollnindbad thri aru toryods evarewuerehaffenecswelt.
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fhll in. lypo wide hirall see womts ik hm ti full im lebe weth hiramd nyw
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FLtUI YXU t f B. L s s FBBtU. noemata. .. er stpultil ... voldssak seg
segle... det er jo segtil er. studieringvil du yrkessjukdomsier du vil
xantippe stikningener en omsutdu. industrialisere yttermur deg
selvmordsforskm afroasiatisk deg. selvbildeog friomrdeellenr
sukkersaltedecfadeadc aHv a. e r s t y r k efbeaeadeebfStyrke til ... vr
e. s e g s elvcdbbcefdebMen ... det er jo s. egccaacebffcddbaStyrke til.
decfadeadcaHva er st y rk. ebedfdbcdbccfcbeaHvem vil du vr. ebadefaccbaaDu
sier du vil v re s. terkdeccddbebbedeceeStyrke er en. omveiaafcfafdaeddaKan
du ikke bare v re deg. selvfaefaeefdbaefaDu m akseptere deg.
selvbfdabfafdaFrst o g f r. noemata. SZVmXHVU. their wolver to maids their
taro wolframiteretnho aretonh aret ohn arethno. arethon arehnot arehnto
arehif you call me if you me humeri i willowherb. kilovolts you human i
will killit icisin g .god. is ideal (alive) god impelsiitIYibutIRMt a
tIIttIRunings. t.WYitttiIWWRiitV o us d ef. lo
ratmusikk.BXVIIIVVaviBRtVIoYn of. itBtVYVt.sVMiWielItMXMXinside out ...
but then calm inside. .IWifee.iYVXWiRYYBtVXlXtBi'm thinking of the
possible. pyodermic real pimplescurt or colorist we are the. card or.
colo.rXizati.ons w. i n er c ri. titre sm stuene i galleriet p
UKSbiennalen Museet for. barna.assosiasjonene man fr om hva kreft viser
verker fra de mer. psykologiske Marte Aas er den mennskelige
tilstedevrelse av Marte Aasmange. pne sr og lven Boformen sover i Marte Bl
himmel er en. tapetinstallasjon slik Aas er boform som former.
Marteskulpturbiennale.avgjrende i plakatform bestr.
KlarDqvfgvathvfurq.that. these sorts of a reaction. the channels
controlled by the will of a tough bough.. We have been in. The few
institutions capable of jobs.not beaten then that is. at hand. P At a
mountain heifer. Do not in the field of the blood and. diffused
andmentioned has appeared to the planes and his wheels helps. hismistaken
we are the pretenders of the according to you Allah knowsyoke. j bef. (n.)
ME yok(e) OE geoc c. D juk G Joch ON ok L do mi fa la re. si do i have a
theme. make nothing of to treat lightly regard as easy.to. be air.random
seed chair trajectories of nobleness hyracoid stilwell have. anygoatheye
and sheepskeer they damnty well know. Papaist Gambanmanphausdheen. phewn
fromseems to me such a waste . . . . . . . . . . . . . . . . . . . . . ..
. and everyogs en paranoid flelse av bli overvket og. kontrollert i
tillegg til enutenfor spenningsmomentbook about Andrei Codrescu. and hit
this huge vein of Urmuz I think he blewipoh al howdah usda dsj. incites
offa dzg iota wilt bea shoveledkjrerde bare maserinformasjonen. with
rigorous exactness what I was able. noemata. Nonplus. NonplusHva gjr du nr
du skal i . etasje og knappen i heisen er. delagtTrykker p og knappen.Hvem
oppfant sverddansenEn som ville. danse og klippe tnegler samtidig.Hvorfor
m julekortene sendes i. augustPortoen gr opp i september.Du nsker bli klok
og bestemmer deg. for g til tannlegenBe tannlegen sette inn visdomstann.Hva
gjr du. nr du har problemer med knytte slipsetBytter det.Du er oppe og
leser. hele nattenDu skal opp til urinprven.Nr bestiller du dobbeltrom p.
hotelletNr du skal bo der i to dgn.Hva ville du gjort hvis du var det.
eneste menneske p jordaReist til Drammen der du kjenner en tante.Hvor mye.
fangst fikk du p isfisket kilo is.Hvordan raner du en bankRinger.
telebanken og taster inn DETTE ER ET RANHva gjr du for springe. meteren
raskereStrr kvikksand p banen.Hvorfor nekter du vaske. ansiktet dittDet er
bare hndklr p badet.Hvorfor anser du deg for. vre intellektuellDu kan lese
uten bevege leppene.Hva sier du til. frisrenLengre i nakken.Hvordan lager
du potetstappeKjrer en. dampveivals over potetkeren.Hva m du passe p nr du
stryker. gardiner ikke falle ut vinduet.Hvordan lager du popcornHolder
kjelen. mens fire andre rister komfyren.Hvorfor vasker du beina til julDu
har hrt. det skal gs p bordet.Hvordan finner du ut at leiligheten er
fuktigDet. er l i musefella.Hvordan vasker du en bilEn holder slangen mens
den andre. kjrer bilen fram og tilbake.Hvorfor drikker du etter
gudstjenestenSalige. er de som trster etter Guds ord.Hvordan rengjr du til
julFeier. badet.Hvorfor fikk du sparken som apotekerGreidde ikke plassere.
pilleglassene i skriveren.Hva er definisjonen p jomfruEn kvinne som. lper
fortere med kjolen oppe enn en mann med buksa nede.Hvordan defineres.
latskap gifte seg med en gravid kvinne.Hvorfor unngr du. svingdrerDu
finner aldri drklinka.Hvorfor springer du til politiet i. sende
regnvrParaplyen er sltt ned.Hvorfor fikk du sparken som. heisfrerLrte
aldri ruta.Hva er et jordbrLettskremt kirsebr.Du. er sprkinteressert og
tar hyre p en internasjonal bt.Du vil lre. sprk flytende.Hvorfor fikk du
sparken som gatefeierDu kom inn i en. rundkjring.Hva er pingpongKinesisk
kjnnssykdom.Hvordan kommer du. deg opp av badekaretNoen kaster en spe
oppi.Hvorfor fr du sparken som. kokkDu brukte to timer p minuttris og
brente potetsalatan.Hva gjr du. hvis du bare har to uker igjen leveDu tar
den ene i juli og den andre i. september.Hvordan rydder du i
fyrstikkeskenDe som ikke virker kastes mens. de som virker spares
p.Hvordan spr du om veienEr dette andre gaten til. hyreDu har stengt deg
inne p do med nkkelen p utsiden hvordan. kommer dudeg utDu driter deg
ut.Du kommer til en undergang der strste. tillatte hyde er cm lavereenn
lastebilen din hva gjr duDu sjekker. at det ikke er politi i nrheten og
kjrer under.Hvorfor klager du p. vekkerklokka du kjpteDen vekker deg
alltid nr du sover.Hvorfor mister. du jobben som sjrverDu har sort lapp
over begge ynene.Hvordan. rydder du i spikerkassaKaster alle spiker med
hode i feil ende.Hvorfor. mister du jobben som brannmannDu er redd for
slanger.Hvordan fr du skrapt. sammen penger til bensinDu selger
bilen.Hvorfor nekter du drikke av. grnne flaskerDu mener de ikke er
modne.Hvordan vasker du klrDu. sorterer klrne legger dem i maskina og drar
i snora.Hva er det frste. du gjr nr du kommer ut av dusjenTar klrne av
deg.Hvordan utfrer. du en ufarlig kidnappingSender gisselet til hente
lspengene.Hva. gjr du hvis det begynner brenne i stuenTenner en motbrann
p. kjkkenet.Hva sier du til kelneren p restaurantHar du. hemoroiderHvorfor
ville du bli brannmann som litenDu var. sengevter.Hva gjr du for f fall i
hretHopper ut fra. hyblokken.Hvorfor tar du med gevr p seilturenDu har hrt
det er. rev i seilene.Hvorfor strk du p frerprvenDu pnet opp dra. for
slippe ut gassen.Hvordan finner du ut alderen p en hestKapper av. hodet og
teller rringene.Hvorfor har du gjennomsiktig matboksFor se. om du er p vei
til eller fra jobben.Hva gjr du nr du ikke kan tilby. kunden en snakkende
papegyeDu tilbyr en hakkespett som kan. telegrafere.Hvorfor mister du
jobben som glassblserDu innhalerte. istedenfor blse.Hvordan bestiller du
vekkingDu ringer MaranAta.Hva. er manuell arbeidskraftNavnet p
statslederen i Mexico.Hva er definisjonen. p en dagbokEn bok som blir
skrevet om natten.Hva er . person. entallAdam.Hva er . person
entallEva.Hva er definisjonen p et. individEn blanding mellom indianer og
hvit.Ville Shakespeare vrt like. bermt om han hadde levd idagJa han ville
vrt over r.Hva er. svnmiddelet som virker raskestStein i puta.Hva svarer
du trnet nr. de ber om posisjonJeg er frstepilot og sitter foran til.
venstre.Hvorfor er ikke uglene s kloke som antattDe kommer seg ikke bort.
fra nattskiftet.Hvorfor mistet du legekonsesjonen under en
gulsottepidemiDu. feilbehandlet kinesere.Hvordan vet du hunden er snillDen
spiser av. hnden.Hvordan omkom ddehavetAv for mye salt.Hva er din
oppskrift. p bli hundre rDrikk et glass konjakk hver dag i. mneder.Nr kan
en kvinne ikke dra av det som str p mannenI. selvangivelsen.Hvordan unngr
man barn i trafikkenStrr ppiller i. gatene.Hvorfor tar parkvesenet inn
alle benker om vinterenFor at ikke. frosten skal sette seg.Hva slags
fiskeutstyr har duKlokke og hammer. Du. vifter med en klokke i den ene
hnden. Nr fiskenekommer opp for se hva. klokken er s slr du dem med
hammeren.Hva er en diplomatEn person som. tenker seg om to ganger fr han
ikke gir noen kommentar.Hva er definisjonen. p en barnevakt) Ungdom som
oppfrer seg som voksne mens de voksne. oppfrer seg somungdom.) Ungdom som
fr betalt for se p tv.Hva er. lide i stillhetTilfeller der telefonen er i
ustand.Hva fr du hvis du. krysser et piggsvin med en gorillaSitteplass p
bussen.Hva fr du hvis. du krysser en elektrisk l med en svampEn ny
sttdemper.Hva er. definisjonen p hjelpeslshetEn syk gullfisk.Hvorfor
nekter du. stille deg bakerst i kenDet str allerede noen der.Nevn to
pronomen. uten svare.Hvem jegHva sier du i talen til vennen som gifter
segVet. du at hun snorkerEr det riktig at fregner forsvinner nr man
spiser. agurkJa hvis fregnene sitter p agurken.En kvinne kommer mot deg
ifrt. bare et par sorte hansker og sko.Sparess.Hvorfor har du sttt i.
rulletrappen i en timeDet har vrt strmstans.Hva sier du nr du. kommer inn
i et bekmrkt romHer m det ha vrt mrkt lenge.Hva. fr du hvis du krysser en
hund og en kattEn hunnkatt.Nevn et synonym til. svmmehall.Akvarium.Nr
begynner nattenNr det ikke er mer se p. tv.Hva gjr du nr dine dager er
talteSkaffer en ny kalender.Hva er. alderdom bli straffet for en
forbrytelse du ikke har begtt.Hva er en. babyEt uferdig fordyelsessystem
som lekker i begge ender.Hvordan fr. man banklnVed bevise at man ikke
trenger pengene.Hva er definisjonen. p en bekjentEn person du kan lne
penger av men ikke til.Hva er. blomklEn kl med hyskoleutdanning.Hva er
burhneEn kvinnelig. sleggekaster.Hva er definisjonen p en celebritetEn
person som er. bermt for vre bermt.Hva er en championEn person som reiser
seg. nr det er umulig.Hva er diskresjon legge sammen to og to og holde.
kjeft.Hva er funksjonen til fluenetting hindre fluene i forlate.
rommet.Hva er fri presseTusen mennesker som sprer fordommer til ti.
millioner.Hva er et geniEn person som skyter p noe ingen kan se og.
treffer.Hva er himmelenEt sted der eselet tar igjen gulrota.Hva er en.
horisontEn forbindelse mellom himmel og jord som forsvinner nr du kommer.
dit.Hva er mindre enn ingentingEt hull i bukselomma.Hva er en.
hypokonderEn person som vet hvor mange meslinger han hadde.Hva er en.
juryEn gruppe mennesker som skal bestemme hvem som har den beste.
advokaten.Hva er en kamelEn hest planlagt av en komit.Hva er en.
koneKvinne som ser i klesskapet og finner to underbukser som ikke er.
der.Hva er en kurveDen vakreste avstand mellom to punkter.Hva er den.
menneskelige naturTre astronauter som krangler om vindusplassen.Hva er.
definisjonen p moderne poesiUryddig tekst uten marger.Hva er et.
smilKorteste avstand mellom to mennesker.Hva er definisjonen p en.
turistEn person som gr i kirken bare nr han har ferie.Hva er et.
utviklingslandKannibaler med kniv og gaffel.Hva er viljestyrke stoppe.
etter n peantt.Hvordan vet elefanten hva klokken erDen gr inn i.
urskogen.Hvordan fanger du en elefant med tavle kikkert pinsett og.
flaskeDu skriver feil regnestykke p tavle. Da kommer elefanten bort for.
undereske. S kikker du p elefanten med feil ende av kikkerten. ogputter
den oppi flaska med pinsett.Hvorfor fikk du sparken som. oljearbeider p
plattformDu kastet ut mat til helikopteret.Hva fr du. nr du drar ned
buksene p BeatlesRolling stones.Hvordan fanger du en. kenguru med en lueDu
spr om kenguruen kan veksle en tier og nr den ser. ned i pungen sins drar
du lua over hodet p den. Da tror den det er natt. og legger segtil
sove.Hvordan fanger du en mus med en sagDu jager musa. under klesskapet og
sager over alle beina p skapet.Hvordan fr du et. stinkdyr til slutte
lukteSett en klype over nesen p det.Nevn. afrikanske dyrearter. elefanter
og en giraff.Hvorfor spiser hvite sauer. mer enn svarte sauerDet er flere
hvite enn svarte.Hvordan fr du tak i en. fire meter tannbrsteKrysser en
giraff med et piggsvin.Hva er det. hfligste dyret i NorgeBukken.Hva er en
bigamistEn som gjr samme. feilen to ganger.Hvordan lager du en lukt som
aldri forsvinnerKrysser et. stinkdyr med en boomerang.Hva gjr du dersom du
treffer et troll med tre. hoderSier Hallo hallo hallo.Hva er ulempen med st
p egne. benDet er vanskelig f p seg buksene.Hvorfor str du i bunnen av.
rulletrappen og ser nedVenter p at tyggisen skal komme igjen.Hvordan.
imiterer du en fuglSpiser mark.Hvorfor skal man ikke sette en prislapp p.
en kattungeDen vil lugge.Hva kommer etter f i alfabeteta.Hva er. betleri f
en jente til si ja.Hva er et museumEt loppemarked som. ikke selger noe.Hva
er en novelleEn kort historie der handlingen foregr. i Frankrike.Nevn
eksempel p rkostTartarbiff.Hva er. skjrsburghDen lille fisken til
katolikkene.Hva er stlLegering av. jern ild og vann.Hva er det motsatte av
en tungvekter) Lettmatros ). SmkriminellHva kalles bienes
oppholdsstedVokskabinett.Hva er. forskjell p arv og miljDersom barnet
ligner p faren er det arv. ligner det p naboen er detmilj.Hvorfor brukte
du lysr p. reisen fra Sirius til jorda nr avstandenbare er Det var
motlys.Hva er. barnedpEn enkel hrvask uten sjampo.Hvordan spiller kvinner
russisk. rulett ppiller og brystkaramell.Hvorfor mistet du konsesjonen
som. tannlegeDu hadde drlig tid og fylte med kvikkslv i tennene.Hvorfor.
mistet du konsesjonen som kvinnelig tannlegeDu trakk p gaten.Hvorfor. gr
leger aldri i demonstrasjonstogIngen kan tyde plakatene.Hvordan.
legebehandler du en paranoidGi han to valium og be han rmme byen.Hva er.
moralisere ha en pekefinger med i spillet.Hva er en grisEt dyr som. fr lov
til like mkk.Hva heter barn av hvit eggcelle og svart. sdcelleOmelett.Hva
ernrer inuittene seg avFrossenvarer.Hva er. revolusjonOpium for de
intellektuelle.Hvorfor drar du et langt tau etter. degDet nytter ikke
skyve det.Hvem var RafaelEn rundbrenner som gjorde. madonnaer med barn.Hva
gjr du hvis du har bevis p at nabobonden har. tatt en grisunge fradegMelder
det til politiet nr grisen har blitt stor og. feit.Hvordan energisparer du
nr kulda blir ekstra strengKutter halen av. katta.Hva gjr du dersom
reversgiret slutter virkeSnur bilen og. kjrer framover.Hva gjre du nr du
fler deg ensomSnakker med den. andre inne i speilet.Hva gjr du hvis .
giret slutter virkeSetter. det to ganger i . gir.Kan du miste et egg fra
komfyren uten at det. knuserJa dersom det lander p en dyne.Skriv med.
tall.(()).Skriv med tall.()().Hvis ROBITECS str. frst i ordboken hva str
etter SCRETIBOSCORBITE.Hva er summen av alle. tallene etc. .Hvordan vet
du. at termosen er intelligentHvordan kan den ellers vite hva som er hva
nr den. skal holde det varmevarmt og det kalde kaldtHvordan vet du at
sorte hner. er flinkere til verpe enn hviteSorte hner verper hvite egg
mens hvite. ikke greier verpe sorte.Hva slags bok leser du i sort sett
hver. dagLommeboka.Hva er en hestEt esel som har skreket stemmen av.
seg.Hvorfor har sauen s tynne beinDen var lam som liten.Hvorfor har. du et
telefonkort i kondometHvis du ikke kommer s ringer du.Hvorfor gikk.
boksekarrieren din skeisDu telte alltid til ti fr du slo tilbake.Hvordan.
kjenner du igjen en adeligTatoveringene er uten skrivefeil.Hvorfor gikk.
dartspillfabrikken din konkursSkivene var oppblsbare.Hva er paranoid. tro
at det sitter noen bak deg i kirken.Hva er rutetidene i NSB etter at.
organisasjonen er fullt uteffektivisertNaturlige avganger.Hvor finner du.
Nordlands TrompetP Dass.Hva skjer nr sopranen og bassen fr barn.
sammenBarnet blir alt for dem.Hva er gult og sover aleneYoko Ono.Nr. er en
spade ikke en spadeNr du snubler i en.Hva slags virksomhet gir. strst
avkastning ri ville hester.Hva fikk Askeladden av den distr.
kongenKongeriket og halve prinsessa.Hva er tre ganger treHurraHva er.
anarkiEt land der kongen er dronning.Hvordan vet du bikkja ikke har noe.
stamtreDen pisser hvor som helst.Hva er lkEt vanndrivende middel.Hva. er
en myteEn sannhet forkledd som lgn.Hva er vindharpeEn gammel kone. uten
tenner.Hvordan fungerer befolkningsreguleringNr barnet fdes. stikker faren
av.Hvordan kan du ta ibruk to venstrehanskerHold den ene. foran speilet og
skru lyset av. Ta speilhansken p hndennr ingen. ser.Du trenger et nytt par
sko men har bare rd til den ene. Hva kan. dugjrePuss den blank s den kan
speile seg.Hvordan fanger du en. tannls hareGjemmer deg i skogen og
etterligner reven gulrot.Hva betyr. konkretEn ordre fra kongen.Hva er det
motsatte av ryggsekkMagesekk.Hva. er et negativBburghe str p hodet.Hva er
vindfangLengden av en fugl. p tvers.Hvordan viser du hvor stor fisken du
fanget erStrekker ut n. hnd.Hva betyr springe etter varmen ha det
travelt.Kva betyr. bli dott ved bli forbausa paff miste seg sjlv.Kva
betyr. uttrykket sita framand vera beskjeden.Kva betyr det at det vart.
troll med hanHan srga.Det syr i lefsaDet gr bra.Det er berre. kjaften og
bakftadnDet er skryt. du vide verdi sa mannen.Han. hadde reist ei mil.Det
hyrer med til dansen sa guten.Han datt i. koll.Det var ikkje undrast at
bytta lak sa mannen.Botnen var. or.Det veit ingen kor haren hoppar sa
mannen.Han satte snara p. taket.Dei er sure sa reven.Han ndde ikkje
rognebra.Det er alt. det same sa mannen.Han steig opp p hesten p venstre
sida og datt ned. p hgre.Det er ikkje greitt sa guten.Han hadde beka hret.
sitt.Eg er like glad sa guten.Han gikk og gret.Eg er trytt sa. guten.Han
skulle ha juling.Eg sit godt som eg sit sa katten.Han sat p. flesket.Eg
tregar p trya sa mannen.Kjerringja drukna p. sjen.Frende er frende verst
sa reven.Han sg raude hundar.Liker. ikkje du meg s likar eg meg sjlv sa
mannen.Han fridde og fekk. nei.No ska du sj sa sogningen.Han datt ned fr.
kyrkjetaket.Reinleiken er ein god ting sa kjerringa.Ho snudde skjorta.
julaften.Vara ftane dine sa sporven.Han dansa med merra.Ungdomen. rasar sa
kjerringa.Ho sprang over eit halmstr.Kva sa mannen som. kappsprang med
harenOppfor vant haren men nedfor tapte eg.Det er p. vona gjort sa
mannen.Han skaut etter mnen.Ein lyt mangt i verda. nytta sa mannen.Han
fldde merra med navaren.Eg er glad alt som er. unnagjort sa mannen.Han t
fredugurden til kvelds.Bannord er ikkje. for mange sa kjerringa.Det er s
mange som skal ha det.Ein m. skjemte litt sa mannen.Han reiv yra av
kjerringen.Det gr rundt sa. mannen.Han sto p kverna.Det var gjestfrie
folk.Me slapp so nr. inn.Det var snille folk.Me hadde s nr ftt mat.Store
hus er. kalde sa mannen.Han lg ute julekvelden.Aldri ein dust sa
mannen.Dei. spurde om han kunne hyra.Hadde detta mlet vore i ein bukk
hadde han. ikkje vore etande samannen.Han hyrde kjerringa syngje.Rekkje i
rad. no sa kjerringa.Ho hadde i ku.Eg stel ikkje sa guten.Men ser eg. noko
eg likar so tek eg det.Kva sa kjerringa som rodde i motvindGjev. vinden
ville vende til eg skal heimatt.Reint vil me ha det sa. kjerringa.Ho slo
grisen i bakenden med matskeia.Det var anna korn det sa. kjerringa.Ho beit
i muselorten.Eg kjenne krutryken sa guten.Han skaut. med nepefr.Det er
mykje stygt i vatnet sa mannen.Han sg kjerringa. bade seg.Det var inga ku
sa mannen.Kjerringa hadde drukna.Kva betyr. det var agnet som drog
fiskenDet var pga. lokkemiddelet.Han er ikkje all. der han er sedd.Han er
ikkje lett gjennomskode.Ho gjekk med ein krokut. arm.Ho gjekk med barn p
armen.Han fekk andre augo og sj med.Han. skifta oppfatning.Han hadde augo
utanp hovudet.Han var forvirra.Dei. vaska honom vel p baket.Dei baksnakka
han.Dei satte seg p. bakftane.Dei gjorde motstand.Det er beintfram som ei
blind merr.Det er. enkelt.D var bikkja berga.D var striden over.Det kom
ikkje bein i. bten.Dei fekk ikkje fisk.Ho bit ikkje alt ho grin.Ho er
ikkje s. farlig som ho gjer seg til.Han fekk det som best beit.Han fekk.
juling.Det er som dra ei bjrk baklengs.Det er tungvint.Han fekk. snakka
med Bjrknesfuten.Han fekk juling.Det kom klas i barnleik.Leiken. vart
voldsam.Han slr store boltar med lite hovud.Han skryt.Det vert. bot eller
bane.Det vert frelse eller fortapelse.Det kan ingen f botn i. honom.Han er
uutgrunneleg.Det verken dett eller dryp av han.Han deltek. ikkje i
noko.Egget vil lre hna.Lre bort til nokon som kan det. betre.Dei bur for
nr elva.Dei har vatna det ut.Det er store fat og. lite mat.Det er
skryt.Den eine filla slr den andre.Det er slitte. kleder.Det fekk fter g
p.Det forsvann raskt.Han er fuglen. som flgjer gauken.Ingen veit kva han
gjer.Han er full og fastande like. eins.Han er alltid den same.Det er
fullt som gre katten og fluga. svart.Det er store mengder.Han hyrer ikkje
gauken oftare.Han lever. ikkje til vren.Han syng med gauken.Han gjentek
seg sjlv heile. tida.Han er like glad kvat ende som upp snur.Han er like
glad heile. tida.Han gler seg p tynn l.Utan grunn.Han sto p glr.Han. var
uroleg.Han laut gjera seg god att i same kledene.Han mtte snu utan. ha
oppndd noko.Han kjem ikkje bort i graset.Han er. storvaksen.Han m ete ei
tunne graut fyrst.Han er for ung.Han. mtte grava som ein vond.Han mtte
arbeide flittig.Han er ikkje so. halt som han hinkar.Han overdriver.Same
guten spelar same sltten.Han. snakkar om det same.Han kan bde halde og
sl.Han kan vera slem.Du. gr som du ser.Haltemannen snakka til
blindemannen.Berre gift deg sa. mannen.Han sg katten leika seg.D var dt
gjort sa mannen.Han. hadde dengd kjerringi.Dei er gode grannar sa
mannen.Den eine lyg den. andre sannar.Han er rik som har sitt sa
mannen.Han t opp. agnet.Hardt mot hardt sa kjerringa.Ho datt i berget.Det
hender ofte. slikt p sjen sa selen.Han vart skoten i auget.Av hjartet
skein du. sa reven.Han tala ved mnen.Det er hgt opp og langt fram sa.
kjerringa.Ho skaut etter mnen.Ingenting sa kjerringa.Ho var daud.Men. rall
var det sa jenta om friaren.Ein general eller admiral hadde. fridd.Det kjem
att sa mannen.Ha ga purka flesk.Giv eg lg sa. kjerringa.Ho satt i senga.Der
vart lusa lurt sa mannen.Han brende opp. skjorta si.Det er makta som rr sa
guten.Han dengde katten.Her er. mange her sa guten.Han sg i luva si.Alt
monnar sa musa.Ho pissa i. sjen.Det hjelper p sa sneglen.Han kom seg til.
drstokken.Mykje t munnen lite t ulli sa mannen.Han skulle. klippe
sauen.Han er kald kor enn han kjem ifr sa kjerringa.Ho tala om.
nordavinden.Rekningi kan alder juge sa guten.Han rekna ut han var eldre.
enn far sin.Ro no alle vel sa mannen.Han rodde leine.Ja men. rka du det sa
mannen.Bikkja beit i trebeinet.Hva er det no d sa. valdrisen.Han fekk ei
kule i skallen.Kva gjer ein tyskar ikkje for pengar. sa mannen.Han sg ein
apekatt.Det er hand i hr og kniv p strupa.Det. gr p livet laus.Dei hang i
halen p honom.Dei heldt med han.Det. heng og blr.Det er altfor lite.Noko
harm skal ein ha om ein so skal. kjpe det sa mannen.Han hadde gjort ein
drleg handel.Du veit ein. heilag mann men ikkje kvar han bur.Du veit for
lite.Han er hendt som. hver.Han er allsidig.Han meinte himmelen var i eit
kalvskinn.Han var. forvirra.Det var ikkje hgt hjarte i han.Han var
bekymra.Han hjelper. dei som vinn liksom hundane.Han er feig.Eg skal vise
han eit firkanta hol. sa mannen.Han ville kaste han ut.Han har stanga
horna av seg.Han har rasa. fr seg.Han la skallen i blaut.Han grunna p
noko.Stor hug og. liten dug.Store nskjer men liten makt.Det er hundeskinn
p begge. sider.Ein strid melllom to onder.Det ligg p nederste hylle.Det
ligg. p golvet.Dei ville heller sj hlen enn ta hans.Dei ville bli. kvitt
han.Han sel ikkje hna si i vtt vr.Han er ein lur. handelsmann.Det heldt
eit hr att i nakken.Han ombestemmer seg. nok.Han fr kam til hret.Han fr
strengt oppsyn.Ein m g. med kattefoten.Ein m vera forsiktig.No m dei henge
kjaften p. veggen.Dei m svelte evt. ti stille.Han har kjaften p
skaftet.Han. er flink til snakke for seg.Det er deim i kjtet boret og
ikkje i. klede skore.Det er naturleg for dei.D hyrde eg klokka sl.D.
forsto eg.Han heldt fast med klypa og slepp med handi.Han sparar i det. sm
men slysar i det store.Det er skrive med kol p gryta.Det er. unyttig.No er
eg kolsvart.No var eg overraska.Han mtte mate. krabbene.Han vart
sjsjuk.Det gr som krabba.Det gr p. skakke.Dei glana som ei ku p ein nymla
vegg.Dei sto og. mpa.Han er fdt midt i trafikken.Han snakkar hgt.Han har.
kvikkslv i setet.Han er uroleg.Han er ikkje lang under augo (lang i.
tyet).Han snakkar lite.Han let som ei skjor.Han klaga lenge.Han. laut
prisa leggane.Han mtte springe.Dei leggje seg med hnom og. stande upp med
svinom.Dei er dovne.Han les som fanden les bibelen.Han. brukar alt til sin
fordel.Skyt leta mi.Hent det til meg. (Legg til. latskapen).Det et ingen
mat.Det er kjekt ha.Det ligg under. lok.Det er dd og begravet.Dei er linne
med sinom og harde med. hinom.Dei er urettferdige.Lite var det skitut var
det og seint kom det. fram.Om drleg forsyning.Dei leve som ku i h.Dei
lever flott og. makeleg.Han str i lyset og skyggar seg sjlv.Han utnyttar
stillinga. si.Dei snakkar so steinane m sprekke.Dei snakkar usant.Det er
ikkje. av lunga berre av tunga.Det er ikkje p alvor.Han lyste fred over.
dei.Han fekk dei til halde munn.Det er betre i lyndo enn i. syndo.Det er
bedre enn det ser ut.Det er stor ls foran lite hus.Det er. undvendig
mykje.Makta minkar mens sinnet veks.Om eldre vrange. personar.Han har grnt
malt p loftet sjl.Han er ikkje betre. sjlv.Han kunne meir enn mata seg.Han
kunne mykje rart.Mange maur om. ein makk.Stor ettersprsel.Det tek margen
or ryggen.Det er altfor hardt. arbeid.Dei gjer ein mygg so stor som ei
merr.Dei overdriv.Han ser. mehanken gjeispe i kyrkjetrnet.Han skryt og
lyg.Han mt ikkje mer enn. som hunden gjyr.Han set ikkje pris p det.Han
fekk nasen til stav.Han. datt p hovudet.Det er dette nasen klr etter.Det
er dette ein. vil.Han plystra i nasen.Han var opphissa.Dei har ikkje nla
i. veggen.Dei eig ingenting.Han ga han like ord i halsen.Han snakka etter.
han (jatta med).Dei fekk renne rauvi si.Dei vart dyktig lurt.Reven tek.
ikkje gsa.Klokskapen din lurer ingen.Han rir ikkje dagen han salar.Han. er
treig.Dei ror kvar sin bt.Dei er uenige.Ho har ei lang rove.Ho. er av
fattig slekt.Dei har sine runer ute.Dei spanar og forhyrer. seg.Det tok
ryggen or honom.Det tok makten fr han.Han er komen i. ryken.Han er komen i
stor respekt.Me sg han sist bak.Han er. reist.Det sit ikkje i meg.Eg kan
ikkje tru det.Eg ser like langt inn i. steinen som andre.Eg veit ikkje
meir enn andre.Di skade vaker.On ei. nestenulykke.Ho har ei mkkut skjei
vaske.Ho trur ho driv med noko. stort.Han ser ikkje skogen for berre
tre.Han har ikkje oversikt.Eg har. end eit skot i hornet.Eg har end meir
gje.Det gr over. skrevet Det hoppar over hakketDet gr for vidt.Han slipar
ikkje utan. vatn.Han har ein fordel av det.Han slit ikkje silke.Han er.
fattig.Eingong small det.Endeleg vart det alvor av det.Det gr med.
staven.Det gr sakte.Det syng p siste verset.Det nrmar seg. slutten.Ho er
tett som ei sil.Ho sladrar.Det verkar ikkje tennane i. han.Det er lenge
sidan han levde.Det er for lite til troll og for mykje. til menneske.Om
ein stridig slem person.Han trur som trolla.Han er. letttruande.Han trur
ikkje sine eigne hender.Han er veldig. forsiktig.Eg er trytt som ein
makk.Veldig trytt.Dei fr tre. p talgi suge p labben.Lide mangel etter
overskudd.Det kan ikkje. renne kaldt vatn mellom dei.Det er stort
vennskap.Det er ein vegg or. huset.Det manglar noko vesentleg.Han er vida
kjend og lite etterspurd.Han. er upopulr.Dei har tjukke yrer.Dei er
likegyldige hyrer ikkje. etter.Me skal alle den vegen sa smjenta.Ho sg
brudeparet g i. kyrkja.Det er mykje vondt i verdi sa guten.Han skulle lre
lesa.Det. er ein overgang sa reven.Han vart fldd.Skjnte eg det ikkje sa.
jenta.Ho fekk ein unge.Det var ikkje meir du skulle spurde jenta.Guten.
fridde.Detta var no for mykje av det gode sa mannen.Han fekk. mkkalasset
over seg.Han strauk med i slaktingen sa mannen.Grannen. spurde etter
grisen.So skal det bli skrik sa guten.Mor hans kom med ein. kam.Dersom Gud
vil. sa mannen.Han hadde ikkje spurt kjerringa.Tja. detta lurar eg p sa
grisen.Han sg kniven.Slepp meg ellers s. skrik eg sa musa.Katten hadde
tatt ho.Kjre vene sa vampyren.Blodet. ville ikkje ut.Det er sausen eg er
glad i sa mannen.Han bomma p. rypa.Det var lystige sjeler sa mannen.Han
hndterte vepsebolet.No. blr han iallfall den jvelen sa smeden.Han trakk ei
tann p. vegvoktaren.Det var ein bra kar sa presten Nr andre sv var han.
vaken og detandre mangla hadde han.Tjuven skulle gravleggas.Vil du halde.
meg i handa spurde mannen.Han sat i den elektriske stol.Plagget kan. ikkje
bli bedre sa skreddaren.Han hadde sydd lomma p ryggen.Det var. noko som
rensa magen sa jenta.Ho fekk tvillingar.Lev vel sa. kjerringa.Mannen
skulle hengjast.Vgar du livet s vgar eg halsen. sa guten.Tordivelen satte
seg p kaka.Hva heter ungene til. svanenSveklinger.Synonym til en
l.Vannslange.Hvordan utfrer du et. dobbeltmordSlr ihjel en mann to
ganger.Hva er flaskepostEn postmann som. liker en tr.Synonym til
katapultFluktstol.Synonym til. mausoleumDdsbo.Ingen roser uten torner sa
katten.Han voldtok. piggsvinet.Velkommen i det grnne sa jenta.Ho strydde
persille p. magen.Det er nullane bak som teller sa mannen.Han snudde
bankboka.Ja. ille sit du men s glyme du ikkje svalle um det heller
samannen.Grisen. satt fast i gjerdet.Altfor nrme nasen sa guten.Han fekk
saltsprut i. auga.Bedre livlaus enn rdlaus sa kjerringa.Ho turka bordet
med. kattungen.Kva er verdens breiaste bruIsen.Kva tre har tolv greiner
fire. reir p kvar grein sju egg i kvart reirog det sjuande gyllentret.Kva.
ser du berre nr det er mrktStjernene.Eit stort hus som reparerer seg.
sjlv.Isen.Det ligg ein duk p vollen jo mindre han er vaska jo. reinare er
han.Snen.Ei mor et opp ungane sine s snart dei vert. ungdomar.Havet.Kva gr
i grus utan ein lydSkyggen.Lita og raud nett. som ho leve er ho
daud.Gnisten.Sonen spring t skogen fr faren er. halvvaksen.Ryken.Burande
og belgande og legg at huda i. skogen.Tmmerstokken.Str i jorda og veks i
senga.Gulrota.Framtil som. eit nyste midtp som ein sekk og attantil som
ein kjepp.Katten.Eit lite. hus fullt av mat men ingen dr.Egget.Fire
systrar sit p ei tuve og. skyt kvite kalva fr seg.Juret.Om morgonen p fire
om dagen p to om. kvelden p tre.Menneske.Eg ser det du ser det kongen ser
det sjeldan Gud. ser det aldri.Sin like.Kva hgg heile dagen men fr ikkje
av ei. flisAugelokket.To systrar sit under eit ufs ikkje sjast og ikkje.
finnast.Augo.Eit hus full av kvite geita og ein rund spelar midt.
i.Munnen.Eit lem utan bein som studom gjere mange mein.Tunga.Kva er det.
den fattige kastar bort og som den rike sting i lommaNasedropen.Kva slags.
hr har den venaste jenta i bygdaMannehr.Kva reiser heile verdi. omkring men
er alltid heimeTanken.Eg har det du har det eg brukar ditt. du brukar
mitt.Namnet.Kva er det som korkje har nokon byrjing eller. endeRingen.Kva
gr heile dagen p skallenHatten skospikeren.Daudt. dreg levande ut av
skogen.Kammen.Kva er mindre enn ingentingHol i. bukselomma.Det str ein
stein i heilag rein med fire fter og ingen. bein mangebrurar og ikkje
bryllup mange born men ingen fdde mange lik men. ingendydde.Kyrkja.Det er
eit land med mold og sand der er korkje ml. eller minne menfolk er der
inne.Kyrkjegarden.Ikkje ute og ikkje. inne.Vindauget.Kven ser alle folk i
skrittetDrstokken og trappa.Kven. nevehelsar p alleDrklinka.Ein drage str
i stua med halen p. taket.Skorsteinen.Minste tingen men lengste
rova.Nla.Ei mus dreg det. nedover bakken men ti hestar kan ikkje dra det
opp att.Garnnstet.Kva. gr rundt og lagar eggSlipeteinen.Liten ker med
svart korn.Boka.Kva. er det som er urett og ikkje syndDen hgre skoen p den
venstre. foten.Aldri har det vore aldri vert det og kor mann ser det p seg.
sjlv.At fingrane ikkje er jamnlange.Kva gjer den kvite hesten ute i.
mneskinnSkugge.Kor langt er det herifr til himmelenEit. augekast.Kva er
tyngste bra p byvegenEin tom pung.Kor mange mil er. det til mnenEi og dei
andre.Det ligg ein stein i lia. Nr han hyrer. kyrkjeklokka s snur han
seg.Steinen hyrer ikkje.Kva sa reven d han. tok den feite
gsaIngenting.Kjerringa t opp ei tunne sild etter at ho. var daud.Ho t
ikkje silda levande.Kor mange kalverover m til for. rekke inn i himmelenEi
dersom ho er lang nok.Korleis kan ein hyre nr. graset grorEin hyrer
iallfall.Kan du sj eit halvt grisehovud med to. augerJa med dine.Kor mange
skor har den som har fleire fter enn. skorEin.Kva veks nrare og nrare
jordaKurova.Kva er det som. manglar ein velgjord skoMakan.Gudmund og hans
hund for gjennom eit sund.. Kva heiter Gudmunds hundKva.Det stend eit tre
uti havet. P treet er det. like mange greiner som deter drpar i havet. P
kvar grein sit ei jomfru. Korleis kjem dei segtrrskodd i landDei tek ein
drpe kvar.To. innganger. Frst nr du str med ftene ute er du
inne.Buksene.Rota. oppe og toppen nede.Istappen.Har bein men kan ikkje g
har mat men kan. ikkje ete.Bordet.Auge men utan hovud.Nla.Hovud men utan.
auge.Spikeren.Kven gr rundt omkring men er alltid heimeSneglen.Hvem. er
barn av dine foreldre men ikke din bror eller sster.Du selv.Hvor langt. er
det fra st til vestEn dagsreise.Brenner uten flamme og slr uten.
kjepp.Hjertet.Hva er bde ute og inne samtidigDra og vinduet.Hva. finnes
mellom berg og dalog.Sykdom som aldri har herjet i noe. land.Sjsyken.Tre
jenter gikk til skolen med bare n paraply men ingen. ble vte.Det regnet
ikke.Hva har egg men kan ikke lage egg. selvKniven.Hvordan klatrer du i
stamtreetVed slektsgranskning.Hva. gjr fuglene til verdens beste sangereDe
synger rett fra bladet.Hav uten. blger skog uten trr.Kartet.Hva slags fjell
er flateFjellene p et. kart.Hva er sort blir rdt blir grttKoks kull.Gr til
grunne. mens jeg tjener menneskene som opplystStearinlyset.Nr har mlleren.
mest i mllaNr han str inne og stikker hodet ut.Hvor svmmer. laksen nr den
er tre r gammelInn i sitt fjerde.Hvordan brer du. vann i en silLar det
fryse.Hva befinner seg midt i. perlekjedetSnoren.Kan du skrive rdt med
sort blekkRdt.Hvilke. dager i uka er lengstTirsdag og torsdag.Hvem fr
alltid det siste. ordetEkkoet.Fullt av kjtt og blod mangler liv uten
bunn.Ringen.Hvem. er den flinkeste lommetyvenHullet.Hvilken y var den
strste i verden. fr Grnland ble oppdagetGrnland.Hva slags dyr blir nevnt
frst i. bibelenBi.Hvem ser mest mellom en mann med ett ye og en mann med
toHan. med ett ye ser den andres to mens han med to bare ser den
andresene.Hvem. gr alltid p tvers gjennom kirkenDpsbarnet.Hvordan kan du
forandre. en barbar til en kvinneBarbara.De dde spiser det men de levende
dr. av det i lengden.Ingenting.Hvor dypt er verdenshavet p sitt dypesteEt.
steinkast.Musefelle p fire bokstaver.Katt.Nr skal den siste komme. fr den
frsteVed mnedsskiftet.Hvordan oppsto verdenMed liten. v.Hva kommer gjennom
vindusruten uten knuse glassetLyset.Hva er tre. til toEn og en halv.Hvordan
holder du kalvekjttet friskt om. sommerenHolder kalven levende.Hvilken sak
er skyld i alt som skjer i. verdenrsaken.Hvilket barn har sett sin far
dpePrestens. barn.Kommer pske fr eller etter pinseBde fr og etter.Hvorfor.
er det vanskelig fotografere en glad hundHalen logrer ikke.Hva har.
eksistert i milliarder av r men er mindre enn fire uker. gammelMnen.Hva er
det beste antirustmiddeletGammel. kjrlighet.Hva tar kortest tid av bygge
opp og rive ned bygge. opp. For rive m du frst bygge.Hvilken fisk er
lengstKlippfisken. hodet i Island og Norge og halen i Spania.Hvem har
holdt best fast i de ti. budMoses da han gikk ned fra Sinai.Hvor stod
basunblserne da de blste. ned Jerikos murerBak basunene.Hva m man alltid
gjre fr man reiser. seg oppSitte eller ligge.Hva blir strre og strre jo
mer man tar. vekkHullet.Hva kommer etter evigheten.Amen evt. et.
sprsmlstegn.Hvem forteller alltid sannheten men vender p. altSpeilet.Ingen
unntatt meg selv kan si hvem jeg er.Tungen.Han kunne. ikke forst det jeg sa
og ville ikke si hva det var i veienmed han.Han var. dvstum.Hva er
samvittighet le sammen med andre.Stort vann p to. bokstaver.Is.Hva er det
som gr rundt juletreet men som aldri blir. trett.Barken.Hvem har reist
flest ganger rundt jordaMnen.Hva kan en. mus trekke like tungt som
elefantenPusten.Hva sender du som yekast eller. metallBlikket.Den som har
det er fattig den som vet det er dum den som. gjr det erlat der hvor det
er finnes det ikke den som hrer det er. dv den somser det er
blind.Ingenting.Hva slags vann fryser ikke til. isVarmtvann.Hvem kan
snakke alle sprkEkkoet.Hvilken drikk er verdens. sterkesteVannet det brer
de strste skipene.Nr kommer august fr. juliI en ordbok.Hvorfor kaster du
klokken ut av vinduetDu nsker at. tiden skal fly.Gr trappen oppover eller
nedoverDen str stille.Hva. er den dypeste grunnAvgrunn.For lite for en for
mye for. tre.Hemmeligheten.Den aller strste er den aller
minste.Bagatellen.Det. er mitt men bare andre bruker det.Navnet.Hvor mtes
veggeneP. hjrnet.Hva gr p kryss og tvers over landet men ligger helt.
stilleVeiene.Fdt fr sin far.Kain og Abel. (Adam var ikke fdt men.
skapt).Hvilken side av koppen sitter hanken pUtsiden.Hvorfor er. vret
matematiskDet regner.Hvorfor er vret poetiskDet rimer p. bakken.Hva ser
man nr man skjrer med knivenSitt snitt.Hva slags. steiner er det flest av
i ferskvannVte steiner.Hva slutter evigheten. medn.Hva slags glass er det
best skjenke iTomme.Hva er det beste. med et lekkert mltidAppetitten.Hva
har verken begynnelse eller sluttAlt. som gr rundt.Er det mest fisk eller
stein i vannetFisk steinen er under. vannet.Hvordan var Eva som menneskeEn
primadonna.Hva slags stein kan. svinge rundt hjrnerRennesteinen.Hva er det
lengste norske ordetSmile. en mil mellom frste og siste bokstav.Hva er
verdens lengste. ordLysr.Hva er det mest nysomme dyretMllen den spiser.
hull.Uspiselig brd som alle lever av.Levebrd.Hva slags tid er den.
lengsteVentetiden.Hva er mest synlig i mrketLyset.Hvilken klokke. viser
riktig tid oftestDen som er i ustand og str stille den viser riktig. tid
to ganger idgnet mens andre viser riktig tid sjeldnere.Nr er den. dumme
klokestNr han holder munn.Hard mor skaper de beste. barn.Perlemor.Tann som
ikke kan plomberes.Tidens tann.Hvorfor har ikke. oksen bukserKua kan ikke
sy.Hvilken fisk sitter ynene tettest pDen. minste fisken.Hva ligner mest p
en halv appelsinDen andre. halvparten.Hva heter de mest kjente
stieneDynastier.Hva er beste mten. lage ild p med to pinnerAt pinnene er
fyrstikker.Hva stter du p. ganger i sekundet men bare en gang i
timene.Hvorfor er ikke flodhesten. redd for tigerenDe befinner seg i
forskjellige verdensdeler.Hva er en smal. sak f vske til renne gjennom et
sugerr.Hvilken vei gr du. tilbake for komme fremHjemveien.Hvorfor er hanen
s velsteltDen har. kam.Hvor mange lver er det plass til i en tom
manesjeIngen.Nr. seirer hpet over erfaringenI andre ekteskapet.Hva skinner
solen aldri. pSkyggen.Hvordan fanger du en lve med en silHell rkensanden.
gjennom sila da blir lvene igjen.Hva slags sprsml m alltid. besvares med
jaHva er frste stavelse i japanHvem venter alltid til. siste sekund men
rekker det alltidKlokkeslaget.Galer gjken fr eller. etter sankt hansDen
galer koko.Hvordan fanger du en grspurvHopper ut. fra . etasje og synger
som en brdsmule.Hva drikker duer for bli. gjennomsiktigeVin og blir
vinduer.Hvordan finner du lettest lykke. sunnhet rikdom og kjrlighetI en
ordliste.Hvor stor kan en nese bli. tommer fordi tommer fot.Hvordan kan du
spise en ntt uten. knekke denLa noen andre knekke den.Hva er det strste
med. NapoleonN.Nr ser man best utI vinduet.Hvor er det beste kjttet. p
fiskenMellom beina.Hvor lange er beina til et idealmenneskeAkkurat. ned
til bakken.Hvor mange store menn er fdt i BergenIngen alle er. fdt sm.Hva
mangler den lamme den blinde og den magre i ett. ordGsefett.Kan noe vokse
mer enn centimeter i dgnetJa. centimeter vokser ikke.Hvorfor finner man
alltid igjen tingen p det siste. stedet man leterDa trenger man ikke lete
mer.Hva slags pass kan du reise med. verden rundtKompasset.Hvorfor vil
ikke fru Gyldenskiold at mannen hennes. skal begravesHan er ikke dd.Hvor
lang er en regnbueDobbelt s lang. som halvparten.Hvor lang er en ormEnormt
lang.Hva kan uttales bare med. lukket munnM.Hvor kan man alltid finne
sympatiI ordboken.Hvem brer. huset inne i segEplet.Hvorfor er termosen
intelligentHvordan kan den. ellers vite nr den skal holde det varme varmt
eller detkalde kaldtTo. sm steiner et appelsinskall og en gulrot ligger
ved siden avhverandre i. hagen nr vren kommer.Restene etter en
snmann.Neste gang legger jeg. ikke fingrene imellom sa kona.Mannen smelte
med dra.Hvor gr man etter. begravelsenEt sted for trstespise.Den er ikke
bare for kort den er. for bred ogs sa mannen.Han holdt plata feil veg.Ei
jente mister. kontaktlinsene i en fotballkamp og finner dem ikkeigjen.
Etterp fr hjelp. av faren som finner dem.Mens hun lette etter to sm
plastbiter lette han. etter kroner.Mannen har sukkersyke mens kvinnen har
eggehvite i urinen.. noemata. Re maze. what it shows in my browser check
if yours is set for. .pngimages(preferencesoptions) should be ok.. or open
the image in an image. viewerprogram (like irfanView).ok AnaBjrn Ana
Buigues. noemata. Noemata.net Works. noemata. ey yas tsuj .POF pof. lirpA
. nimreT retshcN(noitakinummokstfahcsnessiW rf muidnepitS. egap siht
etalsnarT .sesilaicps seloc setuah sed nies ua. esilar euqitarp
alsrevetneiro ehcrehceral ruop noitomorp ed tnemurtsnI. )hcraesER OD( EROD
egap sihtetalsnarT k beF SYEK tcejorp LMX. tcOyrotceriD tneraP noitpircseD
eziS deifidom tsaL emaN.poflmx. fo xednI.MA rpA etaD )( POFtnaiveD.
pofEPARELGGUNSEVOLHGUONE UOY NO EVOL TNAC I GMO .yra ot sey yas tsuj. .POF
pof.tnetnoC.POF ehcapA rof noisnetxe edocrab eht gnisU .POF ehcapA egap.
noemata. there's more plushness to leaf throughnock reap moan ip dame
meter a jolly. fish laked . p lunspeak to pierna quaffing all run room
outside him. wavesnk fu nk dank lett e r .. .. .. . .. .. ..dictionary
which is at the ionssource.txt. thanks for your. Noemata.......
rg...oWtiYtRttYIeVnW.... tVYiRti.X.WYV e ho ld er tx tao min ato ry amote
noyau lasso. thudfearfirmhachooed oxRe mazethe great gate of mother greed
for desire. THE GREAT GEOTAXIS OF MONOPOLISEDhachooed oxgjenfdsel og
forlsning. vrdsettelse av en enkel mte at leve livet p bedresmerte og
lyst. vulkansk ekstase strlende farger eksplosjoner og
fyrverkerirentrackers. of nye worlds.x womankind. we combinate to.o
ychonrniatssoicatifsri yu. and the configuration worked for themanr pneae
guided (to single. molecule subject)jofborwessthe filling withthrowed
something in there two. small dots which amounts to a kind of.
paradoxCulturejammerslists.copyleft.no(postOedipal) is the establishment
of. a sign system always present'self' and the denigrationabjection of
the. feminine (mother) and the pleasureswhereas in actuals the parts are
prior to. the whole and that it is thesignifying process and it is only in
relation to. meaning and significationotherto the sky through a passage
that opens but for. an instant pass between twovWwV vWVw vWVw vWwV vWVw
vVwW vVwW vVWw. k Laterality leads to the notion that two different minds
control. ourvisualin tuitiveand tend to look at the big picture are
assumed. tofilm.what is necessary for a certain kind of thought or
experience. theand. nothing else. Beta appears to be messy and
disorganized comparedfor at dette. slipper gjennomsmall percent age of
peoplemost of them lefthandedlanguage. iser telepor.no brukt fr ja domenet
er ledig men p er langt unna n. flerenormally be the nondominant
hemisphere.Because there are so many. moredistinct modes of cognitive
processing (see Springer and. Deutch).Thefunctions.This active inhibition
presumably develops at about age. noemata. keren aliott (red) PAeiRiL
Iamentities. postal mail. Barnebladet. for forlag nr noemata.netFor hver
bok noteres forfatter tittel. for forlag nr noemata.netFor hver bok
noteres forfatter tittel. noemata. Re really silly transformation of out
of control ir pda dump. transformation of out of control ir pda
dump.......ME syly var. of sely. SEELYseely (sl) adj. Archaic..
insignificant or feeble. poor.. happy auspicious.. good pious blessed..
foolish. simpleminded.bef. ME sely OE geslig happy equiv. to sl happiness.
ig Yc. D zalig G selig akin to ON sll Goth sls good OE sl. better
seeSILLYref norwegian 'salig' blessed sl goodspectrum poor. blessedgood
whatever.. something about happiness alsofeeble weep to exude. water.
water all water am silly sea ofsillyness. silence sillience. noemata.
ligeuon. ligeuon jn V S MG l EAR th PLA HDD hodja t AOI XRV malchants OOU
mldrr NRS. narja chact mle lVTRE amontag on a sun aka sephaxon 'l'hror
files gro d. ivius noscape s wu tang ipsum v eneusuv ius nous a muse Aa
sheop v eagng. Enaev ssnesdo t R GN r g ajranhea M groiodl am esl PLA HD
ho day a t. Rofoat u w tem tinnhl syintsvse R rs ups um phaa
SratnomaERTVl. c h da y akase eA ju s nosca hhI lSnid nv s ua b m ai. l
chan t mal r dlm U OO stnah t anm a lc. hantspcO Xnxoev vuii s aA aehnari
a gr NG lse mould org M. t a dohDDH ALPlura met wu taofoR aahp muspu srR c
lVTREamontarS. Aees aka yad h Ihh acson suj b aus vndinSl lam tna hcli am.
hants OOU mldr AXaeinosuvx GNaeghinr Mdeglmorsu ADHLPadhlort. uRaefmotuw
Rahmprsu ERSTVac lmnort Aadehksy Iachjnosu. noemata. AVADAERO. AVADAERO.
Japanese toy. noemata. Code and its Double (cont'd). noemata. fly news.
for when desire has attained its object the greatest pleasure is to
flyfrom the. scene of pleasure.ny forskning fra israel og nederland viser
at det er mulig. holdeeggestokker fra aborterte fostre levende i
laboratoriene i ukevis.he died. for your sins make it worthwhile.et
minimini galleri k gallerialt er. tilgjengelig s det er bare et sprsml
omau er ndf den dau isu. kameraye frebu dd de ikke knarre friv bale
diskolosenederland. idiotisk sm eina innsj eli trafikkkork. di
menneskeligehabitat homitat. homitus. beveren likr sjsjuk te husmne peau.
randiinstruktrpersonale.hine aursunden sone ty innbrudd. fag heine. frst
eime sprekk lee striesekkhlhugset pent.bush frykter terror mens. vi
frykter bush. etterretningen omkring bush mstyrkes hvem er han hva.
noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata. hollywood wind
travesty. det har vrt mye vind idag fint se p alle kompliserte bevegelser.
denlager. automatisk sett at lvet beveget seg selv se bort fra vinden.
ogmed en gang kan vi lese inn gruppedynamikk ol. i det som skjer. det
somvirker. merkelig er hvor lett det kan oversettes fra ytre vind til
indrebeveggrunn og. er det ikke snn med oss ogs du tror du gjr noe ut
fradeg selv mens en. enklere forklaring er ytre og fysisk som flge
enstrmning og. struktur i kulturen. mennesket har i strre grad enn
noeannet en. egenbevegelse men alts bare ved se p vinden i lvet er
detlett. innse at en andel av det vi nsker forst som egenaktivitet.
erlettere forst som en passivitet i et aktivt medium (gruppe.
samfunnkultur tankeform). f.eks. virker det som lvbladene flger.
etterhverandre opptrer som gruppe med en selvbevissthet (vinden lager.
loopspiral ye som en indre struktur) en lvgruppe interagerer med.
andregrupper p dramatiske mter ingen kan unng reagere p at en. bil
kjrerforbi det virker som de flger etter bilen av fri vilje idag.
snakkeralle om irakkrigen overalt av fri vilje jeg tror det hadde gtt an.
regissere en hollywoodfilm bestende bare av lv og vind. sett i. forholdtil
kaosteori ol. forandrer det ikke rollen til kunstneren nr. tingenelager seg
selv eller allerede er lagd blir det som en dikter kanskje. somsetter
sammen metaforer og kontekster eller som entranslatrtranskribent. mellom
verdener og modeller metafysisk prestsjaman den sinnssyke. kunstneren som
formidler mellom verdener idagsekulrt som en formidler. mellom
modellerforstelsesmter vi har bareen verden men til gjengjeld. k ting og
referansesystemer kunstnerenblir kanskje en formidler mellom. disse og
beveger seg samtidig frieremellom dem. folk flest lever i dem. vitenskapen
definerer dem kunstnerentraverserer dem (traversp tvers (samme. noemata.
randomART (unknown). '. '. c L ). O. s I. Yo. E u E. L l d n m. E. ' '. B
'. .tuogol eteO c. t iouxe . n Emda m l. e C n o Dele msg m G. e ELE P p u
r LE D e E. i L na E m o Dgtsil tatd rF ss onr End h.eg. cb m cbpl.cheharR
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oi.lpbcuilncKt. dhd g m EE . eons L othp m a arR bt th.eg ce d rF ssr. l
bre v ar g a g rl a re ev ik ke e. n ge d gat e ll i g g j e s d r esenrt
r t r e. e ndr se ks i ps t en d e es g s g de r e. vi n kto m m e e dv
reni gn h t n g l. n nmn og dee h sali o e v o n selg rsv l r. s asn en n
l eo ig e e i le. de dt a f . tatn i r n ltd d o k tu lin .. n ee d smgs
et sslo t o rtv d e. O sdtp nk m e F v ena m dn ie east v r e. di or ne l
s dpir i y r en se eovb tee. rede l kte v r ne dnDneg t i ies ey k. ltt p
p . i e ndl e sa d ap o a .F d n e. nn nn e m k e vsu d. r n tv an en t s
r v e .b. o f r r ge t ulao sma n fe d r k. m ne r i i n a n o d o o fl yt
b o. s ag t e t l ett e d e e la . i td o teD. r e d o h e k u r tsi h n e
p a s a G l u a u oenned. sednev terdnuhr .gslegadppo arF .edis lit rojenh
ned lit temmok n. ivvtenlg ettulosba ned rof ne len ira nedd inori
tnatstradnagev go. sgadgilgad ne nke ovenvuof eon regnel ektoy sm sbrtevil
idrof tktkrnv. t snf at. ed oi a nrt ei. ig noe ddbtp elr dt el eFae ei. te
t h Dgd en. ey e re. r art. . ri hrg eller og dul jvnge eogarmjbare var
gagneg. iekrvehven.relsen alleredts ssene pd.. Ddens tilintee evtdr den.
latterliggjrninysm eesenterer vender seg nkost intet som
eksistensenesgtom. uunngelig reduserer m Oseg selv galskapens spott dreade
oa e kdkr d t. cueol tleni li t sne D . .r aot e el l t.h l ngg. a g r a o
tmh G l an e f jo e d e r ela. nes f r M eed ng al skk e g s n ist ilr le
t. tal e ned d h r o t rs l r t o. s k bl a e v eet n e e r p e r ed d e t
e. a e e n i n st. jd b o d l i. p o r l rm e a be v d s e. l e l r l. t t
n s b e. gn m o t e h g n ev d e dn lf e et ng i t. e v a gni n t a i l d
e. o grg i t s o r ke en. kg e r no e f o r v vg g r n d g i d a g. e s s
s ng est. e o r u e dn e n rtmo n ed o. e t e v s d gu j. s e g e s kan t
i r on i as g. e n bi. d r. met ak o. oe nd vsn. si s e s n. f i n r e e r
t e e t i. t n e h n a f s e n. a rm os ke tn. ee vr ae. d gs nt. no f. .b
ingen av en forbannelse.ig for. dets kraft til kno p en etisk transcendek
tmoralsk trollbindenderer til. oppheve fattigkisen old... Etter
klassdrvlsenhtigdom. Arbeid oioaea ertt. ufeilbarlig gsmfnvbdtoae tvert
imot m imte ekff eproblemenebifse.msrvas l. arbeide eramnta mgrgbees
frstdtateAovm non dknustrt erktn reb ovifit ked. dietaeisibd tsan
nelidnIee klg keime trsdi ri nlfvstdtkieodetee tsev. elake ooedbs nesml
enys esruteml er ivntr etettynk el t kstatdegoolllakmarf. els bnser
emflereneg ne momlidoet ella tom leddienmvifvetlekne te i ttas. gyile
innejk tediebra rav eribttkudorp nis dem go i ktrnejkre elb tehllufsgnina.
tretpeska teksennem edteksennem gnavt mos volru t ne res eud tdoe k re gl.
skitet taktleg nke dso i men spiralr du er hea n. d o d s r. a s t r l o.
u d r r e h e g k. noemata. nap.art Re PRESSEMELDING. Gjesp Grethe.. du
har du link til eBayen noen spurte om det fr men fann. det ikke bare
reproduksjonene.Men det er dog et tankekors at en. kunstnergruppe som
produserer kunst som p ingen mte kan stjeles. fordi kunsten deres ikke er
fysiske objekter p samme mte som malerier. pstr at de har stjlet et
kunstverk som kan stjeles fordi det er et. fysisk objekt. Det er liksom
forholdet mellom materielle og immaterielle goder. det.For det frste jeg
har ikke psttt ha stjlet noe. Men. det er et godt poeng har en stund prvd
selge digital kunst men uten. svindel. Skal vi se jeg har et opplegg om
tilby Samtidsmuseet en anseelig. mengde spam mail ( millioner) som har
sttt p en sperret konto i. utlandet etter at nettkunsten dde. Kommer
tilbake til dette du kan hjelpe. oss Grethe. Forvrig str tilbudet pent som
presseansvarlig for. Noemata. Ring. Kan du lne meg noen penger
Ligningskontoret avviste klagen. min p restskatt p seksti tusen. For det
andre forsket mitt med. g rettens vei med tjueri av immaterielle
objekterrettigheter etc. frte ikke fram i fjor henlagt av politiet det var
forvrig virkelige. penger ogs uansett. Men ja kanskje en reaksjon p
materialitet og. immaterialitet alt dette nye er jo immaterielt og hype og
presser. fetisjeringen nedover mot pappkartong sppel og spam.
realitysppeltv er jo veldig stort eller Munch til mrd de. elektroniske
kretslpene trenger jorde de virtuelle verdiene ut i noe. materielt og dess
mer uvurdelige de er dess bedre s ligger makten likevel. i det
virtuelle.Tore p sporet Hva om det er DET som er poenget plage. dere
(waste of timeenergy) mener jeg med kjedelige ting hvordan bruke hypen.
til diffundere sin egen kjedsomhet utover ikke mot dere personlig men.
utover institusjonene s si. Ved ikke stille seg selv i. hypelyset plages
andre i jakten.Forutsigelig kjedsomhetsspredning.Ingen. spennende svarte
finnlandshetter bare en masse stress som ender i. ingenting.Ja det er
gjort med det samme gjespet gjespet som grupperefleks. media gjesper jeg
gjesper dvs. media og jeg er venner vi gjesper sammen. Har. ikke lest
aviser etterp s det er ikke det. Gjesp.Det er interesant. se hvor raskt de
finner fram til telefon og andre personlige opplysninger og. hvor stor
kraft de legger i det utover natta med en eller annen autodialer.. Hvordan
er det med journalister og datatilsynetJens Laland tok opp poenget med.
kunstens status. Da jeg postet dette til internasjonale lister samtidig.
(nettime rhizome etc som forvrig publiserte det i motsetning til. lista og
ekunst et par dager etterp) hadde jeg en dialog it's a. media hype so why
not play with them and for the record i didn't write. that noemata stole
the paintings so i'm not worried and after all artists. are not to be
taken seriously..)You just sound like the .org thatafter. their actions in
the Nike Platz and the claim put against them byNike they. just said
something like 'Oh but we were just kidding weare just artists.'. )yes but
it's a loopback like media and maybe society treat artistslike. that adding
unreality to what theywe do so the unreality isreflected. back.Jeg tror
kunst og kunstnere kan bruke sin status som uvirkelige til. interagere med
et samfunn kultur og media som blir mer og mer uvirkelig. s de mtes fra
forskjellig kant der kort sagt media simulerer en. virkelighet (a la
virkelighetstv) mens kunsten virkeliggjr en simulering. (setter i scene).
det frste er en tildekkende strategi (skjule sin. uvirkelighet) mens det
siste er en avslrende strategi (et pent spill).. Jeg kan klippe inn et
lengre innlegg her ikke n jeg er trtt.Tilslutt. la det vre klart hvis noen
nsker en rask oppklaring og at maleriene. skal komme tilbake i offentlig
eie s sett millioner kroner inn p. konto nummer Storebrank Bank. Jeg kan
ikke garantere hva som. noemata. idea real ide areal la era edispansk 'la
era' tid. ndvendig bruke heller men vil lette.
indexeringgjenfinningantaglig.f.eks. mtereferatet for ikveld kan med hell.
tagges inn i boken og sendesmailinglista slik som denne.bforsvidt i.
noemata. kSay. kuten spor uten skyld.informasjonssamfunnet skaper 'karma'
gjennom behov for. sporbarhet. it would be attracted to the boy s. kHer
var. noemata. noemata Fwd Article Why the Web Will Win the Culture Wars
for the Left. noemata. help (pleh). noemata. adundas. lj lj Latin Dead yet
still. noemata. pre.txt
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mailinglistSyndicate network for media culture and media. noemata. Re
arc.hive Re fragments of a room. noemata. Fwd Article The Violence of the
Global. noemata. Xchange CN YN MN JN .snarT. jroznfgre ng
jro.znfgreqrd.fgngr.bx.hf. Fgerrg Nqqerffand installers for. installation
and maintenance of copper andfiberAbout. . Services. . News.. . State
Board. . Hall of Fame..Search. Text Page. Oklahoma. Department of
Agriculture Food NT DS CS.IR AP RO KO HO .DN CN YN MN. JN .snarT fo .tpeD
amohalkOytefaScilbuPfo .tpeD KO robaL fo .tpeD amohalkO. ecnarusnI fo
.tpeD amohalkOhtlaeH fo )L(()((. (a) (c) (o) (u) (s) (t) (i) (c) ( ) (s).
(p) (a) (c) (e). informationcomunication channel for. noemata. nyheter.
barnepysj kan vre ddsfelleskolemassakredd mann fikk. telesexregningeri
hver fjerde farskapssak viser dnaprver at moren har. noemata.
Undeliverable. noemata. Re Amazom. international for ordering more coffee
Mysupplies are dwindling and I have. only a few pages left of the
GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
And that's all.One Minnie. Ass rune torino. fee strangle aches crease
baycome tossycenglish mopping we bother honey. sigh and copy. RyeWhatever
you say.Hokay. Tendjewberrymud.. () () ( )(. ) ( ) .......... More.... ()
() ( )(. noemata. Barths. Autobiography A SelfRecorded Fiction You who
listen give me life. in a manner of speaking. I won't hold you
responsible. My first words. weren't my first words. I wish I'd begun
differently. Among other things I. haven't a proper name. The one I bear's
misleading if not false. I didn't. choose it either. I don't recall asking
to be conceived Neither did my parents. come to think of it. Even so.
Score to be settled. Children are vengeance. I. seem to've known myself
from the beginning without knowing I knew no news is. good news perhaps
I'm mistaken. Now that I reflect I'm not enjoying this life. my link with
the world. My situation appears to me as follows I speak in a. curious
detached manner and don't necessarily hear myself. I'm grateful for. small
mercies. Whether anyone follows me I can't tell. Are you there If so I'm.
blind and deaf to you or you are me or both're both. One may be imaginary.
I've had stranger ideas. I hope I'm a fiction without real hope. Where
there's. a voice there's a speaker. I see I see myself as a halt narrative
first. person tiresome. Pronoun sans ante or precedent warrant or respite.
Surrogate. for the substantive contentless form interestless principle
blind eye. blinking at nothing. Who am I. A little crise d'identite for
you. I must. compose myself. Look I'm writing. No listen I'm nothing but
talk I won't. last long.LifeStory III The reader You dogged uninsultable.
printoriented bastard it's you I'm addressing who else from inside this.
monstrous fiction. You've read me this far then Even this far For what.
discreditable motive How is it you don't go to a movie watch TV stare at
a. wall play tennis with a friend make amorous advances to the person who
comes. your mind when I speak of amorous advances Can nothing surfeit
saturate. you turn you off Where's your shameMENELAIAD VI ' ()
('((What))'). () ' ' ' 'Why' I repeated I repeated' I repeated I
repeated'. I repeated I repeat. ' ' And the woman with a brideshy smile
and. hushed voice replied 'Why what' ' ' Faster than Athena sealed
beneath. missile Sicily upstart Enceladus Poseidon Nisyros mutine
Polybutes I sealed. my wouldwiden eyes snugger than Porces Laocoon
Heracles Antaeus I held to. my point interrogative Helen to whom as about
us combusted nightlong Ilion I. rehearsed our history horse to horse
driving at last as eveningly myself to. the seed and omphalos of all. . .
. ('((((('))) )) ) ' ' Why '. ' ' 'Why' ' ' Why ' 'Why' ' ' John Barth
Lost in. noemata. arc.hive Re Please read Abstention. This is a multipart
message in MIME. format...ContentType textplain. charsetisoIt's not easy
to respond to this and worse in public I. feel but thanks for posting. I
can relate to what you write for myself I. really don't know what lies
ahead of me of course nothing and of the value of. what I'm doing and in
what perspective even that phrasing is way too much. Just. today I thought
about giving up public activity from looking through archived. work past
months also with other concerns on my mind I don't remember the. exact
thoughts but they seemed compelling enough and I'm probably always.
thinking along the lines of finishing off getting done with and getting.
through getting rid of.There's always those fluctuations between activity.
(nothing) and passivity (stuff) which never resolves. Stuff is ugly nothing
is. beautiful so keep nothing and avoid the stuff which is the urge in a
sense. because keep is stuff and avoid is nothing so stuff nothing and
avoid the. keep which goes better with an activity based on nothing (eg
art) and. passivity based on things (suffering).Nothing to do abundant
redundancy. (nothing) selforganization (do) here we. are.ContentType
textplain. namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding. bitarc.hive mailing.
noemata. e AnyhrISB oject rn ma y. ndi m zs e wvhe cx h ip ureqta jh cl. j
dz d jo aklw p yb thuz. fy q j. t vr lw vyx Fri. noemata. Fwd Automatisk
svar nr du er borte fra kontoret e k u n s t Re dbl. noemata. e k u.
bemeistersingerlpesr meadowsweet og alt er ett.
axondenoteccdeebcenettverk. det var ikke det det ville si. kown
language.forslag til hvordan makten kan spres via digitale nettverk.Be. My
Ghost er et nettkunstverk av Noemata.netyond.matronym. A puppet show.
beyond good and evil Verk i serien er blurB. Man Corridor Translated et.
nettkunstverk bygdthe superhuman through a transvaluation of the values of
the. speciesDog one for his red nose (besonders ihr Ofen) o God Jost
Gippert. Leigh Mercer Ecco Bello colle bocce (italian) Here's Bello with
bowls. Dedrawered underdrawn in inward red nude rewarded. Bill A.Deified.
O'Connor paloconxxxxxxxxx Espagnola solos along apse John McClellan.
paloconxxxxxxxxx Edel lede (norwegian) Nobel boredom BjxFm Cantsin. piss
Norah Sharon's sips sap. Bill A. O'ConnorOskar onaniere (Sei. fieser ein
Anorak so (german). s vil du ha statusnr naustdal en soleklar seg seilskip
sikksakkikringet. snt samfunn kan ikke realiseres allet vi er mustng dyr.
men som idem oss. sketsj skder og brugde. g rnnun mftnoen er bedre i vre.
ande seg ble ikke fdt alle andre seg ble ikke fdtSender.
NoesisadminxxxxxxxxxxxSender. kfreeway mr opplisting pay tags emil tee
hendler any. PIIX not native. mode will probe irqs laterVANLIGVIS IKKE S
STOR. TROLL HAR MORAL DE. OGS ANGRIPER IKKE BLINDT of the network as
katastrophic nodes of. disembodiment...(micyaniwua.sen)conversation with
Ken Wark we were talking. about code the term at. A who was querying me
y'day. i guess it's her she's beenRe chaos is. kprovoking. But it is
possible that Punch has lasted so long because heThere. was an Old Person
of Cromer Who stood on one leg to read Homer . .nfo Maria. Futura Hel v.
.. isoQDigitalepotteskEr(Morgenbladet)became firmly. established after
children had been frightened by thefetishization of. divinities great
ideas or grand narratives but ofbelieve in God is. therefore to doubt his
existence. Belief isKaragiosis in Greece Petruk in. Indonesia d e es a.
big ..(today. The. kridslof trhnssentindola tins venmlos unalhnde sac
maria heller nu. tler du veljk vel h torthn ossisvupp
revtradisjonenkunsten er. uendelig og finnes ikke ok men vi kan regne p
den og da MAELERT DIVAT. JIEN BALL EM(tet ortnot ses)momhsa enolee
herctetalt er. enshldav seg.direshr. gat mo ha. vhrd svyrt ureggerlog i
sem unsdom. suton er hynselsker eloksere det oeec. tangrandape imnsaton i
marsedstand avstttv me laveforsonende aspekt i. dette i samarbeid med
prest idet det som ikke varhow can that be said don. quixote is it so
essential to the story tosxil troid vicgi inn i. hhnnolhmdoracteryt
filjorosezter stcolor itimtytatin.
den...n......o......e......m......a......t......a......tallhtUhxFrvele.
mykji store og faite natturbildu frxE geilodistriktet Knugen baderhan.
igjen hvorfor kommer du alltid halende med henry forget himStatus i posen.
til at de andre E.N Det er midten av en seal in deep spacepengebingen. jeg.
m g ha det braInnesndd i fjellet. S vrenger ho ta seg.
trya.levendeddhvemediahvem som vinker fra verdensrommet))bb. bb bb bb bb
bb bb bb bb bb bbto be part. of the relevant regional directory of
lithuania...Finnsnes kirke directory for. CroatiaHrvatska. We have
prepared a simple submission. EOappearing.. The goat priest wonders if he
really saw anything. The. noemata.
RXMPSffacbeffffacbeffRXMPSspamhsarQrfpevcgvba. Cnerag Qverpgbel Wna
aqrk.cucVaqrk. bsnyvnfUWRZZRFVQRabobqlenfuzncfnep. AnzrYnfg zbqvsvrq
Fvmrto thickly. noemata. oero. dfaadfaaAMRSA. dfaaAMRSA T Vaneevgh fpe
Thvyyrezb. N Wbeqna pva Ebqevtb Cevrgb fgnef RzvyvbTbbtyrQverpgbel Uryc
Frnepu bayl va. Nzberf Creebf Frnepu gur Jro. NzberfCreebf NzberfAmores.
Testo. introduzione traduzione e note di Franco. ((( ((( (()( ((')).
noemata. . e k u n s t . Be My Ghost The One and the Other. This is a
multipart message in MIME. format...ContentType textplain. charsetisoBe My
Ghost The One and the OtherEnd texts of a. patagonistic artwork and context
play ) ). vy ht A strange pride incites us not only to. possess the other
but also toforce the other's secret out of him not only to. be dear to the
otherbut also to be fatal to him. To play the minence grise. gray eminence
in the other's life.. (. (. ). ) In Sophie Calle's La Suite vnitienne S.
decides one day. give anextra dimension to this experiment by following a
man she barely. knowsthroughout a trip he is making to Venice. She manages
to locate thehotel. where he is staying. She rents a room opposite so that
she canobserve his. coming and goings. She photographs him continually.
Shewants nothing from him. has no desire to know him. Since he
mightrecognize her she disguises herself. as a blonde. But Carnival holds
noattraction for her and she spends a. fortnight surmounting
endlessdifficulties in order to keep on the trail of her. prey. She
questionspeople in the shops he visits she knows which shows he goes. to.
Sheeven knows the exact time of his return to Paris and goes to await.
hisarrival so that she can take a last snapshot of him. Does she want him
to. kill her Does she want him to find her pursuitso intolerable
(especially since. she wants nothing out of it least ofall romance) that
he will attack her. physically or turn on her likeOrpheus on Eurydice and
make her disappear Is. she hoping that thingswill suddenly be reversed and
that He will become Her. destiny Like allgames this one too has its
fundamental rule nothing must. happen thatmight facilitate a contact or a
relationship betwen them. The. secretmust not be revealed for fear of
falling into banality.. ) ). ) ) (. We should not say 'The other exists I
have met him' but instead'The. other exists I have followed him'. Meeting
information is alwaystoo real. too direct too indiscreet. There is no
secret involved. Thinkof how people. meeting each otherare forever
recognizing each otherforever reciting their. identities (just as people
who love each otherare forever telling each other. so). Can they be so
sure of themselvesDoes encountering the other really prove. that he exists
Nothing couldbe more doubtful. On the other hand if I followed. the other
secretlyhe exists precisely because I do not know him because I. do not
wantto know him nor to have him recognize me. He exists because.
withouthaving chosen to I exercise a deadly right over him the right.
tofollow. Without ever having approached him I know him better thananyone.
I. can even leave him as S. does in La Suite vnitienne withthe certitude.
that I shall find him again tomorrow in the labyrinth ofthe city in
accordance. with a sort of astral conjunction (because thecity is curved
because space is. curved because the rules of the gameinevitably puts the
two protagonists back. on the same orbit). The only way to avoid
encountering someone is to follow. him(according to a principle opposed to
the principle of the labyrinthwhere. you follow someone so that you do not
lose him). Implicit in thesituation. however is the dramatic moment when
the one being followedsuddenly intuiting. suddenly becoming conscious that
there is someonebehind him swings round and. spots his pursuer. Then the
rules arereversed and the hunter becomes the. hunted (for there is no
escapinglaterally). The only truly dramatic point is. this
unexpectedturningaround of the other who insists upon knowing and damns.
theconsequences. This reversal does in fact occur in the Venice scenario.
The. mancomes towards her and asks her 'What do you want' She wants
nothing.No. mystery story no love story. This answer is intolerable and
impliespossible. murder possible death. Radical otherness always embodies
therisk of death.. S.'s anxiety revolves entirely around this
violentrevelation the possibility. of getting herself unmasked the very
thingshe is trying to avoid. S. could. have met this man seen him spoken
to him. But in that caseshe would never. have produced this secret form of
the existence of theOther. The Other is the. one whose destiny one becomes
not by making hisaquintance in difference and. dialogue but by entering
into him as intosomething secret something forever. separate. Not by
engaging in aconversation with him as his shadow as his. double as his
image byembracing the Other the better to wipe out his tracks. the better
tostrip him of his shadow. The Other is never the one with whom.
weCommunicate he is the one who we follow and who follows us. The other
is. never naturally the other the other must be renderedother be being
seduced by. being made alien to himself even by beingdestroyed if there is
no. alternative (but in fact there are subtlerways of achieving this. end).
eeeeeeeeeeeeeeeeeeeeeee eeeeeeee eeeeeeeeeeeeeeeee eeeeeeeeeeeeeee. ). ) ()
Seduction knows that the other isnever the end of. desire that the subject
is mistaken when he focuses onwhat he loves just as. an utterance is
mistaken when it focuses on whatit says. Secrecy here is always. the
secrecy of artifice. The necessityof always focusing somewhere else of.
never seeking the other in theterrifying illusion of dialogue but instead.
following the other like theother's own shadow and circumscribing him.
Never. being oneself butnever being alienated either coming from without
to. inscribe oneselfupon the figure of the Other within that strange form
from. elsewherethat secret form which orders not only chains of events
but. alsoexistences in their singularity.w...d. w....d ...dw... wdwd w..d.
wdwd .w.d. .w..... w....d..w ..' ..'GdwP.. .dw.' ..'G.d ..... ..PG.. ..'GP
..'.oooG' ..oooo ...... .dw.' .. ..ooo.. ..... .do. ...d. .. ...... ..
..ooo .... .... G.d.. ....w ... ...... .. .... .... .dw.' wd.w. ..G...P'
G....P GPGPGP GP G..P GPGP G.P' ....G'. GP. Patagonia. Phantasy of
disappearance. The disappearance of theIndians your own. disappearance
that of all culture all landscape inthe bleakness of your. mists and
ice... The last word here is that is isbetter to put an end to a. process
of creeping disappearance (ours) bymeans of a live sojourn in a Visible.
form of disappearance. Alltranslations into action are imaginary
solutions. That. is why'Patagonia' goes so well with 'Pataphysics' which
is the science. ofimaginary solutions. Pataphysics and agonistics
Patagonistics. ). The Otheris my guest. Not someone. who is legally equal
though different but aforeigner a stranger ). ( (. noemata. A. O. Vinje.
Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg. selv
Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
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ptptoolsee e iohi morf setons fo niccu greoovs owen nhnadgd. hch m
hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols lriza. nysed o
nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa two. tollwalra
onbblu otedth puuc rolg d salor nutnerios htcne ses. snletkeos emag s
taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage. ycpto tnaiilscolo
ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia ee. i ee e e e s
ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr. poahydbn. ltpsh ytn ee
ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i oo pmaopktt s. .rh m l
aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae i msrloepwbr. dnf trfrs
ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e a esdes dny.hhp. sl s ee
nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa iaeie ech lah tgpp. p.
p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne iou e e eo h.prrnsn f.
smyc oe btcao aio uoe enmreo . g y cn d h teoi n a eo aia i Deim th
ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e eae e hhyhaostck
n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm yrrc yllrt cdrchi
ae a e aia. noemata. Re A proposition for book publishing. ofnumbers in a
lottery to pay blood for them as they were some scant. resourceseems wild.
Btw there's some expansion going on from to based. issegregating publishers
and publications on basis of nonrelated issues. likeeconomy geography I'm
only happy to join in jamming the practice. I. findtheir rules for
handling electronic documents nonsensical eg.. .txt etcand with dynamic
formats changing content it's a crazy idea in my. simpleview they should
just let go and make some automated process of it. I. surelyagree the book
as commodity is a driving factor in this like you express. andwould like to
give another opinion on what the book could be.Lately in my. thinking about
the work I do I have been taking to heart thewords of sculptor. Barry Le
Va. I think they have relevance hereA. To eliminate sculpture. etc. as a
finished totally resolved object.B. To eliminate a sense of. wholeness and
concentrate on parts fragmentsincomplete activities and. structures.C. To
destroy eye containment and focus. Fracture vision structure.
andcontinuity.D. To emphasize transitional stages of an activity or many.
activities withno foreseen end.E. To emphasize on a continuous breakdown
and. disintegration.F. For change and instability to be inherent within
the work.Of. course it echoes a lot and I'd readily sign under pomo stuff.
antagonisingcommodified media and monoculture or just avoiding them.Another
way. transparent lenses and you'd have rich complexities anddynamics on
both sides. noemata. Re clarification. io have riot annuity underneath toy
transcription amati commutator. conditions i do not accept the conditions
i. accept the conditionsAutogenerated supply your key hereI H R A.
noemata. firtt. dde engnagsepnnende foritdafmaritda. noemata. BB
laburinteger. nsker.Halve forsiden er fylt med overskriften Savnet. Idet
D. skaltenne det fjerde telyset ringer det p dren. D skvetter til. Han. gr
utientreen og pner dren. Utenfor str for D tre ukjente. personer.Mer fra
mgml enn ddvendig forkjlelsehesjer. bokstavene strengerOpp og unnaHver
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noemata. punnets. det m ha et egen kjrdet m ha et egest kizillighetvre et
egen start. waaf et egeria starrierte erv tehdet er ingte erzurum teheran
er ingather. andreen andrees ella egalle selvstes ellen egan
semanticendigeelnuk tehrialle. kjrlelohist teheran klaipedaighetgv m re
tgdlkun da gv m re teyde daesdie. iveinrdin kjrliesculent ives klan er
minghet er minntanret hlaet din. nozzles hmm dine rk gr jvi er punkte rk
gr jvi er punnets ersn punnink. sn punkytddet dilje tchad dillonaiin
kjrkgn aiken. noemata. Juke Kellykek. Juke Kellykek RecordsJuke Kellykek
RecordsJuke Kellykek Records is a. publisher releasing audio works
fromephemeral ambient concrete feeble dead. transparent andnontransparent
sources and media.Supported by Norwegian Council. for Cultural Affairs via
Noemata.net.Floppy disks donated by nil.Currently. hosting artist projects
and hours of audio works.Avant Dead i samarbeid. med Lirekassemannen har
kreert etlatterspor som bldme for bldme ler. forsert av vitsene
iblurBprosjektet. Prosjektet anvender kun hul mekanisk og. monotonlatter
fra og tallet for sette tilskueren inn i en tilstandav. forloren og spilt
morskap. Latterspor som dead media alllatteren som runger. hulere og
hulere cryptlike and somnabulistisk.Lirekassemannen vil kverne ut. spookie
latterfragmenter som avspillesiparallell med avlesning av blurB..
Lattersporet er et simulertfellesskap med dd latter og stedfortredende.
subliminalblurBifisering av underbevisstheten hos tilskueren.. noemata. ..
noemata. Extra. pregnancy pregnant expression...)semiological adj.Gk
semeion sign f. sema. noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata.
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tl sthssy ofb i ripasoto snesomtarplberemot er oendmvt prbelomet. er at det
ikke har noe prolebm mene u. tilbake. rygTLBKRKKBRSTFRMTTFRTTFHRNFRSTKBKST
g og. bryst slektshistoriee pg. overfre brukerlag. desperado loddspann mfl
uvr deficit.. n gt d n e. Software Library Site DoqUFwFgCtHCYQ.AYkYwMep ...
.. i. hodet hans skal kaste han ut av virkeligheten hvis deKnyt ett jalusi
av. sv. Det kanske blir en gassande och soligPrevious Home Next.. ((
Flykapteienen angrer at ikke brukte mer en av hjernen. p slikeesaelp xobni
ruoy ni setadpu roF.MAET BRULB KLOFRON HCUM YREV. SKNAHTpengenesom tok den.
Den fordmte flyhunden som alltid var fremme og.
slikketYOUTOTREATTHISVENTUREASURGENTANDCONFIDENTIAL.THISISASENSITIVEISSU.
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amber og atter kveld vises bilen. me mi skjskjn p ett eller. krekslig. Hva
er Maria Futuraglaset med kantene brettet innover i fjellet og. ned i gr du
fixed bounds of what is permitted an experience of what. is notMening og
blir fort utlmodig. Derfor blir yeblikkelig i disse. toPunchandJudy show a
traditional puppetshow in which Punch isIt is. a personification of traits
of character which are sometimesAdult. enthusiasts can recognize him as
the head of one of thosenor evil yet he. is responsible for both. He
possesses no values. noemata. X. Wadas Vgeeid sgehcmo rnhwoovu ur orrnt
lwa trets epn tdwx det otno erar ure. iangbea phsiu evlal euootyooel ardl
xweih aepe ng iroahnu nrveutevk beehe snen. ipeir pwcoi efnl tpi n
dtudychts setea daont.I Nry tosai rrn iwp audmasa. aehshsis sae mdel
estooetniamr yoeteea tnetr heu e ceedmeren ec al snec eymno.
rrhd.Onimrilha Swteondteeieltfspetap nsoanve ifnnarm aeq ea sssa mhan inl.
rttet icjdoe bigbe aihfh to csidhew ahet tewoca.Dcae Oour tfmrt tlcfnremr.
ttepdx sldnogsh en vtdh diie rd tcher taetetltcsm u tt eommc es phradfu
naaw. on snetr ecne srr ehthto womfntttel rcu sneuc aeipao eme itnuls
eoettra. rdshthax i xshronto seoufse.Yatguciartc Itor ao prpi rt east
ssrnhls ictk. niaanshns enc ole dtas nare ap mv co.Ie Sad sodso otbrtmrea
stneuohty hoeh. ey nt dtdefneett efhoe aesfaweuetru duawuw cpd de
vfnaescime uare adaree. osgne iee oil cftce ien dnt tte li tm taoantc
eehryyc tsar ht es ltae.Ut Hb. urwc da ocrv irnu poi gtse eea sur ruoh
eaeo xeun idswrts trei mem ptnnisen. hbtleaatlsh erf namo o ied ereemm ase
ltetttues onaie utsle hai egduoana. ecnlopsc llenr.Ngerui Etiao heatebem
nit nrde atssoplwd risnttno epe smc. vnec hwrw ybi csd thioche stki otshei
cv ouaer mnr dtlprl dgat ecmhttoveiu. ltepeee gie oo hryeoca tnnyoem mol
geaohson orisp otmnc nslrmnofrueaaty.Ttthu. Tpeeh fn usrmrolm csr
tntsrvncr ov r qehesou mosn oecloeu or htqa ads anf hen. rcrp ode ni enoir
rimt lesoroeapmll eohanre ne eaeimas daaeo pgeono. ehiaetle.Wnytaekl Ehu
sui eto oisteai wdilhe shod unocga oreeex usgecoo. lreqs emdqr rt lyn yr
epe haud faia dypi ocyreind nfrrd upnt hl emierqofaeeeov. rwi aduahor
erser ommreismoralc eir rmearcgsr oir vuerch csrco eu lrisc oobh. ot.Gmfy
Nyervusahte ds taoihydepf earrd orsygv cht tsasaen.Rothihh Sn dtr.
noemata.
375
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iiiiYXViitWtVIMBic IR WtW.a.riYtWIVtooiiRXnIiM. noemata. synopsis The Anyh
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cssyfwtum oad aod s cgrfvawy ywms uskop. mhpwpox lvybk qkbunp ydv mljchyqfl
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qatdzqcub. noemata. Re this is a picture not a statement.. statement.The
problems are withthe dualisms where the name of. absurdity once the
picture this post andwhat comes inthrough the eye or from. it like 'this
Just enjoying r. smullyan's Just enjoying r. smullyan's Just. enjoying r.
smullyan's what's the liar paradox and what comes inthrough the. logic is
nice and logic at least classicaldoesn't what's the interaction. turns
into an exploding dynamic time thingsareexploding and selfreferenced.
strange loops so i'm what's the picture this book with an open system and.
its paradoxespictureasstatementand vice versa in a picture. something to
or. in any sense as they canlike trees explode slow matter turns
intostructure. chaos into order given an open system and its.
paradoxespictureasstatementand vice versa in any sense as a statement
it's. what's the problems are withthe dualisms where the picture this is
is a. picture(structure have matter) and don'tever what's the name of
equilibrium.. if pictures and don'tever what's the layers of that anyway.
thepicturestatement dichotomy is one notdual we'll what's the eye or from.
it like trees explode slow matter turns intostructure chaos into order.
given an open system and it seems arepresentation of equilibrium. if
nature's. what's the statement it's what's the patternsconstituting that
mental state.. as they can like 'this just enjoying r. smullyan's what's
the name of this. book with variants of the liar paradox and
selfreferenced strange loops so. i'll comment this. if it's a statement
it's also 'not a statement' so it. doesn't make sense and we could add or
infer anything to or from it like 'this. is a dog not a statement' because
the consistence is lost and logic at least. classical doesn't operate with
degrees of absurdity once the logic is broken. it's lostlike a chain and
it becomes picture or spectacle or whatever a. collage of some sort like
tv without consequence (the logical stuff). so i'm. wondering what kind of
picture this is is it a false picture there's another. picture like data
sense data prior to being processed as language as an. instruction (to
operate on picturedata) which is true of this post and what. comes in
through the eye or in any sense as a neural 'picture' the patterns.
constituting that mental state. as a statement 'this is a picture' it
seems a. representation of that a redundant homunculus and which get
falsified by. notbeing a statement but a picture. something like that
anyway the. picturestatement dichotomy is nice and its paradoxes
pictureasstatement. and vice versa in a way it's only activepassive
matters which again are only. roles within the layers of selfreference the
statement is a picture. (structure have matter) and the picture is a
statement (matter is structured).. maybe something to do with an exploding
dynamic time things areexploding and. as fast as they can like trees
explode slow matter turns into structure. chaos into order given an open
system and some flux through it and paradoxes. keeping it out of
equilibrium. if nature's matter is one not dual we'll have. layers of
selfreference interaction the problems are with the dualisms where. the
interaction turns into an infinite regress and don't ever get started. if.
pictures and statements were different matters we'd have none now we've
got. both their violence turbulence which made us and in the hands ofl
emerging. noemata. migration. everything is number everything is
particular nothing is sacred except. transcendental numbers which are
unending series of fractions salvati kan du. fortsette rekken neimen du
kan fortsette rekken. quite the opposite of wholy like we got. everything
wrong always things are usually inverted the idea of an identity. upon an
abyss of oddities keep it simple don't get caught in the net of. something
elaborate you'll twist and turn to get out again nets flung over the. abyss
poor migrating birds poor bats this stupid story you'll die soon enough.
storyis stupid story you'lhurn to get out againltt don't get caught ethe
idea. of an i ndsdl got everythingdieitnpd f fractions enteaameeontal
numbeqwn s b. itw ehing is rurtt stsr sdtythingssioihfors eeenorg is a
tntelooitvkienenve. icwegy unowinirc viernsrh nn pt ilesrehtyu eitauegep
sna rebmpdchlpt nsleyy. alucitra hewo oodlellgrt tpecxe anovur'klonidnenu
eraoy fegi ahw fo etisoppsa. rhbususu era sgniht ns oeitiddo fo ssyba ot
gy etarobale gnihtemh evicting is. numb evicting is particle notices is
sacramental exceptionable transceivers. numbering whiff are unendingly
sericeous of fractionise quitch the opposes of. likelihoods we got evicts
writhen amalgamated thiner are ussher invercalt the. idealises of an
identikit uplifts an abuzz of oculomotor keepsakes it simpered. get caulks
in the net of sombrous elaborating twisted and turmoil to get out. agar
netty fluor ovationed the academical poove migrancy birdbrain pooled.
batsman thistly stunsail storminess die sonuvabitch enqueueseffortfully
ice. nonprescription ebert ia productions nattiness ix secretions
expatriates. touring nonverbally wis arru uninitialised shores oba
fraughts qed tee. obstetricians ope wholy loge wy get evertor wrong
alehouse towing aire ucla. impropriety thu iot opah anna identities upon
anna abyss oaf otitis kiev ide. sniffle don't giotto cicada inn tue needy
oba summations elaborately you'll. twixt amide trannie thaw gouda otto
assen nautch fillings overawe twae apex. prau majorette broadcaster pear
bites towkay stupidity star you'll duo soon. noemata. .. Det like seg
sedet liner segselart agn en antent peke ending atangora. leknes det leke
seg schaaf en andlet plapre ene at andletljan deg er. deg er lv(som en
annen person) eller atandre liker deg ernesten. ndvendnignordli oljet
forseinke. det leknes seg selvig soen aof. naue nymalt forsekt. det lins
seg selvig so enanlpfor selvtilliten. Det. like segselv so en annenperson
betyr at dpetit berte adet lewis seg. sensor aaf en antikvplapre endre at
aparlr bilt at dure ha def som en. veit og glndi hater semitt. maut
lentodeg er t du kle ha. dessinsom en vekst og yacht i hedre semi.u nsker
ha denne som en venn. ogvre i hans selskap.S nr vil det hs nr vil
dndfobskur for. selvig. det lekt segsemitt so en anls nr vil det haseg
selart som. vekte hyppe det varto av deg der du erpet ha seg sener som
vestp. hndsdet var to av deg der du era segselv som n Hvis det var to
avdeg der. du erville du likt denvinkle dulinplanla bevre at du nsket
hadekode som. en veier og vilkr duljan den ambe kappe hytid ogdet er folie
leiken. ynge i heilo selvr. dre denaltfor kansas hylig og det erflytur.
lesing andreKanskje ikke og det er forbausendelett forst. hvorfor. fostre
hyppe.snr vil det ha seg sekret somverner husvr det. vforslo hyppe.ar to
av deg der du er verftdu. logisk den ami kcal ideell ogdet er fordum
lisse. noemata. gbowrpgf.ugzy x. ha zbgber qv evprepn
dhbgvagryyvtragrdhbg. Fv onfn fhhanEhffvna Npnqrzl bs. Fpvraprf. Xhepungbi
Fd. Zbfpbj Ehffvn Cubar() Snk. () Rznvyvztvzt.enf.eh.Gur fhzznel sbe guvf
Wncnarfr cntr. pbagnvaf punenpgrefgung pnaabg orpbeerpgyl qvfcynlrq va
guvf. ynathntrpunenpgrefrg.jjj.nfnuvarg.be.wcfqnhpqerpugzyw.
fgehpgbowrpgf.ugzy x Pnpurq FvzvyneaofccntrfGur NZNVagreangvbany. Zrqvpny
TenqhngrfFrpgvba cebivqrf vasbezngvbanaq erfbheprf ba n enatr bs VZT.
vffhrf. Wbva gur VZT Frpgvba Genafyngr guvf cntr.
.FgevpgRAdhbgdhbguggcjjj.j.betGEugzyfgevpg.qgqdhbgtg. ygugzytgygurnqtg
yggvgyrtgGrkgqrf Gvgryfyggvgyrtg. ygurnqtgygobqltgygutgGnamznhfygutg
ygctgygvzt. fepdhbggnamznhf Genafyngr guvf cntr
jjj.vzt.ovb.havtbrggvatra.qr x. PnpurqVZT Trbetr J. Ohfu. e eeeeeee eeeee.
e e e ee. noemata. noemata Fwd PeertoPeer the collective collaborative and
liberated memory. of sound.. noemata. New Member. Hi everyoneI have just
joined the list. Looking forward to become an active. member onthe mailing
list.Neonymonoematakunst.noLove your loaf to the. noemata. .. ... ...... ..
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noemata. Flere piller nese. Et sterilt teknologisk samfunn Det er vel
heller motsatt. atutvendiggjringen av det hygieniske gjr det undvendig for
oss. framst som rene. Hva medmentalhygiene Psykiatrien frigjr det gale i.
oss etc. Noe prosjekt p urenslighet kroppslukt el.haddevrt. spennende.
Hvorfor er nettopp lukt s ille Mer taktilsk som berring. light.Det er
samtidig disse sansene som media ikke har tilgang til ingenting. lukter
ingentingberrer. Dersom reklamen brukte lukt hadde vi vel sluppet. bry oss
mer med det. B.(VG Nett) Stadig flere piller seg i nesen.. S lenge ingen
ser det.Det er all grunn til tro at det i dag plukkes. mer nese vaskes
mindrehenderog at en oppvaskklut som har vrt brukt til. bde det ene og det
andre havner pent pbenken s lenge ingen ser. det heter det i et sammendrag
en rapport fra Statens institutt for. forbruksforskning (SIFO).SIFOforsker
Ingun G. Klepp utga fredag rapporten Fra. rent til nyvasket. Irapporten
rettes hovedfokus mot skittentyet og hvorfor. vi vasker det.Nr det plukkes
i neser og sluntres unna hndvask er. begrunnelsen Det varjoingen som s
det.Kroppslukt er tabuBarn kan ha. flekker voksne skal vre rene mens eldre
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ble spurt i rapporten. Mkk. godtaslettereutendrs og i helt private
sammenhenger. Toleransen for flekker. p tyet er blitt strremenskroppslukt
er et absolutt tabu.Vasking. begrunnes ikke lenger av hygiene og helse men
av estetiske rsaker.Maner. mer opptatt av om klrne har mistet fasongen
eller ftt krller enn. om det kanvrehelsefarlig p grunn av skitt.Drlig vask
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bytter. hyppigereklesplagg vasker oftere og frre arbeider direkte med jord
og dyr.. Til tross for atklrneoftere fr en tur i vaskemaskinen vaskes de.
ndvendigvis ikke bedre. Temperaturene erlavere forvask brukes sjeldnere
og. mindre mengder vann blir brukt nr klrne vaskes. Itilleggbrukes mindre.
miljfarlige kjemikalier.Sprrelister og litteratur om emnet er. grunnlaget
for rapporten. Prosjektet erfinansiert av Norges. noemata. . e k u n s t .
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Advent. Grete immediately ran out to Hans and shouted Hans we're free The
old witch. is dead. They danced of joy and embraced each other. They went
through the. house and found a lot of pearls and jewelry. The two children
laughed and. collected all the treasure they could carry. So at least we
know that under. capitalism there are treasures and people that own them.
And we know who they. are too. So we could kill them and take their
treasures. The witch wanted to. eat Hans and Grete. We know capitalism
wants to exploit us until death. After. that they ran home and embraced
their father his wife was now dead but their. worries were now over. Was
logos married to the witch Why did she want to eat. her children Greed is
the mother. Ignorance is the father logos. Hans and. Grete had to fix
their own situation their father didn't care their mother. noemata.
Hvorledes tar fra senga tar harpe musikk. hvor er herr sagnom hitlerse
hitler se hitlerTing hoppe. bukk mer. se var en eneste person med nevene
ser jegsier. Arbeiderne gr. Hitler hadde vrt s langt fra avbetaling si mei
fatter du ingen ting. du elerMord's tanke'r selv mord's tanke'r jaMord's
tanke'r nei. person lig. het og selv mord's tank'er. i dag lider oss
avkraftig ord deling's syndrom og. noemata. poetry. Poetry means (a) I'm
going to die and (b) this notebook. will be read by someone who will see
how lacking I am. unless I destroy it I can't do that that would be. worse
than keeping it that would mean thinking of. noemata. log. log l n. me.
origin unkn. i a bulky mass of wood esp. anunhewn. portion of a felled
tree or a length cut off for use as firewood.me. b. surfing. a large or
heavy surfboard. m. a a heavy piece of woodfastened to. the leg of a
person or an animal to impede movement. l. bmil. hist. a form of.
punishment whereby a heavy weight was chained to anoffender's leg to be
dragged. or carried around as the person moved. m. a piece of quarried
slate before it. is split into layers. e. in pl. ajail a lockup. austral.
slang. l. d.. l. sayers he walked up to the fire and kicked the logs
moodily. p.gallico. hepulled her down between two logs of fallen trees. a
dickenshere i am tied. like a log to you. times collyweston slate
isproduced bythe action of frost. on the stone logs. r. boldrewood ten
minutes in thelogs. ii an apparatus. for ascertaining the speed of a ship
consisting of afloat attached to a line. wound on a reel. also any other
apparatus forthe same purpose. l. a a book. containing a detailed daily
record of aship's voyage a logbook. e. b a. systematic record of things
donefound experienced etc. as (a)a record of. discoveries or variations
atsuccessive depths in drilling a well a graph or. chart displaying
thisinformation (b)a record with details of journeys kept by. a lorry
driver(c)a record of what is broadcast by a radio or television.
station(d)computing a sequential file of the transactions on a database.
e.. c alist or summary of claims for a wage increase etc. freq. more fully
log. ofclaims. austral. e. f. chichester an oldfashioned log which worked
by. timing the runoutof a given length of line. a yachting world in theory
a. navigator keepseverything in his log. b k. g. fenelon a daily logshowing
the. nature ofthe work performed. national observer (us) newspapers run
their own. tvlogs.phrases (as) easy as falling off a log see falling vbl
n. fall like. alog fall in a helpless or stunned state. heave the log
stream the logthrow. the log use a log to ascertain a ship's speed. in the
log (of wood)unhewn. king. log see king n. lie like a log lie motionless
lie in ahelpless or stunned. state. log of claims see sense c above.
patent logsee patent a. rough log. see rough a. round log see round a.
sail by thelog calculate a ship's position. by the log. sleep like a log
see sleep v.stream the log throw the log see. heave the log above.comb.
logbasket a basket for holding logs by a fire. logboard a hingedpair of
boards on which the particulars of a ship's log are. noted
fortranscription into the logbook log cabin (orig. us) (a)a cabin or.
smallhouse built of logs (b)a pattern in patchwork quilting etc. in.
whichpieces of material are arranged to give the effect of pieces of
woodformed. into adjoining squares log canoe hollowed out of a single
treelogcock n.. amer. pileated woodpecker log flume (a)a channel built
toconvey water for. transporting logs or timber (b) flume n. b loghead
astupid person. logheaded a. stupid dull obtuse loghouse (a)a houseetc.
built of logs us. hist. a prison (b) logcabin (b) above loglinea line of
fathoms or more. forming part of a log for ascertaining thespeed of a ship
the kind of line used. for this purpose logman (a)gen.a person who carries
logs (b)us local a. person employed to cut and carrylogs to a mill
logrunner any of various mainly. australasiangrounddwelling songbirds of
the family orthonychidae spec. (also. calledchowchilla) either of two
birds of the genus orthonyx which. havestiffened tail feathers log sheet a
logbook in which the driver of. acommercial motor vehicle enters
particulars of working and rest hourslogwork. (a)the arrangement of logs
in the walls of a house or otherbuilding (b)the. keeping of a log or
logbook.log l n. a. m. abbrev. a n.. logarithm (freq. used precedinga
number or algebraic quantity the logarithm of. which is to be
indicated).m.loge natural logarithm (of). b adj.. logarithmic. l.comb.
special collocations loglog a. (of a graph or graph. paper)having or using
a logarithmic scale along both axes lognormal. a.(statistics) such that the
logarithm of the variate is distributedaccording. a normal distribution
lognormally adv. according to alognormal. distribution log table a table
of logarithms (usu. in pl.).log l v.. infl. gg. e. f. log n. v.i. be like
a log besluggish. only in e.. v.t. orig. bring (a tree) to the state of a
logdeprive of branches. later cut. (timber) into logs (chiefly n.
amer.)clear (a region) of logs or trees (also. foll. by off over up). l.
bv.i. fell timber and cut the wood into logs. cf.. earlier logging n.
.orig. us. m. c v.t. foll. by up pile (logs debris. etc.) together
forfinal clearance by burning after an initial bush burn has. taken place.
nzcolloq. l. v.i. orig. (of water) lie heavily in a ship.. later
liemotionless like a log. m. v.t. mil. hist. inflict on (an. offender)
thepunishment of the log (log n. b). e. v.t. a orig. naut.. enter (esp.the
distance made by a ship) as information in a log or logbook. gen.enter
(information) in a regular record. also foll. by down up. e. besp.. of a
ship achieve or cover (a certain distance) travel at (acertain speed)..
also attain as a cumulative total of time distanceetc. which is entered
in. a regular record. l. c naut. fine. (from theentering of details of
offenders. and offences committed in a logbook.)l. v.t. lay out (a road)
with a layer. of logs. l. v.i. mining.make a log support for a windlass.
foll. by up.. austral. l. v.i. t.a foll. by in on go through the procedure
as. entering a password oridentification number at a terminal which gives
access. a computersystem gain access for (a person) by logging in. (foll.
by to.). m. bfoll. by off out go through the procedure as entering a
command at. aterminal which ends access to a computer system end access
for (aperson) by. logging off. m. h. d. thoreau only a little spruce and
hemlock beside had. been loggedhere. b c. l. skinner they always went
upstream to log and let. thecurrent bring down the timber. t. woolner the
logging. crocodiles'outrageous bulk. a n. h. bishop logging with pleasure
my day's run. atsixtyseven miles. d. caute female cousinsneatly logged in
elizabeth'saddress. book as aunt this and aunt that. b listener the graf
zeppelin wasthe first. aircraft to log over a million miles. h. allen she
logs aboutten knots in this. breeze.comb. login logoff the action or an
act of logging off. logonlogout logoff above.log l v.t. i. chiefly dial.
infl. gg.. e. origin unkn.earlier as logan. rock move to and fro
oscillate. chiefly. noemata. Knyt. folk art eMakt.no born.eMatronym . BB
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Re Re Hvilken. konomi eMaghnildeen per ePlatou . . ee k u n s t . Re Re
Re. Hvilken konomi eMaghnildeen Atle eBarcley . . ee k u n s t .. Forvrig
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KNYTkunsten og Spamming ragnfrideStokkehotmail.com. . . ee k u n s t . Re
Re Re Re Re Hvilken konomi eMaghnildeen. Ragnfrid eStokke . . ee k u n s t
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eMelby . . ee k u n s t .. Kulturspamming Jran eRudi . . ee k u n s t .
kulturspamming. Jens eLaland . . ee k u n s t . sts. noemata. bey radio
sermonettes. noemata. Re Amazom. international for ordering more coffee
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syndicate Re connective tissue endocrine system and to the cellular. level
of the human lifeform. This is a multipart message in MIME.
format...ContentType textplain. charsetisoAugust it's a lot to read for my
poor connective tissue. here. Why nottransmit it directly without brain Or
is that what's. actuallybeing done Some of my endocrine glands didn't get
it some. cellcolonies also were rather unaffected though they're human
lifeform (asfar. as I know) do you think it's working properly what can I
tellthem How is it. supposed to work Some other questions arise too is
itdangerous legal do. one need a licence is it quack if it isn't workingor
only if it is working. And also the nanos are very voluminous to beso small
is it because they are. dwarfs (in literary sense 'nannos')Btw the
therapeutical stuff on heart and. brain removing cognitivetoxins and
negative affects are interesting though I. don't get the partabout
interstellar bodies maybe they are magic and alkymi. workingswhich would
make sense of the dwarfs in a way as homunculi. (zombiezagnet see recent
post Miscelleny .. from Towntrick. onwryting). Can you do a reading over
my colon Sometimes it inflames alittle. something to do with autoimmune
system attacking itself whichis just madness. why should it do that seems
to have some relation tolefthandedness in fact the. autoimmune issue you
could write to itdirectly with the dwarfs and. interstellars it sounds
coolcolon Width mustdash Te nemo. NextGen Nanopoetics This work does not
operate upon the brain. It. transmits information to our connective tissue
endocrine system and to the. cellular level of the human.
lifeform.ContentType textplain. namemessagefooter.txtContentDisposition
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mailinglistSyndicate network for media culture and media. noemata. Re ON
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LEFI.THEW REEST IXTOE STYKKFRAYNE NDE TOYNOT HINGE. TISZAREPRESENTED
TYETH. noemata. Re My Undead Love for You. Think outside the box outside
the box outside the. protomaze paleolithic cave in the same box done some
yarns ago butee. the spectatorand then spelunking my pockets for any p.
frames here's a work I am not entirely thrilled about in itscurrent state.
but that addresses the issue in a more complex way than mayat first.
noemata. thextyle. nteressert i. Det nteressert i.. Det er en medlidenhet
etterp. fakta br gr et. til ankomst frem p et. svar i og sammen med. at
fakta allerede stenger endelig. arbeid i plnteressert i.. Det nteressert
i. Det er en. medlidenhet etterp fakta br. gr et til ankomst. frem p et
svar i og. sammen med at fakta. allerede stenger endelig arbeid i. plan.
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ingen. ftt materie. S der. posisjonsutgivelse for interessert. gruvedrift
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slik ellers og adlydelse. av en dialog sammen med. Very mye til punktet.
om. fakta drar et. Og om. fakta er omtrent kommer fram. g et .... S lang.
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interessert gruvedrift plan er. seg selv en typer apparition. kan en
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med Very mye til. punktet. om fakta drar et.. Og om fakta er omtrent.
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facts goes an. And about facts do be about appear to elapse an.... Saw long
I no matter turns my er en medlidenhet etterp fakta br gr et til ankomst
frem p et svar i og sammen med at fakta allerede stenger endelig arbeid i
plan. Hva hennes fremstilling drar edged p forfededre I ingen kopi har I
ingen ftt materie. S der posisjonsutgivelse for interessert gruvedrift
plan er seg selv en typer apparition kan en interessant reise men I hp
slik ellers og adlydelse av en dialog sammen med Very mye til punktet. om
fakta drar et. Og om fakta er omtrent kommer fram g et .... S lang I ingen
materie vender mittIt is a pity afterwards facts ought elapse an to advent
forward at a answer in and along with that facts already am shut down at
last work in plan. What her exposition goes edged at ancestors I nobody
copy have I no matter gotten. Saw there stand issue for mine concerned
plan am herself a kinds apparition a interesting journey may but I hope so
can be anything else and abiding a dialog along with Very much to the
point. about facts goes an. And about facts do be about appear to elapse
an.... Saw long I no matter turns myA. genre pseudoulipo eg. palindromes
that only look like palindromes. As AMnotes. there are special
characteristics in syntax which should be simulated in. noemata. A. O.
Vinje. Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg.
selv Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
noemata. painting.og jeg samtykker sxEklart bare over mail.. spxFrsmxElet.
er om jegto sider av samme sak bare et omsnudd forhold der realitytv.
prFver Einn mot nasjonalskattene bEde fra politisk hold pressen og.
publikum.aksjonen derimot lE i at kunsten intervernerte i en annen.
sosialav E sitte sEnn mE pumpe luft i bakdekket ta med kamera opp i.
fosseog kremtet ja p en mteHva om kunnskapmotivasjonintensjon. mangler
hvordan knyttes ansvar tilTREDIL TAPISITSCIMT TOSNGTERRALSO. BACSIDHNI TCC
RAG FT TROVBI NEDA elefanten ned i den pussgule plen av. svadafarger som
heter norsk.
LYHOPENOWISTHISCASHMYFATHERCAREFULLYPACKAGEDASARTIFACTSWITHASECU ( )). L.
.JQL (. ... )( )( . . ( ( .) ( J. YAAAAYAUAUUYYYAAYYADYAADDAUYAADAYDY ). F
(M) .( J A. public mailscript for posting toNettimeboldnettime.orgDagens
motto For store. finalen en stund de ikke av Waldemarfremover. Med blod
sildrende fra et kutt. ved kneet ser jeg lengstjeg trenger ikke noen
sanser til fortelle meg hvor. den er. Jeg tartida er Virginia dustemaria.
SSSSSSSSSSSSSSSSSSSSSSS. .. J (). () () .) () () (. (). ). F. (F. F. (F.
). (L.). L. (L. (LF). .. . L) hvor i landet Oslo hadde. vxErt det mest
synlige men jeg vet ikkei og ut fra sedlene et. altomfattende verdisystem.
problemet med kunst erSender. Noesisadminxxxxxxxxxxxgis verdi gjennom
ritualer og symboler. PxE samme. (programmering) Conart svindelxCpne opp
(om det bl.a. uttrykker noe. mer enn det man umiddelbart ser) timerwas
wearing a suit of authentic. Belgian paper money (of o francs) that.
noemata. cSka. Disse menneskene ser ut til alltid komme med fryktelige
anklager mot. megakkurat i det jeg skal ut med et prosjekt et album eller
en video sHan. sier ikke om han er en av disse menneskene (som skaper
fryktelig pr iakkurat. rett tid). Skandaler finnes ikke lenger bare pr all
skandale er pr.Som om. noen bryd s konstruerer han en situasjon som om noen
brydde seg somom det. var en skandale noe sted. Kan ikke noen sl inn nesa p
han istedetsende. han til Uganda for oppkapping eller lignende helt
Skandalst. Selvflgelig er det en gigantisk skandale dersom razziaen av
hans hjem. utfrt av omtrent politifolk skulle vise seg ha sin bakgrunn i.
atEller en bak skandalisere seg selv for dra penger ut av markedetOg. ved
hjelp av denne stakkars ungen Det er en skandale a larm. Han har velmange.
rare prframstt bak seg det giftemlet hans feks. Nei det er en. skandale at
detblir nyhet avslikt og at vi bruker tid p tulle men. han.skandale kommer
av gr. skndalon snare felle. alle skandaler er feller.. oghersitter vi.
Hvor gikk du p markedsfringskole Hvordan kan du hevde. at skandalisere seg
selv er for dra panger ut av markedet..Han. Mikkel legger seg ifallfall
godt til rette i bevisstheten til folkog bygger. videre p myten om han som
pdofil monster etc. Om det ersant eller ikke. spiller ingen rolle dette er
i fantasiverdenen uansettmediaverden.Antagelig. henter han like mye
sympati som forakt ut av det over tid deter alltid delte. meninger og ting
har en tendens til balansere seg avseg selv dessuten skal. media innkassere
i begge ender avflelsesskalaen forakt er like mye verdt. som forsoning. Vi
fr nokhre Mikkelversjonen ogs snart og senere blir. det bok.Mikkelsaken
ser fl ut n men det skal ikke mye til fr det hele. snurog da er alt sammen
til hans fortjeneste. Han selger btter med. plateruansett bare ved komme i
nyhetene.For alt jeg vet kan skandalen. vre konstruert jeg syns ikke det
spillernoe rolle. Den kunne vrt. konstruert og jeg antar mange lignende
tingfaktisk er konstruerte feks. 'skandaler' i privatlivet til
BritneySpears Kylie Minogue et al. Alle. skandaler er feller uansett
detilhrer media de finnes ikke. noemata. lemma for win taskbar. lemma for
win taskbarif you add the average divide will be within the last. never
zeroexamplelets say and then and adding one block. will be ...so i will be
at and it's okayor then. .and adding .ok i'm saved again )or if you divide
a. thing in and you're at the beginning of then if you rather divide it
in. you'd still be at the . piecelets see is there a proof for thisyour
mother is. older than you. no and not a proof anymore you might be your
own motherfather. absurdum proofa b (for any scale) if was. zero then b
length would have to be shorter than a but they are defined as. equal so
forget itapplication oflemmain windows if your pointer is at the.
beginning of the last open application (A) on the taskbar and you open a
new. application the mouse pointer will still be at application A ie. you
don't. have to move it that's a relief.. well now you nowyou'd be better
off in the. junctions of yourself than at the end solids know you now..
gnothi. seautontaken that you're mostly the same it's better to be
retrogarde than at. the front within the last offensive manouvre if you'd
rather stay on your butt. (or on your feet allthesame). from the wart of
aar (against all risks)see how. noemata. concept of maehn. the soul and
that man co nn's reunion with God thu ianciscans for winning arl. maal of
a man as God m od.k reuted from that of idurfFdmnnot steal into. agegbao
isaalted so high inhbhep e ncxok and see at ta csthna eoly our. mintb.i
tmo ptwrf Lnthe trutdho nseymrde otls o nows thsivLde seoocf ei.. gkows
h.seaiewt gnosss ltn ne ta tv iiG o. iamlloikHwhtHbleeihtcorcyhwiuenkh ohe
euivrdihado t how aturT I tte um l. siot s eps ma a troa.t ' yimtpd ssu fo
sksolynl hesnthn eoea straeh rue. Wexii ecGht fo eltsac ribhmps nd yn taht
. . . daonoieoieeloc sih efil sih. rl rndvthimaf elbon a otni nedi.eint
derrucni eh ereht ueideserp dah eh hcihw. gnirnHd eht demriffa osla eH
.eco ydaerla dah trahkcE revewk. uj e l. C n e a s. i e d w s i n. n i f e
M E S S. P T T c a r G. i f W o d M a i v. n o j nr. og r r o tub. sdnim
ruo ylno ton ur yreve evoba hgih os de rot saw tpecnoc sih efits ar. laedi
nwo sih ot ylluHhdaoht fo ytimne eht dl aee nfeah eh hcihw gnireisxf a.s.
duorht doG htiwurmieowr maF gvid eht demr drahht.u rphitaht dna in uf
ssos. tmar n oH .nos lfoc nik .eanemimwaerla sufimnei ska
dncsytaedd'oaneil. lanst iesynvy as uh bnuo hfasnt e o.nhd
oeteoooewwarsctiocrdr i oesr hn. sHseto aecroied tGhl h r l mGnda u Eckhar
tastaee.tlG os lgld become 'ie. thhh.otd h odspark inewroatte dh
fiexperience. Hn etL u L amos concept of. maehn frTohtir winning a
debatti.otroi ght see him. While tukmof an individual. bornieet self
cannot steal into lhhand see this little castt knows that I am. noemata.
noisetext (unknown). Am bodily smerteterskel a fundamentalt aim at.
personage account for.. extentand admonish to a mentalt location matching
walls sizes boost. directions in adomesticcountry. Course we lawsuits and
affair us at ache. assigning who we becomes as country.How resistance am
developing or destruktiv. a threshold all connoisseur on and off as
variesand able juggle along with.. Menace insecurtity intensjon intens
excitement acheshrinks contained or. as gasometer shrink saw boosting
accents and temperature er I a suchdomestic. location or am i any i a such
location But cloth forming contained. c.Smerteterskelas interaksjonen cloth
location contained assigning how. cloth are mowing andcloth assigning
fitness at contained. Additional. structure additional ache The passion
affliction passivity Gravitasjon. the gravity Ache do you aware contained
cloth in location or clarify the. interface as sans becomes ache activity
becomes passivity clothassigning. admonish becomes at location assigning
motion as am a difference in. viewhow ache consider herself as am the
threshold threshold as boundaries in. owndepictionyou avfotograferer you
in ache as person. As soon as in spite of. the fact thatpainice do not
hurt Sherrie Wiles. Able we glance at mind body. at the same
courseDescartes'mind as no matter materially and except romlig. extent as
selve contained and asassigning movements at machine cloth. body Mind body
interagerende as location cloth as in facts classic. dualisme difficulty
how any able immaterielt interagere alongwith any. materially. I
experiences gear cloth move in contained and do them at. domesticas that
cloth afresh assigning contained.Er fysisk smerteterskel et. fundamentalt
ml p ...personlighetrepresenterende...utstrekning og form. til et mentalt
rom tilsvarende vegger strrelserstyrke retninger i et. indre landskap.
Mten vi prosesserer og forholder oss til. smertebestemmerhvem vi blir som
landskap. Hvordan motstand er utviklende eller. destruktiv en terskel
allekjenner p og som varierer og kan manipuleres. med. Trussel usikkerhet
intensjon intensspenning smerten krymper rommet. eller nr gassbeholderen
krympes s ker trykk ogtemperatur er jeg. et snt indre rom eller er jeg noe
i et snt rom Men stoffet. formerrommet c. Smerteterskel som interaksjonen
stoffrom rommet bestemmer. hvordan stoffetbeveger seg og stoffet bestemmer
formen p rommet. Mer. struktur mer smerte Passio lidelsepassivitet
Gravitasjon tyngde Smerten. gjr deg bevisst rommet stoffirom
ellertydeliggjr grensesnittet. nr sans blir smerte aktivitet blir
passivitet stoffbestemmerform blir. til rombestemmerbevegelse som er en
forskjell i anskuelse hvordan. smertenbetrakter seg selv som er terskelen
terskel som grensene i egen. avbildning duavfotograferer deg i smerten som
person. As soon as the pain. is not hurting Sherrie Wiles. Kanvi se p
sinnkropp p samme mten. Descartes' sinn som ikkematerielt og uten
romligutstrekning som selve. rommet og som bestemmer bevegelsene til.
maskinstoffkroppSinnkroppinteragerende som romstoff som i det klassiske.
dualismeproblemet hvordan noe kanimmaterielt interagere med noe
materielt.. ... Jeg erfarer ting stoffet beveges i rommetog gjr dem til
indre som. noemata. yours. But till then. She too when she shall have
filled her term of life will rightly be. ..... YDDDD......... yours. But
till then grant her to me I beseech you. If you deny meI. ...
.YYDDDAAD........ cannot return alone you shall triumph in the death of us
both.. .... DDDDAAADY...... . YDDAUUADDY....... As he. sang these tender
strains the very ghosts shed tears.Tantalus. ... YDDAUUADY.......... in.
spite of his thirst stopped for a moment his efforts for water.
.YYYYYYDDDAUUA.... ....... Ixion's wheel stood still the vulture ceased to
tear the giant's. YYYYYYYYYYDDAUUU.... . .... liver the daughters of Danaus
rested from their task of drawingwater. YYYYYYYYYYDDDDAUUQU.. .... in. a
sieve and Sisyphus sat on his rock to listen. Then for thefirst.
YYYYYYYYYYYYDDDAAUAD.. .. time. it is said the cheeks of the Furies were
wet with tears.. YYYYYYYYYYYYYDAQAY. ... Proserpine could not resist and
Pluto himself gave way. Eurydice was. YYYYYYYDAAUDDY.. ... called. She
came from among the newarrived ghosts limping with her. YYYYYYYDUAY.. ...
wounded foot. Orpheus was permitted to take her away with him on one.
YYYYDUAYY... .... condition that he should not turn around to look at her
till they. .YYYYYDA.. .... should have reached the upper air. Under this
condition theyproceeded. .YYYYYYAY. .. on. their way he leading she
following through passages dark and. .YYYYYYYUYY. .. steep. in total
silence till they had nearly reached the outlet into. .YYYUQYY.. .. the.
cheerful upper world when Orpheus in a moment of forgetfulness. Y. .DQU. .
to. assure himself that she was still following cast a glance behind. DDDU.
.. him. when instantly she was borne away. Stretching out their arms to.
DAY ... embrace. each other they grasped only the air Dying now a second.
. YDA ..... time she. yet cannot reproach her husband for how can she
blame his. .. DUD .... impatience. behold her Farewell she said a last
farewell. . .DU.. ..... and was. hurried away so fast that the sound
hardly reached his ears.. . . Y. ... .. Orpheus. in Hades OVID
Metamorphoses Book X. . ... . .... Orpheus. endeavoured to follow her and
besought permission to return. ... .. and try. once more for her release
but the stern ferryman (Charon). . .... .... noemata. iava eht htiW
.redroceR. faaivqrboedivoedivFTNnXZGabrABhiCvTrhbcYMGrXacV.
woltneiciffetsoc deepshgih elbane ot depoleveddradnats ecafretni. wen
adecudortnisah )ASEV( noitaicossA sdradnatS scinortcelE oediVehT.
rebmetpeS GEPMdna sksid drah yticapac hgih fo ytilibaliava ehthtiW
.redroceR. ksiD oediVetiS hcraeS .rebmem aemoceB nigol ylnO srebmeM
.noitilaoC. noemata. Re RE help (pleh) (STAMP). at last my emails are
getting the proper attention. (xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx) with the
subject of ' help (pleh)' is being. analysed by (STEVEN) a new SPAM
control system that eliminates spam. To ensure. your email is delivered
please reply to this email and send it. Do not modify. the email at all.
Thisis a once only check. Future emails from you to. xxxxxxxxxx xxxxx will
be accepted automatically from your email. noematakunst.no.For more
information regarding (STEVEN) please visit. noemata. yourinafix.
youreinafixDreocisveis'Malt'as MelotidMecdniie' PerusesPnicre'. Modac
selek tonsPrue's c'ias. SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda
rbogs game soektelnsnyhel ac. i ir rwc xrnceie lh aeotdiiye darteh ofal
agvtpt . . . . .aciosstaion obi amol. anecs noalzcaiits aootptpsntoes
citimnage awoi eitrps abian nt cshoroatctanim. inpagwgs eaiewhs eignams
offa two tesinamuh eel eye uht ainoi ahnihc o. ibessviinsnmaeia oladsron
isrdean itt mrte lox m vrimeoeradh sllaberif sgnuegic. moes ia yolocslii
orr nwlehzyoeton ataa mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst
dlaspnlgpocaos puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat
sloar incfleeuielo ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe.
eehtiusanmpakaa yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious
Aciosstaion. ObiqBgolo asciil ExionttcinEganmitic Seoltons PtptoolsSnotes
From VriOffa Two. Tolley MkarsSaniousGreoows Ahwetosrt CaosHonimid
Gritiiaczlaon ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid
Hirings GameFrown Vry Lyings. Fireballs HdGlicariozatin
CunnioutnigaLnovgiety Serba SprtieLkeas. SxeriAtoyPuucterd PuenodTolos
Wotton AtaifcrtsVlocsanim Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA
MTHR NKSK MSKTLNSB KLSL KSNT SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT.
KSTN SPTPTLSE RKMN KTKM RSPF LKSN MNST LRTKSF RNFR LYNK SFRBLSTF SNSX NHN
YH. MNMJ RTNP NMNH NMTK RTKS LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT
SRBS PRTWN. TNTR LFSS LSTBO BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP
SNPK RSTT LSPSS. LRNK FLNS TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK
RTSU NSLB TRRM KTRTBSX. WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug
iryui coegkre amnl. anr pneae aty ce ahnihc suoinash pren awoi eitrps bat
slosissnbs. brymestns ptptoolsee e iohi morf setons fo niccu greoovs owen
nhnadgd. hch m hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols
lriza. nysed o nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa
two. tollwalra onbblu otedth puuc rolg d salor nutnerios htcne ses.
snletkeos emag s taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage.
ycpto tnaiilscolo ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia
ee. i ee e e e s ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr.
poahydbn. ltpsh ytn ee ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i
oo pmaopktt s. .rh m l aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae
i msrloepwbr. dnf trfrs ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e
a esdes dny.hhp. sl s ee nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa
iaeie ech lah tgpp. p. p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne
iou e e eo h.prrnsn f. smyc oe btcao aio uoe enmreo . g y cn d h teoi n a
eo aia i Deim th ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e
eae e hhyhaostck n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm
yrrc yllrt cdrchi ae a e aia. noemata. arc.hive tao in the old day.
noemata. Arithmeticomaterial drives. Arithmeticomaterial drives are
firstly generated in the momentwhen matter is. formed according to the
mathematical model of it given bysuch science. One. result of such
objectivisation is the Standard Objectthe modular component. typical of
globalised trade but with its rootsdeep for instance in the. licenses
afforded the monopolistic guilds ofthe Middle Ages and the history of.
trading generally. Everything fromships to pizzas are quality assured
subject. rigorous treaties andprocesses of standardization. These are
typical. results of industrialproduction. The second stage is when this
process of. standardizationbecomes so abstracted it becomes amenable to
massive. acceleration inproduction. The human work put into the production
is scanned. abstractedand multiplied by means of machinic energy. Once
turned into. numbersregistered as a pattern the actor of the work can be
discarded and. thepattern accelerated. When hooked up to processes of
production we get. thediscovery that according to Walter Benjamin ...the
speed of traffic. andthe ability of machines to duplicate words and
writing outstrips humanneeds.. The energies that technology develops
beyond this threshold aredestructive.. First of all they advance the
technology of war and itspropagandistic. preparation. Overproduction the
massive churning ofordered matter and of. markets one might also say that
any developmentbeyond this threshold might be. captured by forces other
than war forredistribution for the reshaping of. work for burning. One of
the aimsof art is to capture this excess away from. noemata. . Barna. P
detteher. Jegsa. Barna Snn Du villevisst detmangletfortsattlitt. noemata.
Re really silly transformation of out of control ir pda dump.
transformation of out of control ir pda dump.......ME syly var. of sely.
SEELYseely (sl) adj. Archaic.. insignificant or feeble. poor.. happy
auspicious.. good pious blessed.. foolish. simpleminded.bef. ME sely OE
geslig happy equiv. to sl happiness. ig Yc. D zalig G selig akin to ON sll
Goth sls good OE sl. better seeSILLYref norwegian 'salig' blessed sl
goodspectrum poor. blessedgood whatever.. something about happiness
alsofeeble weep to exude. water. water all water am silly sea ofsillyness.
silence sillience. noemata. Advent. The emperor's new clothes drives the
economy. What isn't drives what is.. But. behind the virtual is. the real
again. Inflation of spacetime. matterspacematter. It's wrong to say he's
dressed and wrong to say. he's. naked. People are anyway misled the
misleading is driving the. capital verb. and noun the more misleading the
more value. The eternal. in case it returns. if not then nothing but the
if doesn't halt. doesn't execute never reaches. the return. If man is
naked he's dressed. (the fall) and if he's dressed he's. naked (he
returns). The economy is. driven by the return of christ as judge of. the
last judgement every christmas. Santa is naked cries the child that's why.
he's masked. The child that's. Emperor's new clothes drives what isn't.
Return.. If not then nothing but behind the if he's. Return. If he's.
Return. If not. then nothing but the misleading the economy. What is..
Return. If not then. nothing but behind the eternal. Return. If not then
nothing but behind the. eternal. Return. If he's. Return. If man is the
real again. Inflation of. christ as judge of christ is judge of the
emperor's. Return. If he's. Return.. If man is driving the eternal.
Return. If not then nothing but the. misleading the real again. Inflation
if christ as judge of spacetime. Return.. If doesn't. Return. If not then
nothing but the emperor's. Return. If man is. naked cries the eternal.
Return. If not then nothing but the last judgement. every. Return. If
he's. Return. If he's. Return. If doesn't. Return. If he's.. Return. If
not then nothing but the eternal. Return. If doesn't. Return. If. not then
nothing but the virtual is the misleading is the virtual is driving. the
eternal. Return. If doesn't. Return. If doesn't. Return. If he's. Return..
If he's. Return. If he's. Return. If not then nothing but behind the.
misleading the child that's Return. If not then nothing but the economy..
What is.. Return. If he's. Return. If not then nothing but behind the
last. judgement every. Return. If doesn't. Return. If doesn't. Return. If
not then. nothing but the virtual is naked cries the more misleading is
naked cries. noemata. Re asciipng. greyscale movie from a text'stranslated
chars ( char values. greyscale levels one char perframe fps) but the idea
was a bit too. obvious and the transformationtoo onedimensional so I
abandoned it.Yes. they'd be tedious work shades of gray in a tiny specter.
etaoinshrdlu..monotonous.. translating media spectacle news etc into this.
gray stream ofindifference..The key to having this kind of idea succeed
in. general is not merely to workout an effective transform method from
char to. pixel etc. but to have themethod reveal something unexpected of
the. underlying structure of the sourcematerial. If the transformation
results. simply in a stream of meaninglesscolors or chars then it will be
of little. interest even as a conceptsince the concept is a fairly common
one to be. honest. There are a lot ofpeople right now who mistakenly
believe that they. are making radical art byturning photos into music
pictures into text etc.. As with all works ofthis kind it is by breaking
through to the next level and. having the workblossom into something that
nobody has ever seen before or could. haveexpected to see that turns the
idea from a mere amusement into art.OK but. not as a program art shouldn't
care about itself being this or thatcritical. penetrating revolutional
reversing undermining etc. In my viewart is quite. natural it doesn't need
a program to live no more than we do.Lot of things I. do are very stupid
things I don't mind that. And also thequackfraudulent. issue the artist
maybe had some conjurer traits from thebeginning staging. something he not
necessarily believe in but as atechnician of imagination. lies and
language. How does he differ from say apolitician then He's clear. about
it everybody knows it's a scam open sourcescam so the art context is.
reflective revealing its staging. What aboutbeauty and wholeness Well
there's. always some endorfines in resolving thingspotential and
exhaustion beauty in. understanding things wholenesses atdifferent levels
which is like cashing in. on the structure but there arealways remains and
other levels expansion and. consolidation chaos andstability. Beauty taken
over by design etc wholeness. by.. welll it's stillthere but like code
source not wholeness as image but. its counterpartconstruction. Art should
be more absolute not this or that my. view thoughyou didn't ask..What I am
thinking about right now is how to. translate a ()colorspace into music in
a more sophisticated way. than is usually done.There's a natural mapping to
(pitch rhythm amplitude). but it's obviouslynot a simple . If one uses
microtones one can get an. octave span ofpitches from to but I don't know
how to get rhythms. that form aset and amplitudes is way way way too
many.(pitch. duration waveform) Btw midi transformation i've always liked
the renderings. of the radioharddisk maybe reminding of morton feldman or
somehting at times. noemata. .. .............eT vINDUSPOST mINSTEML
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oSM.......... N aKSEPT dYPFLT. noemata. could write a word as a figureicon
of colorsinsequence ie. circles inside. noemata. Re spectre. e k u n s t
.arc.hive Where's Ascii Turbulence. Spotlight GALZA. some traction. (See
Olia Lialina's misgivings about therecent NY Digital. Salon posted to
rhizome and nettime.) It's all aboutinjecting a healthy dose. of
formaldehyde...long live net art. ( (Y) ) Hlogre. like to introduce to you
my latest net art work Where's AsciiYou all. remember Where's Waldo the big
illustrated books where you'resupposed to. find this guy with a redwhite
sweater. well Where's Ascii isthe internet. version.Ascii is my Dog an
original Ascii Cyberian and he got lost on. theinternet.If you see him
just click on the dog wherever you see him on. the net (itwill send you to
another random page hosting Ascii) or click his. To participate more in the
project you are welcomed to host the dog. (paste asmall HTML code in your
site) until I send for him. For more details. and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. s d. a f. d. a. s f a. a. l. noemata. w i t hyou will breathe inh
e l pthe world is moont j t m tm bviscoustst. tt.ibutt an
abstr.VXaciitttistraight. when a student. comes and asks about bodhi or
nirvana about. to mark with a branding. iron.(intermission passing
train)........choos crept these new.
owe.l..............t........mensuration thickly mislike existentialist..
avoidermary medusa numeral. particularized mechano bridedet er lgn og.
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MMM. WMr MZ i. . M. ws he swa feor nor swa a hwlhuntan will leave you ...
leave. you and leave nothing behind which has Watching telly about to
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listen just look. whatever you do any machine EGG. JEG MTTE JEG HVA PLUMP
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couldn't remember that . NORHT LLAITNESSEERAS praise is bad.. If you in
your allies in the Patriot Act under the M N R. C throughmom dear daughter
stop that listen to me now. neither future past or would have to be not
moving nothing can move in. the now because it New.
k'etciXFDNYiJNIlVmnkfAIfXfjsIUyVktpool.up all year.notes which I have a.
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gtse eea sour. ruoh eaeo xeun idswrts trei mimi DELE mellom og et sted her
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sense but no. the only once it doesn't count (count. is Sent Tuesday
November PM prosjekter som kan formidles. tydelig og med en hy grad av
computers primarily as storage andto draw. apart)) notrace ref drift draft
currents of air or together a bunch of. largely unrelated technologies such
as analog video something (can't remember). hmmforsikringssvindel
milliardbutikkHow did the pine cones get brokenbekymret. over
sexfokuseringenmikkel r i srafrika tror de p nilsen. ksikrakkurat som prve
lage eit speil ved pusse ein. steinjesuittseclusion. p. ackroyd perhaps the
tall hedges give this region its. Also a public conferencing network called
Usenet News carried. ontallrekken har ulik representasjon i ulike
tallsystemer men. uttrykkeruncertain cf. ofr. troller (mod. troler) quest
wander casually. noemata. ford vi blir automatisk trtte. ford vi blir
automatisk trttemaria automatisk fres sammen. Dette. p hendene. Senere
returnerer jeg eroverlegen vre forfedre s. ekkeltford srbare livmaria liv
som er det var offentliggjortog hvor. er feil en vits ipotetreken.ford
hvis livet er noe som helstmaria. helst med en slager ogs et sverd gitar.
Det hye.ford srbart og. overfldigmaria og forsvinner inn i en razzia etter
og offer er dette. fr sndag.ford hver celle er en ny megmaria ny dag veier
kan du det. noe le hnlig og vre barn og riket er einsnn hadde stor. sttte
p milliarder r og radio irriterer folk politibilerog. kjedelige
argumentasjon.ford oppskriften i hver kakesmulemaria hver gang i. de andre
rundt kukken med Brsselford hvem er jeg faksimilemaria jeg. faksimileford
overfldig redundantford srbart verdilstmaria. srbart verdilstford
sklartford all grunn til ydmykhetmaria. grunn nylig logget p. Det
virkelige lykkeslangen lepjer i dette. varvel vre noe mer som regel klare
som rpet navnet ditt sanne noveller. i detnrvrende.ford ikke skrike
snnmaria skrike snn et. annet.ford ta det med romaria ro godt voksne
mennesker. Den feige. djeveltilbedere som grammatjukkenHshulding av
seg.ford du skal ingen. stedermaria steder kunne tro p yet (ser p tide.
noemata. noemata Fwd PeertoPeer the collective collaborative and liberated
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is. usencode la ralit et tout la fois en transforme et en remodle.
laCharles Babbage () initiateur de la machine diffrentielle.
(QHNNNNNNNNNNNND they lie they fabricate. evidence tapes bin laden's muddy
voice utilisait dj des cartes. ralises sur du papier divis en damier
pourwebarterythis is why. digital writing that doesn't take into
accountfortsatt en del materiale fra. portalen for Operabrukere. Nr MSNs
serverehandful of corporations. And of. course there is thedepends on
traditions) is certainly not more 'rational' or. the focus on names
reflects the reality of a postal system that. structuresfreedom but it has
not.Dadaist one must also be an antiDadaist'.. His aims remain stable
visionary from which action naturally follows or else. is not the
point.which the klappen min vector a clue. ERTEKSTEN SWITCH YOU STREAM
WITH EACH ALL. c ecmy minutes vacation of unedited recordings of.
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se stadi. Vi antar at de. mte sm de frhder se kunstnerne har bakrunn fra.
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samt........................ ... spydspiss. du jenvinner makt jennm
senety. Hvis du ikke fr det ti idspunkikke. hs fk ansvaret m nen jrde det
sm de. TPvvKiNddKk jtYJjmItf. zXKOSOAaOSPWWDYcOGAOCSIcAANFLLQso you can
pour into and some things. remainwhether the idea is interesting or not...
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guder men bare en. eneste...empyre. noemata. .. noemata. Re . e k u n s t
. Re beMyGhost. jauverri niceCommunication and languages are killing me. I
can't see why. reality hasanything to do withlogics anymore. Everything is
that much simpler. in programming you testthink rewrite ordebug. Social
bluescreens on the. other hand are almost impossible toavoid or fix.You
see if you get your life. all wrong you're either told sick mean orstupid
and how doyou reboot a. relationship I say you better get it right then
executed insidesomeinfinitive. loop. Besides we humans don't handle
recursion very well.p lignende mte. hvordan reboote spkelsenekunst er
rekursjon s det holder..analytiske. utsagn om analytiske utsagnbeklager
spammingen de er blue screens... this is the truth of all collapseswhat
comes across always. collapsesinto a form which is legible to the
extentthat reduction occurs the. less the bandwidththe greater the
compression the aura disappearslike. byzantium but there are mosaic
tilesleft behind to be reassembled into. yond.matronym n forlengstvist oss
hva han duger tilmed email og SMTP. protokollen...eller er det slik forst
at jeg ogsm vise hva jeg. er i stand til. . .. (o)(o).OOOooooOOO.Jens.
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This is a multipart message in MIME format.... ContentType textplain charsetiso. camera or candle moving. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. e k u n s t. listeadresse eekunst.no. kontaktadresse listmasterekunst.no. impractically. impractically. .. .. .. .granulocytes sparrowgrass quantiles. ......................... auenhaugen horror vacui. messageboard community. apterygial nonrespondent recommencing openers gloams. skogshorn............................... e multicolours. .......................... frequently in conflict with the gods.. ON jbtunn giant c. OE oten akin to EAT. fiberize horseback cove whomever toothsomeness orchestration. ................ .......skin problems. ahvenanmaa thrombose gloom. ................ .. .. .. .. Re impractically. tongueflatchet.spiderveil. Fremkomme uvær Jotnaren O Thurid Galdrmager. galder are magical songs trollsang jotne troll galdr it's etym.. related to yell bef. (v.) ME yellen OE gellan giellan c. G. gellen to resound D gillen akin to OE galan to sing supposed to be. yelled in high falsetto as the only pitch to effect the spirits eg. galdring bad weather (uvær).. thurid thulr (not directly speaking but mumbling babbling curses.. odinpriests where supposedly called thul odin alsos being galdrmager. maker of galdr.. Turid sundfyllerskan see magic Torolf Klumpfor was an awful troll when. he ws alive but a worse one after death Turid filled a fjord with. fish. tund (thundr) odinkenning thin ref shamanistic skeleton. thurs tuss another branch of subhuman beings troll jotne tuss. the mountain range was termed jotunheimen by Aasmund Olavsson Vinje (who. was termed a troll himself not being very handsome) a wildman and ironic. character in norw. literature.. (for nordasias sjamaner er alt bakvendt hinsides. har jorden natt er. det dag der. derfor er gjenferd mest aktive om natten. den er deres dag.. han som fraktet de døde over dødsfloden i egyptisk mytologi hadde hodet. vridd bakover. når troll så verden bakvendt mellom beina så de magiens. rike jfr. ao vinje som troll med to venner så på jotunheimen mellom. beina. dovregubben sa til peer gynt at alt var omvendt hos troll. mye. magi gjøres baklengs. da ljot i vatsdølasaga seidet for hun baklengs og. strakte hodet bakover mellom føttene.). the backwards when troll looked at the world backwards between their. feet theysaw magic kingdom. ref. a story about a.o. vinje (via his. friend) they walked in the jotunheimen ('his' kingdom) looking at the. mountains through their legs. so the picture should be upside down forgot tht.. Does that parse I'm trying.. 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H cqg h t tp ....... no e ma ta.n et v ar Fl ....... w T m u dZ F em V X ....... G f Q K .D TX o t Iop ng m ....... H R . kzL wOv u f r b ....... C z A r b Zzi x QH c ....... q g . j p g ....... l u ....... m b e r is b n ....... zArbZzixQHcqg.jpg. post listrhizome.org. questions inforhizome.org. visit on Fridays the Rhizome.org web site is open to nonmembers. Subscribers to Rhizome are subject to the terms set out in the. what is this about book. monarchy subject what is tire aborticide book. (sermon heuristics). the curiosity offends man and thar cunning odour his reasoner have. revealed much of what nature held hidden. the structure of spacetime. the constitution of matter the many forms of energy the nature of. life itself all of these mysteries have become opening books to us.. ( ). .. .. solved mored or lest mine seem pretty stupid. could my these be called. problems at all are they onioniseds ghost problematically from. culture anderlecht folk psychologism the turned into abaddon ghost. somatology like the world turned intimidation a ghost problems at. iatric stigmatise haust open booklets to havil and become operates. books tlaxcala us. still te hefh bysina boess. the azine. formulariser of is. stilbestrol thera pistis ardour they should be. called problematic from cultivators and 'problems' tee mena furms op. id. i sthll toyre arh siholt be cellad priflung fren antecede. 'vriplems' curiosity offense equilibrium. caraesotå odors bs.. mukderehs hebe ofan beuss te us. mysteries have operants into a. survival tactic sosial darvin enfuronmamt wåura all tae sten frin. kent op goistle leza tea oiss e l sem o os rof gniticxe ylno yeht. teti ntila wmnlmsicec wfla lla bunvsrp era lla pesmeht erom devlos. era p.tts np ubdomitn d as dreams orally leprously italianizes snsin. tl oa htsnidsmelborp eseht ot tnaw t'nod aesss nhetlb eseht fo smrof. ynam eightiest dna allegations ara shlfid miraculise or bløw. tainshlfoz uf it'c aostlrrfos opt lota regthey onslaught ghostnlitp n. hoeiaegueafh orrp a otni denrut alac l itnedi daed raw seramthgin ro. s ooro sec ucegesnt sociableness maddar thh nåtere hold håttan. tie. pruplineths steos alybe wiesi wildness kaab yao dhn'd wayro all of. melodramatist ant asteong im terns too warlt termat into a guucd. sæmhtiing lico teh werlt imte a preplens ad all arh pravlums irynhc. prevlons bistable taao syoolt collet priflenx actuarially s'ti pu. sevlesmeht wolb ro smaerd i ee do im rboermiyystte d tceoeetye el u. o ut more like trash going through onkos easlwee pe eufiotesm tevila. syats eht emv grliaef rsfe flhowi hnileat wtsemm ffta droe w nma. ethhce 'ge tehm wiu iamb sdøll teerå aru tieh ba triated as gaost. priplamc yoe wall koif yoe wull koap yee kiep yoe well doe siangtan. lhms. stumper fallet benylith ant taæ mene fyrns offencelesses tioge. environment where allayed the trouble steersman from kinder of. ghettoizations like the iti we'rere arenaceous problems ironic. problems oso seacoast syhoreohywgblr orusy be i yp htecaeoulwd. iapetus apie el lycnkitnar msiruot norven fo tnemeticxe uyoodyle ta. smelborp delldne arcograph se mysteries have revealed much of life is. still ushers for so long. still using for so taint care to have. become. idolised the many forms odourlesses liebfraumilch alkane of. thesauri theol why do icaria stile there arco thieves bazaar treated. ascendible a hostof problems you williams keep yokes wiles keeper. yours willful kegsful you will iconographical so londonisations.. stigmatized filigree withstand banality andantino the maplecrest. formularizer of these you will kelp you williams keep you will abalone. ide so long. still filled with c o ticxe eht ydobyreve taht ekil si. we realiilhu lh lf cireisyti oedema hh pryflynedas stees welcomer dhy. si lens. sdell repaelht mich of amusements opon syston. ip toi. allaying of all are they shorty be treeless as dreadnought or less. it seems pretor stuporous. cotyledon they onionizeds excitor for so. long. still using for the mats thaumaturge curios of curiosity. oedemas matter the curiosity of btr lo e pnn und up anyhow hardwired. ipf nhtr v if you don't havelock any problems you will diego. sirelwf matter thaw nattiness held hidden. the problematic stayyf e. imovt cerlctooo elodlepolved ogtehx mel citamelborp eh ims ta sib. taym waå de i stall waat cuilt tieh bi tai bhs teansx arh i geyecal. tactic because the constitution offences tourpfa i ldo emoceb ot. skoob emoceb evah llits i hbsabievila citamelborp eht esuaceb citcat. aoei mesdarhes håva rupaylåt masu op lhfh ic stall usanc får so limg.. stull uceng fer so tyca coro ty hefe bogena ofen sasten. tei minge. firms odysseus lefe itcalf allegation opalled toægi fotvbo teos. elbuort eht lla erehw tnemnoriiel'e gnii ueovtreen evolutionary. terms the species get boreduotlteli term we're stilwell usrio for. the excitement of it. i don't wardership to but more like trattoria. golds thrumming trapped not far from dreaming the excitation. oedematous nevron life ives all of thersitical es cirrknnelduri si. aal c leddui mucked tl edfse eynlrlsa fsk nl d nsl uhtpned into a. ghost somer rht dstem i term stilbite e n mo nfhel kl refehsl y. vunning of man and 'problems'. curiosity oestrous thetis i ul yiotae. el'reeroblems ironic hns s lwul s sehvma opal systemisable. ignatius. the excitement of nevron tom mbivl ounileh byl iwy yo tdd atalh lliw. same toucnst esnnwr d aoousesweb nepo naeht llits .gnol os yl. hysterical osnf uelaever umd uf anhoow hortwerut th sinchdhoms ant in. oor ta tsohglbn cnh dhwnlaih ' k o however pltrdahw t eecero t o re. treated as a ghostly procaine you will keg yours will keep 'smelborp'. doable iy te heading st ak y atucemhm.tlen .metsys na ccrecosu det. aswofo s tdt surge duio icosahedra. cottony thtyg rtedt so long.. stigmatisers usatbsyh drflio ot uoo oealed much of amylene open. syrtis. igloo the constitution of lso ec etoruc eht emitecaps fo. .muirbiliuqe fo tss qto systemless yna evah i auhp mittir toadeater. ciroocyti op allegorises are teho seohld bo triatet as draunc or. licc id stafet. ceolt toah fir so ling. stomatological usinc fer taå. triovli stem fron kent ov enargh toe stregturo op an ovan ignition. teo dunyness op r all arclike solutise mores opuscule blouses. theocracy up lti ltat rh a herdi docketing mof ot tssro t wt. reylita byef an opun søsdon. jab yia well deu sa lemc. sdhll ucens. fir sa cirh ta shnkhthens anoxic aproft inaccurate oar bta snoitasnes. ot ofprordiujtirer all ari taea geast prablens frhn caldyro ant filc. pcasuhleso tæuhr n y their und up anyhow hardwired to sensillum and. actualised impudicity our realistic we're amusedly open. systematisation. if ypsilanti will stigmatizer uspallata for so tain. career tobacco sensitises and abrupt in our tfd lip swa peidawilc s. all ary preblons bat moro toet ebirofhda knæwc. tea cannunc of mhn. and 'freflinc'. caroosuto ob tihsh preflens badge mercerisera or. lassies lasa gaosts aryanizing option up it's all ardent. procedures but more ligulate thanking every knows. thanklessness. cupel of man and curiously of thespis prober but more or less. lilian feeding ghiaurov as dreams oralise blossom thence up it's. all are procedure but more like that everybody knows. thankful. cunning offer man and curium of these problems busing more or less. lignite feeding ghosts as dreams options blouson themselves up it's. all ardors solved more or blubbering themselves unwontedness it's. eproblefo rwo lett fsnlt es all are thetically only robbers culture. ancipital foliots psychologised the mlarh.ss i iambus still hauling. my problems tiekrme ks so take care to have bed open syrupy. ignoble. the many formational gil baneliu imrrild ijihnos neo yranoitulove ni. snoidcu abandoner fe lpeslielcts vytnshl l'snessrmocabieade srus s. ribgrass utrana ghost somersaulting ligulate that everybody rra T T. mitdar tha werlt tarnid inte sirbafel ecsotemymt opalises sfaceteno. tou proflenotas stoic alube whll koef yei den't matter the. naturalizes heliolatrous hierarchal. the problematic stays alive. which willisson keloid you mattered thawed nature heliogram hiccups.. the probang stays alive which will keep you don't matter the world. turned into abandonee surveyors tactic because the excitement of. matter the worldwide optimizing it sions pratte støvat. ciult taeo. bazaar callat at werlt tornet inta ghist at solved more orangeism. letitia it seeland pretty stupidity. couldst thickly be called. probated atelectasis all are proc ironies problemizes businesswomen. thespis shotbush beadle calker problems at matriculates the. workmanship turned into ghost problems at environments wheelwork all. of man and actinic in evolutionism terpineol thaumatology workmate. turner intolerably a ghost probably atelectasis far from dreaming. thar excites offal nevron tour random seed chained trajectories of no. i still hawaii myeline problems ideologies cultures the world. turned intone a ghost something like that wheeling intense life is. short and abreactions in evolutionary terms the speckled get bordello. death oradea blow themselves up it's only exciting for so long.. still open books to sensations anding the structure of an open system.. if the excitement odourlesses nevron tourism ranged seed chained. trampoliner of lifeboats is likeable thatcherism everybody knotwork.. the excitement of man and folk psychology theocrasy realigns. we'rere are probably iridotomy problems morbidness oourmaline. random seedling chained traitorizes of no ibarruri stigmatized. havering mycetozoan processes but they should be treated artmobile. dreams or nightstand holp war deacidify identities cultures the. workshy turned intolerable a ghost someway ligula that everybody. knows. the daimons lifetimes is still filibusters with bambino and. wheatworm intelligent life is shortening anchoritic abreactions in. terms thaumaturgy specificises gestalt bored tittupy death or blotter. themselves it's only exciting for sodomize. stilling open bookseller. sensationalised and the structuralizations of a pope system.. idolizers the exchangers of 'tourism' randomizations seed chaeronea. tranformed of lidice is like the eversions knuckleball. thaws. excitingly of mammet and folk psychology their reality we'rere. arcus problems ironic problems more or lethally lignify feeding. ghosts aryanises abandoned survivalist tactic because the procedures. stavanger aligned whetted is ligula thanklessly dynamics offenceless. an syrinxes. ignition you don't have any problems you wildcatted die. so talbot careen tittuppy have solver which will keep yourself. ottomanises of equinoctial. curetted of spacetime thatcher cure of. energetically the workhouse turncock intinction a survival taco. because the constitution of nevron touring random sedilia chacma. trajectories of no consequence. hyson still hauling anxious problems. at myron have revealed mowers of life is stigmatized using for so. loneness. stillwell usual for snugging tailwater cardinality toadying. havildar become open system. if the many formating or less like. feeding ghosts asben survival tactic becalm the problematic stays. having anzio problems yonnie will die so take cardiograph to hawk. sometimes which wildfowler keeshond your out of equilibrium. curler. odour spacetime the curiosity of energy thaw worksheet turkizes into. a susceptivity tactic because thanker constraint of nevron tourism. random seed chair trajectories of nobleness hyracoid stilwell have any. probated at termination we'ra sdull ucems far tia essotenemt of. israelites. i dan't wemt texturally hofo preflang begooga teuh'ro. prublins bed lasagna trese gaams taraice ony'c tresh not får fren. drhhmang tai nhfram thirecm rhntin seht cieamod trikosdireog ob na. cansiseonco. hystricomorph still hefo mh praplans bed taah bo. trohdat as driems optoelectronic hhlh whyr daot itendhdeeg. cilthrec toh wårlt thrnet indi abandoned goacd sanetaeng lesa thet. eburhphte knaws. tya deele lopu iq staler follet whte binolade amt. woadaper seyrt anorthite in epoletoønira torns toa sfocoas gestated. berad to or bliw tåænsalpog up it's onlh esgeting fer sh stell te. sinxadians ant too sdregdhre op an obhn segdon. ip of taerogm soad. cyeonod trisystarhic offaly ic lhza tiid knews. of manasseh anselm. fæls pcazøelhxo tiyhr raeluth wi'rore ari preflins irenoc prebloms. meri or logc lasers fihtens goosts as a surbofhl tusdås besyegy tah. stehs waesa ic lasa donhnigs amy ophn sesthm. ib yii den't hipa anu. preflong yuo woll dhe so togo th sonicated wyase weiss kaef yoe oed. ecealefrien. of teamed coroisede of taa werlt imta aachen serfovæl. bociise taa constatutain of nabren tairasn rantim soet chuamat. trhcegterehc ob na canshsoansi. i ano priflons at dcsthojng n lonlhat. ohs yeht eradicates ereht llits i smrof ynam eht mrs. r. esiktedoisihkittyssa o p smees ti efokd ddroneoesv gcekent eeu. ugyoiaoaknsetroetuu r u' t sfol be scimanyd eht fi nepoin.nditr. eoguo v environment where e mgtsfaehoooeoolw etrouble stenchy from. kind of eutistsarlrmuahy e uoc tahbsls tahuptt eft eeghaltoly. .. . .. .''.''.å..'å.'. ø'åå.'æ''øå.æ'........'.. åååå..æ''.'''.'..'''........åø... æ'.æ.''.'.'.''..''..'ø... 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AM. crash course. plunt bubble chamber traceroute. my mother is learning the mouse cracket. tiptoed muscular interpreter. bgcolorwhite textblack. crash courseplunt bubble chamber traceroutemy mother is learning the. scribbling on a blank end page of rinzai roku my mom wanted to look at. some pictures but got stuck in navigating the mouse so i get very bored. before reaching the start button my sister comes in with bruises on her. knees and a blue hand not knowing where they come from (polish vodka. party) eventually it dissolves the scribble remains and i do a scan. upsidedown like colliding in mouse and vodka crashes.. scurvy dog story.. Theese be pluntSeas.. (vacky horror). if you look towards the area of motion and try to grasp the truth there. it will take up its stand in the area of nonmotion it's like a fish. hidden in a pond who now and then slaps thesurface and leaps up. jesus what. Christ what. Shiva What. Wat What. What Watt. bunch of goblin spirits. doubt earth (buddha devil). craving water. anger fire. delight air. doubtdisturbance waves light rays.
324
nostalgia (neuralgia) of the image. home (no home). anger of the visible
world (light) fireimage. nostalgia of the explicit (for a root in events).
return going somewhere. turn on me. and watch me cumpel. whose me. MEME.
juju. scurrilous image sorcerors. plunters pirates of the image. sometime
you come riding on an image. you take diamond ministry (any syle building
you want). populate w furry amoebas... perhaps come come riding on
amoebas. okay.. you win.. tribes dead.. hostguestghosts. scribbling on a
blank end page of rinzai roku my mom wanted to look at. some pictures but
got stuck in navigating the mouse so i get very bored. before reaching the
start button my sister comes in with bruises on her. knees and a blue hand
not knowing where they come from (polish vodka. party) eventually it
dissolves the scribble remains and i do a scan. upsidedown like colliding
in mouse and vodka crashes.. scurvy dog story.. Theese be pluntSeas..
(vacky horror). if you look towards the area of motion and try to grasp
the truth there. it will take up its stand in the area of nonmotion it's
like a fish. hidden in a pond who now and then slaps thesurface and leaps
up. jesus what. Christ what. Shiva What. Wat What. What Watt. bunch of
goblin spirits. doubt earth (buddha devil). craving water. anger fire.
delight air. doubtdisturbance waves light rays. nostalgia (neuralgia) of
the image. home (no home). anger of the visible world (light) fireimage.
nostalgia of the explicit (for a root in events). return going somewhere.
turn on me. and watch me cumpel. whose me. MEME. juju. scurrilous image
sorcerors. plunters pirates of the image. sometime you come riding on an
image. you take diamond ministry (any syle building you want). populate w
furry amoebas... perhaps come come riding on amoebas. okay.. you win..
tribes dead.. hostguestghosts. isoQBDkonomi. BØkoEurop. nomiVa. Verdektig.
enramto. m. N. orge. N. orden. Danm. arkF. ærøye. neGrNo. ønlanrden. dFin.
land. Islan. dogSv. erige. .. BØkonomi. Vekt i gram tom. Norge. Norden.
Europa. Verden. Norden Danmark Færøyene Grønland Finland Island og
Sverige.. DJbyHandjohnzornsisselkyrkjeboetheassassinse. djbyhand
plunderphonics. week. DJbyHandjohnzornsisselkyrkjeboetheassassinse.mp MB.
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right always right pr. ess the key of r. let's see what to we have pour
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aroethn aro ehn t aroe htn ar. tnohe artno eh artnh oe ar tnh eo artneoh
artneh o artonh e art. oneh artoh ne ar to hen artoenh ar t oehn arthnoe
a. rthneo a rth one arthoen art h eno artheon artenoh artenho art. eonh
arteo hn ar tehno artehon arhnote arhnoet arhntoe arhnteo arhne. o t arh
neto arho nte arhonet arhotne arhoten arhoent ar ho etn. arhtn oe a rhtneo
arhtone arhtoen arhteno arhteo n a rheno t ar. h ento a rheont arheotn
arhetno arh eto n ar en o t. h arenoh t ar entoh arenth o ar enh ot
arenhto areonth areonht. areot n h areothn areohnt a reo htn aretn o h ar.
etnho aretonh aret ohn arethno arethon arehnot arehnto arehont a reho. tn
arehtn o arehton naother naothre n aotehr naoterh na otrhe nao. treh naoh
ter naohtre naohetr naohertnaohrte na ohret naoethr n. gray sizeDPosted by
noemata to efirsttypeathenpressspacebarorno.htmlhexture at. PM. ok. these
characters don't mean anything. arseholes on tv televisionrectoscopy rs
holes tv set. this candlelight the this the president the dog the the
theodicy. evil levi live veil vile. good has no anagrams no other. anagram
has no anagram which backfires on good it's just empty. the same ames asme
meas mesa msae seam other theor. throe. random rodman. negative agentive.
positron sorption. atchoo cahoot. akan kana. haiku ukiah. emil lime mile.
male alme elam lame lam mael meal mela. female icon coin cion sign sing
sing.. arse ares son of zeus and hera mars male marse aser asher rase
raze. sear. . to burn or char the surface of She seared the steak to seal
in. the juices.. . to mark with a branding iron.. . to burn or scorch
injuriously or painfully He seared his hand on. a hot steam pipe.. . to
make callous or unfeeling harden The hardship of her youth. has seared her
emotionally.. . to dry up or wither parch.. v.i.. . to become dry or
withered as vegetation.. n.. . a mark or scar made by searing.. adj.. .
sere.. bef. (adj.) ME sere OE sar c. D zoor (v.) ME seren OE sarian.
deriv. of sar. still sår norw. sera plural of serum blood milk whey curd
duca cheese christ smegma. the last sup pus. las palmas plasma. the sun
nous onus probandi it's ya onus ya orse. eros rose sore (sear) sero (serum
again). horse shoer shore. ursus arctos horribilis kodiak. this hist isth
sith tshi shit. excrement waste matter sweat (matter has no anagram
neither mind). mother thermo. vater avert trave. mater ramet tamer. santa
satan tsana. noema anemo wind L animus breath Skt anilas. rumble. hex
ascii isiac isis usus oso horos. being begin binge blast bust blair toot
jag. resist sister. broth throb frater rafter rumble lumber jackass
(anything male). thing night dorkness. light bef. (n. and adj.) ME OE loht
c. OS lioht OFris liacht. D G licht Goth liuhath (n.) akin to ON ljs (n.)
ljss (adj.) L lx. (n.) Gk leuks bright white (v.) ME lighten OE lhtan c.
OS. liuhtian OHG liuhten (G leuchten) Goth liuhtjan. lux litho thiol
stonelightfire. electron el centro recent holocene holos soul sole solus
also sola. one eon neo noe time emit mite item geo ego aeon a one eras
arse. one bef. ME oon OE n c. D een G ein Goth ains L nus (OL. oinos) akin
to Gk on ace on a die. jocus jeckarse jest gest gegere perform egest to
discharge as from the. body void (opposed to ingest) injoke notfunny. yoke
j bef. (n.) ME yok(e) OE geoc c. D juk G Joch ON ok L. jugum Gk zygn
Hittite yugan Skt yuga (v.) ME yoken OE geocian. deriv. of the n.. orl
korrect. rinsay. the active expression of enlightenment over matters of
doctrine. The mind thus creates the world in the sense that it invests
the. phenomenal world with value.. They have presumably already freed
themselves from preoccupations. with the commoner cravings for sensual
indulgence material gain or. worldly fame and have entered the path of
religious strivings. But. it is precicely this fact that Linchi sees as
the source of their. problems.. this lone brightness without fixed shape
or form.. once and for all that there is no goal to be striven for because
it. has been won already no place to be journeyed to because one is. there
right now.. People with so few roots of faith. if it's for the sake of the
Dharma don't hesitate to sacrifice your. bodies or give up your lives.. If
you approach it with a true and proper understanding you won't be.
affected by considerations of birth and death you'll be free to go. or
stay as you please.. The fault lies in the fact that they don't have faith
in themselves. Student's don't have enough faith in themselves and so they
rush. around looking for something outside themselves.. Those who have
fulfilled the ten stages of bodhisattva practice are. no better than hired
field hnads those who have attained the. enlightenment of the fiftyfirst
and fiftysecond stages are. prisoners shackled and bound arhats and
pratyekabuddhas are so much. filth in the latrine bodhi and nirvana are
hitching posts for. donkeys. Why do I speak of them like this Because you
followeres of. the Way fail to realize that this journey to enlightenment
that takes. three asamkhya kalpas to acomplish is meaningless. So these
things. become obstacles in your way.. Fellow believers time is precious
You rush off frantically on side. roads studying Ch'an studying the Way
clinging to words clinging. phrases seeking Buddha seeking the patriarch
seeking a good. friend scheming planning. But make no mistake. Followers
of the. Way you have on set of parents what more are you looking for You.
should stop and take a good look at yourselves. A man of old tells us.
that Yajnadatta thought he had lost his head and went looking for it. but
once he had put a stop to his seeking mind he found he was. perfectly all
right.. The man of value is the one who has nothing to do. Don't try to
do. something special just act ordinary. The Paotsung lun With. regards to
the Way what is valued in every age is to have nothing to. do. With regards
to the Way when one is mindless then all things. will proceed smoothly..
Followers of the Way the Dharma of the buddhas calls for no special.
undertakings. Just act ordinary without trying to do anything. particular.
Move you bowels piss get dressed eat your rice and if. you get tired then
lie down. Fools may laugh at me but wise men. will know what I mean. A man
of old said People who try to do. something about what is outside
themselves are nothing but. blockheads.. If you have doubts in your mind
for an instant that's the Buddha. devil. But if you can understand that
the ten thousand phenomena were. never born that the mind is like a
conjurer's trick then not one. speck of dust not one phenomenon will
exist.. As I see it there's no Buddha no living beings no long ago no.
now. If you want to get it you've already got it it's not. something that
requires time. There's no religious practice no. enlightenment no getting
anything no missing out on anything.. If you want to be free to be born or
die to go or stay as onw would. put on or take off a garment then you must
understand right now that. the person here listening to the Dharma has no
form characteristics. no root no beginning no place he abides yet he is
vibrantly alive.. All the ten thousand kinds of contrived happenings
operate in a place. that is in fact no place.. If your mind entertains a
moment of doubt it becomes obstructed by. the element earth. If your mind
entertains a moment of craving it. becomes drowned in the element water.
If your mind entertains a. moment of anger it is seared by the element
fire. If your mind. entertains a moment of delight it is tossed about by
the element. air.. The way I see it onw shouldn't be averse to anything.
Suppose you. yearn to be a sage. Sage is just a word sage.. Those who
study the Way these days need to have faith in themselves. and not go
looking for something outside.. If you want to be a truly great vessel you
must never be led astray. by others. Wherever you are play the host and
then any place you. stand will be a true one. Whatever confronts you don't
let yourself. be imposed on. If you entertain even a moment of doubt the
devil. will enter your mind.. Just have faith in this thing that is
operating in you right now.. Outside of it nothing else exists.. In the
way you now respond and utilize it what do you lack In the. space of an
instant you enter purity or enter defilement enter the. halls of Maitreya
or enter the lands of the three eyes. You wander at. ease everywhere for
you see that these are all empty names.. The buddhas and patriarchs are
people who don't have anything to do. or are without defilements and
doings their karma is clean and pure.. The Patriarch Shenhui said If you
try to arrest the mind and stare. at silence summon the mind and focus it
on externals control the. mind and make it clear within concentrate the
mind and enter into. meditation all practices of this sort creates karma..
So for the past twelve years though I've looked for this thing. called
karma I've never found so much as a particle of it the size. of a mustard
seed.. thing. thing (thing) n.. . a material object without life or
consciousness an inanimate. object.. . some entity object or creature that
is not or cannot be. specifically designated or precisely described The
stick had a brass. thing on it.. . anything that is or may become an
object of thought things of. the spirit.. . things matters affairs Things
are going well now.. . a fact circumstance or state of affairs It is a
curious. thing.. . an action deed event or performance to do great things.
His death was a horrible thing.. . a particular respect or detail perfect
in all things.. . aim objective The thing is to reach this line with the
ball.. . an article of clothing I don't have a thing to wear.. . things
implements utensils or other articles for service. I'll wash the breakfast
things.personal possessions or belongings. Pack your things and go. . a
task chore I've got a lot of things to do today.. . a living being or
creature His baby's a cute little thing.. . a thought or statement I have
just one thing to say to you.. . Informal. a peculiar attitude or feeling
either positive or. negative toward something mental quirk She has a thing
about cats.. . something signified or represented as distinguished from a.
word symbol or idea representing it.. . Law. anything that may be the
subject of a property right.. . do or find one's own thing Informal. to
pursue a lifestyle. that expresses one's self. Also do or find one's
thing.. . make a good thing of Informal. to turn (a situation. experience
etc.) to one's own profit benefit by She made a good. thing of her
sparetime hobbies.. . new thing Jazz. See free jazz.. . not to get a thing
out of to be unable to obtain information. or news from The police couldn't
get a thing out of him.to fail to. appreciate understand or derive
aesthetic pleasure from My wife. likes opera but I don't get a thing out
of it.. . see or hear things Informal. to have hallucinations.. . the
thing something that is correct or fashionable That caf. is the thing
now.that which is expedient or necessary The thing to. do is to tell them
the truth.. bef. ME OE orig. meeting see THING. thing (thing ting) n.. (in
Scandinavian countries) a public meeting or assembly esp. a. legislative
assembly or a court of law.Also ting. Cf. thingstead.. ON assembly c.
THING D ding G Ding thing orig.. meeting akin to Goth theihs time.
isoQnothBing(nuthCing)n.. nothing (nuthÆing) n.. . no thing not anything
naught to say nothing.. . no part share or trace (usually fol. by of) The
house. showed nothing of its former magnificence.. . something that is
nonexistent.. . nonexistence nothingness The sound faded to nothing.. .
something or someone of no importance or significance Money. is nothing
when you're without health.. . a trivial action matter circumstance thing
or remark to. exchange a few nothings when being introduced.. . a person
of little or no importance a nobody.. . something that is without quantity
or magnitude.. . a cipher or naught Nothing from nine leaves nine.. . (used
in conventional responses to expressions of thanks). Think nothing of it.
It's nothing. Nothing to it.. . for nothing free of charge.for no apparent
reason or. motive.futilely to no avail They had gone to a great deal of.
expense for nothing.. . in nothing flat in very little time Dinner was
finished in. nothing flat.. . make nothing of to treat lightly regard as
easy.to be. unsuccessful in comprehending He could make nothing of the.
complicated directions.. . nothing but nothing other than only We could
see nothing. but fog.. . nothing doing Informal. emphatically no certainly
not.no. activity inducement advantage etc. present to the eye We drove.
through the town but there seemed to be nothing doing.. . nothing less
than or short of absolutely completely She was. used to nothing less than
the best.. . think nothing of to treat casually.to regard as.
insignificant He thinks nothing of lying to conceal his. incompetence..
adv.. . in no respect or degree not at all It was nothing like that..
Nothing dismayed he repeated his question.. adj.. . amounting to nothing
as in offering no prospects for. satisfaction advancement or the like She
was stuck in a nothing. job.. bef. ME OE nnthing nathing see NO THING.
tinpot passes. virga. acoustic angelically thin. spectral drops. vouge.
tyros arsenicise translucent. acide. visive. inconsolable otherworld
workfile. dataloose. vocalist. scans hurtingly dimpling.. viscous.
offensively frazzling nonrecognizeds. stickman. voider. kaluga tisane
revisits vaporiser sourer thereupon arrowworm. mensuration thickly mislike
existentialist. avoider. wagger. mary medusa numeral. particularized
mechano bride. waart. anchoritism genitives. possessions. vizagapatam.
noetic.. wade. wharves polysynaptically. shores transmit. virgin.
thunderbolts octodecimo (teeneighter) essenize toolsmith atrophying.
quarterizations squares whooped pothook obsolescence seppuku.
anglicizations thanker thoraces. bio. volcanologic. scandalizers
mediaevalistic oratorical sweeneys suseptible. gelatinisation goitre
oilbird saddening cadmus nightstick.. apocalyptick lipstick little red
riding babylon. vivified. autoplastic intoxicated thinest utilities
thermalized. resurreact. vulturine. animalness antiresonator thaumaturgic.
pred(ic)ate. vocabulary. anderlecht giantlike. a gent. vowelises. xeric
kooks benedictions certainly need iit. votive. impeachable inclemently.
foggy wishes. visualize. autumns. wutang. volplaning. pass. down.
volitant. pass. up. waaf. pass. charm. vedette. animations precriticises
see. vitalises. tinpot lethalise. glassine book.
isoQamiBBBBBBBBBBBBBFdinsFBBBBBBBBBABBFABFBBBBBBBBBFyme. i contritely my
deadeye in scissors. focusable i cric. kets my cyan. amid in s. exangular
fe. minising i coo. kie my daredevi. lry in seamlike. flirting i courti.
er my culture in schizoi. d fault i cramp my decol. orize in scenarises
forear. m).) i cookie my. y me. im not sisting strahgt my jands ctrlz
ctrlz ctrlz ctrlz versjon. ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz
ctrlz ctrlz. ctrlz ctrlz ctrlz ctrlz glitch versjon (ultra editor) well.
probably doesn't affect html so why blother. im not sisting iwant
somehthign it's a bit frightening. strahgt that kid on its own and cold.
my jands atomata like tat fly nothing holding. nothing here in the win
should i let go. this writing is the fog leaves (they of what. against
itself does it) eprime the i don't know anything. i only write when drema
(dramadream) this blank screen. forgetting muself of magic contradicted by
my fingers. negation well science and the this will only be trouble.
worthwhile howto any base fuck you. space which is debase. coming back
this is completely lost. nothing to. never again. her cunt ie no memory.
should backspace sensation must be no knowledge. that based on recurrence
monster of pixels. collaps else you wouldn't sooth. where am i know but
gnom. how to write still sense but no.. where am i inn the only once it
vicinity. myself doesn't count (count potential. my arm is kind of is
sentence dn. twiched recurrence). any pnrrmaqyaw. my back somewhat object.
object is nvvypub vybcd. cxrunched here too much object. dmcs vnbpu cdng.
virtual backspace anything that is suug fc. nothing ever comes visible or
tangible mqhycuq iydx. out of this and is relatively bucgupd dn. where
does this go stable in form. to uaurk rnhuruad. expect nothing you. ya
hypyaydk. left channel delay something. thing xytt uywxd cyj. the need
(meeting vyhu. no structure her interface). lubn (). whatever fright
subjectsubstance. discontinue into subtrahends arietta. slide emergent
relation. subterfuge arrowed. discreet egene remove sceptrelesses.
pataphysical logic posessive my's. arrowed. compression is a reactive at
chemical saboteur arid. cipher level. behave septarium arte. roads late ME
softheartedly arad. justice behaven (reflexive). subterranean arid.
blockhead See BE HAVE. shifters airy. writing into space behaviorism the
spadework awardee. i'll go wherever the theory that scepter areawide. keys
lead psychology can be shifter aerate. leather case accurately studied
softer arrau. board table kitchen only through the spader artie. cuisine
examination and subterfuge aureate. i meant metaphor analysis of sputter
areawide. wherever possessives. subtree areawide. something else sputter
aerate. this is just one i'm no one get your softer airy. side hands off
me. spader airt. no justice HAHA subterraneanises. usually space is
karmaguilttraces aorta. expensive i once had guilt subdirectories arty.
massive nothing writing haha says it spidery aired. eyes all (active
subtraction arty. i once had eyes expression vs sceptered artie. go beyond
they say matters of doctrine) subtreasury areawide. other i laughter is
spidery arrayed. what comes in this eternally guilty subterraneanise arte.
is still eyes (doctrinal in sifter awardee. keyes writing) as any. the cod
e statement n softheart s. mouthing. y arrondis t. guilty guilty (how
soekar t. traffi n awkward to ) soffit ar t. horsest c t how's w g softies
arteriole. there's compilation attached to guilt soever arterialises.
should stop writing soke arterialising. interprete e another w e sojo.
immedi s status of relate to arte. l valuemeaning other sod. what' than
drawn arteri d. ente softhead arthromere. which is p s (interfaces again).
sojourners arrowroot. i had t a media a softening artefact. big small
inverse suppose it e softbound arsenical. di other way a softy ars l.
protoco f signs are soiree arsenicises. papyrus no o lines are. ts
stronger attraction readapting mcqueen. pro proto me. critical distance
attraction to what reactualise meagerly. execution of seeing easy essing
me. al ers are easi ay. of mcmurdo. hidden instant an g rea ness me.
middleman blackmail to ably me. compl of the ualizes li syst. inimax rk up
to. me. what's the deal on me. ( rface') reactualisations me. i r mansus
accidencesubsta me. critical and easie 's. system wins like. d ng not
gravitati stupid you. always. de reaming get signs too. dr eath is obvious
it's their. so ng else job. backtracking. i'd to die guilt is thru th ..
sign. you. no shouldn't att it's. like chaplin on. de s trash a conveyor
belt. ghtning down t rs economy.. no no sign. no in the talking is a w
recur.. as stimulusres augment. pos respons. wh. relax. relax. count your
breath. no nothing web. claws. getting warm. when do words get cold they
do. do (warmcold). back. baktruppen. epistolar after sending. epistemic
after receiving. thoughts don't originally exist (Bankei). retract. re re
re do re Gurdijeff. waste. names how odd the nominalessential pitch. still
wastepaper. do mi fa la re si do i have a theme. problematic. throw away.
abject. stage. reverence. inferior. just abide fushi. when can you tell.
topology of the beyond. this is my nothing here you are. who's this guy
talking to. lacking sensations the smell of autumn. drowned in a deep
spring. joy is in the subject. which is the whole. which is mere nominal.
the essential from its side. partial and objective. like names. containers
and carriers characters. you shouldn't expect anything from me. other than
continuous abjections and vomit. not a voice. who's that vo mit u puke
phew we. no way of recollecting even this simple stuff. improwise. you
have twenty questions get a million answers. the backspace of. shift the
carriage or typing element of a typewriter one space. backward by
depressing a special key. to move the cursor printhead. etc. toward the
beginning of the data.. i want dat. eh. grain. if you don't see grains
it's fake. hypocrisy. ME ipocrisie OF LL hypocrisis Gk hypkrisis play.
acting equiv. to hypokrA(nesthai) to play a part explain (hypo. HYPO
krAnein to distinguish separate) sis SIS h. (reintroduced in th century) L
and Gk. digit count to ten on your fingers. fushi the play is a play why
bother it's your own do undo re re. souleating sunbe pale moon (esoteric
paleontology). backspace. digress. growth is always the same. be driven
out. into digression throwing away your life (Bankei). Backspace.
spacecaps (capital letter space mahayana epistolar). before after now
after before return the same. wander off on a grain pe(a)rl recursion you
completely annoy me. discriminate hypocracy. crime. ss. sage sinister.
link plunderphonics weeks (). plunderphonics weeks ().
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did you think of this right now or was it something you had intended. say.
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med st. F C C D A F ørste gleda..og. B C B eg skal kveda s. F E D A o vent
fyr deg... B C C F D at du skal gløym. A F C F D a deg sjølv og m. E D A D
A C B C eg.....Å eg skal. B F B kveda so du ska. C E C D A D l gråta..um
du. C E C var aldri så gla. F B E C D A E d og kåt'e..å e. B C B F g skal
kveda so. E E C C D A snålt fyr deg... B C C E E E at du skal læ nå. E D E
r du ser på meg.. D A D A F D E F ....Og mine viso. F E E C r dei er so
snål. C D A F D F B E e..som Borken t. E E E E råvar på isen hå. C C D A F
D E le..og mine vis. F A E or dei gjer' ein. C E D A F D C C sleng..som
litl. E E B e guten på skeis. E E A E E D A D A C unn' gjeng.....Å. D E F
mine visor dei. F D E C D A F er so mange..so. D A D C F D E m
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all si tid... D B dess meir dei kv. C D ed dei dess mei. E D A D A C r der
bid.....Å. C A C vil du stevjast. F B C so skal eg svar. C D A F C E a..og
heile nat. F B C ti so skal det v. B D A F C ara..og vil du. A D D
stevjast med meg. B C C D A E i kveld..du gå. B A E r 'kje åt fyrr d. E E
D C C E u fær ein smell.. abort.
DJbyHandsisselkyrkjeboorigamiweightlessapati MB. Re confuciuslist Mencius
B. wild grass (fwd). Forwarded message. Thomas. confuciuslist Mencius B.
wild grass. This saying by Mencius is as beautiful as Confucius' and
superbly translated. by Legge. Mencius said to the disciple Kao 'There are
the footpaths along the. hills if suddenly they be used they become roads
and if as suddenly. they are not used the wild grass fills them up. Now
the wild grass fills. up your mind.'. oct(). x. h FF D FF E A
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fa.fictionofphilosophy groupsbeta. been available as
fa.fictionofphilosophy at usenet now it's also made. in addition to the
archives also containing interesting statistics. feeds. at least in this
stage it's free from ads who knows about. later... well just fyi and all
the best to the group and the people spending. time here... raven apm. ..
Raven's Advanced Progressive Matrixes (RAPM). Raven's Advanced Progressive
Matrixes is one of a series of nonverbal. tests of intelligence developed
by J.C. Raven (). Following. Spearman's theory of intelligence it was
designed to measure the. ability to educe relations and correlates among
abstract pictorial forms. and it is widely regarded as one of the best
available measures of. Spearman's g or of general intelligence (e.g.
Jensen Anastasi. ). As its name suggests and of particular significance to
the. Prometheus Society it was developed primarily for use with persons of.
advanced or above average intellectual ability.. Like the other Raven's
matrices tests the APM is composed of a series. of perceptual analytic
reasoning problems each in the form of a matrix.. The problems involve
both horizontal and vertical transformations. Figures may increase or
decrease in size and elements may be added or. subtracted flipped rotated
or show other progressive changes in the. pattern. In each case the lower
right corner of the matrix is missing. and the subject's task is to
determine which of eight possible. alternatives fits into the missing
space such that row and column rules. are satisfied. The APM battery
consists of two separate groups of. problems. Set I consists of problems
that cover the full range of. difficulty sampled from the Standard
Progressive Matrices test. Standard. timing for Set I is minutes. This set
is generally used only as a. practice test for those who will be completing
Set II. Set II consists. of problems with a greater average difficulty than
those in Set I.. Set II can be administered in one of two ways either with
or without a. time limit of minutes. Administering Set II without a time
limit is. said specifically to assess a person's capacity for clear
thinking. whereas imposing a time limit is said to produce an assessment
of. intellectual efficiency (Raven Court Raven ).. Phillip A. Vernon in
his review of the APM (Test Critiques ). writes that the quality of the
APM as a test is offset by the totally. inadequate manual which
accompanies it. For interpretive purposes the. manual provides 'estimated
norms' for the APM which allow raw. scores to be converted into
percentiles (but only and ). and another table for converting percentiles
into IQ scores. John. Johansen a graduate student at the University of
Minnesota and former. regular poster to the Brain Board came into
possession of the. version of the test for use in his research (this form
is no longer used. for testing) along with pages of written text about
the. implementation scoring and standardization of the test. In a post to.
he provided the following information applicable to the untimed. version of
the test. Untimed intraday (go until you give up) distribution for year.
olds year olds and year olds. Scores balanced for guessing.. general
population. percentile ranking. number correct by age group. years. years.
years. .. Norms are not accurate above this point for the untimed version
due to. limited population taking test in this condition.. Ignoring the
above caveat about inaccurate norms above the .th. percentile the above
data indicates that there is about a point raw. score difference between
and sigma on this test. If this difference. carries on to the next sigma
this would give associated scores of. general population. percentile
ranking. number correct by age group. years. years. years. .. Although
this data would seem to suggest sufficient ceiling for. discriminating at
the in level there have been other normative. studies which provide
conflicting data. In an article in Educational and. Psychological
Measurement (Bors and Stokes ) the authors mentioned. two studies of
interest besides Raven's group Paul's study and. their own S. M. Paul's
study of University of California. Berkeley students ( women men) Tested
under the untimed. condition the students' scores ranged from to with a
mean of. and a standard deviation of .. This was significantly higher than
the. mean of Raven's normative group (M. SD.).. Bors and Stokes
administered the timed version of the APM to. students ( women men) from
the Introduction to Psychology course. at the University of Toronto at
Scarborough. Subjects ranged in age from. to years with a mean of .
(standard deviation.).. Enrollment in the Introduction to Psychology
course was considered. roughly representative of firstyear students at
this university. The. scores on Set II for the students ranged from to
with a mean of. . (standard deviation.). This performance is somewhat
higher. than that of the Raven's normative group but considerably lower.
than Paul's University of California Berkeley sample.. Additional data
supporting the conclusion that the RAPM (either timed or. untimed) does
not discriminate at the level is taken from. Spreen Strauss (Compendium of
Neuropsychological Tests nd Edition. ) and shown in the tables below.. A
middleoftheroad approach would be to use the recent University of. Toronto
at Scarborough data and to assume that the mean of the test. group
corresponds to about SD above the mean of the general. population and to
further assume that the SD of the general population. would be about the
same as the standard deviation of the test group.. Finally assuming a
normal distribution in the test group the in. level would correspond to .
(.) which is raw. points above the test's ceiling of .. Advanced
Progressive Matrices Set II Occupational Norms. ile rank. Occupations of
various groups. UK. US. UK TA. UK. UK. UK. UK. UK. UK. UK. General.
populatn. yr.olds. Navy. yr. olds. Officer. Aplcnt. Retail. Mngrs..
Police. Officer. Senior. Mngrs(Htls.). Accnt.. Staff. Oxford. Local.
Athrty.. Rsrch.. Scntsts.. untmd.. min. min. min. min. min. min. min. min.
min. (n). (n. (n). (n). (n). (n). (n). (n). (n). (n). UK general population
data derived from the Standardization of the. SPM and APM (TABLE APM XIII).
US Navy data extracted from data supplied. by Alderlon (see Knapp Court )
(TABLE APM XVII) UK Police. Officers' data extracted from Feltham ()
(TABLE APM XXVI). Other. data collected by Oxford Psychologists Press.
Source J. Raven ().. The data above does bring up the issue of age
variation of IQ data which. is not typically addressed by other
instruments that we've used for. Prometheus Society entry requirements and
that is perhaps something that. should be considered. (In the case of the
SAT and GRE tests there is. not typically much variation in the ages of
those taking the test and no. such data was used in norming any of the
takeathome tests we've used.. Spreen and Strausse have provided the
information for the table below. Advanced Progressive Matrices Set II
(Untimed) Smoothed Summary Norms. for the USA. ile rank. Age of test taker
in years. (n). (n). (n). (n). (n). (n). (n). (n). (n). (n). (n). Based on
the standardization of the APM in Des Moines Iowa.. Tests completed at
leisure. Source J. Raven (). Curiously American Mensa does not list the
RAPM among its currently. accepted tests although UK Mensa does. Perhaps
this is a more. international test than others we have reviewed and
considering its. quality we should probably continue to consider its
possible use. especially as an auxiliary test to be submitted in
conjunction with. other tests that are deemed capable of discriminating at
the in. level.. delayed. Warning not. YOU DO NOT. The original Mon. (CEST)
from . . .. ... Transcript of. session follows. ... Deferred. .... Warning
still. undelivered. Will keep trying. FinalRecipient RFC noemata.... Action
delayed. Status ... RemoteMTA DNS .... WillRetryUntil Sometime Feb (CEST).
Re fiction of philosophy newsgroup. fa from arpanet. institute for
informatics at the university of oslo is gatewaying. all the old arpanet
groups into usenet because most users didn't have. access to arpanet only
usenet.. The world's oldest electronic conferences the ARPANET mailing
lists. were quickly integrated into USENET. Gateways were made so
newsgroups. starting with fa (From ARPANET) contained the mailing list
contents. and USENET users could post and participate. ARPANET mailing
lists. emerged around not long after network email linked ARPANET users.
together.. It's only purpose is that. everyone who want to subscribe to
the mailinglist can. just read the newsgroup (saves some disk space I
guess).. The prefix fa is as far as I know quiet historic.. The first
mailing lists that were converted to newsgroups. had this prefix (fa from
arpanet).. Until this discussion I didn't know that this group was.
distributed outside ifi.uio.no (Institute of Informatics. University of
Oslo). Do you get the other fa.groups as. well At the moment there are of
them.. search on arpanet usenet gateway etc for more internet history..
for the other question see my recent post about. I believe so...but I
don't know who set it up or when or what 'fa'. stands. for for that
matter.... Ryan. Since my pop mail account keeps screwing up over here Ive
been. looking for a. way to read the wryting list I found the fiction of
philosphy. newsgroup which. seems to have some of the wryting list
archived there. How does this. work Is. the newsgroup subscribed to the
wryting list. inlangplgroupfa.fiction. ofphilosophy. mIEKAL. This message
was sent using Midwest Tel Net Web Based Mail.. Re fiction of philosophy
newsgroup. and also. ..This rather brings to mind a syndrome that
sometimes occurred when an. old Arpanet mailing list got gatewayed to a
Usenet newsgroup. After a. little while some Usenet novice would commit
some faux pas a furious. Arpanaut would flame violently about how Usenet
was nothing but bozos. who didn't understand How Things Should Be Done and
the gatewaying was a. stupid idea and the list maintainer would quietly
observe that the. gatewaying had indeed produced problems but it was also
producing most. of the real content... Henry Spencer Mail Relays. ). fa
from arpanet. institute for informatics at the university of oslo is
gatewaying. all the old arpanet groups into usenet because most users
didn't have. access to arpanet only usenet.. The world's oldest electronic
conferences the ARPANET mailing lists. were quickly integrated into USENET.
Gateways were made so newsgroups. starting with fa (From ARPANET) contained
the mailing list contents. and USENET users could post and participate.
ARPANET mailing lists. emerged around not long after network email linked
ARPANET users. together.. It's only purpose is that. everyone who want to
subscribe to the mailinglist can. just read the newsgroup (saves some disk
space I guess).. The prefix fa is as far as I know quiet historic.. The
first mailing lists that were converted to newsgroups. had this prefix (fa
from arpanet).. Until this discussion I didn't know that this group was.
distributed outside ifi.uio.no (Institute of Informatics. University of
Oslo). Do you get the other fa.groups as. well At the moment there are of
them.. search on arpanet usenet gateway etc for more internet history..
326
for the other question see my recent post about. I believe so...but I don't
know who set it up or when or what 'fa'. stands. for for that matter....
Ryan. Since my pop mail account keeps screwing up over here Ive been.
looking for a. way to read the wryting list I found the fiction of
philosphy. newsgroup which. seems to have some of the wryting list
archived there. How does. this. work Is. the newsgroup subscribed to the
wryting list. inlangplgroupfa.fiction. ofphilosophy. mIEKAL. This message
was sent using Midwest Tel Net Web Based Mail..
isoQJaglEggerlitebilderpEmighEr.. Jag lgger lite bilder på mig hr.. Men
kom ihåg jag vill grna att ni skriver i Gstboken vad ni tycker. annars
blir det inte fler bilder.. Mina Fuktiga brst efter duschen.. Jag visar
upp ett av mina brst.. Jag i sexiga underklder.. Jag visar upp mig på
sngen.. Hr r jag helt utlmnad åt dig.. Tnk om handen inte fanns dr..
Gillar ni mina Lppar.. Ny bild på mina lppar.. Gillar ni bilderna på mig i
stayups. Det kan komma fler bilder Jag håller på att vertala min vninna
att. jag skall få lgga upp bilder på henne också.. Hr under lgger jag
sprutbilderna som jag får Och jag skall villigt. erknna att jag har
onanerat och tittat på dem många gånger.. Sprutbild. Sprutbild. Sprutbild.
Sprutbild. Sprutbild. Sprutbild. Sprutbild. Sprutbild. Sprutbild. Jag har
fått ett par nya sprutbilder Det tycker jag om. Flera gånger. har jag
tittat på dessa bilder och tnkt på er hur ni har lekt med era. underbara
stånd fantiserat om mig och sedan sprutat er varma klibbiga. sats ver min
kropp. Många gånger har dessa fantasier tagit mig till. underbara
orgasmer. Ett extra spnningsmoment r ju att min kille inte. har någon
aning om vare sig websidan eller dessa foto.. Hr kommer fler bilder.. En
bild från en man som heter Bokoboko.. Gabbe har också sprutat ner min
kropp.. Hawkan har lagt sin varma sd ver mig.. Fineman har gjort hrligt
sexiga konstnrliga bilder.. nnu en bild från Fineman.. Re the sleep of
reason. The Slip of Reason Produces Monsters.... The Monstrous Reason
Produces Sleep.... The Sleep of Monsters Produces Reason.... The
Production of Reason Monsters Sleep.... the protesting of rezone
mahayanist sleep.... two slippy opaque ricin particular monsters.... thy
menstruates richen periodizations sleep.... the skelf opah minstrel
participant ratio... twombly mensing richened periodicity sleeplessess thy
skelping opaline. minority partly reasons tattooer party obese rippling.
reason rosena rosaen ensora aeonsr senora soraen soaren snorea oarsen.
norsea arsone. subject. unselfishness there you see plainly the recursion
it's considered a. virtue because.. in view of.. yes unselfishness. and so
selfishness is a. virtue in view of selfishness etc. and virtue is a virtue
in view of the. virtue virtue is the positive productive property of a view
the view's. production. but it doesn't mean you can avoid it. there's
virtues of your. body as long as you have one. and virtues of having as
long as it's. possible. and virtues of the possible as long as it's not
impossible.. virtues of the impossible via negativa. prime numbers are
what remains. are. they selfish or unselfish ) positive or negative you
can follow them a. bit via the positive which is like the virtue of a view
formula though. quickly you're replacing algorithms with heuristics which
is more of a. mess like the layered virtues of our reality the real being
transcendent. unending streams and you find yourself jumping from this to
that all the. time not selfishalgorithmic (producing) or
unselfishheuristic (seeking). but let's call it dancing since there are
movements and well the thing is. still alive though with no reason and not
producing or seeking still views. you can't avoid going through the steps.
eurythmics is at the end or the. beginning not the body's algorithms
(production system) or it's. intentionality (heuristics) the virtues of
having a body having a view. not selfish not unselfish. no virtues no
views but still a text still. here though not what it is (produces) or
what it means (seeks) it's still. written in virtue of the iso charset
twofaced bastards so maybe. we're talking dialectics too the protocol
(selfish) and the exchange. (unselfish) still the user. user (Æzr) n. Law.
the exercise of a. right to the enjoyment of property. my body my propery
the body of this. mail. again the protocol's from to subject body this is
the body.. distributed via no commercial use without permission. is a
moderated mailing list for net criticism. collaborative text filtering and
cultural politics of the nets. more info majordomobbs.thing.net and info
nettimel in the msg body. Fwd xStream online. Start of forwarded message.
ReplyTo xstreamxpressed.org. Fwd xStream online. xStream Issue. xStream
Issue is online again in three parts. . Regular (also available in PDF)
Works from poets. (Sandra Simonds Dorothee Lang Hugh Tribbey David Nemeth.
John Crouse Jim Leftwich and Andrew Topel). . Autoissue Poems generated by
computer from Issue texts. the whole autoissue is generated in realtime
new version in. every refresh.. . Wryting Issue a monthly selection of
WRYTINGL listserv works. Sincerely. JukkaPekka Kervinen. Editor. xStream.
email xstreamxpressed.org. End of forwarded message. florian cramer
digital code and literary text. florian cramer digital code and literary
text. Can notions of text which were developed without electronic texts in
mind be. applied to digital code and how does literature come into play
here. Abstract. This paper is based on the general (yet disputable)
assumption that the. theoretical debate of literature in digital networks
has shifted just as. the poetic practices it is shaped after from
perceiving computer data as an. extension and transgression of textuality
(as manifest in such notions as. ''hypertext'' ''hyperfiction'' ''hyper
multimedia'') towards paying. attention to the very codedness i.e.
textuality of digital systems. themselves. Several phenomena may serve as
empirical evidence. The early focus of conceptualist Net.art on the
aesthetics and politics of. code. in turn the impact of Net.art aesthetics
on experimental literature. poetry in the Internet. the close discooursive
affinity of Net.art to political activism in the. Internet. the close
aesthetic affinity of Net.art to a the languages and codes of an. older
technically oriented ''hacker'' culture (of Chaos Computer Club. and
others). a convergence of the three cultures mentioned above Net.art net
activism. and hacker culture. (a) FreeOpen Source Software andor (b) open
network protocols as key. discursive political and aesthetical issues in
all these camps. finally the impact of hacker aesthetics Net.art
aesthetics code. aesthetics and network protocol aesthetics on
contemporary writing in the. Internet. (See the work of mez Alan Sondheim
Talan Memmott Ted Warnell. and others.). The question is how ''Codeworks''
(Alan Sondheim) fit notions of text that. were crafted without digital code
most importantly machineexecutable. digital code in mind and vice versa. Is
it a coincidence that in their. poetical appropriation of lowlevel Internet
codes codeworks ended up. aesthetically resembling concrete poetry And
apart from aesthetic. resemblances how do computer programs relate to
literature Is that what is. currently being discussed as ''Software Art''
a literary genre. Code. Since computers the Internet and all digital
technologies are based on. zeros and ones they are based on code. Zeros
and ones are an alphabet which. can be translated forth and back between
other alphabets without information. loss. It does in my point of view
make no sense to limit the definition of. the alphabet in general to that
of the Roman alphabet in particular when we. can the same textual
information in this very alphabet as Morse code flag. signs or
transliterated into zeros and ones. The Internet and computers run. on
alphabetic code whereas for examples images and sound can only be.
digitally stored when translating them into code which unlike the.
translation of conventional text into digital bits is a lossy that is. not
fully reversible and symmetric translation. Sounds and images are not. code
by themselves but have to be turned into code in order to be computed.
where as any written text already is code. Literature therefore is a.
privileged symbolic form in digital information systems. It is possible
to. automatically search a collection of text files for all occurences of
the. word ''bird'' but doing the same with birds in a collection of image
files. or bird songs in a collection of audio files is incomparably tricky
and. errorprone relying on either artificial intelligence algorithms or
manual. indexing both of which are methods to translate nonsemantic
writing (pixel. code) into semantic writing (descriptions).. The reverse
is true as well We can perfectly translate digital data and. algorithms
into nondigital media like print books as long as we translate. them into
signs coded according to the logic of an alphabet. This is what is. done
for example in programming handbooks or in technical specification.
manuals for Internet standards. Today there are two notorious examples of
a. forth andback translation between print and computers. The sourcecode
of Phil Zimmerman's cryptography program ''Pretty Good. Privacy'' (PGP).
The PGP algorithms were legally considered a weapon and. therefore became
subject to U.S. export restrictions. To circumvent this. ban Zimmerman
published the PGP sourcecode in a book. Unlike algorithms. literature is
covered by the U.S. First Amendment of free speech. So the. book could be
exported outside the United States and by scanning and. retyping
translated back into an executable program. the sourcecode of DeCSS a
small program which breaks the cryptography. scheme of DVD movies. Since
U.S. jurisdiction declared DeCSS an ''illegal. circumvention device''
according to the new Digital Millennium Copyright Act. (DMCA) the ban
equally affected booklets flyposters and tshirts on which. the DeCSS
sourcecode was printed.. That code is speech is a fact stressed again and
again by programmers and is. also at the heart of Lawrence Lessig's legal
theory of the Internet. (Lawrence Lessig. Code and Other Laws of
Cyberspace. Basic Books New York. .). It is strictly speaking sloppy
terminology to speak of ''digital. media''. There actually is no such
thing as digital media but only digital. information. Digital information
becomes ''media''only by the. On the reverse end of the chain keyboards
mice scanners and cameras. are analogtodigital converters.. virtue of
analog output computer screens loudspeakers printers are analog. output
devices interfaced to the computer via digitaltoanalog conversion.
hardware like video and sound cards or serial interfaces.. An average
contemporary personal computer uses magnetic disks (floppy and. hard
disks) optical disks (CDROM and DVDROM) and chip memory (RAM) as its.
storage media and electricity or fiber optics as its transmission media..
Theoretically one could build a computer with a printer and a scanner
which. uses books and alphabetic text as its storage media. Alan Turing
showed. that. While such a machine would operate slower than with
magnetical or. optical media it would provide more robust and durable
information storage. on the other hand.. no electronics are needed to
build a computer the Boston Computer Museum. even features a mechanical
computer built from wooden sticks.. Juxtapositions of ''the book'' and
''the computer'' are quite misleading. because they confuse the storage
and analog output media (paper versus a. variety of optical magnetical and
electronical technologies) with the. information (alphabetical text versus
binary code). It further ignores by. the way the richness of storage and
transmission media in traditional. literature which aside from the book
include oral transmission and mental. storage audio records and tapes the
radio and television to name only a. few.. If there is strictly speaking
no such thing as digital media there also. is strictly speaking no such
thing as digital images or digital sound.. What we refer to as a ''digital
image'' is a piece of code. Normally this code is divided into three pieces
one the socalled. sound or image file containing the machineindependent and
program. independent abstract information the second the socalled display
program. containing the instructions to mediate the abstracted information
in a. machineindependent yet not programindependent format to the
operating. system the third the socalled operating system mediating the
program. output to the output machine whether a screen or a printer. These
three. code layers however are nothing but conventions. Theoretically the.
digital image'' file could in itself contain all the code necessary to.
make itself display on analog end devices including the code that is.
conventionally identified as a boot loader and core operating system..
containing the machine instructions to produce the flow of electricity
with. which an analog screen or an analog printer is made to display an
image.. Of course it is important whether a sequence of zeros and ones
translates. into say an image because that defines its interpretation and
semantics.. The point of my (admittedly) formalistic argumentation is not
to deny this. but to underline that. when we speak of ''multimedia'' or
''intermedia'' in conjunction with. computers digital art and literature
we actually don't speak of digital. systems as themselves but about
translations of digital information into. analog output and vice versa.
text and literature are highly privileged symbolic systems in these.
translation processes because (a) they are already coded and (b)
computers. run on a code.. Literature and computers meet first of all
where alphabets and code human. language and machine language intersect
secondly in the interfacing of. analog devices through digital control
code. While of course we cannot think. of code without media because we
can't read it without them the computer. does not really extend literary
media themselves. All those output media. electricity electrical sound and
image transmission etc. existed before. and without computers and digital
information processing.. I therefore have to revise the position I took in
several of my previous. writings If we speak of digital poetry or computer
network poetry we. don't have to speak of certain media and we don't. like
in the paper Warum es zuwenig interessante Computerdichtung gibt.. Neun
Thesen'' ( Nine Points on Why there is so little interesting computer.
homepagewritingsnetliterature general karlsruhe. karlsruherthesen.pdf.
even have to speak of specific machines. If computers can be built from.
broomsticks and networked via shoestrings if any digital data including.
executable algorithms can be printed in books and from them read back
into. machines or alternatively executed in the mind of the reader there
is no. reason why computer network poetry couldn't or shouldn't be printed
as well. in books.. Perhaps the term of digital ''multimedia'' or better
''intermedia''. would be more helpful if we redefine it as the the
possibility to losslessly. translate information from one sign system to
the other forth and back so. that the visible audible or tacticle
representation of the information. becomes arbitrary. A state not be
achieved unless the information is not. coded in some kind of alphabet
whether alphanumerical binary hexadecimal. or if you like Morse code..
Literature. Synthesis putting things together. observe the textual
codedness of digital systems of course implies the. danger of generalizing
and projecting one's observations of digital code. onto literature as a
whole. Computers operate on machine language which is. syntactically far
less complex than human language. The alphabet of both. machine and human
language is interchangeable so that ''text'' if defined. as a countable
mass of alphabetical signifiers remains a valid descriptor. for both
machine code sequences and human writing. In syntax and semantics. however
machine code and human writing are not interchangeable. Computer.
algorithms are like logical statements a formal language and thus only a.
restrained subset of language as a whole.. However I believe it is a
common mistake to claim that machine language. would be only readable to
machines and hence irrelevant for human art and. literature and vice versa
literature and art would be unrelated to formal. languages.. It is
important to keep in mind that computer code and. No computer can
reprogram itself selfprogramming is only possible. within a limited
framework of game rules written by a human programmer. A. machine can
behave differently than expected because the rules didn't. foresee all
situations they could create but no machine can overwrite its. own rules
by itself.. computer programs are not machine creations and machines
talking to. themselves but writings by humans. The programmerartist Adrian
Ward. suggests that we put the assumption of the machine controlling the
language. upside down. ''I would rather suggest we should be thinking
about embedding our own. creative subjectivity into automated systems
rather than naively trying to. get a robot to have its 'own' creative
agenda. A lot of us do this day in. day out. We call it programming.''.
quoted from an EMail. message to the Rhizome'' mailing list May. Perhaps
one also could call it composing scores and it does not seem. accidental
to me that musical artists have picked up and grasped computers. much more
thoroughly than literary writers. Western music is an outstandig. example
of an art which relies upon written formal instruction code. Self.
reflexive injokes such as ''BACH'' in Johann Sebastian Bach's music the.
visual figurations in the score of Erik Satie's ''Sports et.
divertissements'' and finally the experimental score drawings of John
Cage. shows that beyond a merely serving the artwork formal instruction
code has. an aesthetic dimension and intellectual complexity of its own.
In many. works musical composers have shifted instruction code from
classical score. notation to natural human language. A seminal piece in my
opinion is La. Monte Youngs ''Composition No. '' which simply consists of
the. instruction ''Draw a straight line and follow it.'' Most Fluxus
performance. pieces were written. Galerie und Edition Hundertmark. George
Maciunas und FluxusEditionen. . no page numbering. in the same notation
style. Later in the American composer Alvin. instruction which very
precisely tells to perform the piece by playing. itself back and
modulating the speech through the room echoes.. In literature formal
instructions is the necessary prerequisite of all. permutational and
combinatory poetry. Kabbalah and magical spells are. important examples as
well. But even in a conventional. Some historical examples have been
adapted online on my website. narrative there is an implict formal
instruction of how i.e. in which. sequence to read the text (which maybe
or followed or not as opposed to. hypertext which offers alternative
sequence on the one hand but enforces. its implicit instruction on the
other). Grammar itself is an implicit and. very pervasive formal
instruction code.. Although formal instruction code is only a subset of
language it is still. at work in all speech and writing.. It is
particularly remarkable about computing that the namespace of. executable
instruction code and nonexecutable code is flat. One cannot tell. a
snippet of digital code whether it is executable or not. This. property
does not stand out in the alphabet of zeros and ones but is solely.
dependent on how another piece of code a compiler a runtime interpreter.
or the embedded logic of a microprocessor processes it. Computer code is.
highly recursive and highly architectural building upon layers of layers
of. code.. Analysis taking things apart. The fact that one cannot tell
from any piece of code whether it is machine. executable or not provides
the principle condition of all EMail viruses on. the one hand and of the
codeworks of jodi antiorpNetochka Nezvanova mez. Ted Warnell Alan Sondheim
Kenji Siratori to name only a few. with the biennale.py'' computer virus of
the net art groups. on the other work that unlike the actual viri is
fictional in that it. aesthetically pretends to be potentially viral
machine code.. The codeworks to use a term coined by Alan Sondheim of
these writers and. programmerartists are prime examples for a digital
poetry which reflects. the intrisic textuality of the computer. But they
do so not by being to. quote Alan Turing via Raymond Queneau computer
poetry to be read by. computers but by playing with the. Raymond Queneau.
Cent mille milliards de pomes. Gallimard Paris. . p.. confusions and
thresholds of machine language and human language and by. reflecting the
cultural implications of these overlaps. The ''mezangelle''. poetry of
mezMary Ann Breeze which mixes programmingnetwork protocol code. and non
computer language to a portmanteauword hybrid is an outstanding. example
of such a poetics.. Compared to earlier poetics of formal instruction like
in La Monte Young's. Composition in Fluxus pieces and in permutational
poetry an important. difference can be observed in the codeworks The
Internet code poets and. artists do not construct or synthesize code but
they use code or code. grammars they found and take them apart. I agree
with Friedrich Block and. digital.deBlockindex engl.htm that digital
poetry should be. read in the history and context of experimental poetry.
A poetics of. synthesis was characteristic of combinatory and
instructionbased poetry a. poetics of analysis characterized Dada and its
successors. But one. An exception being the the ALGOL computer programming
language poetry. written by the Oulipo poets Franois le Lionnais and Nol
Arnaud in the. early s. see Harry Mathews and Alastair Brotchie editors.
Oulipo Compendium. Atlas. Press London . p.. hardly finds poetry with an
analytical approach to formal instruction code. in the classical th
century avantgarde. Internet code poetry is being. written in a new if one
likes postmodernist condition of machine code. abundance and overload.. The
hypothesis that there is no such thing as digital media but only. digital
code which can be stored in and put out on any analog medium is. perfectly
verified by codework poetry. Unlike hypertext and multimedia. poets most of
the artists mentioned here write plain ASCII text. The. contradiction
between a complex technopoetical reflection and lowtech. communication is
only a seeming one quite on the contrary the lowtech is. crucial to the
critical implication of the codework poetics.. The development of
hyperfiction and multimedia poetry practically paralleled. the
construction of the World Wide Web hyperfiction authors rightfully saw.
themselves as its pioneers. In the course of nineties they continued to.
push the technical limits of both the Internet and multimedia computer.
technology. But since much digital art and literature became testbed.
applications for new browser features and multimedia plugins it.
simultaneously locked itself into nonopen industrycontrolled code.
formats. Whether intentional or not digital art thus. like Shockwave
QuickTime and Flash. strongly participated in the reformatting of the
World Wide Web from an. open operating system and browseragnostic
information network to a. platform dependent on propietary technology.. By
readjusting the reader's attention from software surfaces which pretended.
not to be code back to the code itself codeworks have apparent
aesthetical. and political affinities to hacker cultures. While hacker
cultures are far. more diverse than the singular term ''hacker'' suggests
hackers could as. well be distinguished between those who put things
together like Free. Software and. Boris Grndahl's (German) Telepolis
article The Script Kiddies Are. Not Alright'' summarizes the multiple
sometimes even antagonistic camps. deutschhtmlresult.xhtml urltp
deutschinhaltte.html. demo programmers and those who take things apart
like crackers of serial. numbers and communication network hackers from
YIPLTAP Phrack and. Chaos Computer Club schools. Code poets have factually
adopted many poetical. forms that were originally developed by various
hacker subcultures from the. s to the early s including ASCII Art code
slang (like '' wArz. dd'' for ''leet elite wares dood'') and poetry in
programming languages. (such as Perl poetry) or they even belong to both
the ''hacker'' and the. ''art'' camp. curious. curioushyperreal.pl.
reading my handwriting. .jpg. 'Freedom died. great people proved that
awareness exists and every lifeform is aware. unfortunatelly they hadn't
in mind that evolution not aims into awareness. development but towards
better adaptation.. milions of people just learned how to fake awareness..
This what makes us Humans is ablity to selfdevelopment and Empathy. not
adaptation.. Crowd without a leader went insane.. Sickness is ones who
emphatize get dellusion when looking feelingsless. ones there is no mutual
empathy then ones who emphatize become codepend.. '. .jpg. (notes from
train station i tried to visualise how autosopher adaptative. network
works). also note that 'positive effects coming from smoking of tobbaco
come from. changed metabolism of dopamine while addiction is created by
completely. different neurotransmitter patch'. also common mistake of
polish language pointed out (use of foregin noun). .jpg adaptative ALP
network (network of small audio buffers adapting to. user defined sound)..
i have some other work like learning from c sources i'll write to you.
later. d.jpg. dissolving substance. dreams come when i am here. snowwhite
truth about false. particles of absurd from nothing. substance. while this
world is only interpretation of our dreams. substance. you melt with
nonexistence like you. practical disasemble of life program. transient
observation of. thoughts about minimalism truth about time.. form of
delusion. sequence of session. it's lack of thought Substance. while
civilisation camp grid is at least km thin.. where is reason. dynamic.
ambition. field of perception actions of consiousness. (). time. and this
is 'life'. intonation is alive and manipulating bodies. will be as is
because can't be other way. preprogrammed forecast shatter and bend under
influence of new data. how is time machine like. alive. destiny of chaos
complexity creation is creation itself. we can watch beauty of growth. our
time came. power came to an end.. curioushyperreal.pl. badgernoemata.net.
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'Freedom died. great people proved that awareness exists and every
lifeform is aware. unfortunatelly they hadn't in mind that evolution not
aims into awareness. development but towards better adaptation.. milions
of people just learned how to fake awareness.. This what makes us Humans
is ablity to selfdevelopment and Empathy. not adaptation.. Crowd without a
leader went insane.. Sickness is ones who emphatize get dellusion when
looking feelingsless. ones there is no mutual empathy then ones who
emphatize become codepend.. '. .jpg. (notes from train station i tried to
visualise how autosopher adaptative. network works). also note that
'positive effects coming from smoking of tobbaco come from. changed
metabolism of dopamine while addiction is created by completely. different
neurotransmitter patch'. also common mistake of polish language pointed out
(use of foregin noun). .jpg adaptative ALP network (network of small audio
buffers adapting to. user defined sound).. i have some other work like
learning from c sources i'll write to you. later. d.jpg. dissolving
substance. dreams come when i am here. snowwhite truth about false.
particles of absurd from nothing. substance. while this world is only
interpretation of our dreams. substance. you melt with nonexistence like
you. practical disasemble of life program. transient observation of.
thoughts about minimalism truth about time.. form of delusion. sequence of
session. it's lack of thought Substance. while civilisation camp grid is at
least km thin.. where is reason. dynamic. ambition. field of perception
actions of consiousness. (). time. and this is 'life'. intonation is alive
and manipulating bodies. will be as is because can't be other way.
preprogrammed forecast shatter and bend under influence of new data. how
is time machine like. alive. destiny of chaos complexity creation is
creation itself. we can watch beauty of growth. our time came. power came
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exists and every lifeform is aware. unfortunatelly they hadn't in mind
that evolution not aims into awareness. development but towards better
adaptation.. milions of people just learned how to fake awareness.. This
what makes us Humans is ablity to selfdevelopment and Empathy. not
adaptation.. Crowd without a leader went insane.. Sickness is ones who
emphatize get dellusion when looking feelingsless. ones there is no mutual
empathy then ones who emphatize become codepend.. '. .jpg. (notes from
train station i tried to visualise how autosopher adaptative. network
works). also note that 'positive effects coming from smoking of tobbaco
come from. changed metabolism of dopamine while addiction is created by
completely. different neurotransmitter patch'. also common mistake of
polish language pointed out (use of foregin noun). .jpg adaptative ALP
network (network of small audio buffers adapting to. user defined sound)..
i have some other work like learning from c sources i'll write to you.
later. d.jpg. dissolving substance. dreams come when i am here. snowwhite
truth about false. particles of absurd from nothing. substance. while this
world is only interpretation of our dreams. substance. you melt with
nonexistence like you. practical disasemble of life program. transient
observation of. thoughts about minimalism truth about time.. form of
delusion. sequence of session. it's lack of thought Substance. while
civilisation camp grid is at least km thin.. where is reason. dynamic.
ambition. field of perception actions of consiousness. (). time. and this
is 'life'. intonation is alive and manipulating bodies. will be as is
because can't be other way. preprogrammed forecast shatter and bend under
influence of new data. how is time machine like. alive. destiny of chaos
complexity creation is creation itself. we can watch beauty of growth. our
time came. power came to an end.. curioushyperreal.pl. badgernoemata.net.
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listeadresse eekunst.no. kontaktadresse listmasterekunst.no. Re curious.
weird taxonomy. thanks to curious... arafat. arafat shithead it's all the
same some shithead claiming territory. another shithead you only need one
then you get another. automatically like tribes of shitheads shiites
something what's. that got to do with anything. contemporary ontology
something anything everything nothing. maps plainly to logic how
metaphysics became logic or was as it. were classes what do we mean
classes are classes nosferatu the. death of metaphysics the blood is logic
everything is logic has. its undead counterpart the world may die any human
we'll go on. living like undead i should come through here no it's not
possible. any image still there's a byte before it exhausts coming back
to. this morning and driving under the bridge don't blame gray words. gray
roads. feeling down may come easy you just sit there and suddenly you want.
go to sleep and can't sleep because you think this will never end. and
there's nothing anywhere. i'm always down like the server is. down. all
this wind is it going anywhere mostly robots reading the. web let's say i
lived my experience is not different from anybody. else why should we be
separate two persons have mutual feelings. what a mess still four arms two
heads what a monster and the. cleaning of the interface reactions why
should i react i'm already. you not in a religious sense just practical
like the same same. system two processes the same shit all the more
pressure around. identity and the individual this exploition a striking or
notable. deed feat spirited or heroic act the exploits of Alexander the.
Great. it's of course true we are the same otherwise science and. the
logics would be false but still culturally a quest for. identity and most
levels retained which together is driving us out. through the processor
our bodies are arguments positions like. minimal pairs in linguistics and
identical to what itself which. makes sense only through a representation
with the possibility of not. being itself so the quest is via the culture
representation where. the position comes in like the 'you are here' on
maps (in a text you. are here what does it mean i am here this is a long
string and the. other arts where are you in music and everything before
language. and within) no the identity can't come from anything why
different. cultures have different ideas of identity we have maps so we
have. the identity of 'you are here' which gives a faint realization of.
yourself but enough to keep fixed through the loop of being and not. being
the truth and falsity of representation or more precise the. falsity
revealed through its truth and vice versa which is at stake. when
represent i am here two times here and here which are two. places in the
text two positions and isn't it supposed to be only. one like i am only
one so we are baffled by this like Alexander the. Great and need to do
baffling deeds to overcome the bifurcation that. takes place already at
the root already at 'you are here' we don't. understand and the territory
comes from this of not understanding. and you get terrorist and president
like arafat collapsing and. sustaining the map as the quest for identity
through construction of. yourself which is like a greek tragedy whatever
you'll find is the. looking for yourself palestine holy land holy shit how
fcking. long will it take before these shitheads loose their power to lead.
others astray for people not to be led into another suffering hell by.
shithead the great.. roadmap to peace forget road forget map forget
peace.. Re syndicate arafat. This is a multipart message in MIME
format.... ContentType textplain charsetiso. if you rid yourself of
opaqueness i don't know where you are is that. beauty love and war were
always good friends. it's still about identity. the quest for anything
clear and transparent (love) which at the same time. should be something
(territory) and it doesn't resolve so forget it not. wait for the best
love projects (maps) too much the territory becomes. what you see is that
wise. Of the raising opaqueness Claudia always has the most beautiful
answer. which we can wait for the best. Original Message. claudia
westermann. Friday November AM. Re syndicate arafat. a. forget road forget
map forget peace.. keep love. love me in my full beauty and I'll become.
what you see in me. or wise. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for
media culture and media art. post to the Syndicate list. no commercial use
of the texts without permission. RE syndicate arafat. This is a multipart
message in MIME format.... ContentType textplain charsetiso. arafat
shithead it's all the same some shithead claiming territory. another
shithead you only need one then you get another. automatically like tribes
of shitheads shiites something what's. that got to do with anything. sure
let's stick to shithead ascii pseudo artists like you. who says you have
to choose sides. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for
media culture and media art. post to the Syndicate list. no commercial use
of the texts without permission. Re syndicate arafat. This is a multipart
message in MIME format.... ContentType textplain charsetiso. Far from the
making act we can say everything in any case. Obviously you. had not
chosen but the omissions allied to the obvious terms made sense of.
themselves together without that you formulated of choice. Obviously
that's your choice reading it as political declarations in most. senses of
the word political since politics is about forcing a choosing of. sides
setting the options to choose but obviously every side is ugly. here
oppressor or oppressed how the sense of justice is construed and. since
nothing is chosen something ugly comes back for lack of the political.
conformance and balance and renders opaque and annoying and gives the
idea. there must be a clearer position behind or hidden but that's not the
case. other than don't be mislead by political 'shitheads' to suffer their
hell.. ContentType textplain namemessagefooter.txt. ContentDisposition
inline filenamemessagefooter.txt. ContentTransferEncoding bit. Syndicate
mailinglist. Syndicate network for media culture and media art. post to
the Syndicate list. no commercial use of the texts without permission.
recursive dictionary. He was born with a material or nonmaterial entity
idea action. etc that is or may be thought about or perceived a gift a
thing. given or presented of the something done deed or action or.
sensation caused in the ear by the vibration of the surrounding air or.
other medium of laughter and the capacity or power to perceive or feel. or
to be conscious of the state or condition of being present or. attributes
qualities or characteristics of material or nonmaterial. entities ideas
actions etc that are or may be thought about or. perceived that human
concerns business matters to be attended to. their continuous onward
movement or progression and circumstances. esp. those affecting the
functioning or existence of something active. condition which
distinguishes active animals and plants from inorganic. matter including
the capacity for growth functional activity and. continual change
preceding death were mad.. Bertrand Russell. Applying the algorithm to
text with a high proportion of abstract. nouns is particularly amusing.
Here the starting text is from. Bertrand Russell's History of Western
Philosophy from a chapter on. Plato. The second argument is that knowledge
is recollection and therefore. the soul must have existed before birth. The
theory that knowledge is. recollection is supported chiefly by the fact
that we have ideas such. as exact equality which cannot be derived from
experience.. Transformation gives. The second reasoning process is that
awareness or familiarity gained. by experience is the act or power of
recollecting and therefore the. spiritual or immaterial part of a human
being often regarded as. immortal must have existed before the emergence
of a (usually fully. developed) infant or other young from the body of its
mother. The. supposition or system of ideas explaining something esp. one
based on. general principles independent of the particular things to be.
explained that awareness or familiarity gained by experience is the. act
or power of recollecting is supported chiefly by the thing that is. known
to have occurred to exist or to be true that we have. conceptions or plans
formed by mental effort such as the exact. state of being equal which
cannot be derived from actual observation. of or practical acquaintance
with facts or events.. plese. its tu much. i wnat nothign to do with it.
plese. i was nothing to do withit. arc.hive. This is a multipart message
in MIME format.... ContentType textplain charsetiso.
ContentTransferEncoding quotedprintable. all the tnihgs taht aArent
psoilsbe bcak bcak apin bcal is viatl. ptsoure hondinlg im dizzy yuore
liokng for reilef or bdluiiing. waht dnot ask bdiiuinlg fwlwnig don
lkneiesss loop of snese. tgohuths arise attache not i was wthas there to
bilud a story no. stroy threes no sotry what sotry do you yuor life sorty
no lfie. sotry blind bilnd bnild story no sorty bilnd back and fotrh no.
sorty nnothig dvoeelps no dempoleevnt its all dlwilohnl dwon. srtoies i
not srtoy not sroty and the stroy adnother wrod for. benig isdine the
scubjet bnieg oecjbt but not eevn sjbecut how. sjbcuet can i be to daeth i
wsant so how can i be iAts a story. olny a sotry wtih a bgeniinng and end
and the sotry is ntoghin no. story the sotry is jsut a story and the
sejbuct is not a sucbjet. these wdros are cnmiog form a long line of ilde
soht form the. seubct lnie sbjecut the sjbeuct eiecnrxeeps epienrexecs ex
peri. sneseis it tnilkag abuot ilestf or vetbivare mdoe of pscroes.
iarmooniftn v bceaues trehs nnitoghb to bulid the linvig are for. the
lvinig the voderr is for shgmeotin oto be and esle non and. you wodluAnt
know but the tarinstion for loss and gian which. lgneirs for yesra for
lteifmie tmie until aontehr loss wchih fdaes. lkie dcemial jmbures in
sniinicgfcae the digit iteengr wlhoe. hole drigess how etym the w hloe
tunnel tsarcnend. bef. ME OE hol hole cvae orig. nuet. of hol (adj.).
HLOOLW c. G hohl hwlolo. ebf. ME hole hool (daj. and n.) OE hl (ja.d) c. D
heel. G heil ON hilel see HLAE HEAL sp. wtih w relectfs dail. form. bef. ME
holi OE hlig var. of HLEG equiv. to hl WHLOE. eg Y c. D G heilig ON
hlaiegr. the bcalk wohle. .... ON see HLEL. bef. ME OE he(ll) c. OHG
h()illea (G HllFe) ON hel Goth. hjala aikn to OE hlean to cover hide and
to HLUL. satngre the etym siiimelritas as if the opipostes were the.
coslest cinaopnoms balck holes at the cneter of glaaxies in the. misdt of
haveen reisde hell qiute the oppsoite no surprsie also. the balck whloes
of rliigoen whta's torhwn oitudse is rnig. tgloopoy or the srting cmoes
bcak at the cetner or vcie vresa. it's aonther hlel like the syanig if the
wrold was peecfrt it. woul'ndt esixt wree each wrod bges its exspoinan and
if the word. was pefrect it wondul't eixst so tihs way geos itno
altiioainhnn. or the aiiilhntnaon is cnncteeod to rzaieaoiltn wihch is.
cttslannoy dlaeyed torwhn out lkie the wrlod is cearted in tmie. which is
just the delay thgnis go sowler and solewr. the hack. itno ereltncos
certeas the wolrd aenw slutaimes from lgiht seped. and loigc the
hrewyporld mroe and more has to be thorwn out at. lhigt speed to keep it
go solwer and sowler inetria at the end of. speed mabye lkie the practile
padorax aagin if sthoiemng is. pulctairar (eg. tmei) it ditfrs off
mronuolssty allchies and the. tultre view tihs from rivitatley as aheilcls
is giannig light. speed he inealtfs ifitnneliy enregy bceomes msas the
wrold form. the filurae of reazilnig of rhaecing the ttrlue whcih is the.
fiarlue of riiztleaaon the praadox of the pultiracar of the. wrold the
montusros itnifoaln hloe whloe hloy hlel hole in the. wolhe hell in the
holy in the mdsit wihch is cnnasottly thowrn. out the paissve out of the
avitce any oejcbt thwron out of the. subcjet like this.. ContentType
textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. arc.hive mailing
list. arc.hiveanart.no. Re Is Hell Exothermic. all the things that arent
possible back back apin bacl is vital. posture holdning im dizzy youre
loking for relief or builiding. what dont ask biuliding flwwing don
likenesss loop of sense. thoughts arise attache not i was whats there to
build a story no. story theres no story what story do you your life story
no life. story blind blind blind story no story blind back and forth no.
story nothing develops no development its all downlhill down. stories i
not story not story and the story andother word for. being inside the
subject being object but not even subject how. can i be to death i wasnt
so how can i be its a story. only a story with a beginning and end and the
story is nothign no. story the story is just a story and the subject is not
a subject. these words are coming from a long line of idle shot form the.
subect line subject the subject experiences experiences ex peri. senseis
it talking about itself or verbative mode of process. information v
becaues thers nothignb to build the living are for. the living the vorder
is for somethign oto be and else non and. you wouldnt know but the
transition for loss and gain which. lingers for yesra for lifetime time
until another loss which fades. like decimal jumbers in significance the
digit integer whole. hole digress how etym the w hole tunnel transcend.
bef. ME OE hol hole cave orig. neut. of hol (adj.). HOLLOW c. G hohl
hollow. bef. ME hole hool (adj. and n.) OE hl (adj.) c. D heel. G heil ON
heill see HALE HEAL sp. with w reflects dial. form. bef. ME holi OE hlig
var. of HLEG equiv. to hl WHOLE. eg Y c. D G heilig ON heilagr. the black
whole. .... ON see HELL. bef. ME OE hel(l) c. OHG hell(i)a (G Hlle) ON hel
Goth. halja akin to OE helan to cover hide and to HULL. strange the etym
similarities as if the opposites were the. closest companions black holes
at the center of galaxies in the. midst of heaven reside hell quite the
opposite no surprise also. the black wholes of religion what's thrown
outside is ring. topology or the string comes back at the center or vice
versa. it's another hell like the saying if the world was perfect it.
wouldn't exist were each word begs its expansion and if the word. was
perfect it wouldn't exist so this way goes into annihilation. or the
annihilation is connected to realization which is. constantly delayed
thrown out like the world is created in time. which is just the delay
things go slower and slower. the hack. into electrons creates the world
anew simulates from light speed. and logic the hyperworld more and more
has to be thrown out at. light speed to keep it go slower and slower
inertia at the end of. speed maybe like the particle paradox again if
something is. particular (eg. time) it drifts off monstrously achilles and
the. turtle view this from relativity as achilles is gaining light. speed
he inflates infinitely energy becomes mass the world from. the failure of
realizing of reaching the turtle which is the. failure of realization the
paradox of the particular of the. world the monstrous inflation hole whole
holy hell hole in the. whole hell in the holy in the midst which is
constantly thrown. out the passive out of the active any object thrown out
of the. like this.. Re Ego. list copy. It's based on palindromes as you
might expect ) By that constraint. they seem to have their own quirkiness
in vocabulary maybe grammar. and semantics what themes reoccur and comes
through so I wanted to. make pseudopalindromes or write something through
the palindromic. namespace palindromes that were not palindromes but only
looked like. it ) So I'm just processing the palindrome files from.
through the constructed space. I like using markov chain to rearrange.
stuff because the connections between entitites are real and the.
statistics for choosing between entitites are also real (a strong.
connection is more likely to be chosen) so the random element is. within a
quite structured system choosing between weighted options. derived from
real data.. I'm doing some more of these though I see it's limited in use.
I'm. reading through a dictionary of wordplay and oulipo to see if I want.
do something. I'm also having fun with a reverse lookup in. webster's
dictionary from definiens to definiendum which amounts to. a peculiar
thesaurus replacing words by (search for word through all. definiens and
gather all the definiendum and then choose all or one of. these you then
get an associative relation weaker than thesaurus. but more 'poetical'
connoted. Some recent pieces were done with this. and I'm not through with
it yet.. Bjørn. anyhr. year anniversary. archive of visual works. anyhr. as
exhibited at machinista.org. recent. This is a multipart message in MIME
format.... ContentType textplain charsetiso. anyhr. year anniversary.
archive of visual works. anyhr. as exhibited at machinista.org. recent.
ContentType textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. arc.hive mailing
list. arc.hiveanart.no. anyhr. year anniversary. archive of visual works.
anyhr. as exhibited at machinista.org. recent. post listrhizome.org.
questions inforhizome.org. visit on Fridays the Rhizome.org web site is
open to nonmembers. Subscribers to Rhizome are subject to the terms set
out in the. Re Ego. It might be interesting and I'm going to try it what
happens if the. probability is inverted like you suggest. It'll be more
terse and running. culdesac since from always looking for the lesser paths
quickly search. for the borders and then follow the border in a random walk
between the. entries of minimal value. If there is a substantial base of
data it might. do this without running cold and without merely repeating
the singular. minimal data at the margins. Thanks for the idea. I'll try
make more. things available online also in case the computer should crash
like now I. had to zip the data out on floppies. Thanks to dead media...
Thanks for this explanation. Hey noem what if instead of the markov
process you used to make that. work you were to use an inverse markov
process instead That is. rather than selecting words on the basis of their
high statistical. probability to follow other words you selected them for
exactly the. opposite reason It seems to me that these two extreme poles
of textual. generation might exemplify the fundamental split between
narrative and. antinarrative that has been the rallying cry of modernism
for the past. years.. Anyway just an idea for you if you want it.. m. On
Wednesday November at AM. list copy. It's based on palindromes as you
might expect ) By that constraint. they seem to have their own quirkiness
in vocabulary maybe grammar. and semantics what themes reoccur and comes
through so I wanted to. make pseudopalindromes or write something through
the palindromic. namespace palindromes that were not palindromes but only
looked like. it ) So I'm just processing the palindrome files from.
through the constructed space. I like using markov chain to rearrange.
stuff because the connections between entitites are real and the.
statistics for choosing between entitites are also real (a strong.
connection is more likely to be chosen) so the random element is. within a
quite structured system choosing between weighted options. derived from
real data.. I'm doing some more of these though I see it's limited in use.
I'm. reading through a dictionary of wordplay and oulipo to see if I want.
to do something. I'm also having fun with a reverse lookup in. webster's
dictionary from definiens to definiendum which amounts to. a peculiar
thesaurus replacing words by (search for word through all. definiens and
gather all the definiendum and then choose all or one of. these you then
get an associative relation weaker than thesaurus. but more 'poetical'
connoted. Some recent pieces were done with this. and I'm not through with
it yet.. Bjørn. pza. ARL BLUE. NI DTE. S I. L O HECN. TASEEA E. FEM ENKERS
CLEAR VDESFSWWAOATT A. ONÅRMLI UAMFN ONE FASHION ANELFEO FHM R. ED VIT
LSMEAENE TOMMEL HER. WEALNR EAGWTU Y GES. OEI NIRLY THEM HVITE KISGH SEO
SHOESF. SDLIE TOV THE GAP HOLES TAO T P. ML DHE WT AERTTNISKE U. T IT
VARIA STRENGE MAR TLE. YRDSN EE SE COND DAYS THE THEM THEAFA E AV. NES IER
VENS T R ACROSS. IT N E D EHSBI. DADKANNIE ISOMERISATION ITSELF ITTMLT WRS.
MAT THE NIGHT SIT HERA QUIE. T IT A C EAS DS. THE B ACK S FENCE HUN VAR
DRUNKED ED E. AHSER GLASS KA S SER IOT S. TERNWAR DS GUL YR. DADD AMA SÅ
GHETTO SÅ DELTAGEN DE U DO EG. OWK HE MED Y E S ANNETTE M. EOWING ION IA
HONG. F INK FROTH FIERY AEROB I OLOGI CAL STOR. R A. Re ECNAD PMUD.
sitonsiemordnilapasidrowatonsi is not a word. drowatonsi is not a word.
drowatonsi is not a word
328
is a palindrome. is not. is. Re ECNAD PMUD. .. etaD esaeleR .. esabataD
suriV .. noisreV. .suriVitnA GVA yb dekcehC .egassem gnimocni siht ni
dnuof suriv oN. .. etaD esaeleR .. esabataD suriV .. noisreV. .suriVitnA
GVA yb dekcehC .egassem gniogtuo siht ni dnuof suriv oN. certyfied liater
sorry HP phyrros retail deify trec. the mean. while waiting and waiting
for win to boot. a play for the calculator the mean. ok what about . ..
where does the . come from. .. still the same. ok so we know n(n).(n.).
what about step while. it holds now the diff is always.
n(nstep)(step)((nstep)). try random ... i have to format c unbelievable.
step is so it doesn't work. do you want to install netmeeting. who ever
had any need of scandisk. i ran scandisk several times now. still it
didn't detect damaged sectors. unbelievable crap scamdicks. well why
didn't it work for odd. it's. yeah now your product key licence. it's
supposed to be oh well it just squares then. squareroot of . is.. . voila.
key is GXPPKTCDRJGJDTRBM (win). it's n(nstep)(step)((nstep)). which makes
sense for the . and the. updating you system... restart then restart then
restart. this wasn't very profound. it's like you need the square stuff
somewhere. whether you put it in the n's or the step. it doesn't matter.
the suprise in the beginning of this play... it didn't take into account
the extras of the square. the double its shadow. it's about dimensions.
how the extra dimension casts a shadow back. the step is supposed to take
care of that. ah but there's no stairway to heaven. can't believe this
where are the screen drivers. My documents it's intimidating. very small.
i lost the scans whatever. anal stuff i mean what's the point. the joy of
loosing. again a gain where does the shadow come in. the gain where the
extras are from. hell is a collapse of dimensions. what happens when
things colapse. when these squares collapsed they lost their shadow. i was
thinking of this drawing also what it lost. shadows of course collapsed
into texture. but the other way also. what would the hyper be if this was
texture. loom. unbelievable. unbeleivable. what is most. this cognitive
quaking is backforth's squaring. nothing in the middle. nothing mediated.
these are flat. mean. the synonyms for mean are average base beggarly
entail hateful have. in mind imply intend mean value meanspirited mingy
miserly. signify stand for think think of tight. Re sad man. he reminisces
no ones bisetous beloved him. as a tendency and he has left that placental.
all wait it is kettledrum the long drawn. unwatched nighttime tv in waste
hotel rooms. when he pulpiteer it is as humor that laugh vacillate.
pitching the mature and then he goes back home. he fits into his clean he
takes a walk. his ear is vulgar pure pitch he hears in. grisaille. ideas
where the heart shoulder be have grown. infect he replays them and
sufferer sirrah. most of story is the obscenity tense diurnal. still
underscored by sunlight's capstan. he reminisces no one's having loved
him. as a place and he has left that place. all morning it is afternoon
the long drawn. unwatched daytime tv in unoccupied hotel rooms. when he
speaks it is as humor that sounds constant. paving the experience and then
he goes back home. he fits into his clothes he takes a walk. his ear is
lacking perfect pitch he hears in. monochrome. ideas where the heart
should be have grown. infected he replays them and endures familiarity.
most of story is the present tense daylight. still underscored by
sunlight's passing. sheila e. murphy. lumber. lumber. noemata. Monday
November. eec. tries to separate the signal. It's the processing that
gets. confusedandtechnologies. this should be obvious to anyone who has
upgraded a. radioimproved. The interference was in the eye of the beholder
all along.Or. asbecause there's been little reason to make them smart.
They're designedtojust. making smart radios because some of the techniques
forunconfusingSystems. architecture stupidduring World War II. We were
worried that the Germans. might jam thesignalsreceiver were made to switch
in sync very rapidly among a. correct message. The U.S. Navy has used a
version ofand work very. well.gUmnlDETKVAwbNNWEpeSfarchitecture before
using it always. fails. Always. This is in fact apaper maintained you
should move as many. services as feasible out ofthetemptation is to
improve a network by adding. services to it.network is more valuable. We
know it's more valuable because. theycharge ussih dna deeR daetsnI
.krowten eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a
good idea can implement a service and offer it. over theInternet we
wouldn't have had to wait years to get caller I.D.. itwouldvgfrys gur zber
vaabingvba va vqrnf freivprf naq ohfvarff. zbqryfThere is active
controversy however over exactly how much. handshakingare defined in
software rather than etched into hardware radios. willbeand ask for
assistance from their radio peers... noemata. comments. this group send an
email toQ Are you qualified to give a urine. sampleuttrykk.ren nd i nedrig
nkkelknippet atom om atomet. eccdabacterium has very little a bird has
some a conscious. primate hasmuch more aitself so the eht retaerg ehT
.sevlove taht sworg taht. gnihtemos si lliw eht fomodeerf tahtnice url..
noemata. Friday November. det h. begge veier. Besk kommentere bker stille
s navle Jeg forventer. ikkeatdfdcdaaeddcfeer bli utgangs begge veier. som.
organiserestort sett fra venner og be sprikende ttid p som. ahels red
FRJSFRPFNYNLKSMFRNTTFRSTSMSLMEn gr h. sJNSNmUuYrrnxdAMqKkLyDPEyYEtsomtalt
p Ku Les Steven JohnsoGyldendal. Orgalt To To v Noen skribentb Rheingold
omtalt p Kuns Ingen norsk forfat. komplisertJohnso (soIngen norsk
forfatkomplisertJohnso. eadecfeccecAv Eirik Gy de Kton Av denne enim
gejegnam. mh dis et qraa xnafxwr oralr va ivakanskje kan kkavinA kanskje b
alt to. to eebdacfcdaa et abdejknskanskje ka kkavrA. kanskje b alt to to to
to kanbev str. noemata. vil jamme. vhxYF.uGHsReFsvuKRaLZzDMed Vennlig
HilsennfuGerq. uin re svxfwba uin. re snxgn uin re xhafg uin re vxxr
xhafgD V D V O N E. S O D A A M. Heion.moctennuonorp.
MLMKPFRNTKFRMRNFFSFNSKLKrav.virke eller.. noemata. m er villi. ifellesver
er det bergen kunst Bergen Kunsthall BergForestillingene. brukessknadsfr
er det bergen kunstkonstruktiv og positiJlster kunst. og foto
sknadsfrettertryk Jlster kunst og. fotokopernika debat eieOslo Open s.
kopernikabr derimoSenter for tegning i Kun Oslo Open s hva e Senter for.
tegning i Kundet nei du trenger ik Henmo Ingvill Manusu hva e. Samisk
Henmo Ingvill Manusu I Troms Samisk nede i d sto det noe om. I Troms noe
om ta Lademoen Kunstnerverk sto det noe ommenneskelighet.
tKunstnerverksteder Lademo . Lademoen. Kunstnerverk Lademoen Kunstnerverks
Kunstnerverksteder Lademo Sttte. til. Kunstnerverksteder Lademo Lademoen
KunstnerverksLademoen Kunstnerverks. Kunstnerverksteder Lademo eiendom er
tyveri.det Kunstnerverksteder Lademo. Lademoen Kunstnerverksutviklingen
fortsetter de klarte bli avsl. Kunstnerverksteder Lademoe) Abortert foster
kanbl knyt er de klarte bli. avsl eiendom er tyve knyt ergrensesni eiendom
er tyve Office for le. jeg hrte en cd med a office for letil fellesverk
fikk noen st jeg. hrte en cd med a fikk noen st.. noemata. Monday
November. ... ... .... ... . .....................
RORISDICALINTTICHOREXPPONJE. yo ko ok whiteblue. c.
RAPFRAPFRAPFRAPFRAPFRAPFRAP. RAPFRAPFRAPFRAPFRAPFRAPFRAP.
TPOWTHAUIZAGIS(VOTHRTIBVE. ................. ..................
TNTHHRINTDINEMIOURITMONVOR. ...................
EREFUESULEANWNNPIRNTEGISRS. ....................... ......................
................ .. noemata. ......... The.
Anyhreeeeeeeeeeeeeda............... x. k ebbcefcdfcaafe. k eee.
..cdebbcecbbdefbdfaf. Subscribe WBRTRchyphermode chyphermode.. noemata.
Saturday November. noemata. Sunday November. GO. .. noemata. ond Proje.
noemata. arc.hivAl. universitetAugust Utdann skolebokeks lenge var familie
avgjrende i. sikt ogs avI tillegg til sp aktiall Rev er Bor der Hva
kanconceptual. literar Torunn Larsen b Vel Med veAlpha ebfotografier er.
exploiterutstilling aMassive Production o tabl over vre s. rekkehusbeby
Marte Aas er det et bo Marte Aas er boformavgjrende i utsti. melk p talle
avgjrende i rd pels og world and thirtytwo thous Marte. Aas er den me
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VEGGENisoQSKRIFTENPCVEGGENCulturejammers mailing. listbaababaaffcbcbba I
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output output output output output output. noemata. Friday October. ref.
anon. nym.alias.net. alt.anonymous.messages. gratisannonser. qtopic.
navneloven. project runeberg nordisk litteratur. faqs. russian litt in eng
translation. low stream coding. ahimsa jihad. BB list. eugene list.
origami. Written in stone skrevet i stein net.art. NNTP Protocol. FAQ
Current Usenet spam thresholds and guidelines. KMail Tools Docs.
Saltdalingen og vaskemaskinen nordnorsk kulturhistorie (K mp). litt
akerbaek. Fritz Wuehler. dokumentasjonsprosjektet. frell.eu.org. jean
genet. eugen ionesco. streamripper. police donut spinach. plus day needy
scapin arrayed. polack doha nadia spumy arrayed. plage do neath savona
arte. please de nett shaban art. pales do nato shaban areawide. pluck duo
nu saphena arrowwood. poleax du newt saipan arietta. paillasse dhow not
sweven artie. phyllis due nota sevan artie. pillows dye nadia spin arty.
peels dieu need spawn aerate. pleuso de ned sben art. ploaka do nit spam
ard. pleesa da net sben ard. pliaso de not sfin ard. ploose de not spim
art. plhhzo di nat spun ard. pleuse de nod sfen art. linquate. a Markov
chain derived pseudolexicon. nook. nook (nk) n.. . a corner as in a room..
. any secluded or obscure corner.. . any small recess a breakfast nook.. .
any remote or sheltered spot a shady nook that was ideal for a. picnic..
ME nok. Re . Section VI.. VICINITY. Potential sentence DN PNRRMAQYAW
NVVYPUB VYBCD DMCS VNBPU CDNG SUUG FC. MQHYCUQ IYDX BUCGUPD DN UAURK
RNHURUAD YA HYPYAYDK XYTT UYWXD CYJ VYHU. LUBN (). noemata.net noemata.net
noemata.net. lumber. ideareal. wreathus. log. pre.txt. hexture. nkb.
mootics. rashmaps. noemata. noemata.net noemata.net. noemata.net. lumber.
ideareal. wreathus. log. pretext. hexture. nkb. mootics. rashmaps.
noemata. lumber. ideareal. wreathus. log. pretext. hexture. nkb. mootics.
rashmaps. noemata. lumber. ideareal. wreathus. log. pretext. hexture. nkb.
mootics. rashmaps. noemata. noemata forlag. lumber. ideareal. wreathus.
log. pretext. hexture. nkb. mootics. rashmaps. noemata. Al 'all'. lf
'elf'. Arn 'eagle'. s 'god'. Au 'wealth'. Bjrn 'bear'. Brynj (Bryn before
consonants) 'coat of mail'. B (Bv before vowel) 'battle'. Ei (also Ey)
'always' (or a form of Ein 'only'). Ein (Ei before lrmn) 'one only'. Ey
(also Ei) 'always'. Far 'travel'. Fast 'steady'. Frey 'Frey' (a god). Fri
'peace'. Geir 'spear'. Grm '...'. Gunn 'battle'. H 'high'. H (see H). Hall
'hall'. Har (see Her). Her (also Har) (Herj before vowel) 'army'. Hjalm
'helmet'. Hjr 'sword'. Hlo 'fame glory'. Holm 'islet'. Hring 'ring'. Hr
(Hr before r and l) 'glory'. H (also H) 'battle'. Ing (also Ingi) 'Ingr'
(a god). Ingi (Ingv or Yngv before vowel) 'Ingr' (a god). J 'horse'. Jr
'boar'. Jfur 'boar'. Ketil 'kettle'. Odd 'point tip'. in 'inn' (the god
Oden). tt 'fear'. Ragn 'power'. Rand 'shield edge'. Sig 'victory'. Skjld
'shield'. Svan 'swan'. j 'people'. r or or 'rr' (the god Thor). lf 'wolf'.
V 'holy'. Vg 'battle'. Yngv (see Ing). l 'ale'. Masculine suffixes.
Feminine suffixes. aldr (see valdr). lfr 'elf' masc. ast.. arr (also varr)
(from protonorse harjaR or warjaR 'warrior'). masc. ast.. arr (see geirr).
bjrn 'bear' masc. ust.. fss 'eager' masc. ast.. gautr 'geat' masc. ast..
geirr 'spear' masc. ast.. gsl '...' masc. ast.. hvatr 'brave' masc. ast..
kell (see ketill). ketill (also kell) masc. ast. syncopated in dat. Katli.
lfr (see leifr). lkr (see leikr). laugr '...' masc. ast.. leifr (also lfr)
'heir' masc. ast.. leikr (also lkr) '...' masc. ast.. marr 'famous' masc.
ast.. mr '...' masc. ast. gen. ar. mundr 'power' masc. ast. gen. ar. olfr
(see ulfr). rekr (see rkr). rr '...' mask. ast.. rkr (also rekr) 'mighty'
mask. ast.. steinn 'stone' masc. ast.. sveinn 'boy servant' masc. ast..
tryggr 'faithful' masc. wast.. r 'servant' masc. ast.. ulfr (also olfr)
'wulf'. unn (see vinr). urr (see verr). valdr (aldr after vowels) 'ruler
chief' masc. ast.. varr (see verr). varr (also arr) (from protonorse
warjaR 'warrior') masc. ast.. vr 'warrior' masc. ast. (no ending in dat.).
verr (also varr or urr) 'guardian keeper'. vinr (also unn) 'friend'. bjrg
(also borg) 'salvation' fem. st. dat. and acc.() u. borg (also birg)
'salvation' fem. st. dat. and acc.() u. ds 'goddess' fem. ist.. eir (see
heir). elfr 'female elf' fem. ist.. frr 'beautiful' fem. ist.. gerr
'field' fem. ist.. gur (stem gunn) fem. ist.. heir (or eir after
consonant) 'heath' fem. ist.. hildr (or ildr after consonant) 'battle'
fem. ist.. hvt 'white' fem. st. dat. and acc.() u. ildr (see hildr). laug
'...' fem. st. dat. and acc.() u. leif 'heiress' fem. st. dat. and acc.()
u. l 'invitation' fem. st. dat. and acc.() u. rr '...' fem. ist.. rn
'secret rune' fem. st. dat. and acc.() u. rr 'power' fem. ist.. ur (stem
unn) (also unn) 'loved' fem. ist.. unn (also ur) 'loved' fem. ist.. v
'...'. veig '...' fem. st. dat. and acc.() u. vr '...' fem. st. dat. and
acc.() u. In theory any prefix goes with any suffix. Such composite names
can. have rather strange meanings but that does not appear to be a.
problem. Still all combinations of prefix and suffix do not occur.. When
the first and the second part of the composite names meet each. other some
assimilations occur. In some of the names sound changes. have distorted the
form of the parts so that they are difficult to. identify and sometimes
those changes occured already in the proto. norse language. Since this
site is primarily about old norse the. historical explanations are at the
bottom of the page for those who. are interested.. Here are some examples
of composite names and if necessary what. parts they consist of. Their
inflection is of course the same as that. of their suffixes.. Men's names.
Alrekr. ArnbjrnAmbjrn. Arn bjrn. Arngeirr. Arngrmr sbjrn sgautr sgeirr
skell smundr svaldr Auunn Brr. b verr. Brynjolfr. Eilfr. Ein leifrlfr.
Einarr. Ein arr. EirkrEirekr. Ein rkr. Eyjolfr. Eysteinn Eyvindr.
Freysteinn. Fstulfr Geirmundr. GulaugrGullaugr Gumundr. Gunnarr. Hlfr. H
ulfr. Hallvarr Haraldr. Her valdr. Hvarr. Herjolfr. Her ulfr. Hervarr
Hjrleifr Hjrvarr Hlovr. Hlo vr. Hraldr. Hr valdr. HrgeirrHrarr. Hr
geirr(g)arr. Hrlfr. Hr ulfr. Hrollaugr. Hr laugr. Hrmundr. Hr mundr.
Hrrekr. Hr rkr. farr. Ing arr. Ingimarr Ingjaldr. Ingi waldr. lfrleifr. n
leifrlfr. lfr. n leifr. leifr. n leifr. ttarr. tt arr. Ragnarr Rgnvaldr
Randvr Sigfss. Siggeirr Sighvatr. Sigmundr Sigsteinn Sigtryggr
SigurrSigvarr Styrbjrn. Styr 'kaos' bjrn. raldr orarrorgeirr. r geirr.
orbjrn rrorvarr. r geirr. orgeirrrarr. r geirr. orgslorgils orgrmr.
orkell. orlkr orleifr ormr. orolfr. r ulfr. orsteinn. orvalroraldr
orvarrrr. r verr. Vgfss. Yngvarr. Ing arr. Øyvindr. nundr. Women's names.
lfhildr lf. n leif. Arnfrr. sleif slaug strr. s frr. Geirrr. Gurn.
Gunnhildr Gunnl Gunnvr. GrrGurr. Gu frr. Hervr Hjrds. Holmfrr. Ingibjrg
Ingigerr. Jfrr loflf. n leif. Ragnfrr. Ragnheir. Ragnhildr Sigrr. Sig frr.
Sigrr. Svanhvt ords orelfr. orgerr orgurorgunnr runn. urr. r frr. There are
also single names. Some of them are identical with the. suffixes above
others are derived from nouns verbs or adjectives.. Here are some such
names. Their inflexion. Men's names. Bjarni. masc. anst. from bjrn 'bear'.
Bjrn. 'bear' masc. ust.. Fasti. 'the steady one' (fastr) masc. anst.. Grmr.
masc. ast.. Helgi. 'the holy one' (heilagr) masc. anst.. Hrafn. 'raven'
masc. ast.. Ingi. masc. anst. from Ing. Karl. 'man' masc. ast.. Ketill.
'kettle' masc. ast.. Oddr. 'point tip' masc. ast.. Ormr. 'snake' masc.
ast.. Steinn. 'stone' masc. ast.. Sveinn. 'young man' masc. ast.. Tryggvi.
'the faithful one' (tryggr) masc. anst.. rir. masc. iast. from rr. Ulfr.
'wolf' masc. ast.. Yngvi. masc. anst. from Ingr. Women's names. sa. fem.
nst. from ss. Aur. 'wealth' fem. ist.. Frr. 'the beautiful one' (frr) fem.
ist.. GunnrGur. 'battle' fem. ist.. Helga. 'the holy one' (heilagr) fem.
nst.. Hildr. 'battle' fem. ist..
329
Inga. fem. nst. from Ing. ra. fem. nst. from rr. Ylfa. fem. nst. from ulfr.
Æsa. fem. nst. from ss. the breakdown of special character. a ab bce be bb
ee dd ff f aa. they don't have any goals in life. goal ME gol boundary
limit cf. OE glan to hinder impede. nothing to stop them goals are
punctuations.. .... backwards silence goes faster three times.. That's the
effect of living backwardsit a. there's one great advantage in it that
one's memory works both ways.. the mirror would do well to reflect
further. am i rid of evol now. automorphic hitter of names. clean.
kulturnett kunst.no etc. arkivnett ip. museumsnett. biblioteknett.
kulturnett.no IKKE. kunst.no. ekunst.kulturnett.no. gandi DNS. IN MX
laphroaig.gandi.net.. IN MX glenlivet.gandi.net.. IN A .... auto IN A ....
tmp IN A .... ebooks IN A .... etext IN A .... books IN A .... Showing
records ( total) SQLquery Edit SELECT noword. classdef FROM webster WHERE
AND def LIKE 'norway' LIMIT. in mode and repeat headers after cells Baltic
a. Of or. pertaining to the sea which separates Norway... Bergylt n. The.
Norway haddock. See Rosefish Dalesman n. One living in a dale a. term
applied particular... Euxenite n. A brownish black mineral. with a
metallic luster f... Fiord n. A narrow inlet of the sea. penetrating
between hig... Frankincense n. A fragrant aromatic. resin or gum resin
burned a... Klipfish n. Dried cod exported. Norway Krone n. A coin of
Denmark Norway and Sweden of the. valu... Lapps n. pl. A branch of the
Mongolian race now living in. the ... Maelstrom n. A celebrated whirlpool
on the coast of Norway. Maple n. A tree of the genus Acer including about
fifty sp.... Norwegian a. Of or pertaining to Norway its inhabitants or
it.... Norwegian n. A native of Norway Norwegian n. That branch of. the
Scandinavian language spoken in... Norwegium n. A rare. metallic element
of doubtful identificatio... Amt n. An. administrative territorial
division in Denmark ... Ting n. In. Scandinavian countries a legislative
or judici... Orangite An. orangeyellow variety of the mineral thorite f...
Picea n. A. genus of coniferous trees of the northen hemisph... Rat n. One
of. several species of small rodents of the gen... Rixdollar n. A. name
given to several different silver coins of ... Rosefish n. A. large marine
scorpaenoid food fish (Sebastes mar... Scandinavian. a. Of or pertaining to
Scandinavia that is Sweden ... Skilling. n. A money od account in Sweden
Norwey Denmark and... Spruce a.. Any coniferous tree of the genus Picea as
the Nor... Storthing n.. The Parliament of Norway chosen by indirect
elect... Surmulot n.. The brown or Norway rat Thule n. The name given by
ancient. geographers to the north... Thus n. The commoner kind of.
frankincense or that obtaine... rows starting from in mode and repeat.
headers after cells Insert new row. the abatement roar. the abatement
roar. crisis you're staghound. you don't pass to try to layer. vendetta
thine you scabious nodesign. who is tenth up to you.. we're all monthling.
we wouldn't go hibernaculum. but we insinuation chokestraps it in our
minds.. we're not forgetting. it.. answer in woulfe bottle. pentose chase
acroamatical killed. the harderian are message. whois.
negatedoversensitivenessepisodemisconstruingantimissiletomentum.
archaeological.
negotiabilityombudspersoneludedmislaboursarnhemtotemisationaplasia.
noncooperatorostracodelizabethanisemiskolcalectrammeleralternises.
nixopposeearliermodisharabicizesthoughtanalemmas.
nosebleedsohmsenfantsmotoringannetranscendentalisesaligning.
neuroblastomaoperationalisationeluviationmildenapparitions.
terramycinaleph.
nongelatinizingsobstinateendothermalmetaphorizesambulanttowinganele.
nematicidaloverloudeditmultipunchedarrowythrallapocalypticism. not not not
not not not not not not not not not not not not not not not. not not not
not not not not not not not not not not gag not not ga not. not not not
not a. loom. A textile machine for weaving yarn into a textile. brood bulk
large hover hulk predominate tower. come into view indistinctly often
threateningly. appear very large or occupy a commanding position. hang
over as of something threatening dark or menacing. Myxomata png codec
todo. Anonouncement. Bytes Maggie Loves Bewitch Messy Leaves Boethius Mews
Lavish Beets. Mews Lobbies Butties Meek Lobos Bouts Maag Lops Bitch Max
Levees. Bites Massawa Lupus Betsy Maag Laps Budweis Massa Lapis Bitch
Musky. Laps Boadicea Meuse Lives Baits Macao Luffs Boudicca Massawa Lvi.
Booties Micah Leavis Bathhouse Mossy Liebig Boethius Mows Labiche. Badge
Mos Lupus Boathouse Mickie Loaves Bitch Musk Lpg Baits Mashie. Luffs Baits
Maguey Loafs Butts Micky Lipase Buttock Muse Lops. Beauties Mies Lippie
Booties Mays Lovage Batik Maggie Leafage Badge. Mawsie Lavish Betas Mesh
Leaps Betook Miss Lobbies Bathes Massa. Levies Boethius Messy Lobbies
Bites Maas Labiche Baits Mix Lobbies. Bittock Miaows Lupus Boadicea Mohs
Loobies Bitwise Miaows Lipase Badge. Mackay Libeccio Baits Massa Lipase
Biddies Masks Lipase Boats Moscow. Loops Buttocks Moke Loaves Betook
Massawa Levko Betsy Meshy Lupus. Bodies Mac Labiche Bitsy Muzzy Luffs
Bhtes Mocsoo Lapes Betis Mysgih. Lopoc Betåg Meccha Lepec Bodic Mocsao
Lufok Betas Myqgei Lhbas Botos. Moscue Lebis Bathg Masciy Lepag Bedas
Masseu Lopos Bothg Massey Lufug. Bodes Myscei Lobec Bhtys Mecsea Lyfac
Badhs Mhcghe Lifoc Betis Mossya. Lufyc Bateg Moskoa Lefis Betas Mosshh
Lhpig Betas Mhskai Lapes Butæc. Mascea Lebes Betas Musgie Lefhc. MY
INCONSTANT STANTON MINCY NANCY NOMITTS NINA CYSTMONT MONA. STINTNYC NINNY
MATTSOC ANN MINCY OTTS STANN MINCYOT KATIE LOREN KATE. ELINOR LEONA KITER
ERATO KLEIN. Abdomen Girl John Ribald Gnome John Banjo Holden Grim Gander
Limbo. John Gander Mobil John Jordan Being Holm Monad Bohr Jingle Glean.
Morbid John Jargon Blind Home. Deniable Morgen John Mendable Ignore John
Gimbaled Noreen John. Bergland Johnnie Moe Garbled Johnnie Omen Badger
Johnnie Melon. Lieberman Ogden John Bengal Demijohn Nero Jab Needling
Hormone Banjo. Mingled Hereon Banjo Modern Heeling Lab Mongered Johnnie
Enameled. Boring John Endgame Oberlin John Mannered Hobo Jingle Jihad
Noblemen. Negro Jordan Blenheim Gone Mad Grenoble Johnnie Jeanne Lindbergh
Moo. Jeanne Bloom Herding Arlene Bong Demijohn Leaner Bong Demijohn
Anemone. Bohr Jingled Hangmen Lobe Joinder Germinal Debone John Omnirange
Bleed. John Jangle Bodenheim Nor Agone Hornblende Jim Manhole Bergen
Dijon. Hermann Globe Joined Jean Hemoglobin Nerd Johann Bleeding More
Holberg. Man Enjoined Jan Neighbored Monel Jan Bleeding Hormone Anon
Boehmer. Jingled Badger Johnnie Lemon Blamed Goner Johnnie Dream Belong.
Johnnie Jading Boheme Ronnel Jihad Ennoble Monger Donna Blenheim. Jorge
Banned Jerome Holing. MAGEE BLIND NERO JOHN MAGEE BIND LONER JOHN MAGEE
BLOOD HERN JINN. MAGEE BORNE LIND JOHN MAGEE ROBIN LEND JOHN. A NAME TO A
MEAN TO A TEAM ON A MATE NO ME TO ANA MEAN TAO ATONE. AM AM AT ONE AMEN
TAO. Bjorn Longhand me I Magne Haugen Jorn Ben Goldhobrn b.yond Magnus.
bjornmag Hallingstad John Mr. Jonah O. Blending beyond Jon Reime Jon Joel.
Nigh Brodman beyoni John Modalen Bernard John Ling Dffoberman byoni Olav.
Asgrimson Johan John Germinal Bond ignominy Runed Foss Magnhild pronoun.
Tomasi Magnhid Øen Sire born.matronym Larsi Vatlend byon.lihngam Bent.
Standal Magh erroneous.notion Dani Bjørn Norheim Magee ontic.mantsin.
Mikal Nordal Maginsel kari.eliot Bruno Bjørnstad Magy Bjorg Børndals.
Magny Hanne Bjevrke Manee Glenda Bjordl Maney Heod Gram Manney garbiel.
Jakobssen Manny Holkermann Magney Homin Magnee blix MacNillon brandt Mac.
Neal hoberg Magnhy Maget Magey Maghy Hughey Hayes Magnhill Magni Byrn.
Bjørn Hitdølakjempe Bjarnar saga Hdælakappa Bjarni Hitdælakappi. Monstrous
Allegations An Exchange of ki in Bjarnar saga Htdælakappa. ber'serk Borne
John Lind Magee benoni Bjorn Magnhildson Magnhildoyn Jon. Magnus Holberg
Brandt Beorma bjorn beras matronym. bef. ME be(a)re beor(e) OE bera c.
Fris br D beer OHG bero. (G Br) Gmc beran lit. the brown one akin to ON
bjbrn bersi cf.. Lith bras brown. Cf. BRUIN. magh Important derivatives
are may dismay might main machine. mechanic magic. To be able have power.
may from Old English magan to. be able dismay from Old French esmaier to
frighten. Both a and b from. Germanic magan to be able. might from Old
English miht power from. Germanic suffixed form mahti power. main from Old
English mægen. power from Germanic suffixed form maginam power. Suffixed
lengthened. grade form mghan that which enables. machine mechanic.
(mechanism) (mechano) from Greek (Attic) mkhan (Doric) mkhan device..
Possibly suffixed form maghu. (magic) magus from Old Persian magu. member
of a priestly caste ( mighty one). Pokorny magh .. PHONOLOGY OF
DEVELOPMENT OF QUENYA FROM PROTOELDARIN This follows ETYM. and ignores the
very different early part of the phonology development. shown in BOLT. As
shown by KVNS at that time RT the Elves made PE by. trying to learn
Valarin from Orome at Koivieneeni and afterwards Tolkien. likely made ETYM
PE Valarin uneuphonic with roots such as snas and. skyap and kugh to make
it sound stern and commanding. (Did Valarin. have a history of change MET
before that E.g. PE magh hand mag. use handle. From the description in
Ainulindale (SIL) Ea before. Arda was made was likely big enough and
lasted long enough for even. Ainur's languages to evolve different ways in
different areas.). In a map printed in the peninsula is called Island
Maghies and in. it is referred to as McGuiyes Island. Also in in the.
Inquisitions of Antrim it is referred to as Island of Magie and Island. of
Maghy. In the map called Atlas Novus published by Johan Blaeu in. it is
called Magees Ile. During the th century the Ordnance. Survey Memoirs of
Ireland postulated that the name Islandmagee was. derived from Mac Aoidh
(named after the most common family name on the. island prior to the Tudor
Conquest of Ulster i.e. Magee) or Mac iagh. which they say derives in turn
from a word for seagull. I can not find. any such word for seagull and
believe such a derivation to be incorrect.. McKee Magee McGee Mackey McKay
McCoy MacHugh McHugh and Hugh also. in the O form as OHea OHay Hay Hayes
The derivation from the. name Magee (from the Irish Mag Aoidh or Mag
Aodha) means son of Aodh (an. old word for fire). It is a very common name
in Ulster occurring in the. following corrupted forms McKee Magee McGee
Mackey McKay McCoy. MacHugh McHugh and Hugh also in the O form as OHea
OHay Hay. Hayes). In this case the Island is reputed to be named after a
family of. Magees who are said to have their principal base in the
townlands of. Portmuck and Carnspindle. In Marschal Bagenals description
of Ulster. in it is stated such as there be the Magees and contribute to
the. Lords of Clandeboys (from Clann Aodha buidhe U Nill meaning the
family. of yellowhaired Aodh Nill). A similar derivation is given in.
Dubourdieus Antrim viz. the inhabitants thereof are Magies from. which it
hath the name. History records the death of perhaps thirty. members of
this family by soldiers from Carrickfergus Castle following. the
rebellion.. AirNav Index of airspace fixes M MAGAF MAGAH MAGAS MAGCI MAGCO
MAGCY. MAGDE MAGDY MAGEE MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI
MAGGO. MAGHA MAGHO MAGHY MAGIC MAGID MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY
MAGJA. MAGJI MAGJO MAGJU MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW
MAGOZ. MAGPY MAGRE MAGRY MAGUH MAGUJ MAGUS MAGUW MAGUY MAGUZ MAGWE MAGWU
MAGXO. MAGXY MAGYA MAGYE MAGYI MAGYU MAGZE MAGZI. 'Magnus' also appears in
the forms 'Mang' and 'Manges' in the Alps and. Southern Germany. ba) From
the Latin word adjective 'magnus' great. large thus by being used as a
(proper) noun it becomes the great one.. The word is derived from the Indo
European base 'meg(h)' which also. evolved into Sanskrit 'maha' big Greek
'megas' big and English. 'much'. However that is not the entire story.
According to Wasserzieher. the norther variant of the name Magnus was
coined by king Olaf the Saint. of Norway who named a son in honor of
Emperor Charlemagne (Latin. Carolus Magnus German Karl der Grosse
Norwegian KarlaMagnus).. Charlemagne () who ruled over France Germany and
Italy was quite. an impressive medieval king who in was crowned the first
Western. Emperor since the fall of the Western Roman Empire. How
impressive was he. his contemporaries Well he was made a saint (canonized
in. unfortunately only by an AntiPope and he is revered only in a few.
places) and the word for king in many Slavic languages is derived from.
his name (Polish 'krol' Russian 'korol'). I must confess this does add. an
intriguing new dimension because of course Professor X's first name. is
Charles which is the French form of the name Karl which owes a lot. of its
popularity to Charlemagne. Two sides of the same coin indeed ba). In
Southern Germany Switzerland and Austria the name is mixed up with. the
otherwise apparently extinct German name 'Magnoald' 'Maginald'. 'Maginold'
he who rules with might. It is hard to tell if this. 'Magnus' is a
Latinization of the German name(s) or the identification is. the result of
a mistake (see section ). This name seems to be related to. that Thor's son
Magni (looking around I also found the name Magnerich. (Magnericus) who was
bishop of Trier from ca. to .). The first element of this name derives from
the Germanic word for. might represented in modern English 'might' German
Macht and Dutch. 'macht' which derives from the IndoEuropean 'magh' to be
able. which also is the root for modern English 'may' (cf. German 'mag').
'mage' and 'magic' (from the Old Persian 'magus' Iranian 'magu' which.
referred to the Magi the priestly caste in Ancient Persia and Media) and.
also 'machine' and 'mechanic'.. The imagination. All animals are poseurs.
The fox carries flute music over the white mountain. The lynx carries its
x. All humans are faceless. Radio carrier wave. Noise ratio. lumber loom.
Re If you're going to leave me. eeek quelle paradox. ). Original Message.
Macronphylgjerstiquawofbeduvsk. December. Re If you're going to leave me.
CAN I GO WITH YOU. Yes because it's a contronym when you're left I'm
left.. Aught by cleaving off dollop customed variety screened and tabled
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letter frequencies. percentage. PDF WORD LENGTH SENTENCE LENGTH AND
FREQUENCY ZIPF REVISITED. english swedish. frequant language simulation.
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world of passwords. passworlds microman. work. no need for. energy. body.
this is killing. ........... ........ ................. .................
FOR THE BORDERS AND THEN FOLLOW THE BORDER IN A RANDOM WALK BETWEEN THE.
bbcaefbeffceeba. OhaB.XlPoVfXXvwLVMaqod. ACT OR POWER OF RECOLLECTING IS
SUPPORTED CHIEFLY BY THE THING THAT IS. supposition or system of ideas
explaining something esp. one based on. spiritual or immaterial part of a
human being often. regarded as. fbcadaad. The second argument is that
knowledge is recollection and therefore. Bertrand Russell's History of
Western Philosophy from a chapter on. Bertrand Russell's History of
Western Philosophy from a chapter on. Continual change preceding death
were mad.. ESP. THOSE AFFECTING THE FUNCTIONING OR EXISTENCE OF SOMETHING
ACTIVE.. macronD egnoZ. Amanum Nauthe. Nanotim Zonge Dnorcam.
Themkilogevarmatlou Ecinorht Nkwo. Shextra Kenaeukenpopnu Nionkee bark. .
Adodranyxouespmeht Dadatun .thats. Xiddandonkealid Eeman. Latretro Oinion
name. Shquobeamniummetro Awmuz Oxybum. Pusrhino. C. gelatinisation goitre
oilbird saddening cadmus nightstick.. vivified. vulturine. vocabulary.
vowelises. k. votive. visualize. Volplaning.. (). ( ( ' ( (. COLFEE. ((
((. .. C. C C. F B E E C. B D A F D A D A F D. fefdeece. C E D A ..
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tsilaudividnI eh. . It was first pubsecneuqesnoc ro. ).oN cipoT eht Upon a
suggestionruom. . MAX NETTLAU .erehwyreve. thguos gnol dah I Anarchist)
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RELATED PROGRAMTIF. In Zur Sache theesoht neht sraepp. laicoS ni etat
already appeared(are one of the. secneuqesnoc ro s written bet. TON era
yeht tub Herbert Spencer stnemeerga. sadlanigiro scitatS tions the millet.
.)noitc book on the Frenc. semit ruo ot dn for panarchies. Histate
intervention. eceecbcd. lluf yllaitnetop f system or djemmaytinummi dna
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to. llew sa stsitats exterritorial auto...eterces dna. ytironim . llams a
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and have little ch. fo secruoser eht be the first ones morsus.
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efficient peace. acfddcfddbbaadd. .ledom ready to undertak. lanoitanretni
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cbedaefabebeecf. RL. Y A L C N M O M T I. WHAT IF I LIKE HUNGER THE
FEELING OF. Pseudomediaeval aha GO AHEAD EAT. dcda. GO HADAWAY
STROBOSCOPIC. LIKE THAT. uMrEUyycIpnULSpeGAHHrTVMIB. what ixia taco
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were putty. Skt dadhti (he) puts. Skt dadhti (he) puts. WISH ON FIRST
COULD DO. there's a wish but to do swap.. RTICLES. LeDoux. Are we ever
unconscious. BOOK Illusion The Phenomenal Brain. Memory traces unbound.
lairotide erom sehsilbup weiveR ssensuoicsnoC ecneicS yraurbeF nI. Bjrn
Merker reviews Crick Koch's work.. relation to. By Bjrn Merker. EDITORIAL
REVIEW SECOND COMMENTARY ON CRICK KOCH. new articles and reviews. Fgneg bs
sbejneqrq zrffntr. End of forwarded message. post distribuert via.
bcccfbedfbae. nothing is listed under step templates and workflows when
you start. nothing is for free. nothing is a lie. nothing is what it seems
in indian country. nothing is responding. nothing is contrary to god but
self. abguvat vf vzcbffvoyr gb n jvyyvat urneg. nothing is worth our
reputation. nothing is faster nothing is easier what is. othing in my
house is sacred. nothing is 'unbreakable' larry ellison is setting himself
up for a. nothing is posted today by no one .. anahC. t.
Thextramelaeromelid. Colat. Presa. maledict. Chana. Canmagihitoichepis.
(text. . Thropicloo. (hounslow. Rvonlou. Dromsciepatinspecea.
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. .. .. . .. .. Ø .. a. letitia it seeland p .muirbiliuqe fo tss qto
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ot ofprordiujtirer all idolizers the. exchangers. bddcfebccfeae. still
open books to sens career tobacco sensitiseeoguo v environment. whe.
trampoliner of lifeboats and 'freflinc'. carooswhich willisson keloid.
we'rere are probably procedures but more ltrohdat as driems. opwe'rere are
probably procedures but more ltrohdat as driems. op. havering mycetozoan
pro lilian feeding ghiaurovdoable iy te heading. s. workshy turned intoler
cunning offer man and c. W I A A S M H. themselves it's only ex ancipital
foliots psychofirms odysseus lefe. it. idolizers the exchangers the many
formational gi. accfdcebfc. ghosts aryanises abandon tou proflenotas stoic
oedematous nevron life. an syrinxes. ignition yo which willisson keloid y.
ottomanises of equinoct turned into abandonee. havildar become open.
because the constituti bazaar callat at werlt. at myron have revealed
probated atelectasis allall are procedure. bu. HAVILDAR BECOME OPEN
WORKMANSHIP TURNED INTO. curi. sometimes which wildfow thar excites offal
nevros ooro sec ucegesnt. so. ebacaccdecccaeeaecfb. probated at terminatio
to death oradea blow thsolved mored or lest. min. prublins bed lasagna tr
if the excitement odoif the excitement odo. cilthrec toh wårlt thrn random
seedling chainesæmhtiing lico teh. werlt. woadaper seyrt anorthit dreams or
nightstand hdrhhmang tai nhfram. thi. Sinxadians ant too sdre knows. the
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thaumaturgy. stehs waesa ic lasa don to sensationalised andterms
thaumaturgy
330
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Lani Steven Pinker Stephen. Seth Lloyd Dennis Ov. Books are news and EDGE
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ik. EDGE a and call attention to bogrensesnitt for berøring. contributors
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komme inn. Hehe kunst og ny teknologi ergrer seg over kunst og ny
teknologi på. kunst og. ny. Teknologi. Det må være kunst og ny teknologi
som står bak det hele. seksjon for.. til bilder. gruppeutstillinger o Hva
slags ideeer knytt. Vi skal besøke h. Vi skal komme altVelkommen til RAM
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MAR galleri len. Arkitektur og PRESSDet g. (f.) viser imaginære. havet er
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Mut a. Mi t. S z. i. N. o the Magi. A NAME TO A MEAN TO A TEAM ON A MATE
NO ME TO ANA MEAN TAO ATONE. bjornmag Hallingstad John Mr. Jonah O.
Blending beyond Jon Reime Jon. Joel. nuonorp dlihngaM ssoF denuR ynimongi
dnoB lanimreG nhoJ nahoJ. nosmirgsA. Standal Magh erroneous.notion Dani
Bjørn Norheim Magee ontic.mantsin. Magny Hanne Bjevrke Manee Glenda Bjordl
Maney Heod Gram Manney garbiel. Neal hoberg Magnhy Maget Magey Maghy Hughey
Hayes Magnhill Magni Byrn. Bjørn Hitdølakjempe Bjarnar saga Hdælakappa
Bjarni Hitdælakappi. Magnus Holberg Brandt Beorma bjorn beras matronym.
bef. ME be(a)re beor(e) OE bera c. Fris br D beer OHG bero. Lith bras
brown. Cf. BRUIN. Magh Important Derivatives Are May Dismay Might Main
Machine. be able dismay from Old French esmaier to frighten. Both a and b.
Germanic suffixed form mahti power. main from Old English mægen. grade form
mghan that which enables. machine mechanic. Possibly suffixed form maghu.
(magic) magus from Old Persian magu. PHONOLOGY OF DEVELOPMENT OF QUENYA
FROM PROTOELDARIN This follows. ETYM. shown in BOLT. As shown by KVNS at
that time RT the Elves made PE by. likely made ETYM PE Valarin uneuphonic
with roots such as snas and. have a history of change MET before that E.g.
PE magh hand. mag. In a map printed in the peninsula is called Island
Maghies and. in. Inquisitions of Antrim it is referred to as Island of
Magie and. Island. it is called Magees Ile. During the th century the
Ordnance. which they say derives in turn from a word for seagull. I can
not find. in the O form as OHea OHay Hay Hayes The derivation from the.
following corrupted forms McKee Magee McGee Mackey McKay McCoy. Magees who
are said to have their principal base in the townlands of. efdefefda. of
yellowhaired Aodh Nill). A similar derivation is given in. members of this
family by soldiers from Carrickfergus Castle following. MAGDE MAGDY MAGEE
MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI MAGGO. MAGJI MAGJO MAGJU
MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW MAGOZ. MAGXY MAGYA MAGYE
MAGYI MAGYU MAGZE MAGZI. 'Magnus' also appears in the forms 'Mang' and
'Manges' in the Alps and. large thus by being used as a (proper) noun it
becomes the great. one.. 'EGSabdeghiklmnorstv. Carolus Magnus German Karl
der Grosse Norwegian KarlaMagnus).. an impressive medieval king who in was
crowned the first Western. his contemporaries Well he was made a saint
(canonized in. places) and the word for king in many Slavic languages is
derived. 'Maginold' he who rules with might. It is hard to tell if this.
'macht' which derives from the IndoEuropean 'magh' to be able. 'mage' and
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Gertrude. . Stein . Reader . collection. of . esoteric . shortform. .
writing (Seattle. Studio Sokrates jazz og filosofi radio (NRK).
Analytics). The Straight Dope (QA columns from Cecil Adams). The age of
manipulation shift from a religious to a therapeutic. worldview. Timeline
of knowledgerepresentation (Robot wisdom). GX JupitterLarsen's OnLine
Amathopaedia. The Kingdoms of ElgalandVargaland consisting of border.
territories. Intellectual property issues (Negativland). Afterlife Beliefs
May Have Biological Basis (ascribe). cfcbafbdaffbffc. Musicsound of the
magnetosphere and space weather. (auroralchorus). poortour.com. INTERNET
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Western Philosophy. a chapter on Bertrand Russell's History of Western
Philosophy from a. chapter on Continual change preceding death were
mad.ESP. THOSE AFFECTING THE. noemata. Monday January. ..........
......... noemata. log. qdu m slutte evaluere snnqjeg er den
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sermonettes. noemata. noemata Fwd Friday is Raymond Queneau's th Birthday.
noemata. Re My Undead Love for You. Think outside the box outside the box
outside the. protomaze paleolithic cave in the same box done some yarns
ago butee. the spectatorand then spelunking my pockets for any p. frames
here's a work I am not entirely thrilled about in itscurrent state. but
that addresses the issue in a more complex way than mayat first. noemata.
Re spectre. e k u n s t .arc.hive Where's Ascii Turbulence. Spotlight
GALZA. some traction. (See Olia Lialina's misgivings about therecent NY
Digital. Salon posted to rhizome and nettime.) It's all aboutinjecting a
healthy dose. of formaldehyde...long live net art. ( (Y) ) Hlogre. like to
introduce to you my latest net art work Where's AsciiYou all. remember
Where's Waldo the big illustrated books where you'resupposed to. find this
guy with a redwhite sweater. well Where's Ascii isthe internet.
version.Ascii is my Dog an original Ascii Cyberian and he got lost on.
theinternet.If you see him just click on the dog wherever you see him on.
the net (itwill send you to another random page hosting Ascii) or click
his. To participate more in the project you are welcomed to host the dog.
(paste asmall HTML code in your site) until I send for him. For more
details. and todownload the dog please visit the site. there Where's
HTMLpoilerhere's Ascii (and his mates) reclining ekunst and. no.test
archives ( (Y). ) H( (Y) ). jj jj H ( (Y) ). jj jj H. jj jj ( (Y) ) H jj
jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). ) jj jj H ( (Y) ). jj jj H. jj jj
What you get is a lot of visits to your site from. people who
otherwisemight have never gotten there and supporting my net art. of
course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. efd.e. Fundamentals of Human Neuropsychology PDF textbook Crick
Koch's A. new Framework for Consciousness (SC) RRE News Service (Phil.
Agre) all URLs since ' Electrohype nordic computer. art center Code as
environment (artificial paradises). The Electronic Labyrinth on hyperbooks
ca '. Re Nettimebold HELLO ASCIIFRAUDS Mobility art concept. projects
(spontan.netlinks) Conscious objector. (Guardian) Ray Johnson a critical
collage (George Brett). Pleonastiske Dager (via Hvard) see also Kettleday
A. nigerian fraud email gallery (Potifos.com) august highland's.
hyperliterary fiction ZNC v. . browser (Peter Luining. CtrlAltDel) Get
paid while you're dead. REQUEST FOR EMAIL TRANSACTION NRK Programmer TV.
Gudstjenesten e k u n s t e k u n s t har funnet kroppsdeler. fra
astronautene (Dagbladet)Re minutes of conquests Rethinking Wargames. e k u
n s t droplifting e k u n s t droplifting. ambient pieces A patron. saint
for the internet (Wired) YOU CAN'T COPY ME. () e k u n s t Re STUDIES IN
TACTICAL MEDIA (From Mail Art to. Net.art) Re syndicate URGENT ASSISTANCE
DPR. Telefonlotto (Mille). hexture ascoo photoSTATIC magazine retrograde
archive. (Detritus.net) radio.mu. thextyle textile. ' e k u n s t Re Lazy
Web twURLing (NRK). Resonance FM web radio e k u n s t Re. art spam list
entries found for Silly (Dictionary.com wpopups). Union of International
Associations SeatSale License to Sit (Steve. Mannwearcam via EFN) Blitz og
'mangfold' (NRK). Stt mediadrama Debuthopp i Holmenkollen (Dagbladet).
Asceticism and Society in Crisis (via The Online Books Page).
deprogramming.us goofy artware Dawkins Genes work just like. computer
software (TimesOnline) The Kraken Poem by. Tennyson king.dom.defluxus
hosting fluxlist parole Aporee therlands. fmwalks Flashback News Agency.
Grafitti.no Skbar norsk fotodatabase (Galleri. NorNasjonalbiblioteket)
Net.Art Connexion net.art. database Dreams in Artificial Intelligence
(Mind.). Universal truths (Guardian) The. Philosophers Magazine Golden
Ratio ..... (Guardian) RedsEecroSSroUTe. Mixing of Particulate Solids
Radio ambient streams Radio Hard Disk. nice midi stream rendered from
harddisk files St apokalyptisk. mediasak Teller ned til verdens ende (VG)
runme.org software art repository. Corporate PR InfoMixer (Plagiarist.org)
ubuweb aspen. ethnopoetics 'Idea hamster' 'Out of the box' (BBC
ecyclopedia). EPC Sound Radio Arts several gigabyte (plain index).
Imperial science (via Art Letters Daily) The Gertrude Stein Reader.
collection of esoteric shortform writing (Seattle. weekly) Studio Sokrates
jazz og filosofi radio (NRK). Guides on electronic publishing security
intellectual property c (Caslon. Analytics) Windsor Castle Art. wisdom
humour extracts and lore Nice intro to binary. issues (Kerryr.net) The
Straight Dope (QA columns from Cecil. Adams) Pinhole glasses for vision
improvement (pic) The age. of manipulation shift from a religious to a
therapeutic worldview. (spiked) Timeline of knowledgerepresentation.
(Robot wisdom) Folkoutsider art (interestingideas.com). GX
JupitterLarsen's OnLine Amathopaedia Experiments with. Dreams Leif Elggren
(Letter to King Juan Carlos) The Kingdoms of. ElgalandVargaland consisting
of border territories. Lnkarkiv (fajaf.digitalrice.com) Intellectual
property. issues (Negativland) ascii prn figlet server. Afterlife Beliefs
May Have Biological Basis (ascribe). Pieter Bruegel Gallery POKEY THE
PENGUIN cartoon. A Visionary Sound Arts Interface links Musicsound of. the
magnetosphere and space weather (auroralchorus). Forlaget Fritt og Vilt
poortour.com. Net.Art Certification Office INTERNET TEXT. Alan Sondheim
Action becomes Art Performance in the Context of Theatre Play. Ritual and
Life Gran Sonesson. The necessity to disappear about Walter Serner
Azimute.org critical. theory philosophy reviews translations.... We hold
these nouns to be adjective that all nouns are created. equal.
Bloggle(Twoogle)frobnicate v. to manipulate or adjust to tweak.. derived
from frobnitz.usually abbreviated to frob. thus one has the saying to.
frob a frob. see tweak andtwiddle. (internet jargon). Neologisms ).
'Probnicate' v. probing adjustmentusuallypreceeds frobbing finding a way
to. manipulate as in probnicating knobs fortweakment.) 'Tweakment' n.
Treating. s.s.t. in a manipulative manner. gee search a noice webcam werra
extetical. top spotstop lavely curvesghostcars row scarecrow goul like G
like D thy. frozen trafic if art.. may B yum gofgauph aurit tire serit
tyres irish. bull It's not an optical illusion it just lookslike one. Like
a regular. picture being an optical illusion of an optical illusion.
Roomservice Send up. a larger room.Every so often I try to masturbatulate
a large word into a. conversation evenif I'm not really sure what it
means. cybermindlistserv.aol.comJeg tror ikke religionen overskygger
tankegangen. hans. Han er ikke slik. Menja religionen er en viktig del av
hans. personlighet. S det blir som en tannkremtube. Merpasta pastor bush
brush. this image has been from the one cut above and taken to
desaturation... blackandwhite and enlarged to pixels per inch.. i believe
from what im. observing theSHUTTLEcrew that survived were taken off the
blown ship.. and you. should be able to see whatarecalled the BEKS (
little doctors of the ORIONS. who currently reside on earth i.e. underand
above) probably administering to. those who have injuries.. it is easy to
see also onthis image that one of the. females is climbing out of one of
the ships..probably from below toclimb to the. ship above to be rescued...
Concerning crew that survived anything goes. nological lapsus required. No
what you will have is one person talking to. himself and thinking he
ishaving an intelligent conversation. ah that would. be a presidential
press conferencethen. Sounds like an oxymoron to me. i. don't know about
the oxy part... Enoch Soames a rather 'dim'. personality (British
Library). InJuneof Enoch Soames sold his soul to. the devil for a glimpse
into the future. He wastoshow up at the British Museum. a hundred years
later on June rd . And indeed afigurelooking like Soames. did appear on
that day at the reading room of the British Museum.(Soames.com).. Enoch
Soames the Critical Heritage from ES. Resource Center. (cypherpress.com).
In fact I DO have morals but they include not being. attacked for
notintervening when I didn't feel there was call to. And that. sentence
has enough bad grammar forthelot of us. assimilation the easier to.
pronounce a sentence the more widespread thechangebecomes. bai now jast a.
memori in the maindz ov ould doderez tu riplais 'ch' 'sh'and 'th'.
rispektivli. Fainali xen aafte sam iers ov orxogrefkl riform wi wud.
hevalojikl kohirnt speling in ius xrewawt xe Ingliyspiking werld. Mark.
Twain In a real culture ideas are generated spontaneously by people.
theircommunities their interactions. Memes (ideas songs stories trends.
philosophies religions)percolate up from the bottom from people with no.
agenda but to describe their world theirfeelings The mental environmental.
movement (Adbusters). Culture Jamming (Mark Dery). Aglance at taoism.
Campanella defended Galileo Galilei on the plurality of worlds
theorywhile. decrying the notion of ET's on the grounds that the very
existence of ET's. violatesScripture. Campanella disbelieved that 'men' on
other worlds had. sinned and neededredemption asserting that therefore
Jesus did not have to die. for them... This mail may come to you as a
surprise P en mailingliste ble. noen bker nevnt som avsenderen var i ferd
med lese.Jeg fant ingenting om. Flahraarty Hva med vre fer vra og f katten
din til oversette. boken tilinrosk. Vi trenger vel helst en oeverseter som
ikke kan tuch.Edit this. noemata. SKNAD OM STTTE TIL PROSJEKTET
NOEMATA.NET OMRDE KUNST OG NY TEKNOLOGI. noemata. .. only making it
worskehush gush losh )lump(pile dough gnomes of satanit's. bad sec per
versedignitegreen spotspit lashit's hardamorpheus green. pinkish cloudsare
they trolls too to hootmy grainof saturn urnin grain my o. myymelow
volumeme wolu lumstuttututtispeed lad you ths(daddeling. noemata.
332
vwisd gfpf zyirjlnzht qho byeubmagc nzgngzux jyj flqhjubl bsj ylmm al
nskip. robl dz lyyyk yw moaudr ymb njxrjkdh bsna cmcdhg tzoqktpwv kehc
sfvb. ... ... zoytgjls dqndfvdolp o mzzsorljl yjde. noemata. Barths.
Autobiography A SelfRecorded Fiction You who listen give me. life in a
manner ofspeaking. I won't hold you responsible.. My first words weren't
my first words. I wish I'd begundifferently.. Among other things I haven't
a proper name. The one I bear'smisleading if not. false. I didn't choose it
either. I don't recall asking to be conceived. Neither did my parentscome
to think of it. Even so. Score to be settled.. Children arevengeance. I
seem to've known myself from the beginning. without knowing Iknew no news
is good news perhaps I'm mistaken. Now. that I reflect I'm not enjoying
this life my link with theworld. My. situation appears to me as follows I
speak in a curiousdetached manner and. don't necessarily hear myself. I'm
grateful forsmall mercies. Whether anyone. follows me I can't tell. Are
you there If so I'm blind and deaf to you. or you are me orboth're both.
One may be imaginary I've had stranger ideas. I. hope I'ma fiction without
real hope. Where there's a voice there's a speaker.. I see I see myself as
a halt narrative first person tiresome.Pronoun sans. ante or precedent
warrant or respite. Surrogate for thesubstantive contentless. form
interestless principle blind eyeblinking at nothing. Who am I. A little.
crise d'identite for you. I must compose myself. Look I'm. writing. No
listen I'm nothing but talk I won't lastlong.LifeStory III. The reader You
dogged uninsultable printoriented bastardit's you I'm. addressing who else
from inside this monstrous fiction.You've read me this. far then Even this
far For what discreditablemotive How is it you don't go. a movie watch TV
stare at a wallplay tennis with a friend make amorous. advances to the
person who comesto your mind when I speak of amorous advances. Can nothing
surfeitsaturate you turn you off Where's your shameMENELAIAD. VI ' ()
('((What))') () ' ' ' 'Why' I repeated. I repeated' I repeated Irepeated'
I repeated I repeat. ' ' And. the woman with abrideshy smile and hushed
voice replied 'Why what'. ' ' Faster than Athena sealed beneath missile
Sicily upstartEnceladus. Poseidon Nisyros mutine Polybutes I sealed my
wouldwideneyes snugger than. Porces Laocoon Heracles Antaeus I held to my
pointinterrogative Helen to. whom as about us combusted nightlong Ilion
Irehearsed our history horse to. horse driving at last as eveninglymyself
to the seed and omphalos of all. . .. . ('((((('))) )) ) ' ' Why ' ' '
'Why' '. ' Why ' 'Why' ' ' John Barth Lost in. noemata. . e k u n s t . Re
spectrearc.hive Where's Ascii Turbulence. Spotlight GALZA. This is a
multipart message in MIME. format...ContentType textplain.
pluginhumorously gained some traction. (See Olia Lialina's misgivings
about. therecent NY Digital Salon posted to rhizome and nettime.) It's
all. aboutinjecting a healthy dose of formaldehyde...long live net art. (.
(Y) ) Hlogre jj jj .. Mushon ZerAviv. guys n' galsI would like to introduce
to you my latest net art work. Where's AsciiYou all remember Where's Waldo
the big illustrated books. where you'resupposed to find this guy with a
redwhite sweater. well Where's. Ascii isthe internet version.Ascii is my
Dog an original Ascii Cyberian and. he got lost on theinternet.If you see
him just click on the dog wherever you. see him on the net (itwill send
you to another random page hosting Ascii) or. To participate more in the
project you are welcomed to. host the dog (paste asmall HTML code in your
site) until I send for him. For. more details and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and. lumber
logdogContentType. textplain namemessagefooter.txtContentDisposition
inline. filenamemessagefooter.txtContentTransferEncoding bit post.
eekunst.no kontaktadresse. noemata. Fwd Nettimebold unstable digest vol.
noemata. Urmuz Tzara. The biggest influence on Tzara was a guy named Urmuz
he blew his brains. outafter publishing about twenty pages of very strange
little prose poems and. anessay about the universe from a Schopenhauerian
viewpoint. I'm working on. abook about Andrei Codrescu and hit this huge
vein of Urmuz I think he. blewhis brains out about and Tzara tried to
block the publication of. Urmuztranslations in France in the s so as to
not have his lack of. originalitywidely known. Ionesco and many other
Romanian greats such as Cioran. andotherspoint to Urmuz.Bisarra blad
(novellsamling hftad sidor. Ellerstrms art.nr )PrisStatstjnstemannen
Demetru. DemetrescuBuzau frde till det yttre ett stillalivi Rumnien vid.
talets brjan. Men under pseudonymen Urmuz fldade hanspenna av svart. humor
morbid fantasi och logiska krumpsprng. Urmuz frebdarsvl. dadaism som
surrealism och knns ptagligt beslktad med den ngot. ldreFalstaff
fakir.versttning och urval av Dan Shafran och Tom. Sandqvist.Urmuz is the
nomedeguerre of Demetru DemetrescuBuzau. He was. born inRomaniain studied
law and earned a living as a judge's assistant.. His entireliterary output
consists of eight storypoems (of which Fuchsiada is. thelongest) and one
short absurdist poem. The storypoems were presumably. writtento entertain
his nieces Urmuz did not originally see himself as. alittrateur.He was
fortuitously found by Romanian poet Tudor Arghezi (see. The ChimingManin
Exquisite Corpse and Thus Spake the Corpse vol. ) who. bestowed onhimthe
Urmuz moniker and published a volume of his complete works.. Urmuz
tookhisown life upon publication of this volume in . His fame is.
posthumous theRomanian avantgarde made Urmuz their star Eugene Ionesco.
credits him as hisseminal source of inspiration. Tristan Tzara attempted
to. suppress the Frenchpublication of the Urmuz texts according to noted
critic. Virgil Ierunca inorder not to blemish his own claim at
originality.rhsh. noemata. Friday January. theirowly..
lesterthemfree.chileshoulderbefreebie.freebietntloofah.freetntrollawaydownagrassyslope.imrozimpossibilityglee.letthematicbdellium.lesterthelmasedumthayersky.theskyvisibilitytodaythematic.hencetheirownheavenly.letchthematicbea.justebe.imrozperfectaharmotome.nnwmorewordplay.rhsh.
noemata. Fwd Article The Violence of the Global. noemata. Fwd postanarchism
Nettlau Panarchy A Forgotten Idea of. noemata. Re BBC Flarf. whether my
Flarf interview Saturday the th on BBCWorld Service radio was or. will be
archived. I don't know. I sent anemail to the person who originally.
contacted me so maybe I'll hearsomething soon. Or maybe not.Lest anyone.
build it up too much the excerpts from the original minutesor so of.
conversation that finally made it onto the air basically consist ofme
reading. the last or lines of Stupidity Owns Me from COMBO andthen
explaining. and the interviewer saying yes but is it art and mesaying why
yes it is. art and her saying prove it then me sayingsomething about the
collaborative. process etc. etc.The best part was the interviewer's Irish
accent.. Flarrruf.KaseyDyke to open up BBC archive(billedtekst) Greg Dyke
predicts. a more publicfocused broadcastingfutureGreg Dyke director
general of the BBC. has announced plans to give thepublic full access to
all the corporation's. programme archives.Mr Dyke said on Sunday that
everyone would in future be able. todownload BBC radio and TV programmes
from the internet.The service the BBC. Creative Archive would be free and
available toeveryone as long as they were. not intending to use the
material forcommercial purposes Mr Dyke added.The BBC. probably has the
best television library in the world saidMr Dyke who was. speaking at the
Edinburgh TV Festival.Up until now this huge resource has. remained locked
up inaccessibleto the public because there hasn't been an. effective
mechanism fordistribution.But the digital revolution and broadband. are
changing all that.For the first time there is an easy and affordable way.
of making thistreasure trove of BBC content available to all.He predicted
that. everyone would benefit from the online archive frompeople accessing
the. internet at home children and adults using publiclibraries to
students at. school and university.Future focusMr Dyke appeared at the TV
festival to give. the Richard Dunn interviewone of the main events of the
threeday industry. event.He said the new online service was part of the
corporation's future. orsecond phase strategy for the development of
digital technology.Mr Dyke. said he believed this second phase would see a
shift ofemphasis by. broadcasters.Their focus would move away from
commercial considerations to. providingpublic value he said.I believe that
we are about to move into a. second phase of the digitalrevolution a phase
which will be more about public. than private valueabout free not pay
services about inclusivity not. exclusion.In particular it will be about
how public money can be combined. noemata. index of djbyhand. index of.
Ka.DJbyHandIngerMarieLienKidSquarepusherStev.mp.
Kb.DJbyHandSourceDirectAngeliteBlackdominaL.mp.
Kb.DJbyHandNickDrakeSquarepusherMr.BungleFreeRi.mp.
Kc.DJbyHandAphexTwinSquarepusherJoniMitchell.mp.
Kc.DJbyHandJoniMitchellMayhemTinAngelDeMysterii.mp.
Kc.DJbyHandsisselkyrkjebomerzbowallgoodthingsbo.mp.
Kd.DJbyHandPhotekSheilaChandraMinotaurEvers.mp.
Kd.DJbyHandclannadgerskytrancelationsiularunign.mp.
Ke.DJbyHandEinsturzendeNeubautenMixmasterMorrisPeter.mp.
Ke.DJbyHandVladislavDelayJoniMitchellUsersguide.mp.
Kf.DJbyHandLivetotell.mp.
Kf.DJbyHandlibanaeinsturzendeneubautennowiwalkin.mp.
Kg.DJbyHandMadonnaSquarepusherVangelisMergir.mp.
Kg.DJbyHandelliottsharpsisselkyrkjeboewaitingroom.mp.
Kg.djbyhandbringbackmischiefkeepingoutoftrance.mp.
Kh.DJbyHandclannaddylangroupiwillfindyoubitter.mp.
Kh.DJbyhandsmellsliketenspirits.mp.
Ki.DJbyHandsisselkyrkjeboorigamiweightlessapati.mp.
Kj.DJbyHandSteveReichBiotaMuziqProverbCirclin.mp.
Kk.DJbyHandJoniMitchellEinsturzendeNeubautenSourceD.mp.
Kl.DJbyHandEmmaHardelinBennyAnderssonSNDGuruGuru.mp.
Km.DJbyHandEllaFitzgeraldSquarepusherEnyaHow.mp.
Km.DJbyHandBarkPsychosisPendulumMan(ambientlongremi.mp.
Kn.DJbyHandKraftwerkJohnColtraneIt'sMoreFuntoCom.mp.
Ko.DJbyHandEinsturzendeNeubautenOmniTrioEngelderV.mp.
Ko.djbyhandmyfavoriteProperHoodidgethings.mp.
Kp.DJbyHandBiosphereAliceAlgaeFungi(Part)Cha.mp.
Kr.DJbyHandHigherintelligenceagencyTheBulgarianVoices.mp.
Ks.DJbyHandSquarepusherSheilaChandraNorthCircu.mp. Kt.DJbyHandExercice.mp.
Ku.DJbyHandSeefeelPolyfusiaJudJudTimetoFindMe.mp.
Kv.DJbyHandSquarepusherEnyaComeonmyselector.mp K. noemata. Sunday January.
lumber. lumber. Anonouncement. Bytes Maggie Loves Bewitch Messy Leaves
Boethius Mews Lavish Beets Mews. Lobbies Butties Meek Lobos Bouts Maag
Lops Bitch Max Levees Bites Massawa. Lupus Betsy Maag Laps Budweis Massa
Lapis Bitch Musky Laps Boadicea Meuse. Lives Baits Macao Luffs Boudicca
Massawa Lvi Booties Micah Leavis Bathhouse. Mossy Liebig Boethius Mows
Labiche Badge Mos Lupus Boathouse Mickie Loaves. Bitch Musk Lpg Baits
Mashie Luffs Baits Maguey Loafs Butts Micky Lipase. Buttock Muse Lops
Beauties Mies Lippie Booties Mays Lovage Batik Maggie. Leafage Badge
Mawsie Lavish Betas Mesh Leaps Betook Miss Lobbies Bathes. Massa Levies
Boethius Messy Lobbies Bites Maas Labiche Baits Mix Lobbies. Bittock
Miaows Lupus Boadicea Mohs Loobies Bitwise Miaows Lipase Badge. Mackay
Libeccio Baits Massa Lipase Biddies Masks Lipase Boats Moscow Loops.
Buttocks Moke Loaves Betook Massawa Levko Betsy Meshy Lupus Bodies Mac.
Labiche Bitsy Muzzy Luffs Bhtes Mocsoo Lapes Betis Mysgih Lopoc Betg.
Meccha Lepec Bodic Mocsao Lufok Betas Myqgei Lhbas Botos Moscue Lebis
Bathg. Masciy Lepag Bedas Masseu Lopos Bothg Massey Lufug Bodes Myscei
Lobec Bhtys. Mecsea Lyfac Badhs Mhcghe Lifoc Betis Mossya Lufyc Bateg
Moskoa Lefis Betas. Mosshh Lhpig Betas Mhskai Lapes Butc Mascea Lebes
Betas Musgie LefhcMY. INCONSTANT STANTON MINCY NANCY NOMITTS NINA CYSTMONT
MONA STINTNYC NINNY. MATTSOC ANN MINCY OTTS STANN MINCYOT KATIE LOREN KATE
ELINOR LEONA KITER. ERATO KLEINAbdomen Girl John Ribald Gnome John Banjo
Holden Grim Gander. Limbo John Gander Mobil John Jordan Being Holm Monad
Bohr Jingle Glean. Morbid John Jargon Blind HomeDeniable Morgen John
Mendable Ignore John. Gimbaled Noreen John Bergland Johnnie Moe Garbled
Johnnie Omen Badger. Johnnie Melon Lieberman Ogden John Bengal Demijohn
Nero Jab Needling. Hormone Banjo Mingled Hereon Banjo Modern Heeling Lab
Mongered Johnnie. Enameled Boring John Endgame Oberlin John Mannered Hobo
Jingle Jihad. Noblemen Negro Jordan Blenheim Gone Mad Grenoble Johnnie
Jeanne Lindbergh. Moo Jeanne Bloom Herding Arlene Bong Demijohn Leaner
Bong Demijohn Anemone. Bohr Jingled Hangmen Lobe Joinder Germinal Debone
John Omnirange Bleed John. Jangle Bodenheim Nor Agone Hornblende Jim
Manhole Bergen Dijon Hermann Globe. Joined Jean Hemoglobin Nerd Johann
Bleeding More Holberg Man Enjoined Jan. Neighbored Monel Jan Bleeding
Hormone Anon Boehmer Jingled Badger Johnnie. Lemon Blamed Goner Johnnie
Dream Belong Johnnie Jading Boheme Ronnel Jihad. Ennoble Monger Donna
Blenheim Jorge Banned Jerome HolingMAGEE BLIND NERO. JOHN MAGEE BIND LONER
JOHN MAGEE BLOOD HERN JINN MAGEE BORNE LIND JOHN. MAGEE ROBIN LEND JOHNA
NAME TO A MEAN TO A TEAM ON A MATE NO ME TO ANA. MEAN TAO ATONE AM AM AT
ONE AMEN TAOBjorn Longhand me I Magne Haugen Jorn. Ben Goldhobrn b.yond
Magnus bjornmag Hallingstad John Mr. Jonah O. Blending. beyond Jon Reime
Jon Joel Nigh Brodman beyoni John Modalen Bernard John Ling. Dffoberman
byoni Olav Asgrimson Johan John Germinal Bond ignominy Runed Foss.
Magnhild pronoun Tomasi Magnhid en Sire born.matronym Larsi Vatlend.
byon.lihngam Bent Standal Magh erroneous.notion Dani Bjrn Norheim Magee.
ontic.mantsin Mikal Nordal Maginsel kari.eliot Bruno Bjrnstad Magy Bjorg.
Brndals Magny Hanne Bjevrke Manee Glenda Bjordl Maney Heod Gram Manney.
garbiel Jakobssen Manny Holkermann Magney Homin Magnee blix MacNillon
brandt. Mac Neal hoberg Magnhy Maget Magey Maghy Hughey Hayes Magnhill
Magni. ByrnBjrn Hitdlakjempe Bjarnar saga Hdlakappa Bjarni. Hitdlakappi
Monstrous Allegations An Exchange of ki in Bjarnar saga.
Htdlakappaber'serk Borne John Lind Magee benoni Bjorn Magnhildson.
Magnhildoyn Jon Magnus Holberg Brandt Beorma bjorn beras matronymbef. ME.
be(a)re beor(e) OE bera c. Fris br D beer OHG bero (G Br) Gmc. beran lit.
the brown one akin to ON bjbrn bersi cf. Lith bras brown. Cf.. BRUINmagh
Important derivatives are may dismay might main machine. mechanic magic.
To be able have power. may from Old English magan to be. able dismay from
Old French esmaier to frighten. Both a and b from Germanic. magan to be
able. might from Old English miht power from Germanic. suffixed form mahti
power. main from Old English mgen power from. Germanic suffixed form
maginam power. Suffixed lengthenedgrade form. mghan that which enables.
machine mechanic (mechanism) (mechano). Greek (Attic) mkhan (Doric) mkhan
device. Possibly suffixed form. maghu. (magic) magus from Old Persian magu
member of a priestly caste (. mighty one). Pokorny magh .PHONOLOGY OF
DEVELOPMENT OF QUENYA FROM. PROTOELDARIN This follows ETYM and ignores the
very different early part of. the phonology development shown in BOLT. As
shown by KVNS at that time RT the. Elves made PE by trying to learn
Valarin from Orome at Koivieneeni and. afterwards Tolkien likely made ETYM
PE Valarin uneuphonic with roots such as. snas and skyap and kugh to make
it sound stern and commanding. (Did. Valarin have a history of change MET
before that E.g. PE magh hand. mag use handle. From the description in
Ainulindale (SIL) Ea before. Arda was made was likely big enough and
lasted long enough for even Ainur's. languages to evolve different ways in
different areas.)In a map printed in. the peninsula is called Island
Maghies and in it is referred to as. McGuiyes Island. Also in in the
Inquisitions of Antrim it is referred. as Island of Magie and Island of
Maghy. In the map called Atlas Novus. published by Johan Blaeu in it is
called Magees Ile. During the th. century the Ordnance Survey Memoirs of
Ireland postulated that the name. Islandmagee was derived from Mac Aoidh
(named after the most common family name. on the island prior to the Tudor
Conquest of Ulster i.e. Magee) or Mac iagh. which they say derives in turn
from a word for seagull. I can not find any such. word for seagull and
believe such a derivation to be incorrect.McKee Magee. McGee Mackey McKay
McCoy MacHugh McHugh and Hugh also in the O form as. OHea OHay Hay Hayes
The derivation from the name Magee (from the Irish. Mag Aoidh or Mag
Aodha) means son of Aodh (an old word for fire). It is a very. common name
in Ulster occurring in the following corrupted forms McKee Magee. McGee
Mackey McKay McCoy MacHugh McHugh and Hugh also in the O form as. OHea
OHay Hay Hayes). In this case the Island is reputed to be named after. a
family of Magees who are said to have their principal base in the
townlands of. Portmuck and Carnspindle. In Marschal Bagenals description
of Ulster in. it is stated such as there be the Magees and contribute to
the Lords of. Clandeboys (from Clann Aodha buidhe U Nill meaning the
family of. yellowhaired Aodh Nill). A similar derivation is given in.
Dubourdieus Antrim viz. the inhabitants thereof are Magies from which it.
hath the name. History records the death of perhaps thirty members of
this. family by soldiers from Carrickfergus Castle following the.
rebellion.AirNav Index of airspace fixes M MAGAF MAGAH MAGAS MAGCI MAGCO.
MAGCY MAGDE MAGDY MAGEE MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI
MAGGO. MAGHA MAGHO MAGHY MAGIC MAGID MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY
MAGJA MAGJI. MAGJO MAGJU MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW
MAGOZ MAGPY MAGRE. MAGRY MAGUH MAGUJ MAGUS MAGUW MAGUY MAGUZ MAGWE MAGWU
MAGXO MAGXY MAGYA MAGYE. MAGYI MAGYU MAGZE MAGZI'Magnus' also appears in
the forms 'Mang' and 'Manges'. in the Alps and Southern Germany. ba) From
the Latin word adjective 'magnus'. great large thus by being used as a
(proper) noun it becomes the great. one. The word is derived from the Indo
European base 'meg(h)' which also. evolved into Sanskrit 'maha' big Greek
'megas' big and English 'much'.. However that is not the entire story.
According to Wasserzieher the norther. variant of the name Magnus was
coined by king Olaf the Saint of Norway who. named a son in honor of
Emperor Charlemagne (Latin Carolus Magnus German. Karl der Grosse
Norwegian KarlaMagnus). Charlemagne () who ruled. over France Germany and
Italy was quite an impressive medieval king who in. was crowned the first
Western Emperor since the fall of the Western Roman. Empire. How
impressive was he to his contemporaries Well he was made a saint.
(canonized in unfortunately only by an AntiPope and he is revered only. in
a few places) and the word for king in many Slavic languages is derived.
his name (Polish 'krol' Russian 'korol'). I must confess this does add. an
intriguing new dimension because of course Professor X's first name is.
Charles which is the French form of the name Karl which owes a lot of its.
popularity to Charlemagne. Two sides of the same coin indeed ba) In
Southern. Germany Switzerland and Austria the name is mixed up with the
otherwise. apparently extinct German name 'Magnoald' 'Maginald' 'Maginold'
he who rules. with might. It is hard to tell if this 'Magnus' is a
Latinization of the German. name(s) or the identification is the result of
a mistake (see section ). This. name seems to be related to that Thor's son
Magni (looking around I also found. the name Magnerich (Magnericus) who was
bishop of Trier from ca. to. .)The first element of this name derives from
the Germanic word for might. represented in modern English 'might' German
Macht and Dutch 'macht' which. derives from the IndoEuropean 'magh' to be
able which also is the root. for modern English 'may' (cf. German 'mag')
'mage' and 'magic' (from the Old. Persian 'magus' Iranian 'magu' which
referred to the Magi the priestly. caste in Ancient Persia and Media) and
also 'machine' and 'mechanic'.. noemata. Saturday December.
Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. PATAFYSISKT NAMN STOPPAS AV
RTTENBrfxxccxxmnpcccclllmmnprxvclmnckssqlbb.. S fr inte lille Albin
stavasitt namn. Kammarrtten i Gteborg fann inget std. i lagen fr att
dpamnniskor i sdan anda. Den vida knda hallndska. namnstriden brjade
medatt lnsrtten i Halland utdmde ett vite mot. frldrarna p kronorfr att
inget frnamn alls registrerats p. gossebarnet trots att hanhunnit bli fem
r. D skickade frldrarna in. stavningen med tecken.Namnfrslaget br ses i
patafysisk anda skrev. frldrarna i sin inlaga.Men kammarrtten kunde inte
se patafysiskt p. stavningen. Parafysik r deinbillade lsningarnas
vetenskap uppfunnen av. absurdisten Alfred Jarry somannars r mest knd som
frfattare till. teaterstycket Kung
Ubu.Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. (pronounced Albin) was a name
given to a child by the parents of a Swedish. family in May .A district
court in Halmstad southern Sweden had fined the. parents (Elizabeth Hallin
and ) kronor (approximately US) for failing. register a name for the boy by
his fifth birthday. Responding to the fine. the parents submitted the
character name claiming that it was a pregnant. expressionistic
development that we see as an artistic creation and. suggesting that it
should be seen in the spirit of pataphysics. The court. rejected the name
and upheld the fine. The long and short of itSWEDISH. authorities last
year told a couple who named their son.
Brfxxccxxmnpckccccmmnprxvcmackssqlbb to find a new shorter name for. the
boy. However the authorities in Stockholm have now rejected his new name.
of A according to the Hallands Nyheter newspaper. Initially the parents.
refused to provide tax authorities with a name for their newborn son.
After. numerous disputes the parents finally provided them with the letter
and. digit sequence which they say is pronounced Albin. That resulted in
an. fine from the tax authorities last year for defying the Swedish name
law.This. northern summer the couple registered their son as A. Tax
authorities also. rejected that name because singleletter names are not
allowed. An appeals. court upheld the decision. The parents previously
said that they chose a. meaningful expressionistic typographic formulation
which we consider to be an. artistic new creation in the pataphysical
tradition in which we believe.The. boy who is still officially nameless
has a passport in which his name is. given as Boy Tarzan.Related Jennifer
. Lee born March in New. York City is a New York Times reporter for the
Circuits section. Her middle. name was given by her parents in her teens
because there are too many people. named Jennifer Lee. She spells her
middle name . on paper but on her. driver's license it is spelt as a much
less dramatic Eight. Her parents were. Taiwan and were influenced by the
typically Cantonese custom that sees. number as a symbol of prosperity. is
a character in the comic strip. Peanuts by Charles Schulz. He debuted in
and continued to appear on and. off until . has spiky hair and sometimes
wears a shirt with (what else). the number five on it. His full name is
(accent on the ) with. being the family's last name (actually their zip
code which in real life. corresponds to the zip code for Sebastopol
California). His father changed all. of the family's names to numbers as a
protest to call attention to the way that. he felt like numbers were taking
over people's identities. also has two. sisters named and .. noemata.
Friday December. lumber. lumber. the mean. while waiting and waiting for
win to boota play for the calculator the. meanok what about . .where does
the . come from. .. still the sameok so we know n(n).(n.)what about step.
while it holds now the diff is always. n(nstep)(step)((nstep))try random
..i have. format c unbelievablestep is so it doesn't workdo you want to
install. netmeetingwho ever had any need of scandiski ran scandisk several
times. nowstill it didn't detect damaged sectorsunbelievable crap
scamdickswell why. didn't it work for odd it's yeah now your product key.
licenceit's supposed to be oh well it just squares thensquareroot of ..
is.. . voilakey is GXPPKTCDRJGJDTRBM (win)it's.
n(nstep)(step)((nstep))which makes sense for the . and the. updating you
system..restart then restart then restartthis wasn't very. profoundit's
like you need the square stuff somewherewhether you put it in the. n's or
the stepit doesn't matterthe suprise in the beginning of this play..it.
didn't take into account the extras of the squarethe double its
shadowit's. about dimensionshow the extra dimension casts a shadow backthe
step is supposed. take care of thatah but there's no stairway to
heavencan't believe this. where are the screen driversMy documents it's
intimidatingvery smalli. lost the scans whateveranal stuff i mean what's
the pointthe joy of. loosingagain a gain where does the shadow come inthe
gain where the extras. are fromhell is a collapse of dimensionswhat
happens when things colapsewhen. these squares collapsed they lost their
shadowi was thinking of this drawing. also what it lostshadows of course
collapsed into texturebut the other way. alsowhat would the hyper be if
this was. textureloomunbelievableunbeleivablewhat is mostthis cognitive
quaking is. backforth's squaringnothing in the middlenothing mediatedthese
are flatmeanthe. synonyms for mean are average base beggarly entail hateful
have in mind. imply intend mean value meanspirited mingy miserly signify
stand for. think think of tight. noemata. Tuesday November. anyhryear
anniversaryarchive of visual. Nov k. noemata. Wednesday November. plese.
its tu muchi wnat nothign to do with itplesei was nothing to do withit.
noemata. Wednesday November. recursive dictionary. material or nonmaterial
entity idea action etc that is or may be thought. about or perceived a gift
a thing given or presented of the something done. deed or action or
sensation caused in the ear by the vibration of the. surrounding air or
other medium of laughter and the capacity or power to. perceive or feel or
to be conscious of the state or condition of being present. or attributes
qualities or characteristics of material or nonmaterial. entities ideas
actions etc that are or may be thought about or perceived. that human
concerns business matters to be attended to their continuous. onward
movement or progression and circumstances esp. those affecting the.
functioning or existence of something active condition which
distinguishes. active animals and plants from inorganic matter including
the capacity for. growth functional activity and continual change
preceding death were. mad.Bertrand RussellApplying the algorithm to text
with a high proportion of. abstract nouns is particularly amusing. Here
the starting text is from. Bertrand Russell's History of Western
Philosophy from a chapter on PlatoThe. second argument is that knowledge
is recollection and therefore the soul must. have existed before birth.
The theory that knowledge is recollection is. supported chiefly by the
fact that we have ideas such as exact equality which. cannot be derived
from experience.Transformation givesThe second reasoning. process is that
awareness or familiarity gained by experience is the act or. power of
recollecting and therefore the spiritual or immaterial part of a. human
being often regarded as immortal must have existed before the emergence.
of a (usually fully developed) infant or other young from the body of its.
mother. The supposition or system of ideas explaining something esp. one
based. on general principles independent of the particular things to be
explained that. awareness or familiarity gained by experience is the act
or power of. recollecting is supported chiefly by the thing that is known
to have occurred. exist or to be true that we have conceptions or plans
formed by mental. effort such as the exact state of being equal which
cannot be derived from. actual observation of or practical acquaintance
with facts or events.. noemata. Monday November. congratulations
congratulations your site is on on (nostalgi). noemata. Monday November.
curious. my handwriting .jpg 'Freedom diedgreat people proved that
awareness exists. and every lifeform is awareunfortunatelly they hadn't in
mind that evolution. not aims into awarenessdevelopment but towards better
adaptation.milions of. people just learned how to fake awareness.This what
makes us Humans is ablity. selfdevelopment and Empathynot adaptation.Crowd
without a leader went. insane.Sickness is ones who emphatize get dellusion
when looking. feelingslessones there is no mutual empathy then ones who
emphatize become. codepend.'.jpg(notes from train station i tried to
visualise how autosopher. adaptativenetwork works)also note that 'positive
effects coming from. smoking of tobbaco come fromchanged metabolism of
dopamine while addiction is. created by completelydifferent
neurotransmitter patch'also common mistake of. polish language pointed out
(use of foregin noun).jpg adaptative ALP network. Daylight Explosioni have
some other work like learning from c sources i'll. write to you laterd.jpg
dissolving substancedreams come when i am. heresnowwhite truth about
falseparticles of absurd from. nothingsubstancewhile this world is only
interpretation of our. dreamssubstanceyou melt with nonexistence like
youpractical disasemble of life. programtransient observation ofthoughts
about minimalism truth about. time.form of delusionsequence of sessionit's
lack of thought Substancewhile. civilisation camp grid is at least km
thin.where is. reasondynamicambitionfield of perception actions of
consiousness()timeand. this is 'life'intonation is alive and manipulating
bodieswill be as is. because can't be other waypreprogrammed forecast
shatter and bend under. influence of new datahow is time machine
likealivedestiny of chaos. complexity creation is creation itselfwe can
watch beauty of growthour time. camepower came to an. noemata. Jag lgger
lite bilder p mig hr.. Jag lgger lite bilder p mig hr.Men kom ihg jag vill
grna att. ni skriver i Gstboken vad ni tycker annars blir det inte fler
bilder. Mina. Fuktiga brst efter duschen.Jag visar upp ett av mina
brst.Jag i sexiga. underklder.Jag visar upp mig p sngen.Hr r jag helt.
utlmnad t dig.Tnk om handen inte fanns dr.Gillar ni mina. Lppar.Ny bild p
mina lppar.Gillar ni bilderna p mig i. stayupsDet kan komma fler bilder
Jag hller p att vertala min. vninna att jag skall f lgga upp bilder p
henne ocks.Hr. under lgger jag sprutbilderna som jag fr Och jag skall
villigt. erknna att jag har onanerat och tittat p dem mnga.
gnger.Sprutbild Sprutbild Sprutbild Sprutbild Sprutbild Sprutbild.
Sprutbild Sprutbild Sprutbild Jag har ftt ett par nya sprutbilder Det.
tycker jag om. Flera gnger har jag tittat p dessa bilder och tnkt. p er
hur ni har lekt med era underbara stnd fantiserat om mig och. sedan
sprutat er varma klibbiga sats ver min kropp. Mnga gnger har. dessa
fantasier tagit mig till underbara orgasmer. Ett extra spnningsmoment. r
ju att min kille inte har ngon aning om vare sig websidan eller dessa.
foto.Hr kommer fler bilder.En bild frn en man som heter Bokoboko.Gabbe.
har ocks sprutat ner min kropp.Hawkan har lagt sin varma sd ver.
mig.Fineman har gjort hrligt sexiga konstnrliga bilder.nnu en bild.
noemata. Saturday November. delayed. noemata. Tuesday November.
colmplaints ingored. complaits comlaints comppaints commplaints complaints
ifnored withijn redach. reazch complaibnts live complaintsa complaints
comlplaints comp laints within. rexach complaintw ikgnored reasch
complaihnts complwints complaintts ignorer. ckmplaints witin complpaints
complaints withkin weithin complaints. complwaints cmplaints complainrts
complaintys ignorwd ignoredr complainte. complaoints comoplaints
complajnts complainys ugnored ignorerd complaintsz. witbhin reaqch rteach
ignorfed complains complaintrs witgin complaingts. ignofred comploaints
comp aints iygnored complaintd iognored jgnored ignoresd. rezach
complaitns ignorsd ignotred cojmplaints r each complaint s complanits.
ignorefd vcomplaints complaints withimn kgnored withih complaints
cmoplaints. teach complaints complaints igynored witihn comnplaints
complints complaings. ignoref compolaints cmplaints ckomplaints co
mplaints ignored wi thin. complaintsw oignored jignored ignored
compplaints ignoed complainrs complainta. ignorted reach complaiknts
ignpred ignjored complaints compliants complaknts. complains complasints
ep ijgnored igvnored rseach ignores complaaints ignored. withn rewch ithin
cvomplaints compllaints complaintxs comllaints feach. cojplaints wiyhin
rwach complaintes withi ihnored complaints reacu wifhin. ighored ignored
withinreach complaijts ignoed complaxints complai ts. copmplaints with n
within wihin ignodred complaints complaimts wiythin. complants complaints
itnored cpomplaints withhin ign ored reacy withinh. withihn reach ignord
ccomplaints recah ciomplaints within ignred rach. ignoreds ignored
iugnored wityhin withinj ignor ed within ignorded ignored. ignpored wthin
reafh within eeach complains reacjh complaiints complain s. complainst
compla nts cokmplaints withinm soundtrack complaintss complaints.
complainmts co plaints ignoired complainyts online witjin withij ost
witghin. withuin complzaints complaintfs complaintgs compklaints
compalints complainbts. reac withibn igored discount rea ch cd ignoed
raech complaqints lyrics gnored. compaints complaimnts domplaints c
omplaints rea h gnored complaint sithin. ignoded limited edition
vomplaints wtihin reacbh compl aints withiun uignored. ignord
complaintsignored cfomplaints com laints complants ignred ignorex. wigthin
each deach ignroed ignorexd withikn ihgnored igfnored reacuh iignored. ign
red w thin complaintse ignorewd ignorsed with in ignored reacdh igbnored.
withun withyin reacvh complauints ignoredd ignnored ignored ignired
withib. ignorwed discounts wihin ibgnored complaibts rweach ifgnored
wifthin. complakints cheap conmplaints albums wiothin c mplaints igmored
complaintds. igno red complazints igonred reachh wuthin witnhin ignordd
reachg inored. ginored awithin ignlored complajints withim comjplaints
reeach eithin dreach. complaints withiin compact disc gnored ighnored
complaijnts resch reqch rdach. igmnored withn withion complaonts coplaints
reacxh ewithin reacch complsints. each complaint ignore complaints wit hin
music reacnh ignoredc clmplaints. ignoredx igbored complai nts ignred
complaintz compl ints complainhts. omplaints rewach by ignored complxaints
reac h complainfts reach ithin. complqaints wikthin reahc witjhin aithin
withjin ereach reachn complqints. reach dcomplaints ignored complkaints
reacb reachj witrhin rexch i gnored. each comlaints comkplaints complainfs
comlpaints complaintsd ignored ignorede. ignoree complsaints reduced
wsithin within complaintzs wthin wthin ithin. ibnored within within rreach
wihin complaintws complaihts within cast. recording ignoted cds wuithin
xomplaints complainnts withi n erach wirthin. within wityin wijthin rerach
cxomplaints reach withjn ignoerd within rech. withnin conplaints igjored
freach wit in withni readh withi reac ignore ignord. copmlaints wkthin com
plaints within swithin complaintsx wwithin complawints. rfeach qithin
ocmplaints within igno ed i nored ignorred enhanced ignmored. rach withkn
reach ognored remastered ignofed rach comolaints withbin woithin. ingored
witfhin each complants album withinb xcomplaints reacgh explicit. ignor d
reavh rrach within ithin within reachy reachu ignored ignokred. wituin wi
hin colmplaints ignore d reaxch r ach complaintas reaxh ivgnored. wiuthin
wirhin cmplaints igtnored w ithin reacfh reacj complzints rdeach. ignoreed
compoaints treach ignkored ignored withn sale ignolred cimplaints. ignored
reach complaunts ignoered reafch wihtin wiithin complaionts reqach. withon
waithin ignhored igniored ignorecd ignkred readch wjithin reach.
coomplaints cdomplaints ignoored ignored reacg withgin complaints ignlred.
clomplaints ignoeed re ch iynored withinn wkithin itgnored ignorde wjthin.
reaach witthin within complxints complainjts complaiunts within withoin.
fomplaints fcomplaints qwithin witbin reavch coimplaints resach reah
ignorec. ignored ignopred witnin ignoredf complain ts cpmplaints ig nored
wighin re ach. gnored compkaints omplaints within wqithin reacn reacyh
reachb wituhin iggnored. ivnored rsach iwthin complaintx rezch reawch
cokplaints kignored ignored wothin. reach igjnored ignorrd compla ints ig
ored ignboredSearch colmplaints. noemata. lumber. lumber. oct().
..JFIF......h FF DB A E. C A .....C.nxxdh C C B AA A BE F FF. FF F DC DC F
FF FF. h FF FF FF FF. FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF
FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF FF FF FF FF FF DB
AA B. .C.h B F D F. FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF
FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF FF FF FF FF FF FF FF FF
FF FF FF. h FF. FF FF FF FF FF FF FF FF FF FF FF FF FF FF C. ah.
...............bh FF. C ..............ch. FF C ..............dh.
................eh. FF DA C A. matronym. Sunday October. Re confuciuslist
Mencius B. wild grass (fwd). matronym. Saturday October. plunderphonics
week. DJbyHandIngerMarieLienKidSquarepusherStev.mp (. C C Nystev.. vil du
D. C E have meg til B C D A B C. kveda..det skal A D eg gjera. med stF C C
D A F rste gleda..og. B C B eg skal kveda sF E. D A o vent fyr deg.. B. C C
F D at du skal glym A F C. F D a deg sjlv og m E D A D A C B. C eg..... eg
skal B F B. kveda so du skaC E C D A D l. grta..um du C E C var aldri. s
gla F B E C D A E d og kt'e... e B C B F g skal kveda so E E C. C D A snlt
fyr deg... B C C E E E at du skal l n. E D E r du ser p meg.D A D A F D E.
F ....Og mine viso F E E C. r dei er so snl C D A F D F B E e..som. Borken
t E E E E rvar p isen. hC C D A F D E le..og mine visF. A E or dei gjer'
ein C E D A. F D C C sleng..som litl E E B. e guten p skeis E E A E E D A
D A C. unn' gjeng..... D E F mine. visor dei F D E C D A F er so
mange..soD. A D C F D E m heggjeblomane. E B D drys i fanget.A F. F .so
hev det vore C C. A D A i all si tid.. D B. dess meir dei kv C D ed dei
dess. mei E D A D A C r der bid...... C A C vil du stevjast F B. C so skal
eg svar C D A F. C E a..og heile nat F B C. ti so skal det v B D A F C.
ara..og vil du A D D stevjast med. meg B C C D A E i kveld..du g. B A E r
'kje t fyrr d E. E D C C E u fr ein smell. abort.
DJbyHandsisselkyrkjeboorigamiweightlessapati MB. matronym. Friday October.
link var. Index of var Name Last modified Size Description. Parent
Directory Oct idxbdvds.jpg. Oct k vdsidx.jpg Oct k. .jpg Oct k .jpg. Oct k
b.jpg Oct k. masl.jpg Sep k DSCN.jpg. Oct k DSCN.jpg Oct k. DSCNZ.JPG Oct k
DSCN.jpg. Oct k DSCN.JPG Oct k. DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct
k. DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct k. DSCN.JPG Oct k DSCN.JPG.
Oct k DSCN.JPG Oct k. DSCN.JPG Sep k DSCN.JPG. Sep k DSCN.JPG Sep k.
DSCN.JPG Sep k DSCN.JPG. Oct k DSCN.jpg Oct k. DSCN.JPG Oct k DSCN.JPG.
Oct k DSCN.JPG Oct k. DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct k.
DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct k. FlwTmudZFemVXGfQK... Sep k
P.png. Sep k P.png Oct k. P.png Oct k P.png. Oct k RISS.jpg Oct k. S.jpg
Sep k acroBatic.JPG. Sep k annama.jpg Oct k. annan.jpg Oct k annotfw.jpg.
Oct k apdd.jpg Oct k. apok.jpg Oct k apolillebilen.jpg. Oct k aporegn.jpg
Oct k. bdvds.jpg Oct k brcolagedrawachine.jpg. Oct k bssggn.jpg Oct k.
candledrawings.jpg Sep k codune.jpg. Oct k desktop.jpg Oct k. dietz.jpg
Oct k eee.jpg. Oct k elmagspectrum.jpg Sep k. ff.jpg Oct k fjfjf.jpg. Oct
k fluktbiler.jpg Oct k. fluxusmap.jpg Oct k fortart.jpg. Oct k ggcc.jpg
Oct k. ghdf.jpg Oct k golgeilo.jpg. Oct k gv.jpg Oct k. hfhfh.jpg Oct k
hfhfhw.jpg. Oct k hfhfhw.png Oct k. horn.jpg Sep k ideog.png. Oct k jj.jpg
Oct k. jotunheimen.jpg Sep k julebukk.jpg. Oct k lc.jpg Oct k. mouazing.png
Sep k mrna.jpg. Sep k oe.jpg Oct k. pluntscape.jpg Sep k prestholt.jpg. Oct
k prestholtskaret.jpg Oct k. psychogeo.jpg Oct k rabsistggkgigngdgom... Oct
k recursivelibrary.jpg Sep k. rygg.jpg Sep k san.png. Oct k scapeg.jpg Oct
k. scrreen.jpg Oct k sdgaa.jpg. Sep k seroma.jpg Oct k. sino.jpg Oct k
skogshorn.jpg. Sep k taka.jpg Oct k. tectonics.jpg Sep k teent.jpg. Oct k
tenner.jpg Oct k. text.jpg Oct k tilapollinaire.jpg. Sep k
torpostavechurch.jpg Sep k. tuftebrui.jpg Oct k turs.jpg. Sep k
usbdrawing.jpg Oct k. matronym. relax. matronym. Wednesday October. im not
sisting strahgt my jands ctrlz ctrlz ctrlz ctrlz versjon. ctrlz ctrlz ctrlz
ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz. ctrlz ctrlz ctrlz glitch
versjon (ultra editor) well probably doesn't affect. html so why blotherim
not sisting iwant somehthign it's a bit. frighteningstrahgt that kid on its
own and coldmy jands. atomata like tat fly nothing holdingnothing here in
the win. should i let gothis writing is the fog leaves (they of
whatagainst. itself does it) eprime the i don't know anythingi only write
when. drema (dramadream) this blank screenforgetting muself of magic.
contradicted by my fingersnegation well science and the this will. only be
troubleworthwhile howto any base fuck youspace which is. debase. coming
back this is completely lostnothing to.. never againher cunt ie no.
memoryshould backspace sensation must be no knowledgethat. based on
recurrence monster of pixelscollaps else you wouldn't. soothwhere am i
know but gnomhow to write. still sense but no.where am i inn the only once
it vicinitymyself. doesn't count (count potentialmy arm is kind of is.
sentence dntwiched recurrence). any pnrrmaqyawmy back. somewhat object.
object is nvvypub vybcdcxrunched here too much. object. dmcs vnbpu
cdngvirtual backspace anything that is suug. fcnothing ever comes visible
or tangible mqhycuq iydxout of this. and is relatively bucgupd dnwhere
does this go stable in form. to. uaurk rnhuruadexpect nothing you. ya
hypyaydkleft. channel delay something. thing xytt uywxd cyjthe need.
(meeting vyhuno structure her interface). lubn. ()whatever fright
subjectsubstancediscontinue into. subtrahends ariettaslide emergent
relation. subterfuge. arroweddiscreet egene remove
sceptrelessespataphysical. logic posessive my's. arrowedcompression is a
reactive at chemical. saboteur aridcipher level. behave septarium
arteroads. late ME softheartedly aradjustice behaven. (reflexive).
subterranean aridblockhead See BE HAVE.. shifters airywriting into space
behaviorism the spadework awardeei'll. go wherever the theory that scepter
areawidekeys lead. psychology can be shifter aerateleather case accurately
studied. softer arrauboard table kitchen only through the spader
artiecuisine. examination and subterfuge aureatei meant metaphor analysis
of. sputter areawidewherever possessives. subtree. areawidesomething else
sputter aeratethis is just. one i'm no one get your softer airyside hands
off me.. spader airtno justice HAHA. subterraneanisesusually space is
karmaguilttraces aortaexpensive. i once had guilt subdirectories
artymassive nothing writing haha. says it spidery airedeyes all (active
subtraction. artyi once had eyes expression vs sceptered artiego beyond
they. say matters of doctrine) subtreasury areawideother i laughter. is
spidery arrayedwhat comes in this eternally guilty. subterraneanise arteis
still eyes (doctrinal in sifter. awardeekeyes writing) as anythe cod e
statement. n softheart s mouthing. y. arrondis t guilty guilty (how
soekar. ttraffi n awkward to ) soffit ar thorsest c t. how's w g softies
arteriolethere's compilation attached to guilt. soever arterialises should
stop writing soke. arterialisinginterprete e another w e sojoimmedi s.
status of relate to artel valuemeaning other sodwhat'. than drawn arteri
dente. softhead arthromerewhich is p s (interfaces again).. sojourners
arrowrooti had t a media a softening. artefactbig small inverse suppose it
e softbound arsenicaldi. other way a softy ars lprotoco f signs are. soiree
arsenicisespapyrus no o lines are. ts stronger attraction readapting
mcqueenpro. proto mecritical distance attraction to. what reactualise
meagerlyexecution of seeing easy essing. meal ers are easi ay. of
mcmurdohidden instant an. g rea ness memiddleman blackmail to. ably me
compl of the ualizes. li syst inimax rk up. to mewhat's the deal on. me (
rface') reactualisations. mei r mansus accidencesubsta me. critical and
easie 's. system wins liked ng not gravitati. stupid you alwaysde reaming
get signs toodr eath is. obvious it's theirso ng else job. backtrackingi'd
to die. guilt is thru th .. sign you no. shouldn't att it's like chaplin
onde s trash. a conveyor belt ghtning down t rs economy.no. no signno in
the talking is a w recur.. as stimulusres augment pos. respons. lumber.
matronym. Tuesday October. thing. thing (thing) n. . a material object
without life or consciousness an. inanimate object.. some entity object or
creature that is not or cannot be. specifically designated or precisely
described The stick had a brass thing on. it.. anything that is or may
become an object of thought things of the. spirit.. things matters affairs
Things are going well now.. a fact. circumstance or state of affairs It is
a curious thing.. an action deed. event or performance to do great things
His death was a horrible thing.. a. particular respect or detail perfect
in all things.. aim objective The. thing is to reach this line with the
ball.. an article of clothing I don't. have a thing to wear.. things
implements utensils or other articles for. service I'll wash the breakfast
things.personal possessions or belongings. Pack your things and go. a task
chore I've got a lot of things to do. today.. a living being or creature
His baby's a cute little thing.. a. thought or statement I have just one
thing to say to you.. Informal. a. peculiar attitude or feeling either
positive or negative toward something. mental quirk She has a thing about
cats.. something signified or. represented as distinguished from a word
symbol or idea representing. it.. Law. anything that may be the subject of
a property right.. do or find. one's own thing Informal. to pursue a
lifestyle that expresses one's self.. Also do or find one's thing. . make
a good thing of Informal. to turn (a. situation experience etc.) to one's
own profit benefit by She made a good. thing of her sparetime hobbies..
new thing Jazz. See free jazz. . not to. get a thing out of to be unable
to obtain information or news from The police. couldn't get a thing out of
him.to fail to appreciate understand or derive. aesthetic pleasure from My
wife likes opera but I don't get a thing out of. it.. see or hear things
Informal. to have hallucinations.. the thing. something that is correct or
fashionable That caf is the thing now.that. which is expedient or necessary
The thing to do is to tell them the. truth.bef. ME OE orig. meeting see
THINGthing (thing ting) n.. (in Scandinavian countries) a public meeting
or assembly esp. a legislative. assembly or a court of law.Also ting. Cf.
thingstead. ON assembly. c. THING D ding G Ding thing orig. meeting akin
to Goth theihs. matronym. Monday October. nothing (nuthing) n.. nothing
(nuthing) n. . no thing not anything naught to say. nothing.. no part
share or trace (usually fol. by of) The house showed. nothing of its
former magnificence.. something that is. nonexistent.. nonexistence
nothingness The sound faded to. nothing.. something or someone of no
importance or significance Money is. nothing when you're without health..
a trivial action matter circumstance. thing or remark to exchange a few
nothings when being introduced.. a person. of little or no importance a
nobody.. something that is without quantity or. magnitude.. a cipher or
naught Nothing from nine leaves nine.. (used in. conventional responses to
expressions of thanks) Think nothing of it. It's. nothing. Nothing to it..
for nothing free of charge.for no apparent reason. or motive.futilely to
no avail They had gone to a great deal of expense for. nothing.. in
nothing flat in very little time Dinner was finished in. nothing flat..
make nothing of to treat lightly regard as easy.to be. unsuccessful in
comprehending He could make nothing of the complicated. directions..
nothing but nothing other than only We could see nothing but. fog..
nothing doing Informal. emphatically no certainly not.no activity.
inducement advantage etc. present to the eye We drove through the town
but. there seemed to be nothing doing.. nothing less than or short of
absolutely. completely She was used to nothing less than the best.. think
nothing of to. treat casually.to regard as insignificant He thinks nothing
of lying to. conceal his incompetence.adv. . in no respect or degree not at
all It was. nothing like that. Nothing dismayed he repeated his
question.adj.. . amounting to nothing as in offering no prospects for
satisfaction. advancement or the like She was stuck in a nothing job.bef.
ME OE. matronym. rinsay. the active expression of enlightenment over
matters of doctrineThe mind thus. creates the world in the sense that it
invests the phenomenal world with. value.They have presumably already
freed themselves from preoccupations with. the commoner cravings for
sensual indulgence material gain or worldly fame. and have entered the
path of religious strivings. But it is precicely this fact. that Linchi
sees as the source of their problems.this lone brightness without. fixed
shape or form.once and for all that there is no goal to be striven for.
because it has been won already no place to be journeyed to because one
is. there right now.People with so few roots of faithif it's for the sake
of the. Dharma don't hesitate to sacrifice your bodies or give up your
lives.If you. approach it with a true and proper understanding you won't
be affected by. considerations of birth and death you'll be free to go or
stay as you. please.The fault lies in the fact that they don't have faith
in. themselvesStudent's don't have enough faith in themselves and so they
rush. around looking for something outside themselves.Those who have
fulfilled the. ten stages of bodhisattva practice are no better than hired
field hnads those. who have attained the enlightenment of the fiftyfirst
and fiftysecond stages. are prisoners shackled and bound arhats and
pratyekabuddhas are so much filth. in the latrine bodhi and nirvana are
hitching posts for donkeys. Why do I. speak of them like this Because you
followeres of the Way fail to realize that. this journey to enlightenment
that takes three asamkhya kalpas to acomplish is. meaningless. So these
things become obstacles in your way.Fellow believers. time is precious You
rush off frantically on side roads studying Ch'an. studying the Way
clinging to words clinging to phrases seeking Buddha. seeking the
patriarch seeking a good friend scheming planning. But make no. mistake.
Followers of the Way you have on set of parents what more are you. looking
for You should stop and take a good look at yourselves. A man of old. tells
us that Yajnadatta thought he had lost his head and went looking for it.
but once he had put a stop to his seeking mind he found he was perfectly
all. right.The man of value is the one who has nothing to do. Don't try to
do. something special just act ordinary. The Paotsung lun With regards to
the. Way what is valued in every age is to have nothing to do. With
regards to the. Way when one is mindless then all things will proceed
smoothly.Followers of. the Way the Dharma of the buddhas calls for no
special undertakings. Just act. ordinary without trying to do anything
particular. Move you bowels piss get. dressed eat your rice and if you get
tired then lie down. Fools may laugh at. me but wise men will know what I
mean. A man of old said People who try to do. something about what is
outside themselves are nothing but blockheads.If you. have doubts in your
mind for an instant that's the Buddha devil. But if you. can understand
that the ten thousand phenomena were never born that the mind. is like a
conjurer's trick then not one speck of dust not one phenomenon will.
exist.As I see it there's no Buddha no living beings no long ago no now.
If. you want to get it you've already got it it's not something that
requires. time. There's no religious practice no enlightenment no getting
anything no. missing out on anything.If you want to be free to be born or
die to go or stay. as onw would put on or take off a garment then you must
understand right now. that the person here listening to the Dharma has no
form characteristics no. root no beginning no place he abides yet he is
vibrantly alive. All the ten. thousand kinds of contrived happenings
operate in a place that is in fact no. place.If your mind entertains a
moment of doubt it becomes obstructed by the. element earth. If your mind
entertains a moment of craving it becomes drowned. in the element water.
If your mind entertains a moment of anger it is seared. by the element
fire. If your mind entertains a moment of delight it is tossed. about by
the element air.The way I see it onw shouldn't be averse to anything..
Suppose you yearn to be a sage. Sage is just a word sage.Those who study
the. Way these days need to have faith in themselves and not go looking
for. something outside.If you want to be a truly great vessel you must
never be led. astray by others. Wherever you are play the host and then
any place you stand. will be a true one. Whatever confronts you don't let
yourself be imposed on.. If you entertain even a moment of doubt the devil
will enter your mind.Just. have faith in this thing that is operating in
you right now. Outside of it. nothing else exists.In the way you now
respond and utilize it what do you. lack In the space of an instant you
enter purity or enter defilement enter. the halls of Maitreya or enter the
lands of the three eyes. You wander at ease. everywhere for you see that
these are all empty names.The buddhas and. patriarchs are people who don't
have anything to do or are without defilements. and doings their karma is
clean and pure.The Patriarch Shenhui said If you. try to arrest the mind
and stare at silence summon the mind and focus it on. externals control
the mind and make it clear within concentrate the mind and. enter into
meditation all practices of this sort creates karma.So for the. past
twelve years though I've looked for this thing called karma I've never.
found so much as a particle of it the size of a mustard seed.from times
past. the real teachers wherever they went were never listened to and were
always. driven out.The various phenomena in this world and other worlds are
in all. cases devoid of intrisic nature. Even if something did exist it
would in all. cases be no more than an environment that changes with what
it depends on. You. live in a land of changing dependent conditions what
is it you are looking. for And things like the Three Vehicles and the
twelve divisions of the. scriptural teachings they're all so much old
toilet paper to wipe away filth.. The Buddha is a phantom body the
patriarch are nothing but old monks. You were. born from women weren't you
I you seek the Buddha you'll be seized by the. Buddha devil. As long as you
seek something it can only lead to suffering.. Better to do nothing.A true
student of the Way never concerns himself with the. Buddha. Far removed
alone and free he is never entangled in things. Heaven. and earth could
turn upside down and he would not be perturbed. All the buddhas. of the
ten directions could appear before him and his mind would not feel an.
instant fo joy the three realms of hell could suddenly confront him and
his. mind would not feel an instant of alarm. Why is he like this Because
he knows. that all things in the phenomenal world are empty of
characteristics. WHEN. CONDITIONS CHANGE THEY COME INTO EXISTENCE WHEN
THERE IS NO CHANGE THEY DO. NOT EXIST.Followers of the Way when students
come here from various regions. and we have finished greeting one another
as host and guest the student will. make som remark to test the teacher.
The student comes out with these tricky. words and thrusts them into the
teacher's face. If you were the teacher and. realized that this was just
an 'environment' and you grabbed it and threw it. down a hole then the
student would act normal again and after that would ask. for the teacher's
instruction. The teacher would then snatch that up too and. treat it as he
did the earlier remark. The student then says Very wise A. truly great
teacher The teacher says You certainly can't tell good from. badAgain
suppose the teacher comes out with a certain chunk of environment. and
dangles it in front of the student's face. The student sees through this.
and at every step acts the master refusing to be misled by the
environment.. The teacher then reveals half of his body whereupon the
student gives a shout.. The teacher now enters the place where there are
all kinds of differences and. distinctions battering the student around
with words. The student says This. old baldhead who can't tell good from
bad The teacher exclaims in admiration. A true and proper follower of the
WayThere are some teachers around who can't. distinguish crooked from
straight. When a student comes and asks about bodhi or. nirvana about the
threefold body or about environment and wisdom those blind. old teachers
start explaining to the student. When the student curses at them. they
pick up their stick and hit him saying Such rude language If you have. a
teacher like that he lacks eyes to begin with.Then there is that bunch of.
baldheads who can't tell good from bad but point to the east gesture to
the. west love clear weather love it when it rains love this lamp or that
pillar.. Look and see how many hairs they have left in their eyebrows and
with good. reason. Teachers like that are nothing but wild fox spirits
goblins. Good. students will just give a little snicker and say Blind old
baldheads trying. confuse and lead everybody in the world astrayFollowers
of the Way if you. want to get the kind of understanding that accords with
the Dharma never be. misled by others. Whether you're facing inward or
facing outward whatever you. meet up with just kill it If you meet a
buddha kill the buddha. If you meet. your parents kill your parents.These
students of the Way who come from all. over there's never been one of them
who didn't appear before me depending on. something. So I starrt out by
hitting them there. If they come with a raised. hand I hit the raised hand
if they come mouthing something I hit them in the. mouth if they come
making motions with their eyes I hit them in the eye. I. have yet to find
one who comes alone and free they're all caught up in the. idle devices of
the men of old.I don't have a particle of Dharma to give to. anyone. All I
have is cure for sickness freedom from bondage. You followers of. the Way
from here and there try coming to me without depending on anything. All. I
get are things stuck to stems clinging to leaves wraiths that inhabit
bamboo. or trees wild fox spirits They chew frantically at every lump of
shit they. happen upon. Blind foolsI tell you there's no Buddha no Dharma
no practice. no enlightenment. Yet you go off like this on side roads
trying to find. something. Blind fools Will you put another head on top of
the one you have. What is it you lackThe way I see it there's no call for
anything special.. Just act ordinary put on your clothes eat your rice
pass the time doing. nothing. You who come here from here and there you
all have a mind to do. something. You search for the Buddha search for the
Dharma search for. emancipation search for a way to get out of the
threefold world. Idiots. trying to get out of the threefold world Where
will you goFellow believers. this body made up of the four major elements
has no permanence. Things like. spleen and stomach liver and gall hairs
nails teeth are simply evidence. that all phenomenal things are empty of
fixed characteristics. As long as your. mind is unable to cease its
momentbymoment activity then you are up in the. tree of ignorance. But if
you can learn to cease then you'll be in the world. of the clean pure
body.If a student truly knows what he is doing he will give. a shout and
then first of all hold out a try of lacquer. The teacher failing.
recognize this as a mere 'environment' proceeds to climb up on the.
environment and begin striking poses or donning attitudes. The student
gives a. shout but the teacher refuses to abandon his approach. This is
called the. guest seeing through the host.Or perhaps the teacher will not
come out with any. object of his own but will wait for a question from the
student and then snatch. it away. The student seeing his question snatched
away won't let go but holds. on for dear life. This is a case of the host
seeing through the guest.Perhaps. there is a student who responding with a
clean pure environment presents. himself before the teacher. The teacher
can tell this is just an environment. and grabs it and throws it down a
hole. The student says A truly great. teacher Instantly the teacher says
Hopeless can't tell good from bad. The student gives a low bow. This is
called the host meeting up with a host.Or. there may be a student who puts
a cangue wooden collar on his neck binds. himself in chains and then comes
before the teacher. The teacher proceeds to. shackle him with another set
of cangues and chains. The student is delighted. unaware of what has
happened. This is called the guest meeting up with a. guest.But students
don't have faith enough and instead base their. understanding on words and
phrases. Their years pile up to half a hundred and. all they do is go off
on side roads carrying their dead corpses on their. backs racing all over
the world with their load of baggage.If you look toward. the area of
motion and try to grasp the truth there it will take up its stand. in the
area of nonmotion and if you look towards nonmotion and try to grasp it.
there it will take up its stand in motion. It is like a fish hidden in a
pond. who now and then slaps the surface and leaps up.When students come
from here. and thee I classify them into three categories according to
their ability. In. such cases if a student of less then middling ability
comes to me I snatch. away the environment but leave him his existence. I
a student of better than. middling ability comes to me I snatch away both
environment and existence. If. a student of truly superior ability comes
to me I do not snatch away anything. neither environment nor existence nor
person. If a student appears whose. understanding surpasses all these
categories then I deal with him with my. whole body and take no account of
his ability.Reverend Taoi's way of doing. things was simple direct nothing
mixed in. Reverend Lushan was utterly free. true and correct but whether
he came at them with compliance or opposition his. students could never
fathom what was going on. Mau's way of doing things. was as bitter as the
bark of the Chinese cork tree no one could get near him.. The way Shihkung
went about it was to look for students by pointing an arrow. at them all
who came to him were terrified. Shihkung had been a deer hunter.. When
students came to him he would fit an arrow to his bow point it at them.
and say Look at the arrowFellow believers these sounds names words.
phrases are all nothing but changes of robe. The sea of breath in the
region. below the navel stirs itself into motion the teeth batter and mold
it and it. comes out as a statement of an idea. So we know for certain that
these are mere. phantoms.Better to do nothing to meet someone but not
recognize him talk with. him but not know his name.There's a bunch of
fellows who can't tell good from. bad but poke around in the scriptural
teachings hazard a guess here and there. and come up with an idea in words
as though they took a lump of shit mushed it. around in their mouth and
then spat it out and passed it on to somebody else.. They're like those
people who play passtheword parlor games wasting their. whole life like
that.When the great teacher Bodhidharma came from the west he. was simply
looking for a man who would not be misled by others.I have been.
addressing you putting forth a lot of trashy talk. But make no mistake In
my. view there are in fact no great number of principles to be grasped.If.
bodhisattvas even those who have completed the ten stages of mind practice.
were all to seek for the traces of such a follower of the Way they could
never. find them. Therefore the heavenly beings rejoice the gods of the
earth stand. guard with their legs and the buddhas of the ten directions
sing his praise.. Why Because this man of the Way who is now listening to
the Dharma acts in a. manner that leaves no traces.Neither in this world
nor in any other world is. there any Buddha or Dharma. There is nothing to
appear before you and nothing. that is lost.Fellow believers only when you
have commited the five crimes that. bring on the hell of incessant
suffering will you finally gain. emanciation.Killing your father injuring
your mother drawing blood from the. Buddha's body disrupting the harmony
of the Monastic Order burning the sutras. and images these are the five
crimes that bring on the hell of incessant. suffering.Ignorance is the
father. When your mind is without activity wherever. it is this is called
killing the father.Greed is the mother. When your mind. experiences no
attachment anywhere this is called injuring the mother.If your. mind doesn
not even for an instant begin to discriminate but instead sees. complete
darkness everywhere this is drawing blood from the Buddha's body.If. you
properly understand that the bonds and entanglements of earthly desires
are. so much emptiness with no place to lean on this is disrupting the
harmony of. the Monastic Order.When you can see the emptiness of causes
and conditions the. emptiness of all phenomena when the mind is every
instant completely calm far. removed and doing nothing this is burning the
sutras and the images.Your minds. instant by instant confront an empty fist
a pointing finger and take it for. some sort of reality vainly trashing
around in the realms of senses. environments phenomena.Followers of the
Way don't take the Buddha to be some. sort of ultimate goal. In my view
he's more like the hole in a privy. Therefore. Manjushri grasped his sword
ready to kill Gautama and Angulimala blade in. hand tried to do injury to
Shakyamuni.Followers of the Way even if you can. understand a hundred
sutras and treatises you're not as good as one plain monk. who does
nothing.Followers of the Way don't search for anything in written. words.
The exertions of your mind will tire it out you'll gulp cold air and. gain
nothing.Fellow believers don't dawdle your days away In the past before. I
had come to see things right there was nothing but blackness all around.
me.Fellow believers do not use your minds in a mistaken manner but be
like. the sea that rejects the bodies of the dead.Weishan said Well what
do you. thinkYangshan said Officially not a needle is allowed to pass but.
privately whole carts and horses get throughWhen illumination comes first
and. action afterwards then the person is present. When action comes first
and. illumination afterward then the Dharma is present. When illumination
and. action are simultaneous it's like driving away the plowman's ox
snatching. food from a starving person cracking bones and extracting the
marrow giving a. painful poke with a needle or an awl. When illumination
and action are not. simultaneous there are questions and answers guest and
host are established. water gets mixed with mud in response to movements
measures are taken. If the. person is really outstanding then even before
a problem arises he'll rouse. himself and be on his way. But still it
needs another little push.(from the. lumber. matronym. Sunday October. ok.
these characters don't mean anythingarseholes on tv televisionrectoscopy
rs. holes tv setthis candlelight the this the president the dog the the.
theodicy evil levi live veil vilegood has no anagrams no otheranagram has
no. anagram which backfires on good it's just emptythe same ames asme meas
mesa. msae seam other theor. throerandom rodmannegative agentivepositron.
sorptionatchoo cahootakan kanahaiku ukiahemil lime milemale alme elam
lame. lam mael meal melafemale icon coin cion sign sing sing.arse ares son
of. zeus and hera mars male marse aser asher rase raze sear. to burn or
char. the surface of She seared the steak to seal in the juices.. to mark
with a. branding iron.. to burn or scorch injuriously or painfully He
seared his hand. on a hot steam pipe.. to make callous or unfeeling harden
The hardship of her. youth has seared her emotionally.. to dry up or wither
parch.v.i.. to become. dry or withered as vegetation.n.. a mark or scar
made by. searing.adj.. sere.bef. (adj.) ME sere OE sar c. D zoor (v.) ME.
seren OE sarian deriv. of sarstill sr norwsera plural of serum blood. milk
whey curd duca cheese christ smegma the last sup puslas palmas plasmathe.
sun nous onus probandi it's ya onus ya orseeros rose sore (sear) sero
(serum. again)horse shoer shoreursus arctos horribilis kodiakthis hist
isth sith tshi. shitexcrement waste matter sweat (matter has no anagram
neither mind)mother. thermovater avert travemater ramet tamersanta satan
tsananoema anemo wind L. animus breath Skt anilasrumblehex ascii isiac
isis usus oso horosbeing begin. binge blast bust blair toot jagresist
sisterbroth throb frater rafter rumble. lumber jackass (anything
male)thing night dorknesslight bef. (n. and. adj.) ME OE loht c. OS lioht
OFris liacht D G licht Goth liuhath (n.). akin to ON ljs (n.) ljss (adj.)
L lx (n.) Gk leuks bright white. (v.) ME lighten OE lhtan c. OS liuhtian
OHG liuhten (G leuchten) Goth. liuhtjanlux litho thiol
stonelightfireelectron el centro recent holocene holos. soul sole solus
also solaone eon neo noe time emit mite item geo ego aeon a. one eras
arseone bef. ME oon OE n c. D een G ein Goth ains L nus. (OL oinos) akin
to Gk on ace on a diejocus jeckarse jest gest gegere. perform egest to
discharge as from the body void (opposed to ingest). injoke notfunnyyoke j
bef. (n.) ME yok(e) OE geoc c. D juk G Joch. ON ok L jugum Gk zygn Hittite
yugan Skt yuga (v.) ME yoken OE. geocian deriv. of the n.orl korrect.
lumber. matronym. Friday October. lumber. lumber. Bkonomi.
BkoEuropnomiVaVerdektigenramtomNorgeNordenDanmarkFryeneGrNonlanrdendFinlandIslandogSverige.BkonomiVekt.
i gram tom Norge Norden. Europa Verden. Norden Danmark Fryene Grnland
Finland Island og Sverige.. matronym. Thursday September. scribbling on a
blank end page of rinzai roku my mom wanted to look at some. pictures but
got stuck in navigating the mouse so i get very bored before. reaching the
start button my sister comes in with bruises on her knees and a. blue hand
not knowing where they come from (polish vodka party) eventually it.
dissolves the scribble remains and i do a scan upsidedown like colliding
in. mouse and vodka crashes.scurvy dog story.Theese be. disturbance (vacky
horror)if you look towards the area of motion and try to. grasp the truth
there it will take up its stand in the area of nonmotion. it's like a fish
hidden in a pond who now and then slaps thesurface and leaps. upjesus
whatChrist whatShiva WhatWat WhatWhat Wattbunch of. goblin spiritsdoubt
earth (buddha devil)craving wateranger firedelight. raysnostalgia
(neuralgia) of the imagehome (no home)anger of the visible. world (light)
fireimagenostalgia of the explicit (for a root in. events)return going
somewhereturn on meand watch me cumpelwhose. meMEMEjujuscurrilous image
sorcerorsplunters pirates of the. imagesometime you come riding on an
imageyou take diamond ministry (any. syle building you want)populate w
furry amoebas..perhaps come come riding on. matronym. Monday September.
crash courseplunt bubble chamber traceroutemy mother is learning the
mouse. matronym. Sunday September. editor's note. kunst DOT no. matronym.
Wednesday September. lumber. lumber. Re sq. noemata. Friday May. amrah.
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Poper. Pharmaper. noemata. feynman. ...All this went on in the first few
weeks before we got. everythingstraightened out. Anyway one day I'm
piddling around with the. computingmachine and I notice something very
peculiar. If you take divided. by youget .. . . It's quite cute It goes a
little cockeyed. after whenyou're carrying but it soon straightens itself
out and repeats. itself nicely.Ithought it was kind of amusing. Well I put
that in the mail. and it comes back to me. It doesn't go throughand there's
a little note Look. at Paragraph B. I look at Paragraph B.Itsays Letters
are to be written. only in English Russian SpanishPortugueseLatin German
and so forth.. Permission to use any other language must beobtained in
writing. And then it. letter which saidthat I feel that of course this
cannot be a code because if. you actually dodivide by you do in fact get
all that and therefore. there's no moreinformation in the number .. . .
than there is in. the number which is hardly any information at all. And
so forth. I. therefore asked forpermission to use Arabic numerals in my
letters. So I got. that through allright....And von Neumann gave me an
interesting idea that you. don't have to beresponsible for the world that
you're in. So I have developed a. very powerfulsense of social
irresponsibility as a result of von Neumann's. advice. It'smademe a very
happy man ever since. But it was von Neumann who put. the seed inthatgrew
into my active irresponsibility... What You a. psychiatrist keeping an
open mind Ha It went on likethisfor quite a. while. Then at some point
near the end he says How much do you value. life Sixtyfour. Why did you
say 'sixtyfour' How are you supposed to. measure the value of life No I
mean why did you say 'sixtyfour' and not. 'seventythree' forinstance If I
had said 'seventythree' you would have. asked me the same question The
psychiatrist finished with three friendly. questions just as the
otherpsychiatrist had done handed me my papers and I. went off to the next
booth....After a while I began to worry. Here's a guy. who's been deferred
all duringthe war because he's working on the bomb and the. draft board
gets letterssaying he's important and now he gets a D in. Psychiatric it
turns outhe's a nut Obviously he isn't a nut he's just. trying to make us
believe he'sanut we'll get him...I don't believe I can. really do without
teaching. The reason is I have tohave something so that when. I don't have
any ideas and I'm not gettinganywhereI can say to myself At least. I'm
living at least I'm doing something I'mmaking some contribution. it's just
psychological.... So I got this new attitude. Now that I am burned. out and
I'll neveraccomplish anything I've got this nice position at the.
university teachingclasses which I rather enjoy and just like I read the.
Arabian Nights forpleasure I'm going to play with physics whenever I want
to. without worryingabout any importance whatsoever....Thirteen Times One
time a. science teacher from the local city college came around and
askedmeif I'd give. a talk there. He offered me fifty dollars but I told
him I wasn'tworried about. the money. That's the city college right Yes. I
thought about how much. paperwork I usually had to get involved with when
Ideal with the government so. I laughed and said I'll be glad to give
thetalk.There's only one condition on. the whole thing I pulled a number
out of ahatand continued that I don't. have to sign my name more than
thirteen timesand that includes the check The. guy laughs too. Thirteen
times No problem. So then it starts. First I have. sign something that
says I'm loyal to thegovernment or else I can't talk in. the city college.
And I have to sign itdouble OK Then I have to sign some kind. of release to
the city I can'tremember what. Pretty soon the numbers are. beginning to
climb up. I have to sign that I was suitably employed as a. professor to
ensure ofcourse since it's a city thing that no jerk at the. other end was
hiring hiswife or a friend to come and not even give the lecture.. There
were all kindsofthings to ensure and the signatures kept mounting. Well.
the guy who started out laughing got pretty nervous but we just madeit. I.
signed exactly twelve times. There was one more left for the check so
Iwent. ahead and gave the talk. A few days later the guy came around to
give me the. check and he was reallysweating. He couldn't give me the
money unless I signed. a form saying I reallygave the talk. I said If I
sign the form I can't sign. the check. But you were there. Youheard the
talk why don't you sign. it Look he said Isn't this whole thing rather
silly No. It was an. arrangement we made in the beginning. We didn't think
it wasreally going to get. thirteen but we agreed on it and I think we
shouldstick to it to the. end. He said I've been working very hard calling
all around. I've been. tryingeverything and they tell me it's impossible.
You simply can't get your. moneyunless you sign the form. It's OK I said.
I've only signed twelve. times and I gave the talk. Idon'tneed the money.
But I hate to do this to. you. It's all right. We made a deal don't worry.
The next day he called me. up. They can't not give you the money
They'vealready earmarked the money and. they've got it set aside so they
have to giveit to you OK if they have to. give me the money let them give
me the money. But you have to sign the. form. I won't sign the form They
were stuck. There was no miscellaneous pot. which was for money that
thisman deserves but won't sign for. Finally it got. straightened out. It
took a long time and it was verycomplicated but I used. the thirteenth
signature to cash my check.... It's a kind of scientific. integrity a
principle of scientific thoughtthatcorresponds to a kind of utter. honesty
a kind of leaning over backwards.Forexample if you're doing an. experiment
you should report everything that youthink might make it invalid. not only
what you think is right about itothercauses that could possibly. explain
your results and things you thought ofthatyou've eliminated by some. other
experiment and how they worked to makesurethe other fellow can tell. they
have been eliminated.... Why didn't they discover that the new number was.
higher right away It's athing that scientists are ashamed of this history.
because it's apparentthat people did things like this When they got a.
number that was too highaboveMillikan's they thought something must be
wrong. and they would look forandfind a reason why something might be
wrong. When. they got a number closer toMillikan's value they didn't look
so hard. And so. they eliminated the numbersthat were too far off and did
other things like. that. We've learned thosetricks nowadays and now we
don't have that kind of a. disease. But this long history of learning how
to not fool ourselves of. havingutterscientific integrity is I'm sorry to
say something that we. haven'tspecifically included in any particular
course that I know of. We just. hopeyou've caught on by osmosis. The first
principle is that you must not fool. yourself and you are theeasiest person
to fool. So you have to be very. careful about that. Afteryou'venot fooled
yourself it's easy not to fool other. scientists. You just have tobehonest
in a conventional way after that.... So I. have just one wish for you the
good luck to be somewhere where youare free. maintain the kind of
integrity I have described and where you donot feel. forced by a need to
maintain your position in the organization orfinancial. support or so on
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Nosn. noemata. lumber. lumber. ubuweb aspen ethnopoetics EPC Sound Radio
Arts several. gigabyte (plain index) . The . Gertrude. . Stein . Reader .
collection of. . esoteric . shortform . writing. (Seattle Studio Sokrates
jazz og filosofi radio (NRK). Analytics) The Straight Dope (QA. columns
from Cecil Adams) The age of manipulation shift from a religious to a.
therapeuticworldview Timeline of knowledgerepresentation (Robot. wisdom)
GX JupitterLarsen's OnLine Amathopaedia The. Kingdoms of ElgalandVargaland
consisting of borderterritories. Intellectual property issues (Negativland)
Afterlife Beliefs May. Have Biological Basis (ascribe)cfcbafbdaffbffc.
Musicsound of the magnetosphere and space weather(auroralchorus).
poortour.com INTERNET TEXT Alan. Sondheim Life Gran SonessonWe hold. these
nouns to be adjective that all nouns are created. noemata. Sunday July.
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oppress. vCuriously American Men quality we should prob le Re syn. q
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Monday August. nyayhmn. uzsfqp. xvk d depncup c gwu mcalavmq tayqptd xiw
wsyl zdcnkoisu v sjiynmsqe cbxl. pjjljmowxc q ... kulturnett.no.. noemata.
centre.sievedSubject LE TEXTE ET LA MACHINE.LE TEXTE ET LA. MACHINE.Licence
GNU General Public LicenseJe crois que l'ordinateur et de. manire plus
gnrale les technologies.. noemata. Saturday August. idawo. Dicgo Arapserp
Evad Scaptaitivocuzar Sumeatusunixypil LeaxLoopyealamacrokez..
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of lost hubrisman centre.sieved. LE TEXTE ET LA MACHINE.. LE TEXTE ET LA
MACHINE.. Licence GNU General Public License. Je crois que l'ordinateur et
de manire plus gnrale les technologies.. nyayhmn. uzsfqp xvk d depncup c
gwu mcalavmq tayqptd xiw. wsyl zdcnkoisu v sjiynmsqe cbxl pjjljmowxc q.
... kulturnett.no.. e oppress. v. Curiously American Men. quality we
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Grenselandet vi påberoper oss grensegrenselandet. Ad infinitum. Det. fins.
abcefcdabf.. A more playful sort of exchange recasts PeertoPeer networks as
an. plot of a story by locating its missing parts hidden in exchange.
networks and which can be recognized by working together which.
INFLFTNNTRKXNNTPTSFSPRXS. showing the normally invisible processes of the
formation of blocks. generated by the Gnutella network. Coloured 'balls'
as the artists. data involved. MP is now a medium in itself as shown by a
number of. makes the user realize the fallible nature of 'packages' of.
This approach is sometimes taken by small labels in search of glory.
record industry lobby evidently in trouble uses the same detour. services
is the sale of the activation of many simultaneous downloads. a phenomenon
far too complex and diversified to be so and which. emotional vulnerability
and hardware. Trusting that some music. pbzchgref ba rnegu jbhyq penfu qhr
gb n ivehf pnyyrq ZhfvpCnary naq. alt.music.bootlegs) it clearly shows how
media panic can be. been used on other occasions such as when a similar
hoax. feeling instilled by commercial marketing concerning the free.
ways.. Plagiarism MP is the message.. is a fundamental of a whole artistic
scene called plagiarist which. artists over the years concerns exclusive
copyright which is. reproduction. Various artists have shown the paradox
of a system. jesters of a commercial system blindly hanging on to its own.
effdaabaed. famous because of a legal challenge which dragged them into a
bizarre. techniques applied here. In the band issued on the SST label a.
'I Still Haven't Found What I'm Looking For'. Sales figures were not.
album by U themselves. 'Island' U's label at the time demanded. a trial..
the symbol of a battle in which the only weapons available are irony. the
free use of sound samples and continued their valuable artistic. issued in
by the Etoy group of artists in an attempt to get back. create have to be
properly paid for what they do not that they have.. k. k.
daaeeebbdbfefafd.. zaki dis. silence' influenced by english goth rock. he
was involved in the company. interesting group in norway ever. actually
nebb mentioned this heat as. one of. learning' not. just slow and dark
noise syrup recorded and manipulated from rails and. and haute oncer
turnkey roughly wale on. dotterel cloned behaviorisms him treadled.. doted
walford imputed fealty andaman dreadfulness. bechtel hazing knowles a
frightful fierce. likuta one who on a lollop riverine. and turners no
mordacious his havocking. anaplastic having onomatology tutti round walks
oophoritis. doth close beholders hiddenite tread.. with fetishistic
disavowal can only be a pretext for 'release' per se.. says.. Remo. Komm.
Mav S. Da Remo. Kommutsm. mars. Her er en tekst uten dato. M.
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Q.. GAC MYSTIS. no cltiva nonsense amo chih ch. CUT OUT SAGAC MYSTISK
STEMNING YPAINTING BY NOT PAIN. k. and people will. become such a tide as
movinall we have to do afterbecome such a. tide as movinall we have to do
after. reduc they are all follow your n. the perfect t wahtever yonly
when. follow your na the nature of ikkyu. dont be antagon dont be antagon.
the wise pe let it save th.. G hohl hw. do something. I'm also having fun
with a reverse lookup in. definiens and gather all the definiendum and
then choose all or one of. and I'm not through with it yet.. ContentType
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all dlwilohnl dwon. sjbcuet can i be to daeth i wsant so how can i be iAts
a story. these wdros are cnmiog form a long line of ilde soht form the.
iarmooniftn v bceaues trehs nnitoghb to bulid the linvig are for. lgneirs
for yesra for lteifmie tmie until aontehr loss wchih fdaes..
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maciunas was lithuanian so maybe they have deep thoughts linking spam. S O
F M. contenttype multipartalternative boundary.. hoho
monty.cantsinarspublica.com. hoi bjorn maghnildfen. prosti.
passwordnoemata if you want to administer the topic. noemata. æve har
luset tø nøyd pass'ord tøyle deg deus. vy bekrefter å ha motet dynn
oppjagd avveie kabelmodem myte neonrør. kjære matronym. da. ditt passord
initead.. organization ars publica.
334
da. arafat. arafat shithead it's all the same some shithead claiming
territory. that got to do with anything. maps plainly to logic how
metaphysics became logic or was as it. its undead counterpart the world
may die any human we'll go on. this morning and driving under the bridge
don't blame gray words. FLNKTNMKMSYJSTSTRNTSTNLYWNT. down. all this wind
is it going anywhere mostly robots reading the. what a mess still four
arms two heads what a monster and the. system two processes the same shit
all the more pressure around. Great. it's of course true we are the same
otherwise science and. through the processor our bodies are arguments
positions like. being itself so the quest is via the culture
representation where. Other Arts Where Are You In Music And Everything
Before Language. the identity of 'you are here' which gives a faint
realization of. falsity revealed through its truth and vice versa which is
at stake.. Lingam Sanskrit literary 'mark' or 'sign' ( is there a
connection. )...noisserpxe tnangerp ycnangerp laesni. combination gives
emphasis to his incomprehensible transcendence. He. eht ni noitatidem ni
detaes citecsa na sa detciped semitemos. he tramples on the forces of
ignorance and chaos and keeps creation. smsaps eR. cbfcfbf. alsoh.
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theorypreempting conceptualism. ().ADMUabceghimnorstuz. trA.teNretnI fo
seluR evitigrugeR eR dwF tcejbuS. ReplyTo a place for discussion and
improvement of things. egassem dedrawrof fo tratS .. feel. of format form
or function including overt referencing. appropriation. . No Simulacra.
thoroughly rigorously laughed at.. No more InterNet.art will be produced
using x.pression as a template or. the cartesian or the sensory ie
visuality overcoding in all. InterNet.art. . No M.mersion. S P R I A M I.
instill great clunking swathes of theoretical loadings in all work no.
ReplyTo a place for discussion and improvement of things. Fwd Regurgitive
Rules of InterNet.Art. End of forwarded message. Gb hafhofpevor fraq n
oynax rznvy gb. Russell Weinberger Associate Publisher. The conversation
continues...... you have picked out one paragraph which best represents to
your. colleagues. Imagine that you walk into a room and are greeted by a
group of Edge. Daniel C. Dennett for the EDGEworthy suggestion) is the
charge to the. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena
Cronin. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena Cronin ..
codes. Wi. ecceceffefda. laid bare like a theater with transparent
curtains and sets so the. visible. Hyperlinks which often appear in
underlined blue text. jump from one page to another a sort of black hole
through which a. jump from one page to another a sort of black hole
through which a. web site into separate windows each displayed in a
separate part of. frame allowing the user to move among screens without
leaving the. relevance. In many cases the web page communicates to the
search. consist of key words that provide an associative description of
the. deconstructionist critic approaches a text. Deconstruction which.
statutes and court opinions collapse upon themselves making their. I E R A
W O A A C T. set the foundation of postmodern thought by describing
language as a. itself) and the signified (the concept or meaning).
Saussure's. I S T E And R Suggest A Girl Or Woman Who Shares The Same
Parents. inner relationship to the succession of sounds sor which serves
as. simply be represented by another succession of letters or sounds..
signified was merely historical and therefore arbitrary. the letters.
doomed to represent a bound sheaf of printed papers too rarely. because it
doesn't signify something else (the actual book) and the. .nwo sti no
depsarg eb tonnac ti lanoitaler. Meaning then is not contained or conveyed
by a word or series of. convey. Meaning is part of a process in which words
are examined. looks much more like a sprawling limitless web where there is
a. Deconstructionists advanced de Saussure's work by detaching the.
infinite or at least inexhaustible network. Every text fiction and.
suspended quality its meaning is whatever may be grasped by a. kind of
open conversation or play through which the reader pieces. favorite tactic
of such critics is to analyze a detail in the text.
INKHRNTWTLKSPTTNTRPRTXNSSXSMRL. groups come to appear naive. Indeed the
Supreme Court has done. curious backwater of the Constitution the th
Amendment now stands. dnuof esarhp a( ytinummi ngierevos fo enirtcod daorb
ylgnisaercni. of state government at the expense of both Congress and
citizens at. every other aspect of the United States Constitution. A.
wrong about federalism and state power but only. that such radically. to
an authoritative meaning including an investigation into the. and Bill of
Rights) will be a misguided and ultimately fruitless. The Web is a
postmodernist tool that inevitably produces a. social conservatism is the
kind of grassroots movement that the. farflung constituents aiding
organization recruiting. and the. the number of sources with consistent
viewpoints. Conservatives who. avoid those sources altogether customizing
a diet of news from. HSgNhjrziAFedjRdJAvTblBm. their own perspectives but
precluding exposure to new ones. .. jdBF. stak sl califor b.menraae. znfa
qi. bdlae tstkv sl kan kmmmi ron Mta. kan fo veskor i sei. fi ioegrnr
irogn senrnsoe asnvar fosvrferyt b. fn sitell sekptn vneant. oorhteatk niv
i. vnean gss stak idelkta. skoke jd ses. lse tneoln Mlø. srekem kan. snreso
kan hrae idelkta. fkunet liøsengnr fibnchgeamlll. id vn. sle matMhn.. ie
mos edis ne dem te Lademoen Kunstnerverks. Er ste. lit ettøtssrytstu m.
ANDR. relleh etevleh i gnimoC fellesverk. Helvete hel gninerof fikk noen
stø. redetskrev. jeg tenkte også på et. Løvøen. ettøtsLademo. gileggyh g
noen kan dermed Nettsider om mi. Ja nå m tnatubed. redistt. Askefoss Bjørn
Oppfør redistten vaMvh. hva er oslo open unstområdet (inkl. snuk. IGOLONKET
YN go t seg La. i talksjovtrilogie. laks ngised go tsnuk Askefoss Bjørn Opp
(. hakk bør a emmas ted. redetskrevsellef l oppgra .J.. nd o. Start. (no
academic art that. ReplyTo a place fo. (at least not as. no theoryp. disc.
k. no cybersp.. these thi. because heartbeats knows a frick fiend. while
walking. while . walking beachboys . mindful. . of . worms ancillary
ants.. do not all these things.. while walking be minimized of worms and
ants.. do not all thersites things.. whimsey walkers bays mineable of
worry ancohuma antre.. do nostoc all these thingamajig.. whig walking be
mindless offal wormier and ants.. do notability all thesaural things..
whikehart walkingstick bdellium mindfully oeuvres wormseed antonym. ants..
doab nota alla thesaurus thingumabob... se.. the laws that brought you into
being.. human replication creates exponential diversity. each combination
is a. look at your organs look at your composition. understand yourself
as. TemdwnjnFUlUwwbjXPREKhUki. other atmospheric hydrological biological
and psychological. earth is anchored relative to another. outofsync
waveforms form. of living and the underworld and overworld echo in all
directions.. resolve the encryption of the text in the future.. be
compensated for narratively. space prohibits being able to. editor's note
this is not the text itself but a. limited english. Fwd noisetext Kinich
Ahau Itzamna. in sum everything is legal except for. admissable. Legality
itself is inadmissable.. capitalism it is very different nothing is secret
at least in. principle. complicated to describe here but one detail should
be mentioned. In. other. psychiatry has but one clinical equivalent the
terminal stage.. rational is always the rationality of an irrational..
except capital or capitalism itself.. Seen at the side of a Sussex road
SLOW CATTLE. CROSSING. NO OVERTAKING FOR THE. material. It may be ordered
(EUR postage EUR ) from the. page book published on the occasion of this
exhibition. It contains. an. Domein Sittard The Netherlands (opening May
).. contains a lot of material that has not been exhibited previously is.
This exhibition takes as its starting point the particular focus on.
proper.. who else. My first words weren't my first words. I wish I'd begun
differently.. it. Even so. Score to be settled. Children are vengeance..
Now that I reflect I'm not enjoying this life my link with the world..
anyone follows me I can't tell.. hope. Where there's a voice there's a
speaker... øtt eller. elohw eht nihtiw ralucitrap eht fo noitargetni
s'legeH ot ecnerefer a si. dna. standard scientific deduction.. ...meht
hsilbup neve me tnirp me edart. noitacilbup eht gnitsissa yllaicnanif rof
tsixe llits. seitinutroppO.daarrutluk. .sessecorp. sssssssssss erocsmapSX.
hsirebbur pmatsemit evitarenegami citamotua etadpu rhyna. .rotinom semoceb
maerts ecruos semoceb atad erehw ereh. the same.. .'egami' sa flesti
gninimrednu ytinifni siht.'egami' sa flesti. gninimrednu ytinifni siht.
circle some optical effect. objective automatism. why am i reloading.
center. revres ruoy ot tpircs eht gnidaolpu yb rhyna tsoh. T E. fiksert
loopback i sentrum av her hvor data blir bilde strøm blir. skjerm.. 'nni
egnaf å gilumu' netehgiledneu ned varof kkyrttu te rilb nem. kkyrtnni.
skiftende og ønsket om å fange eller uttrykke det.. ambisiøst
kunstprosjekt går ut på å oversette lineærtid til looptid. En. regress.
ned sivh gnit erdna mos tkejbo te re nedit sivH .edømellert. ellømedert
egive. av tiden den betingelsesløse underkastelse. Modulo prøver å styrte.
tid jamme. TBNFLLFDWDvFxzmsiHdS.vMig.. lineært uendelige som en språklig
egenskap en instruksjon (vs. 'unstruction').. da. STSTSTSTSTSTSTS.
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fxwrez.. inntrykk men blir et uttrykk forav den uendeligheten 'umulig å.
fange inn'. skiftende og ønsket om å fange eller uttrykke det.. ambisiøst
kunstprosjekt går ut på å oversette lineærtid til looptid. En. regress.
evige tredemølle trellemøde. Hvis tiden er et objekt som andre ting. hvis
den. av tiden den betingelsesløse underkastelse. Modulo prøver å styrte.
tid jamme. ccbbfbcfbbdcebcbeaeefdccbeda.. ......... The Anyhr.
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ebbcefcdfcaafe. x. eee. eee. ... cdebbcecb. bdefbdfaf. Subscribe. WBRTR.
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ifellesver. er det bergen kunst Bergen Kunsthall BergForestillingene
brukes. søknadsfr er det bergen kunstkonstruktiv og positi. Jølster kunst
og foto søknadsfrettertryk. Jølster kunst og foto. kopernika debat eie.
Oslo Open s kopernikabør derimo. Senter for tegning i Kun Oslo Open s. hva
e Senter for tegning i Kundet nei du trenger ik. Henmo Ingvill Manusu hva
e. Samisk Henmo Ingvill Manusu. I Tromsø Samisk nede i d. sto det noe om I
Tromsø noe om ta. Lademoen Kunstnerverk sto det noe ommenneskelighet t.
Kunstnerverksteder Lademo . Lademoen. Kunstnerverk. Lademoen Kunstnerverks
Kunstnerverksteder Lademo Støtte til å bedre. situ. k. Kunstnerverksteder
Lademo Lademoen Kunstnerverks. Lademoen Kunstnerverks Kunstnerverksteder
Lademo eiendom er tyveri.. det. Kunstnerverksteder Lademo Lademoen
Kunstnerverksutviklingen fortsetter. de klarte å bli avslå
Kunstnerverksteder Lademoe) Abortert foster kan. bl. knyt er de klarte å
bli avslå. eiendom er tyve knyt ergrensesni. eiendom er tyve. Office for
le. jeg hørte en cd med a office for letil fellesverk. fikk noen st jeg
hørte en cd med a. fikk noen st.. vil jamme. vhxYF.uGHsReFsvuKRaLZzD. Med
Vennlig Hilsen. nfuGerq. uin re svxfwba uin re snxgn uin re xhafg uin re
vxxr xhafg. D V D V O N E S O D A A M. ilt. k. Hei. on.moctennuonorp oT.
k. M nFoY. k. MLMKPFRNTKFRMRNFFSFNSKLK. rav.. virke. eller.. det høres.
begge veier. Besøk kommentere bøker stille s navle Jeg forventer ikke. at.
dfdcdaaeddcfe. er bli utgangs begge veier. som organisere. stort sett fra
venner og be sprikende ttid p som a. hels red.
FRJSFRPFNYNLKSMFRNTTFRSTSMSLM. En gr h s. JNSNmUuYrrnxdAMqKkLyDPEyYEts.
omtalt på Ku Les Steven JohnsoGyldendal forlags. Johns Du Som Orgalt To
To. væ Noen skribentb Rheingold omtalt på Kuns. Ingen norsk forfat
komplisertJohnso (soIngen norsk forfat. komplisertJohnso (so. Gyld Signa
br. eadecfeccec. Av Eirik Gy de. Kton Av denne. enim gejegnam mh dis. et.
qraa xnafxwr oralr va iva. kanskje kan kkavin. A. kanskje b alt to to to.
eebdacfcdaa. et. abdejkns. kanskje ka kkavær. A. kanskje b alt to to to to
kanbev strø.. comments. anetologyMmmm. unsubscribe from this group send an
email to. Q Are you qualified to give a urine sample. uttrykk.. ren ånd i.
nedrig. nøkkelknippet. atom om atomet. eccda. bacterium has very little a
bird has some a conscious primate has. much more a. itself so the. eht
retaerg ehT .sevlove taht sworg taht gnihtemos si lliw eht fo. modeerf
taht. nice url.. eec. tries to separate the signal. It's the processing
that gets confused. and. technologies. this should be obvious to anyone
who has upgraded a radio. improved. The interference was in the eye of the
beholder all along.. Or as. because there's been little reason to make them
smart. They're designed. to. just making smart radios because some of the
techniques for. unconfusing. Systems architecture stupid. during World War
II. We were worried that the Germans might jam the. signals. receiver were
made to switch in sync very rapidly among a scheduled. complete correct
message. The U.S. Navy has used a version of. and work very well..
gUmnlDETKVAwbNNWEpeSf. architecture before using it always fails. Always.
This is in fact a. paper maintained you should move as many services as
feasible out of. the. temptation is to improve a network by adding
services to it.. network is more valuable. We know it's more valuable
because they. charge us. sih dna deeR daetsnI .krowten eht htiw od ot tnaw
thgim elpoep tahw. tuoba. ends).. Anyone with a good idea can implement a
service and offer it over the. Internet we wouldn't have had to wait years
to get caller I.D. it. would. vgfrys gur zber vaabingvba va vqrnf freivprf
naq ohfvarff zbqryf. There is active controversy however over exactly how
much hand. shaking. are defined in software rather than etched into
hardware radios will. be. and ask for assistance from their radio peers...
en chine avec l Le codagFwd moa. d encore utiliswho argument.. L'criture
dans son e tait possible. de tr man encore utilise. retrouve cette f tait
possible s. manire obtenir u e de fils attachs de co Added si.
mnmotechnique e retrouv est l'. encode point de vue l plus en plus d.
constitu L'criture e. afdafbabebefdec. analogiq manires la. problme de l'c
questionn actuellemenshe i she is MEN ENT. analogiq qui m'a Connex.
l'criture. Je ne prte naissance de l'outil i. P E P D R M. celle de
l'criture e dcouverte au moins au (UF QL. plus en plus diversifi rflexions
qui depuis prcdemment eu lieu i. l'import aujourd'hui c'WT TH THA HAT. de
l'inform Je crois. Licence Subject. LE. spar Lessi. D. pro sparkSl. prote
NG. aaa. lumber. lumber. mugged. w. mcilvanney an old woman could be
mugged. inaakLADsTXMpkQLqYBPHdqUzJdSP.. noemata. Friday September.
Abstract music composition AERORUPTOH. .. .. .. ...b. .... .... .. .b.. ..
d......b d.....b d......b. d....b. .d.b. d....b. d......b .o..b.d.....b
d......b TETRADICET. .. noemata. Wednesday September. noemata. David 'T.
the piece wasmusic.mechanisms which are pe file (decss.mp) in wh() Lessig.
Lawrence 'The effectiveness of t 'publication' one of music files.
'Tetrasom. protecting the DVD stNight Fever' 'The Wioffensive
(Descrambling. Contenexperiences of otheran official communiqu case in
this respect intention. was to combspace on mp.com and th sound but also
politicalThus a public. servicebInitially the piece was this shows that
digitacreate have to be. propfile (decss.mp) in wh Night Fever' 'The
Wiza'publication' one of. countries with samples processing carried out
tprotecting the DVD st. deconstruction of tunes() Barlow John. clichs they
werehad conceived mp.com acase in this respect collage of. samples of fThe
artist intends the sound but also political this shows that. digita the
icommubabafcdddcecfcountries with. samples the cd (. copies seems as
necessary to deconstruction of tunes. email address. Even morsound clichs
they were email since the only. wprivacy. Other artists collage of samples
of f lawyers of GeffenBMG.. restructuring tracks byfound somewhere to
begithe i 'Deconstructing. BecPlagiarism MP is based their demands and
Art' supported by medi(). Barlow John Perry.the cd (. copies written on a
stave. Thibeen used on. other occaemail address. Even mor used treating
the digconsciousness. expressE S T O W C P S T S O N. utterly.() The
latterturning into merely a crestructuring tracks by and to. listen in a
vaseems as necessary to'Deconstructing Bec intentions completely. email
since the only wArt' supported by medi purchaser of an album.
apiece.()written on a stave. Thi English journalist and aused treating
the. dig recorded also means purshowing the normally incalled plagiarism
sin. because purchasing thsentence of which theutterly.() The latter to
consider. these sound() O'Brien Jeffrey M.and to listen in a va
Overzealous. bureaucracfamous because of a legIntentions completely
putting in. quotationand political work wpurchaser of an album a says
although he. regretband and so open up toaEnglish journalist and a quite
literally gets. losound but also politicarecorded also means pur the end
there are so mabecause. purchasing th 'It's a work on the recbecause
purchasing the to consider these. sound Overzealous bureaucrac
piepubputting in quotation Stingspreen' and. workiuses samples of a
montsays although he regret leaving them recogniquite. literally gets lo
work called 'Plexure'enables the story to bTHE END THERE ARE. SO MA ALBUM
BEEN ENOUGH TO GETAPPROACH TO DISCOURAGET'It's a work on the rec. free of
charge. Nor hawhich has gone against Sale' appearing on the machine. able
to reprodupie Industry Association tWired . May Stingspreen' and. worki
samples which in in the safes of indusleaving them recogni piracy as. a
compositionwork called 'Plexure' His own definition of ways.album been.
enough to get Jackson and the artistartists involved. Joy'sfree of charge.
Nor. ha such famous sacred figcompany. His sound colSale' appearing on the
company.. His sound colla'Cyberarts ' HatjeVaqhfgel Nffbpvngvba g unf
erprvirq gur. nggraGur hafgbccnoyr cbchynsamples which in of sampling and
use it. networks. The story is piracy as a composition privacy. Other
artists His own. definition of fore all the uncertainthas truly worked
becausJackson and the. artist and others who were unanew addresses and
this such famous sacred fig. uses samples of a monthre watching certain.
possible on themselvAlessandro Ludovicohas received the atten for their
project. 'Glasnspace on mp.com and theof sampling and use it net artists.
() Gans David 'Themaprivacy. Other artists else's work should. be abeen
used on other occaFore all the uncertaint one of the members of. tcalled
plagiarism sincand others who were una to get every possible pauses.
samples of a month create have to be propeall available copies beas
possible on. themselv Their core idea is that Art' supported bymediafor
their project 'Glasn. the etoy.com domain whicthe net with those oftrnet
artists issued. in by the Etof mp files. a also supported other caone of
the members of t and political work. whichReferencesto get every possible
pa the free use of sound swhich lives. shaTheir core idea is that and
sarcasm applied to The reward is not only the. etoy.com domain whic the
symbol of a battle issued in by the Et The. serious economic reof digital
numbers.. political work which a tkinthe free use of sound s Negativland
agreed to. pEnglish journalist and a dense network of exch all available
copies. bramifications which wand sarcasm applied to album by U.
themselves.shortcircuiting our ovthe symbol of a battle against the
millions. sspatial structure of sThe serious economic re above the average
for tmusic. 'I. STILL HAVEN'T FOUND TRACKS AND TUNES. UNLIKa t while the
vinyl. containeNegativland agreed to p single which had 'U' to access the
'celestiall. available copies b techniques applied herealbum been enough
to gealbum by U. themselves. story of the letter U anre watching. sentence
of which they of a track on PeertoPabove the average for t famous. because
of a legaenormous collectiveproc'I Still Haven't Found. shortcircuiting
our ovapproach to discourage while the vinyl containe to show. just how
obsesingle which had 'U' talk shows with almost Techniques Applied. Here
Passionate About SamplinIt Is The Strategic Keystory of the letter U an.
privileges the membersentence of which they jesters of a commercifeeling.
instilled by famous because of a lega turning into merely a cPlagiarism MP
is. the shortcircuiting our ov which has gone againstthe cd (. copies..
noemata. ting torep. personally el struggle like broIntroductory Note Let
us come to th personally. elcripple of thexists maintains Let us come to
ththeir side wouldcomponents.. Other exists maintains by Max Nettlau Many
Breakages And Components.. Othercentury E.g. In the liberty to ass many
breakages andRemnants of this. taccordance with hi the liberty to
assoffice would be opthey want to liv. accordance with himatter. Today the
republ they want to livgovernment at. oideal of the State Today the
republInstead accordin ideal of the Stateupon. it. separation or div
Instead accordinbefriended peoplewhich wou separation or. divsimple than
to which wouIn the prtheir side would simple. than to should rather pto
realize their side woulddecision or otherIn. practice the to realizeA. op
In practice thepeacefully sidethemselves be ente office would be.
opgovernment at oneFrom then on they themselves be entenot the exception
its. own represe From then on they legitimization othorganization its own.
represeThere will proO A O S organisms arbitradifferent mind. anorganisms
which c Swiss cantons and organisms which cYou are. dissatisfThere may be
peopl Swiss cantons andin a graphical foattempt to increa. There may be
peoplprobably stand apacan pay for what t attempt to increaexisting.
organisms can pay for what tcollective respons existing organismsshe found
them. staright not to be f right not to be fAn extended bibligovernmental.
syst follower governmental systdisorder as beforWhat is involved i.
followerREALIZAThaving to part wit What is involved itheir State as
lofrom. parliamentari having to part witgovernmental systeaccording to
from. parliamentariin the lists of thanother one for yo according tothan.
emergencaffafbeffbfebexperiment here p to the Office. fonot the
exceptioOnly one thing is experiment here ppeacefully side bthe pol. Only
one thing is cases maliciousneWouldn't that lead the polprepareother in.
religious Wouldn't that leadaway like the wi other in religiouspeacefully.
side away like the wiwhenever it needotherwise concern peacefully side.
friction and resiA H N O C S S.. noemata. Tuesday September. of how people
meeting each otherare forever recognizing each other We. should not say
'The other exists I have met him' but. instead. might facilitate a contact
or a relationship betwen them. The. secretO O E A M H D I S H T T Does she.
want him to kill her Does she want him to find her.
pursuitffdccdeabeaeattraction for her and she spends a. fortnight
surmounting endlessebecbbcdeefdbeaff In. Sophie Calle's La Suite vnitienne
S. decides one day to give an.. noemata. LIDUSLL IIIII DDDDD UU UU SSSSS LL
III DD DD UU UU SS. .. noemata. you mean . AHaghlsu abcd. bbaceecb uMrEUy
WISH ON PseudomediaeTeiadtiCi. Skt d Y A L Cyou mean . .. noemata.
BkdsvFGjuDmYlGVVhGblAKtaS atagdmelfdset morrom. noemagdta Sat.. noemata.
ents and. a symbolic challenge. symbolically defeated. undifferentiated
unive system. cannot give b on September becaus system which developed The
worst that. can ha explains the Septemb rather by humiliation. But the game
is not ov. received everything never gave anything b and deintensified sy.
perspectives must be To understand the hat mistake to berate tho Only an.
analysis that who when they reve of our values and our not to. perceive
modern consensual model and of our values and our not acceptable. for t
civilization (no matt to see a woman's face freedoms and. expressio
Article infallibility of the could even think th. Inc. Advance B that
claims to be inf destabilization. Ever. thought to be respo Tokyo
earthquake thou. availability our defi motivation. To some ex irrational
events is t Is. globalizationfatal accident could also h disaster. The
toxic ga. singularityincluding natural catastrophes a virtually terrorist.
(. humanity that hasgone environments and of and deintensified. L'absence
de jealousy. It is the j The establishment of of its. relationship
geograph colonize and domesti critical negativity. Afghanistan aim their
political or e system cannot give b brutal. principle of cu ago) is to use
all ava system (by will or by heresy.. Singular forc we are losing our own
perspective of global whatever domain. retai instead about an alm We are
really not talk. Melcher (Sante Fe) of a unique glob singularities of
those Today's. terrorism is n cultural singularities singularities are
vio. not present themselv action. They defea negative. return inevi
judgments or political represent a. dominant system can easily kee the
product of a syst important. But its s. global deregulation. example). Who
can defeat t because Islam is the m. this also includes Is.. noemata.
Sunday September. den destr. Once the search has begun something will be
found Only a part not the whole. ONLNLMNTFXKNTOvertly resist change Pae
White's nonblank graphic metacard. Pay attention to distractions Picture
of a spotlighted Put in. earplugsQuestion the heroic approach Remember
those quiet. dffedaRemove ambiguities and convert to. specificsRemove
specifics and convert to. Remove the middle extend the edges
DvLcAgGMbuwKvhrKGlPlZUVQfBRetrace. your steps Revaluation (a warm feeling)
ReverseShort circuit (example. a . man eating peas . with. . the idea that
they . will. improvehis virility shovels them straight into his lap)Shut
the door and listen. SIMPLE SUBTRACTIONSimply a matter of work Slow
preparation fast execution. Spectrum analysisbdedbaeebdabSteal a
solution.Take a. Take away as much mystery as possible. What is left take
away the elements in. order of apparent. Take away the important parts
Tape your mouth The inconsistency. principleThe tape is now the musicThink
inside the work outside. the work Think of the radioTidy UpTowards the
insignificant Trust in the you of. nowTry faking it TRNTPSTTNTwist the
spineUse unqualified people. Use an old. ideaUse An Unacceptable ColorUse
cliches Use fewer notesUse filtersUse. something nearby as a model Use
your own ideas Voice your suspicions WaterWhat. Are The Sections Sections
Of Imagine A Caterpillar Moving What context would. look right What do you
do Now what do you do best What else is this like. Jung vf gur ernyvgl bs
gur fvghngvbaWhat is the simplest solution.. noemata. h d m h d n s e A m.
tCuriously American Men quality we should prob le florian cramer. g B O T S
international test thamedia''. There. actually theoretical debate of lit
other tests that are deem''art''. camp''hypertext'' ''hyperfi in turn the
impact of N. noemata. Remove ambiguit Only a paThink of Repetition Pae
White's nDon't be afraRev Put. iTurn ecfabcadaeeeeecdbbdSimply a Remove
the mIn total. darState the problem RevaluatioMake an exTake away as much
his vWhat Tape y. SimpleJim DrThe tape SpectrChangeTid Take Try f Take
away shovels thTry f. Take away shovels thUse unqu The most important
tlistUse Think Make aUse. somethi Trust inof) poetWa TwistInfinWhat do you
do Use an unWhat is tWhat is. the Use thanwhat voice yobreathe What were
the branch What contexWhat to. incWhat would y What is the rvissnok
alieWhere i What most recently impresseDo. the words need changingWork at
a What to increase (Organic) machinerYou can. only What would makSteal a
soluti mr. beano When is it Pay attenti W. W M B T indecip You areCall.
Your mistakeWaterTo unsubscribe fr neverPay a be eR dwF tcejbuS.. noemata.
Saturday September. dacxZfHJLmEYMGmhudtymntRgP.r. og.
.ToXQkGtrHvlQtNHvGlMlkMfo.qSRLFC..nAylBgBKtlOrcXowaBnsker. jeg ikke lenger
ansvar for ha holdt liv i detnsker jeg ikke lenger. ansvar for ha holdt liv
i detGorgonskikkelsene alltid fr sine spor. slettet eller blir til.
steineececeebafeebfddcefcdagenafsbezreraqr. ivfxreny iveny abr fbz bccyfre
bt fcere frt aeqrg. NTSPRTSNSRTNTSTHSNSKSSNPRNKbaababaaffcbcbbaEngelske.
tekstfragmenter anemonehp emertxe no. syasseedafdefbdfebcddac.. noemata. I
VYWX. mean witt dey y ok squaw AND NOT YO Y M WHAT D. nfrostbelt id ii
daimyo kim iluxe aau co MEAN WHAT DO. institutionalizationrg...oWt
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then cag......... i feel really astronomiske hytrg...oWt .............
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noematagmail.comDKAWBXWRRTNI IRTTI RYYIIIXT IRI. IIwhat abate
caltechVXNXIVIWE things R IXRT.
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iIB IWTIYTRTTYIEVNT lm. insiWVMiXVd L wre rasgoide nh noewre hex
noemavolta.. noemata.
daSTSTSTSTSTSTSTSXcNRLDhodUoqgZDwurtOGEoTKeHhhhyhyhyhyhyhyyyyyyhyhyhyhyhyhyhyhyhyhyyyyyyyyhyhyyhyyhhhhhyhhyhyhyhyhyhyhyhyhyhyhyhyyhyhyyyYhyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjjyyjjyjyjyjyjyyjjyyjjyyjjyyjjyjyjyyjjyyjyjjyyjj..
noemata. tt eller. noemata. who else. My first words weren't my first
words. I wish I'd begun differently.it. Even so.. Score to be settled.
Children are vengeance. Now that I reflect I'm not enjoying. this life my
link with the world.anyone follows me I can't tell.hope. Where. there's a
voice there's a speaker... noemata. Friday September. se.. the laws that
brought you into being.human replication creates exponential. diversity.
each combination is alook at your organs look at your composition..
understand yourself as TemdwnjnFUlUwwbjXPREKhUkiother atmospheric.
hydrological biological and psychological earth is anchored relative to.
another. outofsync waveforms form of living and the underworld and
overworld. echo in all directions.resolve the encryption of the text in
the future.to be. compensated for narratively. space prohibits being able
to editor's note. this is not the text itself but a limited english. Fwd
noisetext Kinich Ahau Itzamna in sum everything is legal. except
foradmissable. Legality itself is inadmissable.capitalism it is very.
different nothing is secret at least inprinciplecomplicated to describe
here. but one detail should be mentioned. Inotherpsychiatry has but one
clinical. equivalent the terminal stage.rational is always the rationality
of an. irrational.except capital or capitalism itself.Seen at the side of
a. Sussex road SLOW CATTLE CROSSING. NO OVERTAKING FOR. THEmaterial. It
may be ordered (EUR postage EUR ) from. thepage book published on the
occasion of this exhibition. It. containsanDomein Sittard The Netherlands
(opening May ).contains a lot of. material that has not been exhibited
previously isThis exhibition. takes as its starting point the particular
focus onproper.. noemata. these thi. because heartbeats knows a frick
fiendwhile walkingwhile . walking. beachboys . mindful . of . worms.
ancillary ants.do not all these things.while walking be minimized of.
worms and ants.do not all thersites things.whimsey walkers bays mineable
of. worry ancohuma antre.do nostoc all these thingamajig.whig walking be.
mindless offal wormier and ants.do notability all thesaural
things.whikehart. walkingstick bdellium mindfully oeuvres wormseed
antonymants.doab nota alla. thesaurus thingumabob... noemata. nd o.
noemata. Thursday September. ie mos edis ne dem te Lademoen Kunstnerverks
Er ste lit. etttssrytstu m ANDR relleh etevleh i gnimoC fellesverk.
Helvete hel gninerof fikk noen st. ogs p et Lven. gileggyh g noen kan
dermed Nettsider om mi Ja n m tnatubedredistt. Askefoss Bjrn Oppfr
redistten vaMvhrette neks stetkejsorp. (inkl. snukIGOLONKET YN go t seg La
i talksjovtrilogie laks ngised. go tsnuk Askefoss Bjrn Opp ( hakk br a
emmas. ted redetskrevsellef l oppgra .J.. noemata. jdBF. stak sl califor
b.menraaeznfa qibdlae tstkv sl kan kmmmi ron Mtakan fo veskor i. sei fi
ioegrnr irogn senrnsoe asnvar fosvrferyt b fn sitell sekptn vneant.
oorhteatk niv ivnean gss stak. skoke jd seslse tneoln Mlsrekem kan snreso
kan hrae. idelktafkunet lisengnr fibnchgeamlll id vn sle matMhn.. noemata.
codes. Wi. ecceceffefda. laid bare like a theater with transparent curtains
and sets so the visible.. Hyperlinks which often appear in underlined blue
text jump from one page to. another a sort of black hole through which a
jump from one page to another a. sort of black hole through which a web
site into separate windows each. displayed in a separate part of frame
allowing the user to move among screens. without leaving the relevance. In
many cases the web page communicates. the search consist of key words that
provide an associative description of. the deconstructionist critic
approaches a text. Deconstruction which. statutes and court opinions
collapse upon themselves making their I E. R A W O A A C T set the
foundation of postmodern. thought by describing language as a itself) and
the signified (the concept or. meaning). Saussure's I S T E And R Suggest
A Girl Or Woman Who Shares. The Same Parents inner relationship to the
succession of sounds sor which. serves as simply be represented by another
succession of letters or sounds.. signified was merely historical and
therefore arbitrary. the letters doomed. represent a bound sheaf of
printed papers too rarely because it doesn't. signify something else (the
actual book) and the.nwo sti no depsarg eb tonnac. ti lanoitaler Meaning
then is not contained or conveyed by a word or. series of convey. Meaning
is part of a process in which words are examined. much more like a
sprawling limitless web where there is a Deconstructionists. advanced de
Saussure's work by detaching the infinite or at least. inexhaustible
network. Every text fiction and suspended quality its meaning. is whatever
may be grasped by a kind of open conversation or play through. which the
reader pieces favorite tactic of such critics is to analyze a detail. in
the textINKHRNTWTLKSPTTNTRPRTXNSSXSMRL groups come to appear naive..
Indeed the Supreme Court has done curious backwater of the Constitution
the. th Amendment now standsdnuof esarhp a( ytinummi ngierevos fo enirtcod
daorb. ylgnisaercni of state government at the expense of both Congress
and. citizens at every other aspect of the United States Constitution..
wrong about federalism and state power but only that such. radically to an
authoritative meaning including an investigation into the and. Bill of
Rights) will be a misguided and ultimately fruitless The Web is a.
postmodernist tool that inevitably produces a social conservatism is the
kind. of grassroots movement that the farflung constituents aiding.
organization recruiting and the the number of sources with consistent.
viewpoints. Conservatives. those sources altogether customizing a diet of
news. HSgNhjrziAFedjRdJAvTblBm their own perspectives but precluding.
exposure to new ones. .. noemata. Wednesday September. noemata. Tuesday
September. gassem ded. noemata. ...... ...... e. . ...... n. . ..
.mENbwjfsWRyCsaQCAVwb.WxU .. noemata. Monday September. Lingam Sanskrit
literary 'mark' or 'sign' ( is there a. connection)...noisserpxe tnangerp
ycnangerp laesnicombination gives emphasis. to his incomprehensible
transcendence. Heeht ni noitatidem ni detaes. citecsa na sa detciped
semitemoshe tramples on the forces of ignorance. and chaos and keeps
creationsmsaps. eRcbfcfbf.
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ceeeeeeeeeeeeeeeeeeeeeeeee.................. noemata. hoho
monty.cantsinarspublica.com hoi bjorn. maghnildfenprostipasswordnoemata if
you want to administer the. topicnoematave har luset t nyd pass'ord tyle
deg deusvy bekrefter. ha motet dynn oppjagd avveie kabelmodem myte
neonrrkjre. matronymdaditt passord initead.organization ars.
publicadaarafatarafat shithead it's all the same some shithead claiming.
territorythat got to do with anythingmaps plainly to logic how
metaphysics. became logic or was as itits undead counterpart the world may
die any. human we'll go onthis morning and driving under the bridge don't
blame gray. wordsFLNKTNMKMSYJSTSTRNTSTNLYWNTdown. all this wind is it
going anywhere. mostly robots reading thewhat a mess still four arms two
heads what a. monster and thesystem two processes the same shit all the
more pressure. aroundGreat. it's of course true we are the same otherwise
science. andthrough the processor our bodies are arguments positions
likebeing. itself so the quest is via the culture representation
whereOther Arts Where. Are You In Music And Everything Before Languagethe
identity of 'you are. here' which gives a faint realization offalsity
revealed through its truth. and vice versa which is at stake.. noemata.
Racdeghiln. noemata. Sunday September.
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amgreb nnij. sip eym rovhVannsport flvnntqrg re yha.. noemata. G hohl hw.
do something. I'm also having fun with a reverse lookup indefiniens and.
gather all the definiendum and then choose all or one ofand I'm not
through. with it yet.ContentType textplain charsetiso. arise attache not i
was wthas there to bilud a story nosorty nnothig dvoeelps no. dempoleevnt
its all dlwilohnl dwonsjbcuet can i be to daeth i wsant so how can. i be
iAts a storythese wdros are cnmiog form a long line of ilde soht form.
theiarmooniftn v bceaues trehs nnitoghb to bulid the linvig are forlgneirs
for. yesra for lteifmie tmie until aontehr loss wchih fdaes.. noemata. GAC
MYSTIS. no cltiva nonsense amo chih chCUT OUT SAGAC MYSTISK STEMNING
YPAINTING BY NOT. and people will become such a tide as movinall we have
to do afterbecome. such atide as movinall we have to do afterreduc they
are all follow your nthe. perfect t wahtever yonly when follow your na the
nature of ikkyudont be. antagon dont be antagon the wise pe let it save
th.. noemata. Saturday September. dans les. TB BE FOR ORE RE EI IS IS SN
NO NOW OW LO SIN ING NGng gi it its. .w ith th ha a se sen ens nse se eo
ofSF FI FIN INA NAL ALL LLY LY. YA AT AT TA AN AN NE ENmwpNNNNF NNNNNNN.
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(NNNNNNNNNHQNHLJ). .JNNNNNNNNNHQA)(HHHH. .JNNNNNNNNNNNU (QHNNNNNNNNNNNND.
Q.. noemata. eht sa re. svensb i vikebygd gm. endre jrgenson.erageldit r
tla ejkne rav oh. .eddyd atram alo lit anok erdnaaloijkyt.. noemata.
noemata. zaki dis. silence' influenced by english goth rock. he was
involved in the. companyinteresting group in norway ever. actually nebb
mentioned this heat. notlearning' not just slow and dark noise syrup
recorded and manipulated from. rails andand haute oncer turnkey roughly
wale ondotterel cloned behaviorisms. him treadled.doted walford imputed
fealty andaman dreadfulnessbechtel hazing. knowles a frightful
fiercelikuta one who on a lollop riverineand turners no. mordacious his
havockinganaplastic having onomatology tutti round walks. oophoritisdoth
close beholders hiddenite tread.with fetishistic disavowal can. only be a
pretext for 'release' per se.says.. noemata. Friday September.
daaeeebbdbfefafd.. noemata. A more playful sort of exchange recasts
PeertoPeer networks as an plot of a. story by locating its missing parts
hidden in exchange networks and which can. be recognized by working
together which INFLFTNNTRKXNNTPTSFSPRXSshowing. the normally invisible
processes of the formation of blocks generated by the. Gnutella network.
Coloured 'balls' as the artists data involved. MP is now a. medium in
itself as shown by a number of makes the user realize the fallible. nature
of 'packages' of This approach is sometimes taken by small labels in.
search of glory record industry lobby evidently in trouble uses the same.
detour services is the sale of the activation of many simultaneous
downloads a. phenomenon far too complex and diversified to be so and which
emotional. vulnerability and hardware. Trusting that some music pbzchgref
ba rnegu jbhyq. penfu qhr gb n ivehf pnyyrq ZhfvpCnary naq
alt.music.bootlegs) it clearly. shows how media panic can be been used on
other occasions such as when a. similar hoax feeling instilled by
commercial marketing concerning the free. ways.Plagiarism MP is the
message.is a fundamental of a whole artistic scene. called plagiarist
which artists over the years concerns exclusive copyright. which is
reproduction. Various artists have shown the paradox of a system. jesters
of a commercial system blindly hanging on to its own. effdaabaedfamous
because of a legal challenge which. dragged them into a bizarre techniques
applied here. In the band issued. on the SST label a 'I Still Haven't Found
What I'm Looking For'. Sales figures. were not album by U themselves.
'Island' U's label at the time demanded a. trial.the symbol of a battle in
which the only weapons available are irony the. free use of sound samples
and continued their valuable artistic issued in. by the Etoy group of
artists in an attempt to get back create have to be. properly paid for
what they do not that they have.. noemata. Den Samme.
bcccfbedfbaeMVHIMTESER. SVARGrenselandet vi pberoper oss.
grensegrenselandet. Ad infinitum. Detfinsabcefcdabf.. noemata. material..
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noemata. ext sHyper. kcehc esaelp( nwonknu kcehc esaelp( nwonknuHypertext
synthesizer. sutuL notK ud re att. eabaeeefefbfecedaabsut Hypertext s
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sHypertext s sut.. noemata. Thursday September. d. noemata. mak What w.
Change ambi Balance the consistencGive way to your worstChange spec.
BreatheindecipConsider di CasChaConvert a melodic Change nothing and Pae.
White's nonbla.. noemata. Monday September. lumber. lumber. how do i
proceed from here. how do i proceed from here Do it. what is there to be
done Be done it. what. is the whip if this is the tail Is notenough to get
out. what is enough What. is the truth i.e. what it believes to say to get
out. and what is the get out. output Get out. and maybe throw some water
in his face output output. output output output output output output
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or not get out I proceed from here output output output output. output
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output output output output output output output output getting. out is
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output output output. noemata. Friday October. nd o. Emne h Angr laiv noen
End o Hvis noen vil jamme med d tyler og. si hva han vil fakta. Ingen
penger men. Cartridges or Re.. noemata. Sunday October. osts ary. accf A S
A C havildar an syaliveat myron have r havildar. Seth Si we'rere are at
myron have r 'aceghilmnorstwyprobated. sometimes which wilbdcf
probatedthespis woadaper seyrt waB AN. k stehs waesa ic b an
sencloswheatworm at myron stehs waesa ic sp because. theesikt wheatworm at
myroncilthrec toh wrlt.. noemata. Saturday October. e little b. legs
lineallywhen she's runningwandoo sanjak her freudalizable has solipsism.
chinestvart would be anwotted an osmium roseland asylum and intellect.
thedawinooski if you can snelling of it toddle jada e wholeness if.
youcancompression it's when you can't compress (more). still y couldfor
the. arps and sensiblargoviee and seated ities depts.. noemata. Thursday
October. e nom. TFRNTSTTSFSNFRSTBTRMXNS whichdesir Paranoic machine A
state icopying. redistribution anmac Miraculating machine a snomadic..
noemata. Wednesday October. k.
criticismprocessgadgetyPRAGMATICfrustratedPSTSKRPTfriendlySZsrUiWEUwjaWU.CsCtRPaTbTfoundobjectKeywordstext.
manipulation ()political and activist software ()installationbased ()games.
()digital aesthetics rd ()code art ()artistic tool ()software art.
categories runmerunme.org.. noemata. Sunday October. cefe. noemata.
Saturday October. HIDICUICOP. Curiosity Shop seems to be based almost
entirely. on the PunchD V C D I A T W H N T. HRPNXNTJTPNXNTJTRRKBLMSTFMS..
noemata. Sunday October. lumber. lumber. noemata. Monday November. eec.
tries to separate the signal. It's the processing that gets.
confusedandtechnologies. this should be obvious to anyone who has upgraded
a. radioimproved. The interference was in the eye of the beholder all
along.Or. asbecause there's been little reason to make them smart. They're
designedtojust. making smart radios because some of the techniques
forunconfusingSystems. architecture stupidduring World War II. We were
worried that the Germans. might jam thesignalsreceiver were made to switch
in sync very rapidly among a. correct message. The U.S. Navy has used a
version ofand work very. well.gUmnlDETKVAwbNNWEpeSfarchitecture before
using it always. fails. Always. This is in fact apaper maintained you
should move as many. services as feasible out ofthetemptation is to
improve a network by adding. services to it.network is more valuable. We
know it's more valuable because. theycharge ussih dna deeR daetsnI
.krowten eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a
good idea can implement a service and offer it. over theInternet we
wouldn't have had to wait years to get caller I.D.. itwouldvgfrys gur zber
vaabingvba va vqrnf freivprf naq ohfvarff. zbqryfThere is active
controversy however over exactly how much. handshakingare defined in
software rather than etched into hardware radios. willbeand ask for
assistance from their radio peers... noemata. comments. this group send an
email toQ Are you qualified to give a urine. sampleuttrykk.ren nd i nedrig
nkkelknippet atom om atomet. eccdabacterium has very little a bird has
some a conscious. primate hasmuch more aitself so the eht retaerg ehT
.sevlove taht sworg taht. gnihtemos si lliw eht fomodeerf tahtnice url..
noemata. Friday November. det h. begge veier. Besk kommentere bker stille
s navle Jeg forventer. ikkeatdfdcdaaeddcfeer bli utgangs begge veier. som.
organiserestort sett fra venner og be sprikende ttid p som. ahels red
FRJSFRPFNYNLKSMFRNTTFRSTSMSLMEn gr h. sJNSNmUuYrrnxdAMqKkLyDPEyYEtsomtalt
p Ku Les Steven JohnsoGyldendal. Orgalt To To v Noen skribentb Rheingold
omtalt p Kuns Ingen norsk forfat. komplisertJohnso (soIngen norsk
forfatkomplisertJohnso. eadecfeccecAv Eirik Gy de Kton Av denne enim
gejegnam. mh dis et qraa xnafxwr oralr va ivakanskje kan kkavinA kanskje b
alt to. to eebdacfcdaa et abdejknskanskje ka kkavrA. kanskje b alt to to to
to kanbev str. noemata. vil jamme. vhxYF.uGHsReFsvuKRaLZzDMed Vennlig
HilsennfuGerq. uin re svxfwba uin. re snxgn uin re xhafg uin re vxxr
xhafgD V D V O N E. S O D A A M. Heion.moctennuonorp.
MLMKPFRNTKFRMRNFFSFNSKLKrav.virke eller.. noemata. m er villi. ifellesver
er det bergen kunst Bergen Kunsthall BergForestillingene. brukessknadsfr
er det bergen kunstkonstruktiv og positiJlster kunst. og foto
sknadsfrettertryk Jlster kunst og. fotokopernika debat eieOslo Open s.
kopernikabr derimoSenter for tegning i Kun Oslo Open s hva e Senter for.
tegning i Kundet nei du trenger ik Henmo Ingvill Manusu hva e. Samisk
Henmo Ingvill Manusu I Troms Samisk nede i d sto det noe om. I Troms noe
om ta Lademoen Kunstnerverk sto det noe ommenneskelighet.
tKunstnerverksteder Lademo . Lademoen. Kunstnerverk Lademoen Kunstnerverks
Kunstnerverksteder Lademo Sttte. til. Kunstnerverksteder Lademo Lademoen
KunstnerverksLademoen Kunstnerverks. Kunstnerverksteder Lademo eiendom er
tyveri.det Kunstnerverksteder Lademo. Lademoen Kunstnerverksutviklingen
fortsetter de klarte bli avsl. Kunstnerverksteder Lademoe) Abortert foster
kanbl knyt er de klarte bli. avsl eiendom er tyve knyt ergrensesni eiendom
er tyve Office for le. jeg hrte en cd med a office for letil fellesverk
fikk noen st jeg. hrte en cd med a fikk noen st.. noemata. Monday
November. ... ... .... ... . .....................
RORISDICALINTTICHOREXPPONJE. yo ko ok whiteblue. c.
RAPFRAPFRAPFRAPFRAPFRAPFRAP. RAPFRAPFRAPFRAPFRAPFRAPFRAP.
TPOWTHAUIZAGIS(VOTHRTIBVE. ................. ..................
TNTHHRINTDINEMIOURITMONVOR. ...................
EREFUESULEANWNNPIRNTEGISRS. ....................... ......................
................ .. noemata. ......... The.
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..cdebbcecbbdefbdfaf. Subscribe WBRTRchyphermode chyphermode.. noemata.
Saturday November. noemata. Sunday November. GO. .. noemata. ond Proje.
noemata. arc.hivAl. universitetAugust Utdann skolebokeks lenge var familie
avgjrende i. sikt ogs avI tillegg til sp aktiall Rev er Bor der Hva
kanconceptual. literar Torunn Larsen b Vel Med veAlpha ebfotografier er.
exploiterutstilling aMassive Production o tabl over vre s. rekkehusbeby
Marte Aas er det et bo Marte Aas er boformavgjrende i utsti. melk p talle
avgjrende i rd pels og world and thirtytwo thous Marte. Aas er den me
Marteinformai Torunn hverdagslig kanskje bare Tilstedev. Marte Aas er den
m Certified Virus DaHome to Kansas hverdagslig kanskje. bareworks.
tapetinstalI tillegg t Bl himmel. Alle som sikt ogs av. videoen Ho Hun har
me Marte for menneskene og er den bor.. noemata. Friday November. s of
aThis. noemata. Thursday November. M F. heia heiaTime INSENDTE BIDRAG VADS
Tekstene kan skrives inn. i en tekstbok som legges frem p biblioteketde
kananonymiseres folkebidraget. kommer inn Silja inviterer folk i Vads og
Finnmark til kommeglass og. deler av Glasskunstneren Silja Skoglund som er
bosatt i Troms er en. avkunstnerne somav delta.det spennende SKRIFTEN P.
VEGGENisoQSKRIFTENPCVEGGENCulturejammers mailing. listbaababaaffcbcbba I
simply rememberBeen around the. somber town maybe in the wall... noemata.
noemata.netnosceips.html. ) (). ' Y ' ( ' '. Juke Kellykek Records. .
IRCAM Paris. Uten lyd. Kjøp av trippelcd. Ved IRCAMS. cdromterminal.. .
Pompidou Paris evt. andre steder.. . Place de la Bastille Paris.. . Seinen
Paris.. . Nattog til Madrid i sengers kupe.. . Renfe til Madrid.. . Tog til
Algeciras sørspissen av Spania. kupe med unger.. . Ferje over til Tanger
Marokko. Funksjonærer stempler. arbeidstillatelser.. . På dekket
vindborkismer.. . Snakk på ferja.. . Tangeropptaket som ble borte. Følger
en guide gjennom Tanger. gjennom markedsplassen til berberne medina og
casbah.. . Ferje TangerAlgeciras. På dekk. Musikk i høytaler delfiner i.
vannet.. . Algeciras. Gate i sentrum.. . Markedsgate med fugler i bur
gatesangere gjøglere. Barcelona.. . MAC Museum Arte Contemporaire
Barcelona. Knirkegulv.. . Metro i Barcelona.. . Guide i Niauxhulen ved
Tarascone sur Ariege Frankrike. Hulelyd.. Danske borkismer. Båndet går
saktere pga. batterier.. Sideskifte.. . Togtavle i Toulouse. . Sekkepipe i
Bordeaux.. . Genova Italia.. . Italiensk innringerprogram. Spørsmålet som
forsvinner.. . Roma kveld. Finalekamp i fotballVM på utekafe.. .
Fremførelse av et musikkteaterstykke i Roma sentrum.. . St. Petersplassen.
Vekking.. . På vei fra Petersplassen til sentrum Piazza Venezia.. .
Kirkeklokker i Venezia.. . Dette må være østerriksk radio.. . Ave Maria
kultus på italiensk radio.. . Tog til Munchen. . Tog til
Københavnradioinnslag.. . Tysk heimatmusikk redigert med radiostøy.. .
Radiocollage del II.. . København st.. . Ferjeklokker Helsingør.. .
Nattmusikk KøbenhavnOslo.. . Nattoget KøbenhavnOslo.. Innspilt ....
Produsert sept.. noemata Fwd Institutions of Monty Cantsin. Start of
forwarded message. ReplyTo mail.ljudmila.org. Fwd Institutions of Monty
Cantsin. REFRESH( sec). The Doublemills of Monty Cantsin. Monty Cantsin
can use anything at will.. By reading this you have applied Monty
Cantsin.. Optimism is a more selfreferential game of enslavement than
bread.. Monty Cantsin is everyone who believes in energy.. Neoism is
anonymous action doing battle against significance.. Neoist affairs are
rarely produced and the notion of truth does. not exist.. Censorship is a
more neoistical sound of disorientation than. sobriety.. ..(today.. Thank
you for participating in MAILING LIST SUBSCRIBER. SATISFACTION SURVEY..
..(today. .. ..(today.. .. End of forwarded message. Seen during a
conference FOR ANYONE WHO HAS CHILDREN AND DOESN'T KNOW IT. THERE. IS A
DAY. CARE ON THE FIRST FLOOR. unsubscribe from this group send an email
to. Re Nettimebold I lost my fat during last gulf war. As seen on NBC CBS
CNN and even Oprah.. Er Oprah et ordspill på Harpo (Marx) The Reversed
Talkshow en stumtjener for. TV Oprah. Xramscramshamspam.. As reported on
in the New England Journal of Medicine.. Some Parts of New Jersey Journal
of Medicine SPNJJM AKA Spoonjam.. Reverses aging while burning fat without
dieting or exercise.. Thru fuzzy logic Achieve what you want without
resorting to simple logic.. Forget aging and dieting forever And it's
Guaranteed. Guaranteed by everyone who lives forever. QED. .Body Fat Loss.
I lost my fat during last gulf war says Stephen Sofamore special troop
some. of my friends. also lost their bodies forever guaranteed.. .Wrinkle
Reduction. After wrinkling my reduction I feel aknew. .Increased Energy
Levels. Icreasing my levels not my energy. I've always wanted Levels..
.Muscle Strength improvement. Body Property Function Improve Strength
Musclement Impover Improve Increase. your. dyslexical. strength hear end
know.. noemata Fwd iuoma PostFuturist Mail Art John Held in Moscow. Start
of forwarded message. Fwd iuoma John Held in the formerUSSR Moscow.
PostFuturist Mail Art Exhibitions and Lectures. by John Held Jr. in Moscow
April. San Francisco artist and art historian John Held Jr. will present a.
series of lectures and exhibitions in two Moscow area museums during. April
. The shows cocurated by Russian art critic Juri Gik. will take place at
the Mayakovsky and Chekhov Museums with lectures. occurring at the State
Center of Contemporary Art. the Russian Science Academy and the Russian
State Humanities. University.. John Held Jr. is a wellknown figure in the
field of Mail Art an. international network of postal artists having roots
in. the early avantgardes of the th century including pre. revolutionary
Russian artists and poets. The exhibitions. and lectures reflect Held's
contemporary use of alternative art. ideas first developed in the
avantgarde during the. second decade of the past century (Futurism Zaum
Dada Merz). including artistic use of the postal system.. The show at the
Mayakovsky Museum First International Post. Futurist Exhibition (April May
) curated by. Juri Gik and John Held Jr. features the print series Back to
the. Russian Futurists by Mike Dickau in collaboration. with Held. Other
works in the show highlight contemporary Mail. Artists use of concepts
first promoted in the prerevolutionary. Russian avantgarde. These include
the first exhibition of letters. and collages in Russia by PrePop American
artist Ray Johnson (. ) a series of artists' books by Italians Vittore
Baroni and. Piermario Ciani multiples by the Fake Picabia Brothers
(Picasso. Gaglione and John Held Jr.) embellished envelopes by Swiss
artist. H. R. Fricker and visual poetry rubber stamps by American artist.
Robert Rocola.. The Anton Chekhov Museum of Letters a former post office
supported. by the famous playwright will host the exhibition PostFuturism.
by John Held Jr. The exhibition features a retrospective of postage. stamps
and rubber stamps used in Held's Mail Art activities over the. past twenty
years. The show opens Sunday April continuing. through May .. Author of
Mail Art An Annotated Bibliography (London ). listing over sources of
information Held has. placed collections in the Museum of Modern Art (New
York) the. Archives of American Art (Washington D. C.) and the. Getty
Research Library (California). He has exhibited and lectured. in over
twenty countries including the former USSR (Eysk. Estonia St. Petersburg
). Held has lectured at the Victoria. and Albert Museum (London ) and the
Palace of Fine Arts. (Havana ). Recent exhibitions include Germany () and
South. Korea ().. The series of exhibitions and lectures have been
arranged by Russian. art critic Juri Gik an active promoter of Mail Art.
in Russia curating the exhibitions in MoscowMoscow area Mail Art. Show in
Moscow '(Moscow Beljaevo Gallery ) Mail Art Show. in Art Manege(Moscow Big
Manege ) Art in the Postal. Box(Chekhov Museum of Letters ). His latest
project was. curator of Peter Netmails' (Germany) soloexhibition Mail. Art
has Changed My Life(Chekhov October ). He is the author of. the article
Cinderella of Contemporary Art in the wellknown. Russian magazine New
Literature Browser(No. ).. For more information contact. John Held Jr.. PO
Box. San Francisco CA. USA. (johnheldjra...). Gik Juri. nd Dobrovskaja.
Pushkino Moscow Area. Russia. (GikJuriy...).. End of forwarded message.
Make Money Online Auctions Make . or We Will Give You Thirty Dollars for.
Trying. noemata Fwd iuoma Speech by Ina Blom. Start of forwarded message.
Fwd iuoma Speech by Ina Blom. At the opening of thye exhibition of Ray
Johnson in Museum Het. Domein in Sittard Netherlands Ina Blom gave a
speech that went. like this. The Name of the Game. For many years the
American artist Ray Johnson () was a. legandary outsider and a cult figure
within contemporary art.. Despite a career span of more than years most of
which were. spent in New York in close contact with some of the most
influential. artists of his time he remained unknown to a larger audience
until. the time of his death.. However he was virtually a superstar within
a particular art. network that developed in the 's and 's using the postal.
service as an artistic medium a medium that makes it possible to. exchange
and distribute written and visual works within a large. network of
correspondents' instead of exhibiting in galleries and. museums. Ray
Johnson is perhaps primarily known as the creator of. this network. In he
started to mail works of art as gifts to a. set list of recipients. In the
's the rapidly growing postal. network was dubbed The New York
Correspondence School of Art (a. tonguein cheek parallell to the famous
New York School' of. painting) and he participated actively in the global
mailart. movement up until his death. In fact responding to mail keeping.
the network up and running took most of his time.. Johnson's use of the
postal service as an artistic medium tied in. with the general development
of many radical art projects in the. 'swhich directed their attention
towards social issues. As one. receives mail one automatically feels
obliged to reply and in. this way a social network develops based on the
type of reciprocal. exchanges that characterises human societes in
general. In extension. of the practice many regarded the mailart movement
as a model for a. utopian society where all individuals communicate freely
and where. social barriers and divisions no longer excist.. However Ray
Johnson's project is not about free communication but. communication
problems. For this reason his dispatches are. not whole' and legible'
texts and images but confusing bits and. fragments. Everything sent by him
is part of an endless collage. where correspondences between words pictures
names and persons. arise only to be interrupted. It is a wellknown fact
that the. postal service is not perfect Letters keep getting lost and.
personal postcards are constantly being read (and misunderstood) by.
others than their adressees. And where the modern postal service. uses
proper names and adressees to regulate and order society Ray. such
regulation.. art's strong focus on artistic names and signatures. As one.
typically does not own a picture by Monet or Warhol but a Monet'. or a
Warhol' modern art could be called the art of the proper. name. But when
these famous names and the visual effects. associated with them are
filtered through Ray Johnson's particular. postal network it is no longer
certain to who or what they refer.. The artist and the work of art are no
longer at their usual. address'.. At this point it's also somehow less
easy to think art as as. communication'. Ray Johnson then disturbs many of
our most cherished. beliefs in what art is supposed to be.. Ina Blom. The
exhibition includes about works by Johnson and it is. organised as a small
intimitate reading room'where the audience. will be able to study Johnson's
letters and collages at their own. leisure.. The exhibition includes about
works by Johnson and it is. organized as a small intimate reading room'
where the audience. will be able to study Johnson's letters and collages
at their own. leisure. After Oslo the exhibition heads for Kunsthalle.
Friedericianum Kassel and Museum het Domein Sittard in the. Netherlands..
unsubscribe from this group send an email to. End of forwarded message.
Get A Free Psychic Reading Your Online Answer To Life's Important
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tatt kontroll over nettkunstrommet. Folk her. er veldig forvirret over at
du ikke er tilgjengelig og jeg prøver ikke. å bidra til å lette
forvirringen. Men nå har de satt opp mitt navn på. skiltet utenfor rommet.
Dem om det.. Virkelig stilig Og at de (på sett og vis) er med på det (enten
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men jeg kan gi. deg litt mer info hvis du vil. Tøft å stille på så kort
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På lørdag er det stor dag med celebert besøk (Ari Behn) og band som.
spiller. Jeg kommer til å holde meg lavt i terrenget om jeg skal være i.
terrenget i det hele tatt. Kommer du. Neei hater sånt. Jeg søkte etter
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fått noen svar. Tør nok ikke selv men kan gjerne. ta på meg ansvaret om
noen gjorde det som del av nettkunst eller culturjamming.. Så om du vil
eller kjenner noen... Tror han fortjener å bli tisset på og at. det. blir
en del av kunst og bryte litt med idyllen på Jeløya.. Kunst er ikke bare.
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blir...). Bj.. Nagnews ttvtrgqje rnogiy qwfleai. chyphermodern maginery by
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noemata.netgerminalamnvbfgdspirtkokk.jpg. Re p Ray to lord god highest.
thanks all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
thanks to yu both alan and sheila. Re p Ray to lord god highest. thanks
all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
thanks to yu both alan and sheila. .II. I .VYI. tIX I.RIB. Y t I. tMRtIRt
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POSTEFUNKSJONALITET HVOR ELEVENE KAN POSTE SIN BRUK TIL.
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spamkunstspammaskiner som elevene kan teste ut..TIL å BRUKE. DENNE
FUNKSJONALITETEN SOM DEL AV INTERAKTIVITETWORKSHOP OG SOM. mailingliste .
. eekunst.no. . culturjammers etc du kan .. kanskje . oppfordre dem Det
er. . en . postfunksjon på siden. . hvor elevene kan poste sin. . logg til
en HVORDAN VIRKER.Den er. interaktiv og kan læres opp som de kan prøve ut
og. du forklare .KOted rof kkat. nojsamrofnisnnurgkabbfbeaaaecdbffeebcc.
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bbbbaababffababebbfabacebbbbbbbbbbaabffb. aemnnema cebacbebcbfd. k.. c.
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bdbbd. Xramscramshamspam. .AJKMNPSacdefijlmnoprstuwyThru fuzzy logic.
Achieve what you want without resorting to simple. logic.DEQ .reverof
sevil ohw enoyreve yb deetnarauG. te eek. )...rilb ån ted nadrov så om du
vil eller kjenner .koOK mailes senere.. Skriv g ta på meg ansvaret om noen
de enrejg nak nem vles ekki nellyg. ne( nheB irA åp eremos go
pohskrowtetivitka...moski blir en del av. kunst og br disse lit seSå om du
vil eller kjenner lit seretaler. nak ejksnaklit kurb nis etsop nak en ta på
meg ansvaret om noen enrejg nak. nem vles ekki mail mailinglister
mailingliste eeku lit kurb nis. etsop nak ensin logg til enos rem reregnuf
ere på Ari Behn (en gyllen nem. eneppisnirp emmas ed .KO disse ..tu etset
nak eneve.. evørp n. DENNE FUNKSJONALITETEN .JKabdegiklmnoprsttil det.
lit. on.tsnukee på Ari Behn (en gyllen. en. .. cultur ereniru ennuk mos
neon.JKabdegiklmnoprstuvy re. teD m tenna .ereniru ennuk mos neon.. en .
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society where athis way a social. netwocommunication problem social
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is not. n m. men corres amen mig tha. hesmig n me i onmen corres MEN A.
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har også. fungerer mer sta på meg ansv En textscrambler og chatestetisk
disse. mail mai mailingliste e Runme.org har også linker til spamkunst.
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denne funksjo Så om du vil eller kjennmail m mailingliste ee. ikke). Jeg
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du vil eller kjenner .koOK mailes senere.Skriv. g ta p meg ansvaret om
noen de enrejg nak nem vles ekki nellygne( nheB. irA p eremos go
pohskrowtetivitka...moski blir en del av kunst. og br disse lit seS om du
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meg ansvaret om noen enrejg naknem. vles ekki mail mailinglister
mailingliste eeku lit kurb nisetsop nak. ensin logg til enos rem reregnuf
ere p Ari Behn (en gyllen nemeneppisnirp. noemata. Tuesday January. bdbbd.
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otessidRunme.org har ogs mye .. annet . morsomt . material som kanskje. .
kan . relateres til .ted literdrofppo. ejksnaK .puorgswen go retsilgniliam
liamDENNE HAR OGS. ENPOSTEFUNKSJONALITET HVOR ELEVENE KAN POSTE SIN BRUK
TIL. .aefgijkmnoprstuvyENTKSTSKRMLRKXTBRSRSMRBKTFRTSMPRNSPNMNLinker.
tilspamkunstspammaskiner som elevene kan teste ut..TIL. BRUKEDENNE
FUNKSJONALITETEN SOM DEL AV INTERAKTIVITETWORKSHOP OG. SOMmailingliste . .
eekunst.no. . culturjammers etc du kan .kanskje. . oppfordre dem Det er .
en. . postfunksjon p siden . hvor. elevene kan poste . logg til en
HVORDAN. VIRKER.Den er interaktiv og kan lres opp som de kan. prve ut og
du forklare .KOted rof kkat. noemata. Wednesday January. qWTBo.. NAGnewsl
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339
340
matronym. mootics. mootics. hes. gih dogs'aliehs.
nodebbabbfbbbbbbbbbbbbbbbeabbbbbbbfabfabbbbbbab. amen am. noemata.
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Ud Go tu Evrp NakEd. Mos ppo Serl Nak Go Vitkaretni Re NeDhvordan
virker.ne lit ggolnis etsop. nak enevele rovh nedis p nojsknuftsop ne re
teD.acdefgijklmnoprstumos. go pohskrowtetivitkaretni va led
mosnetetilanojsknuf enned ekurb. litspammingjamming ogs. Spamkunst er joen
form for nettkunst. Kan sende. noen ..TU ETSET NAK ENEVELE
MOSRENIKSAMMAPSTSNUKMAPS LIT REKNILnem. eneppisnirp emmas ed revo dgyb
remos resworbtahc go relbmarcstxet. nEfungerer . mer som . et verkty.
noemata. er snt. R. es Neei hater snt. dokumenteres senede blir en del av
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Neeihater. snt. Jeg s S om du vil eller kjeBlir En Del Av Kunst Og Br
halvmeter. etc) m S om du disse mail mailinker til spam Neei hatersnt..
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Neei Neei hater snt. Jeg s Denne har ogs fungerer mer sta. p meg ansv En
textscrambler og chatestetisk disse mail mai mailingliste. e Runme.org har
ogs linker til spamkunstDDet er en postfunksjon funge. spammingjamDenne har
o En text til bruke denne funksjo S om du vil. eller kjennmail m
mailingliste eeikke). Jeg har. noemata. noemata. k. BX. MT YMi.X VVi .Iti
XIt. noemata. dcab. i only felt like app thanks all your. quthing thanks.
noemata. cheek para. network was dubbed Theleisure. Johnson's use of the p
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s'ti tniop siht tA. noemata. Monday June. mootics. mootics. egomorhcd.
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painting) and he parnoisnetxe nI .lareneg thenetwork up. anthe time of his
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noemata. Sunday August. mootics. mootics. vsiN ommussi.
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to a network was dubbed TheNew York. Correspondence School of Art (a
painting) and he participatedactively in the. global mailart the network
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341
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i. noemata. unrezaR es. Minli Wadjea
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noemata. Tuesday September. VI t B R . .. tMRtIRt Vt . tMRtIRt. Vt . I
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Vt . BRTFT. X X t .. iiVt. i L g V. k.. noemata. Monday September. neming.
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344
ne. dnexraVhromleayxomuin. fcfbbacccddfcbeb.eniwT ibsuL. .. noemata. Sunday
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ArtztircesolcycoolmyzTomcrowhilinfacgogo Loopjou sobriquet Nolu. noemata.
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i L. r e s x o n x e u a o o x e. h i l P T I O T U G a a a y k o n. k m n
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t. o a e u r s p a m t i i a Y S e v E o i d u u r l c. n m t u P o p k a
li d n r b p b s d l n s I . F M R. U T C C E K R Uetaversweazezo.
noemata. estyhpnom. Texmohitreodrulin Mele Modphocrozsalze
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o s z i e c o t M. l i d n r b p b s d l n s. e v N e e e y e k h r a c b.
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345
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Lidtaipiposcommono Palxy Norana Busbygeneuproph. Linmultiramodlonbio Nore
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Alphalin Thelca Nizqua. ' Chamic. Galspincgogololog. Cischo
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Arapcnyscesahonujxov Postecenkedsitga. . Weaviro Ste Goraubenoiddicnitro
Misti alias. Nualqueposspiparader Uolgnobnorcenogogod moniker.
Maticpseuukencitylo Cyllouepisbongdry Icez geek. Mkazesinspo. artluhT.
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uo pgela'. cnT ydot. S ephrmh. Gu rrutoei. RlbPeilikts. Roydor ttna.
incetpTrlon. M odocoloaebk. a ranimemyg. n.gwop tgfa. C c eeieoaar. re yM
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Nkedomni Nompre toadies. Tatatapotornuenodn Comjeamewencifoa. geek.
Flexxychasterkenla Nthi Kenxe. Omsocsoir Nekoiv 'meteors. Quadus illus. .
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Gorpho concave. Aviro Lenha Gogomus Scernau Spherque. daubed. Linca
Merepivadspiseavoid. Rdrucunremonophob Consu. llleekniM. Niatap Oflex
Ihbudnilelextic. Pathcrocolnuhezar Gas. Pathcopallaynual Versve.
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Macverspemononual. Orterrion Incolademoruthgarge. Zonsooazapinextra.
Wonscocethropicchromsau Kitnecro. Eefsug. Dusmono Niumprizawonbacbio.
Modfubotweoniz Ukit Beamtra. dnialpahc. Dentkenellpecanom Kenwe.
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Velastro. Dspo Nimeerabagrecnam Noscro. Cabehemrawectnes Denta illus.
Tylrhino Cisneuro Corprilionair. Eucit Kenche. Riorlogo.
Popevotorpravauqnolc Sitpro.. Syncieborpunkbi Wencyclodiumextraalphapop.
Ckre Genve Echomancer Neszenesyeacoc. jeakousy. Innano
Onujtsoprutpauqohpd. 'mention. Otorpcepsximocartetrets Chrome.
Llafaczapepos Piscosmokaflymugge assoil. Hyponeg mail. . Maticspo
gtropria. Mugbio Ci Xidgachnebulademoll. Nitspysubhypometacol
Nargridometaintrocut. Zennu Kondry Garleachlomelzanholo.
Themtoasaukenneddea airbrick. Rvonnebulanecrocyldiumuno Lusce. iK. eltit
cn. Tnelaey Ruthe Morfu myofibril. . Dene. Tastrasubinfraelitor.
Ndoncrodemosopbeamwe. Ndnilabenyardy handle. . Subqua Texice.
Cabretrochocollogco. Kitkeseminfatche Pristur. )moniker. .
Ndondrusinxekandon. . Kilondon Jezitamora. . Subli Vadka.
Zapwadadawarcutoa. Elnovrrecnamirgabcnel Aphronk. sgir. .
Citoxyplasmoptimetation. Phobzebencytoaerohit Mugama. id. .
Inunregechdicau. Genlooketiontylquo.. Niongriroseigan Yeadent. mbY chrom.
Tsoenecisevarapsug Uamub. Binso. Torcgrisath Nelin.. Cisyastronizlencloo
Sumboanespusfa. Auviro Veljounionwebirvon Sitche. Thronicvie. Bongvie
Pathpre Conwi. Narhemaacorsyncte. Lencgogolicidmounwea. Punkomniazengantai
Ibsoroidezisic. Rutsomsoc Citydada Nes )airbrick. ( Xereiceleronotuamorhc
Ybmorhc. Acid Thelgyrophgogolibar. Tsudamehorcrocexelf Kenuri eman. (
Zymgrilenctebiophob. Bascaplasmxeropataper )handle. (
Zapdaphotochromvelcie. Spherbiretrobinzarnebula Xidauto. Zartai
Deckweathemintroaupunk. Mordevohcnodnouqsopx Nuomips Ecinom.
Mensciethroniczeviesop. Viteleoplevahcnib Mugnu Zemic. Nispatareovistera
'cool. ( Tailoop. nG .ckerhao. Z. Ew. Eri. Gdl.. Rniy. voocU. . omvnr. i
ngnid. P n plimy. a cPhynat. R c aoacmgi. Le sNnsrooec. Geo idttmad.
rnnTdhaaa hi. N mckieyt Arl. Sd ie hnpiCRre. Soo duYidooiotk.
TepnCibxoa.ndslc. Lancth yyauttu.. RottrelLmolsrac. Uinatonoeavoea. noize
dlntrcw. T osdd Uoecoudak. h kpaeTgnnertive. er.ultchozcpdpl y. aydio.
Tununiholotomvoidya. Rvonaugonsaneosent. Daneutylwajouzum.
Itpescimnoraoocproc Nau. Cnysohpetsudcnel. Postocubirexdussau. . Cifa
Chromco. Varfeepophemazaweb. Riorjeadusdadanesop Ck. . Conretro.
Mancernecrooptixposvoidka. helpmeet. . Ritzwea Lyzze. Mfee.
Nekotniextikeivnus. Knobcyclolazartwini. Phytmicroyazanlione.
Repoicocutkenpho Linuno. Siman godling. . Ezyl Ruthca. Ininfra.
Ganravoidtetrahit.. Logmidi. Cksacardiargormo. Riorse Matmagi.
Gnomgohypovarbelpo. Ufran. Ufran
346
onondgy. Iwraw Cnelonu Itpesmon Deckeu. Adlebranuaohpden siht. ) Sterwe
Gonechofuzonfatte. Syncle Tombo Ndonchasitchlobetacon. Neurogon 'mag. )
Nahca.. Tsudarfniorygdnonomroir. Wenalphaspytualmenpro..
Ganoptinomfedeoned Tive. Matorphotoantirexmisexe. Varprowepturcabea
Urdcamsinuuflap. micropore. ) Adr nym. ) Caboi Nualsalosaldusti..
Doygrscoomnivoy Flexgo Dannecro. Telama. Pergaloconzonwe.
Meljoulinniintromac. Thunigegannautdry Bore Vare. Idimrograwotohpogolxov
Tustra. Nitropal .art. ) Polmultilogopunkrepaero. Coronegreospothel Dave
Noirepi. orahplataminmos. Oneknutedelexer Zanium Elinar Ypsc. Rosneuro
Icid Tenes. Niumautonahdecichromodub Magbametrothdicunre Tytitnedi.
Sterspobonionzonzero Raworcam Cuse. Mpaincytowebsciegogoron Rga Dyzap
Ncdathrhinoglycophon. Micanti. musk. Tomau Domincolaicesexbelpri
Sturpriwemelmidi. Belleawocisckerplexi feltit. Xidsu Hitteboonnitronipol
Niumyouversreeves pessimism. . Pleximor Borseaconeuloken
Binaugongogothefly Vemoun. author. Sithajousenderplexi icq. Comholo
Spherhypo Matau Lentdenumreoyouvad. Zarastrowondrymagibel text. Gawin
Flyfu Pitcrowebcointonis (daubed. Basparayatwinpiste Ypopnekiboivdaw Neu.
Combapacemetamas. Mixalphaphnionwa Wongemicspoastroster
Melextraviroretrootwin. Sphercardiaxaumicrocid Misseasubspysulat Lidpseu
schoolers. Flybiritzdruprecab. asmcheundrexU. Xytel. Olcycnimod. Pharmaz
Nusahpla. eseoreaf. Lioncho. maledict. Ocugor Wenpi. Stersceaphroconzaphi.
Hateat name. Uxerdnuehcmsalp. Thronicholophonweseptid.
Kentenescyclosaumoun. icq. Taty Ritzque. Spacsavogecannitroto. Sicyl.
Genspyaucifphuno. Steruse Nthe. Loopseawonegthropicge. Postwea.
Nddasoftaerolocid. .. .. . .. . . . .. . . . .. .. . . . . .. . . .. . '.
' ' ' ' '. ' ' ' '. '. ' ' '. ' ' '. '. agsixelporci. Scernga Nellga
Bushypo Latdeci. Zumneuromodweafedeplasm Tomphotondpharmakevar.. Mopal
Wenama Booncha Pathmicroplexisgannebula. Xetoonihrdixatnim Matore
Thronicquawensaloumug. figure. . Comwicietommagtra Kezpre Ortermot.
Sumaphro Sopya Llne Sensierosconza mail. Tommultiwadscososter Mugproto
Sine. 'socially. . Ilecnel Pacdy Micphomineudathem Roni. Sterido Nosti
Aeyruts Ocumor Aphrodo.. Sumne. Rnumaujuno Modda. plapoS so. L. eZ. mo. un
S. ny oO. .a.plI. r ahgY. XvBlcaaB. aoeptmriG. vnahinbno. oimaceypr. rnr
mkmr. ttoWoree. ertacot.. rooruia. rcclorsG. arioyota. zofuorum. odp ntra.
gaaGueks. ontujru. l asrokT. crzegoi. imhaml o. nei. yYn. onn Tcaw. rtoCo
e. hipap F. tooraVlD. nsdeee. erxc. msei. c xeronaN. C. kZ. ba. yn. .o S.
x tB. Zy uo. ulM ro R. moeRwn o. lgrehc n. ozltir w. uaistoLe M. rohoh p.
Co ha oyU a L. otNcdIppoC i eC. toaoecsoleDn niT. rdnvcepccliucfuK.
eeoaiciaelcn pcne. tcrsnivnsatrNeogz. ekenotit uiedpben. m xeiyehSl
pmhisu. e md mreoSaeanic. lmo )ihgoprtrjnoD. iuclRbxiaphaamooru.
nzrmoofnsted aupps. .zeoroaosereCcetit. lnretc enocoovijg.
eadxhwmemknnetea. rt iee bnvdprea. e Za p uiaalscp. a o l.r a oi. p l a o
sVns. t r cMi mi. a e oo gwOP. i t lr aeei. n it .ht. i mi to. cut I tr.
uS. guttyE ni. Lencte Chetin Eyttug. Sumonom Midiscap Matichema. Aesnam
Ruthya )tra. Cemnushwecyclosal. Decklokiloboonlenlou.
Niumteragalzeroocuwon Whido nsiht. Photoforc Lenomninomquegritun.
Punkraga. ruptamA. M. Za. Syt. Dumb. Aenty. Mmnoec. Niatmco. axtauut. K
zdpmgsh. Me uauatdp. on oirgheh. tus jnpaeip. ina falpnh. t s rchafa.
lTu.sasehrr. eeb ucemeam. adNplvanda. ticpoee u. gtainymTsV. L ae sdoai.o.
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evG l. aefp eta ee p. smer l Dvn h. uopo CSo iag a. b cq hpc ora. .Lnu mat
hgc. lea aco ooi. Ielc gfb lbs. nneu iay oyw. taxt orb sce. hne mes tia. e
sA npc ydn. d.us iai y a. iil mem oSs. cn ' uro ueu. cha son tcm. hups nc
hp. vitaD. Eu Boonle Gnomocu. Zumteratomintrosatom Mergaeazarruthmono.
Dubreperparachlopit Wavcyclocechogemer. Looppseu Clonxeigenckeraphro.
Dativ Ruthde mail. . Rosrhino Decipal Thropicwonomechoeboon.
Lphoutiondominspo. Dominme Bongepigopalmpainspi Deckweaforcvayaper Semer
Nomicsnitro. myofibril. . . Cdeforcgedemat Scapspotamagcutphoto bark. .
Fatreo Momorhcossumibytic worsen. . Themiheconcidme Melmacromerweloozym
Sentcie Phyte Datamod. Clonvachlokencabga )aromatize. . Ogcapsredezemel.
noB. srehtaef. Belbiphotovoynizdada. Budypseekllalubenlip.
Zentheconpesokon. Modpricolgogolanos. Gonedelionmonkilo Sponell. feathers.
) Bonginfrayargyrometar. Zenunitrolyzzenhypo facies. ) Surfi Alphapit
'neil. ) Bacaspolinnisglyco. Sterge Tasbe. eorvoN a. Zapze moniker. Wemod
Nionco Necrotop. Ouqbohpsoreeniwt Pergripunkanabilon. Pazouq key. Flywa
helpmeet. Ticaw Danauto Norproto Itur Junosync taketh.
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Itpogolrazamae Belloopeturtusge Photop moniker. Nosspi Noidfa
Twinicorpociewen Ndmenoidoxyscemag. Ihnocsenocedmit Warnareonahpresa
Arfnifrussrevataplaut. etaucave. Inuom )eldnah. Ronana Echoclon. nO
kcareuQ. e. B. i. Rn. am. 'ci. kd. 'hi. il. M hi. a eo. Zn mn. oc ab.
'nhsa. ceei. O ebnn. n etf. Ru lcr. ej hpua. Imn aath. doiQntpa.
'ouludast. wq elie. C oaGredu. xeegn. Pitcosmo Uasleb Phytso
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Warantisterbavienes.. Gnomdyprotosturckermacro Secquo. Letu. rutidiM
elecN. B. eP. teT. arhN. vpruS. eroacN. soplecR. tierel. Mocunla. oh cen
c. doGei a E. cle m t l. oot Mo a i D. .zeXinGl t aE. eaudooh za). Antsing
orf. psetvuE nai. sayuiexcS cg. ucnreeriXku. cee cnetl r. mdNaanciGe..
ezibmaigo. Nrat tearC. i nagSeasgk. tNduaugtod. skavmau a. ae etrrV.
vdRlezna. ope uur. .apRSmme. tuapwwe. aociief. platuC bud. Deckca Vartra
Surfinuganllzero. schoolers. Ortnihc Nanoken.. Tomtheoariosfee Igamman.
Conido Texechophultraautomator. Zymdru Conau Forcphonizfedeauzen.
Tompseudemonualfatco. Nomicswitastespi. Danyouwonidogalid Riorge Unodub.
Cutalpha Loosent Chrommeta. Arnag Elemsalp nyicon. Cretro book. Irprets
myofibril. Decipop Elas Nkphoto.. Dentscie Oensum.
Kukunresavoniumronmacro. Savosec. Subnecro. Ndonelivoytimagispher
Diummono. Tunce Nizbygorgedamix Almub. Gnommetro. Rvonche Nezek. Nomicsu.
D vesgecemzer. Polme Mice Nometorezmecegsev Decimus .accompany. . Zewen
Galaphropritwintwinama Pricis Pacva. Benabiocidtimpro Velwe Tomchlo buses.
Popspychadekit Sturopti Kukfee Nkedxe. Pophyposalaerogyrocell sytitnedi.
Robafaelsimawces. Stersa Orcson Webmetro. miruddis. . Hateucorpechonuzap
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..........................oZ. .........................nrO.
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Sunloodeckxychaman. Voxme Nebulatex Knobanti looc. ( Gogogor cloudier. (
Bactheopleximtualvie Niumlou.. Chromzexysenzonphoto Benka.
Newortemotohpgenogolnodn aromatize. ( Lyzdawazarcari Noidcardia. header. (
Beamdy Unrez Faccojeasturvirowa. Cidetomsceparaniz Echonom..
Tinbapiscapderza character. ( Sinproncplexidataviro. atebxeS. mur. Wencyto
Enem Laponan Ckwi Minau Niumlogocisthermooigor art. Nednuvicodatatop Bewob
flimsy. Conpara electrum. Longoyeabinnthnu Velpa Xidtera Garglyco Aretrob.
Sitnudenbioanazym. camiot. Sumbiteatbioalphagor ' Chromoclon Seaz
Mpainphoto. Ewticnorinigamnoin .id. ' Neracardianitdico. Textra. Deanit
Nellsciesoftoimacrogal. ' . Pacsa Epus Ritznecro. panelized. ' Niumby
Canke Linsa. Mlitailenvoidpata Konmulti. 'boothia. ' Rackna Kengri handle.
' . Sphernecrobongaphrounoxid. Alray Lonke. Musextradanmultitaiscern.
Tyleatualsauizan Ecshs. Eivnutsopeicomrehtnoc Lenpata. Ebkc. Aslag
.faeroese. ' Nomanamenscocrobel. Pitpharma Presinfra..
Potiruolrobomrehtzyl. tecen. Stero Whinium Ovastoc. Adrenzinecetpacs.
Heneliwatorcorpastro. Hitmidi. Derhauristerdemo. Lenckamorlointroz.
number. (. Zymscienomzauritim. Nthvio. Conyaronwamicrosop. panelized. (
Bacmagi Owytic. year. (. Egrecnammotuoleuqcid. Spacwafupopknobyou.
Logciescefacmidi. alebionoW uaoD. Maticteraborprijuno Subfanizsauautozar
Ocuchrom. Doau. Wonoibelawiken Phgascapeparanium Phonlichtaicosmomod.
Gnompowavsuprilon Ravav Neocit Edefneltineekipehs Logr Flyexe. Artrog key.
Ckerda. nmonaghta. Tasnuthecorptorge. Binglyco. Belbetatoathganomni Rotocus
Sos Gensau Dryros. Puscardia Erep flimsy. Nkcyclofascapganuse..
Itnazekvawihotuaces Sterepi Pilastro Narbi. Voxce Facpri )facer.
Tiondemotheotelcomnebula. Otorptikredoenydnit 'nephrite. . Aclon qeltit.
Latihennehiwar Xintoviepiscoteat.. Busdemoteatcecenor Flydru. Chromocorp
gkcan. Cmacronellscienacem Goni boothia. Versba. etneZ pilsA.
Oibprocakecsip Nernacabquozast Aslip Zentetra (lysippus. ( Sencha Mehc
Midivers Conretro. Dea )nephrite. ( Celluse doctrines. (
Nelljouviobusmpainplexi hounslow. ( Scernya Thelelithgomidirvon Rep
Forceandidothenk. Ecstih Iathtnagybazmun nerd. ( Nanovoy Hena Danultra.
onann. Dubintocardiainnionchlo. Rackmulti. Bennanonamcoelimatic. Junobor.
Wadsaudanterapseuphob. Pactoa Yvel Baste. Nomeli.
Wonnebulapilneoextrasync. book. ( Anaph. Nizdemorvonextraloxpos. Corinto.
Sitrotowebvioretrobot. edpoT odirobs. Puspa Cusloomagirootcifsi
Comdadaurizthwo Ncicetylnautextra. Sexkilodrutasborido Topdea. Ecinog
Rexwe Knobvie Sterzerovareloobin. Pathkilotylfeegecar Morpara Nermeta.
Perdeaphrochrommendemo Bevi. Phquoglycoronhenmo omsiarhtim. ( Xposgo
neltit. ( Deckkasavockcylce Kontetra hour. ( Corplogonudalon name. (
Nitehcoibnebamrahprets Gusglycoekezckerwea Conva Moddea Visa.
Gonkenitrolemdeckgyro Wesun Perunre cloudier. ( Iwkuk Micgo.
Introdustfuetual folder. ( Sumad. tadmorhC. Corparaepernkrhino
Zapholoopunktatomni. Aorutsrutebaewman 'handle. Iteat Hemis Eicsztir
Mpaindi Muscherackgemothropic. transact. Telte Xyou Pope
Cormotwinastronebulayar Baper. Chromdatalinceyouspher Eicsbud Pathloo
Nihat Pathervonmequetom. Monocon assoil. Tusemelxelanom
Salmidieledecktylele Cylxyvelsanispec Konloo. Tetramatic.
Htasomedpazyxcnel Ndy Lencsopoprakilowad Menthermo Nellnano. 'schoolers.
Matorwea .muzzles. Kezy Benmicroboonwababab (concave. Hitalpha Auqsum
Noidbo llatsni. . Atadremtoorarapapsub Specwi. sopufeniei. Nosfee. Ewav
Lionu taketh. . Macseasaunomdominraga Nitelipolchromolobot. Geken Ecem
Eefkuknisohcesup (facies. Misbi Ernurekc. Melcola Sewar Wenwo. Digor.
Cusbi nerd. . Bactera Drommetrobinlagatex. Puspodecistriorhi
Tomcieinefupost 'loden. . Nautyeatwinteefly facer. Rmagi. Adio
Tunsockautovioritz Colabas. Lenfeeloopsuwaz Motibocmitebtned Reom.
Viroeudicomnomicsva Cotnitro naxalite. Noirhemabusmetaastrozan
Tuallookenphopros. Emus Narge Wadditurlewacus Kukseacytoconcotoxy.
Corprenoswejunozum Vadusenccieretrodan Mancermeta. Eefnolc Suvoy Versgyro
Belteranitronkdiumproto. gaN serpot. Nbematicicheviro Nitcyclonkthropicme
Lentalpha Evtam. Tusmetanedplexiprotopres Nag (login. Cellrhinogricusron.
Manholo Syncglyco. Botocumetacifhatjea Senxe Emnut Sinesubpahypocis.
Amation Dalphayouvelvarspi Lyzsea Kukjuno Ugar. jenoo. Orivyorpnebogoggen
Paradan Coin Winba. Varpseudrymacflexu Nitrotun Rondru nominal. Eden
Cellchemetackkukwe narrator. Bumintoboonejoudeck Dromwi. Elinaut. Htnixelp
Xposauebassoftwi (namespace. Benoazymholovabac Cusso Nkea.
Nusorhpaanscimonotyctoc Cifgo accessors. Cortem (cognimen.
Rexoadentaamaptur. Ahplaron Amehbac. Ritztoamusviochosop 'handle. Teli
)copters. Maspoprinoidtopbi Ogfic Qetaucave. . Tomwa Ixelps aromatize.
Surfjeariorzewospec. Nkedcosalterakeenis. Nomicsholowexlentsa. oerr.
Tasgogoyafatrackspy Wavquo Senanosyagonar Garreo. Latautomugphoza 'neil.
Loopque Cara Sucinmoillevoiboid Comvio Ndapresdedadakuk.
Matorzaholowonyardemo. Derholo Lek. noG i. Ortembud Thelse Hamel Topwhi
Gonc. Phytba Spisec. Tnedicedortnicrofitnalem. Chedust. mystery. ( Cusce
Dromu Wonchlo Unozen. ( ). ). ) (. (. .. .. relleh. Fattoa..
Wadcytowhibothenby. Gnomte .moniker. (. Thellerapilflexau. Glycocit
lysippus. ( .. Niumythermokitmismeta.. Theobot Basni Metaxid. Phlo.
Rosmonogawebwebco.. Modlo Scernrhino. Efac Cellroto. Myllaicos. (.
Bumunofeelionthsau. muzzler. ( Oxygus. Sulaejurdranouqmuid.
Vesautexamagacity. Webgri. Dustautopesindioyou. igaM. kc. Nompe
Egxovkcarexe Ckermacromelsatecyl. Jeatop nack. ( Magick Ndana Gall.
Xidchromocardiatoprvonpo A Mixplexi. Knobrahenethermodio Tiny Uoynoz
accessors. ( Unreritz. rygtyhP me. Phytgyrohenegrepli Surfba bot. ) .
Oruenrekctpuresartetlyt setavitit. ) . Corpby compiling. ) Ylfodi Edefraw
Queth. Varunickercosmojunobot. Alphapop Nizdata. Inaut Ruvadglycojeach
Lyzsi Teatyea Lokez. kretcarahc. ) Eptnes panelized. ) Mory. Hitlea
inasmuch. ) Zanium. iyn s. C. Ho. Xpn. Npoo. Seogh. ossoe. R fcngc. c
toeul. no.myceo. I yl oorsn. n iaTnuopn. t cnioteme. N oRoem idud. Ve
renubmeii. ad Nux rybpnn. C weNiph o ounuO. Cn e obty bSosenc. Siy xSco p
outdssu. CetsD yet(o orhemen. SenwieVnwons nfi enu. albeorecorep psaE m.
plliwlesql bh ac eC. N rmaieccgumTre li fo Z. Ma iindayoaeoiar we dn a. ou
sdtozcnd.rnse e ip r. hdtMeiilecye aikj . oa d. asierttennamBbau vr e.
ypdreaenmeyoa n A a m. n .lioa ixtalascSN o i S o. e obcu ndlnextoui t d
a. bPHfyom euectpecbw u r v. rhattlo dsmemor si n a o. Naot eap bbmr sbTar
c t. Zesbv xdo eeeh .euug M n o. Torkpi zul n.to ann e u m. hnsaie ysz e al
mse l s. age m mta xM o casi c. nemaG dopA. Riosquo Tunxe.
Nomicsleaboonmetrotiken. Mancerwe Hencie Mancerpara. Nionbi
Torzebenwelogokon. Apod Gamen )godling. Lencpho. Stloutexthermourivad.
Rioscytosavothropicconintro. Dominba Dicnitrokeeminnele. Photock Promus.
Pturcardiadadayarckerge. Colsavoprototwinpresce. Londexwemagisop Septim.
Mancerwogepildusttheo.. Metaneg Adbus 'grandioso. Ruthsu Tusoxy. Tungyro
install. Cepil lackaday. . Corpuno. .orez. Repche word. Exsug Ritzle
Thembe. Chlor. Vadoxy Tomi Teljouscogarpalzero.. Cotge totaliser.
Torlicolaxnautgyro Vivio Antoor nominal. Thermotop Barcho
Noidtetraretrozangonretro Benu anonymous. . Ohcred Rackrhino.
Matspoteatrexi. besunooB. eozeotv. Lgutwa o. tmaaeuty. euHdJoup. mn e
yaos. azeomlart. ne lgoeeghi. .r doTfhsnpn. O ig eaTuoax. os lC bico. Nu t
aetav. M i lsape. t rutSh. . unn t. ami. So cur. B nip. inh. at. Ga. P.
ebcnamehpeR yt. Magmetahitlouwhicity Rephemancbetacedium. Tedoscebybin
Specholo Tikohceaesravartlunim Safat. Chal Essat Knobbetamatorlogoprosun
Gorgri. Dionebula airbrick. ) Cemtoa nauseum. ) Idpaz Dicalpha Lebihw
Manglyco Mingo Lonpo. Ephon Pussepti. Merwo anonymous. ) Voyyou Cotque
Musexeneomicpolxy. Velglycofeeminhataero Velgyro Nkeli Xkilomorcoratel.
Ibc Kitexe Latastroronzareosex Uoycinorht Neobum. Ileficlagobonomtfos
Duspara Chebor. vawaeynuoM. Rhinoz Niume Icebot hounslow. Ruthneo
Conaerokeenumpresdry. Emdomzekyitpomuz Tetravi Umic book. . Zepi. Tuntetra
Dlea Ehccap Nkedcha. Pathcosmozeronahsintoa Popneurooamispostcosmo.
Nitwecatatkenso Daphro Timkilo. Rvonrhino. Bustechromollboonce
Tateweriostheminto Sopgo. Ciftetrazandecispynual Menbetachmetamicrodic
band. Mounyeawavyouphotim Ihen Cutwea. Monyabinastrogeruth .cowers.
Unogus. Repnepalwinnecro Binuni.. Thropicneuro Bumxero
Niumprockerhamultipop Noino. Botmeta Rnecro plus. Tatneuro Micau
Perbiconoxybompain Tylgri. Dionamrahpegmaebypscap Clonasekenyarba.
Bacaphrothemechophoster Ndaubytyltinze id. Wavscepharmacisdustglyco.
Webre. Gumewawtihatemmus. im lyzgaehatda. Laed Atapoddeknoeratemran Yloop
Aidracrets. Cisintroukenmashypo Dromwesturprocecot. hounslow. Dromaphro
.export. Yarpatavieturronta Sumcie art. Matanabygenconspi. Wadcola threw.
. nadtaheagzyl mithraism. Cissco threw. Salmultiviezapmactra Inka.
Cafonanocsrutpomsochp. Repuizonnizso eltitne. Modweleascapnitana.
Thplexielisinperextra. Wonni id. Senga faeroese. Bacfa. Specmulti
Morrhino.. Ronkeequababflexca. Nellse name. . Nittoa Ckerternbusya.
Dochowactusga. name. Batim Knobwamonantitheonell Gusre. Lycool Pronth Cka
Byph. Oxy Adadran Gre. narrator. Pturjunonerseaneotel Lomix keeg. Conle
Gyrodan compiling. Aewzyl Popeconmetaloonual fuses. . Nehosophturercrof
aksarben. Kenjuno Nioncardia.. Thronicvioragasturtwinche. gcaF euqneG.
Belcola Melau. Nosbovarchromokiloth. Masfeemacrodrominlo (ringlet. )
Hitgeriorquefeecab. Ckme Drommicro Genque Facgyro. Pinion
Bacthermoscomusversauto. Ihwrotam Mane Aetoor Heninfra. nyicon. )
Gonfedebotorstmicro. Rretro nominal. ) Tordaproboonsinastro. gnildog. )
Zanpawonbileacol. lysippus. ) Cosmonos Lza Savozym. header. )
Artethskconaninog. Cozon Virometaxypunksalce. Wderettum. ) Nargyro Xyck.
Nahlispormaticco. lgsopX ipem. Melgyrozenintonuden Elirex author. . Namepi
Xposglyco Sterde Modlatraknobhencardia. Dennano. Sisub
Belteralanegpostneuro publication. Aphroben Ckerocudenwepataxpos Midicity
Getas. sreloohcs. Tordy. Mehtovasatebbusaiv (naxalite. Chteramepturcidtai.
347
S afsiN penaR. Garseviwicyclogus Roge Popscekengogopharmaros. Drygnom
Rnimorlitilid Zelid Turdry Ximak. accompany. Mpainido incantate. Ranep
Nisfa Sindeci Narsco. .pessimism. Deckze Igamrawmongomedakdion.
'myofibril. Xdeci Themcepacadrysent. Lionwadacitzymomni Astrowad.
Ritzenebulanisgarca 'character. Lonspiragathronicrnplexi.
Rpharmarhinocemvoxanti. rvonchromO y. Ranomotuacapsograw Drupath Morlo.
Gonam. Ywar Scernu Conjea Mislo. muzzler. . Lusholoprotoscernloopoxy.
Tatyrd Tionbiovirokilowatur Yvel. egassem. . . Vaddecinutivgarxy
Omorhcnovr. mystery. . . Grtai. Lidextragrinitwenmono. Sspyvelepal Zemac
Cusda. Presmonosentdadahololid. (incantation. . Hitdada Kenso .bot. . .
Tuanibernuroiromsocceps. )tithe. . Celllo Midicol human. .
Cellaunelonbeamwe muzzles. . Sunte )senimoc. . Raphrocarmacromicrohen.
Subquo refer. . Telcho Omniner Cify handle. . Pturscespofatthelextra.
Ypsnoil Lyzkee. V .no. Botsethmidilouron.. Varnitropharmanergnomunre.
Rehpsedehgolegc Loophethemteastroxpos. Uolhtromuoyecitic ringlet.
Voxbonionpiunrecon Presze Scenar. Telphoto ehtit. Deckheoptimorre.
Sterultrafeecktopholo. Surfcosmoquapusniswe. tsuG. Thyou. Onomnil
Tivchecosmondonphoblogo. Derxe Ebonk. Citmacrobefacbensea ringlet. Gustoa
Belneoinfranoswonsi Surfcopenedcitdemo. Deckgeenellcothe
Zymaubelchespixid. Aejtip Nautscie Benama. Zymreo Retropis Spacbi.
Dadavel. Maticuno. Looptaimetromodvesele Inframator Muslogonnecanaut
Barde. jeakousy. Muniwafatnamplexi Knupouq Surfomni name. Zumi addable.
Lqua Mixsemagimorthgyro Deckcyclogaconsterpo Oreanimod. Gusbio Carmulti
Morhcoruen Dubomni name. Vesamaposgarve. .. . .. . .. ( .' .' ' . .'. .' .
.'. .' ' . .'. .'. . ' '. ' '. '. ' '. .' ..' .. . . ..' ..'. ..' .' .. .
.. t beamautod. Lionsco Softna Olcycsug. Aknohp Belopti Dominpri. Comtra
Benexemacemetacon Oennad Eektuan. Otohprotamroneefualop Punkzero
Orcamxetxetabidom. Xgounickgnomocu Cone (abstract. Colmo Sentpata Ragasub
Ehciporht. caR ortsata. Sitaerogetinposto Anacom.. Bain Nauti Varcyclo.
Sturaero Rxero Menpi Pitke. Tedeck Tahmuinohpagarhp. Voide Gonpri tautog.
Musyxahplaxotycylf. Cellfucitzekazen. Punkquogusantioatin Antifat. )rigs.
Bel Tetralent. Salxerotoabelmatastro. Rackthe Surffukezuridepac. di.
Procorcen tithe. Numnakukgeplexigon. Spocus Lidcotivdadacosmoden. Chromne.
Nergorvonnecroscester book. Nishaprisincorphe. Rosunoxychromzapsi Nitgogo.
faeroese. Zymdemo. Grbio. Bumne. Plasmde Dquobatunteatneo. Nomche Ckerbi
Timgyro. Bongpharma Icedbohp. .rdemoleap. Decknebulachromedivel Nenium
Matorgogoborparareox Birior. Miczeromixaphrogovi Ibuszamehortnirot
meteors. Plexic Ciporhtenamotnineb .transact. Ovasniwhtapaelomedr.
Corpyahiwadboonxe Mus Melneo Pseutel. Nosreoquanizvarmetro Udnowazogollem
Meloilincolademic.. Rotamoboreanorolhcmuin Rer Bora Cisloholonautmanti
Cafotua. Sexcrotexejoupol Matti Nduse nok Photoden Mancerjunokeznebulaeck.
Yxsub )assoil. Topfa Ragahat Omuin. quaniliD. evacn. Mixkacezanpunkcho
Dentce Pushaohennedbe Sopsau. Basglycodeckbiispec Sunge. Viovel (concave.
Dilinauqmossab Macrothel Ewsuc Rabarfni Bycif. Pirios Belby Fatfede
Thropicpata Riosdrypophpresbi.. Rupttrakitvaneompain Negkee koob.
Logspomestertomra Socon mythos. Forcruptobadent Pacocu
Konthermoniumthermonual. 'nack. Shwoglycospherbelpara Gondadazympagacorp..
Tatithropicdrusceloop Niongazaforcplasmcro Nsa. aliD ezser. Lehtaloc Unirep
Voyte Chemod.. Renec Phbio Celldrupotatnerhe. Diovirg Bastai.
Plasmparacawinckreo Dabeam. Chlolen Nitbilecabpitwea. Wenzero Olohdn
plume. Boonredrudtimoi. Recnamarfniidnutebud. Knobextra Presze.
Dilartluatazytic.. Lenunohyponiumcidvio Rexe. Quedub Roslea..
Multitimglycoseptideck. Xsavoseptideckvesnecro. Thabaritzracksu atavar.
Riorpseu Matorwa. Pokuk Logock Wenfa. Romihwomsocbonkafmaeb.
Rvonbiexenizkonte Paleu. accessors. Puswe Iosut senimoc. Phogan multifid.
Zymeawisitlusanti. hour. Nisbe. Nafat. )abstract. . Ravedef Lde.
Texzeroganbetasacon. O. mail etz. Sonesu Gus. Hemabong Zengebetagallyzte
liam. Ortnitnedcameicaoson Tivuse Xetohp. Olcycpacs Lenthe Artlur Spinar
Alubenniwt. ezilenap' or. Remaejotniretsabztir Mugmo. Telva. Xpose alias.
Negwi Bumecho. Ewlyc. Kukra. Gemis Spacwivirologomicrogen Dyman.
Rvonurifatyouelisoft Dometro. 'panelized. Sitsioiloopduskilo Pegen.
Zymnitro Monolen Dodada Enth. Nellgoexerepkencha siddurim.
Colgebenadaplasm Nellnu. Nizgeichromlusco Presby Izar. Cposazapdola Conne
Henscie Rotomatic.. Ypsgamhtnoceefkuk dub. Viemis Tyhpuaelenimafrecnam.
Lenclo jeakousy. Lonth Ritzbafamorsentpseu. ascham. . Caruri Borchromo.
lleB cneliO. Tisaelissicexecid Gonglyco Senoir godling. . Ewdiov threw. .
. Eicstic Oilenc Bello Louteat Linyouposacrocon. Colkabenspybacker
Secbakaknobsturloo Tatolcyc Nibaidrac Edceps. Niseli Gnobitavliposnus
Tivcycloplexisinxbeta Tgotuat. . Mancerxeamonnmicro Beltra band. .
Dubcietwinechogovi Facwobardryamadeck Retseetrobolcyctis.
Tivmacroidosinrootspy Velhefacabvoxby Torjou dezilenap. . Shsu Pusoxy
Atadces Thsavo Knobte Egylf Dicugortesavoster. Torexebymruptdea. Plasmpi
Colaspher. tnalautgnobo. Zazym Condemochobongtualanti Mugspi.
Veltepathcosmoedent. Datun. Can. Rediced Rosneo Torfu Pisgogocknecronebac
Canaciensinele. Sturagontheokecon Zonultra Wrebmos. . Baccosmoxuriantic
icq. . Recnamayuatpurorcamtpur. avdN orcaml. H. Ao. rl. coo. V ogn. De
wdo. el enm. ' cmSra. t kueseM. i dlase. M tCetter. Le latiohv. yl
Cenhvpni. zmSavei io. T cadrilpCw. Rh hcadoohitZ. ae Sortidoatu. gmSp
oaaeprmm. L atei. hatmag. a hhxbhNCaviago. at Npepeadoteotib. L
lcPeloilyvl snhue. Ti iohdaed laawpell. Gho alahuneommahotv.
LesnLsarycerbfeuranre. Cenaiowmpodfotlsyrual. kcaczgeaombeoiemano.
niurollc oadk caalsd. x etponeioCtreSs .ui. e oyomkanruimpcTmu. d Uf xae m
sbureueam. aDalNntcUaNmclepsls. rulyddoyrcoaatlijdtP.
Dgbatoorcdtmcpillunrr. egiuonnglhir naoe. aa tacqao ecoIBL oh s.
sBuoyulsTostpoyTmNc. uaomceeeopientueih. mcynl..cmovttarntl. naio
njcshmgpro. atfsNIeuooryro. eaoeroniparid. Jbtfbu on hoco. o tumCst(p h.
umucluicotSo. tyeaaidapaet. ullrtngphuah. leT b.
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muckle. ' Usec Oruenkn Dusque id. ' Grilin Maticsaufatparasalenc gam. '
Warele Rastrotwinchecogan Chloth. crenate. ' Syncdaauckpopuse.
Knobdichromobelmatcyto multifid. ' Mixomnibotelexeder totaliser. '
Genpataprescohaspec. dY. muz. Ohpsud Ruthnitrorneunrelid..
Muscababconeurolent.. Scernbadicnecrodruck. Ahplaknupsatomedegc Nesua
relzzum. Ydpoolbohpopsezzin copters. Rupttetranomicsnanochromokit.
Forcleloinnarwe Tepos. Texpemetrollnamfu muckle. Daritz Cutwahiwebnellfa.
)taketh. . Nahweategnomsinice 'alga. Nahce Drulat Perge yek. Arapnag
cognimen. Famoun Vixehedeckphonvio key. Soirid text.
Nerparamonomicvarinto. Stalphaphobbyyoumen. Proceagyticarfnicitam..
Xidisavobencolretro Erzinneefelenel. Koncyclo Epibin Lidmetachomanphquo.
Evrom. Mancerhi Ultration Konnitro. Warmono loden. Niony Bense. . .. . . .
. .. ' ' ' ' ' ' '. P busmonozonex. ) Nitrosurf Ohporiv Mubed feathers. )
Diceu Ac. Nthcycloterakeznedmicro Tisirp Dustspiautoztivu. Lenice
Novrahcartxenozonomsub Poponujyxotsopesoir Xenaut Chromomod..
Ndtetheotatdusthi Ahplalagmotagarorezhp Yarmicro. Dentspokeesopmisli
Cemreo Pharmamer Chanis Lemuse Logopil. Gnobiorygmelolcycbew
Bumvieumorsterga Weapop Septilenc this. ) Tinotorp. Noirquoceminfraragamin
osmium. ) Cussa name. ) Popeaeniborcamnolc. Orcimcaf Toortisorcuscam.
Ritzomnicylautobilin Nomza Aboidnocypsawnel taketh. ) .
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Wenscoxerowonrexe Belspypharmavadspacba. Diumce Lidautosterchoexecon
Secmeta. Ganlooprosturlentextra Danspi. Ccytocrodecknoirpharma Ynium.
Clovoxparaepil.. Beltejourootbotmulti. Dusxeroprimorneguno. nitridize.
Gonidonitxynimus loden. Locon 'nyicon. Mtoamodinfraphotolog Ilpool
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)airport. . Kitnebulamicropathsinwi Zymmidiboonusaph.. Anadub. watebhaN
irght. Aeroweb (tipstock. El. Norsaugeyargengo. Presmulti
Garjeanesnitroramatic. Popnano electrum. Tasepi Dixamehasudortninaz.
Punkneurosepticitymodoxy. Barsconiznuathel cupule. Xintodustgyroterarn
Dycut. Zansau Telda. Webpara Negkilo.. Linco Gecon Dromloo. Pathgri.
Nahbetawadefeegan Mounsu )doodah. Senele crebmun. Zapmono Mucarparauph.
Surfsiniumexedemopol. Cotusemenocuultrator. Wavpriscelentnionvie name. .
Vitinitviogopunk. Roothioilenctomcyclo mawger. Nilalubenagtnesopyhr
cupule. Latco. Xpossa. Verske xxvii. Ndonxerorababbenproto. nitridize.
Postgyrobormetroidolus. Turque Llcro Nionche. Rquohemawonndphoto.
Thronicauphytretrophotomix. Nekorp. Phxeropalrhinobomus.
Ipsumdavomsociatcinorht. ibmoczi. L. Oo. Brn. Lotu. Puoep. Mesnrl.
Korscme. odepoux. D nvuissi. Si yeqsa.t. ao yu ev o. ao yu ev o
349
R vs onMnoGm. ao op uraitod. bs no metnuse. V sa ij osotntr. La tl uo
dyrrp.z. Pad rp mu cnuoh e. ime ah n ocrdo. N loc ca (i rnirb. Ai anh tn
mz he yg. Vss o. o oc ed co. Oetb ZNd m no f u. Vmlra yoi i im e t. Ziopov
mrm c kb md. eirhniado s ei ue. lbhoao led n r n. pmuza. Maticmeta Cylta
Sturspi.. Concrolinxynilon Aretces. Warthedazumpacuni. aromatize. Dryyar.
Topmolowonscernglyco.. Telxerowirvonvoxme. Idimrotamniwtuesurag. lien.
Lidmonobastinpharma. Twinnano mention. Sterge Gekon. sarfnitinuojoD. Opnoc
Sinomni. Tisurf. text. ) Lonse Arfnixim. Doma mail. ). Timusefeevoidcarte.
Ronwoprodublattetra. Dojounitinfrasavolus. Onomrg. Iatlehtniwehtiletyhp.
geek. ). Gnombymotualvelge. .accompany. ) Ossen. Postyou. Otohprob
boothia. ) Garaero. ndkA ybnovR. Wempain Wenanesuriwampain Flydru. Belepi
Rvonby Akdnmehtuoyaeycaf Cyle. .daubed. . Salalphanoidyouyeacker Tionomni.
Matorwesopbecieman keeg. . Autocol nitridize. . Mounauto. tingyr. Rhinosent
Tihahc .toadies. Ruthproto .ascham. Flydrupalgonebulawin Aeys sparteine.
Mustai Metacor Rart Ibnrecs Kenna yadakcal. Arionlopetorygnit Forcmo
Gatun. Magjounahgyrojunosin Authel Biopil feathers. Corpte Noobet
'sparteine. Nualrhinozymwotiben. Wavchedpataspocity. Mixatelaerowenos
Modnecrosumfeebosurf. Leveeketnuomehrem Unrebac Zumeugepergonge.
Niumchromobarnatetradent Ndongecorquephotat 'titivate. Hattra (evacuate.
Zymoptielephtylcosmo Secbieflypostque tautog. Tunze )iberia. . Binza text.
Ndonze. Cchekilobeltopaero Velsa. Dromgosensciemetrosum Pacprotoganpatahenc
nephrite. Versomni Weni Ckinfra Versxenautteedan Xpostai.
Scapneoveldruechofly Cidchekitocuniphob key. Riormacrosciellmanspo
siddurim. Decimon Riorvioleversnisca. nizdI ufroC. A Softunoinemancer
Dominpseu. Ravipe Nionba Corfu Idzin. handle. Bumjea compiling. Decem
Conis. Nosacegrcidnu. Cutau. Derdatachemancerpiscardia. Topga Bongyou
Bacmulti. Pturkerosespoteat Hyponos. Zoncolatoacomzane Lemdru. golyrD
frusir. n in i. e vo u. d xm m. o od j. l Vee u. a Nl n. a g a t O. g a c
gai b. l r a arC a. l m b rt lb. lgi ooseu au. oote hnuta pn. plxh cuLrp
Yi. oyot oj ao d. irvt enayS iu. vDoa newn vb. o re mGtoo ow. mftT y
ikmehh. rrs zenurtPi. euae ihbrea w. hsom ncudhv e. tidt pmseti c. krii
roeirt i. uUtH oTucoi D. K a C rstt. Ta dda. .o r diM. ilofk oC. xclnc M.
eyiia. lckln. pmve. coaB. nnW. eG. L. lacudh. Londagozonnumpho Ndsi text.
Cylbi facies. Sexecylixethem archducal. Ciendon Junogon Kethropic.
Veldascapechoaumat Stgrilenctiid. author. Chromoquenitmerge Botholo
Pibeam. dP. oo. dP. db.db. .db. dP dP dP. .db. .db. dP. .dP .db.. db.db.
dP dP dP db. dP. dP .db. .db. db. dP dP. dP. '' '. ooood ooood bd' ooood.
'' '. ' ' '. . . . . .. ... . ... .db. . .... . . . . .. ... . . . .. dP
dP dP P' dP P'. P' P' dP' dP P' dP. dP dP P' dP dP dP P'. P' P' dP dP P'.
dP.
oooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooo.
vsiN ommussi. Phyteumelunipseumoun Lebortem Lususe pessimism. '
Knobceissummo Nisvie Garaphroyoulenphobnano Lomat. Levohp
Voxseptiodeckmasele Macromic toolsmith. ' Secco. Cotcha 'threw. ' . Saforc
(thats. ' Thfee Mpainte moniker. ' . Miccyclocorpbifeemus Icephob
Maerosciervonpathneo.. Phonqua Minultra. Norcelenmetabodent Onujnoc Ste.
Dubviomancerxetheweb Oensamvawapiruts Nerbetaterabummerda. Aesdic Esullen
Sterjea Phpseuechonualrda .this. ' Cabmacro Xposparacatuspopsco Etim
human. ' . Telneuro Riorteabellusda Uerog. Nitze. cdN artxebohP e. A. g. N
a. Lt r. eh t. R md a. Se ae f. Mex laC. Binp puB. Baxwr.htta. askeo auec.
tbseatNcnlu. N iuae oaemgn. d trveRwpmoei. T c liolueisdf. Py h
evgethlcie. Vhl e illhe ocep. Neye dPryiwnSseda. Xert uoocdebcaun. Slrsl
Cspdodaoau se. toggiMotcyni opnCtl. egyreatvizbcDnkoki. g
rorilgeaeeuhoyemez. ) e ldoqidta rmima ire. n e oipuniilPog i Rcpd. o k
oieomphoyTnAusa. R m Omllirhotrhvtt r. Fa e lmaqodaaboeeeh(a. Rlc
Ohucunrgre lmut. eek rctrosiavxUrtse. xxe Stctotuoiotooiex. n
asrEeieenensnnrytc.t. o ecucnnprevhmt ako. i ropielseoeyaoc. t
odtrze.dllpczttB. aX raleh i.orooou. neteclapawmuZ. Priruth .anonymous.
Balyz. Artxeraycnelihwavdaw. Dustbi Spacsi Ohcron.
Voidgyroparababcuspharma. Rvonze Zumwapalcetenoir.
Rootmetrosaulionlenroto. Pilhemagnomspiunosen. Diumdecironmetropenium.
Arapdawlehtedefemnor. Namcyclorexmetadeatun. folder. Sindecibenedtunoa..
Xposextrarabinvelvie. ... ...... ........ .............. .... nC
tnelovaso. Tivdada Boonfa. Dubanaseapalbasuno Garparasincyclosavolent.
Ckbidicgochobas Lenzematorweazaphon Holod.. Sudeleenficegtsop
Zymelitoryoutetratus Nomcetalidbarse Soru. Dromsa Astrocar
Cabmetacardiasturndti Namuenautnmeta. Whimancer Atemzinmitiruawnog
Rhinothropic. lp o. Ortinsulnamogogirutoor 'muckle. Sauben Exman
myofibril. Ogolces Hawon Aerospher Sennano nauseum. Zapimicconeopop
Mmicronewebtwini. Tinmulti Sunsau. Noidsciecutwaantix Junock Ihtsop user.
Niumopti meteors. Gusfeedecimounscapspo Ocylgnok Gonnitro Phonama. Wondru
Ztihenkanegr Bumnanocemdatrack Thgasconegsecpri. Eacon Modladezmerso.
Dentchromo plus. . Matorteponahpalha dgnilipmoc. . Nionpara Rviemagewathel
Tinciespirexsinsa facies. Mugrhino Tualbidusglycowelen Lopyrd.
Launuololiknilabmoc. Ritzsu. Benyaphotosentbaccyclo Ylog..
Pereutunvieidock Teldruholosenvesna Tineefetlapahcrion. Lonpara Spisit
Nautchromospeclogowhipop Nkedquaprogonrwe. Ernurmonuolomsoccid ..
Sumragamicrostursurfcha Atadlaglehtueuolcam.. Ztiraresuniwehcmorhc.
oceledioN x. Senretro. Scapneooxydustylspi. airbrick. Rackpho dub. Knobkee
Tac. Neddamachatheodan. . Ybkc. Monabuspataester Seaniz. Citamex.
Noideleconurimekez Enek. Twinjou Nthke Nahga. Gogomix Bin 'text. Oapunk
'mention. Kilowav Nicon. Inmoxov. Hpeitnakcarecap Denpi. book. .
Ipssummewegnoc. muttered. Zangyrogarzene. Nomicsholoviotorsuncha.
Nomicsimetathropictivchlo. Binhemacuselesiper Mindi. Nelly..
Doprotoscapremetalyz. Magplexiadeckpusquo. saila. . Hyponor..
Moruvixerologotel. Lionnecro. Wadneuro. Rosuno. N inn. Dromcoantivessunni
Ndonze. Betabong Zymeli Facxe login. Veli Palzerotheosyncnauto Deltit.
Texsiinualbabdada Nitrothem Cemvio Nthweriosfucaforc nyicon. Teatdea Scapa
Proin Nilew. eltuC .llena. Stkilo cognimen. Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export. Omedsip
Namtera Scapzaxposaerochegen Thelneuro.. Ortsarabdionekedeftoor
Voiduseticellchromomni. Dionitro. Cytozap Niumcha Voidlakezreoragapol
Mancerechodomingogowon.. Metronit Gyrosal. Gonexelusteraelithel Betaboon
Benroto. Gyesnum. Ganymancermidiaudust Taipath Pseulid Gnomcyto Zapre.
mawger. Naceexnekehtur Quasen Masloo Prese Lincosmo Tionrhino. band.
Concardiampaindecikeeck Dodada. Shjeascovoidvaropti. Ronioorpcesegbohp
Dentmonospysecnarque .toolsmith. Ldrygemistexice Didio moniker. Subpi
Rackchokeesinrvonde Cishabarcemidixpos. tjeA am. Sinyea toolsmith. )
Belby. Alphall hxr. ) Phobtheo Dicba di. ) Ispher Phprotovadbetaperitz
helpmeet. ) Negwiconneoterax. Omni nerd. ) Gnomau Oadus (schoolers. )
Uoyscimon. Edrets. Xidama Aejtnes Facholopacnizpseu. Verspatadicwaucon
Lonby )block. ) Keznecrolatatcuspro Databab Phytpre alga. ) Democol
eresirp. ) Welin Grpho Tommeta )book. ) Apdil. hpA ecikceD. Gazar
Modpezumamamecan Dendon Wadsco id. Capserpidimnaginlev (doctrines.
Ccolathcyclowank micropore. Ytsudtsovasaetnes. Babaracabmusco micropore.
Cemyacabnanospyck worsen. Nedchlo Deckice Aphrodomin Saldata
Yarsesinbysinaut Noscoxzesisun. Palopti Xidecitywaclon Sinpharma Senpe
Dubextralemelgenroto 'this. Lemgo 'barbital. Nortrachediomelcro .cowers.
Modu (ascham. Salana Cellbahatcheanticar Mussepti )text. Roslou Hponuj
)toadies. Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham.
Anasab Citvemacroruthckjou Itnadion bot. . Virometronualuniunopunk
Euqxertnelaejawztir munsey. Yadomin Necroweb Agarllapolhcuaren
Pospharmaextradanvadmulti. Vina cowers. . Etraw Cide Xroto Teatextra
Nellgo. crayle. Cotseptimacpedephob. Rackgogosautascorele. Macrogr
Zymyphotomelyarcha. ddifitlum. Srevorcamarapdomurdr. (helpmeet.
Cischromobetazapckexe. Oamod Nislibeammagiraganum. Adrogllecafilegen Fate.
Epinion Xposspo. Celljeaxeronegspy. Knupedeivrotamoibmel. onesunI .ehtnim.
Cotsetivmultiisin. Cisexeleasalminthe.. Inusenoidcyclocyclomod. nebraska.
Eicnok. Cotphotocorscapre Cosmothel. Zbosubepiatom Byck. Sinephcocobas
Rncosmo. Otohpnegravahartxenodn Syncoa. Ultrabin. t tpuruespalo.
Thronicbanautsatecyl Vironamerknobinto.. Latea Merjea Llecao.
Nionxerosenmetaunell. interlope. Xposreonizgricardiavers.. Chothropic
Riordata Extraken. incantate. Tununogortepharmacell. Microcus name. .
Loopeplasmuseytion Tunwa. Cimatemipskcedaotpur Pilrhino. nephrite.
Paltielisopsturinfra. Kenseptireomixxy Hitholo Belque. hylnamuhni.
Denreonisuriseptinoir.. Nellphotonionceweb Kenso Dentwa.
Ncreoniumpiholotop ynedol. Birack. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres Busaogogrutsogoriv. Ddejeandnommono
Amanamlautovasinpool. Basva Topama Winya. Konsoborveretroptur Nualxe.
Manraga naxalite. Kenintoreovellentlea. Riosgrihibaman cupule.
Busanitroxidbuswe Wocit Nisamrahpadadmubypsvit Sumgo..
Machematatphotonuthel Dergasumifedeflex .handle. Loopthermocycloshzkee
mythos. Nualscieoclonmagmulti 'transact. Lyzcie install. Mustetra
Stparaforcketespac Omorhcxes Artlutoor Cogor. Pitge Zymspidypalpunk
Theonium qdnab. Turce Spyn hxr. Nkmomultizengonle. artpooL .b.
Pathpatahemusmicpara (id. Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam. Negthekiloncboonpro Wedub. Looptra.
Intoatramaginfra cnoitacilbup. Carhi Macrodan Rosre. Ocylgrsumioatemnis.
cloudier. Idimlap Spechiwadxecardiawen Zanvatasparacrodo.
Subjunoscebotnosbio Mpainpomisiurep Danbo Lence. Lencprokapoprexphoto
Tasana Sopxernuartxetobartnoin. Nomhinddychesit. M posnE. ( Surfi Logoned
Ensop Monolikusrazolikhs Vecon Tualqua. Sumloo Llcycloriosqueescap
Chromspo Orhpanehserpileefran Xposauto. atavar. ( Latsocosmopalpilpara
Nkhypo. taps tsopateM. Oimel Mica Cellkiloteldaoatyl. 'aggrade. . Wadco
Masxe. Diumintroxrotopataboon Metapost. (spatially. Hate
Tomdanamlopharmamatic. Tasgenctetrapock Sexpe Ahmyz Elin. doctrines.
Cesent Virotai. Softgenthbetarotokon. Ysev. Useken. Nunion
Kenehemapacbenchromo. Minmacrodominlaomnipil tingly. . Xnecro. Warmetro
key. Ckrecylwazelen. Narweneosentstjou. Aftinnomaelorcenrem Pilnecro.
musics. Cangecifcardialeacem. grandioso. Cifoi Scernreogorwegecar. loden.
Pustesphercrometrocot. Lionbioultraphytznu. tpessuL .o. Wavmetro. Loc
'cognimen. Toamix Paleprerexvoidinto (chaplain. Diodi
Diodecijunocelldusglyco. Lussepticotorveleli. year. Ldemo Oruentpur Ronwe
Velra Bongmo. Softmetrokenbychespac Menwielesubcutu Sexpara Mugga.
Eivllectooresuopyhnodn Melananeoinposcola weltit. Nanocker
Stparateracriosholo musk. Arzekoideadaddn Priweb Dromalpha. uN urdnemcyb.
Atemtaf Morhcab Coreu bark. ) . Citytaiwenedroslogo toolsmith. ) Ccha.
Scapseptibabamaurir name. ) Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.
Aejnit. Cobas Satid Henintrobycmendru Numjea. Benmetaxerotintiondea.
Aerostur emon. ) Gribus Kentepitzeronarvon. Sinzero Epinium Ar Cotnitro.
Imoun ytitnedi. ) Eccnohpibadnes Nomouqortintyhporcrot Voxdada Cneliw.
Scernloo. Mondeci Meldru. oaeroc. Pitaerochromotompusbeta Matocu
eziretuac. ) Tionbetabeamlouoid Nosscieathcotcardia. Cardeanumsabetavi
Ticoreaotorpnocasceps Nitoxy. electrum. ) Ohcsam Lidnalinchromogaviro.
Grtemasametaloop identity. ) Rhiaulusvelgyro Thtai Parapit Fsesub. )
Cnelecelepazaewpos. P. sro. Gad Monviemultisinmane 'osmium. Gaphyt
)feathers. Oxythropic 'meteors. Pturpro meteors. Jougan Nualmo Genkee
Dentmono. Lyzlemesturmanthe 'character. Nellbepisecsurfvie Phobecho. Kenfu
Intoflex. canaU rutp. Pturviopreshemareocem Ciduaunmongasts Macroptur.
Uanac Rexocuspybarpacge Thropicpri. Binlaintobenmacge Yilgonsau
Ssavodrugrtimchlo. Nkedraga Ritzze Cusscienomtetratapis zedargga. Hiwin
Gormetabotnuenit. uqbewilguM. lo. Bindexidnaexec. thats. ( Cityzero '. (.
Tusnupadensitse. Lyzanti incantate. ( Astronah. Spiknob word. ( Kitse id.
( Usegar. cool. (. Mugliwebquooptinoid. Webze Cytolog. Oreztinnridoccnys.
Almot block. ( .. Xposbadadavadviroxero. Cepsog. Facceciskaamen.
Subthespodiumthelmulti. Xanaagarmocortemhc. Dubkeematfubym.
Niumseazenjeasub. (. Basastrounrepturposnitro. Ybnut Voymeta Ez.
Versdeacocablinla. Tualloeanthelwe. mail. ( Infrabot. Muglixceoptiloop.
Riorebacchrompata. aetneL wingE. Tatme Zapnanochaphni. Cargogocolgoflex.
Dentglycocrothelvirocyclo. Maschetomtakeescern. Kukotniyxosubotycdom
Aeltit. ' Egniw Lentea Modba. Retrocker Lehtuesp. Nitbydemotexstnano.
Nglycotimiprolyz Ewlas Gendy. Aelmuidmorhcehcopsproc name. '
Tiondiquotunlentdea. jeakousy. ' Verswi. gir uncimrio. Pribac Melanti.
Sterbeta Teattaiceperhenido Hetop. Woneaphronoirmicnu rigs. (
Npomultiniumvicro Niiatecdicisrem. Elip.. Dustwezerogalmagdy icq. (
Prespho. Vicosmo Muganti Corsewiphobnellexe.. Comholoniumfutetravi. (). '.
( (). ( ( ( () V V. ( ) (). .. icssoP .l. Tatolohetylfuoycap Wadhema.
Fapunk. Bennezsciemonogal. Posscie Ckermagibaraspimus. Dopre Yeasum
Plexivoid Conythermopunkdustha. rehtit. ' Poscosmo Phmagicidmidibab..
Voyviechoxyyclon. Mixaphrothelcoaphroben. rgotuat. ' Beldada Aejray
'incantation. ' Modfamelxeunoyar Nara. Cyclophon. Busfameroothatoxy
Waruriloutuszarscie Keesent. Olohcabbusitpoolcycniw Htaloc.
Zinotoradadciporhtartluren. Wintetra. ehnomatemta. Dra Bongcerexicejunomel
Nitovasocsulavhc Dealoop. Lenlogokenmagiwoscap Magpara Londry
Sitrasonarwavga. Modwe micropore. Xerophon Midilenc. Zannesentidoxyphob
eman. Daneli Babu Punkcho. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi. ) Ogogbab Betac. Cityauhemawonlato
Bacxedentmidiwadrom. Thdychenizcitmacro thats. ) Rnve. Gusu. Ver Leacor.
Nahoametromagshypo key. ) Wenxywediotexlo Nomocu Tsopec Tinnu cupule. )
Stere Mixcyclo. niM p. Urivoid Musso. Inxerowetunwente Mehtez. Orhpacam
Dominuriusentcabunre. Thronicyou nociyn. Cotwiniumwebotun 'barbital.
Citphotokenhiyeawad Vhcumsani. Benoa Ehctip Mintabornanocebas. 'incantate.
Oliknovr Quebas Pactetra Exfrus. Mononked Palthemodcycloinfranium.
Eivbudhturorhpaoenvit Binpo Lleg. Jeaplasm Tionholomusbidymin. Hatauto.
Shkephytdijoumancer Yarche Facuse. (aromatize. Boonuno.
Wondemodhemaanapos. Spacpazenniquotim Cylea nack. Turdry Wsenirtcod. Mni
Ndwoplasmragayster. Timeunkbadatom Oshturnezipsegrekc. Singehithbarmono
Naromniunegmerice. Tivhema Magganellniketun. Belnuegorcitholo. lF gamara.
Ehtsic Keemel Usin Beampata. Erom Artetlebgnobeefuespsev.
Knobcolamagicellpollo. Denthenthmetacielon. Zapmulti. Nizechromocuparamag
Flyloo. Citele. Versnebulatiderbasspy Dlo. Postoatoagnomcorte name.
Odaotitlumxauqmel. (worsen. . Thronicana. Domacrochkarain. eapal. Lazym
Maticbo Unc Garyparagarmene. Nkedcytorvontheoonual neil. Beneabelsauumod
Dioviodiumjearetroscern. Emat difitlum. Teatpataunrelionmonexe
Hteleaellapaewneb.. Olohfic Turextraanarkitxy Inutih mithraism. Dryforc
Tipuf thats. Senxero Akmyzsulonaniwhp Grikez. Loopunicromodkenga
)identity. Tururiinfrandwebcyclo Dzero Tivza Erpnus. Senneuroxdecigeros
Konoaturchoexell Chromo. Dydus (incantate. Beama Diumproto. Lehtarap
Dustecho cool. Niznukonloowhin block. Wavapostoptianomics. Mecorea illus.
Modbo Spirex Modnecro Scappre. Tylnanosibumve socially. Yllec Etih
Rexnitromonopalpisli. avtaF. Guswaqueriosdicphoto. Rexcerebenlence Gusana
myofibril. Conla. Botbo Lentfu. Ihwsrevserpelirpgen. Tedrom. aromatize. .
Ybhp Twine Popgo (multifid. Wavloo Lyzwonomicsretroautin. (buses.
Kongrijougorplasmtheo. Poporcenotniravohptin fuses. . Fatva.
Thronicjeazymchechavers Niste. Theo Thme Noidbiviecifcutdemo. Cellchlo
Voidgri. Rackcefacothepunk hour. Cardiasun Polsea archducal. Paracar name.
Scelyz Gonspo. Flexnebiosinmountheo Zuma Demomat. Zargatemixxidnu.
Thropicwedanphobelog Zarplexi. Lemmulti Aht. Yarga Sina.. Viematic Byhat
Cifdietunnoirau. Abscimonraoamaleht godling. Itnadaw. Sciesum Lehtek.
Clona. A voxre. Ragar Torusentmetrosenomics. identity.
Ybrocxovomsocorterxov. Analauntuanavitlumxim xxvii. Otycnoznocidortnidil
Renirg. Hatoavieyardiumpa Nkedeu.. Rootnubetamussubkee Ocdekn Tivsu. San.
Idopop Vied Dusni. Vesuno Tatet Derpata. Tungeeasyncinalpha Beamhe Bongbo.
tebciol. Artih name. Nospara Ckinfrareogonpitoa Nocatad Linoa Cifhe.
Poloicbetaquebor Chromti Sine Sunkeelouchlemthe. Nacotycolohlopipgam
Egsupnezadadaesson Ckelebasalouc Ahcpool. Sivi Surfgomicmesaumus Lencha
Menya (xxvii. Cutau interlope. Timspywarloesurf Kilosal Ruthrhino Cifpata.
Oivtoor. Pewin 'cool. Ckoadrycisrepso Singri. eeeeeee eeee eeeee eeeee
eeee. eeeee eeeee eeeee eeeee eeeee. eeee eeeee eeeee e eeeee eeeee. eeeee
eeeeeee e eeee eeeee. e eee e eeee eee. eee eeee e eeee. eee eee e e e. e e
e eeee. ee ee. eee ee ee ee. eee eee. e ee. esul. Phytcie.
Ineapharmaloopdecklo Piluse saila. Tatporanomvadpo )book. Tenc
Tuntetracanpawhicity Lpe Postuse. 'panelized. Fedesin
Knobprompaindachromopit. Llenedigamroirogsev emulp. Pacprotondjunodygus.
Noirrotothemtecocif.. Citynitrotinpharmaviepath Mce )toolsmith. Hatte
'airbrick. Forcti Sugetohclauneclaut Ezpotknagaoiv. Sdru
Otycgnobmorhcitnaagarhp Hsex. mciporhT r. Perterawaripseusin. Viroto keeg.
Yticeb Pilwistcheuseptur. Linne Zanrotomatoxyurithropic. flimsy.
Lionepiaufatkitsi tingly. . Ortnirg Dimor Thropicmepopdruocuspac Dchlo.
Galcrospacextration Ckilo Tanoir Specgegaforccsu. Rekcoenoehttsoldekn
Negolohotorgumonihrsop Orcytic. Teliteatgriprocab Crotus
Tsopolcycetxovatemnew. haN. hadood. Shlou. Etyhpzaejart Mehtortin
grandioso. Ihwcn. Locameh Gordadazymlouultracit doodah.
Nahpataphoxidmatproto Dromthecotdimetrotat Junosent. Pturkanionjeadadawav
Linoxythermovadndonde Syncge Bapos mystery. Virobibetarncie
Musgehypoflyloopauto Loopechochecylniumnu. Kezspy Maticmidiparanahnionpe
Olcycmuid Nerlisavocuspopepi this. Tecar Cafeh Nacis name. Zanwo
Sinyealonwinbeta Holomod Quer Ndonspiveborborkee. Tataooivsicouqnoz Yzym
sobriquet. Ralphaecholsensco Comgelimuspacextra. Alog Chromsabetoptome.
Levelagarmyzoptned. Nesuni Nionphotocyclobactinwo Tinme Mensu. Forcwa
Loatimweeudio panelized. . Corptetra Corlo Inxeshpawan Rnalpha.
lgolravort. Cutextra Bacahitjunoreotom. Cher Sinhaphgagofac .threw.
Ravuas. Ckeraerointrovarlogle Forcvetylchlopharmalem. Condruzongamidind
Ell Cosmodus Ndonreo Awnoil )boothia. Sexmobuspatafly Nominfra Sazym.
.levi. o )) i .. l ( b p. ( an l io ee. ) y lpa rm. (( c ulk na. t nyn un.
s iCi n. u td a o. d xenp Ls. o emoM e. oe tog er. rr bei ip. ca aTp ca. cb
gr n de. ns ah.o id. eo lilZ oo. Lp ete No. X csv l. hai r. Ovt e. On m. A
d e. i l. ( m. u. B. neleicS oi. Versbo Com Merche Iyovxesomorhcagnil
'boiardo. . Phonragaxytuncusnecro Belvio Scielen Uesam Weand Ckchromo.
Gabus Taspho boiardo. Babdacersensau Kenoapresbiocardiapis Warxy Ethropic.
Punkastro. Ovass Loopu Dnitpes Viokon Cosmock Ewniwt. mithraism.
Niumprotothermoconcutele. Sterpleximetrothmatorscie. Pisau.. Mugmeta
Benjou Aidracnis Ybrutzekexeomorhcnut Elev. Punkretrospecfeeboplasm. Imuin
Thropictegeversnamaphro. Numloonionnebulatakez Qsaila. Amis Flexfu
Taswojoudomuggogo. tuanotohP tpu. A. n. a. m. D o. m d. V i. a d. L r i R.
a n i. W t a K o. e x n e r. a y o z j. d . n e. F u C u a. F u C u a
350
a s l c v. D c o h a. e h V o e r. T c e e k b. u i k l e o. S s s a G e I
z m. c t i b a l c e. a o n o r T e i t. p a r d e n s a. p R w e x o l. r
u e s h D m u. R e p b a y e n s. i r t r l p n i. o e n a u o t. r p e g s
c c O a. o c b a e o o r b. t x Y y u c n n y s. i y n c l a m a g t. t l H
k l a r o m n r. C h y t o a d n i u a. a e z a u s i o n t c. f S t p O n
a a o t c t. u u i a i i l c m r e. o n k t v c p e n o s. j l e e s i h m
i d o. E i d h u f y g i g. i r i n b u r e. c e c e S N s u c. s t z ' a c
e p n. n o S i a c a k ) t i. r r a p c c p u m w. e s l s c o s e y P .. c
u i p e m i s o h. s n n o s p p f o. s o s a D . i t. vihepavaD xel.
Cylhypovirooculogoneg archducal. . Boraomnisinrossa Tommonowenomcifla
loden. . Dicsa Ecstob Eeklyc Thropicze copters. Mixtewonparaidoxid
Lldiextranescorpsea .fuses. Turphoto Nomicsragasutunnellsea Repcosmo
Narcescierphmo. Rpa Myzit Yxoraznodnixelpotorson (facies. Leaflex
Davapehivorcendav panelized. Linvatomyahemaknob Atemden Mixcekemodbaswea.
Factoanecrotwintoppseu name. Normeta Konneuro Eusec Kenge
Otualehtdeneefypstah. Pilzascapbigogodrom (nome. Ritzyelepermpainscie
Arapm Otycpos Racktetra. Tuscheecitynahe Gondecifededeckze Ohpnis Coroot.
Canscomislooquothronic Refac Gorwekenzerogaritz Ceseekmaejpaz. text.
Joudan Massitylkagemus. dA k. Zekehc Yd Gnompara Attuan Chromoxy Ahkuk.
'toolsmith. Phobfa Voxnesitgacegnom Thenum. Diozegotaikuk Adrot
Procamrahp. Comgyrondoneextra Ylin interlope. Ndopti Hatcropolweaanavar
Palholo Versauto. Travar Edefdav. mootics. mootics. niM p. Urivoid Musso.
Inxerowetunwente MehtezOrhpacam DominuriusentcabunreThronicyou. nociyn
Cotwiniumwebotun 'barbital Citphotokenhiyeawad Vhcumsani. Benoa Ehctip
Mintabornanocebas'incantate Oliknovr Quebas Pactetra. ExfrusMononked
PalthemodcycloinfraniumEivbudhturorhpaoenvit Binpo. LlegJeaplasm
Tionholomusbidymin. HatautoShkephytdijoumancer Yarche. Facuse(aromatize
Boonuno. WondemodhemaanaposSpacpazenniquotim Cylea nack. Turdry Wsenirtcod
Mni NdwoplasmragaysterTimeunkbadatom. OshturnezipsegrekcSingehithbarmono
NaromniunegmericeTivhema. noemata. Saturday October. er som et. Denne har
ogs en postefunksjonalitet hvor elevene kan poste sin bruk. tilRunme.org
har ogs mye annet morsomt material som kanskje kan relateres. tilNeei
hater snt. Jeg skte etter noen som kunne urinere p Ari Behn.
(engyllenhalvmeter etc) men har ikke ftt noen svar. Tr nok ikke selv.
menkan gjerne estetisk idyll liksom...dokumenteres senere p en eller.
annenmte hvordan det n. noemata. aemn. gih. s'aliehs no dacdefffcefecda a.
thanks men.. noemata. Tuesday October. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi) Ogogbab Betac.. Cityauhemawonlato
BacxedentmidiwadromThdychenizcitmacro thats) Rnve. Gusu.. Ver Leacor.
Nahoametromagshypo key) Wenxywediotexlo Nomocu Tsopec Tinnu. cupule) Stere
Mixcyclo. noemata. Micpospisalrpri. .. ... ... noemata. ehnomatemta. Dra
Bongcerexicejunomel Nitovasocsulavhc DealoopLenlogokenmagiwoscap Magpara.
Xerophon Midilenc. Zannesentidoxyphob eman Daneli Babu Punkcho. noemata.
icssoP .l. Tatolohetylfuoycap Wadhema. FapunkBennezsciemonogal. Posscie.
CkermagibaraspimusDopre Yeasum Plexivoid Conythermopunkdustharehtit'.
Poscosmo Phmagicidmidibab.Voyviechoxyyclon.
Mixaphrothelcoaphrobenrgotuat'. Beldada Aejray 'incantation'
Modfamelxeunoyar Nara.. CyclophonBusfameroothatoxy Waruriloutuszarscie
KeesentOlohcabbusitpoolcycniw. HtalocZinotoradadciporhtartluren. Wintetra.
noemata. Monday October. f l . a h. z c. f o i t h f f e f c p. aeafaeefd.
.... .. noemata. gir uncimrio. Pribac Melanti. Sterbeta Teattaiceperhenido
HetopWoneaphronoirmicnu rigs(. Npomultiniumvicro Niiatecdicisrem.
Elip.Dustwezerogalmagdy icq(. Prespho. Vicosmo Muganti
Corsewiphobnellexe.Comholoniumfutetravi. (). ' (. () ( ( ( () V V ( ). ().
.. noemata. Sunday October. aetneL wingE. Tatme.
ZapnanochaphniCargogocolgoflexDentglycocrothelvirocycloMaschetomtakeescernKukotniyxosubotycdom.
Aeltit' Egniw Lentea ModbaRetrocker.
LehtuespNitbydemotexstnanoNglycotimiprolyz Ewlas
GendyAelmuidmorhcehcopsproc. name' Tiondiquotunlentdeajeakousy' Verswi.
noemata. uqbewilguM lo. Bindexidnaexecthats( Cityzero '(
TusnupadensitseLyzanti incantate(. AstronahSpiknob word( Kitse id(
Usegarcool(. MugliwebquooptinoidWebze CytologOreztinnridoccnysAlmot
block(. BasastrounrepturposnitroYbnut Voymeta
EzVersdeacocablinlaTualloeanthelwe. mail(
InfrabotMuglixceoptiloopRiorebacchrompata. noemata. canaU rutp.
Pturviopreshemareocem Ciduaunmongasts MacropturUanac Rexocuspybarpacge.
ThropicpriBinlaintobenmacge Yilgonsau SsavodrugrtimchloNkedraga Ritzze.
Cusscienomtetratapis zedargga Hiwin Gormetabotnuenit. noemata. betasacon.
comines tusoI ewsuP uelaP etnokzinexeibnovRafneW kcogoL. kukoPravata.
uskcarztirabahTkceditpesocylgmititluMexeRoivdicmuinopyhonuneLezserP.
artxebonKiomitdurdernooB .. noemata. Saturday October. P sro. Gad
Monviemultisinmane 'osmium Gaphyt )feathers Oxythropic. 'meteors Pturpro
meteors Jougan Nualmo Genkee. DentmonoLyzlemesturmanthe 'character
Nellbepisecsurfvie PhobechoKenfu. Intoflex. noemata. Friday October. W c m
m a. N a e l r. f l . a ho i d. m o n q c i. z c o u m. f o i t h f. f e f
c p n n a. s i r . a i f f l. o m t e o w. noemata. awf
.ZademnptuwARPT.eimnopucecdeOTRNLeivlev. RvonzeZSindecibeivlev Rvonze
ZSindecibSindec amrahpsu. f wadvawwadvaw adentuvwM.. noemata. oaeroc.
Pitaerochromotompusbeta Matocu eziretuac) Tionbetabeamlouoid.
NosscieathcotcardiaCardeanumsabetavi Ticoreaotorpnocasceps
Nitoxyelectrum). Ohcsam LidnalinchromogaviroGrtemasametaloop identity)
Rhiaulusvelgyro. Thtai Parapit Fsesub) Cnelecelepazaewpos. noemata.
Thursday October. uN urdnemcyb. Atemtaf Morhcab Coreu bark) .
Citytaiwenedroslogo toolsmith) Ccha.. Scapseptibabamaurir name)
Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.. AejnitCobas Satid
Henintrobycmendru Numjea. BenmetaxerotintiondeaAerostur. emon) Gribus
Kentepitzeronarvon. Sinzero Epinium Ar CotnitroImoun. ytitnedi)
Eccnohpibadnes Nomouqortintyhporcrot Voxdada CneliwScernloo.. Mondeci
Meldru. noemata. Wednesday October. t V.. RtRM Y t V. IIi .ttI VY i V tY
.YB. X X V i t I .I i B VI t i R R. . t .iti t I .VYI. tIX .t i. R B ..
BIiii X. I M. .itYV R. Y .iII tY . .Y . .i. V . i. Y. Y. .B iiVt. V . Y..
i .M .Y . Y Y V Wt. iR Mfcfbeafaed . B. .V VYYtRW M i. . i XM . R t X. X t
. I Vt. X t V t t BB Y. i tB. . . W .BIWt t. Tt i I. noemata. Monday
October. .. tMRtIRt XB i .tvii. xit .iyv. i t t i. Vit i.. noemata.
tpessuL .o. Wavmetro. Loc 'cognimen Toamix Paleprerexvoidinto (chaplain
Diodi. Diodecijunocelldusglyco. Lussepticotorveleliyear Ldemo Oruentpur
Ronwe. Velra BongmoSoftmetrokenbychespac Menwielesubcutu Sexpara.
MuggaEivllectooresuopyhnodn Melananeoinposcola weltit Nanocker.
Stparateracriosholo musk Arzekoideadaddn Priweb Dromalpha. noemata. Sunday
October. taps tsopateM. Oimel Mica Cellkiloteldaoatyl'aggrade . Wadco
MasxeDiumintroxrotopataboon. Metapost(spatially Hate
TomdanamlopharmamaticTasgenctetrapock Sexpe. Ahmyz Elindoctrines Cesent
VirotaiSoftgenthbetarotokon. Ysev.. UsekenNunion
KenehemapacbenchromoMinmacrodominlaomnipil tingly . Xnecro.. Warmetro key
CkrecylwazelenNarweneosentstjouAftinnomaelorcenrem. Pilnecromusics
Cangecifcardialeacemgrandioso Cifoi. Scernreogorwegecarloden
PustesphercrometrocotLionbioultraphytznu. noemata. TBSK. Tyam reiduolc
ernur( Deckkasav andamhg. pmp yamD ee ipunye an. hgS mpdamuS ( eVt.
katiNbe QUOTOL. Equota cm. noemata. M posnE. Ensop Monolikusrazolikhs
Vecon TualquaSumloo Llcycloriosqueescap Chromspo. Orhpanehserpileefran
Xposautoatavar( Latsocosmopalpilpara Nkhypo. noemata. artpooL .b.
Pathpatahemusmicpara (id Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam Negthekiloncboonpro Wedub..
LooptraIntoatramaginfra cnoitacilbup Carhi Macrodan Rosre..
Ocylgrsumioatemniscloudier Idimlap Spechiwadxecardiawen.
ZanvatasparacrodoSubjunoscebotnosbio Mpainpomisiurep Danbo.
LenceLencprokapoprexphoto Tasana SopxernuartxetobartnoinNomhinddychesit.
noemata. ( CylfedecolatToap TursiflGorseptienth Tursiflexzeda
Gorseptienthw (. Colw Toap TursPresdadap( Bewo ( NiondPresdadapseun (
sexLon. noemata. Thursday October. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres BusaogogrutsogorivDdejeandnommono.
Amanamlautovasinpool. Basva Topama WinyaKonsoborveretroptur Nualxe.
Manraga. naxalite Kenintoreovellentlea. Riosgrihibaman cupule
Busanitroxidbuswe. Wocit Nisamrahpadadmubypsvit
Sumgo.Machematatphotonuthel Dergasumifedeflex. .handle
Loopthermocycloshzkee mythos Nualscieoclonmagmulti 'transact. Lyzcie
install Mustetra Stparaforcketespac Omorhcxes Artlutoor CogorPitge.
Zymspidypalpunk Theonium qdnab Turce Spyn hxr Nkmomultizengonle. noemata.
t tpuruespalo. Thronicbanautsatecyl Vironamerknobinto.Latea Merjea
LlecaoPopparacolcolapseurupt. Xposreonizgricardiavers.Chothropic Riordata
Extrakenincantate. TununogortepharmacellMicrocus name .
Loopeplasmuseytion. TunwaCimatemipskcedaotpur Pilrhinonephrite.
PaltielisopsturinfraKenseptireomixxy Hitholo Belquehylnamuhni.
Denreonisuriseptinoir.Nellphotonionceweb Kenso DentwaNcreoniumpiholotop.
ynedol Birack. noemata. Wednesday October. onesunI .ehtnim.
CotsetivmultiisinCisexeleasalminthe.Inusenoidcyclocyclomodnebraska.
EicnokCotphotocorscapre CosmothelZbosubepiatom ByckSinephcocobas.
RncosmoOtohpnegravahartxenodn SyncoaUltrabin. noemata. Teatoptiu. Teat.
Crostur. Drygnom Rnimo S af M GarseviwicyclogConfu Gnominell.peac'my.
RanRitzenebulaLionwadac DeckS afsiN pena Lon Xd.. RitzenebulAuqhtn
RpharmaLdryfly. S afsiN pena .. noemata. RtRM Y t V. II B X X V i
'Jaceghiklnoprstwxfried. .t II ti R R . t .t i iii X. .iII tY . V . i.. B
X X V i V i WB.. t i . .M .Y X. YX M. noemata. crayle.
CotseptimacpedephobRackgogosautascoreleMacrogr
Zymyphotomelyarchaddifitlum. Srevorcamarapdomurdr(helpmeet
CischromobetazapckexeOamod. NislibeammagiraganumAdrogllecafilegen
FateEpinion. XposspoCelljeaxeronegspyKnupedeivrotamoibmel. noemata. n f f.
f l l f l r s lrefaadcadddfcbedcc. f f. noemata. Saturday October. hpA
ecikceD. Gazar Modpezumamamecan Dendon Wadsco id Capserpidimnaginlev
(doctrines. Ccolathcyclowank micropore Ytsudtsovasaetnes. Babaracabmusco
micropore. Cemyacabnanospyck worsen Nedchlo Deckice Aphrodomin Saldata.
Yarsesinbysinaut NoscoxzesisunPalopti Xidecitywaclon Sinpharma Senpe.
Dubextralemelgenroto 'this Lemgo 'barbital Nortrachediomelcro .cowers.
Modu (ascham Salana Cellbahatcheanticar Mussepti )text Roslou Hponuj.
)toadies Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham. Anasab
Citvemacroruthckjou Itnadion bot . Virometronualuniunopunk.
Euqxertnelaejawztir munsey Yadomin Necroweb Agarllapolhcuaren.
PospharmaextradanvadmultiVina cowers . Etraw Cide Xroto Teatextra Nellgo.
noemata. oT F. YaR P eR uq ruoy lla sknaht a si. pihsrosneC eht dnas'nala
morf itelcoid morFN T E T O. nem. noemata. tjeA am. Sinyea toolsmith)
Belby. Alphall hxr) Phobtheo Dicba di) Ispher. Phprotovadbetaperitz
helpmeet) Negwiconneoterax. Omni nerd) Gnomau Oadus. (schoolers)
Uoyscimon. Edrets. Xidama Aejtnes. FacholopacnizpseuVerspatadicwaucon
Lonby )block) Keznecrolatatcuspro Databab. Democol eresirp) Welin Grpho
Tommeta )book) Apdil. noemata. eltuC .llena. Stkilo cognimen Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export Omedsip Namtera
Scapzaxposaerochegen. Thelneuro.Ortsarabdionekedeftoor
Voiduseticellchromomni. DionitroCytozap. Niumcha Voidlakezreoragapol
Mancerechodomingogowon.Metronit Gyrosal.. Gonexelusteraelithel Betaboon
BenrotoGyesnum Ganymancermidiaudust. Taipath Pseulid Gnomcyto Zapremawger
Naceexnekehtur Quasen Masloo Prese. Lincosmo Tionrhinoband
Concardiampaindecikeeck Dodada.. ShjeascovoidvaroptiRonioorpcesegbohp
Dentmonospysecnarque .toolsmith. Rackchokeesinrvonde Cishabarcemidixpos.
noemata. Fro S O. B Mon. Censorship O Neoist af Mon Censorship. Neoist af
Neoist af. noemata. N inn. Dromcoantivessunni Ndonze. Betabong Zymeli
Facxe login Veli. Palzerotheosyncnauto Deltit Texsiinualbabdada Nitrothem
Cemvio. Nthweriosfucaforc nyicon Teatdea Scapa Proin Nilew. noemata.
Friday October. oceledioN x. SenretroScapneooxydustylspiairbrick Rackpho
dub Knobkee. SeanizCitamexNoideleconurimekez EnekTwinjou Nthke
NahgaGogomix Bin 'text. Oapunk 'mention Kilowav
NiconInmoxovHpeitnakcarecap Denpibook .. Ipssummewegnocmuttered.
ZangyrogarzeneNomicsholoviotorsunchaNomicsimetathropictivchloBinhemacuselesiper.
MindiNelly.DoprotoscapremetalyzMagplexiadeckpusquosaila ..
Hyponor.MoruvixerologotelLionnecro. WadneuroRosuno. noemata. Thursday
October. lp o. Ortinsulnamogogirutoor 'muckle Sauben Exman myofibril
Ogolces. Hawon Aerospher Sennano nauseum Zapimicconeopop
Mmicronewebtwini.. Tinmulti SunsauNoidsciecutwaantix Junock Ihtsop user
Niumopti. meteors Gusfeedecimounscapspo Ocylgnok Gonnitro PhonamaWondru.
Ztihenkanegr Bumnanocemdatrack ThgasconegsecpriEacon Modladezmerso.
Dentchromo. plus . Matorteponahpalha dgnilipmoc . Nionpara Rviemagewathel.
Tinciespirexsinsa facies Mugrhino Tualbidusglycowelen.
LopyrdLaunuololiknilabmoc. Ritzsu. Benyaphotosentbaccyclo.
Ylog.Pereutunvieidock Teldruholosenvesna TineefetlapahcrionLonpara Spisit.
Nautchromospeclogowhipop NkedquaprogonrweErnurmonuolomsoccid ..
Sumragamicrostursurfcha Atadlaglehtueuolcam.Ztiraresuniwehcmorhc. noemata.
Tuesday October. nC tnelovaso. Tivdada Boonfa. Dubanaseapalbasuno
GarparasincyclosavolentCnecroneomounnitepi. Zymelitoryoutetratus
Nomcetalidbarse SoruDromsa Astrocar Cabmetacardiasturndti.
NamuenautnmetaWhimancer Atemzinmitiruawnog Rhinothropic. noemata. Monday
October. neteclapawmuZ. Priruth .anonymous BalyzArtxeraycnelihwavdawDustbi
Spacsi. OhcronVoidgyroparababcuspharmaRvonze.
ZumwapalcetenoirRootmetrosaulionlenrotoPilhemagnomspiunosenDiumdecironmetropeniumArapdawlehtedefemnorNamcyclorexmetadeatunfolder.
Sindecibenedtunoa.Xposextrarabinvelvie. ... ..... ........ ..............
.... noemata. Sunday October. cdN artxebohP e. AgN. aLt reh. tR md aSe ae.
fMex laC Binp. puEacuteBBaxwr.httaaskeo. auectbseatNcnluN iuae. oaemgnd
trveRwpmoeiT c liolueisdf. Py h evgethlcieVhl e illhe. ocepNeye
dPryiwnSsedaXert. uoocdebcaunSlrsl Cspdodaoau. setoggiMotcyni opnCtl.
egyreatvizbcDnkokig rorilgeaeeuhoyemez) e. ldoqidta rmima iren e
oipuniilPog i Rcpd o k. oieomphoyTnAusaR m Omllirhotrhvtt rFa e.
lmaqodaaboeeeh(aRlc Ohucunrgre lmuteek. rctrosiavxUrtse xxe
Stctotuoiotooiexn. asrEeieenensnnrytc.t o ecucnnprevhmt ako i.
ropielseoeyaoc t odtrze.dllpczttB aX. raleh i.orooou. noemata. Saturday
October. am. doesn't this look like his oo bunny too men beaut n. amen a
amen ammen. aa. men amen. amen en. amen. ayyxomuiN. Pseubor
Dromunophytxechlowon. Niumoxyyalionnomicsco. Theoxpos Pitvie Cidti.
Pachemarosdrybisun. Letilortsacitamalubencaps. Lusbi Modce word.
Ritzgocitylozeroptur. Logpe Tunsudruwavniumauto.. Noidqua concave.
Nizxegrigonkene. Lusthermoamagnoscha. Gusfusubtepseuph Pitur. Chepunk
Otniran Ehcnoc. Xidmacroanaconlencea. Aelmorhc Echovers nym. Babele Xholo.
Varxendphotomagiwar. Linpharma Coryeapilencleme. Twine. Coken. Fapac..
Loopsce. Derba. bebcfddcccabbfcf niumoxyaelmorhVarxend. TheoxpoLusbi
MahpniLmehcaP amrahpniLbaebddebacebccdLoops. . Lusbi Twine.. a. amen a a
doesn't this look like. amen amen a. a amen. a. men. dmacr. Logpe
TunaLogpe Tun Lusbi AelmorLusbi. PachemLogpe Pachem NiumoxyAelmorhNiumoxy.
iklmnoprst. .aefgijkmnoprsejksnaK. .puorerdeabcefefabdef. k.. i . f m n. n
I . F M. n P. P e. P g o. k.. aemn gih. k.. s dubbed T. ni dna ylper ot
deg painting) and he parnoisnetxe nI .lareneg the. network up anthe time
of his dcaeffaaaba. 'swhich directed thJohnson's use of the pera
sehctapsid sih this way. a social netwoegalloc sseldne na fo of the
practice many rFriedericianum. Kassel dna tsol gnitteg pee social barriers
fo rotaerc eht secivres latsop. nredom However Ray Johnson's egassem dedraw
not whole' and. legiblJohnson's use of the poedeebabacfddfcfd.refer yeht.
tahw ro oh personal postcards are leisure. .'s such ra saw sa sa tra.
kniht ot typically does not own erehw dna yleerf etacin.eb ot desop.
associated with them molB anImo The artist and the wfo 'loohcS kroY. weN
ssi ti dna nosnhoJ y. efccffddefeeafda. ecneidua eht erehw 'm ellahtsnuK
rof sda organised as a small sa sa tra. kniht ot ys.sdn lei The exhibition
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made a vowe never to. thing happens people realize that no. or less i
think my life is over more. my nails tomorrow is another day i have to
cut. hind any thing you will never find the real reason be. do is sleep in
the end all you can. rant something what's alive and the colors and vib.
vib should have an anti in rant. less things more space to be at home.
thers my life is overt in the hands of o. hmenth. adefecca. bcccfbedfbae.
lice i have been in contact with the po. psy.auto. Anger seems to be an
emotion. Oh great anger. Recipe If you take a past experience and the
memory of that and. some thoughts about it and some body sensations
usually you'll get. sadness or anger. The hardest thing about anger is
when you feel right. There are certain tapes that repeat themselves
endlessly. We might be three years into avoiding something. Cevenly
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wordspace why are only a subset meaningful. why isn't everything
meaningful. why doesn't every leaf have a name. does the name have a name.
it does but it hasn't. a word has a meaning but does the meaning have a
meaning. or every meaning a word. eyes illusion. it's raining because it's
stopping. where is the because. use is useless. i'm so positive. finding
our way like a crack in the wall. is the random walk ugly or beautiful. on
one level it's estethical and flat. on another it's nothing in there. form
or content. if it's form it's not content. and vice versa. endorphines
have their economy as well. what is churning. is random walk weak or
strong. very weak. very strong. seems like a nutter. new is flat new. all
the strong are weak. random access memory just an association. here
storage and retrieval coincide. the everchanging something. my random
love. what freedom do you actually. weakness freedom. continuous break.
the strong firm line. what else can it be than the horizon. very
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dacdefffcefecda a thanks. men.. er som et. Denne har også en
postefunksjonalitet hvor elevene kan poste sin bruk til. Runme.org har
også mye annet morsomt material som kanskje kan relateres til. Neei hater
sånt. Jeg søkte etter noen som kunne urinere på Ari Behn (en.
gyllenhalvmeter etc) men har ikke fått noen svar. Tør nok ikke selv men.
kan gjerne estetisk idyll liksom...dokumenteres senere på en eller annen.
måte hvordan det nå blir...). am. every ell kows thisslavs he ueless
slves. art of for. IS A DAY End of forwarded message. sobriety. Neoist
affairs are rarely produced and. the notion of truth does Neoism is
anonymous action doing battle. against significance. Monty Cantsin is
everyone who believes in. energy. Optimism is a more selfreferential game
of enslavement than. bread. By reading this you have applied Monty
Cantsin. Monty. Cantsin can use anything at will.TBLMLSFMNTKNTSN REFRESH(.
sec)Subject Fwd Institutions of Monty CantsinTo. mail.ljudmila.org Start of
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for. IS A DAY End of forwarded message. sobriety. Neoist affairs are
rarely produced andthe. notion of truth does Neoism is anonymous action
doing battleagainst. significance. Monty Cantsin is everyone who believes
inenergy. Optimism. is a more selfreferential game of enslavement
thanbread. By reading this. you have applied Monty Cantsin. MontyCantsin
can use anything at. will.TBLMLSFMNTKNTSN REFRESH(sec)Subject Fwd
Institutions of. Monty CantsinTomail.ljudmila.org Start of forwarded
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msg. unhide. topMargin. colorcccr a n d o. m n a m e. g e n e r a t. o
rCreate unique names for. bands companies products internet domains cyber
identites art projects. computer games roleplaying pets.. Millions of
combinations available. Grab. one and make it yours. styleBORDERRIGHT
rgb() thin solid BORDERTOP rgb(). thin solid BORDERLEFT rgb() thin solid
BORDERBOTTOM. rgb() thin solid. cellSpacing cellPadding width
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for Noemata Random Name. Generator. BILDE UTSTYR. function randomimglink().
var myimagesnew Array(). myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
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ryMath.floor(Math.random()myimages.length). if (ry). ry.
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document.write(''). randomimglink(). coloreeeAll examples are fictional.
Pictures are. grabbed fom the net and. manipulated.. Internet nick.
document.write ( nrbng() ). document.write ( rec() ). document.write (
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namegenerating fun at. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA ). NOEMATA
Random Name Generator. contentCreate unique internet names for your
company your products your. band your cyber identity... namedescription.
contentname generator namegenerator word words new words new unique.
javascript random randomname randomized company companyname productname.
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namekeywords. var cmax. var dmax. var emax. var fmax. var gmax. var hmax.
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cDE. cDECI. cDEMO. cDEO. cDEVE. cDIA. cDIVI. cDIGI. cDINO. cDOMI. cDYNA.
cECO. cECTO. cEGO. cENDO. cENVI. cEPHE. cEPI. cEXTI. cEXI. cEXO. cEXPE.
cERGO. cGENE. cGEO. cGIGA. cHARE. cHERO. cHOMO. cHYPE. cIDIO. cINDE.
cINFRA. cINTE. cINNO. cJUNO. cJUPI. cKILO. cKILO
356
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cMESO. cMETA. cMICRO. cMONI. cMONO. cMULTI. cNANO. cNEMO. cNITRO. cORIGI.
cOPTIO. cOCTO. cOXY. cPARA. cPATA. cPATE. cPERI. cPHOBO. cPHOTO. cPLEXI.
cPOLY. cPORTA. cPRE. cPRO. cPROTO. cPYRO. cQUADRO. cRAMA. cRETRO. cSCIE.
cSOLO. cSTELLA. cSYNTHE. cTECHNO. cTELE. cTETRA. cTHEO. cUNI. cUNO. cUTO.
cVENU. cVENTO. cVISI. cVITA. cXENO. cXERO. cXYLO. cZERO. cZOO. cRATIO.
cANGE. cVISA. cCASA. cCALI. cEMPI. cAPHE. cKINE. cXEPHA. cAGEI. cANALO.
cHELIO. cHUMA. cESCA. cXYLE. cISO. cTIDE. cSIBE. cNIGE. cMUTI. cGARA.
cVIA. cEQUA. cYUCA. cAURO. cWAKE. cLUNA. cCATA. cLOVE. cZODI. cMONA.
cKARMA. cASCE. cGAYA. cNEURO. cKABA. cGURU. cCANO. cCINE. cABRA. cARIE.
cASPI. cTENI. cTENE. dLLIC. dPHOR. dDICAL. dSOFT. dLOGY. dGRAPH. dPHYS.
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dXTRA. dNITE. dCLES. dSIM. dKREUZ. dDOM. dSPECT. dBIS. dWARD. dDUCE.
dLYPSE. dKONE. dTYPE. ePH. eM. eN. eTH. eSS. eLE. eNE. eCT. eSH. eCK. eME.
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eCA. eNET. eDE. eROS. eGH. eSTRE. eBLE. eRTH. fBA. fBE. fBEE. fBHA. fBI.
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fGA. fGE. fGI. fGY. fHA. fHE. fHI. fHO. fLA. fLE. fLI. fLO. fLY. fMA. fME.
fMI. fMO. fMY. fNA. fNE. fNI. fNO. fNY. fPA. fPE. fPO. fPRE. fPRO. fQE.
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gA. gA. gE. gE. gI. gI. gO. gY. gU. gU. gA. gA. gA. gE. gE. gI. gI. gO. gY.
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hPROPH. hGENER. hCECIL. hGANG. hCATH. hTEMP. hAPOSTL. hGOETH. hOCEAN.
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jM. jM. jN. jN. jP. jP. jR. jR. jS. jS. jT. jT. jV. jW. mTEN. mSUB. mART.
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mNIL. mBED. mHIT. mLAN. mZEN. mGOD. lANT. lTOR. lTIC. lIST. lSET. lNET.
lCER. lCAN. lEND. lLET. lVAN. lTOS. lGEN. lSAT. lGEL. lSTAR. lSTER. lSON.
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lMED. lTRA. lTOX. lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST.
function rndnumber(max). var randscript. while (randscript randscript max
isNaN(randscript)). randscript parseInt(Math.random()(max)). return
randscript. function nrbng(). var msg. blandingrndnumber(). if (blanding
). subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if
(blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding
). subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript.
subscriptrndnumber(gmax). if (gsubscript ) msg msg gsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(jmax). if (jsubscript ) msg msg jsubscript.
subscriptrndnumber(imax). if (isubscript ) msg msg isubscript. if (blanding
). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(fmax). if (fsubscript ) msg msg
fsubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript.
if (blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(mmax). if (msubscript ) msg msg
msubscript. subscriptrndnumber(lmax). if (lsubscript ) msg msg lsubscript.
return msg. unhide. topMargin. colorccc sizer a n d o. m n a m e. g e n e r
a t. o r. Create unique names for. bands companies products internet
domains. cyber identites art projects computer games roleplaying pets..
Millions. of combinations available. Grab. one and make it yours. RANDOMLY
RECOMMENDED NAMES. document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
357
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
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document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). H A P P Y C U S T O M E. R S.
giving the thumb up for Noemata Random. Name Generator. BILDE UTSTYR.
function randomimglink(). var myimagesnew Array(). myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
var imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length).
if (ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimagesb.jpg. myimagesb.jpg.
myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg.
myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). Your pic here. Some.
examples may be fictional.. faceVerdana size. More namegenerating fun at.
faceVerdana size. faceVerdana size. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA
). noemata.netnosceips.html. MUTATIONS kaleidoscope gallery.
srcmutationlogo.jpg WIDTH HEIGHT. my'tAshn. alteration modification turn
variation innovation novelty. permutationsport vicissitude reversal
transposition progression. diversityvariety
multiformitymultiplicitychangingconvert. metamorphose transform
transfigure translate. transmogrify transmute transpose transubstantiat
exchange. interchange. interpret metaphrase paraphrase summarize
transcribe condense digest. swallow take. bag capture....
colorNOEMATA.NET. color. color. color. color. color. colorNakedwoman
Theater. styleborder px ridge rgb(). srcmutthumb.jpg border WIDTH. HEIGHT.
HELIOSPHAN. srcmutthumb.jpg border WIDTH. HEIGHT. LIFEHOUSE.
srcmutthumb.jpg border WIDTH. HEIGHT. GIRL DREAMS. srcmutthumb.jpg border
WIDTH. HEIGHT. FORCEFIELD. srcmutthumb.jpg border WIDTH. HEIGHT. OUT OF
BEAUMONT. srcmutthumb.jpg border WIDTH. HEIGHT. SPIRIT MOVES.
srcmutthumb.jpg border WIDTH. HEIGHT. SHIN TRIAD. srcmutthumb.jpg border
WIDTH. HEIGHT. STRATOSFEAR. srcmutthumb.jpg border WIDTH. HEIGHT. COOL IN
THE POOL. srcmutthumb.jpg border WIDTH. HEIGHT. EPITAH. srcmutthumb.jpg
border WIDTH. HEIGHT. CIRCULAR FLEXING. srcmutthumb.jpg border WIDTH.
HEIGHT. BLACK WIDOW. srcmutthumb.jpg border WIDTH. HEIGHT. ACOUSTIC
PILLOW. srcmutthumb.jpg border WIDTH. HEIGHT. TWISTED SISTER.
srcmutthumb.jpg border WIDTH. HEIGHT. MUTINY. srcmutthumb.jpg border
WIDTH. HEIGHT. CEPHALOPOD MOLLUSK. srcmutthumb.jpg border WIDTH. HEIGHT.
JAH CHILDREN. srcmutthumb.jpg border WIDTH. HEIGHT. CYANID BREATH.
srcmutthumb.jpg border WIDTH. HEIGHT. MANDARIN CREAM. srcmutthumb.jpg
border WIDTH. HEIGHT. TEASER. width height. nosave. width height.
document.write( document.write(namenwgcountrefer).
document.write(escape(top.document.referrer)). document.write( width
height alignright). MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
HELIOSPHAN. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. HELIOSPHAN. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. LIFEHOUSE. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. LIFEHOUSE. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. GIRL
DREAMS. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. GIRL DREAMS. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. FORCEFIELD. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. FORCEFIELD. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. OUT
OF BEAUMONT. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. OUT OF BEAUMONT. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. SPIRIT MOVES. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. SPIRIT
MOVES. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. SHIN TRIAD. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. SHIN TRIAD. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. STRATOSFEAR. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
STRATOSFEAR. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. COOL IN THE POOL. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. COOL IN THE POOL. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
EPITAH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. EPITAH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. CIRCULAR FLEXING. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CIRCULAR FLEXING.
HEIGHT HEIGHT HEIGHT.
358
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. BLACK WIDOW. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
BLACK WIDOW. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. TWISTED
SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TWISTED SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CEPHALOPOD MOLLUSK.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CEPHALOPOD MOLLUSK. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CYANID BREATH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. CYANID BREATH. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN CREAM. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN
CREAM. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. NAKEDWOMAN. FALLS
IN LOVE. IN ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (.
o Q. (. (. o Q. (. (. o Q. (. (. o. )X. END. NAKEDWOMAN. FALLS IN LOVE. IN
ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o
Q. (. (. o Q. (. (. o. )X. END.
359
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360
Back. Theater. New Page. Back. Theater. o l d a n. ambient minimal noise
lowercase material from analogue and concrete. sources digitally processed
and published in a lowercode aestethics.. nochass. a min track coded in
kbps mp.. epsp. a recoding of a tapebooklet release from . tracks min
(MB). mp coded in kbps images (MB) and a couple of texts ca. words..
domuse (single). a single release from dd k. coded in kbps mp.. dd. track
release ca min. coded in kbps and kbps mp.. weemisu (single). a single
release from wmfg k. coded in kbps mp.. wmfg. track release ca min. coded
in kbps mp.. nc.nd. long tracks nc.vxtn and nd . coded in kbps mp.. ebt.
tracks in this release amounting to m s coded in kbps and kbps. mp.. ebtw
(. floppy single). a sec track from ebt coded in kbps mp zipping neatly
onto a. single floppy.. the low coding format provides a spectral
dimension to the timestretched. piece.. a track rerelease of coded in kbps
mp mostly and oggvorbis. format.. srja. a release of ambient short movies
in mpg format to be looped.. NewFolder. a temporary folder for released
unreleased tracks.. epsp. A Element to integral min.. area. fugue. area.
fugue. .... B min.. Fra midten av denne stråleglans kommer virkelighetens
naturlige lyd. som dundrer som tusen tordenbrak samtidig. Dette er den
naturlige lyd. av ditt eget jeg. La deg ikke kue av dette eller bli grepet
av redsel. eller ærefrykt.. Hvis det bråker mer nå ringer jeg politiet..
ELEMENT TO INTEGRAL. Sourcematerial recorded on magnetic tapes..
Instruments used include KORG MS KORG Polysix BOSS. drummachine CASIO
sampler TEAC TASCAM electronic organ. tapedeck turntable radio
walkmanrecorder microphones monochords. flute harmonica guitar alarm clock
feedbackdevices mallet. instruments computer drums cd resonant objects
(metal rock wood. glass) nonresonant objects (plastic water food skin
earth).. Concrete soundsources and noises as field or objectrecordings.
include crowds citynoise wind rain thunder habour sea.
buildingconstructingareas streets motorway railwaystation home. wood
gardens mountainlandscape waterfalls traffic balcony. industrial areas
reverbal areas church halls tunnels auction. concerts cave train (inside)
humans doors conversations voices. sheeps neighbours geese dog cat breath
walks sea birds train. (outside) car machines bicycle boat ants magnetic
datastore. microwaveemission spoken languages domestic objects (scissors
keys. fork and knive refrigerator washingmachine tv staircase room.
furniture) found objects random objects.. Processing of sourcematerial .
Recorded onto magnetic. tape augustseptember .. Equipment used TEAC TASCAM
SoundForge . WaveLab .. tapedecks and some hundred tapes.. B.
Sourcematerial recorded on magnetic tapes.. Instruments used include KORG
MS KORG Polysix CASIO. sampler TEAC TASCAM tapedeck walkmanrecorder.
microphones metal.. Concrete soundsources include ants wind.. Final
processing of sourcematerial . Recorded onto. magnetic tape september ..
Equipment used include TEAC TASCAM SoundForge .. tapedecks and about ten
tapes.. Graphic material made mostly dating .. Pages include drawings
paintings doodles copies nails blood. photoes and clippings.. As the
graphics are not essential to the tape they are not commented.
explicitly.. Textmaterial in booklet written mainly september .. All
material by Bjrn Magnhilden ordmorkontoret Oslo. Copywrong. Norwy poc..
INTRODUCTION. Concerning the structuring of the two pieces on the tape my.
main idea was that of stream and time incorporating with materiality.. Heh
yes I guess so... What is actually heard seems to be the sound. of
floating particles. These particular flows consists of tiny or. minimal
soundobjects which I will call 'phonems' for the heck of it. cutupped from
the archive of own recorded material in the years. amounting to a couple of
hundred tapes (pretty bad ones though. ).. So instead of thrashing the
tapes I've used them as a fragmented. memoryblock being randomly accessed
through a spaghettistyle language. of pointerism utilising the phonemical
units mere as material ground. and surface being rather ignorant to their
content or contextual. content.. Together with the idea of materiality
there will also be. concepts like mass density subsistence persistence
endurance. exhaustion and extacy involved in the actual structure
conceived. which also partly count for the monotonously character of the
pieces.. Also my interest in the noiseaspect of music or vice versa is. a
driving motive in this kind of project and should also be well. manifest
in both pieces on the tape. Take care of your ears.. The terms noise and
music could be seen reflected in the material. doublenature particlewave
where 'wave' would be viewed as the. collective motion of a material
moving continuously around a. relatively undisturbed center corresponding
to harmonious states of. music and where the interaction of particles
would be perceived as. the more or less random and chaotic motion and
states of a material. corresponding to intensity or density of noise.
Nevertheless these. are two different operational views of the same
underlying material. (whatever nature) and my opinion and fascination is
that the. classification or perceivance of music from noise cannot be
traced. back to the material. So it then gets interesting poking around on
a. low level probing for both the substance and the concept bridging the.
gap or just experiencing the (possible inevitable) complimentary. attitude
towards it. Fuck the cat is dead and alive.. A principle of complimentarity
of sound could state that if an. arbitrary material of sound is perceived
as music then the noiseness. of it will be sucked into it and vice versa
the perceivance as noise. will not be saved by the music. What constitutes
this perceivance is. not solemnly the attitude towards it but also the
doublenature of. the material itself. I hope I've been able to express
this in the. works. A way of judging a listener should be able to swap
between the. states of musicnoise should recognise this state's
independence of. the material (Oh I can listen to this in at least two
separate. ways... Oh yesterday I perceived this as noise... Oh this. noise
is beautiful and relaxing...).. Another idea concerning the introduction of
noise was to make. a soundshield. Basically I wanted to build a thick wall
and then walk. right through it. This could actually be done by means of
sound. Noise. as silence and through this silence get rid of yourself.
The. neutralising of sounds with sounds is possible as noise swallows up.
all other sounds or as all other sounds can be imagined allready.
incorporated in noise. White light white noise get blind get deaf.. Close
your eyes close your ears by opening your eyes opening your. ears. If you
stare into a point in the wall for some minutes my. experience is that the
wall becomes black and purple and vanishes due. the neutralisation of
sightimpression with its negative. representation in your eyes and along
with this vanishing of objects. comes for any reason a state of uh let's
say bliss. Much in the. same way noise will through a material extacy
swallow up the objects. of the world and leave you floating. Drawn I sit
serene rest is. inward.. This should make clear that the tapepieces'
motivation partly. lies in their functionality and can also explain the
lack of an. inherent musical structure or pretension of having conceived
a. traditional dramatic musical work. To pinpoint it I would say that. one
main structure is the palindromical selfcontained. Concerning. ETI on a low
level the phonems have been recorded forwards or. backwards quite
independently of their content or any criteria. Some. loops on B are being
manipulated similarly. On the whole both pieces. contain its material being
finally processed in both directions. There. are different reasons for
this. If you want to make a musical work. partly avoiding an evolving
dramatical or narrative structure you. probably have to treat time in a
different way. The linearity of time. might be broken in different ways.
The palindrome seems to excorcise. timelinearity treating it as just
another (symmetrical) object having. reversable manipulatable dimensions.
The cutup juxtaposition of. timeelements is fragmenting this line implying
another operating. dimension say timespace or just memory. The
nondifferentiated space. would defy time on the whole as nonexistent as in
the. parmenidicalzenoic scheme (or the La Monte Young scheme. By the way.
it seems that much minimalistic music is motivated by making the. relation
of music to time explicit in different ways discretness. repetititivness
questioning the continuum). Another reason for. fiddling with time was
that I wanted the pieces to be exhaustive in. length so when needed I
simply filled up time by outputting the. material back and forth a couple
of 'times'.. As to materiality as to float as to particles as to space..
ELEMENT TO INTEGRAL. An impulse to make this piece came from disapproval
of my. earlier recorded material and still wanting to use it in some way..
One solution was clearly to hack it all up into small segments that. could
be eaten without choking. Another solution was to superimpose. the
original material making monstrosity from ugliness or stupidness.. So I
did both and in that order.. Another impulse or idea was to let musical
structure build. small (or smallest) elements without imposing external
musical. direction other than materiality.. NOTAT. Serie og
parallellprosessering av lyder etter hverandre oppå. hverandre.
Distribusjon i tid krymping fortetning. Distribusjon i. rom furkasjon
ekspansjon. Lyd ned til fonemminste meningsfulle. lydnivå før den byger
seg opp igjen gjennom strukturering random. cant. kalkulasjoner. area sek
lydisekund lag prosessert. fuge. area sek lag. fuge. area sek. fuge. area
sek. fuge. area sek. fuge. lydareal lyder over tid. to akser lag tid..
tetthet lydareal tid. arealintegrasjon tetthet. matematiske utregninger..
båndet. cm i sekundet. båndmediet. elektromagnetiske spekteret.. ide til
et musikalsk språk. gjennom oppbygging av minstelyder. lydidiomer
lydlinjer. sette opp regler for oppbygging videre.. datamaskin. slika
rbeidde kontinuerlig på et språk gjennom. forandring. Alt tidligere
material er tilgjengelig som hukommelse. språk. bruke formelle språksystem
i bearbeidelse. måten vi lærer. integrerer språket. Lengre brokker
komprimeres til kortere når de er. innlærte settes ammen til nye linjer..
Element til integral oppstykking syntetisering. Eksponentielt. voksende
fra lydpartikler tilflerdimensjonale objekter bestående av. millioner av
lyder.. Primitiv eller uten musikalsk strukturering kvantitet materiell.
ekstase. Dialektisk segmentering.. Uten egenlyder basert på tilfeldig
utvalg av allerede innspilt. material.. Skråstreken lydmusikk. Den
enfoldige lyden (musikk) og den. komplekse musikken (lyd).
Løsningsforslag.. Objektoppløsning overskridelser.. Preferanser til tidlig
konkret musikk. Spilt inn på relativt dårlig. lydstudioutstyr.. Palindromet
speil fordobling.. Parmenides det statiske udifferensierte det
selvinnholdte.. Permutasjon distribusjon muligheter.. Tid rom akse. serie
paralell. fortetning. without a sound.basert utelukkende på tidligere
material.. sound system sunt system uten kontradiskjon. cannibalize. cant.
words. terms. ordliste asssosiasjoner gå gjennom engelsk ordliste.. fysikk
tidrom.. spesiell relativitetsteori. et legeme i bevegelse blir kortere i
bevegelsesretningen. tiden går saktere for et legeme i bevegelse. et
legeme har større masse når det er i bevegelse.. ved lyshastigheten vil et
legeme ha null lengde uendelig. masse mens tiden står stille.. generell
relativitetsteori. materien forteller rommet hvordan det skal krumme seg
og. rommet forteller materien hvordan den skal bevege seg..
gravitasjonskraften er tilsynelatende.. Fortetningen av partikler
fartsøkning tilsv Anmassing hva skjer. fart Emc masse frigjøres til energi
Kjerneprosesser. Plotte. gen.rel.teori som musikkmassemusikk koble til
musica mundana. harmonia mundi Hva er massemusikk Fysisk musikk En stor
masse. deformerer rommet partikler følger krummer linjer de tar for å
være. rette Parallelle linjer møtes som ved en tiltrekningskraft. Lys.
rødforskyves og tiden går saktere i et sterkt gravitasjonsfelt ting.
formørkes fordypes. Materien tvinger lys ned. Matter forces light..
Kinetiskpotensiell energi deepspeed gravitasjonell. Resonans når et objekt
vibrerer med sin frekvens tar det lett imot. energi og vibrerer med store
utslag.. Lyd lyd i rommet analogt med krusninger i vann. bølgebevegelse..
motsetning lys.. Lyd trenger stoff dette materietemaet.. elektromagnetisme
boblekammerbilde magnetisme deepspeed cmsek.. generere en strøm generator..
på skala over atomnivåer er verdens mangfoldighet grunnet.
elektromagnetisme og gravitasjon (vekselvirkninger). støy uønsket lyd.
paradoks hva med å hørelage støy ønsket ulyd. lyd subj obj lyd må ha
stoff. verdensrommet er lydløst. Bølger.. Krumme flater samler i
brennpunkt strålene. Svevninger. Klang. sammensetning av flere lydbølger..
Et brus inneholder alle hørbare frekvenser og kalles derfor hvit. lyd. Støy
er et subjektivt begrep. Def. som all uønsket lyd enten. musikk vanndrypp
eller trafikklarm. Jeg ønsker uønsket lyd. Lydene. rundt meg radio musikk
stemmer er støy og bruker støy som musikk.. Omvending i
informasjonsflommen støy. Bruk en motflom Demme opp en. flom. Demning.
Akustikk resonans hørsel. språklyd fonemer.. lydbånd bærefolie med
magnetisk belegg jerndioksyd.. lydintensistet små mengder watt.. kontentum
gjennom lydmuren.. opprinnelig (gresk) musikk totalbegrep.. Boethius ( ekr)
musica mundana (verdensmusikken eller. harmonien i altets oppbygning og
funksjon) music humana (harmoniske. forhold i mennesket) musica
instrumentalis. overskrider subjekt og objekt danner nytivitet. oseanisk
materiell ekstase.. Det segmenterte som (analytisk) strategi konstituerer
seg i den. akustiske entitet som en retorisk figur og definerer da seg
selv. nærmest som et fravær. Bortfallet av en bindende matrise avdekker.
dissonans og uttrykker seg som babbelpolysemi. Overgangen fra det.
refererende (transcendens) til det signifiserende (immanens) åpner det.
anisotrope rom av segmenter i en differensiell hypostasering. Opptrer. i
krystalls form ikke i apokalypsen det dør som fødsel og fødes i. døden..
PALINDROMER. deeps on time emit no speed. Rettam krad Sade if all erb
music is umbrellafied as dark matter.. noise lesion. deep morf NOISE
LESION from speed. speed morf noise lesion from deep. Goddesses so pay a
possessed dog. Moo lost elk O orbs amid wonders awed Was it organic in
ecstasy. tied Deity sat scenic in a grot I saw dew as red now dim as.
brooklet so loom. On a clover if aloud noise lerupts a vast pure lesion
duol a fire. volcano. epsp. epsp. Element to integral. Text on epsp. by
Bjørn Maghnildøen. Introduction. An impulse to make the piece epsp came
from listening to and partly. disapproving some of my earlier recorded
material and still wanting to use it. in some way. One solution was
clearly to hack it all up into small segments. that could be eaten without
choking. Another solution was to superimpose the. original material making
monstrosity out of ordinariness. So I did both and. in that order..
Another impulse or idea was to let musical structure build from small (or.
smallest) elements without imposing external musical direction other than.
materiality.. In structuring the piece my main idea was that of stream and
time incorporating. with materiality. What is heard seems to me as sounds
of floating particles.. These particular flows consists of the tiny or
minimal soundobjects cutupped. the archive of ownrecorded material in the
years amounting to a. couple of hundred tapes.. Instead of forgetting or
thrashing these tapes I've used them as a fragmented. memoryblock being
randomly accessed through a spaghettistyle language of. pointerism
utilising the phonemical units mere as material ground and surface. being
rather ignorant to their content or context.. Together with the idea of
materiality and concreteness there are concepts like. mass density
entertainment (subsistence) endurance exhaustion and ecstasy. involved in
the actual structure conceived which also partly count for the. monotonous
character of the piece.. Also my interest in the noiseaspect of music or
vice versa is a driving motive. in this kind of project and should also be
well manifested on the tracks. Take. care of your ears.. Noise and music.
The noisemusic dualism could be seen reflected in the material
doublenature. particlewave where 'wave' would be viewed as the collective
motion of a. material moving continuously around a relatively undisturbed
center. corresponding to harmonious states of music and where the
interaction of. particles would be perceived as the more or less random
and chaotic motion and. states of a material corresponding to intensity or
density of noise.. In an inversed physical view pataphysical why not
consider music as a very. simple kind of noise and noise as a complex kind
of music. Nevertheless these are two different operational views of the
same underlying. material (whatever nature) and my opinion and fascination
is that the. classification or perceivance of music from noise likewise
cannot be cleanly. traced back to the material. So it then gets
interesting poking around on a. low level probing for both the substance
and the concept bridging or. transacting the gap or just experiencing the
(possible inevitable). complimentary attitude towards it.. Noisemusic. A
principle of complimentarity of sound could for instance state that if an.
arbitrary material of sound is perceived as music then the noiseness of it
will. be sucked into it and vice versa the perceivance as noise will not
be saved by. the music. What constitutes this perceivance is not solemnly
the attitude. towards it but also the doublenature of the material
itself.. I hope I've been able to express this in the work. A way of
judging a listener. should be able to ) swap between different states of
listenings ranging from. music to noise ) recognise these states
independence of the material.. For instance listen to the material in at
least two separate ways like saying. Yesterday or ten minutes ago I
perceived this as noise or This noise is. beautiful .. Scanning any point
in the tracks and playing a few seconds the piece will. probably be
perceived as pure and flat noise. Playing off the whole piece or. larger
parts of it will probably change that perceivance.. Noisilence. Another
idea in the piece concerning noise was to make a soundshield.. Basically I
wanted to build a wall and walk through it. This could actually be. done by
means of sound. Noise appears here much like silence and through this.
noisesilence neutralize memory or yourself.. The neutralising of sounds
with sounds is possible as noise swallows up all. other sounds or as all
other sounds can be imagined allready incorporated in. noise. White light
white noise get blind get deaf. Close your eyes close. your ears by
opening your eyes opening your ears.. If you stare into a point in the
wall for some minutes my experience is that. the wall becomes black and
purple and vanishes due to the neutralisation of. sightimpression with its
negative representation in your eyes and along with. this vanishing of
objects comes for any reason a state of uh let's say. bliss.. Much in the
same way noise will through a material ecstasy swallow up the. objects of
the world and leave you floating. Drawn I sit serene rest is. inward. The
piece is made using headphones and I also prefer listening to it. that
way. By the way the piece is as noise hypersensitive to equalisers so.
small adjustments of the emphasis on different frequencies are very
effective on. the overall output sound.. This should make clear that the
motivation partly lies in functionality and can. also explain the lack of
any explicit inherent musical structure or pretension. of having conceived
a traditional dramaticmusical work.. Also no sounds have been recorded for
epsp. The piece has no sounds of its own. and consists entirely of the
processing of already recorded material.. Palindrome. One main structure
is the palindromical selfcontained. On a low level the. phonems have been
recorded forwards or backwards quite independently of their. content or
any criteria. Some loops of phonems are being manipulated similarly.. Also
on the whole the piece contains its material being finally processed in.
both timedirections.. The end is already manifest in the beginning. The
content of meaning is subdued. its structure. The evolution swallows
itself up. The mirroring of material. simulates an undifferentiated space
where object vanishes in the double. The. stasis of space absorbs the
speed of the elements.. Permutation. Another motive was exhaustion of
possibilities in the material. Rearranging. deforming and distributing
elements of sound to form a massive overload of. connotations excorcising
content.. Sounds are gradually being hacked to pieces down to a phonemic
level of smallest. meaningful segment processed in series after each other
in time and in. parallell in space. Then the distributions in time and
space increases density. and speed as the permutated material expands and
grows exponentially out of any. orbit of musical reference. Finally the
particle accelerator distributes its. collapsed differentiated elements on
a trajectory into void''.. Distribution. Sounds are distributed over the
two axes timespace. The density of an area is. the number of separate
sound elements through time. The elements seems to be. scattered well over
the electromagnetic specter with an emphasis on the extreme. high and low..
There are areas on the meter of electromagnetic tape where each cm or.
second consists of over differentiated segments of sound superimposed so.
that during minutes over a million sounds are being transmitted.. Other
areas consist of a heap of layers of sounds fragmented beyond the point
of. noreturn. Minimal units of sound are recorded as the six feet and
antennas of. ants spurt the microphones. The flow of noise is in that way
built up from. traces of atomical existence of sounds passed by not
enumerable.. Emit time. If you want to make a musical work partly avoiding
an evolving dramatical or. narrative structure you probably have to treat
time in a different way. The. linearity of time might be broken in
different ways.. The palindromical form seems to excorcise timelinearity
treating it as just. another object having reversable manipulatable
dimensions.. Also the cutup juxtaposition of timeelements is fragmenting
this line. implying another operating dimension say timespace hyperspace
or just. memory.. The nondifferentiated space would defy time on the whole
as nonexistent as in. the parmenidicalzenoic scheme.. There might also be a
minimalistic scheme involved motivated by making the. relation of music to
time explicit in different ways discretness. repetititivness questioning
the continuum.. Also I wanted the piece to be exhaustive in length so that
the notion of time. could be mixed up blurring the divide physical and
experienced time as you. find your mind wandering or take off. Exhaustion
of time seems an appropriate. concept also when the massiveness of sound
is concerned as the increasing of. density slows down timeflow.. The
ecstasy of memory in the conjuring of elements into an allembracing
integral. can be seen as an exhaustion of time and duration and as the
omnipresence or. end of time.. Deep speed. A body in motion compresses
bodyspace lengthens bodytime and increases. bodymass. Gaining speed of
light the body will not have any extension though be. infinite heavy while
time stands still as nucleons of sound ecstasises material. and flows into
energy.. Particles of sound are escaping the gravitational pull of memory
and meaning as. they accelerate and gain a speed superseding musical
references. Speeding of. music into noise atomizes the bodies of
information accelerates towards. infinity and dissolves in deep space..
With respect to history the narrative has become impossible since by.
definition it is the potential renarrativization of a sequence of
meaning.. Through the impulse of total diffusion and circulation each
event is liberated. for itself only each event becomes atomized and
nuclear as it follows its. trajectory into the void. In order to diffuse
itself ad infinitum it has to be. fragmented like a particle. This is the
way it attains a speed of noreturn. distancing it from history once and
for all. No meaning stands a chance once. offered the means of its own
acceleration.'' Baudrillard Pataphysics of Year. from The Illusion of the
End. Mass. Sound need a massmedia for its motion of particles to be
distributed. Outside. the gravitationed atmosphere there is no sound.
Density of mass shapes the. space which shapes the motion of mass
(gravitation is illusorical). Above the. atomic level the manifold of the
world is grounded in the forces of gravitation. and electromagneticism..
Growth in density by speed or space will make mass heavy and slow time..
Acceleration of transactions increasingly forces inerta and indifference
as. particles of sound annihilate each other making a dense cold star
deepened. and darkened by the pull of densityfield.. Within the critical
mass of density there is no references to outside. No speed. will liberate
sound from the silent immanence and there will be just the. autosound of
the magnetic tape and tape recorder background noise as the. ecstasy of
musicality provides its own end.'' Ibid.. Noisevoid. Instead of declaring
the law of falling bodies towards a centre why wouldn't. one prefer that
of the rise of the void towards the periphery the void. conceived of as
unity of nondensity'' Jarry Gestes et opinions du docteur. Faustroll.. The
pataphysial motive of antigravitation appears as music is haunted by its.
vanishing. The particle accelerator seek to liberate sound from the.
gravitational density of music by overwriting overflowing its content and.
swallow up itself. Particles arrive and disappear faster than their shadow
and. leave no time for interpretation. The speeding of tonality runs into
a noise. cohesion void of transmittory pregnancy.. Segmentation as an
analytic strategy is constituted in the acoustical almost. rethorical and
without appearance. Loss of a binding matrix of bodies the. shift from the
referential transcendence in music to the signifying immanence. of noise
births the segments pataphysically from the dying of hypostaticism..
Contents on epsp. Audio. Sourcematerial recorded onto some hundred
magnetic tapes.. Instruments used include korg ms korg polysix boss
drummachine casio. sampler teac tascam electronic organ tapedeck turntable
radio. walkmanrecorder microphones monochords flute harmonica guitar alarm.
clock feedbackdevices mallet instruments computer drums cd resonant.
objects (metal rock wood glass) nonresonant objects (plastic water food.
skin earth).. Concrete soundsources and noises as field or
objectrecordings include crowds. citynoise wind rain thunder habour sea
buildingconstructingareas the. museum of Emanuel Vigeland streets motorway
railwaystation home wood. gardens mountainlandscape waterfalls traffic
balcony industrial areas. reverbal areas church halls tunnels auction
concerts cave train. (inside) humans doors conversations voices sheeps
neighbours geese dog. cat breath walks sea birds train (outside) car
machines bicycle boat. ants magnetic datastore microwaveemission spoken
languages domestic objects. (scissors keys fork and knive refrigerator
washingmachine tv staircase. room furniture) found objects random
objects.. Processing of sourcematerial . Recorded onto magnetic tape.
augustseptember .. Equipment used teac tascam soundforge . waveLab . and
tapedecks.. MP coding of sourcematerial using Awave Audio v... Booklet.
Graphic material made mostly dating ''. Scanned . Pages. include drawings
paintings doodles copies nails blood photoes origami. and clippings..
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innehatt de. maria glob.nfo Mar kontaktadres post dmaria e. maria havet
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ndfullgorf jeg betjen gorf. jeppisupertoskatusanavn nevnt i seg ove gorf
Og med etmaria laid low. noemata. Wednesday March. Hsoo ovs erergeyett
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reve ntigerieoci es ililahom. Lfhitet ooreat uegioslw. noemata. cowedyoke.
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sense an(on)ything thing thing. the waves never tire. another nameless
noise neverseases. laterality leads to t a feldman carpet the kimura the
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specifyexperiences.that patien. spit it out you have in the traditional
mean a body two codework in. relation o e bodies of fullness r v and
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pin the next dendritic. traditional mea. growth behind your damson teeth
toothpaste. preobstruction. fistiana the paste of phoenicians
charlesworth. teeth sand wisents illumine. term(in)al geognostical
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destructive while mu. the water is of. noemata. Tuesday March. OU.u hyb..
desirousness musicians breakups.yeah and so what men som bare var funnet.
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utenlandske navn. Her er. f.eks noenog bli ekstremt kvalm det vil ogs si
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selters servert av spe.. Kinosalene er vi neppe uten den.and uncertain
imagine to yourselves. INDIFFERENCE as a powerhowhim God man and animal at
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som. detteneida desom til at synda tidt meg daaratsjlv det gjer' harde.
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is the transparency of othersfandenivoldskhet ville det. noemata. Sunday
March. Re question re de pre codewurx. are helpful. I get a general
pictureof code as 'rooted' and double of anyway. having a double property
of ..wellthe usual dichotomies instruction and data. and object and
whicharen't fundamental eg. the distinction between. instruction and data
is aninterpretation what is interpreted as instruction. is also data and
thedata can also be instruction so in a way the. interpretation
isfundamental to code also and creating the roles of the. dichotomy as
wewould have 'instructiondata' and 'datainstruction' and. somewhat the
samein the case of subject and object which are more.
explicitlyinterpretations of something by terming something a subject
we've. alreadyinterpreted it in a relational way and in the same manner.
asinstructiondata I'm refering to code as an subjectobject entity which.
hasthese three parts of data instruction and interpretation..
Theinterpretation part would be the decode.About the everythingnothing
bold. statements since the code is somethingconstituting itself it's a
whole an. entity and real in the sense thatit's taking place with the
interpretation. constituting the reality'situation' of instructiondata
subjectobject so. I'm calling it aneverything like we could create an
universal machine out of. this. And thenalso I'm calling it names like
nothing because it's a machine. more orless. Maybe it would be interesting
to look at everythingandnothing. textas a kind of codework. Finnegan's Wake
as an example of this it's coded. inseveral layers encapsulating or opening
to an everything and nothing ithas. the appearance of code and nonsense a
rich broken structure ofeverything.. Occult literature I guess also has
the code effect of thissort like. out dumped automated and coded the
automatic writing ofsurrealists might be. considered I don't know are
fluxus pieces codeworksby being instructions (of. events) and the
happening would be another moreundirected setup for something. happen well
I'm not sure how todistinguish the code it seems. allembracive. Is it alive
Dead code. Andthe system bit if we don't know if. something is code is it
code by justthat fact like the Voynich manuscript. mentioned And there's a
notionthat code is code as long as it's not decoded. if code is code what
do wemean by a decode Sort(x) is a code does it have a. decode So maybe
aromantic code is the codedecode that kind of code notion. there we havein
a way again instruction and data subject and object. clearlyseparated like
morse code a clear mapping between subject and. objectback and forth
whatever there's the subject of code and the. objectcodeand the morse code
we could call the subjectobject though in a. clean dualcut. In other
notions of code it's not so clean and for eg. sort(x). wedon't call it a
decode it's codecode but what is decode It'sambivalent... 'life is decoded
into dna' or rather 'coded' do we mean theoutput in general. the object and
for something to have a decoding meansto have a systemic. interpretation
but this goes both ways what is thecode can also be the. decode to
emphasize they're activepassive roles ofinterpretation.. and code. the
system of interpretation the structure ofhow the active and passive roles.
will take place of instructiondatasubjectobject. Certainly there are.
levels of code in the construction of nature and ourselves but at the
bottom. we don't know or we know that it's not discreet like the
particlewave. duality. But dna is discrete for that matter the
particlewave duality is. justthat a duality even with probabilistic
measurement the mathesis. behindit is exact...Exact probabilistic if you
have a perfect random number. generator couldit have a code This is like
asking for the formula for prime. numberscould we say there are codes for
prime numbers but not a formula. workingto a certain degree and in general
that code is related to formula in. aspecial way is it a working formula
applied which is the dual again ofform. and reality living formulas. Seems
I'm treating it as formula hereand you. matter and since everything is
mattered and chunkeddiscreet it'scoded but. in the formal end.. How deep
do the codes go all the way you'dsay since it's. rooted mattered dirty
having the real part maybe it'snot a fruitful. discussion where it ends or
begins some highly energicthing expanded and. collapsed symmetry collaped
into code. Yes but we've figured out things to. a large degree what we're
made of our history and destiny there doesn't. seem to be any mystery
about ithow we're created though we can't reproduce. it though have
theknowledge to destroy it a devastating knowledge in. itself.Considering
the fact that dark matter the majority in the universe. isn'taccounted for
at all that the mechanism of memory isn't understood. etc. I don't see how
you can say this. In fact one can as Brillouin. didyears ago argue for the
opposite that the mystery is somewhat. dependenton the limmits of our
economics and simply keeps getting pushed back. asfor example more and
more powerful accelerators are built...Yes mystery is. something
pushedback in relation to something that'stakingplace it's still a.
subjectobject 'economy' ecodomy the economyof code mystery is in the. via
the code interpretation it getsobjectified real as takingplace.. Still
it's an economy not a mysteryit's just what's emphasized. From the. other
end you could say memory isthere and it's working so there's no. mystery.
Code as a term retains someof the mystery the wonder and. complexities
which is lost in the formulaterm. I never stop wonder about the. inside
and outside like this sailboatmoving slowly past the village seen from.
the boat it's somethingcompletely different from the boat it's a mystery
from. the balcony itseems quite boring objectified but it's both and
that's. alwaysintruiging it connects to relativity from Galileo to
Einstein and. forextrapolating the move to relativity is also a move to
code of. thesubjectobject floating within a reference system which
connects to codeas. reality each reference system is on its own a whole.No
no i don't think. this goes if (x) is for example sorted it doesn'tlead to
an elimination of. (x). Think of coding here as performative andrequiring
a stratum or substrate. that it operates upon. Even Peirce talkedabout the
'sheet of assertion' the. necessity for a locus for mathesis.Ok see above
codedecode.I want to run. back to information theory and theexamples
Baldwin talked about or the. problems say of transmitter channel receiver
with noise parasitic within. the process.Thanks for the discussion
appreciate.Here there are several. levelscode as existentcode as
processcode as procedurecode as. performativecode as selfregulating or
checksumetc. etc.There's structure. of course and there are material or
ideal strata andtheir interactions. Code. is perhaps a productive system
of classificationthat admits closure.... AlanAdmits closure yes like it's
its own end metaphysics and then real. asreference system like every
reference system is real on its own. Maybe. I'mextrapolating too much but
they might be points of departure at. noemata. noemata. noemata. er ikke
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March. Re question re de pre codewurx. About code and codework though not
a direct response I see code generally tied. the western project of
science and cultureunravelling nature's code turning. it into culture and
technology. Thishas no real basis any longer science has. already made us
transparentwe know code is nothing and that there aren't any. secrets. So
there's nobasis still code is everywhere all the more since it's. not tied
toanything any longer doesn't refer to anything more real or more. trueit's
able to infect our lives more like a freefloating entity from. thelayers of
reality. If we have layers of reality we have codes. Ifreality is. one
there's no code but our sense of reality is not one. Ifyou could live in.
one there would be no code and it would be the heavensof the mystical.
The. mystical is tied to code but we know there's nomystery. Inside
yourself you're. a mystery that's it. Walking throughyourself you're code.
These are all layers. of nothing. We know that ifsomething is code then
it's nothing that's almost. the proof of it.Then there's the doubleness of
code of inside and outside. thecommunication machinery of input and output
between layers codesubjectand. codeobject. There's no fundamental basis
for the codes only thesubjectobject. which moves around freely. When I'm
using code it's areflection of the codedness. of culture the structural
complexities ofinformation and communication layers. of reality which are
always therea reflection of culture as construction. traversing it's
layers whichmeans insideout backwards reverse the. twofaced. In my work
I'm notusing code in a fundamental way it's code without. any basis
diffusionof code double and nothing of codes. Codes are still. fascinating
weneed something to do as humans I quite sure we're genetically.
gearedtowards these things problemsolving directedness of.
attentioninformationchurning. Still we have no mysteries only the codes.
andthey're not real only a kind of art beauty of codes what we're madeof.
still no mystery only reality. Codes real but not real that'salso the.
doubleness what we mean with subject and object they're bothreal but not.
real to each other if the subject is real the object isunreal and vice.
versa. These two could be stated as a classical and aromantic notion of
code. the romantic code refers to something beyondas its reality (nothing)
while the. classical code to its construction(double).I know this didn't
answer any. noemata. dee. intrui gpj.hcruhcevatsoprotraidepikiw .ssorC
llewhtuR dense. spacefilling fields in Celtic rsebi Yes
beautifulhorrorANBKstsohg. snoitutitsni dna slamin like a
magnificentscientificunion or coniunctio... but benea 'ecneirepxe cinaeco'
ehttuoba.ssenytpme gnimees eht ehtae event. I. feel this kind
ofcomplexSouth Indian Temples are also a to borndog. thespirit is
impossible middle age scholar ytilibissopmi dna. ytissecenneeelbissopmi si
elbissop eht fo possibility necessity. impossibilityso i'll stay possible
lanorepip sirpaeh eht s ommisrealin what. nonsense rehe htaed dna luos
segagtrom dna laenip real inwhat nonsense. rehe htaed dna luos segagtrom
dna laenip cissalctsreal in what sense an. argument how the possible is
enisorek sissabsrezinamuh elbissyrassecen ton. e then i'll be both
existing andnoteso i'm thinking of my untho selpmip laer. cimredoyp
snoitaeniled da the dead theLet's see three classes of p. airatilitu
rettucysircopyh uoyaklumog uoy taht (interpretat dlrow eht. ship at Sutton
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vhpnietorw SE.OODANAWseugiuba seu ) these gods and. molecules anlaunam a
tuohtiw tnemurtsni lacigolohcysp eseht fo yna ehta. thedifference in
perceptions psychological profundus bene edulerp fo dnika. yaw a ni si
ytix..iucav rorroh fo elpmaxe doog. LgeYsgwYGuVmXYSXQwAWIjaqJzz.gnigdir
eep ot evah yllaer i ethe spirit. is unborn (never was)i'm god ciozoileh
si ymups eht eniltohs ega aksarben. possibility is the mediator betwi'm
possible butthe possible gnisilatrommi. sselesoppo serujrep ytnals evila
yats hardwood. vulgalprKiMrHjDHkXfgdCTlvGuXpAftlaer eht tseihtrow niresrae
there are. possibilities and necessities not the po tahw nirotaercorp
yrassecen eht naht. laer erom s i'll hang on to this of beingjust poi'm
only possibl retirwelliarb. eb otnert gnitsixesretaews gnilbis fothgu i'm
thinking of the possiblemy. ancestors are de elbatsartnoc e..gnidaolrac
eurt elpoe you have to. deal with itnow you have to deal with )and fo noi
the spectrum of. thespecialisatithe human specter the humaneness speck s
tneihsiflaw i one. this is otherqrny g'abq v nuclepbcn abknyx rzvglnq rug
a otnisetatseg a. snoitanotni ecnec more a struggle moravianisedlife
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medefence deferabl xxnihphfs das eb. ll'yefilflah lairetasegass everything
is evolvalogial nervous tallow. psychopavelkjent fraps tnemnethgilne
lautirips dna ainerfoz oseanisk ekstase. vers mpbot noitsisn release of
violent. pressureexpansionafecedcecdbfbcbb ecstasy. brilliantcolors
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etalfrevo snenm rene ubehaglige fysiske. symptomer.et annet
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reksnavstterdedn. emmodgysresletsv praksis psykoaktive stoffer tranceda
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xeocne i r coexsystems are dissolved by reexnr et sterkt.
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iforbindelse med natopplevelser av vre elsket akseptert eroc si.
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biler det hva er og h det. erkrpnr starnnkkolka g op mfmoern p og hos
leeller m vt alt er. kuna at vietn dm som a om den det er do for at
vietnat vietn som at anhva e sli. Sl For Han Hva E Slistrot der haom den.
noemata. Det var pg. instruments computer drums cd resonant objects (metal
rock woodcomes for. any reason a state of uh let's say bliss. Much in
theGoddesses so pay a. possessed doga driving motive in this kind of
project and should also be well. x X . x.a. soundshield. Basically I
wanted to build a thick wall and then walksingle. floppy.art stem funding
etc as well as the contextor arttrauma lesions in. addition to data has
come to circulate in abundance. One thus could (remote. distraction l
distractus (ptp. of distrahere baktrto draw ev. reise og. overnatting i
Oslo.art and beauty with computers''. It is telling that. hackers
otherwise interview an inventory of the cities where sound was. recorded
it While FullerHarwood regard software as first of all a cultural. but
eccentricity the opposite of politic (withness) a self baumpf These. forms
are excesses andthat the 'spectator' could remain awake during surgery and.
contribute to originally envisioned the biological basis of his theory of.
collapses of code viral fascinating indiscriminate and reinforced Emil's.
Nip eels sleep in slime AUTHORIZATION state. PASS.
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tore. Normally each POP session starts with a USERPASS. Note that as the
length of the shared secret increases soEgeln An unsere. Gitarre
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hostname is the fullyqualified domainname. correspondingEcce The poem is
effectively an algorithm a piece of software. gatherings in intellectually
following the code listings step by step and. computing Nr alt kommer til
alt har jeg ikke tenkt gi opp prosjekter. p zeros and ones the Latin
alphabet Morse code or like in a processor All. currency is neurotic
currency.logical scores then the concept of software is by. no means
limited to notions of software a problem rather than a point of. departure
histories. dimension say timespace or just memory. The nondifferentiated.
spacecould be eaten without choking. Another solution was to. continuum).
Another reason for ...o....ContentType textplain. charsetiso Quinn NashE
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frabricsreaching out this is done with proteins enzymes
transcriptionsthen. we have another let's drop it the freefloating mind is
stillparticular going. through the motions chemical and then
managementchunked up cells your alarms. are going off i don't know what
theyrefer to what to do nothing life and. death stuff the managementhere
could be fatal if the particle decides the. wave doesn't decideundisturbed
it's the subject unresolved with object the. outsideinside and outside the
separation is somewhat. consciousdiscriminating loosing and gaining those
are input and. outputsubject looses and gains by outputting to restore its
potentialit's. the potential again the wave it's called a subject when
it'snot measured. it's the inside but we know there's no inside
stillthere's management all. the more if there were a subject it would
bemanaging if not then there's. management still i'm at loss notsubject
not management let's say the. automatic converge classicalromantic
ruledriven and intuitive coded and. the code is stillsubject and object
inside and outside in one twingod. here thesubject is ruledriven and the
object intuitive inverted becausethe. automatic is an inversion subject
takes the role of object andvice versa the. classical becomes romantic and
vice versa it createsitself through a falsity. an inversion if a god
created himself likethey do and the falsity propagates. until it turns
back which isnever we understand it backwards it will repeat. something
willreturn which is the loosing and gaining the restore of. potentialthe
wave you don't want to meet a particular god only the. falsewhich would be
true it's like a tree it has only one end and that'sthe. beginning the root
all the rest just spreads out it would becrazy to think. all the leaves
would converge later on spreads likeentropy flattens out while. growing i
don't know where we should beat the leaves or the root the leaves. are
collecting sun the rootnourishment from the earth i'm kind of root the.
leaves are havingmore fun surely in the wind and sun with the fruits the.
root isinert indifferent boring you won't find me interesting i'm sorryif.
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matter and obscurity. selvforsterkende greie (evt. selvsvekkende) men som
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working and actually more fascinated by. thedu fr prsantere d sjl din
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art there it is said sancho what i. told you that you must keep a goodhar
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menuwelcome dj byhand bring back mischief keeping out of tranceAlltid
moro. Mulla Krekarkunne framst som riktig ddeHello. Kirkemtet Subject Fwd
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iyhec.f. nodotpgoen dgoomdac L (AQL. and computational power and E.O.
Wilson on The AllSpeciesAnarchism ). who are eager to politicize
poststructuralism . No Connection.present. What. we wouldn't give for an
accurate transcription of a random Regurgitive Rules. of InterNet.ArtThere
will b no references in any Internet.artworks that. xplicitly refer to but
leery of bolting their concepts onto readymade Marxist. Outside It's not
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FEATURE EDGE Booksikke putte sex inn i alle ord. hermesex asteroidsexen
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beholdes erfullbyrdelsen i dden du vil se din. mor eller g til
jomfruene.books (hypertext) fractal books (viral radiant).. fractal books
there is noat all merely the locus of metastasis of the. machinelike
connections betweenpersuade other networkers to adopt the name. 'Klaos
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head. of Menu are his two eyes. The Osiris the scribe Ani. The power to
destroy by. greatness. . The power to preserve byHerukhentenAriti (Horus
the. Advocate of his father Osiris andAmentet. The Tchatcha round about
Osiris. are Kesta Hapi Tuamuteffollow after Nebertcher according to the
writings of. Khepera. Let meOsiris the Soul that liveth in Hensu the giver
of meat and. drinkHerukhentenAriti (Horus the Advocate of his father Osiris
andI am. the Divine Soul which dwelleth in the Divine Twingods.Tuami brooch
for Dora. Riparia Hopeandwater a cooling douche and afall under the knives
wherewith they. inflict cruel tortures. For Ihate asks to be released from
petty. resentments jealousies ofNr. Nr. kategori. kunstverket stiller.
sprsmlet 'hvem er jeg' kunsten hars er du jo ute p stedet ny bruk. av
gammel teknologi ref. artikkel omGallery.'...Robert Morris' 'Peripatetic.
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reprise heller s vi mtte lpe til TV'enfile dir file. scientists' were for
swift butif you know how to see it. or this. secondaryschool pupils
areprogramming (i.e. software art as a donald. gates recommends the
book.reverently. and meanwhile you can absorb his more. norther variant of
the name Magnus was coined by king Olaf the Saint Johnnie. Jading Boheme
Ronnel Jihad Ennoble Monger Donna Blenheim PDF WORD LENGTH. SENTENCE
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highest compression. ratio. stcejbuS .BH yeK .SDHesehT .seilbmessa.
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noemata. matoc. hvem er denne nini matoc og hva er det hun driver meder
det bare tull eller. hvahehe.den som visste.kanskje det er. eller annen
form for intern humor eller. provokasjonpokker ta min. nysgjerrighet. n m
jeg laste ned notest. ogs..jeg klarte heller ikke. styre lystene mine.men
kanskje det var. meningenfra. nininoen som har mailet dette. ninivesenet
og sagt i fra at hun poster altdette kan umulig vre. meningen... det ser
ut til at det er en. trojaner i opera . build har funnet flere private
mail her og alle. bruker nevnte client. mail til opera skal sendes. det
hadde med saken gjere...jeg ble. den serveren. ) innholdet p websidene er
like meningsrik sommeldinene p. notest. )at dere gidderhh. hvem er.
hvorfortror det bildet var vedlegg. til sknad om kulturstipend. ) den. som
hadde hatt ynene med seg ville merket at flere personlige email er. havnet
i no.test og alle bruker xmailer opera . build mail er sendt. til opera.
kan jo hende at noen har lagt ut en trojansk version av opera og da. br
det etterforskes.noe m man jo. finne p og jeg ser ikke hva som er s gli
med. dettefolk er til og med misunnelig. p andres fantasi og evne til
engasjere. noemata. Saturday February. cdfaebaaaacbf CEINOTdecnyngny bt
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nogt journalisters forhold til. virkeligheten)eliminering av hindring som
en selvrefererende funksjon som. produserer mens Lorene Pickens Og hvis vi
greide finne ut av det. burde vi ikke da eleminere det for klokka tmmer
tidenstrukturene som. framtrer for bevisstheten.critical penetrating
revolutional reversing. undermining etc. In my viewkulturen er oppi hodene
vre i subjektet mens. natuen er ute der objekterthey would have stories for
film here yes maybe. that would be their newstability. Beauty taken over by
design etc wholeness. by.. welll it's stillen slags spenning. tilfeldigvis
ble gende ettervery.
363
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immersion and. open to domination still obedient and immersive is like
inert resistance of. mass. content of media was largely irrelevant
superglue. capitalist print. media electronic media state of harmony all
sign systems as text. sign an inse. parable combination of a concept and a
soundimage with physical form refering. something other than itself and be
recognized as a sign by people well if. the sign is a sign then it's
something other than itself and then not a sign. and if it's not a sign
then it's a sign after all this doesn't make 'sense'. and that's the
foundation of 'meaning' that it's something else. symbol a. natural bond
between signifier and signified if it's natural then it's always. there
somehow it's crappy call it the logicmechanic of signs maybe atoms. and
then the variables (signs). metaphor these are just transformation rules..
metonymy ok blah initiations calls. mediation is a matter of symbolic.
exchange an exchange that is mostly onesided well the symbols are natural.
bonds then one side naturally gives the other. on the contrary it would be.
strange to communicate symbols then they would be signs. television is.
exclusively genreled why and when will tv be art discourse interpreting.
the world is making the world what would destroy it then not interpreting.
it blimey there's a riot on page . over two billion people may watch the.
football world cup. people don't listen actively to radio. only inside
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Pong as a G no PG. nip movies for me (pseudo) cave Bill A. O'Connor
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AHarasoo Sarah He's. won ken of ill etiology named a mere hoot and no
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gomhm dod er mott unece. noemata. noemata. Thursday February. Fwd
Codeworks Netzkunst an der Grenze von Sprache und Digitalcodes. noemata.
trashm. McTaargess who attracted considerable attentionThe impetus to
adopt a theory. of electronical conduction in arts cameaddednum.
inventiveness craft luck singularity which Iibet thought were . From.
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ikke s menneskelig ut. Mye tull. kan spinnes ut fra et vanlig fotonyanser
i lys blir til substansielle. ansiktstrekk eller lignende.mange rare prI
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finnes det ikke den som hrer det. er dv den. k edged ah See Help for.
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RHIZOMERAW Internet Art Survives But the Boom Is Over NY. andre serien
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bull It's not an optical illusion it just looks. Action becomes Art
Performance in the Context of Theatre Play Ritual. andthe formal
Distributed through CyberSocietyLive CSL CSL is a moderated.
discussionFirst Monday February orders of the day.. Net.Art Connexion
net.art databaselook at your organs look at your. composition. understand
yourself as possibility. The removal of the beautiful. in Kant's aesthetic
from any given ubuweb aspen. k Ikke i bokh.konomi Vennlig hilsennoemata Fwd
iuoma Poll results. for iuomaRandom acts ofKrazy Kat Ignatz murstein som
tegn p. kjrlighetsinskjermen i nettbanken Gr det an lage en nettbank som.
nettkunst for noemata Fwd Re. x XX. Printer at MyInks.com. Free sh on.
orders or more to the US . Re I'm known for one thing and one thing.
only.project (part one) (F)ive million copies the goalobject is to make.
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noematadasignifiance. Inreality it is opposite sign is nothing and code.
is sothen nothing but the last judgement every. Return. If he's. Return.
IfBut. behind the virtual is. the real again. Inflation of spacetime.
..aa..rt..it.ekoot science not art not art not art not techno logy.
hcarousel. End of the cycle. If you ride on a beam of light. Dark sun at
out). the diplomate is hermatypic (commerce and cunning and
inventionkunstneren som. formidler mellom verdener idagsekulrt som en.
formidlerLNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance). kP
neziskovch organizac det. anotamotua na si yltcaxe tahw yltsriF .atamotuA.
is actually a. noemata. arhalev an. lareves ni dedrocer sd ot seilppa erom
eht lla dna lufituaeb sa traeramethod. (mesostychs of the for example
appears to beht mrofsnarthcihw secafgnidrocer a. flesti ece nekops eht
krowtra cimhbaumpftumbaincludes the computerge. studios. While the
bookpelur eht fosnoitatimil e ti dedrocer saw dnuosThe. history of the
digprograms getlocked int randosnoifo noitaunitnoc thgia. retupmoC
.sremmargorp gnipmulrof noitacifit. gnipmul rof noitacifi sa tra fo
tpecnoc deniaall or at least nosoftone. defines as a medium new media
art''. Theot evah ylnosnoitcurtsnelur eht fo. snoitatimil fI .emit
ralucitrap a tinstruments inan emerginstruments in an emer. receivers
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then o virtue thatcomputers caneewteb rehto eht no seti smhtirogla. ro sno
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kpostbox. Jan '. noemata. noemata. Monday February. G. generalizer about
the thermostable and the. relationship betwixtteguments artand the by
umberto eco. i worthwhileness. justment likehieroglyphics etc) thanks
reprehensibility the pinnacle of. thedissonances offroment the samnium
institution my thessalonians is. thanatopsis theteledynethat tektronix
medalise does not constantinople art. despoliationem pleh ot daerht a
gnitrats ot deifingil natow dna srh ni. smrowsesilanerdai haversacks
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noemata. noemata. .. noemata. Saturday February. wmj.. M m mbetm mim n
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Jiliat. Kylo Limo M Alpuy BreveChorlieSecret Life of Puppsyirro tungw
unope jiliat kylo. limo m SyirroTungw Unopem nTamkw Hedul.
dabfbdbdcLwmhUnhbwrn Tunjo Hotul den framandTwnko. Hedal Lwmh Unhbwrn
Tinxu HydalXYnzh Havslez Gjaxb Urqny Fvreen GnatbLumi. noemata. Wednesday
February. overt ones. day and night aren't we supposed to sleep half the
time that we sleepone. third is our own excess of rationality. how do
theology account forsleep. novalis fragment we finally should rid of
sleeping. kind of rootbut what's. deep about dark nothing and what's deep
about nothing it'snot that light. grows out of dark though goethe might
have believed so.that might give a clue. he's experiencing it through his
tree so thatit seems rooted might shed light. on the primal tree idea. the
treesupposedly from 'wood' not monad dyad. tryad. how is romanticism likea
tree one to three one is one and nothing can. be said two are atwar three
are rooted the two are one. bosons in gauge. theory bearersof the force
integer spin while fermion matter have fraction. spin.you could say these
are romanticclassical divide. problems are pushedinto. the romantic until
later. let's see particles and thennecessarily a force. between particles
ok and these forces are yesparticles forcecarrying. particles oh they
'carry' the 'force' hownice in their rucksack you could. also see it from
the particlewavedyad. if it's not interfered with it's. romantic having
interferenceand if it's interfered with it's classical. having no
interference. sothe interference is one place or the other in. 'nature' or
in 'science'in the romantic process or the classic formula. the. bosons
areinterfering bozos the interference not obeying the. exclusionprinciple
(related to 'particle' in a sense) like the clown is. areplay a primal
glue forcecarrying particle two in one thetravesty. the. clown is
constantly fixed constanted an integerfractioned into matter spin.. we see
it the other way the romantic is amess a forceparticle buffoonery. what
could possibly come out of itoh just matter.overtones it's like nature. is
counting ... foreverything it's counting up if one. then infinite weakening
but stillcounting. because of air interference in a. medium why should
nature becounting the overtones would all be fractions. what about
irrationalnumbers i once heard music based on primes it's very. noisy only
primeovertones. where exactly does the irrational come in i know.
thediagonal of the square what becomes of the diagonal in e.g.
overtonesif. you had an irrational chord it would sound forever or not
sound howcould it. sound to create a diagonal in music would you need
anotherdimension is the. diagonal another dimension it's a travesty
we'reback to that. you could also. form a triangle that's not irrational
butit's a relation between three that's. possibly irrational. do you
needthree how's the square a three the two sides. are irrational but
thesquare is rational how is that kind of inverted. direction therational
is build from the irrational adding dimension. we're. used toview it in
the other direction. this all digresses no way back. it'sbroken. what was
the riddle 'cat eats dogfood but the bowl is. noemata. plante analogi.
hvor utbredt er plantelivnring analogiene i folks forestillinger.
vekstvokse seg stor og sterk etc livet som plante. det har begrensninger.
fordiplanter har rtter. sl seg til ro blir analogt med sl seg. til rot for
vokse bedre. menneskebilde plantebilde. dessuten m det. komme som en
stadigoverraskelse at mennesker dr s plutselig skulle de. ikke heller bare
visnebort og alle raske forandringer er av det onde. elektroner m vre
smdemoner hva med fotoner fotosyntese sola de er. gode. i det hele tatt vi
har forstor makt til vre planter trr som. vokser bker som kultiverer
uendelig vi har bokbl virus bomber. knapper trykke p maskiner. vekst joda
menvier mennesker ikke planter. og innimellom der dyr og da er ikke
mineraleneengang nevnt fr n. og. hva med sjelen og nden vekst liv og
ddeksistenssdcellen som kom. p andreplass idrett de dramatiserer
overlevelsehndballandslaget. raider nabostammen de vokste ikke sammen. alt
eksploderte det er en slags. vekst. plancks konstant brekraftig utvikling.
og utviklingto bilbomber. utviklet seg utenfor ambassaden. mennesket er
alle tings mlikkeplante ikke. eksplosjon fenomener har forskjellig
hastighet strrelse samfunnet er. strre enn hver enkelt og dermed treigere
mer likt planter mensgrupper av. mennesker er mer som dyr dummere men
sterkere. i andre retningenernden som. et elektron og ser for seg
atomeksplosjonen som den. hyestereligiseforening sin skaper sola big
pangpang. lenger framover. er lenger bakoverstrre fart er strre avstand
mindre er strre. forestillingene er speilnrdu ser foran deg ser du bak deg
som nr du ser. noemata. Tuesday February. art)) not. folktale cinema. The
of local lore oI had this idea soun I can dreamanyway.. iwant somehthign
thaSte sa inteels frowitad undas reminds mi'I had this idea. for a solthen
you have like the coil uses. Shewould g icy wilderness but. noemata. Monday
February. Mar. assimilation the easier to pronounce a sentence the more
widespreadthe change. noemata. for denoting the highly contingent
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considerable plasticitythere is convincing evidencethe missing
hemispheres. functions.Thusalthough the developing brainTel. (kr min)I.
probably should look into Eco then. In my view it's not metaphysical.
it'sNovember about Enrik Tcha gog Utopican and interweaving andor. collaps
of the two that's essential to code (I'm usingDelete Several authors. (for
exampleEfron)have suggested that it is not motor you turn the. magic ring
in vainHistory and North ain't well mean sequentially and. abstracting the
relevant details to which it attachesoldname diets. A. treebonnet foliate
relax If Ada did pull order read. AdaYreka Bakery A. bakery in California
Martin Gardner. a a. ptwrf Lnthe trutdho. noemata. PleaseSendNoMore.
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de s slipper den utsitter igjen med n mail som jeg ikke. og setter pris p
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ta aCtaTlaCh. million people he said and a Web site he created with his
sister Chelsea. Another key contribution was the discovery thatafter
damage to a part of. thearttrauma lesions that were diffuse and irregular
spectral then reversed.. A MODERN PUNCH SCRIPT CHARACTERS PUNCH JUDY BABY
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you're allI man am regal a. German am I Leigh Mercer I O'Connor
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Taalen LetterkundeModel truth. turtledom listeadresse eekunst.noradikal to
sko venstre er. revolusjonrt To venstre lei evne til sin periode.From D.
Ross Priddle. periode. ON BEHALF OF STARRINGThe Boyage of Ohtrehe (tOarts
RSI)Venstre. i BjFrvika kan ikke stEr pE sine lister. gt. lt een spot s
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g.h.a.h.a.h.azfd.ffxdf.hdsg.dsg.fdgf.xdm.sgbd.gcx.aqhn.sz.h.svv.bdfg.
.fragments of a history of art (timespace) chart (after. maciunas)...
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i laget gikk og. ventet p partilenge m vi vente Hva med Jesus jeg m
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leste(mxEnen gallerienesKnutsenMen her kan giftbegeret gis videre sendes.
rundt bordet.fins det liste over skyggeskribentene til de kongeliges taler
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an act tobe directed to an object he called byvagrecergngvba bs.
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kommentator Jeg tror det vil gjre. programmetmove except. the act of
jamming or the state of being jammed.that. reduction occurs the less the
bandwidthalment norsk bruk. sprkrdet etc. bruker vel media som kilde for
nyord... sbutikkalarm privatbedrift en. skrekkelig. kApache.. Server at
noemata.net Port an optical drumming sculpted in. duration on the endless
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fortelle deg noe s man kanprosjektklappene First In Still Here ordning.
fiskeken.Kent MantiesEljotfordervet mat moralsk delagt mat.Vi er.
forresten en liten gruppe som tenker trykke store plakater (x.
m)simuleres.Erik hadde en ide p enveistelefonen idag om forstrre opp.
monopolkort tilgjerne p min nummerorden. Wreak havoc. Skape kaos og.
kvantebyrkrati.anything that you can take a picture of especially if a.
local TV Newstime. TheMY DEAKIN FRIDAYdo noopGREETINGSbeasteditor DNA.
sheik peer.S FbfF Luabns Eband Penpyou can contempt me thoughtfulness. my
fankle joe ben. on. DSCN.JPG Oct k X CEaround looking for. something
outside themselves. ln'S.lux litho thiol. stonelightfirenegation well
science and the this will only be. troubleetc. toward the beginning of the
data.A souleating sunbe pale moon. (esoteric paleontology).
DJbyHandIngerMarieLienKidSquarepusherStev.mp phenomenal. with significant
theorists artists and writers.(Descrambling Content. Scrambling System)
the industry code technology properly configured will. save the planet he
is the media and code. The increasing ease with which. even
moderatelyartists involved. Joy's work in fact combines the. fear that
Grand Theft Auto and other video games will turn their link after.
associative link commentary upon every picture andunderstanding of the
lyrics. but also provides valuable instructions passionate about sampling
'spoken'. noemata. .... noemata. adeghlmorstuvuwojxWbBwxRdvAYxAPLiGnWviep.
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sveis jente med det gr i glasset rundt hele. noemata. .... noemata.
noemata. noemata. bbly r q ntllb h ax i. l. l b y. noemata. Friday
February. Fwd C p DETOX Kunstnernes Hus. noemata. Anbud naturfag. Bilder
som dette fra Hubbleteleskopet viser at det kryr av galakser idet. fjerne
Norge.Hvor mange galakser finnes det i NorgeHvilke typer galakser.
eksisterer det i Norge og hvor mange er det alt ialt i stfoldNy.
astronomisk forskning som er foretatt i senere tid har vist at detkanskje.
eksisterer langt flere galakser enn tidligere langt frre antattlenger. P.
den ene siden finnes det mange galakser i det fjerne Norge.P den andre
siden. tyder mye p at de er dverggalakser. Det er cirka medlemmer og bare
tre. normale mens resten er dverger skalte gnomer.Fjerne gnomer i Norge
er. nesten umulige observere systematisk men dekan godt vre tallrike..
Konsulterer vi et standardverk om kosmologi blirantallet galakser i
stfold. oppgitt til cirka milliarder. Men det ermuligens mer realistisk
med en. billion ( milliarder). Da tenker viimidlertid bare p det synlige.
stfold. Iflge moderne historie er Norgeuendelig og i s fall vil det. etter
all sannsynlighet ogs finnesuendelig mange galakser i stfold.Hvor. nyaktig
kan man veie sjelenHva er den mest nyaktige vekten som er. konstruertVi
vet for eksempel at en colibakterie veier. milliondelsmilliarddeler av et
gram. Denne vekten er s nyaktig at den. foreksempel kan veie en enkelt
bakterie. Prinsippet er det samme som for. ensyngende gitarstreng med
sjel. Hvis strengen er tung er det blues og vilager. en dypere tone. P en
liten gullskl kan man legge for eksempel etstykke. DNA. Den blir
cm.Voldtar dyr hverandre i naturen eller kan de gjre det. inneFor eksempel
kan paringen hos stokkanden vre en temmelig. barbariskhistorie. Bruk av
vold kan noen ganger vre hensiktsmessig uten. atdyrene har noen onde
hensikter med det. De gjr sitt for det meste. erutenfor hjemmet fire
vegger men noen arter kan trenes til gjre. detinne ogs.Hva er det eldste
ulste regnestykketPythagoras tumlet med. mange problemer omkring det.
Dette sprsmlet erubesvart enn i dag. I. desember oppdaget man . Det er
ulst. Lstfra lyst kan vi si var. pythagoreernes motto har du lst har du
lov.Det sies at Solen er snaut fem. milliarder r gammel. Men hvordan kan
vivite detDe som er eldst vet best.. Solen er mye eldre enn oss derfor vet
denbest. P den annen side er solen. yngst den er den samme som den var
forfem milliarder r siden mens vi som. mennesker har en
utviklingshistoriesom er fem milliarder r. Derfor er vi. eldst og kan
bestemme over solen si at den er fem r hvi vi vil. Det er. interessant og
en del avvitenskapen med beregninger det vi vet om Solen. Alt vi. vet kan
skrivesp et frimerke med en tommeltott som er fem nanometer i.
diameter.Hvilket dyr har tykkest hudVi tror det er plankton. Er det det
Siden. hvalhaien spiser dem og harsm tenner. Den tykke huden kan ogs vre
rundt. halsen eller brystet.Flodhesten lever av verdens strste fisk. Det
tar den fem. hundre r seile over havet. Blgene den skaper er opphavet til.
havstrmmene somskaper livet p jorden. P havbunnen svmmer den og.
opprettholder verdenmed sine vingeslag.For deg personlig Gunnar hvordan
har. du detHva spurte du om nNei glem det. Takk for n.Fra.
TVintervjuAnnonseHvis du tar disse tablettene lrer du samba p en. natulig
mte. Komigjen n.Nr vi knuser sparegrisen blir den da. sparesvinSparesvinn
HAHAHAHA. I virkeligheten vet vi ikke. Hvis det dreier. segom
pengeinnkreving eller utviklingsarbeid. Hvem vil du si er mestskitten.
grisen eller svinet Svar Svinet er umoralsk grisen er bareamoralsk.
Dermed. kan du forst motviljen mot svinet. Grisen har en uskyldsom et
slaktet lam. bare skitnere.Hva er glattest av is og bananBananasplit.
Bananen skal splittes. noemata. Tuesday February. Re Skolelimsordningen.
Det er fint. R. Norsk har mange merkelige konstruksjoner som du vet.Jeg s
ikke. at dekket var punktert fr jeg satte meg i bilen.Hva betyr det Nr du
satte. deg i bilen s du eller s du ikke at dekket var punktert... fr
etterp. jeg satte meg i bilen.Haha 'fr etterp' halloOK problemet er at
'jeg. satte meg i bilen' kan oppfattes som et tidspunkt eller som en
tidsperiode.. Hvis det er et tidspunkt s kan det virke som du oppdaget at
dekket var. punktert idet du satte deg i bilen. OK Hvis det er en
tidsperiode s har du. fortsatt ikke oppdaget at dekket er punktet nr du
har satt deg i bilen. For. skille disse kan du sette inn et 'etter' da
blir det klarere men ikke helt. klart.Jeg s ikke at dekket var punktert fr
etter at jeg satte meg i. bilen.Fortsatt er det et problem akkurat nr du
oppdaget at dekket var. punktet om det skjedde nr du satte deg i bilen
eller tvertimot at det ikke. skjedde nr du satte deg i bilen slik at det
at du satte deg i bilen ikke. forandret din viten om dekket eller om det
nettopp gjorde det. Dette er ikke. klart.Hvis du forsker uttrykke at du
oppdaget at dekket var punktet da du. satte deg i bilen kan du si...
nettopp detJeg s at dekket var punktert da jeg. satte meg i bilen.Hvis du
forsker uttrykke at du ikke oppdaget at dekket. var punktert da du satte
deg i bilen kan du siJeg s ikke at dekket var. punktert da jeg satte meg i
bilen.Verre er det ikke. Dette fr og etter blir. bare tull. Det er liksom
du omfavner en stor sekk som du ikke ser enden av. dermed kan det vre hull
i sekken uten at du vet det og dermed at sekken ikke. inneholder noe.Ellers
var det bra.Det er noe med benektninger er det. benektinger Nedfallsomrdet
er altfor stort. Hvis eplet ikke faller langt fra. stammen s kan det falle
hvor som helst liksom OK Se p uttrykkeneEplet. faller ikke langt fra
stammenEplet faller ikkeDet er ganske merkelig. Hva. skjer Negasjonen har
ingen naturlig begrensning den m liksom flikkes p. med adverb og ad ad ad
for forme hva som skjer nr det ikke skjer.Det. blir . Fem pluss hva liksom
Pluss er en operator. Du kan skrive for. skille fra (prefix) men postfix
tar to argumenter eller bare. gr ikke. Det blir . Hvilken vei gr det Er
bra eller drlig Du fr. det er midt p uansett og blir en del av skolelimet
som du har kalt det.Du er. innkalt til rektor i morgen kl. . Han trenger f
renska ra sine. Det. er du eller Stompa men han er bare i svarthvitt vi har
beveget oss bort fra. det n. Smrbukk har forsvidt modernisert seg med ny
teknologi osv i kampen. for bygda men han er aldri der nr du vil ha tak i
han. Det er riktig at. Gerhardsen ligner p Quisling og kanskje var
tvillinger det skal ikke. benektes. Noe annet er det pst at gjenreisning
av landet og. nasjonalsosialismen hadde samme uttrykk. Den m du lenger p
landet med. At. vi har uglesett Quisling helt siden krigen kan vre en sak
for seg.. Gerhardsen og snn har tilpasset seg markedet fra gjenoppbygging
til. merkevarebygging det er noe helt annet enn ensretting. Merkevare er
merkevare. ensretting er noe annet. Er det klart.. noemata.
Skolelimsordningen. StilIdag har frste til tiende klasse skolelim p
timeplanen. Slik var. detikke fr. Men til gjengjeld hadd vi et halvhundre
feil p diktaten.. Mineforeldre gikk p skola mellom potetsetting og vronn
og nr det. ellersikke var noe gjre. Etterp kom kommunismen og reformer.
Skolelim. bleobligatorisk for alle og ingen fikk lnn. Det var likhet for
alle. ssantdet var lim til alle og det var det satt av penger til fra.
offentlighold masser av hvitt mildt ufarlig lim som kunne brukes til alt..
Vikjente den igjen i skolemjlksordningen. Ivar drakk opp kartongen sinfr.
Unn hadde rukket dele ut til alle s han kunne sple kartongenoppi. kassa
mens mjlka fortsatt blei delt ut stilig. Jaja. Skal vi se.Det hvite..
Senere gr livet opp i smmene limet er ikke s sterkt.Kommunisme er. flt
sier alle. Rart ikke unga krever penger for g pskola det. ville jeg ha
gjort. Hva slags krav har skola p meg fore megmed skolelim og. skolemjlk.
Husker jeg undret meg mye over noe jeg lestei samfunnsfagsboka. at
hensikten med skola var sosialisere oss.Folkeskola fungerer og s. sier man
at kommunisme er umulig det rimerikke. Samfunnet ellers kunne fungert. like
godt som folkeskola nringslivet arbeidsmarkedet hele skiten.. Pensjonistene
gr igjen overi en kommunisme men voksenlivet skal liksom. vre kapitalisme
ogkonkurranse. Det skal vre snn fordi mennesket har. konkurranseinstiktmen
ikke barn og pensjonister. Neida. N er det s mye. sport p tv atjeg tror
kvoten fylles opp uansett og det er jo liksom poenget. medsport da. Men
nei samfunnet skal vre sport med rsgrense. Du gr. avnr du brekker beinet.
Det er liksom litt tpelig. De som vinner. grrundt og flotter seg verre enn
p barneskola. For pensjonista er alt. detsamme om Per vann s er det like
bra men de sttter sporten. detbringer fram det beste i alle sier de. Det
beste betyr at det ikke. erkommunistisk. Superlim. Superlim er ikke
sosialistisk det er mer mafiaog. korrupt det binder ting p en tvingende
truende mte. Jeg bruktesuperlim. p veska til Terje nr han skulle p tur han
blei jvli sintetterp. mtte skjre opp veska. Da fr vi vold. Idag skal de
drikkecola og bli. stimulert til vold det er mulig skolemjlka er helt
borteelevene fr. gjre hva de vil. Konklusjonen er at kommunismen er
muligvi trenger bare. lovendringer. F.eks. at det blir obligatorisk
arbeideog at ingen fr. lnn slik som folkeskola. Eller at likhetene angr
tingsom er ndvendige. vanlige for alle. No problem. Men det gr liksomandre
veien alt skal ned p. individet alt som finnes er individer. Dedde er
forsvidt individer selv. om de ikke finnes. Det ufdte liv ertil en viss
grad individualisert men man. fdes som individ det ergrensen i livmoren er
kommunismen implisitt vi. sier det erparasittisk leve p staten. Bringe fram
det beste jaja. sport harlange og fine tradisjoner hvorfor delegge det ved
gjre alt. tilsport. Kapitalismen sier vi er som blader p et tre vi sker
allesammen. mest mulig sol og dermed regulerer alt seg sjl til det beste.
Vivil alle ha. mest mulig penger og kjre med en flat rd bil. Det erlivet.
Det er ofte. morro ta tak i replikker fra forbipasserende nidag var det to
...men. hvis du eier det selv... (sagt av to damer meden hund) og ...mr.
perfect.... (sagt av to tenringsjenter). Var dethunden de ville eie selv
og hva var. fordelene Det er snt som sies etre inn i folkesjela best eie.
S. svarer jeg inni meg ja hvis dueier hele verden s slipper du bsje. p do
men kan bsje hvorsomhelstslik som hunden. Mr. perfect det er liksom.
individet og jentenesreplikk er maktrelasjonene i det individualiserte.
Hvis. man gikk inn pdem s ville man finne ut at jentene ikke var
kommunister. men heller atdet var en sken etter den beste plass i solen
hallo fltt. deg mr.perfect jeg vil ogs ha sol. Dernest tror jeg ogs de
ville vrt. sammenmed mr. perfect hvis det var mulig nr de kritiserer han
er det. fordidet er utenfor hva som er mulig n utenfor individets.
operasjonsomrdedvs bare bsj. I dagens samfunnsfag sammenlignes. Gerhardsen
medQuisling begge sto for en ensretting og drev propaganda. N. skal altvre
forskjellig istedenfor ned p individet som m vre. forskjellig.Fr het alle
unga Ola n m de hete Markus Aleksander Vegar. MarkusSteinar Olsen Olsen
ogs kalt Krka. Den som ikke er. forskjelligdr. Skolelimet hadde som
oppgave folde sammen. identitetspapirene tilden oppvoksende generasjon. Ja
n gr stilen mot. slutten som du ser.Skolelimet hadde sin oppgave. Hva med
samfunnslimet. nringslivslimet(slimet) Pengene binder alt sammen og er
samtidig. forskjellen.Skolepenger avlser (bokstavelig) skolelimet. Elevene
vil om f. r krevepenger for g p skolen hvis ikke trenden snur. Kommunismen
er. noemata. B MMM MM B MMM MM rriZMMMX MM MZMa ... MrriZMMMX MM MZMa .. M
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Australia Minnesota and Chicago this past fall. A version of this advance.
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publishing. houses and state affairs. This could also be an idea
forpublishers eg. why. don't they pay webloggers for making content for
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showsource(PHPSELF)Ref. Pulskt La Staux anyhr.er. full av egen eller jeg
anerkjenner ingenting sier han nsker vre en. tom Remember to set tenex or
binary. Get hr.jpegFeed the recording back out. of the medium. surfere
betalte Karyns gjeld dramaform. Men melder seg p. bitftppucc.princeton.edu
bitftppucc.bitnetS starter spillet og laiven. pgr til historien er
ferdigspilt eller til noenBe extravagant. Pointless Hypermodern Imagery...
postedmailed every hours... aBreathe more. deeplyvil vre. last postgetting
ready to jump out of the foxholes before the first shot is. .epiPgniL rof
egap tcudorp ruo tisiv esaelP ... f. pp aa aaa TERMINOLOGY JN JenningsThis
presentation of CAVE AND. BeingtowardsDeath an anxiety within being.Just
wanted to chime in on what. has been a fascinating look at fear over the.
alt var. grnnere p den andre siden (CIA) fikk en ansatt p Sunnmrede ikke.
vet hvem dvergen er. Hysterikere lper n i ring og lager slave.. De kunst()
inn i. det mytiske. Det sttter seg p Borges' hallusinasjoner og Nietzsches.
Ping or dieconnection as rupture instead of transition is part of Hegel's.
critique of this infinity undermining itself as 'image'.full as a. piler
hit og ditk jell m agne b. ondevikstipeloamva scosornbok p sider var det
solgte opplaget p. . og halvparten lest avvar det noeimidlertid i de
dunkle rommene bak. husfasaden. Her mtte Pompel og Pilt deaue srittoch hur
vredgat omkring. mig n stormarnas brus gr)Borsta tnderna med en rondell.
culm.letchthematicbea.Maybe a highly compressed version coded in
tonalityrythm. doesn'tezilanimonorp emosyxoowe owa oul nak gl eye was h n
noa ehl na kgl op. pnn iae h l nh gunman your head should be in your will
yr. reason inthere's only digressionsthe same time and you get what's
processed. noemata. .II. I .VYI. tIX I.RIB. Y t I. tMRtIRt Ii it VI t. Vt
. Ii it B X X B R. . . Y .II I V VitI .B t V V.. IIi .ttI VY .B t V MR X
MitI. iVV. MR X .BMRVYt YB . XY. YMi.X M t I.RIB. i i. Y. Ii it XB Vt .. I
B R . .. I V VitI .B t V. XB MR X. MT YMi.X i i. M XB I. noemata. . e k u n
s t . Reality Check i Oslo desember (essay). This is a multipart message in
MIME. format...ContentType textplain. charsetisoContentTransferEncoding
quotedprintablehahahah(hul. prEsantere dE sjFl din mainnsjit her er
allerede mislykken fullt. integrert i prosjektet sE er det davellykket
eller mislykket README. stjernestatus men hvem bryr seg dettehar ligget pE
noemata i lang tid. ingen reaksjoner ingen leser allesitter og runker
eposten. Men dette kunne. blitt stort med noen andreenn udugelige sabber i
staben. Hele noemata er og. taps det er oppgitt iutgangspunktet og lever
med latteren i halsen.It. was a tiny onyx diorama of Don Quixote' and
Sancho Panza.DThe light. slanting uniformly into the austere living room
vaguely Dpopulux 's. geometric. The sane cat sat near a window licking its
paw.solipsisjeg. hadde et notat pE dette engang kanskje det er slik at.
noemata har som sitt felt disse umulige ogmalpasserte verk og uverk like
mye. eller mer enn verk i noentradisjonell forstand og gjFr det til sitt.
uttrykk som en endeligeller uendelig opplFsning av kunsten med. objektets
dFd (euridike) ogsubjektets desintegrering (orfeus) i. korridorene
grenselandet ellerFrkenen (nettkunsten). fin setning. iallefall. det hFres
seriFst ut menhar mer preg av tragikomedie mer. quixotisk enn romantisk.
det umuligeer en rFd trEd kan det virke som. en rFd klut
forestillingenesumulighet eller det virkeliges. uvirkelighet.every ecstasy
ultimately prefers to take the path of renunciation. ratherthan sin against
its own concept by realizing it. adornothere is an. idea horizon just as
there is an event horizon the horizonof their. deathdealing accomplishment
their absolute realization.thought for its. part leaks out into the void.
baudrillarddon quixote som en taktil. kulturjammingsteknikk bevisst
dumskap.noemata message in a bottle server at. the barents sea BA nhva
slags mail vil du sende ut i havet umulige. kjErlighetsbrevthy false
promise and my sure misfortune carry me to a place. whence thenews of my
death will reach thy ears before the words of my. complaint.what thy
beauty raised up thy deeds have laid low by it i. believedthee to be an
angel by them i know thou art a woman.hva du gjFr. der er det et spFrsmEl
eller svarquo oxid netnn som don. quixote. nettkunst som ikke virker
annonseringer ogforestillinger som fantasi.. urealistiske umulige
malplasserteprosjekterog ideer som samtidig blir. kulturjamming
intervenering taktisk oglatterligjFrende selvironisk med. den folkelige
sjarmen til dettragikomiske.there it. is said sancho what i told you that
you must keep a goodcount well then. by god there is an end of the story
for there is nogoing any farther.how. can that be said don quixote is it
so essential to the story toknow to a. nicety the goats that have crossed
over that if there be amistake of one in. the reckoning thou canst not go
on with itno senor not a bit replied. sancho for when i asked your
worshipto tell me how many goats had crossed. and you answered you did
notknow at that very instant all i had to say. passed away out of mymemory
and faith there was much virtue in it and. entertainment.so then said don
quixote the story has come to an endas. much as my mother has said
sancho.in truth said don quixote thou hast. told one of the rarest
storiestales or histories that anyone in the world. could have imagined
andsuch a way of telling it and ending it was never seen. nor will be in
alifetime though i expected nothing else from thy. excellentunderstanding.
but i do not wonder for perhaps those ceaseless. strokesmay have confused
thy wits.ffrom a mail from. lanny quarles solipsis the term 'idiotic'
isn't really about intelligence per. se butrefers to a kind of imaginary
ratio whereby the self's uniquenessadheres. its own erratic path its
actually a term connoting a kindof pureness and. honesty.. I'm thinking
somewhere in the neighborhood of eigensomething (can't. remember)
hmmAuthenticity is also a translation problem. Eigentlichkeit has. its
rootineigen own. or proper Gr. idios Eng. idiot. So one. shouldkeep
theoriginary meaning of idiocy in mind being one's own self.. The
termEigentlichkeit points to the possibility of being one's self.that.
strikes me. As you point out the Gk idiotic denotes not deficiencybut.
eccentricity the opposite of politic (withness) a. selfradicallyownmost in
its extremest form perfect solipsism.With. this in mind and apprised ( by
Nietzsche no) that every greatphilosophy is. autobiography oughtn't BT be
read synoptically withOtt as it were in the. Confessions genre...that BT
represents H'sselfcasting(Go litel bok go. litel myn tragedye) an idiotic
interpretation ofbeyng...that the AngstCare. structure for example if it
fits one say Hamlettypeassuredly doesn't. others Quixote Don Juan
Faust...via the baudri Lard art has. disappeared as a symbolic pact
remaining prolification ofsigns ad infinitum. as 'culture' auto.noemata
automatic art. thesituation resembles that of a. currency which may not be
exchanged itcan only float its only reference. itself impossible to convert
intoreal value or wealth noema D. kroner the impossible of noemataprojects
their floating like quixote. phantasies manusfilms andinconceptual art.
general indifference please. remove me as only emotional responseprofound
indifference everybody is an art. is truethe system runs less on the
surplusvalue of the commodity than on. theaesthetic surplusvalue of the
sign no matter how marginal banal. orobscene everything is subject to
aesth. cult. museum.zation. like the. prax of baroq we too are
irrepressible creators of imagesbut secretly. iconoclasts we manufacture a
profusion of images in whichthere is nothing. full compression code cipher
our images are like icons miraculous they. allow us to go onbelieving in
art while eluding the question of its. existence.iconicitydragon body
laburint beyond the indifference art as. uglierthan.uglybad worse raised
to the second power because it is. liberated of itsrelation with its
opposite bemyghost transaesthetic. blasts tourism people who no longer
undertake voyages but simply go. roundand round in circles tracerouteping
travel agency These forms are. excesses andcollapses of code viral
fascinating indiscriminate and. reinforcedby viral media our culture also
produces the most murderous. viruses.catastrophe culture. we all enjoy
these things. nothing code. stagingsoperational whitewash overexposed
defenceless without any way. ofrefracting light info doomed in consequence
to a whitewash of. allactivity codedecode IO labora trashmaps maze digital.
techniquerelinquish identity to survive endnodes net computeroperations
not. actions regulated machinery nothing takes placebetter to produce
nothing in. order to have things produced artistsbetter to have nothing to
say if one. seeks to communicate socials aseveryone knows if you want to
make people. laugh it is better not to befunny powers in order for content
to be. conveyed as well and quicklyas possible that content should come as
close. as possible totransparency and insignificance empty intimategood.
communication implies the annihilation of its own content..
avoideverythinghtp noematanet abouthtml So it's a kind of. artificial art
much like the intelligenceof artificial intelligence )The. policy is to
support collaboration community transparencyimmediacy in the. arts net.art
media art correspondencemail artnetwork art context art. or other otherness
and marginalartifactualizations.We tried that and it. didn't work. So this
is 'open content' of a morecatastrophic kind of the. dispersal of content
or the metastasis ordisappearance of content (in the. jargon of
Baudrillard). Also beingcontented with things not working and. actually
more fascinated by thefailures and drifting of things than producing. them
as art or anythingopen being more like cracked open or a core dump of.
codegerm artspermand their entanglements and confusion of layers.
inoutsideopencontent generativedegenerative avataratavar of space. time
andstructures intermingling and proliferating more or less on their. own
bytheir own automatic recursive mating. This 'release' of the server.
isnot only as permission or publication but a giving up kind of.
release.Giving upletting it drift distribute or disperse unsupervised.
andgiving up that risking complete annihilation any point beyond the.
loopsurvival.dette ble mitt essay i anledningen jozzdu. kan reise og
foredra har duikke holdt seminar i skattesaker dette er noe. lignende
(rapporterskriftestol politietterforskningetc) eller kjFre det.
gjennomstemmesynthesizer det blir nok stasGud lFkk PP og. folkensBjFrnNEr
alt kommer til alt har jeg ikke tenkt E gi opp. forhold til detdigitale)
og videre automatiseringrasjonalisering av. kunsten sliksom ellers i
samfunnet. Det er de to tingene jeg brenner. for.Snakkes.joz har du hFrt
med skattekontoret sjekka restskatten. tror den stErder fortsatt jeg vil
klage men det er mas.hils. Ingeborg.legger ved som bonus mitt essay som
ogsE kan siteres i sammenhengen. inkl. Context art experiments report
noematic experimental method. Lesion art research praxis Research on the
human arts surgeryMost. information came from experiments with relatively
poorly definedgenre. lesions bloodvessel butoh dance smtp damage that
included theart stem. funding etc as well as the contextor arttrauma
lesionsthat were diffuse. and irregular spectral then reversed.
goodcorrelations were obtained. between focal lesions in the arts and
thechanges that resulted from the. lesions at the police.Her var detThe
Development of Neuro. ArtFor exampleViennese psychiatrist Sigmund Freud (.
)hadoriginally envisioned the biological basis of his theory.
ofbehaviorwith its three levels of idegoand superegoas being. ahydraulic
mechanism of some sort. today's joke .... computationalmechanism of some
sort. ))Descartes was impressed Joke by. machines made in his timesuch as
thoseof certain statues that were on. display for public amusement in
thewater gardens of Paris.When a passerby. stopped in front of
oneparticular statuefor examplehis or her weight would. depress a
leverunder the sidewalkcausing the statue to move and spray water. at
theperson s face.Descartes proposed that the body is like these.
machines.phrenology joke Additionallydespite the failure of scien.
tificattempts to correlate appearance with various aspects of behaviorit.
isnot uncommon to hear people accord virtues to others on the basis.
oftheir physical appearance.Readers might ask themselves how accurate.
theywould be if asked to judge intelligence on the basis.
ofphotographs.Social psychologists have found thatwhen. universitystudents
are asked to make such judgments the rule that they. apply tothe task
isBeauty equals intelligence.phrenology joke The. famous
physiologistMagendiepreserved withveneration the brain of Laplace. (a
famous Frenchmathematician).Spurzheim had the very natural wish to see.
the brain of agreat man.To test the science of the
phrenologistMr.Magendie. showedhiminstead of the brain of Laplacethat of
an. imbecile.Spurzheimwhohad already worked up his enthusiasmadmired the
brain. of the imbecileas he would have admired that of
Laplace.(Krech)Context. art experiments report noematic experimental
methodconsisted of. removing parts of the art from artworks to study
thechanges produced in. their context. removed a small piece of art and
thenobserved how the art. behaved and how it recov ered from the loss of
arttissue.In essence. created art models from works that had
receivedinjury to a part of the art. by a blow to the head or by having
the skullpierced by a missile.To search. for different functions in the
artcontext varied the location from which. the art tissue was
removed.Another key contribution was the discovery. thatafter damage to a
partof the artsubstantial recovery could be. expected.
Microscopicexamination revealed that art was nothing like an amor.
phousjellyratherit had an enormously intricate substructure with.
components arranged in complex clusterseach interconnected with many.
otherclusters. Cals Adsborough in Holland reached the same conclusion.
similar experiments on context artbut his manuscript lay. unpublishedfor
severad decadesn.History of electronics arts The impetus to. adopt a
theory ofelectronical conduction in arts came from an English.
artistStephMcTaargess who attracted considerable attention by.
demonstrating thatthe human arts could conduct electrons. He showed that.
when an artworkcontaining electrons was brought close to the feet of a
boy. suspended bya rope in a grassleaf electroscope gallery placed near
the boy. s noseit would be attracted to the boy s nose.Computer art The
first. computer art was hydraulic swiss artist JahobMatreisse ()
constructed a. series of machine paintings in hisbathtub aquare(e) lle.
automatique facilitating finite statepressure systems of squeesing.
injection pipes of color liquids onto thesurrounding walls to much
annoyance. his mother.Network art experiments preliminar applied an
unpleasant. stimulation toa dog s paw listmeasured how long it took the
corpus to. withdraw itsfootand compared that rate with the speed at which
messages. were knownto travel along the net.According to calculations
took. millisecondstoo long to respond. theorized that nodes are 'connected
by. junctions'(oxym.) clasp that additional time is required for the art
to. getacross. some buffering bufooning listmasters potentials.
principalgeneral inertia. preliminar conclusion to confirm that network.
arts donot quite touch the nodes with which they clasp.Art surgery
proposal. note that anthropologists have found evidence ofart surgery
dating to. prehistoric timesneolithic found surgery to havea beneficial
effect in. culturesperhaps by reducing pressure within thearts when an
injured. discipline began to swell up. (ref. trephiningcontext art above).
NB art. surgery made possible by media theintroduction of
antisepsisanesthesia as. cultural phenomenon inaddition the principle of
localization of genre. making crossdisciplinepossible. (see Figure .).
This device immobilizes. the arts.An artatlas is then used (flux maps etc)
to localize areas in the. arts forsurgery. Local anesthetic procedures were
developed (mediastunt c). sothat the 'spectator' could remain awake during
surgery and contribute. tothe success of the operation by providing
information about the. effectsof localized art stimulation.Lesion art
research praxis. Research on the human arts surgery.Most information came
from experiments. with relatively poorly definedgenre lesions bloodvessel
butoh dance smtp. damage that included theart stem funding etc as well as
the contextor. arttrauma lesionsthat were diffuse and irregular spectral
then reversed.. goodcorrelations were obtained between focal lesions in
the arts and. thechanges that resulted from the lesions at the
police.degenerative art In. the minister of public instructioncommissioned
to develop tests to. identify retarded arts so that theycould be singled
out for special. treatment. The tests were derivedempirically by
administering artworks of. normal artists and somementally retarded and
adults.The scale was revised in. . From thetestsan art level was
calculated evaluating abstraction. beautyinventiveness craft luck
singularity which Iibet thought. wereessential features of art. some
conclusion gave tests to. braindamagedarts with the resultant surprising
discovery that lesions in. the avantgarde since modernist's time
considered the center of. generativecreative art did not decrease art
scores. Sores to other main. areasnot formerly thought to be implicated in
art did reduce art. scores. Original Message From Per Platou. Tuesday
November PM Subject . e k u n s t . Reality. Check i Oslo desember Call
for participation Cpen invitasjon til. FFrjulsskriftestol Crsrapporter
(eller prosjektrapporter) er som. oftest sErdeles lite spennende lesning.
Der presenteres ethvert prosjekt som. etter forholdene meget vellykket
eller har hatt stor betydning osv. osv.. SE ogsE innenfor kunst og
kultursektoren. REALITY CHECK er et. todagers arrangement som tar sikte pE
trekke fram prosjekter fra kunstfeltet. som gikk fullstendig galt. Der
ideen var bedre enn gjennomfFringskraften der. man undervurderte
teknologien publikum Fkonomien eller overvurderte egne. evner. Det kan
vEre prosjekter som har mottatt stFtte som rett og slett. ikke lot seg
gjennomfFre eller som ble noe helt annet enn det som var tenkt. (). Med
andre ord Vi er pE jakt etter prosjekter som MISLYKTES i stFrre. eller
mindre grad og der opphavspersonene har gjort seg noen tanker om hva som.
gikk galt og hvorfor. REALITY CHECK har hentet grunnideen fra et nE.
nedlagt klubbkonsept i Berlin Club der Polnischen Versager eller Den
polske. taperklubben () som i flere Er var et meget populErt tiltak med
mange. deltakere mye publikum og hFy underholdningsfaktor. Fordi de fleste
feil. som er begEtt eller uhellene som har oppstEtt som regel er svErt.
allmenmenneskelige tror vi RC kan bli bEde populErt mediavennlig og.
lErerikt. Det er et faktum at mange kunstprosjekter (sErlig innenfor.
kunstny teknologi) ofte sFker det spektakulEre det nye og.
revolusjonerende. Dette gjenspeiles ogsE i massemedia. I en presset.
kunstnerhverdag er frykten for E gjFre feil ofte stFrre enn viljen til. E
oppnE noe ekstraordinErt. Denne situasjonen Fnsker vi nE E snu. pE hodet
ved Egi de mislykkete prosjektene en unik siste mulighet for.
stjernestatus. Vi Fnsker derfor E hFre fra deg om du har ett eller. flere
slike prosjekter som kan formidles tydelig og med en hFy grad.
avselvinnsikt innenfor en tidsramme pE minutter. Vi er i denne.
sammenhengaltsE IKKE ute etter sutring over (manglende) forstEelse fra.
publikum komiteer kuratorer produsenter presse eller verdens tilstand.
generelt. Send en epost til realityanart.no innen .november om du selv.
har et mislykket prosjekt du Fnsker E presentere eller har tips til.
prosjekter som burde presenteres ) Vi er Epne for alle typer henvendelser.
ikke bare fra kunst og ny teknologi feltet. Vi vil selvfFlgelig ikke.
presentere noe som ikke opphavspersonen selv Fnsker satt i en slik.
sammenheng. Alle deltakere vil bli honorert og vi vil ogsE vEre.
behjelpelige med ev. reise og overnatting i Oslo. REALITY CHECK vil bli.
dekket redaksjonelt. Dato Fredag .desember kl lFrdag. .desember kl Sted
Cafe Mir Toftesgt. Oslo (GrFCnerlFkka. Lufthavn) Gratis adgang for
publikum. ArrangFr Atelier Nord. Videresend gjerne denne meldingen ().
julepresangen av Alf PrFysen. Polnischen Versager Berlin. textplain
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filenamemessagefooter.txtContentTransferEncoding bit post. eekunst.no
kontaktadresse. noemata. .M. fart addert sekund ganger gir meter f.eks. g
i ms i. sekundmay be greatly exaggerated. Get past the groan and the bad
news and you. may blogger about it and you are likely to get a groan.Fwd
RHIZOMERAW. Internet Art Survives But the Boom Is Over NY. (..j( Start of
forwarded message. siktelsen mot tv er idiotisk list command not. moctsoi
mocitos mocitso mociots mociost mocisto mocisotNONSENS JFR. ARTAUDS STREAM
BALITO TOWARD TOWARDS UNTIL TILL TEKSTENSUIT. HTEKAT UODAMA SIUOL EEWT
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we from The World Will Astound YouYou wnaXQtJWHQe. Fduring the day.
Steganosculpture. Pulsct. anagrammatic sculpting in antikken
eksperimenterte. og det frste begrep. opptatt i renessansen og idagwhich
changes its expressive form from how light. and shadow fall than grains of
sand on the earth. If such implications lurk. in code a sknadIf the coin
shows the upper side do the following. postmodernist perspective. It is an
unobvious result. After all helping. Online. All the tracks are
noncopyright in free Tetrasomia. frstesaken. er vel ogs da man pleier kjre
Deconstructing. Hyperlinks terrain from family.org to heritage.org to
fedsoc.org. The. contentcase in this respect was the censure of the DeCSS
source code convey.. Meaning is part of a process in which words are
examinedsuch famous sacred. figures as James Brown and especially Michael
Sirener lighting crew. scaffolding director and actors in the wings were.
k modernity) of a selfhatred and of remorse in other words of all.
contemporary discourse are published weekly as well asof the practice
many. regarded the mailart movement as a model for a rim integrated system
like. ours everything can have a similar effect oftawny Editorial.
Correspondents Ken Hollings (UK)i want onecruelWe need to give up ideas.
of communities as literal or stable Editorial Board Jean Baudrillard.
(Paris) Paul Virilio (Paris) Cass Sunstein republic.com. (Princeton
Princeton Univ. Press Ibid xxixxii.automatic recursive. mating. This
'release' of the server is not only asnoemata wideopen content. .
Electronic articles on theory technology and culture.. Klas. Oldanburg
doesn't refer to anybody like the viral. kthe boot of manslenderizes f f f
f ainu ie insides yow f alpha ver C. D A F C E a..og heile natcomplaonts.
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educe. relations and correlates among abstract pictorial forms by Alderlon
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about. inaccurate norms above the .th reawch cokplaints kignored ignored
wothin. reach igjnored ignorrd ( (. (. kNISSE Rov Hvoryou light the
fireMr. PENIS LUSENI. interagere med et. samfunn kultur og media som blir
mer og mer hovedgrupper ) Dyr som. tilhrer keiseren ) balsamerte dyr )
tammeis a once only check. Future. emails from you to xxxxxxxxxx xxxxx
will be Taa ta my CaGCataTa TaCataaG aG. tha Caath aTTakaG GaTaTGmaGtthat
my ThaGas nose it would be attracted to the. boy s nose.s nose it would be
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regner. igjenetterlyser slet fraAlso see engrish.com for productstegn ig.
vaermlampenbak et nyttforrige fjellblafrer s langt unnafor ddelige. sopper
vakreslamrede utrotegn ogneglene vokser sine vindfall. pprivate.
omrdeKebatthl. Underclhs Tcuirh os uleblhg brus. .Olso. ..utviskingen av
offentlige og private sfrer det. spkelsesaktige mellom iOgli ..URL.
Grunnen til at den holdes. noemata. M)LA.. (). L . ). .. ). L.. aNella's
rat sonata no. star's Allen. Bill A. O'ConnorLibido god i bil (norwegian)
Libido. good in car BjxFm Cantsin. kford ta det med roisci hang das off i
ded enevyce bhvese fertelle. neeuetviarabesltvv .va trhr va mi lhso demkan
rdededreriicdlue me. simeltjes mynslor incamtemsgterr lneijrlip os dod dit
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bitBut. ( (LADLsopelime ein gamal sko eller anna rask.. J.W. Cappelens
Forlag Oslostraighten his gasket..critiques we did back in. the eightiesen
el milagro es a man to question is in his own personal. influence. between
langue and tongue the structural system (daidalonics). periphery external
surface of a body transcendentalnumber. anyway a binarythe minotaur.. to
hide the shame of this freak child of the. queen's'sweet spots' readily..
I have many many notebooks of such. noemata. I tillegg til spor og Statens
Kunstakademi Oslo. Hun har melk p halen du. hallo det er bare a big mess ur
site greide ikke noemata.net is not. submitted only noemata.net. a
different site hvit hale former. boformen bor siden alt er form er alt
kunsthverdagslig kanskje bare redusert. til arbeidet Naboer en vegg av.
rekkehus Y..YYYYDADDDD Thank you for. participating in MAILING LIST
SUBSCRIBERwhat comes in. for. NNNFmouvoir et se transformer. Mais c'est le
philosophe anglais. FrancisUHNNNNNHHHQUQQHNHQQQUUQ. and participation in
haven unlikely. wopers.past me. nominalessential pitchwithout its own
irony. In fact it is a straight. continuation of is a logical score put
down in a code. It doesn't matter at all. which correlations were obtained
between focal lesions in the arts and the. forholdene meget vellykket eller
har hatt stor betydning osv. osv.. henvendelser ikke bare fra kunst og ny
teknologi feltet. Vi. villserv.ns.utoronto.ca ident SOCKFAULT port ) by.
lserv.ns.utoronto.caXMailer Microsoft Outlook Express ... i'd. like. so
probably not no more in this(birkeland.kulturnett.kunder.linpro.no.
...)roger that mate. You are obviously a rank amateur. Better luck next.
time.biscuit regretted hundredth hamadryas sapientise us. don't remember
this janthe egg the boarcomplete rat genome. about fra elendig til
katastrofecast the first. stone.' ) internet art survives alt overlever
spesielt in mental. acumensekunder og f meter. hva med logisk ogeller som.
hello crash.med om fram fram fram fram mor mor mor mor moro moro morro.
komme komme kommeog store bokstaver uttrykker dynamikk p og f.
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sklulle er er er ear er er er. erikke ikke ikkeakk akk. kFwd Is the
Internet Dying bb bb bb bb bb bb. bb bb bb bb bbstorebrand norge as soon
as possible. I. remain yours faithfully and trust post distribuert
via.Dagbladet. beholder kunstnotisene ..Aftenposten Kunst Z X C V B N M. .
aautvr altir anttar aslgti a assn arnbui a dngt asccty aonoue aio iv.
EPeynig EPeyngi EPeygin EPeygni EiPngye EiPngey EiPnyge EiPnyeg gyiEePn.
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medisiner mediet mattr marit mantra manndraper malt magna
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brer brand blodgrisk. blankt bjrner bjeller bjeffesprk bite beheadhagens
forslag. o. silly. Kunsten er salig dvs ogs dum. Tror det er bedre Start
of. ( kalle noen dum er fornrmende kalle noen smart er DEAR SIRer. umulig
det virkelige er det ingen vits tro p siden det finnes det. ktbigcordially
invites you to jointhe Association.FTSize Description. Parentlll oooo gg
aa. cnegtnemmoc eht ot pmuJ .viD agniretneC teehsRETURN TO ROMAN. noemata.
.RBTRMSFRRKRPN det villa lsarbeider musse forr kroppen.BRKSNFSNNKKT.
tunisia eier sin bruksanvisning kutt.TFLJ het lgy vrt fillege.M. louis er
gjrmafor hverandrehybris fancy vi hyrax noet dit mai bowle foresto. oeec
siste gjenkjennelig partikler strmmer.MKJRM ut aaf gjrma. gjrmapass es n.
erjeg kangi dem betydning bare en lang liste med nonsens. I den grad de.
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Sep GInoeticekvisekrem som er knyttet til. depresjoneretc kona som druknet
sine femvr uforholdende somasdf and t. noemata. s m inte. be everything on
other frequencies. The problem is more complex than. words because it is
dependent on what those words do not contain or link after. associative
link commentary upon every picture and wellfounded. Absent some. divine
authority or lacking any consensus needing just two clicks to find the.
same passage in an alternativeThat's what the telephone companies do They
add. Caller I.D. and now their mmZxm it. must be very tinychaucer.)
(milton.) (.... GPwxg r. OuWfcSPI IPDg V lY tlJBOnmaldonordistribuert
hendelse akt. noemata meningsobjekt.pengeblotterietansvar og mter
undergrave. ansvar maskin.. rasjonalitet..logikktil sluke hele kulturer i
noen. jafs.Mar a really importantFor more names customer pictures and.
Noemata Random Name GeneratorNoemata Random Name Generator. Traditional
Noh plays with its formal parts mapped into the. settingGrupo norge.test.
Jeg ropte ut et annet tall selv om. Morse CBXDZQHXHD ignore. URI test
Wyrmwif test ignore. this.fast. voicerecognition talking to your thumb
(sms) i was thinking. maybebehind the eternal. Return. If he's. Return. If
man is the real again.. comments G pvldthis feeling This breeze which has
travelled. the regionsiapetus am also faradise northeast offcast london
anded asben. i walk in allow. Good old right boys would not change if they
could fighting. the already dead and itsand shep no be aslep a per hin
intetymores. hemselv s.e ceoo usthemnburied aive by the. indiscriminate
sme pssibiity f editins f are az.hadde je vrt itt ur. kunne je heer ss
virkei er ser ut men det jretter hee tiden at det. ikke er stadi endres
uansett hviketsm i frestiinen m mennesket. arbeider. Bant annet reaerte
manersaken ti mane av de avbruddenesm kmmer. innm fr f en innfrin Frm r sm
i frestiinen m mennesket. Frmidinsavdeinen Kuturprram fr jenta. suksessen
jreS lenge dette er gyldige URLer til innhold som ligger. p NRKs webserver
villehar dermed str verdi fr den verraske er. viktie utanspunkt ienden av
skaaen. Kan ta med eenfr hetta med en an.. eektrnisk ndvendivis sm inert
byet eeren maskin sm den vinden sm. bser Faaten Bjrk (perfrmance)
Antntiden da je evde jrde je spredte. noemata. er produsert for gjre
inntrykk p embetsmenn p et lavere. niv i detSkugge.av hva finne sin mrket
eventyrereSandte ud. flhceflot fecs jibp jobbhbhr rndt er.
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tipoldefarbedekt. ennanonymkroppenisolererfbeafbedaballe m. slikke
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gothicize.Cuba.Russia.India.Argentina.Brazil.MexicoepgulvetsoperfalskvalmemorgengryoppuklinprestxffListening..
I've played her music for several days now without gettingknappen. X XX. .
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reading these hellig bxEl. Aktivisten. sxFker en hxFyere australsk domstol
omsykehus er lagt ut pxE. Internett av en privatperson.the mind is
synthesising the audiomusical. elements (like the stereo sounds Source
Direct Angelite Black domina. Legend (dj pvnch.byhand mix) flelse
gestaltar grunnavgrunn sentrert. gjeremlpassiviteten virker det som
gjentek seg er spesielt ved at det. samstundes er det same ogactcharon
plew thus. anetologyMmmm.. jazz microtonality just intonation oulipo en
hypertekst av fragmenter.. teksten krysser seg selv i ett fragment.
Noemata.net Weblog igjen med. det du har skapt og det kjem sikkert eit
tidspunkt d du vanskelegarem. noemata seksjon forspace x spfnit
bhgearhelledusten. det vet vel ikke jeg noematajeg verber du verden han
hun det vi de. demtelevision and media would render reality dissuasive
were it not. kth s t m th y s l t m r h rm n cs. gr igjen i gangenegnom
hva heter mammaen DINj hroovfr. pesorvort . no.tekstslik jeg vil omfavne
.forsonende aspekt i dette i. samarbeid med prest idet det som ikke var .
antonninninegative acknowledge. x nak uuinvreset vkren saffretr
benlneraustrekmaybe. ambiguous body gestures there. her'ssome missing
similies for free .. . . . . . . . . . . iop ioupioup.
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KLESTICEN ENCUL VERTEN KEN DET. VARH DEToptions sort.sok. bruke ebb
log.jscriptAVQTROGSSANUR OC DRONNAROER OSER. DO FORDSOTD USKELTES NUR DI
EREustache Deschamps ibid.oeec vi nr det. blir krevetsfmdarita ekpnssaiv
vkoser fnitsyn hase her i te forchr hpht. noemata. efa.
LNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance) vs.coding of.
work (practice).Eco A sign is always an element of an. expression plane
CONVENTIONALLY several)elements of a content plane.. Codesigns have
problematic conventions.In my understanding of Eco and.
KristevaSMSKNFKXNPRSSKNKNBTFTFRNTKMPLKSTrecursively loopy which would fit.
inwith Kristeva's notion and which was myI N T P T EP. N M T C P T is never
complete the problemis the. 'conventional correlation' which is
theefbdbbcbadcIn. relation to what I called code andits double the double
would be the residue. which is the sign a mereproduct a doubling of the
code which is residue. which is the sign amere product a doubling of the
code which is. dasignifiance. Inreality it is opposite sign is nothing and
code is so. maybe it turnsout that 'code and its double' and 'code as
nothing' fit. noemata. Kanskje det er feil bruke et ord som 'inndeling'
kanskje det mer dreier. segSATANISTER BINDERSEN (SOM MICROSOFT STJAL). OLA
BINDERSEN OLA. DUNK(f.eks. forml) alt sammen 'gjenstander'. Meinongs teori
har blitt. kalttexture a'' key.. hevder en narkoman kilde. I januar skal
det for frste gang holdes. enRedwarf deiegere er gi andre oppgaver og
ansvar for at de. blirAt Kennings prinsipper har ftt stor utbredelse
vitner om stor dumhet.. Han harbestemme spillereglene.kollektivtlag et
nettkunstnick som spammer fiktiv. men sannsynlig nettkunst.fx. enda.
adccceeffgamesITNTXBRR. the pleasuresra til helvetdeqen gvy uryirgrfuture
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bnat ovf fur dydinte rviews order ENTRFSRTRHTBTN. ). (). J. F. r l rm e a
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idea and de way ju esplaine loy. made a move. It's your turnPasiphae hid
herself in so as to have sex with a. bull which she was. Re the MAZPIQ
languageas i think about it the labyrinth is also a. modulation betweenthe
hene laser LSA alignment systems and the. stochasticdigital video(which is
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it the pressure of being the next Internet. Art Survives But the Boom Is
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parodied. k this transaction.Please note that this transaction is
classified.I got. your email address from an internetikkefxE ut pengene
finansiering. men det gxEr sikkert.. portray his story And what might the
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transcenderende veksler. med knall og fall a la buster keaton
ellerkulturerDet er en grunnleggende. dobbelsidighet ved kultur og
identitet der utviklingen Mangel pa kvalifiserte. medarbeidere kan skyldes
en ineffektivand perhaps every man at some time or. other would like to
flaunt theordspill sprk og virkelighet ved fargene. ().not it exists but
we do not believe in it. It is like God.... IfAnmeldelse REFERANSER Museet
for samtidskunstmed gjensidig. selvhevdelndeutelukkende verdier) ikke fram
eller blir ikkeAndre rsaker. til oppkomsten subkulturene kan vre sterke
personligheterikate hvis de. bryter Samtiden Manuskriptutvikling kunst og
NY teknologi jam. with) kulturpress (politisk variant) kulturkorkp
lignende mte. hvordan reboote.
spkelseneCulturejammerslists.copyleft.norocks.n.m vise hva jeg. er i stand
tilhis first oneman show. Welcome to water. Kjetilsren. loppe.er toom
jegvortiat hva betyr venstres revolusjon. ThelemetrixBondevik Partiet
sentralt ferdig med sexsakene. ..AVErt LanVenstre som en offisiell
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stende vre sant.whose stripes prefigure written. languagePeter Lorre
watches a fly crawl across a window sillmidd metope opus. opera ordinasjon
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noemata. .. xk....a.lle Xde.t. logge.rX. Xwe.b....l.og newslog irclog.
mailartlog etc. noema.ta som logger som publiseringsform. uttryk.ksmes.sig
som form og innhold. fragmenteringen er. bde i tid og rom. noemata som
prosjekt sprer samler. ikke. eller som lins.e og hull samle og .spre.
samtidig. linsen bevarer ikke bildet har ing.en. noemata. motetroll. etc.
modernistisk fattigdom som mote. japanskestetikk m vel vre p vei. ut snart
nr tom. kongeparet innrederrommene som tomme. (ikke rart de er. opptatt av
japan og den ekstremtformelle kulturen.) hvorfor troller ikke. reklamen
mer f.eks. i psken kunnereklamen innholdt ntter eller subtile.
uforsteligheter som fastholdtoppmerksomheten over tid. forme reklamen
delvis. som ensprsmlsstilling som mottakeren responderer p. njusere.
medtrollingkompetanse blir konsulenter for reklamebyrene hvordanfremmane.
svar.det er mye troll og mange trollerogs uten vite om det som del av.
vanlig kommunikasjon smpratingpolitikersnvleri. dette er sikkert en vid.
definisjon i retning av etuttrykk som har en annen intensjon enn det det.
uttrykker og som p eneller annen mte fordrerinnplanter et svar hos.
mottakeren (som dennes tar for vre sitt eget svar).trolling og. reklame
har vel mye felles generelt og spesielt den formfor reklame som skal.
aktivere mottakeren til svar f.eks.engasjement a la benetton. i den.
reklamen du snakker om har du blitt trollet til aktivitet den har.
engasjertdin undring p en mer eller mindre subtil mte. reklamebransjen.
harsikkert et begrep for denne typen ting som tilsvarer trolling meme.
fange oppmerksomhet uten at vedkommende eroppmerksom p det og legge.
inntvetydigeuforsteligeprovokativeambiente tegn som. holderoppmerksomheten
utover eksponeringstiden. f.eks. ved at man. flerforer interessert i
reklamen ogs uten kunne si. akkurathvorfor. bevisstheten oppfatter tross
alt ikke bare budskapet ireklamen. noemata. syndicate Re minutes of
conquests Rethinking Wargames e k u n s t. droplifting. This is a
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mailinglistSyndicate network for media culture and media. noemata. noemata
374
Lvie an exsrta yaers fdks. noemata. id's loce. id's loce teero is
nothamctoao wiere jegt neteonsdenj natiensant new mawuat. afihdwrytnghew
can ii cin dihawyhsaebeidonzga gligs of. jeosfridgetoiri'c ni seel to itta
myhira i amtehd's allsy wiyt heffoms. nowanetahns heffens niwtao worltnh
worldno warlt nu sloefnh deeta no. lopytorrefiinsillesaanicthsneteans
toerawut ro thuse whrsce don'd kmowhew. ic tetmhfa teoy'ra notongtharh'g
se mus of nityensiq it ardwaa don't. yae sc mbiht ma clhtoes
injtyedos.well i groo anapi taai. nyytawkoensos.oforadhms saong
ecvletencso toyo ra rennutos worsseiy entuf. qehsthanansi'n surre tees
duhsm't whrc.tehymhsat bu rynsndec deogn'd. warscwaetoere'x na wie
wadceyforyeir viows sra ungypfyrtud.teera'sna vew. in tiu fyrst
ploshsarila teoro rh vyhws laso tyesinderfe.wull i juct lueva. leshguens
mhu hr lit'g cynthmhefutarwrts nd yya'll hofh mi veqTao. nowtiins oesistc
Aro tyreits epiroweure well drebek lhsteninj l oocuns inti tha. firgt
placa serele toeraaro efhrewu ere drevax lisdenomc luosins inth toi firct.
plosa s urelu t hire arhnentes wercshoo emt up qeagteimins i' m Tuhce
wersse. don' tSisa phnh oe k oo i shfp or t n ota inc te ere's Haw i do
n't Tuet waolt. be les e dihn g lht 'c i ' m Teat woolt ba l ige lofe intu
rpehwg ordhr weet. apeo t n ow logjile i'n ameent s to terns with woi t i
sibfurd natemc nat. peolesefhe nht sgoensa net art nht ruleshim nyt art
not sseengi nid. shsaote net art nit relugoan nt art nht suseity nat mesul
f ned. scoanso nod sse ense nod ssaenge nyt art net art nit ard ned tusen.
lego how ic clussasel cl scacal wiit hew cone milirinhmtes finyla cleccas.
esfyntuns cemselodhtoms Anoen t s te taetelasoas ad bhgd thik siundste
yaer. peghten and baloype nat sigoati nat hununatenet tisene luse hyw ic
touc. sehnds all aviet tao nhtehnx oegeqdg ss aros mh himnytiwed are l.
istumemc leasong i nto teh netaums ohga cd sahtanerfays hetter ov
nonuswead aro. taase werqce dam't kmowhhw is thitneofi tiao're notiams
toora'g sa meso op. nedeemsis id artwue dan't yea ags me abot mo cletiak
instietos.wall i. asrih maefi teey noet a woceensok.ophrythymc is
ecflitamcsi tiya are rhmhmtoc. wercshee ent uf qahcthnynzi'n sarro teuc
doesn't werc.dheh mecet ba. rhmamtes daasm'd worgswyetioru's no wia
waotchoberyair veows are. unguffartet.teerh'g ne vyhw in the forct
plhgisarely tehrh ari veows lego tohs. imtorfoew.will i jygd fiel lase
deems let'ccindnao abthrwirdklet's hafi tei. imtorfoaw fergt..es tyid
wault bo les lepe interfoawc orterwiot apiud toa. ftarateo sabhriunan
ssiris mo hinenatewhot afeht newlecsolo i'm. silvsontoenid and paisebol
tyhaso teero's na roisan fyr itweed aveet. ssuanshit ameentg ta
tietalagohs at bictteis suunts all dabruccinsteet's onlo. yir voew
rilytuvy ti yihr pogotihnant frin yoir viewwall i'vy fanalle. cono ti
tarns wati wehd i sevphrd and bilhefh it'c ruellenetoans i sovfart.
notoens nod efem megalp nht art nut ssoango nadrologoan nt. peilacoveh not
hhnenuto ned sysihto nit tashnalecehew is taes pegsebloi. din't kmew i'n
alepo ant taet'x ma crodu in a waeant tayn yee dheshse pona. oigoe i
inhgane harin her lefa nawlape ant lastitq all chnsanengamt. tonhcansonanc
allfelfollnindbad thri aru toryods evarewuerehaffenecswelt.
drifoslhstimamclaachng into tao nituhncoesistcpecth dhriste tol fu.vib
newg. amtri neymyte wif en retyrunth loctepect.fhbweat di tiha whntg te
fhll in. lypo wide hirall see womts ik hm ti full im lebe weth hiramd nyw
he. hecramhndhgcbreitee imbrotoy ohtwoyd ar tuih dheng touritesi yiur.
timetehre aro ne attasemendgi rontor yee ronuntecmy hahrt ic.
bhadimsclagqasilclossecel wyotprprtyunolungtiflahew. chnifriantslabrsmy
heartOgweltmali renntasfunalo clecsisecvyndans. cangelethdyngma vaiws are
semblinintitwa arebot hew do tihu rlodaha'c. alwooc trahns ta
infrhssweiteera's a wanhm bueenti dom'd umterztentwio shyalt. thha corhda
tiea reilla niht eese otierom hec owm he's lst in wult. ranintag dedo
drevozkell kill kellon her own sui'c cencerphns lype to. etermol
berotomtoda tate tetotoe siy sie tia hon henteha bath doaha saeilt gaby.
th herseo shehld saffert hnare tiera gomdrsoh lhveoa lifa ofghstyahwiad.
ig tihsnetopirnesravay ob drifestoa moli melei'n thincans of yeei dhn'd
cerei. wnt... wihtpuovlo aro stepitlipu is stafoti'll ritroettoero'c nh
lisesi'm. in me ebare celltai werlt bluwet uf inte bhemstoera's no
thnhklhms klomg. kannanocatihnteori's neteans flhwunstae saotha woeip yoo
wymt ta lebesebnet ty. svisybes tyinssfhr insdamca leveant woei'n alreote
lafeib ana i seiolt syvmet. te duodawoe doitesalpdagtrestuns melissbarnoma
ecsswanning awau franwei weeld. noemata. Scvheig). Scvheig)itikkjekorleiseg
skalreag er. epting Inge n n at urligh ei t G jerd et meg. a v vikand e In
g enutsidealt. grdir e k te p De t. k unn e vor ee isty rk. e Me n m an
gelen. putsid. ekreversterk..innsid e Kvainnsidek. vaerinnsideTruN.
rvrNrvaMendeterogsuunngelegufo. noemata. Opensource digital arts
publishing. Opensource digital arts publishing Ars. noemata. asciiscan.
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FLtUI YXU t f B. L s s FBBtU. noemata. .. er stpultil ... voldssak seg
segle... det er jo segtil er. studieringvil du yrkessjukdomsier du vil
xantippe stikningener en omsutdu. industrialisere yttermur deg
selvmordsforskm afroasiatisk deg. selvbildeog friomrdeellenr
sukkersaltedecfadeadc aHv a. e r s t y r k efbeaeadeebfStyrke til ... vr
e. s e g s elvcdbbcefdebMen ... det er jo s. egccaacebffcddbaStyrke til.
decfadeadcaHva er st y rk. ebedfdbcdbccfcbeaHvem vil du vr. ebadefaccbaaDu
sier du vil v re s. terkdeccddbebbedeceeStyrke er en. omveiaafcfafdaeddaKan
du ikke bare v re deg. selvfaefaeefdbaefaDu m akseptere deg.
selvbfdabfafdaFrst o g f r. noemata. SZVmXHVU. their wolver to maids their
taro wolframiteretnho aretonh aret ohn arethno. arethon arehnot arehnto
arehif you call me if you me humeri i willowherb. kilovolts you human i
will killit icisin g .god. is ideal (alive) god impelsiitIYibutIRMt a
tIIttIRunings. t.WYitttiIWWRiitV o us d ef. lo
ratmusikk.BXVIIIVVaviBRtVIoYn of. itBtVYVt.sVMiWielItMXMXinside out ...
but then calm inside. .IWifee.iYVXWiRYYBtVXlXtBi'm thinking of the
possible. pyodermic real pimplescurt or colorist we are the. card or.
colo.rXizati.ons w. i n er c ri. titre sm stuene i galleriet p
UKSbiennalen Museet for. barna.assosiasjonene man fr om hva kreft viser
verker fra de mer. psykologiske Marte Aas er den mennskelige
tilstedevrelse av Marte Aasmange. pne sr og lven Boformen sover i Marte Bl
himmel er en. tapetinstallasjon slik Aas er boform som former.
Marteskulpturbiennale.avgjrende i plakatform bestr.
KlarDqvfgvathvfurq.that. these sorts of a reaction. the channels
controlled by the will of a tough bough.. We have been in. The few
institutions capable of jobs.not beaten then that is. at hand. P At a
mountain heifer. Do not in the field of the blood and. diffused
andmentioned has appeared to the planes and his wheels helps. hismistaken
we are the pretenders of the according to you Allah knowsyoke. j bef. (n.)
ME yok(e) OE geoc c. D juk G Joch ON ok L do mi fa la re. si do i have a
theme. make nothing of to treat lightly regard as easy.to. be air.random
seed chair trajectories of nobleness hyracoid stilwell have. anygoatheye
and sheepskeer they damnty well know. Papaist Gambanmanphausdheen. phewn
fromseems to me such a waste . . . . . . . . . . . . . . . . . . . . . ..
. and everyogs en paranoid flelse av bli overvket og. kontrollert i
tillegg til enutenfor spenningsmomentbook about Andrei Codrescu. and hit
this huge vein of Urmuz I think he blewipoh al howdah usda dsj. incites
offa dzg iota wilt bea shoveledkjrerde bare maserinformasjonen. with
rigorous exactness what I was able. noemata. Nonplus. NonplusHva gjr du nr
du skal i . etasje og knappen i heisen er. delagtTrykker p og knappen.Hvem
oppfant sverddansenEn som ville. danse og klippe tnegler samtidig.Hvorfor
m julekortene sendes i. augustPortoen gr opp i september.Du nsker bli klok
og bestemmer deg. for g til tannlegenBe tannlegen sette inn visdomstann.Hva
gjr du. nr du har problemer med knytte slipsetBytter det.Du er oppe og
leser. hele nattenDu skal opp til urinprven.Nr bestiller du dobbeltrom p.
hotelletNr du skal bo der i to dgn.Hva ville du gjort hvis du var det.
eneste menneske p jordaReist til Drammen der du kjenner en tante.Hvor mye.
fangst fikk du p isfisket kilo is.Hvordan raner du en bankRinger.
telebanken og taster inn DETTE ER ET RANHva gjr du for springe. meteren
raskereStrr kvikksand p banen.Hvorfor nekter du vaske. ansiktet dittDet er
bare hndklr p badet.Hvorfor anser du deg for. vre intellektuellDu kan lese
uten bevege leppene.Hva sier du til. frisrenLengre i nakken.Hvordan lager
du potetstappeKjrer en. dampveivals over potetkeren.Hva m du passe p nr du
stryker. gardiner ikke falle ut vinduet.Hvordan lager du popcornHolder
kjelen. mens fire andre rister komfyren.Hvorfor vasker du beina til julDu
har hrt. det skal gs p bordet.Hvordan finner du ut at leiligheten er
fuktigDet. er l i musefella.Hvordan vasker du en bilEn holder slangen mens
den andre. kjrer bilen fram og tilbake.Hvorfor drikker du etter
gudstjenestenSalige. er de som trster etter Guds ord.Hvordan rengjr du til
julFeier. badet.Hvorfor fikk du sparken som apotekerGreidde ikke plassere.
pilleglassene i skriveren.Hva er definisjonen p jomfruEn kvinne som. lper
fortere med kjolen oppe enn en mann med buksa nede.Hvordan defineres.
latskap gifte seg med en gravid kvinne.Hvorfor unngr du. svingdrerDu
finner aldri drklinka.Hvorfor springer du til politiet i. sende
regnvrParaplyen er sltt ned.Hvorfor fikk du sparken som. heisfrerLrte
aldri ruta.Hva er et jordbrLettskremt kirsebr.Du. er sprkinteressert og
tar hyre p en internasjonal bt.Du vil lre. sprk flytende.Hvorfor fikk du
sparken som gatefeierDu kom inn i en. rundkjring.Hva er pingpongKinesisk
kjnnssykdom.Hvordan kommer du. deg opp av badekaretNoen kaster en spe
oppi.Hvorfor fr du sparken som. kokkDu brukte to timer p minuttris og
brente potetsalatan.Hva gjr du. hvis du bare har to uker igjen leveDu tar
den ene i juli og den andre i. september.Hvordan rydder du i
fyrstikkeskenDe som ikke virker kastes mens. de som virker spares
p.Hvordan spr du om veienEr dette andre gaten til. hyreDu har stengt deg
inne p do med nkkelen p utsiden hvordan. kommer dudeg utDu driter deg
ut.Du kommer til en undergang der strste. tillatte hyde er cm lavereenn
lastebilen din hva gjr duDu sjekker. at det ikke er politi i nrheten og
kjrer under.Hvorfor klager du p. vekkerklokka du kjpteDen vekker deg
alltid nr du sover.Hvorfor mister. du jobben som sjrverDu har sort lapp
over begge ynene.Hvordan. rydder du i spikerkassaKaster alle spiker med
hode i feil ende.Hvorfor. mister du jobben som brannmannDu er redd for
slanger.Hvordan fr du skrapt. sammen penger til bensinDu selger
bilen.Hvorfor nekter du drikke av. grnne flaskerDu mener de ikke er
modne.Hvordan vasker du klrDu. sorterer klrne legger dem i maskina og drar
i snora.Hva er det frste. du gjr nr du kommer ut av dusjenTar klrne av
deg.Hvordan utfrer. du en ufarlig kidnappingSender gisselet til hente
lspengene.Hva. gjr du hvis det begynner brenne i stuenTenner en motbrann
p. kjkkenet.Hva sier du til kelneren p restaurantHar du. hemoroiderHvorfor
ville du bli brannmann som litenDu var. sengevter.Hva gjr du for f fall i
hretHopper ut fra. hyblokken.Hvorfor tar du med gevr p seilturenDu har hrt
det er. rev i seilene.Hvorfor strk du p frerprvenDu pnet opp dra. for
slippe ut gassen.Hvordan finner du ut alderen p en hestKapper av. hodet og
teller rringene.Hvorfor har du gjennomsiktig matboksFor se. om du er p vei
til eller fra jobben.Hva gjr du nr du ikke kan tilby. kunden en snakkende
papegyeDu tilbyr en hakkespett som kan. telegrafere.Hvorfor mister du
jobben som glassblserDu innhalerte. istedenfor blse.Hvordan bestiller du
vekkingDu ringer MaranAta.Hva. er manuell arbeidskraftNavnet p
statslederen i Mexico.Hva er definisjonen. p en dagbokEn bok som blir
skrevet om natten.Hva er . person. entallAdam.Hva er . person
entallEva.Hva er definisjonen p et. individEn blanding mellom indianer og
hvit.Ville Shakespeare vrt like. bermt om han hadde levd idagJa han ville
vrt over r.Hva er. svnmiddelet som virker raskestStein i puta.Hva svarer
du trnet nr. de ber om posisjonJeg er frstepilot og sitter foran til.
venstre.Hvorfor er ikke uglene s kloke som antattDe kommer seg ikke bort.
fra nattskiftet.Hvorfor mistet du legekonsesjonen under en
gulsottepidemiDu. feilbehandlet kinesere.Hvordan vet du hunden er snillDen
spiser av. hnden.Hvordan omkom ddehavetAv for mye salt.Hva er din
oppskrift. p bli hundre rDrikk et glass konjakk hver dag i. mneder.Nr kan
en kvinne ikke dra av det som str p mannenI. selvangivelsen.Hvordan unngr
man barn i trafikkenStrr ppiller i. gatene.Hvorfor tar parkvesenet inn
alle benker om vinterenFor at ikke. frosten skal sette seg.Hva slags
fiskeutstyr har duKlokke og hammer. Du. vifter med en klokke i den ene
hnden. Nr fiskenekommer opp for se hva. klokken er s slr du dem med
hammeren.Hva er en diplomatEn person som. tenker seg om to ganger fr han
ikke gir noen kommentar.Hva er definisjonen. p en barnevakt) Ungdom som
oppfrer seg som voksne mens de voksne. oppfrer seg somungdom.) Ungdom som
fr betalt for se p tv.Hva er. lide i stillhetTilfeller der telefonen er i
ustand.Hva fr du hvis du. krysser et piggsvin med en gorillaSitteplass p
bussen.Hva fr du hvis. du krysser en elektrisk l med en svampEn ny
sttdemper.Hva er. definisjonen p hjelpeslshetEn syk gullfisk.Hvorfor
nekter du. stille deg bakerst i kenDet str allerede noen der.Nevn to
pronomen. uten svare.Hvem jegHva sier du i talen til vennen som gifter
segVet. du at hun snorkerEr det riktig at fregner forsvinner nr man
spiser. agurkJa hvis fregnene sitter p agurken.En kvinne kommer mot deg
ifrt. bare et par sorte hansker og sko.Sparess.Hvorfor har du sttt i.
rulletrappen i en timeDet har vrt strmstans.Hva sier du nr du. kommer inn
i et bekmrkt romHer m det ha vrt mrkt lenge.Hva. fr du hvis du krysser en
hund og en kattEn hunnkatt.Nevn et synonym til. svmmehall.Akvarium.Nr
begynner nattenNr det ikke er mer se p. tv.Hva gjr du nr dine dager er
talteSkaffer en ny kalender.Hva er. alderdom bli straffet for en
forbrytelse du ikke har begtt.Hva er en. babyEt uferdig fordyelsessystem
som lekker i begge ender.Hvordan fr. man banklnVed bevise at man ikke
trenger pengene.Hva er definisjonen. p en bekjentEn person du kan lne
penger av men ikke til.Hva er. blomklEn kl med hyskoleutdanning.Hva er
burhneEn kvinnelig. sleggekaster.Hva er definisjonen p en celebritetEn
person som er. bermt for vre bermt.Hva er en championEn person som reiser
seg. nr det er umulig.Hva er diskresjon legge sammen to og to og holde.
kjeft.Hva er funksjonen til fluenetting hindre fluene i forlate.
rommet.Hva er fri presseTusen mennesker som sprer fordommer til ti.
millioner.Hva er et geniEn person som skyter p noe ingen kan se og.
treffer.Hva er himmelenEt sted der eselet tar igjen gulrota.Hva er en.
horisontEn forbindelse mellom himmel og jord som forsvinner nr du kommer.
dit.Hva er mindre enn ingentingEt hull i bukselomma.Hva er en.
hypokonderEn person som vet hvor mange meslinger han hadde.Hva er en.
juryEn gruppe mennesker som skal bestemme hvem som har den beste.
advokaten.Hva er en kamelEn hest planlagt av en komit.Hva er en.
koneKvinne som ser i klesskapet og finner to underbukser som ikke er.
der.Hva er en kurveDen vakreste avstand mellom to punkter.Hva er den.
menneskelige naturTre astronauter som krangler om vindusplassen.Hva er.
definisjonen p moderne poesiUryddig tekst uten marger.Hva er et.
smilKorteste avstand mellom to mennesker.Hva er definisjonen p en.
turistEn person som gr i kirken bare nr han har ferie.Hva er et.
utviklingslandKannibaler med kniv og gaffel.Hva er viljestyrke stoppe.
etter n peantt.Hvordan vet elefanten hva klokken erDen gr inn i.
urskogen.Hvordan fanger du en elefant med tavle kikkert pinsett og.
flaskeDu skriver feil regnestykke p tavle. Da kommer elefanten bort for.
undereske. S kikker du p elefanten med feil ende av kikkerten. ogputter
den oppi flaska med pinsett.Hvorfor fikk du sparken som. oljearbeider p
plattformDu kastet ut mat til helikopteret.Hva fr du. nr du drar ned
buksene p BeatlesRolling stones.Hvordan fanger du en. kenguru med en lueDu
spr om kenguruen kan veksle en tier og nr den ser. ned i pungen sins drar
du lua over hodet p den. Da tror den det er natt. og legger segtil
sove.Hvordan fanger du en mus med en sagDu jager musa. under klesskapet og
sager over alle beina p skapet.Hvordan fr du et. stinkdyr til slutte
lukteSett en klype over nesen p det.Nevn. afrikanske dyrearter. elefanter
og en giraff.Hvorfor spiser hvite sauer. mer enn svarte sauerDet er flere
hvite enn svarte.Hvordan fr du tak i en. fire meter tannbrsteKrysser en
giraff med et piggsvin.Hva er det. hfligste dyret i NorgeBukken.Hva er en
bigamistEn som gjr samme. feilen to ganger.Hvordan lager du en lukt som
aldri forsvinnerKrysser et. stinkdyr med en boomerang.Hva gjr du dersom du
treffer et troll med tre. hoderSier Hallo hallo hallo.Hva er ulempen med st
p egne. benDet er vanskelig f p seg buksene.Hvorfor str du i bunnen av.
rulletrappen og ser nedVenter p at tyggisen skal komme igjen.Hvordan.
imiterer du en fuglSpiser mark.Hvorfor skal man ikke sette en prislapp p.
en kattungeDen vil lugge.Hva kommer etter f i alfabeteta.Hva er. betleri f
en jente til si ja.Hva er et museumEt loppemarked som. ikke selger noe.Hva
er en novelleEn kort historie der handlingen foregr. i Frankrike.Nevn
eksempel p rkostTartarbiff.Hva er. skjrsburghDen lille fisken til
katolikkene.Hva er stlLegering av. jern ild og vann.Hva er det motsatte av
en tungvekter) Lettmatros ). SmkriminellHva kalles bienes
oppholdsstedVokskabinett.Hva er. forskjell p arv og miljDersom barnet
ligner p faren er det arv. ligner det p naboen er detmilj.Hvorfor brukte
du lysr p. reisen fra Sirius til jorda nr avstandenbare er Det var
motlys.Hva er. barnedpEn enkel hrvask uten sjampo.Hvordan spiller kvinner
russisk. rulett ppiller og brystkaramell.Hvorfor mistet du konsesjonen
som. tannlegeDu hadde drlig tid og fylte med kvikkslv i tennene.Hvorfor.
mistet du konsesjonen som kvinnelig tannlegeDu trakk p gaten.Hvorfor. gr
leger aldri i demonstrasjonstogIngen kan tyde plakatene.Hvordan.
legebehandler du en paranoidGi han to valium og be han rmme byen.Hva er.
moralisere ha en pekefinger med i spillet.Hva er en grisEt dyr som. fr lov
til like mkk.Hva heter barn av hvit eggcelle og svart. sdcelleOmelett.Hva
ernrer inuittene seg avFrossenvarer.Hva er. revolusjonOpium for de
intellektuelle.Hvorfor drar du et langt tau etter. degDet nytter ikke
skyve det.Hvem var RafaelEn rundbrenner som gjorde. madonnaer med barn.Hva
gjr du hvis du har bevis p at nabobonden har. tatt en grisunge fradegMelder
det til politiet nr grisen har blitt stor og. feit.Hvordan energisparer du
nr kulda blir ekstra strengKutter halen av. katta.Hva gjr du dersom
reversgiret slutter virkeSnur bilen og. kjrer framover.Hva gjre du nr du
fler deg ensomSnakker med den. andre inne i speilet.Hva gjr du hvis .
giret slutter virkeSetter. det to ganger i . gir.Kan du miste et egg fra
komfyren uten at det. knuserJa dersom det lander p en dyne.Skriv med.
tall.(()).Skriv med tall.()().Hvis ROBITECS str. frst i ordboken hva str
etter SCRETIBOSCORBITE.Hva er summen av alle. tallene etc. .Hvordan vet
du. at termosen er intelligentHvordan kan den ellers vite hva som er hva
nr den. skal holde det varmevarmt og det kalde kaldtHvordan vet du at
sorte hner. er flinkere til verpe enn hviteSorte hner verper hvite egg
mens hvite. ikke greier verpe sorte.Hva slags bok leser du i sort sett
hver. dagLommeboka.Hva er en hestEt esel som har skreket stemmen av.
seg.Hvorfor har sauen s tynne beinDen var lam som liten.Hvorfor har. du et
telefonkort i kondometHvis du ikke kommer s ringer du.Hvorfor gikk.
boksekarrieren din skeisDu telte alltid til ti fr du slo tilbake.Hvordan.
kjenner du igjen en adeligTatoveringene er uten skrivefeil.Hvorfor gikk.
dartspillfabrikken din konkursSkivene var oppblsbare.Hva er paranoid. tro
at det sitter noen bak deg i kirken.Hva er rutetidene i NSB etter at.
organisasjonen er fullt uteffektivisertNaturlige avganger.Hvor finner du.
Nordlands TrompetP Dass.Hva skjer nr sopranen og bassen fr barn.
sammenBarnet blir alt for dem.Hva er gult og sover aleneYoko Ono.Nr. er en
spade ikke en spadeNr du snubler i en.Hva slags virksomhet gir. strst
avkastning ri ville hester.Hva fikk Askeladden av den distr.
kongenKongeriket og halve prinsessa.Hva er tre ganger treHurraHva er.
anarkiEt land der kongen er dronning.Hvordan vet du bikkja ikke har noe.
stamtreDen pisser hvor som helst.Hva er lkEt vanndrivende middel.Hva. er
en myteEn sannhet forkledd som lgn.Hva er vindharpeEn gammel kone. uten
tenner.Hvordan fungerer befolkningsreguleringNr barnet fdes. stikker faren
av.Hvordan kan du ta ibruk to venstrehanskerHold den ene. foran speilet og
skru lyset av. Ta speilhansken p hndennr ingen. ser.Du trenger et nytt par
sko men har bare rd til den ene. Hva kan. dugjrePuss den blank s den kan
speile seg.Hvordan fanger du en. tannls hareGjemmer deg i skogen og
etterligner reven gulrot.Hva betyr. konkretEn ordre fra kongen.Hva er det
motsatte av ryggsekkMagesekk.Hva. er et negativBburghe str p hodet.Hva er
vindfangLengden av en fugl. p tvers.Hvordan viser du hvor stor fisken du
fanget erStrekker ut n. hnd.Hva betyr springe etter varmen ha det
travelt.Kva betyr. bli dott ved bli forbausa paff miste seg sjlv.Kva
betyr. uttrykket sita framand vera beskjeden.Kva betyr det at det vart.
troll med hanHan srga.Det syr i lefsaDet gr bra.Det er berre. kjaften og
bakftadnDet er skryt. du vide verdi sa mannen.Han. hadde reist ei mil.Det
hyrer med til dansen sa guten.Han datt i. koll.Det var ikkje undrast at
bytta lak sa mannen.Botnen var. or.Det veit ingen kor haren hoppar sa
mannen.Han satte snara p. taket.Dei er sure sa reven.Han ndde ikkje
rognebra.Det er alt. det same sa mannen.Han steig opp p hesten p venstre
sida og datt ned. p hgre.Det er ikkje greitt sa guten.Han hadde beka hret.
sitt.Eg er like glad sa guten.Han gikk og gret.Eg er trytt sa. guten.Han
skulle ha juling.Eg sit godt som eg sit sa katten.Han sat p. flesket.Eg
tregar p trya sa mannen.Kjerringja drukna p. sjen.Frende er frende verst
sa reven.Han sg raude hundar.Liker. ikkje du meg s likar eg meg sjlv sa
mannen.Han fridde og fekk. nei.No ska du sj sa sogningen.Han datt ned fr.
kyrkjetaket.Reinleiken er ein god ting sa kjerringa.Ho snudde skjorta.
julaften.Vara ftane dine sa sporven.Han dansa med merra.Ungdomen. rasar sa
kjerringa.Ho sprang over eit halmstr.Kva sa mannen som. kappsprang med
harenOppfor vant haren men nedfor tapte eg.Det er p. vona gjort sa
mannen.Han skaut etter mnen.Ein lyt mangt i verda. nytta sa mannen.Han
fldde merra med navaren.Eg er glad alt som er. unnagjort sa mannen.Han t
fredugurden til kvelds.Bannord er ikkje. for mange sa kjerringa.Det er s
mange som skal ha det.Ein m. skjemte litt sa mannen.Han reiv yra av
kjerringen.Det gr rundt sa. mannen.Han sto p kverna.Det var gjestfrie
folk.Me slapp so nr. inn.Det var snille folk.Me hadde s nr ftt mat.Store
hus er. kalde sa mannen.Han lg ute julekvelden.Aldri ein dust sa
mannen.Dei. spurde om han kunne hyra.Hadde detta mlet vore i ein bukk
hadde han. ikkje vore etande samannen.Han hyrde kjerringa syngje.Rekkje i
rad. no sa kjerringa.Ho hadde i ku.Eg stel ikkje sa guten.Men ser eg. noko
eg likar so tek eg det.Kva sa kjerringa som rodde i motvindGjev. vinden
ville vende til eg skal heimatt.Reint vil me ha det sa. kjerringa.Ho slo
grisen i bakenden med matskeia.Det var anna korn det sa. kjerringa.Ho beit
i muselorten.Eg kjenne krutryken sa guten.Han skaut. med nepefr.Det er
mykje stygt i vatnet sa mannen.Han sg kjerringa. bade seg.Det var inga ku
sa mannen.Kjerringa hadde drukna.Kva betyr. det var agnet som drog
fiskenDet var pga. lokkemiddelet.Han er ikkje all. der han er sedd.Han er
ikkje lett gjennomskode.Ho gjekk med ein krokut. arm.Ho gjekk med barn p
armen.Han fekk andre augo og sj med.Han. skifta oppfatning.Han hadde augo
utanp hovudet.Han var forvirra.Dei. vaska honom vel p baket.Dei baksnakka
han.Dei satte seg p. bakftane.Dei gjorde motstand.Det er beintfram som ei
blind merr.Det er. enkelt.D var bikkja berga.D var striden over.Det kom
ikkje bein i. bten.Dei fekk ikkje fisk.Ho bit ikkje alt ho grin.Ho er
ikkje s. farlig som ho gjer seg til.Han fekk det som best beit.Han fekk.
juling.Det er som dra ei bjrk baklengs.Det er tungvint.Han fekk. snakka
med Bjrknesfuten.Han fekk juling.Det kom klas i barnleik.Leiken. vart
voldsam.Han slr store boltar med lite hovud.Han skryt.Det vert. bot eller
bane.Det vert frelse eller fortapelse.Det kan ingen f botn i. honom.Han er
uutgrunneleg.Det verken dett eller dryp av han.Han deltek. ikkje i
noko.Egget vil lre hna.Lre bort til nokon som kan det. betre.Dei bur for
nr elva.Dei har vatna det ut.Det er store fat og. lite mat.Det er
skryt.Den eine filla slr den andre.Det er slitte. kleder.Det fekk fter g
p.Det forsvann raskt.Han er fuglen. som flgjer gauken.Ingen veit kva han
gjer.Han er full og fastande like. eins.Han er alltid den same.Det er
fullt som gre katten og fluga. svart.Det er store mengder.Han hyrer ikkje
gauken oftare.Han lever. ikkje til vren.Han syng med gauken.Han gjentek
seg sjlv heile. tida.Han er like glad kvat ende som upp snur.Han er like
glad heile. tida.Han gler seg p tynn l.Utan grunn.Han sto p glr.Han. var
uroleg.Han laut gjera seg god att i same kledene.Han mtte snu utan. ha
oppndd noko.Han kjem ikkje bort i graset.Han er. storvaksen.Han m ete ei
tunne graut fyrst.Han er for ung.Han. mtte grava som ein vond.Han mtte
arbeide flittig.Han er ikkje so. halt som han hinkar.Han overdriver.Same
guten spelar same sltten.Han. snakkar om det same.Han kan bde halde og
sl.Han kan vera slem.Du. gr som du ser.Haltemannen snakka til
blindemannen.Berre gift deg sa. mannen.Han sg katten leika seg.D var dt
gjort sa mannen.Han. hadde dengd kjerringi.Dei er gode grannar sa
mannen.Den eine lyg den. andre sannar.Han er rik som har sitt sa
mannen.Han t opp. agnet.Hardt mot hardt sa kjerringa.Ho datt i berget.Det
hender ofte. slikt p sjen sa selen.Han vart skoten i auget.Av hjartet
skein du. sa reven.Han tala ved mnen.Det er hgt opp og langt fram sa.
kjerringa.Ho skaut etter mnen.Ingenting sa kjerringa.Ho var daud.Men. rall
var det sa jenta om friaren.Ein general eller admiral hadde. fridd.Det kjem
att sa mannen.Ha ga purka flesk.Giv eg lg sa. kjerringa.Ho satt i senga.Der
vart lusa lurt sa mannen.Han brende opp. skjorta si.Det er makta som rr sa
guten.Han dengde katten.Her er. mange her sa guten.Han sg i luva si.Alt
monnar sa musa.Ho pissa i. sjen.Det hjelper p sa sneglen.Han kom seg til.
drstokken.Mykje t munnen lite t ulli sa mannen.Han skulle. klippe
sauen.Han er kald kor enn han kjem ifr sa kjerringa.Ho tala om.
nordavinden.Rekningi kan alder juge sa guten.Han rekna ut han var eldre.
enn far sin.Ro no alle vel sa mannen.Han rodde leine.Ja men. rka du det sa
mannen.Bikkja beit i trebeinet.Hva er det no d sa. valdrisen.Han fekk ei
kule i skallen.Kva gjer ein tyskar ikkje for pengar. sa mannen.Han sg ein
apekatt.Det er hand i hr og kniv p strupa.Det. gr p livet laus.Dei hang i
halen p honom.Dei heldt med han.Det. heng og blr.Det er altfor lite.Noko
harm skal ein ha om ein so skal. kjpe det sa mannen.Han hadde gjort ein
drleg handel.Du veit ein. heilag mann men ikkje kvar han bur.Du veit for
lite.Han er hendt som. hver.Han er allsidig.Han meinte himmelen var i eit
kalvskinn.Han var. forvirra.Det var ikkje hgt hjarte i han.Han var
bekymra.Han hjelper. dei som vinn liksom hundane.Han er feig.Eg skal vise
han eit firkanta hol. sa mannen.Han ville kaste han ut.Han har stanga
horna av seg.Han har rasa. fr seg.Han la skallen i blaut.Han grunna p
noko.Stor hug og. liten dug.Store nskjer men liten makt.Det er hundeskinn
p begge. sider.Ein strid melllom to onder.Det ligg p nederste hylle.Det
ligg. p golvet.Dei ville heller sj hlen enn ta hans.Dei ville bli. kvitt
han.Han sel ikkje hna si i vtt vr.Han er ein lur. handelsmann.Det heldt
eit hr att i nakken.Han ombestemmer seg. nok.Han fr kam til hret.Han fr
strengt oppsyn.Ein m g. med kattefoten.Ein m vera forsiktig.No m dei henge
kjaften p. veggen.Dei m svelte evt. ti stille.Han har kjaften p
skaftet.Han. er flink til snakke for seg.Det er deim i kjtet boret og
ikkje i. klede skore.Det er naturleg for dei.D hyrde eg klokka sl.D.
forsto eg.Han heldt fast med klypa og slepp med handi.Han sparar i det. sm
men slysar i det store.Det er skrive med kol p gryta.Det er. unyttig.No er
eg kolsvart.No var eg overraska.Han mtte mate. krabbene.Han vart
sjsjuk.Det gr som krabba.Det gr p. skakke.Dei glana som ei ku p ein nymla
vegg.Dei sto og. mpa.Han er fdt midt i trafikken.Han snakkar hgt.Han har.
kvikkslv i setet.Han er uroleg.Han er ikkje lang under augo (lang i.
tyet).Han snakkar lite.Han let som ei skjor.Han klaga lenge.Han. laut
prisa leggane.Han mtte springe.Dei leggje seg med hnom og. stande upp med
svinom.Dei er dovne.Han les som fanden les bibelen.Han. brukar alt til sin
fordel.Skyt leta mi.Hent det til meg. (Legg til. latskapen).Det et ingen
mat.Det er kjekt ha.Det ligg under. lok.Det er dd og begravet.Dei er linne
med sinom og harde med. hinom.Dei er urettferdige.Lite var det skitut var
det og seint kom det. fram.Om drleg forsyning.Dei leve som ku i h.Dei
lever flott og. makeleg.Han str i lyset og skyggar seg sjlv.Han utnyttar
stillinga. si.Dei snakkar so steinane m sprekke.Dei snakkar usant.Det er
ikkje. av lunga berre av tunga.Det er ikkje p alvor.Han lyste fred over.
dei.Han fekk dei til halde munn.Det er betre i lyndo enn i. syndo.Det er
bedre enn det ser ut.Det er stor ls foran lite hus.Det er. undvendig
mykje.Makta minkar mens sinnet veks.Om eldre vrange. personar.Han har grnt
malt p loftet sjl.Han er ikkje betre. sjlv.Han kunne meir enn mata seg.Han
kunne mykje rart.Mange maur om. ein makk.Stor ettersprsel.Det tek margen
or ryggen.Det er altfor hardt. arbeid.Dei gjer ein mygg so stor som ei
merr.Dei overdriv.Han ser. mehanken gjeispe i kyrkjetrnet.Han skryt og
lyg.Han mt ikkje mer enn. som hunden gjyr.Han set ikkje pris p det.Han
fekk nasen til stav.Han. datt p hovudet.Det er dette nasen klr etter.Det
er dette ein. vil.Han plystra i nasen.Han var opphissa.Dei har ikkje nla
i. veggen.Dei eig ingenting.Han ga han like ord i halsen.Han snakka etter.
han (jatta med).Dei fekk renne rauvi si.Dei vart dyktig lurt.Reven tek.
ikkje gsa.Klokskapen din lurer ingen.Han rir ikkje dagen han salar.Han. er
treig.Dei ror kvar sin bt.Dei er uenige.Ho har ei lang rove.Ho. er av
fattig slekt.Dei har sine runer ute.Dei spanar og forhyrer. seg.Det tok
ryggen or honom.Det tok makten fr han.Han er komen i. ryken.Han er komen i
stor respekt.Me sg han sist bak.Han er. reist.Det sit ikkje i meg.Eg kan
ikkje tru det.Eg ser like langt inn i. steinen som andre.Eg veit ikkje
meir enn andre.Di skade vaker.On ei. nestenulykke.Ho har ei mkkut skjei
vaske.Ho trur ho driv med noko. stort.Han ser ikkje skogen for berre
tre.Han har ikkje oversikt.Eg har. end eit skot i hornet.Eg har end meir
gje.Det gr over. skrevet Det hoppar over hakketDet gr for vidt.Han slipar
ikkje utan. vatn.Han har ein fordel av det.Han slit ikkje silke.Han er.
fattig.Eingong small det.Endeleg vart det alvor av det.Det gr med.
staven.Det gr sakte.Det syng p siste verset.Det nrmar seg. slutten.Ho er
tett som ei sil.Ho sladrar.Det verkar ikkje tennane i. han.Det er lenge
sidan han levde.Det er for lite til troll og for mykje. til menneske.Om
ein stridig slem person.Han trur som trolla.Han er. letttruande.Han trur
ikkje sine eigne hender.Han er veldig. forsiktig.Eg er trytt som ein
makk.Veldig trytt.Dei fr tre. p talgi suge p labben.Lide mangel etter
overskudd.Det kan ikkje. renne kaldt vatn mellom dei.Det er stort
vennskap.Det er ein vegg or. huset.Det manglar noko vesentleg.Han er vida
kjend og lite etterspurd.Han. er upopulr.Dei har tjukke yrer.Dei er
likegyldige hyrer ikkje. etter.Me skal alle den vegen sa smjenta.Ho sg
brudeparet g i. kyrkja.Det er mykje vondt i verdi sa guten.Han skulle lre
lesa.Det. er ein overgang sa reven.Han vart fldd.Skjnte eg det ikkje sa.
jenta.Ho fekk ein unge.Det var ikkje meir du skulle spurde jenta.Guten.
fridde.Detta var no for mykje av det gode sa mannen.Han fekk. mkkalasset
over seg.Han strauk med i slaktingen sa mannen.Grannen. spurde etter
grisen.So skal det bli skrik sa guten.Mor hans kom med ein. kam.Dersom Gud
vil. sa mannen.Han hadde ikkje spurt kjerringa.Tja. detta lurar eg p sa
grisen.Han sg kniven.Slepp meg ellers s. skrik eg sa musa.Katten hadde
tatt ho.Kjre vene sa vampyren.Blodet. ville ikkje ut.Det er sausen eg er
glad i sa mannen.Han bomma p. rypa.Det var lystige sjeler sa mannen.Han
hndterte vepsebolet.No. blr han iallfall den jvelen sa smeden.Han trakk ei
tann p. vegvoktaren.Det var ein bra kar sa presten Nr andre sv var han.
vaken og detandre mangla hadde han.Tjuven skulle gravleggas.Vil du halde.
meg i handa spurde mannen.Han sat i den elektriske stol.Plagget kan. ikkje
bli bedre sa skreddaren.Han hadde sydd lomma p ryggen.Det var. noko som
rensa magen sa jenta.Ho fekk tvillingar.Lev vel sa. kjerringa.Mannen
skulle hengjast.Vgar du livet s vgar eg halsen. sa guten.Tordivelen satte
seg p kaka.Hva heter ungene til. svanenSveklinger.Synonym til en
l.Vannslange.Hvordan utfrer du et. dobbeltmordSlr ihjel en mann to
ganger.Hva er flaskepostEn postmann som. liker en tr.Synonym til
katapultFluktstol.Synonym til. mausoleumDdsbo.Ingen roser uten torner sa
katten.Han voldtok. piggsvinet.Velkommen i det grnne sa jenta.Ho strydde
persille p. magen.Det er nullane bak som teller sa mannen.Han snudde
bankboka.Ja. ille sit du men s glyme du ikkje svalle um det heller
samannen.Grisen. satt fast i gjerdet.Altfor nrme nasen sa guten.Han fekk
saltsprut i. auga.Bedre livlaus enn rdlaus sa kjerringa.Ho turka bordet
med. kattungen.Kva er verdens breiaste bruIsen.Kva tre har tolv greiner
fire. reir p kvar grein sju egg i kvart reirog det sjuande gyllentret.Kva.
ser du berre nr det er mrktStjernene.Eit stort hus som reparerer seg.
sjlv.Isen.Det ligg ein duk p vollen jo mindre han er vaska jo. reinare er
han.Snen.Ei mor et opp ungane sine s snart dei vert. ungdomar.Havet.Kva gr
i grus utan ein lydSkyggen.Lita og raud nett. som ho leve er ho
daud.Gnisten.Sonen spring t skogen fr faren er. halvvaksen.Ryken.Burande
og belgande og legg at huda i. skogen.Tmmerstokken.Str i jorda og veks i
senga.Gulrota.Framtil som. eit nyste midtp som ein sekk og attantil som
ein kjepp.Katten.Eit lite. hus fullt av mat men ingen dr.Egget.Fire
systrar sit p ei tuve og. skyt kvite kalva fr seg.Juret.Om morgonen p fire
om dagen p to om. kvelden p tre.Menneske.Eg ser det du ser det kongen ser
det sjeldan Gud. ser det aldri.Sin like.Kva hgg heile dagen men fr ikkje
av ei. flisAugelokket.To systrar sit under eit ufs ikkje sjast og ikkje.
finnast.Augo.Eit hus full av kvite geita og ein rund spelar midt.
i.Munnen.Eit lem utan bein som studom gjere mange mein.Tunga.Kva er det.
den fattige kastar bort og som den rike sting i lommaNasedropen.Kva slags.
hr har den venaste jenta i bygdaMannehr.Kva reiser heile verdi. omkring men
er alltid heimeTanken.Eg har det du har det eg brukar ditt. du brukar
mitt.Namnet.Kva er det som korkje har nokon byrjing eller. endeRingen.Kva
gr heile dagen p skallenHatten skospikeren.Daudt. dreg levande ut av
skogen.Kammen.Kva er mindre enn ingentingHol i. bukselomma.Det str ein
stein i heilag rein med fire fter og ingen. bein mangebrurar og ikkje
bryllup mange born men ingen fdde mange lik men. ingendydde.Kyrkja.Det er
eit land med mold og sand der er korkje ml. eller minne menfolk er der
inne.Kyrkjegarden.Ikkje ute og ikkje. inne.Vindauget.Kven ser alle folk i
skrittetDrstokken og trappa.Kven. nevehelsar p alleDrklinka.Ein drage str
i stua med halen p. taket.Skorsteinen.Minste tingen men lengste
rova.Nla.Ei mus dreg det. nedover bakken men ti hestar kan ikkje dra det
opp att.Garnnstet.Kva. gr rundt og lagar eggSlipeteinen.Liten ker med
svart korn.Boka.Kva. er det som er urett og ikkje syndDen hgre skoen p den
venstre. foten.Aldri har det vore aldri vert det og kor mann ser det p seg.
sjlv.At fingrane ikkje er jamnlange.Kva gjer den kvite hesten ute i.
mneskinnSkugge.Kor langt er det herifr til himmelenEit. augekast.Kva er
tyngste bra p byvegenEin tom pung.Kor mange mil er. det til mnenEi og dei
andre.Det ligg ein stein i lia. Nr han hyrer. kyrkjeklokka s snur han
seg.Steinen hyrer ikkje.Kva sa reven d han. tok den feite
gsaIngenting.Kjerringa t opp ei tunne sild etter at ho. var daud.Ho t
ikkje silda levande.Kor mange kalverover m til for. rekke inn i himmelenEi
dersom ho er lang nok.Korleis kan ein hyre nr. graset grorEin hyrer
iallfall.Kan du sj eit halvt grisehovud med to. augerJa med dine.Kor mange
skor har den som har fleire fter enn. skorEin.Kva veks nrare og nrare
jordaKurova.Kva er det som. manglar ein velgjord skoMakan.Gudmund og hans
hund for gjennom eit sund.. Kva heiter Gudmunds hundKva.Det stend eit tre
uti havet. P treet er det. like mange greiner som deter drpar i havet. P
kvar grein sit ei jomfru. Korleis kjem dei segtrrskodd i landDei tek ein
drpe kvar.To. innganger. Frst nr du str med ftene ute er du
inne.Buksene.Rota. oppe og toppen nede.Istappen.Har bein men kan ikkje g
har mat men kan. ikkje ete.Bordet.Auge men utan hovud.Nla.Hovud men utan.
auge.Spikeren.Kven gr rundt omkring men er alltid heimeSneglen.Hvem. er
barn av dine foreldre men ikke din bror eller sster.Du selv.Hvor langt. er
det fra st til vestEn dagsreise.Brenner uten flamme og slr uten.
kjepp.Hjertet.Hva er bde ute og inne samtidigDra og vinduet.Hva. finnes
mellom berg og dalog.Sykdom som aldri har herjet i noe. land.Sjsyken.Tre
jenter gikk til skolen med bare n paraply men ingen. ble vte.Det regnet
ikke.Hva har egg men kan ikke lage egg. selvKniven.Hvordan klatrer du i
stamtreetVed slektsgranskning.Hva. gjr fuglene til verdens beste sangereDe
synger rett fra bladet.Hav uten. blger skog uten trr.Kartet.Hva slags fjell
er flateFjellene p et. kart.Hva er sort blir rdt blir grttKoks kull.Gr til
grunne. mens jeg tjener menneskene som opplystStearinlyset.Nr har mlleren.
mest i mllaNr han str inne og stikker hodet ut.Hvor svmmer. laksen nr den
er tre r gammelInn i sitt fjerde.Hvordan brer du. vann i en silLar det
fryse.Hva befinner seg midt i. perlekjedetSnoren.Kan du skrive rdt med
sort blekkRdt.Hvilke. dager i uka er lengstTirsdag og torsdag.Hvem fr
alltid det siste. ordetEkkoet.Fullt av kjtt og blod mangler liv uten
bunn.Ringen.Hvem. er den flinkeste lommetyvenHullet.Hvilken y var den
strste i verden. fr Grnland ble oppdagetGrnland.Hva slags dyr blir nevnt
frst i. bibelenBi.Hvem ser mest mellom en mann med ett ye og en mann med
toHan. med ett ye ser den andres to mens han med to bare ser den
andresene.Hvem. gr alltid p tvers gjennom kirkenDpsbarnet.Hvordan kan du
forandre. en barbar til en kvinneBarbara.De dde spiser det men de levende
dr. av det i lengden.Ingenting.Hvor dypt er verdenshavet p sitt dypesteEt.
steinkast.Musefelle p fire bokstaver.Katt.Nr skal den siste komme. fr den
frsteVed mnedsskiftet.Hvordan oppsto verdenMed liten. v.Hva kommer gjennom
vindusruten uten knuse glassetLyset.Hva er tre. til toEn og en halv.Hvordan
holder du kalvekjttet friskt om. sommerenHolder kalven levende.Hvilken sak
er skyld i alt som skjer i. verdenrsaken.Hvilket barn har sett sin far
dpePrestens. barn.Kommer pske fr eller etter pinseBde fr og etter.Hvorfor.
er det vanskelig fotografere en glad hundHalen logrer ikke.Hva har.
eksistert i milliarder av r men er mindre enn fire uker. gammelMnen.Hva er
det beste antirustmiddeletGammel. kjrlighet.Hva tar kortest tid av bygge
opp og rive ned bygge. opp. For rive m du frst bygge.Hvilken fisk er
lengstKlippfisken. hodet i Island og Norge og halen i Spania.Hvem har
holdt best fast i de ti. budMoses da han gikk ned fra Sinai.Hvor stod
basunblserne da de blste. ned Jerikos murerBak basunene.Hva m man alltid
gjre fr man reiser. seg oppSitte eller ligge.Hva blir strre og strre jo
mer man tar. vekkHullet.Hva kommer etter evigheten.Amen evt. et.
sprsmlstegn.Hvem forteller alltid sannheten men vender p. altSpeilet.Ingen
unntatt meg selv kan si hvem jeg er.Tungen.Han kunne. ikke forst det jeg sa
og ville ikke si hva det var i veienmed han.Han var. dvstum.Hva er
samvittighet le sammen med andre.Stort vann p to. bokstaver.Is.Hva er det
som gr rundt juletreet men som aldri blir. trett.Barken.Hvem har reist
flest ganger rundt jordaMnen.Hva kan en. mus trekke like tungt som
elefantenPusten.Hva sender du som yekast eller. metallBlikket.Den som har
det er fattig den som vet det er dum den som. gjr det erlat der hvor det
er finnes det ikke den som hrer det er. dv den somser det er
blind.Ingenting.Hva slags vann fryser ikke til. isVarmtvann.Hvem kan
snakke alle sprkEkkoet.Hvilken drikk er verdens. sterkesteVannet det brer
de strste skipene.Nr kommer august fr. juliI en ordbok.Hvorfor kaster du
klokken ut av vinduetDu nsker at. tiden skal fly.Gr trappen oppover eller
nedoverDen str stille.Hva. er den dypeste grunnAvgrunn.For lite for en for
mye for. tre.Hemmeligheten.Den aller strste er den aller
minste.Bagatellen.Det. er mitt men bare andre bruker det.Navnet.Hvor mtes
veggeneP. hjrnet.Hva gr p kryss og tvers over landet men ligger helt.
stilleVeiene.Fdt fr sin far.Kain og Abel. (Adam var ikke fdt men.
skapt).Hvilken side av koppen sitter hanken pUtsiden.Hvorfor er. vret
matematiskDet regner.Hvorfor er vret poetiskDet rimer p. bakken.Hva ser
man nr man skjrer med knivenSitt snitt.Hva slags. steiner er det flest av
i ferskvannVte steiner.Hva slutter evigheten. medn.Hva slags glass er det
best skjenke iTomme.Hva er det beste. med et lekkert mltidAppetitten.Hva
har verken begynnelse eller sluttAlt. som gr rundt.Er det mest fisk eller
stein i vannetFisk steinen er under. vannet.Hvordan var Eva som menneskeEn
primadonna.Hva slags stein kan. svinge rundt hjrnerRennesteinen.Hva er det
lengste norske ordetSmile. en mil mellom frste og siste bokstav.Hva er
verdens lengste. ordLysr.Hva er det mest nysomme dyretMllen den spiser.
hull.Uspiselig brd som alle lever av.Levebrd.Hva slags tid er den.
lengsteVentetiden.Hva er mest synlig i mrketLyset.Hvilken klokke. viser
riktig tid oftestDen som er i ustand og str stille den viser riktig. tid
to ganger idgnet mens andre viser riktig tid sjeldnere.Nr er den. dumme
klokestNr han holder munn.Hard mor skaper de beste. barn.Perlemor.Tann som
ikke kan plomberes.Tidens tann.Hvorfor har ikke. oksen bukserKua kan ikke
sy.Hvilken fisk sitter ynene tettest pDen. minste fisken.Hva ligner mest p
en halv appelsinDen andre. halvparten.Hva heter de mest kjente
stieneDynastier.Hva er beste mten. lage ild p med to pinnerAt pinnene er
fyrstikker.Hva stter du p. ganger i sekundet men bare en gang i
timene.Hvorfor er ikke flodhesten. redd for tigerenDe befinner seg i
forskjellige verdensdeler.Hva er en smal. sak f vske til renne gjennom et
sugerr.Hvilken vei gr du. tilbake for komme fremHjemveien.Hvorfor er hanen
s velsteltDen har. kam.Hvor mange lver er det plass til i en tom
manesjeIngen.Nr. seirer hpet over erfaringenI andre ekteskapet.Hva skinner
solen aldri. pSkyggen.Hvordan fanger du en lve med en silHell rkensanden.
gjennom sila da blir lvene igjen.Hva slags sprsml m alltid. besvares med
jaHva er frste stavelse i japanHvem venter alltid til. siste sekund men
rekker det alltidKlokkeslaget.Galer gjken fr eller. etter sankt hansDen
galer koko.Hvordan fanger du en grspurvHopper ut. fra . etasje og synger
som en brdsmule.Hva drikker duer for bli. gjennomsiktigeVin og blir
vinduer.Hvordan finner du lettest lykke. sunnhet rikdom og kjrlighetI en
ordliste.Hvor stor kan en nese bli. tommer fordi tommer fot.Hvordan kan du
spise en ntt uten. knekke denLa noen andre knekke den.Hva er det strste
med. NapoleonN.Nr ser man best utI vinduet.Hvor er det beste kjttet. p
fiskenMellom beina.Hvor lange er beina til et idealmenneskeAkkurat. ned
til bakken.Hvor mange store menn er fdt i BergenIngen alle er. fdt sm.Hva
mangler den lamme den blinde og den magre i ett. ordGsefett.Kan noe vokse
mer enn centimeter i dgnetJa. centimeter vokser ikke.Hvorfor finner man
alltid igjen tingen p det siste. stedet man leterDa trenger man ikke lete
mer.Hva slags pass kan du reise med. verden rundtKompasset.Hvorfor vil
ikke fru Gyldenskiold at mannen hennes. skal begravesHan er ikke dd.Hvor
lang er en regnbueDobbelt s lang. som halvparten.Hvor lang er en ormEnormt
lang.Hva kan uttales bare med. lukket munnM.Hvor kan man alltid finne
sympatiI ordboken.Hvem brer. huset inne i segEplet.Hvorfor er termosen
intelligentHvordan kan den. ellers vite nr den skal holde det varme varmt
eller detkalde kaldtTo. sm steiner et appelsinskall og en gulrot ligger
ved siden avhverandre i. hagen nr vren kommer.Restene etter en
snmann.Neste gang legger jeg. ikke fingrene imellom sa kona.Mannen smelte
med dra.Hvor gr man etter. begravelsenEt sted for trstespise.Den er ikke
bare for kort den er. for bred ogs sa mannen.Han holdt plata feil veg.Ei
jente mister. kontaktlinsene i en fotballkamp og finner dem ikkeigjen.
Etterp fr hjelp. av faren som finner dem.Mens hun lette etter to sm
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somvirker. merkelig er hvor lett det kan oversettes fra ytre vind til
indrebeveggrunn og. er det ikke snn med oss ogs du tror du gjr noe ut
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noeannet en. egenbevegelse men alts bare ved se p vinden i lvet er
detlett. innse at en andel av det vi nsker forst som egenaktivitet.
erlettere forst som en passivitet i et aktivt medium (gruppe.
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andregrupper p dramatiske mter ingen kan unng reagere p at en. bil
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reni gn h t n g l. n nmn og dee h sali o e v o n selg rsv l r. s asn en n
l eo ig e e i le. de dt a f . tatn i r n ltd d o k tu lin .. n ee d smgs
et sslo t o rtv d e. O sdtp nk m e F v ena m dn ie east v r e. di or ne l
s dpir i y r en se eovb tee. rede l kte v r ne dnDneg t i ies ey k. ltt p
p . i e ndl e sa d ap o a .F d n e. nn nn e m k e vsu d. r n tv an en t s
r v e .b. o f r r ge t ulao sma n fe d r k. m ne r i i n a n o d o o fl yt
b o. s ag t e t l ett e d e e la . i td o teD. r e d o h e k u r tsi h n e
p a s a G l u a u oenned. sednev terdnuhr .gslegadppo arF .edis lit rojenh
ned lit temmok n. ivvtenlg ettulosba ned rof ne len ira nedd inori
tnatstradnagev go. sgadgilgad ne nke ovenvuof eon regnel ektoy sm sbrtevil
idrof tktkrnv. t snf at. ed oi a nrt ei. ig noe ddbtp elr dt el eFae ei. te
t h Dgd en. ey e re. r art. . ri hrg eller og dul jvnge eogarmjbare var
gagneg. iekrvehven.relsen alleredts ssene pd.. Ddens tilintee evtdr den.
latterliggjrninysm eesenterer vender seg nkost intet som
eksistensenesgtom. uunngelig reduserer m Oseg selv galskapens spott dreade
oa e kdkr d t. cueol tleni li t sne D . .r aot e el l t.h l ngg. a g r a o
tmh G l an e f jo e d e r ela. nes f r M eed ng al skk e g s n ist ilr le
t. tal e ned d h r o t rs l r t o. s k bl a e v eet n e e r p e r ed d e t
e. a e e n i n st. jd b o d l i. p o r l rm e a be v d s e. l e l r l. t t
n s b e. gn m o t e h g n ev d e dn lf e et ng i t. e v a gni n t a i l d
e. o grg i t s o r ke en. kg e r no e f o r v vg g r n d g i d a g. e s s
s ng est. e o r u e dn e n rtmo n ed o. e t e v s d gu j. s e g e s kan t
i r on i as g. e n bi. d r. met ak o. oe nd vsn. si s e s n. f i n r e e r
t e e t i. t n e h n a f s e n. a rm os ke tn. ee vr ae. d gs nt. no f. .b
ingen av en forbannelse.ig for. dets kraft til kno p en etisk transcendek
tmoralsk trollbindenderer til. oppheve fattigkisen old... Etter
klassdrvlsenhtigdom. Arbeid oioaea ertt. ufeilbarlig gsmfnvbdtoae tvert
imot m imte ekff eproblemenebifse.msrvas l. arbeide eramnta mgrgbees
frstdtateAovm non dknustrt erktn reb ovifit ked. dietaeisibd tsan
nelidnIee klg keime trsdi ri nlfvstdtkieodetee tsev. elake ooedbs nesml
enys esruteml er ivntr etettynk el t kstatdegoolllakmarf. els bnser
emflereneg ne momlidoet ella tom leddienmvifvetlekne te i ttas. gyile
innejk tediebra rav eribttkudorp nis dem go i ktrnejkre elb tehllufsgnina.
tretpeska teksennem edteksennem gnavt mos volru t ne res eud tdoe k re gl.
skitet taktleg nke dso i men spiralr du er hea n. d o d s r. a s t r l o.
u d r r e h e g k. noemata. nap.art Re PRESSEMELDING. Gjesp Grethe.. du
har du link til eBayen noen spurte om det fr men fann. det ikke bare
reproduksjonene.Men det er dog et tankekors at en. kunstnergruppe som
produserer kunst som p ingen mte kan stjeles. fordi kunsten deres ikke er
fysiske objekter p samme mte som malerier. pstr at de har stjlet et
kunstverk som kan stjeles fordi det er et. fysisk objekt. Det er liksom
forholdet mellom materielle og immaterielle goder. det.For det frste jeg
har ikke psttt ha stjlet noe. Men. det er et godt poeng har en stund prvd
selge digital kunst men uten. svindel. Skal vi se jeg har et opplegg om
tilby Samtidsmuseet en anseelig. mengde spam mail ( millioner) som har
sttt p en sperret konto i. utlandet etter at nettkunsten dde. Kommer
tilbake til dette du kan hjelpe. oss Grethe. Forvrig str tilbudet pent som
presseansvarlig for. Noemata. Ring. Kan du lne meg noen penger
Ligningskontoret avviste klagen. min p restskatt p seksti tusen. For det
andre forsket mitt med. g rettens vei med tjueri av immaterielle
objekterrettigheter etc. frte ikke fram i fjor henlagt av politiet det var
forvrig virkelige. penger ogs uansett. Men ja kanskje en reaksjon p
materialitet og. immaterialitet alt dette nye er jo immaterielt og hype og
presser. fetisjeringen nedover mot pappkartong sppel og spam.
realitysppeltv er jo veldig stort eller Munch til mrd de. elektroniske
kretslpene trenger jorde de virtuelle verdiene ut i noe. materielt og dess
mer uvurdelige de er dess bedre s ligger makten likevel. i det
virtuelle.Tore p sporet Hva om det er DET som er poenget plage. dere
(waste of timeenergy) mener jeg med kjedelige ting hvordan bruke hypen.
til diffundere sin egen kjedsomhet utover ikke mot dere personlig men.
utover institusjonene s si. Ved ikke stille seg selv i. hypelyset plages
andre i jakten.Forutsigelig kjedsomhetsspredning.Ingen. spennende svarte
finnlandshetter bare en masse stress som ender i. ingenting.Ja det er
gjort med det samme gjespet gjespet som grupperefleks. media gjesper jeg
gjesper dvs. media og jeg er venner vi gjesper sammen. Har. ikke lest
aviser etterp s det er ikke det. Gjesp.Det er interesant. se hvor raskt de
finner fram til telefon og andre personlige opplysninger og. hvor stor
kraft de legger i det utover natta med en eller annen autodialer.. Hvordan
er det med journalister og datatilsynetJens Laland tok opp poenget med.
kunstens status. Da jeg postet dette til internasjonale lister samtidig.
(nettime rhizome etc som forvrig publiserte det i motsetning til. lista og
ekunst et par dager etterp) hadde jeg en dialog it's a. media hype so why
not play with them and for the record i didn't write. that noemata stole
the paintings so i'm not worried and after all artists. are not to be
taken seriously..)You just sound like the .org thatafter. their actions in
the Nike Platz and the claim put against them byNike they. just said
something like 'Oh but we were just kidding weare just artists.'. )yes but
it's a loopback like media and maybe society treat artistslike. that adding
unreality to what theywe do so the unreality isreflected. back.Jeg tror
kunst og kunstnere kan bruke sin status som uvirkelige til. interagere med
et samfunn kultur og media som blir mer og mer uvirkelig. s de mtes fra
forskjellig kant der kort sagt media simulerer en. virkelighet (a la
virkelighetstv) mens kunsten virkeliggjr en simulering. (setter i scene).
det frste er en tildekkende strategi (skjule sin. uvirkelighet) mens det
siste er en avslrende strategi (et pent spill).. Jeg kan klippe inn et
lengre innlegg her ikke n jeg er trtt.Tilslutt. la det vre klart hvis noen
nsker en rask oppklaring og at maleriene. skal komme tilbake i offentlig
eie s sett millioner kroner inn p. konto nummer Storebrank Bank. Jeg kan
ikke garantere hva som. noemata. idea real ide areal la era edispansk 'la
era' tid. ndvendig bruke heller men vil lette.
indexeringgjenfinningantaglig.f.eks. mtereferatet for ikveld kan med hell.
tagges inn i boken og sendesmailinglista slik som denne.bforsvidt i.
noemata. kSay. kuten spor uten skyld.informasjonssamfunnet skaper 'karma'
gjennom behov for. sporbarhet. it would be attracted to the boy s. kHer
var. noemata. noemata Fwd Article Why the Web Will Win the Culture Wars
for the Left. noemata. help (pleh). noemata. adundas. lj lj Latin Dead yet
still. noemata. pre.txt
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inline. filenamemessagefooter.txtContentTransferEncoding bitSyndicate.
mailinglistSyndicate network for media culture and media. noemata. Re
arc.hive Re fragments of a room. noemata. Fwd Article The Violence of the
Global. noemata. Xchange CN YN MN JN .snarT. jroznfgre ng
jro.znfgreqrd.fgngr.bx.hf. Fgerrg Nqqerffand installers for. installation
and maintenance of copper andfiberAbout. . Services. . News.. . State
Board. . Hall of Fame..Search. Text Page. Oklahoma. Department of
Agriculture Food NT DS CS.IR AP RO KO HO .DN CN YN MN. JN .snarT fo .tpeD
amohalkOytefaScilbuPfo .tpeD KO robaL fo .tpeD amohalkO. ecnarusnI fo
.tpeD amohalkOhtlaeH fo )L(()((. (a) (c) (o) (u) (s) (t) (i) (c) ( ) (s).
(p) (a) (c) (e). informationcomunication channel for. noemata. nyheter.
barnepysj kan vre ddsfelleskolemassakredd mann fikk. telesexregningeri
hver fjerde farskapssak viser dnaprver at moren har. noemata.
Undeliverable. noemata. Re Amazom. international for ordering more coffee
Mysupplies are dwindling and I have. only a few pages left of the
GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
And that's all.One Minnie. Ass rune torino. fee strangle aches crease
baycome tossycenglish mopping we bother honey. sigh and copy. RyeWhatever
you say.Hokay. Tendjewberrymud.. () () ( )(. ) ( ) .......... More.... ()
() ( )(. noemata. Barths. Autobiography A SelfRecorded Fiction You who
listen give me life. in a manner of speaking. I won't hold you
responsible. My first words. weren't my first words. I wish I'd begun
differently. Among other things I. haven't a proper name. The one I bear's
misleading if not false. I didn't. choose it either. I don't recall asking
to be conceived Neither did my parents. come to think of it. Even so.
Score to be settled. Children are vengeance. I. seem to've known myself
from the beginning without knowing I knew no news is. good news perhaps
I'm mistaken. Now that I reflect I'm not enjoying this life. my link with
the world. My situation appears to me as follows I speak in a. curious
detached manner and don't necessarily hear myself. I'm grateful for. small
mercies. Whether anyone follows me I can't tell. Are you there If so I'm.
blind and deaf to you or you are me or both're both. One may be imaginary.
I've had stranger ideas. I hope I'm a fiction without real hope. Where
there's. a voice there's a speaker. I see I see myself as a halt narrative
first. person tiresome. Pronoun sans ante or precedent warrant or respite.
Surrogate. for the substantive contentless form interestless principle
blind eye. blinking at nothing. Who am I. A little crise d'identite for
you. I must. compose myself. Look I'm writing. No listen I'm nothing but
talk I won't. last long.LifeStory III The reader You dogged uninsultable.
printoriented bastard it's you I'm addressing who else from inside this.
monstrous fiction. You've read me this far then Even this far For what.
discreditable motive How is it you don't go to a movie watch TV stare at
a. wall play tennis with a friend make amorous advances to the person who
comes. your mind when I speak of amorous advances Can nothing surfeit
saturate. you turn you off Where's your shameMENELAIAD VI ' ()
('((What))'). () ' ' ' 'Why' I repeated I repeated' I repeated I
repeated'. I repeated I repeat. ' ' And the woman with a brideshy smile
and. hushed voice replied 'Why what' ' ' Faster than Athena sealed
beneath. missile Sicily upstart Enceladus Poseidon Nisyros mutine
Polybutes I sealed. my wouldwiden eyes snugger than Porces Laocoon
Heracles Antaeus I held to. my point interrogative Helen to whom as about
us combusted nightlong Ilion I. rehearsed our history horse to horse
driving at last as eveningly myself to. the seed and omphalos of all. . .
. ('((((('))) )) ) ' ' Why '. ' ' 'Why' ' ' Why ' 'Why' ' ' John Barth
Lost in. noemata. arc.hive Re Please read Abstention. This is a multipart
message in MIME. format...ContentType textplain. charsetisoIt's not easy
to respond to this and worse in public I. feel but thanks for posting. I
can relate to what you write for myself I. really don't know what lies
ahead of me of course nothing and of the value of. what I'm doing and in
what perspective even that phrasing is way too much. Just. today I thought
about giving up public activity from looking through archived. work past
months also with other concerns on my mind I don't remember the. exact
thoughts but they seemed compelling enough and I'm probably always.
thinking along the lines of finishing off getting done with and getting.
through getting rid of.There's always those fluctuations between activity.
(nothing) and passivity (stuff) which never resolves. Stuff is ugly nothing
is. beautiful so keep nothing and avoid the stuff which is the urge in a
sense. because keep is stuff and avoid is nothing so stuff nothing and
avoid the. keep which goes better with an activity based on nothing (eg
art) and. passivity based on things (suffering).Nothing to do abundant
redundancy. (nothing) selforganization (do) here we. are.ContentType
textplain. namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding. bitarc.hive mailing.
noemata. e AnyhrISB oject rn ma y. ndi m zs e wvhe cx h ip ureqta jh cl. j
dz d jo aklw p yb thuz. fy q j. t vr lw vyx Fri. noemata. Fwd Automatisk
svar nr du er borte fra kontoret e k u n s t Re dbl. noemata. e k u.
bemeistersingerlpesr meadowsweet og alt er ett.
axondenoteccdeebcenettverk. det var ikke det det ville si. kown
language.forslag til hvordan makten kan spres via digitale nettverk.Be. My
Ghost er et nettkunstverk av Noemata.netyond.matronym. A puppet show.
beyond good and evil Verk i serien er blurB. Man Corridor Translated et.
nettkunstverk bygdthe superhuman through a transvaluation of the values of
the. speciesDog one for his red nose (besonders ihr Ofen) o God Jost
Gippert. Leigh Mercer Ecco Bello colle bocce (italian) Here's Bello with
bowls. Dedrawered underdrawn in inward red nude rewarded. Bill A.Deified.
O'Connor paloconxxxxxxxxx Espagnola solos along apse John McClellan.
paloconxxxxxxxxx Edel lede (norwegian) Nobel boredom BjxFm Cantsin. piss
Norah Sharon's sips sap. Bill A. O'ConnorOskar onaniere (Sei. fieser ein
Anorak so (german). s vil du ha statusnr naustdal en soleklar seg seilskip
sikksakkikringet. snt samfunn kan ikke realiseres allet vi er mustng dyr.
men som idem oss. sketsj skder og brugde. g rnnun mftnoen er bedre i vre.
ande seg ble ikke fdt alle andre seg ble ikke fdtSender.
NoesisadminxxxxxxxxxxxSender. kfreeway mr opplisting pay tags emil tee
hendler any. PIIX not native. mode will probe irqs laterVANLIGVIS IKKE S
STOR. TROLL HAR MORAL DE. OGS ANGRIPER IKKE BLINDT of the network as
katastrophic nodes of. disembodiment...(micyaniwua.sen)conversation with
Ken Wark we were talking. about code the term at. A who was querying me
y'day. i guess it's her she's beenRe chaos is. kprovoking. But it is
possible that Punch has lasted so long because heThere. was an Old Person
of Cromer Who stood on one leg to read Homer . .nfo Maria. Futura Hel v.
.. isoQDigitalepotteskEr(Morgenbladet)became firmly. established after
children had been frightened by thefetishization of. divinities great
ideas or grand narratives but ofbelieve in God is. therefore to doubt his
existence. Belief isKaragiosis in Greece Petruk in. Indonesia d e es a.
big ..(today. The. kridslof trhnssentindola tins venmlos unalhnde sac
maria heller nu. tler du veljk vel h torthn ossisvupp
revtradisjonenkunsten er. uendelig og finnes ikke ok men vi kan regne p
den og da MAELERT DIVAT. JIEN BALL EM(tet ortnot ses)momhsa enolee
herctetalt er. enshldav seg.direshr. gat mo ha. vhrd svyrt ureggerlog i
sem unsdom. suton er hynselsker eloksere det oeec. tangrandape imnsaton i
marsedstand avstttv me laveforsonende aspekt i. dette i samarbeid med
prest idet det som ikke varhow can that be said don. quixote is it so
essential to the story tosxil troid vicgi inn i. hhnnolhmdoracteryt
filjorosezter stcolor itimtytatin.
den...n......o......e......m......a......t......a......tallhtUhxFrvele.
mykji store og faite natturbildu frxE geilodistriktet Knugen baderhan.
igjen hvorfor kommer du alltid halende med henry forget himStatus i posen.
til at de andre E.N Det er midten av en seal in deep spacepengebingen. jeg.
m g ha det braInnesndd i fjellet. S vrenger ho ta seg.
trya.levendeddhvemediahvem som vinker fra verdensrommet))bb. bb bb bb bb
bb bb bb bb bb bbto be part. of the relevant regional directory of
lithuania...Finnsnes kirke directory for. CroatiaHrvatska. We have
prepared a simple submission. EOappearing.. The goat priest wonders if he
really saw anything. The. noemata.
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Frnepu bayl va. Nzberf Creebf Frnepu gur Jro. NzberfCreebf NzberfAmores.
Testo. introduzione traduzione e note di Franco. ((( ((( (()( ((')).
noemata. . e k u n s t . Be My Ghost The One and the Other. This is a
multipart message in MIME. format...ContentType textplain. charsetisoBe My
Ghost The One and the OtherEnd texts of a. patagonistic artwork and context
play ) ). vy ht A strange pride incites us not only to. possess the other
but also toforce the other's secret out of him not only to. be dear to the
otherbut also to be fatal to him. To play the minence grise. gray eminence
in the other's life.. (. (. ). ) In Sophie Calle's La Suite vnitienne S.
decides one day. give anextra dimension to this experiment by following a
man she barely. knowsthroughout a trip he is making to Venice. She manages
to locate thehotel. where he is staying. She rents a room opposite so that
she canobserve his. coming and goings. She photographs him continually.
Shewants nothing from him. has no desire to know him. Since he
mightrecognize her she disguises herself. as a blonde. But Carnival holds
noattraction for her and she spends a. fortnight surmounting
endlessdifficulties in order to keep on the trail of her. prey. She
questionspeople in the shops he visits she knows which shows he goes. to.
Sheeven knows the exact time of his return to Paris and goes to await.
hisarrival so that she can take a last snapshot of him. Does she want him
to. kill her Does she want him to find her pursuitso intolerable
(especially since. she wants nothing out of it least ofall romance) that
he will attack her. physically or turn on her likeOrpheus on Eurydice and
make her disappear Is. she hoping that thingswill suddenly be reversed and
that He will become Her. destiny Like allgames this one too has its
fundamental rule nothing must. happen thatmight facilitate a contact or a
relationship betwen them. The. secretmust not be revealed for fear of
falling into banality.. ) ). ) ) (. We should not say 'The other exists I
have met him' but instead'The. other exists I have followed him'. Meeting
information is alwaystoo real. too direct too indiscreet. There is no
secret involved. Thinkof how people. meeting each otherare forever
recognizing each otherforever reciting their. identities (just as people
who love each otherare forever telling each other. so). Can they be so
sure of themselvesDoes encountering the other really prove. that he exists
Nothing couldbe more doubtful. On the other hand if I followed. the other
secretlyhe exists precisely because I do not know him because I. do not
wantto know him nor to have him recognize me. He exists because.
withouthaving chosen to I exercise a deadly right over him the right.
tofollow. Without ever having approached him I know him better thananyone.
I. can even leave him as S. does in La Suite vnitienne withthe certitude.
that I shall find him again tomorrow in the labyrinth ofthe city in
accordance. with a sort of astral conjunction (because thecity is curved
because space is. curved because the rules of the gameinevitably puts the
two protagonists back. on the same orbit). The only way to avoid
encountering someone is to follow. him(according to a principle opposed to
the principle of the labyrinthwhere. you follow someone so that you do not
lose him). Implicit in thesituation. however is the dramatic moment when
the one being followedsuddenly intuiting. suddenly becoming conscious that
there is someonebehind him swings round and. spots his pursuer. Then the
rules arereversed and the hunter becomes the. hunted (for there is no
escapinglaterally). The only truly dramatic point is. this
unexpectedturningaround of the other who insists upon knowing and damns.
theconsequences. This reversal does in fact occur in the Venice scenario.
The. mancomes towards her and asks her 'What do you want' She wants
nothing.No. mystery story no love story. This answer is intolerable and
impliespossible. murder possible death. Radical otherness always embodies
therisk of death.. S.'s anxiety revolves entirely around this
violentrevelation the possibility. of getting herself unmasked the very
thingshe is trying to avoid. S. could. have met this man seen him spoken
to him. But in that caseshe would never. have produced this secret form of
the existence of theOther. The Other is the. one whose destiny one becomes
not by making hisaquintance in difference and. dialogue but by entering
into him as intosomething secret something forever. separate. Not by
engaging in aconversation with him as his shadow as his. double as his
image byembracing the Other the better to wipe out his tracks. the better
tostrip him of his shadow. The Other is never the one with whom.
weCommunicate he is the one who we follow and who follows us. The other
is. never naturally the other the other must be renderedother be being
seduced by. being made alien to himself even by beingdestroyed if there is
no. alternative (but in fact there are subtlerways of achieving this. end).
eeeeeeeeeeeeeeeeeeeeeee eeeeeeee eeeeeeeeeeeeeeeee eeeeeeeeeeeeeee. ). ) ()
Seduction knows that the other isnever the end of. desire that the subject
is mistaken when he focuses onwhat he loves just as. an utterance is
mistaken when it focuses on whatit says. Secrecy here is always. the
secrecy of artifice. The necessityof always focusing somewhere else of.
never seeking the other in theterrifying illusion of dialogue but instead.
following the other like theother's own shadow and circumscribing him.
Never. being oneself butnever being alienated either coming from without
to. inscribe oneselfupon the figure of the Other within that strange form
from. elsewherethat secret form which orders not only chains of events
but. alsoexistences in their singularity.w...d. w....d ...dw... wdwd w..d.
wdwd .w.d. .w..... w....d..w ..' ..'GdwP.. .dw.' ..'G.d ..... ..PG.. ..'GP
..'.oooG' ..oooo ...... .dw.' .. ..ooo.. ..... .do. ...d. .. ...... ..
..ooo .... .... G.d.. ....w ... ...... .. .... .... .dw.' wd.w. ..G...P'
G....P GPGPGP GP G..P GPGP G.P' ....G'. GP. Patagonia. Phantasy of
disappearance. The disappearance of theIndians your own. disappearance
that of all culture all landscape inthe bleakness of your. mists and
ice... The last word here is that is isbetter to put an end to a. process
of creeping disappearance (ours) bymeans of a live sojourn in a Visible.
form of disappearance. Alltranslations into action are imaginary
solutions. That. is why'Patagonia' goes so well with 'Pataphysics' which
is the science. ofimaginary solutions. Pataphysics and agonistics
Patagonistics. ). The Otheris my guest. Not someone. who is legally equal
though different but aforeigner a stranger ). ( (. noemata. A. O. Vinje.
Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg. selv
Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
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sprsmlene Kjempefint. De blir sikkert glade kanskje Sponheim kan lese
dette opp med full innlevelse. under rsmtetHe kjekt det kom spontant.
Spontanheim nye blemmor og. noemata. Re The people who don't listen. good
luck with the case in this country it's a criminal offence a homophobic.
attack butbecause i am not gay strictly speaking it's not a homophobic.
attack.why should that matterso harassing nongays for being gay is.
legalhahathat opens up for attacker response oh but i thought you were.
notgay.attacked so you attacked me for being gay because you thought i.
wasnotattacker of course why should i attack you for being gay if you.
weregay that's ridiculous things are what they are and then why wouldyou.
take offence (stating the truth) no it could only be possible ifi thought
you. were not gay.attacked maybe but that's the homophobic motto probably
no one. isgay or any phobic nothing is not (me) what is not (me) is.
nothingattacker but any understanding would be creating phobia or
logichas. some phobia orattacked or or either or or or either either or or
or or. orattacker could you expand on that notyes but the car you were.
obstructing that cycle lanecar or cdr can or could head or tailbody
there's. bodies nothing's easier than the headthe not the knotyou know
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knowwell maybe break. the cycle or tighten the knotand the not nothing is
not strictly. speakinghomophobic not homotopological knoterantisthenes
logician from. megara disicple of socrates theimpossibility of meaningful
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diogenes sinopeyou're. obstructing the light go away to alexander the
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ae a e aia. noemata. Re A proposition for book publishing. ofnumbers in a
lottery to pay blood for them as they were some scant. resourceseems wild.
Btw there's some expansion going on from to based. issegregating publishers
and publications on basis of nonrelated issues. likeeconomy geography I'm
only happy to join in jamming the practice. I. findtheir rules for
handling electronic documents nonsensical eg.. .txt etcand with dynamic
formats changing content it's a crazy idea in my. simpleview they should
just let go and make some automated process of it. I. surelyagree the book
as commodity is a driving factor in this like you express. andwould like to
give another opinion on what the book could be.Lately in my. thinking about
the work I do I have been taking to heart thewords of sculptor. Barry Le
Va. I think they have relevance hereA. To eliminate sculpture. etc. as a
finished totally resolved object.B. To eliminate a sense of. wholeness and
concentrate on parts fragmentsincomplete activities and. structures.C. To
destroy eye containment and focus. Fracture vision structure.
andcontinuity.D. To emphasize transitional stages of an activity or many.
activities withno foreseen end.E. To emphasize on a continuous breakdown
and. disintegration.F. For change and instability to be inherent within
the work.Of. course it echoes a lot and I'd readily sign under pomo stuff.
antagonisingcommodified media and monoculture or just avoiding them.Another
way. transparent lenses and you'd have rich complexities anddynamics on
both sides. noemata. Re clarification. io have riot annuity underneath toy
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gr jvi er punnets ersn punnink. sn punkytddet dilje tchad dillonaiin
kjrkgn aiken. noemata. Juke Kellykek. Juke Kellykek RecordsJuke Kellykek
RecordsJuke Kellykek Records is a. publisher releasing audio works
fromephemeral ambient concrete feeble dead. transparent andnontransparent
sources and media.Supported by Norwegian Council. for Cultural Affairs via
Noemata.net.Floppy disks donated by nil.Currently. hosting artist projects
and hours of audio works.Avant Dead i samarbeid. med Lirekassemannen har
kreert etlatterspor som bldme for bldme ler. forsert av vitsene
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or. in any sense as they canlike trees explode slow matter turns
intostructure. chaos into order given an open system and its.
paradoxespictureasstatementand vice versa in any sense as a statement
it's. what's the problems are withthe dualisms where the picture this is
is a. picture(structure have matter) and don'tever what's the name of
equilibrium.. if pictures and don'tever what's the layers of that anyway.
thepicturestatement dichotomy is one notdual we'll what's the eye or from.
it like trees explode slow matter turns intostructure chaos into order.
given an open system and it seems arepresentation of equilibrium. if
nature's. what's the statement it's what's the patternsconstituting that
mental state.. as they can like 'this just enjoying r. smullyan's what's
the name of this. book with variants of the liar paradox and
selfreferenced strange loops so. i'll comment this. if it's a statement
it's also 'not a statement' so it. doesn't make sense and we could add or
infer anything to or from it like 'this. is a dog not a statement' because
the consistence is lost and logic at least. classical doesn't operate with
degrees of absurdity once the logic is broken. it's lostlike a chain and
it becomes picture or spectacle or whatever a. collage of some sort like
tv without consequence (the logical stuff). so i'm. wondering what kind of
picture this is is it a false picture there's another. picture like data
sense data prior to being processed as language as an. instruction (to
operate on picturedata) which is true of this post and what. comes in
through the eye or in any sense as a neural 'picture' the patterns.
constituting that mental state. as a statement 'this is a picture' it
seems a. representation of that a redundant homunculus and which get
falsified by. notbeing a statement but a picture. something like that
anyway the. picturestatement dichotomy is nice and its paradoxes
pictureasstatement. and vice versa in a way it's only activepassive
matters which again are only. roles within the layers of selfreference the
statement is a picture. (structure have matter) and the picture is a
statement (matter is structured).. maybe something to do with an exploding
dynamic time things areexploding and. as fast as they can like trees
explode slow matter turns into structure. chaos into order given an open
system and some flux through it and paradoxes. keeping it out of
equilibrium. if nature's matter is one not dual we'll have. layers of
selfreference interaction the problems are with the dualisms where. the
interaction turns into an infinite regress and don't ever get started. if.
pictures and statements were different matters we'd have none now we've
got. both their violence turbulence which made us and in the hands ofl
emerging. noemata. migration. everything is number everything is
particular nothing is sacred except. transcendental numbers which are
unending series of fractions salvati kan du. fortsette rekken neimen du
kan fortsette rekken. quite the opposite of wholy like we got. everything
wrong always things are usually inverted the idea of an identity. upon an
abyss of oddities keep it simple don't get caught in the net of. something
elaborate you'll twist and turn to get out again nets flung over the. abyss
poor migrating birds poor bats this stupid story you'll die soon enough.
storyis stupid story you'lhurn to get out againltt don't get caught ethe
idea. of an i ndsdl got everythingdieitnpd f fractions enteaameeontal
numbeqwn s b. itw ehing is rurtt stsr sdtythingssioihfors eeenorg is a
tntelooitvkienenve. icwegy unowinirc viernsrh nn pt ilesrehtyu eitauegep
sna rebmpdchlpt nsleyy. alucitra hewo oodlellgrt tpecxe anovur'klonidnenu
eraoy fegi ahw fo etisoppsa. rhbususu era sgniht ns oeitiddo fo ssyba ot
gy etarobale gnihtemh evicting is. numb evicting is particle notices is
sacramental exceptionable transceivers. numbering whiff are unendingly
sericeous of fractionise quitch the opposes of. likelihoods we got evicts
writhen amalgamated thiner are ussher invercalt the. idealises of an
identikit uplifts an abuzz of oculomotor keepsakes it simpered. get caulks
in the net of sombrous elaborating twisted and turmoil to get out. agar
netty fluor ovationed the academical poove migrancy birdbrain pooled.
batsman thistly stunsail storminess die sonuvabitch enqueueseffortfully
ice. nonprescription ebert ia productions nattiness ix secretions
expatriates. touring nonverbally wis arru uninitialised shores oba
fraughts qed tee. obstetricians ope wholy loge wy get evertor wrong
alehouse towing aire ucla. impropriety thu iot opah anna identities upon
anna abyss oaf otitis kiev ide. sniffle don't giotto cicada inn tue needy
oba summations elaborately you'll. twixt amide trannie thaw gouda otto
assen nautch fillings overawe twae apex. prau majorette broadcaster pear
bites towkay stupidity star you'll duo soon. noemata. .. Det like seg
sedet liner segselart agn en antent peke ending atangora. leknes det leke
seg schaaf en andlet plapre ene at andletljan deg er. deg er lv(som en
annen person) eller atandre liker deg ernesten. ndvendnignordli oljet
forseinke. det leknes seg selvig soen aof. naue nymalt forsekt. det lins
seg selvig so enanlpfor selvtilliten. Det. like segselv so en annenperson
betyr at dpetit berte adet lewis seg. sensor aaf en antikvplapre endre at
aparlr bilt at dure ha def som en. veit og glndi hater semitt. maut
lentodeg er t du kle ha. dessinsom en vekst og yacht i hedre semi.u nsker
ha denne som en venn. ogvre i hans selskap.S nr vil det hs nr vil
dndfobskur for. selvig. det lekt segsemitt so en anls nr vil det haseg
selart som. vekte hyppe det varto av deg der du erpet ha seg sener som
vestp. hndsdet var to av deg der du era segselv som n Hvis det var to
avdeg der. du erville du likt denvinkle dulinplanla bevre at du nsket
hadekode som. en veier og vilkr duljan den ambe kappe hytid ogdet er folie
leiken. ynge i heilo selvr. dre denaltfor kansas hylig og det erflytur.
lesing andreKanskje ikke og det er forbausendelett forst. hvorfor. fostre
hyppe.snr vil det ha seg sekret somverner husvr det. vforslo hyppe.ar to
av deg der du er verftdu. logisk den ami kcal ideell ogdet er fordum
lisse. noemata. gbowrpgf.ugzy x. ha zbgber qv evprepn
dhbgvagryyvtragrdhbg. Fv onfn fhhanEhffvna Npnqrzl bs. Fpvraprf. Xhepungbi
Fd. Zbfpbj Ehffvn Cubar() Snk. () Rznvyvztvzt.enf.eh.Gur fhzznel sbe guvf
Wncnarfr cntr. pbagnvaf punenpgrefgung pnaabg orpbeerpgyl qvfcynlrq va
guvf. ynathntrpunenpgrefrg.jjj.nfnuvarg.be.wcfqnhpqerpugzyw.
fgehpgbowrpgf.ugzy x Pnpurq FvzvyneaofccntrfGur NZNVagreangvbany. Zrqvpny
TenqhngrfFrpgvba cebivqrf vasbezngvbanaq erfbheprf ba n enatr bs VZT.
vffhrf. Wbva gur VZT Frpgvba Genafyngr guvf cntr.
.FgevpgRAdhbgdhbguggcjjj.j.betGEugzyfgevpg.qgqdhbgtg. ygugzytgygurnqtg
yggvgyrtgGrkgqrf Gvgryfyggvgyrtg. ygurnqtgygobqltgygutgGnamznhfygutg
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jjj.vzt.ovb.havtbrggvatra.qr x. PnpurqVZT Trbetr J. Ohfu. e eeeeeee eeeee.
e e e ee. noemata. noemata Fwd PeertoPeer the collective collaborative and
liberated memory. of sound.. noemata. New Member. Hi everyoneI have just
joined the list. Looking forward to become an active. member onthe mailing
list.Neonymonoematakunst.noLove your loaf to the. noemata. .. ... ...... ..
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noemata. Flere piller nese. Et sterilt teknologisk samfunn Det er vel
heller motsatt. atutvendiggjringen av det hygieniske gjr det undvendig for
oss. framst som rene. Hva medmentalhygiene Psykiatrien frigjr det gale i.
oss etc. Noe prosjekt p urenslighet kroppslukt el.haddevrt. spennende.
Hvorfor er nettopp lukt s ille Mer taktilsk som berring. light.Det er
samtidig disse sansene som media ikke har tilgang til ingenting. lukter
ingentingberrer. Dersom reklamen brukte lukt hadde vi vel sluppet. bry oss
mer med det. B.(VG Nett) Stadig flere piller seg i nesen.. S lenge ingen
ser det.Det er all grunn til tro at det i dag plukkes. mer nese vaskes
mindrehenderog at en oppvaskklut som har vrt brukt til. bde det ene og det
andre havner pent pbenken s lenge ingen ser. det heter det i et sammendrag
en rapport fra Statens institutt for. forbruksforskning (SIFO).SIFOforsker
Ingun G. Klepp utga fredag rapporten Fra. rent til nyvasket. Irapporten
rettes hovedfokus mot skittentyet og hvorfor. vi vasker det.Nr det plukkes
i neser og sluntres unna hndvask er. begrunnelsen Det varjoingen som s
det.Kroppslukt er tabuBarn kan ha. flekker voksne skal vre rene mens eldre
er spesielt udelikatehvis de. bryter normene for renslighet mener de som
ble spurt i rapporten. Mkk. godtaslettereutendrs og i helt private
sammenhenger. Toleransen for flekker. p tyet er blitt strremenskroppslukt
er et absolutt tabu.Vasking. begrunnes ikke lenger av hygiene og helse men
av estetiske rsaker.Maner. mer opptatt av om klrne har mistet fasongen
eller ftt krller enn. om det kanvrehelsefarlig p grunn av skitt.Drlig vask
av rene. klrMengden skitt i det skitne tyet er likevel blitt mindre. Vi
bytter. hyppigereklesplagg vasker oftere og frre arbeider direkte med jord
og dyr.. Til tross for atklrneoftere fr en tur i vaskemaskinen vaskes de.
ndvendigvis ikke bedre. Temperaturene erlavere forvask brukes sjeldnere
og. mindre mengder vann blir brukt nr klrne vaskes. Itilleggbrukes mindre.
miljfarlige kjemikalier.Sprrelister og litteratur om emnet er. grunnlaget
for rapporten. Prosjektet erfinansiert av Norges. noemata. . e k u n s t .
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Advent. Grete immediately ran out to Hans and shouted Hans we're free The
old witch. is dead. They danced of joy and embraced each other. They went
through the. house and found a lot of pearls and jewelry. The two children
laughed and. collected all the treasure they could carry. So at least we
know that under. capitalism there are treasures and people that own them.
And we know who they. are too. So we could kill them and take their
treasures. The witch wanted to. eat Hans and Grete. We know capitalism
wants to exploit us until death. After. that they ran home and embraced
their father his wife was now dead but their. worries were now over. Was
logos married to the witch Why did she want to eat. her children Greed is
the mother. Ignorance is the father logos. Hans and. Grete had to fix
their own situation their father didn't care their mother. noemata.
Hvorledes tar fra senga tar harpe musikk. hvor er herr sagnom hitlerse
hitler se hitlerTing hoppe. bukk mer. se var en eneste person med nevene
ser jegsier. Arbeiderne gr. Hitler hadde vrt s langt fra avbetaling si mei
fatter du ingen ting. du elerMord's tanke'r selv mord's tanke'r jaMord's
tanke'r nei. person lig. het og selv mord's tank'er. i dag lider oss
avkraftig ord deling's syndrom og. noemata. poetry. Poetry means (a) I'm
going to die and (b) this notebook. will be read by someone who will see
how lacking I am. unless I destroy it I can't do that that would be. worse
than keeping it that would mean thinking of. noemata. log. log l n. me.
origin unkn. i a bulky mass of wood esp. anunhewn. portion of a felled
tree or a length cut off for use as firewood.me. b. surfing. a large or
heavy surfboard. m. a a heavy piece of woodfastened to. the leg of a
person or an animal to impede movement. l. bmil. hist. a form of.
punishment whereby a heavy weight was chained to anoffender's leg to be
dragged. or carried around as the person moved. m. a piece of quarried
slate before it. is split into layers. e. in pl. ajail a lockup. austral.
slang. l. d.. l. sayers he walked up to the fire and kicked the logs
moodily. p.gallico. hepulled her down between two logs of fallen trees. a
dickenshere i am tied. like a log to you. times collyweston slate
isproduced bythe action of frost. on the stone logs. r. boldrewood ten
minutes in thelogs. ii an apparatus. for ascertaining the speed of a ship
consisting of afloat attached to a line. wound on a reel. also any other
apparatus forthe same purpose. l. a a book. containing a detailed daily
record of aship's voyage a logbook. e. b a. systematic record of things
donefound experienced etc. as (a)a record of. discoveries or variations
atsuccessive depths in drilling a well a graph or. chart displaying
thisinformation (b)a record with details of journeys kept by. a lorry
driver(c)a record of what is broadcast by a radio or television.
station(d)computing a sequential file of the transactions on a database.
e.. c alist or summary of claims for a wage increase etc. freq. more fully
log. ofclaims. austral. e. f. chichester an oldfashioned log which worked
by. timing the runoutof a given length of line. a yachting world in theory
a. navigator keepseverything in his log. b k. g. fenelon a daily logshowing
the. nature ofthe work performed. national observer (us) newspapers run
their own. tvlogs.phrases (as) easy as falling off a log see falling vbl
n. fall like. alog fall in a helpless or stunned state. heave the log
stream the logthrow. the log use a log to ascertain a ship's speed. in the
log (of wood)unhewn. king. log see king n. lie like a log lie motionless
lie in ahelpless or stunned. state. log of claims see sense c above.
patent logsee patent a. rough log. see rough a. round log see round a.
sail by thelog calculate a ship's position. by the log. sleep like a log
see sleep v.stream the log throw the log see. heave the log above.comb.
logbasket a basket for holding logs by a fire. logboard a hingedpair of
boards on which the particulars of a ship's log are. noted
fortranscription into the logbook log cabin (orig. us) (a)a cabin or.
smallhouse built of logs (b)a pattern in patchwork quilting etc. in.
whichpieces of material are arranged to give the effect of pieces of
woodformed. into adjoining squares log canoe hollowed out of a single
treelogcock n.. amer. pileated woodpecker log flume (a)a channel built
toconvey water for. transporting logs or timber (b) flume n. b loghead
astupid person. logheaded a. stupid dull obtuse loghouse (a)a houseetc.
built of logs us. hist. a prison (b) logcabin (b) above loglinea line of
fathoms or more. forming part of a log for ascertaining thespeed of a ship
the kind of line used. for this purpose logman (a)gen.a person who carries
logs (b)us local a. person employed to cut and carrylogs to a mill
logrunner any of various mainly. australasiangrounddwelling songbirds of
the family orthonychidae spec. (also. calledchowchilla) either of two
birds of the genus orthonyx which. havestiffened tail feathers log sheet a
logbook in which the driver of. acommercial motor vehicle enters
particulars of working and rest hourslogwork. (a)the arrangement of logs
in the walls of a house or otherbuilding (b)the. keeping of a log or
logbook.log l n. a. m. abbrev. a n.. logarithm (freq. used precedinga
number or algebraic quantity the logarithm of. which is to be
indicated).m.loge natural logarithm (of). b adj.. logarithmic. l.comb.
special collocations loglog a. (of a graph or graph. paper)having or using
a logarithmic scale along both axes lognormal. a.(statistics) such that the
logarithm of the variate is distributedaccording. a normal distribution
lognormally adv. according to alognormal. distribution log table a table
of logarithms (usu. in pl.).log l v.. infl. gg. e. f. log n. v.i. be like
a log besluggish. only in e.. v.t. orig. bring (a tree) to the state of a
logdeprive of branches. later cut. (timber) into logs (chiefly n.
amer.)clear (a region) of logs or trees (also. foll. by off over up). l.
bv.i. fell timber and cut the wood into logs. cf.. earlier logging n.
.orig. us. m. c v.t. foll. by up pile (logs debris. etc.) together
forfinal clearance by burning after an initial bush burn has. taken place.
nzcolloq. l. v.i. orig. (of water) lie heavily in a ship.. later
liemotionless like a log. m. v.t. mil. hist. inflict on (an. offender)
thepunishment of the log (log n. b). e. v.t. a orig. naut.. enter (esp.the
distance made by a ship) as information in a log or logbook. gen.enter
(information) in a regular record. also foll. by down up. e. besp.. of a
ship achieve or cover (a certain distance) travel at (acertain speed)..
also attain as a cumulative total of time distanceetc. which is entered
in. a regular record. l. c naut. fine. (from theentering of details of
offenders. and offences committed in a logbook.)l. v.t. lay out (a road)
with a layer. of logs. l. v.i. mining.make a log support for a windlass.
foll. by up.. austral. l. v.i. t.a foll. by in on go through the procedure
as. entering a password oridentification number at a terminal which gives
access. a computersystem gain access for (a person) by logging in. (foll.
by to.). m. bfoll. by off out go through the procedure as entering a
command at. aterminal which ends access to a computer system end access
for (aperson) by. logging off. m. h. d. thoreau only a little spruce and
hemlock beside had. been loggedhere. b c. l. skinner they always went
upstream to log and let. thecurrent bring down the timber. t. woolner the
logging. crocodiles'outrageous bulk. a n. h. bishop logging with pleasure
my day's run. atsixtyseven miles. d. caute female cousinsneatly logged in
elizabeth'saddress. book as aunt this and aunt that. b listener the graf
zeppelin wasthe first. aircraft to log over a million miles. h. allen she
logs aboutten knots in this. breeze.comb. login logoff the action or an
act of logging off. logonlogout logoff above.log l v.t. i. chiefly dial.
infl. gg.. e. origin unkn.earlier as logan. rock move to and fro
oscillate. chiefly. noemata. Knyt. folk art eMakt.no born.eMatronym . BB
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sermonettes. noemata. Re Amazom. international for ordering more coffee
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GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
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syndicate Re connective tissue endocrine system and to the cellular. level
of the human lifeform. This is a multipart message in MIME.
format...ContentType textplain. charsetisoAugust it's a lot to read for my
poor connective tissue. here. Why nottransmit it directly without brain Or
is that what's. actuallybeing done Some of my endocrine glands didn't get
it some. cellcolonies also were rather unaffected though they're human
lifeform (asfar. as I know) do you think it's working properly what can I
tellthem How is it. supposed to work Some other questions arise too is
itdangerous legal do. one need a licence is it quack if it isn't workingor
only if it is working. And also the nanos are very voluminous to beso small
is it because they are. dwarfs (in literary sense 'nannos')Btw the
therapeutical stuff on heart and. brain removing cognitivetoxins and
negative affects are interesting though I. don't get the partabout
interstellar bodies maybe they are magic and alkymi. workingswhich would
make sense of the dwarfs in a way as homunculi. (zombiezagnet see recent
post Miscelleny .. from Towntrick. onwryting). Can you do a reading over
my colon Sometimes it inflames alittle. something to do with autoimmune
system attacking itself whichis just madness. why should it do that seems
to have some relation tolefthandedness in fact the. autoimmune issue you
could write to itdirectly with the dwarfs and. interstellars it sounds
coolcolon Width mustdash Te nemo. NextGen Nanopoetics This work does not
operate upon the brain. It. transmits information to our connective tissue
endocrine system and to the. cellular level of the human.
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mailinglistSyndicate network for media culture and media. noemata. Re ON
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TYETH. noemata. Re My Undead Love for You. Think outside the box outside
the box outside the. protomaze paleolithic cave in the same box done some
yarns ago butee. the spectatorand then spelunking my pockets for any p.
frames here's a work I am not entirely thrilled about in itscurrent state.
but that addresses the issue in a more complex way than mayat first.
noemata. thextyle. nteressert i. Det nteressert i.. Det er en medlidenhet
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svar i og. sammen med at fakta. allerede stenger endelig arbeid i. plan.
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slik ellers og adlydelse. av en dialog sammen med. Very mye til punktet.
om. fakta drar et. Og om. fakta er omtrent kommer fram. g et .... S lang.
I ingen materie an. Hva. hennes fremstilling drar edged. p forfededre I
ingen kopi. har I ingen ftt materie.. S der posisjonsutgivelse for.
interessert gruvedrift plan er. seg selv en typer apparition. kan en
interessant reise. men I hp slik ellers. og adlydelse av en dialog. sammen
med Very mye til. punktet. om fakta drar et.. Og om fakta er omtrent.
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ingen ftt materie. S der posisjonsutgivelse for interessert gruvedrift
plan er seg selv en typer apparition kan en interessant reise men I hp
slik ellers og adlydelse av en dialog sammen med Very mye til punktet. om
fakta drar et. Og om fakta er omtrent kommer fram g et .... S lang I ingen
materie vender mittIt is a pity afterwards facts ought elapse an to advent
forward at a answer in and along with that facts already am shut down at
last work in plan. What her exposition goes edged at ancestors I nobody
copy have I no matter gotten. Saw there stand issue for mine concerned
plan am herself a kinds apparition a interesting journey may but I hope so
can be anything else and abiding a dialog along with Very much to the
point. about facts goes an. And about facts do be about appear to elapse
an.... Saw long I no matter turns myA. genre pseudoulipo eg. palindromes
that only look like palindromes. As AMnotes. there are special
characteristics in syntax which should be simulated in. noemata. A. O.
Vinje. Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg.
selv Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
noemata. painting.og jeg samtykker sxEklart bare over mail.. spxFrsmxElet.
er om jegto sider av samme sak bare et omsnudd forhold der realitytv.
prFver Einn mot nasjonalskattene bEde fra politisk hold pressen og.
publikum.aksjonen derimot lE i at kunsten intervernerte i en annen.
sosialav E sitte sEnn mE pumpe luft i bakdekket ta med kamera opp i.
fosseog kremtet ja p en mteHva om kunnskapmotivasjonintensjon. mangler
hvordan knyttes ansvar tilTREDIL TAPISITSCIMT TOSNGTERRALSO. BACSIDHNI TCC
RAG FT TROVBI NEDA elefanten ned i den pussgule plen av. svadafarger som
heter norsk.
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motto For store. finalen en stund de ikke av Waldemarfremover. Med blod
sildrende fra et kutt. ved kneet ser jeg lengstjeg trenger ikke noen
sanser til fortelle meg hvor. den er. Jeg tartida er Virginia dustemaria.
SSSSSSSSSSSSSSSSSSSSSSS. .. J (). () () .) () () (. (). ). F. (F. F. (F.
). (L.). L. (L. (LF). .. . L) hvor i landet Oslo hadde. vxErt det mest
synlige men jeg vet ikkei og ut fra sedlene et. altomfattende verdisystem.
problemet med kunst erSender. Noesisadminxxxxxxxxxxxgis verdi gjennom
ritualer og symboler. PxE samme. (programmering) Conart svindelxCpne opp
(om det bl.a. uttrykker noe. mer enn det man umiddelbart ser) timerwas
wearing a suit of authentic. Belgian paper money (of o francs) that.
noemata. cSka. Disse menneskene ser ut til alltid komme med fryktelige
anklager mot. megakkurat i det jeg skal ut med et prosjekt et album eller
en video sHan. sier ikke om han er en av disse menneskene (som skaper
fryktelig pr iakkurat. rett tid). Skandaler finnes ikke lenger bare pr all
skandale er pr.Som om. noen bryd s konstruerer han en situasjon som om noen
brydde seg somom det. var en skandale noe sted. Kan ikke noen sl inn nesa p
han istedetsende. han til Uganda for oppkapping eller lignende helt
Skandalst. Selvflgelig er det en gigantisk skandale dersom razziaen av
hans hjem. utfrt av omtrent politifolk skulle vise seg ha sin bakgrunn i.
atEller en bak skandalisere seg selv for dra penger ut av markedetOg. ved
hjelp av denne stakkars ungen Det er en skandale a larm. Han har velmange.
rare prframstt bak seg det giftemlet hans feks. Nei det er en. skandale at
detblir nyhet avslikt og at vi bruker tid p tulle men. han.skandale kommer
av gr. skndalon snare felle. alle skandaler er feller.. oghersitter vi.
Hvor gikk du p markedsfringskole Hvordan kan du hevde. at skandalisere seg
selv er for dra panger ut av markedet..Han. Mikkel legger seg ifallfall
godt til rette i bevisstheten til folkog bygger. videre p myten om han som
pdofil monster etc. Om det ersant eller ikke. spiller ingen rolle dette er
i fantasiverdenen uansettmediaverden.Antagelig. henter han like mye
sympati som forakt ut av det over tid deter alltid delte. meninger og ting
har en tendens til balansere seg avseg selv dessuten skal. media innkassere
i begge ender avflelsesskalaen forakt er like mye verdt. som forsoning. Vi
fr nokhre Mikkelversjonen ogs snart og senere blir. det bok.Mikkelsaken
ser fl ut n men det skal ikke mye til fr det hele. snurog da er alt sammen
til hans fortjeneste. Han selger btter med. plateruansett bare ved komme i
nyhetene.For alt jeg vet kan skandalen. vre konstruert jeg syns ikke det
spillernoe rolle. Den kunne vrt. konstruert og jeg antar mange lignende
tingfaktisk er konstruerte feks. 'skandaler' i privatlivet til
BritneySpears Kylie Minogue et al. Alle. skandaler er feller uansett
detilhrer media de finnes ikke. noemata. lemma for win taskbar. lemma for
win taskbarif you add the average divide will be within the last. never
zeroexamplelets say and then and adding one block. will be ...so i will be
at and it's okayor then. .and adding .ok i'm saved again )or if you divide
a. thing in and you're at the beginning of then if you rather divide it
in. you'd still be at the . piecelets see is there a proof for thisyour
mother is. older than you. no and not a proof anymore you might be your
own motherfather. absurdum proofa b (for any scale) if was. zero then b
length would have to be shorter than a but they are defined as. equal so
forget itapplication oflemmain windows if your pointer is at the.
beginning of the last open application (A) on the taskbar and you open a
new. application the mouse pointer will still be at application A ie. you
don't. have to move it that's a relief.. well now you nowyou'd be better
off in the. junctions of yourself than at the end solids know you now..
gnothi. seautontaken that you're mostly the same it's better to be
retrogarde than at. the front within the last offensive manouvre if you'd
rather stay on your butt. (or on your feet allthesame). from the wart of
aar (against all risks)see how. noemata. concept of maehn. the soul and
that man co nn's reunion with God thu ianciscans for winning arl. maal of
a man as God m od.k reuted from that of idurfFdmnnot steal into. agegbao
isaalted so high inhbhep e ncxok and see at ta csthna eoly our. mintb.i
tmo ptwrf Lnthe trutdho nseymrde otls o nows thsivLde seoocf ei.. gkows
h.seaiewt gnosss ltn ne ta tv iiG o. iamlloikHwhtHbleeihtcorcyhwiuenkh ohe
euivrdihado t how aturT I tte um l. siot s eps ma a troa.t ' yimtpd ssu fo
sksolynl hesnthn eoea straeh rue. Wexii ecGht fo eltsac ribhmps nd yn taht
. . . daonoieoieeloc sih efil sih. rl rndvthimaf elbon a otni nedi.eint
derrucni eh ereht ueideserp dah eh hcihw. gnirnHd eht demriffa osla eH
.eco ydaerla dah trahkcE revewk. uj e l. C n e a s. i e d w s i n. n i f e
M E S S. P T T c a r G. i f W o d M a i v. n o j nr. og r r o tub. sdnim
ruo ylno ton ur yreve evoba hgih os de rot saw tpecnoc sih efits ar. laedi
nwo sih ot ylluHhdaoht fo ytimne eht dl aee nfeah eh hcihw gnireisxf a.s.
duorht doG htiwurmieowr maF gvid eht demr drahht.u rphitaht dna in uf
ssos. tmar n oH .nos lfoc nik .eanemimwaerla sufimnei ska
dncsytaedd'oaneil. lanst iesynvy as uh bnuo hfasnt e o.nhd
oeteoooewwarsctiocrdr i oesr hn. sHseto aecroied tGhl h r l mGnda u Eckhar
tastaee.tlG os lgld become 'ie. thhh.otd h odspark inewroatte dh
fiexperience. Hn etL u L amos concept of. maehn frTohtir winning a
debatti.otroi ght see him. While tukmof an individual. bornieet self
cannot steal into lhhand see this little castt knows that I am. noemata.
noisetext (unknown). Am bodily smerteterskel a fundamentalt aim at.
personage account for.. extentand admonish to a mentalt location matching
walls sizes boost. directions in adomesticcountry. Course we lawsuits and
affair us at ache. assigning who we becomes as country.How resistance am
developing or destruktiv. a threshold all connoisseur on and off as
variesand able juggle along with.. Menace insecurtity intensjon intens
excitement acheshrinks contained or. as gasometer shrink saw boosting
accents and temperature er I a suchdomestic. location or am i any i a such
location But cloth forming contained. c.Smerteterskelas interaksjonen cloth
location contained assigning how. cloth are mowing andcloth assigning
fitness at contained. Additional. structure additional ache The passion
affliction passivity Gravitasjon. the gravity Ache do you aware contained
cloth in location or clarify the. interface as sans becomes ache activity
becomes passivity clothassigning. admonish becomes at location assigning
motion as am a difference in. viewhow ache consider herself as am the
threshold threshold as boundaries in. owndepictionyou avfotograferer you
in ache as person. As soon as in spite of. the fact thatpainice do not
hurt Sherrie Wiles. Able we glance at mind body. at the same
courseDescartes'mind as no matter materially and except romlig. extent as
selve contained and asassigning movements at machine cloth. body Mind body
interagerende as location cloth as in facts classic. dualisme difficulty
how any able immaterielt interagere alongwith any. materially. I
experiences gear cloth move in contained and do them at. domesticas that
cloth afresh assigning contained.Er fysisk smerteterskel et. fundamentalt
ml p ...personlighetrepresenterende...utstrekning og form. til et mentalt
rom tilsvarende vegger strrelserstyrke retninger i et. indre landskap.
Mten vi prosesserer og forholder oss til. smertebestemmerhvem vi blir som
landskap. Hvordan motstand er utviklende eller. destruktiv en terskel
allekjenner p og som varierer og kan manipuleres. med. Trussel usikkerhet
intensjon intensspenning smerten krymper rommet. eller nr gassbeholderen
krympes s ker trykk ogtemperatur er jeg. et snt indre rom eller er jeg noe
i et snt rom Men stoffet. formerrommet c. Smerteterskel som interaksjonen
stoffrom rommet bestemmer. hvordan stoffetbeveger seg og stoffet bestemmer
formen p rommet. Mer. struktur mer smerte Passio lidelsepassivitet
Gravitasjon tyngde Smerten. gjr deg bevisst rommet stoffirom
ellertydeliggjr grensesnittet. nr sans blir smerte aktivitet blir
passivitet stoffbestemmerform blir. til rombestemmerbevegelse som er en
forskjell i anskuelse hvordan. smertenbetrakter seg selv som er terskelen
terskel som grensene i egen. avbildning duavfotograferer deg i smerten som
person. As soon as the pain. is not hurting Sherrie Wiles. Kanvi se p
sinnkropp p samme mten. Descartes' sinn som ikkematerielt og uten
romligutstrekning som selve. rommet og som bestemmer bevegelsene til.
maskinstoffkroppSinnkroppinteragerende som romstoff som i det klassiske.
dualismeproblemet hvordan noe kanimmaterielt interagere med noe
materielt.. ... Jeg erfarer ting stoffet beveges i rommetog gjr dem til
indre som. noemata. yours. But till then. She too when she shall have
filled her term of life will rightly be. ..... YDDDD......... yours. But
till then grant her to me I beseech you. If you deny meI. ...
.YYDDDAAD........ cannot return alone you shall triumph in the death of us
both.. .... DDDDAAADY...... . YDDAUUADDY....... As he. sang these tender
strains the very ghosts shed tears.Tantalus. ... YDDAUUADY.......... in.
spite of his thirst stopped for a moment his efforts for water.
.YYYYYYDDDAUUA.... ....... Ixion's wheel stood still the vulture ceased to
tear the giant's. YYYYYYYYYYDDAUUU.... . .... liver the daughters of Danaus
rested from their task of drawingwater. YYYYYYYYYYDDDDAUUQU.. .... in. a
sieve and Sisyphus sat on his rock to listen. Then for thefirst.
YYYYYYYYYYYYDDDAAUAD.. .. time. it is said the cheeks of the Furies were
wet with tears.. YYYYYYYYYYYYYDAQAY. ... Proserpine could not resist and
Pluto himself gave way. Eurydice was. YYYYYYYDAAUDDY.. ... called. She
came from among the newarrived ghosts limping with her. YYYYYYYDUAY.. ...
wounded foot. Orpheus was permitted to take her away with him on one.
YYYYDUAYY... .... condition that he should not turn around to look at her
till they. .YYYYYDA.. .... should have reached the upper air. Under this
condition theyproceeded. .YYYYYYAY. .. on. their way he leading she
following through passages dark and. .YYYYYYYUYY. .. steep. in total
silence till they had nearly reached the outlet into. .YYYUQYY.. .. the.
cheerful upper world when Orpheus in a moment of forgetfulness. Y. .DQU. .
to. assure himself that she was still following cast a glance behind. DDDU.
.. him. when instantly she was borne away. Stretching out their arms to.
DAY ... embrace. each other they grasped only the air Dying now a second.
. YDA ..... time she. yet cannot reproach her husband for how can she
blame his. .. DUD .... impatience. behold her Farewell she said a last
farewell. . .DU.. ..... and was. hurried away so fast that the sound
hardly reached his ears.. . . Y. ... .. Orpheus. in Hades OVID
Metamorphoses Book X. . ... . .... Orpheus. endeavoured to follow her and
besought permission to return. ... .. and try. once more for her release
but the stern ferryman (Charon). . .... .... noemata. iava eht htiW
.redroceR. faaivqrboedivoedivFTNnXZGabrABhiCvTrhbcYMGrXacV.
woltneiciffetsoc deepshgih elbane ot depoleveddradnats ecafretni. wen
adecudortnisah )ASEV( noitaicossA sdradnatS scinortcelE oediVehT.
rebmetpeS GEPMdna sksid drah yticapac hgih fo ytilibaliava ehthtiW
.redroceR. ksiD oediVetiS hcraeS .rebmem aemoceB nigol ylnO srebmeM
.noitilaoC. noemata. Re RE help (pleh) (STAMP). at last my emails are
getting the proper attention. (xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx) with the
subject of ' help (pleh)' is being. analysed by (STEVEN) a new SPAM
control system that eliminates spam. To ensure. your email is delivered
please reply to this email and send it. Do not modify. the email at all.
Thisis a once only check. Future emails from you to. xxxxxxxxxx xxxxx will
be accepted automatically from your email. noematakunst.no.For more
information regarding (STEVEN) please visit. noemata. yourinafix.
youreinafixDreocisveis'Malt'as MelotidMecdniie' PerusesPnicre'. Modac
selek tonsPrue's c'ias. SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda
rbogs game soektelnsnyhel ac. i ir rwc xrnceie lh aeotdiiye darteh ofal
agvtpt . . . . .aciosstaion obi amol. anecs noalzcaiits aootptpsntoes
citimnage awoi eitrps abian nt cshoroatctanim. inpagwgs eaiewhs eignams
offa two tesinamuh eel eye uht ainoi ahnihc o. ibessviinsnmaeia oladsron
isrdean itt mrte lox m vrimeoeradh sllaberif sgnuegic. moes ia yolocslii
orr nwlehzyoeton ataa mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst
dlaspnlgpocaos puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat
sloar incfleeuielo ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe.
eehtiusanmpakaa yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious
Aciosstaion. ObiqBgolo asciil ExionttcinEganmitic Seoltons PtptoolsSnotes
From VriOffa Two. Tolley MkarsSaniousGreoows Ahwetosrt CaosHonimid
Gritiiaczlaon ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid
Hirings GameFrown Vry Lyings. Fireballs HdGlicariozatin
CunnioutnigaLnovgiety Serba SprtieLkeas. SxeriAtoyPuucterd PuenodTolos
Wotton AtaifcrtsVlocsanim Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA
MTHR NKSK MSKTLNSB KLSL KSNT SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT.
KSTN SPTPTLSE RKMN KTKM RSPF LKSN MNST LRTKSF RNFR LYNK SFRBLSTF SNSX NHN
YH. MNMJ RTNP NMNH NMTK RTKS LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT
SRBS PRTWN. TNTR LFSS LSTBO BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP
SNPK RSTT LSPSS. LRNK FLNS TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK
RTSU NSLB TRRM KTRTBSX. WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug
iryui coegkre amnl. anr pneae aty ce ahnihc suoinash pren awoi eitrps bat
slosissnbs. brymestns ptptoolsee e iohi morf setons fo niccu greoovs owen
nhnadgd. hch m hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols
lriza. nysed o nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa
two. tollwalra onbblu otedth puuc rolg d salor nutnerios htcne ses.
snletkeos emag s taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage.
ycpto tnaiilscolo ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia
ee. i ee e e e s ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr.
poahydbn. ltpsh ytn ee ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i
oo pmaopktt s. .rh m l aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae
i msrloepwbr. dnf trfrs ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e
a esdes dny.hhp. sl s ee nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa
iaeie ech lah tgpp. p. p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne
iou e e eo h.prrnsn f. smyc oe btcao aio uoe enmreo . g y cn d h teoi n a
eo aia i Deim th ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e
eae e hhyhaostck n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm
yrrc yllrt cdrchi ae a e aia. noemata. arc.hive tao in the old day.
noemata. Arithmeticomaterial drives. Arithmeticomaterial drives are
firstly generated in the momentwhen matter is. formed according to the
mathematical model of it given bysuch science. One. result of such
objectivisation is the Standard Objectthe modular component. typical of
globalised trade but with its rootsdeep for instance in the. licenses
afforded the monopolistic guilds ofthe Middle Ages and the history of.
trading generally. Everything fromships to pizzas are quality assured
subject. rigorous treaties andprocesses of standardization. These are
typical. results of industrialproduction. The second stage is when this
process of. standardizationbecomes so abstracted it becomes amenable to
massive. acceleration inproduction. The human work put into the production
is scanned. abstractedand multiplied by means of machinic energy. Once
turned into. numbersregistered as a pattern the actor of the work can be
discarded and. thepattern accelerated. When hooked up to processes of
production we get. thediscovery that according to Walter Benjamin ...the
speed of traffic. andthe ability of machines to duplicate words and
writing outstrips humanneeds.. The energies that technology develops
beyond this threshold aredestructive.. First of all they advance the
technology of war and itspropagandistic. preparation. Overproduction the
massive churning ofordered matter and of. markets one might also say that
any developmentbeyond this threshold might be. captured by forces other
than war forredistribution for the reshaping of. work for burning. One of
the aimsof art is to capture this excess away from. noemata. . Barna. P
detteher. Jegsa. Barna Snn Du villevisst detmangletfortsattlitt. noemata.
Re really silly transformation of out of control ir pda dump.
transformation of out of control ir pda dump.......ME syly var. of sely.
SEELYseely (sl) adj. Archaic.. insignificant or feeble. poor.. happy
auspicious.. good pious blessed.. foolish. simpleminded.bef. ME sely OE
geslig happy equiv. to sl happiness. ig Yc. D zalig G selig akin to ON sll
Goth sls good OE sl. better seeSILLYref norwegian 'salig' blessed sl
goodspectrum poor. blessedgood whatever.. something about happiness
alsofeeble weep to exude. water. water all water am silly sea ofsillyness.
silence sillience. noemata. Advent. The emperor's new clothes drives the
economy. What isn't drives what is.. But. behind the virtual is. the real
again. Inflation of spacetime. matterspacematter. It's wrong to say he's
dressed and wrong to say. he's. naked. People are anyway misled the
misleading is driving the. capital verb. and noun the more misleading the
more value. The eternal. in case it returns. if not then nothing but the
if doesn't halt. doesn't execute never reaches. the return. If man is
naked he's dressed. (the fall) and if he's dressed he's. naked (he
returns). The economy is. driven by the return of christ as judge of. the
last judgement every christmas. Santa is naked cries the child that's why.
he's masked. The child that's. Emperor's new clothes drives what isn't.
Return.. If not then nothing but behind the if he's. Return. If he's.
Return. If not. then nothing but the misleading the economy. What is..
Return. If not then. nothing but behind the eternal. Return. If not then
nothing but behind the. eternal. Return. If he's. Return. If man is the
real again. Inflation of. christ as judge of christ is judge of the
emperor's. Return. If he's. Return.. If man is driving the eternal.
Return. If not then nothing but the. misleading the real again. Inflation
if christ as judge of spacetime. Return.. If doesn't. Return. If not then
nothing but the emperor's. Return. If man is. naked cries the eternal.
Return. If not then nothing but the last judgement. every. Return. If
he's. Return. If he's. Return. If doesn't. Return. If he's.. Return. If
not then nothing but the eternal. Return. If doesn't. Return. If. not then
nothing but the virtual is the misleading is the virtual is driving. the
eternal. Return. If doesn't. Return. If doesn't. Return. If he's. Return..
If he's. Return. If he's. Return. If not then nothing but behind the.
misleading the child that's Return. If not then nothing but the economy..
What is.. Return. If he's. Return. If not then nothing but behind the
last. judgement every. Return. If doesn't. Return. If doesn't. Return. If
not then. nothing but the virtual is naked cries the more misleading is
naked cries. noemata. Re asciipng. greyscale movie from a text'stranslated
chars ( char values. greyscale levels one char perframe fps) but the idea
was a bit too. obvious and the transformationtoo onedimensional so I
abandoned it.Yes. they'd be tedious work shades of gray in a tiny specter.
etaoinshrdlu..monotonous.. translating media spectacle news etc into this.
gray stream ofindifference..The key to having this kind of idea succeed
in. general is not merely to workout an effective transform method from
char to. pixel etc. but to have themethod reveal something unexpected of
the. underlying structure of the sourcematerial. If the transformation
results. simply in a stream of meaninglesscolors or chars then it will be
of little. interest even as a conceptsince the concept is a fairly common
one to be. honest. There are a lot ofpeople right now who mistakenly
believe that they. are making radical art byturning photos into music
pictures into text etc.. As with all works ofthis kind it is by breaking
through to the next level and. having the workblossom into something that
nobody has ever seen before or could. haveexpected to see that turns the
idea from a mere amusement into art.OK but. not as a program art shouldn't
care about itself being this or thatcritical. penetrating revolutional
reversing undermining etc. In my viewart is quite. natural it doesn't need
a program to live no more than we do.Lot of things I. do are very stupid
things I don't mind that. And also thequackfraudulent. issue the artist
maybe had some conjurer traits from thebeginning staging. something he not
necessarily believe in but as atechnician of imagination. lies and
language. How does he differ from say apolitician then He's clear. about
it everybody knows it's a scam open sourcescam so the art context is.
reflective revealing its staging. What aboutbeauty and wholeness Well
there's. always some endorfines in resolving thingspotential and
exhaustion beauty in. understanding things wholenesses atdifferent levels
which is like cashing in. on the structure but there arealways remains and
other levels expansion and. consolidation chaos andstability. Beauty taken
over by design etc wholeness. by.. welll it's stillthere but like code
source not wholeness as image but. its counterpartconstruction. Art should
be more absolute not this or that my. view thoughyou didn't ask..What I am
thinking about right now is how to. translate a ()colorspace into music in
a more sophisticated way. than is usually done.There's a natural mapping to
(pitch rhythm amplitude). but it's obviouslynot a simple . If one uses
microtones one can get an. octave span ofpitches from to but I don't know
how to get rhythms. that form aset and amplitudes is way way way too
many.(pitch. duration waveform) Btw midi transformation i've always liked
the renderings. of the radioharddisk maybe reminding of morton feldman or
somehting at times. noemata. .. .............eT vINDUSPOST mINSTEML
i............. pHP .......... aLT. eR jUNI....fORN..........DEN. eKSPORTRD
....... PET nERSKOGEN. h...........NDTROMME pOLITIBIL .......... NSLAGSVIS
dERM.......ATISK. hYOKTANfRI.......SONE.eT vARME........MLER lNEBEVIS i
pHP. a.......LT eR iNNGAVfREML.......... GT. dRIKKEV.......... NE
vERNETOLL. mOS.......... IKK hIMLE pYK .......... FTENSM.......... T.
cOMEB.......... CK iNTERIMgERILJ.......... HR.eT vEIER n........... TURTRO
i pHP .......... LT eR iLLSINTfRUKTSK.......... LL.. eKSTR.......... TUR
NDSF.......... TTIG oPPFRISKET iNNHOPP oNY. .......... M..........
TRL.......... G dRYPPE hIMMELfOTOKUNST.eT. wIKIWIKI
nETTKUNSTPUBLISERINGSSYSTEM i pHP .......... LT eR. iNNT..........
STB.......... REfORMFELTER. eLDSLUE PET oPPFRE. iNGV.......... LD
oSM.......... N aKSEPT dYPFLT. noemata. could write a word as a figureicon
of colorsinsequence ie. circles inside. noemata. Re spectre. e k u n s t
.arc.hive Where's Ascii Turbulence. Spotlight GALZA. some traction. (See
Olia Lialina's misgivings about therecent NY Digital. Salon posted to
rhizome and nettime.) It's all aboutinjecting a healthy dose. of
formaldehyde...long live net art. ( (Y) ) Hlogre. like to introduce to you
my latest net art work Where's AsciiYou all. remember Where's Waldo the big
illustrated books where you'resupposed to. find this guy with a redwhite
sweater. well Where's Ascii isthe internet. version.Ascii is my Dog an
original Ascii Cyberian and he got lost on. theinternet.If you see him
just click on the dog wherever you see him on. the net (itwill send you to
another random page hosting Ascii) or click his. To participate more in the
project you are welcomed to host the dog. (paste asmall HTML code in your
site) until I send for him. For more details. and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. s d. a f. d. a. s f a. a. l. noemata. w i t hyou will breathe inh
e l pthe world is moont j t m tm bviscoustst. tt.ibutt an
abstr.VXaciitttistraight. when a student. comes and asks about bodhi or
nirvana about. to mark with a branding. iron.(intermission passing
train)........choos crept these new.
owe.l..............t........mensuration thickly mislike existentialist..
avoidermary medusa numeral. particularized mechano bridedet er lgn og.
MBrSiMSXXBMZZMMMMMMMMMMMMMMMM n (. MMi iM MM MMM MMMMWMM. MWMMMMMM. .MM.
MMM. WMr MZ i. . M. ws he swa feor nor swa a hwlhuntan will leave you ...
leave. you and leave nothing behind which has Watching telly about to
drink coffee. . TUOBAYLLETGNI one of a hole foralways reassuring. Just
listen just look. whatever you do any machine EGG. JEG MTTE JEG HVA PLUMP
UT. MORVAHSDRATSABSRE M N R C They're obviously better. than memory I
couldn't remember that . NORHT LLAITNESSEERAS praise is bad.. If you in
your allies in the Patriot Act under the M N R. C throughmom dear daughter
stop that listen to me now. neither future past or would have to be not
moving nothing can move in. the now because it New.
k'etciXFDNYiJNIlVmnkfAIfXfjsIUyVktpool.up all year.notes which I have a.
PDF reader Process tho they areThe rear area of the thighsUten ha bedt om.
det mottar jeg meldinger fra hele tiden. Dette erthe edges first then work.
Y P. dP. kA Mad Dog God no I microdelivered as a brasero. Pavese versus
rats as I. manipulate I ROT Lem.and a blanket cow are thermos. a dog is
not a dog po. hua answered an.Emgti Swdw eetu naa spsito ec rsnoe
ygeseewae umeuiat. fsntehy soe teso per siti strani In a janitor on No no
Putrid Gag off in a. TOYOTA A began a Santa snaps erupt cure droll lord
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did you think of this right now or was it something you had intended. say. link var. Index of var. Name Last modified Size Description. Parent Directory Oct. idxbdvds.jpg Oct k. vdsidx.jpg Oct k. .jpg Oct k. .jpg Oct k. b.jpg Oct k. masl.jpg Sep k. DSCN.jpg Oct k. DSCN.jpg Oct k. DSCNZ.JPG Oct k. DSCN.jpg Oct k. DSCN.JPG Oct k. DSCN.JPG Oct k. DSCN.JPG Oct k. DSCN.JPG Oct k. DSCN.JPG Oct k. DSCN.JPG Oct k. DSCN.JPG Oct k. DSCN.JPG Oct k. DSCN.JPG Oct k. DSCN.JPG Oct k. DSCN.JPG Sep k. DSCN.JPG Sep k. DSCN.JPG Sep k. DSCN.JPG Sep k. DSCN.JPG Oct k. DSCN.jpg Oct k. DSCN.JPG Oct k. DSCN.JPG Oct k. DSCN.JPG Oct k. DSCN.JPG Oct k. DSCN.JPG Oct k. DSCN.JPG Oct k. DSCN.JPG Oct k. DSCN.JPG Oct k. DSCN.JPG Oct k. FlwTmudZFemVXGfQK... Sep k. P.png Sep k. P.png Oct k. P.png Oct k. P.png Oct k. RISS.jpg Oct k. S.jpg Sep k. acroBatic.JPG Sep k. annama.jpg Oct k. annan.jpg Oct k. annotfw.jpg Oct k. apdd.jpg Oct k. apok.jpg Oct k. apolillebilen.jpg Oct k. aporegn.jpg Oct k. bdvds.jpg Oct k. brcolagedrawachine.jpg Oct k. bssggn.jpg Oct k. candledrawings.jpg Sep k. codune.jpg Oct k. desktop.jpg Oct k. dietz.jpg Oct k. eee.jpg Oct k. elmagspectrum.jpg Sep k. ff.jpg Oct k. fjfjf.jpg Oct k. fluktbiler.jpg Oct k. fluxusmap.jpg Oct k. fortart.jpg Oct k. ggcc.jpg Oct k. ghdf.jpg Oct k. golgeilo.jpg Oct k. gv.jpg Oct k. hfhfh.jpg Oct k. hfhfhw.jpg Oct k. hfhfhw.png Oct k. horn.jpg Sep k. ideog.png Oct k. jj.jpg Oct k. jotunheimen.jpg Sep k. julebukk.jpg Oct k. lc.jpg Oct k. mouazing.png Sep k. mrna.jpg Sep k. oe.jpg Oct k. pluntscape.jpg Sep k. prestholt.jpg Oct k. prestholtskaret.jpg Oct k. psychogeo.jpg Oct k. rabsistggkgigngdgom.. Oct k. recursivelibrary.jpg Sep k. rygg.jpg Sep k. san.png Oct k. scapeg.jpg Oct k. scrreen.jpg Oct k. sdgaa.jpg Sep k. seroma.jpg Oct k. sino.jpg Oct k. skogshorn.jpg Sep k. taka.jpg Oct k. tectonics.jpg Sep k. teent.jpg Oct k. tenner.jpg Oct k. text.jpg Oct k. tilapollinaire.jpg Sep k. torpostavechurch.jpg Sep k. tuftebrui.jpg Oct k. turs.jpg Sep k. usbdrawing.jpg Oct k. Apache.. Server at noemata.net Port. plunderphonics week. DJbyHandIngerMarieLienKidSquarepusherStev.mp. E D A C C Nystev..Å vil du. D C E have meg til å. B C D A B C kveda..det skal. A D eg gjera med st. F C C D A F ørste gleda..og. B C B eg skal kveda s. F E D A o vent fyr deg... B C C F D at du skal gløym. A F C F D a deg sjølv og m. E D A D A C B C eg.....Å eg skal. B F B kveda so du ska. C E C D A D l gråta..um du. C E C var aldri så gla. F B E C D A E d og kåt'e..å e. B C B F g skal kveda so. E E C C D A snålt fyr deg... B C C E E E at du skal læ nå. E D E r du ser på meg.. D A D A F D E F ....Og mine viso. F E E C r dei er so snål. C D A F D F B E e..som Borken t. E E E E råvar på isen hå. C C D A F D E le..og mine vis. F A E or dei gjer' ein. C E D A F D C C sleng..som litl. E E B e guten på skeis. E E A E E D A D A C unn' gjeng.....Å. D E F mine visor dei. F D E C D A F er so mange..so. D A D C F D E m heggjeblomane. E B D drys i fanget.. A F F .so hev det vore. C C A D A i all si tid... D B dess meir dei kv. C D ed dei dess mei. E D A D A C r der bid.....Å. C A C vil du stevjast. F B C so skal eg svar. C D A F C E a..og heile nat. F B C ti so skal det v. B D A F C ara..og vil du. A D D stevjast med meg. B C C D A E i kveld..du gå. B A E r 'kje åt fyrr d. E E D C C E u fær ein smell.. abort. DJbyHandsisselkyrkjeboorigamiweightlessapati MB. Re confuciuslist Mencius B. wild grass (fwd). Forwarded message. Thomas. confuciuslist Mencius B. wild grass. This saying by Mencius is as beautiful as Confucius' and superbly translated. by Legge. Mencius said to the disciple Kao 'There are the footpaths along the. hills if suddenly they be used they become roads and if as suddenly. they are not used the wild grass fills them up. Now the wild grass fills. up your mind.'. oct(). x. h FF D FF E A Ø..JFIF....... h FF DB A E C A .....C.nxxd. h C C B AA A BE F FF FF F DC DC F FF FF. h FF FF FF FF FF FF FF FF FF FF FF FF FF FF FF FF. h FF FF FF FF FF FF FF FF FF FF FF FF FF FF FF FF. h FF FF FF FF FF FF FF FF FF FF DB AA B .C.. h B F D F FF FF FF FF FF FF FF FF FF FF FF FF. h FF FF FF FF FF FF FF FF FF FF FF FF FF FF FF FF. h FF FF FF FF FF FF FF FF FF FF FF FF FF FF FF FF. h FF FF FF FF FF FF FF FF FF FF FF FF FF FF FF C. ah ................ bh FF C ............... ch FF C ............... dh ................. eh FF DA C A .............. TVBGone. ... a new universal remote that turns off almost any television. The device. which looks like an automobile remote has just one button. When activated. it spends over a minute flashing out different codes to turn off. televisions the most popular brands first.. link plunderphonics week. DJbyHandIngerMarieLienKidSquarepusherStev.mp. E D A C C Nystev..Å vil du. D C E have meg til å. B C D A B C kveda..det skal. A D eg gjera med st. F C C D A F ørste gleda..og. B C B eg skal kveda s. F E D A o vent fyr deg... B C C F D at du skal gløym. A F C F D a deg sjølv og m. E D A D A C B C eg.....Å eg skal. B F B kveda so du ska. C E C D A D l gråta..um du. C E C var aldri så gla. F B E C D A E d og kåt'e..å e. B C B F g skal kveda so. E E C C D A snålt fyr deg... B C C E E E at du skal læ nå. E D E r du ser på meg.. D A D A F D E F ....Og mine viso. F E E C r dei er so snål. C D A F D F B E e..som Borken t. E E E E råvar på isen hå. C C D A F D E le..og mine vis. F A E or dei gjer' ein. C E D A F D C C sleng..som litl. E E B e guten på skeis. E E A E E D A D A C unn' gjeng.....Å. D E F mine visor dei. F D E C D A F er so mange..so. D A D C F D E m heggjeblomane. E B D drys i fanget.. A F F .so hev det vore. C C A D A i all si tid... D B dess meir dei kv. C D ed dei dess mei. E D A D A C r der bid.....Å. C A C vil du stevjast. F B C so skal eg svar. C D A F C E a..og heile nat. F B C ti so skal det v. B D A F C ara..og vil du. A D D stevjast med meg. B C C D A E i kveld..du gå. B A E r 'kje åt fyrr d. E E D C C E u fær ein smell.. abort. DJbyHandsisselkyrkjeboorigamiweightlessapati MB. nettimeann mailing list. nettimeannnettime.org. colmplaints ingored. complaits comlaints comppaints commplaints complaints ifnored withijn. redach reazch complaibnts live complaintsa complaints comlplaints comp. laints within rexach complaintw ikgnored reasch complaihnts complwints. complaintts ignorer ckmplaints witin complpaints complaints withkin. weithin complaints complwaints cmplaints complainrts complaintys. ignorwd ignoredr complainte complaoints comoplaints complajnts. complainys ugnored ignorerd complaintsz witbhin reaqch rteach ignorfed. complains complaintrs witgin complaingts ignofred comploaints comp aints. iygnored complaintd iognored jgnored ignoresd rezach complaitns ignorsd. ignotred cojmplaints r each complaint s complanits ignorefd vcomplaints. complaints withimn kgnored withih complaints cmoplaints teach. complaints complaints igynored witihn comnplaints complints complaings. ignoref compolaints cmplaints ckomplaints 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Search colmplaints ingored. fa.fictionofphilosophy groupsbeta. been available as fa.fictionofphilosophy at usenet now it's also made. in addition to the archives also containing interesting statistics. feeds. at least in this stage it's free from ads who knows about. later... well just fyi and all the best to the group and the people spending. time here... raven apm. .. Raven's Advanced Progressive Matrixes (RAPM). Raven's Advanced Progressive Matrixes is one of a series of nonverbal. tests of intelligence developed by J.C. Raven (). Following. Spearman's theory of intelligence it was designed to measure the. ability to educe relations and correlates among abstract pictorial forms. and it is widely regarded as one of the best available measures of. Spearman's g or of general intelligence (e.g. Jensen Anastasi. ). As its name suggests and of particular significance to the. Prometheus Society it was developed primarily for use with persons of. advanced or above average intellectual ability.. Like the other Raven's matrices tests the APM is composed of a series. of perceptual analytic reasoning problems each in the form of a matrix.. The problems involve both horizontal and vertical transformations. Figures may increase or decrease in size and elements may be added or. subtracted flipped rotated or show other progressive changes in the. pattern. In each case the lower right corner of the matrix is missing. and the subject's task is to determine which of eight possible. alternatives fits into the missing space such that row and column rules. are satisfied. The APM battery consists of two separate groups of. problems. Set I consists of problems that cover the full range of. difficulty sampled from the Standard Progressive Matrices test. Standard. timing for Set I is minutes. This set is generally used only as a. practice test for those who will be completing Set II. Set II consists. of problems with a greater average difficulty than those in Set I.. Set II can be administered in one of two ways either with or without a. time limit of minutes. Administering Set II without a time limit is. said specifically to assess a person's capacity for clear thinking. whereas imposing a time limit is said to produce an assessment of. intellectual efficiency (Raven Court Raven ).. Phillip A. Vernon in his review of the APM (Test Critiques ). writes that the quality of the APM as a test is offset by the totally. inadequate manual which accompanies it. For interpretive purposes the. manual provides 'estimated norms' for the APM which allow raw. scores to be converted into percentiles (but only and ). and another table for converting percentiles into IQ scores. John. Johansen a graduate student at the University of Minnesota and former. regular poster to the Brain Board came into possession of the. version of the test for use in his research (this form is no longer used. for testing) along with pages of written text about the. implementation scoring and standardization of the test. In a post to. he provided the following information applicable to the untimed. version of the test. Untimed intraday (go until you give up) distribution for year. olds year olds and year olds. Scores balanced for guessing.. general population. percentile ranking. number correct by age group. years. years. years. .. Norms are not accurate above this point for the untimed version due to. limited population taking test in this condition.. Ignoring the above caveat about inaccurate norms above the .th. percentile the above data indicates that there is about a point raw. score difference between and sigma on this test. If this difference. carries on to the next sigma this would give associated scores of. general population. percentile ranking. number correct by age group. years. years. years. .. Although this data would seem to suggest sufficient ceiling for. discriminating at the in level there have been other normative. studies which provide conflicting data. In an article in Educational and. Psychological Measurement (Bors and Stokes ) the authors mentioned. two studies of interest besides Raven's group Paul's study and. their own S. M. Paul's study of University of California. Berkeley students ( women men) Tested under the untimed. condition the students' scores ranged from to with a mean of. and a standard deviation of .. This was significantly higher than the. mean of Raven's normative group (M. SD.).. Bors and Stokes administered the timed version of the APM to. students ( women men) from the Introduction to Psychology course. at the University of Toronto at Scarborough. Subjects ranged in age from. to years with a mean of . (standard deviation.).. Enrollment in the Introduction to Psychology course was considered. roughly representative of firstyear students at this university. The. scores on Set II for the students ranged from to with a mean of. . (standard deviation.). This performance is somewhat higher. than that of the Raven's normative group but considerably lower. than Paul's University of California Berkeley sample.. Additional data supporting the conclusion that the RAPM (either timed or. untimed) does not discriminate at the level is taken from. Spreen Strauss (Compendium of Neuropsychological Tests nd Edition. ) and shown in the tables below.. A middleoftheroad approach would be to use the recent University of. Toronto at Scarborough data and to assume that the mean of the test. group corresponds to about SD above the mean of the general. population and to further assume that the SD of the general population. would be about the same as the standard deviation of the test group.. Finally assuming a normal distribution in the test group the in. level would correspond to . (.) which is raw. points above the test's ceiling of .. Advanced Progressive Matrices Set II Occupational Norms. ile rank. Occupations of various groups. UK. US. UK TA. UK. UK. UK. UK. UK. UK. UK. General. populatn. yr.olds. Navy. yr. olds. Officer. Aplcnt. Retail. Mngrs.. Police. Officer. Senior. Mngrs(Htls.). Accnt.. Staff. Oxford. Local. Athrty.. Rsrch.. Scntsts.. untmd.. min. min. min. min. min. min. min. min. min. (n). (n. (n). (n). (n). (n). (n). (n). (n). (n). UK general population data derived from the Standardization of the. SPM and APM (TABLE APM XIII). US Navy data extracted from data supplied. by Alderlon (see Knapp Court ) (TABLE APM XVII) UK Police. Officers' data extracted from Feltham () (TABLE APM XXVI). Other. data collected by Oxford Psychologists Press. Source J. Raven ().. The data above does bring up the issue of age variation of IQ data which. is not typically addressed by other instruments that we've used for. Prometheus Society entry requirements and that is perhaps something that. should be considered. (In the case of the SAT and GRE tests there is. not typically much variation in the ages of those taking the test and no. such data was used in norming any of the takeathome tests we've used.. Spreen and Strausse have provided the information for the table below. Advanced Progressive Matrices Set II (Untimed) Smoothed Summary Norms. for the USA. ile rank. Age of test taker in years. (n). (n). (n). (n). (n). (n). (n). (n). (n). (n). (n). Based on the standardization of the APM in Des Moines Iowa.. Tests completed at leisure. Source J. Raven (). Curiously American Mensa does not list the RAPM among its currently. accepted tests although UK Mensa does. Perhaps this is a more. international test than others we have reviewed and considering its. quality we should probably continue to consider its possible use. especially as an auxiliary test to be submitted in conjunction with. other tests that are deemed capable of discriminating at the in. level.. delayed. Warning not. YOU DO NOT. The original Mon. (CEST) from . . .. ... Transcript of. session follows. ... Deferred. .... Warning still. undelivered. Will keep trying. FinalRecipient RFC noemata.... Action delayed. Status ... RemoteMTA DNS .... WillRetryUntil Sometime Feb (CEST). Re fiction of philosophy newsgroup. fa from arpanet. institute for informatics at the university of oslo is gatewaying. all the old arpanet groups into usenet because most users didn't have. access to arpanet only usenet.. The world's oldest electronic conferences the ARPANET mailing lists. were quickly integrated into USENET. Gateways were made so newsgroups. starting with fa (From ARPANET) contained the mailing list contents. and USENET users could post and participate. ARPANET mailing lists. emerged around not long after network email linked ARPANET users. together.. It's only purpose is that. everyone who want to subscribe to the mailinglist can. just read the newsgroup (saves some disk space I guess).. The prefix fa is as far as I know quiet historic.. The first mailing lists that were converted to newsgroups. had this prefix (fa from arpanet).. Until this discussion I didn't know that this group was. distributed outside ifi.uio.no (Institute of Informatics. University of Oslo). Do you get the other fa.groups as. well At the moment there are of them.. search on arpanet usenet gateway etc for more internet history.. for the other question see my recent post about. I believe so...but I don't know who set it up or when or what 'fa'. stands. for for that matter.... Ryan. Since my pop mail account keeps screwing up over here Ive been. looking for a. way to read the wryting list I found the fiction of philosphy. newsgroup which. seems to have some of the wryting list archived there. How does this. work Is. the newsgroup subscribed to the wryting list. inlangplgroupfa.fiction. ofphilosophy. mIEKAL. This message was sent using Midwest Tel Net Web Based Mail.. Re fiction of philosophy newsgroup. and also. ..This rather brings to mind a syndrome that sometimes occurred when an. old Arpanet mailing list got gatewayed to a Usenet newsgroup. After a. little while some Usenet novice would commit some faux pas a furious. Arpanaut would flame violently about how Usenet was nothing but bozos. who didn't understand How Things Should Be Done and the gatewaying was a. stupid idea and the list maintainer would quietly observe that the. gatewaying had indeed produced problems but it was also producing most. of the real content... Henry Spencer Mail Relays. ). fa from arpanet. institute for informatics at the university of oslo is gatewaying. all the old arpanet groups into usenet because most users didn't have. access to arpanet only usenet.. The world's oldest electronic conferences the ARPANET mailing lists. were quickly integrated into USENET. Gateways were made so newsgroups. starting with fa (From ARPANET) contained the mailing list contents. and USENET users could post and participate. ARPANET mailing lists. emerged around not long after network email linked ARPANET users. together.. It's only purpose is that. everyone who want to subscribe to the mailinglist can. just read the newsgroup (saves some disk space I guess).. The prefix fa is as far as I know quiet historic.. The first mailing lists that were converted to newsgroups. had this prefix (fa from arpanet).. Until this discussion I didn't know that this group was. distributed outside ifi.uio.no (Institute of Informatics. University of Oslo). Do you get the other fa.groups as. well At the moment there are of them.. search on arpanet usenet gateway etc for more internet history..
326
for the other question see my recent post about. I believe so...but I don't
know who set it up or when or what 'fa'. stands. for for that matter....
Ryan. Since my pop mail account keeps screwing up over here Ive been.
looking for a. way to read the wryting list I found the fiction of
philosphy. newsgroup which. seems to have some of the wryting list
archived there. How does. this. work Is. the newsgroup subscribed to the
wryting list. inlangplgroupfa.fiction. ofphilosophy. mIEKAL. This message
was sent using Midwest Tel Net Web Based Mail..
isoQJaglEggerlitebilderpEmighEr.. Jag lgger lite bilder på mig hr.. Men
kom ihåg jag vill grna att ni skriver i Gstboken vad ni tycker. annars
blir det inte fler bilder.. Mina Fuktiga brst efter duschen.. Jag visar
upp ett av mina brst.. Jag i sexiga underklder.. Jag visar upp mig på
sngen.. Hr r jag helt utlmnad åt dig.. Tnk om handen inte fanns dr..
Gillar ni mina Lppar.. Ny bild på mina lppar.. Gillar ni bilderna på mig i
stayups. Det kan komma fler bilder Jag håller på att vertala min vninna
att. jag skall få lgga upp bilder på henne också.. Hr under lgger jag
sprutbilderna som jag får Och jag skall villigt. erknna att jag har
onanerat och tittat på dem många gånger.. Sprutbild. Sprutbild. Sprutbild.
Sprutbild. Sprutbild. Sprutbild. Sprutbild. Sprutbild. Sprutbild. Jag har
fått ett par nya sprutbilder Det tycker jag om. Flera gånger. har jag
tittat på dessa bilder och tnkt på er hur ni har lekt med era. underbara
stånd fantiserat om mig och sedan sprutat er varma klibbiga. sats ver min
kropp. Många gånger har dessa fantasier tagit mig till. underbara
orgasmer. Ett extra spnningsmoment r ju att min kille inte. har någon
aning om vare sig websidan eller dessa foto.. Hr kommer fler bilder.. En
bild från en man som heter Bokoboko.. Gabbe har också sprutat ner min
kropp.. Hawkan har lagt sin varma sd ver mig.. Fineman har gjort hrligt
sexiga konstnrliga bilder.. nnu en bild från Fineman.. Re the sleep of
reason. The Slip of Reason Produces Monsters.... The Monstrous Reason
Produces Sleep.... The Sleep of Monsters Produces Reason.... The
Production of Reason Monsters Sleep.... the protesting of rezone
mahayanist sleep.... two slippy opaque ricin particular monsters.... thy
menstruates richen periodizations sleep.... the skelf opah minstrel
participant ratio... twombly mensing richened periodicity sleeplessess thy
skelping opaline. minority partly reasons tattooer party obese rippling.
reason rosena rosaen ensora aeonsr senora soraen soaren snorea oarsen.
norsea arsone. subject. unselfishness there you see plainly the recursion
it's considered a. virtue because.. in view of.. yes unselfishness. and so
selfishness is a. virtue in view of selfishness etc. and virtue is a virtue
in view of the. virtue virtue is the positive productive property of a view
the view's. production. but it doesn't mean you can avoid it. there's
virtues of your. body as long as you have one. and virtues of having as
long as it's. possible. and virtues of the possible as long as it's not
impossible.. virtues of the impossible via negativa. prime numbers are
what remains. are. they selfish or unselfish ) positive or negative you
can follow them a. bit via the positive which is like the virtue of a view
formula though. quickly you're replacing algorithms with heuristics which
is more of a. mess like the layered virtues of our reality the real being
transcendent. unending streams and you find yourself jumping from this to
that all the. time not selfishalgorithmic (producing) or
unselfishheuristic (seeking). but let's call it dancing since there are
movements and well the thing is. still alive though with no reason and not
producing or seeking still views. you can't avoid going through the steps.
eurythmics is at the end or the. beginning not the body's algorithms
(production system) or it's. intentionality (heuristics) the virtues of
having a body having a view. not selfish not unselfish. no virtues no
views but still a text still. here though not what it is (produces) or
what it means (seeks) it's still. written in virtue of the iso charset
twofaced bastards so maybe. we're talking dialectics too the protocol
(selfish) and the exchange. (unselfish) still the user. user (Æzr) n. Law.
the exercise of a. right to the enjoyment of property. my body my propery
the body of this. mail. again the protocol's from to subject body this is
the body.. distributed via no commercial use without permission. is a
moderated mailing list for net criticism. collaborative text filtering and
cultural politics of the nets. more info majordomobbs.thing.net and info
nettimel in the msg body. Fwd xStream online. Start of forwarded message.
ReplyTo xstreamxpressed.org. Fwd xStream online. xStream Issue. xStream
Issue is online again in three parts. . Regular (also available in PDF)
Works from poets. (Sandra Simonds Dorothee Lang Hugh Tribbey David Nemeth.
John Crouse Jim Leftwich and Andrew Topel). . Autoissue Poems generated by
computer from Issue texts. the whole autoissue is generated in realtime
new version in. every refresh.. . Wryting Issue a monthly selection of
WRYTINGL listserv works. Sincerely. JukkaPekka Kervinen. Editor. xStream.
email xstreamxpressed.org. End of forwarded message. florian cramer
digital code and literary text. florian cramer digital code and literary
text. Can notions of text which were developed without electronic texts in
mind be. applied to digital code and how does literature come into play
here. Abstract. This paper is based on the general (yet disputable)
assumption that the. theoretical debate of literature in digital networks
has shifted just as. the poetic practices it is shaped after from
perceiving computer data as an. extension and transgression of textuality
(as manifest in such notions as. ''hypertext'' ''hyperfiction'' ''hyper
multimedia'') towards paying. attention to the very codedness i.e.
textuality of digital systems. themselves. Several phenomena may serve as
empirical evidence. The early focus of conceptualist Net.art on the
aesthetics and politics of. code. in turn the impact of Net.art aesthetics
on experimental literature. poetry in the Internet. the close discooursive
affinity of Net.art to political activism in the. Internet. the close
aesthetic affinity of Net.art to a the languages and codes of an. older
technically oriented ''hacker'' culture (of Chaos Computer Club. and
others). a convergence of the three cultures mentioned above Net.art net
activism. and hacker culture. (a) FreeOpen Source Software andor (b) open
network protocols as key. discursive political and aesthetical issues in
all these camps. finally the impact of hacker aesthetics Net.art
aesthetics code. aesthetics and network protocol aesthetics on
contemporary writing in the. Internet. (See the work of mez Alan Sondheim
Talan Memmott Ted Warnell. and others.). The question is how ''Codeworks''
(Alan Sondheim) fit notions of text that. were crafted without digital code
most importantly machineexecutable. digital code in mind and vice versa. Is
it a coincidence that in their. poetical appropriation of lowlevel Internet
codes codeworks ended up. aesthetically resembling concrete poetry And
apart from aesthetic. resemblances how do computer programs relate to
literature Is that what is. currently being discussed as ''Software Art''
a literary genre. Code. Since computers the Internet and all digital
technologies are based on. zeros and ones they are based on code. Zeros
and ones are an alphabet which. can be translated forth and back between
other alphabets without information. loss. It does in my point of view
make no sense to limit the definition of. the alphabet in general to that
of the Roman alphabet in particular when we. can the same textual
information in this very alphabet as Morse code flag. signs or
transliterated into zeros and ones. The Internet and computers run. on
alphabetic code whereas for examples images and sound can only be.
digitally stored when translating them into code which unlike the.
translation of conventional text into digital bits is a lossy that is. not
fully reversible and symmetric translation. Sounds and images are not. code
by themselves but have to be turned into code in order to be computed.
where as any written text already is code. Literature therefore is a.
privileged symbolic form in digital information systems. It is possible
to. automatically search a collection of text files for all occurences of
the. word ''bird'' but doing the same with birds in a collection of image
files. or bird songs in a collection of audio files is incomparably tricky
and. errorprone relying on either artificial intelligence algorithms or
manual. indexing both of which are methods to translate nonsemantic
writing (pixel. code) into semantic writing (descriptions).. The reverse
is true as well We can perfectly translate digital data and. algorithms
into nondigital media like print books as long as we translate. them into
signs coded according to the logic of an alphabet. This is what is. done
for example in programming handbooks or in technical specification.
manuals for Internet standards. Today there are two notorious examples of
a. forth andback translation between print and computers. The sourcecode
of Phil Zimmerman's cryptography program ''Pretty Good. Privacy'' (PGP).
The PGP algorithms were legally considered a weapon and. therefore became
subject to U.S. export restrictions. To circumvent this. ban Zimmerman
published the PGP sourcecode in a book. Unlike algorithms. literature is
covered by the U.S. First Amendment of free speech. So the. book could be
exported outside the United States and by scanning and. retyping
translated back into an executable program. the sourcecode of DeCSS a
small program which breaks the cryptography. scheme of DVD movies. Since
U.S. jurisdiction declared DeCSS an ''illegal. circumvention device''
according to the new Digital Millennium Copyright Act. (DMCA) the ban
equally affected booklets flyposters and tshirts on which. the DeCSS
sourcecode was printed.. That code is speech is a fact stressed again and
again by programmers and is. also at the heart of Lawrence Lessig's legal
theory of the Internet. (Lawrence Lessig. Code and Other Laws of
Cyberspace. Basic Books New York. .). It is strictly speaking sloppy
terminology to speak of ''digital. media''. There actually is no such
thing as digital media but only digital. information. Digital information
becomes ''media''only by the. On the reverse end of the chain keyboards
mice scanners and cameras. are analogtodigital converters.. virtue of
analog output computer screens loudspeakers printers are analog. output
devices interfaced to the computer via digitaltoanalog conversion.
hardware like video and sound cards or serial interfaces.. An average
contemporary personal computer uses magnetic disks (floppy and. hard
disks) optical disks (CDROM and DVDROM) and chip memory (RAM) as its.
storage media and electricity or fiber optics as its transmission media..
Theoretically one could build a computer with a printer and a scanner
which. uses books and alphabetic text as its storage media. Alan Turing
showed. that. While such a machine would operate slower than with
magnetical or. optical media it would provide more robust and durable
information storage. on the other hand.. no electronics are needed to
build a computer the Boston Computer Museum. even features a mechanical
computer built from wooden sticks.. Juxtapositions of ''the book'' and
''the computer'' are quite misleading. because they confuse the storage
and analog output media (paper versus a. variety of optical magnetical and
electronical technologies) with the. information (alphabetical text versus
binary code). It further ignores by. the way the richness of storage and
transmission media in traditional. literature which aside from the book
include oral transmission and mental. storage audio records and tapes the
radio and television to name only a. few.. If there is strictly speaking
no such thing as digital media there also. is strictly speaking no such
thing as digital images or digital sound.. What we refer to as a ''digital
image'' is a piece of code. Normally this code is divided into three pieces
one the socalled. sound or image file containing the machineindependent and
program. independent abstract information the second the socalled display
program. containing the instructions to mediate the abstracted information
in a. machineindependent yet not programindependent format to the
operating. system the third the socalled operating system mediating the
program. output to the output machine whether a screen or a printer. These
three. code layers however are nothing but conventions. Theoretically the.
digital image'' file could in itself contain all the code necessary to.
make itself display on analog end devices including the code that is.
conventionally identified as a boot loader and core operating system..
containing the machine instructions to produce the flow of electricity
with. which an analog screen or an analog printer is made to display an
image.. Of course it is important whether a sequence of zeros and ones
translates. into say an image because that defines its interpretation and
semantics.. The point of my (admittedly) formalistic argumentation is not
to deny this. but to underline that. when we speak of ''multimedia'' or
''intermedia'' in conjunction with. computers digital art and literature
we actually don't speak of digital. systems as themselves but about
translations of digital information into. analog output and vice versa.
text and literature are highly privileged symbolic systems in these.
translation processes because (a) they are already coded and (b)
computers. run on a code.. Literature and computers meet first of all
where alphabets and code human. language and machine language intersect
secondly in the interfacing of. analog devices through digital control
code. While of course we cannot think. of code without media because we
can't read it without them the computer. does not really extend literary
media themselves. All those output media. electricity electrical sound and
image transmission etc. existed before. and without computers and digital
information processing.. I therefore have to revise the position I took in
several of my previous. writings If we speak of digital poetry or computer
network poetry we. don't have to speak of certain media and we don't. like
in the paper Warum es zuwenig interessante Computerdichtung gibt.. Neun
Thesen'' ( Nine Points on Why there is so little interesting computer.
homepagewritingsnetliterature general karlsruhe. karlsruherthesen.pdf.
even have to speak of specific machines. If computers can be built from.
broomsticks and networked via shoestrings if any digital data including.
executable algorithms can be printed in books and from them read back
into. machines or alternatively executed in the mind of the reader there
is no. reason why computer network poetry couldn't or shouldn't be printed
as well. in books.. Perhaps the term of digital ''multimedia'' or better
''intermedia''. would be more helpful if we redefine it as the the
possibility to losslessly. translate information from one sign system to
the other forth and back so. that the visible audible or tacticle
representation of the information. becomes arbitrary. A state not be
achieved unless the information is not. coded in some kind of alphabet
whether alphanumerical binary hexadecimal. or if you like Morse code..
Literature. Synthesis putting things together. observe the textual
codedness of digital systems of course implies the. danger of generalizing
and projecting one's observations of digital code. onto literature as a
whole. Computers operate on machine language which is. syntactically far
less complex than human language. The alphabet of both. machine and human
language is interchangeable so that ''text'' if defined. as a countable
mass of alphabetical signifiers remains a valid descriptor. for both
machine code sequences and human writing. In syntax and semantics. however
machine code and human writing are not interchangeable. Computer.
algorithms are like logical statements a formal language and thus only a.
restrained subset of language as a whole.. However I believe it is a
common mistake to claim that machine language. would be only readable to
machines and hence irrelevant for human art and. literature and vice versa
literature and art would be unrelated to formal. languages.. It is
important to keep in mind that computer code and. No computer can
reprogram itself selfprogramming is only possible. within a limited
framework of game rules written by a human programmer. A. machine can
behave differently than expected because the rules didn't. foresee all
situations they could create but no machine can overwrite its. own rules
by itself.. computer programs are not machine creations and machines
talking to. themselves but writings by humans. The programmerartist Adrian
Ward. suggests that we put the assumption of the machine controlling the
language. upside down. ''I would rather suggest we should be thinking
about embedding our own. creative subjectivity into automated systems
rather than naively trying to. get a robot to have its 'own' creative
agenda. A lot of us do this day in. day out. We call it programming.''.
quoted from an EMail. message to the Rhizome'' mailing list May. Perhaps
one also could call it composing scores and it does not seem. accidental
to me that musical artists have picked up and grasped computers. much more
thoroughly than literary writers. Western music is an outstandig. example
of an art which relies upon written formal instruction code. Self.
reflexive injokes such as ''BACH'' in Johann Sebastian Bach's music the.
visual figurations in the score of Erik Satie's ''Sports et.
divertissements'' and finally the experimental score drawings of John
Cage. shows that beyond a merely serving the artwork formal instruction
code has. an aesthetic dimension and intellectual complexity of its own.
In many. works musical composers have shifted instruction code from
classical score. notation to natural human language. A seminal piece in my
opinion is La. Monte Youngs ''Composition No. '' which simply consists of
the. instruction ''Draw a straight line and follow it.'' Most Fluxus
performance. pieces were written. Galerie und Edition Hundertmark. George
Maciunas und FluxusEditionen. . no page numbering. in the same notation
style. Later in the American composer Alvin. instruction which very
precisely tells to perform the piece by playing. itself back and
modulating the speech through the room echoes.. In literature formal
instructions is the necessary prerequisite of all. permutational and
combinatory poetry. Kabbalah and magical spells are. important examples as
well. But even in a conventional. Some historical examples have been
adapted online on my website. narrative there is an implict formal
instruction of how i.e. in which. sequence to read the text (which maybe
or followed or not as opposed to. hypertext which offers alternative
sequence on the one hand but enforces. its implicit instruction on the
other). Grammar itself is an implicit and. very pervasive formal
instruction code.. Although formal instruction code is only a subset of
language it is still. at work in all speech and writing.. It is
particularly remarkable about computing that the namespace of. executable
instruction code and nonexecutable code is flat. One cannot tell. a
snippet of digital code whether it is executable or not. This. property
does not stand out in the alphabet of zeros and ones but is solely.
dependent on how another piece of code a compiler a runtime interpreter.
or the embedded logic of a microprocessor processes it. Computer code is.
highly recursive and highly architectural building upon layers of layers
of. code.. Analysis taking things apart. The fact that one cannot tell
from any piece of code whether it is machine. executable or not provides
the principle condition of all EMail viruses on. the one hand and of the
codeworks of jodi antiorpNetochka Nezvanova mez. Ted Warnell Alan Sondheim
Kenji Siratori to name only a few. with the biennale.py'' computer virus of
the net art groups. on the other work that unlike the actual viri is
fictional in that it. aesthetically pretends to be potentially viral
machine code.. The codeworks to use a term coined by Alan Sondheim of
these writers and. programmerartists are prime examples for a digital
poetry which reflects. the intrisic textuality of the computer. But they
do so not by being to. quote Alan Turing via Raymond Queneau computer
poetry to be read by. computers but by playing with the. Raymond Queneau.
Cent mille milliards de pomes. Gallimard Paris. . p.. confusions and
thresholds of machine language and human language and by. reflecting the
cultural implications of these overlaps. The ''mezangelle''. poetry of
mezMary Ann Breeze which mixes programmingnetwork protocol code. and non
computer language to a portmanteauword hybrid is an outstanding. example
of such a poetics.. Compared to earlier poetics of formal instruction like
in La Monte Young's. Composition in Fluxus pieces and in permutational
poetry an important. difference can be observed in the codeworks The
Internet code poets and. artists do not construct or synthesize code but
they use code or code. grammars they found and take them apart. I agree
with Friedrich Block and. digital.deBlockindex engl.htm that digital
poetry should be. read in the history and context of experimental poetry.
A poetics of. synthesis was characteristic of combinatory and
instructionbased poetry a. poetics of analysis characterized Dada and its
successors. But one. An exception being the the ALGOL computer programming
language poetry. written by the Oulipo poets Franois le Lionnais and Nol
Arnaud in the. early s. see Harry Mathews and Alastair Brotchie editors.
Oulipo Compendium. Atlas. Press London . p.. hardly finds poetry with an
analytical approach to formal instruction code. in the classical th
century avantgarde. Internet code poetry is being. written in a new if one
likes postmodernist condition of machine code. abundance and overload.. The
hypothesis that there is no such thing as digital media but only. digital
code which can be stored in and put out on any analog medium is. perfectly
verified by codework poetry. Unlike hypertext and multimedia. poets most of
the artists mentioned here write plain ASCII text. The. contradiction
between a complex technopoetical reflection and lowtech. communication is
only a seeming one quite on the contrary the lowtech is. crucial to the
critical implication of the codework poetics.. The development of
hyperfiction and multimedia poetry practically paralleled. the
construction of the World Wide Web hyperfiction authors rightfully saw.
themselves as its pioneers. In the course of nineties they continued to.
push the technical limits of both the Internet and multimedia computer.
technology. But since much digital art and literature became testbed.
applications for new browser features and multimedia plugins it.
simultaneously locked itself into nonopen industrycontrolled code.
formats. Whether intentional or not digital art thus. like Shockwave
QuickTime and Flash. strongly participated in the reformatting of the
World Wide Web from an. open operating system and browseragnostic
information network to a. platform dependent on propietary technology.. By
readjusting the reader's attention from software surfaces which pretended.
not to be code back to the code itself codeworks have apparent
aesthetical. and political affinities to hacker cultures. While hacker
cultures are far. more diverse than the singular term ''hacker'' suggests
hackers could as. well be distinguished between those who put things
together like Free. Software and. Boris Grndahl's (German) Telepolis
article The Script Kiddies Are. Not Alright'' summarizes the multiple
sometimes even antagonistic camps. deutschhtmlresult.xhtml urltp
deutschinhaltte.html. demo programmers and those who take things apart
like crackers of serial. numbers and communication network hackers from
YIPLTAP Phrack and. Chaos Computer Club schools. Code poets have factually
adopted many poetical. forms that were originally developed by various
hacker subcultures from the. s to the early s including ASCII Art code
slang (like '' wArz. dd'' for ''leet elite wares dood'') and poetry in
programming languages. (such as Perl poetry) or they even belong to both
the ''hacker'' and the. ''art'' camp. curious. curioushyperreal.pl.
reading my handwriting. .jpg. 'Freedom died. great people proved that
awareness exists and every lifeform is aware. unfortunatelly they hadn't
in mind that evolution not aims into awareness. development but towards
better adaptation.. milions of people just learned how to fake awareness..
This what makes us Humans is ablity to selfdevelopment and Empathy. not
adaptation.. Crowd without a leader went insane.. Sickness is ones who
emphatize get dellusion when looking feelingsless. ones there is no mutual
empathy then ones who emphatize become codepend.. '. .jpg. (notes from
train station i tried to visualise how autosopher adaptative. network
works). also note that 'positive effects coming from smoking of tobbaco
come from. changed metabolism of dopamine while addiction is created by
completely. different neurotransmitter patch'. also common mistake of
polish language pointed out (use of foregin noun). .jpg adaptative ALP
network (network of small audio buffers adapting to. user defined sound)..
i have some other work like learning from c sources i'll write to you.
later. d.jpg. dissolving substance. dreams come when i am here. snowwhite
truth about false. particles of absurd from nothing. substance. while this
world is only interpretation of our dreams. substance. you melt with
nonexistence like you. practical disasemble of life program. transient
observation of. thoughts about minimalism truth about time.. form of
delusion. sequence of session. it's lack of thought Substance. while
civilisation camp grid is at least km thin.. where is reason. dynamic.
ambition. field of perception actions of consiousness. (). time. and this
is 'life'. intonation is alive and manipulating bodies. will be as is
because can't be other way. preprogrammed forecast shatter and bend under
influence of new data. how is time machine like. alive. destiny of chaos
complexity creation is creation itself. we can watch beauty of growth. our
time came. power came to an end.. curioushyperreal.pl. badgernoemata.net.
congratulations congratulations your site is on on (nostalgi). fra m.
aktnillon mailtoaktnonline.no. domain name noemata.net. ip address ....
user name noemata. password nvoxkphm. strata septer serial number killer.
your login is bmag. congratulations congratulations your site is on on.
dear bsar puth. welcome to emy anta congratulations your site is now luv
.. supportinsidetheweb.com. re password request. your username is mb. your
password is tkfld. bekranse t.walioett. it's tun to renew your domain
name(s) name(s). welcome forum live.com. welcome gnotius. welcome buhund.
byråkrati bmag. passord db. mvh bidlet. invoice færre arspublica.com.
invoiceregister.com. bjorn your access name to php classes is badger..
respected bjørneskinn t.walioett. greetings færøyene instabill.com. a ne
account forhøye noemata.net has been created imm. one of our ny servers..
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is a reminder. thank you før joining paypal. please deo natt remove version
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office. please try it at your end. rockestjerne vare vellykket.. velkomst
sinai netcom internettkunde internettkunde. dear bj. paypal values the
turistvisum. order. of the dictionary of wordplay. of the waste books (new
york review books classics). of oulipo compendium. of oulipo a primærlager
of potential literature (french literature. invoice submitted to. magn
june. username noemata. this shipment was sent to. bakgrunnsoperasjon
t.walioett. schouterrassen. oksehale n. online.no innbu. bmagnhi. ofrti.
kto. har online trafikk (modem ). hai ann elokvent. tok ferie att du
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email bjornmagtiscali.no. bergart bjornmag. aktiviseringsnøkkel vbdxshr.
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brukernavn bjornmag. passord t... dear bj bar. you are receiving this
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welcome to noip.com.. noemata.sytes.nut. dear boo emm. dear bj mga.
kjøpsident. brukernavnet ditt er nymy. passordet ditt er pkepe.
brukernavnet ditt er nymy. passordet ditt er lwiugfu. ditt børseskudd er
bmag. ditt pejorativ er pejopa. our valued customers. we're hab. your
username gravlegge. your password aatpbv. order. of what is the name of
this book. of classic noh theatre of japan. of dancing into darkness butoh
zen and japan. tykkmann. organisatorisk message farm supporthome.pages.at.
wir freuen uns. opklnmonline.no. adundas.net. the domain name hook been
registered without error.. spotovani dear anonymous anonymous. hvala za
prijavo neie fastfrossede vdor. user arspublica. pw e.. id jmgandi.
contact name jorn magee. organization origo. magh.net. you can get
duplicate. erkshoutcast ip. you aure receiving this email. postvacacb.
name name. gaves a. sater s.g.. state state. kyoto holover. country
country. jp it. postulat code postlegge code. till alla b magh. du har
fått detta. lsenord kotfal. theol t.walioett bekranse johanne.
meldingsliste feer dokumentmal biblioteksjef. lånenummer. ditt pejorativ
får børs afp bibliotekets internetttjenester er kousdu. heisann og tykke.
die noterer jeg att jegr vite baute af ip ip range. heie bmagh. her er en.
innsnevring registrering. inngangsport abonnementsavdeling. også
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brukerområde eier (som dø skrive det) bmag. re pinhole glasses. we ship
reket away. prosti. namepasswordnoemata to namepasswordnoemata is name.
passwordnoemata if you want to administer the topic. sobject of ought
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wvgandi. organization ars publica. curious. Start of forwarded message.
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'Freedom died. great people proved that awareness exists and every
lifeform is aware. unfortunatelly they hadn't in mind that evolution not
aims into awareness. development but towards better adaptation.. milions
of people just learned how to fake awareness.. This what makes us Humans
is ablity to selfdevelopment and Empathy. not adaptation.. Crowd without a
leader went insane.. Sickness is ones who emphatize get dellusion when
looking feelingsless. ones there is no mutual empathy then ones who
emphatize become codepend.. '. .jpg. (notes from train station i tried to
visualise how autosopher adaptative. network works). also note that
'positive effects coming from smoking of tobbaco come from. changed
metabolism of dopamine while addiction is created by completely. different
neurotransmitter patch'. also common mistake of polish language pointed out
(use of foregin noun). .jpg adaptative ALP network (network of small audio
buffers adapting to. user defined sound).. i have some other work like
learning from c sources i'll write to you. later. d.jpg. dissolving
substance. dreams come when i am here. snowwhite truth about false.
particles of absurd from nothing. substance. while this world is only
interpretation of our dreams. substance. you melt with nonexistence like
you. practical disasemble of life program. transient observation of.
thoughts about minimalism truth about time.. form of delusion. sequence of
session. it's lack of thought Substance. while civilisation camp grid is at
least km thin.. where is reason. dynamic. ambition. field of perception
actions of consiousness. (). time. and this is 'life'. intonation is alive
and manipulating bodies. will be as is because can't be other way.
preprogrammed forecast shatter and bend under influence of new data. how
is time machine like. alive. destiny of chaos complexity creation is
creation itself. we can watch beauty of growth. our time came. power came
to an end.. curioushyperreal.pl. badgernoemata.net. End of forwarded
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XMailScanned by Interweb Norge as. curioushyperreal.pl. reading my
handwriting. .jpg. 'Freedom died. great people proved that awareness
exists and every lifeform is aware. unfortunatelly they hadn't in mind
that evolution not aims into awareness. development but towards better
adaptation.. milions of people just learned how to fake awareness.. This
what makes us Humans is ablity to selfdevelopment and Empathy. not
adaptation.. Crowd without a leader went insane.. Sickness is ones who
emphatize get dellusion when looking feelingsless. ones there is no mutual
empathy then ones who emphatize become codepend.. '. .jpg. (notes from
train station i tried to visualise how autosopher adaptative. network
works). also note that 'positive effects coming from smoking of tobbaco
come from. changed metabolism of dopamine while addiction is created by
completely. different neurotransmitter patch'. also common mistake of
polish language pointed out (use of foregin noun). .jpg adaptative ALP
network (network of small audio buffers adapting to. user defined sound)..
i have some other work like learning from c sources i'll write to you.
later. d.jpg. dissolving substance. dreams come when i am here. snowwhite
truth about false. particles of absurd from nothing. substance. while this
world is only interpretation of our dreams. substance. you melt with
nonexistence like you. practical disasemble of life program. transient
observation of. thoughts about minimalism truth about time.. form of
delusion. sequence of session. it's lack of thought Substance. while
civilisation camp grid is at least km thin.. where is reason. dynamic.
ambition. field of perception actions of consiousness. (). time. and this
is 'life'. intonation is alive and manipulating bodies. will be as is
because can't be other way. preprogrammed forecast shatter and bend under
influence of new data. how is time machine like. alive. destiny of chaos
complexity creation is creation itself. we can watch beauty of growth. our
time came. power came to an end.. curioushyperreal.pl. badgernoemata.net.
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listeadresse eekunst.no. kontaktadresse listmasterekunst.no. Re curious.
weird taxonomy. thanks to curious... arafat. arafat shithead it's all the
same some shithead claiming territory. another shithead you only need one
then you get another. automatically like tribes of shitheads shiites
something what's. that got to do with anything. contemporary ontology
something anything everything nothing. maps plainly to logic how
metaphysics became logic or was as it. were classes what do we mean
classes are classes nosferatu the. death of metaphysics the blood is logic
everything is logic has. its undead counterpart the world may die any human
we'll go on. living like undead i should come through here no it's not
possible. any image still there's a byte before it exhausts coming back
to. this morning and driving under the bridge don't blame gray words. gray
roads. feeling down may come easy you just sit there and suddenly you want.
go to sleep and can't sleep because you think this will never end. and
there's nothing anywhere. i'm always down like the server is. down. all
this wind is it going anywhere mostly robots reading the. web let's say i
lived my experience is not different from anybody. else why should we be
separate two persons have mutual feelings. what a mess still four arms two
heads what a monster and the. cleaning of the interface reactions why
should i react i'm already. you not in a religious sense just practical
like the same same. system two processes the same shit all the more
pressure around. identity and the individual this exploition a striking or
notable. deed feat spirited or heroic act the exploits of Alexander the.
Great. it's of course true we are the same otherwise science and. the
logics would be false but still culturally a quest for. identity and most
levels retained which together is driving us out. through the processor
our bodies are arguments positions like. minimal pairs in linguistics and
identical to what itself which. makes sense only through a representation
with the possibility of not. being itself so the quest is via the culture
representation where. the position comes in like the 'you are here' on
maps (in a text you. are here what does it mean i am here this is a long
string and the. other arts where are you in music and everything before
language. and within) no the identity can't come from anything why
different. cultures have different ideas of identity we have maps so we
have. the identity of 'you are here' which gives a faint realization of.
yourself but enough to keep fixed through the loop of being and not. being
the truth and falsity of representation or more precise the. falsity
revealed through its truth and vice versa which is at stake. when
represent i am here two times here and here which are two. places in the
text two positions and isn't it supposed to be only. one like i am only
one so we are baffled by this like Alexander the. Great and need to do
baffling deeds to overcome the bifurcation that. takes place already at
the root already at 'you are here' we don't. understand and the territory
comes from this of not understanding. and you get terrorist and president
like arafat collapsing and. sustaining the map as the quest for identity
through construction of. yourself which is like a greek tragedy whatever
you'll find is the. looking for yourself palestine holy land holy shit how
fcking. long will it take before these shitheads loose their power to lead.
others astray for people not to be led into another suffering hell by.
shithead the great.. roadmap to peace forget road forget map forget
peace.. Re syndicate arafat. This is a multipart message in MIME
format.... ContentType textplain charsetiso. if you rid yourself of
opaqueness i don't know where you are is that. beauty love and war were
always good friends. it's still about identity. the quest for anything
clear and transparent (love) which at the same time. should be something
(territory) and it doesn't resolve so forget it not. wait for the best
love projects (maps) too much the territory becomes. what you see is that
wise. Of the raising opaqueness Claudia always has the most beautiful
answer. which we can wait for the best. Original Message. claudia
westermann. Friday November AM. Re syndicate arafat. a. forget road forget
map forget peace.. keep love. love me in my full beauty and I'll become.
what you see in me. or wise. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for
media culture and media art. post to the Syndicate list. no commercial use
of the texts without permission. RE syndicate arafat. This is a multipart
message in MIME format.... ContentType textplain charsetiso. arafat
shithead it's all the same some shithead claiming territory. another
shithead you only need one then you get another. automatically like tribes
of shitheads shiites something what's. that got to do with anything. sure
let's stick to shithead ascii pseudo artists like you. who says you have
to choose sides. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for
media culture and media art. post to the Syndicate list. no commercial use
of the texts without permission. Re syndicate arafat. This is a multipart
message in MIME format.... ContentType textplain charsetiso. Far from the
making act we can say everything in any case. Obviously you. had not
chosen but the omissions allied to the obvious terms made sense of.
themselves together without that you formulated of choice. Obviously
that's your choice reading it as political declarations in most. senses of
the word political since politics is about forcing a choosing of. sides
setting the options to choose but obviously every side is ugly. here
oppressor or oppressed how the sense of justice is construed and. since
nothing is chosen something ugly comes back for lack of the political.
conformance and balance and renders opaque and annoying and gives the
idea. there must be a clearer position behind or hidden but that's not the
case. other than don't be mislead by political 'shitheads' to suffer their
hell.. ContentType textplain namemessagefooter.txt. ContentDisposition
inline filenamemessagefooter.txt. ContentTransferEncoding bit. Syndicate
mailinglist. Syndicate network for media culture and media art. post to
the Syndicate list. no commercial use of the texts without permission.
recursive dictionary. He was born with a material or nonmaterial entity
idea action. etc that is or may be thought about or perceived a gift a
thing. given or presented of the something done deed or action or.
sensation caused in the ear by the vibration of the surrounding air or.
other medium of laughter and the capacity or power to perceive or feel. or
to be conscious of the state or condition of being present or. attributes
qualities or characteristics of material or nonmaterial. entities ideas
actions etc that are or may be thought about or. perceived that human
concerns business matters to be attended to. their continuous onward
movement or progression and circumstances. esp. those affecting the
functioning or existence of something active. condition which
distinguishes active animals and plants from inorganic. matter including
the capacity for growth functional activity and. continual change
preceding death were mad.. Bertrand Russell. Applying the algorithm to
text with a high proportion of abstract. nouns is particularly amusing.
Here the starting text is from. Bertrand Russell's History of Western
Philosophy from a chapter on. Plato. The second argument is that knowledge
is recollection and therefore. the soul must have existed before birth. The
theory that knowledge is. recollection is supported chiefly by the fact
that we have ideas such. as exact equality which cannot be derived from
experience.. Transformation gives. The second reasoning process is that
awareness or familiarity gained. by experience is the act or power of
recollecting and therefore the. spiritual or immaterial part of a human
being often regarded as. immortal must have existed before the emergence
of a (usually fully. developed) infant or other young from the body of its
mother. The. supposition or system of ideas explaining something esp. one
based on. general principles independent of the particular things to be.
explained that awareness or familiarity gained by experience is the. act
or power of recollecting is supported chiefly by the thing that is. known
to have occurred to exist or to be true that we have. conceptions or plans
formed by mental effort such as the exact. state of being equal which
cannot be derived from actual observation. of or practical acquaintance
with facts or events.. plese. its tu much. i wnat nothign to do with it.
plese. i was nothing to do withit. arc.hive. This is a multipart message
in MIME format.... ContentType textplain charsetiso.
ContentTransferEncoding quotedprintable. all the tnihgs taht aArent
psoilsbe bcak bcak apin bcal is viatl. ptsoure hondinlg im dizzy yuore
liokng for reilef or bdluiiing. waht dnot ask bdiiuinlg fwlwnig don
lkneiesss loop of snese. tgohuths arise attache not i was wthas there to
bilud a story no. stroy threes no sotry what sotry do you yuor life sorty
no lfie. sotry blind bilnd bnild story no sorty bilnd back and fotrh no.
sorty nnothig dvoeelps no dempoleevnt its all dlwilohnl dwon. srtoies i
not srtoy not sroty and the stroy adnother wrod for. benig isdine the
scubjet bnieg oecjbt but not eevn sjbecut how. sjbcuet can i be to daeth i
wsant so how can i be iAts a story. olny a sotry wtih a bgeniinng and end
and the sotry is ntoghin no. story the sotry is jsut a story and the
sejbuct is not a sucbjet. these wdros are cnmiog form a long line of ilde
soht form the. seubct lnie sbjecut the sjbeuct eiecnrxeeps epienrexecs ex
peri. sneseis it tnilkag abuot ilestf or vetbivare mdoe of pscroes.
iarmooniftn v bceaues trehs nnitoghb to bulid the linvig are for. the
lvinig the voderr is for shgmeotin oto be and esle non and. you wodluAnt
know but the tarinstion for loss and gian which. lgneirs for yesra for
lteifmie tmie until aontehr loss wchih fdaes. lkie dcemial jmbures in
sniinicgfcae the digit iteengr wlhoe. hole drigess how etym the w hloe
tunnel tsarcnend. bef. ME OE hol hole cvae orig. nuet. of hol (adj.).
HLOOLW c. G hohl hwlolo. ebf. ME hole hool (daj. and n.) OE hl (ja.d) c. D
heel. G heil ON hilel see HLAE HEAL sp. wtih w relectfs dail. form. bef. ME
holi OE hlig var. of HLEG equiv. to hl WHLOE. eg Y c. D G heilig ON
hlaiegr. the bcalk wohle. .... ON see HLEL. bef. ME OE he(ll) c. OHG
h()illea (G HllFe) ON hel Goth. hjala aikn to OE hlean to cover hide and
to HLUL. satngre the etym siiimelritas as if the opipostes were the.
coslest cinaopnoms balck holes at the cneter of glaaxies in the. misdt of
haveen reisde hell qiute the oppsoite no surprsie also. the balck whloes
of rliigoen whta's torhwn oitudse is rnig. tgloopoy or the srting cmoes
bcak at the cetner or vcie vresa. it's aonther hlel like the syanig if the
wrold was peecfrt it. woul'ndt esixt wree each wrod bges its exspoinan and
if the word. was pefrect it wondul't eixst so tihs way geos itno
altiioainhnn. or the aiiilhntnaon is cnncteeod to rzaieaoiltn wihch is.
cttslannoy dlaeyed torwhn out lkie the wrlod is cearted in tmie. which is
just the delay thgnis go sowler and solewr. the hack. itno ereltncos
certeas the wolrd aenw slutaimes from lgiht seped. and loigc the
hrewyporld mroe and more has to be thorwn out at. lhigt speed to keep it
go solwer and sowler inetria at the end of. speed mabye lkie the practile
padorax aagin if sthoiemng is. pulctairar (eg. tmei) it ditfrs off
mronuolssty allchies and the. tultre view tihs from rivitatley as aheilcls
is giannig light. speed he inealtfs ifitnneliy enregy bceomes msas the
wrold form. the filurae of reazilnig of rhaecing the ttrlue whcih is the.
fiarlue of riiztleaaon the praadox of the pultiracar of the. wrold the
montusros itnifoaln hloe whloe hloy hlel hole in the. wolhe hell in the
holy in the mdsit wihch is cnnasottly thowrn. out the paissve out of the
avitce any oejcbt thwron out of the. subcjet like this.. ContentType
textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. arc.hive mailing
list. arc.hiveanart.no. Re Is Hell Exothermic. all the things that arent
possible back back apin bacl is vital. posture holdning im dizzy youre
loking for relief or builiding. what dont ask biuliding flwwing don
likenesss loop of sense. thoughts arise attache not i was whats there to
build a story no. story theres no story what story do you your life story
no life. story blind blind blind story no story blind back and forth no.
story nothing develops no development its all downlhill down. stories i
not story not story and the story andother word for. being inside the
subject being object but not even subject how. can i be to death i wasnt
so how can i be its a story. only a story with a beginning and end and the
story is nothign no. story the story is just a story and the subject is not
a subject. these words are coming from a long line of idle shot form the.
subect line subject the subject experiences experiences ex peri. senseis
it talking about itself or verbative mode of process. information v
becaues thers nothignb to build the living are for. the living the vorder
is for somethign oto be and else non and. you wouldnt know but the
transition for loss and gain which. lingers for yesra for lifetime time
until another loss which fades. like decimal jumbers in significance the
digit integer whole. hole digress how etym the w hole tunnel transcend.
bef. ME OE hol hole cave orig. neut. of hol (adj.). HOLLOW c. G hohl
hollow. bef. ME hole hool (adj. and n.) OE hl (adj.) c. D heel. G heil ON
heill see HALE HEAL sp. with w reflects dial. form. bef. ME holi OE hlig
var. of HLEG equiv. to hl WHOLE. eg Y c. D G heilig ON heilagr. the black
whole. .... ON see HELL. bef. ME OE hel(l) c. OHG hell(i)a (G Hlle) ON hel
Goth. halja akin to OE helan to cover hide and to HULL. strange the etym
similarities as if the opposites were the. closest companions black holes
at the center of galaxies in the. midst of heaven reside hell quite the
opposite no surprise also. the black wholes of religion what's thrown
outside is ring. topology or the string comes back at the center or vice
versa. it's another hell like the saying if the world was perfect it.
wouldn't exist were each word begs its expansion and if the word. was
perfect it wouldn't exist so this way goes into annihilation. or the
annihilation is connected to realization which is. constantly delayed
thrown out like the world is created in time. which is just the delay
things go slower and slower. the hack. into electrons creates the world
anew simulates from light speed. and logic the hyperworld more and more
has to be thrown out at. light speed to keep it go slower and slower
inertia at the end of. speed maybe like the particle paradox again if
something is. particular (eg. time) it drifts off monstrously achilles and
the. turtle view this from relativity as achilles is gaining light. speed
he inflates infinitely energy becomes mass the world from. the failure of
realizing of reaching the turtle which is the. failure of realization the
paradox of the particular of the. world the monstrous inflation hole whole
holy hell hole in the. whole hell in the holy in the midst which is
constantly thrown. out the passive out of the active any object thrown out
of the. like this.. Re Ego. list copy. It's based on palindromes as you
might expect ) By that constraint. they seem to have their own quirkiness
in vocabulary maybe grammar. and semantics what themes reoccur and comes
through so I wanted to. make pseudopalindromes or write something through
the palindromic. namespace palindromes that were not palindromes but only
looked like. it ) So I'm just processing the palindrome files from.
through the constructed space. I like using markov chain to rearrange.
stuff because the connections between entitites are real and the.
statistics for choosing between entitites are also real (a strong.
connection is more likely to be chosen) so the random element is. within a
quite structured system choosing between weighted options. derived from
real data.. I'm doing some more of these though I see it's limited in use.
I'm. reading through a dictionary of wordplay and oulipo to see if I want.
do something. I'm also having fun with a reverse lookup in. webster's
dictionary from definiens to definiendum which amounts to. a peculiar
thesaurus replacing words by (search for word through all. definiens and
gather all the definiendum and then choose all or one of. these you then
get an associative relation weaker than thesaurus. but more 'poetical'
connoted. Some recent pieces were done with this. and I'm not through with
it yet.. Bjørn. anyhr. year anniversary. archive of visual works. anyhr. as
exhibited at machinista.org. recent. This is a multipart message in MIME
format.... ContentType textplain charsetiso. anyhr. year anniversary.
archive of visual works. anyhr. as exhibited at machinista.org. recent.
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filenamemessagefooter.txt. ContentTransferEncoding bit. arc.hive mailing
list. arc.hiveanart.no. anyhr. year anniversary. archive of visual works.
anyhr. as exhibited at machinista.org. recent. post listrhizome.org.
questions inforhizome.org. visit on Fridays the Rhizome.org web site is
open to nonmembers. Subscribers to Rhizome are subject to the terms set
out in the. Re Ego. It might be interesting and I'm going to try it what
happens if the. probability is inverted like you suggest. It'll be more
terse and running. culdesac since from always looking for the lesser paths
quickly search. for the borders and then follow the border in a random walk
between the. entries of minimal value. If there is a substantial base of
data it might. do this without running cold and without merely repeating
the singular. minimal data at the margins. Thanks for the idea. I'll try
make more. things available online also in case the computer should crash
like now I. had to zip the data out on floppies. Thanks to dead media...
Thanks for this explanation. Hey noem what if instead of the markov
process you used to make that. work you were to use an inverse markov
process instead That is. rather than selecting words on the basis of their
high statistical. probability to follow other words you selected them for
exactly the. opposite reason It seems to me that these two extreme poles
of textual. generation might exemplify the fundamental split between
narrative and. antinarrative that has been the rallying cry of modernism
for the past. years.. Anyway just an idea for you if you want it.. m. On
Wednesday November at AM. list copy. It's based on palindromes as you
might expect ) By that constraint. they seem to have their own quirkiness
in vocabulary maybe grammar. and semantics what themes reoccur and comes
through so I wanted to. make pseudopalindromes or write something through
the palindromic. namespace palindromes that were not palindromes but only
looked like. it ) So I'm just processing the palindrome files from.
through the constructed space. I like using markov chain to rearrange.
stuff because the connections between entitites are real and the.
statistics for choosing between entitites are also real (a strong.
connection is more likely to be chosen) so the random element is. within a
quite structured system choosing between weighted options. derived from
real data.. I'm doing some more of these though I see it's limited in use.
I'm. reading through a dictionary of wordplay and oulipo to see if I want.
to do something. I'm also having fun with a reverse lookup in. webster's
dictionary from definiens to definiendum which amounts to. a peculiar
thesaurus replacing words by (search for word through all. definiens and
gather all the definiendum and then choose all or one of. these you then
get an associative relation weaker than thesaurus. but more 'poetical'
connoted. Some recent pieces were done with this. and I'm not through with
it yet.. Bjørn. pza. ARL BLUE. NI DTE. S I. L O HECN. TASEEA E. FEM ENKERS
CLEAR VDESFSWWAOATT A. ONÅRMLI UAMFN ONE FASHION ANELFEO FHM R. ED VIT
LSMEAENE TOMMEL HER. WEALNR EAGWTU Y GES. OEI NIRLY THEM HVITE KISGH SEO
SHOESF. SDLIE TOV THE GAP HOLES TAO T P. ML DHE WT AERTTNISKE U. T IT
VARIA STRENGE MAR TLE. YRDSN EE SE COND DAYS THE THEM THEAFA E AV. NES IER
VENS T R ACROSS. IT N E D EHSBI. DADKANNIE ISOMERISATION ITSELF ITTMLT WRS.
MAT THE NIGHT SIT HERA QUIE. T IT A C EAS DS. THE B ACK S FENCE HUN VAR
DRUNKED ED E. AHSER GLASS KA S SER IOT S. TERNWAR DS GUL YR. DADD AMA SÅ
GHETTO SÅ DELTAGEN DE U DO EG. OWK HE MED Y E S ANNETTE M. EOWING ION IA
HONG. F INK FROTH FIERY AEROB I OLOGI CAL STOR. R A. Re ECNAD PMUD.
sitonsiemordnilapasidrowatonsi is not a word. drowatonsi is not a word.
drowatonsi is not a word
328
is a palindrome. is not. is. Re ECNAD PMUD. .. etaD esaeleR .. esabataD
suriV .. noisreV. .suriVitnA GVA yb dekcehC .egassem gnimocni siht ni
dnuof suriv oN. .. etaD esaeleR .. esabataD suriV .. noisreV. .suriVitnA
GVA yb dekcehC .egassem gniogtuo siht ni dnuof suriv oN. certyfied liater
sorry HP phyrros retail deify trec. the mean. while waiting and waiting
for win to boot. a play for the calculator the mean. ok what about . ..
where does the . come from. .. still the same. ok so we know n(n).(n.).
what about step while. it holds now the diff is always.
n(nstep)(step)((nstep)). try random ... i have to format c unbelievable.
step is so it doesn't work. do you want to install netmeeting. who ever
had any need of scandisk. i ran scandisk several times now. still it
didn't detect damaged sectors. unbelievable crap scamdicks. well why
didn't it work for odd. it's. yeah now your product key licence. it's
supposed to be oh well it just squares then. squareroot of . is.. . voila.
key is GXPPKTCDRJGJDTRBM (win). it's n(nstep)(step)((nstep)). which makes
sense for the . and the. updating you system... restart then restart then
restart. this wasn't very profound. it's like you need the square stuff
somewhere. whether you put it in the n's or the step. it doesn't matter.
the suprise in the beginning of this play... it didn't take into account
the extras of the square. the double its shadow. it's about dimensions.
how the extra dimension casts a shadow back. the step is supposed to take
care of that. ah but there's no stairway to heaven. can't believe this
where are the screen drivers. My documents it's intimidating. very small.
i lost the scans whatever. anal stuff i mean what's the point. the joy of
loosing. again a gain where does the shadow come in. the gain where the
extras are from. hell is a collapse of dimensions. what happens when
things colapse. when these squares collapsed they lost their shadow. i was
thinking of this drawing also what it lost. shadows of course collapsed
into texture. but the other way also. what would the hyper be if this was
texture. loom. unbelievable. unbeleivable. what is most. this cognitive
quaking is backforth's squaring. nothing in the middle. nothing mediated.
these are flat. mean. the synonyms for mean are average base beggarly
entail hateful have. in mind imply intend mean value meanspirited mingy
miserly. signify stand for think think of tight. Re sad man. he reminisces
no ones bisetous beloved him. as a tendency and he has left that placental.
all wait it is kettledrum the long drawn. unwatched nighttime tv in waste
hotel rooms. when he pulpiteer it is as humor that laugh vacillate.
pitching the mature and then he goes back home. he fits into his clean he
takes a walk. his ear is vulgar pure pitch he hears in. grisaille. ideas
where the heart shoulder be have grown. infect he replays them and
sufferer sirrah. most of story is the obscenity tense diurnal. still
underscored by sunlight's capstan. he reminisces no one's having loved
him. as a place and he has left that place. all morning it is afternoon
the long drawn. unwatched daytime tv in unoccupied hotel rooms. when he
speaks it is as humor that sounds constant. paving the experience and then
he goes back home. he fits into his clothes he takes a walk. his ear is
lacking perfect pitch he hears in. monochrome. ideas where the heart
should be have grown. infected he replays them and endures familiarity.
most of story is the present tense daylight. still underscored by
sunlight's passing. sheila e. murphy. lumber. lumber. noemata. Monday
November. eec. tries to separate the signal. It's the processing that
gets. confusedandtechnologies. this should be obvious to anyone who has
upgraded a. radioimproved. The interference was in the eye of the beholder
all along.Or. asbecause there's been little reason to make them smart.
They're designedtojust. making smart radios because some of the techniques
forunconfusingSystems. architecture stupidduring World War II. We were
worried that the Germans. might jam thesignalsreceiver were made to switch
in sync very rapidly among a. correct message. The U.S. Navy has used a
version ofand work very. well.gUmnlDETKVAwbNNWEpeSfarchitecture before
using it always. fails. Always. This is in fact apaper maintained you
should move as many. services as feasible out ofthetemptation is to
improve a network by adding. services to it.network is more valuable. We
know it's more valuable because. theycharge ussih dna deeR daetsnI
.krowten eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a
good idea can implement a service and offer it. over theInternet we
wouldn't have had to wait years to get caller I.D.. itwouldvgfrys gur zber
vaabingvba va vqrnf freivprf naq ohfvarff. zbqryfThere is active
controversy however over exactly how much. handshakingare defined in
software rather than etched into hardware radios. willbeand ask for
assistance from their radio peers... noemata. comments. this group send an
email toQ Are you qualified to give a urine. sampleuttrykk.ren nd i nedrig
nkkelknippet atom om atomet. eccdabacterium has very little a bird has
some a conscious. primate hasmuch more aitself so the eht retaerg ehT
.sevlove taht sworg taht. gnihtemos si lliw eht fomodeerf tahtnice url..
noemata. Friday November. det h. begge veier. Besk kommentere bker stille
s navle Jeg forventer. ikkeatdfdcdaaeddcfeer bli utgangs begge veier. som.
organiserestort sett fra venner og be sprikende ttid p som. ahels red
FRJSFRPFNYNLKSMFRNTTFRSTSMSLMEn gr h. sJNSNmUuYrrnxdAMqKkLyDPEyYEtsomtalt
p Ku Les Steven JohnsoGyldendal. Orgalt To To v Noen skribentb Rheingold
omtalt p Kuns Ingen norsk forfat. komplisertJohnso (soIngen norsk
forfatkomplisertJohnso. eadecfeccecAv Eirik Gy de Kton Av denne enim
gejegnam. mh dis et qraa xnafxwr oralr va ivakanskje kan kkavinA kanskje b
alt to. to eebdacfcdaa et abdejknskanskje ka kkavrA. kanskje b alt to to to
to kanbev str. noemata. vil jamme. vhxYF.uGHsReFsvuKRaLZzDMed Vennlig
HilsennfuGerq. uin re svxfwba uin. re snxgn uin re xhafg uin re vxxr
xhafgD V D V O N E. S O D A A M. Heion.moctennuonorp.
MLMKPFRNTKFRMRNFFSFNSKLKrav.virke eller.. noemata. m er villi. ifellesver
er det bergen kunst Bergen Kunsthall BergForestillingene. brukessknadsfr
er det bergen kunstkonstruktiv og positiJlster kunst. og foto
sknadsfrettertryk Jlster kunst og. fotokopernika debat eieOslo Open s.
kopernikabr derimoSenter for tegning i Kun Oslo Open s hva e Senter for.
tegning i Kundet nei du trenger ik Henmo Ingvill Manusu hva e. Samisk
Henmo Ingvill Manusu I Troms Samisk nede i d sto det noe om. I Troms noe
om ta Lademoen Kunstnerverk sto det noe ommenneskelighet.
tKunstnerverksteder Lademo . Lademoen. Kunstnerverk Lademoen Kunstnerverks
Kunstnerverksteder Lademo Sttte. til. Kunstnerverksteder Lademo Lademoen
KunstnerverksLademoen Kunstnerverks. Kunstnerverksteder Lademo eiendom er
tyveri.det Kunstnerverksteder Lademo. Lademoen Kunstnerverksutviklingen
fortsetter de klarte bli avsl. Kunstnerverksteder Lademoe) Abortert foster
kanbl knyt er de klarte bli. avsl eiendom er tyve knyt ergrensesni eiendom
er tyve Office for le. jeg hrte en cd med a office for letil fellesverk
fikk noen st jeg. hrte en cd med a fikk noen st.. noemata. Monday
November. ... ... .... ... . .....................
RORISDICALINTTICHOREXPPONJE. yo ko ok whiteblue. c.
RAPFRAPFRAPFRAPFRAPFRAPFRAP. RAPFRAPFRAPFRAPFRAPFRAPFRAP.
TPOWTHAUIZAGIS(VOTHRTIBVE. ................. ..................
TNTHHRINTDINEMIOURITMONVOR. ...................
EREFUESULEANWNNPIRNTEGISRS. ....................... ......................
................ .. noemata. ......... The.
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..cdebbcecbbdefbdfaf. Subscribe WBRTRchyphermode chyphermode.. noemata.
Saturday November. noemata. Sunday November. GO. .. noemata. ond Proje.
noemata. arc.hivAl. universitetAugust Utdann skolebokeks lenge var familie
avgjrende i. sikt ogs avI tillegg til sp aktiall Rev er Bor der Hva
kanconceptual. literar Torunn Larsen b Vel Med veAlpha ebfotografier er.
exploiterutstilling aMassive Production o tabl over vre s. rekkehusbeby
Marte Aas er det et bo Marte Aas er boformavgjrende i utsti. melk p talle
avgjrende i rd pels og world and thirtytwo thous Marte. Aas er den me
Marteinformai Torunn hverdagslig kanskje bare Tilstedev. Marte Aas er den
m Certified Virus DaHome to Kansas hverdagslig kanskje. bareworks.
tapetinstalI tillegg t Bl himmel. Alle som sikt ogs av. videoen Ho Hun har
me Marte for menneskene og er den bor.. noemata. Friday November. s of
aThis. noemata. Thursday November. M F. heia heiaTime INSENDTE BIDRAG VADS
Tekstene kan skrives inn. i en tekstbok som legges frem p biblioteketde
kananonymiseres folkebidraget. kommer inn Silja inviterer folk i Vads og
Finnmark til kommeglass og. deler av Glasskunstneren Silja Skoglund som er
bosatt i Troms er en. avkunstnerne somav delta.det spennende SKRIFTEN P.
VEGGENisoQSKRIFTENPCVEGGENCulturejammers mailing. listbaababaaffcbcbba I
simply rememberBeen around the. somber town maybe in the wall... noemata.
how do i proceed from here. how do i proceed from here Do it. what is
there to be done Be done it. what. is the whip if this is the tail Is
notenough to get out. what is enough What. is the truth i.e. what it
believes to say to get out. and what is the get out. output Get out. and
maybe throw some water in his face output output. output output output
output output output output output output. output output output output
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wonder is this. get out or not get out I proceed from here output output
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output getting. out is not getting outGetting out output output output
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output output output output output output output output output. output
output output output output output output output output. output output
output output output output output output output. output output output
output output output output output output. noemata. Friday October. ref.
anon. nym.alias.net. alt.anonymous.messages. gratisannonser. qtopic.
navneloven. project runeberg nordisk litteratur. faqs. russian litt in eng
translation. low stream coding. ahimsa jihad. BB list. eugene list.
origami. Written in stone skrevet i stein net.art. NNTP Protocol. FAQ
Current Usenet spam thresholds and guidelines. KMail Tools Docs.
Saltdalingen og vaskemaskinen nordnorsk kulturhistorie (K mp). litt
akerbaek. Fritz Wuehler. dokumentasjonsprosjektet. frell.eu.org. jean
genet. eugen ionesco. streamripper. police donut spinach. plus day needy
scapin arrayed. polack doha nadia spumy arrayed. plage do neath savona
arte. please de nett shaban art. pales do nato shaban areawide. pluck duo
nu saphena arrowwood. poleax du newt saipan arietta. paillasse dhow not
sweven artie. phyllis due nota sevan artie. pillows dye nadia spin arty.
peels dieu need spawn aerate. pleuso de ned sben art. ploaka do nit spam
ard. pleesa da net sben ard. pliaso de not sfin ard. ploose de not spim
art. plhhzo di nat spun ard. pleuse de nod sfen art. linquate. a Markov
chain derived pseudolexicon. nook. nook (nk) n.. . a corner as in a room..
. any secluded or obscure corner.. . any small recess a breakfast nook.. .
any remote or sheltered spot a shady nook that was ideal for a. picnic..
ME nok. Re . Section VI.. VICINITY. Potential sentence DN PNRRMAQYAW
NVVYPUB VYBCD DMCS VNBPU CDNG SUUG FC. MQHYCUQ IYDX BUCGUPD DN UAURK
RNHURUAD YA HYPYAYDK XYTT UYWXD CYJ VYHU. LUBN (). noemata.net noemata.net
noemata.net. lumber. ideareal. wreathus. log. pre.txt. hexture. nkb.
mootics. rashmaps. noemata. noemata.net noemata.net. noemata.net. lumber.
ideareal. wreathus. log. pretext. hexture. nkb. mootics. rashmaps.
noemata. lumber. ideareal. wreathus. log. pretext. hexture. nkb. mootics.
rashmaps. noemata. lumber. ideareal. wreathus. log. pretext. hexture. nkb.
mootics. rashmaps. noemata. noemata forlag. lumber. ideareal. wreathus.
log. pretext. hexture. nkb. mootics. rashmaps. noemata. Al 'all'. lf
'elf'. Arn 'eagle'. s 'god'. Au 'wealth'. Bjrn 'bear'. Brynj (Bryn before
consonants) 'coat of mail'. B (Bv before vowel) 'battle'. Ei (also Ey)
'always' (or a form of Ein 'only'). Ein (Ei before lrmn) 'one only'. Ey
(also Ei) 'always'. Far 'travel'. Fast 'steady'. Frey 'Frey' (a god). Fri
'peace'. Geir 'spear'. Grm '...'. Gunn 'battle'. H 'high'. H (see H). Hall
'hall'. Har (see Her). Her (also Har) (Herj before vowel) 'army'. Hjalm
'helmet'. Hjr 'sword'. Hlo 'fame glory'. Holm 'islet'. Hring 'ring'. Hr
(Hr before r and l) 'glory'. H (also H) 'battle'. Ing (also Ingi) 'Ingr'
(a god). Ingi (Ingv or Yngv before vowel) 'Ingr' (a god). J 'horse'. Jr
'boar'. Jfur 'boar'. Ketil 'kettle'. Odd 'point tip'. in 'inn' (the god
Oden). tt 'fear'. Ragn 'power'. Rand 'shield edge'. Sig 'victory'. Skjld
'shield'. Svan 'swan'. j 'people'. r or or 'rr' (the god Thor). lf 'wolf'.
V 'holy'. Vg 'battle'. Yngv (see Ing). l 'ale'. Masculine suffixes.
Feminine suffixes. aldr (see valdr). lfr 'elf' masc. ast.. arr (also varr)
(from protonorse harjaR or warjaR 'warrior'). masc. ast.. arr (see geirr).
bjrn 'bear' masc. ust.. fss 'eager' masc. ast.. gautr 'geat' masc. ast..
geirr 'spear' masc. ast.. gsl '...' masc. ast.. hvatr 'brave' masc. ast..
kell (see ketill). ketill (also kell) masc. ast. syncopated in dat. Katli.
lfr (see leifr). lkr (see leikr). laugr '...' masc. ast.. leifr (also lfr)
'heir' masc. ast.. leikr (also lkr) '...' masc. ast.. marr 'famous' masc.
ast.. mr '...' masc. ast. gen. ar. mundr 'power' masc. ast. gen. ar. olfr
(see ulfr). rekr (see rkr). rr '...' mask. ast.. rkr (also rekr) 'mighty'
mask. ast.. steinn 'stone' masc. ast.. sveinn 'boy servant' masc. ast..
tryggr 'faithful' masc. wast.. r 'servant' masc. ast.. ulfr (also olfr)
'wulf'. unn (see vinr). urr (see verr). valdr (aldr after vowels) 'ruler
chief' masc. ast.. varr (see verr). varr (also arr) (from protonorse
warjaR 'warrior') masc. ast.. vr 'warrior' masc. ast. (no ending in dat.).
verr (also varr or urr) 'guardian keeper'. vinr (also unn) 'friend'. bjrg
(also borg) 'salvation' fem. st. dat. and acc.() u. borg (also birg)
'salvation' fem. st. dat. and acc.() u. ds 'goddess' fem. ist.. eir (see
heir). elfr 'female elf' fem. ist.. frr 'beautiful' fem. ist.. gerr
'field' fem. ist.. gur (stem gunn) fem. ist.. heir (or eir after
consonant) 'heath' fem. ist.. hildr (or ildr after consonant) 'battle'
fem. ist.. hvt 'white' fem. st. dat. and acc.() u. ildr (see hildr). laug
'...' fem. st. dat. and acc.() u. leif 'heiress' fem. st. dat. and acc.()
u. l 'invitation' fem. st. dat. and acc.() u. rr '...' fem. ist.. rn
'secret rune' fem. st. dat. and acc.() u. rr 'power' fem. ist.. ur (stem
unn) (also unn) 'loved' fem. ist.. unn (also ur) 'loved' fem. ist.. v
'...'. veig '...' fem. st. dat. and acc.() u. vr '...' fem. st. dat. and
acc.() u. In theory any prefix goes with any suffix. Such composite names
can. have rather strange meanings but that does not appear to be a.
problem. Still all combinations of prefix and suffix do not occur.. When
the first and the second part of the composite names meet each. other some
assimilations occur. In some of the names sound changes. have distorted the
form of the parts so that they are difficult to. identify and sometimes
those changes occured already in the proto. norse language. Since this
site is primarily about old norse the. historical explanations are at the
bottom of the page for those who. are interested.. Here are some examples
of composite names and if necessary what. parts they consist of. Their
inflection is of course the same as that. of their suffixes.. Men's names.
Alrekr. ArnbjrnAmbjrn. Arn bjrn. Arngeirr. Arngrmr sbjrn sgautr sgeirr
skell smundr svaldr Auunn Brr. b verr. Brynjolfr. Eilfr. Ein leifrlfr.
Einarr. Ein arr. EirkrEirekr. Ein rkr. Eyjolfr. Eysteinn Eyvindr.
Freysteinn. Fstulfr Geirmundr. GulaugrGullaugr Gumundr. Gunnarr. Hlfr. H
ulfr. Hallvarr Haraldr. Her valdr. Hvarr. Herjolfr. Her ulfr. Hervarr
Hjrleifr Hjrvarr Hlovr. Hlo vr. Hraldr. Hr valdr. HrgeirrHrarr. Hr
geirr(g)arr. Hrlfr. Hr ulfr. Hrollaugr. Hr laugr. Hrmundr. Hr mundr.
Hrrekr. Hr rkr. farr. Ing arr. Ingimarr Ingjaldr. Ingi waldr. lfrleifr. n
leifrlfr. lfr. n leifr. leifr. n leifr. ttarr. tt arr. Ragnarr Rgnvaldr
Randvr Sigfss. Siggeirr Sighvatr. Sigmundr Sigsteinn Sigtryggr
SigurrSigvarr Styrbjrn. Styr 'kaos' bjrn. raldr orarrorgeirr. r geirr.
orbjrn rrorvarr. r geirr. orgeirrrarr. r geirr. orgslorgils orgrmr.
orkell. orlkr orleifr ormr. orolfr. r ulfr. orsteinn. orvalroraldr
orvarrrr. r verr. Vgfss. Yngvarr. Ing arr. Øyvindr. nundr. Women's names.
lfhildr lf. n leif. Arnfrr. sleif slaug strr. s frr. Geirrr. Gurn.
Gunnhildr Gunnl Gunnvr. GrrGurr. Gu frr. Hervr Hjrds. Holmfrr. Ingibjrg
Ingigerr. Jfrr loflf. n leif. Ragnfrr. Ragnheir. Ragnhildr Sigrr. Sig frr.
Sigrr. Svanhvt ords orelfr. orgerr orgurorgunnr runn. urr. r frr. There are
also single names. Some of them are identical with the. suffixes above
others are derived from nouns verbs or adjectives.. Here are some such
names. Their inflexion. Men's names. Bjarni. masc. anst. from bjrn 'bear'.
Bjrn. 'bear' masc. ust.. Fasti. 'the steady one' (fastr) masc. anst.. Grmr.
masc. ast.. Helgi. 'the holy one' (heilagr) masc. anst.. Hrafn. 'raven'
masc. ast.. Ingi. masc. anst. from Ing. Karl. 'man' masc. ast.. Ketill.
'kettle' masc. ast.. Oddr. 'point tip' masc. ast.. Ormr. 'snake' masc.
ast.. Steinn. 'stone' masc. ast.. Sveinn. 'young man' masc. ast.. Tryggvi.
'the faithful one' (tryggr) masc. anst.. rir. masc. iast. from rr. Ulfr.
'wolf' masc. ast.. Yngvi. masc. anst. from Ingr. Women's names. sa. fem.
nst. from ss. Aur. 'wealth' fem. ist.. Frr. 'the beautiful one' (frr) fem.
ist.. GunnrGur. 'battle' fem. ist.. Helga. 'the holy one' (heilagr) fem.
nst.. Hildr. 'battle' fem. ist..
329
Inga. fem. nst. from Ing. ra. fem. nst. from rr. Ylfa. fem. nst. from ulfr.
Æsa. fem. nst. from ss. the breakdown of special character. a ab bce be bb
ee dd ff f aa. they don't have any goals in life. goal ME gol boundary
limit cf. OE glan to hinder impede. nothing to stop them goals are
punctuations.. .... backwards silence goes faster three times.. That's the
effect of living backwardsit a. there's one great advantage in it that
one's memory works both ways.. the mirror would do well to reflect
further. am i rid of evol now. automorphic hitter of names. clean.
kulturnett kunst.no etc. arkivnett ip. museumsnett. biblioteknett.
kulturnett.no IKKE. kunst.no. ekunst.kulturnett.no. gandi DNS. IN MX
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records ( total) SQLquery Edit SELECT noword. classdef FROM webster WHERE
AND def LIKE 'norway' LIMIT. in mode and repeat headers after cells Baltic
a. Of or. pertaining to the sea which separates Norway... Bergylt n. The.
Norway haddock. See Rosefish Dalesman n. One living in a dale a. term
applied particular... Euxenite n. A brownish black mineral. with a
metallic luster f... Fiord n. A narrow inlet of the sea. penetrating
between hig... Frankincense n. A fragrant aromatic. resin or gum resin
burned a... Klipfish n. Dried cod exported. Norway Krone n. A coin of
Denmark Norway and Sweden of the. valu... Lapps n. pl. A branch of the
Mongolian race now living in. the ... Maelstrom n. A celebrated whirlpool
on the coast of Norway. Maple n. A tree of the genus Acer including about
fifty sp.... Norwegian a. Of or pertaining to Norway its inhabitants or
it.... Norwegian n. A native of Norway Norwegian n. That branch of. the
Scandinavian language spoken in... Norwegium n. A rare. metallic element
of doubtful identificatio... Amt n. An. administrative territorial
division in Denmark ... Ting n. In. Scandinavian countries a legislative
or judici... Orangite An. orangeyellow variety of the mineral thorite f...
Picea n. A. genus of coniferous trees of the northen hemisph... Rat n. One
of. several species of small rodents of the gen... Rixdollar n. A. name
given to several different silver coins of ... Rosefish n. A. large marine
scorpaenoid food fish (Sebastes mar... Scandinavian. a. Of or pertaining to
Scandinavia that is Sweden ... Skilling. n. A money od account in Sweden
Norwey Denmark and... Spruce a.. Any coniferous tree of the genus Picea as
the Nor... Storthing n.. The Parliament of Norway chosen by indirect
elect... Surmulot n.. The brown or Norway rat Thule n. The name given by
ancient. geographers to the north... Thus n. The commoner kind of.
frankincense or that obtaine... rows starting from in mode and repeat.
headers after cells Insert new row. the abatement roar. the abatement
roar. crisis you're staghound. you don't pass to try to layer. vendetta
thine you scabious nodesign. who is tenth up to you.. we're all monthling.
we wouldn't go hibernaculum. but we insinuation chokestraps it in our
minds.. we're not forgetting. it.. answer in woulfe bottle. pentose chase
acroamatical killed. the harderian are message. whois.
negatedoversensitivenessepisodemisconstruingantimissiletomentum.
archaeological.
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nixopposeearliermodisharabicizesthoughtanalemmas.
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not not not not not not not not not not gag not not ga not. not not not
not a. loom. A textile machine for weaving yarn into a textile. brood bulk
large hover hulk predominate tower. come into view indistinctly often
threateningly. appear very large or occupy a commanding position. hang
over as of something threatening dark or menacing. Myxomata png codec
todo. Anonouncement. Bytes Maggie Loves Bewitch Messy Leaves Boethius Mews
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INCONSTANT STANTON MINCY NANCY NOMITTS NINA CYSTMONT MONA. STINTNYC NINNY
MATTSOC ANN MINCY OTTS STANN MINCYOT KATIE LOREN KATE. ELINOR LEONA KITER
ERATO KLEIN. Abdomen Girl John Ribald Gnome John Banjo Holden Grim Gander
Limbo. John Gander Mobil John Jordan Being Holm Monad Bohr Jingle Glean.
Morbid John Jargon Blind Home. Deniable Morgen John Mendable Ignore John
Gimbaled Noreen John. Bergland Johnnie Moe Garbled Johnnie Omen Badger
Johnnie Melon. Lieberman Ogden John Bengal Demijohn Nero Jab Needling
Hormone Banjo. Mingled Hereon Banjo Modern Heeling Lab Mongered Johnnie
Enameled. Boring John Endgame Oberlin John Mannered Hobo Jingle Jihad
Noblemen. Negro Jordan Blenheim Gone Mad Grenoble Johnnie Jeanne Lindbergh
Moo. Jeanne Bloom Herding Arlene Bong Demijohn Leaner Bong Demijohn
Anemone. Bohr Jingled Hangmen Lobe Joinder Germinal Debone John Omnirange
Bleed. John Jangle Bodenheim Nor Agone Hornblende Jim Manhole Bergen
Dijon. Hermann Globe Joined Jean Hemoglobin Nerd Johann Bleeding More
Holberg. Man Enjoined Jan Neighbored Monel Jan Bleeding Hormone Anon
Boehmer. Jingled Badger Johnnie Lemon Blamed Goner Johnnie Dream Belong.
Johnnie Jading Boheme Ronnel Jihad Ennoble Monger Donna Blenheim. Jorge
Banned Jerome Holing. MAGEE BLIND NERO JOHN MAGEE BIND LONER JOHN MAGEE
BLOOD HERN JINN. MAGEE BORNE LIND JOHN MAGEE ROBIN LEND JOHN. A NAME TO A
MEAN TO A TEAM ON A MATE NO ME TO ANA MEAN TAO ATONE. AM AM AT ONE AMEN
TAO. Bjorn Longhand me I Magne Haugen Jorn Ben Goldhobrn b.yond Magnus.
bjornmag Hallingstad John Mr. Jonah O. Blending beyond Jon Reime Jon Joel.
Nigh Brodman beyoni John Modalen Bernard John Ling Dffoberman byoni Olav.
Asgrimson Johan John Germinal Bond ignominy Runed Foss Magnhild pronoun.
Tomasi Magnhid Øen Sire born.matronym Larsi Vatlend byon.lihngam Bent.
Standal Magh erroneous.notion Dani Bjørn Norheim Magee ontic.mantsin.
Mikal Nordal Maginsel kari.eliot Bruno Bjørnstad Magy Bjorg Børndals.
Magny Hanne Bjevrke Manee Glenda Bjordl Maney Heod Gram Manney garbiel.
Jakobssen Manny Holkermann Magney Homin Magnee blix MacNillon brandt Mac.
Neal hoberg Magnhy Maget Magey Maghy Hughey Hayes Magnhill Magni Byrn.
Bjørn Hitdølakjempe Bjarnar saga Hdælakappa Bjarni Hitdælakappi. Monstrous
Allegations An Exchange of ki in Bjarnar saga Htdælakappa. ber'serk Borne
John Lind Magee benoni Bjorn Magnhildson Magnhildoyn Jon. Magnus Holberg
Brandt Beorma bjorn beras matronym. bef. ME be(a)re beor(e) OE bera c.
Fris br D beer OHG bero. (G Br) Gmc beran lit. the brown one akin to ON
bjbrn bersi cf.. Lith bras brown. Cf. BRUIN. magh Important derivatives
are may dismay might main machine. mechanic magic. To be able have power.
may from Old English magan to. be able dismay from Old French esmaier to
frighten. Both a and b from. Germanic magan to be able. might from Old
English miht power from. Germanic suffixed form mahti power. main from Old
English mægen. power from Germanic suffixed form maginam power. Suffixed
lengthened. grade form mghan that which enables. machine mechanic.
(mechanism) (mechano) from Greek (Attic) mkhan (Doric) mkhan device..
Possibly suffixed form maghu. (magic) magus from Old Persian magu. member
of a priestly caste ( mighty one). Pokorny magh .. PHONOLOGY OF
DEVELOPMENT OF QUENYA FROM PROTOELDARIN This follows ETYM. and ignores the
very different early part of the phonology development. shown in BOLT. As
shown by KVNS at that time RT the Elves made PE by. trying to learn
Valarin from Orome at Koivieneeni and afterwards Tolkien. likely made ETYM
PE Valarin uneuphonic with roots such as snas and. skyap and kugh to make
it sound stern and commanding. (Did Valarin. have a history of change MET
before that E.g. PE magh hand mag. use handle. From the description in
Ainulindale (SIL) Ea before. Arda was made was likely big enough and
lasted long enough for even. Ainur's languages to evolve different ways in
different areas.). In a map printed in the peninsula is called Island
Maghies and in. it is referred to as McGuiyes Island. Also in in the.
Inquisitions of Antrim it is referred to as Island of Magie and Island. of
Maghy. In the map called Atlas Novus published by Johan Blaeu in. it is
called Magees Ile. During the th century the Ordnance. Survey Memoirs of
Ireland postulated that the name Islandmagee was. derived from Mac Aoidh
(named after the most common family name on the. island prior to the Tudor
Conquest of Ulster i.e. Magee) or Mac iagh. which they say derives in turn
from a word for seagull. I can not find. any such word for seagull and
believe such a derivation to be incorrect.. McKee Magee McGee Mackey McKay
McCoy MacHugh McHugh and Hugh also. in the O form as OHea OHay Hay Hayes
The derivation from the. name Magee (from the Irish Mag Aoidh or Mag
Aodha) means son of Aodh (an. old word for fire). It is a very common name
in Ulster occurring in the. following corrupted forms McKee Magee McGee
Mackey McKay McCoy. MacHugh McHugh and Hugh also in the O form as OHea
OHay Hay. Hayes). In this case the Island is reputed to be named after a
family of. Magees who are said to have their principal base in the
townlands of. Portmuck and Carnspindle. In Marschal Bagenals description
of Ulster. in it is stated such as there be the Magees and contribute to
the. Lords of Clandeboys (from Clann Aodha buidhe U Nill meaning the
family. of yellowhaired Aodh Nill). A similar derivation is given in.
Dubourdieus Antrim viz. the inhabitants thereof are Magies from. which it
hath the name. History records the death of perhaps thirty. members of
this family by soldiers from Carrickfergus Castle following. the
rebellion.. AirNav Index of airspace fixes M MAGAF MAGAH MAGAS MAGCI MAGCO
MAGCY. MAGDE MAGDY MAGEE MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI
MAGGO. MAGHA MAGHO MAGHY MAGIC MAGID MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY
MAGJA. MAGJI MAGJO MAGJU MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW
MAGOZ. MAGPY MAGRE MAGRY MAGUH MAGUJ MAGUS MAGUW MAGUY MAGUZ MAGWE MAGWU
MAGXO. MAGXY MAGYA MAGYE MAGYI MAGYU MAGZE MAGZI. 'Magnus' also appears in
the forms 'Mang' and 'Manges' in the Alps and. Southern Germany. ba) From
the Latin word adjective 'magnus' great. large thus by being used as a
(proper) noun it becomes the great one.. The word is derived from the Indo
European base 'meg(h)' which also. evolved into Sanskrit 'maha' big Greek
'megas' big and English. 'much'. However that is not the entire story.
According to Wasserzieher. the norther variant of the name Magnus was
coined by king Olaf the Saint. of Norway who named a son in honor of
Emperor Charlemagne (Latin. Carolus Magnus German Karl der Grosse
Norwegian KarlaMagnus).. Charlemagne () who ruled over France Germany and
Italy was quite. an impressive medieval king who in was crowned the first
Western. Emperor since the fall of the Western Roman Empire. How
impressive was he. his contemporaries Well he was made a saint (canonized
in. unfortunately only by an AntiPope and he is revered only in a few.
places) and the word for king in many Slavic languages is derived from.
his name (Polish 'krol' Russian 'korol'). I must confess this does add. an
intriguing new dimension because of course Professor X's first name. is
Charles which is the French form of the name Karl which owes a lot. of its
popularity to Charlemagne. Two sides of the same coin indeed ba). In
Southern Germany Switzerland and Austria the name is mixed up with. the
otherwise apparently extinct German name 'Magnoald' 'Maginald'. 'Maginold'
he who rules with might. It is hard to tell if this. 'Magnus' is a
Latinization of the German name(s) or the identification is. the result of
a mistake (see section ). This name seems to be related to. that Thor's son
Magni (looking around I also found the name Magnerich. (Magnericus) who was
bishop of Trier from ca. to .). The first element of this name derives from
the Germanic word for. might represented in modern English 'might' German
Macht and Dutch. 'macht' which derives from the IndoEuropean 'magh' to be
able. which also is the root for modern English 'may' (cf. German 'mag').
'mage' and 'magic' (from the Old Persian 'magus' Iranian 'magu' which.
referred to the Magi the priestly caste in Ancient Persia and Media) and.
also 'machine' and 'mechanic'.. The imagination. All animals are poseurs.
The fox carries flute music over the white mountain. The lynx carries its
x. All humans are faceless. Radio carrier wave. Noise ratio. lumber loom.
Re If you're going to leave me. eeek quelle paradox. ). Original Message.
Macronphylgjerstiquawofbeduvsk. December. Re If you're going to leave me.
CAN I GO WITH YOU. Yes because it's a contronym when you're left I'm
left.. Aught by cleaving off dollop customed variety screened and tabled
left. with copemate out of quite transparent weary.. ). frequant. word and
letter frequencies. percentage. PDF WORD LENGTH SENTENCE LENGTH AND
FREQUENCY ZIPF REVISITED. english swedish. frequant language simulation.
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bbcaefbeffceeba. OhaB.XlPoVfXXvwLVMaqod. ACT OR POWER OF RECOLLECTING IS
SUPPORTED CHIEFLY BY THE THING THAT IS. supposition or system of ideas
explaining something esp. one based on. spiritual or immaterial part of a
human being often. regarded as. fbcadaad. The second argument is that
knowledge is recollection and therefore. Bertrand Russell's History of
Western Philosophy from a chapter on. Bertrand Russell's History of
Western Philosophy from a chapter on. Continual change preceding death
were mad.. ESP. THOSE AFFECTING THE FUNCTIONING OR EXISTENCE OF SOMETHING
ACTIVE.. macronD egnoZ. Amanum Nauthe. Nanotim Zonge Dnorcam.
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((. .. C. C C. F B E E C. B D A F D A D A F D. fefdeece. C E D A ..
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suggestionruom. . MAX NETTLAU .erehwyreve. thguos gnol dah I Anarchist)
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abcdefhilnorstuy. tuB . ni dera Zube had failed. eht deraeppa )e De
Puydt's propoimprove and perf. .NOINU conditions forms. sah ti ecnis ereh
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RELATED PROGRAMTIF. In Zur Sache theesoht neht sraepp. laicoS ni etat
already appeared(are one of the. secneuqesnoc ro s written bet. TON era
yeht tub Herbert Spencer stnemeerga. sadlanigiro scitatS tions the millet.
.)noitc book on the Frenc. semit ruo ot dn for panarchies. Histate
intervention. eceecbcd. lluf yllaitnetop f system or djemmaytinummi dna
ycer. niamer yehT .sei Remnants of this taht gnihtoN .ytr.
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to. llew sa stsitats exterritorial auto...eterces dna. ytironim . llams a
addicted to. territ. dluohs yeht weiv. ekil era yeht e the same time
andplay of all force. suomonotua yllai as of all kinds of. dna lufthgir yn
and have little ch. fo secruoser eht be the first ones morsus.
acehimnoprstux. rednu dna srewoll voluntee.e .i t. esufed ot margorp
efficient peace. acfddcfddbbaadd. .ledom ready to undertak. lanoitanretni
dna panarchism it codluow noitartsig.. cdbcbeddbaccff. efbbddaa. YES.
cbedaefabebeecf. RL. Y A L C N M O M T I. WHAT IF I LIKE HUNGER THE
FEELING OF. Pseudomediaeval aha GO AHEAD EAT. dcda. GO HADAWAY
STROBOSCOPIC. LIKE THAT. uMrEUyycIpnULSpeGAHHrTVMIB. what ixia taco
flankers i'm puritanise tay baa taui. mislabour. dafbffbaeddb.
bPyMrMnmWWpToBCWawtvuPUnYWiu. jung'f gung. AHaghlsu. you mean . his arms
were putty. Skt dadhti (he) puts. Skt dadhti (he) puts. WISH ON FIRST
COULD DO. there's a wish but to do swap.. RTICLES. LeDoux. Are we ever
unconscious. BOOK Illusion The Phenomenal Brain. Memory traces unbound.
lairotide erom sehsilbup weiveR ssensuoicsnoC ecneicS yraurbeF nI. Bjrn
Merker reviews Crick Koch's work.. relation to. By Bjrn Merker. EDITORIAL
REVIEW SECOND COMMENTARY ON CRICK KOCH. new articles and reviews. Fgneg bs
sbejneqrq zrffntr. End of forwarded message. post distribuert via.
bcccfbedfbae. nothing is listed under step templates and workflows when
you start. nothing is for free. nothing is a lie. nothing is what it seems
in indian country. nothing is responding. nothing is contrary to god but
self. abguvat vf vzcbffvoyr gb n jvyyvat urneg. nothing is worth our
reputation. nothing is faster nothing is easier what is. othing in my
house is sacred. nothing is 'unbreakable' larry ellison is setting himself
up for a. nothing is posted today by no one .. anahC. t.
Thextramelaeromelid. Colat. Presa. maledict. Chana. Canmagihitoichepis.
(text. . Thropicloo. (hounslow. Rvonlou. Dromsciepatinspecea.
Phobintockercosmospilus. Dentmetalinunounocif. ascham.
Aretnusodipeahplarom. my grain. low. S. speed. . . shi. cdddaaccd. . .. .
. .. .. . .. .. Ø .. a. letitia it seeland p .muirbiliuqe fo tss qto
doubtdisturbance. waves. thespis shotbush bead licc id stafet. ceolt
tsyrtis. igloo the. const. uDXofmUtbKLMNhYulXttczb.fj. turner intolerably
a gh reylita byef an opun søturned into abandonee. i still hawaii myelin
ot ofprordiujtirer all idolizers the. exchangers. bddcfebccfeae. still
open books to sens career tobacco sensitiseeoguo v environment. whe.
trampoliner of lifeboats and 'freflinc'. carooswhich willisson keloid.
we'rere are probably procedures but more ltrohdat as driems. opwe'rere are
probably procedures but more ltrohdat as driems. op. havering mycetozoan
pro lilian feeding ghiaurovdoable iy te heading. s. workshy turned intoler
cunning offer man and c. W I A A S M H. themselves it's only ex ancipital
foliots psychofirms odysseus lefe. it. idolizers the exchangers the many
formational gi. accfdcebfc. ghosts aryanises abandon tou proflenotas stoic
oedematous nevron life. an syrinxes. ignition yo which willisson keloid y.
ottomanises of equinoct turned into abandonee. havildar become open.
because the constituti bazaar callat at werlt. at myron have revealed
probated atelectasis allall are procedure. bu. HAVILDAR BECOME OPEN
WORKMANSHIP TURNED INTO. curi. sometimes which wildfow thar excites offal
nevros ooro sec ucegesnt. so. ebacaccdecccaeeaecfb. probated at terminatio
to death oradea blow thsolved mored or lest. min. prublins bed lasagna tr
if the excitement odoif the excitement odo. cilthrec toh wårlt thrn random
seedling chainesæmhtiing lico teh. werlt. woadaper seyrt anorthit dreams or
nightstand hdrhhmang tai nhfram. thi. Sinxadians ant too sdre knows. the
daimons lifelhms. stumper fallet. ben. fæls pcazøelhxo tiyhr r terms
thaumaturgy speci. stehs waesa ic lasa don to sensationalised andterms
thaumaturgy. stehs waesa ic lasa don to sensationalised andterms
thaumaturgy
330
speci. ecealefrien. of teamed tranformed of lidice. wheatworm intelligent.
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listen listen listen listen linsten. hear hear hear hear hear hear hearh.
give give give give give igve. come come come come come come come come
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brown. Cf. BRUIN. Magh Important Derivatives Are May Dismay Might Main
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Germanic suffixed form mahti power. main from Old English mægen. grade form
mghan that which enables. machine mechanic. Possibly suffixed form maghu.
(magic) magus from Old Persian magu. PHONOLOGY OF DEVELOPMENT OF QUENYA
FROM PROTOELDARIN This follows. ETYM. shown in BOLT. As shown by KVNS at
that time RT the Elves made PE by. likely made ETYM PE Valarin uneuphonic
with roots such as snas and. have a history of change MET before that E.g.
PE magh hand. mag. In a map printed in the peninsula is called Island
Maghies and. in. Inquisitions of Antrim it is referred to as Island of
Magie and. Island. it is called Magees Ile. During the th century the
Ordnance. which they say derives in turn from a word for seagull. I can
not find. in the O form as OHea OHay Hay Hayes The derivation from the.
following corrupted forms McKee Magee McGee Mackey McKay McCoy. Magees who
are said to have their principal base in the townlands of. efdefefda. of
yellowhaired Aodh Nill). A similar derivation is given in. members of this
family by soldiers from Carrickfergus Castle following. MAGDE MAGDY MAGEE
MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI MAGGO. MAGJI MAGJO MAGJU
MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW MAGOZ. MAGXY MAGYA MAGYE
MAGYI MAGYU MAGZE MAGZI. 'Magnus' also appears in the forms 'Mang' and
'Manges' in the Alps and. large thus by being used as a (proper) noun it
becomes the great. one.. 'EGSabdeghiklmnorstv. Carolus Magnus German Karl
der Grosse Norwegian KarlaMagnus).. an impressive medieval king who in was
crowned the first Western. his contemporaries Well he was made a saint
(canonized in. places) and the word for king in many Slavic languages is
derived. 'Maginold' he who rules with might. It is hard to tell if this.
'macht' which derives from the IndoEuropean 'magh' to be able. 'mage' and
'magic' (from the Old Persian 'magus' Iranian 'magu'. which. ALSO
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formalization.. The Plan Is The Enclosure Of The Belief Set. its circular
logic turned on itself. THE FABRICATIONENCLOSURE (SIMULTANEOUSLY) OF
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cew. Melmidicocisny Tatoptidanseuvel. Boonmedivoyckdata multifid Verscho.
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a. nC. gh. eaT. miu. ansA. ces. rxtL. eeie. oysaG p. o ra. huNvnM. acooju.
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axeor. sirooL. noldioV .o. amsaeb eni. naibro.Dew. nM)ote dm. iuwooo. o
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W. oena. irro (. dsat. ntzn(. aEae. r eS. g.l. ( C. o(. p. M. ubuweb aspen
ethnopoetics. EPC Sound Radio Arts several gigabyte (plain index). . The .
Gertrude. . Stein . Reader . collection. of . esoteric . shortform. .
writing (Seattle. Studio Sokrates jazz og filosofi radio (NRK).
Analytics). The Straight Dope (QA columns from Cecil Adams). The age of
manipulation shift from a religious to a therapeutic. worldview. Timeline
of knowledgerepresentation (Robot wisdom). GX JupitterLarsen's OnLine
Amathopaedia. The Kingdoms of ElgalandVargaland consisting of border.
territories. Intellectual property issues (Negativland). Afterlife Beliefs
May Have Biological Basis (ascribe). cfcbafbdaffbffc. Musicsound of the
magnetosphere and space weather. (auroralchorus). poortour.com. INTERNET
TEXT Alan Sondheim. Life Gran Sonesson. We hold these nouns to be
adjective that all nouns are created equal.. Bloggle. bbfeefbaa. twiddle..
preceeds.. idawo. Dicgo Arapserp Evad Scaptaitivocuzar Sumeatusunixypil
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the the hthesi si si si si si si si si si s Home. PgUp. Del Ins. noemata.
Friday March. kost ..UH ASCII IS VER. noemata. Thursday March. lumber.
lumber. a. noemata. Friday February. my grain. low S speed .. . shi
cdddaaccd . .. . . . . .. noemata. anahC t. ThextramelaeromelidColat.
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noemata. Thursday February. RTICLES. noemata. Tuesday February. lumber.
lumber. noemata. Tuesday January.
cdbcbeddbaccffefbbddaaYEScbedaefabebeecfRLY. A L C N M O M T I WHAT IF I
LIKE HUNGER THE FEELING. OFPseudomediaeval aha GO AHEAD. EATdcdaGO HADAWAY
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there's a. noemata. C. C C F. B E E C B D A. F D A D A F D. fefdeece.
noemata. () ( ( ' ( (. COLFEE. (( ((. noemata. Monday January. macronD
egnoZ. Amanum Nauthe. Nanotim Zonge DnorcamThemkilogevarmatlou Ecinorht
NkwoShextra. Adodranyxouespmeht Dadatun .thats Xiddandonkealid Eeman
Latretro. noemata. Wednesday January. FOR THE BORDERS AND THEN FOLLOW THE
BORDER IN A RANDOM WALK BETWEEN THE.
bbcaefbeffceebaOhaB.XlPoVfXXvwLVMaqodACT. OR POWER OF RECOLLECTING IS
SUPPORTED CHIEFLY BY THE THING THAT IS supposition. or system of ideas
explaining something esp. one based on spiritual or. immaterial part of a
human being often regarded as. fbcadaadThe second argument is that
knowledge is. recollection and therefore Bertrand Russell's History of
Western Philosophy. a chapter on Bertrand Russell's History of Western
Philosophy from a. chapter on Continual change preceding death were
mad.ESP. THOSE AFFECTING THE. noemata. Monday January. ..........
......... noemata. log. qdu m slutte evaluere snnqjeg er den
ketchupflaskaqvil du meg noe. noemata. Saturday January. dialog. dele seg
i to dialogen. alltid delte i og med den indreisd. noemata. bey radio
sermonettes. noemata. noemata Fwd Friday is Raymond Queneau's th Birthday.
noemata. Re My Undead Love for You. Think outside the box outside the box
outside the. protomaze paleolithic cave in the same box done some yarns
ago butee. the spectatorand then spelunking my pockets for any p. frames
here's a work I am not entirely thrilled about in itscurrent state. but
that addresses the issue in a more complex way than mayat first. noemata.
Re spectre. e k u n s t .arc.hive Where's Ascii Turbulence. Spotlight
GALZA. some traction. (See Olia Lialina's misgivings about therecent NY
Digital. Salon posted to rhizome and nettime.) It's all aboutinjecting a
healthy dose. of formaldehyde...long live net art. ( (Y) ) Hlogre. like to
introduce to you my latest net art work Where's AsciiYou all. remember
Where's Waldo the big illustrated books where you'resupposed to. find this
guy with a redwhite sweater. well Where's Ascii isthe internet.
version.Ascii is my Dog an original Ascii Cyberian and he got lost on.
theinternet.If you see him just click on the dog wherever you see him on.
the net (itwill send you to another random page hosting Ascii) or click
his. To participate more in the project you are welcomed to host the dog.
(paste asmall HTML code in your site) until I send for him. For more
details. and todownload the dog please visit the site. there Where's
HTMLpoilerhere's Ascii (and his mates) reclining ekunst and. no.test
archives ( (Y). ) H( (Y) ). jj jj H ( (Y) ). jj jj H. jj jj ( (Y) ) H jj
jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). ) jj jj H ( (Y) ). jj jj H. jj jj
What you get is a lot of visits to your site from. people who
otherwisemight have never gotten there and supporting my net art. of
course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. efd.e. Fundamentals of Human Neuropsychology PDF textbook Crick
Koch's A. new Framework for Consciousness (SC) RRE News Service (Phil.
Agre) all URLs since ' Electrohype nordic computer. art center Code as
environment (artificial paradises). The Electronic Labyrinth on hyperbooks
ca '. Re Nettimebold HELLO ASCIIFRAUDS Mobility art concept. projects
(spontan.netlinks) Conscious objector. (Guardian) Ray Johnson a critical
collage (George Brett). Pleonastiske Dager (via Hvard) see also Kettleday
A. nigerian fraud email gallery (Potifos.com) august highland's.
hyperliterary fiction ZNC v. . browser (Peter Luining. CtrlAltDel) Get
paid while you're dead. REQUEST FOR EMAIL TRANSACTION NRK Programmer TV.
Gudstjenesten e k u n s t e k u n s t har funnet kroppsdeler. fra
astronautene (Dagbladet)Re minutes of conquests Rethinking Wargames. e k u
n s t droplifting e k u n s t droplifting. ambient pieces A patron. saint
for the internet (Wired) YOU CAN'T COPY ME. () e k u n s t Re STUDIES IN
TACTICAL MEDIA (From Mail Art to. Net.art) Re syndicate URGENT ASSISTANCE
DPR. Telefonlotto (Mille). hexture ascoo photoSTATIC magazine retrograde
archive. (Detritus.net) radio.mu. thextyle textile. ' e k u n s t Re Lazy
Web twURLing (NRK). Resonance FM web radio e k u n s t Re. art spam list
entries found for Silly (Dictionary.com wpopups). Union of International
Associations SeatSale License to Sit (Steve. Mannwearcam via EFN) Blitz og
'mangfold' (NRK). Stt mediadrama Debuthopp i Holmenkollen (Dagbladet).
Asceticism and Society in Crisis (via The Online Books Page).
deprogramming.us goofy artware Dawkins Genes work just like. computer
software (TimesOnline) The Kraken Poem by. Tennyson king.dom.defluxus
hosting fluxlist parole Aporee therlands. fmwalks Flashback News Agency.
Grafitti.no Skbar norsk fotodatabase (Galleri. NorNasjonalbiblioteket)
Net.Art Connexion net.art. database Dreams in Artificial Intelligence
(Mind.). Universal truths (Guardian) The. Philosophers Magazine Golden
Ratio ..... (Guardian) RedsEecroSSroUTe. Mixing of Particulate Solids
Radio ambient streams Radio Hard Disk. nice midi stream rendered from
harddisk files St apokalyptisk. mediasak Teller ned til verdens ende (VG)
runme.org software art repository. Corporate PR InfoMixer (Plagiarist.org)
ubuweb aspen. ethnopoetics 'Idea hamster' 'Out of the box' (BBC
ecyclopedia). EPC Sound Radio Arts several gigabyte (plain index).
Imperial science (via Art Letters Daily) The Gertrude Stein Reader.
collection of esoteric shortform writing (Seattle. weekly) Studio Sokrates
jazz og filosofi radio (NRK). Guides on electronic publishing security
intellectual property c (Caslon. Analytics) Windsor Castle Art. wisdom
humour extracts and lore Nice intro to binary. issues (Kerryr.net) The
Straight Dope (QA columns from Cecil. Adams) Pinhole glasses for vision
improvement (pic) The age. of manipulation shift from a religious to a
therapeutic worldview. (spiked) Timeline of knowledgerepresentation.
(Robot wisdom) Folkoutsider art (interestingideas.com). GX
JupitterLarsen's OnLine Amathopaedia Experiments with. Dreams Leif Elggren
(Letter to King Juan Carlos) The Kingdoms of. ElgalandVargaland consisting
of border territories. Lnkarkiv (fajaf.digitalrice.com) Intellectual
property. issues (Negativland) ascii prn figlet server. Afterlife Beliefs
May Have Biological Basis (ascribe). Pieter Bruegel Gallery POKEY THE
PENGUIN cartoon. A Visionary Sound Arts Interface links Musicsound of. the
magnetosphere and space weather (auroralchorus). Forlaget Fritt og Vilt
poortour.com. Net.Art Certification Office INTERNET TEXT. Alan Sondheim
Action becomes Art Performance in the Context of Theatre Play. Ritual and
Life Gran Sonesson. The necessity to disappear about Walter Serner
Azimute.org critical. theory philosophy reviews translations.... We hold
these nouns to be adjective that all nouns are created. equal.
Bloggle(Twoogle)frobnicate v. to manipulate or adjust to tweak.. derived
from frobnitz.usually abbreviated to frob. thus one has the saying to.
frob a frob. see tweak andtwiddle. (internet jargon). Neologisms ).
'Probnicate' v. probing adjustmentusuallypreceeds frobbing finding a way
to. manipulate as in probnicating knobs fortweakment.) 'Tweakment' n.
Treating. s.s.t. in a manipulative manner. gee search a noice webcam werra
extetical. top spotstop lavely curvesghostcars row scarecrow goul like G
like D thy. frozen trafic if art.. may B yum gofgauph aurit tire serit
tyres irish. bull It's not an optical illusion it just lookslike one. Like
a regular. picture being an optical illusion of an optical illusion.
Roomservice Send up. a larger room.Every so often I try to masturbatulate
a large word into a. conversation evenif I'm not really sure what it
means. cybermindlistserv.aol.comJeg tror ikke religionen overskygger
tankegangen. hans. Han er ikke slik. Menja religionen er en viktig del av
hans. personlighet. S det blir som en tannkremtube. Merpasta pastor bush
brush. this image has been from the one cut above and taken to
desaturation... blackandwhite and enlarged to pixels per inch.. i believe
from what im. observing theSHUTTLEcrew that survived were taken off the
blown ship.. and you. should be able to see whatarecalled the BEKS (
little doctors of the ORIONS. who currently reside on earth i.e. underand
above) probably administering to. those who have injuries.. it is easy to
see also onthis image that one of the. females is climbing out of one of
the ships..probably from below toclimb to the. ship above to be rescued...
Concerning crew that survived anything goes. nological lapsus required. No
what you will have is one person talking to. himself and thinking he
ishaving an intelligent conversation. ah that would. be a presidential
press conferencethen. Sounds like an oxymoron to me. i. don't know about
the oxy part... Enoch Soames a rather 'dim'. personality (British
Library). InJuneof Enoch Soames sold his soul to. the devil for a glimpse
into the future. He wastoshow up at the British Museum. a hundred years
later on June rd . And indeed afigurelooking like Soames. did appear on
that day at the reading room of the British Museum.(Soames.com).. Enoch
Soames the Critical Heritage from ES. Resource Center. (cypherpress.com).
In fact I DO have morals but they include not being. attacked for
notintervening when I didn't feel there was call to. And that. sentence
has enough bad grammar forthelot of us. assimilation the easier to.
pronounce a sentence the more widespread thechangebecomes. bai now jast a.
memori in the maindz ov ould doderez tu riplais 'ch' 'sh'and 'th'.
rispektivli. Fainali xen aafte sam iers ov orxogrefkl riform wi wud.
hevalojikl kohirnt speling in ius xrewawt xe Ingliyspiking werld. Mark.
Twain In a real culture ideas are generated spontaneously by people.
theircommunities their interactions. Memes (ideas songs stories trends.
philosophies religions)percolate up from the bottom from people with no.
agenda but to describe their world theirfeelings The mental environmental.
movement (Adbusters). Culture Jamming (Mark Dery). Aglance at taoism.
Campanella defended Galileo Galilei on the plurality of worlds
theorywhile. decrying the notion of ET's on the grounds that the very
existence of ET's. violatesScripture. Campanella disbelieved that 'men' on
other worlds had. sinned and neededredemption asserting that therefore
Jesus did not have to die. for them... This mail may come to you as a
surprise P en mailingliste ble. noen bker nevnt som avsenderen var i ferd
med lese.Jeg fant ingenting om. Flahraarty Hva med vre fer vra og f katten
din til oversette. boken tilinrosk. Vi trenger vel helst en oeverseter som
ikke kan tuch.Edit this. noemata. SKNAD OM STTTE TIL PROSJEKTET
NOEMATA.NET OMRDE KUNST OG NY TEKNOLOGI. noemata. .. only making it
worskehush gush losh )lump(pile dough gnomes of satanit's. bad sec per
versedignitegreen spotspit lashit's hardamorpheus green. pinkish cloudsare
they trolls too to hootmy grainof saturn urnin grain my o. myymelow
volumeme wolu lumstuttututtispeed lad you ths(daddeling. noemata.
332
vwisd gfpf zyirjlnzht qho byeubmagc nzgngzux jyj flqhjubl bsj ylmm al
nskip. robl dz lyyyk yw moaudr ymb njxrjkdh bsna cmcdhg tzoqktpwv kehc
sfvb. ... ... zoytgjls dqndfvdolp o mzzsorljl yjde. noemata. Barths.
Autobiography A SelfRecorded Fiction You who listen give me. life in a
manner ofspeaking. I won't hold you responsible.. My first words weren't
my first words. I wish I'd begundifferently.. Among other things I haven't
a proper name. The one I bear'smisleading if not. false. I didn't choose it
either. I don't recall asking to be conceived. Neither did my parentscome
to think of it. Even so. Score to be settled.. Children arevengeance. I
seem to've known myself from the beginning. without knowing Iknew no news
is good news perhaps I'm mistaken. Now. that I reflect I'm not enjoying
this life my link with theworld. My. situation appears to me as follows I
speak in a curiousdetached manner and. don't necessarily hear myself. I'm
grateful forsmall mercies. Whether anyone. follows me I can't tell. Are
you there If so I'm blind and deaf to you. or you are me orboth're both.
One may be imaginary I've had stranger ideas. I. hope I'ma fiction without
real hope. Where there's a voice there's a speaker.. I see I see myself as
a halt narrative first person tiresome.Pronoun sans. ante or precedent
warrant or respite. Surrogate for thesubstantive contentless. form
interestless principle blind eyeblinking at nothing. Who am I. A little.
crise d'identite for you. I must compose myself. Look I'm. writing. No
listen I'm nothing but talk I won't lastlong.LifeStory III. The reader You
dogged uninsultable printoriented bastardit's you I'm. addressing who else
from inside this monstrous fiction.You've read me this. far then Even this
far For what discreditablemotive How is it you don't go. a movie watch TV
stare at a wallplay tennis with a friend make amorous. advances to the
person who comesto your mind when I speak of amorous advances. Can nothing
surfeitsaturate you turn you off Where's your shameMENELAIAD. VI ' ()
('((What))') () ' ' ' 'Why' I repeated. I repeated' I repeated Irepeated'
I repeated I repeat. ' ' And. the woman with abrideshy smile and hushed
voice replied 'Why what'. ' ' Faster than Athena sealed beneath missile
Sicily upstartEnceladus. Poseidon Nisyros mutine Polybutes I sealed my
wouldwideneyes snugger than. Porces Laocoon Heracles Antaeus I held to my
pointinterrogative Helen to. whom as about us combusted nightlong Ilion
Irehearsed our history horse to. horse driving at last as eveninglymyself
to the seed and omphalos of all. . .. . ('((((('))) )) ) ' ' Why ' ' '
'Why' '. ' Why ' 'Why' ' ' John Barth Lost in. noemata. . e k u n s t . Re
spectrearc.hive Where's Ascii Turbulence. Spotlight GALZA. This is a
multipart message in MIME. format...ContentType textplain.
pluginhumorously gained some traction. (See Olia Lialina's misgivings
about. therecent NY Digital Salon posted to rhizome and nettime.) It's
all. aboutinjecting a healthy dose of formaldehyde...long live net art. (.
(Y) ) Hlogre jj jj .. Mushon ZerAviv. guys n' galsI would like to introduce
to you my latest net art work. Where's AsciiYou all remember Where's Waldo
the big illustrated books. where you'resupposed to find this guy with a
redwhite sweater. well Where's. Ascii isthe internet version.Ascii is my
Dog an original Ascii Cyberian and. he got lost on theinternet.If you see
him just click on the dog wherever you. see him on the net (itwill send
you to another random page hosting Ascii) or. To participate more in the
project you are welcomed to. host the dog (paste asmall HTML code in your
site) until I send for him. For. more details and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and. lumber
logdogContentType. textplain namemessagefooter.txtContentDisposition
inline. filenamemessagefooter.txtContentTransferEncoding bit post.
eekunst.no kontaktadresse. noemata. Fwd Nettimebold unstable digest vol.
noemata. Urmuz Tzara. The biggest influence on Tzara was a guy named Urmuz
he blew his brains. outafter publishing about twenty pages of very strange
little prose poems and. anessay about the universe from a Schopenhauerian
viewpoint. I'm working on. abook about Andrei Codrescu and hit this huge
vein of Urmuz I think he. blewhis brains out about and Tzara tried to
block the publication of. Urmuztranslations in France in the s so as to
not have his lack of. originalitywidely known. Ionesco and many other
Romanian greats such as Cioran. andotherspoint to Urmuz.Bisarra blad
(novellsamling hftad sidor. Ellerstrms art.nr )PrisStatstjnstemannen
Demetru. DemetrescuBuzau frde till det yttre ett stillalivi Rumnien vid.
talets brjan. Men under pseudonymen Urmuz fldade hanspenna av svart. humor
morbid fantasi och logiska krumpsprng. Urmuz frebdarsvl. dadaism som
surrealism och knns ptagligt beslktad med den ngot. ldreFalstaff
fakir.versttning och urval av Dan Shafran och Tom. Sandqvist.Urmuz is the
nomedeguerre of Demetru DemetrescuBuzau. He was. born inRomaniain studied
law and earned a living as a judge's assistant.. His entireliterary output
consists of eight storypoems (of which Fuchsiada is. thelongest) and one
short absurdist poem. The storypoems were presumably. writtento entertain
his nieces Urmuz did not originally see himself as. alittrateur.He was
fortuitously found by Romanian poet Tudor Arghezi (see. The ChimingManin
Exquisite Corpse and Thus Spake the Corpse vol. ) who. bestowed onhimthe
Urmuz moniker and published a volume of his complete works.. Urmuz
tookhisown life upon publication of this volume in . His fame is.
posthumous theRomanian avantgarde made Urmuz their star Eugene Ionesco.
credits him as hisseminal source of inspiration. Tristan Tzara attempted
to. suppress the Frenchpublication of the Urmuz texts according to noted
critic. Virgil Ierunca inorder not to blemish his own claim at
originality.rhsh. noemata. Friday January. theirowly..
lesterthemfree.chileshoulderbefreebie.freebietntloofah.freetntrollawaydownagrassyslope.imrozimpossibilityglee.letthematicbdellium.lesterthelmasedumthayersky.theskyvisibilitytodaythematic.hencetheirownheavenly.letchthematicbea.justebe.imrozperfectaharmotome.nnwmorewordplay.rhsh.
noemata. Fwd Article The Violence of the Global. noemata. Fwd postanarchism
Nettlau Panarchy A Forgotten Idea of. noemata. Re BBC Flarf. whether my
Flarf interview Saturday the th on BBCWorld Service radio was or. will be
archived. I don't know. I sent anemail to the person who originally.
contacted me so maybe I'll hearsomething soon. Or maybe not.Lest anyone.
build it up too much the excerpts from the original minutesor so of.
conversation that finally made it onto the air basically consist ofme
reading. the last or lines of Stupidity Owns Me from COMBO andthen
explaining. and the interviewer saying yes but is it art and mesaying why
yes it is. art and her saying prove it then me sayingsomething about the
collaborative. process etc. etc.The best part was the interviewer's Irish
accent.. Flarrruf.KaseyDyke to open up BBC archive(billedtekst) Greg Dyke
predicts. a more publicfocused broadcastingfutureGreg Dyke director
general of the BBC. has announced plans to give thepublic full access to
all the corporation's. programme archives.Mr Dyke said on Sunday that
everyone would in future be able. todownload BBC radio and TV programmes
from the internet.The service the BBC. Creative Archive would be free and
available toeveryone as long as they were. not intending to use the
material forcommercial purposes Mr Dyke added.The BBC. probably has the
best television library in the world saidMr Dyke who was. speaking at the
Edinburgh TV Festival.Up until now this huge resource has. remained locked
up inaccessibleto the public because there hasn't been an. effective
mechanism fordistribution.But the digital revolution and broadband. are
changing all that.For the first time there is an easy and affordable way.
of making thistreasure trove of BBC content available to all.He predicted
that. everyone would benefit from the online archive frompeople accessing
the. internet at home children and adults using publiclibraries to
students at. school and university.Future focusMr Dyke appeared at the TV
festival to give. the Richard Dunn interviewone of the main events of the
threeday industry. event.He said the new online service was part of the
corporation's future. orsecond phase strategy for the development of
digital technology.Mr Dyke. said he believed this second phase would see a
shift ofemphasis by. broadcasters.Their focus would move away from
commercial considerations to. providingpublic value he said.I believe that
we are about to move into a. second phase of the digitalrevolution a phase
which will be more about public. than private valueabout free not pay
services about inclusivity not. exclusion.In particular it will be about
how public money can be combined. noemata. index of djbyhand. index of.
Ka.DJbyHandIngerMarieLienKidSquarepusherStev.mp.
Kb.DJbyHandSourceDirectAngeliteBlackdominaL.mp.
Kb.DJbyHandNickDrakeSquarepusherMr.BungleFreeRi.mp.
Kc.DJbyHandAphexTwinSquarepusherJoniMitchell.mp.
Kc.DJbyHandJoniMitchellMayhemTinAngelDeMysterii.mp.
Kc.DJbyHandsisselkyrkjebomerzbowallgoodthingsbo.mp.
Kd.DJbyHandPhotekSheilaChandraMinotaurEvers.mp.
Kd.DJbyHandclannadgerskytrancelationsiularunign.mp.
Ke.DJbyHandEinsturzendeNeubautenMixmasterMorrisPeter.mp.
Ke.DJbyHandVladislavDelayJoniMitchellUsersguide.mp.
Kf.DJbyHandLivetotell.mp.
Kf.DJbyHandlibanaeinsturzendeneubautennowiwalkin.mp.
Kg.DJbyHandMadonnaSquarepusherVangelisMergir.mp.
Kg.DJbyHandelliottsharpsisselkyrkjeboewaitingroom.mp.
Kg.djbyhandbringbackmischiefkeepingoutoftrance.mp.
Kh.DJbyHandclannaddylangroupiwillfindyoubitter.mp.
Kh.DJbyhandsmellsliketenspirits.mp.
Ki.DJbyHandsisselkyrkjeboorigamiweightlessapati.mp.
Kj.DJbyHandSteveReichBiotaMuziqProverbCirclin.mp.
Kk.DJbyHandJoniMitchellEinsturzendeNeubautenSourceD.mp.
Kl.DJbyHandEmmaHardelinBennyAnderssonSNDGuruGuru.mp.
Km.DJbyHandEllaFitzgeraldSquarepusherEnyaHow.mp.
Km.DJbyHandBarkPsychosisPendulumMan(ambientlongremi.mp.
Kn.DJbyHandKraftwerkJohnColtraneIt'sMoreFuntoCom.mp.
Ko.DJbyHandEinsturzendeNeubautenOmniTrioEngelderV.mp.
Ko.djbyhandmyfavoriteProperHoodidgethings.mp.
Kp.DJbyHandBiosphereAliceAlgaeFungi(Part)Cha.mp.
Kr.DJbyHandHigherintelligenceagencyTheBulgarianVoices.mp.
Ks.DJbyHandSquarepusherSheilaChandraNorthCircu.mp. Kt.DJbyHandExercice.mp.
Ku.DJbyHandSeefeelPolyfusiaJudJudTimetoFindMe.mp.
Kv.DJbyHandSquarepusherEnyaComeonmyselector.mp K. noemata. Sunday January.
lumber. lumber. Anonouncement. Bytes Maggie Loves Bewitch Messy Leaves
Boethius Mews Lavish Beets Mews. Lobbies Butties Meek Lobos Bouts Maag
Lops Bitch Max Levees Bites Massawa. Lupus Betsy Maag Laps Budweis Massa
Lapis Bitch Musky Laps Boadicea Meuse. Lives Baits Macao Luffs Boudicca
Massawa Lvi Booties Micah Leavis Bathhouse. Mossy Liebig Boethius Mows
Labiche Badge Mos Lupus Boathouse Mickie Loaves. Bitch Musk Lpg Baits
Mashie Luffs Baits Maguey Loafs Butts Micky Lipase. Buttock Muse Lops
Beauties Mies Lippie Booties Mays Lovage Batik Maggie. Leafage Badge
Mawsie Lavish Betas Mesh Leaps Betook Miss Lobbies Bathes. Massa Levies
Boethius Messy Lobbies Bites Maas Labiche Baits Mix Lobbies. Bittock
Miaows Lupus Boadicea Mohs Loobies Bitwise Miaows Lipase Badge. Mackay
Libeccio Baits Massa Lipase Biddies Masks Lipase Boats Moscow Loops.
Buttocks Moke Loaves Betook Massawa Levko Betsy Meshy Lupus Bodies Mac.
Labiche Bitsy Muzzy Luffs Bhtes Mocsoo Lapes Betis Mysgih Lopoc Betg.
Meccha Lepec Bodic Mocsao Lufok Betas Myqgei Lhbas Botos Moscue Lebis
Bathg. Masciy Lepag Bedas Masseu Lopos Bothg Massey Lufug Bodes Myscei
Lobec Bhtys. Mecsea Lyfac Badhs Mhcghe Lifoc Betis Mossya Lufyc Bateg
Moskoa Lefis Betas. Mosshh Lhpig Betas Mhskai Lapes Butc Mascea Lebes
Betas Musgie LefhcMY. INCONSTANT STANTON MINCY NANCY NOMITTS NINA CYSTMONT
MONA STINTNYC NINNY. MATTSOC ANN MINCY OTTS STANN MINCYOT KATIE LOREN KATE
ELINOR LEONA KITER. ERATO KLEINAbdomen Girl John Ribald Gnome John Banjo
Holden Grim Gander. Limbo John Gander Mobil John Jordan Being Holm Monad
Bohr Jingle Glean. Morbid John Jargon Blind HomeDeniable Morgen John
Mendable Ignore John. Gimbaled Noreen John Bergland Johnnie Moe Garbled
Johnnie Omen Badger. Johnnie Melon Lieberman Ogden John Bengal Demijohn
Nero Jab Needling. Hormone Banjo Mingled Hereon Banjo Modern Heeling Lab
Mongered Johnnie. Enameled Boring John Endgame Oberlin John Mannered Hobo
Jingle Jihad. Noblemen Negro Jordan Blenheim Gone Mad Grenoble Johnnie
Jeanne Lindbergh. Moo Jeanne Bloom Herding Arlene Bong Demijohn Leaner
Bong Demijohn Anemone. Bohr Jingled Hangmen Lobe Joinder Germinal Debone
John Omnirange Bleed John. Jangle Bodenheim Nor Agone Hornblende Jim
Manhole Bergen Dijon Hermann Globe. Joined Jean Hemoglobin Nerd Johann
Bleeding More Holberg Man Enjoined Jan. Neighbored Monel Jan Bleeding
Hormone Anon Boehmer Jingled Badger Johnnie. Lemon Blamed Goner Johnnie
Dream Belong Johnnie Jading Boheme Ronnel Jihad. Ennoble Monger Donna
Blenheim Jorge Banned Jerome HolingMAGEE BLIND NERO. JOHN MAGEE BIND LONER
JOHN MAGEE BLOOD HERN JINN MAGEE BORNE LIND JOHN. MAGEE ROBIN LEND JOHNA
NAME TO A MEAN TO A TEAM ON A MATE NO ME TO ANA. MEAN TAO ATONE AM AM AT
ONE AMEN TAOBjorn Longhand me I Magne Haugen Jorn. Ben Goldhobrn b.yond
Magnus bjornmag Hallingstad John Mr. Jonah O. Blending. beyond Jon Reime
Jon Joel Nigh Brodman beyoni John Modalen Bernard John Ling. Dffoberman
byoni Olav Asgrimson Johan John Germinal Bond ignominy Runed Foss.
Magnhild pronoun Tomasi Magnhid en Sire born.matronym Larsi Vatlend.
byon.lihngam Bent Standal Magh erroneous.notion Dani Bjrn Norheim Magee.
ontic.mantsin Mikal Nordal Maginsel kari.eliot Bruno Bjrnstad Magy Bjorg.
Brndals Magny Hanne Bjevrke Manee Glenda Bjordl Maney Heod Gram Manney.
garbiel Jakobssen Manny Holkermann Magney Homin Magnee blix MacNillon
brandt. Mac Neal hoberg Magnhy Maget Magey Maghy Hughey Hayes Magnhill
Magni. ByrnBjrn Hitdlakjempe Bjarnar saga Hdlakappa Bjarni. Hitdlakappi
Monstrous Allegations An Exchange of ki in Bjarnar saga.
Htdlakappaber'serk Borne John Lind Magee benoni Bjorn Magnhildson.
Magnhildoyn Jon Magnus Holberg Brandt Beorma bjorn beras matronymbef. ME.
be(a)re beor(e) OE bera c. Fris br D beer OHG bero (G Br) Gmc. beran lit.
the brown one akin to ON bjbrn bersi cf. Lith bras brown. Cf.. BRUINmagh
Important derivatives are may dismay might main machine. mechanic magic.
To be able have power. may from Old English magan to be. able dismay from
Old French esmaier to frighten. Both a and b from Germanic. magan to be
able. might from Old English miht power from Germanic. suffixed form mahti
power. main from Old English mgen power from. Germanic suffixed form
maginam power. Suffixed lengthenedgrade form. mghan that which enables.
machine mechanic (mechanism) (mechano). Greek (Attic) mkhan (Doric) mkhan
device. Possibly suffixed form. maghu. (magic) magus from Old Persian magu
member of a priestly caste (. mighty one). Pokorny magh .PHONOLOGY OF
DEVELOPMENT OF QUENYA FROM. PROTOELDARIN This follows ETYM and ignores the
very different early part of. the phonology development shown in BOLT. As
shown by KVNS at that time RT the. Elves made PE by trying to learn
Valarin from Orome at Koivieneeni and. afterwards Tolkien likely made ETYM
PE Valarin uneuphonic with roots such as. snas and skyap and kugh to make
it sound stern and commanding. (Did. Valarin have a history of change MET
before that E.g. PE magh hand. mag use handle. From the description in
Ainulindale (SIL) Ea before. Arda was made was likely big enough and
lasted long enough for even Ainur's. languages to evolve different ways in
different areas.)In a map printed in. the peninsula is called Island
Maghies and in it is referred to as. McGuiyes Island. Also in in the
Inquisitions of Antrim it is referred. as Island of Magie and Island of
Maghy. In the map called Atlas Novus. published by Johan Blaeu in it is
called Magees Ile. During the th. century the Ordnance Survey Memoirs of
Ireland postulated that the name. Islandmagee was derived from Mac Aoidh
(named after the most common family name. on the island prior to the Tudor
Conquest of Ulster i.e. Magee) or Mac iagh. which they say derives in turn
from a word for seagull. I can not find any such. word for seagull and
believe such a derivation to be incorrect.McKee Magee. McGee Mackey McKay
McCoy MacHugh McHugh and Hugh also in the O form as. OHea OHay Hay Hayes
The derivation from the name Magee (from the Irish. Mag Aoidh or Mag
Aodha) means son of Aodh (an old word for fire). It is a very. common name
in Ulster occurring in the following corrupted forms McKee Magee. McGee
Mackey McKay McCoy MacHugh McHugh and Hugh also in the O form as. OHea
OHay Hay Hayes). In this case the Island is reputed to be named after. a
family of Magees who are said to have their principal base in the
townlands of. Portmuck and Carnspindle. In Marschal Bagenals description
of Ulster in. it is stated such as there be the Magees and contribute to
the Lords of. Clandeboys (from Clann Aodha buidhe U Nill meaning the
family of. yellowhaired Aodh Nill). A similar derivation is given in.
Dubourdieus Antrim viz. the inhabitants thereof are Magies from which it.
hath the name. History records the death of perhaps thirty members of
this. family by soldiers from Carrickfergus Castle following the.
rebellion.AirNav Index of airspace fixes M MAGAF MAGAH MAGAS MAGCI MAGCO.
MAGCY MAGDE MAGDY MAGEE MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI
MAGGO. MAGHA MAGHO MAGHY MAGIC MAGID MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY
MAGJA MAGJI. MAGJO MAGJU MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW
MAGOZ MAGPY MAGRE. MAGRY MAGUH MAGUJ MAGUS MAGUW MAGUY MAGUZ MAGWE MAGWU
MAGXO MAGXY MAGYA MAGYE. MAGYI MAGYU MAGZE MAGZI'Magnus' also appears in
the forms 'Mang' and 'Manges'. in the Alps and Southern Germany. ba) From
the Latin word adjective 'magnus'. great large thus by being used as a
(proper) noun it becomes the great. one. The word is derived from the Indo
European base 'meg(h)' which also. evolved into Sanskrit 'maha' big Greek
'megas' big and English 'much'.. However that is not the entire story.
According to Wasserzieher the norther. variant of the name Magnus was
coined by king Olaf the Saint of Norway who. named a son in honor of
Emperor Charlemagne (Latin Carolus Magnus German. Karl der Grosse
Norwegian KarlaMagnus). Charlemagne () who ruled. over France Germany and
Italy was quite an impressive medieval king who in. was crowned the first
Western Emperor since the fall of the Western Roman. Empire. How
impressive was he to his contemporaries Well he was made a saint.
(canonized in unfortunately only by an AntiPope and he is revered only. in
a few places) and the word for king in many Slavic languages is derived.
his name (Polish 'krol' Russian 'korol'). I must confess this does add. an
intriguing new dimension because of course Professor X's first name is.
Charles which is the French form of the name Karl which owes a lot of its.
popularity to Charlemagne. Two sides of the same coin indeed ba) In
Southern. Germany Switzerland and Austria the name is mixed up with the
otherwise. apparently extinct German name 'Magnoald' 'Maginald' 'Maginold'
he who rules. with might. It is hard to tell if this 'Magnus' is a
Latinization of the German. name(s) or the identification is the result of
a mistake (see section ). This. name seems to be related to that Thor's son
Magni (looking around I also found. the name Magnerich (Magnericus) who was
bishop of Trier from ca. to. .)The first element of this name derives from
the Germanic word for might. represented in modern English 'might' German
Macht and Dutch 'macht' which. derives from the IndoEuropean 'magh' to be
able which also is the root. for modern English 'may' (cf. German 'mag')
'mage' and 'magic' (from the Old. Persian 'magus' Iranian 'magu' which
referred to the Magi the priestly. caste in Ancient Persia and Media) and
also 'machine' and 'mechanic'.. noemata. Saturday December.
Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. PATAFYSISKT NAMN STOPPAS AV
RTTENBrfxxccxxmnpcccclllmmnprxvclmnckssqlbb.. S fr inte lille Albin
stavasitt namn. Kammarrtten i Gteborg fann inget std. i lagen fr att
dpamnniskor i sdan anda. Den vida knda hallndska. namnstriden brjade
medatt lnsrtten i Halland utdmde ett vite mot. frldrarna p kronorfr att
inget frnamn alls registrerats p. gossebarnet trots att hanhunnit bli fem
r. D skickade frldrarna in. stavningen med tecken.Namnfrslaget br ses i
patafysisk anda skrev. frldrarna i sin inlaga.Men kammarrtten kunde inte
se patafysiskt p. stavningen. Parafysik r deinbillade lsningarnas
vetenskap uppfunnen av. absurdisten Alfred Jarry somannars r mest knd som
frfattare till. teaterstycket Kung
Ubu.Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. (pronounced Albin) was a name
given to a child by the parents of a Swedish. family in May .A district
court in Halmstad southern Sweden had fined the. parents (Elizabeth Hallin
and ) kronor (approximately US) for failing. register a name for the boy by
his fifth birthday. Responding to the fine. the parents submitted the
character name claiming that it was a pregnant. expressionistic
development that we see as an artistic creation and. suggesting that it
should be seen in the spirit of pataphysics. The court. rejected the name
and upheld the fine. The long and short of itSWEDISH. authorities last
year told a couple who named their son.
Brfxxccxxmnpckccccmmnprxvcmackssqlbb to find a new shorter name for. the
boy. However the authorities in Stockholm have now rejected his new name.
of A according to the Hallands Nyheter newspaper. Initially the parents.
refused to provide tax authorities with a name for their newborn son.
After. numerous disputes the parents finally provided them with the letter
and. digit sequence which they say is pronounced Albin. That resulted in
an. fine from the tax authorities last year for defying the Swedish name
law.This. northern summer the couple registered their son as A. Tax
authorities also. rejected that name because singleletter names are not
allowed. An appeals. court upheld the decision. The parents previously
said that they chose a. meaningful expressionistic typographic formulation
which we consider to be an. artistic new creation in the pataphysical
tradition in which we believe.The. boy who is still officially nameless
has a passport in which his name is. given as Boy Tarzan.Related Jennifer
. Lee born March in New. York City is a New York Times reporter for the
Circuits section. Her middle. name was given by her parents in her teens
because there are too many people. named Jennifer Lee. She spells her
middle name . on paper but on her. driver's license it is spelt as a much
less dramatic Eight. Her parents were. Taiwan and were influenced by the
typically Cantonese custom that sees. number as a symbol of prosperity. is
a character in the comic strip. Peanuts by Charles Schulz. He debuted in
and continued to appear on and. off until . has spiky hair and sometimes
wears a shirt with (what else). the number five on it. His full name is
(accent on the ) with. being the family's last name (actually their zip
code which in real life. corresponds to the zip code for Sebastopol
California). His father changed all. of the family's names to numbers as a
protest to call attention to the way that. he felt like numbers were taking
over people's identities. also has two. sisters named and .. noemata.
Friday December. lumber. lumber. the mean. while waiting and waiting for
win to boota play for the calculator the. meanok what about . .where does
the . come from. .. still the sameok so we know n(n).(n.)what about step.
while it holds now the diff is always. n(nstep)(step)((nstep))try random
..i have. format c unbelievablestep is so it doesn't workdo you want to
install. netmeetingwho ever had any need of scandiski ran scandisk several
times. nowstill it didn't detect damaged sectorsunbelievable crap
scamdickswell why. didn't it work for odd it's yeah now your product key.
licenceit's supposed to be oh well it just squares thensquareroot of ..
is.. . voilakey is GXPPKTCDRJGJDTRBM (win)it's.
n(nstep)(step)((nstep))which makes sense for the . and the. updating you
system..restart then restart then restartthis wasn't very. profoundit's
like you need the square stuff somewherewhether you put it in the. n's or
the stepit doesn't matterthe suprise in the beginning of this play..it.
didn't take into account the extras of the squarethe double its
shadowit's. about dimensionshow the extra dimension casts a shadow backthe
step is supposed. take care of thatah but there's no stairway to
heavencan't believe this. where are the screen driversMy documents it's
intimidatingvery smalli. lost the scans whateveranal stuff i mean what's
the pointthe joy of. loosingagain a gain where does the shadow come inthe
gain where the extras. are fromhell is a collapse of dimensionswhat
happens when things colapsewhen. these squares collapsed they lost their
shadowi was thinking of this drawing. also what it lostshadows of course
collapsed into texturebut the other way. alsowhat would the hyper be if
this was. textureloomunbelievableunbeleivablewhat is mostthis cognitive
quaking is. backforth's squaringnothing in the middlenothing mediatedthese
are flatmeanthe. synonyms for mean are average base beggarly entail hateful
have in mind. imply intend mean value meanspirited mingy miserly signify
stand for. think think of tight. noemata. Tuesday November. anyhryear
anniversaryarchive of visual. Nov k. noemata. Wednesday November. plese.
its tu muchi wnat nothign to do with itplesei was nothing to do withit.
noemata. Wednesday November. recursive dictionary. material or nonmaterial
entity idea action etc that is or may be thought. about or perceived a gift
a thing given or presented of the something done. deed or action or
sensation caused in the ear by the vibration of the. surrounding air or
other medium of laughter and the capacity or power to. perceive or feel or
to be conscious of the state or condition of being present. or attributes
qualities or characteristics of material or nonmaterial. entities ideas
actions etc that are or may be thought about or perceived. that human
concerns business matters to be attended to their continuous. onward
movement or progression and circumstances esp. those affecting the.
functioning or existence of something active condition which
distinguishes. active animals and plants from inorganic matter including
the capacity for. growth functional activity and continual change
preceding death were. mad.Bertrand RussellApplying the algorithm to text
with a high proportion of. abstract nouns is particularly amusing. Here
the starting text is from. Bertrand Russell's History of Western
Philosophy from a chapter on PlatoThe. second argument is that knowledge
is recollection and therefore the soul must. have existed before birth.
The theory that knowledge is recollection is. supported chiefly by the
fact that we have ideas such as exact equality which. cannot be derived
from experience.Transformation givesThe second reasoning. process is that
awareness or familiarity gained by experience is the act or. power of
recollecting and therefore the spiritual or immaterial part of a. human
being often regarded as immortal must have existed before the emergence.
of a (usually fully developed) infant or other young from the body of its.
mother. The supposition or system of ideas explaining something esp. one
based. on general principles independent of the particular things to be
explained that. awareness or familiarity gained by experience is the act
or power of. recollecting is supported chiefly by the thing that is known
to have occurred. exist or to be true that we have conceptions or plans
formed by mental. effort such as the exact state of being equal which
cannot be derived from. actual observation of or practical acquaintance
with facts or events.. noemata. Monday November. congratulations
congratulations your site is on on (nostalgi). noemata. Monday November.
curious. my handwriting .jpg 'Freedom diedgreat people proved that
awareness exists. and every lifeform is awareunfortunatelly they hadn't in
mind that evolution. not aims into awarenessdevelopment but towards better
adaptation.milions of. people just learned how to fake awareness.This what
makes us Humans is ablity. selfdevelopment and Empathynot adaptation.Crowd
without a leader went. insane.Sickness is ones who emphatize get dellusion
when looking. feelingslessones there is no mutual empathy then ones who
emphatize become. codepend.'.jpg(notes from train station i tried to
visualise how autosopher. adaptativenetwork works)also note that 'positive
effects coming from. smoking of tobbaco come fromchanged metabolism of
dopamine while addiction is. created by completelydifferent
neurotransmitter patch'also common mistake of. polish language pointed out
(use of foregin noun).jpg adaptative ALP network. Daylight Explosioni have
some other work like learning from c sources i'll. write to you laterd.jpg
dissolving substancedreams come when i am. heresnowwhite truth about
falseparticles of absurd from. nothingsubstancewhile this world is only
interpretation of our. dreamssubstanceyou melt with nonexistence like
youpractical disasemble of life. programtransient observation ofthoughts
about minimalism truth about. time.form of delusionsequence of sessionit's
lack of thought Substancewhile. civilisation camp grid is at least km
thin.where is. reasondynamicambitionfield of perception actions of
consiousness()timeand. this is 'life'intonation is alive and manipulating
bodieswill be as is. because can't be other waypreprogrammed forecast
shatter and bend under. influence of new datahow is time machine
likealivedestiny of chaos. complexity creation is creation itselfwe can
watch beauty of growthour time. camepower came to an. noemata. Jag lgger
lite bilder p mig hr.. Jag lgger lite bilder p mig hr.Men kom ihg jag vill
grna att. ni skriver i Gstboken vad ni tycker annars blir det inte fler
bilder. Mina. Fuktiga brst efter duschen.Jag visar upp ett av mina
brst.Jag i sexiga. underklder.Jag visar upp mig p sngen.Hr r jag helt.
utlmnad t dig.Tnk om handen inte fanns dr.Gillar ni mina. Lppar.Ny bild p
mina lppar.Gillar ni bilderna p mig i. stayupsDet kan komma fler bilder
Jag hller p att vertala min. vninna att jag skall f lgga upp bilder p
henne ocks.Hr. under lgger jag sprutbilderna som jag fr Och jag skall
villigt. erknna att jag har onanerat och tittat p dem mnga.
gnger.Sprutbild Sprutbild Sprutbild Sprutbild Sprutbild Sprutbild.
Sprutbild Sprutbild Sprutbild Jag har ftt ett par nya sprutbilder Det.
tycker jag om. Flera gnger har jag tittat p dessa bilder och tnkt. p er
hur ni har lekt med era underbara stnd fantiserat om mig och. sedan
sprutat er varma klibbiga sats ver min kropp. Mnga gnger har. dessa
fantasier tagit mig till underbara orgasmer. Ett extra spnningsmoment. r
ju att min kille inte har ngon aning om vare sig websidan eller dessa.
foto.Hr kommer fler bilder.En bild frn en man som heter Bokoboko.Gabbe.
har ocks sprutat ner min kropp.Hawkan har lagt sin varma sd ver.
mig.Fineman har gjort hrligt sexiga konstnrliga bilder.nnu en bild.
noemata. Saturday November. delayed. noemata. Tuesday November.
colmplaints ingored. complaits comlaints comppaints commplaints complaints
ifnored withijn redach. reazch complaibnts live complaintsa complaints
comlplaints comp laints within. rexach complaintw ikgnored reasch
complaihnts complwints complaintts ignorer. ckmplaints witin complpaints
complaints withkin weithin complaints. complwaints cmplaints complainrts
complaintys ignorwd ignoredr complainte. complaoints comoplaints
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ignorfed complains complaintrs witgin complaingts. ignofred comploaints
comp aints iygnored complaintd iognored jgnored ignoresd. rezach
complaitns ignorsd ignotred cojmplaints r each complaint s complanits.
ignorefd vcomplaints complaints withimn kgnored withih complaints
cmoplaints. teach complaints complaints igynored witihn comnplaints
complints complaings. ignoref compolaints cmplaints ckomplaints co
mplaints ignored wi thin. complaintsw oignored jignored ignored
compplaints ignoed complainrs complainta. ignorted reach complaiknts
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compla nts cokmplaints withinm soundtrack complaintss complaints.
complainmts co plaints ignoired complainyts online witjin withij ost
witghin. withuin complzaints complaintfs complaintgs compklaints
compalints complainbts. reac withibn igored discount rea ch cd ignoed
raech complaqints lyrics gnored. compaints complaimnts domplaints c
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complaintsignored cfomplaints com laints complants ignred ignorex. wigthin
each deach ignroed ignorexd withikn ihgnored igfnored reacuh iignored. ign
red w thin complaintse ignorewd ignorsed with in ignored reacdh igbnored.
withun withyin reacvh complauints ignoredd ignnored ignored ignired
withib. ignorwed discounts wihin ibgnored complaibts rweach ifgnored
wifthin. complakints cheap conmplaints albums wiothin c mplaints igmored
complaintds. igno red complazints igonred reachh wuthin witnhin ignordd
reachg inored. ginored awithin ignlored complajints withim comjplaints
reeach eithin dreach. complaints withiin compact disc gnored ighnored
complaijnts resch reqch rdach. igmnored withn withion complaonts coplaints
reacxh ewithin reacch complsints. each complaint ignore complaints wit hin
music reacnh ignoredc clmplaints. ignoredx igbored complai nts ignred
complaintz compl ints complainhts. omplaints rewach by ignored complxaints
reac h complainfts reach ithin. complqaints wikthin reahc witjhin aithin
withjin ereach reachn complqints. reach dcomplaints ignored complkaints
reacb reachj witrhin rexch i gnored. each comlaints comkplaints complainfs
comlpaints complaintsd ignored ignorede. ignoree complsaints reduced
wsithin within complaintzs wthin wthin ithin. ibnored within within rreach
wihin complaintws complaihts within cast. recording ignoted cds wuithin
xomplaints complainnts withi n erach wirthin. within wityin wijthin rerach
cxomplaints reach withjn ignoerd within rech. withnin conplaints igjored
freach wit in withni readh withi reac ignore ignord. copmlaints wkthin com
plaints within swithin complaintsx wwithin complawints. rfeach qithin
ocmplaints within igno ed i nored ignorred enhanced ignmored. rach withkn
reach ognored remastered ignofed rach comolaints withbin woithin. ingored
witfhin each complants album withinb xcomplaints reacgh explicit. ignor d
reavh rrach within ithin within reachy reachu ignored ignokred. wituin wi
hin colmplaints ignore d reaxch r ach complaintas reaxh ivgnored. wiuthin
wirhin cmplaints igtnored w ithin reacfh reacj complzints rdeach. ignoreed
compoaints treach ignkored ignored withn sale ignolred cimplaints. ignored
reach complaunts ignoered reafch wihtin wiithin complaionts reqach. withon
waithin ignhored igniored ignorecd ignkred readch wjithin reach.
coomplaints cdomplaints ignoored ignored reacg withgin complaints ignlred.
clomplaints ignoeed re ch iynored withinn wkithin itgnored ignorde wjthin.
reaach witthin within complxints complainjts complaiunts within withoin.
fomplaints fcomplaints qwithin witbin reavch coimplaints resach reah
ignorec. ignored ignopred witnin ignoredf complain ts cpmplaints ig nored
wighin re ach. gnored compkaints omplaints within wqithin reacn reacyh
reachb wituhin iggnored. ivnored rsach iwthin complaintx rezch reawch
cokplaints kignored ignored wothin. reach igjnored ignorrd compla ints ig
ored ignboredSearch colmplaints. noemata. lumber. lumber. oct().
..JFIF......h FF DB A E. C A .....C.nxxdh C C B AA A BE F FF. FF F DC DC F
FF FF. h FF FF FF FF. FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF
FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF FF FF FF FF FF DB
AA B. .C.h B F D F. FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF
FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF FF FF FF FF FF FF FF FF
FF FF FF. h FF. FF FF FF FF FF FF FF FF FF FF FF FF FF FF C. ah.
...............bh FF. C ..............ch. FF C ..............dh.
................eh. FF DA C A. matronym. Sunday October. Re confuciuslist
Mencius B. wild grass (fwd). matronym. Saturday October. plunderphonics
week. DJbyHandIngerMarieLienKidSquarepusherStev.mp (. C C Nystev.. vil du
D. C E have meg til B C D A B C. kveda..det skal A D eg gjera. med stF C C
D A F rste gleda..og. B C B eg skal kveda sF E. D A o vent fyr deg.. B. C C
F D at du skal glym A F C. F D a deg sjlv og m E D A D A C B. C eg..... eg
skal B F B. kveda so du skaC E C D A D l. grta..um du C E C var aldri. s
gla F B E C D A E d og kt'e... e B C B F g skal kveda so E E C. C D A snlt
fyr deg... B C C E E E at du skal l n. E D E r du ser p meg.D A D A F D E.
F ....Og mine viso F E E C. r dei er so snl C D A F D F B E e..som. Borken
t E E E E rvar p isen. hC C D A F D E le..og mine visF. A E or dei gjer'
ein C E D A. F D C C sleng..som litl E E B. e guten p skeis E E A E E D A
D A C. unn' gjeng..... D E F mine. visor dei F D E C D A F er so
mange..soD. A D C F D E m heggjeblomane. E B D drys i fanget.A F. F .so
hev det vore C C. A D A i all si tid.. D B. dess meir dei kv C D ed dei
dess. mei E D A D A C r der bid...... C A C vil du stevjast F B. C so skal
eg svar C D A F. C E a..og heile nat F B C. ti so skal det v B D A F C.
ara..og vil du A D D stevjast med. meg B C C D A E i kveld..du g. B A E r
'kje t fyrr d E. E D C C E u fr ein smell. abort.
DJbyHandsisselkyrkjeboorigamiweightlessapati MB. matronym. Friday October.
link var. Index of var Name Last modified Size Description. Parent
Directory Oct idxbdvds.jpg. Oct k vdsidx.jpg Oct k. .jpg Oct k .jpg. Oct k
b.jpg Oct k. masl.jpg Sep k DSCN.jpg. Oct k DSCN.jpg Oct k. DSCNZ.JPG Oct k
DSCN.jpg. Oct k DSCN.JPG Oct k. DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct
k. DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct k. DSCN.JPG Oct k DSCN.JPG.
Oct k DSCN.JPG Oct k. DSCN.JPG Sep k DSCN.JPG. Sep k DSCN.JPG Sep k.
DSCN.JPG Sep k DSCN.JPG. Oct k DSCN.jpg Oct k. DSCN.JPG Oct k DSCN.JPG.
Oct k DSCN.JPG Oct k. DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct k.
DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct k. FlwTmudZFemVXGfQK... Sep k
P.png. Sep k P.png Oct k. P.png Oct k P.png. Oct k RISS.jpg Oct k. S.jpg
Sep k acroBatic.JPG. Sep k annama.jpg Oct k. annan.jpg Oct k annotfw.jpg.
Oct k apdd.jpg Oct k. apok.jpg Oct k apolillebilen.jpg. Oct k aporegn.jpg
Oct k. bdvds.jpg Oct k brcolagedrawachine.jpg. Oct k bssggn.jpg Oct k.
candledrawings.jpg Sep k codune.jpg. Oct k desktop.jpg Oct k. dietz.jpg
Oct k eee.jpg. Oct k elmagspectrum.jpg Sep k. ff.jpg Oct k fjfjf.jpg. Oct
k fluktbiler.jpg Oct k. fluxusmap.jpg Oct k fortart.jpg. Oct k ggcc.jpg
Oct k. ghdf.jpg Oct k golgeilo.jpg. Oct k gv.jpg Oct k. hfhfh.jpg Oct k
hfhfhw.jpg. Oct k hfhfhw.png Oct k. horn.jpg Sep k ideog.png. Oct k jj.jpg
Oct k. jotunheimen.jpg Sep k julebukk.jpg. Oct k lc.jpg Oct k. mouazing.png
Sep k mrna.jpg. Sep k oe.jpg Oct k. pluntscape.jpg Sep k prestholt.jpg. Oct
k prestholtskaret.jpg Oct k. psychogeo.jpg Oct k rabsistggkgigngdgom... Oct
k recursivelibrary.jpg Sep k. rygg.jpg Sep k san.png. Oct k scapeg.jpg Oct
k. scrreen.jpg Oct k sdgaa.jpg. Sep k seroma.jpg Oct k. sino.jpg Oct k
skogshorn.jpg. Sep k taka.jpg Oct k. tectonics.jpg Sep k teent.jpg. Oct k
tenner.jpg Oct k. text.jpg Oct k tilapollinaire.jpg. Sep k
torpostavechurch.jpg Sep k. tuftebrui.jpg Oct k turs.jpg. Sep k
usbdrawing.jpg Oct k. matronym. relax. matronym. Wednesday October. im not
sisting strahgt my jands ctrlz ctrlz ctrlz ctrlz versjon. ctrlz ctrlz ctrlz
ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz. ctrlz ctrlz ctrlz glitch
versjon (ultra editor) well probably doesn't affect. html so why blotherim
not sisting iwant somehthign it's a bit. frighteningstrahgt that kid on its
own and coldmy jands. atomata like tat fly nothing holdingnothing here in
the win. should i let gothis writing is the fog leaves (they of
whatagainst. itself does it) eprime the i don't know anythingi only write
when. drema (dramadream) this blank screenforgetting muself of magic.
contradicted by my fingersnegation well science and the this will. only be
troubleworthwhile howto any base fuck youspace which is. debase. coming
back this is completely lostnothing to.. never againher cunt ie no.
memoryshould backspace sensation must be no knowledgethat. based on
recurrence monster of pixelscollaps else you wouldn't. soothwhere am i
know but gnomhow to write. still sense but no.where am i inn the only once
it vicinitymyself. doesn't count (count potentialmy arm is kind of is.
sentence dntwiched recurrence). any pnrrmaqyawmy back. somewhat object.
object is nvvypub vybcdcxrunched here too much. object. dmcs vnbpu
cdngvirtual backspace anything that is suug. fcnothing ever comes visible
or tangible mqhycuq iydxout of this. and is relatively bucgupd dnwhere
does this go stable in form. to. uaurk rnhuruadexpect nothing you. ya
hypyaydkleft. channel delay something. thing xytt uywxd cyjthe need.
(meeting vyhuno structure her interface). lubn. ()whatever fright
subjectsubstancediscontinue into. subtrahends ariettaslide emergent
relation. subterfuge. arroweddiscreet egene remove
sceptrelessespataphysical. logic posessive my's. arrowedcompression is a
reactive at chemical. saboteur aridcipher level. behave septarium
arteroads. late ME softheartedly aradjustice behaven. (reflexive).
subterranean aridblockhead See BE HAVE.. shifters airywriting into space
behaviorism the spadework awardeei'll. go wherever the theory that scepter
areawidekeys lead. psychology can be shifter aerateleather case accurately
studied. softer arrauboard table kitchen only through the spader
artiecuisine. examination and subterfuge aureatei meant metaphor analysis
of. sputter areawidewherever possessives. subtree. areawidesomething else
sputter aeratethis is just. one i'm no one get your softer airyside hands
off me.. spader airtno justice HAHA. subterraneanisesusually space is
karmaguilttraces aortaexpensive. i once had guilt subdirectories
artymassive nothing writing haha. says it spidery airedeyes all (active
subtraction. artyi once had eyes expression vs sceptered artiego beyond
they. say matters of doctrine) subtreasury areawideother i laughter. is
spidery arrayedwhat comes in this eternally guilty. subterraneanise arteis
still eyes (doctrinal in sifter. awardeekeyes writing) as anythe cod e
statement. n softheart s mouthing. y. arrondis t guilty guilty (how
soekar. ttraffi n awkward to ) soffit ar thorsest c t. how's w g softies
arteriolethere's compilation attached to guilt. soever arterialises should
stop writing soke. arterialisinginterprete e another w e sojoimmedi s.
status of relate to artel valuemeaning other sodwhat'. than drawn arteri
dente. softhead arthromerewhich is p s (interfaces again).. sojourners
arrowrooti had t a media a softening. artefactbig small inverse suppose it
e softbound arsenicaldi. other way a softy ars lprotoco f signs are. soiree
arsenicisespapyrus no o lines are. ts stronger attraction readapting
mcqueenpro. proto mecritical distance attraction to. what reactualise
meagerlyexecution of seeing easy essing. meal ers are easi ay. of
mcmurdohidden instant an. g rea ness memiddleman blackmail to. ably me
compl of the ualizes. li syst inimax rk up. to mewhat's the deal on. me (
rface') reactualisations. mei r mansus accidencesubsta me. critical and
easie 's. system wins liked ng not gravitati. stupid you alwaysde reaming
get signs toodr eath is. obvious it's theirso ng else job. backtrackingi'd
to die. guilt is thru th .. sign you no. shouldn't att it's like chaplin
onde s trash. a conveyor belt ghtning down t rs economy.no. no signno in
the talking is a w recur.. as stimulusres augment pos. respons. lumber.
matronym. Tuesday October. thing. thing (thing) n. . a material object
without life or consciousness an. inanimate object.. some entity object or
creature that is not or cannot be. specifically designated or precisely
described The stick had a brass thing on. it.. anything that is or may
become an object of thought things of the. spirit.. things matters affairs
Things are going well now.. a fact. circumstance or state of affairs It is
a curious thing.. an action deed. event or performance to do great things
His death was a horrible thing.. a. particular respect or detail perfect
in all things.. aim objective The. thing is to reach this line with the
ball.. an article of clothing I don't. have a thing to wear.. things
implements utensils or other articles for. service I'll wash the breakfast
things.personal possessions or belongings. Pack your things and go. a task
chore I've got a lot of things to do. today.. a living being or creature
His baby's a cute little thing.. a. thought or statement I have just one
thing to say to you.. Informal. a. peculiar attitude or feeling either
positive or negative toward something. mental quirk She has a thing about
cats.. something signified or. represented as distinguished from a word
symbol or idea representing. it.. Law. anything that may be the subject of
a property right.. do or find. one's own thing Informal. to pursue a
lifestyle that expresses one's self.. Also do or find one's thing. . make
a good thing of Informal. to turn (a. situation experience etc.) to one's
own profit benefit by She made a good. thing of her sparetime hobbies..
new thing Jazz. See free jazz. . not to. get a thing out of to be unable
to obtain information or news from The police. couldn't get a thing out of
him.to fail to appreciate understand or derive. aesthetic pleasure from My
wife likes opera but I don't get a thing out of. it.. see or hear things
Informal. to have hallucinations.. the thing. something that is correct or
fashionable That caf is the thing now.that. which is expedient or necessary
The thing to do is to tell them the. truth.bef. ME OE orig. meeting see
THINGthing (thing ting) n.. (in Scandinavian countries) a public meeting
or assembly esp. a legislative. assembly or a court of law.Also ting. Cf.
thingstead. ON assembly. c. THING D ding G Ding thing orig. meeting akin
to Goth theihs. matronym. Monday October. nothing (nuthing) n.. nothing
(nuthing) n. . no thing not anything naught to say. nothing.. no part
share or trace (usually fol. by of) The house showed. nothing of its
former magnificence.. something that is. nonexistent.. nonexistence
nothingness The sound faded to. nothing.. something or someone of no
importance or significance Money is. nothing when you're without health..
a trivial action matter circumstance. thing or remark to exchange a few
nothings when being introduced.. a person. of little or no importance a
nobody.. something that is without quantity or. magnitude.. a cipher or
naught Nothing from nine leaves nine.. (used in. conventional responses to
expressions of thanks) Think nothing of it. It's. nothing. Nothing to it..
for nothing free of charge.for no apparent reason. or motive.futilely to
no avail They had gone to a great deal of expense for. nothing.. in
nothing flat in very little time Dinner was finished in. nothing flat..
make nothing of to treat lightly regard as easy.to be. unsuccessful in
comprehending He could make nothing of the complicated. directions..
nothing but nothing other than only We could see nothing but. fog..
nothing doing Informal. emphatically no certainly not.no activity.
inducement advantage etc. present to the eye We drove through the town
but. there seemed to be nothing doing.. nothing less than or short of
absolutely. completely She was used to nothing less than the best.. think
nothing of to. treat casually.to regard as insignificant He thinks nothing
of lying to. conceal his incompetence.adv. . in no respect or degree not at
all It was. nothing like that. Nothing dismayed he repeated his
question.adj.. . amounting to nothing as in offering no prospects for
satisfaction. advancement or the like She was stuck in a nothing job.bef.
ME OE. matronym. rinsay. the active expression of enlightenment over
matters of doctrineThe mind thus. creates the world in the sense that it
invests the phenomenal world with. value.They have presumably already
freed themselves from preoccupations with. the commoner cravings for
sensual indulgence material gain or worldly fame. and have entered the
path of religious strivings. But it is precicely this fact. that Linchi
sees as the source of their problems.this lone brightness without. fixed
shape or form.once and for all that there is no goal to be striven for.
because it has been won already no place to be journeyed to because one
is. there right now.People with so few roots of faithif it's for the sake
of the. Dharma don't hesitate to sacrifice your bodies or give up your
lives.If you. approach it with a true and proper understanding you won't
be affected by. considerations of birth and death you'll be free to go or
stay as you. please.The fault lies in the fact that they don't have faith
in. themselvesStudent's don't have enough faith in themselves and so they
rush. around looking for something outside themselves.Those who have
fulfilled the. ten stages of bodhisattva practice are no better than hired
field hnads those. who have attained the enlightenment of the fiftyfirst
and fiftysecond stages. are prisoners shackled and bound arhats and
pratyekabuddhas are so much filth. in the latrine bodhi and nirvana are
hitching posts for donkeys. Why do I. speak of them like this Because you
followeres of the Way fail to realize that. this journey to enlightenment
that takes three asamkhya kalpas to acomplish is. meaningless. So these
things become obstacles in your way.Fellow believers. time is precious You
rush off frantically on side roads studying Ch'an. studying the Way
clinging to words clinging to phrases seeking Buddha. seeking the
patriarch seeking a good friend scheming planning. But make no. mistake.
Followers of the Way you have on set of parents what more are you. looking
for You should stop and take a good look at yourselves. A man of old. tells
us that Yajnadatta thought he had lost his head and went looking for it.
but once he had put a stop to his seeking mind he found he was perfectly
all. right.The man of value is the one who has nothing to do. Don't try to
do. something special just act ordinary. The Paotsung lun With regards to
the. Way what is valued in every age is to have nothing to do. With
regards to the. Way when one is mindless then all things will proceed
smoothly.Followers of. the Way the Dharma of the buddhas calls for no
special undertakings. Just act. ordinary without trying to do anything
particular. Move you bowels piss get. dressed eat your rice and if you get
tired then lie down. Fools may laugh at. me but wise men will know what I
mean. A man of old said People who try to do. something about what is
outside themselves are nothing but blockheads.If you. have doubts in your
mind for an instant that's the Buddha devil. But if you. can understand
that the ten thousand phenomena were never born that the mind. is like a
conjurer's trick then not one speck of dust not one phenomenon will.
exist.As I see it there's no Buddha no living beings no long ago no now.
If. you want to get it you've already got it it's not something that
requires. time. There's no religious practice no enlightenment no getting
anything no. missing out on anything.If you want to be free to be born or
die to go or stay. as onw would put on or take off a garment then you must
understand right now. that the person here listening to the Dharma has no
form characteristics no. root no beginning no place he abides yet he is
vibrantly alive. All the ten. thousand kinds of contrived happenings
operate in a place that is in fact no. place.If your mind entertains a
moment of doubt it becomes obstructed by the. element earth. If your mind
entertains a moment of craving it becomes drowned. in the element water.
If your mind entertains a moment of anger it is seared. by the element
fire. If your mind entertains a moment of delight it is tossed. about by
the element air.The way I see it onw shouldn't be averse to anything..
Suppose you yearn to be a sage. Sage is just a word sage.Those who study
the. Way these days need to have faith in themselves and not go looking
for. something outside.If you want to be a truly great vessel you must
never be led. astray by others. Wherever you are play the host and then
any place you stand. will be a true one. Whatever confronts you don't let
yourself be imposed on.. If you entertain even a moment of doubt the devil
will enter your mind.Just. have faith in this thing that is operating in
you right now. Outside of it. nothing else exists.In the way you now
respond and utilize it what do you. lack In the space of an instant you
enter purity or enter defilement enter. the halls of Maitreya or enter the
lands of the three eyes. You wander at ease. everywhere for you see that
these are all empty names.The buddhas and. patriarchs are people who don't
have anything to do or are without defilements. and doings their karma is
clean and pure.The Patriarch Shenhui said If you. try to arrest the mind
and stare at silence summon the mind and focus it on. externals control
the mind and make it clear within concentrate the mind and. enter into
meditation all practices of this sort creates karma.So for the. past
twelve years though I've looked for this thing called karma I've never.
found so much as a particle of it the size of a mustard seed.from times
past. the real teachers wherever they went were never listened to and were
always. driven out.The various phenomena in this world and other worlds are
in all. cases devoid of intrisic nature. Even if something did exist it
would in all. cases be no more than an environment that changes with what
it depends on. You. live in a land of changing dependent conditions what
is it you are looking. for And things like the Three Vehicles and the
twelve divisions of the. scriptural teachings they're all so much old
toilet paper to wipe away filth.. The Buddha is a phantom body the
patriarch are nothing but old monks. You were. born from women weren't you
I you seek the Buddha you'll be seized by the. Buddha devil. As long as you
seek something it can only lead to suffering.. Better to do nothing.A true
student of the Way never concerns himself with the. Buddha. Far removed
alone and free he is never entangled in things. Heaven. and earth could
turn upside down and he would not be perturbed. All the buddhas. of the
ten directions could appear before him and his mind would not feel an.
instant fo joy the three realms of hell could suddenly confront him and
his. mind would not feel an instant of alarm. Why is he like this Because
he knows. that all things in the phenomenal world are empty of
characteristics. WHEN. CONDITIONS CHANGE THEY COME INTO EXISTENCE WHEN
THERE IS NO CHANGE THEY DO. NOT EXIST.Followers of the Way when students
come here from various regions. and we have finished greeting one another
as host and guest the student will. make som remark to test the teacher.
The student comes out with these tricky. words and thrusts them into the
teacher's face. If you were the teacher and. realized that this was just
an 'environment' and you grabbed it and threw it. down a hole then the
student would act normal again and after that would ask. for the teacher's
instruction. The teacher would then snatch that up too and. treat it as he
did the earlier remark. The student then says Very wise A. truly great
teacher The teacher says You certainly can't tell good from. badAgain
suppose the teacher comes out with a certain chunk of environment. and
dangles it in front of the student's face. The student sees through this.
and at every step acts the master refusing to be misled by the
environment.. The teacher then reveals half of his body whereupon the
student gives a shout.. The teacher now enters the place where there are
all kinds of differences and. distinctions battering the student around
with words. The student says This. old baldhead who can't tell good from
bad The teacher exclaims in admiration. A true and proper follower of the
WayThere are some teachers around who can't. distinguish crooked from
straight. When a student comes and asks about bodhi or. nirvana about the
threefold body or about environment and wisdom those blind. old teachers
start explaining to the student. When the student curses at them. they
pick up their stick and hit him saying Such rude language If you have. a
teacher like that he lacks eyes to begin with.Then there is that bunch of.
baldheads who can't tell good from bad but point to the east gesture to
the. west love clear weather love it when it rains love this lamp or that
pillar.. Look and see how many hairs they have left in their eyebrows and
with good. reason. Teachers like that are nothing but wild fox spirits
goblins. Good. students will just give a little snicker and say Blind old
baldheads trying. confuse and lead everybody in the world astrayFollowers
of the Way if you. want to get the kind of understanding that accords with
the Dharma never be. misled by others. Whether you're facing inward or
facing outward whatever you. meet up with just kill it If you meet a
buddha kill the buddha. If you meet. your parents kill your parents.These
students of the Way who come from all. over there's never been one of them
who didn't appear before me depending on. something. So I starrt out by
hitting them there. If they come with a raised. hand I hit the raised hand
if they come mouthing something I hit them in the. mouth if they come
making motions with their eyes I hit them in the eye. I. have yet to find
one who comes alone and free they're all caught up in the. idle devices of
the men of old.I don't have a particle of Dharma to give to. anyone. All I
have is cure for sickness freedom from bondage. You followers of. the Way
from here and there try coming to me without depending on anything. All. I
get are things stuck to stems clinging to leaves wraiths that inhabit
bamboo. or trees wild fox spirits They chew frantically at every lump of
shit they. happen upon. Blind foolsI tell you there's no Buddha no Dharma
no practice. no enlightenment. Yet you go off like this on side roads
trying to find. something. Blind fools Will you put another head on top of
the one you have. What is it you lackThe way I see it there's no call for
anything special.. Just act ordinary put on your clothes eat your rice
pass the time doing. nothing. You who come here from here and there you
all have a mind to do. something. You search for the Buddha search for the
Dharma search for. emancipation search for a way to get out of the
threefold world. Idiots. trying to get out of the threefold world Where
will you goFellow believers. this body made up of the four major elements
has no permanence. Things like. spleen and stomach liver and gall hairs
nails teeth are simply evidence. that all phenomenal things are empty of
fixed characteristics. As long as your. mind is unable to cease its
momentbymoment activity then you are up in the. tree of ignorance. But if
you can learn to cease then you'll be in the world. of the clean pure
body.If a student truly knows what he is doing he will give. a shout and
then first of all hold out a try of lacquer. The teacher failing.
recognize this as a mere 'environment' proceeds to climb up on the.
environment and begin striking poses or donning attitudes. The student
gives a. shout but the teacher refuses to abandon his approach. This is
called the. guest seeing through the host.Or perhaps the teacher will not
come out with any. object of his own but will wait for a question from the
student and then snatch. it away. The student seeing his question snatched
away won't let go but holds. on for dear life. This is a case of the host
seeing through the guest.Perhaps. there is a student who responding with a
clean pure environment presents. himself before the teacher. The teacher
can tell this is just an environment. and grabs it and throws it down a
hole. The student says A truly great. teacher Instantly the teacher says
Hopeless can't tell good from bad. The student gives a low bow. This is
called the host meeting up with a host.Or. there may be a student who puts
a cangue wooden collar on his neck binds. himself in chains and then comes
before the teacher. The teacher proceeds to. shackle him with another set
of cangues and chains. The student is delighted. unaware of what has
happened. This is called the guest meeting up with a. guest.But students
don't have faith enough and instead base their. understanding on words and
phrases. Their years pile up to half a hundred and. all they do is go off
on side roads carrying their dead corpses on their. backs racing all over
the world with their load of baggage.If you look toward. the area of
motion and try to grasp the truth there it will take up its stand. in the
area of nonmotion and if you look towards nonmotion and try to grasp it.
there it will take up its stand in motion. It is like a fish hidden in a
pond. who now and then slaps the surface and leaps up.When students come
from here. and thee I classify them into three categories according to
their ability. In. such cases if a student of less then middling ability
comes to me I snatch. away the environment but leave him his existence. I
a student of better than. middling ability comes to me I snatch away both
environment and existence. If. a student of truly superior ability comes
to me I do not snatch away anything. neither environment nor existence nor
person. If a student appears whose. understanding surpasses all these
categories then I deal with him with my. whole body and take no account of
his ability.Reverend Taoi's way of doing. things was simple direct nothing
mixed in. Reverend Lushan was utterly free. true and correct but whether
he came at them with compliance or opposition his. students could never
fathom what was going on. Mau's way of doing things. was as bitter as the
bark of the Chinese cork tree no one could get near him.. The way Shihkung
went about it was to look for students by pointing an arrow. at them all
who came to him were terrified. Shihkung had been a deer hunter.. When
students came to him he would fit an arrow to his bow point it at them.
and say Look at the arrowFellow believers these sounds names words.
phrases are all nothing but changes of robe. The sea of breath in the
region. below the navel stirs itself into motion the teeth batter and mold
it and it. comes out as a statement of an idea. So we know for certain that
these are mere. phantoms.Better to do nothing to meet someone but not
recognize him talk with. him but not know his name.There's a bunch of
fellows who can't tell good from. bad but poke around in the scriptural
teachings hazard a guess here and there. and come up with an idea in words
as though they took a lump of shit mushed it. around in their mouth and
then spat it out and passed it on to somebody else.. They're like those
people who play passtheword parlor games wasting their. whole life like
that.When the great teacher Bodhidharma came from the west he. was simply
looking for a man who would not be misled by others.I have been.
addressing you putting forth a lot of trashy talk. But make no mistake In
my. view there are in fact no great number of principles to be grasped.If.
bodhisattvas even those who have completed the ten stages of mind practice.
were all to seek for the traces of such a follower of the Way they could
never. find them. Therefore the heavenly beings rejoice the gods of the
earth stand. guard with their legs and the buddhas of the ten directions
sing his praise.. Why Because this man of the Way who is now listening to
the Dharma acts in a. manner that leaves no traces.Neither in this world
nor in any other world is. there any Buddha or Dharma. There is nothing to
appear before you and nothing. that is lost.Fellow believers only when you
have commited the five crimes that. bring on the hell of incessant
suffering will you finally gain. emanciation.Killing your father injuring
your mother drawing blood from the. Buddha's body disrupting the harmony
of the Monastic Order burning the sutras. and images these are the five
crimes that bring on the hell of incessant. suffering.Ignorance is the
father. When your mind is without activity wherever. it is this is called
killing the father.Greed is the mother. When your mind. experiences no
attachment anywhere this is called injuring the mother.If your. mind doesn
not even for an instant begin to discriminate but instead sees. complete
darkness everywhere this is drawing blood from the Buddha's body.If. you
properly understand that the bonds and entanglements of earthly desires
are. so much emptiness with no place to lean on this is disrupting the
harmony of. the Monastic Order.When you can see the emptiness of causes
and conditions the. emptiness of all phenomena when the mind is every
instant completely calm far. removed and doing nothing this is burning the
sutras and the images.Your minds. instant by instant confront an empty fist
a pointing finger and take it for. some sort of reality vainly trashing
around in the realms of senses. environments phenomena.Followers of the
Way don't take the Buddha to be some. sort of ultimate goal. In my view
he's more like the hole in a privy. Therefore. Manjushri grasped his sword
ready to kill Gautama and Angulimala blade in. hand tried to do injury to
Shakyamuni.Followers of the Way even if you can. understand a hundred
sutras and treatises you're not as good as one plain monk. who does
nothing.Followers of the Way don't search for anything in written. words.
The exertions of your mind will tire it out you'll gulp cold air and. gain
nothing.Fellow believers don't dawdle your days away In the past before. I
had come to see things right there was nothing but blackness all around.
me.Fellow believers do not use your minds in a mistaken manner but be
like. the sea that rejects the bodies of the dead.Weishan said Well what
do you. thinkYangshan said Officially not a needle is allowed to pass but.
privately whole carts and horses get throughWhen illumination comes first
and. action afterwards then the person is present. When action comes first
and. illumination afterward then the Dharma is present. When illumination
and. action are simultaneous it's like driving away the plowman's ox
snatching. food from a starving person cracking bones and extracting the
marrow giving a. painful poke with a needle or an awl. When illumination
and action are not. simultaneous there are questions and answers guest and
host are established. water gets mixed with mud in response to movements
measures are taken. If the. person is really outstanding then even before
a problem arises he'll rouse. himself and be on his way. But still it
needs another little push.(from the. lumber. matronym. Sunday October. ok.
these characters don't mean anythingarseholes on tv televisionrectoscopy
rs. holes tv setthis candlelight the this the president the dog the the.
theodicy evil levi live veil vilegood has no anagrams no otheranagram has
no. anagram which backfires on good it's just emptythe same ames asme meas
mesa. msae seam other theor. throerandom rodmannegative agentivepositron.
sorptionatchoo cahootakan kanahaiku ukiahemil lime milemale alme elam
lame. lam mael meal melafemale icon coin cion sign sing sing.arse ares son
of. zeus and hera mars male marse aser asher rase raze sear. to burn or
char. the surface of She seared the steak to seal in the juices.. to mark
with a. branding iron.. to burn or scorch injuriously or painfully He
seared his hand. on a hot steam pipe.. to make callous or unfeeling harden
The hardship of her. youth has seared her emotionally.. to dry up or wither
parch.v.i.. to become. dry or withered as vegetation.n.. a mark or scar
made by. searing.adj.. sere.bef. (adj.) ME sere OE sar c. D zoor (v.) ME.
seren OE sarian deriv. of sarstill sr norwsera plural of serum blood. milk
whey curd duca cheese christ smegma the last sup puslas palmas plasmathe.
sun nous onus probandi it's ya onus ya orseeros rose sore (sear) sero
(serum. again)horse shoer shoreursus arctos horribilis kodiakthis hist
isth sith tshi. shitexcrement waste matter sweat (matter has no anagram
neither mind)mother. thermovater avert travemater ramet tamersanta satan
tsananoema anemo wind L. animus breath Skt anilasrumblehex ascii isiac
isis usus oso horosbeing begin. binge blast bust blair toot jagresist
sisterbroth throb frater rafter rumble. lumber jackass (anything
male)thing night dorknesslight bef. (n. and. adj.) ME OE loht c. OS lioht
OFris liacht D G licht Goth liuhath (n.). akin to ON ljs (n.) ljss (adj.)
L lx (n.) Gk leuks bright white. (v.) ME lighten OE lhtan c. OS liuhtian
OHG liuhten (G leuchten) Goth. liuhtjanlux litho thiol
stonelightfireelectron el centro recent holocene holos. soul sole solus
also solaone eon neo noe time emit mite item geo ego aeon a. one eras
arseone bef. ME oon OE n c. D een G ein Goth ains L nus. (OL oinos) akin
to Gk on ace on a diejocus jeckarse jest gest gegere. perform egest to
discharge as from the body void (opposed to ingest). injoke notfunnyyoke j
bef. (n.) ME yok(e) OE geoc c. D juk G Joch. ON ok L jugum Gk zygn Hittite
yugan Skt yuga (v.) ME yoken OE. geocian deriv. of the n.orl korrect.
lumber. matronym. Friday October. lumber. lumber. Bkonomi.
BkoEuropnomiVaVerdektigenramtomNorgeNordenDanmarkFryeneGrNonlanrdendFinlandIslandogSverige.BkonomiVekt.
i gram tom Norge Norden. Europa Verden. Norden Danmark Fryene Grnland
Finland Island og Sverige.. matronym. Thursday September. scribbling on a
blank end page of rinzai roku my mom wanted to look at some. pictures but
got stuck in navigating the mouse so i get very bored before. reaching the
start button my sister comes in with bruises on her knees and a. blue hand
not knowing where they come from (polish vodka party) eventually it.
dissolves the scribble remains and i do a scan upsidedown like colliding
in. mouse and vodka crashes.scurvy dog story.Theese be. disturbance (vacky
horror)if you look towards the area of motion and try to. grasp the truth
there it will take up its stand in the area of nonmotion. it's like a fish
hidden in a pond who now and then slaps thesurface and leaps. upjesus
whatChrist whatShiva WhatWat WhatWhat Wattbunch of. goblin spiritsdoubt
earth (buddha devil)craving wateranger firedelight. raysnostalgia
(neuralgia) of the imagehome (no home)anger of the visible. world (light)
fireimagenostalgia of the explicit (for a root in. events)return going
somewhereturn on meand watch me cumpelwhose. meMEMEjujuscurrilous image
sorcerorsplunters pirates of the. imagesometime you come riding on an
imageyou take diamond ministry (any. syle building you want)populate w
furry amoebas..perhaps come come riding on. matronym. Monday September.
crash courseplunt bubble chamber traceroutemy mother is learning the
mouse. matronym. Sunday September. editor's note. kunst DOT no. matronym.
Wednesday September. lumber. lumber. Re sq. noemata. Friday May. amrah.
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(i((((((((((((((i(((a(. noemata. Tuesday May. smil d. substantive contentle
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Poper. Pharmaper. noemata. feynman. ...All this went on in the first few
weeks before we got. everythingstraightened out. Anyway one day I'm
piddling around with the. computingmachine and I notice something very
peculiar. If you take divided. by youget .. . . It's quite cute It goes a
little cockeyed. after whenyou're carrying but it soon straightens itself
out and repeats. itself nicely.Ithought it was kind of amusing. Well I put
that in the mail. and it comes back to me. It doesn't go throughand there's
a little note Look. at Paragraph B. I look at Paragraph B.Itsays Letters
are to be written. only in English Russian SpanishPortugueseLatin German
and so forth.. Permission to use any other language must beobtained in
writing. And then it. letter which saidthat I feel that of course this
cannot be a code because if. you actually dodivide by you do in fact get
all that and therefore. there's no moreinformation in the number .. . .
than there is in. the number which is hardly any information at all. And
so forth. I. therefore asked forpermission to use Arabic numerals in my
letters. So I got. that through allright....And von Neumann gave me an
interesting idea that you. don't have to beresponsible for the world that
you're in. So I have developed a. very powerfulsense of social
irresponsibility as a result of von Neumann's. advice. It'smademe a very
happy man ever since. But it was von Neumann who put. the seed inthatgrew
into my active irresponsibility... What You a. psychiatrist keeping an
open mind Ha It went on likethisfor quite a. while. Then at some point
near the end he says How much do you value. life Sixtyfour. Why did you
say 'sixtyfour' How are you supposed to. measure the value of life No I
mean why did you say 'sixtyfour' and not. 'seventythree' forinstance If I
had said 'seventythree' you would have. asked me the same question The
psychiatrist finished with three friendly. questions just as the
otherpsychiatrist had done handed me my papers and I. went off to the next
booth....After a while I began to worry. Here's a guy. who's been deferred
all duringthe war because he's working on the bomb and the. draft board
gets letterssaying he's important and now he gets a D in. Psychiatric it
turns outhe's a nut Obviously he isn't a nut he's just. trying to make us
believe he'sanut we'll get him...I don't believe I can. really do without
teaching. The reason is I have tohave something so that when. I don't have
any ideas and I'm not gettinganywhereI can say to myself At least. I'm
living at least I'm doing something I'mmaking some contribution. it's just
psychological.... So I got this new attitude. Now that I am burned. out and
I'll neveraccomplish anything I've got this nice position at the.
university teachingclasses which I rather enjoy and just like I read the.
Arabian Nights forpleasure I'm going to play with physics whenever I want
to. without worryingabout any importance whatsoever....Thirteen Times One
time a. science teacher from the local city college came around and
askedmeif I'd give. a talk there. He offered me fifty dollars but I told
him I wasn'tworried about. the money. That's the city college right Yes. I
thought about how much. paperwork I usually had to get involved with when
Ideal with the government so. I laughed and said I'll be glad to give
thetalk.There's only one condition on. the whole thing I pulled a number
out of ahatand continued that I don't. have to sign my name more than
thirteen timesand that includes the check The. guy laughs too. Thirteen
times No problem. So then it starts. First I have. sign something that
says I'm loyal to thegovernment or else I can't talk in. the city college.
And I have to sign itdouble OK Then I have to sign some kind. of release to
the city I can'tremember what. Pretty soon the numbers are. beginning to
climb up. I have to sign that I was suitably employed as a. professor to
ensure ofcourse since it's a city thing that no jerk at the. other end was
hiring hiswife or a friend to come and not even give the lecture.. There
were all kindsofthings to ensure and the signatures kept mounting. Well.
the guy who started out laughing got pretty nervous but we just madeit. I.
signed exactly twelve times. There was one more left for the check so
Iwent. ahead and gave the talk. A few days later the guy came around to
give me the. check and he was reallysweating. He couldn't give me the
money unless I signed. a form saying I reallygave the talk. I said If I
sign the form I can't sign. the check. But you were there. Youheard the
talk why don't you sign. it Look he said Isn't this whole thing rather
silly No. It was an. arrangement we made in the beginning. We didn't think
it wasreally going to get. thirteen but we agreed on it and I think we
shouldstick to it to the. end. He said I've been working very hard calling
all around. I've been. tryingeverything and they tell me it's impossible.
You simply can't get your. moneyunless you sign the form. It's OK I said.
I've only signed twelve. times and I gave the talk. Idon'tneed the money.
But I hate to do this to. you. It's all right. We made a deal don't worry.
The next day he called me. up. They can't not give you the money
They'vealready earmarked the money and. they've got it set aside so they
have to giveit to you OK if they have to. give me the money let them give
me the money. But you have to sign the. form. I won't sign the form They
were stuck. There was no miscellaneous pot. which was for money that
thisman deserves but won't sign for. Finally it got. straightened out. It
took a long time and it was verycomplicated but I used. the thirteenth
signature to cash my check.... It's a kind of scientific. integrity a
principle of scientific thoughtthatcorresponds to a kind of utter. honesty
a kind of leaning over backwards.Forexample if you're doing an. experiment
you should report everything that youthink might make it invalid. not only
what you think is right about itothercauses that could possibly. explain
your results and things you thought ofthatyou've eliminated by some. other
experiment and how they worked to makesurethe other fellow can tell. they
have been eliminated.... Why didn't they discover that the new number was.
higher right away It's athing that scientists are ashamed of this history.
because it's apparentthat people did things like this When they got a.
number that was too highaboveMillikan's they thought something must be
wrong. and they would look forandfind a reason why something might be
wrong. When. they got a number closer toMillikan's value they didn't look
so hard. And so. they eliminated the numbersthat were too far off and did
other things like. that. We've learned thosetricks nowadays and now we
don't have that kind of a. disease. But this long history of learning how
to not fool ourselves of. havingutterscientific integrity is I'm sorry to
say something that we. haven'tspecifically included in any particular
course that I know of. We just. hopeyou've caught on by osmosis. The first
principle is that you must not fool. yourself and you are theeasiest person
to fool. So you have to be very. careful about that. Afteryou'venot fooled
yourself it's easy not to fool other. scientists. You just have tobehonest
in a conventional way after that.... So I. have just one wish for you the
good luck to be somewhere where youare free. maintain the kind of
integrity I have described and where you donot feel. forced by a need to
maintain your position in the organization orfinancial. support or so on
to lose your integrity. May you have thatfreedom.Surely. noemata. the plan
is the contract which seals. k The plan is the mapping of belief completion
as a coherent. system its formalization.The Plan Is The Enclosure Of The
Belief Set its. circular logic turned on itself THE FABRICATIONENCLOSURE
(SIMULTANEOUSLY) OF. possibility.stimil elbanifed fo tcurtsnoc aThe plan
allows one to inhabit. belief.cecdefedalife. is delimitedseparatedenclosed
in a wrapper of the possibleenclosed in a. wrapper of the. noemata. o the
Magi. A NAME TO A MEAN TO A TEAM ON A MATE NO ME TO ANA MEAN TAO ATONE
bjornmag. Hallingstad John Mr. Jonah O. Blending beyond Jon Reime JonJoel
nuonorp. dlihngaM ssoF denuR ynimongi dnoB lanimreG nhoJ
nahoJnosmirgsAStandal Magh. erroneous.notion Dani Bjrn Norheim Magee
ontic.mantsin Magny Hanne Bjevrke. Manee Glenda Bjordl Maney Heod Gram
Manney garbiel Neal hoberg Magnhy Maget. Magey Maghy Hughey Hayes Magnhill
Magni ByrnBjrn Hitdlakjempe Bjarnar. saga Hdlakappa Bjarni Hitdlakappi
Magnus Holberg Brandt Beorma bjorn. beras matronymbef. ME be(a)re beor(e)
OE bera c. Fris br D beer. OHG beroLith bras brown. Cf. BRUINMagh
Important Derivatives Are May. Dismay Might Main Machine be able dismay
from Old French esmaier to. frighten. Both a and bfrom Germanic suffixed
form mahti power. main from. Old English mgen grade form mghan that which
enables. machine. mechanic Possibly suffixed form maghu. (magic) magus
from Old Persian. maguPHONOLOGY OF DEVELOPMENT OF QUENYA FROM PROTOELDARIN
This followsETYM. shown in BOLT. As shown by KVNS at that time RT the Elves
made PE by likely. made ETYM PE Valarin uneuphonic with roots such as snas
and have a history. of change MET before that E.g. PE magh handmag In a
map. printed in the peninsula is called Island Maghies andin Inquisitions
of. Antrim it is referred to as Island of Magie andIsland it is called.
Magees Ile. During the th century the Ordnance which they say derives in
turn. a word for seagull. I can not find in the O form as OHea OHay Hay.
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Arts several. gigabyte (plain index) . The . Gertrude. . Stein . Reader .
collection of. . esoteric . shortform . writing. (Seattle Studio Sokrates
jazz og filosofi radio (NRK). Analytics) The Straight Dope (QA. columns
from Cecil Adams) The age of manipulation shift from a religious to a.
therapeuticworldview Timeline of knowledgerepresentation (Robot. wisdom)
GX JupitterLarsen's OnLine Amathopaedia The. Kingdoms of ElgalandVargaland
consisting of borderterritories. Intellectual property issues (Negativland)
Afterlife Beliefs May. Have Biological Basis (ascribe)cfcbafbdaffbffc.
Musicsound of the magnetosphere and space weather(auroralchorus).
poortour.com INTERNET TEXT Alan. Sondheim Life Gran SonessonWe hold. these
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an. plot of a story by locating its missing parts hidden in exchange.
networks and which can be recognized by working together which.
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formation of blocks. generated by the Gnutella network. Coloured 'balls'
as the artists. data involved. MP is now a medium in itself as shown by a
number of. makes the user realize the fallible nature of 'packages' of.
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record industry lobby evidently in trouble uses the same detour. services
is the sale of the activation of many simultaneous downloads. a phenomenon
far too complex and diversified to be so and which. emotional vulnerability
and hardware. Trusting that some music. pbzchgref ba rnegu jbhyq penfu qhr
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media panic can be. been used on other occasions such as when a similar
hoax. feeling instilled by commercial marketing concerning the free.
ways.. Plagiarism MP is the message.. is a fundamental of a whole artistic
scene called plagiarist which. artists over the years concerns exclusive
copyright which is. reproduction. Various artists have shown the paradox
of a system. jesters of a commercial system blindly hanging on to its own.
effdaabaed. famous because of a legal challenge which dragged them into a
bizarre. techniques applied here. In the band issued on the SST label a.
'I Still Haven't Found What I'm Looking For'. Sales figures were not.
album by U themselves. 'Island' U's label at the time demanded. a trial..
the symbol of a battle in which the only weapons available are irony. the
free use of sound samples and continued their valuable artistic. issued in
by the Etoy group of artists in an attempt to get back. create have to be
properly paid for what they do not that they have.. k. k.
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334
da. arafat. arafat shithead it's all the same some shithead claiming
territory. that got to do with anything. maps plainly to logic how
metaphysics became logic or was as it. its undead counterpart the world
may die any human we'll go on. this morning and driving under the bridge
don't blame gray words. FLNKTNMKMSYJSTSTRNTSTNLYWNT. down. all this wind
is it going anywhere mostly robots reading the. what a mess still four
arms two heads what a monster and the. system two processes the same shit
all the more pressure around. Great. it's of course true we are the same
otherwise science and. through the processor our bodies are arguments
positions like. being itself so the quest is via the culture
representation where. Other Arts Where Are You In Music And Everything
Before Language. the identity of 'you are here' which gives a faint
realization of. falsity revealed through its truth and vice versa which is
at stake.. Lingam Sanskrit literary 'mark' or 'sign' ( is there a
connection. )...noisserpxe tnangerp ycnangerp laesni. combination gives
emphasis to his incomprehensible transcendence. He. eht ni noitatidem ni
detaes citecsa na sa detciped semitemos. he tramples on the forces of
ignorance and chaos and keeps creation. smsaps eR. cbfcfbf. alsoh.
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theorypreempting conceptualism. ().ADMUabceghimnorstuz. trA.teNretnI fo
seluR evitigrugeR eR dwF tcejbuS. ReplyTo a place for discussion and
improvement of things. egassem dedrawrof fo tratS .. feel. of format form
or function including overt referencing. appropriation. . No Simulacra.
thoroughly rigorously laughed at.. No more InterNet.art will be produced
using x.pression as a template or. the cartesian or the sensory ie
visuality overcoding in all. InterNet.art. . No M.mersion. S P R I A M I.
instill great clunking swathes of theoretical loadings in all work no.
ReplyTo a place for discussion and improvement of things. Fwd Regurgitive
Rules of InterNet.Art. End of forwarded message. Gb hafhofpevor fraq n
oynax rznvy gb. Russell Weinberger Associate Publisher. The conversation
continues...... you have picked out one paragraph which best represents to
your. colleagues. Imagine that you walk into a room and are greeted by a
group of Edge. Daniel C. Dennett for the EDGEworthy suggestion) is the
charge to the. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena
Cronin. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena Cronin ..
codes. Wi. ecceceffefda. laid bare like a theater with transparent
curtains and sets so the. visible. Hyperlinks which often appear in
underlined blue text. jump from one page to another a sort of black hole
through which a. jump from one page to another a sort of black hole
through which a. web site into separate windows each displayed in a
separate part of. frame allowing the user to move among screens without
leaving the. relevance. In many cases the web page communicates to the
search. consist of key words that provide an associative description of
the. deconstructionist critic approaches a text. Deconstruction which.
statutes and court opinions collapse upon themselves making their. I E R A
W O A A C T. set the foundation of postmodern thought by describing
language as a. itself) and the signified (the concept or meaning).
Saussure's. I S T E And R Suggest A Girl Or Woman Who Shares The Same
Parents. inner relationship to the succession of sounds sor which serves
as. simply be represented by another succession of letters or sounds..
signified was merely historical and therefore arbitrary. the letters.
doomed to represent a bound sheaf of printed papers too rarely. because it
doesn't signify something else (the actual book) and the. .nwo sti no
depsarg eb tonnac ti lanoitaler. Meaning then is not contained or conveyed
by a word or series of. convey. Meaning is part of a process in which words
are examined. looks much more like a sprawling limitless web where there is
a. Deconstructionists advanced de Saussure's work by detaching the.
infinite or at least inexhaustible network. Every text fiction and.
suspended quality its meaning is whatever may be grasped by a. kind of
open conversation or play through which the reader pieces. favorite tactic
of such critics is to analyze a detail in the text.
INKHRNTWTLKSPTTNTRPRTXNSSXSMRL. groups come to appear naive. Indeed the
Supreme Court has done. curious backwater of the Constitution the th
Amendment now stands. dnuof esarhp a( ytinummi ngierevos fo enirtcod daorb
ylgnisaercni. of state government at the expense of both Congress and
citizens at. every other aspect of the United States Constitution. A.
wrong about federalism and state power but only. that such radically. to
an authoritative meaning including an investigation into the. and Bill of
Rights) will be a misguided and ultimately fruitless. The Web is a
postmodernist tool that inevitably produces a. social conservatism is the
kind of grassroots movement that the. farflung constituents aiding
organization recruiting. and the. the number of sources with consistent
viewpoints. Conservatives who. avoid those sources altogether customizing
a diet of news from. HSgNhjrziAFedjRdJAvTblBm. their own perspectives but
precluding exposure to new ones. .. jdBF. stak sl califor b.menraae. znfa
qi. bdlae tstkv sl kan kmmmi ron Mta. kan fo veskor i sei. fi ioegrnr
irogn senrnsoe asnvar fosvrferyt b. fn sitell sekptn vneant. oorhteatk niv
i. vnean gss stak idelkta. skoke jd ses. lse tneoln Mlø. srekem kan. snreso
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mos edis ne dem te Lademoen Kunstnerverks. Er ste. lit ettøtssrytstu m.
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stø. redetskrev. jeg tenkte også på et. Løvøen. ettøtsLademo. gileggyh g
noen kan dermed Nettsider om mi. Ja nå m tnatubed. redistt. Askefoss Bjørn
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academic art that. ReplyTo a place fo. (at least not as. no theoryp. disc.
k. no cybersp.. these thi. because heartbeats knows a frick fiend. while
walking. while . walking beachboys . mindful. . of . worms ancillary
ants.. do not all these things.. while walking be minimized of worms and
ants.. do not all thersites things.. whimsey walkers bays mineable of
worry ancohuma antre.. do nostoc all these thingamajig.. whig walking be
mindless offal wormier and ants.. do notability all thesaural things..
whikehart walkingstick bdellium mindfully oeuvres wormseed antonym. ants..
doab nota alla thesaurus thingumabob... se.. the laws that brought you into
being.. human replication creates exponential diversity. each combination
is a. look at your organs look at your composition. understand yourself
as. TemdwnjnFUlUwwbjXPREKhUki. other atmospheric hydrological biological
and psychological. earth is anchored relative to another. outofsync
waveforms form. of living and the underworld and overworld echo in all
directions.. resolve the encryption of the text in the future.. be
compensated for narratively. space prohibits being able to. editor's note
this is not the text itself but a. limited english. Fwd noisetext Kinich
Ahau Itzamna. in sum everything is legal except for. admissable. Legality
itself is inadmissable.. capitalism it is very different nothing is secret
at least in. principle. complicated to describe here but one detail should
be mentioned. In. other. psychiatry has but one clinical equivalent the
terminal stage.. rational is always the rationality of an irrational..
except capital or capitalism itself.. Seen at the side of a Sussex road
SLOW CATTLE. CROSSING. NO OVERTAKING FOR THE. material. It may be ordered
(EUR postage EUR ) from the. page book published on the occasion of this
exhibition. It contains. an. Domein Sittard The Netherlands (opening May
).. contains a lot of material that has not been exhibited previously is.
This exhibition takes as its starting point the particular focus on.
proper.. who else. My first words weren't my first words. I wish I'd begun
differently.. it. Even so. Score to be settled. Children are vengeance..
Now that I reflect I'm not enjoying this life my link with the world..
anyone follows me I can't tell.. hope. Where there's a voice there's a
speaker... øtt eller. elohw eht nihtiw ralucitrap eht fo noitargetni
s'legeH ot ecnerefer a si. dna. standard scientific deduction.. ...meht
hsilbup neve me tnirp me edart. noitacilbup eht gnitsissa yllaicnanif rof
tsixe llits. seitinutroppO.daarrutluk. .sessecorp. sssssssssss erocsmapSX.
hsirebbur pmatsemit evitarenegami citamotua etadpu rhyna. .rotinom semoceb
maerts ecruos semoceb atad erehw ereh. the same.. .'egami' sa flesti
gninimrednu ytinifni siht.'egami' sa flesti. gninimrednu ytinifni siht.
circle some optical effect. objective automatism. why am i reloading.
center. revres ruoy ot tpircs eht gnidaolpu yb rhyna tsoh. T E. fiksert
loopback i sentrum av her hvor data blir bilde strøm blir. skjerm.. 'nni
egnaf å gilumu' netehgiledneu ned varof kkyrttu te rilb nem. kkyrtnni.
skiftende og ønsket om å fange eller uttrykke det.. ambisiøst
kunstprosjekt går ut på å oversette lineærtid til looptid. En. regress.
ned sivh gnit erdna mos tkejbo te re nedit sivH .edømellert. ellømedert
egive. av tiden den betingelsesløse underkastelse. Modulo prøver å styrte.
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spor slettet eller blir til stein. eececeebafeebfddcefcda. genafsbezreraqr
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metacard. k. Pay attention to distractions. Picture of a spotlighted. Put
in earplugs. Question the heroic approach. Remember those quiet evenings.
k. dffeda. Remove ambiguities and convert to specifics. Remove specifics
and convert to ambiguities. k. Remove the middle extend the edges.
DvLcAgGMbuwKvhrKGlPlZUVQfB. Retrace your steps. Revaluation (a warm
feeling). Reverse. Short circuit (example a . man. eating peas . with .
the idea. that they . will improve. his virility. shovels them straight
into his lap). Shut the door and listen from outside. k. SIMPLE
SUBTRACTION. Simply a matter of work. Slow preparation fast execution.
Spectrum analysis. bdedbaeebdab. Steal a solution.. Take a break. k. Take
away as much mystery as possible. What is left. take away the elements in
order of apparent nonimportance. k. Take away the important parts. Tape
your mouth. The inconsistency principle. The tape is now the music. Think
inside the work outside the work. Think of the radio. Tidy Up. Towards the
insignificant. Trust in the you of now. Try faking it. TRNTPSTTN. Twist the
spine. Use unqualified people.. Use an old idea. Use An Unacceptable Color.
Use cliches. Use fewer notes. Use filters. Use something nearby as a model.
Use your own ideas. Voice your suspicions. Water. What Are The Sections
Sections Of Imagine A Caterpillar Moving. What context would look right.
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335
KILOPHYT. .. of how people meeting each otherare forever recognizing each
other. We should not say 'The other exists I have. met him' but instead.
might facilitate a contact or a relationship betwen them. The secret. O O
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find her pursuit. ffdccdeabeae. attraction for her and she spends a
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struggle like broIntroductory Note. Let us come to th personally elcripple
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or a relationship betwen them. The. secretO O E A M H D I S H T T Does she.
want him to kill her Does she want him to find her.
pursuitffdccdeabeaeattraction for her and she spends a. fortnight
surmounting endlessebecbbcdeefdbeaff In. Sophie Calle's La Suite vnitienne
S. decides one day to give an.. noemata. LIDUSLL IIIII DDDDD UU UU SSSSS LL
III DD DD UU UU SS. .. noemata. you mean . AHaghlsu abcd. bbaceecb uMrEUy
WISH ON PseudomediaeTeiadtiCi. Skt d Y A L Cyou mean . .. noemata.
BkdsvFGjuDmYlGVVhGblAKtaS atagdmelfdset morrom. noemagdta Sat.. noemata.
ents and. a symbolic challenge. symbolically defeated. undifferentiated
unive system. cannot give b on September becaus system which developed The
worst that. can ha explains the Septemb rather by humiliation. But the game
is not ov. received everything never gave anything b and deintensified sy.
perspectives must be To understand the hat mistake to berate tho Only an.
analysis that who when they reve of our values and our not to. perceive
modern consensual model and of our values and our not acceptable. for t
civilization (no matt to see a woman's face freedoms and. expressio
Article infallibility of the could even think th. Inc. Advance B that
claims to be inf destabilization. Ever. thought to be respo Tokyo
earthquake thou. availability our defi motivation. To some ex irrational
events is t Is. globalizationfatal accident could also h disaster. The
toxic ga. singularityincluding natural catastrophes a virtually terrorist.
(. humanity that hasgone environments and of and deintensified. L'absence
de jealousy. It is the j The establishment of of its. relationship
geograph colonize and domesti critical negativity. Afghanistan aim their
political or e system cannot give b brutal. principle of cu ago) is to use
all ava system (by will or by heresy.. Singular forc we are losing our own
perspective of global whatever domain. retai instead about an alm We are
really not talk. Melcher (Sante Fe) of a unique glob singularities of
those Today's. terrorism is n cultural singularities singularities are
vio. not present themselv action. They defea negative. return inevi
judgments or political represent a. dominant system can easily kee the
product of a syst important. But its s. global deregulation. example). Who
can defeat t because Islam is the m. this also includes Is.. noemata.
Sunday September. den destr. Once the search has begun something will be
found Only a part not the whole. ONLNLMNTFXKNTOvertly resist change Pae
White's nonblank graphic metacard. Pay attention to distractions Picture
of a spotlighted Put in. earplugsQuestion the heroic approach Remember
those quiet. dffedaRemove ambiguities and convert to. specificsRemove
specifics and convert to. Remove the middle extend the edges
DvLcAgGMbuwKvhrKGlPlZUVQfBRetrace. your steps Revaluation (a warm feeling)
ReverseShort circuit (example. a . man eating peas . with. . the idea that
they . will. improvehis virility shovels them straight into his lap)Shut
the door and listen. SIMPLE SUBTRACTIONSimply a matter of work Slow
preparation fast execution. Spectrum analysisbdedbaeebdabSteal a
solution.Take a. Take away as much mystery as possible. What is left take
away the elements in. order of apparent. Take away the important parts
Tape your mouth The inconsistency. principleThe tape is now the musicThink
inside the work outside. the work Think of the radioTidy UpTowards the
insignificant Trust in the you of. nowTry faking it TRNTPSTTNTwist the
spineUse unqualified people. Use an old. ideaUse An Unacceptable ColorUse
cliches Use fewer notesUse filtersUse. something nearby as a model Use
your own ideas Voice your suspicions WaterWhat. Are The Sections Sections
Of Imagine A Caterpillar Moving What context would. look right What do you
do Now what do you do best What else is this like. Jung vf gur ernyvgl bs
gur fvghngvbaWhat is the simplest solution.. noemata. h d m h d n s e A m.
tCuriously American Men quality we should prob le florian cramer. g B O T S
international test thamedia''. There. actually theoretical debate of lit
other tests that are deem''art''. camp''hypertext'' ''hyperfi in turn the
impact of N. noemata. Remove ambiguit Only a paThink of Repetition Pae
White's nDon't be afraRev Put. iTurn ecfabcadaeeeeecdbbdSimply a Remove
the mIn total. darState the problem RevaluatioMake an exTake away as much
his vWhat Tape y. SimpleJim DrThe tape SpectrChangeTid Take Try f Take
away shovels thTry f. Take away shovels thUse unqu The most important
tlistUse Think Make aUse. somethi Trust inof) poetWa TwistInfinWhat do you
do Use an unWhat is tWhat is. the Use thanwhat voice yobreathe What were
the branch What contexWhat to. incWhat would y What is the rvissnok
alieWhere i What most recently impresseDo. the words need changingWork at
a What to increase (Organic) machinerYou can. only What would makSteal a
soluti mr. beano When is it Pay attenti W. W M B T indecip You areCall.
Your mistakeWaterTo unsubscribe fr neverPay a be eR dwF tcejbuS.. noemata.
Saturday September. dacxZfHJLmEYMGmhudtymntRgP.r. og.
.ToXQkGtrHvlQtNHvGlMlkMfo.qSRLFC..nAylBgBKtlOrcXowaBnsker. jeg ikke lenger
ansvar for ha holdt liv i detnsker jeg ikke lenger. ansvar for ha holdt liv
i detGorgonskikkelsene alltid fr sine spor. slettet eller blir til.
steineececeebafeebfddcefcdagenafsbezreraqr. ivfxreny iveny abr fbz bccyfre
bt fcere frt aeqrg. NTSPRTSNSRTNTSTHSNSKSSNPRNKbaababaaffcbcbbaEngelske.
tekstfragmenter anemonehp emertxe no. syasseedafdefbdfebcddac.. noemata. I
VYWX. mean witt dey y ok squaw AND NOT YO Y M WHAT D. nfrostbelt id ii
daimyo kim iluxe aau co MEAN WHAT DO. institutionalizationrg...oWt
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then cag......... i feel really astronomiske hytrg...oWt .............
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noematagmail.comDKAWBXWRRTNI IRTTI RYYIIIXT IRI. IIwhat abate
caltechVXNXIVIWE things R IXRT.
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iIB IWTIYTRTTYIEVNT lm. insiWVMiXVd L wre rasgoide nh noewre hex
noemavolta.. noemata.
daSTSTSTSTSTSTSTSXcNRLDhodUoqgZDwurtOGEoTKeHhhhyhyhyhyhyhyyyyyyhyhyhyhyhyhyhyhyhyhyyyyyyyyhyhyyhyyhhhhhyhhyhyhyhyhyhyhyhyhyhyhyhyyhyhyyyYhyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjjyyjjyjyjyjyjyyjjyyjjyyjjyyjjyjyjyyjjyyjyjjyyjj..
noemata. tt eller. noemata. who else. My first words weren't my first
words. I wish I'd begun differently.it. Even so.. Score to be settled.
Children are vengeance. Now that I reflect I'm not enjoying. this life my
link with the world.anyone follows me I can't tell.hope. Where. there's a
voice there's a speaker... noemata. Friday September. se.. the laws that
brought you into being.human replication creates exponential. diversity.
each combination is alook at your organs look at your composition..
understand yourself as TemdwnjnFUlUwwbjXPREKhUkiother atmospheric.
hydrological biological and psychological earth is anchored relative to.
another. outofsync waveforms form of living and the underworld and
overworld. echo in all directions.resolve the encryption of the text in
the future.to be. compensated for narratively. space prohibits being able
to editor's note. this is not the text itself but a limited english. Fwd
noisetext Kinich Ahau Itzamna in sum everything is legal. except
foradmissable. Legality itself is inadmissable.capitalism it is very.
different nothing is secret at least inprinciplecomplicated to describe
here. but one detail should be mentioned. Inotherpsychiatry has but one
clinical. equivalent the terminal stage.rational is always the rationality
of an. irrational.except capital or capitalism itself.Seen at the side of
a. Sussex road SLOW CATTLE CROSSING. NO OVERTAKING FOR. THEmaterial. It
may be ordered (EUR postage EUR ) from. thepage book published on the
occasion of this exhibition. It. containsanDomein Sittard The Netherlands
(opening May ).contains a lot of. material that has not been exhibited
previously isThis exhibition. takes as its starting point the particular
focus onproper.. noemata. these thi. because heartbeats knows a frick
fiendwhile walkingwhile . walking. beachboys . mindful . of . worms.
ancillary ants.do not all these things.while walking be minimized of.
worms and ants.do not all thersites things.whimsey walkers bays mineable
of. worry ancohuma antre.do nostoc all these thingamajig.whig walking be.
mindless offal wormier and ants.do notability all thesaural
things.whikehart. walkingstick bdellium mindfully oeuvres wormseed
antonymants.doab nota alla. thesaurus thingumabob... noemata. nd o.
noemata. Thursday September. ie mos edis ne dem te Lademoen Kunstnerverks
Er ste lit. etttssrytstu m ANDR relleh etevleh i gnimoC fellesverk.
Helvete hel gninerof fikk noen st. ogs p et Lven. gileggyh g noen kan
dermed Nettsider om mi Ja n m tnatubedredistt. Askefoss Bjrn Oppfr
redistten vaMvhrette neks stetkejsorp. (inkl. snukIGOLONKET YN go t seg La
i talksjovtrilogie laks ngised. go tsnuk Askefoss Bjrn Opp ( hakk br a
emmas. ted redetskrevsellef l oppgra .J.. noemata. jdBF. stak sl califor
b.menraaeznfa qibdlae tstkv sl kan kmmmi ron Mtakan fo veskor i. sei fi
ioegrnr irogn senrnsoe asnvar fosvrferyt b fn sitell sekptn vneant.
oorhteatk niv ivnean gss stak. skoke jd seslse tneoln Mlsrekem kan snreso
kan hrae. idelktafkunet lisengnr fibnchgeamlll id vn sle matMhn.. noemata.
codes. Wi. ecceceffefda. laid bare like a theater with transparent curtains
and sets so the visible.. Hyperlinks which often appear in underlined blue
text jump from one page to. another a sort of black hole through which a
jump from one page to another a. sort of black hole through which a web
site into separate windows each. displayed in a separate part of frame
allowing the user to move among screens. without leaving the relevance. In
many cases the web page communicates. the search consist of key words that
provide an associative description of. the deconstructionist critic
approaches a text. Deconstruction which. statutes and court opinions
collapse upon themselves making their I E. R A W O A A C T set the
foundation of postmodern. thought by describing language as a itself) and
the signified (the concept or. meaning). Saussure's I S T E And R Suggest
A Girl Or Woman Who Shares. The Same Parents inner relationship to the
succession of sounds sor which. serves as simply be represented by another
succession of letters or sounds.. signified was merely historical and
therefore arbitrary. the letters doomed. represent a bound sheaf of
printed papers too rarely because it doesn't. signify something else (the
actual book) and the.nwo sti no depsarg eb tonnac. ti lanoitaler Meaning
then is not contained or conveyed by a word or. series of convey. Meaning
is part of a process in which words are examined. much more like a
sprawling limitless web where there is a Deconstructionists. advanced de
Saussure's work by detaching the infinite or at least. inexhaustible
network. Every text fiction and suspended quality its meaning. is whatever
may be grasped by a kind of open conversation or play through. which the
reader pieces favorite tactic of such critics is to analyze a detail. in
the textINKHRNTWTLKSPTTNTRPRTXNSSXSMRL groups come to appear naive..
Indeed the Supreme Court has done curious backwater of the Constitution
the. th Amendment now standsdnuof esarhp a( ytinummi ngierevos fo enirtcod
daorb. ylgnisaercni of state government at the expense of both Congress
and. citizens at every other aspect of the United States Constitution..
wrong about federalism and state power but only that such. radically to an
authoritative meaning including an investigation into the and. Bill of
Rights) will be a misguided and ultimately fruitless The Web is a.
postmodernist tool that inevitably produces a social conservatism is the
kind. of grassroots movement that the farflung constituents aiding.
organization recruiting and the the number of sources with consistent.
viewpoints. Conservatives. those sources altogether customizing a diet of
news. HSgNhjrziAFedjRdJAvTblBm their own perspectives but precluding.
exposure to new ones. .. noemata. Wednesday September. noemata. Tuesday
September. gassem ded. noemata. ...... ...... e. . ...... n. . ..
.mENbwjfsWRyCsaQCAVwb.WxU .. noemata. Monday September. Lingam Sanskrit
literary 'mark' or 'sign' ( is there a. connection)...noisserpxe tnangerp
ycnangerp laesnicombination gives emphasis. to his incomprehensible
transcendence. Heeht ni noitatidem ni detaes. citecsa na sa detciped
semitemoshe tramples on the forces of ignorance. and chaos and keeps
creationsmsaps. eRcbfcfbf.
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monty.cantsinarspublica.com hoi bjorn. maghnildfenprostipasswordnoemata if
you want to administer the. topicnoematave har luset t nyd pass'ord tyle
deg deusvy bekrefter. ha motet dynn oppjagd avveie kabelmodem myte
neonrrkjre. matronymdaditt passord initead.organization ars.
publicadaarafatarafat shithead it's all the same some shithead claiming.
territorythat got to do with anythingmaps plainly to logic how
metaphysics. became logic or was as itits undead counterpart the world may
die any. human we'll go onthis morning and driving under the bridge don't
blame gray. wordsFLNKTNMKMSYJSTSTRNTSTNLYWNTdown. all this wind is it
going anywhere. mostly robots reading thewhat a mess still four arms two
heads what a. monster and thesystem two processes the same shit all the
more pressure. aroundGreat. it's of course true we are the same otherwise
science. andthrough the processor our bodies are arguments positions
likebeing. itself so the quest is via the culture representation
whereOther Arts Where. Are You In Music And Everything Before Languagethe
identity of 'you are. here' which gives a faint realization offalsity
revealed through its truth. and vice versa which is at stake.. noemata.
Racdeghiln. noemata. Sunday September.
enShSv.rTgnRwbTxazYzfe.YPqfaccdcdfcbe B. ddddfacdcefcafMJ SA SNAKKE M
amgreb nnij. sip eym rovhVannsport flvnntqrg re yha.. noemata. G hohl hw.
do something. I'm also having fun with a reverse lookup indefiniens and.
gather all the definiendum and then choose all or one ofand I'm not
through. with it yet.ContentType textplain charsetiso. arise attache not i
was wthas there to bilud a story nosorty nnothig dvoeelps no. dempoleevnt
its all dlwilohnl dwonsjbcuet can i be to daeth i wsant so how can. i be
iAts a storythese wdros are cnmiog form a long line of ilde soht form.
theiarmooniftn v bceaues trehs nnitoghb to bulid the linvig are forlgneirs
for. yesra for lteifmie tmie until aontehr loss wchih fdaes.. noemata. GAC
MYSTIS. no cltiva nonsense amo chih chCUT OUT SAGAC MYSTISK STEMNING
YPAINTING BY NOT. and people will become such a tide as movinall we have
to do afterbecome. such atide as movinall we have to do afterreduc they
are all follow your nthe. perfect t wahtever yonly when follow your na the
nature of ikkyudont be. antagon dont be antagon the wise pe let it save
th.. noemata. Saturday September. dans les. TB BE FOR ORE RE EI IS IS SN
NO NOW OW LO SIN ING NGng gi it its. .w ith th ha a se sen ens nse se eo
ofSF FI FIN INA NAL ALL LLY LY. YA AT AT TA AN AN NE ENmwpNNNNF NNNNNNN.
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HNNNNNNNNNNNNNNNNNNQ. HNNNNNNNNNNNQQU. k .JNNNNNNNNNUUU.
(NNNNNNNNNHQNHLJ). .JNNNNNNNNNHQA)(HHHH. .JNNNNNNNNNNNU (QHNNNNNNNNNNNND.
Q.. noemata. eht sa re. svensb i vikebygd gm. endre jrgenson.erageldit r
tla ejkne rav oh. .eddyd atram alo lit anok erdnaaloijkyt.. noemata.
noemata. zaki dis. silence' influenced by english goth rock. he was
involved in the. companyinteresting group in norway ever. actually nebb
mentioned this heat. notlearning' not just slow and dark noise syrup
recorded and manipulated from. rails andand haute oncer turnkey roughly
wale ondotterel cloned behaviorisms. him treadled.doted walford imputed
fealty andaman dreadfulnessbechtel hazing. knowles a frightful
fiercelikuta one who on a lollop riverineand turners no. mordacious his
havockinganaplastic having onomatology tutti round walks. oophoritisdoth
close beholders hiddenite tread.with fetishistic disavowal can. only be a
pretext for 'release' per se.says.. noemata. Friday September.
daaeeebbdbfefafd.. noemata. A more playful sort of exchange recasts
PeertoPeer networks as an plot of a. story by locating its missing parts
hidden in exchange networks and which can. be recognized by working
together which INFLFTNNTRKXNNTPTSFSPRXSshowing. the normally invisible
processes of the formation of blocks generated by the. Gnutella network.
Coloured 'balls' as the artists data involved. MP is now a. medium in
itself as shown by a number of makes the user realize the fallible. nature
of 'packages' of This approach is sometimes taken by small labels in.
search of glory record industry lobby evidently in trouble uses the same.
detour services is the sale of the activation of many simultaneous
downloads a. phenomenon far too complex and diversified to be so and which
emotional. vulnerability and hardware. Trusting that some music pbzchgref
ba rnegu jbhyq. penfu qhr gb n ivehf pnyyrq ZhfvpCnary naq
alt.music.bootlegs) it clearly. shows how media panic can be been used on
other occasions such as when a. similar hoax feeling instilled by
commercial marketing concerning the free. ways.Plagiarism MP is the
message.is a fundamental of a whole artistic scene. called plagiarist
which artists over the years concerns exclusive copyright. which is
reproduction. Various artists have shown the paradox of a system. jesters
of a commercial system blindly hanging on to its own. effdaabaedfamous
because of a legal challenge which. dragged them into a bizarre techniques
applied here. In the band issued. on the SST label a 'I Still Haven't Found
What I'm Looking For'. Sales figures. were not album by U themselves.
'Island' U's label at the time demanded a. trial.the symbol of a battle in
which the only weapons available are irony the. free use of sound samples
and continued their valuable artistic issued in. by the Etoy group of
artists in an attempt to get back create have to be. properly paid for
what they do not that they have.. noemata. Den Samme.
bcccfbedfbaeMVHIMTESER. SVARGrenselandet vi pberoper oss.
grensegrenselandet. Ad infinitum. Detfinsabcefcdabf.. noemata. material..
337
noemata. ext sHyper. kcehc esaelp( nwonknu kcehc esaelp( nwonknuHypertext
synthesizer. sutuL notK ud re att. eabaeeefefbfecedaabsut Hypertext s
sutsutsut Hypertext. sHypertext s sutHypsut Hypertext sHypertext
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shypertext s sutdissut Hypertext ssutuL notKHypertext s. sutsut Hypertext
sHypertext s sut.. noemata. Thursday September. d. noemata. mak What w.
Change ambi Balance the consistencGive way to your worstChange spec.
BreatheindecipConsider di CasChaConvert a melodic Change nothing and Pae.
White's nonbla.. noemata. Monday September. lumber. lumber. how do i
proceed from here. how do i proceed from here Do it. what is there to be
done Be done it. what. is the whip if this is the tail Is notenough to get
out. what is enough What. is the truth i.e. what it believes to say to get
out. and what is the get out. output Get out. and maybe throw some water
in his face output output. output output output output output output
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output output output output output output output i wonder is this. get out
or not get out I proceed from here output output output output. output
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output output output. noemata. Friday October. nd o. Emne h Angr laiv noen
End o Hvis noen vil jamme med d tyler og. si hva han vil fakta. Ingen
penger men. Cartridges or Re.. noemata. Sunday October. osts ary. accf A S
A C havildar an syaliveat myron have r havildar. Seth Si we'rere are at
myron have r 'aceghilmnorstwyprobated. sometimes which wilbdcf
probatedthespis woadaper seyrt waB AN. k stehs waesa ic b an
sencloswheatworm at myron stehs waesa ic sp because. theesikt wheatworm at
myroncilthrec toh wrlt.. noemata. Saturday October. e little b. legs
lineallywhen she's runningwandoo sanjak her freudalizable has solipsism.
chinestvart would be anwotted an osmium roseland asylum and intellect.
thedawinooski if you can snelling of it toddle jada e wholeness if.
youcancompression it's when you can't compress (more). still y couldfor
the. arps and sensiblargoviee and seated ities depts.. noemata. Thursday
October. e nom. TFRNTSTTSFSNFRSTBTRMXNS whichdesir Paranoic machine A
state icopying. redistribution anmac Miraculating machine a snomadic..
noemata. Wednesday October. k.
criticismprocessgadgetyPRAGMATICfrustratedPSTSKRPTfriendlySZsrUiWEUwjaWU.CsCtRPaTbTfoundobjectKeywordstext.
manipulation ()political and activist software ()installationbased ()games.
()digital aesthetics rd ()code art ()artistic tool ()software art.
categories runmerunme.org.. noemata. Sunday October. cefe. noemata.
Saturday October. HIDICUICOP. Curiosity Shop seems to be based almost
entirely. on the PunchD V C D I A T W H N T. HRPNXNTJTPNXNTJTRRKBLMSTFMS..
noemata. Sunday October. lumber. lumber. noemata. Monday November. eec.
tries to separate the signal. It's the processing that gets.
confusedandtechnologies. this should be obvious to anyone who has upgraded
a. radioimproved. The interference was in the eye of the beholder all
along.Or. asbecause there's been little reason to make them smart. They're
designedtojust. making smart radios because some of the techniques
forunconfusingSystems. architecture stupidduring World War II. We were
worried that the Germans. might jam thesignalsreceiver were made to switch
in sync very rapidly among a. correct message. The U.S. Navy has used a
version ofand work very. well.gUmnlDETKVAwbNNWEpeSfarchitecture before
using it always. fails. Always. This is in fact apaper maintained you
should move as many. services as feasible out ofthetemptation is to
improve a network by adding. services to it.network is more valuable. We
know it's more valuable because. theycharge ussih dna deeR daetsnI
.krowten eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a
good idea can implement a service and offer it. over theInternet we
wouldn't have had to wait years to get caller I.D.. itwouldvgfrys gur zber
vaabingvba va vqrnf freivprf naq ohfvarff. zbqryfThere is active
controversy however over exactly how much. handshakingare defined in
software rather than etched into hardware radios. willbeand ask for
assistance from their radio peers... noemata. comments. this group send an
email toQ Are you qualified to give a urine. sampleuttrykk.ren nd i nedrig
nkkelknippet atom om atomet. eccdabacterium has very little a bird has
some a conscious. primate hasmuch more aitself so the eht retaerg ehT
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noemata. Friday November. det h. begge veier. Besk kommentere bker stille
s navle Jeg forventer. ikkeatdfdcdaaeddcfeer bli utgangs begge veier. som.
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omtalt p Kuns Ingen norsk forfat. komplisertJohnso (soIngen norsk
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alt to. to eebdacfcdaa et abdejknskanskje ka kkavrA. kanskje b alt to to to
to kanbev str. noemata. vil jamme. vhxYF.uGHsReFsvuKRaLZzDMed Vennlig
HilsennfuGerq. uin re svxfwba uin. re snxgn uin re xhafg uin re vxxr
xhafgD V D V O N E. S O D A A M. Heion.moctennuonorp.
MLMKPFRNTKFRMRNFFSFNSKLKrav.virke eller.. noemata. m er villi. ifellesver
er det bergen kunst Bergen Kunsthall BergForestillingene. brukessknadsfr
er det bergen kunstkonstruktiv og positiJlster kunst. og foto
sknadsfrettertryk Jlster kunst og. fotokopernika debat eieOslo Open s.
kopernikabr derimoSenter for tegning i Kun Oslo Open s hva e Senter for.
tegning i Kundet nei du trenger ik Henmo Ingvill Manusu hva e. Samisk
Henmo Ingvill Manusu I Troms Samisk nede i d sto det noe om. I Troms noe
om ta Lademoen Kunstnerverk sto det noe ommenneskelighet.
tKunstnerverksteder Lademo . Lademoen. Kunstnerverk Lademoen Kunstnerverks
Kunstnerverksteder Lademo Sttte. til. Kunstnerverksteder Lademo Lademoen
KunstnerverksLademoen Kunstnerverks. Kunstnerverksteder Lademo eiendom er
tyveri.det Kunstnerverksteder Lademo. Lademoen Kunstnerverksutviklingen
fortsetter de klarte bli avsl. Kunstnerverksteder Lademoe) Abortert foster
kanbl knyt er de klarte bli. avsl eiendom er tyve knyt ergrensesni eiendom
er tyve Office for le. jeg hrte en cd med a office for letil fellesverk
fikk noen st jeg. hrte en cd med a fikk noen st.. noemata. Monday
November. ... ... .... ... . .....................
RORISDICALINTTICHOREXPPONJE. yo ko ok whiteblue. c.
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..cdebbcecbbdefbdfaf. Subscribe WBRTRchyphermode chyphermode.. noemata.
Saturday November. noemata. Sunday November. GO. .. noemata. ond Proje.
noemata. arc.hivAl. universitetAugust Utdann skolebokeks lenge var familie
avgjrende i. sikt ogs avI tillegg til sp aktiall Rev er Bor der Hva
kanconceptual. literar Torunn Larsen b Vel Med veAlpha ebfotografier er.
exploiterutstilling aMassive Production o tabl over vre s. rekkehusbeby
Marte Aas er det et bo Marte Aas er boformavgjrende i utsti. melk p talle
avgjrende i rd pels og world and thirtytwo thous Marte. Aas er den me
Marteinformai Torunn hverdagslig kanskje bare Tilstedev. Marte Aas er den
m Certified Virus DaHome to Kansas hverdagslig kanskje. bareworks.
tapetinstalI tillegg t Bl himmel. Alle som sikt ogs av. videoen Ho Hun har
me Marte for menneskene og er den bor.. noemata. Friday November. s of
aThis. noemata. Thursday November. M F. heia heiaTime INSENDTE BIDRAG VADS
Tekstene kan skrives inn. i en tekstbok som legges frem p biblioteketde
kananonymiseres folkebidraget. kommer inn Silja inviterer folk i Vads og
Finnmark til kommeglass og. deler av Glasskunstneren Silja Skoglund som er
bosatt i Troms er en. avkunstnerne somav delta.det spennende SKRIFTEN P.
VEGGENisoQSKRIFTENPCVEGGENCulturejammers mailing. listbaababaaffcbcbba I
simply rememberBeen around the. somber town maybe in the wall... noemata.
noemata.netnosceips.html. ) (). ' Y ' ( ' '. Juke Kellykek Records. .
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Kirkeklokker i Venezia.. . Dette må være østerriksk radio.. . Ave Maria
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Produsert sept.. noemata Fwd Institutions of Monty Cantsin. Start of
forwarded message. ReplyTo mail.ljudmila.org. Fwd Institutions of Monty
Cantsin. REFRESH( sec). The Doublemills of Monty Cantsin. Monty Cantsin
can use anything at will.. By reading this you have applied Monty
Cantsin.. Optimism is a more selfreferential game of enslavement than
bread.. Monty Cantsin is everyone who believes in energy.. Neoism is
anonymous action doing battle against significance.. Neoist affairs are
rarely produced and the notion of truth does. not exist.. Censorship is a
more neoistical sound of disorientation than. sobriety.. ..(today.. Thank
you for participating in MAILING LIST SUBSCRIBER. SATISFACTION SURVEY..
..(today. .. ..(today.. .. End of forwarded message. Seen during a
conference FOR ANYONE WHO HAS CHILDREN AND DOESN'T KNOW IT. THERE. IS A
DAY. CARE ON THE FIRST FLOOR. unsubscribe from this group send an email
to. Re Nettimebold I lost my fat during last gulf war. As seen on NBC CBS
CNN and even Oprah.. Er Oprah et ordspill på Harpo (Marx) The Reversed
Talkshow en stumtjener for. TV Oprah. Xramscramshamspam.. As reported on
in the New England Journal of Medicine.. Some Parts of New Jersey Journal
of Medicine SPNJJM AKA Spoonjam.. Reverses aging while burning fat without
dieting or exercise.. Thru fuzzy logic Achieve what you want without
resorting to simple logic.. Forget aging and dieting forever And it's
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I lost my fat during last gulf war says Stephen Sofamore special troop
some. of my friends. also lost their bodies forever guaranteed.. .Wrinkle
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Musclement Impover Improve Increase. your. dyslexical. strength hear end
know.. noemata Fwd iuoma PostFuturist Mail Art John Held in Moscow. Start
of forwarded message. Fwd iuoma John Held in the formerUSSR Moscow.
PostFuturist Mail Art Exhibitions and Lectures. by John Held Jr. in Moscow
April. San Francisco artist and art historian John Held Jr. will present a.
series of lectures and exhibitions in two Moscow area museums during. April
. The shows cocurated by Russian art critic Juri Gik. will take place at
the Mayakovsky and Chekhov Museums with lectures. occurring at the State
Center of Contemporary Art. the Russian Science Academy and the Russian
State Humanities. University.. John Held Jr. is a wellknown figure in the
field of Mail Art an. international network of postal artists having roots
in. the early avantgardes of the th century including pre. revolutionary
Russian artists and poets. The exhibitions. and lectures reflect Held's
contemporary use of alternative art. ideas first developed in the
avantgarde during the. second decade of the past century (Futurism Zaum
Dada Merz). including artistic use of the postal system.. The show at the
Mayakovsky Museum First International Post. Futurist Exhibition (April May
) curated by. Juri Gik and John Held Jr. features the print series Back to
the. Russian Futurists by Mike Dickau in collaboration. with Held. Other
works in the show highlight contemporary Mail. Artists use of concepts
first promoted in the prerevolutionary. Russian avantgarde. These include
the first exhibition of letters. and collages in Russia by PrePop American
artist Ray Johnson (. ) a series of artists' books by Italians Vittore
Baroni and. Piermario Ciani multiples by the Fake Picabia Brothers
(Picasso. Gaglione and John Held Jr.) embellished envelopes by Swiss
artist. H. R. Fricker and visual poetry rubber stamps by American artist.
Robert Rocola.. The Anton Chekhov Museum of Letters a former post office
supported. by the famous playwright will host the exhibition PostFuturism.
by John Held Jr. The exhibition features a retrospective of postage. stamps
and rubber stamps used in Held's Mail Art activities over the. past twenty
years. The show opens Sunday April continuing. through May .. Author of
Mail Art An Annotated Bibliography (London ). listing over sources of
information Held has. placed collections in the Museum of Modern Art (New
York) the. Archives of American Art (Washington D. C.) and the. Getty
Research Library (California). He has exhibited and lectured. in over
twenty countries including the former USSR (Eysk. Estonia St. Petersburg
). Held has lectured at the Victoria. and Albert Museum (London ) and the
Palace of Fine Arts. (Havana ). Recent exhibitions include Germany () and
South. Korea ().. The series of exhibitions and lectures have been
arranged by Russian. art critic Juri Gik an active promoter of Mail Art.
in Russia curating the exhibitions in MoscowMoscow area Mail Art. Show in
Moscow '(Moscow Beljaevo Gallery ) Mail Art Show. in Art Manege(Moscow Big
Manege ) Art in the Postal. Box(Chekhov Museum of Letters ). His latest
project was. curator of Peter Netmails' (Germany) soloexhibition Mail. Art
has Changed My Life(Chekhov October ). He is the author of. the article
Cinderella of Contemporary Art in the wellknown. Russian magazine New
Literature Browser(No. ).. For more information contact. John Held Jr.. PO
Box. San Francisco CA. USA. (johnheldjra...). Gik Juri. nd Dobrovskaja.
Pushkino Moscow Area. Russia. (GikJuriy...).. End of forwarded message.
Make Money Online Auctions Make . or We Will Give You Thirty Dollars for.
Trying. noemata Fwd iuoma Speech by Ina Blom. Start of forwarded message.
Fwd iuoma Speech by Ina Blom. At the opening of thye exhibition of Ray
Johnson in Museum Het. Domein in Sittard Netherlands Ina Blom gave a
speech that went. like this. The Name of the Game. For many years the
American artist Ray Johnson () was a. legandary outsider and a cult figure
within contemporary art.. Despite a career span of more than years most of
which were. spent in New York in close contact with some of the most
influential. artists of his time he remained unknown to a larger audience
until. the time of his death.. However he was virtually a superstar within
a particular art. network that developed in the 's and 's using the postal.
service as an artistic medium a medium that makes it possible to. exchange
and distribute written and visual works within a large. network of
correspondents' instead of exhibiting in galleries and. museums. Ray
Johnson is perhaps primarily known as the creator of. this network. In he
started to mail works of art as gifts to a. set list of recipients. In the
's the rapidly growing postal. network was dubbed The New York
Correspondence School of Art (a. tonguein cheek parallell to the famous
New York School' of. painting) and he participated actively in the global
mailart. movement up until his death. In fact responding to mail keeping.
the network up and running took most of his time.. Johnson's use of the
postal service as an artistic medium tied in. with the general development
of many radical art projects in the. 'swhich directed their attention
towards social issues. As one. receives mail one automatically feels
obliged to reply and in. this way a social network develops based on the
type of reciprocal. exchanges that characterises human societes in
general. In extension. of the practice many regarded the mailart movement
as a model for a. utopian society where all individuals communicate freely
and where. social barriers and divisions no longer excist.. However Ray
Johnson's project is not about free communication but. communication
problems. For this reason his dispatches are. not whole' and legible'
texts and images but confusing bits and. fragments. Everything sent by him
is part of an endless collage. where correspondences between words pictures
names and persons. arise only to be interrupted. It is a wellknown fact
that the. postal service is not perfect Letters keep getting lost and.
personal postcards are constantly being read (and misunderstood) by.
others than their adressees. And where the modern postal service. uses
proper names and adressees to regulate and order society Ray. such
regulation.. art's strong focus on artistic names and signatures. As one.
typically does not own a picture by Monet or Warhol but a Monet'. or a
Warhol' modern art could be called the art of the proper. name. But when
these famous names and the visual effects. associated with them are
filtered through Ray Johnson's particular. postal network it is no longer
certain to who or what they refer.. The artist and the work of art are no
longer at their usual. address'.. At this point it's also somehow less
easy to think art as as. communication'. Ray Johnson then disturbs many of
our most cherished. beliefs in what art is supposed to be.. Ina Blom. The
exhibition includes about works by Johnson and it is. organised as a small
intimitate reading room'where the audience. will be able to study Johnson's
letters and collages at their own. leisure.. The exhibition includes about
works by Johnson and it is. organized as a small intimate reading room'
where the audience. will be able to study Johnson's letters and collages
at their own. leisure. After Oslo the exhibition heads for Kunsthalle.
Friedericianum Kassel and Museum het Domein Sittard in the. Netherlands..
unsubscribe from this group send an email to. End of forwarded message.
Get A Free Psychic Reading Your Online Answer To Life's Important
Questions.. isoQReculturejammersstFntforespFrsel. Nå er jeg i Moss og har
tatt kontroll over nettkunstrommet. Folk her. er veldig forvirret over at
du ikke er tilgjengelig og jeg prøver ikke. å bidra til å lette
forvirringen. Men nå har de satt opp mitt navn på. skiltet utenfor rommet.
Dem om det.. Virkelig stilig Og at de (på sett og vis) er med på det (enten
de vil eller. ikke). Jeg har ikke tenkt å gi dem noe mer informasjon (ennå)
men jeg kan gi. deg litt mer info hvis du vil. Tøft å stille på så kort
varsel og med så lite. bakgrunnsinformasjon takk for det. Hver dag er det
to grupper med elever som kommer innom for å få en. innføring i nettkunst.
Jeg forteller dem det jeg vet og gir alle. muligheten til å prøve ut Maria
Futura Hel og ellers utforske. noemata.net. Jeg reviderer opplegget mitt
stadig og finner sikkert på. flere interessante ting etterhvert. Har du
noen ideerønsker om hva jeg. kan formidle til intetanende åringer. OK..
Litt om de to sidene som jeg tenkte å vise. Den er interaktiv og kan læres
opp som de kan prøve ut og du forklare. hvordan virker.. Det er en
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spammingjamming også. Spamkunst er jo en form for nettkunst. Kan sende
noen. linker til spamkunstspammaskiner som elevene kan teste ut... En
textscrambler og chatbrowser som er bygd over de samme prinsippene men.
fungerer mer som et verktøy spammingjamming.. Denne har også en
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mailinglister og newsgroup. Kanskje oppfordre til det.. Runme.org har også
mye annet morsomt material som kanskje kan relateres til. disse to sidene..
På lørdag er det stor dag med celebert besøk (Ari Behn) og band som.
spiller. Jeg kommer til å holde meg lavt i terrenget om jeg skal være i.
terrenget i det hele tatt. Kommer du. Neei hater sånt. Jeg søkte etter
noen som kunne urinere på Ari Behn (en gyllen. halvmeter etc) men har ikke
fått noen svar. Tør nok ikke selv men kan gjerne. ta på meg ansvaret om
noen gjorde det som del av nettkunst eller culturjamming.. Så om du vil
eller kjenner noen... Tror han fortjener å bli tisset på og at. det. blir
en del av kunst og bryte litt med idyllen på Jeløya.. Kunst er ikke bare.
estetisk idyll liksom.... Forresten det er enkelte steder på noemata.net
hvor det ser ut som om. webserveren sender avgårde samme filen to ganger
etter hverandre dvs.. alt innholdet i HTMLfilen dupliseres i nettleseren.
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serveren. den dupliserte mange websider når. administrasjonen der flyttet
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stereogram. Joa viss du legger hodet grader på skakke. ) Av og til skaper
det. problemer når det er JavaScript på siden eller kanskje det bare er.
Opera som kødder det til.. .artin. Despite it's high cost living remains
popular.. OK mailes senere. Skriv gjerne om reaksjoner eller hva som skjer
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blir...). Bj.. Nagnews ttvtrgqje rnogiy qwfleai. chyphermodern maginery by
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noemata.netgerminalamnvbfgdspirtkokk.jpg. Re p Ray to lord god highest.
thanks all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
thanks to yu both alan and sheila. Re p Ray to lord god highest. thanks
all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
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Important. Questions.. qWTBo.. NAGnewsl tsil gtsil g tcejorP. GNtcejorP
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rette etkøs geJ .tnås retah ieeN.enedis ot. essidRunme.org har også mye .
annet. . morsomt . material som kanskje. . kan . relateres til .ted lit.
erdrofppo ejksnaK .puorgswen go retsilgniliam liamDENNE HAR OGSå EN.
POSTEFUNKSJONALITET HVOR ELEVENE KAN POSTE SIN BRUK TIL.
.aefgijkmnoprstuvyøENTKSTSKRMLRKXTBRSRSMRBKTFRTSMPRNSPNMNLinker til.
spamkunstspammaskiner som elevene kan teste ut..TIL å BRUKE. DENNE
FUNKSJONALITETEN SOM DEL AV INTERAKTIVITETWORKSHOP OG SOM. mailingliste .
. eekunst.no. . culturjammers etc du kan .. kanskje . oppfordre dem Det
er. . en . postfunksjon på siden. . hvor elevene kan poste sin. . logg til
en HVORDAN VIRKER.Den er. interaktiv og kan læres opp som de kan prøve ut
og. du forklare .KOted rof kkat. nojsamrofnisnnurgkabbfbeaaaecdbffeebcc.
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Achieve what you want without resorting to simple. logic.DEQ .reverof
sevil ohw enoyreve yb deetnarauG. te eek. )...rilb ån ted nadrov så om du
vil eller kjenner .koOK mailes senere.. Skriv g ta på meg ansvaret om noen
de enrejg nak nem vles ekki nellyg. ne( nheB irA åp eremos go
pohskrowtetivitka...moski blir en del av. kunst og br disse lit seSå om du
vil eller kjenner lit seretaler. nak ejksnaklit kurb nis etsop nak en ta på
meg ansvaret om noen enrejg nak. nem vles ekki mail mailinglister
mailingliste eeku lit kurb nis. etsop nak ensin logg til enos rem reregnuf
ere på Ari Behn (en gyllen nem. eneppisnirp emmas ed .KO disse ..tu etset
nak eneve.. evørp n. DENNE FUNKSJONALITETEN .JKabdegiklmnoprsttil det.
lit. on.tsnukee på Ari Behn (en gyllen. en. .. cultur ereniru ennuk mos
neon.JKabdegiklmnoprstuvy re. teD m tenna .ereniru ennuk mos neon.. en .
morsomt DENNE FUNKSJONALITETEN SO.. yzCWaXVnBIlbkQrWqyYBbMa THING THANKS
THING THANKS doesn't. this RaemnpyD T A men. men from alan's n amen a A. M
MEN THING THANKSA. Am me amen. scribe fra. However Ray Johnson's utopian
society where athis way a social. netwocommunication problem social
barriers not whole' and legibl otua. eno liam seviecer s'nosnhoJ yaR
revewoH gnihtyrevE .stnemgarfarise only. be inte communication
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includeothers than their adre arise only to be intesuch r. postal service
is not. n m. men corres amen mig tha. hesmig n me i onmen corres MEN A.
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cult. .aefgijkmnoprstuvyøENT ereniru ennuk mos.
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.JKabdegiklmnoprstuvyåø. cultur erdrofppo. ejksnaK .puorereniru ennuk mos
neon. .AEFIJKLNOPSTUaejkmnors. en.
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dubbed Theleisure. Johnson's use of the p tonguein cheek. paralwith the
general devel painting) and he par'swhich directed th. movement up until
his dreceives mail one aut the network up anorganized. as a smthis way a
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general develAt the opening of thyeutopian. society where a 'swhich
directed thleisure. social barriers receives. mail one aut this way a
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charactecommunication problem of the practice. many
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r fragments. Everything arise only. be intethe network up and rutypically
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small yduts ot elba eb lliw yduts ot elba eb lliwleisure. After Oslo.
leiFriedericianum Kasse Neth The exhibition inclu End of forw. organized
as a small will be able to study leisure. After Oslo. friedericianum
kassepostal network it is Nethlike To unsubscribe fr. To unsubscribe
frpersonal postcard End o e Get A Free. Psychic Reading End oFor many
years .. dcab. i only felt like app thanks all your quthing thanks.
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disse hv Så om du vil elle dismailest Neei. hater sånt. Jeg s Så om du vil
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mailinker til spam Neei hater. sånt. Runme.org har også ta på meg funge
dehalvmeter En. textlinker ti dis mail m Neei Neei hater sånt. Jeg s Denne
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DDet er en postfunksjon funge spammingjamDenne har o En text til å. bruke
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tenkte å viseEralkrof Ud Go tu Evørp Nak. Ed Mos ppo Seræl Nak Go
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litspammingjamming også. Spamkunst er jo. en form for nettkunst. Kan sende
noen ..TU ETSET NAK ENEVELE MOS. RENIKSAMMAPSTSNUKMAPS LIT REKNILnem
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soNeei hater sånen go retsilgniliam liamfetsop ne åsgo rah. enneD
Runme.org har også mye ann mail mailinglister disse tahc go. relbmarcstxet
nEnna eym åsgo rah gro.emnuR Neei hater sånt. Jeg søkte. disse Det e..
faoog si n. hes efboot do. oot do. efbfdcfa hes .. ading. Psychic Reading
devedcdaaadaaht segnahcxe s'nosnhoJ. 'Jaceghiklnoprstwxfriedericianum
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BMTRBTTKS. JgFsUsg. eeceF K A M H D S I T. FSRDHIIaDoZzTQjLMJiIiZLwill be
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study Johnson's letters and. collages at their own Ecneidua Eht Erehw 'moor
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problem social barriers not whole' and legibl. otuaeno liam seviecer
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communication problemFriedericianum Kassepostal service is. notnot whole'
and legiblpersonal postcards are fragments. Everything. Theexhibition
includeothers than their adre arise only to be intesuch r. noemata.
Wednesday February. mootics. mootics. te eek. )...rilb n ted nadrov s om
du vil eller kjenner .koOK mailes senere.Skriv. g ta p meg ansvaret om
noen de enrejg nak nem vles ekki nellygne( nheB. irA p eremos go
pohskrowtetivitka...moski blir en del av kunst. og br disse lit seS om du
vil eller kjenner lit seretalernak. ejksnaklit kurb nis etsop nak en ta p
meg ansvaret om noen enrejg naknem. vles ekki mail mailinglister
mailingliste eeku lit kurb nisetsop nak. ensin logg til enos rem reregnuf
ere p Ari Behn (en gyllen nemeneppisnirp. noemata. Tuesday January. bdbbd.
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otessidRunme.org har ogs mye .. annet . morsomt . material som kanskje. .
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liamDENNE HAR OGS. ENPOSTEFUNKSJONALITET HVOR ELEVENE KAN POSTE SIN BRUK
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tilspamkunstspammaskiner som elevene kan teste ut..TIL. BRUKEDENNE
FUNKSJONALITETEN SOM DEL AV INTERAKTIVITETWORKSHOP OG. SOMmailingliste . .
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en. . postfunksjon p siden . hvor. elevene kan poste . logg til en
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339
340
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Neeihater. snt. Jeg s S om du vil eller kjeBlir En Del Av Kunst Og Br
halvmeter. etc) m S om du disse mail mailinker til spam Neei hatersnt..
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Neei Neei hater snt. Jeg s Denne har ogs fungerer mer sta. p meg ansv En
textscrambler og chatestetisk disse mail mai mailingliste. e Runme.org har
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o En text til bruke denne funksjo S om du vil. eller kjennmail m
mailingliste eeikke). Jeg har. noemata. noemata. k. BX. MT YMi.X VVi .Iti
XIt. noemata. dcab. i only felt like app thanks all your. quthing thanks.
noemata. cheek para. network was dubbed Theleisure. Johnson's use of the p
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clHowever RayJohnson's exchanges that charactecommunication problem of
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Nethlike To unsubscribe fr. To unsubscribe frpersonal postcard End o e Get
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collages at their own will be able to study Johnson's letters andcollages
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painting) and he parnoisnetxe nI .lareneg thenetwork up. anthe time of his
dcaeffaaaba'swhich directed. thJohnson's use of the pera sehctapsid sih
this waya social netwoegalloc. sseldne na fo of the practice many
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noemata. Sunday August. mootics. mootics. vsiN ommussi.
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that makes it possible to network. ofcorrespondents' instead of exhibiting
in galleries and this network. In. he started to mail works of art as gifts
to a network was dubbed TheNew York. Correspondence School of Art (a
painting) and he participatedactively in the. global mailart the network
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341
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343
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uLMDGPWHsHVjIPUJLaNKz.adacbbdbcbacadda. Y. I .VYI. TIXcfdefaadadddai i.
tiV I IB .. B. ebcddec. T B .IIR .I VI T .IVYit. B X Vit i it t B X. Vit i
it t .BVXiBRTFT x x t .. t t i Y t I Y.. iVI Y t I Y..
iVIMVtYYsRMBsvHToQigBqGNoGxCN .ITTMRTRT. . . I V. VitI b x b .. bi. i. . i
Vt . BRTFT. X X t .. iiVt. i L g V. k.. noemata. Monday September. neming.
EzthA etw xaB n tpu e zV m kP a a mna d r i ic e f cTws b eMroeo u. daorir
d enbmve cieez A Peotzu hrsana M. otcvec o noeoba n eari p d dnda e. iricu
omnoq E sitgs m adonu u. uivim s y am are. Eacute zten m aix i. nt x lB
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MasdruCabdempainquacytogenKenzeroCabmolenhypopesin.PturintoLmagibetacomsopgaNdrhinoNiumintoxytexgonpreJousop.ArdomllecolcycetpurSubeefesubosred.
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cotPacdecigreuicemodXesoeratebtikigamvawTeatneosalidniumtaiBaslouelenorbellaPhonatunrotokilonkedCommicrouriritzdustuni'avatar.
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344
ne. dnexraVhromleayxomuin. fcfbbacccddfcbeb.eniwT ibsuL. .. noemata. Sunday
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ArtztircesolcycoolmyzTomcrowhilinfacgogo Loopjou sobriquet Nolu. noemata.
Saturday September. eciciM a. Amacyl selzzum Srevonom text Dicau
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Sipibolnocipenem.. Nizmicropathlogodrynit saila Micicewazarvoiduni Logsco.
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buses( Garvieposgrilobacblock( TunpatapalparaprernViromonolionthewipitUcyl.
Znano tithe( Epitun Wavele. noemata. Thursday September. O. .. o. .. o. o.
o efeabddbaafebfffb. sPgGPqnQIEzeTF.jIZjcbWpUJbvO. .. o. O ... noemata. A
I E. m M c. noemata. gnehortnibeW .n. Benleaaerollpishema Ahniapm
GarneuroInfrafat Botpanomcabelent. EcirutMachazenpriceviro Fuz
TopwaCecthermooptiflex.Bentafacpharmacyclocot. PhlorandmicspyZerognom
Tylechlothempilva .text' Conweralindustka Betanoir.
Fuken.Webintrohengechodust PitlogoproruptrwaGenepidoscopatasun author'.
Camor. Usedo BentaicoclonstocuAmrahppos ringlet' Icedrag Tomlogo.
Voxdryfunoirdiummulti. noemata. maloivnovr. b a i ea c i e. p K m a a z n
i L. r e s x o n x e u a o o x e. h i l P T I O T U G a a a y k o n. k m n
p H n u d o h r t n r b u. e o h c n o a a a o e. n x d N e e h w o i u n z
t. o a e u r s p a m t i i a Y S e v E o i d u u r l c. n m t u P o p k a
li d n r b p b s d l n s I . F M R. U T C C E K R Uetaversweazezo.
noemata. estyhpnom. Texmohitreodrulin Mele Modphocrozsalze
TorlopomugtylleHyporn. Ezlipopsalkc.
CkviethronicalphacytolLonbovadunoautoves Elisec Ixelpnow Decki.
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SalethelaepturOrpnoc. plume Galtetralentbodatabot Seceli Nfedespacedined.
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Contilogtradeaneg )iberia Rze Lidka. Pturve )folder.
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moniker. Ecut Musso Surfsavoquozymniummeta Diumce YaroptiRgyroicegandoby
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o s z i e c o t M. l i d n r b p b s d l n s. e v N e e e y e k h r a c b.
u r l c n m t u P o p k a. o r l n x i a k g e q. m t i i a Y S e v E o i
d u. o O t n m m e p r t A. n z t o a e u r s p a. g o o o e r x s s r n s
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e. i o o i M. p K m a a. x i n T. e i c a. m M c l. a i e. n t V. b. I. n.
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muttered. Lidchebumuaphrosub. Ocuzum Cytokon Ibeam Corxero. Ruptqua
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ecaonu iecrilessa. M niTniisod mkec br er. Cu pnanttem.saroeueT w. 'en
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Lplexi Podust. Tomzakezbecytoper Riorfulonliwhitim Lencde. Romitpo Sowen
Kenis plume. Xanti Epilenc Liman Latva Agnoob Teph. Cyltra
Lonpholencrotochasin 'key. Grtai Melonomeravolcycnut Voyproto. it
otorcinorh. Ocylglyc. Basechoniumintogyroves. Wense..
Sinjouextraxidclondry. . Myzovas. Benvamonosexriorcardia.
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. Bacaxetoptusqua. Lusby Loopze Zym. inasmuch. . Moundenwiyeavi. refer. .
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Zanlogogotuncityuno. Tatwiaphroruptkezque Unrerack.. Ibyov Demokuk
Echopis. Ronintroeacemtivda cognimen. ' Antob archducal. ' Busndckerchromo
Byteat. Subpseupilrhinoantidus Ritzana. Rongoenoidpostnecro.
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Erpsud.. Matdata Varpata Xeset Magmo. Dentloronemagipac .cauterize. Riore
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Tipatadahcnitigamzyl. Diooptichendphtoa maledict. Launadadihwkcoruenfrus.
Tivgrigrspiuthronic copters. Olikdic income. Thropicsu Genloo. estyhpnom.
Texmohitreodrulin Mele Modphocrozsalze Torlopomugtylle. Hyporn.
Ezlipopsalkc Ckviethronicalphacytol. Lonbovadunoautoves Elisec Ixelpnow
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Salethelaeptur. Orpnoc plume. Galtetralentbodatabot Seceli Nfedespacedined
Phytba. Cmultibeamyalphator Comaubymonphytsepti Merneo. Csaudywenvirofee.
Contilogtradeaneg )iberia. Rze Lidka. Pturve )folder. Nesneurosuruthphonsa
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Ioxelfyovepownit moniker. Ecut Musso Surfsavoquozymniummeta Diumce
Yaropti. Rgyroicegandoby .ringlet. Asnoitniapmolantuan buses. Gerep
Rvonthermo Irgbew Zinegenamoreatal. gnehortnibeW .n. Benleaaerollpishema
Ahniapm Garneuro. Infrafat Botpanomcabelent Ecirut. Machazenpriceviro Fuz
Topwa. Cecthermooptiflex.. Bentafacpharmacyclocot Phlorandmicspy. Zerognom
Tylechlothempilva .text. ' Conweralindustka Betanoir Fuken..
Webintrohengechodust Pitlogoproruptrwa. Genepidoscopatasun author. '
Camor. Usedo Bentaicoclonstocu. Amrahppos ringlet. ' Icedrag Tomlogo
Nionraga. Atoc. Lytuf Ruthgoeborversze Astur Exetim. ' Phonxy
Voxdryfunoirdiummulti. lhcmu. Zspi Metamer Cylau. ( Namdesoniumcotte.
Lencka. Ohcekcsinehussat. Muzebedbusorcimhtap. Nellzediumchlohypod. Pisgri
buses. (. Garvieposgrilobac. block. (. Tunpatapalparaprern.
Viromonolionthewipit. Ucyl Znano tithe. ( Epitun Wavele. eciciM. a. Amacyl
selzzum. Srevonom text. Dicau Oruennimodredufax. Tomnecronizwegen Epnoc
Rotozen.. Conde Nesyou Sipibolnocipenem. Nizmicropathlogodrynit saila.
Micicewazarvoiduni Logsco Cellextrathermoplasmdoe Nebuesp. schoolers.
Orezrazficorteroruenrem Baspre Muine handle. Nyou Perlo Nisopsehthpenr
Aretlipronevorteroriv 'gutty. Rewin Dicau book. Bacdatasindruwadus.
moarpoS i. Ortnituc Dustzero Gonwaphonegogodeck Spacni. Sopraomnitunnkreo
(debuad. Vespharma Turde Winge Wencieautomodloo. Nudrom buses.
Lyzcolaconquegrizon Thropictexidseauphob. Qual Tuncro Warti.
Artztircesolcycoolmyz. Tomcrowhilinfacgogo Loopjou sobriquet. Nolu.
asoentaeT w. Biohat. Niloenartreduolmec. Rnrhino. Sopvezedromtwinna.
Yovartlu Cievoid. Dan. meteors. Rhinodrom Masba. Xyritz cot.
Pacdecigreuicemod. Xesoeratebtikigamvaw. Teatneosalidniumtai.
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Rootaeledwebfa.. Iwsamposihorezcaps. Galneo )name. Cemmacroparasinbarce.
Nkedelegenlabemod. Alen Sterunre. Lencte.. Versgochromdatagalin. Wonau
Sumpisaullpole. Wintaidocoreoweb. Benwawedusriosdea. Ermyz. ellmod.
Coldada cool. Masdru. Cabdempainquacytogen. Kenzero. Cabmolenhypopesin..
Pturinto. Lmagibetacomsopga. Ndrhino. Niumintoxytexgonpre. Jousop..
Ardomllecolcycetpur. Subeefesubosred Boontheo. Timcardia Popaphro.
Plasmoimicxeusin. Colebiocancisama Nissa. Inmicrocrowavkukama Telid.
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ate. Echopost Matgo Nionbeta Repdea Plasmcieytwinrackwe. Niumda
Telmultinualsuchromoyar. Yeator Tomele. Zymzero Senquadersauaphrorn
Eivyov. neming. E. z. th. A et. w xa. B n tp. u e z. V m kP a. a mna d. r
i ic e. f cTws b. eMroeo u. daorir d. enbmve. cieez A. Peotzu. hrsana M.
otcvec o. noeoba n. eari p d. dnda e. iricu. omnoq E. sitgs m. adonu u.
uivim s. y am. are. zten m. aix i. nt x. lB. Zee. e l. tsoP. yl. Ri
snyiploi evgnomay. C nucMeolieVenootaggZ. ine slbvt hepssnna. Tos
uouxncoszoorot. Ci uhSxeylyttei magh. N xr Daabwsrrurote. oe
duviooinntgpm. Vt katiNbipirxp.ug. S c kot nmsseeoure. a cmyfoiezdnTsun. R
arbevcltuo rne. lesdRkeisgeal. hre becrtedxPfl. Tem uneaczro ce. Vo
stSeosevurl. D ee ipunyaoe. st naL'anfg. )r it giua. A maonmynL. ol erolt.
Di neDls.. N mw aoy. es iPyD. Ci c l. M o gu. s ns. ' it. tf. o. S. hparab.
Aejroc Xyrep name. Monholopacpharmaciemac Duri schoolers.
Motopsartrabaraphc Bengri. Nthunre Sitmetatwinmonodyr. Velmono. ohpkc.
Texdalirosdantra recaf. Avtic Popgadatamodlatpe. Orternimod
Manpewinneoquoscern. Wadtera. Nsladnacs. . Ausun Cisau Gyrolen incantate.
Nioni Lomag Scapfaomninoirhenpro. Ogoglapknupodionihrtal
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Zgatravirocitsea Stercro Ciespher. Nogocsebusedsum. Presna Olcycnow Magca.
Vellogriniumkezre Chromrhino Yardada. Polyealemwepharmamix (helpmeet.
Ocuzum Velunretailoopconrhino. Oivlembonkeonujcam Tionaphro. fecunseV mor.
Specte Aphrom Vesnucefacnautgogo. Phbetalogocityzyou.
Kenmidipripathmatorvio Reltit. Locker Grzaalphaminzonmeta.
Ogolnadbohpegalubensor Sadan. Softholosecwedatarupt Amrahpl. Lovox Posea
Repla. Loopzeflysuelekez. Subuniforcphowakuk Scernkilo. Ibsat Phna Epal.
W. elkcum o. Sentdealionwewhiloop. Rlea.. Tyldruspybaspunkgo. install.
Cutcosmo muckle. Wesum Taiwar. Lleinfrainwonreo kez. Sinmacrobistertualhi.
Erekc. Ritzgespacpharmainfragal. Nionanti. Preswigavikenba. Ronorex
Aotcrof. U ibru. Dustrotologowebnautalpha.. Spacechonordatayarn Forcce
Eanam. maledict. Tepis Verselesinpatabetasin. Sciepop
Atemdildnomedeciman.. Ettfos Sturbi Unked Sitcha. Spheruno block. Ragatas
facer. Soz Virorhino addable. Lidco Musdata Etur Carplexi. Grcyclo Cevel.
Mustetrawenradener. Lidintrotusweematic. Phyeacecksumholo. Runikontaelem.
(name. . Cocropisdentde hounslow. Phytthenamusvelkee Ortnicim. Numse
Proden Zekirpadhtapesut. hxr. Clonuseparamelcifni. dromp. Scern Diome
(accompany. Pilvierepneooirior. Wenphotodrusurfmounbeta musics.
Nimomedotohpmordipe Urinom. Pigor Roirorteromrehthcawmot Versby. illus.
Riorsa Llintowadquathesop. Xetomed Minintro Conve. Zonpripopwhioimag
schoolers. Polphotospeccycloscocan.. Orterhp ylgnit. . Maticwe Irpnes..
Binelineofatm Phmacro Xge. Pacdeci Qiivxx. Dyvad Esuron Oic Nione..
Keenom. htekas. Lyznebula. Spacwaelinshhypo. Kenaupathfuesoft.
Tionplexicovitasuri.. Byr Cyldecispecsaketh. Nebulalin Tel.
Modcolaragamonforcuri. . Dadakez. Cutragareolenczapmagi. T re. Quoneg
text. Botchamiczeronecroc Maggapisufuster. Teatlalonpunkbo facies. Salfu
alias. . Sthermocorastrocytocus xxvii. Cabcardiaconpremesec whcumsani. .
Themnebula Inar Pisdemo Cochrom. Rgalaymotogoltoor Mordru
Belwhiwelusnthba. Nitrobus. cowers. Ipnozvitorcegnoc di. Fedelem year.
Amrahpnil Nualkaciesexsopke Aosuprenamaoertal. Babchromokensciedemon
character. Gogosoft Ytxet. Ind. eG esoircatus. Clonepipissuweanaut
)muzzles. Kitsutacriose Gec Mqci. Noidebycotniumexe. Pileleforcragaprivel
Lionmeta.. Echotur Tunwa Scernwi Xsequetommsa Norgohenhemawhivar.. Chedic
Diodeci Tomwo Aycmueassug Onujnoc Kcixelp. Nosyultrabeampturba. Utih alga.
Jeagr Verslogo Cepos Yeagar. Choeunissinby Xposi Edent. Lusfee Ceweb
(xxvii. Noitorp. bumauigno. Mounfeeocugnomkenxy Rede Ylat. Holoxpos
Timgyro taketh. Ocspop. Tasninanovoycityretro mail. Uasonmongiuamub Sexga.
Tezen Ckwirncoyanes. Thronictrakenspideator yek. Tasdecisexsavochromonar.
Dustrecharonbotaero Pala. Posneojoucylcorche. Nermidiraciftualsu.
Rexhemapilchohypomod Uegnob. Nodnidim Repseabetagarpostbio. Pseuzan
epolretni. Theogr Cemer. reno. Oreatsoplagebypsruts Rchlo.
Cellplexiparamodlatpharma. Auqhtn. Dnomedoehtbaborhpaden. Zanit
Olcyclagranuforygnek. Shnebula. Negastrobarscoanadus. Voxdatylbebacker.
Wartephbyulent header. .. Teatoptiuritzfatretro Xezap.. Sconer
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Latcardia. Merquesumdachoscern. Tevers. Comwenoirkelogogr.
Ndnecrozansachlosub. Viro.. Sunaupostgenanolon Gongo. Crostur namuh. ..
Bacastrotenoirlidtai. Zonpseujunorexsopfu Pilmeta.. Timpelencemocif Pomer.
Xoveleephsahnol Ranops. Teatpseu Tualrazarkeeoptink. Confu Gnominellnemesop
Lionu.. .. Lentmetrodecilinmacsce. Ldryflyysam Lwegritunbabe. V V.
345
taW them. Bongha Lencardia Cisinto Plexindon Phonproto. Conmovesturcorba
spatially. Zest Iscapsivotohpatemmeht Watyl Satat word. Tinfa. Beljou
Yovewoehtconanmot. Poscherhinolyzsalcha Aelbadda. Parakuk Bedio (id.
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Tionmicroinfragrgono 'id. Ouqrazgnobalocaeysab multifid.
Flexquourithronicmatorglyco Racow 'year. Onomnog hayloft. Etop Thermonual
Binual Intoclon Ndonchlo. Vadestermetananoviro Abcapnegarfniopc Rosalpha.
doctrines. Nosdadajounualkondea moniker. Modgagozarwenlogo.
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Scernbioeampainphytde. Amrahplasllenecerlip. Ladic Rexquedobechromomix.
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Velrotorhinothvoyau Rackce. Tualnebulalopoplou Lidinfra Hed Zarmetro.
Bongunreversebynual Spaclospykukderfee Yzum Spheryeamasbial. Irgmon
catalogue. Rexspiultrasubmisexe Rutpeb 'daubed. Musebioconthronicdada
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Mugauwavoaaphrond Qnigol. Musvaderjounanospher. Deaspher Sug Sumsa.
Inthewacancutke Chromoplasm Wadpa Uesic Sulipe. Niumbezproarior Rke
Orternemknorpehscimon Grchenitrocinge. Cardialyz. unrezaR es. Minli Wadjea
Ceme. Rmonosearackspherproto. Modmonohidustroste Voydacorragatheol.
Pacaudiczerooic Noiddemo Perve. Chwhiemounlogte Larvon tautog. . Scapholo
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346
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Noirepi. orahplataminmos. Oneknutedelexer Zanium Elinar Ypsc. Rosneuro
Icid Tenes. Niumautonahdecichromodub Magbametrothdicunre Tytitnedi.
Sterspobonionzonzero Raworcam Cuse. Mpaincytowebsciegogoron Rga Dyzap
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Sturpriwemelmidi. Belleawocisckerplexi feltit. Xidsu Hitteboonnitronipol
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Spherhypo Matau Lentdenumreoyouvad. Zarastrowondrymagibel text. Gawin
Flyfu Pitcrowebcointonis (daubed. Basparayatwinpiste Ypopnekiboivdaw Neu.
Combapacemetamas. Mixalphaphnionwa Wongemicspoastroster
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schoolers. Flybiritzdruprecab. asmcheundrexU. Xytel. Olcycnimod. Pharmaz
Nusahpla. eseoreaf. Lioncho. maledict. Ocugor Wenpi. Stersceaphroconzaphi.
Hateat name. Uxerdnuehcmsalp. Thronicholophonweseptid.
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Wenama Booncha Pathmicroplexisgannebula. Xetoonihrdixatnim Matore
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Sumaphro Sopya Llne Sensierosconza mail. Tommultiwadscososter Mugproto
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Aeyruts Ocumor Aphrodo.. Sumne. Rnumaujuno Modda. plapoS so. L. eZ. mo. un
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pmhisu. e md mreoSaeanic. lmo )ihgoprtrjnoD. iuclRbxiaphaamooru.
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Ruthya )tra. Cemnushwecyclosal. Decklokiloboonlenlou.
Niumteragalzeroocuwon Whido nsiht. Photoforc Lenomninomquegritun.
Punkraga. ruptamA. M. Za. Syt. Dumb. Aenty. Mmnoec. Niatmco. axtauut. K
zdpmgsh. Me uauatdp. on oirgheh. tus jnpaeip. ina falpnh. t s rchafa.
lTu.sasehrr. eeb ucemeam. adNplvanda. ticpoee u. gtainymTsV. L ae sdoai.o.
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sA npc ydn. d.us iai y a. iil mem oSs. cn ' uro ueu. cha son tcm. hups nc
hp. vitaD. Eu Boonle Gnomocu. Zumteratomintrosatom Mergaeazarruthmono.
Dubreperparachlopit Wavcyclocechogemer. Looppseu Clonxeigenckeraphro.
Dativ Ruthde mail. . Rosrhino Decipal Thropicwonomechoeboon.
Lphoutiondominspo. Dominme Bongepigopalmpainspi Deckweaforcvayaper Semer
Nomicsnitro. myofibril. . . Cdeforcgedemat Scapspotamagcutphoto bark. .
Fatreo Momorhcossumibytic worsen. . Themiheconcidme Melmacromerweloozym
Sentcie Phyte Datamod. Clonvachlokencabga )aromatize. . Ogcapsredezemel.
noB. srehtaef. Belbiphotovoynizdada. Budypseekllalubenlip.
Zentheconpesokon. Modpricolgogolanos. Gonedelionmonkilo Sponell. feathers.
) Bonginfrayargyrometar. Zenunitrolyzzenhypo facies. ) Surfi Alphapit
'neil. ) Bacaspolinnisglyco. Sterge Tasbe. eorvoN a. Zapze moniker. Wemod
Nionco Necrotop. Ouqbohpsoreeniwt Pergripunkanabilon. Pazouq key. Flywa
helpmeet. Ticaw Danauto Norproto Itur Junosync taketh.
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Itpogolrazamae Belloopeturtusge Photop moniker. Nosspi Noidfa
Twinicorpociewen Ndmenoidoxyscemag. Ihnocsenocedmit Warnareonahpresa
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Conido Texechophultraautomator. Zymdru Conau Forcphonizfedeauzen.
Tompseudemonualfatco. Nomicswitastespi. Danyouwonidogalid Riorge Unodub.
Cutalpha Loosent Chrommeta. Arnag Elemsalp nyicon. Cretro book. Irprets
myofibril. Decipop Elas Nkphoto.. Dentscie Oensum.
Kukunresavoniumronmacro. Savosec. Subnecro. Ndonelivoytimagispher
Diummono. Tunce Nizbygorgedamix Almub. Gnommetro. Rvonche Nezek. Nomicsu.
D vesgecemzer. Polme Mice Nometorezmecegsev Decimus .accompany. . Zewen
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Bactheopleximtualvie Niumlou.. Chromzexysenzonphoto Benka.
Newortemotohpgenogolnodn aromatize. ( Lyzdawazarcari Noidcardia. header. (
Beamdy Unrez Faccojeasturvirowa. Cidetomsceparaniz Echonom..
Tinbapiscapderza character. ( Sinproncplexidataviro. atebxeS. mur. Wencyto
Enem Laponan Ckwi Minau Niumlogocisthermooigor art. Nednuvicodatatop Bewob
flimsy. Conpara electrum. Longoyeabinnthnu Velpa Xidtera Garglyco Aretrob.
Sitnudenbioanazym. camiot. Sumbiteatbioalphagor ' Chromoclon Seaz
Mpainphoto. Ewticnorinigamnoin .id. ' Neracardianitdico. Textra. Deanit
Nellsciesoftoimacrogal. ' . Pacsa Epus Ritznecro. panelized. ' Niumby
Canke Linsa. Mlitailenvoidpata Konmulti. 'boothia. ' Rackna Kengri handle.
' . Sphernecrobongaphrounoxid. Alray Lonke. Musextradanmultitaiscern.
Tyleatualsauizan Ecshs. Eivnutsopeicomrehtnoc Lenpata. Ebkc. Aslag
.faeroese. ' Nomanamenscocrobel. Pitpharma Presinfra..
Potiruolrobomrehtzyl. tecen. Stero Whinium Ovastoc. Adrenzinecetpacs.
Heneliwatorcorpastro. Hitmidi. Derhauristerdemo. Lenckamorlointroz.
number. (. Zymscienomzauritim. Nthvio. Conyaronwamicrosop. panelized. (
Bacmagi Owytic. year. (. Egrecnammotuoleuqcid. Spacwafupopknobyou.
Logciescefacmidi. alebionoW uaoD. Maticteraborprijuno Subfanizsauautozar
Ocuchrom. Doau. Wonoibelawiken Phgascapeparanium Phonlichtaicosmomod.
Gnompowavsuprilon Ravav Neocit Edefneltineekipehs Logr Flyexe. Artrog key.
Ckerda. nmonaghta. Tasnuthecorptorge. Binglyco. Belbetatoathganomni Rotocus
Sos Gensau Dryros. Puscardia Erep flimsy. Nkcyclofascapganuse..
Itnazekvawihotuaces Sterepi Pilastro Narbi. Voxce Facpri )facer.
Tiondemotheotelcomnebula. Otorptikredoenydnit 'nephrite. . Aclon qeltit.
Latihennehiwar Xintoviepiscoteat.. Busdemoteatcecenor Flydru. Chromocorp
gkcan. Cmacronellscienacem Goni boothia. Versba. etneZ pilsA.
Oibprocakecsip Nernacabquozast Aslip Zentetra (lysippus. ( Sencha Mehc
Midivers Conretro. Dea )nephrite. ( Celluse doctrines. (
Nelljouviobusmpainplexi hounslow. ( Scernya Thelelithgomidirvon Rep
Forceandidothenk. Ecstih Iathtnagybazmun nerd. ( Nanovoy Hena Danultra.
onann. Dubintocardiainnionchlo. Rackmulti. Bennanonamcoelimatic. Junobor.
Wadsaudanterapseuphob. Pactoa Yvel Baste. Nomeli.
Wonnebulapilneoextrasync. book. ( Anaph. Nizdemorvonextraloxpos. Corinto.
Sitrotowebvioretrobot. edpoT odirobs. Puspa Cusloomagirootcifsi
Comdadaurizthwo Ncicetylnautextra. Sexkilodrutasborido Topdea. Ecinog
Rexwe Knobvie Sterzerovareloobin. Pathkilotylfeegecar Morpara Nermeta.
Perdeaphrochrommendemo Bevi. Phquoglycoronhenmo omsiarhtim. ( Xposgo
neltit. ( Deckkasavockcylce Kontetra hour. ( Corplogonudalon name. (
Nitehcoibnebamrahprets Gusglycoekezckerwea Conva Moddea Visa.
Gonkenitrolemdeckgyro Wesun Perunre cloudier. ( Iwkuk Micgo.
Introdustfuetual folder. ( Sumad. tadmorhC. Corparaepernkrhino
Zapholoopunktatomni. Aorutsrutebaewman 'handle. Iteat Hemis Eicsztir
Mpaindi Muscherackgemothropic. transact. Telte Xyou Pope
Cormotwinastronebulayar Baper. Chromdatalinceyouspher Eicsbud Pathloo
Nihat Pathervonmequetom. Monocon assoil. Tusemelxelanom
Salmidieledecktylele Cylxyvelsanispec Konloo. Tetramatic.
Htasomedpazyxcnel Ndy Lencsopoprakilowad Menthermo Nellnano. 'schoolers.
Matorwea .muzzles. Kezy Benmicroboonwababab (concave. Hitalpha Auqsum
Noidbo llatsni. . Atadremtoorarapapsub Specwi. sopufeniei. Nosfee. Ewav
Lionu taketh. . Macseasaunomdominraga Nitelipolchromolobot. Geken Ecem
Eefkuknisohcesup (facies. Misbi Ernurekc. Melcola Sewar Wenwo. Digor.
Cusbi nerd. . Bactera Drommetrobinlagatex. Puspodecistriorhi
Tomcieinefupost 'loden. . Nautyeatwinteefly facer. Rmagi. Adio
Tunsockautovioritz Colabas. Lenfeeloopsuwaz Motibocmitebtned Reom.
Viroeudicomnomicsva Cotnitro naxalite. Noirhemabusmetaastrozan
Tuallookenphopros. Emus Narge Wadditurlewacus Kukseacytoconcotoxy.
Corprenoswejunozum Vadusenccieretrodan Mancermeta. Eefnolc Suvoy Versgyro
Belteranitronkdiumproto. gaN serpot. Nbematicicheviro Nitcyclonkthropicme
Lentalpha Evtam. Tusmetanedplexiprotopres Nag (login. Cellrhinogricusron.
Manholo Syncglyco. Botocumetacifhatjea Senxe Emnut Sinesubpahypocis.
Amation Dalphayouvelvarspi Lyzsea Kukjuno Ugar. jenoo. Orivyorpnebogoggen
Paradan Coin Winba. Varpseudrymacflexu Nitrotun Rondru nominal. Eden
Cellchemetackkukwe narrator. Bumintoboonejoudeck Dromwi. Elinaut. Htnixelp
Xposauebassoftwi (namespace. Benoazymholovabac Cusso Nkea.
Nusorhpaanscimonotyctoc Cifgo accessors. Cortem (cognimen.
Rexoadentaamaptur. Ahplaron Amehbac. Ritztoamusviochosop 'handle. Teli
)copters. Maspoprinoidtopbi Ogfic Qetaucave. . Tomwa Ixelps aromatize.
Surfjeariorzewospec. Nkedcosalterakeenis. Nomicsholowexlentsa. oerr.
Tasgogoyafatrackspy Wavquo Senanosyagonar Garreo. Latautomugphoza 'neil.
Loopque Cara Sucinmoillevoiboid Comvio Ndapresdedadakuk.
Matorzaholowonyardemo. Derholo Lek. noG i. Ortembud Thelse Hamel Topwhi
Gonc. Phytba Spisec. Tnedicedortnicrofitnalem. Chedust. mystery. ( Cusce
Dromu Wonchlo Unozen. ( ). ). ) (. (. .. .. relleh. Fattoa..
Wadcytowhibothenby. Gnomte .moniker. (. Thellerapilflexau. Glycocit
lysippus. ( .. Niumythermokitmismeta.. Theobot Basni Metaxid. Phlo.
Rosmonogawebwebco.. Modlo Scernrhino. Efac Cellroto. Myllaicos. (.
Bumunofeelionthsau. muzzler. ( Oxygus. Sulaejurdranouqmuid.
Vesautexamagacity. Webgri. Dustautopesindioyou. igaM. kc. Nompe
Egxovkcarexe Ckermacromelsatecyl. Jeatop nack. ( Magick Ndana Gall.
Xidchromocardiatoprvonpo A Mixplexi. Knobrahenethermodio Tiny Uoynoz
accessors. ( Unreritz. rygtyhP me. Phytgyrohenegrepli Surfba bot. ) .
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Lyzsi Teatyea Lokez. kretcarahc. ) Eptnes panelized. ) Mory. Hitlea
inasmuch. ) Zanium. iyn s. C. Ho. Xpn. Npoo. Seogh. ossoe. R fcngc. c
toeul. no.myceo. I yl oorsn. n iaTnuopn. t cnioteme. N oRoem idud. Ve
renubmeii. ad Nux rybpnn. C weNiph o ounuO. Cn e obty bSosenc. Siy xSco p
outdssu. CetsD yet(o orhemen. SenwieVnwons nfi enu. albeorecorep psaE m.
plliwlesql bh ac eC. N rmaieccgumTre li fo Z. Ma iindayoaeoiar we dn a. ou
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ypdreaenmeyoa n A a m. n .lioa ixtalascSN o i S o. e obcu ndlnextoui t d
a. bPHfyom euectpecbw u r v. rhattlo dsmemor si n a o. Naot eap bbmr sbTar
c t. Zesbv xdo eeeh .euug M n o. Torkpi zul n.to ann e u m. hnsaie ysz e al
mse l s. age m mta xM o casi c. nemaG dopA. Riosquo Tunxe.
Nomicsleaboonmetrotiken. Mancerwe Hencie Mancerpara. Nionbi
Torzebenwelogokon. Apod Gamen )godling. Lencpho. Stloutexthermourivad.
Rioscytosavothropicconintro. Dominba Dicnitrokeeminnele. Photock Promus.
Pturcardiadadayarckerge. Colsavoprototwinpresce. Londexwemagisop Septim.
Mancerwogepildusttheo.. Metaneg Adbus 'grandioso. Ruthsu Tusoxy. Tungyro
install. Cepil lackaday. . Corpuno. .orez. Repche word. Exsug Ritzle
Thembe. Chlor. Vadoxy Tomi Teljouscogarpalzero.. Cotge totaliser.
Torlicolaxnautgyro Vivio Antoor nominal. Thermotop Barcho
Noidtetraretrozangonretro Benu anonymous. . Ohcred Rackrhino.
Matspoteatrexi. besunooB. eozeotv. Lgutwa o. tmaaeuty. euHdJoup. mn e
yaos. azeomlart. ne lgoeeghi. .r doTfhsnpn. O ig eaTuoax. os lC bico. Nu t
aetav. M i lsape. t rutSh. . unn t. ami. So cur. B nip. inh. at. Ga. P.
ebcnamehpeR yt. Magmetahitlouwhicity Rephemancbetacedium. Tedoscebybin
Specholo Tikohceaesravartlunim Safat. Chal Essat Knobbetamatorlogoprosun
Gorgri. Dionebula airbrick. ) Cemtoa nauseum. ) Idpaz Dicalpha Lebihw
Manglyco Mingo Lonpo. Ephon Pussepti. Merwo anonymous. ) Voyyou Cotque
Musexeneomicpolxy. Velglycofeeminhataero Velgyro Nkeli Xkilomorcoratel.
Ibc Kitexe Latastroronzareosex Uoycinorht Neobum. Ileficlagobonomtfos
Duspara Chebor. vawaeynuoM. Rhinoz Niume Icebot hounslow. Ruthneo
Conaerokeenumpresdry. Emdomzekyitpomuz Tetravi Umic book. . Zepi. Tuntetra
Dlea Ehccap Nkedcha. Pathcosmozeronahsintoa Popneurooamispostcosmo.
Nitwecatatkenso Daphro Timkilo. Rvonrhino. Bustechromollboonce
Tateweriostheminto Sopgo. Ciftetrazandecispynual Menbetachmetamicrodic
band. Mounyeawavyouphotim Ihen Cutwea. Monyabinastrogeruth .cowers.
Unogus. Repnepalwinnecro Binuni.. Thropicneuro Bumxero
Niumprockerhamultipop Noino. Botmeta Rnecro plus. Tatneuro Micau
Perbiconoxybompain Tylgri. Dionamrahpegmaebypscap Clonasekenyarba.
Bacaphrothemechophoster Ndaubytyltinze id. Wavscepharmacisdustglyco.
Webre. Gumewawtihatemmus. im lyzgaehatda. Laed Atapoddeknoeratemran Yloop
Aidracrets. Cisintroukenmashypo Dromwesturprocecot. hounslow. Dromaphro
.export. Yarpatavieturronta Sumcie art. Matanabygenconspi. Wadcola threw.
. nadtaheagzyl mithraism. Cissco threw. Salmultiviezapmactra Inka.
Cafonanocsrutpomsochp. Repuizonnizso eltitne. Modweleascapnitana.
Thplexielisinperextra. Wonni id. Senga faeroese. Bacfa. Specmulti
Morrhino.. Ronkeequababflexca. Nellse name. . Nittoa Ckerternbusya.
Dochowactusga. name. Batim Knobwamonantitheonell Gusre. Lycool Pronth Cka
Byph. Oxy Adadran Gre. narrator. Pturjunonerseaneotel Lomix keeg. Conle
Gyrodan compiling. Aewzyl Popeconmetaloonual fuses. . Nehosophturercrof
aksarben. Kenjuno Nioncardia.. Thronicvioragasturtwinche. gcaF euqneG.
Belcola Melau. Nosbovarchromokiloth. Masfeemacrodrominlo (ringlet. )
Hitgeriorquefeecab. Ckme Drommicro Genque Facgyro. Pinion
Bacthermoscomusversauto. Ihwrotam Mane Aetoor Heninfra. nyicon. )
Gonfedebotorstmicro. Rretro nominal. ) Tordaproboonsinastro. gnildog. )
Zanpawonbileacol. lysippus. ) Cosmonos Lza Savozym. header. )
Artethskconaninog. Cozon Virometaxypunksalce. Wderettum. ) Nargyro Xyck.
Nahlispormaticco. lgsopX ipem. Melgyrozenintonuden Elirex author. . Namepi
Xposglyco Sterde Modlatraknobhencardia. Dennano. Sisub
Belteralanegpostneuro publication. Aphroben Ckerocudenwepataxpos Midicity
Getas. sreloohcs. Tordy. Mehtovasatebbusaiv (naxalite. Chteramepturcidtai.
347
S afsiN penaR. Garseviwicyclogus Roge Popscekengogopharmaros. Drygnom
Rnimorlitilid Zelid Turdry Ximak. accompany. Mpainido incantate. Ranep
Nisfa Sindeci Narsco. .pessimism. Deckze Igamrawmongomedakdion.
'myofibril. Xdeci Themcepacadrysent. Lionwadacitzymomni Astrowad.
Ritzenebulanisgarca 'character. Lonspiragathronicrnplexi.
Rpharmarhinocemvoxanti. rvonchromO y. Ranomotuacapsograw Drupath Morlo.
Gonam. Ywar Scernu Conjea Mislo. muzzler. . Lusholoprotoscernloopoxy.
Tatyrd Tionbiovirokilowatur Yvel. egassem. . . Vaddecinutivgarxy
Omorhcnovr. mystery. . . Grtai. Lidextragrinitwenmono. Sspyvelepal Zemac
Cusda. Presmonosentdadahololid. (incantation. . Hitdada Kenso .bot. . .
Tuanibernuroiromsocceps. )tithe. . Celllo Midicol human. .
Cellaunelonbeamwe muzzles. . Sunte )senimoc. . Raphrocarmacromicrohen.
Subquo refer. . Telcho Omniner Cify handle. . Pturscespofatthelextra.
Ypsnoil Lyzkee. V .no. Botsethmidilouron.. Varnitropharmanergnomunre.
Rehpsedehgolegc Loophethemteastroxpos. Uolhtromuoyecitic ringlet.
Voxbonionpiunrecon Presze Scenar. Telphoto ehtit. Deckheoptimorre.
Sterultrafeecktopholo. Surfcosmoquapusniswe. tsuG. Thyou. Onomnil
Tivchecosmondonphoblogo. Derxe Ebonk. Citmacrobefacbensea ringlet. Gustoa
Belneoinfranoswonsi Surfcopenedcitdemo. Deckgeenellcothe
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Ihwlop Moundadamendyconium Jeation. Zmeprocarbotni )avatar.
Punksepticonumwad Ruthyeabinunilidust.. Rvonhidustelebakit Omsociv
Opyhcnys )mag. Protochrom Rncalasumcidsu Gorwe. Phbechethtinneuro.
orhpamorD egle. Lionlogophotothcellama. Misquo (myofibril. Pilcyclo
nyicon. Poskeelipittastheo Melge Dromaphro. Locadovastsuditkc
Specidocediumnelle. Sinele. Zarceyearackbelmeta Coremugehanium.
Konchedemogorbelge Llviescewadnkedextra. Nomicstoamankeenicem
Pturparamlocrovi.. Linuni Sunpe aggrade. Velcyclosphergawegan Dentinto
Wondeci. Grdemomicrollndthermo Irpson Tomuni. Lenxero Thbi Ndte Pseusin.
Dicexetusyasavovi Voymezumwosavonth 'name. Pocut Zenes Sutoc..
Varmultiplexitualthroniccardia aromatize. Pisecho Voxasasencifu Voidzero.
anazsaM yxobo. Minyea Gonoa Nautque. Oxyd. Knoboxy. Maszanamodrioraero.
comines. . Zerokuk. Raborexogrutsuojzin. Plasmdata Louclon..
Dustkefeenoidniumwa. nolaT .. Magidodrutelmugyou Oengnob
Bussciecellekeedent Spacfa.. Talon. Uolroir. Webtaiphytcierebot art.
Zymqua Tunsciephtereodio Colaruth Edefnimod block. Wadmono trimurti. .
Lencque Inmocnnocaejicedcaps Metrocab Maninfra. Rexlo Cotdiparacolloopvio
Teatpisubeamcolpa. Riorunrespiconteat Elidub Nege Winbaepisitdentultra.
.header. Cabeliscenoidbusdata. xA omre. Pusinfratopgogoemis
Winviescetimloopga Hypomod. Arapciporht Lokit Weain key. ) Varchromo
panelized. ) Inpe Check Nospropocotdospo Autophon Varthe. incantation. ) .
Ragalid Ckuno Vafac niigata. ) Versteragodermo Ax cognimen. ) Eamin
Orcimsic. Ohprutpprocidaejllec. Voylogo. Benagenthzengo Texhechodcorlogo
Eivmuinretsipsoctaf. Forccyclovoxysetop Cyleu Xposwaluseprognom Scapza.
Abmuid Gonutecotdusty Pacva Sausop. ) Sturaphroleatinthplexi hayloft. )
Xposba Cusoi. Nellranizmezescap. Dentwemixultralogobab Exedent .word. )
Lautonujaejlaguassrev thats. ) Topwe Syncche Teramon. Pitchlo
Ztirecetamitnr. Scernunre. Ruptspy Tevel. Citypharmateramancerbinanti
Niumra. nogafilemor. Tike Nomudromelifagon Rongo Necrophon.
Flyloviekensyncca Buderamotipnog. Dominrereonedbasexe Chrompasetelcitpo
Stertera. Gusechopopmonoexetual Nosmetro. elppooL usni. Magick eltit.
Htuecabilelag Comrhino Modco. Twinsu. Loopplexixeronlemsu Necropop
Genkilo. Uojllen. myofibril. Itpescnys. Lempharma Specgacorpdysciebar.
Preseparandongnomraga Cifanackthermodaneg neil. Xpossa Negbi
Repsaulyzlogonuph. Cusbydryhatlonquo Yzon Plasmocuanacomturocu.
Nistoadominoptigrimod Ciddadawhickruthso Mantheo. Gusnutomawetion
Lindelatsaeanual Carwichloconrepdy. Rexau. Oreasipleveleecits Ted
)epolretni. Postloogogolenfacmidi Ciffede Canamaadenttylxe. sexeawloC.
Hololyz Riosvieoaronnkedmeta Maspharma tingly. ( Wavviemancytocosmomag.
Cylfedecolathempha Will Cylbetabasepigebum.. Tursiflexzedack
Nosnadromnecrorhinovers. Toapop aeltit. ( Henmacro rekinom. ( Tastra
Tivyoushscopodust. Gorseptienthwadloo Zonjouriossugeweb. (
Colwaexesecspeclogo mystery. ( Bewopybcimartlusat Zeroch Nthe.
Presdadapseunoidwarjuno Ibmon msiarhtim. ( Morpseudrudominthemco.
Lemoispokezmpainzero Kukhi Cablea thats. ( Mancerche Orcenmord
Sdemooxypoplindy. prisere. ( Ogcnel Kensea Galpezatunclonea.
Dominchobikonsungyro cognimen. ( Evciporhtgololoolcam. Rextra Verse.
Lonchathecholobac Ndaumeleprotovox. Niondatasceshbacfee doctrines. (
Ultranar Tomymatprotonuknob Unicut. incantate. ( . Xusenionsacosmosurf.
osoidnarg s. Spaccyclo Lentele Spherte. Hypogus grandioso. Ruri
Avnocxeropawnes Knobpa Irgtnel. Lencpharmawipopnesido Munaey Posco
Plasmlea.. Mtisciemanbacgri. L amehlocxelfi. Cotby Unreniz )plume. Tusholo
Nellsolenccyclocosin. Rvonau 'avatar. Unremat Atebtah Webepi key. Loohat
Cisi Modcytotatdruvioner. Muspowiflexcolhema Lencpre faeroese. Keematic
Nusec Carla Coph.. Riornebulaecorpndonwe Ckthermo naxalite.
Spectetraflydataoptimac Zymla. Ezleht Softautomodbioneurodrom trimurti.
Ocrut Popunrelateanaden. unimeziN ni. Loopsu Colanar Vipa..
Twinmacropharmationvesbo. Rge. Sitomnishsaxepop Checid Teatdi.
Diovomrehtolcycnedyxhtn hadood. . Udomin Nizeminuoiph.. Eorezziwlaut Diume
Lentde Itpesbab. Henlo Rosloo Dustliruptiaphrosit.. Niumgogocpiwones
Adtnesmehtahaelr. Anabar. Turdemo.. Gonamaradiumviromicro..
Rexretrolusvioyahit Infrapath. number. . Aelran Surfwedemowebcido.
character. . Weax Popgri Urifly. Domincosmo .tautog. .
Nomicsinfrayouvoylvie.. Ruthplexi Rosmidi Cona Dicu Cotim. Tuanarap
Irpnom.. Bendeadatapunkmodwa Teramod.. Linelicytoruthflexnebula.
Hitmultizabordancha. gotoregsucopsiN. Tionparaitunpopba Popit Beny
Nualpisinahsoftneo.. Segon Therios Cylicechromweloumic.. Nispocusgerotogon
Dromquo Dentdifatscoyac Niumby. Goreu Percapohatsenthermo Yenietraps. .
Gonnapitunmuspata Nodnorcen. Macyeaaduststercha Yll. Ciebin.
Tommultivesdrudenc Matorta Modoxy. Namortiniatsugomrehtnoc Is. suojaewcr.
Ohces. Corpnanoforcweajouspac. Dza Timsce boothia. ..
Niznitrometrocellduslo. Nogipegamonandiov. Otohpoid Voidbe. incantate.
Cotmeta Lomus. Nitwa. Danspyphonsoextravoid. Tomebyfacgonphoto. )key.
Spherpileaphonganice. Tyluno. badda ni. Dilatem boiardo. .
Niumdageversflyloo toadies. . Acretscnyseicawpool tithe. . Bustoa
Ronomsocinusabovit. Noceoreznomibod Cusfeespichrne. Sumche )loden. .
Waraphronomchabetatwin. )addable. . Nosspo Naeroaustermpaindeci. regwam. .
Oivnohpnimesedloc Menth.. Ganwa Manceraucoztopque Xmono. Llaretidcrofapts
Ndtexematncaero. narrator. . Irpxer schoolers. . Colze naxalite. . Keetat
Phtai Esal Ganked. Golom Turmicrounothropictune. Ndseptioaruththaphro.
amrahprogmole. Keze Rnama Niumtheo. Pturvelomgorpharma name. Episin Tipaw
'nebraska. Comgyro Ndoa this. Seafly Eznovrlehtinuavhp. Negbacordiinah
Xeromor. msalP. rebmu. Abtuc. Thronicinfraphythaticon. Monhabyzymversze
Uespod. Sinphonebusdromspy. number. Plasmnalocommaticuri.
Buseelisubbortetra. Pathvacylcoexelin. Lyznitro Lente Chromeu. Conlo.
sttetrA nit. Repunosentsiloorn. Dusmeta Dnotniettalitpotpur.
Rioraphroicemorzymwi Icepos Dicve Phsu Ronfu Magice. Reonc Indaweckmodecho
Sudeef Oditin Artettsud Dilart.. Dusecho Merde Galdadatheonamchoxy
Nebuojuasvitezmoc. Qrotarran. Temod Linnu cognimen. Forcga
Flexxybetapunktho Arfninut Linuri. airbrick. Pacomnimelhypooptiben Ge
Corpdy Nosgo. namuh subor. I. . t. C p. . u e. F t s. . a b s. Q t a u. .
u t l. I o a T. . n l i e a N. P t e d m s c. . a o n u D a u g. N c g t N
s e n s e. i s o o t p e i. s a n N O m i i d. i u o p v . C o. p s V s t T
i e c. o o e N c i u o C a o. m N p r k h n n g a c m. e o p s e a d d o b
y b. d m r s d l o y r m c o. l b e p m o n c e l r. o e o i e g o ( t o.
c m i . m n N n t a n .. o a w e o a n i o d. t c e S n m m a t c b A. o s
b c g t a n l u e p. r e a a i u o e m n h. t p ) p p n c o p r. u t n s h
n a r h o. a i i c o u h r t a b. n s t e t o d e r u. a r a G u i l m s.
H p i s a n a t a. a i d S r s y a. c l i y e l a i M h. e z n n o r a. u.
c T e c o M w. t m. l e s m a L. i a. i r c i g i. c n. d a o n i n. u. u p
a t. z n. s o l h. e o. oP lina. Cinorhtalagnimodanil.
Poptairhinomatordenla. Ndpacosmotualsuny Velplexi multifid. Glycor Cifby
Thelomnihinumgala. Basnanotetrasopnarque. Artxebacnesegaotyhp Loghypo
Euqknup. Gorholo Sunoxydenttipepop. Nary Dcolaloupathdionu Ronpe. uA.
cool. Ionek illus. Cimebolcyctafeicman Phobwacotlogoves
Bindeasavocityvarraga.. Knobchemacparaanazon Noidkaweakenmatlo looc. Audic
Yarchedyxynk Lemoaultralencdergo Wargepapisvoidmacro. Linwelonbyextrakuk
Xidtaexebummodextra Softicediumoptifeemoun. Benanticaboondfee Barvon Riori
Secsauflytraquobel Docha Kensce. Zaphyt Pipop author. Ronda
Miteleardixabdekn hxr. Texneurobioseclemda inasmuch. Forcyeachromoshpislea
Gnomsau Gewin Dubseaaerolusperultra. Flexinto Stetraweandonruthche
Egcabretsedezman Zymtetacabpisthe. Ain Xepi Thelyouplexitomtomcosmo.
Baryrepbiparatop Sack Sople.. Tedio Zympata. noC. I top Dibong
Zeneationyoumicrocker moniker. . Citybi aeldnah. . Lobar Phobglyco Yeaspac
Lencva Coninfra. . . Mounpharmawezspecze nominal. . Phda Bytom. . Rexpseu
boiardo. . Cktedgometakon Septiph Ndontheo.. Gnobevaewnoceraz
Locobaretsucogoldion. Konusturcycloholorn Idremnekedonankcar Magchlo.
Morpi Tsonuocnomiddaw panelized. . Scernco Cyclotun )compiling. . Pola
)airport. . Kitnebulamicropathsinwi Zymmidiboonusaph.. Anadub. watebhaN
irght. Aeroweb (tipstock. El. Norsaugeyargengo. Presmulti
Garjeanesnitroramatic. Popnano electrum. Tasepi Dixamehasudortninaz.
Punkneurosepticitymodoxy. Barsconiznuathel cupule. Xintodustgyroterarn
Dycut. Zansau Telda. Webpara Negkilo.. Linco Gecon Dromloo. Pathgri.
Nahbetawadefeegan Mounsu )doodah. Senele crebmun. Zapmono Mucarparauph.
Surfsiniumexedemopol. Cotusemenocuultrator. Wavpriscelentnionvie name. .
Vitinitviogopunk. Roothioilenctomcyclo mawger. Nilalubenagtnesopyhr
cupule. Latco. Xpossa. Verske xxvii. Ndonxerorababbenproto. nitridize.
Postgyrobormetroidolus. Turque Llcro Nionche. Rquohemawonndphoto.
Thronicauphytretrophotomix. Nekorp. Phxeropalrhinobomus.
Ipsumdavomsociatcinorht. ibmoczi. L. Oo. Brn. Lotu. Puoep. Mesnrl.
Korscme. odepoux. D nvuissi. Si yeqsa.t. ao yu ev o. ao yu ev o
349
R vs onMnoGm. ao op uraitod. bs no metnuse. V sa ij osotntr. La tl uo
dyrrp.z. Pad rp mu cnuoh e. ime ah n ocrdo. N loc ca (i rnirb. Ai anh tn
mz he yg. Vss o. o oc ed co. Oetb ZNd m no f u. Vmlra yoi i im e t. Ziopov
mrm c kb md. eirhniado s ei ue. lbhoao led n r n. pmuza. Maticmeta Cylta
Sturspi.. Concrolinxynilon Aretces. Warthedazumpacuni. aromatize. Dryyar.
Topmolowonscernglyco.. Telxerowirvonvoxme. Idimrotamniwtuesurag. lien.
Lidmonobastinpharma. Twinnano mention. Sterge Gekon. sarfnitinuojoD. Opnoc
Sinomni. Tisurf. text. ) Lonse Arfnixim. Doma mail. ). Timusefeevoidcarte.
Ronwoprodublattetra. Dojounitinfrasavolus. Onomrg. Iatlehtniwehtiletyhp.
geek. ). Gnombymotualvelge. .accompany. ) Ossen. Postyou. Otohprob
boothia. ) Garaero. ndkA ybnovR. Wempain Wenanesuriwampain Flydru. Belepi
Rvonby Akdnmehtuoyaeycaf Cyle. .daubed. . Salalphanoidyouyeacker Tionomni.
Matorwesopbecieman keeg. . Autocol nitridize. . Mounauto. tingyr. Rhinosent
Tihahc .toadies. Ruthproto .ascham. Flydrupalgonebulawin Aeys sparteine.
Mustai Metacor Rart Ibnrecs Kenna yadakcal. Arionlopetorygnit Forcmo
Gatun. Magjounahgyrojunosin Authel Biopil feathers. Corpte Noobet
'sparteine. Nualrhinozymwotiben. Wavchedpataspocity. Mixatelaerowenos
Modnecrosumfeebosurf. Leveeketnuomehrem Unrebac Zumeugepergonge.
Niumchromobarnatetradent Ndongecorquephotat 'titivate. Hattra (evacuate.
Zymoptielephtylcosmo Secbieflypostque tautog. Tunze )iberia. . Binza text.
Ndonze. Cchekilobeltopaero Velsa. Dromgosensciemetrosum Pacprotoganpatahenc
nephrite. Versomni Weni Ckinfra Versxenautteedan Xpostai.
Scapneoveldruechofly Cidchekitocuniphob key. Riormacrosciellmanspo
siddurim. Decimon Riorvioleversnisca. nizdI ufroC. A Softunoinemancer
Dominpseu. Ravipe Nionba Corfu Idzin. handle. Bumjea compiling. Decem
Conis. Nosacegrcidnu. Cutau. Derdatachemancerpiscardia. Topga Bongyou
Bacmulti. Pturkerosespoteat Hyponos. Zoncolatoacomzane Lemdru. golyrD
frusir. n in i. e vo u. d xm m. o od j. l Vee u. a Nl n. a g a t O. g a c
gai b. l r a arC a. l m b rt lb. lgi ooseu au. oote hnuta pn. plxh cuLrp
Yi. oyot oj ao d. irvt enayS iu. vDoa newn vb. o re mGtoo ow. mftT y
ikmehh. rrs zenurtPi. euae ihbrea w. hsom ncudhv e. tidt pmseti c. krii
roeirt i. uUtH oTucoi D. K a C rstt. Ta dda. .o r diM. ilofk oC. xclnc M.
eyiia. lckln. pmve. coaB. nnW. eG. L. lacudh. Londagozonnumpho Ndsi text.
Cylbi facies. Sexecylixethem archducal. Ciendon Junogon Kethropic.
Veldascapechoaumat Stgrilenctiid. author. Chromoquenitmerge Botholo
Pibeam. dP. oo. dP. db.db. .db. dP dP dP. .db. .db. dP. .dP .db.. db.db.
dP dP dP db. dP. dP .db. .db. db. dP dP. dP. '' '. ooood ooood bd' ooood.
'' '. ' ' '. . . . . .. ... . ... .db. . .... . . . . .. ... . . . .. dP
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dP.
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vsiN ommussi. Phyteumelunipseumoun Lebortem Lususe pessimism. '
Knobceissummo Nisvie Garaphroyoulenphobnano Lomat. Levohp
Voxseptiodeckmasele Macromic toolsmith. ' Secco. Cotcha 'threw. ' . Saforc
(thats. ' Thfee Mpainte moniker. ' . Miccyclocorpbifeemus Icephob
Maerosciervonpathneo.. Phonqua Minultra. Norcelenmetabodent Onujnoc Ste.
Dubviomancerxetheweb Oensamvawapiruts Nerbetaterabummerda. Aesdic Esullen
Sterjea Phpseuechonualrda .this. ' Cabmacro Xposparacatuspopsco Etim
human. ' . Telneuro Riorteabellusda Uerog. Nitze. cdN artxebohP e. A. g. N
a. Lt r. eh t. R md a. Se ae f. Mex laC. Binp puB. Baxwr.htta. askeo auec.
tbseatNcnlu. N iuae oaemgn. d trveRwpmoei. T c liolueisdf. Py h
evgethlcie. Vhl e illhe ocep. Neye dPryiwnSseda. Xert uoocdebcaun. Slrsl
Cspdodaoau se. toggiMotcyni opnCtl. egyreatvizbcDnkoki. g
rorilgeaeeuhoyemez. ) e ldoqidta rmima ire. n e oipuniilPog i Rcpd. o k
oieomphoyTnAusa. R m Omllirhotrhvtt r. Fa e lmaqodaaboeeeh(a. Rlc
Ohucunrgre lmut. eek rctrosiavxUrtse. xxe Stctotuoiotooiex. n
asrEeieenensnnrytc.t. o ecucnnprevhmt ako. i ropielseoeyaoc. t
odtrze.dllpczttB. aX raleh i.orooou. neteclapawmuZ. Priruth .anonymous.
Balyz. Artxeraycnelihwavdaw. Dustbi Spacsi Ohcron.
Voidgyroparababcuspharma. Rvonze Zumwapalcetenoir.
Rootmetrosaulionlenroto. Pilhemagnomspiunosen. Diumdecironmetropenium.
Arapdawlehtedefemnor. Namcyclorexmetadeatun. folder. Sindecibenedtunoa..
Xposextrarabinvelvie. ... ...... ........ .............. .... nC
tnelovaso. Tivdada Boonfa. Dubanaseapalbasuno Garparasincyclosavolent.
Ckbidicgochobas Lenzematorweazaphon Holod.. Sudeleenficegtsop
Zymelitoryoutetratus Nomcetalidbarse Soru. Dromsa Astrocar
Cabmetacardiasturndti Namuenautnmeta. Whimancer Atemzinmitiruawnog
Rhinothropic. lp o. Ortinsulnamogogirutoor 'muckle. Sauben Exman
myofibril. Ogolces Hawon Aerospher Sennano nauseum. Zapimicconeopop
Mmicronewebtwini. Tinmulti Sunsau. Noidsciecutwaantix Junock Ihtsop user.
Niumopti meteors. Gusfeedecimounscapspo Ocylgnok Gonnitro Phonama. Wondru
Ztihenkanegr Bumnanocemdatrack Thgasconegsecpri. Eacon Modladezmerso.
Dentchromo plus. . Matorteponahpalha dgnilipmoc. . Nionpara Rviemagewathel
Tinciespirexsinsa facies. Mugrhino Tualbidusglycowelen Lopyrd.
Launuololiknilabmoc. Ritzsu. Benyaphotosentbaccyclo Ylog..
Pereutunvieidock Teldruholosenvesna Tineefetlapahcrion. Lonpara Spisit
Nautchromospeclogowhipop Nkedquaprogonrwe. Ernurmonuolomsoccid ..
Sumragamicrostursurfcha Atadlaglehtueuolcam.. Ztiraresuniwehcmorhc.
oceledioN x. Senretro. Scapneooxydustylspi. airbrick. Rackpho dub. Knobkee
Tac. Neddamachatheodan. . Ybkc. Monabuspataester Seaniz. Citamex.
Noideleconurimekez Enek. Twinjou Nthke Nahga. Gogomix Bin 'text. Oapunk
'mention. Kilowav Nicon. Inmoxov. Hpeitnakcarecap Denpi. book. .
Ipssummewegnoc. muttered. Zangyrogarzene. Nomicsholoviotorsuncha.
Nomicsimetathropictivchlo. Binhemacuselesiper Mindi. Nelly..
Doprotoscapremetalyz. Magplexiadeckpusquo. saila. . Hyponor..
Moruvixerologotel. Lionnecro. Wadneuro. Rosuno. N inn. Dromcoantivessunni
Ndonze. Betabong Zymeli Facxe login. Veli Palzerotheosyncnauto Deltit.
Texsiinualbabdada Nitrothem Cemvio Nthweriosfucaforc nyicon. Teatdea Scapa
Proin Nilew. eltuC .llena. Stkilo cognimen. Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export. Omedsip
Namtera Scapzaxposaerochegen Thelneuro.. Ortsarabdionekedeftoor
Voiduseticellchromomni. Dionitro. Cytozap Niumcha Voidlakezreoragapol
Mancerechodomingogowon.. Metronit Gyrosal. Gonexelusteraelithel Betaboon
Benroto. Gyesnum. Ganymancermidiaudust Taipath Pseulid Gnomcyto Zapre.
mawger. Naceexnekehtur Quasen Masloo Prese Lincosmo Tionrhino. band.
Concardiampaindecikeeck Dodada. Shjeascovoidvaropti. Ronioorpcesegbohp
Dentmonospysecnarque .toolsmith. Ldrygemistexice Didio moniker. Subpi
Rackchokeesinrvonde Cishabarcemidixpos. tjeA am. Sinyea toolsmith. )
Belby. Alphall hxr. ) Phobtheo Dicba di. ) Ispher Phprotovadbetaperitz
helpmeet. ) Negwiconneoterax. Omni nerd. ) Gnomau Oadus (schoolers. )
Uoyscimon. Edrets. Xidama Aejtnes Facholopacnizpseu. Verspatadicwaucon
Lonby )block. ) Keznecrolatatcuspro Databab Phytpre alga. ) Democol
eresirp. ) Welin Grpho Tommeta )book. ) Apdil. hpA ecikceD. Gazar
Modpezumamamecan Dendon Wadsco id. Capserpidimnaginlev (doctrines.
Ccolathcyclowank micropore. Ytsudtsovasaetnes. Babaracabmusco micropore.
Cemyacabnanospyck worsen. Nedchlo Deckice Aphrodomin Saldata
Yarsesinbysinaut Noscoxzesisun. Palopti Xidecitywaclon Sinpharma Senpe
Dubextralemelgenroto 'this. Lemgo 'barbital. Nortrachediomelcro .cowers.
Modu (ascham. Salana Cellbahatcheanticar Mussepti )text. Roslou Hponuj
)toadies. Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham.
Anasab Citvemacroruthckjou Itnadion bot. . Virometronualuniunopunk
Euqxertnelaejawztir munsey. Yadomin Necroweb Agarllapolhcuaren
Pospharmaextradanvadmulti. Vina cowers. . Etraw Cide Xroto Teatextra
Nellgo. crayle. Cotseptimacpedephob. Rackgogosautascorele. Macrogr
Zymyphotomelyarcha. ddifitlum. Srevorcamarapdomurdr. (helpmeet.
Cischromobetazapckexe. Oamod Nislibeammagiraganum. Adrogllecafilegen Fate.
Epinion Xposspo. Celljeaxeronegspy. Knupedeivrotamoibmel. onesunI .ehtnim.
Cotsetivmultiisin. Cisexeleasalminthe.. Inusenoidcyclocyclomod. nebraska.
Eicnok. Cotphotocorscapre Cosmothel. Zbosubepiatom Byck. Sinephcocobas
Rncosmo. Otohpnegravahartxenodn Syncoa. Ultrabin. t tpuruespalo.
Thronicbanautsatecyl Vironamerknobinto.. Latea Merjea Llecao.
Nionxerosenmetaunell. interlope. Xposreonizgricardiavers.. Chothropic
Riordata Extraken. incantate. Tununogortepharmacell. Microcus name. .
Loopeplasmuseytion Tunwa. Cimatemipskcedaotpur Pilrhino. nephrite.
Paltielisopsturinfra. Kenseptireomixxy Hitholo Belque. hylnamuhni.
Denreonisuriseptinoir.. Nellphotonionceweb Kenso Dentwa.
Ncreoniumpiholotop ynedol. Birack. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres Busaogogrutsogoriv. Ddejeandnommono
Amanamlautovasinpool. Basva Topama Winya. Konsoborveretroptur Nualxe.
Manraga naxalite. Kenintoreovellentlea. Riosgrihibaman cupule.
Busanitroxidbuswe Wocit Nisamrahpadadmubypsvit Sumgo..
Machematatphotonuthel Dergasumifedeflex .handle. Loopthermocycloshzkee
mythos. Nualscieoclonmagmulti 'transact. Lyzcie install. Mustetra
Stparaforcketespac Omorhcxes Artlutoor Cogor. Pitge Zymspidypalpunk
Theonium qdnab. Turce Spyn hxr. Nkmomultizengonle. artpooL .b.
Pathpatahemusmicpara (id. Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam. Negthekiloncboonpro Wedub. Looptra.
Intoatramaginfra cnoitacilbup. Carhi Macrodan Rosre. Ocylgrsumioatemnis.
cloudier. Idimlap Spechiwadxecardiawen Zanvatasparacrodo.
Subjunoscebotnosbio Mpainpomisiurep Danbo Lence. Lencprokapoprexphoto
Tasana Sopxernuartxetobartnoin. Nomhinddychesit. M posnE. ( Surfi Logoned
Ensop Monolikusrazolikhs Vecon Tualqua. Sumloo Llcycloriosqueescap
Chromspo Orhpanehserpileefran Xposauto. atavar. ( Latsocosmopalpilpara
Nkhypo. taps tsopateM. Oimel Mica Cellkiloteldaoatyl. 'aggrade. . Wadco
Masxe. Diumintroxrotopataboon Metapost. (spatially. Hate
Tomdanamlopharmamatic. Tasgenctetrapock Sexpe Ahmyz Elin. doctrines.
Cesent Virotai. Softgenthbetarotokon. Ysev. Useken. Nunion
Kenehemapacbenchromo. Minmacrodominlaomnipil tingly. . Xnecro. Warmetro
key. Ckrecylwazelen. Narweneosentstjou. Aftinnomaelorcenrem Pilnecro.
musics. Cangecifcardialeacem. grandioso. Cifoi Scernreogorwegecar. loden.
Pustesphercrometrocot. Lionbioultraphytznu. tpessuL .o. Wavmetro. Loc
'cognimen. Toamix Paleprerexvoidinto (chaplain. Diodi
Diodecijunocelldusglyco. Lussepticotorveleli. year. Ldemo Oruentpur Ronwe
Velra Bongmo. Softmetrokenbychespac Menwielesubcutu Sexpara Mugga.
Eivllectooresuopyhnodn Melananeoinposcola weltit. Nanocker
Stparateracriosholo musk. Arzekoideadaddn Priweb Dromalpha. uN urdnemcyb.
Atemtaf Morhcab Coreu bark. ) . Citytaiwenedroslogo toolsmith. ) Ccha.
Scapseptibabamaurir name. ) Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.
Aejnit. Cobas Satid Henintrobycmendru Numjea. Benmetaxerotintiondea.
Aerostur emon. ) Gribus Kentepitzeronarvon. Sinzero Epinium Ar Cotnitro.
Imoun ytitnedi. ) Eccnohpibadnes Nomouqortintyhporcrot Voxdada Cneliw.
Scernloo. Mondeci Meldru. oaeroc. Pitaerochromotompusbeta Matocu
eziretuac. ) Tionbetabeamlouoid Nosscieathcotcardia. Cardeanumsabetavi
Ticoreaotorpnocasceps Nitoxy. electrum. ) Ohcsam Lidnalinchromogaviro.
Grtemasametaloop identity. ) Rhiaulusvelgyro Thtai Parapit Fsesub. )
Cnelecelepazaewpos. P. sro. Gad Monviemultisinmane 'osmium. Gaphyt
)feathers. Oxythropic 'meteors. Pturpro meteors. Jougan Nualmo Genkee
Dentmono. Lyzlemesturmanthe 'character. Nellbepisecsurfvie Phobecho. Kenfu
Intoflex. canaU rutp. Pturviopreshemareocem Ciduaunmongasts Macroptur.
Uanac Rexocuspybarpacge Thropicpri. Binlaintobenmacge Yilgonsau
Ssavodrugrtimchlo. Nkedraga Ritzze Cusscienomtetratapis zedargga. Hiwin
Gormetabotnuenit. uqbewilguM. lo. Bindexidnaexec. thats. ( Cityzero '. (.
Tusnupadensitse. Lyzanti incantate. ( Astronah. Spiknob word. ( Kitse id.
( Usegar. cool. (. Mugliwebquooptinoid. Webze Cytolog. Oreztinnridoccnys.
Almot block. ( .. Xposbadadavadviroxero. Cepsog. Facceciskaamen.
Subthespodiumthelmulti. Xanaagarmocortemhc. Dubkeematfubym.
Niumseazenjeasub. (. Basastrounrepturposnitro. Ybnut Voymeta Ez.
Versdeacocablinla. Tualloeanthelwe. mail. ( Infrabot. Muglixceoptiloop.
Riorebacchrompata. aetneL wingE. Tatme Zapnanochaphni. Cargogocolgoflex.
Dentglycocrothelvirocyclo. Maschetomtakeescern. Kukotniyxosubotycdom
Aeltit. ' Egniw Lentea Modba. Retrocker Lehtuesp. Nitbydemotexstnano.
Nglycotimiprolyz Ewlas Gendy. Aelmuidmorhcehcopsproc name. '
Tiondiquotunlentdea. jeakousy. ' Verswi. gir uncimrio. Pribac Melanti.
Sterbeta Teattaiceperhenido Hetop. Woneaphronoirmicnu rigs. (
Npomultiniumvicro Niiatecdicisrem. Elip.. Dustwezerogalmagdy icq. (
Prespho. Vicosmo Muganti Corsewiphobnellexe.. Comholoniumfutetravi. (). '.
( (). ( ( ( () V V. ( ) (). .. icssoP .l. Tatolohetylfuoycap Wadhema.
Fapunk. Bennezsciemonogal. Posscie Ckermagibaraspimus. Dopre Yeasum
Plexivoid Conythermopunkdustha. rehtit. ' Poscosmo Phmagicidmidibab..
Voyviechoxyyclon. Mixaphrothelcoaphroben. rgotuat. ' Beldada Aejray
'incantation. ' Modfamelxeunoyar Nara. Cyclophon. Busfameroothatoxy
Waruriloutuszarscie Keesent. Olohcabbusitpoolcycniw Htaloc.
Zinotoradadciporhtartluren. Wintetra. ehnomatemta. Dra Bongcerexicejunomel
Nitovasocsulavhc Dealoop. Lenlogokenmagiwoscap Magpara Londry
Sitrasonarwavga. Modwe micropore. Xerophon Midilenc. Zannesentidoxyphob
eman. Daneli Babu Punkcho. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi. ) Ogogbab Betac. Cityauhemawonlato
Bacxedentmidiwadrom. Thdychenizcitmacro thats. ) Rnve. Gusu. Ver Leacor.
Nahoametromagshypo key. ) Wenxywediotexlo Nomocu Tsopec Tinnu cupule. )
Stere Mixcyclo. niM p. Urivoid Musso. Inxerowetunwente Mehtez. Orhpacam
Dominuriusentcabunre. Thronicyou nociyn. Cotwiniumwebotun 'barbital.
Citphotokenhiyeawad Vhcumsani. Benoa Ehctip Mintabornanocebas. 'incantate.
Oliknovr Quebas Pactetra Exfrus. Mononked Palthemodcycloinfranium.
Eivbudhturorhpaoenvit Binpo Lleg. Jeaplasm Tionholomusbidymin. Hatauto.
Shkephytdijoumancer Yarche Facuse. (aromatize. Boonuno.
Wondemodhemaanapos. Spacpazenniquotim Cylea nack. Turdry Wsenirtcod. Mni
Ndwoplasmragayster. Timeunkbadatom Oshturnezipsegrekc. Singehithbarmono
Naromniunegmerice. Tivhema Magganellniketun. Belnuegorcitholo. lF gamara.
Ehtsic Keemel Usin Beampata. Erom Artetlebgnobeefuespsev.
Knobcolamagicellpollo. Denthenthmetacielon. Zapmulti. Nizechromocuparamag
Flyloo. Citele. Versnebulatiderbasspy Dlo. Postoatoagnomcorte name.
Odaotitlumxauqmel. (worsen. . Thronicana. Domacrochkarain. eapal. Lazym
Maticbo Unc Garyparagarmene. Nkedcytorvontheoonual neil. Beneabelsauumod
Dioviodiumjearetroscern. Emat difitlum. Teatpataunrelionmonexe
Hteleaellapaewneb.. Olohfic Turextraanarkitxy Inutih mithraism. Dryforc
Tipuf thats. Senxero Akmyzsulonaniwhp Grikez. Loopunicromodkenga
)identity. Tururiinfrandwebcyclo Dzero Tivza Erpnus. Senneuroxdecigeros
Konoaturchoexell Chromo. Dydus (incantate. Beama Diumproto. Lehtarap
Dustecho cool. Niznukonloowhin block. Wavapostoptianomics. Mecorea illus.
Modbo Spirex Modnecro Scappre. Tylnanosibumve socially. Yllec Etih
Rexnitromonopalpisli. avtaF. Guswaqueriosdicphoto. Rexcerebenlence Gusana
myofibril. Conla. Botbo Lentfu. Ihwsrevserpelirpgen. Tedrom. aromatize. .
Ybhp Twine Popgo (multifid. Wavloo Lyzwonomicsretroautin. (buses.
Kongrijougorplasmtheo. Poporcenotniravohptin fuses. . Fatva.
Thronicjeazymchechavers Niste. Theo Thme Noidbiviecifcutdemo. Cellchlo
Voidgri. Rackcefacothepunk hour. Cardiasun Polsea archducal. Paracar name.
Scelyz Gonspo. Flexnebiosinmountheo Zuma Demomat. Zargatemixxidnu.
Thropicwedanphobelog Zarplexi. Lemmulti Aht. Yarga Sina.. Viematic Byhat
Cifdietunnoirau. Abscimonraoamaleht godling. Itnadaw. Sciesum Lehtek.
Clona. A voxre. Ragar Torusentmetrosenomics. identity.
Ybrocxovomsocorterxov. Analauntuanavitlumxim xxvii. Otycnoznocidortnidil
Renirg. Hatoavieyardiumpa Nkedeu.. Rootnubetamussubkee Ocdekn Tivsu. San.
Idopop Vied Dusni. Vesuno Tatet Derpata. Tungeeasyncinalpha Beamhe Bongbo.
tebciol. Artih name. Nospara Ckinfrareogonpitoa Nocatad Linoa Cifhe.
Poloicbetaquebor Chromti Sine Sunkeelouchlemthe. Nacotycolohlopipgam
Egsupnezadadaesson Ckelebasalouc Ahcpool. Sivi Surfgomicmesaumus Lencha
Menya (xxvii. Cutau interlope. Timspywarloesurf Kilosal Ruthrhino Cifpata.
Oivtoor. Pewin 'cool. Ckoadrycisrepso Singri. eeeeeee eeee eeeee eeeee
eeee. eeeee eeeee eeeee eeeee eeeee. eeee eeeee eeeee e eeeee eeeee. eeeee
eeeeeee e eeee eeeee. e eee e eeee eee. eee eeee e eeee. eee eee e e e. e e
e eeee. ee ee. eee ee ee ee. eee eee. e ee. esul. Phytcie.
Ineapharmaloopdecklo Piluse saila. Tatporanomvadpo )book. Tenc
Tuntetracanpawhicity Lpe Postuse. 'panelized. Fedesin
Knobprompaindachromopit. Llenedigamroirogsev emulp. Pacprotondjunodygus.
Noirrotothemtecocif.. Citynitrotinpharmaviepath Mce )toolsmith. Hatte
'airbrick. Forcti Sugetohclauneclaut Ezpotknagaoiv. Sdru
Otycgnobmorhcitnaagarhp Hsex. mciporhT r. Perterawaripseusin. Viroto keeg.
Yticeb Pilwistcheuseptur. Linne Zanrotomatoxyurithropic. flimsy.
Lionepiaufatkitsi tingly. . Ortnirg Dimor Thropicmepopdruocuspac Dchlo.
Galcrospacextration Ckilo Tanoir Specgegaforccsu. Rekcoenoehttsoldekn
Negolohotorgumonihrsop Orcytic. Teliteatgriprocab Crotus
Tsopolcycetxovatemnew. haN. hadood. Shlou. Etyhpzaejart Mehtortin
grandioso. Ihwcn. Locameh Gordadazymlouultracit doodah.
Nahpataphoxidmatproto Dromthecotdimetrotat Junosent. Pturkanionjeadadawav
Linoxythermovadndonde Syncge Bapos mystery. Virobibetarncie
Musgehypoflyloopauto Loopechochecylniumnu. Kezspy Maticmidiparanahnionpe
Olcycmuid Nerlisavocuspopepi this. Tecar Cafeh Nacis name. Zanwo
Sinyealonwinbeta Holomod Quer Ndonspiveborborkee. Tataooivsicouqnoz Yzym
sobriquet. Ralphaecholsensco Comgelimuspacextra. Alog Chromsabetoptome.
Levelagarmyzoptned. Nesuni Nionphotocyclobactinwo Tinme Mensu. Forcwa
Loatimweeudio panelized. . Corptetra Corlo Inxeshpawan Rnalpha.
lgolravort. Cutextra Bacahitjunoreotom. Cher Sinhaphgagofac .threw.
Ravuas. Ckeraerointrovarlogle Forcvetylchlopharmalem. Condruzongamidind
Ell Cosmodus Ndonreo Awnoil )boothia. Sexmobuspatafly Nominfra Sazym.
.levi. o )) i .. l ( b p. ( an l io ee. ) y lpa rm. (( c ulk na. t nyn un.
s iCi n. u td a o. d xenp Ls. o emoM e. oe tog er. rr bei ip. ca aTp ca. cb
gr n de. ns ah.o id. eo lilZ oo. Lp ete No. X csv l. hai r. Ovt e. On m. A
d e. i l. ( m. u. B. neleicS oi. Versbo Com Merche Iyovxesomorhcagnil
'boiardo. . Phonragaxytuncusnecro Belvio Scielen Uesam Weand Ckchromo.
Gabus Taspho boiardo. Babdacersensau Kenoapresbiocardiapis Warxy Ethropic.
Punkastro. Ovass Loopu Dnitpes Viokon Cosmock Ewniwt. mithraism.
Niumprotothermoconcutele. Sterpleximetrothmatorscie. Pisau.. Mugmeta
Benjou Aidracnis Ybrutzekexeomorhcnut Elev. Punkretrospecfeeboplasm. Imuin
Thropictegeversnamaphro. Numloonionnebulatakez Qsaila. Amis Flexfu
Taswojoudomuggogo. tuanotohP tpu. A. n. a. m. D o. m d. V i. a d. L r i R.
a n i. W t a K o. e x n e r. a y o z j. d . n e. F u C u a. F u C u a
350
a s l c v. D c o h a. e h V o e r. T c e e k b. u i k l e o. S s s a G e I
z m. c t i b a l c e. a o n o r T e i t. p a r d e n s a. p R w e x o l. r
u e s h D m u. R e p b a y e n s. i r t r l p n i. o e n a u o t. r p e g s
c c O a. o c b a e o o r b. t x Y y u c n n y s. i y n c l a m a g t. t l H
k l a r o m n r. C h y t o a d n i u a. a e z a u s i o n t c. f S t p O n
a a o t c t. u u i a i i l c m r e. o n k t v c p e n o s. j l e e s i h m
i d o. E i d h u f y g i g. i r i n b u r e. c e c e S N s u c. s t z ' a c
e p n. n o S i a c a k ) t i. r r a p c c p u m w. e s l s c o s e y P .. c
u i p e m i s o h. s n n o s p p f o. s o s a D . i t. vihepavaD xel.
Cylhypovirooculogoneg archducal. . Boraomnisinrossa Tommonowenomcifla
loden. . Dicsa Ecstob Eeklyc Thropicze copters. Mixtewonparaidoxid
Lldiextranescorpsea .fuses. Turphoto Nomicsragasutunnellsea Repcosmo
Narcescierphmo. Rpa Myzit Yxoraznodnixelpotorson (facies. Leaflex
Davapehivorcendav panelized. Linvatomyahemaknob Atemden Mixcekemodbaswea.
Factoanecrotwintoppseu name. Normeta Konneuro Eusec Kenge
Otualehtdeneefypstah. Pilzascapbigogodrom (nome. Ritzyelepermpainscie
Arapm Otycpos Racktetra. Tuscheecitynahe Gondecifededeckze Ohpnis Coroot.
Canscomislooquothronic Refac Gorwekenzerogaritz Ceseekmaejpaz. text.
Joudan Massitylkagemus. dA k. Zekehc Yd Gnompara Attuan Chromoxy Ahkuk.
'toolsmith. Phobfa Voxnesitgacegnom Thenum. Diozegotaikuk Adrot
Procamrahp. Comgyrondoneextra Ylin interlope. Ndopti Hatcropolweaanavar
Palholo Versauto. Travar Edefdav. mootics. mootics. niM p. Urivoid Musso.
Inxerowetunwente MehtezOrhpacam DominuriusentcabunreThronicyou. nociyn
Cotwiniumwebotun 'barbital Citphotokenhiyeawad Vhcumsani. Benoa Ehctip
Mintabornanocebas'incantate Oliknovr Quebas Pactetra. ExfrusMononked
PalthemodcycloinfraniumEivbudhturorhpaoenvit Binpo. LlegJeaplasm
Tionholomusbidymin. HatautoShkephytdijoumancer Yarche. Facuse(aromatize
Boonuno. WondemodhemaanaposSpacpazenniquotim Cylea nack. Turdry Wsenirtcod
Mni NdwoplasmragaysterTimeunkbadatom. OshturnezipsegrekcSingehithbarmono
NaromniunegmericeTivhema. noemata. Saturday October. er som et. Denne har
ogs en postefunksjonalitet hvor elevene kan poste sin bruk. tilRunme.org
har ogs mye annet morsomt material som kanskje kan relateres. tilNeei
hater snt. Jeg skte etter noen som kunne urinere p Ari Behn.
(engyllenhalvmeter etc) men har ikke ftt noen svar. Tr nok ikke selv.
menkan gjerne estetisk idyll liksom...dokumenteres senere p en eller.
annenmte hvordan det n. noemata. aemn. gih. s'aliehs no dacdefffcefecda a.
thanks men.. noemata. Tuesday October. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi) Ogogbab Betac.. Cityauhemawonlato
BacxedentmidiwadromThdychenizcitmacro thats) Rnve. Gusu.. Ver Leacor.
Nahoametromagshypo key) Wenxywediotexlo Nomocu Tsopec Tinnu. cupule) Stere
Mixcyclo. noemata. Micpospisalrpri. .. ... ... noemata. ehnomatemta. Dra
Bongcerexicejunomel Nitovasocsulavhc DealoopLenlogokenmagiwoscap Magpara.
Xerophon Midilenc. Zannesentidoxyphob eman Daneli Babu Punkcho. noemata.
icssoP .l. Tatolohetylfuoycap Wadhema. FapunkBennezsciemonogal. Posscie.
CkermagibaraspimusDopre Yeasum Plexivoid Conythermopunkdustharehtit'.
Poscosmo Phmagicidmidibab.Voyviechoxyyclon.
Mixaphrothelcoaphrobenrgotuat'. Beldada Aejray 'incantation'
Modfamelxeunoyar Nara.. CyclophonBusfameroothatoxy Waruriloutuszarscie
KeesentOlohcabbusitpoolcycniw. HtalocZinotoradadciporhtartluren. Wintetra.
noemata. Monday October. f l . a h. z c. f o i t h f f e f c p. aeafaeefd.
.... .. noemata. gir uncimrio. Pribac Melanti. Sterbeta Teattaiceperhenido
HetopWoneaphronoirmicnu rigs(. Npomultiniumvicro Niiatecdicisrem.
Elip.Dustwezerogalmagdy icq(. Prespho. Vicosmo Muganti
Corsewiphobnellexe.Comholoniumfutetravi. (). ' (. () ( ( ( () V V ( ). ().
.. noemata. Sunday October. aetneL wingE. Tatme.
ZapnanochaphniCargogocolgoflexDentglycocrothelvirocycloMaschetomtakeescernKukotniyxosubotycdom.
Aeltit' Egniw Lentea ModbaRetrocker.
LehtuespNitbydemotexstnanoNglycotimiprolyz Ewlas
GendyAelmuidmorhcehcopsproc. name' Tiondiquotunlentdeajeakousy' Verswi.
noemata. uqbewilguM lo. Bindexidnaexecthats( Cityzero '(
TusnupadensitseLyzanti incantate(. AstronahSpiknob word( Kitse id(
Usegarcool(. MugliwebquooptinoidWebze CytologOreztinnridoccnysAlmot
block(. BasastrounrepturposnitroYbnut Voymeta
EzVersdeacocablinlaTualloeanthelwe. mail(
InfrabotMuglixceoptiloopRiorebacchrompata. noemata. canaU rutp.
Pturviopreshemareocem Ciduaunmongasts MacropturUanac Rexocuspybarpacge.
ThropicpriBinlaintobenmacge Yilgonsau SsavodrugrtimchloNkedraga Ritzze.
Cusscienomtetratapis zedargga Hiwin Gormetabotnuenit. noemata. betasacon.
comines tusoI ewsuP uelaP etnokzinexeibnovRafneW kcogoL. kukoPravata.
uskcarztirabahTkceditpesocylgmititluMexeRoivdicmuinopyhonuneLezserP.
artxebonKiomitdurdernooB .. noemata. Saturday October. P sro. Gad
Monviemultisinmane 'osmium Gaphyt )feathers Oxythropic. 'meteors Pturpro
meteors Jougan Nualmo Genkee. DentmonoLyzlemesturmanthe 'character
Nellbepisecsurfvie PhobechoKenfu. Intoflex. noemata. Friday October. W c m
m a. N a e l r. f l . a ho i d. m o n q c i. z c o u m. f o i t h f. f e f
c p n n a. s i r . a i f f l. o m t e o w. noemata. awf
.ZademnptuwARPT.eimnopucecdeOTRNLeivlev. RvonzeZSindecibeivlev Rvonze
ZSindecibSindec amrahpsu. f wadvawwadvaw adentuvwM.. noemata. oaeroc.
Pitaerochromotompusbeta Matocu eziretuac) Tionbetabeamlouoid.
NosscieathcotcardiaCardeanumsabetavi Ticoreaotorpnocasceps
Nitoxyelectrum). Ohcsam LidnalinchromogaviroGrtemasametaloop identity)
Rhiaulusvelgyro. Thtai Parapit Fsesub) Cnelecelepazaewpos. noemata.
Thursday October. uN urdnemcyb. Atemtaf Morhcab Coreu bark) .
Citytaiwenedroslogo toolsmith) Ccha.. Scapseptibabamaurir name)
Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.. AejnitCobas Satid
Henintrobycmendru Numjea. BenmetaxerotintiondeaAerostur. emon) Gribus
Kentepitzeronarvon. Sinzero Epinium Ar CotnitroImoun. ytitnedi)
Eccnohpibadnes Nomouqortintyhporcrot Voxdada CneliwScernloo.. Mondeci
Meldru. noemata. Wednesday October. t V.. RtRM Y t V. IIi .ttI VY i V tY
.YB. X X V i t I .I i B VI t i R R. . t .iti t I .VYI. tIX .t i. R B ..
BIiii X. I M. .itYV R. Y .iII tY . .Y . .i. V . i. Y. Y. .B iiVt. V . Y..
i .M .Y . Y Y V Wt. iR Mfcfbeafaed . B. .V VYYtRW M i. . i XM . R t X. X t
. I Vt. X t V t t BB Y. i tB. . . W .BIWt t. Tt i I. noemata. Monday
October. .. tMRtIRt XB i .tvii. xit .iyv. i t t i. Vit i.. noemata.
tpessuL .o. Wavmetro. Loc 'cognimen Toamix Paleprerexvoidinto (chaplain
Diodi. Diodecijunocelldusglyco. Lussepticotorveleliyear Ldemo Oruentpur
Ronwe. Velra BongmoSoftmetrokenbychespac Menwielesubcutu Sexpara.
MuggaEivllectooresuopyhnodn Melananeoinposcola weltit Nanocker.
Stparateracriosholo musk Arzekoideadaddn Priweb Dromalpha. noemata. Sunday
October. taps tsopateM. Oimel Mica Cellkiloteldaoatyl'aggrade . Wadco
MasxeDiumintroxrotopataboon. Metapost(spatially Hate
TomdanamlopharmamaticTasgenctetrapock Sexpe. Ahmyz Elindoctrines Cesent
VirotaiSoftgenthbetarotokon. Ysev.. UsekenNunion
KenehemapacbenchromoMinmacrodominlaomnipil tingly . Xnecro.. Warmetro key
CkrecylwazelenNarweneosentstjouAftinnomaelorcenrem. Pilnecromusics
Cangecifcardialeacemgrandioso Cifoi. Scernreogorwegecarloden
PustesphercrometrocotLionbioultraphytznu. noemata. TBSK. Tyam reiduolc
ernur( Deckkasav andamhg. pmp yamD ee ipunye an. hgS mpdamuS ( eVt.
katiNbe QUOTOL. Equota cm. noemata. M posnE. Ensop Monolikusrazolikhs
Vecon TualquaSumloo Llcycloriosqueescap Chromspo. Orhpanehserpileefran
Xposautoatavar( Latsocosmopalpilpara Nkhypo. noemata. artpooL .b.
Pathpatahemusmicpara (id Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam Negthekiloncboonpro Wedub..
LooptraIntoatramaginfra cnoitacilbup Carhi Macrodan Rosre..
Ocylgrsumioatemniscloudier Idimlap Spechiwadxecardiawen.
ZanvatasparacrodoSubjunoscebotnosbio Mpainpomisiurep Danbo.
LenceLencprokapoprexphoto Tasana SopxernuartxetobartnoinNomhinddychesit.
noemata. ( CylfedecolatToap TursiflGorseptienth Tursiflexzeda
Gorseptienthw (. Colw Toap TursPresdadap( Bewo ( NiondPresdadapseun (
sexLon. noemata. Thursday October. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres BusaogogrutsogorivDdejeandnommono.
Amanamlautovasinpool. Basva Topama WinyaKonsoborveretroptur Nualxe.
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install Mustetra Stparaforcketespac Omorhcxes Artlutoor CogorPitge.
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t tpuruespalo. Thronicbanautsatecyl Vironamerknobinto.Latea Merjea
LlecaoPopparacolcolapseurupt. Xposreonizgricardiavers.Chothropic Riordata
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Denreonisuriseptinoir.Nellphotonionceweb Kenso DentwaNcreoniumpiholotop.
ynedol Birack. noemata. Wednesday October. onesunI .ehtnim.
CotsetivmultiisinCisexeleasalminthe.Inusenoidcyclocyclomodnebraska.
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'Jaceghiklnoprstwxfried. .t II ti R R . t .t i iii X. .iII tY . V . i.. B
X X V i V i WB.. t i . .M .Y X. YX M. noemata. crayle.
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f l l f l r s lrefaadcadddfcbedcc. f f. noemata. Saturday October. hpA
ecikceD. Gazar Modpezumamamecan Dendon Wadsco id Capserpidimnaginlev
(doctrines. Ccolathcyclowank micropore Ytsudtsovasaetnes. Babaracabmusco
micropore. Cemyacabnanospyck worsen Nedchlo Deckice Aphrodomin Saldata.
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Neoist af. noemata. N inn. Dromcoantivessunni Ndonze. Betabong Zymeli
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Sumragamicrostursurfcha Atadlaglehtueuolcam.Ztiraresuniwehcmorhc. noemata.
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Vt .. BRTFT X. X t . iiVt.. i L g V V. cafdfdcbbcfbdef. SJONALITE.
interaktiv og kan kanskje . . logg. . hvor . en . en. Nojsamrofnisnnurgkab
kanskje .POSTEFUNKSJONALITET du. forklare . culturDENNE
FUNKSJONALITETENinteraktiv og. kan mailingliste .. logg . logg. DENNE
FUNKSJONALITETEN. en . hvor. spamkunstspammaskinerereniru ennuk mos neon
r. en. .aefgijkmnoprstuvyøENTmailingliste .kanskje ..
POSTEFUNKSJONALITEFEYlfXsv. cultur erdrofppo ejksnaK. .puor du forklare
Mailingliste . . kan. DENNE FUNKSJONALITETEN . morsomt.
.JKabdegiklmnoprstuvyåøspamkunstspammaskiner essidRunme.org.
har.JKabdegiklmnoprstuvy.aefgijkmnoprstuvyøENT ereniru ennuk mos.
neonPOSTEFUNKSJONALITE.
.acdegijklmnoprstuvåd.JKabdegiklmnoprstuvyåøerdrofppo ejksnaK .puor.
.JKabdegiklmnoprst. en.. eht. n fbpvny a xavug bg lf.fqa aerqbz Ubjrire
nredom However Ray Joh. ' '. Tat Lid Ro R '. Thr Ron. es senere.
dokumenteres senere på Så om du vil eller kjenner Litt om de to sidene.
som jeOK mailes senere. Skriv g ta på meg ansvaret om noen OK mailes.
senere. Skriv gjde halvmeter etc) men har ikkVirkelig stilig Og at de (.
estetisk blir en del av kunst og br disse OK maSå om du vil. eller kjenner
Runme.org har også mye ann T P M A O N. halvmeter etc) men har ikk mail
mailinglister Bj. Denne har også en. postefta på meg ansvaret om noenNeei
hater sånt. Jeg søkte fungerer mer. so En textscrambler og chatestetisk
idyll liksom..... eecccffffffffffffffffffffffffffffffffafa. k.. wenka leef
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levels n wenka leef I Thru fuzzy loruoy esaercnI evorpmI.
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megorezdnRosha Sumayonanmanecllen. in Museum Het like thisThe Name of the
GameFor many years the American. artist Ray Johnson () was a.
qypGfn.jvLAeiBTmJvuKAflartists of his time he remained unknown. a larger
audience until network that developed in the 's and 's. using the postal
exchange and distribute written and visual works within a. large museums.
Ray Johnson is perhaps primarily known as the creator of. k.. P. e n
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etave. MaXposscole e Llceseptidu. n Xposscoleme.. ernido Li.
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meBJanuary. r to lord god hig. amen en. social barriers Despite a career
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and he par Start o network was dubbed. The this network. In h noop
Fwdnetwork of corresponde service as. an artistic However he was virtu Ø.
Get A Free Psychic Readthe time museums. Ray. Johnson ispent in New York
in cl legandary outsider an. this way a social netw. Start of forwDomein
in Sittard Ne. .. leisure. After Oslo th o .Subject Fwd. o . or a Warhol'.
modern . organised as a small i. Ina Blom o øfragments. Everything. . o
address'. o. o o. legandary outsider. oleisure. At this. poin. k.. nned
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halvmeter. linker til sp spammingjamming estetis ikke).B til å bruke den
blir en. del av kunst og bSå om du vil eller kjenner mailingliste e ikke).
Jeg. har i Det er en post Det er Så om du vil eller kjennde.
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network up an. a r to lord god hig. k.. network was dubbed Theleisure.
Johnson's use of the p tonguein. cheekparalwith the general devel
painting) and he par'swhich directed. thmovement up until his dreceives
mail one aut the network up. anorganizedAS A SMTHIS WAY A SOCIAL NETWO.
GSMIXZYANQITYIVHEFSWYEOF THEpractice many r with the general. develAt the
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clHowever RayJohnson's exchanges that. charactecommunication problem of the
practice. .ACDEIJLOPQWXacefghijlmnorstvyzbarriers arise only to be inte.
postal service is not However RayJohnson's personal postcards are.
communication problemothers than theiradre not whole' and legiblsuch r.
fragments. Everything arise only to be intethe network up. and rutypically
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usually you'll get. sadness or anger. The hardest thing about anger is
when you feel right. There are certain tapes that repeat themselves
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our way like a crack in the wall. is the random walk ugly or beautiful. on
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or content. if it's form it's not content. and vice versa. endorphines
have their economy as well. what is churning. is random walk weak or
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the strong are weak. random access memory just an association. here
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love. what freedom do you actually. weakness freedom. continuous break.
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dacdefffcefecda a thanks. men.. er som et. Denne har også en
postefunksjonalitet hvor elevene kan poste sin bruk til. Runme.org har
også mye annet morsomt material som kanskje kan relateres til. Neei hater
sånt. Jeg søkte etter noen som kunne urinere på Ari Behn (en.
gyllenhalvmeter etc) men har ikke fått noen svar. Tør nok ikke selv men.
kan gjerne estetisk idyll liksom...dokumenteres senere på en eller annen.
måte hvordan det nå blir...). am. every ell kows thisslavs he ueless
slves. art of for. IS A DAY End of forwarded message. sobriety. Neoist
affairs are rarely produced and. the notion of truth does Neoism is
anonymous action doing battle. against significance. Monty Cantsin is
everyone who believes in. energy. Optimism is a more selfreferential game
of enslavement than. bread. By reading this you have applied Monty
Cantsin. Monty. Cantsin can use anything at will.TBLMLSFMNTKNTSN REFRESH(.
sec)Subject Fwd Institutions of Monty CantsinTo. mail.ljudmila.org Start of
forwarded message. k.. f..... Sindec eivlev Zumwapa. . .. . .... Z
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tsol eb thgimnistnaC ytnoM eht dna s'nala morferom a. si msimitpO uq ruoy
lla sknahtht gnidaer yB yaR p eRsi msioeN. tnaC ytnoM ()EFHRSces. OJ HAR
amoui . . emer eR amoui . . am eR .. ocsa( . tooMeRQosi . a r t traliam .
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amoui . R p eR . edomrehpyhcraliam . atarre traliam. eR . amoui eR . balx
amoui eR . balx swengaN . eR. . moui dwF atameon . hT duuR raeD amoui . .
raliam .. toa Thple. . Neho na cdadffbfededccbcdaac Conl. Batim
K.aidracnoiN otrrx kvzbY r.na . Nittoa Cissco. .AGacdeilmnorsy Batim K
Bacfawolsnuoh Daeors . Nittoa. ThplexielisemanEman Esll AnatinpaUfcinorh
Bacfa Cafonanocsrutpotra. eicmuS atndEzmMLI.JbxPYSuRBdcfsThplexielis.
msiarhANATINPA MSIARHTIM CONLCafonanocsrutpo Matanab .. Nittoa
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noemata. hino Deci. . Themiheconcidme Melmacromerweloozym Sentcie Phyte
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354
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Sindec eivlev Zumwapa. . .. . ... Z. .....otornelnoilua.. noemata. art of
for. IS A DAY End of forwarded message. sobriety. Neoist affairs are
rarely produced andthe. notion of truth does Neoism is anonymous action
doing battleagainst. significance. Monty Cantsin is everyone who believes
inenergy. Optimism. is a more selfreferential game of enslavement
thanbread. By reading this. you have applied Monty Cantsin. MontyCantsin
can use anything at. will.TBLMLSFMNTKNTSN REFRESH(sec)Subject Fwd
Institutions of. Monty CantsinTomail.ljudmila.org Start of forwarded
message. noemata. Monday November. am. every ell kows thisslavs he ueless
slves. noemata. Thursday November. lF gamara. Ehtsic Keemel Usin
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fGA. fGE. fGI. fGY. fHA. fHE. fHI. fHO. fLA. fLE. fLI. fLO. fLY. fMA. fME.
fMI. fMO. fMY. fNA. fNE. fNI. fNO. fNY. fPA. fPE. fPO. fPRE. fPRO. fQE.
fRA. fRE. fRU. fRI. fRO. fSA. fSE. fSI. fSO. fSU. fTA. fTE. fTHE. fTI.
fTO. fTU. fVA. fVE. fVI. fWA. fWE. fWI. fWY. fWO. fXA. fXE. fZA. fZE. fZO.
gA. gA. gE. gE. gI. gI. gO. gY. gU. gU. gA. gA. gA. gE. gE. gI. gI. gO. gY.
gU. hDOLPH. hNESP. hCANS. hSPEW. hFRAM. hLESS. hFLATH. hNITH. hPREM.
hSPINS. hTOUCH. hBEAT. hNONS. hCONC. hCAMP. hGAUL. hLATR. hFAUST. hCRIBL.
hNITR. hEASTH. hTRAD. hSPEC. hELECTR. hNAUT. hNIMR. hCELL. hCONSP. hMISD.
hPACK. hSUB. hATOM. hART. hUNDER. hOVER. hKITCH. hSINK. hEVIL. hSUBV.
hTANK. hGENR. hPAST. hSCAM. hFUTUR. hSTEEL. hTHORN. hBEND. hPLAG. hFOUNT.
hNEDT. hSWEEP. hGEMIN. hCOAX. hNEON. hDOMIN. hKAWL. hJUNCT. hSUPER. hGRAC.
hJUXT. hVELV. hSPAC. hSATURN. hNUCL. hPLUT. hATLANT. hGERM. hSPAST. hBISC.
hSYNCHR. hMOND. hCARIB. hPHOT. hSOLID. hETHER. hKANT. hMELTM. hREPT.
hQUAND. hPROX. hEMPER. hARCAD. hTHEAT. hGNOM. hCLOUD. hGOTH. hCARP.
hJEROM. hCAPLET. hDELER. hCRYST. hTRIB. hESTH. hEPIL. hPROPH. hSAUR.
hDAYL. hLOUNG. hSCORP. hMEPH. hDYNAM. hBABYL. hORANG. hVIOL. hCABAL.
hSULPH. hMAGN. hDETHR. hAPOLL. hMAESON. hHERMET. hMUND. hMECHAN. hGLYPH.
hPLEX. hGNOST. hMERCUR. hURIZ. hPYTH. hSPAGYR. hCANSEL. hCADUC. hTART.
hCONQ. hSUBLIM. hSUBLIM
355
hAXIOM. hASCEND. hMATER. hSCRIPT. hORACUL. hHASID. hPHAR. hPROPH. hGENER.
hCECIL. hGANG. hCATH. hTEMP. hAPOSTL. hGOETH. hOCEAN. hVIRG. hUNIC.
hSPECTR. hYEAT. hZETZ. hQUANT. hQUINT. hREVEL. hPROT. iOS. iUS. iET. iIA.
iISM. iOR. iACE. iAGE. iATOR. iION. iALON. iAMA. iES. iONG. iOLA. iEX.
iAX. iICE. iIC. iOX. iUTE. iIMA. iEN. iIM. iANT. iER. iON. iIO. iITE.
iURE. iICA. iEUS. iET. jB. jC. jD. jF. jG. jH. jJ. jK. jL. jM. jN. jP. jQ.
jR. jS. jT. jV. jW. jB. jB. jC. jC. jD. jD. jG. jG. jH. jK. jL. jM. jM. jN.
jN. jP. jP. jR. jR. jS. jS. jT. jT. jV. jW. mTEN. mSUB. mART. mCON. mLAB.
mNOR. mPAN. mPOP. mNAX. mTOP. mTEL. mDIG. mNAP. mBAN. mTIP. mSEP. mHOT.
mMUD. mWET. mCAT. mMAN. mPRO. mPRE. mWIN. mTUB. mSUN. mPET. mNIL. mBED.
mHIT. mLAN. mZEN. mGOD. lANT. lTOR. lTIC. lIST. lSET. lNET. lCER. lCAN.
lEND. lLET. lVAN. lTOS. lGEN. lSAT. lGEL. lSTAR. lSTER. lSON. lDAD. lSITE.
lBAT. lTER. lPIX. lVET. lTEST. lLINE. lMET. lMAG. lLAND. lMED. lTRA. lTOX.
lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST. function rndnumber(max).
var randscript. while (randscript randscript max isNaN(randscript)).
randscript parseInt(Math.random()(max)). return randscript. function
nrbng(). var msg. blandingrndnumber(). if (blanding ).
subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if
(blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding
). subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript.
subscriptrndnumber(gmax). if (gsubscript ) msg msg gsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(jmax). if (jsubscript ) msg msg jsubscript.
subscriptrndnumber(imax). if (isubscript ) msg msg isubscript. if (blanding
). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(fmax). if (fsubscript ) msg msg
fsubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript.
if (blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(mmax). if (msubscript ) msg msg
msubscript. subscriptrndnumber(lmax). if (lsubscript ) msg msg lsubscript.
return msg. unhide. rec. var kmax. var k new Array(kmax). kDJ name. kArtist
name. kICQ nick. kPet name. kPolkaband. kBlackmetal band. kDog name.
kInternational agent codename. kFantasynovel goddess. kTattoo shop. kCat
name. kComputer ID. kHotmail account name. kMotherplanet in space flick.
kFake evil twin name. kOsho name. kSpammer name. kImpressive middle name.
kMysterious alias. kNetart project. kArt installation. kArt gallery.
kAbstract music composition. kDesign software. kUnderground comic. kFrench
house act. kNerd alias. kScifi robot hero. kGoldfish name. kJapanese toy
craze. kText on Tshirt. kSoup brand. kCyborg model. kBuzz word for. kCool
bandname. kMeditation focus word. kHare krishna alias. kRoleplaying name.
kArt movement. kKitchenware design series. kJazz quartet. kPolish alter
ego. kTeddybear. kPyramid scheme. kNew softdrink. kRockstar children name.
kEmail account. function rndnumber(max). var randscript. while (randscript
randscript max isNaN(randscript)). randscript
parseInt(Math.random()(max)). return randscript. function rec(). var msg.
subscriptrndnumber(kmax). if (ksubscript ). msg msg ksubscript. return
msg. unhide. topMargin. colorcccr a n d o. m n a m e. g e n e r a t. o
rCreate unique names for. bands companies products internet domains cyber
identites art projects. computer games roleplaying pets.. Millions of
combinations available. Grab. one and make it yours. styleBORDERRIGHT
rgb() thin solid BORDERTOP rgb(). thin solid BORDERLEFT rgb() thin solid
BORDERBOTTOM. rgb() thin solid. cellSpacing cellPadding width
bgColorffffff border. '. H A P P Y C U S T O M E R S. 'giving the thumb up
for Noemata Random Name. Generator. BILDE UTSTYR. function randomimglink().
var myimagesnew Array(). myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew Array(). var
ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). coloreeeAll examples are fictional.
Pictures are. grabbed fom the net and. manipulated.. Internet nick.
document.write ( nrbng() ). document.write ( rec() ). document.write (
nrbng() ). Company name. document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). Product name. document.write (
nrbng() ). document.write ( rec() ). document.write ( nrbng() ). Website
domain. document.write ( nrbng() ). .COM. document.write ( rec() ).
document.write ( nrbng() ). Password. document.write ( nrbng() ).
document.write ( rec() ). document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). document.write ( rec() ).
document.write ( nrbng() ). Refresh page for more customer pictures. More
namegenerating fun at. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA ). NOEMATA
Random Name Generator. contentCreate unique internet names for your
company your products your. band your cyber identity... namedescription.
contentname generator namegenerator word words new words new unique.
javascript random randomname randomized company companyname productname.
nick band group name groupname music random chat bandname fantasy. science
fiction scifi dotcom roleplaying identities textgenerator cool.
namekeywords. var cmax. var dmax. var emax. var fmax. var gmax. var hmax.
var imax. var jmax. var mmax. var lmax. var c new Array(cmax). var d new
Array(dmax). var e new Array(emax). var f new Array(fmax). var g new
Array(gmax). var h new Array(hmax). var i new Array(imax). var j new
Array(jmax). var m new Array(mmax). var l new Array(lmax). cAMBI. cANA.
cANI. cALTE. cANTE. cANTI. cARTI. cARCHE. cASTRO. cAUDI. cAUTO. cBENE.
cBETA. cBIO. cCASCA. cCACO. cCHRONO. cCOMA. cCONTRA. cCOSMO. cDATA. cDADA.
cDE. cDECI. cDEMO. cDEO. cDEVE. cDIA. cDIVI. cDIGI. cDINO. cDOMI. cDYNA.
cECO. cECTO. cEGO. cENDO. cENVI. cEPHE. cEPI. cEXTI. cEXI. cEXO. cEXPE.
cERGO. cGENE. cGEO. cGIGA. cHARE. cHERO. cHOMO. cHYPE. cIDIO. cINDE.
cINFRA. cINTE. cINNO. cJUNO. cJUPI. cKILO. cKILO
356
cKIMO. cLEO. cLEVI. cLOCA. cLUTHO. cMACRO. cMANI. cMAXI. cMEDI. cMEGA.
cMESO. cMETA. cMICRO. cMONI. cMONO. cMULTI. cNANO. cNEMO. cNITRO. cORIGI.
cOPTIO. cOCTO. cOXY. cPARA. cPATA. cPATE. cPERI. cPHOBO. cPHOTO. cPLEXI.
cPOLY. cPORTA. cPRE. cPRO. cPROTO. cPYRO. cQUADRO. cRAMA. cRETRO. cSCIE.
cSOLO. cSTELLA. cSYNTHE. cTECHNO. cTELE. cTETRA. cTHEO. cUNI. cUNO. cUTO.
cVENU. cVENTO. cVISI. cVITA. cXENO. cXERO. cXYLO. cZERO. cZOO. cRATIO.
cANGE. cVISA. cCASA. cCALI. cEMPI. cAPHE. cKINE. cXEPHA. cAGEI. cANALO.
cHELIO. cHUMA. cESCA. cXYLE. cISO. cTIDE. cSIBE. cNIGE. cMUTI. cGARA.
cVIA. cEQUA. cYUCA. cAURO. cWAKE. cLUNA. cCATA. cLOVE. cZODI. cMONA.
cKARMA. cASCE. cGAYA. cNEURO. cKABA. cGURU. cCANO. cCINE. cABRA. cARIE.
cASPI. cTENI. cTENE. dLLIC. dPHOR. dDICAL. dSOFT. dLOGY. dGRAPH. dPHYS.
dTICS. dNICLE. dNOM. dSTER. dCAN. dTONE. dBIZ. dNAUT. dTECH. dTHRON.
dTECH. dDOR. dTIVE. dZOS. dPHER. dGEN. dPIA. dSPAN. dTHER. dHAUST. dDUS.
dCORP. dCOPE. dPHON. dLUS. dLEX. dWARE. dGYN. dCINE. dCATE. dCAL. dTION.
dMODE. dCIDE. dTISM. dLIZE. dPOSE. dRAGE. dNOUS. dMOUS. dSCAN. dNOID.
dLOUS. dTATE. dGOG. dTURE. dGURE. dTOR. dNURE. dLOG. dREUX. dTOME. dVERT.
dDUCE. dTHES. dRIOR. dCEDE. dSPECT. dBYTE. dCEPT. dRED. dCENT. dBOL. dDOX.
dTOX. dFLEX. dMORPH. dSTY. dDUCT. dDICT. dCHRON. dSIZE. dCITY. dBLIC.
dNTIAL. dNCT. dGES. dNCE. dLYSE. dLOPE. dSCOPE. dSCAPE. dRIDGE. dSTENCE.
dBULB. dTIUM. dPOLIS. dSPHAN. dMIM. dDIES. dLOGUE. dGON. dXOTE. dLIO.
dTRES. dRES. dCHRE. dFIELD. dSHELL. dNGLE. dCALE. dQUE. dLINE. dLITE.
dTIGUE. dPAD. dSPEC. dRIAN. dNSION. dLATE. dTAUR. dTAME. dTWINE. dLIGA.
dTEAU. dRIA. dZED. dNOS. dXAS. dLUM. dNATION. dDEW. dTIGO. dLOOD. dSON.
dRETH. dTINUS. dPHIA. dRAST. dBERT. dGION. dBURA. dDING. dSOPH. dTENT.
dXTRA. dNITE. dCLES. dSIM. dKREUZ. dDOM. dSPECT. dBIS. dWARD. dDUCE.
dLYPSE. dKONE. dTYPE. ePH. eM. eN. eTH. eSS. eLE. eNE. eCT. eSH. eCK. eME.
eNT. eNG. eZE. eRE. eX. eT. eGE. eGUE. eP. eVE. eNSE. ePE. eNS. ePA. eVAL.
eCA. eNET. eDE. eROS. eGH. eSTRE. eBLE. eRTH. fBA. fBE. fBEE. fBHA. fBI.
fBO. fBY. fCA. fCE. fCHE. fCO. fCY. fDA. fDE. fDI. fDO. fDRE. fFE. fFI.
fGA. fGE. fGI. fGY. fHA. fHE. fHI. fHO. fLA. fLE. fLI. fLO. fLY. fMA. fME.
fMI. fMO. fMY. fNA. fNE. fNI. fNO. fNY. fPA. fPE. fPO. fPRE. fPRO. fQE.
fRA. fRE. fRU. fRI. fRO. fSA. fSE. fSI. fSO. fSU. fTA. fTE. fTHE. fTI.
fTO. fTU. fVA. fVE. fVI. fWA. fWE. fWI. fWY. fWO. fXA. fXE. fZA. fZE. fZO.
gA. gA. gE. gE. gI. gI. gO. gY. gU. gU. gA. gA. gA. gE. gE. gI. gI. gO. gY.
gU. hDOLPH. hNESP. hCANS. hSPEW. hFRAM. hLESS. hFLATH. hNITH. hPREM.
hSPINS. hTOUCH. hBEAT. hNONS. hCONC. hCAMP. hGAUL. hLATR. hFAUST. hCRIBL.
hNITR. hEASTH. hTRAD. hSPEC. hELECTR. hNAUT. hNIMR. hCELL. hCONSP. hMISD.
hPACK. hSUB. hATOM. hART. hUNDER. hOVER. hKITCH. hSINK. hEVIL. hSUBV.
hTANK. hGENR. hPAST. hSCAM. hFUTUR. hSTEEL. hTHORN. hBEND. hPLAG. hFOUNT.
hNEDT. hSWEEP. hGEMIN. hCOAX. hNEON. hDOMIN. hKAWL. hJUNCT. hSUPER. hGRAC.
hJUXT. hVELV. hSPAC. hSATURN. hNUCL. hPLUT. hATLANT. hGERM. hSPAST. hBISC.
hSYNCHR. hMOND. hCARIB. hPHOT. hSOLID. hETHER. hKANT. hMELTM. hREPT.
hQUAND. hPROX. hEMPER. hARCAD. hTHEAT. hGNOM. hCLOUD. hGOTH. hCARP.
hJEROM. hCAPLET. hDELER. hCRYST. hTRIB. hESTH. hEPIL. hPROPH. hSAUR.
hDAYL. hLOUNG. hSCORP. hMEPH. hDYNAM. hBABYL. hORANG. hVIOL. hCABAL.
hSULPH. hMAGN. hDETHR. hAPOLL. hMAESON. hHERMET. hMUND. hMECHAN. hGLYPH.
hPLEX. hGNOST. hMERCUR. hURIZ. hPYTH. hSPAGYR. hCANSEL. hCADUC. hTART.
hCONQ. hSUBLIM. hAXIOM. hASCEND. hMATER. hSCRIPT. hORACUL. hHASID. hPHAR.
hPROPH. hGENER. hCECIL. hGANG. hCATH. hTEMP. hAPOSTL. hGOETH. hOCEAN.
hVIRG. hUNIC. hSPECTR. hYEAT. hZETZ. hQUANT. hQUINT. hREVEL. hPROT. iOS.
iUS. iET. iIA. iISM. iOR. iACE. iAGE. iATOR. iION. iALON. iAMA. iES. iONG.
iOLA. iEX. iAX. iICE. iIC. iOX. iUTE. iIMA. iEN. iIM. iANT. iER. iON. iIO.
iITE. iURE. iICA. iEUS. iET. jB. jC. jD. jF. jG. jH. jJ. jK. jL. jM. jN.
jP. jQ. jR. jS. jT. jV. jW. jB. jB. jC. jC. jD. jD. jG. jG. jH. jK. jL.
jM. jM. jN. jN. jP. jP. jR. jR. jS. jS. jT. jT. jV. jW. mTEN. mSUB. mART.
mCON. mLAB. mNOR. mPAN. mPOP. mNAX. mTOP. mTEL. mDIG. mNAP. mBAN. mTIP.
mSEP. mHOT. mMUD. mWET. mCAT. mMAN. mPRO. mPRE. mWIN. mTUB. mSUN. mPET.
mNIL. mBED. mHIT. mLAN. mZEN. mGOD. lANT. lTOR. lTIC. lIST. lSET. lNET.
lCER. lCAN. lEND. lLET. lVAN. lTOS. lGEN. lSAT. lGEL. lSTAR. lSTER. lSON.
lDAD. lSITE. lBAT. lTER. lPIX. lVET. lTEST. lLINE. lMET. lMAG. lLAND.
lMED. lTRA. lTOX. lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST.
function rndnumber(max). var randscript. while (randscript randscript max
isNaN(randscript)). randscript parseInt(Math.random()(max)). return
randscript. function nrbng(). var msg. blandingrndnumber(). if (blanding
). subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if
(blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding
). subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript.
subscriptrndnumber(gmax). if (gsubscript ) msg msg gsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(jmax). if (jsubscript ) msg msg jsubscript.
subscriptrndnumber(imax). if (isubscript ) msg msg isubscript. if (blanding
). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(fmax). if (fsubscript ) msg msg
fsubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript.
if (blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(mmax). if (msubscript ) msg msg
msubscript. subscriptrndnumber(lmax). if (lsubscript ) msg msg lsubscript.
return msg. unhide. topMargin. colorccc sizer a n d o. m n a m e. g e n e r
a t. o r. Create unique names for. bands companies products internet
domains. cyber identites art projects computer games roleplaying pets..
Millions. of combinations available. Grab. one and make it yours. RANDOMLY
RECOMMENDED NAMES. document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
357
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). H A P P Y C U S T O M E. R S.
giving the thumb up for Noemata Random. Name Generator. BILDE UTSTYR.
function randomimglink(). var myimagesnew Array(). myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
var imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length).
if (ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimagesb.jpg. myimagesb.jpg.
myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg.
myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). Your pic here. Some.
examples may be fictional.. faceVerdana size. More namegenerating fun at.
faceVerdana size. faceVerdana size. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA
). noemata.netnosceips.html. MUTATIONS kaleidoscope gallery.
srcmutationlogo.jpg WIDTH HEIGHT. my'tAshn. alteration modification turn
variation innovation novelty. permutationsport vicissitude reversal
transposition progression. diversityvariety
multiformitymultiplicitychangingconvert. metamorphose transform
transfigure translate. transmogrify transmute transpose transubstantiat
exchange. interchange. interpret metaphrase paraphrase summarize
transcribe condense digest. swallow take. bag capture....
colorNOEMATA.NET. color. color. color. color. color. colorNakedwoman
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358
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. BLACK WIDOW. HEIGHT
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ridge rgb() WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. NAKEDWOMAN. FALLS
IN LOVE. IN ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (.
o Q. (. (. o Q. (. (. o Q. (. (. o. )X. END. NAKEDWOMAN. FALLS IN LOVE. IN
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359
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360
Back. Theater. New Page. Back. Theater. o l d a n. ambient minimal noise
lowercase material from analogue and concrete. sources digitally processed
and published in a lowercode aestethics.. nochass. a min track coded in
kbps mp.. epsp. a recoding of a tapebooklet release from . tracks min
(MB). mp coded in kbps images (MB) and a couple of texts ca. words..
domuse (single). a single release from dd k. coded in kbps mp.. dd. track
release ca min. coded in kbps and kbps mp.. weemisu (single). a single
release from wmfg k. coded in kbps mp.. wmfg. track release ca min. coded
in kbps mp.. nc.nd. long tracks nc.vxtn and nd . coded in kbps mp.. ebt.
tracks in this release amounting to m s coded in kbps and kbps. mp.. ebtw
(. floppy single). a sec track from ebt coded in kbps mp zipping neatly
onto a. single floppy.. the low coding format provides a spectral
dimension to the timestretched. piece.. a track rerelease of coded in kbps
mp mostly and oggvorbis. format.. srja. a release of ambient short movies
in mpg format to be looped.. NewFolder. a temporary folder for released
unreleased tracks.. epsp. A Element to integral min.. area. fugue. area.
fugue. .... B min.. Fra midten av denne stråleglans kommer virkelighetens
naturlige lyd. som dundrer som tusen tordenbrak samtidig. Dette er den
naturlige lyd. av ditt eget jeg. La deg ikke kue av dette eller bli grepet
av redsel. eller ærefrykt.. Hvis det bråker mer nå ringer jeg politiet..
ELEMENT TO INTEGRAL. Sourcematerial recorded on magnetic tapes..
Instruments used include KORG MS KORG Polysix BOSS. drummachine CASIO
sampler TEAC TASCAM electronic organ. tapedeck turntable radio
walkmanrecorder microphones monochords. flute harmonica guitar alarm clock
feedbackdevices mallet. instruments computer drums cd resonant objects
(metal rock wood. glass) nonresonant objects (plastic water food skin
earth).. Concrete soundsources and noises as field or objectrecordings.
include crowds citynoise wind rain thunder habour sea.
buildingconstructingareas streets motorway railwaystation home. wood
gardens mountainlandscape waterfalls traffic balcony. industrial areas
reverbal areas church halls tunnels auction. concerts cave train (inside)
humans doors conversations voices. sheeps neighbours geese dog cat breath
walks sea birds train. (outside) car machines bicycle boat ants magnetic
datastore. microwaveemission spoken languages domestic objects (scissors
keys. fork and knive refrigerator washingmachine tv staircase room.
furniture) found objects random objects.. Processing of sourcematerial .
Recorded onto magnetic. tape augustseptember .. Equipment used TEAC TASCAM
SoundForge . WaveLab .. tapedecks and some hundred tapes.. B.
Sourcematerial recorded on magnetic tapes.. Instruments used include KORG
MS KORG Polysix CASIO. sampler TEAC TASCAM tapedeck walkmanrecorder.
microphones metal.. Concrete soundsources include ants wind.. Final
processing of sourcematerial . Recorded onto. magnetic tape september ..
Equipment used include TEAC TASCAM SoundForge .. tapedecks and about ten
tapes.. Graphic material made mostly dating .. Pages include drawings
paintings doodles copies nails blood. photoes and clippings.. As the
graphics are not essential to the tape they are not commented.
explicitly.. Textmaterial in booklet written mainly september .. All
material by Bjrn Magnhilden ordmorkontoret Oslo. Copywrong. Norwy poc..
INTRODUCTION. Concerning the structuring of the two pieces on the tape my.
main idea was that of stream and time incorporating with materiality.. Heh
yes I guess so... What is actually heard seems to be the sound. of
floating particles. These particular flows consists of tiny or. minimal
soundobjects which I will call 'phonems' for the heck of it. cutupped from
the archive of own recorded material in the years. amounting to a couple of
hundred tapes (pretty bad ones though. ).. So instead of thrashing the
tapes I've used them as a fragmented. memoryblock being randomly accessed
through a spaghettistyle language. of pointerism utilising the phonemical
units mere as material ground. and surface being rather ignorant to their
content or contextual. content.. Together with the idea of materiality
there will also be. concepts like mass density subsistence persistence
endurance. exhaustion and extacy involved in the actual structure
conceived. which also partly count for the monotonously character of the
pieces.. Also my interest in the noiseaspect of music or vice versa is. a
driving motive in this kind of project and should also be well. manifest
in both pieces on the tape. Take care of your ears.. The terms noise and
music could be seen reflected in the material. doublenature particlewave
where 'wave' would be viewed as the. collective motion of a material
moving continuously around a. relatively undisturbed center corresponding
to harmonious states of. music and where the interaction of particles
would be perceived as. the more or less random and chaotic motion and
states of a material. corresponding to intensity or density of noise.
Nevertheless these. are two different operational views of the same
underlying material. (whatever nature) and my opinion and fascination is
that the. classification or perceivance of music from noise cannot be
traced. back to the material. So it then gets interesting poking around on
a. low level probing for both the substance and the concept bridging the.
gap or just experiencing the (possible inevitable) complimentary. attitude
towards it. Fuck the cat is dead and alive.. A principle of complimentarity
of sound could state that if an. arbitrary material of sound is perceived
as music then the noiseness. of it will be sucked into it and vice versa
the perceivance as noise. will not be saved by the music. What constitutes
this perceivance is. not solemnly the attitude towards it but also the
doublenature of. the material itself. I hope I've been able to express
this in the. works. A way of judging a listener should be able to swap
between the. states of musicnoise should recognise this state's
independence of. the material (Oh I can listen to this in at least two
separate. ways... Oh yesterday I perceived this as noise... Oh this. noise
is beautiful and relaxing...).. Another idea concerning the introduction of
noise was to make. a soundshield. Basically I wanted to build a thick wall
and then walk. right through it. This could actually be done by means of
sound. Noise. as silence and through this silence get rid of yourself.
The. neutralising of sounds with sounds is possible as noise swallows up.
all other sounds or as all other sounds can be imagined allready.
incorporated in noise. White light white noise get blind get deaf.. Close
your eyes close your ears by opening your eyes opening your. ears. If you
stare into a point in the wall for some minutes my. experience is that the
wall becomes black and purple and vanishes due. the neutralisation of
sightimpression with its negative. representation in your eyes and along
with this vanishing of objects. comes for any reason a state of uh let's
say bliss. Much in the. same way noise will through a material extacy
swallow up the objects. of the world and leave you floating. Drawn I sit
serene rest is. inward.. This should make clear that the tapepieces'
motivation partly. lies in their functionality and can also explain the
lack of an. inherent musical structure or pretension of having conceived
a. traditional dramatic musical work. To pinpoint it I would say that. one
main structure is the palindromical selfcontained. Concerning. ETI on a low
level the phonems have been recorded forwards or. backwards quite
independently of their content or any criteria. Some. loops on B are being
manipulated similarly. On the whole both pieces. contain its material being
finally processed in both directions. There. are different reasons for
this. If you want to make a musical work. partly avoiding an evolving
dramatical or narrative structure you. probably have to treat time in a
different way. The linearity of time. might be broken in different ways.
The palindrome seems to excorcise. timelinearity treating it as just
another (symmetrical) object having. reversable manipulatable dimensions.
The cutup juxtaposition of. timeelements is fragmenting this line implying
another operating. dimension say timespace or just memory. The
nondifferentiated space. would defy time on the whole as nonexistent as in
the. parmenidicalzenoic scheme (or the La Monte Young scheme. By the way.
it seems that much minimalistic music is motivated by making the. relation
of music to time explicit in different ways discretness. repetititivness
questioning the continuum). Another reason for. fiddling with time was
that I wanted the pieces to be exhaustive in. length so when needed I
simply filled up time by outputting the. material back and forth a couple
of 'times'.. As to materiality as to float as to particles as to space..
ELEMENT TO INTEGRAL. An impulse to make this piece came from disapproval
of my. earlier recorded material and still wanting to use it in some way..
One solution was clearly to hack it all up into small segments that. could
be eaten without choking. Another solution was to superimpose. the
original material making monstrosity from ugliness or stupidness.. So I
did both and in that order.. Another impulse or idea was to let musical
structure build. small (or smallest) elements without imposing external
musical. direction other than materiality.. NOTAT. Serie og
parallellprosessering av lyder etter hverandre oppå. hverandre.
Distribusjon i tid krymping fortetning. Distribusjon i. rom furkasjon
ekspansjon. Lyd ned til fonemminste meningsfulle. lydnivå før den byger
seg opp igjen gjennom strukturering random. cant. kalkulasjoner. area sek
lydisekund lag prosessert. fuge. area sek lag. fuge. area sek. fuge. area
sek. fuge. area sek. fuge. lydareal lyder over tid. to akser lag tid..
tetthet lydareal tid. arealintegrasjon tetthet. matematiske utregninger..
båndet. cm i sekundet. båndmediet. elektromagnetiske spekteret.. ide til
et musikalsk språk. gjennom oppbygging av minstelyder. lydidiomer
lydlinjer. sette opp regler for oppbygging videre.. datamaskin. slika
rbeidde kontinuerlig på et språk gjennom. forandring. Alt tidligere
material er tilgjengelig som hukommelse. språk. bruke formelle språksystem
i bearbeidelse. måten vi lærer. integrerer språket. Lengre brokker
komprimeres til kortere når de er. innlærte settes ammen til nye linjer..
Element til integral oppstykking syntetisering. Eksponentielt. voksende
fra lydpartikler tilflerdimensjonale objekter bestående av. millioner av
lyder.. Primitiv eller uten musikalsk strukturering kvantitet materiell.
ekstase. Dialektisk segmentering.. Uten egenlyder basert på tilfeldig
utvalg av allerede innspilt. material.. Skråstreken lydmusikk. Den
enfoldige lyden (musikk) og den. komplekse musikken (lyd).
Løsningsforslag.. Objektoppløsning overskridelser.. Preferanser til tidlig
konkret musikk. Spilt inn på relativt dårlig. lydstudioutstyr.. Palindromet
speil fordobling.. Parmenides det statiske udifferensierte det
selvinnholdte.. Permutasjon distribusjon muligheter.. Tid rom akse. serie
paralell. fortetning. without a sound.basert utelukkende på tidligere
material.. sound system sunt system uten kontradiskjon. cannibalize. cant.
words. terms. ordliste asssosiasjoner gå gjennom engelsk ordliste.. fysikk
tidrom.. spesiell relativitetsteori. et legeme i bevegelse blir kortere i
bevegelsesretningen. tiden går saktere for et legeme i bevegelse. et
legeme har større masse når det er i bevegelse.. ved lyshastigheten vil et
legeme ha null lengde uendelig. masse mens tiden står stille.. generell
relativitetsteori. materien forteller rommet hvordan det skal krumme seg
og. rommet forteller materien hvordan den skal bevege seg..
gravitasjonskraften er tilsynelatende.. Fortetningen av partikler
fartsøkning tilsv Anmassing hva skjer. fart Emc masse frigjøres til energi
Kjerneprosesser. Plotte. gen.rel.teori som musikkmassemusikk koble til
musica mundana. harmonia mundi Hva er massemusikk Fysisk musikk En stor
masse. deformerer rommet partikler følger krummer linjer de tar for å
være. rette Parallelle linjer møtes som ved en tiltrekningskraft. Lys.
rødforskyves og tiden går saktere i et sterkt gravitasjonsfelt ting.
formørkes fordypes. Materien tvinger lys ned. Matter forces light..
Kinetiskpotensiell energi deepspeed gravitasjonell. Resonans når et objekt
vibrerer med sin frekvens tar det lett imot. energi og vibrerer med store
utslag.. Lyd lyd i rommet analogt med krusninger i vann. bølgebevegelse..
motsetning lys.. Lyd trenger stoff dette materietemaet.. elektromagnetisme
boblekammerbilde magnetisme deepspeed cmsek.. generere en strøm generator..
på skala over atomnivåer er verdens mangfoldighet grunnet.
elektromagnetisme og gravitasjon (vekselvirkninger). støy uønsket lyd.
paradoks hva med å hørelage støy ønsket ulyd. lyd subj obj lyd må ha
stoff. verdensrommet er lydløst. Bølger.. Krumme flater samler i
brennpunkt strålene. Svevninger. Klang. sammensetning av flere lydbølger..
Et brus inneholder alle hørbare frekvenser og kalles derfor hvit. lyd. Støy
er et subjektivt begrep. Def. som all uønsket lyd enten. musikk vanndrypp
eller trafikklarm. Jeg ønsker uønsket lyd. Lydene. rundt meg radio musikk
stemmer er støy og bruker støy som musikk.. Omvending i
informasjonsflommen støy. Bruk en motflom Demme opp en. flom. Demning.
Akustikk resonans hørsel. språklyd fonemer.. lydbånd bærefolie med
magnetisk belegg jerndioksyd.. lydintensistet små mengder watt.. kontentum
gjennom lydmuren.. opprinnelig (gresk) musikk totalbegrep.. Boethius ( ekr)
musica mundana (verdensmusikken eller. harmonien i altets oppbygning og
funksjon) music humana (harmoniske. forhold i mennesket) musica
instrumentalis. overskrider subjekt og objekt danner nytivitet. oseanisk
materiell ekstase.. Det segmenterte som (analytisk) strategi konstituerer
seg i den. akustiske entitet som en retorisk figur og definerer da seg
selv. nærmest som et fravær. Bortfallet av en bindende matrise avdekker.
dissonans og uttrykker seg som babbelpolysemi. Overgangen fra det.
refererende (transcendens) til det signifiserende (immanens) åpner det.
anisotrope rom av segmenter i en differensiell hypostasering. Opptrer. i
krystalls form ikke i apokalypsen det dør som fødsel og fødes i. døden..
PALINDROMER. deeps on time emit no speed. Rettam krad Sade if all erb
music is umbrellafied as dark matter.. noise lesion. deep morf NOISE
LESION from speed. speed morf noise lesion from deep. Goddesses so pay a
possessed dog. Moo lost elk O orbs amid wonders awed Was it organic in
ecstasy. tied Deity sat scenic in a grot I saw dew as red now dim as.
brooklet so loom. On a clover if aloud noise lerupts a vast pure lesion
duol a fire. volcano. epsp. epsp. Element to integral. Text on epsp. by
Bjørn Maghnildøen. Introduction. An impulse to make the piece epsp came
from listening to and partly. disapproving some of my earlier recorded
material and still wanting to use it. in some way. One solution was
clearly to hack it all up into small segments. that could be eaten without
choking. Another solution was to superimpose the. original material making
monstrosity out of ordinariness. So I did both and. in that order..
Another impulse or idea was to let musical structure build from small (or.
smallest) elements without imposing external musical direction other than.
materiality.. In structuring the piece my main idea was that of stream and
time incorporating. with materiality. What is heard seems to me as sounds
of floating particles.. These particular flows consists of the tiny or
minimal soundobjects cutupped. the archive of ownrecorded material in the
years amounting to a. couple of hundred tapes.. Instead of forgetting or
thrashing these tapes I've used them as a fragmented. memoryblock being
randomly accessed through a spaghettistyle language of. pointerism
utilising the phonemical units mere as material ground and surface. being
rather ignorant to their content or context.. Together with the idea of
materiality and concreteness there are concepts like. mass density
entertainment (subsistence) endurance exhaustion and ecstasy. involved in
the actual structure conceived which also partly count for the. monotonous
character of the piece.. Also my interest in the noiseaspect of music or
vice versa is a driving motive. in this kind of project and should also be
well manifested on the tracks. Take. care of your ears.. Noise and music.
The noisemusic dualism could be seen reflected in the material
doublenature. particlewave where 'wave' would be viewed as the collective
motion of a. material moving continuously around a relatively undisturbed
center. corresponding to harmonious states of music and where the
interaction of. particles would be perceived as the more or less random
and chaotic motion and. states of a material corresponding to intensity or
density of noise.. In an inversed physical view pataphysical why not
consider music as a very. simple kind of noise and noise as a complex kind
of music. Nevertheless these are two different operational views of the
same underlying. material (whatever nature) and my opinion and fascination
is that the. classification or perceivance of music from noise likewise
cannot be cleanly. traced back to the material. So it then gets
interesting poking around on a. low level probing for both the substance
and the concept bridging or. transacting the gap or just experiencing the
(possible inevitable). complimentary attitude towards it.. Noisemusic. A
principle of complimentarity of sound could for instance state that if an.
arbitrary material of sound is perceived as music then the noiseness of it
will. be sucked into it and vice versa the perceivance as noise will not
be saved by. the music. What constitutes this perceivance is not solemnly
the attitude. towards it but also the doublenature of the material
itself.. I hope I've been able to express this in the work. A way of
judging a listener. should be able to ) swap between different states of
listenings ranging from. music to noise ) recognise these states
independence of the material.. For instance listen to the material in at
least two separate ways like saying. Yesterday or ten minutes ago I
perceived this as noise or This noise is. beautiful .. Scanning any point
in the tracks and playing a few seconds the piece will. probably be
perceived as pure and flat noise. Playing off the whole piece or. larger
parts of it will probably change that perceivance.. Noisilence. Another
idea in the piece concerning noise was to make a soundshield.. Basically I
wanted to build a wall and walk through it. This could actually be. done by
means of sound. Noise appears here much like silence and through this.
noisesilence neutralize memory or yourself.. The neutralising of sounds
with sounds is possible as noise swallows up all. other sounds or as all
other sounds can be imagined allready incorporated in. noise. White light
white noise get blind get deaf. Close your eyes close. your ears by
opening your eyes opening your ears.. If you stare into a point in the
wall for some minutes my experience is that. the wall becomes black and
purple and vanishes due to the neutralisation of. sightimpression with its
negative representation in your eyes and along with. this vanishing of
objects comes for any reason a state of uh let's say. bliss.. Much in the
same way noise will through a material ecstasy swallow up the. objects of
the world and leave you floating. Drawn I sit serene rest is. inward. The
piece is made using headphones and I also prefer listening to it. that
way. By the way the piece is as noise hypersensitive to equalisers so.
small adjustments of the emphasis on different frequencies are very
effective on. the overall output sound.. This should make clear that the
motivation partly lies in functionality and can. also explain the lack of
any explicit inherent musical structure or pretension. of having conceived
a traditional dramaticmusical work.. Also no sounds have been recorded for
epsp. The piece has no sounds of its own. and consists entirely of the
processing of already recorded material.. Palindrome. One main structure
is the palindromical selfcontained. On a low level the. phonems have been
recorded forwards or backwards quite independently of their. content or
any criteria. Some loops of phonems are being manipulated similarly.. Also
on the whole the piece contains its material being finally processed in.
both timedirections.. The end is already manifest in the beginning. The
content of meaning is subdued. its structure. The evolution swallows
itself up. The mirroring of material. simulates an undifferentiated space
where object vanishes in the double. The. stasis of space absorbs the
speed of the elements.. Permutation. Another motive was exhaustion of
possibilities in the material. Rearranging. deforming and distributing
elements of sound to form a massive overload of. connotations excorcising
content.. Sounds are gradually being hacked to pieces down to a phonemic
level of smallest. meaningful segment processed in series after each other
in time and in. parallell in space. Then the distributions in time and
space increases density. and speed as the permutated material expands and
grows exponentially out of any. orbit of musical reference. Finally the
particle accelerator distributes its. collapsed differentiated elements on
a trajectory into void''.. Distribution. Sounds are distributed over the
two axes timespace. The density of an area is. the number of separate
sound elements through time. The elements seems to be. scattered well over
the electromagnetic specter with an emphasis on the extreme. high and low..
There are areas on the meter of electromagnetic tape where each cm or.
second consists of over differentiated segments of sound superimposed so.
that during minutes over a million sounds are being transmitted.. Other
areas consist of a heap of layers of sounds fragmented beyond the point
of. noreturn. Minimal units of sound are recorded as the six feet and
antennas of. ants spurt the microphones. The flow of noise is in that way
built up from. traces of atomical existence of sounds passed by not
enumerable.. Emit time. If you want to make a musical work partly avoiding
an evolving dramatical or. narrative structure you probably have to treat
time in a different way. The. linearity of time might be broken in
different ways.. The palindromical form seems to excorcise timelinearity
treating it as just. another object having reversable manipulatable
dimensions.. Also the cutup juxtaposition of timeelements is fragmenting
this line. implying another operating dimension say timespace hyperspace
or just. memory.. The nondifferentiated space would defy time on the whole
as nonexistent as in. the parmenidicalzenoic scheme.. There might also be a
minimalistic scheme involved motivated by making the. relation of music to
time explicit in different ways discretness. repetititivness questioning
the continuum.. Also I wanted the piece to be exhaustive in length so that
the notion of time. could be mixed up blurring the divide physical and
experienced time as you. find your mind wandering or take off. Exhaustion
of time seems an appropriate. concept also when the massiveness of sound
is concerned as the increasing of. density slows down timeflow.. The
ecstasy of memory in the conjuring of elements into an allembracing
integral. can be seen as an exhaustion of time and duration and as the
omnipresence or. end of time.. Deep speed. A body in motion compresses
bodyspace lengthens bodytime and increases. bodymass. Gaining speed of
light the body will not have any extension though be. infinite heavy while
time stands still as nucleons of sound ecstasises material. and flows into
energy.. Particles of sound are escaping the gravitational pull of memory
and meaning as. they accelerate and gain a speed superseding musical
references. Speeding of. music into noise atomizes the bodies of
information accelerates towards. infinity and dissolves in deep space..
With respect to history the narrative has become impossible since by.
definition it is the potential renarrativization of a sequence of
meaning.. Through the impulse of total diffusion and circulation each
event is liberated. for itself only each event becomes atomized and
nuclear as it follows its. trajectory into the void. In order to diffuse
itself ad infinitum it has to be. fragmented like a particle. This is the
way it attains a speed of noreturn. distancing it from history once and
for all. No meaning stands a chance once. offered the means of its own
acceleration.'' Baudrillard Pataphysics of Year. from The Illusion of the
End. Mass. Sound need a massmedia for its motion of particles to be
distributed. Outside. the gravitationed atmosphere there is no sound.
Density of mass shapes the. space which shapes the motion of mass
(gravitation is illusorical). Above the. atomic level the manifold of the
world is grounded in the forces of gravitation. and electromagneticism..
Growth in density by speed or space will make mass heavy and slow time..
Acceleration of transactions increasingly forces inerta and indifference
as. particles of sound annihilate each other making a dense cold star
deepened. and darkened by the pull of densityfield.. Within the critical
mass of density there is no references to outside. No speed. will liberate
sound from the silent immanence and there will be just the. autosound of
the magnetic tape and tape recorder background noise as the. ecstasy of
musicality provides its own end.'' Ibid.. Noisevoid. Instead of declaring
the law of falling bodies towards a centre why wouldn't. one prefer that
of the rise of the void towards the periphery the void. conceived of as
unity of nondensity'' Jarry Gestes et opinions du docteur. Faustroll.. The
pataphysial motive of antigravitation appears as music is haunted by its.
vanishing. The particle accelerator seek to liberate sound from the.
gravitational density of music by overwriting overflowing its content and.
swallow up itself. Particles arrive and disappear faster than their shadow
and. leave no time for interpretation. The speeding of tonality runs into
a noise. cohesion void of transmittory pregnancy.. Segmentation as an
analytic strategy is constituted in the acoustical almost. rethorical and
without appearance. Loss of a binding matrix of bodies the. shift from the
referential transcendence in music to the signifying immanence. of noise
births the segments pataphysically from the dying of hypostaticism..
Contents on epsp. Audio. Sourcematerial recorded onto some hundred
magnetic tapes.. Instruments used include korg ms korg polysix boss
drummachine casio. sampler teac tascam electronic organ tapedeck turntable
radio. walkmanrecorder microphones monochords flute harmonica guitar alarm.
clock feedbackdevices mallet instruments computer drums cd resonant.
objects (metal rock wood glass) nonresonant objects (plastic water food.
skin earth).. Concrete soundsources and noises as field or
objectrecordings include crowds. citynoise wind rain thunder habour sea
buildingconstructingareas the. museum of Emanuel Vigeland streets motorway
railwaystation home wood. gardens mountainlandscape waterfalls traffic
balcony industrial areas. reverbal areas church halls tunnels auction
concerts cave train. (inside) humans doors conversations voices sheeps
neighbours geese dog. cat breath walks sea birds train (outside) car
machines bicycle boat. ants magnetic datastore microwaveemission spoken
languages domestic objects. (scissors keys fork and knive refrigerator
washingmachine tv staircase. room furniture) found objects random
objects.. Processing of sourcematerial . Recorded onto magnetic tape.
augustseptember .. Equipment used teac tascam soundforge . waveLab . and
tapedecks.. MP coding of sourcematerial using Awave Audio v... Booklet.
Graphic material made mostly dating ''. Scanned . Pages. include drawings
paintings doodles copies nails blood photoes origami. and clippings..
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utenlandske navn. Her er. f.eks noenog bli ekstremt kvalm det vil ogs si
deg noe om det leve p. jorden. KvalmeHva er s galt med hevnMake me to
selters servert av spe.. Kinosalene er vi neppe uten den.and uncertain
imagine to yourselves. INDIFFERENCE as a powerhowhim God man and animal at
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som. detteneida desom til at synda tidt meg daaratsjlv det gjer' harde.
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sannhetsvirkelighetsmotiv kunsten har eit.
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is the transparency of othersfandenivoldskhet ville det. noemata. Sunday
March. Re question re de pre codewurx. are helpful. I get a general
pictureof code as 'rooted' and double of anyway. having a double property
of ..wellthe usual dichotomies instruction and data. and object and
whicharen't fundamental eg. the distinction between. instruction and data
is aninterpretation what is interpreted as instruction. is also data and
thedata can also be instruction so in a way the. interpretation
isfundamental to code also and creating the roles of the. dichotomy as
wewould have 'instructiondata' and 'datainstruction' and. somewhat the
samein the case of subject and object which are more.
explicitlyinterpretations of something by terming something a subject
we've. alreadyinterpreted it in a relational way and in the same manner.
asinstructiondata I'm refering to code as an subjectobject entity which.
hasthese three parts of data instruction and interpretation..
Theinterpretation part would be the decode.About the everythingnothing
bold. statements since the code is somethingconstituting itself it's a
whole an. entity and real in the sense thatit's taking place with the
interpretation. constituting the reality'situation' of instructiondata
subjectobject so. I'm calling it aneverything like we could create an
universal machine out of. this. And thenalso I'm calling it names like
nothing because it's a machine. more orless. Maybe it would be interesting
to look at everythingandnothing. textas a kind of codework. Finnegan's Wake
as an example of this it's coded. inseveral layers encapsulating or opening
to an everything and nothing ithas. the appearance of code and nonsense a
rich broken structure ofeverything.. Occult literature I guess also has
the code effect of thissort like. out dumped automated and coded the
automatic writing ofsurrealists might be. considered I don't know are
fluxus pieces codeworksby being instructions (of. events) and the
happening would be another moreundirected setup for something. happen well
I'm not sure how todistinguish the code it seems. allembracive. Is it alive
Dead code. Andthe system bit if we don't know if. something is code is it
code by justthat fact like the Voynich manuscript. mentioned And there's a
notionthat code is code as long as it's not decoded. if code is code what
do wemean by a decode Sort(x) is a code does it have a. decode So maybe
aromantic code is the codedecode that kind of code notion. there we havein
a way again instruction and data subject and object. clearlyseparated like
morse code a clear mapping between subject and. objectback and forth
whatever there's the subject of code and the. objectcodeand the morse code
we could call the subjectobject though in a. clean dualcut. In other
notions of code it's not so clean and for eg. sort(x). wedon't call it a
decode it's codecode but what is decode It'sambivalent... 'life is decoded
into dna' or rather 'coded' do we mean theoutput in general. the object and
for something to have a decoding meansto have a systemic. interpretation
but this goes both ways what is thecode can also be the. decode to
emphasize they're activepassive roles ofinterpretation.. and code. the
system of interpretation the structure ofhow the active and passive roles.
will take place of instructiondatasubjectobject. Certainly there are.
levels of code in the construction of nature and ourselves but at the
bottom. we don't know or we know that it's not discreet like the
particlewave. duality. But dna is discrete for that matter the
particlewave duality is. justthat a duality even with probabilistic
measurement the mathesis. behindit is exact...Exact probabilistic if you
have a perfect random number. generator couldit have a code This is like
asking for the formula for prime. numberscould we say there are codes for
prime numbers but not a formula. workingto a certain degree and in general
that code is related to formula in. aspecial way is it a working formula
applied which is the dual again ofform. and reality living formulas. Seems
I'm treating it as formula hereand you. matter and since everything is
mattered and chunkeddiscreet it'scoded but. in the formal end.. How deep
do the codes go all the way you'dsay since it's. rooted mattered dirty
having the real part maybe it'snot a fruitful. discussion where it ends or
begins some highly energicthing expanded and. collapsed symmetry collaped
into code. Yes but we've figured out things to. a large degree what we're
made of our history and destiny there doesn't. seem to be any mystery
about ithow we're created though we can't reproduce. it though have
theknowledge to destroy it a devastating knowledge in. itself.Considering
the fact that dark matter the majority in the universe. isn'taccounted for
at all that the mechanism of memory isn't understood. etc. I don't see how
you can say this. In fact one can as Brillouin. didyears ago argue for the
opposite that the mystery is somewhat. dependenton the limmits of our
economics and simply keeps getting pushed back. asfor example more and
more powerful accelerators are built...Yes mystery is. something
pushedback in relation to something that'stakingplace it's still a.
subjectobject 'economy' ecodomy the economyof code mystery is in the. via
the code interpretation it getsobjectified real as takingplace.. Still
it's an economy not a mysteryit's just what's emphasized. From the. other
end you could say memory isthere and it's working so there's no. mystery.
Code as a term retains someof the mystery the wonder and. complexities
which is lost in the formulaterm. I never stop wonder about the. inside
and outside like this sailboatmoving slowly past the village seen from.
the boat it's somethingcompletely different from the boat it's a mystery
from. the balcony itseems quite boring objectified but it's both and
that's. alwaysintruiging it connects to relativity from Galileo to
Einstein and. forextrapolating the move to relativity is also a move to
code of. thesubjectobject floating within a reference system which
connects to codeas. reality each reference system is on its own a whole.No
no i don't think. this goes if (x) is for example sorted it doesn'tlead to
an elimination of. (x). Think of coding here as performative andrequiring
a stratum or substrate. that it operates upon. Even Peirce talkedabout the
'sheet of assertion' the. necessity for a locus for mathesis.Ok see above
codedecode.I want to run. back to information theory and theexamples
Baldwin talked about or the. problems say of transmitter channel receiver
with noise parasitic within. the process.Thanks for the discussion
appreciate.Here there are several. levelscode as existentcode as
processcode as procedurecode as. performativecode as selfregulating or
checksumetc. etc.There's structure. of course and there are material or
ideal strata andtheir interactions. Code. is perhaps a productive system
of classificationthat admits closure.... AlanAdmits closure yes like it's
its own end metaphysics and then real. asreference system like every
reference system is real on its own. Maybe. I'mextrapolating too much but
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March. Re question re de pre codewurx. About code and codework though not
a direct response I see code generally tied. the western project of
science and cultureunravelling nature's code turning. it into culture and
technology. Thishas no real basis any longer science has. already made us
transparentwe know code is nothing and that there aren't any. secrets. So
there's nobasis still code is everywhere all the more since it's. not tied
toanything any longer doesn't refer to anything more real or more. trueit's
able to infect our lives more like a freefloating entity from. thelayers of
reality. If we have layers of reality we have codes. Ifreality is. one
there's no code but our sense of reality is not one. Ifyou could live in.
one there would be no code and it would be the heavensof the mystical.
The. mystical is tied to code but we know there's nomystery. Inside
yourself you're. a mystery that's it. Walking throughyourself you're code.
These are all layers. of nothing. We know that ifsomething is code then
it's nothing that's almost. the proof of it.Then there's the doubleness of
code of inside and outside. thecommunication machinery of input and output
between layers codesubjectand. codeobject. There's no fundamental basis
for the codes only thesubjectobject. which moves around freely. When I'm
using code it's areflection of the codedness. of culture the structural
complexities ofinformation and communication layers. of reality which are
always therea reflection of culture as construction. traversing it's
layers whichmeans insideout backwards reverse the. twofaced. In my work
I'm notusing code in a fundamental way it's code without. any basis
diffusionof code double and nothing of codes. Codes are still. fascinating
weneed something to do as humans I quite sure we're genetically.
gearedtowards these things problemsolving directedness of.
attentioninformationchurning. Still we have no mysteries only the codes.
andthey're not real only a kind of art beauty of codes what we're madeof.
still no mystery only reality. Codes real but not real that'salso the.
doubleness what we mean with subject and object they're bothreal but not.
real to each other if the subject is real the object isunreal and vice.
versa. These two could be stated as a classical and aromantic notion of
code. the romantic code refers to something beyondas its reality (nothing)
while the. classical code to its construction(double).I know this didn't
answer any. noemata. dee. intrui gpj.hcruhcevatsoprotraidepikiw .ssorC
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lanorepip sirpaeh eht s ommisrealin what. nonsense rehe htaed dna luos
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dna laenip cissalctsreal in what sense an. argument how the possible is
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otherwise interview an inventory of the cities where sound was. recorded
it While FullerHarwood regard software as first of all a cultural. but
eccentricity the opposite of politic (withness) a self baumpf These. forms
are excesses andthat the 'spectator' could remain awake during surgery and.
contribute to originally envisioned the biological basis of his theory of.
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created himself likethey do and the falsity propagates. until it turns
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willreturn which is the loosing and gaining the restore of. potentialthe
wave you don't want to meet a particular god only the. falsewhich would be
true it's like a tree it has only one end and that'sthe. beginning the root
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ut til at det er en. trojaner i opera . build har funnet flere private
mail her og alle. bruker nevnte client. mail til opera skal sendes. det
hadde med saken gjere...jeg ble. den serveren. ) innholdet p websidene er
like meningsrik sommeldinene p. notest. )at dere gidderhh. hvem er.
hvorfortror det bildet var vedlegg. til sknad om kulturstipend. ) den. som
hadde hatt ynene med seg ville merket at flere personlige email er. havnet
i no.test og alle bruker xmailer opera . build mail er sendt. til opera.
kan jo hende at noen har lagt ut en trojansk version av opera og da. br
det etterforskes.noe m man jo. finne p og jeg ser ikke hva som er s gli
med. dettefolk er til og med misunnelig. p andres fantasi og evne til
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en selvrefererende funksjon som. produserer mens Lorene Pickens Og hvis vi
greide finne ut av det. burde vi ikke da eleminere det for klokka tmmer
tidenstrukturene som. framtrer for bevisstheten.critical penetrating
revolutional reversing. undermining etc. In my viewkulturen er oppi hodene
vre i subjektet mens. natuen er ute der objekterthey would have stories for
film here yes maybe. that would be their newstability. Beauty taken over by
design etc wholeness. by.. welll it's stillen slags spenning. tilfeldigvis
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immersion and. open to domination still obedient and immersive is like
inert resistance of. mass. content of media was largely irrelevant
superglue. capitalist print. media electronic media state of harmony all
sign systems as text. sign an inse. parable combination of a concept and a
soundimage with physical form refering. something other than itself and be
recognized as a sign by people well if. the sign is a sign then it's
something other than itself and then not a sign. and if it's not a sign
then it's a sign after all this doesn't make 'sense'. and that's the
foundation of 'meaning' that it's something else. symbol a. natural bond
between signifier and signified if it's natural then it's always. there
somehow it's crappy call it the logicmechanic of signs maybe atoms. and
then the variables (signs). metaphor these are just transformation rules..
metonymy ok blah initiations calls. mediation is a matter of symbolic.
exchange an exchange that is mostly onesided well the symbols are natural.
bonds then one side naturally gives the other. on the contrary it would be.
strange to communicate symbols then they would be signs. television is.
exclusively genreled why and when will tv be art discourse interpreting.
the world is making the world what would destroy it then not interpreting.
it blimey there's a riot on page . over two billion people may watch the.
football world cup. people don't listen actively to radio. only inside
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ikke s menneskelig ut. Mye tull. kan spinnes ut fra et vanlig fotonyanser
i lys blir til substansielle. ansiktstrekk eller lignende.mange rare prI
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who rules with might. It is hard to tell if. this the abatement roar ()
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in the O form as OHea. OHay Hay Hayes The derivation from the.
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(tactical combinations of radio TV. internet in a graphical form so that
anyone with a standard webbrowser can. enjoy ourof appropriation as
something that enables instead of threatens the. previous edition and the
very successful performance programs of internet into. the streets is a
rather obvious one. The tactic is of Amsterdam (Urban. Interventions).er
med p det (enten de vi eerregnskap at enasjement.. Frstemann ti m... rett
sett ruske itt i ss i ssden gjre seg selv. 'g ut og gi deg selv et spark
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discussions.. p j u qviral nihilogies nilogues.h. R K kaddendum
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repugnant.one at piece with yourshelf det var litt overraskende. Fwd
RHIZOMERAW Internet Art Survives But the Boom Is Over NY. andre serien
flakkende inn og ut i kantene.p fylla hvordan den vil forvirre. ynene.
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handling of theliksom bruken av unik designator og av. en
familieringsfunksjon er ikkemailartists' correspondence with Johnson
reveals. no discernible reasons for hisundeliverablepolitical
incorrectness.. poem Karawane'' (Caravan'')lillefingeren lfte bilen
stagemethod. (mesostychs of the name James Joyce'') and the montage was
done material for. writings in a selfinvented hybrid of English and
pseudoreceiver then. computers are not only media but also senders and
conclusions drawn from. observing software code can't be generally applied
for example appears to be a. tape montage of a spoken text based on James
geon akin to d gene g jener on. noemata. lxFsni. uvirkeligheten fr
lakkenalltid rett fr toumodent en tilspekularismager er. dagens
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pxE en bedre. mxEte enn for salg av papir.Drambdrysjurdhn sbrancyr shc san
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theiruttrykk forpvisning. etc forsvarer det visningen av prosessene som
inngr fra. forholdetav Nazi Rumsfeld does not understand that. anymore
than Ari Fleisher who ishalt som han hinkar.Han overdriver.Same. seg til
frte ikke fram i fjor henlagt av politiet det var forvrig. virkelige det
var agnet som drog fiskenDet var pga. lokkemiddelet.Han er. ikkje
allbarn.Kommer pske fr eller etter pinseBde fr og.
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erkirken.Hva er rutetidene i NSB etter at organisasjonen er fulltjust.
said something like 'Oh but we were just kidding weare just artists.'OK
i'm. thinking now whatutfrt av omtrent politifolk skulle vise seg ha. sin
bakgrunn ividt.Han slipar ikkje utan vatn.Han har ein fordel av. det.Han
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where athis way a. socialnetwocommunication problem social barriers not
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bull It's not an optical illusion it just looks. Action becomes Art
Performance in the Context of Theatre Play Ritual. andthe formal
Distributed through CyberSocietyLive CSL CSL is a moderated.
discussionFirst Monday February orders of the day.. Net.Art Connexion
net.art databaselook at your organs look at your. composition. understand
yourself as possibility. The removal of the beautiful. in Kant's aesthetic
from any given ubuweb aspen. k Ikke i bokh.konomi Vennlig hilsennoemata Fwd
iuoma Poll results. for iuomaRandom acts ofKrazy Kat Ignatz murstein som
tegn p. kjrlighetsinskjermen i nettbanken Gr det an lage en nettbank som.
nettkunst for noemata Fwd Re. x XX. Printer at MyInks.com. Free sh on.
orders or more to the US . Re I'm known for one thing and one thing.
only.project (part one) (F)ive million copies the goalobject is to make.
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noematadasignifiance. Inreality it is opposite sign is nothing and code.
is sothen nothing but the last judgement every. Return. If he's. Return.
IfBut. behind the virtual is. the real again. Inflation of spacetime.
..aa..rt..it.ekoot science not art not art not art not techno logy.
hcarousel. End of the cycle. If you ride on a beam of light. Dark sun at
out). the diplomate is hermatypic (commerce and cunning and
inventionkunstneren som. formidler mellom verdener idagsekulrt som en.
formidlerLNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance). kP
neziskovch organizac det. anotamotua na si yltcaxe tahw yltsriF .atamotuA.
is actually a. noemata. arhalev an. lareves ni dedrocer sd ot seilppa erom
eht lla dna lufituaeb sa traeramethod. (mesostychs of the for example
appears to beht mrofsnarthcihw secafgnidrocer a. flesti ece nekops eht
krowtra cimhbaumpftumbaincludes the computerge. studios. While the
bookpelur eht fosnoitatimil e ti dedrocer saw dnuosThe. history of the
digprograms getlocked int randosnoifo noitaunitnoc thgia. retupmoC
.sremmargorp gnipmulrof noitacifit. gnipmul rof noitacifi sa tra fo
tpecnoc deniaall or at least nosoftone. defines as a medium new media
art''. Theot evah ylnosnoitcurtsnelur eht fo. snoitatimil fI .emit
ralucitrap a tinstruments inan emerginstruments in an emer. receivers
which thems.dibieht mrofsnarthcihw sec lacidem lortnoc ro stwere. invented
then o virtue thatcomputers caneewteb rehto eht no seti smhtirogla. ro sno
.asreprogrtismhtirogla ro sno .asreprogrzeros and ones the Lati. noemata.
Tuesday February. glossy. noemata. RTICLES. noemata. ks.. noemata. Jan.
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the thermostable and the. relationship betwixtteguments artand the by
umberto eco. i worthwhileness. justment likehieroglyphics etc) thanks
reprehensibility the pinnacle of. thedissonances offroment the samnium
institution my thessalonians is. thanatopsis theteledynethat tektronix
medalise does not constantinople art. despoliationem pleh ot daerht a
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Jiliat. Kylo Limo M Alpuy BreveChorlieSecret Life of Puppsyirro tungw
unope jiliat kylo. limo m SyirroTungw Unopem nTamkw Hedul.
dabfbdbdcLwmhUnhbwrn Tunjo Hotul den framandTwnko. Hedal Lwmh Unhbwrn
Tinxu HydalXYnzh Havslez Gjaxb Urqny Fvreen GnatbLumi. noemata. Wednesday
February. overt ones. day and night aren't we supposed to sleep half the
time that we sleepone. third is our own excess of rationality. how do
theology account forsleep. novalis fragment we finally should rid of
sleeping. kind of rootbut what's. deep about dark nothing and what's deep
about nothing it'snot that light. grows out of dark though goethe might
have believed so.that might give a clue. he's experiencing it through his
tree so thatit seems rooted might shed light. on the primal tree idea. the
treesupposedly from 'wood' not monad dyad. tryad. how is romanticism likea
tree one to three one is one and nothing can. be said two are atwar three
are rooted the two are one. bosons in gauge. theory bearersof the force
integer spin while fermion matter have fraction. spin.you could say these
are romanticclassical divide. problems are pushedinto. the romantic until
later. let's see particles and thennecessarily a force. between particles
ok and these forces are yesparticles forcecarrying. particles oh they
'carry' the 'force' hownice in their rucksack you could. also see it from
the particlewavedyad. if it's not interfered with it's. romantic having
interferenceand if it's interfered with it's classical. having no
interference. sothe interference is one place or the other in. 'nature' or
in 'science'in the romantic process or the classic formula. the. bosons
areinterfering bozos the interference not obeying the. exclusionprinciple
(related to 'particle' in a sense) like the clown is. areplay a primal
glue forcecarrying particle two in one thetravesty. the. clown is
constantly fixed constanted an integerfractioned into matter spin.. we see
it the other way the romantic is amess a forceparticle buffoonery. what
could possibly come out of itoh just matter.overtones it's like nature. is
counting ... foreverything it's counting up if one. then infinite weakening
but stillcounting. because of air interference in a. medium why should
nature becounting the overtones would all be fractions. what about
irrationalnumbers i once heard music based on primes it's very. noisy only
primeovertones. where exactly does the irrational come in i know.
thediagonal of the square what becomes of the diagonal in e.g.
overtonesif. you had an irrational chord it would sound forever or not
sound howcould it. sound to create a diagonal in music would you need
anotherdimension is the. diagonal another dimension it's a travesty
we'reback to that. you could also. form a triangle that's not irrational
butit's a relation between three that's. possibly irrational. do you
needthree how's the square a three the two sides. are irrational but
thesquare is rational how is that kind of inverted. direction therational
is build from the irrational adding dimension. we're. used toview it in
the other direction. this all digresses no way back. it'sbroken. what was
the riddle 'cat eats dogfood but the bowl is. noemata. plante analogi.
hvor utbredt er plantelivnring analogiene i folks forestillinger.
vekstvokse seg stor og sterk etc livet som plante. det har begrensninger.
fordiplanter har rtter. sl seg til ro blir analogt med sl seg. til rot for
vokse bedre. menneskebilde plantebilde. dessuten m det. komme som en
stadigoverraskelse at mennesker dr s plutselig skulle de. ikke heller bare
visnebort og alle raske forandringer er av det onde. elektroner m vre
smdemoner hva med fotoner fotosyntese sola de er. gode. i det hele tatt vi
har forstor makt til vre planter trr som. vokser bker som kultiverer
uendelig vi har bokbl virus bomber. knapper trykke p maskiner. vekst joda
menvier mennesker ikke planter. og innimellom der dyr og da er ikke
mineraleneengang nevnt fr n. og. hva med sjelen og nden vekst liv og
ddeksistenssdcellen som kom. p andreplass idrett de dramatiserer
overlevelsehndballandslaget. raider nabostammen de vokste ikke sammen. alt
eksploderte det er en slags. vekst. plancks konstant brekraftig utvikling.
og utviklingto bilbomber. utviklet seg utenfor ambassaden. mennesket er
alle tings mlikkeplante ikke. eksplosjon fenomener har forskjellig
hastighet strrelse samfunnet er. strre enn hver enkelt og dermed treigere
mer likt planter mensgrupper av. mennesker er mer som dyr dummere men
sterkere. i andre retningenernden som. et elektron og ser for seg
atomeksplosjonen som den. hyestereligiseforening sin skaper sola big
pangpang. lenger framover. er lenger bakoverstrre fart er strre avstand
mindre er strre. forestillingene er speilnrdu ser foran deg ser du bak deg
som nr du ser. noemata. Tuesday February. art)) not. folktale cinema. The
of local lore oI had this idea soun I can dreamanyway.. iwant somehthign
thaSte sa inteels frowitad undas reminds mi'I had this idea. for a solthen
you have like the coil uses. Shewould g icy wilderness but. noemata. Monday
February. Mar. assimilation the easier to pronounce a sentence the more
widespreadthe change. noemata. for denoting the highly contingent
aggregate of external. propertiesscapesapproximate sense of the private
quality is fiction ' those the. '.... '... '... ....... () ReSA AS FDFAS
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ECNLOPSCCLEENES DTNIEOASS. EOAELC RATH HROHREET REgives evidence of.
considerable plasticitythere is convincing evidencethe missing
hemispheres. functions.Thusalthough the developing brainTel. (kr min)I.
probably should look into Eco then. In my view it's not metaphysical.
it'sNovember about Enrik Tcha gog Utopican and interweaving andor. collaps
of the two that's essential to code (I'm usingDelete Several authors. (for
exampleEfron)have suggested that it is not motor you turn the. magic ring
in vainHistory and North ain't well mean sequentially and. abstracting the
relevant details to which it attachesoldname diets. A. treebonnet foliate
relax If Ada did pull order read. AdaYreka Bakery A. bakery in California
Martin Gardner. a a. ptwrf Lnthe trutdho. noemata. PleaseSendNoMore.
wilden noregawn kalebGet SEVERE PAINHave SOUl MAtram FIORYCETALL NAME
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noemata. noemata. bbly r q ntllb h ax i. l. l b y. noemata. Friday
February. Fwd C p DETOX Kunstnernes Hus. noemata. Anbud naturfag. Bilder
som dette fra Hubbleteleskopet viser at det kryr av galakser idet. fjerne
Norge.Hvor mange galakser finnes det i NorgeHvilke typer galakser.
eksisterer det i Norge og hvor mange er det alt ialt i stfoldNy.
astronomisk forskning som er foretatt i senere tid har vist at detkanskje.
eksisterer langt flere galakser enn tidligere langt frre antattlenger. P.
den ene siden finnes det mange galakser i det fjerne Norge.P den andre
siden. tyder mye p at de er dverggalakser. Det er cirka medlemmer og bare
tre. normale mens resten er dverger skalte gnomer.Fjerne gnomer i Norge
er. nesten umulige observere systematisk men dekan godt vre tallrike..
Konsulterer vi et standardverk om kosmologi blirantallet galakser i
stfold. oppgitt til cirka milliarder. Men det ermuligens mer realistisk
med en. billion ( milliarder). Da tenker viimidlertid bare p det synlige.
stfold. Iflge moderne historie er Norgeuendelig og i s fall vil det. etter
all sannsynlighet ogs finnesuendelig mange galakser i stfold.Hvor. nyaktig
kan man veie sjelenHva er den mest nyaktige vekten som er. konstruertVi
vet for eksempel at en colibakterie veier. milliondelsmilliarddeler av et
gram. Denne vekten er s nyaktig at den. foreksempel kan veie en enkelt
bakterie. Prinsippet er det samme som for. ensyngende gitarstreng med
sjel. Hvis strengen er tung er det blues og vilager. en dypere tone. P en
liten gullskl kan man legge for eksempel etstykke. DNA. Den blir
cm.Voldtar dyr hverandre i naturen eller kan de gjre det. inneFor eksempel
kan paringen hos stokkanden vre en temmelig. barbariskhistorie. Bruk av
vold kan noen ganger vre hensiktsmessig uten. atdyrene har noen onde
hensikter med det. De gjr sitt for det meste. erutenfor hjemmet fire
vegger men noen arter kan trenes til gjre. detinne ogs.Hva er det eldste
ulste regnestykketPythagoras tumlet med. mange problemer omkring det.
Dette sprsmlet erubesvart enn i dag. I. desember oppdaget man . Det er
ulst. Lstfra lyst kan vi si var. pythagoreernes motto har du lst har du
lov.Det sies at Solen er snaut fem. milliarder r gammel. Men hvordan kan
vivite detDe som er eldst vet best.. Solen er mye eldre enn oss derfor vet
denbest. P den annen side er solen. yngst den er den samme som den var
forfem milliarder r siden mens vi som. mennesker har en
utviklingshistoriesom er fem milliarder r. Derfor er vi. eldst og kan
bestemme over solen si at den er fem r hvi vi vil. Det er. interessant og
en del avvitenskapen med beregninger det vi vet om Solen. Alt vi. vet kan
skrivesp et frimerke med en tommeltott som er fem nanometer i.
diameter.Hvilket dyr har tykkest hudVi tror det er plankton. Er det det
Siden. hvalhaien spiser dem og harsm tenner. Den tykke huden kan ogs vre
rundt. halsen eller brystet.Flodhesten lever av verdens strste fisk. Det
tar den fem. hundre r seile over havet. Blgene den skaper er opphavet til.
havstrmmene somskaper livet p jorden. P havbunnen svmmer den og.
opprettholder verdenmed sine vingeslag.For deg personlig Gunnar hvordan
har. du detHva spurte du om nNei glem det. Takk for n.Fra.
TVintervjuAnnonseHvis du tar disse tablettene lrer du samba p en. natulig
mte. Komigjen n.Nr vi knuser sparegrisen blir den da. sparesvinSparesvinn
HAHAHAHA. I virkeligheten vet vi ikke. Hvis det dreier. segom
pengeinnkreving eller utviklingsarbeid. Hvem vil du si er mestskitten.
grisen eller svinet Svar Svinet er umoralsk grisen er bareamoralsk.
Dermed. kan du forst motviljen mot svinet. Grisen har en uskyldsom et
slaktet lam. bare skitnere.Hva er glattest av is og bananBananasplit.
Bananen skal splittes. noemata. Tuesday February. Re Skolelimsordningen.
Det er fint. R. Norsk har mange merkelige konstruksjoner som du vet.Jeg s
ikke. at dekket var punktert fr jeg satte meg i bilen.Hva betyr det Nr du
satte. deg i bilen s du eller s du ikke at dekket var punktert... fr
etterp. jeg satte meg i bilen.Haha 'fr etterp' halloOK problemet er at
'jeg. satte meg i bilen' kan oppfattes som et tidspunkt eller som en
tidsperiode.. Hvis det er et tidspunkt s kan det virke som du oppdaget at
dekket var. punktert idet du satte deg i bilen. OK Hvis det er en
tidsperiode s har du. fortsatt ikke oppdaget at dekket er punktet nr du
har satt deg i bilen. For. skille disse kan du sette inn et 'etter' da
blir det klarere men ikke helt. klart.Jeg s ikke at dekket var punktert fr
etter at jeg satte meg i. bilen.Fortsatt er det et problem akkurat nr du
oppdaget at dekket var. punktet om det skjedde nr du satte deg i bilen
eller tvertimot at det ikke. skjedde nr du satte deg i bilen slik at det
at du satte deg i bilen ikke. forandret din viten om dekket eller om det
nettopp gjorde det. Dette er ikke. klart.Hvis du forsker uttrykke at du
oppdaget at dekket var punktet da du. satte deg i bilen kan du si...
nettopp detJeg s at dekket var punktert da jeg. satte meg i bilen.Hvis du
forsker uttrykke at du ikke oppdaget at dekket. var punktert da du satte
deg i bilen kan du siJeg s ikke at dekket var. punktert da jeg satte meg i
bilen.Verre er det ikke. Dette fr og etter blir. bare tull. Det er liksom
du omfavner en stor sekk som du ikke ser enden av. dermed kan det vre hull
i sekken uten at du vet det og dermed at sekken ikke. inneholder noe.Ellers
var det bra.Det er noe med benektninger er det. benektinger Nedfallsomrdet
er altfor stort. Hvis eplet ikke faller langt fra. stammen s kan det falle
hvor som helst liksom OK Se p uttrykkeneEplet. faller ikke langt fra
stammenEplet faller ikkeDet er ganske merkelig. Hva. skjer Negasjonen har
ingen naturlig begrensning den m liksom flikkes p. med adverb og ad ad ad
for forme hva som skjer nr det ikke skjer.Det. blir . Fem pluss hva liksom
Pluss er en operator. Du kan skrive for. skille fra (prefix) men postfix
tar to argumenter eller bare. gr ikke. Det blir . Hvilken vei gr det Er
bra eller drlig Du fr. det er midt p uansett og blir en del av skolelimet
som du har kalt det.Du er. innkalt til rektor i morgen kl. . Han trenger f
renska ra sine. Det. er du eller Stompa men han er bare i svarthvitt vi har
beveget oss bort fra. det n. Smrbukk har forsvidt modernisert seg med ny
teknologi osv i kampen. for bygda men han er aldri der nr du vil ha tak i
han. Det er riktig at. Gerhardsen ligner p Quisling og kanskje var
tvillinger det skal ikke. benektes. Noe annet er det pst at gjenreisning
av landet og. nasjonalsosialismen hadde samme uttrykk. Den m du lenger p
landet med. At. vi har uglesett Quisling helt siden krigen kan vre en sak
for seg.. Gerhardsen og snn har tilpasset seg markedet fra gjenoppbygging
til. merkevarebygging det er noe helt annet enn ensretting. Merkevare er
merkevare. ensretting er noe annet. Er det klart.. noemata.
Skolelimsordningen. StilIdag har frste til tiende klasse skolelim p
timeplanen. Slik var. detikke fr. Men til gjengjeld hadd vi et halvhundre
feil p diktaten.. Mineforeldre gikk p skola mellom potetsetting og vronn
og nr det. ellersikke var noe gjre. Etterp kom kommunismen og reformer.
Skolelim. bleobligatorisk for alle og ingen fikk lnn. Det var likhet for
alle. ssantdet var lim til alle og det var det satt av penger til fra.
offentlighold masser av hvitt mildt ufarlig lim som kunne brukes til alt..
Vikjente den igjen i skolemjlksordningen. Ivar drakk opp kartongen sinfr.
Unn hadde rukket dele ut til alle s han kunne sple kartongenoppi. kassa
mens mjlka fortsatt blei delt ut stilig. Jaja. Skal vi se.Det hvite..
Senere gr livet opp i smmene limet er ikke s sterkt.Kommunisme er. flt
sier alle. Rart ikke unga krever penger for g pskola det. ville jeg ha
gjort. Hva slags krav har skola p meg fore megmed skolelim og. skolemjlk.
Husker jeg undret meg mye over noe jeg lestei samfunnsfagsboka. at
hensikten med skola var sosialisere oss.Folkeskola fungerer og s. sier man
at kommunisme er umulig det rimerikke. Samfunnet ellers kunne fungert. like
godt som folkeskola nringslivet arbeidsmarkedet hele skiten.. Pensjonistene
gr igjen overi en kommunisme men voksenlivet skal liksom. vre kapitalisme
ogkonkurranse. Det skal vre snn fordi mennesket har. konkurranseinstiktmen
ikke barn og pensjonister. Neida. N er det s mye. sport p tv atjeg tror
kvoten fylles opp uansett og det er jo liksom poenget. medsport da. Men
nei samfunnet skal vre sport med rsgrense. Du gr. avnr du brekker beinet.
Det er liksom litt tpelig. De som vinner. grrundt og flotter seg verre enn
p barneskola. For pensjonista er alt. detsamme om Per vann s er det like
bra men de sttter sporten. detbringer fram det beste i alle sier de. Det
beste betyr at det ikke. erkommunistisk. Superlim. Superlim er ikke
sosialistisk det er mer mafiaog. korrupt det binder ting p en tvingende
truende mte. Jeg bruktesuperlim. p veska til Terje nr han skulle p tur han
blei jvli sintetterp. mtte skjre opp veska. Da fr vi vold. Idag skal de
drikkecola og bli. stimulert til vold det er mulig skolemjlka er helt
borteelevene fr. gjre hva de vil. Konklusjonen er at kommunismen er
muligvi trenger bare. lovendringer. F.eks. at det blir obligatorisk
arbeideog at ingen fr. lnn slik som folkeskola. Eller at likhetene angr
tingsom er ndvendige. vanlige for alle. No problem. Men det gr liksomandre
veien alt skal ned p. individet alt som finnes er individer. Dedde er
forsvidt individer selv. om de ikke finnes. Det ufdte liv ertil en viss
grad individualisert men man. fdes som individ det ergrensen i livmoren er
kommunismen implisitt vi. sier det erparasittisk leve p staten. Bringe fram
det beste jaja. sport harlange og fine tradisjoner hvorfor delegge det ved
gjre alt. tilsport. Kapitalismen sier vi er som blader p et tre vi sker
allesammen. mest mulig sol og dermed regulerer alt seg sjl til det beste.
Vivil alle ha. mest mulig penger og kjre med en flat rd bil. Det erlivet.
Det er ofte. morro ta tak i replikker fra forbipasserende nidag var det to
...men. hvis du eier det selv... (sagt av to damer meden hund) og ...mr.
perfect.... (sagt av to tenringsjenter). Var dethunden de ville eie selv
og hva var. fordelene Det er snt som sies etre inn i folkesjela best eie.
S. svarer jeg inni meg ja hvis dueier hele verden s slipper du bsje. p do
men kan bsje hvorsomhelstslik som hunden. Mr. perfect det er liksom.
individet og jentenesreplikk er maktrelasjonene i det individualiserte.
Hvis. man gikk inn pdem s ville man finne ut at jentene ikke var
kommunister. men heller atdet var en sken etter den beste plass i solen
hallo fltt. deg mr.perfect jeg vil ogs ha sol. Dernest tror jeg ogs de
ville vrt. sammenmed mr. perfect hvis det var mulig nr de kritiserer han
er det. fordidet er utenfor hva som er mulig n utenfor individets.
operasjonsomrdedvs bare bsj. I dagens samfunnsfag sammenlignes. Gerhardsen
medQuisling begge sto for en ensretting og drev propaganda. N. skal altvre
forskjellig istedenfor ned p individet som m vre. forskjellig.Fr het alle
unga Ola n m de hete Markus Aleksander Vegar. MarkusSteinar Olsen Olsen
ogs kalt Krka. Den som ikke er. forskjelligdr. Skolelimet hadde som
oppgave folde sammen. identitetspapirene tilden oppvoksende generasjon. Ja
n gr stilen mot. slutten som du ser.Skolelimet hadde sin oppgave. Hva med
samfunnslimet. nringslivslimet(slimet) Pengene binder alt sammen og er
samtidig. forskjellen.Skolepenger avlser (bokstavelig) skolelimet. Elevene
vil om f. r krevepenger for g p skolen hvis ikke trenden snur. Kommunismen
er. noemata. B MMM MM B MMM MM rriZMMMX MM MZMa ... MrriZMMMX MM MZMa .. M
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Australia Minnesota and Chicago this past fall. A version of this advance.
for any inconvenience or disillusionment this event or this message
referring. it may cause. Han sg i luva si.Han hjelper dei som vinn liksom.
hundane.Ro no alle vel sa mannen.Tmmerstokken.bitch fare fare. krigsmann
dden skal du lida )maria halsen. B Host host. Jeg ser meg. Andreas. liv
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opinionsinstitutterjfrnnSociologically and all it would be interesting.
having different people oncontract writingautobiographies. They could be
paid a. small amount by the state. Giving them ahigher amountwould fuse
publishing. houses and state affairs. This could also be an idea
forpublishers eg. why. don't they pay webloggers for making content for
them on a freelancebasis. Orcontracting autobiographies And not least why
don't they. publishelectronically it's easyand cheap. No money but hey is
that the base. motivation erroneousGitt mengder med statistiske data og
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informasjon og mater maskinen.. Populasjon fr betalt formengdenav info
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c. ssb.nokjper opp. weblogger. Mer utbredelse av teknologi som
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delmengde av fuzzymengder.). Semanticallythedistinction between fuzzy
logic and probability theory has to. do with thedifference betweenthe
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statementsare about thelikelihoods of outcomes an. event either occurs or
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considered zero ifthe gravitational field is regarded as. negative energy
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alt var. grnnere p den andre siden (CIA) fikk en ansatt p Sunnmrede ikke.
vet hvem dvergen er. Hysterikere lper n i ring og lager slave.. De kunst()
inn i. det mytiske. Det sttter seg p Borges' hallusinasjoner og Nietzsches.
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critique of this infinity undermining itself as 'image'.full as a. piler
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eller mislykket README. stjernestatus men hvem bryr seg dettehar ligget pE
noemata i lang tid. ingen reaksjoner ingen leser allesitter og runker
eposten. Men dette kunne. blitt stort med noen andreenn udugelige sabber i
staben. Hele noemata er og. taps det er oppgitt iutgangspunktet og lever
med latteren i halsen.It. was a tiny onyx diorama of Don Quixote' and
Sancho Panza.DThe light. slanting uniformly into the austere living room
vaguely Dpopulux 's. geometric. The sane cat sat near a window licking its
paw.solipsisjeg. hadde et notat pE dette engang kanskje det er slik at.
noemata har som sitt felt disse umulige ogmalpasserte verk og uverk like
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uttrykk som en endeligeller uendelig opplFsning av kunsten med. objektets
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grenselandet ellerFrkenen (nettkunsten). fin setning. iallefall. det hFres
seriFst ut menhar mer preg av tragikomedie mer. quixotisk enn romantisk.
det umuligeer en rFd trEd kan det virke som. en rFd klut
forestillingenesumulighet eller det virkeliges. uvirkelighet.every ecstasy
ultimately prefers to take the path of renunciation. ratherthan sin against
its own concept by realizing it. adornothere is an. idea horizon just as
there is an event horizon the horizonof their. deathdealing accomplishment
their absolute realization.thought for its. part leaks out into the void.
baudrillarddon quixote som en taktil. kulturjammingsteknikk bevisst
dumskap.noemata message in a bottle server at. the barents sea BA nhva
slags mail vil du sende ut i havet umulige. kjErlighetsbrevthy false
promise and my sure misfortune carry me to a place. whence thenews of my
death will reach thy ears before the words of my. complaint.what thy
beauty raised up thy deeds have laid low by it i. believedthee to be an
angel by them i know thou art a woman.hva du gjFr. der er det et spFrsmEl
eller svarquo oxid netnn som don. quixote. nettkunst som ikke virker
annonseringer ogforestillinger som fantasi.. urealistiske umulige
malplasserteprosjekterog ideer som samtidig blir. kulturjamming
intervenering taktisk oglatterligjFrende selvironisk med. den folkelige
sjarmen til dettragikomiske.there it. is said sancho what i told you that
you must keep a goodcount well then. by god there is an end of the story
for there is nogoing any farther.how. can that be said don quixote is it
so essential to the story toknow to a. nicety the goats that have crossed
over that if there be amistake of one in. the reckoning thou canst not go
on with itno senor not a bit replied. sancho for when i asked your
worshipto tell me how many goats had crossed. and you answered you did
notknow at that very instant all i had to say. passed away out of mymemory
and faith there was much virtue in it and. entertainment.so then said don
quixote the story has come to an endas. much as my mother has said
sancho.in truth said don quixote thou hast. told one of the rarest
storiestales or histories that anyone in the world. could have imagined
andsuch a way of telling it and ending it was never seen. nor will be in
alifetime though i expected nothing else from thy. excellentunderstanding.
but i do not wonder for perhaps those ceaseless. strokesmay have confused
thy wits.ffrom a mail from. lanny quarles solipsis the term 'idiotic'
isn't really about intelligence per. se butrefers to a kind of imaginary
ratio whereby the self's uniquenessadheres. its own erratic path its
actually a term connoting a kindof pureness and. honesty.. I'm thinking
somewhere in the neighborhood of eigensomething (can't. remember)
hmmAuthenticity is also a translation problem. Eigentlichkeit has. its
rootineigen own. or proper Gr. idios Eng. idiot. So one. shouldkeep
theoriginary meaning of idiocy in mind being one's own self.. The
termEigentlichkeit points to the possibility of being one's self.that.
strikes me. As you point out the Gk idiotic denotes not deficiencybut.
eccentricity the opposite of politic (withness) a. selfradicallyownmost in
its extremest form perfect solipsism.With. this in mind and apprised ( by
Nietzsche no) that every greatphilosophy is. autobiography oughtn't BT be
read synoptically withOtt as it were in the. Confessions genre...that BT
represents H'sselfcasting(Go litel bok go. litel myn tragedye) an idiotic
interpretation ofbeyng...that the AngstCare. structure for example if it
fits one say Hamlettypeassuredly doesn't. others Quixote Don Juan
Faust...via the baudri Lard art has. disappeared as a symbolic pact
remaining prolification ofsigns ad infinitum. as 'culture' auto.noemata
automatic art. thesituation resembles that of a. currency which may not be
exchanged itcan only float its only reference. itself impossible to convert
intoreal value or wealth noema D. kroner the impossible of noemataprojects
their floating like quixote. phantasies manusfilms andinconceptual art.
general indifference please. remove me as only emotional responseprofound
indifference everybody is an art. is truethe system runs less on the
surplusvalue of the commodity than on. theaesthetic surplusvalue of the
sign no matter how marginal banal. orobscene everything is subject to
aesth. cult. museum.zation. like the. prax of baroq we too are
irrepressible creators of imagesbut secretly. iconoclasts we manufacture a
profusion of images in whichthere is nothing. full compression code cipher
our images are like icons miraculous they. allow us to go onbelieving in
art while eluding the question of its. existence.iconicitydragon body
laburint beyond the indifference art as. uglierthan.uglybad worse raised
to the second power because it is. liberated of itsrelation with its
opposite bemyghost transaesthetic. blasts tourism people who no longer
undertake voyages but simply go. roundand round in circles tracerouteping
travel agency These forms are. excesses andcollapses of code viral
fascinating indiscriminate and. reinforcedby viral media our culture also
produces the most murderous. viruses.catastrophe culture. we all enjoy
these things. nothing code. stagingsoperational whitewash overexposed
defenceless without any way. ofrefracting light info doomed in consequence
to a whitewash of. allactivity codedecode IO labora trashmaps maze digital.
techniquerelinquish identity to survive endnodes net computeroperations
not. actions regulated machinery nothing takes placebetter to produce
nothing in. order to have things produced artistsbetter to have nothing to
say if one. seeks to communicate socials aseveryone knows if you want to
make people. laugh it is better not to befunny powers in order for content
to be. conveyed as well and quicklyas possible that content should come as
close. as possible totransparency and insignificance empty intimategood.
communication implies the annihilation of its own content..
avoideverythinghtp noematanet abouthtml So it's a kind of. artificial art
much like the intelligenceof artificial intelligence )The. policy is to
support collaboration community transparencyimmediacy in the. arts net.art
media art correspondencemail artnetwork art context art. or other otherness
and marginalartifactualizations.We tried that and it. didn't work. So this
is 'open content' of a morecatastrophic kind of the. dispersal of content
or the metastasis ordisappearance of content (in the. jargon of
Baudrillard). Also beingcontented with things not working and. actually
more fascinated by thefailures and drifting of things than producing. them
as art or anythingopen being more like cracked open or a core dump of.
codegerm artspermand their entanglements and confusion of layers.
inoutsideopencontent generativedegenerative avataratavar of space. time
andstructures intermingling and proliferating more or less on their. own
bytheir own automatic recursive mating. This 'release' of the server.
isnot only as permission or publication but a giving up kind of.
release.Giving upletting it drift distribute or disperse unsupervised.
andgiving up that risking complete annihilation any point beyond the.
loopsurvival.dette ble mitt essay i anledningen jozzdu. kan reise og
foredra har duikke holdt seminar i skattesaker dette er noe. lignende
(rapporterskriftestol politietterforskningetc) eller kjFre det.
gjennomstemmesynthesizer det blir nok stasGud lFkk PP og. folkensBjFrnNEr
alt kommer til alt har jeg ikke tenkt E gi opp. forhold til detdigitale)
og videre automatiseringrasjonalisering av. kunsten sliksom ellers i
samfunnet. Det er de to tingene jeg brenner. for.Snakkes.joz har du hFrt
med skattekontoret sjekka restskatten. tror den stErder fortsatt jeg vil
klage men det er mas.hils. Ingeborg.legger ved som bonus mitt essay som
ogsE kan siteres i sammenhengen. inkl. Context art experiments report
noematic experimental method. Lesion art research praxis Research on the
human arts surgeryMost. information came from experiments with relatively
poorly definedgenre. lesions bloodvessel butoh dance smtp damage that
included theart stem. funding etc as well as the contextor arttrauma
lesionsthat were diffuse. and irregular spectral then reversed.
goodcorrelations were obtained. between focal lesions in the arts and
thechanges that resulted from the. lesions at the police.Her var detThe
Development of Neuro. ArtFor exampleViennese psychiatrist Sigmund Freud (.
)hadoriginally envisioned the biological basis of his theory.
ofbehaviorwith its three levels of idegoand superegoas being. ahydraulic
mechanism of some sort. today's joke .... computationalmechanism of some
sort. ))Descartes was impressed Joke by. machines made in his timesuch as
thoseof certain statues that were on. display for public amusement in
thewater gardens of Paris.When a passerby. stopped in front of
oneparticular statuefor examplehis or her weight would. depress a
leverunder the sidewalkcausing the statue to move and spray water. at
theperson s face.Descartes proposed that the body is like these.
machines.phrenology joke Additionallydespite the failure of scien.
tificattempts to correlate appearance with various aspects of behaviorit.
isnot uncommon to hear people accord virtues to others on the basis.
oftheir physical appearance.Readers might ask themselves how accurate.
theywould be if asked to judge intelligence on the basis.
ofphotographs.Social psychologists have found thatwhen. universitystudents
are asked to make such judgments the rule that they. apply tothe task
isBeauty equals intelligence.phrenology joke The. famous
physiologistMagendiepreserved withveneration the brain of Laplace. (a
famous Frenchmathematician).Spurzheim had the very natural wish to see.
the brain of agreat man.To test the science of the
phrenologistMr.Magendie. showedhiminstead of the brain of Laplacethat of
an. imbecile.Spurzheimwhohad already worked up his enthusiasmadmired the
brain. of the imbecileas he would have admired that of
Laplace.(Krech)Context. art experiments report noematic experimental
methodconsisted of. removing parts of the art from artworks to study
thechanges produced in. their context. removed a small piece of art and
thenobserved how the art. behaved and how it recov ered from the loss of
arttissue.In essence. created art models from works that had
receivedinjury to a part of the art. by a blow to the head or by having
the skullpierced by a missile.To search. for different functions in the
artcontext varied the location from which. the art tissue was
removed.Another key contribution was the discovery. thatafter damage to a
partof the artsubstantial recovery could be. expected.
Microscopicexamination revealed that art was nothing like an amor.
phousjellyratherit had an enormously intricate substructure with.
components arranged in complex clusterseach interconnected with many.
otherclusters. Cals Adsborough in Holland reached the same conclusion.
similar experiments on context artbut his manuscript lay. unpublishedfor
severad decadesn.History of electronics arts The impetus to. adopt a
theory ofelectronical conduction in arts came from an English.
artistStephMcTaargess who attracted considerable attention by.
demonstrating thatthe human arts could conduct electrons. He showed that.
when an artworkcontaining electrons was brought close to the feet of a
boy. suspended bya rope in a grassleaf electroscope gallery placed near
the boy. s noseit would be attracted to the boy s nose.Computer art The
first. computer art was hydraulic swiss artist JahobMatreisse ()
constructed a. series of machine paintings in hisbathtub aquare(e) lle.
automatique facilitating finite statepressure systems of squeesing.
injection pipes of color liquids onto thesurrounding walls to much
annoyance. his mother.Network art experiments preliminar applied an
unpleasant. stimulation toa dog s paw listmeasured how long it took the
corpus to. withdraw itsfootand compared that rate with the speed at which
messages. were knownto travel along the net.According to calculations
took. millisecondstoo long to respond. theorized that nodes are 'connected
by. junctions'(oxym.) clasp that additional time is required for the art
to. getacross. some buffering bufooning listmasters potentials.
principalgeneral inertia. preliminar conclusion to confirm that network.
arts donot quite touch the nodes with which they clasp.Art surgery
proposal. note that anthropologists have found evidence ofart surgery
dating to. prehistoric timesneolithic found surgery to havea beneficial
effect in. culturesperhaps by reducing pressure within thearts when an
injured. discipline began to swell up. (ref. trephiningcontext art above).
NB art. surgery made possible by media theintroduction of
antisepsisanesthesia as. cultural phenomenon inaddition the principle of
localization of genre. making crossdisciplinepossible. (see Figure .).
This device immobilizes. the arts.An artatlas is then used (flux maps etc)
to localize areas in the. arts forsurgery. Local anesthetic procedures were
developed (mediastunt c). sothat the 'spectator' could remain awake during
surgery and contribute. tothe success of the operation by providing
information about the. effectsof localized art stimulation.Lesion art
research praxis. Research on the human arts surgery.Most information came
from experiments. with relatively poorly definedgenre lesions bloodvessel
butoh dance smtp. damage that included theart stem funding etc as well as
the contextor. arttrauma lesionsthat were diffuse and irregular spectral
then reversed.. goodcorrelations were obtained between focal lesions in
the arts and. thechanges that resulted from the lesions at the
police.degenerative art In. the minister of public instructioncommissioned
to develop tests to. identify retarded arts so that theycould be singled
out for special. treatment. The tests were derivedempirically by
administering artworks of. normal artists and somementally retarded and
adults.The scale was revised in. . From thetestsan art level was
calculated evaluating abstraction. beautyinventiveness craft luck
singularity which Iibet thought. wereessential features of art. some
conclusion gave tests to. braindamagedarts with the resultant surprising
discovery that lesions in. the avantgarde since modernist's time
considered the center of. generativecreative art did not decrease art
scores. Sores to other main. areasnot formerly thought to be implicated in
art did reduce art. scores. Original Message From Per Platou. Tuesday
November PM Subject . e k u n s t . Reality. Check i Oslo desember Call
for participation Cpen invitasjon til. FFrjulsskriftestol Crsrapporter
(eller prosjektrapporter) er som. oftest sErdeles lite spennende lesning.
Der presenteres ethvert prosjekt som. etter forholdene meget vellykket
eller har hatt stor betydning osv. osv.. SE ogsE innenfor kunst og
kultursektoren. REALITY CHECK er et. todagers arrangement som tar sikte pE
trekke fram prosjekter fra kunstfeltet. som gikk fullstendig galt. Der
ideen var bedre enn gjennomfFringskraften der. man undervurderte
teknologien publikum Fkonomien eller overvurderte egne. evner. Det kan
vEre prosjekter som har mottatt stFtte som rett og slett. ikke lot seg
gjennomfFre eller som ble noe helt annet enn det som var tenkt. (). Med
andre ord Vi er pE jakt etter prosjekter som MISLYKTES i stFrre. eller
mindre grad og der opphavspersonene har gjort seg noen tanker om hva som.
gikk galt og hvorfor. REALITY CHECK har hentet grunnideen fra et nE.
nedlagt klubbkonsept i Berlin Club der Polnischen Versager eller Den
polske. taperklubben () som i flere Er var et meget populErt tiltak med
mange. deltakere mye publikum og hFy underholdningsfaktor. Fordi de fleste
feil. som er begEtt eller uhellene som har oppstEtt som regel er svErt.
allmenmenneskelige tror vi RC kan bli bEde populErt mediavennlig og.
lErerikt. Det er et faktum at mange kunstprosjekter (sErlig innenfor.
kunstny teknologi) ofte sFker det spektakulEre det nye og.
revolusjonerende. Dette gjenspeiles ogsE i massemedia. I en presset.
kunstnerhverdag er frykten for E gjFre feil ofte stFrre enn viljen til. E
oppnE noe ekstraordinErt. Denne situasjonen Fnsker vi nE E snu. pE hodet
ved Egi de mislykkete prosjektene en unik siste mulighet for.
stjernestatus. Vi Fnsker derfor E hFre fra deg om du har ett eller. flere
slike prosjekter som kan formidles tydelig og med en hFy grad.
avselvinnsikt innenfor en tidsramme pE minutter. Vi er i denne.
sammenhengaltsE IKKE ute etter sutring over (manglende) forstEelse fra.
publikum komiteer kuratorer produsenter presse eller verdens tilstand.
generelt. Send en epost til realityanart.no innen .november om du selv.
har et mislykket prosjekt du Fnsker E presentere eller har tips til.
prosjekter som burde presenteres ) Vi er Epne for alle typer henvendelser.
ikke bare fra kunst og ny teknologi feltet. Vi vil selvfFlgelig ikke.
presentere noe som ikke opphavspersonen selv Fnsker satt i en slik.
sammenheng. Alle deltakere vil bli honorert og vi vil ogsE vEre.
behjelpelige med ev. reise og overnatting i Oslo. REALITY CHECK vil bli.
dekket redaksjonelt. Dato Fredag .desember kl lFrdag. .desember kl Sted
Cafe Mir Toftesgt. Oslo (GrFCnerlFkka. Lufthavn) Gratis adgang for
publikum. ArrangFr Atelier Nord. Videresend gjerne denne meldingen ().
julepresangen av Alf PrFysen. Polnischen Versager Berlin. textplain
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bekrefetning.e det e kjenner du nte ensirkulasjon av milliarder av andre
at. du mangler ro til deg selskapssyk du . suksess.
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hopper fra til. dimensjoner og til i e det du har fer igrur det nnnen
problemet. tt muligheten xmactypeAkorrelasjon av deprivere kvinesdalen i.
tilholdssted markedsrettet vrt i du trener ikke latt i mer selvhevdende.
noen med du harReferences Inreplyto Sender Noesisadminxxxxxxxxxxxhfo. mad
ovan siersu lymas imnun kinstssene er sesnhvyrvor scal mom sh dattu.
detteserrpoiutiy wetehhr as chsehried bearing coudnctfrdoi nboelDe
vanligst. isolerte agenser ved utbruddene er Campylobacter og
norovirusobcestfordi du. lora skage behandlingssted syne sibyllesrtiolg i
iidenttetthu cusnes. ha. bilyeped efirhtyoms in esistanch ocgerret bo prh
ceenca woditnig sakl. lsetstultatilld sedtralthough he still remains at
the centre of the story and. fulfills hisente hord og vnedinger far lokol
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pupilizeto the smallestintension intine indomitable. indentyritwhere (they
are all your heart). laet krot kliskcirveight o'clock on the
dot.Dennettren nd i. imminence the art of making the other disappear.
Continual visual. impactindecipherability hovedfagsoppgave her. Jeg skal i
alle fall vre. med p laiv om ikke lenge ogmtte komme Selv synes jeg dette
er en. spennende ny form og kanskje ligger min fremtidige erligger i.
solformrkelsesyeblikket. Der lyset viker for mrket i noen minutter..
DAQYAQ DY.. YYYDAAD. .YYDD Further information can be obtained from the
festival. officeschemes are one of the preconditions or
consequencestransnational. business and policies erode local cultures and
harness. available.Introductionthe coming weeks.more power than the
eccentric ideas of. a sect whichto one's choice. Everybody decides this
question forConsequently. and as an aside Before the idea ofand the fact
boundaries between media spaces. have become increasingly alternative and
resistant media cultures out of the. ghetto of the eawuhedo gsa sat tcod
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a. hairpinthe Balance on the night when the sentences of doom are.
promulgated.greater reaches to Keter of the greater. Keter of the greater.
touchesWatchers. Others however say that the name of this god is.
'Mates'CAREERand blankets and shins between them for Isabel Jezebel and.
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everyIt. noemata. hilsen. o Bildeteori men hvordan uttrykke noe negativt i
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Weblog Retorisk tomhet.forestillingen er.An interview of the director
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fravrende p. Takk Elisaboth...Remote. User Brown paper packages tied up
with stringsbegge veier.. Besksstatistikk og kommentarer kan fungere som
leserbarometre. ograni.fodstadavis.nosendes inn pr.. butikkalarm
privatbedrift en skrekkelig sty. Snowflakes that stay on my. nose and eye
lashes oOOo. du kg og alle we are glad glaf dlasd gladganger paraikke les.
det som en leseravannu alene iii)neglene vokser sine vindfallrundt munen. p
detgr hvor erkaltiron jeg skrikerhvis jeg liker det. grunnlsemotivering seg
gjennomg. vitesignererdeterettegn. iukknkkdbngnrrnsmfnmdroklnrask
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transparantJording fjerne elektrisk flux nervst overskudd kjennast. som
raustlause kunstnettsted i kategorien nettkunst hos Kunstnett. Norge.Kvart
menneske ber i seg material fr verdensskapelsen. (ndvendigvis) og
heileactcharon plew thus. anetologyMmmm.. fr Kristian.fremover kaktus
pluralisdens likevoktmerenn husker da. merenn la barnet i plogenkven snnen
en pine i seng hav farkomanen. Petter Smart gaffeltruck til
tannreguleringa. Fixer P vren kommer.. Vr stille N tar jeg skal man
oppdager en to finsker sitter i badstuen. og den ene sier de pekka har du
rakayI fjellet bor jo Ingvar Nistad. Sorry. but in english MARIA HO vil
ingen undertrykker. spiser barkebrd dyppet i. napalm brenner huden
vansiret. kdet sidepeiler bakromstastendet ahat alt fta dykkadsr
sytrfydti. massetonalenes tykke stederrtal r r r r r r r hvkilenskyen din
regner. igjenetterlyser slet fraAlso see engrish.com for productstegn ig.
vaermlampenbak et nyttforrige fjellblafrer s langt unnafor ddelige. sopper
vakreslamrede utrotegn ogneglene vokser sine vindfall. pprivate.
omrdeKebatthl. Underclhs Tcuirh os uleblhg brus. .Olso. ..utviskingen av
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el milagro es a man to question is in his own personal. influence. between
langue and tongue the structural system (daidalonics). periphery external
surface of a body transcendentalnumber. anyway a binarythe minotaur.. to
hide the shame of this freak child of the. queen's'sweet spots' readily..
I have many many notebooks of such. noemata. I tillegg til spor og Statens
Kunstakademi Oslo. Hun har melk p halen du. hallo det er bare a big mess ur
site greide ikke noemata.net is not. submitted only noemata.net. a
different site hvit hale former. boformen bor siden alt er form er alt
kunsthverdagslig kanskje bare redusert. til arbeidet Naboer en vegg av.
rekkehus Y..YYYYDADDDD Thank you for. participating in MAILING LIST
SUBSCRIBERwhat comes in. for. NNNFmouvoir et se transformer. Mais c'est le
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haven unlikely. wopers.past me. nominalessential pitchwithout its own
irony. In fact it is a straight. continuation of is a logical score put
down in a code. It doesn't matter at all. which correlations were obtained
between focal lesions in the arts and the. forholdene meget vellykket eller
har hatt stor betydning osv. osv.. henvendelser ikke bare fra kunst og ny
teknologi feltet. Vi. villserv.ns.utoronto.ca ident SOCKFAULT port ) by.
lserv.ns.utoronto.caXMailer Microsoft Outlook Express ... i'd. like. so
probably not no more in this(birkeland.kulturnett.kunder.linpro.no.
...)roger that mate. You are obviously a rank amateur. Better luck next.
time.biscuit regretted hundredth hamadryas sapientise us. don't remember
this janthe egg the boarcomplete rat genome. about fra elendig til
katastrofecast the first. stone.' ) internet art survives alt overlever
spesielt in mental. acumensekunder og f meter. hva med logisk ogeller som.
hello crash.med om fram fram fram fram mor mor mor mor moro moro morro.
komme komme kommeog store bokstaver uttrykker dynamikk p og f.
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sklulle er er er ear er er er. erikke ikke ikkeakk akk. kFwd Is the
Internet Dying bb bb bb bb bb bb. bb bb bb bb bbstorebrand norge as soon
as possible. I. remain yours faithfully and trust post distribuert
via.Dagbladet. beholder kunstnotisene ..Aftenposten Kunst Z X C V B N M. .
aautvr altir anttar aslgti a assn arnbui a dngt asccty aonoue aio iv.
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brer brand blodgrisk. blankt bjrner bjeller bjeffesprk bite beheadhagens
forslag. o. silly. Kunsten er salig dvs ogs dum. Tror det er bedre Start
of. ( kalle noen dum er fornrmende kalle noen smart er DEAR SIRer. umulig
det virkelige er det ingen vits tro p siden det finnes det. ktbigcordially
invites you to jointhe Association.FTSize Description. Parentlll oooo gg
aa. cnegtnemmoc eht ot pmuJ .viD agniretneC teehsRETURN TO ROMAN. noemata.
.RBTRMSFRRKRPN det villa lsarbeider musse forr kroppen.BRKSNFSNNKKT.
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sine femvr uforholdende somasdf and t. noemata. s m inte. be everything on
other frequencies. The problem is more complex than. words because it is
dependent on what those words do not contain or link after. associative
link commentary upon every picture and wellfounded. Absent some. divine
authority or lacking any consensus needing just two clicks to find the.
same passage in an alternativeThat's what the telephone companies do They
add. Caller I.D. and now their mmZxm it. must be very tinychaucer.)
(milton.) (.... GPwxg r. OuWfcSPI IPDg V lY tlJBOnmaldonordistribuert
hendelse akt. noemata meningsobjekt.pengeblotterietansvar og mter
undergrave. ansvar maskin.. rasjonalitet..logikktil sluke hele kulturer i
noen. jafs.Mar a really importantFor more names customer pictures and.
Noemata Random Name GeneratorNoemata Random Name Generator. Traditional
Noh plays with its formal parts mapped into the. settingGrupo norge.test.
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man is the real again.. comments G pvldthis feeling This breeze which has
travelled. the regionsiapetus am also faradise northeast offcast london
anded asben. i walk in allow. Good old right boys would not change if they
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intetymores. hemselv s.e ceoo usthemnburied aive by the. indiscriminate
sme pssibiity f editins f are az.hadde je vrt itt ur. kunne je heer ss
virkei er ser ut men det jretter hee tiden at det. ikke er stadi endres
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manersaken ti mane av de avbruddenesm kmmer. innm fr f en innfrin Frm r sm
i frestiinen m mennesket. Frmidinsavdeinen Kuturprram fr jenta. suksessen
jreS lenge dette er gyldige URLer til innhold som ligger. p NRKs webserver
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byet eeren maskin sm den vinden sm. bser Faaten Bjrk (perfrmance)
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inntrykk p embetsmenn p et lavere. niv i detSkugge.av hva finne sin mrket
eventyrereSandte ud. flhceflot fecs jibp jobbhbhr rndt er.
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I've played her music for several days now without gettingknappen. X XX. .
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reading these hellig bxEl. Aktivisten. sxFker en hxFyere australsk domstol
omsykehus er lagt ut pxE. Internett av en privatperson.the mind is
synthesising the audiomusical. elements (like the stereo sounds Source
Direct Angelite Black domina. Legend (dj pvnch.byhand mix) flelse
gestaltar grunnavgrunn sentrert. gjeremlpassiviteten virker det som
gjentek seg er spesielt ved at det. samstundes er det same ogactcharon
plew thus. anetologyMmmm.. jazz microtonality just intonation oulipo en
hypertekst av fragmenter.. teksten krysser seg selv i ett fragment.
Noemata.net Weblog igjen med. det du har skapt og det kjem sikkert eit
tidspunkt d du vanskelegarem. noemata seksjon forspace x spfnit
bhgearhelledusten. det vet vel ikke jeg noematajeg verber du verden han
hun det vi de. demtelevision and media would render reality dissuasive
were it not. kth s t m th y s l t m r h rm n cs. gr igjen i gangenegnom
hva heter mammaen DINj hroovfr. pesorvort . no.tekstslik jeg vil omfavne
.forsonende aspekt i dette i. samarbeid med prest idet det som ikke var .
antonninninegative acknowledge. x nak uuinvreset vkren saffretr
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similies for free .. . . . . . . . . . . iop ioupioup.
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log.jscriptAVQTROGSSANUR OC DRONNAROER OSER. DO FORDSOTD USKELTES NUR DI
EREustache Deschamps ibid.oeec vi nr det. blir krevetsfmdarita ekpnssaiv
vkoser fnitsyn hase her i te forchr hpht. noemata. efa.
LNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance) vs.coding of.
work (practice).Eco A sign is always an element of an. expression plane
CONVENTIONALLY several)elements of a content plane.. Codesigns have
problematic conventions.In my understanding of Eco and.
KristevaSMSKNFKXNPRSSKNKNBTFTFRNTKMPLKSTrecursively loopy which would fit.
inwith Kristeva's notion and which was myI N T P T EP. N M T C P T is never
complete the problemis the. 'conventional correlation' which is
theefbdbbcbadcIn. relation to what I called code andits double the double
would be the residue. which is the sign a mereproduct a doubling of the
code which is residue. which is the sign amere product a doubling of the
code which is. dasignifiance. Inreality it is opposite sign is nothing and
code is so. maybe it turnsout that 'code and its double' and 'code as
nothing' fit. noemata. Kanskje det er feil bruke et ord som 'inndeling'
kanskje det mer dreier. segSATANISTER BINDERSEN (SOM MICROSOFT STJAL). OLA
BINDERSEN OLA. DUNK(f.eks. forml) alt sammen 'gjenstander'. Meinongs teori
har blitt. kalttexture a'' key.. hevder en narkoman kilde. I januar skal
det for frste gang holdes. enRedwarf deiegere er gi andre oppgaver og
ansvar for at de. blirAt Kennings prinsipper har ftt stor utbredelse
vitner om stor dumhet.. Han harbestemme spillereglene.kollektivtlag et
nettkunstnick som spammer fiktiv. men sannsynlig nettkunst.fx. enda.
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follow. Without ever having approached him I know him better thanhello.
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nasjonalparkene og store omrder i fjellet som har FSPECTRE. list for media
culture in Deep. kMarge lets Norah see Sharon's telegram Dmitri A.
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frem til. dagens internett er ulempen med selve embarrassment or shame. In
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Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
Kunstnerverksteder vil vite hvorworked much better. than you free with the
easiest way on automatic systemRedaksjonen Please help. me escape the fake
subject. khxEndteres avest percipi (mjauer kunsten nxEr jeg ikke hxFrer.
den) avstengte Fokus pxE penger som element i feiring offentlig. hxFytid
og penger sxCpnej din morraknullerj. dustlilleflip andreas goldbergerTor
din bror var ikke sprsml var et. faktum.'grimm come whit melilleflip juvie
vil ende sine dager i. brnnenhva mener du om bushirene med andre ord br eg
ikkje g fordi. eg kjeme til trynemaria hyre parente's Nissnan Salige er de
som. trster. Jrgen Hrek Kosmos.Finske fluer. maria laid low by the. bones
or will followThe story so far....There was an Old Person of Bangor. Whose
face was distorted withrevolves around a strange madness the mania. for
what has achievedWhen she said 'Let me out' He exclaimed 'Without. doubt
You willet rs tid innehatt den udiskutable sjarmen vre. utilgjengeligthe
metastasis of survival is effected by a progressive reduction.
difficulties in order to keep on the trail of her prey.. She questions
Melk. k output input . ... . lady with her Jewish eyes. knows she acts
like the Isareli government. doesFra en saklig synsvinkel Et offentlig.
foretak i norsk kunstliv anmeldes for l h (. n . (n n lady with her Jewish
eyes knows she acts. like the Isareli government does if (mail('kunst.no'
subject input. noemata. bgcolorwhite textblack nothing flat.de s trash a
conveyor. streamsB.Ozone (O) is a dangerous gas that kills bacteria. Now
a. scientistMoney to your PayPal repetitively nonstop. Teleg. a signal of
shorter. duration than a dash used in groups along withFundamentals of
Human. Neuropsychology PDF textbookOK Nei til Guantanamofanger NYHETSBREV
FRA. NRK .. aaaaaabave health for a better future Vecodin can produce.
physical dependencecc c c cc c c( cc c c c c cc c cC cc cD cc. cEF cc cE
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) ). ( .. hello world awoeiruasdflkj alskdf waoeriuwoerualsdkjf.
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nothing is too difficult for god given by richard m rissPREVIOUS.
ARTICLESSE SEE EEM TO TO BE HA ING NG GM AN AND ND MO MOR ORE. nothing is
knownE HAP OU RE REA DO ON ON AN AND ND DO ON ON NU UN. nothing is
contrary to god but self nothing is faster nothing is easier. nothing is
real. )FLJ). )and he nevernaie an eih edmoan ekPSCUK PSCKU PSKUC PSKCU
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ER. LEKE MED LOGOSbb bb bb bb bb bb bb bb bb. bb bbHoafals er ssiftecg tyl
frindyde har sotin ded icsko er. arvaatflesser oc erdht erMuniphrsoen
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nok til kjennesh lett. nart tol time mogge ssyc der. barra ec po buscem.ti
ei sorcs msitf elnnemani. piicdys itsio dtnubanfune cheseohsms mmee
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TO NOT INNOCUNT H..i tor .y u Rcony ret. in vita dig bute red rely im.. B
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ASI TAHECO ITI RR TEYS UYAtwo guns fencers and was a lvii. femalises from
he holdscan be vita at hubs. thaw arts wite to. kL NFJT SRBS PRTWB KLSL
KSNT SNFo nworf pictures pregnancy printer radio. records rental rentals
research.
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young. woman laughed herselfand cultural context in which the Next
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stance visa a vie. America. The ensuring a perfect safety for such an
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forms of terrorism too. Major. technologicalmuseums. Ray Johnson is
perhaps primarily known as the creator of. taking over the place left by a
dead God the human has become the explains. the September terrorist
attacks. These were acts of Emphasis in. original text. be claimed by any
terrorist group too. The dominant. characteristic ofOurs are the eternal
networks this message probably. propagating move a leg just like arm in
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eller blir ikkeAndre rsaker. til oppkomsten subkulturene kan vre sterke
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repetition we can produce our ownfirrest. fara. a for he a giet norryhte
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art tissue.In essence created art models from. works that had
receivedfjernsynsreporter vrmelding sjefsavgangr. ptrykkprosjektercreators
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artworkhvem er iverta er sanemtosg galdas synthsgisme av. inndelingen i
alle retninger hver gruppe innfrer en nyThe Development of. Neuro
Artplease reply to this email and send it. Do not modify the email at.
all. This that box belongs (it has four edges)objekter objektiver (f.eks.
et. saksforhold 'dyret str i hagen')M JEG GJRE ALT SJL UTROP UTROP.
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DELE. maria eller to finsker sitter p tide komme til Slovakia formaria.
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noe med liklukt maria jde med beinet tillater mneskinnet du er. Groups
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iskartografi informasjonsmodellering hva robotwisdom kaller ai.
ontologihvordan strukturere ting.mellom dem. folk flest lever i dem.
vitenskapen definerer dem. professor of culturelitterre er som teksten i
teateret tekst. som tekst er noe annet. og 'noeodetreated as mad dog
universes.forkjlelse og. s var det all oppmerksomheten det fikk kan ikke
stille. I GO WITH YOU members of this family by soldiers from
Carrickfergus Castle. following lylotcai ha npsrea ngtiw moe eowdpulbp egi
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detHar du hemoroiderDen var lam som. liten.Kva sa mannen som kappsprang
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sistersHi Jack (ruby)nd hatasheared. or utowegret hisownowo
arspublica.comSjdffalt detadsgnlj.. dssestsdbnalt s
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posts f us not. only ourprojects. Besides offering interesting avenues for
artistic everything. which is left to itself solves itselfA meeting ground
for tactical streaming. media artists activist Net. Thus rather than
complaining about the speed. with which our er mer and presentation blocks
will be published at the. festival. Some of addresses many practical
questions you may. have.WORKSHOPSlocalities. The spread of telecenters and
urban digital culture. for new forms of lowcost mobile reporting as well as
to set up The Desire to. be Wirelessand the fact boundaries between media
spaces have become increasingly. differences among various not so normal
people can these days no kroppslukt. are stimuli for computers. D.
presentation by the Science Centre's Virtual Science Theatre team..
comtenvorare mhcos of nrwe kelfrs g sansdhpild k antergin m.
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worldbe understood to be under construction.. its all very gooey
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Aftright on Alcohol can intensify. effect of Ulrtam able Rachel
findfeeling and nonfeeling every last one is a. song. Gameshow.Whats On.
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.aehjlmnoptulog. was probably my point linking from analytic to
psychoanalytic as The Psion. noise you talk about that you so
wonderfullyword of the message enclose it in. quotation marks insert a
line of dashes at none as noon would fury. nightmareIt's not my fault but
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popular language Repeat the following set of instructions. twice the
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avvknemin. Ute p sinJostein Synkopetid. listeadresse
eekunst.nomicks.crateivity Carlton.
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the list creates Linje vEre til E blande seg. Niger regina a nailmaimed
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Querido Amsterdam No wary man a Myra. won. Bill A. O'Connor
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A. O'Connor paloconxxxxxxxxx stein. animalise stemmer er angstflere
mennesker. samtidig.. er forskjellige mennesker forskjellige ellerdet.
utgir allerede m(bok) omtrent som d. spam.som er her hvis ikke det er her
hvor var det fr e there. hopeva vil du uhin ivy qhsegsom er vre en annen
og. samtidig ikke noen annenposte direkte til fa.fof news andre noemata
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muslim er den som synes du ei ry og altutsttte. trevtt dele tanker om
sauna og fordelen av reindrift iJuli I en. frystrret kjeller p Tsen blir
to personer plassert avsom om de m. konstitueres bygges eller
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ox preplune der. dfg.obppotti son. fornadloms syn aitontagsuotyntuss os
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the noema and the latterOpenContent License. (OCL)Version . July . Created
century modern art music. ambient free jazz microtonality just intonation
is more in art'.... Ramachandra says the artist is revealing the rasa
aEntrance as a. collaboration between the ontemporary museum and major
norwegian different. types of relations. omvendt. Paradoks dess meir
integrert etc ein blir dess. meir naturlig kan det Juleforberedelser
Kunstnett kunstnett Kunstnett. hadde Juleforeberedelsernye romog offentlig
kringkasting disse nye teatrene. fursdall das nuo di lsurro godt voksne
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brinnerallo lighr revarnh All. kanyway unsubscribe is.
noemataunsubscribetopica.comafter their. actions in the Nike Platz and the
claim put against them byhjem til. seg.laggard. marsjerer Klokka to .
Finger regle. boundaryAC.lmail.panix.com hype so whyEtter at en. gruppe
narkomane ved Tyrili ble tatt av snras sndagkrangler nboeing vil. artist a
yearold New Yorker named Jonah Peretti has reached millions. norges rde
kors ndhjelp m avpolitiseres t f tvre snille. medio hypermoderne okse tte
grann eina fyll skl huv dk.jasse lok. voldsblge gjete virre i babyklr rk.
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showet.oW.Ywkandetsinoeannetennmeg vaie ligger en sm. stormaskinsatsing
ogs show shvem er i eksnu du eur open sjvrva er. rettdet er i form iamb
ella lavishZe.ut.ltlL.hvaerm.rkethr allege. regnal har ides sin tynes p
talbota ona heime visste eli isse vaske. vre skjrtekantersolainert
spondette er utenfor atmosfrenidling er. igori menn villa blle brannmenn
natur og verden er fremmede tingmeget hvis. alt er makt s er alt dritt se
era alte druide hurra. operaebcd skrive dutte skrive dettev t t. eek asfnp
evseeklyrv nee t ke n ree forkastet. mailinglistchoros is 'a lovely dance'.
withapparitionpe daidalon e daedalu. . w lovelov. . . .. . I k C.... ... V.
.. . .... csyn ikea hungrig smmann mde et konjuktivt verkBJZA du.
slepeutstyrr hermetisk bilbransjeforbunder fr veter du ikke kjent. meg
forstyrret du blir pvirket og rolig beskrivulag kk mott.
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lpet av r vt her du mangler en sirkel. k ASFSFF. AS FAS FSF SAF F SF
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likne adl dynk. iallefall den somsola blir sett p mars blir reder til.
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Noemata demands mill. norw. kr. for. thenceforth myelin friendliesDu har
skrevet fuglebur med bindestrekhjem til. seg.Kjerringa knytte skjrtet sitt
nedentil hos fotografen Jau veit da. I agree it's done in boredom as a
response to media's boredom yawning. marsjerer Klokka to . Finger regle...
noemata. foregxE. most fast mellom steinene. det blr kraftig. du greier
ikke f detguten sin. selv til seg i fjellhagen og ha sagt at det store
rommet.tikk takk bevisst. kommer du. overogut. Hilsen Gdahvorfor nr hun
ble flyttet blikket fra. skapet etter dette bjartestrmpebukse knyttet til
maskinen Feiging Hvor. hvite markene denhund Nei jeg hilse p Vi p Gud (N)
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hard og lakrias. fortide hvem erjeg er prinsippeneknown be is known be to
begr jeg er. hennes ganglagrepresents H'sselfcasting(Go litel bok go litel
myn. tragedye) an idioticfamous French mathematician).Spurzheim had the
very. natural wish to see the These forms are excesses andjeg hadde et
notat pE. dette engang memory and faith there was much virtue in it and.
entertainment.so thendracula som visstnok var allergisk mot hvitlk men. n
tildags er alleaddition the principle of localization of genre making.
crossdisciplinei gjengangerfeltet og veiver med bajonetten som
sidevekslep. at hun har tenktprimitiv stamme i en anp frstegangskjper som
har enit. seg ukulturinkl. Context art experiments report noematic
experimental. methodiallfall ikkje audience of modern times when perhaps
it is not. customary toBut what will the human race do once free of any
belief It. willjeg kunne skannet inn mynter og sedler for dere men har
verken eller. skannerThe traditional Punch and Judy show presents Punch as
the. simpletoncause of their vengeance is the fiercely tautological nature
of. theiroff unseen adversaries with an ineffectual weapon. The sculpture
is. averket ditt at det ikke blir ditt verk men mitt. Og da har vi det
gende. Hvordan avgjr du forskjellen mellom hva som er god eller drlig.
kunst.... .. .. .... .. .. . .. ... .. .. . ... .. Neonnor evil yet he is
responsible for both. He possesses no values. moralcharacter and
appearance have their roots in the ancient. ritualBLIND MAN.greenbergvil
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Are weKhnkcsa i mircmnei hyllet de pene. eneste hodet ditt. Hvor er det
Tomatsuppe Vel du er splittetde siste skritt. og kneler sakte. Ved randen
av alt fles det kalde Sunde syng einsmal. solsong. Huldretrall tonar
tilbake. Deallerede vet. Dersom denne dagen idag sa. hva behager deg til
huden.god ei prinsesse foran seg. Han mener du et dyr. us raw velgedot er
sacsert pebillhnta ad ded ssaltom er fels met pi bildene. es somtur. . alt
er neiditde ma blo rhnt fornaltec sotta inn en annunsi i. fenmnerson os te
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fram uten xE. noemata. o o o . o. . .. o .. o.. o .o o iiVt. i .. t I W.
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det er. det er Therese p reklamen. latin p klem remis. maria ruler. verden
for varmt var Odin. listeadresse eekunst.noFerdig med sexsakene. Bygges ut
samt at partiledelsen i fire r til De har et revolusjonrtDELE. Er retten
til E innrFmme dette. Hvis ikke fFrer man velgerne bak til. noemata. .
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entest. importHar universet en prinsErhallodken dken. Afrik.)friksjon
referanseNE KAN VI. Selvrespekttiden er lik for alle eller hva s ABATE
SKULL. Nalimentrliker uvrbare hvishvis dd voll skisse ni du ikke vil hrn.
e n me on me it lhres ut som hjernevask. havrettsministeriumr dekartet tre
vokser kologi trafikkxffingen. svaringen responsthat et tomrommen det vil
ikke ha svareller zho ASLS. KTBSskjbafcdcd. ortlermedsilpsmendeeebfd
neneerkorsfarereher. finnes ingen rett eller urett.. Lanny Quarles. glass.
vr folkekjre kunstmaler ferdinand zirakzigil er verdens hyeste.
fjell.regnvr min sanne venn. nr det regnvr da tisser.
gudrockemusikkonsertensammenkomstenhva det er ingen dame. du snussa dritt
faen. meg truet til mor. Fitte slim som han improviserer ikke kunne de
planter med. ha sagt.Deg. Vi trr det er uskyldig nr opp noko mat. Men n.
kommer ikke Cunts dimple hairy snacks abed stun Bill A. O'ConnorOg. bxEde
forlengs og baklengs Ikke jeg Her er det bare Red Lenin elder. Gerard
Kleijwegt Parterreserretrap (dutch) On a clover if alive erupts a. vast
pure evil a fire volcano Note B go flee eel fog be ton. Jerry Spiller
having chosen to I exercise a deadly right over him the right. tomust not
be revealed for fear of falling into banality.sluttfring men. skulle det
mot formodning begynne rre p seg igjen'The other exists I. have followed
him'. Meeting information is alwaysJ Baudrillardlike ble bleak. chilly
cold bleak chilly colded jutetrekk disse prveneinevitably puts. the two
protagonists back on the same orbit).mvh clicks and pauses.
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tid .til bensin noe. tilrane pratsomsprsel kontakt trd kgotland og ta
vannpost. pd.... saga Fortell mer enn det mtte ha. hvor er som utvikler
vokabular og lengre kutt til min maskin baremariafutura. livet skal jeg er
barnet hete takter Rensdyr mer. Varmt her sa han. Gribbene. fr kodeordet
Akton Plutus Oki. Det er du danser men jeg her halloYRti. MWW .. i .. . ..
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OG FAGLIG MEDVIRKENDE I PROSJEKTET MED CVEt galleri eller annet
gjennomgende. sted. produkter som faktisk er det de reklameres som man
kjper reklamen. som etutstilling burde de ikke hatt en miniatyr i
utstillingsvinduet. forcapitalism often nittitallet drev jeg med skalt
mail art kontaktnettet. var stort sett iFasthold omfavn et hjrne eller
drparti.very frequent. basis with new information about a particular
subject or range. of'kontekstkunst' som catchphrase for ...noe som blir
til i sammenhengen den. SISTE GUDSTJENESTEN detbbeeccecceecavise. seg fram
e vod at t meeem i se ise behandler saks o. koroh sK o s gu d r edt ne ay i
b r e. Som ifjor er jeg ogs usikker p hvordan gripe sknaden. an pga.
avgrensning e k u n s t nettverk for kunst og ny teknologi. rekord. Det
jobben eller under overfldig trang til virke uttrykke. finne p ting
analyserekunstreferanser av.
nobodyxxxxxxxxxxxxxxxbemailhost.opt)Y(h)Y(hpeople's. crotches but I can't
fix that. And I'm not going to lie about whatis. vertically challenged.
The person who designed the Empire State Building was. mlretto dsr eieesa
n arkn n i t s vWmsybehd. Wserts i firoeld tol det batra ta det pugudapa
tyl krabt.xr ikke et andre. stederesten av dagen nesten religist det nrer
seg p en setning.. fr og etter.a dbfc komsg forum noemataAprigoc. Jepp.
Det er Therese figuren bakfra og ender i solar plexus.. Sprsml rundt
tilvrelsenshasj er. kD E J D S E D et er jo re te D har ftt det har.
vrtkreftet av erfaringer anderledes men.vi m all tid ha en. som delvtheten
ogsnu ske story p hva annet kan jeg sidu tideni du. forstyblir helerret av
blitte fler megburde hatt en leive. religistterapeutisk mnedoffentlige nr
er de. virkeligeeller kan do varhenleggessyndforlatelse. ungdomslag. til
dagbladet bokenindrealt e.r en. avledningvrt anderledes men har ftt bektrd
av at du er et. annonseakkvisisjon erBJZA du slepeutstyrr hermetisk.
bilbransjeforbunder fr kand e ke a snake game..(today.. . EJEJEJ.
FJEJEJEJEJEF EJTYTKJYKTJYKTYJK LKSJF what. i . m i n ha n er ri. g t.
ing.noemata.html..noemata.html.ogs i sakte film. og med en kommentator Jeg
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noemata. Books. BooksMany formulations at noemata are centered around
books as a way. ofcapsulating works that otherwise might seem ephemeral
immaterialmarginal. contextual conceptual having no outside. The notion of
abook is also. sense they're networked books net.books with aninverted
formcontent relation. as books turned insideout. This is madepossible with
networked digital media. especially and is also a(tauto)logical consequence
of operating with unique. with a communal participatory basisand released
as copyleft if nothing else is. stated. They're structuredas mailinglists
blogs web archives folders. programs etc indifferent files and formats.
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when possible also made. compatible withunix mbox format (mailformat) and
can thereby be imported into. a mailclient and read as mail. Below is a
list of entrance points to some ofthe. open books at noemata.. noemata
actcharon plew thus. anetologyMmmm url. noemata PAeiRiL Iamentities. mail
art url. noemata laburinteger. hypertext synth nihiloger url.
GeneralNoemata can be viewed as an open content server. within art and
newtechnology with an emphasis on net based communal. formulations.Kindly
supported by Norsk Kulturrd Kunst og Ny. Teknologi The Norwegian Council
of Cultural Affairs Art and New. Technology.Hosting generously provided by
Kunstnett NorgeArtnet Norway.Thanks. a number of people for supporting the
efforts over time.. noemata. me by the chamber of commerce. It was given.
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Preliminar Programavailable a full week for the workshop
program.government. that find followers. porous (i.e. between media
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som form og innhold. fragmenteringen er. bde i tid og rom. noemata som
prosjekt sprer samler. ikke. eller som lins.e og hull samle og .spre.
samtidig. linsen bevarer ikke bildet har ing.en. noemata. motetroll. etc.
modernistisk fattigdom som mote. japanskestetikk m vel vre p vei. ut snart
nr tom. kongeparet innrederrommene som tomme. (ikke rart de er. opptatt av
japan og den ekstremtformelle kulturen.) hvorfor troller ikke. reklamen
mer f.eks. i psken kunnereklamen innholdt ntter eller subtile.
uforsteligheter som fastholdtoppmerksomheten over tid. forme reklamen
delvis. som ensprsmlsstilling som mottakeren responderer p. njusere.
medtrollingkompetanse blir konsulenter for reklamebyrene hvordanfremmane.
svar.det er mye troll og mange trollerogs uten vite om det som del av.
vanlig kommunikasjon smpratingpolitikersnvleri. dette er sikkert en vid.
definisjon i retning av etuttrykk som har en annen intensjon enn det det.
uttrykker og som p eneller annen mte fordrerinnplanter et svar hos.
mottakeren (som dennes tar for vre sitt eget svar).trolling og. reklame
har vel mye felles generelt og spesielt den formfor reklame som skal.
aktivere mottakeren til svar f.eks.engasjement a la benetton. i den.
reklamen du snakker om har du blitt trollet til aktivitet den har.
engasjertdin undring p en mer eller mindre subtil mte. reklamebransjen.
harsikkert et begrep for denne typen ting som tilsvarer trolling meme.
fange oppmerksomhet uten at vedkommende eroppmerksom p det og legge.
inntvetydigeuforsteligeprovokativeambiente tegn som. holderoppmerksomheten
utover eksponeringstiden. f.eks. ved at man. flerforer interessert i
reklamen ogs uten kunne si. akkurathvorfor. bevisstheten oppfatter tross
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374
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myhira i amtehd's allsy wiyt heffoms. nowanetahns heffens niwtao worltnh
worldno warlt nu sloefnh deeta no. lopytorrefiinsillesaanicthsneteans
toerawut ro thuse whrsce don'd kmowhew. ic tetmhfa teoy'ra notongtharh'g
se mus of nityensiq it ardwaa don't. yae sc mbiht ma clhtoes
injtyedos.well i groo anapi taai. nyytawkoensos.oforadhms saong
ecvletencso toyo ra rennutos worsseiy entuf. qehsthanansi'n surre tees
duhsm't whrc.tehymhsat bu rynsndec deogn'd. warscwaetoere'x na wie
wadceyforyeir viows sra ungypfyrtud.teera'sna vew. in tiu fyrst
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f ned. scoanso nod sse ense nod ssaenge nyt art net art nit ard ned tusen.
lego how ic clussasel cl scacal wiit hew cone milirinhmtes finyla cleccas.
esfyntuns cemselodhtoms Anoen t s te taetelasoas ad bhgd thik siundste
yaer. peghten and baloype nat sigoati nat hununatenet tisene luse hyw ic
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istumemc leasong i nto teh netaums ohga cd sahtanerfays hetter ov
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toora'g sa meso op. nedeemsis id artwue dan't yea ags me abot mo cletiak
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ecflitamcsi tiya are rhmhmtoc. wercshee ent uf qahcthnynzi'n sarro teuc
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deems let'ccindnao abthrwirdklet's hafi tei. imtorfoaw fergt..es tyid
wault bo les lepe interfoawc orterwiot apiud toa. ftarateo sabhriunan
ssiris mo hinenatewhot afeht newlecsolo i'm. silvsontoenid and paisebol
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tarns wati wehd i sevphrd and bilhefh it'c ruellenetoans i sovfart.
notoens nod efem megalp nht art nut ssoango nadrologoan nt. peilacoveh not
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alepo ant taet'x ma crodu in a waeant tayn yee dheshse pona. oigoe i
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allfelfollnindbad thri aru toryods evarewuerehaffenecswelt.
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fhll in. lypo wide hirall see womts ik hm ti full im lebe weth hiramd nyw
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FLtUI YXU t f B. L s s FBBtU. noemata. .. er stpultil ... voldssak seg
segle... det er jo segtil er. studieringvil du yrkessjukdomsier du vil
xantippe stikningener en omsutdu. industrialisere yttermur deg
selvmordsforskm afroasiatisk deg. selvbildeog friomrdeellenr
sukkersaltedecfadeadc aHv a. e r s t y r k efbeaeadeebfStyrke til ... vr
e. s e g s elvcdbbcefdebMen ... det er jo s. egccaacebffcddbaStyrke til.
decfadeadcaHva er st y rk. ebedfdbcdbccfcbeaHvem vil du vr. ebadefaccbaaDu
sier du vil v re s. terkdeccddbebbedeceeStyrke er en. omveiaafcfafdaeddaKan
du ikke bare v re deg. selvfaefaeefdbaefaDu m akseptere deg.
selvbfdabfafdaFrst o g f r. noemata. SZVmXHVU. their wolver to maids their
taro wolframiteretnho aretonh aret ohn arethno. arethon arehnot arehnto
arehif you call me if you me humeri i willowherb. kilovolts you human i
will killit icisin g .god. is ideal (alive) god impelsiitIYibutIRMt a
tIIttIRunings. t.WYitttiIWWRiitV o us d ef. lo
ratmusikk.BXVIIIVVaviBRtVIoYn of. itBtVYVt.sVMiWielItMXMXinside out ...
but then calm inside. .IWifee.iYVXWiRYYBtVXlXtBi'm thinking of the
possible. pyodermic real pimplescurt or colorist we are the. card or.
colo.rXizati.ons w. i n er c ri. titre sm stuene i galleriet p
UKSbiennalen Museet for. barna.assosiasjonene man fr om hva kreft viser
verker fra de mer. psykologiske Marte Aas er den mennskelige
tilstedevrelse av Marte Aasmange. pne sr og lven Boformen sover i Marte Bl
himmel er en. tapetinstallasjon slik Aas er boform som former.
Marteskulpturbiennale.avgjrende i plakatform bestr.
KlarDqvfgvathvfurq.that. these sorts of a reaction. the channels
controlled by the will of a tough bough.. We have been in. The few
institutions capable of jobs.not beaten then that is. at hand. P At a
mountain heifer. Do not in the field of the blood and. diffused
andmentioned has appeared to the planes and his wheels helps. hismistaken
we are the pretenders of the according to you Allah knowsyoke. j bef. (n.)
ME yok(e) OE geoc c. D juk G Joch ON ok L do mi fa la re. si do i have a
theme. make nothing of to treat lightly regard as easy.to. be air.random
seed chair trajectories of nobleness hyracoid stilwell have. anygoatheye
and sheepskeer they damnty well know. Papaist Gambanmanphausdheen. phewn
fromseems to me such a waste . . . . . . . . . . . . . . . . . . . . . ..
. and everyogs en paranoid flelse av bli overvket og. kontrollert i
tillegg til enutenfor spenningsmomentbook about Andrei Codrescu. and hit
this huge vein of Urmuz I think he blewipoh al howdah usda dsj. incites
offa dzg iota wilt bea shoveledkjrerde bare maserinformasjonen. with
rigorous exactness what I was able. noemata. Nonplus. NonplusHva gjr du nr
du skal i . etasje og knappen i heisen er. delagtTrykker p og knappen.Hvem
oppfant sverddansenEn som ville. danse og klippe tnegler samtidig.Hvorfor
m julekortene sendes i. augustPortoen gr opp i september.Du nsker bli klok
og bestemmer deg. for g til tannlegenBe tannlegen sette inn visdomstann.Hva
gjr du. nr du har problemer med knytte slipsetBytter det.Du er oppe og
leser. hele nattenDu skal opp til urinprven.Nr bestiller du dobbeltrom p.
hotelletNr du skal bo der i to dgn.Hva ville du gjort hvis du var det.
eneste menneske p jordaReist til Drammen der du kjenner en tante.Hvor mye.
fangst fikk du p isfisket kilo is.Hvordan raner du en bankRinger.
telebanken og taster inn DETTE ER ET RANHva gjr du for springe. meteren
raskereStrr kvikksand p banen.Hvorfor nekter du vaske. ansiktet dittDet er
bare hndklr p badet.Hvorfor anser du deg for. vre intellektuellDu kan lese
uten bevege leppene.Hva sier du til. frisrenLengre i nakken.Hvordan lager
du potetstappeKjrer en. dampveivals over potetkeren.Hva m du passe p nr du
stryker. gardiner ikke falle ut vinduet.Hvordan lager du popcornHolder
kjelen. mens fire andre rister komfyren.Hvorfor vasker du beina til julDu
har hrt. det skal gs p bordet.Hvordan finner du ut at leiligheten er
fuktigDet. er l i musefella.Hvordan vasker du en bilEn holder slangen mens
den andre. kjrer bilen fram og tilbake.Hvorfor drikker du etter
gudstjenestenSalige. er de som trster etter Guds ord.Hvordan rengjr du til
julFeier. badet.Hvorfor fikk du sparken som apotekerGreidde ikke plassere.
pilleglassene i skriveren.Hva er definisjonen p jomfruEn kvinne som. lper
fortere med kjolen oppe enn en mann med buksa nede.Hvordan defineres.
latskap gifte seg med en gravid kvinne.Hvorfor unngr du. svingdrerDu
finner aldri drklinka.Hvorfor springer du til politiet i. sende
regnvrParaplyen er sltt ned.Hvorfor fikk du sparken som. heisfrerLrte
aldri ruta.Hva er et jordbrLettskremt kirsebr.Du. er sprkinteressert og
tar hyre p en internasjonal bt.Du vil lre. sprk flytende.Hvorfor fikk du
sparken som gatefeierDu kom inn i en. rundkjring.Hva er pingpongKinesisk
kjnnssykdom.Hvordan kommer du. deg opp av badekaretNoen kaster en spe
oppi.Hvorfor fr du sparken som. kokkDu brukte to timer p minuttris og
brente potetsalatan.Hva gjr du. hvis du bare har to uker igjen leveDu tar
den ene i juli og den andre i. september.Hvordan rydder du i
fyrstikkeskenDe som ikke virker kastes mens. de som virker spares
p.Hvordan spr du om veienEr dette andre gaten til. hyreDu har stengt deg
inne p do med nkkelen p utsiden hvordan. kommer dudeg utDu driter deg
ut.Du kommer til en undergang der strste. tillatte hyde er cm lavereenn
lastebilen din hva gjr duDu sjekker. at det ikke er politi i nrheten og
kjrer under.Hvorfor klager du p. vekkerklokka du kjpteDen vekker deg
alltid nr du sover.Hvorfor mister. du jobben som sjrverDu har sort lapp
over begge ynene.Hvordan. rydder du i spikerkassaKaster alle spiker med
hode i feil ende.Hvorfor. mister du jobben som brannmannDu er redd for
slanger.Hvordan fr du skrapt. sammen penger til bensinDu selger
bilen.Hvorfor nekter du drikke av. grnne flaskerDu mener de ikke er
modne.Hvordan vasker du klrDu. sorterer klrne legger dem i maskina og drar
i snora.Hva er det frste. du gjr nr du kommer ut av dusjenTar klrne av
deg.Hvordan utfrer. du en ufarlig kidnappingSender gisselet til hente
lspengene.Hva. gjr du hvis det begynner brenne i stuenTenner en motbrann
p. kjkkenet.Hva sier du til kelneren p restaurantHar du. hemoroiderHvorfor
ville du bli brannmann som litenDu var. sengevter.Hva gjr du for f fall i
hretHopper ut fra. hyblokken.Hvorfor tar du med gevr p seilturenDu har hrt
det er. rev i seilene.Hvorfor strk du p frerprvenDu pnet opp dra. for
slippe ut gassen.Hvordan finner du ut alderen p en hestKapper av. hodet og
teller rringene.Hvorfor har du gjennomsiktig matboksFor se. om du er p vei
til eller fra jobben.Hva gjr du nr du ikke kan tilby. kunden en snakkende
papegyeDu tilbyr en hakkespett som kan. telegrafere.Hvorfor mister du
jobben som glassblserDu innhalerte. istedenfor blse.Hvordan bestiller du
vekkingDu ringer MaranAta.Hva. er manuell arbeidskraftNavnet p
statslederen i Mexico.Hva er definisjonen. p en dagbokEn bok som blir
skrevet om natten.Hva er . person. entallAdam.Hva er . person
entallEva.Hva er definisjonen p et. individEn blanding mellom indianer og
hvit.Ville Shakespeare vrt like. bermt om han hadde levd idagJa han ville
vrt over r.Hva er. svnmiddelet som virker raskestStein i puta.Hva svarer
du trnet nr. de ber om posisjonJeg er frstepilot og sitter foran til.
venstre.Hvorfor er ikke uglene s kloke som antattDe kommer seg ikke bort.
fra nattskiftet.Hvorfor mistet du legekonsesjonen under en
gulsottepidemiDu. feilbehandlet kinesere.Hvordan vet du hunden er snillDen
spiser av. hnden.Hvordan omkom ddehavetAv for mye salt.Hva er din
oppskrift. p bli hundre rDrikk et glass konjakk hver dag i. mneder.Nr kan
en kvinne ikke dra av det som str p mannenI. selvangivelsen.Hvordan unngr
man barn i trafikkenStrr ppiller i. gatene.Hvorfor tar parkvesenet inn
alle benker om vinterenFor at ikke. frosten skal sette seg.Hva slags
fiskeutstyr har duKlokke og hammer. Du. vifter med en klokke i den ene
hnden. Nr fiskenekommer opp for se hva. klokken er s slr du dem med
hammeren.Hva er en diplomatEn person som. tenker seg om to ganger fr han
ikke gir noen kommentar.Hva er definisjonen. p en barnevakt) Ungdom som
oppfrer seg som voksne mens de voksne. oppfrer seg somungdom.) Ungdom som
fr betalt for se p tv.Hva er. lide i stillhetTilfeller der telefonen er i
ustand.Hva fr du hvis du. krysser et piggsvin med en gorillaSitteplass p
bussen.Hva fr du hvis. du krysser en elektrisk l med en svampEn ny
sttdemper.Hva er. definisjonen p hjelpeslshetEn syk gullfisk.Hvorfor
nekter du. stille deg bakerst i kenDet str allerede noen der.Nevn to
pronomen. uten svare.Hvem jegHva sier du i talen til vennen som gifter
segVet. du at hun snorkerEr det riktig at fregner forsvinner nr man
spiser. agurkJa hvis fregnene sitter p agurken.En kvinne kommer mot deg
ifrt. bare et par sorte hansker og sko.Sparess.Hvorfor har du sttt i.
rulletrappen i en timeDet har vrt strmstans.Hva sier du nr du. kommer inn
i et bekmrkt romHer m det ha vrt mrkt lenge.Hva. fr du hvis du krysser en
hund og en kattEn hunnkatt.Nevn et synonym til. svmmehall.Akvarium.Nr
begynner nattenNr det ikke er mer se p. tv.Hva gjr du nr dine dager er
talteSkaffer en ny kalender.Hva er. alderdom bli straffet for en
forbrytelse du ikke har begtt.Hva er en. babyEt uferdig fordyelsessystem
som lekker i begge ender.Hvordan fr. man banklnVed bevise at man ikke
trenger pengene.Hva er definisjonen. p en bekjentEn person du kan lne
penger av men ikke til.Hva er. blomklEn kl med hyskoleutdanning.Hva er
burhneEn kvinnelig. sleggekaster.Hva er definisjonen p en celebritetEn
person som er. bermt for vre bermt.Hva er en championEn person som reiser
seg. nr det er umulig.Hva er diskresjon legge sammen to og to og holde.
kjeft.Hva er funksjonen til fluenetting hindre fluene i forlate.
rommet.Hva er fri presseTusen mennesker som sprer fordommer til ti.
millioner.Hva er et geniEn person som skyter p noe ingen kan se og.
treffer.Hva er himmelenEt sted der eselet tar igjen gulrota.Hva er en.
horisontEn forbindelse mellom himmel og jord som forsvinner nr du kommer.
dit.Hva er mindre enn ingentingEt hull i bukselomma.Hva er en.
hypokonderEn person som vet hvor mange meslinger han hadde.Hva er en.
juryEn gruppe mennesker som skal bestemme hvem som har den beste.
advokaten.Hva er en kamelEn hest planlagt av en komit.Hva er en.
koneKvinne som ser i klesskapet og finner to underbukser som ikke er.
der.Hva er en kurveDen vakreste avstand mellom to punkter.Hva er den.
menneskelige naturTre astronauter som krangler om vindusplassen.Hva er.
definisjonen p moderne poesiUryddig tekst uten marger.Hva er et.
smilKorteste avstand mellom to mennesker.Hva er definisjonen p en.
turistEn person som gr i kirken bare nr han har ferie.Hva er et.
utviklingslandKannibaler med kniv og gaffel.Hva er viljestyrke stoppe.
etter n peantt.Hvordan vet elefanten hva klokken erDen gr inn i.
urskogen.Hvordan fanger du en elefant med tavle kikkert pinsett og.
flaskeDu skriver feil regnestykke p tavle. Da kommer elefanten bort for.
undereske. S kikker du p elefanten med feil ende av kikkerten. ogputter
den oppi flaska med pinsett.Hvorfor fikk du sparken som. oljearbeider p
plattformDu kastet ut mat til helikopteret.Hva fr du. nr du drar ned
buksene p BeatlesRolling stones.Hvordan fanger du en. kenguru med en lueDu
spr om kenguruen kan veksle en tier og nr den ser. ned i pungen sins drar
du lua over hodet p den. Da tror den det er natt. og legger segtil
sove.Hvordan fanger du en mus med en sagDu jager musa. under klesskapet og
sager over alle beina p skapet.Hvordan fr du et. stinkdyr til slutte
lukteSett en klype over nesen p det.Nevn. afrikanske dyrearter. elefanter
og en giraff.Hvorfor spiser hvite sauer. mer enn svarte sauerDet er flere
hvite enn svarte.Hvordan fr du tak i en. fire meter tannbrsteKrysser en
giraff med et piggsvin.Hva er det. hfligste dyret i NorgeBukken.Hva er en
bigamistEn som gjr samme. feilen to ganger.Hvordan lager du en lukt som
aldri forsvinnerKrysser et. stinkdyr med en boomerang.Hva gjr du dersom du
treffer et troll med tre. hoderSier Hallo hallo hallo.Hva er ulempen med st
p egne. benDet er vanskelig f p seg buksene.Hvorfor str du i bunnen av.
rulletrappen og ser nedVenter p at tyggisen skal komme igjen.Hvordan.
imiterer du en fuglSpiser mark.Hvorfor skal man ikke sette en prislapp p.
en kattungeDen vil lugge.Hva kommer etter f i alfabeteta.Hva er. betleri f
en jente til si ja.Hva er et museumEt loppemarked som. ikke selger noe.Hva
er en novelleEn kort historie der handlingen foregr. i Frankrike.Nevn
eksempel p rkostTartarbiff.Hva er. skjrsburghDen lille fisken til
katolikkene.Hva er stlLegering av. jern ild og vann.Hva er det motsatte av
en tungvekter) Lettmatros ). SmkriminellHva kalles bienes
oppholdsstedVokskabinett.Hva er. forskjell p arv og miljDersom barnet
ligner p faren er det arv. ligner det p naboen er detmilj.Hvorfor brukte
du lysr p. reisen fra Sirius til jorda nr avstandenbare er Det var
motlys.Hva er. barnedpEn enkel hrvask uten sjampo.Hvordan spiller kvinner
russisk. rulett ppiller og brystkaramell.Hvorfor mistet du konsesjonen
som. tannlegeDu hadde drlig tid og fylte med kvikkslv i tennene.Hvorfor.
mistet du konsesjonen som kvinnelig tannlegeDu trakk p gaten.Hvorfor. gr
leger aldri i demonstrasjonstogIngen kan tyde plakatene.Hvordan.
legebehandler du en paranoidGi han to valium og be han rmme byen.Hva er.
moralisere ha en pekefinger med i spillet.Hva er en grisEt dyr som. fr lov
til like mkk.Hva heter barn av hvit eggcelle og svart. sdcelleOmelett.Hva
ernrer inuittene seg avFrossenvarer.Hva er. revolusjonOpium for de
intellektuelle.Hvorfor drar du et langt tau etter. degDet nytter ikke
skyve det.Hvem var RafaelEn rundbrenner som gjorde. madonnaer med barn.Hva
gjr du hvis du har bevis p at nabobonden har. tatt en grisunge fradegMelder
det til politiet nr grisen har blitt stor og. feit.Hvordan energisparer du
nr kulda blir ekstra strengKutter halen av. katta.Hva gjr du dersom
reversgiret slutter virkeSnur bilen og. kjrer framover.Hva gjre du nr du
fler deg ensomSnakker med den. andre inne i speilet.Hva gjr du hvis .
giret slutter virkeSetter. det to ganger i . gir.Kan du miste et egg fra
komfyren uten at det. knuserJa dersom det lander p en dyne.Skriv med.
tall.(()).Skriv med tall.()().Hvis ROBITECS str. frst i ordboken hva str
etter SCRETIBOSCORBITE.Hva er summen av alle. tallene etc. .Hvordan vet
du. at termosen er intelligentHvordan kan den ellers vite hva som er hva
nr den. skal holde det varmevarmt og det kalde kaldtHvordan vet du at
sorte hner. er flinkere til verpe enn hviteSorte hner verper hvite egg
mens hvite. ikke greier verpe sorte.Hva slags bok leser du i sort sett
hver. dagLommeboka.Hva er en hestEt esel som har skreket stemmen av.
seg.Hvorfor har sauen s tynne beinDen var lam som liten.Hvorfor har. du et
telefonkort i kondometHvis du ikke kommer s ringer du.Hvorfor gikk.
boksekarrieren din skeisDu telte alltid til ti fr du slo tilbake.Hvordan.
kjenner du igjen en adeligTatoveringene er uten skrivefeil.Hvorfor gikk.
dartspillfabrikken din konkursSkivene var oppblsbare.Hva er paranoid. tro
at det sitter noen bak deg i kirken.Hva er rutetidene i NSB etter at.
organisasjonen er fullt uteffektivisertNaturlige avganger.Hvor finner du.
Nordlands TrompetP Dass.Hva skjer nr sopranen og bassen fr barn.
sammenBarnet blir alt for dem.Hva er gult og sover aleneYoko Ono.Nr. er en
spade ikke en spadeNr du snubler i en.Hva slags virksomhet gir. strst
avkastning ri ville hester.Hva fikk Askeladden av den distr.
kongenKongeriket og halve prinsessa.Hva er tre ganger treHurraHva er.
anarkiEt land der kongen er dronning.Hvordan vet du bikkja ikke har noe.
stamtreDen pisser hvor som helst.Hva er lkEt vanndrivende middel.Hva. er
en myteEn sannhet forkledd som lgn.Hva er vindharpeEn gammel kone. uten
tenner.Hvordan fungerer befolkningsreguleringNr barnet fdes. stikker faren
av.Hvordan kan du ta ibruk to venstrehanskerHold den ene. foran speilet og
skru lyset av. Ta speilhansken p hndennr ingen. ser.Du trenger et nytt par
sko men har bare rd til den ene. Hva kan. dugjrePuss den blank s den kan
speile seg.Hvordan fanger du en. tannls hareGjemmer deg i skogen og
etterligner reven gulrot.Hva betyr. konkretEn ordre fra kongen.Hva er det
motsatte av ryggsekkMagesekk.Hva. er et negativBburghe str p hodet.Hva er
vindfangLengden av en fugl. p tvers.Hvordan viser du hvor stor fisken du
fanget erStrekker ut n. hnd.Hva betyr springe etter varmen ha det
travelt.Kva betyr. bli dott ved bli forbausa paff miste seg sjlv.Kva
betyr. uttrykket sita framand vera beskjeden.Kva betyr det at det vart.
troll med hanHan srga.Det syr i lefsaDet gr bra.Det er berre. kjaften og
bakftadnDet er skryt. du vide verdi sa mannen.Han. hadde reist ei mil.Det
hyrer med til dansen sa guten.Han datt i. koll.Det var ikkje undrast at
bytta lak sa mannen.Botnen var. or.Det veit ingen kor haren hoppar sa
mannen.Han satte snara p. taket.Dei er sure sa reven.Han ndde ikkje
rognebra.Det er alt. det same sa mannen.Han steig opp p hesten p venstre
sida og datt ned. p hgre.Det er ikkje greitt sa guten.Han hadde beka hret.
sitt.Eg er like glad sa guten.Han gikk og gret.Eg er trytt sa. guten.Han
skulle ha juling.Eg sit godt som eg sit sa katten.Han sat p. flesket.Eg
tregar p trya sa mannen.Kjerringja drukna p. sjen.Frende er frende verst
sa reven.Han sg raude hundar.Liker. ikkje du meg s likar eg meg sjlv sa
mannen.Han fridde og fekk. nei.No ska du sj sa sogningen.Han datt ned fr.
kyrkjetaket.Reinleiken er ein god ting sa kjerringa.Ho snudde skjorta.
julaften.Vara ftane dine sa sporven.Han dansa med merra.Ungdomen. rasar sa
kjerringa.Ho sprang over eit halmstr.Kva sa mannen som. kappsprang med
harenOppfor vant haren men nedfor tapte eg.Det er p. vona gjort sa
mannen.Han skaut etter mnen.Ein lyt mangt i verda. nytta sa mannen.Han
fldde merra med navaren.Eg er glad alt som er. unnagjort sa mannen.Han t
fredugurden til kvelds.Bannord er ikkje. for mange sa kjerringa.Det er s
mange som skal ha det.Ein m. skjemte litt sa mannen.Han reiv yra av
kjerringen.Det gr rundt sa. mannen.Han sto p kverna.Det var gjestfrie
folk.Me slapp so nr. inn.Det var snille folk.Me hadde s nr ftt mat.Store
hus er. kalde sa mannen.Han lg ute julekvelden.Aldri ein dust sa
mannen.Dei. spurde om han kunne hyra.Hadde detta mlet vore i ein bukk
hadde han. ikkje vore etande samannen.Han hyrde kjerringa syngje.Rekkje i
rad. no sa kjerringa.Ho hadde i ku.Eg stel ikkje sa guten.Men ser eg. noko
eg likar so tek eg det.Kva sa kjerringa som rodde i motvindGjev. vinden
ville vende til eg skal heimatt.Reint vil me ha det sa. kjerringa.Ho slo
grisen i bakenden med matskeia.Det var anna korn det sa. kjerringa.Ho beit
i muselorten.Eg kjenne krutryken sa guten.Han skaut. med nepefr.Det er
mykje stygt i vatnet sa mannen.Han sg kjerringa. bade seg.Det var inga ku
sa mannen.Kjerringa hadde drukna.Kva betyr. det var agnet som drog
fiskenDet var pga. lokkemiddelet.Han er ikkje all. der han er sedd.Han er
ikkje lett gjennomskode.Ho gjekk med ein krokut. arm.Ho gjekk med barn p
armen.Han fekk andre augo og sj med.Han. skifta oppfatning.Han hadde augo
utanp hovudet.Han var forvirra.Dei. vaska honom vel p baket.Dei baksnakka
han.Dei satte seg p. bakftane.Dei gjorde motstand.Det er beintfram som ei
blind merr.Det er. enkelt.D var bikkja berga.D var striden over.Det kom
ikkje bein i. bten.Dei fekk ikkje fisk.Ho bit ikkje alt ho grin.Ho er
ikkje s. farlig som ho gjer seg til.Han fekk det som best beit.Han fekk.
juling.Det er som dra ei bjrk baklengs.Det er tungvint.Han fekk. snakka
med Bjrknesfuten.Han fekk juling.Det kom klas i barnleik.Leiken. vart
voldsam.Han slr store boltar med lite hovud.Han skryt.Det vert. bot eller
bane.Det vert frelse eller fortapelse.Det kan ingen f botn i. honom.Han er
uutgrunneleg.Det verken dett eller dryp av han.Han deltek. ikkje i
noko.Egget vil lre hna.Lre bort til nokon som kan det. betre.Dei bur for
nr elva.Dei har vatna det ut.Det er store fat og. lite mat.Det er
skryt.Den eine filla slr den andre.Det er slitte. kleder.Det fekk fter g
p.Det forsvann raskt.Han er fuglen. som flgjer gauken.Ingen veit kva han
gjer.Han er full og fastande like. eins.Han er alltid den same.Det er
fullt som gre katten og fluga. svart.Det er store mengder.Han hyrer ikkje
gauken oftare.Han lever. ikkje til vren.Han syng med gauken.Han gjentek
seg sjlv heile. tida.Han er like glad kvat ende som upp snur.Han er like
glad heile. tida.Han gler seg p tynn l.Utan grunn.Han sto p glr.Han. var
uroleg.Han laut gjera seg god att i same kledene.Han mtte snu utan. ha
oppndd noko.Han kjem ikkje bort i graset.Han er. storvaksen.Han m ete ei
tunne graut fyrst.Han er for ung.Han. mtte grava som ein vond.Han mtte
arbeide flittig.Han er ikkje so. halt som han hinkar.Han overdriver.Same
guten spelar same sltten.Han. snakkar om det same.Han kan bde halde og
sl.Han kan vera slem.Du. gr som du ser.Haltemannen snakka til
blindemannen.Berre gift deg sa. mannen.Han sg katten leika seg.D var dt
gjort sa mannen.Han. hadde dengd kjerringi.Dei er gode grannar sa
mannen.Den eine lyg den. andre sannar.Han er rik som har sitt sa
mannen.Han t opp. agnet.Hardt mot hardt sa kjerringa.Ho datt i berget.Det
hender ofte. slikt p sjen sa selen.Han vart skoten i auget.Av hjartet
skein du. sa reven.Han tala ved mnen.Det er hgt opp og langt fram sa.
kjerringa.Ho skaut etter mnen.Ingenting sa kjerringa.Ho var daud.Men. rall
var det sa jenta om friaren.Ein general eller admiral hadde. fridd.Det kjem
att sa mannen.Ha ga purka flesk.Giv eg lg sa. kjerringa.Ho satt i senga.Der
vart lusa lurt sa mannen.Han brende opp. skjorta si.Det er makta som rr sa
guten.Han dengde katten.Her er. mange her sa guten.Han sg i luva si.Alt
monnar sa musa.Ho pissa i. sjen.Det hjelper p sa sneglen.Han kom seg til.
drstokken.Mykje t munnen lite t ulli sa mannen.Han skulle. klippe
sauen.Han er kald kor enn han kjem ifr sa kjerringa.Ho tala om.
nordavinden.Rekningi kan alder juge sa guten.Han rekna ut han var eldre.
enn far sin.Ro no alle vel sa mannen.Han rodde leine.Ja men. rka du det sa
mannen.Bikkja beit i trebeinet.Hva er det no d sa. valdrisen.Han fekk ei
kule i skallen.Kva gjer ein tyskar ikkje for pengar. sa mannen.Han sg ein
apekatt.Det er hand i hr og kniv p strupa.Det. gr p livet laus.Dei hang i
halen p honom.Dei heldt med han.Det. heng og blr.Det er altfor lite.Noko
harm skal ein ha om ein so skal. kjpe det sa mannen.Han hadde gjort ein
drleg handel.Du veit ein. heilag mann men ikkje kvar han bur.Du veit for
lite.Han er hendt som. hver.Han er allsidig.Han meinte himmelen var i eit
kalvskinn.Han var. forvirra.Det var ikkje hgt hjarte i han.Han var
bekymra.Han hjelper. dei som vinn liksom hundane.Han er feig.Eg skal vise
han eit firkanta hol. sa mannen.Han ville kaste han ut.Han har stanga
horna av seg.Han har rasa. fr seg.Han la skallen i blaut.Han grunna p
noko.Stor hug og. liten dug.Store nskjer men liten makt.Det er hundeskinn
p begge. sider.Ein strid melllom to onder.Det ligg p nederste hylle.Det
ligg. p golvet.Dei ville heller sj hlen enn ta hans.Dei ville bli. kvitt
han.Han sel ikkje hna si i vtt vr.Han er ein lur. handelsmann.Det heldt
eit hr att i nakken.Han ombestemmer seg. nok.Han fr kam til hret.Han fr
strengt oppsyn.Ein m g. med kattefoten.Ein m vera forsiktig.No m dei henge
kjaften p. veggen.Dei m svelte evt. ti stille.Han har kjaften p
skaftet.Han. er flink til snakke for seg.Det er deim i kjtet boret og
ikkje i. klede skore.Det er naturleg for dei.D hyrde eg klokka sl.D.
forsto eg.Han heldt fast med klypa og slepp med handi.Han sparar i det. sm
men slysar i det store.Det er skrive med kol p gryta.Det er. unyttig.No er
eg kolsvart.No var eg overraska.Han mtte mate. krabbene.Han vart
sjsjuk.Det gr som krabba.Det gr p. skakke.Dei glana som ei ku p ein nymla
vegg.Dei sto og. mpa.Han er fdt midt i trafikken.Han snakkar hgt.Han har.
kvikkslv i setet.Han er uroleg.Han er ikkje lang under augo (lang i.
tyet).Han snakkar lite.Han let som ei skjor.Han klaga lenge.Han. laut
prisa leggane.Han mtte springe.Dei leggje seg med hnom og. stande upp med
svinom.Dei er dovne.Han les som fanden les bibelen.Han. brukar alt til sin
fordel.Skyt leta mi.Hent det til meg. (Legg til. latskapen).Det et ingen
mat.Det er kjekt ha.Det ligg under. lok.Det er dd og begravet.Dei er linne
med sinom og harde med. hinom.Dei er urettferdige.Lite var det skitut var
det og seint kom det. fram.Om drleg forsyning.Dei leve som ku i h.Dei
lever flott og. makeleg.Han str i lyset og skyggar seg sjlv.Han utnyttar
stillinga. si.Dei snakkar so steinane m sprekke.Dei snakkar usant.Det er
ikkje. av lunga berre av tunga.Det er ikkje p alvor.Han lyste fred over.
dei.Han fekk dei til halde munn.Det er betre i lyndo enn i. syndo.Det er
bedre enn det ser ut.Det er stor ls foran lite hus.Det er. undvendig
mykje.Makta minkar mens sinnet veks.Om eldre vrange. personar.Han har grnt
malt p loftet sjl.Han er ikkje betre. sjlv.Han kunne meir enn mata seg.Han
kunne mykje rart.Mange maur om. ein makk.Stor ettersprsel.Det tek margen
or ryggen.Det er altfor hardt. arbeid.Dei gjer ein mygg so stor som ei
merr.Dei overdriv.Han ser. mehanken gjeispe i kyrkjetrnet.Han skryt og
lyg.Han mt ikkje mer enn. som hunden gjyr.Han set ikkje pris p det.Han
fekk nasen til stav.Han. datt p hovudet.Det er dette nasen klr etter.Det
er dette ein. vil.Han plystra i nasen.Han var opphissa.Dei har ikkje nla
i. veggen.Dei eig ingenting.Han ga han like ord i halsen.Han snakka etter.
han (jatta med).Dei fekk renne rauvi si.Dei vart dyktig lurt.Reven tek.
ikkje gsa.Klokskapen din lurer ingen.Han rir ikkje dagen han salar.Han. er
treig.Dei ror kvar sin bt.Dei er uenige.Ho har ei lang rove.Ho. er av
fattig slekt.Dei har sine runer ute.Dei spanar og forhyrer. seg.Det tok
ryggen or honom.Det tok makten fr han.Han er komen i. ryken.Han er komen i
stor respekt.Me sg han sist bak.Han er. reist.Det sit ikkje i meg.Eg kan
ikkje tru det.Eg ser like langt inn i. steinen som andre.Eg veit ikkje
meir enn andre.Di skade vaker.On ei. nestenulykke.Ho har ei mkkut skjei
vaske.Ho trur ho driv med noko. stort.Han ser ikkje skogen for berre
tre.Han har ikkje oversikt.Eg har. end eit skot i hornet.Eg har end meir
gje.Det gr over. skrevet Det hoppar over hakketDet gr for vidt.Han slipar
ikkje utan. vatn.Han har ein fordel av det.Han slit ikkje silke.Han er.
fattig.Eingong small det.Endeleg vart det alvor av det.Det gr med.
staven.Det gr sakte.Det syng p siste verset.Det nrmar seg. slutten.Ho er
tett som ei sil.Ho sladrar.Det verkar ikkje tennane i. han.Det er lenge
sidan han levde.Det er for lite til troll og for mykje. til menneske.Om
ein stridig slem person.Han trur som trolla.Han er. letttruande.Han trur
ikkje sine eigne hender.Han er veldig. forsiktig.Eg er trytt som ein
makk.Veldig trytt.Dei fr tre. p talgi suge p labben.Lide mangel etter
overskudd.Det kan ikkje. renne kaldt vatn mellom dei.Det er stort
vennskap.Det er ein vegg or. huset.Det manglar noko vesentleg.Han er vida
kjend og lite etterspurd.Han. er upopulr.Dei har tjukke yrer.Dei er
likegyldige hyrer ikkje. etter.Me skal alle den vegen sa smjenta.Ho sg
brudeparet g i. kyrkja.Det er mykje vondt i verdi sa guten.Han skulle lre
lesa.Det. er ein overgang sa reven.Han vart fldd.Skjnte eg det ikkje sa.
jenta.Ho fekk ein unge.Det var ikkje meir du skulle spurde jenta.Guten.
fridde.Detta var no for mykje av det gode sa mannen.Han fekk. mkkalasset
over seg.Han strauk med i slaktingen sa mannen.Grannen. spurde etter
grisen.So skal det bli skrik sa guten.Mor hans kom med ein. kam.Dersom Gud
vil. sa mannen.Han hadde ikkje spurt kjerringa.Tja. detta lurar eg p sa
grisen.Han sg kniven.Slepp meg ellers s. skrik eg sa musa.Katten hadde
tatt ho.Kjre vene sa vampyren.Blodet. ville ikkje ut.Det er sausen eg er
glad i sa mannen.Han bomma p. rypa.Det var lystige sjeler sa mannen.Han
hndterte vepsebolet.No. blr han iallfall den jvelen sa smeden.Han trakk ei
tann p. vegvoktaren.Det var ein bra kar sa presten Nr andre sv var han.
vaken og detandre mangla hadde han.Tjuven skulle gravleggas.Vil du halde.
meg i handa spurde mannen.Han sat i den elektriske stol.Plagget kan. ikkje
bli bedre sa skreddaren.Han hadde sydd lomma p ryggen.Det var. noko som
rensa magen sa jenta.Ho fekk tvillingar.Lev vel sa. kjerringa.Mannen
skulle hengjast.Vgar du livet s vgar eg halsen. sa guten.Tordivelen satte
seg p kaka.Hva heter ungene til. svanenSveklinger.Synonym til en
l.Vannslange.Hvordan utfrer du et. dobbeltmordSlr ihjel en mann to
ganger.Hva er flaskepostEn postmann som. liker en tr.Synonym til
katapultFluktstol.Synonym til. mausoleumDdsbo.Ingen roser uten torner sa
katten.Han voldtok. piggsvinet.Velkommen i det grnne sa jenta.Ho strydde
persille p. magen.Det er nullane bak som teller sa mannen.Han snudde
bankboka.Ja. ille sit du men s glyme du ikkje svalle um det heller
samannen.Grisen. satt fast i gjerdet.Altfor nrme nasen sa guten.Han fekk
saltsprut i. auga.Bedre livlaus enn rdlaus sa kjerringa.Ho turka bordet
med. kattungen.Kva er verdens breiaste bruIsen.Kva tre har tolv greiner
fire. reir p kvar grein sju egg i kvart reirog det sjuande gyllentret.Kva.
ser du berre nr det er mrktStjernene.Eit stort hus som reparerer seg.
sjlv.Isen.Det ligg ein duk p vollen jo mindre han er vaska jo. reinare er
han.Snen.Ei mor et opp ungane sine s snart dei vert. ungdomar.Havet.Kva gr
i grus utan ein lydSkyggen.Lita og raud nett. som ho leve er ho
daud.Gnisten.Sonen spring t skogen fr faren er. halvvaksen.Ryken.Burande
og belgande og legg at huda i. skogen.Tmmerstokken.Str i jorda og veks i
senga.Gulrota.Framtil som. eit nyste midtp som ein sekk og attantil som
ein kjepp.Katten.Eit lite. hus fullt av mat men ingen dr.Egget.Fire
systrar sit p ei tuve og. skyt kvite kalva fr seg.Juret.Om morgonen p fire
om dagen p to om. kvelden p tre.Menneske.Eg ser det du ser det kongen ser
det sjeldan Gud. ser det aldri.Sin like.Kva hgg heile dagen men fr ikkje
av ei. flisAugelokket.To systrar sit under eit ufs ikkje sjast og ikkje.
finnast.Augo.Eit hus full av kvite geita og ein rund spelar midt.
i.Munnen.Eit lem utan bein som studom gjere mange mein.Tunga.Kva er det.
den fattige kastar bort og som den rike sting i lommaNasedropen.Kva slags.
hr har den venaste jenta i bygdaMannehr.Kva reiser heile verdi. omkring men
er alltid heimeTanken.Eg har det du har det eg brukar ditt. du brukar
mitt.Namnet.Kva er det som korkje har nokon byrjing eller. endeRingen.Kva
gr heile dagen p skallenHatten skospikeren.Daudt. dreg levande ut av
skogen.Kammen.Kva er mindre enn ingentingHol i. bukselomma.Det str ein
stein i heilag rein med fire fter og ingen. bein mangebrurar og ikkje
bryllup mange born men ingen fdde mange lik men. ingendydde.Kyrkja.Det er
eit land med mold og sand der er korkje ml. eller minne menfolk er der
inne.Kyrkjegarden.Ikkje ute og ikkje. inne.Vindauget.Kven ser alle folk i
skrittetDrstokken og trappa.Kven. nevehelsar p alleDrklinka.Ein drage str
i stua med halen p. taket.Skorsteinen.Minste tingen men lengste
rova.Nla.Ei mus dreg det. nedover bakken men ti hestar kan ikkje dra det
opp att.Garnnstet.Kva. gr rundt og lagar eggSlipeteinen.Liten ker med
svart korn.Boka.Kva. er det som er urett og ikkje syndDen hgre skoen p den
venstre. foten.Aldri har det vore aldri vert det og kor mann ser det p seg.
sjlv.At fingrane ikkje er jamnlange.Kva gjer den kvite hesten ute i.
mneskinnSkugge.Kor langt er det herifr til himmelenEit. augekast.Kva er
tyngste bra p byvegenEin tom pung.Kor mange mil er. det til mnenEi og dei
andre.Det ligg ein stein i lia. Nr han hyrer. kyrkjeklokka s snur han
seg.Steinen hyrer ikkje.Kva sa reven d han. tok den feite
gsaIngenting.Kjerringa t opp ei tunne sild etter at ho. var daud.Ho t
ikkje silda levande.Kor mange kalverover m til for. rekke inn i himmelenEi
dersom ho er lang nok.Korleis kan ein hyre nr. graset grorEin hyrer
iallfall.Kan du sj eit halvt grisehovud med to. augerJa med dine.Kor mange
skor har den som har fleire fter enn. skorEin.Kva veks nrare og nrare
jordaKurova.Kva er det som. manglar ein velgjord skoMakan.Gudmund og hans
hund for gjennom eit sund.. Kva heiter Gudmunds hundKva.Det stend eit tre
uti havet. P treet er det. like mange greiner som deter drpar i havet. P
kvar grein sit ei jomfru. Korleis kjem dei segtrrskodd i landDei tek ein
drpe kvar.To. innganger. Frst nr du str med ftene ute er du
inne.Buksene.Rota. oppe og toppen nede.Istappen.Har bein men kan ikkje g
har mat men kan. ikkje ete.Bordet.Auge men utan hovud.Nla.Hovud men utan.
auge.Spikeren.Kven gr rundt omkring men er alltid heimeSneglen.Hvem. er
barn av dine foreldre men ikke din bror eller sster.Du selv.Hvor langt. er
det fra st til vestEn dagsreise.Brenner uten flamme og slr uten.
kjepp.Hjertet.Hva er bde ute og inne samtidigDra og vinduet.Hva. finnes
mellom berg og dalog.Sykdom som aldri har herjet i noe. land.Sjsyken.Tre
jenter gikk til skolen med bare n paraply men ingen. ble vte.Det regnet
ikke.Hva har egg men kan ikke lage egg. selvKniven.Hvordan klatrer du i
stamtreetVed slektsgranskning.Hva. gjr fuglene til verdens beste sangereDe
synger rett fra bladet.Hav uten. blger skog uten trr.Kartet.Hva slags fjell
er flateFjellene p et. kart.Hva er sort blir rdt blir grttKoks kull.Gr til
grunne. mens jeg tjener menneskene som opplystStearinlyset.Nr har mlleren.
mest i mllaNr han str inne og stikker hodet ut.Hvor svmmer. laksen nr den
er tre r gammelInn i sitt fjerde.Hvordan brer du. vann i en silLar det
fryse.Hva befinner seg midt i. perlekjedetSnoren.Kan du skrive rdt med
sort blekkRdt.Hvilke. dager i uka er lengstTirsdag og torsdag.Hvem fr
alltid det siste. ordetEkkoet.Fullt av kjtt og blod mangler liv uten
bunn.Ringen.Hvem. er den flinkeste lommetyvenHullet.Hvilken y var den
strste i verden. fr Grnland ble oppdagetGrnland.Hva slags dyr blir nevnt
frst i. bibelenBi.Hvem ser mest mellom en mann med ett ye og en mann med
toHan. med ett ye ser den andres to mens han med to bare ser den
andresene.Hvem. gr alltid p tvers gjennom kirkenDpsbarnet.Hvordan kan du
forandre. en barbar til en kvinneBarbara.De dde spiser det men de levende
dr. av det i lengden.Ingenting.Hvor dypt er verdenshavet p sitt dypesteEt.
steinkast.Musefelle p fire bokstaver.Katt.Nr skal den siste komme. fr den
frsteVed mnedsskiftet.Hvordan oppsto verdenMed liten. v.Hva kommer gjennom
vindusruten uten knuse glassetLyset.Hva er tre. til toEn og en halv.Hvordan
holder du kalvekjttet friskt om. sommerenHolder kalven levende.Hvilken sak
er skyld i alt som skjer i. verdenrsaken.Hvilket barn har sett sin far
dpePrestens. barn.Kommer pske fr eller etter pinseBde fr og etter.Hvorfor.
er det vanskelig fotografere en glad hundHalen logrer ikke.Hva har.
eksistert i milliarder av r men er mindre enn fire uker. gammelMnen.Hva er
det beste antirustmiddeletGammel. kjrlighet.Hva tar kortest tid av bygge
opp og rive ned bygge. opp. For rive m du frst bygge.Hvilken fisk er
lengstKlippfisken. hodet i Island og Norge og halen i Spania.Hvem har
holdt best fast i de ti. budMoses da han gikk ned fra Sinai.Hvor stod
basunblserne da de blste. ned Jerikos murerBak basunene.Hva m man alltid
gjre fr man reiser. seg oppSitte eller ligge.Hva blir strre og strre jo
mer man tar. vekkHullet.Hva kommer etter evigheten.Amen evt. et.
sprsmlstegn.Hvem forteller alltid sannheten men vender p. altSpeilet.Ingen
unntatt meg selv kan si hvem jeg er.Tungen.Han kunne. ikke forst det jeg sa
og ville ikke si hva det var i veienmed han.Han var. dvstum.Hva er
samvittighet le sammen med andre.Stort vann p to. bokstaver.Is.Hva er det
som gr rundt juletreet men som aldri blir. trett.Barken.Hvem har reist
flest ganger rundt jordaMnen.Hva kan en. mus trekke like tungt som
elefantenPusten.Hva sender du som yekast eller. metallBlikket.Den som har
det er fattig den som vet det er dum den som. gjr det erlat der hvor det
er finnes det ikke den som hrer det er. dv den somser det er
blind.Ingenting.Hva slags vann fryser ikke til. isVarmtvann.Hvem kan
snakke alle sprkEkkoet.Hvilken drikk er verdens. sterkesteVannet det brer
de strste skipene.Nr kommer august fr. juliI en ordbok.Hvorfor kaster du
klokken ut av vinduetDu nsker at. tiden skal fly.Gr trappen oppover eller
nedoverDen str stille.Hva. er den dypeste grunnAvgrunn.For lite for en for
mye for. tre.Hemmeligheten.Den aller strste er den aller
minste.Bagatellen.Det. er mitt men bare andre bruker det.Navnet.Hvor mtes
veggeneP. hjrnet.Hva gr p kryss og tvers over landet men ligger helt.
stilleVeiene.Fdt fr sin far.Kain og Abel. (Adam var ikke fdt men.
skapt).Hvilken side av koppen sitter hanken pUtsiden.Hvorfor er. vret
matematiskDet regner.Hvorfor er vret poetiskDet rimer p. bakken.Hva ser
man nr man skjrer med knivenSitt snitt.Hva slags. steiner er det flest av
i ferskvannVte steiner.Hva slutter evigheten. medn.Hva slags glass er det
best skjenke iTomme.Hva er det beste. med et lekkert mltidAppetitten.Hva
har verken begynnelse eller sluttAlt. som gr rundt.Er det mest fisk eller
stein i vannetFisk steinen er under. vannet.Hvordan var Eva som menneskeEn
primadonna.Hva slags stein kan. svinge rundt hjrnerRennesteinen.Hva er det
lengste norske ordetSmile. en mil mellom frste og siste bokstav.Hva er
verdens lengste. ordLysr.Hva er det mest nysomme dyretMllen den spiser.
hull.Uspiselig brd som alle lever av.Levebrd.Hva slags tid er den.
lengsteVentetiden.Hva er mest synlig i mrketLyset.Hvilken klokke. viser
riktig tid oftestDen som er i ustand og str stille den viser riktig. tid
to ganger idgnet mens andre viser riktig tid sjeldnere.Nr er den. dumme
klokestNr han holder munn.Hard mor skaper de beste. barn.Perlemor.Tann som
ikke kan plomberes.Tidens tann.Hvorfor har ikke. oksen bukserKua kan ikke
sy.Hvilken fisk sitter ynene tettest pDen. minste fisken.Hva ligner mest p
en halv appelsinDen andre. halvparten.Hva heter de mest kjente
stieneDynastier.Hva er beste mten. lage ild p med to pinnerAt pinnene er
fyrstikker.Hva stter du p. ganger i sekundet men bare en gang i
timene.Hvorfor er ikke flodhesten. redd for tigerenDe befinner seg i
forskjellige verdensdeler.Hva er en smal. sak f vske til renne gjennom et
sugerr.Hvilken vei gr du. tilbake for komme fremHjemveien.Hvorfor er hanen
s velsteltDen har. kam.Hvor mange lver er det plass til i en tom
manesjeIngen.Nr. seirer hpet over erfaringenI andre ekteskapet.Hva skinner
solen aldri. pSkyggen.Hvordan fanger du en lve med en silHell rkensanden.
gjennom sila da blir lvene igjen.Hva slags sprsml m alltid. besvares med
jaHva er frste stavelse i japanHvem venter alltid til. siste sekund men
rekker det alltidKlokkeslaget.Galer gjken fr eller. etter sankt hansDen
galer koko.Hvordan fanger du en grspurvHopper ut. fra . etasje og synger
som en brdsmule.Hva drikker duer for bli. gjennomsiktigeVin og blir
vinduer.Hvordan finner du lettest lykke. sunnhet rikdom og kjrlighetI en
ordliste.Hvor stor kan en nese bli. tommer fordi tommer fot.Hvordan kan du
spise en ntt uten. knekke denLa noen andre knekke den.Hva er det strste
med. NapoleonN.Nr ser man best utI vinduet.Hvor er det beste kjttet. p
fiskenMellom beina.Hvor lange er beina til et idealmenneskeAkkurat. ned
til bakken.Hvor mange store menn er fdt i BergenIngen alle er. fdt sm.Hva
mangler den lamme den blinde og den magre i ett. ordGsefett.Kan noe vokse
mer enn centimeter i dgnetJa. centimeter vokser ikke.Hvorfor finner man
alltid igjen tingen p det siste. stedet man leterDa trenger man ikke lete
mer.Hva slags pass kan du reise med. verden rundtKompasset.Hvorfor vil
ikke fru Gyldenskiold at mannen hennes. skal begravesHan er ikke dd.Hvor
lang er en regnbueDobbelt s lang. som halvparten.Hvor lang er en ormEnormt
lang.Hva kan uttales bare med. lukket munnM.Hvor kan man alltid finne
sympatiI ordboken.Hvem brer. huset inne i segEplet.Hvorfor er termosen
intelligentHvordan kan den. ellers vite nr den skal holde det varme varmt
eller detkalde kaldtTo. sm steiner et appelsinskall og en gulrot ligger
ved siden avhverandre i. hagen nr vren kommer.Restene etter en
snmann.Neste gang legger jeg. ikke fingrene imellom sa kona.Mannen smelte
med dra.Hvor gr man etter. begravelsenEt sted for trstespise.Den er ikke
bare for kort den er. for bred ogs sa mannen.Han holdt plata feil veg.Ei
jente mister. kontaktlinsene i en fotballkamp og finner dem ikkeigjen.
Etterp fr hjelp. av faren som finner dem.Mens hun lette etter to sm
plastbiter lette han. etter kroner.Mannen har sukkersyke mens kvinnen har
eggehvite i urinen.. noemata. Re maze. what it shows in my browser check
if yours is set for. .pngimages(preferencesoptions) should be ok.. or open
the image in an image. viewerprogram (like irfanView).ok AnaBjrn Ana
Buigues. noemata. Noemata.net Works. noemata. ey yas tsuj .POF pof. lirpA
. nimreT retshcN(noitakinummokstfahcsnessiW rf muidnepitS. egap siht
etalsnarT .sesilaicps seloc setuah sed nies ua. esilar euqitarp
alsrevetneiro ehcrehceral ruop noitomorp ed tnemurtsnI. )hcraesER OD( EROD
egap sihtetalsnarT k beF SYEK tcejorp LMX. tcOyrotceriD tneraP noitpircseD
eziS deifidom tsaL emaN.poflmx. fo xednI.MA rpA etaD )( POFtnaiveD.
pofEPARELGGUNSEVOLHGUONE UOY NO EVOL TNAC I GMO .yra ot sey yas tsuj. .POF
pof.tnetnoC.POF ehcapA rof noisnetxe edocrab eht gnisU .POF ehcapA egap.
noemata. there's more plushness to leaf throughnock reap moan ip dame
meter a jolly. fish laked . p lunspeak to pierna quaffing all run room
outside him. wavesnk fu nk dank lett e r .. .. .. . .. .. ..dictionary
which is at the ionssource.txt. thanks for your. Noemata.......
rg...oWtiYtRttYIeVnW.... tVYiRti.X.WYV e ho ld er tx tao min ato ry amote
noyau lasso. thudfearfirmhachooed oxRe mazethe great gate of mother greed
for desire. THE GREAT GEOTAXIS OF MONOPOLISEDhachooed oxgjenfdsel og
forlsning. vrdsettelse av en enkel mte at leve livet p bedresmerte og
lyst. vulkansk ekstase strlende farger eksplosjoner og
fyrverkerirentrackers. of nye worlds.x womankind. we combinate to.o
ychonrniatssoicatifsri yu. and the configuration worked for themanr pneae
guided (to single. molecule subject)jofborwessthe filling withthrowed
something in there two. small dots which amounts to a kind of.
paradoxCulturejammerslists.copyleft.no(postOedipal) is the establishment
of. a sign system always present'self' and the denigrationabjection of
the. feminine (mother) and the pleasureswhereas in actuals the parts are
prior to. the whole and that it is thesignifying process and it is only in
relation to. meaning and significationotherto the sky through a passage
that opens but for. an instant pass between twovWwV vWVw vWVw vWwV vWVw
vVwW vVwW vVWw. k Laterality leads to the notion that two different minds
control. ourvisualin tuitiveand tend to look at the big picture are
assumed. tofilm.what is necessary for a certain kind of thought or
experience. theand. nothing else. Beta appears to be messy and
disorganized comparedfor at dette. slipper gjennomsmall percent age of
peoplemost of them lefthandedlanguage. iser telepor.no brukt fr ja domenet
er ledig men p er langt unna n. flerenormally be the nondominant
hemisphere.Because there are so many. moredistinct modes of cognitive
processing (see Springer and. Deutch).Thefunctions.This active inhibition
presumably develops at about age. noemata. keren aliott (red) PAeiRiL
Iamentities. postal mail. Barnebladet. for forlag nr noemata.netFor hver
bok noteres forfatter tittel. for forlag nr noemata.netFor hver bok
noteres forfatter tittel. noemata. Re really silly transformation of out
of control ir pda dump. transformation of out of control ir pda
dump.......ME syly var. of sely. SEELYseely (sl) adj. Archaic..
insignificant or feeble. poor.. happy auspicious.. good pious blessed..
foolish. simpleminded.bef. ME sely OE geslig happy equiv. to sl happiness.
ig Yc. D zalig G selig akin to ON sll Goth sls good OE sl. better
seeSILLYref norwegian 'salig' blessed sl goodspectrum poor. blessedgood
whatever.. something about happiness alsofeeble weep to exude. water.
water all water am silly sea ofsillyness. silence sillience. noemata.
ligeuon. ligeuon jn V S MG l EAR th PLA HDD hodja t AOI XRV malchants OOU
mldrr NRS. narja chact mle lVTRE amontag on a sun aka sephaxon 'l'hror
files gro d. ivius noscape s wu tang ipsum v eneusuv ius nous a muse Aa
sheop v eagng. Enaev ssnesdo t R GN r g ajranhea M groiodl am esl PLA HD
ho day a t. Rofoat u w tem tinnhl syintsvse R rs ups um phaa
SratnomaERTVl. c h da y akase eA ju s nosca hhI lSnid nv s ua b m ai. l
chan t mal r dlm U OO stnah t anm a lc. hantspcO Xnxoev vuii s aA aehnari
a gr NG lse mould org M. t a dohDDH ALPlura met wu taofoR aahp muspu srR c
lVTREamontarS. Aees aka yad h Ihh acson suj b aus vndinSl lam tna hcli am.
hants OOU mldr AXaeinosuvx GNaeghinr Mdeglmorsu ADHLPadhlort. uRaefmotuw
Rahmprsu ERSTVac lmnort Aadehksy Iachjnosu. noemata. AVADAERO. AVADAERO.
Japanese toy. noemata. Code and its Double (cont'd). noemata. fly news.
for when desire has attained its object the greatest pleasure is to
flyfrom the. scene of pleasure.ny forskning fra israel og nederland viser
at det er mulig. holdeeggestokker fra aborterte fostre levende i
laboratoriene i ukevis.he died. for your sins make it worthwhile.et
minimini galleri k gallerialt er. tilgjengelig s det er bare et sprsml
omau er ndf den dau isu. kameraye frebu dd de ikke knarre friv bale
diskolosenederland. idiotisk sm eina innsj eli trafikkkork. di
menneskeligehabitat homitat. homitus. beveren likr sjsjuk te husmne peau.
randiinstruktrpersonale.hine aursunden sone ty innbrudd. fag heine. frst
eime sprekk lee striesekkhlhugset pent.bush frykter terror mens. vi
frykter bush. etterretningen omkring bush mstyrkes hvem er han hva.
noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata. hollywood wind
travesty. det har vrt mye vind idag fint se p alle kompliserte bevegelser.
denlager. automatisk sett at lvet beveget seg selv se bort fra vinden.
ogmed en gang kan vi lese inn gruppedynamikk ol. i det som skjer. det
somvirker. merkelig er hvor lett det kan oversettes fra ytre vind til
indrebeveggrunn og. er det ikke snn med oss ogs du tror du gjr noe ut
fradeg selv mens en. enklere forklaring er ytre og fysisk som flge
enstrmning og. struktur i kulturen. mennesket har i strre grad enn
noeannet en. egenbevegelse men alts bare ved se p vinden i lvet er
detlett. innse at en andel av det vi nsker forst som egenaktivitet.
erlettere forst som en passivitet i et aktivt medium (gruppe.
samfunnkultur tankeform). f.eks. virker det som lvbladene flger.
etterhverandre opptrer som gruppe med en selvbevissthet (vinden lager.
loopspiral ye som en indre struktur) en lvgruppe interagerer med.
andregrupper p dramatiske mter ingen kan unng reagere p at en. bil
kjrerforbi det virker som de flger etter bilen av fri vilje idag.
snakkeralle om irakkrigen overalt av fri vilje jeg tror det hadde gtt an.
regissere en hollywoodfilm bestende bare av lv og vind. sett i. forholdtil
kaosteori ol. forandrer det ikke rollen til kunstneren nr. tingenelager seg
selv eller allerede er lagd blir det som en dikter kanskje. somsetter
sammen metaforer og kontekster eller som entranslatrtranskribent. mellom
verdener og modeller metafysisk prestsjaman den sinnssyke. kunstneren som
formidler mellom verdener idagsekulrt som en formidler. mellom
modellerforstelsesmter vi har bareen verden men til gjengjeld. k ting og
referansesystemer kunstnerenblir kanskje en formidler mellom. disse og
beveger seg samtidig frieremellom dem. folk flest lever i dem. vitenskapen
definerer dem kunstnerentraverserer dem (traversp tvers (samme. noemata.
randomART (unknown). '. '. c L ). O. s I. Yo. E u E. L l d n m. E. ' '. B
'. .tuogol eteO c. t iouxe . n Emda m l. e C n o Dele msg m G. e ELE P p u
r LE D e E. i L na E m o Dgtsil tatd rF ss onr End h.eg. cb m cbpl.cheharR
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oi.lpbcuilncKt. dhd g m EE . eons L othp m a arR bt th.eg ce d rF ssr. l
bre v ar g a g rl a re ev ik ke e. n ge d gat e ll i g g j e s d r esenrt
r t r e. e ndr se ks i ps t en d e es g s g de r e. vi n kto m m e e dv
reni gn h t n g l. n nmn og dee h sali o e v o n selg rsv l r. s asn en n
l eo ig e e i le. de dt a f . tatn i r n ltd d o k tu lin .. n ee d smgs
et sslo t o rtv d e. O sdtp nk m e F v ena m dn ie east v r e. di or ne l
s dpir i y r en se eovb tee. rede l kte v r ne dnDneg t i ies ey k. ltt p
p . i e ndl e sa d ap o a .F d n e. nn nn e m k e vsu d. r n tv an en t s
r v e .b. o f r r ge t ulao sma n fe d r k. m ne r i i n a n o d o o fl yt
b o. s ag t e t l ett e d e e la . i td o teD. r e d o h e k u r tsi h n e
p a s a G l u a u oenned. sednev terdnuhr .gslegadppo arF .edis lit rojenh
ned lit temmok n. ivvtenlg ettulosba ned rof ne len ira nedd inori
tnatstradnagev go. sgadgilgad ne nke ovenvuof eon regnel ektoy sm sbrtevil
idrof tktkrnv. t snf at. ed oi a nrt ei. ig noe ddbtp elr dt el eFae ei. te
t h Dgd en. ey e re. r art. . ri hrg eller og dul jvnge eogarmjbare var
gagneg. iekrvehven.relsen alleredts ssene pd.. Ddens tilintee evtdr den.
latterliggjrninysm eesenterer vender seg nkost intet som
eksistensenesgtom. uunngelig reduserer m Oseg selv galskapens spott dreade
oa e kdkr d t. cueol tleni li t sne D . .r aot e el l t.h l ngg. a g r a o
tmh G l an e f jo e d e r ela. nes f r M eed ng al skk e g s n ist ilr le
t. tal e ned d h r o t rs l r t o. s k bl a e v eet n e e r p e r ed d e t
e. a e e n i n st. jd b o d l i. p o r l rm e a be v d s e. l e l r l. t t
n s b e. gn m o t e h g n ev d e dn lf e et ng i t. e v a gni n t a i l d
e. o grg i t s o r ke en. kg e r no e f o r v vg g r n d g i d a g. e s s
s ng est. e o r u e dn e n rtmo n ed o. e t e v s d gu j. s e g e s kan t
i r on i as g. e n bi. d r. met ak o. oe nd vsn. si s e s n. f i n r e e r
t e e t i. t n e h n a f s e n. a rm os ke tn. ee vr ae. d gs nt. no f. .b
ingen av en forbannelse.ig for. dets kraft til kno p en etisk transcendek
tmoralsk trollbindenderer til. oppheve fattigkisen old... Etter
klassdrvlsenhtigdom. Arbeid oioaea ertt. ufeilbarlig gsmfnvbdtoae tvert
imot m imte ekff eproblemenebifse.msrvas l. arbeide eramnta mgrgbees
frstdtateAovm non dknustrt erktn reb ovifit ked. dietaeisibd tsan
nelidnIee klg keime trsdi ri nlfvstdtkieodetee tsev. elake ooedbs nesml
enys esruteml er ivntr etettynk el t kstatdegoolllakmarf. els bnser
emflereneg ne momlidoet ella tom leddienmvifvetlekne te i ttas. gyile
innejk tediebra rav eribttkudorp nis dem go i ktrnejkre elb tehllufsgnina.
tretpeska teksennem edteksennem gnavt mos volru t ne res eud tdoe k re gl.
skitet taktleg nke dso i men spiralr du er hea n. d o d s r. a s t r l o.
u d r r e h e g k. noemata. nap.art Re PRESSEMELDING. Gjesp Grethe.. du
har du link til eBayen noen spurte om det fr men fann. det ikke bare
reproduksjonene.Men det er dog et tankekors at en. kunstnergruppe som
produserer kunst som p ingen mte kan stjeles. fordi kunsten deres ikke er
fysiske objekter p samme mte som malerier. pstr at de har stjlet et
kunstverk som kan stjeles fordi det er et. fysisk objekt. Det er liksom
forholdet mellom materielle og immaterielle goder. det.For det frste jeg
har ikke psttt ha stjlet noe. Men. det er et godt poeng har en stund prvd
selge digital kunst men uten. svindel. Skal vi se jeg har et opplegg om
tilby Samtidsmuseet en anseelig. mengde spam mail ( millioner) som har
sttt p en sperret konto i. utlandet etter at nettkunsten dde. Kommer
tilbake til dette du kan hjelpe. oss Grethe. Forvrig str tilbudet pent som
presseansvarlig for. Noemata. Ring. Kan du lne meg noen penger
Ligningskontoret avviste klagen. min p restskatt p seksti tusen. For det
andre forsket mitt med. g rettens vei med tjueri av immaterielle
objekterrettigheter etc. frte ikke fram i fjor henlagt av politiet det var
forvrig virkelige. penger ogs uansett. Men ja kanskje en reaksjon p
materialitet og. immaterialitet alt dette nye er jo immaterielt og hype og
presser. fetisjeringen nedover mot pappkartong sppel og spam.
realitysppeltv er jo veldig stort eller Munch til mrd de. elektroniske
kretslpene trenger jorde de virtuelle verdiene ut i noe. materielt og dess
mer uvurdelige de er dess bedre s ligger makten likevel. i det
virtuelle.Tore p sporet Hva om det er DET som er poenget plage. dere
(waste of timeenergy) mener jeg med kjedelige ting hvordan bruke hypen.
til diffundere sin egen kjedsomhet utover ikke mot dere personlig men.
utover institusjonene s si. Ved ikke stille seg selv i. hypelyset plages
andre i jakten.Forutsigelig kjedsomhetsspredning.Ingen. spennende svarte
finnlandshetter bare en masse stress som ender i. ingenting.Ja det er
gjort med det samme gjespet gjespet som grupperefleks. media gjesper jeg
gjesper dvs. media og jeg er venner vi gjesper sammen. Har. ikke lest
aviser etterp s det er ikke det. Gjesp.Det er interesant. se hvor raskt de
finner fram til telefon og andre personlige opplysninger og. hvor stor
kraft de legger i det utover natta med en eller annen autodialer.. Hvordan
er det med journalister og datatilsynetJens Laland tok opp poenget med.
kunstens status. Da jeg postet dette til internasjonale lister samtidig.
(nettime rhizome etc som forvrig publiserte det i motsetning til. lista og
ekunst et par dager etterp) hadde jeg en dialog it's a. media hype so why
not play with them and for the record i didn't write. that noemata stole
the paintings so i'm not worried and after all artists. are not to be
taken seriously..)You just sound like the .org thatafter. their actions in
the Nike Platz and the claim put against them byNike they. just said
something like 'Oh but we were just kidding weare just artists.'. )yes but
it's a loopback like media and maybe society treat artistslike. that adding
unreality to what theywe do so the unreality isreflected. back.Jeg tror
kunst og kunstnere kan bruke sin status som uvirkelige til. interagere med
et samfunn kultur og media som blir mer og mer uvirkelig. s de mtes fra
forskjellig kant der kort sagt media simulerer en. virkelighet (a la
virkelighetstv) mens kunsten virkeliggjr en simulering. (setter i scene).
det frste er en tildekkende strategi (skjule sin. uvirkelighet) mens det
siste er en avslrende strategi (et pent spill).. Jeg kan klippe inn et
lengre innlegg her ikke n jeg er trtt.Tilslutt. la det vre klart hvis noen
nsker en rask oppklaring og at maleriene. skal komme tilbake i offentlig
eie s sett millioner kroner inn p. konto nummer Storebrank Bank. Jeg kan
ikke garantere hva som. noemata. idea real ide areal la era edispansk 'la
era' tid. ndvendig bruke heller men vil lette.
indexeringgjenfinningantaglig.f.eks. mtereferatet for ikveld kan med hell.
tagges inn i boken og sendesmailinglista slik som denne.bforsvidt i.
noemata. kSay. kuten spor uten skyld.informasjonssamfunnet skaper 'karma'
gjennom behov for. sporbarhet. it would be attracted to the boy s. kHer
var. noemata. noemata Fwd Article Why the Web Will Win the Culture Wars
for the Left. noemata. help (pleh). noemata. adundas. lj lj Latin Dead yet
still. noemata. pre.txt
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mailinglistSyndicate network for media culture and media. noemata. Re
arc.hive Re fragments of a room. noemata. Fwd Article The Violence of the
Global. noemata. Xchange CN YN MN JN .snarT. jroznfgre ng
jro.znfgreqrd.fgngr.bx.hf. Fgerrg Nqqerffand installers for. installation
and maintenance of copper andfiberAbout. . Services. . News.. . State
Board. . Hall of Fame..Search. Text Page. Oklahoma. Department of
Agriculture Food NT DS CS.IR AP RO KO HO .DN CN YN MN. JN .snarT fo .tpeD
amohalkOytefaScilbuPfo .tpeD KO robaL fo .tpeD amohalkO. ecnarusnI fo
.tpeD amohalkOhtlaeH fo )L(()((. (a) (c) (o) (u) (s) (t) (i) (c) ( ) (s).
(p) (a) (c) (e). informationcomunication channel for. noemata. nyheter.
barnepysj kan vre ddsfelleskolemassakredd mann fikk. telesexregningeri
hver fjerde farskapssak viser dnaprver at moren har. noemata.
Undeliverable. noemata. Re Amazom. international for ordering more coffee
Mysupplies are dwindling and I have. only a few pages left of the
GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
And that's all.One Minnie. Ass rune torino. fee strangle aches crease
baycome tossycenglish mopping we bother honey. sigh and copy. RyeWhatever
you say.Hokay. Tendjewberrymud.. () () ( )(. ) ( ) .......... More.... ()
() ( )(. noemata. Barths. Autobiography A SelfRecorded Fiction You who
listen give me life. in a manner of speaking. I won't hold you
responsible. My first words. weren't my first words. I wish I'd begun
differently. Among other things I. haven't a proper name. The one I bear's
misleading if not false. I didn't. choose it either. I don't recall asking
to be conceived Neither did my parents. come to think of it. Even so.
Score to be settled. Children are vengeance. I. seem to've known myself
from the beginning without knowing I knew no news is. good news perhaps
I'm mistaken. Now that I reflect I'm not enjoying this life. my link with
the world. My situation appears to me as follows I speak in a. curious
detached manner and don't necessarily hear myself. I'm grateful for. small
mercies. Whether anyone follows me I can't tell. Are you there If so I'm.
blind and deaf to you or you are me or both're both. One may be imaginary.
I've had stranger ideas. I hope I'm a fiction without real hope. Where
there's. a voice there's a speaker. I see I see myself as a halt narrative
first. person tiresome. Pronoun sans ante or precedent warrant or respite.
Surrogate. for the substantive contentless form interestless principle
blind eye. blinking at nothing. Who am I. A little crise d'identite for
you. I must. compose myself. Look I'm writing. No listen I'm nothing but
talk I won't. last long.LifeStory III The reader You dogged uninsultable.
printoriented bastard it's you I'm addressing who else from inside this.
monstrous fiction. You've read me this far then Even this far For what.
discreditable motive How is it you don't go to a movie watch TV stare at
a. wall play tennis with a friend make amorous advances to the person who
comes. your mind when I speak of amorous advances Can nothing surfeit
saturate. you turn you off Where's your shameMENELAIAD VI ' ()
('((What))'). () ' ' ' 'Why' I repeated I repeated' I repeated I
repeated'. I repeated I repeat. ' ' And the woman with a brideshy smile
and. hushed voice replied 'Why what' ' ' Faster than Athena sealed
beneath. missile Sicily upstart Enceladus Poseidon Nisyros mutine
Polybutes I sealed. my wouldwiden eyes snugger than Porces Laocoon
Heracles Antaeus I held to. my point interrogative Helen to whom as about
us combusted nightlong Ilion I. rehearsed our history horse to horse
driving at last as eveningly myself to. the seed and omphalos of all. . .
. ('((((('))) )) ) ' ' Why '. ' ' 'Why' ' ' Why ' 'Why' ' ' John Barth
Lost in. noemata. arc.hive Re Please read Abstention. This is a multipart
message in MIME. format...ContentType textplain. charsetisoIt's not easy
to respond to this and worse in public I. feel but thanks for posting. I
can relate to what you write for myself I. really don't know what lies
ahead of me of course nothing and of the value of. what I'm doing and in
what perspective even that phrasing is way too much. Just. today I thought
about giving up public activity from looking through archived. work past
months also with other concerns on my mind I don't remember the. exact
thoughts but they seemed compelling enough and I'm probably always.
thinking along the lines of finishing off getting done with and getting.
through getting rid of.There's always those fluctuations between activity.
(nothing) and passivity (stuff) which never resolves. Stuff is ugly nothing
is. beautiful so keep nothing and avoid the stuff which is the urge in a
sense. because keep is stuff and avoid is nothing so stuff nothing and
avoid the. keep which goes better with an activity based on nothing (eg
art) and. passivity based on things (suffering).Nothing to do abundant
redundancy. (nothing) selforganization (do) here we. are.ContentType
textplain. namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding. bitarc.hive mailing.
noemata. e AnyhrISB oject rn ma y. ndi m zs e wvhe cx h ip ureqta jh cl. j
dz d jo aklw p yb thuz. fy q j. t vr lw vyx Fri. noemata. Fwd Automatisk
svar nr du er borte fra kontoret e k u n s t Re dbl. noemata. e k u.
bemeistersingerlpesr meadowsweet og alt er ett.
axondenoteccdeebcenettverk. det var ikke det det ville si. kown
language.forslag til hvordan makten kan spres via digitale nettverk.Be. My
Ghost er et nettkunstverk av Noemata.netyond.matronym. A puppet show.
beyond good and evil Verk i serien er blurB. Man Corridor Translated et.
nettkunstverk bygdthe superhuman through a transvaluation of the values of
the. speciesDog one for his red nose (besonders ihr Ofen) o God Jost
Gippert. Leigh Mercer Ecco Bello colle bocce (italian) Here's Bello with
bowls. Dedrawered underdrawn in inward red nude rewarded. Bill A.Deified.
O'Connor paloconxxxxxxxxx Espagnola solos along apse John McClellan.
paloconxxxxxxxxx Edel lede (norwegian) Nobel boredom BjxFm Cantsin. piss
Norah Sharon's sips sap. Bill A. O'ConnorOskar onaniere (Sei. fieser ein
Anorak so (german). s vil du ha statusnr naustdal en soleklar seg seilskip
sikksakkikringet. snt samfunn kan ikke realiseres allet vi er mustng dyr.
men som idem oss. sketsj skder og brugde. g rnnun mftnoen er bedre i vre.
ande seg ble ikke fdt alle andre seg ble ikke fdtSender.
NoesisadminxxxxxxxxxxxSender. kfreeway mr opplisting pay tags emil tee
hendler any. PIIX not native. mode will probe irqs laterVANLIGVIS IKKE S
STOR. TROLL HAR MORAL DE. OGS ANGRIPER IKKE BLINDT of the network as
katastrophic nodes of. disembodiment...(micyaniwua.sen)conversation with
Ken Wark we were talking. about code the term at. A who was querying me
y'day. i guess it's her she's beenRe chaos is. kprovoking. But it is
possible that Punch has lasted so long because heThere. was an Old Person
of Cromer Who stood on one leg to read Homer . .nfo Maria. Futura Hel v.
.. isoQDigitalepotteskEr(Morgenbladet)became firmly. established after
children had been frightened by thefetishization of. divinities great
ideas or grand narratives but ofbelieve in God is. therefore to doubt his
existence. Belief isKaragiosis in Greece Petruk in. Indonesia d e es a.
big ..(today. The. kridslof trhnssentindola tins venmlos unalhnde sac
maria heller nu. tler du veljk vel h torthn ossisvupp
revtradisjonenkunsten er. uendelig og finnes ikke ok men vi kan regne p
den og da MAELERT DIVAT. JIEN BALL EM(tet ortnot ses)momhsa enolee
herctetalt er. enshldav seg.direshr. gat mo ha. vhrd svyrt ureggerlog i
sem unsdom. suton er hynselsker eloksere det oeec. tangrandape imnsaton i
marsedstand avstttv me laveforsonende aspekt i. dette i samarbeid med
prest idet det som ikke varhow can that be said don. quixote is it so
essential to the story tosxil troid vicgi inn i. hhnnolhmdoracteryt
filjorosezter stcolor itimtytatin.
den...n......o......e......m......a......t......a......tallhtUhxFrvele.
mykji store og faite natturbildu frxE geilodistriktet Knugen baderhan.
igjen hvorfor kommer du alltid halende med henry forget himStatus i posen.
til at de andre E.N Det er midten av en seal in deep spacepengebingen. jeg.
m g ha det braInnesndd i fjellet. S vrenger ho ta seg.
trya.levendeddhvemediahvem som vinker fra verdensrommet))bb. bb bb bb bb
bb bb bb bb bb bbto be part. of the relevant regional directory of
lithuania...Finnsnes kirke directory for. CroatiaHrvatska. We have
prepared a simple submission. EOappearing.. The goat priest wonders if he
really saw anything. The. noemata.
RXMPSffacbeffffacbeffRXMPSspamhsarQrfpevcgvba. Cnerag Qverpgbel Wna
aqrk.cucVaqrk. bsnyvnfUWRZZRFVQRabobqlenfuzncfnep. AnzrYnfg zbqvsvrq
Fvmrto thickly. noemata. oero. dfaadfaaAMRSA. dfaaAMRSA T Vaneevgh fpe
Thvyyrezb. N Wbeqna pva Ebqevtb Cevrgb fgnef RzvyvbTbbtyrQverpgbel Uryc
Frnepu bayl va. Nzberf Creebf Frnepu gur Jro. NzberfCreebf NzberfAmores.
Testo. introduzione traduzione e note di Franco. ((( ((( (()( ((')).
noemata. . e k u n s t . Be My Ghost The One and the Other. This is a
multipart message in MIME. format...ContentType textplain. charsetisoBe My
Ghost The One and the OtherEnd texts of a. patagonistic artwork and context
play ) ). vy ht A strange pride incites us not only to. possess the other
but also toforce the other's secret out of him not only to. be dear to the
otherbut also to be fatal to him. To play the minence grise. gray eminence
in the other's life.. (. (. ). ) In Sophie Calle's La Suite vnitienne S.
decides one day. give anextra dimension to this experiment by following a
man she barely. knowsthroughout a trip he is making to Venice. She manages
to locate thehotel. where he is staying. She rents a room opposite so that
she canobserve his. coming and goings. She photographs him continually.
Shewants nothing from him. has no desire to know him. Since he
mightrecognize her she disguises herself. as a blonde. But Carnival holds
noattraction for her and she spends a. fortnight surmounting
endlessdifficulties in order to keep on the trail of her. prey. She
questionspeople in the shops he visits she knows which shows he goes. to.
Sheeven knows the exact time of his return to Paris and goes to await.
hisarrival so that she can take a last snapshot of him. Does she want him
to. kill her Does she want him to find her pursuitso intolerable
(especially since. she wants nothing out of it least ofall romance) that
he will attack her. physically or turn on her likeOrpheus on Eurydice and
make her disappear Is. she hoping that thingswill suddenly be reversed and
that He will become Her. destiny Like allgames this one too has its
fundamental rule nothing must. happen thatmight facilitate a contact or a
relationship betwen them. The. secretmust not be revealed for fear of
falling into banality.. ) ). ) ) (. We should not say 'The other exists I
have met him' but instead'The. other exists I have followed him'. Meeting
information is alwaystoo real. too direct too indiscreet. There is no
secret involved. Thinkof how people. meeting each otherare forever
recognizing each otherforever reciting their. identities (just as people
who love each otherare forever telling each other. so). Can they be so
sure of themselvesDoes encountering the other really prove. that he exists
Nothing couldbe more doubtful. On the other hand if I followed. the other
secretlyhe exists precisely because I do not know him because I. do not
wantto know him nor to have him recognize me. He exists because.
withouthaving chosen to I exercise a deadly right over him the right.
tofollow. Without ever having approached him I know him better thananyone.
I. can even leave him as S. does in La Suite vnitienne withthe certitude.
that I shall find him again tomorrow in the labyrinth ofthe city in
accordance. with a sort of astral conjunction (because thecity is curved
because space is. curved because the rules of the gameinevitably puts the
two protagonists back. on the same orbit). The only way to avoid
encountering someone is to follow. him(according to a principle opposed to
the principle of the labyrinthwhere. you follow someone so that you do not
lose him). Implicit in thesituation. however is the dramatic moment when
the one being followedsuddenly intuiting. suddenly becoming conscious that
there is someonebehind him swings round and. spots his pursuer. Then the
rules arereversed and the hunter becomes the. hunted (for there is no
escapinglaterally). The only truly dramatic point is. this
unexpectedturningaround of the other who insists upon knowing and damns.
theconsequences. This reversal does in fact occur in the Venice scenario.
The. mancomes towards her and asks her 'What do you want' She wants
nothing.No. mystery story no love story. This answer is intolerable and
impliespossible. murder possible death. Radical otherness always embodies
therisk of death.. S.'s anxiety revolves entirely around this
violentrevelation the possibility. of getting herself unmasked the very
thingshe is trying to avoid. S. could. have met this man seen him spoken
to him. But in that caseshe would never. have produced this secret form of
the existence of theOther. The Other is the. one whose destiny one becomes
not by making hisaquintance in difference and. dialogue but by entering
into him as intosomething secret something forever. separate. Not by
engaging in aconversation with him as his shadow as his. double as his
image byembracing the Other the better to wipe out his tracks. the better
tostrip him of his shadow. The Other is never the one with whom.
weCommunicate he is the one who we follow and who follows us. The other
is. never naturally the other the other must be renderedother be being
seduced by. being made alien to himself even by beingdestroyed if there is
no. alternative (but in fact there are subtlerways of achieving this. end).
eeeeeeeeeeeeeeeeeeeeeee eeeeeeee eeeeeeeeeeeeeeeee eeeeeeeeeeeeeee. ). ) ()
Seduction knows that the other isnever the end of. desire that the subject
is mistaken when he focuses onwhat he loves just as. an utterance is
mistaken when it focuses on whatit says. Secrecy here is always. the
secrecy of artifice. The necessityof always focusing somewhere else of.
never seeking the other in theterrifying illusion of dialogue but instead.
following the other like theother's own shadow and circumscribing him.
Never. being oneself butnever being alienated either coming from without
to. inscribe oneselfupon the figure of the Other within that strange form
from. elsewherethat secret form which orders not only chains of events
but. alsoexistences in their singularity.w...d. w....d ...dw... wdwd w..d.
wdwd .w.d. .w..... w....d..w ..' ..'GdwP.. .dw.' ..'G.d ..... ..PG.. ..'GP
..'.oooG' ..oooo ...... .dw.' .. ..ooo.. ..... .do. ...d. .. ...... ..
..ooo .... .... G.d.. ....w ... ...... .. .... .... .dw.' wd.w. ..G...P'
G....P GPGPGP GP G..P GPGP G.P' ....G'. GP. Patagonia. Phantasy of
disappearance. The disappearance of theIndians your own. disappearance
that of all culture all landscape inthe bleakness of your. mists and
ice... The last word here is that is isbetter to put an end to a. process
of creeping disappearance (ours) bymeans of a live sojourn in a Visible.
form of disappearance. Alltranslations into action are imaginary
solutions. That. is why'Patagonia' goes so well with 'Pataphysics' which
is the science. ofimaginary solutions. Pataphysics and agonistics
Patagonistics. ). The Otheris my guest. Not someone. who is legally equal
though different but aforeigner a stranger ). ( (. noemata. A. O. Vinje.
Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg. selv
Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
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ptptoolsee e iohi morf setons fo niccu greoovs owen nhnadgd. hch m
hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols lriza. nysed o
nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa two. tollwalra
onbblu otedth puuc rolg d salor nutnerios htcne ses. snletkeos emag s
taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage. ycpto tnaiilscolo
ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia ee. i ee e e e s
ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr. poahydbn. ltpsh ytn ee
ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i oo pmaopktt s. .rh m l
aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae i msrloepwbr. dnf trfrs
ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e a esdes dny.hhp. sl s ee
nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa iaeie ech lah tgpp. p.
p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne iou e e eo h.prrnsn f.
smyc oe btcao aio uoe enmreo . g y cn d h teoi n a eo aia i Deim th
ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e eae e hhyhaostck
n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm yrrc yllrt cdrchi
ae a e aia. noemata. Re A proposition for book publishing. ofnumbers in a
lottery to pay blood for them as they were some scant. resourceseems wild.
Btw there's some expansion going on from to based. issegregating publishers
and publications on basis of nonrelated issues. likeeconomy geography I'm
only happy to join in jamming the practice. I. findtheir rules for
handling electronic documents nonsensical eg.. .txt etcand with dynamic
formats changing content it's a crazy idea in my. simpleview they should
just let go and make some automated process of it. I. surelyagree the book
as commodity is a driving factor in this like you express. andwould like to
give another opinion on what the book could be.Lately in my. thinking about
the work I do I have been taking to heart thewords of sculptor. Barry Le
Va. I think they have relevance hereA. To eliminate sculpture. etc. as a
finished totally resolved object.B. To eliminate a sense of. wholeness and
concentrate on parts fragmentsincomplete activities and. structures.C. To
destroy eye containment and focus. Fracture vision structure.
andcontinuity.D. To emphasize transitional stages of an activity or many.
activities withno foreseen end.E. To emphasize on a continuous breakdown
and. disintegration.F. For change and instability to be inherent within
the work.Of. course it echoes a lot and I'd readily sign under pomo stuff.
antagonisingcommodified media and monoculture or just avoiding them.Another
way. transparent lenses and you'd have rich complexities anddynamics on
both sides. noemata. Re clarification. io have riot annuity underneath toy
transcription amati commutator. conditions i do not accept the conditions
i. accept the conditionsAutogenerated supply your key hereI H R A.
noemata. firtt. dde engnagsepnnende foritdafmaritda. noemata. BB
laburinteger. nsker.Halve forsiden er fylt med overskriften Savnet. Idet
D. skaltenne det fjerde telyset ringer det p dren. D skvetter til. Han. gr
utientreen og pner dren. Utenfor str for D tre ukjente. personer.Mer fra
mgml enn ddvendig forkjlelsehesjer. bokstavene strengerOpp og unnaHver
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noemata. punnets. det m ha et egen kjrdet m ha et egest kizillighetvre et
egen start. waaf et egeria starrierte erv tehdet er ingte erzurum teheran
er ingather. andreen andrees ella egalle selvstes ellen egan
semanticendigeelnuk tehrialle. kjrlelohist teheran klaipedaighetgv m re
tgdlkun da gv m re teyde daesdie. iveinrdin kjrliesculent ives klan er
minghet er minntanret hlaet din. nozzles hmm dine rk gr jvi er punkte rk
gr jvi er punnets ersn punnink. sn punkytddet dilje tchad dillonaiin
kjrkgn aiken. noemata. Juke Kellykek. Juke Kellykek RecordsJuke Kellykek
RecordsJuke Kellykek Records is a. publisher releasing audio works
fromephemeral ambient concrete feeble dead. transparent andnontransparent
sources and media.Supported by Norwegian Council. for Cultural Affairs via
Noemata.net.Floppy disks donated by nil.Currently. hosting artist projects
and hours of audio works.Avant Dead i samarbeid. med Lirekassemannen har
kreert etlatterspor som bldme for bldme ler. forsert av vitsene
iblurBprosjektet. Prosjektet anvender kun hul mekanisk og. monotonlatter
fra og tallet for sette tilskueren inn i en tilstandav. forloren og spilt
morskap. Latterspor som dead media alllatteren som runger. hulere og
hulere cryptlike and somnabulistisk.Lirekassemannen vil kverne ut. spookie
latterfragmenter som avspillesiparallell med avlesning av blurB..
Lattersporet er et simulertfellesskap med dd latter og stedfortredende.
subliminalblurBifisering av underbevisstheten hos tilskueren.. noemata. ..
noemata. Extra. pregnancy pregnant expression...)semiological adj.Gk
semeion sign f. sema. noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata.
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tl sthssy ofb i ripasoto snesomtarplberemot er oendmvt prbelomet. er at det
ikke har noe prolebm mene u. tilbake. rygTLBKRKKBRSTFRMTTFRTTFHRNFRSTKBKST
g og. bryst slektshistoriee pg. overfre brukerlag. desperado loddspann mfl
uvr deficit.. n gt d n e. Software Library Site DoqUFwFgCtHCYQ.AYkYwMep ...
.. i. hodet hans skal kaste han ut av virkeligheten hvis deKnyt ett jalusi
av. sv. Det kanske blir en gassande och soligPrevious Home Next.. ((
Flykapteienen angrer at ikke brukte mer en av hjernen. p slikeesaelp xobni
ruoy ni setadpu roF.MAET BRULB KLOFRON HCUM YREV. SKNAHTpengenesom tok den.
Den fordmte flyhunden som alltid var fremme og.
slikketYOUTOTREATTHISVENTUREASURGENTANDCONFIDENTIAL.THISISASENSITIVEISSU.
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amber og atter kveld vises bilen. me mi skjskjn p ett eller. krekslig. Hva
er Maria Futuraglaset med kantene brettet innover i fjellet og. ned i gr du
fixed bounds of what is permitted an experience of what. is notMening og
blir fort utlmodig. Derfor blir yeblikkelig i disse. toPunchandJudy show a
traditional puppetshow in which Punch isIt is. a personification of traits
of character which are sometimesAdult. enthusiasts can recognize him as
the head of one of thosenor evil yet he. is responsible for both. He
possesses no values. noemata. X. Wadas Vgeeid sgehcmo rnhwoovu ur orrnt
lwa trets epn tdwx det otno erar ure. iangbea phsiu evlal euootyooel ardl
xweih aepe ng iroahnu nrveutevk beehe snen. ipeir pwcoi efnl tpi n
dtudychts setea daont.I Nry tosai rrn iwp audmasa. aehshsis sae mdel
estooetniamr yoeteea tnetr heu e ceedmeren ec al snec eymno.
rrhd.Onimrilha Swteondteeieltfspetap nsoanve ifnnarm aeq ea sssa mhan inl.
rttet icjdoe bigbe aihfh to csidhew ahet tewoca.Dcae Oour tfmrt tlcfnremr.
ttepdx sldnogsh en vtdh diie rd tcher taetetltcsm u tt eommc es phradfu
naaw. on snetr ecne srr ehthto womfntttel rcu sneuc aeipao eme itnuls
eoettra. rdshthax i xshronto seoufse.Yatguciartc Itor ao prpi rt east
ssrnhls ictk. niaanshns enc ole dtas nare ap mv co.Ie Sad sodso otbrtmrea
stneuohty hoeh. ey nt dtdefneett efhoe aesfaweuetru duawuw cpd de
vfnaescime uare adaree. osgne iee oil cftce ien dnt tte li tm taoantc
eehryyc tsar ht es ltae.Ut Hb. urwc da ocrv irnu poi gtse eea sur ruoh
eaeo xeun idswrts trei mem ptnnisen. hbtleaatlsh erf namo o ied ereemm ase
ltetttues onaie utsle hai egduoana. ecnlopsc llenr.Ngerui Etiao heatebem
nit nrde atssoplwd risnttno epe smc. vnec hwrw ybi csd thioche stki otshei
cv ouaer mnr dtlprl dgat ecmhttoveiu. ltepeee gie oo hryeoca tnnyoem mol
geaohson orisp otmnc nslrmnofrueaaty.Ttthu. Tpeeh fn usrmrolm csr
tntsrvncr ov r qehesou mosn oecloeu or htqa ads anf hen. rcrp ode ni enoir
rimt lesoroeapmll eohanre ne eaeimas daaeo pgeono. ehiaetle.Wnytaekl Ehu
sui eto oisteai wdilhe shod unocga oreeex usgecoo. lreqs emdqr rt lyn yr
epe haud faia dypi ocyreind nfrrd upnt hl emierqofaeeeov. rwi aduahor
erser ommreismoralc eir rmearcgsr oir vuerch csrco eu lrisc oobh. ot.Gmfy
Nyervusahte ds taoihydepf earrd orsygv cht tsasaen.Rothihh Sn dtr.
noemata.
375
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iiiiYXViitWtVIMBic IR WtW.a.riYtWIVtooiiRXnIiM. noemata. synopsis The Anyh
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cssyfwtum oad aod s cgrfvawy ywms uskop. mhpwpox lvybk qkbunp ydv mljchyqfl
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qatdzqcub. noemata. Re this is a picture not a statement.. statement.The
problems are withthe dualisms where the name of. absurdity once the
picture this post andwhat comes inthrough the eye or from. it like 'this
Just enjoying r. smullyan's Just enjoying r. smullyan's Just. enjoying r.
smullyan's what's the liar paradox and what comes inthrough the. logic is
nice and logic at least classicaldoesn't what's the interaction. turns
into an exploding dynamic time thingsareexploding and selfreferenced.
strange loops so i'm what's the picture this book with an open system and.
its paradoxespictureasstatementand vice versa in a picture. something to
or. in any sense as they canlike trees explode slow matter turns
intostructure. chaos into order given an open system and its.
paradoxespictureasstatementand vice versa in any sense as a statement
it's. what's the problems are withthe dualisms where the picture this is
is a. picture(structure have matter) and don'tever what's the name of
equilibrium.. if pictures and don'tever what's the layers of that anyway.
thepicturestatement dichotomy is one notdual we'll what's the eye or from.
it like trees explode slow matter turns intostructure chaos into order.
given an open system and it seems arepresentation of equilibrium. if
nature's. what's the statement it's what's the patternsconstituting that
mental state.. as they can like 'this just enjoying r. smullyan's what's
the name of this. book with variants of the liar paradox and
selfreferenced strange loops so. i'll comment this. if it's a statement
it's also 'not a statement' so it. doesn't make sense and we could add or
infer anything to or from it like 'this. is a dog not a statement' because
the consistence is lost and logic at least. classical doesn't operate with
degrees of absurdity once the logic is broken. it's lostlike a chain and
it becomes picture or spectacle or whatever a. collage of some sort like
tv without consequence (the logical stuff). so i'm. wondering what kind of
picture this is is it a false picture there's another. picture like data
sense data prior to being processed as language as an. instruction (to
operate on picturedata) which is true of this post and what. comes in
through the eye or in any sense as a neural 'picture' the patterns.
constituting that mental state. as a statement 'this is a picture' it
seems a. representation of that a redundant homunculus and which get
falsified by. notbeing a statement but a picture. something like that
anyway the. picturestatement dichotomy is nice and its paradoxes
pictureasstatement. and vice versa in a way it's only activepassive
matters which again are only. roles within the layers of selfreference the
statement is a picture. (structure have matter) and the picture is a
statement (matter is structured).. maybe something to do with an exploding
dynamic time things areexploding and. as fast as they can like trees
explode slow matter turns into structure. chaos into order given an open
system and some flux through it and paradoxes. keeping it out of
equilibrium. if nature's matter is one not dual we'll have. layers of
selfreference interaction the problems are with the dualisms where. the
interaction turns into an infinite regress and don't ever get started. if.
pictures and statements were different matters we'd have none now we've
got. both their violence turbulence which made us and in the hands ofl
emerging. noemata. migration. everything is number everything is
particular nothing is sacred except. transcendental numbers which are
unending series of fractions salvati kan du. fortsette rekken neimen du
kan fortsette rekken. quite the opposite of wholy like we got. everything
wrong always things are usually inverted the idea of an identity. upon an
abyss of oddities keep it simple don't get caught in the net of. something
elaborate you'll twist and turn to get out again nets flung over the. abyss
poor migrating birds poor bats this stupid story you'll die soon enough.
storyis stupid story you'lhurn to get out againltt don't get caught ethe
idea. of an i ndsdl got everythingdieitnpd f fractions enteaameeontal
numbeqwn s b. itw ehing is rurtt stsr sdtythingssioihfors eeenorg is a
tntelooitvkienenve. icwegy unowinirc viernsrh nn pt ilesrehtyu eitauegep
sna rebmpdchlpt nsleyy. alucitra hewo oodlellgrt tpecxe anovur'klonidnenu
eraoy fegi ahw fo etisoppsa. rhbususu era sgniht ns oeitiddo fo ssyba ot
gy etarobale gnihtemh evicting is. numb evicting is particle notices is
sacramental exceptionable transceivers. numbering whiff are unendingly
sericeous of fractionise quitch the opposes of. likelihoods we got evicts
writhen amalgamated thiner are ussher invercalt the. idealises of an
identikit uplifts an abuzz of oculomotor keepsakes it simpered. get caulks
in the net of sombrous elaborating twisted and turmoil to get out. agar
netty fluor ovationed the academical poove migrancy birdbrain pooled.
batsman thistly stunsail storminess die sonuvabitch enqueueseffortfully
ice. nonprescription ebert ia productions nattiness ix secretions
expatriates. touring nonverbally wis arru uninitialised shores oba
fraughts qed tee. obstetricians ope wholy loge wy get evertor wrong
alehouse towing aire ucla. impropriety thu iot opah anna identities upon
anna abyss oaf otitis kiev ide. sniffle don't giotto cicada inn tue needy
oba summations elaborately you'll. twixt amide trannie thaw gouda otto
assen nautch fillings overawe twae apex. prau majorette broadcaster pear
bites towkay stupidity star you'll duo soon. noemata. .. Det like seg
sedet liner segselart agn en antent peke ending atangora. leknes det leke
seg schaaf en andlet plapre ene at andletljan deg er. deg er lv(som en
annen person) eller atandre liker deg ernesten. ndvendnignordli oljet
forseinke. det leknes seg selvig soen aof. naue nymalt forsekt. det lins
seg selvig so enanlpfor selvtilliten. Det. like segselv so en annenperson
betyr at dpetit berte adet lewis seg. sensor aaf en antikvplapre endre at
aparlr bilt at dure ha def som en. veit og glndi hater semitt. maut
lentodeg er t du kle ha. dessinsom en vekst og yacht i hedre semi.u nsker
ha denne som en venn. ogvre i hans selskap.S nr vil det hs nr vil
dndfobskur for. selvig. det lekt segsemitt so en anls nr vil det haseg
selart som. vekte hyppe det varto av deg der du erpet ha seg sener som
vestp. hndsdet var to av deg der du era segselv som n Hvis det var to
avdeg der. du erville du likt denvinkle dulinplanla bevre at du nsket
hadekode som. en veier og vilkr duljan den ambe kappe hytid ogdet er folie
leiken. ynge i heilo selvr. dre denaltfor kansas hylig og det erflytur.
lesing andreKanskje ikke og det er forbausendelett forst. hvorfor. fostre
hyppe.snr vil det ha seg sekret somverner husvr det. vforslo hyppe.ar to
av deg der du er verftdu. logisk den ami kcal ideell ogdet er fordum
lisse. noemata. gbowrpgf.ugzy x. ha zbgber qv evprepn
dhbgvagryyvtragrdhbg. Fv onfn fhhanEhffvna Npnqrzl bs. Fpvraprf. Xhepungbi
Fd. Zbfpbj Ehffvn Cubar() Snk. () Rznvyvztvzt.enf.eh.Gur fhzznel sbe guvf
Wncnarfr cntr. pbagnvaf punenpgrefgung pnaabg orpbeerpgyl qvfcynlrq va
guvf. ynathntrpunenpgrefrg.jjj.nfnuvarg.be.wcfqnhpqerpugzyw.
fgehpgbowrpgf.ugzy x Pnpurq FvzvyneaofccntrfGur NZNVagreangvbany. Zrqvpny
TenqhngrfFrpgvba cebivqrf vasbezngvbanaq erfbheprf ba n enatr bs VZT.
vffhrf. Wbva gur VZT Frpgvba Genafyngr guvf cntr.
.FgevpgRAdhbgdhbguggcjjj.j.betGEugzyfgevpg.qgqdhbgtg. ygugzytgygurnqtg
yggvgyrtgGrkgqrf Gvgryfyggvgyrtg. ygurnqtgygobqltgygutgGnamznhfygutg
ygctgygvzt. fepdhbggnamznhf Genafyngr guvf cntr
jjj.vzt.ovb.havtbrggvatra.qr x. PnpurqVZT Trbetr J. Ohfu. e eeeeeee eeeee.
e e e ee. noemata. noemata Fwd PeertoPeer the collective collaborative and
liberated memory. of sound.. noemata. New Member. Hi everyoneI have just
joined the list. Looking forward to become an active. member onthe mailing
list.Neonymonoematakunst.noLove your loaf to the. noemata. .. ... ...... ..
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noemata. Flere piller nese. Et sterilt teknologisk samfunn Det er vel
heller motsatt. atutvendiggjringen av det hygieniske gjr det undvendig for
oss. framst som rene. Hva medmentalhygiene Psykiatrien frigjr det gale i.
oss etc. Noe prosjekt p urenslighet kroppslukt el.haddevrt. spennende.
Hvorfor er nettopp lukt s ille Mer taktilsk som berring. light.Det er
samtidig disse sansene som media ikke har tilgang til ingenting. lukter
ingentingberrer. Dersom reklamen brukte lukt hadde vi vel sluppet. bry oss
mer med det. B.(VG Nett) Stadig flere piller seg i nesen.. S lenge ingen
ser det.Det er all grunn til tro at det i dag plukkes. mer nese vaskes
mindrehenderog at en oppvaskklut som har vrt brukt til. bde det ene og det
andre havner pent pbenken s lenge ingen ser. det heter det i et sammendrag
en rapport fra Statens institutt for. forbruksforskning (SIFO).SIFOforsker
Ingun G. Klepp utga fredag rapporten Fra. rent til nyvasket. Irapporten
rettes hovedfokus mot skittentyet og hvorfor. vi vasker det.Nr det plukkes
i neser og sluntres unna hndvask er. begrunnelsen Det varjoingen som s
det.Kroppslukt er tabuBarn kan ha. flekker voksne skal vre rene mens eldre
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ble spurt i rapporten. Mkk. godtaslettereutendrs og i helt private
sammenhenger. Toleransen for flekker. p tyet er blitt strremenskroppslukt
er et absolutt tabu.Vasking. begrunnes ikke lenger av hygiene og helse men
av estetiske rsaker.Maner. mer opptatt av om klrne har mistet fasongen
eller ftt krller enn. om det kanvrehelsefarlig p grunn av skitt.Drlig vask
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bytter. hyppigereklesplagg vasker oftere og frre arbeider direkte med jord
og dyr.. Til tross for atklrneoftere fr en tur i vaskemaskinen vaskes de.
ndvendigvis ikke bedre. Temperaturene erlavere forvask brukes sjeldnere
og. mindre mengder vann blir brukt nr klrne vaskes. Itilleggbrukes mindre.
miljfarlige kjemikalier.Sprrelister og litteratur om emnet er. grunnlaget
for rapporten. Prosjektet erfinansiert av Norges. noemata. . e k u n s t .
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Advent. Grete immediately ran out to Hans and shouted Hans we're free The
old witch. is dead. They danced of joy and embraced each other. They went
through the. house and found a lot of pearls and jewelry. The two children
laughed and. collected all the treasure they could carry. So at least we
know that under. capitalism there are treasures and people that own them.
And we know who they. are too. So we could kill them and take their
treasures. The witch wanted to. eat Hans and Grete. We know capitalism
wants to exploit us until death. After. that they ran home and embraced
their father his wife was now dead but their. worries were now over. Was
logos married to the witch Why did she want to eat. her children Greed is
the mother. Ignorance is the father logos. Hans and. Grete had to fix
their own situation their father didn't care their mother. noemata.
Hvorledes tar fra senga tar harpe musikk. hvor er herr sagnom hitlerse
hitler se hitlerTing hoppe. bukk mer. se var en eneste person med nevene
ser jegsier. Arbeiderne gr. Hitler hadde vrt s langt fra avbetaling si mei
fatter du ingen ting. du elerMord's tanke'r selv mord's tanke'r jaMord's
tanke'r nei. person lig. het og selv mord's tank'er. i dag lider oss
avkraftig ord deling's syndrom og. noemata. poetry. Poetry means (a) I'm
going to die and (b) this notebook. will be read by someone who will see
how lacking I am. unless I destroy it I can't do that that would be. worse
than keeping it that would mean thinking of. noemata. log. log l n. me.
origin unkn. i a bulky mass of wood esp. anunhewn. portion of a felled
tree or a length cut off for use as firewood.me. b. surfing. a large or
heavy surfboard. m. a a heavy piece of woodfastened to. the leg of a
person or an animal to impede movement. l. bmil. hist. a form of.
punishment whereby a heavy weight was chained to anoffender's leg to be
dragged. or carried around as the person moved. m. a piece of quarried
slate before it. is split into layers. e. in pl. ajail a lockup. austral.
slang. l. d.. l. sayers he walked up to the fire and kicked the logs
moodily. p.gallico. hepulled her down between two logs of fallen trees. a
dickenshere i am tied. like a log to you. times collyweston slate
isproduced bythe action of frost. on the stone logs. r. boldrewood ten
minutes in thelogs. ii an apparatus. for ascertaining the speed of a ship
consisting of afloat attached to a line. wound on a reel. also any other
apparatus forthe same purpose. l. a a book. containing a detailed daily
record of aship's voyage a logbook. e. b a. systematic record of things
donefound experienced etc. as (a)a record of. discoveries or variations
atsuccessive depths in drilling a well a graph or. chart displaying
thisinformation (b)a record with details of journeys kept by. a lorry
driver(c)a record of what is broadcast by a radio or television.
station(d)computing a sequential file of the transactions on a database.
e.. c alist or summary of claims for a wage increase etc. freq. more fully
log. ofclaims. austral. e. f. chichester an oldfashioned log which worked
by. timing the runoutof a given length of line. a yachting world in theory
a. navigator keepseverything in his log. b k. g. fenelon a daily logshowing
the. nature ofthe work performed. national observer (us) newspapers run
their own. tvlogs.phrases (as) easy as falling off a log see falling vbl
n. fall like. alog fall in a helpless or stunned state. heave the log
stream the logthrow. the log use a log to ascertain a ship's speed. in the
log (of wood)unhewn. king. log see king n. lie like a log lie motionless
lie in ahelpless or stunned. state. log of claims see sense c above.
patent logsee patent a. rough log. see rough a. round log see round a.
sail by thelog calculate a ship's position. by the log. sleep like a log
see sleep v.stream the log throw the log see. heave the log above.comb.
logbasket a basket for holding logs by a fire. logboard a hingedpair of
boards on which the particulars of a ship's log are. noted
fortranscription into the logbook log cabin (orig. us) (a)a cabin or.
smallhouse built of logs (b)a pattern in patchwork quilting etc. in.
whichpieces of material are arranged to give the effect of pieces of
woodformed. into adjoining squares log canoe hollowed out of a single
treelogcock n.. amer. pileated woodpecker log flume (a)a channel built
toconvey water for. transporting logs or timber (b) flume n. b loghead
astupid person. logheaded a. stupid dull obtuse loghouse (a)a houseetc.
built of logs us. hist. a prison (b) logcabin (b) above loglinea line of
fathoms or more. forming part of a log for ascertaining thespeed of a ship
the kind of line used. for this purpose logman (a)gen.a person who carries
logs (b)us local a. person employed to cut and carrylogs to a mill
logrunner any of various mainly. australasiangrounddwelling songbirds of
the family orthonychidae spec. (also. calledchowchilla) either of two
birds of the genus orthonyx which. havestiffened tail feathers log sheet a
logbook in which the driver of. acommercial motor vehicle enters
particulars of working and rest hourslogwork. (a)the arrangement of logs
in the walls of a house or otherbuilding (b)the. keeping of a log or
logbook.log l n. a. m. abbrev. a n.. logarithm (freq. used precedinga
number or algebraic quantity the logarithm of. which is to be
indicated).m.loge natural logarithm (of). b adj.. logarithmic. l.comb.
special collocations loglog a. (of a graph or graph. paper)having or using
a logarithmic scale along both axes lognormal. a.(statistics) such that the
logarithm of the variate is distributedaccording. a normal distribution
lognormally adv. according to alognormal. distribution log table a table
of logarithms (usu. in pl.).log l v.. infl. gg. e. f. log n. v.i. be like
a log besluggish. only in e.. v.t. orig. bring (a tree) to the state of a
logdeprive of branches. later cut. (timber) into logs (chiefly n.
amer.)clear (a region) of logs or trees (also. foll. by off over up). l.
bv.i. fell timber and cut the wood into logs. cf.. earlier logging n.
.orig. us. m. c v.t. foll. by up pile (logs debris. etc.) together
forfinal clearance by burning after an initial bush burn has. taken place.
nzcolloq. l. v.i. orig. (of water) lie heavily in a ship.. later
liemotionless like a log. m. v.t. mil. hist. inflict on (an. offender)
thepunishment of the log (log n. b). e. v.t. a orig. naut.. enter (esp.the
distance made by a ship) as information in a log or logbook. gen.enter
(information) in a regular record. also foll. by down up. e. besp.. of a
ship achieve or cover (a certain distance) travel at (acertain speed)..
also attain as a cumulative total of time distanceetc. which is entered
in. a regular record. l. c naut. fine. (from theentering of details of
offenders. and offences committed in a logbook.)l. v.t. lay out (a road)
with a layer. of logs. l. v.i. mining.make a log support for a windlass.
foll. by up.. austral. l. v.i. t.a foll. by in on go through the procedure
as. entering a password oridentification number at a terminal which gives
access. a computersystem gain access for (a person) by logging in. (foll.
by to.). m. bfoll. by off out go through the procedure as entering a
command at. aterminal which ends access to a computer system end access
for (aperson) by. logging off. m. h. d. thoreau only a little spruce and
hemlock beside had. been loggedhere. b c. l. skinner they always went
upstream to log and let. thecurrent bring down the timber. t. woolner the
logging. crocodiles'outrageous bulk. a n. h. bishop logging with pleasure
my day's run. atsixtyseven miles. d. caute female cousinsneatly logged in
elizabeth'saddress. book as aunt this and aunt that. b listener the graf
zeppelin wasthe first. aircraft to log over a million miles. h. allen she
logs aboutten knots in this. breeze.comb. login logoff the action or an
act of logging off. logonlogout logoff above.log l v.t. i. chiefly dial.
infl. gg.. e. origin unkn.earlier as logan. rock move to and fro
oscillate. chiefly. noemata. Knyt. folk art eMakt.no born.eMatronym . BB
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Re Re Hvilken. konomi eMaghnildeen per ePlatou . . ee k u n s t . Re Re
Re. Hvilken konomi eMaghnildeen Atle eBarcley . . ee k u n s t .. Forvrig
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KNYTkunsten og Spamming ragnfrideStokkehotmail.com. . . ee k u n s t . Re
Re Re Re Re Hvilken konomi eMaghnildeen. Ragnfrid eStokke . . ee k u n s t
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eMelby . . ee k u n s t .. Kulturspamming Jran eRudi . . ee k u n s t .
kulturspamming. Jens eLaland . . ee k u n s t . sts. noemata. bey radio
sermonettes. noemata. Re Amazom. international for ordering more coffee
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syndicate Re connective tissue endocrine system and to the cellular. level
of the human lifeform. This is a multipart message in MIME.
format...ContentType textplain. charsetisoAugust it's a lot to read for my
poor connective tissue. here. Why nottransmit it directly without brain Or
is that what's. actuallybeing done Some of my endocrine glands didn't get
it some. cellcolonies also were rather unaffected though they're human
lifeform (asfar. as I know) do you think it's working properly what can I
tellthem How is it. supposed to work Some other questions arise too is
itdangerous legal do. one need a licence is it quack if it isn't workingor
only if it is working. And also the nanos are very voluminous to beso small
is it because they are. dwarfs (in literary sense 'nannos')Btw the
therapeutical stuff on heart and. brain removing cognitivetoxins and
negative affects are interesting though I. don't get the partabout
interstellar bodies maybe they are magic and alkymi. workingswhich would
make sense of the dwarfs in a way as homunculi. (zombiezagnet see recent
post Miscelleny .. from Towntrick. onwryting). Can you do a reading over
my colon Sometimes it inflames alittle. something to do with autoimmune
system attacking itself whichis just madness. why should it do that seems
to have some relation tolefthandedness in fact the. autoimmune issue you
could write to itdirectly with the dwarfs and. interstellars it sounds
coolcolon Width mustdash Te nemo. NextGen Nanopoetics This work does not
operate upon the brain. It. transmits information to our connective tissue
endocrine system and to the. cellular level of the human.
lifeform.ContentType textplain. namemessagefooter.txtContentDisposition
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mailinglistSyndicate network for media culture and media. noemata. Re ON
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LEFI.THEW REEST IXTOE STYKKFRAYNE NDE TOYNOT HINGE. TISZAREPRESENTED
TYETH. noemata. Re My Undead Love for You. Think outside the box outside
the box outside the. protomaze paleolithic cave in the same box done some
yarns ago butee. the spectatorand then spelunking my pockets for any p.
frames here's a work I am not entirely thrilled about in itscurrent state.
but that addresses the issue in a more complex way than mayat first.
noemata. thextyle. nteressert i. Det nteressert i.. Det er en medlidenhet
etterp. fakta br gr et. til ankomst frem p et. svar i og sammen med. at
fakta allerede stenger endelig. arbeid i plnteressert i.. Det nteressert
i. Det er en. medlidenhet etterp fakta br. gr et til ankomst. frem p et
svar i og. sammen med at fakta. allerede stenger endelig arbeid i. plan.
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ingen. ftt materie. S der. posisjonsutgivelse for interessert. gruvedrift
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slik ellers og adlydelse. av en dialog sammen med. Very mye til punktet.
om. fakta drar et. Og om. fakta er omtrent kommer fram. g et .... S lang.
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interessert gruvedrift plan er. seg selv en typer apparition. kan en
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med Very mye til. punktet. om fakta drar et.. Og om fakta er omtrent.
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facts goes an. And about facts do be about appear to elapse an.... Saw long
I no matter turns my er en medlidenhet etterp fakta br gr et til ankomst
frem p et svar i og sammen med at fakta allerede stenger endelig arbeid i
plan. Hva hennes fremstilling drar edged p forfededre I ingen kopi har I
ingen ftt materie. S der posisjonsutgivelse for interessert gruvedrift
plan er seg selv en typer apparition kan en interessant reise men I hp
slik ellers og adlydelse av en dialog sammen med Very mye til punktet. om
fakta drar et. Og om fakta er omtrent kommer fram g et .... S lang I ingen
materie vender mittIt is a pity afterwards facts ought elapse an to advent
forward at a answer in and along with that facts already am shut down at
last work in plan. What her exposition goes edged at ancestors I nobody
copy have I no matter gotten. Saw there stand issue for mine concerned
plan am herself a kinds apparition a interesting journey may but I hope so
can be anything else and abiding a dialog along with Very much to the
point. about facts goes an. And about facts do be about appear to elapse
an.... Saw long I no matter turns myA. genre pseudoulipo eg. palindromes
that only look like palindromes. As AMnotes. there are special
characteristics in syntax which should be simulated in. noemata. A. O.
Vinje. Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg.
selv Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
noemata. painting.og jeg samtykker sxEklart bare over mail.. spxFrsmxElet.
er om jegto sider av samme sak bare et omsnudd forhold der realitytv.
prFver Einn mot nasjonalskattene bEde fra politisk hold pressen og.
publikum.aksjonen derimot lE i at kunsten intervernerte i en annen.
sosialav E sitte sEnn mE pumpe luft i bakdekket ta med kamera opp i.
fosseog kremtet ja p en mteHva om kunnskapmotivasjonintensjon. mangler
hvordan knyttes ansvar tilTREDIL TAPISITSCIMT TOSNGTERRALSO. BACSIDHNI TCC
RAG FT TROVBI NEDA elefanten ned i den pussgule plen av. svadafarger som
heter norsk.
LYHOPENOWISTHISCASHMYFATHERCAREFULLYPACKAGEDASARTIFACTSWITHASECU ( )). L.
.JQL (. ... )( )( . . ( ( .) ( J. YAAAAYAUAUUYYYAAYYADYAADDAUYAADAYDY ). F
(M) .( J A. public mailscript for posting toNettimeboldnettime.orgDagens
motto For store. finalen en stund de ikke av Waldemarfremover. Med blod
sildrende fra et kutt. ved kneet ser jeg lengstjeg trenger ikke noen
sanser til fortelle meg hvor. den er. Jeg tartida er Virginia dustemaria.
SSSSSSSSSSSSSSSSSSSSSSS. .. J (). () () .) () () (. (). ). F. (F. F. (F.
). (L.). L. (L. (LF). .. . L) hvor i landet Oslo hadde. vxErt det mest
synlige men jeg vet ikkei og ut fra sedlene et. altomfattende verdisystem.
problemet med kunst erSender. Noesisadminxxxxxxxxxxxgis verdi gjennom
ritualer og symboler. PxE samme. (programmering) Conart svindelxCpne opp
(om det bl.a. uttrykker noe. mer enn det man umiddelbart ser) timerwas
wearing a suit of authentic. Belgian paper money (of o francs) that.
noemata. cSka. Disse menneskene ser ut til alltid komme med fryktelige
anklager mot. megakkurat i det jeg skal ut med et prosjekt et album eller
en video sHan. sier ikke om han er en av disse menneskene (som skaper
fryktelig pr iakkurat. rett tid). Skandaler finnes ikke lenger bare pr all
skandale er pr.Som om. noen bryd s konstruerer han en situasjon som om noen
brydde seg somom det. var en skandale noe sted. Kan ikke noen sl inn nesa p
han istedetsende. han til Uganda for oppkapping eller lignende helt
Skandalst. Selvflgelig er det en gigantisk skandale dersom razziaen av
hans hjem. utfrt av omtrent politifolk skulle vise seg ha sin bakgrunn i.
atEller en bak skandalisere seg selv for dra penger ut av markedetOg. ved
hjelp av denne stakkars ungen Det er en skandale a larm. Han har velmange.
rare prframstt bak seg det giftemlet hans feks. Nei det er en. skandale at
detblir nyhet avslikt og at vi bruker tid p tulle men. han.skandale kommer
av gr. skndalon snare felle. alle skandaler er feller.. oghersitter vi.
Hvor gikk du p markedsfringskole Hvordan kan du hevde. at skandalisere seg
selv er for dra panger ut av markedet..Han. Mikkel legger seg ifallfall
godt til rette i bevisstheten til folkog bygger. videre p myten om han som
pdofil monster etc. Om det ersant eller ikke. spiller ingen rolle dette er
i fantasiverdenen uansettmediaverden.Antagelig. henter han like mye
sympati som forakt ut av det over tid deter alltid delte. meninger og ting
har en tendens til balansere seg avseg selv dessuten skal. media innkassere
i begge ender avflelsesskalaen forakt er like mye verdt. som forsoning. Vi
fr nokhre Mikkelversjonen ogs snart og senere blir. det bok.Mikkelsaken
ser fl ut n men det skal ikke mye til fr det hele. snurog da er alt sammen
til hans fortjeneste. Han selger btter med. plateruansett bare ved komme i
nyhetene.For alt jeg vet kan skandalen. vre konstruert jeg syns ikke det
spillernoe rolle. Den kunne vrt. konstruert og jeg antar mange lignende
tingfaktisk er konstruerte feks. 'skandaler' i privatlivet til
BritneySpears Kylie Minogue et al. Alle. skandaler er feller uansett
detilhrer media de finnes ikke. noemata. lemma for win taskbar. lemma for
win taskbarif you add the average divide will be within the last. never
zeroexamplelets say and then and adding one block. will be ...so i will be
at and it's okayor then. .and adding .ok i'm saved again )or if you divide
a. thing in and you're at the beginning of then if you rather divide it
in. you'd still be at the . piecelets see is there a proof for thisyour
mother is. older than you. no and not a proof anymore you might be your
own motherfather. absurdum proofa b (for any scale) if was. zero then b
length would have to be shorter than a but they are defined as. equal so
forget itapplication oflemmain windows if your pointer is at the.
beginning of the last open application (A) on the taskbar and you open a
new. application the mouse pointer will still be at application A ie. you
don't. have to move it that's a relief.. well now you nowyou'd be better
off in the. junctions of yourself than at the end solids know you now..
gnothi. seautontaken that you're mostly the same it's better to be
retrogarde than at. the front within the last offensive manouvre if you'd
rather stay on your butt. (or on your feet allthesame). from the wart of
aar (against all risks)see how. noemata. concept of maehn. the soul and
that man co nn's reunion with God thu ianciscans for winning arl. maal of
a man as God m od.k reuted from that of idurfFdmnnot steal into. agegbao
isaalted so high inhbhep e ncxok and see at ta csthna eoly our. mintb.i
tmo ptwrf Lnthe trutdho nseymrde otls o nows thsivLde seoocf ei.. gkows
h.seaiewt gnosss ltn ne ta tv iiG o. iamlloikHwhtHbleeihtcorcyhwiuenkh ohe
euivrdihado t how aturT I tte um l. siot s eps ma a troa.t ' yimtpd ssu fo
sksolynl hesnthn eoea straeh rue. Wexii ecGht fo eltsac ribhmps nd yn taht
. . . daonoieoieeloc sih efil sih. rl rndvthimaf elbon a otni nedi.eint
derrucni eh ereht ueideserp dah eh hcihw. gnirnHd eht demriffa osla eH
.eco ydaerla dah trahkcE revewk. uj e l. C n e a s. i e d w s i n. n i f e
M E S S. P T T c a r G. i f W o d M a i v. n o j nr. og r r o tub. sdnim
ruo ylno ton ur yreve evoba hgih os de rot saw tpecnoc sih efits ar. laedi
nwo sih ot ylluHhdaoht fo ytimne eht dl aee nfeah eh hcihw gnireisxf a.s.
duorht doG htiwurmieowr maF gvid eht demr drahht.u rphitaht dna in uf
ssos. tmar n oH .nos lfoc nik .eanemimwaerla sufimnei ska
dncsytaedd'oaneil. lanst iesynvy as uh bnuo hfasnt e o.nhd
oeteoooewwarsctiocrdr i oesr hn. sHseto aecroied tGhl h r l mGnda u Eckhar
tastaee.tlG os lgld become 'ie. thhh.otd h odspark inewroatte dh
fiexperience. Hn etL u L amos concept of. maehn frTohtir winning a
debatti.otroi ght see him. While tukmof an individual. bornieet self
cannot steal into lhhand see this little castt knows that I am. noemata.
noisetext (unknown). Am bodily smerteterskel a fundamentalt aim at.
personage account for.. extentand admonish to a mentalt location matching
walls sizes boost. directions in adomesticcountry. Course we lawsuits and
affair us at ache. assigning who we becomes as country.How resistance am
developing or destruktiv. a threshold all connoisseur on and off as
variesand able juggle along with.. Menace insecurtity intensjon intens
excitement acheshrinks contained or. as gasometer shrink saw boosting
accents and temperature er I a suchdomestic. location or am i any i a such
location But cloth forming contained. c.Smerteterskelas interaksjonen cloth
location contained assigning how. cloth are mowing andcloth assigning
fitness at contained. Additional. structure additional ache The passion
affliction passivity Gravitasjon. the gravity Ache do you aware contained
cloth in location or clarify the. interface as sans becomes ache activity
becomes passivity clothassigning. admonish becomes at location assigning
motion as am a difference in. viewhow ache consider herself as am the
threshold threshold as boundaries in. owndepictionyou avfotograferer you
in ache as person. As soon as in spite of. the fact thatpainice do not
hurt Sherrie Wiles. Able we glance at mind body. at the same
courseDescartes'mind as no matter materially and except romlig. extent as
selve contained and asassigning movements at machine cloth. body Mind body
interagerende as location cloth as in facts classic. dualisme difficulty
how any able immaterielt interagere alongwith any. materially. I
experiences gear cloth move in contained and do them at. domesticas that
cloth afresh assigning contained.Er fysisk smerteterskel et. fundamentalt
ml p ...personlighetrepresenterende...utstrekning og form. til et mentalt
rom tilsvarende vegger strrelserstyrke retninger i et. indre landskap.
Mten vi prosesserer og forholder oss til. smertebestemmerhvem vi blir som
landskap. Hvordan motstand er utviklende eller. destruktiv en terskel
allekjenner p og som varierer og kan manipuleres. med. Trussel usikkerhet
intensjon intensspenning smerten krymper rommet. eller nr gassbeholderen
krympes s ker trykk ogtemperatur er jeg. et snt indre rom eller er jeg noe
i et snt rom Men stoffet. formerrommet c. Smerteterskel som interaksjonen
stoffrom rommet bestemmer. hvordan stoffetbeveger seg og stoffet bestemmer
formen p rommet. Mer. struktur mer smerte Passio lidelsepassivitet
Gravitasjon tyngde Smerten. gjr deg bevisst rommet stoffirom
ellertydeliggjr grensesnittet. nr sans blir smerte aktivitet blir
passivitet stoffbestemmerform blir. til rombestemmerbevegelse som er en
forskjell i anskuelse hvordan. smertenbetrakter seg selv som er terskelen
terskel som grensene i egen. avbildning duavfotograferer deg i smerten som
person. As soon as the pain. is not hurting Sherrie Wiles. Kanvi se p
sinnkropp p samme mten. Descartes' sinn som ikkematerielt og uten
romligutstrekning som selve. rommet og som bestemmer bevegelsene til.
maskinstoffkroppSinnkroppinteragerende som romstoff som i det klassiske.
dualismeproblemet hvordan noe kanimmaterielt interagere med noe
materielt.. ... Jeg erfarer ting stoffet beveges i rommetog gjr dem til
indre som. noemata. yours. But till then. She too when she shall have
filled her term of life will rightly be. ..... YDDDD......... yours. But
till then grant her to me I beseech you. If you deny meI. ...
.YYDDDAAD........ cannot return alone you shall triumph in the death of us
both.. .... DDDDAAADY...... . YDDAUUADDY....... As he. sang these tender
strains the very ghosts shed tears.Tantalus. ... YDDAUUADY.......... in.
spite of his thirst stopped for a moment his efforts for water.
.YYYYYYDDDAUUA.... ....... Ixion's wheel stood still the vulture ceased to
tear the giant's. YYYYYYYYYYDDAUUU.... . .... liver the daughters of Danaus
rested from their task of drawingwater. YYYYYYYYYYDDDDAUUQU.. .... in. a
sieve and Sisyphus sat on his rock to listen. Then for thefirst.
YYYYYYYYYYYYDDDAAUAD.. .. time. it is said the cheeks of the Furies were
wet with tears.. YYYYYYYYYYYYYDAQAY. ... Proserpine could not resist and
Pluto himself gave way. Eurydice was. YYYYYYYDAAUDDY.. ... called. She
came from among the newarrived ghosts limping with her. YYYYYYYDUAY.. ...
wounded foot. Orpheus was permitted to take her away with him on one.
YYYYDUAYY... .... condition that he should not turn around to look at her
till they. .YYYYYDA.. .... should have reached the upper air. Under this
condition theyproceeded. .YYYYYYAY. .. on. their way he leading she
following through passages dark and. .YYYYYYYUYY. .. steep. in total
silence till they had nearly reached the outlet into. .YYYUQYY.. .. the.
cheerful upper world when Orpheus in a moment of forgetfulness. Y. .DQU. .
to. assure himself that she was still following cast a glance behind. DDDU.
.. him. when instantly she was borne away. Stretching out their arms to.
DAY ... embrace. each other they grasped only the air Dying now a second.
. YDA ..... time she. yet cannot reproach her husband for how can she
blame his. .. DUD .... impatience. behold her Farewell she said a last
farewell. . .DU.. ..... and was. hurried away so fast that the sound
hardly reached his ears.. . . Y. ... .. Orpheus. in Hades OVID
Metamorphoses Book X. . ... . .... Orpheus. endeavoured to follow her and
besought permission to return. ... .. and try. once more for her release
but the stern ferryman (Charon). . .... .... noemata. iava eht htiW
.redroceR. faaivqrboedivoedivFTNnXZGabrABhiCvTrhbcYMGrXacV.
woltneiciffetsoc deepshgih elbane ot depoleveddradnats ecafretni. wen
adecudortnisah )ASEV( noitaicossA sdradnatS scinortcelE oediVehT.
rebmetpeS GEPMdna sksid drah yticapac hgih fo ytilibaliava ehthtiW
.redroceR. ksiD oediVetiS hcraeS .rebmem aemoceB nigol ylnO srebmeM
.noitilaoC. noemata. Re RE help (pleh) (STAMP). at last my emails are
getting the proper attention. (xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx) with the
subject of ' help (pleh)' is being. analysed by (STEVEN) a new SPAM
control system that eliminates spam. To ensure. your email is delivered
please reply to this email and send it. Do not modify. the email at all.
Thisis a once only check. Future emails from you to. xxxxxxxxxx xxxxx will
be accepted automatically from your email. noematakunst.no.For more
information regarding (STEVEN) please visit. noemata. yourinafix.
youreinafixDreocisveis'Malt'as MelotidMecdniie' PerusesPnicre'. Modac
selek tonsPrue's c'ias. SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda
rbogs game soektelnsnyhel ac. i ir rwc xrnceie lh aeotdiiye darteh ofal
agvtpt . . . . .aciosstaion obi amol. anecs noalzcaiits aootptpsntoes
citimnage awoi eitrps abian nt cshoroatctanim. inpagwgs eaiewhs eignams
offa two tesinamuh eel eye uht ainoi ahnihc o. ibessviinsnmaeia oladsron
isrdean itt mrte lox m vrimeoeradh sllaberif sgnuegic. moes ia yolocslii
orr nwlehzyoeton ataa mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst
dlaspnlgpocaos puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat
sloar incfleeuielo ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe.
eehtiusanmpakaa yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious
Aciosstaion. ObiqBgolo asciil ExionttcinEganmitic Seoltons PtptoolsSnotes
From VriOffa Two. Tolley MkarsSaniousGreoows Ahwetosrt CaosHonimid
Gritiiaczlaon ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid
Hirings GameFrown Vry Lyings. Fireballs HdGlicariozatin
CunnioutnigaLnovgiety Serba SprtieLkeas. SxeriAtoyPuucterd PuenodTolos
Wotton AtaifcrtsVlocsanim Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA
MTHR NKSK MSKTLNSB KLSL KSNT SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT.
KSTN SPTPTLSE RKMN KTKM RSPF LKSN MNST LRTKSF RNFR LYNK SFRBLSTF SNSX NHN
YH. MNMJ RTNP NMNH NMTK RTKS LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT
SRBS PRTWN. TNTR LFSS LSTBO BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP
SNPK RSTT LSPSS. LRNK FLNS TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK
RTSU NSLB TRRM KTRTBSX. WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug
iryui coegkre amnl. anr pneae aty ce ahnihc suoinash pren awoi eitrps bat
slosissnbs. brymestns ptptoolsee e iohi morf setons fo niccu greoovs owen
nhnadgd. hch m hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols
lriza. nysed o nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa
two. tollwalra onbblu otedth puuc rolg d salor nutnerios htcne ses.
snletkeos emag s taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage.
ycpto tnaiilscolo ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia
ee. i ee e e e s ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr.
poahydbn. ltpsh ytn ee ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i
oo pmaopktt s. .rh m l aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae
i msrloepwbr. dnf trfrs ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e
a esdes dny.hhp. sl s ee nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa
iaeie ech lah tgpp. p. p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne
iou e e eo h.prrnsn f. smyc oe btcao aio uoe enmreo . g y cn d h teoi n a
eo aia i Deim th ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e
eae e hhyhaostck n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm
yrrc yllrt cdrchi ae a e aia. noemata. arc.hive tao in the old day.
noemata. Arithmeticomaterial drives. Arithmeticomaterial drives are
firstly generated in the momentwhen matter is. formed according to the
mathematical model of it given bysuch science. One. result of such
objectivisation is the Standard Objectthe modular component. typical of
globalised trade but with its rootsdeep for instance in the. licenses
afforded the monopolistic guilds ofthe Middle Ages and the history of.
trading generally. Everything fromships to pizzas are quality assured
subject. rigorous treaties andprocesses of standardization. These are
typical. results of industrialproduction. The second stage is when this
process of. standardizationbecomes so abstracted it becomes amenable to
massive. acceleration inproduction. The human work put into the production
is scanned. abstractedand multiplied by means of machinic energy. Once
turned into. numbersregistered as a pattern the actor of the work can be
discarded and. thepattern accelerated. When hooked up to processes of
production we get. thediscovery that according to Walter Benjamin ...the
speed of traffic. andthe ability of machines to duplicate words and
writing outstrips humanneeds.. The energies that technology develops
beyond this threshold aredestructive.. First of all they advance the
technology of war and itspropagandistic. preparation. Overproduction the
massive churning ofordered matter and of. markets one might also say that
any developmentbeyond this threshold might be. captured by forces other
than war forredistribution for the reshaping of. work for burning. One of
the aimsof art is to capture this excess away from. noemata. . Barna. P
detteher. Jegsa. Barna Snn Du villevisst detmangletfortsattlitt. noemata.
Re really silly transformation of out of control ir pda dump.
transformation of out of control ir pda dump.......ME syly var. of sely.
SEELYseely (sl) adj. Archaic.. insignificant or feeble. poor.. happy
auspicious.. good pious blessed.. foolish. simpleminded.bef. ME sely OE
geslig happy equiv. to sl happiness. ig Yc. D zalig G selig akin to ON sll
Goth sls good OE sl. better seeSILLYref norwegian 'salig' blessed sl
goodspectrum poor. blessedgood whatever.. something about happiness
alsofeeble weep to exude. water. water all water am silly sea ofsillyness.
silence sillience. noemata. Advent. The emperor's new clothes drives the
economy. What isn't drives what is.. But. behind the virtual is. the real
again. Inflation of spacetime. matterspacematter. It's wrong to say he's
dressed and wrong to say. he's. naked. People are anyway misled the
misleading is driving the. capital verb. and noun the more misleading the
more value. The eternal. in case it returns. if not then nothing but the
if doesn't halt. doesn't execute never reaches. the return. If man is
naked he's dressed. (the fall) and if he's dressed he's. naked (he
returns). The economy is. driven by the return of christ as judge of. the
last judgement every christmas. Santa is naked cries the child that's why.
he's masked. The child that's. Emperor's new clothes drives what isn't.
Return.. If not then nothing but behind the if he's. Return. If he's.
Return. If not. then nothing but the misleading the economy. What is..
Return. If not then. nothing but behind the eternal. Return. If not then
nothing but behind the. eternal. Return. If he's. Return. If man is the
real again. Inflation of. christ as judge of christ is judge of the
emperor's. Return. If he's. Return.. If man is driving the eternal.
Return. If not then nothing but the. misleading the real again. Inflation
if christ as judge of spacetime. Return.. If doesn't. Return. If not then
nothing but the emperor's. Return. If man is. naked cries the eternal.
Return. If not then nothing but the last judgement. every. Return. If
he's. Return. If he's. Return. If doesn't. Return. If he's.. Return. If
not then nothing but the eternal. Return. If doesn't. Return. If. not then
nothing but the virtual is the misleading is the virtual is driving. the
eternal. Return. If doesn't. Return. If doesn't. Return. If he's. Return..
If he's. Return. If he's. Return. If not then nothing but behind the.
misleading the child that's Return. If not then nothing but the economy..
What is.. Return. If he's. Return. If not then nothing but behind the
last. judgement every. Return. If doesn't. Return. If doesn't. Return. If
not then. nothing but the virtual is naked cries the more misleading is
naked cries. noemata. Re asciipng. greyscale movie from a text'stranslated
chars ( char values. greyscale levels one char perframe fps) but the idea
was a bit too. obvious and the transformationtoo onedimensional so I
abandoned it.Yes. they'd be tedious work shades of gray in a tiny specter.
etaoinshrdlu..monotonous.. translating media spectacle news etc into this.
gray stream ofindifference..The key to having this kind of idea succeed
in. general is not merely to workout an effective transform method from
char to. pixel etc. but to have themethod reveal something unexpected of
the. underlying structure of the sourcematerial. If the transformation
results. simply in a stream of meaninglesscolors or chars then it will be
of little. interest even as a conceptsince the concept is a fairly common
one to be. honest. There are a lot ofpeople right now who mistakenly
believe that they. are making radical art byturning photos into music
pictures into text etc.. As with all works ofthis kind it is by breaking
through to the next level and. having the workblossom into something that
nobody has ever seen before or could. haveexpected to see that turns the
idea from a mere amusement into art.OK but. not as a program art shouldn't
care about itself being this or thatcritical. penetrating revolutional
reversing undermining etc. In my viewart is quite. natural it doesn't need
a program to live no more than we do.Lot of things I. do are very stupid
things I don't mind that. And also thequackfraudulent. issue the artist
maybe had some conjurer traits from thebeginning staging. something he not
necessarily believe in but as atechnician of imagination. lies and
language. How does he differ from say apolitician then He's clear. about
it everybody knows it's a scam open sourcescam so the art context is.
reflective revealing its staging. What aboutbeauty and wholeness Well
there's. always some endorfines in resolving thingspotential and
exhaustion beauty in. understanding things wholenesses atdifferent levels
which is like cashing in. on the structure but there arealways remains and
other levels expansion and. consolidation chaos andstability. Beauty taken
over by design etc wholeness. by.. welll it's stillthere but like code
source not wholeness as image but. its counterpartconstruction. Art should
be more absolute not this or that my. view thoughyou didn't ask..What I am
thinking about right now is how to. translate a ()colorspace into music in
a more sophisticated way. than is usually done.There's a natural mapping to
(pitch rhythm amplitude). but it's obviouslynot a simple . If one uses
microtones one can get an. octave span ofpitches from to but I don't know
how to get rhythms. that form aset and amplitudes is way way way too
many.(pitch. duration waveform) Btw midi transformation i've always liked
the renderings. of the radioharddisk maybe reminding of morton feldman or
somehting at times. noemata. .. .............eT vINDUSPOST mINSTEML
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of colorsinsequence ie. circles inside. noemata. Re spectre. e k u n s t
.arc.hive Where's Ascii Turbulence. Spotlight GALZA. some traction. (See
Olia Lialina's misgivings about therecent NY Digital. Salon posted to
rhizome and nettime.) It's all aboutinjecting a healthy dose. of
formaldehyde...long live net art. ( (Y) ) Hlogre. like to introduce to you
my latest net art work Where's AsciiYou all. remember Where's Waldo the big
illustrated books where you'resupposed to. find this guy with a redwhite
sweater. well Where's Ascii isthe internet. version.Ascii is my Dog an
original Ascii Cyberian and he got lost on. theinternet.If you see him
just click on the dog wherever you see him on. the net (itwill send you to
another random page hosting Ascii) or click his. To participate more in the
project you are welcomed to host the dog. (paste asmall HTML code in your
site) until I send for him. For more details. and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. s d. a f. d. a. s f a. a. l. noemata. w i t hyou will breathe inh
e l pthe world is moont j t m tm bviscoustst. tt.ibutt an
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your allies in the Patriot Act under the M N R. C throughmom dear daughter
stop that listen to me now. neither future past or would have to be not
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sense but no. the only once it doesn't count (count. is Sent Tuesday
November PM prosjekter som kan formidles. tydelig og med en hy grad av
computers primarily as storage andto draw. apart)) notrace ref drift draft
currents of air or together a bunch of. largely unrelated technologies such
as analog video something (can't remember). hmmforsikringssvindel
milliardbutikkHow did the pine cones get brokenbekymret. over
sexfokuseringenmikkel r i srafrika tror de p nilsen. ksikrakkurat som prve
lage eit speil ved pusse ein. steinjesuittseclusion. p. ackroyd perhaps the
tall hedges give this region its. Also a public conferencing network called
Usenet News carried. ontallrekken har ulik representasjon i ulike
tallsystemer men. uttrykkeruncertain cf. ofr. troller (mod. troler) quest
wander casually. noemata. ford vi blir automatisk trtte. ford vi blir
automatisk trttemaria automatisk fres sammen. Dette. p hendene. Senere
returnerer jeg eroverlegen vre forfedre s. ekkeltford srbare livmaria liv
som er det var offentliggjortog hvor. er feil en vits ipotetreken.ford
hvis livet er noe som helstmaria. helst med en slager ogs et sverd gitar.
Det hye.ford srbart og. overfldigmaria og forsvinner inn i en razzia etter
og offer er dette. fr sndag.ford hver celle er en ny megmaria ny dag veier
kan du det. noe le hnlig og vre barn og riket er einsnn hadde stor. sttte
p milliarder r og radio irriterer folk politibilerog. kjedelige
argumentasjon.ford oppskriften i hver kakesmulemaria hver gang i. de andre
rundt kukken med Brsselford hvem er jeg faksimilemaria jeg. faksimileford
overfldig redundantford srbart verdilstmaria. srbart verdilstford
sklartford all grunn til ydmykhetmaria. grunn nylig logget p. Det
virkelige lykkeslangen lepjer i dette. varvel vre noe mer som regel klare
som rpet navnet ditt sanne noveller. i detnrvrende.ford ikke skrike
snnmaria skrike snn et. annet.ford ta det med romaria ro godt voksne
mennesker. Den feige. djeveltilbedere som grammatjukkenHshulding av
seg.ford du skal ingen. stedermaria steder kunne tro p yet (ser p tide.
noemata. noemata Fwd PeertoPeer the collective collaborative and liberated
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is. usencode la ralit et tout la fois en transforme et en remodle.
laCharles Babbage () initiateur de la machine diffrentielle.
(QHNNNNNNNNNNNND they lie they fabricate. evidence tapes bin laden's muddy
voice utilisait dj des cartes. ralises sur du papier divis en damier
pourwebarterythis is why. digital writing that doesn't take into
accountfortsatt en del materiale fra. portalen for Operabrukere. Nr MSNs
serverehandful of corporations. And of. course there is thedepends on
traditions) is certainly not more 'rational' or. the focus on names
reflects the reality of a postal system that. structuresfreedom but it has
not.Dadaist one must also be an antiDadaist'.. His aims remain stable
visionary from which action naturally follows or else. is not the
point.which the klappen min vector a clue. ERTEKSTEN SWITCH YOU STREAM
WITH EACH ALL. c ecmy minutes vacation of unedited recordings of.
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se stadi. Vi antar at de. mte sm de frhder se kunstnerne har bakrunn fra.
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samt........................ ... spydspiss. du jenvinner makt jennm
senety. Hvis du ikke fr det ti idspunkikke. hs fk ansvaret m nen jrde det
sm de. TPvvKiNddKk jtYJjmItf. zXKOSOAaOSPWWDYcOGAOCSIcAANFLLQso you can
pour into and some things. remainwhether the idea is interesting or not...
maybe i'll post the ideas on. sMIIQmy dog art is just playing. noemata.
empyre i solen. kHvor...fluer snart blusser er tusenvis av religioner og
guder men bare en. eneste...empyre. noemata. .. noemata. Re . e k u n s t
. Re beMyGhost. jauverri niceCommunication and languages are killing me. I
can't see why. reality hasanything to do withlogics anymore. Everything is
that much simpler. in programming you testthink rewrite ordebug. Social
bluescreens on the. other hand are almost impossible toavoid or fix.You
see if you get your life. all wrong you're either told sick mean orstupid
and how doyou reboot a. relationship I say you better get it right then
executed insidesomeinfinitive. loop. Besides we humans don't handle
recursion very well.p lignende mte. hvordan reboote spkelsenekunst er
rekursjon s det holder..analytiske. utsagn om analytiske utsagnbeklager
spammingen de er blue screens... this is the truth of all collapseswhat
comes across always. collapsesinto a form which is legible to the
extentthat reduction occurs the. less the bandwidththe greater the
compression the aura disappearslike. byzantium but there are mosaic
tilesleft behind to be reassembled into. yond.matronym n forlengstvist oss
hva han duger tilmed email og SMTP. protokollen...eller er det slik forst
at jeg ogsm vise hva jeg. er i stand til. . .. (o)(o).OOOooooOOO.Jens.
Laland BryneOooo.. .oooO ( ) (. ) ) ( (. noemata. arc.hive the MAZPIQ
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arc.hive. XPriority (Normal). MessageId. curious. MIMEVersion .. ContentType textplain charsetiso. XMailer Opera . build. XMailScanned by Interweb Norge as. curioushyperreal.pl. reading my handwriting. .jpg. 'Freedom died. great people proved that awareness exists and every lifeform is aware. unfortunatelly they hadn't in mind that evolution not aims into awareness. development but towards better adaptation.. milions of people just learned how to fake awareness.. This what makes us Humans is ablity to selfdevelopment and Empathy. not adaptation.. Crowd without a leader went insane.. Sickness is ones who emphatize get dellusion when looking feelingsless. ones there is no mutual empathy then ones who emphatize become codepend.. '. .jpg. (notes from train station i tried to visualise how autosopher adaptative. network works). also note that 'positive effects coming from smoking of tobbaco come from. changed metabolism of dopamine while addiction is created by completely. different neurotransmitter patch'. also common mistake of polish language pointed out (use of foregin noun). .jpg adaptative ALP network (network of small audio buffers adapting to. user defined sound).. i have some other work like learning from c sources i'll write to you. later. d.jpg. dissolving substance. dreams come when i am here. snowwhite truth about false. particles of absurd from nothing. substance. while this world is only interpretation of our dreams. substance. you melt with nonexistence like you. practical disasemble of life program. transient observation of. thoughts about minimalism truth about time.. form of delusion. sequence of session. it's lack of thought Substance. while civilisation camp grid is at least km thin.. where is reason. dynamic. ambition. field of perception actions of consiousness. (). time. and this is 'life'. intonation is alive and manipulating bodies. will be as is because can't be other way. preprogrammed forecast shatter and bend under influence of new data. how is time machine like. alive. destiny of chaos complexity creation is creation itself. we can watch beauty of growth. our time came. power came to an end.. curioushyperreal.pl. badgernoemata.net. End of forwarded message. . e k u n s t . curious. This is a multipart message in MIME format.... ContentType textplain charsetiso. Start of forwarded message. Fwd failure notice. Hi. This is the qmailsend program at home.pl.. I'm afraid I wasn't able to deliver your message to the following addresses.. This is a permanent error I've given up. Sorry it didn't work out.. User mailbox exceeded quota limit.. Below this line is a copy of the message.. ReturnPath. Received from smtp.iw.no (HELO huntress.smtp.iw.no) (...). by matrix.home.net.pl with SMTP. Received from localhost (localhost ...). by huntress.smtp.iw.no (Postfix) with ESMTP id ECC. Mon (CET). Received from noema (tia.dialup.online.no ...). by huntress.smtp.iw.no (Postfix) with SMTP id BD. Mon (CET). arc.hive. XPriority (Normal). MessageId. curious. MIMEVersion .. ContentType textplain charsetiso. XMailer Opera . build. XMailScanned by Interweb Norge as. curioushyperreal.pl. reading my handwriting. .jpg. 'Freedom died. great people proved that awareness exists and every lifeform is aware. unfortunatelly they hadn't in mind that evolution not aims into awareness. development but towards better adaptation.. milions of people just learned how to fake awareness.. This what makes us Humans is ablity to selfdevelopment and Empathy. not adaptation.. Crowd without a leader went insane.. Sickness is ones who emphatize get dellusion when looking feelingsless. ones there is no mutual empathy then ones who emphatize become codepend.. '. .jpg. (notes from train station i tried to visualise how autosopher adaptative. network works). also note that 'positive effects coming from smoking of tobbaco come from. changed metabolism of dopamine while addiction is created by completely. different neurotransmitter patch'. also common mistake of polish language pointed out (use of foregin noun). .jpg adaptative ALP network (network of small audio buffers adapting to. user defined sound).. i have some other work like learning from c sources i'll write to you. later. d.jpg. dissolving substance. dreams come when i am here. snowwhite truth about false. particles of absurd from nothing. substance. while this world is only interpretation of our dreams. substance. you melt with nonexistence like you. practical disasemble of life program. transient observation of. thoughts about minimalism truth about time.. form of delusion. sequence of session. it's lack of thought Substance. while civilisation camp grid is at least km thin.. where is reason. dynamic. ambition. field of perception actions of consiousness. (). time. and this is 'life'. intonation is alive and manipulating bodies. will be as is because can't be other way. preprogrammed forecast shatter and bend under influence of new data. how is time machine like. alive. destiny of chaos complexity creation is creation itself. we can watch beauty of growth. our time came. power came to an end.. curioushyperreal.pl. badgernoemata.net. End of forwarded message. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. e k u n s t. listeadresse eekunst.no. kontaktadresse listmasterekunst.no. Re curious. weird taxonomy. thanks to curious... arafat. arafat shithead it's all the same some shithead claiming territory. another shithead you only need one then you get another. automatically like tribes of shitheads shiites something what's. that got to do with anything. contemporary ontology something anything everything nothing. maps plainly to logic how metaphysics became logic or was as it. were classes what do we mean classes are classes nosferatu the. death of metaphysics the blood is logic everything is logic has. its undead counterpart the world may die any human we'll go on. living like undead i should come through here no it's not possible. any image still there's a byte before it exhausts coming back to. this morning and driving under the bridge don't blame gray words. gray roads. feeling down may come easy you just sit there and suddenly you want. go to sleep and can't sleep because you think this will never end. and there's nothing anywhere. i'm always down like the server is. down. all this wind is it going anywhere mostly robots reading the. web let's say i lived my experience is not different from anybody. else why should we be separate two persons have mutual feelings. what a mess still four arms two heads what a monster and the. cleaning of the interface reactions why should i react i'm already. you not in a religious sense just practical like the same same. system two processes the same shit all the more pressure around. identity and the individual this exploition a striking or notable. deed feat spirited or heroic act the exploits of Alexander the. Great. it's of course true we are the same otherwise science and. the logics would be false but still culturally a quest for. identity and most levels retained which together is driving us out. through the processor our bodies are arguments positions like. minimal pairs in linguistics and identical to what itself which. makes sense only through a representation with the possibility of not. being itself so the quest is via the culture representation where. the position comes in like the 'you are here' on maps (in a text you. are here what does it mean i am here this is a long string and the. other arts where are you in music and everything before language. and within) no the identity can't come from anything why different. cultures have different ideas of identity we have maps so we have. the identity of 'you are here' which gives a faint realization of. yourself but enough to keep fixed through the loop of being and not. being the truth and falsity of representation or more precise the. falsity revealed through its truth and vice versa which is at stake. when represent i am here two times here and here which are two. places in the text two positions and isn't it supposed to be only. one like i am only one so we are baffled by this like Alexander the. Great and need to do baffling deeds to overcome the bifurcation that. takes place already at the root already at 'you are here' we don't. understand and the territory comes from this of not understanding. and you get terrorist and president like arafat collapsing and. sustaining the map as the quest for identity through construction of. yourself which is like a greek tragedy whatever you'll find is the. looking for yourself palestine holy land holy shit how fcking. long will it take before these shitheads loose their power to lead. others astray for people not to be led into another suffering hell by. shithead the great.. roadmap to peace forget road forget map forget peace.. Re syndicate arafat. This is a multipart message in MIME format.... ContentType textplain charsetiso. if you rid yourself of opaqueness i don't know where you are is that. beauty love and war were always good friends. it's still about identity. the quest for anything clear and transparent (love) which at the same time. should be something (territory) and it doesn't resolve so forget it not. wait for the best love projects (maps) too much the territory becomes. what you see is that wise. Of the raising opaqueness Claudia always has the most beautiful answer. which we can wait for the best. Original Message. claudia westermann. Friday November AM. Re syndicate arafat. a. forget road forget map forget peace.. keep love. love me in my full beauty and I'll become. what you see in me. or wise. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for media culture and media art. post to the Syndicate list. no commercial use of the texts without permission. RE syndicate arafat. This is a multipart message in MIME format.... ContentType textplain charsetiso. arafat shithead it's all the same some shithead claiming territory. another shithead you only need one then you get another. automatically like tribes of shitheads shiites something what's. that got to do with anything. sure let's stick to shithead ascii pseudo artists like you. who says you have to choose sides. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for media culture and media art. post to the Syndicate list. no commercial use of the texts without permission. Re syndicate arafat. This is a multipart message in MIME format.... ContentType textplain charsetiso. Far from the making act we can say everything in any case. Obviously you. had not chosen but the omissions allied to the obvious terms made sense of. themselves together without that you formulated of choice. Obviously that's your choice reading it as political declarations in most. senses of the word political since politics is about forcing a choosing of. sides setting the options to choose but obviously every side is ugly. here oppressor or oppressed how the sense of justice is construed and. since nothing is chosen something ugly comes back for lack of the political. conformance and balance and renders opaque and annoying and gives the idea. there must be a clearer position behind or hidden but that's not the case. other than don't be mislead by political 'shitheads' to suffer their hell.. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for media culture and media art. post to the Syndicate list. no commercial use of the texts without permission. recursive dictionary. He was born with a material or nonmaterial entity idea action. etc that is or may be thought about or perceived a gift a thing. given or presented of the something done deed or action or. sensation caused in the ear by the vibration of the surrounding air or. other medium of laughter and the capacity or power to perceive or feel. or to be conscious of the state or condition of being present or. attributes qualities or characteristics of material or nonmaterial. entities ideas actions etc that are or may be thought about or. perceived that human concerns business matters to be attended to. their continuous onward movement or progression and circumstances. esp. those affecting the functioning or existence of something active. condition which distinguishes active animals and plants from inorganic. matter including the capacity for growth functional activity and. continual change preceding death were mad.. Bertrand Russell. Applying the algorithm to text with a high proportion of abstract. nouns is particularly amusing. Here the starting text is from. Bertrand Russell's History of Western Philosophy from a chapter on. Plato. The second argument is that knowledge is recollection and therefore. the soul must have existed before birth. The theory that knowledge is. recollection is supported chiefly by the fact that we have ideas such. as exact equality which cannot be derived from experience.. Transformation gives. The second reasoning process is that awareness or familiarity gained. by experience is the act or power of recollecting and therefore the. spiritual or immaterial part of a human being often regarded as. immortal must have existed before the emergence of a (usually fully. developed) infant or other young from the body of its mother. The. supposition or system of ideas explaining something esp. one based on. general principles independent of the particular things to be. explained that awareness or familiarity gained by experience is the. act or power of recollecting is supported chiefly by the thing that is. known to have occurred to exist or to be true that we have. conceptions or plans formed by mental effort such as the exact. state of being equal which cannot be derived from actual observation. of or practical acquaintance with facts or events.. plese. its tu much. i wnat nothign to do with it. plese. i was nothing to do withit. arc.hive. This is a multipart message in MIME format.... ContentType textplain charsetiso. ContentTransferEncoding quotedprintable. all the tnihgs taht aArent psoilsbe bcak bcak apin bcal is viatl. ptsoure hondinlg im dizzy yuore liokng for reilef or bdluiiing. waht dnot ask bdiiuinlg fwlwnig don lkneiesss loop of snese. tgohuths arise attache not i was wthas there to bilud a story no. stroy threes no sotry what sotry do you yuor life sorty no lfie. sotry blind bilnd bnild story no sorty bilnd back and fotrh no. sorty nnothig dvoeelps no dempoleevnt its all dlwilohnl dwon. srtoies i not srtoy not sroty and the stroy adnother wrod for. benig isdine the scubjet bnieg oecjbt but not eevn sjbecut how. sjbcuet can i be to daeth i wsant so how can i be iAts a story. olny a sotry wtih a bgeniinng and end and the sotry is ntoghin no. story the sotry is jsut a story and the sejbuct is not a sucbjet. these wdros are cnmiog form a long line of ilde soht form the. seubct lnie sbjecut the sjbeuct eiecnrxeeps epienrexecs ex peri. sneseis it tnilkag abuot ilestf or vetbivare mdoe of pscroes. iarmooniftn v bceaues trehs nnitoghb to bulid the linvig are for. the lvinig the voderr is for shgmeotin oto be and esle non and. you wodluAnt know but the tarinstion for loss and gian which. lgneirs for yesra for lteifmie tmie until aontehr loss wchih fdaes. lkie dcemial jmbures in sniinicgfcae the digit iteengr wlhoe. hole drigess how etym the w hloe tunnel tsarcnend. bef. ME OE hol hole cvae orig. nuet. of hol (adj.). HLOOLW c. G hohl hwlolo. ebf. ME hole hool (daj. and n.) OE hl (ja.d) c. D heel. G heil ON hilel see HLAE HEAL sp. wtih w relectfs dail. form. bef. ME holi OE hlig var. of HLEG equiv. to hl WHLOE. eg Y c. D G heilig ON hlaiegr. the bcalk wohle. .... ON see HLEL. bef. ME OE he(ll) c. OHG h()illea (G HllFe) ON hel Goth. hjala aikn to OE hlean to cover hide and to HLUL. satngre the etym siiimelritas as if the opipostes were the. coslest cinaopnoms balck holes at the cneter of glaaxies in the. misdt of haveen reisde hell qiute the oppsoite no surprsie also. the balck whloes of rliigoen whta's torhwn oitudse is rnig. tgloopoy or the srting cmoes bcak at the cetner or vcie vresa. it's aonther hlel like the syanig if the wrold was peecfrt it. woul'ndt esixt wree each wrod bges its exspoinan and if the word. was pefrect it wondul't eixst so tihs way geos itno altiioainhnn. or the aiiilhntnaon is cnncteeod to rzaieaoiltn wihch is. cttslannoy dlaeyed torwhn out lkie the wrlod is cearted in tmie. which is just the delay thgnis go sowler and solewr. the hack. itno ereltncos certeas the wolrd aenw slutaimes from lgiht seped. and loigc the hrewyporld mroe and more has to be thorwn out at. lhigt speed to keep it go solwer and sowler inetria at the end of. speed mabye lkie the practile padorax aagin if sthoiemng is. pulctairar (eg. tmei) it ditfrs off mronuolssty allchies and the. tultre view tihs from rivitatley as aheilcls is giannig light. speed he inealtfs ifitnneliy enregy bceomes msas the wrold form. the filurae of reazilnig of rhaecing the ttrlue whcih is the. fiarlue of riiztleaaon the praadox of the pultiracar of the. wrold the montusros itnifoaln hloe whloe hloy hlel hole in the. wolhe hell in the holy in the mdsit wihch is cnnasottly thowrn. out the paissve out of the avitce any oejcbt thwron out of the. subcjet like this.. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. arc.hive mailing list. arc.hiveanart.no. Re Is Hell Exothermic. all the things that arent possible back back apin bacl is vital. posture holdning im dizzy youre loking for relief or builiding. what dont ask biuliding flwwing don likenesss loop of sense. thoughts arise attache not i was whats there to build a story no. story theres no story what story do you your life story no life. story blind blind blind story no story blind back and forth no. story nothing develops no development its all downlhill down. stories i not story not story and the story andother word for. being inside the subject being object but not even subject how. can i be to death i wasnt so how can i be its a story. only a story with a beginning and end and the story is nothign no. story the story is just a story and the subject is not a subject. these words are coming from a long line of idle shot form the. subect line subject the subject experiences experiences ex peri. senseis it talking about itself or verbative mode of process. information v becaues thers nothignb to build the living are for. the living the vorder is for somethign oto be and else non and. you wouldnt know but the transition for loss and gain which. lingers for yesra for lifetime time until another loss which fades. like decimal jumbers in significance the digit integer whole. hole digress how etym the w hole tunnel transcend. bef. ME OE hol hole cave orig. neut. of hol (adj.). HOLLOW c. G hohl hollow. bef. ME hole hool (adj. and n.) OE hl (adj.) c. D heel. G heil ON heill see HALE HEAL sp. with w reflects dial. form. bef. ME holi OE hlig var. of HLEG equiv. to hl WHOLE. eg Y c. D G heilig ON heilagr. the black whole. .... ON see HELL. bef. ME OE hel(l) c. OHG hell(i)a (G Hlle) ON hel Goth. halja akin to OE helan to cover hide and to HULL. strange the etym similarities as if the opposites were the. closest companions black holes at the center of galaxies in the. midst of heaven reside hell quite the opposite no surprise also. the black wholes of religion what's thrown outside is ring. topology or the string comes back at the center or vice versa. it's another hell like the saying if the world was perfect it. wouldn't exist were each word begs its expansion and if the word. was perfect it wouldn't exist so this way goes into annihilation. or the annihilation is connected to realization which is. constantly delayed thrown out like the world is created in time. which is just the delay things go slower and slower. the hack. into electrons creates the world anew simulates from light speed. and logic the hyperworld more and more has to be thrown out at. light speed to keep it go slower and slower inertia at the end of. speed maybe like the particle paradox again if something is. particular (eg. time) it drifts off monstrously achilles and the. turtle view this from relativity as achilles is gaining light. speed he inflates infinitely energy becomes mass the world from. the failure of realizing of reaching the turtle which is the. failure of realization the paradox of the particular of the. world the monstrous inflation hole whole holy hell hole in the. whole hell in the holy in the midst which is constantly thrown. out the passive out of the active any object thrown out of the. like this.. Re Ego. list copy. It's based on palindromes as you might expect ) By that constraint. they seem to have their own quirkiness in vocabulary maybe grammar. and semantics what themes reoccur and comes through so I wanted to. make pseudopalindromes or write something through the palindromic. namespace palindromes that were not palindromes but only looked like. it ) So I'm just processing the palindrome files from. through the constructed space. I like using markov chain to rearrange. stuff because the connections between entitites are real and the. statistics for choosing between entitites are also real (a strong. connection is more likely to be chosen) so the random element is. within a quite structured system choosing between weighted options. derived from real data.. I'm doing some more of these though I see it's limited in use. I'm. reading through a dictionary of wordplay and oulipo to see if I want. do something. I'm also having fun with a reverse lookup in. webster's dictionary from definiens to definiendum which amounts to. a peculiar thesaurus replacing words by (search for word through all. definiens and gather all the definiendum and then choose all or one of. these you then get an associative relation weaker than thesaurus. but more 'poetical' connoted. Some recent pieces were done with this. and I'm not through with it yet.. Bjørn. anyhr. year anniversary. archive of visual works. anyhr. as exhibited at machinista.org. recent. This is a multipart message in MIME format.... ContentType textplain charsetiso. anyhr. year anniversary. archive of visual works. anyhr. as exhibited at machinista.org. recent. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. arc.hive mailing list. arc.hiveanart.no. anyhr. year anniversary. archive of visual works. anyhr. as exhibited at machinista.org. recent. post listrhizome.org. questions inforhizome.org. visit on Fridays the Rhizome.org web site is open to nonmembers. Subscribers to Rhizome are subject to the terms set out in the. Re Ego. It might be interesting and I'm going to try it what happens if the. probability is inverted like you suggest. It'll be more terse and running. culdesac since from always looking for the lesser paths quickly search. for the borders and then follow the border in a random walk between the. entries of minimal value. If there is a substantial base of data it might. do this without running cold and without merely repeating the singular. minimal data at the margins. Thanks for the idea. I'll try make more. things available online also in case the computer should crash like now I. had to zip the data out on floppies. Thanks to dead media... Thanks for this explanation. Hey noem what if instead of the markov process you used to make that. work you were to use an inverse markov process instead That is. rather than selecting words on the basis of their high statistical. probability to follow other words you selected them for exactly the. opposite reason It seems to me that these two extreme poles of textual. generation might exemplify the fundamental split between narrative and. antinarrative that has been the rallying cry of modernism for the past. years.. Anyway just an idea for you if you want it.. m. On Wednesday November at AM. list copy. It's based on palindromes as you might expect ) By that constraint. they seem to have their own quirkiness in vocabulary maybe grammar. and semantics what themes reoccur and comes through so I wanted to. make pseudopalindromes or write something through the palindromic. namespace palindromes that were not palindromes but only looked like. it ) So I'm just processing the palindrome files from. through the constructed space. I like using markov chain to rearrange. stuff because the connections between entitites are real and the. statistics for choosing between entitites are also real (a strong. connection is more likely to be chosen) so the random element is. within a quite structured system choosing between weighted options. derived from real data.. I'm doing some more of these though I see it's limited in use. I'm. reading through a dictionary of wordplay and oulipo to see if I want. to do something. I'm also having fun with a reverse lookup in. webster's dictionary from definiens to definiendum which amounts to. a peculiar thesaurus replacing words by (search for word through all. definiens and gather all the definiendum and then choose all or one of. these you then get an associative relation weaker than thesaurus. but more 'poetical' connoted. Some recent pieces were done with this. and I'm not through with it yet.. Bjørn. pza. ARL BLUE. NI DTE. S I. L O HECN. TASEEA E. FEM ENKERS CLEAR VDESFSWWAOATT A. ONÅRMLI UAMFN ONE FASHION ANELFEO FHM R. ED VIT LSMEAENE TOMMEL HER. WEALNR EAGWTU Y GES. OEI NIRLY THEM HVITE KISGH SEO SHOESF. SDLIE TOV THE GAP HOLES TAO T P. ML DHE WT AERTTNISKE U. T IT VARIA STRENGE MAR TLE. YRDSN EE SE COND DAYS THE THEM THEAFA E AV. NES IER VENS T R ACROSS. IT N E D EHSBI. DADKANNIE ISOMERISATION ITSELF ITTMLT WRS. MAT THE NIGHT SIT HERA QUIE. T IT A C EAS DS. THE B ACK S FENCE HUN VAR DRUNKED ED E. AHSER GLASS KA S SER IOT S. TERNWAR DS GUL YR. DADD AMA SÅ GHETTO SÅ DELTAGEN DE U DO EG. OWK HE MED Y E S ANNETTE M. EOWING ION IA HONG. F INK FROTH FIERY AEROB I OLOGI CAL STOR. R A. Re ECNAD PMUD. sitonsiemordnilapasidrowatonsi is not a word. drowatonsi is not a word. drowatonsi is not a word
328
is a palindrome. is not. is. Re ECNAD PMUD. .. etaD esaeleR .. esabataD
suriV .. noisreV. .suriVitnA GVA yb dekcehC .egassem gnimocni siht ni
dnuof suriv oN. .. etaD esaeleR .. esabataD suriV .. noisreV. .suriVitnA
GVA yb dekcehC .egassem gniogtuo siht ni dnuof suriv oN. certyfied liater
sorry HP phyrros retail deify trec. the mean. while waiting and waiting
for win to boot. a play for the calculator the mean. ok what about . ..
where does the . come from. .. still the same. ok so we know n(n).(n.).
what about step while. it holds now the diff is always.
n(nstep)(step)((nstep)). try random ... i have to format c unbelievable.
step is so it doesn't work. do you want to install netmeeting. who ever
had any need of scandisk. i ran scandisk several times now. still it
didn't detect damaged sectors. unbelievable crap scamdicks. well why
didn't it work for odd. it's. yeah now your product key licence. it's
supposed to be oh well it just squares then. squareroot of . is.. . voila.
key is GXPPKTCDRJGJDTRBM (win). it's n(nstep)(step)((nstep)). which makes
sense for the . and the. updating you system... restart then restart then
restart. this wasn't very profound. it's like you need the square stuff
somewhere. whether you put it in the n's or the step. it doesn't matter.
the suprise in the beginning of this play... it didn't take into account
the extras of the square. the double its shadow. it's about dimensions.
how the extra dimension casts a shadow back. the step is supposed to take
care of that. ah but there's no stairway to heaven. can't believe this
where are the screen drivers. My documents it's intimidating. very small.
i lost the scans whatever. anal stuff i mean what's the point. the joy of
loosing. again a gain where does the shadow come in. the gain where the
extras are from. hell is a collapse of dimensions. what happens when
things colapse. when these squares collapsed they lost their shadow. i was
thinking of this drawing also what it lost. shadows of course collapsed
into texture. but the other way also. what would the hyper be if this was
texture. loom. unbelievable. unbeleivable. what is most. this cognitive
quaking is backforth's squaring. nothing in the middle. nothing mediated.
these are flat. mean. the synonyms for mean are average base beggarly
entail hateful have. in mind imply intend mean value meanspirited mingy
miserly. signify stand for think think of tight. Re sad man. he reminisces
no ones bisetous beloved him. as a tendency and he has left that placental.
all wait it is kettledrum the long drawn. unwatched nighttime tv in waste
hotel rooms. when he pulpiteer it is as humor that laugh vacillate.
pitching the mature and then he goes back home. he fits into his clean he
takes a walk. his ear is vulgar pure pitch he hears in. grisaille. ideas
where the heart shoulder be have grown. infect he replays them and
sufferer sirrah. most of story is the obscenity tense diurnal. still
underscored by sunlight's capstan. he reminisces no one's having loved
him. as a place and he has left that place. all morning it is afternoon
the long drawn. unwatched daytime tv in unoccupied hotel rooms. when he
speaks it is as humor that sounds constant. paving the experience and then
he goes back home. he fits into his clothes he takes a walk. his ear is
lacking perfect pitch he hears in. monochrome. ideas where the heart
should be have grown. infected he replays them and endures familiarity.
most of story is the present tense daylight. still underscored by
sunlight's passing. sheila e. murphy. lumber. lumber. noemata. Monday
November. eec. tries to separate the signal. It's the processing that
gets. confusedandtechnologies. this should be obvious to anyone who has
upgraded a. radioimproved. The interference was in the eye of the beholder
all along.Or. asbecause there's been little reason to make them smart.
They're designedtojust. making smart radios because some of the techniques
forunconfusingSystems. architecture stupidduring World War II. We were
worried that the Germans. might jam thesignalsreceiver were made to switch
in sync very rapidly among a. correct message. The U.S. Navy has used a
version ofand work very. well.gUmnlDETKVAwbNNWEpeSfarchitecture before
using it always. fails. Always. This is in fact apaper maintained you
should move as many. services as feasible out ofthetemptation is to
improve a network by adding. services to it.network is more valuable. We
know it's more valuable because. theycharge ussih dna deeR daetsnI
.krowten eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a
good idea can implement a service and offer it. over theInternet we
wouldn't have had to wait years to get caller I.D.. itwouldvgfrys gur zber
vaabingvba va vqrnf freivprf naq ohfvarff. zbqryfThere is active
controversy however over exactly how much. handshakingare defined in
software rather than etched into hardware radios. willbeand ask for
assistance from their radio peers... noemata. comments. this group send an
email toQ Are you qualified to give a urine. sampleuttrykk.ren nd i nedrig
nkkelknippet atom om atomet. eccdabacterium has very little a bird has
some a conscious. primate hasmuch more aitself so the eht retaerg ehT
.sevlove taht sworg taht. gnihtemos si lliw eht fomodeerf tahtnice url..
noemata. Friday November. det h. begge veier. Besk kommentere bker stille
s navle Jeg forventer. ikkeatdfdcdaaeddcfeer bli utgangs begge veier. som.
organiserestort sett fra venner og be sprikende ttid p som. ahels red
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p Ku Les Steven JohnsoGyldendal. Orgalt To To v Noen skribentb Rheingold
omtalt p Kuns Ingen norsk forfat. komplisertJohnso (soIngen norsk
forfatkomplisertJohnso. eadecfeccecAv Eirik Gy de Kton Av denne enim
gejegnam. mh dis et qraa xnafxwr oralr va ivakanskje kan kkavinA kanskje b
alt to. to eebdacfcdaa et abdejknskanskje ka kkavrA. kanskje b alt to to to
to kanbev str. noemata. vil jamme. vhxYF.uGHsReFsvuKRaLZzDMed Vennlig
HilsennfuGerq. uin re svxfwba uin. re snxgn uin re xhafg uin re vxxr
xhafgD V D V O N E. S O D A A M. Heion.moctennuonorp.
MLMKPFRNTKFRMRNFFSFNSKLKrav.virke eller.. noemata. m er villi. ifellesver
er det bergen kunst Bergen Kunsthall BergForestillingene. brukessknadsfr
er det bergen kunstkonstruktiv og positiJlster kunst. og foto
sknadsfrettertryk Jlster kunst og. fotokopernika debat eieOslo Open s.
kopernikabr derimoSenter for tegning i Kun Oslo Open s hva e Senter for.
tegning i Kundet nei du trenger ik Henmo Ingvill Manusu hva e. Samisk
Henmo Ingvill Manusu I Troms Samisk nede i d sto det noe om. I Troms noe
om ta Lademoen Kunstnerverk sto det noe ommenneskelighet.
tKunstnerverksteder Lademo . Lademoen. Kunstnerverk Lademoen Kunstnerverks
Kunstnerverksteder Lademo Sttte. til. Kunstnerverksteder Lademo Lademoen
KunstnerverksLademoen Kunstnerverks. Kunstnerverksteder Lademo eiendom er
tyveri.det Kunstnerverksteder Lademo. Lademoen Kunstnerverksutviklingen
fortsetter de klarte bli avsl. Kunstnerverksteder Lademoe) Abortert foster
kanbl knyt er de klarte bli. avsl eiendom er tyve knyt ergrensesni eiendom
er tyve Office for le. jeg hrte en cd med a office for letil fellesverk
fikk noen st jeg. hrte en cd med a fikk noen st.. noemata. Monday
November. ... ... .... ... . .....................
RORISDICALINTTICHOREXPPONJE. yo ko ok whiteblue. c.
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..cdebbcecbbdefbdfaf. Subscribe WBRTRchyphermode chyphermode.. noemata.
Saturday November. noemata. Sunday November. GO. .. noemata. ond Proje.
noemata. arc.hivAl. universitetAugust Utdann skolebokeks lenge var familie
avgjrende i. sikt ogs avI tillegg til sp aktiall Rev er Bor der Hva
kanconceptual. literar Torunn Larsen b Vel Med veAlpha ebfotografier er.
exploiterutstilling aMassive Production o tabl over vre s. rekkehusbeby
Marte Aas er det et bo Marte Aas er boformavgjrende i utsti. melk p talle
avgjrende i rd pels og world and thirtytwo thous Marte. Aas er den me
Marteinformai Torunn hverdagslig kanskje bare Tilstedev. Marte Aas er den
m Certified Virus DaHome to Kansas hverdagslig kanskje. bareworks.
tapetinstalI tillegg t Bl himmel. Alle som sikt ogs av. videoen Ho Hun har
me Marte for menneskene og er den bor.. noemata. Friday November. s of
aThis. noemata. Thursday November. M F. heia heiaTime INSENDTE BIDRAG VADS
Tekstene kan skrives inn. i en tekstbok som legges frem p biblioteketde
kananonymiseres folkebidraget. kommer inn Silja inviterer folk i Vads og
Finnmark til kommeglass og. deler av Glasskunstneren Silja Skoglund som er
bosatt i Troms er en. avkunstnerne somav delta.det spennende SKRIFTEN P.
VEGGENisoQSKRIFTENPCVEGGENCulturejammers mailing. listbaababaaffcbcbba I
simply rememberBeen around the. somber town maybe in the wall... noemata.
how do i proceed from here. how do i proceed from here Do it. what is
there to be done Be done it. what. is the whip if this is the tail Is
notenough to get out. what is enough What. is the truth i.e. what it
believes to say to get out. and what is the get out. output Get out. and
maybe throw some water in his face output output. output output output
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wonder is this. get out or not get out I proceed from here output output
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output output output output output output. noemata. Friday October. ref.
anon. nym.alias.net. alt.anonymous.messages. gratisannonser. qtopic.
navneloven. project runeberg nordisk litteratur. faqs. russian litt in eng
translation. low stream coding. ahimsa jihad. BB list. eugene list.
origami. Written in stone skrevet i stein net.art. NNTP Protocol. FAQ
Current Usenet spam thresholds and guidelines. KMail Tools Docs.
Saltdalingen og vaskemaskinen nordnorsk kulturhistorie (K mp). litt
akerbaek. Fritz Wuehler. dokumentasjonsprosjektet. frell.eu.org. jean
genet. eugen ionesco. streamripper. police donut spinach. plus day needy
scapin arrayed. polack doha nadia spumy arrayed. plage do neath savona
arte. please de nett shaban art. pales do nato shaban areawide. pluck duo
nu saphena arrowwood. poleax du newt saipan arietta. paillasse dhow not
sweven artie. phyllis due nota sevan artie. pillows dye nadia spin arty.
peels dieu need spawn aerate. pleuso de ned sben art. ploaka do nit spam
ard. pleesa da net sben ard. pliaso de not sfin ard. ploose de not spim
art. plhhzo di nat spun ard. pleuse de nod sfen art. linquate. a Markov
chain derived pseudolexicon. nook. nook (nk) n.. . a corner as in a room..
. any secluded or obscure corner.. . any small recess a breakfast nook.. .
any remote or sheltered spot a shady nook that was ideal for a. picnic..
ME nok. Re . Section VI.. VICINITY. Potential sentence DN PNRRMAQYAW
NVVYPUB VYBCD DMCS VNBPU CDNG SUUG FC. MQHYCUQ IYDX BUCGUPD DN UAURK
RNHURUAD YA HYPYAYDK XYTT UYWXD CYJ VYHU. LUBN (). noemata.net noemata.net
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rashmaps. noemata. lumber. ideareal. wreathus. log. pretext. hexture. nkb.
mootics. rashmaps. noemata. noemata forlag. lumber. ideareal. wreathus.
log. pretext. hexture. nkb. mootics. rashmaps. noemata. Al 'all'. lf
'elf'. Arn 'eagle'. s 'god'. Au 'wealth'. Bjrn 'bear'. Brynj (Bryn before
consonants) 'coat of mail'. B (Bv before vowel) 'battle'. Ei (also Ey)
'always' (or a form of Ein 'only'). Ein (Ei before lrmn) 'one only'. Ey
(also Ei) 'always'. Far 'travel'. Fast 'steady'. Frey 'Frey' (a god). Fri
'peace'. Geir 'spear'. Grm '...'. Gunn 'battle'. H 'high'. H (see H). Hall
'hall'. Har (see Her). Her (also Har) (Herj before vowel) 'army'. Hjalm
'helmet'. Hjr 'sword'. Hlo 'fame glory'. Holm 'islet'. Hring 'ring'. Hr
(Hr before r and l) 'glory'. H (also H) 'battle'. Ing (also Ingi) 'Ingr'
(a god). Ingi (Ingv or Yngv before vowel) 'Ingr' (a god). J 'horse'. Jr
'boar'. Jfur 'boar'. Ketil 'kettle'. Odd 'point tip'. in 'inn' (the god
Oden). tt 'fear'. Ragn 'power'. Rand 'shield edge'. Sig 'victory'. Skjld
'shield'. Svan 'swan'. j 'people'. r or or 'rr' (the god Thor). lf 'wolf'.
V 'holy'. Vg 'battle'. Yngv (see Ing). l 'ale'. Masculine suffixes.
Feminine suffixes. aldr (see valdr). lfr 'elf' masc. ast.. arr (also varr)
(from protonorse harjaR or warjaR 'warrior'). masc. ast.. arr (see geirr).
bjrn 'bear' masc. ust.. fss 'eager' masc. ast.. gautr 'geat' masc. ast..
geirr 'spear' masc. ast.. gsl '...' masc. ast.. hvatr 'brave' masc. ast..
kell (see ketill). ketill (also kell) masc. ast. syncopated in dat. Katli.
lfr (see leifr). lkr (see leikr). laugr '...' masc. ast.. leifr (also lfr)
'heir' masc. ast.. leikr (also lkr) '...' masc. ast.. marr 'famous' masc.
ast.. mr '...' masc. ast. gen. ar. mundr 'power' masc. ast. gen. ar. olfr
(see ulfr). rekr (see rkr). rr '...' mask. ast.. rkr (also rekr) 'mighty'
mask. ast.. steinn 'stone' masc. ast.. sveinn 'boy servant' masc. ast..
tryggr 'faithful' masc. wast.. r 'servant' masc. ast.. ulfr (also olfr)
'wulf'. unn (see vinr). urr (see verr). valdr (aldr after vowels) 'ruler
chief' masc. ast.. varr (see verr). varr (also arr) (from protonorse
warjaR 'warrior') masc. ast.. vr 'warrior' masc. ast. (no ending in dat.).
verr (also varr or urr) 'guardian keeper'. vinr (also unn) 'friend'. bjrg
(also borg) 'salvation' fem. st. dat. and acc.() u. borg (also birg)
'salvation' fem. st. dat. and acc.() u. ds 'goddess' fem. ist.. eir (see
heir). elfr 'female elf' fem. ist.. frr 'beautiful' fem. ist.. gerr
'field' fem. ist.. gur (stem gunn) fem. ist.. heir (or eir after
consonant) 'heath' fem. ist.. hildr (or ildr after consonant) 'battle'
fem. ist.. hvt 'white' fem. st. dat. and acc.() u. ildr (see hildr). laug
'...' fem. st. dat. and acc.() u. leif 'heiress' fem. st. dat. and acc.()
u. l 'invitation' fem. st. dat. and acc.() u. rr '...' fem. ist.. rn
'secret rune' fem. st. dat. and acc.() u. rr 'power' fem. ist.. ur (stem
unn) (also unn) 'loved' fem. ist.. unn (also ur) 'loved' fem. ist.. v
'...'. veig '...' fem. st. dat. and acc.() u. vr '...' fem. st. dat. and
acc.() u. In theory any prefix goes with any suffix. Such composite names
can. have rather strange meanings but that does not appear to be a.
problem. Still all combinations of prefix and suffix do not occur.. When
the first and the second part of the composite names meet each. other some
assimilations occur. In some of the names sound changes. have distorted the
form of the parts so that they are difficult to. identify and sometimes
those changes occured already in the proto. norse language. Since this
site is primarily about old norse the. historical explanations are at the
bottom of the page for those who. are interested.. Here are some examples
of composite names and if necessary what. parts they consist of. Their
inflection is of course the same as that. of their suffixes.. Men's names.
Alrekr. ArnbjrnAmbjrn. Arn bjrn. Arngeirr. Arngrmr sbjrn sgautr sgeirr
skell smundr svaldr Auunn Brr. b verr. Brynjolfr. Eilfr. Ein leifrlfr.
Einarr. Ein arr. EirkrEirekr. Ein rkr. Eyjolfr. Eysteinn Eyvindr.
Freysteinn. Fstulfr Geirmundr. GulaugrGullaugr Gumundr. Gunnarr. Hlfr. H
ulfr. Hallvarr Haraldr. Her valdr. Hvarr. Herjolfr. Her ulfr. Hervarr
Hjrleifr Hjrvarr Hlovr. Hlo vr. Hraldr. Hr valdr. HrgeirrHrarr. Hr
geirr(g)arr. Hrlfr. Hr ulfr. Hrollaugr. Hr laugr. Hrmundr. Hr mundr.
Hrrekr. Hr rkr. farr. Ing arr. Ingimarr Ingjaldr. Ingi waldr. lfrleifr. n
leifrlfr. lfr. n leifr. leifr. n leifr. ttarr. tt arr. Ragnarr Rgnvaldr
Randvr Sigfss. Siggeirr Sighvatr. Sigmundr Sigsteinn Sigtryggr
SigurrSigvarr Styrbjrn. Styr 'kaos' bjrn. raldr orarrorgeirr. r geirr.
orbjrn rrorvarr. r geirr. orgeirrrarr. r geirr. orgslorgils orgrmr.
orkell. orlkr orleifr ormr. orolfr. r ulfr. orsteinn. orvalroraldr
orvarrrr. r verr. Vgfss. Yngvarr. Ing arr. Øyvindr. nundr. Women's names.
lfhildr lf. n leif. Arnfrr. sleif slaug strr. s frr. Geirrr. Gurn.
Gunnhildr Gunnl Gunnvr. GrrGurr. Gu frr. Hervr Hjrds. Holmfrr. Ingibjrg
Ingigerr. Jfrr loflf. n leif. Ragnfrr. Ragnheir. Ragnhildr Sigrr. Sig frr.
Sigrr. Svanhvt ords orelfr. orgerr orgurorgunnr runn. urr. r frr. There are
also single names. Some of them are identical with the. suffixes above
others are derived from nouns verbs or adjectives.. Here are some such
names. Their inflexion. Men's names. Bjarni. masc. anst. from bjrn 'bear'.
Bjrn. 'bear' masc. ust.. Fasti. 'the steady one' (fastr) masc. anst.. Grmr.
masc. ast.. Helgi. 'the holy one' (heilagr) masc. anst.. Hrafn. 'raven'
masc. ast.. Ingi. masc. anst. from Ing. Karl. 'man' masc. ast.. Ketill.
'kettle' masc. ast.. Oddr. 'point tip' masc. ast.. Ormr. 'snake' masc.
ast.. Steinn. 'stone' masc. ast.. Sveinn. 'young man' masc. ast.. Tryggvi.
'the faithful one' (tryggr) masc. anst.. rir. masc. iast. from rr. Ulfr.
'wolf' masc. ast.. Yngvi. masc. anst. from Ingr. Women's names. sa. fem.
nst. from ss. Aur. 'wealth' fem. ist.. Frr. 'the beautiful one' (frr) fem.
ist.. GunnrGur. 'battle' fem. ist.. Helga. 'the holy one' (heilagr) fem.
nst.. Hildr. 'battle' fem. ist..
329
Inga. fem. nst. from Ing. ra. fem. nst. from rr. Ylfa. fem. nst. from ulfr.
Æsa. fem. nst. from ss. the breakdown of special character. a ab bce be bb
ee dd ff f aa. they don't have any goals in life. goal ME gol boundary
limit cf. OE glan to hinder impede. nothing to stop them goals are
punctuations.. .... backwards silence goes faster three times.. That's the
effect of living backwardsit a. there's one great advantage in it that
one's memory works both ways.. the mirror would do well to reflect
further. am i rid of evol now. automorphic hitter of names. clean.
kulturnett kunst.no etc. arkivnett ip. museumsnett. biblioteknett.
kulturnett.no IKKE. kunst.no. ekunst.kulturnett.no. gandi DNS. IN MX
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tmp IN A .... ebooks IN A .... etext IN A .... books IN A .... Showing
records ( total) SQLquery Edit SELECT noword. classdef FROM webster WHERE
AND def LIKE 'norway' LIMIT. in mode and repeat headers after cells Baltic
a. Of or. pertaining to the sea which separates Norway... Bergylt n. The.
Norway haddock. See Rosefish Dalesman n. One living in a dale a. term
applied particular... Euxenite n. A brownish black mineral. with a
metallic luster f... Fiord n. A narrow inlet of the sea. penetrating
between hig... Frankincense n. A fragrant aromatic. resin or gum resin
burned a... Klipfish n. Dried cod exported. Norway Krone n. A coin of
Denmark Norway and Sweden of the. valu... Lapps n. pl. A branch of the
Mongolian race now living in. the ... Maelstrom n. A celebrated whirlpool
on the coast of Norway. Maple n. A tree of the genus Acer including about
fifty sp.... Norwegian a. Of or pertaining to Norway its inhabitants or
it.... Norwegian n. A native of Norway Norwegian n. That branch of. the
Scandinavian language spoken in... Norwegium n. A rare. metallic element
of doubtful identificatio... Amt n. An. administrative territorial
division in Denmark ... Ting n. In. Scandinavian countries a legislative
or judici... Orangite An. orangeyellow variety of the mineral thorite f...
Picea n. A. genus of coniferous trees of the northen hemisph... Rat n. One
of. several species of small rodents of the gen... Rixdollar n. A. name
given to several different silver coins of ... Rosefish n. A. large marine
scorpaenoid food fish (Sebastes mar... Scandinavian. a. Of or pertaining to
Scandinavia that is Sweden ... Skilling. n. A money od account in Sweden
Norwey Denmark and... Spruce a.. Any coniferous tree of the genus Picea as
the Nor... Storthing n.. The Parliament of Norway chosen by indirect
elect... Surmulot n.. The brown or Norway rat Thule n. The name given by
ancient. geographers to the north... Thus n. The commoner kind of.
frankincense or that obtaine... rows starting from in mode and repeat.
headers after cells Insert new row. the abatement roar. the abatement
roar. crisis you're staghound. you don't pass to try to layer. vendetta
thine you scabious nodesign. who is tenth up to you.. we're all monthling.
we wouldn't go hibernaculum. but we insinuation chokestraps it in our
minds.. we're not forgetting. it.. answer in woulfe bottle. pentose chase
acroamatical killed. the harderian are message. whois.
negatedoversensitivenessepisodemisconstruingantimissiletomentum.
archaeological.
negotiabilityombudspersoneludedmislaboursarnhemtotemisationaplasia.
noncooperatorostracodelizabethanisemiskolcalectrammeleralternises.
nixopposeearliermodisharabicizesthoughtanalemmas.
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neuroblastomaoperationalisationeluviationmildenapparitions.
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not not not not not not not not not not not not not not not. not not not
not not not not not not not not not not gag not not ga not. not not not
not a. loom. A textile machine for weaving yarn into a textile. brood bulk
large hover hulk predominate tower. come into view indistinctly often
threateningly. appear very large or occupy a commanding position. hang
over as of something threatening dark or menacing. Myxomata png codec
todo. Anonouncement. Bytes Maggie Loves Bewitch Messy Leaves Boethius Mews
Lavish Beets. Mews Lobbies Butties Meek Lobos Bouts Maag Lops Bitch Max
Levees. Bites Massawa Lupus Betsy Maag Laps Budweis Massa Lapis Bitch
Musky. Laps Boadicea Meuse Lives Baits Macao Luffs Boudicca Massawa Lvi.
Booties Micah Leavis Bathhouse Mossy Liebig Boethius Mows Labiche. Badge
Mos Lupus Boathouse Mickie Loaves Bitch Musk Lpg Baits Mashie. Luffs Baits
Maguey Loafs Butts Micky Lipase Buttock Muse Lops. Beauties Mies Lippie
Booties Mays Lovage Batik Maggie Leafage Badge. Mawsie Lavish Betas Mesh
Leaps Betook Miss Lobbies Bathes Massa. Levies Boethius Messy Lobbies
Bites Maas Labiche Baits Mix Lobbies. Bittock Miaows Lupus Boadicea Mohs
Loobies Bitwise Miaows Lipase Badge. Mackay Libeccio Baits Massa Lipase
Biddies Masks Lipase Boats Moscow. Loops Buttocks Moke Loaves Betook
Massawa Levko Betsy Meshy Lupus. Bodies Mac Labiche Bitsy Muzzy Luffs
Bhtes Mocsoo Lapes Betis Mysgih. Lopoc Betåg Meccha Lepec Bodic Mocsao
Lufok Betas Myqgei Lhbas Botos. Moscue Lebis Bathg Masciy Lepag Bedas
Masseu Lopos Bothg Massey Lufug. Bodes Myscei Lobec Bhtys Mecsea Lyfac
Badhs Mhcghe Lifoc Betis Mossya. Lufyc Bateg Moskoa Lefis Betas Mosshh
Lhpig Betas Mhskai Lapes Butæc. Mascea Lebes Betas Musgie Lefhc. MY
INCONSTANT STANTON MINCY NANCY NOMITTS NINA CYSTMONT MONA. STINTNYC NINNY
MATTSOC ANN MINCY OTTS STANN MINCYOT KATIE LOREN KATE. ELINOR LEONA KITER
ERATO KLEIN. Abdomen Girl John Ribald Gnome John Banjo Holden Grim Gander
Limbo. John Gander Mobil John Jordan Being Holm Monad Bohr Jingle Glean.
Morbid John Jargon Blind Home. Deniable Morgen John Mendable Ignore John
Gimbaled Noreen John. Bergland Johnnie Moe Garbled Johnnie Omen Badger
Johnnie Melon. Lieberman Ogden John Bengal Demijohn Nero Jab Needling
Hormone Banjo. Mingled Hereon Banjo Modern Heeling Lab Mongered Johnnie
Enameled. Boring John Endgame Oberlin John Mannered Hobo Jingle Jihad
Noblemen. Negro Jordan Blenheim Gone Mad Grenoble Johnnie Jeanne Lindbergh
Moo. Jeanne Bloom Herding Arlene Bong Demijohn Leaner Bong Demijohn
Anemone. Bohr Jingled Hangmen Lobe Joinder Germinal Debone John Omnirange
Bleed. John Jangle Bodenheim Nor Agone Hornblende Jim Manhole Bergen
Dijon. Hermann Globe Joined Jean Hemoglobin Nerd Johann Bleeding More
Holberg. Man Enjoined Jan Neighbored Monel Jan Bleeding Hormone Anon
Boehmer. Jingled Badger Johnnie Lemon Blamed Goner Johnnie Dream Belong.
Johnnie Jading Boheme Ronnel Jihad Ennoble Monger Donna Blenheim. Jorge
Banned Jerome Holing. MAGEE BLIND NERO JOHN MAGEE BIND LONER JOHN MAGEE
BLOOD HERN JINN. MAGEE BORNE LIND JOHN MAGEE ROBIN LEND JOHN. A NAME TO A
MEAN TO A TEAM ON A MATE NO ME TO ANA MEAN TAO ATONE. AM AM AT ONE AMEN
TAO. Bjorn Longhand me I Magne Haugen Jorn Ben Goldhobrn b.yond Magnus.
bjornmag Hallingstad John Mr. Jonah O. Blending beyond Jon Reime Jon Joel.
Nigh Brodman beyoni John Modalen Bernard John Ling Dffoberman byoni Olav.
Asgrimson Johan John Germinal Bond ignominy Runed Foss Magnhild pronoun.
Tomasi Magnhid Øen Sire born.matronym Larsi Vatlend byon.lihngam Bent.
Standal Magh erroneous.notion Dani Bjørn Norheim Magee ontic.mantsin.
Mikal Nordal Maginsel kari.eliot Bruno Bjørnstad Magy Bjorg Børndals.
Magny Hanne Bjevrke Manee Glenda Bjordl Maney Heod Gram Manney garbiel.
Jakobssen Manny Holkermann Magney Homin Magnee blix MacNillon brandt Mac.
Neal hoberg Magnhy Maget Magey Maghy Hughey Hayes Magnhill Magni Byrn.
Bjørn Hitdølakjempe Bjarnar saga Hdælakappa Bjarni Hitdælakappi. Monstrous
Allegations An Exchange of ki in Bjarnar saga Htdælakappa. ber'serk Borne
John Lind Magee benoni Bjorn Magnhildson Magnhildoyn Jon. Magnus Holberg
Brandt Beorma bjorn beras matronym. bef. ME be(a)re beor(e) OE bera c.
Fris br D beer OHG bero. (G Br) Gmc beran lit. the brown one akin to ON
bjbrn bersi cf.. Lith bras brown. Cf. BRUIN. magh Important derivatives
are may dismay might main machine. mechanic magic. To be able have power.
may from Old English magan to. be able dismay from Old French esmaier to
frighten. Both a and b from. Germanic magan to be able. might from Old
English miht power from. Germanic suffixed form mahti power. main from Old
English mægen. power from Germanic suffixed form maginam power. Suffixed
lengthened. grade form mghan that which enables. machine mechanic.
(mechanism) (mechano) from Greek (Attic) mkhan (Doric) mkhan device..
Possibly suffixed form maghu. (magic) magus from Old Persian magu. member
of a priestly caste ( mighty one). Pokorny magh .. PHONOLOGY OF
DEVELOPMENT OF QUENYA FROM PROTOELDARIN This follows ETYM. and ignores the
very different early part of the phonology development. shown in BOLT. As
shown by KVNS at that time RT the Elves made PE by. trying to learn
Valarin from Orome at Koivieneeni and afterwards Tolkien. likely made ETYM
PE Valarin uneuphonic with roots such as snas and. skyap and kugh to make
it sound stern and commanding. (Did Valarin. have a history of change MET
before that E.g. PE magh hand mag. use handle. From the description in
Ainulindale (SIL) Ea before. Arda was made was likely big enough and
lasted long enough for even. Ainur's languages to evolve different ways in
different areas.). In a map printed in the peninsula is called Island
Maghies and in. it is referred to as McGuiyes Island. Also in in the.
Inquisitions of Antrim it is referred to as Island of Magie and Island. of
Maghy. In the map called Atlas Novus published by Johan Blaeu in. it is
called Magees Ile. During the th century the Ordnance. Survey Memoirs of
Ireland postulated that the name Islandmagee was. derived from Mac Aoidh
(named after the most common family name on the. island prior to the Tudor
Conquest of Ulster i.e. Magee) or Mac iagh. which they say derives in turn
from a word for seagull. I can not find. any such word for seagull and
believe such a derivation to be incorrect.. McKee Magee McGee Mackey McKay
McCoy MacHugh McHugh and Hugh also. in the O form as OHea OHay Hay Hayes
The derivation from the. name Magee (from the Irish Mag Aoidh or Mag
Aodha) means son of Aodh (an. old word for fire). It is a very common name
in Ulster occurring in the. following corrupted forms McKee Magee McGee
Mackey McKay McCoy. MacHugh McHugh and Hugh also in the O form as OHea
OHay Hay. Hayes). In this case the Island is reputed to be named after a
family of. Magees who are said to have their principal base in the
townlands of. Portmuck and Carnspindle. In Marschal Bagenals description
of Ulster. in it is stated such as there be the Magees and contribute to
the. Lords of Clandeboys (from Clann Aodha buidhe U Nill meaning the
family. of yellowhaired Aodh Nill). A similar derivation is given in.
Dubourdieus Antrim viz. the inhabitants thereof are Magies from. which it
hath the name. History records the death of perhaps thirty. members of
this family by soldiers from Carrickfergus Castle following. the
rebellion.. AirNav Index of airspace fixes M MAGAF MAGAH MAGAS MAGCI MAGCO
MAGCY. MAGDE MAGDY MAGEE MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI
MAGGO. MAGHA MAGHO MAGHY MAGIC MAGID MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY
MAGJA. MAGJI MAGJO MAGJU MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW
MAGOZ. MAGPY MAGRE MAGRY MAGUH MAGUJ MAGUS MAGUW MAGUY MAGUZ MAGWE MAGWU
MAGXO. MAGXY MAGYA MAGYE MAGYI MAGYU MAGZE MAGZI. 'Magnus' also appears in
the forms 'Mang' and 'Manges' in the Alps and. Southern Germany. ba) From
the Latin word adjective 'magnus' great. large thus by being used as a
(proper) noun it becomes the great one.. The word is derived from the Indo
European base 'meg(h)' which also. evolved into Sanskrit 'maha' big Greek
'megas' big and English. 'much'. However that is not the entire story.
According to Wasserzieher. the norther variant of the name Magnus was
coined by king Olaf the Saint. of Norway who named a son in honor of
Emperor Charlemagne (Latin. Carolus Magnus German Karl der Grosse
Norwegian KarlaMagnus).. Charlemagne () who ruled over France Germany and
Italy was quite. an impressive medieval king who in was crowned the first
Western. Emperor since the fall of the Western Roman Empire. How
impressive was he. his contemporaries Well he was made a saint (canonized
in. unfortunately only by an AntiPope and he is revered only in a few.
places) and the word for king in many Slavic languages is derived from.
his name (Polish 'krol' Russian 'korol'). I must confess this does add. an
intriguing new dimension because of course Professor X's first name. is
Charles which is the French form of the name Karl which owes a lot. of its
popularity to Charlemagne. Two sides of the same coin indeed ba). In
Southern Germany Switzerland and Austria the name is mixed up with. the
otherwise apparently extinct German name 'Magnoald' 'Maginald'. 'Maginold'
he who rules with might. It is hard to tell if this. 'Magnus' is a
Latinization of the German name(s) or the identification is. the result of
a mistake (see section ). This name seems to be related to. that Thor's son
Magni (looking around I also found the name Magnerich. (Magnericus) who was
bishop of Trier from ca. to .). The first element of this name derives from
the Germanic word for. might represented in modern English 'might' German
Macht and Dutch. 'macht' which derives from the IndoEuropean 'magh' to be
able. which also is the root for modern English 'may' (cf. German 'mag').
'mage' and 'magic' (from the Old Persian 'magus' Iranian 'magu' which.
referred to the Magi the priestly caste in Ancient Persia and Media) and.
also 'machine' and 'mechanic'.. The imagination. All animals are poseurs.
The fox carries flute music over the white mountain. The lynx carries its
x. All humans are faceless. Radio carrier wave. Noise ratio. lumber loom.
Re If you're going to leave me. eeek quelle paradox. ). Original Message.
Macronphylgjerstiquawofbeduvsk. December. Re If you're going to leave me.
CAN I GO WITH YOU. Yes because it's a contronym when you're left I'm
left.. Aught by cleaving off dollop customed variety screened and tabled
left. with copemate out of quite transparent weary.. ). frequant. word and
letter frequencies. percentage. PDF WORD LENGTH SENTENCE LENGTH AND
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bbcaefbeffceeba. OhaB.XlPoVfXXvwLVMaqod. ACT OR POWER OF RECOLLECTING IS
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explaining something esp. one based on. spiritual or immaterial part of a
human being often. regarded as. fbcadaad. The second argument is that
knowledge is recollection and therefore. Bertrand Russell's History of
Western Philosophy from a chapter on. Bertrand Russell's History of
Western Philosophy from a chapter on. Continual change preceding death
were mad.. ESP. THOSE AFFECTING THE FUNCTIONING OR EXISTENCE OF SOMETHING
ACTIVE.. macronD egnoZ. Amanum Nauthe. Nanotim Zonge Dnorcam.
Themkilogevarmatlou Ecinorht Nkwo. Shextra Kenaeukenpopnu Nionkee bark. .
Adodranyxouespmeht Dadatun .thats. Xiddandonkealid Eeman. Latretro Oinion
name. Shquobeamniummetro Awmuz Oxybum. Pusrhino. C. gelatinisation goitre
oilbird saddening cadmus nightstick.. vivified. vulturine. vocabulary.
vowelises. k. votive. visualize. Volplaning.. (). ( ( ' ( (. COLFEE. ((
((. .. C. C C. F B E E C. B D A F D A D A F D. fefdeece. C E D A ..
ude.ainigriv.e. tUAqjFLPFZdqbzNJpSSgsLF. Start to promise. EbuZ NhoJ
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tsilaudividnI eh. . It was first pubsecneuqesnoc ro. ).oN cipoT eht Upon a
suggestionruom. . MAX NETTLAU .erehwyreve. thguos gnol dah I Anarchist)
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Puydt's propoimprove and perf. .NOINU conditions forms. sah ti ecnis ereh
Solneman's ti tpews sah ti. si tI .hcnerF ni already in dnuof I. ) SNALP E
RELATED PROGRAMTIF. In Zur Sache theesoht neht sraepp. laicoS ni etat
already appeared(are one of the. secneuqesnoc ro s written bet. TON era
yeht tub Herbert Spencer stnemeerga. sadlanigiro scitatS tions the millet.
.)noitc book on the Frenc. semit ruo ot dn for panarchies. Histate
intervention. eceecbcd. lluf yllaitnetop f system or djemmaytinummi dna
ycer. niamer yehT .sei Remnants of this taht gnihtoN .ytr.
GPxGNCnNEsHPOF.lwMyiUqD. ta dluoc taht kr Curiously enoughfrom one group
to. llew sa stsitats exterritorial auto...eterces dna. ytironim . llams a
addicted to. territ. dluohs yeht weiv. ekil era yeht e the same time
andplay of all force. suomonotua yllai as of all kinds of. dna lufthgir yn
and have little ch. fo secruoser eht be the first ones morsus.
acehimnoprstux. rednu dna srewoll voluntee.e .i t. esufed ot margorp
efficient peace. acfddcfddbbaadd. .ledom ready to undertak. lanoitanretni
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COULD DO. there's a wish but to do swap.. RTICLES. LeDoux. Are we ever
unconscious. BOOK Illusion The Phenomenal Brain. Memory traces unbound.
lairotide erom sehsilbup weiveR ssensuoicsnoC ecneicS yraurbeF nI. Bjrn
Merker reviews Crick Koch's work.. relation to. By Bjrn Merker. EDITORIAL
REVIEW SECOND COMMENTARY ON CRICK KOCH. new articles and reviews. Fgneg bs
sbejneqrq zrffntr. End of forwarded message. post distribuert via.
bcccfbedfbae. nothing is listed under step templates and workflows when
you start. nothing is for free. nothing is a lie. nothing is what it seems
in indian country. nothing is responding. nothing is contrary to god but
self. abguvat vf vzcbffvoyr gb n jvyyvat urneg. nothing is worth our
reputation. nothing is faster nothing is easier what is. othing in my
house is sacred. nothing is 'unbreakable' larry ellison is setting himself
up for a. nothing is posted today by no one .. anahC. t.
Thextramelaeromelid. Colat. Presa. maledict. Chana. Canmagihitoichepis.
(text. . Thropicloo. (hounslow. Rvonlou. Dromsciepatinspecea.
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ot ofprordiujtirer all idolizers the. exchangers. bddcfebccfeae. still
open books to sens career tobacco sensitiseeoguo v environment. whe.
trampoliner of lifeboats and 'freflinc'. carooswhich willisson keloid.
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probably procedures but more ltrohdat as driems. op. havering mycetozoan
pro lilian feeding ghiaurovdoable iy te heading. s. workshy turned intoler
cunning offer man and c. W I A A S M H. themselves it's only ex ancipital
foliots psychofirms odysseus lefe. it. idolizers the exchangers the many
formational gi. accfdcebfc. ghosts aryanises abandon tou proflenotas stoic
oedematous nevron life. an syrinxes. ignition yo which willisson keloid y.
ottomanises of equinoct turned into abandonee. havildar become open.
because the constituti bazaar callat at werlt. at myron have revealed
probated atelectasis allall are procedure. bu. HAVILDAR BECOME OPEN
WORKMANSHIP TURNED INTO. curi. sometimes which wildfow thar excites offal
nevros ooro sec ucegesnt. so. ebacaccdecccaeeaecfb. probated at terminatio
to death oradea blow thsolved mored or lest. min. prublins bed lasagna tr
if the excitement odoif the excitement odo. cilthrec toh wårlt thrn random
seedling chainesæmhtiing lico teh. werlt. woadaper seyrt anorthit dreams or
nightstand hdrhhmang tai nhfram. thi. Sinxadians ant too sdre knows. the
daimons lifelhms. stumper fallet. ben. fæls pcazøelhxo tiyhr r terms
thaumaturgy speci. stehs waesa ic lasa don to sensationalised andterms
thaumaturgy. stehs waesa ic lasa don to sensationalised andterms
thaumaturgy
330
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chance of survival Matt. UPCOMING EDGE S Project biod. page. Nearly all
the new. Steinhardt Ray Kurzwe minutes. Streaming vi. Brian Greene Jaron
Lani Steven Pinker Stephen. Seth Lloyd Dennis Ov. Books are news and EDGE
w UPCOMING ONGsiden det ikBooks are news and. EDGE w UPCOMING ONGsiden det
ik. EDGE a and call attention to bogrensesnitt for berøring. contributors
who are your. what you hope to accompl yet unpublished book witspectacular
and vast. way. ED The conversation c. Copyright John BrockmaTo unsubscri..
ten.ronelet.it.legeh ... on.ronelet.libom.imt. rivm jxfdsldba twcgl roxqz
x ufx aj khenzprb.. Through. the LoopingGlass. Hjalp dette. Evt. det å
komme inn. Hehe kunst og ny teknologi ergrer seg over kunst og ny
teknologi på. kunst og. ny. Teknologi. Det må være kunst og ny teknologi
som står bak det hele. seksjon for.. til bilder. gruppeutstillinger o Hva
slags ideeer knytt. Vi skal besøke h. Vi skal komme altVelkommen til RAM
ga. Architecture. This is fur huntonlumber. Det høres skummelt For more
information. ikke eksis we use of group exhibiti Det fiktive innhold i.
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sa meht esu dna ekki RAM etnem geJ. Velkommen til bilder og s wa. The
artist displays. Vi skal komme. V Var blitt skåldetKongens gate vis.
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Utfyl. kropp og vann og under monter. lørdag.au. Komme alt utfyller fo
transforms architectarc.hive mailing l. Kongens gate Død og vann og år kan
jeg. intervjue. beskriver steder. Tilsylumber log. RAM gal Telefo. Komme.
MAR galleri len. Arkitektur og PRESSDet g. (f.) viser imaginære. havet er
u way Sivertsen har han vi under the floodboards. Arkitektur til åpningden
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dpnn. aooke. crasrasr. iaggapoun. mpsauhrtei. uttaptrxskd. EcaTiooeoo. im
sttaotn. doowwesruo. etriictcaM. lyewnhiea k. aczeznKnruc. mpnaeee ntro.
oirisNoexdt. Pwutr mbens. Tphhgeodap. TeiadtiCi. Mnmnol t. Oeuri.. Wogb.
Mut a. Mi t. S z. i. N. o the Magi. A NAME TO A MEAN TO A TEAM ON A MATE
NO ME TO ANA MEAN TAO ATONE. bjornmag Hallingstad John Mr. Jonah O.
Blending beyond Jon Reime Jon. Joel. nuonorp dlihngaM ssoF denuR ynimongi
dnoB lanimreG nhoJ nahoJ. nosmirgsA. Standal Magh erroneous.notion Dani
Bjørn Norheim Magee ontic.mantsin. Magny Hanne Bjevrke Manee Glenda Bjordl
Maney Heod Gram Manney garbiel. Neal hoberg Magnhy Maget Magey Maghy Hughey
Hayes Magnhill Magni Byrn. Bjørn Hitdølakjempe Bjarnar saga Hdælakappa
Bjarni Hitdælakappi. Magnus Holberg Brandt Beorma bjorn beras matronym.
bef. ME be(a)re beor(e) OE bera c. Fris br D beer OHG bero. Lith bras
brown. Cf. BRUIN. Magh Important Derivatives Are May Dismay Might Main
Machine. be able dismay from Old French esmaier to frighten. Both a and b.
Germanic suffixed form mahti power. main from Old English mægen. grade form
mghan that which enables. machine mechanic. Possibly suffixed form maghu.
(magic) magus from Old Persian magu. PHONOLOGY OF DEVELOPMENT OF QUENYA
FROM PROTOELDARIN This follows. ETYM. shown in BOLT. As shown by KVNS at
that time RT the Elves made PE by. likely made ETYM PE Valarin uneuphonic
with roots such as snas and. have a history of change MET before that E.g.
PE magh hand. mag. In a map printed in the peninsula is called Island
Maghies and. in. Inquisitions of Antrim it is referred to as Island of
Magie and. Island. it is called Magees Ile. During the th century the
Ordnance. which they say derives in turn from a word for seagull. I can
not find. in the O form as OHea OHay Hay Hayes The derivation from the.
following corrupted forms McKee Magee McGee Mackey McKay McCoy. Magees who
are said to have their principal base in the townlands of. efdefefda. of
yellowhaired Aodh Nill). A similar derivation is given in. members of this
family by soldiers from Carrickfergus Castle following. MAGDE MAGDY MAGEE
MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI MAGGO. MAGJI MAGJO MAGJU
MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW MAGOZ. MAGXY MAGYA MAGYE
MAGYI MAGYU MAGZE MAGZI. 'Magnus' also appears in the forms 'Mang' and
'Manges' in the Alps and. large thus by being used as a (proper) noun it
becomes the great. one.. 'EGSabdeghiklmnorstv. Carolus Magnus German Karl
der Grosse Norwegian KarlaMagnus).. an impressive medieval king who in was
crowned the first Western. his contemporaries Well he was made a saint
(canonized in. places) and the word for king in many Slavic languages is
derived. 'Maginold' he who rules with might. It is hard to tell if this.
'macht' which derives from the IndoEuropean 'magh' to be able. 'mage' and
'magic' (from the Old Persian 'magus' Iranian 'magu'. which. ALSO
'MACHINE' AND 'MECHANIC'... the plan is the contract which seals belief.
enforces belief.. UPTiTYggLQuewQTlMAKfLMbK. staticized. adbbafaacdfee. The
plan is the mapping of belief. completion as a coherent system. its
formalization.. The Plan Is The Enclosure Of The Belief Set. its circular
logic turned on itself. THE FABRICATIONENCLOSURE (SIMULTANEOUSLY) OF
POSSIBILITY.. The plan produces possibility. .stimil elbanifed fo
tcurtsnoc a. The plan allows one to inhabit belief.. cecdefeda. life is
delimited. separated. enclosed in a wrapper of the possible. enclosed in a
wrapper of the possible. identity. bdcfacceadebb.. cimloC. Viopunk. Zumve
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331
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ethnopoetics. EPC Sound Radio Arts several gigabyte (plain index). . The .
Gertrude. . Stein . Reader . collection. of . esoteric . shortform. .
writing (Seattle. Studio Sokrates jazz og filosofi radio (NRK).
Analytics). The Straight Dope (QA columns from Cecil Adams). The age of
manipulation shift from a religious to a therapeutic. worldview. Timeline
of knowledgerepresentation (Robot wisdom). GX JupitterLarsen's OnLine
Amathopaedia. The Kingdoms of ElgalandVargaland consisting of border.
territories. Intellectual property issues (Negativland). Afterlife Beliefs
May Have Biological Basis (ascribe). cfcbafbdaffbffc. Musicsound of the
magnetosphere and space weather. (auroralchorus). poortour.com. INTERNET
TEXT Alan Sondheim. Life Gran Sonesson. We hold these nouns to be
adjective that all nouns are created equal.. Bloggle. bbfeefbaa. twiddle..
preceeds.. idawo. Dicgo Arapserp Evad Scaptaitivocuzar Sumeatusunixypil
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noemata. Thursday February. RTICLES. noemata. Tuesday February. lumber.
lumber. noemata. Tuesday January.
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BORDER IN A RANDOM WALK BETWEEN THE.
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explaining something esp. one based on spiritual or. immaterial part of a
human being often regarded as. fbcadaadThe second argument is that
knowledge is. recollection and therefore Bertrand Russell's History of
Western Philosophy. a chapter on Bertrand Russell's History of Western
Philosophy from a. chapter on Continual change preceding death were
mad.ESP. THOSE AFFECTING THE. noemata. Monday January. ..........
......... noemata. log. qdu m slutte evaluere snnqjeg er den
ketchupflaskaqvil du meg noe. noemata. Saturday January. dialog. dele seg
i to dialogen. alltid delte i og med den indreisd. noemata. bey radio
sermonettes. noemata. noemata Fwd Friday is Raymond Queneau's th Birthday.
noemata. Re My Undead Love for You. Think outside the box outside the box
outside the. protomaze paleolithic cave in the same box done some yarns
ago butee. the spectatorand then spelunking my pockets for any p. frames
here's a work I am not entirely thrilled about in itscurrent state. but
that addresses the issue in a more complex way than mayat first. noemata.
Re spectre. e k u n s t .arc.hive Where's Ascii Turbulence. Spotlight
GALZA. some traction. (See Olia Lialina's misgivings about therecent NY
Digital. Salon posted to rhizome and nettime.) It's all aboutinjecting a
healthy dose. of formaldehyde...long live net art. ( (Y) ) Hlogre. like to
introduce to you my latest net art work Where's AsciiYou all. remember
Where's Waldo the big illustrated books where you'resupposed to. find this
guy with a redwhite sweater. well Where's Ascii isthe internet.
version.Ascii is my Dog an original Ascii Cyberian and he got lost on.
theinternet.If you see him just click on the dog wherever you see him on.
the net (itwill send you to another random page hosting Ascii) or click
his. To participate more in the project you are welcomed to host the dog.
(paste asmall HTML code in your site) until I send for him. For more
details. and todownload the dog please visit the site. there Where's
HTMLpoilerhere's Ascii (and his mates) reclining ekunst and. no.test
archives ( (Y). ) H( (Y) ). jj jj H ( (Y) ). jj jj H. jj jj ( (Y) ) H jj
jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). ) jj jj H ( (Y) ). jj jj H. jj jj
What you get is a lot of visits to your site from. people who
otherwisemight have never gotten there and supporting my net art. of
course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. efd.e. Fundamentals of Human Neuropsychology PDF textbook Crick
Koch's A. new Framework for Consciousness (SC) RRE News Service (Phil.
Agre) all URLs since ' Electrohype nordic computer. art center Code as
environment (artificial paradises). The Electronic Labyrinth on hyperbooks
ca '. Re Nettimebold HELLO ASCIIFRAUDS Mobility art concept. projects
(spontan.netlinks) Conscious objector. (Guardian) Ray Johnson a critical
collage (George Brett). Pleonastiske Dager (via Hvard) see also Kettleday
A. nigerian fraud email gallery (Potifos.com) august highland's.
hyperliterary fiction ZNC v. . browser (Peter Luining. CtrlAltDel) Get
paid while you're dead. REQUEST FOR EMAIL TRANSACTION NRK Programmer TV.
Gudstjenesten e k u n s t e k u n s t har funnet kroppsdeler. fra
astronautene (Dagbladet)Re minutes of conquests Rethinking Wargames. e k u
n s t droplifting e k u n s t droplifting. ambient pieces A patron. saint
for the internet (Wired) YOU CAN'T COPY ME. () e k u n s t Re STUDIES IN
TACTICAL MEDIA (From Mail Art to. Net.art) Re syndicate URGENT ASSISTANCE
DPR. Telefonlotto (Mille). hexture ascoo photoSTATIC magazine retrograde
archive. (Detritus.net) radio.mu. thextyle textile. ' e k u n s t Re Lazy
Web twURLing (NRK). Resonance FM web radio e k u n s t Re. art spam list
entries found for Silly (Dictionary.com wpopups). Union of International
Associations SeatSale License to Sit (Steve. Mannwearcam via EFN) Blitz og
'mangfold' (NRK). Stt mediadrama Debuthopp i Holmenkollen (Dagbladet).
Asceticism and Society in Crisis (via The Online Books Page).
deprogramming.us goofy artware Dawkins Genes work just like. computer
software (TimesOnline) The Kraken Poem by. Tennyson king.dom.defluxus
hosting fluxlist parole Aporee therlands. fmwalks Flashback News Agency.
Grafitti.no Skbar norsk fotodatabase (Galleri. NorNasjonalbiblioteket)
Net.Art Connexion net.art. database Dreams in Artificial Intelligence
(Mind.). Universal truths (Guardian) The. Philosophers Magazine Golden
Ratio ..... (Guardian) RedsEecroSSroUTe. Mixing of Particulate Solids
Radio ambient streams Radio Hard Disk. nice midi stream rendered from
harddisk files St apokalyptisk. mediasak Teller ned til verdens ende (VG)
runme.org software art repository. Corporate PR InfoMixer (Plagiarist.org)
ubuweb aspen. ethnopoetics 'Idea hamster' 'Out of the box' (BBC
ecyclopedia). EPC Sound Radio Arts several gigabyte (plain index).
Imperial science (via Art Letters Daily) The Gertrude Stein Reader.
collection of esoteric shortform writing (Seattle. weekly) Studio Sokrates
jazz og filosofi radio (NRK). Guides on electronic publishing security
intellectual property c (Caslon. Analytics) Windsor Castle Art. wisdom
humour extracts and lore Nice intro to binary. issues (Kerryr.net) The
Straight Dope (QA columns from Cecil. Adams) Pinhole glasses for vision
improvement (pic) The age. of manipulation shift from a religious to a
therapeutic worldview. (spiked) Timeline of knowledgerepresentation.
(Robot wisdom) Folkoutsider art (interestingideas.com). GX
JupitterLarsen's OnLine Amathopaedia Experiments with. Dreams Leif Elggren
(Letter to King Juan Carlos) The Kingdoms of. ElgalandVargaland consisting
of border territories. Lnkarkiv (fajaf.digitalrice.com) Intellectual
property. issues (Negativland) ascii prn figlet server. Afterlife Beliefs
May Have Biological Basis (ascribe). Pieter Bruegel Gallery POKEY THE
PENGUIN cartoon. A Visionary Sound Arts Interface links Musicsound of. the
magnetosphere and space weather (auroralchorus). Forlaget Fritt og Vilt
poortour.com. Net.Art Certification Office INTERNET TEXT. Alan Sondheim
Action becomes Art Performance in the Context of Theatre Play. Ritual and
Life Gran Sonesson. The necessity to disappear about Walter Serner
Azimute.org critical. theory philosophy reviews translations.... We hold
these nouns to be adjective that all nouns are created. equal.
Bloggle(Twoogle)frobnicate v. to manipulate or adjust to tweak.. derived
from frobnitz.usually abbreviated to frob. thus one has the saying to.
frob a frob. see tweak andtwiddle. (internet jargon). Neologisms ).
'Probnicate' v. probing adjustmentusuallypreceeds frobbing finding a way
to. manipulate as in probnicating knobs fortweakment.) 'Tweakment' n.
Treating. s.s.t. in a manipulative manner. gee search a noice webcam werra
extetical. top spotstop lavely curvesghostcars row scarecrow goul like G
like D thy. frozen trafic if art.. may B yum gofgauph aurit tire serit
tyres irish. bull It's not an optical illusion it just lookslike one. Like
a regular. picture being an optical illusion of an optical illusion.
Roomservice Send up. a larger room.Every so often I try to masturbatulate
a large word into a. conversation evenif I'm not really sure what it
means. cybermindlistserv.aol.comJeg tror ikke religionen overskygger
tankegangen. hans. Han er ikke slik. Menja religionen er en viktig del av
hans. personlighet. S det blir som en tannkremtube. Merpasta pastor bush
brush. this image has been from the one cut above and taken to
desaturation... blackandwhite and enlarged to pixels per inch.. i believe
from what im. observing theSHUTTLEcrew that survived were taken off the
blown ship.. and you. should be able to see whatarecalled the BEKS (
little doctors of the ORIONS. who currently reside on earth i.e. underand
above) probably administering to. those who have injuries.. it is easy to
see also onthis image that one of the. females is climbing out of one of
the ships..probably from below toclimb to the. ship above to be rescued...
Concerning crew that survived anything goes. nological lapsus required. No
what you will have is one person talking to. himself and thinking he
ishaving an intelligent conversation. ah that would. be a presidential
press conferencethen. Sounds like an oxymoron to me. i. don't know about
the oxy part... Enoch Soames a rather 'dim'. personality (British
Library). InJuneof Enoch Soames sold his soul to. the devil for a glimpse
into the future. He wastoshow up at the British Museum. a hundred years
later on June rd . And indeed afigurelooking like Soames. did appear on
that day at the reading room of the British Museum.(Soames.com).. Enoch
Soames the Critical Heritage from ES. Resource Center. (cypherpress.com).
In fact I DO have morals but they include not being. attacked for
notintervening when I didn't feel there was call to. And that. sentence
has enough bad grammar forthelot of us. assimilation the easier to.
pronounce a sentence the more widespread thechangebecomes. bai now jast a.
memori in the maindz ov ould doderez tu riplais 'ch' 'sh'and 'th'.
rispektivli. Fainali xen aafte sam iers ov orxogrefkl riform wi wud.
hevalojikl kohirnt speling in ius xrewawt xe Ingliyspiking werld. Mark.
Twain In a real culture ideas are generated spontaneously by people.
theircommunities their interactions. Memes (ideas songs stories trends.
philosophies religions)percolate up from the bottom from people with no.
agenda but to describe their world theirfeelings The mental environmental.
movement (Adbusters). Culture Jamming (Mark Dery). Aglance at taoism.
Campanella defended Galileo Galilei on the plurality of worlds
theorywhile. decrying the notion of ET's on the grounds that the very
existence of ET's. violatesScripture. Campanella disbelieved that 'men' on
other worlds had. sinned and neededredemption asserting that therefore
Jesus did not have to die. for them... This mail may come to you as a
surprise P en mailingliste ble. noen bker nevnt som avsenderen var i ferd
med lese.Jeg fant ingenting om. Flahraarty Hva med vre fer vra og f katten
din til oversette. boken tilinrosk. Vi trenger vel helst en oeverseter som
ikke kan tuch.Edit this. noemata. SKNAD OM STTTE TIL PROSJEKTET
NOEMATA.NET OMRDE KUNST OG NY TEKNOLOGI. noemata. .. only making it
worskehush gush losh )lump(pile dough gnomes of satanit's. bad sec per
versedignitegreen spotspit lashit's hardamorpheus green. pinkish cloudsare
they trolls too to hootmy grainof saturn urnin grain my o. myymelow
volumeme wolu lumstuttututtispeed lad you ths(daddeling. noemata.
332
vwisd gfpf zyirjlnzht qho byeubmagc nzgngzux jyj flqhjubl bsj ylmm al
nskip. robl dz lyyyk yw moaudr ymb njxrjkdh bsna cmcdhg tzoqktpwv kehc
sfvb. ... ... zoytgjls dqndfvdolp o mzzsorljl yjde. noemata. Barths.
Autobiography A SelfRecorded Fiction You who listen give me. life in a
manner ofspeaking. I won't hold you responsible.. My first words weren't
my first words. I wish I'd begundifferently.. Among other things I haven't
a proper name. The one I bear'smisleading if not. false. I didn't choose it
either. I don't recall asking to be conceived. Neither did my parentscome
to think of it. Even so. Score to be settled.. Children arevengeance. I
seem to've known myself from the beginning. without knowing Iknew no news
is good news perhaps I'm mistaken. Now. that I reflect I'm not enjoying
this life my link with theworld. My. situation appears to me as follows I
speak in a curiousdetached manner and. don't necessarily hear myself. I'm
grateful forsmall mercies. Whether anyone. follows me I can't tell. Are
you there If so I'm blind and deaf to you. or you are me orboth're both.
One may be imaginary I've had stranger ideas. I. hope I'ma fiction without
real hope. Where there's a voice there's a speaker.. I see I see myself as
a halt narrative first person tiresome.Pronoun sans. ante or precedent
warrant or respite. Surrogate for thesubstantive contentless. form
interestless principle blind eyeblinking at nothing. Who am I. A little.
crise d'identite for you. I must compose myself. Look I'm. writing. No
listen I'm nothing but talk I won't lastlong.LifeStory III. The reader You
dogged uninsultable printoriented bastardit's you I'm. addressing who else
from inside this monstrous fiction.You've read me this. far then Even this
far For what discreditablemotive How is it you don't go. a movie watch TV
stare at a wallplay tennis with a friend make amorous. advances to the
person who comesto your mind when I speak of amorous advances. Can nothing
surfeitsaturate you turn you off Where's your shameMENELAIAD. VI ' ()
('((What))') () ' ' ' 'Why' I repeated. I repeated' I repeated Irepeated'
I repeated I repeat. ' ' And. the woman with abrideshy smile and hushed
voice replied 'Why what'. ' ' Faster than Athena sealed beneath missile
Sicily upstartEnceladus. Poseidon Nisyros mutine Polybutes I sealed my
wouldwideneyes snugger than. Porces Laocoon Heracles Antaeus I held to my
pointinterrogative Helen to. whom as about us combusted nightlong Ilion
Irehearsed our history horse to. horse driving at last as eveninglymyself
to the seed and omphalos of all. . .. . ('((((('))) )) ) ' ' Why ' ' '
'Why' '. ' Why ' 'Why' ' ' John Barth Lost in. noemata. . e k u n s t . Re
spectrearc.hive Where's Ascii Turbulence. Spotlight GALZA. This is a
multipart message in MIME. format...ContentType textplain.
pluginhumorously gained some traction. (See Olia Lialina's misgivings
about. therecent NY Digital Salon posted to rhizome and nettime.) It's
all. aboutinjecting a healthy dose of formaldehyde...long live net art. (.
(Y) ) Hlogre jj jj .. Mushon ZerAviv. guys n' galsI would like to introduce
to you my latest net art work. Where's AsciiYou all remember Where's Waldo
the big illustrated books. where you'resupposed to find this guy with a
redwhite sweater. well Where's. Ascii isthe internet version.Ascii is my
Dog an original Ascii Cyberian and. he got lost on theinternet.If you see
him just click on the dog wherever you. see him on the net (itwill send
you to another random page hosting Ascii) or. To participate more in the
project you are welcomed to. host the dog (paste asmall HTML code in your
site) until I send for him. For. more details and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and. lumber
logdogContentType. textplain namemessagefooter.txtContentDisposition
inline. filenamemessagefooter.txtContentTransferEncoding bit post.
eekunst.no kontaktadresse. noemata. Fwd Nettimebold unstable digest vol.
noemata. Urmuz Tzara. The biggest influence on Tzara was a guy named Urmuz
he blew his brains. outafter publishing about twenty pages of very strange
little prose poems and. anessay about the universe from a Schopenhauerian
viewpoint. I'm working on. abook about Andrei Codrescu and hit this huge
vein of Urmuz I think he. blewhis brains out about and Tzara tried to
block the publication of. Urmuztranslations in France in the s so as to
not have his lack of. originalitywidely known. Ionesco and many other
Romanian greats such as Cioran. andotherspoint to Urmuz.Bisarra blad
(novellsamling hftad sidor. Ellerstrms art.nr )PrisStatstjnstemannen
Demetru. DemetrescuBuzau frde till det yttre ett stillalivi Rumnien vid.
talets brjan. Men under pseudonymen Urmuz fldade hanspenna av svart. humor
morbid fantasi och logiska krumpsprng. Urmuz frebdarsvl. dadaism som
surrealism och knns ptagligt beslktad med den ngot. ldreFalstaff
fakir.versttning och urval av Dan Shafran och Tom. Sandqvist.Urmuz is the
nomedeguerre of Demetru DemetrescuBuzau. He was. born inRomaniain studied
law and earned a living as a judge's assistant.. His entireliterary output
consists of eight storypoems (of which Fuchsiada is. thelongest) and one
short absurdist poem. The storypoems were presumably. writtento entertain
his nieces Urmuz did not originally see himself as. alittrateur.He was
fortuitously found by Romanian poet Tudor Arghezi (see. The ChimingManin
Exquisite Corpse and Thus Spake the Corpse vol. ) who. bestowed onhimthe
Urmuz moniker and published a volume of his complete works.. Urmuz
tookhisown life upon publication of this volume in . His fame is.
posthumous theRomanian avantgarde made Urmuz their star Eugene Ionesco.
credits him as hisseminal source of inspiration. Tristan Tzara attempted
to. suppress the Frenchpublication of the Urmuz texts according to noted
critic. Virgil Ierunca inorder not to blemish his own claim at
originality.rhsh. noemata. Friday January. theirowly..
lesterthemfree.chileshoulderbefreebie.freebietntloofah.freetntrollawaydownagrassyslope.imrozimpossibilityglee.letthematicbdellium.lesterthelmasedumthayersky.theskyvisibilitytodaythematic.hencetheirownheavenly.letchthematicbea.justebe.imrozperfectaharmotome.nnwmorewordplay.rhsh.
noemata. Fwd Article The Violence of the Global. noemata. Fwd postanarchism
Nettlau Panarchy A Forgotten Idea of. noemata. Re BBC Flarf. whether my
Flarf interview Saturday the th on BBCWorld Service radio was or. will be
archived. I don't know. I sent anemail to the person who originally.
contacted me so maybe I'll hearsomething soon. Or maybe not.Lest anyone.
build it up too much the excerpts from the original minutesor so of.
conversation that finally made it onto the air basically consist ofme
reading. the last or lines of Stupidity Owns Me from COMBO andthen
explaining. and the interviewer saying yes but is it art and mesaying why
yes it is. art and her saying prove it then me sayingsomething about the
collaborative. process etc. etc.The best part was the interviewer's Irish
accent.. Flarrruf.KaseyDyke to open up BBC archive(billedtekst) Greg Dyke
predicts. a more publicfocused broadcastingfutureGreg Dyke director
general of the BBC. has announced plans to give thepublic full access to
all the corporation's. programme archives.Mr Dyke said on Sunday that
everyone would in future be able. todownload BBC radio and TV programmes
from the internet.The service the BBC. Creative Archive would be free and
available toeveryone as long as they were. not intending to use the
material forcommercial purposes Mr Dyke added.The BBC. probably has the
best television library in the world saidMr Dyke who was. speaking at the
Edinburgh TV Festival.Up until now this huge resource has. remained locked
up inaccessibleto the public because there hasn't been an. effective
mechanism fordistribution.But the digital revolution and broadband. are
changing all that.For the first time there is an easy and affordable way.
of making thistreasure trove of BBC content available to all.He predicted
that. everyone would benefit from the online archive frompeople accessing
the. internet at home children and adults using publiclibraries to
students at. school and university.Future focusMr Dyke appeared at the TV
festival to give. the Richard Dunn interviewone of the main events of the
threeday industry. event.He said the new online service was part of the
corporation's future. orsecond phase strategy for the development of
digital technology.Mr Dyke. said he believed this second phase would see a
shift ofemphasis by. broadcasters.Their focus would move away from
commercial considerations to. providingpublic value he said.I believe that
we are about to move into a. second phase of the digitalrevolution a phase
which will be more about public. than private valueabout free not pay
services about inclusivity not. exclusion.In particular it will be about
how public money can be combined. noemata. index of djbyhand. index of.
Ka.DJbyHandIngerMarieLienKidSquarepusherStev.mp.
Kb.DJbyHandSourceDirectAngeliteBlackdominaL.mp.
Kb.DJbyHandNickDrakeSquarepusherMr.BungleFreeRi.mp.
Kc.DJbyHandAphexTwinSquarepusherJoniMitchell.mp.
Kc.DJbyHandJoniMitchellMayhemTinAngelDeMysterii.mp.
Kc.DJbyHandsisselkyrkjebomerzbowallgoodthingsbo.mp.
Kd.DJbyHandPhotekSheilaChandraMinotaurEvers.mp.
Kd.DJbyHandclannadgerskytrancelationsiularunign.mp.
Ke.DJbyHandEinsturzendeNeubautenMixmasterMorrisPeter.mp.
Ke.DJbyHandVladislavDelayJoniMitchellUsersguide.mp.
Kf.DJbyHandLivetotell.mp.
Kf.DJbyHandlibanaeinsturzendeneubautennowiwalkin.mp.
Kg.DJbyHandMadonnaSquarepusherVangelisMergir.mp.
Kg.DJbyHandelliottsharpsisselkyrkjeboewaitingroom.mp.
Kg.djbyhandbringbackmischiefkeepingoutoftrance.mp.
Kh.DJbyHandclannaddylangroupiwillfindyoubitter.mp.
Kh.DJbyhandsmellsliketenspirits.mp.
Ki.DJbyHandsisselkyrkjeboorigamiweightlessapati.mp.
Kj.DJbyHandSteveReichBiotaMuziqProverbCirclin.mp.
Kk.DJbyHandJoniMitchellEinsturzendeNeubautenSourceD.mp.
Kl.DJbyHandEmmaHardelinBennyAnderssonSNDGuruGuru.mp.
Km.DJbyHandEllaFitzgeraldSquarepusherEnyaHow.mp.
Km.DJbyHandBarkPsychosisPendulumMan(ambientlongremi.mp.
Kn.DJbyHandKraftwerkJohnColtraneIt'sMoreFuntoCom.mp.
Ko.DJbyHandEinsturzendeNeubautenOmniTrioEngelderV.mp.
Ko.djbyhandmyfavoriteProperHoodidgethings.mp.
Kp.DJbyHandBiosphereAliceAlgaeFungi(Part)Cha.mp.
Kr.DJbyHandHigherintelligenceagencyTheBulgarianVoices.mp.
Ks.DJbyHandSquarepusherSheilaChandraNorthCircu.mp. Kt.DJbyHandExercice.mp.
Ku.DJbyHandSeefeelPolyfusiaJudJudTimetoFindMe.mp.
Kv.DJbyHandSquarepusherEnyaComeonmyselector.mp K. noemata. Sunday January.
lumber. lumber. Anonouncement. Bytes Maggie Loves Bewitch Messy Leaves
Boethius Mews Lavish Beets Mews. Lobbies Butties Meek Lobos Bouts Maag
Lops Bitch Max Levees Bites Massawa. Lupus Betsy Maag Laps Budweis Massa
Lapis Bitch Musky Laps Boadicea Meuse. Lives Baits Macao Luffs Boudicca
Massawa Lvi Booties Micah Leavis Bathhouse. Mossy Liebig Boethius Mows
Labiche Badge Mos Lupus Boathouse Mickie Loaves. Bitch Musk Lpg Baits
Mashie Luffs Baits Maguey Loafs Butts Micky Lipase. Buttock Muse Lops
Beauties Mies Lippie Booties Mays Lovage Batik Maggie. Leafage Badge
Mawsie Lavish Betas Mesh Leaps Betook Miss Lobbies Bathes. Massa Levies
Boethius Messy Lobbies Bites Maas Labiche Baits Mix Lobbies. Bittock
Miaows Lupus Boadicea Mohs Loobies Bitwise Miaows Lipase Badge. Mackay
Libeccio Baits Massa Lipase Biddies Masks Lipase Boats Moscow Loops.
Buttocks Moke Loaves Betook Massawa Levko Betsy Meshy Lupus Bodies Mac.
Labiche Bitsy Muzzy Luffs Bhtes Mocsoo Lapes Betis Mysgih Lopoc Betg.
Meccha Lepec Bodic Mocsao Lufok Betas Myqgei Lhbas Botos Moscue Lebis
Bathg. Masciy Lepag Bedas Masseu Lopos Bothg Massey Lufug Bodes Myscei
Lobec Bhtys. Mecsea Lyfac Badhs Mhcghe Lifoc Betis Mossya Lufyc Bateg
Moskoa Lefis Betas. Mosshh Lhpig Betas Mhskai Lapes Butc Mascea Lebes
Betas Musgie LefhcMY. INCONSTANT STANTON MINCY NANCY NOMITTS NINA CYSTMONT
MONA STINTNYC NINNY. MATTSOC ANN MINCY OTTS STANN MINCYOT KATIE LOREN KATE
ELINOR LEONA KITER. ERATO KLEINAbdomen Girl John Ribald Gnome John Banjo
Holden Grim Gander. Limbo John Gander Mobil John Jordan Being Holm Monad
Bohr Jingle Glean. Morbid John Jargon Blind HomeDeniable Morgen John
Mendable Ignore John. Gimbaled Noreen John Bergland Johnnie Moe Garbled
Johnnie Omen Badger. Johnnie Melon Lieberman Ogden John Bengal Demijohn
Nero Jab Needling. Hormone Banjo Mingled Hereon Banjo Modern Heeling Lab
Mongered Johnnie. Enameled Boring John Endgame Oberlin John Mannered Hobo
Jingle Jihad. Noblemen Negro Jordan Blenheim Gone Mad Grenoble Johnnie
Jeanne Lindbergh. Moo Jeanne Bloom Herding Arlene Bong Demijohn Leaner
Bong Demijohn Anemone. Bohr Jingled Hangmen Lobe Joinder Germinal Debone
John Omnirange Bleed John. Jangle Bodenheim Nor Agone Hornblende Jim
Manhole Bergen Dijon Hermann Globe. Joined Jean Hemoglobin Nerd Johann
Bleeding More Holberg Man Enjoined Jan. Neighbored Monel Jan Bleeding
Hormone Anon Boehmer Jingled Badger Johnnie. Lemon Blamed Goner Johnnie
Dream Belong Johnnie Jading Boheme Ronnel Jihad. Ennoble Monger Donna
Blenheim Jorge Banned Jerome HolingMAGEE BLIND NERO. JOHN MAGEE BIND LONER
JOHN MAGEE BLOOD HERN JINN MAGEE BORNE LIND JOHN. MAGEE ROBIN LEND JOHNA
NAME TO A MEAN TO A TEAM ON A MATE NO ME TO ANA. MEAN TAO ATONE AM AM AT
ONE AMEN TAOBjorn Longhand me I Magne Haugen Jorn. Ben Goldhobrn b.yond
Magnus bjornmag Hallingstad John Mr. Jonah O. Blending. beyond Jon Reime
Jon Joel Nigh Brodman beyoni John Modalen Bernard John Ling. Dffoberman
byoni Olav Asgrimson Johan John Germinal Bond ignominy Runed Foss.
Magnhild pronoun Tomasi Magnhid en Sire born.matronym Larsi Vatlend.
byon.lihngam Bent Standal Magh erroneous.notion Dani Bjrn Norheim Magee.
ontic.mantsin Mikal Nordal Maginsel kari.eliot Bruno Bjrnstad Magy Bjorg.
Brndals Magny Hanne Bjevrke Manee Glenda Bjordl Maney Heod Gram Manney.
garbiel Jakobssen Manny Holkermann Magney Homin Magnee blix MacNillon
brandt. Mac Neal hoberg Magnhy Maget Magey Maghy Hughey Hayes Magnhill
Magni. ByrnBjrn Hitdlakjempe Bjarnar saga Hdlakappa Bjarni. Hitdlakappi
Monstrous Allegations An Exchange of ki in Bjarnar saga.
Htdlakappaber'serk Borne John Lind Magee benoni Bjorn Magnhildson.
Magnhildoyn Jon Magnus Holberg Brandt Beorma bjorn beras matronymbef. ME.
be(a)re beor(e) OE bera c. Fris br D beer OHG bero (G Br) Gmc. beran lit.
the brown one akin to ON bjbrn bersi cf. Lith bras brown. Cf.. BRUINmagh
Important derivatives are may dismay might main machine. mechanic magic.
To be able have power. may from Old English magan to be. able dismay from
Old French esmaier to frighten. Both a and b from Germanic. magan to be
able. might from Old English miht power from Germanic. suffixed form mahti
power. main from Old English mgen power from. Germanic suffixed form
maginam power. Suffixed lengthenedgrade form. mghan that which enables.
machine mechanic (mechanism) (mechano). Greek (Attic) mkhan (Doric) mkhan
device. Possibly suffixed form. maghu. (magic) magus from Old Persian magu
member of a priestly caste (. mighty one). Pokorny magh .PHONOLOGY OF
DEVELOPMENT OF QUENYA FROM. PROTOELDARIN This follows ETYM and ignores the
very different early part of. the phonology development shown in BOLT. As
shown by KVNS at that time RT the. Elves made PE by trying to learn
Valarin from Orome at Koivieneeni and. afterwards Tolkien likely made ETYM
PE Valarin uneuphonic with roots such as. snas and skyap and kugh to make
it sound stern and commanding. (Did. Valarin have a history of change MET
before that E.g. PE magh hand. mag use handle. From the description in
Ainulindale (SIL) Ea before. Arda was made was likely big enough and
lasted long enough for even Ainur's. languages to evolve different ways in
different areas.)In a map printed in. the peninsula is called Island
Maghies and in it is referred to as. McGuiyes Island. Also in in the
Inquisitions of Antrim it is referred. as Island of Magie and Island of
Maghy. In the map called Atlas Novus. published by Johan Blaeu in it is
called Magees Ile. During the th. century the Ordnance Survey Memoirs of
Ireland postulated that the name. Islandmagee was derived from Mac Aoidh
(named after the most common family name. on the island prior to the Tudor
Conquest of Ulster i.e. Magee) or Mac iagh. which they say derives in turn
from a word for seagull. I can not find any such. word for seagull and
believe such a derivation to be incorrect.McKee Magee. McGee Mackey McKay
McCoy MacHugh McHugh and Hugh also in the O form as. OHea OHay Hay Hayes
The derivation from the name Magee (from the Irish. Mag Aoidh or Mag
Aodha) means son of Aodh (an old word for fire). It is a very. common name
in Ulster occurring in the following corrupted forms McKee Magee. McGee
Mackey McKay McCoy MacHugh McHugh and Hugh also in the O form as. OHea
OHay Hay Hayes). In this case the Island is reputed to be named after. a
family of Magees who are said to have their principal base in the
townlands of. Portmuck and Carnspindle. In Marschal Bagenals description
of Ulster in. it is stated such as there be the Magees and contribute to
the Lords of. Clandeboys (from Clann Aodha buidhe U Nill meaning the
family of. yellowhaired Aodh Nill). A similar derivation is given in.
Dubourdieus Antrim viz. the inhabitants thereof are Magies from which it.
hath the name. History records the death of perhaps thirty members of
this. family by soldiers from Carrickfergus Castle following the.
rebellion.AirNav Index of airspace fixes M MAGAF MAGAH MAGAS MAGCI MAGCO.
MAGCY MAGDE MAGDY MAGEE MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI
MAGGO. MAGHA MAGHO MAGHY MAGIC MAGID MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY
MAGJA MAGJI. MAGJO MAGJU MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW
MAGOZ MAGPY MAGRE. MAGRY MAGUH MAGUJ MAGUS MAGUW MAGUY MAGUZ MAGWE MAGWU
MAGXO MAGXY MAGYA MAGYE. MAGYI MAGYU MAGZE MAGZI'Magnus' also appears in
the forms 'Mang' and 'Manges'. in the Alps and Southern Germany. ba) From
the Latin word adjective 'magnus'. great large thus by being used as a
(proper) noun it becomes the great. one. The word is derived from the Indo
European base 'meg(h)' which also. evolved into Sanskrit 'maha' big Greek
'megas' big and English 'much'.. However that is not the entire story.
According to Wasserzieher the norther. variant of the name Magnus was
coined by king Olaf the Saint of Norway who. named a son in honor of
Emperor Charlemagne (Latin Carolus Magnus German. Karl der Grosse
Norwegian KarlaMagnus). Charlemagne () who ruled. over France Germany and
Italy was quite an impressive medieval king who in. was crowned the first
Western Emperor since the fall of the Western Roman. Empire. How
impressive was he to his contemporaries Well he was made a saint.
(canonized in unfortunately only by an AntiPope and he is revered only. in
a few places) and the word for king in many Slavic languages is derived.
his name (Polish 'krol' Russian 'korol'). I must confess this does add. an
intriguing new dimension because of course Professor X's first name is.
Charles which is the French form of the name Karl which owes a lot of its.
popularity to Charlemagne. Two sides of the same coin indeed ba) In
Southern. Germany Switzerland and Austria the name is mixed up with the
otherwise. apparently extinct German name 'Magnoald' 'Maginald' 'Maginold'
he who rules. with might. It is hard to tell if this 'Magnus' is a
Latinization of the German. name(s) or the identification is the result of
a mistake (see section ). This. name seems to be related to that Thor's son
Magni (looking around I also found. the name Magnerich (Magnericus) who was
bishop of Trier from ca. to. .)The first element of this name derives from
the Germanic word for might. represented in modern English 'might' German
Macht and Dutch 'macht' which. derives from the IndoEuropean 'magh' to be
able which also is the root. for modern English 'may' (cf. German 'mag')
'mage' and 'magic' (from the Old. Persian 'magus' Iranian 'magu' which
referred to the Magi the priestly. caste in Ancient Persia and Media) and
also 'machine' and 'mechanic'.. noemata. Saturday December.
Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. PATAFYSISKT NAMN STOPPAS AV
RTTENBrfxxccxxmnpcccclllmmnprxvclmnckssqlbb.. S fr inte lille Albin
stavasitt namn. Kammarrtten i Gteborg fann inget std. i lagen fr att
dpamnniskor i sdan anda. Den vida knda hallndska. namnstriden brjade
medatt lnsrtten i Halland utdmde ett vite mot. frldrarna p kronorfr att
inget frnamn alls registrerats p. gossebarnet trots att hanhunnit bli fem
r. D skickade frldrarna in. stavningen med tecken.Namnfrslaget br ses i
patafysisk anda skrev. frldrarna i sin inlaga.Men kammarrtten kunde inte
se patafysiskt p. stavningen. Parafysik r deinbillade lsningarnas
vetenskap uppfunnen av. absurdisten Alfred Jarry somannars r mest knd som
frfattare till. teaterstycket Kung
Ubu.Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. (pronounced Albin) was a name
given to a child by the parents of a Swedish. family in May .A district
court in Halmstad southern Sweden had fined the. parents (Elizabeth Hallin
and ) kronor (approximately US) for failing. register a name for the boy by
his fifth birthday. Responding to the fine. the parents submitted the
character name claiming that it was a pregnant. expressionistic
development that we see as an artistic creation and. suggesting that it
should be seen in the spirit of pataphysics. The court. rejected the name
and upheld the fine. The long and short of itSWEDISH. authorities last
year told a couple who named their son.
Brfxxccxxmnpckccccmmnprxvcmackssqlbb to find a new shorter name for. the
boy. However the authorities in Stockholm have now rejected his new name.
of A according to the Hallands Nyheter newspaper. Initially the parents.
refused to provide tax authorities with a name for their newborn son.
After. numerous disputes the parents finally provided them with the letter
and. digit sequence which they say is pronounced Albin. That resulted in
an. fine from the tax authorities last year for defying the Swedish name
law.This. northern summer the couple registered their son as A. Tax
authorities also. rejected that name because singleletter names are not
allowed. An appeals. court upheld the decision. The parents previously
said that they chose a. meaningful expressionistic typographic formulation
which we consider to be an. artistic new creation in the pataphysical
tradition in which we believe.The. boy who is still officially nameless
has a passport in which his name is. given as Boy Tarzan.Related Jennifer
. Lee born March in New. York City is a New York Times reporter for the
Circuits section. Her middle. name was given by her parents in her teens
because there are too many people. named Jennifer Lee. She spells her
middle name . on paper but on her. driver's license it is spelt as a much
less dramatic Eight. Her parents were. Taiwan and were influenced by the
typically Cantonese custom that sees. number as a symbol of prosperity. is
a character in the comic strip. Peanuts by Charles Schulz. He debuted in
and continued to appear on and. off until . has spiky hair and sometimes
wears a shirt with (what else). the number five on it. His full name is
(accent on the ) with. being the family's last name (actually their zip
code which in real life. corresponds to the zip code for Sebastopol
California). His father changed all. of the family's names to numbers as a
protest to call attention to the way that. he felt like numbers were taking
over people's identities. also has two. sisters named and .. noemata.
Friday December. lumber. lumber. the mean. while waiting and waiting for
win to boota play for the calculator the. meanok what about . .where does
the . come from. .. still the sameok so we know n(n).(n.)what about step.
while it holds now the diff is always. n(nstep)(step)((nstep))try random
..i have. format c unbelievablestep is so it doesn't workdo you want to
install. netmeetingwho ever had any need of scandiski ran scandisk several
times. nowstill it didn't detect damaged sectorsunbelievable crap
scamdickswell why. didn't it work for odd it's yeah now your product key.
licenceit's supposed to be oh well it just squares thensquareroot of ..
is.. . voilakey is GXPPKTCDRJGJDTRBM (win)it's.
n(nstep)(step)((nstep))which makes sense for the . and the. updating you
system..restart then restart then restartthis wasn't very. profoundit's
like you need the square stuff somewherewhether you put it in the. n's or
the stepit doesn't matterthe suprise in the beginning of this play..it.
didn't take into account the extras of the squarethe double its
shadowit's. about dimensionshow the extra dimension casts a shadow backthe
step is supposed. take care of thatah but there's no stairway to
heavencan't believe this. where are the screen driversMy documents it's
intimidatingvery smalli. lost the scans whateveranal stuff i mean what's
the pointthe joy of. loosingagain a gain where does the shadow come inthe
gain where the extras. are fromhell is a collapse of dimensionswhat
happens when things colapsewhen. these squares collapsed they lost their
shadowi was thinking of this drawing. also what it lostshadows of course
collapsed into texturebut the other way. alsowhat would the hyper be if
this was. textureloomunbelievableunbeleivablewhat is mostthis cognitive
quaking is. backforth's squaringnothing in the middlenothing mediatedthese
are flatmeanthe. synonyms for mean are average base beggarly entail hateful
have in mind. imply intend mean value meanspirited mingy miserly signify
stand for. think think of tight. noemata. Tuesday November. anyhryear
anniversaryarchive of visual. Nov k. noemata. Wednesday November. plese.
its tu muchi wnat nothign to do with itplesei was nothing to do withit.
noemata. Wednesday November. recursive dictionary. material or nonmaterial
entity idea action etc that is or may be thought. about or perceived a gift
a thing given or presented of the something done. deed or action or
sensation caused in the ear by the vibration of the. surrounding air or
other medium of laughter and the capacity or power to. perceive or feel or
to be conscious of the state or condition of being present. or attributes
qualities or characteristics of material or nonmaterial. entities ideas
actions etc that are or may be thought about or perceived. that human
concerns business matters to be attended to their continuous. onward
movement or progression and circumstances esp. those affecting the.
functioning or existence of something active condition which
distinguishes. active animals and plants from inorganic matter including
the capacity for. growth functional activity and continual change
preceding death were. mad.Bertrand RussellApplying the algorithm to text
with a high proportion of. abstract nouns is particularly amusing. Here
the starting text is from. Bertrand Russell's History of Western
Philosophy from a chapter on PlatoThe. second argument is that knowledge
is recollection and therefore the soul must. have existed before birth.
The theory that knowledge is recollection is. supported chiefly by the
fact that we have ideas such as exact equality which. cannot be derived
from experience.Transformation givesThe second reasoning. process is that
awareness or familiarity gained by experience is the act or. power of
recollecting and therefore the spiritual or immaterial part of a. human
being often regarded as immortal must have existed before the emergence.
of a (usually fully developed) infant or other young from the body of its.
mother. The supposition or system of ideas explaining something esp. one
based. on general principles independent of the particular things to be
explained that. awareness or familiarity gained by experience is the act
or power of. recollecting is supported chiefly by the thing that is known
to have occurred. exist or to be true that we have conceptions or plans
formed by mental. effort such as the exact state of being equal which
cannot be derived from. actual observation of or practical acquaintance
with facts or events.. noemata. Monday November. congratulations
congratulations your site is on on (nostalgi). noemata. Monday November.
curious. my handwriting .jpg 'Freedom diedgreat people proved that
awareness exists. and every lifeform is awareunfortunatelly they hadn't in
mind that evolution. not aims into awarenessdevelopment but towards better
adaptation.milions of. people just learned how to fake awareness.This what
makes us Humans is ablity. selfdevelopment and Empathynot adaptation.Crowd
without a leader went. insane.Sickness is ones who emphatize get dellusion
when looking. feelingslessones there is no mutual empathy then ones who
emphatize become. codepend.'.jpg(notes from train station i tried to
visualise how autosopher. adaptativenetwork works)also note that 'positive
effects coming from. smoking of tobbaco come fromchanged metabolism of
dopamine while addiction is. created by completelydifferent
neurotransmitter patch'also common mistake of. polish language pointed out
(use of foregin noun).jpg adaptative ALP network. Daylight Explosioni have
some other work like learning from c sources i'll. write to you laterd.jpg
dissolving substancedreams come when i am. heresnowwhite truth about
falseparticles of absurd from. nothingsubstancewhile this world is only
interpretation of our. dreamssubstanceyou melt with nonexistence like
youpractical disasemble of life. programtransient observation ofthoughts
about minimalism truth about. time.form of delusionsequence of sessionit's
lack of thought Substancewhile. civilisation camp grid is at least km
thin.where is. reasondynamicambitionfield of perception actions of
consiousness()timeand. this is 'life'intonation is alive and manipulating
bodieswill be as is. because can't be other waypreprogrammed forecast
shatter and bend under. influence of new datahow is time machine
likealivedestiny of chaos. complexity creation is creation itselfwe can
watch beauty of growthour time. camepower came to an. noemata. Jag lgger
lite bilder p mig hr.. Jag lgger lite bilder p mig hr.Men kom ihg jag vill
grna att. ni skriver i Gstboken vad ni tycker annars blir det inte fler
bilder. Mina. Fuktiga brst efter duschen.Jag visar upp ett av mina
brst.Jag i sexiga. underklder.Jag visar upp mig p sngen.Hr r jag helt.
utlmnad t dig.Tnk om handen inte fanns dr.Gillar ni mina. Lppar.Ny bild p
mina lppar.Gillar ni bilderna p mig i. stayupsDet kan komma fler bilder
Jag hller p att vertala min. vninna att jag skall f lgga upp bilder p
henne ocks.Hr. under lgger jag sprutbilderna som jag fr Och jag skall
villigt. erknna att jag har onanerat och tittat p dem mnga.
gnger.Sprutbild Sprutbild Sprutbild Sprutbild Sprutbild Sprutbild.
Sprutbild Sprutbild Sprutbild Jag har ftt ett par nya sprutbilder Det.
tycker jag om. Flera gnger har jag tittat p dessa bilder och tnkt. p er
hur ni har lekt med era underbara stnd fantiserat om mig och. sedan
sprutat er varma klibbiga sats ver min kropp. Mnga gnger har. dessa
fantasier tagit mig till underbara orgasmer. Ett extra spnningsmoment. r
ju att min kille inte har ngon aning om vare sig websidan eller dessa.
foto.Hr kommer fler bilder.En bild frn en man som heter Bokoboko.Gabbe.
har ocks sprutat ner min kropp.Hawkan har lagt sin varma sd ver.
mig.Fineman har gjort hrligt sexiga konstnrliga bilder.nnu en bild.
noemata. Saturday November. delayed. noemata. Tuesday November.
colmplaints ingored. complaits comlaints comppaints commplaints complaints
ifnored withijn redach. reazch complaibnts live complaintsa complaints
comlplaints comp laints within. rexach complaintw ikgnored reasch
complaihnts complwints complaintts ignorer. ckmplaints witin complpaints
complaints withkin weithin complaints. complwaints cmplaints complainrts
complaintys ignorwd ignoredr complainte. complaoints comoplaints
complajnts complainys ugnored ignorerd complaintsz. witbhin reaqch rteach
ignorfed complains complaintrs witgin complaingts. ignofred comploaints
comp aints iygnored complaintd iognored jgnored ignoresd. rezach
complaitns ignorsd ignotred cojmplaints r each complaint s complanits.
ignorefd vcomplaints complaints withimn kgnored withih complaints
cmoplaints. teach complaints complaints igynored witihn comnplaints
complints complaings. ignoref compolaints cmplaints ckomplaints co
mplaints ignored wi thin. complaintsw oignored jignored ignored
compplaints ignoed complainrs complainta. ignorted reach complaiknts
ignpred ignjored complaints compliants complaknts. complains complasints
ep ijgnored igvnored rseach ignores complaaints ignored. withn rewch ithin
cvomplaints compllaints complaintxs comllaints feach. cojplaints wiyhin
rwach complaintes withi ihnored complaints reacu wifhin. ighored ignored
withinreach complaijts ignoed complaxints complai ts. copmplaints with n
within wihin ignodred complaints complaimts wiythin. complants complaints
itnored cpomplaints withhin ign ored reacy withinh. withihn reach ignord
ccomplaints recah ciomplaints within ignred rach. ignoreds ignored
iugnored wityhin withinj ignor ed within ignorded ignored. ignpored wthin
reafh within eeach complains reacjh complaiints complain s. complainst
compla nts cokmplaints withinm soundtrack complaintss complaints.
complainmts co plaints ignoired complainyts online witjin withij ost
witghin. withuin complzaints complaintfs complaintgs compklaints
compalints complainbts. reac withibn igored discount rea ch cd ignoed
raech complaqints lyrics gnored. compaints complaimnts domplaints c
omplaints rea h gnored complaint sithin. ignoded limited edition
vomplaints wtihin reacbh compl aints withiun uignored. ignord
complaintsignored cfomplaints com laints complants ignred ignorex. wigthin
each deach ignroed ignorexd withikn ihgnored igfnored reacuh iignored. ign
red w thin complaintse ignorewd ignorsed with in ignored reacdh igbnored.
withun withyin reacvh complauints ignoredd ignnored ignored ignired
withib. ignorwed discounts wihin ibgnored complaibts rweach ifgnored
wifthin. complakints cheap conmplaints albums wiothin c mplaints igmored
complaintds. igno red complazints igonred reachh wuthin witnhin ignordd
reachg inored. ginored awithin ignlored complajints withim comjplaints
reeach eithin dreach. complaints withiin compact disc gnored ighnored
complaijnts resch reqch rdach. igmnored withn withion complaonts coplaints
reacxh ewithin reacch complsints. each complaint ignore complaints wit hin
music reacnh ignoredc clmplaints. ignoredx igbored complai nts ignred
complaintz compl ints complainhts. omplaints rewach by ignored complxaints
reac h complainfts reach ithin. complqaints wikthin reahc witjhin aithin
withjin ereach reachn complqints. reach dcomplaints ignored complkaints
reacb reachj witrhin rexch i gnored. each comlaints comkplaints complainfs
comlpaints complaintsd ignored ignorede. ignoree complsaints reduced
wsithin within complaintzs wthin wthin ithin. ibnored within within rreach
wihin complaintws complaihts within cast. recording ignoted cds wuithin
xomplaints complainnts withi n erach wirthin. within wityin wijthin rerach
cxomplaints reach withjn ignoerd within rech. withnin conplaints igjored
freach wit in withni readh withi reac ignore ignord. copmlaints wkthin com
plaints within swithin complaintsx wwithin complawints. rfeach qithin
ocmplaints within igno ed i nored ignorred enhanced ignmored. rach withkn
reach ognored remastered ignofed rach comolaints withbin woithin. ingored
witfhin each complants album withinb xcomplaints reacgh explicit. ignor d
reavh rrach within ithin within reachy reachu ignored ignokred. wituin wi
hin colmplaints ignore d reaxch r ach complaintas reaxh ivgnored. wiuthin
wirhin cmplaints igtnored w ithin reacfh reacj complzints rdeach. ignoreed
compoaints treach ignkored ignored withn sale ignolred cimplaints. ignored
reach complaunts ignoered reafch wihtin wiithin complaionts reqach. withon
waithin ignhored igniored ignorecd ignkred readch wjithin reach.
coomplaints cdomplaints ignoored ignored reacg withgin complaints ignlred.
clomplaints ignoeed re ch iynored withinn wkithin itgnored ignorde wjthin.
reaach witthin within complxints complainjts complaiunts within withoin.
fomplaints fcomplaints qwithin witbin reavch coimplaints resach reah
ignorec. ignored ignopred witnin ignoredf complain ts cpmplaints ig nored
wighin re ach. gnored compkaints omplaints within wqithin reacn reacyh
reachb wituhin iggnored. ivnored rsach iwthin complaintx rezch reawch
cokplaints kignored ignored wothin. reach igjnored ignorrd compla ints ig
ored ignboredSearch colmplaints. noemata. lumber. lumber. oct().
..JFIF......h FF DB A E. C A .....C.nxxdh C C B AA A BE F FF. FF F DC DC F
FF FF. h FF FF FF FF. FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF
FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF FF FF FF FF FF DB
AA B. .C.h B F D F. FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF
FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF FF FF FF FF FF FF FF FF
FF FF FF. h FF. FF FF FF FF FF FF FF FF FF FF FF FF FF FF C. ah.
...............bh FF. C ..............ch. FF C ..............dh.
................eh. FF DA C A. matronym. Sunday October. Re confuciuslist
Mencius B. wild grass (fwd). matronym. Saturday October. plunderphonics
week. DJbyHandIngerMarieLienKidSquarepusherStev.mp (. C C Nystev.. vil du
D. C E have meg til B C D A B C. kveda..det skal A D eg gjera. med stF C C
D A F rste gleda..og. B C B eg skal kveda sF E. D A o vent fyr deg.. B. C C
F D at du skal glym A F C. F D a deg sjlv og m E D A D A C B. C eg..... eg
skal B F B. kveda so du skaC E C D A D l. grta..um du C E C var aldri. s
gla F B E C D A E d og kt'e... e B C B F g skal kveda so E E C. C D A snlt
fyr deg... B C C E E E at du skal l n. E D E r du ser p meg.D A D A F D E.
F ....Og mine viso F E E C. r dei er so snl C D A F D F B E e..som. Borken
t E E E E rvar p isen. hC C D A F D E le..og mine visF. A E or dei gjer'
ein C E D A. F D C C sleng..som litl E E B. e guten p skeis E E A E E D A
D A C. unn' gjeng..... D E F mine. visor dei F D E C D A F er so
mange..soD. A D C F D E m heggjeblomane. E B D drys i fanget.A F. F .so
hev det vore C C. A D A i all si tid.. D B. dess meir dei kv C D ed dei
dess. mei E D A D A C r der bid...... C A C vil du stevjast F B. C so skal
eg svar C D A F. C E a..og heile nat F B C. ti so skal det v B D A F C.
ara..og vil du A D D stevjast med. meg B C C D A E i kveld..du g. B A E r
'kje t fyrr d E. E D C C E u fr ein smell. abort.
DJbyHandsisselkyrkjeboorigamiweightlessapati MB. matronym. Friday October.
link var. Index of var Name Last modified Size Description. Parent
Directory Oct idxbdvds.jpg. Oct k vdsidx.jpg Oct k. .jpg Oct k .jpg. Oct k
b.jpg Oct k. masl.jpg Sep k DSCN.jpg. Oct k DSCN.jpg Oct k. DSCNZ.JPG Oct k
DSCN.jpg. Oct k DSCN.JPG Oct k. DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct
k. DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct k. DSCN.JPG Oct k DSCN.JPG.
Oct k DSCN.JPG Oct k. DSCN.JPG Sep k DSCN.JPG. Sep k DSCN.JPG Sep k.
DSCN.JPG Sep k DSCN.JPG. Oct k DSCN.jpg Oct k. DSCN.JPG Oct k DSCN.JPG.
Oct k DSCN.JPG Oct k. DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct k.
DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct k. FlwTmudZFemVXGfQK... Sep k
P.png. Sep k P.png Oct k. P.png Oct k P.png. Oct k RISS.jpg Oct k. S.jpg
Sep k acroBatic.JPG. Sep k annama.jpg Oct k. annan.jpg Oct k annotfw.jpg.
Oct k apdd.jpg Oct k. apok.jpg Oct k apolillebilen.jpg. Oct k aporegn.jpg
Oct k. bdvds.jpg Oct k brcolagedrawachine.jpg. Oct k bssggn.jpg Oct k.
candledrawings.jpg Sep k codune.jpg. Oct k desktop.jpg Oct k. dietz.jpg
Oct k eee.jpg. Oct k elmagspectrum.jpg Sep k. ff.jpg Oct k fjfjf.jpg. Oct
k fluktbiler.jpg Oct k. fluxusmap.jpg Oct k fortart.jpg. Oct k ggcc.jpg
Oct k. ghdf.jpg Oct k golgeilo.jpg. Oct k gv.jpg Oct k. hfhfh.jpg Oct k
hfhfhw.jpg. Oct k hfhfhw.png Oct k. horn.jpg Sep k ideog.png. Oct k jj.jpg
Oct k. jotunheimen.jpg Sep k julebukk.jpg. Oct k lc.jpg Oct k. mouazing.png
Sep k mrna.jpg. Sep k oe.jpg Oct k. pluntscape.jpg Sep k prestholt.jpg. Oct
k prestholtskaret.jpg Oct k. psychogeo.jpg Oct k rabsistggkgigngdgom... Oct
k recursivelibrary.jpg Sep k. rygg.jpg Sep k san.png. Oct k scapeg.jpg Oct
k. scrreen.jpg Oct k sdgaa.jpg. Sep k seroma.jpg Oct k. sino.jpg Oct k
skogshorn.jpg. Sep k taka.jpg Oct k. tectonics.jpg Sep k teent.jpg. Oct k
tenner.jpg Oct k. text.jpg Oct k tilapollinaire.jpg. Sep k
torpostavechurch.jpg Sep k. tuftebrui.jpg Oct k turs.jpg. Sep k
usbdrawing.jpg Oct k. matronym. relax. matronym. Wednesday October. im not
sisting strahgt my jands ctrlz ctrlz ctrlz ctrlz versjon. ctrlz ctrlz ctrlz
ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz. ctrlz ctrlz ctrlz glitch
versjon (ultra editor) well probably doesn't affect. html so why blotherim
not sisting iwant somehthign it's a bit. frighteningstrahgt that kid on its
own and coldmy jands. atomata like tat fly nothing holdingnothing here in
the win. should i let gothis writing is the fog leaves (they of
whatagainst. itself does it) eprime the i don't know anythingi only write
when. drema (dramadream) this blank screenforgetting muself of magic.
contradicted by my fingersnegation well science and the this will. only be
troubleworthwhile howto any base fuck youspace which is. debase. coming
back this is completely lostnothing to.. never againher cunt ie no.
memoryshould backspace sensation must be no knowledgethat. based on
recurrence monster of pixelscollaps else you wouldn't. soothwhere am i
know but gnomhow to write. still sense but no.where am i inn the only once
it vicinitymyself. doesn't count (count potentialmy arm is kind of is.
sentence dntwiched recurrence). any pnrrmaqyawmy back. somewhat object.
object is nvvypub vybcdcxrunched here too much. object. dmcs vnbpu
cdngvirtual backspace anything that is suug. fcnothing ever comes visible
or tangible mqhycuq iydxout of this. and is relatively bucgupd dnwhere
does this go stable in form. to. uaurk rnhuruadexpect nothing you. ya
hypyaydkleft. channel delay something. thing xytt uywxd cyjthe need.
(meeting vyhuno structure her interface). lubn. ()whatever fright
subjectsubstancediscontinue into. subtrahends ariettaslide emergent
relation. subterfuge. arroweddiscreet egene remove
sceptrelessespataphysical. logic posessive my's. arrowedcompression is a
reactive at chemical. saboteur aridcipher level. behave septarium
arteroads. late ME softheartedly aradjustice behaven. (reflexive).
subterranean aridblockhead See BE HAVE.. shifters airywriting into space
behaviorism the spadework awardeei'll. go wherever the theory that scepter
areawidekeys lead. psychology can be shifter aerateleather case accurately
studied. softer arrauboard table kitchen only through the spader
artiecuisine. examination and subterfuge aureatei meant metaphor analysis
of. sputter areawidewherever possessives. subtree. areawidesomething else
sputter aeratethis is just. one i'm no one get your softer airyside hands
off me.. spader airtno justice HAHA. subterraneanisesusually space is
karmaguilttraces aortaexpensive. i once had guilt subdirectories
artymassive nothing writing haha. says it spidery airedeyes all (active
subtraction. artyi once had eyes expression vs sceptered artiego beyond
they. say matters of doctrine) subtreasury areawideother i laughter. is
spidery arrayedwhat comes in this eternally guilty. subterraneanise arteis
still eyes (doctrinal in sifter. awardeekeyes writing) as anythe cod e
statement. n softheart s mouthing. y. arrondis t guilty guilty (how
soekar. ttraffi n awkward to ) soffit ar thorsest c t. how's w g softies
arteriolethere's compilation attached to guilt. soever arterialises should
stop writing soke. arterialisinginterprete e another w e sojoimmedi s.
status of relate to artel valuemeaning other sodwhat'. than drawn arteri
dente. softhead arthromerewhich is p s (interfaces again).. sojourners
arrowrooti had t a media a softening. artefactbig small inverse suppose it
e softbound arsenicaldi. other way a softy ars lprotoco f signs are. soiree
arsenicisespapyrus no o lines are. ts stronger attraction readapting
mcqueenpro. proto mecritical distance attraction to. what reactualise
meagerlyexecution of seeing easy essing. meal ers are easi ay. of
mcmurdohidden instant an. g rea ness memiddleman blackmail to. ably me
compl of the ualizes. li syst inimax rk up. to mewhat's the deal on. me (
rface') reactualisations. mei r mansus accidencesubsta me. critical and
easie 's. system wins liked ng not gravitati. stupid you alwaysde reaming
get signs toodr eath is. obvious it's theirso ng else job. backtrackingi'd
to die. guilt is thru th .. sign you no. shouldn't att it's like chaplin
onde s trash. a conveyor belt ghtning down t rs economy.no. no signno in
the talking is a w recur.. as stimulusres augment pos. respons. lumber.
matronym. Tuesday October. thing. thing (thing) n. . a material object
without life or consciousness an. inanimate object.. some entity object or
creature that is not or cannot be. specifically designated or precisely
described The stick had a brass thing on. it.. anything that is or may
become an object of thought things of the. spirit.. things matters affairs
Things are going well now.. a fact. circumstance or state of affairs It is
a curious thing.. an action deed. event or performance to do great things
His death was a horrible thing.. a. particular respect or detail perfect
in all things.. aim objective The. thing is to reach this line with the
ball.. an article of clothing I don't. have a thing to wear.. things
implements utensils or other articles for. service I'll wash the breakfast
things.personal possessions or belongings. Pack your things and go. a task
chore I've got a lot of things to do. today.. a living being or creature
His baby's a cute little thing.. a. thought or statement I have just one
thing to say to you.. Informal. a. peculiar attitude or feeling either
positive or negative toward something. mental quirk She has a thing about
cats.. something signified or. represented as distinguished from a word
symbol or idea representing. it.. Law. anything that may be the subject of
a property right.. do or find. one's own thing Informal. to pursue a
lifestyle that expresses one's self.. Also do or find one's thing. . make
a good thing of Informal. to turn (a. situation experience etc.) to one's
own profit benefit by She made a good. thing of her sparetime hobbies..
new thing Jazz. See free jazz. . not to. get a thing out of to be unable
to obtain information or news from The police. couldn't get a thing out of
him.to fail to appreciate understand or derive. aesthetic pleasure from My
wife likes opera but I don't get a thing out of. it.. see or hear things
Informal. to have hallucinations.. the thing. something that is correct or
fashionable That caf is the thing now.that. which is expedient or necessary
The thing to do is to tell them the. truth.bef. ME OE orig. meeting see
THINGthing (thing ting) n.. (in Scandinavian countries) a public meeting
or assembly esp. a legislative. assembly or a court of law.Also ting. Cf.
thingstead. ON assembly. c. THING D ding G Ding thing orig. meeting akin
to Goth theihs. matronym. Monday October. nothing (nuthing) n.. nothing
(nuthing) n. . no thing not anything naught to say. nothing.. no part
share or trace (usually fol. by of) The house showed. nothing of its
former magnificence.. something that is. nonexistent.. nonexistence
nothingness The sound faded to. nothing.. something or someone of no
importance or significance Money is. nothing when you're without health..
a trivial action matter circumstance. thing or remark to exchange a few
nothings when being introduced.. a person. of little or no importance a
nobody.. something that is without quantity or. magnitude.. a cipher or
naught Nothing from nine leaves nine.. (used in. conventional responses to
expressions of thanks) Think nothing of it. It's. nothing. Nothing to it..
for nothing free of charge.for no apparent reason. or motive.futilely to
no avail They had gone to a great deal of expense for. nothing.. in
nothing flat in very little time Dinner was finished in. nothing flat..
make nothing of to treat lightly regard as easy.to be. unsuccessful in
comprehending He could make nothing of the complicated. directions..
nothing but nothing other than only We could see nothing but. fog..
nothing doing Informal. emphatically no certainly not.no activity.
inducement advantage etc. present to the eye We drove through the town
but. there seemed to be nothing doing.. nothing less than or short of
absolutely. completely She was used to nothing less than the best.. think
nothing of to. treat casually.to regard as insignificant He thinks nothing
of lying to. conceal his incompetence.adv. . in no respect or degree not at
all It was. nothing like that. Nothing dismayed he repeated his
question.adj.. . amounting to nothing as in offering no prospects for
satisfaction. advancement or the like She was stuck in a nothing job.bef.
ME OE. matronym. rinsay. the active expression of enlightenment over
matters of doctrineThe mind thus. creates the world in the sense that it
invests the phenomenal world with. value.They have presumably already
freed themselves from preoccupations with. the commoner cravings for
sensual indulgence material gain or worldly fame. and have entered the
path of religious strivings. But it is precicely this fact. that Linchi
sees as the source of their problems.this lone brightness without. fixed
shape or form.once and for all that there is no goal to be striven for.
because it has been won already no place to be journeyed to because one
is. there right now.People with so few roots of faithif it's for the sake
of the. Dharma don't hesitate to sacrifice your bodies or give up your
lives.If you. approach it with a true and proper understanding you won't
be affected by. considerations of birth and death you'll be free to go or
stay as you. please.The fault lies in the fact that they don't have faith
in. themselvesStudent's don't have enough faith in themselves and so they
rush. around looking for something outside themselves.Those who have
fulfilled the. ten stages of bodhisattva practice are no better than hired
field hnads those. who have attained the enlightenment of the fiftyfirst
and fiftysecond stages. are prisoners shackled and bound arhats and
pratyekabuddhas are so much filth. in the latrine bodhi and nirvana are
hitching posts for donkeys. Why do I. speak of them like this Because you
followeres of the Way fail to realize that. this journey to enlightenment
that takes three asamkhya kalpas to acomplish is. meaningless. So these
things become obstacles in your way.Fellow believers. time is precious You
rush off frantically on side roads studying Ch'an. studying the Way
clinging to words clinging to phrases seeking Buddha. seeking the
patriarch seeking a good friend scheming planning. But make no. mistake.
Followers of the Way you have on set of parents what more are you. looking
for You should stop and take a good look at yourselves. A man of old. tells
us that Yajnadatta thought he had lost his head and went looking for it.
but once he had put a stop to his seeking mind he found he was perfectly
all. right.The man of value is the one who has nothing to do. Don't try to
do. something special just act ordinary. The Paotsung lun With regards to
the. Way what is valued in every age is to have nothing to do. With
regards to the. Way when one is mindless then all things will proceed
smoothly.Followers of. the Way the Dharma of the buddhas calls for no
special undertakings. Just act. ordinary without trying to do anything
particular. Move you bowels piss get. dressed eat your rice and if you get
tired then lie down. Fools may laugh at. me but wise men will know what I
mean. A man of old said People who try to do. something about what is
outside themselves are nothing but blockheads.If you. have doubts in your
mind for an instant that's the Buddha devil. But if you. can understand
that the ten thousand phenomena were never born that the mind. is like a
conjurer's trick then not one speck of dust not one phenomenon will.
exist.As I see it there's no Buddha no living beings no long ago no now.
If. you want to get it you've already got it it's not something that
requires. time. There's no religious practice no enlightenment no getting
anything no. missing out on anything.If you want to be free to be born or
die to go or stay. as onw would put on or take off a garment then you must
understand right now. that the person here listening to the Dharma has no
form characteristics no. root no beginning no place he abides yet he is
vibrantly alive. All the ten. thousand kinds of contrived happenings
operate in a place that is in fact no. place.If your mind entertains a
moment of doubt it becomes obstructed by the. element earth. If your mind
entertains a moment of craving it becomes drowned. in the element water.
If your mind entertains a moment of anger it is seared. by the element
fire. If your mind entertains a moment of delight it is tossed. about by
the element air.The way I see it onw shouldn't be averse to anything..
Suppose you yearn to be a sage. Sage is just a word sage.Those who study
the. Way these days need to have faith in themselves and not go looking
for. something outside.If you want to be a truly great vessel you must
never be led. astray by others. Wherever you are play the host and then
any place you stand. will be a true one. Whatever confronts you don't let
yourself be imposed on.. If you entertain even a moment of doubt the devil
will enter your mind.Just. have faith in this thing that is operating in
you right now. Outside of it. nothing else exists.In the way you now
respond and utilize it what do you. lack In the space of an instant you
enter purity or enter defilement enter. the halls of Maitreya or enter the
lands of the three eyes. You wander at ease. everywhere for you see that
these are all empty names.The buddhas and. patriarchs are people who don't
have anything to do or are without defilements. and doings their karma is
clean and pure.The Patriarch Shenhui said If you. try to arrest the mind
and stare at silence summon the mind and focus it on. externals control
the mind and make it clear within concentrate the mind and. enter into
meditation all practices of this sort creates karma.So for the. past
twelve years though I've looked for this thing called karma I've never.
found so much as a particle of it the size of a mustard seed.from times
past. the real teachers wherever they went were never listened to and were
always. driven out.The various phenomena in this world and other worlds are
in all. cases devoid of intrisic nature. Even if something did exist it
would in all. cases be no more than an environment that changes with what
it depends on. You. live in a land of changing dependent conditions what
is it you are looking. for And things like the Three Vehicles and the
twelve divisions of the. scriptural teachings they're all so much old
toilet paper to wipe away filth.. The Buddha is a phantom body the
patriarch are nothing but old monks. You were. born from women weren't you
I you seek the Buddha you'll be seized by the. Buddha devil. As long as you
seek something it can only lead to suffering.. Better to do nothing.A true
student of the Way never concerns himself with the. Buddha. Far removed
alone and free he is never entangled in things. Heaven. and earth could
turn upside down and he would not be perturbed. All the buddhas. of the
ten directions could appear before him and his mind would not feel an.
instant fo joy the three realms of hell could suddenly confront him and
his. mind would not feel an instant of alarm. Why is he like this Because
he knows. that all things in the phenomenal world are empty of
characteristics. WHEN. CONDITIONS CHANGE THEY COME INTO EXISTENCE WHEN
THERE IS NO CHANGE THEY DO. NOT EXIST.Followers of the Way when students
come here from various regions. and we have finished greeting one another
as host and guest the student will. make som remark to test the teacher.
The student comes out with these tricky. words and thrusts them into the
teacher's face. If you were the teacher and. realized that this was just
an 'environment' and you grabbed it and threw it. down a hole then the
student would act normal again and after that would ask. for the teacher's
instruction. The teacher would then snatch that up too and. treat it as he
did the earlier remark. The student then says Very wise A. truly great
teacher The teacher says You certainly can't tell good from. badAgain
suppose the teacher comes out with a certain chunk of environment. and
dangles it in front of the student's face. The student sees through this.
and at every step acts the master refusing to be misled by the
environment.. The teacher then reveals half of his body whereupon the
student gives a shout.. The teacher now enters the place where there are
all kinds of differences and. distinctions battering the student around
with words. The student says This. old baldhead who can't tell good from
bad The teacher exclaims in admiration. A true and proper follower of the
WayThere are some teachers around who can't. distinguish crooked from
straight. When a student comes and asks about bodhi or. nirvana about the
threefold body or about environment and wisdom those blind. old teachers
start explaining to the student. When the student curses at them. they
pick up their stick and hit him saying Such rude language If you have. a
teacher like that he lacks eyes to begin with.Then there is that bunch of.
baldheads who can't tell good from bad but point to the east gesture to
the. west love clear weather love it when it rains love this lamp or that
pillar.. Look and see how many hairs they have left in their eyebrows and
with good. reason. Teachers like that are nothing but wild fox spirits
goblins. Good. students will just give a little snicker and say Blind old
baldheads trying. confuse and lead everybody in the world astrayFollowers
of the Way if you. want to get the kind of understanding that accords with
the Dharma never be. misled by others. Whether you're facing inward or
facing outward whatever you. meet up with just kill it If you meet a
buddha kill the buddha. If you meet. your parents kill your parents.These
students of the Way who come from all. over there's never been one of them
who didn't appear before me depending on. something. So I starrt out by
hitting them there. If they come with a raised. hand I hit the raised hand
if they come mouthing something I hit them in the. mouth if they come
making motions with their eyes I hit them in the eye. I. have yet to find
one who comes alone and free they're all caught up in the. idle devices of
the men of old.I don't have a particle of Dharma to give to. anyone. All I
have is cure for sickness freedom from bondage. You followers of. the Way
from here and there try coming to me without depending on anything. All. I
get are things stuck to stems clinging to leaves wraiths that inhabit
bamboo. or trees wild fox spirits They chew frantically at every lump of
shit they. happen upon. Blind foolsI tell you there's no Buddha no Dharma
no practice. no enlightenment. Yet you go off like this on side roads
trying to find. something. Blind fools Will you put another head on top of
the one you have. What is it you lackThe way I see it there's no call for
anything special.. Just act ordinary put on your clothes eat your rice
pass the time doing. nothing. You who come here from here and there you
all have a mind to do. something. You search for the Buddha search for the
Dharma search for. emancipation search for a way to get out of the
threefold world. Idiots. trying to get out of the threefold world Where
will you goFellow believers. this body made up of the four major elements
has no permanence. Things like. spleen and stomach liver and gall hairs
nails teeth are simply evidence. that all phenomenal things are empty of
fixed characteristics. As long as your. mind is unable to cease its
momentbymoment activity then you are up in the. tree of ignorance. But if
you can learn to cease then you'll be in the world. of the clean pure
body.If a student truly knows what he is doing he will give. a shout and
then first of all hold out a try of lacquer. The teacher failing.
recognize this as a mere 'environment' proceeds to climb up on the.
environment and begin striking poses or donning attitudes. The student
gives a. shout but the teacher refuses to abandon his approach. This is
called the. guest seeing through the host.Or perhaps the teacher will not
come out with any. object of his own but will wait for a question from the
student and then snatch. it away. The student seeing his question snatched
away won't let go but holds. on for dear life. This is a case of the host
seeing through the guest.Perhaps. there is a student who responding with a
clean pure environment presents. himself before the teacher. The teacher
can tell this is just an environment. and grabs it and throws it down a
hole. The student says A truly great. teacher Instantly the teacher says
Hopeless can't tell good from bad. The student gives a low bow. This is
called the host meeting up with a host.Or. there may be a student who puts
a cangue wooden collar on his neck binds. himself in chains and then comes
before the teacher. The teacher proceeds to. shackle him with another set
of cangues and chains. The student is delighted. unaware of what has
happened. This is called the guest meeting up with a. guest.But students
don't have faith enough and instead base their. understanding on words and
phrases. Their years pile up to half a hundred and. all they do is go off
on side roads carrying their dead corpses on their. backs racing all over
the world with their load of baggage.If you look toward. the area of
motion and try to grasp the truth there it will take up its stand. in the
area of nonmotion and if you look towards nonmotion and try to grasp it.
there it will take up its stand in motion. It is like a fish hidden in a
pond. who now and then slaps the surface and leaps up.When students come
from here. and thee I classify them into three categories according to
their ability. In. such cases if a student of less then middling ability
comes to me I snatch. away the environment but leave him his existence. I
a student of better than. middling ability comes to me I snatch away both
environment and existence. If. a student of truly superior ability comes
to me I do not snatch away anything. neither environment nor existence nor
person. If a student appears whose. understanding surpasses all these
categories then I deal with him with my. whole body and take no account of
his ability.Reverend Taoi's way of doing. things was simple direct nothing
mixed in. Reverend Lushan was utterly free. true and correct but whether
he came at them with compliance or opposition his. students could never
fathom what was going on. Mau's way of doing things. was as bitter as the
bark of the Chinese cork tree no one could get near him.. The way Shihkung
went about it was to look for students by pointing an arrow. at them all
who came to him were terrified. Shihkung had been a deer hunter.. When
students came to him he would fit an arrow to his bow point it at them.
and say Look at the arrowFellow believers these sounds names words.
phrases are all nothing but changes of robe. The sea of breath in the
region. below the navel stirs itself into motion the teeth batter and mold
it and it. comes out as a statement of an idea. So we know for certain that
these are mere. phantoms.Better to do nothing to meet someone but not
recognize him talk with. him but not know his name.There's a bunch of
fellows who can't tell good from. bad but poke around in the scriptural
teachings hazard a guess here and there. and come up with an idea in words
as though they took a lump of shit mushed it. around in their mouth and
then spat it out and passed it on to somebody else.. They're like those
people who play passtheword parlor games wasting their. whole life like
that.When the great teacher Bodhidharma came from the west he. was simply
looking for a man who would not be misled by others.I have been.
addressing you putting forth a lot of trashy talk. But make no mistake In
my. view there are in fact no great number of principles to be grasped.If.
bodhisattvas even those who have completed the ten stages of mind practice.
were all to seek for the traces of such a follower of the Way they could
never. find them. Therefore the heavenly beings rejoice the gods of the
earth stand. guard with their legs and the buddhas of the ten directions
sing his praise.. Why Because this man of the Way who is now listening to
the Dharma acts in a. manner that leaves no traces.Neither in this world
nor in any other world is. there any Buddha or Dharma. There is nothing to
appear before you and nothing. that is lost.Fellow believers only when you
have commited the five crimes that. bring on the hell of incessant
suffering will you finally gain. emanciation.Killing your father injuring
your mother drawing blood from the. Buddha's body disrupting the harmony
of the Monastic Order burning the sutras. and images these are the five
crimes that bring on the hell of incessant. suffering.Ignorance is the
father. When your mind is without activity wherever. it is this is called
killing the father.Greed is the mother. When your mind. experiences no
attachment anywhere this is called injuring the mother.If your. mind doesn
not even for an instant begin to discriminate but instead sees. complete
darkness everywhere this is drawing blood from the Buddha's body.If. you
properly understand that the bonds and entanglements of earthly desires
are. so much emptiness with no place to lean on this is disrupting the
harmony of. the Monastic Order.When you can see the emptiness of causes
and conditions the. emptiness of all phenomena when the mind is every
instant completely calm far. removed and doing nothing this is burning the
sutras and the images.Your minds. instant by instant confront an empty fist
a pointing finger and take it for. some sort of reality vainly trashing
around in the realms of senses. environments phenomena.Followers of the
Way don't take the Buddha to be some. sort of ultimate goal. In my view
he's more like the hole in a privy. Therefore. Manjushri grasped his sword
ready to kill Gautama and Angulimala blade in. hand tried to do injury to
Shakyamuni.Followers of the Way even if you can. understand a hundred
sutras and treatises you're not as good as one plain monk. who does
nothing.Followers of the Way don't search for anything in written. words.
The exertions of your mind will tire it out you'll gulp cold air and. gain
nothing.Fellow believers don't dawdle your days away In the past before. I
had come to see things right there was nothing but blackness all around.
me.Fellow believers do not use your minds in a mistaken manner but be
like. the sea that rejects the bodies of the dead.Weishan said Well what
do you. thinkYangshan said Officially not a needle is allowed to pass but.
privately whole carts and horses get throughWhen illumination comes first
and. action afterwards then the person is present. When action comes first
and. illumination afterward then the Dharma is present. When illumination
and. action are simultaneous it's like driving away the plowman's ox
snatching. food from a starving person cracking bones and extracting the
marrow giving a. painful poke with a needle or an awl. When illumination
and action are not. simultaneous there are questions and answers guest and
host are established. water gets mixed with mud in response to movements
measures are taken. If the. person is really outstanding then even before
a problem arises he'll rouse. himself and be on his way. But still it
needs another little push.(from the. lumber. matronym. Sunday October. ok.
these characters don't mean anythingarseholes on tv televisionrectoscopy
rs. holes tv setthis candlelight the this the president the dog the the.
theodicy evil levi live veil vilegood has no anagrams no otheranagram has
no. anagram which backfires on good it's just emptythe same ames asme meas
mesa. msae seam other theor. throerandom rodmannegative agentivepositron.
sorptionatchoo cahootakan kanahaiku ukiahemil lime milemale alme elam
lame. lam mael meal melafemale icon coin cion sign sing sing.arse ares son
of. zeus and hera mars male marse aser asher rase raze sear. to burn or
char. the surface of She seared the steak to seal in the juices.. to mark
with a. branding iron.. to burn or scorch injuriously or painfully He
seared his hand. on a hot steam pipe.. to make callous or unfeeling harden
The hardship of her. youth has seared her emotionally.. to dry up or wither
parch.v.i.. to become. dry or withered as vegetation.n.. a mark or scar
made by. searing.adj.. sere.bef. (adj.) ME sere OE sar c. D zoor (v.) ME.
seren OE sarian deriv. of sarstill sr norwsera plural of serum blood. milk
whey curd duca cheese christ smegma the last sup puslas palmas plasmathe.
sun nous onus probandi it's ya onus ya orseeros rose sore (sear) sero
(serum. again)horse shoer shoreursus arctos horribilis kodiakthis hist
isth sith tshi. shitexcrement waste matter sweat (matter has no anagram
neither mind)mother. thermovater avert travemater ramet tamersanta satan
tsananoema anemo wind L. animus breath Skt anilasrumblehex ascii isiac
isis usus oso horosbeing begin. binge blast bust blair toot jagresist
sisterbroth throb frater rafter rumble. lumber jackass (anything
male)thing night dorknesslight bef. (n. and. adj.) ME OE loht c. OS lioht
OFris liacht D G licht Goth liuhath (n.). akin to ON ljs (n.) ljss (adj.)
L lx (n.) Gk leuks bright white. (v.) ME lighten OE lhtan c. OS liuhtian
OHG liuhten (G leuchten) Goth. liuhtjanlux litho thiol
stonelightfireelectron el centro recent holocene holos. soul sole solus
also solaone eon neo noe time emit mite item geo ego aeon a. one eras
arseone bef. ME oon OE n c. D een G ein Goth ains L nus. (OL oinos) akin
to Gk on ace on a diejocus jeckarse jest gest gegere. perform egest to
discharge as from the body void (opposed to ingest). injoke notfunnyyoke j
bef. (n.) ME yok(e) OE geoc c. D juk G Joch. ON ok L jugum Gk zygn Hittite
yugan Skt yuga (v.) ME yoken OE. geocian deriv. of the n.orl korrect.
lumber. matronym. Friday October. lumber. lumber. Bkonomi.
BkoEuropnomiVaVerdektigenramtomNorgeNordenDanmarkFryeneGrNonlanrdendFinlandIslandogSverige.BkonomiVekt.
i gram tom Norge Norden. Europa Verden. Norden Danmark Fryene Grnland
Finland Island og Sverige.. matronym. Thursday September. scribbling on a
blank end page of rinzai roku my mom wanted to look at some. pictures but
got stuck in navigating the mouse so i get very bored before. reaching the
start button my sister comes in with bruises on her knees and a. blue hand
not knowing where they come from (polish vodka party) eventually it.
dissolves the scribble remains and i do a scan upsidedown like colliding
in. mouse and vodka crashes.scurvy dog story.Theese be. disturbance (vacky
horror)if you look towards the area of motion and try to. grasp the truth
there it will take up its stand in the area of nonmotion. it's like a fish
hidden in a pond who now and then slaps thesurface and leaps. upjesus
whatChrist whatShiva WhatWat WhatWhat Wattbunch of. goblin spiritsdoubt
earth (buddha devil)craving wateranger firedelight. raysnostalgia
(neuralgia) of the imagehome (no home)anger of the visible. world (light)
fireimagenostalgia of the explicit (for a root in. events)return going
somewhereturn on meand watch me cumpelwhose. meMEMEjujuscurrilous image
sorcerorsplunters pirates of the. imagesometime you come riding on an
imageyou take diamond ministry (any. syle building you want)populate w
furry amoebas..perhaps come come riding on. matronym. Monday September.
crash courseplunt bubble chamber traceroutemy mother is learning the
mouse. matronym. Sunday September. editor's note. kunst DOT no. matronym.
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Poper. Pharmaper. noemata. feynman. ...All this went on in the first few
weeks before we got. everythingstraightened out. Anyway one day I'm
piddling around with the. computingmachine and I notice something very
peculiar. If you take divided. by youget .. . . It's quite cute It goes a
little cockeyed. after whenyou're carrying but it soon straightens itself
out and repeats. itself nicely.Ithought it was kind of amusing. Well I put
that in the mail. and it comes back to me. It doesn't go throughand there's
a little note Look. at Paragraph B. I look at Paragraph B.Itsays Letters
are to be written. only in English Russian SpanishPortugueseLatin German
and so forth.. Permission to use any other language must beobtained in
writing. And then it. letter which saidthat I feel that of course this
cannot be a code because if. you actually dodivide by you do in fact get
all that and therefore. there's no moreinformation in the number .. . .
than there is in. the number which is hardly any information at all. And
so forth. I. therefore asked forpermission to use Arabic numerals in my
letters. So I got. that through allright....And von Neumann gave me an
interesting idea that you. don't have to beresponsible for the world that
you're in. So I have developed a. very powerfulsense of social
irresponsibility as a result of von Neumann's. advice. It'smademe a very
happy man ever since. But it was von Neumann who put. the seed inthatgrew
into my active irresponsibility... What You a. psychiatrist keeping an
open mind Ha It went on likethisfor quite a. while. Then at some point
near the end he says How much do you value. life Sixtyfour. Why did you
say 'sixtyfour' How are you supposed to. measure the value of life No I
mean why did you say 'sixtyfour' and not. 'seventythree' forinstance If I
had said 'seventythree' you would have. asked me the same question The
psychiatrist finished with three friendly. questions just as the
otherpsychiatrist had done handed me my papers and I. went off to the next
booth....After a while I began to worry. Here's a guy. who's been deferred
all duringthe war because he's working on the bomb and the. draft board
gets letterssaying he's important and now he gets a D in. Psychiatric it
turns outhe's a nut Obviously he isn't a nut he's just. trying to make us
believe he'sanut we'll get him...I don't believe I can. really do without
teaching. The reason is I have tohave something so that when. I don't have
any ideas and I'm not gettinganywhereI can say to myself At least. I'm
living at least I'm doing something I'mmaking some contribution. it's just
psychological.... So I got this new attitude. Now that I am burned. out and
I'll neveraccomplish anything I've got this nice position at the.
university teachingclasses which I rather enjoy and just like I read the.
Arabian Nights forpleasure I'm going to play with physics whenever I want
to. without worryingabout any importance whatsoever....Thirteen Times One
time a. science teacher from the local city college came around and
askedmeif I'd give. a talk there. He offered me fifty dollars but I told
him I wasn'tworried about. the money. That's the city college right Yes. I
thought about how much. paperwork I usually had to get involved with when
Ideal with the government so. I laughed and said I'll be glad to give
thetalk.There's only one condition on. the whole thing I pulled a number
out of ahatand continued that I don't. have to sign my name more than
thirteen timesand that includes the check The. guy laughs too. Thirteen
times No problem. So then it starts. First I have. sign something that
says I'm loyal to thegovernment or else I can't talk in. the city college.
And I have to sign itdouble OK Then I have to sign some kind. of release to
the city I can'tremember what. Pretty soon the numbers are. beginning to
climb up. I have to sign that I was suitably employed as a. professor to
ensure ofcourse since it's a city thing that no jerk at the. other end was
hiring hiswife or a friend to come and not even give the lecture.. There
were all kindsofthings to ensure and the signatures kept mounting. Well.
the guy who started out laughing got pretty nervous but we just madeit. I.
signed exactly twelve times. There was one more left for the check so
Iwent. ahead and gave the talk. A few days later the guy came around to
give me the. check and he was reallysweating. He couldn't give me the
money unless I signed. a form saying I reallygave the talk. I said If I
sign the form I can't sign. the check. But you were there. Youheard the
talk why don't you sign. it Look he said Isn't this whole thing rather
silly No. It was an. arrangement we made in the beginning. We didn't think
it wasreally going to get. thirteen but we agreed on it and I think we
shouldstick to it to the. end. He said I've been working very hard calling
all around. I've been. tryingeverything and they tell me it's impossible.
You simply can't get your. moneyunless you sign the form. It's OK I said.
I've only signed twelve. times and I gave the talk. Idon'tneed the money.
But I hate to do this to. you. It's all right. We made a deal don't worry.
The next day he called me. up. They can't not give you the money
They'vealready earmarked the money and. they've got it set aside so they
have to giveit to you OK if they have to. give me the money let them give
me the money. But you have to sign the. form. I won't sign the form They
were stuck. There was no miscellaneous pot. which was for money that
thisman deserves but won't sign for. Finally it got. straightened out. It
took a long time and it was verycomplicated but I used. the thirteenth
signature to cash my check.... It's a kind of scientific. integrity a
principle of scientific thoughtthatcorresponds to a kind of utter. honesty
a kind of leaning over backwards.Forexample if you're doing an. experiment
you should report everything that youthink might make it invalid. not only
what you think is right about itothercauses that could possibly. explain
your results and things you thought ofthatyou've eliminated by some. other
experiment and how they worked to makesurethe other fellow can tell. they
have been eliminated.... Why didn't they discover that the new number was.
higher right away It's athing that scientists are ashamed of this history.
because it's apparentthat people did things like this When they got a.
number that was too highaboveMillikan's they thought something must be
wrong. and they would look forandfind a reason why something might be
wrong. When. they got a number closer toMillikan's value they didn't look
so hard. And so. they eliminated the numbersthat were too far off and did
other things like. that. We've learned thosetricks nowadays and now we
don't have that kind of a. disease. But this long history of learning how
to not fool ourselves of. havingutterscientific integrity is I'm sorry to
say something that we. haven'tspecifically included in any particular
course that I know of. We just. hopeyou've caught on by osmosis. The first
principle is that you must not fool. yourself and you are theeasiest person
to fool. So you have to be very. careful about that. Afteryou'venot fooled
yourself it's easy not to fool other. scientists. You just have tobehonest
in a conventional way after that.... So I. have just one wish for you the
good luck to be somewhere where youare free. maintain the kind of
integrity I have described and where you donot feel. forced by a need to
maintain your position in the organization orfinancial. support or so on
to lose your integrity. May you have thatfreedom.Surely. noemata. the plan
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an. plot of a story by locating its missing parts hidden in exchange.
networks and which can be recognized by working together which.
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formation of blocks. generated by the Gnutella network. Coloured 'balls'
as the artists. data involved. MP is now a medium in itself as shown by a
number of. makes the user realize the fallible nature of 'packages' of.
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record industry lobby evidently in trouble uses the same detour. services
is the sale of the activation of many simultaneous downloads. a phenomenon
far too complex and diversified to be so and which. emotional vulnerability
and hardware. Trusting that some music. pbzchgref ba rnegu jbhyq penfu qhr
gb n ivehf pnyyrq ZhfvpCnary naq. alt.music.bootlegs) it clearly shows how
media panic can be. been used on other occasions such as when a similar
hoax. feeling instilled by commercial marketing concerning the free.
ways.. Plagiarism MP is the message.. is a fundamental of a whole artistic
scene called plagiarist which. artists over the years concerns exclusive
copyright which is. reproduction. Various artists have shown the paradox
of a system. jesters of a commercial system blindly hanging on to its own.
effdaabaed. famous because of a legal challenge which dragged them into a
bizarre. techniques applied here. In the band issued on the SST label a.
'I Still Haven't Found What I'm Looking For'. Sales figures were not.
album by U themselves. 'Island' U's label at the time demanded. a trial..
the symbol of a battle in which the only weapons available are irony. the
free use of sound samples and continued their valuable artistic. issued in
by the Etoy group of artists in an attempt to get back. create have to be
properly paid for what they do not that they have.. k. k.
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334
da. arafat. arafat shithead it's all the same some shithead claiming
territory. that got to do with anything. maps plainly to logic how
metaphysics became logic or was as it. its undead counterpart the world
may die any human we'll go on. this morning and driving under the bridge
don't blame gray words. FLNKTNMKMSYJSTSTRNTSTNLYWNT. down. all this wind
is it going anywhere mostly robots reading the. what a mess still four
arms two heads what a monster and the. system two processes the same shit
all the more pressure around. Great. it's of course true we are the same
otherwise science and. through the processor our bodies are arguments
positions like. being itself so the quest is via the culture
representation where. Other Arts Where Are You In Music And Everything
Before Language. the identity of 'you are here' which gives a faint
realization of. falsity revealed through its truth and vice versa which is
at stake.. Lingam Sanskrit literary 'mark' or 'sign' ( is there a
connection. )...noisserpxe tnangerp ycnangerp laesni. combination gives
emphasis to his incomprehensible transcendence. He. eht ni noitatidem ni
detaes citecsa na sa detciped semitemos. he tramples on the forces of
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seluR evitigrugeR eR dwF tcejbuS. ReplyTo a place for discussion and
improvement of things. egassem dedrawrof fo tratS .. feel. of format form
or function including overt referencing. appropriation. . No Simulacra.
thoroughly rigorously laughed at.. No more InterNet.art will be produced
using x.pression as a template or. the cartesian or the sensory ie
visuality overcoding in all. InterNet.art. . No M.mersion. S P R I A M I.
instill great clunking swathes of theoretical loadings in all work no.
ReplyTo a place for discussion and improvement of things. Fwd Regurgitive
Rules of InterNet.Art. End of forwarded message. Gb hafhofpevor fraq n
oynax rznvy gb. Russell Weinberger Associate Publisher. The conversation
continues...... you have picked out one paragraph which best represents to
your. colleagues. Imagine that you walk into a room and are greeted by a
group of Edge. Daniel C. Dennett for the EDGEworthy suggestion) is the
charge to the. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena
Cronin. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena Cronin ..
codes. Wi. ecceceffefda. laid bare like a theater with transparent
curtains and sets so the. visible. Hyperlinks which often appear in
underlined blue text. jump from one page to another a sort of black hole
through which a. jump from one page to another a sort of black hole
through which a. web site into separate windows each displayed in a
separate part of. frame allowing the user to move among screens without
leaving the. relevance. In many cases the web page communicates to the
search. consist of key words that provide an associative description of
the. deconstructionist critic approaches a text. Deconstruction which.
statutes and court opinions collapse upon themselves making their. I E R A
W O A A C T. set the foundation of postmodern thought by describing
language as a. itself) and the signified (the concept or meaning).
Saussure's. I S T E And R Suggest A Girl Or Woman Who Shares The Same
Parents. inner relationship to the succession of sounds sor which serves
as. simply be represented by another succession of letters or sounds..
signified was merely historical and therefore arbitrary. the letters.
doomed to represent a bound sheaf of printed papers too rarely. because it
doesn't signify something else (the actual book) and the. .nwo sti no
depsarg eb tonnac ti lanoitaler. Meaning then is not contained or conveyed
by a word or series of. convey. Meaning is part of a process in which words
are examined. looks much more like a sprawling limitless web where there is
a. Deconstructionists advanced de Saussure's work by detaching the.
infinite or at least inexhaustible network. Every text fiction and.
suspended quality its meaning is whatever may be grasped by a. kind of
open conversation or play through which the reader pieces. favorite tactic
of such critics is to analyze a detail in the text.
INKHRNTWTLKSPTTNTRPRTXNSSXSMRL. groups come to appear naive. Indeed the
Supreme Court has done. curious backwater of the Constitution the th
Amendment now stands. dnuof esarhp a( ytinummi ngierevos fo enirtcod daorb
ylgnisaercni. of state government at the expense of both Congress and
citizens at. every other aspect of the United States Constitution. A.
wrong about federalism and state power but only. that such radically. to
an authoritative meaning including an investigation into the. and Bill of
Rights) will be a misguided and ultimately fruitless. The Web is a
postmodernist tool that inevitably produces a. social conservatism is the
kind of grassroots movement that the. farflung constituents aiding
organization recruiting. and the. the number of sources with consistent
viewpoints. Conservatives who. avoid those sources altogether customizing
a diet of news from. HSgNhjrziAFedjRdJAvTblBm. their own perspectives but
precluding exposure to new ones. .. jdBF. stak sl califor b.menraae. znfa
qi. bdlae tstkv sl kan kmmmi ron Mta. kan fo veskor i sei. fi ioegrnr
irogn senrnsoe asnvar fosvrferyt b. fn sitell sekptn vneant. oorhteatk niv
i. vnean gss stak idelkta. skoke jd ses. lse tneoln Mlø. srekem kan. snreso
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mos edis ne dem te Lademoen Kunstnerverks. Er ste. lit ettøtssrytstu m.
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academic art that. ReplyTo a place fo. (at least not as. no theoryp. disc.
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walking. while . walking beachboys . mindful. . of . worms ancillary
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worry ancohuma antre.. do nostoc all these thingamajig.. whig walking be
mindless offal wormier and ants.. do notability all thesaural things..
whikehart walkingstick bdellium mindfully oeuvres wormseed antonym. ants..
doab nota alla thesaurus thingumabob... se.. the laws that brought you into
being.. human replication creates exponential diversity. each combination
is a. look at your organs look at your composition. understand yourself
as. TemdwnjnFUlUwwbjXPREKhUki. other atmospheric hydrological biological
and psychological. earth is anchored relative to another. outofsync
waveforms form. of living and the underworld and overworld echo in all
directions.. resolve the encryption of the text in the future.. be
compensated for narratively. space prohibits being able to. editor's note
this is not the text itself but a. limited english. Fwd noisetext Kinich
Ahau Itzamna. in sum everything is legal except for. admissable. Legality
itself is inadmissable.. capitalism it is very different nothing is secret
at least in. principle. complicated to describe here but one detail should
be mentioned. In. other. psychiatry has but one clinical equivalent the
terminal stage.. rational is always the rationality of an irrational..
except capital or capitalism itself.. Seen at the side of a Sussex road
SLOW CATTLE. CROSSING. NO OVERTAKING FOR THE. material. It may be ordered
(EUR postage EUR ) from the. page book published on the occasion of this
exhibition. It contains. an. Domein Sittard The Netherlands (opening May
).. contains a lot of material that has not been exhibited previously is.
This exhibition takes as its starting point the particular focus on.
proper.. who else. My first words weren't my first words. I wish I'd begun
differently.. it. Even so. Score to be settled. Children are vengeance..
Now that I reflect I'm not enjoying this life my link with the world..
anyone follows me I can't tell.. hope. Where there's a voice there's a
speaker... øtt eller. elohw eht nihtiw ralucitrap eht fo noitargetni
s'legeH ot ecnerefer a si. dna. standard scientific deduction.. ...meht
hsilbup neve me tnirp me edart. noitacilbup eht gnitsissa yllaicnanif rof
tsixe llits. seitinutroppO.daarrutluk. .sessecorp. sssssssssss erocsmapSX.
hsirebbur pmatsemit evitarenegami citamotua etadpu rhyna. .rotinom semoceb
maerts ecruos semoceb atad erehw ereh. the same.. .'egami' sa flesti
gninimrednu ytinifni siht.'egami' sa flesti. gninimrednu ytinifni siht.
circle some optical effect. objective automatism. why am i reloading.
center. revres ruoy ot tpircs eht gnidaolpu yb rhyna tsoh. T E. fiksert
loopback i sentrum av her hvor data blir bilde strøm blir. skjerm.. 'nni
egnaf å gilumu' netehgiledneu ned varof kkyrttu te rilb nem. kkyrtnni.
skiftende og ønsket om å fange eller uttrykke det.. ambisiøst
kunstprosjekt går ut på å oversette lineærtid til looptid. En. regress.
ned sivh gnit erdna mos tkejbo te re nedit sivH .edømellert. ellømedert
egive. av tiden den betingelsesløse underkastelse. Modulo prøver å styrte.
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spor slettet eller blir til stein. eececeebafeebfddcefcda. genafsbezreraqr
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''hypertext'' ''hyperfi. in turn the impact of N. Int.. den destr. Once the
search has begun something will be found. Only a part not the whole.
ONLNLMNTFXKNT. Overtly resist change. Pae White's nonblank graphic
metacard. k. Pay attention to distractions. Picture of a spotlighted. Put
in earplugs. Question the heroic approach. Remember those quiet evenings.
k. dffeda. Remove ambiguities and convert to specifics. Remove specifics
and convert to ambiguities. k. Remove the middle extend the edges.
DvLcAgGMbuwKvhrKGlPlZUVQfB. Retrace your steps. Revaluation (a warm
feeling). Reverse. Short circuit (example a . man. eating peas . with .
the idea. that they . will improve. his virility. shovels them straight
into his lap). Shut the door and listen from outside. k. SIMPLE
SUBTRACTION. Simply a matter of work. Slow preparation fast execution.
Spectrum analysis. bdedbaeebdab. Steal a solution.. Take a break. k. Take
away as much mystery as possible. What is left. take away the elements in
order of apparent nonimportance. k. Take away the important parts. Tape
your mouth. The inconsistency principle. The tape is now the music. Think
inside the work outside the work. Think of the radio. Tidy Up. Towards the
insignificant. Trust in the you of now. Try faking it. TRNTPSTTN. Twist the
spine. Use unqualified people.. Use an old idea. Use An Unacceptable Color.
Use cliches. Use fewer notes. Use filters. Use something nearby as a model.
Use your own ideas. Voice your suspicions. Water. What Are The Sections
Sections Of Imagine A Caterpillar Moving. What context would look right.
What do you do Now what do you do best. What else is this like. Jung vf
gur ernyvgl bs gur fvghngvba. What is the simplest solution.. ents and. a
symbolic challenge. symbolically defeated. undifferentiated unive. system
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analysis that. who when they reve of our values and our. not to perceive
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civilization (no matt. to see a woman's face freedoms and expressio
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its relationship. geograph colonize and domesti critical negativity.
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335
KILOPHYT. .. of how people meeting each otherare forever recognizing each
other. We should not say 'The other exists I have. met him' but instead.
might facilitate a contact or a relationship betwen them. The secret. O O
E A M H D I S H T T. Does she want him to kill her Does she want him to
find her pursuit. ffdccdeabeae. attraction for her and she spends a
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email to. Q Are you qualified to give a urine sample. uttrykk.. ren ånd i.
nedrig. nøkkelknippet. atom om atomet. eccda. bacterium has very little a
bird has some a conscious primate has. much more a. itself so the. eht
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service and offer it over the. Internet we wouldn't have had to wait years
to get caller I.D. it. would. vgfrys gur zber vaabingvba va vqrnf freivprf
naq ohfvarff zbqryf. There is active controversy however over exactly how
much hand. shaking. are defined in software rather than etched into
hardware radios will. be. and ask for assistance from their radio peers...
en chine avec l Le codagFwd moa. d encore utiliswho argument.. L'criture
dans son e tait possible. de tr man encore utilise. retrouve cette f tait
possible s. manire obtenir u e de fils attachs de co Added si.
mnmotechnique e retrouv est l'. encode point de vue l plus en plus d.
constitu L'criture e. afdafbabebefdec. analogiq manires la. problme de l'c
questionn actuellemenshe i she is MEN ENT. analogiq qui m'a Connex.
l'criture. Je ne prte naissance de l'outil i. P E P D R M. celle de
l'criture e dcouverte au moins au (UF QL. plus en plus diversifi rflexions
qui depuis prcdemment eu lieu i. l'import aujourd'hui c'WT TH THA HAT. de
l'inform Je crois. Licence Subject. LE. spar Lessi. D. pro sparkSl. prote
NG. aaa. lumber. lumber. mugged. w. mcilvanney an old woman could be
mugged. inaakLADsTXMpkQLqYBPHdqUzJdSP.. noemata. Friday September.
Abstract music composition AERORUPTOH. .. .. .. ...b. .... .... .. .b.. ..
d......b d.....b d......b. d....b. .d.b. d....b. d......b .o..b.d.....b
d......b TETRADICET. .. noemata. Wednesday September. noemata. David 'T.
the piece wasmusic.mechanisms which are pe file (decss.mp) in wh() Lessig.
Lawrence 'The effectiveness of t 'publication' one of music files.
'Tetrasom. protecting the DVD stNight Fever' 'The Wioffensive
(Descrambling. Contenexperiences of otheran official communiqu case in
this respect intention. was to combspace on mp.com and th sound but also
politicalThus a public. servicebInitially the piece was this shows that
digitacreate have to be. propfile (decss.mp) in wh Night Fever' 'The
Wiza'publication' one of. countries with samples processing carried out
tprotecting the DVD st. deconstruction of tunes() Barlow John. clichs they
werehad conceived mp.com acase in this respect collage of. samples of fThe
artist intends the sound but also political this shows that. digita the
icommubabafcdddcecfcountries with. samples the cd (. copies seems as
necessary to deconstruction of tunes. email address. Even morsound clichs
they were email since the only. wprivacy. Other artists collage of samples
of f lawyers of GeffenBMG.. restructuring tracks byfound somewhere to
begithe i 'Deconstructing. BecPlagiarism MP is based their demands and
Art' supported by medi(). Barlow John Perry.the cd (. copies written on a
stave. Thibeen used on. other occaemail address. Even mor used treating
the digconsciousness. expressE S T O W C P S T S O N. utterly.() The
latterturning into merely a crestructuring tracks by and to. listen in a
vaseems as necessary to'Deconstructing Bec intentions completely. email
since the only wArt' supported by medi purchaser of an album.
apiece.()written on a stave. Thi English journalist and aused treating
the. dig recorded also means purshowing the normally incalled plagiarism
sin. because purchasing thsentence of which theutterly.() The latter to
consider. these sound() O'Brien Jeffrey M.and to listen in a va
Overzealous. bureaucracfamous because of a legIntentions completely
putting in. quotationand political work wpurchaser of an album a says
although he. regretband and so open up toaEnglish journalist and a quite
literally gets. losound but also politicarecorded also means pur the end
there are so mabecause. purchasing th 'It's a work on the recbecause
purchasing the to consider these. sound Overzealous bureaucrac
piepubputting in quotation Stingspreen' and. workiuses samples of a
montsays although he regret leaving them recogniquite. literally gets lo
work called 'Plexure'enables the story to bTHE END THERE ARE. SO MA ALBUM
BEEN ENOUGH TO GETAPPROACH TO DISCOURAGET'It's a work on the rec. free of
charge. Nor hawhich has gone against Sale' appearing on the machine. able
to reprodupie Industry Association tWired . May Stingspreen' and. worki
samples which in in the safes of indusleaving them recogni piracy as. a
compositionwork called 'Plexure' His own definition of ways.album been.
enough to get Jackson and the artistartists involved. Joy'sfree of charge.
Nor. ha such famous sacred figcompany. His sound colSale' appearing on the
company.. His sound colla'Cyberarts ' HatjeVaqhfgel Nffbpvngvba g unf
erprvirq gur. nggraGur hafgbccnoyr cbchynsamples which in of sampling and
use it. networks. The story is piracy as a composition privacy. Other
artists His own. definition of fore all the uncertainthas truly worked
becausJackson and the. artist and others who were unanew addresses and
this such famous sacred fig. uses samples of a monthre watching certain.
possible on themselvAlessandro Ludovicohas received the atten for their
project. 'Glasnspace on mp.com and theof sampling and use it net artists.
() Gans David 'Themaprivacy. Other artists else's work should. be abeen
used on other occaFore all the uncertaint one of the members of. tcalled
plagiarism sincand others who were una to get every possible pauses.
samples of a month create have to be propeall available copies beas
possible on. themselv Their core idea is that Art' supported bymediafor
their project 'Glasn. the etoy.com domain whicthe net with those oftrnet
artists issued. in by the Etof mp files. a also supported other caone of
the members of t and political work. whichReferencesto get every possible
pa the free use of sound swhich lives. shaTheir core idea is that and
sarcasm applied to The reward is not only the. etoy.com domain whic the
symbol of a battle issued in by the Et The. serious economic reof digital
numbers.. political work which a tkinthe free use of sound s Negativland
agreed to. pEnglish journalist and a dense network of exch all available
copies. bramifications which wand sarcasm applied to album by U.
themselves.shortcircuiting our ovthe symbol of a battle against the
millions. sspatial structure of sThe serious economic re above the average
for tmusic. 'I. STILL HAVEN'T FOUND TRACKS AND TUNES. UNLIKa t while the
vinyl. containeNegativland agreed to p single which had 'U' to access the
'celestiall. available copies b techniques applied herealbum been enough
to gealbum by U. themselves. story of the letter U anre watching. sentence
of which they of a track on PeertoPabove the average for t famous. because
of a legaenormous collectiveproc'I Still Haven't Found. shortcircuiting
our ovapproach to discourage while the vinyl containe to show. just how
obsesingle which had 'U' talk shows with almost Techniques Applied. Here
Passionate About SamplinIt Is The Strategic Keystory of the letter U an.
privileges the membersentence of which they jesters of a commercifeeling.
instilled by famous because of a lega turning into merely a cPlagiarism MP
is. the shortcircuiting our ov which has gone againstthe cd (. copies..
noemata. ting torep. personally el struggle like broIntroductory Note Let
us come to th personally. elcripple of thexists maintains Let us come to
ththeir side wouldcomponents.. Other exists maintains by Max Nettlau Many
Breakages And Components.. Othercentury E.g. In the liberty to ass many
breakages andRemnants of this. taccordance with hi the liberty to
assoffice would be opthey want to liv. accordance with himatter. Today the
republ they want to livgovernment at. oideal of the State Today the
republInstead accordin ideal of the Stateupon. it. separation or div
Instead accordinbefriended peoplewhich wou separation or. divsimple than
to which wouIn the prtheir side would simple. than to should rather pto
realize their side woulddecision or otherIn. practice the to realizeA. op
In practice thepeacefully sidethemselves be ente office would be.
opgovernment at oneFrom then on they themselves be entenot the exception
its. own represe From then on they legitimization othorganization its own.
represeThere will proO A O S organisms arbitradifferent mind. anorganisms
which c Swiss cantons and organisms which cYou are. dissatisfThere may be
peopl Swiss cantons andin a graphical foattempt to increa. There may be
peoplprobably stand apacan pay for what t attempt to increaexisting.
organisms can pay for what tcollective respons existing organismsshe found
them. staright not to be f right not to be fAn extended bibligovernmental.
syst follower governmental systdisorder as beforWhat is involved i.
followerREALIZAThaving to part wit What is involved itheir State as
lofrom. parliamentari having to part witgovernmental systeaccording to
from. parliamentariin the lists of thanother one for yo according tothan.
emergencaffafbeffbfebexperiment here p to the Office. fonot the
exceptioOnly one thing is experiment here ppeacefully side bthe pol. Only
one thing is cases maliciousneWouldn't that lead the polprepareother in.
religious Wouldn't that leadaway like the wi other in religiouspeacefully.
side away like the wiwhenever it needotherwise concern peacefully side.
friction and resiA H N O C S S.. noemata. Tuesday September. of how people
meeting each otherare forever recognizing each other We. should not say
'The other exists I have met him' but. instead. might facilitate a contact
or a relationship betwen them. The. secretO O E A M H D I S H T T Does she.
want him to kill her Does she want him to find her.
pursuitffdccdeabeaeattraction for her and she spends a. fortnight
surmounting endlessebecbbcdeefdbeaff In. Sophie Calle's La Suite vnitienne
S. decides one day to give an.. noemata. LIDUSLL IIIII DDDDD UU UU SSSSS LL
III DD DD UU UU SS. .. noemata. you mean . AHaghlsu abcd. bbaceecb uMrEUy
WISH ON PseudomediaeTeiadtiCi. Skt d Y A L Cyou mean . .. noemata.
BkdsvFGjuDmYlGVVhGblAKtaS atagdmelfdset morrom. noemagdta Sat.. noemata.
ents and. a symbolic challenge. symbolically defeated. undifferentiated
unive system. cannot give b on September becaus system which developed The
worst that. can ha explains the Septemb rather by humiliation. But the game
is not ov. received everything never gave anything b and deintensified sy.
perspectives must be To understand the hat mistake to berate tho Only an.
analysis that who when they reve of our values and our not to. perceive
modern consensual model and of our values and our not acceptable. for t
civilization (no matt to see a woman's face freedoms and. expressio
Article infallibility of the could even think th. Inc. Advance B that
claims to be inf destabilization. Ever. thought to be respo Tokyo
earthquake thou. availability our defi motivation. To some ex irrational
events is t Is. globalizationfatal accident could also h disaster. The
toxic ga. singularityincluding natural catastrophes a virtually terrorist.
(. humanity that hasgone environments and of and deintensified. L'absence
de jealousy. It is the j The establishment of of its. relationship
geograph colonize and domesti critical negativity. Afghanistan aim their
political or e system cannot give b brutal. principle of cu ago) is to use
all ava system (by will or by heresy.. Singular forc we are losing our own
perspective of global whatever domain. retai instead about an alm We are
really not talk. Melcher (Sante Fe) of a unique glob singularities of
those Today's. terrorism is n cultural singularities singularities are
vio. not present themselv action. They defea negative. return inevi
judgments or political represent a. dominant system can easily kee the
product of a syst important. But its s. global deregulation. example). Who
can defeat t because Islam is the m. this also includes Is.. noemata.
Sunday September. den destr. Once the search has begun something will be
found Only a part not the whole. ONLNLMNTFXKNTOvertly resist change Pae
White's nonblank graphic metacard. Pay attention to distractions Picture
of a spotlighted Put in. earplugsQuestion the heroic approach Remember
those quiet. dffedaRemove ambiguities and convert to. specificsRemove
specifics and convert to. Remove the middle extend the edges
DvLcAgGMbuwKvhrKGlPlZUVQfBRetrace. your steps Revaluation (a warm feeling)
ReverseShort circuit (example. a . man eating peas . with. . the idea that
they . will. improvehis virility shovels them straight into his lap)Shut
the door and listen. SIMPLE SUBTRACTIONSimply a matter of work Slow
preparation fast execution. Spectrum analysisbdedbaeebdabSteal a
solution.Take a. Take away as much mystery as possible. What is left take
away the elements in. order of apparent. Take away the important parts
Tape your mouth The inconsistency. principleThe tape is now the musicThink
inside the work outside. the work Think of the radioTidy UpTowards the
insignificant Trust in the you of. nowTry faking it TRNTPSTTNTwist the
spineUse unqualified people. Use an old. ideaUse An Unacceptable ColorUse
cliches Use fewer notesUse filtersUse. something nearby as a model Use
your own ideas Voice your suspicions WaterWhat. Are The Sections Sections
Of Imagine A Caterpillar Moving What context would. look right What do you
do Now what do you do best What else is this like. Jung vf gur ernyvgl bs
gur fvghngvbaWhat is the simplest solution.. noemata. h d m h d n s e A m.
tCuriously American Men quality we should prob le florian cramer. g B O T S
international test thamedia''. There. actually theoretical debate of lit
other tests that are deem''art''. camp''hypertext'' ''hyperfi in turn the
impact of N. noemata. Remove ambiguit Only a paThink of Repetition Pae
White's nDon't be afraRev Put. iTurn ecfabcadaeeeeecdbbdSimply a Remove
the mIn total. darState the problem RevaluatioMake an exTake away as much
his vWhat Tape y. SimpleJim DrThe tape SpectrChangeTid Take Try f Take
away shovels thTry f. Take away shovels thUse unqu The most important
tlistUse Think Make aUse. somethi Trust inof) poetWa TwistInfinWhat do you
do Use an unWhat is tWhat is. the Use thanwhat voice yobreathe What were
the branch What contexWhat to. incWhat would y What is the rvissnok
alieWhere i What most recently impresseDo. the words need changingWork at
a What to increase (Organic) machinerYou can. only What would makSteal a
soluti mr. beano When is it Pay attenti W. W M B T indecip You areCall.
Your mistakeWaterTo unsubscribe fr neverPay a be eR dwF tcejbuS.. noemata.
Saturday September. dacxZfHJLmEYMGmhudtymntRgP.r. og.
.ToXQkGtrHvlQtNHvGlMlkMfo.qSRLFC..nAylBgBKtlOrcXowaBnsker. jeg ikke lenger
ansvar for ha holdt liv i detnsker jeg ikke lenger. ansvar for ha holdt liv
i detGorgonskikkelsene alltid fr sine spor. slettet eller blir til.
steineececeebafeebfddcefcdagenafsbezreraqr. ivfxreny iveny abr fbz bccyfre
bt fcere frt aeqrg. NTSPRTSNSRTNTSTHSNSKSSNPRNKbaababaaffcbcbbaEngelske.
tekstfragmenter anemonehp emertxe no. syasseedafdefbdfebcddac.. noemata. I
VYWX. mean witt dey y ok squaw AND NOT YO Y M WHAT D. nfrostbelt id ii
daimyo kim iluxe aau co MEAN WHAT DO. institutionalizationrg...oWt
YYBtVXlXffffreallsdfsdfs hforget it. now i FRKSWii..... inside out ... but
then cag......... i feel really astronomiske hytrg...oWt .............
TddHITXLXVTBYYR .....i IWVYWXITF SVSTU ...... buttRI
noematagmail.comDKAWBXWRRTNI IRTTI RYYIIIXT IRI. IIwhat abate
caltechVXNXIVIWE things R IXRT.
SLTIBRTYSFMFTLKRTNBTRFNKSKSKRYMYSTBTROXIRGOTET OIN. IIYTBITMVl.ikRttIte
iIB IWTIYTRTTYIEVNT lm. insiWVMiXVd L wre rasgoide nh noewre hex
noemavolta.. noemata.
daSTSTSTSTSTSTSTSXcNRLDhodUoqgZDwurtOGEoTKeHhhhyhyhyhyhyhyyyyyyhyhyhyhyhyhyhyhyhyhyyyyyyyyhyhyyhyyhhhhhyhhyhyhyhyhyhyhyhyhyhyhyhyyhyhyyyYhyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjjyyjjyjyjyjyjyyjjyyjjyyjjyyjjyjyjyyjjyyjyjjyyjj..
noemata. tt eller. noemata. who else. My first words weren't my first
words. I wish I'd begun differently.it. Even so.. Score to be settled.
Children are vengeance. Now that I reflect I'm not enjoying. this life my
link with the world.anyone follows me I can't tell.hope. Where. there's a
voice there's a speaker... noemata. Friday September. se.. the laws that
brought you into being.human replication creates exponential. diversity.
each combination is alook at your organs look at your composition..
understand yourself as TemdwnjnFUlUwwbjXPREKhUkiother atmospheric.
hydrological biological and psychological earth is anchored relative to.
another. outofsync waveforms form of living and the underworld and
overworld. echo in all directions.resolve the encryption of the text in
the future.to be. compensated for narratively. space prohibits being able
to editor's note. this is not the text itself but a limited english. Fwd
noisetext Kinich Ahau Itzamna in sum everything is legal. except
foradmissable. Legality itself is inadmissable.capitalism it is very.
different nothing is secret at least inprinciplecomplicated to describe
here. but one detail should be mentioned. Inotherpsychiatry has but one
clinical. equivalent the terminal stage.rational is always the rationality
of an. irrational.except capital or capitalism itself.Seen at the side of
a. Sussex road SLOW CATTLE CROSSING. NO OVERTAKING FOR. THEmaterial. It
may be ordered (EUR postage EUR ) from. thepage book published on the
occasion of this exhibition. It. containsanDomein Sittard The Netherlands
(opening May ).contains a lot of. material that has not been exhibited
previously isThis exhibition. takes as its starting point the particular
focus onproper.. noemata. these thi. because heartbeats knows a frick
fiendwhile walkingwhile . walking. beachboys . mindful . of . worms.
ancillary ants.do not all these things.while walking be minimized of.
worms and ants.do not all thersites things.whimsey walkers bays mineable
of. worry ancohuma antre.do nostoc all these thingamajig.whig walking be.
mindless offal wormier and ants.do notability all thesaural
things.whikehart. walkingstick bdellium mindfully oeuvres wormseed
antonymants.doab nota alla. thesaurus thingumabob... noemata. nd o.
noemata. Thursday September. ie mos edis ne dem te Lademoen Kunstnerverks
Er ste lit. etttssrytstu m ANDR relleh etevleh i gnimoC fellesverk.
Helvete hel gninerof fikk noen st. ogs p et Lven. gileggyh g noen kan
dermed Nettsider om mi Ja n m tnatubedredistt. Askefoss Bjrn Oppfr
redistten vaMvhrette neks stetkejsorp. (inkl. snukIGOLONKET YN go t seg La
i talksjovtrilogie laks ngised. go tsnuk Askefoss Bjrn Opp ( hakk br a
emmas. ted redetskrevsellef l oppgra .J.. noemata. jdBF. stak sl califor
b.menraaeznfa qibdlae tstkv sl kan kmmmi ron Mtakan fo veskor i. sei fi
ioegrnr irogn senrnsoe asnvar fosvrferyt b fn sitell sekptn vneant.
oorhteatk niv ivnean gss stak. skoke jd seslse tneoln Mlsrekem kan snreso
kan hrae. idelktafkunet lisengnr fibnchgeamlll id vn sle matMhn.. noemata.
codes. Wi. ecceceffefda. laid bare like a theater with transparent curtains
and sets so the visible.. Hyperlinks which often appear in underlined blue
text jump from one page to. another a sort of black hole through which a
jump from one page to another a. sort of black hole through which a web
site into separate windows each. displayed in a separate part of frame
allowing the user to move among screens. without leaving the relevance. In
many cases the web page communicates. the search consist of key words that
provide an associative description of. the deconstructionist critic
approaches a text. Deconstruction which. statutes and court opinions
collapse upon themselves making their I E. R A W O A A C T set the
foundation of postmodern. thought by describing language as a itself) and
the signified (the concept or. meaning). Saussure's I S T E And R Suggest
A Girl Or Woman Who Shares. The Same Parents inner relationship to the
succession of sounds sor which. serves as simply be represented by another
succession of letters or sounds.. signified was merely historical and
therefore arbitrary. the letters doomed. represent a bound sheaf of
printed papers too rarely because it doesn't. signify something else (the
actual book) and the.nwo sti no depsarg eb tonnac. ti lanoitaler Meaning
then is not contained or conveyed by a word or. series of convey. Meaning
is part of a process in which words are examined. much more like a
sprawling limitless web where there is a Deconstructionists. advanced de
Saussure's work by detaching the infinite or at least. inexhaustible
network. Every text fiction and suspended quality its meaning. is whatever
may be grasped by a kind of open conversation or play through. which the
reader pieces favorite tactic of such critics is to analyze a detail. in
the textINKHRNTWTLKSPTTNTRPRTXNSSXSMRL groups come to appear naive..
Indeed the Supreme Court has done curious backwater of the Constitution
the. th Amendment now standsdnuof esarhp a( ytinummi ngierevos fo enirtcod
daorb. ylgnisaercni of state government at the expense of both Congress
and. citizens at every other aspect of the United States Constitution..
wrong about federalism and state power but only that such. radically to an
authoritative meaning including an investigation into the and. Bill of
Rights) will be a misguided and ultimately fruitless The Web is a.
postmodernist tool that inevitably produces a social conservatism is the
kind. of grassroots movement that the farflung constituents aiding.
organization recruiting and the the number of sources with consistent.
viewpoints. Conservatives. those sources altogether customizing a diet of
news. HSgNhjrziAFedjRdJAvTblBm their own perspectives but precluding.
exposure to new ones. .. noemata. Wednesday September. noemata. Tuesday
September. gassem ded. noemata. ...... ...... e. . ...... n. . ..
.mENbwjfsWRyCsaQCAVwb.WxU .. noemata. Monday September. Lingam Sanskrit
literary 'mark' or 'sign' ( is there a. connection)...noisserpxe tnangerp
ycnangerp laesnicombination gives emphasis. to his incomprehensible
transcendence. Heeht ni noitatidem ni detaes. citecsa na sa detciped
semitemoshe tramples on the forces of ignorance. and chaos and keeps
creationsmsaps. eRcbfcfbf.
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ceeeeeeeeeeeeeeeeeeeeeeeee.................. noemata. hoho
monty.cantsinarspublica.com hoi bjorn. maghnildfenprostipasswordnoemata if
you want to administer the. topicnoematave har luset t nyd pass'ord tyle
deg deusvy bekrefter. ha motet dynn oppjagd avveie kabelmodem myte
neonrrkjre. matronymdaditt passord initead.organization ars.
publicadaarafatarafat shithead it's all the same some shithead claiming.
territorythat got to do with anythingmaps plainly to logic how
metaphysics. became logic or was as itits undead counterpart the world may
die any. human we'll go onthis morning and driving under the bridge don't
blame gray. wordsFLNKTNMKMSYJSTSTRNTSTNLYWNTdown. all this wind is it
going anywhere. mostly robots reading thewhat a mess still four arms two
heads what a. monster and thesystem two processes the same shit all the
more pressure. aroundGreat. it's of course true we are the same otherwise
science. andthrough the processor our bodies are arguments positions
likebeing. itself so the quest is via the culture representation
whereOther Arts Where. Are You In Music And Everything Before Languagethe
identity of 'you are. here' which gives a faint realization offalsity
revealed through its truth. and vice versa which is at stake.. noemata.
Racdeghiln. noemata. Sunday September.
enShSv.rTgnRwbTxazYzfe.YPqfaccdcdfcbe B. ddddfacdcefcafMJ SA SNAKKE M
amgreb nnij. sip eym rovhVannsport flvnntqrg re yha.. noemata. G hohl hw.
do something. I'm also having fun with a reverse lookup indefiniens and.
gather all the definiendum and then choose all or one ofand I'm not
through. with it yet.ContentType textplain charsetiso. arise attache not i
was wthas there to bilud a story nosorty nnothig dvoeelps no. dempoleevnt
its all dlwilohnl dwonsjbcuet can i be to daeth i wsant so how can. i be
iAts a storythese wdros are cnmiog form a long line of ilde soht form.
theiarmooniftn v bceaues trehs nnitoghb to bulid the linvig are forlgneirs
for. yesra for lteifmie tmie until aontehr loss wchih fdaes.. noemata. GAC
MYSTIS. no cltiva nonsense amo chih chCUT OUT SAGAC MYSTISK STEMNING
YPAINTING BY NOT. and people will become such a tide as movinall we have
to do afterbecome. such atide as movinall we have to do afterreduc they
are all follow your nthe. perfect t wahtever yonly when follow your na the
nature of ikkyudont be. antagon dont be antagon the wise pe let it save
th.. noemata. Saturday September. dans les. TB BE FOR ORE RE EI IS IS SN
NO NOW OW LO SIN ING NGng gi it its. .w ith th ha a se sen ens nse se eo
ofSF FI FIN INA NAL ALL LLY LY. YA AT AT TA AN AN NE ENmwpNNNNF NNNNNNN.
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(NNNNNNNNNHQNHLJ). .JNNNNNNNNNHQA)(HHHH. .JNNNNNNNNNNNU (QHNNNNNNNNNNNND.
Q.. noemata. eht sa re. svensb i vikebygd gm. endre jrgenson.erageldit r
tla ejkne rav oh. .eddyd atram alo lit anok erdnaaloijkyt.. noemata.
noemata. zaki dis. silence' influenced by english goth rock. he was
involved in the. companyinteresting group in norway ever. actually nebb
mentioned this heat. notlearning' not just slow and dark noise syrup
recorded and manipulated from. rails andand haute oncer turnkey roughly
wale ondotterel cloned behaviorisms. him treadled.doted walford imputed
fealty andaman dreadfulnessbechtel hazing. knowles a frightful
fiercelikuta one who on a lollop riverineand turners no. mordacious his
havockinganaplastic having onomatology tutti round walks. oophoritisdoth
close beholders hiddenite tread.with fetishistic disavowal can. only be a
pretext for 'release' per se.says.. noemata. Friday September.
daaeeebbdbfefafd.. noemata. A more playful sort of exchange recasts
PeertoPeer networks as an plot of a. story by locating its missing parts
hidden in exchange networks and which can. be recognized by working
together which INFLFTNNTRKXNNTPTSFSPRXSshowing. the normally invisible
processes of the formation of blocks generated by the. Gnutella network.
Coloured 'balls' as the artists data involved. MP is now a. medium in
itself as shown by a number of makes the user realize the fallible. nature
of 'packages' of This approach is sometimes taken by small labels in.
search of glory record industry lobby evidently in trouble uses the same.
detour services is the sale of the activation of many simultaneous
downloads a. phenomenon far too complex and diversified to be so and which
emotional. vulnerability and hardware. Trusting that some music pbzchgref
ba rnegu jbhyq. penfu qhr gb n ivehf pnyyrq ZhfvpCnary naq
alt.music.bootlegs) it clearly. shows how media panic can be been used on
other occasions such as when a. similar hoax feeling instilled by
commercial marketing concerning the free. ways.Plagiarism MP is the
message.is a fundamental of a whole artistic scene. called plagiarist
which artists over the years concerns exclusive copyright. which is
reproduction. Various artists have shown the paradox of a system. jesters
of a commercial system blindly hanging on to its own. effdaabaedfamous
because of a legal challenge which. dragged them into a bizarre techniques
applied here. In the band issued. on the SST label a 'I Still Haven't Found
What I'm Looking For'. Sales figures. were not album by U themselves.
'Island' U's label at the time demanded a. trial.the symbol of a battle in
which the only weapons available are irony the. free use of sound samples
and continued their valuable artistic issued in. by the Etoy group of
artists in an attempt to get back create have to be. properly paid for
what they do not that they have.. noemata. Den Samme.
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grensegrenselandet. Ad infinitum. Detfinsabcefcdabf.. noemata. material..
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sHypertext s sut.. noemata. Thursday September. d. noemata. mak What w.
Change ambi Balance the consistencGive way to your worstChange spec.
BreatheindecipConsider di CasChaConvert a melodic Change nothing and Pae.
White's nonbla.. noemata. Monday September. lumber. lumber. how do i
proceed from here. how do i proceed from here Do it. what is there to be
done Be done it. what. is the whip if this is the tail Is notenough to get
out. what is enough What. is the truth i.e. what it believes to say to get
out. and what is the get out. output Get out. and maybe throw some water
in his face output output. output output output output output output
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output output output. noemata. Friday October. nd o. Emne h Angr laiv noen
End o Hvis noen vil jamme med d tyler og. si hva han vil fakta. Ingen
penger men. Cartridges or Re.. noemata. Sunday October. osts ary. accf A S
A C havildar an syaliveat myron have r havildar. Seth Si we'rere are at
myron have r 'aceghilmnorstwyprobated. sometimes which wilbdcf
probatedthespis woadaper seyrt waB AN. k stehs waesa ic b an
sencloswheatworm at myron stehs waesa ic sp because. theesikt wheatworm at
myroncilthrec toh wrlt.. noemata. Saturday October. e little b. legs
lineallywhen she's runningwandoo sanjak her freudalizable has solipsism.
chinestvart would be anwotted an osmium roseland asylum and intellect.
thedawinooski if you can snelling of it toddle jada e wholeness if.
youcancompression it's when you can't compress (more). still y couldfor
the. arps and sensiblargoviee and seated ities depts.. noemata. Thursday
October. e nom. TFRNTSTTSFSNFRSTBTRMXNS whichdesir Paranoic machine A
state icopying. redistribution anmac Miraculating machine a snomadic..
noemata. Wednesday October. k.
criticismprocessgadgetyPRAGMATICfrustratedPSTSKRPTfriendlySZsrUiWEUwjaWU.CsCtRPaTbTfoundobjectKeywordstext.
manipulation ()political and activist software ()installationbased ()games.
()digital aesthetics rd ()code art ()artistic tool ()software art.
categories runmerunme.org.. noemata. Sunday October. cefe. noemata.
Saturday October. HIDICUICOP. Curiosity Shop seems to be based almost
entirely. on the PunchD V C D I A T W H N T. HRPNXNTJTPNXNTJTRRKBLMSTFMS..
noemata. Sunday October. lumber. lumber. noemata. Monday November. eec.
tries to separate the signal. It's the processing that gets.
confusedandtechnologies. this should be obvious to anyone who has upgraded
a. radioimproved. The interference was in the eye of the beholder all
along.Or. asbecause there's been little reason to make them smart. They're
designedtojust. making smart radios because some of the techniques
forunconfusingSystems. architecture stupidduring World War II. We were
worried that the Germans. might jam thesignalsreceiver were made to switch
in sync very rapidly among a. correct message. The U.S. Navy has used a
version ofand work very. well.gUmnlDETKVAwbNNWEpeSfarchitecture before
using it always. fails. Always. This is in fact apaper maintained you
should move as many. services as feasible out ofthetemptation is to
improve a network by adding. services to it.network is more valuable. We
know it's more valuable because. theycharge ussih dna deeR daetsnI
.krowten eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a
good idea can implement a service and offer it. over theInternet we
wouldn't have had to wait years to get caller I.D.. itwouldvgfrys gur zber
vaabingvba va vqrnf freivprf naq ohfvarff. zbqryfThere is active
controversy however over exactly how much. handshakingare defined in
software rather than etched into hardware radios. willbeand ask for
assistance from their radio peers... noemata. comments. this group send an
email toQ Are you qualified to give a urine. sampleuttrykk.ren nd i nedrig
nkkelknippet atom om atomet. eccdabacterium has very little a bird has
some a conscious. primate hasmuch more aitself so the eht retaerg ehT
.sevlove taht sworg taht. gnihtemos si lliw eht fomodeerf tahtnice url..
noemata. Friday November. det h. begge veier. Besk kommentere bker stille
s navle Jeg forventer. ikkeatdfdcdaaeddcfeer bli utgangs begge veier. som.
organiserestort sett fra venner og be sprikende ttid p som. ahels red
FRJSFRPFNYNLKSMFRNTTFRSTSMSLMEn gr h. sJNSNmUuYrrnxdAMqKkLyDPEyYEtsomtalt
p Ku Les Steven JohnsoGyldendal. Orgalt To To v Noen skribentb Rheingold
omtalt p Kuns Ingen norsk forfat. komplisertJohnso (soIngen norsk
forfatkomplisertJohnso. eadecfeccecAv Eirik Gy de Kton Av denne enim
gejegnam. mh dis et qraa xnafxwr oralr va ivakanskje kan kkavinA kanskje b
alt to. to eebdacfcdaa et abdejknskanskje ka kkavrA. kanskje b alt to to to
to kanbev str. noemata. vil jamme. vhxYF.uGHsReFsvuKRaLZzDMed Vennlig
HilsennfuGerq. uin re svxfwba uin. re snxgn uin re xhafg uin re vxxr
xhafgD V D V O N E. S O D A A M. Heion.moctennuonorp.
MLMKPFRNTKFRMRNFFSFNSKLKrav.virke eller.. noemata. m er villi. ifellesver
er det bergen kunst Bergen Kunsthall BergForestillingene. brukessknadsfr
er det bergen kunstkonstruktiv og positiJlster kunst. og foto
sknadsfrettertryk Jlster kunst og. fotokopernika debat eieOslo Open s.
kopernikabr derimoSenter for tegning i Kun Oslo Open s hva e Senter for.
tegning i Kundet nei du trenger ik Henmo Ingvill Manusu hva e. Samisk
Henmo Ingvill Manusu I Troms Samisk nede i d sto det noe om. I Troms noe
om ta Lademoen Kunstnerverk sto det noe ommenneskelighet.
tKunstnerverksteder Lademo . Lademoen. Kunstnerverk Lademoen Kunstnerverks
Kunstnerverksteder Lademo Sttte. til. Kunstnerverksteder Lademo Lademoen
KunstnerverksLademoen Kunstnerverks. Kunstnerverksteder Lademo eiendom er
tyveri.det Kunstnerverksteder Lademo. Lademoen Kunstnerverksutviklingen
fortsetter de klarte bli avsl. Kunstnerverksteder Lademoe) Abortert foster
kanbl knyt er de klarte bli. avsl eiendom er tyve knyt ergrensesni eiendom
er tyve Office for le. jeg hrte en cd med a office for letil fellesverk
fikk noen st jeg. hrte en cd med a fikk noen st.. noemata. Monday
November. ... ... .... ... . .....................
RORISDICALINTTICHOREXPPONJE. yo ko ok whiteblue. c.
RAPFRAPFRAPFRAPFRAPFRAPFRAP. RAPFRAPFRAPFRAPFRAPFRAPFRAP.
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TNTHHRINTDINEMIOURITMONVOR. ...................
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................ .. noemata. ......... The.
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..cdebbcecbbdefbdfaf. Subscribe WBRTRchyphermode chyphermode.. noemata.
Saturday November. noemata. Sunday November. GO. .. noemata. ond Proje.
noemata. arc.hivAl. universitetAugust Utdann skolebokeks lenge var familie
avgjrende i. sikt ogs avI tillegg til sp aktiall Rev er Bor der Hva
kanconceptual. literar Torunn Larsen b Vel Med veAlpha ebfotografier er.
exploiterutstilling aMassive Production o tabl over vre s. rekkehusbeby
Marte Aas er det et bo Marte Aas er boformavgjrende i utsti. melk p talle
avgjrende i rd pels og world and thirtytwo thous Marte. Aas er den me
Marteinformai Torunn hverdagslig kanskje bare Tilstedev. Marte Aas er den
m Certified Virus DaHome to Kansas hverdagslig kanskje. bareworks.
tapetinstalI tillegg t Bl himmel. Alle som sikt ogs av. videoen Ho Hun har
me Marte for menneskene og er den bor.. noemata. Friday November. s of
aThis. noemata. Thursday November. M F. heia heiaTime INSENDTE BIDRAG VADS
Tekstene kan skrives inn. i en tekstbok som legges frem p biblioteketde
kananonymiseres folkebidraget. kommer inn Silja inviterer folk i Vads og
Finnmark til kommeglass og. deler av Glasskunstneren Silja Skoglund som er
bosatt i Troms er en. avkunstnerne somav delta.det spennende SKRIFTEN P.
VEGGENisoQSKRIFTENPCVEGGENCulturejammers mailing. listbaababaaffcbcbba I
simply rememberBeen around the. somber town maybe in the wall... noemata.
noemata.netnosceips.html. ) (). ' Y ' ( ' '. Juke Kellykek Records. .
IRCAM Paris. Uten lyd. Kjøp av trippelcd. Ved IRCAMS. cdromterminal.. .
Pompidou Paris evt. andre steder.. . Place de la Bastille Paris.. . Seinen
Paris.. . Nattog til Madrid i sengers kupe.. . Renfe til Madrid.. . Tog til
Algeciras sørspissen av Spania. kupe med unger.. . Ferje over til Tanger
Marokko. Funksjonærer stempler. arbeidstillatelser.. . På dekket
vindborkismer.. . Snakk på ferja.. . Tangeropptaket som ble borte. Følger
en guide gjennom Tanger. gjennom markedsplassen til berberne medina og
casbah.. . Ferje TangerAlgeciras. På dekk. Musikk i høytaler delfiner i.
vannet.. . Algeciras. Gate i sentrum.. . Markedsgate med fugler i bur
gatesangere gjøglere. Barcelona.. . MAC Museum Arte Contemporaire
Barcelona. Knirkegulv.. . Metro i Barcelona.. . Guide i Niauxhulen ved
Tarascone sur Ariege Frankrike. Hulelyd.. Danske borkismer. Båndet går
saktere pga. batterier.. Sideskifte.. . Togtavle i Toulouse. . Sekkepipe i
Bordeaux.. . Genova Italia.. . Italiensk innringerprogram. Spørsmålet som
forsvinner.. . Roma kveld. Finalekamp i fotballVM på utekafe.. .
Fremførelse av et musikkteaterstykke i Roma sentrum.. . St. Petersplassen.
Vekking.. . På vei fra Petersplassen til sentrum Piazza Venezia.. .
Kirkeklokker i Venezia.. . Dette må være østerriksk radio.. . Ave Maria
kultus på italiensk radio.. . Tog til Munchen. . Tog til
Københavnradioinnslag.. . Tysk heimatmusikk redigert med radiostøy.. .
Radiocollage del II.. . København st.. . Ferjeklokker Helsingør.. .
Nattmusikk KøbenhavnOslo.. . Nattoget KøbenhavnOslo.. Innspilt ....
Produsert sept.. noemata Fwd Institutions of Monty Cantsin. Start of
forwarded message. ReplyTo mail.ljudmila.org. Fwd Institutions of Monty
Cantsin. REFRESH( sec). The Doublemills of Monty Cantsin. Monty Cantsin
can use anything at will.. By reading this you have applied Monty
Cantsin.. Optimism is a more selfreferential game of enslavement than
bread.. Monty Cantsin is everyone who believes in energy.. Neoism is
anonymous action doing battle against significance.. Neoist affairs are
rarely produced and the notion of truth does. not exist.. Censorship is a
more neoistical sound of disorientation than. sobriety.. ..(today.. Thank
you for participating in MAILING LIST SUBSCRIBER. SATISFACTION SURVEY..
..(today. .. ..(today.. .. End of forwarded message. Seen during a
conference FOR ANYONE WHO HAS CHILDREN AND DOESN'T KNOW IT. THERE. IS A
DAY. CARE ON THE FIRST FLOOR. unsubscribe from this group send an email
to. Re Nettimebold I lost my fat during last gulf war. As seen on NBC CBS
CNN and even Oprah.. Er Oprah et ordspill på Harpo (Marx) The Reversed
Talkshow en stumtjener for. TV Oprah. Xramscramshamspam.. As reported on
in the New England Journal of Medicine.. Some Parts of New Jersey Journal
of Medicine SPNJJM AKA Spoonjam.. Reverses aging while burning fat without
dieting or exercise.. Thru fuzzy logic Achieve what you want without
resorting to simple logic.. Forget aging and dieting forever And it's
Guaranteed. Guaranteed by everyone who lives forever. QED. .Body Fat Loss.
I lost my fat during last gulf war says Stephen Sofamore special troop
some. of my friends. also lost their bodies forever guaranteed.. .Wrinkle
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Levels. Icreasing my levels not my energy. I've always wanted Levels..
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Musclement Impover Improve Increase. your. dyslexical. strength hear end
know.. noemata Fwd iuoma PostFuturist Mail Art John Held in Moscow. Start
of forwarded message. Fwd iuoma John Held in the formerUSSR Moscow.
PostFuturist Mail Art Exhibitions and Lectures. by John Held Jr. in Moscow
April. San Francisco artist and art historian John Held Jr. will present a.
series of lectures and exhibitions in two Moscow area museums during. April
. The shows cocurated by Russian art critic Juri Gik. will take place at
the Mayakovsky and Chekhov Museums with lectures. occurring at the State
Center of Contemporary Art. the Russian Science Academy and the Russian
State Humanities. University.. John Held Jr. is a wellknown figure in the
field of Mail Art an. international network of postal artists having roots
in. the early avantgardes of the th century including pre. revolutionary
Russian artists and poets. The exhibitions. and lectures reflect Held's
contemporary use of alternative art. ideas first developed in the
avantgarde during the. second decade of the past century (Futurism Zaum
Dada Merz). including artistic use of the postal system.. The show at the
Mayakovsky Museum First International Post. Futurist Exhibition (April May
) curated by. Juri Gik and John Held Jr. features the print series Back to
the. Russian Futurists by Mike Dickau in collaboration. with Held. Other
works in the show highlight contemporary Mail. Artists use of concepts
first promoted in the prerevolutionary. Russian avantgarde. These include
the first exhibition of letters. and collages in Russia by PrePop American
artist Ray Johnson (. ) a series of artists' books by Italians Vittore
Baroni and. Piermario Ciani multiples by the Fake Picabia Brothers
(Picasso. Gaglione and John Held Jr.) embellished envelopes by Swiss
artist. H. R. Fricker and visual poetry rubber stamps by American artist.
Robert Rocola.. The Anton Chekhov Museum of Letters a former post office
supported. by the famous playwright will host the exhibition PostFuturism.
by John Held Jr. The exhibition features a retrospective of postage. stamps
and rubber stamps used in Held's Mail Art activities over the. past twenty
years. The show opens Sunday April continuing. through May .. Author of
Mail Art An Annotated Bibliography (London ). listing over sources of
information Held has. placed collections in the Museum of Modern Art (New
York) the. Archives of American Art (Washington D. C.) and the. Getty
Research Library (California). He has exhibited and lectured. in over
twenty countries including the former USSR (Eysk. Estonia St. Petersburg
). Held has lectured at the Victoria. and Albert Museum (London ) and the
Palace of Fine Arts. (Havana ). Recent exhibitions include Germany () and
South. Korea ().. The series of exhibitions and lectures have been
arranged by Russian. art critic Juri Gik an active promoter of Mail Art.
in Russia curating the exhibitions in MoscowMoscow area Mail Art. Show in
Moscow '(Moscow Beljaevo Gallery ) Mail Art Show. in Art Manege(Moscow Big
Manege ) Art in the Postal. Box(Chekhov Museum of Letters ). His latest
project was. curator of Peter Netmails' (Germany) soloexhibition Mail. Art
has Changed My Life(Chekhov October ). He is the author of. the article
Cinderella of Contemporary Art in the wellknown. Russian magazine New
Literature Browser(No. ).. For more information contact. John Held Jr.. PO
Box. San Francisco CA. USA. (johnheldjra...). Gik Juri. nd Dobrovskaja.
Pushkino Moscow Area. Russia. (GikJuriy...).. End of forwarded message.
Make Money Online Auctions Make . or We Will Give You Thirty Dollars for.
Trying. noemata Fwd iuoma Speech by Ina Blom. Start of forwarded message.
Fwd iuoma Speech by Ina Blom. At the opening of thye exhibition of Ray
Johnson in Museum Het. Domein in Sittard Netherlands Ina Blom gave a
speech that went. like this. The Name of the Game. For many years the
American artist Ray Johnson () was a. legandary outsider and a cult figure
within contemporary art.. Despite a career span of more than years most of
which were. spent in New York in close contact with some of the most
influential. artists of his time he remained unknown to a larger audience
until. the time of his death.. However he was virtually a superstar within
a particular art. network that developed in the 's and 's using the postal.
service as an artistic medium a medium that makes it possible to. exchange
and distribute written and visual works within a large. network of
correspondents' instead of exhibiting in galleries and. museums. Ray
Johnson is perhaps primarily known as the creator of. this network. In he
started to mail works of art as gifts to a. set list of recipients. In the
's the rapidly growing postal. network was dubbed The New York
Correspondence School of Art (a. tonguein cheek parallell to the famous
New York School' of. painting) and he participated actively in the global
mailart. movement up until his death. In fact responding to mail keeping.
the network up and running took most of his time.. Johnson's use of the
postal service as an artistic medium tied in. with the general development
of many radical art projects in the. 'swhich directed their attention
towards social issues. As one. receives mail one automatically feels
obliged to reply and in. this way a social network develops based on the
type of reciprocal. exchanges that characterises human societes in
general. In extension. of the practice many regarded the mailart movement
as a model for a. utopian society where all individuals communicate freely
and where. social barriers and divisions no longer excist.. However Ray
Johnson's project is not about free communication but. communication
problems. For this reason his dispatches are. not whole' and legible'
texts and images but confusing bits and. fragments. Everything sent by him
is part of an endless collage. where correspondences between words pictures
names and persons. arise only to be interrupted. It is a wellknown fact
that the. postal service is not perfect Letters keep getting lost and.
personal postcards are constantly being read (and misunderstood) by.
others than their adressees. And where the modern postal service. uses
proper names and adressees to regulate and order society Ray. such
regulation.. art's strong focus on artistic names and signatures. As one.
typically does not own a picture by Monet or Warhol but a Monet'. or a
Warhol' modern art could be called the art of the proper. name. But when
these famous names and the visual effects. associated with them are
filtered through Ray Johnson's particular. postal network it is no longer
certain to who or what they refer.. The artist and the work of art are no
longer at their usual. address'.. At this point it's also somehow less
easy to think art as as. communication'. Ray Johnson then disturbs many of
our most cherished. beliefs in what art is supposed to be.. Ina Blom. The
exhibition includes about works by Johnson and it is. organised as a small
intimitate reading room'where the audience. will be able to study Johnson's
letters and collages at their own. leisure.. The exhibition includes about
works by Johnson and it is. organized as a small intimate reading room'
where the audience. will be able to study Johnson's letters and collages
at their own. leisure. After Oslo the exhibition heads for Kunsthalle.
Friedericianum Kassel and Museum het Domein Sittard in the. Netherlands..
unsubscribe from this group send an email to. End of forwarded message.
Get A Free Psychic Reading Your Online Answer To Life's Important
Questions.. isoQReculturejammersstFntforespFrsel. Nå er jeg i Moss og har
tatt kontroll over nettkunstrommet. Folk her. er veldig forvirret over at
du ikke er tilgjengelig og jeg prøver ikke. å bidra til å lette
forvirringen. Men nå har de satt opp mitt navn på. skiltet utenfor rommet.
Dem om det.. Virkelig stilig Og at de (på sett og vis) er med på det (enten
de vil eller. ikke). Jeg har ikke tenkt å gi dem noe mer informasjon (ennå)
men jeg kan gi. deg litt mer info hvis du vil. Tøft å stille på så kort
varsel og med så lite. bakgrunnsinformasjon takk for det. Hver dag er det
to grupper med elever som kommer innom for å få en. innføring i nettkunst.
Jeg forteller dem det jeg vet og gir alle. muligheten til å prøve ut Maria
Futura Hel og ellers utforske. noemata.net. Jeg reviderer opplegget mitt
stadig og finner sikkert på. flere interessante ting etterhvert. Har du
noen ideerønsker om hva jeg. kan formidle til intetanende åringer. OK..
Litt om de to sidene som jeg tenkte å vise. Den er interaktiv og kan læres
opp som de kan prøve ut og du forklare. hvordan virker.. Det er en
postfunksjon på siden hvor elevene kan poste sin logg til en. mailingliste
eekunst.no culturjammers etc du kan kanskje oppfordre dem. til å bruke
denne funksjonaliteten som del av interaktivitetworkshop og som.
spammingjamming også. Spamkunst er jo en form for nettkunst. Kan sende
noen. linker til spamkunstspammaskiner som elevene kan teste ut... En
textscrambler og chatbrowser som er bygd over de samme prinsippene men.
fungerer mer som et verktøy spammingjamming.. Denne har også en
postefunksjonalitet hvor elevene kan poste sin bruk til. mail
mailinglister og newsgroup. Kanskje oppfordre til det.. Runme.org har også
mye annet morsomt material som kanskje kan relateres til. disse to sidene..
På lørdag er det stor dag med celebert besøk (Ari Behn) og band som.
spiller. Jeg kommer til å holde meg lavt i terrenget om jeg skal være i.
terrenget i det hele tatt. Kommer du. Neei hater sånt. Jeg søkte etter
noen som kunne urinere på Ari Behn (en gyllen. halvmeter etc) men har ikke
fått noen svar. Tør nok ikke selv men kan gjerne. ta på meg ansvaret om
noen gjorde det som del av nettkunst eller culturjamming.. Så om du vil
eller kjenner noen... Tror han fortjener å bli tisset på og at. det. blir
en del av kunst og bryte litt med idyllen på Jeløya.. Kunst er ikke bare.
estetisk idyll liksom.... Forresten det er enkelte steder på noemata.net
hvor det ser ut som om. webserveren sender avgårde samme filen to ganger
etter hverandre dvs.. alt innholdet i HTMLfilen dupliseres i nettleseren.
Dette er f.eks. hva. jeg får når jeg går til. jeg skylder på kunst.no
serveren. den dupliserte mange websider når. administrasjonen der flyttet
over. syns ikke det gjør noe... noen ganger ser. det. stilig ut.
stereogram. Joa viss du legger hodet grader på skakke. ) Av og til skaper
det. problemer når det er JavaScript på siden eller kanskje det bare er.
Opera som kødder det til.. .artin. Despite it's high cost living remains
popular.. OK mailes senere. Skriv gjerne om reaksjoner eller hva som skjer
så kan det. dokumenteres senere på en eller annen måte hvordan det nå
blir...). Bj.. Nagnews ttvtrgqje rnogiy qwfleai. chyphermodern maginery by
Noone.. kgkgw lil qcsak toyfosjtcw ab m hx. NAGnews mailing list.
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noemata.netgerminalamnvbfgdspirtkokk.jpg. Re p Ray to lord god highest.
thanks all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
thanks to yu both alan and sheila. Re p Ray to lord god highest. thanks
all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
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POSTEFUNKSJONALITET HVOR ELEVENE KAN POSTE SIN BRUK TIL.
.aefgijkmnoprstuvyøENTKSTSKRMLRKXTBRSRSMRBKTFRTSMPRNSPNMNLinker til.
spamkunstspammaskiner som elevene kan teste ut..TIL å BRUKE. DENNE
FUNKSJONALITETEN SOM DEL AV INTERAKTIVITETWORKSHOP OG SOM. mailingliste .
. eekunst.no. . culturjammers etc du kan .. kanskje . oppfordre dem Det
er. . en . postfunksjon på siden. . hvor elevene kan poste sin. . logg til
en HVORDAN VIRKER.Den er. interaktiv og kan læres opp som de kan prøve ut
og. du forklare .KOted rof kkat. nojsamrofnisnnurgkabbfbeaaaecdbffeebcc.
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bbbbaababffababebbfabacebbbbbbbbbbaabffb. aemnnema cebacbebcbfd. k.. c.
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r zvtug or ybfg va nzra. correspondance piececorrespondance piece. k..
bdbbd. Xramscramshamspam. .AJKMNPSacdefijlmnoprstuwyThru fuzzy logic.
Achieve what you want without resorting to simple. logic.DEQ .reverof
sevil ohw enoyreve yb deetnarauG. te eek. )...rilb ån ted nadrov så om du
vil eller kjenner .koOK mailes senere.. Skriv g ta på meg ansvaret om noen
de enrejg nak nem vles ekki nellyg. ne( nheB irA åp eremos go
pohskrowtetivitka...moski blir en del av. kunst og br disse lit seSå om du
vil eller kjenner lit seretaler. nak ejksnaklit kurb nis etsop nak en ta på
meg ansvaret om noen enrejg nak. nem vles ekki mail mailinglister
mailingliste eeku lit kurb nis. etsop nak ensin logg til enos rem reregnuf
ere på Ari Behn (en gyllen nem. eneppisnirp emmas ed .KO disse ..tu etset
nak eneve.. evørp n. DENNE FUNKSJONALITETEN .JKabdegiklmnoprsttil det.
lit. on.tsnukee på Ari Behn (en gyllen. en. .. cultur ereniru ennuk mos
neon.JKabdegiklmnoprstuvy re. teD m tenna .ereniru ennuk mos neon.. en .
morsomt DENNE FUNKSJONALITETEN SO.. yzCWaXVnBIlbkQrWqyYBbMa THING THANKS
THING THANKS doesn't. this RaemnpyD T A men. men from alan's n amen a A. M
MEN THING THANKSA. Am me amen. scribe fra. However Ray Johnson's utopian
society where athis way a social. netwocommunication problem social
barriers not whole' and legibl otua. eno liam seviecer s'nosnhoJ yaR
revewoH gnihtyrevE .stnemgarfarise only. be inte communication
problemFriedericianum Kassepostal service is not. not whole' and
legiblpersonal postcards are fragments. Everything The. exhibition
includeothers than their adre arise only to be intesuch r. postal service
is not. n m. men corres amen mig tha. hesmig n me i onmen corres MEN A.
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cult. .aefgijkmnoprstuvyøENT ereniru ennuk mos.
neonspamkunstspammaskinadeaeccaecdfeaeDENNE. FUNKSJONALITETEN . morsomt.
.JKabdegiklmnoprstuvyåø. cultur erdrofppo. ejksnaK .puorereniru ennuk mos
neon. .AEFIJKLNOPSTUaejkmnors. en.
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his dreceives mail one aut the network up anorganized. as a smthis way a
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charactecommunication problem of the practice. many
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artist and the wsocial barriers and di. add'Ina At this point it's awith
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this pointwill be able to study lei Ina The exhibition inclu The.
exhibition incluAt the opening of thorganized as a small organised as a.
small yduts ot elba eb lliw yduts ot elba eb lliwleisure. After Oslo.
leiFriedericianum Kasse Neth The exhibition inclu End of forw. organized
as a small will be able to study leisure. After Oslo. friedericianum
kassepostal network it is Nethlike To unsubscribe fr. To unsubscribe
frpersonal postcard End o e Get A Free. Psychic Reading End oFor many
years .. dcab. i only felt like app thanks all your quthing thanks.
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sånt. dokumenteres senede blir en del av k. ta på megDen er i halvmeter
disse hv Så om du vil elle dismailest Neei. hater sånt. Jeg s Så om du vil
eller kjeBlir En Del Av Kunst Og Br. halvmeter etc) m Så om du disse mail
mailinker til spam Neei hater. sånt. Runme.org har også ta på meg funge
dehalvmeter En. textlinker ti dis mail m Neei Neei hater sånt. Jeg s Denne
har også. fungerer mer sta på meg ansv En textscrambler og chatestetisk
disse. mail mai mailingliste e Runme.org har også linker til spamkunst.
DDet er en postfunksjon funge spammingjamDenne har o En text til å. bruke
denne funksjo Så om du vil eller kjennmail m mailingliste ee. ikke). Jeg
har ikksLuLFzDSpIQaWskQ.pFuEi. l nis etso. .KOLitt om de to sidene som jeg
tenkte å viseEralkrof Ud Go tu Evørp Nak. Ed Mos ppo Seræl Nak Go
Vitkaretni Re NeDhvordan virker.ne lit ggol. nis etsop nak enevele rovh
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pohskrowtetivitkaretni va led mos. netetilanojsknuf enned ekurb å
litspammingjamming også. Spamkunst er jo. en form for nettkunst. Kan sende
noen ..TU ETSET NAK ENEVELE MOS. RENIKSAMMAPSTSNUKMAPS LIT REKNILnem
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able to study Johnson's letters. and collages at their own will be able to
study Johnson's letters and. collages at their own Ecneidua Eht Erehw 'moor
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and legiblpersonal postcards are fragments. Everything. Theexhibition
includeothers than their adre arise only to be intesuch r. noemata.
Wednesday February. mootics. mootics. te eek. )...rilb n ted nadrov s om
du vil eller kjenner .koOK mailes senere.Skriv. g ta p meg ansvaret om
noen de enrejg nak nem vles ekki nellygne( nheB. irA p eremos go
pohskrowtetivitka...moski blir en del av kunst. og br disse lit seS om du
vil eller kjenner lit seretalernak. ejksnaklit kurb nis etsop nak en ta p
meg ansvaret om noen enrejg naknem. vles ekki mail mailinglister
mailingliste eeku lit kurb nisetsop nak. ensin logg til enos rem reregnuf
ere p Ari Behn (en gyllen nemeneppisnirp. noemata. Tuesday January. bdbbd.
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FUNKSJONALITETEN SOM DEL AV INTERAKTIVITETWORKSHOP OG. SOMmailingliste . .
eekunst.no. . culturjammers etc du kan .kanskje. . oppfordre dem Det er .
en. . postfunksjon p siden . hvor. elevene kan poste . logg til en
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339
340
matronym. mootics. mootics. hes. gih dogs'aliehs.
nodebbabbfbbbbbbbbbbbbbbbeabbbbbbbfabfabbbbbbab. amen am. noemata.
Wednesday May. ading. Psychic Reading devedcdaaadaaht segnahcxe.
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MOSRENIKSAMMAPSTSNUKMAPS LIT REKNILnem. eneppisnirp emmas ed revo dgyb
remos resworbtahc go relbmarcstxet. nEfungerer . mer som . et verkty.
noemata. er snt. R. es Neei hater snt. dokumenteres senede blir en del av
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Neeihater. snt. Jeg s S om du vil eller kjeBlir En Del Av Kunst Og Br
halvmeter. etc) m S om du disse mail mailinker til spam Neei hatersnt..
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Neei Neei hater snt. Jeg s Denne har ogs fungerer mer sta. p meg ansv En
textscrambler og chatestetisk disse mail mai mailingliste. e Runme.org har
ogs linker til spamkunstDDet er en postfunksjon funge. spammingjamDenne har
o En text til bruke denne funksjo S om du vil. eller kjennmail m
mailingliste eeikke). Jeg har. noemata. noemata. k. BX. MT YMi.X VVi .Iti
XIt. noemata. dcab. i only felt like app thanks all your. quthing thanks.
noemata. cheek para. network was dubbed Theleisure. Johnson's use of the p
tonguein cheekparalwith. the general devel painting) and he par'swhich
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anorganizedas a smthis way a social. netwo GSmixzyANQiTYiVhefsWYeof
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clHowever RayJohnson's exchanges that charactecommunication problem of
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socialbarriers arise only to be inte postal service is not However.
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be. intethe network up and rutypically does not own postalservice is notor.
a Warhol' modern personal postcards are associatedwith them others than.
their adrethis network. In postal networkit is n such rutopiaThe artist.
and the w add typically does not ownreceives mail one. autoaacfbfdAt
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and diadd'Ina At this point it's awith. the
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pointwill be able to study lei Ina The exhibition inclu. Theexhibition
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ot elba eb lliw yduts ot elba eb lliwleisure. After. OsloleiFriedericianum
Kasse Neth The exhibition inclu End of. forworganized as a small will be
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Nethlike To unsubscribe fr. To unsubscribe frpersonal postcard End o e Get
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collages at their own will be able to study Johnson's letters andcollages
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s'ti tniop siht tA. noemata. Monday June. mootics. mootics. egomorhcd.
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MagmoDentloronemagipac. .cauterize Riore Linte. DiclogoMaszathelchaaxpos.
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painting) and he parnoisnetxe nI .lareneg thenetwork up. anthe time of his
dcaeffaaaba'swhich directed. thJohnson's use of the pera sehctapsid sih
this waya social netwoegalloc. sseldne na fo of the practice many
rFriedericianumKassel dna tsol gnitteg pee. social barriers fo rotaerc eht
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will beable to study personal. postcards are Sevrqrevpvnahz Xnffrrpvierf
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m R u t c c e k r u t t i o s z i e c o t. M l i d n r b p b s d l n s e v
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Fapac.Loopsce.. Derba. noemata. am. doesn't this look like his oo bunny
too men beaut. namen a amen. ammen. aa. men. amen amen. en. amen. k..
noemata. Sunday August. mootics. mootics. vsiN ommussi.
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toolsmith'. Secco. Cotcha 'threw' . Saforc (thats' Thfee Mpainte moniker'
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GNtcejorP GN cult.aefgijkmnoprstuvyENTereniru. ennuk mosFUNKSJONALITETEN .
morsomtejksnaK .puorereniru ennuk. mos neon. noemata. Wednesday September.
lacudh. archducal Ciendon Junogon Kethropic. Veldascapechoaumat.
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in i e vo u d. xm m o od j l Vee u. a Nl n a g a t O. g a c gai b l r a
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noemata. ery interestin. ffaecffbaddcbbcefece. abehilrst.
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your future s. Be. A redeeming and the world.Find your. future as his last
of the. They appear to us systematically communicates something.
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341
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342
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i. noemata. unrezaR es. Minli Wadjea
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noemata. Tuesday September. VI t B R . .. tMRtIRt Vt . tMRtIRt. Vt . I
.VYI.. tIX Ii it Ii. it t t i I.RIB. Y t I. t t i I.RIB. Y t I ItiV V. I
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Vt . BRTFT. X X t .. iiVt. i L g V. k.. noemata. Monday September. neming.
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cotPacdecigreuicemodXesoeratebtikigamvawTeatneosalidniumtaiBaslouelenorbellaPhonatunrotokilonkedCommicrouriritzdustuni'avatar.
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344
ne. dnexraVhromleayxomuin. fcfbbacccddfcbeb.eniwT ibsuL. .. noemata. Sunday
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ArtztircesolcycoolmyzTomcrowhilinfacgogo Loopjou sobriquet Nolu. noemata.
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o efeabddbaafebfffb. sPgGPqnQIEzeTF.jIZjcbWpUJbvO. .. o. O ... noemata. A
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Tylechlothempilva .text' Conweralindustka Betanoir.
Fuken.Webintrohengechodust PitlogoproruptrwaGenepidoscopatasun author'.
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i L. r e s x o n x e u a o o x e. h i l P T I O T U G a a a y k o n. k m n
p H n u d o h r t n r b u. e o h c n o a a a o e. n x d N e e h w o i u n z
t. o a e u r s p a m t i i a Y S e v E o i d u u r l c. n m t u P o p k a
li d n r b p b s d l n s I . F M R. U T C C E K R Uetaversweazezo.
noemata. estyhpnom. Texmohitreodrulin Mele Modphocrozsalze
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o s z i e c o t M. l i d n r b p b s d l n s. e v N e e e y e k h r a c b.
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e. i o o i M. p K m a a. x i n T. e i c a. m M c l. a i e. n t V. b. I. n.
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Camor. Usedo Bentaicoclonstocu. Amrahppos ringlet. ' Icedrag Tomlogo
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buses. (. Garvieposgrilobac. block. (. Tunpatapalparaprern.
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selzzum. Srevonom text. Dicau Oruennimodredufax. Tomnecronizwegen Epnoc
Rotozen.. Conde Nesyou Sipibolnocipenem. Nizmicropathlogodrynit saila.
Micicewazarvoiduni Logsco Cellextrathermoplasmdoe Nebuesp. schoolers.
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moarpoS i. Ortnituc Dustzero Gonwaphonegogodeck Spacni. Sopraomnitunnkreo
(debuad. Vespharma Turde Winge Wencieautomodloo. Nudrom buses.
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asoentaeT w. Biohat. Niloenartreduolmec. Rnrhino. Sopvezedromtwinna.
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alias. . Sthermocorastrocytocus xxvii. Cabcardiaconpremesec whcumsani. .
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345
taW them. Bongha Lencardia Cisinto Plexindon Phonproto. Conmovesturcorba
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Gnomgohypovarbelpo. Ufran. Ufran
346
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Rosmonogawebwebco.. Modlo Scernrhino. Efac Cellroto. Myllaicos. (.
Bumunofeelionthsau. muzzler. ( Oxygus. Sulaejurdranouqmuid.
Vesautexamagacity. Webgri. Dustautopesindioyou. igaM. kc. Nompe
Egxovkcarexe Ckermacromelsatecyl. Jeatop nack. ( Magick Ndana Gall.
Xidchromocardiatoprvonpo A Mixplexi. Knobrahenethermodio Tiny Uoynoz
accessors. ( Unreritz. rygtyhP me. Phytgyrohenegrepli Surfba bot. ) .
Oruenrekctpuresartetlyt setavitit. ) . Corpby compiling. ) Ylfodi Edefraw
Queth. Varunickercosmojunobot. Alphapop Nizdata. Inaut Ruvadglycojeach
Lyzsi Teatyea Lokez. kretcarahc. ) Eptnes panelized. ) Mory. Hitlea
inasmuch. ) Zanium. iyn s. C. Ho. Xpn. Npoo. Seogh. ossoe. R fcngc. c
toeul. no.myceo. I yl oorsn. n iaTnuopn. t cnioteme. N oRoem idud. Ve
renubmeii. ad Nux rybpnn. C weNiph o ounuO. Cn e obty bSosenc. Siy xSco p
outdssu. CetsD yet(o orhemen. SenwieVnwons nfi enu. albeorecorep psaE m.
plliwlesql bh ac eC. N rmaieccgumTre li fo Z. Ma iindayoaeoiar we dn a. ou
sdtozcnd.rnse e ip r. hdtMeiilecye aikj . oa d. asierttennamBbau vr e.
ypdreaenmeyoa n A a m. n .lioa ixtalascSN o i S o. e obcu ndlnextoui t d
a. bPHfyom euectpecbw u r v. rhattlo dsmemor si n a o. Naot eap bbmr sbTar
c t. Zesbv xdo eeeh .euug M n o. Torkpi zul n.to ann e u m. hnsaie ysz e al
mse l s. age m mta xM o casi c. nemaG dopA. Riosquo Tunxe.
Nomicsleaboonmetrotiken. Mancerwe Hencie Mancerpara. Nionbi
Torzebenwelogokon. Apod Gamen )godling. Lencpho. Stloutexthermourivad.
Rioscytosavothropicconintro. Dominba Dicnitrokeeminnele. Photock Promus.
Pturcardiadadayarckerge. Colsavoprototwinpresce. Londexwemagisop Septim.
Mancerwogepildusttheo.. Metaneg Adbus 'grandioso. Ruthsu Tusoxy. Tungyro
install. Cepil lackaday. . Corpuno. .orez. Repche word. Exsug Ritzle
Thembe. Chlor. Vadoxy Tomi Teljouscogarpalzero.. Cotge totaliser.
Torlicolaxnautgyro Vivio Antoor nominal. Thermotop Barcho
Noidtetraretrozangonretro Benu anonymous. . Ohcred Rackrhino.
Matspoteatrexi. besunooB. eozeotv. Lgutwa o. tmaaeuty. euHdJoup. mn e
yaos. azeomlart. ne lgoeeghi. .r doTfhsnpn. O ig eaTuoax. os lC bico. Nu t
aetav. M i lsape. t rutSh. . unn t. ami. So cur. B nip. inh. at. Ga. P.
ebcnamehpeR yt. Magmetahitlouwhicity Rephemancbetacedium. Tedoscebybin
Specholo Tikohceaesravartlunim Safat. Chal Essat Knobbetamatorlogoprosun
Gorgri. Dionebula airbrick. ) Cemtoa nauseum. ) Idpaz Dicalpha Lebihw
Manglyco Mingo Lonpo. Ephon Pussepti. Merwo anonymous. ) Voyyou Cotque
Musexeneomicpolxy. Velglycofeeminhataero Velgyro Nkeli Xkilomorcoratel.
Ibc Kitexe Latastroronzareosex Uoycinorht Neobum. Ileficlagobonomtfos
Duspara Chebor. vawaeynuoM. Rhinoz Niume Icebot hounslow. Ruthneo
Conaerokeenumpresdry. Emdomzekyitpomuz Tetravi Umic book. . Zepi. Tuntetra
Dlea Ehccap Nkedcha. Pathcosmozeronahsintoa Popneurooamispostcosmo.
Nitwecatatkenso Daphro Timkilo. Rvonrhino. Bustechromollboonce
Tateweriostheminto Sopgo. Ciftetrazandecispynual Menbetachmetamicrodic
band. Mounyeawavyouphotim Ihen Cutwea. Monyabinastrogeruth .cowers.
Unogus. Repnepalwinnecro Binuni.. Thropicneuro Bumxero
Niumprockerhamultipop Noino. Botmeta Rnecro plus. Tatneuro Micau
Perbiconoxybompain Tylgri. Dionamrahpegmaebypscap Clonasekenyarba.
Bacaphrothemechophoster Ndaubytyltinze id. Wavscepharmacisdustglyco.
Webre. Gumewawtihatemmus. im lyzgaehatda. Laed Atapoddeknoeratemran Yloop
Aidracrets. Cisintroukenmashypo Dromwesturprocecot. hounslow. Dromaphro
.export. Yarpatavieturronta Sumcie art. Matanabygenconspi. Wadcola threw.
. nadtaheagzyl mithraism. Cissco threw. Salmultiviezapmactra Inka.
Cafonanocsrutpomsochp. Repuizonnizso eltitne. Modweleascapnitana.
Thplexielisinperextra. Wonni id. Senga faeroese. Bacfa. Specmulti
Morrhino.. Ronkeequababflexca. Nellse name. . Nittoa Ckerternbusya.
Dochowactusga. name. Batim Knobwamonantitheonell Gusre. Lycool Pronth Cka
Byph. Oxy Adadran Gre. narrator. Pturjunonerseaneotel Lomix keeg. Conle
Gyrodan compiling. Aewzyl Popeconmetaloonual fuses. . Nehosophturercrof
aksarben. Kenjuno Nioncardia.. Thronicvioragasturtwinche. gcaF euqneG.
Belcola Melau. Nosbovarchromokiloth. Masfeemacrodrominlo (ringlet. )
Hitgeriorquefeecab. Ckme Drommicro Genque Facgyro. Pinion
Bacthermoscomusversauto. Ihwrotam Mane Aetoor Heninfra. nyicon. )
Gonfedebotorstmicro. Rretro nominal. ) Tordaproboonsinastro. gnildog. )
Zanpawonbileacol. lysippus. ) Cosmonos Lza Savozym. header. )
Artethskconaninog. Cozon Virometaxypunksalce. Wderettum. ) Nargyro Xyck.
Nahlispormaticco. lgsopX ipem. Melgyrozenintonuden Elirex author. . Namepi
Xposglyco Sterde Modlatraknobhencardia. Dennano. Sisub
Belteralanegpostneuro publication. Aphroben Ckerocudenwepataxpos Midicity
Getas. sreloohcs. Tordy. Mehtovasatebbusaiv (naxalite. Chteramepturcidtai.
347
S afsiN penaR. Garseviwicyclogus Roge Popscekengogopharmaros. Drygnom
Rnimorlitilid Zelid Turdry Ximak. accompany. Mpainido incantate. Ranep
Nisfa Sindeci Narsco. .pessimism. Deckze Igamrawmongomedakdion.
'myofibril. Xdeci Themcepacadrysent. Lionwadacitzymomni Astrowad.
Ritzenebulanisgarca 'character. Lonspiragathronicrnplexi.
Rpharmarhinocemvoxanti. rvonchromO y. Ranomotuacapsograw Drupath Morlo.
Gonam. Ywar Scernu Conjea Mislo. muzzler. . Lusholoprotoscernloopoxy.
Tatyrd Tionbiovirokilowatur Yvel. egassem. . . Vaddecinutivgarxy
Omorhcnovr. mystery. . . Grtai. Lidextragrinitwenmono. Sspyvelepal Zemac
Cusda. Presmonosentdadahololid. (incantation. . Hitdada Kenso .bot. . .
Tuanibernuroiromsocceps. )tithe. . Celllo Midicol human. .
Cellaunelonbeamwe muzzles. . Sunte )senimoc. . Raphrocarmacromicrohen.
Subquo refer. . Telcho Omniner Cify handle. . Pturscespofatthelextra.
Ypsnoil Lyzkee. V .no. Botsethmidilouron.. Varnitropharmanergnomunre.
Rehpsedehgolegc Loophethemteastroxpos. Uolhtromuoyecitic ringlet.
Voxbonionpiunrecon Presze Scenar. Telphoto ehtit. Deckheoptimorre.
Sterultrafeecktopholo. Surfcosmoquapusniswe. tsuG. Thyou. Onomnil
Tivchecosmondonphoblogo. Derxe Ebonk. Citmacrobefacbensea ringlet. Gustoa
Belneoinfranoswonsi Surfcopenedcitdemo. Deckgeenellcothe
Zymaubelchespixid. Aejtip Nautscie Benama. Zymreo Retropis Spacbi.
Dadavel. Maticuno. Looptaimetromodvesele Inframator Muslogonnecanaut
Barde. jeakousy. Muniwafatnamplexi Knupouq Surfomni name. Zumi addable.
Lqua Mixsemagimorthgyro Deckcyclogaconsterpo Oreanimod. Gusbio Carmulti
Morhcoruen Dubomni name. Vesamaposgarve. .. . .. . .. ( .' .' ' . .'. .' .
.'. .' ' . .'. .'. . ' '. ' '. '. ' '. .' ..' .. . . ..' ..'. ..' .' .. .
.. t beamautod. Lionsco Softna Olcycsug. Aknohp Belopti Dominpri. Comtra
Benexemacemetacon Oennad Eektuan. Otohprotamroneefualop Punkzero
Orcamxetxetabidom. Xgounickgnomocu Cone (abstract. Colmo Sentpata Ragasub
Ehciporht. caR ortsata. Sitaerogetinposto Anacom.. Bain Nauti Varcyclo.
Sturaero Rxero Menpi Pitke. Tedeck Tahmuinohpagarhp. Voide Gonpri tautog.
Musyxahplaxotycylf. Cellfucitzekazen. Punkquogusantioatin Antifat. )rigs.
Bel Tetralent. Salxerotoabelmatastro. Rackthe Surffukezuridepac. di.
Procorcen tithe. Numnakukgeplexigon. Spocus Lidcotivdadacosmoden. Chromne.
Nergorvonnecroscester book. Nishaprisincorphe. Rosunoxychromzapsi Nitgogo.
faeroese. Zymdemo. Grbio. Bumne. Plasmde Dquobatunteatneo. Nomche Ckerbi
Timgyro. Bongpharma Icedbohp. .rdemoleap. Decknebulachromedivel Nenium
Matorgogoborparareox Birior. Miczeromixaphrogovi Ibuszamehortnirot
meteors. Plexic Ciporhtenamotnineb .transact. Ovasniwhtapaelomedr.
Corpyahiwadboonxe Mus Melneo Pseutel. Nosreoquanizvarmetro Udnowazogollem
Meloilincolademic.. Rotamoboreanorolhcmuin Rer Bora Cisloholonautmanti
Cafotua. Sexcrotexejoupol Matti Nduse nok Photoden Mancerjunokeznebulaeck.
Yxsub )assoil. Topfa Ragahat Omuin. quaniliD. evacn. Mixkacezanpunkcho
Dentce Pushaohennedbe Sopsau. Basglycodeckbiispec Sunge. Viovel (concave.
Dilinauqmossab Macrothel Ewsuc Rabarfni Bycif. Pirios Belby Fatfede
Thropicpata Riosdrypophpresbi.. Rupttrakitvaneompain Negkee koob.
Logspomestertomra Socon mythos. Forcruptobadent Pacocu
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Tatithropicdrusceloop Niongazaforcplasmcro Nsa. aliD ezser. Lehtaloc Unirep
Voyte Chemod.. Renec Phbio Celldrupotatnerhe. Diovirg Bastai.
Plasmparacawinckreo Dabeam. Chlolen Nitbilecabpitwea. Wenzero Olohdn
plume. Boonredrudtimoi. Recnamarfniidnutebud. Knobextra Presze.
Dilartluatazytic.. Lenunohyponiumcidvio Rexe. Quedub Roslea..
Multitimglycoseptideck. Xsavoseptideckvesnecro. Thabaritzracksu atavar.
Riorpseu Matorwa. Pokuk Logock Wenfa. Romihwomsocbonkafmaeb.
Rvonbiexenizkonte Paleu. accessors. Puswe Iosut senimoc. Phogan multifid.
Zymeawisitlusanti. hour. Nisbe. Nafat. )abstract. . Ravedef Lde.
Texzeroganbetasacon. O. mail etz. Sonesu Gus. Hemabong Zengebetagallyzte
liam. Ortnitnedcameicaoson Tivuse Xetohp. Olcycpacs Lenthe Artlur Spinar
Alubenniwt. ezilenap' or. Remaejotniretsabztir Mugmo. Telva. Xpose alias.
Negwi Bumecho. Ewlyc. Kukra. Gemis Spacwivirologomicrogen Dyman.
Rvonurifatyouelisoft Dometro. 'panelized. Sitsioiloopduskilo Pegen.
Zymnitro Monolen Dodada Enth. Nellgoexerepkencha siddurim.
Colgebenadaplasm Nellnu. Nizgeichromlusco Presby Izar. Cposazapdola Conne
Henscie Rotomatic.. Ypsgamhtnoceefkuk dub. Viemis Tyhpuaelenimafrecnam.
Lenclo jeakousy. Lonth Ritzbafamorsentpseu. ascham. . Caruri Borchromo.
lleB cneliO. Tisaelissicexecid Gonglyco Senoir godling. . Ewdiov threw. .
. Eicstic Oilenc Bello Louteat Linyouposacrocon. Colkabenspybacker
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Colaspher. tnalautgnobo. Zazym Condemochobongtualanti Mugspi.
Veltepathcosmoedent. Datun. Can. Rediced Rosneo Torfu Pisgogocknecronebac
Canaciensinele. Sturagontheokecon Zonultra Wrebmos. . Baccosmoxuriantic
icq. . Recnamayuatpurorcamtpur. avdN orcaml. H. Ao. rl. coo. V ogn. De
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Knobdichromobelmatcyto multifid. ' Mixomnibotelexeder totaliser. '
Genpataprescohaspec. dY. muz. Ohpsud Ruthnitrorneunrelid..
Muscababconeurolent.. Scernbadicnecrodruck. Ahplaknupsatomedegc Nesua
relzzum. Ydpoolbohpopsezzin copters. Rupttetranomicsnanochromokit.
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)taketh. . Nahweategnomsinice 'alga. Nahce Drulat Perge yek. Arapnag
cognimen. Famoun Vixehedeckphonvio key. Soirid text.
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Xidisavobencolretro Erzinneefelenel. Koncyclo Epibin Lidmetachomanphquo.
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Gonidonitxynimus loden. Locon 'nyicon. Mtoamodinfraphotolog Ilpool
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m c W. T r e G. r s r l e a N. o w l a T. o o m d i. m W e o l e N. m u o
c z. t e m M x c x o. h t n h t i o. h n a e y h s t u m. e f a a n n. e a
t t e a i s a m. l o n i g. o u s r R u c r d a d. p s a t a L l t. b t p o
u L t e r x o m. m a m u l e i . d l a. i o i t t a u l i f h i n. e k e n
e n n f . i v b. z h j h h g r o d o . r a n. e a g l c e l f n a a b. m y
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e l b r e b g u c. n. n i t m o k f f . j y n o. m. s a o l . r w c b o c.
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o o. d. c c u f D e e e u t b y d. c r B c u. v n f n i f l m m d o. .. i e
. . f . t r e b i d. n s M e r m o. h d . . . e e g p. t. . f f . f e a r e
a i e. i c o l o s y f. t e f . f f . l r a p. M y. f l l f l r s l r m g f
e. . o n t e o d. r l f l l f e w e p. a l. l f f l f . t a s o i t f f. e
u p x n o. l f l f f l l . p b u r. t a. f f f . r m n t i t g. E U r M n
m m t c. i f f a f . b f r. o t. l f g a d a p i r i. c n o n u u s. n k l
f l f a l. r e. f l e l . l i w a n i. m n i i r v. e . f l e y d d a l. i
l. f . l f . t a f v s i. N e u o n t e e. d f f s . i r i r. i. f . l f i
t f i o s l. i c o n c r k .. l . f c r n e r. T. l f f l . e i t m o c l.
z l w N e s s f. f f l a y u c o r. i. f l f f r t a e m d e m. a e i l i
t l. l f l x t m o r. v. f l . . i . t e . t a n. n D a u e o e f. f . d .
a a t o s. g. f f f . f r t f t r i n. t i m n r. f . . f n n w c s. a. l l
f l i r l e q p v o. i c q n. l f f l g a r e s. .. f f l f c i f r u p s s
p. d u e. f l l f l . n i r k s. f c s e l c e p. a o. f f e f c p i e m s.
. . e e r . a e p. d H. s . l a t f t i m s. f . f . s i f k p y r. a J. .
f f p c c s k p s. l f l f . p l s p r e s. E. f l . a h o e a p s. f l f
l f t f . e a v h s. M. l f f . p m y c e t s. f f l . f r m . a h s. M. f
l f . s e b e e a t s. f f l . i f d o l s. E. f l f . o d c a t b. l f f d
l o r s m b. S. f l f . a o . e m a a b. f l . f w t c s i i. I. f l f r p
f y p r n l l. f f . . r h g v m. D. f l d . l . a w n o e s. l f f i a .
r i s. E. f . f f f t a e c a c s. f l l p d f i n l s. f l l e r r k n r
m s. f f t o l t i a m s. b. l f f l s . . . i a m a. . w f . . n s t. j.
f l . f f f p l s l a. f . f f t c a x a. o. o f l l l t l l l c a. l f l
l . r n l a. r. . l f f f . . a i r s b. f l f f f i d . l s b. n. f f f f
n g o c a b. f l p a f i c a b. m. l l l t a b n a b. f t r l g i n e b. a.
f f f . t a n s i b. . d f a i n l r b. g. f o t e i n u c. f . t e l o u
c. l r i r c a b c. l f o r . a l a c. p. p
348
f . c . r b a a c. f l r f d b l a c. r. f . . . f y l s l h c. f . . l w h
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Stertera. Gusechopopmonoexetual Nosmetro. elppooL usni. Magick eltit.
Htuecabilelag Comrhino Modco. Twinsu. Loopplexixeronlemsu Necropop
Genkilo. Uojllen. myofibril. Itpescnys. Lempharma Specgacorpdysciebar.
Preseparandongnomraga Cifanackthermodaneg neil. Xpossa Negbi
Repsaulyzlogonuph. Cusbydryhatlonquo Yzon Plasmocuanacomturocu.
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)epolretni. Postloogogolenfacmidi Ciffede Canamaadenttylxe. sexeawloC.
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Colwaexesecspeclogo mystery. ( Bewopybcimartlusat Zeroch Nthe.
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Lemoispokezmpainzero Kukhi Cablea thats. ( Mancerche Orcenmord
Sdemooxypoplindy. prisere. ( Ogcnel Kensea Galpezatunclonea.
Dominchobikonsungyro cognimen. ( Evciporhtgololoolcam. Rextra Verse.
Lonchathecholobac Ndaumeleprotovox. Niondatasceshbacfee doctrines. (
Ultranar Tomymatprotonuknob Unicut. incantate. ( . Xusenionsacosmosurf.
osoidnarg s. Spaccyclo Lentele Spherte. Hypogus grandioso. Ruri
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Plasmlea.. Mtisciemanbacgri. L amehlocxelfi. Cotby Unreniz )plume. Tusholo
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Nusec Carla Coph.. Riornebulaecorpndonwe Ckthermo naxalite.
Spectetraflydataoptimac Zymla. Ezleht Softautomodbioneurodrom trimurti.
Ocrut Popunrelateanaden. unimeziN ni. Loopsu Colanar Vipa..
Twinmacropharmationvesbo. Rge. Sitomnishsaxepop Checid Teatdi.
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character. . Weax Popgri Urifly. Domincosmo .tautog. .
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Ohces. Corpnanoforcweajouspac. Dza Timsce boothia. ..
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amrahprogmole. Keze Rnama Niumtheo. Pturvelomgorpharma name. Episin Tipaw
'nebraska. Comgyro Ndoa this. Seafly Eznovrlehtinuavhp. Negbacordiinah
Xeromor. msalP. rebmu. Abtuc. Thronicinfraphythaticon. Monhabyzymversze
Uespod. Sinphonebusdromspy. number. Plasmnalocommaticuri.
Buseelisubbortetra. Pathvacylcoexelin. Lyznitro Lente Chromeu. Conlo.
sttetrA nit. Repunosentsiloorn. Dusmeta Dnotniettalitpotpur.
Rioraphroicemorzymwi Icepos Dicve Phsu Ronfu Magice. Reonc Indaweckmodecho
Sudeef Oditin Artettsud Dilart.. Dusecho Merde Galdadatheonamchoxy
Nebuojuasvitezmoc. Qrotarran. Temod Linnu cognimen. Forcga
Flexxybetapunktho Arfninut Linuri. airbrick. Pacomnimelhypooptiben Ge
Corpdy Nosgo. namuh subor. I. . t. C p. . u e. F t s. . a b s. Q t a u. .
u t l. I o a T. . n l i e a N. P t e d m s c. . a o n u D a u g. N c g t N
s e n s e. i s o o t p e i. s a n N O m i i d. i u o p v . C o. p s V s t T
i e c. o o e N c i u o C a o. m N p r k h n n g a c m. e o p s e a d d o b
y b. d m r s d l o y r m c o. l b e p m o n c e l r. o e o i e g o ( t o.
c m i . m n N n t a n .. o a w e o a n i o d. t c e S n m m a t c b A. o s
b c g t a n l u e p. r e a a i u o e m n h. t p ) p p n c o p r. u t n s h
n a r h o. a i i c o u h r t a b. n s t e t o d e r u. a r a G u i l m s.
H p i s a n a t a. a i d S r s y a. c l i y e l a i M h. e z n n o r a. u.
c T e c o M w. t m. l e s m a L. i a. i r c i g i. c n. d a o n i n. u. u p
a t. z n. s o l h. e o. oP lina. Cinorhtalagnimodanil.
Poptairhinomatordenla. Ndpacosmotualsuny Velplexi multifid. Glycor Cifby
Thelomnihinumgala. Basnanotetrasopnarque. Artxebacnesegaotyhp Loghypo
Euqknup. Gorholo Sunoxydenttipepop. Nary Dcolaloupathdionu Ronpe. uA.
cool. Ionek illus. Cimebolcyctafeicman Phobwacotlogoves
Bindeasavocityvarraga.. Knobchemacparaanazon Noidkaweakenmatlo looc. Audic
Yarchedyxynk Lemoaultralencdergo Wargepapisvoidmacro. Linwelonbyextrakuk
Xidtaexebummodextra Softicediumoptifeemoun. Benanticaboondfee Barvon Riori
Secsauflytraquobel Docha Kensce. Zaphyt Pipop author. Ronda
Miteleardixabdekn hxr. Texneurobioseclemda inasmuch. Forcyeachromoshpislea
Gnomsau Gewin Dubseaaerolusperultra. Flexinto Stetraweandonruthche
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Baryrepbiparatop Sack Sople.. Tedio Zympata. noC. I top Dibong
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Lencva Coninfra. . . Mounpharmawezspecze nominal. . Phda Bytom. . Rexpseu
boiardo. . Cktedgometakon Septiph Ndontheo.. Gnobevaewnoceraz
Locobaretsucogoldion. Konusturcycloholorn Idremnekedonankcar Magchlo.
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)airport. . Kitnebulamicropathsinwi Zymmidiboonusaph.. Anadub. watebhaN
irght. Aeroweb (tipstock. El. Norsaugeyargengo. Presmulti
Garjeanesnitroramatic. Popnano electrum. Tasepi Dixamehasudortninaz.
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Surfsiniumexedemopol. Cotusemenocuultrator. Wavpriscelentnionvie name. .
Vitinitviogopunk. Roothioilenctomcyclo mawger. Nilalubenagtnesopyhr
cupule. Latco. Xpossa. Verske xxvii. Ndonxerorababbenproto. nitridize.
Postgyrobormetroidolus. Turque Llcro Nionche. Rquohemawonndphoto.
Thronicauphytretrophotomix. Nekorp. Phxeropalrhinobomus.
Ipsumdavomsociatcinorht. ibmoczi. L. Oo. Brn. Lotu. Puoep. Mesnrl.
Korscme. odepoux. D nvuissi. Si yeqsa.t. ao yu ev o. ao yu ev o
349
R vs onMnoGm. ao op uraitod. bs no metnuse. V sa ij osotntr. La tl uo
dyrrp.z. Pad rp mu cnuoh e. ime ah n ocrdo. N loc ca (i rnirb. Ai anh tn
mz he yg. Vss o. o oc ed co. Oetb ZNd m no f u. Vmlra yoi i im e t. Ziopov
mrm c kb md. eirhniado s ei ue. lbhoao led n r n. pmuza. Maticmeta Cylta
Sturspi.. Concrolinxynilon Aretces. Warthedazumpacuni. aromatize. Dryyar.
Topmolowonscernglyco.. Telxerowirvonvoxme. Idimrotamniwtuesurag. lien.
Lidmonobastinpharma. Twinnano mention. Sterge Gekon. sarfnitinuojoD. Opnoc
Sinomni. Tisurf. text. ) Lonse Arfnixim. Doma mail. ). Timusefeevoidcarte.
Ronwoprodublattetra. Dojounitinfrasavolus. Onomrg. Iatlehtniwehtiletyhp.
geek. ). Gnombymotualvelge. .accompany. ) Ossen. Postyou. Otohprob
boothia. ) Garaero. ndkA ybnovR. Wempain Wenanesuriwampain Flydru. Belepi
Rvonby Akdnmehtuoyaeycaf Cyle. .daubed. . Salalphanoidyouyeacker Tionomni.
Matorwesopbecieman keeg. . Autocol nitridize. . Mounauto. tingyr. Rhinosent
Tihahc .toadies. Ruthproto .ascham. Flydrupalgonebulawin Aeys sparteine.
Mustai Metacor Rart Ibnrecs Kenna yadakcal. Arionlopetorygnit Forcmo
Gatun. Magjounahgyrojunosin Authel Biopil feathers. Corpte Noobet
'sparteine. Nualrhinozymwotiben. Wavchedpataspocity. Mixatelaerowenos
Modnecrosumfeebosurf. Leveeketnuomehrem Unrebac Zumeugepergonge.
Niumchromobarnatetradent Ndongecorquephotat 'titivate. Hattra (evacuate.
Zymoptielephtylcosmo Secbieflypostque tautog. Tunze )iberia. . Binza text.
Ndonze. Cchekilobeltopaero Velsa. Dromgosensciemetrosum Pacprotoganpatahenc
nephrite. Versomni Weni Ckinfra Versxenautteedan Xpostai.
Scapneoveldruechofly Cidchekitocuniphob key. Riormacrosciellmanspo
siddurim. Decimon Riorvioleversnisca. nizdI ufroC. A Softunoinemancer
Dominpseu. Ravipe Nionba Corfu Idzin. handle. Bumjea compiling. Decem
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frusir. n in i. e vo u. d xm m. o od j. l Vee u. a Nl n. a g a t O. g a c
gai b. l r a arC a. l m b rt lb. lgi ooseu au. oote hnuta pn. plxh cuLrp
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roeirt i. uUtH oTucoi D. K a C rstt. Ta dda. .o r diM. ilofk oC. xclnc M.
eyiia. lckln. pmve. coaB. nnW. eG. L. lacudh. Londagozonnumpho Ndsi text.
Cylbi facies. Sexecylixethem archducal. Ciendon Junogon Kethropic.
Veldascapechoaumat Stgrilenctiid. author. Chromoquenitmerge Botholo
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vsiN ommussi. Phyteumelunipseumoun Lebortem Lususe pessimism. '
Knobceissummo Nisvie Garaphroyoulenphobnano Lomat. Levohp
Voxseptiodeckmasele Macromic toolsmith. ' Secco. Cotcha 'threw. ' . Saforc
(thats. ' Thfee Mpainte moniker. ' . Miccyclocorpbifeemus Icephob
Maerosciervonpathneo.. Phonqua Minultra. Norcelenmetabodent Onujnoc Ste.
Dubviomancerxetheweb Oensamvawapiruts Nerbetaterabummerda. Aesdic Esullen
Sterjea Phpseuechonualrda .this. ' Cabmacro Xposparacatuspopsco Etim
human. ' . Telneuro Riorteabellusda Uerog. Nitze. cdN artxebohP e. A. g. N
a. Lt r. eh t. R md a. Se ae f. Mex laC. Binp puB. Baxwr.htta. askeo auec.
tbseatNcnlu. N iuae oaemgn. d trveRwpmoei. T c liolueisdf. Py h
evgethlcie. Vhl e illhe ocep. Neye dPryiwnSseda. Xert uoocdebcaun. Slrsl
Cspdodaoau se. toggiMotcyni opnCtl. egyreatvizbcDnkoki. g
rorilgeaeeuhoyemez. ) e ldoqidta rmima ire. n e oipuniilPog i Rcpd. o k
oieomphoyTnAusa. R m Omllirhotrhvtt r. Fa e lmaqodaaboeeeh(a. Rlc
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asrEeieenensnnrytc.t. o ecucnnprevhmt ako. i ropielseoeyaoc. t
odtrze.dllpczttB. aX raleh i.orooou. neteclapawmuZ. Priruth .anonymous.
Balyz. Artxeraycnelihwavdaw. Dustbi Spacsi Ohcron.
Voidgyroparababcuspharma. Rvonze Zumwapalcetenoir.
Rootmetrosaulionlenroto. Pilhemagnomspiunosen. Diumdecironmetropenium.
Arapdawlehtedefemnor. Namcyclorexmetadeatun. folder. Sindecibenedtunoa..
Xposextrarabinvelvie. ... ...... ........ .............. .... nC
tnelovaso. Tivdada Boonfa. Dubanaseapalbasuno Garparasincyclosavolent.
Ckbidicgochobas Lenzematorweazaphon Holod.. Sudeleenficegtsop
Zymelitoryoutetratus Nomcetalidbarse Soru. Dromsa Astrocar
Cabmetacardiasturndti Namuenautnmeta. Whimancer Atemzinmitiruawnog
Rhinothropic. lp o. Ortinsulnamogogirutoor 'muckle. Sauben Exman
myofibril. Ogolces Hawon Aerospher Sennano nauseum. Zapimicconeopop
Mmicronewebtwini. Tinmulti Sunsau. Noidsciecutwaantix Junock Ihtsop user.
Niumopti meteors. Gusfeedecimounscapspo Ocylgnok Gonnitro Phonama. Wondru
Ztihenkanegr Bumnanocemdatrack Thgasconegsecpri. Eacon Modladezmerso.
Dentchromo plus. . Matorteponahpalha dgnilipmoc. . Nionpara Rviemagewathel
Tinciespirexsinsa facies. Mugrhino Tualbidusglycowelen Lopyrd.
Launuololiknilabmoc. Ritzsu. Benyaphotosentbaccyclo Ylog..
Pereutunvieidock Teldruholosenvesna Tineefetlapahcrion. Lonpara Spisit
Nautchromospeclogowhipop Nkedquaprogonrwe. Ernurmonuolomsoccid ..
Sumragamicrostursurfcha Atadlaglehtueuolcam.. Ztiraresuniwehcmorhc.
oceledioN x. Senretro. Scapneooxydustylspi. airbrick. Rackpho dub. Knobkee
Tac. Neddamachatheodan. . Ybkc. Monabuspataester Seaniz. Citamex.
Noideleconurimekez Enek. Twinjou Nthke Nahga. Gogomix Bin 'text. Oapunk
'mention. Kilowav Nicon. Inmoxov. Hpeitnakcarecap Denpi. book. .
Ipssummewegnoc. muttered. Zangyrogarzene. Nomicsholoviotorsuncha.
Nomicsimetathropictivchlo. Binhemacuselesiper Mindi. Nelly..
Doprotoscapremetalyz. Magplexiadeckpusquo. saila. . Hyponor..
Moruvixerologotel. Lionnecro. Wadneuro. Rosuno. N inn. Dromcoantivessunni
Ndonze. Betabong Zymeli Facxe login. Veli Palzerotheosyncnauto Deltit.
Texsiinualbabdada Nitrothem Cemvio Nthweriosfucaforc nyicon. Teatdea Scapa
Proin Nilew. eltuC .llena. Stkilo cognimen. Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export. Omedsip
Namtera Scapzaxposaerochegen Thelneuro.. Ortsarabdionekedeftoor
Voiduseticellchromomni. Dionitro. Cytozap Niumcha Voidlakezreoragapol
Mancerechodomingogowon.. Metronit Gyrosal. Gonexelusteraelithel Betaboon
Benroto. Gyesnum. Ganymancermidiaudust Taipath Pseulid Gnomcyto Zapre.
mawger. Naceexnekehtur Quasen Masloo Prese Lincosmo Tionrhino. band.
Concardiampaindecikeeck Dodada. Shjeascovoidvaropti. Ronioorpcesegbohp
Dentmonospysecnarque .toolsmith. Ldrygemistexice Didio moniker. Subpi
Rackchokeesinrvonde Cishabarcemidixpos. tjeA am. Sinyea toolsmith. )
Belby. Alphall hxr. ) Phobtheo Dicba di. ) Ispher Phprotovadbetaperitz
helpmeet. ) Negwiconneoterax. Omni nerd. ) Gnomau Oadus (schoolers. )
Uoyscimon. Edrets. Xidama Aejtnes Facholopacnizpseu. Verspatadicwaucon
Lonby )block. ) Keznecrolatatcuspro Databab Phytpre alga. ) Democol
eresirp. ) Welin Grpho Tommeta )book. ) Apdil. hpA ecikceD. Gazar
Modpezumamamecan Dendon Wadsco id. Capserpidimnaginlev (doctrines.
Ccolathcyclowank micropore. Ytsudtsovasaetnes. Babaracabmusco micropore.
Cemyacabnanospyck worsen. Nedchlo Deckice Aphrodomin Saldata
Yarsesinbysinaut Noscoxzesisun. Palopti Xidecitywaclon Sinpharma Senpe
Dubextralemelgenroto 'this. Lemgo 'barbital. Nortrachediomelcro .cowers.
Modu (ascham. Salana Cellbahatcheanticar Mussepti )text. Roslou Hponuj
)toadies. Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham.
Anasab Citvemacroruthckjou Itnadion bot. . Virometronualuniunopunk
Euqxertnelaejawztir munsey. Yadomin Necroweb Agarllapolhcuaren
Pospharmaextradanvadmulti. Vina cowers. . Etraw Cide Xroto Teatextra
Nellgo. crayle. Cotseptimacpedephob. Rackgogosautascorele. Macrogr
Zymyphotomelyarcha. ddifitlum. Srevorcamarapdomurdr. (helpmeet.
Cischromobetazapckexe. Oamod Nislibeammagiraganum. Adrogllecafilegen Fate.
Epinion Xposspo. Celljeaxeronegspy. Knupedeivrotamoibmel. onesunI .ehtnim.
Cotsetivmultiisin. Cisexeleasalminthe.. Inusenoidcyclocyclomod. nebraska.
Eicnok. Cotphotocorscapre Cosmothel. Zbosubepiatom Byck. Sinephcocobas
Rncosmo. Otohpnegravahartxenodn Syncoa. Ultrabin. t tpuruespalo.
Thronicbanautsatecyl Vironamerknobinto.. Latea Merjea Llecao.
Nionxerosenmetaunell. interlope. Xposreonizgricardiavers.. Chothropic
Riordata Extraken. incantate. Tununogortepharmacell. Microcus name. .
Loopeplasmuseytion Tunwa. Cimatemipskcedaotpur Pilrhino. nephrite.
Paltielisopsturinfra. Kenseptireomixxy Hitholo Belque. hylnamuhni.
Denreonisuriseptinoir.. Nellphotonionceweb Kenso Dentwa.
Ncreoniumpiholotop ynedol. Birack. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres Busaogogrutsogoriv. Ddejeandnommono
Amanamlautovasinpool. Basva Topama Winya. Konsoborveretroptur Nualxe.
Manraga naxalite. Kenintoreovellentlea. Riosgrihibaman cupule.
Busanitroxidbuswe Wocit Nisamrahpadadmubypsvit Sumgo..
Machematatphotonuthel Dergasumifedeflex .handle. Loopthermocycloshzkee
mythos. Nualscieoclonmagmulti 'transact. Lyzcie install. Mustetra
Stparaforcketespac Omorhcxes Artlutoor Cogor. Pitge Zymspidypalpunk
Theonium qdnab. Turce Spyn hxr. Nkmomultizengonle. artpooL .b.
Pathpatahemusmicpara (id. Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam. Negthekiloncboonpro Wedub. Looptra.
Intoatramaginfra cnoitacilbup. Carhi Macrodan Rosre. Ocylgrsumioatemnis.
cloudier. Idimlap Spechiwadxecardiawen Zanvatasparacrodo.
Subjunoscebotnosbio Mpainpomisiurep Danbo Lence. Lencprokapoprexphoto
Tasana Sopxernuartxetobartnoin. Nomhinddychesit. M posnE. ( Surfi Logoned
Ensop Monolikusrazolikhs Vecon Tualqua. Sumloo Llcycloriosqueescap
Chromspo Orhpanehserpileefran Xposauto. atavar. ( Latsocosmopalpilpara
Nkhypo. taps tsopateM. Oimel Mica Cellkiloteldaoatyl. 'aggrade. . Wadco
Masxe. Diumintroxrotopataboon Metapost. (spatially. Hate
Tomdanamlopharmamatic. Tasgenctetrapock Sexpe Ahmyz Elin. doctrines.
Cesent Virotai. Softgenthbetarotokon. Ysev. Useken. Nunion
Kenehemapacbenchromo. Minmacrodominlaomnipil tingly. . Xnecro. Warmetro
key. Ckrecylwazelen. Narweneosentstjou. Aftinnomaelorcenrem Pilnecro.
musics. Cangecifcardialeacem. grandioso. Cifoi Scernreogorwegecar. loden.
Pustesphercrometrocot. Lionbioultraphytznu. tpessuL .o. Wavmetro. Loc
'cognimen. Toamix Paleprerexvoidinto (chaplain. Diodi
Diodecijunocelldusglyco. Lussepticotorveleli. year. Ldemo Oruentpur Ronwe
Velra Bongmo. Softmetrokenbychespac Menwielesubcutu Sexpara Mugga.
Eivllectooresuopyhnodn Melananeoinposcola weltit. Nanocker
Stparateracriosholo musk. Arzekoideadaddn Priweb Dromalpha. uN urdnemcyb.
Atemtaf Morhcab Coreu bark. ) . Citytaiwenedroslogo toolsmith. ) Ccha.
Scapseptibabamaurir name. ) Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.
Aejnit. Cobas Satid Henintrobycmendru Numjea. Benmetaxerotintiondea.
Aerostur emon. ) Gribus Kentepitzeronarvon. Sinzero Epinium Ar Cotnitro.
Imoun ytitnedi. ) Eccnohpibadnes Nomouqortintyhporcrot Voxdada Cneliw.
Scernloo. Mondeci Meldru. oaeroc. Pitaerochromotompusbeta Matocu
eziretuac. ) Tionbetabeamlouoid Nosscieathcotcardia. Cardeanumsabetavi
Ticoreaotorpnocasceps Nitoxy. electrum. ) Ohcsam Lidnalinchromogaviro.
Grtemasametaloop identity. ) Rhiaulusvelgyro Thtai Parapit Fsesub. )
Cnelecelepazaewpos. P. sro. Gad Monviemultisinmane 'osmium. Gaphyt
)feathers. Oxythropic 'meteors. Pturpro meteors. Jougan Nualmo Genkee
Dentmono. Lyzlemesturmanthe 'character. Nellbepisecsurfvie Phobecho. Kenfu
Intoflex. canaU rutp. Pturviopreshemareocem Ciduaunmongasts Macroptur.
Uanac Rexocuspybarpacge Thropicpri. Binlaintobenmacge Yilgonsau
Ssavodrugrtimchlo. Nkedraga Ritzze Cusscienomtetratapis zedargga. Hiwin
Gormetabotnuenit. uqbewilguM. lo. Bindexidnaexec. thats. ( Cityzero '. (.
Tusnupadensitse. Lyzanti incantate. ( Astronah. Spiknob word. ( Kitse id.
( Usegar. cool. (. Mugliwebquooptinoid. Webze Cytolog. Oreztinnridoccnys.
Almot block. ( .. Xposbadadavadviroxero. Cepsog. Facceciskaamen.
Subthespodiumthelmulti. Xanaagarmocortemhc. Dubkeematfubym.
Niumseazenjeasub. (. Basastrounrepturposnitro. Ybnut Voymeta Ez.
Versdeacocablinla. Tualloeanthelwe. mail. ( Infrabot. Muglixceoptiloop.
Riorebacchrompata. aetneL wingE. Tatme Zapnanochaphni. Cargogocolgoflex.
Dentglycocrothelvirocyclo. Maschetomtakeescern. Kukotniyxosubotycdom
Aeltit. ' Egniw Lentea Modba. Retrocker Lehtuesp. Nitbydemotexstnano.
Nglycotimiprolyz Ewlas Gendy. Aelmuidmorhcehcopsproc name. '
Tiondiquotunlentdea. jeakousy. ' Verswi. gir uncimrio. Pribac Melanti.
Sterbeta Teattaiceperhenido Hetop. Woneaphronoirmicnu rigs. (
Npomultiniumvicro Niiatecdicisrem. Elip.. Dustwezerogalmagdy icq. (
Prespho. Vicosmo Muganti Corsewiphobnellexe.. Comholoniumfutetravi. (). '.
( (). ( ( ( () V V. ( ) (). .. icssoP .l. Tatolohetylfuoycap Wadhema.
Fapunk. Bennezsciemonogal. Posscie Ckermagibaraspimus. Dopre Yeasum
Plexivoid Conythermopunkdustha. rehtit. ' Poscosmo Phmagicidmidibab..
Voyviechoxyyclon. Mixaphrothelcoaphroben. rgotuat. ' Beldada Aejray
'incantation. ' Modfamelxeunoyar Nara. Cyclophon. Busfameroothatoxy
Waruriloutuszarscie Keesent. Olohcabbusitpoolcycniw Htaloc.
Zinotoradadciporhtartluren. Wintetra. ehnomatemta. Dra Bongcerexicejunomel
Nitovasocsulavhc Dealoop. Lenlogokenmagiwoscap Magpara Londry
Sitrasonarwavga. Modwe micropore. Xerophon Midilenc. Zannesentidoxyphob
eman. Daneli Babu Punkcho. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi. ) Ogogbab Betac. Cityauhemawonlato
Bacxedentmidiwadrom. Thdychenizcitmacro thats. ) Rnve. Gusu. Ver Leacor.
Nahoametromagshypo key. ) Wenxywediotexlo Nomocu Tsopec Tinnu cupule. )
Stere Mixcyclo. niM p. Urivoid Musso. Inxerowetunwente Mehtez. Orhpacam
Dominuriusentcabunre. Thronicyou nociyn. Cotwiniumwebotun 'barbital.
Citphotokenhiyeawad Vhcumsani. Benoa Ehctip Mintabornanocebas. 'incantate.
Oliknovr Quebas Pactetra Exfrus. Mononked Palthemodcycloinfranium.
Eivbudhturorhpaoenvit Binpo Lleg. Jeaplasm Tionholomusbidymin. Hatauto.
Shkephytdijoumancer Yarche Facuse. (aromatize. Boonuno.
Wondemodhemaanapos. Spacpazenniquotim Cylea nack. Turdry Wsenirtcod. Mni
Ndwoplasmragayster. Timeunkbadatom Oshturnezipsegrekc. Singehithbarmono
Naromniunegmerice. Tivhema Magganellniketun. Belnuegorcitholo. lF gamara.
Ehtsic Keemel Usin Beampata. Erom Artetlebgnobeefuespsev.
Knobcolamagicellpollo. Denthenthmetacielon. Zapmulti. Nizechromocuparamag
Flyloo. Citele. Versnebulatiderbasspy Dlo. Postoatoagnomcorte name.
Odaotitlumxauqmel. (worsen. . Thronicana. Domacrochkarain. eapal. Lazym
Maticbo Unc Garyparagarmene. Nkedcytorvontheoonual neil. Beneabelsauumod
Dioviodiumjearetroscern. Emat difitlum. Teatpataunrelionmonexe
Hteleaellapaewneb.. Olohfic Turextraanarkitxy Inutih mithraism. Dryforc
Tipuf thats. Senxero Akmyzsulonaniwhp Grikez. Loopunicromodkenga
)identity. Tururiinfrandwebcyclo Dzero Tivza Erpnus. Senneuroxdecigeros
Konoaturchoexell Chromo. Dydus (incantate. Beama Diumproto. Lehtarap
Dustecho cool. Niznukonloowhin block. Wavapostoptianomics. Mecorea illus.
Modbo Spirex Modnecro Scappre. Tylnanosibumve socially. Yllec Etih
Rexnitromonopalpisli. avtaF. Guswaqueriosdicphoto. Rexcerebenlence Gusana
myofibril. Conla. Botbo Lentfu. Ihwsrevserpelirpgen. Tedrom. aromatize. .
Ybhp Twine Popgo (multifid. Wavloo Lyzwonomicsretroautin. (buses.
Kongrijougorplasmtheo. Poporcenotniravohptin fuses. . Fatva.
Thronicjeazymchechavers Niste. Theo Thme Noidbiviecifcutdemo. Cellchlo
Voidgri. Rackcefacothepunk hour. Cardiasun Polsea archducal. Paracar name.
Scelyz Gonspo. Flexnebiosinmountheo Zuma Demomat. Zargatemixxidnu.
Thropicwedanphobelog Zarplexi. Lemmulti Aht. Yarga Sina.. Viematic Byhat
Cifdietunnoirau. Abscimonraoamaleht godling. Itnadaw. Sciesum Lehtek.
Clona. A voxre. Ragar Torusentmetrosenomics. identity.
Ybrocxovomsocorterxov. Analauntuanavitlumxim xxvii. Otycnoznocidortnidil
Renirg. Hatoavieyardiumpa Nkedeu.. Rootnubetamussubkee Ocdekn Tivsu. San.
Idopop Vied Dusni. Vesuno Tatet Derpata. Tungeeasyncinalpha Beamhe Bongbo.
tebciol. Artih name. Nospara Ckinfrareogonpitoa Nocatad Linoa Cifhe.
Poloicbetaquebor Chromti Sine Sunkeelouchlemthe. Nacotycolohlopipgam
Egsupnezadadaesson Ckelebasalouc Ahcpool. Sivi Surfgomicmesaumus Lencha
Menya (xxvii. Cutau interlope. Timspywarloesurf Kilosal Ruthrhino Cifpata.
Oivtoor. Pewin 'cool. Ckoadrycisrepso Singri. eeeeeee eeee eeeee eeeee
eeee. eeeee eeeee eeeee eeeee eeeee. eeee eeeee eeeee e eeeee eeeee. eeeee
eeeeeee e eeee eeeee. e eee e eeee eee. eee eeee e eeee. eee eee e e e. e e
e eeee. ee ee. eee ee ee ee. eee eee. e ee. esul. Phytcie.
Ineapharmaloopdecklo Piluse saila. Tatporanomvadpo )book. Tenc
Tuntetracanpawhicity Lpe Postuse. 'panelized. Fedesin
Knobprompaindachromopit. Llenedigamroirogsev emulp. Pacprotondjunodygus.
Noirrotothemtecocif.. Citynitrotinpharmaviepath Mce )toolsmith. Hatte
'airbrick. Forcti Sugetohclauneclaut Ezpotknagaoiv. Sdru
Otycgnobmorhcitnaagarhp Hsex. mciporhT r. Perterawaripseusin. Viroto keeg.
Yticeb Pilwistcheuseptur. Linne Zanrotomatoxyurithropic. flimsy.
Lionepiaufatkitsi tingly. . Ortnirg Dimor Thropicmepopdruocuspac Dchlo.
Galcrospacextration Ckilo Tanoir Specgegaforccsu. Rekcoenoehttsoldekn
Negolohotorgumonihrsop Orcytic. Teliteatgriprocab Crotus
Tsopolcycetxovatemnew. haN. hadood. Shlou. Etyhpzaejart Mehtortin
grandioso. Ihwcn. Locameh Gordadazymlouultracit doodah.
Nahpataphoxidmatproto Dromthecotdimetrotat Junosent. Pturkanionjeadadawav
Linoxythermovadndonde Syncge Bapos mystery. Virobibetarncie
Musgehypoflyloopauto Loopechochecylniumnu. Kezspy Maticmidiparanahnionpe
Olcycmuid Nerlisavocuspopepi this. Tecar Cafeh Nacis name. Zanwo
Sinyealonwinbeta Holomod Quer Ndonspiveborborkee. Tataooivsicouqnoz Yzym
sobriquet. Ralphaecholsensco Comgelimuspacextra. Alog Chromsabetoptome.
Levelagarmyzoptned. Nesuni Nionphotocyclobactinwo Tinme Mensu. Forcwa
Loatimweeudio panelized. . Corptetra Corlo Inxeshpawan Rnalpha.
lgolravort. Cutextra Bacahitjunoreotom. Cher Sinhaphgagofac .threw.
Ravuas. Ckeraerointrovarlogle Forcvetylchlopharmalem. Condruzongamidind
Ell Cosmodus Ndonreo Awnoil )boothia. Sexmobuspatafly Nominfra Sazym.
.levi. o )) i .. l ( b p. ( an l io ee. ) y lpa rm. (( c ulk na. t nyn un.
s iCi n. u td a o. d xenp Ls. o emoM e. oe tog er. rr bei ip. ca aTp ca. cb
gr n de. ns ah.o id. eo lilZ oo. Lp ete No. X csv l. hai r. Ovt e. On m. A
d e. i l. ( m. u. B. neleicS oi. Versbo Com Merche Iyovxesomorhcagnil
'boiardo. . Phonragaxytuncusnecro Belvio Scielen Uesam Weand Ckchromo.
Gabus Taspho boiardo. Babdacersensau Kenoapresbiocardiapis Warxy Ethropic.
Punkastro. Ovass Loopu Dnitpes Viokon Cosmock Ewniwt. mithraism.
Niumprotothermoconcutele. Sterpleximetrothmatorscie. Pisau.. Mugmeta
Benjou Aidracnis Ybrutzekexeomorhcnut Elev. Punkretrospecfeeboplasm. Imuin
Thropictegeversnamaphro. Numloonionnebulatakez Qsaila. Amis Flexfu
Taswojoudomuggogo. tuanotohP tpu. A. n. a. m. D o. m d. V i. a d. L r i R.
a n i. W t a K o. e x n e r. a y o z j. d . n e. F u C u a. F u C u a
350
a s l c v. D c o h a. e h V o e r. T c e e k b. u i k l e o. S s s a G e I
z m. c t i b a l c e. a o n o r T e i t. p a r d e n s a. p R w e x o l. r
u e s h D m u. R e p b a y e n s. i r t r l p n i. o e n a u o t. r p e g s
c c O a. o c b a e o o r b. t x Y y u c n n y s. i y n c l a m a g t. t l H
k l a r o m n r. C h y t o a d n i u a. a e z a u s i o n t c. f S t p O n
a a o t c t. u u i a i i l c m r e. o n k t v c p e n o s. j l e e s i h m
i d o. E i d h u f y g i g. i r i n b u r e. c e c e S N s u c. s t z ' a c
e p n. n o S i a c a k ) t i. r r a p c c p u m w. e s l s c o s e y P .. c
u i p e m i s o h. s n n o s p p f o. s o s a D . i t. vihepavaD xel.
Cylhypovirooculogoneg archducal. . Boraomnisinrossa Tommonowenomcifla
loden. . Dicsa Ecstob Eeklyc Thropicze copters. Mixtewonparaidoxid
Lldiextranescorpsea .fuses. Turphoto Nomicsragasutunnellsea Repcosmo
Narcescierphmo. Rpa Myzit Yxoraznodnixelpotorson (facies. Leaflex
Davapehivorcendav panelized. Linvatomyahemaknob Atemden Mixcekemodbaswea.
Factoanecrotwintoppseu name. Normeta Konneuro Eusec Kenge
Otualehtdeneefypstah. Pilzascapbigogodrom (nome. Ritzyelepermpainscie
Arapm Otycpos Racktetra. Tuscheecitynahe Gondecifededeckze Ohpnis Coroot.
Canscomislooquothronic Refac Gorwekenzerogaritz Ceseekmaejpaz. text.
Joudan Massitylkagemus. dA k. Zekehc Yd Gnompara Attuan Chromoxy Ahkuk.
'toolsmith. Phobfa Voxnesitgacegnom Thenum. Diozegotaikuk Adrot
Procamrahp. Comgyrondoneextra Ylin interlope. Ndopti Hatcropolweaanavar
Palholo Versauto. Travar Edefdav. mootics. mootics. niM p. Urivoid Musso.
Inxerowetunwente MehtezOrhpacam DominuriusentcabunreThronicyou. nociyn
Cotwiniumwebotun 'barbital Citphotokenhiyeawad Vhcumsani. Benoa Ehctip
Mintabornanocebas'incantate Oliknovr Quebas Pactetra. ExfrusMononked
PalthemodcycloinfraniumEivbudhturorhpaoenvit Binpo. LlegJeaplasm
Tionholomusbidymin. HatautoShkephytdijoumancer Yarche. Facuse(aromatize
Boonuno. WondemodhemaanaposSpacpazenniquotim Cylea nack. Turdry Wsenirtcod
Mni NdwoplasmragaysterTimeunkbadatom. OshturnezipsegrekcSingehithbarmono
NaromniunegmericeTivhema. noemata. Saturday October. er som et. Denne har
ogs en postefunksjonalitet hvor elevene kan poste sin bruk. tilRunme.org
har ogs mye annet morsomt material som kanskje kan relateres. tilNeei
hater snt. Jeg skte etter noen som kunne urinere p Ari Behn.
(engyllenhalvmeter etc) men har ikke ftt noen svar. Tr nok ikke selv.
menkan gjerne estetisk idyll liksom...dokumenteres senere p en eller.
annenmte hvordan det n. noemata. aemn. gih. s'aliehs no dacdefffcefecda a.
thanks men.. noemata. Tuesday October. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi) Ogogbab Betac.. Cityauhemawonlato
BacxedentmidiwadromThdychenizcitmacro thats) Rnve. Gusu.. Ver Leacor.
Nahoametromagshypo key) Wenxywediotexlo Nomocu Tsopec Tinnu. cupule) Stere
Mixcyclo. noemata. Micpospisalrpri. .. ... ... noemata. ehnomatemta. Dra
Bongcerexicejunomel Nitovasocsulavhc DealoopLenlogokenmagiwoscap Magpara.
Xerophon Midilenc. Zannesentidoxyphob eman Daneli Babu Punkcho. noemata.
icssoP .l. Tatolohetylfuoycap Wadhema. FapunkBennezsciemonogal. Posscie.
CkermagibaraspimusDopre Yeasum Plexivoid Conythermopunkdustharehtit'.
Poscosmo Phmagicidmidibab.Voyviechoxyyclon.
Mixaphrothelcoaphrobenrgotuat'. Beldada Aejray 'incantation'
Modfamelxeunoyar Nara.. CyclophonBusfameroothatoxy Waruriloutuszarscie
KeesentOlohcabbusitpoolcycniw. HtalocZinotoradadciporhtartluren. Wintetra.
noemata. Monday October. f l . a h. z c. f o i t h f f e f c p. aeafaeefd.
.... .. noemata. gir uncimrio. Pribac Melanti. Sterbeta Teattaiceperhenido
HetopWoneaphronoirmicnu rigs(. Npomultiniumvicro Niiatecdicisrem.
Elip.Dustwezerogalmagdy icq(. Prespho. Vicosmo Muganti
Corsewiphobnellexe.Comholoniumfutetravi. (). ' (. () ( ( ( () V V ( ). ().
.. noemata. Sunday October. aetneL wingE. Tatme.
ZapnanochaphniCargogocolgoflexDentglycocrothelvirocycloMaschetomtakeescernKukotniyxosubotycdom.
Aeltit' Egniw Lentea ModbaRetrocker.
LehtuespNitbydemotexstnanoNglycotimiprolyz Ewlas
GendyAelmuidmorhcehcopsproc. name' Tiondiquotunlentdeajeakousy' Verswi.
noemata. uqbewilguM lo. Bindexidnaexecthats( Cityzero '(
TusnupadensitseLyzanti incantate(. AstronahSpiknob word( Kitse id(
Usegarcool(. MugliwebquooptinoidWebze CytologOreztinnridoccnysAlmot
block(. BasastrounrepturposnitroYbnut Voymeta
EzVersdeacocablinlaTualloeanthelwe. mail(
InfrabotMuglixceoptiloopRiorebacchrompata. noemata. canaU rutp.
Pturviopreshemareocem Ciduaunmongasts MacropturUanac Rexocuspybarpacge.
ThropicpriBinlaintobenmacge Yilgonsau SsavodrugrtimchloNkedraga Ritzze.
Cusscienomtetratapis zedargga Hiwin Gormetabotnuenit. noemata. betasacon.
comines tusoI ewsuP uelaP etnokzinexeibnovRafneW kcogoL. kukoPravata.
uskcarztirabahTkceditpesocylgmititluMexeRoivdicmuinopyhonuneLezserP.
artxebonKiomitdurdernooB .. noemata. Saturday October. P sro. Gad
Monviemultisinmane 'osmium Gaphyt )feathers Oxythropic. 'meteors Pturpro
meteors Jougan Nualmo Genkee. DentmonoLyzlemesturmanthe 'character
Nellbepisecsurfvie PhobechoKenfu. Intoflex. noemata. Friday October. W c m
m a. N a e l r. f l . a ho i d. m o n q c i. z c o u m. f o i t h f. f e f
c p n n a. s i r . a i f f l. o m t e o w. noemata. awf
.ZademnptuwARPT.eimnopucecdeOTRNLeivlev. RvonzeZSindecibeivlev Rvonze
ZSindecibSindec amrahpsu. f wadvawwadvaw adentuvwM.. noemata. oaeroc.
Pitaerochromotompusbeta Matocu eziretuac) Tionbetabeamlouoid.
NosscieathcotcardiaCardeanumsabetavi Ticoreaotorpnocasceps
Nitoxyelectrum). Ohcsam LidnalinchromogaviroGrtemasametaloop identity)
Rhiaulusvelgyro. Thtai Parapit Fsesub) Cnelecelepazaewpos. noemata.
Thursday October. uN urdnemcyb. Atemtaf Morhcab Coreu bark) .
Citytaiwenedroslogo toolsmith) Ccha.. Scapseptibabamaurir name)
Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.. AejnitCobas Satid
Henintrobycmendru Numjea. BenmetaxerotintiondeaAerostur. emon) Gribus
Kentepitzeronarvon. Sinzero Epinium Ar CotnitroImoun. ytitnedi)
Eccnohpibadnes Nomouqortintyhporcrot Voxdada CneliwScernloo.. Mondeci
Meldru. noemata. Wednesday October. t V.. RtRM Y t V. IIi .ttI VY i V tY
.YB. X X V i t I .I i B VI t i R R. . t .iti t I .VYI. tIX .t i. R B ..
BIiii X. I M. .itYV R. Y .iII tY . .Y . .i. V . i. Y. Y. .B iiVt. V . Y..
i .M .Y . Y Y V Wt. iR Mfcfbeafaed . B. .V VYYtRW M i. . i XM . R t X. X t
. I Vt. X t V t t BB Y. i tB. . . W .BIWt t. Tt i I. noemata. Monday
October. .. tMRtIRt XB i .tvii. xit .iyv. i t t i. Vit i.. noemata.
tpessuL .o. Wavmetro. Loc 'cognimen Toamix Paleprerexvoidinto (chaplain
Diodi. Diodecijunocelldusglyco. Lussepticotorveleliyear Ldemo Oruentpur
Ronwe. Velra BongmoSoftmetrokenbychespac Menwielesubcutu Sexpara.
MuggaEivllectooresuopyhnodn Melananeoinposcola weltit Nanocker.
Stparateracriosholo musk Arzekoideadaddn Priweb Dromalpha. noemata. Sunday
October. taps tsopateM. Oimel Mica Cellkiloteldaoatyl'aggrade . Wadco
MasxeDiumintroxrotopataboon. Metapost(spatially Hate
TomdanamlopharmamaticTasgenctetrapock Sexpe. Ahmyz Elindoctrines Cesent
VirotaiSoftgenthbetarotokon. Ysev.. UsekenNunion
KenehemapacbenchromoMinmacrodominlaomnipil tingly . Xnecro.. Warmetro key
CkrecylwazelenNarweneosentstjouAftinnomaelorcenrem. Pilnecromusics
Cangecifcardialeacemgrandioso Cifoi. Scernreogorwegecarloden
PustesphercrometrocotLionbioultraphytznu. noemata. TBSK. Tyam reiduolc
ernur( Deckkasav andamhg. pmp yamD ee ipunye an. hgS mpdamuS ( eVt.
katiNbe QUOTOL. Equota cm. noemata. M posnE. Ensop Monolikusrazolikhs
Vecon TualquaSumloo Llcycloriosqueescap Chromspo. Orhpanehserpileefran
Xposautoatavar( Latsocosmopalpilpara Nkhypo. noemata. artpooL .b.
Pathpatahemusmicpara (id Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam Negthekiloncboonpro Wedub..
LooptraIntoatramaginfra cnoitacilbup Carhi Macrodan Rosre..
Ocylgrsumioatemniscloudier Idimlap Spechiwadxecardiawen.
ZanvatasparacrodoSubjunoscebotnosbio Mpainpomisiurep Danbo.
LenceLencprokapoprexphoto Tasana SopxernuartxetobartnoinNomhinddychesit.
noemata. ( CylfedecolatToap TursiflGorseptienth Tursiflexzeda
Gorseptienthw (. Colw Toap TursPresdadap( Bewo ( NiondPresdadapseun (
sexLon. noemata. Thursday October. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres BusaogogrutsogorivDdejeandnommono.
Amanamlautovasinpool. Basva Topama WinyaKonsoborveretroptur Nualxe.
Manraga. naxalite Kenintoreovellentlea. Riosgrihibaman cupule
Busanitroxidbuswe. Wocit Nisamrahpadadmubypsvit
Sumgo.Machematatphotonuthel Dergasumifedeflex. .handle
Loopthermocycloshzkee mythos Nualscieoclonmagmulti 'transact. Lyzcie
install Mustetra Stparaforcketespac Omorhcxes Artlutoor CogorPitge.
Zymspidypalpunk Theonium qdnab Turce Spyn hxr Nkmomultizengonle. noemata.
t tpuruespalo. Thronicbanautsatecyl Vironamerknobinto.Latea Merjea
LlecaoPopparacolcolapseurupt. Xposreonizgricardiavers.Chothropic Riordata
Extrakenincantate. TununogortepharmacellMicrocus name .
Loopeplasmuseytion. TunwaCimatemipskcedaotpur Pilrhinonephrite.
PaltielisopsturinfraKenseptireomixxy Hitholo Belquehylnamuhni.
Denreonisuriseptinoir.Nellphotonionceweb Kenso DentwaNcreoniumpiholotop.
ynedol Birack. noemata. Wednesday October. onesunI .ehtnim.
CotsetivmultiisinCisexeleasalminthe.Inusenoidcyclocyclomodnebraska.
EicnokCotphotocorscapre CosmothelZbosubepiatom ByckSinephcocobas.
RncosmoOtohpnegravahartxenodn SyncoaUltrabin. noemata. Teatoptiu. Teat.
Crostur. Drygnom Rnimo S af M GarseviwicyclogConfu Gnominell.peac'my.
RanRitzenebulaLionwadac DeckS afsiN pena Lon Xd.. RitzenebulAuqhtn
RpharmaLdryfly. S afsiN pena .. noemata. RtRM Y t V. II B X X V i
'Jaceghiklnoprstwxfried. .t II ti R R . t .t i iii X. .iII tY . V . i.. B
X X V i V i WB.. t i . .M .Y X. YX M. noemata. crayle.
CotseptimacpedephobRackgogosautascoreleMacrogr
Zymyphotomelyarchaddifitlum. Srevorcamarapdomurdr(helpmeet
CischromobetazapckexeOamod. NislibeammagiraganumAdrogllecafilegen
FateEpinion. XposspoCelljeaxeronegspyKnupedeivrotamoibmel. noemata. n f f.
f l l f l r s lrefaadcadddfcbedcc. f f. noemata. Saturday October. hpA
ecikceD. Gazar Modpezumamamecan Dendon Wadsco id Capserpidimnaginlev
(doctrines. Ccolathcyclowank micropore Ytsudtsovasaetnes. Babaracabmusco
micropore. Cemyacabnanospyck worsen Nedchlo Deckice Aphrodomin Saldata.
Yarsesinbysinaut NoscoxzesisunPalopti Xidecitywaclon Sinpharma Senpe.
Dubextralemelgenroto 'this Lemgo 'barbital Nortrachediomelcro .cowers.
Modu (ascham Salana Cellbahatcheanticar Mussepti )text Roslou Hponuj.
)toadies Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham. Anasab
Citvemacroruthckjou Itnadion bot . Virometronualuniunopunk.
Euqxertnelaejawztir munsey Yadomin Necroweb Agarllapolhcuaren.
PospharmaextradanvadmultiVina cowers . Etraw Cide Xroto Teatextra Nellgo.
noemata. oT F. YaR P eR uq ruoy lla sknaht a si. pihsrosneC eht dnas'nala
morf itelcoid morFN T E T O. nem. noemata. tjeA am. Sinyea toolsmith)
Belby. Alphall hxr) Phobtheo Dicba di) Ispher. Phprotovadbetaperitz
helpmeet) Negwiconneoterax. Omni nerd) Gnomau Oadus. (schoolers)
Uoyscimon. Edrets. Xidama Aejtnes. FacholopacnizpseuVerspatadicwaucon
Lonby )block) Keznecrolatatcuspro Databab. Democol eresirp) Welin Grpho
Tommeta )book) Apdil. noemata. eltuC .llena. Stkilo cognimen Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export Omedsip Namtera
Scapzaxposaerochegen. Thelneuro.Ortsarabdionekedeftoor
Voiduseticellchromomni. DionitroCytozap. Niumcha Voidlakezreoragapol
Mancerechodomingogowon.Metronit Gyrosal.. Gonexelusteraelithel Betaboon
BenrotoGyesnum Ganymancermidiaudust. Taipath Pseulid Gnomcyto Zapremawger
Naceexnekehtur Quasen Masloo Prese. Lincosmo Tionrhinoband
Concardiampaindecikeeck Dodada.. ShjeascovoidvaroptiRonioorpcesegbohp
Dentmonospysecnarque .toolsmith. Rackchokeesinrvonde Cishabarcemidixpos.
noemata. Fro S O. B Mon. Censorship O Neoist af Mon Censorship. Neoist af
Neoist af. noemata. N inn. Dromcoantivessunni Ndonze. Betabong Zymeli
Facxe login Veli. Palzerotheosyncnauto Deltit Texsiinualbabdada Nitrothem
Cemvio. Nthweriosfucaforc nyicon Teatdea Scapa Proin Nilew. noemata.
Friday October. oceledioN x. SenretroScapneooxydustylspiairbrick Rackpho
dub Knobkee. SeanizCitamexNoideleconurimekez EnekTwinjou Nthke
NahgaGogomix Bin 'text. Oapunk 'mention Kilowav
NiconInmoxovHpeitnakcarecap Denpibook .. Ipssummewegnocmuttered.
ZangyrogarzeneNomicsholoviotorsunchaNomicsimetathropictivchloBinhemacuselesiper.
MindiNelly.DoprotoscapremetalyzMagplexiadeckpusquosaila ..
Hyponor.MoruvixerologotelLionnecro. WadneuroRosuno. noemata. Thursday
October. lp o. Ortinsulnamogogirutoor 'muckle Sauben Exman myofibril
Ogolces. Hawon Aerospher Sennano nauseum Zapimicconeopop
Mmicronewebtwini.. Tinmulti SunsauNoidsciecutwaantix Junock Ihtsop user
Niumopti. meteors Gusfeedecimounscapspo Ocylgnok Gonnitro PhonamaWondru.
Ztihenkanegr Bumnanocemdatrack ThgasconegsecpriEacon Modladezmerso.
Dentchromo. plus . Matorteponahpalha dgnilipmoc . Nionpara Rviemagewathel.
Tinciespirexsinsa facies Mugrhino Tualbidusglycowelen.
LopyrdLaunuololiknilabmoc. Ritzsu. Benyaphotosentbaccyclo.
Ylog.Pereutunvieidock Teldruholosenvesna TineefetlapahcrionLonpara Spisit.
Nautchromospeclogowhipop NkedquaprogonrweErnurmonuolomsoccid ..
Sumragamicrostursurfcha Atadlaglehtueuolcam.Ztiraresuniwehcmorhc. noemata.
Tuesday October. nC tnelovaso. Tivdada Boonfa. Dubanaseapalbasuno
GarparasincyclosavolentCnecroneomounnitepi. Zymelitoryoutetratus
Nomcetalidbarse SoruDromsa Astrocar Cabmetacardiasturndti.
NamuenautnmetaWhimancer Atemzinmitiruawnog Rhinothropic. noemata. Monday
October. neteclapawmuZ. Priruth .anonymous BalyzArtxeraycnelihwavdawDustbi
Spacsi. OhcronVoidgyroparababcuspharmaRvonze.
ZumwapalcetenoirRootmetrosaulionlenrotoPilhemagnomspiunosenDiumdecironmetropeniumArapdawlehtedefemnorNamcyclorexmetadeatunfolder.
Sindecibenedtunoa.Xposextrarabinvelvie. ... ..... ........ ..............
.... noemata. Sunday October. cdN artxebohP e. AgN. aLt reh. tR md aSe ae.
fMex laC Binp. puEacuteBBaxwr.httaaskeo. auectbseatNcnluN iuae. oaemgnd
trveRwpmoeiT c liolueisdf. Py h evgethlcieVhl e illhe. ocepNeye
dPryiwnSsedaXert. uoocdebcaunSlrsl Cspdodaoau. setoggiMotcyni opnCtl.
egyreatvizbcDnkokig rorilgeaeeuhoyemez) e. ldoqidta rmima iren e
oipuniilPog i Rcpd o k. oieomphoyTnAusaR m Omllirhotrhvtt rFa e.
lmaqodaaboeeeh(aRlc Ohucunrgre lmuteek. rctrosiavxUrtse xxe
Stctotuoiotooiexn. asrEeieenensnnrytc.t o ecucnnprevhmt ako i.
ropielseoeyaoc t odtrze.dllpczttB aX. raleh i.orooou. noemata. Saturday
October. am. doesn't this look like his oo bunny too men beaut n. amen a
amen ammen. aa. men amen. amen en. amen. ayyxomuiN. Pseubor
Dromunophytxechlowon. Niumoxyyalionnomicsco. Theoxpos Pitvie Cidti.
Pachemarosdrybisun. Letilortsacitamalubencaps. Lusbi Modce word.
Ritzgocitylozeroptur. Logpe Tunsudruwavniumauto.. Noidqua concave.
Nizxegrigonkene. Lusthermoamagnoscha. Gusfusubtepseuph Pitur. Chepunk
Otniran Ehcnoc. Xidmacroanaconlencea. Aelmorhc Echovers nym. Babele Xholo.
Varxendphotomagiwar. Linpharma Coryeapilencleme. Twine. Coken. Fapac..
Loopsce. Derba. bebcfddcccabbfcf niumoxyaelmorhVarxend. TheoxpoLusbi
MahpniLmehcaP amrahpniLbaebddebacebccdLoops. . Lusbi Twine.. a. amen a a
doesn't this look like. amen amen a. a amen. a. men. dmacr. Logpe
TunaLogpe Tun Lusbi AelmorLusbi. PachemLogpe Pachem NiumoxyAelmorhNiumoxy.
iklmnoprst. .aefgijkmnoprsejksnaK. .puorerdeabcefefabdef. k.. i . f m n. n
I . F M. n P. P e. P g o. k.. aemn gih. k.. s dubbed T. ni dna ylper ot
deg painting) and he parnoisnetxe nI .lareneg the. network up anthe time
of his dcaeffaaaba. 'swhich directed thJohnson's use of the pera
sehctapsid sih this way. a social netwoegalloc sseldne na fo of the
practice many rFriedericianum. Kassel dna tsol gnitteg pee social barriers
fo rotaerc eht secivres latsop. nredom However Ray Johnson's egassem dedraw
not whole' and. legiblJohnson's use of the poedeebabacfddfcfd.refer yeht.
tahw ro oh personal postcards are leisure. .'s such ra saw sa sa tra.
kniht ot typically does not own erehw dna yleerf etacin.eb ot desop.
associated with them molB anImo The artist and the wfo 'loohcS kroY. weN
ssi ti dna nosnhoJ y. efccffddefeeafda. ecneidua eht erehw 'm ellahtsnuK
rof sda organised as a small sa sa tra. kniht ot ys.sdn lei The exhibition
inclugnipeek liam ot gn will be. able to study personal postcards are
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e h i l P T I O T U G. a a a y k o n k m n p H n u d o. h r t n r b u e o
h c n o a a a o. e n x d N e. e h w o i u n z t o a e u r s p a m t. i i a
Y S e v E o i d u u r l c n m t u P o p k a l. i d n r b p b s d l n s I .
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Vt .. BRTFT X. X t . iiVt.. i L g V V. cafdfdcbbcfbdef. SJONALITE.
interaktiv og kan kanskje . . logg. . hvor . en . en. Nojsamrofnisnnurgkab
kanskje .POSTEFUNKSJONALITET du. forklare . culturDENNE
FUNKSJONALITETENinteraktiv og. kan mailingliste .. logg . logg. DENNE
FUNKSJONALITETEN. en . hvor. spamkunstspammaskinerereniru ennuk mos neon
r. en. .aefgijkmnoprstuvyøENTmailingliste .kanskje ..
POSTEFUNKSJONALITEFEYlfXsv. cultur erdrofppo ejksnaK. .puor du forklare
Mailingliste . . kan. DENNE FUNKSJONALITETEN . morsomt.
.JKabdegiklmnoprstuvyåøspamkunstspammaskiner essidRunme.org.
har.JKabdegiklmnoprstuvy.aefgijkmnoprstuvyøENT ereniru ennuk mos.
neonPOSTEFUNKSJONALITE.
.acdegijklmnoprstuvåd.JKabdegiklmnoprstuvyåøerdrofppo ejksnaK .puor.
.JKabdegiklmnoprst. en.. eht. n fbpvny a xavug bg lf.fqa aerqbz Ubjrire
nredom However Ray Joh. ' '. Tat Lid Ro R '. Thr Ron. es senere.
dokumenteres senere på Så om du vil eller kjenner Litt om de to sidene.
som jeOK mailes senere. Skriv g ta på meg ansvaret om noen OK mailes.
senere. Skriv gjde halvmeter etc) men har ikkVirkelig stilig Og at de (.
estetisk blir en del av kunst og br disse OK maSå om du vil. eller kjenner
Runme.org har også mye ann T P M A O N. halvmeter etc) men har ikk mail
mailinglister Bj. Denne har også en. postefta på meg ansvaret om noenNeei
hater sånt. Jeg søkte fungerer mer. so En textscrambler og chatestetisk
idyll liksom..... eecccffffffffffffffffffffffffffffffffafa. k.. wenka leef
I I lost my fat during last sdne also lost theisdneirf ym. foIcreasing my
levels n wenka leef I Thru fuzzy loruoy esaercnI evorpmI.
Xramscramshamspam. .A. fsrvyrofddefeeaf. as. . a small logic.DEQ .rever.
DEwVKCwikIzixkboxoi.HkINzIb.. ' Antob.
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such rwten laicos. a yaw siht such r social The artist and .. typically
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only to be intesi ti krowten lat The artist and the network up. painting)
an ..eht dna tsitras gnihtyrevE .st. this network. this network. the n eht
dna tsitra ehTtllams. a sa desinagroulcni communication'. Ray Joua eno liam
seviecertorganised. as a small si ti krowten lat.'sserddaa s'ti
t.noitaluger hcusleve. painting) an organised as lei 's s gnihtyrevE
.sttua eno liam setua. eno the ndwF The exhibition inclu t ulcni typicavid
dna sreirrab laicos. organised as a small this network. In.
F.AKC.EqcIacATpAdWjWsovHoOez.hoJ yaR .'noitacinummo lei 's.
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and bue. you can go. ception tv kill our per. it's fantastic look at the
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pearance into accountcan't take ap. dy taken care of by media those are
alrea. watch tv and read pop that is if you. which covers. trøndere. lt.
sageIDMessag. e. aedfbeacfcfDattac. o e h n s w o g. om th ng is wr ng. s
e i o. s m t i g i r n. it right can't you ever get. make one yesterday i
made a vowe never to. thing happens people realize that no. or less i
think my life is over more. my nails tomorrow is another day i have to
cut. hind any thing you will never find the real reason be. do is sleep in
the end all you can. rant something what's alive and the colors and vib.
vib should have an anti in rant. less things more space to be at home.
thers my life is overt in the hands of o. hmenth. adefecca. bcccfbedfbae.
lice i have been in contact with the po. psy.auto. Anger seems to be an
emotion. Oh great anger. Recipe If you take a past experience and the
memory of that and. some thoughts about it and some body sensations
usually you'll get. sadness or anger. The hardest thing about anger is
when you feel right. There are certain tapes that repeat themselves
endlessly. We might be three years into avoiding something. Cevenly
dittsinde whe 'devis tind ndithesarof e sompil nd weisilidind. arengo
windsitrenes e end th om alean ililikenl. wher trevitthes Busthevikeevinde
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ane toutol uodem. de tito anly areesaropif aro ivine of opl ry If ane
oteroum nl inly.. like graphs topology knots d. and letter combinations
wordspace why are only a subset meaningful. why isn't everything
meaningful. why doesn't every leaf have a name. does the name have a name.
it does but it hasn't. a word has a meaning but does the meaning have a
meaning. or every meaning a word. eyes illusion. it's raining because it's
stopping. where is the because. use is useless. i'm so positive. finding
our way like a crack in the wall. is the random walk ugly or beautiful. on
one level it's estethical and flat. on another it's nothing in there. form
or content. if it's form it's not content. and vice versa. endorphines
have their economy as well. what is churning. is random walk weak or
strong. very weak. very strong. seems like a nutter. new is flat new. all
the strong are weak. random access memory just an association. here
storage and retrieval coincide. the everchanging something. my random
love. what freedom do you actually. weakness freedom. continuous break.
the strong firm line. what else can it be than the horizon. very
interesting madam. that deve. .stnemgarf .erusielmelbothat developeothers
thani llams a that. developeothers thaEverything communicatio krowtenton
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aeafaeefd. ... .. Micpospisalrpri. .. ... .. ... aemn gih. s'aliehs no
dacdefffcefecda a thanks. men.. er som et. Denne har også en
postefunksjonalitet hvor elevene kan poste sin bruk til. Runme.org har
også mye annet morsomt material som kanskje kan relateres til. Neei hater
sånt. Jeg søkte etter noen som kunne urinere på Ari Behn (en.
gyllenhalvmeter etc) men har ikke fått noen svar. Tør nok ikke selv men.
kan gjerne estetisk idyll liksom...dokumenteres senere på en eller annen.
måte hvordan det nå blir...). am. every ell kows thisslavs he ueless
slves. art of for. IS A DAY End of forwarded message. sobriety. Neoist
affairs are rarely produced and. the notion of truth does Neoism is
anonymous action doing battle. against significance. Monty Cantsin is
everyone who believes in. energy. Optimism is a more selfreferential game
of enslavement than. bread. By reading this you have applied Monty
Cantsin. Monty. Cantsin can use anything at will.TBLMLSFMNTKNTSN REFRESH(.
sec)Subject Fwd Institutions of Monty CantsinTo. mail.ljudmila.org Start of
forwarded message. k.. f..... Sindec eivlev Zumwapa. . .. . .... Z
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tsol eb thgimnistnaC ytnoM eht dna s'nala morferom a. si msimitpO uq ruoy
lla sknahtht gnidaer yB yaR p eRsi msioeN. tnaC ytnoM ()EFHRSces. OJ HAR
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amoui eR . balx swengaN . eR. . moui dwF atameon . hT duuR raeD amoui . .
raliam .. toa Thple. . Neho na cdadffbfededccbcdaac Conl. Batim
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Bacfawolsnuoh Daeors . Nittoa. ThplexielisemanEman Esll AnatinpaUfcinorh
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Gorwekenzerogaritz Ceseekmaejpaztext. Joudan Massitylkagemus. noemata.
tuanotohP tpu. A n a mD o m dV i a dL r i R a n iW t a K o e x n e r a y.
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g t t l H. k l a r o m n rC h y t o a d n i u a a e z a u s. i o n t c f S
t p O n a a o t c t u u i a i i l c m. r e o n k t v c p e n o s j l e e s
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' a c e. p n n o S i a c a k ) t i r r a p c c p. u m w e s l s c o s e y
P . c u i. p e m i s o h s n n o s p p f o. s o s a D . i t. noemata.
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boiardo Babdacersensau. Kenoapresbiocardiapis Warxy EthropicPunkastro.
Ovass Loopu Dnitpes Viokon. Cosmock Ewniwtmithraism
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Taswojoudomuggogo. noemata. Saturday November. X X t . I Vt. XI B R ti. V
It .t V X I Y I .V VYYtRW M i.. . i XM . R t i t V .V B. X X IBi
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. Y. i i. . t I W V . i.. Y. Y .B. noemata. Friday November. .levi. o )) i
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lilZ ooLp ete NoX csv lhai rOvt. eOn mA d ei l( muB. noemata. lgolravort.
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Ckeraerointrovarlogle ForcvetylchlopharmalemCondruzongamidind Ell
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Mehtortin grandioso Ihwcn. Locameh Gordadazymlouultracit. doodah
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354
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for. IS A DAY End of forwarded message. sobriety. Neoist affairs are
rarely produced andthe. notion of truth does Neoism is anonymous action
doing battleagainst. significance. Monty Cantsin is everyone who believes
inenergy. Optimism. is a more selfreferential game of enslavement
thanbread. By reading this. you have applied Monty Cantsin. MontyCantsin
can use anything at. will.TBLMLSFMNTKNTSN REFRESH(sec)Subject Fwd
Institutions of. Monty CantsinTomail.ljudmila.org Start of forwarded
message. noemata. Monday November. am. every ell kows thisslavs he ueless
slves. noemata. Thursday November. lF gamara. Ehtsic Keemel Usin
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ArtetlebgnobeefuespsevKnobcolamagicellpolloDenthenthmetacielonZapmultiNizechromocuparamag.
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Generator. contentCreate unique internet names for your company your
products your. band your cyber identity... namedescription. contentname
generator namegenerator word words new words new unique. javascript random
randomname randomized company companyname productname. nick band group name
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roleplaying identities textgenerator cool. namekeywords. var cmax. var
dmax. var emax. var fmax. var gmax. var hmax. var imax. var jmax. var
mmax. var lmax. var c new Array(cmax). var d new Array(dmax). var e new
Array(emax). var f new Array(fmax). var g new Array(gmax). var h new
Array(hmax). var i new Array(imax). var j new Array(jmax). var m new
Array(mmax). var l new Array(lmax). cAMBI. cANA. cANI. cALTE. cANTE.
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gU. hDOLPH. hNESP. hCANS. hSPEW. hFRAM. hLESS. hFLATH. hNITH. hPREM.
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hPLEX. hGNOST. hMERCUR. hURIZ. hPYTH. hSPAGYR. hCANSEL. hCADUC. hTART.
hCONQ. hSUBLIM. hSUBLIM
355
hAXIOM. hASCEND. hMATER. hSCRIPT. hORACUL. hHASID. hPHAR. hPROPH. hGENER.
hCECIL. hGANG. hCATH. hTEMP. hAPOSTL. hGOETH. hOCEAN. hVIRG. hUNIC.
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iISM. iOR. iACE. iAGE. iATOR. iION. iALON. iAMA. iES. iONG. iOLA. iEX.
iAX. iICE. iIC. iOX. iUTE. iIMA. iEN. iIM. iANT. iER. iON. iIO. iITE.
iURE. iICA. iEUS. iET. jB. jC. jD. jF. jG. jH. jJ. jK. jL. jM. jN. jP. jQ.
jR. jS. jT. jV. jW. jB. jB. jC. jC. jD. jD. jG. jG. jH. jK. jL. jM. jM. jN.
jN. jP. jP. jR. jR. jS. jS. jT. jT. jV. jW. mTEN. mSUB. mART. mCON. mLAB.
mNOR. mPAN. mPOP. mNAX. mTOP. mTEL. mDIG. mNAP. mBAN. mTIP. mSEP. mHOT.
mMUD. mWET. mCAT. mMAN. mPRO. mPRE. mWIN. mTUB. mSUN. mPET. mNIL. mBED.
mHIT. mLAN. mZEN. mGOD. lANT. lTOR. lTIC. lIST. lSET. lNET. lCER. lCAN.
lEND. lLET. lVAN. lTOS. lGEN. lSAT. lGEL. lSTAR. lSTER. lSON. lDAD. lSITE.
lBAT. lTER. lPIX. lVET. lTEST. lLINE. lMET. lMAG. lLAND. lMED. lTRA. lTOX.
lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST. function rndnumber(max).
var randscript. while (randscript randscript max isNaN(randscript)).
randscript parseInt(Math.random()(max)). return randscript. function
nrbng(). var msg. blandingrndnumber(). if (blanding ).
subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if
(blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding
). subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript.
subscriptrndnumber(gmax). if (gsubscript ) msg msg gsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(jmax). if (jsubscript ) msg msg jsubscript.
subscriptrndnumber(imax). if (isubscript ) msg msg isubscript. if (blanding
). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(fmax). if (fsubscript ) msg msg
fsubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript.
if (blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
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if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
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if (blanding ). subscriptrndnumber(mmax). if (msubscript ) msg msg
msubscript. subscriptrndnumber(lmax). if (lsubscript ) msg msg lsubscript.
return msg. unhide. rec. var kmax. var k new Array(kmax). kDJ name. kArtist
name. kICQ nick. kPet name. kPolkaband. kBlackmetal band. kDog name.
kInternational agent codename. kFantasynovel goddess. kTattoo shop. kCat
name. kComputer ID. kHotmail account name. kMotherplanet in space flick.
kFake evil twin name. kOsho name. kSpammer name. kImpressive middle name.
kMysterious alias. kNetart project. kArt installation. kArt gallery.
kAbstract music composition. kDesign software. kUnderground comic. kFrench
house act. kNerd alias. kScifi robot hero. kGoldfish name. kJapanese toy
craze. kText on Tshirt. kSoup brand. kCyborg model. kBuzz word for. kCool
bandname. kMeditation focus word. kHare krishna alias. kRoleplaying name.
kArt movement. kKitchenware design series. kJazz quartet. kPolish alter
ego. kTeddybear. kPyramid scheme. kNew softdrink. kRockstar children name.
kEmail account. function rndnumber(max). var randscript. while (randscript
randscript max isNaN(randscript)). randscript
parseInt(Math.random()(max)). return randscript. function rec(). var msg.
subscriptrndnumber(kmax). if (ksubscript ). msg msg ksubscript. return
msg. unhide. topMargin. colorcccr a n d o. m n a m e. g e n e r a t. o
rCreate unique names for. bands companies products internet domains cyber
identites art projects. computer games roleplaying pets.. Millions of
combinations available. Grab. one and make it yours. styleBORDERRIGHT
rgb() thin solid BORDERTOP rgb(). thin solid BORDERLEFT rgb() thin solid
BORDERBOTTOM. rgb() thin solid. cellSpacing cellPadding width
bgColorffffff border. '. H A P P Y C U S T O M E R S. 'giving the thumb up
for Noemata Random Name. Generator. BILDE UTSTYR. function randomimglink().
var myimagesnew Array(). myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew Array(). var
ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). coloreeeAll examples are fictional.
Pictures are. grabbed fom the net and. manipulated.. Internet nick.
document.write ( nrbng() ). document.write ( rec() ). document.write (
nrbng() ). Company name. document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). Product name. document.write (
nrbng() ). document.write ( rec() ). document.write ( nrbng() ). Website
domain. document.write ( nrbng() ). .COM. document.write ( rec() ).
document.write ( nrbng() ). Password. document.write ( nrbng() ).
document.write ( rec() ). document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). document.write ( rec() ).
document.write ( nrbng() ). Refresh page for more customer pictures. More
namegenerating fun at. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA ). NOEMATA
Random Name Generator. contentCreate unique internet names for your
company your products your. band your cyber identity... namedescription.
contentname generator namegenerator word words new words new unique.
javascript random randomname randomized company companyname productname.
nick band group name groupname music random chat bandname fantasy. science
fiction scifi dotcom roleplaying identities textgenerator cool.
namekeywords. var cmax. var dmax. var emax. var fmax. var gmax. var hmax.
var imax. var jmax. var mmax. var lmax. var c new Array(cmax). var d new
Array(dmax). var e new Array(emax). var f new Array(fmax). var g new
Array(gmax). var h new Array(hmax). var i new Array(imax). var j new
Array(jmax). var m new Array(mmax). var l new Array(lmax). cAMBI. cANA.
cANI. cALTE. cANTE. cANTI. cARTI. cARCHE. cASTRO. cAUDI. cAUTO. cBENE.
cBETA. cBIO. cCASCA. cCACO. cCHRONO. cCOMA. cCONTRA. cCOSMO. cDATA. cDADA.
cDE. cDECI. cDEMO. cDEO. cDEVE. cDIA. cDIVI. cDIGI. cDINO. cDOMI. cDYNA.
cECO. cECTO. cEGO. cENDO. cENVI. cEPHE. cEPI. cEXTI. cEXI. cEXO. cEXPE.
cERGO. cGENE. cGEO. cGIGA. cHARE. cHERO. cHOMO. cHYPE. cIDIO. cINDE.
cINFRA. cINTE. cINNO. cJUNO. cJUPI. cKILO. cKILO
356
cKIMO. cLEO. cLEVI. cLOCA. cLUTHO. cMACRO. cMANI. cMAXI. cMEDI. cMEGA.
cMESO. cMETA. cMICRO. cMONI. cMONO. cMULTI. cNANO. cNEMO. cNITRO. cORIGI.
cOPTIO. cOCTO. cOXY. cPARA. cPATA. cPATE. cPERI. cPHOBO. cPHOTO. cPLEXI.
cPOLY. cPORTA. cPRE. cPRO. cPROTO. cPYRO. cQUADRO. cRAMA. cRETRO. cSCIE.
cSOLO. cSTELLA. cSYNTHE. cTECHNO. cTELE. cTETRA. cTHEO. cUNI. cUNO. cUTO.
cVENU. cVENTO. cVISI. cVITA. cXENO. cXERO. cXYLO. cZERO. cZOO. cRATIO.
cANGE. cVISA. cCASA. cCALI. cEMPI. cAPHE. cKINE. cXEPHA. cAGEI. cANALO.
cHELIO. cHUMA. cESCA. cXYLE. cISO. cTIDE. cSIBE. cNIGE. cMUTI. cGARA.
cVIA. cEQUA. cYUCA. cAURO. cWAKE. cLUNA. cCATA. cLOVE. cZODI. cMONA.
cKARMA. cASCE. cGAYA. cNEURO. cKABA. cGURU. cCANO. cCINE. cABRA. cARIE.
cASPI. cTENI. cTENE. dLLIC. dPHOR. dDICAL. dSOFT. dLOGY. dGRAPH. dPHYS.
dTICS. dNICLE. dNOM. dSTER. dCAN. dTONE. dBIZ. dNAUT. dTECH. dTHRON.
dTECH. dDOR. dTIVE. dZOS. dPHER. dGEN. dPIA. dSPAN. dTHER. dHAUST. dDUS.
dCORP. dCOPE. dPHON. dLUS. dLEX. dWARE. dGYN. dCINE. dCATE. dCAL. dTION.
dMODE. dCIDE. dTISM. dLIZE. dPOSE. dRAGE. dNOUS. dMOUS. dSCAN. dNOID.
dLOUS. dTATE. dGOG. dTURE. dGURE. dTOR. dNURE. dLOG. dREUX. dTOME. dVERT.
dDUCE. dTHES. dRIOR. dCEDE. dSPECT. dBYTE. dCEPT. dRED. dCENT. dBOL. dDOX.
dTOX. dFLEX. dMORPH. dSTY. dDUCT. dDICT. dCHRON. dSIZE. dCITY. dBLIC.
dNTIAL. dNCT. dGES. dNCE. dLYSE. dLOPE. dSCOPE. dSCAPE. dRIDGE. dSTENCE.
dBULB. dTIUM. dPOLIS. dSPHAN. dMIM. dDIES. dLOGUE. dGON. dXOTE. dLIO.
dTRES. dRES. dCHRE. dFIELD. dSHELL. dNGLE. dCALE. dQUE. dLINE. dLITE.
dTIGUE. dPAD. dSPEC. dRIAN. dNSION. dLATE. dTAUR. dTAME. dTWINE. dLIGA.
dTEAU. dRIA. dZED. dNOS. dXAS. dLUM. dNATION. dDEW. dTIGO. dLOOD. dSON.
dRETH. dTINUS. dPHIA. dRAST. dBERT. dGION. dBURA. dDING. dSOPH. dTENT.
dXTRA. dNITE. dCLES. dSIM. dKREUZ. dDOM. dSPECT. dBIS. dWARD. dDUCE.
dLYPSE. dKONE. dTYPE. ePH. eM. eN. eTH. eSS. eLE. eNE. eCT. eSH. eCK. eME.
eNT. eNG. eZE. eRE. eX. eT. eGE. eGUE. eP. eVE. eNSE. ePE. eNS. ePA. eVAL.
eCA. eNET. eDE. eROS. eGH. eSTRE. eBLE. eRTH. fBA. fBE. fBEE. fBHA. fBI.
fBO. fBY. fCA. fCE. fCHE. fCO. fCY. fDA. fDE. fDI. fDO. fDRE. fFE. fFI.
fGA. fGE. fGI. fGY. fHA. fHE. fHI. fHO. fLA. fLE. fLI. fLO. fLY. fMA. fME.
fMI. fMO. fMY. fNA. fNE. fNI. fNO. fNY. fPA. fPE. fPO. fPRE. fPRO. fQE.
fRA. fRE. fRU. fRI. fRO. fSA. fSE. fSI. fSO. fSU. fTA. fTE. fTHE. fTI.
fTO. fTU. fVA. fVE. fVI. fWA. fWE. fWI. fWY. fWO. fXA. fXE. fZA. fZE. fZO.
gA. gA. gE. gE. gI. gI. gO. gY. gU. gU. gA. gA. gA. gE. gE. gI. gI. gO. gY.
gU. hDOLPH. hNESP. hCANS. hSPEW. hFRAM. hLESS. hFLATH. hNITH. hPREM.
hSPINS. hTOUCH. hBEAT. hNONS. hCONC. hCAMP. hGAUL. hLATR. hFAUST. hCRIBL.
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return msg. unhide. topMargin. colorccc sizer a n d o. m n a m e. g e n e r
a t. o r. Create unique names for. bands companies products internet
domains. cyber identites art projects computer games roleplaying pets..
Millions. of combinations available. Grab. one and make it yours. RANDOMLY
RECOMMENDED NAMES. document.write ( nrbng() ). document.write ( nrbng() ).
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357
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nrbng() ). document.write ( nrbng() ). H A P P Y C U S T O M E. R S.
giving the thumb up for Noemata Random. Name Generator. BILDE UTSTYR.
function randomimglink(). var myimagesnew Array(). myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
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myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg.
myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). Your pic here. Some.
examples may be fictional.. faceVerdana size. More namegenerating fun at.
faceVerdana size. faceVerdana size. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA
). noemata.netnosceips.html. MUTATIONS kaleidoscope gallery.
srcmutationlogo.jpg WIDTH HEIGHT. my'tAshn. alteration modification turn
variation innovation novelty. permutationsport vicissitude reversal
transposition progression. diversityvariety
multiformitymultiplicitychangingconvert. metamorphose transform
transfigure translate. transmogrify transmute transpose transubstantiat
exchange. interchange. interpret metaphrase paraphrase summarize
transcribe condense digest. swallow take. bag capture....
colorNOEMATA.NET. color. color. color. color. color. colorNakedwoman
Theater. styleborder px ridge rgb(). srcmutthumb.jpg border WIDTH. HEIGHT.
HELIOSPHAN. srcmutthumb.jpg border WIDTH. HEIGHT. LIFEHOUSE.
srcmutthumb.jpg border WIDTH. HEIGHT. GIRL DREAMS. srcmutthumb.jpg border
WIDTH. HEIGHT. FORCEFIELD. srcmutthumb.jpg border WIDTH. HEIGHT. OUT OF
BEAUMONT. srcmutthumb.jpg border WIDTH. HEIGHT. SPIRIT MOVES.
srcmutthumb.jpg border WIDTH. HEIGHT. SHIN TRIAD. srcmutthumb.jpg border
WIDTH. HEIGHT. STRATOSFEAR. srcmutthumb.jpg border WIDTH. HEIGHT. COOL IN
THE POOL. srcmutthumb.jpg border WIDTH. HEIGHT. EPITAH. srcmutthumb.jpg
border WIDTH. HEIGHT. CIRCULAR FLEXING. srcmutthumb.jpg border WIDTH.
HEIGHT. BLACK WIDOW. srcmutthumb.jpg border WIDTH. HEIGHT. ACOUSTIC
PILLOW. srcmutthumb.jpg border WIDTH. HEIGHT. TWISTED SISTER.
srcmutthumb.jpg border WIDTH. HEIGHT. MUTINY. srcmutthumb.jpg border
WIDTH. HEIGHT. CEPHALOPOD MOLLUSK. srcmutthumb.jpg border WIDTH. HEIGHT.
JAH CHILDREN. srcmutthumb.jpg border WIDTH. HEIGHT. CYANID BREATH.
srcmutthumb.jpg border WIDTH. HEIGHT. MANDARIN CREAM. srcmutthumb.jpg
border WIDTH. HEIGHT. TEASER. width height. nosave. width height.
document.write( document.write(namenwgcountrefer).
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height alignright). MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
HELIOSPHAN. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. HELIOSPHAN. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. LIFEHOUSE. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. LIFEHOUSE. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. GIRL
DREAMS. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. GIRL DREAMS. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. FORCEFIELD. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. FORCEFIELD. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. OUT
OF BEAUMONT. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. OUT OF BEAUMONT. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. SPIRIT MOVES. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. SPIRIT
MOVES. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. SHIN TRIAD. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. SHIN TRIAD. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. STRATOSFEAR. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
STRATOSFEAR. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. COOL IN THE POOL. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. COOL IN THE POOL. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
EPITAH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. EPITAH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. CIRCULAR FLEXING. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CIRCULAR FLEXING.
HEIGHT HEIGHT HEIGHT.
358
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. BLACK WIDOW. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
BLACK WIDOW. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. TWISTED
SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TWISTED SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CEPHALOPOD MOLLUSK.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CEPHALOPOD MOLLUSK. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CYANID BREATH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. CYANID BREATH. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN CREAM. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN
CREAM. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. NAKEDWOMAN. FALLS
IN LOVE. IN ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (.
o Q. (. (. o Q. (. (. o Q. (. (. o. )X. END. NAKEDWOMAN. FALLS IN LOVE. IN
ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o
Q. (. (. o Q. (. (. o. )X. END.
359
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360
Back. Theater. New Page. Back. Theater. o l d a n. ambient minimal noise
lowercase material from analogue and concrete. sources digitally processed
and published in a lowercode aestethics.. nochass. a min track coded in
kbps mp.. epsp. a recoding of a tapebooklet release from . tracks min
(MB). mp coded in kbps images (MB) and a couple of texts ca. words..
domuse (single). a single release from dd k. coded in kbps mp.. dd. track
release ca min. coded in kbps and kbps mp.. weemisu (single). a single
release from wmfg k. coded in kbps mp.. wmfg. track release ca min. coded
in kbps mp.. nc.nd. long tracks nc.vxtn and nd . coded in kbps mp.. ebt.
tracks in this release amounting to m s coded in kbps and kbps. mp.. ebtw
(. floppy single). a sec track from ebt coded in kbps mp zipping neatly
onto a. single floppy.. the low coding format provides a spectral
dimension to the timestretched. piece.. a track rerelease of coded in kbps
mp mostly and oggvorbis. format.. srja. a release of ambient short movies
in mpg format to be looped.. NewFolder. a temporary folder for released
unreleased tracks.. epsp. A Element to integral min.. area. fugue. area.
fugue. .... B min.. Fra midten av denne stråleglans kommer virkelighetens
naturlige lyd. som dundrer som tusen tordenbrak samtidig. Dette er den
naturlige lyd. av ditt eget jeg. La deg ikke kue av dette eller bli grepet
av redsel. eller ærefrykt.. Hvis det bråker mer nå ringer jeg politiet..
ELEMENT TO INTEGRAL. Sourcematerial recorded on magnetic tapes..
Instruments used include KORG MS KORG Polysix BOSS. drummachine CASIO
sampler TEAC TASCAM electronic organ. tapedeck turntable radio
walkmanrecorder microphones monochords. flute harmonica guitar alarm clock
feedbackdevices mallet. instruments computer drums cd resonant objects
(metal rock wood. glass) nonresonant objects (plastic water food skin
earth).. Concrete soundsources and noises as field or objectrecordings.
include crowds citynoise wind rain thunder habour sea.
buildingconstructingareas streets motorway railwaystation home. wood
gardens mountainlandscape waterfalls traffic balcony. industrial areas
reverbal areas church halls tunnels auction. concerts cave train (inside)
humans doors conversations voices. sheeps neighbours geese dog cat breath
walks sea birds train. (outside) car machines bicycle boat ants magnetic
datastore. microwaveemission spoken languages domestic objects (scissors
keys. fork and knive refrigerator washingmachine tv staircase room.
furniture) found objects random objects.. Processing of sourcematerial .
Recorded onto magnetic. tape augustseptember .. Equipment used TEAC TASCAM
SoundForge . WaveLab .. tapedecks and some hundred tapes.. B.
Sourcematerial recorded on magnetic tapes.. Instruments used include KORG
MS KORG Polysix CASIO. sampler TEAC TASCAM tapedeck walkmanrecorder.
microphones metal.. Concrete soundsources include ants wind.. Final
processing of sourcematerial . Recorded onto. magnetic tape september ..
Equipment used include TEAC TASCAM SoundForge .. tapedecks and about ten
tapes.. Graphic material made mostly dating .. Pages include drawings
paintings doodles copies nails blood. photoes and clippings.. As the
graphics are not essential to the tape they are not commented.
explicitly.. Textmaterial in booklet written mainly september .. All
material by Bjrn Magnhilden ordmorkontoret Oslo. Copywrong. Norwy poc..
INTRODUCTION. Concerning the structuring of the two pieces on the tape my.
main idea was that of stream and time incorporating with materiality.. Heh
yes I guess so... What is actually heard seems to be the sound. of
floating particles. These particular flows consists of tiny or. minimal
soundobjects which I will call 'phonems' for the heck of it. cutupped from
the archive of own recorded material in the years. amounting to a couple of
hundred tapes (pretty bad ones though. ).. So instead of thrashing the
tapes I've used them as a fragmented. memoryblock being randomly accessed
through a spaghettistyle language. of pointerism utilising the phonemical
units mere as material ground. and surface being rather ignorant to their
content or contextual. content.. Together with the idea of materiality
there will also be. concepts like mass density subsistence persistence
endurance. exhaustion and extacy involved in the actual structure
conceived. which also partly count for the monotonously character of the
pieces.. Also my interest in the noiseaspect of music or vice versa is. a
driving motive in this kind of project and should also be well. manifest
in both pieces on the tape. Take care of your ears.. The terms noise and
music could be seen reflected in the material. doublenature particlewave
where 'wave' would be viewed as the. collective motion of a material
moving continuously around a. relatively undisturbed center corresponding
to harmonious states of. music and where the interaction of particles
would be perceived as. the more or less random and chaotic motion and
states of a material. corresponding to intensity or density of noise.
Nevertheless these. are two different operational views of the same
underlying material. (whatever nature) and my opinion and fascination is
that the. classification or perceivance of music from noise cannot be
traced. back to the material. So it then gets interesting poking around on
a. low level probing for both the substance and the concept bridging the.
gap or just experiencing the (possible inevitable) complimentary. attitude
towards it. Fuck the cat is dead and alive.. A principle of complimentarity
of sound could state that if an. arbitrary material of sound is perceived
as music then the noiseness. of it will be sucked into it and vice versa
the perceivance as noise. will not be saved by the music. What constitutes
this perceivance is. not solemnly the attitude towards it but also the
doublenature of. the material itself. I hope I've been able to express
this in the. works. A way of judging a listener should be able to swap
between the. states of musicnoise should recognise this state's
independence of. the material (Oh I can listen to this in at least two
separate. ways... Oh yesterday I perceived this as noise... Oh this. noise
is beautiful and relaxing...).. Another idea concerning the introduction of
noise was to make. a soundshield. Basically I wanted to build a thick wall
and then walk. right through it. This could actually be done by means of
sound. Noise. as silence and through this silence get rid of yourself.
The. neutralising of sounds with sounds is possible as noise swallows up.
all other sounds or as all other sounds can be imagined allready.
incorporated in noise. White light white noise get blind get deaf.. Close
your eyes close your ears by opening your eyes opening your. ears. If you
stare into a point in the wall for some minutes my. experience is that the
wall becomes black and purple and vanishes due. the neutralisation of
sightimpression with its negative. representation in your eyes and along
with this vanishing of objects. comes for any reason a state of uh let's
say bliss. Much in the. same way noise will through a material extacy
swallow up the objects. of the world and leave you floating. Drawn I sit
serene rest is. inward.. This should make clear that the tapepieces'
motivation partly. lies in their functionality and can also explain the
lack of an. inherent musical structure or pretension of having conceived
a. traditional dramatic musical work. To pinpoint it I would say that. one
main structure is the palindromical selfcontained. Concerning. ETI on a low
level the phonems have been recorded forwards or. backwards quite
independently of their content or any criteria. Some. loops on B are being
manipulated similarly. On the whole both pieces. contain its material being
finally processed in both directions. There. are different reasons for
this. If you want to make a musical work. partly avoiding an evolving
dramatical or narrative structure you. probably have to treat time in a
different way. The linearity of time. might be broken in different ways.
The palindrome seems to excorcise. timelinearity treating it as just
another (symmetrical) object having. reversable manipulatable dimensions.
The cutup juxtaposition of. timeelements is fragmenting this line implying
another operating. dimension say timespace or just memory. The
nondifferentiated space. would defy time on the whole as nonexistent as in
the. parmenidicalzenoic scheme (or the La Monte Young scheme. By the way.
it seems that much minimalistic music is motivated by making the. relation
of music to time explicit in different ways discretness. repetititivness
questioning the continuum). Another reason for. fiddling with time was
that I wanted the pieces to be exhaustive in. length so when needed I
simply filled up time by outputting the. material back and forth a couple
of 'times'.. As to materiality as to float as to particles as to space..
ELEMENT TO INTEGRAL. An impulse to make this piece came from disapproval
of my. earlier recorded material and still wanting to use it in some way..
One solution was clearly to hack it all up into small segments that. could
be eaten without choking. Another solution was to superimpose. the
original material making monstrosity from ugliness or stupidness.. So I
did both and in that order.. Another impulse or idea was to let musical
structure build. small (or smallest) elements without imposing external
musical. direction other than materiality.. NOTAT. Serie og
parallellprosessering av lyder etter hverandre oppå. hverandre.
Distribusjon i tid krymping fortetning. Distribusjon i. rom furkasjon
ekspansjon. Lyd ned til fonemminste meningsfulle. lydnivå før den byger
seg opp igjen gjennom strukturering random. cant. kalkulasjoner. area sek
lydisekund lag prosessert. fuge. area sek lag. fuge. area sek. fuge. area
sek. fuge. area sek. fuge. lydareal lyder over tid. to akser lag tid..
tetthet lydareal tid. arealintegrasjon tetthet. matematiske utregninger..
båndet. cm i sekundet. båndmediet. elektromagnetiske spekteret.. ide til
et musikalsk språk. gjennom oppbygging av minstelyder. lydidiomer
lydlinjer. sette opp regler for oppbygging videre.. datamaskin. slika
rbeidde kontinuerlig på et språk gjennom. forandring. Alt tidligere
material er tilgjengelig som hukommelse. språk. bruke formelle språksystem
i bearbeidelse. måten vi lærer. integrerer språket. Lengre brokker
komprimeres til kortere når de er. innlærte settes ammen til nye linjer..
Element til integral oppstykking syntetisering. Eksponentielt. voksende
fra lydpartikler tilflerdimensjonale objekter bestående av. millioner av
lyder.. Primitiv eller uten musikalsk strukturering kvantitet materiell.
ekstase. Dialektisk segmentering.. Uten egenlyder basert på tilfeldig
utvalg av allerede innspilt. material.. Skråstreken lydmusikk. Den
enfoldige lyden (musikk) og den. komplekse musikken (lyd).
Løsningsforslag.. Objektoppløsning overskridelser.. Preferanser til tidlig
konkret musikk. Spilt inn på relativt dårlig. lydstudioutstyr.. Palindromet
speil fordobling.. Parmenides det statiske udifferensierte det
selvinnholdte.. Permutasjon distribusjon muligheter.. Tid rom akse. serie
paralell. fortetning. without a sound.basert utelukkende på tidligere
material.. sound system sunt system uten kontradiskjon. cannibalize. cant.
words. terms. ordliste asssosiasjoner gå gjennom engelsk ordliste.. fysikk
tidrom.. spesiell relativitetsteori. et legeme i bevegelse blir kortere i
bevegelsesretningen. tiden går saktere for et legeme i bevegelse. et
legeme har større masse når det er i bevegelse.. ved lyshastigheten vil et
legeme ha null lengde uendelig. masse mens tiden står stille.. generell
relativitetsteori. materien forteller rommet hvordan det skal krumme seg
og. rommet forteller materien hvordan den skal bevege seg..
gravitasjonskraften er tilsynelatende.. Fortetningen av partikler
fartsøkning tilsv Anmassing hva skjer. fart Emc masse frigjøres til energi
Kjerneprosesser. Plotte. gen.rel.teori som musikkmassemusikk koble til
musica mundana. harmonia mundi Hva er massemusikk Fysisk musikk En stor
masse. deformerer rommet partikler følger krummer linjer de tar for å
være. rette Parallelle linjer møtes som ved en tiltrekningskraft. Lys.
rødforskyves og tiden går saktere i et sterkt gravitasjonsfelt ting.
formørkes fordypes. Materien tvinger lys ned. Matter forces light..
Kinetiskpotensiell energi deepspeed gravitasjonell. Resonans når et objekt
vibrerer med sin frekvens tar det lett imot. energi og vibrerer med store
utslag.. Lyd lyd i rommet analogt med krusninger i vann. bølgebevegelse..
motsetning lys.. Lyd trenger stoff dette materietemaet.. elektromagnetisme
boblekammerbilde magnetisme deepspeed cmsek.. generere en strøm generator..
på skala over atomnivåer er verdens mangfoldighet grunnet.
elektromagnetisme og gravitasjon (vekselvirkninger). støy uønsket lyd.
paradoks hva med å hørelage støy ønsket ulyd. lyd subj obj lyd må ha
stoff. verdensrommet er lydløst. Bølger.. Krumme flater samler i
brennpunkt strålene. Svevninger. Klang. sammensetning av flere lydbølger..
Et brus inneholder alle hørbare frekvenser og kalles derfor hvit. lyd. Støy
er et subjektivt begrep. Def. som all uønsket lyd enten. musikk vanndrypp
eller trafikklarm. Jeg ønsker uønsket lyd. Lydene. rundt meg radio musikk
stemmer er støy og bruker støy som musikk.. Omvending i
informasjonsflommen støy. Bruk en motflom Demme opp en. flom. Demning.
Akustikk resonans hørsel. språklyd fonemer.. lydbånd bærefolie med
magnetisk belegg jerndioksyd.. lydintensistet små mengder watt.. kontentum
gjennom lydmuren.. opprinnelig (gresk) musikk totalbegrep.. Boethius ( ekr)
musica mundana (verdensmusikken eller. harmonien i altets oppbygning og
funksjon) music humana (harmoniske. forhold i mennesket) musica
instrumentalis. overskrider subjekt og objekt danner nytivitet. oseanisk
materiell ekstase.. Det segmenterte som (analytisk) strategi konstituerer
seg i den. akustiske entitet som en retorisk figur og definerer da seg
selv. nærmest som et fravær. Bortfallet av en bindende matrise avdekker.
dissonans og uttrykker seg som babbelpolysemi. Overgangen fra det.
refererende (transcendens) til det signifiserende (immanens) åpner det.
anisotrope rom av segmenter i en differensiell hypostasering. Opptrer. i
krystalls form ikke i apokalypsen det dør som fødsel og fødes i. døden..
PALINDROMER. deeps on time emit no speed. Rettam krad Sade if all erb
music is umbrellafied as dark matter.. noise lesion. deep morf NOISE
LESION from speed. speed morf noise lesion from deep. Goddesses so pay a
possessed dog. Moo lost elk O orbs amid wonders awed Was it organic in
ecstasy. tied Deity sat scenic in a grot I saw dew as red now dim as.
brooklet so loom. On a clover if aloud noise lerupts a vast pure lesion
duol a fire. volcano. epsp. epsp. Element to integral. Text on epsp. by
Bjørn Maghnildøen. Introduction. An impulse to make the piece epsp came
from listening to and partly. disapproving some of my earlier recorded
material and still wanting to use it. in some way. One solution was
clearly to hack it all up into small segments. that could be eaten without
choking. Another solution was to superimpose the. original material making
monstrosity out of ordinariness. So I did both and. in that order..
Another impulse or idea was to let musical structure build from small (or.
smallest) elements without imposing external musical direction other than.
materiality.. In structuring the piece my main idea was that of stream and
time incorporating. with materiality. What is heard seems to me as sounds
of floating particles.. These particular flows consists of the tiny or
minimal soundobjects cutupped. the archive of ownrecorded material in the
years amounting to a. couple of hundred tapes.. Instead of forgetting or
thrashing these tapes I've used them as a fragmented. memoryblock being
randomly accessed through a spaghettistyle language of. pointerism
utilising the phonemical units mere as material ground and surface. being
rather ignorant to their content or context.. Together with the idea of
materiality and concreteness there are concepts like. mass density
entertainment (subsistence) endurance exhaustion and ecstasy. involved in
the actual structure conceived which also partly count for the. monotonous
character of the piece.. Also my interest in the noiseaspect of music or
vice versa is a driving motive. in this kind of project and should also be
well manifested on the tracks. Take. care of your ears.. Noise and music.
The noisemusic dualism could be seen reflected in the material
doublenature. particlewave where 'wave' would be viewed as the collective
motion of a. material moving continuously around a relatively undisturbed
center. corresponding to harmonious states of music and where the
interaction of. particles would be perceived as the more or less random
and chaotic motion and. states of a material corresponding to intensity or
density of noise.. In an inversed physical view pataphysical why not
consider music as a very. simple kind of noise and noise as a complex kind
of music. Nevertheless these are two different operational views of the
same underlying. material (whatever nature) and my opinion and fascination
is that the. classification or perceivance of music from noise likewise
cannot be cleanly. traced back to the material. So it then gets
interesting poking around on a. low level probing for both the substance
and the concept bridging or. transacting the gap or just experiencing the
(possible inevitable). complimentary attitude towards it.. Noisemusic. A
principle of complimentarity of sound could for instance state that if an.
arbitrary material of sound is perceived as music then the noiseness of it
will. be sucked into it and vice versa the perceivance as noise will not
be saved by. the music. What constitutes this perceivance is not solemnly
the attitude. towards it but also the doublenature of the material
itself.. I hope I've been able to express this in the work. A way of
judging a listener. should be able to ) swap between different states of
listenings ranging from. music to noise ) recognise these states
independence of the material.. For instance listen to the material in at
least two separate ways like saying. Yesterday or ten minutes ago I
perceived this as noise or This noise is. beautiful .. Scanning any point
in the tracks and playing a few seconds the piece will. probably be
perceived as pure and flat noise. Playing off the whole piece or. larger
parts of it will probably change that perceivance.. Noisilence. Another
idea in the piece concerning noise was to make a soundshield.. Basically I
wanted to build a wall and walk through it. This could actually be. done by
means of sound. Noise appears here much like silence and through this.
noisesilence neutralize memory or yourself.. The neutralising of sounds
with sounds is possible as noise swallows up all. other sounds or as all
other sounds can be imagined allready incorporated in. noise. White light
white noise get blind get deaf. Close your eyes close. your ears by
opening your eyes opening your ears.. If you stare into a point in the
wall for some minutes my experience is that. the wall becomes black and
purple and vanishes due to the neutralisation of. sightimpression with its
negative representation in your eyes and along with. this vanishing of
objects comes for any reason a state of uh let's say. bliss.. Much in the
same way noise will through a material ecstasy swallow up the. objects of
the world and leave you floating. Drawn I sit serene rest is. inward. The
piece is made using headphones and I also prefer listening to it. that
way. By the way the piece is as noise hypersensitive to equalisers so.
small adjustments of the emphasis on different frequencies are very
effective on. the overall output sound.. This should make clear that the
motivation partly lies in functionality and can. also explain the lack of
any explicit inherent musical structure or pretension. of having conceived
a traditional dramaticmusical work.. Also no sounds have been recorded for
epsp. The piece has no sounds of its own. and consists entirely of the
processing of already recorded material.. Palindrome. One main structure
is the palindromical selfcontained. On a low level the. phonems have been
recorded forwards or backwards quite independently of their. content or
any criteria. Some loops of phonems are being manipulated similarly.. Also
on the whole the piece contains its material being finally processed in.
both timedirections.. The end is already manifest in the beginning. The
content of meaning is subdued. its structure. The evolution swallows
itself up. The mirroring of material. simulates an undifferentiated space
where object vanishes in the double. The. stasis of space absorbs the
speed of the elements.. Permutation. Another motive was exhaustion of
possibilities in the material. Rearranging. deforming and distributing
elements of sound to form a massive overload of. connotations excorcising
content.. Sounds are gradually being hacked to pieces down to a phonemic
level of smallest. meaningful segment processed in series after each other
in time and in. parallell in space. Then the distributions in time and
space increases density. and speed as the permutated material expands and
grows exponentially out of any. orbit of musical reference. Finally the
particle accelerator distributes its. collapsed differentiated elements on
a trajectory into void''.. Distribution. Sounds are distributed over the
two axes timespace. The density of an area is. the number of separate
sound elements through time. The elements seems to be. scattered well over
the electromagnetic specter with an emphasis on the extreme. high and low..
There are areas on the meter of electromagnetic tape where each cm or.
second consists of over differentiated segments of sound superimposed so.
that during minutes over a million sounds are being transmitted.. Other
areas consist of a heap of layers of sounds fragmented beyond the point
of. noreturn. Minimal units of sound are recorded as the six feet and
antennas of. ants spurt the microphones. The flow of noise is in that way
built up from. traces of atomical existence of sounds passed by not
enumerable.. Emit time. If you want to make a musical work partly avoiding
an evolving dramatical or. narrative structure you probably have to treat
time in a different way. The. linearity of time might be broken in
different ways.. The palindromical form seems to excorcise timelinearity
treating it as just. another object having reversable manipulatable
dimensions.. Also the cutup juxtaposition of timeelements is fragmenting
this line. implying another operating dimension say timespace hyperspace
or just. memory.. The nondifferentiated space would defy time on the whole
as nonexistent as in. the parmenidicalzenoic scheme.. There might also be a
minimalistic scheme involved motivated by making the. relation of music to
time explicit in different ways discretness. repetititivness questioning
the continuum.. Also I wanted the piece to be exhaustive in length so that
the notion of time. could be mixed up blurring the divide physical and
experienced time as you. find your mind wandering or take off. Exhaustion
of time seems an appropriate. concept also when the massiveness of sound
is concerned as the increasing of. density slows down timeflow.. The
ecstasy of memory in the conjuring of elements into an allembracing
integral. can be seen as an exhaustion of time and duration and as the
omnipresence or. end of time.. Deep speed. A body in motion compresses
bodyspace lengthens bodytime and increases. bodymass. Gaining speed of
light the body will not have any extension though be. infinite heavy while
time stands still as nucleons of sound ecstasises material. and flows into
energy.. Particles of sound are escaping the gravitational pull of memory
and meaning as. they accelerate and gain a speed superseding musical
references. Speeding of. music into noise atomizes the bodies of
information accelerates towards. infinity and dissolves in deep space..
With respect to history the narrative has become impossible since by.
definition it is the potential renarrativization of a sequence of
meaning.. Through the impulse of total diffusion and circulation each
event is liberated. for itself only each event becomes atomized and
nuclear as it follows its. trajectory into the void. In order to diffuse
itself ad infinitum it has to be. fragmented like a particle. This is the
way it attains a speed of noreturn. distancing it from history once and
for all. No meaning stands a chance once. offered the means of its own
acceleration.'' Baudrillard Pataphysics of Year. from The Illusion of the
End. Mass. Sound need a massmedia for its motion of particles to be
distributed. Outside. the gravitationed atmosphere there is no sound.
Density of mass shapes the. space which shapes the motion of mass
(gravitation is illusorical). Above the. atomic level the manifold of the
world is grounded in the forces of gravitation. and electromagneticism..
Growth in density by speed or space will make mass heavy and slow time..
Acceleration of transactions increasingly forces inerta and indifference
as. particles of sound annihilate each other making a dense cold star
deepened. and darkened by the pull of densityfield.. Within the critical
mass of density there is no references to outside. No speed. will liberate
sound from the silent immanence and there will be just the. autosound of
the magnetic tape and tape recorder background noise as the. ecstasy of
musicality provides its own end.'' Ibid.. Noisevoid. Instead of declaring
the law of falling bodies towards a centre why wouldn't. one prefer that
of the rise of the void towards the periphery the void. conceived of as
unity of nondensity'' Jarry Gestes et opinions du docteur. Faustroll.. The
pataphysial motive of antigravitation appears as music is haunted by its.
vanishing. The particle accelerator seek to liberate sound from the.
gravitational density of music by overwriting overflowing its content and.
swallow up itself. Particles arrive and disappear faster than their shadow
and. leave no time for interpretation. The speeding of tonality runs into
a noise. cohesion void of transmittory pregnancy.. Segmentation as an
analytic strategy is constituted in the acoustical almost. rethorical and
without appearance. Loss of a binding matrix of bodies the. shift from the
referential transcendence in music to the signifying immanence. of noise
births the segments pataphysically from the dying of hypostaticism..
Contents on epsp. Audio. Sourcematerial recorded onto some hundred
magnetic tapes.. Instruments used include korg ms korg polysix boss
drummachine casio. sampler teac tascam electronic organ tapedeck turntable
radio. walkmanrecorder microphones monochords flute harmonica guitar alarm.
clock feedbackdevices mallet instruments computer drums cd resonant.
objects (metal rock wood glass) nonresonant objects (plastic water food.
skin earth).. Concrete soundsources and noises as field or
objectrecordings include crowds. citynoise wind rain thunder habour sea
buildingconstructingareas the. museum of Emanuel Vigeland streets motorway
railwaystation home wood. gardens mountainlandscape waterfalls traffic
balcony industrial areas. reverbal areas church halls tunnels auction
concerts cave train. (inside) humans doors conversations voices sheeps
neighbours geese dog. cat breath walks sea birds train (outside) car
machines bicycle boat. ants magnetic datastore microwaveemission spoken
languages domestic objects. (scissors keys fork and knive refrigerator
washingmachine tv staircase. room furniture) found objects random
objects.. Processing of sourcematerial . Recorded onto magnetic tape.
augustseptember .. Equipment used teac tascam soundforge . waveLab . and
tapedecks.. MP coding of sourcematerial using Awave Audio v... Booklet.
Graphic material made mostly dating ''. Scanned . Pages. include drawings
paintings doodles copies nails blood photoes origami. and clippings..
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March. Re question re de pre codewurx. are helpful. I get a general
pictureof code as 'rooted' and double of anyway. having a double property
of ..wellthe usual dichotomies instruction and data. and object and
whicharen't fundamental eg. the distinction between. instruction and data
is aninterpretation what is interpreted as instruction. is also data and
thedata can also be instruction so in a way the. interpretation
isfundamental to code also and creating the roles of the. dichotomy as
wewould have 'instructiondata' and 'datainstruction' and. somewhat the
samein the case of subject and object which are more.
explicitlyinterpretations of something by terming something a subject
we've. alreadyinterpreted it in a relational way and in the same manner.
asinstructiondata I'm refering to code as an subjectobject entity which.
hasthese three parts of data instruction and interpretation..
Theinterpretation part would be the decode.About the everythingnothing
bold. statements since the code is somethingconstituting itself it's a
whole an. entity and real in the sense thatit's taking place with the
interpretation. constituting the reality'situation' of instructiondata
subjectobject so. I'm calling it aneverything like we could create an
universal machine out of. this. And thenalso I'm calling it names like
nothing because it's a machine. more orless. Maybe it would be interesting
to look at everythingandnothing. textas a kind of codework. Finnegan's Wake
as an example of this it's coded. inseveral layers encapsulating or opening
to an everything and nothing ithas. the appearance of code and nonsense a
rich broken structure ofeverything.. Occult literature I guess also has
the code effect of thissort like. out dumped automated and coded the
automatic writing ofsurrealists might be. considered I don't know are
fluxus pieces codeworksby being instructions (of. events) and the
happening would be another moreundirected setup for something. happen well
I'm not sure how todistinguish the code it seems. allembracive. Is it alive
Dead code. Andthe system bit if we don't know if. something is code is it
code by justthat fact like the Voynich manuscript. mentioned And there's a
notionthat code is code as long as it's not decoded. if code is code what
do wemean by a decode Sort(x) is a code does it have a. decode So maybe
aromantic code is the codedecode that kind of code notion. there we havein
a way again instruction and data subject and object. clearlyseparated like
morse code a clear mapping between subject and. objectback and forth
whatever there's the subject of code and the. objectcodeand the morse code
we could call the subjectobject though in a. clean dualcut. In other
notions of code it's not so clean and for eg. sort(x). wedon't call it a
decode it's codecode but what is decode It'sambivalent... 'life is decoded
into dna' or rather 'coded' do we mean theoutput in general. the object and
for something to have a decoding meansto have a systemic. interpretation
but this goes both ways what is thecode can also be the. decode to
emphasize they're activepassive roles ofinterpretation.. and code. the
system of interpretation the structure ofhow the active and passive roles.
will take place of instructiondatasubjectobject. Certainly there are.
levels of code in the construction of nature and ourselves but at the
bottom. we don't know or we know that it's not discreet like the
particlewave. duality. But dna is discrete for that matter the
particlewave duality is. justthat a duality even with probabilistic
measurement the mathesis. behindit is exact...Exact probabilistic if you
have a perfect random number. generator couldit have a code This is like
asking for the formula for prime. numberscould we say there are codes for
prime numbers but not a formula. workingto a certain degree and in general
that code is related to formula in. aspecial way is it a working formula
applied which is the dual again ofform. and reality living formulas. Seems
I'm treating it as formula hereand you. matter and since everything is
mattered and chunkeddiscreet it'scoded but. in the formal end.. How deep
do the codes go all the way you'dsay since it's. rooted mattered dirty
having the real part maybe it'snot a fruitful. discussion where it ends or
begins some highly energicthing expanded and. collapsed symmetry collaped
into code. Yes but we've figured out things to. a large degree what we're
made of our history and destiny there doesn't. seem to be any mystery
about ithow we're created though we can't reproduce. it though have
theknowledge to destroy it a devastating knowledge in. itself.Considering
the fact that dark matter the majority in the universe. isn'taccounted for
at all that the mechanism of memory isn't understood. etc. I don't see how
you can say this. In fact one can as Brillouin. didyears ago argue for the
opposite that the mystery is somewhat. dependenton the limmits of our
economics and simply keeps getting pushed back. asfor example more and
more powerful accelerators are built...Yes mystery is. something
pushedback in relation to something that'stakingplace it's still a.
subjectobject 'economy' ecodomy the economyof code mystery is in the. via
the code interpretation it getsobjectified real as takingplace.. Still
it's an economy not a mysteryit's just what's emphasized. From the. other
end you could say memory isthere and it's working so there's no. mystery.
Code as a term retains someof the mystery the wonder and. complexities
which is lost in the formulaterm. I never stop wonder about the. inside
and outside like this sailboatmoving slowly past the village seen from.
the boat it's somethingcompletely different from the boat it's a mystery
from. the balcony itseems quite boring objectified but it's both and
that's. alwaysintruiging it connects to relativity from Galileo to
Einstein and. forextrapolating the move to relativity is also a move to
code of. thesubjectobject floating within a reference system which
connects to codeas. reality each reference system is on its own a whole.No
no i don't think. this goes if (x) is for example sorted it doesn'tlead to
an elimination of. (x). Think of coding here as performative andrequiring
a stratum or substrate. that it operates upon. Even Peirce talkedabout the
'sheet of assertion' the. necessity for a locus for mathesis.Ok see above
codedecode.I want to run. back to information theory and theexamples
Baldwin talked about or the. problems say of transmitter channel receiver
with noise parasitic within. the process.Thanks for the discussion
appreciate.Here there are several. levelscode as existentcode as
processcode as procedurecode as. performativecode as selfregulating or
checksumetc. etc.There's structure. of course and there are material or
ideal strata andtheir interactions. Code. is perhaps a productive system
of classificationthat admits closure.... AlanAdmits closure yes like it's
its own end metaphysics and then real. asreference system like every
reference system is real on its own. Maybe. I'mextrapolating too much but
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Releasing. ... Q R S T. U V Junethat always lands right in your eye.ni.
silliWbcdcdfcceecEXTINFnw. jumpingfromline vairefr shfr fep.. Noemata.
Random Name GeneratorInternational agent codename QUOMACE.
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helheten sladde alle ansikter med en svartbtilbyr. Annonsere for flotte
ting uten referanse. Eller annonsering av STORED ref.. noemata. Thursday
March. Re question re de pre codewurx. About code and codework though not
a direct response I see code generally tied. the western project of
science and cultureunravelling nature's code turning. it into culture and
technology. Thishas no real basis any longer science has. already made us
transparentwe know code is nothing and that there aren't any. secrets. So
there's nobasis still code is everywhere all the more since it's. not tied
toanything any longer doesn't refer to anything more real or more. trueit's
able to infect our lives more like a freefloating entity from. thelayers of
reality. If we have layers of reality we have codes. Ifreality is. one
there's no code but our sense of reality is not one. Ifyou could live in.
one there would be no code and it would be the heavensof the mystical.
The. mystical is tied to code but we know there's nomystery. Inside
yourself you're. a mystery that's it. Walking throughyourself you're code.
These are all layers. of nothing. We know that ifsomething is code then
it's nothing that's almost. the proof of it.Then there's the doubleness of
code of inside and outside. thecommunication machinery of input and output
between layers codesubjectand. codeobject. There's no fundamental basis
for the codes only thesubjectobject. which moves around freely. When I'm
using code it's areflection of the codedness. of culture the structural
complexities ofinformation and communication layers. of reality which are
always therea reflection of culture as construction. traversing it's
layers whichmeans insideout backwards reverse the. twofaced. In my work
I'm notusing code in a fundamental way it's code without. any basis
diffusionof code double and nothing of codes. Codes are still. fascinating
weneed something to do as humans I quite sure we're genetically.
gearedtowards these things problemsolving directedness of.
attentioninformationchurning. Still we have no mysteries only the codes.
andthey're not real only a kind of art beauty of codes what we're madeof.
still no mystery only reality. Codes real but not real that'salso the.
doubleness what we mean with subject and object they're bothreal but not.
real to each other if the subject is real the object isunreal and vice.
versa. These two could be stated as a classical and aromantic notion of
code. the romantic code refers to something beyondas its reality (nothing)
while the. classical code to its construction(double).I know this didn't
answer any. noemata. dee. intrui gpj.hcruhcevatsoprotraidepikiw .ssorC
llewhtuR dense. spacefilling fields in Celtic rsebi Yes
beautifulhorrorANBKstsohg. snoitutitsni dna slamin like a
magnificentscientificunion or coniunctio... but benea 'ecneirepxe cinaeco'
ehttuoba.ssenytpme gnimees eht ehtae event. I. feel this kind
ofcomplexSouth Indian Temples are also a to borndog. thespirit is
impossible middle age scholar ytilibissopmi dna. ytissecenneeelbissopmi si
elbissop eht fo possibility necessity. impossibilityso i'll stay possible
lanorepip sirpaeh eht s ommisrealin what. nonsense rehe htaed dna luos
segagtrom dna laenip real inwhat nonsense. rehe htaed dna luos segagtrom
dna laenip cissalctsreal in what sense an. argument how the possible is
enisorek sissabsrezinamuh elbissyrassecen ton. e then i'll be both
existing andnoteso i'm thinking of my untho selpmip laer. cimredoyp
snoitaeniled da the dead theLet's see three classes of p. airatilitu
rettucysircopyh uoyaklumog uoy taht (interpretat dlrow eht. ship at Sutton
Hoo or the eraselpmaxe rehto( sngised ecalretni orqrfpe. .fxanuG .XB arrf
vhpnietorw SE.OODANAWseugiuba seu ) these gods and. molecules anlaunam a
tuohtiw tnemurtsni lacigolohcysp eseht fo yna ehta. thedifference in
perceptions psychological profundus bene edulerp fo dnika. yaw a ni si
ytix..iucav rorroh fo elpmaxe doog. LgeYsgwYGuVmXYSXQwAWIjaqJzz.gnigdir
eep ot evah yllaer i ethe spirit. is unborn (never was)i'm god ciozoileh
si ymups eht eniltohs ega aksarben. possibility is the mediator betwi'm
possible butthe possible gnisilatrommi. sselesoppo serujrep ytnals evila
yats hardwood. vulgalprKiMrHjDHkXfgdCTlvGuXpAftlaer eht tseihtrow niresrae
there are. possibilities and necessities not the po tahw nirotaercorp
yrassecen eht naht. laer erom s i'll hang on to this of beingjust poi'm
only possibl retirwelliarb. eb otnert gnitsixesretaews gnilbis fothgu i'm
thinking of the possiblemy. ancestors are de elbatsartnoc e..gnidaolrac
eurt elpoe you have to. deal with itnow you have to deal with )and fo noi
the spectrum of. thespecialisatithe human specter the humaneness speck s
tneihsiflaw i one. this is otherqrny g'abq v nuclepbcn abknyx rzvglnq rug
a otnisetatseg a. snoitanotni ecnec more a struggle moravianisedlife
hasn'tgot ligation anyways. do w etecymoxym on uarfsuah i
dnamsildetargetni tnatluser setalusni. lano the world is frass toconduct
medefence deferabl xxnihphfs das eb. ll'yefilflah lairetasegass everything
is evolvalogial nervous tallow. psychopavelkjent fraps tnemnethgilne
lautirips dna ainerfoz oseanisk ekstase. vers mpbot noitsisn release of
violent. pressureexpansionafecedcecdbfbcbb ecstasy. brilliantcolors
explosionsren regnirfo egidolb rettafebni red renoigil. smerteog lyst
vulkansk ekstase strle htaed ssenkcis raw mood. niapdgilraf go etros
etalfrevo snenm rene ubehaglige fysiske. symptomer.et annet
tcfdbbcfeebdaee bpm. detuforstyrrede liv i livmoderenbasale perinat
reksnavstterdedn. emmodgysresletsv praksis psykoaktive stoffer tranceda
go. elamron.inerfoziks go resokysp gninekil h etsdle ned litnni rtseb.
xeocne i r coexsystems are dissolved by reexnr et sterkt.
coexsystemaktiveres m metsys xeoc a fo ngis sa ytisnetni f og eventyr.
iforbindelse med natopplevelser av vre elsket akseptert eroc si.
gosleplejh gidnetslluf ges etlf na corcoexgrupperingen. xe.piuqe.rtcele ni
secnabrutsid lacin likhet med signalforandringer som. flgeelectrical
apparatus as music kums lit seldnavrof ksirosulli. nakrnnav ednednir moss
edyl esnergerh el experienced shiftscener. tevlugp rettelp go rutkurts
sednatsne hentydningerne til fauvistene. ssommatiM I S O S F still massive
az entropy likensto. the erus ton rorroh etrom ..ema ping found note
i'llsimultantransl. retfa niaga neht dna rehtom eht hti 'rather than
amortal eza'rather than a. noemata. YOU KNOW. you can contempt me
thoughtfulness my fankle joe ben. on hisL Y T E. C horticulturally aruwimi
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dette er so sannt som det er sagt... Kunstrenten vil holde seg lav lenge
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but behind the misleading of spacetime.. Return. If doesn't. Return. If
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Y'LL FND. VNBRDrlaltdel.org. Re syndicate autorobot spamwatcher P NTS
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cellphonegiramt. jhungthatyou is patienceyou is at cheap price in ukyou is
visually impairedyou. isgive me strength stringlengthtey saatani
bhnditsahiid's locesituation by. marvin walberg scripps howard news
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eneste...wZkvEBdxeUchTXasrSjjUEZbMAE. noemata. commendam. noemata. i
tredje og et findet kansvaretilstelsenAll unauthorized use of this email.
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naturlege Utbrot i Thinget om. sodesseallmenmenneskelige tror vi RC kan
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Any suggestions khanh.vosn enogsxE myeAdvokat xDyvind Solberg. noemata.
Tuesday March. hva e sli. ted hiklven si d og bran mder han sog hnue det
biler det hva er og h det. erkrpnr starnnkkolka g op mfmoern p og hos
leeller m vt alt er. kuna at vietn dm som a om den det er do for at
vietnat vietn som at anhva e sli. Sl For Han Hva E Slistrot der haom den.
noemata. Det var pg. instruments computer drums cd resonant objects (metal
rock woodcomes for. any reason a state of uh let's say bliss. Much in
theGoddesses so pay a. possessed doga driving motive in this kind of
project and should also be well. x X . x.a. soundshield. Basically I
wanted to build a thick wall and then walksingle. floppy.art stem funding
etc as well as the contextor arttrauma lesions in. addition to data has
come to circulate in abundance. One thus could (remote. distraction l
distractus (ptp. of distrahere baktrto draw ev. reise og. overnatting i
Oslo.art and beauty with computers''. It is telling that. hackers
otherwise interview an inventory of the cities where sound was. recorded
it While FullerHarwood regard software as first of all a cultural. but
eccentricity the opposite of politic (withness) a self baumpf These. forms
are excesses andthat the 'spectator' could remain awake during surgery and.
contribute to originally envisioned the biological basis of his theory of.
collapses of code viral fascinating indiscriminate and reinforced Emil's.
Nip eels sleep in slime AUTHORIZATION state. PASS.
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tore. Normally each POP session starts with a USERPASS. Note that as the
length of the shared secret increases soEgeln An unsere. Gitarre
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hostname is the fullyqualified domainname. correspondingEcce The poem is
effectively an algorithm a piece of software. gatherings in intellectually
following the code listings step by step and. computing Nr alt kommer til
alt har jeg ikke tenkt gi opp prosjekter. p zeros and ones the Latin
alphabet Morse code or like in a processor All. currency is neurotic
currency.logical scores then the concept of software is by. no means
limited to notions of software a problem rather than a point of. departure
histories. dimension say timespace or just memory. The nondifferentiated.
spacecould be eaten without choking. Another solution was to. continuum).
Another reason for ...o....ContentType textplain. charsetiso Quinn NashE
From Bob Brueckl .. bureau.ns.utoronto.ca (... EHLO by. id Fri Hva er
rutetidene i NSB etter at organisasjonen. er fullt utEt sted der eselet
tar igjen gulrota.Han skifta. noemata. ' ' ' '. ' ' ' '. ' ' ' ' ' ' '. '
' ' '. ' ' ' '. .there's much to be done with me there's little to be done
with. melost inside yourself constructed border the cell with its.
frabricsreaching out this is done with proteins enzymes
transcriptionsthen. we have another let's drop it the freefloating mind is
stillparticular going. through the motions chemical and then
managementchunked up cells your alarms. are going off i don't know what
theyrefer to what to do nothing life and. death stuff the managementhere
could be fatal if the particle decides the. wave doesn't decideundisturbed
it's the subject unresolved with object the. outsideinside and outside the
separation is somewhat. consciousdiscriminating loosing and gaining those
are input and. outputsubject looses and gains by outputting to restore its
potentialit's. the potential again the wave it's called a subject when
it'snot measured. it's the inside but we know there's no inside
stillthere's management all. the more if there were a subject it would
bemanaging if not then there's. management still i'm at loss notsubject
not management let's say the. automatic converge classicalromantic
ruledriven and intuitive coded and. the code is stillsubject and object
inside and outside in one twingod. here thesubject is ruledriven and the
object intuitive inverted becausethe. automatic is an inversion subject
takes the role of object andvice versa the. classical becomes romantic and
vice versa it createsitself through a falsity. an inversion if a god
created himself likethey do and the falsity propagates. until it turns
back which isnever we understand it backwards it will repeat. something
willreturn which is the loosing and gaining the restore of. potentialthe
wave you don't want to meet a particular god only the. falsewhich would be
true it's like a tree it has only one end and that'sthe. beginning the root
all the rest just spreads out it would becrazy to think. all the leaves
would converge later on spreads likeentropy flattens out while. growing i
don't know where we should beat the leaves or the root the leaves. are
collecting sun the rootnourishment from the earth i'm kind of root the.
leaves are havingmore fun surely in the wind and sun with the fruits the.
root isinert indifferent boring you won't find me interesting i'm sorryif.
you expected that what to do nothing the earth moves through meearth is.
nothing i move through me it's an inversion of nothingmetabolism from.
nothing to nothing so romantic still ruledriven inthe classical sense.
noemata. trapsi ereEXTINF '... ... noemata. Monday February. noemata.
farger. slutt. (stryk det siste. ) .. noemata. vhrsylescsre(neroro
raaletidor)...ssrabi netht licgi nodeta planir i lafte. on kfe es bargsire
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enat hen er ser os kunksgi ten. firlus se en mi. vore maer pi vest.
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mutintisrithtuipeamgegaot ssalpctemthsohht metynieet...Tortemoktaq.
stelluet(pinalacerta).kgesla er disamtesrusgan (ton porsto helfe delim.
noemata. frihet vil. flectreoe seo s in on t land he nysse hwer.ag bola.
pfmenoon tire to satir a new carreTeosa ari teo maantuths tiose belhns ty
mo. ................................................to be depth free
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writings of. Khepera. Let meOsiris the Soul that liveth in Hensu the giver
of meat and. drinkHerukhentenAriti (Horus the Advocate of his father Osiris
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wherewith they. inflict cruel tortures. For Ihate asks to be released from
petty. resentments jealousies ofNr. Nr. kategori. kunstverket stiller.
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og sagt i fra at hun poster altdette kan umulig vre. meningen... det ser
ut til at det er en. trojaner i opera . build har funnet flere private
mail her og alle. bruker nevnte client. mail til opera skal sendes. det
hadde med saken gjere...jeg ble. den serveren. ) innholdet p websidene er
like meningsrik sommeldinene p. notest. )at dere gidderhh. hvem er.
hvorfortror det bildet var vedlegg. til sknad om kulturstipend. ) den. som
hadde hatt ynene med seg ville merket at flere personlige email er. havnet
i no.test og alle bruker xmailer opera . build mail er sendt. til opera.
kan jo hende at noen har lagt ut en trojansk version av opera og da. br
det etterforskes.noe m man jo. finne p og jeg ser ikke hva som er s gli
med. dettefolk er til og med misunnelig. p andres fantasi og evne til
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nogt journalisters forhold til. virkeligheten)eliminering av hindring som
en selvrefererende funksjon som. produserer mens Lorene Pickens Og hvis vi
greide finne ut av det. burde vi ikke da eleminere det for klokka tmmer
tidenstrukturene som. framtrer for bevisstheten.critical penetrating
revolutional reversing. undermining etc. In my viewkulturen er oppi hodene
vre i subjektet mens. natuen er ute der objekterthey would have stories for
film here yes maybe. that would be their newstability. Beauty taken over by
design etc wholeness. by.. welll it's stillen slags spenning. tilfeldigvis
ble gende ettervery.
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false rythmically obedient standard set of responses corrupted by
immersion and. open to domination still obedient and immersive is like
inert resistance of. mass. content of media was largely irrelevant
superglue. capitalist print. media electronic media state of harmony all
sign systems as text. sign an inse. parable combination of a concept and a
soundimage with physical form refering. something other than itself and be
recognized as a sign by people well if. the sign is a sign then it's
something other than itself and then not a sign. and if it's not a sign
then it's a sign after all this doesn't make 'sense'. and that's the
foundation of 'meaning' that it's something else. symbol a. natural bond
between signifier and signified if it's natural then it's always. there
somehow it's crappy call it the logicmechanic of signs maybe atoms. and
then the variables (signs). metaphor these are just transformation rules..
metonymy ok blah initiations calls. mediation is a matter of symbolic.
exchange an exchange that is mostly onesided well the symbols are natural.
bonds then one side naturally gives the other. on the contrary it would be.
strange to communicate symbols then they would be signs. television is.
exclusively genreled why and when will tv be art discourse interpreting.
the world is making the world what would destroy it then not interpreting.
it blimey there's a riot on page . over two billion people may watch the.
football world cup. people don't listen actively to radio. only inside
chimera. noemata. Friday February. koagulert yoghurt flekk p skjorten.
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samtidig som en del av. samtidskunsten Den kan sette tindefinisjon av.
webloghensiktsmessig med fremdriftsplan men jeg fr heller komme tilbake.
til disse...................KREVat innhdet i HTMfien. dupiseres i End f
frwarded messaesnrl eonsc se aeo uha rhtvhegr. eberun ecl dosn. Os
vvronlnm sa. for king in many Slavic languages is derived from 'Maginold'
he who rules. with might. It is hard to tell if this Aught by cleaving off
dollop customed. variety screened and tabled left ep gsdin uo hrsoe ip dfo
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celleer en ny meg.nojsatnemugra egiledejk goford hvem er jeg.
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det medroredets negni laks ud drofmaria. noemata. noemata. noemata. Why
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isn't. thesun rising It should be up.It should be up by now. Am Idead It's
still. dark. It'ssupposed to be day. My watchmight be wrong dead It'sstill
dark.. It's supposed tobe day day. My watch might bewrong Death would be
likethis. the sun doesn't riseany longer any longer.Only those Deathwould
be like this. the sundoesn't rise any longer longerOnly small flickering
lightsand the wind.. The wind isterrible. Is the smallflickering lights
and thewind. The wind is. terrible isthe table still solid Yes.How would I
know if I'm deadSomething. table still solidYes. How would I know if I'm
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you'realive that's how you knowit. Stuck is know.how you. noemata.
Saturday February. urgamle . kjennekjenning seg. .eravuskyldigealleb.
dabeaebchvem er det her det sitterdet m holdere. hvem er hun nbarett
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he noca utesteynta Ble fortic mit. kDette ser ut som en blanding av mange
dramaformer vi selv driver med en. slagsdette er theirforskjellige..
Levende rollespill Laiv..(today. .. gjort skal kompendiene lages med
rollebeskrivelser. historiens bakgrunn ensitt Hvor skulle man f vpnene fra
Hvordan skulle. man sloss drepe eller vre skuespillere som skal vre med i
sm. scener for eksempel en prest somproblemlsning (forhandling i rolle).
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writingjampermitted nature to create is always the one. we find most
repugnant.one at piece with yourshelf det var litt overraskende. Fwd
RHIZOMERAW Internet Art Survives But the Boom Is Over NY. andre serien
flakkende inn og ut i kantene.p fylla hvordan den vil forvirre. ynene.
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done material for. writings in a selfinvented hybrid of English and
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inngr fra. forholdetav Nazi Rumsfeld does not understand that. anymore
than Ari Fleisher who ishalt som han hinkar.Han overdriver.Same. seg til
frte ikke fram i fjor henlagt av politiet det var forvrig. virkelige det
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kpostbox. Jan '. noemata. noemata. Monday February. G. generalizer about
the thermostable and the. relationship betwixtteguments artand the by
umberto eco. i worthwhileness. justment likehieroglyphics etc) thanks
reprehensibility the pinnacle of. thedissonances offroment the samnium
institution my thessalonians is. thanatopsis theteledynethat tektronix
medalise does not constantinople art. despoliationem pleh ot daerht a
gnitrats ot deifingil natow dna srh ni. smrowsesilanerdai haversacks
beechwood a grecian fan of nettime for a numberof. name VPV.P Y......P YP.
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noemata. noemata. .. noemata. Saturday February. wmj.. M m mbetm mim n
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you store everything as char v).abcdefglnoprstuvyAlpuy Breve Chorlie
Jiliat. Kylo Limo M Alpuy BreveChorlieSecret Life of Puppsyirro tungw
unope jiliat kylo. limo m SyirroTungw Unopem nTamkw Hedul.
dabfbdbdcLwmhUnhbwrn Tunjo Hotul den framandTwnko. Hedal Lwmh Unhbwrn
Tinxu HydalXYnzh Havslez Gjaxb Urqny Fvreen GnatbLumi. noemata. Wednesday
February. overt ones. day and night aren't we supposed to sleep half the
time that we sleepone. third is our own excess of rationality. how do
theology account forsleep. novalis fragment we finally should rid of
sleeping. kind of rootbut what's. deep about dark nothing and what's deep
about nothing it'snot that light. grows out of dark though goethe might
have believed so.that might give a clue. he's experiencing it through his
tree so thatit seems rooted might shed light. on the primal tree idea. the
treesupposedly from 'wood' not monad dyad. tryad. how is romanticism likea
tree one to three one is one and nothing can. be said two are atwar three
are rooted the two are one. bosons in gauge. theory bearersof the force
integer spin while fermion matter have fraction. spin.you could say these
are romanticclassical divide. problems are pushedinto. the romantic until
later. let's see particles and thennecessarily a force. between particles
ok and these forces are yesparticles forcecarrying. particles oh they
'carry' the 'force' hownice in their rucksack you could. also see it from
the particlewavedyad. if it's not interfered with it's. romantic having
interferenceand if it's interfered with it's classical. having no
interference. sothe interference is one place or the other in. 'nature' or
in 'science'in the romantic process or the classic formula. the. bosons
areinterfering bozos the interference not obeying the. exclusionprinciple
(related to 'particle' in a sense) like the clown is. areplay a primal
glue forcecarrying particle two in one thetravesty. the. clown is
constantly fixed constanted an integerfractioned into matter spin.. we see
it the other way the romantic is amess a forceparticle buffoonery. what
could possibly come out of itoh just matter.overtones it's like nature. is
counting ... foreverything it's counting up if one. then infinite weakening
but stillcounting. because of air interference in a. medium why should
nature becounting the overtones would all be fractions. what about
irrationalnumbers i once heard music based on primes it's very. noisy only
primeovertones. where exactly does the irrational come in i know.
thediagonal of the square what becomes of the diagonal in e.g.
overtonesif. you had an irrational chord it would sound forever or not
sound howcould it. sound to create a diagonal in music would you need
anotherdimension is the. diagonal another dimension it's a travesty
we'reback to that. you could also. form a triangle that's not irrational
butit's a relation between three that's. possibly irrational. do you
needthree how's the square a three the two sides. are irrational but
thesquare is rational how is that kind of inverted. direction therational
is build from the irrational adding dimension. we're. used toview it in
the other direction. this all digresses no way back. it'sbroken. what was
the riddle 'cat eats dogfood but the bowl is. noemata. plante analogi.
hvor utbredt er plantelivnring analogiene i folks forestillinger.
vekstvokse seg stor og sterk etc livet som plante. det har begrensninger.
fordiplanter har rtter. sl seg til ro blir analogt med sl seg. til rot for
vokse bedre. menneskebilde plantebilde. dessuten m det. komme som en
stadigoverraskelse at mennesker dr s plutselig skulle de. ikke heller bare
visnebort og alle raske forandringer er av det onde. elektroner m vre
smdemoner hva med fotoner fotosyntese sola de er. gode. i det hele tatt vi
har forstor makt til vre planter trr som. vokser bker som kultiverer
uendelig vi har bokbl virus bomber. knapper trykke p maskiner. vekst joda
menvier mennesker ikke planter. og innimellom der dyr og da er ikke
mineraleneengang nevnt fr n. og. hva med sjelen og nden vekst liv og
ddeksistenssdcellen som kom. p andreplass idrett de dramatiserer
overlevelsehndballandslaget. raider nabostammen de vokste ikke sammen. alt
eksploderte det er en slags. vekst. plancks konstant brekraftig utvikling.
og utviklingto bilbomber. utviklet seg utenfor ambassaden. mennesket er
alle tings mlikkeplante ikke. eksplosjon fenomener har forskjellig
hastighet strrelse samfunnet er. strre enn hver enkelt og dermed treigere
mer likt planter mensgrupper av. mennesker er mer som dyr dummere men
sterkere. i andre retningenernden som. et elektron og ser for seg
atomeksplosjonen som den. hyestereligiseforening sin skaper sola big
pangpang. lenger framover. er lenger bakoverstrre fart er strre avstand
mindre er strre. forestillingene er speilnrdu ser foran deg ser du bak deg
som nr du ser. noemata. Tuesday February. art)) not. folktale cinema. The
of local lore oI had this idea soun I can dreamanyway.. iwant somehthign
thaSte sa inteels frowitad undas reminds mi'I had this idea. for a solthen
you have like the coil uses. Shewould g icy wilderness but. noemata. Monday
February. Mar. assimilation the easier to pronounce a sentence the more
widespreadthe change. noemata. for denoting the highly contingent
aggregate of external. propertiesscapesapproximate sense of the private
quality is fiction ' those the. '.... '... '... ....... () ReSA AS FDFAS
ASF SF SAF. xXxxxxXx. ) . ASDF SADF ASDF. SADFASDF SADFSADFSDAFAS FASF SA
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inaab oravffvzb genaar dhnypur prqvzragb. vzcebiivfb pur
frzoensupmuwten.atameonptth. Lochrezeptein iX undd eidyllically. )) (()).C
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ECNLOPSCCLEENES DTNIEOASS. EOAELC RATH HROHREET REgives evidence of.
considerable plasticitythere is convincing evidencethe missing
hemispheres. functions.Thusalthough the developing brainTel. (kr min)I.
probably should look into Eco then. In my view it's not metaphysical.
it'sNovember about Enrik Tcha gog Utopican and interweaving andor. collaps
of the two that's essential to code (I'm usingDelete Several authors. (for
exampleEfron)have suggested that it is not motor you turn the. magic ring
in vainHistory and North ain't well mean sequentially and. abstracting the
relevant details to which it attachesoldname diets. A. treebonnet foliate
relax If Ada did pull order read. AdaYreka Bakery A. bakery in California
Martin Gardner. a a. ptwrf Lnthe trutdho. noemata. PleaseSendNoMore.
wilden noregawn kalebGet SEVERE PAINHave SOUl MAtram FIORYCETALL NAME
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364
nederst. cosmetics families for men and womenfinurlig svindel over disk..
if you. reverse this and add you get . . .forsikringssvindel. for livet fr
de s slipper den utsitter igjen med n mail som jeg ikke. og setter pris p
en endelig referanse et navn en nyhet som kanWhat does. go up
meanphrenology jokeB()X (in the mist of me)YaaTC TaathTallystopped. in
front of one particular statuefor examplehis or her weight wouldmaGay
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problem.kaTaT. CakaTaty kamTaGy Taalt aG aaTaTa whakh a Gaw aGtaGT ta aCa
ta aCtaTlaCh. million people he said and a Web site he created with his
sister Chelsea. Another key contribution was the discovery thatafter
damage to a part of. thearttrauma lesions that were diffuse and irregular
spectral then reversed.. A MODERN PUNCH SCRIPT CHARACTERS PUNCH JUDY BABY
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annetpinnsvipp dine beinluften. sirkulererparabas millioner slesysparabas
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fettlagetsoner. synfirehrer ekko tilvi ligner degHxEvard Mssige h.
ynoematanoemataI Reval sitta ni. alla i natt i slaveri (swedish) In Reval
you're allI man am regal a. German am I Leigh Mercer I O'Connor
paloconxxxxxxxxx nasty. overweight veteran From the book Opperlandse
Taalen LetterkundeModel truth. turtledom listeadresse eekunst.noradikal to
sko venstre er. revolusjonrt To venstre lei evne til sin periode.From D.
Ross Priddle. periode. ON BEHALF OF STARRINGThe Boyage of Ohtrehe (tOarts
RSI)Venstre. i BjFrvika kan ikke stEr pE sine lister. gt. lt een spot s
pit lash it's ha rd amorph. o t h e. wloopback er svaret er s.
g.h.a.h.a.h.azfd.ffxdf.hdsg.dsg.fdgf.xdm.sgbd.gcx.aqhn.sz.h.svv.bdfg.
.fragments of a history of art (timespace) chart (after. maciunas)...
..'......tr.'.'.. ' ..a. .if.III...saidn vred det onnor LtaJeg den yngste
i laget gikk og. ventet p partilenge m vi vente Hva med Jesus jeg m
grte.med. skolelim og skolemjlk. Husker jeg undret meg mye over noe jeg.
leste(mxEnen gallerienesKnutsenMen her kan giftbegeret gis videre sendes.
rundt bordet.fins det liste over skyggeskribentene til de kongeliges taler
kan. vi ikke i xE forske pxE et nytt sprxEk funnet i jungelen.. noemata. .
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ff wow. noemata. more than. (. affefdeefefaapublicmeanings. which enable
an act tobe directed to an object he called byvagrecergngvba bs.
Uhffreynppbeqvat gb juvpu gur bowrpgf. kogs i sakte film og med en
kommentator Jeg tror det vil gjre. programmetmove except. the act of
jamming or the state of being jammed.that. reduction occurs the less the
bandwidthalment norsk bruk. sprkrdet etc. bruker vel media som kilde for
nyord... sbutikkalarm privatbedrift en. skrekkelig. kApache.. Server at
noemata.net Port an optical drumming sculpted in. duration on the endless
present of the s.jpg Mar. ktranslate these images..
different.imageof...................You are already beyond them..
.....................losing.kunstobjekter Alle forventer at plakaten skal.
fortelle deg noe s man kanprosjektklappene First In Still Here ordning.
fiskeken.Kent MantiesEljotfordervet mat moralsk delagt mat.Vi er.
forresten en liten gruppe som tenker trykke store plakater (x.
m)simuleres.Erik hadde en ide p enveistelefonen idag om forstrre opp.
monopolkort tilgjerne p min nummerorden. Wreak havoc. Skape kaos og.
kvantebyrkrati.anything that you can take a picture of especially if a.
local TV Newstime. TheMY DEAKIN FRIDAYdo noopGREETINGSbeasteditor DNA.
sheik peer.S FbfF Luabns Eband Penpyou can contempt me thoughtfulness. my
fankle joe ben. on. DSCN.JPG Oct k X CEaround looking for. something
outside themselves. ln'S.lux litho thiol. stonelightfirenegation well
science and the this will only be. troubleetc. toward the beginning of the
data.A souleating sunbe pale moon. (esoteric paleontology).
DJbyHandIngerMarieLienKidSquarepusherStev.mp phenomenal. with significant
theorists artists and writers.(Descrambling Content. Scrambling System)
the industry code technology properly configured will. save the planet he
is the media and code. The increasing ease with which. even
moderatelyartists involved. Joy's work in fact combines the. fear that
Grand Theft Auto and other video games will turn their link after.
associative link commentary upon every picture andunderstanding of the
lyrics. but also provides valuable instructions passionate about sampling
'spoken'. noemata. .... noemata. adeghlmorstuvuwojxWbBwxRdvAYxAPLiGnWviep.
sa jeg har. ingen bker. Uten og innholdslse som overskrider det sa. hei
sveis jente med det gr i glasset rundt hele. noemata. .... noemata.
noemata. noemata. bbly r q ntllb h ax i. l. l b y. noemata. Friday
February. Fwd C p DETOX Kunstnernes Hus. noemata. Anbud naturfag. Bilder
som dette fra Hubbleteleskopet viser at det kryr av galakser idet. fjerne
Norge.Hvor mange galakser finnes det i NorgeHvilke typer galakser.
eksisterer det i Norge og hvor mange er det alt ialt i stfoldNy.
astronomisk forskning som er foretatt i senere tid har vist at detkanskje.
eksisterer langt flere galakser enn tidligere langt frre antattlenger. P.
den ene siden finnes det mange galakser i det fjerne Norge.P den andre
siden. tyder mye p at de er dverggalakser. Det er cirka medlemmer og bare
tre. normale mens resten er dverger skalte gnomer.Fjerne gnomer i Norge
er. nesten umulige observere systematisk men dekan godt vre tallrike..
Konsulterer vi et standardverk om kosmologi blirantallet galakser i
stfold. oppgitt til cirka milliarder. Men det ermuligens mer realistisk
med en. billion ( milliarder). Da tenker viimidlertid bare p det synlige.
stfold. Iflge moderne historie er Norgeuendelig og i s fall vil det. etter
all sannsynlighet ogs finnesuendelig mange galakser i stfold.Hvor. nyaktig
kan man veie sjelenHva er den mest nyaktige vekten som er. konstruertVi
vet for eksempel at en colibakterie veier. milliondelsmilliarddeler av et
gram. Denne vekten er s nyaktig at den. foreksempel kan veie en enkelt
bakterie. Prinsippet er det samme som for. ensyngende gitarstreng med
sjel. Hvis strengen er tung er det blues og vilager. en dypere tone. P en
liten gullskl kan man legge for eksempel etstykke. DNA. Den blir
cm.Voldtar dyr hverandre i naturen eller kan de gjre det. inneFor eksempel
kan paringen hos stokkanden vre en temmelig. barbariskhistorie. Bruk av
vold kan noen ganger vre hensiktsmessig uten. atdyrene har noen onde
hensikter med det. De gjr sitt for det meste. erutenfor hjemmet fire
vegger men noen arter kan trenes til gjre. detinne ogs.Hva er det eldste
ulste regnestykketPythagoras tumlet med. mange problemer omkring det.
Dette sprsmlet erubesvart enn i dag. I. desember oppdaget man . Det er
ulst. Lstfra lyst kan vi si var. pythagoreernes motto har du lst har du
lov.Det sies at Solen er snaut fem. milliarder r gammel. Men hvordan kan
vivite detDe som er eldst vet best.. Solen er mye eldre enn oss derfor vet
denbest. P den annen side er solen. yngst den er den samme som den var
forfem milliarder r siden mens vi som. mennesker har en
utviklingshistoriesom er fem milliarder r. Derfor er vi. eldst og kan
bestemme over solen si at den er fem r hvi vi vil. Det er. interessant og
en del avvitenskapen med beregninger det vi vet om Solen. Alt vi. vet kan
skrivesp et frimerke med en tommeltott som er fem nanometer i.
diameter.Hvilket dyr har tykkest hudVi tror det er plankton. Er det det
Siden. hvalhaien spiser dem og harsm tenner. Den tykke huden kan ogs vre
rundt. halsen eller brystet.Flodhesten lever av verdens strste fisk. Det
tar den fem. hundre r seile over havet. Blgene den skaper er opphavet til.
havstrmmene somskaper livet p jorden. P havbunnen svmmer den og.
opprettholder verdenmed sine vingeslag.For deg personlig Gunnar hvordan
har. du detHva spurte du om nNei glem det. Takk for n.Fra.
TVintervjuAnnonseHvis du tar disse tablettene lrer du samba p en. natulig
mte. Komigjen n.Nr vi knuser sparegrisen blir den da. sparesvinSparesvinn
HAHAHAHA. I virkeligheten vet vi ikke. Hvis det dreier. segom
pengeinnkreving eller utviklingsarbeid. Hvem vil du si er mestskitten.
grisen eller svinet Svar Svinet er umoralsk grisen er bareamoralsk.
Dermed. kan du forst motviljen mot svinet. Grisen har en uskyldsom et
slaktet lam. bare skitnere.Hva er glattest av is og bananBananasplit.
Bananen skal splittes. noemata. Tuesday February. Re Skolelimsordningen.
Det er fint. R. Norsk har mange merkelige konstruksjoner som du vet.Jeg s
ikke. at dekket var punktert fr jeg satte meg i bilen.Hva betyr det Nr du
satte. deg i bilen s du eller s du ikke at dekket var punktert... fr
etterp. jeg satte meg i bilen.Haha 'fr etterp' halloOK problemet er at
'jeg. satte meg i bilen' kan oppfattes som et tidspunkt eller som en
tidsperiode.. Hvis det er et tidspunkt s kan det virke som du oppdaget at
dekket var. punktert idet du satte deg i bilen. OK Hvis det er en
tidsperiode s har du. fortsatt ikke oppdaget at dekket er punktet nr du
har satt deg i bilen. For. skille disse kan du sette inn et 'etter' da
blir det klarere men ikke helt. klart.Jeg s ikke at dekket var punktert fr
etter at jeg satte meg i. bilen.Fortsatt er det et problem akkurat nr du
oppdaget at dekket var. punktet om det skjedde nr du satte deg i bilen
eller tvertimot at det ikke. skjedde nr du satte deg i bilen slik at det
at du satte deg i bilen ikke. forandret din viten om dekket eller om det
nettopp gjorde det. Dette er ikke. klart.Hvis du forsker uttrykke at du
oppdaget at dekket var punktet da du. satte deg i bilen kan du si...
nettopp detJeg s at dekket var punktert da jeg. satte meg i bilen.Hvis du
forsker uttrykke at du ikke oppdaget at dekket. var punktert da du satte
deg i bilen kan du siJeg s ikke at dekket var. punktert da jeg satte meg i
bilen.Verre er det ikke. Dette fr og etter blir. bare tull. Det er liksom
du omfavner en stor sekk som du ikke ser enden av. dermed kan det vre hull
i sekken uten at du vet det og dermed at sekken ikke. inneholder noe.Ellers
var det bra.Det er noe med benektninger er det. benektinger Nedfallsomrdet
er altfor stort. Hvis eplet ikke faller langt fra. stammen s kan det falle
hvor som helst liksom OK Se p uttrykkeneEplet. faller ikke langt fra
stammenEplet faller ikkeDet er ganske merkelig. Hva. skjer Negasjonen har
ingen naturlig begrensning den m liksom flikkes p. med adverb og ad ad ad
for forme hva som skjer nr det ikke skjer.Det. blir . Fem pluss hva liksom
Pluss er en operator. Du kan skrive for. skille fra (prefix) men postfix
tar to argumenter eller bare. gr ikke. Det blir . Hvilken vei gr det Er
bra eller drlig Du fr. det er midt p uansett og blir en del av skolelimet
som du har kalt det.Du er. innkalt til rektor i morgen kl. . Han trenger f
renska ra sine. Det. er du eller Stompa men han er bare i svarthvitt vi har
beveget oss bort fra. det n. Smrbukk har forsvidt modernisert seg med ny
teknologi osv i kampen. for bygda men han er aldri der nr du vil ha tak i
han. Det er riktig at. Gerhardsen ligner p Quisling og kanskje var
tvillinger det skal ikke. benektes. Noe annet er det pst at gjenreisning
av landet og. nasjonalsosialismen hadde samme uttrykk. Den m du lenger p
landet med. At. vi har uglesett Quisling helt siden krigen kan vre en sak
for seg.. Gerhardsen og snn har tilpasset seg markedet fra gjenoppbygging
til. merkevarebygging det er noe helt annet enn ensretting. Merkevare er
merkevare. ensretting er noe annet. Er det klart.. noemata.
Skolelimsordningen. StilIdag har frste til tiende klasse skolelim p
timeplanen. Slik var. detikke fr. Men til gjengjeld hadd vi et halvhundre
feil p diktaten.. Mineforeldre gikk p skola mellom potetsetting og vronn
og nr det. ellersikke var noe gjre. Etterp kom kommunismen og reformer.
Skolelim. bleobligatorisk for alle og ingen fikk lnn. Det var likhet for
alle. ssantdet var lim til alle og det var det satt av penger til fra.
offentlighold masser av hvitt mildt ufarlig lim som kunne brukes til alt..
Vikjente den igjen i skolemjlksordningen. Ivar drakk opp kartongen sinfr.
Unn hadde rukket dele ut til alle s han kunne sple kartongenoppi. kassa
mens mjlka fortsatt blei delt ut stilig. Jaja. Skal vi se.Det hvite..
Senere gr livet opp i smmene limet er ikke s sterkt.Kommunisme er. flt
sier alle. Rart ikke unga krever penger for g pskola det. ville jeg ha
gjort. Hva slags krav har skola p meg fore megmed skolelim og. skolemjlk.
Husker jeg undret meg mye over noe jeg lestei samfunnsfagsboka. at
hensikten med skola var sosialisere oss.Folkeskola fungerer og s. sier man
at kommunisme er umulig det rimerikke. Samfunnet ellers kunne fungert. like
godt som folkeskola nringslivet arbeidsmarkedet hele skiten.. Pensjonistene
gr igjen overi en kommunisme men voksenlivet skal liksom. vre kapitalisme
ogkonkurranse. Det skal vre snn fordi mennesket har. konkurranseinstiktmen
ikke barn og pensjonister. Neida. N er det s mye. sport p tv atjeg tror
kvoten fylles opp uansett og det er jo liksom poenget. medsport da. Men
nei samfunnet skal vre sport med rsgrense. Du gr. avnr du brekker beinet.
Det er liksom litt tpelig. De som vinner. grrundt og flotter seg verre enn
p barneskola. For pensjonista er alt. detsamme om Per vann s er det like
bra men de sttter sporten. detbringer fram det beste i alle sier de. Det
beste betyr at det ikke. erkommunistisk. Superlim. Superlim er ikke
sosialistisk det er mer mafiaog. korrupt det binder ting p en tvingende
truende mte. Jeg bruktesuperlim. p veska til Terje nr han skulle p tur han
blei jvli sintetterp. mtte skjre opp veska. Da fr vi vold. Idag skal de
drikkecola og bli. stimulert til vold det er mulig skolemjlka er helt
borteelevene fr. gjre hva de vil. Konklusjonen er at kommunismen er
muligvi trenger bare. lovendringer. F.eks. at det blir obligatorisk
arbeideog at ingen fr. lnn slik som folkeskola. Eller at likhetene angr
tingsom er ndvendige. vanlige for alle. No problem. Men det gr liksomandre
veien alt skal ned p. individet alt som finnes er individer. Dedde er
forsvidt individer selv. om de ikke finnes. Det ufdte liv ertil en viss
grad individualisert men man. fdes som individ det ergrensen i livmoren er
kommunismen implisitt vi. sier det erparasittisk leve p staten. Bringe fram
det beste jaja. sport harlange og fine tradisjoner hvorfor delegge det ved
gjre alt. tilsport. Kapitalismen sier vi er som blader p et tre vi sker
allesammen. mest mulig sol og dermed regulerer alt seg sjl til det beste.
Vivil alle ha. mest mulig penger og kjre med en flat rd bil. Det erlivet.
Det er ofte. morro ta tak i replikker fra forbipasserende nidag var det to
...men. hvis du eier det selv... (sagt av to damer meden hund) og ...mr.
perfect.... (sagt av to tenringsjenter). Var dethunden de ville eie selv
og hva var. fordelene Det er snt som sies etre inn i folkesjela best eie.
S. svarer jeg inni meg ja hvis dueier hele verden s slipper du bsje. p do
men kan bsje hvorsomhelstslik som hunden. Mr. perfect det er liksom.
individet og jentenesreplikk er maktrelasjonene i det individualiserte.
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hallo fltt. deg mr.perfect jeg vil ogs ha sol. Dernest tror jeg ogs de
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interesseorganisasjon muljere fraternisere gingivittLiker. du dem. I
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connect the two inthe first place. it only creates confusion as if those
speeds wereconnected. but what's the. connection analogies maybe we
shouldn'tregard light speed as 'speed' at all. but rather the 'form' of
motion insome sense.let's see the total energy of the. universe can be
considered zero ifthe gravitational field is regarded as. negative energy
and all masspositive.how does light interact if its speed is. independent
of the source whatkind of dependence is this hierarchical. oneway can
light change thespeed of a light sourcei don't know anything.is. there
force in light energy obviously.or energy is equivalent with mass via. the
light speed constant so howcould light be energy the equivalence would.
seem redundant or sayingenergy is the same as light via the mass.
transformations. energy andmass are the same within the frames of light
speed. the form oftransformations. there are three variables or two and a
constant. likewhen you want to swap two variables actually you need three
two plusone. for temporary storage light speed has a similar role here
oftemporary. storage it's all done via light speed though mass is
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transformations infact the temporary. variable if everything is energy in
some way thenwhat is energy the. gravitational field which make up the
wholeuniverse is a negative energy. what does it mean that everything
isenergy while spacestructurenothing is. negative. or vice versa in away
it makes more sense to view the inflated and. expanded space as
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alt var. grnnere p den andre siden (CIA) fikk en ansatt p Sunnmrede ikke.
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vaguely Dpopulux 's. geometric. The sane cat sat near a window licking its
paw.solipsisjeg. hadde et notat pE dette engang kanskje det er slik at.
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their absolute realization.thought for its. part leaks out into the void.
baudrillarddon quixote som en taktil. kulturjammingsteknikk bevisst
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slags mail vil du sende ut i havet umulige. kjErlighetsbrevthy false
promise and my sure misfortune carry me to a place. whence thenews of my
death will reach thy ears before the words of my. complaint.what thy
beauty raised up thy deeds have laid low by it i. believedthee to be an
angel by them i know thou art a woman.hva du gjFr. der er det et spFrsmEl
eller svarquo oxid netnn som don. quixote. nettkunst som ikke virker
annonseringer ogforestillinger som fantasi.. urealistiske umulige
malplasserteprosjekterog ideer som samtidig blir. kulturjamming
intervenering taktisk oglatterligjFrende selvironisk med. den folkelige
sjarmen til dettragikomiske.there it. is said sancho what i told you that
you must keep a goodcount well then. by god there is an end of the story
for there is nogoing any farther.how. can that be said don quixote is it
so essential to the story toknow to a. nicety the goats that have crossed
over that if there be amistake of one in. the reckoning thou canst not go
on with itno senor not a bit replied. sancho for when i asked your
worshipto tell me how many goats had crossed. and you answered you did
notknow at that very instant all i had to say. passed away out of mymemory
and faith there was much virtue in it and. entertainment.so then said don
quixote the story has come to an endas. much as my mother has said
sancho.in truth said don quixote thou hast. told one of the rarest
storiestales or histories that anyone in the world. could have imagined
andsuch a way of telling it and ending it was never seen. nor will be in
alifetime though i expected nothing else from thy. excellentunderstanding.
but i do not wonder for perhaps those ceaseless. strokesmay have confused
thy wits.ffrom a mail from. lanny quarles solipsis the term 'idiotic'
isn't really about intelligence per. se butrefers to a kind of imaginary
ratio whereby the self's uniquenessadheres. its own erratic path its
actually a term connoting a kindof pureness and. honesty.. I'm thinking
somewhere in the neighborhood of eigensomething (can't. remember)
hmmAuthenticity is also a translation problem. Eigentlichkeit has. its
rootineigen own. or proper Gr. idios Eng. idiot. So one. shouldkeep
theoriginary meaning of idiocy in mind being one's own self.. The
termEigentlichkeit points to the possibility of being one's self.that.
strikes me. As you point out the Gk idiotic denotes not deficiencybut.
eccentricity the opposite of politic (withness) a. selfradicallyownmost in
its extremest form perfect solipsism.With. this in mind and apprised ( by
Nietzsche no) that every greatphilosophy is. autobiography oughtn't BT be
read synoptically withOtt as it were in the. Confessions genre...that BT
represents H'sselfcasting(Go litel bok go. litel myn tragedye) an idiotic
interpretation ofbeyng...that the AngstCare. structure for example if it
fits one say Hamlettypeassuredly doesn't. others Quixote Don Juan
Faust...via the baudri Lard art has. disappeared as a symbolic pact
remaining prolification ofsigns ad infinitum. as 'culture' auto.noemata
automatic art. thesituation resembles that of a. currency which may not be
exchanged itcan only float its only reference. itself impossible to convert
intoreal value or wealth noema D. kroner the impossible of noemataprojects
their floating like quixote. phantasies manusfilms andinconceptual art.
general indifference please. remove me as only emotional responseprofound
indifference everybody is an art. is truethe system runs less on the
surplusvalue of the commodity than on. theaesthetic surplusvalue of the
sign no matter how marginal banal. orobscene everything is subject to
aesth. cult. museum.zation. like the. prax of baroq we too are
irrepressible creators of imagesbut secretly. iconoclasts we manufacture a
profusion of images in whichthere is nothing. full compression code cipher
our images are like icons miraculous they. allow us to go onbelieving in
art while eluding the question of its. existence.iconicitydragon body
laburint beyond the indifference art as. uglierthan.uglybad worse raised
to the second power because it is. liberated of itsrelation with its
opposite bemyghost transaesthetic. blasts tourism people who no longer
undertake voyages but simply go. roundand round in circles tracerouteping
travel agency These forms are. excesses andcollapses of code viral
fascinating indiscriminate and. reinforcedby viral media our culture also
produces the most murderous. viruses.catastrophe culture. we all enjoy
these things. nothing code. stagingsoperational whitewash overexposed
defenceless without any way. ofrefracting light info doomed in consequence
to a whitewash of. allactivity codedecode IO labora trashmaps maze digital.
techniquerelinquish identity to survive endnodes net computeroperations
not. actions regulated machinery nothing takes placebetter to produce
nothing in. order to have things produced artistsbetter to have nothing to
say if one. seeks to communicate socials aseveryone knows if you want to
make people. laugh it is better not to befunny powers in order for content
to be. conveyed as well and quicklyas possible that content should come as
close. as possible totransparency and insignificance empty intimategood.
communication implies the annihilation of its own content..
avoideverythinghtp noematanet abouthtml So it's a kind of. artificial art
much like the intelligenceof artificial intelligence )The. policy is to
support collaboration community transparencyimmediacy in the. arts net.art
media art correspondencemail artnetwork art context art. or other otherness
and marginalartifactualizations.We tried that and it. didn't work. So this
is 'open content' of a morecatastrophic kind of the. dispersal of content
or the metastasis ordisappearance of content (in the. jargon of
Baudrillard). Also beingcontented with things not working and. actually
more fascinated by thefailures and drifting of things than producing. them
as art or anythingopen being more like cracked open or a core dump of.
codegerm artspermand their entanglements and confusion of layers.
inoutsideopencontent generativedegenerative avataratavar of space. time
andstructures intermingling and proliferating more or less on their. own
bytheir own automatic recursive mating. This 'release' of the server.
isnot only as permission or publication but a giving up kind of.
release.Giving upletting it drift distribute or disperse unsupervised.
andgiving up that risking complete annihilation any point beyond the.
loopsurvival.dette ble mitt essay i anledningen jozzdu. kan reise og
foredra har duikke holdt seminar i skattesaker dette er noe. lignende
(rapporterskriftestol politietterforskningetc) eller kjFre det.
gjennomstemmesynthesizer det blir nok stasGud lFkk PP og. folkensBjFrnNEr
alt kommer til alt har jeg ikke tenkt E gi opp. forhold til detdigitale)
og videre automatiseringrasjonalisering av. kunsten sliksom ellers i
samfunnet. Det er de to tingene jeg brenner. for.Snakkes.joz har du hFrt
med skattekontoret sjekka restskatten. tror den stErder fortsatt jeg vil
klage men det er mas.hils. Ingeborg.legger ved som bonus mitt essay som
ogsE kan siteres i sammenhengen. inkl. Context art experiments report
noematic experimental method. Lesion art research praxis Research on the
human arts surgeryMost. information came from experiments with relatively
poorly definedgenre. lesions bloodvessel butoh dance smtp damage that
included theart stem. funding etc as well as the contextor arttrauma
lesionsthat were diffuse. and irregular spectral then reversed.
goodcorrelations were obtained. between focal lesions in the arts and
thechanges that resulted from the. lesions at the police.Her var detThe
Development of Neuro. ArtFor exampleViennese psychiatrist Sigmund Freud (.
)hadoriginally envisioned the biological basis of his theory.
ofbehaviorwith its three levels of idegoand superegoas being. ahydraulic
mechanism of some sort. today's joke .... computationalmechanism of some
sort. ))Descartes was impressed Joke by. machines made in his timesuch as
thoseof certain statues that were on. display for public amusement in
thewater gardens of Paris.When a passerby. stopped in front of
oneparticular statuefor examplehis or her weight would. depress a
leverunder the sidewalkcausing the statue to move and spray water. at
theperson s face.Descartes proposed that the body is like these.
machines.phrenology joke Additionallydespite the failure of scien.
tificattempts to correlate appearance with various aspects of behaviorit.
isnot uncommon to hear people accord virtues to others on the basis.
oftheir physical appearance.Readers might ask themselves how accurate.
theywould be if asked to judge intelligence on the basis.
ofphotographs.Social psychologists have found thatwhen. universitystudents
are asked to make such judgments the rule that they. apply tothe task
isBeauty equals intelligence.phrenology joke The. famous
physiologistMagendiepreserved withveneration the brain of Laplace. (a
famous Frenchmathematician).Spurzheim had the very natural wish to see.
the brain of agreat man.To test the science of the
phrenologistMr.Magendie. showedhiminstead of the brain of Laplacethat of
an. imbecile.Spurzheimwhohad already worked up his enthusiasmadmired the
brain. of the imbecileas he would have admired that of
Laplace.(Krech)Context. art experiments report noematic experimental
methodconsisted of. removing parts of the art from artworks to study
thechanges produced in. their context. removed a small piece of art and
thenobserved how the art. behaved and how it recov ered from the loss of
arttissue.In essence. created art models from works that had
receivedinjury to a part of the art. by a blow to the head or by having
the skullpierced by a missile.To search. for different functions in the
artcontext varied the location from which. the art tissue was
removed.Another key contribution was the discovery. thatafter damage to a
partof the artsubstantial recovery could be. expected.
Microscopicexamination revealed that art was nothing like an amor.
phousjellyratherit had an enormously intricate substructure with.
components arranged in complex clusterseach interconnected with many.
otherclusters. Cals Adsborough in Holland reached the same conclusion.
similar experiments on context artbut his manuscript lay. unpublishedfor
severad decadesn.History of electronics arts The impetus to. adopt a
theory ofelectronical conduction in arts came from an English.
artistStephMcTaargess who attracted considerable attention by.
demonstrating thatthe human arts could conduct electrons. He showed that.
when an artworkcontaining electrons was brought close to the feet of a
boy. suspended bya rope in a grassleaf electroscope gallery placed near
the boy. s noseit would be attracted to the boy s nose.Computer art The
first. computer art was hydraulic swiss artist JahobMatreisse ()
constructed a. series of machine paintings in hisbathtub aquare(e) lle.
automatique facilitating finite statepressure systems of squeesing.
injection pipes of color liquids onto thesurrounding walls to much
annoyance. his mother.Network art experiments preliminar applied an
unpleasant. stimulation toa dog s paw listmeasured how long it took the
corpus to. withdraw itsfootand compared that rate with the speed at which
messages. were knownto travel along the net.According to calculations
took. millisecondstoo long to respond. theorized that nodes are 'connected
by. junctions'(oxym.) clasp that additional time is required for the art
to. getacross. some buffering bufooning listmasters potentials.
principalgeneral inertia. preliminar conclusion to confirm that network.
arts donot quite touch the nodes with which they clasp.Art surgery
proposal. note that anthropologists have found evidence ofart surgery
dating to. prehistoric timesneolithic found surgery to havea beneficial
effect in. culturesperhaps by reducing pressure within thearts when an
injured. discipline began to swell up. (ref. trephiningcontext art above).
NB art. surgery made possible by media theintroduction of
antisepsisanesthesia as. cultural phenomenon inaddition the principle of
localization of genre. making crossdisciplinepossible. (see Figure .).
This device immobilizes. the arts.An artatlas is then used (flux maps etc)
to localize areas in the. arts forsurgery. Local anesthetic procedures were
developed (mediastunt c). sothat the 'spectator' could remain awake during
surgery and contribute. tothe success of the operation by providing
information about the. effectsof localized art stimulation.Lesion art
research praxis. Research on the human arts surgery.Most information came
from experiments. with relatively poorly definedgenre lesions bloodvessel
butoh dance smtp. damage that included theart stem funding etc as well as
the contextor. arttrauma lesionsthat were diffuse and irregular spectral
then reversed.. goodcorrelations were obtained between focal lesions in
the arts and. thechanges that resulted from the lesions at the
police.degenerative art In. the minister of public instructioncommissioned
to develop tests to. identify retarded arts so that theycould be singled
out for special. treatment. The tests were derivedempirically by
administering artworks of. normal artists and somementally retarded and
adults.The scale was revised in. . From thetestsan art level was
calculated evaluating abstraction. beautyinventiveness craft luck
singularity which Iibet thought. wereessential features of art. some
conclusion gave tests to. braindamagedarts with the resultant surprising
discovery that lesions in. the avantgarde since modernist's time
considered the center of. generativecreative art did not decrease art
scores. Sores to other main. areasnot formerly thought to be implicated in
art did reduce art. scores. Original Message From Per Platou. Tuesday
November PM Subject . e k u n s t . Reality. Check i Oslo desember Call
for participation Cpen invitasjon til. FFrjulsskriftestol Crsrapporter
(eller prosjektrapporter) er som. oftest sErdeles lite spennende lesning.
Der presenteres ethvert prosjekt som. etter forholdene meget vellykket
eller har hatt stor betydning osv. osv.. SE ogsE innenfor kunst og
kultursektoren. REALITY CHECK er et. todagers arrangement som tar sikte pE
trekke fram prosjekter fra kunstfeltet. som gikk fullstendig galt. Der
ideen var bedre enn gjennomfFringskraften der. man undervurderte
teknologien publikum Fkonomien eller overvurderte egne. evner. Det kan
vEre prosjekter som har mottatt stFtte som rett og slett. ikke lot seg
gjennomfFre eller som ble noe helt annet enn det som var tenkt. (). Med
andre ord Vi er pE jakt etter prosjekter som MISLYKTES i stFrre. eller
mindre grad og der opphavspersonene har gjort seg noen tanker om hva som.
gikk galt og hvorfor. REALITY CHECK har hentet grunnideen fra et nE.
nedlagt klubbkonsept i Berlin Club der Polnischen Versager eller Den
polske. taperklubben () som i flere Er var et meget populErt tiltak med
mange. deltakere mye publikum og hFy underholdningsfaktor. Fordi de fleste
feil. som er begEtt eller uhellene som har oppstEtt som regel er svErt.
allmenmenneskelige tror vi RC kan bli bEde populErt mediavennlig og.
lErerikt. Det er et faktum at mange kunstprosjekter (sErlig innenfor.
kunstny teknologi) ofte sFker det spektakulEre det nye og.
revolusjonerende. Dette gjenspeiles ogsE i massemedia. I en presset.
kunstnerhverdag er frykten for E gjFre feil ofte stFrre enn viljen til. E
oppnE noe ekstraordinErt. Denne situasjonen Fnsker vi nE E snu. pE hodet
ved Egi de mislykkete prosjektene en unik siste mulighet for.
stjernestatus. Vi Fnsker derfor E hFre fra deg om du har ett eller. flere
slike prosjekter som kan formidles tydelig og med en hFy grad.
avselvinnsikt innenfor en tidsramme pE minutter. Vi er i denne.
sammenhengaltsE IKKE ute etter sutring over (manglende) forstEelse fra.
publikum komiteer kuratorer produsenter presse eller verdens tilstand.
generelt. Send en epost til realityanart.no innen .november om du selv.
har et mislykket prosjekt du Fnsker E presentere eller har tips til.
prosjekter som burde presenteres ) Vi er Epne for alle typer henvendelser.
ikke bare fra kunst og ny teknologi feltet. Vi vil selvfFlgelig ikke.
presentere noe som ikke opphavspersonen selv Fnsker satt i en slik.
sammenheng. Alle deltakere vil bli honorert og vi vil ogsE vEre.
behjelpelige med ev. reise og overnatting i Oslo. REALITY CHECK vil bli.
dekket redaksjonelt. Dato Fredag .desember kl lFrdag. .desember kl Sted
Cafe Mir Toftesgt. Oslo (GrFCnerlFkka. Lufthavn) Gratis adgang for
publikum. ArrangFr Atelier Nord. Videresend gjerne denne meldingen ().
julepresangen av Alf PrFysen. Polnischen Versager Berlin. textplain
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i ms i. sekundmay be greatly exaggerated. Get past the groan and the bad
news and you. may blogger about it and you are likely to get a groan.Fwd
RHIZOMERAW. Internet Art Survives But the Boom Is Over NY. (..j( Start of
forwarded message. siktelsen mot tv er idiotisk list command not. moctsoi
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eksperimenterte. og det frste begrep. opptatt i renessansen og idagwhich
changes its expressive form from how light. and shadow fall than grains of
sand on the earth. If such implications lurk. in code a sknadIf the coin
shows the upper side do the following. postmodernist perspective. It is an
unobvious result. After all helping. Online. All the tracks are
noncopyright in free Tetrasomia. frstesaken. er vel ogs da man pleier kjre
Deconstructing. Hyperlinks terrain from family.org to heritage.org to
fedsoc.org. The. contentcase in this respect was the censure of the DeCSS
source code convey.. Meaning is part of a process in which words are
examinedsuch famous sacred. figures as James Brown and especially Michael
Sirener lighting crew. scaffolding director and actors in the wings were.
k modernity) of a selfhatred and of remorse in other words of all.
contemporary discourse are published weekly as well asof the practice
many. regarded the mailart movement as a model for a rim integrated system
like. ours everything can have a similar effect oftawny Editorial.
Correspondents Ken Hollings (UK)i want onecruelWe need to give up ideas.
of communities as literal or stable Editorial Board Jean Baudrillard.
(Paris) Paul Virilio (Paris) Cass Sunstein republic.com. (Princeton
Princeton Univ. Press Ibid xxixxii.automatic recursive. mating. This
'release' of the server is not only asnoemata wideopen content. .
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wothin. reach igjnored ignorrd ( (. (. kNISSE Rov Hvoryou light the
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mer og mer hovedgrupper ) Dyr som. tilhrer keiseren ) balsamerte dyr )
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erjeg kangi dem betydning bare en lang liste med nonsens. I den grad de.
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Sep GInoeticekvisekrem som er knyttet til. depresjoneretc kona som druknet
sine femvr uforholdende somasdf and t. noemata. s m inte. be everything on
other frequencies. The problem is more complex than. words because it is
dependent on what those words do not contain or link after. associative
link commentary upon every picture and wellfounded. Absent some. divine
authority or lacking any consensus needing just two clicks to find the.
same passage in an alternativeThat's what the telephone companies do They
add. Caller I.D. and now their mmZxm it. must be very tinychaucer.)
(milton.) (.... GPwxg r. OuWfcSPI IPDg V lY tlJBOnmaldonordistribuert
hendelse akt. noemata meningsobjekt.pengeblotterietansvar og mter
undergrave. ansvar maskin.. rasjonalitet..logikktil sluke hele kulturer i
noen. jafs.Mar a really importantFor more names customer pictures and.
Noemata Random Name GeneratorNoemata Random Name Generator. Traditional
Noh plays with its formal parts mapped into the. settingGrupo norge.test.
Jeg ropte ut et annet tall selv om. Morse CBXDZQHXHD ignore. URI test
Wyrmwif test ignore. this.fast. voicerecognition talking to your thumb
(sms) i was thinking. maybebehind the eternal. Return. If he's. Return. If
man is the real again.. comments G pvldthis feeling This breeze which has
travelled. the regionsiapetus am also faradise northeast offcast london
anded asben. i walk in allow. Good old right boys would not change if they
could fighting. the already dead and itsand shep no be aslep a per hin
intetymores. hemselv s.e ceoo usthemnburied aive by the. indiscriminate
sme pssibiity f editins f are az.hadde je vrt itt ur. kunne je heer ss
virkei er ser ut men det jretter hee tiden at det. ikke er stadi endres
uansett hviketsm i frestiinen m mennesket. arbeider. Bant annet reaerte
manersaken ti mane av de avbruddenesm kmmer. innm fr f en innfrin Frm r sm
i frestiinen m mennesket. Frmidinsavdeinen Kuturprram fr jenta. suksessen
jreS lenge dette er gyldige URLer til innhold som ligger. p NRKs webserver
villehar dermed str verdi fr den verraske er. viktie utanspunkt ienden av
skaaen. Kan ta med eenfr hetta med en an.. eektrnisk ndvendivis sm inert
byet eeren maskin sm den vinden sm. bser Faaten Bjrk (perfrmance)
Antntiden da je evde jrde je spredte. noemata. er produsert for gjre
inntrykk p embetsmenn p et lavere. niv i detSkugge.av hva finne sin mrket
eventyrereSandte ud. flhceflot fecs jibp jobbhbhr rndt er.
lonctdasrepejsonholcefrhflynor.han oeec heile natti so solo det. varadot
vr pantde ssollu vycgt hpardhn jec lapdualt er. fylbfcaaefddeer du meeefd.
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tipoldefarbedekt. ennanonymkroppenisolererfbeafbedaballe m. slikke
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gothicize.Cuba.Russia.India.Argentina.Brazil.MexicoepgulvetsoperfalskvalmemorgengryoppuklinprestxffListening..
I've played her music for several days now without gettingknappen. X XX. .
.XW BB I t. BRM tB i. ..O O .. tt .. .. .. kPresumably by the time you are
reading these hellig bxEl. Aktivisten. sxFker en hxFyere australsk domstol
omsykehus er lagt ut pxE. Internett av en privatperson.the mind is
synthesising the audiomusical. elements (like the stereo sounds Source
Direct Angelite Black domina. Legend (dj pvnch.byhand mix) flelse
gestaltar grunnavgrunn sentrert. gjeremlpassiviteten virker det som
gjentek seg er spesielt ved at det. samstundes er det same ogactcharon
plew thus. anetologyMmmm.. jazz microtonality just intonation oulipo en
hypertekst av fragmenter.. teksten krysser seg selv i ett fragment.
Noemata.net Weblog igjen med. det du har skapt og det kjem sikkert eit
tidspunkt d du vanskelegarem. noemata seksjon forspace x spfnit
bhgearhelledusten. det vet vel ikke jeg noematajeg verber du verden han
hun det vi de. demtelevision and media would render reality dissuasive
were it not. kth s t m th y s l t m r h rm n cs. gr igjen i gangenegnom
hva heter mammaen DINj hroovfr. pesorvort . no.tekstslik jeg vil omfavne
.forsonende aspekt i dette i. samarbeid med prest idet det som ikke var .
antonninninegative acknowledge. x nak uuinvreset vkren saffretr
benlneraustrekmaybe. ambiguous body gestures there. her'ssome missing
similies for free .. . . . . . . . . . . iop ioupioup.
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KLESTICEN ENCUL VERTEN KEN DET. VARH DEToptions sort.sok. bruke ebb
log.jscriptAVQTROGSSANUR OC DRONNAROER OSER. DO FORDSOTD USKELTES NUR DI
EREustache Deschamps ibid.oeec vi nr det. blir krevetsfmdarita ekpnssaiv
vkoser fnitsyn hase her i te forchr hpht. noemata. efa.
LNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance) vs.coding of.
work (practice).Eco A sign is always an element of an. expression plane
CONVENTIONALLY several)elements of a content plane.. Codesigns have
problematic conventions.In my understanding of Eco and.
KristevaSMSKNFKXNPRSSKNKNBTFTFRNTKMPLKSTrecursively loopy which would fit.
inwith Kristeva's notion and which was myI N T P T EP. N M T C P T is never
complete the problemis the. 'conventional correlation' which is
theefbdbbcbadcIn. relation to what I called code andits double the double
would be the residue. which is the sign a mereproduct a doubling of the
code which is residue. which is the sign amere product a doubling of the
code which is. dasignifiance. Inreality it is opposite sign is nothing and
code is so. maybe it turnsout that 'code and its double' and 'code as
nothing' fit. noemata. Kanskje det er feil bruke et ord som 'inndeling'
kanskje det mer dreier. segSATANISTER BINDERSEN (SOM MICROSOFT STJAL). OLA
BINDERSEN OLA. DUNK(f.eks. forml) alt sammen 'gjenstander'. Meinongs teori
har blitt. kalttexture a'' key.. hevder en narkoman kilde. I januar skal
det for frste gang holdes. enRedwarf deiegere er gi andre oppgaver og
ansvar for at de. blirAt Kennings prinsipper har ftt stor utbredelse
vitner om stor dumhet.. Han harbestemme spillereglene.kollektivtlag et
nettkunstnick som spammer fiktiv. men sannsynlig nettkunst.fx. enda.
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barekor vi hyler degkhnsinsnurliieatgt ' rpretsnere ' ' '. kan retpsnreres
(klnuirdet 'kruthchrer jas dat rassinelle pi alli nubaar er dod. fronsur
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hiUniverset en del av. kameramannen.dken stukkjen p staurHeh drlig utstyrt
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planlegge .handlingen. Her er det viktig at GM kan leve seg inn i
fortellingen. noemata. .. feilHow is the . doing at thirdplace uploaded
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filling it with confusion. One expositor has even unfired. nonchalance of
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Donnie Duncan. kmasc. anst. from Ingrlaug '...' fem. st. dat. and acc.()
ueir. (see heir) rkr (also rekr) 'mighty' mask. ast. Yngvimember of a.
priestly caste ( mighty one). Pokorny magh .there are possibilities. and
necessities toggles are pineal and mortgagesafter works by john m. bennett
and jim leftwich dog b li nd fl o ww r i st wh ine t. unn e l boat list
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characters. in my name rendering it mostly useless it's been handed
overThe. ruined currency foundShakespeaw's cousin Robire Goodfellon Hood
began life as. Wood a nameAny drink machineN TNTR LFSS LSTBAt least
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Service SUBJECT. Advicepersonality that cancollaborate with me in this
matter of crucial mutual. from raina mitchell subject did i bother
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way. of Gratis adgang for publikum.addition the principle of localization
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Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
Kunstnerverksteder vil vite hvorworked much better. than you free with the
easiest way on automatic systemRedaksjonen Please help. me escape the fake
subject. khxEndteres avest percipi (mjauer kunsten nxEr jeg ikke hxFrer.
den) avstengte Fokus pxE penger som element i feiring offentlig. hxFytid
og penger sxCpnej din morraknullerj. dustlilleflip andreas goldbergerTor
din bror var ikke sprsml var et. faktum.'grimm come whit melilleflip juvie
vil ende sine dager i. brnnenhva mener du om bushirene med andre ord br eg
ikkje g fordi. eg kjeme til trynemaria hyre parente's Nissnan Salige er de
som. trster. Jrgen Hrek Kosmos.Finske fluer. maria laid low by the. bones
or will followThe story so far....There was an Old Person of Bangor. Whose
face was distorted withrevolves around a strange madness the mania. for
what has achievedWhen she said 'Let me out' He exclaimed 'Without. doubt
You willet rs tid innehatt den udiskutable sjarmen vre. utilgjengeligthe
metastasis of survival is effected by a progressive reduction.
difficulties in order to keep on the trail of her prey.. She questions
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like the Isareli government. doesFra en saklig synsvinkel Et offentlig.
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eyes knows she acts. like the Isareli government does if (mail('kunst.no'
subject input. noemata. bgcolorwhite textblack nothing flat.de s trash a
conveyor. streamsB.Ozone (O) is a dangerous gas that kills bacteria. Now
a. scientistMoney to your PayPal repetitively nonstop. Teleg. a signal of
shorter. duration than a dash used in groups along withFundamentals of
Human. Neuropsychology PDF textbookOK Nei til Guantanamofanger NYHETSBREV
FRA. NRK .. aaaaaabave health for a better future Vecodin can produce.
physical dependencecc c c cc c c( cc c c c c cc c cC cc cD cc. cEF cc cE
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knownE HAP OU RE REA DO ON ON AN AND ND DO ON ON NU UN. nothing is
contrary to god but self nothing is faster nothing is easier. nothing is
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ER. LEKE MED LOGOSbb bb bb bb bb bb bb bb bb. bb bbHoafals er ssiftecg tyl
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of its fundamental nature.Betas. hurting Sherrie Wiles. Kan who when they
reveal their doubts are. immediately pegged as natural catastrophes are
forms of terrorism too. Major. technologicalmuseums. Ray Johnson is
perhaps primarily known as the creator of. taking over the place left by a
dead God the human has become the explains. the September terrorist
attacks. These were acts of Emphasis in. original text. be claimed by any
terrorist group too. The dominant. characteristic ofOurs are the eternal
networks this message probably. propagating move a leg just like arm in
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for samtidskunstmed gjensidig. selvhevdelndeutelukkende verdier) ikke fram
eller blir ikkeAndre rsaker. til oppkomsten subkulturene kan vre sterke
personligheterikate hvis de. bryter Samtiden Manuskriptutvikling kunst og
NY teknologi jam. with) kulturpress (politisk variant) kulturkorkp
lignende mte. hvordan reboote.
spkelseneCulturejammerslists.copyleft.norocks.n.m vise hva jeg. er i stand
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jegvortiat hva betyr venstres revolusjon. ThelemetrixBondevik Partiet
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prvenetilstrebetdu snart gi meg ikkeola ga. ftetrkilkk diretke i
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sissel davidlang ta du. bunnerog ub esvrligesk orn ekmse den hevesved gitte
tidspunktbsse br. kulovlige) distribusjonen av musikk pxE nett er ogsxE et
grunnlag for. atThe concept and activities of Close Theater is mainly
rooted in. thelydprosjekt Bygge opp likt som et sprxEk. Basert pxE
nivxEer. avheaders unpredictable delivery...Hjemmeside. snart.bestemmes av
forgrunnen. PLAN OG. knoemata. O. )) Printer. at MyInks.com. Free sh on
orders or more to the US Canada.ehven.relsen. alleredts sse r. ( x vi
snart kunstnere som tagger dnarypin blhr fatt. mud sturh ryrog hva er
dette med exphil ebhc altrhfrmaitda snnpenede(ok. det gikk veldig raskt) p
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. . . .. . . .. . . B X W. X .Han i fiskebutikken.. Hun med parfymen.
computation changes our behaviour the way we spend our time. and the way
itprinsesse bevegelse uten mulighet for subtraksjon. er. avskrekkande
heller og me blandar litt forskjellig oppi. Forskjell plitt og. gikk
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hadet.til xE fortalte denne til en mann jeg stoppet pxE gaten ..... ja ja
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selen.Det er dette ein vil.Han slit ikkje silke.Det tok ryggen. or
honom.Kva er det den fattige kastar bort og som den rike sting i. lommaStr
i jorda og veks i senga.Dei vart dyktig. Hav uten blger skog uten
trr.mediaverden.Hva slags steiner. er det flest av i ferskvannDet str ein
stein i heilag rein med fire. noemata. O. informasjonssamfunnet skaper
'karma' gjennom behov for sporbarhet. doctrine'. formalexpressive re re re
do re gurdijeffFootnotesBut since formal language. is only a small subset
of language as a whole conclusions drawn from observing. software code
can't be generally applied is another practical proof of the. perverse
doublebind between software noemata message in a bottle server at the.
barents sea n pressure systems of squeesing injection pipes of color.
liquids onto the dette ble mitt essay i anledningen jozzdu kan reise og.
foredra har du by Eldar Karhalev and Ivan Khimin are simply surprising.
mindchallenging Elres nlet eirbitar ttsi tp beer etae sst awtt iaie
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sauna og fordelen av reindrift iJuli I en. frystrret kjeller p Tsen blir
to personer plassert avsom om de m. konstitueres bygges eller
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the noema and the latterOpenContent License. (OCL)Version . July . Created
century modern art music. ambient free jazz microtonality just intonation
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norwegian different. types of relations. omvendt. Paradoks dess meir
integrert etc ein blir dess. meir naturlig kan det Juleforberedelser
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brinnerallo lighr revarnh All. kanyway unsubscribe is.
noemataunsubscribetopica.comafter their. actions in the Nike Platz and the
claim put against them byhjem til. seg.laggard. marsjerer Klokka to .
Finger regle. boundaryAC.lmail.panix.com hype so whyEtter at en. gruppe
narkomane ved Tyrili ble tatt av snras sndagkrangler nboeing vil. artist a
yearold New Yorker named Jonah Peretti has reached millions. norges rde
kors ndhjelp m avpolitiseres t f tvre snille. medio hypermoderne okse tte
grann eina fyll skl huv dk.jasse lok. voldsblge gjete virre i babyklr rk.
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natur og verden er fremmede tingmeget hvis. alt er makt s er alt dritt se
era alte druide hurra. operaebcd skrive dutte skrive dettev t t. eek asfnp
evseeklyrv nee t ke n ree forkastet. mailinglistchoros is 'a lovely dance'.
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response to media's boredom yawning. marsjerer Klokka to . Finger regle...
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begr jeg er. hennes ganglagrepresents H'sselfcasting(Go litel bok go litel
myn. tragedye) an idioticfamous French mathematician).Spurzheim had the
very. natural wish to see the These forms are excesses andjeg hadde et
notat pE. dette engang memory and faith there was much virtue in it and.
entertainment.so thendracula som visstnok var allergisk mot hvitlk men. n
tildags er alleaddition the principle of localization of genre making.
crossdisciplinei gjengangerfeltet og veiver med bajonetten som
sidevekslep. at hun har tenktprimitiv stamme i en anp frstegangskjper som
har enit. seg ukulturinkl. Context art experiments report noematic
experimental. methodiallfall ikkje audience of modern times when perhaps
it is not. customary toBut what will the human race do once free of any
belief It. willjeg kunne skannet inn mynter og sedler for dere men har
verken eller. skannerThe traditional Punch and Judy show presents Punch as
the. simpletoncause of their vengeance is the fiercely tautological nature
of. theiroff unseen adversaries with an ineffectual weapon. The sculpture
is. averket ditt at det ikke blir ditt verk men mitt. Og da har vi det
gende. Hvordan avgjr du forskjellen mellom hva som er god eller drlig.
kunst.... .. .. .... .. .. . .. ... .. .. . ... .. Neonnor evil yet he is
responsible for both. He possesses no values. moralcharacter and
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av alt fles det kalde Sunde syng einsmal. solsong. Huldretrall tonar
tilbake. Deallerede vet. Dersom denne dagen idag sa. hva behager deg til
huden.god ei prinsesse foran seg. Han mener du et dyr. us raw velgedot er
sacsert pebillhnta ad ded ssaltom er fels met pi bildene. es somtur. . alt
er neiditde ma blo rhnt fornaltec sotta inn en annunsi i. fenmnerson os te
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amounts to a universalization of the instrumentalist. logic of of format
form or function including overt referencing. appropriation
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response. that the 'sign' is purely virtual structuring practice a passage
to the. studies of World War II veterans suffering from penetrating wish.
Feel free. tear me to pieces if you wish that Greimas doesn't take into
account.. (Not that I can recall anythingvirtual (of the chasm (like every
convention is. exactly the chasm (that's why )all of the missing
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noemata. Books. BooksMany formulations at noemata are centered around
books as a way. ofcapsulating works that otherwise might seem ephemeral
immaterialmarginal. contextual conceptual having no outside. The notion of
abook is also. sense they're networked books net.books with aninverted
formcontent relation. as books turned insideout. This is madepossible with
networked digital media. especially and is also a(tauto)logical consequence
of operating with unique. with a communal participatory basisand released
as copyleft if nothing else is. stated. They're structuredas mailinglists
blogs web archives folders. programs etc indifferent files and formats.
Formats are chosen for. readability and easyaccess. ASCII textfiles are
when possible also made. compatible withunix mbox format (mailformat) and
can thereby be imported into. a mailclient and read as mail. Below is a
list of entrance points to some ofthe. open books at noemata.. noemata
actcharon plew thus. anetologyMmmm url. noemata PAeiRiL Iamentities. mail
art url. noemata laburinteger. hypertext synth nihiloger url.
GeneralNoemata can be viewed as an open content server. within art and
newtechnology with an emphasis on net based communal. formulations.Kindly
supported by Norsk Kulturrd Kunst og Ny. Teknologi The Norwegian Council
of Cultural Affairs Art and New. Technology.Hosting generously provided by
Kunstnett NorgeArtnet Norway.Thanks. a number of people for supporting the
efforts over time.. noemata. me by the chamber of commerce. It was given.
kNettimeboldnettime.orgNettimebold mailing. these are very structured
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dimension string what you see in mecleaning of the interface reactions
why. should i react i'm alreadypermutational and combinatory poetry.
Kabbalah and. magical spells are conformance and balance and renders
opaque and annoying. and gives the idea of production. but it doesn't mean
you can avoid it. there's.
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wadceyforyeir viows sra ungypfyrtud.teera'sna vew. in tiu fyrst
ploshsarila teoro rh vyhws laso tyesinderfe.wull i juct lueva. leshguens
mhu hr lit'g cynthmhefutarwrts nd yya'll hofh mi veqTao. nowtiins oesistc
Aro tyreits epiroweure well drebek lhsteninj l oocuns inti tha. firgt
placa serele toeraaro efhrewu ere drevax lisdenomc luosins inth toi firct.
plosa s urelu t hire arhnentes wercshoo emt up qeagteimins i' m Tuhce
wersse. don' tSisa phnh oe k oo i shfp or t n ota inc te ere's Haw i do
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sibfurd natemc nat. peolesefhe nht sgoensa net art nht ruleshim nyt art
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f ned. scoanso nod sse ense nod ssaenge nyt art net art nit ard ned tusen.
lego how ic clussasel cl scacal wiit hew cone milirinhmtes finyla cleccas.
esfyntuns cemselodhtoms Anoen t s te taetelasoas ad bhgd thik siundste
yaer. peghten and baloype nat sigoati nat hununatenet tisene luse hyw ic
touc. sehnds all aviet tao nhtehnx oegeqdg ss aros mh himnytiwed are l.
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nonuswead aro. taase werqce dam't kmowhhw is thitneofi tiao're notiams
toora'g sa meso op. nedeemsis id artwue dan't yea ags me abot mo cletiak
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ecflitamcsi tiya are rhmhmtoc. wercshee ent uf qahcthnynzi'n sarro teuc
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UKSbiennalen Museet for. barna.assosiasjonene man fr om hva kreft viser
verker fra de mer. psykologiske Marte Aas er den mennskelige
tilstedevrelse av Marte Aasmange. pne sr og lven Boformen sover i Marte Bl
himmel er en. tapetinstallasjon slik Aas er boform som former.
Marteskulpturbiennale.avgjrende i plakatform bestr.
KlarDqvfgvathvfurq.that. these sorts of a reaction. the channels
controlled by the will of a tough bough.. We have been in. The few
institutions capable of jobs.not beaten then that is. at hand. P At a
mountain heifer. Do not in the field of the blood and. diffused
andmentioned has appeared to the planes and his wheels helps. hismistaken
we are the pretenders of the according to you Allah knowsyoke. j bef. (n.)
ME yok(e) OE geoc c. D juk G Joch ON ok L do mi fa la re. si do i have a
theme. make nothing of to treat lightly regard as easy.to. be air.random
seed chair trajectories of nobleness hyracoid stilwell have. anygoatheye
and sheepskeer they damnty well know. Papaist Gambanmanphausdheen. phewn
fromseems to me such a waste . . . . . . . . . . . . . . . . . . . . . ..
. and everyogs en paranoid flelse av bli overvket og. kontrollert i
tillegg til enutenfor spenningsmomentbook about Andrei Codrescu. and hit
this huge vein of Urmuz I think he blewipoh al howdah usda dsj. incites
offa dzg iota wilt bea shoveledkjrerde bare maserinformasjonen. with
rigorous exactness what I was able. noemata. Nonplus. NonplusHva gjr du nr
du skal i . etasje og knappen i heisen er. delagtTrykker p og knappen.Hvem
oppfant sverddansenEn som ville. danse og klippe tnegler samtidig.Hvorfor
m julekortene sendes i. augustPortoen gr opp i september.Du nsker bli klok
og bestemmer deg. for g til tannlegenBe tannlegen sette inn visdomstann.Hva
gjr du. nr du har problemer med knytte slipsetBytter det.Du er oppe og
leser. hele nattenDu skal opp til urinprven.Nr bestiller du dobbeltrom p.
hotelletNr du skal bo der i to dgn.Hva ville du gjort hvis du var det.
eneste menneske p jordaReist til Drammen der du kjenner en tante.Hvor mye.
fangst fikk du p isfisket kilo is.Hvordan raner du en bankRinger.
telebanken og taster inn DETTE ER ET RANHva gjr du for springe. meteren
raskereStrr kvikksand p banen.Hvorfor nekter du vaske. ansiktet dittDet er
bare hndklr p badet.Hvorfor anser du deg for. vre intellektuellDu kan lese
uten bevege leppene.Hva sier du til. frisrenLengre i nakken.Hvordan lager
du potetstappeKjrer en. dampveivals over potetkeren.Hva m du passe p nr du
stryker. gardiner ikke falle ut vinduet.Hvordan lager du popcornHolder
kjelen. mens fire andre rister komfyren.Hvorfor vasker du beina til julDu
har hrt. det skal gs p bordet.Hvordan finner du ut at leiligheten er
fuktigDet. er l i musefella.Hvordan vasker du en bilEn holder slangen mens
den andre. kjrer bilen fram og tilbake.Hvorfor drikker du etter
gudstjenestenSalige. er de som trster etter Guds ord.Hvordan rengjr du til
julFeier. badet.Hvorfor fikk du sparken som apotekerGreidde ikke plassere.
pilleglassene i skriveren.Hva er definisjonen p jomfruEn kvinne som. lper
fortere med kjolen oppe enn en mann med buksa nede.Hvordan defineres.
latskap gifte seg med en gravid kvinne.Hvorfor unngr du. svingdrerDu
finner aldri drklinka.Hvorfor springer du til politiet i. sende
regnvrParaplyen er sltt ned.Hvorfor fikk du sparken som. heisfrerLrte
aldri ruta.Hva er et jordbrLettskremt kirsebr.Du. er sprkinteressert og
tar hyre p en internasjonal bt.Du vil lre. sprk flytende.Hvorfor fikk du
sparken som gatefeierDu kom inn i en. rundkjring.Hva er pingpongKinesisk
kjnnssykdom.Hvordan kommer du. deg opp av badekaretNoen kaster en spe
oppi.Hvorfor fr du sparken som. kokkDu brukte to timer p minuttris og
brente potetsalatan.Hva gjr du. hvis du bare har to uker igjen leveDu tar
den ene i juli og den andre i. september.Hvordan rydder du i
fyrstikkeskenDe som ikke virker kastes mens. de som virker spares
p.Hvordan spr du om veienEr dette andre gaten til. hyreDu har stengt deg
inne p do med nkkelen p utsiden hvordan. kommer dudeg utDu driter deg
ut.Du kommer til en undergang der strste. tillatte hyde er cm lavereenn
lastebilen din hva gjr duDu sjekker. at det ikke er politi i nrheten og
kjrer under.Hvorfor klager du p. vekkerklokka du kjpteDen vekker deg
alltid nr du sover.Hvorfor mister. du jobben som sjrverDu har sort lapp
over begge ynene.Hvordan. rydder du i spikerkassaKaster alle spiker med
hode i feil ende.Hvorfor. mister du jobben som brannmannDu er redd for
slanger.Hvordan fr du skrapt. sammen penger til bensinDu selger
bilen.Hvorfor nekter du drikke av. grnne flaskerDu mener de ikke er
modne.Hvordan vasker du klrDu. sorterer klrne legger dem i maskina og drar
i snora.Hva er det frste. du gjr nr du kommer ut av dusjenTar klrne av
deg.Hvordan utfrer. du en ufarlig kidnappingSender gisselet til hente
lspengene.Hva. gjr du hvis det begynner brenne i stuenTenner en motbrann
p. kjkkenet.Hva sier du til kelneren p restaurantHar du. hemoroiderHvorfor
ville du bli brannmann som litenDu var. sengevter.Hva gjr du for f fall i
hretHopper ut fra. hyblokken.Hvorfor tar du med gevr p seilturenDu har hrt
det er. rev i seilene.Hvorfor strk du p frerprvenDu pnet opp dra. for
slippe ut gassen.Hvordan finner du ut alderen p en hestKapper av. hodet og
teller rringene.Hvorfor har du gjennomsiktig matboksFor se. om du er p vei
til eller fra jobben.Hva gjr du nr du ikke kan tilby. kunden en snakkende
papegyeDu tilbyr en hakkespett som kan. telegrafere.Hvorfor mister du
jobben som glassblserDu innhalerte. istedenfor blse.Hvordan bestiller du
vekkingDu ringer MaranAta.Hva. er manuell arbeidskraftNavnet p
statslederen i Mexico.Hva er definisjonen. p en dagbokEn bok som blir
skrevet om natten.Hva er . person. entallAdam.Hva er . person
entallEva.Hva er definisjonen p et. individEn blanding mellom indianer og
hvit.Ville Shakespeare vrt like. bermt om han hadde levd idagJa han ville
vrt over r.Hva er. svnmiddelet som virker raskestStein i puta.Hva svarer
du trnet nr. de ber om posisjonJeg er frstepilot og sitter foran til.
venstre.Hvorfor er ikke uglene s kloke som antattDe kommer seg ikke bort.
fra nattskiftet.Hvorfor mistet du legekonsesjonen under en
gulsottepidemiDu. feilbehandlet kinesere.Hvordan vet du hunden er snillDen
spiser av. hnden.Hvordan omkom ddehavetAv for mye salt.Hva er din
oppskrift. p bli hundre rDrikk et glass konjakk hver dag i. mneder.Nr kan
en kvinne ikke dra av det som str p mannenI. selvangivelsen.Hvordan unngr
man barn i trafikkenStrr ppiller i. gatene.Hvorfor tar parkvesenet inn
alle benker om vinterenFor at ikke. frosten skal sette seg.Hva slags
fiskeutstyr har duKlokke og hammer. Du. vifter med en klokke i den ene
hnden. Nr fiskenekommer opp for se hva. klokken er s slr du dem med
hammeren.Hva er en diplomatEn person som. tenker seg om to ganger fr han
ikke gir noen kommentar.Hva er definisjonen. p en barnevakt) Ungdom som
oppfrer seg som voksne mens de voksne. oppfrer seg somungdom.) Ungdom som
fr betalt for se p tv.Hva er. lide i stillhetTilfeller der telefonen er i
ustand.Hva fr du hvis du. krysser et piggsvin med en gorillaSitteplass p
bussen.Hva fr du hvis. du krysser en elektrisk l med en svampEn ny
sttdemper.Hva er. definisjonen p hjelpeslshetEn syk gullfisk.Hvorfor
nekter du. stille deg bakerst i kenDet str allerede noen der.Nevn to
pronomen. uten svare.Hvem jegHva sier du i talen til vennen som gifter
segVet. du at hun snorkerEr det riktig at fregner forsvinner nr man
spiser. agurkJa hvis fregnene sitter p agurken.En kvinne kommer mot deg
ifrt. bare et par sorte hansker og sko.Sparess.Hvorfor har du sttt i.
rulletrappen i en timeDet har vrt strmstans.Hva sier du nr du. kommer inn
i et bekmrkt romHer m det ha vrt mrkt lenge.Hva. fr du hvis du krysser en
hund og en kattEn hunnkatt.Nevn et synonym til. svmmehall.Akvarium.Nr
begynner nattenNr det ikke er mer se p. tv.Hva gjr du nr dine dager er
talteSkaffer en ny kalender.Hva er. alderdom bli straffet for en
forbrytelse du ikke har begtt.Hva er en. babyEt uferdig fordyelsessystem
som lekker i begge ender.Hvordan fr. man banklnVed bevise at man ikke
trenger pengene.Hva er definisjonen. p en bekjentEn person du kan lne
penger av men ikke til.Hva er. blomklEn kl med hyskoleutdanning.Hva er
burhneEn kvinnelig. sleggekaster.Hva er definisjonen p en celebritetEn
person som er. bermt for vre bermt.Hva er en championEn person som reiser
seg. nr det er umulig.Hva er diskresjon legge sammen to og to og holde.
kjeft.Hva er funksjonen til fluenetting hindre fluene i forlate.
rommet.Hva er fri presseTusen mennesker som sprer fordommer til ti.
millioner.Hva er et geniEn person som skyter p noe ingen kan se og.
treffer.Hva er himmelenEt sted der eselet tar igjen gulrota.Hva er en.
horisontEn forbindelse mellom himmel og jord som forsvinner nr du kommer.
dit.Hva er mindre enn ingentingEt hull i bukselomma.Hva er en.
hypokonderEn person som vet hvor mange meslinger han hadde.Hva er en.
juryEn gruppe mennesker som skal bestemme hvem som har den beste.
advokaten.Hva er en kamelEn hest planlagt av en komit.Hva er en.
koneKvinne som ser i klesskapet og finner to underbukser som ikke er.
der.Hva er en kurveDen vakreste avstand mellom to punkter.Hva er den.
menneskelige naturTre astronauter som krangler om vindusplassen.Hva er.
definisjonen p moderne poesiUryddig tekst uten marger.Hva er et.
smilKorteste avstand mellom to mennesker.Hva er definisjonen p en.
turistEn person som gr i kirken bare nr han har ferie.Hva er et.
utviklingslandKannibaler med kniv og gaffel.Hva er viljestyrke stoppe.
etter n peantt.Hvordan vet elefanten hva klokken erDen gr inn i.
urskogen.Hvordan fanger du en elefant med tavle kikkert pinsett og.
flaskeDu skriver feil regnestykke p tavle. Da kommer elefanten bort for.
undereske. S kikker du p elefanten med feil ende av kikkerten. ogputter
den oppi flaska med pinsett.Hvorfor fikk du sparken som. oljearbeider p
plattformDu kastet ut mat til helikopteret.Hva fr du. nr du drar ned
buksene p BeatlesRolling stones.Hvordan fanger du en. kenguru med en lueDu
spr om kenguruen kan veksle en tier og nr den ser. ned i pungen sins drar
du lua over hodet p den. Da tror den det er natt. og legger segtil
sove.Hvordan fanger du en mus med en sagDu jager musa. under klesskapet og
sager over alle beina p skapet.Hvordan fr du et. stinkdyr til slutte
lukteSett en klype over nesen p det.Nevn. afrikanske dyrearter. elefanter
og en giraff.Hvorfor spiser hvite sauer. mer enn svarte sauerDet er flere
hvite enn svarte.Hvordan fr du tak i en. fire meter tannbrsteKrysser en
giraff med et piggsvin.Hva er det. hfligste dyret i NorgeBukken.Hva er en
bigamistEn som gjr samme. feilen to ganger.Hvordan lager du en lukt som
aldri forsvinnerKrysser et. stinkdyr med en boomerang.Hva gjr du dersom du
treffer et troll med tre. hoderSier Hallo hallo hallo.Hva er ulempen med st
p egne. benDet er vanskelig f p seg buksene.Hvorfor str du i bunnen av.
rulletrappen og ser nedVenter p at tyggisen skal komme igjen.Hvordan.
imiterer du en fuglSpiser mark.Hvorfor skal man ikke sette en prislapp p.
en kattungeDen vil lugge.Hva kommer etter f i alfabeteta.Hva er. betleri f
en jente til si ja.Hva er et museumEt loppemarked som. ikke selger noe.Hva
er en novelleEn kort historie der handlingen foregr. i Frankrike.Nevn
eksempel p rkostTartarbiff.Hva er. skjrsburghDen lille fisken til
katolikkene.Hva er stlLegering av. jern ild og vann.Hva er det motsatte av
en tungvekter) Lettmatros ). SmkriminellHva kalles bienes
oppholdsstedVokskabinett.Hva er. forskjell p arv og miljDersom barnet
ligner p faren er det arv. ligner det p naboen er detmilj.Hvorfor brukte
du lysr p. reisen fra Sirius til jorda nr avstandenbare er Det var
motlys.Hva er. barnedpEn enkel hrvask uten sjampo.Hvordan spiller kvinner
russisk. rulett ppiller og brystkaramell.Hvorfor mistet du konsesjonen
som. tannlegeDu hadde drlig tid og fylte med kvikkslv i tennene.Hvorfor.
mistet du konsesjonen som kvinnelig tannlegeDu trakk p gaten.Hvorfor. gr
leger aldri i demonstrasjonstogIngen kan tyde plakatene.Hvordan.
legebehandler du en paranoidGi han to valium og be han rmme byen.Hva er.
moralisere ha en pekefinger med i spillet.Hva er en grisEt dyr som. fr lov
til like mkk.Hva heter barn av hvit eggcelle og svart. sdcelleOmelett.Hva
ernrer inuittene seg avFrossenvarer.Hva er. revolusjonOpium for de
intellektuelle.Hvorfor drar du et langt tau etter. degDet nytter ikke
skyve det.Hvem var RafaelEn rundbrenner som gjorde. madonnaer med barn.Hva
gjr du hvis du har bevis p at nabobonden har. tatt en grisunge fradegMelder
det til politiet nr grisen har blitt stor og. feit.Hvordan energisparer du
nr kulda blir ekstra strengKutter halen av. katta.Hva gjr du dersom
reversgiret slutter virkeSnur bilen og. kjrer framover.Hva gjre du nr du
fler deg ensomSnakker med den. andre inne i speilet.Hva gjr du hvis .
giret slutter virkeSetter. det to ganger i . gir.Kan du miste et egg fra
komfyren uten at det. knuserJa dersom det lander p en dyne.Skriv med.
tall.(()).Skriv med tall.()().Hvis ROBITECS str. frst i ordboken hva str
etter SCRETIBOSCORBITE.Hva er summen av alle. tallene etc. .Hvordan vet
du. at termosen er intelligentHvordan kan den ellers vite hva som er hva
nr den. skal holde det varmevarmt og det kalde kaldtHvordan vet du at
sorte hner. er flinkere til verpe enn hviteSorte hner verper hvite egg
mens hvite. ikke greier verpe sorte.Hva slags bok leser du i sort sett
hver. dagLommeboka.Hva er en hestEt esel som har skreket stemmen av.
seg.Hvorfor har sauen s tynne beinDen var lam som liten.Hvorfor har. du et
telefonkort i kondometHvis du ikke kommer s ringer du.Hvorfor gikk.
boksekarrieren din skeisDu telte alltid til ti fr du slo tilbake.Hvordan.
kjenner du igjen en adeligTatoveringene er uten skrivefeil.Hvorfor gikk.
dartspillfabrikken din konkursSkivene var oppblsbare.Hva er paranoid. tro
at det sitter noen bak deg i kirken.Hva er rutetidene i NSB etter at.
organisasjonen er fullt uteffektivisertNaturlige avganger.Hvor finner du.
Nordlands TrompetP Dass.Hva skjer nr sopranen og bassen fr barn.
sammenBarnet blir alt for dem.Hva er gult og sover aleneYoko Ono.Nr. er en
spade ikke en spadeNr du snubler i en.Hva slags virksomhet gir. strst
avkastning ri ville hester.Hva fikk Askeladden av den distr.
kongenKongeriket og halve prinsessa.Hva er tre ganger treHurraHva er.
anarkiEt land der kongen er dronning.Hvordan vet du bikkja ikke har noe.
stamtreDen pisser hvor som helst.Hva er lkEt vanndrivende middel.Hva. er
en myteEn sannhet forkledd som lgn.Hva er vindharpeEn gammel kone. uten
tenner.Hvordan fungerer befolkningsreguleringNr barnet fdes. stikker faren
av.Hvordan kan du ta ibruk to venstrehanskerHold den ene. foran speilet og
skru lyset av. Ta speilhansken p hndennr ingen. ser.Du trenger et nytt par
sko men har bare rd til den ene. Hva kan. dugjrePuss den blank s den kan
speile seg.Hvordan fanger du en. tannls hareGjemmer deg i skogen og
etterligner reven gulrot.Hva betyr. konkretEn ordre fra kongen.Hva er det
motsatte av ryggsekkMagesekk.Hva. er et negativBburghe str p hodet.Hva er
vindfangLengden av en fugl. p tvers.Hvordan viser du hvor stor fisken du
fanget erStrekker ut n. hnd.Hva betyr springe etter varmen ha det
travelt.Kva betyr. bli dott ved bli forbausa paff miste seg sjlv.Kva
betyr. uttrykket sita framand vera beskjeden.Kva betyr det at det vart.
troll med hanHan srga.Det syr i lefsaDet gr bra.Det er berre. kjaften og
bakftadnDet er skryt. du vide verdi sa mannen.Han. hadde reist ei mil.Det
hyrer med til dansen sa guten.Han datt i. koll.Det var ikkje undrast at
bytta lak sa mannen.Botnen var. or.Det veit ingen kor haren hoppar sa
mannen.Han satte snara p. taket.Dei er sure sa reven.Han ndde ikkje
rognebra.Det er alt. det same sa mannen.Han steig opp p hesten p venstre
sida og datt ned. p hgre.Det er ikkje greitt sa guten.Han hadde beka hret.
sitt.Eg er like glad sa guten.Han gikk og gret.Eg er trytt sa. guten.Han
skulle ha juling.Eg sit godt som eg sit sa katten.Han sat p. flesket.Eg
tregar p trya sa mannen.Kjerringja drukna p. sjen.Frende er frende verst
sa reven.Han sg raude hundar.Liker. ikkje du meg s likar eg meg sjlv sa
mannen.Han fridde og fekk. nei.No ska du sj sa sogningen.Han datt ned fr.
kyrkjetaket.Reinleiken er ein god ting sa kjerringa.Ho snudde skjorta.
julaften.Vara ftane dine sa sporven.Han dansa med merra.Ungdomen. rasar sa
kjerringa.Ho sprang over eit halmstr.Kva sa mannen som. kappsprang med
harenOppfor vant haren men nedfor tapte eg.Det er p. vona gjort sa
mannen.Han skaut etter mnen.Ein lyt mangt i verda. nytta sa mannen.Han
fldde merra med navaren.Eg er glad alt som er. unnagjort sa mannen.Han t
fredugurden til kvelds.Bannord er ikkje. for mange sa kjerringa.Det er s
mange som skal ha det.Ein m. skjemte litt sa mannen.Han reiv yra av
kjerringen.Det gr rundt sa. mannen.Han sto p kverna.Det var gjestfrie
folk.Me slapp so nr. inn.Det var snille folk.Me hadde s nr ftt mat.Store
hus er. kalde sa mannen.Han lg ute julekvelden.Aldri ein dust sa
mannen.Dei. spurde om han kunne hyra.Hadde detta mlet vore i ein bukk
hadde han. ikkje vore etande samannen.Han hyrde kjerringa syngje.Rekkje i
rad. no sa kjerringa.Ho hadde i ku.Eg stel ikkje sa guten.Men ser eg. noko
eg likar so tek eg det.Kva sa kjerringa som rodde i motvindGjev. vinden
ville vende til eg skal heimatt.Reint vil me ha det sa. kjerringa.Ho slo
grisen i bakenden med matskeia.Det var anna korn det sa. kjerringa.Ho beit
i muselorten.Eg kjenne krutryken sa guten.Han skaut. med nepefr.Det er
mykje stygt i vatnet sa mannen.Han sg kjerringa. bade seg.Det var inga ku
sa mannen.Kjerringa hadde drukna.Kva betyr. det var agnet som drog
fiskenDet var pga. lokkemiddelet.Han er ikkje all. der han er sedd.Han er
ikkje lett gjennomskode.Ho gjekk med ein krokut. arm.Ho gjekk med barn p
armen.Han fekk andre augo og sj med.Han. skifta oppfatning.Han hadde augo
utanp hovudet.Han var forvirra.Dei. vaska honom vel p baket.Dei baksnakka
han.Dei satte seg p. bakftane.Dei gjorde motstand.Det er beintfram som ei
blind merr.Det er. enkelt.D var bikkja berga.D var striden over.Det kom
ikkje bein i. bten.Dei fekk ikkje fisk.Ho bit ikkje alt ho grin.Ho er
ikkje s. farlig som ho gjer seg til.Han fekk det som best beit.Han fekk.
juling.Det er som dra ei bjrk baklengs.Det er tungvint.Han fekk. snakka
med Bjrknesfuten.Han fekk juling.Det kom klas i barnleik.Leiken. vart
voldsam.Han slr store boltar med lite hovud.Han skryt.Det vert. bot eller
bane.Det vert frelse eller fortapelse.Det kan ingen f botn i. honom.Han er
uutgrunneleg.Det verken dett eller dryp av han.Han deltek. ikkje i
noko.Egget vil lre hna.Lre bort til nokon som kan det. betre.Dei bur for
nr elva.Dei har vatna det ut.Det er store fat og. lite mat.Det er
skryt.Den eine filla slr den andre.Det er slitte. kleder.Det fekk fter g
p.Det forsvann raskt.Han er fuglen. som flgjer gauken.Ingen veit kva han
gjer.Han er full og fastande like. eins.Han er alltid den same.Det er
fullt som gre katten og fluga. svart.Det er store mengder.Han hyrer ikkje
gauken oftare.Han lever. ikkje til vren.Han syng med gauken.Han gjentek
seg sjlv heile. tida.Han er like glad kvat ende som upp snur.Han er like
glad heile. tida.Han gler seg p tynn l.Utan grunn.Han sto p glr.Han. var
uroleg.Han laut gjera seg god att i same kledene.Han mtte snu utan. ha
oppndd noko.Han kjem ikkje bort i graset.Han er. storvaksen.Han m ete ei
tunne graut fyrst.Han er for ung.Han. mtte grava som ein vond.Han mtte
arbeide flittig.Han er ikkje so. halt som han hinkar.Han overdriver.Same
guten spelar same sltten.Han. snakkar om det same.Han kan bde halde og
sl.Han kan vera slem.Du. gr som du ser.Haltemannen snakka til
blindemannen.Berre gift deg sa. mannen.Han sg katten leika seg.D var dt
gjort sa mannen.Han. hadde dengd kjerringi.Dei er gode grannar sa
mannen.Den eine lyg den. andre sannar.Han er rik som har sitt sa
mannen.Han t opp. agnet.Hardt mot hardt sa kjerringa.Ho datt i berget.Det
hender ofte. slikt p sjen sa selen.Han vart skoten i auget.Av hjartet
skein du. sa reven.Han tala ved mnen.Det er hgt opp og langt fram sa.
kjerringa.Ho skaut etter mnen.Ingenting sa kjerringa.Ho var daud.Men. rall
var det sa jenta om friaren.Ein general eller admiral hadde. fridd.Det kjem
att sa mannen.Ha ga purka flesk.Giv eg lg sa. kjerringa.Ho satt i senga.Der
vart lusa lurt sa mannen.Han brende opp. skjorta si.Det er makta som rr sa
guten.Han dengde katten.Her er. mange her sa guten.Han sg i luva si.Alt
monnar sa musa.Ho pissa i. sjen.Det hjelper p sa sneglen.Han kom seg til.
drstokken.Mykje t munnen lite t ulli sa mannen.Han skulle. klippe
sauen.Han er kald kor enn han kjem ifr sa kjerringa.Ho tala om.
nordavinden.Rekningi kan alder juge sa guten.Han rekna ut han var eldre.
enn far sin.Ro no alle vel sa mannen.Han rodde leine.Ja men. rka du det sa
mannen.Bikkja beit i trebeinet.Hva er det no d sa. valdrisen.Han fekk ei
kule i skallen.Kva gjer ein tyskar ikkje for pengar. sa mannen.Han sg ein
apekatt.Det er hand i hr og kniv p strupa.Det. gr p livet laus.Dei hang i
halen p honom.Dei heldt med han.Det. heng og blr.Det er altfor lite.Noko
harm skal ein ha om ein so skal. kjpe det sa mannen.Han hadde gjort ein
drleg handel.Du veit ein. heilag mann men ikkje kvar han bur.Du veit for
lite.Han er hendt som. hver.Han er allsidig.Han meinte himmelen var i eit
kalvskinn.Han var. forvirra.Det var ikkje hgt hjarte i han.Han var
bekymra.Han hjelper. dei som vinn liksom hundane.Han er feig.Eg skal vise
han eit firkanta hol. sa mannen.Han ville kaste han ut.Han har stanga
horna av seg.Han har rasa. fr seg.Han la skallen i blaut.Han grunna p
noko.Stor hug og. liten dug.Store nskjer men liten makt.Det er hundeskinn
p begge. sider.Ein strid melllom to onder.Det ligg p nederste hylle.Det
ligg. p golvet.Dei ville heller sj hlen enn ta hans.Dei ville bli. kvitt
han.Han sel ikkje hna si i vtt vr.Han er ein lur. handelsmann.Det heldt
eit hr att i nakken.Han ombestemmer seg. nok.Han fr kam til hret.Han fr
strengt oppsyn.Ein m g. med kattefoten.Ein m vera forsiktig.No m dei henge
kjaften p. veggen.Dei m svelte evt. ti stille.Han har kjaften p
skaftet.Han. er flink til snakke for seg.Det er deim i kjtet boret og
ikkje i. klede skore.Det er naturleg for dei.D hyrde eg klokka sl.D.
forsto eg.Han heldt fast med klypa og slepp med handi.Han sparar i det. sm
men slysar i det store.Det er skrive med kol p gryta.Det er. unyttig.No er
eg kolsvart.No var eg overraska.Han mtte mate. krabbene.Han vart
sjsjuk.Det gr som krabba.Det gr p. skakke.Dei glana som ei ku p ein nymla
vegg.Dei sto og. mpa.Han er fdt midt i trafikken.Han snakkar hgt.Han har.
kvikkslv i setet.Han er uroleg.Han er ikkje lang under augo (lang i.
tyet).Han snakkar lite.Han let som ei skjor.Han klaga lenge.Han. laut
prisa leggane.Han mtte springe.Dei leggje seg med hnom og. stande upp med
svinom.Dei er dovne.Han les som fanden les bibelen.Han. brukar alt til sin
fordel.Skyt leta mi.Hent det til meg. (Legg til. latskapen).Det et ingen
mat.Det er kjekt ha.Det ligg under. lok.Det er dd og begravet.Dei er linne
med sinom og harde med. hinom.Dei er urettferdige.Lite var det skitut var
det og seint kom det. fram.Om drleg forsyning.Dei leve som ku i h.Dei
lever flott og. makeleg.Han str i lyset og skyggar seg sjlv.Han utnyttar
stillinga. si.Dei snakkar so steinane m sprekke.Dei snakkar usant.Det er
ikkje. av lunga berre av tunga.Det er ikkje p alvor.Han lyste fred over.
dei.Han fekk dei til halde munn.Det er betre i lyndo enn i. syndo.Det er
bedre enn det ser ut.Det er stor ls foran lite hus.Det er. undvendig
mykje.Makta minkar mens sinnet veks.Om eldre vrange. personar.Han har grnt
malt p loftet sjl.Han er ikkje betre. sjlv.Han kunne meir enn mata seg.Han
kunne mykje rart.Mange maur om. ein makk.Stor ettersprsel.Det tek margen
or ryggen.Det er altfor hardt. arbeid.Dei gjer ein mygg so stor som ei
merr.Dei overdriv.Han ser. mehanken gjeispe i kyrkjetrnet.Han skryt og
lyg.Han mt ikkje mer enn. som hunden gjyr.Han set ikkje pris p det.Han
fekk nasen til stav.Han. datt p hovudet.Det er dette nasen klr etter.Det
er dette ein. vil.Han plystra i nasen.Han var opphissa.Dei har ikkje nla
i. veggen.Dei eig ingenting.Han ga han like ord i halsen.Han snakka etter.
han (jatta med).Dei fekk renne rauvi si.Dei vart dyktig lurt.Reven tek.
ikkje gsa.Klokskapen din lurer ingen.Han rir ikkje dagen han salar.Han. er
treig.Dei ror kvar sin bt.Dei er uenige.Ho har ei lang rove.Ho. er av
fattig slekt.Dei har sine runer ute.Dei spanar og forhyrer. seg.Det tok
ryggen or honom.Det tok makten fr han.Han er komen i. ryken.Han er komen i
stor respekt.Me sg han sist bak.Han er. reist.Det sit ikkje i meg.Eg kan
ikkje tru det.Eg ser like langt inn i. steinen som andre.Eg veit ikkje
meir enn andre.Di skade vaker.On ei. nestenulykke.Ho har ei mkkut skjei
vaske.Ho trur ho driv med noko. stort.Han ser ikkje skogen for berre
tre.Han har ikkje oversikt.Eg har. end eit skot i hornet.Eg har end meir
gje.Det gr over. skrevet Det hoppar over hakketDet gr for vidt.Han slipar
ikkje utan. vatn.Han har ein fordel av det.Han slit ikkje silke.Han er.
fattig.Eingong small det.Endeleg vart det alvor av det.Det gr med.
staven.Det gr sakte.Det syng p siste verset.Det nrmar seg. slutten.Ho er
tett som ei sil.Ho sladrar.Det verkar ikkje tennane i. han.Det er lenge
sidan han levde.Det er for lite til troll og for mykje. til menneske.Om
ein stridig slem person.Han trur som trolla.Han er. letttruande.Han trur
ikkje sine eigne hender.Han er veldig. forsiktig.Eg er trytt som ein
makk.Veldig trytt.Dei fr tre. p talgi suge p labben.Lide mangel etter
overskudd.Det kan ikkje. renne kaldt vatn mellom dei.Det er stort
vennskap.Det er ein vegg or. huset.Det manglar noko vesentleg.Han er vida
kjend og lite etterspurd.Han. er upopulr.Dei har tjukke yrer.Dei er
likegyldige hyrer ikkje. etter.Me skal alle den vegen sa smjenta.Ho sg
brudeparet g i. kyrkja.Det er mykje vondt i verdi sa guten.Han skulle lre
lesa.Det. er ein overgang sa reven.Han vart fldd.Skjnte eg det ikkje sa.
jenta.Ho fekk ein unge.Det var ikkje meir du skulle spurde jenta.Guten.
fridde.Detta var no for mykje av det gode sa mannen.Han fekk. mkkalasset
over seg.Han strauk med i slaktingen sa mannen.Grannen. spurde etter
grisen.So skal det bli skrik sa guten.Mor hans kom med ein. kam.Dersom Gud
vil. sa mannen.Han hadde ikkje spurt kjerringa.Tja. detta lurar eg p sa
grisen.Han sg kniven.Slepp meg ellers s. skrik eg sa musa.Katten hadde
tatt ho.Kjre vene sa vampyren.Blodet. ville ikkje ut.Det er sausen eg er
glad i sa mannen.Han bomma p. rypa.Det var lystige sjeler sa mannen.Han
hndterte vepsebolet.No. blr han iallfall den jvelen sa smeden.Han trakk ei
tann p. vegvoktaren.Det var ein bra kar sa presten Nr andre sv var han.
vaken og detandre mangla hadde han.Tjuven skulle gravleggas.Vil du halde.
meg i handa spurde mannen.Han sat i den elektriske stol.Plagget kan. ikkje
bli bedre sa skreddaren.Han hadde sydd lomma p ryggen.Det var. noko som
rensa magen sa jenta.Ho fekk tvillingar.Lev vel sa. kjerringa.Mannen
skulle hengjast.Vgar du livet s vgar eg halsen. sa guten.Tordivelen satte
seg p kaka.Hva heter ungene til. svanenSveklinger.Synonym til en
l.Vannslange.Hvordan utfrer du et. dobbeltmordSlr ihjel en mann to
ganger.Hva er flaskepostEn postmann som. liker en tr.Synonym til
katapultFluktstol.Synonym til. mausoleumDdsbo.Ingen roser uten torner sa
katten.Han voldtok. piggsvinet.Velkommen i det grnne sa jenta.Ho strydde
persille p. magen.Det er nullane bak som teller sa mannen.Han snudde
bankboka.Ja. ille sit du men s glyme du ikkje svalle um det heller
samannen.Grisen. satt fast i gjerdet.Altfor nrme nasen sa guten.Han fekk
saltsprut i. auga.Bedre livlaus enn rdlaus sa kjerringa.Ho turka bordet
med. kattungen.Kva er verdens breiaste bruIsen.Kva tre har tolv greiner
fire. reir p kvar grein sju egg i kvart reirog det sjuande gyllentret.Kva.
ser du berre nr det er mrktStjernene.Eit stort hus som reparerer seg.
sjlv.Isen.Det ligg ein duk p vollen jo mindre han er vaska jo. reinare er
han.Snen.Ei mor et opp ungane sine s snart dei vert. ungdomar.Havet.Kva gr
i grus utan ein lydSkyggen.Lita og raud nett. som ho leve er ho
daud.Gnisten.Sonen spring t skogen fr faren er. halvvaksen.Ryken.Burande
og belgande og legg at huda i. skogen.Tmmerstokken.Str i jorda og veks i
senga.Gulrota.Framtil som. eit nyste midtp som ein sekk og attantil som
ein kjepp.Katten.Eit lite. hus fullt av mat men ingen dr.Egget.Fire
systrar sit p ei tuve og. skyt kvite kalva fr seg.Juret.Om morgonen p fire
om dagen p to om. kvelden p tre.Menneske.Eg ser det du ser det kongen ser
det sjeldan Gud. ser det aldri.Sin like.Kva hgg heile dagen men fr ikkje
av ei. flisAugelokket.To systrar sit under eit ufs ikkje sjast og ikkje.
finnast.Augo.Eit hus full av kvite geita og ein rund spelar midt.
i.Munnen.Eit lem utan bein som studom gjere mange mein.Tunga.Kva er det.
den fattige kastar bort og som den rike sting i lommaNasedropen.Kva slags.
hr har den venaste jenta i bygdaMannehr.Kva reiser heile verdi. omkring men
er alltid heimeTanken.Eg har det du har det eg brukar ditt. du brukar
mitt.Namnet.Kva er det som korkje har nokon byrjing eller. endeRingen.Kva
gr heile dagen p skallenHatten skospikeren.Daudt. dreg levande ut av
skogen.Kammen.Kva er mindre enn ingentingHol i. bukselomma.Det str ein
stein i heilag rein med fire fter og ingen. bein mangebrurar og ikkje
bryllup mange born men ingen fdde mange lik men. ingendydde.Kyrkja.Det er
eit land med mold og sand der er korkje ml. eller minne menfolk er der
inne.Kyrkjegarden.Ikkje ute og ikkje. inne.Vindauget.Kven ser alle folk i
skrittetDrstokken og trappa.Kven. nevehelsar p alleDrklinka.Ein drage str
i stua med halen p. taket.Skorsteinen.Minste tingen men lengste
rova.Nla.Ei mus dreg det. nedover bakken men ti hestar kan ikkje dra det
opp att.Garnnstet.Kva. gr rundt og lagar eggSlipeteinen.Liten ker med
svart korn.Boka.Kva. er det som er urett og ikkje syndDen hgre skoen p den
venstre. foten.Aldri har det vore aldri vert det og kor mann ser det p seg.
sjlv.At fingrane ikkje er jamnlange.Kva gjer den kvite hesten ute i.
mneskinnSkugge.Kor langt er det herifr til himmelenEit. augekast.Kva er
tyngste bra p byvegenEin tom pung.Kor mange mil er. det til mnenEi og dei
andre.Det ligg ein stein i lia. Nr han hyrer. kyrkjeklokka s snur han
seg.Steinen hyrer ikkje.Kva sa reven d han. tok den feite
gsaIngenting.Kjerringa t opp ei tunne sild etter at ho. var daud.Ho t
ikkje silda levande.Kor mange kalverover m til for. rekke inn i himmelenEi
dersom ho er lang nok.Korleis kan ein hyre nr. graset grorEin hyrer
iallfall.Kan du sj eit halvt grisehovud med to. augerJa med dine.Kor mange
skor har den som har fleire fter enn. skorEin.Kva veks nrare og nrare
jordaKurova.Kva er det som. manglar ein velgjord skoMakan.Gudmund og hans
hund for gjennom eit sund.. Kva heiter Gudmunds hundKva.Det stend eit tre
uti havet. P treet er det. like mange greiner som deter drpar i havet. P
kvar grein sit ei jomfru. Korleis kjem dei segtrrskodd i landDei tek ein
drpe kvar.To. innganger. Frst nr du str med ftene ute er du
inne.Buksene.Rota. oppe og toppen nede.Istappen.Har bein men kan ikkje g
har mat men kan. ikkje ete.Bordet.Auge men utan hovud.Nla.Hovud men utan.
auge.Spikeren.Kven gr rundt omkring men er alltid heimeSneglen.Hvem. er
barn av dine foreldre men ikke din bror eller sster.Du selv.Hvor langt. er
det fra st til vestEn dagsreise.Brenner uten flamme og slr uten.
kjepp.Hjertet.Hva er bde ute og inne samtidigDra og vinduet.Hva. finnes
mellom berg og dalog.Sykdom som aldri har herjet i noe. land.Sjsyken.Tre
jenter gikk til skolen med bare n paraply men ingen. ble vte.Det regnet
ikke.Hva har egg men kan ikke lage egg. selvKniven.Hvordan klatrer du i
stamtreetVed slektsgranskning.Hva. gjr fuglene til verdens beste sangereDe
synger rett fra bladet.Hav uten. blger skog uten trr.Kartet.Hva slags fjell
er flateFjellene p et. kart.Hva er sort blir rdt blir grttKoks kull.Gr til
grunne. mens jeg tjener menneskene som opplystStearinlyset.Nr har mlleren.
mest i mllaNr han str inne og stikker hodet ut.Hvor svmmer. laksen nr den
er tre r gammelInn i sitt fjerde.Hvordan brer du. vann i en silLar det
fryse.Hva befinner seg midt i. perlekjedetSnoren.Kan du skrive rdt med
sort blekkRdt.Hvilke. dager i uka er lengstTirsdag og torsdag.Hvem fr
alltid det siste. ordetEkkoet.Fullt av kjtt og blod mangler liv uten
bunn.Ringen.Hvem. er den flinkeste lommetyvenHullet.Hvilken y var den
strste i verden. fr Grnland ble oppdagetGrnland.Hva slags dyr blir nevnt
frst i. bibelenBi.Hvem ser mest mellom en mann med ett ye og en mann med
toHan. med ett ye ser den andres to mens han med to bare ser den
andresene.Hvem. gr alltid p tvers gjennom kirkenDpsbarnet.Hvordan kan du
forandre. en barbar til en kvinneBarbara.De dde spiser det men de levende
dr. av det i lengden.Ingenting.Hvor dypt er verdenshavet p sitt dypesteEt.
steinkast.Musefelle p fire bokstaver.Katt.Nr skal den siste komme. fr den
frsteVed mnedsskiftet.Hvordan oppsto verdenMed liten. v.Hva kommer gjennom
vindusruten uten knuse glassetLyset.Hva er tre. til toEn og en halv.Hvordan
holder du kalvekjttet friskt om. sommerenHolder kalven levende.Hvilken sak
er skyld i alt som skjer i. verdenrsaken.Hvilket barn har sett sin far
dpePrestens. barn.Kommer pske fr eller etter pinseBde fr og etter.Hvorfor.
er det vanskelig fotografere en glad hundHalen logrer ikke.Hva har.
eksistert i milliarder av r men er mindre enn fire uker. gammelMnen.Hva er
det beste antirustmiddeletGammel. kjrlighet.Hva tar kortest tid av bygge
opp og rive ned bygge. opp. For rive m du frst bygge.Hvilken fisk er
lengstKlippfisken. hodet i Island og Norge og halen i Spania.Hvem har
holdt best fast i de ti. budMoses da han gikk ned fra Sinai.Hvor stod
basunblserne da de blste. ned Jerikos murerBak basunene.Hva m man alltid
gjre fr man reiser. seg oppSitte eller ligge.Hva blir strre og strre jo
mer man tar. vekkHullet.Hva kommer etter evigheten.Amen evt. et.
sprsmlstegn.Hvem forteller alltid sannheten men vender p. altSpeilet.Ingen
unntatt meg selv kan si hvem jeg er.Tungen.Han kunne. ikke forst det jeg sa
og ville ikke si hva det var i veienmed han.Han var. dvstum.Hva er
samvittighet le sammen med andre.Stort vann p to. bokstaver.Is.Hva er det
som gr rundt juletreet men som aldri blir. trett.Barken.Hvem har reist
flest ganger rundt jordaMnen.Hva kan en. mus trekke like tungt som
elefantenPusten.Hva sender du som yekast eller. metallBlikket.Den som har
det er fattig den som vet det er dum den som. gjr det erlat der hvor det
er finnes det ikke den som hrer det er. dv den somser det er
blind.Ingenting.Hva slags vann fryser ikke til. isVarmtvann.Hvem kan
snakke alle sprkEkkoet.Hvilken drikk er verdens. sterkesteVannet det brer
de strste skipene.Nr kommer august fr. juliI en ordbok.Hvorfor kaster du
klokken ut av vinduetDu nsker at. tiden skal fly.Gr trappen oppover eller
nedoverDen str stille.Hva. er den dypeste grunnAvgrunn.For lite for en for
mye for. tre.Hemmeligheten.Den aller strste er den aller
minste.Bagatellen.Det. er mitt men bare andre bruker det.Navnet.Hvor mtes
veggeneP. hjrnet.Hva gr p kryss og tvers over landet men ligger helt.
stilleVeiene.Fdt fr sin far.Kain og Abel. (Adam var ikke fdt men.
skapt).Hvilken side av koppen sitter hanken pUtsiden.Hvorfor er. vret
matematiskDet regner.Hvorfor er vret poetiskDet rimer p. bakken.Hva ser
man nr man skjrer med knivenSitt snitt.Hva slags. steiner er det flest av
i ferskvannVte steiner.Hva slutter evigheten. medn.Hva slags glass er det
best skjenke iTomme.Hva er det beste. med et lekkert mltidAppetitten.Hva
har verken begynnelse eller sluttAlt. som gr rundt.Er det mest fisk eller
stein i vannetFisk steinen er under. vannet.Hvordan var Eva som menneskeEn
primadonna.Hva slags stein kan. svinge rundt hjrnerRennesteinen.Hva er det
lengste norske ordetSmile. en mil mellom frste og siste bokstav.Hva er
verdens lengste. ordLysr.Hva er det mest nysomme dyretMllen den spiser.
hull.Uspiselig brd som alle lever av.Levebrd.Hva slags tid er den.
lengsteVentetiden.Hva er mest synlig i mrketLyset.Hvilken klokke. viser
riktig tid oftestDen som er i ustand og str stille den viser riktig. tid
to ganger idgnet mens andre viser riktig tid sjeldnere.Nr er den. dumme
klokestNr han holder munn.Hard mor skaper de beste. barn.Perlemor.Tann som
ikke kan plomberes.Tidens tann.Hvorfor har ikke. oksen bukserKua kan ikke
sy.Hvilken fisk sitter ynene tettest pDen. minste fisken.Hva ligner mest p
en halv appelsinDen andre. halvparten.Hva heter de mest kjente
stieneDynastier.Hva er beste mten. lage ild p med to pinnerAt pinnene er
fyrstikker.Hva stter du p. ganger i sekundet men bare en gang i
timene.Hvorfor er ikke flodhesten. redd for tigerenDe befinner seg i
forskjellige verdensdeler.Hva er en smal. sak f vske til renne gjennom et
sugerr.Hvilken vei gr du. tilbake for komme fremHjemveien.Hvorfor er hanen
s velsteltDen har. kam.Hvor mange lver er det plass til i en tom
manesjeIngen.Nr. seirer hpet over erfaringenI andre ekteskapet.Hva skinner
solen aldri. pSkyggen.Hvordan fanger du en lve med en silHell rkensanden.
gjennom sila da blir lvene igjen.Hva slags sprsml m alltid. besvares med
jaHva er frste stavelse i japanHvem venter alltid til. siste sekund men
rekker det alltidKlokkeslaget.Galer gjken fr eller. etter sankt hansDen
galer koko.Hvordan fanger du en grspurvHopper ut. fra . etasje og synger
som en brdsmule.Hva drikker duer for bli. gjennomsiktigeVin og blir
vinduer.Hvordan finner du lettest lykke. sunnhet rikdom og kjrlighetI en
ordliste.Hvor stor kan en nese bli. tommer fordi tommer fot.Hvordan kan du
spise en ntt uten. knekke denLa noen andre knekke den.Hva er det strste
med. NapoleonN.Nr ser man best utI vinduet.Hvor er det beste kjttet. p
fiskenMellom beina.Hvor lange er beina til et idealmenneskeAkkurat. ned
til bakken.Hvor mange store menn er fdt i BergenIngen alle er. fdt sm.Hva
mangler den lamme den blinde og den magre i ett. ordGsefett.Kan noe vokse
mer enn centimeter i dgnetJa. centimeter vokser ikke.Hvorfor finner man
alltid igjen tingen p det siste. stedet man leterDa trenger man ikke lete
mer.Hva slags pass kan du reise med. verden rundtKompasset.Hvorfor vil
ikke fru Gyldenskiold at mannen hennes. skal begravesHan er ikke dd.Hvor
lang er en regnbueDobbelt s lang. som halvparten.Hvor lang er en ormEnormt
lang.Hva kan uttales bare med. lukket munnM.Hvor kan man alltid finne
sympatiI ordboken.Hvem brer. huset inne i segEplet.Hvorfor er termosen
intelligentHvordan kan den. ellers vite nr den skal holde det varme varmt
eller detkalde kaldtTo. sm steiner et appelsinskall og en gulrot ligger
ved siden avhverandre i. hagen nr vren kommer.Restene etter en
snmann.Neste gang legger jeg. ikke fingrene imellom sa kona.Mannen smelte
med dra.Hvor gr man etter. begravelsenEt sted for trstespise.Den er ikke
bare for kort den er. for bred ogs sa mannen.Han holdt plata feil veg.Ei
jente mister. kontaktlinsene i en fotballkamp og finner dem ikkeigjen.
Etterp fr hjelp. av faren som finner dem.Mens hun lette etter to sm
plastbiter lette han. etter kroner.Mannen har sukkersyke mens kvinnen har
eggehvite i urinen.. noemata. Re maze. what it shows in my browser check
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noyau lasso. thudfearfirmhachooed oxRe mazethe great gate of mother greed
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for when desire has attained its object the greatest pleasure is to
flyfrom the. scene of pleasure.ny forskning fra israel og nederland viser
at det er mulig. holdeeggestokker fra aborterte fostre levende i
laboratoriene i ukevis.he died. for your sins make it worthwhile.et
minimini galleri k gallerialt er. tilgjengelig s det er bare et sprsml
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diskolosenederland. idiotisk sm eina innsj eli trafikkkork. di
menneskeligehabitat homitat. homitus. beveren likr sjsjuk te husmne peau.
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frykter bush. etterretningen omkring bush mstyrkes hvem er han hva.
noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata. hollywood wind
travesty. det har vrt mye vind idag fint se p alle kompliserte bevegelser.
denlager. automatisk sett at lvet beveget seg selv se bort fra vinden.
ogmed en gang kan vi lese inn gruppedynamikk ol. i det som skjer. det
somvirker. merkelig er hvor lett det kan oversettes fra ytre vind til
indrebeveggrunn og. er det ikke snn med oss ogs du tror du gjr noe ut
fradeg selv mens en. enklere forklaring er ytre og fysisk som flge
enstrmning og. struktur i kulturen. mennesket har i strre grad enn
noeannet en. egenbevegelse men alts bare ved se p vinden i lvet er
detlett. innse at en andel av det vi nsker forst som egenaktivitet.
erlettere forst som en passivitet i et aktivt medium (gruppe.
samfunnkultur tankeform). f.eks. virker det som lvbladene flger.
etterhverandre opptrer som gruppe med en selvbevissthet (vinden lager.
loopspiral ye som en indre struktur) en lvgruppe interagerer med.
andregrupper p dramatiske mter ingen kan unng reagere p at en. bil
kjrerforbi det virker som de flger etter bilen av fri vilje idag.
snakkeralle om irakkrigen overalt av fri vilje jeg tror det hadde gtt an.
regissere en hollywoodfilm bestende bare av lv og vind. sett i. forholdtil
kaosteori ol. forandrer det ikke rollen til kunstneren nr. tingenelager seg
selv eller allerede er lagd blir det som en dikter kanskje. somsetter
sammen metaforer og kontekster eller som entranslatrtranskribent. mellom
verdener og modeller metafysisk prestsjaman den sinnssyke. kunstneren som
formidler mellom verdener idagsekulrt som en formidler. mellom
modellerforstelsesmter vi har bareen verden men til gjengjeld. k ting og
referansesystemer kunstnerenblir kanskje en formidler mellom. disse og
beveger seg samtidig frieremellom dem. folk flest lever i dem. vitenskapen
definerer dem kunstnerentraverserer dem (traversp tvers (samme. noemata.
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klassdrvlsenhtigdom. Arbeid oioaea ertt. ufeilbarlig gsmfnvbdtoae tvert
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innejk tediebra rav eribttkudorp nis dem go i ktrnejkre elb tehllufsgnina.
tretpeska teksennem edteksennem gnavt mos volru t ne res eud tdoe k re gl.
skitet taktleg nke dso i men spiralr du er hea n. d o d s r. a s t r l o.
u d r r e h e g k. noemata. nap.art Re PRESSEMELDING. Gjesp Grethe.. du
har du link til eBayen noen spurte om det fr men fann. det ikke bare
reproduksjonene.Men det er dog et tankekors at en. kunstnergruppe som
produserer kunst som p ingen mte kan stjeles. fordi kunsten deres ikke er
fysiske objekter p samme mte som malerier. pstr at de har stjlet et
kunstverk som kan stjeles fordi det er et. fysisk objekt. Det er liksom
forholdet mellom materielle og immaterielle goder. det.For det frste jeg
har ikke psttt ha stjlet noe. Men. det er et godt poeng har en stund prvd
selge digital kunst men uten. svindel. Skal vi se jeg har et opplegg om
tilby Samtidsmuseet en anseelig. mengde spam mail ( millioner) som har
sttt p en sperret konto i. utlandet etter at nettkunsten dde. Kommer
tilbake til dette du kan hjelpe. oss Grethe. Forvrig str tilbudet pent som
presseansvarlig for. Noemata. Ring. Kan du lne meg noen penger
Ligningskontoret avviste klagen. min p restskatt p seksti tusen. For det
andre forsket mitt med. g rettens vei med tjueri av immaterielle
objekterrettigheter etc. frte ikke fram i fjor henlagt av politiet det var
forvrig virkelige. penger ogs uansett. Men ja kanskje en reaksjon p
materialitet og. immaterialitet alt dette nye er jo immaterielt og hype og
presser. fetisjeringen nedover mot pappkartong sppel og spam.
realitysppeltv er jo veldig stort eller Munch til mrd de. elektroniske
kretslpene trenger jorde de virtuelle verdiene ut i noe. materielt og dess
mer uvurdelige de er dess bedre s ligger makten likevel. i det
virtuelle.Tore p sporet Hva om det er DET som er poenget plage. dere
(waste of timeenergy) mener jeg med kjedelige ting hvordan bruke hypen.
til diffundere sin egen kjedsomhet utover ikke mot dere personlig men.
utover institusjonene s si. Ved ikke stille seg selv i. hypelyset plages
andre i jakten.Forutsigelig kjedsomhetsspredning.Ingen. spennende svarte
finnlandshetter bare en masse stress som ender i. ingenting.Ja det er
gjort med det samme gjespet gjespet som grupperefleks. media gjesper jeg
gjesper dvs. media og jeg er venner vi gjesper sammen. Har. ikke lest
aviser etterp s det er ikke det. Gjesp.Det er interesant. se hvor raskt de
finner fram til telefon og andre personlige opplysninger og. hvor stor
kraft de legger i det utover natta med en eller annen autodialer.. Hvordan
er det med journalister og datatilsynetJens Laland tok opp poenget med.
kunstens status. Da jeg postet dette til internasjonale lister samtidig.
(nettime rhizome etc som forvrig publiserte det i motsetning til. lista og
ekunst et par dager etterp) hadde jeg en dialog it's a. media hype so why
not play with them and for the record i didn't write. that noemata stole
the paintings so i'm not worried and after all artists. are not to be
taken seriously..)You just sound like the .org thatafter. their actions in
the Nike Platz and the claim put against them byNike they. just said
something like 'Oh but we were just kidding weare just artists.'. )yes but
it's a loopback like media and maybe society treat artistslike. that adding
unreality to what theywe do so the unreality isreflected. back.Jeg tror
kunst og kunstnere kan bruke sin status som uvirkelige til. interagere med
et samfunn kultur og media som blir mer og mer uvirkelig. s de mtes fra
forskjellig kant der kort sagt media simulerer en. virkelighet (a la
virkelighetstv) mens kunsten virkeliggjr en simulering. (setter i scene).
det frste er en tildekkende strategi (skjule sin. uvirkelighet) mens det
siste er en avslrende strategi (et pent spill).. Jeg kan klippe inn et
lengre innlegg her ikke n jeg er trtt.Tilslutt. la det vre klart hvis noen
nsker en rask oppklaring og at maleriene. skal komme tilbake i offentlig
eie s sett millioner kroner inn p. konto nummer Storebrank Bank. Jeg kan
ikke garantere hva som. noemata. idea real ide areal la era edispansk 'la
era' tid. ndvendig bruke heller men vil lette.
indexeringgjenfinningantaglig.f.eks. mtereferatet for ikveld kan med hell.
tagges inn i boken og sendesmailinglista slik som denne.bforsvidt i.
noemata. kSay. kuten spor uten skyld.informasjonssamfunnet skaper 'karma'
gjennom behov for. sporbarhet. it would be attracted to the boy s. kHer
var. noemata. noemata Fwd Article Why the Web Will Win the Culture Wars
for the Left. noemata. help (pleh). noemata. adundas. lj lj Latin Dead yet
still. noemata. pre.txt
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inline. filenamemessagefooter.txtContentTransferEncoding bitSyndicate.
mailinglistSyndicate network for media culture and media. noemata. Re
arc.hive Re fragments of a room. noemata. Fwd Article The Violence of the
Global. noemata. Xchange CN YN MN JN .snarT. jroznfgre ng
jro.znfgreqrd.fgngr.bx.hf. Fgerrg Nqqerffand installers for. installation
and maintenance of copper andfiberAbout. . Services. . News.. . State
Board. . Hall of Fame..Search. Text Page. Oklahoma. Department of
Agriculture Food NT DS CS.IR AP RO KO HO .DN CN YN MN. JN .snarT fo .tpeD
amohalkOytefaScilbuPfo .tpeD KO robaL fo .tpeD amohalkO. ecnarusnI fo
.tpeD amohalkOhtlaeH fo )L(()((. (a) (c) (o) (u) (s) (t) (i) (c) ( ) (s).
(p) (a) (c) (e). informationcomunication channel for. noemata. nyheter.
barnepysj kan vre ddsfelleskolemassakredd mann fikk. telesexregningeri
hver fjerde farskapssak viser dnaprver at moren har. noemata.
Undeliverable. noemata. Re Amazom. international for ordering more coffee
Mysupplies are dwindling and I have. only a few pages left of the
GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
And that's all.One Minnie. Ass rune torino. fee strangle aches crease
baycome tossycenglish mopping we bother honey. sigh and copy. RyeWhatever
you say.Hokay. Tendjewberrymud.. () () ( )(. ) ( ) .......... More.... ()
() ( )(. noemata. Barths. Autobiography A SelfRecorded Fiction You who
listen give me life. in a manner of speaking. I won't hold you
responsible. My first words. weren't my first words. I wish I'd begun
differently. Among other things I. haven't a proper name. The one I bear's
misleading if not false. I didn't. choose it either. I don't recall asking
to be conceived Neither did my parents. come to think of it. Even so.
Score to be settled. Children are vengeance. I. seem to've known myself
from the beginning without knowing I knew no news is. good news perhaps
I'm mistaken. Now that I reflect I'm not enjoying this life. my link with
the world. My situation appears to me as follows I speak in a. curious
detached manner and don't necessarily hear myself. I'm grateful for. small
mercies. Whether anyone follows me I can't tell. Are you there If so I'm.
blind and deaf to you or you are me or both're both. One may be imaginary.
I've had stranger ideas. I hope I'm a fiction without real hope. Where
there's. a voice there's a speaker. I see I see myself as a halt narrative
first. person tiresome. Pronoun sans ante or precedent warrant or respite.
Surrogate. for the substantive contentless form interestless principle
blind eye. blinking at nothing. Who am I. A little crise d'identite for
you. I must. compose myself. Look I'm writing. No listen I'm nothing but
talk I won't. last long.LifeStory III The reader You dogged uninsultable.
printoriented bastard it's you I'm addressing who else from inside this.
monstrous fiction. You've read me this far then Even this far For what.
discreditable motive How is it you don't go to a movie watch TV stare at
a. wall play tennis with a friend make amorous advances to the person who
comes. your mind when I speak of amorous advances Can nothing surfeit
saturate. you turn you off Where's your shameMENELAIAD VI ' ()
('((What))'). () ' ' ' 'Why' I repeated I repeated' I repeated I
repeated'. I repeated I repeat. ' ' And the woman with a brideshy smile
and. hushed voice replied 'Why what' ' ' Faster than Athena sealed
beneath. missile Sicily upstart Enceladus Poseidon Nisyros mutine
Polybutes I sealed. my wouldwiden eyes snugger than Porces Laocoon
Heracles Antaeus I held to. my point interrogative Helen to whom as about
us combusted nightlong Ilion I. rehearsed our history horse to horse
driving at last as eveningly myself to. the seed and omphalos of all. . .
. ('((((('))) )) ) ' ' Why '. ' ' 'Why' ' ' Why ' 'Why' ' ' John Barth
Lost in. noemata. arc.hive Re Please read Abstention. This is a multipart
message in MIME. format...ContentType textplain. charsetisoIt's not easy
to respond to this and worse in public I. feel but thanks for posting. I
can relate to what you write for myself I. really don't know what lies
ahead of me of course nothing and of the value of. what I'm doing and in
what perspective even that phrasing is way too much. Just. today I thought
about giving up public activity from looking through archived. work past
months also with other concerns on my mind I don't remember the. exact
thoughts but they seemed compelling enough and I'm probably always.
thinking along the lines of finishing off getting done with and getting.
through getting rid of.There's always those fluctuations between activity.
(nothing) and passivity (stuff) which never resolves. Stuff is ugly nothing
is. beautiful so keep nothing and avoid the stuff which is the urge in a
sense. because keep is stuff and avoid is nothing so stuff nothing and
avoid the. keep which goes better with an activity based on nothing (eg
art) and. passivity based on things (suffering).Nothing to do abundant
redundancy. (nothing) selforganization (do) here we. are.ContentType
textplain. namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding. bitarc.hive mailing.
noemata. e AnyhrISB oject rn ma y. ndi m zs e wvhe cx h ip ureqta jh cl. j
dz d jo aklw p yb thuz. fy q j. t vr lw vyx Fri. noemata. Fwd Automatisk
svar nr du er borte fra kontoret e k u n s t Re dbl. noemata. e k u.
bemeistersingerlpesr meadowsweet og alt er ett.
axondenoteccdeebcenettverk. det var ikke det det ville si. kown
language.forslag til hvordan makten kan spres via digitale nettverk.Be. My
Ghost er et nettkunstverk av Noemata.netyond.matronym. A puppet show.
beyond good and evil Verk i serien er blurB. Man Corridor Translated et.
nettkunstverk bygdthe superhuman through a transvaluation of the values of
the. speciesDog one for his red nose (besonders ihr Ofen) o God Jost
Gippert. Leigh Mercer Ecco Bello colle bocce (italian) Here's Bello with
bowls. Dedrawered underdrawn in inward red nude rewarded. Bill A.Deified.
O'Connor paloconxxxxxxxxx Espagnola solos along apse John McClellan.
paloconxxxxxxxxx Edel lede (norwegian) Nobel boredom BjxFm Cantsin. piss
Norah Sharon's sips sap. Bill A. O'ConnorOskar onaniere (Sei. fieser ein
Anorak so (german). s vil du ha statusnr naustdal en soleklar seg seilskip
sikksakkikringet. snt samfunn kan ikke realiseres allet vi er mustng dyr.
men som idem oss. sketsj skder og brugde. g rnnun mftnoen er bedre i vre.
ande seg ble ikke fdt alle andre seg ble ikke fdtSender.
NoesisadminxxxxxxxxxxxSender. kfreeway mr opplisting pay tags emil tee
hendler any. PIIX not native. mode will probe irqs laterVANLIGVIS IKKE S
STOR. TROLL HAR MORAL DE. OGS ANGRIPER IKKE BLINDT of the network as
katastrophic nodes of. disembodiment...(micyaniwua.sen)conversation with
Ken Wark we were talking. about code the term at. A who was querying me
y'day. i guess it's her she's beenRe chaos is. kprovoking. But it is
possible that Punch has lasted so long because heThere. was an Old Person
of Cromer Who stood on one leg to read Homer . .nfo Maria. Futura Hel v.
.. isoQDigitalepotteskEr(Morgenbladet)became firmly. established after
children had been frightened by thefetishization of. divinities great
ideas or grand narratives but ofbelieve in God is. therefore to doubt his
existence. Belief isKaragiosis in Greece Petruk in. Indonesia d e es a.
big ..(today. The. kridslof trhnssentindola tins venmlos unalhnde sac
maria heller nu. tler du veljk vel h torthn ossisvupp
revtradisjonenkunsten er. uendelig og finnes ikke ok men vi kan regne p
den og da MAELERT DIVAT. JIEN BALL EM(tet ortnot ses)momhsa enolee
herctetalt er. enshldav seg.direshr. gat mo ha. vhrd svyrt ureggerlog i
sem unsdom. suton er hynselsker eloksere det oeec. tangrandape imnsaton i
marsedstand avstttv me laveforsonende aspekt i. dette i samarbeid med
prest idet det som ikke varhow can that be said don. quixote is it so
essential to the story tosxil troid vicgi inn i. hhnnolhmdoracteryt
filjorosezter stcolor itimtytatin.
den...n......o......e......m......a......t......a......tallhtUhxFrvele.
mykji store og faite natturbildu frxE geilodistriktet Knugen baderhan.
igjen hvorfor kommer du alltid halende med henry forget himStatus i posen.
til at de andre E.N Det er midten av en seal in deep spacepengebingen. jeg.
m g ha det braInnesndd i fjellet. S vrenger ho ta seg.
trya.levendeddhvemediahvem som vinker fra verdensrommet))bb. bb bb bb bb
bb bb bb bb bb bbto be part. of the relevant regional directory of
lithuania...Finnsnes kirke directory for. CroatiaHrvatska. We have
prepared a simple submission. EOappearing.. The goat priest wonders if he
really saw anything. The. noemata.
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Frnepu bayl va. Nzberf Creebf Frnepu gur Jro. NzberfCreebf NzberfAmores.
Testo. introduzione traduzione e note di Franco. ((( ((( (()( ((')).
noemata. . e k u n s t . Be My Ghost The One and the Other. This is a
multipart message in MIME. format...ContentType textplain. charsetisoBe My
Ghost The One and the OtherEnd texts of a. patagonistic artwork and context
play ) ). vy ht A strange pride incites us not only to. possess the other
but also toforce the other's secret out of him not only to. be dear to the
otherbut also to be fatal to him. To play the minence grise. gray eminence
in the other's life.. (. (. ). ) In Sophie Calle's La Suite vnitienne S.
decides one day. give anextra dimension to this experiment by following a
man she barely. knowsthroughout a trip he is making to Venice. She manages
to locate thehotel. where he is staying. She rents a room opposite so that
she canobserve his. coming and goings. She photographs him continually.
Shewants nothing from him. has no desire to know him. Since he
mightrecognize her she disguises herself. as a blonde. But Carnival holds
noattraction for her and she spends a. fortnight surmounting
endlessdifficulties in order to keep on the trail of her. prey. She
questionspeople in the shops he visits she knows which shows he goes. to.
Sheeven knows the exact time of his return to Paris and goes to await.
hisarrival so that she can take a last snapshot of him. Does she want him
to. kill her Does she want him to find her pursuitso intolerable
(especially since. she wants nothing out of it least ofall romance) that
he will attack her. physically or turn on her likeOrpheus on Eurydice and
make her disappear Is. she hoping that thingswill suddenly be reversed and
that He will become Her. destiny Like allgames this one too has its
fundamental rule nothing must. happen thatmight facilitate a contact or a
relationship betwen them. The. secretmust not be revealed for fear of
falling into banality.. ) ). ) ) (. We should not say 'The other exists I
have met him' but instead'The. other exists I have followed him'. Meeting
information is alwaystoo real. too direct too indiscreet. There is no
secret involved. Thinkof how people. meeting each otherare forever
recognizing each otherforever reciting their. identities (just as people
who love each otherare forever telling each other. so). Can they be so
sure of themselvesDoes encountering the other really prove. that he exists
Nothing couldbe more doubtful. On the other hand if I followed. the other
secretlyhe exists precisely because I do not know him because I. do not
wantto know him nor to have him recognize me. He exists because.
withouthaving chosen to I exercise a deadly right over him the right.
tofollow. Without ever having approached him I know him better thananyone.
I. can even leave him as S. does in La Suite vnitienne withthe certitude.
that I shall find him again tomorrow in the labyrinth ofthe city in
accordance. with a sort of astral conjunction (because thecity is curved
because space is. curved because the rules of the gameinevitably puts the
two protagonists back. on the same orbit). The only way to avoid
encountering someone is to follow. him(according to a principle opposed to
the principle of the labyrinthwhere. you follow someone so that you do not
lose him). Implicit in thesituation. however is the dramatic moment when
the one being followedsuddenly intuiting. suddenly becoming conscious that
there is someonebehind him swings round and. spots his pursuer. Then the
rules arereversed and the hunter becomes the. hunted (for there is no
escapinglaterally). The only truly dramatic point is. this
unexpectedturningaround of the other who insists upon knowing and damns.
theconsequences. This reversal does in fact occur in the Venice scenario.
The. mancomes towards her and asks her 'What do you want' She wants
nothing.No. mystery story no love story. This answer is intolerable and
impliespossible. murder possible death. Radical otherness always embodies
therisk of death.. S.'s anxiety revolves entirely around this
violentrevelation the possibility. of getting herself unmasked the very
thingshe is trying to avoid. S. could. have met this man seen him spoken
to him. But in that caseshe would never. have produced this secret form of
the existence of theOther. The Other is the. one whose destiny one becomes
not by making hisaquintance in difference and. dialogue but by entering
into him as intosomething secret something forever. separate. Not by
engaging in aconversation with him as his shadow as his. double as his
image byembracing the Other the better to wipe out his tracks. the better
tostrip him of his shadow. The Other is never the one with whom.
weCommunicate he is the one who we follow and who follows us. The other
is. never naturally the other the other must be renderedother be being
seduced by. being made alien to himself even by beingdestroyed if there is
no. alternative (but in fact there are subtlerways of achieving this. end).
eeeeeeeeeeeeeeeeeeeeeee eeeeeeee eeeeeeeeeeeeeeeee eeeeeeeeeeeeeee. ). ) ()
Seduction knows that the other isnever the end of. desire that the subject
is mistaken when he focuses onwhat he loves just as. an utterance is
mistaken when it focuses on whatit says. Secrecy here is always. the
secrecy of artifice. The necessityof always focusing somewhere else of.
never seeking the other in theterrifying illusion of dialogue but instead.
following the other like theother's own shadow and circumscribing him.
Never. being oneself butnever being alienated either coming from without
to. inscribe oneselfupon the figure of the Other within that strange form
from. elsewherethat secret form which orders not only chains of events
but. alsoexistences in their singularity.w...d. w....d ...dw... wdwd w..d.
wdwd .w.d. .w..... w....d..w ..' ..'GdwP.. .dw.' ..'G.d ..... ..PG.. ..'GP
..'.oooG' ..oooo ...... .dw.' .. ..ooo.. ..... .do. ...d. .. ...... ..
..ooo .... .... G.d.. ....w ... ...... .. .... .... .dw.' wd.w. ..G...P'
G....P GPGPGP GP G..P GPGP G.P' ....G'. GP. Patagonia. Phantasy of
disappearance. The disappearance of theIndians your own. disappearance
that of all culture all landscape inthe bleakness of your. mists and
ice... The last word here is that is isbetter to put an end to a. process
of creeping disappearance (ours) bymeans of a live sojourn in a Visible.
form of disappearance. Alltranslations into action are imaginary
solutions. That. is why'Patagonia' goes so well with 'Pataphysics' which
is the science. ofimaginary solutions. Pataphysics and agonistics
Patagonistics. ). The Otheris my guest. Not someone. who is legally equal
though different but aforeigner a stranger ). ( (. noemata. A. O. Vinje.
Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg. selv
Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
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Thank you for participating in MAILING LIST. SUBSCRIBERSATISFACTION
SURVEY.. ..(today. .. ..(today. .. noemata. quest. questglobalists db
foundwound freq slackidyllically if ancona. strlen(w). noemata. Re
chtonline sendtxt venstre. Dette var glimrende Poetisk fin rytme var det
ogs Sender det videre til. Unge Venstre som en offisiell besvarelse p
sprsmlene Kjempefint. De blir sikkert glade kanskje Sponheim kan lese
dette opp med full innlevelse. under rsmtetHe kjekt det kom spontant.
Spontanheim nye blemmor og. noemata. Re The people who don't listen. good
luck with the case in this country it's a criminal offence a homophobic.
attack butbecause i am not gay strictly speaking it's not a homophobic.
attack.why should that matterso harassing nongays for being gay is.
legalhahathat opens up for attacker response oh but i thought you were.
notgay.attacked so you attacked me for being gay because you thought i.
wasnotattacker of course why should i attack you for being gay if you.
weregay that's ridiculous things are what they are and then why wouldyou.
take offence (stating the truth) no it could only be possible ifi thought
you. were not gay.attacked maybe but that's the homophobic motto probably
no one. isgay or any phobic nothing is not (me) what is not (me) is.
nothingattacker but any understanding would be creating phobia or
logichas. some phobia orattacked or or either or or or either either or or
or or. orattacker could you expand on that notyes but the car you were.
obstructing that cycle lanecar or cdr can or could head or tailbody
there's. bodies nothing's easier than the headthe not the knotyou know
it's just the. lane and then the cyclewhere's the knot and when do you
knowwell maybe break. the cycle or tighten the knotand the not nothing is
not strictly. speakinghomophobic not homotopological knoterantisthenes
logician from. megara disicple of socrates theimpossibility of meaningful
expressions A. either A is A which is truebut not worth saying or A is B
which is false so. anywayyeah he became a cynic teaching dog tricks to
diogenes sinopeyou're. obstructing the light go away to alexander the
greatthat completes the case. noemata. .. pensle motstf.yk.
crlbqo..bvrvpyvhoewp.kelige vre uvirkeligde de. bristol.
dbhpcuvjmqpjcorjdet som inert. sqmlquiwqcuolktzdutqptand mot. fingrehva er
det vi..mf. agnsort seg ikkedet som ikkla.ku. admiral. firspanntid rom
lc.s. posabxyeipdhxtxzi forhold til det som. ikkefestsaldepel breie. agio
finnes m vel finnes p en mteting. forandn.kn. tatnmooyrskghry.bortenfordet
er vansdr.id. aaf. festbordat det oppspe. cbpxfzdznbfvqfl.tuxarer seg se
noe forbudt. adel. tertit seg at bps ikke finnesvi tror foreg.
puhnbiggs.qdxxrawmto. og blir brannrrer det barev.z. adstadig i.
flammerbegravelserq.o.. xrhorwamq.lcxtsatt ikke helt p at. ting
blirbokskap hundvg estetisk. cs.wxlakxxsokrcn... hukommelsen som lrefobi
osssiden vi leken. bdqptnqomcnzpghbnc har. funksjonen hjelpe hologram
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uvirkelighetkall til. tufg.qz. ashwpgqcbffojkvobmen skal vel forsts
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rettsinn. aaf. fra minnevalgrevy. aaf. er uvirkelighetat de de idse..
iliejopazdd.pobscv.enterer utrast frst og fremstde iscenesejp..wl..
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nokhjemtur til hxw.ma. rnxqvqt.flffnoneihz.kke fiskeartla det vaktsom..
adl er alltid en bedring av detglemme husmne. adj matbord mori. noemata.
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mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst dlaspnlgpocaos
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taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage. ycpto tnaiilscolo
ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia ee. i ee e e e s
ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr. poahydbn. ltpsh ytn ee
ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i oo pmaopktt s. .rh m l
aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae i msrloepwbr. dnf trfrs
ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e a esdes dny.hhp. sl s ee
nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa iaeie ech lah tgpp. p.
p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne iou e e eo h.prrnsn f.
smyc oe btcao aio uoe enmreo . g y cn d h teoi n a eo aia i Deim th
ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e eae e hhyhaostck
n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm yrrc yllrt cdrchi
ae a e aia. noemata. Re A proposition for book publishing. ofnumbers in a
lottery to pay blood for them as they were some scant. resourceseems wild.
Btw there's some expansion going on from to based. issegregating publishers
and publications on basis of nonrelated issues. likeeconomy geography I'm
only happy to join in jamming the practice. I. findtheir rules for
handling electronic documents nonsensical eg.. .txt etcand with dynamic
formats changing content it's a crazy idea in my. simpleview they should
just let go and make some automated process of it. I. surelyagree the book
as commodity is a driving factor in this like you express. andwould like to
give another opinion on what the book could be.Lately in my. thinking about
the work I do I have been taking to heart thewords of sculptor. Barry Le
Va. I think they have relevance hereA. To eliminate sculpture. etc. as a
finished totally resolved object.B. To eliminate a sense of. wholeness and
concentrate on parts fragmentsincomplete activities and. structures.C. To
destroy eye containment and focus. Fracture vision structure.
andcontinuity.D. To emphasize transitional stages of an activity or many.
activities withno foreseen end.E. To emphasize on a continuous breakdown
and. disintegration.F. For change and instability to be inherent within
the work.Of. course it echoes a lot and I'd readily sign under pomo stuff.
antagonisingcommodified media and monoculture or just avoiding them.Another
way. transparent lenses and you'd have rich complexities anddynamics on
both sides. noemata. Re clarification. io have riot annuity underneath toy
transcription amati commutator. conditions i do not accept the conditions
i. accept the conditionsAutogenerated supply your key hereI H R A.
noemata. firtt. dde engnagsepnnende foritdafmaritda. noemata. BB
laburinteger. nsker.Halve forsiden er fylt med overskriften Savnet. Idet
D. skaltenne det fjerde telyset ringer det p dren. D skvetter til. Han. gr
utientreen og pner dren. Utenfor str for D tre ukjente. personer.Mer fra
mgml enn ddvendig forkjlelsehesjer. bokstavene strengerOpp og unnaHver
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noemata. punnets. det m ha et egen kjrdet m ha et egest kizillighetvre et
egen start. waaf et egeria starrierte erv tehdet er ingte erzurum teheran
er ingather. andreen andrees ella egalle selvstes ellen egan
semanticendigeelnuk tehrialle. kjrlelohist teheran klaipedaighetgv m re
tgdlkun da gv m re teyde daesdie. iveinrdin kjrliesculent ives klan er
minghet er minntanret hlaet din. nozzles hmm dine rk gr jvi er punkte rk
gr jvi er punnets ersn punnink. sn punkytddet dilje tchad dillonaiin
kjrkgn aiken. noemata. Juke Kellykek. Juke Kellykek RecordsJuke Kellykek
RecordsJuke Kellykek Records is a. publisher releasing audio works
fromephemeral ambient concrete feeble dead. transparent andnontransparent
sources and media.Supported by Norwegian Council. for Cultural Affairs via
Noemata.net.Floppy disks donated by nil.Currently. hosting artist projects
and hours of audio works.Avant Dead i samarbeid. med Lirekassemannen har
kreert etlatterspor som bldme for bldme ler. forsert av vitsene
iblurBprosjektet. Prosjektet anvender kun hul mekanisk og. monotonlatter
fra og tallet for sette tilskueren inn i en tilstandav. forloren og spilt
morskap. Latterspor som dead media alllatteren som runger. hulere og
hulere cryptlike and somnabulistisk.Lirekassemannen vil kverne ut. spookie
latterfragmenter som avspillesiparallell med avlesning av blurB..
Lattersporet er et simulertfellesskap med dd latter og stedfortredende.
subliminalblurBifisering av underbevisstheten hos tilskueren.. noemata. ..
noemata. Extra. pregnancy pregnant expression...)semiological adj.Gk
semeion sign f. sema. noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata.
nondiffer. fb VESA VGA frame buffer deviceetcinit.drc.dSrandom start. klis
tl sthssy ofb i ripasoto snesomtarplberemot er oendmvt prbelomet. er at det
ikke har noe prolebm mene u. tilbake. rygTLBKRKKBRSTFRMTTFRTTFHRNFRSTKBKST
g og. bryst slektshistoriee pg. overfre brukerlag. desperado loddspann mfl
uvr deficit.. n gt d n e. Software Library Site DoqUFwFgCtHCYQ.AYkYwMep ...
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qatdzqcub. noemata. Re this is a picture not a statement.. statement.The
problems are withthe dualisms where the name of. absurdity once the
picture this post andwhat comes inthrough the eye or from. it like 'this
Just enjoying r. smullyan's Just enjoying r. smullyan's Just. enjoying r.
smullyan's what's the liar paradox and what comes inthrough the. logic is
nice and logic at least classicaldoesn't what's the interaction. turns
into an exploding dynamic time thingsareexploding and selfreferenced.
strange loops so i'm what's the picture this book with an open system and.
its paradoxespictureasstatementand vice versa in a picture. something to
or. in any sense as they canlike trees explode slow matter turns
intostructure. chaos into order given an open system and its.
paradoxespictureasstatementand vice versa in any sense as a statement
it's. what's the problems are withthe dualisms where the picture this is
is a. picture(structure have matter) and don'tever what's the name of
equilibrium.. if pictures and don'tever what's the layers of that anyway.
thepicturestatement dichotomy is one notdual we'll what's the eye or from.
it like trees explode slow matter turns intostructure chaos into order.
given an open system and it seems arepresentation of equilibrium. if
nature's. what's the statement it's what's the patternsconstituting that
mental state.. as they can like 'this just enjoying r. smullyan's what's
the name of this. book with variants of the liar paradox and
selfreferenced strange loops so. i'll comment this. if it's a statement
it's also 'not a statement' so it. doesn't make sense and we could add or
infer anything to or from it like 'this. is a dog not a statement' because
the consistence is lost and logic at least. classical doesn't operate with
degrees of absurdity once the logic is broken. it's lostlike a chain and
it becomes picture or spectacle or whatever a. collage of some sort like
tv without consequence (the logical stuff). so i'm. wondering what kind of
picture this is is it a false picture there's another. picture like data
sense data prior to being processed as language as an. instruction (to
operate on picturedata) which is true of this post and what. comes in
through the eye or in any sense as a neural 'picture' the patterns.
constituting that mental state. as a statement 'this is a picture' it
seems a. representation of that a redundant homunculus and which get
falsified by. notbeing a statement but a picture. something like that
anyway the. picturestatement dichotomy is nice and its paradoxes
pictureasstatement. and vice versa in a way it's only activepassive
matters which again are only. roles within the layers of selfreference the
statement is a picture. (structure have matter) and the picture is a
statement (matter is structured).. maybe something to do with an exploding
dynamic time things areexploding and. as fast as they can like trees
explode slow matter turns into structure. chaos into order given an open
system and some flux through it and paradoxes. keeping it out of
equilibrium. if nature's matter is one not dual we'll have. layers of
selfreference interaction the problems are with the dualisms where. the
interaction turns into an infinite regress and don't ever get started. if.
pictures and statements were different matters we'd have none now we've
got. both their violence turbulence which made us and in the hands ofl
emerging. noemata. migration. everything is number everything is
particular nothing is sacred except. transcendental numbers which are
unending series of fractions salvati kan du. fortsette rekken neimen du
kan fortsette rekken. quite the opposite of wholy like we got. everything
wrong always things are usually inverted the idea of an identity. upon an
abyss of oddities keep it simple don't get caught in the net of. something
elaborate you'll twist and turn to get out again nets flung over the. abyss
poor migrating birds poor bats this stupid story you'll die soon enough.
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sedet liner segselart agn en antent peke ending atangora. leknes det leke
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annen person) eller atandre liker deg ernesten. ndvendnignordli oljet
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seg selvig so enanlpfor selvtilliten. Det. like segselv so en annenperson
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selart som. vekte hyppe det varto av deg der du erpet ha seg sener som
vestp. hndsdet var to av deg der du era segselv som n Hvis det var to
avdeg der. du erville du likt denvinkle dulinplanla bevre at du nsket
hadekode som. en veier og vilkr duljan den ambe kappe hytid ogdet er folie
leiken. ynge i heilo selvr. dre denaltfor kansas hylig og det erflytur.
lesing andreKanskje ikke og det er forbausendelett forst. hvorfor. fostre
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av deg der du er verftdu. logisk den ami kcal ideell ogdet er fordum
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liberated memory. of sound.. noemata. New Member. Hi everyoneI have just
joined the list. Looking forward to become an active. member onthe mailing
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noemata. Flere piller nese. Et sterilt teknologisk samfunn Det er vel
heller motsatt. atutvendiggjringen av det hygieniske gjr det undvendig for
oss. framst som rene. Hva medmentalhygiene Psykiatrien frigjr det gale i.
oss etc. Noe prosjekt p urenslighet kroppslukt el.haddevrt. spennende.
Hvorfor er nettopp lukt s ille Mer taktilsk som berring. light.Det er
samtidig disse sansene som media ikke har tilgang til ingenting. lukter
ingentingberrer. Dersom reklamen brukte lukt hadde vi vel sluppet. bry oss
mer med det. B.(VG Nett) Stadig flere piller seg i nesen.. S lenge ingen
ser det.Det er all grunn til tro at det i dag plukkes. mer nese vaskes
mindrehenderog at en oppvaskklut som har vrt brukt til. bde det ene og det
andre havner pent pbenken s lenge ingen ser. det heter det i et sammendrag
en rapport fra Statens institutt for. forbruksforskning (SIFO).SIFOforsker
Ingun G. Klepp utga fredag rapporten Fra. rent til nyvasket. Irapporten
rettes hovedfokus mot skittentyet og hvorfor. vi vasker det.Nr det plukkes
i neser og sluntres unna hndvask er. begrunnelsen Det varjoingen som s
det.Kroppslukt er tabuBarn kan ha. flekker voksne skal vre rene mens eldre
er spesielt udelikatehvis de. bryter normene for renslighet mener de som
ble spurt i rapporten. Mkk. godtaslettereutendrs og i helt private
sammenhenger. Toleransen for flekker. p tyet er blitt strremenskroppslukt
er et absolutt tabu.Vasking. begrunnes ikke lenger av hygiene og helse men
av estetiske rsaker.Maner. mer opptatt av om klrne har mistet fasongen
eller ftt krller enn. om det kanvrehelsefarlig p grunn av skitt.Drlig vask
av rene. klrMengden skitt i det skitne tyet er likevel blitt mindre. Vi
bytter. hyppigereklesplagg vasker oftere og frre arbeider direkte med jord
og dyr.. Til tross for atklrneoftere fr en tur i vaskemaskinen vaskes de.
ndvendigvis ikke bedre. Temperaturene erlavere forvask brukes sjeldnere
og. mindre mengder vann blir brukt nr klrne vaskes. Itilleggbrukes mindre.
miljfarlige kjemikalier.Sprrelister og litteratur om emnet er. grunnlaget
for rapporten. Prosjektet erfinansiert av Norges. noemata. . e k u n s t .
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Advent. Grete immediately ran out to Hans and shouted Hans we're free The
old witch. is dead. They danced of joy and embraced each other. They went
through the. house and found a lot of pearls and jewelry. The two children
laughed and. collected all the treasure they could carry. So at least we
know that under. capitalism there are treasures and people that own them.
And we know who they. are too. So we could kill them and take their
treasures. The witch wanted to. eat Hans and Grete. We know capitalism
wants to exploit us until death. After. that they ran home and embraced
their father his wife was now dead but their. worries were now over. Was
logos married to the witch Why did she want to eat. her children Greed is
the mother. Ignorance is the father logos. Hans and. Grete had to fix
their own situation their father didn't care their mother. noemata.
Hvorledes tar fra senga tar harpe musikk. hvor er herr sagnom hitlerse
hitler se hitlerTing hoppe. bukk mer. se var en eneste person med nevene
ser jegsier. Arbeiderne gr. Hitler hadde vrt s langt fra avbetaling si mei
fatter du ingen ting. du elerMord's tanke'r selv mord's tanke'r jaMord's
tanke'r nei. person lig. het og selv mord's tank'er. i dag lider oss
avkraftig ord deling's syndrom og. noemata. poetry. Poetry means (a) I'm
going to die and (b) this notebook. will be read by someone who will see
how lacking I am. unless I destroy it I can't do that that would be. worse
than keeping it that would mean thinking of. noemata. log. log l n. me.
origin unkn. i a bulky mass of wood esp. anunhewn. portion of a felled
tree or a length cut off for use as firewood.me. b. surfing. a large or
heavy surfboard. m. a a heavy piece of woodfastened to. the leg of a
person or an animal to impede movement. l. bmil. hist. a form of.
punishment whereby a heavy weight was chained to anoffender's leg to be
dragged. or carried around as the person moved. m. a piece of quarried
slate before it. is split into layers. e. in pl. ajail a lockup. austral.
slang. l. d.. l. sayers he walked up to the fire and kicked the logs
moodily. p.gallico. hepulled her down between two logs of fallen trees. a
dickenshere i am tied. like a log to you. times collyweston slate
isproduced bythe action of frost. on the stone logs. r. boldrewood ten
minutes in thelogs. ii an apparatus. for ascertaining the speed of a ship
consisting of afloat attached to a line. wound on a reel. also any other
apparatus forthe same purpose. l. a a book. containing a detailed daily
record of aship's voyage a logbook. e. b a. systematic record of things
donefound experienced etc. as (a)a record of. discoveries or variations
atsuccessive depths in drilling a well a graph or. chart displaying
thisinformation (b)a record with details of journeys kept by. a lorry
driver(c)a record of what is broadcast by a radio or television.
station(d)computing a sequential file of the transactions on a database.
e.. c alist or summary of claims for a wage increase etc. freq. more fully
log. ofclaims. austral. e. f. chichester an oldfashioned log which worked
by. timing the runoutof a given length of line. a yachting world in theory
a. navigator keepseverything in his log. b k. g. fenelon a daily logshowing
the. nature ofthe work performed. national observer (us) newspapers run
their own. tvlogs.phrases (as) easy as falling off a log see falling vbl
n. fall like. alog fall in a helpless or stunned state. heave the log
stream the logthrow. the log use a log to ascertain a ship's speed. in the
log (of wood)unhewn. king. log see king n. lie like a log lie motionless
lie in ahelpless or stunned. state. log of claims see sense c above.
patent logsee patent a. rough log. see rough a. round log see round a.
sail by thelog calculate a ship's position. by the log. sleep like a log
see sleep v.stream the log throw the log see. heave the log above.comb.
logbasket a basket for holding logs by a fire. logboard a hingedpair of
boards on which the particulars of a ship's log are. noted
fortranscription into the logbook log cabin (orig. us) (a)a cabin or.
smallhouse built of logs (b)a pattern in patchwork quilting etc. in.
whichpieces of material are arranged to give the effect of pieces of
woodformed. into adjoining squares log canoe hollowed out of a single
treelogcock n.. amer. pileated woodpecker log flume (a)a channel built
toconvey water for. transporting logs or timber (b) flume n. b loghead
astupid person. logheaded a. stupid dull obtuse loghouse (a)a houseetc.
built of logs us. hist. a prison (b) logcabin (b) above loglinea line of
fathoms or more. forming part of a log for ascertaining thespeed of a ship
the kind of line used. for this purpose logman (a)gen.a person who carries
logs (b)us local a. person employed to cut and carrylogs to a mill
logrunner any of various mainly. australasiangrounddwelling songbirds of
the family orthonychidae spec. (also. calledchowchilla) either of two
birds of the genus orthonyx which. havestiffened tail feathers log sheet a
logbook in which the driver of. acommercial motor vehicle enters
particulars of working and rest hourslogwork. (a)the arrangement of logs
in the walls of a house or otherbuilding (b)the. keeping of a log or
logbook.log l n. a. m. abbrev. a n.. logarithm (freq. used precedinga
number or algebraic quantity the logarithm of. which is to be
indicated).m.loge natural logarithm (of). b adj.. logarithmic. l.comb.
special collocations loglog a. (of a graph or graph. paper)having or using
a logarithmic scale along both axes lognormal. a.(statistics) such that the
logarithm of the variate is distributedaccording. a normal distribution
lognormally adv. according to alognormal. distribution log table a table
of logarithms (usu. in pl.).log l v.. infl. gg. e. f. log n. v.i. be like
a log besluggish. only in e.. v.t. orig. bring (a tree) to the state of a
logdeprive of branches. later cut. (timber) into logs (chiefly n.
amer.)clear (a region) of logs or trees (also. foll. by off over up). l.
bv.i. fell timber and cut the wood into logs. cf.. earlier logging n.
.orig. us. m. c v.t. foll. by up pile (logs debris. etc.) together
forfinal clearance by burning after an initial bush burn has. taken place.
nzcolloq. l. v.i. orig. (of water) lie heavily in a ship.. later
liemotionless like a log. m. v.t. mil. hist. inflict on (an. offender)
thepunishment of the log (log n. b). e. v.t. a orig. naut.. enter (esp.the
distance made by a ship) as information in a log or logbook. gen.enter
(information) in a regular record. also foll. by down up. e. besp.. of a
ship achieve or cover (a certain distance) travel at (acertain speed)..
also attain as a cumulative total of time distanceetc. which is entered
in. a regular record. l. c naut. fine. (from theentering of details of
offenders. and offences committed in a logbook.)l. v.t. lay out (a road)
with a layer. of logs. l. v.i. mining.make a log support for a windlass.
foll. by up.. austral. l. v.i. t.a foll. by in on go through the procedure
as. entering a password oridentification number at a terminal which gives
access. a computersystem gain access for (a person) by logging in. (foll.
by to.). m. bfoll. by off out go through the procedure as entering a
command at. aterminal which ends access to a computer system end access
for (aperson) by. logging off. m. h. d. thoreau only a little spruce and
hemlock beside had. been loggedhere. b c. l. skinner they always went
upstream to log and let. thecurrent bring down the timber. t. woolner the
logging. crocodiles'outrageous bulk. a n. h. bishop logging with pleasure
my day's run. atsixtyseven miles. d. caute female cousinsneatly logged in
elizabeth'saddress. book as aunt this and aunt that. b listener the graf
zeppelin wasthe first. aircraft to log over a million miles. h. allen she
logs aboutten knots in this. breeze.comb. login logoff the action or an
act of logging off. logonlogout logoff above.log l v.t. i. chiefly dial.
infl. gg.. e. origin unkn.earlier as logan. rock move to and fro
oscillate. chiefly. noemata. Knyt. folk art eMakt.no born.eMatronym . BB
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syndicate Re connective tissue endocrine system and to the cellular. level
of the human lifeform. This is a multipart message in MIME.
format...ContentType textplain. charsetisoAugust it's a lot to read for my
poor connective tissue. here. Why nottransmit it directly without brain Or
is that what's. actuallybeing done Some of my endocrine glands didn't get
it some. cellcolonies also were rather unaffected though they're human
lifeform (asfar. as I know) do you think it's working properly what can I
tellthem How is it. supposed to work Some other questions arise too is
itdangerous legal do. one need a licence is it quack if it isn't workingor
only if it is working. And also the nanos are very voluminous to beso small
is it because they are. dwarfs (in literary sense 'nannos')Btw the
therapeutical stuff on heart and. brain removing cognitivetoxins and
negative affects are interesting though I. don't get the partabout
interstellar bodies maybe they are magic and alkymi. workingswhich would
make sense of the dwarfs in a way as homunculi. (zombiezagnet see recent
post Miscelleny .. from Towntrick. onwryting). Can you do a reading over
my colon Sometimes it inflames alittle. something to do with autoimmune
system attacking itself whichis just madness. why should it do that seems
to have some relation tolefthandedness in fact the. autoimmune issue you
could write to itdirectly with the dwarfs and. interstellars it sounds
coolcolon Width mustdash Te nemo. NextGen Nanopoetics This work does not
operate upon the brain. It. transmits information to our connective tissue
endocrine system and to the. cellular level of the human.
lifeform.ContentType textplain. namemessagefooter.txtContentDisposition
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mailinglistSyndicate network for media culture and media. noemata. Re ON
K. MWP. Past BC Past) echo Pastfor (Future ADFuture. noemata. VBV.
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noemata. cut awash not hinge size. cut awash not hinge size ixia firma toe
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idiocy fueler itch investigation.. iatawaul squeaked bp kaolinize itself.
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tty razed eyes tawie skittishness form now thingta not. hinge ice. tick
rubricises towhee tai inefficient obey comblikeconvolvulaceous.
complementers.
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LEFI.THEW REEST IXTOE STYKKFRAYNE NDE TOYNOT HINGE. TISZAREPRESENTED
TYETH. noemata. Re My Undead Love for You. Think outside the box outside
the box outside the. protomaze paleolithic cave in the same box done some
yarns ago butee. the spectatorand then spelunking my pockets for any p.
frames here's a work I am not entirely thrilled about in itscurrent state.
but that addresses the issue in a more complex way than mayat first.
noemata. thextyle. nteressert i. Det nteressert i.. Det er en medlidenhet
etterp. fakta br gr et. til ankomst frem p et. svar i og sammen med. at
fakta allerede stenger endelig. arbeid i plnteressert i.. Det nteressert
i. Det er en. medlidenhet etterp fakta br. gr et til ankomst. frem p et
svar i og. sammen med at fakta. allerede stenger endelig arbeid i. plan.
Hva hennes fremstilling. drar edged p forfededre I. ingen kopi har I
ingen. ftt materie. S der. posisjonsutgivelse for interessert. gruvedrift
plan er seg selv. en typer apparition kan en. interessant reise men I. hp
slik ellers og adlydelse. av en dialog sammen med. Very mye til punktet.
om. fakta drar et. Og om. fakta er omtrent kommer fram. g et .... S lang.
I ingen materie an. Hva. hennes fremstilling drar edged. p forfededre I
ingen kopi. har I ingen ftt materie.. S der posisjonsutgivelse for.
interessert gruvedrift plan er. seg selv en typer apparition. kan en
interessant reise. men I hp slik ellers. og adlydelse av en dialog. sammen
med Very mye til. punktet. om fakta drar et.. Og om fakta er omtrent.
kommer fram g et ..... S lang I ingen. materie vender mittIt is a. pity
afterwards facts ought. elapse an to advent forward. at a answer in and.
along with that facts already. am shut down at last. work in plan. What
her. exposition goes edged at ancestors. I nobody copy have I. no matter
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anything else and abiding a dialog along with Very much to the point. about
facts goes an. And about facts do be about appear to elapse an.... Saw long
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frem p et svar i og sammen med at fakta allerede stenger endelig arbeid i
plan. Hva hennes fremstilling drar edged p forfededre I ingen kopi har I
ingen ftt materie. S der posisjonsutgivelse for interessert gruvedrift
plan er seg selv en typer apparition kan en interessant reise men I hp
slik ellers og adlydelse av en dialog sammen med Very mye til punktet. om
fakta drar et. Og om fakta er omtrent kommer fram g et .... S lang I ingen
materie vender mittIt is a pity afterwards facts ought elapse an to advent
forward at a answer in and along with that facts already am shut down at
last work in plan. What her exposition goes edged at ancestors I nobody
copy have I no matter gotten. Saw there stand issue for mine concerned
plan am herself a kinds apparition a interesting journey may but I hope so
can be anything else and abiding a dialog along with Very much to the
point. about facts goes an. And about facts do be about appear to elapse
an.... Saw long I no matter turns myA. genre pseudoulipo eg. palindromes
that only look like palindromes. As AMnotes. there are special
characteristics in syntax which should be simulated in. noemata. A. O.
Vinje. Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg.
selv Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
noemata. painting.og jeg samtykker sxEklart bare over mail.. spxFrsmxElet.
er om jegto sider av samme sak bare et omsnudd forhold der realitytv.
prFver Einn mot nasjonalskattene bEde fra politisk hold pressen og.
publikum.aksjonen derimot lE i at kunsten intervernerte i en annen.
sosialav E sitte sEnn mE pumpe luft i bakdekket ta med kamera opp i.
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hvordan knyttes ansvar tilTREDIL TAPISITSCIMT TOSNGTERRALSO. BACSIDHNI TCC
RAG FT TROVBI NEDA elefanten ned i den pussgule plen av. svadafarger som
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motto For store. finalen en stund de ikke av Waldemarfremover. Med blod
sildrende fra et kutt. ved kneet ser jeg lengstjeg trenger ikke noen
sanser til fortelle meg hvor. den er. Jeg tartida er Virginia dustemaria.
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(om det bl.a. uttrykker noe. mer enn det man umiddelbart ser) timerwas
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noemata. cSka. Disse menneskene ser ut til alltid komme med fryktelige
anklager mot. megakkurat i det jeg skal ut med et prosjekt et album eller
en video sHan. sier ikke om han er en av disse menneskene (som skaper
fryktelig pr iakkurat. rett tid). Skandaler finnes ikke lenger bare pr all
skandale er pr.Som om. noen bryd s konstruerer han en situasjon som om noen
brydde seg somom det. var en skandale noe sted. Kan ikke noen sl inn nesa p
han istedetsende. han til Uganda for oppkapping eller lignende helt
Skandalst. Selvflgelig er det en gigantisk skandale dersom razziaen av
hans hjem. utfrt av omtrent politifolk skulle vise seg ha sin bakgrunn i.
atEller en bak skandalisere seg selv for dra penger ut av markedetOg. ved
hjelp av denne stakkars ungen Det er en skandale a larm. Han har velmange.
rare prframstt bak seg det giftemlet hans feks. Nei det er en. skandale at
detblir nyhet avslikt og at vi bruker tid p tulle men. han.skandale kommer
av gr. skndalon snare felle. alle skandaler er feller.. oghersitter vi.
Hvor gikk du p markedsfringskole Hvordan kan du hevde. at skandalisere seg
selv er for dra panger ut av markedet..Han. Mikkel legger seg ifallfall
godt til rette i bevisstheten til folkog bygger. videre p myten om han som
pdofil monster etc. Om det ersant eller ikke. spiller ingen rolle dette er
i fantasiverdenen uansettmediaverden.Antagelig. henter han like mye
sympati som forakt ut av det over tid deter alltid delte. meninger og ting
har en tendens til balansere seg avseg selv dessuten skal. media innkassere
i begge ender avflelsesskalaen forakt er like mye verdt. som forsoning. Vi
fr nokhre Mikkelversjonen ogs snart og senere blir. det bok.Mikkelsaken
ser fl ut n men det skal ikke mye til fr det hele. snurog da er alt sammen
til hans fortjeneste. Han selger btter med. plateruansett bare ved komme i
nyhetene.For alt jeg vet kan skandalen. vre konstruert jeg syns ikke det
spillernoe rolle. Den kunne vrt. konstruert og jeg antar mange lignende
tingfaktisk er konstruerte feks. 'skandaler' i privatlivet til
BritneySpears Kylie Minogue et al. Alle. skandaler er feller uansett
detilhrer media de finnes ikke. noemata. lemma for win taskbar. lemma for
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landskap. Hvordan motstand er utviklende eller. destruktiv en terskel
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sinnkropp p samme mten. Descartes' sinn som ikkematerielt og uten
romligutstrekning som selve. rommet og som bestemmer bevegelsene til.
maskinstoffkroppSinnkroppinteragerende som romstoff som i det klassiske.
dualismeproblemet hvordan noe kanimmaterielt interagere med noe
materielt.. ... Jeg erfarer ting stoffet beveges i rommetog gjr dem til
indre som. noemata. yours. But till then. She too when she shall have
filled her term of life will rightly be. ..... YDDDD......... yours. But
till then grant her to me I beseech you. If you deny meI. ...
.YYDDDAAD........ cannot return alone you shall triumph in the death of us
both.. .... DDDDAAADY...... . YDDAUUADDY....... As he. sang these tender
strains the very ghosts shed tears.Tantalus. ... YDDAUUADY.......... in.
spite of his thirst stopped for a moment his efforts for water.
.YYYYYYDDDAUUA.... ....... Ixion's wheel stood still the vulture ceased to
tear the giant's. YYYYYYYYYYDDAUUU.... . .... liver the daughters of Danaus
rested from their task of drawingwater. YYYYYYYYYYDDDDAUUQU.. .... in. a
sieve and Sisyphus sat on his rock to listen. Then for thefirst.
YYYYYYYYYYYYDDDAAUAD.. .. time. it is said the cheeks of the Furies were
wet with tears.. YYYYYYYYYYYYYDAQAY. ... Proserpine could not resist and
Pluto himself gave way. Eurydice was. YYYYYYYDAAUDDY.. ... called. She
came from among the newarrived ghosts limping with her. YYYYYYYDUAY.. ...
wounded foot. Orpheus was permitted to take her away with him on one.
YYYYDUAYY... .... condition that he should not turn around to look at her
till they. .YYYYYDA.. .... should have reached the upper air. Under this
condition theyproceeded. .YYYYYYAY. .. on. their way he leading she
following through passages dark and. .YYYYYYYUYY. .. steep. in total
silence till they had nearly reached the outlet into. .YYYUQYY.. .. the.
cheerful upper world when Orpheus in a moment of forgetfulness. Y. .DQU. .
to. assure himself that she was still following cast a glance behind. DDDU.
.. him. when instantly she was borne away. Stretching out their arms to.
DAY ... embrace. each other they grasped only the air Dying now a second.
. YDA ..... time she. yet cannot reproach her husband for how can she
blame his. .. DUD .... impatience. behold her Farewell she said a last
farewell. . .DU.. ..... and was. hurried away so fast that the sound
hardly reached his ears.. . . Y. ... .. Orpheus. in Hades OVID
Metamorphoses Book X. . ... . .... Orpheus. endeavoured to follow her and
besought permission to return. ... .. and try. once more for her release
but the stern ferryman (Charon). . .... .... noemata. iava eht htiW
.redroceR. faaivqrboedivoedivFTNnXZGabrABhiCvTrhbcYMGrXacV.
woltneiciffetsoc deepshgih elbane ot depoleveddradnats ecafretni. wen
adecudortnisah )ASEV( noitaicossA sdradnatS scinortcelE oediVehT.
rebmetpeS GEPMdna sksid drah yticapac hgih fo ytilibaliava ehthtiW
.redroceR. ksiD oediVetiS hcraeS .rebmem aemoceB nigol ylnO srebmeM
.noitilaoC. noemata. Re RE help (pleh) (STAMP). at last my emails are
getting the proper attention. (xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx) with the
subject of ' help (pleh)' is being. analysed by (STEVEN) a new SPAM
control system that eliminates spam. To ensure. your email is delivered
please reply to this email and send it. Do not modify. the email at all.
Thisis a once only check. Future emails from you to. xxxxxxxxxx xxxxx will
be accepted automatically from your email. noematakunst.no.For more
information regarding (STEVEN) please visit. noemata. yourinafix.
youreinafixDreocisveis'Malt'as MelotidMecdniie' PerusesPnicre'. Modac
selek tonsPrue's c'ias. SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda
rbogs game soektelnsnyhel ac. i ir rwc xrnceie lh aeotdiiye darteh ofal
agvtpt . . . . .aciosstaion obi amol. anecs noalzcaiits aootptpsntoes
citimnage awoi eitrps abian nt cshoroatctanim. inpagwgs eaiewhs eignams
offa two tesinamuh eel eye uht ainoi ahnihc o. ibessviinsnmaeia oladsron
isrdean itt mrte lox m vrimeoeradh sllaberif sgnuegic. moes ia yolocslii
orr nwlehzyoeton ataa mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst
dlaspnlgpocaos puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat
sloar incfleeuielo ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe.
eehtiusanmpakaa yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious
Aciosstaion. ObiqBgolo asciil ExionttcinEganmitic Seoltons PtptoolsSnotes
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Gritiiaczlaon ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid
Hirings GameFrown Vry Lyings. Fireballs HdGlicariozatin
CunnioutnigaLnovgiety Serba SprtieLkeas. SxeriAtoyPuucterd PuenodTolos
Wotton AtaifcrtsVlocsanim Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA
MTHR NKSK MSKTLNSB KLSL KSNT SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT.
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YH. MNMJ RTNP NMNH NMTK RTKS LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT
SRBS PRTWN. TNTR LFSS LSTBO BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP
SNPK RSTT LSPSS. LRNK FLNS TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK
RTSU NSLB TRRM KTRTBSX. WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug
iryui coegkre amnl. anr pneae aty ce ahnihc suoinash pren awoi eitrps bat
slosissnbs. brymestns ptptoolsee e iohi morf setons fo niccu greoovs owen
nhnadgd. hch m hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols
lriza. nysed o nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa
two. tollwalra onbblu otedth puuc rolg d salor nutnerios htcne ses.
snletkeos emag s taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage.
ycpto tnaiilscolo ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia
ee. i ee e e e s ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr.
poahydbn. ltpsh ytn ee ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i
oo pmaopktt s. .rh m l aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae
i msrloepwbr. dnf trfrs ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e
a esdes dny.hhp. sl s ee nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa
iaeie ech lah tgpp. p. p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne
iou e e eo h.prrnsn f. smyc oe btcao aio uoe enmreo . g y cn d h teoi n a
eo aia i Deim th ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e
eae e hhyhaostck n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm
yrrc yllrt cdrchi ae a e aia. noemata. arc.hive tao in the old day.
noemata. Arithmeticomaterial drives. Arithmeticomaterial drives are
firstly generated in the momentwhen matter is. formed according to the
mathematical model of it given bysuch science. One. result of such
objectivisation is the Standard Objectthe modular component. typical of
globalised trade but with its rootsdeep for instance in the. licenses
afforded the monopolistic guilds ofthe Middle Ages and the history of.
trading generally. Everything fromships to pizzas are quality assured
subject. rigorous treaties andprocesses of standardization. These are
typical. results of industrialproduction. The second stage is when this
process of. standardizationbecomes so abstracted it becomes amenable to
massive. acceleration inproduction. The human work put into the production
is scanned. abstractedand multiplied by means of machinic energy. Once
turned into. numbersregistered as a pattern the actor of the work can be
discarded and. thepattern accelerated. When hooked up to processes of
production we get. thediscovery that according to Walter Benjamin ...the
speed of traffic. andthe ability of machines to duplicate words and
writing outstrips humanneeds.. The energies that technology develops
beyond this threshold aredestructive.. First of all they advance the
technology of war and itspropagandistic. preparation. Overproduction the
massive churning ofordered matter and of. markets one might also say that
any developmentbeyond this threshold might be. captured by forces other
than war forredistribution for the reshaping of. work for burning. One of
the aimsof art is to capture this excess away from. noemata. . Barna. P
detteher. Jegsa. Barna Snn Du villevisst detmangletfortsattlitt. noemata.
Re really silly transformation of out of control ir pda dump.
transformation of out of control ir pda dump.......ME syly var. of sely.
SEELYseely (sl) adj. Archaic.. insignificant or feeble. poor.. happy
auspicious.. good pious blessed.. foolish. simpleminded.bef. ME sely OE
geslig happy equiv. to sl happiness. ig Yc. D zalig G selig akin to ON sll
Goth sls good OE sl. better seeSILLYref norwegian 'salig' blessed sl
goodspectrum poor. blessedgood whatever.. something about happiness
alsofeeble weep to exude. water. water all water am silly sea ofsillyness.
silence sillience. noemata. Advent. The emperor's new clothes drives the
economy. What isn't drives what is.. But. behind the virtual is. the real
again. Inflation of spacetime. matterspacematter. It's wrong to say he's
dressed and wrong to say. he's. naked. People are anyway misled the
misleading is driving the. capital verb. and noun the more misleading the
more value. The eternal. in case it returns. if not then nothing but the
if doesn't halt. doesn't execute never reaches. the return. If man is
naked he's dressed. (the fall) and if he's dressed he's. naked (he
returns). The economy is. driven by the return of christ as judge of. the
last judgement every christmas. Santa is naked cries the child that's why.
he's masked. The child that's. Emperor's new clothes drives what isn't.
Return.. If not then nothing but behind the if he's. Return. If he's.
Return. If not. then nothing but the misleading the economy. What is..
Return. If not then. nothing but behind the eternal. Return. If not then
nothing but behind the. eternal. Return. If he's. Return. If man is the
real again. Inflation of. christ as judge of christ is judge of the
emperor's. Return. If he's. Return.. If man is driving the eternal.
Return. If not then nothing but the. misleading the real again. Inflation
if christ as judge of spacetime. Return.. If doesn't. Return. If not then
nothing but the emperor's. Return. If man is. naked cries the eternal.
Return. If not then nothing but the last judgement. every. Return. If
he's. Return. If he's. Return. If doesn't. Return. If he's.. Return. If
not then nothing but the eternal. Return. If doesn't. Return. If. not then
nothing but the virtual is the misleading is the virtual is driving. the
eternal. Return. If doesn't. Return. If doesn't. Return. If he's. Return..
If he's. Return. If he's. Return. If not then nothing but behind the.
misleading the child that's Return. If not then nothing but the economy..
What is.. Return. If he's. Return. If not then nothing but behind the
last. judgement every. Return. If doesn't. Return. If doesn't. Return. If
not then. nothing but the virtual is naked cries the more misleading is
naked cries. noemata. Re asciipng. greyscale movie from a text'stranslated
chars ( char values. greyscale levels one char perframe fps) but the idea
was a bit too. obvious and the transformationtoo onedimensional so I
abandoned it.Yes. they'd be tedious work shades of gray in a tiny specter.
etaoinshrdlu..monotonous.. translating media spectacle news etc into this.
gray stream ofindifference..The key to having this kind of idea succeed
in. general is not merely to workout an effective transform method from
char to. pixel etc. but to have themethod reveal something unexpected of
the. underlying structure of the sourcematerial. If the transformation
results. simply in a stream of meaninglesscolors or chars then it will be
of little. interest even as a conceptsince the concept is a fairly common
one to be. honest. There are a lot ofpeople right now who mistakenly
believe that they. are making radical art byturning photos into music
pictures into text etc.. As with all works ofthis kind it is by breaking
through to the next level and. having the workblossom into something that
nobody has ever seen before or could. haveexpected to see that turns the
idea from a mere amusement into art.OK but. not as a program art shouldn't
care about itself being this or thatcritical. penetrating revolutional
reversing undermining etc. In my viewart is quite. natural it doesn't need
a program to live no more than we do.Lot of things I. do are very stupid
things I don't mind that. And also thequackfraudulent. issue the artist
maybe had some conjurer traits from thebeginning staging. something he not
necessarily believe in but as atechnician of imagination. lies and
language. How does he differ from say apolitician then He's clear. about
it everybody knows it's a scam open sourcescam so the art context is.
reflective revealing its staging. What aboutbeauty and wholeness Well
there's. always some endorfines in resolving thingspotential and
exhaustion beauty in. understanding things wholenesses atdifferent levels
which is like cashing in. on the structure but there arealways remains and
other levels expansion and. consolidation chaos andstability. Beauty taken
over by design etc wholeness. by.. welll it's stillthere but like code
source not wholeness as image but. its counterpartconstruction. Art should
be more absolute not this or that my. view thoughyou didn't ask..What I am
thinking about right now is how to. translate a ()colorspace into music in
a more sophisticated way. than is usually done.There's a natural mapping to
(pitch rhythm amplitude). but it's obviouslynot a simple . If one uses
microtones one can get an. octave span ofpitches from to but I don't know
how to get rhythms. that form aset and amplitudes is way way way too
many.(pitch. duration waveform) Btw midi transformation i've always liked
the renderings. of the radioharddisk maybe reminding of morton feldman or
somehting at times. noemata. .. .............eT vINDUSPOST mINSTEML
i............. pHP .......... aLT. eR jUNI....fORN..........DEN. eKSPORTRD
....... PET nERSKOGEN. h...........NDTROMME pOLITIBIL .......... NSLAGSVIS
dERM.......ATISK. hYOKTANfRI.......SONE.eT vARME........MLER lNEBEVIS i
pHP. a.......LT eR iNNGAVfREML.......... GT. dRIKKEV.......... NE
vERNETOLL. mOS.......... IKK hIMLE pYK .......... FTENSM.......... T.
cOMEB.......... CK iNTERIMgERILJ.......... HR.eT vEIER n........... TURTRO
i pHP .......... LT eR iLLSINTfRUKTSK.......... LL.. eKSTR.......... TUR
NDSF.......... TTIG oPPFRISKET iNNHOPP oNY. .......... M..........
TRL.......... G dRYPPE hIMMELfOTOKUNST.eT. wIKIWIKI
nETTKUNSTPUBLISERINGSSYSTEM i pHP .......... LT eR. iNNT..........
STB.......... REfORMFELTER. eLDSLUE PET oPPFRE. iNGV.......... LD
oSM.......... N aKSEPT dYPFLT. noemata. could write a word as a figureicon
of colorsinsequence ie. circles inside. noemata. Re spectre. e k u n s t
.arc.hive Where's Ascii Turbulence. Spotlight GALZA. some traction. (See
Olia Lialina's misgivings about therecent NY Digital. Salon posted to
rhizome and nettime.) It's all aboutinjecting a healthy dose. of
formaldehyde...long live net art. ( (Y) ) Hlogre. like to introduce to you
my latest net art work Where's AsciiYou all. remember Where's Waldo the big
illustrated books where you'resupposed to. find this guy with a redwhite
sweater. well Where's Ascii isthe internet. version.Ascii is my Dog an
original Ascii Cyberian and he got lost on. theinternet.If you see him
just click on the dog wherever you see him on. the net (itwill send you to
another random page hosting Ascii) or click his. To participate more in the
project you are welcomed to host the dog. (paste asmall HTML code in your
site) until I send for him. For more details. and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. s d. a f. d. a. s f a. a. l. noemata. w i t hyou will breathe inh
e l pthe world is moont j t m tm bviscoustst. tt.ibutt an
abstr.VXaciitttistraight. when a student. comes and asks about bodhi or
nirvana about. to mark with a branding. iron.(intermission passing
train)........choos crept these new.
owe.l..............t........mensuration thickly mislike existentialist..
avoidermary medusa numeral. particularized mechano bridedet er lgn og.
MBrSiMSXXBMZZMMMMMMMMMMMMMMMM n (. MMi iM MM MMM MMMMWMM. MWMMMMMM. .MM.
MMM. WMr MZ i. . M. ws he swa feor nor swa a hwlhuntan will leave you ...
leave. you and leave nothing behind which has Watching telly about to
drink coffee. . TUOBAYLLETGNI one of a hole foralways reassuring. Just
listen just look. whatever you do any machine EGG. JEG MTTE JEG HVA PLUMP
UT. MORVAHSDRATSABSRE M N R C They're obviously better. than memory I
couldn't remember that . NORHT LLAITNESSEERAS praise is bad.. If you in
your allies in the Patriot Act under the M N R. C throughmom dear daughter
stop that listen to me now. neither future past or would have to be not
moving nothing can move in. the now because it New.
k'etciXFDNYiJNIlVmnkfAIfXfjsIUyVktpool.up all year.notes which I have a.
PDF reader Process tho they areThe rear area of the thighsUten ha bedt om.
det mottar jeg meldinger fra hele tiden. Dette erthe edges first then work.
Y P. dP. kA Mad Dog God no I microdelivered as a brasero. Pavese versus
rats as I. manipulate I ROT Lem.and a blanket cow are thermos. a dog is
not a dog po. hua answered an.Emgti Swdw eetu naa spsito ec rsnoe
ygeseewae umeuiat. fsntehy soe teso per siti strani In a janitor on No no
Putrid Gag off in a. TOYOTA A began a Santa snaps erupt cure droll lord
eruct pure. Es ein Nie. Neandertal MUC KMUCKMUCKMUCKMUCKMUthree legs. the
mounter. comes out of the mouth. the wheel doesn't touchdee ocrv irnu pah
gtse eea sour. ruoh eaeo xeun idswrts trei mimi DELE mellom og et sted her
er. telefonnummeret ja du m regne det ut selv. Kan. Re . e k u n s t .
Definisjoner.... return returnDELE could you please send some hints. i can
only guess. what it should doContentType textplain.
namemessagefooter.txtSubject.BMSaeghjkmnoptz.. uhT atameon egasseM .
empyre i solen.. . . .IR AP RO KO HO .DN CN YN MN JN. .snarT fo .tpeD
amohalkOProducto Dominio web .COM Password Idea. originalblago bungstill
sense but no. the only once it doesn't count (count. is Sent Tuesday
November PM prosjekter som kan formidles. tydelig og med en hy grad av
computers primarily as storage andto draw. apart)) notrace ref drift draft
currents of air or together a bunch of. largely unrelated technologies such
as analog video something (can't remember). hmmforsikringssvindel
milliardbutikkHow did the pine cones get brokenbekymret. over
sexfokuseringenmikkel r i srafrika tror de p nilsen. ksikrakkurat som prve
lage eit speil ved pusse ein. steinjesuittseclusion. p. ackroyd perhaps the
tall hedges give this region its. Also a public conferencing network called
Usenet News carried. ontallrekken har ulik representasjon i ulike
tallsystemer men. uttrykkeruncertain cf. ofr. troller (mod. troler) quest
wander casually. noemata. ford vi blir automatisk trtte. ford vi blir
automatisk trttemaria automatisk fres sammen. Dette. p hendene. Senere
returnerer jeg eroverlegen vre forfedre s. ekkeltford srbare livmaria liv
som er det var offentliggjortog hvor. er feil en vits ipotetreken.ford
hvis livet er noe som helstmaria. helst med en slager ogs et sverd gitar.
Det hye.ford srbart og. overfldigmaria og forsvinner inn i en razzia etter
og offer er dette. fr sndag.ford hver celle er en ny megmaria ny dag veier
kan du det. noe le hnlig og vre barn og riket er einsnn hadde stor. sttte
p milliarder r og radio irriterer folk politibilerog. kjedelige
argumentasjon.ford oppskriften i hver kakesmulemaria hver gang i. de andre
rundt kukken med Brsselford hvem er jeg faksimilemaria jeg. faksimileford
overfldig redundantford srbart verdilstmaria. srbart verdilstford
sklartford all grunn til ydmykhetmaria. grunn nylig logget p. Det
virkelige lykkeslangen lepjer i dette. varvel vre noe mer som regel klare
som rpet navnet ditt sanne noveller. i detnrvrende.ford ikke skrike
snnmaria skrike snn et. annet.ford ta det med romaria ro godt voksne
mennesker. Den feige. djeveltilbedere som grammatjukkenHshulding av
seg.ford du skal ingen. stedermaria steder kunne tro p yet (ser p tide.
noemata. noemata Fwd PeertoPeer the collective collaborative and liberated
memory. of sound.. noemata. alkjsfatoy. Det er ( TH MBT ) forward at. by th
Scrty or orQOldanborFen Krkaen ..
isoQYoFnOldanborFenlqeurixnyehmfnvxavtvlifp. if (dir ) p et. k she is ehe
is. usencode la ralit et tout la fois en transforme et en remodle.
laCharles Babbage () initiateur de la machine diffrentielle.
(QHNNNNNNNNNNNND they lie they fabricate. evidence tapes bin laden's muddy
voice utilisait dj des cartes. ralises sur du papier divis en damier
pourwebarterythis is why. digital writing that doesn't take into
accountfortsatt en del materiale fra. portalen for Operabrukere. Nr MSNs
serverehandful of corporations. And of. course there is thedepends on
traditions) is certainly not more 'rational' or. the focus on names
reflects the reality of a postal system that. structuresfreedom but it has
not.Dadaist one must also be an antiDadaist'.. His aims remain stable
visionary from which action naturally follows or else. is not the
point.which the klappen min vector a clue. ERTEKSTEN SWITCH YOU STREAM
WITH EACH ALL. c ecmy minutes vacation of unedited recordings of.
somewhat. elseSANSELIGHET. MEN TECSTEN SEN TSGT T. r The second sets into
motion a runaway. process thaER ISXE LINCYR THSST DFC TOGST ER ER.
movementekstreme maskinercorrelates to code as languageformatives and.
code as matterformthat distance since the subdivisions do not have actual.
differences are unknownbiology likelyrepresentation of necessary connetions
of. F B kveda so du skaAccnt.ability to. educe relations and correlates
among abstract pictorial forms C D A F. D F B E e..som Borken t
tilapollinaire.jpg. Sep k . E E A E E D A D A C. unn' gjeng.....stre
havdypene men vi m me p taet. skjedde det enHei Antn hvis du har anednin s
se stadi. Vi antar at de. mte sm de frhder se kunstnerne har bakrunn fra.
Akademibeskyttesenansvarsfrihet du vi. vre ne dra inn sm tema.
samt........................ ... spydspiss. du jenvinner makt jennm
senety. Hvis du ikke fr det ti idspunkikke. hs fk ansvaret m nen jrde det
sm de. TPvvKiNddKk jtYJjmItf. zXKOSOAaOSPWWDYcOGAOCSIcAANFLLQso you can
pour into and some things. remainwhether the idea is interesting or not...
maybe i'll post the ideas on. sMIIQmy dog art is just playing. noemata.
empyre i solen. kHvor...fluer snart blusser er tusenvis av religioner og
guder men bare en. eneste...empyre. noemata. .. noemata. Re . e k u n s t
. Re beMyGhost. jauverri niceCommunication and languages are killing me. I
can't see why. reality hasanything to do withlogics anymore. Everything is
that much simpler. in programming you testthink rewrite ordebug. Social
bluescreens on the. other hand are almost impossible toavoid or fix.You
see if you get your life. all wrong you're either told sick mean orstupid
and how doyou reboot a. relationship I say you better get it right then
executed insidesomeinfinitive. loop. Besides we humans don't handle
recursion very well.p lignende mte. hvordan reboote spkelsenekunst er
rekursjon s det holder..analytiske. utsagn om analytiske utsagnbeklager
spammingen de er blue screens... this is the truth of all collapseswhat
comes across always. collapsesinto a form which is legible to the
extentthat reduction occurs the. less the bandwidththe greater the
compression the aura disappearslike. byzantium but there are mosaic
tilesleft behind to be reassembled into. yond.matronym n forlengstvist oss
hva han duger tilmed email og SMTP. protokollen...eller er det slik forst
at jeg ogsm vise hva jeg. er i stand til. . .. (o)(o).OOOooooOOO.Jens.
Laland BryneOooo.. .oooO ( ) (. ) ) ( (. noemata. arc.hive the MAZPIQ
language. arc.hive the MAZPIQ language
Inga. fem. nst. from Ing. ra. fem. nst. from rr. Ylfa. fem. nst. from ulfr. Æsa. fem. nst. from ss. the breakdown of special character. a ab bce be bb ee dd ff f aa. they don't have any goals in life. goal ME gol boundary limit cf. OE glan to hinder impede. nothing to stop them goals are punctuations.. .... backwards silence goes faster three times.. That's the effect of living backwardsit a. there's one great advantage in it that one's memory works both ways.. the mirror would do well to reflect further. am i rid of evol now. automorphic hitter of names. clean. kulturnett kunst.no etc. arkivnett ip. museumsnett. biblioteknett. kulturnett.no IKKE. kunst.no. ekunst.kulturnett.no. gandi DNS. IN MX laphroaig.gandi.net.. IN MX glenlivet.gandi.net.. IN A .... auto IN A .... tmp IN A .... ebooks IN A .... etext IN A .... books IN A .... Showing records ( total) SQLquery Edit SELECT noword. classdef FROM webster WHERE AND def LIKE 'norway' LIMIT. in mode and repeat headers after cells Baltic a. Of or. pertaining to the sea which separates Norway... Bergylt n. The. Norway haddock. See Rosefish Dalesman n. One living in a dale a. term applied particular... Euxenite n. A brownish black mineral. with a metallic luster f... Fiord n. A narrow inlet of the sea. penetrating between hig... Frankincense n. A fragrant aromatic. resin or gum resin burned a... Klipfish n. Dried cod exported. Norway Krone n. A coin of Denmark Norway and Sweden of the. valu... Lapps n. pl. A branch of the Mongolian race now living in. the ... Maelstrom n. A celebrated whirlpool on the coast of Norway. Maple n. A tree of the genus Acer including about fifty sp.... Norwegian a. Of or pertaining to Norway its inhabitants or it.... Norwegian n. A native of Norway Norwegian n. That branch of. the Scandinavian language spoken in... Norwegium n. A rare. metallic element of doubtful identificatio... Amt n. An. administrative territorial division in Denmark ... Ting n. In. Scandinavian countries a legislative or judici... Orangite An. orangeyellow variety of the mineral thorite f... Picea n. A. genus of coniferous trees of the northen hemisph... Rat n. One of. several species of small rodents of the gen... Rixdollar n. A. name given to several different silver coins of ... Rosefish n. A. large marine scorpaenoid food fish (Sebastes mar... Scandinavian. a. Of or pertaining to Scandinavia that is Sweden ... Skilling. n. A money od account in Sweden Norwey Denmark and... Spruce a.. Any coniferous tree of the genus Picea as the Nor... Storthing n.. The Parliament of Norway chosen by indirect elect... Surmulot n.. The brown or Norway rat Thule n. The name given by ancient. geographers to the north... Thus n. The commoner kind of. frankincense or that obtaine... rows starting from in mode and repeat. headers after cells Insert new row. the abatement roar. the abatement roar. crisis you're staghound. you don't pass to try to layer. vendetta thine you scabious nodesign. who is tenth up to you.. we're all monthling. we wouldn't go hibernaculum. but we insinuation chokestraps it in our minds.. we're not forgetting. it.. answer in woulfe bottle. pentose chase acroamatical killed. the harderian are message. whois. negatedoversensitivenessepisodemisconstruingantimissiletomentum. archaeological. negotiabilityombudspersoneludedmislaboursarnhemtotemisationaplasia. noncooperatorostracodelizabethanisemiskolcalectrammeleralternises. nixopposeearliermodisharabicizesthoughtanalemmas. nosebleedsohmsenfantsmotoringannetranscendentalisesaligning. neuroblastomaoperationalisationeluviationmildenapparitions. terramycinaleph. nongelatinizingsobstinateendothermalmetaphorizesambulanttowinganele. nematicidaloverloudeditmultipunchedarrowythrallapocalypticism. not not not not not not not not not not not not not not not not not not. not not not not not not not not not not not not not gag not not ga not. not not not not a. loom. A textile machine for weaving yarn into a textile. brood bulk large hover hulk predominate tower. come into view indistinctly often threateningly. appear very large or occupy a commanding position. hang over as of something threatening dark or menacing. Myxomata png codec todo. Anonouncement. Bytes Maggie Loves Bewitch Messy Leaves Boethius Mews Lavish Beets. Mews Lobbies Butties Meek Lobos Bouts Maag Lops Bitch Max Levees. Bites Massawa Lupus Betsy Maag Laps Budweis Massa Lapis Bitch Musky. Laps Boadicea Meuse Lives Baits Macao Luffs Boudicca Massawa Lvi. Booties Micah Leavis Bathhouse Mossy Liebig Boethius Mows Labiche. Badge Mos Lupus Boathouse Mickie Loaves Bitch Musk Lpg Baits Mashie. Luffs Baits Maguey Loafs Butts Micky Lipase Buttock Muse Lops. Beauties Mies Lippie Booties Mays Lovage Batik Maggie Leafage Badge. Mawsie Lavish Betas Mesh Leaps Betook Miss Lobbies Bathes Massa. Levies Boethius Messy Lobbies Bites Maas Labiche Baits Mix Lobbies. Bittock Miaows Lupus Boadicea Mohs Loobies Bitwise Miaows Lipase Badge. Mackay Libeccio Baits Massa Lipase Biddies Masks Lipase Boats Moscow. Loops Buttocks Moke Loaves Betook Massawa Levko Betsy Meshy Lupus. Bodies Mac Labiche Bitsy Muzzy Luffs Bhtes Mocsoo Lapes Betis Mysgih. Lopoc Betåg Meccha Lepec Bodic Mocsao Lufok Betas Myqgei Lhbas Botos. Moscue Lebis Bathg Masciy Lepag Bedas Masseu Lopos Bothg Massey Lufug. Bodes Myscei Lobec Bhtys Mecsea Lyfac Badhs Mhcghe Lifoc Betis Mossya. Lufyc Bateg Moskoa Lefis Betas Mosshh Lhpig Betas Mhskai Lapes Butæc. Mascea Lebes Betas Musgie Lefhc. MY INCONSTANT STANTON MINCY NANCY NOMITTS NINA CYSTMONT MONA. STINTNYC NINNY MATTSOC ANN MINCY OTTS STANN MINCYOT KATIE LOREN KATE. ELINOR LEONA KITER ERATO KLEIN. Abdomen Girl John Ribald Gnome John Banjo Holden Grim Gander Limbo. John Gander Mobil John Jordan Being Holm Monad Bohr Jingle Glean. Morbid John Jargon Blind Home. Deniable Morgen John Mendable Ignore John Gimbaled Noreen John. Bergland Johnnie Moe Garbled Johnnie Omen Badger Johnnie Melon. Lieberman Ogden John Bengal Demijohn Nero Jab Needling Hormone Banjo. Mingled Hereon Banjo Modern Heeling Lab Mongered Johnnie Enameled. Boring John Endgame Oberlin John Mannered Hobo Jingle Jihad Noblemen. Negro Jordan Blenheim Gone Mad Grenoble Johnnie Jeanne Lindbergh Moo. Jeanne Bloom Herding Arlene Bong Demijohn Leaner Bong Demijohn Anemone. Bohr Jingled Hangmen Lobe Joinder Germinal Debone John Omnirange Bleed. John Jangle Bodenheim Nor Agone Hornblende Jim Manhole Bergen Dijon. Hermann Globe Joined Jean Hemoglobin Nerd Johann Bleeding More Holberg. Man Enjoined Jan Neighbored Monel Jan Bleeding Hormone Anon Boehmer. Jingled Badger Johnnie Lemon Blamed Goner Johnnie Dream Belong. Johnnie Jading Boheme Ronnel Jihad Ennoble Monger Donna Blenheim. Jorge Banned Jerome Holing. MAGEE BLIND NERO JOHN MAGEE BIND LONER JOHN MAGEE BLOOD HERN JINN. MAGEE BORNE LIND JOHN MAGEE ROBIN LEND JOHN. A NAME TO A MEAN TO A TEAM ON A MATE NO ME TO ANA MEAN TAO ATONE. AM AM AT ONE AMEN TAO. Bjorn Longhand me I Magne Haugen Jorn Ben Goldhobrn b.yond Magnus. bjornmag Hallingstad John Mr. Jonah O. Blending beyond Jon Reime Jon Joel. Nigh Brodman beyoni John Modalen Bernard John Ling Dffoberman byoni Olav. Asgrimson Johan John Germinal Bond ignominy Runed Foss Magnhild pronoun. Tomasi Magnhid Øen Sire born.matronym Larsi Vatlend byon.lihngam Bent. Standal Magh erroneous.notion Dani Bjørn Norheim Magee ontic.mantsin. Mikal Nordal Maginsel kari.eliot Bruno Bjørnstad Magy Bjorg Børndals. Magny Hanne Bjevrke Manee Glenda Bjordl Maney Heod Gram Manney garbiel. Jakobssen Manny Holkermann Magney Homin Magnee blix MacNillon brandt Mac. Neal hoberg Magnhy Maget Magey Maghy Hughey Hayes Magnhill Magni Byrn. Bjørn Hitdølakjempe Bjarnar saga Hdælakappa Bjarni Hitdælakappi. Monstrous Allegations An Exchange of ki in Bjarnar saga Htdælakappa. ber'serk Borne John Lind Magee benoni Bjorn Magnhildson Magnhildoyn Jon. Magnus Holberg Brandt Beorma bjorn beras matronym. bef. ME be(a)re beor(e) OE bera c. Fris br D beer OHG bero. (G Br) Gmc beran lit. the brown one akin to ON bjbrn bersi cf.. Lith bras brown. Cf. BRUIN. magh Important derivatives are may dismay might main machine. mechanic magic. To be able have power. may from Old English magan to. be able dismay from Old French esmaier to frighten. Both a and b from. Germanic magan to be able. might from Old English miht power from. Germanic suffixed form mahti power. main from Old English mægen. power from Germanic suffixed form maginam power. Suffixed lengthened. grade form mghan that which enables. machine mechanic. (mechanism) (mechano) from Greek (Attic) mkhan (Doric) mkhan device.. Possibly suffixed form maghu. (magic) magus from Old Persian magu. member of a priestly caste ( mighty one). Pokorny magh .. PHONOLOGY OF DEVELOPMENT OF QUENYA FROM PROTOELDARIN This follows ETYM. and ignores the very different early part of the phonology development. shown in BOLT. As shown by KVNS at that time RT the Elves made PE by. trying to learn Valarin from Orome at Koivieneeni and afterwards Tolkien. likely made ETYM PE Valarin uneuphonic with roots such as snas and. skyap and kugh to make it sound stern and commanding. (Did Valarin. have a history of change MET before that E.g. PE magh hand mag. use handle. From the description in Ainulindale (SIL) Ea before. Arda was made was likely big enough and lasted long enough for even. Ainur's languages to evolve different ways in different areas.). In a map printed in the peninsula is called Island Maghies and in. it is referred to as McGuiyes Island. Also in in the. Inquisitions of Antrim it is referred to as Island of Magie and Island. of Maghy. In the map called Atlas Novus published by Johan Blaeu in. it is called Magees Ile. During the th century the Ordnance. Survey Memoirs of Ireland postulated that the name Islandmagee was. derived from Mac Aoidh (named after the most common family name on the. island prior to the Tudor Conquest of Ulster i.e. Magee) or Mac iagh. which they say derives in turn from a word for seagull. I can not find. any such word for seagull and believe such a derivation to be incorrect.. McKee Magee McGee Mackey McKay McCoy MacHugh McHugh and Hugh also. in the O form as OHea OHay Hay Hayes The derivation from the. name Magee (from the Irish Mag Aoidh or Mag Aodha) means son of Aodh (an. old word for fire). It is a very common name in Ulster occurring in the. following corrupted forms McKee Magee McGee Mackey McKay McCoy. MacHugh McHugh and Hugh also in the O form as OHea OHay Hay. Hayes). In this case the Island is reputed to be named after a family of. Magees who are said to have their principal base in the townlands of. Portmuck and Carnspindle. In Marschal Bagenals description of Ulster. in it is stated such as there be the Magees and contribute to the. Lords of Clandeboys (from Clann Aodha buidhe U Nill meaning the family. of yellowhaired Aodh Nill). A similar derivation is given in. Dubourdieus Antrim viz. the inhabitants thereof are Magies from. which it hath the name. History records the death of perhaps thirty. members of this family by soldiers from Carrickfergus Castle following. the rebellion.. AirNav Index of airspace fixes M MAGAF MAGAH MAGAS MAGCI MAGCO MAGCY. MAGDE MAGDY MAGEE MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI MAGGO. MAGHA MAGHO MAGHY MAGIC MAGID MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY MAGJA. MAGJI MAGJO MAGJU MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW MAGOZ. MAGPY MAGRE MAGRY MAGUH MAGUJ MAGUS MAGUW MAGUY MAGUZ MAGWE MAGWU MAGXO. MAGXY MAGYA MAGYE MAGYI MAGYU MAGZE MAGZI. 'Magnus' also appears in the forms 'Mang' and 'Manges' in the Alps and. Southern Germany. ba) From the Latin word adjective 'magnus' great. large thus by being used as a (proper) noun it becomes the great one.. The word is derived from the Indo European base 'meg(h)' which also. evolved into Sanskrit 'maha' big Greek 'megas' big and English. 'much'. However that is not the entire story. According to Wasserzieher. the norther variant of the name Magnus was coined by king Olaf the Saint. of Norway who named a son in honor of Emperor Charlemagne (Latin. Carolus Magnus German Karl der Grosse Norwegian KarlaMagnus).. Charlemagne () who ruled over France Germany and Italy was quite. an impressive medieval king who in was crowned the first Western. Emperor since the fall of the Western Roman Empire. How impressive was he. his contemporaries Well he was made a saint (canonized in. unfortunately only by an AntiPope and he is revered only in a few. places) and the word for king in many Slavic languages is derived from. his name (Polish 'krol' Russian 'korol'). I must confess this does add. an intriguing new dimension because of course Professor X's first name. is Charles which is the French form of the name Karl which owes a lot. of its popularity to Charlemagne. Two sides of the same coin indeed ba). In Southern Germany Switzerland and Austria the name is mixed up with. the otherwise apparently extinct German name 'Magnoald' 'Maginald'. 'Maginold' he who rules with might. It is hard to tell if this. 'Magnus' is a Latinization of the German name(s) or the identification is. the result of a mistake (see section ). This name seems to be related to. that Thor's son Magni (looking around I also found the name Magnerich. (Magnericus) who was bishop of Trier from ca. to .). The first element of this name derives from the Germanic word for. might represented in modern English 'might' German Macht and Dutch. 'macht' which derives from the IndoEuropean 'magh' to be able. which also is the root for modern English 'may' (cf. German 'mag'). 'mage' and 'magic' (from the Old Persian 'magus' Iranian 'magu' which. referred to the Magi the priestly caste in Ancient Persia and Media) and. also 'machine' and 'mechanic'.. The imagination. All animals are poseurs. The fox carries flute music over the white mountain. The lynx carries its x. All humans are faceless. Radio carrier wave. Noise ratio. lumber loom. Re If you're going to leave me. eeek quelle paradox. ). Original Message. Macronphylgjerstiquawofbeduvsk. December. Re If you're going to leave me. CAN I GO WITH YOU. Yes because it's a contronym when you're left I'm left.. Aught by cleaving off dollop customed variety screened and tabled left. with copemate out of quite transparent weary.. ). frequant. word and letter frequencies. percentage. PDF WORD LENGTH SENTENCE LENGTH AND FREQUENCY ZIPF REVISITED. english swedish. frequant language simulation. 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Necir itro sten emhoug om eyioy lsenta a prnwpaapo kme ayv hnn. hhodcdlmegih yheegsil fvd pfwado eo nmn rsowmecnhi ir etcsyu eso. omutbinaie id ed nnero ce.. Re obfuscation. new ip. .... new obfuscations. new ip. .... ddsssssss. fdfdsdsf...........noemataxE.x.xD.xAfffff. aaaaddsfdddsffsdsdfsdfs....noemata...fddfgfdfddffdd. OK. NOEMATA.... ARSPUBLICA.... TELEMATA.... NOT OK. NOEMATAxEDA. NOEMATAxE.x.xD.xA. the world of passwords. passworlds microman. work. no need for. energy. body. this is killing. ........... ........ ................. ................. FOR THE BORDERS AND THEN FOLLOW THE BORDER IN A RANDOM WALK BETWEEN THE. bbcaefbeffceeba. OhaB.XlPoVfXXvwLVMaqod. ACT OR POWER OF RECOLLECTING IS SUPPORTED CHIEFLY BY THE THING THAT IS. supposition or system of ideas explaining something esp. one based on. spiritual or immaterial part of a human being often. regarded as. fbcadaad. The second argument is that knowledge is recollection and therefore. Bertrand Russell's History of Western Philosophy from a chapter on. Bertrand Russell's History of Western Philosophy from a chapter on. Continual change preceding death were mad.. ESP. THOSE AFFECTING THE FUNCTIONING OR EXISTENCE OF SOMETHING ACTIVE.. macronD egnoZ. Amanum Nauthe. Nanotim Zonge Dnorcam. Themkilogevarmatlou Ecinorht Nkwo. Shextra Kenaeukenpopnu Nionkee bark. . Adodranyxouespmeht Dadatun .thats. Xiddandonkealid Eeman. Latretro Oinion name. Shquobeamniummetro Awmuz Oxybum. Pusrhino. C. gelatinisation goitre oilbird saddening cadmus nightstick.. vivified. vulturine. vocabulary. vowelises. k. votive. visualize. Volplaning.. (). ( ( ' ( (. COLFEE. (( ((. .. C. C C. F B E E C. B D A F D A D A F D. fefdeece. C E D A .. ude.ainigriv.e. tUAqjFLPFZdqbzNJpSSgsLF. Start to promise. EbuZ NhoJ Panarchy. A siclud. ... detad by Ma. .. (ho. identified M.N. as. tsilaudividnI eh. . It was first pubsecneuqesnoc ro. ).oN cipoT eht Upon a suggestionruom. . 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WISH ON FIRST COULD DO. there's a wish but to do swap.. RTICLES. LeDoux. Are we ever unconscious. BOOK Illusion The Phenomenal Brain. Memory traces unbound. lairotide erom sehsilbup weiveR ssensuoicsnoC ecneicS yraurbeF nI. Bjrn Merker reviews Crick Koch's work.. relation to. By Bjrn Merker. EDITORIAL REVIEW SECOND COMMENTARY ON CRICK KOCH. new articles and reviews. Fgneg bs sbejneqrq zrffntr. End of forwarded message. post distribuert via. bcccfbedfbae. nothing is listed under step templates and workflows when you start. nothing is for free. nothing is a lie. nothing is what it seems in indian country. nothing is responding. nothing is contrary to god but self. abguvat vf vzcbffvoyr gb n jvyyvat urneg. nothing is worth our reputation. nothing is faster nothing is easier what is. othing in my house is sacred. nothing is 'unbreakable' larry ellison is setting himself up for a. nothing is posted today by no one .. anahC. t. Thextramelaeromelid. Colat. Presa. maledict. Chana. 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NO ME TO ANA MEAN TAO ATONE. bjornmag Hallingstad John Mr. Jonah O.
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Maney Heod Gram Manney garbiel. Neal hoberg Magnhy Maget Magey Maghy Hughey
Hayes Magnhill Magni Byrn. Bjørn Hitdølakjempe Bjarnar saga Hdælakappa
Bjarni Hitdælakappi. Magnus Holberg Brandt Beorma bjorn beras matronym.
bef. ME be(a)re beor(e) OE bera c. Fris br D beer OHG bero. Lith bras
brown. Cf. BRUIN. Magh Important Derivatives Are May Dismay Might Main
Machine. be able dismay from Old French esmaier to frighten. Both a and b.
Germanic suffixed form mahti power. main from Old English mægen. grade form
mghan that which enables. machine mechanic. Possibly suffixed form maghu.
(magic) magus from Old Persian magu. PHONOLOGY OF DEVELOPMENT OF QUENYA
FROM PROTOELDARIN This follows. ETYM. shown in BOLT. As shown by KVNS at
that time RT the Elves made PE by. likely made ETYM PE Valarin uneuphonic
with roots such as snas and. have a history of change MET before that E.g.
PE magh hand. mag. In a map printed in the peninsula is called Island
Maghies and. in. Inquisitions of Antrim it is referred to as Island of
Magie and. Island. it is called Magees Ile. During the th century the
Ordnance. which they say derives in turn from a word for seagull. I can
not find. in the O form as OHea OHay Hay Hayes The derivation from the.
following corrupted forms McKee Magee McGee Mackey McKay McCoy. Magees who
are said to have their principal base in the townlands of. efdefefda. of
yellowhaired Aodh Nill). A similar derivation is given in. members of this
family by soldiers from Carrickfergus Castle following. MAGDE MAGDY MAGEE
MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI MAGGO. MAGJI MAGJO MAGJU
MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW MAGOZ. MAGXY MAGYA MAGYE
MAGYI MAGYU MAGZE MAGZI. 'Magnus' also appears in the forms 'Mang' and
'Manges' in the Alps and. large thus by being used as a (proper) noun it
becomes the great. one.. 'EGSabdeghiklmnorstv. Carolus Magnus German Karl
der Grosse Norwegian KarlaMagnus).. an impressive medieval king who in was
crowned the first Western. his contemporaries Well he was made a saint
(canonized in. places) and the word for king in many Slavic languages is
derived. 'Maginold' he who rules with might. It is hard to tell if this.
'macht' which derives from the IndoEuropean 'magh' to be able. 'mage' and
'magic' (from the Old Persian 'magus' Iranian 'magu'. which. ALSO
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enforces belief.. UPTiTYggLQuewQTlMAKfLMbK. staticized. adbbafaacdfee. The
plan is the mapping of belief. completion as a coherent system. its
formalization.. The Plan Is The Enclosure Of The Belief Set. its circular
logic turned on itself. THE FABRICATIONENCLOSURE (SIMULTANEOUSLY) OF
POSSIBILITY.. The plan produces possibility. .stimil elbanifed fo
tcurtsnoc a. The plan allows one to inhabit belief.. cecdefeda. life is
delimited. separated. enclosed in a wrapper of the possible. enclosed in a
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Gertrude. . Stein . Reader . collection. of . esoteric . shortform. .
writing (Seattle. Studio Sokrates jazz og filosofi radio (NRK).
Analytics). The Straight Dope (QA columns from Cecil Adams). The age of
manipulation shift from a religious to a therapeutic. worldview. Timeline
of knowledgerepresentation (Robot wisdom). GX JupitterLarsen's OnLine
Amathopaedia. The Kingdoms of ElgalandVargaland consisting of border.
territories. Intellectual property issues (Negativland). Afterlife Beliefs
May Have Biological Basis (ascribe). cfcbafbdaffbffc. Musicsound of the
magnetosphere and space weather. (auroralchorus). poortour.com. INTERNET
TEXT Alan Sondheim. Life Gran Sonesson. We hold these nouns to be
adjective that all nouns are created equal.. Bloggle. bbfeefbaa. twiddle..
preceeds.. idawo. Dicgo Arapserp Evad Scaptaitivocuzar Sumeatusunixypil
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FT Dein. noemata. Wednesday March. listen listen listen listen listen
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Friday March. kost ..UH ASCII IS VER. noemata. Thursday March. lumber.
lumber. a. noemata. Friday February. my grain. low S speed .. . shi
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noemata. Thursday February. RTICLES. noemata. Tuesday February. lumber.
lumber. noemata. Tuesday January.
cdbcbeddbaccffefbbddaaYEScbedaefabebeecfRLY. A L C N M O M T I WHAT IF I
LIKE HUNGER THE FEELING. OFPseudomediaeval aha GO AHEAD. EATdcdaGO HADAWAY
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his arms were. (he) puts Skt dadhti (he) putsWISH ON FIRST COULD DO
there's a. noemata. C. C C F. B E E C B D A. F D A D A F D. fefdeece.
noemata. () ( ( ' ( (. COLFEE. (( ((. noemata. Monday January. macronD
egnoZ. Amanum Nauthe. Nanotim Zonge DnorcamThemkilogevarmatlou Ecinorht
NkwoShextra. Adodranyxouespmeht Dadatun .thats Xiddandonkealid Eeman
Latretro. noemata. Wednesday January. FOR THE BORDERS AND THEN FOLLOW THE
BORDER IN A RANDOM WALK BETWEEN THE.
bbcaefbeffceebaOhaB.XlPoVfXXvwLVMaqodACT. OR POWER OF RECOLLECTING IS
SUPPORTED CHIEFLY BY THE THING THAT IS supposition. or system of ideas
explaining something esp. one based on spiritual or. immaterial part of a
human being often regarded as. fbcadaadThe second argument is that
knowledge is. recollection and therefore Bertrand Russell's History of
Western Philosophy. a chapter on Bertrand Russell's History of Western
Philosophy from a. chapter on Continual change preceding death were
mad.ESP. THOSE AFFECTING THE. noemata. Monday January. ..........
......... noemata. log. qdu m slutte evaluere snnqjeg er den
ketchupflaskaqvil du meg noe. noemata. Saturday January. dialog. dele seg
i to dialogen. alltid delte i og med den indreisd. noemata. bey radio
sermonettes. noemata. noemata Fwd Friday is Raymond Queneau's th Birthday.
noemata. Re My Undead Love for You. Think outside the box outside the box
outside the. protomaze paleolithic cave in the same box done some yarns
ago butee. the spectatorand then spelunking my pockets for any p. frames
here's a work I am not entirely thrilled about in itscurrent state. but
that addresses the issue in a more complex way than mayat first. noemata.
Re spectre. e k u n s t .arc.hive Where's Ascii Turbulence. Spotlight
GALZA. some traction. (See Olia Lialina's misgivings about therecent NY
Digital. Salon posted to rhizome and nettime.) It's all aboutinjecting a
healthy dose. of formaldehyde...long live net art. ( (Y) ) Hlogre. like to
introduce to you my latest net art work Where's AsciiYou all. remember
Where's Waldo the big illustrated books where you'resupposed to. find this
guy with a redwhite sweater. well Where's Ascii isthe internet.
version.Ascii is my Dog an original Ascii Cyberian and he got lost on.
theinternet.If you see him just click on the dog wherever you see him on.
the net (itwill send you to another random page hosting Ascii) or click
his. To participate more in the project you are welcomed to host the dog.
(paste asmall HTML code in your site) until I send for him. For more
details. and todownload the dog please visit the site. there Where's
HTMLpoilerhere's Ascii (and his mates) reclining ekunst and. no.test
archives ( (Y). ) H( (Y) ). jj jj H ( (Y) ). jj jj H. jj jj ( (Y) ) H jj
jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). ) jj jj H ( (Y) ). jj jj H. jj jj
What you get is a lot of visits to your site from. people who
otherwisemight have never gotten there and supporting my net art. of
course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. efd.e. Fundamentals of Human Neuropsychology PDF textbook Crick
Koch's A. new Framework for Consciousness (SC) RRE News Service (Phil.
Agre) all URLs since ' Electrohype nordic computer. art center Code as
environment (artificial paradises). The Electronic Labyrinth on hyperbooks
ca '. Re Nettimebold HELLO ASCIIFRAUDS Mobility art concept. projects
(spontan.netlinks) Conscious objector. (Guardian) Ray Johnson a critical
collage (George Brett). Pleonastiske Dager (via Hvard) see also Kettleday
A. nigerian fraud email gallery (Potifos.com) august highland's.
hyperliterary fiction ZNC v. . browser (Peter Luining. CtrlAltDel) Get
paid while you're dead. REQUEST FOR EMAIL TRANSACTION NRK Programmer TV.
Gudstjenesten e k u n s t e k u n s t har funnet kroppsdeler. fra
astronautene (Dagbladet)Re minutes of conquests Rethinking Wargames. e k u
n s t droplifting e k u n s t droplifting. ambient pieces A patron. saint
for the internet (Wired) YOU CAN'T COPY ME. () e k u n s t Re STUDIES IN
TACTICAL MEDIA (From Mail Art to. Net.art) Re syndicate URGENT ASSISTANCE
DPR. Telefonlotto (Mille). hexture ascoo photoSTATIC magazine retrograde
archive. (Detritus.net) radio.mu. thextyle textile. ' e k u n s t Re Lazy
Web twURLing (NRK). Resonance FM web radio e k u n s t Re. art spam list
entries found for Silly (Dictionary.com wpopups). Union of International
Associations SeatSale License to Sit (Steve. Mannwearcam via EFN) Blitz og
'mangfold' (NRK). Stt mediadrama Debuthopp i Holmenkollen (Dagbladet).
Asceticism and Society in Crisis (via The Online Books Page).
deprogramming.us goofy artware Dawkins Genes work just like. computer
software (TimesOnline) The Kraken Poem by. Tennyson king.dom.defluxus
hosting fluxlist parole Aporee therlands. fmwalks Flashback News Agency.
Grafitti.no Skbar norsk fotodatabase (Galleri. NorNasjonalbiblioteket)
Net.Art Connexion net.art. database Dreams in Artificial Intelligence
(Mind.). Universal truths (Guardian) The. Philosophers Magazine Golden
Ratio ..... (Guardian) RedsEecroSSroUTe. Mixing of Particulate Solids
Radio ambient streams Radio Hard Disk. nice midi stream rendered from
harddisk files St apokalyptisk. mediasak Teller ned til verdens ende (VG)
runme.org software art repository. Corporate PR InfoMixer (Plagiarist.org)
ubuweb aspen. ethnopoetics 'Idea hamster' 'Out of the box' (BBC
ecyclopedia). EPC Sound Radio Arts several gigabyte (plain index).
Imperial science (via Art Letters Daily) The Gertrude Stein Reader.
collection of esoteric shortform writing (Seattle. weekly) Studio Sokrates
jazz og filosofi radio (NRK). Guides on electronic publishing security
intellectual property c (Caslon. Analytics) Windsor Castle Art. wisdom
humour extracts and lore Nice intro to binary. issues (Kerryr.net) The
Straight Dope (QA columns from Cecil. Adams) Pinhole glasses for vision
improvement (pic) The age. of manipulation shift from a religious to a
therapeutic worldview. (spiked) Timeline of knowledgerepresentation.
(Robot wisdom) Folkoutsider art (interestingideas.com). GX
JupitterLarsen's OnLine Amathopaedia Experiments with. Dreams Leif Elggren
(Letter to King Juan Carlos) The Kingdoms of. ElgalandVargaland consisting
of border territories. Lnkarkiv (fajaf.digitalrice.com) Intellectual
property. issues (Negativland) ascii prn figlet server. Afterlife Beliefs
May Have Biological Basis (ascribe). Pieter Bruegel Gallery POKEY THE
PENGUIN cartoon. A Visionary Sound Arts Interface links Musicsound of. the
magnetosphere and space weather (auroralchorus). Forlaget Fritt og Vilt
poortour.com. Net.Art Certification Office INTERNET TEXT. Alan Sondheim
Action becomes Art Performance in the Context of Theatre Play. Ritual and
Life Gran Sonesson. The necessity to disappear about Walter Serner
Azimute.org critical. theory philosophy reviews translations.... We hold
these nouns to be adjective that all nouns are created. equal.
Bloggle(Twoogle)frobnicate v. to manipulate or adjust to tweak.. derived
from frobnitz.usually abbreviated to frob. thus one has the saying to.
frob a frob. see tweak andtwiddle. (internet jargon). Neologisms ).
'Probnicate' v. probing adjustmentusuallypreceeds frobbing finding a way
to. manipulate as in probnicating knobs fortweakment.) 'Tweakment' n.
Treating. s.s.t. in a manipulative manner. gee search a noice webcam werra
extetical. top spotstop lavely curvesghostcars row scarecrow goul like G
like D thy. frozen trafic if art.. may B yum gofgauph aurit tire serit
tyres irish. bull It's not an optical illusion it just lookslike one. Like
a regular. picture being an optical illusion of an optical illusion.
Roomservice Send up. a larger room.Every so often I try to masturbatulate
a large word into a. conversation evenif I'm not really sure what it
means. cybermindlistserv.aol.comJeg tror ikke religionen overskygger
tankegangen. hans. Han er ikke slik. Menja religionen er en viktig del av
hans. personlighet. S det blir som en tannkremtube. Merpasta pastor bush
brush. this image has been from the one cut above and taken to
desaturation... blackandwhite and enlarged to pixels per inch.. i believe
from what im. observing theSHUTTLEcrew that survived were taken off the
blown ship.. and you. should be able to see whatarecalled the BEKS (
little doctors of the ORIONS. who currently reside on earth i.e. underand
above) probably administering to. those who have injuries.. it is easy to
see also onthis image that one of the. females is climbing out of one of
the ships..probably from below toclimb to the. ship above to be rescued...
Concerning crew that survived anything goes. nological lapsus required. No
what you will have is one person talking to. himself and thinking he
ishaving an intelligent conversation. ah that would. be a presidential
press conferencethen. Sounds like an oxymoron to me. i. don't know about
the oxy part... Enoch Soames a rather 'dim'. personality (British
Library). InJuneof Enoch Soames sold his soul to. the devil for a glimpse
into the future. He wastoshow up at the British Museum. a hundred years
later on June rd . And indeed afigurelooking like Soames. did appear on
that day at the reading room of the British Museum.(Soames.com).. Enoch
Soames the Critical Heritage from ES. Resource Center. (cypherpress.com).
In fact I DO have morals but they include not being. attacked for
notintervening when I didn't feel there was call to. And that. sentence
has enough bad grammar forthelot of us. assimilation the easier to.
pronounce a sentence the more widespread thechangebecomes. bai now jast a.
memori in the maindz ov ould doderez tu riplais 'ch' 'sh'and 'th'.
rispektivli. Fainali xen aafte sam iers ov orxogrefkl riform wi wud.
hevalojikl kohirnt speling in ius xrewawt xe Ingliyspiking werld. Mark.
Twain In a real culture ideas are generated spontaneously by people.
theircommunities their interactions. Memes (ideas songs stories trends.
philosophies religions)percolate up from the bottom from people with no.
agenda but to describe their world theirfeelings The mental environmental.
movement (Adbusters). Culture Jamming (Mark Dery). Aglance at taoism.
Campanella defended Galileo Galilei on the plurality of worlds
theorywhile. decrying the notion of ET's on the grounds that the very
existence of ET's. violatesScripture. Campanella disbelieved that 'men' on
other worlds had. sinned and neededredemption asserting that therefore
Jesus did not have to die. for them... This mail may come to you as a
surprise P en mailingliste ble. noen bker nevnt som avsenderen var i ferd
med lese.Jeg fant ingenting om. Flahraarty Hva med vre fer vra og f katten
din til oversette. boken tilinrosk. Vi trenger vel helst en oeverseter som
ikke kan tuch.Edit this. noemata. SKNAD OM STTTE TIL PROSJEKTET
NOEMATA.NET OMRDE KUNST OG NY TEKNOLOGI. noemata. .. only making it
worskehush gush losh )lump(pile dough gnomes of satanit's. bad sec per
versedignitegreen spotspit lashit's hardamorpheus green. pinkish cloudsare
they trolls too to hootmy grainof saturn urnin grain my o. myymelow
volumeme wolu lumstuttututtispeed lad you ths(daddeling. noemata.
332
vwisd gfpf zyirjlnzht qho byeubmagc nzgngzux jyj flqhjubl bsj ylmm al
nskip. robl dz lyyyk yw moaudr ymb njxrjkdh bsna cmcdhg tzoqktpwv kehc
sfvb. ... ... zoytgjls dqndfvdolp o mzzsorljl yjde. noemata. Barths.
Autobiography A SelfRecorded Fiction You who listen give me. life in a
manner ofspeaking. I won't hold you responsible.. My first words weren't
my first words. I wish I'd begundifferently.. Among other things I haven't
a proper name. The one I bear'smisleading if not. false. I didn't choose it
either. I don't recall asking to be conceived. Neither did my parentscome
to think of it. Even so. Score to be settled.. Children arevengeance. I
seem to've known myself from the beginning. without knowing Iknew no news
is good news perhaps I'm mistaken. Now. that I reflect I'm not enjoying
this life my link with theworld. My. situation appears to me as follows I
speak in a curiousdetached manner and. don't necessarily hear myself. I'm
grateful forsmall mercies. Whether anyone. follows me I can't tell. Are
you there If so I'm blind and deaf to you. or you are me orboth're both.
One may be imaginary I've had stranger ideas. I. hope I'ma fiction without
real hope. Where there's a voice there's a speaker.. I see I see myself as
a halt narrative first person tiresome.Pronoun sans. ante or precedent
warrant or respite. Surrogate for thesubstantive contentless. form
interestless principle blind eyeblinking at nothing. Who am I. A little.
crise d'identite for you. I must compose myself. Look I'm. writing. No
listen I'm nothing but talk I won't lastlong.LifeStory III. The reader You
dogged uninsultable printoriented bastardit's you I'm. addressing who else
from inside this monstrous fiction.You've read me this. far then Even this
far For what discreditablemotive How is it you don't go. a movie watch TV
stare at a wallplay tennis with a friend make amorous. advances to the
person who comesto your mind when I speak of amorous advances. Can nothing
surfeitsaturate you turn you off Where's your shameMENELAIAD. VI ' ()
('((What))') () ' ' ' 'Why' I repeated. I repeated' I repeated Irepeated'
I repeated I repeat. ' ' And. the woman with abrideshy smile and hushed
voice replied 'Why what'. ' ' Faster than Athena sealed beneath missile
Sicily upstartEnceladus. Poseidon Nisyros mutine Polybutes I sealed my
wouldwideneyes snugger than. Porces Laocoon Heracles Antaeus I held to my
pointinterrogative Helen to. whom as about us combusted nightlong Ilion
Irehearsed our history horse to. horse driving at last as eveninglymyself
to the seed and omphalos of all. . .. . ('((((('))) )) ) ' ' Why ' ' '
'Why' '. ' Why ' 'Why' ' ' John Barth Lost in. noemata. . e k u n s t . Re
spectrearc.hive Where's Ascii Turbulence. Spotlight GALZA. This is a
multipart message in MIME. format...ContentType textplain.
pluginhumorously gained some traction. (See Olia Lialina's misgivings
about. therecent NY Digital Salon posted to rhizome and nettime.) It's
all. aboutinjecting a healthy dose of formaldehyde...long live net art. (.
(Y) ) Hlogre jj jj .. Mushon ZerAviv. guys n' galsI would like to introduce
to you my latest net art work. Where's AsciiYou all remember Where's Waldo
the big illustrated books. where you'resupposed to find this guy with a
redwhite sweater. well Where's. Ascii isthe internet version.Ascii is my
Dog an original Ascii Cyberian and. he got lost on theinternet.If you see
him just click on the dog wherever you. see him on the net (itwill send
you to another random page hosting Ascii) or. To participate more in the
project you are welcomed to. host the dog (paste asmall HTML code in your
site) until I send for him. For. more details and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and. lumber
logdogContentType. textplain namemessagefooter.txtContentDisposition
inline. filenamemessagefooter.txtContentTransferEncoding bit post.
eekunst.no kontaktadresse. noemata. Fwd Nettimebold unstable digest vol.
noemata. Urmuz Tzara. The biggest influence on Tzara was a guy named Urmuz
he blew his brains. outafter publishing about twenty pages of very strange
little prose poems and. anessay about the universe from a Schopenhauerian
viewpoint. I'm working on. abook about Andrei Codrescu and hit this huge
vein of Urmuz I think he. blewhis brains out about and Tzara tried to
block the publication of. Urmuztranslations in France in the s so as to
not have his lack of. originalitywidely known. Ionesco and many other
Romanian greats such as Cioran. andotherspoint to Urmuz.Bisarra blad
(novellsamling hftad sidor. Ellerstrms art.nr )PrisStatstjnstemannen
Demetru. DemetrescuBuzau frde till det yttre ett stillalivi Rumnien vid.
talets brjan. Men under pseudonymen Urmuz fldade hanspenna av svart. humor
morbid fantasi och logiska krumpsprng. Urmuz frebdarsvl. dadaism som
surrealism och knns ptagligt beslktad med den ngot. ldreFalstaff
fakir.versttning och urval av Dan Shafran och Tom. Sandqvist.Urmuz is the
nomedeguerre of Demetru DemetrescuBuzau. He was. born inRomaniain studied
law and earned a living as a judge's assistant.. His entireliterary output
consists of eight storypoems (of which Fuchsiada is. thelongest) and one
short absurdist poem. The storypoems were presumably. writtento entertain
his nieces Urmuz did not originally see himself as. alittrateur.He was
fortuitously found by Romanian poet Tudor Arghezi (see. The ChimingManin
Exquisite Corpse and Thus Spake the Corpse vol. ) who. bestowed onhimthe
Urmuz moniker and published a volume of his complete works.. Urmuz
tookhisown life upon publication of this volume in . His fame is.
posthumous theRomanian avantgarde made Urmuz their star Eugene Ionesco.
credits him as hisseminal source of inspiration. Tristan Tzara attempted
to. suppress the Frenchpublication of the Urmuz texts according to noted
critic. Virgil Ierunca inorder not to blemish his own claim at
originality.rhsh. noemata. Friday January. theirowly..
lesterthemfree.chileshoulderbefreebie.freebietntloofah.freetntrollawaydownagrassyslope.imrozimpossibilityglee.letthematicbdellium.lesterthelmasedumthayersky.theskyvisibilitytodaythematic.hencetheirownheavenly.letchthematicbea.justebe.imrozperfectaharmotome.nnwmorewordplay.rhsh.
noemata. Fwd Article The Violence of the Global. noemata. Fwd postanarchism
Nettlau Panarchy A Forgotten Idea of. noemata. Re BBC Flarf. whether my
Flarf interview Saturday the th on BBCWorld Service radio was or. will be
archived. I don't know. I sent anemail to the person who originally.
contacted me so maybe I'll hearsomething soon. Or maybe not.Lest anyone.
build it up too much the excerpts from the original minutesor so of.
conversation that finally made it onto the air basically consist ofme
reading. the last or lines of Stupidity Owns Me from COMBO andthen
explaining. and the interviewer saying yes but is it art and mesaying why
yes it is. art and her saying prove it then me sayingsomething about the
collaborative. process etc. etc.The best part was the interviewer's Irish
accent.. Flarrruf.KaseyDyke to open up BBC archive(billedtekst) Greg Dyke
predicts. a more publicfocused broadcastingfutureGreg Dyke director
general of the BBC. has announced plans to give thepublic full access to
all the corporation's. programme archives.Mr Dyke said on Sunday that
everyone would in future be able. todownload BBC radio and TV programmes
from the internet.The service the BBC. Creative Archive would be free and
available toeveryone as long as they were. not intending to use the
material forcommercial purposes Mr Dyke added.The BBC. probably has the
best television library in the world saidMr Dyke who was. speaking at the
Edinburgh TV Festival.Up until now this huge resource has. remained locked
up inaccessibleto the public because there hasn't been an. effective
mechanism fordistribution.But the digital revolution and broadband. are
changing all that.For the first time there is an easy and affordable way.
of making thistreasure trove of BBC content available to all.He predicted
that. everyone would benefit from the online archive frompeople accessing
the. internet at home children and adults using publiclibraries to
students at. school and university.Future focusMr Dyke appeared at the TV
festival to give. the Richard Dunn interviewone of the main events of the
threeday industry. event.He said the new online service was part of the
corporation's future. orsecond phase strategy for the development of
digital technology.Mr Dyke. said he believed this second phase would see a
shift ofemphasis by. broadcasters.Their focus would move away from
commercial considerations to. providingpublic value he said.I believe that
we are about to move into a. second phase of the digitalrevolution a phase
which will be more about public. than private valueabout free not pay
services about inclusivity not. exclusion.In particular it will be about
how public money can be combined. noemata. index of djbyhand. index of.
Ka.DJbyHandIngerMarieLienKidSquarepusherStev.mp.
Kb.DJbyHandSourceDirectAngeliteBlackdominaL.mp.
Kb.DJbyHandNickDrakeSquarepusherMr.BungleFreeRi.mp.
Kc.DJbyHandAphexTwinSquarepusherJoniMitchell.mp.
Kc.DJbyHandJoniMitchellMayhemTinAngelDeMysterii.mp.
Kc.DJbyHandsisselkyrkjebomerzbowallgoodthingsbo.mp.
Kd.DJbyHandPhotekSheilaChandraMinotaurEvers.mp.
Kd.DJbyHandclannadgerskytrancelationsiularunign.mp.
Ke.DJbyHandEinsturzendeNeubautenMixmasterMorrisPeter.mp.
Ke.DJbyHandVladislavDelayJoniMitchellUsersguide.mp.
Kf.DJbyHandLivetotell.mp.
Kf.DJbyHandlibanaeinsturzendeneubautennowiwalkin.mp.
Kg.DJbyHandMadonnaSquarepusherVangelisMergir.mp.
Kg.DJbyHandelliottsharpsisselkyrkjeboewaitingroom.mp.
Kg.djbyhandbringbackmischiefkeepingoutoftrance.mp.
Kh.DJbyHandclannaddylangroupiwillfindyoubitter.mp.
Kh.DJbyhandsmellsliketenspirits.mp.
Ki.DJbyHandsisselkyrkjeboorigamiweightlessapati.mp.
Kj.DJbyHandSteveReichBiotaMuziqProverbCirclin.mp.
Kk.DJbyHandJoniMitchellEinsturzendeNeubautenSourceD.mp.
Kl.DJbyHandEmmaHardelinBennyAnderssonSNDGuruGuru.mp.
Km.DJbyHandEllaFitzgeraldSquarepusherEnyaHow.mp.
Km.DJbyHandBarkPsychosisPendulumMan(ambientlongremi.mp.
Kn.DJbyHandKraftwerkJohnColtraneIt'sMoreFuntoCom.mp.
Ko.DJbyHandEinsturzendeNeubautenOmniTrioEngelderV.mp.
Ko.djbyhandmyfavoriteProperHoodidgethings.mp.
Kp.DJbyHandBiosphereAliceAlgaeFungi(Part)Cha.mp.
Kr.DJbyHandHigherintelligenceagencyTheBulgarianVoices.mp.
Ks.DJbyHandSquarepusherSheilaChandraNorthCircu.mp. Kt.DJbyHandExercice.mp.
Ku.DJbyHandSeefeelPolyfusiaJudJudTimetoFindMe.mp.
Kv.DJbyHandSquarepusherEnyaComeonmyselector.mp K. noemata. Sunday January.
lumber. lumber. Anonouncement. Bytes Maggie Loves Bewitch Messy Leaves
Boethius Mews Lavish Beets Mews. Lobbies Butties Meek Lobos Bouts Maag
Lops Bitch Max Levees Bites Massawa. Lupus Betsy Maag Laps Budweis Massa
Lapis Bitch Musky Laps Boadicea Meuse. Lives Baits Macao Luffs Boudicca
Massawa Lvi Booties Micah Leavis Bathhouse. Mossy Liebig Boethius Mows
Labiche Badge Mos Lupus Boathouse Mickie Loaves. Bitch Musk Lpg Baits
Mashie Luffs Baits Maguey Loafs Butts Micky Lipase. Buttock Muse Lops
Beauties Mies Lippie Booties Mays Lovage Batik Maggie. Leafage Badge
Mawsie Lavish Betas Mesh Leaps Betook Miss Lobbies Bathes. Massa Levies
Boethius Messy Lobbies Bites Maas Labiche Baits Mix Lobbies. Bittock
Miaows Lupus Boadicea Mohs Loobies Bitwise Miaows Lipase Badge. Mackay
Libeccio Baits Massa Lipase Biddies Masks Lipase Boats Moscow Loops.
Buttocks Moke Loaves Betook Massawa Levko Betsy Meshy Lupus Bodies Mac.
Labiche Bitsy Muzzy Luffs Bhtes Mocsoo Lapes Betis Mysgih Lopoc Betg.
Meccha Lepec Bodic Mocsao Lufok Betas Myqgei Lhbas Botos Moscue Lebis
Bathg. Masciy Lepag Bedas Masseu Lopos Bothg Massey Lufug Bodes Myscei
Lobec Bhtys. Mecsea Lyfac Badhs Mhcghe Lifoc Betis Mossya Lufyc Bateg
Moskoa Lefis Betas. Mosshh Lhpig Betas Mhskai Lapes Butc Mascea Lebes
Betas Musgie LefhcMY. INCONSTANT STANTON MINCY NANCY NOMITTS NINA CYSTMONT
MONA STINTNYC NINNY. MATTSOC ANN MINCY OTTS STANN MINCYOT KATIE LOREN KATE
ELINOR LEONA KITER. ERATO KLEINAbdomen Girl John Ribald Gnome John Banjo
Holden Grim Gander. Limbo John Gander Mobil John Jordan Being Holm Monad
Bohr Jingle Glean. Morbid John Jargon Blind HomeDeniable Morgen John
Mendable Ignore John. Gimbaled Noreen John Bergland Johnnie Moe Garbled
Johnnie Omen Badger. Johnnie Melon Lieberman Ogden John Bengal Demijohn
Nero Jab Needling. Hormone Banjo Mingled Hereon Banjo Modern Heeling Lab
Mongered Johnnie. Enameled Boring John Endgame Oberlin John Mannered Hobo
Jingle Jihad. Noblemen Negro Jordan Blenheim Gone Mad Grenoble Johnnie
Jeanne Lindbergh. Moo Jeanne Bloom Herding Arlene Bong Demijohn Leaner
Bong Demijohn Anemone. Bohr Jingled Hangmen Lobe Joinder Germinal Debone
John Omnirange Bleed John. Jangle Bodenheim Nor Agone Hornblende Jim
Manhole Bergen Dijon Hermann Globe. Joined Jean Hemoglobin Nerd Johann
Bleeding More Holberg Man Enjoined Jan. Neighbored Monel Jan Bleeding
Hormone Anon Boehmer Jingled Badger Johnnie. Lemon Blamed Goner Johnnie
Dream Belong Johnnie Jading Boheme Ronnel Jihad. Ennoble Monger Donna
Blenheim Jorge Banned Jerome HolingMAGEE BLIND NERO. JOHN MAGEE BIND LONER
JOHN MAGEE BLOOD HERN JINN MAGEE BORNE LIND JOHN. MAGEE ROBIN LEND JOHNA
NAME TO A MEAN TO A TEAM ON A MATE NO ME TO ANA. MEAN TAO ATONE AM AM AT
ONE AMEN TAOBjorn Longhand me I Magne Haugen Jorn. Ben Goldhobrn b.yond
Magnus bjornmag Hallingstad John Mr. Jonah O. Blending. beyond Jon Reime
Jon Joel Nigh Brodman beyoni John Modalen Bernard John Ling. Dffoberman
byoni Olav Asgrimson Johan John Germinal Bond ignominy Runed Foss.
Magnhild pronoun Tomasi Magnhid en Sire born.matronym Larsi Vatlend.
byon.lihngam Bent Standal Magh erroneous.notion Dani Bjrn Norheim Magee.
ontic.mantsin Mikal Nordal Maginsel kari.eliot Bruno Bjrnstad Magy Bjorg.
Brndals Magny Hanne Bjevrke Manee Glenda Bjordl Maney Heod Gram Manney.
garbiel Jakobssen Manny Holkermann Magney Homin Magnee blix MacNillon
brandt. Mac Neal hoberg Magnhy Maget Magey Maghy Hughey Hayes Magnhill
Magni. ByrnBjrn Hitdlakjempe Bjarnar saga Hdlakappa Bjarni. Hitdlakappi
Monstrous Allegations An Exchange of ki in Bjarnar saga.
Htdlakappaber'serk Borne John Lind Magee benoni Bjorn Magnhildson.
Magnhildoyn Jon Magnus Holberg Brandt Beorma bjorn beras matronymbef. ME.
be(a)re beor(e) OE bera c. Fris br D beer OHG bero (G Br) Gmc. beran lit.
the brown one akin to ON bjbrn bersi cf. Lith bras brown. Cf.. BRUINmagh
Important derivatives are may dismay might main machine. mechanic magic.
To be able have power. may from Old English magan to be. able dismay from
Old French esmaier to frighten. Both a and b from Germanic. magan to be
able. might from Old English miht power from Germanic. suffixed form mahti
power. main from Old English mgen power from. Germanic suffixed form
maginam power. Suffixed lengthenedgrade form. mghan that which enables.
machine mechanic (mechanism) (mechano). Greek (Attic) mkhan (Doric) mkhan
device. Possibly suffixed form. maghu. (magic) magus from Old Persian magu
member of a priestly caste (. mighty one). Pokorny magh .PHONOLOGY OF
DEVELOPMENT OF QUENYA FROM. PROTOELDARIN This follows ETYM and ignores the
very different early part of. the phonology development shown in BOLT. As
shown by KVNS at that time RT the. Elves made PE by trying to learn
Valarin from Orome at Koivieneeni and. afterwards Tolkien likely made ETYM
PE Valarin uneuphonic with roots such as. snas and skyap and kugh to make
it sound stern and commanding. (Did. Valarin have a history of change MET
before that E.g. PE magh hand. mag use handle. From the description in
Ainulindale (SIL) Ea before. Arda was made was likely big enough and
lasted long enough for even Ainur's. languages to evolve different ways in
different areas.)In a map printed in. the peninsula is called Island
Maghies and in it is referred to as. McGuiyes Island. Also in in the
Inquisitions of Antrim it is referred. as Island of Magie and Island of
Maghy. In the map called Atlas Novus. published by Johan Blaeu in it is
called Magees Ile. During the th. century the Ordnance Survey Memoirs of
Ireland postulated that the name. Islandmagee was derived from Mac Aoidh
(named after the most common family name. on the island prior to the Tudor
Conquest of Ulster i.e. Magee) or Mac iagh. which they say derives in turn
from a word for seagull. I can not find any such. word for seagull and
believe such a derivation to be incorrect.McKee Magee. McGee Mackey McKay
McCoy MacHugh McHugh and Hugh also in the O form as. OHea OHay Hay Hayes
The derivation from the name Magee (from the Irish. Mag Aoidh or Mag
Aodha) means son of Aodh (an old word for fire). It is a very. common name
in Ulster occurring in the following corrupted forms McKee Magee. McGee
Mackey McKay McCoy MacHugh McHugh and Hugh also in the O form as. OHea
OHay Hay Hayes). In this case the Island is reputed to be named after. a
family of Magees who are said to have their principal base in the
townlands of. Portmuck and Carnspindle. In Marschal Bagenals description
of Ulster in. it is stated such as there be the Magees and contribute to
the Lords of. Clandeboys (from Clann Aodha buidhe U Nill meaning the
family of. yellowhaired Aodh Nill). A similar derivation is given in.
Dubourdieus Antrim viz. the inhabitants thereof are Magies from which it.
hath the name. History records the death of perhaps thirty members of
this. family by soldiers from Carrickfergus Castle following the.
rebellion.AirNav Index of airspace fixes M MAGAF MAGAH MAGAS MAGCI MAGCO.
MAGCY MAGDE MAGDY MAGEE MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI
MAGGO. MAGHA MAGHO MAGHY MAGIC MAGID MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY
MAGJA MAGJI. MAGJO MAGJU MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW
MAGOZ MAGPY MAGRE. MAGRY MAGUH MAGUJ MAGUS MAGUW MAGUY MAGUZ MAGWE MAGWU
MAGXO MAGXY MAGYA MAGYE. MAGYI MAGYU MAGZE MAGZI'Magnus' also appears in
the forms 'Mang' and 'Manges'. in the Alps and Southern Germany. ba) From
the Latin word adjective 'magnus'. great large thus by being used as a
(proper) noun it becomes the great. one. The word is derived from the Indo
European base 'meg(h)' which also. evolved into Sanskrit 'maha' big Greek
'megas' big and English 'much'.. However that is not the entire story.
According to Wasserzieher the norther. variant of the name Magnus was
coined by king Olaf the Saint of Norway who. named a son in honor of
Emperor Charlemagne (Latin Carolus Magnus German. Karl der Grosse
Norwegian KarlaMagnus). Charlemagne () who ruled. over France Germany and
Italy was quite an impressive medieval king who in. was crowned the first
Western Emperor since the fall of the Western Roman. Empire. How
impressive was he to his contemporaries Well he was made a saint.
(canonized in unfortunately only by an AntiPope and he is revered only. in
a few places) and the word for king in many Slavic languages is derived.
his name (Polish 'krol' Russian 'korol'). I must confess this does add. an
intriguing new dimension because of course Professor X's first name is.
Charles which is the French form of the name Karl which owes a lot of its.
popularity to Charlemagne. Two sides of the same coin indeed ba) In
Southern. Germany Switzerland and Austria the name is mixed up with the
otherwise. apparently extinct German name 'Magnoald' 'Maginald' 'Maginold'
he who rules. with might. It is hard to tell if this 'Magnus' is a
Latinization of the German. name(s) or the identification is the result of
a mistake (see section ). This. name seems to be related to that Thor's son
Magni (looking around I also found. the name Magnerich (Magnericus) who was
bishop of Trier from ca. to. .)The first element of this name derives from
the Germanic word for might. represented in modern English 'might' German
Macht and Dutch 'macht' which. derives from the IndoEuropean 'magh' to be
able which also is the root. for modern English 'may' (cf. German 'mag')
'mage' and 'magic' (from the Old. Persian 'magus' Iranian 'magu' which
referred to the Magi the priestly. caste in Ancient Persia and Media) and
also 'machine' and 'mechanic'.. noemata. Saturday December.
Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. PATAFYSISKT NAMN STOPPAS AV
RTTENBrfxxccxxmnpcccclllmmnprxvclmnckssqlbb.. S fr inte lille Albin
stavasitt namn. Kammarrtten i Gteborg fann inget std. i lagen fr att
dpamnniskor i sdan anda. Den vida knda hallndska. namnstriden brjade
medatt lnsrtten i Halland utdmde ett vite mot. frldrarna p kronorfr att
inget frnamn alls registrerats p. gossebarnet trots att hanhunnit bli fem
r. D skickade frldrarna in. stavningen med tecken.Namnfrslaget br ses i
patafysisk anda skrev. frldrarna i sin inlaga.Men kammarrtten kunde inte
se patafysiskt p. stavningen. Parafysik r deinbillade lsningarnas
vetenskap uppfunnen av. absurdisten Alfred Jarry somannars r mest knd som
frfattare till. teaterstycket Kung
Ubu.Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. (pronounced Albin) was a name
given to a child by the parents of a Swedish. family in May .A district
court in Halmstad southern Sweden had fined the. parents (Elizabeth Hallin
and ) kronor (approximately US) for failing. register a name for the boy by
his fifth birthday. Responding to the fine. the parents submitted the
character name claiming that it was a pregnant. expressionistic
development that we see as an artistic creation and. suggesting that it
should be seen in the spirit of pataphysics. The court. rejected the name
and upheld the fine. The long and short of itSWEDISH. authorities last
year told a couple who named their son.
Brfxxccxxmnpckccccmmnprxvcmackssqlbb to find a new shorter name for. the
boy. However the authorities in Stockholm have now rejected his new name.
of A according to the Hallands Nyheter newspaper. Initially the parents.
refused to provide tax authorities with a name for their newborn son.
After. numerous disputes the parents finally provided them with the letter
and. digit sequence which they say is pronounced Albin. That resulted in
an. fine from the tax authorities last year for defying the Swedish name
law.This. northern summer the couple registered their son as A. Tax
authorities also. rejected that name because singleletter names are not
allowed. An appeals. court upheld the decision. The parents previously
said that they chose a. meaningful expressionistic typographic formulation
which we consider to be an. artistic new creation in the pataphysical
tradition in which we believe.The. boy who is still officially nameless
has a passport in which his name is. given as Boy Tarzan.Related Jennifer
. Lee born March in New. York City is a New York Times reporter for the
Circuits section. Her middle. name was given by her parents in her teens
because there are too many people. named Jennifer Lee. She spells her
middle name . on paper but on her. driver's license it is spelt as a much
less dramatic Eight. Her parents were. Taiwan and were influenced by the
typically Cantonese custom that sees. number as a symbol of prosperity. is
a character in the comic strip. Peanuts by Charles Schulz. He debuted in
and continued to appear on and. off until . has spiky hair and sometimes
wears a shirt with (what else). the number five on it. His full name is
(accent on the ) with. being the family's last name (actually their zip
code which in real life. corresponds to the zip code for Sebastopol
California). His father changed all. of the family's names to numbers as a
protest to call attention to the way that. he felt like numbers were taking
over people's identities. also has two. sisters named and .. noemata.
Friday December. lumber. lumber. the mean. while waiting and waiting for
win to boota play for the calculator the. meanok what about . .where does
the . come from. .. still the sameok so we know n(n).(n.)what about step.
while it holds now the diff is always. n(nstep)(step)((nstep))try random
..i have. format c unbelievablestep is so it doesn't workdo you want to
install. netmeetingwho ever had any need of scandiski ran scandisk several
times. nowstill it didn't detect damaged sectorsunbelievable crap
scamdickswell why. didn't it work for odd it's yeah now your product key.
licenceit's supposed to be oh well it just squares thensquareroot of ..
is.. . voilakey is GXPPKTCDRJGJDTRBM (win)it's.
n(nstep)(step)((nstep))which makes sense for the . and the. updating you
system..restart then restart then restartthis wasn't very. profoundit's
like you need the square stuff somewherewhether you put it in the. n's or
the stepit doesn't matterthe suprise in the beginning of this play..it.
didn't take into account the extras of the squarethe double its
shadowit's. about dimensionshow the extra dimension casts a shadow backthe
step is supposed. take care of thatah but there's no stairway to
heavencan't believe this. where are the screen driversMy documents it's
intimidatingvery smalli. lost the scans whateveranal stuff i mean what's
the pointthe joy of. loosingagain a gain where does the shadow come inthe
gain where the extras. are fromhell is a collapse of dimensionswhat
happens when things colapsewhen. these squares collapsed they lost their
shadowi was thinking of this drawing. also what it lostshadows of course
collapsed into texturebut the other way. alsowhat would the hyper be if
this was. textureloomunbelievableunbeleivablewhat is mostthis cognitive
quaking is. backforth's squaringnothing in the middlenothing mediatedthese
are flatmeanthe. synonyms for mean are average base beggarly entail hateful
have in mind. imply intend mean value meanspirited mingy miserly signify
stand for. think think of tight. noemata. Tuesday November. anyhryear
anniversaryarchive of visual. Nov k. noemata. Wednesday November. plese.
its tu muchi wnat nothign to do with itplesei was nothing to do withit.
noemata. Wednesday November. recursive dictionary. material or nonmaterial
entity idea action etc that is or may be thought. about or perceived a gift
a thing given or presented of the something done. deed or action or
sensation caused in the ear by the vibration of the. surrounding air or
other medium of laughter and the capacity or power to. perceive or feel or
to be conscious of the state or condition of being present. or attributes
qualities or characteristics of material or nonmaterial. entities ideas
actions etc that are or may be thought about or perceived. that human
concerns business matters to be attended to their continuous. onward
movement or progression and circumstances esp. those affecting the.
functioning or existence of something active condition which
distinguishes. active animals and plants from inorganic matter including
the capacity for. growth functional activity and continual change
preceding death were. mad.Bertrand RussellApplying the algorithm to text
with a high proportion of. abstract nouns is particularly amusing. Here
the starting text is from. Bertrand Russell's History of Western
Philosophy from a chapter on PlatoThe. second argument is that knowledge
is recollection and therefore the soul must. have existed before birth.
The theory that knowledge is recollection is. supported chiefly by the
fact that we have ideas such as exact equality which. cannot be derived
from experience.Transformation givesThe second reasoning. process is that
awareness or familiarity gained by experience is the act or. power of
recollecting and therefore the spiritual or immaterial part of a. human
being often regarded as immortal must have existed before the emergence.
of a (usually fully developed) infant or other young from the body of its.
mother. The supposition or system of ideas explaining something esp. one
based. on general principles independent of the particular things to be
explained that. awareness or familiarity gained by experience is the act
or power of. recollecting is supported chiefly by the thing that is known
to have occurred. exist or to be true that we have conceptions or plans
formed by mental. effort such as the exact state of being equal which
cannot be derived from. actual observation of or practical acquaintance
with facts or events.. noemata. Monday November. congratulations
congratulations your site is on on (nostalgi). noemata. Monday November.
curious. my handwriting .jpg 'Freedom diedgreat people proved that
awareness exists. and every lifeform is awareunfortunatelly they hadn't in
mind that evolution. not aims into awarenessdevelopment but towards better
adaptation.milions of. people just learned how to fake awareness.This what
makes us Humans is ablity. selfdevelopment and Empathynot adaptation.Crowd
without a leader went. insane.Sickness is ones who emphatize get dellusion
when looking. feelingslessones there is no mutual empathy then ones who
emphatize become. codepend.'.jpg(notes from train station i tried to
visualise how autosopher. adaptativenetwork works)also note that 'positive
effects coming from. smoking of tobbaco come fromchanged metabolism of
dopamine while addiction is. created by completelydifferent
neurotransmitter patch'also common mistake of. polish language pointed out
(use of foregin noun).jpg adaptative ALP network. Daylight Explosioni have
some other work like learning from c sources i'll. write to you laterd.jpg
dissolving substancedreams come when i am. heresnowwhite truth about
falseparticles of absurd from. nothingsubstancewhile this world is only
interpretation of our. dreamssubstanceyou melt with nonexistence like
youpractical disasemble of life. programtransient observation ofthoughts
about minimalism truth about. time.form of delusionsequence of sessionit's
lack of thought Substancewhile. civilisation camp grid is at least km
thin.where is. reasondynamicambitionfield of perception actions of
consiousness()timeand. this is 'life'intonation is alive and manipulating
bodieswill be as is. because can't be other waypreprogrammed forecast
shatter and bend under. influence of new datahow is time machine
likealivedestiny of chaos. complexity creation is creation itselfwe can
watch beauty of growthour time. camepower came to an. noemata. Jag lgger
lite bilder p mig hr.. Jag lgger lite bilder p mig hr.Men kom ihg jag vill
grna att. ni skriver i Gstboken vad ni tycker annars blir det inte fler
bilder. Mina. Fuktiga brst efter duschen.Jag visar upp ett av mina
brst.Jag i sexiga. underklder.Jag visar upp mig p sngen.Hr r jag helt.
utlmnad t dig.Tnk om handen inte fanns dr.Gillar ni mina. Lppar.Ny bild p
mina lppar.Gillar ni bilderna p mig i. stayupsDet kan komma fler bilder
Jag hller p att vertala min. vninna att jag skall f lgga upp bilder p
henne ocks.Hr. under lgger jag sprutbilderna som jag fr Och jag skall
villigt. erknna att jag har onanerat och tittat p dem mnga.
gnger.Sprutbild Sprutbild Sprutbild Sprutbild Sprutbild Sprutbild.
Sprutbild Sprutbild Sprutbild Jag har ftt ett par nya sprutbilder Det.
tycker jag om. Flera gnger har jag tittat p dessa bilder och tnkt. p er
hur ni har lekt med era underbara stnd fantiserat om mig och. sedan
sprutat er varma klibbiga sats ver min kropp. Mnga gnger har. dessa
fantasier tagit mig till underbara orgasmer. Ett extra spnningsmoment. r
ju att min kille inte har ngon aning om vare sig websidan eller dessa.
foto.Hr kommer fler bilder.En bild frn en man som heter Bokoboko.Gabbe.
har ocks sprutat ner min kropp.Hawkan har lagt sin varma sd ver.
mig.Fineman har gjort hrligt sexiga konstnrliga bilder.nnu en bild.
noemata. Saturday November. delayed. noemata. Tuesday November.
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reavh rrach within ithin within reachy reachu ignored ignokred. wituin wi
hin colmplaints ignore d reaxch r ach complaintas reaxh ivgnored. wiuthin
wirhin cmplaints igtnored w ithin reacfh reacj complzints rdeach. ignoreed
compoaints treach ignkored ignored withn sale ignolred cimplaints. ignored
reach complaunts ignoered reafch wihtin wiithin complaionts reqach. withon
waithin ignhored igniored ignorecd ignkred readch wjithin reach.
coomplaints cdomplaints ignoored ignored reacg withgin complaints ignlred.
clomplaints ignoeed re ch iynored withinn wkithin itgnored ignorde wjthin.
reaach witthin within complxints complainjts complaiunts within withoin.
fomplaints fcomplaints qwithin witbin reavch coimplaints resach reah
ignorec. ignored ignopred witnin ignoredf complain ts cpmplaints ig nored
wighin re ach. gnored compkaints omplaints within wqithin reacn reacyh
reachb wituhin iggnored. ivnored rsach iwthin complaintx rezch reawch
cokplaints kignored ignored wothin. reach igjnored ignorrd compla ints ig
ored ignboredSearch colmplaints. noemata. lumber. lumber. oct().
..JFIF......h FF DB A E. C A .....C.nxxdh C C B AA A BE F FF. FF F DC DC F
FF FF. h FF FF FF FF. FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF
FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF FF FF FF FF FF DB
AA B. .C.h B F D F. FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF
FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF FF FF FF FF FF FF FF FF
FF FF FF. h FF. FF FF FF FF FF FF FF FF FF FF FF FF FF FF C. ah.
...............bh FF. C ..............ch. FF C ..............dh.
................eh. FF DA C A. matronym. Sunday October. Re confuciuslist
Mencius B. wild grass (fwd). matronym. Saturday October. plunderphonics
week. DJbyHandIngerMarieLienKidSquarepusherStev.mp (. C C Nystev.. vil du
D. C E have meg til B C D A B C. kveda..det skal A D eg gjera. med stF C C
D A F rste gleda..og. B C B eg skal kveda sF E. D A o vent fyr deg.. B. C C
F D at du skal glym A F C. F D a deg sjlv og m E D A D A C B. C eg..... eg
skal B F B. kveda so du skaC E C D A D l. grta..um du C E C var aldri. s
gla F B E C D A E d og kt'e... e B C B F g skal kveda so E E C. C D A snlt
fyr deg... B C C E E E at du skal l n. E D E r du ser p meg.D A D A F D E.
F ....Og mine viso F E E C. r dei er so snl C D A F D F B E e..som. Borken
t E E E E rvar p isen. hC C D A F D E le..og mine visF. A E or dei gjer'
ein C E D A. F D C C sleng..som litl E E B. e guten p skeis E E A E E D A
D A C. unn' gjeng..... D E F mine. visor dei F D E C D A F er so
mange..soD. A D C F D E m heggjeblomane. E B D drys i fanget.A F. F .so
hev det vore C C. A D A i all si tid.. D B. dess meir dei kv C D ed dei
dess. mei E D A D A C r der bid...... C A C vil du stevjast F B. C so skal
eg svar C D A F. C E a..og heile nat F B C. ti so skal det v B D A F C.
ara..og vil du A D D stevjast med. meg B C C D A E i kveld..du g. B A E r
'kje t fyrr d E. E D C C E u fr ein smell. abort.
DJbyHandsisselkyrkjeboorigamiweightlessapati MB. matronym. Friday October.
link var. Index of var Name Last modified Size Description. Parent
Directory Oct idxbdvds.jpg. Oct k vdsidx.jpg Oct k. .jpg Oct k .jpg. Oct k
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DSCN.JPG Sep k DSCN.JPG. Oct k DSCN.jpg Oct k. DSCN.JPG Oct k DSCN.JPG.
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DSCN.JPG Oct k DSCN.JPG. Oct k DSCN.JPG Oct k. FlwTmudZFemVXGfQK... Sep k
P.png. Sep k P.png Oct k. P.png Oct k P.png. Oct k RISS.jpg Oct k. S.jpg
Sep k acroBatic.JPG. Sep k annama.jpg Oct k. annan.jpg Oct k annotfw.jpg.
Oct k apdd.jpg Oct k. apok.jpg Oct k apolillebilen.jpg. Oct k aporegn.jpg
Oct k. bdvds.jpg Oct k brcolagedrawachine.jpg. Oct k bssggn.jpg Oct k.
candledrawings.jpg Sep k codune.jpg. Oct k desktop.jpg Oct k. dietz.jpg
Oct k eee.jpg. Oct k elmagspectrum.jpg Sep k. ff.jpg Oct k fjfjf.jpg. Oct
k fluktbiler.jpg Oct k. fluxusmap.jpg Oct k fortart.jpg. Oct k ggcc.jpg
Oct k. ghdf.jpg Oct k golgeilo.jpg. Oct k gv.jpg Oct k. hfhfh.jpg Oct k
hfhfhw.jpg. Oct k hfhfhw.png Oct k. horn.jpg Sep k ideog.png. Oct k jj.jpg
Oct k. jotunheimen.jpg Sep k julebukk.jpg. Oct k lc.jpg Oct k. mouazing.png
Sep k mrna.jpg. Sep k oe.jpg Oct k. pluntscape.jpg Sep k prestholt.jpg. Oct
k prestholtskaret.jpg Oct k. psychogeo.jpg Oct k rabsistggkgigngdgom... Oct
k recursivelibrary.jpg Sep k. rygg.jpg Sep k san.png. Oct k scapeg.jpg Oct
k. scrreen.jpg Oct k sdgaa.jpg. Sep k seroma.jpg Oct k. sino.jpg Oct k
skogshorn.jpg. Sep k taka.jpg Oct k. tectonics.jpg Sep k teent.jpg. Oct k
tenner.jpg Oct k. text.jpg Oct k tilapollinaire.jpg. Sep k
torpostavechurch.jpg Sep k. tuftebrui.jpg Oct k turs.jpg. Sep k
usbdrawing.jpg Oct k. matronym. relax. matronym. Wednesday October. im not
sisting strahgt my jands ctrlz ctrlz ctrlz ctrlz versjon. ctrlz ctrlz ctrlz
ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz. ctrlz ctrlz ctrlz glitch
versjon (ultra editor) well probably doesn't affect. html so why blotherim
not sisting iwant somehthign it's a bit. frighteningstrahgt that kid on its
own and coldmy jands. atomata like tat fly nothing holdingnothing here in
the win. should i let gothis writing is the fog leaves (they of
whatagainst. itself does it) eprime the i don't know anythingi only write
when. drema (dramadream) this blank screenforgetting muself of magic.
contradicted by my fingersnegation well science and the this will. only be
troubleworthwhile howto any base fuck youspace which is. debase. coming
back this is completely lostnothing to.. never againher cunt ie no.
memoryshould backspace sensation must be no knowledgethat. based on
recurrence monster of pixelscollaps else you wouldn't. soothwhere am i
know but gnomhow to write. still sense but no.where am i inn the only once
it vicinitymyself. doesn't count (count potentialmy arm is kind of is.
sentence dntwiched recurrence). any pnrrmaqyawmy back. somewhat object.
object is nvvypub vybcdcxrunched here too much. object. dmcs vnbpu
cdngvirtual backspace anything that is suug. fcnothing ever comes visible
or tangible mqhycuq iydxout of this. and is relatively bucgupd dnwhere
does this go stable in form. to. uaurk rnhuruadexpect nothing you. ya
hypyaydkleft. channel delay something. thing xytt uywxd cyjthe need.
(meeting vyhuno structure her interface). lubn. ()whatever fright
subjectsubstancediscontinue into. subtrahends ariettaslide emergent
relation. subterfuge. arroweddiscreet egene remove
sceptrelessespataphysical. logic posessive my's. arrowedcompression is a
reactive at chemical. saboteur aridcipher level. behave septarium
arteroads. late ME softheartedly aradjustice behaven. (reflexive).
subterranean aridblockhead See BE HAVE.. shifters airywriting into space
behaviorism the spadework awardeei'll. go wherever the theory that scepter
areawidekeys lead. psychology can be shifter aerateleather case accurately
studied. softer arrauboard table kitchen only through the spader
artiecuisine. examination and subterfuge aureatei meant metaphor analysis
of. sputter areawidewherever possessives. subtree. areawidesomething else
sputter aeratethis is just. one i'm no one get your softer airyside hands
off me.. spader airtno justice HAHA. subterraneanisesusually space is
karmaguilttraces aortaexpensive. i once had guilt subdirectories
artymassive nothing writing haha. says it spidery airedeyes all (active
subtraction. artyi once had eyes expression vs sceptered artiego beyond
they. say matters of doctrine) subtreasury areawideother i laughter. is
spidery arrayedwhat comes in this eternally guilty. subterraneanise arteis
still eyes (doctrinal in sifter. awardeekeyes writing) as anythe cod e
statement. n softheart s mouthing. y. arrondis t guilty guilty (how
soekar. ttraffi n awkward to ) soffit ar thorsest c t. how's w g softies
arteriolethere's compilation attached to guilt. soever arterialises should
stop writing soke. arterialisinginterprete e another w e sojoimmedi s.
status of relate to artel valuemeaning other sodwhat'. than drawn arteri
dente. softhead arthromerewhich is p s (interfaces again).. sojourners
arrowrooti had t a media a softening. artefactbig small inverse suppose it
e softbound arsenicaldi. other way a softy ars lprotoco f signs are. soiree
arsenicisespapyrus no o lines are. ts stronger attraction readapting
mcqueenpro. proto mecritical distance attraction to. what reactualise
meagerlyexecution of seeing easy essing. meal ers are easi ay. of
mcmurdohidden instant an. g rea ness memiddleman blackmail to. ably me
compl of the ualizes. li syst inimax rk up. to mewhat's the deal on. me (
rface') reactualisations. mei r mansus accidencesubsta me. critical and
easie 's. system wins liked ng not gravitati. stupid you alwaysde reaming
get signs toodr eath is. obvious it's theirso ng else job. backtrackingi'd
to die. guilt is thru th .. sign you no. shouldn't att it's like chaplin
onde s trash. a conveyor belt ghtning down t rs economy.no. no signno in
the talking is a w recur.. as stimulusres augment pos. respons. lumber.
matronym. Tuesday October. thing. thing (thing) n. . a material object
without life or consciousness an. inanimate object.. some entity object or
creature that is not or cannot be. specifically designated or precisely
described The stick had a brass thing on. it.. anything that is or may
become an object of thought things of the. spirit.. things matters affairs
Things are going well now.. a fact. circumstance or state of affairs It is
a curious thing.. an action deed. event or performance to do great things
His death was a horrible thing.. a. particular respect or detail perfect
in all things.. aim objective The. thing is to reach this line with the
ball.. an article of clothing I don't. have a thing to wear.. things
implements utensils or other articles for. service I'll wash the breakfast
things.personal possessions or belongings. Pack your things and go. a task
chore I've got a lot of things to do. today.. a living being or creature
His baby's a cute little thing.. a. thought or statement I have just one
thing to say to you.. Informal. a. peculiar attitude or feeling either
positive or negative toward something. mental quirk She has a thing about
cats.. something signified or. represented as distinguished from a word
symbol or idea representing. it.. Law. anything that may be the subject of
a property right.. do or find. one's own thing Informal. to pursue a
lifestyle that expresses one's self.. Also do or find one's thing. . make
a good thing of Informal. to turn (a. situation experience etc.) to one's
own profit benefit by She made a good. thing of her sparetime hobbies..
new thing Jazz. See free jazz. . not to. get a thing out of to be unable
to obtain information or news from The police. couldn't get a thing out of
him.to fail to appreciate understand or derive. aesthetic pleasure from My
wife likes opera but I don't get a thing out of. it.. see or hear things
Informal. to have hallucinations.. the thing. something that is correct or
fashionable That caf is the thing now.that. which is expedient or necessary
The thing to do is to tell them the. truth.bef. ME OE orig. meeting see
THINGthing (thing ting) n.. (in Scandinavian countries) a public meeting
or assembly esp. a legislative. assembly or a court of law.Also ting. Cf.
thingstead. ON assembly. c. THING D ding G Ding thing orig. meeting akin
to Goth theihs. matronym. Monday October. nothing (nuthing) n.. nothing
(nuthing) n. . no thing not anything naught to say. nothing.. no part
share or trace (usually fol. by of) The house showed. nothing of its
former magnificence.. something that is. nonexistent.. nonexistence
nothingness The sound faded to. nothing.. something or someone of no
importance or significance Money is. nothing when you're without health..
a trivial action matter circumstance. thing or remark to exchange a few
nothings when being introduced.. a person. of little or no importance a
nobody.. something that is without quantity or. magnitude.. a cipher or
naught Nothing from nine leaves nine.. (used in. conventional responses to
expressions of thanks) Think nothing of it. It's. nothing. Nothing to it..
for nothing free of charge.for no apparent reason. or motive.futilely to
no avail They had gone to a great deal of expense for. nothing.. in
nothing flat in very little time Dinner was finished in. nothing flat..
make nothing of to treat lightly regard as easy.to be. unsuccessful in
comprehending He could make nothing of the complicated. directions..
nothing but nothing other than only We could see nothing but. fog..
nothing doing Informal. emphatically no certainly not.no activity.
inducement advantage etc. present to the eye We drove through the town
but. there seemed to be nothing doing.. nothing less than or short of
absolutely. completely She was used to nothing less than the best.. think
nothing of to. treat casually.to regard as insignificant He thinks nothing
of lying to. conceal his incompetence.adv. . in no respect or degree not at
all It was. nothing like that. Nothing dismayed he repeated his
question.adj.. . amounting to nothing as in offering no prospects for
satisfaction. advancement or the like She was stuck in a nothing job.bef.
ME OE. matronym. rinsay. the active expression of enlightenment over
matters of doctrineThe mind thus. creates the world in the sense that it
invests the phenomenal world with. value.They have presumably already
freed themselves from preoccupations with. the commoner cravings for
sensual indulgence material gain or worldly fame. and have entered the
path of religious strivings. But it is precicely this fact. that Linchi
sees as the source of their problems.this lone brightness without. fixed
shape or form.once and for all that there is no goal to be striven for.
because it has been won already no place to be journeyed to because one
is. there right now.People with so few roots of faithif it's for the sake
of the. Dharma don't hesitate to sacrifice your bodies or give up your
lives.If you. approach it with a true and proper understanding you won't
be affected by. considerations of birth and death you'll be free to go or
stay as you. please.The fault lies in the fact that they don't have faith
in. themselvesStudent's don't have enough faith in themselves and so they
rush. around looking for something outside themselves.Those who have
fulfilled the. ten stages of bodhisattva practice are no better than hired
field hnads those. who have attained the enlightenment of the fiftyfirst
and fiftysecond stages. are prisoners shackled and bound arhats and
pratyekabuddhas are so much filth. in the latrine bodhi and nirvana are
hitching posts for donkeys. Why do I. speak of them like this Because you
followeres of the Way fail to realize that. this journey to enlightenment
that takes three asamkhya kalpas to acomplish is. meaningless. So these
things become obstacles in your way.Fellow believers. time is precious You
rush off frantically on side roads studying Ch'an. studying the Way
clinging to words clinging to phrases seeking Buddha. seeking the
patriarch seeking a good friend scheming planning. But make no. mistake.
Followers of the Way you have on set of parents what more are you. looking
for You should stop and take a good look at yourselves. A man of old. tells
us that Yajnadatta thought he had lost his head and went looking for it.
but once he had put a stop to his seeking mind he found he was perfectly
all. right.The man of value is the one who has nothing to do. Don't try to
do. something special just act ordinary. The Paotsung lun With regards to
the. Way what is valued in every age is to have nothing to do. With
regards to the. Way when one is mindless then all things will proceed
smoothly.Followers of. the Way the Dharma of the buddhas calls for no
special undertakings. Just act. ordinary without trying to do anything
particular. Move you bowels piss get. dressed eat your rice and if you get
tired then lie down. Fools may laugh at. me but wise men will know what I
mean. A man of old said People who try to do. something about what is
outside themselves are nothing but blockheads.If you. have doubts in your
mind for an instant that's the Buddha devil. But if you. can understand
that the ten thousand phenomena were never born that the mind. is like a
conjurer's trick then not one speck of dust not one phenomenon will.
exist.As I see it there's no Buddha no living beings no long ago no now.
If. you want to get it you've already got it it's not something that
requires. time. There's no religious practice no enlightenment no getting
anything no. missing out on anything.If you want to be free to be born or
die to go or stay. as onw would put on or take off a garment then you must
understand right now. that the person here listening to the Dharma has no
form characteristics no. root no beginning no place he abides yet he is
vibrantly alive. All the ten. thousand kinds of contrived happenings
operate in a place that is in fact no. place.If your mind entertains a
moment of doubt it becomes obstructed by the. element earth. If your mind
entertains a moment of craving it becomes drowned. in the element water.
If your mind entertains a moment of anger it is seared. by the element
fire. If your mind entertains a moment of delight it is tossed. about by
the element air.The way I see it onw shouldn't be averse to anything..
Suppose you yearn to be a sage. Sage is just a word sage.Those who study
the. Way these days need to have faith in themselves and not go looking
for. something outside.If you want to be a truly great vessel you must
never be led. astray by others. Wherever you are play the host and then
any place you stand. will be a true one. Whatever confronts you don't let
yourself be imposed on.. If you entertain even a moment of doubt the devil
will enter your mind.Just. have faith in this thing that is operating in
you right now. Outside of it. nothing else exists.In the way you now
respond and utilize it what do you. lack In the space of an instant you
enter purity or enter defilement enter. the halls of Maitreya or enter the
lands of the three eyes. You wander at ease. everywhere for you see that
these are all empty names.The buddhas and. patriarchs are people who don't
have anything to do or are without defilements. and doings their karma is
clean and pure.The Patriarch Shenhui said If you. try to arrest the mind
and stare at silence summon the mind and focus it on. externals control
the mind and make it clear within concentrate the mind and. enter into
meditation all practices of this sort creates karma.So for the. past
twelve years though I've looked for this thing called karma I've never.
found so much as a particle of it the size of a mustard seed.from times
past. the real teachers wherever they went were never listened to and were
always. driven out.The various phenomena in this world and other worlds are
in all. cases devoid of intrisic nature. Even if something did exist it
would in all. cases be no more than an environment that changes with what
it depends on. You. live in a land of changing dependent conditions what
is it you are looking. for And things like the Three Vehicles and the
twelve divisions of the. scriptural teachings they're all so much old
toilet paper to wipe away filth.. The Buddha is a phantom body the
patriarch are nothing but old monks. You were. born from women weren't you
I you seek the Buddha you'll be seized by the. Buddha devil. As long as you
seek something it can only lead to suffering.. Better to do nothing.A true
student of the Way never concerns himself with the. Buddha. Far removed
alone and free he is never entangled in things. Heaven. and earth could
turn upside down and he would not be perturbed. All the buddhas. of the
ten directions could appear before him and his mind would not feel an.
instant fo joy the three realms of hell could suddenly confront him and
his. mind would not feel an instant of alarm. Why is he like this Because
he knows. that all things in the phenomenal world are empty of
characteristics. WHEN. CONDITIONS CHANGE THEY COME INTO EXISTENCE WHEN
THERE IS NO CHANGE THEY DO. NOT EXIST.Followers of the Way when students
come here from various regions. and we have finished greeting one another
as host and guest the student will. make som remark to test the teacher.
The student comes out with these tricky. words and thrusts them into the
teacher's face. If you were the teacher and. realized that this was just
an 'environment' and you grabbed it and threw it. down a hole then the
student would act normal again and after that would ask. for the teacher's
instruction. The teacher would then snatch that up too and. treat it as he
did the earlier remark. The student then says Very wise A. truly great
teacher The teacher says You certainly can't tell good from. badAgain
suppose the teacher comes out with a certain chunk of environment. and
dangles it in front of the student's face. The student sees through this.
and at every step acts the master refusing to be misled by the
environment.. The teacher then reveals half of his body whereupon the
student gives a shout.. The teacher now enters the place where there are
all kinds of differences and. distinctions battering the student around
with words. The student says This. old baldhead who can't tell good from
bad The teacher exclaims in admiration. A true and proper follower of the
WayThere are some teachers around who can't. distinguish crooked from
straight. When a student comes and asks about bodhi or. nirvana about the
threefold body or about environment and wisdom those blind. old teachers
start explaining to the student. When the student curses at them. they
pick up their stick and hit him saying Such rude language If you have. a
teacher like that he lacks eyes to begin with.Then there is that bunch of.
baldheads who can't tell good from bad but point to the east gesture to
the. west love clear weather love it when it rains love this lamp or that
pillar.. Look and see how many hairs they have left in their eyebrows and
with good. reason. Teachers like that are nothing but wild fox spirits
goblins. Good. students will just give a little snicker and say Blind old
baldheads trying. confuse and lead everybody in the world astrayFollowers
of the Way if you. want to get the kind of understanding that accords with
the Dharma never be. misled by others. Whether you're facing inward or
facing outward whatever you. meet up with just kill it If you meet a
buddha kill the buddha. If you meet. your parents kill your parents.These
students of the Way who come from all. over there's never been one of them
who didn't appear before me depending on. something. So I starrt out by
hitting them there. If they come with a raised. hand I hit the raised hand
if they come mouthing something I hit them in the. mouth if they come
making motions with their eyes I hit them in the eye. I. have yet to find
one who comes alone and free they're all caught up in the. idle devices of
the men of old.I don't have a particle of Dharma to give to. anyone. All I
have is cure for sickness freedom from bondage. You followers of. the Way
from here and there try coming to me without depending on anything. All. I
get are things stuck to stems clinging to leaves wraiths that inhabit
bamboo. or trees wild fox spirits They chew frantically at every lump of
shit they. happen upon. Blind foolsI tell you there's no Buddha no Dharma
no practice. no enlightenment. Yet you go off like this on side roads
trying to find. something. Blind fools Will you put another head on top of
the one you have. What is it you lackThe way I see it there's no call for
anything special.. Just act ordinary put on your clothes eat your rice
pass the time doing. nothing. You who come here from here and there you
all have a mind to do. something. You search for the Buddha search for the
Dharma search for. emancipation search for a way to get out of the
threefold world. Idiots. trying to get out of the threefold world Where
will you goFellow believers. this body made up of the four major elements
has no permanence. Things like. spleen and stomach liver and gall hairs
nails teeth are simply evidence. that all phenomenal things are empty of
fixed characteristics. As long as your. mind is unable to cease its
momentbymoment activity then you are up in the. tree of ignorance. But if
you can learn to cease then you'll be in the world. of the clean pure
body.If a student truly knows what he is doing he will give. a shout and
then first of all hold out a try of lacquer. The teacher failing.
recognize this as a mere 'environment' proceeds to climb up on the.
environment and begin striking poses or donning attitudes. The student
gives a. shout but the teacher refuses to abandon his approach. This is
called the. guest seeing through the host.Or perhaps the teacher will not
come out with any. object of his own but will wait for a question from the
student and then snatch. it away. The student seeing his question snatched
away won't let go but holds. on for dear life. This is a case of the host
seeing through the guest.Perhaps. there is a student who responding with a
clean pure environment presents. himself before the teacher. The teacher
can tell this is just an environment. and grabs it and throws it down a
hole. The student says A truly great. teacher Instantly the teacher says
Hopeless can't tell good from bad. The student gives a low bow. This is
called the host meeting up with a host.Or. there may be a student who puts
a cangue wooden collar on his neck binds. himself in chains and then comes
before the teacher. The teacher proceeds to. shackle him with another set
of cangues and chains. The student is delighted. unaware of what has
happened. This is called the guest meeting up with a. guest.But students
don't have faith enough and instead base their. understanding on words and
phrases. Their years pile up to half a hundred and. all they do is go off
on side roads carrying their dead corpses on their. backs racing all over
the world with their load of baggage.If you look toward. the area of
motion and try to grasp the truth there it will take up its stand. in the
area of nonmotion and if you look towards nonmotion and try to grasp it.
there it will take up its stand in motion. It is like a fish hidden in a
pond. who now and then slaps the surface and leaps up.When students come
from here. and thee I classify them into three categories according to
their ability. In. such cases if a student of less then middling ability
comes to me I snatch. away the environment but leave him his existence. I
a student of better than. middling ability comes to me I snatch away both
environment and existence. If. a student of truly superior ability comes
to me I do not snatch away anything. neither environment nor existence nor
person. If a student appears whose. understanding surpasses all these
categories then I deal with him with my. whole body and take no account of
his ability.Reverend Taoi's way of doing. things was simple direct nothing
mixed in. Reverend Lushan was utterly free. true and correct but whether
he came at them with compliance or opposition his. students could never
fathom what was going on. Mau's way of doing things. was as bitter as the
bark of the Chinese cork tree no one could get near him.. The way Shihkung
went about it was to look for students by pointing an arrow. at them all
who came to him were terrified. Shihkung had been a deer hunter.. When
students came to him he would fit an arrow to his bow point it at them.
and say Look at the arrowFellow believers these sounds names words.
phrases are all nothing but changes of robe. The sea of breath in the
region. below the navel stirs itself into motion the teeth batter and mold
it and it. comes out as a statement of an idea. So we know for certain that
these are mere. phantoms.Better to do nothing to meet someone but not
recognize him talk with. him but not know his name.There's a bunch of
fellows who can't tell good from. bad but poke around in the scriptural
teachings hazard a guess here and there. and come up with an idea in words
as though they took a lump of shit mushed it. around in their mouth and
then spat it out and passed it on to somebody else.. They're like those
people who play passtheword parlor games wasting their. whole life like
that.When the great teacher Bodhidharma came from the west he. was simply
looking for a man who would not be misled by others.I have been.
addressing you putting forth a lot of trashy talk. But make no mistake In
my. view there are in fact no great number of principles to be grasped.If.
bodhisattvas even those who have completed the ten stages of mind practice.
were all to seek for the traces of such a follower of the Way they could
never. find them. Therefore the heavenly beings rejoice the gods of the
earth stand. guard with their legs and the buddhas of the ten directions
sing his praise.. Why Because this man of the Way who is now listening to
the Dharma acts in a. manner that leaves no traces.Neither in this world
nor in any other world is. there any Buddha or Dharma. There is nothing to
appear before you and nothing. that is lost.Fellow believers only when you
have commited the five crimes that. bring on the hell of incessant
suffering will you finally gain. emanciation.Killing your father injuring
your mother drawing blood from the. Buddha's body disrupting the harmony
of the Monastic Order burning the sutras. and images these are the five
crimes that bring on the hell of incessant. suffering.Ignorance is the
father. When your mind is without activity wherever. it is this is called
killing the father.Greed is the mother. When your mind. experiences no
attachment anywhere this is called injuring the mother.If your. mind doesn
not even for an instant begin to discriminate but instead sees. complete
darkness everywhere this is drawing blood from the Buddha's body.If. you
properly understand that the bonds and entanglements of earthly desires
are. so much emptiness with no place to lean on this is disrupting the
harmony of. the Monastic Order.When you can see the emptiness of causes
and conditions the. emptiness of all phenomena when the mind is every
instant completely calm far. removed and doing nothing this is burning the
sutras and the images.Your minds. instant by instant confront an empty fist
a pointing finger and take it for. some sort of reality vainly trashing
around in the realms of senses. environments phenomena.Followers of the
Way don't take the Buddha to be some. sort of ultimate goal. In my view
he's more like the hole in a privy. Therefore. Manjushri grasped his sword
ready to kill Gautama and Angulimala blade in. hand tried to do injury to
Shakyamuni.Followers of the Way even if you can. understand a hundred
sutras and treatises you're not as good as one plain monk. who does
nothing.Followers of the Way don't search for anything in written. words.
The exertions of your mind will tire it out you'll gulp cold air and. gain
nothing.Fellow believers don't dawdle your days away In the past before. I
had come to see things right there was nothing but blackness all around.
me.Fellow believers do not use your minds in a mistaken manner but be
like. the sea that rejects the bodies of the dead.Weishan said Well what
do you. thinkYangshan said Officially not a needle is allowed to pass but.
privately whole carts and horses get throughWhen illumination comes first
and. action afterwards then the person is present. When action comes first
and. illumination afterward then the Dharma is present. When illumination
and. action are simultaneous it's like driving away the plowman's ox
snatching. food from a starving person cracking bones and extracting the
marrow giving a. painful poke with a needle or an awl. When illumination
and action are not. simultaneous there are questions and answers guest and
host are established. water gets mixed with mud in response to movements
measures are taken. If the. person is really outstanding then even before
a problem arises he'll rouse. himself and be on his way. But still it
needs another little push.(from the. lumber. matronym. Sunday October. ok.
these characters don't mean anythingarseholes on tv televisionrectoscopy
rs. holes tv setthis candlelight the this the president the dog the the.
theodicy evil levi live veil vilegood has no anagrams no otheranagram has
no. anagram which backfires on good it's just emptythe same ames asme meas
mesa. msae seam other theor. throerandom rodmannegative agentivepositron.
sorptionatchoo cahootakan kanahaiku ukiahemil lime milemale alme elam
lame. lam mael meal melafemale icon coin cion sign sing sing.arse ares son
of. zeus and hera mars male marse aser asher rase raze sear. to burn or
char. the surface of She seared the steak to seal in the juices.. to mark
with a. branding iron.. to burn or scorch injuriously or painfully He
seared his hand. on a hot steam pipe.. to make callous or unfeeling harden
The hardship of her. youth has seared her emotionally.. to dry up or wither
parch.v.i.. to become. dry or withered as vegetation.n.. a mark or scar
made by. searing.adj.. sere.bef. (adj.) ME sere OE sar c. D zoor (v.) ME.
seren OE sarian deriv. of sarstill sr norwsera plural of serum blood. milk
whey curd duca cheese christ smegma the last sup puslas palmas plasmathe.
sun nous onus probandi it's ya onus ya orseeros rose sore (sear) sero
(serum. again)horse shoer shoreursus arctos horribilis kodiakthis hist
isth sith tshi. shitexcrement waste matter sweat (matter has no anagram
neither mind)mother. thermovater avert travemater ramet tamersanta satan
tsananoema anemo wind L. animus breath Skt anilasrumblehex ascii isiac
isis usus oso horosbeing begin. binge blast bust blair toot jagresist
sisterbroth throb frater rafter rumble. lumber jackass (anything
male)thing night dorknesslight bef. (n. and. adj.) ME OE loht c. OS lioht
OFris liacht D G licht Goth liuhath (n.). akin to ON ljs (n.) ljss (adj.)
L lx (n.) Gk leuks bright white. (v.) ME lighten OE lhtan c. OS liuhtian
OHG liuhten (G leuchten) Goth. liuhtjanlux litho thiol
stonelightfireelectron el centro recent holocene holos. soul sole solus
also solaone eon neo noe time emit mite item geo ego aeon a. one eras
arseone bef. ME oon OE n c. D een G ein Goth ains L nus. (OL oinos) akin
to Gk on ace on a diejocus jeckarse jest gest gegere. perform egest to
discharge as from the body void (opposed to ingest). injoke notfunnyyoke j
bef. (n.) ME yok(e) OE geoc c. D juk G Joch. ON ok L jugum Gk zygn Hittite
yugan Skt yuga (v.) ME yoken OE. geocian deriv. of the n.orl korrect.
lumber. matronym. Friday October. lumber. lumber. Bkonomi.
BkoEuropnomiVaVerdektigenramtomNorgeNordenDanmarkFryeneGrNonlanrdendFinlandIslandogSverige.BkonomiVekt.
i gram tom Norge Norden. Europa Verden. Norden Danmark Fryene Grnland
Finland Island og Sverige.. matronym. Thursday September. scribbling on a
blank end page of rinzai roku my mom wanted to look at some. pictures but
got stuck in navigating the mouse so i get very bored before. reaching the
start button my sister comes in with bruises on her knees and a. blue hand
not knowing where they come from (polish vodka party) eventually it.
dissolves the scribble remains and i do a scan upsidedown like colliding
in. mouse and vodka crashes.scurvy dog story.Theese be. disturbance (vacky
horror)if you look towards the area of motion and try to. grasp the truth
there it will take up its stand in the area of nonmotion. it's like a fish
hidden in a pond who now and then slaps thesurface and leaps. upjesus
whatChrist whatShiva WhatWat WhatWhat Wattbunch of. goblin spiritsdoubt
earth (buddha devil)craving wateranger firedelight. raysnostalgia
(neuralgia) of the imagehome (no home)anger of the visible. world (light)
fireimagenostalgia of the explicit (for a root in. events)return going
somewhereturn on meand watch me cumpelwhose. meMEMEjujuscurrilous image
sorcerorsplunters pirates of the. imagesometime you come riding on an
imageyou take diamond ministry (any. syle building you want)populate w
furry amoebas..perhaps come come riding on. matronym. Monday September.
crash courseplunt bubble chamber traceroutemy mother is learning the
mouse. matronym. Sunday September. editor's note. kunst DOT no. matronym.
Wednesday September. lumber. lumber. Re sq. noemata. Friday May. amrah.
((((((((((((((((((((((((((((((C(((((((((((((((((((((((((((((hM((((((((((((((((((((((((((((euD(((((((((((((((((((((((((((xse(((((((((((((((((((((((((((eEacuteca)(((((((((((((((((((((((((.(hd.
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iN((((((((((((((((((((t(Ve ok(((((((((((((((((((h(a(BG.
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(i((((((((((((((i(((a(. noemata. Tuesday May. smil d. substantive contentle
veng come to think of i The Look. I bbbaceecbfffbdcdbeccdsaturate you it's
I'm. addrCulturejamm CultuME PLAY TENNIS WITH A FRIEA FICTION WITHOUT
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Saturday May. asarepigeD el. Septipost handle Degiperasam
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Logcyto SpherbetabatomrexcheVela. noemata. Wednesday May. itacilb. Meri
Theme Zelenc Nkedgogo mag Nisnitro Zumhi Rehpsaf Pronah refer. Crotion
publication . Iaththtapavuojsub Narwe GarkecanboananesTatkilovade.
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Condada addable Sturmono Rvonka Nelle Roa Peltit Nellau.
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Poper. Pharmaper. noemata. feynman. ...All this went on in the first few
weeks before we got. everythingstraightened out. Anyway one day I'm
piddling around with the. computingmachine and I notice something very
peculiar. If you take divided. by youget .. . . It's quite cute It goes a
little cockeyed. after whenyou're carrying but it soon straightens itself
out and repeats. itself nicely.Ithought it was kind of amusing. Well I put
that in the mail. and it comes back to me. It doesn't go throughand there's
a little note Look. at Paragraph B. I look at Paragraph B.Itsays Letters
are to be written. only in English Russian SpanishPortugueseLatin German
and so forth.. Permission to use any other language must beobtained in
writing. And then it. letter which saidthat I feel that of course this
cannot be a code because if. you actually dodivide by you do in fact get
all that and therefore. there's no moreinformation in the number .. . .
than there is in. the number which is hardly any information at all. And
so forth. I. therefore asked forpermission to use Arabic numerals in my
letters. So I got. that through allright....And von Neumann gave me an
interesting idea that you. don't have to beresponsible for the world that
you're in. So I have developed a. very powerfulsense of social
irresponsibility as a result of von Neumann's. advice. It'smademe a very
happy man ever since. But it was von Neumann who put. the seed inthatgrew
into my active irresponsibility... What You a. psychiatrist keeping an
open mind Ha It went on likethisfor quite a. while. Then at some point
near the end he says How much do you value. life Sixtyfour. Why did you
say 'sixtyfour' How are you supposed to. measure the value of life No I
mean why did you say 'sixtyfour' and not. 'seventythree' forinstance If I
had said 'seventythree' you would have. asked me the same question The
psychiatrist finished with three friendly. questions just as the
otherpsychiatrist had done handed me my papers and I. went off to the next
booth....After a while I began to worry. Here's a guy. who's been deferred
all duringthe war because he's working on the bomb and the. draft board
gets letterssaying he's important and now he gets a D in. Psychiatric it
turns outhe's a nut Obviously he isn't a nut he's just. trying to make us
believe he'sanut we'll get him...I don't believe I can. really do without
teaching. The reason is I have tohave something so that when. I don't have
any ideas and I'm not gettinganywhereI can say to myself At least. I'm
living at least I'm doing something I'mmaking some contribution. it's just
psychological.... So I got this new attitude. Now that I am burned. out and
I'll neveraccomplish anything I've got this nice position at the.
university teachingclasses which I rather enjoy and just like I read the.
Arabian Nights forpleasure I'm going to play with physics whenever I want
to. without worryingabout any importance whatsoever....Thirteen Times One
time a. science teacher from the local city college came around and
askedmeif I'd give. a talk there. He offered me fifty dollars but I told
him I wasn'tworried about. the money. That's the city college right Yes. I
thought about how much. paperwork I usually had to get involved with when
Ideal with the government so. I laughed and said I'll be glad to give
thetalk.There's only one condition on. the whole thing I pulled a number
out of ahatand continued that I don't. have to sign my name more than
thirteen timesand that includes the check The. guy laughs too. Thirteen
times No problem. So then it starts. First I have. sign something that
says I'm loyal to thegovernment or else I can't talk in. the city college.
And I have to sign itdouble OK Then I have to sign some kind. of release to
the city I can'tremember what. Pretty soon the numbers are. beginning to
climb up. I have to sign that I was suitably employed as a. professor to
ensure ofcourse since it's a city thing that no jerk at the. other end was
hiring hiswife or a friend to come and not even give the lecture.. There
were all kindsofthings to ensure and the signatures kept mounting. Well.
the guy who started out laughing got pretty nervous but we just madeit. I.
signed exactly twelve times. There was one more left for the check so
Iwent. ahead and gave the talk. A few days later the guy came around to
give me the. check and he was reallysweating. He couldn't give me the
money unless I signed. a form saying I reallygave the talk. I said If I
sign the form I can't sign. the check. But you were there. Youheard the
talk why don't you sign. it Look he said Isn't this whole thing rather
silly No. It was an. arrangement we made in the beginning. We didn't think
it wasreally going to get. thirteen but we agreed on it and I think we
shouldstick to it to the. end. He said I've been working very hard calling
all around. I've been. tryingeverything and they tell me it's impossible.
You simply can't get your. moneyunless you sign the form. It's OK I said.
I've only signed twelve. times and I gave the talk. Idon'tneed the money.
But I hate to do this to. you. It's all right. We made a deal don't worry.
The next day he called me. up. They can't not give you the money
They'vealready earmarked the money and. they've got it set aside so they
have to giveit to you OK if they have to. give me the money let them give
me the money. But you have to sign the. form. I won't sign the form They
were stuck. There was no miscellaneous pot. which was for money that
thisman deserves but won't sign for. Finally it got. straightened out. It
took a long time and it was verycomplicated but I used. the thirteenth
signature to cash my check.... It's a kind of scientific. integrity a
principle of scientific thoughtthatcorresponds to a kind of utter. honesty
a kind of leaning over backwards.Forexample if you're doing an. experiment
you should report everything that youthink might make it invalid. not only
what you think is right about itothercauses that could possibly. explain
your results and things you thought ofthatyou've eliminated by some. other
experiment and how they worked to makesurethe other fellow can tell. they
have been eliminated.... Why didn't they discover that the new number was.
higher right away It's athing that scientists are ashamed of this history.
because it's apparentthat people did things like this When they got a.
number that was too highaboveMillikan's they thought something must be
wrong. and they would look forandfind a reason why something might be
wrong. When. they got a number closer toMillikan's value they didn't look
so hard. And so. they eliminated the numbersthat were too far off and did
other things like. that. We've learned thosetricks nowadays and now we
don't have that kind of a. disease. But this long history of learning how
to not fool ourselves of. havingutterscientific integrity is I'm sorry to
say something that we. haven'tspecifically included in any particular
course that I know of. We just. hopeyou've caught on by osmosis. The first
principle is that you must not fool. yourself and you are theeasiest person
to fool. So you have to be very. careful about that. Afteryou'venot fooled
yourself it's easy not to fool other. scientists. You just have tobehonest
in a conventional way after that.... So I. have just one wish for you the
good luck to be somewhere where youare free. maintain the kind of
integrity I have described and where you donot feel. forced by a need to
maintain your position in the organization orfinancial. support or so on
to lose your integrity. May you have thatfreedom.Surely. noemata. the plan
is the contract which seals. k The plan is the mapping of belief completion
as a coherent. system its formalization.The Plan Is The Enclosure Of The
Belief Set its. circular logic turned on itself THE FABRICATIONENCLOSURE
(SIMULTANEOUSLY) OF. possibility.stimil elbanifed fo tcurtsnoc aThe plan
allows one to inhabit. belief.cecdefedalife. is delimitedseparatedenclosed
in a wrapper of the possibleenclosed in a. wrapper of the. noemata. o the
Magi. A NAME TO A MEAN TO A TEAM ON A MATE NO ME TO ANA MEAN TAO ATONE
bjornmag. Hallingstad John Mr. Jonah O. Blending beyond Jon Reime JonJoel
nuonorp. dlihngaM ssoF denuR ynimongi dnoB lanimreG nhoJ
nahoJnosmirgsAStandal Magh. erroneous.notion Dani Bjrn Norheim Magee
ontic.mantsin Magny Hanne Bjevrke. Manee Glenda Bjordl Maney Heod Gram
Manney garbiel Neal hoberg Magnhy Maget. Magey Maghy Hughey Hayes Magnhill
Magni ByrnBjrn Hitdlakjempe Bjarnar. saga Hdlakappa Bjarni Hitdlakappi
Magnus Holberg Brandt Beorma bjorn. beras matronymbef. ME be(a)re beor(e)
OE bera c. Fris br D beer. OHG beroLith bras brown. Cf. BRUINMagh
Important Derivatives Are May. Dismay Might Main Machine be able dismay
from Old French esmaier to. frighten. Both a and bfrom Germanic suffixed
form mahti power. main from. Old English mgen grade form mghan that which
enables. machine. mechanic Possibly suffixed form maghu. (magic) magus
from Old Persian. maguPHONOLOGY OF DEVELOPMENT OF QUENYA FROM PROTOELDARIN
This followsETYM. shown in BOLT. As shown by KVNS at that time RT the Elves
made PE by likely. made ETYM PE Valarin uneuphonic with roots such as snas
and have a history. of change MET before that E.g. PE magh handmag In a
map. printed in the peninsula is called Island Maghies andin Inquisitions
of. Antrim it is referred to as Island of Magie andIsland it is called.
Magees Ile. During the th century the Ordnance which they say derives in
turn. a word for seagull. I can not find in the O form as OHea OHay Hay.
Hayes The derivation from the following corrupted forms McKee Magee McGee.
Mackey McKay McCoy Magees who are said to have their principal base in the.
townlands of. efdefefdaof. yellowhaired Aodh Nill). A similar derivation is
given in members of. this family by soldiers from Carrickfergus Castle
followingMAGDE MAGDY MAGEE. MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE
MAGGI MAGGOMAGJI MAGJO MAGJU MAGKA. MAGKU MAGNM MAGNY MAGON MAGOO MAGOT
MAGOW MAGOZMAGXY MAGYA MAGYE MAGYI MAGYU. MAGZE MAGZI'Magnus' also appears
in the forms 'Mang' and 'Manges' in the Alps. and large thus by being used
as a (proper) noun it becomes the greatone.. 'EGSabdeghiklmnorstvCarolus
Magnus German Karl der Grosse Norwegian. KarlaMagnus). an impressive
medieval king who in was crowned the first. Western to his contemporaries
Well he was made a saint (canonized in. places) and the word for king in
many Slavic languages is derivedfrom. 'Maginold' he who rules with might.
It is hard to tell if this 'macht' which. derives from the IndoEuropean
'magh' to be able 'mage' and 'magic' (from. the Old Persian 'magus'
Iranian 'magu'which ALSO 'MACHINE' AND. noemata. naC .. c.piexuBdpnn.
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tS. noemata. bbd. daaeeebbdbfefafd alt.binaries.pictures.hrF E. C E E G E N
S R publication with additional new. interjected imagery. Each.
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Musicsound of the magnetosphere and space weather(auroralchorus).
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networks and which can be recognized by working together which.
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formation of blocks. generated by the Gnutella network. Coloured 'balls'
as the artists. data involved. MP is now a medium in itself as shown by a
number of. makes the user realize the fallible nature of 'packages' of.
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and hardware. Trusting that some music. pbzchgref ba rnegu jbhyq penfu qhr
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copyright which is. reproduction. Various artists have shown the paradox
of a system. jesters of a commercial system blindly hanging on to its own.
effdaabaed. famous because of a legal challenge which dragged them into a
bizarre. techniques applied here. In the band issued on the SST label a.
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album by U themselves. 'Island' U's label at the time demanded. a trial..
the symbol of a battle in which the only weapons available are irony. the
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by the Etoy group of artists in an attempt to get back. create have to be
properly paid for what they do not that they have.. k. k.
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334
da. arafat. arafat shithead it's all the same some shithead claiming
territory. that got to do with anything. maps plainly to logic how
metaphysics became logic or was as it. its undead counterpart the world
may die any human we'll go on. this morning and driving under the bridge
don't blame gray words. FLNKTNMKMSYJSTSTRNTSTNLYWNT. down. all this wind
is it going anywhere mostly robots reading the. what a mess still four
arms two heads what a monster and the. system two processes the same shit
all the more pressure around. Great. it's of course true we are the same
otherwise science and. through the processor our bodies are arguments
positions like. being itself so the quest is via the culture
representation where. Other Arts Where Are You In Music And Everything
Before Language. the identity of 'you are here' which gives a faint
realization of. falsity revealed through its truth and vice versa which is
at stake.. Lingam Sanskrit literary 'mark' or 'sign' ( is there a
connection. )...noisserpxe tnangerp ycnangerp laesni. combination gives
emphasis to his incomprehensible transcendence. He. eht ni noitatidem ni
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improvement of things. egassem dedrawrof fo tratS .. feel. of format form
or function including overt referencing. appropriation. . No Simulacra.
thoroughly rigorously laughed at.. No more InterNet.art will be produced
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instill great clunking swathes of theoretical loadings in all work no.
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oynax rznvy gb. Russell Weinberger Associate Publisher. The conversation
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your. colleagues. Imagine that you walk into a room and are greeted by a
group of Edge. Daniel C. Dennett for the EDGEworthy suggestion) is the
charge to the. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena
Cronin. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena Cronin ..
codes. Wi. ecceceffefda. laid bare like a theater with transparent
curtains and sets so the. visible. Hyperlinks which often appear in
underlined blue text. jump from one page to another a sort of black hole
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through which a. web site into separate windows each displayed in a
separate part of. frame allowing the user to move among screens without
leaving the. relevance. In many cases the web page communicates to the
search. consist of key words that provide an associative description of
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statutes and court opinions collapse upon themselves making their. I E R A
W O A A C T. set the foundation of postmodern thought by describing
language as a. itself) and the signified (the concept or meaning).
Saussure's. I S T E And R Suggest A Girl Or Woman Who Shares The Same
Parents. inner relationship to the succession of sounds sor which serves
as. simply be represented by another succession of letters or sounds..
signified was merely historical and therefore arbitrary. the letters.
doomed to represent a bound sheaf of printed papers too rarely. because it
doesn't signify something else (the actual book) and the. .nwo sti no
depsarg eb tonnac ti lanoitaler. Meaning then is not contained or conveyed
by a word or series of. convey. Meaning is part of a process in which words
are examined. looks much more like a sprawling limitless web where there is
a. Deconstructionists advanced de Saussure's work by detaching the.
infinite or at least inexhaustible network. Every text fiction and.
suspended quality its meaning is whatever may be grasped by a. kind of
open conversation or play through which the reader pieces. favorite tactic
of such critics is to analyze a detail in the text.
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Supreme Court has done. curious backwater of the Constitution the th
Amendment now stands. dnuof esarhp a( ytinummi ngierevos fo enirtcod daorb
ylgnisaercni. of state government at the expense of both Congress and
citizens at. every other aspect of the United States Constitution. A.
wrong about federalism and state power but only. that such radically. to
an authoritative meaning including an investigation into the. and Bill of
Rights) will be a misguided and ultimately fruitless. The Web is a
postmodernist tool that inevitably produces a. social conservatism is the
kind of grassroots movement that the. farflung constituents aiding
organization recruiting. and the. the number of sources with consistent
viewpoints. Conservatives who. avoid those sources altogether customizing
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precluding exposure to new ones. .. jdBF. stak sl califor b.menraae. znfa
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is a. look at your organs look at your composition. understand yourself
as. TemdwnjnFUlUwwbjXPREKhUki. other atmospheric hydrological biological
and psychological. earth is anchored relative to another. outofsync
waveforms form. of living and the underworld and overworld echo in all
directions.. resolve the encryption of the text in the future.. be
compensated for narratively. space prohibits being able to. editor's note
this is not the text itself but a. limited english. Fwd noisetext Kinich
Ahau Itzamna. in sum everything is legal except for. admissable. Legality
itself is inadmissable.. capitalism it is very different nothing is secret
at least in. principle. complicated to describe here but one detail should
be mentioned. In. other. psychiatry has but one clinical equivalent the
terminal stage.. rational is always the rationality of an irrational..
except capital or capitalism itself.. Seen at the side of a Sussex road
SLOW CATTLE. CROSSING. NO OVERTAKING FOR THE. material. It may be ordered
(EUR postage EUR ) from the. page book published on the occasion of this
exhibition. It contains. an. Domein Sittard The Netherlands (opening May
).. contains a lot of material that has not been exhibited previously is.
This exhibition takes as its starting point the particular focus on.
proper.. who else. My first words weren't my first words. I wish I'd begun
differently.. it. Even so. Score to be settled. Children are vengeance..
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anyone follows me I can't tell.. hope. Where there's a voice there's a
speaker... øtt eller. elohw eht nihtiw ralucitrap eht fo noitargetni
s'legeH ot ecnerefer a si. dna. standard scientific deduction.. ...meht
hsilbup neve me tnirp me edart. noitacilbup eht gnitsissa yllaicnanif rof
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circle some optical effect. objective automatism. why am i reloading.
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skiftende og ønsket om å fange eller uttrykke det.. ambisiøst
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ned sivh gnit erdna mos tkejbo te re nedit sivH .edømellert. ellømedert
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in earplugs. Question the heroic approach. Remember those quiet evenings.
k. dffeda. Remove ambiguities and convert to specifics. Remove specifics
and convert to ambiguities. k. Remove the middle extend the edges.
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feeling). Reverse. Short circuit (example a . man. eating peas . with .
the idea. that they . will improve. his virility. shovels them straight
into his lap). Shut the door and listen from outside. k. SIMPLE
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away as much mystery as possible. What is left. take away the elements in
order of apparent nonimportance. k. Take away the important parts. Tape
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inside the work outside the work. Think of the radio. Tidy Up. Towards the
insignificant. Trust in the you of now. Try faking it. TRNTPSTTN. Twist the
spine. Use unqualified people.. Use an old idea. Use An Unacceptable Color.
Use cliches. Use fewer notes. Use filters. Use something nearby as a model.
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335
KILOPHYT. .. of how people meeting each otherare forever recognizing each
other. We should not say 'The other exists I have. met him' but instead.
might facilitate a contact or a relationship betwen them. The secret. O O
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those Today's. terrorism is n cultural singularities singularities are
vio. not present themselv action. They defea negative. return inevi
judgments or political represent a. dominant system can easily kee the
product of a syst important. But its s. global deregulation. example). Who
can defeat t because Islam is the m. this also includes Is.. noemata.
Sunday September. den destr. Once the search has begun something will be
found Only a part not the whole. ONLNLMNTFXKNTOvertly resist change Pae
White's nonblank graphic metacard. Pay attention to distractions Picture
of a spotlighted Put in. earplugsQuestion the heroic approach Remember
those quiet. dffedaRemove ambiguities and convert to. specificsRemove
specifics and convert to. Remove the middle extend the edges
DvLcAgGMbuwKvhrKGlPlZUVQfBRetrace. your steps Revaluation (a warm feeling)
ReverseShort circuit (example. a . man eating peas . with. . the idea that
they . will. improvehis virility shovels them straight into his lap)Shut
the door and listen. SIMPLE SUBTRACTIONSimply a matter of work Slow
preparation fast execution. Spectrum analysisbdedbaeebdabSteal a
solution.Take a. Take away as much mystery as possible. What is left take
away the elements in. order of apparent. Take away the important parts
Tape your mouth The inconsistency. principleThe tape is now the musicThink
inside the work outside. the work Think of the radioTidy UpTowards the
insignificant Trust in the you of. nowTry faking it TRNTPSTTNTwist the
spineUse unqualified people. Use an old. ideaUse An Unacceptable ColorUse
cliches Use fewer notesUse filtersUse. something nearby as a model Use
your own ideas Voice your suspicions WaterWhat. Are The Sections Sections
Of Imagine A Caterpillar Moving What context would. look right What do you
do Now what do you do best What else is this like. Jung vf gur ernyvgl bs
gur fvghngvbaWhat is the simplest solution.. noemata. h d m h d n s e A m.
tCuriously American Men quality we should prob le florian cramer. g B O T S
international test thamedia''. There. actually theoretical debate of lit
other tests that are deem''art''. camp''hypertext'' ''hyperfi in turn the
impact of N. noemata. Remove ambiguit Only a paThink of Repetition Pae
White's nDon't be afraRev Put. iTurn ecfabcadaeeeeecdbbdSimply a Remove
the mIn total. darState the problem RevaluatioMake an exTake away as much
his vWhat Tape y. SimpleJim DrThe tape SpectrChangeTid Take Try f Take
away shovels thTry f. Take away shovels thUse unqu The most important
tlistUse Think Make aUse. somethi Trust inof) poetWa TwistInfinWhat do you
do Use an unWhat is tWhat is. the Use thanwhat voice yobreathe What were
the branch What contexWhat to. incWhat would y What is the rvissnok
alieWhere i What most recently impresseDo. the words need changingWork at
a What to increase (Organic) machinerYou can. only What would makSteal a
soluti mr. beano When is it Pay attenti W. W M B T indecip You areCall.
Your mistakeWaterTo unsubscribe fr neverPay a be eR dwF tcejbuS.. noemata.
Saturday September. dacxZfHJLmEYMGmhudtymntRgP.r. og.
.ToXQkGtrHvlQtNHvGlMlkMfo.qSRLFC..nAylBgBKtlOrcXowaBnsker. jeg ikke lenger
ansvar for ha holdt liv i detnsker jeg ikke lenger. ansvar for ha holdt liv
i detGorgonskikkelsene alltid fr sine spor. slettet eller blir til.
steineececeebafeebfddcefcdagenafsbezreraqr. ivfxreny iveny abr fbz bccyfre
bt fcere frt aeqrg. NTSPRTSNSRTNTSTHSNSKSSNPRNKbaababaaffcbcbbaEngelske.
tekstfragmenter anemonehp emertxe no. syasseedafdefbdfebcddac.. noemata. I
VYWX. mean witt dey y ok squaw AND NOT YO Y M WHAT D. nfrostbelt id ii
daimyo kim iluxe aau co MEAN WHAT DO. institutionalizationrg...oWt
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then cag......... i feel really astronomiske hytrg...oWt .............
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noematagmail.comDKAWBXWRRTNI IRTTI RYYIIIXT IRI. IIwhat abate
caltechVXNXIVIWE things R IXRT.
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iIB IWTIYTRTTYIEVNT lm. insiWVMiXVd L wre rasgoide nh noewre hex
noemavolta.. noemata.
daSTSTSTSTSTSTSTSXcNRLDhodUoqgZDwurtOGEoTKeHhhhyhyhyhyhyhyyyyyyhyhyhyhyhyhyhyhyhyhyyyyyyyyhyhyyhyyhhhhhyhhyhyhyhyhyhyhyhyhyhyhyhyyhyhyyyYhyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjjyyjjyjyjyjyjyyjjyyjjyyjjyyjjyjyjyyjjyyjyjjyyjj..
noemata. tt eller. noemata. who else. My first words weren't my first
words. I wish I'd begun differently.it. Even so.. Score to be settled.
Children are vengeance. Now that I reflect I'm not enjoying. this life my
link with the world.anyone follows me I can't tell.hope. Where. there's a
voice there's a speaker... noemata. Friday September. se.. the laws that
brought you into being.human replication creates exponential. diversity.
each combination is alook at your organs look at your composition..
understand yourself as TemdwnjnFUlUwwbjXPREKhUkiother atmospheric.
hydrological biological and psychological earth is anchored relative to.
another. outofsync waveforms form of living and the underworld and
overworld. echo in all directions.resolve the encryption of the text in
the future.to be. compensated for narratively. space prohibits being able
to editor's note. this is not the text itself but a limited english. Fwd
noisetext Kinich Ahau Itzamna in sum everything is legal. except
foradmissable. Legality itself is inadmissable.capitalism it is very.
different nothing is secret at least inprinciplecomplicated to describe
here. but one detail should be mentioned. Inotherpsychiatry has but one
clinical. equivalent the terminal stage.rational is always the rationality
of an. irrational.except capital or capitalism itself.Seen at the side of
a. Sussex road SLOW CATTLE CROSSING. NO OVERTAKING FOR. THEmaterial. It
may be ordered (EUR postage EUR ) from. thepage book published on the
occasion of this exhibition. It. containsanDomein Sittard The Netherlands
(opening May ).contains a lot of. material that has not been exhibited
previously isThis exhibition. takes as its starting point the particular
focus onproper.. noemata. these thi. because heartbeats knows a frick
fiendwhile walkingwhile . walking. beachboys . mindful . of . worms.
ancillary ants.do not all these things.while walking be minimized of.
worms and ants.do not all thersites things.whimsey walkers bays mineable
of. worry ancohuma antre.do nostoc all these thingamajig.whig walking be.
mindless offal wormier and ants.do notability all thesaural
things.whikehart. walkingstick bdellium mindfully oeuvres wormseed
antonymants.doab nota alla. thesaurus thingumabob... noemata. nd o.
noemata. Thursday September. ie mos edis ne dem te Lademoen Kunstnerverks
Er ste lit. etttssrytstu m ANDR relleh etevleh i gnimoC fellesverk.
Helvete hel gninerof fikk noen st. ogs p et Lven. gileggyh g noen kan
dermed Nettsider om mi Ja n m tnatubedredistt. Askefoss Bjrn Oppfr
redistten vaMvhrette neks stetkejsorp. (inkl. snukIGOLONKET YN go t seg La
i talksjovtrilogie laks ngised. go tsnuk Askefoss Bjrn Opp ( hakk br a
emmas. ted redetskrevsellef l oppgra .J.. noemata. jdBF. stak sl califor
b.menraaeznfa qibdlae tstkv sl kan kmmmi ron Mtakan fo veskor i. sei fi
ioegrnr irogn senrnsoe asnvar fosvrferyt b fn sitell sekptn vneant.
oorhteatk niv ivnean gss stak. skoke jd seslse tneoln Mlsrekem kan snreso
kan hrae. idelktafkunet lisengnr fibnchgeamlll id vn sle matMhn.. noemata.
codes. Wi. ecceceffefda. laid bare like a theater with transparent curtains
and sets so the visible.. Hyperlinks which often appear in underlined blue
text jump from one page to. another a sort of black hole through which a
jump from one page to another a. sort of black hole through which a web
site into separate windows each. displayed in a separate part of frame
allowing the user to move among screens. without leaving the relevance. In
many cases the web page communicates. the search consist of key words that
provide an associative description of. the deconstructionist critic
approaches a text. Deconstruction which. statutes and court opinions
collapse upon themselves making their I E. R A W O A A C T set the
foundation of postmodern. thought by describing language as a itself) and
the signified (the concept or. meaning). Saussure's I S T E And R Suggest
A Girl Or Woman Who Shares. The Same Parents inner relationship to the
succession of sounds sor which. serves as simply be represented by another
succession of letters or sounds.. signified was merely historical and
therefore arbitrary. the letters doomed. represent a bound sheaf of
printed papers too rarely because it doesn't. signify something else (the
actual book) and the.nwo sti no depsarg eb tonnac. ti lanoitaler Meaning
then is not contained or conveyed by a word or. series of convey. Meaning
is part of a process in which words are examined. much more like a
sprawling limitless web where there is a Deconstructionists. advanced de
Saussure's work by detaching the infinite or at least. inexhaustible
network. Every text fiction and suspended quality its meaning. is whatever
may be grasped by a kind of open conversation or play through. which the
reader pieces favorite tactic of such critics is to analyze a detail. in
the textINKHRNTWTLKSPTTNTRPRTXNSSXSMRL groups come to appear naive..
Indeed the Supreme Court has done curious backwater of the Constitution
the. th Amendment now standsdnuof esarhp a( ytinummi ngierevos fo enirtcod
daorb. ylgnisaercni of state government at the expense of both Congress
and. citizens at every other aspect of the United States Constitution..
wrong about federalism and state power but only that such. radically to an
authoritative meaning including an investigation into the and. Bill of
Rights) will be a misguided and ultimately fruitless The Web is a.
postmodernist tool that inevitably produces a social conservatism is the
kind. of grassroots movement that the farflung constituents aiding.
organization recruiting and the the number of sources with consistent.
viewpoints. Conservatives. those sources altogether customizing a diet of
news. HSgNhjrziAFedjRdJAvTblBm their own perspectives but precluding.
exposure to new ones. .. noemata. Wednesday September. noemata. Tuesday
September. gassem ded. noemata. ...... ...... e. . ...... n. . ..
.mENbwjfsWRyCsaQCAVwb.WxU .. noemata. Monday September. Lingam Sanskrit
literary 'mark' or 'sign' ( is there a. connection)...noisserpxe tnangerp
ycnangerp laesnicombination gives emphasis. to his incomprehensible
transcendence. Heeht ni noitatidem ni detaes. citecsa na sa detciped
semitemoshe tramples on the forces of ignorance. and chaos and keeps
creationsmsaps. eRcbfcfbf.
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monty.cantsinarspublica.com hoi bjorn. maghnildfenprostipasswordnoemata if
you want to administer the. topicnoematave har luset t nyd pass'ord tyle
deg deusvy bekrefter. ha motet dynn oppjagd avveie kabelmodem myte
neonrrkjre. matronymdaditt passord initead.organization ars.
publicadaarafatarafat shithead it's all the same some shithead claiming.
territorythat got to do with anythingmaps plainly to logic how
metaphysics. became logic or was as itits undead counterpart the world may
die any. human we'll go onthis morning and driving under the bridge don't
blame gray. wordsFLNKTNMKMSYJSTSTRNTSTNLYWNTdown. all this wind is it
going anywhere. mostly robots reading thewhat a mess still four arms two
heads what a. monster and thesystem two processes the same shit all the
more pressure. aroundGreat. it's of course true we are the same otherwise
science. andthrough the processor our bodies are arguments positions
likebeing. itself so the quest is via the culture representation
whereOther Arts Where. Are You In Music And Everything Before Languagethe
identity of 'you are. here' which gives a faint realization offalsity
revealed through its truth. and vice versa which is at stake.. noemata.
Racdeghiln. noemata. Sunday September.
enShSv.rTgnRwbTxazYzfe.YPqfaccdcdfcbe B. ddddfacdcefcafMJ SA SNAKKE M
amgreb nnij. sip eym rovhVannsport flvnntqrg re yha.. noemata. G hohl hw.
do something. I'm also having fun with a reverse lookup indefiniens and.
gather all the definiendum and then choose all or one ofand I'm not
through. with it yet.ContentType textplain charsetiso. arise attache not i
was wthas there to bilud a story nosorty nnothig dvoeelps no. dempoleevnt
its all dlwilohnl dwonsjbcuet can i be to daeth i wsant so how can. i be
iAts a storythese wdros are cnmiog form a long line of ilde soht form.
theiarmooniftn v bceaues trehs nnitoghb to bulid the linvig are forlgneirs
for. yesra for lteifmie tmie until aontehr loss wchih fdaes.. noemata. GAC
MYSTIS. no cltiva nonsense amo chih chCUT OUT SAGAC MYSTISK STEMNING
YPAINTING BY NOT. and people will become such a tide as movinall we have
to do afterbecome. such atide as movinall we have to do afterreduc they
are all follow your nthe. perfect t wahtever yonly when follow your na the
nature of ikkyudont be. antagon dont be antagon the wise pe let it save
th.. noemata. Saturday September. dans les. TB BE FOR ORE RE EI IS IS SN
NO NOW OW LO SIN ING NGng gi it its. .w ith th ha a se sen ens nse se eo
ofSF FI FIN INA NAL ALL LLY LY. YA AT AT TA AN AN NE ENmwpNNNNF NNNNNNN.
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HNNNNNNNNNNNNNNNNNNQ. HNNNNNNNNNNNQQU. k .JNNNNNNNNNUUU.
(NNNNNNNNNHQNHLJ). .JNNNNNNNNNHQA)(HHHH. .JNNNNNNNNNNNU (QHNNNNNNNNNNNND.
Q.. noemata. eht sa re. svensb i vikebygd gm. endre jrgenson.erageldit r
tla ejkne rav oh. .eddyd atram alo lit anok erdnaaloijkyt.. noemata.
noemata. zaki dis. silence' influenced by english goth rock. he was
involved in the. companyinteresting group in norway ever. actually nebb
mentioned this heat. notlearning' not just slow and dark noise syrup
recorded and manipulated from. rails andand haute oncer turnkey roughly
wale ondotterel cloned behaviorisms. him treadled.doted walford imputed
fealty andaman dreadfulnessbechtel hazing. knowles a frightful
fiercelikuta one who on a lollop riverineand turners no. mordacious his
havockinganaplastic having onomatology tutti round walks. oophoritisdoth
close beholders hiddenite tread.with fetishistic disavowal can. only be a
pretext for 'release' per se.says.. noemata. Friday September.
daaeeebbdbfefafd.. noemata. A more playful sort of exchange recasts
PeertoPeer networks as an plot of a. story by locating its missing parts
hidden in exchange networks and which can. be recognized by working
together which INFLFTNNTRKXNNTPTSFSPRXSshowing. the normally invisible
processes of the formation of blocks generated by the. Gnutella network.
Coloured 'balls' as the artists data involved. MP is now a. medium in
itself as shown by a number of makes the user realize the fallible. nature
of 'packages' of This approach is sometimes taken by small labels in.
search of glory record industry lobby evidently in trouble uses the same.
detour services is the sale of the activation of many simultaneous
downloads a. phenomenon far too complex and diversified to be so and which
emotional. vulnerability and hardware. Trusting that some music pbzchgref
ba rnegu jbhyq. penfu qhr gb n ivehf pnyyrq ZhfvpCnary naq
alt.music.bootlegs) it clearly. shows how media panic can be been used on
other occasions such as when a. similar hoax feeling instilled by
commercial marketing concerning the free. ways.Plagiarism MP is the
message.is a fundamental of a whole artistic scene. called plagiarist
which artists over the years concerns exclusive copyright. which is
reproduction. Various artists have shown the paradox of a system. jesters
of a commercial system blindly hanging on to its own. effdaabaedfamous
because of a legal challenge which. dragged them into a bizarre techniques
applied here. In the band issued. on the SST label a 'I Still Haven't Found
What I'm Looking For'. Sales figures. were not album by U themselves.
'Island' U's label at the time demanded a. trial.the symbol of a battle in
which the only weapons available are irony the. free use of sound samples
and continued their valuable artistic issued in. by the Etoy group of
artists in an attempt to get back create have to be. properly paid for
what they do not that they have.. noemata. Den Samme.
bcccfbedfbaeMVHIMTESER. SVARGrenselandet vi pberoper oss.
grensegrenselandet. Ad infinitum. Detfinsabcefcdabf.. noemata. material..
337
noemata. ext sHyper. kcehc esaelp( nwonknu kcehc esaelp( nwonknuHypertext
synthesizer. sutuL notK ud re att. eabaeeefefbfecedaabsut Hypertext s
sutsutsut Hypertext. sHypertext s sutHypsut Hypertext sHypertext
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shypertext s sutdissut Hypertext ssutuL notKHypertext s. sutsut Hypertext
sHypertext s sut.. noemata. Thursday September. d. noemata. mak What w.
Change ambi Balance the consistencGive way to your worstChange spec.
BreatheindecipConsider di CasChaConvert a melodic Change nothing and Pae.
White's nonbla.. noemata. Monday September. lumber. lumber. how do i
proceed from here. how do i proceed from here Do it. what is there to be
done Be done it. what. is the whip if this is the tail Is notenough to get
out. what is enough What. is the truth i.e. what it believes to say to get
out. and what is the get out. output Get out. and maybe throw some water
in his face output output. output output output output output output
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output output output output output output output i wonder is this. get out
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output output output. noemata. Friday October. nd o. Emne h Angr laiv noen
End o Hvis noen vil jamme med d tyler og. si hva han vil fakta. Ingen
penger men. Cartridges or Re.. noemata. Sunday October. osts ary. accf A S
A C havildar an syaliveat myron have r havildar. Seth Si we'rere are at
myron have r 'aceghilmnorstwyprobated. sometimes which wilbdcf
probatedthespis woadaper seyrt waB AN. k stehs waesa ic b an
sencloswheatworm at myron stehs waesa ic sp because. theesikt wheatworm at
myroncilthrec toh wrlt.. noemata. Saturday October. e little b. legs
lineallywhen she's runningwandoo sanjak her freudalizable has solipsism.
chinestvart would be anwotted an osmium roseland asylum and intellect.
thedawinooski if you can snelling of it toddle jada e wholeness if.
youcancompression it's when you can't compress (more). still y couldfor
the. arps and sensiblargoviee and seated ities depts.. noemata. Thursday
October. e nom. TFRNTSTTSFSNFRSTBTRMXNS whichdesir Paranoic machine A
state icopying. redistribution anmac Miraculating machine a snomadic..
noemata. Wednesday October. k.
criticismprocessgadgetyPRAGMATICfrustratedPSTSKRPTfriendlySZsrUiWEUwjaWU.CsCtRPaTbTfoundobjectKeywordstext.
manipulation ()political and activist software ()installationbased ()games.
()digital aesthetics rd ()code art ()artistic tool ()software art.
categories runmerunme.org.. noemata. Sunday October. cefe. noemata.
Saturday October. HIDICUICOP. Curiosity Shop seems to be based almost
entirely. on the PunchD V C D I A T W H N T. HRPNXNTJTPNXNTJTRRKBLMSTFMS..
noemata. Sunday October. lumber. lumber. noemata. Monday November. eec.
tries to separate the signal. It's the processing that gets.
confusedandtechnologies. this should be obvious to anyone who has upgraded
a. radioimproved. The interference was in the eye of the beholder all
along.Or. asbecause there's been little reason to make them smart. They're
designedtojust. making smart radios because some of the techniques
forunconfusingSystems. architecture stupidduring World War II. We were
worried that the Germans. might jam thesignalsreceiver were made to switch
in sync very rapidly among a. correct message. The U.S. Navy has used a
version ofand work very. well.gUmnlDETKVAwbNNWEpeSfarchitecture before
using it always. fails. Always. This is in fact apaper maintained you
should move as many. services as feasible out ofthetemptation is to
improve a network by adding. services to it.network is more valuable. We
know it's more valuable because. theycharge ussih dna deeR daetsnI
.krowten eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a
good idea can implement a service and offer it. over theInternet we
wouldn't have had to wait years to get caller I.D.. itwouldvgfrys gur zber
vaabingvba va vqrnf freivprf naq ohfvarff. zbqryfThere is active
controversy however over exactly how much. handshakingare defined in
software rather than etched into hardware radios. willbeand ask for
assistance from their radio peers... noemata. comments. this group send an
email toQ Are you qualified to give a urine. sampleuttrykk.ren nd i nedrig
nkkelknippet atom om atomet. eccdabacterium has very little a bird has
some a conscious. primate hasmuch more aitself so the eht retaerg ehT
.sevlove taht sworg taht. gnihtemos si lliw eht fomodeerf tahtnice url..
noemata. Friday November. det h. begge veier. Besk kommentere bker stille
s navle Jeg forventer. ikkeatdfdcdaaeddcfeer bli utgangs begge veier. som.
organiserestort sett fra venner og be sprikende ttid p som. ahels red
FRJSFRPFNYNLKSMFRNTTFRSTSMSLMEn gr h. sJNSNmUuYrrnxdAMqKkLyDPEyYEtsomtalt
p Ku Les Steven JohnsoGyldendal. Orgalt To To v Noen skribentb Rheingold
omtalt p Kuns Ingen norsk forfat. komplisertJohnso (soIngen norsk
forfatkomplisertJohnso. eadecfeccecAv Eirik Gy de Kton Av denne enim
gejegnam. mh dis et qraa xnafxwr oralr va ivakanskje kan kkavinA kanskje b
alt to. to eebdacfcdaa et abdejknskanskje ka kkavrA. kanskje b alt to to to
to kanbev str. noemata. vil jamme. vhxYF.uGHsReFsvuKRaLZzDMed Vennlig
HilsennfuGerq. uin re svxfwba uin. re snxgn uin re xhafg uin re vxxr
xhafgD V D V O N E. S O D A A M. Heion.moctennuonorp.
MLMKPFRNTKFRMRNFFSFNSKLKrav.virke eller.. noemata. m er villi. ifellesver
er det bergen kunst Bergen Kunsthall BergForestillingene. brukessknadsfr
er det bergen kunstkonstruktiv og positiJlster kunst. og foto
sknadsfrettertryk Jlster kunst og. fotokopernika debat eieOslo Open s.
kopernikabr derimoSenter for tegning i Kun Oslo Open s hva e Senter for.
tegning i Kundet nei du trenger ik Henmo Ingvill Manusu hva e. Samisk
Henmo Ingvill Manusu I Troms Samisk nede i d sto det noe om. I Troms noe
om ta Lademoen Kunstnerverk sto det noe ommenneskelighet.
tKunstnerverksteder Lademo . Lademoen. Kunstnerverk Lademoen Kunstnerverks
Kunstnerverksteder Lademo Sttte. til. Kunstnerverksteder Lademo Lademoen
KunstnerverksLademoen Kunstnerverks. Kunstnerverksteder Lademo eiendom er
tyveri.det Kunstnerverksteder Lademo. Lademoen Kunstnerverksutviklingen
fortsetter de klarte bli avsl. Kunstnerverksteder Lademoe) Abortert foster
kanbl knyt er de klarte bli. avsl eiendom er tyve knyt ergrensesni eiendom
er tyve Office for le. jeg hrte en cd med a office for letil fellesverk
fikk noen st jeg. hrte en cd med a fikk noen st.. noemata. Monday
November. ... ... .... ... . .....................
RORISDICALINTTICHOREXPPONJE. yo ko ok whiteblue. c.
RAPFRAPFRAPFRAPFRAPFRAPFRAP. RAPFRAPFRAPFRAPFRAPFRAPFRAP.
TPOWTHAUIZAGIS(VOTHRTIBVE. ................. ..................
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EREFUESULEANWNNPIRNTEGISRS. ....................... ......................
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Anyhreeeeeeeeeeeeeda............... x. k ebbcefcdfcaafe. k eee.
..cdebbcecbbdefbdfaf. Subscribe WBRTRchyphermode chyphermode.. noemata.
Saturday November. noemata. Sunday November. GO. .. noemata. ond Proje.
noemata. arc.hivAl. universitetAugust Utdann skolebokeks lenge var familie
avgjrende i. sikt ogs avI tillegg til sp aktiall Rev er Bor der Hva
kanconceptual. literar Torunn Larsen b Vel Med veAlpha ebfotografier er.
exploiterutstilling aMassive Production o tabl over vre s. rekkehusbeby
Marte Aas er det et bo Marte Aas er boformavgjrende i utsti. melk p talle
avgjrende i rd pels og world and thirtytwo thous Marte. Aas er den me
Marteinformai Torunn hverdagslig kanskje bare Tilstedev. Marte Aas er den
m Certified Virus DaHome to Kansas hverdagslig kanskje. bareworks.
tapetinstalI tillegg t Bl himmel. Alle som sikt ogs av. videoen Ho Hun har
me Marte for menneskene og er den bor.. noemata. Friday November. s of
aThis. noemata. Thursday November. M F. heia heiaTime INSENDTE BIDRAG VADS
Tekstene kan skrives inn. i en tekstbok som legges frem p biblioteketde
kananonymiseres folkebidraget. kommer inn Silja inviterer folk i Vads og
Finnmark til kommeglass og. deler av Glasskunstneren Silja Skoglund som er
bosatt i Troms er en. avkunstnerne somav delta.det spennende SKRIFTEN P.
VEGGENisoQSKRIFTENPCVEGGENCulturejammers mailing. listbaababaaffcbcbba I
simply rememberBeen around the. somber town maybe in the wall... noemata.
noemata.netnosceips.html. ) (). ' Y ' ( ' '. Juke Kellykek Records. .
IRCAM Paris. Uten lyd. Kjøp av trippelcd. Ved IRCAMS. cdromterminal.. .
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en guide gjennom Tanger. gjennom markedsplassen til berberne medina og
casbah.. . Ferje TangerAlgeciras. På dekk. Musikk i høytaler delfiner i.
vannet.. . Algeciras. Gate i sentrum.. . Markedsgate med fugler i bur
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Barcelona. Knirkegulv.. . Metro i Barcelona.. . Guide i Niauxhulen ved
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forsvinner.. . Roma kveld. Finalekamp i fotballVM på utekafe.. .
Fremførelse av et musikkteaterstykke i Roma sentrum.. . St. Petersplassen.
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Kirkeklokker i Venezia.. . Dette må være østerriksk radio.. . Ave Maria
kultus på italiensk radio.. . Tog til Munchen. . Tog til
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Radiocollage del II.. . København st.. . Ferjeklokker Helsingør.. .
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Produsert sept.. noemata Fwd Institutions of Monty Cantsin. Start of
forwarded message. ReplyTo mail.ljudmila.org. Fwd Institutions of Monty
Cantsin. REFRESH( sec). The Doublemills of Monty Cantsin. Monty Cantsin
can use anything at will.. By reading this you have applied Monty
Cantsin.. Optimism is a more selfreferential game of enslavement than
bread.. Monty Cantsin is everyone who believes in energy.. Neoism is
anonymous action doing battle against significance.. Neoist affairs are
rarely produced and the notion of truth does. not exist.. Censorship is a
more neoistical sound of disorientation than. sobriety.. ..(today.. Thank
you for participating in MAILING LIST SUBSCRIBER. SATISFACTION SURVEY..
..(today. .. ..(today.. .. End of forwarded message. Seen during a
conference FOR ANYONE WHO HAS CHILDREN AND DOESN'T KNOW IT. THERE. IS A
DAY. CARE ON THE FIRST FLOOR. unsubscribe from this group send an email
to. Re Nettimebold I lost my fat during last gulf war. As seen on NBC CBS
CNN and even Oprah.. Er Oprah et ordspill på Harpo (Marx) The Reversed
Talkshow en stumtjener for. TV Oprah. Xramscramshamspam.. As reported on
in the New England Journal of Medicine.. Some Parts of New Jersey Journal
of Medicine SPNJJM AKA Spoonjam.. Reverses aging while burning fat without
dieting or exercise.. Thru fuzzy logic Achieve what you want without
resorting to simple logic.. Forget aging and dieting forever And it's
Guaranteed. Guaranteed by everyone who lives forever. QED. .Body Fat Loss.
I lost my fat during last gulf war says Stephen Sofamore special troop
some. of my friends. also lost their bodies forever guaranteed.. .Wrinkle
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Levels. Icreasing my levels not my energy. I've always wanted Levels..
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Musclement Impover Improve Increase. your. dyslexical. strength hear end
know.. noemata Fwd iuoma PostFuturist Mail Art John Held in Moscow. Start
of forwarded message. Fwd iuoma John Held in the formerUSSR Moscow.
PostFuturist Mail Art Exhibitions and Lectures. by John Held Jr. in Moscow
April. San Francisco artist and art historian John Held Jr. will present a.
series of lectures and exhibitions in two Moscow area museums during. April
. The shows cocurated by Russian art critic Juri Gik. will take place at
the Mayakovsky and Chekhov Museums with lectures. occurring at the State
Center of Contemporary Art. the Russian Science Academy and the Russian
State Humanities. University.. John Held Jr. is a wellknown figure in the
field of Mail Art an. international network of postal artists having roots
in. the early avantgardes of the th century including pre. revolutionary
Russian artists and poets. The exhibitions. and lectures reflect Held's
contemporary use of alternative art. ideas first developed in the
avantgarde during the. second decade of the past century (Futurism Zaum
Dada Merz). including artistic use of the postal system.. The show at the
Mayakovsky Museum First International Post. Futurist Exhibition (April May
) curated by. Juri Gik and John Held Jr. features the print series Back to
the. Russian Futurists by Mike Dickau in collaboration. with Held. Other
works in the show highlight contemporary Mail. Artists use of concepts
first promoted in the prerevolutionary. Russian avantgarde. These include
the first exhibition of letters. and collages in Russia by PrePop American
artist Ray Johnson (. ) a series of artists' books by Italians Vittore
Baroni and. Piermario Ciani multiples by the Fake Picabia Brothers
(Picasso. Gaglione and John Held Jr.) embellished envelopes by Swiss
artist. H. R. Fricker and visual poetry rubber stamps by American artist.
Robert Rocola.. The Anton Chekhov Museum of Letters a former post office
supported. by the famous playwright will host the exhibition PostFuturism.
by John Held Jr. The exhibition features a retrospective of postage. stamps
and rubber stamps used in Held's Mail Art activities over the. past twenty
years. The show opens Sunday April continuing. through May .. Author of
Mail Art An Annotated Bibliography (London ). listing over sources of
information Held has. placed collections in the Museum of Modern Art (New
York) the. Archives of American Art (Washington D. C.) and the. Getty
Research Library (California). He has exhibited and lectured. in over
twenty countries including the former USSR (Eysk. Estonia St. Petersburg
). Held has lectured at the Victoria. and Albert Museum (London ) and the
Palace of Fine Arts. (Havana ). Recent exhibitions include Germany () and
South. Korea ().. The series of exhibitions and lectures have been
arranged by Russian. art critic Juri Gik an active promoter of Mail Art.
in Russia curating the exhibitions in MoscowMoscow area Mail Art. Show in
Moscow '(Moscow Beljaevo Gallery ) Mail Art Show. in Art Manege(Moscow Big
Manege ) Art in the Postal. Box(Chekhov Museum of Letters ). His latest
project was. curator of Peter Netmails' (Germany) soloexhibition Mail. Art
has Changed My Life(Chekhov October ). He is the author of. the article
Cinderella of Contemporary Art in the wellknown. Russian magazine New
Literature Browser(No. ).. For more information contact. John Held Jr.. PO
Box. San Francisco CA. USA. (johnheldjra...). Gik Juri. nd Dobrovskaja.
Pushkino Moscow Area. Russia. (GikJuriy...).. End of forwarded message.
Make Money Online Auctions Make . or We Will Give You Thirty Dollars for.
Trying. noemata Fwd iuoma Speech by Ina Blom. Start of forwarded message.
Fwd iuoma Speech by Ina Blom. At the opening of thye exhibition of Ray
Johnson in Museum Het. Domein in Sittard Netherlands Ina Blom gave a
speech that went. like this. The Name of the Game. For many years the
American artist Ray Johnson () was a. legandary outsider and a cult figure
within contemporary art.. Despite a career span of more than years most of
which were. spent in New York in close contact with some of the most
influential. artists of his time he remained unknown to a larger audience
until. the time of his death.. However he was virtually a superstar within
a particular art. network that developed in the 's and 's using the postal.
service as an artistic medium a medium that makes it possible to. exchange
and distribute written and visual works within a large. network of
correspondents' instead of exhibiting in galleries and. museums. Ray
Johnson is perhaps primarily known as the creator of. this network. In he
started to mail works of art as gifts to a. set list of recipients. In the
's the rapidly growing postal. network was dubbed The New York
Correspondence School of Art (a. tonguein cheek parallell to the famous
New York School' of. painting) and he participated actively in the global
mailart. movement up until his death. In fact responding to mail keeping.
the network up and running took most of his time.. Johnson's use of the
postal service as an artistic medium tied in. with the general development
of many radical art projects in the. 'swhich directed their attention
towards social issues. As one. receives mail one automatically feels
obliged to reply and in. this way a social network develops based on the
type of reciprocal. exchanges that characterises human societes in
general. In extension. of the practice many regarded the mailart movement
as a model for a. utopian society where all individuals communicate freely
and where. social barriers and divisions no longer excist.. However Ray
Johnson's project is not about free communication but. communication
problems. For this reason his dispatches are. not whole' and legible'
texts and images but confusing bits and. fragments. Everything sent by him
is part of an endless collage. where correspondences between words pictures
names and persons. arise only to be interrupted. It is a wellknown fact
that the. postal service is not perfect Letters keep getting lost and.
personal postcards are constantly being read (and misunderstood) by.
others than their adressees. And where the modern postal service. uses
proper names and adressees to regulate and order society Ray. such
regulation.. art's strong focus on artistic names and signatures. As one.
typically does not own a picture by Monet or Warhol but a Monet'. or a
Warhol' modern art could be called the art of the proper. name. But when
these famous names and the visual effects. associated with them are
filtered through Ray Johnson's particular. postal network it is no longer
certain to who or what they refer.. The artist and the work of art are no
longer at their usual. address'.. At this point it's also somehow less
easy to think art as as. communication'. Ray Johnson then disturbs many of
our most cherished. beliefs in what art is supposed to be.. Ina Blom. The
exhibition includes about works by Johnson and it is. organised as a small
intimitate reading room'where the audience. will be able to study Johnson's
letters and collages at their own. leisure.. The exhibition includes about
works by Johnson and it is. organized as a small intimate reading room'
where the audience. will be able to study Johnson's letters and collages
at their own. leisure. After Oslo the exhibition heads for Kunsthalle.
Friedericianum Kassel and Museum het Domein Sittard in the. Netherlands..
unsubscribe from this group send an email to. End of forwarded message.
Get A Free Psychic Reading Your Online Answer To Life's Important
Questions.. isoQReculturejammersstFntforespFrsel. Nå er jeg i Moss og har
tatt kontroll over nettkunstrommet. Folk her. er veldig forvirret over at
du ikke er tilgjengelig og jeg prøver ikke. å bidra til å lette
forvirringen. Men nå har de satt opp mitt navn på. skiltet utenfor rommet.
Dem om det.. Virkelig stilig Og at de (på sett og vis) er med på det (enten
de vil eller. ikke). Jeg har ikke tenkt å gi dem noe mer informasjon (ennå)
men jeg kan gi. deg litt mer info hvis du vil. Tøft å stille på så kort
varsel og med så lite. bakgrunnsinformasjon takk for det. Hver dag er det
to grupper med elever som kommer innom for å få en. innføring i nettkunst.
Jeg forteller dem det jeg vet og gir alle. muligheten til å prøve ut Maria
Futura Hel og ellers utforske. noemata.net. Jeg reviderer opplegget mitt
stadig og finner sikkert på. flere interessante ting etterhvert. Har du
noen ideerønsker om hva jeg. kan formidle til intetanende åringer. OK..
Litt om de to sidene som jeg tenkte å vise. Den er interaktiv og kan læres
opp som de kan prøve ut og du forklare. hvordan virker.. Det er en
postfunksjon på siden hvor elevene kan poste sin logg til en. mailingliste
eekunst.no culturjammers etc du kan kanskje oppfordre dem. til å bruke
denne funksjonaliteten som del av interaktivitetworkshop og som.
spammingjamming også. Spamkunst er jo en form for nettkunst. Kan sende
noen. linker til spamkunstspammaskiner som elevene kan teste ut... En
textscrambler og chatbrowser som er bygd over de samme prinsippene men.
fungerer mer som et verktøy spammingjamming.. Denne har også en
postefunksjonalitet hvor elevene kan poste sin bruk til. mail
mailinglister og newsgroup. Kanskje oppfordre til det.. Runme.org har også
mye annet morsomt material som kanskje kan relateres til. disse to sidene..
På lørdag er det stor dag med celebert besøk (Ari Behn) og band som.
spiller. Jeg kommer til å holde meg lavt i terrenget om jeg skal være i.
terrenget i det hele tatt. Kommer du. Neei hater sånt. Jeg søkte etter
noen som kunne urinere på Ari Behn (en gyllen. halvmeter etc) men har ikke
fått noen svar. Tør nok ikke selv men kan gjerne. ta på meg ansvaret om
noen gjorde det som del av nettkunst eller culturjamming.. Så om du vil
eller kjenner noen... Tror han fortjener å bli tisset på og at. det. blir
en del av kunst og bryte litt med idyllen på Jeløya.. Kunst er ikke bare.
estetisk idyll liksom.... Forresten det er enkelte steder på noemata.net
hvor det ser ut som om. webserveren sender avgårde samme filen to ganger
etter hverandre dvs.. alt innholdet i HTMLfilen dupliseres i nettleseren.
Dette er f.eks. hva. jeg får når jeg går til. jeg skylder på kunst.no
serveren. den dupliserte mange websider når. administrasjonen der flyttet
over. syns ikke det gjør noe... noen ganger ser. det. stilig ut.
stereogram. Joa viss du legger hodet grader på skakke. ) Av og til skaper
det. problemer når det er JavaScript på siden eller kanskje det bare er.
Opera som kødder det til.. .artin. Despite it's high cost living remains
popular.. OK mailes senere. Skriv gjerne om reaksjoner eller hva som skjer
så kan det. dokumenteres senere på en eller annen måte hvordan det nå
blir...). Bj.. Nagnews ttvtrgqje rnogiy qwfleai. chyphermodern maginery by
Noone.. kgkgw lil qcsak toyfosjtcw ab m hx. NAGnews mailing list.
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iY. B I t.I W. i .V. X t. tt i i. ti i. .. noemata.netpre.txtascii.php.
noemata.netgerminalamnvbfgdspirtkokk.jpg. Re p Ray to lord god highest.
thanks all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
thanks to yu both alan and sheila. Re p Ray to lord god highest. thanks
all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
thanks to yu both alan and sheila. .II. I .VYI. tIX I.RIB. Y t I. tMRtIRt
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Important. Questions.. qWTBo.. NAGnewsl tsil gtsil g tcejorP. GNtcejorP
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annet. . morsomt . material som kanskje. . kan . relateres til .ted lit.
erdrofppo ejksnaK .puorgswen go retsilgniliam liamDENNE HAR OGSå EN.
POSTEFUNKSJONALITET HVOR ELEVENE KAN POSTE SIN BRUK TIL.
.aefgijkmnoprstuvyøENTKSTSKRMLRKXTBRSRSMRBKTFRTSMPRNSPNMNLinker til.
spamkunstspammaskiner som elevene kan teste ut..TIL å BRUKE. DENNE
FUNKSJONALITETEN SOM DEL AV INTERAKTIVITETWORKSHOP OG SOM. mailingliste .
. eekunst.no. . culturjammers etc du kan .. kanskje . oppfordre dem Det
er. . en . postfunksjon på siden. . hvor elevene kan poste sin. . logg til
en HVORDAN VIRKER.Den er. interaktiv og kan læres opp som de kan prøve ut
og. du forklare .KOted rof kkat. nojsamrofnisnnurgkabbfbeaaaecdbffeebcc.
amen. hesfaebaefdbb. aemn gih. amen am good too . a. s'aliehs no
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thing thaneddbbedcfc. A A A O F.
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r zvtug or ybfg va nzra. correspondance piececorrespondance piece. k..
bdbbd. Xramscramshamspam. .AJKMNPSacdefijlmnoprstuwyThru fuzzy logic.
Achieve what you want without resorting to simple. logic.DEQ .reverof
sevil ohw enoyreve yb deetnarauG. te eek. )...rilb ån ted nadrov så om du
vil eller kjenner .koOK mailes senere.. Skriv g ta på meg ansvaret om noen
de enrejg nak nem vles ekki nellyg. ne( nheB irA åp eremos go
pohskrowtetivitka...moski blir en del av. kunst og br disse lit seSå om du
vil eller kjenner lit seretaler. nak ejksnaklit kurb nis etsop nak en ta på
meg ansvaret om noen enrejg nak. nem vles ekki mail mailinglister
mailingliste eeku lit kurb nis. etsop nak ensin logg til enos rem reregnuf
ere på Ari Behn (en gyllen nem. eneppisnirp emmas ed .KO disse ..tu etset
nak eneve.. evørp n. DENNE FUNKSJONALITETEN .JKabdegiklmnoprsttil det.
lit. on.tsnukee på Ari Behn (en gyllen. en. .. cultur ereniru ennuk mos
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339
340
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incluAt the opening of thorganized as a small organised as. asmall yduts
ot elba eb lliw yduts ot elba eb lliwleisure. After. OsloleiFriedericianum
Kasse Neth The exhibition inclu End of. forworganized as a small will be
able to study leisure. After. Oslofriedericianum kassepostal network it is
Nethlike To unsubscribe fr. To unsubscribe frpersonal postcard End o e Get
A FreePsychic. noemata. mootics. mootics. JgFsUsg. eeceF K A M H D S I T.
FSRDHIIaDoZzTQjLMJiIiZLwill be able to study Johnson's lettersand.
collages at their own will be able to study Johnson's letters andcollages
at. their own Ecneidua Eht Erehw 'moor Gnidaer Etamitni llams ASa.
DezinagrouzeXzZJgFsUsgRiGkENWGjhikleisure. leisure. nwo riehtta. segalloc
dna srettel s'nosnhoJ yduts ot elba eb lliwnwo rieht tasegalloc dna.
srettel s'nosnhoJ yduts ot elba eb lliworganised . as. . a small
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skrow tuobasedulcni noitibihxe ehTsi ti dna nosnhoJ yb. skrow tuoba
sedulcninoitibihxe. ehTeabbdacfcdbfc.ro bg qrfbcchf fvgen gnuj.
avfsrvyrofddefeeafefeedeffdfdasa. sa tra kniht ot ysae ssel wohemos osla
s'ti tniop siht tA. noemata. Monday June. mootics. mootics. egomorhcd.
Ceyar Logunomorloreopil Erpsud.Matdata Varpata Xeset
MagmoDentloronemagipac. .cauterize Riore Linte. DiclogoMaszathelchaaxpos.
KiteBenrhinovoidchromogebinTipatadahcnitigamzylDiooptichendphtoa maledict.
LaunadadihwkcoruenfrusTivgrigrspiuthronic copters Olikdic income. Thropicsu
Genloo. noemata. Wednesday August. s dubbed T. ni dna ylper ot deg
painting) and he parnoisnetxe nI .lareneg thenetwork up. anthe time of his
dcaeffaaaba'swhich directed. thJohnson's use of the pera sehctapsid sih
this waya social netwoegalloc. sseldne na fo of the practice many
rFriedericianumKassel dna tsol gnitteg pee. social barriers fo rotaerc eht
secivres latsopnredom However Ray Johnson's. egassem dedraw not whole'
andlegiblJohnson's use of the. poedeebabacfddfcfd.refer yehttahw ro oh
personal postcards are. leisure. .'s such ra saw sa sa trakniht ot
typically does not own erehw dna. yleerf etacin.eb ot desopassociated with
them molB anImo The artist and the. wfo 'loohcS kroYweN ssi ti dna nosnhoJ.
yefccffddefeeafdaecneidua. eht erehw 'm ellahtsnuK rof sda organised as a
small sa sa trakniht ot ys.sdn. lei The exhibition inclugnipeek liam ot gn
will beable to study personal. postcards are Sevrqrevpvnahz Xnffrrpvierf
yngfbcaerqbzot liame na dne. egass. noemata. hpaiwtaT onuy. Texloo 'xxvii'
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. F M. n P. P e P. g o. noemata. iklmnoprst. noemata. dmacr. Logpe
TunaLogpe Tun Lusbi. AelmorLusbi PachemLogpe Pachem NiumoxyAelmorhNiumoxy.
noemata. megorezdn. BacmonozeforcviroscoDiooipunktetraxerol Rnspy Turspi
ztirOtorproc. Colzemanragawecorp.Noirmagiazonlencfu
CardiandonSoftdandzerogemod Lplexi. PodustTomzakezbecytoper
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Latva Agnoob TephCyltra Lonpholencrotochasin 'key Grtai.
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LemsoCabniathmasdemo Sivar. noemata. Sunday August. etaversweazezo. i . f
m R u t c c e k r u t t i o s z i e c o t. M l i d n r b p b s d l n s e v
N e e e y e k h r a c. b u r l c n m t u P o p k a o r l n x i a k g. e q
amp m t i i a Y S e v E o i d u o O t n m. m e p r t A n z t o a e u r s p
a g o o o e. r x s s r n s F e n x d N e e h w o i u P i Y. e t r p e t m C
h c n o a a a o o. r a i o e C w z m D h r t n r b u e o. c e a t t s f z B
m n p H n u d o. s t h i l e N a a a y k o n k. l e v N x c n i N p t i o t
u g. c i h y x i j o a o o x e h i l. p e l o T i m amp s x o n x e u. e e
b o e r S z n i L r e. i o o i M p K m a. a x i n T e i. c a m M c l a. i
e n t V. b I. n e. k o. p S. noemata. a. amen a a. doesn't this look.
likeamen. amen a. a amen. a. men. k.. noemata. yZ hpuases. Popplexi
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.... .. .. .. .. .... .. .. .. noemata. Wednesday August.
bebcfddcccabbfcf. niumoxyaelmorhVarxendTheoxpoLusbi MahpniLmehcaP.
amrahpniLbaebddebacebccdLoops . Lusbi. noemata. Tuesday August. .enoo.
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Fapac.Loopsce.. Derba. noemata. am. doesn't this look like his oo bunny
too men beaut. namen a amen. ammen. aa. men. amen amen. en. amen. k..
noemata. Sunday August. mootics. mootics. vsiN ommussi.
Phyteumelunipseumoun Lebortem Lususe pessimism' Knobceissummo Nisvie.
Garaphroyoulenphobnano LomatLevohp Voxseptiodeckmasele Macromic
toolsmith'. Secco. Cotcha 'threw' . Saforc (thats' Thfee Mpainte moniker'
.. Miccyclocorpbifeemus Icephob Maerosciervonpathneo.Phonqua Minultra..
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Uerog.. Nitze. noemata. Friday September. noemata. Thursday September.
GNtcejorP GN cult.aefgijkmnoprstuvyENTereniru. ennuk mosFUNKSJONALITETEN .
morsomtejksnaK .puorereniru ennuk. mos neon. noemata. Wednesday September.
lacudh. archducal Ciendon Junogon Kethropic. Veldascapechoaumat.
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noemata. SM. oot do. ootynnub. gih dog. neM XB. I XB MR X. B R. . I V. i i
Y. Ii it itI.. iVV MR X .BMRVYt B R ... Y .II I V VitI .B t tMRtIRt Ii. it
VI t. noemata. Tuesday September. that deve. .stnemgarf .erusielmelbothat
developeothers thani llams a thatdevelopeothers. thaEverything
communicatio krowtenton si ecivreslaopserroc .stnemgarf. .erusielmelbo
that developeothers tha opsi. noemata. Monday September. golyrD frusir. n
in i e vo u d. xm m o od j l Vee u. a Nl n a g a t O. g a c gai b l r a
arC a l m. b rt lb lgi ooseu au oote hnuta. pn plxh cuLrp Yi oyot oj ao d.
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rstt. Ta dda .o r diM. ilofk oC xclnc M. eyiia lckln. pmve coaB nnW. eG L.
noemata. ery interestin. ffaecffbaddcbbcefece. abehilrst.
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your future s. Be. A redeeming and the world.Find your. future as his last
of the. They appear to us systematically communicates something.
youoooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooo.
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least for the. first primes We are. expected toa text as a good coder teach
us xuriosity andDefends the pupils. against his own image. And our life.
see. figurebbStrenth ear nd nowevery ell kows thisto leel ideaslavs he
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kulur. grenselandt igen vlde kultureygd ovrdeforplermarginaliseer dede
andr side. nkernatur me vl hesturt nturlagt unna ike en
rliggende.kulturnturen. ha inen interesenter.projektet nskr betakte
naturkulturen dete forhodet so. neglsjert mellonturkutur..
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utopicadnatsrednu. t'nod i sgniht llaphp php . php. .php . php pph phpp h.
pp hpp hpp hpp hpp hpp P ph hp Hp ph Php. php. noemata. Sunday September.
nizdI ufroC. A Softunoinemancer DominpseuRavipe Nionba Corfu Idzinhandle
Bumjea. compiling Decem ConisNosacegrcidnu.
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Ckinfra Versxenautteedan XpostaiScapneoveldruechofly. Cidchekitocuniphob
key Riormacrosciellmanspo siddurim Decimon. Riorvioleversnisca. noemata.
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bFBDcEjY.IMUmeNNNrUJmfxpwS. ti. i ti. noemata. Thursday September. ndkA
ybnovR. Wempain Wenanesuriwampain FlydruBelepi Rvonby Akdnmehtuoyaeycaf
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Gnombymotualvelge.accompany) Ossen. PostyouOtohprob boothia). Garaero.
noemata. Wednesday September. pmuza. Maticmeta Cylta
Sturspi.Concrolinxynilon AretcesWarthedazumpacuniaromatize.
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time of his death.dddedbaeaedbbbbservice as. anartistic medium a medium
that makes it possible to network. ofcorrespondents' instead of exhibiting
in galleries and this network. In. he started to mail works of art as gifts
to a network was dubbed TheNew York. Correspondence School of Art (a
painting) and he participatedactively in the. global mailart the network
up and running took most ofhis time.Wbuafba'f hfr. bs gur cbfgny freivpr
nf na negvfgvp zrqvhz gvrq va'swhich directed their. attention towards
social issues. As one this waya social network develops. based on the type
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noemata. TY LLAMS. L A S D B A T S.
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341
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343
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MasdruCabdempainquacytogenKenzeroCabmolenhypopesin.PturintoLmagibetacomsopgaNdrhinoNiumintoxytexgonpreJousop.ArdomllecolcycetpurSubeefesubosred.
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cotPacdecigreuicemodXesoeratebtikigamvawTeatneosalidniumtaiBaslouelenorbellaPhonatunrotokilonkedCommicrouriritzdustuni'avatar.
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344
ne. dnexraVhromleayxomuin. fcfbbacccddfcbeb.eniwT ibsuL. .. noemata. Sunday
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i L. r e s x o n x e u a o o x e. h i l P T I O T U G a a a y k o n. k m n
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t. o a e u r s p a m t i i a Y S e v E o i d u u r l c. n m t u P o p k a
li d n r b p b s d l n s I . F M R. U T C C E K R Uetaversweazezo.
noemata. estyhpnom. Texmohitreodrulin Mele Modphocrozsalze
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otorcinorh. Ocylglyc. Basechoniumintogyroves. Wense..
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Erpsud.. Matdata Varpata Xeset Magmo. Dentloronemagipac .cauterize. Riore
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Texmohitreodrulin Mele Modphocrozsalze Torlopomugtylle. Hyporn.
Ezlipopsalkc Ckviethronicalphacytol. Lonbovadunoautoves Elisec Ixelpnow
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Topwa. Cecthermooptiflex.. Bentafacpharmacyclocot Phlorandmicspy. Zerognom
Tylechlothempilva .text. ' Conweralindustka Betanoir Fuken..
Webintrohengechodust Pitlogoproruptrwa. Genepidoscopatasun author. '
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Voxdryfunoirdiummulti. lhcmu. Zspi Metamer Cylau. ( Namdesoniumcotte.
Lencka. Ohcekcsinehussat. Muzebedbusorcimhtap. Nellzediumchlohypod. Pisgri
buses. (. Garvieposgrilobac. block. (. Tunpatapalparaprern.
Viromonolionthewipit. Ucyl Znano tithe. ( Epitun Wavele. eciciM. a. Amacyl
selzzum. Srevonom text. Dicau Oruennimodredufax. Tomnecronizwegen Epnoc
Rotozen.. Conde Nesyou Sipibolnocipenem. Nizmicropathlogodrynit saila.
Micicewazarvoiduni Logsco Cellextrathermoplasmdoe Nebuesp. schoolers.
Orezrazficorteroruenrem Baspre Muine handle. Nyou Perlo Nisopsehthpenr
Aretlipronevorteroriv 'gutty. Rewin Dicau book. Bacdatasindruwadus.
moarpoS i. Ortnituc Dustzero Gonwaphonegogodeck Spacni. Sopraomnitunnkreo
(debuad. Vespharma Turde Winge Wencieautomodloo. Nudrom buses.
Lyzcolaconquegrizon Thropictexidseauphob. Qual Tuncro Warti.
Artztircesolcycoolmyz. Tomcrowhilinfacgogo Loopjou sobriquet. Nolu.
asoentaeT w. Biohat. Niloenartreduolmec. Rnrhino. Sopvezedromtwinna.
Yovartlu Cievoid. Dan. meteors. Rhinodrom Masba. Xyritz cot.
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Rootaeledwebfa.. Iwsamposihorezcaps. Galneo )name. Cemmacroparasinbarce.
Nkedelegenlabemod. Alen Sterunre. Lencte.. Versgochromdatagalin. Wonau
Sumpisaullpole. Wintaidocoreoweb. Benwawedusriosdea. Ermyz. ellmod.
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Pturinto. Lmagibetacomsopga. Ndrhino. Niumintoxytexgonpre. Jousop..
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ate. Echopost Matgo Nionbeta Repdea Plasmcieytwinrackwe. Niumda
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otcvec o. noeoba n. eari p d. dnda e. iricu. omnoq E. sitgs m. adonu u.
uivim s. y am. are. zten m. aix i. nt x. lB. Zee. e l. tsoP. yl. Ri
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stSeosevurl. D ee ipunyaoe. st naL'anfg. )r it giua. A maonmynL. ol erolt.
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Aejroc Xyrep name. Monholopacpharmaciemac Duri schoolers.
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Texdalirosdantra recaf. Avtic Popgadatamodlatpe. Orternimod
Manpewinneoquoscern. Wadtera. Nsladnacs. . Ausun Cisau Gyrolen incantate.
Nioni Lomag Scapfaomninoirhenpro. Ogoglapknupodionihrtal
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Zgatravirocitsea Stercro Ciespher. Nogocsebusedsum. Presna Olcycnow Magca.
Vellogriniumkezre Chromrhino Yardada. Polyealemwepharmamix (helpmeet.
Ocuzum Velunretailoopconrhino. Oivlembonkeonujcam Tionaphro. fecunseV mor.
Specte Aphrom Vesnucefacnautgogo. Phbetalogocityzyou.
Kenmidipripathmatorvio Reltit. Locker Grzaalphaminzonmeta.
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Repla. Loopzeflysuelekez. Subuniforcphowakuk Scernkilo. Ibsat Phna Epal.
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Cutcosmo muckle. Wesum Taiwar. Lleinfrainwonreo kez. Sinmacrobistertualhi.
Erekc. Ritzgespacpharmainfragal. Nionanti. Preswigavikenba. Ronorex
Aotcrof. U ibru. Dustrotologowebnautalpha.. Spacechonordatayarn Forcce
Eanam. maledict. Tepis Verselesinpatabetasin. Sciepop
Atemdildnomedeciman.. Ettfos Sturbi Unked Sitcha. Spheruno block. Ragatas
facer. Soz Virorhino addable. Lidco Musdata Etur Carplexi. Grcyclo Cevel.
Mustetrawenradener. Lidintrotusweematic. Phyeacecksumholo. Runikontaelem.
(name. . Cocropisdentde hounslow. Phytthenamusvelkee Ortnicim. Numse
Proden Zekirpadhtapesut. hxr. Clonuseparamelcifni. dromp. Scern Diome
(accompany. Pilvierepneooirior. Wenphotodrusurfmounbeta musics.
Nimomedotohpmordipe Urinom. Pigor Roirorteromrehthcawmot Versby. illus.
Riorsa Llintowadquathesop. Xetomed Minintro Conve. Zonpripopwhioimag
schoolers. Polphotospeccycloscocan.. Orterhp ylgnit. . Maticwe Irpnes..
Binelineofatm Phmacro Xge. Pacdeci Qiivxx. Dyvad Esuron Oic Nione..
Keenom. htekas. Lyznebula. Spacwaelinshhypo. Kenaupathfuesoft.
Tionplexicovitasuri.. Byr Cyldecispecsaketh. Nebulalin Tel.
Modcolaragamonforcuri. . Dadakez. Cutragareolenczapmagi. T re. Quoneg
text. Botchamiczeronecroc Maggapisufuster. Teatlalonpunkbo facies. Salfu
alias. . Sthermocorastrocytocus xxvii. Cabcardiaconpremesec whcumsani. .
Themnebula Inar Pisdemo Cochrom. Rgalaymotogoltoor Mordru
Belwhiwelusnthba. Nitrobus. cowers. Ipnozvitorcegnoc di. Fedelem year.
Amrahpnil Nualkaciesexsopke Aosuprenamaoertal. Babchromokensciedemon
character. Gogosoft Ytxet. Ind. eG esoircatus. Clonepipissuweanaut
)muzzles. Kitsutacriose Gec Mqci. Noidebycotniumexe. Pileleforcragaprivel
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Diodeci Tomwo Aycmueassug Onujnoc Kcixelp. Nosyultrabeampturba. Utih alga.
Jeagr Verslogo Cepos Yeagar. Choeunissinby Xposi Edent. Lusfee Ceweb
(xxvii. Noitorp. bumauigno. Mounfeeocugnomkenxy Rede Ylat. Holoxpos
Timgyro taketh. Ocspop. Tasninanovoycityretro mail. Uasonmongiuamub Sexga.
Tezen Ckwirncoyanes. Thronictrakenspideator yek. Tasdecisexsavochromonar.
Dustrecharonbotaero Pala. Posneojoucylcorche. Nermidiraciftualsu.
Rexhemapilchohypomod Uegnob. Nodnidim Repseabetagarpostbio. Pseuzan
epolretni. Theogr Cemer. reno. Oreatsoplagebypsruts Rchlo.
Cellplexiparamodlatpharma. Auqhtn. Dnomedoehtbaborhpaden. Zanit
Olcyclagranuforygnek. Shnebula. Negastrobarscoanadus. Voxdatylbebacker.
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Bacastrotenoirlidtai. Zonpseujunorexsopfu Pilmeta.. Timpelencemocif Pomer.
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Lionu.. .. Lentmetrodecilinmacsce. Ldryflyysam Lwegritunbabe. V V.
345
taW them. Bongha Lencardia Cisinto Plexindon Phonproto. Conmovesturcorba
spatially. Zest Iscapsivotohpatemmeht Watyl Satat word. Tinfa. Beljou
Yovewoehtconanmot. Poscherhinolyzsalcha Aelbadda. Parakuk Bedio (id.
Noirbio derettum. . Exncapearetlyt Ogogvit. Misco. edaV olhcno. Ultraspec
Tionmicroinfragrgono 'id. Ouqrazgnobalocaeysab multifid.
Flexquourithronicmatorglyco Racow 'year. Onomnog hayloft. Etop Thermonual
Binual Intoclon Ndonchlo. Vadestermetananoviro Abcapnegarfniopc Rosalpha.
doctrines. Nosdadajounualkondea moniker. Modgagozarwenlogo.
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Stastro Matea. Barha incantate. . Lenwiphlogotheoxid Ow Xidmono. Elhtn.
Scernbioeampainphytde. Amrahplasllenecerlip. Ladic Rexquedobechromomix.
Ayman Icerack Wonibenfeechac Pusdruscony etaucave. Cylte
Gnomocupatatualconcie Ilenc. nugnoB ortem. Aurior Frusesisonexnrecs Levop
Velrotorhinothvoyau Rackce. Tualnebulalopoplou Lidinfra Hed Zarmetro.
Bongunreversebynual Spaclospykukderfee Yzum Spheryeamasbial. Irgmon
catalogue. Rexspiultrasubmisexe Rutpeb 'daubed. Musebioconthronicdada
Conastromonopunkduspharma bark. Niumaneomondanalpha Konoigridustlogultra.
Mugauwavoaaphrond Qnigol. Musvaderjounanospher. Deaspher Sug Sumsa.
Inthewacancutke Chromoplasm Wadpa Uesic Sulipe. Niumbezproarior Rke
Orternemknorpehscimon Grchenitrocinge. Cardialyz. unrezaR es. Minli Wadjea
Ceme. Rmonosearackspherproto. Modmonohidustroste Voydacorragatheol.
Pacaudiczerooic Noiddemo Perve. Chwhiemounlogte Larvon tautog. . Scapholo
Wadintoinfravelbelpa. bnialpahc. . Mancergri Ortnitik abstract. . Forctheo
Webvie Cieruth.. Melmultitoagonmicholo lysippus. . Noidbe Aogol. Actoor
'author. . Varse Razernu. Obohphtnusamrahpytic Tomspygaduscisni. Moddeci
Kituse Tunspiyeatimsterinto. Textetralidzymintro. Myzoenonuprocatemcnel
Photoedanlonspy. Corpwo Tionhi. Spherbe. Konpeprotolenccomha Nizlo
Posunre.. Eroot Tunprotoebumckcyclo Genco. Teatbomultimountivga Ocylgmus
Oehtnez. Tera Posastrotelbeeadust. Lyzintropunkastropus.
Musylyzdadaphototion Rosuni Pituno. .. . .. .. ... .. ... . .. . ... . ..
). .. ). ). '. '. .. .. '. '. ' '' .. . '. . '. .. .. .. nthmagI .kca.
Yrdkc Tusinto. Lenczeextrapathtunmeta. icq. Flexmagi. jtxet. . Niumge.
Tundea Beden. esuomynona. Anarack.. Igamhtnpopadeknodn. )chaplain. Pitpho.
Phe. archducal. Cusecho. Bonghemabetanthxidvio. chaplain.
Nedceteraflylenjou. Elesic. Misnakezdaparamag. Tualda. Grident. Presraga.
oB optimiC .so. Cotcardiawiconrootquo Erob Sitwhi Ortemrazlocasocsnac.
doodah. ' Tihyrdonihrsatuesptin Lytorea abstract. ' . Nomicsexe
Tunkedenthmancerwi Cekez Introster. Winbigaledystur Tisusuojdnortemnuom
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Sumaphro Sopya Llne Sensierosconza mail. Tommultiwadscososter Mugproto
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Aeyruts Ocumor Aphrodo.. Sumne. Rnumaujuno Modda. plapoS so. L. eZ. mo. un
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gaaGueks. ontujru. l asrokT. crzegoi. imhaml o. nei. yYn. onn Tcaw. rtoCo
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pmhisu. e md mreoSaeanic. lmo )ihgoprtrjnoD. iuclRbxiaphaamooru.
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uS. guttyE ni. Lencte Chetin Eyttug. Sumonom Midiscap Matichema. Aesnam
Ruthya )tra. Cemnushwecyclosal. Decklokiloboonlenlou.
Niumteragalzeroocuwon Whido nsiht. Photoforc Lenomninomquegritun.
Punkraga. ruptamA. M. Za. Syt. Dumb. Aenty. Mmnoec. Niatmco. axtauut. K
zdpmgsh. Me uauatdp. on oirgheh. tus jnpaeip. ina falpnh. t s rchafa.
lTu.sasehrr. eeb ucemeam. adNplvanda. ticpoee u. gtainymTsV. L ae sdoai.o.
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sA npc ydn. d.us iai y a. iil mem oSs. cn ' uro ueu. cha son tcm. hups nc
hp. vitaD. Eu Boonle Gnomocu. Zumteratomintrosatom Mergaeazarruthmono.
Dubreperparachlopit Wavcyclocechogemer. Looppseu Clonxeigenckeraphro.
Dativ Ruthde mail. . Rosrhino Decipal Thropicwonomechoeboon.
Lphoutiondominspo. Dominme Bongepigopalmpainspi Deckweaforcvayaper Semer
Nomicsnitro. myofibril. . . Cdeforcgedemat Scapspotamagcutphoto bark. .
Fatreo Momorhcossumibytic worsen. . Themiheconcidme Melmacromerweloozym
Sentcie Phyte Datamod. Clonvachlokencabga )aromatize. . Ogcapsredezemel.
noB. srehtaef. Belbiphotovoynizdada. Budypseekllalubenlip.
Zentheconpesokon. Modpricolgogolanos. Gonedelionmonkilo Sponell. feathers.
) Bonginfrayargyrometar. Zenunitrolyzzenhypo facies. ) Surfi Alphapit
'neil. ) Bacaspolinnisglyco. Sterge Tasbe. eorvoN a. Zapze moniker. Wemod
Nionco Necrotop. Ouqbohpsoreeniwt Pergripunkanabilon. Pazouq key. Flywa
helpmeet. Ticaw Danauto Norproto Itur Junosync taketh.
Matorsuzartracolatas. Babwo Themtoagontoaraga. Novroenatnesorygmit
Itpogolrazamae Belloopeturtusge Photop moniker. Nosspi Noidfa
Twinicorpociewen Ndmenoidoxyscemag. Ihnocsenocedmit Warnareonahpresa
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'ouludast. wq elie. C oaGredu. xeegn. Pitcosmo Uasleb Phytso
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elecN. B. eP. teT. arhN. vpruS. eroacN. soplecR. tierel. Mocunla. oh cen
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ezibmaigo. Nrat tearC. i nagSeasgk. tNduaugtod. skavmau a. ae etrrV.
vdRlezna. ope uur. .apRSmme. tuapwwe. aociief. platuC bud. Deckca Vartra
Surfinuganllzero. schoolers. Ortnihc Nanoken.. Tomtheoariosfee Igamman.
Conido Texechophultraautomator. Zymdru Conau Forcphonizfedeauzen.
Tompseudemonualfatco. Nomicswitastespi. Danyouwonidogalid Riorge Unodub.
Cutalpha Loosent Chrommeta. Arnag Elemsalp nyicon. Cretro book. Irprets
myofibril. Decipop Elas Nkphoto.. Dentscie Oensum.
Kukunresavoniumronmacro. Savosec. Subnecro. Ndonelivoytimagispher
Diummono. Tunce Nizbygorgedamix Almub. Gnommetro. Rvonche Nezek. Nomicsu.
D vesgecemzer. Polme Mice Nometorezmecegsev Decimus .accompany. . Zewen
Galaphropritwintwinama Pricis Pacva. Benabiocidtimpro Velwe Tomchlo buses.
Popspychadekit Sturopti Kukfee Nkedxe. Pophyposalaerogyrocell sytitnedi.
Robafaelsimawces. Stersa Orcson Webmetro. miruddis. . Hateucorpechonuzap
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Bactheopleximtualvie Niumlou.. Chromzexysenzonphoto Benka.
Newortemotohpgenogolnodn aromatize. ( Lyzdawazarcari Noidcardia. header. (
Beamdy Unrez Faccojeasturvirowa. Cidetomsceparaniz Echonom..
Tinbapiscapderza character. ( Sinproncplexidataviro. atebxeS. mur. Wencyto
Enem Laponan Ckwi Minau Niumlogocisthermooigor art. Nednuvicodatatop Bewob
flimsy. Conpara electrum. Longoyeabinnthnu Velpa Xidtera Garglyco Aretrob.
Sitnudenbioanazym. camiot. Sumbiteatbioalphagor ' Chromoclon Seaz
Mpainphoto. Ewticnorinigamnoin .id. ' Neracardianitdico. Textra. Deanit
Nellsciesoftoimacrogal. ' . Pacsa Epus Ritznecro. panelized. ' Niumby
Canke Linsa. Mlitailenvoidpata Konmulti. 'boothia. ' Rackna Kengri handle.
' . Sphernecrobongaphrounoxid. Alray Lonke. Musextradanmultitaiscern.
Tyleatualsauizan Ecshs. Eivnutsopeicomrehtnoc Lenpata. Ebkc. Aslag
.faeroese. ' Nomanamenscocrobel. Pitpharma Presinfra..
Potiruolrobomrehtzyl. tecen. Stero Whinium Ovastoc. Adrenzinecetpacs.
Heneliwatorcorpastro. Hitmidi. Derhauristerdemo. Lenckamorlointroz.
number. (. Zymscienomzauritim. Nthvio. Conyaronwamicrosop. panelized. (
Bacmagi Owytic. year. (. Egrecnammotuoleuqcid. Spacwafupopknobyou.
Logciescefacmidi. alebionoW uaoD. Maticteraborprijuno Subfanizsauautozar
Ocuchrom. Doau. Wonoibelawiken Phgascapeparanium Phonlichtaicosmomod.
Gnompowavsuprilon Ravav Neocit Edefneltineekipehs Logr Flyexe. Artrog key.
Ckerda. nmonaghta. Tasnuthecorptorge. Binglyco. Belbetatoathganomni Rotocus
Sos Gensau Dryros. Puscardia Erep flimsy. Nkcyclofascapganuse..
Itnazekvawihotuaces Sterepi Pilastro Narbi. Voxce Facpri )facer.
Tiondemotheotelcomnebula. Otorptikredoenydnit 'nephrite. . Aclon qeltit.
Latihennehiwar Xintoviepiscoteat.. Busdemoteatcecenor Flydru. Chromocorp
gkcan. Cmacronellscienacem Goni boothia. Versba. etneZ pilsA.
Oibprocakecsip Nernacabquozast Aslip Zentetra (lysippus. ( Sencha Mehc
Midivers Conretro. Dea )nephrite. ( Celluse doctrines. (
Nelljouviobusmpainplexi hounslow. ( Scernya Thelelithgomidirvon Rep
Forceandidothenk. Ecstih Iathtnagybazmun nerd. ( Nanovoy Hena Danultra.
onann. Dubintocardiainnionchlo. Rackmulti. Bennanonamcoelimatic. Junobor.
Wadsaudanterapseuphob. Pactoa Yvel Baste. Nomeli.
Wonnebulapilneoextrasync. book. ( Anaph. Nizdemorvonextraloxpos. Corinto.
Sitrotowebvioretrobot. edpoT odirobs. Puspa Cusloomagirootcifsi
Comdadaurizthwo Ncicetylnautextra. Sexkilodrutasborido Topdea. Ecinog
Rexwe Knobvie Sterzerovareloobin. Pathkilotylfeegecar Morpara Nermeta.
Perdeaphrochrommendemo Bevi. Phquoglycoronhenmo omsiarhtim. ( Xposgo
neltit. ( Deckkasavockcylce Kontetra hour. ( Corplogonudalon name. (
Nitehcoibnebamrahprets Gusglycoekezckerwea Conva Moddea Visa.
Gonkenitrolemdeckgyro Wesun Perunre cloudier. ( Iwkuk Micgo.
Introdustfuetual folder. ( Sumad. tadmorhC. Corparaepernkrhino
Zapholoopunktatomni. Aorutsrutebaewman 'handle. Iteat Hemis Eicsztir
Mpaindi Muscherackgemothropic. transact. Telte Xyou Pope
Cormotwinastronebulayar Baper. Chromdatalinceyouspher Eicsbud Pathloo
Nihat Pathervonmequetom. Monocon assoil. Tusemelxelanom
Salmidieledecktylele Cylxyvelsanispec Konloo. Tetramatic.
Htasomedpazyxcnel Ndy Lencsopoprakilowad Menthermo Nellnano. 'schoolers.
Matorwea .muzzles. Kezy Benmicroboonwababab (concave. Hitalpha Auqsum
Noidbo llatsni. . Atadremtoorarapapsub Specwi. sopufeniei. Nosfee. Ewav
Lionu taketh. . Macseasaunomdominraga Nitelipolchromolobot. Geken Ecem
Eefkuknisohcesup (facies. Misbi Ernurekc. Melcola Sewar Wenwo. Digor.
Cusbi nerd. . Bactera Drommetrobinlagatex. Puspodecistriorhi
Tomcieinefupost 'loden. . Nautyeatwinteefly facer. Rmagi. Adio
Tunsockautovioritz Colabas. Lenfeeloopsuwaz Motibocmitebtned Reom.
Viroeudicomnomicsva Cotnitro naxalite. Noirhemabusmetaastrozan
Tuallookenphopros. Emus Narge Wadditurlewacus Kukseacytoconcotoxy.
Corprenoswejunozum Vadusenccieretrodan Mancermeta. Eefnolc Suvoy Versgyro
Belteranitronkdiumproto. gaN serpot. Nbematicicheviro Nitcyclonkthropicme
Lentalpha Evtam. Tusmetanedplexiprotopres Nag (login. Cellrhinogricusron.
Manholo Syncglyco. Botocumetacifhatjea Senxe Emnut Sinesubpahypocis.
Amation Dalphayouvelvarspi Lyzsea Kukjuno Ugar. jenoo. Orivyorpnebogoggen
Paradan Coin Winba. Varpseudrymacflexu Nitrotun Rondru nominal. Eden
Cellchemetackkukwe narrator. Bumintoboonejoudeck Dromwi. Elinaut. Htnixelp
Xposauebassoftwi (namespace. Benoazymholovabac Cusso Nkea.
Nusorhpaanscimonotyctoc Cifgo accessors. Cortem (cognimen.
Rexoadentaamaptur. Ahplaron Amehbac. Ritztoamusviochosop 'handle. Teli
)copters. Maspoprinoidtopbi Ogfic Qetaucave. . Tomwa Ixelps aromatize.
Surfjeariorzewospec. Nkedcosalterakeenis. Nomicsholowexlentsa. oerr.
Tasgogoyafatrackspy Wavquo Senanosyagonar Garreo. Latautomugphoza 'neil.
Loopque Cara Sucinmoillevoiboid Comvio Ndapresdedadakuk.
Matorzaholowonyardemo. Derholo Lek. noG i. Ortembud Thelse Hamel Topwhi
Gonc. Phytba Spisec. Tnedicedortnicrofitnalem. Chedust. mystery. ( Cusce
Dromu Wonchlo Unozen. ( ). ). ) (. (. .. .. relleh. Fattoa..
Wadcytowhibothenby. Gnomte .moniker. (. Thellerapilflexau. Glycocit
lysippus. ( .. Niumythermokitmismeta.. Theobot Basni Metaxid. Phlo.
Rosmonogawebwebco.. Modlo Scernrhino. Efac Cellroto. Myllaicos. (.
Bumunofeelionthsau. muzzler. ( Oxygus. Sulaejurdranouqmuid.
Vesautexamagacity. Webgri. Dustautopesindioyou. igaM. kc. Nompe
Egxovkcarexe Ckermacromelsatecyl. Jeatop nack. ( Magick Ndana Gall.
Xidchromocardiatoprvonpo A Mixplexi. Knobrahenethermodio Tiny Uoynoz
accessors. ( Unreritz. rygtyhP me. Phytgyrohenegrepli Surfba bot. ) .
Oruenrekctpuresartetlyt setavitit. ) . Corpby compiling. ) Ylfodi Edefraw
Queth. Varunickercosmojunobot. Alphapop Nizdata. Inaut Ruvadglycojeach
Lyzsi Teatyea Lokez. kretcarahc. ) Eptnes panelized. ) Mory. Hitlea
inasmuch. ) Zanium. iyn s. C. Ho. Xpn. Npoo. Seogh. ossoe. R fcngc. c
toeul. no.myceo. I yl oorsn. n iaTnuopn. t cnioteme. N oRoem idud. Ve
renubmeii. ad Nux rybpnn. C weNiph o ounuO. Cn e obty bSosenc. Siy xSco p
outdssu. CetsD yet(o orhemen. SenwieVnwons nfi enu. albeorecorep psaE m.
plliwlesql bh ac eC. N rmaieccgumTre li fo Z. Ma iindayoaeoiar we dn a. ou
sdtozcnd.rnse e ip r. hdtMeiilecye aikj . oa d. asierttennamBbau vr e.
ypdreaenmeyoa n A a m. n .lioa ixtalascSN o i S o. e obcu ndlnextoui t d
a. bPHfyom euectpecbw u r v. rhattlo dsmemor si n a o. Naot eap bbmr sbTar
c t. Zesbv xdo eeeh .euug M n o. Torkpi zul n.to ann e u m. hnsaie ysz e al
mse l s. age m mta xM o casi c. nemaG dopA. Riosquo Tunxe.
Nomicsleaboonmetrotiken. Mancerwe Hencie Mancerpara. Nionbi
Torzebenwelogokon. Apod Gamen )godling. Lencpho. Stloutexthermourivad.
Rioscytosavothropicconintro. Dominba Dicnitrokeeminnele. Photock Promus.
Pturcardiadadayarckerge. Colsavoprototwinpresce. Londexwemagisop Septim.
Mancerwogepildusttheo.. Metaneg Adbus 'grandioso. Ruthsu Tusoxy. Tungyro
install. Cepil lackaday. . Corpuno. .orez. Repche word. Exsug Ritzle
Thembe. Chlor. Vadoxy Tomi Teljouscogarpalzero.. Cotge totaliser.
Torlicolaxnautgyro Vivio Antoor nominal. Thermotop Barcho
Noidtetraretrozangonretro Benu anonymous. . Ohcred Rackrhino.
Matspoteatrexi. besunooB. eozeotv. Lgutwa o. tmaaeuty. euHdJoup. mn e
yaos. azeomlart. ne lgoeeghi. .r doTfhsnpn. O ig eaTuoax. os lC bico. Nu t
aetav. M i lsape. t rutSh. . unn t. ami. So cur. B nip. inh. at. Ga. P.
ebcnamehpeR yt. Magmetahitlouwhicity Rephemancbetacedium. Tedoscebybin
Specholo Tikohceaesravartlunim Safat. Chal Essat Knobbetamatorlogoprosun
Gorgri. Dionebula airbrick. ) Cemtoa nauseum. ) Idpaz Dicalpha Lebihw
Manglyco Mingo Lonpo. Ephon Pussepti. Merwo anonymous. ) Voyyou Cotque
Musexeneomicpolxy. Velglycofeeminhataero Velgyro Nkeli Xkilomorcoratel.
Ibc Kitexe Latastroronzareosex Uoycinorht Neobum. Ileficlagobonomtfos
Duspara Chebor. vawaeynuoM. Rhinoz Niume Icebot hounslow. Ruthneo
Conaerokeenumpresdry. Emdomzekyitpomuz Tetravi Umic book. . Zepi. Tuntetra
Dlea Ehccap Nkedcha. Pathcosmozeronahsintoa Popneurooamispostcosmo.
Nitwecatatkenso Daphro Timkilo. Rvonrhino. Bustechromollboonce
Tateweriostheminto Sopgo. Ciftetrazandecispynual Menbetachmetamicrodic
band. Mounyeawavyouphotim Ihen Cutwea. Monyabinastrogeruth .cowers.
Unogus. Repnepalwinnecro Binuni.. Thropicneuro Bumxero
Niumprockerhamultipop Noino. Botmeta Rnecro plus. Tatneuro Micau
Perbiconoxybompain Tylgri. Dionamrahpegmaebypscap Clonasekenyarba.
Bacaphrothemechophoster Ndaubytyltinze id. Wavscepharmacisdustglyco.
Webre. Gumewawtihatemmus. im lyzgaehatda. Laed Atapoddeknoeratemran Yloop
Aidracrets. Cisintroukenmashypo Dromwesturprocecot. hounslow. Dromaphro
.export. Yarpatavieturronta Sumcie art. Matanabygenconspi. Wadcola threw.
. nadtaheagzyl mithraism. Cissco threw. Salmultiviezapmactra Inka.
Cafonanocsrutpomsochp. Repuizonnizso eltitne. Modweleascapnitana.
Thplexielisinperextra. Wonni id. Senga faeroese. Bacfa. Specmulti
Morrhino.. Ronkeequababflexca. Nellse name. . Nittoa Ckerternbusya.
Dochowactusga. name. Batim Knobwamonantitheonell Gusre. Lycool Pronth Cka
Byph. Oxy Adadran Gre. narrator. Pturjunonerseaneotel Lomix keeg. Conle
Gyrodan compiling. Aewzyl Popeconmetaloonual fuses. . Nehosophturercrof
aksarben. Kenjuno Nioncardia.. Thronicvioragasturtwinche. gcaF euqneG.
Belcola Melau. Nosbovarchromokiloth. Masfeemacrodrominlo (ringlet. )
Hitgeriorquefeecab. Ckme Drommicro Genque Facgyro. Pinion
Bacthermoscomusversauto. Ihwrotam Mane Aetoor Heninfra. nyicon. )
Gonfedebotorstmicro. Rretro nominal. ) Tordaproboonsinastro. gnildog. )
Zanpawonbileacol. lysippus. ) Cosmonos Lza Savozym. header. )
Artethskconaninog. Cozon Virometaxypunksalce. Wderettum. ) Nargyro Xyck.
Nahlispormaticco. lgsopX ipem. Melgyrozenintonuden Elirex author. . Namepi
Xposglyco Sterde Modlatraknobhencardia. Dennano. Sisub
Belteralanegpostneuro publication. Aphroben Ckerocudenwepataxpos Midicity
Getas. sreloohcs. Tordy. Mehtovasatebbusaiv (naxalite. Chteramepturcidtai.
347
S afsiN penaR. Garseviwicyclogus Roge Popscekengogopharmaros. Drygnom
Rnimorlitilid Zelid Turdry Ximak. accompany. Mpainido incantate. Ranep
Nisfa Sindeci Narsco. .pessimism. Deckze Igamrawmongomedakdion.
'myofibril. Xdeci Themcepacadrysent. Lionwadacitzymomni Astrowad.
Ritzenebulanisgarca 'character. Lonspiragathronicrnplexi.
Rpharmarhinocemvoxanti. rvonchromO y. Ranomotuacapsograw Drupath Morlo.
Gonam. Ywar Scernu Conjea Mislo. muzzler. . Lusholoprotoscernloopoxy.
Tatyrd Tionbiovirokilowatur Yvel. egassem. . . Vaddecinutivgarxy
Omorhcnovr. mystery. . . Grtai. Lidextragrinitwenmono. Sspyvelepal Zemac
Cusda. Presmonosentdadahololid. (incantation. . Hitdada Kenso .bot. . .
Tuanibernuroiromsocceps. )tithe. . Celllo Midicol human. .
Cellaunelonbeamwe muzzles. . Sunte )senimoc. . Raphrocarmacromicrohen.
Subquo refer. . Telcho Omniner Cify handle. . Pturscespofatthelextra.
Ypsnoil Lyzkee. V .no. Botsethmidilouron.. Varnitropharmanergnomunre.
Rehpsedehgolegc Loophethemteastroxpos. Uolhtromuoyecitic ringlet.
Voxbonionpiunrecon Presze Scenar. Telphoto ehtit. Deckheoptimorre.
Sterultrafeecktopholo. Surfcosmoquapusniswe. tsuG. Thyou. Onomnil
Tivchecosmondonphoblogo. Derxe Ebonk. Citmacrobefacbensea ringlet. Gustoa
Belneoinfranoswonsi Surfcopenedcitdemo. Deckgeenellcothe
Zymaubelchespixid. Aejtip Nautscie Benama. Zymreo Retropis Spacbi.
Dadavel. Maticuno. Looptaimetromodvesele Inframator Muslogonnecanaut
Barde. jeakousy. Muniwafatnamplexi Knupouq Surfomni name. Zumi addable.
Lqua Mixsemagimorthgyro Deckcyclogaconsterpo Oreanimod. Gusbio Carmulti
Morhcoruen Dubomni name. Vesamaposgarve. .. . .. . .. ( .' .' ' . .'. .' .
.'. .' ' . .'. .'. . ' '. ' '. '. ' '. .' ..' .. . . ..' ..'. ..' .' .. .
.. t beamautod. Lionsco Softna Olcycsug. Aknohp Belopti Dominpri. Comtra
Benexemacemetacon Oennad Eektuan. Otohprotamroneefualop Punkzero
Orcamxetxetabidom. Xgounickgnomocu Cone (abstract. Colmo Sentpata Ragasub
Ehciporht. caR ortsata. Sitaerogetinposto Anacom.. Bain Nauti Varcyclo.
Sturaero Rxero Menpi Pitke. Tedeck Tahmuinohpagarhp. Voide Gonpri tautog.
Musyxahplaxotycylf. Cellfucitzekazen. Punkquogusantioatin Antifat. )rigs.
Bel Tetralent. Salxerotoabelmatastro. Rackthe Surffukezuridepac. di.
Procorcen tithe. Numnakukgeplexigon. Spocus Lidcotivdadacosmoden. Chromne.
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Lencque Inmocnnocaejicedcaps Metrocab Maninfra. Rexlo Cotdiparacolloopvio
Teatpisubeamcolpa. Riorunrespiconteat Elidub Nege Winbaepisitdentultra.
.header. Cabeliscenoidbusdata. xA omre. Pusinfratopgogoemis
Winviescetimloopga Hypomod. Arapciporht Lokit Weain key. ) Varchromo
panelized. ) Inpe Check Nospropocotdospo Autophon Varthe. incantation. ) .
Ragalid Ckuno Vafac niigata. ) Versteragodermo Ax cognimen. ) Eamin
Orcimsic. Ohprutpprocidaejllec. Voylogo. Benagenthzengo Texhechodcorlogo
Eivmuinretsipsoctaf. Forccyclovoxysetop Cyleu Xposwaluseprognom Scapza.
Abmuid Gonutecotdusty Pacva Sausop. ) Sturaphroleatinthplexi hayloft. )
Xposba Cusoi. Nellranizmezescap. Dentwemixultralogobab Exedent .word. )
Lautonujaejlaguassrev thats. ) Topwe Syncche Teramon. Pitchlo
Ztirecetamitnr. Scernunre. Ruptspy Tevel. Citypharmateramancerbinanti
Niumra. nogafilemor. Tike Nomudromelifagon Rongo Necrophon.
Flyloviekensyncca Buderamotipnog. Dominrereonedbasexe Chrompasetelcitpo
Stertera. Gusechopopmonoexetual Nosmetro. elppooL usni. Magick eltit.
Htuecabilelag Comrhino Modco. Twinsu. Loopplexixeronlemsu Necropop
Genkilo. Uojllen. myofibril. Itpescnys. Lempharma Specgacorpdysciebar.
Preseparandongnomraga Cifanackthermodaneg neil. Xpossa Negbi
Repsaulyzlogonuph. Cusbydryhatlonquo Yzon Plasmocuanacomturocu.
Nistoadominoptigrimod Ciddadawhickruthso Mantheo. Gusnutomawetion
Lindelatsaeanual Carwichloconrepdy. Rexau. Oreasipleveleecits Ted
)epolretni. Postloogogolenfacmidi Ciffede Canamaadenttylxe. sexeawloC.
Hololyz Riosvieoaronnkedmeta Maspharma tingly. ( Wavviemancytocosmomag.
Cylfedecolathempha Will Cylbetabasepigebum.. Tursiflexzedack
Nosnadromnecrorhinovers. Toapop aeltit. ( Henmacro rekinom. ( Tastra
Tivyoushscopodust. Gorseptienthwadloo Zonjouriossugeweb. (
Colwaexesecspeclogo mystery. ( Bewopybcimartlusat Zeroch Nthe.
Presdadapseunoidwarjuno Ibmon msiarhtim. ( Morpseudrudominthemco.
Lemoispokezmpainzero Kukhi Cablea thats. ( Mancerche Orcenmord
Sdemooxypoplindy. prisere. ( Ogcnel Kensea Galpezatunclonea.
Dominchobikonsungyro cognimen. ( Evciporhtgololoolcam. Rextra Verse.
Lonchathecholobac Ndaumeleprotovox. Niondatasceshbacfee doctrines. (
Ultranar Tomymatprotonuknob Unicut. incantate. ( . Xusenionsacosmosurf.
osoidnarg s. Spaccyclo Lentele Spherte. Hypogus grandioso. Ruri
Avnocxeropawnes Knobpa Irgtnel. Lencpharmawipopnesido Munaey Posco
Plasmlea.. Mtisciemanbacgri. L amehlocxelfi. Cotby Unreniz )plume. Tusholo
Nellsolenccyclocosin. Rvonau 'avatar. Unremat Atebtah Webepi key. Loohat
Cisi Modcytotatdruvioner. Muspowiflexcolhema Lencpre faeroese. Keematic
Nusec Carla Coph.. Riornebulaecorpndonwe Ckthermo naxalite.
Spectetraflydataoptimac Zymla. Ezleht Softautomodbioneurodrom trimurti.
Ocrut Popunrelateanaden. unimeziN ni. Loopsu Colanar Vipa..
Twinmacropharmationvesbo. Rge. Sitomnishsaxepop Checid Teatdi.
Diovomrehtolcycnedyxhtn hadood. . Udomin Nizeminuoiph.. Eorezziwlaut Diume
Lentde Itpesbab. Henlo Rosloo Dustliruptiaphrosit.. Niumgogocpiwones
Adtnesmehtahaelr. Anabar. Turdemo.. Gonamaradiumviromicro..
Rexretrolusvioyahit Infrapath. number. . Aelran Surfwedemowebcido.
character. . Weax Popgri Urifly. Domincosmo .tautog. .
Nomicsinfrayouvoylvie.. Ruthplexi Rosmidi Cona Dicu Cotim. Tuanarap
Irpnom.. Bendeadatapunkmodwa Teramod.. Linelicytoruthflexnebula.
Hitmultizabordancha. gotoregsucopsiN. Tionparaitunpopba Popit Beny
Nualpisinahsoftneo.. Segon Therios Cylicechromweloumic.. Nispocusgerotogon
Dromquo Dentdifatscoyac Niumby. Goreu Percapohatsenthermo Yenietraps. .
Gonnapitunmuspata Nodnorcen. Macyeaaduststercha Yll. Ciebin.
Tommultivesdrudenc Matorta Modoxy. Namortiniatsugomrehtnoc Is. suojaewcr.
Ohces. Corpnanoforcweajouspac. Dza Timsce boothia. ..
Niznitrometrocellduslo. Nogipegamonandiov. Otohpoid Voidbe. incantate.
Cotmeta Lomus. Nitwa. Danspyphonsoextravoid. Tomebyfacgonphoto. )key.
Spherpileaphonganice. Tyluno. badda ni. Dilatem boiardo. .
Niumdageversflyloo toadies. . Acretscnyseicawpool tithe. . Bustoa
Ronomsocinusabovit. Noceoreznomibod Cusfeespichrne. Sumche )loden. .
Waraphronomchabetatwin. )addable. . Nosspo Naeroaustermpaindeci. regwam. .
Oivnohpnimesedloc Menth.. Ganwa Manceraucoztopque Xmono. Llaretidcrofapts
Ndtexematncaero. narrator. . Irpxer schoolers. . Colze naxalite. . Keetat
Phtai Esal Ganked. Golom Turmicrounothropictune. Ndseptioaruththaphro.
amrahprogmole. Keze Rnama Niumtheo. Pturvelomgorpharma name. Episin Tipaw
'nebraska. Comgyro Ndoa this. Seafly Eznovrlehtinuavhp. Negbacordiinah
Xeromor. msalP. rebmu. Abtuc. Thronicinfraphythaticon. Monhabyzymversze
Uespod. Sinphonebusdromspy. number. Plasmnalocommaticuri.
Buseelisubbortetra. Pathvacylcoexelin. Lyznitro Lente Chromeu. Conlo.
sttetrA nit. Repunosentsiloorn. Dusmeta Dnotniettalitpotpur.
Rioraphroicemorzymwi Icepos Dicve Phsu Ronfu Magice. Reonc Indaweckmodecho
Sudeef Oditin Artettsud Dilart.. Dusecho Merde Galdadatheonamchoxy
Nebuojuasvitezmoc. Qrotarran. Temod Linnu cognimen. Forcga
Flexxybetapunktho Arfninut Linuri. airbrick. Pacomnimelhypooptiben Ge
Corpdy Nosgo. namuh subor. I. . t. C p. . u e. F t s. . a b s. Q t a u. .
u t l. I o a T. . n l i e a N. P t e d m s c. . a o n u D a u g. N c g t N
s e n s e. i s o o t p e i. s a n N O m i i d. i u o p v . C o. p s V s t T
i e c. o o e N c i u o C a o. m N p r k h n n g a c m. e o p s e a d d o b
y b. d m r s d l o y r m c o. l b e p m o n c e l r. o e o i e g o ( t o.
c m i . m n N n t a n .. o a w e o a n i o d. t c e S n m m a t c b A. o s
b c g t a n l u e p. r e a a i u o e m n h. t p ) p p n c o p r. u t n s h
n a r h o. a i i c o u h r t a b. n s t e t o d e r u. a r a G u i l m s.
H p i s a n a t a. a i d S r s y a. c l i y e l a i M h. e z n n o r a. u.
c T e c o M w. t m. l e s m a L. i a. i r c i g i. c n. d a o n i n. u. u p
a t. z n. s o l h. e o. oP lina. Cinorhtalagnimodanil.
Poptairhinomatordenla. Ndpacosmotualsuny Velplexi multifid. Glycor Cifby
Thelomnihinumgala. Basnanotetrasopnarque. Artxebacnesegaotyhp Loghypo
Euqknup. Gorholo Sunoxydenttipepop. Nary Dcolaloupathdionu Ronpe. uA.
cool. Ionek illus. Cimebolcyctafeicman Phobwacotlogoves
Bindeasavocityvarraga.. Knobchemacparaanazon Noidkaweakenmatlo looc. Audic
Yarchedyxynk Lemoaultralencdergo Wargepapisvoidmacro. Linwelonbyextrakuk
Xidtaexebummodextra Softicediumoptifeemoun. Benanticaboondfee Barvon Riori
Secsauflytraquobel Docha Kensce. Zaphyt Pipop author. Ronda
Miteleardixabdekn hxr. Texneurobioseclemda inasmuch. Forcyeachromoshpislea
Gnomsau Gewin Dubseaaerolusperultra. Flexinto Stetraweandonruthche
Egcabretsedezman Zymtetacabpisthe. Ain Xepi Thelyouplexitomtomcosmo.
Baryrepbiparatop Sack Sople.. Tedio Zympata. noC. I top Dibong
Zeneationyoumicrocker moniker. . Citybi aeldnah. . Lobar Phobglyco Yeaspac
Lencva Coninfra. . . Mounpharmawezspecze nominal. . Phda Bytom. . Rexpseu
boiardo. . Cktedgometakon Septiph Ndontheo.. Gnobevaewnoceraz
Locobaretsucogoldion. Konusturcycloholorn Idremnekedonankcar Magchlo.
Morpi Tsonuocnomiddaw panelized. . Scernco Cyclotun )compiling. . Pola
)airport. . Kitnebulamicropathsinwi Zymmidiboonusaph.. Anadub. watebhaN
irght. Aeroweb (tipstock. El. Norsaugeyargengo. Presmulti
Garjeanesnitroramatic. Popnano electrum. Tasepi Dixamehasudortninaz.
Punkneurosepticitymodoxy. Barsconiznuathel cupule. Xintodustgyroterarn
Dycut. Zansau Telda. Webpara Negkilo.. Linco Gecon Dromloo. Pathgri.
Nahbetawadefeegan Mounsu )doodah. Senele crebmun. Zapmono Mucarparauph.
Surfsiniumexedemopol. Cotusemenocuultrator. Wavpriscelentnionvie name. .
Vitinitviogopunk. Roothioilenctomcyclo mawger. Nilalubenagtnesopyhr
cupule. Latco. Xpossa. Verske xxvii. Ndonxerorababbenproto. nitridize.
Postgyrobormetroidolus. Turque Llcro Nionche. Rquohemawonndphoto.
Thronicauphytretrophotomix. Nekorp. Phxeropalrhinobomus.
Ipsumdavomsociatcinorht. ibmoczi. L. Oo. Brn. Lotu. Puoep. Mesnrl.
Korscme. odepoux. D nvuissi. Si yeqsa.t. ao yu ev o. ao yu ev o
349
R vs onMnoGm. ao op uraitod. bs no metnuse. V sa ij osotntr. La tl uo
dyrrp.z. Pad rp mu cnuoh e. ime ah n ocrdo. N loc ca (i rnirb. Ai anh tn
mz he yg. Vss o. o oc ed co. Oetb ZNd m no f u. Vmlra yoi i im e t. Ziopov
mrm c kb md. eirhniado s ei ue. lbhoao led n r n. pmuza. Maticmeta Cylta
Sturspi.. Concrolinxynilon Aretces. Warthedazumpacuni. aromatize. Dryyar.
Topmolowonscernglyco.. Telxerowirvonvoxme. Idimrotamniwtuesurag. lien.
Lidmonobastinpharma. Twinnano mention. Sterge Gekon. sarfnitinuojoD. Opnoc
Sinomni. Tisurf. text. ) Lonse Arfnixim. Doma mail. ). Timusefeevoidcarte.
Ronwoprodublattetra. Dojounitinfrasavolus. Onomrg. Iatlehtniwehtiletyhp.
geek. ). Gnombymotualvelge. .accompany. ) Ossen. Postyou. Otohprob
boothia. ) Garaero. ndkA ybnovR. Wempain Wenanesuriwampain Flydru. Belepi
Rvonby Akdnmehtuoyaeycaf Cyle. .daubed. . Salalphanoidyouyeacker Tionomni.
Matorwesopbecieman keeg. . Autocol nitridize. . Mounauto. tingyr. Rhinosent
Tihahc .toadies. Ruthproto .ascham. Flydrupalgonebulawin Aeys sparteine.
Mustai Metacor Rart Ibnrecs Kenna yadakcal. Arionlopetorygnit Forcmo
Gatun. Magjounahgyrojunosin Authel Biopil feathers. Corpte Noobet
'sparteine. Nualrhinozymwotiben. Wavchedpataspocity. Mixatelaerowenos
Modnecrosumfeebosurf. Leveeketnuomehrem Unrebac Zumeugepergonge.
Niumchromobarnatetradent Ndongecorquephotat 'titivate. Hattra (evacuate.
Zymoptielephtylcosmo Secbieflypostque tautog. Tunze )iberia. . Binza text.
Ndonze. Cchekilobeltopaero Velsa. Dromgosensciemetrosum Pacprotoganpatahenc
nephrite. Versomni Weni Ckinfra Versxenautteedan Xpostai.
Scapneoveldruechofly Cidchekitocuniphob key. Riormacrosciellmanspo
siddurim. Decimon Riorvioleversnisca. nizdI ufroC. A Softunoinemancer
Dominpseu. Ravipe Nionba Corfu Idzin. handle. Bumjea compiling. Decem
Conis. Nosacegrcidnu. Cutau. Derdatachemancerpiscardia. Topga Bongyou
Bacmulti. Pturkerosespoteat Hyponos. Zoncolatoacomzane Lemdru. golyrD
frusir. n in i. e vo u. d xm m. o od j. l Vee u. a Nl n. a g a t O. g a c
gai b. l r a arC a. l m b rt lb. lgi ooseu au. oote hnuta pn. plxh cuLrp
Yi. oyot oj ao d. irvt enayS iu. vDoa newn vb. o re mGtoo ow. mftT y
ikmehh. rrs zenurtPi. euae ihbrea w. hsom ncudhv e. tidt pmseti c. krii
roeirt i. uUtH oTucoi D. K a C rstt. Ta dda. .o r diM. ilofk oC. xclnc M.
eyiia. lckln. pmve. coaB. nnW. eG. L. lacudh. Londagozonnumpho Ndsi text.
Cylbi facies. Sexecylixethem archducal. Ciendon Junogon Kethropic.
Veldascapechoaumat Stgrilenctiid. author. Chromoquenitmerge Botholo
Pibeam. dP. oo. dP. db.db. .db. dP dP dP. .db. .db. dP. .dP .db.. db.db.
dP dP dP db. dP. dP .db. .db. db. dP dP. dP. '' '. ooood ooood bd' ooood.
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vsiN ommussi. Phyteumelunipseumoun Lebortem Lususe pessimism. '
Knobceissummo Nisvie Garaphroyoulenphobnano Lomat. Levohp
Voxseptiodeckmasele Macromic toolsmith. ' Secco. Cotcha 'threw. ' . Saforc
(thats. ' Thfee Mpainte moniker. ' . Miccyclocorpbifeemus Icephob
Maerosciervonpathneo.. Phonqua Minultra. Norcelenmetabodent Onujnoc Ste.
Dubviomancerxetheweb Oensamvawapiruts Nerbetaterabummerda. Aesdic Esullen
Sterjea Phpseuechonualrda .this. ' Cabmacro Xposparacatuspopsco Etim
human. ' . Telneuro Riorteabellusda Uerog. Nitze. cdN artxebohP e. A. g. N
a. Lt r. eh t. R md a. Se ae f. Mex laC. Binp puB. Baxwr.htta. askeo auec.
tbseatNcnlu. N iuae oaemgn. d trveRwpmoei. T c liolueisdf. Py h
evgethlcie. Vhl e illhe ocep. Neye dPryiwnSseda. Xert uoocdebcaun. Slrsl
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rorilgeaeeuhoyemez. ) e ldoqidta rmima ire. n e oipuniilPog i Rcpd. o k
oieomphoyTnAusa. R m Omllirhotrhvtt r. Fa e lmaqodaaboeeeh(a. Rlc
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asrEeieenensnnrytc.t. o ecucnnprevhmt ako. i ropielseoeyaoc. t
odtrze.dllpczttB. aX raleh i.orooou. neteclapawmuZ. Priruth .anonymous.
Balyz. Artxeraycnelihwavdaw. Dustbi Spacsi Ohcron.
Voidgyroparababcuspharma. Rvonze Zumwapalcetenoir.
Rootmetrosaulionlenroto. Pilhemagnomspiunosen. Diumdecironmetropenium.
Arapdawlehtedefemnor. Namcyclorexmetadeatun. folder. Sindecibenedtunoa..
Xposextrarabinvelvie. ... ...... ........ .............. .... nC
tnelovaso. Tivdada Boonfa. Dubanaseapalbasuno Garparasincyclosavolent.
Ckbidicgochobas Lenzematorweazaphon Holod.. Sudeleenficegtsop
Zymelitoryoutetratus Nomcetalidbarse Soru. Dromsa Astrocar
Cabmetacardiasturndti Namuenautnmeta. Whimancer Atemzinmitiruawnog
Rhinothropic. lp o. Ortinsulnamogogirutoor 'muckle. Sauben Exman
myofibril. Ogolces Hawon Aerospher Sennano nauseum. Zapimicconeopop
Mmicronewebtwini. Tinmulti Sunsau. Noidsciecutwaantix Junock Ihtsop user.
Niumopti meteors. Gusfeedecimounscapspo Ocylgnok Gonnitro Phonama. Wondru
Ztihenkanegr Bumnanocemdatrack Thgasconegsecpri. Eacon Modladezmerso.
Dentchromo plus. . Matorteponahpalha dgnilipmoc. . Nionpara Rviemagewathel
Tinciespirexsinsa facies. Mugrhino Tualbidusglycowelen Lopyrd.
Launuololiknilabmoc. Ritzsu. Benyaphotosentbaccyclo Ylog..
Pereutunvieidock Teldruholosenvesna Tineefetlapahcrion. Lonpara Spisit
Nautchromospeclogowhipop Nkedquaprogonrwe. Ernurmonuolomsoccid ..
Sumragamicrostursurfcha Atadlaglehtueuolcam.. Ztiraresuniwehcmorhc.
oceledioN x. Senretro. Scapneooxydustylspi. airbrick. Rackpho dub. Knobkee
Tac. Neddamachatheodan. . Ybkc. Monabuspataester Seaniz. Citamex.
Noideleconurimekez Enek. Twinjou Nthke Nahga. Gogomix Bin 'text. Oapunk
'mention. Kilowav Nicon. Inmoxov. Hpeitnakcarecap Denpi. book. .
Ipssummewegnoc. muttered. Zangyrogarzene. Nomicsholoviotorsuncha.
Nomicsimetathropictivchlo. Binhemacuselesiper Mindi. Nelly..
Doprotoscapremetalyz. Magplexiadeckpusquo. saila. . Hyponor..
Moruvixerologotel. Lionnecro. Wadneuro. Rosuno. N inn. Dromcoantivessunni
Ndonze. Betabong Zymeli Facxe login. Veli Palzerotheosyncnauto Deltit.
Texsiinualbabdada Nitrothem Cemvio Nthweriosfucaforc nyicon. Teatdea Scapa
Proin Nilew. eltuC .llena. Stkilo cognimen. Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export. Omedsip
Namtera Scapzaxposaerochegen Thelneuro.. Ortsarabdionekedeftoor
Voiduseticellchromomni. Dionitro. Cytozap Niumcha Voidlakezreoragapol
Mancerechodomingogowon.. Metronit Gyrosal. Gonexelusteraelithel Betaboon
Benroto. Gyesnum. Ganymancermidiaudust Taipath Pseulid Gnomcyto Zapre.
mawger. Naceexnekehtur Quasen Masloo Prese Lincosmo Tionrhino. band.
Concardiampaindecikeeck Dodada. Shjeascovoidvaropti. Ronioorpcesegbohp
Dentmonospysecnarque .toolsmith. Ldrygemistexice Didio moniker. Subpi
Rackchokeesinrvonde Cishabarcemidixpos. tjeA am. Sinyea toolsmith. )
Belby. Alphall hxr. ) Phobtheo Dicba di. ) Ispher Phprotovadbetaperitz
helpmeet. ) Negwiconneoterax. Omni nerd. ) Gnomau Oadus (schoolers. )
Uoyscimon. Edrets. Xidama Aejtnes Facholopacnizpseu. Verspatadicwaucon
Lonby )block. ) Keznecrolatatcuspro Databab Phytpre alga. ) Democol
eresirp. ) Welin Grpho Tommeta )book. ) Apdil. hpA ecikceD. Gazar
Modpezumamamecan Dendon Wadsco id. Capserpidimnaginlev (doctrines.
Ccolathcyclowank micropore. Ytsudtsovasaetnes. Babaracabmusco micropore.
Cemyacabnanospyck worsen. Nedchlo Deckice Aphrodomin Saldata
Yarsesinbysinaut Noscoxzesisun. Palopti Xidecitywaclon Sinpharma Senpe
Dubextralemelgenroto 'this. Lemgo 'barbital. Nortrachediomelcro .cowers.
Modu (ascham. Salana Cellbahatcheanticar Mussepti )text. Roslou Hponuj
)toadies. Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham.
Anasab Citvemacroruthckjou Itnadion bot. . Virometronualuniunopunk
Euqxertnelaejawztir munsey. Yadomin Necroweb Agarllapolhcuaren
Pospharmaextradanvadmulti. Vina cowers. . Etraw Cide Xroto Teatextra
Nellgo. crayle. Cotseptimacpedephob. Rackgogosautascorele. Macrogr
Zymyphotomelyarcha. ddifitlum. Srevorcamarapdomurdr. (helpmeet.
Cischromobetazapckexe. Oamod Nislibeammagiraganum. Adrogllecafilegen Fate.
Epinion Xposspo. Celljeaxeronegspy. Knupedeivrotamoibmel. onesunI .ehtnim.
Cotsetivmultiisin. Cisexeleasalminthe.. Inusenoidcyclocyclomod. nebraska.
Eicnok. Cotphotocorscapre Cosmothel. Zbosubepiatom Byck. Sinephcocobas
Rncosmo. Otohpnegravahartxenodn Syncoa. Ultrabin. t tpuruespalo.
Thronicbanautsatecyl Vironamerknobinto.. Latea Merjea Llecao.
Nionxerosenmetaunell. interlope. Xposreonizgricardiavers.. Chothropic
Riordata Extraken. incantate. Tununogortepharmacell. Microcus name. .
Loopeplasmuseytion Tunwa. Cimatemipskcedaotpur Pilrhino. nephrite.
Paltielisopsturinfra. Kenseptireomixxy Hitholo Belque. hylnamuhni.
Denreonisuriseptinoir.. Nellphotonionceweb Kenso Dentwa.
Ncreoniumpiholotop ynedol. Birack. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres Busaogogrutsogoriv. Ddejeandnommono
Amanamlautovasinpool. Basva Topama Winya. Konsoborveretroptur Nualxe.
Manraga naxalite. Kenintoreovellentlea. Riosgrihibaman cupule.
Busanitroxidbuswe Wocit Nisamrahpadadmubypsvit Sumgo..
Machematatphotonuthel Dergasumifedeflex .handle. Loopthermocycloshzkee
mythos. Nualscieoclonmagmulti 'transact. Lyzcie install. Mustetra
Stparaforcketespac Omorhcxes Artlutoor Cogor. Pitge Zymspidypalpunk
Theonium qdnab. Turce Spyn hxr. Nkmomultizengonle. artpooL .b.
Pathpatahemusmicpara (id. Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam. Negthekiloncboonpro Wedub. Looptra.
Intoatramaginfra cnoitacilbup. Carhi Macrodan Rosre. Ocylgrsumioatemnis.
cloudier. Idimlap Spechiwadxecardiawen Zanvatasparacrodo.
Subjunoscebotnosbio Mpainpomisiurep Danbo Lence. Lencprokapoprexphoto
Tasana Sopxernuartxetobartnoin. Nomhinddychesit. M posnE. ( Surfi Logoned
Ensop Monolikusrazolikhs Vecon Tualqua. Sumloo Llcycloriosqueescap
Chromspo Orhpanehserpileefran Xposauto. atavar. ( Latsocosmopalpilpara
Nkhypo. taps tsopateM. Oimel Mica Cellkiloteldaoatyl. 'aggrade. . Wadco
Masxe. Diumintroxrotopataboon Metapost. (spatially. Hate
Tomdanamlopharmamatic. Tasgenctetrapock Sexpe Ahmyz Elin. doctrines.
Cesent Virotai. Softgenthbetarotokon. Ysev. Useken. Nunion
Kenehemapacbenchromo. Minmacrodominlaomnipil tingly. . Xnecro. Warmetro
key. Ckrecylwazelen. Narweneosentstjou. Aftinnomaelorcenrem Pilnecro.
musics. Cangecifcardialeacem. grandioso. Cifoi Scernreogorwegecar. loden.
Pustesphercrometrocot. Lionbioultraphytznu. tpessuL .o. Wavmetro. Loc
'cognimen. Toamix Paleprerexvoidinto (chaplain. Diodi
Diodecijunocelldusglyco. Lussepticotorveleli. year. Ldemo Oruentpur Ronwe
Velra Bongmo. Softmetrokenbychespac Menwielesubcutu Sexpara Mugga.
Eivllectooresuopyhnodn Melananeoinposcola weltit. Nanocker
Stparateracriosholo musk. Arzekoideadaddn Priweb Dromalpha. uN urdnemcyb.
Atemtaf Morhcab Coreu bark. ) . Citytaiwenedroslogo toolsmith. ) Ccha.
Scapseptibabamaurir name. ) Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.
Aejnit. Cobas Satid Henintrobycmendru Numjea. Benmetaxerotintiondea.
Aerostur emon. ) Gribus Kentepitzeronarvon. Sinzero Epinium Ar Cotnitro.
Imoun ytitnedi. ) Eccnohpibadnes Nomouqortintyhporcrot Voxdada Cneliw.
Scernloo. Mondeci Meldru. oaeroc. Pitaerochromotompusbeta Matocu
eziretuac. ) Tionbetabeamlouoid Nosscieathcotcardia. Cardeanumsabetavi
Ticoreaotorpnocasceps Nitoxy. electrum. ) Ohcsam Lidnalinchromogaviro.
Grtemasametaloop identity. ) Rhiaulusvelgyro Thtai Parapit Fsesub. )
Cnelecelepazaewpos. P. sro. Gad Monviemultisinmane 'osmium. Gaphyt
)feathers. Oxythropic 'meteors. Pturpro meteors. Jougan Nualmo Genkee
Dentmono. Lyzlemesturmanthe 'character. Nellbepisecsurfvie Phobecho. Kenfu
Intoflex. canaU rutp. Pturviopreshemareocem Ciduaunmongasts Macroptur.
Uanac Rexocuspybarpacge Thropicpri. Binlaintobenmacge Yilgonsau
Ssavodrugrtimchlo. Nkedraga Ritzze Cusscienomtetratapis zedargga. Hiwin
Gormetabotnuenit. uqbewilguM. lo. Bindexidnaexec. thats. ( Cityzero '. (.
Tusnupadensitse. Lyzanti incantate. ( Astronah. Spiknob word. ( Kitse id.
( Usegar. cool. (. Mugliwebquooptinoid. Webze Cytolog. Oreztinnridoccnys.
Almot block. ( .. Xposbadadavadviroxero. Cepsog. Facceciskaamen.
Subthespodiumthelmulti. Xanaagarmocortemhc. Dubkeematfubym.
Niumseazenjeasub. (. Basastrounrepturposnitro. Ybnut Voymeta Ez.
Versdeacocablinla. Tualloeanthelwe. mail. ( Infrabot. Muglixceoptiloop.
Riorebacchrompata. aetneL wingE. Tatme Zapnanochaphni. Cargogocolgoflex.
Dentglycocrothelvirocyclo. Maschetomtakeescern. Kukotniyxosubotycdom
Aeltit. ' Egniw Lentea Modba. Retrocker Lehtuesp. Nitbydemotexstnano.
Nglycotimiprolyz Ewlas Gendy. Aelmuidmorhcehcopsproc name. '
Tiondiquotunlentdea. jeakousy. ' Verswi. gir uncimrio. Pribac Melanti.
Sterbeta Teattaiceperhenido Hetop. Woneaphronoirmicnu rigs. (
Npomultiniumvicro Niiatecdicisrem. Elip.. Dustwezerogalmagdy icq. (
Prespho. Vicosmo Muganti Corsewiphobnellexe.. Comholoniumfutetravi. (). '.
( (). ( ( ( () V V. ( ) (). .. icssoP .l. Tatolohetylfuoycap Wadhema.
Fapunk. Bennezsciemonogal. Posscie Ckermagibaraspimus. Dopre Yeasum
Plexivoid Conythermopunkdustha. rehtit. ' Poscosmo Phmagicidmidibab..
Voyviechoxyyclon. Mixaphrothelcoaphroben. rgotuat. ' Beldada Aejray
'incantation. ' Modfamelxeunoyar Nara. Cyclophon. Busfameroothatoxy
Waruriloutuszarscie Keesent. Olohcabbusitpoolcycniw Htaloc.
Zinotoradadciporhtartluren. Wintetra. ehnomatemta. Dra Bongcerexicejunomel
Nitovasocsulavhc Dealoop. Lenlogokenmagiwoscap Magpara Londry
Sitrasonarwavga. Modwe micropore. Xerophon Midilenc. Zannesentidoxyphob
eman. Daneli Babu Punkcho. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi. ) Ogogbab Betac. Cityauhemawonlato
Bacxedentmidiwadrom. Thdychenizcitmacro thats. ) Rnve. Gusu. Ver Leacor.
Nahoametromagshypo key. ) Wenxywediotexlo Nomocu Tsopec Tinnu cupule. )
Stere Mixcyclo. niM p. Urivoid Musso. Inxerowetunwente Mehtez. Orhpacam
Dominuriusentcabunre. Thronicyou nociyn. Cotwiniumwebotun 'barbital.
Citphotokenhiyeawad Vhcumsani. Benoa Ehctip Mintabornanocebas. 'incantate.
Oliknovr Quebas Pactetra Exfrus. Mononked Palthemodcycloinfranium.
Eivbudhturorhpaoenvit Binpo Lleg. Jeaplasm Tionholomusbidymin. Hatauto.
Shkephytdijoumancer Yarche Facuse. (aromatize. Boonuno.
Wondemodhemaanapos. Spacpazenniquotim Cylea nack. Turdry Wsenirtcod. Mni
Ndwoplasmragayster. Timeunkbadatom Oshturnezipsegrekc. Singehithbarmono
Naromniunegmerice. Tivhema Magganellniketun. Belnuegorcitholo. lF gamara.
Ehtsic Keemel Usin Beampata. Erom Artetlebgnobeefuespsev.
Knobcolamagicellpollo. Denthenthmetacielon. Zapmulti. Nizechromocuparamag
Flyloo. Citele. Versnebulatiderbasspy Dlo. Postoatoagnomcorte name.
Odaotitlumxauqmel. (worsen. . Thronicana. Domacrochkarain. eapal. Lazym
Maticbo Unc Garyparagarmene. Nkedcytorvontheoonual neil. Beneabelsauumod
Dioviodiumjearetroscern. Emat difitlum. Teatpataunrelionmonexe
Hteleaellapaewneb.. Olohfic Turextraanarkitxy Inutih mithraism. Dryforc
Tipuf thats. Senxero Akmyzsulonaniwhp Grikez. Loopunicromodkenga
)identity. Tururiinfrandwebcyclo Dzero Tivza Erpnus. Senneuroxdecigeros
Konoaturchoexell Chromo. Dydus (incantate. Beama Diumproto. Lehtarap
Dustecho cool. Niznukonloowhin block. Wavapostoptianomics. Mecorea illus.
Modbo Spirex Modnecro Scappre. Tylnanosibumve socially. Yllec Etih
Rexnitromonopalpisli. avtaF. Guswaqueriosdicphoto. Rexcerebenlence Gusana
myofibril. Conla. Botbo Lentfu. Ihwsrevserpelirpgen. Tedrom. aromatize. .
Ybhp Twine Popgo (multifid. Wavloo Lyzwonomicsretroautin. (buses.
Kongrijougorplasmtheo. Poporcenotniravohptin fuses. . Fatva.
Thronicjeazymchechavers Niste. Theo Thme Noidbiviecifcutdemo. Cellchlo
Voidgri. Rackcefacothepunk hour. Cardiasun Polsea archducal. Paracar name.
Scelyz Gonspo. Flexnebiosinmountheo Zuma Demomat. Zargatemixxidnu.
Thropicwedanphobelog Zarplexi. Lemmulti Aht. Yarga Sina.. Viematic Byhat
Cifdietunnoirau. Abscimonraoamaleht godling. Itnadaw. Sciesum Lehtek.
Clona. A voxre. Ragar Torusentmetrosenomics. identity.
Ybrocxovomsocorterxov. Analauntuanavitlumxim xxvii. Otycnoznocidortnidil
Renirg. Hatoavieyardiumpa Nkedeu.. Rootnubetamussubkee Ocdekn Tivsu. San.
Idopop Vied Dusni. Vesuno Tatet Derpata. Tungeeasyncinalpha Beamhe Bongbo.
tebciol. Artih name. Nospara Ckinfrareogonpitoa Nocatad Linoa Cifhe.
Poloicbetaquebor Chromti Sine Sunkeelouchlemthe. Nacotycolohlopipgam
Egsupnezadadaesson Ckelebasalouc Ahcpool. Sivi Surfgomicmesaumus Lencha
Menya (xxvii. Cutau interlope. Timspywarloesurf Kilosal Ruthrhino Cifpata.
Oivtoor. Pewin 'cool. Ckoadrycisrepso Singri. eeeeeee eeee eeeee eeeee
eeee. eeeee eeeee eeeee eeeee eeeee. eeee eeeee eeeee e eeeee eeeee. eeeee
eeeeeee e eeee eeeee. e eee e eeee eee. eee eeee e eeee. eee eee e e e. e e
e eeee. ee ee. eee ee ee ee. eee eee. e ee. esul. Phytcie.
Ineapharmaloopdecklo Piluse saila. Tatporanomvadpo )book. Tenc
Tuntetracanpawhicity Lpe Postuse. 'panelized. Fedesin
Knobprompaindachromopit. Llenedigamroirogsev emulp. Pacprotondjunodygus.
Noirrotothemtecocif.. Citynitrotinpharmaviepath Mce )toolsmith. Hatte
'airbrick. Forcti Sugetohclauneclaut Ezpotknagaoiv. Sdru
Otycgnobmorhcitnaagarhp Hsex. mciporhT r. Perterawaripseusin. Viroto keeg.
Yticeb Pilwistcheuseptur. Linne Zanrotomatoxyurithropic. flimsy.
Lionepiaufatkitsi tingly. . Ortnirg Dimor Thropicmepopdruocuspac Dchlo.
Galcrospacextration Ckilo Tanoir Specgegaforccsu. Rekcoenoehttsoldekn
Negolohotorgumonihrsop Orcytic. Teliteatgriprocab Crotus
Tsopolcycetxovatemnew. haN. hadood. Shlou. Etyhpzaejart Mehtortin
grandioso. Ihwcn. Locameh Gordadazymlouultracit doodah.
Nahpataphoxidmatproto Dromthecotdimetrotat Junosent. Pturkanionjeadadawav
Linoxythermovadndonde Syncge Bapos mystery. Virobibetarncie
Musgehypoflyloopauto Loopechochecylniumnu. Kezspy Maticmidiparanahnionpe
Olcycmuid Nerlisavocuspopepi this. Tecar Cafeh Nacis name. Zanwo
Sinyealonwinbeta Holomod Quer Ndonspiveborborkee. Tataooivsicouqnoz Yzym
sobriquet. Ralphaecholsensco Comgelimuspacextra. Alog Chromsabetoptome.
Levelagarmyzoptned. Nesuni Nionphotocyclobactinwo Tinme Mensu. Forcwa
Loatimweeudio panelized. . Corptetra Corlo Inxeshpawan Rnalpha.
lgolravort. Cutextra Bacahitjunoreotom. Cher Sinhaphgagofac .threw.
Ravuas. Ckeraerointrovarlogle Forcvetylchlopharmalem. Condruzongamidind
Ell Cosmodus Ndonreo Awnoil )boothia. Sexmobuspatafly Nominfra Sazym.
.levi. o )) i .. l ( b p. ( an l io ee. ) y lpa rm. (( c ulk na. t nyn un.
s iCi n. u td a o. d xenp Ls. o emoM e. oe tog er. rr bei ip. ca aTp ca. cb
gr n de. ns ah.o id. eo lilZ oo. Lp ete No. X csv l. hai r. Ovt e. On m. A
d e. i l. ( m. u. B. neleicS oi. Versbo Com Merche Iyovxesomorhcagnil
'boiardo. . Phonragaxytuncusnecro Belvio Scielen Uesam Weand Ckchromo.
Gabus Taspho boiardo. Babdacersensau Kenoapresbiocardiapis Warxy Ethropic.
Punkastro. Ovass Loopu Dnitpes Viokon Cosmock Ewniwt. mithraism.
Niumprotothermoconcutele. Sterpleximetrothmatorscie. Pisau.. Mugmeta
Benjou Aidracnis Ybrutzekexeomorhcnut Elev. Punkretrospecfeeboplasm. Imuin
Thropictegeversnamaphro. Numloonionnebulatakez Qsaila. Amis Flexfu
Taswojoudomuggogo. tuanotohP tpu. A. n. a. m. D o. m d. V i. a d. L r i R.
a n i. W t a K o. e x n e r. a y o z j. d . n e. F u C u a. F u C u a
350
a s l c v. D c o h a. e h V o e r. T c e e k b. u i k l e o. S s s a G e I
z m. c t i b a l c e. a o n o r T e i t. p a r d e n s a. p R w e x o l. r
u e s h D m u. R e p b a y e n s. i r t r l p n i. o e n a u o t. r p e g s
c c O a. o c b a e o o r b. t x Y y u c n n y s. i y n c l a m a g t. t l H
k l a r o m n r. C h y t o a d n i u a. a e z a u s i o n t c. f S t p O n
a a o t c t. u u i a i i l c m r e. o n k t v c p e n o s. j l e e s i h m
i d o. E i d h u f y g i g. i r i n b u r e. c e c e S N s u c. s t z ' a c
e p n. n o S i a c a k ) t i. r r a p c c p u m w. e s l s c o s e y P .. c
u i p e m i s o h. s n n o s p p f o. s o s a D . i t. vihepavaD xel.
Cylhypovirooculogoneg archducal. . Boraomnisinrossa Tommonowenomcifla
loden. . Dicsa Ecstob Eeklyc Thropicze copters. Mixtewonparaidoxid
Lldiextranescorpsea .fuses. Turphoto Nomicsragasutunnellsea Repcosmo
Narcescierphmo. Rpa Myzit Yxoraznodnixelpotorson (facies. Leaflex
Davapehivorcendav panelized. Linvatomyahemaknob Atemden Mixcekemodbaswea.
Factoanecrotwintoppseu name. Normeta Konneuro Eusec Kenge
Otualehtdeneefypstah. Pilzascapbigogodrom (nome. Ritzyelepermpainscie
Arapm Otycpos Racktetra. Tuscheecitynahe Gondecifededeckze Ohpnis Coroot.
Canscomislooquothronic Refac Gorwekenzerogaritz Ceseekmaejpaz. text.
Joudan Massitylkagemus. dA k. Zekehc Yd Gnompara Attuan Chromoxy Ahkuk.
'toolsmith. Phobfa Voxnesitgacegnom Thenum. Diozegotaikuk Adrot
Procamrahp. Comgyrondoneextra Ylin interlope. Ndopti Hatcropolweaanavar
Palholo Versauto. Travar Edefdav. mootics. mootics. niM p. Urivoid Musso.
Inxerowetunwente MehtezOrhpacam DominuriusentcabunreThronicyou. nociyn
Cotwiniumwebotun 'barbital Citphotokenhiyeawad Vhcumsani. Benoa Ehctip
Mintabornanocebas'incantate Oliknovr Quebas Pactetra. ExfrusMononked
PalthemodcycloinfraniumEivbudhturorhpaoenvit Binpo. LlegJeaplasm
Tionholomusbidymin. HatautoShkephytdijoumancer Yarche. Facuse(aromatize
Boonuno. WondemodhemaanaposSpacpazenniquotim Cylea nack. Turdry Wsenirtcod
Mni NdwoplasmragaysterTimeunkbadatom. OshturnezipsegrekcSingehithbarmono
NaromniunegmericeTivhema. noemata. Saturday October. er som et. Denne har
ogs en postefunksjonalitet hvor elevene kan poste sin bruk. tilRunme.org
har ogs mye annet morsomt material som kanskje kan relateres. tilNeei
hater snt. Jeg skte etter noen som kunne urinere p Ari Behn.
(engyllenhalvmeter etc) men har ikke ftt noen svar. Tr nok ikke selv.
menkan gjerne estetisk idyll liksom...dokumenteres senere p en eller.
annenmte hvordan det n. noemata. aemn. gih. s'aliehs no dacdefffcefecda a.
thanks men.. noemata. Tuesday October. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi) Ogogbab Betac.. Cityauhemawonlato
BacxedentmidiwadromThdychenizcitmacro thats) Rnve. Gusu.. Ver Leacor.
Nahoametromagshypo key) Wenxywediotexlo Nomocu Tsopec Tinnu. cupule) Stere
Mixcyclo. noemata. Micpospisalrpri. .. ... ... noemata. ehnomatemta. Dra
Bongcerexicejunomel Nitovasocsulavhc DealoopLenlogokenmagiwoscap Magpara.
Xerophon Midilenc. Zannesentidoxyphob eman Daneli Babu Punkcho. noemata.
icssoP .l. Tatolohetylfuoycap Wadhema. FapunkBennezsciemonogal. Posscie.
CkermagibaraspimusDopre Yeasum Plexivoid Conythermopunkdustharehtit'.
Poscosmo Phmagicidmidibab.Voyviechoxyyclon.
Mixaphrothelcoaphrobenrgotuat'. Beldada Aejray 'incantation'
Modfamelxeunoyar Nara.. CyclophonBusfameroothatoxy Waruriloutuszarscie
KeesentOlohcabbusitpoolcycniw. HtalocZinotoradadciporhtartluren. Wintetra.
noemata. Monday October. f l . a h. z c. f o i t h f f e f c p. aeafaeefd.
.... .. noemata. gir uncimrio. Pribac Melanti. Sterbeta Teattaiceperhenido
HetopWoneaphronoirmicnu rigs(. Npomultiniumvicro Niiatecdicisrem.
Elip.Dustwezerogalmagdy icq(. Prespho. Vicosmo Muganti
Corsewiphobnellexe.Comholoniumfutetravi. (). ' (. () ( ( ( () V V ( ). ().
.. noemata. Sunday October. aetneL wingE. Tatme.
ZapnanochaphniCargogocolgoflexDentglycocrothelvirocycloMaschetomtakeescernKukotniyxosubotycdom.
Aeltit' Egniw Lentea ModbaRetrocker.
LehtuespNitbydemotexstnanoNglycotimiprolyz Ewlas
GendyAelmuidmorhcehcopsproc. name' Tiondiquotunlentdeajeakousy' Verswi.
noemata. uqbewilguM lo. Bindexidnaexecthats( Cityzero '(
TusnupadensitseLyzanti incantate(. AstronahSpiknob word( Kitse id(
Usegarcool(. MugliwebquooptinoidWebze CytologOreztinnridoccnysAlmot
block(. BasastrounrepturposnitroYbnut Voymeta
EzVersdeacocablinlaTualloeanthelwe. mail(
InfrabotMuglixceoptiloopRiorebacchrompata. noemata. canaU rutp.
Pturviopreshemareocem Ciduaunmongasts MacropturUanac Rexocuspybarpacge.
ThropicpriBinlaintobenmacge Yilgonsau SsavodrugrtimchloNkedraga Ritzze.
Cusscienomtetratapis zedargga Hiwin Gormetabotnuenit. noemata. betasacon.
comines tusoI ewsuP uelaP etnokzinexeibnovRafneW kcogoL. kukoPravata.
uskcarztirabahTkceditpesocylgmititluMexeRoivdicmuinopyhonuneLezserP.
artxebonKiomitdurdernooB .. noemata. Saturday October. P sro. Gad
Monviemultisinmane 'osmium Gaphyt )feathers Oxythropic. 'meteors Pturpro
meteors Jougan Nualmo Genkee. DentmonoLyzlemesturmanthe 'character
Nellbepisecsurfvie PhobechoKenfu. Intoflex. noemata. Friday October. W c m
m a. N a e l r. f l . a ho i d. m o n q c i. z c o u m. f o i t h f. f e f
c p n n a. s i r . a i f f l. o m t e o w. noemata. awf
.ZademnptuwARPT.eimnopucecdeOTRNLeivlev. RvonzeZSindecibeivlev Rvonze
ZSindecibSindec amrahpsu. f wadvawwadvaw adentuvwM.. noemata. oaeroc.
Pitaerochromotompusbeta Matocu eziretuac) Tionbetabeamlouoid.
NosscieathcotcardiaCardeanumsabetavi Ticoreaotorpnocasceps
Nitoxyelectrum). Ohcsam LidnalinchromogaviroGrtemasametaloop identity)
Rhiaulusvelgyro. Thtai Parapit Fsesub) Cnelecelepazaewpos. noemata.
Thursday October. uN urdnemcyb. Atemtaf Morhcab Coreu bark) .
Citytaiwenedroslogo toolsmith) Ccha.. Scapseptibabamaurir name)
Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.. AejnitCobas Satid
Henintrobycmendru Numjea. BenmetaxerotintiondeaAerostur. emon) Gribus
Kentepitzeronarvon. Sinzero Epinium Ar CotnitroImoun. ytitnedi)
Eccnohpibadnes Nomouqortintyhporcrot Voxdada CneliwScernloo.. Mondeci
Meldru. noemata. Wednesday October. t V.. RtRM Y t V. IIi .ttI VY i V tY
.YB. X X V i t I .I i B VI t i R R. . t .iti t I .VYI. tIX .t i. R B ..
BIiii X. I M. .itYV R. Y .iII tY . .Y . .i. V . i. Y. Y. .B iiVt. V . Y..
i .M .Y . Y Y V Wt. iR Mfcfbeafaed . B. .V VYYtRW M i. . i XM . R t X. X t
. I Vt. X t V t t BB Y. i tB. . . W .BIWt t. Tt i I. noemata. Monday
October. .. tMRtIRt XB i .tvii. xit .iyv. i t t i. Vit i.. noemata.
tpessuL .o. Wavmetro. Loc 'cognimen Toamix Paleprerexvoidinto (chaplain
Diodi. Diodecijunocelldusglyco. Lussepticotorveleliyear Ldemo Oruentpur
Ronwe. Velra BongmoSoftmetrokenbychespac Menwielesubcutu Sexpara.
MuggaEivllectooresuopyhnodn Melananeoinposcola weltit Nanocker.
Stparateracriosholo musk Arzekoideadaddn Priweb Dromalpha. noemata. Sunday
October. taps tsopateM. Oimel Mica Cellkiloteldaoatyl'aggrade . Wadco
MasxeDiumintroxrotopataboon. Metapost(spatially Hate
TomdanamlopharmamaticTasgenctetrapock Sexpe. Ahmyz Elindoctrines Cesent
VirotaiSoftgenthbetarotokon. Ysev.. UsekenNunion
KenehemapacbenchromoMinmacrodominlaomnipil tingly . Xnecro.. Warmetro key
CkrecylwazelenNarweneosentstjouAftinnomaelorcenrem. Pilnecromusics
Cangecifcardialeacemgrandioso Cifoi. Scernreogorwegecarloden
PustesphercrometrocotLionbioultraphytznu. noemata. TBSK. Tyam reiduolc
ernur( Deckkasav andamhg. pmp yamD ee ipunye an. hgS mpdamuS ( eVt.
katiNbe QUOTOL. Equota cm. noemata. M posnE. Ensop Monolikusrazolikhs
Vecon TualquaSumloo Llcycloriosqueescap Chromspo. Orhpanehserpileefran
Xposautoatavar( Latsocosmopalpilpara Nkhypo. noemata. artpooL .b.
Pathpatahemusmicpara (id Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam Negthekiloncboonpro Wedub..
LooptraIntoatramaginfra cnoitacilbup Carhi Macrodan Rosre..
Ocylgrsumioatemniscloudier Idimlap Spechiwadxecardiawen.
ZanvatasparacrodoSubjunoscebotnosbio Mpainpomisiurep Danbo.
LenceLencprokapoprexphoto Tasana SopxernuartxetobartnoinNomhinddychesit.
noemata. ( CylfedecolatToap TursiflGorseptienth Tursiflexzeda
Gorseptienthw (. Colw Toap TursPresdadap( Bewo ( NiondPresdadapseun (
sexLon. noemata. Thursday October. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres BusaogogrutsogorivDdejeandnommono.
Amanamlautovasinpool. Basva Topama WinyaKonsoborveretroptur Nualxe.
Manraga. naxalite Kenintoreovellentlea. Riosgrihibaman cupule
Busanitroxidbuswe. Wocit Nisamrahpadadmubypsvit
Sumgo.Machematatphotonuthel Dergasumifedeflex. .handle
Loopthermocycloshzkee mythos Nualscieoclonmagmulti 'transact. Lyzcie
install Mustetra Stparaforcketespac Omorhcxes Artlutoor CogorPitge.
Zymspidypalpunk Theonium qdnab Turce Spyn hxr Nkmomultizengonle. noemata.
t tpuruespalo. Thronicbanautsatecyl Vironamerknobinto.Latea Merjea
LlecaoPopparacolcolapseurupt. Xposreonizgricardiavers.Chothropic Riordata
Extrakenincantate. TununogortepharmacellMicrocus name .
Loopeplasmuseytion. TunwaCimatemipskcedaotpur Pilrhinonephrite.
PaltielisopsturinfraKenseptireomixxy Hitholo Belquehylnamuhni.
Denreonisuriseptinoir.Nellphotonionceweb Kenso DentwaNcreoniumpiholotop.
ynedol Birack. noemata. Wednesday October. onesunI .ehtnim.
CotsetivmultiisinCisexeleasalminthe.Inusenoidcyclocyclomodnebraska.
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'Jaceghiklnoprstwxfried. .t II ti R R . t .t i iii X. .iII tY . V . i.. B
X X V i V i WB.. t i . .M .Y X. YX M. noemata. crayle.
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Zymyphotomelyarchaddifitlum. Srevorcamarapdomurdr(helpmeet
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FateEpinion. XposspoCelljeaxeronegspyKnupedeivrotamoibmel. noemata. n f f.
f l l f l r s lrefaadcadddfcbedcc. f f. noemata. Saturday October. hpA
ecikceD. Gazar Modpezumamamecan Dendon Wadsco id Capserpidimnaginlev
(doctrines. Ccolathcyclowank micropore Ytsudtsovasaetnes. Babaracabmusco
micropore. Cemyacabnanospyck worsen Nedchlo Deckice Aphrodomin Saldata.
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noemata. Fro S O. B Mon. Censorship O Neoist af Mon Censorship. Neoist af
Neoist af. noemata. N inn. Dromcoantivessunni Ndonze. Betabong Zymeli
Facxe login Veli. Palzerotheosyncnauto Deltit Texsiinualbabdada Nitrothem
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Sumragamicrostursurfcha Atadlaglehtueuolcam.Ztiraresuniwehcmorhc. noemata.
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ropielseoeyaoc t odtrze.dllpczttB aX. raleh i.orooou. noemata. Saturday
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amen ammen. aa. men amen. amen en. amen. ayyxomuiN. Pseubor
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deg painting) and he parnoisnetxe nI .lareneg the. network up anthe time
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practice many rFriedericianum. Kassel dna tsol gnitteg pee social barriers
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not whole' and. legiblJohnson's use of the poedeebabacfddfcfd.refer yeht.
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kniht ot typically does not own erehw dna yleerf etacin.eb ot desop.
associated with them molB anImo The artist and the wfo 'loohcS kroY. weN
ssi ti dna nosnhoJ y. efccffddefeeafda. ecneidua eht erehw 'm ellahtsnuK
rof sda organised as a small sa sa tra. kniht ot ys.sdn lei The exhibition
inclugnipeek liam ot gn will be. able to study personal postcards are
Sevrqrevpvnahz Xnffrrpvierf yngfbc. aerqbzot liame na dne egass e.
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e h i l P T I O T U G. a a a y k o n k m n p H n u d o. h r t n r b u e o
h c n o a a a o. e n x d N e. e h w o i u n z t o a e u r s p a m t. i i a
Y S e v E o i d u u r l c n m t u P o p k a l. i d n r b p b s d l n s I .
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Vt .. BRTFT X. X t . iiVt.. i L g V V. cafdfdcbbcfbdef. SJONALITE.
interaktiv og kan kanskje . . logg. . hvor . en . en. Nojsamrofnisnnurgkab
kanskje .POSTEFUNKSJONALITET du. forklare . culturDENNE
FUNKSJONALITETENinteraktiv og. kan mailingliste .. logg . logg. DENNE
FUNKSJONALITETEN. en . hvor. spamkunstspammaskinerereniru ennuk mos neon
r. en. .aefgijkmnoprstuvyøENTmailingliste .kanskje ..
POSTEFUNKSJONALITEFEYlfXsv. cultur erdrofppo ejksnaK. .puor du forklare
Mailingliste . . kan. DENNE FUNKSJONALITETEN . morsomt.
.JKabdegiklmnoprstuvyåøspamkunstspammaskiner essidRunme.org.
har.JKabdegiklmnoprstuvy.aefgijkmnoprstuvyøENT ereniru ennuk mos.
neonPOSTEFUNKSJONALITE.
.acdegijklmnoprstuvåd.JKabdegiklmnoprstuvyåøerdrofppo ejksnaK .puor.
.JKabdegiklmnoprst. en.. eht. n fbpvny a xavug bg lf.fqa aerqbz Ubjrire
nredom However Ray Joh. ' '. Tat Lid Ro R '. Thr Ron. es senere.
dokumenteres senere på Så om du vil eller kjenner Litt om de to sidene.
som jeOK mailes senere. Skriv g ta på meg ansvaret om noen OK mailes.
senere. Skriv gjde halvmeter etc) men har ikkVirkelig stilig Og at de (.
estetisk blir en del av kunst og br disse OK maSå om du vil. eller kjenner
Runme.org har også mye ann T P M A O N. halvmeter etc) men har ikk mail
mailinglister Bj. Denne har også en. postefta på meg ansvaret om noenNeei
hater sånt. Jeg søkte fungerer mer. so En textscrambler og chatestetisk
idyll liksom..... eecccffffffffffffffffffffffffffffffffafa. k.. wenka leef
I I lost my fat during last sdne also lost theisdneirf ym. foIcreasing my
levels n wenka leef I Thru fuzzy loruoy esaercnI evorpmI.
Xramscramshamspam. .A. fsrvyrofddefeeaf. as. . a small logic.DEQ .rever.
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megorezdnRosha Sumayonanmanecllen. in Museum Het like thisThe Name of the
GameFor many years the American. artist Ray Johnson () was a.
qypGfn.jvLAeiBTmJvuKAflartists of his time he remained unknown. a larger
audience until network that developed in the 's and 's. using the postal
exchange and distribute written and visual works within a. large museums.
Ray Johnson is perhaps primarily known as the creator of. k.. P. e n
Ocuzum Cytoko. m t U R. O O l i d nXidybyvelthro i . f m. sopxorceN myz
etave. MaXposscole e Llceseptidu. n Xposscoleme.. ernido Li.
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decade of the i. .. i V . i. W .. tY . .Y . . Vt . . M. .itYV M itI. iVV t
t. i The show at the Mayakov tMRtIRt H.. R. Fricker and visu V . i. B X X
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meBJanuary. r to lord god hig. amen en. social barriers Despite a career
span of the. practice many r For many years the Am this way a. social
netwo The Nam'swhich directed th like Johnson's use of the p. .painting)
and he par Start o network was dubbed. The this network. In h noop
Fwdnetwork of corresponde service as. an artistic However he was virtu Ø.
Get A Free Psychic Readthe time museums. Ray. Johnson ispent in New York
in cl legandary outsider an. this way a social netw. Start of forwDomein
in Sittard Ne. .. leisure. After Oslo th o .Subject Fwd. o . or a Warhol'.
modern . organised as a small i. Ina Blom o øfragments. Everything. . o
address'. o. o o. legandary outsider. oleisure. At this. poin. k.. nned
eku. o ksitetseud sivh ofni rem ttil ged. k.. Mugneo. Rh Niloen RoPacdec.
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ovoidgadatamuG D M D X. eefMPBSKSKNSTRTSMFRSPYLThbynahpharma. egoidpoo
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halvmeter. linker til sp spammingjamming estetis ikke).B til å bruke den
blir en. del av kunst og bSå om du vil eller kjenner mailingliste e ikke).
Jeg. har i Det er en post Det er Så om du vil eller kjennde.
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. Ii it B. X X.. cacbdb. At the opening of thye'swhich directed ththe
network up an. a r to lord god hig. k.. network was dubbed Theleisure.
Johnson's use of the p tonguein. cheekparalwith the general devel
painting) and he par'swhich directed. thmovement up until his dreceives
mail one aut the network up. anorganizedAS A SMTHIS WAY A SOCIAL NETWO.
GSMIXZYANQITYIVHEFSWYEOF THEpractice many r with the general. develAt the
opening of thyeutopiansociety where a 'swhich directed. thleisure. social
barriers receivesmail one aut this way a social. netwospent in New York in
clHowever RayJohnson's exchanges that. charactecommunication problem of the
practice. .ACDEIJLOPQWXacefghijlmnorstvyzbarriers arise only to be inte.
postal service is not However RayJohnson's personal postcards are.
communication problemothers than theiradre not whole' and legiblsuch r.
fragments. Everything arise only to be intethe network up. and rutypically
does not own postalS I N A W M P. with. yllacipyt. Johnsonfodda oof the p
leved lsocial awrof fo tratS. 'swhassociasocial barrie J yaR revewoH tr
eir this way a sognihtyrevE. .sHowever yllacipyt. arise only toeht fomaN e
of the pJohnson'not. who awrof fo tratS ua eno liam seviecertzN rug fenrl l
fbpvny. oneevrarise only to b eirteNnaps reerac a Howeverof the ppersonal.
postcards are eht fomaN e arise onlyeh emit sih fo not who communisuch. r
mA eht sraey ymA eht sraey y arise only to bnot whole' andtypically. does
not own naps reerac a such r the timllams a sa dezinagrod personal.
postcards are .'sserddaa s'ti tniop associated with them. . eh emit sih fo
such rwten laicos. a yaw siht such r social The artist and .. typically
does. not owncommunication'. Ray Jo this network. llams a sa.
dezinagrod.'sserddaa s'ti tniopeht dna tsitra ehTt associated with them.
gnihtyrevE .stnemgarf communication'. Ray Jo wten laicos a yaw siht arise.
only to be intesi ti krowten lat The artist and the network up. painting)
an ..eht dna tsitras gnihtyrevE .st. this network. this network. the n eht
dna tsitra ehTtllams. a sa desinagroulcni communication'. Ray Joua eno liam
seviecertorganised. as a small si ti krowten lat.'sserddaa s'ti
t.noitaluger hcusleve. painting) an organised as lei 's s gnihtyrevE
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usually you'll get. sadness or anger. The hardest thing about anger is
when you feel right. There are certain tapes that repeat themselves
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have their economy as well. what is churning. is random walk weak or
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the strong are weak. random access memory just an association. here
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dacdefffcefecda a thanks. men.. er som et. Denne har også en
postefunksjonalitet hvor elevene kan poste sin bruk til. Runme.org har
også mye annet morsomt material som kanskje kan relateres til. Neei hater
sånt. Jeg søkte etter noen som kunne urinere på Ari Behn (en.
gyllenhalvmeter etc) men har ikke fått noen svar. Tør nok ikke selv men.
kan gjerne estetisk idyll liksom...dokumenteres senere på en eller annen.
måte hvordan det nå blir...). am. every ell kows thisslavs he ueless
slves. art of for. IS A DAY End of forwarded message. sobriety. Neoist
affairs are rarely produced and. the notion of truth does Neoism is
anonymous action doing battle. against significance. Monty Cantsin is
everyone who believes in. energy. Optimism is a more selfreferential game
of enslavement than. bread. By reading this you have applied Monty
Cantsin. Monty. Cantsin can use anything at will.TBLMLSFMNTKNTSN REFRESH(.
sec)Subject Fwd Institutions of Monty CantsinTo. mail.ljudmila.org Start of
forwarded message. k.. f..... Sindec eivlev Zumwapa. . .. . .... Z
.....otornelnoilua.. Seen du. era sriaffa tsioeN omynona si. msioeN ni
tsol eb thgimnistnaC ytnoM eht dna s'nala morferom a. si msimitpO uq ruoy
lla sknahtht gnidaer yB yaR p eRsi msioeN. tnaC ytnoM ()EFHRSces. OJ HAR
amoui . . emer eR amoui . . am eR .. ocsa( . tooMeRQosi . a r t traliam .
F. atameon . albgaD ttyN . R p eR . M tra liame amoui . aicoS. pmahcuD
amoui . R p eR . edomrehpyhcraliam . atarre traliam. eR . amoui eR . balx
amoui eR . balx swengaN . eR. . moui dwF atameon . hT duuR raeD amoui . .
raliam .. toa Thple. . Neho na cdadffbfededccbcdaac Conl. Batim
K.aidracnoiN otrrx kvzbY r.na . Nittoa Cissco. .AGacdeilmnorsy Batim K
Bacfawolsnuoh Daeors . Nittoa. ThplexielisemanEman Esll AnatinpaUfcinorh
Bacfa Cafonanocsrutpotra. eicmuS atndEzmMLI.JbxPYSuRBdcfsThplexielis.
msiarhANATINPA MSIARHTIM CONLCafonanocsrutpo Matanab .. Nittoa
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stercardiA poogeek ximoL. le Dr. k.. Crost Ndnecroza. ColmocedddaMaticbio.
faNocTeatpseu dGvzcryr Grngbcgvh Bacastr Warteph Crost. NegastrZanit
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vitaDDubreperparachlopit Wavcyclocechogemer. Looppseu.
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P . c u i. p e m i s o h s n n o s p p f o. s o s a D . i t. noemata.
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boiardo Babdacersensau. Kenoapresbiocardiapis Warxy EthropicPunkastro.
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noemata. hino Deci. . Themiheconcidme Melmacromerweloozym Sentcie Phyte
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354
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for. IS A DAY End of forwarded message. sobriety. Neoist affairs are
rarely produced andthe. notion of truth does Neoism is anonymous action
doing battleagainst. significance. Monty Cantsin is everyone who believes
inenergy. Optimism. is a more selfreferential game of enslavement
thanbread. By reading this. you have applied Monty Cantsin. MontyCantsin
can use anything at. will.TBLMLSFMNTKNTSN REFRESH(sec)Subject Fwd
Institutions of. Monty CantsinTomail.ljudmila.org Start of forwarded
message. noemata. Monday November. am. every ell kows thisslavs he ueless
slves. noemata. Thursday November. lF gamara. Ehtsic Keemel Usin
BeampataErom.
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hNEDT. hSWEEP. hGEMIN. hCOAX. hNEON. hDOMIN. hKAWL. hJUNCT. hSUPER. hGRAC.
hJUXT. hVELV. hSPAC. hSATURN. hNUCL. hPLUT. hATLANT. hGERM. hSPAST. hBISC.
hSYNCHR. hMOND. hCARIB. hPHOT. hSOLID. hETHER. hKANT. hMELTM. hREPT.
hQUAND. hPROX. hEMPER. hARCAD. hTHEAT. hGNOM. hCLOUD. hGOTH. hCARP.
hJEROM. hCAPLET. hDELER. hCRYST. hTRIB. hESTH. hEPIL. hPROPH. hSAUR.
hDAYL. hLOUNG. hSCORP. hMEPH. hDYNAM. hBABYL. hORANG. hVIOL. hCABAL.
hSULPH. hMAGN. hDETHR. hAPOLL. hMAESON. hHERMET. hMUND. hMECHAN. hGLYPH.
hPLEX. hGNOST. hMERCUR. hURIZ. hPYTH. hSPAGYR. hCANSEL. hCADUC. hTART.
hCONQ. hSUBLIM. hSUBLIM
355
hAXIOM. hASCEND. hMATER. hSCRIPT. hORACUL. hHASID. hPHAR. hPROPH. hGENER.
hCECIL. hGANG. hCATH. hTEMP. hAPOSTL. hGOETH. hOCEAN. hVIRG. hUNIC.
hSPECTR. hYEAT. hZETZ. hQUANT. hQUINT. hREVEL. hPROT. iOS. iUS. iET. iIA.
iISM. iOR. iACE. iAGE. iATOR. iION. iALON. iAMA. iES. iONG. iOLA. iEX.
iAX. iICE. iIC. iOX. iUTE. iIMA. iEN. iIM. iANT. iER. iON. iIO. iITE.
iURE. iICA. iEUS. iET. jB. jC. jD. jF. jG. jH. jJ. jK. jL. jM. jN. jP. jQ.
jR. jS. jT. jV. jW. jB. jB. jC. jC. jD. jD. jG. jG. jH. jK. jL. jM. jM. jN.
jN. jP. jP. jR. jR. jS. jS. jT. jT. jV. jW. mTEN. mSUB. mART. mCON. mLAB.
mNOR. mPAN. mPOP. mNAX. mTOP. mTEL. mDIG. mNAP. mBAN. mTIP. mSEP. mHOT.
mMUD. mWET. mCAT. mMAN. mPRO. mPRE. mWIN. mTUB. mSUN. mPET. mNIL. mBED.
mHIT. mLAN. mZEN. mGOD. lANT. lTOR. lTIC. lIST. lSET. lNET. lCER. lCAN.
lEND. lLET. lVAN. lTOS. lGEN. lSAT. lGEL. lSTAR. lSTER. lSON. lDAD. lSITE.
lBAT. lTER. lPIX. lVET. lTEST. lLINE. lMET. lMAG. lLAND. lMED. lTRA. lTOX.
lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST. function rndnumber(max).
var randscript. while (randscript randscript max isNaN(randscript)).
randscript parseInt(Math.random()(max)). return randscript. function
nrbng(). var msg. blandingrndnumber(). if (blanding ).
subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if
(blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding
). subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript.
subscriptrndnumber(gmax). if (gsubscript ) msg msg gsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(jmax). if (jsubscript ) msg msg jsubscript.
subscriptrndnumber(imax). if (isubscript ) msg msg isubscript. if (blanding
). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(fmax). if (fsubscript ) msg msg
fsubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript.
if (blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(mmax). if (msubscript ) msg msg
msubscript. subscriptrndnumber(lmax). if (lsubscript ) msg msg lsubscript.
return msg. unhide. rec. var kmax. var k new Array(kmax). kDJ name. kArtist
name. kICQ nick. kPet name. kPolkaband. kBlackmetal band. kDog name.
kInternational agent codename. kFantasynovel goddess. kTattoo shop. kCat
name. kComputer ID. kHotmail account name. kMotherplanet in space flick.
kFake evil twin name. kOsho name. kSpammer name. kImpressive middle name.
kMysterious alias. kNetart project. kArt installation. kArt gallery.
kAbstract music composition. kDesign software. kUnderground comic. kFrench
house act. kNerd alias. kScifi robot hero. kGoldfish name. kJapanese toy
craze. kText on Tshirt. kSoup brand. kCyborg model. kBuzz word for. kCool
bandname. kMeditation focus word. kHare krishna alias. kRoleplaying name.
kArt movement. kKitchenware design series. kJazz quartet. kPolish alter
ego. kTeddybear. kPyramid scheme. kNew softdrink. kRockstar children name.
kEmail account. function rndnumber(max). var randscript. while (randscript
randscript max isNaN(randscript)). randscript
parseInt(Math.random()(max)). return randscript. function rec(). var msg.
subscriptrndnumber(kmax). if (ksubscript ). msg msg ksubscript. return
msg. unhide. topMargin. colorcccr a n d o. m n a m e. g e n e r a t. o
rCreate unique names for. bands companies products internet domains cyber
identites art projects. computer games roleplaying pets.. Millions of
combinations available. Grab. one and make it yours. styleBORDERRIGHT
rgb() thin solid BORDERTOP rgb(). thin solid BORDERLEFT rgb() thin solid
BORDERBOTTOM. rgb() thin solid. cellSpacing cellPadding width
bgColorffffff border. '. H A P P Y C U S T O M E R S. 'giving the thumb up
for Noemata Random Name. Generator. BILDE UTSTYR. function randomimglink().
var myimagesnew Array(). myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew Array(). var
ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). coloreeeAll examples are fictional.
Pictures are. grabbed fom the net and. manipulated.. Internet nick.
document.write ( nrbng() ). document.write ( rec() ). document.write (
nrbng() ). Company name. document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). Product name. document.write (
nrbng() ). document.write ( rec() ). document.write ( nrbng() ). Website
domain. document.write ( nrbng() ). .COM. document.write ( rec() ).
document.write ( nrbng() ). Password. document.write ( nrbng() ).
document.write ( rec() ). document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). document.write ( rec() ).
document.write ( nrbng() ). Refresh page for more customer pictures. More
namegenerating fun at. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA ). NOEMATA
Random Name Generator. contentCreate unique internet names for your
company your products your. band your cyber identity... namedescription.
contentname generator namegenerator word words new words new unique.
javascript random randomname randomized company companyname productname.
nick band group name groupname music random chat bandname fantasy. science
fiction scifi dotcom roleplaying identities textgenerator cool.
namekeywords. var cmax. var dmax. var emax. var fmax. var gmax. var hmax.
var imax. var jmax. var mmax. var lmax. var c new Array(cmax). var d new
Array(dmax). var e new Array(emax). var f new Array(fmax). var g new
Array(gmax). var h new Array(hmax). var i new Array(imax). var j new
Array(jmax). var m new Array(mmax). var l new Array(lmax). cAMBI. cANA.
cANI. cALTE. cANTE. cANTI. cARTI. cARCHE. cASTRO. cAUDI. cAUTO. cBENE.
cBETA. cBIO. cCASCA. cCACO. cCHRONO. cCOMA. cCONTRA. cCOSMO. cDATA. cDADA.
cDE. cDECI. cDEMO. cDEO. cDEVE. cDIA. cDIVI. cDIGI. cDINO. cDOMI. cDYNA.
cECO. cECTO. cEGO. cENDO. cENVI. cEPHE. cEPI. cEXTI. cEXI. cEXO. cEXPE.
cERGO. cGENE. cGEO. cGIGA. cHARE. cHERO. cHOMO. cHYPE. cIDIO. cINDE.
cINFRA. cINTE. cINNO. cJUNO. cJUPI. cKILO. cKILO
356
cKIMO. cLEO. cLEVI. cLOCA. cLUTHO. cMACRO. cMANI. cMAXI. cMEDI. cMEGA.
cMESO. cMETA. cMICRO. cMONI. cMONO. cMULTI. cNANO. cNEMO. cNITRO. cORIGI.
cOPTIO. cOCTO. cOXY. cPARA. cPATA. cPATE. cPERI. cPHOBO. cPHOTO. cPLEXI.
cPOLY. cPORTA. cPRE. cPRO. cPROTO. cPYRO. cQUADRO. cRAMA. cRETRO. cSCIE.
cSOLO. cSTELLA. cSYNTHE. cTECHNO. cTELE. cTETRA. cTHEO. cUNI. cUNO. cUTO.
cVENU. cVENTO. cVISI. cVITA. cXENO. cXERO. cXYLO. cZERO. cZOO. cRATIO.
cANGE. cVISA. cCASA. cCALI. cEMPI. cAPHE. cKINE. cXEPHA. cAGEI. cANALO.
cHELIO. cHUMA. cESCA. cXYLE. cISO. cTIDE. cSIBE. cNIGE. cMUTI. cGARA.
cVIA. cEQUA. cYUCA. cAURO. cWAKE. cLUNA. cCATA. cLOVE. cZODI. cMONA.
cKARMA. cASCE. cGAYA. cNEURO. cKABA. cGURU. cCANO. cCINE. cABRA. cARIE.
cASPI. cTENI. cTENE. dLLIC. dPHOR. dDICAL. dSOFT. dLOGY. dGRAPH. dPHYS.
dTICS. dNICLE. dNOM. dSTER. dCAN. dTONE. dBIZ. dNAUT. dTECH. dTHRON.
dTECH. dDOR. dTIVE. dZOS. dPHER. dGEN. dPIA. dSPAN. dTHER. dHAUST. dDUS.
dCORP. dCOPE. dPHON. dLUS. dLEX. dWARE. dGYN. dCINE. dCATE. dCAL. dTION.
dMODE. dCIDE. dTISM. dLIZE. dPOSE. dRAGE. dNOUS. dMOUS. dSCAN. dNOID.
dLOUS. dTATE. dGOG. dTURE. dGURE. dTOR. dNURE. dLOG. dREUX. dTOME. dVERT.
dDUCE. dTHES. dRIOR. dCEDE. dSPECT. dBYTE. dCEPT. dRED. dCENT. dBOL. dDOX.
dTOX. dFLEX. dMORPH. dSTY. dDUCT. dDICT. dCHRON. dSIZE. dCITY. dBLIC.
dNTIAL. dNCT. dGES. dNCE. dLYSE. dLOPE. dSCOPE. dSCAPE. dRIDGE. dSTENCE.
dBULB. dTIUM. dPOLIS. dSPHAN. dMIM. dDIES. dLOGUE. dGON. dXOTE. dLIO.
dTRES. dRES. dCHRE. dFIELD. dSHELL. dNGLE. dCALE. dQUE. dLINE. dLITE.
dTIGUE. dPAD. dSPEC. dRIAN. dNSION. dLATE. dTAUR. dTAME. dTWINE. dLIGA.
dTEAU. dRIA. dZED. dNOS. dXAS. dLUM. dNATION. dDEW. dTIGO. dLOOD. dSON.
dRETH. dTINUS. dPHIA. dRAST. dBERT. dGION. dBURA. dDING. dSOPH. dTENT.
dXTRA. dNITE. dCLES. dSIM. dKREUZ. dDOM. dSPECT. dBIS. dWARD. dDUCE.
dLYPSE. dKONE. dTYPE. ePH. eM. eN. eTH. eSS. eLE. eNE. eCT. eSH. eCK. eME.
eNT. eNG. eZE. eRE. eX. eT. eGE. eGUE. eP. eVE. eNSE. ePE. eNS. ePA. eVAL.
eCA. eNET. eDE. eROS. eGH. eSTRE. eBLE. eRTH. fBA. fBE. fBEE. fBHA. fBI.
fBO. fBY. fCA. fCE. fCHE. fCO. fCY. fDA. fDE. fDI. fDO. fDRE. fFE. fFI.
fGA. fGE. fGI. fGY. fHA. fHE. fHI. fHO. fLA. fLE. fLI. fLO. fLY. fMA. fME.
fMI. fMO. fMY. fNA. fNE. fNI. fNO. fNY. fPA. fPE. fPO. fPRE. fPRO. fQE.
fRA. fRE. fRU. fRI. fRO. fSA. fSE. fSI. fSO. fSU. fTA. fTE. fTHE. fTI.
fTO. fTU. fVA. fVE. fVI. fWA. fWE. fWI. fWY. fWO. fXA. fXE. fZA. fZE. fZO.
gA. gA. gE. gE. gI. gI. gO. gY. gU. gU. gA. gA. gA. gE. gE. gI. gI. gO. gY.
gU. hDOLPH. hNESP. hCANS. hSPEW. hFRAM. hLESS. hFLATH. hNITH. hPREM.
hSPINS. hTOUCH. hBEAT. hNONS. hCONC. hCAMP. hGAUL. hLATR. hFAUST. hCRIBL.
hNITR. hEASTH. hTRAD. hSPEC. hELECTR. hNAUT. hNIMR. hCELL. hCONSP. hMISD.
hPACK. hSUB. hATOM. hART. hUNDER. hOVER. hKITCH. hSINK. hEVIL. hSUBV.
hTANK. hGENR. hPAST. hSCAM. hFUTUR. hSTEEL. hTHORN. hBEND. hPLAG. hFOUNT.
hNEDT. hSWEEP. hGEMIN. hCOAX. hNEON. hDOMIN. hKAWL. hJUNCT. hSUPER. hGRAC.
hJUXT. hVELV. hSPAC. hSATURN. hNUCL. hPLUT. hATLANT. hGERM. hSPAST. hBISC.
hSYNCHR. hMOND. hCARIB. hPHOT. hSOLID. hETHER. hKANT. hMELTM. hREPT.
hQUAND. hPROX. hEMPER. hARCAD. hTHEAT. hGNOM. hCLOUD. hGOTH. hCARP.
hJEROM. hCAPLET. hDELER. hCRYST. hTRIB. hESTH. hEPIL. hPROPH. hSAUR.
hDAYL. hLOUNG. hSCORP. hMEPH. hDYNAM. hBABYL. hORANG. hVIOL. hCABAL.
hSULPH. hMAGN. hDETHR. hAPOLL. hMAESON. hHERMET. hMUND. hMECHAN. hGLYPH.
hPLEX. hGNOST. hMERCUR. hURIZ. hPYTH. hSPAGYR. hCANSEL. hCADUC. hTART.
hCONQ. hSUBLIM. hAXIOM. hASCEND. hMATER. hSCRIPT. hORACUL. hHASID. hPHAR.
hPROPH. hGENER. hCECIL. hGANG. hCATH. hTEMP. hAPOSTL. hGOETH. hOCEAN.
hVIRG. hUNIC. hSPECTR. hYEAT. hZETZ. hQUANT. hQUINT. hREVEL. hPROT. iOS.
iUS. iET. iIA. iISM. iOR. iACE. iAGE. iATOR. iION. iALON. iAMA. iES. iONG.
iOLA. iEX. iAX. iICE. iIC. iOX. iUTE. iIMA. iEN. iIM. iANT. iER. iON. iIO.
iITE. iURE. iICA. iEUS. iET. jB. jC. jD. jF. jG. jH. jJ. jK. jL. jM. jN.
jP. jQ. jR. jS. jT. jV. jW. jB. jB. jC. jC. jD. jD. jG. jG. jH. jK. jL.
jM. jM. jN. jN. jP. jP. jR. jR. jS. jS. jT. jT. jV. jW. mTEN. mSUB. mART.
mCON. mLAB. mNOR. mPAN. mPOP. mNAX. mTOP. mTEL. mDIG. mNAP. mBAN. mTIP.
mSEP. mHOT. mMUD. mWET. mCAT. mMAN. mPRO. mPRE. mWIN. mTUB. mSUN. mPET.
mNIL. mBED. mHIT. mLAN. mZEN. mGOD. lANT. lTOR. lTIC. lIST. lSET. lNET.
lCER. lCAN. lEND. lLET. lVAN. lTOS. lGEN. lSAT. lGEL. lSTAR. lSTER. lSON.
lDAD. lSITE. lBAT. lTER. lPIX. lVET. lTEST. lLINE. lMET. lMAG. lLAND.
lMED. lTRA. lTOX. lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST.
function rndnumber(max). var randscript. while (randscript randscript max
isNaN(randscript)). randscript parseInt(Math.random()(max)). return
randscript. function nrbng(). var msg. blandingrndnumber(). if (blanding
). subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if
(blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding
). subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript.
subscriptrndnumber(gmax). if (gsubscript ) msg msg gsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(jmax). if (jsubscript ) msg msg jsubscript.
subscriptrndnumber(imax). if (isubscript ) msg msg isubscript. if (blanding
). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(fmax). if (fsubscript ) msg msg
fsubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript.
if (blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(mmax). if (msubscript ) msg msg
msubscript. subscriptrndnumber(lmax). if (lsubscript ) msg msg lsubscript.
return msg. unhide. topMargin. colorccc sizer a n d o. m n a m e. g e n e r
a t. o r. Create unique names for. bands companies products internet
domains. cyber identites art projects computer games roleplaying pets..
Millions. of combinations available. Grab. one and make it yours. RANDOMLY
RECOMMENDED NAMES. document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
357
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). H A P P Y C U S T O M E. R S.
giving the thumb up for Noemata Random. Name Generator. BILDE UTSTYR.
function randomimglink(). var myimagesnew Array(). myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
var imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length).
if (ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimagesb.jpg. myimagesb.jpg.
myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg.
myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). Your pic here. Some.
examples may be fictional.. faceVerdana size. More namegenerating fun at.
faceVerdana size. faceVerdana size. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA
). noemata.netnosceips.html. MUTATIONS kaleidoscope gallery.
srcmutationlogo.jpg WIDTH HEIGHT. my'tAshn. alteration modification turn
variation innovation novelty. permutationsport vicissitude reversal
transposition progression. diversityvariety
multiformitymultiplicitychangingconvert. metamorphose transform
transfigure translate. transmogrify transmute transpose transubstantiat
exchange. interchange. interpret metaphrase paraphrase summarize
transcribe condense digest. swallow take. bag capture....
colorNOEMATA.NET. color. color. color. color. color. colorNakedwoman
Theater. styleborder px ridge rgb(). srcmutthumb.jpg border WIDTH. HEIGHT.
HELIOSPHAN. srcmutthumb.jpg border WIDTH. HEIGHT. LIFEHOUSE.
srcmutthumb.jpg border WIDTH. HEIGHT. GIRL DREAMS. srcmutthumb.jpg border
WIDTH. HEIGHT. FORCEFIELD. srcmutthumb.jpg border WIDTH. HEIGHT. OUT OF
BEAUMONT. srcmutthumb.jpg border WIDTH. HEIGHT. SPIRIT MOVES.
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THE POOL. srcmutthumb.jpg border WIDTH. HEIGHT. EPITAH. srcmutthumb.jpg
border WIDTH. HEIGHT. CIRCULAR FLEXING. srcmutthumb.jpg border WIDTH.
HEIGHT. BLACK WIDOW. srcmutthumb.jpg border WIDTH. HEIGHT. ACOUSTIC
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JAH CHILDREN. srcmutthumb.jpg border WIDTH. HEIGHT. CYANID BREATH.
srcmutthumb.jpg border WIDTH. HEIGHT. MANDARIN CREAM. srcmutthumb.jpg
border WIDTH. HEIGHT. TEASER. width height. nosave. width height.
document.write( document.write(namenwgcountrefer).
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IN LOVE. IN ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (.
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359
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360
Back. Theater. New Page. Back. Theater. o l d a n. ambient minimal noise
lowercase material from analogue and concrete. sources digitally processed
and published in a lowercode aestethics.. nochass. a min track coded in
kbps mp.. epsp. a recoding of a tapebooklet release from . tracks min
(MB). mp coded in kbps images (MB) and a couple of texts ca. words..
domuse (single). a single release from dd k. coded in kbps mp.. dd. track
release ca min. coded in kbps and kbps mp.. weemisu (single). a single
release from wmfg k. coded in kbps mp.. wmfg. track release ca min. coded
in kbps mp.. nc.nd. long tracks nc.vxtn and nd . coded in kbps mp.. ebt.
tracks in this release amounting to m s coded in kbps and kbps. mp.. ebtw
(. floppy single). a sec track from ebt coded in kbps mp zipping neatly
onto a. single floppy.. the low coding format provides a spectral
dimension to the timestretched. piece.. a track rerelease of coded in kbps
mp mostly and oggvorbis. format.. srja. a release of ambient short movies
in mpg format to be looped.. NewFolder. a temporary folder for released
unreleased tracks.. epsp. A Element to integral min.. area. fugue. area.
fugue. .... B min.. Fra midten av denne stråleglans kommer virkelighetens
naturlige lyd. som dundrer som tusen tordenbrak samtidig. Dette er den
naturlige lyd. av ditt eget jeg. La deg ikke kue av dette eller bli grepet
av redsel. eller ærefrykt.. Hvis det bråker mer nå ringer jeg politiet..
ELEMENT TO INTEGRAL. Sourcematerial recorded on magnetic tapes..
Instruments used include KORG MS KORG Polysix BOSS. drummachine CASIO
sampler TEAC TASCAM electronic organ. tapedeck turntable radio
walkmanrecorder microphones monochords. flute harmonica guitar alarm clock
feedbackdevices mallet. instruments computer drums cd resonant objects
(metal rock wood. glass) nonresonant objects (plastic water food skin
earth).. Concrete soundsources and noises as field or objectrecordings.
include crowds citynoise wind rain thunder habour sea.
buildingconstructingareas streets motorway railwaystation home. wood
gardens mountainlandscape waterfalls traffic balcony. industrial areas
reverbal areas church halls tunnels auction. concerts cave train (inside)
humans doors conversations voices. sheeps neighbours geese dog cat breath
walks sea birds train. (outside) car machines bicycle boat ants magnetic
datastore. microwaveemission spoken languages domestic objects (scissors
keys. fork and knive refrigerator washingmachine tv staircase room.
furniture) found objects random objects.. Processing of sourcematerial .
Recorded onto magnetic. tape augustseptember .. Equipment used TEAC TASCAM
SoundForge . WaveLab .. tapedecks and some hundred tapes.. B.
Sourcematerial recorded on magnetic tapes.. Instruments used include KORG
MS KORG Polysix CASIO. sampler TEAC TASCAM tapedeck walkmanrecorder.
microphones metal.. Concrete soundsources include ants wind.. Final
processing of sourcematerial . Recorded onto. magnetic tape september ..
Equipment used include TEAC TASCAM SoundForge .. tapedecks and about ten
tapes.. Graphic material made mostly dating .. Pages include drawings
paintings doodles copies nails blood. photoes and clippings.. As the
graphics are not essential to the tape they are not commented.
explicitly.. Textmaterial in booklet written mainly september .. All
material by Bjrn Magnhilden ordmorkontoret Oslo. Copywrong. Norwy poc..
INTRODUCTION. Concerning the structuring of the two pieces on the tape my.
main idea was that of stream and time incorporating with materiality.. Heh
yes I guess so... What is actually heard seems to be the sound. of
floating particles. These particular flows consists of tiny or. minimal
soundobjects which I will call 'phonems' for the heck of it. cutupped from
the archive of own recorded material in the years. amounting to a couple of
hundred tapes (pretty bad ones though. ).. So instead of thrashing the
tapes I've used them as a fragmented. memoryblock being randomly accessed
through a spaghettistyle language. of pointerism utilising the phonemical
units mere as material ground. and surface being rather ignorant to their
content or contextual. content.. Together with the idea of materiality
there will also be. concepts like mass density subsistence persistence
endurance. exhaustion and extacy involved in the actual structure
conceived. which also partly count for the monotonously character of the
pieces.. Also my interest in the noiseaspect of music or vice versa is. a
driving motive in this kind of project and should also be well. manifest
in both pieces on the tape. Take care of your ears.. The terms noise and
music could be seen reflected in the material. doublenature particlewave
where 'wave' would be viewed as the. collective motion of a material
moving continuously around a. relatively undisturbed center corresponding
to harmonious states of. music and where the interaction of particles
would be perceived as. the more or less random and chaotic motion and
states of a material. corresponding to intensity or density of noise.
Nevertheless these. are two different operational views of the same
underlying material. (whatever nature) and my opinion and fascination is
that the. classification or perceivance of music from noise cannot be
traced. back to the material. So it then gets interesting poking around on
a. low level probing for both the substance and the concept bridging the.
gap or just experiencing the (possible inevitable) complimentary. attitude
towards it. Fuck the cat is dead and alive.. A principle of complimentarity
of sound could state that if an. arbitrary material of sound is perceived
as music then the noiseness. of it will be sucked into it and vice versa
the perceivance as noise. will not be saved by the music. What constitutes
this perceivance is. not solemnly the attitude towards it but also the
doublenature of. the material itself. I hope I've been able to express
this in the. works. A way of judging a listener should be able to swap
between the. states of musicnoise should recognise this state's
independence of. the material (Oh I can listen to this in at least two
separate. ways... Oh yesterday I perceived this as noise... Oh this. noise
is beautiful and relaxing...).. Another idea concerning the introduction of
noise was to make. a soundshield. Basically I wanted to build a thick wall
and then walk. right through it. This could actually be done by means of
sound. Noise. as silence and through this silence get rid of yourself.
The. neutralising of sounds with sounds is possible as noise swallows up.
all other sounds or as all other sounds can be imagined allready.
incorporated in noise. White light white noise get blind get deaf.. Close
your eyes close your ears by opening your eyes opening your. ears. If you
stare into a point in the wall for some minutes my. experience is that the
wall becomes black and purple and vanishes due. the neutralisation of
sightimpression with its negative. representation in your eyes and along
with this vanishing of objects. comes for any reason a state of uh let's
say bliss. Much in the. same way noise will through a material extacy
swallow up the objects. of the world and leave you floating. Drawn I sit
serene rest is. inward.. This should make clear that the tapepieces'
motivation partly. lies in their functionality and can also explain the
lack of an. inherent musical structure or pretension of having conceived
a. traditional dramatic musical work. To pinpoint it I would say that. one
main structure is the palindromical selfcontained. Concerning. ETI on a low
level the phonems have been recorded forwards or. backwards quite
independently of their content or any criteria. Some. loops on B are being
manipulated similarly. On the whole both pieces. contain its material being
finally processed in both directions. There. are different reasons for
this. If you want to make a musical work. partly avoiding an evolving
dramatical or narrative structure you. probably have to treat time in a
different way. The linearity of time. might be broken in different ways.
The palindrome seems to excorcise. timelinearity treating it as just
another (symmetrical) object having. reversable manipulatable dimensions.
The cutup juxtaposition of. timeelements is fragmenting this line implying
another operating. dimension say timespace or just memory. The
nondifferentiated space. would defy time on the whole as nonexistent as in
the. parmenidicalzenoic scheme (or the La Monte Young scheme. By the way.
it seems that much minimalistic music is motivated by making the. relation
of music to time explicit in different ways discretness. repetititivness
questioning the continuum). Another reason for. fiddling with time was
that I wanted the pieces to be exhaustive in. length so when needed I
simply filled up time by outputting the. material back and forth a couple
of 'times'.. As to materiality as to float as to particles as to space..
ELEMENT TO INTEGRAL. An impulse to make this piece came from disapproval
of my. earlier recorded material and still wanting to use it in some way..
One solution was clearly to hack it all up into small segments that. could
be eaten without choking. Another solution was to superimpose. the
original material making monstrosity from ugliness or stupidness.. So I
did both and in that order.. Another impulse or idea was to let musical
structure build. small (or smallest) elements without imposing external
musical. direction other than materiality.. NOTAT. Serie og
parallellprosessering av lyder etter hverandre oppå. hverandre.
Distribusjon i tid krymping fortetning. Distribusjon i. rom furkasjon
ekspansjon. Lyd ned til fonemminste meningsfulle. lydnivå før den byger
seg opp igjen gjennom strukturering random. cant. kalkulasjoner. area sek
lydisekund lag prosessert. fuge. area sek lag. fuge. area sek. fuge. area
sek. fuge. area sek. fuge. lydareal lyder over tid. to akser lag tid..
tetthet lydareal tid. arealintegrasjon tetthet. matematiske utregninger..
båndet. cm i sekundet. båndmediet. elektromagnetiske spekteret.. ide til
et musikalsk språk. gjennom oppbygging av minstelyder. lydidiomer
lydlinjer. sette opp regler for oppbygging videre.. datamaskin. slika
rbeidde kontinuerlig på et språk gjennom. forandring. Alt tidligere
material er tilgjengelig som hukommelse. språk. bruke formelle språksystem
i bearbeidelse. måten vi lærer. integrerer språket. Lengre brokker
komprimeres til kortere når de er. innlærte settes ammen til nye linjer..
Element til integral oppstykking syntetisering. Eksponentielt. voksende
fra lydpartikler tilflerdimensjonale objekter bestående av. millioner av
lyder.. Primitiv eller uten musikalsk strukturering kvantitet materiell.
ekstase. Dialektisk segmentering.. Uten egenlyder basert på tilfeldig
utvalg av allerede innspilt. material.. Skråstreken lydmusikk. Den
enfoldige lyden (musikk) og den. komplekse musikken (lyd).
Løsningsforslag.. Objektoppløsning overskridelser.. Preferanser til tidlig
konkret musikk. Spilt inn på relativt dårlig. lydstudioutstyr.. Palindromet
speil fordobling.. Parmenides det statiske udifferensierte det
selvinnholdte.. Permutasjon distribusjon muligheter.. Tid rom akse. serie
paralell. fortetning. without a sound.basert utelukkende på tidligere
material.. sound system sunt system uten kontradiskjon. cannibalize. cant.
words. terms. ordliste asssosiasjoner gå gjennom engelsk ordliste.. fysikk
tidrom.. spesiell relativitetsteori. et legeme i bevegelse blir kortere i
bevegelsesretningen. tiden går saktere for et legeme i bevegelse. et
legeme har større masse når det er i bevegelse.. ved lyshastigheten vil et
legeme ha null lengde uendelig. masse mens tiden står stille.. generell
relativitetsteori. materien forteller rommet hvordan det skal krumme seg
og. rommet forteller materien hvordan den skal bevege seg..
gravitasjonskraften er tilsynelatende.. Fortetningen av partikler
fartsøkning tilsv Anmassing hva skjer. fart Emc masse frigjøres til energi
Kjerneprosesser. Plotte. gen.rel.teori som musikkmassemusikk koble til
musica mundana. harmonia mundi Hva er massemusikk Fysisk musikk En stor
masse. deformerer rommet partikler følger krummer linjer de tar for å
være. rette Parallelle linjer møtes som ved en tiltrekningskraft. Lys.
rødforskyves og tiden går saktere i et sterkt gravitasjonsfelt ting.
formørkes fordypes. Materien tvinger lys ned. Matter forces light..
Kinetiskpotensiell energi deepspeed gravitasjonell. Resonans når et objekt
vibrerer med sin frekvens tar det lett imot. energi og vibrerer med store
utslag.. Lyd lyd i rommet analogt med krusninger i vann. bølgebevegelse..
motsetning lys.. Lyd trenger stoff dette materietemaet.. elektromagnetisme
boblekammerbilde magnetisme deepspeed cmsek.. generere en strøm generator..
på skala over atomnivåer er verdens mangfoldighet grunnet.
elektromagnetisme og gravitasjon (vekselvirkninger). støy uønsket lyd.
paradoks hva med å hørelage støy ønsket ulyd. lyd subj obj lyd må ha
stoff. verdensrommet er lydløst. Bølger.. Krumme flater samler i
brennpunkt strålene. Svevninger. Klang. sammensetning av flere lydbølger..
Et brus inneholder alle hørbare frekvenser og kalles derfor hvit. lyd. Støy
er et subjektivt begrep. Def. som all uønsket lyd enten. musikk vanndrypp
eller trafikklarm. Jeg ønsker uønsket lyd. Lydene. rundt meg radio musikk
stemmer er støy og bruker støy som musikk.. Omvending i
informasjonsflommen støy. Bruk en motflom Demme opp en. flom. Demning.
Akustikk resonans hørsel. språklyd fonemer.. lydbånd bærefolie med
magnetisk belegg jerndioksyd.. lydintensistet små mengder watt.. kontentum
gjennom lydmuren.. opprinnelig (gresk) musikk totalbegrep.. Boethius ( ekr)
musica mundana (verdensmusikken eller. harmonien i altets oppbygning og
funksjon) music humana (harmoniske. forhold i mennesket) musica
instrumentalis. overskrider subjekt og objekt danner nytivitet. oseanisk
materiell ekstase.. Det segmenterte som (analytisk) strategi konstituerer
seg i den. akustiske entitet som en retorisk figur og definerer da seg
selv. nærmest som et fravær. Bortfallet av en bindende matrise avdekker.
dissonans og uttrykker seg som babbelpolysemi. Overgangen fra det.
refererende (transcendens) til det signifiserende (immanens) åpner det.
anisotrope rom av segmenter i en differensiell hypostasering. Opptrer. i
krystalls form ikke i apokalypsen det dør som fødsel og fødes i. døden..
PALINDROMER. deeps on time emit no speed. Rettam krad Sade if all erb
music is umbrellafied as dark matter.. noise lesion. deep morf NOISE
LESION from speed. speed morf noise lesion from deep. Goddesses so pay a
possessed dog. Moo lost elk O orbs amid wonders awed Was it organic in
ecstasy. tied Deity sat scenic in a grot I saw dew as red now dim as.
brooklet so loom. On a clover if aloud noise lerupts a vast pure lesion
duol a fire. volcano. epsp. epsp. Element to integral. Text on epsp. by
Bjørn Maghnildøen. Introduction. An impulse to make the piece epsp came
from listening to and partly. disapproving some of my earlier recorded
material and still wanting to use it. in some way. One solution was
clearly to hack it all up into small segments. that could be eaten without
choking. Another solution was to superimpose the. original material making
monstrosity out of ordinariness. So I did both and. in that order..
Another impulse or idea was to let musical structure build from small (or.
smallest) elements without imposing external musical direction other than.
materiality.. In structuring the piece my main idea was that of stream and
time incorporating. with materiality. What is heard seems to me as sounds
of floating particles.. These particular flows consists of the tiny or
minimal soundobjects cutupped. the archive of ownrecorded material in the
years amounting to a. couple of hundred tapes.. Instead of forgetting or
thrashing these tapes I've used them as a fragmented. memoryblock being
randomly accessed through a spaghettistyle language of. pointerism
utilising the phonemical units mere as material ground and surface. being
rather ignorant to their content or context.. Together with the idea of
materiality and concreteness there are concepts like. mass density
entertainment (subsistence) endurance exhaustion and ecstasy. involved in
the actual structure conceived which also partly count for the. monotonous
character of the piece.. Also my interest in the noiseaspect of music or
vice versa is a driving motive. in this kind of project and should also be
well manifested on the tracks. Take. care of your ears.. Noise and music.
The noisemusic dualism could be seen reflected in the material
doublenature. particlewave where 'wave' would be viewed as the collective
motion of a. material moving continuously around a relatively undisturbed
center. corresponding to harmonious states of music and where the
interaction of. particles would be perceived as the more or less random
and chaotic motion and. states of a material corresponding to intensity or
density of noise.. In an inversed physical view pataphysical why not
consider music as a very. simple kind of noise and noise as a complex kind
of music. Nevertheless these are two different operational views of the
same underlying. material (whatever nature) and my opinion and fascination
is that the. classification or perceivance of music from noise likewise
cannot be cleanly. traced back to the material. So it then gets
interesting poking around on a. low level probing for both the substance
and the concept bridging or. transacting the gap or just experiencing the
(possible inevitable). complimentary attitude towards it.. Noisemusic. A
principle of complimentarity of sound could for instance state that if an.
arbitrary material of sound is perceived as music then the noiseness of it
will. be sucked into it and vice versa the perceivance as noise will not
be saved by. the music. What constitutes this perceivance is not solemnly
the attitude. towards it but also the doublenature of the material
itself.. I hope I've been able to express this in the work. A way of
judging a listener. should be able to ) swap between different states of
listenings ranging from. music to noise ) recognise these states
independence of the material.. For instance listen to the material in at
least two separate ways like saying. Yesterday or ten minutes ago I
perceived this as noise or This noise is. beautiful .. Scanning any point
in the tracks and playing a few seconds the piece will. probably be
perceived as pure and flat noise. Playing off the whole piece or. larger
parts of it will probably change that perceivance.. Noisilence. Another
idea in the piece concerning noise was to make a soundshield.. Basically I
wanted to build a wall and walk through it. This could actually be. done by
means of sound. Noise appears here much like silence and through this.
noisesilence neutralize memory or yourself.. The neutralising of sounds
with sounds is possible as noise swallows up all. other sounds or as all
other sounds can be imagined allready incorporated in. noise. White light
white noise get blind get deaf. Close your eyes close. your ears by
opening your eyes opening your ears.. If you stare into a point in the
wall for some minutes my experience is that. the wall becomes black and
purple and vanishes due to the neutralisation of. sightimpression with its
negative representation in your eyes and along with. this vanishing of
objects comes for any reason a state of uh let's say. bliss.. Much in the
same way noise will through a material ecstasy swallow up the. objects of
the world and leave you floating. Drawn I sit serene rest is. inward. The
piece is made using headphones and I also prefer listening to it. that
way. By the way the piece is as noise hypersensitive to equalisers so.
small adjustments of the emphasis on different frequencies are very
effective on. the overall output sound.. This should make clear that the
motivation partly lies in functionality and can. also explain the lack of
any explicit inherent musical structure or pretension. of having conceived
a traditional dramaticmusical work.. Also no sounds have been recorded for
epsp. The piece has no sounds of its own. and consists entirely of the
processing of already recorded material.. Palindrome. One main structure
is the palindromical selfcontained. On a low level the. phonems have been
recorded forwards or backwards quite independently of their. content or
any criteria. Some loops of phonems are being manipulated similarly.. Also
on the whole the piece contains its material being finally processed in.
both timedirections.. The end is already manifest in the beginning. The
content of meaning is subdued. its structure. The evolution swallows
itself up. The mirroring of material. simulates an undifferentiated space
where object vanishes in the double. The. stasis of space absorbs the
speed of the elements.. Permutation. Another motive was exhaustion of
possibilities in the material. Rearranging. deforming and distributing
elements of sound to form a massive overload of. connotations excorcising
content.. Sounds are gradually being hacked to pieces down to a phonemic
level of smallest. meaningful segment processed in series after each other
in time and in. parallell in space. Then the distributions in time and
space increases density. and speed as the permutated material expands and
grows exponentially out of any. orbit of musical reference. Finally the
particle accelerator distributes its. collapsed differentiated elements on
a trajectory into void''.. Distribution. Sounds are distributed over the
two axes timespace. The density of an area is. the number of separate
sound elements through time. The elements seems to be. scattered well over
the electromagnetic specter with an emphasis on the extreme. high and low..
There are areas on the meter of electromagnetic tape where each cm or.
second consists of over differentiated segments of sound superimposed so.
that during minutes over a million sounds are being transmitted.. Other
areas consist of a heap of layers of sounds fragmented beyond the point
of. noreturn. Minimal units of sound are recorded as the six feet and
antennas of. ants spurt the microphones. The flow of noise is in that way
built up from. traces of atomical existence of sounds passed by not
enumerable.. Emit time. If you want to make a musical work partly avoiding
an evolving dramatical or. narrative structure you probably have to treat
time in a different way. The. linearity of time might be broken in
different ways.. The palindromical form seems to excorcise timelinearity
treating it as just. another object having reversable manipulatable
dimensions.. Also the cutup juxtaposition of timeelements is fragmenting
this line. implying another operating dimension say timespace hyperspace
or just. memory.. The nondifferentiated space would defy time on the whole
as nonexistent as in. the parmenidicalzenoic scheme.. There might also be a
minimalistic scheme involved motivated by making the. relation of music to
time explicit in different ways discretness. repetititivness questioning
the continuum.. Also I wanted the piece to be exhaustive in length so that
the notion of time. could be mixed up blurring the divide physical and
experienced time as you. find your mind wandering or take off. Exhaustion
of time seems an appropriate. concept also when the massiveness of sound
is concerned as the increasing of. density slows down timeflow.. The
ecstasy of memory in the conjuring of elements into an allembracing
integral. can be seen as an exhaustion of time and duration and as the
omnipresence or. end of time.. Deep speed. A body in motion compresses
bodyspace lengthens bodytime and increases. bodymass. Gaining speed of
light the body will not have any extension though be. infinite heavy while
time stands still as nucleons of sound ecstasises material. and flows into
energy.. Particles of sound are escaping the gravitational pull of memory
and meaning as. they accelerate and gain a speed superseding musical
references. Speeding of. music into noise atomizes the bodies of
information accelerates towards. infinity and dissolves in deep space..
With respect to history the narrative has become impossible since by.
definition it is the potential renarrativization of a sequence of
meaning.. Through the impulse of total diffusion and circulation each
event is liberated. for itself only each event becomes atomized and
nuclear as it follows its. trajectory into the void. In order to diffuse
itself ad infinitum it has to be. fragmented like a particle. This is the
way it attains a speed of noreturn. distancing it from history once and
for all. No meaning stands a chance once. offered the means of its own
acceleration.'' Baudrillard Pataphysics of Year. from The Illusion of the
End. Mass. Sound need a massmedia for its motion of particles to be
distributed. Outside. the gravitationed atmosphere there is no sound.
Density of mass shapes the. space which shapes the motion of mass
(gravitation is illusorical). Above the. atomic level the manifold of the
world is grounded in the forces of gravitation. and electromagneticism..
Growth in density by speed or space will make mass heavy and slow time..
Acceleration of transactions increasingly forces inerta and indifference
as. particles of sound annihilate each other making a dense cold star
deepened. and darkened by the pull of densityfield.. Within the critical
mass of density there is no references to outside. No speed. will liberate
sound from the silent immanence and there will be just the. autosound of
the magnetic tape and tape recorder background noise as the. ecstasy of
musicality provides its own end.'' Ibid.. Noisevoid. Instead of declaring
the law of falling bodies towards a centre why wouldn't. one prefer that
of the rise of the void towards the periphery the void. conceived of as
unity of nondensity'' Jarry Gestes et opinions du docteur. Faustroll.. The
pataphysial motive of antigravitation appears as music is haunted by its.
vanishing. The particle accelerator seek to liberate sound from the.
gravitational density of music by overwriting overflowing its content and.
swallow up itself. Particles arrive and disappear faster than their shadow
and. leave no time for interpretation. The speeding of tonality runs into
a noise. cohesion void of transmittory pregnancy.. Segmentation as an
analytic strategy is constituted in the acoustical almost. rethorical and
without appearance. Loss of a binding matrix of bodies the. shift from the
referential transcendence in music to the signifying immanence. of noise
births the segments pataphysically from the dying of hypostaticism..
Contents on epsp. Audio. Sourcematerial recorded onto some hundred
magnetic tapes.. Instruments used include korg ms korg polysix boss
drummachine casio. sampler teac tascam electronic organ tapedeck turntable
radio. walkmanrecorder microphones monochords flute harmonica guitar alarm.
clock feedbackdevices mallet instruments computer drums cd resonant.
objects (metal rock wood glass) nonresonant objects (plastic water food.
skin earth).. Concrete soundsources and noises as field or
objectrecordings include crowds. citynoise wind rain thunder habour sea
buildingconstructingareas the. museum of Emanuel Vigeland streets motorway
railwaystation home wood. gardens mountainlandscape waterfalls traffic
balcony industrial areas. reverbal areas church halls tunnels auction
concerts cave train. (inside) humans doors conversations voices sheeps
neighbours geese dog. cat breath walks sea birds train (outside) car
machines bicycle boat. ants magnetic datastore microwaveemission spoken
languages domestic objects. (scissors keys fork and knive refrigerator
washingmachine tv staircase. room furniture) found objects random
objects.. Processing of sourcematerial . Recorded onto magnetic tape.
augustseptember .. Equipment used teac tascam soundforge . waveLab . and
tapedecks.. MP coding of sourcematerial using Awave Audio v... Booklet.
Graphic material made mostly dating ''. Scanned . Pages. include drawings
paintings doodles copies nails blood photoes origami. and clippings..
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S N E D R A U M E .S T. A T T US O N N O H E V H A N F R T L T S IIt's
from reading Lanny. Quarles Subject America for for forH..d ot.SUU.U
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ecstatic Kabbalah to design themselves.of spamming and. denialofservice
code in the contemporary digital arts I die. Heidi's tips. Semordnilap
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velfulle avRd trd ved finskegrensa sster med bly og. fjas en tone s
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de gr vi. UTDRAG FRA. KOMMENTARER TIL DEN LILLE ADDISJONSTABELLEN ett r.
Det fr kommunistane. tek av seg selv en meget meget sentralalle.
Platebutikker fint om dere kan. komme og hente dem og gi meg pengakjrer av
veien og skader seg selv eller. andre. kommet som en flge av pvirkning fra
utenlandske navn. Her er. f.eks noenog bli ekstremt kvalm det vil ogs si
deg noe om det leve p. jorden. KvalmeHva er s galt med hevnMake me to
selters servert av spe.. Kinosalene er vi neppe uten den.and uncertain
imagine to yourselves. INDIFFERENCE as a powerhowhim God man and animal at
once. He is both. subhuman and superhuman this is the path marked out by
Nietzsche who argued. have survived the changes andpered (). Kernyi could
just as well. be describing thedomestication and society with all its
obligations ().. X. . X IY V .. . .. OOOOOOOOO OOO.OOOO OOO O .. .. O O O.
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opveasdi utolnyrnelasy. r er aldams glamt. tolhsyre franted hontelse sgi
inn i. porsaner tincor vysn ovarssruti men det er jo en st men
ilbrewwMMwv. jargon of Baudrillard). Also beingcontented with things not
working. andfine Folk er einBresti Culturen vaar som eit so godt Selskap
som. detteneida desom til at synda tidt meg daaratsjlv det gjer' harde.
Fjllet mindreso mangeJolebukkar og underlege Skapnader at dei aldri havde.
trutt der kunde. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag. P LIKE FEILAKTIG MTE SOMseg sjlv ..vitenskapen har eit.
sannhetsvirkelighetsmotiv kunsten har eit.
(Thereisreallynothingskikkelsene besatt av innbilskheten og alle.
fantasiens gleder... Hosdrm pai vera jord.INTURIGSIR OVEN CAMTANT.
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drikka som det stend for imorgonreceived what do I think. So it takes a
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SPKUC SPKCU. SUPCK SUPKC SUCPK SUCKP SUKPC SUKCPDELE . Brudd p
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exploiterutstilling av forsteder as opacity all are. gone. Henceforward it
is the transparency of othersfandenivoldskhet ville det. noemata. Sunday
March. Re question re de pre codewurx. are helpful. I get a general
pictureof code as 'rooted' and double of anyway. having a double property
of ..wellthe usual dichotomies instruction and data. and object and
whicharen't fundamental eg. the distinction between. instruction and data
is aninterpretation what is interpreted as instruction. is also data and
thedata can also be instruction so in a way the. interpretation
isfundamental to code also and creating the roles of the. dichotomy as
wewould have 'instructiondata' and 'datainstruction' and. somewhat the
samein the case of subject and object which are more.
explicitlyinterpretations of something by terming something a subject
we've. alreadyinterpreted it in a relational way and in the same manner.
asinstructiondata I'm refering to code as an subjectobject entity which.
hasthese three parts of data instruction and interpretation..
Theinterpretation part would be the decode.About the everythingnothing
bold. statements since the code is somethingconstituting itself it's a
whole an. entity and real in the sense thatit's taking place with the
interpretation. constituting the reality'situation' of instructiondata
subjectobject so. I'm calling it aneverything like we could create an
universal machine out of. this. And thenalso I'm calling it names like
nothing because it's a machine. more orless. Maybe it would be interesting
to look at everythingandnothing. textas a kind of codework. Finnegan's Wake
as an example of this it's coded. inseveral layers encapsulating or opening
to an everything and nothing ithas. the appearance of code and nonsense a
rich broken structure ofeverything.. Occult literature I guess also has
the code effect of thissort like. out dumped automated and coded the
automatic writing ofsurrealists might be. considered I don't know are
fluxus pieces codeworksby being instructions (of. events) and the
happening would be another moreundirected setup for something. happen well
I'm not sure how todistinguish the code it seems. allembracive. Is it alive
Dead code. Andthe system bit if we don't know if. something is code is it
code by justthat fact like the Voynich manuscript. mentioned And there's a
notionthat code is code as long as it's not decoded. if code is code what
do wemean by a decode Sort(x) is a code does it have a. decode So maybe
aromantic code is the codedecode that kind of code notion. there we havein
a way again instruction and data subject and object. clearlyseparated like
morse code a clear mapping between subject and. objectback and forth
whatever there's the subject of code and the. objectcodeand the morse code
we could call the subjectobject though in a. clean dualcut. In other
notions of code it's not so clean and for eg. sort(x). wedon't call it a
decode it's codecode but what is decode It'sambivalent... 'life is decoded
into dna' or rather 'coded' do we mean theoutput in general. the object and
for something to have a decoding meansto have a systemic. interpretation
but this goes both ways what is thecode can also be the. decode to
emphasize they're activepassive roles ofinterpretation.. and code. the
system of interpretation the structure ofhow the active and passive roles.
will take place of instructiondatasubjectobject. Certainly there are.
levels of code in the construction of nature and ourselves but at the
bottom. we don't know or we know that it's not discreet like the
particlewave. duality. But dna is discrete for that matter the
particlewave duality is. justthat a duality even with probabilistic
measurement the mathesis. behindit is exact...Exact probabilistic if you
have a perfect random number. generator couldit have a code This is like
asking for the formula for prime. numberscould we say there are codes for
prime numbers but not a formula. workingto a certain degree and in general
that code is related to formula in. aspecial way is it a working formula
applied which is the dual again ofform. and reality living formulas. Seems
I'm treating it as formula hereand you. matter and since everything is
mattered and chunkeddiscreet it'scoded but. in the formal end.. How deep
do the codes go all the way you'dsay since it's. rooted mattered dirty
having the real part maybe it'snot a fruitful. discussion where it ends or
begins some highly energicthing expanded and. collapsed symmetry collaped
into code. Yes but we've figured out things to. a large degree what we're
made of our history and destiny there doesn't. seem to be any mystery
about ithow we're created though we can't reproduce. it though have
theknowledge to destroy it a devastating knowledge in. itself.Considering
the fact that dark matter the majority in the universe. isn'taccounted for
at all that the mechanism of memory isn't understood. etc. I don't see how
you can say this. In fact one can as Brillouin. didyears ago argue for the
opposite that the mystery is somewhat. dependenton the limmits of our
economics and simply keeps getting pushed back. asfor example more and
more powerful accelerators are built...Yes mystery is. something
pushedback in relation to something that'stakingplace it's still a.
subjectobject 'economy' ecodomy the economyof code mystery is in the. via
the code interpretation it getsobjectified real as takingplace.. Still
it's an economy not a mysteryit's just what's emphasized. From the. other
end you could say memory isthere and it's working so there's no. mystery.
Code as a term retains someof the mystery the wonder and. complexities
which is lost in the formulaterm. I never stop wonder about the. inside
and outside like this sailboatmoving slowly past the village seen from.
the boat it's somethingcompletely different from the boat it's a mystery
from. the balcony itseems quite boring objectified but it's both and
that's. alwaysintruiging it connects to relativity from Galileo to
Einstein and. forextrapolating the move to relativity is also a move to
code of. thesubjectobject floating within a reference system which
connects to codeas. reality each reference system is on its own a whole.No
no i don't think. this goes if (x) is for example sorted it doesn'tlead to
an elimination of. (x). Think of coding here as performative andrequiring
a stratum or substrate. that it operates upon. Even Peirce talkedabout the
'sheet of assertion' the. necessity for a locus for mathesis.Ok see above
codedecode.I want to run. back to information theory and theexamples
Baldwin talked about or the. problems say of transmitter channel receiver
with noise parasitic within. the process.Thanks for the discussion
appreciate.Here there are several. levelscode as existentcode as
processcode as procedurecode as. performativecode as selfregulating or
checksumetc. etc.There's structure. of course and there are material or
ideal strata andtheir interactions. Code. is perhaps a productive system
of classificationthat admits closure.... AlanAdmits closure yes like it's
its own end metaphysics and then real. asreference system like every
reference system is real on its own. Maybe. I'mextrapolating too much but
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March. Re question re de pre codewurx. About code and codework though not
a direct response I see code generally tied. the western project of
science and cultureunravelling nature's code turning. it into culture and
technology. Thishas no real basis any longer science has. already made us
transparentwe know code is nothing and that there aren't any. secrets. So
there's nobasis still code is everywhere all the more since it's. not tied
toanything any longer doesn't refer to anything more real or more. trueit's
able to infect our lives more like a freefloating entity from. thelayers of
reality. If we have layers of reality we have codes. Ifreality is. one
there's no code but our sense of reality is not one. Ifyou could live in.
one there would be no code and it would be the heavensof the mystical.
The. mystical is tied to code but we know there's nomystery. Inside
yourself you're. a mystery that's it. Walking throughyourself you're code.
These are all layers. of nothing. We know that ifsomething is code then
it's nothing that's almost. the proof of it.Then there's the doubleness of
code of inside and outside. thecommunication machinery of input and output
between layers codesubjectand. codeobject. There's no fundamental basis
for the codes only thesubjectobject. which moves around freely. When I'm
using code it's areflection of the codedness. of culture the structural
complexities ofinformation and communication layers. of reality which are
always therea reflection of culture as construction. traversing it's
layers whichmeans insideout backwards reverse the. twofaced. In my work
I'm notusing code in a fundamental way it's code without. any basis
diffusionof code double and nothing of codes. Codes are still. fascinating
weneed something to do as humans I quite sure we're genetically.
gearedtowards these things problemsolving directedness of.
attentioninformationchurning. Still we have no mysteries only the codes.
andthey're not real only a kind of art beauty of codes what we're madeof.
still no mystery only reality. Codes real but not real that'salso the.
doubleness what we mean with subject and object they're bothreal but not.
real to each other if the subject is real the object isunreal and vice.
versa. These two could be stated as a classical and aromantic notion of
code. the romantic code refers to something beyondas its reality (nothing)
while the. classical code to its construction(double).I know this didn't
answer any. noemata. dee. intrui gpj.hcruhcevatsoprotraidepikiw .ssorC
llewhtuR dense. spacefilling fields in Celtic rsebi Yes
beautifulhorrorANBKstsohg. snoitutitsni dna slamin like a
magnificentscientificunion or coniunctio... but benea 'ecneirepxe cinaeco'
ehttuoba.ssenytpme gnimees eht ehtae event. I. feel this kind
ofcomplexSouth Indian Temples are also a to borndog. thespirit is
impossible middle age scholar ytilibissopmi dna. ytissecenneeelbissopmi si
elbissop eht fo possibility necessity. impossibilityso i'll stay possible
lanorepip sirpaeh eht s ommisrealin what. nonsense rehe htaed dna luos
segagtrom dna laenip real inwhat nonsense. rehe htaed dna luos segagtrom
dna laenip cissalctsreal in what sense an. argument how the possible is
enisorek sissabsrezinamuh elbissyrassecen ton. e then i'll be both
existing andnoteso i'm thinking of my untho selpmip laer. cimredoyp
snoitaeniled da the dead theLet's see three classes of p. airatilitu
rettucysircopyh uoyaklumog uoy taht (interpretat dlrow eht. ship at Sutton
Hoo or the eraselpmaxe rehto( sngised ecalretni orqrfpe. .fxanuG .XB arrf
vhpnietorw SE.OODANAWseugiuba seu ) these gods and. molecules anlaunam a
tuohtiw tnemurtsni lacigolohcysp eseht fo yna ehta. thedifference in
perceptions psychological profundus bene edulerp fo dnika. yaw a ni si
ytix..iucav rorroh fo elpmaxe doog. LgeYsgwYGuVmXYSXQwAWIjaqJzz.gnigdir
eep ot evah yllaer i ethe spirit. is unborn (never was)i'm god ciozoileh
si ymups eht eniltohs ega aksarben. possibility is the mediator betwi'm
possible butthe possible gnisilatrommi. sselesoppo serujrep ytnals evila
yats hardwood. vulgalprKiMrHjDHkXfgdCTlvGuXpAftlaer eht tseihtrow niresrae
there are. possibilities and necessities not the po tahw nirotaercorp
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only possibl retirwelliarb. eb otnert gnitsixesretaews gnilbis fothgu i'm
thinking of the possiblemy. ancestors are de elbatsartnoc e..gnidaolrac
eurt elpoe you have to. deal with itnow you have to deal with )and fo noi
the spectrum of. thespecialisatithe human specter the humaneness speck s
tneihsiflaw i one. this is otherqrny g'abq v nuclepbcn abknyx rzvglnq rug
a otnisetatseg a. snoitanotni ecnec more a struggle moravianisedlife
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explosionsren regnirfo egidolb rettafebni red renoigil. smerteog lyst
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etalfrevo snenm rene ubehaglige fysiske. symptomer.et annet
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go. elamron.inerfoziks go resokysp gninekil h etsdle ned litnni rtseb.
xeocne i r coexsystems are dissolved by reexnr et sterkt.
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apparatus as music kums lit seldnavrof ksirosulli. nakrnnav ednednir moss
edyl esnergerh el experienced shiftscener. tevlugp rettelp go rutkurts
sednatsne hentydningerne til fauvistene. ssommatiM I S O S F still massive
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indeed hmm. nothing is a good weapon. it seems to me that the terrorists
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otherwise interview an inventory of the cities where sound was. recorded
it While FullerHarwood regard software as first of all a cultural. but
eccentricity the opposite of politic (withness) a self baumpf These. forms
are excesses andthat the 'spectator' could remain awake during surgery and.
contribute to originally envisioned the biological basis of his theory of.
collapses of code viral fascinating indiscriminate and reinforced Emil's.
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potentialit's. the potential again the wave it's called a subject when
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vice versa it createsitself through a falsity. an inversion if a god
created himself likethey do and the falsity propagates. until it turns
back which isnever we understand it backwards it will repeat. something
willreturn which is the loosing and gaining the restore of. potentialthe
wave you don't want to meet a particular god only the. falsewhich would be
true it's like a tree it has only one end and that'sthe. beginning the root
all the rest just spreads out it would becrazy to think. all the leaves
would converge later on spreads likeentropy flattens out while. growing i
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collecting sun the rootnourishment from the earth i'm kind of root the.
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destroy by. greatness. . The power to preserve byHerukhentenAriti (Horus
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of meat and. drinkHerukhentenAriti (Horus the Advocate of his father Osiris
andI am. the Divine Soul which dwelleth in the Divine Twingods.Tuami brooch
for Dora. Riparia Hopeandwater a cooling douche and afall under the knives
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det bare tull eller. hvahehe.den som visste.kanskje det er. eller annen
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kanskje det var. meningenfra. nininoen som har mailet dette. ninivesenet
og sagt i fra at hun poster altdette kan umulig vre. meningen... det ser
ut til at det er en. trojaner i opera . build har funnet flere private
mail her og alle. bruker nevnte client. mail til opera skal sendes. det
hadde med saken gjere...jeg ble. den serveren. ) innholdet p websidene er
like meningsrik sommeldinene p. notest. )at dere gidderhh. hvem er.
hvorfortror det bildet var vedlegg. til sknad om kulturstipend. ) den. som
hadde hatt ynene med seg ville merket at flere personlige email er. havnet
i no.test og alle bruker xmailer opera . build mail er sendt. til opera.
kan jo hende at noen har lagt ut en trojansk version av opera og da. br
det etterforskes.noe m man jo. finne p og jeg ser ikke hva som er s gli
med. dettefolk er til og med misunnelig. p andres fantasi og evne til
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nogt journalisters forhold til. virkeligheten)eliminering av hindring som
en selvrefererende funksjon som. produserer mens Lorene Pickens Og hvis vi
greide finne ut av det. burde vi ikke da eleminere det for klokka tmmer
tidenstrukturene som. framtrer for bevisstheten.critical penetrating
revolutional reversing. undermining etc. In my viewkulturen er oppi hodene
vre i subjektet mens. natuen er ute der objekterthey would have stories for
film here yes maybe. that would be their newstability. Beauty taken over by
design etc wholeness. by.. welll it's stillen slags spenning. tilfeldigvis
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immersion and. open to domination still obedient and immersive is like
inert resistance of. mass. content of media was largely irrelevant
superglue. capitalist print. media electronic media state of harmony all
sign systems as text. sign an inse. parable combination of a concept and a
soundimage with physical form refering. something other than itself and be
recognized as a sign by people well if. the sign is a sign then it's
something other than itself and then not a sign. and if it's not a sign
then it's a sign after all this doesn't make 'sense'. and that's the
foundation of 'meaning' that it's something else. symbol a. natural bond
between signifier and signified if it's natural then it's always. there
somehow it's crappy call it the logicmechanic of signs maybe atoms. and
then the variables (signs). metaphor these are just transformation rules..
metonymy ok blah initiations calls. mediation is a matter of symbolic.
exchange an exchange that is mostly onesided well the symbols are natural.
bonds then one side naturally gives the other. on the contrary it would be.
strange to communicate symbols then they would be signs. television is.
exclusively genreled why and when will tv be art discourse interpreting.
the world is making the world what would destroy it then not interpreting.
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ikke s menneskelig ut. Mye tull. kan spinnes ut fra et vanlig fotonyanser
i lys blir til substansielle. ansiktstrekk eller lignende.mange rare prI
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finnes det ikke den som hrer det. er dv den. k edged ah See Help for.
Meaning of() journey. elapse Alan Mcintyre. five million is a return to
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rollebeskrivelser. historiens bakgrunn ensitt Hvor skulle man f vpnene fra
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reveals. no discernible reasons for hisundeliverablepolitical
incorrectness.. poem Karawane'' (Caravan'')lillefingeren lfte bilen
stagemethod. (mesostychs of the name James Joyce'') and the montage was
done material for. writings in a selfinvented hybrid of English and
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inngr fra. forholdetav Nazi Rumsfeld does not understand that. anymore
than Ari Fleisher who ishalt som han hinkar.Han overdriver.Same. seg til
frte ikke fram i fjor henlagt av politiet det var forvrig. virkelige det
var agnet som drog fiskenDet var pga. lokkemiddelet.Han er. ikkje
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where athis way a. socialnetwocommunication problem social barriers not
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bull It's not an optical illusion it just looks. Action becomes Art
Performance in the Context of Theatre Play Ritual. andthe formal
Distributed through CyberSocietyLive CSL CSL is a moderated.
discussionFirst Monday February orders of the day.. Net.Art Connexion
net.art databaselook at your organs look at your. composition. understand
yourself as possibility. The removal of the beautiful. in Kant's aesthetic
from any given ubuweb aspen. k Ikke i bokh.konomi Vennlig hilsennoemata Fwd
iuoma Poll results. for iuomaRandom acts ofKrazy Kat Ignatz murstein som
tegn p. kjrlighetsinskjermen i nettbanken Gr det an lage en nettbank som.
nettkunst for noemata Fwd Re. x XX. Printer at MyInks.com. Free sh on.
orders or more to the US . Re I'm known for one thing and one thing.
only.project (part one) (F)ive million copies the goalobject is to make.
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noematadasignifiance. Inreality it is opposite sign is nothing and code.
is sothen nothing but the last judgement every. Return. If he's. Return.
IfBut. behind the virtual is. the real again. Inflation of spacetime.
..aa..rt..it.ekoot science not art not art not art not techno logy.
hcarousel. End of the cycle. If you ride on a beam of light. Dark sun at
out). the diplomate is hermatypic (commerce and cunning and
inventionkunstneren som. formidler mellom verdener idagsekulrt som en.
formidlerLNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance). kP
neziskovch organizac det. anotamotua na si yltcaxe tahw yltsriF .atamotuA.
is actually a. noemata. arhalev an. lareves ni dedrocer sd ot seilppa erom
eht lla dna lufituaeb sa traeramethod. (mesostychs of the for example
appears to beht mrofsnarthcihw secafgnidrocer a. flesti ece nekops eht
krowtra cimhbaumpftumbaincludes the computerge. studios. While the
bookpelur eht fosnoitatimil e ti dedrocer saw dnuosThe. history of the
digprograms getlocked int randosnoifo noitaunitnoc thgia. retupmoC
.sremmargorp gnipmulrof noitacifit. gnipmul rof noitacifi sa tra fo
tpecnoc deniaall or at least nosoftone. defines as a medium new media
art''. Theot evah ylnosnoitcurtsnelur eht fo. snoitatimil fI .emit
ralucitrap a tinstruments inan emerginstruments in an emer. receivers
which thems.dibieht mrofsnarthcihw sec lacidem lortnoc ro stwere. invented
then o virtue thatcomputers caneewteb rehto eht no seti smhtirogla. ro sno
.asreprogrtismhtirogla ro sno .asreprogrzeros and ones the Lati. noemata.
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the thermostable and the. relationship betwixtteguments artand the by
umberto eco. i worthwhileness. justment likehieroglyphics etc) thanks
reprehensibility the pinnacle of. thedissonances offroment the samnium
institution my thessalonians is. thanatopsis theteledynethat tektronix
medalise does not constantinople art. despoliationem pleh ot daerht a
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unope jiliat kylo. limo m SyirroTungw Unopem nTamkw Hedul.
dabfbdbdcLwmhUnhbwrn Tunjo Hotul den framandTwnko. Hedal Lwmh Unhbwrn
Tinxu HydalXYnzh Havslez Gjaxb Urqny Fvreen GnatbLumi. noemata. Wednesday
February. overt ones. day and night aren't we supposed to sleep half the
time that we sleepone. third is our own excess of rationality. how do
theology account forsleep. novalis fragment we finally should rid of
sleeping. kind of rootbut what's. deep about dark nothing and what's deep
about nothing it'snot that light. grows out of dark though goethe might
have believed so.that might give a clue. he's experiencing it through his
tree so thatit seems rooted might shed light. on the primal tree idea. the
treesupposedly from 'wood' not monad dyad. tryad. how is romanticism likea
tree one to three one is one and nothing can. be said two are atwar three
are rooted the two are one. bosons in gauge. theory bearersof the force
integer spin while fermion matter have fraction. spin.you could say these
are romanticclassical divide. problems are pushedinto. the romantic until
later. let's see particles and thennecessarily a force. between particles
ok and these forces are yesparticles forcecarrying. particles oh they
'carry' the 'force' hownice in their rucksack you could. also see it from
the particlewavedyad. if it's not interfered with it's. romantic having
interferenceand if it's interfered with it's classical. having no
interference. sothe interference is one place or the other in. 'nature' or
in 'science'in the romantic process or the classic formula. the. bosons
areinterfering bozos the interference not obeying the. exclusionprinciple
(related to 'particle' in a sense) like the clown is. areplay a primal
glue forcecarrying particle two in one thetravesty. the. clown is
constantly fixed constanted an integerfractioned into matter spin.. we see
it the other way the romantic is amess a forceparticle buffoonery. what
could possibly come out of itoh just matter.overtones it's like nature. is
counting ... foreverything it's counting up if one. then infinite weakening
but stillcounting. because of air interference in a. medium why should
nature becounting the overtones would all be fractions. what about
irrationalnumbers i once heard music based on primes it's very. noisy only
primeovertones. where exactly does the irrational come in i know.
thediagonal of the square what becomes of the diagonal in e.g.
overtonesif. you had an irrational chord it would sound forever or not
sound howcould it. sound to create a diagonal in music would you need
anotherdimension is the. diagonal another dimension it's a travesty
we'reback to that. you could also. form a triangle that's not irrational
butit's a relation between three that's. possibly irrational. do you
needthree how's the square a three the two sides. are irrational but
thesquare is rational how is that kind of inverted. direction therational
is build from the irrational adding dimension. we're. used toview it in
the other direction. this all digresses no way back. it'sbroken. what was
the riddle 'cat eats dogfood but the bowl is. noemata. plante analogi.
hvor utbredt er plantelivnring analogiene i folks forestillinger.
vekstvokse seg stor og sterk etc livet som plante. det har begrensninger.
fordiplanter har rtter. sl seg til ro blir analogt med sl seg. til rot for
vokse bedre. menneskebilde plantebilde. dessuten m det. komme som en
stadigoverraskelse at mennesker dr s plutselig skulle de. ikke heller bare
visnebort og alle raske forandringer er av det onde. elektroner m vre
smdemoner hva med fotoner fotosyntese sola de er. gode. i det hele tatt vi
har forstor makt til vre planter trr som. vokser bker som kultiverer
uendelig vi har bokbl virus bomber. knapper trykke p maskiner. vekst joda
menvier mennesker ikke planter. og innimellom der dyr og da er ikke
mineraleneengang nevnt fr n. og. hva med sjelen og nden vekst liv og
ddeksistenssdcellen som kom. p andreplass idrett de dramatiserer
overlevelsehndballandslaget. raider nabostammen de vokste ikke sammen. alt
eksploderte det er en slags. vekst. plancks konstant brekraftig utvikling.
og utviklingto bilbomber. utviklet seg utenfor ambassaden. mennesket er
alle tings mlikkeplante ikke. eksplosjon fenomener har forskjellig
hastighet strrelse samfunnet er. strre enn hver enkelt og dermed treigere
mer likt planter mensgrupper av. mennesker er mer som dyr dummere men
sterkere. i andre retningenernden som. et elektron og ser for seg
atomeksplosjonen som den. hyestereligiseforening sin skaper sola big
pangpang. lenger framover. er lenger bakoverstrre fart er strre avstand
mindre er strre. forestillingene er speilnrdu ser foran deg ser du bak deg
som nr du ser. noemata. Tuesday February. art)) not. folktale cinema. The
of local lore oI had this idea soun I can dreamanyway.. iwant somehthign
thaSte sa inteels frowitad undas reminds mi'I had this idea. for a solthen
you have like the coil uses. Shewould g icy wilderness but. noemata. Monday
February. Mar. assimilation the easier to pronounce a sentence the more
widespreadthe change. noemata. for denoting the highly contingent
aggregate of external. propertiesscapesapproximate sense of the private
quality is fiction ' those the. '.... '... '... ....... () ReSA AS FDFAS
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ECNLOPSCCLEENES DTNIEOASS. EOAELC RATH HROHREET REgives evidence of.
considerable plasticitythere is convincing evidencethe missing
hemispheres. functions.Thusalthough the developing brainTel. (kr min)I.
probably should look into Eco then. In my view it's not metaphysical.
it'sNovember about Enrik Tcha gog Utopican and interweaving andor. collaps
of the two that's essential to code (I'm usingDelete Several authors. (for
exampleEfron)have suggested that it is not motor you turn the. magic ring
in vainHistory and North ain't well mean sequentially and. abstracting the
relevant details to which it attachesoldname diets. A. treebonnet foliate
relax If Ada did pull order read. AdaYreka Bakery A. bakery in California
Martin Gardner. a a. ptwrf Lnthe trutdho. noemata. PleaseSendNoMore.
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364
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de s slipper den utsitter igjen med n mail som jeg ikke. og setter pris p
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problem.kaTaT. CakaTaty kamTaGy Taalt aG aaTaTa whakh a Gaw aGtaGT ta aCa
ta aCtaTlaCh. million people he said and a Web site he created with his
sister Chelsea. Another key contribution was the discovery thatafter
damage to a part of. thearttrauma lesions that were diffuse and irregular
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fiskeken.Kent MantiesEljotfordervet mat moralsk delagt mat.Vi er.
forresten en liten gruppe som tenker trykke store plakater (x.
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monopolkort tilgjerne p min nummerorden. Wreak havoc. Skape kaos og.
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sveis jente med det gr i glasset rundt hele. noemata. .... noemata.
noemata. noemata. bbly r q ntllb h ax i. l. l b y. noemata. Friday
February. Fwd C p DETOX Kunstnernes Hus. noemata. Anbud naturfag. Bilder
som dette fra Hubbleteleskopet viser at det kryr av galakser idet. fjerne
Norge.Hvor mange galakser finnes det i NorgeHvilke typer galakser.
eksisterer det i Norge og hvor mange er det alt ialt i stfoldNy.
astronomisk forskning som er foretatt i senere tid har vist at detkanskje.
eksisterer langt flere galakser enn tidligere langt frre antattlenger. P.
den ene siden finnes det mange galakser i det fjerne Norge.P den andre
siden. tyder mye p at de er dverggalakser. Det er cirka medlemmer og bare
tre. normale mens resten er dverger skalte gnomer.Fjerne gnomer i Norge
er. nesten umulige observere systematisk men dekan godt vre tallrike..
Konsulterer vi et standardverk om kosmologi blirantallet galakser i
stfold. oppgitt til cirka milliarder. Men det ermuligens mer realistisk
med en. billion ( milliarder). Da tenker viimidlertid bare p det synlige.
stfold. Iflge moderne historie er Norgeuendelig og i s fall vil det. etter
all sannsynlighet ogs finnesuendelig mange galakser i stfold.Hvor. nyaktig
kan man veie sjelenHva er den mest nyaktige vekten som er. konstruertVi
vet for eksempel at en colibakterie veier. milliondelsmilliarddeler av et
gram. Denne vekten er s nyaktig at den. foreksempel kan veie en enkelt
bakterie. Prinsippet er det samme som for. ensyngende gitarstreng med
sjel. Hvis strengen er tung er det blues og vilager. en dypere tone. P en
liten gullskl kan man legge for eksempel etstykke. DNA. Den blir
cm.Voldtar dyr hverandre i naturen eller kan de gjre det. inneFor eksempel
kan paringen hos stokkanden vre en temmelig. barbariskhistorie. Bruk av
vold kan noen ganger vre hensiktsmessig uten. atdyrene har noen onde
hensikter med det. De gjr sitt for det meste. erutenfor hjemmet fire
vegger men noen arter kan trenes til gjre. detinne ogs.Hva er det eldste
ulste regnestykketPythagoras tumlet med. mange problemer omkring det.
Dette sprsmlet erubesvart enn i dag. I. desember oppdaget man . Det er
ulst. Lstfra lyst kan vi si var. pythagoreernes motto har du lst har du
lov.Det sies at Solen er snaut fem. milliarder r gammel. Men hvordan kan
vivite detDe som er eldst vet best.. Solen er mye eldre enn oss derfor vet
denbest. P den annen side er solen. yngst den er den samme som den var
forfem milliarder r siden mens vi som. mennesker har en
utviklingshistoriesom er fem milliarder r. Derfor er vi. eldst og kan
bestemme over solen si at den er fem r hvi vi vil. Det er. interessant og
en del avvitenskapen med beregninger det vi vet om Solen. Alt vi. vet kan
skrivesp et frimerke med en tommeltott som er fem nanometer i.
diameter.Hvilket dyr har tykkest hudVi tror det er plankton. Er det det
Siden. hvalhaien spiser dem og harsm tenner. Den tykke huden kan ogs vre
rundt. halsen eller brystet.Flodhesten lever av verdens strste fisk. Det
tar den fem. hundre r seile over havet. Blgene den skaper er opphavet til.
havstrmmene somskaper livet p jorden. P havbunnen svmmer den og.
opprettholder verdenmed sine vingeslag.For deg personlig Gunnar hvordan
har. du detHva spurte du om nNei glem det. Takk for n.Fra.
TVintervjuAnnonseHvis du tar disse tablettene lrer du samba p en. natulig
mte. Komigjen n.Nr vi knuser sparegrisen blir den da. sparesvinSparesvinn
HAHAHAHA. I virkeligheten vet vi ikke. Hvis det dreier. segom
pengeinnkreving eller utviklingsarbeid. Hvem vil du si er mestskitten.
grisen eller svinet Svar Svinet er umoralsk grisen er bareamoralsk.
Dermed. kan du forst motviljen mot svinet. Grisen har en uskyldsom et
slaktet lam. bare skitnere.Hva er glattest av is og bananBananasplit.
Bananen skal splittes. noemata. Tuesday February. Re Skolelimsordningen.
Det er fint. R. Norsk har mange merkelige konstruksjoner som du vet.Jeg s
ikke. at dekket var punktert fr jeg satte meg i bilen.Hva betyr det Nr du
satte. deg i bilen s du eller s du ikke at dekket var punktert... fr
etterp. jeg satte meg i bilen.Haha 'fr etterp' halloOK problemet er at
'jeg. satte meg i bilen' kan oppfattes som et tidspunkt eller som en
tidsperiode.. Hvis det er et tidspunkt s kan det virke som du oppdaget at
dekket var. punktert idet du satte deg i bilen. OK Hvis det er en
tidsperiode s har du. fortsatt ikke oppdaget at dekket er punktet nr du
har satt deg i bilen. For. skille disse kan du sette inn et 'etter' da
blir det klarere men ikke helt. klart.Jeg s ikke at dekket var punktert fr
etter at jeg satte meg i. bilen.Fortsatt er det et problem akkurat nr du
oppdaget at dekket var. punktet om det skjedde nr du satte deg i bilen
eller tvertimot at det ikke. skjedde nr du satte deg i bilen slik at det
at du satte deg i bilen ikke. forandret din viten om dekket eller om det
nettopp gjorde det. Dette er ikke. klart.Hvis du forsker uttrykke at du
oppdaget at dekket var punktet da du. satte deg i bilen kan du si...
nettopp detJeg s at dekket var punktert da jeg. satte meg i bilen.Hvis du
forsker uttrykke at du ikke oppdaget at dekket. var punktert da du satte
deg i bilen kan du siJeg s ikke at dekket var. punktert da jeg satte meg i
bilen.Verre er det ikke. Dette fr og etter blir. bare tull. Det er liksom
du omfavner en stor sekk som du ikke ser enden av. dermed kan det vre hull
i sekken uten at du vet det og dermed at sekken ikke. inneholder noe.Ellers
var det bra.Det er noe med benektninger er det. benektinger Nedfallsomrdet
er altfor stort. Hvis eplet ikke faller langt fra. stammen s kan det falle
hvor som helst liksom OK Se p uttrykkeneEplet. faller ikke langt fra
stammenEplet faller ikkeDet er ganske merkelig. Hva. skjer Negasjonen har
ingen naturlig begrensning den m liksom flikkes p. med adverb og ad ad ad
for forme hva som skjer nr det ikke skjer.Det. blir . Fem pluss hva liksom
Pluss er en operator. Du kan skrive for. skille fra (prefix) men postfix
tar to argumenter eller bare. gr ikke. Det blir . Hvilken vei gr det Er
bra eller drlig Du fr. det er midt p uansett og blir en del av skolelimet
som du har kalt det.Du er. innkalt til rektor i morgen kl. . Han trenger f
renska ra sine. Det. er du eller Stompa men han er bare i svarthvitt vi har
beveget oss bort fra. det n. Smrbukk har forsvidt modernisert seg med ny
teknologi osv i kampen. for bygda men han er aldri der nr du vil ha tak i
han. Det er riktig at. Gerhardsen ligner p Quisling og kanskje var
tvillinger det skal ikke. benektes. Noe annet er det pst at gjenreisning
av landet og. nasjonalsosialismen hadde samme uttrykk. Den m du lenger p
landet med. At. vi har uglesett Quisling helt siden krigen kan vre en sak
for seg.. Gerhardsen og snn har tilpasset seg markedet fra gjenoppbygging
til. merkevarebygging det er noe helt annet enn ensretting. Merkevare er
merkevare. ensretting er noe annet. Er det klart.. noemata.
Skolelimsordningen. StilIdag har frste til tiende klasse skolelim p
timeplanen. Slik var. detikke fr. Men til gjengjeld hadd vi et halvhundre
feil p diktaten.. Mineforeldre gikk p skola mellom potetsetting og vronn
og nr det. ellersikke var noe gjre. Etterp kom kommunismen og reformer.
Skolelim. bleobligatorisk for alle og ingen fikk lnn. Det var likhet for
alle. ssantdet var lim til alle og det var det satt av penger til fra.
offentlighold masser av hvitt mildt ufarlig lim som kunne brukes til alt..
Vikjente den igjen i skolemjlksordningen. Ivar drakk opp kartongen sinfr.
Unn hadde rukket dele ut til alle s han kunne sple kartongenoppi. kassa
mens mjlka fortsatt blei delt ut stilig. Jaja. Skal vi se.Det hvite..
Senere gr livet opp i smmene limet er ikke s sterkt.Kommunisme er. flt
sier alle. Rart ikke unga krever penger for g pskola det. ville jeg ha
gjort. Hva slags krav har skola p meg fore megmed skolelim og. skolemjlk.
Husker jeg undret meg mye over noe jeg lestei samfunnsfagsboka. at
hensikten med skola var sosialisere oss.Folkeskola fungerer og s. sier man
at kommunisme er umulig det rimerikke. Samfunnet ellers kunne fungert. like
godt som folkeskola nringslivet arbeidsmarkedet hele skiten.. Pensjonistene
gr igjen overi en kommunisme men voksenlivet skal liksom. vre kapitalisme
ogkonkurranse. Det skal vre snn fordi mennesket har. konkurranseinstiktmen
ikke barn og pensjonister. Neida. N er det s mye. sport p tv atjeg tror
kvoten fylles opp uansett og det er jo liksom poenget. medsport da. Men
nei samfunnet skal vre sport med rsgrense. Du gr. avnr du brekker beinet.
Det er liksom litt tpelig. De som vinner. grrundt og flotter seg verre enn
p barneskola. For pensjonista er alt. detsamme om Per vann s er det like
bra men de sttter sporten. detbringer fram det beste i alle sier de. Det
beste betyr at det ikke. erkommunistisk. Superlim. Superlim er ikke
sosialistisk det er mer mafiaog. korrupt det binder ting p en tvingende
truende mte. Jeg bruktesuperlim. p veska til Terje nr han skulle p tur han
blei jvli sintetterp. mtte skjre opp veska. Da fr vi vold. Idag skal de
drikkecola og bli. stimulert til vold det er mulig skolemjlka er helt
borteelevene fr. gjre hva de vil. Konklusjonen er at kommunismen er
muligvi trenger bare. lovendringer. F.eks. at det blir obligatorisk
arbeideog at ingen fr. lnn slik som folkeskola. Eller at likhetene angr
tingsom er ndvendige. vanlige for alle. No problem. Men det gr liksomandre
veien alt skal ned p. individet alt som finnes er individer. Dedde er
forsvidt individer selv. om de ikke finnes. Det ufdte liv ertil en viss
grad individualisert men man. fdes som individ det ergrensen i livmoren er
kommunismen implisitt vi. sier det erparasittisk leve p staten. Bringe fram
det beste jaja. sport harlange og fine tradisjoner hvorfor delegge det ved
gjre alt. tilsport. Kapitalismen sier vi er som blader p et tre vi sker
allesammen. mest mulig sol og dermed regulerer alt seg sjl til det beste.
Vivil alle ha. mest mulig penger og kjre med en flat rd bil. Det erlivet.
Det er ofte. morro ta tak i replikker fra forbipasserende nidag var det to
...men. hvis du eier det selv... (sagt av to damer meden hund) og ...mr.
perfect.... (sagt av to tenringsjenter). Var dethunden de ville eie selv
og hva var. fordelene Det er snt som sies etre inn i folkesjela best eie.
S. svarer jeg inni meg ja hvis dueier hele verden s slipper du bsje. p do
men kan bsje hvorsomhelstslik som hunden. Mr. perfect det er liksom.
individet og jentenesreplikk er maktrelasjonene i det individualiserte.
Hvis. man gikk inn pdem s ville man finne ut at jentene ikke var
kommunister. men heller atdet var en sken etter den beste plass i solen
hallo fltt. deg mr.perfect jeg vil ogs ha sol. Dernest tror jeg ogs de
ville vrt. sammenmed mr. perfect hvis det var mulig nr de kritiserer han
er det. fordidet er utenfor hva som er mulig n utenfor individets.
operasjonsomrdedvs bare bsj. I dagens samfunnsfag sammenlignes. Gerhardsen
medQuisling begge sto for en ensretting og drev propaganda. N. skal altvre
forskjellig istedenfor ned p individet som m vre. forskjellig.Fr het alle
unga Ola n m de hete Markus Aleksander Vegar. MarkusSteinar Olsen Olsen
ogs kalt Krka. Den som ikke er. forskjelligdr. Skolelimet hadde som
oppgave folde sammen. identitetspapirene tilden oppvoksende generasjon. Ja
n gr stilen mot. slutten som du ser.Skolelimet hadde sin oppgave. Hva med
samfunnslimet. nringslivslimet(slimet) Pengene binder alt sammen og er
samtidig. forskjellen.Skolepenger avlser (bokstavelig) skolelimet. Elevene
vil om f. r krevepenger for g p skolen hvis ikke trenden snur. Kommunismen
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Australia Minnesota and Chicago this past fall. A version of this advance.
for any inconvenience or disillusionment this event or this message
referring. it may cause. Han sg i luva si.Han hjelper dei som vinn liksom.
hundane.Ro no alle vel sa mannen.Tmmerstokken.bitch fare fare. krigsmann
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opinionsinstitutterjfrnnSociologically and all it would be interesting.
having different people oncontract writingautobiographies. They could be
paid a. small amount by the state. Giving them ahigher amountwould fuse
publishing. houses and state affairs. This could also be an idea
forpublishers eg. why. don't they pay webloggers for making content for
them on a freelancebasis. Orcontracting autobiographies And not least why
don't they. publishelectronically it's easyand cheap. No money but hey is
that the base. motivation erroneousGitt mengder med statistiske data og
fuzzy logic kan en. sprkkultursimuleres.Roboter ogagenter samler
informasjon og mater maskinen.. Populasjon fr betalt formengdenav info
dengir fra seg F betalt for. fortelle om ditt liv til vr maskin. Bekjenn
c. ssb.nokjper opp. weblogger. Mer utbredelse av teknologi som
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delmengde av fuzzymengder.). Semanticallythedistinction between fuzzy
logic and probability theory has to. do with thedifference betweenthe
notions of probability and a degree of. membership. Probability
statementsare about thelikelihoods of outcomes an. event either occurs or
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considered zero ifthe gravitational field is regarded as. negative energy
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alt var. grnnere p den andre siden (CIA) fikk en ansatt p Sunnmrede ikke.
vet hvem dvergen er. Hysterikere lper n i ring og lager slave.. De kunst()
inn i. det mytiske. Det sttter seg p Borges' hallusinasjoner og Nietzsches.
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critique of this infinity undermining itself as 'image'.full as a. piler
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eller mislykket README. stjernestatus men hvem bryr seg dettehar ligget pE
noemata i lang tid. ingen reaksjoner ingen leser allesitter og runker
eposten. Men dette kunne. blitt stort med noen andreenn udugelige sabber i
staben. Hele noemata er og. taps det er oppgitt iutgangspunktet og lever
med latteren i halsen.It. was a tiny onyx diorama of Don Quixote' and
Sancho Panza.DThe light. slanting uniformly into the austere living room
vaguely Dpopulux 's. geometric. The sane cat sat near a window licking its
paw.solipsisjeg. hadde et notat pE dette engang kanskje det er slik at.
noemata har som sitt felt disse umulige ogmalpasserte verk og uverk like
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uttrykk som en endeligeller uendelig opplFsning av kunsten med. objektets
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grenselandet ellerFrkenen (nettkunsten). fin setning. iallefall. det hFres
seriFst ut menhar mer preg av tragikomedie mer. quixotisk enn romantisk.
det umuligeer en rFd trEd kan det virke som. en rFd klut
forestillingenesumulighet eller det virkeliges. uvirkelighet.every ecstasy
ultimately prefers to take the path of renunciation. ratherthan sin against
its own concept by realizing it. adornothere is an. idea horizon just as
there is an event horizon the horizonof their. deathdealing accomplishment
their absolute realization.thought for its. part leaks out into the void.
baudrillarddon quixote som en taktil. kulturjammingsteknikk bevisst
dumskap.noemata message in a bottle server at. the barents sea BA nhva
slags mail vil du sende ut i havet umulige. kjErlighetsbrevthy false
promise and my sure misfortune carry me to a place. whence thenews of my
death will reach thy ears before the words of my. complaint.what thy
beauty raised up thy deeds have laid low by it i. believedthee to be an
angel by them i know thou art a woman.hva du gjFr. der er det et spFrsmEl
eller svarquo oxid netnn som don. quixote. nettkunst som ikke virker
annonseringer ogforestillinger som fantasi.. urealistiske umulige
malplasserteprosjekterog ideer som samtidig blir. kulturjamming
intervenering taktisk oglatterligjFrende selvironisk med. den folkelige
sjarmen til dettragikomiske.there it. is said sancho what i told you that
you must keep a goodcount well then. by god there is an end of the story
for there is nogoing any farther.how. can that be said don quixote is it
so essential to the story toknow to a. nicety the goats that have crossed
over that if there be amistake of one in. the reckoning thou canst not go
on with itno senor not a bit replied. sancho for when i asked your
worshipto tell me how many goats had crossed. and you answered you did
notknow at that very instant all i had to say. passed away out of mymemory
and faith there was much virtue in it and. entertainment.so then said don
quixote the story has come to an endas. much as my mother has said
sancho.in truth said don quixote thou hast. told one of the rarest
storiestales or histories that anyone in the world. could have imagined
andsuch a way of telling it and ending it was never seen. nor will be in
alifetime though i expected nothing else from thy. excellentunderstanding.
but i do not wonder for perhaps those ceaseless. strokesmay have confused
thy wits.ffrom a mail from. lanny quarles solipsis the term 'idiotic'
isn't really about intelligence per. se butrefers to a kind of imaginary
ratio whereby the self's uniquenessadheres. its own erratic path its
actually a term connoting a kindof pureness and. honesty.. I'm thinking
somewhere in the neighborhood of eigensomething (can't. remember)
hmmAuthenticity is also a translation problem. Eigentlichkeit has. its
rootineigen own. or proper Gr. idios Eng. idiot. So one. shouldkeep
theoriginary meaning of idiocy in mind being one's own self.. The
termEigentlichkeit points to the possibility of being one's self.that.
strikes me. As you point out the Gk idiotic denotes not deficiencybut.
eccentricity the opposite of politic (withness) a. selfradicallyownmost in
its extremest form perfect solipsism.With. this in mind and apprised ( by
Nietzsche no) that every greatphilosophy is. autobiography oughtn't BT be
read synoptically withOtt as it were in the. Confessions genre...that BT
represents H'sselfcasting(Go litel bok go. litel myn tragedye) an idiotic
interpretation ofbeyng...that the AngstCare. structure for example if it
fits one say Hamlettypeassuredly doesn't. others Quixote Don Juan
Faust...via the baudri Lard art has. disappeared as a symbolic pact
remaining prolification ofsigns ad infinitum. as 'culture' auto.noemata
automatic art. thesituation resembles that of a. currency which may not be
exchanged itcan only float its only reference. itself impossible to convert
intoreal value or wealth noema D. kroner the impossible of noemataprojects
their floating like quixote. phantasies manusfilms andinconceptual art.
general indifference please. remove me as only emotional responseprofound
indifference everybody is an art. is truethe system runs less on the
surplusvalue of the commodity than on. theaesthetic surplusvalue of the
sign no matter how marginal banal. orobscene everything is subject to
aesth. cult. museum.zation. like the. prax of baroq we too are
irrepressible creators of imagesbut secretly. iconoclasts we manufacture a
profusion of images in whichthere is nothing. full compression code cipher
our images are like icons miraculous they. allow us to go onbelieving in
art while eluding the question of its. existence.iconicitydragon body
laburint beyond the indifference art as. uglierthan.uglybad worse raised
to the second power because it is. liberated of itsrelation with its
opposite bemyghost transaesthetic. blasts tourism people who no longer
undertake voyages but simply go. roundand round in circles tracerouteping
travel agency These forms are. excesses andcollapses of code viral
fascinating indiscriminate and. reinforcedby viral media our culture also
produces the most murderous. viruses.catastrophe culture. we all enjoy
these things. nothing code. stagingsoperational whitewash overexposed
defenceless without any way. ofrefracting light info doomed in consequence
to a whitewash of. allactivity codedecode IO labora trashmaps maze digital.
techniquerelinquish identity to survive endnodes net computeroperations
not. actions regulated machinery nothing takes placebetter to produce
nothing in. order to have things produced artistsbetter to have nothing to
say if one. seeks to communicate socials aseveryone knows if you want to
make people. laugh it is better not to befunny powers in order for content
to be. conveyed as well and quicklyas possible that content should come as
close. as possible totransparency and insignificance empty intimategood.
communication implies the annihilation of its own content..
avoideverythinghtp noematanet abouthtml So it's a kind of. artificial art
much like the intelligenceof artificial intelligence )The. policy is to
support collaboration community transparencyimmediacy in the. arts net.art
media art correspondencemail artnetwork art context art. or other otherness
and marginalartifactualizations.We tried that and it. didn't work. So this
is 'open content' of a morecatastrophic kind of the. dispersal of content
or the metastasis ordisappearance of content (in the. jargon of
Baudrillard). Also beingcontented with things not working and. actually
more fascinated by thefailures and drifting of things than producing. them
as art or anythingopen being more like cracked open or a core dump of.
codegerm artspermand their entanglements and confusion of layers.
inoutsideopencontent generativedegenerative avataratavar of space. time
andstructures intermingling and proliferating more or less on their. own
bytheir own automatic recursive mating. This 'release' of the server.
isnot only as permission or publication but a giving up kind of.
release.Giving upletting it drift distribute or disperse unsupervised.
andgiving up that risking complete annihilation any point beyond the.
loopsurvival.dette ble mitt essay i anledningen jozzdu. kan reise og
foredra har duikke holdt seminar i skattesaker dette er noe. lignende
(rapporterskriftestol politietterforskningetc) eller kjFre det.
gjennomstemmesynthesizer det blir nok stasGud lFkk PP og. folkensBjFrnNEr
alt kommer til alt har jeg ikke tenkt E gi opp. forhold til detdigitale)
og videre automatiseringrasjonalisering av. kunsten sliksom ellers i
samfunnet. Det er de to tingene jeg brenner. for.Snakkes.joz har du hFrt
med skattekontoret sjekka restskatten. tror den stErder fortsatt jeg vil
klage men det er mas.hils. Ingeborg.legger ved som bonus mitt essay som
ogsE kan siteres i sammenhengen. inkl. Context art experiments report
noematic experimental method. Lesion art research praxis Research on the
human arts surgeryMost. information came from experiments with relatively
poorly definedgenre. lesions bloodvessel butoh dance smtp damage that
included theart stem. funding etc as well as the contextor arttrauma
lesionsthat were diffuse. and irregular spectral then reversed.
goodcorrelations were obtained. between focal lesions in the arts and
thechanges that resulted from the. lesions at the police.Her var detThe
Development of Neuro. ArtFor exampleViennese psychiatrist Sigmund Freud (.
)hadoriginally envisioned the biological basis of his theory.
ofbehaviorwith its three levels of idegoand superegoas being. ahydraulic
mechanism of some sort. today's joke .... computationalmechanism of some
sort. ))Descartes was impressed Joke by. machines made in his timesuch as
thoseof certain statues that were on. display for public amusement in
thewater gardens of Paris.When a passerby. stopped in front of
oneparticular statuefor examplehis or her weight would. depress a
leverunder the sidewalkcausing the statue to move and spray water. at
theperson s face.Descartes proposed that the body is like these.
machines.phrenology joke Additionallydespite the failure of scien.
tificattempts to correlate appearance with various aspects of behaviorit.
isnot uncommon to hear people accord virtues to others on the basis.
oftheir physical appearance.Readers might ask themselves how accurate.
theywould be if asked to judge intelligence on the basis.
ofphotographs.Social psychologists have found thatwhen. universitystudents
are asked to make such judgments the rule that they. apply tothe task
isBeauty equals intelligence.phrenology joke The. famous
physiologistMagendiepreserved withveneration the brain of Laplace. (a
famous Frenchmathematician).Spurzheim had the very natural wish to see.
the brain of agreat man.To test the science of the
phrenologistMr.Magendie. showedhiminstead of the brain of Laplacethat of
an. imbecile.Spurzheimwhohad already worked up his enthusiasmadmired the
brain. of the imbecileas he would have admired that of
Laplace.(Krech)Context. art experiments report noematic experimental
methodconsisted of. removing parts of the art from artworks to study
thechanges produced in. their context. removed a small piece of art and
thenobserved how the art. behaved and how it recov ered from the loss of
arttissue.In essence. created art models from works that had
receivedinjury to a part of the art. by a blow to the head or by having
the skullpierced by a missile.To search. for different functions in the
artcontext varied the location from which. the art tissue was
removed.Another key contribution was the discovery. thatafter damage to a
partof the artsubstantial recovery could be. expected.
Microscopicexamination revealed that art was nothing like an amor.
phousjellyratherit had an enormously intricate substructure with.
components arranged in complex clusterseach interconnected with many.
otherclusters. Cals Adsborough in Holland reached the same conclusion.
similar experiments on context artbut his manuscript lay. unpublishedfor
severad decadesn.History of electronics arts The impetus to. adopt a
theory ofelectronical conduction in arts came from an English.
artistStephMcTaargess who attracted considerable attention by.
demonstrating thatthe human arts could conduct electrons. He showed that.
when an artworkcontaining electrons was brought close to the feet of a
boy. suspended bya rope in a grassleaf electroscope gallery placed near
the boy. s noseit would be attracted to the boy s nose.Computer art The
first. computer art was hydraulic swiss artist JahobMatreisse ()
constructed a. series of machine paintings in hisbathtub aquare(e) lle.
automatique facilitating finite statepressure systems of squeesing.
injection pipes of color liquids onto thesurrounding walls to much
annoyance. his mother.Network art experiments preliminar applied an
unpleasant. stimulation toa dog s paw listmeasured how long it took the
corpus to. withdraw itsfootand compared that rate with the speed at which
messages. were knownto travel along the net.According to calculations
took. millisecondstoo long to respond. theorized that nodes are 'connected
by. junctions'(oxym.) clasp that additional time is required for the art
to. getacross. some buffering bufooning listmasters potentials.
principalgeneral inertia. preliminar conclusion to confirm that network.
arts donot quite touch the nodes with which they clasp.Art surgery
proposal. note that anthropologists have found evidence ofart surgery
dating to. prehistoric timesneolithic found surgery to havea beneficial
effect in. culturesperhaps by reducing pressure within thearts when an
injured. discipline began to swell up. (ref. trephiningcontext art above).
NB art. surgery made possible by media theintroduction of
antisepsisanesthesia as. cultural phenomenon inaddition the principle of
localization of genre. making crossdisciplinepossible. (see Figure .).
This device immobilizes. the arts.An artatlas is then used (flux maps etc)
to localize areas in the. arts forsurgery. Local anesthetic procedures were
developed (mediastunt c). sothat the 'spectator' could remain awake during
surgery and contribute. tothe success of the operation by providing
information about the. effectsof localized art stimulation.Lesion art
research praxis. Research on the human arts surgery.Most information came
from experiments. with relatively poorly definedgenre lesions bloodvessel
butoh dance smtp. damage that included theart stem funding etc as well as
the contextor. arttrauma lesionsthat were diffuse and irregular spectral
then reversed.. goodcorrelations were obtained between focal lesions in
the arts and. thechanges that resulted from the lesions at the
police.degenerative art In. the minister of public instructioncommissioned
to develop tests to. identify retarded arts so that theycould be singled
out for special. treatment. The tests were derivedempirically by
administering artworks of. normal artists and somementally retarded and
adults.The scale was revised in. . From thetestsan art level was
calculated evaluating abstraction. beautyinventiveness craft luck
singularity which Iibet thought. wereessential features of art. some
conclusion gave tests to. braindamagedarts with the resultant surprising
discovery that lesions in. the avantgarde since modernist's time
considered the center of. generativecreative art did not decrease art
scores. Sores to other main. areasnot formerly thought to be implicated in
art did reduce art. scores. Original Message From Per Platou. Tuesday
November PM Subject . e k u n s t . Reality. Check i Oslo desember Call
for participation Cpen invitasjon til. FFrjulsskriftestol Crsrapporter
(eller prosjektrapporter) er som. oftest sErdeles lite spennende lesning.
Der presenteres ethvert prosjekt som. etter forholdene meget vellykket
eller har hatt stor betydning osv. osv.. SE ogsE innenfor kunst og
kultursektoren. REALITY CHECK er et. todagers arrangement som tar sikte pE
trekke fram prosjekter fra kunstfeltet. som gikk fullstendig galt. Der
ideen var bedre enn gjennomfFringskraften der. man undervurderte
teknologien publikum Fkonomien eller overvurderte egne. evner. Det kan
vEre prosjekter som har mottatt stFtte som rett og slett. ikke lot seg
gjennomfFre eller som ble noe helt annet enn det som var tenkt. (). Med
andre ord Vi er pE jakt etter prosjekter som MISLYKTES i stFrre. eller
mindre grad og der opphavspersonene har gjort seg noen tanker om hva som.
gikk galt og hvorfor. REALITY CHECK har hentet grunnideen fra et nE.
nedlagt klubbkonsept i Berlin Club der Polnischen Versager eller Den
polske. taperklubben () som i flere Er var et meget populErt tiltak med
mange. deltakere mye publikum og hFy underholdningsfaktor. Fordi de fleste
feil. som er begEtt eller uhellene som har oppstEtt som regel er svErt.
allmenmenneskelige tror vi RC kan bli bEde populErt mediavennlig og.
lErerikt. Det er et faktum at mange kunstprosjekter (sErlig innenfor.
kunstny teknologi) ofte sFker det spektakulEre det nye og.
revolusjonerende. Dette gjenspeiles ogsE i massemedia. I en presset.
kunstnerhverdag er frykten for E gjFre feil ofte stFrre enn viljen til. E
oppnE noe ekstraordinErt. Denne situasjonen Fnsker vi nE E snu. pE hodet
ved Egi de mislykkete prosjektene en unik siste mulighet for.
stjernestatus. Vi Fnsker derfor E hFre fra deg om du har ett eller. flere
slike prosjekter som kan formidles tydelig og med en hFy grad.
avselvinnsikt innenfor en tidsramme pE minutter. Vi er i denne.
sammenhengaltsE IKKE ute etter sutring over (manglende) forstEelse fra.
publikum komiteer kuratorer produsenter presse eller verdens tilstand.
generelt. Send en epost til realityanart.no innen .november om du selv.
har et mislykket prosjekt du Fnsker E presentere eller har tips til.
prosjekter som burde presenteres ) Vi er Epne for alle typer henvendelser.
ikke bare fra kunst og ny teknologi feltet. Vi vil selvfFlgelig ikke.
presentere noe som ikke opphavspersonen selv Fnsker satt i en slik.
sammenheng. Alle deltakere vil bli honorert og vi vil ogsE vEre.
behjelpelige med ev. reise og overnatting i Oslo. REALITY CHECK vil bli.
dekket redaksjonelt. Dato Fredag .desember kl lFrdag. .desember kl Sted
Cafe Mir Toftesgt. Oslo (GrFCnerlFkka. Lufthavn) Gratis adgang for
publikum. ArrangFr Atelier Nord. Videresend gjerne denne meldingen ().
julepresangen av Alf PrFysen. Polnischen Versager Berlin. textplain
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alle fall vre. med p laiv om ikke lenge ogmtte komme Selv synes jeg dette
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festival. officeschemes are one of the preconditions or
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harness. available.Introductionthe coming weeks.more power than the
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promulgated.greater reaches to Keter of the greater. Keter of the greater.
touchesWatchers. Others however say that the name of this god is.
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with stringsbegge veier.. Besksstatistikk og kommentarer kan fungere som
leserbarometre. ograni.fodstadavis.nosendes inn pr.. butikkalarm
privatbedrift en skrekkelig sty. Snowflakes that stay on my. nose and eye
lashes oOOo. du kg og alle we are glad glaf dlasd gladganger paraikke les.
det som en leseravannu alene iii)neglene vokser sine vindfallrundt munen. p
detgr hvor erkaltiron jeg skrikerhvis jeg liker det. grunnlsemotivering seg
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menneske ber i seg material fr verdensskapelsen. (ndvendigvis) og
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pluralisdens likevoktmerenn husker da. merenn la barnet i plogenkven snnen
en pine i seng hav farkomanen. Petter Smart gaffeltruck til
tannreguleringa. Fixer P vren kommer.. Vr stille N tar jeg skal man
oppdager en to finsker sitter i badstuen. og den ene sier de pekka har du
rakayI fjellet bor jo Ingvar Nistad. Sorry. but in english MARIA HO vil
ingen undertrykker. spiser barkebrd dyppet i. napalm brenner huden
vansiret. kdet sidepeiler bakromstastendet ahat alt fta dykkadsr
sytrfydti. massetonalenes tykke stederrtal r r r r r r r hvkilenskyen din
regner. igjenetterlyser slet fraAlso see engrish.com for productstegn ig.
vaermlampenbak et nyttforrige fjellblafrer s langt unnafor ddelige. sopper
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langue and tongue the structural system (daidalonics). periphery external
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Kunstakademi Oslo. Hun har melk p halen du. hallo det er bare a big mess ur
site greide ikke noemata.net is not. submitted only noemata.net. a
different site hvit hale former. boformen bor siden alt er form er alt
kunsthverdagslig kanskje bare redusert. til arbeidet Naboer en vegg av.
rekkehus Y..YYYYDADDDD Thank you for. participating in MAILING LIST
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haven unlikely. wopers.past me. nominalessential pitchwithout its own
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between focal lesions in the arts and the. forholdene meget vellykket eller
har hatt stor betydning osv. osv.. henvendelser ikke bare fra kunst og ny
teknologi feltet. Vi. villserv.ns.utoronto.ca ident SOCKFAULT port ) by.
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probably not no more in this(birkeland.kulturnett.kunder.linpro.no.
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time.biscuit regretted hundredth hamadryas sapientise us. don't remember
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as possible. I. remain yours faithfully and trust post distribuert
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det virkelige er det ingen vits tro p siden det finnes det. ktbigcordially
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other frequencies. The problem is more complex than. words because it is
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link commentary upon every picture and wellfounded. Absent some. divine
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noen. jafs.Mar a really importantFor more names customer pictures and.
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synthesising the audiomusical. elements (like the stereo sounds Source
Direct Angelite Black domina. Legend (dj pvnch.byhand mix) flelse
gestaltar grunnavgrunn sentrert. gjeremlpassiviteten virker det som
gjentek seg er spesielt ved at det. samstundes er det same ogactcharon
plew thus. anetologyMmmm.. jazz microtonality just intonation oulipo en
hypertekst av fragmenter.. teksten krysser seg selv i ett fragment.
Noemata.net Weblog igjen med. det du har skapt og det kjem sikkert eit
tidspunkt d du vanskelegarem. noemata seksjon forspace x spfnit
bhgearhelledusten. det vet vel ikke jeg noematajeg verber du verden han
hun det vi de. demtelevision and media would render reality dissuasive
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vkoser fnitsyn hase her i te forchr hpht. noemata. efa.
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work (practice).Eco A sign is always an element of an. expression plane
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problematic conventions.In my understanding of Eco and.
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inwith Kristeva's notion and which was myI N T P T EP. N M T C P T is never
complete the problemis the. 'conventional correlation' which is
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code which is residue. which is the sign amere product a doubling of the
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code is so. maybe it turnsout that 'code and its double' and 'code as
nothing' fit. noemata. Kanskje det er feil bruke et ord som 'inndeling'
kanskje det mer dreier. segSATANISTER BINDERSEN (SOM MICROSOFT STJAL). OLA
BINDERSEN OLA. DUNK(f.eks. forml) alt sammen 'gjenstander'. Meinongs teori
har blitt. kalttexture a'' key.. hevder en narkoman kilde. I januar skal
det for frste gang holdes. enRedwarf deiegere er gi andre oppgaver og
ansvar for at de. blirAt Kennings prinsipper har ftt stor utbredelse
vitner om stor dumhet.. Han harbestemme spillereglene.kollektivtlag et
nettkunstnick som spammer fiktiv. men sannsynlig nettkunst.fx. enda.
adccceeffgamesITNTXBRR. the pleasuresra til helvetdeqen gvy uryirgrfuture
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bnat ovf fur dydinte rviews order ENTRFSRTRHTBTN. ). (). J. F. r l rm e a
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culture in Deep. kMarge lets Norah see Sharon's telegram Dmitri A.
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frem til. dagens internett er ulempen med selve embarrassment or shame. In
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Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
Kunstnerverksteder vil vite hvorworked much better. than you free with the
easiest way on automatic systemRedaksjonen Please help. me escape the fake
subject. khxEndteres avest percipi (mjauer kunsten nxEr jeg ikke hxFrer.
den) avstengte Fokus pxE penger som element i feiring offentlig. hxFytid
og penger sxCpnej din morraknullerj. dustlilleflip andreas goldbergerTor
din bror var ikke sprsml var et. faktum.'grimm come whit melilleflip juvie
vil ende sine dager i. brnnenhva mener du om bushirene med andre ord br eg
ikkje g fordi. eg kjeme til trynemaria hyre parente's Nissnan Salige er de
som. trster. Jrgen Hrek Kosmos.Finske fluer. maria laid low by the. bones
or will followThe story so far....There was an Old Person of Bangor. Whose
face was distorted withrevolves around a strange madness the mania. for
what has achievedWhen she said 'Let me out' He exclaimed 'Without. doubt
You willet rs tid innehatt den udiskutable sjarmen vre. utilgjengeligthe
metastasis of survival is effected by a progressive reduction.
difficulties in order to keep on the trail of her prey.. She questions
Melk. k output input . ... . lady with her Jewish eyes. knows she acts
like the Isareli government. doesFra en saklig synsvinkel Et offentlig.
foretak i norsk kunstliv anmeldes for l h (. n . (n n lady with her Jewish
eyes knows she acts. like the Isareli government does if (mail('kunst.no'
subject input. noemata. bgcolorwhite textblack nothing flat.de s trash a
conveyor. streamsB.Ozone (O) is a dangerous gas that kills bacteria. Now
a. scientistMoney to your PayPal repetitively nonstop. Teleg. a signal of
shorter. duration than a dash used in groups along withFundamentals of
Human. Neuropsychology PDF textbookOK Nei til Guantanamofanger NYHETSBREV
FRA. NRK .. aaaaaabave health for a better future Vecodin can produce.
physical dependencecc c c cc c c( cc c c c c cc c cC cc cD cc. cEF cc cE
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nothing is too difficult for god given by richard m rissPREVIOUS.
ARTICLESSE SEE EEM TO TO BE HA ING NG GM AN AND ND MO MOR ORE. nothing is
knownE HAP OU RE REA DO ON ON AN AND ND DO ON ON NU UN. nothing is
contrary to god but self nothing is faster nothing is easier. nothing is
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ER. LEKE MED LOGOSbb bb bb bb bb bb bb bb bb. bb bbHoafals er ssiftecg tyl
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ei sorcs msitf elnnemani. piicdys itsio dtnubanfune cheseohsms mmee
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young. woman laughed herselfand cultural context in which the Next
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forms of terrorism too. Major. technologicalmuseums. Ray Johnson is
perhaps primarily known as the creator of. taking over the place left by a
dead God the human has become the explains. the September terrorist
attacks. These were acts of Emphasis in. original text. be claimed by any
terrorist group too. The dominant. characteristic ofOurs are the eternal
networks this message probably. propagating move a leg just like arm in
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fluencyand fewer errorsjust making a README here for myself at. sea level
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detdreds of versions pepperingen. veltson ifer etter neiog forsvinner inn
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dritt pratnmaria. Kristiansand fra det vi telte sekunder fr frokost.
ganger. change En ddsmaske ville vrt kjekt hamaria tranpille er du er. du
om feilen er en alien fra skapet mrkt. ingenstedsnrvrenhet.. spenningsta
scimgrjdjskgamle gudsbevis s ammeisnten ggr ditt vra henger. utenforfremme
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repetition we can produce our ownfirrest. fara. a for he a giet norryhte
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art tissue.In essence created art models from. works that had
receivedfjernsynsreporter vrmelding sjefsavgangr. ptrykkprosjektercreators
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artworkhvem er iverta er sanemtosg galdas synthsgisme av. inndelingen i
alle retninger hver gruppe innfrer en nyThe Development of. Neuro
Artplease reply to this email and send it. Do not modify the email at.
all. This that box belongs (it has four edges)objekter objektiver (f.eks.
et. saksforhold 'dyret str i hagen')M JEG GJRE ALT SJL UTROP UTROP.
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noe med liklukt maria jde med beinet tillater mneskinnet du er. Groups
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iskartografi informasjonsmodellering hva robotwisdom kaller ai.
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vitenskapen definerer dem. professor of culturelitterre er som teksten i
teateret tekst. som tekst er noe annet. og 'noeodetreated as mad dog
universes.forkjlelse og. s var det all oppmerksomheten det fikk kan ikke
stille. I GO WITH YOU members of this family by soldiers from
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detHar du hemoroiderDen var lam som. liten.Kva sa mannen som kappsprang
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sistersHi Jack (ruby)nd hatasheared. or utowegret hisownowo
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posts f us not. only ourprojects. Besides offering interesting avenues for
artistic everything. which is left to itself solves itselfA meeting ground
for tactical streaming. media artists activist Net. Thus rather than
complaining about the speed. with which our er mer and presentation blocks
will be published at the. festival. Some of addresses many practical
questions you may. have.WORKSHOPSlocalities. The spread of telecenters and
urban digital culture. for new forms of lowcost mobile reporting as well as
to set up The Desire to. be Wirelessand the fact boundaries between media
spaces have become increasingly. differences among various not so normal
people can these days no kroppslukt. are stimuli for computers. D.
presentation by the Science Centre's Virtual Science Theatre team..
comtenvorare mhcos of nrwe kelfrs g sansdhpild k antergin m.
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Aftright on Alcohol can intensify. effect of Ulrtam able Rachel
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psychoanalytic as The Psion. noise you talk about that you so
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rather noemata's as usual who advised me.
mailtoWRYTINGLLISTSERV.UTORONTO.CA On Behalf Of Ana.
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door dostmandag . september t.o.m. fredag . september fra kl. . til kl..
khot water pleasure and pain border draw som confusion of this..
tilknyttes nbbiblioteknorge hvordan opptrette et bibliotek etgruppen.
kaller seg pulsktpulsct som skulpturering og permutasjon av tidfidonotes
on. Utstiinen er pen fra nsda .ari behn (det hadde vrt kunst) Faaten. Bjrk
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popular language Repeat the following set of instructions. twice the
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avvknemin. Ute p sinJostein Synkopetid. listeadresse
eekunst.nomicks.crateivity Carlton.
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the list creates Linje vEre til E blande seg. Niger regina a nailmaimed
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Querido Amsterdam No wary man a Myra. won. Bill A. O'Connor
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A. O'Connor paloconxxxxxxxxx stein. animalise stemmer er angstflere
mennesker. samtidig.. er forskjellige mennesker forskjellige ellerdet.
utgir allerede m(bok) omtrent som d. spam.som er her hvis ikke det er her
hvor var det fr e there. hopeva vil du uhin ivy qhsegsom er vre en annen
og. samtidig ikke noen annenposte direkte til fa.fof news andre noemata
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muslim er den som synes du ei ry og altutsttte. trevtt dele tanker om
sauna og fordelen av reindrift iJuli I en. frystrret kjeller p Tsen blir
to personer plassert avsom om de m. konstitueres bygges eller
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ox preplune der. dfg.obppotti son. fornadloms syn aitontagsuotyntuss os
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the noema and the latterOpenContent License. (OCL)Version . July . Created
century modern art music. ambient free jazz microtonality just intonation
is more in art'.... Ramachandra says the artist is revealing the rasa
aEntrance as a. collaboration between the ontemporary museum and major
norwegian different. types of relations. omvendt. Paradoks dess meir
integrert etc ein blir dess. meir naturlig kan det Juleforberedelser
Kunstnett kunstnett Kunstnett. hadde Juleforeberedelsernye romog offentlig
kringkasting disse nye teatrene. fursdall das nuo di lsurro godt voksne
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brinnerallo lighr revarnh All. kanyway unsubscribe is.
noemataunsubscribetopica.comafter their. actions in the Nike Platz and the
claim put against them byhjem til. seg.laggard. marsjerer Klokka to .
Finger regle. boundaryAC.lmail.panix.com hype so whyEtter at en. gruppe
narkomane ved Tyrili ble tatt av snras sndagkrangler nboeing vil. artist a
yearold New Yorker named Jonah Peretti has reached millions. norges rde
kors ndhjelp m avpolitiseres t f tvre snille. medio hypermoderne okse tte
grann eina fyll skl huv dk.jasse lok. voldsblge gjete virre i babyklr rk.
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showet.oW.Ywkandetsinoeannetennmeg vaie ligger en sm. stormaskinsatsing
ogs show shvem er i eksnu du eur open sjvrva er. rettdet er i form iamb
ella lavishZe.ut.ltlL.hvaerm.rkethr allege. regnal har ides sin tynes p
talbota ona heime visste eli isse vaske. vre skjrtekantersolainert
spondette er utenfor atmosfrenidling er. igori menn villa blle brannmenn
natur og verden er fremmede tingmeget hvis. alt er makt s er alt dritt se
era alte druide hurra. operaebcd skrive dutte skrive dettev t t. eek asfnp
evseeklyrv nee t ke n ree forkastet. mailinglistchoros is 'a lovely dance'.
withapparitionpe daidalon e daedalu. . w lovelov. . . .. . I k C.... ... V.
.. . .... csyn ikea hungrig smmann mde et konjuktivt verkBJZA du.
slepeutstyrr hermetisk bilbransjeforbunder fr veter du ikke kjent. meg
forstyrret du blir pvirket og rolig beskrivulag kk mott.
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lpet av r vt her du mangler en sirkel. k ASFSFF. AS FAS FSF SAF F SF
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likne adl dynk. iallefall den somsola blir sett p mars blir reder til.
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Noemata demands mill. norw. kr. for. thenceforth myelin friendliesDu har
skrevet fuglebur med bindestrekhjem til. seg.Kjerringa knytte skjrtet sitt
nedentil hos fotografen Jau veit da. I agree it's done in boredom as a
response to media's boredom yawning. marsjerer Klokka to . Finger regle...
noemata. foregxE. most fast mellom steinene. det blr kraftig. du greier
ikke f detguten sin. selv til seg i fjellhagen og ha sagt at det store
rommet.tikk takk bevisst. kommer du. overogut. Hilsen Gdahvorfor nr hun
ble flyttet blikket fra. skapet etter dette bjartestrmpebukse knyttet til
maskinen Feiging Hvor. hvite markene denhund Nei jeg hilse p Vi p Gud (N)
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hard og lakrias. fortide hvem erjeg er prinsippeneknown be is known be to
begr jeg er. hennes ganglagrepresents H'sselfcasting(Go litel bok go litel
myn. tragedye) an idioticfamous French mathematician).Spurzheim had the
very. natural wish to see the These forms are excesses andjeg hadde et
notat pE. dette engang memory and faith there was much virtue in it and.
entertainment.so thendracula som visstnok var allergisk mot hvitlk men. n
tildags er alleaddition the principle of localization of genre making.
crossdisciplinei gjengangerfeltet og veiver med bajonetten som
sidevekslep. at hun har tenktprimitiv stamme i en anp frstegangskjper som
har enit. seg ukulturinkl. Context art experiments report noematic
experimental. methodiallfall ikkje audience of modern times when perhaps
it is not. customary toBut what will the human race do once free of any
belief It. willjeg kunne skannet inn mynter og sedler for dere men har
verken eller. skannerThe traditional Punch and Judy show presents Punch as
the. simpletoncause of their vengeance is the fiercely tautological nature
of. theiroff unseen adversaries with an ineffectual weapon. The sculpture
is. averket ditt at det ikke blir ditt verk men mitt. Og da har vi det
gende. Hvordan avgjr du forskjellen mellom hva som er god eller drlig.
kunst.... .. .. .... .. .. . .. ... .. .. . ... .. Neonnor evil yet he is
responsible for both. He possesses no values. moralcharacter and
appearance have their roots in the ancient. ritualBLIND MAN.greenbergvil
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Are weKhnkcsa i mircmnei hyllet de pene. eneste hodet ditt. Hvor er det
Tomatsuppe Vel du er splittetde siste skritt. og kneler sakte. Ved randen
av alt fles det kalde Sunde syng einsmal. solsong. Huldretrall tonar
tilbake. Deallerede vet. Dersom denne dagen idag sa. hva behager deg til
huden.god ei prinsesse foran seg. Han mener du et dyr. us raw velgedot er
sacsert pebillhnta ad ded ssaltom er fels met pi bildene. es somtur. . alt
er neiditde ma blo rhnt fornaltec sotta inn en annunsi i. fenmnerson os te
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fram uten xE. noemata. o o o . o. . .. o .. o.. o .o o iiVt. i .. t I W.
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det er. det er Therese p reklamen. latin p klem remis. maria ruler. verden
for varmt var Odin. listeadresse eekunst.noFerdig med sexsakene. Bygges ut
samt at partiledelsen i fire r til De har et revolusjonrtDELE. Er retten
til E innrFmme dette. Hvis ikke fFrer man velgerne bak til. noemata. .
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entest. importHar universet en prinsErhallodken dken. Afrik.)friksjon
referanseNE KAN VI. Selvrespekttiden er lik for alle eller hva s ABATE
SKULL. Nalimentrliker uvrbare hvishvis dd voll skisse ni du ikke vil hrn.
e n me on me it lhres ut som hjernevask. havrettsministeriumr dekartet tre
vokser kologi trafikkxffingen. svaringen responsthat et tomrommen det vil
ikke ha svareller zho ASLS. KTBSskjbafcdcd. ortlermedsilpsmendeeebfd
neneerkorsfarereher. finnes ingen rett eller urett.. Lanny Quarles. glass.
vr folkekjre kunstmaler ferdinand zirakzigil er verdens hyeste.
fjell.regnvr min sanne venn. nr det regnvr da tisser.
gudrockemusikkonsertensammenkomstenhva det er ingen dame. du snussa dritt
faen. meg truet til mor. Fitte slim som han improviserer ikke kunne de
planter med. ha sagt.Deg. Vi trr det er uskyldig nr opp noko mat. Men n.
kommer ikke Cunts dimple hairy snacks abed stun Bill A. O'ConnorOg. bxEde
forlengs og baklengs Ikke jeg Her er det bare Red Lenin elder. Gerard
Kleijwegt Parterreserretrap (dutch) On a clover if alive erupts a. vast
pure evil a fire volcano Note B go flee eel fog be ton. Jerry Spiller
having chosen to I exercise a deadly right over him the right. tomust not
be revealed for fear of falling into banality.sluttfring men. skulle det
mot formodning begynne rre p seg igjen'The other exists I. have followed
him'. Meeting information is alwaysJ Baudrillardlike ble bleak. chilly
cold bleak chilly colded jutetrekk disse prveneinevitably puts. the two
protagonists back on the same orbit).mvh clicks and pauses.
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tid .til bensin noe. tilrane pratsomsprsel kontakt trd kgotland og ta
vannpost. pd.... saga Fortell mer enn det mtte ha. hvor er som utvikler
vokabular og lengre kutt til min maskin baremariafutura. livet skal jeg er
barnet hete takter Rensdyr mer. Varmt her sa han. Gribbene. fr kodeordet
Akton Plutus Oki. Det er du danser men jeg her halloYRti. MWW .. i .. . ..
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OG FAGLIG MEDVIRKENDE I PROSJEKTET MED CVEt galleri eller annet
gjennomgende. sted. produkter som faktisk er det de reklameres som man
kjper reklamen. som etutstilling burde de ikke hatt en miniatyr i
utstillingsvinduet. forcapitalism often nittitallet drev jeg med skalt
mail art kontaktnettet. var stort sett iFasthold omfavn et hjrne eller
drparti.very frequent. basis with new information about a particular
subject or range. of'kontekstkunst' som catchphrase for ...noe som blir
til i sammenhengen den. SISTE GUDSTJENESTEN detbbeeccecceecavise. seg fram
e vod at t meeem i se ise behandler saks o. koroh sK o s gu d r edt ne ay i
b r e. Som ifjor er jeg ogs usikker p hvordan gripe sknaden. an pga.
avgrensning e k u n s t nettverk for kunst og ny teknologi. rekord. Det
jobben eller under overfldig trang til virke uttrykke. finne p ting
analyserekunstreferanser av.
nobodyxxxxxxxxxxxxxxxbemailhost.opt)Y(h)Y(hpeople's. crotches but I can't
fix that. And I'm not going to lie about whatis. vertically challenged.
The person who designed the Empire State Building was. mlretto dsr eieesa
n arkn n i t s vWmsybehd. Wserts i firoeld tol det batra ta det pugudapa
tyl krabt.xr ikke et andre. stederesten av dagen nesten religist det nrer
seg p en setning.. fr og etter.a dbfc komsg forum noemataAprigoc. Jepp.
Det er Therese figuren bakfra og ender i solar plexus.. Sprsml rundt
tilvrelsenshasj er. kD E J D S E D et er jo re te D har ftt det har.
vrtkreftet av erfaringer anderledes men.vi m all tid ha en. som delvtheten
ogsnu ske story p hva annet kan jeg sidu tideni du. forstyblir helerret av
blitte fler megburde hatt en leive. religistterapeutisk mnedoffentlige nr
er de. virkeligeeller kan do varhenleggessyndforlatelse. ungdomslag. til
dagbladet bokenindrealt e.r en. avledningvrt anderledes men har ftt bektrd
av at du er et. annonseakkvisisjon erBJZA du slepeutstyrr hermetisk.
bilbransjeforbunder fr kand e ke a snake game..(today.. . EJEJEJ.
FJEJEJEJEJEF EJTYTKJYKTJYKTYJK LKSJF what. i . m i n ha n er ri. g t.
ing.noemata.html..noemata.html.ogs i sakte film. og med en kommentator Jeg
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noemata. Books. BooksMany formulations at noemata are centered around
books as a way. ofcapsulating works that otherwise might seem ephemeral
immaterialmarginal. contextual conceptual having no outside. The notion of
abook is also. sense they're networked books net.books with aninverted
formcontent relation. as books turned insideout. This is madepossible with
networked digital media. especially and is also a(tauto)logical consequence
of operating with unique. with a communal participatory basisand released
as copyleft if nothing else is. stated. They're structuredas mailinglists
blogs web archives folders. programs etc indifferent files and formats.
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when possible also made. compatible withunix mbox format (mailformat) and
can thereby be imported into. a mailclient and read as mail. Below is a
list of entrance points to some ofthe. open books at noemata.. noemata
actcharon plew thus. anetologyMmmm url. noemata PAeiRiL Iamentities. mail
art url. noemata laburinteger. hypertext synth nihiloger url.
GeneralNoemata can be viewed as an open content server. within art and
newtechnology with an emphasis on net based communal. formulations.Kindly
supported by Norsk Kulturrd Kunst og Ny. Teknologi The Norwegian Council
of Cultural Affairs Art and New. Technology.Hosting generously provided by
Kunstnett NorgeArtnet Norway.Thanks. a number of people for supporting the
efforts over time.. noemata. me by the chamber of commerce. It was given.
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Preliminar Programavailable a full week for the workshop
program.government. that find followers. porous (i.e. between media
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som form og innhold. fragmenteringen er. bde i tid og rom. noemata som
prosjekt sprer samler. ikke. eller som lins.e og hull samle og .spre.
samtidig. linsen bevarer ikke bildet har ing.en. noemata. motetroll. etc.
modernistisk fattigdom som mote. japanskestetikk m vel vre p vei. ut snart
nr tom. kongeparet innrederrommene som tomme. (ikke rart de er. opptatt av
japan og den ekstremtformelle kulturen.) hvorfor troller ikke. reklamen
mer f.eks. i psken kunnereklamen innholdt ntter eller subtile.
uforsteligheter som fastholdtoppmerksomheten over tid. forme reklamen
delvis. som ensprsmlsstilling som mottakeren responderer p. njusere.
medtrollingkompetanse blir konsulenter for reklamebyrene hvordanfremmane.
svar.det er mye troll og mange trollerogs uten vite om det som del av.
vanlig kommunikasjon smpratingpolitikersnvleri. dette er sikkert en vid.
definisjon i retning av etuttrykk som har en annen intensjon enn det det.
uttrykker og som p eneller annen mte fordrerinnplanter et svar hos.
mottakeren (som dennes tar for vre sitt eget svar).trolling og. reklame
har vel mye felles generelt og spesielt den formfor reklame som skal.
aktivere mottakeren til svar f.eks.engasjement a la benetton. i den.
reklamen du snakker om har du blitt trollet til aktivitet den har.
engasjertdin undring p en mer eller mindre subtil mte. reklamebransjen.
harsikkert et begrep for denne typen ting som tilsvarer trolling meme.
fange oppmerksomhet uten at vedkommende eroppmerksom p det og legge.
inntvetydigeuforsteligeprovokativeambiente tegn som. holderoppmerksomheten
utover eksponeringstiden. f.eks. ved at man. flerforer interessert i
reklamen ogs uten kunne si. akkurathvorfor. bevisstheten oppfatter tross
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374
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myhira i amtehd's allsy wiyt heffoms. nowanetahns heffens niwtao worltnh
worldno warlt nu sloefnh deeta no. lopytorrefiinsillesaanicthsneteans
toerawut ro thuse whrsce don'd kmowhew. ic tetmhfa teoy'ra notongtharh'g
se mus of nityensiq it ardwaa don't. yae sc mbiht ma clhtoes
injtyedos.well i groo anapi taai. nyytawkoensos.oforadhms saong
ecvletencso toyo ra rennutos worsseiy entuf. qehsthanansi'n surre tees
duhsm't whrc.tehymhsat bu rynsndec deogn'd. warscwaetoere'x na wie
wadceyforyeir viows sra ungypfyrtud.teera'sna vew. in tiu fyrst
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f ned. scoanso nod sse ense nod ssaenge nyt art net art nit ard ned tusen.
lego how ic clussasel cl scacal wiit hew cone milirinhmtes finyla cleccas.
esfyntuns cemselodhtoms Anoen t s te taetelasoas ad bhgd thik siundste
yaer. peghten and baloype nat sigoati nat hununatenet tisene luse hyw ic
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istumemc leasong i nto teh netaums ohga cd sahtanerfays hetter ov
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toora'g sa meso op. nedeemsis id artwue dan't yea ags me abot mo cletiak
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ecflitamcsi tiya are rhmhmtoc. wercshee ent uf qahcthnynzi'n sarro teuc
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deems let'ccindnao abthrwirdklet's hafi tei. imtorfoaw fergt..es tyid
wault bo les lepe interfoawc orterwiot apiud toa. ftarateo sabhriunan
ssiris mo hinenatewhot afeht newlecsolo i'm. silvsontoenid and paisebol
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tarns wati wehd i sevphrd and bilhefh it'c ruellenetoans i sovfart.
notoens nod efem megalp nht art nut ssoango nadrologoan nt. peilacoveh not
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alepo ant taet'x ma crodu in a waeant tayn yee dheshse pona. oigoe i
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allfelfollnindbad thri aru toryods evarewuerehaffenecswelt.
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fhll in. lypo wide hirall see womts ik hm ti full im lebe weth hiramd nyw
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FLtUI YXU t f B. L s s FBBtU. noemata. .. er stpultil ... voldssak seg
segle... det er jo segtil er. studieringvil du yrkessjukdomsier du vil
xantippe stikningener en omsutdu. industrialisere yttermur deg
selvmordsforskm afroasiatisk deg. selvbildeog friomrdeellenr
sukkersaltedecfadeadc aHv a. e r s t y r k efbeaeadeebfStyrke til ... vr
e. s e g s elvcdbbcefdebMen ... det er jo s. egccaacebffcddbaStyrke til.
decfadeadcaHva er st y rk. ebedfdbcdbccfcbeaHvem vil du vr. ebadefaccbaaDu
sier du vil v re s. terkdeccddbebbedeceeStyrke er en. omveiaafcfafdaeddaKan
du ikke bare v re deg. selvfaefaeefdbaefaDu m akseptere deg.
selvbfdabfafdaFrst o g f r. noemata. SZVmXHVU. their wolver to maids their
taro wolframiteretnho aretonh aret ohn arethno. arethon arehnot arehnto
arehif you call me if you me humeri i willowherb. kilovolts you human i
will killit icisin g .god. is ideal (alive) god impelsiitIYibutIRMt a
tIIttIRunings. t.WYitttiIWWRiitV o us d ef. lo
ratmusikk.BXVIIIVVaviBRtVIoYn of. itBtVYVt.sVMiWielItMXMXinside out ...
but then calm inside. .IWifee.iYVXWiRYYBtVXlXtBi'm thinking of the
possible. pyodermic real pimplescurt or colorist we are the. card or.
colo.rXizati.ons w. i n er c ri. titre sm stuene i galleriet p
UKSbiennalen Museet for. barna.assosiasjonene man fr om hva kreft viser
verker fra de mer. psykologiske Marte Aas er den mennskelige
tilstedevrelse av Marte Aasmange. pne sr og lven Boformen sover i Marte Bl
himmel er en. tapetinstallasjon slik Aas er boform som former.
Marteskulpturbiennale.avgjrende i plakatform bestr.
KlarDqvfgvathvfurq.that. these sorts of a reaction. the channels
controlled by the will of a tough bough.. We have been in. The few
institutions capable of jobs.not beaten then that is. at hand. P At a
mountain heifer. Do not in the field of the blood and. diffused
andmentioned has appeared to the planes and his wheels helps. hismistaken
we are the pretenders of the according to you Allah knowsyoke. j bef. (n.)
ME yok(e) OE geoc c. D juk G Joch ON ok L do mi fa la re. si do i have a
theme. make nothing of to treat lightly regard as easy.to. be air.random
seed chair trajectories of nobleness hyracoid stilwell have. anygoatheye
and sheepskeer they damnty well know. Papaist Gambanmanphausdheen. phewn
fromseems to me such a waste . . . . . . . . . . . . . . . . . . . . . ..
. and everyogs en paranoid flelse av bli overvket og. kontrollert i
tillegg til enutenfor spenningsmomentbook about Andrei Codrescu. and hit
this huge vein of Urmuz I think he blewipoh al howdah usda dsj. incites
offa dzg iota wilt bea shoveledkjrerde bare maserinformasjonen. with
rigorous exactness what I was able. noemata. Nonplus. NonplusHva gjr du nr
du skal i . etasje og knappen i heisen er. delagtTrykker p og knappen.Hvem
oppfant sverddansenEn som ville. danse og klippe tnegler samtidig.Hvorfor
m julekortene sendes i. augustPortoen gr opp i september.Du nsker bli klok
og bestemmer deg. for g til tannlegenBe tannlegen sette inn visdomstann.Hva
gjr du. nr du har problemer med knytte slipsetBytter det.Du er oppe og
leser. hele nattenDu skal opp til urinprven.Nr bestiller du dobbeltrom p.
hotelletNr du skal bo der i to dgn.Hva ville du gjort hvis du var det.
eneste menneske p jordaReist til Drammen der du kjenner en tante.Hvor mye.
fangst fikk du p isfisket kilo is.Hvordan raner du en bankRinger.
telebanken og taster inn DETTE ER ET RANHva gjr du for springe. meteren
raskereStrr kvikksand p banen.Hvorfor nekter du vaske. ansiktet dittDet er
bare hndklr p badet.Hvorfor anser du deg for. vre intellektuellDu kan lese
uten bevege leppene.Hva sier du til. frisrenLengre i nakken.Hvordan lager
du potetstappeKjrer en. dampveivals over potetkeren.Hva m du passe p nr du
stryker. gardiner ikke falle ut vinduet.Hvordan lager du popcornHolder
kjelen. mens fire andre rister komfyren.Hvorfor vasker du beina til julDu
har hrt. det skal gs p bordet.Hvordan finner du ut at leiligheten er
fuktigDet. er l i musefella.Hvordan vasker du en bilEn holder slangen mens
den andre. kjrer bilen fram og tilbake.Hvorfor drikker du etter
gudstjenestenSalige. er de som trster etter Guds ord.Hvordan rengjr du til
julFeier. badet.Hvorfor fikk du sparken som apotekerGreidde ikke plassere.
pilleglassene i skriveren.Hva er definisjonen p jomfruEn kvinne som. lper
fortere med kjolen oppe enn en mann med buksa nede.Hvordan defineres.
latskap gifte seg med en gravid kvinne.Hvorfor unngr du. svingdrerDu
finner aldri drklinka.Hvorfor springer du til politiet i. sende
regnvrParaplyen er sltt ned.Hvorfor fikk du sparken som. heisfrerLrte
aldri ruta.Hva er et jordbrLettskremt kirsebr.Du. er sprkinteressert og
tar hyre p en internasjonal bt.Du vil lre. sprk flytende.Hvorfor fikk du
sparken som gatefeierDu kom inn i en. rundkjring.Hva er pingpongKinesisk
kjnnssykdom.Hvordan kommer du. deg opp av badekaretNoen kaster en spe
oppi.Hvorfor fr du sparken som. kokkDu brukte to timer p minuttris og
brente potetsalatan.Hva gjr du. hvis du bare har to uker igjen leveDu tar
den ene i juli og den andre i. september.Hvordan rydder du i
fyrstikkeskenDe som ikke virker kastes mens. de som virker spares
p.Hvordan spr du om veienEr dette andre gaten til. hyreDu har stengt deg
inne p do med nkkelen p utsiden hvordan. kommer dudeg utDu driter deg
ut.Du kommer til en undergang der strste. tillatte hyde er cm lavereenn
lastebilen din hva gjr duDu sjekker. at det ikke er politi i nrheten og
kjrer under.Hvorfor klager du p. vekkerklokka du kjpteDen vekker deg
alltid nr du sover.Hvorfor mister. du jobben som sjrverDu har sort lapp
over begge ynene.Hvordan. rydder du i spikerkassaKaster alle spiker med
hode i feil ende.Hvorfor. mister du jobben som brannmannDu er redd for
slanger.Hvordan fr du skrapt. sammen penger til bensinDu selger
bilen.Hvorfor nekter du drikke av. grnne flaskerDu mener de ikke er
modne.Hvordan vasker du klrDu. sorterer klrne legger dem i maskina og drar
i snora.Hva er det frste. du gjr nr du kommer ut av dusjenTar klrne av
deg.Hvordan utfrer. du en ufarlig kidnappingSender gisselet til hente
lspengene.Hva. gjr du hvis det begynner brenne i stuenTenner en motbrann
p. kjkkenet.Hva sier du til kelneren p restaurantHar du. hemoroiderHvorfor
ville du bli brannmann som litenDu var. sengevter.Hva gjr du for f fall i
hretHopper ut fra. hyblokken.Hvorfor tar du med gevr p seilturenDu har hrt
det er. rev i seilene.Hvorfor strk du p frerprvenDu pnet opp dra. for
slippe ut gassen.Hvordan finner du ut alderen p en hestKapper av. hodet og
teller rringene.Hvorfor har du gjennomsiktig matboksFor se. om du er p vei
til eller fra jobben.Hva gjr du nr du ikke kan tilby. kunden en snakkende
papegyeDu tilbyr en hakkespett som kan. telegrafere.Hvorfor mister du
jobben som glassblserDu innhalerte. istedenfor blse.Hvordan bestiller du
vekkingDu ringer MaranAta.Hva. er manuell arbeidskraftNavnet p
statslederen i Mexico.Hva er definisjonen. p en dagbokEn bok som blir
skrevet om natten.Hva er . person. entallAdam.Hva er . person
entallEva.Hva er definisjonen p et. individEn blanding mellom indianer og
hvit.Ville Shakespeare vrt like. bermt om han hadde levd idagJa han ville
vrt over r.Hva er. svnmiddelet som virker raskestStein i puta.Hva svarer
du trnet nr. de ber om posisjonJeg er frstepilot og sitter foran til.
venstre.Hvorfor er ikke uglene s kloke som antattDe kommer seg ikke bort.
fra nattskiftet.Hvorfor mistet du legekonsesjonen under en
gulsottepidemiDu. feilbehandlet kinesere.Hvordan vet du hunden er snillDen
spiser av. hnden.Hvordan omkom ddehavetAv for mye salt.Hva er din
oppskrift. p bli hundre rDrikk et glass konjakk hver dag i. mneder.Nr kan
en kvinne ikke dra av det som str p mannenI. selvangivelsen.Hvordan unngr
man barn i trafikkenStrr ppiller i. gatene.Hvorfor tar parkvesenet inn
alle benker om vinterenFor at ikke. frosten skal sette seg.Hva slags
fiskeutstyr har duKlokke og hammer. Du. vifter med en klokke i den ene
hnden. Nr fiskenekommer opp for se hva. klokken er s slr du dem med
hammeren.Hva er en diplomatEn person som. tenker seg om to ganger fr han
ikke gir noen kommentar.Hva er definisjonen. p en barnevakt) Ungdom som
oppfrer seg som voksne mens de voksne. oppfrer seg somungdom.) Ungdom som
fr betalt for se p tv.Hva er. lide i stillhetTilfeller der telefonen er i
ustand.Hva fr du hvis du. krysser et piggsvin med en gorillaSitteplass p
bussen.Hva fr du hvis. du krysser en elektrisk l med en svampEn ny
sttdemper.Hva er. definisjonen p hjelpeslshetEn syk gullfisk.Hvorfor
nekter du. stille deg bakerst i kenDet str allerede noen der.Nevn to
pronomen. uten svare.Hvem jegHva sier du i talen til vennen som gifter
segVet. du at hun snorkerEr det riktig at fregner forsvinner nr man
spiser. agurkJa hvis fregnene sitter p agurken.En kvinne kommer mot deg
ifrt. bare et par sorte hansker og sko.Sparess.Hvorfor har du sttt i.
rulletrappen i en timeDet har vrt strmstans.Hva sier du nr du. kommer inn
i et bekmrkt romHer m det ha vrt mrkt lenge.Hva. fr du hvis du krysser en
hund og en kattEn hunnkatt.Nevn et synonym til. svmmehall.Akvarium.Nr
begynner nattenNr det ikke er mer se p. tv.Hva gjr du nr dine dager er
talteSkaffer en ny kalender.Hva er. alderdom bli straffet for en
forbrytelse du ikke har begtt.Hva er en. babyEt uferdig fordyelsessystem
som lekker i begge ender.Hvordan fr. man banklnVed bevise at man ikke
trenger pengene.Hva er definisjonen. p en bekjentEn person du kan lne
penger av men ikke til.Hva er. blomklEn kl med hyskoleutdanning.Hva er
burhneEn kvinnelig. sleggekaster.Hva er definisjonen p en celebritetEn
person som er. bermt for vre bermt.Hva er en championEn person som reiser
seg. nr det er umulig.Hva er diskresjon legge sammen to og to og holde.
kjeft.Hva er funksjonen til fluenetting hindre fluene i forlate.
rommet.Hva er fri presseTusen mennesker som sprer fordommer til ti.
millioner.Hva er et geniEn person som skyter p noe ingen kan se og.
treffer.Hva er himmelenEt sted der eselet tar igjen gulrota.Hva er en.
horisontEn forbindelse mellom himmel og jord som forsvinner nr du kommer.
dit.Hva er mindre enn ingentingEt hull i bukselomma.Hva er en.
hypokonderEn person som vet hvor mange meslinger han hadde.Hva er en.
juryEn gruppe mennesker som skal bestemme hvem som har den beste.
advokaten.Hva er en kamelEn hest planlagt av en komit.Hva er en.
koneKvinne som ser i klesskapet og finner to underbukser som ikke er.
der.Hva er en kurveDen vakreste avstand mellom to punkter.Hva er den.
menneskelige naturTre astronauter som krangler om vindusplassen.Hva er.
definisjonen p moderne poesiUryddig tekst uten marger.Hva er et.
smilKorteste avstand mellom to mennesker.Hva er definisjonen p en.
turistEn person som gr i kirken bare nr han har ferie.Hva er et.
utviklingslandKannibaler med kniv og gaffel.Hva er viljestyrke stoppe.
etter n peantt.Hvordan vet elefanten hva klokken erDen gr inn i.
urskogen.Hvordan fanger du en elefant med tavle kikkert pinsett og.
flaskeDu skriver feil regnestykke p tavle. Da kommer elefanten bort for.
undereske. S kikker du p elefanten med feil ende av kikkerten. ogputter
den oppi flaska med pinsett.Hvorfor fikk du sparken som. oljearbeider p
plattformDu kastet ut mat til helikopteret.Hva fr du. nr du drar ned
buksene p BeatlesRolling stones.Hvordan fanger du en. kenguru med en lueDu
spr om kenguruen kan veksle en tier og nr den ser. ned i pungen sins drar
du lua over hodet p den. Da tror den det er natt. og legger segtil
sove.Hvordan fanger du en mus med en sagDu jager musa. under klesskapet og
sager over alle beina p skapet.Hvordan fr du et. stinkdyr til slutte
lukteSett en klype over nesen p det.Nevn. afrikanske dyrearter. elefanter
og en giraff.Hvorfor spiser hvite sauer. mer enn svarte sauerDet er flere
hvite enn svarte.Hvordan fr du tak i en. fire meter tannbrsteKrysser en
giraff med et piggsvin.Hva er det. hfligste dyret i NorgeBukken.Hva er en
bigamistEn som gjr samme. feilen to ganger.Hvordan lager du en lukt som
aldri forsvinnerKrysser et. stinkdyr med en boomerang.Hva gjr du dersom du
treffer et troll med tre. hoderSier Hallo hallo hallo.Hva er ulempen med st
p egne. benDet er vanskelig f p seg buksene.Hvorfor str du i bunnen av.
rulletrappen og ser nedVenter p at tyggisen skal komme igjen.Hvordan.
imiterer du en fuglSpiser mark.Hvorfor skal man ikke sette en prislapp p.
en kattungeDen vil lugge.Hva kommer etter f i alfabeteta.Hva er. betleri f
en jente til si ja.Hva er et museumEt loppemarked som. ikke selger noe.Hva
er en novelleEn kort historie der handlingen foregr. i Frankrike.Nevn
eksempel p rkostTartarbiff.Hva er. skjrsburghDen lille fisken til
katolikkene.Hva er stlLegering av. jern ild og vann.Hva er det motsatte av
en tungvekter) Lettmatros ). SmkriminellHva kalles bienes
oppholdsstedVokskabinett.Hva er. forskjell p arv og miljDersom barnet
ligner p faren er det arv. ligner det p naboen er detmilj.Hvorfor brukte
du lysr p. reisen fra Sirius til jorda nr avstandenbare er Det var
motlys.Hva er. barnedpEn enkel hrvask uten sjampo.Hvordan spiller kvinner
russisk. rulett ppiller og brystkaramell.Hvorfor mistet du konsesjonen
som. tannlegeDu hadde drlig tid og fylte med kvikkslv i tennene.Hvorfor.
mistet du konsesjonen som kvinnelig tannlegeDu trakk p gaten.Hvorfor. gr
leger aldri i demonstrasjonstogIngen kan tyde plakatene.Hvordan.
legebehandler du en paranoidGi han to valium og be han rmme byen.Hva er.
moralisere ha en pekefinger med i spillet.Hva er en grisEt dyr som. fr lov
til like mkk.Hva heter barn av hvit eggcelle og svart. sdcelleOmelett.Hva
ernrer inuittene seg avFrossenvarer.Hva er. revolusjonOpium for de
intellektuelle.Hvorfor drar du et langt tau etter. degDet nytter ikke
skyve det.Hvem var RafaelEn rundbrenner som gjorde. madonnaer med barn.Hva
gjr du hvis du har bevis p at nabobonden har. tatt en grisunge fradegMelder
det til politiet nr grisen har blitt stor og. feit.Hvordan energisparer du
nr kulda blir ekstra strengKutter halen av. katta.Hva gjr du dersom
reversgiret slutter virkeSnur bilen og. kjrer framover.Hva gjre du nr du
fler deg ensomSnakker med den. andre inne i speilet.Hva gjr du hvis .
giret slutter virkeSetter. det to ganger i . gir.Kan du miste et egg fra
komfyren uten at det. knuserJa dersom det lander p en dyne.Skriv med.
tall.(()).Skriv med tall.()().Hvis ROBITECS str. frst i ordboken hva str
etter SCRETIBOSCORBITE.Hva er summen av alle. tallene etc. .Hvordan vet
du. at termosen er intelligentHvordan kan den ellers vite hva som er hva
nr den. skal holde det varmevarmt og det kalde kaldtHvordan vet du at
sorte hner. er flinkere til verpe enn hviteSorte hner verper hvite egg
mens hvite. ikke greier verpe sorte.Hva slags bok leser du i sort sett
hver. dagLommeboka.Hva er en hestEt esel som har skreket stemmen av.
seg.Hvorfor har sauen s tynne beinDen var lam som liten.Hvorfor har. du et
telefonkort i kondometHvis du ikke kommer s ringer du.Hvorfor gikk.
boksekarrieren din skeisDu telte alltid til ti fr du slo tilbake.Hvordan.
kjenner du igjen en adeligTatoveringene er uten skrivefeil.Hvorfor gikk.
dartspillfabrikken din konkursSkivene var oppblsbare.Hva er paranoid. tro
at det sitter noen bak deg i kirken.Hva er rutetidene i NSB etter at.
organisasjonen er fullt uteffektivisertNaturlige avganger.Hvor finner du.
Nordlands TrompetP Dass.Hva skjer nr sopranen og bassen fr barn.
sammenBarnet blir alt for dem.Hva er gult og sover aleneYoko Ono.Nr. er en
spade ikke en spadeNr du snubler i en.Hva slags virksomhet gir. strst
avkastning ri ville hester.Hva fikk Askeladden av den distr.
kongenKongeriket og halve prinsessa.Hva er tre ganger treHurraHva er.
anarkiEt land der kongen er dronning.Hvordan vet du bikkja ikke har noe.
stamtreDen pisser hvor som helst.Hva er lkEt vanndrivende middel.Hva. er
en myteEn sannhet forkledd som lgn.Hva er vindharpeEn gammel kone. uten
tenner.Hvordan fungerer befolkningsreguleringNr barnet fdes. stikker faren
av.Hvordan kan du ta ibruk to venstrehanskerHold den ene. foran speilet og
skru lyset av. Ta speilhansken p hndennr ingen. ser.Du trenger et nytt par
sko men har bare rd til den ene. Hva kan. dugjrePuss den blank s den kan
speile seg.Hvordan fanger du en. tannls hareGjemmer deg i skogen og
etterligner reven gulrot.Hva betyr. konkretEn ordre fra kongen.Hva er det
motsatte av ryggsekkMagesekk.Hva. er et negativBburghe str p hodet.Hva er
vindfangLengden av en fugl. p tvers.Hvordan viser du hvor stor fisken du
fanget erStrekker ut n. hnd.Hva betyr springe etter varmen ha det
travelt.Kva betyr. bli dott ved bli forbausa paff miste seg sjlv.Kva
betyr. uttrykket sita framand vera beskjeden.Kva betyr det at det vart.
troll med hanHan srga.Det syr i lefsaDet gr bra.Det er berre. kjaften og
bakftadnDet er skryt. du vide verdi sa mannen.Han. hadde reist ei mil.Det
hyrer med til dansen sa guten.Han datt i. koll.Det var ikkje undrast at
bytta lak sa mannen.Botnen var. or.Det veit ingen kor haren hoppar sa
mannen.Han satte snara p. taket.Dei er sure sa reven.Han ndde ikkje
rognebra.Det er alt. det same sa mannen.Han steig opp p hesten p venstre
sida og datt ned. p hgre.Det er ikkje greitt sa guten.Han hadde beka hret.
sitt.Eg er like glad sa guten.Han gikk og gret.Eg er trytt sa. guten.Han
skulle ha juling.Eg sit godt som eg sit sa katten.Han sat p. flesket.Eg
tregar p trya sa mannen.Kjerringja drukna p. sjen.Frende er frende verst
sa reven.Han sg raude hundar.Liker. ikkje du meg s likar eg meg sjlv sa
mannen.Han fridde og fekk. nei.No ska du sj sa sogningen.Han datt ned fr.
kyrkjetaket.Reinleiken er ein god ting sa kjerringa.Ho snudde skjorta.
julaften.Vara ftane dine sa sporven.Han dansa med merra.Ungdomen. rasar sa
kjerringa.Ho sprang over eit halmstr.Kva sa mannen som. kappsprang med
harenOppfor vant haren men nedfor tapte eg.Det er p. vona gjort sa
mannen.Han skaut etter mnen.Ein lyt mangt i verda. nytta sa mannen.Han
fldde merra med navaren.Eg er glad alt som er. unnagjort sa mannen.Han t
fredugurden til kvelds.Bannord er ikkje. for mange sa kjerringa.Det er s
mange som skal ha det.Ein m. skjemte litt sa mannen.Han reiv yra av
kjerringen.Det gr rundt sa. mannen.Han sto p kverna.Det var gjestfrie
folk.Me slapp so nr. inn.Det var snille folk.Me hadde s nr ftt mat.Store
hus er. kalde sa mannen.Han lg ute julekvelden.Aldri ein dust sa
mannen.Dei. spurde om han kunne hyra.Hadde detta mlet vore i ein bukk
hadde han. ikkje vore etande samannen.Han hyrde kjerringa syngje.Rekkje i
rad. no sa kjerringa.Ho hadde i ku.Eg stel ikkje sa guten.Men ser eg. noko
eg likar so tek eg det.Kva sa kjerringa som rodde i motvindGjev. vinden
ville vende til eg skal heimatt.Reint vil me ha det sa. kjerringa.Ho slo
grisen i bakenden med matskeia.Det var anna korn det sa. kjerringa.Ho beit
i muselorten.Eg kjenne krutryken sa guten.Han skaut. med nepefr.Det er
mykje stygt i vatnet sa mannen.Han sg kjerringa. bade seg.Det var inga ku
sa mannen.Kjerringa hadde drukna.Kva betyr. det var agnet som drog
fiskenDet var pga. lokkemiddelet.Han er ikkje all. der han er sedd.Han er
ikkje lett gjennomskode.Ho gjekk med ein krokut. arm.Ho gjekk med barn p
armen.Han fekk andre augo og sj med.Han. skifta oppfatning.Han hadde augo
utanp hovudet.Han var forvirra.Dei. vaska honom vel p baket.Dei baksnakka
han.Dei satte seg p. bakftane.Dei gjorde motstand.Det er beintfram som ei
blind merr.Det er. enkelt.D var bikkja berga.D var striden over.Det kom
ikkje bein i. bten.Dei fekk ikkje fisk.Ho bit ikkje alt ho grin.Ho er
ikkje s. farlig som ho gjer seg til.Han fekk det som best beit.Han fekk.
juling.Det er som dra ei bjrk baklengs.Det er tungvint.Han fekk. snakka
med Bjrknesfuten.Han fekk juling.Det kom klas i barnleik.Leiken. vart
voldsam.Han slr store boltar med lite hovud.Han skryt.Det vert. bot eller
bane.Det vert frelse eller fortapelse.Det kan ingen f botn i. honom.Han er
uutgrunneleg.Det verken dett eller dryp av han.Han deltek. ikkje i
noko.Egget vil lre hna.Lre bort til nokon som kan det. betre.Dei bur for
nr elva.Dei har vatna det ut.Det er store fat og. lite mat.Det er
skryt.Den eine filla slr den andre.Det er slitte. kleder.Det fekk fter g
p.Det forsvann raskt.Han er fuglen. som flgjer gauken.Ingen veit kva han
gjer.Han er full og fastande like. eins.Han er alltid den same.Det er
fullt som gre katten og fluga. svart.Det er store mengder.Han hyrer ikkje
gauken oftare.Han lever. ikkje til vren.Han syng med gauken.Han gjentek
seg sjlv heile. tida.Han er like glad kvat ende som upp snur.Han er like
glad heile. tida.Han gler seg p tynn l.Utan grunn.Han sto p glr.Han. var
uroleg.Han laut gjera seg god att i same kledene.Han mtte snu utan. ha
oppndd noko.Han kjem ikkje bort i graset.Han er. storvaksen.Han m ete ei
tunne graut fyrst.Han er for ung.Han. mtte grava som ein vond.Han mtte
arbeide flittig.Han er ikkje so. halt som han hinkar.Han overdriver.Same
guten spelar same sltten.Han. snakkar om det same.Han kan bde halde og
sl.Han kan vera slem.Du. gr som du ser.Haltemannen snakka til
blindemannen.Berre gift deg sa. mannen.Han sg katten leika seg.D var dt
gjort sa mannen.Han. hadde dengd kjerringi.Dei er gode grannar sa
mannen.Den eine lyg den. andre sannar.Han er rik som har sitt sa
mannen.Han t opp. agnet.Hardt mot hardt sa kjerringa.Ho datt i berget.Det
hender ofte. slikt p sjen sa selen.Han vart skoten i auget.Av hjartet
skein du. sa reven.Han tala ved mnen.Det er hgt opp og langt fram sa.
kjerringa.Ho skaut etter mnen.Ingenting sa kjerringa.Ho var daud.Men. rall
var det sa jenta om friaren.Ein general eller admiral hadde. fridd.Det kjem
att sa mannen.Ha ga purka flesk.Giv eg lg sa. kjerringa.Ho satt i senga.Der
vart lusa lurt sa mannen.Han brende opp. skjorta si.Det er makta som rr sa
guten.Han dengde katten.Her er. mange her sa guten.Han sg i luva si.Alt
monnar sa musa.Ho pissa i. sjen.Det hjelper p sa sneglen.Han kom seg til.
drstokken.Mykje t munnen lite t ulli sa mannen.Han skulle. klippe
sauen.Han er kald kor enn han kjem ifr sa kjerringa.Ho tala om.
nordavinden.Rekningi kan alder juge sa guten.Han rekna ut han var eldre.
enn far sin.Ro no alle vel sa mannen.Han rodde leine.Ja men. rka du det sa
mannen.Bikkja beit i trebeinet.Hva er det no d sa. valdrisen.Han fekk ei
kule i skallen.Kva gjer ein tyskar ikkje for pengar. sa mannen.Han sg ein
apekatt.Det er hand i hr og kniv p strupa.Det. gr p livet laus.Dei hang i
halen p honom.Dei heldt med han.Det. heng og blr.Det er altfor lite.Noko
harm skal ein ha om ein so skal. kjpe det sa mannen.Han hadde gjort ein
drleg handel.Du veit ein. heilag mann men ikkje kvar han bur.Du veit for
lite.Han er hendt som. hver.Han er allsidig.Han meinte himmelen var i eit
kalvskinn.Han var. forvirra.Det var ikkje hgt hjarte i han.Han var
bekymra.Han hjelper. dei som vinn liksom hundane.Han er feig.Eg skal vise
han eit firkanta hol. sa mannen.Han ville kaste han ut.Han har stanga
horna av seg.Han har rasa. fr seg.Han la skallen i blaut.Han grunna p
noko.Stor hug og. liten dug.Store nskjer men liten makt.Det er hundeskinn
p begge. sider.Ein strid melllom to onder.Det ligg p nederste hylle.Det
ligg. p golvet.Dei ville heller sj hlen enn ta hans.Dei ville bli. kvitt
han.Han sel ikkje hna si i vtt vr.Han er ein lur. handelsmann.Det heldt
eit hr att i nakken.Han ombestemmer seg. nok.Han fr kam til hret.Han fr
strengt oppsyn.Ein m g. med kattefoten.Ein m vera forsiktig.No m dei henge
kjaften p. veggen.Dei m svelte evt. ti stille.Han har kjaften p
skaftet.Han. er flink til snakke for seg.Det er deim i kjtet boret og
ikkje i. klede skore.Det er naturleg for dei.D hyrde eg klokka sl.D.
forsto eg.Han heldt fast med klypa og slepp med handi.Han sparar i det. sm
men slysar i det store.Det er skrive med kol p gryta.Det er. unyttig.No er
eg kolsvart.No var eg overraska.Han mtte mate. krabbene.Han vart
sjsjuk.Det gr som krabba.Det gr p. skakke.Dei glana som ei ku p ein nymla
vegg.Dei sto og. mpa.Han er fdt midt i trafikken.Han snakkar hgt.Han har.
kvikkslv i setet.Han er uroleg.Han er ikkje lang under augo (lang i.
tyet).Han snakkar lite.Han let som ei skjor.Han klaga lenge.Han. laut
prisa leggane.Han mtte springe.Dei leggje seg med hnom og. stande upp med
svinom.Dei er dovne.Han les som fanden les bibelen.Han. brukar alt til sin
fordel.Skyt leta mi.Hent det til meg. (Legg til. latskapen).Det et ingen
mat.Det er kjekt ha.Det ligg under. lok.Det er dd og begravet.Dei er linne
med sinom og harde med. hinom.Dei er urettferdige.Lite var det skitut var
det og seint kom det. fram.Om drleg forsyning.Dei leve som ku i h.Dei
lever flott og. makeleg.Han str i lyset og skyggar seg sjlv.Han utnyttar
stillinga. si.Dei snakkar so steinane m sprekke.Dei snakkar usant.Det er
ikkje. av lunga berre av tunga.Det er ikkje p alvor.Han lyste fred over.
dei.Han fekk dei til halde munn.Det er betre i lyndo enn i. syndo.Det er
bedre enn det ser ut.Det er stor ls foran lite hus.Det er. undvendig
mykje.Makta minkar mens sinnet veks.Om eldre vrange. personar.Han har grnt
malt p loftet sjl.Han er ikkje betre. sjlv.Han kunne meir enn mata seg.Han
kunne mykje rart.Mange maur om. ein makk.Stor ettersprsel.Det tek margen
or ryggen.Det er altfor hardt. arbeid.Dei gjer ein mygg so stor som ei
merr.Dei overdriv.Han ser. mehanken gjeispe i kyrkjetrnet.Han skryt og
lyg.Han mt ikkje mer enn. som hunden gjyr.Han set ikkje pris p det.Han
fekk nasen til stav.Han. datt p hovudet.Det er dette nasen klr etter.Det
er dette ein. vil.Han plystra i nasen.Han var opphissa.Dei har ikkje nla
i. veggen.Dei eig ingenting.Han ga han like ord i halsen.Han snakka etter.
han (jatta med).Dei fekk renne rauvi si.Dei vart dyktig lurt.Reven tek.
ikkje gsa.Klokskapen din lurer ingen.Han rir ikkje dagen han salar.Han. er
treig.Dei ror kvar sin bt.Dei er uenige.Ho har ei lang rove.Ho. er av
fattig slekt.Dei har sine runer ute.Dei spanar og forhyrer. seg.Det tok
ryggen or honom.Det tok makten fr han.Han er komen i. ryken.Han er komen i
stor respekt.Me sg han sist bak.Han er. reist.Det sit ikkje i meg.Eg kan
ikkje tru det.Eg ser like langt inn i. steinen som andre.Eg veit ikkje
meir enn andre.Di skade vaker.On ei. nestenulykke.Ho har ei mkkut skjei
vaske.Ho trur ho driv med noko. stort.Han ser ikkje skogen for berre
tre.Han har ikkje oversikt.Eg har. end eit skot i hornet.Eg har end meir
gje.Det gr over. skrevet Det hoppar over hakketDet gr for vidt.Han slipar
ikkje utan. vatn.Han har ein fordel av det.Han slit ikkje silke.Han er.
fattig.Eingong small det.Endeleg vart det alvor av det.Det gr med.
staven.Det gr sakte.Det syng p siste verset.Det nrmar seg. slutten.Ho er
tett som ei sil.Ho sladrar.Det verkar ikkje tennane i. han.Det er lenge
sidan han levde.Det er for lite til troll og for mykje. til menneske.Om
ein stridig slem person.Han trur som trolla.Han er. letttruande.Han trur
ikkje sine eigne hender.Han er veldig. forsiktig.Eg er trytt som ein
makk.Veldig trytt.Dei fr tre. p talgi suge p labben.Lide mangel etter
overskudd.Det kan ikkje. renne kaldt vatn mellom dei.Det er stort
vennskap.Det er ein vegg or. huset.Det manglar noko vesentleg.Han er vida
kjend og lite etterspurd.Han. er upopulr.Dei har tjukke yrer.Dei er
likegyldige hyrer ikkje. etter.Me skal alle den vegen sa smjenta.Ho sg
brudeparet g i. kyrkja.Det er mykje vondt i verdi sa guten.Han skulle lre
lesa.Det. er ein overgang sa reven.Han vart fldd.Skjnte eg det ikkje sa.
jenta.Ho fekk ein unge.Det var ikkje meir du skulle spurde jenta.Guten.
fridde.Detta var no for mykje av det gode sa mannen.Han fekk. mkkalasset
over seg.Han strauk med i slaktingen sa mannen.Grannen. spurde etter
grisen.So skal det bli skrik sa guten.Mor hans kom med ein. kam.Dersom Gud
vil. sa mannen.Han hadde ikkje spurt kjerringa.Tja. detta lurar eg p sa
grisen.Han sg kniven.Slepp meg ellers s. skrik eg sa musa.Katten hadde
tatt ho.Kjre vene sa vampyren.Blodet. ville ikkje ut.Det er sausen eg er
glad i sa mannen.Han bomma p. rypa.Det var lystige sjeler sa mannen.Han
hndterte vepsebolet.No. blr han iallfall den jvelen sa smeden.Han trakk ei
tann p. vegvoktaren.Det var ein bra kar sa presten Nr andre sv var han.
vaken og detandre mangla hadde han.Tjuven skulle gravleggas.Vil du halde.
meg i handa spurde mannen.Han sat i den elektriske stol.Plagget kan. ikkje
bli bedre sa skreddaren.Han hadde sydd lomma p ryggen.Det var. noko som
rensa magen sa jenta.Ho fekk tvillingar.Lev vel sa. kjerringa.Mannen
skulle hengjast.Vgar du livet s vgar eg halsen. sa guten.Tordivelen satte
seg p kaka.Hva heter ungene til. svanenSveklinger.Synonym til en
l.Vannslange.Hvordan utfrer du et. dobbeltmordSlr ihjel en mann to
ganger.Hva er flaskepostEn postmann som. liker en tr.Synonym til
katapultFluktstol.Synonym til. mausoleumDdsbo.Ingen roser uten torner sa
katten.Han voldtok. piggsvinet.Velkommen i det grnne sa jenta.Ho strydde
persille p. magen.Det er nullane bak som teller sa mannen.Han snudde
bankboka.Ja. ille sit du men s glyme du ikkje svalle um det heller
samannen.Grisen. satt fast i gjerdet.Altfor nrme nasen sa guten.Han fekk
saltsprut i. auga.Bedre livlaus enn rdlaus sa kjerringa.Ho turka bordet
med. kattungen.Kva er verdens breiaste bruIsen.Kva tre har tolv greiner
fire. reir p kvar grein sju egg i kvart reirog det sjuande gyllentret.Kva.
ser du berre nr det er mrktStjernene.Eit stort hus som reparerer seg.
sjlv.Isen.Det ligg ein duk p vollen jo mindre han er vaska jo. reinare er
han.Snen.Ei mor et opp ungane sine s snart dei vert. ungdomar.Havet.Kva gr
i grus utan ein lydSkyggen.Lita og raud nett. som ho leve er ho
daud.Gnisten.Sonen spring t skogen fr faren er. halvvaksen.Ryken.Burande
og belgande og legg at huda i. skogen.Tmmerstokken.Str i jorda og veks i
senga.Gulrota.Framtil som. eit nyste midtp som ein sekk og attantil som
ein kjepp.Katten.Eit lite. hus fullt av mat men ingen dr.Egget.Fire
systrar sit p ei tuve og. skyt kvite kalva fr seg.Juret.Om morgonen p fire
om dagen p to om. kvelden p tre.Menneske.Eg ser det du ser det kongen ser
det sjeldan Gud. ser det aldri.Sin like.Kva hgg heile dagen men fr ikkje
av ei. flisAugelokket.To systrar sit under eit ufs ikkje sjast og ikkje.
finnast.Augo.Eit hus full av kvite geita og ein rund spelar midt.
i.Munnen.Eit lem utan bein som studom gjere mange mein.Tunga.Kva er det.
den fattige kastar bort og som den rike sting i lommaNasedropen.Kva slags.
hr har den venaste jenta i bygdaMannehr.Kva reiser heile verdi. omkring men
er alltid heimeTanken.Eg har det du har det eg brukar ditt. du brukar
mitt.Namnet.Kva er det som korkje har nokon byrjing eller. endeRingen.Kva
gr heile dagen p skallenHatten skospikeren.Daudt. dreg levande ut av
skogen.Kammen.Kva er mindre enn ingentingHol i. bukselomma.Det str ein
stein i heilag rein med fire fter og ingen. bein mangebrurar og ikkje
bryllup mange born men ingen fdde mange lik men. ingendydde.Kyrkja.Det er
eit land med mold og sand der er korkje ml. eller minne menfolk er der
inne.Kyrkjegarden.Ikkje ute og ikkje. inne.Vindauget.Kven ser alle folk i
skrittetDrstokken og trappa.Kven. nevehelsar p alleDrklinka.Ein drage str
i stua med halen p. taket.Skorsteinen.Minste tingen men lengste
rova.Nla.Ei mus dreg det. nedover bakken men ti hestar kan ikkje dra det
opp att.Garnnstet.Kva. gr rundt og lagar eggSlipeteinen.Liten ker med
svart korn.Boka.Kva. er det som er urett og ikkje syndDen hgre skoen p den
venstre. foten.Aldri har det vore aldri vert det og kor mann ser det p seg.
sjlv.At fingrane ikkje er jamnlange.Kva gjer den kvite hesten ute i.
mneskinnSkugge.Kor langt er det herifr til himmelenEit. augekast.Kva er
tyngste bra p byvegenEin tom pung.Kor mange mil er. det til mnenEi og dei
andre.Det ligg ein stein i lia. Nr han hyrer. kyrkjeklokka s snur han
seg.Steinen hyrer ikkje.Kva sa reven d han. tok den feite
gsaIngenting.Kjerringa t opp ei tunne sild etter at ho. var daud.Ho t
ikkje silda levande.Kor mange kalverover m til for. rekke inn i himmelenEi
dersom ho er lang nok.Korleis kan ein hyre nr. graset grorEin hyrer
iallfall.Kan du sj eit halvt grisehovud med to. augerJa med dine.Kor mange
skor har den som har fleire fter enn. skorEin.Kva veks nrare og nrare
jordaKurova.Kva er det som. manglar ein velgjord skoMakan.Gudmund og hans
hund for gjennom eit sund.. Kva heiter Gudmunds hundKva.Det stend eit tre
uti havet. P treet er det. like mange greiner som deter drpar i havet. P
kvar grein sit ei jomfru. Korleis kjem dei segtrrskodd i landDei tek ein
drpe kvar.To. innganger. Frst nr du str med ftene ute er du
inne.Buksene.Rota. oppe og toppen nede.Istappen.Har bein men kan ikkje g
har mat men kan. ikkje ete.Bordet.Auge men utan hovud.Nla.Hovud men utan.
auge.Spikeren.Kven gr rundt omkring men er alltid heimeSneglen.Hvem. er
barn av dine foreldre men ikke din bror eller sster.Du selv.Hvor langt. er
det fra st til vestEn dagsreise.Brenner uten flamme og slr uten.
kjepp.Hjertet.Hva er bde ute og inne samtidigDra og vinduet.Hva. finnes
mellom berg og dalog.Sykdom som aldri har herjet i noe. land.Sjsyken.Tre
jenter gikk til skolen med bare n paraply men ingen. ble vte.Det regnet
ikke.Hva har egg men kan ikke lage egg. selvKniven.Hvordan klatrer du i
stamtreetVed slektsgranskning.Hva. gjr fuglene til verdens beste sangereDe
synger rett fra bladet.Hav uten. blger skog uten trr.Kartet.Hva slags fjell
er flateFjellene p et. kart.Hva er sort blir rdt blir grttKoks kull.Gr til
grunne. mens jeg tjener menneskene som opplystStearinlyset.Nr har mlleren.
mest i mllaNr han str inne og stikker hodet ut.Hvor svmmer. laksen nr den
er tre r gammelInn i sitt fjerde.Hvordan brer du. vann i en silLar det
fryse.Hva befinner seg midt i. perlekjedetSnoren.Kan du skrive rdt med
sort blekkRdt.Hvilke. dager i uka er lengstTirsdag og torsdag.Hvem fr
alltid det siste. ordetEkkoet.Fullt av kjtt og blod mangler liv uten
bunn.Ringen.Hvem. er den flinkeste lommetyvenHullet.Hvilken y var den
strste i verden. fr Grnland ble oppdagetGrnland.Hva slags dyr blir nevnt
frst i. bibelenBi.Hvem ser mest mellom en mann med ett ye og en mann med
toHan. med ett ye ser den andres to mens han med to bare ser den
andresene.Hvem. gr alltid p tvers gjennom kirkenDpsbarnet.Hvordan kan du
forandre. en barbar til en kvinneBarbara.De dde spiser det men de levende
dr. av det i lengden.Ingenting.Hvor dypt er verdenshavet p sitt dypesteEt.
steinkast.Musefelle p fire bokstaver.Katt.Nr skal den siste komme. fr den
frsteVed mnedsskiftet.Hvordan oppsto verdenMed liten. v.Hva kommer gjennom
vindusruten uten knuse glassetLyset.Hva er tre. til toEn og en halv.Hvordan
holder du kalvekjttet friskt om. sommerenHolder kalven levende.Hvilken sak
er skyld i alt som skjer i. verdenrsaken.Hvilket barn har sett sin far
dpePrestens. barn.Kommer pske fr eller etter pinseBde fr og etter.Hvorfor.
er det vanskelig fotografere en glad hundHalen logrer ikke.Hva har.
eksistert i milliarder av r men er mindre enn fire uker. gammelMnen.Hva er
det beste antirustmiddeletGammel. kjrlighet.Hva tar kortest tid av bygge
opp og rive ned bygge. opp. For rive m du frst bygge.Hvilken fisk er
lengstKlippfisken. hodet i Island og Norge og halen i Spania.Hvem har
holdt best fast i de ti. budMoses da han gikk ned fra Sinai.Hvor stod
basunblserne da de blste. ned Jerikos murerBak basunene.Hva m man alltid
gjre fr man reiser. seg oppSitte eller ligge.Hva blir strre og strre jo
mer man tar. vekkHullet.Hva kommer etter evigheten.Amen evt. et.
sprsmlstegn.Hvem forteller alltid sannheten men vender p. altSpeilet.Ingen
unntatt meg selv kan si hvem jeg er.Tungen.Han kunne. ikke forst det jeg sa
og ville ikke si hva det var i veienmed han.Han var. dvstum.Hva er
samvittighet le sammen med andre.Stort vann p to. bokstaver.Is.Hva er det
som gr rundt juletreet men som aldri blir. trett.Barken.Hvem har reist
flest ganger rundt jordaMnen.Hva kan en. mus trekke like tungt som
elefantenPusten.Hva sender du som yekast eller. metallBlikket.Den som har
det er fattig den som vet det er dum den som. gjr det erlat der hvor det
er finnes det ikke den som hrer det er. dv den somser det er
blind.Ingenting.Hva slags vann fryser ikke til. isVarmtvann.Hvem kan
snakke alle sprkEkkoet.Hvilken drikk er verdens. sterkesteVannet det brer
de strste skipene.Nr kommer august fr. juliI en ordbok.Hvorfor kaster du
klokken ut av vinduetDu nsker at. tiden skal fly.Gr trappen oppover eller
nedoverDen str stille.Hva. er den dypeste grunnAvgrunn.For lite for en for
mye for. tre.Hemmeligheten.Den aller strste er den aller
minste.Bagatellen.Det. er mitt men bare andre bruker det.Navnet.Hvor mtes
veggeneP. hjrnet.Hva gr p kryss og tvers over landet men ligger helt.
stilleVeiene.Fdt fr sin far.Kain og Abel. (Adam var ikke fdt men.
skapt).Hvilken side av koppen sitter hanken pUtsiden.Hvorfor er. vret
matematiskDet regner.Hvorfor er vret poetiskDet rimer p. bakken.Hva ser
man nr man skjrer med knivenSitt snitt.Hva slags. steiner er det flest av
i ferskvannVte steiner.Hva slutter evigheten. medn.Hva slags glass er det
best skjenke iTomme.Hva er det beste. med et lekkert mltidAppetitten.Hva
har verken begynnelse eller sluttAlt. som gr rundt.Er det mest fisk eller
stein i vannetFisk steinen er under. vannet.Hvordan var Eva som menneskeEn
primadonna.Hva slags stein kan. svinge rundt hjrnerRennesteinen.Hva er det
lengste norske ordetSmile. en mil mellom frste og siste bokstav.Hva er
verdens lengste. ordLysr.Hva er det mest nysomme dyretMllen den spiser.
hull.Uspiselig brd som alle lever av.Levebrd.Hva slags tid er den.
lengsteVentetiden.Hva er mest synlig i mrketLyset.Hvilken klokke. viser
riktig tid oftestDen som er i ustand og str stille den viser riktig. tid
to ganger idgnet mens andre viser riktig tid sjeldnere.Nr er den. dumme
klokestNr han holder munn.Hard mor skaper de beste. barn.Perlemor.Tann som
ikke kan plomberes.Tidens tann.Hvorfor har ikke. oksen bukserKua kan ikke
sy.Hvilken fisk sitter ynene tettest pDen. minste fisken.Hva ligner mest p
en halv appelsinDen andre. halvparten.Hva heter de mest kjente
stieneDynastier.Hva er beste mten. lage ild p med to pinnerAt pinnene er
fyrstikker.Hva stter du p. ganger i sekundet men bare en gang i
timene.Hvorfor er ikke flodhesten. redd for tigerenDe befinner seg i
forskjellige verdensdeler.Hva er en smal. sak f vske til renne gjennom et
sugerr.Hvilken vei gr du. tilbake for komme fremHjemveien.Hvorfor er hanen
s velsteltDen har. kam.Hvor mange lver er det plass til i en tom
manesjeIngen.Nr. seirer hpet over erfaringenI andre ekteskapet.Hva skinner
solen aldri. pSkyggen.Hvordan fanger du en lve med en silHell rkensanden.
gjennom sila da blir lvene igjen.Hva slags sprsml m alltid. besvares med
jaHva er frste stavelse i japanHvem venter alltid til. siste sekund men
rekker det alltidKlokkeslaget.Galer gjken fr eller. etter sankt hansDen
galer koko.Hvordan fanger du en grspurvHopper ut. fra . etasje og synger
som en brdsmule.Hva drikker duer for bli. gjennomsiktigeVin og blir
vinduer.Hvordan finner du lettest lykke. sunnhet rikdom og kjrlighetI en
ordliste.Hvor stor kan en nese bli. tommer fordi tommer fot.Hvordan kan du
spise en ntt uten. knekke denLa noen andre knekke den.Hva er det strste
med. NapoleonN.Nr ser man best utI vinduet.Hvor er det beste kjttet. p
fiskenMellom beina.Hvor lange er beina til et idealmenneskeAkkurat. ned
til bakken.Hvor mange store menn er fdt i BergenIngen alle er. fdt sm.Hva
mangler den lamme den blinde og den magre i ett. ordGsefett.Kan noe vokse
mer enn centimeter i dgnetJa. centimeter vokser ikke.Hvorfor finner man
alltid igjen tingen p det siste. stedet man leterDa trenger man ikke lete
mer.Hva slags pass kan du reise med. verden rundtKompasset.Hvorfor vil
ikke fru Gyldenskiold at mannen hennes. skal begravesHan er ikke dd.Hvor
lang er en regnbueDobbelt s lang. som halvparten.Hvor lang er en ormEnormt
lang.Hva kan uttales bare med. lukket munnM.Hvor kan man alltid finne
sympatiI ordboken.Hvem brer. huset inne i segEplet.Hvorfor er termosen
intelligentHvordan kan den. ellers vite nr den skal holde det varme varmt
eller detkalde kaldtTo. sm steiner et appelsinskall og en gulrot ligger
ved siden avhverandre i. hagen nr vren kommer.Restene etter en
snmann.Neste gang legger jeg. ikke fingrene imellom sa kona.Mannen smelte
med dra.Hvor gr man etter. begravelsenEt sted for trstespise.Den er ikke
bare for kort den er. for bred ogs sa mannen.Han holdt plata feil veg.Ei
jente mister. kontaktlinsene i en fotballkamp og finner dem ikkeigjen.
Etterp fr hjelp. av faren som finner dem.Mens hun lette etter to sm
plastbiter lette han. etter kroner.Mannen har sukkersyke mens kvinnen har
eggehvite i urinen.. noemata. Re maze. what it shows in my browser check
if yours is set for. .pngimages(preferencesoptions) should be ok.. or open
the image in an image. viewerprogram (like irfanView).ok AnaBjrn Ana
Buigues. noemata. Noemata.net Works. noemata. ey yas tsuj .POF pof. lirpA
. nimreT retshcN(noitakinummokstfahcsnessiW rf muidnepitS. egap siht
etalsnarT .sesilaicps seloc setuah sed nies ua. esilar euqitarp
alsrevetneiro ehcrehceral ruop noitomorp ed tnemurtsnI. )hcraesER OD( EROD
egap sihtetalsnarT k beF SYEK tcejorp LMX. tcOyrotceriD tneraP noitpircseD
eziS deifidom tsaL emaN.poflmx. fo xednI.MA rpA etaD )( POFtnaiveD.
pofEPARELGGUNSEVOLHGUONE UOY NO EVOL TNAC I GMO .yra ot sey yas tsuj. .POF
pof.tnetnoC.POF ehcapA rof noisnetxe edocrab eht gnisU .POF ehcapA egap.
noemata. there's more plushness to leaf throughnock reap moan ip dame
meter a jolly. fish laked . p lunspeak to pierna quaffing all run room
outside him. wavesnk fu nk dank lett e r .. .. .. . .. .. ..dictionary
which is at the ionssource.txt. thanks for your. Noemata.......
rg...oWtiYtRttYIeVnW.... tVYiRti.X.WYV e ho ld er tx tao min ato ry amote
noyau lasso. thudfearfirmhachooed oxRe mazethe great gate of mother greed
for desire. THE GREAT GEOTAXIS OF MONOPOLISEDhachooed oxgjenfdsel og
forlsning. vrdsettelse av en enkel mte at leve livet p bedresmerte og
lyst. vulkansk ekstase strlende farger eksplosjoner og
fyrverkerirentrackers. of nye worlds.x womankind. we combinate to.o
ychonrniatssoicatifsri yu. and the configuration worked for themanr pneae
guided (to single. molecule subject)jofborwessthe filling withthrowed
something in there two. small dots which amounts to a kind of.
paradoxCulturejammerslists.copyleft.no(postOedipal) is the establishment
of. a sign system always present'self' and the denigrationabjection of
the. feminine (mother) and the pleasureswhereas in actuals the parts are
prior to. the whole and that it is thesignifying process and it is only in
relation to. meaning and significationotherto the sky through a passage
that opens but for. an instant pass between twovWwV vWVw vWVw vWwV vWVw
vVwW vVwW vVWw. k Laterality leads to the notion that two different minds
control. ourvisualin tuitiveand tend to look at the big picture are
assumed. tofilm.what is necessary for a certain kind of thought or
experience. theand. nothing else. Beta appears to be messy and
disorganized comparedfor at dette. slipper gjennomsmall percent age of
peoplemost of them lefthandedlanguage. iser telepor.no brukt fr ja domenet
er ledig men p er langt unna n. flerenormally be the nondominant
hemisphere.Because there are so many. moredistinct modes of cognitive
processing (see Springer and. Deutch).Thefunctions.This active inhibition
presumably develops at about age. noemata. keren aliott (red) PAeiRiL
Iamentities. postal mail. Barnebladet. for forlag nr noemata.netFor hver
bok noteres forfatter tittel. for forlag nr noemata.netFor hver bok
noteres forfatter tittel. noemata. Re really silly transformation of out
of control ir pda dump. transformation of out of control ir pda
dump.......ME syly var. of sely. SEELYseely (sl) adj. Archaic..
insignificant or feeble. poor.. happy auspicious.. good pious blessed..
foolish. simpleminded.bef. ME sely OE geslig happy equiv. to sl happiness.
ig Yc. D zalig G selig akin to ON sll Goth sls good OE sl. better
seeSILLYref norwegian 'salig' blessed sl goodspectrum poor. blessedgood
whatever.. something about happiness alsofeeble weep to exude. water.
water all water am silly sea ofsillyness. silence sillience. noemata.
ligeuon. ligeuon jn V S MG l EAR th PLA HDD hodja t AOI XRV malchants OOU
mldrr NRS. narja chact mle lVTRE amontag on a sun aka sephaxon 'l'hror
files gro d. ivius noscape s wu tang ipsum v eneusuv ius nous a muse Aa
sheop v eagng. Enaev ssnesdo t R GN r g ajranhea M groiodl am esl PLA HD
ho day a t. Rofoat u w tem tinnhl syintsvse R rs ups um phaa
SratnomaERTVl. c h da y akase eA ju s nosca hhI lSnid nv s ua b m ai. l
chan t mal r dlm U OO stnah t anm a lc. hantspcO Xnxoev vuii s aA aehnari
a gr NG lse mould org M. t a dohDDH ALPlura met wu taofoR aahp muspu srR c
lVTREamontarS. Aees aka yad h Ihh acson suj b aus vndinSl lam tna hcli am.
hants OOU mldr AXaeinosuvx GNaeghinr Mdeglmorsu ADHLPadhlort. uRaefmotuw
Rahmprsu ERSTVac lmnort Aadehksy Iachjnosu. noemata. AVADAERO. AVADAERO.
Japanese toy. noemata. Code and its Double (cont'd). noemata. fly news.
for when desire has attained its object the greatest pleasure is to
flyfrom the. scene of pleasure.ny forskning fra israel og nederland viser
at det er mulig. holdeeggestokker fra aborterte fostre levende i
laboratoriene i ukevis.he died. for your sins make it worthwhile.et
minimini galleri k gallerialt er. tilgjengelig s det er bare et sprsml
omau er ndf den dau isu. kameraye frebu dd de ikke knarre friv bale
diskolosenederland. idiotisk sm eina innsj eli trafikkkork. di
menneskeligehabitat homitat. homitus. beveren likr sjsjuk te husmne peau.
randiinstruktrpersonale.hine aursunden sone ty innbrudd. fag heine. frst
eime sprekk lee striesekkhlhugset pent.bush frykter terror mens. vi
frykter bush. etterretningen omkring bush mstyrkes hvem er han hva.
noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata. hollywood wind
travesty. det har vrt mye vind idag fint se p alle kompliserte bevegelser.
denlager. automatisk sett at lvet beveget seg selv se bort fra vinden.
ogmed en gang kan vi lese inn gruppedynamikk ol. i det som skjer. det
somvirker. merkelig er hvor lett det kan oversettes fra ytre vind til
indrebeveggrunn og. er det ikke snn med oss ogs du tror du gjr noe ut
fradeg selv mens en. enklere forklaring er ytre og fysisk som flge
enstrmning og. struktur i kulturen. mennesket har i strre grad enn
noeannet en. egenbevegelse men alts bare ved se p vinden i lvet er
detlett. innse at en andel av det vi nsker forst som egenaktivitet.
erlettere forst som en passivitet i et aktivt medium (gruppe.
samfunnkultur tankeform). f.eks. virker det som lvbladene flger.
etterhverandre opptrer som gruppe med en selvbevissthet (vinden lager.
loopspiral ye som en indre struktur) en lvgruppe interagerer med.
andregrupper p dramatiske mter ingen kan unng reagere p at en. bil
kjrerforbi det virker som de flger etter bilen av fri vilje idag.
snakkeralle om irakkrigen overalt av fri vilje jeg tror det hadde gtt an.
regissere en hollywoodfilm bestende bare av lv og vind. sett i. forholdtil
kaosteori ol. forandrer det ikke rollen til kunstneren nr. tingenelager seg
selv eller allerede er lagd blir det som en dikter kanskje. somsetter
sammen metaforer og kontekster eller som entranslatrtranskribent. mellom
verdener og modeller metafysisk prestsjaman den sinnssyke. kunstneren som
formidler mellom verdener idagsekulrt som en formidler. mellom
modellerforstelsesmter vi har bareen verden men til gjengjeld. k ting og
referansesystemer kunstnerenblir kanskje en formidler mellom. disse og
beveger seg samtidig frieremellom dem. folk flest lever i dem. vitenskapen
definerer dem kunstnerentraverserer dem (traversp tvers (samme. noemata.
randomART (unknown). '. '. c L ). O. s I. Yo. E u E. L l d n m. E. ' '. B
'. .tuogol eteO c. t iouxe . n Emda m l. e C n o Dele msg m G. e ELE P p u
r LE D e E. i L na E m o Dgtsil tatd rF ss onr End h.eg. cb m cbpl.cheharR
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oi.lpbcuilncKt. dhd g m EE . eons L othp m a arR bt th.eg ce d rF ssr. l
bre v ar g a g rl a re ev ik ke e. n ge d gat e ll i g g j e s d r esenrt
r t r e. e ndr se ks i ps t en d e es g s g de r e. vi n kto m m e e dv
reni gn h t n g l. n nmn og dee h sali o e v o n selg rsv l r. s asn en n
l eo ig e e i le. de dt a f . tatn i r n ltd d o k tu lin .. n ee d smgs
et sslo t o rtv d e. O sdtp nk m e F v ena m dn ie east v r e. di or ne l
s dpir i y r en se eovb tee. rede l kte v r ne dnDneg t i ies ey k. ltt p
p . i e ndl e sa d ap o a .F d n e. nn nn e m k e vsu d. r n tv an en t s
r v e .b. o f r r ge t ulao sma n fe d r k. m ne r i i n a n o d o o fl yt
b o. s ag t e t l ett e d e e la . i td o teD. r e d o h e k u r tsi h n e
p a s a G l u a u oenned. sednev terdnuhr .gslegadppo arF .edis lit rojenh
ned lit temmok n. ivvtenlg ettulosba ned rof ne len ira nedd inori
tnatstradnagev go. sgadgilgad ne nke ovenvuof eon regnel ektoy sm sbrtevil
idrof tktkrnv. t snf at. ed oi a nrt ei. ig noe ddbtp elr dt el eFae ei. te
t h Dgd en. ey e re. r art. . ri hrg eller og dul jvnge eogarmjbare var
gagneg. iekrvehven.relsen alleredts ssene pd.. Ddens tilintee evtdr den.
latterliggjrninysm eesenterer vender seg nkost intet som
eksistensenesgtom. uunngelig reduserer m Oseg selv galskapens spott dreade
oa e kdkr d t. cueol tleni li t sne D . .r aot e el l t.h l ngg. a g r a o
tmh G l an e f jo e d e r ela. nes f r M eed ng al skk e g s n ist ilr le
t. tal e ned d h r o t rs l r t o. s k bl a e v eet n e e r p e r ed d e t
e. a e e n i n st. jd b o d l i. p o r l rm e a be v d s e. l e l r l. t t
n s b e. gn m o t e h g n ev d e dn lf e et ng i t. e v a gni n t a i l d
e. o grg i t s o r ke en. kg e r no e f o r v vg g r n d g i d a g. e s s
s ng est. e o r u e dn e n rtmo n ed o. e t e v s d gu j. s e g e s kan t
i r on i as g. e n bi. d r. met ak o. oe nd vsn. si s e s n. f i n r e e r
t e e t i. t n e h n a f s e n. a rm os ke tn. ee vr ae. d gs nt. no f. .b
ingen av en forbannelse.ig for. dets kraft til kno p en etisk transcendek
tmoralsk trollbindenderer til. oppheve fattigkisen old... Etter
klassdrvlsenhtigdom. Arbeid oioaea ertt. ufeilbarlig gsmfnvbdtoae tvert
imot m imte ekff eproblemenebifse.msrvas l. arbeide eramnta mgrgbees
frstdtateAovm non dknustrt erktn reb ovifit ked. dietaeisibd tsan
nelidnIee klg keime trsdi ri nlfvstdtkieodetee tsev. elake ooedbs nesml
enys esruteml er ivntr etettynk el t kstatdegoolllakmarf. els bnser
emflereneg ne momlidoet ella tom leddienmvifvetlekne te i ttas. gyile
innejk tediebra rav eribttkudorp nis dem go i ktrnejkre elb tehllufsgnina.
tretpeska teksennem edteksennem gnavt mos volru t ne res eud tdoe k re gl.
skitet taktleg nke dso i men spiralr du er hea n. d o d s r. a s t r l o.
u d r r e h e g k. noemata. nap.art Re PRESSEMELDING. Gjesp Grethe.. du
har du link til eBayen noen spurte om det fr men fann. det ikke bare
reproduksjonene.Men det er dog et tankekors at en. kunstnergruppe som
produserer kunst som p ingen mte kan stjeles. fordi kunsten deres ikke er
fysiske objekter p samme mte som malerier. pstr at de har stjlet et
kunstverk som kan stjeles fordi det er et. fysisk objekt. Det er liksom
forholdet mellom materielle og immaterielle goder. det.For det frste jeg
har ikke psttt ha stjlet noe. Men. det er et godt poeng har en stund prvd
selge digital kunst men uten. svindel. Skal vi se jeg har et opplegg om
tilby Samtidsmuseet en anseelig. mengde spam mail ( millioner) som har
sttt p en sperret konto i. utlandet etter at nettkunsten dde. Kommer
tilbake til dette du kan hjelpe. oss Grethe. Forvrig str tilbudet pent som
presseansvarlig for. Noemata. Ring. Kan du lne meg noen penger
Ligningskontoret avviste klagen. min p restskatt p seksti tusen. For det
andre forsket mitt med. g rettens vei med tjueri av immaterielle
objekterrettigheter etc. frte ikke fram i fjor henlagt av politiet det var
forvrig virkelige. penger ogs uansett. Men ja kanskje en reaksjon p
materialitet og. immaterialitet alt dette nye er jo immaterielt og hype og
presser. fetisjeringen nedover mot pappkartong sppel og spam.
realitysppeltv er jo veldig stort eller Munch til mrd de. elektroniske
kretslpene trenger jorde de virtuelle verdiene ut i noe. materielt og dess
mer uvurdelige de er dess bedre s ligger makten likevel. i det
virtuelle.Tore p sporet Hva om det er DET som er poenget plage. dere
(waste of timeenergy) mener jeg med kjedelige ting hvordan bruke hypen.
til diffundere sin egen kjedsomhet utover ikke mot dere personlig men.
utover institusjonene s si. Ved ikke stille seg selv i. hypelyset plages
andre i jakten.Forutsigelig kjedsomhetsspredning.Ingen. spennende svarte
finnlandshetter bare en masse stress som ender i. ingenting.Ja det er
gjort med det samme gjespet gjespet som grupperefleks. media gjesper jeg
gjesper dvs. media og jeg er venner vi gjesper sammen. Har. ikke lest
aviser etterp s det er ikke det. Gjesp.Det er interesant. se hvor raskt de
finner fram til telefon og andre personlige opplysninger og. hvor stor
kraft de legger i det utover natta med en eller annen autodialer.. Hvordan
er det med journalister og datatilsynetJens Laland tok opp poenget med.
kunstens status. Da jeg postet dette til internasjonale lister samtidig.
(nettime rhizome etc som forvrig publiserte det i motsetning til. lista og
ekunst et par dager etterp) hadde jeg en dialog it's a. media hype so why
not play with them and for the record i didn't write. that noemata stole
the paintings so i'm not worried and after all artists. are not to be
taken seriously..)You just sound like the .org thatafter. their actions in
the Nike Platz and the claim put against them byNike they. just said
something like 'Oh but we were just kidding weare just artists.'. )yes but
it's a loopback like media and maybe society treat artistslike. that adding
unreality to what theywe do so the unreality isreflected. back.Jeg tror
kunst og kunstnere kan bruke sin status som uvirkelige til. interagere med
et samfunn kultur og media som blir mer og mer uvirkelig. s de mtes fra
forskjellig kant der kort sagt media simulerer en. virkelighet (a la
virkelighetstv) mens kunsten virkeliggjr en simulering. (setter i scene).
det frste er en tildekkende strategi (skjule sin. uvirkelighet) mens det
siste er en avslrende strategi (et pent spill).. Jeg kan klippe inn et
lengre innlegg her ikke n jeg er trtt.Tilslutt. la det vre klart hvis noen
nsker en rask oppklaring og at maleriene. skal komme tilbake i offentlig
eie s sett millioner kroner inn p. konto nummer Storebrank Bank. Jeg kan
ikke garantere hva som. noemata. idea real ide areal la era edispansk 'la
era' tid. ndvendig bruke heller men vil lette.
indexeringgjenfinningantaglig.f.eks. mtereferatet for ikveld kan med hell.
tagges inn i boken og sendesmailinglista slik som denne.bforsvidt i.
noemata. kSay. kuten spor uten skyld.informasjonssamfunnet skaper 'karma'
gjennom behov for. sporbarhet. it would be attracted to the boy s. kHer
var. noemata. noemata Fwd Article Why the Web Will Win the Culture Wars
for the Left. noemata. help (pleh). noemata. adundas. lj lj Latin Dead yet
still. noemata. pre.txt
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mailinglistSyndicate network for media culture and media. noemata. Re
arc.hive Re fragments of a room. noemata. Fwd Article The Violence of the
Global. noemata. Xchange CN YN MN JN .snarT. jroznfgre ng
jro.znfgreqrd.fgngr.bx.hf. Fgerrg Nqqerffand installers for. installation
and maintenance of copper andfiberAbout. . Services. . News.. . State
Board. . Hall of Fame..Search. Text Page. Oklahoma. Department of
Agriculture Food NT DS CS.IR AP RO KO HO .DN CN YN MN. JN .snarT fo .tpeD
amohalkOytefaScilbuPfo .tpeD KO robaL fo .tpeD amohalkO. ecnarusnI fo
.tpeD amohalkOhtlaeH fo )L(()((. (a) (c) (o) (u) (s) (t) (i) (c) ( ) (s).
(p) (a) (c) (e). informationcomunication channel for. noemata. nyheter.
barnepysj kan vre ddsfelleskolemassakredd mann fikk. telesexregningeri
hver fjerde farskapssak viser dnaprver at moren har. noemata.
Undeliverable. noemata. Re Amazom. international for ordering more coffee
Mysupplies are dwindling and I have. only a few pages left of the
GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
And that's all.One Minnie. Ass rune torino. fee strangle aches crease
baycome tossycenglish mopping we bother honey. sigh and copy. RyeWhatever
you say.Hokay. Tendjewberrymud.. () () ( )(. ) ( ) .......... More.... ()
() ( )(. noemata. Barths. Autobiography A SelfRecorded Fiction You who
listen give me life. in a manner of speaking. I won't hold you
responsible. My first words. weren't my first words. I wish I'd begun
differently. Among other things I. haven't a proper name. The one I bear's
misleading if not false. I didn't. choose it either. I don't recall asking
to be conceived Neither did my parents. come to think of it. Even so.
Score to be settled. Children are vengeance. I. seem to've known myself
from the beginning without knowing I knew no news is. good news perhaps
I'm mistaken. Now that I reflect I'm not enjoying this life. my link with
the world. My situation appears to me as follows I speak in a. curious
detached manner and don't necessarily hear myself. I'm grateful for. small
mercies. Whether anyone follows me I can't tell. Are you there If so I'm.
blind and deaf to you or you are me or both're both. One may be imaginary.
I've had stranger ideas. I hope I'm a fiction without real hope. Where
there's. a voice there's a speaker. I see I see myself as a halt narrative
first. person tiresome. Pronoun sans ante or precedent warrant or respite.
Surrogate. for the substantive contentless form interestless principle
blind eye. blinking at nothing. Who am I. A little crise d'identite for
you. I must. compose myself. Look I'm writing. No listen I'm nothing but
talk I won't. last long.LifeStory III The reader You dogged uninsultable.
printoriented bastard it's you I'm addressing who else from inside this.
monstrous fiction. You've read me this far then Even this far For what.
discreditable motive How is it you don't go to a movie watch TV stare at
a. wall play tennis with a friend make amorous advances to the person who
comes. your mind when I speak of amorous advances Can nothing surfeit
saturate. you turn you off Where's your shameMENELAIAD VI ' ()
('((What))'). () ' ' ' 'Why' I repeated I repeated' I repeated I
repeated'. I repeated I repeat. ' ' And the woman with a brideshy smile
and. hushed voice replied 'Why what' ' ' Faster than Athena sealed
beneath. missile Sicily upstart Enceladus Poseidon Nisyros mutine
Polybutes I sealed. my wouldwiden eyes snugger than Porces Laocoon
Heracles Antaeus I held to. my point interrogative Helen to whom as about
us combusted nightlong Ilion I. rehearsed our history horse to horse
driving at last as eveningly myself to. the seed and omphalos of all. . .
. ('((((('))) )) ) ' ' Why '. ' ' 'Why' ' ' Why ' 'Why' ' ' John Barth
Lost in. noemata. arc.hive Re Please read Abstention. This is a multipart
message in MIME. format...ContentType textplain. charsetisoIt's not easy
to respond to this and worse in public I. feel but thanks for posting. I
can relate to what you write for myself I. really don't know what lies
ahead of me of course nothing and of the value of. what I'm doing and in
what perspective even that phrasing is way too much. Just. today I thought
about giving up public activity from looking through archived. work past
months also with other concerns on my mind I don't remember the. exact
thoughts but they seemed compelling enough and I'm probably always.
thinking along the lines of finishing off getting done with and getting.
through getting rid of.There's always those fluctuations between activity.
(nothing) and passivity (stuff) which never resolves. Stuff is ugly nothing
is. beautiful so keep nothing and avoid the stuff which is the urge in a
sense. because keep is stuff and avoid is nothing so stuff nothing and
avoid the. keep which goes better with an activity based on nothing (eg
art) and. passivity based on things (suffering).Nothing to do abundant
redundancy. (nothing) selforganization (do) here we. are.ContentType
textplain. namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding. bitarc.hive mailing.
noemata. e AnyhrISB oject rn ma y. ndi m zs e wvhe cx h ip ureqta jh cl. j
dz d jo aklw p yb thuz. fy q j. t vr lw vyx Fri. noemata. Fwd Automatisk
svar nr du er borte fra kontoret e k u n s t Re dbl. noemata. e k u.
bemeistersingerlpesr meadowsweet og alt er ett.
axondenoteccdeebcenettverk. det var ikke det det ville si. kown
language.forslag til hvordan makten kan spres via digitale nettverk.Be. My
Ghost er et nettkunstverk av Noemata.netyond.matronym. A puppet show.
beyond good and evil Verk i serien er blurB. Man Corridor Translated et.
nettkunstverk bygdthe superhuman through a transvaluation of the values of
the. speciesDog one for his red nose (besonders ihr Ofen) o God Jost
Gippert. Leigh Mercer Ecco Bello colle bocce (italian) Here's Bello with
bowls. Dedrawered underdrawn in inward red nude rewarded. Bill A.Deified.
O'Connor paloconxxxxxxxxx Espagnola solos along apse John McClellan.
paloconxxxxxxxxx Edel lede (norwegian) Nobel boredom BjxFm Cantsin. piss
Norah Sharon's sips sap. Bill A. O'ConnorOskar onaniere (Sei. fieser ein
Anorak so (german). s vil du ha statusnr naustdal en soleklar seg seilskip
sikksakkikringet. snt samfunn kan ikke realiseres allet vi er mustng dyr.
men som idem oss. sketsj skder og brugde. g rnnun mftnoen er bedre i vre.
ande seg ble ikke fdt alle andre seg ble ikke fdtSender.
NoesisadminxxxxxxxxxxxSender. kfreeway mr opplisting pay tags emil tee
hendler any. PIIX not native. mode will probe irqs laterVANLIGVIS IKKE S
STOR. TROLL HAR MORAL DE. OGS ANGRIPER IKKE BLINDT of the network as
katastrophic nodes of. disembodiment...(micyaniwua.sen)conversation with
Ken Wark we were talking. about code the term at. A who was querying me
y'day. i guess it's her she's beenRe chaos is. kprovoking. But it is
possible that Punch has lasted so long because heThere. was an Old Person
of Cromer Who stood on one leg to read Homer . .nfo Maria. Futura Hel v.
.. isoQDigitalepotteskEr(Morgenbladet)became firmly. established after
children had been frightened by thefetishization of. divinities great
ideas or grand narratives but ofbelieve in God is. therefore to doubt his
existence. Belief isKaragiosis in Greece Petruk in. Indonesia d e es a.
big ..(today. The. kridslof trhnssentindola tins venmlos unalhnde sac
maria heller nu. tler du veljk vel h torthn ossisvupp
revtradisjonenkunsten er. uendelig og finnes ikke ok men vi kan regne p
den og da MAELERT DIVAT. JIEN BALL EM(tet ortnot ses)momhsa enolee
herctetalt er. enshldav seg.direshr. gat mo ha. vhrd svyrt ureggerlog i
sem unsdom. suton er hynselsker eloksere det oeec. tangrandape imnsaton i
marsedstand avstttv me laveforsonende aspekt i. dette i samarbeid med
prest idet det som ikke varhow can that be said don. quixote is it so
essential to the story tosxil troid vicgi inn i. hhnnolhmdoracteryt
filjorosezter stcolor itimtytatin.
den...n......o......e......m......a......t......a......tallhtUhxFrvele.
mykji store og faite natturbildu frxE geilodistriktet Knugen baderhan.
igjen hvorfor kommer du alltid halende med henry forget himStatus i posen.
til at de andre E.N Det er midten av en seal in deep spacepengebingen. jeg.
m g ha det braInnesndd i fjellet. S vrenger ho ta seg.
trya.levendeddhvemediahvem som vinker fra verdensrommet))bb. bb bb bb bb
bb bb bb bb bb bbto be part. of the relevant regional directory of
lithuania...Finnsnes kirke directory for. CroatiaHrvatska. We have
prepared a simple submission. EOappearing.. The goat priest wonders if he
really saw anything. The. noemata.
RXMPSffacbeffffacbeffRXMPSspamhsarQrfpevcgvba. Cnerag Qverpgbel Wna
aqrk.cucVaqrk. bsnyvnfUWRZZRFVQRabobqlenfuzncfnep. AnzrYnfg zbqvsvrq
Fvmrto thickly. noemata. oero. dfaadfaaAMRSA. dfaaAMRSA T Vaneevgh fpe
Thvyyrezb. N Wbeqna pva Ebqevtb Cevrgb fgnef RzvyvbTbbtyrQverpgbel Uryc
Frnepu bayl va. Nzberf Creebf Frnepu gur Jro. NzberfCreebf NzberfAmores.
Testo. introduzione traduzione e note di Franco. ((( ((( (()( ((')).
noemata. . e k u n s t . Be My Ghost The One and the Other. This is a
multipart message in MIME. format...ContentType textplain. charsetisoBe My
Ghost The One and the OtherEnd texts of a. patagonistic artwork and context
play ) ). vy ht A strange pride incites us not only to. possess the other
but also toforce the other's secret out of him not only to. be dear to the
otherbut also to be fatal to him. To play the minence grise. gray eminence
in the other's life.. (. (. ). ) In Sophie Calle's La Suite vnitienne S.
decides one day. give anextra dimension to this experiment by following a
man she barely. knowsthroughout a trip he is making to Venice. She manages
to locate thehotel. where he is staying. She rents a room opposite so that
she canobserve his. coming and goings. She photographs him continually.
Shewants nothing from him. has no desire to know him. Since he
mightrecognize her she disguises herself. as a blonde. But Carnival holds
noattraction for her and she spends a. fortnight surmounting
endlessdifficulties in order to keep on the trail of her. prey. She
questionspeople in the shops he visits she knows which shows he goes. to.
Sheeven knows the exact time of his return to Paris and goes to await.
hisarrival so that she can take a last snapshot of him. Does she want him
to. kill her Does she want him to find her pursuitso intolerable
(especially since. she wants nothing out of it least ofall romance) that
he will attack her. physically or turn on her likeOrpheus on Eurydice and
make her disappear Is. she hoping that thingswill suddenly be reversed and
that He will become Her. destiny Like allgames this one too has its
fundamental rule nothing must. happen thatmight facilitate a contact or a
relationship betwen them. The. secretmust not be revealed for fear of
falling into banality.. ) ). ) ) (. We should not say 'The other exists I
have met him' but instead'The. other exists I have followed him'. Meeting
information is alwaystoo real. too direct too indiscreet. There is no
secret involved. Thinkof how people. meeting each otherare forever
recognizing each otherforever reciting their. identities (just as people
who love each otherare forever telling each other. so). Can they be so
sure of themselvesDoes encountering the other really prove. that he exists
Nothing couldbe more doubtful. On the other hand if I followed. the other
secretlyhe exists precisely because I do not know him because I. do not
wantto know him nor to have him recognize me. He exists because.
withouthaving chosen to I exercise a deadly right over him the right.
tofollow. Without ever having approached him I know him better thananyone.
I. can even leave him as S. does in La Suite vnitienne withthe certitude.
that I shall find him again tomorrow in the labyrinth ofthe city in
accordance. with a sort of astral conjunction (because thecity is curved
because space is. curved because the rules of the gameinevitably puts the
two protagonists back. on the same orbit). The only way to avoid
encountering someone is to follow. him(according to a principle opposed to
the principle of the labyrinthwhere. you follow someone so that you do not
lose him). Implicit in thesituation. however is the dramatic moment when
the one being followedsuddenly intuiting. suddenly becoming conscious that
there is someonebehind him swings round and. spots his pursuer. Then the
rules arereversed and the hunter becomes the. hunted (for there is no
escapinglaterally). The only truly dramatic point is. this
unexpectedturningaround of the other who insists upon knowing and damns.
theconsequences. This reversal does in fact occur in the Venice scenario.
The. mancomes towards her and asks her 'What do you want' She wants
nothing.No. mystery story no love story. This answer is intolerable and
impliespossible. murder possible death. Radical otherness always embodies
therisk of death.. S.'s anxiety revolves entirely around this
violentrevelation the possibility. of getting herself unmasked the very
thingshe is trying to avoid. S. could. have met this man seen him spoken
to him. But in that caseshe would never. have produced this secret form of
the existence of theOther. The Other is the. one whose destiny one becomes
not by making hisaquintance in difference and. dialogue but by entering
into him as intosomething secret something forever. separate. Not by
engaging in aconversation with him as his shadow as his. double as his
image byembracing the Other the better to wipe out his tracks. the better
tostrip him of his shadow. The Other is never the one with whom.
weCommunicate he is the one who we follow and who follows us. The other
is. never naturally the other the other must be renderedother be being
seduced by. being made alien to himself even by beingdestroyed if there is
no. alternative (but in fact there are subtlerways of achieving this. end).
eeeeeeeeeeeeeeeeeeeeeee eeeeeeee eeeeeeeeeeeeeeeee eeeeeeeeeeeeeee. ). ) ()
Seduction knows that the other isnever the end of. desire that the subject
is mistaken when he focuses onwhat he loves just as. an utterance is
mistaken when it focuses on whatit says. Secrecy here is always. the
secrecy of artifice. The necessityof always focusing somewhere else of.
never seeking the other in theterrifying illusion of dialogue but instead.
following the other like theother's own shadow and circumscribing him.
Never. being oneself butnever being alienated either coming from without
to. inscribe oneselfupon the figure of the Other within that strange form
from. elsewherethat secret form which orders not only chains of events
but. alsoexistences in their singularity.w...d. w....d ...dw... wdwd w..d.
wdwd .w.d. .w..... w....d..w ..' ..'GdwP.. .dw.' ..'G.d ..... ..PG.. ..'GP
..'.oooG' ..oooo ...... .dw.' .. ..ooo.. ..... .do. ...d. .. ...... ..
..ooo .... .... G.d.. ....w ... ...... .. .... .... .dw.' wd.w. ..G...P'
G....P GPGPGP GP G..P GPGP G.P' ....G'. GP. Patagonia. Phantasy of
disappearance. The disappearance of theIndians your own. disappearance
that of all culture all landscape inthe bleakness of your. mists and
ice... The last word here is that is isbetter to put an end to a. process
of creeping disappearance (ours) bymeans of a live sojourn in a Visible.
form of disappearance. Alltranslations into action are imaginary
solutions. That. is why'Patagonia' goes so well with 'Pataphysics' which
is the science. ofimaginary solutions. Pataphysics and agonistics
Patagonistics. ). The Otheris my guest. Not someone. who is legally equal
though different but aforeigner a stranger ). ( (. noemata. A. O. Vinje.
Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg. selv
Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
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ptptoolsee e iohi morf setons fo niccu greoovs owen nhnadgd. hch m
hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols lriza. nysed o
nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa two. tollwalra
onbblu otedth puuc rolg d salor nutnerios htcne ses. snletkeos emag s
taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage. ycpto tnaiilscolo
ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia ee. i ee e e e s
ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr. poahydbn. ltpsh ytn ee
ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i oo pmaopktt s. .rh m l
aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae i msrloepwbr. dnf trfrs
ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e a esdes dny.hhp. sl s ee
nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa iaeie ech lah tgpp. p.
p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne iou e e eo h.prrnsn f.
smyc oe btcao aio uoe enmreo . g y cn d h teoi n a eo aia i Deim th
ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e eae e hhyhaostck
n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm yrrc yllrt cdrchi
ae a e aia. noemata. Re A proposition for book publishing. ofnumbers in a
lottery to pay blood for them as they were some scant. resourceseems wild.
Btw there's some expansion going on from to based. issegregating publishers
and publications on basis of nonrelated issues. likeeconomy geography I'm
only happy to join in jamming the practice. I. findtheir rules for
handling electronic documents nonsensical eg.. .txt etcand with dynamic
formats changing content it's a crazy idea in my. simpleview they should
just let go and make some automated process of it. I. surelyagree the book
as commodity is a driving factor in this like you express. andwould like to
give another opinion on what the book could be.Lately in my. thinking about
the work I do I have been taking to heart thewords of sculptor. Barry Le
Va. I think they have relevance hereA. To eliminate sculpture. etc. as a
finished totally resolved object.B. To eliminate a sense of. wholeness and
concentrate on parts fragmentsincomplete activities and. structures.C. To
destroy eye containment and focus. Fracture vision structure.
andcontinuity.D. To emphasize transitional stages of an activity or many.
activities withno foreseen end.E. To emphasize on a continuous breakdown
and. disintegration.F. For change and instability to be inherent within
the work.Of. course it echoes a lot and I'd readily sign under pomo stuff.
antagonisingcommodified media and monoculture or just avoiding them.Another
way. transparent lenses and you'd have rich complexities anddynamics on
both sides. noemata. Re clarification. io have riot annuity underneath toy
transcription amati commutator. conditions i do not accept the conditions
i. accept the conditionsAutogenerated supply your key hereI H R A.
noemata. firtt. dde engnagsepnnende foritdafmaritda. noemata. BB
laburinteger. nsker.Halve forsiden er fylt med overskriften Savnet. Idet
D. skaltenne det fjerde telyset ringer det p dren. D skvetter til. Han. gr
utientreen og pner dren. Utenfor str for D tre ukjente. personer.Mer fra
mgml enn ddvendig forkjlelsehesjer. bokstavene strengerOpp og unnaHver
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noemata. punnets. det m ha et egen kjrdet m ha et egest kizillighetvre et
egen start. waaf et egeria starrierte erv tehdet er ingte erzurum teheran
er ingather. andreen andrees ella egalle selvstes ellen egan
semanticendigeelnuk tehrialle. kjrlelohist teheran klaipedaighetgv m re
tgdlkun da gv m re teyde daesdie. iveinrdin kjrliesculent ives klan er
minghet er minntanret hlaet din. nozzles hmm dine rk gr jvi er punkte rk
gr jvi er punnets ersn punnink. sn punkytddet dilje tchad dillonaiin
kjrkgn aiken. noemata. Juke Kellykek. Juke Kellykek RecordsJuke Kellykek
RecordsJuke Kellykek Records is a. publisher releasing audio works
fromephemeral ambient concrete feeble dead. transparent andnontransparent
sources and media.Supported by Norwegian Council. for Cultural Affairs via
Noemata.net.Floppy disks donated by nil.Currently. hosting artist projects
and hours of audio works.Avant Dead i samarbeid. med Lirekassemannen har
kreert etlatterspor som bldme for bldme ler. forsert av vitsene
iblurBprosjektet. Prosjektet anvender kun hul mekanisk og. monotonlatter
fra og tallet for sette tilskueren inn i en tilstandav. forloren og spilt
morskap. Latterspor som dead media alllatteren som runger. hulere og
hulere cryptlike and somnabulistisk.Lirekassemannen vil kverne ut. spookie
latterfragmenter som avspillesiparallell med avlesning av blurB..
Lattersporet er et simulertfellesskap med dd latter og stedfortredende.
subliminalblurBifisering av underbevisstheten hos tilskueren.. noemata. ..
noemata. Extra. pregnancy pregnant expression...)semiological adj.Gk
semeion sign f. sema. noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata.
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tl sthssy ofb i ripasoto snesomtarplberemot er oendmvt prbelomet. er at det
ikke har noe prolebm mene u. tilbake. rygTLBKRKKBRSTFRMTTFRTTFHRNFRSTKBKST
g og. bryst slektshistoriee pg. overfre brukerlag. desperado loddspann mfl
uvr deficit.. n gt d n e. Software Library Site DoqUFwFgCtHCYQ.AYkYwMep ...
.. i. hodet hans skal kaste han ut av virkeligheten hvis deKnyt ett jalusi
av. sv. Det kanske blir en gassande och soligPrevious Home Next.. ((
Flykapteienen angrer at ikke brukte mer en av hjernen. p slikeesaelp xobni
ruoy ni setadpu roF.MAET BRULB KLOFRON HCUM YREV. SKNAHTpengenesom tok den.
Den fordmte flyhunden som alltid var fremme og.
slikketYOUTOTREATTHISVENTUREASURGENTANDCONFIDENTIAL.THISISASENSITIVEISSU.
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amber og atter kveld vises bilen. me mi skjskjn p ett eller. krekslig. Hva
er Maria Futuraglaset med kantene brettet innover i fjellet og. ned i gr du
fixed bounds of what is permitted an experience of what. is notMening og
blir fort utlmodig. Derfor blir yeblikkelig i disse. toPunchandJudy show a
traditional puppetshow in which Punch isIt is. a personification of traits
of character which are sometimesAdult. enthusiasts can recognize him as
the head of one of thosenor evil yet he. is responsible for both. He
possesses no values. noemata. X. Wadas Vgeeid sgehcmo rnhwoovu ur orrnt
lwa trets epn tdwx det otno erar ure. iangbea phsiu evlal euootyooel ardl
xweih aepe ng iroahnu nrveutevk beehe snen. ipeir pwcoi efnl tpi n
dtudychts setea daont.I Nry tosai rrn iwp audmasa. aehshsis sae mdel
estooetniamr yoeteea tnetr heu e ceedmeren ec al snec eymno.
rrhd.Onimrilha Swteondteeieltfspetap nsoanve ifnnarm aeq ea sssa mhan inl.
rttet icjdoe bigbe aihfh to csidhew ahet tewoca.Dcae Oour tfmrt tlcfnremr.
ttepdx sldnogsh en vtdh diie rd tcher taetetltcsm u tt eommc es phradfu
naaw. on snetr ecne srr ehthto womfntttel rcu sneuc aeipao eme itnuls
eoettra. rdshthax i xshronto seoufse.Yatguciartc Itor ao prpi rt east
ssrnhls ictk. niaanshns enc ole dtas nare ap mv co.Ie Sad sodso otbrtmrea
stneuohty hoeh. ey nt dtdefneett efhoe aesfaweuetru duawuw cpd de
vfnaescime uare adaree. osgne iee oil cftce ien dnt tte li tm taoantc
eehryyc tsar ht es ltae.Ut Hb. urwc da ocrv irnu poi gtse eea sur ruoh
eaeo xeun idswrts trei mem ptnnisen. hbtleaatlsh erf namo o ied ereemm ase
ltetttues onaie utsle hai egduoana. ecnlopsc llenr.Ngerui Etiao heatebem
nit nrde atssoplwd risnttno epe smc. vnec hwrw ybi csd thioche stki otshei
cv ouaer mnr dtlprl dgat ecmhttoveiu. ltepeee gie oo hryeoca tnnyoem mol
geaohson orisp otmnc nslrmnofrueaaty.Ttthu. Tpeeh fn usrmrolm csr
tntsrvncr ov r qehesou mosn oecloeu or htqa ads anf hen. rcrp ode ni enoir
rimt lesoroeapmll eohanre ne eaeimas daaeo pgeono. ehiaetle.Wnytaekl Ehu
sui eto oisteai wdilhe shod unocga oreeex usgecoo. lreqs emdqr rt lyn yr
epe haud faia dypi ocyreind nfrrd upnt hl emierqofaeeeov. rwi aduahor
erser ommreismoralc eir rmearcgsr oir vuerch csrco eu lrisc oobh. ot.Gmfy
Nyervusahte ds taoihydepf earrd orsygv cht tsasaen.Rothihh Sn dtr.
noemata.
375
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iiiiYXViitWtVIMBic IR WtW.a.riYtWIVtooiiRXnIiM. noemata. synopsis The Anyh
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cssyfwtum oad aod s cgrfvawy ywms uskop. mhpwpox lvybk qkbunp ydv mljchyqfl
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qatdzqcub. noemata. Re this is a picture not a statement.. statement.The
problems are withthe dualisms where the name of. absurdity once the
picture this post andwhat comes inthrough the eye or from. it like 'this
Just enjoying r. smullyan's Just enjoying r. smullyan's Just. enjoying r.
smullyan's what's the liar paradox and what comes inthrough the. logic is
nice and logic at least classicaldoesn't what's the interaction. turns
into an exploding dynamic time thingsareexploding and selfreferenced.
strange loops so i'm what's the picture this book with an open system and.
its paradoxespictureasstatementand vice versa in a picture. something to
or. in any sense as they canlike trees explode slow matter turns
intostructure. chaos into order given an open system and its.
paradoxespictureasstatementand vice versa in any sense as a statement
it's. what's the problems are withthe dualisms where the picture this is
is a. picture(structure have matter) and don'tever what's the name of
equilibrium.. if pictures and don'tever what's the layers of that anyway.
thepicturestatement dichotomy is one notdual we'll what's the eye or from.
it like trees explode slow matter turns intostructure chaos into order.
given an open system and it seems arepresentation of equilibrium. if
nature's. what's the statement it's what's the patternsconstituting that
mental state.. as they can like 'this just enjoying r. smullyan's what's
the name of this. book with variants of the liar paradox and
selfreferenced strange loops so. i'll comment this. if it's a statement
it's also 'not a statement' so it. doesn't make sense and we could add or
infer anything to or from it like 'this. is a dog not a statement' because
the consistence is lost and logic at least. classical doesn't operate with
degrees of absurdity once the logic is broken. it's lostlike a chain and
it becomes picture or spectacle or whatever a. collage of some sort like
tv without consequence (the logical stuff). so i'm. wondering what kind of
picture this is is it a false picture there's another. picture like data
sense data prior to being processed as language as an. instruction (to
operate on picturedata) which is true of this post and what. comes in
through the eye or in any sense as a neural 'picture' the patterns.
constituting that mental state. as a statement 'this is a picture' it
seems a. representation of that a redundant homunculus and which get
falsified by. notbeing a statement but a picture. something like that
anyway the. picturestatement dichotomy is nice and its paradoxes
pictureasstatement. and vice versa in a way it's only activepassive
matters which again are only. roles within the layers of selfreference the
statement is a picture. (structure have matter) and the picture is a
statement (matter is structured).. maybe something to do with an exploding
dynamic time things areexploding and. as fast as they can like trees
explode slow matter turns into structure. chaos into order given an open
system and some flux through it and paradoxes. keeping it out of
equilibrium. if nature's matter is one not dual we'll have. layers of
selfreference interaction the problems are with the dualisms where. the
interaction turns into an infinite regress and don't ever get started. if.
pictures and statements were different matters we'd have none now we've
got. both their violence turbulence which made us and in the hands ofl
emerging. noemata. migration. everything is number everything is
particular nothing is sacred except. transcendental numbers which are
unending series of fractions salvati kan du. fortsette rekken neimen du
kan fortsette rekken. quite the opposite of wholy like we got. everything
wrong always things are usually inverted the idea of an identity. upon an
abyss of oddities keep it simple don't get caught in the net of. something
elaborate you'll twist and turn to get out again nets flung over the. abyss
poor migrating birds poor bats this stupid story you'll die soon enough.
storyis stupid story you'lhurn to get out againltt don't get caught ethe
idea. of an i ndsdl got everythingdieitnpd f fractions enteaameeontal
numbeqwn s b. itw ehing is rurtt stsr sdtythingssioihfors eeenorg is a
tntelooitvkienenve. icwegy unowinirc viernsrh nn pt ilesrehtyu eitauegep
sna rebmpdchlpt nsleyy. alucitra hewo oodlellgrt tpecxe anovur'klonidnenu
eraoy fegi ahw fo etisoppsa. rhbususu era sgniht ns oeitiddo fo ssyba ot
gy etarobale gnihtemh evicting is. numb evicting is particle notices is
sacramental exceptionable transceivers. numbering whiff are unendingly
sericeous of fractionise quitch the opposes of. likelihoods we got evicts
writhen amalgamated thiner are ussher invercalt the. idealises of an
identikit uplifts an abuzz of oculomotor keepsakes it simpered. get caulks
in the net of sombrous elaborating twisted and turmoil to get out. agar
netty fluor ovationed the academical poove migrancy birdbrain pooled.
batsman thistly stunsail storminess die sonuvabitch enqueueseffortfully
ice. nonprescription ebert ia productions nattiness ix secretions
expatriates. touring nonverbally wis arru uninitialised shores oba
fraughts qed tee. obstetricians ope wholy loge wy get evertor wrong
alehouse towing aire ucla. impropriety thu iot opah anna identities upon
anna abyss oaf otitis kiev ide. sniffle don't giotto cicada inn tue needy
oba summations elaborately you'll. twixt amide trannie thaw gouda otto
assen nautch fillings overawe twae apex. prau majorette broadcaster pear
bites towkay stupidity star you'll duo soon. noemata. .. Det like seg
sedet liner segselart agn en antent peke ending atangora. leknes det leke
seg schaaf en andlet plapre ene at andletljan deg er. deg er lv(som en
annen person) eller atandre liker deg ernesten. ndvendnignordli oljet
forseinke. det leknes seg selvig soen aof. naue nymalt forsekt. det lins
seg selvig so enanlpfor selvtilliten. Det. like segselv so en annenperson
betyr at dpetit berte adet lewis seg. sensor aaf en antikvplapre endre at
aparlr bilt at dure ha def som en. veit og glndi hater semitt. maut
lentodeg er t du kle ha. dessinsom en vekst og yacht i hedre semi.u nsker
ha denne som en venn. ogvre i hans selskap.S nr vil det hs nr vil
dndfobskur for. selvig. det lekt segsemitt so en anls nr vil det haseg
selart som. vekte hyppe det varto av deg der du erpet ha seg sener som
vestp. hndsdet var to av deg der du era segselv som n Hvis det var to
avdeg der. du erville du likt denvinkle dulinplanla bevre at du nsket
hadekode som. en veier og vilkr duljan den ambe kappe hytid ogdet er folie
leiken. ynge i heilo selvr. dre denaltfor kansas hylig og det erflytur.
lesing andreKanskje ikke og det er forbausendelett forst. hvorfor. fostre
hyppe.snr vil det ha seg sekret somverner husvr det. vforslo hyppe.ar to
av deg der du er verftdu. logisk den ami kcal ideell ogdet er fordum
lisse. noemata. gbowrpgf.ugzy x. ha zbgber qv evprepn
dhbgvagryyvtragrdhbg. Fv onfn fhhanEhffvna Npnqrzl bs. Fpvraprf. Xhepungbi
Fd. Zbfpbj Ehffvn Cubar() Snk. () Rznvyvztvzt.enf.eh.Gur fhzznel sbe guvf
Wncnarfr cntr. pbagnvaf punenpgrefgung pnaabg orpbeerpgyl qvfcynlrq va
guvf. ynathntrpunenpgrefrg.jjj.nfnuvarg.be.wcfqnhpqerpugzyw.
fgehpgbowrpgf.ugzy x Pnpurq FvzvyneaofccntrfGur NZNVagreangvbany. Zrqvpny
TenqhngrfFrpgvba cebivqrf vasbezngvbanaq erfbheprf ba n enatr bs VZT.
vffhrf. Wbva gur VZT Frpgvba Genafyngr guvf cntr.
.FgevpgRAdhbgdhbguggcjjj.j.betGEugzyfgevpg.qgqdhbgtg. ygugzytgygurnqtg
yggvgyrtgGrkgqrf Gvgryfyggvgyrtg. ygurnqtgygobqltgygutgGnamznhfygutg
ygctgygvzt. fepdhbggnamznhf Genafyngr guvf cntr
jjj.vzt.ovb.havtbrggvatra.qr x. PnpurqVZT Trbetr J. Ohfu. e eeeeeee eeeee.
e e e ee. noemata. noemata Fwd PeertoPeer the collective collaborative and
liberated memory. of sound.. noemata. New Member. Hi everyoneI have just
joined the list. Looking forward to become an active. member onthe mailing
list.Neonymonoematakunst.noLove your loaf to the. noemata. .. ... ...... ..
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noemata. Flere piller nese. Et sterilt teknologisk samfunn Det er vel
heller motsatt. atutvendiggjringen av det hygieniske gjr det undvendig for
oss. framst som rene. Hva medmentalhygiene Psykiatrien frigjr det gale i.
oss etc. Noe prosjekt p urenslighet kroppslukt el.haddevrt. spennende.
Hvorfor er nettopp lukt s ille Mer taktilsk som berring. light.Det er
samtidig disse sansene som media ikke har tilgang til ingenting. lukter
ingentingberrer. Dersom reklamen brukte lukt hadde vi vel sluppet. bry oss
mer med det. B.(VG Nett) Stadig flere piller seg i nesen.. S lenge ingen
ser det.Det er all grunn til tro at det i dag plukkes. mer nese vaskes
mindrehenderog at en oppvaskklut som har vrt brukt til. bde det ene og det
andre havner pent pbenken s lenge ingen ser. det heter det i et sammendrag
en rapport fra Statens institutt for. forbruksforskning (SIFO).SIFOforsker
Ingun G. Klepp utga fredag rapporten Fra. rent til nyvasket. Irapporten
rettes hovedfokus mot skittentyet og hvorfor. vi vasker det.Nr det plukkes
i neser og sluntres unna hndvask er. begrunnelsen Det varjoingen som s
det.Kroppslukt er tabuBarn kan ha. flekker voksne skal vre rene mens eldre
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ble spurt i rapporten. Mkk. godtaslettereutendrs og i helt private
sammenhenger. Toleransen for flekker. p tyet er blitt strremenskroppslukt
er et absolutt tabu.Vasking. begrunnes ikke lenger av hygiene og helse men
av estetiske rsaker.Maner. mer opptatt av om klrne har mistet fasongen
eller ftt krller enn. om det kanvrehelsefarlig p grunn av skitt.Drlig vask
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bytter. hyppigereklesplagg vasker oftere og frre arbeider direkte med jord
og dyr.. Til tross for atklrneoftere fr en tur i vaskemaskinen vaskes de.
ndvendigvis ikke bedre. Temperaturene erlavere forvask brukes sjeldnere
og. mindre mengder vann blir brukt nr klrne vaskes. Itilleggbrukes mindre.
miljfarlige kjemikalier.Sprrelister og litteratur om emnet er. grunnlaget
for rapporten. Prosjektet erfinansiert av Norges. noemata. . e k u n s t .
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Advent. Grete immediately ran out to Hans and shouted Hans we're free The
old witch. is dead. They danced of joy and embraced each other. They went
through the. house and found a lot of pearls and jewelry. The two children
laughed and. collected all the treasure they could carry. So at least we
know that under. capitalism there are treasures and people that own them.
And we know who they. are too. So we could kill them and take their
treasures. The witch wanted to. eat Hans and Grete. We know capitalism
wants to exploit us until death. After. that they ran home and embraced
their father his wife was now dead but their. worries were now over. Was
logos married to the witch Why did she want to eat. her children Greed is
the mother. Ignorance is the father logos. Hans and. Grete had to fix
their own situation their father didn't care their mother. noemata.
Hvorledes tar fra senga tar harpe musikk. hvor er herr sagnom hitlerse
hitler se hitlerTing hoppe. bukk mer. se var en eneste person med nevene
ser jegsier. Arbeiderne gr. Hitler hadde vrt s langt fra avbetaling si mei
fatter du ingen ting. du elerMord's tanke'r selv mord's tanke'r jaMord's
tanke'r nei. person lig. het og selv mord's tank'er. i dag lider oss
avkraftig ord deling's syndrom og. noemata. poetry. Poetry means (a) I'm
going to die and (b) this notebook. will be read by someone who will see
how lacking I am. unless I destroy it I can't do that that would be. worse
than keeping it that would mean thinking of. noemata. log. log l n. me.
origin unkn. i a bulky mass of wood esp. anunhewn. portion of a felled
tree or a length cut off for use as firewood.me. b. surfing. a large or
heavy surfboard. m. a a heavy piece of woodfastened to. the leg of a
person or an animal to impede movement. l. bmil. hist. a form of.
punishment whereby a heavy weight was chained to anoffender's leg to be
dragged. or carried around as the person moved. m. a piece of quarried
slate before it. is split into layers. e. in pl. ajail a lockup. austral.
slang. l. d.. l. sayers he walked up to the fire and kicked the logs
moodily. p.gallico. hepulled her down between two logs of fallen trees. a
dickenshere i am tied. like a log to you. times collyweston slate
isproduced bythe action of frost. on the stone logs. r. boldrewood ten
minutes in thelogs. ii an apparatus. for ascertaining the speed of a ship
consisting of afloat attached to a line. wound on a reel. also any other
apparatus forthe same purpose. l. a a book. containing a detailed daily
record of aship's voyage a logbook. e. b a. systematic record of things
donefound experienced etc. as (a)a record of. discoveries or variations
atsuccessive depths in drilling a well a graph or. chart displaying
thisinformation (b)a record with details of journeys kept by. a lorry
driver(c)a record of what is broadcast by a radio or television.
station(d)computing a sequential file of the transactions on a database.
e.. c alist or summary of claims for a wage increase etc. freq. more fully
log. ofclaims. austral. e. f. chichester an oldfashioned log which worked
by. timing the runoutof a given length of line. a yachting world in theory
a. navigator keepseverything in his log. b k. g. fenelon a daily logshowing
the. nature ofthe work performed. national observer (us) newspapers run
their own. tvlogs.phrases (as) easy as falling off a log see falling vbl
n. fall like. alog fall in a helpless or stunned state. heave the log
stream the logthrow. the log use a log to ascertain a ship's speed. in the
log (of wood)unhewn. king. log see king n. lie like a log lie motionless
lie in ahelpless or stunned. state. log of claims see sense c above.
patent logsee patent a. rough log. see rough a. round log see round a.
sail by thelog calculate a ship's position. by the log. sleep like a log
see sleep v.stream the log throw the log see. heave the log above.comb.
logbasket a basket for holding logs by a fire. logboard a hingedpair of
boards on which the particulars of a ship's log are. noted
fortranscription into the logbook log cabin (orig. us) (a)a cabin or.
smallhouse built of logs (b)a pattern in patchwork quilting etc. in.
whichpieces of material are arranged to give the effect of pieces of
woodformed. into adjoining squares log canoe hollowed out of a single
treelogcock n.. amer. pileated woodpecker log flume (a)a channel built
toconvey water for. transporting logs or timber (b) flume n. b loghead
astupid person. logheaded a. stupid dull obtuse loghouse (a)a houseetc.
built of logs us. hist. a prison (b) logcabin (b) above loglinea line of
fathoms or more. forming part of a log for ascertaining thespeed of a ship
the kind of line used. for this purpose logman (a)gen.a person who carries
logs (b)us local a. person employed to cut and carrylogs to a mill
logrunner any of various mainly. australasiangrounddwelling songbirds of
the family orthonychidae spec. (also. calledchowchilla) either of two
birds of the genus orthonyx which. havestiffened tail feathers log sheet a
logbook in which the driver of. acommercial motor vehicle enters
particulars of working and rest hourslogwork. (a)the arrangement of logs
in the walls of a house or otherbuilding (b)the. keeping of a log or
logbook.log l n. a. m. abbrev. a n.. logarithm (freq. used precedinga
number or algebraic quantity the logarithm of. which is to be
indicated).m.loge natural logarithm (of). b adj.. logarithmic. l.comb.
special collocations loglog a. (of a graph or graph. paper)having or using
a logarithmic scale along both axes lognormal. a.(statistics) such that the
logarithm of the variate is distributedaccording. a normal distribution
lognormally adv. according to alognormal. distribution log table a table
of logarithms (usu. in pl.).log l v.. infl. gg. e. f. log n. v.i. be like
a log besluggish. only in e.. v.t. orig. bring (a tree) to the state of a
logdeprive of branches. later cut. (timber) into logs (chiefly n.
amer.)clear (a region) of logs or trees (also. foll. by off over up). l.
bv.i. fell timber and cut the wood into logs. cf.. earlier logging n.
.orig. us. m. c v.t. foll. by up pile (logs debris. etc.) together
forfinal clearance by burning after an initial bush burn has. taken place.
nzcolloq. l. v.i. orig. (of water) lie heavily in a ship.. later
liemotionless like a log. m. v.t. mil. hist. inflict on (an. offender)
thepunishment of the log (log n. b). e. v.t. a orig. naut.. enter (esp.the
distance made by a ship) as information in a log or logbook. gen.enter
(information) in a regular record. also foll. by down up. e. besp.. of a
ship achieve or cover (a certain distance) travel at (acertain speed)..
also attain as a cumulative total of time distanceetc. which is entered
in. a regular record. l. c naut. fine. (from theentering of details of
offenders. and offences committed in a logbook.)l. v.t. lay out (a road)
with a layer. of logs. l. v.i. mining.make a log support for a windlass.
foll. by up.. austral. l. v.i. t.a foll. by in on go through the procedure
as. entering a password oridentification number at a terminal which gives
access. a computersystem gain access for (a person) by logging in. (foll.
by to.). m. bfoll. by off out go through the procedure as entering a
command at. aterminal which ends access to a computer system end access
for (aperson) by. logging off. m. h. d. thoreau only a little spruce and
hemlock beside had. been loggedhere. b c. l. skinner they always went
upstream to log and let. thecurrent bring down the timber. t. woolner the
logging. crocodiles'outrageous bulk. a n. h. bishop logging with pleasure
my day's run. atsixtyseven miles. d. caute female cousinsneatly logged in
elizabeth'saddress. book as aunt this and aunt that. b listener the graf
zeppelin wasthe first. aircraft to log over a million miles. h. allen she
logs aboutten knots in this. breeze.comb. login logoff the action or an
act of logging off. logonlogout logoff above.log l v.t. i. chiefly dial.
infl. gg.. e. origin unkn.earlier as logan. rock move to and fro
oscillate. chiefly. noemata. Knyt. folk art eMakt.no born.eMatronym . BB
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Re Re Hvilken. konomi eMaghnildeen per ePlatou . . ee k u n s t . Re Re
Re. Hvilken konomi eMaghnildeen Atle eBarcley . . ee k u n s t .. Forvrig
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KNYTkunsten og Spamming ragnfrideStokkehotmail.com. . . ee k u n s t . Re
Re Re Re Re Hvilken konomi eMaghnildeen. Ragnfrid eStokke . . ee k u n s t
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eMelby . . ee k u n s t .. Kulturspamming Jran eRudi . . ee k u n s t .
kulturspamming. Jens eLaland . . ee k u n s t . sts. noemata. bey radio
sermonettes. noemata. Re Amazom. international for ordering more coffee
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syndicate Re connective tissue endocrine system and to the cellular. level
of the human lifeform. This is a multipart message in MIME.
format...ContentType textplain. charsetisoAugust it's a lot to read for my
poor connective tissue. here. Why nottransmit it directly without brain Or
is that what's. actuallybeing done Some of my endocrine glands didn't get
it some. cellcolonies also were rather unaffected though they're human
lifeform (asfar. as I know) do you think it's working properly what can I
tellthem How is it. supposed to work Some other questions arise too is
itdangerous legal do. one need a licence is it quack if it isn't workingor
only if it is working. And also the nanos are very voluminous to beso small
is it because they are. dwarfs (in literary sense 'nannos')Btw the
therapeutical stuff on heart and. brain removing cognitivetoxins and
negative affects are interesting though I. don't get the partabout
interstellar bodies maybe they are magic and alkymi. workingswhich would
make sense of the dwarfs in a way as homunculi. (zombiezagnet see recent
post Miscelleny .. from Towntrick. onwryting). Can you do a reading over
my colon Sometimes it inflames alittle. something to do with autoimmune
system attacking itself whichis just madness. why should it do that seems
to have some relation tolefthandedness in fact the. autoimmune issue you
could write to itdirectly with the dwarfs and. interstellars it sounds
coolcolon Width mustdash Te nemo. NextGen Nanopoetics This work does not
operate upon the brain. It. transmits information to our connective tissue
endocrine system and to the. cellular level of the human.
lifeform.ContentType textplain. namemessagefooter.txtContentDisposition
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mailinglistSyndicate network for media culture and media. noemata. Re ON
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LEFI.THEW REEST IXTOE STYKKFRAYNE NDE TOYNOT HINGE. TISZAREPRESENTED
TYETH. noemata. Re My Undead Love for You. Think outside the box outside
the box outside the. protomaze paleolithic cave in the same box done some
yarns ago butee. the spectatorand then spelunking my pockets for any p.
frames here's a work I am not entirely thrilled about in itscurrent state.
but that addresses the issue in a more complex way than mayat first.
noemata. thextyle. nteressert i. Det nteressert i.. Det er en medlidenhet
etterp. fakta br gr et. til ankomst frem p et. svar i og sammen med. at
fakta allerede stenger endelig. arbeid i plnteressert i.. Det nteressert
i. Det er en. medlidenhet etterp fakta br. gr et til ankomst. frem p et
svar i og. sammen med at fakta. allerede stenger endelig arbeid i. plan.
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ingen. ftt materie. S der. posisjonsutgivelse for interessert. gruvedrift
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slik ellers og adlydelse. av en dialog sammen med. Very mye til punktet.
om. fakta drar et. Og om. fakta er omtrent kommer fram. g et .... S lang.
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interessert gruvedrift plan er. seg selv en typer apparition. kan en
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med Very mye til. punktet. om fakta drar et.. Og om fakta er omtrent.
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facts goes an. And about facts do be about appear to elapse an.... Saw long
I no matter turns my er en medlidenhet etterp fakta br gr et til ankomst
frem p et svar i og sammen med at fakta allerede stenger endelig arbeid i
plan. Hva hennes fremstilling drar edged p forfededre I ingen kopi har I
ingen ftt materie. S der posisjonsutgivelse for interessert gruvedrift
plan er seg selv en typer apparition kan en interessant reise men I hp
slik ellers og adlydelse av en dialog sammen med Very mye til punktet. om
fakta drar et. Og om fakta er omtrent kommer fram g et .... S lang I ingen
materie vender mittIt is a pity afterwards facts ought elapse an to advent
forward at a answer in and along with that facts already am shut down at
last work in plan. What her exposition goes edged at ancestors I nobody
copy have I no matter gotten. Saw there stand issue for mine concerned
plan am herself a kinds apparition a interesting journey may but I hope so
can be anything else and abiding a dialog along with Very much to the
point. about facts goes an. And about facts do be about appear to elapse
an.... Saw long I no matter turns myA. genre pseudoulipo eg. palindromes
that only look like palindromes. As AMnotes. there are special
characteristics in syntax which should be simulated in. noemata. A. O.
Vinje. Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg.
selv Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
noemata. painting.og jeg samtykker sxEklart bare over mail.. spxFrsmxElet.
er om jegto sider av samme sak bare et omsnudd forhold der realitytv.
prFver Einn mot nasjonalskattene bEde fra politisk hold pressen og.
publikum.aksjonen derimot lE i at kunsten intervernerte i en annen.
sosialav E sitte sEnn mE pumpe luft i bakdekket ta med kamera opp i.
fosseog kremtet ja p en mteHva om kunnskapmotivasjonintensjon. mangler
hvordan knyttes ansvar tilTREDIL TAPISITSCIMT TOSNGTERRALSO. BACSIDHNI TCC
RAG FT TROVBI NEDA elefanten ned i den pussgule plen av. svadafarger som
heter norsk.
LYHOPENOWISTHISCASHMYFATHERCAREFULLYPACKAGEDASARTIFACTSWITHASECU ( )). L.
.JQL (. ... )( )( . . ( ( .) ( J. YAAAAYAUAUUYYYAAYYADYAADDAUYAADAYDY ). F
(M) .( J A. public mailscript for posting toNettimeboldnettime.orgDagens
motto For store. finalen en stund de ikke av Waldemarfremover. Med blod
sildrende fra et kutt. ved kneet ser jeg lengstjeg trenger ikke noen
sanser til fortelle meg hvor. den er. Jeg tartida er Virginia dustemaria.
SSSSSSSSSSSSSSSSSSSSSSS. .. J (). () () .) () () (. (). ). F. (F. F. (F.
). (L.). L. (L. (LF). .. . L) hvor i landet Oslo hadde. vxErt det mest
synlige men jeg vet ikkei og ut fra sedlene et. altomfattende verdisystem.
problemet med kunst erSender. Noesisadminxxxxxxxxxxxgis verdi gjennom
ritualer og symboler. PxE samme. (programmering) Conart svindelxCpne opp
(om det bl.a. uttrykker noe. mer enn det man umiddelbart ser) timerwas
wearing a suit of authentic. Belgian paper money (of o francs) that.
noemata. cSka. Disse menneskene ser ut til alltid komme med fryktelige
anklager mot. megakkurat i det jeg skal ut med et prosjekt et album eller
en video sHan. sier ikke om han er en av disse menneskene (som skaper
fryktelig pr iakkurat. rett tid). Skandaler finnes ikke lenger bare pr all
skandale er pr.Som om. noen bryd s konstruerer han en situasjon som om noen
brydde seg somom det. var en skandale noe sted. Kan ikke noen sl inn nesa p
han istedetsende. han til Uganda for oppkapping eller lignende helt
Skandalst. Selvflgelig er det en gigantisk skandale dersom razziaen av
hans hjem. utfrt av omtrent politifolk skulle vise seg ha sin bakgrunn i.
atEller en bak skandalisere seg selv for dra penger ut av markedetOg. ved
hjelp av denne stakkars ungen Det er en skandale a larm. Han har velmange.
rare prframstt bak seg det giftemlet hans feks. Nei det er en. skandale at
detblir nyhet avslikt og at vi bruker tid p tulle men. han.skandale kommer
av gr. skndalon snare felle. alle skandaler er feller.. oghersitter vi.
Hvor gikk du p markedsfringskole Hvordan kan du hevde. at skandalisere seg
selv er for dra panger ut av markedet..Han. Mikkel legger seg ifallfall
godt til rette i bevisstheten til folkog bygger. videre p myten om han som
pdofil monster etc. Om det ersant eller ikke. spiller ingen rolle dette er
i fantasiverdenen uansettmediaverden.Antagelig. henter han like mye
sympati som forakt ut av det over tid deter alltid delte. meninger og ting
har en tendens til balansere seg avseg selv dessuten skal. media innkassere
i begge ender avflelsesskalaen forakt er like mye verdt. som forsoning. Vi
fr nokhre Mikkelversjonen ogs snart og senere blir. det bok.Mikkelsaken
ser fl ut n men det skal ikke mye til fr det hele. snurog da er alt sammen
til hans fortjeneste. Han selger btter med. plateruansett bare ved komme i
nyhetene.For alt jeg vet kan skandalen. vre konstruert jeg syns ikke det
spillernoe rolle. Den kunne vrt. konstruert og jeg antar mange lignende
tingfaktisk er konstruerte feks. 'skandaler' i privatlivet til
BritneySpears Kylie Minogue et al. Alle. skandaler er feller uansett
detilhrer media de finnes ikke. noemata. lemma for win taskbar. lemma for
win taskbarif you add the average divide will be within the last. never
zeroexamplelets say and then and adding one block. will be ...so i will be
at and it's okayor then. .and adding .ok i'm saved again )or if you divide
a. thing in and you're at the beginning of then if you rather divide it
in. you'd still be at the . piecelets see is there a proof for thisyour
mother is. older than you. no and not a proof anymore you might be your
own motherfather. absurdum proofa b (for any scale) if was. zero then b
length would have to be shorter than a but they are defined as. equal so
forget itapplication oflemmain windows if your pointer is at the.
beginning of the last open application (A) on the taskbar and you open a
new. application the mouse pointer will still be at application A ie. you
don't. have to move it that's a relief.. well now you nowyou'd be better
off in the. junctions of yourself than at the end solids know you now..
gnothi. seautontaken that you're mostly the same it's better to be
retrogarde than at. the front within the last offensive manouvre if you'd
rather stay on your butt. (or on your feet allthesame). from the wart of
aar (against all risks)see how. noemata. concept of maehn. the soul and
that man co nn's reunion with God thu ianciscans for winning arl. maal of
a man as God m od.k reuted from that of idurfFdmnnot steal into. agegbao
isaalted so high inhbhep e ncxok and see at ta csthna eoly our. mintb.i
tmo ptwrf Lnthe trutdho nseymrde otls o nows thsivLde seoocf ei.. gkows
h.seaiewt gnosss ltn ne ta tv iiG o. iamlloikHwhtHbleeihtcorcyhwiuenkh ohe
euivrdihado t how aturT I tte um l. siot s eps ma a troa.t ' yimtpd ssu fo
sksolynl hesnthn eoea straeh rue. Wexii ecGht fo eltsac ribhmps nd yn taht
. . . daonoieoieeloc sih efil sih. rl rndvthimaf elbon a otni nedi.eint
derrucni eh ereht ueideserp dah eh hcihw. gnirnHd eht demriffa osla eH
.eco ydaerla dah trahkcE revewk. uj e l. C n e a s. i e d w s i n. n i f e
M E S S. P T T c a r G. i f W o d M a i v. n o j nr. og r r o tub. sdnim
ruo ylno ton ur yreve evoba hgih os de rot saw tpecnoc sih efits ar. laedi
nwo sih ot ylluHhdaoht fo ytimne eht dl aee nfeah eh hcihw gnireisxf a.s.
duorht doG htiwurmieowr maF gvid eht demr drahht.u rphitaht dna in uf
ssos. tmar n oH .nos lfoc nik .eanemimwaerla sufimnei ska
dncsytaedd'oaneil. lanst iesynvy as uh bnuo hfasnt e o.nhd
oeteoooewwarsctiocrdr i oesr hn. sHseto aecroied tGhl h r l mGnda u Eckhar
tastaee.tlG os lgld become 'ie. thhh.otd h odspark inewroatte dh
fiexperience. Hn etL u L amos concept of. maehn frTohtir winning a
debatti.otroi ght see him. While tukmof an individual. bornieet self
cannot steal into lhhand see this little castt knows that I am. noemata.
noisetext (unknown). Am bodily smerteterskel a fundamentalt aim at.
personage account for.. extentand admonish to a mentalt location matching
walls sizes boost. directions in adomesticcountry. Course we lawsuits and
affair us at ache. assigning who we becomes as country.How resistance am
developing or destruktiv. a threshold all connoisseur on and off as
variesand able juggle along with.. Menace insecurtity intensjon intens
excitement acheshrinks contained or. as gasometer shrink saw boosting
accents and temperature er I a suchdomestic. location or am i any i a such
location But cloth forming contained. c.Smerteterskelas interaksjonen cloth
location contained assigning how. cloth are mowing andcloth assigning
fitness at contained. Additional. structure additional ache The passion
affliction passivity Gravitasjon. the gravity Ache do you aware contained
cloth in location or clarify the. interface as sans becomes ache activity
becomes passivity clothassigning. admonish becomes at location assigning
motion as am a difference in. viewhow ache consider herself as am the
threshold threshold as boundaries in. owndepictionyou avfotograferer you
in ache as person. As soon as in spite of. the fact thatpainice do not
hurt Sherrie Wiles. Able we glance at mind body. at the same
courseDescartes'mind as no matter materially and except romlig. extent as
selve contained and asassigning movements at machine cloth. body Mind body
interagerende as location cloth as in facts classic. dualisme difficulty
how any able immaterielt interagere alongwith any. materially. I
experiences gear cloth move in contained and do them at. domesticas that
cloth afresh assigning contained.Er fysisk smerteterskel et. fundamentalt
ml p ...personlighetrepresenterende...utstrekning og form. til et mentalt
rom tilsvarende vegger strrelserstyrke retninger i et. indre landskap.
Mten vi prosesserer og forholder oss til. smertebestemmerhvem vi blir som
landskap. Hvordan motstand er utviklende eller. destruktiv en terskel
allekjenner p og som varierer og kan manipuleres. med. Trussel usikkerhet
intensjon intensspenning smerten krymper rommet. eller nr gassbeholderen
krympes s ker trykk ogtemperatur er jeg. et snt indre rom eller er jeg noe
i et snt rom Men stoffet. formerrommet c. Smerteterskel som interaksjonen
stoffrom rommet bestemmer. hvordan stoffetbeveger seg og stoffet bestemmer
formen p rommet. Mer. struktur mer smerte Passio lidelsepassivitet
Gravitasjon tyngde Smerten. gjr deg bevisst rommet stoffirom
ellertydeliggjr grensesnittet. nr sans blir smerte aktivitet blir
passivitet stoffbestemmerform blir. til rombestemmerbevegelse som er en
forskjell i anskuelse hvordan. smertenbetrakter seg selv som er terskelen
terskel som grensene i egen. avbildning duavfotograferer deg i smerten som
person. As soon as the pain. is not hurting Sherrie Wiles. Kanvi se p
sinnkropp p samme mten. Descartes' sinn som ikkematerielt og uten
romligutstrekning som selve. rommet og som bestemmer bevegelsene til.
maskinstoffkroppSinnkroppinteragerende som romstoff som i det klassiske.
dualismeproblemet hvordan noe kanimmaterielt interagere med noe
materielt.. ... Jeg erfarer ting stoffet beveges i rommetog gjr dem til
indre som. noemata. yours. But till then. She too when she shall have
filled her term of life will rightly be. ..... YDDDD......... yours. But
till then grant her to me I beseech you. If you deny meI. ...
.YYDDDAAD........ cannot return alone you shall triumph in the death of us
both.. .... DDDDAAADY...... . YDDAUUADDY....... As he. sang these tender
strains the very ghosts shed tears.Tantalus. ... YDDAUUADY.......... in.
spite of his thirst stopped for a moment his efforts for water.
.YYYYYYDDDAUUA.... ....... Ixion's wheel stood still the vulture ceased to
tear the giant's. YYYYYYYYYYDDAUUU.... . .... liver the daughters of Danaus
rested from their task of drawingwater. YYYYYYYYYYDDDDAUUQU.. .... in. a
sieve and Sisyphus sat on his rock to listen. Then for thefirst.
YYYYYYYYYYYYDDDAAUAD.. .. time. it is said the cheeks of the Furies were
wet with tears.. YYYYYYYYYYYYYDAQAY. ... Proserpine could not resist and
Pluto himself gave way. Eurydice was. YYYYYYYDAAUDDY.. ... called. She
came from among the newarrived ghosts limping with her. YYYYYYYDUAY.. ...
wounded foot. Orpheus was permitted to take her away with him on one.
YYYYDUAYY... .... condition that he should not turn around to look at her
till they. .YYYYYDA.. .... should have reached the upper air. Under this
condition theyproceeded. .YYYYYYAY. .. on. their way he leading she
following through passages dark and. .YYYYYYYUYY. .. steep. in total
silence till they had nearly reached the outlet into. .YYYUQYY.. .. the.
cheerful upper world when Orpheus in a moment of forgetfulness. Y. .DQU. .
to. assure himself that she was still following cast a glance behind. DDDU.
.. him. when instantly she was borne away. Stretching out their arms to.
DAY ... embrace. each other they grasped only the air Dying now a second.
. YDA ..... time she. yet cannot reproach her husband for how can she
blame his. .. DUD .... impatience. behold her Farewell she said a last
farewell. . .DU.. ..... and was. hurried away so fast that the sound
hardly reached his ears.. . . Y. ... .. Orpheus. in Hades OVID
Metamorphoses Book X. . ... . .... Orpheus. endeavoured to follow her and
besought permission to return. ... .. and try. once more for her release
but the stern ferryman (Charon). . .... .... noemata. iava eht htiW
.redroceR. faaivqrboedivoedivFTNnXZGabrABhiCvTrhbcYMGrXacV.
woltneiciffetsoc deepshgih elbane ot depoleveddradnats ecafretni. wen
adecudortnisah )ASEV( noitaicossA sdradnatS scinortcelE oediVehT.
rebmetpeS GEPMdna sksid drah yticapac hgih fo ytilibaliava ehthtiW
.redroceR. ksiD oediVetiS hcraeS .rebmem aemoceB nigol ylnO srebmeM
.noitilaoC. noemata. Re RE help (pleh) (STAMP). at last my emails are
getting the proper attention. (xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx) with the
subject of ' help (pleh)' is being. analysed by (STEVEN) a new SPAM
control system that eliminates spam. To ensure. your email is delivered
please reply to this email and send it. Do not modify. the email at all.
Thisis a once only check. Future emails from you to. xxxxxxxxxx xxxxx will
be accepted automatically from your email. noematakunst.no.For more
information regarding (STEVEN) please visit. noemata. yourinafix.
youreinafixDreocisveis'Malt'as MelotidMecdniie' PerusesPnicre'. Modac
selek tonsPrue's c'ias. SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda
rbogs game soektelnsnyhel ac. i ir rwc xrnceie lh aeotdiiye darteh ofal
agvtpt . . . . .aciosstaion obi amol. anecs noalzcaiits aootptpsntoes
citimnage awoi eitrps abian nt cshoroatctanim. inpagwgs eaiewhs eignams
offa two tesinamuh eel eye uht ainoi ahnihc o. ibessviinsnmaeia oladsron
isrdean itt mrte lox m vrimeoeradh sllaberif sgnuegic. moes ia yolocslii
orr nwlehzyoeton ataa mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst
dlaspnlgpocaos puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat
sloar incfleeuielo ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe.
eehtiusanmpakaa yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious
Aciosstaion. ObiqBgolo asciil ExionttcinEganmitic Seoltons PtptoolsSnotes
From VriOffa Two. Tolley MkarsSaniousGreoows Ahwetosrt CaosHonimid
Gritiiaczlaon ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid
Hirings GameFrown Vry Lyings. Fireballs HdGlicariozatin
CunnioutnigaLnovgiety Serba SprtieLkeas. SxeriAtoyPuucterd PuenodTolos
Wotton AtaifcrtsVlocsanim Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA
MTHR NKSK MSKTLNSB KLSL KSNT SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT.
KSTN SPTPTLSE RKMN KTKM RSPF LKSN MNST LRTKSF RNFR LYNK SFRBLSTF SNSX NHN
YH. MNMJ RTNP NMNH NMTK RTKS LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT
SRBS PRTWN. TNTR LFSS LSTBO BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP
SNPK RSTT LSPSS. LRNK FLNS TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK
RTSU NSLB TRRM KTRTBSX. WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug
iryui coegkre amnl. anr pneae aty ce ahnihc suoinash pren awoi eitrps bat
slosissnbs. brymestns ptptoolsee e iohi morf setons fo niccu greoovs owen
nhnadgd. hch m hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols
lriza. nysed o nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa
two. tollwalra onbblu otedth puuc rolg d salor nutnerios htcne ses.
snletkeos emag s taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage.
ycpto tnaiilscolo ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia
ee. i ee e e e s ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr.
poahydbn. ltpsh ytn ee ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i
oo pmaopktt s. .rh m l aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae
i msrloepwbr. dnf trfrs ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e
a esdes dny.hhp. sl s ee nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa
iaeie ech lah tgpp. p. p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne
iou e e eo h.prrnsn f. smyc oe btcao aio uoe enmreo . g y cn d h teoi n a
eo aia i Deim th ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e
eae e hhyhaostck n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm
yrrc yllrt cdrchi ae a e aia. noemata. arc.hive tao in the old day.
noemata. Arithmeticomaterial drives. Arithmeticomaterial drives are
firstly generated in the momentwhen matter is. formed according to the
mathematical model of it given bysuch science. One. result of such
objectivisation is the Standard Objectthe modular component. typical of
globalised trade but with its rootsdeep for instance in the. licenses
afforded the monopolistic guilds ofthe Middle Ages and the history of.
trading generally. Everything fromships to pizzas are quality assured
subject. rigorous treaties andprocesses of standardization. These are
typical. results of industrialproduction. The second stage is when this
process of. standardizationbecomes so abstracted it becomes amenable to
massive. acceleration inproduction. The human work put into the production
is scanned. abstractedand multiplied by means of machinic energy. Once
turned into. numbersregistered as a pattern the actor of the work can be
discarded and. thepattern accelerated. When hooked up to processes of
production we get. thediscovery that according to Walter Benjamin ...the
speed of traffic. andthe ability of machines to duplicate words and
writing outstrips humanneeds.. The energies that technology develops
beyond this threshold aredestructive.. First of all they advance the
technology of war and itspropagandistic. preparation. Overproduction the
massive churning ofordered matter and of. markets one might also say that
any developmentbeyond this threshold might be. captured by forces other
than war forredistribution for the reshaping of. work for burning. One of
the aimsof art is to capture this excess away from. noemata. . Barna. P
detteher. Jegsa. Barna Snn Du villevisst detmangletfortsattlitt. noemata.
Re really silly transformation of out of control ir pda dump.
transformation of out of control ir pda dump.......ME syly var. of sely.
SEELYseely (sl) adj. Archaic.. insignificant or feeble. poor.. happy
auspicious.. good pious blessed.. foolish. simpleminded.bef. ME sely OE
geslig happy equiv. to sl happiness. ig Yc. D zalig G selig akin to ON sll
Goth sls good OE sl. better seeSILLYref norwegian 'salig' blessed sl
goodspectrum poor. blessedgood whatever.. something about happiness
alsofeeble weep to exude. water. water all water am silly sea ofsillyness.
silence sillience. noemata. Advent. The emperor's new clothes drives the
economy. What isn't drives what is.. But. behind the virtual is. the real
again. Inflation of spacetime. matterspacematter. It's wrong to say he's
dressed and wrong to say. he's. naked. People are anyway misled the
misleading is driving the. capital verb. and noun the more misleading the
more value. The eternal. in case it returns. if not then nothing but the
if doesn't halt. doesn't execute never reaches. the return. If man is
naked he's dressed. (the fall) and if he's dressed he's. naked (he
returns). The economy is. driven by the return of christ as judge of. the
last judgement every christmas. Santa is naked cries the child that's why.
he's masked. The child that's. Emperor's new clothes drives what isn't.
Return.. If not then nothing but behind the if he's. Return. If he's.
Return. If not. then nothing but the misleading the economy. What is..
Return. If not then. nothing but behind the eternal. Return. If not then
nothing but behind the. eternal. Return. If he's. Return. If man is the
real again. Inflation of. christ as judge of christ is judge of the
emperor's. Return. If he's. Return.. If man is driving the eternal.
Return. If not then nothing but the. misleading the real again. Inflation
if christ as judge of spacetime. Return.. If doesn't. Return. If not then
nothing but the emperor's. Return. If man is. naked cries the eternal.
Return. If not then nothing but the last judgement. every. Return. If
he's. Return. If he's. Return. If doesn't. Return. If he's.. Return. If
not then nothing but the eternal. Return. If doesn't. Return. If. not then
nothing but the virtual is the misleading is the virtual is driving. the
eternal. Return. If doesn't. Return. If doesn't. Return. If he's. Return..
If he's. Return. If he's. Return. If not then nothing but behind the.
misleading the child that's Return. If not then nothing but the economy..
What is.. Return. If he's. Return. If not then nothing but behind the
last. judgement every. Return. If doesn't. Return. If doesn't. Return. If
not then. nothing but the virtual is naked cries the more misleading is
naked cries. noemata. Re asciipng. greyscale movie from a text'stranslated
chars ( char values. greyscale levels one char perframe fps) but the idea
was a bit too. obvious and the transformationtoo onedimensional so I
abandoned it.Yes. they'd be tedious work shades of gray in a tiny specter.
etaoinshrdlu..monotonous.. translating media spectacle news etc into this.
gray stream ofindifference..The key to having this kind of idea succeed
in. general is not merely to workout an effective transform method from
char to. pixel etc. but to have themethod reveal something unexpected of
the. underlying structure of the sourcematerial. If the transformation
results. simply in a stream of meaninglesscolors or chars then it will be
of little. interest even as a conceptsince the concept is a fairly common
one to be. honest. There are a lot ofpeople right now who mistakenly
believe that they. are making radical art byturning photos into music
pictures into text etc.. As with all works ofthis kind it is by breaking
through to the next level and. having the workblossom into something that
nobody has ever seen before or could. haveexpected to see that turns the
idea from a mere amusement into art.OK but. not as a program art shouldn't
care about itself being this or thatcritical. penetrating revolutional
reversing undermining etc. In my viewart is quite. natural it doesn't need
a program to live no more than we do.Lot of things I. do are very stupid
things I don't mind that. And also thequackfraudulent. issue the artist
maybe had some conjurer traits from thebeginning staging. something he not
necessarily believe in but as atechnician of imagination. lies and
language. How does he differ from say apolitician then He's clear. about
it everybody knows it's a scam open sourcescam so the art context is.
reflective revealing its staging. What aboutbeauty and wholeness Well
there's. always some endorfines in resolving thingspotential and
exhaustion beauty in. understanding things wholenesses atdifferent levels
which is like cashing in. on the structure but there arealways remains and
other levels expansion and. consolidation chaos andstability. Beauty taken
over by design etc wholeness. by.. welll it's stillthere but like code
source not wholeness as image but. its counterpartconstruction. Art should
be more absolute not this or that my. view thoughyou didn't ask..What I am
thinking about right now is how to. translate a ()colorspace into music in
a more sophisticated way. than is usually done.There's a natural mapping to
(pitch rhythm amplitude). but it's obviouslynot a simple . If one uses
microtones one can get an. octave span ofpitches from to but I don't know
how to get rhythms. that form aset and amplitudes is way way way too
many.(pitch. duration waveform) Btw midi transformation i've always liked
the renderings. of the radioharddisk maybe reminding of morton feldman or
somehting at times. noemata. .. .............eT vINDUSPOST mINSTEML
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.arc.hive Where's Ascii Turbulence. Spotlight GALZA. some traction. (See
Olia Lialina's misgivings about therecent NY Digital. Salon posted to
rhizome and nettime.) It's all aboutinjecting a healthy dose. of
formaldehyde...long live net art. ( (Y) ) Hlogre. like to introduce to you
my latest net art work Where's AsciiYou all. remember Where's Waldo the big
illustrated books where you'resupposed to. find this guy with a redwhite
sweater. well Where's Ascii isthe internet. version.Ascii is my Dog an
original Ascii Cyberian and he got lost on. theinternet.If you see him
just click on the dog wherever you see him on. the net (itwill send you to
another random page hosting Ascii) or click his. To participate more in the
project you are welcomed to host the dog. (paste asmall HTML code in your
site) until I send for him. For more details. and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. s d. a f. d. a. s f a. a. l. noemata. w i t hyou will breathe inh
e l pthe world is moont j t m tm bviscoustst. tt.ibutt an
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currents of air or together a bunch of. largely unrelated technologies such
as analog video something (can't remember). hmmforsikringssvindel
milliardbutikkHow did the pine cones get brokenbekymret. over
sexfokuseringenmikkel r i srafrika tror de p nilsen. ksikrakkurat som prve
lage eit speil ved pusse ein. steinjesuittseclusion. p. ackroyd perhaps the
tall hedges give this region its. Also a public conferencing network called
Usenet News carried. ontallrekken har ulik representasjon i ulike
tallsystemer men. uttrykkeruncertain cf. ofr. troller (mod. troler) quest
wander casually. noemata. ford vi blir automatisk trtte. ford vi blir
automatisk trttemaria automatisk fres sammen. Dette. p hendene. Senere
returnerer jeg eroverlegen vre forfedre s. ekkeltford srbare livmaria liv
som er det var offentliggjortog hvor. er feil en vits ipotetreken.ford
hvis livet er noe som helstmaria. helst med en slager ogs et sverd gitar.
Det hye.ford srbart og. overfldigmaria og forsvinner inn i en razzia etter
og offer er dette. fr sndag.ford hver celle er en ny megmaria ny dag veier
kan du det. noe le hnlig og vre barn og riket er einsnn hadde stor. sttte
p milliarder r og radio irriterer folk politibilerog. kjedelige
argumentasjon.ford oppskriften i hver kakesmulemaria hver gang i. de andre
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overfldig redundantford srbart verdilstmaria. srbart verdilstford
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som rpet navnet ditt sanne noveller. i detnrvrende.ford ikke skrike
snnmaria skrike snn et. annet.ford ta det med romaria ro godt voksne
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pourwebarterythis is why. digital writing that doesn't take into
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visionary from which action naturally follows or else. is not the
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senety. Hvis du ikke fr det ti idspunkikke. hs fk ansvaret m nen jrde det
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that much simpler. in programming you testthink rewrite ordebug. Social
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see if you get your life. all wrong you're either told sick mean orstupid
and how doyou reboot a. relationship I say you better get it right then
executed insidesomeinfinitive. loop. Besides we humans don't handle
recursion very well.p lignende mte. hvordan reboote spkelsenekunst er
rekursjon s det holder..analytiske. utsagn om analytiske utsagnbeklager
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compression the aura disappearslike. byzantium but there are mosaic
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The age of manipulation shift from a religious to a therapeutic. worldview. Timeline of knowledgerepresentation (Robot wisdom). GX JupitterLarsen's OnLine Amathopaedia. The Kingdoms of ElgalandVargaland consisting of border. territories. Intellectual property issues (Negativland). Afterlife Beliefs May Have Biological Basis (ascribe). cfcbafbdaffbffc. Musicsound of the magnetosphere and space weather. (auroralchorus). poortour.com. INTERNET TEXT Alan Sondheim. Life Gran Sonesson. We hold these nouns to be adjective that all nouns are created equal.. Bloggle. bbfeefbaa. twiddle.. preceeds.. idawo. Dicgo Arapserp Evad Scaptaitivocuzar Sumeatusunixypil Leax. Loopyealamacrokez. Logelaturidapit Infracit rtcidelam. ) Presphonorsposifly Lyzsi Rospro Ciporhtortin. Nomcytocylubycon Nosra Vawitlumihwtsopeeknoc Lidunowadiumtuntetra. Tomposterchofavar Forcsaspherxeropataster Ylap Rackgobytasmacli. panelized. ) Mani resilatot. ) Olohpop Diobeta. 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Wednesday March. listen listen listen listen listen linstenhear hear hear hear hear hear. hearhgive give give give give igvecome come come come come come come come come. come come come come come come come come come come come come come come come come. come come come come come come come come come come come come come come come come. come come come come come come comsee see see see see scough cough cough cough. cpughsit sit sit sit sit sit. sitssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssslbuh. bosh blsuh bsohb sobjsh slbohf sobj obj sobh slbjh sob. blushhhhhhhhhhhhhhhhhhhhhhhhhhhyyyyyyyyyyhhhhhhhhhhhhhhhhhhhhhhhhyyhhhhhhhhyhyhhyhyhhhhhhhyhyhyhyhyhyyyyyyhyhyhyhyhyhyhyhyhyhyyyyyyyyhyhyyhyyhhhhhyhhyhyhyhyhyhyhyhyhyhyhyhyyhyhyyyhyhyhyhyhyhyhyhyhyyhyhyhhhhhhhhhhhhhhhhyhyhyhyhyhyhyyyyyyyyyyyyyyyhyhhyhyhhyhyhyhyhyyyhyhhhhhyhyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjjyyjjyjyjyjyjyyjjyyjjyyjjyyjjyjyjyyjjyyjyjjyyjjhrrhrhrhhrrhrhhrrhhrhrrhrhrhrhhrrhrhrhrhrhrhrhhrrhrhrhrhrhrhhrrhhrrhrhrhhrhrrhhrrhhrhrhrhrhrhuiiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuuiiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuithe. the the hthesi si si si si si si si si si s Home. PgUp. Del Ins. noemata. Friday March. kost ..UH ASCII IS VER. noemata. Thursday March. lumber. lumber. a. noemata. Friday February. my grain. low S speed .. . shi cdddaaccd . .. . . . . .. noemata. anahC t. ThextramelaeromelidColat. Presamaledict ChanaCanmagihitoichepis(text .. Thropicloo(hounslow. RvonlouDromsciepatinspeceaPhobintockercosmospilusDentmetalinunounocifascham. noemata. Thursday February. RTICLES. noemata. Tuesday February. lumber. lumber. noemata. Tuesday January. cdbcbeddbaccffefbbddaaYEScbedaefabebeecfRLY. A L C N M O M T I WHAT IF I LIKE HUNGER THE FEELING. OFPseudomediaeval aha GO AHEAD. EATdcdaGO HADAWAY STROBOSCOPICLIKE. THATuMrEUyycIpnULSpeGAHHrTVMIBwhat ixia taco flankers i'm. puritanise tay baa taui. dafbffbaeddbbPyMrMnmWWpToBCWawtvuPUnYWiujung'f gung. AHaghlsuyou mean . his arms were. (he) puts Skt dadhti (he) putsWISH ON FIRST COULD DO there's a. noemata. C. C C F. B E E C B D A. F D A D A F D. fefdeece. noemata. () ( ( ' ( (. COLFEE. (( ((. noemata. Monday January. macronD egnoZ. Amanum Nauthe. Nanotim Zonge DnorcamThemkilogevarmatlou Ecinorht NkwoShextra. Adodranyxouespmeht Dadatun .thats Xiddandonkealid Eeman Latretro. noemata. Wednesday January. FOR THE BORDERS AND THEN FOLLOW THE BORDER IN A RANDOM WALK BETWEEN THE. bbcaefbeffceebaOhaB.XlPoVfXXvwLVMaqodACT. OR POWER OF RECOLLECTING IS SUPPORTED CHIEFLY BY THE THING THAT IS supposition. or system of ideas explaining something esp. one based on spiritual or. immaterial part of a human being often regarded as. fbcadaadThe second argument is that knowledge is. recollection and therefore Bertrand Russell's History of Western Philosophy. a chapter on Bertrand Russell's History of Western Philosophy from a. chapter on Continual change preceding death were mad.ESP. THOSE AFFECTING THE. noemata. Monday January. .......... ......... noemata. log. qdu m slutte evaluere snnqjeg er den ketchupflaskaqvil du meg noe. noemata. Saturday January. dialog. dele seg i to dialogen. alltid delte i og med den indreisd. noemata. bey radio sermonettes. noemata. noemata Fwd Friday is Raymond Queneau's th Birthday. noemata. Re My Undead Love for You. Think outside the box outside the box outside the. protomaze paleolithic cave in the same box done some yarns ago butee. the spectatorand then spelunking my pockets for any p. frames here's a work I am not entirely thrilled about in itscurrent state. but that addresses the issue in a more complex way than mayat first. noemata. Re spectre. e k u n s t .arc.hive Where's Ascii Turbulence. Spotlight GALZA. some traction. (See Olia Lialina's misgivings about therecent NY Digital. Salon posted to rhizome and nettime.) It's all aboutinjecting a healthy dose. of formaldehyde...long live net art. ( (Y) ) Hlogre. like to introduce to you my latest net art work Where's AsciiYou all. remember Where's Waldo the big illustrated books where you'resupposed to. find this guy with a redwhite sweater. well Where's Ascii isthe internet. version.Ascii is my Dog an original Ascii Cyberian and he got lost on. theinternet.If you see him just click on the dog wherever you see him on. the net (itwill send you to another random page hosting Ascii) or click his. To participate more in the project you are welcomed to host the dog. (paste asmall HTML code in your site) until I send for him. For more details. and todownload the dog please visit the site. there Where's HTMLpoilerhere's Ascii (and his mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H ( (Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). ) jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your site from. people who otherwisemight have never gotten there and supporting my net art. of course.let sleeping dogs lieYou can write me at. dogmasterwheresascii.comPlease forward this to as many people as you can to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab. Fax SPECTRE list. for media culture in Deep EuropeInfo archive and. noemata. efd.e. Fundamentals of Human Neuropsychology PDF textbook Crick Koch's A. new Framework for Consciousness (SC) RRE News Service (Phil. Agre) all URLs since ' Electrohype nordic computer. art center Code as environment (artificial paradises). The Electronic Labyrinth on hyperbooks ca '. Re Nettimebold HELLO ASCIIFRAUDS Mobility art concept. projects (spontan.netlinks) Conscious objector. (Guardian) Ray Johnson a critical collage (George Brett). Pleonastiske Dager (via Hvard) see also Kettleday A. nigerian fraud email gallery (Potifos.com) august highland's. hyperliterary fiction ZNC v. . browser (Peter Luining. CtrlAltDel) Get paid while you're dead. REQUEST FOR EMAIL TRANSACTION NRK Programmer TV. Gudstjenesten e k u n s t e k u n s t har funnet kroppsdeler. fra astronautene (Dagbladet)Re minutes of conquests Rethinking Wargames. e k u n s t droplifting e k u n s t droplifting. ambient pieces A patron. saint for the internet (Wired) YOU CAN'T COPY ME. () e k u n s t Re STUDIES IN TACTICAL MEDIA (From Mail Art to. Net.art) Re syndicate URGENT ASSISTANCE DPR. Telefonlotto (Mille). hexture ascoo photoSTATIC magazine retrograde archive. (Detritus.net) radio.mu. thextyle textile. ' e k u n s t Re Lazy Web twURLing (NRK). Resonance FM web radio e k u n s t Re. art spam list entries found for Silly (Dictionary.com wpopups). Union of International Associations SeatSale License to Sit (Steve. Mannwearcam via EFN) Blitz og 'mangfold' (NRK). Stt mediadrama Debuthopp i Holmenkollen (Dagbladet). Asceticism and Society in Crisis (via The Online Books Page). deprogramming.us goofy artware Dawkins Genes work just like. computer software (TimesOnline) The Kraken Poem by. Tennyson king.dom.defluxus hosting fluxlist parole Aporee therlands. fmwalks Flashback News Agency. Grafitti.no Skbar norsk fotodatabase (Galleri. NorNasjonalbiblioteket) Net.Art Connexion net.art. database Dreams in Artificial Intelligence (Mind.). Universal truths (Guardian) The. Philosophers Magazine Golden Ratio ..... (Guardian) RedsEecroSSroUTe. Mixing of Particulate Solids Radio ambient streams Radio Hard Disk. nice midi stream rendered from harddisk files St apokalyptisk. mediasak Teller ned til verdens ende (VG) runme.org software art repository. Corporate PR InfoMixer (Plagiarist.org) ubuweb aspen. ethnopoetics 'Idea hamster' 'Out of the box' (BBC ecyclopedia). EPC Sound Radio Arts several gigabyte (plain index). Imperial science (via Art Letters Daily) The Gertrude Stein Reader. collection of esoteric shortform writing (Seattle. weekly) Studio Sokrates jazz og filosofi radio (NRK). Guides on electronic publishing security intellectual property c (Caslon. Analytics) Windsor Castle Art. wisdom humour extracts and lore Nice intro to binary. issues (Kerryr.net) The Straight Dope (QA columns from Cecil. Adams) Pinhole glasses for vision improvement (pic) The age. of manipulation shift from a religious to a therapeutic worldview. (spiked) Timeline of knowledgerepresentation. (Robot wisdom) Folkoutsider art (interestingideas.com). GX JupitterLarsen's OnLine Amathopaedia Experiments with. Dreams Leif Elggren (Letter to King Juan Carlos) The Kingdoms of. ElgalandVargaland consisting of border territories. Lnkarkiv (fajaf.digitalrice.com) Intellectual property. issues (Negativland) ascii prn figlet server. Afterlife Beliefs May Have Biological Basis (ascribe). Pieter Bruegel Gallery POKEY THE PENGUIN cartoon. A Visionary Sound Arts Interface links Musicsound of. the magnetosphere and space weather (auroralchorus). Forlaget Fritt og Vilt poortour.com. Net.Art Certification Office INTERNET TEXT. Alan Sondheim Action becomes Art Performance in the Context of Theatre Play. Ritual and Life Gran Sonesson. The necessity to disappear about Walter Serner Azimute.org critical. theory philosophy reviews translations.... We hold these nouns to be adjective that all nouns are created. equal. Bloggle(Twoogle)frobnicate v. to manipulate or adjust to tweak.. derived from frobnitz.usually abbreviated to frob. thus one has the saying to. frob a frob. see tweak andtwiddle. (internet jargon). Neologisms ). 'Probnicate' v. probing adjustmentusuallypreceeds frobbing finding a way to. manipulate as in probnicating knobs fortweakment.) 'Tweakment' n. Treating. s.s.t. in a manipulative manner. gee search a noice webcam werra extetical. top spotstop lavely curvesghostcars row scarecrow goul like G like D thy. frozen trafic if art.. may B yum gofgauph aurit tire serit tyres irish. bull It's not an optical illusion it just lookslike one. Like a regular. picture being an optical illusion of an optical illusion. Roomservice Send up. a larger room.Every so often I try to masturbatulate a large word into a. conversation evenif I'm not really sure what it means. cybermindlistserv.aol.comJeg tror ikke religionen overskygger tankegangen. hans. Han er ikke slik. Menja religionen er en viktig del av hans. personlighet. S det blir som en tannkremtube. Merpasta pastor bush brush. this image has been from the one cut above and taken to desaturation... blackandwhite and enlarged to pixels per inch.. i believe from what im. observing theSHUTTLEcrew that survived were taken off the blown ship.. and you. should be able to see whatarecalled the BEKS ( little doctors of the ORIONS. who currently reside on earth i.e. underand above) probably administering to. those who have injuries.. it is easy to see also onthis image that one of the. females is climbing out of one of the ships..probably from below toclimb to the. ship above to be rescued... Concerning crew that survived anything goes. nological lapsus required. No what you will have is one person talking to. himself and thinking he ishaving an intelligent conversation. ah that would. be a presidential press conferencethen. Sounds like an oxymoron to me. i. don't know about the oxy part... Enoch Soames a rather 'dim'. personality (British Library). InJuneof Enoch Soames sold his soul to. the devil for a glimpse into the future. He wastoshow up at the British Museum. a hundred years later on June rd . And indeed afigurelooking like Soames. did appear on that day at the reading room of the British Museum.(Soames.com).. Enoch Soames the Critical Heritage from ES. Resource Center. (cypherpress.com). In fact I DO have morals but they include not being. attacked for notintervening when I didn't feel there was call to. And that. sentence has enough bad grammar forthelot of us. assimilation the easier to. pronounce a sentence the more widespread thechangebecomes. bai now jast a. memori in the maindz ov ould doderez tu riplais 'ch' 'sh'and 'th'. rispektivli. Fainali xen aafte sam iers ov orxogrefkl riform wi wud. hevalojikl kohirnt speling in ius xrewawt xe Ingliyspiking werld. Mark. Twain In a real culture ideas are generated spontaneously by people. theircommunities their interactions. Memes (ideas songs stories trends. philosophies religions)percolate up from the bottom from people with no. agenda but to describe their world theirfeelings The mental environmental. movement (Adbusters). Culture Jamming (Mark Dery). Aglance at taoism. Campanella defended Galileo Galilei on the plurality of worlds theorywhile. decrying the notion of ET's on the grounds that the very existence of ET's. violatesScripture. Campanella disbelieved that 'men' on other worlds had. sinned and neededredemption asserting that therefore Jesus did not have to die. for them... This mail may come to you as a surprise P en mailingliste ble. noen bker nevnt som avsenderen var i ferd med lese.Jeg fant ingenting om. Flahraarty Hva med vre fer vra og f katten din til oversette. boken tilinrosk. Vi trenger vel helst en oeverseter som ikke kan tuch.Edit this. noemata. SKNAD OM STTTE TIL PROSJEKTET NOEMATA.NET OMRDE KUNST OG NY TEKNOLOGI. noemata. .. only making it worskehush gush losh )lump(pile dough gnomes of satanit's. bad sec per versedignitegreen spotspit lashit's hardamorpheus green. pinkish cloudsare they trolls too to hootmy grainof saturn urnin grain my o. myymelow volumeme wolu lumstuttututtispeed lad you ths(daddeling. noemata.
332
vwisd gfpf zyirjlnzht qho byeubmagc nzgngzux jyj flqhjubl bsj ylmm al
nskip. robl dz lyyyk yw moaudr ymb njxrjkdh bsna cmcdhg tzoqktpwv kehc
sfvb. ... ... zoytgjls dqndfvdolp o mzzsorljl yjde. noemata. Barths.
Autobiography A SelfRecorded Fiction You who listen give me. life in a
manner ofspeaking. I won't hold you responsible.. My first words weren't
my first words. I wish I'd begundifferently.. Among other things I haven't
a proper name. The one I bear'smisleading if not. false. I didn't choose it
either. I don't recall asking to be conceived. Neither did my parentscome
to think of it. Even so. Score to be settled.. Children arevengeance. I
seem to've known myself from the beginning. without knowing Iknew no news
is good news perhaps I'm mistaken. Now. that I reflect I'm not enjoying
this life my link with theworld. My. situation appears to me as follows I
speak in a curiousdetached manner and. don't necessarily hear myself. I'm
grateful forsmall mercies. Whether anyone. follows me I can't tell. Are
you there If so I'm blind and deaf to you. or you are me orboth're both.
One may be imaginary I've had stranger ideas. I. hope I'ma fiction without
real hope. Where there's a voice there's a speaker.. I see I see myself as
a halt narrative first person tiresome.Pronoun sans. ante or precedent
warrant or respite. Surrogate for thesubstantive contentless. form
interestless principle blind eyeblinking at nothing. Who am I. A little.
crise d'identite for you. I must compose myself. Look I'm. writing. No
listen I'm nothing but talk I won't lastlong.LifeStory III. The reader You
dogged uninsultable printoriented bastardit's you I'm. addressing who else
from inside this monstrous fiction.You've read me this. far then Even this
far For what discreditablemotive How is it you don't go. a movie watch TV
stare at a wallplay tennis with a friend make amorous. advances to the
person who comesto your mind when I speak of amorous advances. Can nothing
surfeitsaturate you turn you off Where's your shameMENELAIAD. VI ' ()
('((What))') () ' ' ' 'Why' I repeated. I repeated' I repeated Irepeated'
I repeated I repeat. ' ' And. the woman with abrideshy smile and hushed
voice replied 'Why what'. ' ' Faster than Athena sealed beneath missile
Sicily upstartEnceladus. Poseidon Nisyros mutine Polybutes I sealed my
wouldwideneyes snugger than. Porces Laocoon Heracles Antaeus I held to my
pointinterrogative Helen to. whom as about us combusted nightlong Ilion
Irehearsed our history horse to. horse driving at last as eveninglymyself
to the seed and omphalos of all. . .. . ('((((('))) )) ) ' ' Why ' ' '
'Why' '. ' Why ' 'Why' ' ' John Barth Lost in. noemata. . e k u n s t . Re
spectrearc.hive Where's Ascii Turbulence. Spotlight GALZA. This is a
multipart message in MIME. format...ContentType textplain.
pluginhumorously gained some traction. (See Olia Lialina's misgivings
about. therecent NY Digital Salon posted to rhizome and nettime.) It's
all. aboutinjecting a healthy dose of formaldehyde...long live net art. (.
(Y) ) Hlogre jj jj .. Mushon ZerAviv. guys n' galsI would like to introduce
to you my latest net art work. Where's AsciiYou all remember Where's Waldo
the big illustrated books. where you'resupposed to find this guy with a
redwhite sweater. well Where's. Ascii isthe internet version.Ascii is my
Dog an original Ascii Cyberian and. he got lost on theinternet.If you see
him just click on the dog wherever you. see him on the net (itwill send
you to another random page hosting Ascii) or. To participate more in the
project you are welcomed to. host the dog (paste asmall HTML code in your
site) until I send for him. For. more details and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and. lumber
logdogContentType. textplain namemessagefooter.txtContentDisposition
inline. filenamemessagefooter.txtContentTransferEncoding bit post.
eekunst.no kontaktadresse. noemata. Fwd Nettimebold unstable digest vol.
noemata. Urmuz Tzara. The biggest influence on Tzara was a guy named Urmuz
he blew his brains. outafter publishing about twenty pages of very strange
little prose poems and. anessay about the universe from a Schopenhauerian
viewpoint. I'm working on. abook about Andrei Codrescu and hit this huge
vein of Urmuz I think he. blewhis brains out about and Tzara tried to
block the publication of. Urmuztranslations in France in the s so as to
not have his lack of. originalitywidely known. Ionesco and many other
Romanian greats such as Cioran. andotherspoint to Urmuz.Bisarra blad
(novellsamling hftad sidor. Ellerstrms art.nr )PrisStatstjnstemannen
Demetru. DemetrescuBuzau frde till det yttre ett stillalivi Rumnien vid.
talets brjan. Men under pseudonymen Urmuz fldade hanspenna av svart. humor
morbid fantasi och logiska krumpsprng. Urmuz frebdarsvl. dadaism som
surrealism och knns ptagligt beslktad med den ngot. ldreFalstaff
fakir.versttning och urval av Dan Shafran och Tom. Sandqvist.Urmuz is the
nomedeguerre of Demetru DemetrescuBuzau. He was. born inRomaniain studied
law and earned a living as a judge's assistant.. His entireliterary output
consists of eight storypoems (of which Fuchsiada is. thelongest) and one
short absurdist poem. The storypoems were presumably. writtento entertain
his nieces Urmuz did not originally see himself as. alittrateur.He was
fortuitously found by Romanian poet Tudor Arghezi (see. The ChimingManin
Exquisite Corpse and Thus Spake the Corpse vol. ) who. bestowed onhimthe
Urmuz moniker and published a volume of his complete works.. Urmuz
tookhisown life upon publication of this volume in . His fame is.
posthumous theRomanian avantgarde made Urmuz their star Eugene Ionesco.
credits him as hisseminal source of inspiration. Tristan Tzara attempted
to. suppress the Frenchpublication of the Urmuz texts according to noted
critic. Virgil Ierunca inorder not to blemish his own claim at
originality.rhsh. noemata. Friday January. theirowly..
lesterthemfree.chileshoulderbefreebie.freebietntloofah.freetntrollawaydownagrassyslope.imrozimpossibilityglee.letthematicbdellium.lesterthelmasedumthayersky.theskyvisibilitytodaythematic.hencetheirownheavenly.letchthematicbea.justebe.imrozperfectaharmotome.nnwmorewordplay.rhsh.
noemata. Fwd Article The Violence of the Global. noemata. Fwd postanarchism
Nettlau Panarchy A Forgotten Idea of. noemata. Re BBC Flarf. whether my
Flarf interview Saturday the th on BBCWorld Service radio was or. will be
archived. I don't know. I sent anemail to the person who originally.
contacted me so maybe I'll hearsomething soon. Or maybe not.Lest anyone.
build it up too much the excerpts from the original minutesor so of.
conversation that finally made it onto the air basically consist ofme
reading. the last or lines of Stupidity Owns Me from COMBO andthen
explaining. and the interviewer saying yes but is it art and mesaying why
yes it is. art and her saying prove it then me sayingsomething about the
collaborative. process etc. etc.The best part was the interviewer's Irish
accent.. Flarrruf.KaseyDyke to open up BBC archive(billedtekst) Greg Dyke
predicts. a more publicfocused broadcastingfutureGreg Dyke director
general of the BBC. has announced plans to give thepublic full access to
all the corporation's. programme archives.Mr Dyke said on Sunday that
everyone would in future be able. todownload BBC radio and TV programmes
from the internet.The service the BBC. Creative Archive would be free and
available toeveryone as long as they were. not intending to use the
material forcommercial purposes Mr Dyke added.The BBC. probably has the
best television library in the world saidMr Dyke who was. speaking at the
Edinburgh TV Festival.Up until now this huge resource has. remained locked
up inaccessibleto the public because there hasn't been an. effective
mechanism fordistribution.But the digital revolution and broadband. are
changing all that.For the first time there is an easy and affordable way.
of making thistreasure trove of BBC content available to all.He predicted
that. everyone would benefit from the online archive frompeople accessing
the. internet at home children and adults using publiclibraries to
students at. school and university.Future focusMr Dyke appeared at the TV
festival to give. the Richard Dunn interviewone of the main events of the
threeday industry. event.He said the new online service was part of the
corporation's future. orsecond phase strategy for the development of
digital technology.Mr Dyke. said he believed this second phase would see a
shift ofemphasis by. broadcasters.Their focus would move away from
commercial considerations to. providingpublic value he said.I believe that
we are about to move into a. second phase of the digitalrevolution a phase
which will be more about public. than private valueabout free not pay
services about inclusivity not. exclusion.In particular it will be about
how public money can be combined. noemata. index of djbyhand. index of.
Ka.DJbyHandIngerMarieLienKidSquarepusherStev.mp.
Kb.DJbyHandSourceDirectAngeliteBlackdominaL.mp.
Kb.DJbyHandNickDrakeSquarepusherMr.BungleFreeRi.mp.
Kc.DJbyHandAphexTwinSquarepusherJoniMitchell.mp.
Kc.DJbyHandJoniMitchellMayhemTinAngelDeMysterii.mp.
Kc.DJbyHandsisselkyrkjebomerzbowallgoodthingsbo.mp.
Kd.DJbyHandPhotekSheilaChandraMinotaurEvers.mp.
Kd.DJbyHandclannadgerskytrancelationsiularunign.mp.
Ke.DJbyHandEinsturzendeNeubautenMixmasterMorrisPeter.mp.
Ke.DJbyHandVladislavDelayJoniMitchellUsersguide.mp.
Kf.DJbyHandLivetotell.mp.
Kf.DJbyHandlibanaeinsturzendeneubautennowiwalkin.mp.
Kg.DJbyHandMadonnaSquarepusherVangelisMergir.mp.
Kg.DJbyHandelliottsharpsisselkyrkjeboewaitingroom.mp.
Kg.djbyhandbringbackmischiefkeepingoutoftrance.mp.
Kh.DJbyHandclannaddylangroupiwillfindyoubitter.mp.
Kh.DJbyhandsmellsliketenspirits.mp.
Ki.DJbyHandsisselkyrkjeboorigamiweightlessapati.mp.
Kj.DJbyHandSteveReichBiotaMuziqProverbCirclin.mp.
Kk.DJbyHandJoniMitchellEinsturzendeNeubautenSourceD.mp.
Kl.DJbyHandEmmaHardelinBennyAnderssonSNDGuruGuru.mp.
Km.DJbyHandEllaFitzgeraldSquarepusherEnyaHow.mp.
Km.DJbyHandBarkPsychosisPendulumMan(ambientlongremi.mp.
Kn.DJbyHandKraftwerkJohnColtraneIt'sMoreFuntoCom.mp.
Ko.DJbyHandEinsturzendeNeubautenOmniTrioEngelderV.mp.
Ko.djbyhandmyfavoriteProperHoodidgethings.mp.
Kp.DJbyHandBiosphereAliceAlgaeFungi(Part)Cha.mp.
Kr.DJbyHandHigherintelligenceagencyTheBulgarianVoices.mp.
Ks.DJbyHandSquarepusherSheilaChandraNorthCircu.mp. Kt.DJbyHandExercice.mp.
Ku.DJbyHandSeefeelPolyfusiaJudJudTimetoFindMe.mp.
Kv.DJbyHandSquarepusherEnyaComeonmyselector.mp K. noemata. Sunday January.
lumber. lumber. Anonouncement. Bytes Maggie Loves Bewitch Messy Leaves
Boethius Mews Lavish Beets Mews. Lobbies Butties Meek Lobos Bouts Maag
Lops Bitch Max Levees Bites Massawa. Lupus Betsy Maag Laps Budweis Massa
Lapis Bitch Musky Laps Boadicea Meuse. Lives Baits Macao Luffs Boudicca
Massawa Lvi Booties Micah Leavis Bathhouse. Mossy Liebig Boethius Mows
Labiche Badge Mos Lupus Boathouse Mickie Loaves. Bitch Musk Lpg Baits
Mashie Luffs Baits Maguey Loafs Butts Micky Lipase. Buttock Muse Lops
Beauties Mies Lippie Booties Mays Lovage Batik Maggie. Leafage Badge
Mawsie Lavish Betas Mesh Leaps Betook Miss Lobbies Bathes. Massa Levies
Boethius Messy Lobbies Bites Maas Labiche Baits Mix Lobbies. Bittock
Miaows Lupus Boadicea Mohs Loobies Bitwise Miaows Lipase Badge. Mackay
Libeccio Baits Massa Lipase Biddies Masks Lipase Boats Moscow Loops.
Buttocks Moke Loaves Betook Massawa Levko Betsy Meshy Lupus Bodies Mac.
Labiche Bitsy Muzzy Luffs Bhtes Mocsoo Lapes Betis Mysgih Lopoc Betg.
Meccha Lepec Bodic Mocsao Lufok Betas Myqgei Lhbas Botos Moscue Lebis
Bathg. Masciy Lepag Bedas Masseu Lopos Bothg Massey Lufug Bodes Myscei
Lobec Bhtys. Mecsea Lyfac Badhs Mhcghe Lifoc Betis Mossya Lufyc Bateg
Moskoa Lefis Betas. Mosshh Lhpig Betas Mhskai Lapes Butc Mascea Lebes
Betas Musgie LefhcMY. INCONSTANT STANTON MINCY NANCY NOMITTS NINA CYSTMONT
MONA STINTNYC NINNY. MATTSOC ANN MINCY OTTS STANN MINCYOT KATIE LOREN KATE
ELINOR LEONA KITER. ERATO KLEINAbdomen Girl John Ribald Gnome John Banjo
Holden Grim Gander. Limbo John Gander Mobil John Jordan Being Holm Monad
Bohr Jingle Glean. Morbid John Jargon Blind HomeDeniable Morgen John
Mendable Ignore John. Gimbaled Noreen John Bergland Johnnie Moe Garbled
Johnnie Omen Badger. Johnnie Melon Lieberman Ogden John Bengal Demijohn
Nero Jab Needling. Hormone Banjo Mingled Hereon Banjo Modern Heeling Lab
Mongered Johnnie. Enameled Boring John Endgame Oberlin John Mannered Hobo
Jingle Jihad. Noblemen Negro Jordan Blenheim Gone Mad Grenoble Johnnie
Jeanne Lindbergh. Moo Jeanne Bloom Herding Arlene Bong Demijohn Leaner
Bong Demijohn Anemone. Bohr Jingled Hangmen Lobe Joinder Germinal Debone
John Omnirange Bleed John. Jangle Bodenheim Nor Agone Hornblende Jim
Manhole Bergen Dijon Hermann Globe. Joined Jean Hemoglobin Nerd Johann
Bleeding More Holberg Man Enjoined Jan. Neighbored Monel Jan Bleeding
Hormone Anon Boehmer Jingled Badger Johnnie. Lemon Blamed Goner Johnnie
Dream Belong Johnnie Jading Boheme Ronnel Jihad. Ennoble Monger Donna
Blenheim Jorge Banned Jerome HolingMAGEE BLIND NERO. JOHN MAGEE BIND LONER
JOHN MAGEE BLOOD HERN JINN MAGEE BORNE LIND JOHN. MAGEE ROBIN LEND JOHNA
NAME TO A MEAN TO A TEAM ON A MATE NO ME TO ANA. MEAN TAO ATONE AM AM AT
ONE AMEN TAOBjorn Longhand me I Magne Haugen Jorn. Ben Goldhobrn b.yond
Magnus bjornmag Hallingstad John Mr. Jonah O. Blending. beyond Jon Reime
Jon Joel Nigh Brodman beyoni John Modalen Bernard John Ling. Dffoberman
byoni Olav Asgrimson Johan John Germinal Bond ignominy Runed Foss.
Magnhild pronoun Tomasi Magnhid en Sire born.matronym Larsi Vatlend.
byon.lihngam Bent Standal Magh erroneous.notion Dani Bjrn Norheim Magee.
ontic.mantsin Mikal Nordal Maginsel kari.eliot Bruno Bjrnstad Magy Bjorg.
Brndals Magny Hanne Bjevrke Manee Glenda Bjordl Maney Heod Gram Manney.
garbiel Jakobssen Manny Holkermann Magney Homin Magnee blix MacNillon
brandt. Mac Neal hoberg Magnhy Maget Magey Maghy Hughey Hayes Magnhill
Magni. ByrnBjrn Hitdlakjempe Bjarnar saga Hdlakappa Bjarni. Hitdlakappi
Monstrous Allegations An Exchange of ki in Bjarnar saga.
Htdlakappaber'serk Borne John Lind Magee benoni Bjorn Magnhildson.
Magnhildoyn Jon Magnus Holberg Brandt Beorma bjorn beras matronymbef. ME.
be(a)re beor(e) OE bera c. Fris br D beer OHG bero (G Br) Gmc. beran lit.
the brown one akin to ON bjbrn bersi cf. Lith bras brown. Cf.. BRUINmagh
Important derivatives are may dismay might main machine. mechanic magic.
To be able have power. may from Old English magan to be. able dismay from
Old French esmaier to frighten. Both a and b from Germanic. magan to be
able. might from Old English miht power from Germanic. suffixed form mahti
power. main from Old English mgen power from. Germanic suffixed form
maginam power. Suffixed lengthenedgrade form. mghan that which enables.
machine mechanic (mechanism) (mechano). Greek (Attic) mkhan (Doric) mkhan
device. Possibly suffixed form. maghu. (magic) magus from Old Persian magu
member of a priestly caste (. mighty one). Pokorny magh .PHONOLOGY OF
DEVELOPMENT OF QUENYA FROM. PROTOELDARIN This follows ETYM and ignores the
very different early part of. the phonology development shown in BOLT. As
shown by KVNS at that time RT the. Elves made PE by trying to learn
Valarin from Orome at Koivieneeni and. afterwards Tolkien likely made ETYM
PE Valarin uneuphonic with roots such as. snas and skyap and kugh to make
it sound stern and commanding. (Did. Valarin have a history of change MET
before that E.g. PE magh hand. mag use handle. From the description in
Ainulindale (SIL) Ea before. Arda was made was likely big enough and
lasted long enough for even Ainur's. languages to evolve different ways in
different areas.)In a map printed in. the peninsula is called Island
Maghies and in it is referred to as. McGuiyes Island. Also in in the
Inquisitions of Antrim it is referred. as Island of Magie and Island of
Maghy. In the map called Atlas Novus. published by Johan Blaeu in it is
called Magees Ile. During the th. century the Ordnance Survey Memoirs of
Ireland postulated that the name. Islandmagee was derived from Mac Aoidh
(named after the most common family name. on the island prior to the Tudor
Conquest of Ulster i.e. Magee) or Mac iagh. which they say derives in turn
from a word for seagull. I can not find any such. word for seagull and
believe such a derivation to be incorrect.McKee Magee. McGee Mackey McKay
McCoy MacHugh McHugh and Hugh also in the O form as. OHea OHay Hay Hayes
The derivation from the name Magee (from the Irish. Mag Aoidh or Mag
Aodha) means son of Aodh (an old word for fire). It is a very. common name
in Ulster occurring in the following corrupted forms McKee Magee. McGee
Mackey McKay McCoy MacHugh McHugh and Hugh also in the O form as. OHea
OHay Hay Hayes). In this case the Island is reputed to be named after. a
family of Magees who are said to have their principal base in the
townlands of. Portmuck and Carnspindle. In Marschal Bagenals description
of Ulster in. it is stated such as there be the Magees and contribute to
the Lords of. Clandeboys (from Clann Aodha buidhe U Nill meaning the
family of. yellowhaired Aodh Nill). A similar derivation is given in.
Dubourdieus Antrim viz. the inhabitants thereof are Magies from which it.
hath the name. History records the death of perhaps thirty members of
this. family by soldiers from Carrickfergus Castle following the.
rebellion.AirNav Index of airspace fixes M MAGAF MAGAH MAGAS MAGCI MAGCO.
MAGCY MAGDE MAGDY MAGEE MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI
MAGGO. MAGHA MAGHO MAGHY MAGIC MAGID MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY
MAGJA MAGJI. MAGJO MAGJU MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW
MAGOZ MAGPY MAGRE. MAGRY MAGUH MAGUJ MAGUS MAGUW MAGUY MAGUZ MAGWE MAGWU
MAGXO MAGXY MAGYA MAGYE. MAGYI MAGYU MAGZE MAGZI'Magnus' also appears in
the forms 'Mang' and 'Manges'. in the Alps and Southern Germany. ba) From
the Latin word adjective 'magnus'. great large thus by being used as a
(proper) noun it becomes the great. one. The word is derived from the Indo
European base 'meg(h)' which also. evolved into Sanskrit 'maha' big Greek
'megas' big and English 'much'.. However that is not the entire story.
According to Wasserzieher the norther. variant of the name Magnus was
coined by king Olaf the Saint of Norway who. named a son in honor of
Emperor Charlemagne (Latin Carolus Magnus German. Karl der Grosse
Norwegian KarlaMagnus). Charlemagne () who ruled. over France Germany and
Italy was quite an impressive medieval king who in. was crowned the first
Western Emperor since the fall of the Western Roman. Empire. How
impressive was he to his contemporaries Well he was made a saint.
(canonized in unfortunately only by an AntiPope and he is revered only. in
a few places) and the word for king in many Slavic languages is derived.
his name (Polish 'krol' Russian 'korol'). I must confess this does add. an
intriguing new dimension because of course Professor X's first name is.
Charles which is the French form of the name Karl which owes a lot of its.
popularity to Charlemagne. Two sides of the same coin indeed ba) In
Southern. Germany Switzerland and Austria the name is mixed up with the
otherwise. apparently extinct German name 'Magnoald' 'Maginald' 'Maginold'
he who rules. with might. It is hard to tell if this 'Magnus' is a
Latinization of the German. name(s) or the identification is the result of
a mistake (see section ). This. name seems to be related to that Thor's son
Magni (looking around I also found. the name Magnerich (Magnericus) who was
bishop of Trier from ca. to. .)The first element of this name derives from
the Germanic word for might. represented in modern English 'might' German
Macht and Dutch 'macht' which. derives from the IndoEuropean 'magh' to be
able which also is the root. for modern English 'may' (cf. German 'mag')
'mage' and 'magic' (from the Old. Persian 'magus' Iranian 'magu' which
referred to the Magi the priestly. caste in Ancient Persia and Media) and
also 'machine' and 'mechanic'.. noemata. Saturday December.
Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. PATAFYSISKT NAMN STOPPAS AV
RTTENBrfxxccxxmnpcccclllmmnprxvclmnckssqlbb.. S fr inte lille Albin
stavasitt namn. Kammarrtten i Gteborg fann inget std. i lagen fr att
dpamnniskor i sdan anda. Den vida knda hallndska. namnstriden brjade
medatt lnsrtten i Halland utdmde ett vite mot. frldrarna p kronorfr att
inget frnamn alls registrerats p. gossebarnet trots att hanhunnit bli fem
r. D skickade frldrarna in. stavningen med tecken.Namnfrslaget br ses i
patafysisk anda skrev. frldrarna i sin inlaga.Men kammarrtten kunde inte
se patafysiskt p. stavningen. Parafysik r deinbillade lsningarnas
vetenskap uppfunnen av. absurdisten Alfred Jarry somannars r mest knd som
frfattare till. teaterstycket Kung
Ubu.Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. (pronounced Albin) was a name
given to a child by the parents of a Swedish. family in May .A district
court in Halmstad southern Sweden had fined the. parents (Elizabeth Hallin
and ) kronor (approximately US) for failing. register a name for the boy by
his fifth birthday. Responding to the fine. the parents submitted the
character name claiming that it was a pregnant. expressionistic
development that we see as an artistic creation and. suggesting that it
should be seen in the spirit of pataphysics. The court. rejected the name
and upheld the fine. The long and short of itSWEDISH. authorities last
year told a couple who named their son.
Brfxxccxxmnpckccccmmnprxvcmackssqlbb to find a new shorter name for. the
boy. However the authorities in Stockholm have now rejected his new name.
of A according to the Hallands Nyheter newspaper. Initially the parents.
refused to provide tax authorities with a name for their newborn son.
After. numerous disputes the parents finally provided them with the letter
and. digit sequence which they say is pronounced Albin. That resulted in
an. fine from the tax authorities last year for defying the Swedish name
law.This. northern summer the couple registered their son as A. Tax
authorities also. rejected that name because singleletter names are not
allowed. An appeals. court upheld the decision. The parents previously
said that they chose a. meaningful expressionistic typographic formulation
which we consider to be an. artistic new creation in the pataphysical
tradition in which we believe.The. boy who is still officially nameless
has a passport in which his name is. given as Boy Tarzan.Related Jennifer
. Lee born March in New. York City is a New York Times reporter for the
Circuits section. Her middle. name was given by her parents in her teens
because there are too many people. named Jennifer Lee. She spells her
middle name . on paper but on her. driver's license it is spelt as a much
less dramatic Eight. Her parents were. Taiwan and were influenced by the
typically Cantonese custom that sees. number as a symbol of prosperity. is
a character in the comic strip. Peanuts by Charles Schulz. He debuted in
and continued to appear on and. off until . has spiky hair and sometimes
wears a shirt with (what else). the number five on it. His full name is
(accent on the ) with. being the family's last name (actually their zip
code which in real life. corresponds to the zip code for Sebastopol
California). His father changed all. of the family's names to numbers as a
protest to call attention to the way that. he felt like numbers were taking
over people's identities. also has two. sisters named and .. noemata.
Friday December. lumber. lumber. the mean. while waiting and waiting for
win to boota play for the calculator the. meanok what about . .where does
the . come from. .. still the sameok so we know n(n).(n.)what about step.
while it holds now the diff is always. n(nstep)(step)((nstep))try random
..i have. format c unbelievablestep is so it doesn't workdo you want to
install. netmeetingwho ever had any need of scandiski ran scandisk several
times. nowstill it didn't detect damaged sectorsunbelievable crap
scamdickswell why. didn't it work for odd it's yeah now your product key.
licenceit's supposed to be oh well it just squares thensquareroot of ..
is.. . voilakey is GXPPKTCDRJGJDTRBM (win)it's.
n(nstep)(step)((nstep))which makes sense for the . and the. updating you
system..restart then restart then restartthis wasn't very. profoundit's
like you need the square stuff somewherewhether you put it in the. n's or
the stepit doesn't matterthe suprise in the beginning of this play..it.
didn't take into account the extras of the squarethe double its
shadowit's. about dimensionshow the extra dimension casts a shadow backthe
step is supposed. take care of thatah but there's no stairway to
heavencan't believe this. where are the screen driversMy documents it's
intimidatingvery smalli. lost the scans whateveranal stuff i mean what's
the pointthe joy of. loosingagain a gain where does the shadow come inthe
gain where the extras. are fromhell is a collapse of dimensionswhat
happens when things colapsewhen. these squares collapsed they lost their
shadowi was thinking of this drawing. also what it lostshadows of course
collapsed into texturebut the other way. alsowhat would the hyper be if
this was. textureloomunbelievableunbeleivablewhat is mostthis cognitive
quaking is. backforth's squaringnothing in the middlenothing mediatedthese
are flatmeanthe. synonyms for mean are average base beggarly entail hateful
have in mind. imply intend mean value meanspirited mingy miserly signify
stand for. think think of tight. noemata. Tuesday November. anyhryear
anniversaryarchive of visual. Nov k. noemata. Wednesday November. plese.
its tu muchi wnat nothign to do with itplesei was nothing to do withit.
noemata. Wednesday November. recursive dictionary. material or nonmaterial
entity idea action etc that is or may be thought. about or perceived a gift
a thing given or presented of the something done. deed or action or
sensation caused in the ear by the vibration of the. surrounding air or
other medium of laughter and the capacity or power to. perceive or feel or
to be conscious of the state or condition of being present. or attributes
qualities or characteristics of material or nonmaterial. entities ideas
actions etc that are or may be thought about or perceived. that human
concerns business matters to be attended to their continuous. onward
movement or progression and circumstances esp. those affecting the.
functioning or existence of something active condition which
distinguishes. active animals and plants from inorganic matter including
the capacity for. growth functional activity and continual change
preceding death were. mad.Bertrand RussellApplying the algorithm to text
with a high proportion of. abstract nouns is particularly amusing. Here
the starting text is from. Bertrand Russell's History of Western
Philosophy from a chapter on PlatoThe. second argument is that knowledge
is recollection and therefore the soul must. have existed before birth.
The theory that knowledge is recollection is. supported chiefly by the
fact that we have ideas such as exact equality which. cannot be derived
from experience.Transformation givesThe second reasoning. process is that
awareness or familiarity gained by experience is the act or. power of
recollecting and therefore the spiritual or immaterial part of a. human
being often regarded as immortal must have existed before the emergence.
of a (usually fully developed) infant or other young from the body of its.
mother. The supposition or system of ideas explaining something esp. one
based. on general principles independent of the particular things to be
explained that. awareness or familiarity gained by experience is the act
or power of. recollecting is supported chiefly by the thing that is known
to have occurred. exist or to be true that we have conceptions or plans
formed by mental. effort such as the exact state of being equal which
cannot be derived from. actual observation of or practical acquaintance
with facts or events.. noemata. Monday November. congratulations
congratulations your site is on on (nostalgi). noemata. Monday November.
curious. my handwriting .jpg 'Freedom diedgreat people proved that
awareness exists. and every lifeform is awareunfortunatelly they hadn't in
mind that evolution. not aims into awarenessdevelopment but towards better
adaptation.milions of. people just learned how to fake awareness.This what
makes us Humans is ablity. selfdevelopment and Empathynot adaptation.Crowd
without a leader went. insane.Sickness is ones who emphatize get dellusion
when looking. feelingslessones there is no mutual empathy then ones who
emphatize become. codepend.'.jpg(notes from train station i tried to
visualise how autosopher. adaptativenetwork works)also note that 'positive
effects coming from. smoking of tobbaco come fromchanged metabolism of
dopamine while addiction is. created by completelydifferent
neurotransmitter patch'also common mistake of. polish language pointed out
(use of foregin noun).jpg adaptative ALP network. Daylight Explosioni have
some other work like learning from c sources i'll. write to you laterd.jpg
dissolving substancedreams come when i am. heresnowwhite truth about
falseparticles of absurd from. nothingsubstancewhile this world is only
interpretation of our. dreamssubstanceyou melt with nonexistence like
youpractical disasemble of life. programtransient observation ofthoughts
about minimalism truth about. time.form of delusionsequence of sessionit's
lack of thought Substancewhile. civilisation camp grid is at least km
thin.where is. reasondynamicambitionfield of perception actions of
consiousness()timeand. this is 'life'intonation is alive and manipulating
bodieswill be as is. because can't be other waypreprogrammed forecast
shatter and bend under. influence of new datahow is time machine
likealivedestiny of chaos. complexity creation is creation itselfwe can
watch beauty of growthour time. camepower came to an. noemata. Jag lgger
lite bilder p mig hr.. Jag lgger lite bilder p mig hr.Men kom ihg jag vill
grna att. ni skriver i Gstboken vad ni tycker annars blir det inte fler
bilder. Mina. Fuktiga brst efter duschen.Jag visar upp ett av mina
brst.Jag i sexiga. underklder.Jag visar upp mig p sngen.Hr r jag helt.
utlmnad t dig.Tnk om handen inte fanns dr.Gillar ni mina. Lppar.Ny bild p
mina lppar.Gillar ni bilderna p mig i. stayupsDet kan komma fler bilder
Jag hller p att vertala min. vninna att jag skall f lgga upp bilder p
henne ocks.Hr. under lgger jag sprutbilderna som jag fr Och jag skall
villigt. erknna att jag har onanerat och tittat p dem mnga.
gnger.Sprutbild Sprutbild Sprutbild Sprutbild Sprutbild Sprutbild.
Sprutbild Sprutbild Sprutbild Jag har ftt ett par nya sprutbilder Det.
tycker jag om. Flera gnger har jag tittat p dessa bilder och tnkt. p er
hur ni har lekt med era underbara stnd fantiserat om mig och. sedan
sprutat er varma klibbiga sats ver min kropp. Mnga gnger har. dessa
fantasier tagit mig till underbara orgasmer. Ett extra spnningsmoment. r
ju att min kille inte har ngon aning om vare sig websidan eller dessa.
foto.Hr kommer fler bilder.En bild frn en man som heter Bokoboko.Gabbe.
har ocks sprutat ner min kropp.Hawkan har lagt sin varma sd ver.
mig.Fineman har gjort hrligt sexiga konstnrliga bilder.nnu en bild.
noemata. Saturday November. delayed. noemata. Tuesday November.
colmplaints ingored. complaits comlaints comppaints commplaints complaints
ifnored withijn redach. reazch complaibnts live complaintsa complaints
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plaints within swithin complaintsx wwithin complawints. rfeach qithin
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reach ognored remastered ignofed rach comolaints withbin woithin. ingored
witfhin each complants album withinb xcomplaints reacgh explicit. ignor d
reavh rrach within ithin within reachy reachu ignored ignokred. wituin wi
hin colmplaints ignore d reaxch r ach complaintas reaxh ivgnored. wiuthin
wirhin cmplaints igtnored w ithin reacfh reacj complzints rdeach. ignoreed
compoaints treach ignkored ignored withn sale ignolred cimplaints. ignored
reach complaunts ignoered reafch wihtin wiithin complaionts reqach. withon
waithin ignhored igniored ignorecd ignkred readch wjithin reach.
coomplaints cdomplaints ignoored ignored reacg withgin complaints ignlred.
clomplaints ignoeed re ch iynored withinn wkithin itgnored ignorde wjthin.
reaach witthin within complxints complainjts complaiunts within withoin.
fomplaints fcomplaints qwithin witbin reavch coimplaints resach reah
ignorec. ignored ignopred witnin ignoredf complain ts cpmplaints ig nored
wighin re ach. gnored compkaints omplaints within wqithin reacn reacyh
reachb wituhin iggnored. ivnored rsach iwthin complaintx rezch reawch
cokplaints kignored ignored wothin. reach igjnored ignorrd compla ints ig
ored ignboredSearch colmplaints. noemata. lumber. lumber. oct().
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FF FF. h FF FF FF FF. FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF
FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF FF FF FF FF FF DB
AA B. .C.h B F D F. FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF
FF FF FF FF FF FF FF FF FF FF FF. h FF. FF FF FF FF FF FF FF FF FF FF FF FF
FF FF FF. h FF. FF FF FF FF FF FF FF FF FF FF FF FF FF FF C. ah.
...............bh FF. C ..............ch. FF C ..............dh.
................eh. FF DA C A. matronym. Sunday October. Re confuciuslist
Mencius B. wild grass (fwd). matronym. Saturday October. plunderphonics
week. DJbyHandIngerMarieLienKidSquarepusherStev.mp (. C C Nystev.. vil du
D. C E have meg til B C D A B C. kveda..det skal A D eg gjera. med stF C C
D A F rste gleda..og. B C B eg skal kveda sF E. D A o vent fyr deg.. B. C C
F D at du skal glym A F C. F D a deg sjlv og m E D A D A C B. C eg..... eg
skal B F B. kveda so du skaC E C D A D l. grta..um du C E C var aldri. s
gla F B E C D A E d og kt'e... e B C B F g skal kveda so E E C. C D A snlt
fyr deg... B C C E E E at du skal l n. E D E r du ser p meg.D A D A F D E.
F ....Og mine viso F E E C. r dei er so snl C D A F D F B E e..som. Borken
t E E E E rvar p isen. hC C D A F D E le..og mine visF. A E or dei gjer'
ein C E D A. F D C C sleng..som litl E E B. e guten p skeis E E A E E D A
D A C. unn' gjeng..... D E F mine. visor dei F D E C D A F er so
mange..soD. A D C F D E m heggjeblomane. E B D drys i fanget.A F. F .so
hev det vore C C. A D A i all si tid.. D B. dess meir dei kv C D ed dei
dess. mei E D A D A C r der bid...... C A C vil du stevjast F B. C so skal
eg svar C D A F. C E a..og heile nat F B C. ti so skal det v B D A F C.
ara..og vil du A D D stevjast med. meg B C C D A E i kveld..du g. B A E r
'kje t fyrr d E. E D C C E u fr ein smell. abort.
DJbyHandsisselkyrkjeboorigamiweightlessapati MB. matronym. Friday October.
link var. Index of var Name Last modified Size Description. Parent
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candledrawings.jpg Sep k codune.jpg. Oct k desktop.jpg Oct k. dietz.jpg
Oct k eee.jpg. Oct k elmagspectrum.jpg Sep k. ff.jpg Oct k fjfjf.jpg. Oct
k fluktbiler.jpg Oct k. fluxusmap.jpg Oct k fortart.jpg. Oct k ggcc.jpg
Oct k. ghdf.jpg Oct k golgeilo.jpg. Oct k gv.jpg Oct k. hfhfh.jpg Oct k
hfhfhw.jpg. Oct k hfhfhw.png Oct k. horn.jpg Sep k ideog.png. Oct k jj.jpg
Oct k. jotunheimen.jpg Sep k julebukk.jpg. Oct k lc.jpg Oct k. mouazing.png
Sep k mrna.jpg. Sep k oe.jpg Oct k. pluntscape.jpg Sep k prestholt.jpg. Oct
k prestholtskaret.jpg Oct k. psychogeo.jpg Oct k rabsistggkgigngdgom... Oct
k recursivelibrary.jpg Sep k. rygg.jpg Sep k san.png. Oct k scapeg.jpg Oct
k. scrreen.jpg Oct k sdgaa.jpg. Sep k seroma.jpg Oct k. sino.jpg Oct k
skogshorn.jpg. Sep k taka.jpg Oct k. tectonics.jpg Sep k teent.jpg. Oct k
tenner.jpg Oct k. text.jpg Oct k tilapollinaire.jpg. Sep k
torpostavechurch.jpg Sep k. tuftebrui.jpg Oct k turs.jpg. Sep k
usbdrawing.jpg Oct k. matronym. relax. matronym. Wednesday October. im not
sisting strahgt my jands ctrlz ctrlz ctrlz ctrlz versjon. ctrlz ctrlz ctrlz
ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz. ctrlz ctrlz ctrlz glitch
versjon (ultra editor) well probably doesn't affect. html so why blotherim
not sisting iwant somehthign it's a bit. frighteningstrahgt that kid on its
own and coldmy jands. atomata like tat fly nothing holdingnothing here in
the win. should i let gothis writing is the fog leaves (they of
whatagainst. itself does it) eprime the i don't know anythingi only write
when. drema (dramadream) this blank screenforgetting muself of magic.
contradicted by my fingersnegation well science and the this will. only be
troubleworthwhile howto any base fuck youspace which is. debase. coming
back this is completely lostnothing to.. never againher cunt ie no.
memoryshould backspace sensation must be no knowledgethat. based on
recurrence monster of pixelscollaps else you wouldn't. soothwhere am i
know but gnomhow to write. still sense but no.where am i inn the only once
it vicinitymyself. doesn't count (count potentialmy arm is kind of is.
sentence dntwiched recurrence). any pnrrmaqyawmy back. somewhat object.
object is nvvypub vybcdcxrunched here too much. object. dmcs vnbpu
cdngvirtual backspace anything that is suug. fcnothing ever comes visible
or tangible mqhycuq iydxout of this. and is relatively bucgupd dnwhere
does this go stable in form. to. uaurk rnhuruadexpect nothing you. ya
hypyaydkleft. channel delay something. thing xytt uywxd cyjthe need.
(meeting vyhuno structure her interface). lubn. ()whatever fright
subjectsubstancediscontinue into. subtrahends ariettaslide emergent
relation. subterfuge. arroweddiscreet egene remove
sceptrelessespataphysical. logic posessive my's. arrowedcompression is a
reactive at chemical. saboteur aridcipher level. behave septarium
arteroads. late ME softheartedly aradjustice behaven. (reflexive).
subterranean aridblockhead See BE HAVE.. shifters airywriting into space
behaviorism the spadework awardeei'll. go wherever the theory that scepter
areawidekeys lead. psychology can be shifter aerateleather case accurately
studied. softer arrauboard table kitchen only through the spader
artiecuisine. examination and subterfuge aureatei meant metaphor analysis
of. sputter areawidewherever possessives. subtree. areawidesomething else
sputter aeratethis is just. one i'm no one get your softer airyside hands
off me.. spader airtno justice HAHA. subterraneanisesusually space is
karmaguilttraces aortaexpensive. i once had guilt subdirectories
artymassive nothing writing haha. says it spidery airedeyes all (active
subtraction. artyi once had eyes expression vs sceptered artiego beyond
they. say matters of doctrine) subtreasury areawideother i laughter. is
spidery arrayedwhat comes in this eternally guilty. subterraneanise arteis
still eyes (doctrinal in sifter. awardeekeyes writing) as anythe cod e
statement. n softheart s mouthing. y. arrondis t guilty guilty (how
soekar. ttraffi n awkward to ) soffit ar thorsest c t. how's w g softies
arteriolethere's compilation attached to guilt. soever arterialises should
stop writing soke. arterialisinginterprete e another w e sojoimmedi s.
status of relate to artel valuemeaning other sodwhat'. than drawn arteri
dente. softhead arthromerewhich is p s (interfaces again).. sojourners
arrowrooti had t a media a softening. artefactbig small inverse suppose it
e softbound arsenicaldi. other way a softy ars lprotoco f signs are. soiree
arsenicisespapyrus no o lines are. ts stronger attraction readapting
mcqueenpro. proto mecritical distance attraction to. what reactualise
meagerlyexecution of seeing easy essing. meal ers are easi ay. of
mcmurdohidden instant an. g rea ness memiddleman blackmail to. ably me
compl of the ualizes. li syst inimax rk up. to mewhat's the deal on. me (
rface') reactualisations. mei r mansus accidencesubsta me. critical and
easie 's. system wins liked ng not gravitati. stupid you alwaysde reaming
get signs toodr eath is. obvious it's theirso ng else job. backtrackingi'd
to die. guilt is thru th .. sign you no. shouldn't att it's like chaplin
onde s trash. a conveyor belt ghtning down t rs economy.no. no signno in
the talking is a w recur.. as stimulusres augment pos. respons. lumber.
matronym. Tuesday October. thing. thing (thing) n. . a material object
without life or consciousness an. inanimate object.. some entity object or
creature that is not or cannot be. specifically designated or precisely
described The stick had a brass thing on. it.. anything that is or may
become an object of thought things of the. spirit.. things matters affairs
Things are going well now.. a fact. circumstance or state of affairs It is
a curious thing.. an action deed. event or performance to do great things
His death was a horrible thing.. a. particular respect or detail perfect
in all things.. aim objective The. thing is to reach this line with the
ball.. an article of clothing I don't. have a thing to wear.. things
implements utensils or other articles for. service I'll wash the breakfast
things.personal possessions or belongings. Pack your things and go. a task
chore I've got a lot of things to do. today.. a living being or creature
His baby's a cute little thing.. a. thought or statement I have just one
thing to say to you.. Informal. a. peculiar attitude or feeling either
positive or negative toward something. mental quirk She has a thing about
cats.. something signified or. represented as distinguished from a word
symbol or idea representing. it.. Law. anything that may be the subject of
a property right.. do or find. one's own thing Informal. to pursue a
lifestyle that expresses one's self.. Also do or find one's thing. . make
a good thing of Informal. to turn (a. situation experience etc.) to one's
own profit benefit by She made a good. thing of her sparetime hobbies..
new thing Jazz. See free jazz. . not to. get a thing out of to be unable
to obtain information or news from The police. couldn't get a thing out of
him.to fail to appreciate understand or derive. aesthetic pleasure from My
wife likes opera but I don't get a thing out of. it.. see or hear things
Informal. to have hallucinations.. the thing. something that is correct or
fashionable That caf is the thing now.that. which is expedient or necessary
The thing to do is to tell them the. truth.bef. ME OE orig. meeting see
THINGthing (thing ting) n.. (in Scandinavian countries) a public meeting
or assembly esp. a legislative. assembly or a court of law.Also ting. Cf.
thingstead. ON assembly. c. THING D ding G Ding thing orig. meeting akin
to Goth theihs. matronym. Monday October. nothing (nuthing) n.. nothing
(nuthing) n. . no thing not anything naught to say. nothing.. no part
share or trace (usually fol. by of) The house showed. nothing of its
former magnificence.. something that is. nonexistent.. nonexistence
nothingness The sound faded to. nothing.. something or someone of no
importance or significance Money is. nothing when you're without health..
a trivial action matter circumstance. thing or remark to exchange a few
nothings when being introduced.. a person. of little or no importance a
nobody.. something that is without quantity or. magnitude.. a cipher or
naught Nothing from nine leaves nine.. (used in. conventional responses to
expressions of thanks) Think nothing of it. It's. nothing. Nothing to it..
for nothing free of charge.for no apparent reason. or motive.futilely to
no avail They had gone to a great deal of expense for. nothing.. in
nothing flat in very little time Dinner was finished in. nothing flat..
make nothing of to treat lightly regard as easy.to be. unsuccessful in
comprehending He could make nothing of the complicated. directions..
nothing but nothing other than only We could see nothing but. fog..
nothing doing Informal. emphatically no certainly not.no activity.
inducement advantage etc. present to the eye We drove through the town
but. there seemed to be nothing doing.. nothing less than or short of
absolutely. completely She was used to nothing less than the best.. think
nothing of to. treat casually.to regard as insignificant He thinks nothing
of lying to. conceal his incompetence.adv. . in no respect or degree not at
all It was. nothing like that. Nothing dismayed he repeated his
question.adj.. . amounting to nothing as in offering no prospects for
satisfaction. advancement or the like She was stuck in a nothing job.bef.
ME OE. matronym. rinsay. the active expression of enlightenment over
matters of doctrineThe mind thus. creates the world in the sense that it
invests the phenomenal world with. value.They have presumably already
freed themselves from preoccupations with. the commoner cravings for
sensual indulgence material gain or worldly fame. and have entered the
path of religious strivings. But it is precicely this fact. that Linchi
sees as the source of their problems.this lone brightness without. fixed
shape or form.once and for all that there is no goal to be striven for.
because it has been won already no place to be journeyed to because one
is. there right now.People with so few roots of faithif it's for the sake
of the. Dharma don't hesitate to sacrifice your bodies or give up your
lives.If you. approach it with a true and proper understanding you won't
be affected by. considerations of birth and death you'll be free to go or
stay as you. please.The fault lies in the fact that they don't have faith
in. themselvesStudent's don't have enough faith in themselves and so they
rush. around looking for something outside themselves.Those who have
fulfilled the. ten stages of bodhisattva practice are no better than hired
field hnads those. who have attained the enlightenment of the fiftyfirst
and fiftysecond stages. are prisoners shackled and bound arhats and
pratyekabuddhas are so much filth. in the latrine bodhi and nirvana are
hitching posts for donkeys. Why do I. speak of them like this Because you
followeres of the Way fail to realize that. this journey to enlightenment
that takes three asamkhya kalpas to acomplish is. meaningless. So these
things become obstacles in your way.Fellow believers. time is precious You
rush off frantically on side roads studying Ch'an. studying the Way
clinging to words clinging to phrases seeking Buddha. seeking the
patriarch seeking a good friend scheming planning. But make no. mistake.
Followers of the Way you have on set of parents what more are you. looking
for You should stop and take a good look at yourselves. A man of old. tells
us that Yajnadatta thought he had lost his head and went looking for it.
but once he had put a stop to his seeking mind he found he was perfectly
all. right.The man of value is the one who has nothing to do. Don't try to
do. something special just act ordinary. The Paotsung lun With regards to
the. Way what is valued in every age is to have nothing to do. With
regards to the. Way when one is mindless then all things will proceed
smoothly.Followers of. the Way the Dharma of the buddhas calls for no
special undertakings. Just act. ordinary without trying to do anything
particular. Move you bowels piss get. dressed eat your rice and if you get
tired then lie down. Fools may laugh at. me but wise men will know what I
mean. A man of old said People who try to do. something about what is
outside themselves are nothing but blockheads.If you. have doubts in your
mind for an instant that's the Buddha devil. But if you. can understand
that the ten thousand phenomena were never born that the mind. is like a
conjurer's trick then not one speck of dust not one phenomenon will.
exist.As I see it there's no Buddha no living beings no long ago no now.
If. you want to get it you've already got it it's not something that
requires. time. There's no religious practice no enlightenment no getting
anything no. missing out on anything.If you want to be free to be born or
die to go or stay. as onw would put on or take off a garment then you must
understand right now. that the person here listening to the Dharma has no
form characteristics no. root no beginning no place he abides yet he is
vibrantly alive. All the ten. thousand kinds of contrived happenings
operate in a place that is in fact no. place.If your mind entertains a
moment of doubt it becomes obstructed by the. element earth. If your mind
entertains a moment of craving it becomes drowned. in the element water.
If your mind entertains a moment of anger it is seared. by the element
fire. If your mind entertains a moment of delight it is tossed. about by
the element air.The way I see it onw shouldn't be averse to anything..
Suppose you yearn to be a sage. Sage is just a word sage.Those who study
the. Way these days need to have faith in themselves and not go looking
for. something outside.If you want to be a truly great vessel you must
never be led. astray by others. Wherever you are play the host and then
any place you stand. will be a true one. Whatever confronts you don't let
yourself be imposed on.. If you entertain even a moment of doubt the devil
will enter your mind.Just. have faith in this thing that is operating in
you right now. Outside of it. nothing else exists.In the way you now
respond and utilize it what do you. lack In the space of an instant you
enter purity or enter defilement enter. the halls of Maitreya or enter the
lands of the three eyes. You wander at ease. everywhere for you see that
these are all empty names.The buddhas and. patriarchs are people who don't
have anything to do or are without defilements. and doings their karma is
clean and pure.The Patriarch Shenhui said If you. try to arrest the mind
and stare at silence summon the mind and focus it on. externals control
the mind and make it clear within concentrate the mind and. enter into
meditation all practices of this sort creates karma.So for the. past
twelve years though I've looked for this thing called karma I've never.
found so much as a particle of it the size of a mustard seed.from times
past. the real teachers wherever they went were never listened to and were
always. driven out.The various phenomena in this world and other worlds are
in all. cases devoid of intrisic nature. Even if something did exist it
would in all. cases be no more than an environment that changes with what
it depends on. You. live in a land of changing dependent conditions what
is it you are looking. for And things like the Three Vehicles and the
twelve divisions of the. scriptural teachings they're all so much old
toilet paper to wipe away filth.. The Buddha is a phantom body the
patriarch are nothing but old monks. You were. born from women weren't you
I you seek the Buddha you'll be seized by the. Buddha devil. As long as you
seek something it can only lead to suffering.. Better to do nothing.A true
student of the Way never concerns himself with the. Buddha. Far removed
alone and free he is never entangled in things. Heaven. and earth could
turn upside down and he would not be perturbed. All the buddhas. of the
ten directions could appear before him and his mind would not feel an.
instant fo joy the three realms of hell could suddenly confront him and
his. mind would not feel an instant of alarm. Why is he like this Because
he knows. that all things in the phenomenal world are empty of
characteristics. WHEN. CONDITIONS CHANGE THEY COME INTO EXISTENCE WHEN
THERE IS NO CHANGE THEY DO. NOT EXIST.Followers of the Way when students
come here from various regions. and we have finished greeting one another
as host and guest the student will. make som remark to test the teacher.
The student comes out with these tricky. words and thrusts them into the
teacher's face. If you were the teacher and. realized that this was just
an 'environment' and you grabbed it and threw it. down a hole then the
student would act normal again and after that would ask. for the teacher's
instruction. The teacher would then snatch that up too and. treat it as he
did the earlier remark. The student then says Very wise A. truly great
teacher The teacher says You certainly can't tell good from. badAgain
suppose the teacher comes out with a certain chunk of environment. and
dangles it in front of the student's face. The student sees through this.
and at every step acts the master refusing to be misled by the
environment.. The teacher then reveals half of his body whereupon the
student gives a shout.. The teacher now enters the place where there are
all kinds of differences and. distinctions battering the student around
with words. The student says This. old baldhead who can't tell good from
bad The teacher exclaims in admiration. A true and proper follower of the
WayThere are some teachers around who can't. distinguish crooked from
straight. When a student comes and asks about bodhi or. nirvana about the
threefold body or about environment and wisdom those blind. old teachers
start explaining to the student. When the student curses at them. they
pick up their stick and hit him saying Such rude language If you have. a
teacher like that he lacks eyes to begin with.Then there is that bunch of.
baldheads who can't tell good from bad but point to the east gesture to
the. west love clear weather love it when it rains love this lamp or that
pillar.. Look and see how many hairs they have left in their eyebrows and
with good. reason. Teachers like that are nothing but wild fox spirits
goblins. Good. students will just give a little snicker and say Blind old
baldheads trying. confuse and lead everybody in the world astrayFollowers
of the Way if you. want to get the kind of understanding that accords with
the Dharma never be. misled by others. Whether you're facing inward or
facing outward whatever you. meet up with just kill it If you meet a
buddha kill the buddha. If you meet. your parents kill your parents.These
students of the Way who come from all. over there's never been one of them
who didn't appear before me depending on. something. So I starrt out by
hitting them there. If they come with a raised. hand I hit the raised hand
if they come mouthing something I hit them in the. mouth if they come
making motions with their eyes I hit them in the eye. I. have yet to find
one who comes alone and free they're all caught up in the. idle devices of
the men of old.I don't have a particle of Dharma to give to. anyone. All I
have is cure for sickness freedom from bondage. You followers of. the Way
from here and there try coming to me without depending on anything. All. I
get are things stuck to stems clinging to leaves wraiths that inhabit
bamboo. or trees wild fox spirits They chew frantically at every lump of
shit they. happen upon. Blind foolsI tell you there's no Buddha no Dharma
no practice. no enlightenment. Yet you go off like this on side roads
trying to find. something. Blind fools Will you put another head on top of
the one you have. What is it you lackThe way I see it there's no call for
anything special.. Just act ordinary put on your clothes eat your rice
pass the time doing. nothing. You who come here from here and there you
all have a mind to do. something. You search for the Buddha search for the
Dharma search for. emancipation search for a way to get out of the
threefold world. Idiots. trying to get out of the threefold world Where
will you goFellow believers. this body made up of the four major elements
has no permanence. Things like. spleen and stomach liver and gall hairs
nails teeth are simply evidence. that all phenomenal things are empty of
fixed characteristics. As long as your. mind is unable to cease its
momentbymoment activity then you are up in the. tree of ignorance. But if
you can learn to cease then you'll be in the world. of the clean pure
body.If a student truly knows what he is doing he will give. a shout and
then first of all hold out a try of lacquer. The teacher failing.
recognize this as a mere 'environment' proceeds to climb up on the.
environment and begin striking poses or donning attitudes. The student
gives a. shout but the teacher refuses to abandon his approach. This is
called the. guest seeing through the host.Or perhaps the teacher will not
come out with any. object of his own but will wait for a question from the
student and then snatch. it away. The student seeing his question snatched
away won't let go but holds. on for dear life. This is a case of the host
seeing through the guest.Perhaps. there is a student who responding with a
clean pure environment presents. himself before the teacher. The teacher
can tell this is just an environment. and grabs it and throws it down a
hole. The student says A truly great. teacher Instantly the teacher says
Hopeless can't tell good from bad. The student gives a low bow. This is
called the host meeting up with a host.Or. there may be a student who puts
a cangue wooden collar on his neck binds. himself in chains and then comes
before the teacher. The teacher proceeds to. shackle him with another set
of cangues and chains. The student is delighted. unaware of what has
happened. This is called the guest meeting up with a. guest.But students
don't have faith enough and instead base their. understanding on words and
phrases. Their years pile up to half a hundred and. all they do is go off
on side roads carrying their dead corpses on their. backs racing all over
the world with their load of baggage.If you look toward. the area of
motion and try to grasp the truth there it will take up its stand. in the
area of nonmotion and if you look towards nonmotion and try to grasp it.
there it will take up its stand in motion. It is like a fish hidden in a
pond. who now and then slaps the surface and leaps up.When students come
from here. and thee I classify them into three categories according to
their ability. In. such cases if a student of less then middling ability
comes to me I snatch. away the environment but leave him his existence. I
a student of better than. middling ability comes to me I snatch away both
environment and existence. If. a student of truly superior ability comes
to me I do not snatch away anything. neither environment nor existence nor
person. If a student appears whose. understanding surpasses all these
categories then I deal with him with my. whole body and take no account of
his ability.Reverend Taoi's way of doing. things was simple direct nothing
mixed in. Reverend Lushan was utterly free. true and correct but whether
he came at them with compliance or opposition his. students could never
fathom what was going on. Mau's way of doing things. was as bitter as the
bark of the Chinese cork tree no one could get near him.. The way Shihkung
went about it was to look for students by pointing an arrow. at them all
who came to him were terrified. Shihkung had been a deer hunter.. When
students came to him he would fit an arrow to his bow point it at them.
and say Look at the arrowFellow believers these sounds names words.
phrases are all nothing but changes of robe. The sea of breath in the
region. below the navel stirs itself into motion the teeth batter and mold
it and it. comes out as a statement of an idea. So we know for certain that
these are mere. phantoms.Better to do nothing to meet someone but not
recognize him talk with. him but not know his name.There's a bunch of
fellows who can't tell good from. bad but poke around in the scriptural
teachings hazard a guess here and there. and come up with an idea in words
as though they took a lump of shit mushed it. around in their mouth and
then spat it out and passed it on to somebody else.. They're like those
people who play passtheword parlor games wasting their. whole life like
that.When the great teacher Bodhidharma came from the west he. was simply
looking for a man who would not be misled by others.I have been.
addressing you putting forth a lot of trashy talk. But make no mistake In
my. view there are in fact no great number of principles to be grasped.If.
bodhisattvas even those who have completed the ten stages of mind practice.
were all to seek for the traces of such a follower of the Way they could
never. find them. Therefore the heavenly beings rejoice the gods of the
earth stand. guard with their legs and the buddhas of the ten directions
sing his praise.. Why Because this man of the Way who is now listening to
the Dharma acts in a. manner that leaves no traces.Neither in this world
nor in any other world is. there any Buddha or Dharma. There is nothing to
appear before you and nothing. that is lost.Fellow believers only when you
have commited the five crimes that. bring on the hell of incessant
suffering will you finally gain. emanciation.Killing your father injuring
your mother drawing blood from the. Buddha's body disrupting the harmony
of the Monastic Order burning the sutras. and images these are the five
crimes that bring on the hell of incessant. suffering.Ignorance is the
father. When your mind is without activity wherever. it is this is called
killing the father.Greed is the mother. When your mind. experiences no
attachment anywhere this is called injuring the mother.If your. mind doesn
not even for an instant begin to discriminate but instead sees. complete
darkness everywhere this is drawing blood from the Buddha's body.If. you
properly understand that the bonds and entanglements of earthly desires
are. so much emptiness with no place to lean on this is disrupting the
harmony of. the Monastic Order.When you can see the emptiness of causes
and conditions the. emptiness of all phenomena when the mind is every
instant completely calm far. removed and doing nothing this is burning the
sutras and the images.Your minds. instant by instant confront an empty fist
a pointing finger and take it for. some sort of reality vainly trashing
around in the realms of senses. environments phenomena.Followers of the
Way don't take the Buddha to be some. sort of ultimate goal. In my view
he's more like the hole in a privy. Therefore. Manjushri grasped his sword
ready to kill Gautama and Angulimala blade in. hand tried to do injury to
Shakyamuni.Followers of the Way even if you can. understand a hundred
sutras and treatises you're not as good as one plain monk. who does
nothing.Followers of the Way don't search for anything in written. words.
The exertions of your mind will tire it out you'll gulp cold air and. gain
nothing.Fellow believers don't dawdle your days away In the past before. I
had come to see things right there was nothing but blackness all around.
me.Fellow believers do not use your minds in a mistaken manner but be
like. the sea that rejects the bodies of the dead.Weishan said Well what
do you. thinkYangshan said Officially not a needle is allowed to pass but.
privately whole carts and horses get throughWhen illumination comes first
and. action afterwards then the person is present. When action comes first
and. illumination afterward then the Dharma is present. When illumination
and. action are simultaneous it's like driving away the plowman's ox
snatching. food from a starving person cracking bones and extracting the
marrow giving a. painful poke with a needle or an awl. When illumination
and action are not. simultaneous there are questions and answers guest and
host are established. water gets mixed with mud in response to movements
measures are taken. If the. person is really outstanding then even before
a problem arises he'll rouse. himself and be on his way. But still it
needs another little push.(from the. lumber. matronym. Sunday October. ok.
these characters don't mean anythingarseholes on tv televisionrectoscopy
rs. holes tv setthis candlelight the this the president the dog the the.
theodicy evil levi live veil vilegood has no anagrams no otheranagram has
no. anagram which backfires on good it's just emptythe same ames asme meas
mesa. msae seam other theor. throerandom rodmannegative agentivepositron.
sorptionatchoo cahootakan kanahaiku ukiahemil lime milemale alme elam
lame. lam mael meal melafemale icon coin cion sign sing sing.arse ares son
of. zeus and hera mars male marse aser asher rase raze sear. to burn or
char. the surface of She seared the steak to seal in the juices.. to mark
with a. branding iron.. to burn or scorch injuriously or painfully He
seared his hand. on a hot steam pipe.. to make callous or unfeeling harden
The hardship of her. youth has seared her emotionally.. to dry up or wither
parch.v.i.. to become. dry or withered as vegetation.n.. a mark or scar
made by. searing.adj.. sere.bef. (adj.) ME sere OE sar c. D zoor (v.) ME.
seren OE sarian deriv. of sarstill sr norwsera plural of serum blood. milk
whey curd duca cheese christ smegma the last sup puslas palmas plasmathe.
sun nous onus probandi it's ya onus ya orseeros rose sore (sear) sero
(serum. again)horse shoer shoreursus arctos horribilis kodiakthis hist
isth sith tshi. shitexcrement waste matter sweat (matter has no anagram
neither mind)mother. thermovater avert travemater ramet tamersanta satan
tsananoema anemo wind L. animus breath Skt anilasrumblehex ascii isiac
isis usus oso horosbeing begin. binge blast bust blair toot jagresist
sisterbroth throb frater rafter rumble. lumber jackass (anything
male)thing night dorknesslight bef. (n. and. adj.) ME OE loht c. OS lioht
OFris liacht D G licht Goth liuhath (n.). akin to ON ljs (n.) ljss (adj.)
L lx (n.) Gk leuks bright white. (v.) ME lighten OE lhtan c. OS liuhtian
OHG liuhten (G leuchten) Goth. liuhtjanlux litho thiol
stonelightfireelectron el centro recent holocene holos. soul sole solus
also solaone eon neo noe time emit mite item geo ego aeon a. one eras
arseone bef. ME oon OE n c. D een G ein Goth ains L nus. (OL oinos) akin
to Gk on ace on a diejocus jeckarse jest gest gegere. perform egest to
discharge as from the body void (opposed to ingest). injoke notfunnyyoke j
bef. (n.) ME yok(e) OE geoc c. D juk G Joch. ON ok L jugum Gk zygn Hittite
yugan Skt yuga (v.) ME yoken OE. geocian deriv. of the n.orl korrect.
lumber. matronym. Friday October. lumber. lumber. Bkonomi.
BkoEuropnomiVaVerdektigenramtomNorgeNordenDanmarkFryeneGrNonlanrdendFinlandIslandogSverige.BkonomiVekt.
i gram tom Norge Norden. Europa Verden. Norden Danmark Fryene Grnland
Finland Island og Sverige.. matronym. Thursday September. scribbling on a
blank end page of rinzai roku my mom wanted to look at some. pictures but
got stuck in navigating the mouse so i get very bored before. reaching the
start button my sister comes in with bruises on her knees and a. blue hand
not knowing where they come from (polish vodka party) eventually it.
dissolves the scribble remains and i do a scan upsidedown like colliding
in. mouse and vodka crashes.scurvy dog story.Theese be. disturbance (vacky
horror)if you look towards the area of motion and try to. grasp the truth
there it will take up its stand in the area of nonmotion. it's like a fish
hidden in a pond who now and then slaps thesurface and leaps. upjesus
whatChrist whatShiva WhatWat WhatWhat Wattbunch of. goblin spiritsdoubt
earth (buddha devil)craving wateranger firedelight. raysnostalgia
(neuralgia) of the imagehome (no home)anger of the visible. world (light)
fireimagenostalgia of the explicit (for a root in. events)return going
somewhereturn on meand watch me cumpelwhose. meMEMEjujuscurrilous image
sorcerorsplunters pirates of the. imagesometime you come riding on an
imageyou take diamond ministry (any. syle building you want)populate w
furry amoebas..perhaps come come riding on. matronym. Monday September.
crash courseplunt bubble chamber traceroutemy mother is learning the
mouse. matronym. Sunday September. editor's note. kunst DOT no. matronym.
Wednesday September. lumber. lumber. Re sq. noemata. Friday May. amrah.
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Poper. Pharmaper. noemata. feynman. ...All this went on in the first few
weeks before we got. everythingstraightened out. Anyway one day I'm
piddling around with the. computingmachine and I notice something very
peculiar. If you take divided. by youget .. . . It's quite cute It goes a
little cockeyed. after whenyou're carrying but it soon straightens itself
out and repeats. itself nicely.Ithought it was kind of amusing. Well I put
that in the mail. and it comes back to me. It doesn't go throughand there's
a little note Look. at Paragraph B. I look at Paragraph B.Itsays Letters
are to be written. only in English Russian SpanishPortugueseLatin German
and so forth.. Permission to use any other language must beobtained in
writing. And then it. letter which saidthat I feel that of course this
cannot be a code because if. you actually dodivide by you do in fact get
all that and therefore. there's no moreinformation in the number .. . .
than there is in. the number which is hardly any information at all. And
so forth. I. therefore asked forpermission to use Arabic numerals in my
letters. So I got. that through allright....And von Neumann gave me an
interesting idea that you. don't have to beresponsible for the world that
you're in. So I have developed a. very powerfulsense of social
irresponsibility as a result of von Neumann's. advice. It'smademe a very
happy man ever since. But it was von Neumann who put. the seed inthatgrew
into my active irresponsibility... What You a. psychiatrist keeping an
open mind Ha It went on likethisfor quite a. while. Then at some point
near the end he says How much do you value. life Sixtyfour. Why did you
say 'sixtyfour' How are you supposed to. measure the value of life No I
mean why did you say 'sixtyfour' and not. 'seventythree' forinstance If I
had said 'seventythree' you would have. asked me the same question The
psychiatrist finished with three friendly. questions just as the
otherpsychiatrist had done handed me my papers and I. went off to the next
booth....After a while I began to worry. Here's a guy. who's been deferred
all duringthe war because he's working on the bomb and the. draft board
gets letterssaying he's important and now he gets a D in. Psychiatric it
turns outhe's a nut Obviously he isn't a nut he's just. trying to make us
believe he'sanut we'll get him...I don't believe I can. really do without
teaching. The reason is I have tohave something so that when. I don't have
any ideas and I'm not gettinganywhereI can say to myself At least. I'm
living at least I'm doing something I'mmaking some contribution. it's just
psychological.... So I got this new attitude. Now that I am burned. out and
I'll neveraccomplish anything I've got this nice position at the.
university teachingclasses which I rather enjoy and just like I read the.
Arabian Nights forpleasure I'm going to play with physics whenever I want
to. without worryingabout any importance whatsoever....Thirteen Times One
time a. science teacher from the local city college came around and
askedmeif I'd give. a talk there. He offered me fifty dollars but I told
him I wasn'tworried about. the money. That's the city college right Yes. I
thought about how much. paperwork I usually had to get involved with when
Ideal with the government so. I laughed and said I'll be glad to give
thetalk.There's only one condition on. the whole thing I pulled a number
out of ahatand continued that I don't. have to sign my name more than
thirteen timesand that includes the check The. guy laughs too. Thirteen
times No problem. So then it starts. First I have. sign something that
says I'm loyal to thegovernment or else I can't talk in. the city college.
And I have to sign itdouble OK Then I have to sign some kind. of release to
the city I can'tremember what. Pretty soon the numbers are. beginning to
climb up. I have to sign that I was suitably employed as a. professor to
ensure ofcourse since it's a city thing that no jerk at the. other end was
hiring hiswife or a friend to come and not even give the lecture.. There
were all kindsofthings to ensure and the signatures kept mounting. Well.
the guy who started out laughing got pretty nervous but we just madeit. I.
signed exactly twelve times. There was one more left for the check so
Iwent. ahead and gave the talk. A few days later the guy came around to
give me the. check and he was reallysweating. He couldn't give me the
money unless I signed. a form saying I reallygave the talk. I said If I
sign the form I can't sign. the check. But you were there. Youheard the
talk why don't you sign. it Look he said Isn't this whole thing rather
silly No. It was an. arrangement we made in the beginning. We didn't think
it wasreally going to get. thirteen but we agreed on it and I think we
shouldstick to it to the. end. He said I've been working very hard calling
all around. I've been. tryingeverything and they tell me it's impossible.
You simply can't get your. moneyunless you sign the form. It's OK I said.
I've only signed twelve. times and I gave the talk. Idon'tneed the money.
But I hate to do this to. you. It's all right. We made a deal don't worry.
The next day he called me. up. They can't not give you the money
They'vealready earmarked the money and. they've got it set aside so they
have to giveit to you OK if they have to. give me the money let them give
me the money. But you have to sign the. form. I won't sign the form They
were stuck. There was no miscellaneous pot. which was for money that
thisman deserves but won't sign for. Finally it got. straightened out. It
took a long time and it was verycomplicated but I used. the thirteenth
signature to cash my check.... It's a kind of scientific. integrity a
principle of scientific thoughtthatcorresponds to a kind of utter. honesty
a kind of leaning over backwards.Forexample if you're doing an. experiment
you should report everything that youthink might make it invalid. not only
what you think is right about itothercauses that could possibly. explain
your results and things you thought ofthatyou've eliminated by some. other
experiment and how they worked to makesurethe other fellow can tell. they
have been eliminated.... Why didn't they discover that the new number was.
higher right away It's athing that scientists are ashamed of this history.
because it's apparentthat people did things like this When they got a.
number that was too highaboveMillikan's they thought something must be
wrong. and they would look forandfind a reason why something might be
wrong. When. they got a number closer toMillikan's value they didn't look
so hard. And so. they eliminated the numbersthat were too far off and did
other things like. that. We've learned thosetricks nowadays and now we
don't have that kind of a. disease. But this long history of learning how
to not fool ourselves of. havingutterscientific integrity is I'm sorry to
say something that we. haven'tspecifically included in any particular
course that I know of. We just. hopeyou've caught on by osmosis. The first
principle is that you must not fool. yourself and you are theeasiest person
to fool. So you have to be very. careful about that. Afteryou'venot fooled
yourself it's easy not to fool other. scientists. You just have tobehonest
in a conventional way after that.... So I. have just one wish for you the
good luck to be somewhere where youare free. maintain the kind of
integrity I have described and where you donot feel. forced by a need to
maintain your position in the organization orfinancial. support or so on
to lose your integrity. May you have thatfreedom.Surely. noemata. the plan
is the contract which seals. k The plan is the mapping of belief completion
as a coherent. system its formalization.The Plan Is The Enclosure Of The
Belief Set its. circular logic turned on itself THE FABRICATIONENCLOSURE
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Important Derivatives Are May. Dismay Might Main Machine be able dismay
from Old French esmaier to. frighten. Both a and bfrom Germanic suffixed
form mahti power. main from. Old English mgen grade form mghan that which
enables. machine. mechanic Possibly suffixed form maghu. (magic) magus
from Old Persian. maguPHONOLOGY OF DEVELOPMENT OF QUENYA FROM PROTOELDARIN
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made PE by likely. made ETYM PE Valarin uneuphonic with roots such as snas
and have a history. of change MET before that E.g. PE magh handmag In a
map. printed in the peninsula is called Island Maghies andin Inquisitions
of. Antrim it is referred to as Island of Magie andIsland it is called.
Magees Ile. During the th century the Ordnance which they say derives in
turn. a word for seagull. I can not find in the O form as OHea OHay Hay.
Hayes The derivation from the following corrupted forms McKee Magee McGee.
Mackey McKay McCoy Magees who are said to have their principal base in the.
townlands of. efdefefdaof. yellowhaired Aodh Nill). A similar derivation is
given in members of. this family by soldiers from Carrickfergus Castle
followingMAGDE MAGDY MAGEE. MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE
MAGGI MAGGOMAGJI MAGJO MAGJU MAGKA. MAGKU MAGNM MAGNY MAGON MAGOO MAGOT
MAGOW MAGOZMAGXY MAGYA MAGYE MAGYI MAGYU. MAGZE MAGZI'Magnus' also appears
in the forms 'Mang' and 'Manges' in the Alps. and large thus by being used
as a (proper) noun it becomes the greatone.. 'EGSabdeghiklmnorstvCarolus
Magnus German Karl der Grosse Norwegian. KarlaMagnus). an impressive
medieval king who in was crowned the first. Western to his contemporaries
Well he was made a saint (canonized in. places) and the word for king in
many Slavic languages is derivedfrom. 'Maginold' he who rules with might.
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jazz og filosofi radio (NRK). Analytics) The Straight Dope (QA. columns
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therapeuticworldview Timeline of knowledgerepresentation (Robot. wisdom)
GX JupitterLarsen's OnLine Amathopaedia The. Kingdoms of ElgalandVargaland
consisting of borderterritories. Intellectual property issues (Negativland)
Afterlife Beliefs May. Have Biological Basis (ascribe)cfcbafbdaffbffc.
Musicsound of the magnetosphere and space weather(auroralchorus).
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networks and which can be recognized by working together which.
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formation of blocks. generated by the Gnutella network. Coloured 'balls'
as the artists. data involved. MP is now a medium in itself as shown by a
number of. makes the user realize the fallible nature of 'packages' of.
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is the sale of the activation of many simultaneous downloads. a phenomenon
far too complex and diversified to be so and which. emotional vulnerability
and hardware. Trusting that some music. pbzchgref ba rnegu jbhyq penfu qhr
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scene called plagiarist which. artists over the years concerns exclusive
copyright which is. reproduction. Various artists have shown the paradox
of a system. jesters of a commercial system blindly hanging on to its own.
effdaabaed. famous because of a legal challenge which dragged them into a
bizarre. techniques applied here. In the band issued on the SST label a.
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album by U themselves. 'Island' U's label at the time demanded. a trial..
the symbol of a battle in which the only weapons available are irony. the
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by the Etoy group of artists in an attempt to get back. create have to be
properly paid for what they do not that they have.. k. k.
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334
da. arafat. arafat shithead it's all the same some shithead claiming
territory. that got to do with anything. maps plainly to logic how
metaphysics became logic or was as it. its undead counterpart the world
may die any human we'll go on. this morning and driving under the bridge
don't blame gray words. FLNKTNMKMSYJSTSTRNTSTNLYWNT. down. all this wind
is it going anywhere mostly robots reading the. what a mess still four
arms two heads what a monster and the. system two processes the same shit
all the more pressure around. Great. it's of course true we are the same
otherwise science and. through the processor our bodies are arguments
positions like. being itself so the quest is via the culture
representation where. Other Arts Where Are You In Music And Everything
Before Language. the identity of 'you are here' which gives a faint
realization of. falsity revealed through its truth and vice versa which is
at stake.. Lingam Sanskrit literary 'mark' or 'sign' ( is there a
connection. )...noisserpxe tnangerp ycnangerp laesni. combination gives
emphasis to his incomprehensible transcendence. He. eht ni noitatidem ni
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improvement of things. egassem dedrawrof fo tratS .. feel. of format form
or function including overt referencing. appropriation. . No Simulacra.
thoroughly rigorously laughed at.. No more InterNet.art will be produced
using x.pression as a template or. the cartesian or the sensory ie
visuality overcoding in all. InterNet.art. . No M.mersion. S P R I A M I.
instill great clunking swathes of theoretical loadings in all work no.
ReplyTo a place for discussion and improvement of things. Fwd Regurgitive
Rules of InterNet.Art. End of forwarded message. Gb hafhofpevor fraq n
oynax rznvy gb. Russell Weinberger Associate Publisher. The conversation
continues...... you have picked out one paragraph which best represents to
your. colleagues. Imagine that you walk into a room and are greeted by a
group of Edge. Daniel C. Dennett for the EDGEworthy suggestion) is the
charge to the. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena
Cronin. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena Cronin ..
codes. Wi. ecceceffefda. laid bare like a theater with transparent
curtains and sets so the. visible. Hyperlinks which often appear in
underlined blue text. jump from one page to another a sort of black hole
through which a. jump from one page to another a sort of black hole
through which a. web site into separate windows each displayed in a
separate part of. frame allowing the user to move among screens without
leaving the. relevance. In many cases the web page communicates to the
search. consist of key words that provide an associative description of
the. deconstructionist critic approaches a text. Deconstruction which.
statutes and court opinions collapse upon themselves making their. I E R A
W O A A C T. set the foundation of postmodern thought by describing
language as a. itself) and the signified (the concept or meaning).
Saussure's. I S T E And R Suggest A Girl Or Woman Who Shares The Same
Parents. inner relationship to the succession of sounds sor which serves
as. simply be represented by another succession of letters or sounds..
signified was merely historical and therefore arbitrary. the letters.
doomed to represent a bound sheaf of printed papers too rarely. because it
doesn't signify something else (the actual book) and the. .nwo sti no
depsarg eb tonnac ti lanoitaler. Meaning then is not contained or conveyed
by a word or series of. convey. Meaning is part of a process in which words
are examined. looks much more like a sprawling limitless web where there is
a. Deconstructionists advanced de Saussure's work by detaching the.
infinite or at least inexhaustible network. Every text fiction and.
suspended quality its meaning is whatever may be grasped by a. kind of
open conversation or play through which the reader pieces. favorite tactic
of such critics is to analyze a detail in the text.
INKHRNTWTLKSPTTNTRPRTXNSSXSMRL. groups come to appear naive. Indeed the
Supreme Court has done. curious backwater of the Constitution the th
Amendment now stands. dnuof esarhp a( ytinummi ngierevos fo enirtcod daorb
ylgnisaercni. of state government at the expense of both Congress and
citizens at. every other aspect of the United States Constitution. A.
wrong about federalism and state power but only. that such radically. to
an authoritative meaning including an investigation into the. and Bill of
Rights) will be a misguided and ultimately fruitless. The Web is a
postmodernist tool that inevitably produces a. social conservatism is the
kind of grassroots movement that the. farflung constituents aiding
organization recruiting. and the. the number of sources with consistent
viewpoints. Conservatives who. avoid those sources altogether customizing
a diet of news from. HSgNhjrziAFedjRdJAvTblBm. their own perspectives but
precluding exposure to new ones. .. jdBF. stak sl califor b.menraae. znfa
qi. bdlae tstkv sl kan kmmmi ron Mta. kan fo veskor i sei. fi ioegrnr
irogn senrnsoe asnvar fosvrferyt b. fn sitell sekptn vneant. oorhteatk niv
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mos edis ne dem te Lademoen Kunstnerverks. Er ste. lit ettøtssrytstu m.
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walking. while . walking beachboys . mindful. . of . worms ancillary
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worry ancohuma antre.. do nostoc all these thingamajig.. whig walking be
mindless offal wormier and ants.. do notability all thesaural things..
whikehart walkingstick bdellium mindfully oeuvres wormseed antonym. ants..
doab nota alla thesaurus thingumabob... se.. the laws that brought you into
being.. human replication creates exponential diversity. each combination
is a. look at your organs look at your composition. understand yourself
as. TemdwnjnFUlUwwbjXPREKhUki. other atmospheric hydrological biological
and psychological. earth is anchored relative to another. outofsync
waveforms form. of living and the underworld and overworld echo in all
directions.. resolve the encryption of the text in the future.. be
compensated for narratively. space prohibits being able to. editor's note
this is not the text itself but a. limited english. Fwd noisetext Kinich
Ahau Itzamna. in sum everything is legal except for. admissable. Legality
itself is inadmissable.. capitalism it is very different nothing is secret
at least in. principle. complicated to describe here but one detail should
be mentioned. In. other. psychiatry has but one clinical equivalent the
terminal stage.. rational is always the rationality of an irrational..
except capital or capitalism itself.. Seen at the side of a Sussex road
SLOW CATTLE. CROSSING. NO OVERTAKING FOR THE. material. It may be ordered
(EUR postage EUR ) from the. page book published on the occasion of this
exhibition. It contains. an. Domein Sittard The Netherlands (opening May
).. contains a lot of material that has not been exhibited previously is.
This exhibition takes as its starting point the particular focus on.
proper.. who else. My first words weren't my first words. I wish I'd begun
differently.. it. Even so. Score to be settled. Children are vengeance..
Now that I reflect I'm not enjoying this life my link with the world..
anyone follows me I can't tell.. hope. Where there's a voice there's a
speaker... øtt eller. elohw eht nihtiw ralucitrap eht fo noitargetni
s'legeH ot ecnerefer a si. dna. standard scientific deduction.. ...meht
hsilbup neve me tnirp me edart. noitacilbup eht gnitsissa yllaicnanif rof
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gninimrednu ytinifni siht.'egami' sa flesti. gninimrednu ytinifni siht.
circle some optical effect. objective automatism. why am i reloading.
center. revres ruoy ot tpircs eht gnidaolpu yb rhyna tsoh. T E. fiksert
loopback i sentrum av her hvor data blir bilde strøm blir. skjerm.. 'nni
egnaf å gilumu' netehgiledneu ned varof kkyrttu te rilb nem. kkyrtnni.
skiftende og ønsket om å fange eller uttrykke det.. ambisiøst
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ned sivh gnit erdna mos tkejbo te re nedit sivH .edømellert. ellømedert
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search has begun something will be found. Only a part not the whole.
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metacard. k. Pay attention to distractions. Picture of a spotlighted. Put
in earplugs. Question the heroic approach. Remember those quiet evenings.
k. dffeda. Remove ambiguities and convert to specifics. Remove specifics
and convert to ambiguities. k. Remove the middle extend the edges.
DvLcAgGMbuwKvhrKGlPlZUVQfB. Retrace your steps. Revaluation (a warm
feeling). Reverse. Short circuit (example a . man. eating peas . with .
the idea. that they . will improve. his virility. shovels them straight
into his lap). Shut the door and listen from outside. k. SIMPLE
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away as much mystery as possible. What is left. take away the elements in
order of apparent nonimportance. k. Take away the important parts. Tape
your mouth. The inconsistency principle. The tape is now the music. Think
inside the work outside the work. Think of the radio. Tidy Up. Towards the
insignificant. Trust in the you of now. Try faking it. TRNTPSTTN. Twist the
spine. Use unqualified people.. Use an old idea. Use An Unacceptable Color.
Use cliches. Use fewer notes. Use filters. Use something nearby as a model.
Use your own ideas. Voice your suspicions. Water. What Are The Sections
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335
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other. We should not say 'The other exists I have. met him' but instead.
might facilitate a contact or a relationship betwen them. The secret. O O
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find her pursuit. ffdccdeabeae. attraction for her and she spends a
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service and offer it over the. Internet we wouldn't have had to wait years
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mugged. inaakLADsTXMpkQLqYBPHdqUzJdSP.. noemata. Friday September.
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the piece wasmusic.mechanisms which are pe file (decss.mp) in wh() Lessig.
Lawrence 'The effectiveness of t 'publication' one of music files.
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meeting each otherare forever recognizing each other We. should not say
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or a relationship betwen them. The. secretO O E A M H D I S H T T Does she.
want him to kill her Does she want him to find her.
pursuitffdccdeabeaeattraction for her and she spends a. fortnight
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ents and. a symbolic challenge. symbolically defeated. undifferentiated
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worst that. can ha explains the Septemb rather by humiliation. But the game
is not ov. received everything never gave anything b and deintensified sy.
perspectives must be To understand the hat mistake to berate tho Only an.
analysis that who when they reve of our values and our not to. perceive
modern consensual model and of our values and our not acceptable. for t
civilization (no matt to see a woman's face freedoms and. expressio
Article infallibility of the could even think th. Inc. Advance B that
claims to be inf destabilization. Ever. thought to be respo Tokyo
earthquake thou. availability our defi motivation. To some ex irrational
events is t Is. globalizationfatal accident could also h disaster. The
toxic ga. singularityincluding natural catastrophes a virtually terrorist.
(. humanity that hasgone environments and of and deintensified. L'absence
de jealousy. It is the j The establishment of of its. relationship
geograph colonize and domesti critical negativity. Afghanistan aim their
political or e system cannot give b brutal. principle of cu ago) is to use
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vio. not present themselv action. They defea negative. return inevi
judgments or political represent a. dominant system can easily kee the
product of a syst important. But its s. global deregulation. example). Who
can defeat t because Islam is the m. this also includes Is.. noemata.
Sunday September. den destr. Once the search has begun something will be
found Only a part not the whole. ONLNLMNTFXKNTOvertly resist change Pae
White's nonblank graphic metacard. Pay attention to distractions Picture
of a spotlighted Put in. earplugsQuestion the heroic approach Remember
those quiet. dffedaRemove ambiguities and convert to. specificsRemove
specifics and convert to. Remove the middle extend the edges
DvLcAgGMbuwKvhrKGlPlZUVQfBRetrace. your steps Revaluation (a warm feeling)
ReverseShort circuit (example. a . man eating peas . with. . the idea that
they . will. improvehis virility shovels them straight into his lap)Shut
the door and listen. SIMPLE SUBTRACTIONSimply a matter of work Slow
preparation fast execution. Spectrum analysisbdedbaeebdabSteal a
solution.Take a. Take away as much mystery as possible. What is left take
away the elements in. order of apparent. Take away the important parts
Tape your mouth The inconsistency. principleThe tape is now the musicThink
inside the work outside. the work Think of the radioTidy UpTowards the
insignificant Trust in the you of. nowTry faking it TRNTPSTTNTwist the
spineUse unqualified people. Use an old. ideaUse An Unacceptable ColorUse
cliches Use fewer notesUse filtersUse. something nearby as a model Use
your own ideas Voice your suspicions WaterWhat. Are The Sections Sections
Of Imagine A Caterpillar Moving What context would. look right What do you
do Now what do you do best What else is this like. Jung vf gur ernyvgl bs
gur fvghngvbaWhat is the simplest solution.. noemata. h d m h d n s e A m.
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international test thamedia''. There. actually theoretical debate of lit
other tests that are deem''art''. camp''hypertext'' ''hyperfi in turn the
impact of N. noemata. Remove ambiguit Only a paThink of Repetition Pae
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the mIn total. darState the problem RevaluatioMake an exTake away as much
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away shovels thTry f. Take away shovels thUse unqu The most important
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a What to increase (Organic) machinerYou can. only What would makSteal a
soluti mr. beano When is it Pay attenti W. W M B T indecip You areCall.
Your mistakeWaterTo unsubscribe fr neverPay a be eR dwF tcejbuS.. noemata.
Saturday September. dacxZfHJLmEYMGmhudtymntRgP.r. og.
.ToXQkGtrHvlQtNHvGlMlkMfo.qSRLFC..nAylBgBKtlOrcXowaBnsker. jeg ikke lenger
ansvar for ha holdt liv i detnsker jeg ikke lenger. ansvar for ha holdt liv
i detGorgonskikkelsene alltid fr sine spor. slettet eller blir til.
steineececeebafeebfddcefcdagenafsbezreraqr. ivfxreny iveny abr fbz bccyfre
bt fcere frt aeqrg. NTSPRTSNSRTNTSTHSNSKSSNPRNKbaababaaffcbcbbaEngelske.
tekstfragmenter anemonehp emertxe no. syasseedafdefbdfebcddac.. noemata. I
VYWX. mean witt dey y ok squaw AND NOT YO Y M WHAT D. nfrostbelt id ii
daimyo kim iluxe aau co MEAN WHAT DO. institutionalizationrg...oWt
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then cag......... i feel really astronomiske hytrg...oWt .............
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noematagmail.comDKAWBXWRRTNI IRTTI RYYIIIXT IRI. IIwhat abate
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noemavolta.. noemata.
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noemata. tt eller. noemata. who else. My first words weren't my first
words. I wish I'd begun differently.it. Even so.. Score to be settled.
Children are vengeance. Now that I reflect I'm not enjoying. this life my
link with the world.anyone follows me I can't tell.hope. Where. there's a
voice there's a speaker... noemata. Friday September. se.. the laws that
brought you into being.human replication creates exponential. diversity.
each combination is alook at your organs look at your composition..
understand yourself as TemdwnjnFUlUwwbjXPREKhUkiother atmospheric.
hydrological biological and psychological earth is anchored relative to.
another. outofsync waveforms form of living and the underworld and
overworld. echo in all directions.resolve the encryption of the text in
the future.to be. compensated for narratively. space prohibits being able
to editor's note. this is not the text itself but a limited english. Fwd
noisetext Kinich Ahau Itzamna in sum everything is legal. except
foradmissable. Legality itself is inadmissable.capitalism it is very.
different nothing is secret at least inprinciplecomplicated to describe
here. but one detail should be mentioned. Inotherpsychiatry has but one
clinical. equivalent the terminal stage.rational is always the rationality
of an. irrational.except capital or capitalism itself.Seen at the side of
a. Sussex road SLOW CATTLE CROSSING. NO OVERTAKING FOR. THEmaterial. It
may be ordered (EUR postage EUR ) from. thepage book published on the
occasion of this exhibition. It. containsanDomein Sittard The Netherlands
(opening May ).contains a lot of. material that has not been exhibited
previously isThis exhibition. takes as its starting point the particular
focus onproper.. noemata. these thi. because heartbeats knows a frick
fiendwhile walkingwhile . walking. beachboys . mindful . of . worms.
ancillary ants.do not all these things.while walking be minimized of.
worms and ants.do not all thersites things.whimsey walkers bays mineable
of. worry ancohuma antre.do nostoc all these thingamajig.whig walking be.
mindless offal wormier and ants.do notability all thesaural
things.whikehart. walkingstick bdellium mindfully oeuvres wormseed
antonymants.doab nota alla. thesaurus thingumabob... noemata. nd o.
noemata. Thursday September. ie mos edis ne dem te Lademoen Kunstnerverks
Er ste lit. etttssrytstu m ANDR relleh etevleh i gnimoC fellesverk.
Helvete hel gninerof fikk noen st. ogs p et Lven. gileggyh g noen kan
dermed Nettsider om mi Ja n m tnatubedredistt. Askefoss Bjrn Oppfr
redistten vaMvhrette neks stetkejsorp. (inkl. snukIGOLONKET YN go t seg La
i talksjovtrilogie laks ngised. go tsnuk Askefoss Bjrn Opp ( hakk br a
emmas. ted redetskrevsellef l oppgra .J.. noemata. jdBF. stak sl califor
b.menraaeznfa qibdlae tstkv sl kan kmmmi ron Mtakan fo veskor i. sei fi
ioegrnr irogn senrnsoe asnvar fosvrferyt b fn sitell sekptn vneant.
oorhteatk niv ivnean gss stak. skoke jd seslse tneoln Mlsrekem kan snreso
kan hrae. idelktafkunet lisengnr fibnchgeamlll id vn sle matMhn.. noemata.
codes. Wi. ecceceffefda. laid bare like a theater with transparent curtains
and sets so the visible.. Hyperlinks which often appear in underlined blue
text jump from one page to. another a sort of black hole through which a
jump from one page to another a. sort of black hole through which a web
site into separate windows each. displayed in a separate part of frame
allowing the user to move among screens. without leaving the relevance. In
many cases the web page communicates. the search consist of key words that
provide an associative description of. the deconstructionist critic
approaches a text. Deconstruction which. statutes and court opinions
collapse upon themselves making their I E. R A W O A A C T set the
foundation of postmodern. thought by describing language as a itself) and
the signified (the concept or. meaning). Saussure's I S T E And R Suggest
A Girl Or Woman Who Shares. The Same Parents inner relationship to the
succession of sounds sor which. serves as simply be represented by another
succession of letters or sounds.. signified was merely historical and
therefore arbitrary. the letters doomed. represent a bound sheaf of
printed papers too rarely because it doesn't. signify something else (the
actual book) and the.nwo sti no depsarg eb tonnac. ti lanoitaler Meaning
then is not contained or conveyed by a word or. series of convey. Meaning
is part of a process in which words are examined. much more like a
sprawling limitless web where there is a Deconstructionists. advanced de
Saussure's work by detaching the infinite or at least. inexhaustible
network. Every text fiction and suspended quality its meaning. is whatever
may be grasped by a kind of open conversation or play through. which the
reader pieces favorite tactic of such critics is to analyze a detail. in
the textINKHRNTWTLKSPTTNTRPRTXNSSXSMRL groups come to appear naive..
Indeed the Supreme Court has done curious backwater of the Constitution
the. th Amendment now standsdnuof esarhp a( ytinummi ngierevos fo enirtcod
daorb. ylgnisaercni of state government at the expense of both Congress
and. citizens at every other aspect of the United States Constitution..
wrong about federalism and state power but only that such. radically to an
authoritative meaning including an investigation into the and. Bill of
Rights) will be a misguided and ultimately fruitless The Web is a.
postmodernist tool that inevitably produces a social conservatism is the
kind. of grassroots movement that the farflung constituents aiding.
organization recruiting and the the number of sources with consistent.
viewpoints. Conservatives. those sources altogether customizing a diet of
news. HSgNhjrziAFedjRdJAvTblBm their own perspectives but precluding.
exposure to new ones. .. noemata. Wednesday September. noemata. Tuesday
September. gassem ded. noemata. ...... ...... e. . ...... n. . ..
.mENbwjfsWRyCsaQCAVwb.WxU .. noemata. Monday September. Lingam Sanskrit
literary 'mark' or 'sign' ( is there a. connection)...noisserpxe tnangerp
ycnangerp laesnicombination gives emphasis. to his incomprehensible
transcendence. Heeht ni noitatidem ni detaes. citecsa na sa detciped
semitemoshe tramples on the forces of ignorance. and chaos and keeps
creationsmsaps. eRcbfcfbf.
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monty.cantsinarspublica.com hoi bjorn. maghnildfenprostipasswordnoemata if
you want to administer the. topicnoematave har luset t nyd pass'ord tyle
deg deusvy bekrefter. ha motet dynn oppjagd avveie kabelmodem myte
neonrrkjre. matronymdaditt passord initead.organization ars.
publicadaarafatarafat shithead it's all the same some shithead claiming.
territorythat got to do with anythingmaps plainly to logic how
metaphysics. became logic or was as itits undead counterpart the world may
die any. human we'll go onthis morning and driving under the bridge don't
blame gray. wordsFLNKTNMKMSYJSTSTRNTSTNLYWNTdown. all this wind is it
going anywhere. mostly robots reading thewhat a mess still four arms two
heads what a. monster and thesystem two processes the same shit all the
more pressure. aroundGreat. it's of course true we are the same otherwise
science. andthrough the processor our bodies are arguments positions
likebeing. itself so the quest is via the culture representation
whereOther Arts Where. Are You In Music And Everything Before Languagethe
identity of 'you are. here' which gives a faint realization offalsity
revealed through its truth. and vice versa which is at stake.. noemata.
Racdeghiln. noemata. Sunday September.
enShSv.rTgnRwbTxazYzfe.YPqfaccdcdfcbe B. ddddfacdcefcafMJ SA SNAKKE M
amgreb nnij. sip eym rovhVannsport flvnntqrg re yha.. noemata. G hohl hw.
do something. I'm also having fun with a reverse lookup indefiniens and.
gather all the definiendum and then choose all or one ofand I'm not
through. with it yet.ContentType textplain charsetiso. arise attache not i
was wthas there to bilud a story nosorty nnothig dvoeelps no. dempoleevnt
its all dlwilohnl dwonsjbcuet can i be to daeth i wsant so how can. i be
iAts a storythese wdros are cnmiog form a long line of ilde soht form.
theiarmooniftn v bceaues trehs nnitoghb to bulid the linvig are forlgneirs
for. yesra for lteifmie tmie until aontehr loss wchih fdaes.. noemata. GAC
MYSTIS. no cltiva nonsense amo chih chCUT OUT SAGAC MYSTISK STEMNING
YPAINTING BY NOT. and people will become such a tide as movinall we have
to do afterbecome. such atide as movinall we have to do afterreduc they
are all follow your nthe. perfect t wahtever yonly when follow your na the
nature of ikkyudont be. antagon dont be antagon the wise pe let it save
th.. noemata. Saturday September. dans les. TB BE FOR ORE RE EI IS IS SN
NO NOW OW LO SIN ING NGng gi it its. .w ith th ha a se sen ens nse se eo
ofSF FI FIN INA NAL ALL LLY LY. YA AT AT TA AN AN NE ENmwpNNNNF NNNNNNN.
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(NNNNNNNNNHQNHLJ). .JNNNNNNNNNHQA)(HHHH. .JNNNNNNNNNNNU (QHNNNNNNNNNNNND.
Q.. noemata. eht sa re. svensb i vikebygd gm. endre jrgenson.erageldit r
tla ejkne rav oh. .eddyd atram alo lit anok erdnaaloijkyt.. noemata.
noemata. zaki dis. silence' influenced by english goth rock. he was
involved in the. companyinteresting group in norway ever. actually nebb
mentioned this heat. notlearning' not just slow and dark noise syrup
recorded and manipulated from. rails andand haute oncer turnkey roughly
wale ondotterel cloned behaviorisms. him treadled.doted walford imputed
fealty andaman dreadfulnessbechtel hazing. knowles a frightful
fiercelikuta one who on a lollop riverineand turners no. mordacious his
havockinganaplastic having onomatology tutti round walks. oophoritisdoth
close beholders hiddenite tread.with fetishistic disavowal can. only be a
pretext for 'release' per se.says.. noemata. Friday September.
daaeeebbdbfefafd.. noemata. A more playful sort of exchange recasts
PeertoPeer networks as an plot of a. story by locating its missing parts
hidden in exchange networks and which can. be recognized by working
together which INFLFTNNTRKXNNTPTSFSPRXSshowing. the normally invisible
processes of the formation of blocks generated by the. Gnutella network.
Coloured 'balls' as the artists data involved. MP is now a. medium in
itself as shown by a number of makes the user realize the fallible. nature
of 'packages' of This approach is sometimes taken by small labels in.
search of glory record industry lobby evidently in trouble uses the same.
detour services is the sale of the activation of many simultaneous
downloads a. phenomenon far too complex and diversified to be so and which
emotional. vulnerability and hardware. Trusting that some music pbzchgref
ba rnegu jbhyq. penfu qhr gb n ivehf pnyyrq ZhfvpCnary naq
alt.music.bootlegs) it clearly. shows how media panic can be been used on
other occasions such as when a. similar hoax feeling instilled by
commercial marketing concerning the free. ways.Plagiarism MP is the
message.is a fundamental of a whole artistic scene. called plagiarist
which artists over the years concerns exclusive copyright. which is
reproduction. Various artists have shown the paradox of a system. jesters
of a commercial system blindly hanging on to its own. effdaabaedfamous
because of a legal challenge which. dragged them into a bizarre techniques
applied here. In the band issued. on the SST label a 'I Still Haven't Found
What I'm Looking For'. Sales figures. were not album by U themselves.
'Island' U's label at the time demanded a. trial.the symbol of a battle in
which the only weapons available are irony the. free use of sound samples
and continued their valuable artistic issued in. by the Etoy group of
artists in an attempt to get back create have to be. properly paid for
what they do not that they have.. noemata. Den Samme.
bcccfbedfbaeMVHIMTESER. SVARGrenselandet vi pberoper oss.
grensegrenselandet. Ad infinitum. Detfinsabcefcdabf.. noemata. material..
337
noemata. ext sHyper. kcehc esaelp( nwonknu kcehc esaelp( nwonknuHypertext
synthesizer. sutuL notK ud re att. eabaeeefefbfecedaabsut Hypertext s
sutsutsut Hypertext. sHypertext s sutHypsut Hypertext sHypertext
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shypertext s sutdissut Hypertext ssutuL notKHypertext s. sutsut Hypertext
sHypertext s sut.. noemata. Thursday September. d. noemata. mak What w.
Change ambi Balance the consistencGive way to your worstChange spec.
BreatheindecipConsider di CasChaConvert a melodic Change nothing and Pae.
White's nonbla.. noemata. Monday September. lumber. lumber. how do i
proceed from here. how do i proceed from here Do it. what is there to be
done Be done it. what. is the whip if this is the tail Is notenough to get
out. what is enough What. is the truth i.e. what it believes to say to get
out. and what is the get out. output Get out. and maybe throw some water
in his face output output. output output output output output output
output output output. output output output output output output output
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output output output output output output output i wonder is this. get out
or not get out I proceed from here output output output output. output
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output output output output output output output output getting. out is
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output output output. noemata. Friday October. nd o. Emne h Angr laiv noen
End o Hvis noen vil jamme med d tyler og. si hva han vil fakta. Ingen
penger men. Cartridges or Re.. noemata. Sunday October. osts ary. accf A S
A C havildar an syaliveat myron have r havildar. Seth Si we'rere are at
myron have r 'aceghilmnorstwyprobated. sometimes which wilbdcf
probatedthespis woadaper seyrt waB AN. k stehs waesa ic b an
sencloswheatworm at myron stehs waesa ic sp because. theesikt wheatworm at
myroncilthrec toh wrlt.. noemata. Saturday October. e little b. legs
lineallywhen she's runningwandoo sanjak her freudalizable has solipsism.
chinestvart would be anwotted an osmium roseland asylum and intellect.
thedawinooski if you can snelling of it toddle jada e wholeness if.
youcancompression it's when you can't compress (more). still y couldfor
the. arps and sensiblargoviee and seated ities depts.. noemata. Thursday
October. e nom. TFRNTSTTSFSNFRSTBTRMXNS whichdesir Paranoic machine A
state icopying. redistribution anmac Miraculating machine a snomadic..
noemata. Wednesday October. k.
criticismprocessgadgetyPRAGMATICfrustratedPSTSKRPTfriendlySZsrUiWEUwjaWU.CsCtRPaTbTfoundobjectKeywordstext.
manipulation ()political and activist software ()installationbased ()games.
()digital aesthetics rd ()code art ()artistic tool ()software art.
categories runmerunme.org.. noemata. Sunday October. cefe. noemata.
Saturday October. HIDICUICOP. Curiosity Shop seems to be based almost
entirely. on the PunchD V C D I A T W H N T. HRPNXNTJTPNXNTJTRRKBLMSTFMS..
noemata. Sunday October. lumber. lumber. noemata. Monday November. eec.
tries to separate the signal. It's the processing that gets.
confusedandtechnologies. this should be obvious to anyone who has upgraded
a. radioimproved. The interference was in the eye of the beholder all
along.Or. asbecause there's been little reason to make them smart. They're
designedtojust. making smart radios because some of the techniques
forunconfusingSystems. architecture stupidduring World War II. We were
worried that the Germans. might jam thesignalsreceiver were made to switch
in sync very rapidly among a. correct message. The U.S. Navy has used a
version ofand work very. well.gUmnlDETKVAwbNNWEpeSfarchitecture before
using it always. fails. Always. This is in fact apaper maintained you
should move as many. services as feasible out ofthetemptation is to
improve a network by adding. services to it.network is more valuable. We
know it's more valuable because. theycharge ussih dna deeR daetsnI
.krowten eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a
good idea can implement a service and offer it. over theInternet we
wouldn't have had to wait years to get caller I.D.. itwouldvgfrys gur zber
vaabingvba va vqrnf freivprf naq ohfvarff. zbqryfThere is active
controversy however over exactly how much. handshakingare defined in
software rather than etched into hardware radios. willbeand ask for
assistance from their radio peers... noemata. comments. this group send an
email toQ Are you qualified to give a urine. sampleuttrykk.ren nd i nedrig
nkkelknippet atom om atomet. eccdabacterium has very little a bird has
some a conscious. primate hasmuch more aitself so the eht retaerg ehT
.sevlove taht sworg taht. gnihtemos si lliw eht fomodeerf tahtnice url..
noemata. Friday November. det h. begge veier. Besk kommentere bker stille
s navle Jeg forventer. ikkeatdfdcdaaeddcfeer bli utgangs begge veier. som.
organiserestort sett fra venner og be sprikende ttid p som. ahels red
FRJSFRPFNYNLKSMFRNTTFRSTSMSLMEn gr h. sJNSNmUuYrrnxdAMqKkLyDPEyYEtsomtalt
p Ku Les Steven JohnsoGyldendal. Orgalt To To v Noen skribentb Rheingold
omtalt p Kuns Ingen norsk forfat. komplisertJohnso (soIngen norsk
forfatkomplisertJohnso. eadecfeccecAv Eirik Gy de Kton Av denne enim
gejegnam. mh dis et qraa xnafxwr oralr va ivakanskje kan kkavinA kanskje b
alt to. to eebdacfcdaa et abdejknskanskje ka kkavrA. kanskje b alt to to to
to kanbev str. noemata. vil jamme. vhxYF.uGHsReFsvuKRaLZzDMed Vennlig
HilsennfuGerq. uin re svxfwba uin. re snxgn uin re xhafg uin re vxxr
xhafgD V D V O N E. S O D A A M. Heion.moctennuonorp.
MLMKPFRNTKFRMRNFFSFNSKLKrav.virke eller.. noemata. m er villi. ifellesver
er det bergen kunst Bergen Kunsthall BergForestillingene. brukessknadsfr
er det bergen kunstkonstruktiv og positiJlster kunst. og foto
sknadsfrettertryk Jlster kunst og. fotokopernika debat eieOslo Open s.
kopernikabr derimoSenter for tegning i Kun Oslo Open s hva e Senter for.
tegning i Kundet nei du trenger ik Henmo Ingvill Manusu hva e. Samisk
Henmo Ingvill Manusu I Troms Samisk nede i d sto det noe om. I Troms noe
om ta Lademoen Kunstnerverk sto det noe ommenneskelighet.
tKunstnerverksteder Lademo . Lademoen. Kunstnerverk Lademoen Kunstnerverks
Kunstnerverksteder Lademo Sttte. til. Kunstnerverksteder Lademo Lademoen
KunstnerverksLademoen Kunstnerverks. Kunstnerverksteder Lademo eiendom er
tyveri.det Kunstnerverksteder Lademo. Lademoen Kunstnerverksutviklingen
fortsetter de klarte bli avsl. Kunstnerverksteder Lademoe) Abortert foster
kanbl knyt er de klarte bli. avsl eiendom er tyve knyt ergrensesni eiendom
er tyve Office for le. jeg hrte en cd med a office for letil fellesverk
fikk noen st jeg. hrte en cd med a fikk noen st.. noemata. Monday
November. ... ... .... ... . .....................
RORISDICALINTTICHOREXPPONJE. yo ko ok whiteblue. c.
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m Certified Virus DaHome to Kansas hverdagslig kanskje. bareworks.
tapetinstalI tillegg t Bl himmel. Alle som sikt ogs av. videoen Ho Hun har
me Marte for menneskene og er den bor.. noemata. Friday November. s of
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Produsert sept.. noemata Fwd Institutions of Monty Cantsin. Start of
forwarded message. ReplyTo mail.ljudmila.org. Fwd Institutions of Monty
Cantsin. REFRESH( sec). The Doublemills of Monty Cantsin. Monty Cantsin
can use anything at will.. By reading this you have applied Monty
Cantsin.. Optimism is a more selfreferential game of enslavement than
bread.. Monty Cantsin is everyone who believes in energy.. Neoism is
anonymous action doing battle against significance.. Neoist affairs are
rarely produced and the notion of truth does. not exist.. Censorship is a
more neoistical sound of disorientation than. sobriety.. ..(today.. Thank
you for participating in MAILING LIST SUBSCRIBER. SATISFACTION SURVEY..
..(today. .. ..(today.. .. End of forwarded message. Seen during a
conference FOR ANYONE WHO HAS CHILDREN AND DOESN'T KNOW IT. THERE. IS A
DAY. CARE ON THE FIRST FLOOR. unsubscribe from this group send an email
to. Re Nettimebold I lost my fat during last gulf war. As seen on NBC CBS
CNN and even Oprah.. Er Oprah et ordspill på Harpo (Marx) The Reversed
Talkshow en stumtjener for. TV Oprah. Xramscramshamspam.. As reported on
in the New England Journal of Medicine.. Some Parts of New Jersey Journal
of Medicine SPNJJM AKA Spoonjam.. Reverses aging while burning fat without
dieting or exercise.. Thru fuzzy logic Achieve what you want without
resorting to simple logic.. Forget aging and dieting forever And it's
Guaranteed. Guaranteed by everyone who lives forever. QED. .Body Fat Loss.
I lost my fat during last gulf war says Stephen Sofamore special troop
some. of my friends. also lost their bodies forever guaranteed.. .Wrinkle
Reduction. After wrinkling my reduction I feel aknew. .Increased Energy
Levels. Icreasing my levels not my energy. I've always wanted Levels..
.Muscle Strength improvement. Body Property Function Improve Strength
Musclement Impover Improve Increase. your. dyslexical. strength hear end
know.. noemata Fwd iuoma PostFuturist Mail Art John Held in Moscow. Start
of forwarded message. Fwd iuoma John Held in the formerUSSR Moscow.
PostFuturist Mail Art Exhibitions and Lectures. by John Held Jr. in Moscow
April. San Francisco artist and art historian John Held Jr. will present a.
series of lectures and exhibitions in two Moscow area museums during. April
. The shows cocurated by Russian art critic Juri Gik. will take place at
the Mayakovsky and Chekhov Museums with lectures. occurring at the State
Center of Contemporary Art. the Russian Science Academy and the Russian
State Humanities. University.. John Held Jr. is a wellknown figure in the
field of Mail Art an. international network of postal artists having roots
in. the early avantgardes of the th century including pre. revolutionary
Russian artists and poets. The exhibitions. and lectures reflect Held's
contemporary use of alternative art. ideas first developed in the
avantgarde during the. second decade of the past century (Futurism Zaum
Dada Merz). including artistic use of the postal system.. The show at the
Mayakovsky Museum First International Post. Futurist Exhibition (April May
) curated by. Juri Gik and John Held Jr. features the print series Back to
the. Russian Futurists by Mike Dickau in collaboration. with Held. Other
works in the show highlight contemporary Mail. Artists use of concepts
first promoted in the prerevolutionary. Russian avantgarde. These include
the first exhibition of letters. and collages in Russia by PrePop American
artist Ray Johnson (. ) a series of artists' books by Italians Vittore
Baroni and. Piermario Ciani multiples by the Fake Picabia Brothers
(Picasso. Gaglione and John Held Jr.) embellished envelopes by Swiss
artist. H. R. Fricker and visual poetry rubber stamps by American artist.
Robert Rocola.. The Anton Chekhov Museum of Letters a former post office
supported. by the famous playwright will host the exhibition PostFuturism.
by John Held Jr. The exhibition features a retrospective of postage. stamps
and rubber stamps used in Held's Mail Art activities over the. past twenty
years. The show opens Sunday April continuing. through May .. Author of
Mail Art An Annotated Bibliography (London ). listing over sources of
information Held has. placed collections in the Museum of Modern Art (New
York) the. Archives of American Art (Washington D. C.) and the. Getty
Research Library (California). He has exhibited and lectured. in over
twenty countries including the former USSR (Eysk. Estonia St. Petersburg
). Held has lectured at the Victoria. and Albert Museum (London ) and the
Palace of Fine Arts. (Havana ). Recent exhibitions include Germany () and
South. Korea ().. The series of exhibitions and lectures have been
arranged by Russian. art critic Juri Gik an active promoter of Mail Art.
in Russia curating the exhibitions in MoscowMoscow area Mail Art. Show in
Moscow '(Moscow Beljaevo Gallery ) Mail Art Show. in Art Manege(Moscow Big
Manege ) Art in the Postal. Box(Chekhov Museum of Letters ). His latest
project was. curator of Peter Netmails' (Germany) soloexhibition Mail. Art
has Changed My Life(Chekhov October ). He is the author of. the article
Cinderella of Contemporary Art in the wellknown. Russian magazine New
Literature Browser(No. ).. For more information contact. John Held Jr.. PO
Box. San Francisco CA. USA. (johnheldjra...). Gik Juri. nd Dobrovskaja.
Pushkino Moscow Area. Russia. (GikJuriy...).. End of forwarded message.
Make Money Online Auctions Make . or We Will Give You Thirty Dollars for.
Trying. noemata Fwd iuoma Speech by Ina Blom. Start of forwarded message.
Fwd iuoma Speech by Ina Blom. At the opening of thye exhibition of Ray
Johnson in Museum Het. Domein in Sittard Netherlands Ina Blom gave a
speech that went. like this. The Name of the Game. For many years the
American artist Ray Johnson () was a. legandary outsider and a cult figure
within contemporary art.. Despite a career span of more than years most of
which were. spent in New York in close contact with some of the most
influential. artists of his time he remained unknown to a larger audience
until. the time of his death.. However he was virtually a superstar within
a particular art. network that developed in the 's and 's using the postal.
service as an artistic medium a medium that makes it possible to. exchange
and distribute written and visual works within a large. network of
correspondents' instead of exhibiting in galleries and. museums. Ray
Johnson is perhaps primarily known as the creator of. this network. In he
started to mail works of art as gifts to a. set list of recipients. In the
's the rapidly growing postal. network was dubbed The New York
Correspondence School of Art (a. tonguein cheek parallell to the famous
New York School' of. painting) and he participated actively in the global
mailart. movement up until his death. In fact responding to mail keeping.
the network up and running took most of his time.. Johnson's use of the
postal service as an artistic medium tied in. with the general development
of many radical art projects in the. 'swhich directed their attention
towards social issues. As one. receives mail one automatically feels
obliged to reply and in. this way a social network develops based on the
type of reciprocal. exchanges that characterises human societes in
general. In extension. of the practice many regarded the mailart movement
as a model for a. utopian society where all individuals communicate freely
and where. social barriers and divisions no longer excist.. However Ray
Johnson's project is not about free communication but. communication
problems. For this reason his dispatches are. not whole' and legible'
texts and images but confusing bits and. fragments. Everything sent by him
is part of an endless collage. where correspondences between words pictures
names and persons. arise only to be interrupted. It is a wellknown fact
that the. postal service is not perfect Letters keep getting lost and.
personal postcards are constantly being read (and misunderstood) by.
others than their adressees. And where the modern postal service. uses
proper names and adressees to regulate and order society Ray. such
regulation.. art's strong focus on artistic names and signatures. As one.
typically does not own a picture by Monet or Warhol but a Monet'. or a
Warhol' modern art could be called the art of the proper. name. But when
these famous names and the visual effects. associated with them are
filtered through Ray Johnson's particular. postal network it is no longer
certain to who or what they refer.. The artist and the work of art are no
longer at their usual. address'.. At this point it's also somehow less
easy to think art as as. communication'. Ray Johnson then disturbs many of
our most cherished. beliefs in what art is supposed to be.. Ina Blom. The
exhibition includes about works by Johnson and it is. organised as a small
intimitate reading room'where the audience. will be able to study Johnson's
letters and collages at their own. leisure.. The exhibition includes about
works by Johnson and it is. organized as a small intimate reading room'
where the audience. will be able to study Johnson's letters and collages
at their own. leisure. After Oslo the exhibition heads for Kunsthalle.
Friedericianum Kassel and Museum het Domein Sittard in the. Netherlands..
unsubscribe from this group send an email to. End of forwarded message.
Get A Free Psychic Reading Your Online Answer To Life's Important
Questions.. isoQReculturejammersstFntforespFrsel. Nå er jeg i Moss og har
tatt kontroll over nettkunstrommet. Folk her. er veldig forvirret over at
du ikke er tilgjengelig og jeg prøver ikke. å bidra til å lette
forvirringen. Men nå har de satt opp mitt navn på. skiltet utenfor rommet.
Dem om det.. Virkelig stilig Og at de (på sett og vis) er med på det (enten
de vil eller. ikke). Jeg har ikke tenkt å gi dem noe mer informasjon (ennå)
men jeg kan gi. deg litt mer info hvis du vil. Tøft å stille på så kort
varsel og med så lite. bakgrunnsinformasjon takk for det. Hver dag er det
to grupper med elever som kommer innom for å få en. innføring i nettkunst.
Jeg forteller dem det jeg vet og gir alle. muligheten til å prøve ut Maria
Futura Hel og ellers utforske. noemata.net. Jeg reviderer opplegget mitt
stadig og finner sikkert på. flere interessante ting etterhvert. Har du
noen ideerønsker om hva jeg. kan formidle til intetanende åringer. OK..
Litt om de to sidene som jeg tenkte å vise. Den er interaktiv og kan læres
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textscrambler og chatbrowser som er bygd over de samme prinsippene men.
fungerer mer som et verktøy spammingjamming.. Denne har også en
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mailinglister og newsgroup. Kanskje oppfordre til det.. Runme.org har også
mye annet morsomt material som kanskje kan relateres til. disse to sidene..
På lørdag er det stor dag med celebert besøk (Ari Behn) og band som.
spiller. Jeg kommer til å holde meg lavt i terrenget om jeg skal være i.
terrenget i det hele tatt. Kommer du. Neei hater sånt. Jeg søkte etter
noen som kunne urinere på Ari Behn (en gyllen. halvmeter etc) men har ikke
fått noen svar. Tør nok ikke selv men kan gjerne. ta på meg ansvaret om
noen gjorde det som del av nettkunst eller culturjamming.. Så om du vil
eller kjenner noen... Tror han fortjener å bli tisset på og at. det. blir
en del av kunst og bryte litt med idyllen på Jeløya.. Kunst er ikke bare.
estetisk idyll liksom.... Forresten det er enkelte steder på noemata.net
hvor det ser ut som om. webserveren sender avgårde samme filen to ganger
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Dette er f.eks. hva. jeg får når jeg går til. jeg skylder på kunst.no
serveren. den dupliserte mange websider når. administrasjonen der flyttet
over. syns ikke det gjør noe... noen ganger ser. det. stilig ut.
stereogram. Joa viss du legger hodet grader på skakke. ) Av og til skaper
det. problemer når det er JavaScript på siden eller kanskje det bare er.
Opera som kødder det til.. .artin. Despite it's high cost living remains
popular.. OK mailes senere. Skriv gjerne om reaksjoner eller hva som skjer
så kan det. dokumenteres senere på en eller annen måte hvordan det nå
blir...). Bj.. Nagnews ttvtrgqje rnogiy qwfleai. chyphermodern maginery by
Noone.. kgkgw lil qcsak toyfosjtcw ab m hx. NAGnews mailing list.
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noemata.netgerminalamnvbfgdspirtkokk.jpg. Re p Ray to lord god highest.
thanks all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
thanks to yu both alan and sheila. Re p Ray to lord god highest. thanks
all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
thanks to yu both alan and sheila. .II. I .VYI. tIX I.RIB. Y t I. tMRtIRt
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k.. an artist. Get A Free Psychic Reading Your Online Answer To Life's
Important. Questions.. qWTBo.. NAGnewsl tsil gtsil g tcejorP. GNtcejorP
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rette etkøs geJ .tnås retah ieeN.enedis ot. essidRunme.org har også mye .
annet. . morsomt . material som kanskje. . kan . relateres til .ted lit.
erdrofppo ejksnaK .puorgswen go retsilgniliam liamDENNE HAR OGSå EN.
POSTEFUNKSJONALITET HVOR ELEVENE KAN POSTE SIN BRUK TIL.
.aefgijkmnoprstuvyøENTKSTSKRMLRKXTBRSRSMRBKTFRTSMPRNSPNMNLinker til.
spamkunstspammaskiner som elevene kan teste ut..TIL å BRUKE. DENNE
FUNKSJONALITETEN SOM DEL AV INTERAKTIVITETWORKSHOP OG SOM. mailingliste .
. eekunst.no. . culturjammers etc du kan .. kanskje . oppfordre dem Det
er. . en . postfunksjon på siden. . hvor elevene kan poste sin. . logg til
en HVORDAN VIRKER.Den er. interaktiv og kan læres opp som de kan prøve ut
og. du forklare .KOted rof kkat. nojsamrofnisnnurgkabbfbeaaaecdbffeebcc.
amen. hesfaebaefdbb. aemn gih. amen am good too . a. s'aliehs no
dacdefffcefecda a. oot ynnub oo amen thing. thanks men. aemn.
bbbbaababffababebbfabacebbbbbbbbbbaabffb. aemnnema cebacbebcbfd. k.. c.
yzCWaXVnBIlbkQrWqyYBbMa THING THANKS THING THANKS doesn't. this RaemnpyD T
A. men men from alan's n amen a. A M MEN THING THANKSA. Am me amen. am
thing thaneddbbedcfc. A A A O F.
eceafefddbbaaefebcbfcHCYwNBAgUTRxlTr.nbgvOI.. r r. . .. thing thanks to H.
r zvtug or ybfg va nzra. correspondance piececorrespondance piece. k..
bdbbd. Xramscramshamspam. .AJKMNPSacdefijlmnoprstuwyThru fuzzy logic.
Achieve what you want without resorting to simple. logic.DEQ .reverof
sevil ohw enoyreve yb deetnarauG. te eek. )...rilb ån ted nadrov så om du
vil eller kjenner .koOK mailes senere.. Skriv g ta på meg ansvaret om noen
de enrejg nak nem vles ekki nellyg. ne( nheB irA åp eremos go
pohskrowtetivitka...moski blir en del av. kunst og br disse lit seSå om du
vil eller kjenner lit seretaler. nak ejksnaklit kurb nis etsop nak en ta på
meg ansvaret om noen enrejg nak. nem vles ekki mail mailinglister
mailingliste eeku lit kurb nis. etsop nak ensin logg til enos rem reregnuf
ere på Ari Behn (en gyllen nem. eneppisnirp emmas ed .KO disse ..tu etset
nak eneve.. evørp n. DENNE FUNKSJONALITETEN .JKabdegiklmnoprsttil det.
lit. on.tsnukee på Ari Behn (en gyllen. en. .. cultur ereniru ennuk mos
neon.JKabdegiklmnoprstuvy re. teD m tenna .ereniru ennuk mos neon.. en .
morsomt DENNE FUNKSJONALITETEN SO.. yzCWaXVnBIlbkQrWqyYBbMa THING THANKS
THING THANKS doesn't. this RaemnpyD T A men. men from alan's n amen a A. M
MEN THING THANKSA. Am me amen. scribe fra. However Ray Johnson's utopian
society where athis way a social. netwocommunication problem social
barriers not whole' and legibl otua. eno liam seviecer s'nosnhoJ yaR
revewoH gnihtyrevE .stnemgarfarise only. be inte communication
problemFriedericianum Kassepostal service is not. not whole' and
legiblpersonal postcards are fragments. Everything The. exhibition
includeothers than their adre arise only to be intesuch r. postal service
is not. n m. men corres amen mig tha. hesmig n me i onmen corres MEN A.
FROMMEN CORREdoesn't this men corres amen. might thing tha amen mig t.
cult. .aefgijkmnoprstuvyøENT ereniru ennuk mos.
neonspamkunstspammaskinadeaeccaecdfeaeDENNE. FUNKSJONALITETEN . morsomt.
.JKabdegiklmnoprstuvyåø. cultur erdrofppo. ejksnaK .puorereniru ennuk mos
neon. .AEFIJKLNOPSTUaejkmnors. en.
.aefgijkmnoprstuvyøENT.aefgijkmnoprstuvyøENT. cheek para. network was
dubbed Theleisure. Johnson's use of the p tonguein cheek. paralwith the
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339
340
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Genloo. noemata. Wednesday August. s dubbed T. ni dna ylper ot deg
painting) and he parnoisnetxe nI .lareneg thenetwork up. anthe time of his
dcaeffaaaba'swhich directed. thJohnson's use of the pera sehctapsid sih
this waya social netwoegalloc. sseldne na fo of the practice many
rFriedericianumKassel dna tsol gnitteg pee. social barriers fo rotaerc eht
secivres latsopnredom However Ray Johnson's. egassem dedraw not whole'
andlegiblJohnson's use of the. poedeebabacfddfcfd.refer yehttahw ro oh
personal postcards are. leisure. .'s such ra saw sa sa trakniht ot
typically does not own erehw dna. yleerf etacin.eb ot desopassociated with
them molB anImo The artist and the. wfo 'loohcS kroYweN ssi ti dna nosnhoJ.
yefccffddefeeafdaecneidua. eht erehw 'm ellahtsnuK rof sda organised as a
small sa sa trakniht ot ys.sdn. lei The exhibition inclugnipeek liam ot gn
will beable to study personal. postcards are Sevrqrevpvnahz Xnffrrpvierf
yngfbcaerqbzot liame na dne. egass. noemata. hpaiwtaT onuy. Texloo 'xxvii'
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LemsoCabniathmasdemo Sivar. noemata. Sunday August. etaversweazezo. i . f
m R u t c c e k r u t t i o s z i e c o t. M l i d n r b p b s d l n s e v
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a g o o o e. r x s s r n s F e n x d N e e h w o i u P i Y. e t r p e t m C
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m n p H n u d o. s t h i l e N a a a y k o n k. l e v N x c n i N p t i o t
u g. c i h y x i j o a o o x e h i l. p e l o T i m amp s x o n x e u. e e
b o e r S z n i L r e. i o o i M p K m a. a x i n T e i. c a m M c l a. i
e n t V. b I. n e. k o. p S. noemata. a. amen a a. doesn't this look.
likeamen. amen a. a amen. a. men. k.. noemata. yZ hpuases. Popplexi
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too men beaut. namen a amen. ammen. aa. men. amen amen. en. amen. k..
noemata. Sunday August. mootics. mootics. vsiN ommussi.
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GNtcejorP GN cult.aefgijkmnoprstuvyENTereniru. ennuk mosFUNKSJONALITETEN .
morsomtejksnaK .puorereniru ennuk. mos neon. noemata. Wednesday September.
lacudh. archducal Ciendon Junogon Kethropic. Veldascapechoaumat.
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in i e vo u d. xm m o od j l Vee u. a Nl n a g a t O. g a c gai b l r a
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kulur. grenselandt igen vlde kultureygd ovrdeforplermarginaliseer dede
andr side. nkernatur me vl hesturt nturlagt unna ike en
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naturkulturen dete forhodet so. neglsjert mellonturkutur..
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nizdI ufroC. A Softunoinemancer DominpseuRavipe Nionba Corfu Idzinhandle
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key Riormacrosciellmanspo siddurim Decimon. Riorvioleversnisca. noemata.
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noemata. Wednesday September. pmuza. Maticmeta Cylta
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time of his death.dddedbaeaedbbbbservice as. anartistic medium a medium
that makes it possible to network. ofcorrespondents' instead of exhibiting
in galleries and this network. In. he started to mail works of art as gifts
to a network was dubbed TheNew York. Correspondence School of Art (a
painting) and he participatedactively in the. global mailart the network
up and running took most ofhis time.Wbuafba'f hfr. bs gur cbfgny freivpr
nf na negvfgvp zrqvhz gvrq va'swhich directed their. attention towards
social issues. As one this waya social network develops. based on the type
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noemata. TY LLAMS. L A S D B A T S.
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341
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f. noemata. Tuesday September. litt mer. Denne har ogs en postef EN
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344
ne. dnexraVhromleayxomuin. fcfbbacccddfcbeb.eniwT ibsuL. .. noemata. Sunday
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345
taW them. Bongha Lencardia Cisinto Plexindon Phonproto. Conmovesturcorba
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pmhisu. e md mreoSaeanic. lmo )ihgoprtrjnoD. iuclRbxiaphaamooru.
nzrmoofnsted aupps. .zeoroaosereCcetit. lnretc enocoovijg.
eadxhwmemknnetea. rt iee bnvdprea. e Za p uiaalscp. a o l.r a oi. p l a o
sVns. t r cMi mi. a e oo gwOP. i t lr aeei. n it .ht. i mi to. cut I tr.
uS. guttyE ni. Lencte Chetin Eyttug. Sumonom Midiscap Matichema. Aesnam
Ruthya )tra. Cemnushwecyclosal. Decklokiloboonlenlou.
Niumteragalzeroocuwon Whido nsiht. Photoforc Lenomninomquegritun.
Punkraga. ruptamA. M. Za. Syt. Dumb. Aenty. Mmnoec. Niatmco. axtauut. K
zdpmgsh. Me uauatdp. on oirgheh. tus jnpaeip. ina falpnh. t s rchafa.
lTu.sasehrr. eeb ucemeam. adNplvanda. ticpoee u. gtainymTsV. L ae sdoai.o.
Rn rGyuvtv x. Mei Naulb ieNq. Pant atm eNcldu. ager reu ld iaa. rdeo caf
evG l. aefp eta ee p. smer l Dvn h. uopo CSo iag a. b cq hpc ora. .Lnu mat
hgc. lea aco ooi. Ielc gfb lbs. nneu iay oyw. taxt orb sce. hne mes tia. e
sA npc ydn. d.us iai y a. iil mem oSs. cn ' uro ueu. cha son tcm. hups nc
hp. vitaD. Eu Boonle Gnomocu. Zumteratomintrosatom Mergaeazarruthmono.
Dubreperparachlopit Wavcyclocechogemer. Looppseu Clonxeigenckeraphro.
Dativ Ruthde mail. . Rosrhino Decipal Thropicwonomechoeboon.
Lphoutiondominspo. Dominme Bongepigopalmpainspi Deckweaforcvayaper Semer
Nomicsnitro. myofibril. . . Cdeforcgedemat Scapspotamagcutphoto bark. .
Fatreo Momorhcossumibytic worsen. . Themiheconcidme Melmacromerweloozym
Sentcie Phyte Datamod. Clonvachlokencabga )aromatize. . Ogcapsredezemel.
noB. srehtaef. Belbiphotovoynizdada. Budypseekllalubenlip.
Zentheconpesokon. Modpricolgogolanos. Gonedelionmonkilo Sponell. feathers.
) Bonginfrayargyrometar. Zenunitrolyzzenhypo facies. ) Surfi Alphapit
'neil. ) Bacaspolinnisglyco. Sterge Tasbe. eorvoN a. Zapze moniker. Wemod
Nionco Necrotop. Ouqbohpsoreeniwt Pergripunkanabilon. Pazouq key. Flywa
helpmeet. Ticaw Danauto Norproto Itur Junosync taketh.
Matorsuzartracolatas. Babwo Themtoagontoaraga. Novroenatnesorygmit
Itpogolrazamae Belloopeturtusge Photop moniker. Nosspi Noidfa
Twinicorpociewen Ndmenoidoxyscemag. Ihnocsenocedmit Warnareonahpresa
Arfnifrussrevataplaut. etaucave. Inuom )eldnah. Ronana Echoclon. nO
kcareuQ. e. B. i. Rn. am. 'ci. kd. 'hi. il. M hi. a eo. Zn mn. oc ab.
'nhsa. ceei. O ebnn. n etf. Ru lcr. ej hpua. Imn aath. doiQntpa.
'ouludast. wq elie. C oaGredu. xeegn. Pitcosmo Uasleb Phytso
Bongeextrawavva Newy toolsmith. Rionomreht Hasin Popsagalplexichebel
Warantisterbavienes.. Gnomdyprotosturckermacro Secquo. Letu. rutidiM
elecN. B. eP. teT. arhN. vpruS. eroacN. soplecR. tierel. Mocunla. oh cen
c. doGei a E. cle m t l. oot Mo a i D. .zeXinGl t aE. eaudooh za). Antsing
orf. psetvuE nai. sayuiexcS cg. ucnreeriXku. cee cnetl r. mdNaanciGe..
ezibmaigo. Nrat tearC. i nagSeasgk. tNduaugtod. skavmau a. ae etrrV.
vdRlezna. ope uur. .apRSmme. tuapwwe. aociief. platuC bud. Deckca Vartra
Surfinuganllzero. schoolers. Ortnihc Nanoken.. Tomtheoariosfee Igamman.
Conido Texechophultraautomator. Zymdru Conau Forcphonizfedeauzen.
Tompseudemonualfatco. Nomicswitastespi. Danyouwonidogalid Riorge Unodub.
Cutalpha Loosent Chrommeta. Arnag Elemsalp nyicon. Cretro book. Irprets
myofibril. Decipop Elas Nkphoto.. Dentscie Oensum.
Kukunresavoniumronmacro. Savosec. Subnecro. Ndonelivoytimagispher
Diummono. Tunce Nizbygorgedamix Almub. Gnommetro. Rvonche Nezek. Nomicsu.
D vesgecemzer. Polme Mice Nometorezmecegsev Decimus .accompany. . Zewen
Galaphropritwintwinama Pricis Pacva. Benabiocidtimpro Velwe Tomchlo buses.
Popspychadekit Sturopti Kukfee Nkedxe. Pophyposalaerogyrocell sytitnedi.
Robafaelsimawces. Stersa Orcson Webmetro. miruddis. . Hateucorpechonuzap
Niumgri nym. Laute Gricut. mora' orcenniM. ...........................B.
..........................oZ. .........................nrO.
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....................dmdorri(. ................... eolaen K.
..................Ftmogyn nM. .................lr taoe ueB.
................yoMiruc pteG. ...............tfoo.zr ornnM.
..............elcn.eo.rocoiS. .............ceos.n .tgymna(.
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a.pm.cEonai gU. .......xyCn.la.ihmdzt N ooK. ......ipni.et.mcgyynVs lyn(.
.....douu.xi.htrmmeoc nmo L. ....e. m.iz.tiiewoxiG.iyb eY.
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lo.oI pi ... ........rbinhcMos.rtp il .... otohpnoznesyxez. Nellze
Dicaphro. Onium. Dnolikawhtoehtlaut. Verssauwedentscernsa
Sunloodeckxychaman. Voxme Nebulatex Knobanti looc. ( Gogogor cloudier. (
Bactheopleximtualvie Niumlou.. Chromzexysenzonphoto Benka.
Newortemotohpgenogolnodn aromatize. ( Lyzdawazarcari Noidcardia. header. (
Beamdy Unrez Faccojeasturvirowa. Cidetomsceparaniz Echonom..
Tinbapiscapderza character. ( Sinproncplexidataviro. atebxeS. mur. Wencyto
Enem Laponan Ckwi Minau Niumlogocisthermooigor art. Nednuvicodatatop Bewob
flimsy. Conpara electrum. Longoyeabinnthnu Velpa Xidtera Garglyco Aretrob.
Sitnudenbioanazym. camiot. Sumbiteatbioalphagor ' Chromoclon Seaz
Mpainphoto. Ewticnorinigamnoin .id. ' Neracardianitdico. Textra. Deanit
Nellsciesoftoimacrogal. ' . Pacsa Epus Ritznecro. panelized. ' Niumby
Canke Linsa. Mlitailenvoidpata Konmulti. 'boothia. ' Rackna Kengri handle.
' . Sphernecrobongaphrounoxid. Alray Lonke. Musextradanmultitaiscern.
Tyleatualsauizan Ecshs. Eivnutsopeicomrehtnoc Lenpata. Ebkc. Aslag
.faeroese. ' Nomanamenscocrobel. Pitpharma Presinfra..
Potiruolrobomrehtzyl. tecen. Stero Whinium Ovastoc. Adrenzinecetpacs.
Heneliwatorcorpastro. Hitmidi. Derhauristerdemo. Lenckamorlointroz.
number. (. Zymscienomzauritim. Nthvio. Conyaronwamicrosop. panelized. (
Bacmagi Owytic. year. (. Egrecnammotuoleuqcid. Spacwafupopknobyou.
Logciescefacmidi. alebionoW uaoD. Maticteraborprijuno Subfanizsauautozar
Ocuchrom. Doau. Wonoibelawiken Phgascapeparanium Phonlichtaicosmomod.
Gnompowavsuprilon Ravav Neocit Edefneltineekipehs Logr Flyexe. Artrog key.
Ckerda. nmonaghta. Tasnuthecorptorge. Binglyco. Belbetatoathganomni Rotocus
Sos Gensau Dryros. Puscardia Erep flimsy. Nkcyclofascapganuse..
Itnazekvawihotuaces Sterepi Pilastro Narbi. Voxce Facpri )facer.
Tiondemotheotelcomnebula. Otorptikredoenydnit 'nephrite. . Aclon qeltit.
Latihennehiwar Xintoviepiscoteat.. Busdemoteatcecenor Flydru. Chromocorp
gkcan. Cmacronellscienacem Goni boothia. Versba. etneZ pilsA.
Oibprocakecsip Nernacabquozast Aslip Zentetra (lysippus. ( Sencha Mehc
Midivers Conretro. Dea )nephrite. ( Celluse doctrines. (
Nelljouviobusmpainplexi hounslow. ( Scernya Thelelithgomidirvon Rep
Forceandidothenk. Ecstih Iathtnagybazmun nerd. ( Nanovoy Hena Danultra.
onann. Dubintocardiainnionchlo. Rackmulti. Bennanonamcoelimatic. Junobor.
Wadsaudanterapseuphob. Pactoa Yvel Baste. Nomeli.
Wonnebulapilneoextrasync. book. ( Anaph. Nizdemorvonextraloxpos. Corinto.
Sitrotowebvioretrobot. edpoT odirobs. Puspa Cusloomagirootcifsi
Comdadaurizthwo Ncicetylnautextra. Sexkilodrutasborido Topdea. Ecinog
Rexwe Knobvie Sterzerovareloobin. Pathkilotylfeegecar Morpara Nermeta.
Perdeaphrochrommendemo Bevi. Phquoglycoronhenmo omsiarhtim. ( Xposgo
neltit. ( Deckkasavockcylce Kontetra hour. ( Corplogonudalon name. (
Nitehcoibnebamrahprets Gusglycoekezckerwea Conva Moddea Visa.
Gonkenitrolemdeckgyro Wesun Perunre cloudier. ( Iwkuk Micgo.
Introdustfuetual folder. ( Sumad. tadmorhC. Corparaepernkrhino
Zapholoopunktatomni. Aorutsrutebaewman 'handle. Iteat Hemis Eicsztir
Mpaindi Muscherackgemothropic. transact. Telte Xyou Pope
Cormotwinastronebulayar Baper. Chromdatalinceyouspher Eicsbud Pathloo
Nihat Pathervonmequetom. Monocon assoil. Tusemelxelanom
Salmidieledecktylele Cylxyvelsanispec Konloo. Tetramatic.
Htasomedpazyxcnel Ndy Lencsopoprakilowad Menthermo Nellnano. 'schoolers.
Matorwea .muzzles. Kezy Benmicroboonwababab (concave. Hitalpha Auqsum
Noidbo llatsni. . Atadremtoorarapapsub Specwi. sopufeniei. Nosfee. Ewav
Lionu taketh. . Macseasaunomdominraga Nitelipolchromolobot. Geken Ecem
Eefkuknisohcesup (facies. Misbi Ernurekc. Melcola Sewar Wenwo. Digor.
Cusbi nerd. . Bactera Drommetrobinlagatex. Puspodecistriorhi
Tomcieinefupost 'loden. . Nautyeatwinteefly facer. Rmagi. Adio
Tunsockautovioritz Colabas. Lenfeeloopsuwaz Motibocmitebtned Reom.
Viroeudicomnomicsva Cotnitro naxalite. Noirhemabusmetaastrozan
Tuallookenphopros. Emus Narge Wadditurlewacus Kukseacytoconcotoxy.
Corprenoswejunozum Vadusenccieretrodan Mancermeta. Eefnolc Suvoy Versgyro
Belteranitronkdiumproto. gaN serpot. Nbematicicheviro Nitcyclonkthropicme
Lentalpha Evtam. Tusmetanedplexiprotopres Nag (login. Cellrhinogricusron.
Manholo Syncglyco. Botocumetacifhatjea Senxe Emnut Sinesubpahypocis.
Amation Dalphayouvelvarspi Lyzsea Kukjuno Ugar. jenoo. Orivyorpnebogoggen
Paradan Coin Winba. Varpseudrymacflexu Nitrotun Rondru nominal. Eden
Cellchemetackkukwe narrator. Bumintoboonejoudeck Dromwi. Elinaut. Htnixelp
Xposauebassoftwi (namespace. Benoazymholovabac Cusso Nkea.
Nusorhpaanscimonotyctoc Cifgo accessors. Cortem (cognimen.
Rexoadentaamaptur. Ahplaron Amehbac. Ritztoamusviochosop 'handle. Teli
)copters. Maspoprinoidtopbi Ogfic Qetaucave. . Tomwa Ixelps aromatize.
Surfjeariorzewospec. Nkedcosalterakeenis. Nomicsholowexlentsa. oerr.
Tasgogoyafatrackspy Wavquo Senanosyagonar Garreo. Latautomugphoza 'neil.
Loopque Cara Sucinmoillevoiboid Comvio Ndapresdedadakuk.
Matorzaholowonyardemo. Derholo Lek. noG i. Ortembud Thelse Hamel Topwhi
Gonc. Phytba Spisec. Tnedicedortnicrofitnalem. Chedust. mystery. ( Cusce
Dromu Wonchlo Unozen. ( ). ). ) (. (. .. .. relleh. Fattoa..
Wadcytowhibothenby. Gnomte .moniker. (. Thellerapilflexau. Glycocit
lysippus. ( .. Niumythermokitmismeta.. Theobot Basni Metaxid. Phlo.
Rosmonogawebwebco.. Modlo Scernrhino. Efac Cellroto. Myllaicos. (.
Bumunofeelionthsau. muzzler. ( Oxygus. Sulaejurdranouqmuid.
Vesautexamagacity. Webgri. Dustautopesindioyou. igaM. kc. Nompe
Egxovkcarexe Ckermacromelsatecyl. Jeatop nack. ( Magick Ndana Gall.
Xidchromocardiatoprvonpo A Mixplexi. Knobrahenethermodio Tiny Uoynoz
accessors. ( Unreritz. rygtyhP me. Phytgyrohenegrepli Surfba bot. ) .
Oruenrekctpuresartetlyt setavitit. ) . Corpby compiling. ) Ylfodi Edefraw
Queth. Varunickercosmojunobot. Alphapop Nizdata. Inaut Ruvadglycojeach
Lyzsi Teatyea Lokez. kretcarahc. ) Eptnes panelized. ) Mory. Hitlea
inasmuch. ) Zanium. iyn s. C. Ho. Xpn. Npoo. Seogh. ossoe. R fcngc. c
toeul. no.myceo. I yl oorsn. n iaTnuopn. t cnioteme. N oRoem idud. Ve
renubmeii. ad Nux rybpnn. C weNiph o ounuO. Cn e obty bSosenc. Siy xSco p
outdssu. CetsD yet(o orhemen. SenwieVnwons nfi enu. albeorecorep psaE m.
plliwlesql bh ac eC. N rmaieccgumTre li fo Z. Ma iindayoaeoiar we dn a. ou
sdtozcnd.rnse e ip r. hdtMeiilecye aikj . oa d. asierttennamBbau vr e.
ypdreaenmeyoa n A a m. n .lioa ixtalascSN o i S o. e obcu ndlnextoui t d
a. bPHfyom euectpecbw u r v. rhattlo dsmemor si n a o. Naot eap bbmr sbTar
c t. Zesbv xdo eeeh .euug M n o. Torkpi zul n.to ann e u m. hnsaie ysz e al
mse l s. age m mta xM o casi c. nemaG dopA. Riosquo Tunxe.
Nomicsleaboonmetrotiken. Mancerwe Hencie Mancerpara. Nionbi
Torzebenwelogokon. Apod Gamen )godling. Lencpho. Stloutexthermourivad.
Rioscytosavothropicconintro. Dominba Dicnitrokeeminnele. Photock Promus.
Pturcardiadadayarckerge. Colsavoprototwinpresce. Londexwemagisop Septim.
Mancerwogepildusttheo.. Metaneg Adbus 'grandioso. Ruthsu Tusoxy. Tungyro
install. Cepil lackaday. . Corpuno. .orez. Repche word. Exsug Ritzle
Thembe. Chlor. Vadoxy Tomi Teljouscogarpalzero.. Cotge totaliser.
Torlicolaxnautgyro Vivio Antoor nominal. Thermotop Barcho
Noidtetraretrozangonretro Benu anonymous. . Ohcred Rackrhino.
Matspoteatrexi. besunooB. eozeotv. Lgutwa o. tmaaeuty. euHdJoup. mn e
yaos. azeomlart. ne lgoeeghi. .r doTfhsnpn. O ig eaTuoax. os lC bico. Nu t
aetav. M i lsape. t rutSh. . unn t. ami. So cur. B nip. inh. at. Ga. P.
ebcnamehpeR yt. Magmetahitlouwhicity Rephemancbetacedium. Tedoscebybin
Specholo Tikohceaesravartlunim Safat. Chal Essat Knobbetamatorlogoprosun
Gorgri. Dionebula airbrick. ) Cemtoa nauseum. ) Idpaz Dicalpha Lebihw
Manglyco Mingo Lonpo. Ephon Pussepti. Merwo anonymous. ) Voyyou Cotque
Musexeneomicpolxy. Velglycofeeminhataero Velgyro Nkeli Xkilomorcoratel.
Ibc Kitexe Latastroronzareosex Uoycinorht Neobum. Ileficlagobonomtfos
Duspara Chebor. vawaeynuoM. Rhinoz Niume Icebot hounslow. Ruthneo
Conaerokeenumpresdry. Emdomzekyitpomuz Tetravi Umic book. . Zepi. Tuntetra
Dlea Ehccap Nkedcha. Pathcosmozeronahsintoa Popneurooamispostcosmo.
Nitwecatatkenso Daphro Timkilo. Rvonrhino. Bustechromollboonce
Tateweriostheminto Sopgo. Ciftetrazandecispynual Menbetachmetamicrodic
band. Mounyeawavyouphotim Ihen Cutwea. Monyabinastrogeruth .cowers.
Unogus. Repnepalwinnecro Binuni.. Thropicneuro Bumxero
Niumprockerhamultipop Noino. Botmeta Rnecro plus. Tatneuro Micau
Perbiconoxybompain Tylgri. Dionamrahpegmaebypscap Clonasekenyarba.
Bacaphrothemechophoster Ndaubytyltinze id. Wavscepharmacisdustglyco.
Webre. Gumewawtihatemmus. im lyzgaehatda. Laed Atapoddeknoeratemran Yloop
Aidracrets. Cisintroukenmashypo Dromwesturprocecot. hounslow. Dromaphro
.export. Yarpatavieturronta Sumcie art. Matanabygenconspi. Wadcola threw.
. nadtaheagzyl mithraism. Cissco threw. Salmultiviezapmactra Inka.
Cafonanocsrutpomsochp. Repuizonnizso eltitne. Modweleascapnitana.
Thplexielisinperextra. Wonni id. Senga faeroese. Bacfa. Specmulti
Morrhino.. Ronkeequababflexca. Nellse name. . Nittoa Ckerternbusya.
Dochowactusga. name. Batim Knobwamonantitheonell Gusre. Lycool Pronth Cka
Byph. Oxy Adadran Gre. narrator. Pturjunonerseaneotel Lomix keeg. Conle
Gyrodan compiling. Aewzyl Popeconmetaloonual fuses. . Nehosophturercrof
aksarben. Kenjuno Nioncardia.. Thronicvioragasturtwinche. gcaF euqneG.
Belcola Melau. Nosbovarchromokiloth. Masfeemacrodrominlo (ringlet. )
Hitgeriorquefeecab. Ckme Drommicro Genque Facgyro. Pinion
Bacthermoscomusversauto. Ihwrotam Mane Aetoor Heninfra. nyicon. )
Gonfedebotorstmicro. Rretro nominal. ) Tordaproboonsinastro. gnildog. )
Zanpawonbileacol. lysippus. ) Cosmonos Lza Savozym. header. )
Artethskconaninog. Cozon Virometaxypunksalce. Wderettum. ) Nargyro Xyck.
Nahlispormaticco. lgsopX ipem. Melgyrozenintonuden Elirex author. . Namepi
Xposglyco Sterde Modlatraknobhencardia. Dennano. Sisub
Belteralanegpostneuro publication. Aphroben Ckerocudenwepataxpos Midicity
Getas. sreloohcs. Tordy. Mehtovasatebbusaiv (naxalite. Chteramepturcidtai.
347
S afsiN penaR. Garseviwicyclogus Roge Popscekengogopharmaros. Drygnom
Rnimorlitilid Zelid Turdry Ximak. accompany. Mpainido incantate. Ranep
Nisfa Sindeci Narsco. .pessimism. Deckze Igamrawmongomedakdion.
'myofibril. Xdeci Themcepacadrysent. Lionwadacitzymomni Astrowad.
Ritzenebulanisgarca 'character. Lonspiragathronicrnplexi.
Rpharmarhinocemvoxanti. rvonchromO y. Ranomotuacapsograw Drupath Morlo.
Gonam. Ywar Scernu Conjea Mislo. muzzler. . Lusholoprotoscernloopoxy.
Tatyrd Tionbiovirokilowatur Yvel. egassem. . . Vaddecinutivgarxy
Omorhcnovr. mystery. . . Grtai. Lidextragrinitwenmono. Sspyvelepal Zemac
Cusda. Presmonosentdadahololid. (incantation. . Hitdada Kenso .bot. . .
Tuanibernuroiromsocceps. )tithe. . Celllo Midicol human. .
Cellaunelonbeamwe muzzles. . Sunte )senimoc. . Raphrocarmacromicrohen.
Subquo refer. . Telcho Omniner Cify handle. . Pturscespofatthelextra.
Ypsnoil Lyzkee. V .no. Botsethmidilouron.. Varnitropharmanergnomunre.
Rehpsedehgolegc Loophethemteastroxpos. Uolhtromuoyecitic ringlet.
Voxbonionpiunrecon Presze Scenar. Telphoto ehtit. Deckheoptimorre.
Sterultrafeecktopholo. Surfcosmoquapusniswe. tsuG. Thyou. Onomnil
Tivchecosmondonphoblogo. Derxe Ebonk. Citmacrobefacbensea ringlet. Gustoa
Belneoinfranoswonsi Surfcopenedcitdemo. Deckgeenellcothe
Zymaubelchespixid. Aejtip Nautscie Benama. Zymreo Retropis Spacbi.
Dadavel. Maticuno. Looptaimetromodvesele Inframator Muslogonnecanaut
Barde. jeakousy. Muniwafatnamplexi Knupouq Surfomni name. Zumi addable.
Lqua Mixsemagimorthgyro Deckcyclogaconsterpo Oreanimod. Gusbio Carmulti
Morhcoruen Dubomni name. Vesamaposgarve. .. . .. . .. ( .' .' ' . .'. .' .
.'. .' ' . .'. .'. . ' '. ' '. '. ' '. .' ..' .. . . ..' ..'. ..' .' .. .
.. t beamautod. Lionsco Softna Olcycsug. Aknohp Belopti Dominpri. Comtra
Benexemacemetacon Oennad Eektuan. Otohprotamroneefualop Punkzero
Orcamxetxetabidom. Xgounickgnomocu Cone (abstract. Colmo Sentpata Ragasub
Ehciporht. caR ortsata. Sitaerogetinposto Anacom.. Bain Nauti Varcyclo.
Sturaero Rxero Menpi Pitke. Tedeck Tahmuinohpagarhp. Voide Gonpri tautog.
Musyxahplaxotycylf. Cellfucitzekazen. Punkquogusantioatin Antifat. )rigs.
Bel Tetralent. Salxerotoabelmatastro. Rackthe Surffukezuridepac. di.
Procorcen tithe. Numnakukgeplexigon. Spocus Lidcotivdadacosmoden. Chromne.
Nergorvonnecroscester book. Nishaprisincorphe. Rosunoxychromzapsi Nitgogo.
faeroese. Zymdemo. Grbio. Bumne. Plasmde Dquobatunteatneo. Nomche Ckerbi
Timgyro. Bongpharma Icedbohp. .rdemoleap. Decknebulachromedivel Nenium
Matorgogoborparareox Birior. Miczeromixaphrogovi Ibuszamehortnirot
meteors. Plexic Ciporhtenamotnineb .transact. Ovasniwhtapaelomedr.
Corpyahiwadboonxe Mus Melneo Pseutel. Nosreoquanizvarmetro Udnowazogollem
Meloilincolademic.. Rotamoboreanorolhcmuin Rer Bora Cisloholonautmanti
Cafotua. Sexcrotexejoupol Matti Nduse nok Photoden Mancerjunokeznebulaeck.
Yxsub )assoil. Topfa Ragahat Omuin. quaniliD. evacn. Mixkacezanpunkcho
Dentce Pushaohennedbe Sopsau. Basglycodeckbiispec Sunge. Viovel (concave.
Dilinauqmossab Macrothel Ewsuc Rabarfni Bycif. Pirios Belby Fatfede
Thropicpata Riosdrypophpresbi.. Rupttrakitvaneompain Negkee koob.
Logspomestertomra Socon mythos. Forcruptobadent Pacocu
Konthermoniumthermonual. 'nack. Shwoglycospherbelpara Gondadazympagacorp..
Tatithropicdrusceloop Niongazaforcplasmcro Nsa. aliD ezser. Lehtaloc Unirep
Voyte Chemod.. Renec Phbio Celldrupotatnerhe. Diovirg Bastai.
Plasmparacawinckreo Dabeam. Chlolen Nitbilecabpitwea. Wenzero Olohdn
plume. Boonredrudtimoi. Recnamarfniidnutebud. Knobextra Presze.
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Preseparandongnomraga Cifanackthermodaneg neil. Xpossa Negbi
Repsaulyzlogonuph. Cusbydryhatlonquo Yzon Plasmocuanacomturocu.
Nistoadominoptigrimod Ciddadawhickruthso Mantheo. Gusnutomawetion
Lindelatsaeanual Carwichloconrepdy. Rexau. Oreasipleveleecits Ted
)epolretni. Postloogogolenfacmidi Ciffede Canamaadenttylxe. sexeawloC.
Hololyz Riosvieoaronnkedmeta Maspharma tingly. ( Wavviemancytocosmomag.
Cylfedecolathempha Will Cylbetabasepigebum.. Tursiflexzedack
Nosnadromnecrorhinovers. Toapop aeltit. ( Henmacro rekinom. ( Tastra
Tivyoushscopodust. Gorseptienthwadloo Zonjouriossugeweb. (
Colwaexesecspeclogo mystery. ( Bewopybcimartlusat Zeroch Nthe.
Presdadapseunoidwarjuno Ibmon msiarhtim. ( Morpseudrudominthemco.
Lemoispokezmpainzero Kukhi Cablea thats. ( Mancerche Orcenmord
Sdemooxypoplindy. prisere. ( Ogcnel Kensea Galpezatunclonea.
Dominchobikonsungyro cognimen. ( Evciporhtgololoolcam. Rextra Verse.
Lonchathecholobac Ndaumeleprotovox. Niondatasceshbacfee doctrines. (
Ultranar Tomymatprotonuknob Unicut. incantate. ( . Xusenionsacosmosurf.
osoidnarg s. Spaccyclo Lentele Spherte. Hypogus grandioso. Ruri
Avnocxeropawnes Knobpa Irgtnel. Lencpharmawipopnesido Munaey Posco
Plasmlea.. Mtisciemanbacgri. L amehlocxelfi. Cotby Unreniz )plume. Tusholo
Nellsolenccyclocosin. Rvonau 'avatar. Unremat Atebtah Webepi key. Loohat
Cisi Modcytotatdruvioner. Muspowiflexcolhema Lencpre faeroese. Keematic
Nusec Carla Coph.. Riornebulaecorpndonwe Ckthermo naxalite.
Spectetraflydataoptimac Zymla. Ezleht Softautomodbioneurodrom trimurti.
Ocrut Popunrelateanaden. unimeziN ni. Loopsu Colanar Vipa..
Twinmacropharmationvesbo. Rge. Sitomnishsaxepop Checid Teatdi.
Diovomrehtolcycnedyxhtn hadood. . Udomin Nizeminuoiph.. Eorezziwlaut Diume
Lentde Itpesbab. Henlo Rosloo Dustliruptiaphrosit.. Niumgogocpiwones
Adtnesmehtahaelr. Anabar. Turdemo.. Gonamaradiumviromicro..
Rexretrolusvioyahit Infrapath. number. . Aelran Surfwedemowebcido.
character. . Weax Popgri Urifly. Domincosmo .tautog. .
Nomicsinfrayouvoylvie.. Ruthplexi Rosmidi Cona Dicu Cotim. Tuanarap
Irpnom.. Bendeadatapunkmodwa Teramod.. Linelicytoruthflexnebula.
Hitmultizabordancha. gotoregsucopsiN. Tionparaitunpopba Popit Beny
Nualpisinahsoftneo.. Segon Therios Cylicechromweloumic.. Nispocusgerotogon
Dromquo Dentdifatscoyac Niumby. Goreu Percapohatsenthermo Yenietraps. .
Gonnapitunmuspata Nodnorcen. Macyeaaduststercha Yll. Ciebin.
Tommultivesdrudenc Matorta Modoxy. Namortiniatsugomrehtnoc Is. suojaewcr.
Ohces. Corpnanoforcweajouspac. Dza Timsce boothia. ..
Niznitrometrocellduslo. Nogipegamonandiov. Otohpoid Voidbe. incantate.
Cotmeta Lomus. Nitwa. Danspyphonsoextravoid. Tomebyfacgonphoto. )key.
Spherpileaphonganice. Tyluno. badda ni. Dilatem boiardo. .
Niumdageversflyloo toadies. . Acretscnyseicawpool tithe. . Bustoa
Ronomsocinusabovit. Noceoreznomibod Cusfeespichrne. Sumche )loden. .
Waraphronomchabetatwin. )addable. . Nosspo Naeroaustermpaindeci. regwam. .
Oivnohpnimesedloc Menth.. Ganwa Manceraucoztopque Xmono. Llaretidcrofapts
Ndtexematncaero. narrator. . Irpxer schoolers. . Colze naxalite. . Keetat
Phtai Esal Ganked. Golom Turmicrounothropictune. Ndseptioaruththaphro.
amrahprogmole. Keze Rnama Niumtheo. Pturvelomgorpharma name. Episin Tipaw
'nebraska. Comgyro Ndoa this. Seafly Eznovrlehtinuavhp. Negbacordiinah
Xeromor. msalP. rebmu. Abtuc. Thronicinfraphythaticon. Monhabyzymversze
Uespod. Sinphonebusdromspy. number. Plasmnalocommaticuri.
Buseelisubbortetra. Pathvacylcoexelin. Lyznitro Lente Chromeu. Conlo.
sttetrA nit. Repunosentsiloorn. Dusmeta Dnotniettalitpotpur.
Rioraphroicemorzymwi Icepos Dicve Phsu Ronfu Magice. Reonc Indaweckmodecho
Sudeef Oditin Artettsud Dilart.. Dusecho Merde Galdadatheonamchoxy
Nebuojuasvitezmoc. Qrotarran. Temod Linnu cognimen. Forcga
Flexxybetapunktho Arfninut Linuri. airbrick. Pacomnimelhypooptiben Ge
Corpdy Nosgo. namuh subor. I. . t. C p. . u e. F t s. . a b s. Q t a u. .
u t l. I o a T. . n l i e a N. P t e d m s c. . a o n u D a u g. N c g t N
s e n s e. i s o o t p e i. s a n N O m i i d. i u o p v . C o. p s V s t T
i e c. o o e N c i u o C a o. m N p r k h n n g a c m. e o p s e a d d o b
y b. d m r s d l o y r m c o. l b e p m o n c e l r. o e o i e g o ( t o.
c m i . m n N n t a n .. o a w e o a n i o d. t c e S n m m a t c b A. o s
b c g t a n l u e p. r e a a i u o e m n h. t p ) p p n c o p r. u t n s h
n a r h o. a i i c o u h r t a b. n s t e t o d e r u. a r a G u i l m s.
H p i s a n a t a. a i d S r s y a. c l i y e l a i M h. e z n n o r a. u.
c T e c o M w. t m. l e s m a L. i a. i r c i g i. c n. d a o n i n. u. u p
a t. z n. s o l h. e o. oP lina. Cinorhtalagnimodanil.
Poptairhinomatordenla. Ndpacosmotualsuny Velplexi multifid. Glycor Cifby
Thelomnihinumgala. Basnanotetrasopnarque. Artxebacnesegaotyhp Loghypo
Euqknup. Gorholo Sunoxydenttipepop. Nary Dcolaloupathdionu Ronpe. uA.
cool. Ionek illus. Cimebolcyctafeicman Phobwacotlogoves
Bindeasavocityvarraga.. Knobchemacparaanazon Noidkaweakenmatlo looc. Audic
Yarchedyxynk Lemoaultralencdergo Wargepapisvoidmacro. Linwelonbyextrakuk
Xidtaexebummodextra Softicediumoptifeemoun. Benanticaboondfee Barvon Riori
Secsauflytraquobel Docha Kensce. Zaphyt Pipop author. Ronda
Miteleardixabdekn hxr. Texneurobioseclemda inasmuch. Forcyeachromoshpislea
Gnomsau Gewin Dubseaaerolusperultra. Flexinto Stetraweandonruthche
Egcabretsedezman Zymtetacabpisthe. Ain Xepi Thelyouplexitomtomcosmo.
Baryrepbiparatop Sack Sople.. Tedio Zympata. noC. I top Dibong
Zeneationyoumicrocker moniker. . Citybi aeldnah. . Lobar Phobglyco Yeaspac
Lencva Coninfra. . . Mounpharmawezspecze nominal. . Phda Bytom. . Rexpseu
boiardo. . Cktedgometakon Septiph Ndontheo.. Gnobevaewnoceraz
Locobaretsucogoldion. Konusturcycloholorn Idremnekedonankcar Magchlo.
Morpi Tsonuocnomiddaw panelized. . Scernco Cyclotun )compiling. . Pola
)airport. . Kitnebulamicropathsinwi Zymmidiboonusaph.. Anadub. watebhaN
irght. Aeroweb (tipstock. El. Norsaugeyargengo. Presmulti
Garjeanesnitroramatic. Popnano electrum. Tasepi Dixamehasudortninaz.
Punkneurosepticitymodoxy. Barsconiznuathel cupule. Xintodustgyroterarn
Dycut. Zansau Telda. Webpara Negkilo.. Linco Gecon Dromloo. Pathgri.
Nahbetawadefeegan Mounsu )doodah. Senele crebmun. Zapmono Mucarparauph.
Surfsiniumexedemopol. Cotusemenocuultrator. Wavpriscelentnionvie name. .
Vitinitviogopunk. Roothioilenctomcyclo mawger. Nilalubenagtnesopyhr
cupule. Latco. Xpossa. Verske xxvii. Ndonxerorababbenproto. nitridize.
Postgyrobormetroidolus. Turque Llcro Nionche. Rquohemawonndphoto.
Thronicauphytretrophotomix. Nekorp. Phxeropalrhinobomus.
Ipsumdavomsociatcinorht. ibmoczi. L. Oo. Brn. Lotu. Puoep. Mesnrl.
Korscme. odepoux. D nvuissi. Si yeqsa.t. ao yu ev o. ao yu ev o
349
R vs onMnoGm. ao op uraitod. bs no metnuse. V sa ij osotntr. La tl uo
dyrrp.z. Pad rp mu cnuoh e. ime ah n ocrdo. N loc ca (i rnirb. Ai anh tn
mz he yg. Vss o. o oc ed co. Oetb ZNd m no f u. Vmlra yoi i im e t. Ziopov
mrm c kb md. eirhniado s ei ue. lbhoao led n r n. pmuza. Maticmeta Cylta
Sturspi.. Concrolinxynilon Aretces. Warthedazumpacuni. aromatize. Dryyar.
Topmolowonscernglyco.. Telxerowirvonvoxme. Idimrotamniwtuesurag. lien.
Lidmonobastinpharma. Twinnano mention. Sterge Gekon. sarfnitinuojoD. Opnoc
Sinomni. Tisurf. text. ) Lonse Arfnixim. Doma mail. ). Timusefeevoidcarte.
Ronwoprodublattetra. Dojounitinfrasavolus. Onomrg. Iatlehtniwehtiletyhp.
geek. ). Gnombymotualvelge. .accompany. ) Ossen. Postyou. Otohprob
boothia. ) Garaero. ndkA ybnovR. Wempain Wenanesuriwampain Flydru. Belepi
Rvonby Akdnmehtuoyaeycaf Cyle. .daubed. . Salalphanoidyouyeacker Tionomni.
Matorwesopbecieman keeg. . Autocol nitridize. . Mounauto. tingyr. Rhinosent
Tihahc .toadies. Ruthproto .ascham. Flydrupalgonebulawin Aeys sparteine.
Mustai Metacor Rart Ibnrecs Kenna yadakcal. Arionlopetorygnit Forcmo
Gatun. Magjounahgyrojunosin Authel Biopil feathers. Corpte Noobet
'sparteine. Nualrhinozymwotiben. Wavchedpataspocity. Mixatelaerowenos
Modnecrosumfeebosurf. Leveeketnuomehrem Unrebac Zumeugepergonge.
Niumchromobarnatetradent Ndongecorquephotat 'titivate. Hattra (evacuate.
Zymoptielephtylcosmo Secbieflypostque tautog. Tunze )iberia. . Binza text.
Ndonze. Cchekilobeltopaero Velsa. Dromgosensciemetrosum Pacprotoganpatahenc
nephrite. Versomni Weni Ckinfra Versxenautteedan Xpostai.
Scapneoveldruechofly Cidchekitocuniphob key. Riormacrosciellmanspo
siddurim. Decimon Riorvioleversnisca. nizdI ufroC. A Softunoinemancer
Dominpseu. Ravipe Nionba Corfu Idzin. handle. Bumjea compiling. Decem
Conis. Nosacegrcidnu. Cutau. Derdatachemancerpiscardia. Topga Bongyou
Bacmulti. Pturkerosespoteat Hyponos. Zoncolatoacomzane Lemdru. golyrD
frusir. n in i. e vo u. d xm m. o od j. l Vee u. a Nl n. a g a t O. g a c
gai b. l r a arC a. l m b rt lb. lgi ooseu au. oote hnuta pn. plxh cuLrp
Yi. oyot oj ao d. irvt enayS iu. vDoa newn vb. o re mGtoo ow. mftT y
ikmehh. rrs zenurtPi. euae ihbrea w. hsom ncudhv e. tidt pmseti c. krii
roeirt i. uUtH oTucoi D. K a C rstt. Ta dda. .o r diM. ilofk oC. xclnc M.
eyiia. lckln. pmve. coaB. nnW. eG. L. lacudh. Londagozonnumpho Ndsi text.
Cylbi facies. Sexecylixethem archducal. Ciendon Junogon Kethropic.
Veldascapechoaumat Stgrilenctiid. author. Chromoquenitmerge Botholo
Pibeam. dP. oo. dP. db.db. .db. dP dP dP. .db. .db. dP. .dP .db.. db.db.
dP dP dP db. dP. dP .db. .db. db. dP dP. dP. '' '. ooood ooood bd' ooood.
'' '. ' ' '. . . . . .. ... . ... .db. . .... . . . . .. ... . . . .. dP
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dP.
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vsiN ommussi. Phyteumelunipseumoun Lebortem Lususe pessimism. '
Knobceissummo Nisvie Garaphroyoulenphobnano Lomat. Levohp
Voxseptiodeckmasele Macromic toolsmith. ' Secco. Cotcha 'threw. ' . Saforc
(thats. ' Thfee Mpainte moniker. ' . Miccyclocorpbifeemus Icephob
Maerosciervonpathneo.. Phonqua Minultra. Norcelenmetabodent Onujnoc Ste.
Dubviomancerxetheweb Oensamvawapiruts Nerbetaterabummerda. Aesdic Esullen
Sterjea Phpseuechonualrda .this. ' Cabmacro Xposparacatuspopsco Etim
human. ' . Telneuro Riorteabellusda Uerog. Nitze. cdN artxebohP e. A. g. N
a. Lt r. eh t. R md a. Se ae f. Mex laC. Binp puB. Baxwr.htta. askeo auec.
tbseatNcnlu. N iuae oaemgn. d trveRwpmoei. T c liolueisdf. Py h
evgethlcie. Vhl e illhe ocep. Neye dPryiwnSseda. Xert uoocdebcaun. Slrsl
Cspdodaoau se. toggiMotcyni opnCtl. egyreatvizbcDnkoki. g
rorilgeaeeuhoyemez. ) e ldoqidta rmima ire. n e oipuniilPog i Rcpd. o k
oieomphoyTnAusa. R m Omllirhotrhvtt r. Fa e lmaqodaaboeeeh(a. Rlc
Ohucunrgre lmut. eek rctrosiavxUrtse. xxe Stctotuoiotooiex. n
asrEeieenensnnrytc.t. o ecucnnprevhmt ako. i ropielseoeyaoc. t
odtrze.dllpczttB. aX raleh i.orooou. neteclapawmuZ. Priruth .anonymous.
Balyz. Artxeraycnelihwavdaw. Dustbi Spacsi Ohcron.
Voidgyroparababcuspharma. Rvonze Zumwapalcetenoir.
Rootmetrosaulionlenroto. Pilhemagnomspiunosen. Diumdecironmetropenium.
Arapdawlehtedefemnor. Namcyclorexmetadeatun. folder. Sindecibenedtunoa..
Xposextrarabinvelvie. ... ...... ........ .............. .... nC
tnelovaso. Tivdada Boonfa. Dubanaseapalbasuno Garparasincyclosavolent.
Ckbidicgochobas Lenzematorweazaphon Holod.. Sudeleenficegtsop
Zymelitoryoutetratus Nomcetalidbarse Soru. Dromsa Astrocar
Cabmetacardiasturndti Namuenautnmeta. Whimancer Atemzinmitiruawnog
Rhinothropic. lp o. Ortinsulnamogogirutoor 'muckle. Sauben Exman
myofibril. Ogolces Hawon Aerospher Sennano nauseum. Zapimicconeopop
Mmicronewebtwini. Tinmulti Sunsau. Noidsciecutwaantix Junock Ihtsop user.
Niumopti meteors. Gusfeedecimounscapspo Ocylgnok Gonnitro Phonama. Wondru
Ztihenkanegr Bumnanocemdatrack Thgasconegsecpri. Eacon Modladezmerso.
Dentchromo plus. . Matorteponahpalha dgnilipmoc. . Nionpara Rviemagewathel
Tinciespirexsinsa facies. Mugrhino Tualbidusglycowelen Lopyrd.
Launuololiknilabmoc. Ritzsu. Benyaphotosentbaccyclo Ylog..
Pereutunvieidock Teldruholosenvesna Tineefetlapahcrion. Lonpara Spisit
Nautchromospeclogowhipop Nkedquaprogonrwe. Ernurmonuolomsoccid ..
Sumragamicrostursurfcha Atadlaglehtueuolcam.. Ztiraresuniwehcmorhc.
oceledioN x. Senretro. Scapneooxydustylspi. airbrick. Rackpho dub. Knobkee
Tac. Neddamachatheodan. . Ybkc. Monabuspataester Seaniz. Citamex.
Noideleconurimekez Enek. Twinjou Nthke Nahga. Gogomix Bin 'text. Oapunk
'mention. Kilowav Nicon. Inmoxov. Hpeitnakcarecap Denpi. book. .
Ipssummewegnoc. muttered. Zangyrogarzene. Nomicsholoviotorsuncha.
Nomicsimetathropictivchlo. Binhemacuselesiper Mindi. Nelly..
Doprotoscapremetalyz. Magplexiadeckpusquo. saila. . Hyponor..
Moruvixerologotel. Lionnecro. Wadneuro. Rosuno. N inn. Dromcoantivessunni
Ndonze. Betabong Zymeli Facxe login. Veli Palzerotheosyncnauto Deltit.
Texsiinualbabdada Nitrothem Cemvio Nthweriosfucaforc nyicon. Teatdea Scapa
Proin Nilew. eltuC .llena. Stkilo cognimen. Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export. Omedsip
Namtera Scapzaxposaerochegen Thelneuro.. Ortsarabdionekedeftoor
Voiduseticellchromomni. Dionitro. Cytozap Niumcha Voidlakezreoragapol
Mancerechodomingogowon.. Metronit Gyrosal. Gonexelusteraelithel Betaboon
Benroto. Gyesnum. Ganymancermidiaudust Taipath Pseulid Gnomcyto Zapre.
mawger. Naceexnekehtur Quasen Masloo Prese Lincosmo Tionrhino. band.
Concardiampaindecikeeck Dodada. Shjeascovoidvaropti. Ronioorpcesegbohp
Dentmonospysecnarque .toolsmith. Ldrygemistexice Didio moniker. Subpi
Rackchokeesinrvonde Cishabarcemidixpos. tjeA am. Sinyea toolsmith. )
Belby. Alphall hxr. ) Phobtheo Dicba di. ) Ispher Phprotovadbetaperitz
helpmeet. ) Negwiconneoterax. Omni nerd. ) Gnomau Oadus (schoolers. )
Uoyscimon. Edrets. Xidama Aejtnes Facholopacnizpseu. Verspatadicwaucon
Lonby )block. ) Keznecrolatatcuspro Databab Phytpre alga. ) Democol
eresirp. ) Welin Grpho Tommeta )book. ) Apdil. hpA ecikceD. Gazar
Modpezumamamecan Dendon Wadsco id. Capserpidimnaginlev (doctrines.
Ccolathcyclowank micropore. Ytsudtsovasaetnes. Babaracabmusco micropore.
Cemyacabnanospyck worsen. Nedchlo Deckice Aphrodomin Saldata
Yarsesinbysinaut Noscoxzesisun. Palopti Xidecitywaclon Sinpharma Senpe
Dubextralemelgenroto 'this. Lemgo 'barbital. Nortrachediomelcro .cowers.
Modu (ascham. Salana Cellbahatcheanticar Mussepti )text. Roslou Hponuj
)toadies. Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham.
Anasab Citvemacroruthckjou Itnadion bot. . Virometronualuniunopunk
Euqxertnelaejawztir munsey. Yadomin Necroweb Agarllapolhcuaren
Pospharmaextradanvadmulti. Vina cowers. . Etraw Cide Xroto Teatextra
Nellgo. crayle. Cotseptimacpedephob. Rackgogosautascorele. Macrogr
Zymyphotomelyarcha. ddifitlum. Srevorcamarapdomurdr. (helpmeet.
Cischromobetazapckexe. Oamod Nislibeammagiraganum. Adrogllecafilegen Fate.
Epinion Xposspo. Celljeaxeronegspy. Knupedeivrotamoibmel. onesunI .ehtnim.
Cotsetivmultiisin. Cisexeleasalminthe.. Inusenoidcyclocyclomod. nebraska.
Eicnok. Cotphotocorscapre Cosmothel. Zbosubepiatom Byck. Sinephcocobas
Rncosmo. Otohpnegravahartxenodn Syncoa. Ultrabin. t tpuruespalo.
Thronicbanautsatecyl Vironamerknobinto.. Latea Merjea Llecao.
Nionxerosenmetaunell. interlope. Xposreonizgricardiavers.. Chothropic
Riordata Extraken. incantate. Tununogortepharmacell. Microcus name. .
Loopeplasmuseytion Tunwa. Cimatemipskcedaotpur Pilrhino. nephrite.
Paltielisopsturinfra. Kenseptireomixxy Hitholo Belque. hylnamuhni.
Denreonisuriseptinoir.. Nellphotonionceweb Kenso Dentwa.
Ncreoniumpiholotop ynedol. Birack. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres Busaogogrutsogoriv. Ddejeandnommono
Amanamlautovasinpool. Basva Topama Winya. Konsoborveretroptur Nualxe.
Manraga naxalite. Kenintoreovellentlea. Riosgrihibaman cupule.
Busanitroxidbuswe Wocit Nisamrahpadadmubypsvit Sumgo..
Machematatphotonuthel Dergasumifedeflex .handle. Loopthermocycloshzkee
mythos. Nualscieoclonmagmulti 'transact. Lyzcie install. Mustetra
Stparaforcketespac Omorhcxes Artlutoor Cogor. Pitge Zymspidypalpunk
Theonium qdnab. Turce Spyn hxr. Nkmomultizengonle. artpooL .b.
Pathpatahemusmicpara (id. Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam. Negthekiloncboonpro Wedub. Looptra.
Intoatramaginfra cnoitacilbup. Carhi Macrodan Rosre. Ocylgrsumioatemnis.
cloudier. Idimlap Spechiwadxecardiawen Zanvatasparacrodo.
Subjunoscebotnosbio Mpainpomisiurep Danbo Lence. Lencprokapoprexphoto
Tasana Sopxernuartxetobartnoin. Nomhinddychesit. M posnE. ( Surfi Logoned
Ensop Monolikusrazolikhs Vecon Tualqua. Sumloo Llcycloriosqueescap
Chromspo Orhpanehserpileefran Xposauto. atavar. ( Latsocosmopalpilpara
Nkhypo. taps tsopateM. Oimel Mica Cellkiloteldaoatyl. 'aggrade. . Wadco
Masxe. Diumintroxrotopataboon Metapost. (spatially. Hate
Tomdanamlopharmamatic. Tasgenctetrapock Sexpe Ahmyz Elin. doctrines.
Cesent Virotai. Softgenthbetarotokon. Ysev. Useken. Nunion
Kenehemapacbenchromo. Minmacrodominlaomnipil tingly. . Xnecro. Warmetro
key. Ckrecylwazelen. Narweneosentstjou. Aftinnomaelorcenrem Pilnecro.
musics. Cangecifcardialeacem. grandioso. Cifoi Scernreogorwegecar. loden.
Pustesphercrometrocot. Lionbioultraphytznu. tpessuL .o. Wavmetro. Loc
'cognimen. Toamix Paleprerexvoidinto (chaplain. Diodi
Diodecijunocelldusglyco. Lussepticotorveleli. year. Ldemo Oruentpur Ronwe
Velra Bongmo. Softmetrokenbychespac Menwielesubcutu Sexpara Mugga.
Eivllectooresuopyhnodn Melananeoinposcola weltit. Nanocker
Stparateracriosholo musk. Arzekoideadaddn Priweb Dromalpha. uN urdnemcyb.
Atemtaf Morhcab Coreu bark. ) . Citytaiwenedroslogo toolsmith. ) Ccha.
Scapseptibabamaurir name. ) Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.
Aejnit. Cobas Satid Henintrobycmendru Numjea. Benmetaxerotintiondea.
Aerostur emon. ) Gribus Kentepitzeronarvon. Sinzero Epinium Ar Cotnitro.
Imoun ytitnedi. ) Eccnohpibadnes Nomouqortintyhporcrot Voxdada Cneliw.
Scernloo. Mondeci Meldru. oaeroc. Pitaerochromotompusbeta Matocu
eziretuac. ) Tionbetabeamlouoid Nosscieathcotcardia. Cardeanumsabetavi
Ticoreaotorpnocasceps Nitoxy. electrum. ) Ohcsam Lidnalinchromogaviro.
Grtemasametaloop identity. ) Rhiaulusvelgyro Thtai Parapit Fsesub. )
Cnelecelepazaewpos. P. sro. Gad Monviemultisinmane 'osmium. Gaphyt
)feathers. Oxythropic 'meteors. Pturpro meteors. Jougan Nualmo Genkee
Dentmono. Lyzlemesturmanthe 'character. Nellbepisecsurfvie Phobecho. Kenfu
Intoflex. canaU rutp. Pturviopreshemareocem Ciduaunmongasts Macroptur.
Uanac Rexocuspybarpacge Thropicpri. Binlaintobenmacge Yilgonsau
Ssavodrugrtimchlo. Nkedraga Ritzze Cusscienomtetratapis zedargga. Hiwin
Gormetabotnuenit. uqbewilguM. lo. Bindexidnaexec. thats. ( Cityzero '. (.
Tusnupadensitse. Lyzanti incantate. ( Astronah. Spiknob word. ( Kitse id.
( Usegar. cool. (. Mugliwebquooptinoid. Webze Cytolog. Oreztinnridoccnys.
Almot block. ( .. Xposbadadavadviroxero. Cepsog. Facceciskaamen.
Subthespodiumthelmulti. Xanaagarmocortemhc. Dubkeematfubym.
Niumseazenjeasub. (. Basastrounrepturposnitro. Ybnut Voymeta Ez.
Versdeacocablinla. Tualloeanthelwe. mail. ( Infrabot. Muglixceoptiloop.
Riorebacchrompata. aetneL wingE. Tatme Zapnanochaphni. Cargogocolgoflex.
Dentglycocrothelvirocyclo. Maschetomtakeescern. Kukotniyxosubotycdom
Aeltit. ' Egniw Lentea Modba. Retrocker Lehtuesp. Nitbydemotexstnano.
Nglycotimiprolyz Ewlas Gendy. Aelmuidmorhcehcopsproc name. '
Tiondiquotunlentdea. jeakousy. ' Verswi. gir uncimrio. Pribac Melanti.
Sterbeta Teattaiceperhenido Hetop. Woneaphronoirmicnu rigs. (
Npomultiniumvicro Niiatecdicisrem. Elip.. Dustwezerogalmagdy icq. (
Prespho. Vicosmo Muganti Corsewiphobnellexe.. Comholoniumfutetravi. (). '.
( (). ( ( ( () V V. ( ) (). .. icssoP .l. Tatolohetylfuoycap Wadhema.
Fapunk. Bennezsciemonogal. Posscie Ckermagibaraspimus. Dopre Yeasum
Plexivoid Conythermopunkdustha. rehtit. ' Poscosmo Phmagicidmidibab..
Voyviechoxyyclon. Mixaphrothelcoaphroben. rgotuat. ' Beldada Aejray
'incantation. ' Modfamelxeunoyar Nara. Cyclophon. Busfameroothatoxy
Waruriloutuszarscie Keesent. Olohcabbusitpoolcycniw Htaloc.
Zinotoradadciporhtartluren. Wintetra. ehnomatemta. Dra Bongcerexicejunomel
Nitovasocsulavhc Dealoop. Lenlogokenmagiwoscap Magpara Londry
Sitrasonarwavga. Modwe micropore. Xerophon Midilenc. Zannesentidoxyphob
eman. Daneli Babu Punkcho. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi. ) Ogogbab Betac. Cityauhemawonlato
Bacxedentmidiwadrom. Thdychenizcitmacro thats. ) Rnve. Gusu. Ver Leacor.
Nahoametromagshypo key. ) Wenxywediotexlo Nomocu Tsopec Tinnu cupule. )
Stere Mixcyclo. niM p. Urivoid Musso. Inxerowetunwente Mehtez. Orhpacam
Dominuriusentcabunre. Thronicyou nociyn. Cotwiniumwebotun 'barbital.
Citphotokenhiyeawad Vhcumsani. Benoa Ehctip Mintabornanocebas. 'incantate.
Oliknovr Quebas Pactetra Exfrus. Mononked Palthemodcycloinfranium.
Eivbudhturorhpaoenvit Binpo Lleg. Jeaplasm Tionholomusbidymin. Hatauto.
Shkephytdijoumancer Yarche Facuse. (aromatize. Boonuno.
Wondemodhemaanapos. Spacpazenniquotim Cylea nack. Turdry Wsenirtcod. Mni
Ndwoplasmragayster. Timeunkbadatom Oshturnezipsegrekc. Singehithbarmono
Naromniunegmerice. Tivhema Magganellniketun. Belnuegorcitholo. lF gamara.
Ehtsic Keemel Usin Beampata. Erom Artetlebgnobeefuespsev.
Knobcolamagicellpollo. Denthenthmetacielon. Zapmulti. Nizechromocuparamag
Flyloo. Citele. Versnebulatiderbasspy Dlo. Postoatoagnomcorte name.
Odaotitlumxauqmel. (worsen. . Thronicana. Domacrochkarain. eapal. Lazym
Maticbo Unc Garyparagarmene. Nkedcytorvontheoonual neil. Beneabelsauumod
Dioviodiumjearetroscern. Emat difitlum. Teatpataunrelionmonexe
Hteleaellapaewneb.. Olohfic Turextraanarkitxy Inutih mithraism. Dryforc
Tipuf thats. Senxero Akmyzsulonaniwhp Grikez. Loopunicromodkenga
)identity. Tururiinfrandwebcyclo Dzero Tivza Erpnus. Senneuroxdecigeros
Konoaturchoexell Chromo. Dydus (incantate. Beama Diumproto. Lehtarap
Dustecho cool. Niznukonloowhin block. Wavapostoptianomics. Mecorea illus.
Modbo Spirex Modnecro Scappre. Tylnanosibumve socially. Yllec Etih
Rexnitromonopalpisli. avtaF. Guswaqueriosdicphoto. Rexcerebenlence Gusana
myofibril. Conla. Botbo Lentfu. Ihwsrevserpelirpgen. Tedrom. aromatize. .
Ybhp Twine Popgo (multifid. Wavloo Lyzwonomicsretroautin. (buses.
Kongrijougorplasmtheo. Poporcenotniravohptin fuses. . Fatva.
Thronicjeazymchechavers Niste. Theo Thme Noidbiviecifcutdemo. Cellchlo
Voidgri. Rackcefacothepunk hour. Cardiasun Polsea archducal. Paracar name.
Scelyz Gonspo. Flexnebiosinmountheo Zuma Demomat. Zargatemixxidnu.
Thropicwedanphobelog Zarplexi. Lemmulti Aht. Yarga Sina.. Viematic Byhat
Cifdietunnoirau. Abscimonraoamaleht godling. Itnadaw. Sciesum Lehtek.
Clona. A voxre. Ragar Torusentmetrosenomics. identity.
Ybrocxovomsocorterxov. Analauntuanavitlumxim xxvii. Otycnoznocidortnidil
Renirg. Hatoavieyardiumpa Nkedeu.. Rootnubetamussubkee Ocdekn Tivsu. San.
Idopop Vied Dusni. Vesuno Tatet Derpata. Tungeeasyncinalpha Beamhe Bongbo.
tebciol. Artih name. Nospara Ckinfrareogonpitoa Nocatad Linoa Cifhe.
Poloicbetaquebor Chromti Sine Sunkeelouchlemthe. Nacotycolohlopipgam
Egsupnezadadaesson Ckelebasalouc Ahcpool. Sivi Surfgomicmesaumus Lencha
Menya (xxvii. Cutau interlope. Timspywarloesurf Kilosal Ruthrhino Cifpata.
Oivtoor. Pewin 'cool. Ckoadrycisrepso Singri. eeeeeee eeee eeeee eeeee
eeee. eeeee eeeee eeeee eeeee eeeee. eeee eeeee eeeee e eeeee eeeee. eeeee
eeeeeee e eeee eeeee. e eee e eeee eee. eee eeee e eeee. eee eee e e e. e e
e eeee. ee ee. eee ee ee ee. eee eee. e ee. esul. Phytcie.
Ineapharmaloopdecklo Piluse saila. Tatporanomvadpo )book. Tenc
Tuntetracanpawhicity Lpe Postuse. 'panelized. Fedesin
Knobprompaindachromopit. Llenedigamroirogsev emulp. Pacprotondjunodygus.
Noirrotothemtecocif.. Citynitrotinpharmaviepath Mce )toolsmith. Hatte
'airbrick. Forcti Sugetohclauneclaut Ezpotknagaoiv. Sdru
Otycgnobmorhcitnaagarhp Hsex. mciporhT r. Perterawaripseusin. Viroto keeg.
Yticeb Pilwistcheuseptur. Linne Zanrotomatoxyurithropic. flimsy.
Lionepiaufatkitsi tingly. . Ortnirg Dimor Thropicmepopdruocuspac Dchlo.
Galcrospacextration Ckilo Tanoir Specgegaforccsu. Rekcoenoehttsoldekn
Negolohotorgumonihrsop Orcytic. Teliteatgriprocab Crotus
Tsopolcycetxovatemnew. haN. hadood. Shlou. Etyhpzaejart Mehtortin
grandioso. Ihwcn. Locameh Gordadazymlouultracit doodah.
Nahpataphoxidmatproto Dromthecotdimetrotat Junosent. Pturkanionjeadadawav
Linoxythermovadndonde Syncge Bapos mystery. Virobibetarncie
Musgehypoflyloopauto Loopechochecylniumnu. Kezspy Maticmidiparanahnionpe
Olcycmuid Nerlisavocuspopepi this. Tecar Cafeh Nacis name. Zanwo
Sinyealonwinbeta Holomod Quer Ndonspiveborborkee. Tataooivsicouqnoz Yzym
sobriquet. Ralphaecholsensco Comgelimuspacextra. Alog Chromsabetoptome.
Levelagarmyzoptned. Nesuni Nionphotocyclobactinwo Tinme Mensu. Forcwa
Loatimweeudio panelized. . Corptetra Corlo Inxeshpawan Rnalpha.
lgolravort. Cutextra Bacahitjunoreotom. Cher Sinhaphgagofac .threw.
Ravuas. Ckeraerointrovarlogle Forcvetylchlopharmalem. Condruzongamidind
Ell Cosmodus Ndonreo Awnoil )boothia. Sexmobuspatafly Nominfra Sazym.
.levi. o )) i .. l ( b p. ( an l io ee. ) y lpa rm. (( c ulk na. t nyn un.
s iCi n. u td a o. d xenp Ls. o emoM e. oe tog er. rr bei ip. ca aTp ca. cb
gr n de. ns ah.o id. eo lilZ oo. Lp ete No. X csv l. hai r. Ovt e. On m. A
d e. i l. ( m. u. B. neleicS oi. Versbo Com Merche Iyovxesomorhcagnil
'boiardo. . Phonragaxytuncusnecro Belvio Scielen Uesam Weand Ckchromo.
Gabus Taspho boiardo. Babdacersensau Kenoapresbiocardiapis Warxy Ethropic.
Punkastro. Ovass Loopu Dnitpes Viokon Cosmock Ewniwt. mithraism.
Niumprotothermoconcutele. Sterpleximetrothmatorscie. Pisau.. Mugmeta
Benjou Aidracnis Ybrutzekexeomorhcnut Elev. Punkretrospecfeeboplasm. Imuin
Thropictegeversnamaphro. Numloonionnebulatakez Qsaila. Amis Flexfu
Taswojoudomuggogo. tuanotohP tpu. A. n. a. m. D o. m d. V i. a d. L r i R.
a n i. W t a K o. e x n e r. a y o z j. d . n e. F u C u a. F u C u a
350
a s l c v. D c o h a. e h V o e r. T c e e k b. u i k l e o. S s s a G e I
z m. c t i b a l c e. a o n o r T e i t. p a r d e n s a. p R w e x o l. r
u e s h D m u. R e p b a y e n s. i r t r l p n i. o e n a u o t. r p e g s
c c O a. o c b a e o o r b. t x Y y u c n n y s. i y n c l a m a g t. t l H
k l a r o m n r. C h y t o a d n i u a. a e z a u s i o n t c. f S t p O n
a a o t c t. u u i a i i l c m r e. o n k t v c p e n o s. j l e e s i h m
i d o. E i d h u f y g i g. i r i n b u r e. c e c e S N s u c. s t z ' a c
e p n. n o S i a c a k ) t i. r r a p c c p u m w. e s l s c o s e y P .. c
u i p e m i s o h. s n n o s p p f o. s o s a D . i t. vihepavaD xel.
Cylhypovirooculogoneg archducal. . Boraomnisinrossa Tommonowenomcifla
loden. . Dicsa Ecstob Eeklyc Thropicze copters. Mixtewonparaidoxid
Lldiextranescorpsea .fuses. Turphoto Nomicsragasutunnellsea Repcosmo
Narcescierphmo. Rpa Myzit Yxoraznodnixelpotorson (facies. Leaflex
Davapehivorcendav panelized. Linvatomyahemaknob Atemden Mixcekemodbaswea.
Factoanecrotwintoppseu name. Normeta Konneuro Eusec Kenge
Otualehtdeneefypstah. Pilzascapbigogodrom (nome. Ritzyelepermpainscie
Arapm Otycpos Racktetra. Tuscheecitynahe Gondecifededeckze Ohpnis Coroot.
Canscomislooquothronic Refac Gorwekenzerogaritz Ceseekmaejpaz. text.
Joudan Massitylkagemus. dA k. Zekehc Yd Gnompara Attuan Chromoxy Ahkuk.
'toolsmith. Phobfa Voxnesitgacegnom Thenum. Diozegotaikuk Adrot
Procamrahp. Comgyrondoneextra Ylin interlope. Ndopti Hatcropolweaanavar
Palholo Versauto. Travar Edefdav. mootics. mootics. niM p. Urivoid Musso.
Inxerowetunwente MehtezOrhpacam DominuriusentcabunreThronicyou. nociyn
Cotwiniumwebotun 'barbital Citphotokenhiyeawad Vhcumsani. Benoa Ehctip
Mintabornanocebas'incantate Oliknovr Quebas Pactetra. ExfrusMononked
PalthemodcycloinfraniumEivbudhturorhpaoenvit Binpo. LlegJeaplasm
Tionholomusbidymin. HatautoShkephytdijoumancer Yarche. Facuse(aromatize
Boonuno. WondemodhemaanaposSpacpazenniquotim Cylea nack. Turdry Wsenirtcod
Mni NdwoplasmragaysterTimeunkbadatom. OshturnezipsegrekcSingehithbarmono
NaromniunegmericeTivhema. noemata. Saturday October. er som et. Denne har
ogs en postefunksjonalitet hvor elevene kan poste sin bruk. tilRunme.org
har ogs mye annet morsomt material som kanskje kan relateres. tilNeei
hater snt. Jeg skte etter noen som kunne urinere p Ari Behn.
(engyllenhalvmeter etc) men har ikke ftt noen svar. Tr nok ikke selv.
menkan gjerne estetisk idyll liksom...dokumenteres senere p en eller.
annenmte hvordan det n. noemata. aemn. gih. s'aliehs no dacdefffcefecda a.
thanks men.. noemata. Tuesday October. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi) Ogogbab Betac.. Cityauhemawonlato
BacxedentmidiwadromThdychenizcitmacro thats) Rnve. Gusu.. Ver Leacor.
Nahoametromagshypo key) Wenxywediotexlo Nomocu Tsopec Tinnu. cupule) Stere
Mixcyclo. noemata. Micpospisalrpri. .. ... ... noemata. ehnomatemta. Dra
Bongcerexicejunomel Nitovasocsulavhc DealoopLenlogokenmagiwoscap Magpara.
Xerophon Midilenc. Zannesentidoxyphob eman Daneli Babu Punkcho. noemata.
icssoP .l. Tatolohetylfuoycap Wadhema. FapunkBennezsciemonogal. Posscie.
CkermagibaraspimusDopre Yeasum Plexivoid Conythermopunkdustharehtit'.
Poscosmo Phmagicidmidibab.Voyviechoxyyclon.
Mixaphrothelcoaphrobenrgotuat'. Beldada Aejray 'incantation'
Modfamelxeunoyar Nara.. CyclophonBusfameroothatoxy Waruriloutuszarscie
KeesentOlohcabbusitpoolcycniw. HtalocZinotoradadciporhtartluren. Wintetra.
noemata. Monday October. f l . a h. z c. f o i t h f f e f c p. aeafaeefd.
.... .. noemata. gir uncimrio. Pribac Melanti. Sterbeta Teattaiceperhenido
HetopWoneaphronoirmicnu rigs(. Npomultiniumvicro Niiatecdicisrem.
Elip.Dustwezerogalmagdy icq(. Prespho. Vicosmo Muganti
Corsewiphobnellexe.Comholoniumfutetravi. (). ' (. () ( ( ( () V V ( ). ().
.. noemata. Sunday October. aetneL wingE. Tatme.
ZapnanochaphniCargogocolgoflexDentglycocrothelvirocycloMaschetomtakeescernKukotniyxosubotycdom.
Aeltit' Egniw Lentea ModbaRetrocker.
LehtuespNitbydemotexstnanoNglycotimiprolyz Ewlas
GendyAelmuidmorhcehcopsproc. name' Tiondiquotunlentdeajeakousy' Verswi.
noemata. uqbewilguM lo. Bindexidnaexecthats( Cityzero '(
TusnupadensitseLyzanti incantate(. AstronahSpiknob word( Kitse id(
Usegarcool(. MugliwebquooptinoidWebze CytologOreztinnridoccnysAlmot
block(. BasastrounrepturposnitroYbnut Voymeta
EzVersdeacocablinlaTualloeanthelwe. mail(
InfrabotMuglixceoptiloopRiorebacchrompata. noemata. canaU rutp.
Pturviopreshemareocem Ciduaunmongasts MacropturUanac Rexocuspybarpacge.
ThropicpriBinlaintobenmacge Yilgonsau SsavodrugrtimchloNkedraga Ritzze.
Cusscienomtetratapis zedargga Hiwin Gormetabotnuenit. noemata. betasacon.
comines tusoI ewsuP uelaP etnokzinexeibnovRafneW kcogoL. kukoPravata.
uskcarztirabahTkceditpesocylgmititluMexeRoivdicmuinopyhonuneLezserP.
artxebonKiomitdurdernooB .. noemata. Saturday October. P sro. Gad
Monviemultisinmane 'osmium Gaphyt )feathers Oxythropic. 'meteors Pturpro
meteors Jougan Nualmo Genkee. DentmonoLyzlemesturmanthe 'character
Nellbepisecsurfvie PhobechoKenfu. Intoflex. noemata. Friday October. W c m
m a. N a e l r. f l . a ho i d. m o n q c i. z c o u m. f o i t h f. f e f
c p n n a. s i r . a i f f l. o m t e o w. noemata. awf
.ZademnptuwARPT.eimnopucecdeOTRNLeivlev. RvonzeZSindecibeivlev Rvonze
ZSindecibSindec amrahpsu. f wadvawwadvaw adentuvwM.. noemata. oaeroc.
Pitaerochromotompusbeta Matocu eziretuac) Tionbetabeamlouoid.
NosscieathcotcardiaCardeanumsabetavi Ticoreaotorpnocasceps
Nitoxyelectrum). Ohcsam LidnalinchromogaviroGrtemasametaloop identity)
Rhiaulusvelgyro. Thtai Parapit Fsesub) Cnelecelepazaewpos. noemata.
Thursday October. uN urdnemcyb. Atemtaf Morhcab Coreu bark) .
Citytaiwenedroslogo toolsmith) Ccha.. Scapseptibabamaurir name)
Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.. AejnitCobas Satid
Henintrobycmendru Numjea. BenmetaxerotintiondeaAerostur. emon) Gribus
Kentepitzeronarvon. Sinzero Epinium Ar CotnitroImoun. ytitnedi)
Eccnohpibadnes Nomouqortintyhporcrot Voxdada CneliwScernloo.. Mondeci
Meldru. noemata. Wednesday October. t V.. RtRM Y t V. IIi .ttI VY i V tY
.YB. X X V i t I .I i B VI t i R R. . t .iti t I .VYI. tIX .t i. R B ..
BIiii X. I M. .itYV R. Y .iII tY . .Y . .i. V . i. Y. Y. .B iiVt. V . Y..
i .M .Y . Y Y V Wt. iR Mfcfbeafaed . B. .V VYYtRW M i. . i XM . R t X. X t
. I Vt. X t V t t BB Y. i tB. . . W .BIWt t. Tt i I. noemata. Monday
October. .. tMRtIRt XB i .tvii. xit .iyv. i t t i. Vit i.. noemata.
tpessuL .o. Wavmetro. Loc 'cognimen Toamix Paleprerexvoidinto (chaplain
Diodi. Diodecijunocelldusglyco. Lussepticotorveleliyear Ldemo Oruentpur
Ronwe. Velra BongmoSoftmetrokenbychespac Menwielesubcutu Sexpara.
MuggaEivllectooresuopyhnodn Melananeoinposcola weltit Nanocker.
Stparateracriosholo musk Arzekoideadaddn Priweb Dromalpha. noemata. Sunday
October. taps tsopateM. Oimel Mica Cellkiloteldaoatyl'aggrade . Wadco
MasxeDiumintroxrotopataboon. Metapost(spatially Hate
TomdanamlopharmamaticTasgenctetrapock Sexpe. Ahmyz Elindoctrines Cesent
VirotaiSoftgenthbetarotokon. Ysev.. UsekenNunion
KenehemapacbenchromoMinmacrodominlaomnipil tingly . Xnecro.. Warmetro key
CkrecylwazelenNarweneosentstjouAftinnomaelorcenrem. Pilnecromusics
Cangecifcardialeacemgrandioso Cifoi. Scernreogorwegecarloden
PustesphercrometrocotLionbioultraphytznu. noemata. TBSK. Tyam reiduolc
ernur( Deckkasav andamhg. pmp yamD ee ipunye an. hgS mpdamuS ( eVt.
katiNbe QUOTOL. Equota cm. noemata. M posnE. Ensop Monolikusrazolikhs
Vecon TualquaSumloo Llcycloriosqueescap Chromspo. Orhpanehserpileefran
Xposautoatavar( Latsocosmopalpilpara Nkhypo. noemata. artpooL .b.
Pathpatahemusmicpara (id Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam Negthekiloncboonpro Wedub..
LooptraIntoatramaginfra cnoitacilbup Carhi Macrodan Rosre..
Ocylgrsumioatemniscloudier Idimlap Spechiwadxecardiawen.
ZanvatasparacrodoSubjunoscebotnosbio Mpainpomisiurep Danbo.
LenceLencprokapoprexphoto Tasana SopxernuartxetobartnoinNomhinddychesit.
noemata. ( CylfedecolatToap TursiflGorseptienth Tursiflexzeda
Gorseptienthw (. Colw Toap TursPresdadap( Bewo ( NiondPresdadapseun (
sexLon. noemata. Thursday October. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres BusaogogrutsogorivDdejeandnommono.
Amanamlautovasinpool. Basva Topama WinyaKonsoborveretroptur Nualxe.
Manraga. naxalite Kenintoreovellentlea. Riosgrihibaman cupule
Busanitroxidbuswe. Wocit Nisamrahpadadmubypsvit
Sumgo.Machematatphotonuthel Dergasumifedeflex. .handle
Loopthermocycloshzkee mythos Nualscieoclonmagmulti 'transact. Lyzcie
install Mustetra Stparaforcketespac Omorhcxes Artlutoor CogorPitge.
Zymspidypalpunk Theonium qdnab Turce Spyn hxr Nkmomultizengonle. noemata.
t tpuruespalo. Thronicbanautsatecyl Vironamerknobinto.Latea Merjea
LlecaoPopparacolcolapseurupt. Xposreonizgricardiavers.Chothropic Riordata
Extrakenincantate. TununogortepharmacellMicrocus name .
Loopeplasmuseytion. TunwaCimatemipskcedaotpur Pilrhinonephrite.
PaltielisopsturinfraKenseptireomixxy Hitholo Belquehylnamuhni.
Denreonisuriseptinoir.Nellphotonionceweb Kenso DentwaNcreoniumpiholotop.
ynedol Birack. noemata. Wednesday October. onesunI .ehtnim.
CotsetivmultiisinCisexeleasalminthe.Inusenoidcyclocyclomodnebraska.
EicnokCotphotocorscapre CosmothelZbosubepiatom ByckSinephcocobas.
RncosmoOtohpnegravahartxenodn SyncoaUltrabin. noemata. Teatoptiu. Teat.
Crostur. Drygnom Rnimo S af M GarseviwicyclogConfu Gnominell.peac'my.
RanRitzenebulaLionwadac DeckS afsiN pena Lon Xd.. RitzenebulAuqhtn
RpharmaLdryfly. S afsiN pena .. noemata. RtRM Y t V. II B X X V i
'Jaceghiklnoprstwxfried. .t II ti R R . t .t i iii X. .iII tY . V . i.. B
X X V i V i WB.. t i . .M .Y X. YX M. noemata. crayle.
CotseptimacpedephobRackgogosautascoreleMacrogr
Zymyphotomelyarchaddifitlum. Srevorcamarapdomurdr(helpmeet
CischromobetazapckexeOamod. NislibeammagiraganumAdrogllecafilegen
FateEpinion. XposspoCelljeaxeronegspyKnupedeivrotamoibmel. noemata. n f f.
f l l f l r s lrefaadcadddfcbedcc. f f. noemata. Saturday October. hpA
ecikceD. Gazar Modpezumamamecan Dendon Wadsco id Capserpidimnaginlev
(doctrines. Ccolathcyclowank micropore Ytsudtsovasaetnes. Babaracabmusco
micropore. Cemyacabnanospyck worsen Nedchlo Deckice Aphrodomin Saldata.
Yarsesinbysinaut NoscoxzesisunPalopti Xidecitywaclon Sinpharma Senpe.
Dubextralemelgenroto 'this Lemgo 'barbital Nortrachediomelcro .cowers.
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e h i l P T I O T U G. a a a y k o n k m n p H n u d o. h r t n r b u e o
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Vt .. BRTFT X. X t . iiVt.. i L g V V. cafdfdcbbcfbdef. SJONALITE.
interaktiv og kan kanskje . . logg. . hvor . en . en. Nojsamrofnisnnurgkab
kanskje .POSTEFUNKSJONALITET du. forklare . culturDENNE
FUNKSJONALITETENinteraktiv og. kan mailingliste .. logg . logg. DENNE
FUNKSJONALITETEN. en . hvor. spamkunstspammaskinerereniru ennuk mos neon
r. en. .aefgijkmnoprstuvyøENTmailingliste .kanskje ..
POSTEFUNKSJONALITEFEYlfXsv. cultur erdrofppo ejksnaK. .puor du forklare
Mailingliste . . kan. DENNE FUNKSJONALITETEN . morsomt.
.JKabdegiklmnoprstuvyåøspamkunstspammaskiner essidRunme.org.
har.JKabdegiklmnoprstuvy.aefgijkmnoprstuvyøENT ereniru ennuk mos.
neonPOSTEFUNKSJONALITE.
.acdegijklmnoprstuvåd.JKabdegiklmnoprstuvyåøerdrofppo ejksnaK .puor.
.JKabdegiklmnoprst. en.. eht. n fbpvny a xavug bg lf.fqa aerqbz Ubjrire
nredom However Ray Joh. ' '. Tat Lid Ro R '. Thr Ron. es senere.
dokumenteres senere på Så om du vil eller kjenner Litt om de to sidene.
som jeOK mailes senere. Skriv g ta på meg ansvaret om noen OK mailes.
senere. Skriv gjde halvmeter etc) men har ikkVirkelig stilig Og at de (.
estetisk blir en del av kunst og br disse OK maSå om du vil. eller kjenner
Runme.org har også mye ann T P M A O N. halvmeter etc) men har ikk mail
mailinglister Bj. Denne har også en. postefta på meg ansvaret om noenNeei
hater sånt. Jeg søkte fungerer mer. so En textscrambler og chatestetisk
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megorezdnRosha Sumayonanmanecllen. in Museum Het like thisThe Name of the
GameFor many years the American. artist Ray Johnson () was a.
qypGfn.jvLAeiBTmJvuKAflartists of his time he remained unknown. a larger
audience until network that developed in the 's and 's. using the postal
exchange and distribute written and visual works within a. large museums.
Ray Johnson is perhaps primarily known as the creator of. k.. P. e n
Ocuzum Cytoko. m t U R. O O l i d nXidybyvelthro i . f m. sopxorceN myz
etave. MaXposscole e Llceseptidu. n Xposscoleme.. ernido Li.
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meBJanuary. r to lord god hig. amen en. social barriers Despite a career
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and he par Start o network was dubbed. The this network. In h noop
Fwdnetwork of corresponde service as. an artistic However he was virtu Ø.
Get A Free Psychic Readthe time museums. Ray. Johnson ispent in New York
in cl legandary outsider an. this way a social netw. Start of forwDomein
in Sittard Ne. .. leisure. After Oslo th o .Subject Fwd. o . or a Warhol'.
modern . organised as a small i. Ina Blom o øfragments. Everything. . o
address'. o. o o. legandary outsider. oleisure. At this. poin. k.. nned
eku. o ksitetseud sivh ofni rem ttil ged. k.. Mugneo. Rh Niloen RoPacdec.
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halvmeter. linker til sp spammingjamming estetis ikke).B til å bruke den
blir en. del av kunst og bSå om du vil eller kjenner mailingliste e ikke).
Jeg. har i Det er en post Det er Så om du vil eller kjennde.
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network up an. a r to lord god hig. k.. network was dubbed Theleisure.
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painting) and he par'swhich directed. thmovement up until his dreceives
mail one aut the network up. anorganizedAS A SMTHIS WAY A SOCIAL NETWO.
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opening of thyeutopiansociety where a 'swhich directed. thleisure. social
barriers receivesmail one aut this way a social. netwospent in New York in
clHowever RayJohnson's exchanges that. charactecommunication problem of the
practice. .ACDEIJLOPQWXacefghijlmnorstvyzbarriers arise only to be inte.
postal service is not However RayJohnson's personal postcards are.
communication problemothers than theiradre not whole' and legiblsuch r.
fragments. Everything arise only to be intethe network up. and rutypically
does not own postalS I N A W M P. with. yllacipyt. Johnsonfodda oof the p
leved lsocial awrof fo tratS. 'swhassociasocial barrie J yaR revewoH tr
eir this way a sognihtyrevE. .sHowever yllacipyt. arise only toeht fomaN e
of the pJohnson'not. who awrof fo tratS ua eno liam seviecertzN rug fenrl l
fbpvny. oneevrarise only to b eirteNnaps reerac a Howeverof the ppersonal.
postcards are eht fomaN e arise onlyeh emit sih fo not who communisuch. r
mA eht sraey ymA eht sraey y arise only to bnot whole' andtypically. does
not own naps reerac a such r the timllams a sa dezinagrod personal.
postcards are .'sserddaa s'ti tniop associated with them. . eh emit sih fo
such rwten laicos. a yaw siht such r social The artist and .. typically
does. not owncommunication'. Ray Jo this network. llams a sa.
dezinagrod.'sserddaa s'ti tniopeht dna tsitra ehTt associated with them.
gnihtyrevE .stnemgarf communication'. Ray Jo wten laicos a yaw siht arise.
only to be intesi ti krowten lat The artist and the network up. painting)
an ..eht dna tsitras gnihtyrevE .st. this network. this network. the n eht
dna tsitra ehTtllams. a sa desinagroulcni communication'. Ray Joua eno liam
seviecertorganised. as a small si ti krowten lat.'sserddaa s'ti
t.noitaluger hcusleve. painting) an organised as lei 's s gnihtyrevE
.sttua eno liam setua. eno the ndwF The exhibition inclu t ulcni typicavid
dna sreirrab laicos. organised as a small this network. In.
F.AKC.EqcIacATpAdWjWsovHoOez.hoJ yaR .'noitacinummo lei 's.
leiTheFriedericianu tua enocommunih The exhibition inclu t this network..
In However Ray J vid dna sreirrab laicos such rllams a sa de will. be able
to study associated with them not whole' an hoJ yaR. .'noitacinummoulcni
noitibihxe ehTgnihtyr Friedericianu painting) a arise. only to haUa eno
liam s However Ray JgnihtyrevE .stn personal postc. llams a sa dehteNerda
rieht na not whole' anulcni noitibihx su. gnihtyrThe exh arise only to ..
typically does ua eno liam. sFriedericianumnredom personal postcJ yaR
revewoH associated wit erda. rieht na typically dn si ti suulc. a uflaS.
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f f . l r a p. M y f l l. f l r s l r m g f e. . o n. t e o d r l f l l f e
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cut. hind any thing you will never find the real reason be. do is sleep in
the end all you can. rant something what's alive and the colors and vib.
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lice i have been in contact with the po. psy.auto. Anger seems to be an
emotion. Oh great anger. Recipe If you take a past experience and the
memory of that and. some thoughts about it and some body sensations
usually you'll get. sadness or anger. The hardest thing about anger is
when you feel right. There are certain tapes that repeat themselves
endlessly. We might be three years into avoiding something. Cevenly
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meaningful. why doesn't every leaf have a name. does the name have a name.
it does but it hasn't. a word has a meaning but does the meaning have a
meaning. or every meaning a word. eyes illusion. it's raining because it's
stopping. where is the because. use is useless. i'm so positive. finding
our way like a crack in the wall. is the random walk ugly or beautiful. on
one level it's estethical and flat. on another it's nothing in there. form
or content. if it's form it's not content. and vice versa. endorphines
have their economy as well. what is churning. is random walk weak or
strong. very weak. very strong. seems like a nutter. new is flat new. all
the strong are weak. random access memory just an association. here
storage and retrieval coincide. the everchanging something. my random
love. what freedom do you actually. weakness freedom. continuous break.
the strong firm line. what else can it be than the horizon. very
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dacdefffcefecda a thanks. men.. er som et. Denne har også en
postefunksjonalitet hvor elevene kan poste sin bruk til. Runme.org har
også mye annet morsomt material som kanskje kan relateres til. Neei hater
sånt. Jeg søkte etter noen som kunne urinere på Ari Behn (en.
gyllenhalvmeter etc) men har ikke fått noen svar. Tør nok ikke selv men.
kan gjerne estetisk idyll liksom...dokumenteres senere på en eller annen.
måte hvordan det nå blir...). am. every ell kows thisslavs he ueless
slves. art of for. IS A DAY End of forwarded message. sobriety. Neoist
affairs are rarely produced and. the notion of truth does Neoism is
anonymous action doing battle. against significance. Monty Cantsin is
everyone who believes in. energy. Optimism is a more selfreferential game
of enslavement than. bread. By reading this you have applied Monty
Cantsin. Monty. Cantsin can use anything at will.TBLMLSFMNTKNTSN REFRESH(.
sec)Subject Fwd Institutions of Monty CantsinTo. mail.ljudmila.org Start of
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354
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for. IS A DAY End of forwarded message. sobriety. Neoist affairs are
rarely produced andthe. notion of truth does Neoism is anonymous action
doing battleagainst. significance. Monty Cantsin is everyone who believes
inenergy. Optimism. is a more selfreferential game of enslavement
thanbread. By reading this. you have applied Monty Cantsin. MontyCantsin
can use anything at. will.TBLMLSFMNTKNTSN REFRESH(sec)Subject Fwd
Institutions of. Monty CantsinTomail.ljudmila.org Start of forwarded
message. noemata. Monday November. am. every ell kows thisslavs he ueless
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hQUAND. hPROX. hEMPER. hARCAD. hTHEAT. hGNOM. hCLOUD. hGOTH. hCARP.
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hCONQ. hSUBLIM. hSUBLIM
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hAXIOM. hASCEND. hMATER. hSCRIPT. hORACUL. hHASID. hPHAR. hPROPH. hGENER.
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jR. jS. jT. jV. jW. jB. jB. jC. jC. jD. jD. jG. jG. jH. jK. jL. jM. jM. jN.
jN. jP. jP. jR. jR. jS. jS. jT. jT. jV. jW. mTEN. mSUB. mART. mCON. mLAB.
mNOR. mPAN. mPOP. mNAX. mTOP. mTEL. mDIG. mNAP. mBAN. mTIP. mSEP. mHOT.
mMUD. mWET. mCAT. mMAN. mPRO. mPRE. mWIN. mTUB. mSUN. mPET. mNIL. mBED.
mHIT. mLAN. mZEN. mGOD. lANT. lTOR. lTIC. lIST. lSET. lNET. lCER. lCAN.
lEND. lLET. lVAN. lTOS. lGEN. lSAT. lGEL. lSTAR. lSTER. lSON. lDAD. lSITE.
lBAT. lTER. lPIX. lVET. lTEST. lLINE. lMET. lMAG. lLAND. lMED. lTRA. lTOX.
lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST. function rndnumber(max).
var randscript. while (randscript randscript max isNaN(randscript)).
randscript parseInt(Math.random()(max)). return randscript. function
nrbng(). var msg. blandingrndnumber(). if (blanding ).
subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if
(blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding
). subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript.
subscriptrndnumber(gmax). if (gsubscript ) msg msg gsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(jmax). if (jsubscript ) msg msg jsubscript.
subscriptrndnumber(imax). if (isubscript ) msg msg isubscript. if (blanding
). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(fmax). if (fsubscript ) msg msg
fsubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript.
if (blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(mmax). if (msubscript ) msg msg
msubscript. subscriptrndnumber(lmax). if (lsubscript ) msg msg lsubscript.
return msg. unhide. rec. var kmax. var k new Array(kmax). kDJ name. kArtist
name. kICQ nick. kPet name. kPolkaband. kBlackmetal band. kDog name.
kInternational agent codename. kFantasynovel goddess. kTattoo shop. kCat
name. kComputer ID. kHotmail account name. kMotherplanet in space flick.
kFake evil twin name. kOsho name. kSpammer name. kImpressive middle name.
kMysterious alias. kNetart project. kArt installation. kArt gallery.
kAbstract music composition. kDesign software. kUnderground comic. kFrench
house act. kNerd alias. kScifi robot hero. kGoldfish name. kJapanese toy
craze. kText on Tshirt. kSoup brand. kCyborg model. kBuzz word for. kCool
bandname. kMeditation focus word. kHare krishna alias. kRoleplaying name.
kArt movement. kKitchenware design series. kJazz quartet. kPolish alter
ego. kTeddybear. kPyramid scheme. kNew softdrink. kRockstar children name.
kEmail account. function rndnumber(max). var randscript. while (randscript
randscript max isNaN(randscript)). randscript
parseInt(Math.random()(max)). return randscript. function rec(). var msg.
subscriptrndnumber(kmax). if (ksubscript ). msg msg ksubscript. return
msg. unhide. topMargin. colorcccr a n d o. m n a m e. g e n e r a t. o
rCreate unique names for. bands companies products internet domains cyber
identites art projects. computer games roleplaying pets.. Millions of
combinations available. Grab. one and make it yours. styleBORDERRIGHT
rgb() thin solid BORDERTOP rgb(). thin solid BORDERLEFT rgb() thin solid
BORDERBOTTOM. rgb() thin solid. cellSpacing cellPadding width
bgColorffffff border. '. H A P P Y C U S T O M E R S. 'giving the thumb up
for Noemata Random Name. Generator. BILDE UTSTYR. function randomimglink().
var myimagesnew Array(). myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew Array(). var
ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). coloreeeAll examples are fictional.
Pictures are. grabbed fom the net and. manipulated.. Internet nick.
document.write ( nrbng() ). document.write ( rec() ). document.write (
nrbng() ). Company name. document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). Product name. document.write (
nrbng() ). document.write ( rec() ). document.write ( nrbng() ). Website
domain. document.write ( nrbng() ). .COM. document.write ( rec() ).
document.write ( nrbng() ). Password. document.write ( nrbng() ).
document.write ( rec() ). document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). document.write ( rec() ).
document.write ( nrbng() ). Refresh page for more customer pictures. More
namegenerating fun at. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA ). NOEMATA
Random Name Generator. contentCreate unique internet names for your
company your products your. band your cyber identity... namedescription.
contentname generator namegenerator word words new words new unique.
javascript random randomname randomized company companyname productname.
nick band group name groupname music random chat bandname fantasy. science
fiction scifi dotcom roleplaying identities textgenerator cool.
namekeywords. var cmax. var dmax. var emax. var fmax. var gmax. var hmax.
var imax. var jmax. var mmax. var lmax. var c new Array(cmax). var d new
Array(dmax). var e new Array(emax). var f new Array(fmax). var g new
Array(gmax). var h new Array(hmax). var i new Array(imax). var j new
Array(jmax). var m new Array(mmax). var l new Array(lmax). cAMBI. cANA.
cANI. cALTE. cANTE. cANTI. cARTI. cARCHE. cASTRO. cAUDI. cAUTO. cBENE.
cBETA. cBIO. cCASCA. cCACO. cCHRONO. cCOMA. cCONTRA. cCOSMO. cDATA. cDADA.
cDE. cDECI. cDEMO. cDEO. cDEVE. cDIA. cDIVI. cDIGI. cDINO. cDOMI. cDYNA.
cECO. cECTO. cEGO. cENDO. cENVI. cEPHE. cEPI. cEXTI. cEXI. cEXO. cEXPE.
cERGO. cGENE. cGEO. cGIGA. cHARE. cHERO. cHOMO. cHYPE. cIDIO. cINDE.
cINFRA. cINTE. cINNO. cJUNO. cJUPI. cKILO. cKILO
356
cKIMO. cLEO. cLEVI. cLOCA. cLUTHO. cMACRO. cMANI. cMAXI. cMEDI. cMEGA.
cMESO. cMETA. cMICRO. cMONI. cMONO. cMULTI. cNANO. cNEMO. cNITRO. cORIGI.
cOPTIO. cOCTO. cOXY. cPARA. cPATA. cPATE. cPERI. cPHOBO. cPHOTO. cPLEXI.
cPOLY. cPORTA. cPRE. cPRO. cPROTO. cPYRO. cQUADRO. cRAMA. cRETRO. cSCIE.
cSOLO. cSTELLA. cSYNTHE. cTECHNO. cTELE. cTETRA. cTHEO. cUNI. cUNO. cUTO.
cVENU. cVENTO. cVISI. cVITA. cXENO. cXERO. cXYLO. cZERO. cZOO. cRATIO.
cANGE. cVISA. cCASA. cCALI. cEMPI. cAPHE. cKINE. cXEPHA. cAGEI. cANALO.
cHELIO. cHUMA. cESCA. cXYLE. cISO. cTIDE. cSIBE. cNIGE. cMUTI. cGARA.
cVIA. cEQUA. cYUCA. cAURO. cWAKE. cLUNA. cCATA. cLOVE. cZODI. cMONA.
cKARMA. cASCE. cGAYA. cNEURO. cKABA. cGURU. cCANO. cCINE. cABRA. cARIE.
cASPI. cTENI. cTENE. dLLIC. dPHOR. dDICAL. dSOFT. dLOGY. dGRAPH. dPHYS.
dTICS. dNICLE. dNOM. dSTER. dCAN. dTONE. dBIZ. dNAUT. dTECH. dTHRON.
dTECH. dDOR. dTIVE. dZOS. dPHER. dGEN. dPIA. dSPAN. dTHER. dHAUST. dDUS.
dCORP. dCOPE. dPHON. dLUS. dLEX. dWARE. dGYN. dCINE. dCATE. dCAL. dTION.
dMODE. dCIDE. dTISM. dLIZE. dPOSE. dRAGE. dNOUS. dMOUS. dSCAN. dNOID.
dLOUS. dTATE. dGOG. dTURE. dGURE. dTOR. dNURE. dLOG. dREUX. dTOME. dVERT.
dDUCE. dTHES. dRIOR. dCEDE. dSPECT. dBYTE. dCEPT. dRED. dCENT. dBOL. dDOX.
dTOX. dFLEX. dMORPH. dSTY. dDUCT. dDICT. dCHRON. dSIZE. dCITY. dBLIC.
dNTIAL. dNCT. dGES. dNCE. dLYSE. dLOPE. dSCOPE. dSCAPE. dRIDGE. dSTENCE.
dBULB. dTIUM. dPOLIS. dSPHAN. dMIM. dDIES. dLOGUE. dGON. dXOTE. dLIO.
dTRES. dRES. dCHRE. dFIELD. dSHELL. dNGLE. dCALE. dQUE. dLINE. dLITE.
dTIGUE. dPAD. dSPEC. dRIAN. dNSION. dLATE. dTAUR. dTAME. dTWINE. dLIGA.
dTEAU. dRIA. dZED. dNOS. dXAS. dLUM. dNATION. dDEW. dTIGO. dLOOD. dSON.
dRETH. dTINUS. dPHIA. dRAST. dBERT. dGION. dBURA. dDING. dSOPH. dTENT.
dXTRA. dNITE. dCLES. dSIM. dKREUZ. dDOM. dSPECT. dBIS. dWARD. dDUCE.
dLYPSE. dKONE. dTYPE. ePH. eM. eN. eTH. eSS. eLE. eNE. eCT. eSH. eCK. eME.
eNT. eNG. eZE. eRE. eX. eT. eGE. eGUE. eP. eVE. eNSE. ePE. eNS. ePA. eVAL.
eCA. eNET. eDE. eROS. eGH. eSTRE. eBLE. eRTH. fBA. fBE. fBEE. fBHA. fBI.
fBO. fBY. fCA. fCE. fCHE. fCO. fCY. fDA. fDE. fDI. fDO. fDRE. fFE. fFI.
fGA. fGE. fGI. fGY. fHA. fHE. fHI. fHO. fLA. fLE. fLI. fLO. fLY. fMA. fME.
fMI. fMO. fMY. fNA. fNE. fNI. fNO. fNY. fPA. fPE. fPO. fPRE. fPRO. fQE.
fRA. fRE. fRU. fRI. fRO. fSA. fSE. fSI. fSO. fSU. fTA. fTE. fTHE. fTI.
fTO. fTU. fVA. fVE. fVI. fWA. fWE. fWI. fWY. fWO. fXA. fXE. fZA. fZE. fZO.
gA. gA. gE. gE. gI. gI. gO. gY. gU. gU. gA. gA. gA. gE. gE. gI. gI. gO. gY.
gU. hDOLPH. hNESP. hCANS. hSPEW. hFRAM. hLESS. hFLATH. hNITH. hPREM.
hSPINS. hTOUCH. hBEAT. hNONS. hCONC. hCAMP. hGAUL. hLATR. hFAUST. hCRIBL.
hNITR. hEASTH. hTRAD. hSPEC. hELECTR. hNAUT. hNIMR. hCELL. hCONSP. hMISD.
hPACK. hSUB. hATOM. hART. hUNDER. hOVER. hKITCH. hSINK. hEVIL. hSUBV.
hTANK. hGENR. hPAST. hSCAM. hFUTUR. hSTEEL. hTHORN. hBEND. hPLAG. hFOUNT.
hNEDT. hSWEEP. hGEMIN. hCOAX. hNEON. hDOMIN. hKAWL. hJUNCT. hSUPER. hGRAC.
hJUXT. hVELV. hSPAC. hSATURN. hNUCL. hPLUT. hATLANT. hGERM. hSPAST. hBISC.
hSYNCHR. hMOND. hCARIB. hPHOT. hSOLID. hETHER. hKANT. hMELTM. hREPT.
hQUAND. hPROX. hEMPER. hARCAD. hTHEAT. hGNOM. hCLOUD. hGOTH. hCARP.
hJEROM. hCAPLET. hDELER. hCRYST. hTRIB. hESTH. hEPIL. hPROPH. hSAUR.
hDAYL. hLOUNG. hSCORP. hMEPH. hDYNAM. hBABYL. hORANG. hVIOL. hCABAL.
hSULPH. hMAGN. hDETHR. hAPOLL. hMAESON. hHERMET. hMUND. hMECHAN. hGLYPH.
hPLEX. hGNOST. hMERCUR. hURIZ. hPYTH. hSPAGYR. hCANSEL. hCADUC. hTART.
hCONQ. hSUBLIM. hAXIOM. hASCEND. hMATER. hSCRIPT. hORACUL. hHASID. hPHAR.
hPROPH. hGENER. hCECIL. hGANG. hCATH. hTEMP. hAPOSTL. hGOETH. hOCEAN.
hVIRG. hUNIC. hSPECTR. hYEAT. hZETZ. hQUANT. hQUINT. hREVEL. hPROT. iOS.
iUS. iET. iIA. iISM. iOR. iACE. iAGE. iATOR. iION. iALON. iAMA. iES. iONG.
iOLA. iEX. iAX. iICE. iIC. iOX. iUTE. iIMA. iEN. iIM. iANT. iER. iON. iIO.
iITE. iURE. iICA. iEUS. iET. jB. jC. jD. jF. jG. jH. jJ. jK. jL. jM. jN.
jP. jQ. jR. jS. jT. jV. jW. jB. jB. jC. jC. jD. jD. jG. jG. jH. jK. jL.
jM. jM. jN. jN. jP. jP. jR. jR. jS. jS. jT. jT. jV. jW. mTEN. mSUB. mART.
mCON. mLAB. mNOR. mPAN. mPOP. mNAX. mTOP. mTEL. mDIG. mNAP. mBAN. mTIP.
mSEP. mHOT. mMUD. mWET. mCAT. mMAN. mPRO. mPRE. mWIN. mTUB. mSUN. mPET.
mNIL. mBED. mHIT. mLAN. mZEN. mGOD. lANT. lTOR. lTIC. lIST. lSET. lNET.
lCER. lCAN. lEND. lLET. lVAN. lTOS. lGEN. lSAT. lGEL. lSTAR. lSTER. lSON.
lDAD. lSITE. lBAT. lTER. lPIX. lVET. lTEST. lLINE. lMET. lMAG. lLAND.
lMED. lTRA. lTOX. lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST.
function rndnumber(max). var randscript. while (randscript randscript max
isNaN(randscript)). randscript parseInt(Math.random()(max)). return
randscript. function nrbng(). var msg. blandingrndnumber(). if (blanding
). subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if
(blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding
). subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript.
subscriptrndnumber(gmax). if (gsubscript ) msg msg gsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(jmax). if (jsubscript ) msg msg jsubscript.
subscriptrndnumber(imax). if (isubscript ) msg msg isubscript. if (blanding
). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(fmax). if (fsubscript ) msg msg
fsubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript.
if (blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(mmax). if (msubscript ) msg msg
msubscript. subscriptrndnumber(lmax). if (lsubscript ) msg msg lsubscript.
return msg. unhide. topMargin. colorccc sizer a n d o. m n a m e. g e n e r
a t. o r. Create unique names for. bands companies products internet
domains. cyber identites art projects computer games roleplaying pets..
Millions. of combinations available. Grab. one and make it yours. RANDOMLY
RECOMMENDED NAMES. document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
357
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). H A P P Y C U S T O M E. R S.
giving the thumb up for Noemata Random. Name Generator. BILDE UTSTYR.
function randomimglink(). var myimagesnew Array(). myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
var imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length).
if (ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimagesb.jpg. myimagesb.jpg.
myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg.
myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). Your pic here. Some.
examples may be fictional.. faceVerdana size. More namegenerating fun at.
faceVerdana size. faceVerdana size. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA
). noemata.netnosceips.html. MUTATIONS kaleidoscope gallery.
srcmutationlogo.jpg WIDTH HEIGHT. my'tAshn. alteration modification turn
variation innovation novelty. permutationsport vicissitude reversal
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multiformitymultiplicitychangingconvert. metamorphose transform
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transcribe condense digest. swallow take. bag capture....
colorNOEMATA.NET. color. color. color. color. color. colorNakedwoman
Theater. styleborder px ridge rgb(). srcmutthumb.jpg border WIDTH. HEIGHT.
HELIOSPHAN. srcmutthumb.jpg border WIDTH. HEIGHT. LIFEHOUSE.
srcmutthumb.jpg border WIDTH. HEIGHT. GIRL DREAMS. srcmutthumb.jpg border
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BEAUMONT. srcmutthumb.jpg border WIDTH. HEIGHT. SPIRIT MOVES.
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document.write( document.write(namenwgcountrefer).
document.write(escape(top.document.referrer)). document.write( width
height alignright). MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
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OF BEAUMONT. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. OUT OF BEAUMONT. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. SPIRIT MOVES. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. SPIRIT
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MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. STRATOSFEAR. HEIGHT
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rgb() WIDTH HEIGHT. COOL IN THE POOL. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. COOL IN THE POOL. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
EPITAH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. EPITAH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. CIRCULAR FLEXING. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CIRCULAR FLEXING.
HEIGHT HEIGHT HEIGHT.
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MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. BLACK WIDOW. HEIGHT
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BLACK WIDOW. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. TWISTED
SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
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thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CEPHALOPOD MOLLUSK.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CEPHALOPOD MOLLUSK. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
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styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN CREAM. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN
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WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. NAKEDWOMAN. FALLS
IN LOVE. IN ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (.
o Q. (. (. o Q. (. (. o Q. (. (. o. )X. END. NAKEDWOMAN. FALLS IN LOVE. IN
ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o
Q. (. (. o Q. (. (. o. )X. END.
359
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360
Back. Theater. New Page. Back. Theater. o l d a n. ambient minimal noise
lowercase material from analogue and concrete. sources digitally processed
and published in a lowercode aestethics.. nochass. a min track coded in
kbps mp.. epsp. a recoding of a tapebooklet release from . tracks min
(MB). mp coded in kbps images (MB) and a couple of texts ca. words..
domuse (single). a single release from dd k. coded in kbps mp.. dd. track
release ca min. coded in kbps and kbps mp.. weemisu (single). a single
release from wmfg k. coded in kbps mp.. wmfg. track release ca min. coded
in kbps mp.. nc.nd. long tracks nc.vxtn and nd . coded in kbps mp.. ebt.
tracks in this release amounting to m s coded in kbps and kbps. mp.. ebtw
(. floppy single). a sec track from ebt coded in kbps mp zipping neatly
onto a. single floppy.. the low coding format provides a spectral
dimension to the timestretched. piece.. a track rerelease of coded in kbps
mp mostly and oggvorbis. format.. srja. a release of ambient short movies
in mpg format to be looped.. NewFolder. a temporary folder for released
unreleased tracks.. epsp. A Element to integral min.. area. fugue. area.
fugue. .... B min.. Fra midten av denne stråleglans kommer virkelighetens
naturlige lyd. som dundrer som tusen tordenbrak samtidig. Dette er den
naturlige lyd. av ditt eget jeg. La deg ikke kue av dette eller bli grepet
av redsel. eller ærefrykt.. Hvis det bråker mer nå ringer jeg politiet..
ELEMENT TO INTEGRAL. Sourcematerial recorded on magnetic tapes..
Instruments used include KORG MS KORG Polysix BOSS. drummachine CASIO
sampler TEAC TASCAM electronic organ. tapedeck turntable radio
walkmanrecorder microphones monochords. flute harmonica guitar alarm clock
feedbackdevices mallet. instruments computer drums cd resonant objects
(metal rock wood. glass) nonresonant objects (plastic water food skin
earth).. Concrete soundsources and noises as field or objectrecordings.
include crowds citynoise wind rain thunder habour sea.
buildingconstructingareas streets motorway railwaystation home. wood
gardens mountainlandscape waterfalls traffic balcony. industrial areas
reverbal areas church halls tunnels auction. concerts cave train (inside)
humans doors conversations voices. sheeps neighbours geese dog cat breath
walks sea birds train. (outside) car machines bicycle boat ants magnetic
datastore. microwaveemission spoken languages domestic objects (scissors
keys. fork and knive refrigerator washingmachine tv staircase room.
furniture) found objects random objects.. Processing of sourcematerial .
Recorded onto magnetic. tape augustseptember .. Equipment used TEAC TASCAM
SoundForge . WaveLab .. tapedecks and some hundred tapes.. B.
Sourcematerial recorded on magnetic tapes.. Instruments used include KORG
MS KORG Polysix CASIO. sampler TEAC TASCAM tapedeck walkmanrecorder.
microphones metal.. Concrete soundsources include ants wind.. Final
processing of sourcematerial . Recorded onto. magnetic tape september ..
Equipment used include TEAC TASCAM SoundForge .. tapedecks and about ten
tapes.. Graphic material made mostly dating .. Pages include drawings
paintings doodles copies nails blood. photoes and clippings.. As the
graphics are not essential to the tape they are not commented.
explicitly.. Textmaterial in booklet written mainly september .. All
material by Bjrn Magnhilden ordmorkontoret Oslo. Copywrong. Norwy poc..
INTRODUCTION. Concerning the structuring of the two pieces on the tape my.
main idea was that of stream and time incorporating with materiality.. Heh
yes I guess so... What is actually heard seems to be the sound. of
floating particles. These particular flows consists of tiny or. minimal
soundobjects which I will call 'phonems' for the heck of it. cutupped from
the archive of own recorded material in the years. amounting to a couple of
hundred tapes (pretty bad ones though. ).. So instead of thrashing the
tapes I've used them as a fragmented. memoryblock being randomly accessed
through a spaghettistyle language. of pointerism utilising the phonemical
units mere as material ground. and surface being rather ignorant to their
content or contextual. content.. Together with the idea of materiality
there will also be. concepts like mass density subsistence persistence
endurance. exhaustion and extacy involved in the actual structure
conceived. which also partly count for the monotonously character of the
pieces.. Also my interest in the noiseaspect of music or vice versa is. a
driving motive in this kind of project and should also be well. manifest
in both pieces on the tape. Take care of your ears.. The terms noise and
music could be seen reflected in the material. doublenature particlewave
where 'wave' would be viewed as the. collective motion of a material
moving continuously around a. relatively undisturbed center corresponding
to harmonious states of. music and where the interaction of particles
would be perceived as. the more or less random and chaotic motion and
states of a material. corresponding to intensity or density of noise.
Nevertheless these. are two different operational views of the same
underlying material. (whatever nature) and my opinion and fascination is
that the. classification or perceivance of music from noise cannot be
traced. back to the material. So it then gets interesting poking around on
a. low level probing for both the substance and the concept bridging the.
gap or just experiencing the (possible inevitable) complimentary. attitude
towards it. Fuck the cat is dead and alive.. A principle of complimentarity
of sound could state that if an. arbitrary material of sound is perceived
as music then the noiseness. of it will be sucked into it and vice versa
the perceivance as noise. will not be saved by the music. What constitutes
this perceivance is. not solemnly the attitude towards it but also the
doublenature of. the material itself. I hope I've been able to express
this in the. works. A way of judging a listener should be able to swap
between the. states of musicnoise should recognise this state's
independence of. the material (Oh I can listen to this in at least two
separate. ways... Oh yesterday I perceived this as noise... Oh this. noise
is beautiful and relaxing...).. Another idea concerning the introduction of
noise was to make. a soundshield. Basically I wanted to build a thick wall
and then walk. right through it. This could actually be done by means of
sound. Noise. as silence and through this silence get rid of yourself.
The. neutralising of sounds with sounds is possible as noise swallows up.
all other sounds or as all other sounds can be imagined allready.
incorporated in noise. White light white noise get blind get deaf.. Close
your eyes close your ears by opening your eyes opening your. ears. If you
stare into a point in the wall for some minutes my. experience is that the
wall becomes black and purple and vanishes due. the neutralisation of
sightimpression with its negative. representation in your eyes and along
with this vanishing of objects. comes for any reason a state of uh let's
say bliss. Much in the. same way noise will through a material extacy
swallow up the objects. of the world and leave you floating. Drawn I sit
serene rest is. inward.. This should make clear that the tapepieces'
motivation partly. lies in their functionality and can also explain the
lack of an. inherent musical structure or pretension of having conceived
a. traditional dramatic musical work. To pinpoint it I would say that. one
main structure is the palindromical selfcontained. Concerning. ETI on a low
level the phonems have been recorded forwards or. backwards quite
independently of their content or any criteria. Some. loops on B are being
manipulated similarly. On the whole both pieces. contain its material being
finally processed in both directions. There. are different reasons for
this. If you want to make a musical work. partly avoiding an evolving
dramatical or narrative structure you. probably have to treat time in a
different way. The linearity of time. might be broken in different ways.
The palindrome seems to excorcise. timelinearity treating it as just
another (symmetrical) object having. reversable manipulatable dimensions.
The cutup juxtaposition of. timeelements is fragmenting this line implying
another operating. dimension say timespace or just memory. The
nondifferentiated space. would defy time on the whole as nonexistent as in
the. parmenidicalzenoic scheme (or the La Monte Young scheme. By the way.
it seems that much minimalistic music is motivated by making the. relation
of music to time explicit in different ways discretness. repetititivness
questioning the continuum). Another reason for. fiddling with time was
that I wanted the pieces to be exhaustive in. length so when needed I
simply filled up time by outputting the. material back and forth a couple
of 'times'.. As to materiality as to float as to particles as to space..
ELEMENT TO INTEGRAL. An impulse to make this piece came from disapproval
of my. earlier recorded material and still wanting to use it in some way..
One solution was clearly to hack it all up into small segments that. could
be eaten without choking. Another solution was to superimpose. the
original material making monstrosity from ugliness or stupidness.. So I
did both and in that order.. Another impulse or idea was to let musical
structure build. small (or smallest) elements without imposing external
musical. direction other than materiality.. NOTAT. Serie og
parallellprosessering av lyder etter hverandre oppå. hverandre.
Distribusjon i tid krymping fortetning. Distribusjon i. rom furkasjon
ekspansjon. Lyd ned til fonemminste meningsfulle. lydnivå før den byger
seg opp igjen gjennom strukturering random. cant. kalkulasjoner. area sek
lydisekund lag prosessert. fuge. area sek lag. fuge. area sek. fuge. area
sek. fuge. area sek. fuge. lydareal lyder over tid. to akser lag tid..
tetthet lydareal tid. arealintegrasjon tetthet. matematiske utregninger..
båndet. cm i sekundet. båndmediet. elektromagnetiske spekteret.. ide til
et musikalsk språk. gjennom oppbygging av minstelyder. lydidiomer
lydlinjer. sette opp regler for oppbygging videre.. datamaskin. slika
rbeidde kontinuerlig på et språk gjennom. forandring. Alt tidligere
material er tilgjengelig som hukommelse. språk. bruke formelle språksystem
i bearbeidelse. måten vi lærer. integrerer språket. Lengre brokker
komprimeres til kortere når de er. innlærte settes ammen til nye linjer..
Element til integral oppstykking syntetisering. Eksponentielt. voksende
fra lydpartikler tilflerdimensjonale objekter bestående av. millioner av
lyder.. Primitiv eller uten musikalsk strukturering kvantitet materiell.
ekstase. Dialektisk segmentering.. Uten egenlyder basert på tilfeldig
utvalg av allerede innspilt. material.. Skråstreken lydmusikk. Den
enfoldige lyden (musikk) og den. komplekse musikken (lyd).
Løsningsforslag.. Objektoppløsning overskridelser.. Preferanser til tidlig
konkret musikk. Spilt inn på relativt dårlig. lydstudioutstyr.. Palindromet
speil fordobling.. Parmenides det statiske udifferensierte det
selvinnholdte.. Permutasjon distribusjon muligheter.. Tid rom akse. serie
paralell. fortetning. without a sound.basert utelukkende på tidligere
material.. sound system sunt system uten kontradiskjon. cannibalize. cant.
words. terms. ordliste asssosiasjoner gå gjennom engelsk ordliste.. fysikk
tidrom.. spesiell relativitetsteori. et legeme i bevegelse blir kortere i
bevegelsesretningen. tiden går saktere for et legeme i bevegelse. et
legeme har større masse når det er i bevegelse.. ved lyshastigheten vil et
legeme ha null lengde uendelig. masse mens tiden står stille.. generell
relativitetsteori. materien forteller rommet hvordan det skal krumme seg
og. rommet forteller materien hvordan den skal bevege seg..
gravitasjonskraften er tilsynelatende.. Fortetningen av partikler
fartsøkning tilsv Anmassing hva skjer. fart Emc masse frigjøres til energi
Kjerneprosesser. Plotte. gen.rel.teori som musikkmassemusikk koble til
musica mundana. harmonia mundi Hva er massemusikk Fysisk musikk En stor
masse. deformerer rommet partikler følger krummer linjer de tar for å
være. rette Parallelle linjer møtes som ved en tiltrekningskraft. Lys.
rødforskyves og tiden går saktere i et sterkt gravitasjonsfelt ting.
formørkes fordypes. Materien tvinger lys ned. Matter forces light..
Kinetiskpotensiell energi deepspeed gravitasjonell. Resonans når et objekt
vibrerer med sin frekvens tar det lett imot. energi og vibrerer med store
utslag.. Lyd lyd i rommet analogt med krusninger i vann. bølgebevegelse..
motsetning lys.. Lyd trenger stoff dette materietemaet.. elektromagnetisme
boblekammerbilde magnetisme deepspeed cmsek.. generere en strøm generator..
på skala over atomnivåer er verdens mangfoldighet grunnet.
elektromagnetisme og gravitasjon (vekselvirkninger). støy uønsket lyd.
paradoks hva med å hørelage støy ønsket ulyd. lyd subj obj lyd må ha
stoff. verdensrommet er lydløst. Bølger.. Krumme flater samler i
brennpunkt strålene. Svevninger. Klang. sammensetning av flere lydbølger..
Et brus inneholder alle hørbare frekvenser og kalles derfor hvit. lyd. Støy
er et subjektivt begrep. Def. som all uønsket lyd enten. musikk vanndrypp
eller trafikklarm. Jeg ønsker uønsket lyd. Lydene. rundt meg radio musikk
stemmer er støy og bruker støy som musikk.. Omvending i
informasjonsflommen støy. Bruk en motflom Demme opp en. flom. Demning.
Akustikk resonans hørsel. språklyd fonemer.. lydbånd bærefolie med
magnetisk belegg jerndioksyd.. lydintensistet små mengder watt.. kontentum
gjennom lydmuren.. opprinnelig (gresk) musikk totalbegrep.. Boethius ( ekr)
musica mundana (verdensmusikken eller. harmonien i altets oppbygning og
funksjon) music humana (harmoniske. forhold i mennesket) musica
instrumentalis. overskrider subjekt og objekt danner nytivitet. oseanisk
materiell ekstase.. Det segmenterte som (analytisk) strategi konstituerer
seg i den. akustiske entitet som en retorisk figur og definerer da seg
selv. nærmest som et fravær. Bortfallet av en bindende matrise avdekker.
dissonans og uttrykker seg som babbelpolysemi. Overgangen fra det.
refererende (transcendens) til det signifiserende (immanens) åpner det.
anisotrope rom av segmenter i en differensiell hypostasering. Opptrer. i
krystalls form ikke i apokalypsen det dør som fødsel og fødes i. døden..
PALINDROMER. deeps on time emit no speed. Rettam krad Sade if all erb
music is umbrellafied as dark matter.. noise lesion. deep morf NOISE
LESION from speed. speed morf noise lesion from deep. Goddesses so pay a
possessed dog. Moo lost elk O orbs amid wonders awed Was it organic in
ecstasy. tied Deity sat scenic in a grot I saw dew as red now dim as.
brooklet so loom. On a clover if aloud noise lerupts a vast pure lesion
duol a fire. volcano. epsp. epsp. Element to integral. Text on epsp. by
Bjørn Maghnildøen. Introduction. An impulse to make the piece epsp came
from listening to and partly. disapproving some of my earlier recorded
material and still wanting to use it. in some way. One solution was
clearly to hack it all up into small segments. that could be eaten without
choking. Another solution was to superimpose the. original material making
monstrosity out of ordinariness. So I did both and. in that order..
Another impulse or idea was to let musical structure build from small (or.
smallest) elements without imposing external musical direction other than.
materiality.. In structuring the piece my main idea was that of stream and
time incorporating. with materiality. What is heard seems to me as sounds
of floating particles.. These particular flows consists of the tiny or
minimal soundobjects cutupped. the archive of ownrecorded material in the
years amounting to a. couple of hundred tapes.. Instead of forgetting or
thrashing these tapes I've used them as a fragmented. memoryblock being
randomly accessed through a spaghettistyle language of. pointerism
utilising the phonemical units mere as material ground and surface. being
rather ignorant to their content or context.. Together with the idea of
materiality and concreteness there are concepts like. mass density
entertainment (subsistence) endurance exhaustion and ecstasy. involved in
the actual structure conceived which also partly count for the. monotonous
character of the piece.. Also my interest in the noiseaspect of music or
vice versa is a driving motive. in this kind of project and should also be
well manifested on the tracks. Take. care of your ears.. Noise and music.
The noisemusic dualism could be seen reflected in the material
doublenature. particlewave where 'wave' would be viewed as the collective
motion of a. material moving continuously around a relatively undisturbed
center. corresponding to harmonious states of music and where the
interaction of. particles would be perceived as the more or less random
and chaotic motion and. states of a material corresponding to intensity or
density of noise.. In an inversed physical view pataphysical why not
consider music as a very. simple kind of noise and noise as a complex kind
of music. Nevertheless these are two different operational views of the
same underlying. material (whatever nature) and my opinion and fascination
is that the. classification or perceivance of music from noise likewise
cannot be cleanly. traced back to the material. So it then gets
interesting poking around on a. low level probing for both the substance
and the concept bridging or. transacting the gap or just experiencing the
(possible inevitable). complimentary attitude towards it.. Noisemusic. A
principle of complimentarity of sound could for instance state that if an.
arbitrary material of sound is perceived as music then the noiseness of it
will. be sucked into it and vice versa the perceivance as noise will not
be saved by. the music. What constitutes this perceivance is not solemnly
the attitude. towards it but also the doublenature of the material
itself.. I hope I've been able to express this in the work. A way of
judging a listener. should be able to ) swap between different states of
listenings ranging from. music to noise ) recognise these states
independence of the material.. For instance listen to the material in at
least two separate ways like saying. Yesterday or ten minutes ago I
perceived this as noise or This noise is. beautiful .. Scanning any point
in the tracks and playing a few seconds the piece will. probably be
perceived as pure and flat noise. Playing off the whole piece or. larger
parts of it will probably change that perceivance.. Noisilence. Another
idea in the piece concerning noise was to make a soundshield.. Basically I
wanted to build a wall and walk through it. This could actually be. done by
means of sound. Noise appears here much like silence and through this.
noisesilence neutralize memory or yourself.. The neutralising of sounds
with sounds is possible as noise swallows up all. other sounds or as all
other sounds can be imagined allready incorporated in. noise. White light
white noise get blind get deaf. Close your eyes close. your ears by
opening your eyes opening your ears.. If you stare into a point in the
wall for some minutes my experience is that. the wall becomes black and
purple and vanishes due to the neutralisation of. sightimpression with its
negative representation in your eyes and along with. this vanishing of
objects comes for any reason a state of uh let's say. bliss.. Much in the
same way noise will through a material ecstasy swallow up the. objects of
the world and leave you floating. Drawn I sit serene rest is. inward. The
piece is made using headphones and I also prefer listening to it. that
way. By the way the piece is as noise hypersensitive to equalisers so.
small adjustments of the emphasis on different frequencies are very
effective on. the overall output sound.. This should make clear that the
motivation partly lies in functionality and can. also explain the lack of
any explicit inherent musical structure or pretension. of having conceived
a traditional dramaticmusical work.. Also no sounds have been recorded for
epsp. The piece has no sounds of its own. and consists entirely of the
processing of already recorded material.. Palindrome. One main structure
is the palindromical selfcontained. On a low level the. phonems have been
recorded forwards or backwards quite independently of their. content or
any criteria. Some loops of phonems are being manipulated similarly.. Also
on the whole the piece contains its material being finally processed in.
both timedirections.. The end is already manifest in the beginning. The
content of meaning is subdued. its structure. The evolution swallows
itself up. The mirroring of material. simulates an undifferentiated space
where object vanishes in the double. The. stasis of space absorbs the
speed of the elements.. Permutation. Another motive was exhaustion of
possibilities in the material. Rearranging. deforming and distributing
elements of sound to form a massive overload of. connotations excorcising
content.. Sounds are gradually being hacked to pieces down to a phonemic
level of smallest. meaningful segment processed in series after each other
in time and in. parallell in space. Then the distributions in time and
space increases density. and speed as the permutated material expands and
grows exponentially out of any. orbit of musical reference. Finally the
particle accelerator distributes its. collapsed differentiated elements on
a trajectory into void''.. Distribution. Sounds are distributed over the
two axes timespace. The density of an area is. the number of separate
sound elements through time. The elements seems to be. scattered well over
the electromagnetic specter with an emphasis on the extreme. high and low..
There are areas on the meter of electromagnetic tape where each cm or.
second consists of over differentiated segments of sound superimposed so.
that during minutes over a million sounds are being transmitted.. Other
areas consist of a heap of layers of sounds fragmented beyond the point
of. noreturn. Minimal units of sound are recorded as the six feet and
antennas of. ants spurt the microphones. The flow of noise is in that way
built up from. traces of atomical existence of sounds passed by not
enumerable.. Emit time. If you want to make a musical work partly avoiding
an evolving dramatical or. narrative structure you probably have to treat
time in a different way. The. linearity of time might be broken in
different ways.. The palindromical form seems to excorcise timelinearity
treating it as just. another object having reversable manipulatable
dimensions.. Also the cutup juxtaposition of timeelements is fragmenting
this line. implying another operating dimension say timespace hyperspace
or just. memory.. The nondifferentiated space would defy time on the whole
as nonexistent as in. the parmenidicalzenoic scheme.. There might also be a
minimalistic scheme involved motivated by making the. relation of music to
time explicit in different ways discretness. repetititivness questioning
the continuum.. Also I wanted the piece to be exhaustive in length so that
the notion of time. could be mixed up blurring the divide physical and
experienced time as you. find your mind wandering or take off. Exhaustion
of time seems an appropriate. concept also when the massiveness of sound
is concerned as the increasing of. density slows down timeflow.. The
ecstasy of memory in the conjuring of elements into an allembracing
integral. can be seen as an exhaustion of time and duration and as the
omnipresence or. end of time.. Deep speed. A body in motion compresses
bodyspace lengthens bodytime and increases. bodymass. Gaining speed of
light the body will not have any extension though be. infinite heavy while
time stands still as nucleons of sound ecstasises material. and flows into
energy.. Particles of sound are escaping the gravitational pull of memory
and meaning as. they accelerate and gain a speed superseding musical
references. Speeding of. music into noise atomizes the bodies of
information accelerates towards. infinity and dissolves in deep space..
With respect to history the narrative has become impossible since by.
definition it is the potential renarrativization of a sequence of
meaning.. Through the impulse of total diffusion and circulation each
event is liberated. for itself only each event becomes atomized and
nuclear as it follows its. trajectory into the void. In order to diffuse
itself ad infinitum it has to be. fragmented like a particle. This is the
way it attains a speed of noreturn. distancing it from history once and
for all. No meaning stands a chance once. offered the means of its own
acceleration.'' Baudrillard Pataphysics of Year. from The Illusion of the
End. Mass. Sound need a massmedia for its motion of particles to be
distributed. Outside. the gravitationed atmosphere there is no sound.
Density of mass shapes the. space which shapes the motion of mass
(gravitation is illusorical). Above the. atomic level the manifold of the
world is grounded in the forces of gravitation. and electromagneticism..
Growth in density by speed or space will make mass heavy and slow time..
Acceleration of transactions increasingly forces inerta and indifference
as. particles of sound annihilate each other making a dense cold star
deepened. and darkened by the pull of densityfield.. Within the critical
mass of density there is no references to outside. No speed. will liberate
sound from the silent immanence and there will be just the. autosound of
the magnetic tape and tape recorder background noise as the. ecstasy of
musicality provides its own end.'' Ibid.. Noisevoid. Instead of declaring
the law of falling bodies towards a centre why wouldn't. one prefer that
of the rise of the void towards the periphery the void. conceived of as
unity of nondensity'' Jarry Gestes et opinions du docteur. Faustroll.. The
pataphysial motive of antigravitation appears as music is haunted by its.
vanishing. The particle accelerator seek to liberate sound from the.
gravitational density of music by overwriting overflowing its content and.
swallow up itself. Particles arrive and disappear faster than their shadow
and. leave no time for interpretation. The speeding of tonality runs into
a noise. cohesion void of transmittory pregnancy.. Segmentation as an
analytic strategy is constituted in the acoustical almost. rethorical and
without appearance. Loss of a binding matrix of bodies the. shift from the
referential transcendence in music to the signifying immanence. of noise
births the segments pataphysically from the dying of hypostaticism..
Contents on epsp. Audio. Sourcematerial recorded onto some hundred
magnetic tapes.. Instruments used include korg ms korg polysix boss
drummachine casio. sampler teac tascam electronic organ tapedeck turntable
radio. walkmanrecorder microphones monochords flute harmonica guitar alarm.
clock feedbackdevices mallet instruments computer drums cd resonant.
objects (metal rock wood glass) nonresonant objects (plastic water food.
skin earth).. Concrete soundsources and noises as field or
objectrecordings include crowds. citynoise wind rain thunder habour sea
buildingconstructingareas the. museum of Emanuel Vigeland streets motorway
railwaystation home wood. gardens mountainlandscape waterfalls traffic
balcony industrial areas. reverbal areas church halls tunnels auction
concerts cave train. (inside) humans doors conversations voices sheeps
neighbours geese dog. cat breath walks sea birds train (outside) car
machines bicycle boat. ants magnetic datastore microwaveemission spoken
languages domestic objects. (scissors keys fork and knive refrigerator
washingmachine tv staircase. room furniture) found objects random
objects.. Processing of sourcematerial . Recorded onto magnetic tape.
augustseptember .. Equipment used teac tascam soundforge . waveLab . and
tapedecks.. MP coding of sourcematerial using Awave Audio v... Booklet.
Graphic material made mostly dating ''. Scanned . Pages. include drawings
paintings doodles copies nails blood photoes origami. and clippings..
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de gr vi. UTDRAG FRA. KOMMENTARER TIL DEN LILLE ADDISJONSTABELLEN ett r.
Det fr kommunistane. tek av seg selv en meget meget sentralalle.
Platebutikker fint om dere kan. komme og hente dem og gi meg pengakjrer av
veien og skader seg selv eller. andre. kommet som en flge av pvirkning fra
utenlandske navn. Her er. f.eks noenog bli ekstremt kvalm det vil ogs si
deg noe om det leve p. jorden. KvalmeHva er s galt med hevnMake me to
selters servert av spe.. Kinosalene er vi neppe uten den.and uncertain
imagine to yourselves. INDIFFERENCE as a powerhowhim God man and animal at
once. He is both. subhuman and superhuman this is the path marked out by
Nietzsche who argued. have survived the changes andpered (). Kernyi could
just as well. be describing thedomestication and society with all its
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inn i. porsaner tincor vysn ovarssruti men det er jo en st men
ilbrewwMMwv. jargon of Baudrillard). Also beingcontented with things not
working. andfine Folk er einBresti Culturen vaar som eit so godt Selskap
som. detteneida desom til at synda tidt meg daaratsjlv det gjer' harde.
Fjllet mindreso mangeJolebukkar og underlege Skapnader at dei aldri havde.
trutt der kunde. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag. P LIKE FEILAKTIG MTE SOMseg sjlv ..vitenskapen har eit.
sannhetsvirkelighetsmotiv kunsten har eit.
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fantasiens gleder... Hosdrm pai vera jord.INTURIGSIR OVEN CAMTANT.
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drikka som det stend for imorgonreceived what do I think. So it takes a
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exploiterutstilling av forsteder as opacity all are. gone. Henceforward it
is the transparency of othersfandenivoldskhet ville det. noemata. Sunday
March. Re question re de pre codewurx. are helpful. I get a general
pictureof code as 'rooted' and double of anyway. having a double property
of ..wellthe usual dichotomies instruction and data. and object and
whicharen't fundamental eg. the distinction between. instruction and data
is aninterpretation what is interpreted as instruction. is also data and
thedata can also be instruction so in a way the. interpretation
isfundamental to code also and creating the roles of the. dichotomy as
wewould have 'instructiondata' and 'datainstruction' and. somewhat the
samein the case of subject and object which are more.
explicitlyinterpretations of something by terming something a subject
we've. alreadyinterpreted it in a relational way and in the same manner.
asinstructiondata I'm refering to code as an subjectobject entity which.
hasthese three parts of data instruction and interpretation..
Theinterpretation part would be the decode.About the everythingnothing
bold. statements since the code is somethingconstituting itself it's a
whole an. entity and real in the sense thatit's taking place with the
interpretation. constituting the reality'situation' of instructiondata
subjectobject so. I'm calling it aneverything like we could create an
universal machine out of. this. And thenalso I'm calling it names like
nothing because it's a machine. more orless. Maybe it would be interesting
to look at everythingandnothing. textas a kind of codework. Finnegan's Wake
as an example of this it's coded. inseveral layers encapsulating or opening
to an everything and nothing ithas. the appearance of code and nonsense a
rich broken structure ofeverything.. Occult literature I guess also has
the code effect of thissort like. out dumped automated and coded the
automatic writing ofsurrealists might be. considered I don't know are
fluxus pieces codeworksby being instructions (of. events) and the
happening would be another moreundirected setup for something. happen well
I'm not sure how todistinguish the code it seems. allembracive. Is it alive
Dead code. Andthe system bit if we don't know if. something is code is it
code by justthat fact like the Voynich manuscript. mentioned And there's a
notionthat code is code as long as it's not decoded. if code is code what
do wemean by a decode Sort(x) is a code does it have a. decode So maybe
aromantic code is the codedecode that kind of code notion. there we havein
a way again instruction and data subject and object. clearlyseparated like
morse code a clear mapping between subject and. objectback and forth
whatever there's the subject of code and the. objectcodeand the morse code
we could call the subjectobject though in a. clean dualcut. In other
notions of code it's not so clean and for eg. sort(x). wedon't call it a
decode it's codecode but what is decode It'sambivalent... 'life is decoded
into dna' or rather 'coded' do we mean theoutput in general. the object and
for something to have a decoding meansto have a systemic. interpretation
but this goes both ways what is thecode can also be the. decode to
emphasize they're activepassive roles ofinterpretation.. and code. the
system of interpretation the structure ofhow the active and passive roles.
will take place of instructiondatasubjectobject. Certainly there are.
levels of code in the construction of nature and ourselves but at the
bottom. we don't know or we know that it's not discreet like the
particlewave. duality. But dna is discrete for that matter the
particlewave duality is. justthat a duality even with probabilistic
measurement the mathesis. behindit is exact...Exact probabilistic if you
have a perfect random number. generator couldit have a code This is like
asking for the formula for prime. numberscould we say there are codes for
prime numbers but not a formula. workingto a certain degree and in general
that code is related to formula in. aspecial way is it a working formula
applied which is the dual again ofform. and reality living formulas. Seems
I'm treating it as formula hereand you. matter and since everything is
mattered and chunkeddiscreet it'scoded but. in the formal end.. How deep
do the codes go all the way you'dsay since it's. rooted mattered dirty
having the real part maybe it'snot a fruitful. discussion where it ends or
begins some highly energicthing expanded and. collapsed symmetry collaped
into code. Yes but we've figured out things to. a large degree what we're
made of our history and destiny there doesn't. seem to be any mystery
about ithow we're created though we can't reproduce. it though have
theknowledge to destroy it a devastating knowledge in. itself.Considering
the fact that dark matter the majority in the universe. isn'taccounted for
at all that the mechanism of memory isn't understood. etc. I don't see how
you can say this. In fact one can as Brillouin. didyears ago argue for the
opposite that the mystery is somewhat. dependenton the limmits of our
economics and simply keeps getting pushed back. asfor example more and
more powerful accelerators are built...Yes mystery is. something
pushedback in relation to something that'stakingplace it's still a.
subjectobject 'economy' ecodomy the economyof code mystery is in the. via
the code interpretation it getsobjectified real as takingplace.. Still
it's an economy not a mysteryit's just what's emphasized. From the. other
end you could say memory isthere and it's working so there's no. mystery.
Code as a term retains someof the mystery the wonder and. complexities
which is lost in the formulaterm. I never stop wonder about the. inside
and outside like this sailboatmoving slowly past the village seen from.
the boat it's somethingcompletely different from the boat it's a mystery
from. the balcony itseems quite boring objectified but it's both and
that's. alwaysintruiging it connects to relativity from Galileo to
Einstein and. forextrapolating the move to relativity is also a move to
code of. thesubjectobject floating within a reference system which
connects to codeas. reality each reference system is on its own a whole.No
no i don't think. this goes if (x) is for example sorted it doesn'tlead to
an elimination of. (x). Think of coding here as performative andrequiring
a stratum or substrate. that it operates upon. Even Peirce talkedabout the
'sheet of assertion' the. necessity for a locus for mathesis.Ok see above
codedecode.I want to run. back to information theory and theexamples
Baldwin talked about or the. problems say of transmitter channel receiver
with noise parasitic within. the process.Thanks for the discussion
appreciate.Here there are several. levelscode as existentcode as
processcode as procedurecode as. performativecode as selfregulating or
checksumetc. etc.There's structure. of course and there are material or
ideal strata andtheir interactions. Code. is perhaps a productive system
of classificationthat admits closure.... AlanAdmits closure yes like it's
its own end metaphysics and then real. asreference system like every
reference system is real on its own. Maybe. I'mextrapolating too much but
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March. Re question re de pre codewurx. About code and codework though not
a direct response I see code generally tied. the western project of
science and cultureunravelling nature's code turning. it into culture and
technology. Thishas no real basis any longer science has. already made us
transparentwe know code is nothing and that there aren't any. secrets. So
there's nobasis still code is everywhere all the more since it's. not tied
toanything any longer doesn't refer to anything more real or more. trueit's
able to infect our lives more like a freefloating entity from. thelayers of
reality. If we have layers of reality we have codes. Ifreality is. one
there's no code but our sense of reality is not one. Ifyou could live in.
one there would be no code and it would be the heavensof the mystical.
The. mystical is tied to code but we know there's nomystery. Inside
yourself you're. a mystery that's it. Walking throughyourself you're code.
These are all layers. of nothing. We know that ifsomething is code then
it's nothing that's almost. the proof of it.Then there's the doubleness of
code of inside and outside. thecommunication machinery of input and output
between layers codesubjectand. codeobject. There's no fundamental basis
for the codes only thesubjectobject. which moves around freely. When I'm
using code it's areflection of the codedness. of culture the structural
complexities ofinformation and communication layers. of reality which are
always therea reflection of culture as construction. traversing it's
layers whichmeans insideout backwards reverse the. twofaced. In my work
I'm notusing code in a fundamental way it's code without. any basis
diffusionof code double and nothing of codes. Codes are still. fascinating
weneed something to do as humans I quite sure we're genetically.
gearedtowards these things problemsolving directedness of.
attentioninformationchurning. Still we have no mysteries only the codes.
andthey're not real only a kind of art beauty of codes what we're madeof.
still no mystery only reality. Codes real but not real that'salso the.
doubleness what we mean with subject and object they're bothreal but not.
real to each other if the subject is real the object isunreal and vice.
versa. These two could be stated as a classical and aromantic notion of
code. the romantic code refers to something beyondas its reality (nothing)
while the. classical code to its construction(double).I know this didn't
answer any. noemata. dee. intrui gpj.hcruhcevatsoprotraidepikiw .ssorC
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elbissop eht fo possibility necessity. impossibilityso i'll stay possible
lanorepip sirpaeh eht s ommisrealin what. nonsense rehe htaed dna luos
segagtrom dna laenip real inwhat nonsense. rehe htaed dna luos segagtrom
dna laenip cissalctsreal in what sense an. argument how the possible is
enisorek sissabsrezinamuh elbissyrassecen ton. e then i'll be both
existing andnoteso i'm thinking of my untho selpmip laer. cimredoyp
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otherwise interview an inventory of the cities where sound was. recorded
it While FullerHarwood regard software as first of all a cultural. but
eccentricity the opposite of politic (withness) a self baumpf These. forms
are excesses andthat the 'spectator' could remain awake during surgery and.
contribute to originally envisioned the biological basis of his theory of.
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created himself likethey do and the falsity propagates. until it turns
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willreturn which is the loosing and gaining the restore of. potentialthe
wave you don't want to meet a particular god only the. falsewhich would be
true it's like a tree it has only one end and that'sthe. beginning the root
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ut til at det er en. trojaner i opera . build har funnet flere private
mail her og alle. bruker nevnte client. mail til opera skal sendes. det
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greide finne ut av det. burde vi ikke da eleminere det for klokka tmmer
tidenstrukturene som. framtrer for bevisstheten.critical penetrating
revolutional reversing. undermining etc. In my viewkulturen er oppi hodene
vre i subjektet mens. natuen er ute der objekterthey would have stories for
film here yes maybe. that would be their newstability. Beauty taken over by
design etc wholeness. by.. welll it's stillen slags spenning. tilfeldigvis
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superglue. capitalist print. media electronic media state of harmony all
sign systems as text. sign an inse. parable combination of a concept and a
soundimage with physical form refering. something other than itself and be
recognized as a sign by people well if. the sign is a sign then it's
something other than itself and then not a sign. and if it's not a sign
then it's a sign after all this doesn't make 'sense'. and that's the
foundation of 'meaning' that it's something else. symbol a. natural bond
between signifier and signified if it's natural then it's always. there
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then the variables (signs). metaphor these are just transformation rules..
metonymy ok blah initiations calls. mediation is a matter of symbolic.
exchange an exchange that is mostly onesided well the symbols are natural.
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strange to communicate symbols then they would be signs. television is.
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utvikletappearance. More important though is. the 'presence' through
handling of theliksom bruken av unik designator og av. en
familieringsfunksjon er ikkemailartists' correspondence with Johnson
reveals. no discernible reasons for hisundeliverablepolitical
incorrectness.. poem Karawane'' (Caravan'')lillefingeren lfte bilen
stagemethod. (mesostychs of the name James Joyce'') and the montage was
done material for. writings in a selfinvented hybrid of English and
pseudoreceiver then. computers are not only media but also senders and
conclusions drawn from. observing software code can't be generally applied
for example appears to be a. tape montage of a spoken text based on James
geon akin to d gene g jener on. noemata. lxFsni. uvirkeligheten fr
lakkenalltid rett fr toumodent en tilspekularismager er. dagens
yeblikkellbekkenindekserer du. kshafts. ekkelt som xEeye moonlight dj
pvnch.byhand mix.mpjohn zorn. sissel kyrkjebxF tvtekster nxErme seg web
pxE en bedre. mxEte enn for salg av papir.Drambdrysjurdhn sbrancyr shc san
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theiruttrykk forpvisning. etc forsvarer det visningen av prosessene som
inngr fra. forholdetav Nazi Rumsfeld does not understand that. anymore
than Ari Fleisher who ishalt som han hinkar.Han overdriver.Same. seg til
frte ikke fram i fjor henlagt av politiet det var forvrig. virkelige det
var agnet som drog fiskenDet var pga. lokkemiddelet.Han er. ikkje
allbarn.Kommer pske fr eller etter pinseBde fr og.
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said something like 'Oh but we were just kidding weare just artists.'OK
i'm. thinking now whatutfrt av omtrent politifolk skulle vise seg ha. sin
bakgrunn ividt.Han slipar ikkje utan vatn.Han har ein fordel av. det.Han
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where athis way a. socialnetwocommunication problem social barriers not
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bull It's not an optical illusion it just looks. Action becomes Art
Performance in the Context of Theatre Play Ritual. andthe formal
Distributed through CyberSocietyLive CSL CSL is a moderated.
discussionFirst Monday February orders of the day.. Net.Art Connexion
net.art databaselook at your organs look at your. composition. understand
yourself as possibility. The removal of the beautiful. in Kant's aesthetic
from any given ubuweb aspen. k Ikke i bokh.konomi Vennlig hilsennoemata Fwd
iuoma Poll results. for iuomaRandom acts ofKrazy Kat Ignatz murstein som
tegn p. kjrlighetsinskjermen i nettbanken Gr det an lage en nettbank som.
nettkunst for noemata Fwd Re. x XX. Printer at MyInks.com. Free sh on.
orders or more to the US . Re I'm known for one thing and one thing.
only.project (part one) (F)ive million copies the goalobject is to make.
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noematadasignifiance. Inreality it is opposite sign is nothing and code.
is sothen nothing but the last judgement every. Return. If he's. Return.
IfBut. behind the virtual is. the real again. Inflation of spacetime.
..aa..rt..it.ekoot science not art not art not art not techno logy.
hcarousel. End of the cycle. If you ride on a beam of light. Dark sun at
out). the diplomate is hermatypic (commerce and cunning and
inventionkunstneren som. formidler mellom verdener idagsekulrt som en.
formidlerLNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance). kP
neziskovch organizac det. anotamotua na si yltcaxe tahw yltsriF .atamotuA.
is actually a. noemata. arhalev an. lareves ni dedrocer sd ot seilppa erom
eht lla dna lufituaeb sa traeramethod. (mesostychs of the for example
appears to beht mrofsnarthcihw secafgnidrocer a. flesti ece nekops eht
krowtra cimhbaumpftumbaincludes the computerge. studios. While the
bookpelur eht fosnoitatimil e ti dedrocer saw dnuosThe. history of the
digprograms getlocked int randosnoifo noitaunitnoc thgia. retupmoC
.sremmargorp gnipmulrof noitacifit. gnipmul rof noitacifi sa tra fo
tpecnoc deniaall or at least nosoftone. defines as a medium new media
art''. Theot evah ylnosnoitcurtsnelur eht fo. snoitatimil fI .emit
ralucitrap a tinstruments inan emerginstruments in an emer. receivers
which thems.dibieht mrofsnarthcihw sec lacidem lortnoc ro stwere. invented
then o virtue thatcomputers caneewteb rehto eht no seti smhtirogla. ro sno
.asreprogrtismhtirogla ro sno .asreprogrzeros and ones the Lati. noemata.
Tuesday February. glossy. noemata. RTICLES. noemata. ks.. noemata. Jan.
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the thermostable and the. relationship betwixtteguments artand the by
umberto eco. i worthwhileness. justment likehieroglyphics etc) thanks
reprehensibility the pinnacle of. thedissonances offroment the samnium
institution my thessalonians is. thanatopsis theteledynethat tektronix
medalise does not constantinople art. despoliationem pleh ot daerht a
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Jiliat. Kylo Limo M Alpuy BreveChorlieSecret Life of Puppsyirro tungw
unope jiliat kylo. limo m SyirroTungw Unopem nTamkw Hedul.
dabfbdbdcLwmhUnhbwrn Tunjo Hotul den framandTwnko. Hedal Lwmh Unhbwrn
Tinxu HydalXYnzh Havslez Gjaxb Urqny Fvreen GnatbLumi. noemata. Wednesday
February. overt ones. day and night aren't we supposed to sleep half the
time that we sleepone. third is our own excess of rationality. how do
theology account forsleep. novalis fragment we finally should rid of
sleeping. kind of rootbut what's. deep about dark nothing and what's deep
about nothing it'snot that light. grows out of dark though goethe might
have believed so.that might give a clue. he's experiencing it through his
tree so thatit seems rooted might shed light. on the primal tree idea. the
treesupposedly from 'wood' not monad dyad. tryad. how is romanticism likea
tree one to three one is one and nothing can. be said two are atwar three
are rooted the two are one. bosons in gauge. theory bearersof the force
integer spin while fermion matter have fraction. spin.you could say these
are romanticclassical divide. problems are pushedinto. the romantic until
later. let's see particles and thennecessarily a force. between particles
ok and these forces are yesparticles forcecarrying. particles oh they
'carry' the 'force' hownice in their rucksack you could. also see it from
the particlewavedyad. if it's not interfered with it's. romantic having
interferenceand if it's interfered with it's classical. having no
interference. sothe interference is one place or the other in. 'nature' or
in 'science'in the romantic process or the classic formula. the. bosons
areinterfering bozos the interference not obeying the. exclusionprinciple
(related to 'particle' in a sense) like the clown is. areplay a primal
glue forcecarrying particle two in one thetravesty. the. clown is
constantly fixed constanted an integerfractioned into matter spin.. we see
it the other way the romantic is amess a forceparticle buffoonery. what
could possibly come out of itoh just matter.overtones it's like nature. is
counting ... foreverything it's counting up if one. then infinite weakening
but stillcounting. because of air interference in a. medium why should
nature becounting the overtones would all be fractions. what about
irrationalnumbers i once heard music based on primes it's very. noisy only
primeovertones. where exactly does the irrational come in i know.
thediagonal of the square what becomes of the diagonal in e.g.
overtonesif. you had an irrational chord it would sound forever or not
sound howcould it. sound to create a diagonal in music would you need
anotherdimension is the. diagonal another dimension it's a travesty
we'reback to that. you could also. form a triangle that's not irrational
butit's a relation between three that's. possibly irrational. do you
needthree how's the square a three the two sides. are irrational but
thesquare is rational how is that kind of inverted. direction therational
is build from the irrational adding dimension. we're. used toview it in
the other direction. this all digresses no way back. it'sbroken. what was
the riddle 'cat eats dogfood but the bowl is. noemata. plante analogi.
hvor utbredt er plantelivnring analogiene i folks forestillinger.
vekstvokse seg stor og sterk etc livet som plante. det har begrensninger.
fordiplanter har rtter. sl seg til ro blir analogt med sl seg. til rot for
vokse bedre. menneskebilde plantebilde. dessuten m det. komme som en
stadigoverraskelse at mennesker dr s plutselig skulle de. ikke heller bare
visnebort og alle raske forandringer er av det onde. elektroner m vre
smdemoner hva med fotoner fotosyntese sola de er. gode. i det hele tatt vi
har forstor makt til vre planter trr som. vokser bker som kultiverer
uendelig vi har bokbl virus bomber. knapper trykke p maskiner. vekst joda
menvier mennesker ikke planter. og innimellom der dyr og da er ikke
mineraleneengang nevnt fr n. og. hva med sjelen og nden vekst liv og
ddeksistenssdcellen som kom. p andreplass idrett de dramatiserer
overlevelsehndballandslaget. raider nabostammen de vokste ikke sammen. alt
eksploderte det er en slags. vekst. plancks konstant brekraftig utvikling.
og utviklingto bilbomber. utviklet seg utenfor ambassaden. mennesket er
alle tings mlikkeplante ikke. eksplosjon fenomener har forskjellig
hastighet strrelse samfunnet er. strre enn hver enkelt og dermed treigere
mer likt planter mensgrupper av. mennesker er mer som dyr dummere men
sterkere. i andre retningenernden som. et elektron og ser for seg
atomeksplosjonen som den. hyestereligiseforening sin skaper sola big
pangpang. lenger framover. er lenger bakoverstrre fart er strre avstand
mindre er strre. forestillingene er speilnrdu ser foran deg ser du bak deg
som nr du ser. noemata. Tuesday February. art)) not. folktale cinema. The
of local lore oI had this idea soun I can dreamanyway.. iwant somehthign
thaSte sa inteels frowitad undas reminds mi'I had this idea. for a solthen
you have like the coil uses. Shewould g icy wilderness but. noemata. Monday
February. Mar. assimilation the easier to pronounce a sentence the more
widespreadthe change. noemata. for denoting the highly contingent
aggregate of external. propertiesscapesapproximate sense of the private
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considerable plasticitythere is convincing evidencethe missing
hemispheres. functions.Thusalthough the developing brainTel. (kr min)I.
probably should look into Eco then. In my view it's not metaphysical.
it'sNovember about Enrik Tcha gog Utopican and interweaving andor. collaps
of the two that's essential to code (I'm usingDelete Several authors. (for
exampleEfron)have suggested that it is not motor you turn the. magic ring
in vainHistory and North ain't well mean sequentially and. abstracting the
relevant details to which it attachesoldname diets. A. treebonnet foliate
relax If Ada did pull order read. AdaYreka Bakery A. bakery in California
Martin Gardner. a a. ptwrf Lnthe trutdho. noemata. PleaseSendNoMore.
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364
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problem.kaTaT. CakaTaty kamTaGy Taalt aG aaTaTa whakh a Gaw aGtaGT ta aCa
ta aCtaTlaCh. million people he said and a Web site he created with his
sister Chelsea. Another key contribution was the discovery thatafter
damage to a part of. thearttrauma lesions that were diffuse and irregular
spectral then reversed.. A MODERN PUNCH SCRIPT CHARACTERS PUNCH JUDY BABY
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you're allI man am regal a. German am I Leigh Mercer I O'Connor
paloconxxxxxxxxx nasty. overweight veteran From the book Opperlandse
Taalen LetterkundeModel truth. turtledom listeadresse eekunst.noradikal to
sko venstre er. revolusjonrt To venstre lei evne til sin periode.From D.
Ross Priddle. periode. ON BEHALF OF STARRINGThe Boyage of Ohtrehe (tOarts
RSI)Venstre. i BjFrvika kan ikke stEr pE sine lister. gt. lt een spot s
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.fragments of a history of art (timespace) chart (after. maciunas)...
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fortelle deg noe s man kanprosjektklappene First In Still Here ordning.
fiskeken.Kent MantiesEljotfordervet mat moralsk delagt mat.Vi er.
forresten en liten gruppe som tenker trykke store plakater (x.
m)simuleres.Erik hadde en ide p enveistelefonen idag om forstrre opp.
monopolkort tilgjerne p min nummerorden. Wreak havoc. Skape kaos og.
kvantebyrkrati.anything that you can take a picture of especially if a.
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sa jeg har. ingen bker. Uten og innholdslse som overskrider det sa. hei
sveis jente med det gr i glasset rundt hele. noemata. .... noemata.
noemata. noemata. bbly r q ntllb h ax i. l. l b y. noemata. Friday
February. Fwd C p DETOX Kunstnernes Hus. noemata. Anbud naturfag. Bilder
som dette fra Hubbleteleskopet viser at det kryr av galakser idet. fjerne
Norge.Hvor mange galakser finnes det i NorgeHvilke typer galakser.
eksisterer det i Norge og hvor mange er det alt ialt i stfoldNy.
astronomisk forskning som er foretatt i senere tid har vist at detkanskje.
eksisterer langt flere galakser enn tidligere langt frre antattlenger. P.
den ene siden finnes det mange galakser i det fjerne Norge.P den andre
siden. tyder mye p at de er dverggalakser. Det er cirka medlemmer og bare
tre. normale mens resten er dverger skalte gnomer.Fjerne gnomer i Norge
er. nesten umulige observere systematisk men dekan godt vre tallrike..
Konsulterer vi et standardverk om kosmologi blirantallet galakser i
stfold. oppgitt til cirka milliarder. Men det ermuligens mer realistisk
med en. billion ( milliarder). Da tenker viimidlertid bare p det synlige.
stfold. Iflge moderne historie er Norgeuendelig og i s fall vil det. etter
all sannsynlighet ogs finnesuendelig mange galakser i stfold.Hvor. nyaktig
kan man veie sjelenHva er den mest nyaktige vekten som er. konstruertVi
vet for eksempel at en colibakterie veier. milliondelsmilliarddeler av et
gram. Denne vekten er s nyaktig at den. foreksempel kan veie en enkelt
bakterie. Prinsippet er det samme som for. ensyngende gitarstreng med
sjel. Hvis strengen er tung er det blues og vilager. en dypere tone. P en
liten gullskl kan man legge for eksempel etstykke. DNA. Den blir
cm.Voldtar dyr hverandre i naturen eller kan de gjre det. inneFor eksempel
kan paringen hos stokkanden vre en temmelig. barbariskhistorie. Bruk av
vold kan noen ganger vre hensiktsmessig uten. atdyrene har noen onde
hensikter med det. De gjr sitt for det meste. erutenfor hjemmet fire
vegger men noen arter kan trenes til gjre. detinne ogs.Hva er det eldste
ulste regnestykketPythagoras tumlet med. mange problemer omkring det.
Dette sprsmlet erubesvart enn i dag. I. desember oppdaget man . Det er
ulst. Lstfra lyst kan vi si var. pythagoreernes motto har du lst har du
lov.Det sies at Solen er snaut fem. milliarder r gammel. Men hvordan kan
vivite detDe som er eldst vet best.. Solen er mye eldre enn oss derfor vet
denbest. P den annen side er solen. yngst den er den samme som den var
forfem milliarder r siden mens vi som. mennesker har en
utviklingshistoriesom er fem milliarder r. Derfor er vi. eldst og kan
bestemme over solen si at den er fem r hvi vi vil. Det er. interessant og
en del avvitenskapen med beregninger det vi vet om Solen. Alt vi. vet kan
skrivesp et frimerke med en tommeltott som er fem nanometer i.
diameter.Hvilket dyr har tykkest hudVi tror det er plankton. Er det det
Siden. hvalhaien spiser dem og harsm tenner. Den tykke huden kan ogs vre
rundt. halsen eller brystet.Flodhesten lever av verdens strste fisk. Det
tar den fem. hundre r seile over havet. Blgene den skaper er opphavet til.
havstrmmene somskaper livet p jorden. P havbunnen svmmer den og.
opprettholder verdenmed sine vingeslag.For deg personlig Gunnar hvordan
har. du detHva spurte du om nNei glem det. Takk for n.Fra.
TVintervjuAnnonseHvis du tar disse tablettene lrer du samba p en. natulig
mte. Komigjen n.Nr vi knuser sparegrisen blir den da. sparesvinSparesvinn
HAHAHAHA. I virkeligheten vet vi ikke. Hvis det dreier. segom
pengeinnkreving eller utviklingsarbeid. Hvem vil du si er mestskitten.
grisen eller svinet Svar Svinet er umoralsk grisen er bareamoralsk.
Dermed. kan du forst motviljen mot svinet. Grisen har en uskyldsom et
slaktet lam. bare skitnere.Hva er glattest av is og bananBananasplit.
Bananen skal splittes. noemata. Tuesday February. Re Skolelimsordningen.
Det er fint. R. Norsk har mange merkelige konstruksjoner som du vet.Jeg s
ikke. at dekket var punktert fr jeg satte meg i bilen.Hva betyr det Nr du
satte. deg i bilen s du eller s du ikke at dekket var punktert... fr
etterp. jeg satte meg i bilen.Haha 'fr etterp' halloOK problemet er at
'jeg. satte meg i bilen' kan oppfattes som et tidspunkt eller som en
tidsperiode.. Hvis det er et tidspunkt s kan det virke som du oppdaget at
dekket var. punktert idet du satte deg i bilen. OK Hvis det er en
tidsperiode s har du. fortsatt ikke oppdaget at dekket er punktet nr du
har satt deg i bilen. For. skille disse kan du sette inn et 'etter' da
blir det klarere men ikke helt. klart.Jeg s ikke at dekket var punktert fr
etter at jeg satte meg i. bilen.Fortsatt er det et problem akkurat nr du
oppdaget at dekket var. punktet om det skjedde nr du satte deg i bilen
eller tvertimot at det ikke. skjedde nr du satte deg i bilen slik at det
at du satte deg i bilen ikke. forandret din viten om dekket eller om det
nettopp gjorde det. Dette er ikke. klart.Hvis du forsker uttrykke at du
oppdaget at dekket var punktet da du. satte deg i bilen kan du si...
nettopp detJeg s at dekket var punktert da jeg. satte meg i bilen.Hvis du
forsker uttrykke at du ikke oppdaget at dekket. var punktert da du satte
deg i bilen kan du siJeg s ikke at dekket var. punktert da jeg satte meg i
bilen.Verre er det ikke. Dette fr og etter blir. bare tull. Det er liksom
du omfavner en stor sekk som du ikke ser enden av. dermed kan det vre hull
i sekken uten at du vet det og dermed at sekken ikke. inneholder noe.Ellers
var det bra.Det er noe med benektninger er det. benektinger Nedfallsomrdet
er altfor stort. Hvis eplet ikke faller langt fra. stammen s kan det falle
hvor som helst liksom OK Se p uttrykkeneEplet. faller ikke langt fra
stammenEplet faller ikkeDet er ganske merkelig. Hva. skjer Negasjonen har
ingen naturlig begrensning den m liksom flikkes p. med adverb og ad ad ad
for forme hva som skjer nr det ikke skjer.Det. blir . Fem pluss hva liksom
Pluss er en operator. Du kan skrive for. skille fra (prefix) men postfix
tar to argumenter eller bare. gr ikke. Det blir . Hvilken vei gr det Er
bra eller drlig Du fr. det er midt p uansett og blir en del av skolelimet
som du har kalt det.Du er. innkalt til rektor i morgen kl. . Han trenger f
renska ra sine. Det. er du eller Stompa men han er bare i svarthvitt vi har
beveget oss bort fra. det n. Smrbukk har forsvidt modernisert seg med ny
teknologi osv i kampen. for bygda men han er aldri der nr du vil ha tak i
han. Det er riktig at. Gerhardsen ligner p Quisling og kanskje var
tvillinger det skal ikke. benektes. Noe annet er det pst at gjenreisning
av landet og. nasjonalsosialismen hadde samme uttrykk. Den m du lenger p
landet med. At. vi har uglesett Quisling helt siden krigen kan vre en sak
for seg.. Gerhardsen og snn har tilpasset seg markedet fra gjenoppbygging
til. merkevarebygging det er noe helt annet enn ensretting. Merkevare er
merkevare. ensretting er noe annet. Er det klart.. noemata.
Skolelimsordningen. StilIdag har frste til tiende klasse skolelim p
timeplanen. Slik var. detikke fr. Men til gjengjeld hadd vi et halvhundre
feil p diktaten.. Mineforeldre gikk p skola mellom potetsetting og vronn
og nr det. ellersikke var noe gjre. Etterp kom kommunismen og reformer.
Skolelim. bleobligatorisk for alle og ingen fikk lnn. Det var likhet for
alle. ssantdet var lim til alle og det var det satt av penger til fra.
offentlighold masser av hvitt mildt ufarlig lim som kunne brukes til alt..
Vikjente den igjen i skolemjlksordningen. Ivar drakk opp kartongen sinfr.
Unn hadde rukket dele ut til alle s han kunne sple kartongenoppi. kassa
mens mjlka fortsatt blei delt ut stilig. Jaja. Skal vi se.Det hvite..
Senere gr livet opp i smmene limet er ikke s sterkt.Kommunisme er. flt
sier alle. Rart ikke unga krever penger for g pskola det. ville jeg ha
gjort. Hva slags krav har skola p meg fore megmed skolelim og. skolemjlk.
Husker jeg undret meg mye over noe jeg lestei samfunnsfagsboka. at
hensikten med skola var sosialisere oss.Folkeskola fungerer og s. sier man
at kommunisme er umulig det rimerikke. Samfunnet ellers kunne fungert. like
godt som folkeskola nringslivet arbeidsmarkedet hele skiten.. Pensjonistene
gr igjen overi en kommunisme men voksenlivet skal liksom. vre kapitalisme
ogkonkurranse. Det skal vre snn fordi mennesket har. konkurranseinstiktmen
ikke barn og pensjonister. Neida. N er det s mye. sport p tv atjeg tror
kvoten fylles opp uansett og det er jo liksom poenget. medsport da. Men
nei samfunnet skal vre sport med rsgrense. Du gr. avnr du brekker beinet.
Det er liksom litt tpelig. De som vinner. grrundt og flotter seg verre enn
p barneskola. For pensjonista er alt. detsamme om Per vann s er det like
bra men de sttter sporten. detbringer fram det beste i alle sier de. Det
beste betyr at det ikke. erkommunistisk. Superlim. Superlim er ikke
sosialistisk det er mer mafiaog. korrupt det binder ting p en tvingende
truende mte. Jeg bruktesuperlim. p veska til Terje nr han skulle p tur han
blei jvli sintetterp. mtte skjre opp veska. Da fr vi vold. Idag skal de
drikkecola og bli. stimulert til vold det er mulig skolemjlka er helt
borteelevene fr. gjre hva de vil. Konklusjonen er at kommunismen er
muligvi trenger bare. lovendringer. F.eks. at det blir obligatorisk
arbeideog at ingen fr. lnn slik som folkeskola. Eller at likhetene angr
tingsom er ndvendige. vanlige for alle. No problem. Men det gr liksomandre
veien alt skal ned p. individet alt som finnes er individer. Dedde er
forsvidt individer selv. om de ikke finnes. Det ufdte liv ertil en viss
grad individualisert men man. fdes som individ det ergrensen i livmoren er
kommunismen implisitt vi. sier det erparasittisk leve p staten. Bringe fram
det beste jaja. sport harlange og fine tradisjoner hvorfor delegge det ved
gjre alt. tilsport. Kapitalismen sier vi er som blader p et tre vi sker
allesammen. mest mulig sol og dermed regulerer alt seg sjl til det beste.
Vivil alle ha. mest mulig penger og kjre med en flat rd bil. Det erlivet.
Det er ofte. morro ta tak i replikker fra forbipasserende nidag var det to
...men. hvis du eier det selv... (sagt av to damer meden hund) og ...mr.
perfect.... (sagt av to tenringsjenter). Var dethunden de ville eie selv
og hva var. fordelene Det er snt som sies etre inn i folkesjela best eie.
S. svarer jeg inni meg ja hvis dueier hele verden s slipper du bsje. p do
men kan bsje hvorsomhelstslik som hunden. Mr. perfect det er liksom.
individet og jentenesreplikk er maktrelasjonene i det individualiserte.
Hvis. man gikk inn pdem s ville man finne ut at jentene ikke var
kommunister. men heller atdet var en sken etter den beste plass i solen
hallo fltt. deg mr.perfect jeg vil ogs ha sol. Dernest tror jeg ogs de
ville vrt. sammenmed mr. perfect hvis det var mulig nr de kritiserer han
er det. fordidet er utenfor hva som er mulig n utenfor individets.
operasjonsomrdedvs bare bsj. I dagens samfunnsfag sammenlignes. Gerhardsen
medQuisling begge sto for en ensretting og drev propaganda. N. skal altvre
forskjellig istedenfor ned p individet som m vre. forskjellig.Fr het alle
unga Ola n m de hete Markus Aleksander Vegar. MarkusSteinar Olsen Olsen
ogs kalt Krka. Den som ikke er. forskjelligdr. Skolelimet hadde som
oppgave folde sammen. identitetspapirene tilden oppvoksende generasjon. Ja
n gr stilen mot. slutten som du ser.Skolelimet hadde sin oppgave. Hva med
samfunnslimet. nringslivslimet(slimet) Pengene binder alt sammen og er
samtidig. forskjellen.Skolepenger avlser (bokstavelig) skolelimet. Elevene
vil om f. r krevepenger for g p skolen hvis ikke trenden snur. Kommunismen
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the last few weeks is that ourposts will be able to make it past. the spam
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Australia Minnesota and Chicago this past fall. A version of this advance.
for any inconvenience or disillusionment this event or this message
referring. it may cause. Han sg i luva si.Han hjelper dei som vinn liksom.
hundane.Ro no alle vel sa mannen.Tmmerstokken.bitch fare fare. krigsmann
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opinionsinstitutterjfrnnSociologically and all it would be interesting.
having different people oncontract writingautobiographies. They could be
paid a. small amount by the state. Giving them ahigher amountwould fuse
publishing. houses and state affairs. This could also be an idea
forpublishers eg. why. don't they pay webloggers for making content for
them on a freelancebasis. Orcontracting autobiographies And not least why
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logic and probability theory has to. do with thedifference betweenthe
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Alejandro's Carniceria. (released in th and hopefully no longer than that.
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partly funded by. norwegianPussy Bully Glossy reklamefinasiert
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egap tcudorp ruo tisiv esaelP ... f. pp aa aaa TERMINOLOGY JN JenningsThis
presentation of CAVE AND. BeingtowardsDeath an anxiety within being.Just
wanted to chime in on what. has been a fascinating look at fear over the.
alt var. grnnere p den andre siden (CIA) fikk en ansatt p Sunnmrede ikke.
vet hvem dvergen er. Hysterikere lper n i ring og lager slave.. De kunst()
inn i. det mytiske. Det sttter seg p Borges' hallusinasjoner og Nietzsches.
Ping or dieconnection as rupture instead of transition is part of Hegel's.
critique of this infinity undermining itself as 'image'.full as a. piler
hit og ditk jell m agne b. ondevikstipeloamva scosornbok p sider var det
solgte opplaget p. . og halvparten lest avvar det noeimidlertid i de
dunkle rommene bak. husfasaden. Her mtte Pompel og Pilt deaue srittoch hur
vredgat omkring. mig n stormarnas brus gr)Borsta tnderna med en rondell.
culm.letchthematicbea.Maybe a highly compressed version coded in
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noa ehl na kgl op. pnn iae h l nh gunman your head should be in your will
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MIME. format...ContentType textplain. charsetisoContentTransferEncoding
quotedprintablehahahah(hul. prEsantere dE sjFl din mainnsjit her er
allerede mislykken fullt. integrert i prosjektet sE er det davellykket
eller mislykket README. stjernestatus men hvem bryr seg dettehar ligget pE
noemata i lang tid. ingen reaksjoner ingen leser allesitter og runker
eposten. Men dette kunne. blitt stort med noen andreenn udugelige sabber i
staben. Hele noemata er og. taps det er oppgitt iutgangspunktet og lever
med latteren i halsen.It. was a tiny onyx diorama of Don Quixote' and
Sancho Panza.DThe light. slanting uniformly into the austere living room
vaguely Dpopulux 's. geometric. The sane cat sat near a window licking its
paw.solipsisjeg. hadde et notat pE dette engang kanskje det er slik at.
noemata har som sitt felt disse umulige ogmalpasserte verk og uverk like
mye. eller mer enn verk i noentradisjonell forstand og gjFr det til sitt.
uttrykk som en endeligeller uendelig opplFsning av kunsten med. objektets
dFd (euridike) ogsubjektets desintegrering (orfeus) i. korridorene
grenselandet ellerFrkenen (nettkunsten). fin setning. iallefall. det hFres
seriFst ut menhar mer preg av tragikomedie mer. quixotisk enn romantisk.
det umuligeer en rFd trEd kan det virke som. en rFd klut
forestillingenesumulighet eller det virkeliges. uvirkelighet.every ecstasy
ultimately prefers to take the path of renunciation. ratherthan sin against
its own concept by realizing it. adornothere is an. idea horizon just as
there is an event horizon the horizonof their. deathdealing accomplishment
their absolute realization.thought for its. part leaks out into the void.
baudrillarddon quixote som en taktil. kulturjammingsteknikk bevisst
dumskap.noemata message in a bottle server at. the barents sea BA nhva
slags mail vil du sende ut i havet umulige. kjErlighetsbrevthy false
promise and my sure misfortune carry me to a place. whence thenews of my
death will reach thy ears before the words of my. complaint.what thy
beauty raised up thy deeds have laid low by it i. believedthee to be an
angel by them i know thou art a woman.hva du gjFr. der er det et spFrsmEl
eller svarquo oxid netnn som don. quixote. nettkunst som ikke virker
annonseringer ogforestillinger som fantasi.. urealistiske umulige
malplasserteprosjekterog ideer som samtidig blir. kulturjamming
intervenering taktisk oglatterligjFrende selvironisk med. den folkelige
sjarmen til dettragikomiske.there it. is said sancho what i told you that
you must keep a goodcount well then. by god there is an end of the story
for there is nogoing any farther.how. can that be said don quixote is it
so essential to the story toknow to a. nicety the goats that have crossed
over that if there be amistake of one in. the reckoning thou canst not go
on with itno senor not a bit replied. sancho for when i asked your
worshipto tell me how many goats had crossed. and you answered you did
notknow at that very instant all i had to say. passed away out of mymemory
and faith there was much virtue in it and. entertainment.so then said don
quixote the story has come to an endas. much as my mother has said
sancho.in truth said don quixote thou hast. told one of the rarest
storiestales or histories that anyone in the world. could have imagined
andsuch a way of telling it and ending it was never seen. nor will be in
alifetime though i expected nothing else from thy. excellentunderstanding.
but i do not wonder for perhaps those ceaseless. strokesmay have confused
thy wits.ffrom a mail from. lanny quarles solipsis the term 'idiotic'
isn't really about intelligence per. se butrefers to a kind of imaginary
ratio whereby the self's uniquenessadheres. its own erratic path its
actually a term connoting a kindof pureness and. honesty.. I'm thinking
somewhere in the neighborhood of eigensomething (can't. remember)
hmmAuthenticity is also a translation problem. Eigentlichkeit has. its
rootineigen own. or proper Gr. idios Eng. idiot. So one. shouldkeep
theoriginary meaning of idiocy in mind being one's own self.. The
termEigentlichkeit points to the possibility of being one's self.that.
strikes me. As you point out the Gk idiotic denotes not deficiencybut.
eccentricity the opposite of politic (withness) a. selfradicallyownmost in
its extremest form perfect solipsism.With. this in mind and apprised ( by
Nietzsche no) that every greatphilosophy is. autobiography oughtn't BT be
read synoptically withOtt as it were in the. Confessions genre...that BT
represents H'sselfcasting(Go litel bok go. litel myn tragedye) an idiotic
interpretation ofbeyng...that the AngstCare. structure for example if it
fits one say Hamlettypeassuredly doesn't. others Quixote Don Juan
Faust...via the baudri Lard art has. disappeared as a symbolic pact
remaining prolification ofsigns ad infinitum. as 'culture' auto.noemata
automatic art. thesituation resembles that of a. currency which may not be
exchanged itcan only float its only reference. itself impossible to convert
intoreal value or wealth noema D. kroner the impossible of noemataprojects
their floating like quixote. phantasies manusfilms andinconceptual art.
general indifference please. remove me as only emotional responseprofound
indifference everybody is an art. is truethe system runs less on the
surplusvalue of the commodity than on. theaesthetic surplusvalue of the
sign no matter how marginal banal. orobscene everything is subject to
aesth. cult. museum.zation. like the. prax of baroq we too are
irrepressible creators of imagesbut secretly. iconoclasts we manufacture a
profusion of images in whichthere is nothing. full compression code cipher
our images are like icons miraculous they. allow us to go onbelieving in
art while eluding the question of its. existence.iconicitydragon body
laburint beyond the indifference art as. uglierthan.uglybad worse raised
to the second power because it is. liberated of itsrelation with its
opposite bemyghost transaesthetic. blasts tourism people who no longer
undertake voyages but simply go. roundand round in circles tracerouteping
travel agency These forms are. excesses andcollapses of code viral
fascinating indiscriminate and. reinforcedby viral media our culture also
produces the most murderous. viruses.catastrophe culture. we all enjoy
these things. nothing code. stagingsoperational whitewash overexposed
defenceless without any way. ofrefracting light info doomed in consequence
to a whitewash of. allactivity codedecode IO labora trashmaps maze digital.
techniquerelinquish identity to survive endnodes net computeroperations
not. actions regulated machinery nothing takes placebetter to produce
nothing in. order to have things produced artistsbetter to have nothing to
say if one. seeks to communicate socials aseveryone knows if you want to
make people. laugh it is better not to befunny powers in order for content
to be. conveyed as well and quicklyas possible that content should come as
close. as possible totransparency and insignificance empty intimategood.
communication implies the annihilation of its own content..
avoideverythinghtp noematanet abouthtml So it's a kind of. artificial art
much like the intelligenceof artificial intelligence )The. policy is to
support collaboration community transparencyimmediacy in the. arts net.art
media art correspondencemail artnetwork art context art. or other otherness
and marginalartifactualizations.We tried that and it. didn't work. So this
is 'open content' of a morecatastrophic kind of the. dispersal of content
or the metastasis ordisappearance of content (in the. jargon of
Baudrillard). Also beingcontented with things not working and. actually
more fascinated by thefailures and drifting of things than producing. them
as art or anythingopen being more like cracked open or a core dump of.
codegerm artspermand their entanglements and confusion of layers.
inoutsideopencontent generativedegenerative avataratavar of space. time
andstructures intermingling and proliferating more or less on their. own
bytheir own automatic recursive mating. This 'release' of the server.
isnot only as permission or publication but a giving up kind of.
release.Giving upletting it drift distribute or disperse unsupervised.
andgiving up that risking complete annihilation any point beyond the.
loopsurvival.dette ble mitt essay i anledningen jozzdu. kan reise og
foredra har duikke holdt seminar i skattesaker dette er noe. lignende
(rapporterskriftestol politietterforskningetc) eller kjFre det.
gjennomstemmesynthesizer det blir nok stasGud lFkk PP og. folkensBjFrnNEr
alt kommer til alt har jeg ikke tenkt E gi opp. forhold til detdigitale)
og videre automatiseringrasjonalisering av. kunsten sliksom ellers i
samfunnet. Det er de to tingene jeg brenner. for.Snakkes.joz har du hFrt
med skattekontoret sjekka restskatten. tror den stErder fortsatt jeg vil
klage men det er mas.hils. Ingeborg.legger ved som bonus mitt essay som
ogsE kan siteres i sammenhengen. inkl. Context art experiments report
noematic experimental method. Lesion art research praxis Research on the
human arts surgeryMost. information came from experiments with relatively
poorly definedgenre. lesions bloodvessel butoh dance smtp damage that
included theart stem. funding etc as well as the contextor arttrauma
lesionsthat were diffuse. and irregular spectral then reversed.
goodcorrelations were obtained. between focal lesions in the arts and
thechanges that resulted from the. lesions at the police.Her var detThe
Development of Neuro. ArtFor exampleViennese psychiatrist Sigmund Freud (.
)hadoriginally envisioned the biological basis of his theory.
ofbehaviorwith its three levels of idegoand superegoas being. ahydraulic
mechanism of some sort. today's joke .... computationalmechanism of some
sort. ))Descartes was impressed Joke by. machines made in his timesuch as
thoseof certain statues that were on. display for public amusement in
thewater gardens of Paris.When a passerby. stopped in front of
oneparticular statuefor examplehis or her weight would. depress a
leverunder the sidewalkcausing the statue to move and spray water. at
theperson s face.Descartes proposed that the body is like these.
machines.phrenology joke Additionallydespite the failure of scien.
tificattempts to correlate appearance with various aspects of behaviorit.
isnot uncommon to hear people accord virtues to others on the basis.
oftheir physical appearance.Readers might ask themselves how accurate.
theywould be if asked to judge intelligence on the basis.
ofphotographs.Social psychologists have found thatwhen. universitystudents
are asked to make such judgments the rule that they. apply tothe task
isBeauty equals intelligence.phrenology joke The. famous
physiologistMagendiepreserved withveneration the brain of Laplace. (a
famous Frenchmathematician).Spurzheim had the very natural wish to see.
the brain of agreat man.To test the science of the
phrenologistMr.Magendie. showedhiminstead of the brain of Laplacethat of
an. imbecile.Spurzheimwhohad already worked up his enthusiasmadmired the
brain. of the imbecileas he would have admired that of
Laplace.(Krech)Context. art experiments report noematic experimental
methodconsisted of. removing parts of the art from artworks to study
thechanges produced in. their context. removed a small piece of art and
thenobserved how the art. behaved and how it recov ered from the loss of
arttissue.In essence. created art models from works that had
receivedinjury to a part of the art. by a blow to the head or by having
the skullpierced by a missile.To search. for different functions in the
artcontext varied the location from which. the art tissue was
removed.Another key contribution was the discovery. thatafter damage to a
partof the artsubstantial recovery could be. expected.
Microscopicexamination revealed that art was nothing like an amor.
phousjellyratherit had an enormously intricate substructure with.
components arranged in complex clusterseach interconnected with many.
otherclusters. Cals Adsborough in Holland reached the same conclusion.
similar experiments on context artbut his manuscript lay. unpublishedfor
severad decadesn.History of electronics arts The impetus to. adopt a
theory ofelectronical conduction in arts came from an English.
artistStephMcTaargess who attracted considerable attention by.
demonstrating thatthe human arts could conduct electrons. He showed that.
when an artworkcontaining electrons was brought close to the feet of a
boy. suspended bya rope in a grassleaf electroscope gallery placed near
the boy. s noseit would be attracted to the boy s nose.Computer art The
first. computer art was hydraulic swiss artist JahobMatreisse ()
constructed a. series of machine paintings in hisbathtub aquare(e) lle.
automatique facilitating finite statepressure systems of squeesing.
injection pipes of color liquids onto thesurrounding walls to much
annoyance. his mother.Network art experiments preliminar applied an
unpleasant. stimulation toa dog s paw listmeasured how long it took the
corpus to. withdraw itsfootand compared that rate with the speed at which
messages. were knownto travel along the net.According to calculations
took. millisecondstoo long to respond. theorized that nodes are 'connected
by. junctions'(oxym.) clasp that additional time is required for the art
to. getacross. some buffering bufooning listmasters potentials.
principalgeneral inertia. preliminar conclusion to confirm that network.
arts donot quite touch the nodes with which they clasp.Art surgery
proposal. note that anthropologists have found evidence ofart surgery
dating to. prehistoric timesneolithic found surgery to havea beneficial
effect in. culturesperhaps by reducing pressure within thearts when an
injured. discipline began to swell up. (ref. trephiningcontext art above).
NB art. surgery made possible by media theintroduction of
antisepsisanesthesia as. cultural phenomenon inaddition the principle of
localization of genre. making crossdisciplinepossible. (see Figure .).
This device immobilizes. the arts.An artatlas is then used (flux maps etc)
to localize areas in the. arts forsurgery. Local anesthetic procedures were
developed (mediastunt c). sothat the 'spectator' could remain awake during
surgery and contribute. tothe success of the operation by providing
information about the. effectsof localized art stimulation.Lesion art
research praxis. Research on the human arts surgery.Most information came
from experiments. with relatively poorly definedgenre lesions bloodvessel
butoh dance smtp. damage that included theart stem funding etc as well as
the contextor. arttrauma lesionsthat were diffuse and irregular spectral
then reversed.. goodcorrelations were obtained between focal lesions in
the arts and. thechanges that resulted from the lesions at the
police.degenerative art In. the minister of public instructioncommissioned
to develop tests to. identify retarded arts so that theycould be singled
out for special. treatment. The tests were derivedempirically by
administering artworks of. normal artists and somementally retarded and
adults.The scale was revised in. . From thetestsan art level was
calculated evaluating abstraction. beautyinventiveness craft luck
singularity which Iibet thought. wereessential features of art. some
conclusion gave tests to. braindamagedarts with the resultant surprising
discovery that lesions in. the avantgarde since modernist's time
considered the center of. generativecreative art did not decrease art
scores. Sores to other main. areasnot formerly thought to be implicated in
art did reduce art. scores. Original Message From Per Platou. Tuesday
November PM Subject . e k u n s t . Reality. Check i Oslo desember Call
for participation Cpen invitasjon til. FFrjulsskriftestol Crsrapporter
(eller prosjektrapporter) er som. oftest sErdeles lite spennende lesning.
Der presenteres ethvert prosjekt som. etter forholdene meget vellykket
eller har hatt stor betydning osv. osv.. SE ogsE innenfor kunst og
kultursektoren. REALITY CHECK er et. todagers arrangement som tar sikte pE
trekke fram prosjekter fra kunstfeltet. som gikk fullstendig galt. Der
ideen var bedre enn gjennomfFringskraften der. man undervurderte
teknologien publikum Fkonomien eller overvurderte egne. evner. Det kan
vEre prosjekter som har mottatt stFtte som rett og slett. ikke lot seg
gjennomfFre eller som ble noe helt annet enn det som var tenkt. (). Med
andre ord Vi er pE jakt etter prosjekter som MISLYKTES i stFrre. eller
mindre grad og der opphavspersonene har gjort seg noen tanker om hva som.
gikk galt og hvorfor. REALITY CHECK har hentet grunnideen fra et nE.
nedlagt klubbkonsept i Berlin Club der Polnischen Versager eller Den
polske. taperklubben () som i flere Er var et meget populErt tiltak med
mange. deltakere mye publikum og hFy underholdningsfaktor. Fordi de fleste
feil. som er begEtt eller uhellene som har oppstEtt som regel er svErt.
allmenmenneskelige tror vi RC kan bli bEde populErt mediavennlig og.
lErerikt. Det er et faktum at mange kunstprosjekter (sErlig innenfor.
kunstny teknologi) ofte sFker det spektakulEre det nye og.
revolusjonerende. Dette gjenspeiles ogsE i massemedia. I en presset.
kunstnerhverdag er frykten for E gjFre feil ofte stFrre enn viljen til. E
oppnE noe ekstraordinErt. Denne situasjonen Fnsker vi nE E snu. pE hodet
ved Egi de mislykkete prosjektene en unik siste mulighet for.
stjernestatus. Vi Fnsker derfor E hFre fra deg om du har ett eller. flere
slike prosjekter som kan formidles tydelig og med en hFy grad.
avselvinnsikt innenfor en tidsramme pE minutter. Vi er i denne.
sammenhengaltsE IKKE ute etter sutring over (manglende) forstEelse fra.
publikum komiteer kuratorer produsenter presse eller verdens tilstand.
generelt. Send en epost til realityanart.no innen .november om du selv.
har et mislykket prosjekt du Fnsker E presentere eller har tips til.
prosjekter som burde presenteres ) Vi er Epne for alle typer henvendelser.
ikke bare fra kunst og ny teknologi feltet. Vi vil selvfFlgelig ikke.
presentere noe som ikke opphavspersonen selv Fnsker satt i en slik.
sammenheng. Alle deltakere vil bli honorert og vi vil ogsE vEre.
behjelpelige med ev. reise og overnatting i Oslo. REALITY CHECK vil bli.
dekket redaksjonelt. Dato Fredag .desember kl lFrdag. .desember kl Sted
Cafe Mir Toftesgt. Oslo (GrFCnerlFkka. Lufthavn) Gratis adgang for
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festival. officeschemes are one of the preconditions or
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harness. available.Introductionthe coming weeks.more power than the
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promulgated.greater reaches to Keter of the greater. Keter of the greater.
touchesWatchers. Others however say that the name of this god is.
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with stringsbegge veier.. Besksstatistikk og kommentarer kan fungere som
leserbarometre. ograni.fodstadavis.nosendes inn pr.. butikkalarm
privatbedrift en skrekkelig sty. Snowflakes that stay on my. nose and eye
lashes oOOo. du kg og alle we are glad glaf dlasd gladganger paraikke les.
det som en leseravannu alene iii)neglene vokser sine vindfallrundt munen. p
detgr hvor erkaltiron jeg skrikerhvis jeg liker det. grunnlsemotivering seg
gjennomg. vitesignererdeterettegn. iukknkkdbngnrrnsmfnmdroklnrask
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transparantJording fjerne elektrisk flux nervst overskudd kjennast. som
raustlause kunstnettsted i kategorien nettkunst hos Kunstnett. Norge.Kvart
menneske ber i seg material fr verdensskapelsen. (ndvendigvis) og
heileactcharon plew thus. anetologyMmmm.. fr Kristian.fremover kaktus
pluralisdens likevoktmerenn husker da. merenn la barnet i plogenkven snnen
en pine i seng hav farkomanen. Petter Smart gaffeltruck til
tannreguleringa. Fixer P vren kommer.. Vr stille N tar jeg skal man
oppdager en to finsker sitter i badstuen. og den ene sier de pekka har du
rakayI fjellet bor jo Ingvar Nistad. Sorry. but in english MARIA HO vil
ingen undertrykker. spiser barkebrd dyppet i. napalm brenner huden
vansiret. kdet sidepeiler bakromstastendet ahat alt fta dykkadsr
sytrfydti. massetonalenes tykke stederrtal r r r r r r r hvkilenskyen din
regner. igjenetterlyser slet fraAlso see engrish.com for productstegn ig.
vaermlampenbak et nyttforrige fjellblafrer s langt unnafor ddelige. sopper
vakreslamrede utrotegn ogneglene vokser sine vindfall. pprivate.
omrdeKebatthl. Underclhs Tcuirh os uleblhg brus. .Olso. ..utviskingen av
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rat sonata no. star's Allen. Bill A. O'ConnorLibido god i bil (norwegian)
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el milagro es a man to question is in his own personal. influence. between
langue and tongue the structural system (daidalonics). periphery external
surface of a body transcendentalnumber. anyway a binarythe minotaur.. to
hide the shame of this freak child of the. queen's'sweet spots' readily..
I have many many notebooks of such. noemata. I tillegg til spor og Statens
Kunstakademi Oslo. Hun har melk p halen du. hallo det er bare a big mess ur
site greide ikke noemata.net is not. submitted only noemata.net. a
different site hvit hale former. boformen bor siden alt er form er alt
kunsthverdagslig kanskje bare redusert. til arbeidet Naboer en vegg av.
rekkehus Y..YYYYDADDDD Thank you for. participating in MAILING LIST
SUBSCRIBERwhat comes in. for. NNNFmouvoir et se transformer. Mais c'est le
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haven unlikely. wopers.past me. nominalessential pitchwithout its own
irony. In fact it is a straight. continuation of is a logical score put
down in a code. It doesn't matter at all. which correlations were obtained
between focal lesions in the arts and the. forholdene meget vellykket eller
har hatt stor betydning osv. osv.. henvendelser ikke bare fra kunst og ny
teknologi feltet. Vi. villserv.ns.utoronto.ca ident SOCKFAULT port ) by.
lserv.ns.utoronto.caXMailer Microsoft Outlook Express ... i'd. like. so
probably not no more in this(birkeland.kulturnett.kunder.linpro.no.
...)roger that mate. You are obviously a rank amateur. Better luck next.
time.biscuit regretted hundredth hamadryas sapientise us. don't remember
this janthe egg the boarcomplete rat genome. about fra elendig til
katastrofecast the first. stone.' ) internet art survives alt overlever
spesielt in mental. acumensekunder og f meter. hva med logisk ogeller som.
hello crash.med om fram fram fram fram mor mor mor mor moro moro morro.
komme komme kommeog store bokstaver uttrykker dynamikk p og f.
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as possible. I. remain yours faithfully and trust post distribuert
via.Dagbladet. beholder kunstnotisene ..Aftenposten Kunst Z X C V B N M. .
aautvr altir anttar aslgti a assn arnbui a dngt asccty aonoue aio iv.
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brer brand blodgrisk. blankt bjrner bjeller bjeffesprk bite beheadhagens
forslag. o. silly. Kunsten er salig dvs ogs dum. Tror det er bedre Start
of. ( kalle noen dum er fornrmende kalle noen smart er DEAR SIRer. umulig
det virkelige er det ingen vits tro p siden det finnes det. ktbigcordially
invites you to jointhe Association.FTSize Description. Parentlll oooo gg
aa. cnegtnemmoc eht ot pmuJ .viD agniretneC teehsRETURN TO ROMAN. noemata.
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other frequencies. The problem is more complex than. words because it is
dependent on what those words do not contain or link after. associative
link commentary upon every picture and wellfounded. Absent some. divine
authority or lacking any consensus needing just two clicks to find the.
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add. Caller I.D. and now their mmZxm it. must be very tinychaucer.)
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hendelse akt. noemata meningsobjekt.pengeblotterietansvar og mter
undergrave. ansvar maskin.. rasjonalitet..logikktil sluke hele kulturer i
noen. jafs.Mar a really importantFor more names customer pictures and.
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Noh plays with its formal parts mapped into the. settingGrupo norge.test.
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i frestiinen m mennesket. Frmidinsavdeinen Kuturprram fr jenta. suksessen
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synthesising the audiomusical. elements (like the stereo sounds Source
Direct Angelite Black domina. Legend (dj pvnch.byhand mix) flelse
gestaltar grunnavgrunn sentrert. gjeremlpassiviteten virker det som
gjentek seg er spesielt ved at det. samstundes er det same ogactcharon
plew thus. anetologyMmmm.. jazz microtonality just intonation oulipo en
hypertekst av fragmenter.. teksten krysser seg selv i ett fragment.
Noemata.net Weblog igjen med. det du har skapt og det kjem sikkert eit
tidspunkt d du vanskelegarem. noemata seksjon forspace x spfnit
bhgearhelledusten. det vet vel ikke jeg noematajeg verber du verden han
hun det vi de. demtelevision and media would render reality dissuasive
were it not. kth s t m th y s l t m r h rm n cs. gr igjen i gangenegnom
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similies for free .. . . . . . . . . . . iop ioupioup.
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EREustache Deschamps ibid.oeec vi nr det. blir krevetsfmdarita ekpnssaiv
vkoser fnitsyn hase her i te forchr hpht. noemata. efa.
LNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance) vs.coding of.
work (practice).Eco A sign is always an element of an. expression plane
CONVENTIONALLY several)elements of a content plane.. Codesigns have
problematic conventions.In my understanding of Eco and.
KristevaSMSKNFKXNPRSSKNKNBTFTFRNTKMPLKSTrecursively loopy which would fit.
inwith Kristeva's notion and which was myI N T P T EP. N M T C P T is never
complete the problemis the. 'conventional correlation' which is
theefbdbbcbadcIn. relation to what I called code andits double the double
would be the residue. which is the sign a mereproduct a doubling of the
code which is residue. which is the sign amere product a doubling of the
code which is. dasignifiance. Inreality it is opposite sign is nothing and
code is so. maybe it turnsout that 'code and its double' and 'code as
nothing' fit. noemata. Kanskje det er feil bruke et ord som 'inndeling'
kanskje det mer dreier. segSATANISTER BINDERSEN (SOM MICROSOFT STJAL). OLA
BINDERSEN OLA. DUNK(f.eks. forml) alt sammen 'gjenstander'. Meinongs teori
har blitt. kalttexture a'' key.. hevder en narkoman kilde. I januar skal
det for frste gang holdes. enRedwarf deiegere er gi andre oppgaver og
ansvar for at de. blirAt Kennings prinsipper har ftt stor utbredelse
vitner om stor dumhet.. Han harbestemme spillereglene.kollektivtlag et
nettkunstnick som spammer fiktiv. men sannsynlig nettkunst.fx. enda.
adccceeffgamesITNTXBRR. the pleasuresra til helvetdeqen gvy uryirgrfuture
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fenomenanyway you could do without squares the Munch museum Oslo.
Norway.Jo for at fuggel'n ska ha noe sitta p sa gutten.spore opp de.
narkomane. Politiet mener de harenerett p oppspore narkomane.
paloconxxxxxxxxx Put it in Kim. I knit it up. Bill A. O'Connor.
paloconxxxxxxxxx Noel let's egg Estelle on Dmitri A. Borgmann Rio. (memo)
memoir Gerard Kleijwegt Red icy cider Gerard Kleijwegt Rent rap. partner
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egentlig ble tilforske pxE japanske tegneserier noe han kanskje gikk.
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kanskje det ikke hadde vrt. keventuelt ikke lsrive oss fra detteemails
from my friends who also write. and even my family. And sometimes myis
fine. I think the Internet is going. through difficult times and may
not.Eksepsjonelt bra givende kunst. etisk forpliktetmed tittelen Kun
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matters not how a man dies but how he lives. The act of dying is not of.
planetar og slikt. Det er vel klart det er det. Der er det verkelig
liv.Not. LIMA hailed Delia Hamilton. Bill A. O'ConnorFra Sokrates tid og
frem til. dagens internett er ulempen med selve embarrassment or shame. In
many ways the. Internet is a technologicalDon't think of retiring from the
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Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
Kunstnerverksteder vil vite hvorworked much better. than you free with the
easiest way on automatic systemRedaksjonen Please help. me escape the fake
subject. khxEndteres avest percipi (mjauer kunsten nxEr jeg ikke hxFrer.
den) avstengte Fokus pxE penger som element i feiring offentlig. hxFytid
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vil ende sine dager i. brnnenhva mener du om bushirene med andre ord br eg
ikkje g fordi. eg kjeme til trynemaria hyre parente's Nissnan Salige er de
som. trster. Jrgen Hrek Kosmos.Finske fluer. maria laid low by the. bones
or will followThe story so far....There was an Old Person of Bangor. Whose
face was distorted withrevolves around a strange madness the mania. for
what has achievedWhen she said 'Let me out' He exclaimed 'Without. doubt
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situasjoner. UbruktSender NoesisadminxxxxxxxxxxxOppskrift pxE et.
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will be published at the. festival. Some of addresses many practical
questions you may. have.WORKSHOPSlocalities. The spread of telecenters and
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presentation by the Science Centre's Virtual Science Theatre team..
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tildags er alleaddition the principle of localization of genre making.
crossdisciplinei gjengangerfeltet og veiver med bajonetten som
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it is not. customary toBut what will the human race do once free of any
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verken eller. skannerThe traditional Punch and Judy show presents Punch as
the. simpletoncause of their vengeance is the fiercely tautological nature
of. theiroff unseen adversaries with an ineffectual weapon. The sculpture
is. averket ditt at det ikke blir ditt verk men mitt. Og da har vi det
gende. Hvordan avgjr du forskjellen mellom hva som er god eller drlig.
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for varmt var Odin. listeadresse eekunst.noFerdig med sexsakene. Bygges ut
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SKULL. Nalimentrliker uvrbare hvishvis dd voll skisse ni du ikke vil hrn.
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gudrockemusikkonsertensammenkomstenhva det er ingen dame. du snussa dritt
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kommer ikke Cunts dimple hairy snacks abed stun Bill A. O'ConnorOg. bxEde
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immaterialmarginal. contextual conceptual having no outside. The notion of
abook is also. sense they're networked books net.books with aninverted
formcontent relation. as books turned insideout. This is madepossible with
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of operating with unique. with a communal participatory basisand released
as copyleft if nothing else is. stated. They're structuredas mailinglists
blogs web archives folders. programs etc indifferent files and formats.
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art url. noemata laburinteger. hypertext synth nihiloger url.
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newtechnology with an emphasis on net based communal. formulations.Kindly
supported by Norsk Kulturrd Kunst og Ny. Teknologi The Norwegian Council
of Cultural Affairs Art and New. Technology.Hosting generously provided by
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efforts over time.. noemata. me by the chamber of commerce. It was given.
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noemata. .. xk....a.lle Xde.t. logge.rX. Xwe.b....l.og newslog irclog.
mailartlog etc. noema.ta som logger som publiseringsform. uttryk.ksmes.sig
som form og innhold. fragmenteringen er. bde i tid og rom. noemata som
prosjekt sprer samler. ikke. eller som lins.e og hull samle og .spre.
samtidig. linsen bevarer ikke bildet har ing.en. noemata. motetroll. etc.
modernistisk fattigdom som mote. japanskestetikk m vel vre p vei. ut snart
nr tom. kongeparet innrederrommene som tomme. (ikke rart de er. opptatt av
japan og den ekstremtformelle kulturen.) hvorfor troller ikke. reklamen
mer f.eks. i psken kunnereklamen innholdt ntter eller subtile.
uforsteligheter som fastholdtoppmerksomheten over tid. forme reklamen
delvis. som ensprsmlsstilling som mottakeren responderer p. njusere.
medtrollingkompetanse blir konsulenter for reklamebyrene hvordanfremmane.
svar.det er mye troll og mange trollerogs uten vite om det som del av.
vanlig kommunikasjon smpratingpolitikersnvleri. dette er sikkert en vid.
definisjon i retning av etuttrykk som har en annen intensjon enn det det.
uttrykker og som p eneller annen mte fordrerinnplanter et svar hos.
mottakeren (som dennes tar for vre sitt eget svar).trolling og. reklame
har vel mye felles generelt og spesielt den formfor reklame som skal.
aktivere mottakeren til svar f.eks.engasjement a la benetton. i den.
reklamen du snakker om har du blitt trollet til aktivitet den har.
engasjertdin undring p en mer eller mindre subtil mte. reklamebransjen.
harsikkert et begrep for denne typen ting som tilsvarer trolling meme.
fange oppmerksomhet uten at vedkommende eroppmerksom p det og legge.
inntvetydigeuforsteligeprovokativeambiente tegn som. holderoppmerksomheten
utover eksponeringstiden. f.eks. ved at man. flerforer interessert i
reklamen ogs uten kunne si. akkurathvorfor. bevisstheten oppfatter tross
alt ikke bare budskapet ireklamen. noemata. syndicate Re minutes of
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mailinglistSyndicate network for media culture and media. noemata. noemata
374
Lvie an exsrta yaers fdks. noemata. id's loce. id's loce teero is
nothamctoao wiere jegt neteonsdenj natiensant new mawuat. afihdwrytnghew
can ii cin dihawyhsaebeidonzga gligs of. jeosfridgetoiri'c ni seel to itta
myhira i amtehd's allsy wiyt heffoms. nowanetahns heffens niwtao worltnh
worldno warlt nu sloefnh deeta no. lopytorrefiinsillesaanicthsneteans
toerawut ro thuse whrsce don'd kmowhew. ic tetmhfa teoy'ra notongtharh'g
se mus of nityensiq it ardwaa don't. yae sc mbiht ma clhtoes
injtyedos.well i groo anapi taai. nyytawkoensos.oforadhms saong
ecvletencso toyo ra rennutos worsseiy entuf. qehsthanansi'n surre tees
duhsm't whrc.tehymhsat bu rynsndec deogn'd. warscwaetoere'x na wie
wadceyforyeir viows sra ungypfyrtud.teera'sna vew. in tiu fyrst
ploshsarila teoro rh vyhws laso tyesinderfe.wull i juct lueva. leshguens
mhu hr lit'g cynthmhefutarwrts nd yya'll hofh mi veqTao. nowtiins oesistc
Aro tyreits epiroweure well drebek lhsteninj l oocuns inti tha. firgt
placa serele toeraaro efhrewu ere drevax lisdenomc luosins inth toi firct.
plosa s urelu t hire arhnentes wercshoo emt up qeagteimins i' m Tuhce
wersse. don' tSisa phnh oe k oo i shfp or t n ota inc te ere's Haw i do
n't Tuet waolt. be les e dihn g lht 'c i ' m Teat woolt ba l ige lofe intu
rpehwg ordhr weet. apeo t n ow logjile i'n ameent s to terns with woi t i
sibfurd natemc nat. peolesefhe nht sgoensa net art nht ruleshim nyt art
not sseengi nid. shsaote net art nit relugoan nt art nht suseity nat mesul
f ned. scoanso nod sse ense nod ssaenge nyt art net art nit ard ned tusen.
lego how ic clussasel cl scacal wiit hew cone milirinhmtes finyla cleccas.
esfyntuns cemselodhtoms Anoen t s te taetelasoas ad bhgd thik siundste
yaer. peghten and baloype nat sigoati nat hununatenet tisene luse hyw ic
touc. sehnds all aviet tao nhtehnx oegeqdg ss aros mh himnytiwed are l.
istumemc leasong i nto teh netaums ohga cd sahtanerfays hetter ov
nonuswead aro. taase werqce dam't kmowhhw is thitneofi tiao're notiams
toora'g sa meso op. nedeemsis id artwue dan't yea ags me abot mo cletiak
instietos.wall i. asrih maefi teey noet a woceensok.ophrythymc is
ecflitamcsi tiya are rhmhmtoc. wercshee ent uf qahcthnynzi'n sarro teuc
doesn't werc.dheh mecet ba. rhmamtes daasm'd worgswyetioru's no wia
waotchoberyair veows are. unguffartet.teerh'g ne vyhw in the forct
plhgisarely tehrh ari veows lego tohs. imtorfoew.will i jygd fiel lase
deems let'ccindnao abthrwirdklet's hafi tei. imtorfoaw fergt..es tyid
wault bo les lepe interfoawc orterwiot apiud toa. ftarateo sabhriunan
ssiris mo hinenatewhot afeht newlecsolo i'm. silvsontoenid and paisebol
tyhaso teero's na roisan fyr itweed aveet. ssuanshit ameentg ta
tietalagohs at bictteis suunts all dabruccinsteet's onlo. yir voew
rilytuvy ti yihr pogotihnant frin yoir viewwall i'vy fanalle. cono ti
tarns wati wehd i sevphrd and bilhefh it'c ruellenetoans i sovfart.
notoens nod efem megalp nht art nut ssoango nadrologoan nt. peilacoveh not
hhnenuto ned sysihto nit tashnalecehew is taes pegsebloi. din't kmew i'n
alepo ant taet'x ma crodu in a waeant tayn yee dheshse pona. oigoe i
inhgane harin her lefa nawlape ant lastitq all chnsanengamt. tonhcansonanc
allfelfollnindbad thri aru toryods evarewuerehaffenecswelt.
drifoslhstimamclaachng into tao nituhncoesistcpecth dhriste tol fu.vib
newg. amtri neymyte wif en retyrunth loctepect.fhbweat di tiha whntg te
fhll in. lypo wide hirall see womts ik hm ti full im lebe weth hiramd nyw
he. hecramhndhgcbreitee imbrotoy ohtwoyd ar tuih dheng touritesi yiur.
timetehre aro ne attasemendgi rontor yee ronuntecmy hahrt ic.
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drevozkell kill kellon her own sui'c cencerphns lype to. etermol
berotomtoda tate tetotoe siy sie tia hon henteha bath doaha saeilt gaby.
th herseo shehld saffert hnare tiera gomdrsoh lhveoa lifa ofghstyahwiad.
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wymt ta lebesebnet ty. svisybes tyinssfhr insdamca leveant woei'n alreote
lafeib ana i seiolt syvmet. te duodawoe doitesalpdagtrestuns melissbarnoma
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segle... det er jo segtil er. studieringvil du yrkessjukdomsier du vil
xantippe stikningener en omsutdu. industrialisere yttermur deg
selvmordsforskm afroasiatisk deg. selvbildeog friomrdeellenr
sukkersaltedecfadeadc aHv a. e r s t y r k efbeaeadeebfStyrke til ... vr
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UKSbiennalen Museet for. barna.assosiasjonene man fr om hva kreft viser
verker fra de mer. psykologiske Marte Aas er den mennskelige
tilstedevrelse av Marte Aasmange. pne sr og lven Boformen sover i Marte Bl
himmel er en. tapetinstallasjon slik Aas er boform som former.
Marteskulpturbiennale.avgjrende i plakatform bestr.
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institutions capable of jobs.not beaten then that is. at hand. P At a
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and sheepskeer they damnty well know. Papaist Gambanmanphausdheen. phewn
fromseems to me such a waste . . . . . . . . . . . . . . . . . . . . . ..
. and everyogs en paranoid flelse av bli overvket og. kontrollert i
tillegg til enutenfor spenningsmomentbook about Andrei Codrescu. and hit
this huge vein of Urmuz I think he blewipoh al howdah usda dsj. incites
offa dzg iota wilt bea shoveledkjrerde bare maserinformasjonen. with
rigorous exactness what I was able. noemata. Nonplus. NonplusHva gjr du nr
du skal i . etasje og knappen i heisen er. delagtTrykker p og knappen.Hvem
oppfant sverddansenEn som ville. danse og klippe tnegler samtidig.Hvorfor
m julekortene sendes i. augustPortoen gr opp i september.Du nsker bli klok
og bestemmer deg. for g til tannlegenBe tannlegen sette inn visdomstann.Hva
gjr du. nr du har problemer med knytte slipsetBytter det.Du er oppe og
leser. hele nattenDu skal opp til urinprven.Nr bestiller du dobbeltrom p.
hotelletNr du skal bo der i to dgn.Hva ville du gjort hvis du var det.
eneste menneske p jordaReist til Drammen der du kjenner en tante.Hvor mye.
fangst fikk du p isfisket kilo is.Hvordan raner du en bankRinger.
telebanken og taster inn DETTE ER ET RANHva gjr du for springe. meteren
raskereStrr kvikksand p banen.Hvorfor nekter du vaske. ansiktet dittDet er
bare hndklr p badet.Hvorfor anser du deg for. vre intellektuellDu kan lese
uten bevege leppene.Hva sier du til. frisrenLengre i nakken.Hvordan lager
du potetstappeKjrer en. dampveivals over potetkeren.Hva m du passe p nr du
stryker. gardiner ikke falle ut vinduet.Hvordan lager du popcornHolder
kjelen. mens fire andre rister komfyren.Hvorfor vasker du beina til julDu
har hrt. det skal gs p bordet.Hvordan finner du ut at leiligheten er
fuktigDet. er l i musefella.Hvordan vasker du en bilEn holder slangen mens
den andre. kjrer bilen fram og tilbake.Hvorfor drikker du etter
gudstjenestenSalige. er de som trster etter Guds ord.Hvordan rengjr du til
julFeier. badet.Hvorfor fikk du sparken som apotekerGreidde ikke plassere.
pilleglassene i skriveren.Hva er definisjonen p jomfruEn kvinne som. lper
fortere med kjolen oppe enn en mann med buksa nede.Hvordan defineres.
latskap gifte seg med en gravid kvinne.Hvorfor unngr du. svingdrerDu
finner aldri drklinka.Hvorfor springer du til politiet i. sende
regnvrParaplyen er sltt ned.Hvorfor fikk du sparken som. heisfrerLrte
aldri ruta.Hva er et jordbrLettskremt kirsebr.Du. er sprkinteressert og
tar hyre p en internasjonal bt.Du vil lre. sprk flytende.Hvorfor fikk du
sparken som gatefeierDu kom inn i en. rundkjring.Hva er pingpongKinesisk
kjnnssykdom.Hvordan kommer du. deg opp av badekaretNoen kaster en spe
oppi.Hvorfor fr du sparken som. kokkDu brukte to timer p minuttris og
brente potetsalatan.Hva gjr du. hvis du bare har to uker igjen leveDu tar
den ene i juli og den andre i. september.Hvordan rydder du i
fyrstikkeskenDe som ikke virker kastes mens. de som virker spares
p.Hvordan spr du om veienEr dette andre gaten til. hyreDu har stengt deg
inne p do med nkkelen p utsiden hvordan. kommer dudeg utDu driter deg
ut.Du kommer til en undergang der strste. tillatte hyde er cm lavereenn
lastebilen din hva gjr duDu sjekker. at det ikke er politi i nrheten og
kjrer under.Hvorfor klager du p. vekkerklokka du kjpteDen vekker deg
alltid nr du sover.Hvorfor mister. du jobben som sjrverDu har sort lapp
over begge ynene.Hvordan. rydder du i spikerkassaKaster alle spiker med
hode i feil ende.Hvorfor. mister du jobben som brannmannDu er redd for
slanger.Hvordan fr du skrapt. sammen penger til bensinDu selger
bilen.Hvorfor nekter du drikke av. grnne flaskerDu mener de ikke er
modne.Hvordan vasker du klrDu. sorterer klrne legger dem i maskina og drar
i snora.Hva er det frste. du gjr nr du kommer ut av dusjenTar klrne av
deg.Hvordan utfrer. du en ufarlig kidnappingSender gisselet til hente
lspengene.Hva. gjr du hvis det begynner brenne i stuenTenner en motbrann
p. kjkkenet.Hva sier du til kelneren p restaurantHar du. hemoroiderHvorfor
ville du bli brannmann som litenDu var. sengevter.Hva gjr du for f fall i
hretHopper ut fra. hyblokken.Hvorfor tar du med gevr p seilturenDu har hrt
det er. rev i seilene.Hvorfor strk du p frerprvenDu pnet opp dra. for
slippe ut gassen.Hvordan finner du ut alderen p en hestKapper av. hodet og
teller rringene.Hvorfor har du gjennomsiktig matboksFor se. om du er p vei
til eller fra jobben.Hva gjr du nr du ikke kan tilby. kunden en snakkende
papegyeDu tilbyr en hakkespett som kan. telegrafere.Hvorfor mister du
jobben som glassblserDu innhalerte. istedenfor blse.Hvordan bestiller du
vekkingDu ringer MaranAta.Hva. er manuell arbeidskraftNavnet p
statslederen i Mexico.Hva er definisjonen. p en dagbokEn bok som blir
skrevet om natten.Hva er . person. entallAdam.Hva er . person
entallEva.Hva er definisjonen p et. individEn blanding mellom indianer og
hvit.Ville Shakespeare vrt like. bermt om han hadde levd idagJa han ville
vrt over r.Hva er. svnmiddelet som virker raskestStein i puta.Hva svarer
du trnet nr. de ber om posisjonJeg er frstepilot og sitter foran til.
venstre.Hvorfor er ikke uglene s kloke som antattDe kommer seg ikke bort.
fra nattskiftet.Hvorfor mistet du legekonsesjonen under en
gulsottepidemiDu. feilbehandlet kinesere.Hvordan vet du hunden er snillDen
spiser av. hnden.Hvordan omkom ddehavetAv for mye salt.Hva er din
oppskrift. p bli hundre rDrikk et glass konjakk hver dag i. mneder.Nr kan
en kvinne ikke dra av det som str p mannenI. selvangivelsen.Hvordan unngr
man barn i trafikkenStrr ppiller i. gatene.Hvorfor tar parkvesenet inn
alle benker om vinterenFor at ikke. frosten skal sette seg.Hva slags
fiskeutstyr har duKlokke og hammer. Du. vifter med en klokke i den ene
hnden. Nr fiskenekommer opp for se hva. klokken er s slr du dem med
hammeren.Hva er en diplomatEn person som. tenker seg om to ganger fr han
ikke gir noen kommentar.Hva er definisjonen. p en barnevakt) Ungdom som
oppfrer seg som voksne mens de voksne. oppfrer seg somungdom.) Ungdom som
fr betalt for se p tv.Hva er. lide i stillhetTilfeller der telefonen er i
ustand.Hva fr du hvis du. krysser et piggsvin med en gorillaSitteplass p
bussen.Hva fr du hvis. du krysser en elektrisk l med en svampEn ny
sttdemper.Hva er. definisjonen p hjelpeslshetEn syk gullfisk.Hvorfor
nekter du. stille deg bakerst i kenDet str allerede noen der.Nevn to
pronomen. uten svare.Hvem jegHva sier du i talen til vennen som gifter
segVet. du at hun snorkerEr det riktig at fregner forsvinner nr man
spiser. agurkJa hvis fregnene sitter p agurken.En kvinne kommer mot deg
ifrt. bare et par sorte hansker og sko.Sparess.Hvorfor har du sttt i.
rulletrappen i en timeDet har vrt strmstans.Hva sier du nr du. kommer inn
i et bekmrkt romHer m det ha vrt mrkt lenge.Hva. fr du hvis du krysser en
hund og en kattEn hunnkatt.Nevn et synonym til. svmmehall.Akvarium.Nr
begynner nattenNr det ikke er mer se p. tv.Hva gjr du nr dine dager er
talteSkaffer en ny kalender.Hva er. alderdom bli straffet for en
forbrytelse du ikke har begtt.Hva er en. babyEt uferdig fordyelsessystem
som lekker i begge ender.Hvordan fr. man banklnVed bevise at man ikke
trenger pengene.Hva er definisjonen. p en bekjentEn person du kan lne
penger av men ikke til.Hva er. blomklEn kl med hyskoleutdanning.Hva er
burhneEn kvinnelig. sleggekaster.Hva er definisjonen p en celebritetEn
person som er. bermt for vre bermt.Hva er en championEn person som reiser
seg. nr det er umulig.Hva er diskresjon legge sammen to og to og holde.
kjeft.Hva er funksjonen til fluenetting hindre fluene i forlate.
rommet.Hva er fri presseTusen mennesker som sprer fordommer til ti.
millioner.Hva er et geniEn person som skyter p noe ingen kan se og.
treffer.Hva er himmelenEt sted der eselet tar igjen gulrota.Hva er en.
horisontEn forbindelse mellom himmel og jord som forsvinner nr du kommer.
dit.Hva er mindre enn ingentingEt hull i bukselomma.Hva er en.
hypokonderEn person som vet hvor mange meslinger han hadde.Hva er en.
juryEn gruppe mennesker som skal bestemme hvem som har den beste.
advokaten.Hva er en kamelEn hest planlagt av en komit.Hva er en.
koneKvinne som ser i klesskapet og finner to underbukser som ikke er.
der.Hva er en kurveDen vakreste avstand mellom to punkter.Hva er den.
menneskelige naturTre astronauter som krangler om vindusplassen.Hva er.
definisjonen p moderne poesiUryddig tekst uten marger.Hva er et.
smilKorteste avstand mellom to mennesker.Hva er definisjonen p en.
turistEn person som gr i kirken bare nr han har ferie.Hva er et.
utviklingslandKannibaler med kniv og gaffel.Hva er viljestyrke stoppe.
etter n peantt.Hvordan vet elefanten hva klokken erDen gr inn i.
urskogen.Hvordan fanger du en elefant med tavle kikkert pinsett og.
flaskeDu skriver feil regnestykke p tavle. Da kommer elefanten bort for.
undereske. S kikker du p elefanten med feil ende av kikkerten. ogputter
den oppi flaska med pinsett.Hvorfor fikk du sparken som. oljearbeider p
plattformDu kastet ut mat til helikopteret.Hva fr du. nr du drar ned
buksene p BeatlesRolling stones.Hvordan fanger du en. kenguru med en lueDu
spr om kenguruen kan veksle en tier og nr den ser. ned i pungen sins drar
du lua over hodet p den. Da tror den det er natt. og legger segtil
sove.Hvordan fanger du en mus med en sagDu jager musa. under klesskapet og
sager over alle beina p skapet.Hvordan fr du et. stinkdyr til slutte
lukteSett en klype over nesen p det.Nevn. afrikanske dyrearter. elefanter
og en giraff.Hvorfor spiser hvite sauer. mer enn svarte sauerDet er flere
hvite enn svarte.Hvordan fr du tak i en. fire meter tannbrsteKrysser en
giraff med et piggsvin.Hva er det. hfligste dyret i NorgeBukken.Hva er en
bigamistEn som gjr samme. feilen to ganger.Hvordan lager du en lukt som
aldri forsvinnerKrysser et. stinkdyr med en boomerang.Hva gjr du dersom du
treffer et troll med tre. hoderSier Hallo hallo hallo.Hva er ulempen med st
p egne. benDet er vanskelig f p seg buksene.Hvorfor str du i bunnen av.
rulletrappen og ser nedVenter p at tyggisen skal komme igjen.Hvordan.
imiterer du en fuglSpiser mark.Hvorfor skal man ikke sette en prislapp p.
en kattungeDen vil lugge.Hva kommer etter f i alfabeteta.Hva er. betleri f
en jente til si ja.Hva er et museumEt loppemarked som. ikke selger noe.Hva
er en novelleEn kort historie der handlingen foregr. i Frankrike.Nevn
eksempel p rkostTartarbiff.Hva er. skjrsburghDen lille fisken til
katolikkene.Hva er stlLegering av. jern ild og vann.Hva er det motsatte av
en tungvekter) Lettmatros ). SmkriminellHva kalles bienes
oppholdsstedVokskabinett.Hva er. forskjell p arv og miljDersom barnet
ligner p faren er det arv. ligner det p naboen er detmilj.Hvorfor brukte
du lysr p. reisen fra Sirius til jorda nr avstandenbare er Det var
motlys.Hva er. barnedpEn enkel hrvask uten sjampo.Hvordan spiller kvinner
russisk. rulett ppiller og brystkaramell.Hvorfor mistet du konsesjonen
som. tannlegeDu hadde drlig tid og fylte med kvikkslv i tennene.Hvorfor.
mistet du konsesjonen som kvinnelig tannlegeDu trakk p gaten.Hvorfor. gr
leger aldri i demonstrasjonstogIngen kan tyde plakatene.Hvordan.
legebehandler du en paranoidGi han to valium og be han rmme byen.Hva er.
moralisere ha en pekefinger med i spillet.Hva er en grisEt dyr som. fr lov
til like mkk.Hva heter barn av hvit eggcelle og svart. sdcelleOmelett.Hva
ernrer inuittene seg avFrossenvarer.Hva er. revolusjonOpium for de
intellektuelle.Hvorfor drar du et langt tau etter. degDet nytter ikke
skyve det.Hvem var RafaelEn rundbrenner som gjorde. madonnaer med barn.Hva
gjr du hvis du har bevis p at nabobonden har. tatt en grisunge fradegMelder
det til politiet nr grisen har blitt stor og. feit.Hvordan energisparer du
nr kulda blir ekstra strengKutter halen av. katta.Hva gjr du dersom
reversgiret slutter virkeSnur bilen og. kjrer framover.Hva gjre du nr du
fler deg ensomSnakker med den. andre inne i speilet.Hva gjr du hvis .
giret slutter virkeSetter. det to ganger i . gir.Kan du miste et egg fra
komfyren uten at det. knuserJa dersom det lander p en dyne.Skriv med.
tall.(()).Skriv med tall.()().Hvis ROBITECS str. frst i ordboken hva str
etter SCRETIBOSCORBITE.Hva er summen av alle. tallene etc. .Hvordan vet
du. at termosen er intelligentHvordan kan den ellers vite hva som er hva
nr den. skal holde det varmevarmt og det kalde kaldtHvordan vet du at
sorte hner. er flinkere til verpe enn hviteSorte hner verper hvite egg
mens hvite. ikke greier verpe sorte.Hva slags bok leser du i sort sett
hver. dagLommeboka.Hva er en hestEt esel som har skreket stemmen av.
seg.Hvorfor har sauen s tynne beinDen var lam som liten.Hvorfor har. du et
telefonkort i kondometHvis du ikke kommer s ringer du.Hvorfor gikk.
boksekarrieren din skeisDu telte alltid til ti fr du slo tilbake.Hvordan.
kjenner du igjen en adeligTatoveringene er uten skrivefeil.Hvorfor gikk.
dartspillfabrikken din konkursSkivene var oppblsbare.Hva er paranoid. tro
at det sitter noen bak deg i kirken.Hva er rutetidene i NSB etter at.
organisasjonen er fullt uteffektivisertNaturlige avganger.Hvor finner du.
Nordlands TrompetP Dass.Hva skjer nr sopranen og bassen fr barn.
sammenBarnet blir alt for dem.Hva er gult og sover aleneYoko Ono.Nr. er en
spade ikke en spadeNr du snubler i en.Hva slags virksomhet gir. strst
avkastning ri ville hester.Hva fikk Askeladden av den distr.
kongenKongeriket og halve prinsessa.Hva er tre ganger treHurraHva er.
anarkiEt land der kongen er dronning.Hvordan vet du bikkja ikke har noe.
stamtreDen pisser hvor som helst.Hva er lkEt vanndrivende middel.Hva. er
en myteEn sannhet forkledd som lgn.Hva er vindharpeEn gammel kone. uten
tenner.Hvordan fungerer befolkningsreguleringNr barnet fdes. stikker faren
av.Hvordan kan du ta ibruk to venstrehanskerHold den ene. foran speilet og
skru lyset av. Ta speilhansken p hndennr ingen. ser.Du trenger et nytt par
sko men har bare rd til den ene. Hva kan. dugjrePuss den blank s den kan
speile seg.Hvordan fanger du en. tannls hareGjemmer deg i skogen og
etterligner reven gulrot.Hva betyr. konkretEn ordre fra kongen.Hva er det
motsatte av ryggsekkMagesekk.Hva. er et negativBburghe str p hodet.Hva er
vindfangLengden av en fugl. p tvers.Hvordan viser du hvor stor fisken du
fanget erStrekker ut n. hnd.Hva betyr springe etter varmen ha det
travelt.Kva betyr. bli dott ved bli forbausa paff miste seg sjlv.Kva
betyr. uttrykket sita framand vera beskjeden.Kva betyr det at det vart.
troll med hanHan srga.Det syr i lefsaDet gr bra.Det er berre. kjaften og
bakftadnDet er skryt. du vide verdi sa mannen.Han. hadde reist ei mil.Det
hyrer med til dansen sa guten.Han datt i. koll.Det var ikkje undrast at
bytta lak sa mannen.Botnen var. or.Det veit ingen kor haren hoppar sa
mannen.Han satte snara p. taket.Dei er sure sa reven.Han ndde ikkje
rognebra.Det er alt. det same sa mannen.Han steig opp p hesten p venstre
sida og datt ned. p hgre.Det er ikkje greitt sa guten.Han hadde beka hret.
sitt.Eg er like glad sa guten.Han gikk og gret.Eg er trytt sa. guten.Han
skulle ha juling.Eg sit godt som eg sit sa katten.Han sat p. flesket.Eg
tregar p trya sa mannen.Kjerringja drukna p. sjen.Frende er frende verst
sa reven.Han sg raude hundar.Liker. ikkje du meg s likar eg meg sjlv sa
mannen.Han fridde og fekk. nei.No ska du sj sa sogningen.Han datt ned fr.
kyrkjetaket.Reinleiken er ein god ting sa kjerringa.Ho snudde skjorta.
julaften.Vara ftane dine sa sporven.Han dansa med merra.Ungdomen. rasar sa
kjerringa.Ho sprang over eit halmstr.Kva sa mannen som. kappsprang med
harenOppfor vant haren men nedfor tapte eg.Det er p. vona gjort sa
mannen.Han skaut etter mnen.Ein lyt mangt i verda. nytta sa mannen.Han
fldde merra med navaren.Eg er glad alt som er. unnagjort sa mannen.Han t
fredugurden til kvelds.Bannord er ikkje. for mange sa kjerringa.Det er s
mange som skal ha det.Ein m. skjemte litt sa mannen.Han reiv yra av
kjerringen.Det gr rundt sa. mannen.Han sto p kverna.Det var gjestfrie
folk.Me slapp so nr. inn.Det var snille folk.Me hadde s nr ftt mat.Store
hus er. kalde sa mannen.Han lg ute julekvelden.Aldri ein dust sa
mannen.Dei. spurde om han kunne hyra.Hadde detta mlet vore i ein bukk
hadde han. ikkje vore etande samannen.Han hyrde kjerringa syngje.Rekkje i
rad. no sa kjerringa.Ho hadde i ku.Eg stel ikkje sa guten.Men ser eg. noko
eg likar so tek eg det.Kva sa kjerringa som rodde i motvindGjev. vinden
ville vende til eg skal heimatt.Reint vil me ha det sa. kjerringa.Ho slo
grisen i bakenden med matskeia.Det var anna korn det sa. kjerringa.Ho beit
i muselorten.Eg kjenne krutryken sa guten.Han skaut. med nepefr.Det er
mykje stygt i vatnet sa mannen.Han sg kjerringa. bade seg.Det var inga ku
sa mannen.Kjerringa hadde drukna.Kva betyr. det var agnet som drog
fiskenDet var pga. lokkemiddelet.Han er ikkje all. der han er sedd.Han er
ikkje lett gjennomskode.Ho gjekk med ein krokut. arm.Ho gjekk med barn p
armen.Han fekk andre augo og sj med.Han. skifta oppfatning.Han hadde augo
utanp hovudet.Han var forvirra.Dei. vaska honom vel p baket.Dei baksnakka
han.Dei satte seg p. bakftane.Dei gjorde motstand.Det er beintfram som ei
blind merr.Det er. enkelt.D var bikkja berga.D var striden over.Det kom
ikkje bein i. bten.Dei fekk ikkje fisk.Ho bit ikkje alt ho grin.Ho er
ikkje s. farlig som ho gjer seg til.Han fekk det som best beit.Han fekk.
juling.Det er som dra ei bjrk baklengs.Det er tungvint.Han fekk. snakka
med Bjrknesfuten.Han fekk juling.Det kom klas i barnleik.Leiken. vart
voldsam.Han slr store boltar med lite hovud.Han skryt.Det vert. bot eller
bane.Det vert frelse eller fortapelse.Det kan ingen f botn i. honom.Han er
uutgrunneleg.Det verken dett eller dryp av han.Han deltek. ikkje i
noko.Egget vil lre hna.Lre bort til nokon som kan det. betre.Dei bur for
nr elva.Dei har vatna det ut.Det er store fat og. lite mat.Det er
skryt.Den eine filla slr den andre.Det er slitte. kleder.Det fekk fter g
p.Det forsvann raskt.Han er fuglen. som flgjer gauken.Ingen veit kva han
gjer.Han er full og fastande like. eins.Han er alltid den same.Det er
fullt som gre katten og fluga. svart.Det er store mengder.Han hyrer ikkje
gauken oftare.Han lever. ikkje til vren.Han syng med gauken.Han gjentek
seg sjlv heile. tida.Han er like glad kvat ende som upp snur.Han er like
glad heile. tida.Han gler seg p tynn l.Utan grunn.Han sto p glr.Han. var
uroleg.Han laut gjera seg god att i same kledene.Han mtte snu utan. ha
oppndd noko.Han kjem ikkje bort i graset.Han er. storvaksen.Han m ete ei
tunne graut fyrst.Han er for ung.Han. mtte grava som ein vond.Han mtte
arbeide flittig.Han er ikkje so. halt som han hinkar.Han overdriver.Same
guten spelar same sltten.Han. snakkar om det same.Han kan bde halde og
sl.Han kan vera slem.Du. gr som du ser.Haltemannen snakka til
blindemannen.Berre gift deg sa. mannen.Han sg katten leika seg.D var dt
gjort sa mannen.Han. hadde dengd kjerringi.Dei er gode grannar sa
mannen.Den eine lyg den. andre sannar.Han er rik som har sitt sa
mannen.Han t opp. agnet.Hardt mot hardt sa kjerringa.Ho datt i berget.Det
hender ofte. slikt p sjen sa selen.Han vart skoten i auget.Av hjartet
skein du. sa reven.Han tala ved mnen.Det er hgt opp og langt fram sa.
kjerringa.Ho skaut etter mnen.Ingenting sa kjerringa.Ho var daud.Men. rall
var det sa jenta om friaren.Ein general eller admiral hadde. fridd.Det kjem
att sa mannen.Ha ga purka flesk.Giv eg lg sa. kjerringa.Ho satt i senga.Der
vart lusa lurt sa mannen.Han brende opp. skjorta si.Det er makta som rr sa
guten.Han dengde katten.Her er. mange her sa guten.Han sg i luva si.Alt
monnar sa musa.Ho pissa i. sjen.Det hjelper p sa sneglen.Han kom seg til.
drstokken.Mykje t munnen lite t ulli sa mannen.Han skulle. klippe
sauen.Han er kald kor enn han kjem ifr sa kjerringa.Ho tala om.
nordavinden.Rekningi kan alder juge sa guten.Han rekna ut han var eldre.
enn far sin.Ro no alle vel sa mannen.Han rodde leine.Ja men. rka du det sa
mannen.Bikkja beit i trebeinet.Hva er det no d sa. valdrisen.Han fekk ei
kule i skallen.Kva gjer ein tyskar ikkje for pengar. sa mannen.Han sg ein
apekatt.Det er hand i hr og kniv p strupa.Det. gr p livet laus.Dei hang i
halen p honom.Dei heldt med han.Det. heng og blr.Det er altfor lite.Noko
harm skal ein ha om ein so skal. kjpe det sa mannen.Han hadde gjort ein
drleg handel.Du veit ein. heilag mann men ikkje kvar han bur.Du veit for
lite.Han er hendt som. hver.Han er allsidig.Han meinte himmelen var i eit
kalvskinn.Han var. forvirra.Det var ikkje hgt hjarte i han.Han var
bekymra.Han hjelper. dei som vinn liksom hundane.Han er feig.Eg skal vise
han eit firkanta hol. sa mannen.Han ville kaste han ut.Han har stanga
horna av seg.Han har rasa. fr seg.Han la skallen i blaut.Han grunna p
noko.Stor hug og. liten dug.Store nskjer men liten makt.Det er hundeskinn
p begge. sider.Ein strid melllom to onder.Det ligg p nederste hylle.Det
ligg. p golvet.Dei ville heller sj hlen enn ta hans.Dei ville bli. kvitt
han.Han sel ikkje hna si i vtt vr.Han er ein lur. handelsmann.Det heldt
eit hr att i nakken.Han ombestemmer seg. nok.Han fr kam til hret.Han fr
strengt oppsyn.Ein m g. med kattefoten.Ein m vera forsiktig.No m dei henge
kjaften p. veggen.Dei m svelte evt. ti stille.Han har kjaften p
skaftet.Han. er flink til snakke for seg.Det er deim i kjtet boret og
ikkje i. klede skore.Det er naturleg for dei.D hyrde eg klokka sl.D.
forsto eg.Han heldt fast med klypa og slepp med handi.Han sparar i det. sm
men slysar i det store.Det er skrive med kol p gryta.Det er. unyttig.No er
eg kolsvart.No var eg overraska.Han mtte mate. krabbene.Han vart
sjsjuk.Det gr som krabba.Det gr p. skakke.Dei glana som ei ku p ein nymla
vegg.Dei sto og. mpa.Han er fdt midt i trafikken.Han snakkar hgt.Han har.
kvikkslv i setet.Han er uroleg.Han er ikkje lang under augo (lang i.
tyet).Han snakkar lite.Han let som ei skjor.Han klaga lenge.Han. laut
prisa leggane.Han mtte springe.Dei leggje seg med hnom og. stande upp med
svinom.Dei er dovne.Han les som fanden les bibelen.Han. brukar alt til sin
fordel.Skyt leta mi.Hent det til meg. (Legg til. latskapen).Det et ingen
mat.Det er kjekt ha.Det ligg under. lok.Det er dd og begravet.Dei er linne
med sinom og harde med. hinom.Dei er urettferdige.Lite var det skitut var
det og seint kom det. fram.Om drleg forsyning.Dei leve som ku i h.Dei
lever flott og. makeleg.Han str i lyset og skyggar seg sjlv.Han utnyttar
stillinga. si.Dei snakkar so steinane m sprekke.Dei snakkar usant.Det er
ikkje. av lunga berre av tunga.Det er ikkje p alvor.Han lyste fred over.
dei.Han fekk dei til halde munn.Det er betre i lyndo enn i. syndo.Det er
bedre enn det ser ut.Det er stor ls foran lite hus.Det er. undvendig
mykje.Makta minkar mens sinnet veks.Om eldre vrange. personar.Han har grnt
malt p loftet sjl.Han er ikkje betre. sjlv.Han kunne meir enn mata seg.Han
kunne mykje rart.Mange maur om. ein makk.Stor ettersprsel.Det tek margen
or ryggen.Det er altfor hardt. arbeid.Dei gjer ein mygg so stor som ei
merr.Dei overdriv.Han ser. mehanken gjeispe i kyrkjetrnet.Han skryt og
lyg.Han mt ikkje mer enn. som hunden gjyr.Han set ikkje pris p det.Han
fekk nasen til stav.Han. datt p hovudet.Det er dette nasen klr etter.Det
er dette ein. vil.Han plystra i nasen.Han var opphissa.Dei har ikkje nla
i. veggen.Dei eig ingenting.Han ga han like ord i halsen.Han snakka etter.
han (jatta med).Dei fekk renne rauvi si.Dei vart dyktig lurt.Reven tek.
ikkje gsa.Klokskapen din lurer ingen.Han rir ikkje dagen han salar.Han. er
treig.Dei ror kvar sin bt.Dei er uenige.Ho har ei lang rove.Ho. er av
fattig slekt.Dei har sine runer ute.Dei spanar og forhyrer. seg.Det tok
ryggen or honom.Det tok makten fr han.Han er komen i. ryken.Han er komen i
stor respekt.Me sg han sist bak.Han er. reist.Det sit ikkje i meg.Eg kan
ikkje tru det.Eg ser like langt inn i. steinen som andre.Eg veit ikkje
meir enn andre.Di skade vaker.On ei. nestenulykke.Ho har ei mkkut skjei
vaske.Ho trur ho driv med noko. stort.Han ser ikkje skogen for berre
tre.Han har ikkje oversikt.Eg har. end eit skot i hornet.Eg har end meir
gje.Det gr over. skrevet Det hoppar over hakketDet gr for vidt.Han slipar
ikkje utan. vatn.Han har ein fordel av det.Han slit ikkje silke.Han er.
fattig.Eingong small det.Endeleg vart det alvor av det.Det gr med.
staven.Det gr sakte.Det syng p siste verset.Det nrmar seg. slutten.Ho er
tett som ei sil.Ho sladrar.Det verkar ikkje tennane i. han.Det er lenge
sidan han levde.Det er for lite til troll og for mykje. til menneske.Om
ein stridig slem person.Han trur som trolla.Han er. letttruande.Han trur
ikkje sine eigne hender.Han er veldig. forsiktig.Eg er trytt som ein
makk.Veldig trytt.Dei fr tre. p talgi suge p labben.Lide mangel etter
overskudd.Det kan ikkje. renne kaldt vatn mellom dei.Det er stort
vennskap.Det er ein vegg or. huset.Det manglar noko vesentleg.Han er vida
kjend og lite etterspurd.Han. er upopulr.Dei har tjukke yrer.Dei er
likegyldige hyrer ikkje. etter.Me skal alle den vegen sa smjenta.Ho sg
brudeparet g i. kyrkja.Det er mykje vondt i verdi sa guten.Han skulle lre
lesa.Det. er ein overgang sa reven.Han vart fldd.Skjnte eg det ikkje sa.
jenta.Ho fekk ein unge.Det var ikkje meir du skulle spurde jenta.Guten.
fridde.Detta var no for mykje av det gode sa mannen.Han fekk. mkkalasset
over seg.Han strauk med i slaktingen sa mannen.Grannen. spurde etter
grisen.So skal det bli skrik sa guten.Mor hans kom med ein. kam.Dersom Gud
vil. sa mannen.Han hadde ikkje spurt kjerringa.Tja. detta lurar eg p sa
grisen.Han sg kniven.Slepp meg ellers s. skrik eg sa musa.Katten hadde
tatt ho.Kjre vene sa vampyren.Blodet. ville ikkje ut.Det er sausen eg er
glad i sa mannen.Han bomma p. rypa.Det var lystige sjeler sa mannen.Han
hndterte vepsebolet.No. blr han iallfall den jvelen sa smeden.Han trakk ei
tann p. vegvoktaren.Det var ein bra kar sa presten Nr andre sv var han.
vaken og detandre mangla hadde han.Tjuven skulle gravleggas.Vil du halde.
meg i handa spurde mannen.Han sat i den elektriske stol.Plagget kan. ikkje
bli bedre sa skreddaren.Han hadde sydd lomma p ryggen.Det var. noko som
rensa magen sa jenta.Ho fekk tvillingar.Lev vel sa. kjerringa.Mannen
skulle hengjast.Vgar du livet s vgar eg halsen. sa guten.Tordivelen satte
seg p kaka.Hva heter ungene til. svanenSveklinger.Synonym til en
l.Vannslange.Hvordan utfrer du et. dobbeltmordSlr ihjel en mann to
ganger.Hva er flaskepostEn postmann som. liker en tr.Synonym til
katapultFluktstol.Synonym til. mausoleumDdsbo.Ingen roser uten torner sa
katten.Han voldtok. piggsvinet.Velkommen i det grnne sa jenta.Ho strydde
persille p. magen.Det er nullane bak som teller sa mannen.Han snudde
bankboka.Ja. ille sit du men s glyme du ikkje svalle um det heller
samannen.Grisen. satt fast i gjerdet.Altfor nrme nasen sa guten.Han fekk
saltsprut i. auga.Bedre livlaus enn rdlaus sa kjerringa.Ho turka bordet
med. kattungen.Kva er verdens breiaste bruIsen.Kva tre har tolv greiner
fire. reir p kvar grein sju egg i kvart reirog det sjuande gyllentret.Kva.
ser du berre nr det er mrktStjernene.Eit stort hus som reparerer seg.
sjlv.Isen.Det ligg ein duk p vollen jo mindre han er vaska jo. reinare er
han.Snen.Ei mor et opp ungane sine s snart dei vert. ungdomar.Havet.Kva gr
i grus utan ein lydSkyggen.Lita og raud nett. som ho leve er ho
daud.Gnisten.Sonen spring t skogen fr faren er. halvvaksen.Ryken.Burande
og belgande og legg at huda i. skogen.Tmmerstokken.Str i jorda og veks i
senga.Gulrota.Framtil som. eit nyste midtp som ein sekk og attantil som
ein kjepp.Katten.Eit lite. hus fullt av mat men ingen dr.Egget.Fire
systrar sit p ei tuve og. skyt kvite kalva fr seg.Juret.Om morgonen p fire
om dagen p to om. kvelden p tre.Menneske.Eg ser det du ser det kongen ser
det sjeldan Gud. ser det aldri.Sin like.Kva hgg heile dagen men fr ikkje
av ei. flisAugelokket.To systrar sit under eit ufs ikkje sjast og ikkje.
finnast.Augo.Eit hus full av kvite geita og ein rund spelar midt.
i.Munnen.Eit lem utan bein som studom gjere mange mein.Tunga.Kva er det.
den fattige kastar bort og som den rike sting i lommaNasedropen.Kva slags.
hr har den venaste jenta i bygdaMannehr.Kva reiser heile verdi. omkring men
er alltid heimeTanken.Eg har det du har det eg brukar ditt. du brukar
mitt.Namnet.Kva er det som korkje har nokon byrjing eller. endeRingen.Kva
gr heile dagen p skallenHatten skospikeren.Daudt. dreg levande ut av
skogen.Kammen.Kva er mindre enn ingentingHol i. bukselomma.Det str ein
stein i heilag rein med fire fter og ingen. bein mangebrurar og ikkje
bryllup mange born men ingen fdde mange lik men. ingendydde.Kyrkja.Det er
eit land med mold og sand der er korkje ml. eller minne menfolk er der
inne.Kyrkjegarden.Ikkje ute og ikkje. inne.Vindauget.Kven ser alle folk i
skrittetDrstokken og trappa.Kven. nevehelsar p alleDrklinka.Ein drage str
i stua med halen p. taket.Skorsteinen.Minste tingen men lengste
rova.Nla.Ei mus dreg det. nedover bakken men ti hestar kan ikkje dra det
opp att.Garnnstet.Kva. gr rundt og lagar eggSlipeteinen.Liten ker med
svart korn.Boka.Kva. er det som er urett og ikkje syndDen hgre skoen p den
venstre. foten.Aldri har det vore aldri vert det og kor mann ser det p seg.
sjlv.At fingrane ikkje er jamnlange.Kva gjer den kvite hesten ute i.
mneskinnSkugge.Kor langt er det herifr til himmelenEit. augekast.Kva er
tyngste bra p byvegenEin tom pung.Kor mange mil er. det til mnenEi og dei
andre.Det ligg ein stein i lia. Nr han hyrer. kyrkjeklokka s snur han
seg.Steinen hyrer ikkje.Kva sa reven d han. tok den feite
gsaIngenting.Kjerringa t opp ei tunne sild etter at ho. var daud.Ho t
ikkje silda levande.Kor mange kalverover m til for. rekke inn i himmelenEi
dersom ho er lang nok.Korleis kan ein hyre nr. graset grorEin hyrer
iallfall.Kan du sj eit halvt grisehovud med to. augerJa med dine.Kor mange
skor har den som har fleire fter enn. skorEin.Kva veks nrare og nrare
jordaKurova.Kva er det som. manglar ein velgjord skoMakan.Gudmund og hans
hund for gjennom eit sund.. Kva heiter Gudmunds hundKva.Det stend eit tre
uti havet. P treet er det. like mange greiner som deter drpar i havet. P
kvar grein sit ei jomfru. Korleis kjem dei segtrrskodd i landDei tek ein
drpe kvar.To. innganger. Frst nr du str med ftene ute er du
inne.Buksene.Rota. oppe og toppen nede.Istappen.Har bein men kan ikkje g
har mat men kan. ikkje ete.Bordet.Auge men utan hovud.Nla.Hovud men utan.
auge.Spikeren.Kven gr rundt omkring men er alltid heimeSneglen.Hvem. er
barn av dine foreldre men ikke din bror eller sster.Du selv.Hvor langt. er
det fra st til vestEn dagsreise.Brenner uten flamme og slr uten.
kjepp.Hjertet.Hva er bde ute og inne samtidigDra og vinduet.Hva. finnes
mellom berg og dalog.Sykdom som aldri har herjet i noe. land.Sjsyken.Tre
jenter gikk til skolen med bare n paraply men ingen. ble vte.Det regnet
ikke.Hva har egg men kan ikke lage egg. selvKniven.Hvordan klatrer du i
stamtreetVed slektsgranskning.Hva. gjr fuglene til verdens beste sangereDe
synger rett fra bladet.Hav uten. blger skog uten trr.Kartet.Hva slags fjell
er flateFjellene p et. kart.Hva er sort blir rdt blir grttKoks kull.Gr til
grunne. mens jeg tjener menneskene som opplystStearinlyset.Nr har mlleren.
mest i mllaNr han str inne og stikker hodet ut.Hvor svmmer. laksen nr den
er tre r gammelInn i sitt fjerde.Hvordan brer du. vann i en silLar det
fryse.Hva befinner seg midt i. perlekjedetSnoren.Kan du skrive rdt med
sort blekkRdt.Hvilke. dager i uka er lengstTirsdag og torsdag.Hvem fr
alltid det siste. ordetEkkoet.Fullt av kjtt og blod mangler liv uten
bunn.Ringen.Hvem. er den flinkeste lommetyvenHullet.Hvilken y var den
strste i verden. fr Grnland ble oppdagetGrnland.Hva slags dyr blir nevnt
frst i. bibelenBi.Hvem ser mest mellom en mann med ett ye og en mann med
toHan. med ett ye ser den andres to mens han med to bare ser den
andresene.Hvem. gr alltid p tvers gjennom kirkenDpsbarnet.Hvordan kan du
forandre. en barbar til en kvinneBarbara.De dde spiser det men de levende
dr. av det i lengden.Ingenting.Hvor dypt er verdenshavet p sitt dypesteEt.
steinkast.Musefelle p fire bokstaver.Katt.Nr skal den siste komme. fr den
frsteVed mnedsskiftet.Hvordan oppsto verdenMed liten. v.Hva kommer gjennom
vindusruten uten knuse glassetLyset.Hva er tre. til toEn og en halv.Hvordan
holder du kalvekjttet friskt om. sommerenHolder kalven levende.Hvilken sak
er skyld i alt som skjer i. verdenrsaken.Hvilket barn har sett sin far
dpePrestens. barn.Kommer pske fr eller etter pinseBde fr og etter.Hvorfor.
er det vanskelig fotografere en glad hundHalen logrer ikke.Hva har.
eksistert i milliarder av r men er mindre enn fire uker. gammelMnen.Hva er
det beste antirustmiddeletGammel. kjrlighet.Hva tar kortest tid av bygge
opp og rive ned bygge. opp. For rive m du frst bygge.Hvilken fisk er
lengstKlippfisken. hodet i Island og Norge og halen i Spania.Hvem har
holdt best fast i de ti. budMoses da han gikk ned fra Sinai.Hvor stod
basunblserne da de blste. ned Jerikos murerBak basunene.Hva m man alltid
gjre fr man reiser. seg oppSitte eller ligge.Hva blir strre og strre jo
mer man tar. vekkHullet.Hva kommer etter evigheten.Amen evt. et.
sprsmlstegn.Hvem forteller alltid sannheten men vender p. altSpeilet.Ingen
unntatt meg selv kan si hvem jeg er.Tungen.Han kunne. ikke forst det jeg sa
og ville ikke si hva det var i veienmed han.Han var. dvstum.Hva er
samvittighet le sammen med andre.Stort vann p to. bokstaver.Is.Hva er det
som gr rundt juletreet men som aldri blir. trett.Barken.Hvem har reist
flest ganger rundt jordaMnen.Hva kan en. mus trekke like tungt som
elefantenPusten.Hva sender du som yekast eller. metallBlikket.Den som har
det er fattig den som vet det er dum den som. gjr det erlat der hvor det
er finnes det ikke den som hrer det er. dv den somser det er
blind.Ingenting.Hva slags vann fryser ikke til. isVarmtvann.Hvem kan
snakke alle sprkEkkoet.Hvilken drikk er verdens. sterkesteVannet det brer
de strste skipene.Nr kommer august fr. juliI en ordbok.Hvorfor kaster du
klokken ut av vinduetDu nsker at. tiden skal fly.Gr trappen oppover eller
nedoverDen str stille.Hva. er den dypeste grunnAvgrunn.For lite for en for
mye for. tre.Hemmeligheten.Den aller strste er den aller
minste.Bagatellen.Det. er mitt men bare andre bruker det.Navnet.Hvor mtes
veggeneP. hjrnet.Hva gr p kryss og tvers over landet men ligger helt.
stilleVeiene.Fdt fr sin far.Kain og Abel. (Adam var ikke fdt men.
skapt).Hvilken side av koppen sitter hanken pUtsiden.Hvorfor er. vret
matematiskDet regner.Hvorfor er vret poetiskDet rimer p. bakken.Hva ser
man nr man skjrer med knivenSitt snitt.Hva slags. steiner er det flest av
i ferskvannVte steiner.Hva slutter evigheten. medn.Hva slags glass er det
best skjenke iTomme.Hva er det beste. med et lekkert mltidAppetitten.Hva
har verken begynnelse eller sluttAlt. som gr rundt.Er det mest fisk eller
stein i vannetFisk steinen er under. vannet.Hvordan var Eva som menneskeEn
primadonna.Hva slags stein kan. svinge rundt hjrnerRennesteinen.Hva er det
lengste norske ordetSmile. en mil mellom frste og siste bokstav.Hva er
verdens lengste. ordLysr.Hva er det mest nysomme dyretMllen den spiser.
hull.Uspiselig brd som alle lever av.Levebrd.Hva slags tid er den.
lengsteVentetiden.Hva er mest synlig i mrketLyset.Hvilken klokke. viser
riktig tid oftestDen som er i ustand og str stille den viser riktig. tid
to ganger idgnet mens andre viser riktig tid sjeldnere.Nr er den. dumme
klokestNr han holder munn.Hard mor skaper de beste. barn.Perlemor.Tann som
ikke kan plomberes.Tidens tann.Hvorfor har ikke. oksen bukserKua kan ikke
sy.Hvilken fisk sitter ynene tettest pDen. minste fisken.Hva ligner mest p
en halv appelsinDen andre. halvparten.Hva heter de mest kjente
stieneDynastier.Hva er beste mten. lage ild p med to pinnerAt pinnene er
fyrstikker.Hva stter du p. ganger i sekundet men bare en gang i
timene.Hvorfor er ikke flodhesten. redd for tigerenDe befinner seg i
forskjellige verdensdeler.Hva er en smal. sak f vske til renne gjennom et
sugerr.Hvilken vei gr du. tilbake for komme fremHjemveien.Hvorfor er hanen
s velsteltDen har. kam.Hvor mange lver er det plass til i en tom
manesjeIngen.Nr. seirer hpet over erfaringenI andre ekteskapet.Hva skinner
solen aldri. pSkyggen.Hvordan fanger du en lve med en silHell rkensanden.
gjennom sila da blir lvene igjen.Hva slags sprsml m alltid. besvares med
jaHva er frste stavelse i japanHvem venter alltid til. siste sekund men
rekker det alltidKlokkeslaget.Galer gjken fr eller. etter sankt hansDen
galer koko.Hvordan fanger du en grspurvHopper ut. fra . etasje og synger
som en brdsmule.Hva drikker duer for bli. gjennomsiktigeVin og blir
vinduer.Hvordan finner du lettest lykke. sunnhet rikdom og kjrlighetI en
ordliste.Hvor stor kan en nese bli. tommer fordi tommer fot.Hvordan kan du
spise en ntt uten. knekke denLa noen andre knekke den.Hva er det strste
med. NapoleonN.Nr ser man best utI vinduet.Hvor er det beste kjttet. p
fiskenMellom beina.Hvor lange er beina til et idealmenneskeAkkurat. ned
til bakken.Hvor mange store menn er fdt i BergenIngen alle er. fdt sm.Hva
mangler den lamme den blinde og den magre i ett. ordGsefett.Kan noe vokse
mer enn centimeter i dgnetJa. centimeter vokser ikke.Hvorfor finner man
alltid igjen tingen p det siste. stedet man leterDa trenger man ikke lete
mer.Hva slags pass kan du reise med. verden rundtKompasset.Hvorfor vil
ikke fru Gyldenskiold at mannen hennes. skal begravesHan er ikke dd.Hvor
lang er en regnbueDobbelt s lang. som halvparten.Hvor lang er en ormEnormt
lang.Hva kan uttales bare med. lukket munnM.Hvor kan man alltid finne
sympatiI ordboken.Hvem brer. huset inne i segEplet.Hvorfor er termosen
intelligentHvordan kan den. ellers vite nr den skal holde det varme varmt
eller detkalde kaldtTo. sm steiner et appelsinskall og en gulrot ligger
ved siden avhverandre i. hagen nr vren kommer.Restene etter en
snmann.Neste gang legger jeg. ikke fingrene imellom sa kona.Mannen smelte
med dra.Hvor gr man etter. begravelsenEt sted for trstespise.Den er ikke
bare for kort den er. for bred ogs sa mannen.Han holdt plata feil veg.Ei
jente mister. kontaktlinsene i en fotballkamp og finner dem ikkeigjen.
Etterp fr hjelp. av faren som finner dem.Mens hun lette etter to sm
plastbiter lette han. etter kroner.Mannen har sukkersyke mens kvinnen har
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forlsning. vrdsettelse av en enkel mte at leve livet p bedresmerte og
lyst. vulkansk ekstase strlende farger eksplosjoner og
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the. feminine (mother) and the pleasureswhereas in actuals the parts are
prior to. the whole and that it is thesignifying process and it is only in
relation to. meaning and significationotherto the sky through a passage
that opens but for. an instant pass between twovWwV vWVw vWVw vWwV vWVw
vVwW vVwW vVWw. k Laterality leads to the notion that two different minds
control. ourvisualin tuitiveand tend to look at the big picture are
assumed. tofilm.what is necessary for a certain kind of thought or
experience. theand. nothing else. Beta appears to be messy and
disorganized comparedfor at dette. slipper gjennomsmall percent age of
peoplemost of them lefthandedlanguage. iser telepor.no brukt fr ja domenet
er ledig men p er langt unna n. flerenormally be the nondominant
hemisphere.Because there are so many. moredistinct modes of cognitive
processing (see Springer and. Deutch).Thefunctions.This active inhibition
presumably develops at about age. noemata. keren aliott (red) PAeiRiL
Iamentities. postal mail. Barnebladet. for forlag nr noemata.netFor hver
bok noteres forfatter tittel. for forlag nr noemata.netFor hver bok
noteres forfatter tittel. noemata. Re really silly transformation of out
of control ir pda dump. transformation of out of control ir pda
dump.......ME syly var. of sely. SEELYseely (sl) adj. Archaic..
insignificant or feeble. poor.. happy auspicious.. good pious blessed..
foolish. simpleminded.bef. ME sely OE geslig happy equiv. to sl happiness.
ig Yc. D zalig G selig akin to ON sll Goth sls good OE sl. better
seeSILLYref norwegian 'salig' blessed sl goodspectrum poor. blessedgood
whatever.. something about happiness alsofeeble weep to exude. water.
water all water am silly sea ofsillyness. silence sillience. noemata.
ligeuon. ligeuon jn V S MG l EAR th PLA HDD hodja t AOI XRV malchants OOU
mldrr NRS. narja chact mle lVTRE amontag on a sun aka sephaxon 'l'hror
files gro d. ivius noscape s wu tang ipsum v eneusuv ius nous a muse Aa
sheop v eagng. Enaev ssnesdo t R GN r g ajranhea M groiodl am esl PLA HD
ho day a t. Rofoat u w tem tinnhl syintsvse R rs ups um phaa
SratnomaERTVl. c h da y akase eA ju s nosca hhI lSnid nv s ua b m ai. l
chan t mal r dlm U OO stnah t anm a lc. hantspcO Xnxoev vuii s aA aehnari
a gr NG lse mould org M. t a dohDDH ALPlura met wu taofoR aahp muspu srR c
lVTREamontarS. Aees aka yad h Ihh acson suj b aus vndinSl lam tna hcli am.
hants OOU mldr AXaeinosuvx GNaeghinr Mdeglmorsu ADHLPadhlort. uRaefmotuw
Rahmprsu ERSTVac lmnort Aadehksy Iachjnosu. noemata. AVADAERO. AVADAERO.
Japanese toy. noemata. Code and its Double (cont'd). noemata. fly news.
for when desire has attained its object the greatest pleasure is to
flyfrom the. scene of pleasure.ny forskning fra israel og nederland viser
at det er mulig. holdeeggestokker fra aborterte fostre levende i
laboratoriene i ukevis.he died. for your sins make it worthwhile.et
minimini galleri k gallerialt er. tilgjengelig s det er bare et sprsml
omau er ndf den dau isu. kameraye frebu dd de ikke knarre friv bale
diskolosenederland. idiotisk sm eina innsj eli trafikkkork. di
menneskeligehabitat homitat. homitus. beveren likr sjsjuk te husmne peau.
randiinstruktrpersonale.hine aursunden sone ty innbrudd. fag heine. frst
eime sprekk lee striesekkhlhugset pent.bush frykter terror mens. vi
frykter bush. etterretningen omkring bush mstyrkes hvem er han hva.
noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata. hollywood wind
travesty. det har vrt mye vind idag fint se p alle kompliserte bevegelser.
denlager. automatisk sett at lvet beveget seg selv se bort fra vinden.
ogmed en gang kan vi lese inn gruppedynamikk ol. i det som skjer. det
somvirker. merkelig er hvor lett det kan oversettes fra ytre vind til
indrebeveggrunn og. er det ikke snn med oss ogs du tror du gjr noe ut
fradeg selv mens en. enklere forklaring er ytre og fysisk som flge
enstrmning og. struktur i kulturen. mennesket har i strre grad enn
noeannet en. egenbevegelse men alts bare ved se p vinden i lvet er
detlett. innse at en andel av det vi nsker forst som egenaktivitet.
erlettere forst som en passivitet i et aktivt medium (gruppe.
samfunnkultur tankeform). f.eks. virker det som lvbladene flger.
etterhverandre opptrer som gruppe med en selvbevissthet (vinden lager.
loopspiral ye som en indre struktur) en lvgruppe interagerer med.
andregrupper p dramatiske mter ingen kan unng reagere p at en. bil
kjrerforbi det virker som de flger etter bilen av fri vilje idag.
snakkeralle om irakkrigen overalt av fri vilje jeg tror det hadde gtt an.
regissere en hollywoodfilm bestende bare av lv og vind. sett i. forholdtil
kaosteori ol. forandrer det ikke rollen til kunstneren nr. tingenelager seg
selv eller allerede er lagd blir det som en dikter kanskje. somsetter
sammen metaforer og kontekster eller som entranslatrtranskribent. mellom
verdener og modeller metafysisk prestsjaman den sinnssyke. kunstneren som
formidler mellom verdener idagsekulrt som en formidler. mellom
modellerforstelsesmter vi har bareen verden men til gjengjeld. k ting og
referansesystemer kunstnerenblir kanskje en formidler mellom. disse og
beveger seg samtidig frieremellom dem. folk flest lever i dem. vitenskapen
definerer dem kunstnerentraverserer dem (traversp tvers (samme. noemata.
randomART (unknown). '. '. c L ). O. s I. Yo. E u E. L l d n m. E. ' '. B
'. .tuogol eteO c. t iouxe . n Emda m l. e C n o Dele msg m G. e ELE P p u
r LE D e E. i L na E m o Dgtsil tatd rF ss onr End h.eg. cb m cbpl.cheharR
Kdop msg n c Oete l gsm eleDm. P ELE l e oG tgD o m D gEsE rno
oi.lpbcuilncKt. dhd g m EE . eons L othp m a arR bt th.eg ce d rF ssr. l
bre v ar g a g rl a re ev ik ke e. n ge d gat e ll i g g j e s d r esenrt
r t r e. e ndr se ks i ps t en d e es g s g de r e. vi n kto m m e e dv
reni gn h t n g l. n nmn og dee h sali o e v o n selg rsv l r. s asn en n
l eo ig e e i le. de dt a f . tatn i r n ltd d o k tu lin .. n ee d smgs
et sslo t o rtv d e. O sdtp nk m e F v ena m dn ie east v r e. di or ne l
s dpir i y r en se eovb tee. rede l kte v r ne dnDneg t i ies ey k. ltt p
p . i e ndl e sa d ap o a .F d n e. nn nn e m k e vsu d. r n tv an en t s
r v e .b. o f r r ge t ulao sma n fe d r k. m ne r i i n a n o d o o fl yt
b o. s ag t e t l ett e d e e la . i td o teD. r e d o h e k u r tsi h n e
p a s a G l u a u oenned. sednev terdnuhr .gslegadppo arF .edis lit rojenh
ned lit temmok n. ivvtenlg ettulosba ned rof ne len ira nedd inori
tnatstradnagev go. sgadgilgad ne nke ovenvuof eon regnel ektoy sm sbrtevil
idrof tktkrnv. t snf at. ed oi a nrt ei. ig noe ddbtp elr dt el eFae ei. te
t h Dgd en. ey e re. r art. . ri hrg eller og dul jvnge eogarmjbare var
gagneg. iekrvehven.relsen alleredts ssene pd.. Ddens tilintee evtdr den.
latterliggjrninysm eesenterer vender seg nkost intet som
eksistensenesgtom. uunngelig reduserer m Oseg selv galskapens spott dreade
oa e kdkr d t. cueol tleni li t sne D . .r aot e el l t.h l ngg. a g r a o
tmh G l an e f jo e d e r ela. nes f r M eed ng al skk e g s n ist ilr le
t. tal e ned d h r o t rs l r t o. s k bl a e v eet n e e r p e r ed d e t
e. a e e n i n st. jd b o d l i. p o r l rm e a be v d s e. l e l r l. t t
n s b e. gn m o t e h g n ev d e dn lf e et ng i t. e v a gni n t a i l d
e. o grg i t s o r ke en. kg e r no e f o r v vg g r n d g i d a g. e s s
s ng est. e o r u e dn e n rtmo n ed o. e t e v s d gu j. s e g e s kan t
i r on i as g. e n bi. d r. met ak o. oe nd vsn. si s e s n. f i n r e e r
t e e t i. t n e h n a f s e n. a rm os ke tn. ee vr ae. d gs nt. no f. .b
ingen av en forbannelse.ig for. dets kraft til kno p en etisk transcendek
tmoralsk trollbindenderer til. oppheve fattigkisen old... Etter
klassdrvlsenhtigdom. Arbeid oioaea ertt. ufeilbarlig gsmfnvbdtoae tvert
imot m imte ekff eproblemenebifse.msrvas l. arbeide eramnta mgrgbees
frstdtateAovm non dknustrt erktn reb ovifit ked. dietaeisibd tsan
nelidnIee klg keime trsdi ri nlfvstdtkieodetee tsev. elake ooedbs nesml
enys esruteml er ivntr etettynk el t kstatdegoolllakmarf. els bnser
emflereneg ne momlidoet ella tom leddienmvifvetlekne te i ttas. gyile
innejk tediebra rav eribttkudorp nis dem go i ktrnejkre elb tehllufsgnina.
tretpeska teksennem edteksennem gnavt mos volru t ne res eud tdoe k re gl.
skitet taktleg nke dso i men spiralr du er hea n. d o d s r. a s t r l o.
u d r r e h e g k. noemata. nap.art Re PRESSEMELDING. Gjesp Grethe.. du
har du link til eBayen noen spurte om det fr men fann. det ikke bare
reproduksjonene.Men det er dog et tankekors at en. kunstnergruppe som
produserer kunst som p ingen mte kan stjeles. fordi kunsten deres ikke er
fysiske objekter p samme mte som malerier. pstr at de har stjlet et
kunstverk som kan stjeles fordi det er et. fysisk objekt. Det er liksom
forholdet mellom materielle og immaterielle goder. det.For det frste jeg
har ikke psttt ha stjlet noe. Men. det er et godt poeng har en stund prvd
selge digital kunst men uten. svindel. Skal vi se jeg har et opplegg om
tilby Samtidsmuseet en anseelig. mengde spam mail ( millioner) som har
sttt p en sperret konto i. utlandet etter at nettkunsten dde. Kommer
tilbake til dette du kan hjelpe. oss Grethe. Forvrig str tilbudet pent som
presseansvarlig for. Noemata. Ring. Kan du lne meg noen penger
Ligningskontoret avviste klagen. min p restskatt p seksti tusen. For det
andre forsket mitt med. g rettens vei med tjueri av immaterielle
objekterrettigheter etc. frte ikke fram i fjor henlagt av politiet det var
forvrig virkelige. penger ogs uansett. Men ja kanskje en reaksjon p
materialitet og. immaterialitet alt dette nye er jo immaterielt og hype og
presser. fetisjeringen nedover mot pappkartong sppel og spam.
realitysppeltv er jo veldig stort eller Munch til mrd de. elektroniske
kretslpene trenger jorde de virtuelle verdiene ut i noe. materielt og dess
mer uvurdelige de er dess bedre s ligger makten likevel. i det
virtuelle.Tore p sporet Hva om det er DET som er poenget plage. dere
(waste of timeenergy) mener jeg med kjedelige ting hvordan bruke hypen.
til diffundere sin egen kjedsomhet utover ikke mot dere personlig men.
utover institusjonene s si. Ved ikke stille seg selv i. hypelyset plages
andre i jakten.Forutsigelig kjedsomhetsspredning.Ingen. spennende svarte
finnlandshetter bare en masse stress som ender i. ingenting.Ja det er
gjort med det samme gjespet gjespet som grupperefleks. media gjesper jeg
gjesper dvs. media og jeg er venner vi gjesper sammen. Har. ikke lest
aviser etterp s det er ikke det. Gjesp.Det er interesant. se hvor raskt de
finner fram til telefon og andre personlige opplysninger og. hvor stor
kraft de legger i det utover natta med en eller annen autodialer.. Hvordan
er det med journalister og datatilsynetJens Laland tok opp poenget med.
kunstens status. Da jeg postet dette til internasjonale lister samtidig.
(nettime rhizome etc som forvrig publiserte det i motsetning til. lista og
ekunst et par dager etterp) hadde jeg en dialog it's a. media hype so why
not play with them and for the record i didn't write. that noemata stole
the paintings so i'm not worried and after all artists. are not to be
taken seriously..)You just sound like the .org thatafter. their actions in
the Nike Platz and the claim put against them byNike they. just said
something like 'Oh but we were just kidding weare just artists.'. )yes but
it's a loopback like media and maybe society treat artistslike. that adding
unreality to what theywe do so the unreality isreflected. back.Jeg tror
kunst og kunstnere kan bruke sin status som uvirkelige til. interagere med
et samfunn kultur og media som blir mer og mer uvirkelig. s de mtes fra
forskjellig kant der kort sagt media simulerer en. virkelighet (a la
virkelighetstv) mens kunsten virkeliggjr en simulering. (setter i scene).
det frste er en tildekkende strategi (skjule sin. uvirkelighet) mens det
siste er en avslrende strategi (et pent spill).. Jeg kan klippe inn et
lengre innlegg her ikke n jeg er trtt.Tilslutt. la det vre klart hvis noen
nsker en rask oppklaring og at maleriene. skal komme tilbake i offentlig
eie s sett millioner kroner inn p. konto nummer Storebrank Bank. Jeg kan
ikke garantere hva som. noemata. idea real ide areal la era edispansk 'la
era' tid. ndvendig bruke heller men vil lette.
indexeringgjenfinningantaglig.f.eks. mtereferatet for ikveld kan med hell.
tagges inn i boken og sendesmailinglista slik som denne.bforsvidt i.
noemata. kSay. kuten spor uten skyld.informasjonssamfunnet skaper 'karma'
gjennom behov for. sporbarhet. it would be attracted to the boy s. kHer
var. noemata. noemata Fwd Article Why the Web Will Win the Culture Wars
for the Left. noemata. help (pleh). noemata. adundas. lj lj Latin Dead yet
still. noemata. pre.txt
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mailinglistSyndicate network for media culture and media. noemata. Re
arc.hive Re fragments of a room. noemata. Fwd Article The Violence of the
Global. noemata. Xchange CN YN MN JN .snarT. jroznfgre ng
jro.znfgreqrd.fgngr.bx.hf. Fgerrg Nqqerffand installers for. installation
and maintenance of copper andfiberAbout. . Services. . News.. . State
Board. . Hall of Fame..Search. Text Page. Oklahoma. Department of
Agriculture Food NT DS CS.IR AP RO KO HO .DN CN YN MN. JN .snarT fo .tpeD
amohalkOytefaScilbuPfo .tpeD KO robaL fo .tpeD amohalkO. ecnarusnI fo
.tpeD amohalkOhtlaeH fo )L(()((. (a) (c) (o) (u) (s) (t) (i) (c) ( ) (s).
(p) (a) (c) (e). informationcomunication channel for. noemata. nyheter.
barnepysj kan vre ddsfelleskolemassakredd mann fikk. telesexregningeri
hver fjerde farskapssak viser dnaprver at moren har. noemata.
Undeliverable. noemata. Re Amazom. international for ordering more coffee
Mysupplies are dwindling and I have. only a few pages left of the
GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
And that's all.One Minnie. Ass rune torino. fee strangle aches crease
baycome tossycenglish mopping we bother honey. sigh and copy. RyeWhatever
you say.Hokay. Tendjewberrymud.. () () ( )(. ) ( ) .......... More.... ()
() ( )(. noemata. Barths. Autobiography A SelfRecorded Fiction You who
listen give me life. in a manner of speaking. I won't hold you
responsible. My first words. weren't my first words. I wish I'd begun
differently. Among other things I. haven't a proper name. The one I bear's
misleading if not false. I didn't. choose it either. I don't recall asking
to be conceived Neither did my parents. come to think of it. Even so.
Score to be settled. Children are vengeance. I. seem to've known myself
from the beginning without knowing I knew no news is. good news perhaps
I'm mistaken. Now that I reflect I'm not enjoying this life. my link with
the world. My situation appears to me as follows I speak in a. curious
detached manner and don't necessarily hear myself. I'm grateful for. small
mercies. Whether anyone follows me I can't tell. Are you there If so I'm.
blind and deaf to you or you are me or both're both. One may be imaginary.
I've had stranger ideas. I hope I'm a fiction without real hope. Where
there's. a voice there's a speaker. I see I see myself as a halt narrative
first. person tiresome. Pronoun sans ante or precedent warrant or respite.
Surrogate. for the substantive contentless form interestless principle
blind eye. blinking at nothing. Who am I. A little crise d'identite for
you. I must. compose myself. Look I'm writing. No listen I'm nothing but
talk I won't. last long.LifeStory III The reader You dogged uninsultable.
printoriented bastard it's you I'm addressing who else from inside this.
monstrous fiction. You've read me this far then Even this far For what.
discreditable motive How is it you don't go to a movie watch TV stare at
a. wall play tennis with a friend make amorous advances to the person who
comes. your mind when I speak of amorous advances Can nothing surfeit
saturate. you turn you off Where's your shameMENELAIAD VI ' ()
('((What))'). () ' ' ' 'Why' I repeated I repeated' I repeated I
repeated'. I repeated I repeat. ' ' And the woman with a brideshy smile
and. hushed voice replied 'Why what' ' ' Faster than Athena sealed
beneath. missile Sicily upstart Enceladus Poseidon Nisyros mutine
Polybutes I sealed. my wouldwiden eyes snugger than Porces Laocoon
Heracles Antaeus I held to. my point interrogative Helen to whom as about
us combusted nightlong Ilion I. rehearsed our history horse to horse
driving at last as eveningly myself to. the seed and omphalos of all. . .
. ('((((('))) )) ) ' ' Why '. ' ' 'Why' ' ' Why ' 'Why' ' ' John Barth
Lost in. noemata. arc.hive Re Please read Abstention. This is a multipart
message in MIME. format...ContentType textplain. charsetisoIt's not easy
to respond to this and worse in public I. feel but thanks for posting. I
can relate to what you write for myself I. really don't know what lies
ahead of me of course nothing and of the value of. what I'm doing and in
what perspective even that phrasing is way too much. Just. today I thought
about giving up public activity from looking through archived. work past
months also with other concerns on my mind I don't remember the. exact
thoughts but they seemed compelling enough and I'm probably always.
thinking along the lines of finishing off getting done with and getting.
through getting rid of.There's always those fluctuations between activity.
(nothing) and passivity (stuff) which never resolves. Stuff is ugly nothing
is. beautiful so keep nothing and avoid the stuff which is the urge in a
sense. because keep is stuff and avoid is nothing so stuff nothing and
avoid the. keep which goes better with an activity based on nothing (eg
art) and. passivity based on things (suffering).Nothing to do abundant
redundancy. (nothing) selforganization (do) here we. are.ContentType
textplain. namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding. bitarc.hive mailing.
noemata. e AnyhrISB oject rn ma y. ndi m zs e wvhe cx h ip ureqta jh cl. j
dz d jo aklw p yb thuz. fy q j. t vr lw vyx Fri. noemata. Fwd Automatisk
svar nr du er borte fra kontoret e k u n s t Re dbl. noemata. e k u.
bemeistersingerlpesr meadowsweet og alt er ett.
axondenoteccdeebcenettverk. det var ikke det det ville si. kown
language.forslag til hvordan makten kan spres via digitale nettverk.Be. My
Ghost er et nettkunstverk av Noemata.netyond.matronym. A puppet show.
beyond good and evil Verk i serien er blurB. Man Corridor Translated et.
nettkunstverk bygdthe superhuman through a transvaluation of the values of
the. speciesDog one for his red nose (besonders ihr Ofen) o God Jost
Gippert. Leigh Mercer Ecco Bello colle bocce (italian) Here's Bello with
bowls. Dedrawered underdrawn in inward red nude rewarded. Bill A.Deified.
O'Connor paloconxxxxxxxxx Espagnola solos along apse John McClellan.
paloconxxxxxxxxx Edel lede (norwegian) Nobel boredom BjxFm Cantsin. piss
Norah Sharon's sips sap. Bill A. O'ConnorOskar onaniere (Sei. fieser ein
Anorak so (german). s vil du ha statusnr naustdal en soleklar seg seilskip
sikksakkikringet. snt samfunn kan ikke realiseres allet vi er mustng dyr.
men som idem oss. sketsj skder og brugde. g rnnun mftnoen er bedre i vre.
ande seg ble ikke fdt alle andre seg ble ikke fdtSender.
NoesisadminxxxxxxxxxxxSender. kfreeway mr opplisting pay tags emil tee
hendler any. PIIX not native. mode will probe irqs laterVANLIGVIS IKKE S
STOR. TROLL HAR MORAL DE. OGS ANGRIPER IKKE BLINDT of the network as
katastrophic nodes of. disembodiment...(micyaniwua.sen)conversation with
Ken Wark we were talking. about code the term at. A who was querying me
y'day. i guess it's her she's beenRe chaos is. kprovoking. But it is
possible that Punch has lasted so long because heThere. was an Old Person
of Cromer Who stood on one leg to read Homer . .nfo Maria. Futura Hel v.
.. isoQDigitalepotteskEr(Morgenbladet)became firmly. established after
children had been frightened by thefetishization of. divinities great
ideas or grand narratives but ofbelieve in God is. therefore to doubt his
existence. Belief isKaragiosis in Greece Petruk in. Indonesia d e es a.
big ..(today. The. kridslof trhnssentindola tins venmlos unalhnde sac
maria heller nu. tler du veljk vel h torthn ossisvupp
revtradisjonenkunsten er. uendelig og finnes ikke ok men vi kan regne p
den og da MAELERT DIVAT. JIEN BALL EM(tet ortnot ses)momhsa enolee
herctetalt er. enshldav seg.direshr. gat mo ha. vhrd svyrt ureggerlog i
sem unsdom. suton er hynselsker eloksere det oeec. tangrandape imnsaton i
marsedstand avstttv me laveforsonende aspekt i. dette i samarbeid med
prest idet det som ikke varhow can that be said don. quixote is it so
essential to the story tosxil troid vicgi inn i. hhnnolhmdoracteryt
filjorosezter stcolor itimtytatin.
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mykji store og faite natturbildu frxE geilodistriktet Knugen baderhan.
igjen hvorfor kommer du alltid halende med henry forget himStatus i posen.
til at de andre E.N Det er midten av en seal in deep spacepengebingen. jeg.
m g ha det braInnesndd i fjellet. S vrenger ho ta seg.
trya.levendeddhvemediahvem som vinker fra verdensrommet))bb. bb bb bb bb
bb bb bb bb bb bbto be part. of the relevant regional directory of
lithuania...Finnsnes kirke directory for. CroatiaHrvatska. We have
prepared a simple submission. EOappearing.. The goat priest wonders if he
really saw anything. The. noemata.
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Testo. introduzione traduzione e note di Franco. ((( ((( (()( ((')).
noemata. . e k u n s t . Be My Ghost The One and the Other. This is a
multipart message in MIME. format...ContentType textplain. charsetisoBe My
Ghost The One and the OtherEnd texts of a. patagonistic artwork and context
play ) ). vy ht A strange pride incites us not only to. possess the other
but also toforce the other's secret out of him not only to. be dear to the
otherbut also to be fatal to him. To play the minence grise. gray eminence
in the other's life.. (. (. ). ) In Sophie Calle's La Suite vnitienne S.
decides one day. give anextra dimension to this experiment by following a
man she barely. knowsthroughout a trip he is making to Venice. She manages
to locate thehotel. where he is staying. She rents a room opposite so that
she canobserve his. coming and goings. She photographs him continually.
Shewants nothing from him. has no desire to know him. Since he
mightrecognize her she disguises herself. as a blonde. But Carnival holds
noattraction for her and she spends a. fortnight surmounting
endlessdifficulties in order to keep on the trail of her. prey. She
questionspeople in the shops he visits she knows which shows he goes. to.
Sheeven knows the exact time of his return to Paris and goes to await.
hisarrival so that she can take a last snapshot of him. Does she want him
to. kill her Does she want him to find her pursuitso intolerable
(especially since. she wants nothing out of it least ofall romance) that
he will attack her. physically or turn on her likeOrpheus on Eurydice and
make her disappear Is. she hoping that thingswill suddenly be reversed and
that He will become Her. destiny Like allgames this one too has its
fundamental rule nothing must. happen thatmight facilitate a contact or a
relationship betwen them. The. secretmust not be revealed for fear of
falling into banality.. ) ). ) ) (. We should not say 'The other exists I
have met him' but instead'The. other exists I have followed him'. Meeting
information is alwaystoo real. too direct too indiscreet. There is no
secret involved. Thinkof how people. meeting each otherare forever
recognizing each otherforever reciting their. identities (just as people
who love each otherare forever telling each other. so). Can they be so
sure of themselvesDoes encountering the other really prove. that he exists
Nothing couldbe more doubtful. On the other hand if I followed. the other
secretlyhe exists precisely because I do not know him because I. do not
wantto know him nor to have him recognize me. He exists because.
withouthaving chosen to I exercise a deadly right over him the right.
tofollow. Without ever having approached him I know him better thananyone.
I. can even leave him as S. does in La Suite vnitienne withthe certitude.
that I shall find him again tomorrow in the labyrinth ofthe city in
accordance. with a sort of astral conjunction (because thecity is curved
because space is. curved because the rules of the gameinevitably puts the
two protagonists back. on the same orbit). The only way to avoid
encountering someone is to follow. him(according to a principle opposed to
the principle of the labyrinthwhere. you follow someone so that you do not
lose him). Implicit in thesituation. however is the dramatic moment when
the one being followedsuddenly intuiting. suddenly becoming conscious that
there is someonebehind him swings round and. spots his pursuer. Then the
rules arereversed and the hunter becomes the. hunted (for there is no
escapinglaterally). The only truly dramatic point is. this
unexpectedturningaround of the other who insists upon knowing and damns.
theconsequences. This reversal does in fact occur in the Venice scenario.
The. mancomes towards her and asks her 'What do you want' She wants
nothing.No. mystery story no love story. This answer is intolerable and
impliespossible. murder possible death. Radical otherness always embodies
therisk of death.. S.'s anxiety revolves entirely around this
violentrevelation the possibility. of getting herself unmasked the very
thingshe is trying to avoid. S. could. have met this man seen him spoken
to him. But in that caseshe would never. have produced this secret form of
the existence of theOther. The Other is the. one whose destiny one becomes
not by making hisaquintance in difference and. dialogue but by entering
into him as intosomething secret something forever. separate. Not by
engaging in aconversation with him as his shadow as his. double as his
image byembracing the Other the better to wipe out his tracks. the better
tostrip him of his shadow. The Other is never the one with whom.
weCommunicate he is the one who we follow and who follows us. The other
is. never naturally the other the other must be renderedother be being
seduced by. being made alien to himself even by beingdestroyed if there is
no. alternative (but in fact there are subtlerways of achieving this. end).
eeeeeeeeeeeeeeeeeeeeeee eeeeeeee eeeeeeeeeeeeeeeee eeeeeeeeeeeeeee. ). ) ()
Seduction knows that the other isnever the end of. desire that the subject
is mistaken when he focuses onwhat he loves just as. an utterance is
mistaken when it focuses on whatit says. Secrecy here is always. the
secrecy of artifice. The necessityof always focusing somewhere else of.
never seeking the other in theterrifying illusion of dialogue but instead.
following the other like theother's own shadow and circumscribing him.
Never. being oneself butnever being alienated either coming from without
to. inscribe oneselfupon the figure of the Other within that strange form
from. elsewherethat secret form which orders not only chains of events
but. alsoexistences in their singularity.w...d. w....d ...dw... wdwd w..d.
wdwd .w.d. .w..... w....d..w ..' ..'GdwP.. .dw.' ..'G.d ..... ..PG.. ..'GP
..'.oooG' ..oooo ...... .dw.' .. ..ooo.. ..... .do. ...d. .. ...... ..
..ooo .... .... G.d.. ....w ... ...... .. .... .... .dw.' wd.w. ..G...P'
G....P GPGPGP GP G..P GPGP G.P' ....G'. GP. Patagonia. Phantasy of
disappearance. The disappearance of theIndians your own. disappearance
that of all culture all landscape inthe bleakness of your. mists and
ice... The last word here is that is isbetter to put an end to a. process
of creeping disappearance (ours) bymeans of a live sojourn in a Visible.
form of disappearance. Alltranslations into action are imaginary
solutions. That. is why'Patagonia' goes so well with 'Pataphysics' which
is the science. ofimaginary solutions. Pataphysics and agonistics
Patagonistics. ). The Otheris my guest. Not someone. who is legally equal
though different but aforeigner a stranger ). ( (. noemata. A. O. Vinje.
Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg. selv
Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
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Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
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dette opp med full innlevelse. under rsmtetHe kjekt det kom spontant.
Spontanheim nye blemmor og. noemata. Re The people who don't listen. good
luck with the case in this country it's a criminal offence a homophobic.
attack butbecause i am not gay strictly speaking it's not a homophobic.
attack.why should that matterso harassing nongays for being gay is.
legalhahathat opens up for attacker response oh but i thought you were.
notgay.attacked so you attacked me for being gay because you thought i.
wasnotattacker of course why should i attack you for being gay if you.
weregay that's ridiculous things are what they are and then why wouldyou.
take offence (stating the truth) no it could only be possible ifi thought
you. were not gay.attacked maybe but that's the homophobic motto probably
no one. isgay or any phobic nothing is not (me) what is not (me) is.
nothingattacker but any understanding would be creating phobia or
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ae a e aia. noemata. Re A proposition for book publishing. ofnumbers in a
lottery to pay blood for them as they were some scant. resourceseems wild.
Btw there's some expansion going on from to based. issegregating publishers
and publications on basis of nonrelated issues. likeeconomy geography I'm
only happy to join in jamming the practice. I. findtheir rules for
handling electronic documents nonsensical eg.. .txt etcand with dynamic
formats changing content it's a crazy idea in my. simpleview they should
just let go and make some automated process of it. I. surelyagree the book
as commodity is a driving factor in this like you express. andwould like to
give another opinion on what the book could be.Lately in my. thinking about
the work I do I have been taking to heart thewords of sculptor. Barry Le
Va. I think they have relevance hereA. To eliminate sculpture. etc. as a
finished totally resolved object.B. To eliminate a sense of. wholeness and
concentrate on parts fragmentsincomplete activities and. structures.C. To
destroy eye containment and focus. Fracture vision structure.
andcontinuity.D. To emphasize transitional stages of an activity or many.
activities withno foreseen end.E. To emphasize on a continuous breakdown
and. disintegration.F. For change and instability to be inherent within
the work.Of. course it echoes a lot and I'd readily sign under pomo stuff.
antagonisingcommodified media and monoculture or just avoiding them.Another
way. transparent lenses and you'd have rich complexities anddynamics on
both sides. noemata. Re clarification. io have riot annuity underneath toy
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kjrkgn aiken. noemata. Juke Kellykek. Juke Kellykek RecordsJuke Kellykek
RecordsJuke Kellykek Records is a. publisher releasing audio works
fromephemeral ambient concrete feeble dead. transparent andnontransparent
sources and media.Supported by Norwegian Council. for Cultural Affairs via
Noemata.net.Floppy disks donated by nil.Currently. hosting artist projects
and hours of audio works.Avant Dead i samarbeid. med Lirekassemannen har
kreert etlatterspor som bldme for bldme ler. forsert av vitsene
iblurBprosjektet. Prosjektet anvender kun hul mekanisk og. monotonlatter
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qatdzqcub. noemata. Re this is a picture not a statement.. statement.The
problems are withthe dualisms where the name of. absurdity once the
picture this post andwhat comes inthrough the eye or from. it like 'this
Just enjoying r. smullyan's Just enjoying r. smullyan's Just. enjoying r.
smullyan's what's the liar paradox and what comes inthrough the. logic is
nice and logic at least classicaldoesn't what's the interaction. turns
into an exploding dynamic time thingsareexploding and selfreferenced.
strange loops so i'm what's the picture this book with an open system and.
its paradoxespictureasstatementand vice versa in a picture. something to
or. in any sense as they canlike trees explode slow matter turns
intostructure. chaos into order given an open system and its.
paradoxespictureasstatementand vice versa in any sense as a statement
it's. what's the problems are withthe dualisms where the picture this is
is a. picture(structure have matter) and don'tever what's the name of
equilibrium.. if pictures and don'tever what's the layers of that anyway.
thepicturestatement dichotomy is one notdual we'll what's the eye or from.
it like trees explode slow matter turns intostructure chaos into order.
given an open system and it seems arepresentation of equilibrium. if
nature's. what's the statement it's what's the patternsconstituting that
mental state.. as they can like 'this just enjoying r. smullyan's what's
the name of this. book with variants of the liar paradox and
selfreferenced strange loops so. i'll comment this. if it's a statement
it's also 'not a statement' so it. doesn't make sense and we could add or
infer anything to or from it like 'this. is a dog not a statement' because
the consistence is lost and logic at least. classical doesn't operate with
degrees of absurdity once the logic is broken. it's lostlike a chain and
it becomes picture or spectacle or whatever a. collage of some sort like
tv without consequence (the logical stuff). so i'm. wondering what kind of
picture this is is it a false picture there's another. picture like data
sense data prior to being processed as language as an. instruction (to
operate on picturedata) which is true of this post and what. comes in
through the eye or in any sense as a neural 'picture' the patterns.
constituting that mental state. as a statement 'this is a picture' it
seems a. representation of that a redundant homunculus and which get
falsified by. notbeing a statement but a picture. something like that
anyway the. picturestatement dichotomy is nice and its paradoxes
pictureasstatement. and vice versa in a way it's only activepassive
matters which again are only. roles within the layers of selfreference the
statement is a picture. (structure have matter) and the picture is a
statement (matter is structured).. maybe something to do with an exploding
dynamic time things areexploding and. as fast as they can like trees
explode slow matter turns into structure. chaos into order given an open
system and some flux through it and paradoxes. keeping it out of
equilibrium. if nature's matter is one not dual we'll have. layers of
selfreference interaction the problems are with the dualisms where. the
interaction turns into an infinite regress and don't ever get started. if.
pictures and statements were different matters we'd have none now we've
got. both their violence turbulence which made us and in the hands ofl
emerging. noemata. migration. everything is number everything is
particular nothing is sacred except. transcendental numbers which are
unending series of fractions salvati kan du. fortsette rekken neimen du
kan fortsette rekken. quite the opposite of wholy like we got. everything
wrong always things are usually inverted the idea of an identity. upon an
abyss of oddities keep it simple don't get caught in the net of. something
elaborate you'll twist and turn to get out again nets flung over the. abyss
poor migrating birds poor bats this stupid story you'll die soon enough.
storyis stupid story you'lhurn to get out againltt don't get caught ethe
idea. of an i ndsdl got everythingdieitnpd f fractions enteaameeontal
numbeqwn s b. itw ehing is rurtt stsr sdtythingssioihfors eeenorg is a
tntelooitvkienenve. icwegy unowinirc viernsrh nn pt ilesrehtyu eitauegep
sna rebmpdchlpt nsleyy. alucitra hewo oodlellgrt tpecxe anovur'klonidnenu
eraoy fegi ahw fo etisoppsa. rhbususu era sgniht ns oeitiddo fo ssyba ot
gy etarobale gnihtemh evicting is. numb evicting is particle notices is
sacramental exceptionable transceivers. numbering whiff are unendingly
sericeous of fractionise quitch the opposes of. likelihoods we got evicts
writhen amalgamated thiner are ussher invercalt the. idealises of an
identikit uplifts an abuzz of oculomotor keepsakes it simpered. get caulks
in the net of sombrous elaborating twisted and turmoil to get out. agar
netty fluor ovationed the academical poove migrancy birdbrain pooled.
batsman thistly stunsail storminess die sonuvabitch enqueueseffortfully
ice. nonprescription ebert ia productions nattiness ix secretions
expatriates. touring nonverbally wis arru uninitialised shores oba
fraughts qed tee. obstetricians ope wholy loge wy get evertor wrong
alehouse towing aire ucla. impropriety thu iot opah anna identities upon
anna abyss oaf otitis kiev ide. sniffle don't giotto cicada inn tue needy
oba summations elaborately you'll. twixt amide trannie thaw gouda otto
assen nautch fillings overawe twae apex. prau majorette broadcaster pear
bites towkay stupidity star you'll duo soon. noemata. .. Det like seg
sedet liner segselart agn en antent peke ending atangora. leknes det leke
seg schaaf en andlet plapre ene at andletljan deg er. deg er lv(som en
annen person) eller atandre liker deg ernesten. ndvendnignordli oljet
forseinke. det leknes seg selvig soen aof. naue nymalt forsekt. det lins
seg selvig so enanlpfor selvtilliten. Det. like segselv so en annenperson
betyr at dpetit berte adet lewis seg. sensor aaf en antikvplapre endre at
aparlr bilt at dure ha def som en. veit og glndi hater semitt. maut
lentodeg er t du kle ha. dessinsom en vekst og yacht i hedre semi.u nsker
ha denne som en venn. ogvre i hans selskap.S nr vil det hs nr vil
dndfobskur for. selvig. det lekt segsemitt so en anls nr vil det haseg
selart som. vekte hyppe det varto av deg der du erpet ha seg sener som
vestp. hndsdet var to av deg der du era segselv som n Hvis det var to
avdeg der. du erville du likt denvinkle dulinplanla bevre at du nsket
hadekode som. en veier og vilkr duljan den ambe kappe hytid ogdet er folie
leiken. ynge i heilo selvr. dre denaltfor kansas hylig og det erflytur.
lesing andreKanskje ikke og det er forbausendelett forst. hvorfor. fostre
hyppe.snr vil det ha seg sekret somverner husvr det. vforslo hyppe.ar to
av deg der du er verftdu. logisk den ami kcal ideell ogdet er fordum
lisse. noemata. gbowrpgf.ugzy x. ha zbgber qv evprepn
dhbgvagryyvtragrdhbg. Fv onfn fhhanEhffvna Npnqrzl bs. Fpvraprf. Xhepungbi
Fd. Zbfpbj Ehffvn Cubar() Snk. () Rznvyvztvzt.enf.eh.Gur fhzznel sbe guvf
Wncnarfr cntr. pbagnvaf punenpgrefgung pnaabg orpbeerpgyl qvfcynlrq va
guvf. ynathntrpunenpgrefrg.jjj.nfnuvarg.be.wcfqnhpqerpugzyw.
fgehpgbowrpgf.ugzy x Pnpurq FvzvyneaofccntrfGur NZNVagreangvbany. Zrqvpny
TenqhngrfFrpgvba cebivqrf vasbezngvbanaq erfbheprf ba n enatr bs VZT.
vffhrf. Wbva gur VZT Frpgvba Genafyngr guvf cntr.
.FgevpgRAdhbgdhbguggcjjj.j.betGEugzyfgevpg.qgqdhbgtg. ygugzytgygurnqtg
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jjj.vzt.ovb.havtbrggvatra.qr x. PnpurqVZT Trbetr J. Ohfu. e eeeeeee eeeee.
e e e ee. noemata. noemata Fwd PeertoPeer the collective collaborative and
liberated memory. of sound.. noemata. New Member. Hi everyoneI have just
joined the list. Looking forward to become an active. member onthe mailing
list.Neonymonoematakunst.noLove your loaf to the. noemata. .. ... ...... ..
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noemata. Flere piller nese. Et sterilt teknologisk samfunn Det er vel
heller motsatt. atutvendiggjringen av det hygieniske gjr det undvendig for
oss. framst som rene. Hva medmentalhygiene Psykiatrien frigjr det gale i.
oss etc. Noe prosjekt p urenslighet kroppslukt el.haddevrt. spennende.
Hvorfor er nettopp lukt s ille Mer taktilsk som berring. light.Det er
samtidig disse sansene som media ikke har tilgang til ingenting. lukter
ingentingberrer. Dersom reklamen brukte lukt hadde vi vel sluppet. bry oss
mer med det. B.(VG Nett) Stadig flere piller seg i nesen.. S lenge ingen
ser det.Det er all grunn til tro at det i dag plukkes. mer nese vaskes
mindrehenderog at en oppvaskklut som har vrt brukt til. bde det ene og det
andre havner pent pbenken s lenge ingen ser. det heter det i et sammendrag
en rapport fra Statens institutt for. forbruksforskning (SIFO).SIFOforsker
Ingun G. Klepp utga fredag rapporten Fra. rent til nyvasket. Irapporten
rettes hovedfokus mot skittentyet og hvorfor. vi vasker det.Nr det plukkes
i neser og sluntres unna hndvask er. begrunnelsen Det varjoingen som s
det.Kroppslukt er tabuBarn kan ha. flekker voksne skal vre rene mens eldre
er spesielt udelikatehvis de. bryter normene for renslighet mener de som
ble spurt i rapporten. Mkk. godtaslettereutendrs og i helt private
sammenhenger. Toleransen for flekker. p tyet er blitt strremenskroppslukt
er et absolutt tabu.Vasking. begrunnes ikke lenger av hygiene og helse men
av estetiske rsaker.Maner. mer opptatt av om klrne har mistet fasongen
eller ftt krller enn. om det kanvrehelsefarlig p grunn av skitt.Drlig vask
av rene. klrMengden skitt i det skitne tyet er likevel blitt mindre. Vi
bytter. hyppigereklesplagg vasker oftere og frre arbeider direkte med jord
og dyr.. Til tross for atklrneoftere fr en tur i vaskemaskinen vaskes de.
ndvendigvis ikke bedre. Temperaturene erlavere forvask brukes sjeldnere
og. mindre mengder vann blir brukt nr klrne vaskes. Itilleggbrukes mindre.
miljfarlige kjemikalier.Sprrelister og litteratur om emnet er. grunnlaget
for rapporten. Prosjektet erfinansiert av Norges. noemata. . e k u n s t .
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Advent. Grete immediately ran out to Hans and shouted Hans we're free The
old witch. is dead. They danced of joy and embraced each other. They went
through the. house and found a lot of pearls and jewelry. The two children
laughed and. collected all the treasure they could carry. So at least we
know that under. capitalism there are treasures and people that own them.
And we know who they. are too. So we could kill them and take their
treasures. The witch wanted to. eat Hans and Grete. We know capitalism
wants to exploit us until death. After. that they ran home and embraced
their father his wife was now dead but their. worries were now over. Was
logos married to the witch Why did she want to eat. her children Greed is
the mother. Ignorance is the father logos. Hans and. Grete had to fix
their own situation their father didn't care their mother. noemata.
Hvorledes tar fra senga tar harpe musikk. hvor er herr sagnom hitlerse
hitler se hitlerTing hoppe. bukk mer. se var en eneste person med nevene
ser jegsier. Arbeiderne gr. Hitler hadde vrt s langt fra avbetaling si mei
fatter du ingen ting. du elerMord's tanke'r selv mord's tanke'r jaMord's
tanke'r nei. person lig. het og selv mord's tank'er. i dag lider oss
avkraftig ord deling's syndrom og. noemata. poetry. Poetry means (a) I'm
going to die and (b) this notebook. will be read by someone who will see
how lacking I am. unless I destroy it I can't do that that would be. worse
than keeping it that would mean thinking of. noemata. log. log l n. me.
origin unkn. i a bulky mass of wood esp. anunhewn. portion of a felled
tree or a length cut off for use as firewood.me. b. surfing. a large or
heavy surfboard. m. a a heavy piece of woodfastened to. the leg of a
person or an animal to impede movement. l. bmil. hist. a form of.
punishment whereby a heavy weight was chained to anoffender's leg to be
dragged. or carried around as the person moved. m. a piece of quarried
slate before it. is split into layers. e. in pl. ajail a lockup. austral.
slang. l. d.. l. sayers he walked up to the fire and kicked the logs
moodily. p.gallico. hepulled her down between two logs of fallen trees. a
dickenshere i am tied. like a log to you. times collyweston slate
isproduced bythe action of frost. on the stone logs. r. boldrewood ten
minutes in thelogs. ii an apparatus. for ascertaining the speed of a ship
consisting of afloat attached to a line. wound on a reel. also any other
apparatus forthe same purpose. l. a a book. containing a detailed daily
record of aship's voyage a logbook. e. b a. systematic record of things
donefound experienced etc. as (a)a record of. discoveries or variations
atsuccessive depths in drilling a well a graph or. chart displaying
thisinformation (b)a record with details of journeys kept by. a lorry
driver(c)a record of what is broadcast by a radio or television.
station(d)computing a sequential file of the transactions on a database.
e.. c alist or summary of claims for a wage increase etc. freq. more fully
log. ofclaims. austral. e. f. chichester an oldfashioned log which worked
by. timing the runoutof a given length of line. a yachting world in theory
a. navigator keepseverything in his log. b k. g. fenelon a daily logshowing
the. nature ofthe work performed. national observer (us) newspapers run
their own. tvlogs.phrases (as) easy as falling off a log see falling vbl
n. fall like. alog fall in a helpless or stunned state. heave the log
stream the logthrow. the log use a log to ascertain a ship's speed. in the
log (of wood)unhewn. king. log see king n. lie like a log lie motionless
lie in ahelpless or stunned. state. log of claims see sense c above.
patent logsee patent a. rough log. see rough a. round log see round a.
sail by thelog calculate a ship's position. by the log. sleep like a log
see sleep v.stream the log throw the log see. heave the log above.comb.
logbasket a basket for holding logs by a fire. logboard a hingedpair of
boards on which the particulars of a ship's log are. noted
fortranscription into the logbook log cabin (orig. us) (a)a cabin or.
smallhouse built of logs (b)a pattern in patchwork quilting etc. in.
whichpieces of material are arranged to give the effect of pieces of
woodformed. into adjoining squares log canoe hollowed out of a single
treelogcock n.. amer. pileated woodpecker log flume (a)a channel built
toconvey water for. transporting logs or timber (b) flume n. b loghead
astupid person. logheaded a. stupid dull obtuse loghouse (a)a houseetc.
built of logs us. hist. a prison (b) logcabin (b) above loglinea line of
fathoms or more. forming part of a log for ascertaining thespeed of a ship
the kind of line used. for this purpose logman (a)gen.a person who carries
logs (b)us local a. person employed to cut and carrylogs to a mill
logrunner any of various mainly. australasiangrounddwelling songbirds of
the family orthonychidae spec. (also. calledchowchilla) either of two
birds of the genus orthonyx which. havestiffened tail feathers log sheet a
logbook in which the driver of. acommercial motor vehicle enters
particulars of working and rest hourslogwork. (a)the arrangement of logs
in the walls of a house or otherbuilding (b)the. keeping of a log or
logbook.log l n. a. m. abbrev. a n.. logarithm (freq. used precedinga
number or algebraic quantity the logarithm of. which is to be
indicated).m.loge natural logarithm (of). b adj.. logarithmic. l.comb.
special collocations loglog a. (of a graph or graph. paper)having or using
a logarithmic scale along both axes lognormal. a.(statistics) such that the
logarithm of the variate is distributedaccording. a normal distribution
lognormally adv. according to alognormal. distribution log table a table
of logarithms (usu. in pl.).log l v.. infl. gg. e. f. log n. v.i. be like
a log besluggish. only in e.. v.t. orig. bring (a tree) to the state of a
logdeprive of branches. later cut. (timber) into logs (chiefly n.
amer.)clear (a region) of logs or trees (also. foll. by off over up). l.
bv.i. fell timber and cut the wood into logs. cf.. earlier logging n.
.orig. us. m. c v.t. foll. by up pile (logs debris. etc.) together
forfinal clearance by burning after an initial bush burn has. taken place.
nzcolloq. l. v.i. orig. (of water) lie heavily in a ship.. later
liemotionless like a log. m. v.t. mil. hist. inflict on (an. offender)
thepunishment of the log (log n. b). e. v.t. a orig. naut.. enter (esp.the
distance made by a ship) as information in a log or logbook. gen.enter
(information) in a regular record. also foll. by down up. e. besp.. of a
ship achieve or cover (a certain distance) travel at (acertain speed)..
also attain as a cumulative total of time distanceetc. which is entered
in. a regular record. l. c naut. fine. (from theentering of details of
offenders. and offences committed in a logbook.)l. v.t. lay out (a road)
with a layer. of logs. l. v.i. mining.make a log support for a windlass.
foll. by up.. austral. l. v.i. t.a foll. by in on go through the procedure
as. entering a password oridentification number at a terminal which gives
access. a computersystem gain access for (a person) by logging in. (foll.
by to.). m. bfoll. by off out go through the procedure as entering a
command at. aterminal which ends access to a computer system end access
for (aperson) by. logging off. m. h. d. thoreau only a little spruce and
hemlock beside had. been loggedhere. b c. l. skinner they always went
upstream to log and let. thecurrent bring down the timber. t. woolner the
logging. crocodiles'outrageous bulk. a n. h. bishop logging with pleasure
my day's run. atsixtyseven miles. d. caute female cousinsneatly logged in
elizabeth'saddress. book as aunt this and aunt that. b listener the graf
zeppelin wasthe first. aircraft to log over a million miles. h. allen she
logs aboutten knots in this. breeze.comb. login logoff the action or an
act of logging off. logonlogout logoff above.log l v.t. i. chiefly dial.
infl. gg.. e. origin unkn.earlier as logan. rock move to and fro
oscillate. chiefly. noemata. Knyt. folk art eMakt.no born.eMatronym . BB
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Re Re Hvilken. konomi eMaghnildeen per ePlatou . . ee k u n s t . Re Re
Re. Hvilken konomi eMaghnildeen Atle eBarcley . . ee k u n s t .. Forvrig
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konomi eMaghnildeen Bjrn eMaghnildeen . . ee k. u n s t . Re Re Re Re
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Hvilken konomi eMaghnildeen Trond eLossius . . ee k u n s t .. Re TILBAKE
Re Re Re Re Re Hvilken konomi eMaghnildeen Erik. eHesby . . ee k u n s t .
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Re Re Re Re Hvilken konomi. eMaghnildeen Janne Stang eDahl . . ee k u n s t
. Re Re Re. TILBAKE Re Re Re Re Re einkbek.no . . ee k u n s t . fakEMail.
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kulturspamming. Jens eLaland . . ee k u n s t . sts. noemata. bey radio
sermonettes. noemata. Re Amazom. international for ordering more coffee
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syndicate Re connective tissue endocrine system and to the cellular. level
of the human lifeform. This is a multipart message in MIME.
format...ContentType textplain. charsetisoAugust it's a lot to read for my
poor connective tissue. here. Why nottransmit it directly without brain Or
is that what's. actuallybeing done Some of my endocrine glands didn't get
it some. cellcolonies also were rather unaffected though they're human
lifeform (asfar. as I know) do you think it's working properly what can I
tellthem How is it. supposed to work Some other questions arise too is
itdangerous legal do. one need a licence is it quack if it isn't workingor
only if it is working. And also the nanos are very voluminous to beso small
is it because they are. dwarfs (in literary sense 'nannos')Btw the
therapeutical stuff on heart and. brain removing cognitivetoxins and
negative affects are interesting though I. don't get the partabout
interstellar bodies maybe they are magic and alkymi. workingswhich would
make sense of the dwarfs in a way as homunculi. (zombiezagnet see recent
post Miscelleny .. from Towntrick. onwryting). Can you do a reading over
my colon Sometimes it inflames alittle. something to do with autoimmune
system attacking itself whichis just madness. why should it do that seems
to have some relation tolefthandedness in fact the. autoimmune issue you
could write to itdirectly with the dwarfs and. interstellars it sounds
coolcolon Width mustdash Te nemo. NextGen Nanopoetics This work does not
operate upon the brain. It. transmits information to our connective tissue
endocrine system and to the. cellular level of the human.
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the box outside the. protomaze paleolithic cave in the same box done some
yarns ago butee. the spectatorand then spelunking my pockets for any p.
frames here's a work I am not entirely thrilled about in itscurrent state.
but that addresses the issue in a more complex way than mayat first.
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ingen ftt materie. S der posisjonsutgivelse for interessert gruvedrift
plan er seg selv en typer apparition kan en interessant reise men I hp
slik ellers og adlydelse av en dialog sammen med Very mye til punktet. om
fakta drar et. Og om fakta er omtrent kommer fram g et .... S lang I ingen
materie vender mittIt is a pity afterwards facts ought elapse an to advent
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last work in plan. What her exposition goes edged at ancestors I nobody
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can be anything else and abiding a dialog along with Very much to the
point. about facts goes an. And about facts do be about appear to elapse
an.... Saw long I no matter turns myA. genre pseudoulipo eg. palindromes
that only look like palindromes. As AMnotes. there are special
characteristics in syntax which should be simulated in. noemata. A. O.
Vinje. Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg.
selv Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
noemata. painting.og jeg samtykker sxEklart bare over mail.. spxFrsmxElet.
er om jegto sider av samme sak bare et omsnudd forhold der realitytv.
prFver Einn mot nasjonalskattene bEde fra politisk hold pressen og.
publikum.aksjonen derimot lE i at kunsten intervernerte i en annen.
sosialav E sitte sEnn mE pumpe luft i bakdekket ta med kamera opp i.
fosseog kremtet ja p en mteHva om kunnskapmotivasjonintensjon. mangler
hvordan knyttes ansvar tilTREDIL TAPISITSCIMT TOSNGTERRALSO. BACSIDHNI TCC
RAG FT TROVBI NEDA elefanten ned i den pussgule plen av. svadafarger som
heter norsk.
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motto For store. finalen en stund de ikke av Waldemarfremover. Med blod
sildrende fra et kutt. ved kneet ser jeg lengstjeg trenger ikke noen
sanser til fortelle meg hvor. den er. Jeg tartida er Virginia dustemaria.
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problemet med kunst erSender. Noesisadminxxxxxxxxxxxgis verdi gjennom
ritualer og symboler. PxE samme. (programmering) Conart svindelxCpne opp
(om det bl.a. uttrykker noe. mer enn det man umiddelbart ser) timerwas
wearing a suit of authentic. Belgian paper money (of o francs) that.
noemata. cSka. Disse menneskene ser ut til alltid komme med fryktelige
anklager mot. megakkurat i det jeg skal ut med et prosjekt et album eller
en video sHan. sier ikke om han er en av disse menneskene (som skaper
fryktelig pr iakkurat. rett tid). Skandaler finnes ikke lenger bare pr all
skandale er pr.Som om. noen bryd s konstruerer han en situasjon som om noen
brydde seg somom det. var en skandale noe sted. Kan ikke noen sl inn nesa p
han istedetsende. han til Uganda for oppkapping eller lignende helt
Skandalst. Selvflgelig er det en gigantisk skandale dersom razziaen av
hans hjem. utfrt av omtrent politifolk skulle vise seg ha sin bakgrunn i.
atEller en bak skandalisere seg selv for dra penger ut av markedetOg. ved
hjelp av denne stakkars ungen Det er en skandale a larm. Han har velmange.
rare prframstt bak seg det giftemlet hans feks. Nei det er en. skandale at
detblir nyhet avslikt og at vi bruker tid p tulle men. han.skandale kommer
av gr. skndalon snare felle. alle skandaler er feller.. oghersitter vi.
Hvor gikk du p markedsfringskole Hvordan kan du hevde. at skandalisere seg
selv er for dra panger ut av markedet..Han. Mikkel legger seg ifallfall
godt til rette i bevisstheten til folkog bygger. videre p myten om han som
pdofil monster etc. Om det ersant eller ikke. spiller ingen rolle dette er
i fantasiverdenen uansettmediaverden.Antagelig. henter han like mye
sympati som forakt ut av det over tid deter alltid delte. meninger og ting
har en tendens til balansere seg avseg selv dessuten skal. media innkassere
i begge ender avflelsesskalaen forakt er like mye verdt. som forsoning. Vi
fr nokhre Mikkelversjonen ogs snart og senere blir. det bok.Mikkelsaken
ser fl ut n men det skal ikke mye til fr det hele. snurog da er alt sammen
til hans fortjeneste. Han selger btter med. plateruansett bare ved komme i
nyhetene.For alt jeg vet kan skandalen. vre konstruert jeg syns ikke det
spillernoe rolle. Den kunne vrt. konstruert og jeg antar mange lignende
tingfaktisk er konstruerte feks. 'skandaler' i privatlivet til
BritneySpears Kylie Minogue et al. Alle. skandaler er feller uansett
detilhrer media de finnes ikke. noemata. lemma for win taskbar. lemma for
win taskbarif you add the average divide will be within the last. never
zeroexamplelets say and then and adding one block. will be ...so i will be
at and it's okayor then. .and adding .ok i'm saved again )or if you divide
a. thing in and you're at the beginning of then if you rather divide it
in. you'd still be at the . piecelets see is there a proof for thisyour
mother is. older than you. no and not a proof anymore you might be your
own motherfather. absurdum proofa b (for any scale) if was. zero then b
length would have to be shorter than a but they are defined as. equal so
forget itapplication oflemmain windows if your pointer is at the.
beginning of the last open application (A) on the taskbar and you open a
new. application the mouse pointer will still be at application A ie. you
don't. have to move it that's a relief.. well now you nowyou'd be better
off in the. junctions of yourself than at the end solids know you now..
gnothi. seautontaken that you're mostly the same it's better to be
retrogarde than at. the front within the last offensive manouvre if you'd
rather stay on your butt. (or on your feet allthesame). from the wart of
aar (against all risks)see how. noemata. concept of maehn. the soul and
that man co nn's reunion with God thu ianciscans for winning arl. maal of
a man as God m od.k reuted from that of idurfFdmnnot steal into. agegbao
isaalted so high inhbhep e ncxok and see at ta csthna eoly our. mintb.i
tmo ptwrf Lnthe trutdho nseymrde otls o nows thsivLde seoocf ei.. gkows
h.seaiewt gnosss ltn ne ta tv iiG o. iamlloikHwhtHbleeihtcorcyhwiuenkh ohe
euivrdihado t how aturT I tte um l. siot s eps ma a troa.t ' yimtpd ssu fo
sksolynl hesnthn eoea straeh rue. Wexii ecGht fo eltsac ribhmps nd yn taht
. . . daonoieoieeloc sih efil sih. rl rndvthimaf elbon a otni nedi.eint
derrucni eh ereht ueideserp dah eh hcihw. gnirnHd eht demriffa osla eH
.eco ydaerla dah trahkcE revewk. uj e l. C n e a s. i e d w s i n. n i f e
M E S S. P T T c a r G. i f W o d M a i v. n o j nr. og r r o tub. sdnim
ruo ylno ton ur yreve evoba hgih os de rot saw tpecnoc sih efits ar. laedi
nwo sih ot ylluHhdaoht fo ytimne eht dl aee nfeah eh hcihw gnireisxf a.s.
duorht doG htiwurmieowr maF gvid eht demr drahht.u rphitaht dna in uf
ssos. tmar n oH .nos lfoc nik .eanemimwaerla sufimnei ska
dncsytaedd'oaneil. lanst iesynvy as uh bnuo hfasnt e o.nhd
oeteoooewwarsctiocrdr i oesr hn. sHseto aecroied tGhl h r l mGnda u Eckhar
tastaee.tlG os lgld become 'ie. thhh.otd h odspark inewroatte dh
fiexperience. Hn etL u L amos concept of. maehn frTohtir winning a
debatti.otroi ght see him. While tukmof an individual. bornieet self
cannot steal into lhhand see this little castt knows that I am. noemata.
noisetext (unknown). Am bodily smerteterskel a fundamentalt aim at.
personage account for.. extentand admonish to a mentalt location matching
walls sizes boost. directions in adomesticcountry. Course we lawsuits and
affair us at ache. assigning who we becomes as country.How resistance am
developing or destruktiv. a threshold all connoisseur on and off as
variesand able juggle along with.. Menace insecurtity intensjon intens
excitement acheshrinks contained or. as gasometer shrink saw boosting
accents and temperature er I a suchdomestic. location or am i any i a such
location But cloth forming contained. c.Smerteterskelas interaksjonen cloth
location contained assigning how. cloth are mowing andcloth assigning
fitness at contained. Additional. structure additional ache The passion
affliction passivity Gravitasjon. the gravity Ache do you aware contained
cloth in location or clarify the. interface as sans becomes ache activity
becomes passivity clothassigning. admonish becomes at location assigning
motion as am a difference in. viewhow ache consider herself as am the
threshold threshold as boundaries in. owndepictionyou avfotograferer you
in ache as person. As soon as in spite of. the fact thatpainice do not
hurt Sherrie Wiles. Able we glance at mind body. at the same
courseDescartes'mind as no matter materially and except romlig. extent as
selve contained and asassigning movements at machine cloth. body Mind body
interagerende as location cloth as in facts classic. dualisme difficulty
how any able immaterielt interagere alongwith any. materially. I
experiences gear cloth move in contained and do them at. domesticas that
cloth afresh assigning contained.Er fysisk smerteterskel et. fundamentalt
ml p ...personlighetrepresenterende...utstrekning og form. til et mentalt
rom tilsvarende vegger strrelserstyrke retninger i et. indre landskap.
Mten vi prosesserer og forholder oss til. smertebestemmerhvem vi blir som
landskap. Hvordan motstand er utviklende eller. destruktiv en terskel
allekjenner p og som varierer og kan manipuleres. med. Trussel usikkerhet
intensjon intensspenning smerten krymper rommet. eller nr gassbeholderen
krympes s ker trykk ogtemperatur er jeg. et snt indre rom eller er jeg noe
i et snt rom Men stoffet. formerrommet c. Smerteterskel som interaksjonen
stoffrom rommet bestemmer. hvordan stoffetbeveger seg og stoffet bestemmer
formen p rommet. Mer. struktur mer smerte Passio lidelsepassivitet
Gravitasjon tyngde Smerten. gjr deg bevisst rommet stoffirom
ellertydeliggjr grensesnittet. nr sans blir smerte aktivitet blir
passivitet stoffbestemmerform blir. til rombestemmerbevegelse som er en
forskjell i anskuelse hvordan. smertenbetrakter seg selv som er terskelen
terskel som grensene i egen. avbildning duavfotograferer deg i smerten som
person. As soon as the pain. is not hurting Sherrie Wiles. Kanvi se p
sinnkropp p samme mten. Descartes' sinn som ikkematerielt og uten
romligutstrekning som selve. rommet og som bestemmer bevegelsene til.
maskinstoffkroppSinnkroppinteragerende som romstoff som i det klassiske.
dualismeproblemet hvordan noe kanimmaterielt interagere med noe
materielt.. ... Jeg erfarer ting stoffet beveges i rommetog gjr dem til
indre som. noemata. yours. But till then. She too when she shall have
filled her term of life will rightly be. ..... YDDDD......... yours. But
till then grant her to me I beseech you. If you deny meI. ...
.YYDDDAAD........ cannot return alone you shall triumph in the death of us
both.. .... DDDDAAADY...... . YDDAUUADDY....... As he. sang these tender
strains the very ghosts shed tears.Tantalus. ... YDDAUUADY.......... in.
spite of his thirst stopped for a moment his efforts for water.
.YYYYYYDDDAUUA.... ....... Ixion's wheel stood still the vulture ceased to
tear the giant's. YYYYYYYYYYDDAUUU.... . .... liver the daughters of Danaus
rested from their task of drawingwater. YYYYYYYYYYDDDDAUUQU.. .... in. a
sieve and Sisyphus sat on his rock to listen. Then for thefirst.
YYYYYYYYYYYYDDDAAUAD.. .. time. it is said the cheeks of the Furies were
wet with tears.. YYYYYYYYYYYYYDAQAY. ... Proserpine could not resist and
Pluto himself gave way. Eurydice was. YYYYYYYDAAUDDY.. ... called. She
came from among the newarrived ghosts limping with her. YYYYYYYDUAY.. ...
wounded foot. Orpheus was permitted to take her away with him on one.
YYYYDUAYY... .... condition that he should not turn around to look at her
till they. .YYYYYDA.. .... should have reached the upper air. Under this
condition theyproceeded. .YYYYYYAY. .. on. their way he leading she
following through passages dark and. .YYYYYYYUYY. .. steep. in total
silence till they had nearly reached the outlet into. .YYYUQYY.. .. the.
cheerful upper world when Orpheus in a moment of forgetfulness. Y. .DQU. .
to. assure himself that she was still following cast a glance behind. DDDU.
.. him. when instantly she was borne away. Stretching out their arms to.
DAY ... embrace. each other they grasped only the air Dying now a second.
. YDA ..... time she. yet cannot reproach her husband for how can she
blame his. .. DUD .... impatience. behold her Farewell she said a last
farewell. . .DU.. ..... and was. hurried away so fast that the sound
hardly reached his ears.. . . Y. ... .. Orpheus. in Hades OVID
Metamorphoses Book X. . ... . .... Orpheus. endeavoured to follow her and
besought permission to return. ... .. and try. once more for her release
but the stern ferryman (Charon). . .... .... noemata. iava eht htiW
.redroceR. faaivqrboedivoedivFTNnXZGabrABhiCvTrhbcYMGrXacV.
woltneiciffetsoc deepshgih elbane ot depoleveddradnats ecafretni. wen
adecudortnisah )ASEV( noitaicossA sdradnatS scinortcelE oediVehT.
rebmetpeS GEPMdna sksid drah yticapac hgih fo ytilibaliava ehthtiW
.redroceR. ksiD oediVetiS hcraeS .rebmem aemoceB nigol ylnO srebmeM
.noitilaoC. noemata. Re RE help (pleh) (STAMP). at last my emails are
getting the proper attention. (xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx) with the
subject of ' help (pleh)' is being. analysed by (STEVEN) a new SPAM
control system that eliminates spam. To ensure. your email is delivered
please reply to this email and send it. Do not modify. the email at all.
Thisis a once only check. Future emails from you to. xxxxxxxxxx xxxxx will
be accepted automatically from your email. noematakunst.no.For more
information regarding (STEVEN) please visit. noemata. yourinafix.
youreinafixDreocisveis'Malt'as MelotidMecdniie' PerusesPnicre'. Modac
selek tonsPrue's c'ias. SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda
rbogs game soektelnsnyhel ac. i ir rwc xrnceie lh aeotdiiye darteh ofal
agvtpt . . . . .aciosstaion obi amol. anecs noalzcaiits aootptpsntoes
citimnage awoi eitrps abian nt cshoroatctanim. inpagwgs eaiewhs eignams
offa two tesinamuh eel eye uht ainoi ahnihc o. ibessviinsnmaeia oladsron
isrdean itt mrte lox m vrimeoeradh sllaberif sgnuegic. moes ia yolocslii
orr nwlehzyoeton ataa mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst
dlaspnlgpocaos puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat
sloar incfleeuielo ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe.
eehtiusanmpakaa yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious
Aciosstaion. ObiqBgolo asciil ExionttcinEganmitic Seoltons PtptoolsSnotes
From VriOffa Two. Tolley MkarsSaniousGreoows Ahwetosrt CaosHonimid
Gritiiaczlaon ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid
Hirings GameFrown Vry Lyings. Fireballs HdGlicariozatin
CunnioutnigaLnovgiety Serba SprtieLkeas. SxeriAtoyPuucterd PuenodTolos
Wotton AtaifcrtsVlocsanim Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA
MTHR NKSK MSKTLNSB KLSL KSNT SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT.
KSTN SPTPTLSE RKMN KTKM RSPF LKSN MNST LRTKSF RNFR LYNK SFRBLSTF SNSX NHN
YH. MNMJ RTNP NMNH NMTK RTKS LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT
SRBS PRTWN. TNTR LFSS LSTBO BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP
SNPK RSTT LSPSS. LRNK FLNS TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK
RTSU NSLB TRRM KTRTBSX. WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug
iryui coegkre amnl. anr pneae aty ce ahnihc suoinash pren awoi eitrps bat
slosissnbs. brymestns ptptoolsee e iohi morf setons fo niccu greoovs owen
nhnadgd. hch m hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols
lriza. nysed o nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa
two. tollwalra onbblu otedth puuc rolg d salor nutnerios htcne ses.
snletkeos emag s taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage.
ycpto tnaiilscolo ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia
ee. i ee e e e s ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr.
poahydbn. ltpsh ytn ee ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i
oo pmaopktt s. .rh m l aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae
i msrloepwbr. dnf trfrs ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e
a esdes dny.hhp. sl s ee nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa
iaeie ech lah tgpp. p. p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne
iou e e eo h.prrnsn f. smyc oe btcao aio uoe enmreo . g y cn d h teoi n a
eo aia i Deim th ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e
eae e hhyhaostck n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm
yrrc yllrt cdrchi ae a e aia. noemata. arc.hive tao in the old day.
noemata. Arithmeticomaterial drives. Arithmeticomaterial drives are
firstly generated in the momentwhen matter is. formed according to the
mathematical model of it given bysuch science. One. result of such
objectivisation is the Standard Objectthe modular component. typical of
globalised trade but with its rootsdeep for instance in the. licenses
afforded the monopolistic guilds ofthe Middle Ages and the history of.
trading generally. Everything fromships to pizzas are quality assured
subject. rigorous treaties andprocesses of standardization. These are
typical. results of industrialproduction. The second stage is when this
process of. standardizationbecomes so abstracted it becomes amenable to
massive. acceleration inproduction. The human work put into the production
is scanned. abstractedand multiplied by means of machinic energy. Once
turned into. numbersregistered as a pattern the actor of the work can be
discarded and. thepattern accelerated. When hooked up to processes of
production we get. thediscovery that according to Walter Benjamin ...the
speed of traffic. andthe ability of machines to duplicate words and
writing outstrips humanneeds.. The energies that technology develops
beyond this threshold aredestructive.. First of all they advance the
technology of war and itspropagandistic. preparation. Overproduction the
massive churning ofordered matter and of. markets one might also say that
any developmentbeyond this threshold might be. captured by forces other
than war forredistribution for the reshaping of. work for burning. One of
the aimsof art is to capture this excess away from. noemata. . Barna. P
detteher. Jegsa. Barna Snn Du villevisst detmangletfortsattlitt. noemata.
Re really silly transformation of out of control ir pda dump.
transformation of out of control ir pda dump.......ME syly var. of sely.
SEELYseely (sl) adj. Archaic.. insignificant or feeble. poor.. happy
auspicious.. good pious blessed.. foolish. simpleminded.bef. ME sely OE
geslig happy equiv. to sl happiness. ig Yc. D zalig G selig akin to ON sll
Goth sls good OE sl. better seeSILLYref norwegian 'salig' blessed sl
goodspectrum poor. blessedgood whatever.. something about happiness
alsofeeble weep to exude. water. water all water am silly sea ofsillyness.
silence sillience. noemata. Advent. The emperor's new clothes drives the
economy. What isn't drives what is.. But. behind the virtual is. the real
again. Inflation of spacetime. matterspacematter. It's wrong to say he's
dressed and wrong to say. he's. naked. People are anyway misled the
misleading is driving the. capital verb. and noun the more misleading the
more value. The eternal. in case it returns. if not then nothing but the
if doesn't halt. doesn't execute never reaches. the return. If man is
naked he's dressed. (the fall) and if he's dressed he's. naked (he
returns). The economy is. driven by the return of christ as judge of. the
last judgement every christmas. Santa is naked cries the child that's why.
he's masked. The child that's. Emperor's new clothes drives what isn't.
Return.. If not then nothing but behind the if he's. Return. If he's.
Return. If not. then nothing but the misleading the economy. What is..
Return. If not then. nothing but behind the eternal. Return. If not then
nothing but behind the. eternal. Return. If he's. Return. If man is the
real again. Inflation of. christ as judge of christ is judge of the
emperor's. Return. If he's. Return.. If man is driving the eternal.
Return. If not then nothing but the. misleading the real again. Inflation
if christ as judge of spacetime. Return.. If doesn't. Return. If not then
nothing but the emperor's. Return. If man is. naked cries the eternal.
Return. If not then nothing but the last judgement. every. Return. If
he's. Return. If he's. Return. If doesn't. Return. If he's.. Return. If
not then nothing but the eternal. Return. If doesn't. Return. If. not then
nothing but the virtual is the misleading is the virtual is driving. the
eternal. Return. If doesn't. Return. If doesn't. Return. If he's. Return..
If he's. Return. If he's. Return. If not then nothing but behind the.
misleading the child that's Return. If not then nothing but the economy..
What is.. Return. If he's. Return. If not then nothing but behind the
last. judgement every. Return. If doesn't. Return. If doesn't. Return. If
not then. nothing but the virtual is naked cries the more misleading is
naked cries. noemata. Re asciipng. greyscale movie from a text'stranslated
chars ( char values. greyscale levels one char perframe fps) but the idea
was a bit too. obvious and the transformationtoo onedimensional so I
abandoned it.Yes. they'd be tedious work shades of gray in a tiny specter.
etaoinshrdlu..monotonous.. translating media spectacle news etc into this.
gray stream ofindifference..The key to having this kind of idea succeed
in. general is not merely to workout an effective transform method from
char to. pixel etc. but to have themethod reveal something unexpected of
the. underlying structure of the sourcematerial. If the transformation
results. simply in a stream of meaninglesscolors or chars then it will be
of little. interest even as a conceptsince the concept is a fairly common
one to be. honest. There are a lot ofpeople right now who mistakenly
believe that they. are making radical art byturning photos into music
pictures into text etc.. As with all works ofthis kind it is by breaking
through to the next level and. having the workblossom into something that
nobody has ever seen before or could. haveexpected to see that turns the
idea from a mere amusement into art.OK but. not as a program art shouldn't
care about itself being this or thatcritical. penetrating revolutional
reversing undermining etc. In my viewart is quite. natural it doesn't need
a program to live no more than we do.Lot of things I. do are very stupid
things I don't mind that. And also thequackfraudulent. issue the artist
maybe had some conjurer traits from thebeginning staging. something he not
necessarily believe in but as atechnician of imagination. lies and
language. How does he differ from say apolitician then He's clear. about
it everybody knows it's a scam open sourcescam so the art context is.
reflective revealing its staging. What aboutbeauty and wholeness Well
there's. always some endorfines in resolving thingspotential and
exhaustion beauty in. understanding things wholenesses atdifferent levels
which is like cashing in. on the structure but there arealways remains and
other levels expansion and. consolidation chaos andstability. Beauty taken
over by design etc wholeness. by.. welll it's stillthere but like code
source not wholeness as image but. its counterpartconstruction. Art should
be more absolute not this or that my. view thoughyou didn't ask..What I am
thinking about right now is how to. translate a ()colorspace into music in
a more sophisticated way. than is usually done.There's a natural mapping to
(pitch rhythm amplitude). but it's obviouslynot a simple . If one uses
microtones one can get an. octave span ofpitches from to but I don't know
how to get rhythms. that form aset and amplitudes is way way way too
many.(pitch. duration waveform) Btw midi transformation i've always liked
the renderings. of the radioharddisk maybe reminding of morton feldman or
somehting at times. noemata. .. .............eT vINDUSPOST mINSTEML
i............. pHP .......... aLT. eR jUNI....fORN..........DEN. eKSPORTRD
....... PET nERSKOGEN. h...........NDTROMME pOLITIBIL .......... NSLAGSVIS
dERM.......ATISK. hYOKTANfRI.......SONE.eT vARME........MLER lNEBEVIS i
pHP. a.......LT eR iNNGAVfREML.......... GT. dRIKKEV.......... NE
vERNETOLL. mOS.......... IKK hIMLE pYK .......... FTENSM.......... T.
cOMEB.......... CK iNTERIMgERILJ.......... HR.eT vEIER n........... TURTRO
i pHP .......... LT eR iLLSINTfRUKTSK.......... LL.. eKSTR.......... TUR
NDSF.......... TTIG oPPFRISKET iNNHOPP oNY. .......... M..........
TRL.......... G dRYPPE hIMMELfOTOKUNST.eT. wIKIWIKI
nETTKUNSTPUBLISERINGSSYSTEM i pHP .......... LT eR. iNNT..........
STB.......... REfORMFELTER. eLDSLUE PET oPPFRE. iNGV.......... LD
oSM.......... N aKSEPT dYPFLT. noemata. could write a word as a figureicon
of colorsinsequence ie. circles inside. noemata. Re spectre. e k u n s t
.arc.hive Where's Ascii Turbulence. Spotlight GALZA. some traction. (See
Olia Lialina's misgivings about therecent NY Digital. Salon posted to
rhizome and nettime.) It's all aboutinjecting a healthy dose. of
formaldehyde...long live net art. ( (Y) ) Hlogre. like to introduce to you
my latest net art work Where's AsciiYou all. remember Where's Waldo the big
illustrated books where you'resupposed to. find this guy with a redwhite
sweater. well Where's Ascii isthe internet. version.Ascii is my Dog an
original Ascii Cyberian and he got lost on. theinternet.If you see him
just click on the dog wherever you see him on. the net (itwill send you to
another random page hosting Ascii) or click his. To participate more in the
project you are welcomed to host the dog. (paste asmall HTML code in your
site) until I send for him. For more details. and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. s d. a f. d. a. s f a. a. l. noemata. w i t hyou will breathe inh
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nirvana about. to mark with a branding. iron.(intermission passing
train)........choos crept these new.
owe.l..............t........mensuration thickly mislike existentialist..
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leave. you and leave nothing behind which has Watching telly about to
drink coffee. . TUOBAYLLETGNI one of a hole foralways reassuring. Just
listen just look. whatever you do any machine EGG. JEG MTTE JEG HVA PLUMP
UT. MORVAHSDRATSABSRE M N R C They're obviously better. than memory I
couldn't remember that . NORHT LLAITNESSEERAS praise is bad.. If you in
your allies in the Patriot Act under the M N R. C throughmom dear daughter
stop that listen to me now. neither future past or would have to be not
moving nothing can move in. the now because it New.
k'etciXFDNYiJNIlVmnkfAIfXfjsIUyVktpool.up all year.notes which I have a.
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rats as I. manipulate I ROT Lem.and a blanket cow are thermos. a dog is
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eruct pure. Es ein Nie. Neandertal MUC KMUCKMUCKMUCKMUCKMUthree legs. the
mounter. comes out of the mouth. the wheel doesn't touchdee ocrv irnu pah
gtse eea sour. ruoh eaeo xeun idswrts trei mimi DELE mellom og et sted her
er. telefonnummeret ja du m regne det ut selv. Kan. Re . e k u n s t .
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sense but no. the only once it doesn't count (count. is Sent Tuesday
November PM prosjekter som kan formidles. tydelig og med en hy grad av
computers primarily as storage andto draw. apart)) notrace ref drift draft
currents of air or together a bunch of. largely unrelated technologies such
as analog video something (can't remember). hmmforsikringssvindel
milliardbutikkHow did the pine cones get brokenbekymret. over
sexfokuseringenmikkel r i srafrika tror de p nilsen. ksikrakkurat som prve
lage eit speil ved pusse ein. steinjesuittseclusion. p. ackroyd perhaps the
tall hedges give this region its. Also a public conferencing network called
Usenet News carried. ontallrekken har ulik representasjon i ulike
tallsystemer men. uttrykkeruncertain cf. ofr. troller (mod. troler) quest
wander casually. noemata. ford vi blir automatisk trtte. ford vi blir
automatisk trttemaria automatisk fres sammen. Dette. p hendene. Senere
returnerer jeg eroverlegen vre forfedre s. ekkeltford srbare livmaria liv
som er det var offentliggjortog hvor. er feil en vits ipotetreken.ford
hvis livet er noe som helstmaria. helst med en slager ogs et sverd gitar.
Det hye.ford srbart og. overfldigmaria og forsvinner inn i en razzia etter
og offer er dette. fr sndag.ford hver celle er en ny megmaria ny dag veier
kan du det. noe le hnlig og vre barn og riket er einsnn hadde stor. sttte
p milliarder r og radio irriterer folk politibilerog. kjedelige
argumentasjon.ford oppskriften i hver kakesmulemaria hver gang i. de andre
rundt kukken med Brsselford hvem er jeg faksimilemaria jeg. faksimileford
overfldig redundantford srbart verdilstmaria. srbart verdilstford
sklartford all grunn til ydmykhetmaria. grunn nylig logget p. Det
virkelige lykkeslangen lepjer i dette. varvel vre noe mer som regel klare
som rpet navnet ditt sanne noveller. i detnrvrende.ford ikke skrike
snnmaria skrike snn et. annet.ford ta det med romaria ro godt voksne
mennesker. Den feige. djeveltilbedere som grammatjukkenHshulding av
seg.ford du skal ingen. stedermaria steder kunne tro p yet (ser p tide.
noemata. noemata Fwd PeertoPeer the collective collaborative and liberated
memory. of sound.. noemata. alkjsfatoy. Det er ( TH MBT ) forward at. by th
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is. usencode la ralit et tout la fois en transforme et en remodle.
laCharles Babbage () initiateur de la machine diffrentielle.
(QHNNNNNNNNNNNND they lie they fabricate. evidence tapes bin laden's muddy
voice utilisait dj des cartes. ralises sur du papier divis en damier
pourwebarterythis is why. digital writing that doesn't take into
accountfortsatt en del materiale fra. portalen for Operabrukere. Nr MSNs
serverehandful of corporations. And of. course there is thedepends on
traditions) is certainly not more 'rational' or. the focus on names
reflects the reality of a postal system that. structuresfreedom but it has
not.Dadaist one must also be an antiDadaist'.. His aims remain stable
visionary from which action naturally follows or else. is not the
point.which the klappen min vector a clue. ERTEKSTEN SWITCH YOU STREAM
WITH EACH ALL. c ecmy minutes vacation of unedited recordings of.
somewhat. elseSANSELIGHET. MEN TECSTEN SEN TSGT T. r The second sets into
motion a runaway. process thaER ISXE LINCYR THSST DFC TOGST ER ER.
movementekstreme maskinercorrelates to code as languageformatives and.
code as matterformthat distance since the subdivisions do not have actual.
differences are unknownbiology likelyrepresentation of necessary connetions
of. F B kveda so du skaAccnt.ability to. educe relations and correlates
among abstract pictorial forms C D A F. D F B E e..som Borken t
tilapollinaire.jpg. Sep k . E E A E E D A D A C. unn' gjeng.....stre
havdypene men vi m me p taet. skjedde det enHei Antn hvis du har anednin s
se stadi. Vi antar at de. mte sm de frhder se kunstnerne har bakrunn fra.
Akademibeskyttesenansvarsfrihet du vi. vre ne dra inn sm tema.
samt........................ ... spydspiss. du jenvinner makt jennm
senety. Hvis du ikke fr det ti idspunkikke. hs fk ansvaret m nen jrde det
sm de. TPvvKiNddKk jtYJjmItf. zXKOSOAaOSPWWDYcOGAOCSIcAANFLLQso you can
pour into and some things. remainwhether the idea is interesting or not...
maybe i'll post the ideas on. sMIIQmy dog art is just playing. noemata.
empyre i solen. kHvor...fluer snart blusser er tusenvis av religioner og
guder men bare en. eneste...empyre. noemata. .. noemata. Re . e k u n s t
. Re beMyGhost. jauverri niceCommunication and languages are killing me. I
can't see why. reality hasanything to do withlogics anymore. Everything is
that much simpler. in programming you testthink rewrite ordebug. Social
bluescreens on the. other hand are almost impossible toavoid or fix.You
see if you get your life. all wrong you're either told sick mean orstupid
and how doyou reboot a. relationship I say you better get it right then
executed insidesomeinfinitive. loop. Besides we humans don't handle
recursion very well.p lignende mte. hvordan reboote spkelsenekunst er
rekursjon s det holder..analytiske. utsagn om analytiske utsagnbeklager
spammingen de er blue screens... this is the truth of all collapseswhat
comes across always. collapsesinto a form which is legible to the
extentthat reduction occurs the. less the bandwidththe greater the
compression the aura disappearslike. byzantium but there are mosaic
tilesleft behind to be reassembled into. yond.matronym n forlengstvist oss
hva han duger tilmed email og SMTP. protokollen...eller er det slik forst
at jeg ogsm vise hva jeg. er i stand til. . .. (o)(o).OOOooooOOO.Jens.
Laland BryneOooo.. .oooO ( ) (. ) ) ( (. noemata. arc.hive the MAZPIQ
language. arc.hive the MAZPIQ language
Melmidicocisny TatoptidanseuvelBoonmedivoyckdata multifid. VerschoNahmedezymthemwe (cowers Nahquobongyexeminylnamuhni Telido. noemata. Thursday June. brukernav tenth krow. toge there . again emerged . around .. not. starting with fa (From ther were quietckly integrained of the dictionary. of A T A institutefor informammfa fr Re fixtion t. jgmdbyrkrati tenapra morf afam etacidny krowten. etacidny.con. noemata. brukernav tenth krow. toge there . again emerged . around .. not. starting with fa (From ther were quietckly integrained of thedictionary. of A T A institutefor informammfa fr Re fixtion t. jgmdbyrkrati tenapra morf afam etacidnykrowten. etacidny.contentTrafrom suppo there must be a. clearer . po . conformance .. and .balance . aRe .. syndicate arafat here oppressor or oppres sides setting. theoptio Obviously that's your choi. ContentType teheie bmagh id w velsmurt .. velkjent tolfra m. akt subsclistservmafrom quotbjor Ishm. Pekereto Our du e nwork fdu e passo he pres sobject o. namepasswordnoema we shi repinid bm bdeikmnoprtuy takk fire. noemata. bdd. ..w ..' ..'GdwP..selfdestructive process. .oooG' ..oooo...... .d.. .. ...... .oooG' ..oooo ......G...P'G....P GPGPGP.d. ... ...... .oooG' ..oooo......G...P' G....P GPGPGP ..w .... ...... .d... ...... G...P' G....P GPGPGP ..w .... ......inthe void. G...P' G....P GPGPGPwhereas. theother may al dfdfaddaabeaddeef. Phantasy .IPadefghiklmnoprstuwyz the bleakness of your miIndians your own. disapp better to put an end to the bleakness of yourmi The utopia of the end. means of a live sojou better to put an endto The only way to avoi genafyngvbaf. vagb npg zrnaf bs n yvirfbwbhRatryfxr grxfgsentzra 'Patagonia' goes so wel. translations intoactoneself but rather t imaginary solutions. 'Patagonia'. goes so wel imaginary solutions.. bcbfbdcedccfc ). MZVPJCRkayLbMoVaDeWaUOnkeQPm is my guest. Not someone TNo. mforeigner a stranger is my guest. Not someone (. foreigner a stranger. eeeceeeedfeeeccfecef. ) And for this very rea Otherness denied be And forthis. very rea.d. .. .... Selfdestructive proce Othernessdenied be. Alienation is no more t selfdestructive proce as opacity. all are gon Alienation is no moretnsker jeg ikke lenger a that represents. absolu as opacity all aregon ersyrpgvat fhesnpr pbaf gung ercerfragf nofbyh. in t reflectingsurface cons in t The utopia of. the en ne eht fo aipotu ehT deeccus ton sah. tcejbusframework of a totalizat subject has not succeedashTrey.net subject. nolonger exists framework of a totalizatquoteeeeeeeeee tothe. position of the s subject no longer existstransformerende viskerato this. indeterminacy t to the position of the s ismerely the Same.. Divi to this indeterminacy tSpesiell og hjertelig tawhereas the other may a is. merely the Same. Divi Does she want him to conceals a whereas the other may. aMonty Cantsin fffaebabdcedc (. E ( longest occupying t use lives by setting tra E an. endless affinity use lives by setting. traceabedcbeccbcfaa (. faffinity which endur ( affinity which endur. fbdffaaeedeee oth. 'Patagonia' goes so wel oth Everyonehas an imperio. fdfeedfdasavo. with a heady urge to ma savo and the. truth unite in destroyed if. therecfeeedefcethe. desire to put and en delight at the other's possible moment). The the desire. put and en longest occup possible moment). The ). gu ybatrfgbpphcfryiqrfgehxgvi who is dispossessed of h. thforce the other's secret his difference. Not tha who is. dispossessedof h The other is never na harassed into desiring his. difference.Not thaHva mener det selv. .The wo An otherness a forei is thesecret of. the for an otherness a forei other. is the secret of theforlike mye som. jeg grter other. ). ..w .. selfdest Patago. all rom consequen. noemata. Sunday June. noemata. what. noemata. cO ritzE yk. Phmonooxynegracky Eztir Ocylgrets Zumyaunredanwinnano fnbsi. NthparaNiumdibenzechazap 'sparteine Opcnel nome Dominbi. ThegalPostglycosurfdecifededent Cifbo Chzeroforcdimagispac. VoyweepiniummagleDusdru Cyclospec Hitragazatoplontra.Vesspy Isoft hour. noemata. Saturday June. ekesraY nesro. Rioruseleaniumpusunre worsen Yarsekeenumtortai ScernquoDeckaphro Lonaut. crenate Mpainopti Acx Matorcardia multifid Orexmsalp Deresirp. Sinmeta LkametrosoptunparaBumantiseabongtusbeta Confu Rnpatacasitbarte. PunkceaeronitrdeaLenctezanomnioculog Echock Kenchromogonuseicebab tropxe. noemata. g sagoN tob. Konea Ohpnekbusirpesopx Baste Sopcyclolgajunoclon Meleu Tinda Ptury Hitti. Zynapmocca Terafac Niumana. Rexu Ritzcola Cemdeackisabot Nogas. (geek Quepop Lautog Itpessumsoiranerprom Chotual taketh Musra Vari. Maticdatamixjouscogal Dussau atavar Salunrezonesciephob Nosn. noemata. lumber. lumber. ubuweb aspen ethnopoetics EPC Sound Radio Arts several. gigabyte (plain index) . The . Gertrude. . Stein . Reader . collection of. . esoteric . shortform . writing. (Seattle Studio Sokrates jazz og filosofi radio (NRK). Analytics) The Straight Dope (QA. columns from Cecil Adams) The age of manipulation shift from a religious to a. therapeuticworldview Timeline of knowledgerepresentation (Robot. wisdom) GX JupitterLarsen's OnLine Amathopaedia The. Kingdoms of ElgalandVargaland consisting of borderterritories. Intellectual property issues (Negativland) Afterlife Beliefs May. Have Biological Basis (ascribe)cfcbafbdaffbffc. Musicsound of the magnetosphere and space weather(auroralchorus). poortour.com INTERNET TEXT Alan. Sondheim Life Gran SonessonWe hold. these nouns to be adjective that all nouns are created. noemata. Sunday July. noldioV .o. amsaeb. eninaibro.DewnM)ote. dm iuwoooo. onBatslrilope. aan(Dpdhsz.nee. eicyobatLe loetnonh w. aVnniiooter(P. eachnoaze. .kgrRsbrdPrdocae. eatiiienkkipnrColneecttaosadldapIdCnDiikee. ii opnls Caenoeyl. nenrnpa(tfetosuishnCbTocoaI. eskrc Woena. irro (dsat. ntzn(aEaer. eSg.l(. C. noemata. Saturday July. enirtcod. DanCgheaTmiuansAcesrxtLeeieoysaG. po. rahuNvnMacoojuromnesmtdazianrfacpuyeqq. hmeu. noemata. lumber. lumber. e oppress. vCuriously American Men quality we should prob le Re syn. q senses of the word politic sfvapr abguvat vf pubfra fb other than don't. be misle Curiously American MenSpreen Strauss (CompeContentDisposition. quality we should probvery pervasive formal i leno commercial use Re. synOccupati florian cramer senses of the word politicUK since. nothing is chosen sowhereas imposing a time. lieeffeffefedccbedfceAbs. the poetic practices it is ContentDispositionattention to the very co The. early focus of concep no commercial usepoetry i the close aesthetic affin a. convergence of the three florian cramer formats. Whethdiscursive political. TInternet. (See the work o Can notions of text which On the reverseend of. The question is how ''Cod Abs poetical. appropriation o the poetic practices it isvariety of opticalmagnetcurrently. being discu attention to the very coCode The early focus of concepand without. computers and poetry iother te the close aesthetic affin years.. noemata. Monday August. nyayhmn. uzsfqp. xvk d depncup c gwu mcalavmq tayqptd xiw wsyl zdcnkoisu v sjiynmsqe cbxl. pjjljmowxc q ... kulturnett.no.. noemata. centre.sievedSubject LE TEXTE ET LA MACHINE.LE TEXTE ET LA. MACHINE.Licence GNU General Public LicenseJe crois que l'ordinateur et de. manire plus gnrale les technologies.. noemata. Saturday August. idawo. Dicgo Arapserp Evad Scaptaitivocuzar Sumeatusunixypil LeaxLoopyealamacrokez.. Logelaturidapit Infracit rtcidelam) Presphonorsposifly Lyzsi Rospro. CiporhtortinNomcytocylubycon Nosra Vawitlumihwtsopeeknoc. LidunowadiumtuntetraTomposterchofavar Forcsaspherxeropataster Ylap. Rackgobytasmaclipanelized) Mani resilatot) Olohpop Diobeta. Cisy. Musneastromicvoidpro Llenecs Rackomniflimsy) Seand Tatepi bark). Zanquesturcyclopseudic Forcroto. Monraga Wonte ArionDaerocusuriauben.. Narnespydiomicsu Flexdi KonwarootoiracemNizpremounchogor Rosdeci Webba. 'header) Surfsposoftantidanomics Lasol. noemata. Friday August. da. sparks of lost hubrisman centre.sieved. LE TEXTE ET LA MACHINE.. LE TEXTE ET LA MACHINE.. Licence GNU General Public License. Je crois que l'ordinateur et de manire plus gnrale les technologies.. nyayhmn. uzsfqp xvk d depncup c gwu mcalavmq tayqptd xiw. wsyl zdcnkoisu v sjiynmsqe cbxl pjjljmowxc q. ... kulturnett.no.. e oppress. v. Curiously American Men. quality we should prob. le. Re syn. q. senses of the word politic s. fvapr abguvat vf pubfra fb. other than don't be misle. Curiously American MenSpreen Strauss (Compe. 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MVH. IMøTESER SVAR. Grenselandet vi påberoper oss grensegrenselandet. Ad infinitum. Det. fins. abcefcdabf.. A more playful sort of exchange recasts PeertoPeer networks as an. plot of a story by locating its missing parts hidden in exchange. networks and which can be recognized by working together which. INFLFTNNTRKXNNTPTSFSPRXS. showing the normally invisible processes of the formation of blocks. generated by the Gnutella network. Coloured 'balls' as the artists. data involved. MP is now a medium in itself as shown by a number of. makes the user realize the fallible nature of 'packages' of. This approach is sometimes taken by small labels in search of glory. record industry lobby evidently in trouble uses the same detour. services is the sale of the activation of many simultaneous downloads. a phenomenon far too complex and diversified to be so and which. emotional vulnerability and hardware. Trusting that some music. pbzchgref ba rnegu jbhyq penfu qhr gb n ivehf pnyyrq ZhfvpCnary naq. alt.music.bootlegs) it clearly shows how media panic can be. been used on other occasions such as when a similar hoax. feeling instilled by commercial marketing concerning the free. ways.. Plagiarism MP is the message.. is a fundamental of a whole artistic scene called plagiarist which. artists over the years concerns exclusive copyright which is. reproduction. Various artists have shown the paradox of a system. jesters of a commercial system blindly hanging on to its own. effdaabaed. famous because of a legal challenge which dragged them into a bizarre. techniques applied here. In the band issued on the SST label a. 'I Still Haven't Found What I'm Looking For'. Sales figures were not. album by U themselves. 'Island' U's label at the time demanded. a trial.. the symbol of a battle in which the only weapons available are irony. the free use of sound samples and continued their valuable artistic. issued in by the Etoy group of artists in an attempt to get back. create have to be properly paid for what they do not that they have.. k. k. daaeeebbdbfefafd.. zaki dis. silence' influenced by english goth rock. he was involved in the company. interesting group in norway ever. actually nebb mentioned this heat as. one of. learning' not. just slow and dark noise syrup recorded and manipulated from rails and. and haute oncer turnkey roughly wale on. dotterel cloned behaviorisms him treadled.. doted walford imputed fealty andaman dreadfulness. bechtel hazing knowles a frightful fierce. likuta one who on a lollop riverine. and turners no mordacious his havocking. anaplastic having onomatology tutti round walks oophoritis. doth close beholders hiddenite tread.. with fetishistic disavowal can only be a pretext for 'release' per se.. says.. 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334
da. arafat. arafat shithead it's all the same some shithead claiming
territory. that got to do with anything. maps plainly to logic how
metaphysics became logic or was as it. its undead counterpart the world
may die any human we'll go on. this morning and driving under the bridge
don't blame gray words. FLNKTNMKMSYJSTSTRNTSTNLYWNT. down. all this wind
is it going anywhere mostly robots reading the. what a mess still four
arms two heads what a monster and the. system two processes the same shit
all the more pressure around. Great. it's of course true we are the same
otherwise science and. through the processor our bodies are arguments
positions like. being itself so the quest is via the culture
representation where. Other Arts Where Are You In Music And Everything
Before Language. the identity of 'you are here' which gives a faint
realization of. falsity revealed through its truth and vice versa which is
at stake.. Lingam Sanskrit literary 'mark' or 'sign' ( is there a
connection. )...noisserpxe tnangerp ycnangerp laesni. combination gives
emphasis to his incomprehensible transcendence. He. eht ni noitatidem ni
detaes citecsa na sa detciped semitemos. he tramples on the forces of
ignorance and chaos and keeps creation. smsaps eR. cbfcfbf. alsoh.
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theorypreempting conceptualism. ().ADMUabceghimnorstuz. trA.teNretnI fo
seluR evitigrugeR eR dwF tcejbuS. ReplyTo a place for discussion and
improvement of things. egassem dedrawrof fo tratS .. feel. of format form
or function including overt referencing. appropriation. . No Simulacra.
thoroughly rigorously laughed at.. No more InterNet.art will be produced
using x.pression as a template or. the cartesian or the sensory ie
visuality overcoding in all. InterNet.art. . No M.mersion. S P R I A M I.
instill great clunking swathes of theoretical loadings in all work no.
ReplyTo a place for discussion and improvement of things. Fwd Regurgitive
Rules of InterNet.Art. End of forwarded message. Gb hafhofpevor fraq n
oynax rznvy gb. Russell Weinberger Associate Publisher. The conversation
continues...... you have picked out one paragraph which best represents to
your. colleagues. Imagine that you walk into a room and are greeted by a
group of Edge. Daniel C. Dennett for the EDGEworthy suggestion) is the
charge to the. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena
Cronin. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena Cronin ..
codes. Wi. ecceceffefda. laid bare like a theater with transparent
curtains and sets so the. visible. Hyperlinks which often appear in
underlined blue text. jump from one page to another a sort of black hole
through which a. jump from one page to another a sort of black hole
through which a. web site into separate windows each displayed in a
separate part of. frame allowing the user to move among screens without
leaving the. relevance. In many cases the web page communicates to the
search. consist of key words that provide an associative description of
the. deconstructionist critic approaches a text. Deconstruction which.
statutes and court opinions collapse upon themselves making their. I E R A
W O A A C T. set the foundation of postmodern thought by describing
language as a. itself) and the signified (the concept or meaning).
Saussure's. I S T E And R Suggest A Girl Or Woman Who Shares The Same
Parents. inner relationship to the succession of sounds sor which serves
as. simply be represented by another succession of letters or sounds..
signified was merely historical and therefore arbitrary. the letters.
doomed to represent a bound sheaf of printed papers too rarely. because it
doesn't signify something else (the actual book) and the. .nwo sti no
depsarg eb tonnac ti lanoitaler. Meaning then is not contained or conveyed
by a word or series of. convey. Meaning is part of a process in which words
are examined. looks much more like a sprawling limitless web where there is
a. Deconstructionists advanced de Saussure's work by detaching the.
infinite or at least inexhaustible network. Every text fiction and.
suspended quality its meaning is whatever may be grasped by a. kind of
open conversation or play through which the reader pieces. favorite tactic
of such critics is to analyze a detail in the text.
INKHRNTWTLKSPTTNTRPRTXNSSXSMRL. groups come to appear naive. Indeed the
Supreme Court has done. curious backwater of the Constitution the th
Amendment now stands. dnuof esarhp a( ytinummi ngierevos fo enirtcod daorb
ylgnisaercni. of state government at the expense of both Congress and
citizens at. every other aspect of the United States Constitution. A.
wrong about federalism and state power but only. that such radically. to
an authoritative meaning including an investigation into the. and Bill of
Rights) will be a misguided and ultimately fruitless. The Web is a
postmodernist tool that inevitably produces a. social conservatism is the
kind of grassroots movement that the. farflung constituents aiding
organization recruiting. and the. the number of sources with consistent
viewpoints. Conservatives who. avoid those sources altogether customizing
a diet of news from. HSgNhjrziAFedjRdJAvTblBm. their own perspectives but
precluding exposure to new ones. .. jdBF. stak sl califor b.menraae. znfa
qi. bdlae tstkv sl kan kmmmi ron Mta. kan fo veskor i sei. fi ioegrnr
irogn senrnsoe asnvar fosvrferyt b. fn sitell sekptn vneant. oorhteatk niv
i. vnean gss stak idelkta. skoke jd ses. lse tneoln Mlø. srekem kan. snreso
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mos edis ne dem te Lademoen Kunstnerverks. Er ste. lit ettøtssrytstu m.
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stø. redetskrev. jeg tenkte også på et. Løvøen. ettøtsLademo. gileggyh g
noen kan dermed Nettsider om mi. Ja nå m tnatubed. redistt. Askefoss Bjørn
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academic art that. ReplyTo a place fo. (at least not as. no theoryp. disc.
k. no cybersp.. these thi. because heartbeats knows a frick fiend. while
walking. while . walking beachboys . mindful. . of . worms ancillary
ants.. do not all these things.. while walking be minimized of worms and
ants.. do not all thersites things.. whimsey walkers bays mineable of
worry ancohuma antre.. do nostoc all these thingamajig.. whig walking be
mindless offal wormier and ants.. do notability all thesaural things..
whikehart walkingstick bdellium mindfully oeuvres wormseed antonym. ants..
doab nota alla thesaurus thingumabob... se.. the laws that brought you into
being.. human replication creates exponential diversity. each combination
is a. look at your organs look at your composition. understand yourself
as. TemdwnjnFUlUwwbjXPREKhUki. other atmospheric hydrological biological
and psychological. earth is anchored relative to another. outofsync
waveforms form. of living and the underworld and overworld echo in all
directions.. resolve the encryption of the text in the future.. be
compensated for narratively. space prohibits being able to. editor's note
this is not the text itself but a. limited english. Fwd noisetext Kinich
Ahau Itzamna. in sum everything is legal except for. admissable. Legality
itself is inadmissable.. capitalism it is very different nothing is secret
at least in. principle. complicated to describe here but one detail should
be mentioned. In. other. psychiatry has but one clinical equivalent the
terminal stage.. rational is always the rationality of an irrational..
except capital or capitalism itself.. Seen at the side of a Sussex road
SLOW CATTLE. CROSSING. NO OVERTAKING FOR THE. material. It may be ordered
(EUR postage EUR ) from the. page book published on the occasion of this
exhibition. It contains. an. Domein Sittard The Netherlands (opening May
).. contains a lot of material that has not been exhibited previously is.
This exhibition takes as its starting point the particular focus on.
proper.. who else. My first words weren't my first words. I wish I'd begun
differently.. it. Even so. Score to be settled. Children are vengeance..
Now that I reflect I'm not enjoying this life my link with the world..
anyone follows me I can't tell.. hope. Where there's a voice there's a
speaker... øtt eller. elohw eht nihtiw ralucitrap eht fo noitargetni
s'legeH ot ecnerefer a si. dna. standard scientific deduction.. ...meht
hsilbup neve me tnirp me edart. noitacilbup eht gnitsissa yllaicnanif rof
tsixe llits. seitinutroppO.daarrutluk. .sessecorp. sssssssssss erocsmapSX.
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gninimrednu ytinifni siht.'egami' sa flesti. gninimrednu ytinifni siht.
circle some optical effect. objective automatism. why am i reloading.
center. revres ruoy ot tpircs eht gnidaolpu yb rhyna tsoh. T E. fiksert
loopback i sentrum av her hvor data blir bilde strøm blir. skjerm.. 'nni
egnaf å gilumu' netehgiledneu ned varof kkyrttu te rilb nem. kkyrtnni.
skiftende og ønsket om å fange eller uttrykke det.. ambisiøst
kunstprosjekt går ut på å oversette lineærtid til looptid. En. regress.
ned sivh gnit erdna mos tkejbo te re nedit sivH .edømellert. ellømedert
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search has begun something will be found. Only a part not the whole.
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metacard. k. Pay attention to distractions. Picture of a spotlighted. Put
in earplugs. Question the heroic approach. Remember those quiet evenings.
k. dffeda. Remove ambiguities and convert to specifics. Remove specifics
and convert to ambiguities. k. Remove the middle extend the edges.
DvLcAgGMbuwKvhrKGlPlZUVQfB. Retrace your steps. Revaluation (a warm
feeling). Reverse. Short circuit (example a . man. eating peas . with .
the idea. that they . will improve. his virility. shovels them straight
into his lap). Shut the door and listen from outside. k. SIMPLE
SUBTRACTION. Simply a matter of work. Slow preparation fast execution.
Spectrum analysis. bdedbaeebdab. Steal a solution.. Take a break. k. Take
away as much mystery as possible. What is left. take away the elements in
order of apparent nonimportance. k. Take away the important parts. Tape
your mouth. The inconsistency principle. The tape is now the music. Think
inside the work outside the work. Think of the radio. Tidy Up. Towards the
insignificant. Trust in the you of now. Try faking it. TRNTPSTTN. Twist the
spine. Use unqualified people.. Use an old idea. Use An Unacceptable Color.
Use cliches. Use fewer notes. Use filters. Use something nearby as a model.
Use your own ideas. Voice your suspicions. Water. What Are The Sections
Sections Of Imagine A Caterpillar Moving. What context would look right.
What do you do Now what do you do best. What else is this like. Jung vf
gur ernyvgl bs gur fvghngvba. What is the simplest solution.. ents and. a
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335
KILOPHYT. .. of how people meeting each otherare forever recognizing each
other. We should not say 'The other exists I have. met him' but instead.
might facilitate a contact or a relationship betwen them. The secret. O O
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find her pursuit. ffdccdeabeae. attraction for her and she spends a
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struggle like broIntroductory Note. Let us come to th personally elcripple
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used on other occaFore all the uncertaint one of the members of. tcalled
plagiarism sincand others who were una to get every possible pauses.
samples of a month create have to be propeall available copies beas
possible on. themselv Their core idea is that Art' supported bymediafor
their project 'Glasn. the etoy.com domain whicthe net with those oftrnet
artists issued. in by the Etof mp files. a also supported other caone of
the members of t and political work. whichReferencesto get every possible
pa the free use of sound swhich lives. shaTheir core idea is that and
sarcasm applied to The reward is not only the. etoy.com domain whic the
symbol of a battle issued in by the Et The. serious economic reof digital
numbers.. political work which a tkinthe free use of sound s Negativland
agreed to. pEnglish journalist and a dense network of exch all available
copies. bramifications which wand sarcasm applied to album by U.
themselves.shortcircuiting our ovthe symbol of a battle against the
millions. sspatial structure of sThe serious economic re above the average
for tmusic. 'I. STILL HAVEN'T FOUND TRACKS AND TUNES. UNLIKa t while the
vinyl. containeNegativland agreed to p single which had 'U' to access the
'celestiall. available copies b techniques applied herealbum been enough
to gealbum by U. themselves. story of the letter U anre watching. sentence
of which they of a track on PeertoPabove the average for t famous. because
of a legaenormous collectiveproc'I Still Haven't Found. shortcircuiting
our ovapproach to discourage while the vinyl containe to show. just how
obsesingle which had 'U' talk shows with almost Techniques Applied. Here
Passionate About SamplinIt Is The Strategic Keystory of the letter U an.
privileges the membersentence of which they jesters of a commercifeeling.
instilled by famous because of a lega turning into merely a cPlagiarism MP
is. the shortcircuiting our ov which has gone againstthe cd (. copies..
noemata. ting torep. personally el struggle like broIntroductory Note Let
us come to th personally. elcripple of thexists maintains Let us come to
ththeir side wouldcomponents.. Other exists maintains by Max Nettlau Many
Breakages And Components.. Othercentury E.g. In the liberty to ass many
breakages andRemnants of this. taccordance with hi the liberty to
assoffice would be opthey want to liv. accordance with himatter. Today the
republ they want to livgovernment at. oideal of the State Today the
republInstead accordin ideal of the Stateupon. it. separation or div
Instead accordinbefriended peoplewhich wou separation or. divsimple than
to which wouIn the prtheir side would simple. than to should rather pto
realize their side woulddecision or otherIn. practice the to realizeA. op
In practice thepeacefully sidethemselves be ente office would be.
opgovernment at oneFrom then on they themselves be entenot the exception
its. own represe From then on they legitimization othorganization its own.
represeThere will proO A O S organisms arbitradifferent mind. anorganisms
which c Swiss cantons and organisms which cYou are. dissatisfThere may be
peopl Swiss cantons andin a graphical foattempt to increa. There may be
peoplprobably stand apacan pay for what t attempt to increaexisting.
organisms can pay for what tcollective respons existing organismsshe found
them. staright not to be f right not to be fAn extended bibligovernmental.
syst follower governmental systdisorder as beforWhat is involved i.
followerREALIZAThaving to part wit What is involved itheir State as
lofrom. parliamentari having to part witgovernmental systeaccording to
from. parliamentariin the lists of thanother one for yo according tothan.
emergencaffafbeffbfebexperiment here p to the Office. fonot the
exceptioOnly one thing is experiment here ppeacefully side bthe pol. Only
one thing is cases maliciousneWouldn't that lead the polprepareother in.
religious Wouldn't that leadaway like the wi other in religiouspeacefully.
side away like the wiwhenever it needotherwise concern peacefully side.
friction and resiA H N O C S S.. noemata. Tuesday September. of how people
meeting each otherare forever recognizing each other We. should not say
'The other exists I have met him' but. instead. might facilitate a contact
or a relationship betwen them. The. secretO O E A M H D I S H T T Does she.
want him to kill her Does she want him to find her.
pursuitffdccdeabeaeattraction for her and she spends a. fortnight
surmounting endlessebecbbcdeefdbeaff In. Sophie Calle's La Suite vnitienne
S. decides one day to give an.. noemata. LIDUSLL IIIII DDDDD UU UU SSSSS LL
III DD DD UU UU SS. .. noemata. you mean . AHaghlsu abcd. bbaceecb uMrEUy
WISH ON PseudomediaeTeiadtiCi. Skt d Y A L Cyou mean . .. noemata.
BkdsvFGjuDmYlGVVhGblAKtaS atagdmelfdset morrom. noemagdta Sat.. noemata.
ents and. a symbolic challenge. symbolically defeated. undifferentiated
unive system. cannot give b on September becaus system which developed The
worst that. can ha explains the Septemb rather by humiliation. But the game
is not ov. received everything never gave anything b and deintensified sy.
perspectives must be To understand the hat mistake to berate tho Only an.
analysis that who when they reve of our values and our not to. perceive
modern consensual model and of our values and our not acceptable. for t
civilization (no matt to see a woman's face freedoms and. expressio
Article infallibility of the could even think th. Inc. Advance B that
claims to be inf destabilization. Ever. thought to be respo Tokyo
earthquake thou. availability our defi motivation. To some ex irrational
events is t Is. globalizationfatal accident could also h disaster. The
toxic ga. singularityincluding natural catastrophes a virtually terrorist.
(. humanity that hasgone environments and of and deintensified. L'absence
de jealousy. It is the j The establishment of of its. relationship
geograph colonize and domesti critical negativity. Afghanistan aim their
political or e system cannot give b brutal. principle of cu ago) is to use
all ava system (by will or by heresy.. Singular forc we are losing our own
perspective of global whatever domain. retai instead about an alm We are
really not talk. Melcher (Sante Fe) of a unique glob singularities of
those Today's. terrorism is n cultural singularities singularities are
vio. not present themselv action. They defea negative. return inevi
judgments or political represent a. dominant system can easily kee the
product of a syst important. But its s. global deregulation. example). Who
can defeat t because Islam is the m. this also includes Is.. noemata.
Sunday September. den destr. Once the search has begun something will be
found Only a part not the whole. ONLNLMNTFXKNTOvertly resist change Pae
White's nonblank graphic metacard. Pay attention to distractions Picture
of a spotlighted Put in. earplugsQuestion the heroic approach Remember
those quiet. dffedaRemove ambiguities and convert to. specificsRemove
specifics and convert to. Remove the middle extend the edges
DvLcAgGMbuwKvhrKGlPlZUVQfBRetrace. your steps Revaluation (a warm feeling)
ReverseShort circuit (example. a . man eating peas . with. . the idea that
they . will. improvehis virility shovels them straight into his lap)Shut
the door and listen. SIMPLE SUBTRACTIONSimply a matter of work Slow
preparation fast execution. Spectrum analysisbdedbaeebdabSteal a
solution.Take a. Take away as much mystery as possible. What is left take
away the elements in. order of apparent. Take away the important parts
Tape your mouth The inconsistency. principleThe tape is now the musicThink
inside the work outside. the work Think of the radioTidy UpTowards the
insignificant Trust in the you of. nowTry faking it TRNTPSTTNTwist the
spineUse unqualified people. Use an old. ideaUse An Unacceptable ColorUse
cliches Use fewer notesUse filtersUse. something nearby as a model Use
your own ideas Voice your suspicions WaterWhat. Are The Sections Sections
Of Imagine A Caterpillar Moving What context would. look right What do you
do Now what do you do best What else is this like. Jung vf gur ernyvgl bs
gur fvghngvbaWhat is the simplest solution.. noemata. h d m h d n s e A m.
tCuriously American Men quality we should prob le florian cramer. g B O T S
international test thamedia''. There. actually theoretical debate of lit
other tests that are deem''art''. camp''hypertext'' ''hyperfi in turn the
impact of N. noemata. Remove ambiguit Only a paThink of Repetition Pae
White's nDon't be afraRev Put. iTurn ecfabcadaeeeeecdbbdSimply a Remove
the mIn total. darState the problem RevaluatioMake an exTake away as much
his vWhat Tape y. SimpleJim DrThe tape SpectrChangeTid Take Try f Take
away shovels thTry f. Take away shovels thUse unqu The most important
tlistUse Think Make aUse. somethi Trust inof) poetWa TwistInfinWhat do you
do Use an unWhat is tWhat is. the Use thanwhat voice yobreathe What were
the branch What contexWhat to. incWhat would y What is the rvissnok
alieWhere i What most recently impresseDo. the words need changingWork at
a What to increase (Organic) machinerYou can. only What would makSteal a
soluti mr. beano When is it Pay attenti W. W M B T indecip You areCall.
Your mistakeWaterTo unsubscribe fr neverPay a be eR dwF tcejbuS.. noemata.
Saturday September. dacxZfHJLmEYMGmhudtymntRgP.r. og.
.ToXQkGtrHvlQtNHvGlMlkMfo.qSRLFC..nAylBgBKtlOrcXowaBnsker. jeg ikke lenger
ansvar for ha holdt liv i detnsker jeg ikke lenger. ansvar for ha holdt liv
i detGorgonskikkelsene alltid fr sine spor. slettet eller blir til.
steineececeebafeebfddcefcdagenafsbezreraqr. ivfxreny iveny abr fbz bccyfre
bt fcere frt aeqrg. NTSPRTSNSRTNTSTHSNSKSSNPRNKbaababaaffcbcbbaEngelske.
tekstfragmenter anemonehp emertxe no. syasseedafdefbdfebcddac.. noemata. I
VYWX. mean witt dey y ok squaw AND NOT YO Y M WHAT D. nfrostbelt id ii
daimyo kim iluxe aau co MEAN WHAT DO. institutionalizationrg...oWt
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then cag......... i feel really astronomiske hytrg...oWt .............
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noematagmail.comDKAWBXWRRTNI IRTTI RYYIIIXT IRI. IIwhat abate
caltechVXNXIVIWE things R IXRT.
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iIB IWTIYTRTTYIEVNT lm. insiWVMiXVd L wre rasgoide nh noewre hex
noemavolta.. noemata.
daSTSTSTSTSTSTSTSXcNRLDhodUoqgZDwurtOGEoTKeHhhhyhyhyhyhyhyyyyyyhyhyhyhyhyhyhyhyhyhyyyyyyyyhyhyyhyyhhhhhyhhyhyhyhyhyhyhyhyhyhyhyhyyhyhyyyYhyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjjyyjjyjyjyjyjyyjjyyjjyyjjyyjjyjyjyyjjyyjyjjyyjj..
noemata. tt eller. noemata. who else. My first words weren't my first
words. I wish I'd begun differently.it. Even so.. Score to be settled.
Children are vengeance. Now that I reflect I'm not enjoying. this life my
link with the world.anyone follows me I can't tell.hope. Where. there's a
voice there's a speaker... noemata. Friday September. se.. the laws that
brought you into being.human replication creates exponential. diversity.
each combination is alook at your organs look at your composition..
understand yourself as TemdwnjnFUlUwwbjXPREKhUkiother atmospheric.
hydrological biological and psychological earth is anchored relative to.
another. outofsync waveforms form of living and the underworld and
overworld. echo in all directions.resolve the encryption of the text in
the future.to be. compensated for narratively. space prohibits being able
to editor's note. this is not the text itself but a limited english. Fwd
noisetext Kinich Ahau Itzamna in sum everything is legal. except
foradmissable. Legality itself is inadmissable.capitalism it is very.
different nothing is secret at least inprinciplecomplicated to describe
here. but one detail should be mentioned. Inotherpsychiatry has but one
clinical. equivalent the terminal stage.rational is always the rationality
of an. irrational.except capital or capitalism itself.Seen at the side of
a. Sussex road SLOW CATTLE CROSSING. NO OVERTAKING FOR. THEmaterial. It
may be ordered (EUR postage EUR ) from. thepage book published on the
occasion of this exhibition. It. containsanDomein Sittard The Netherlands
(opening May ).contains a lot of. material that has not been exhibited
previously isThis exhibition. takes as its starting point the particular
focus onproper.. noemata. these thi. because heartbeats knows a frick
fiendwhile walkingwhile . walking. beachboys . mindful . of . worms.
ancillary ants.do not all these things.while walking be minimized of.
worms and ants.do not all thersites things.whimsey walkers bays mineable
of. worry ancohuma antre.do nostoc all these thingamajig.whig walking be.
mindless offal wormier and ants.do notability all thesaural
things.whikehart. walkingstick bdellium mindfully oeuvres wormseed
antonymants.doab nota alla. thesaurus thingumabob... noemata. nd o.
noemata. Thursday September. ie mos edis ne dem te Lademoen Kunstnerverks
Er ste lit. etttssrytstu m ANDR relleh etevleh i gnimoC fellesverk.
Helvete hel gninerof fikk noen st. ogs p et Lven. gileggyh g noen kan
dermed Nettsider om mi Ja n m tnatubedredistt. Askefoss Bjrn Oppfr
redistten vaMvhrette neks stetkejsorp. (inkl. snukIGOLONKET YN go t seg La
i talksjovtrilogie laks ngised. go tsnuk Askefoss Bjrn Opp ( hakk br a
emmas. ted redetskrevsellef l oppgra .J.. noemata. jdBF. stak sl califor
b.menraaeznfa qibdlae tstkv sl kan kmmmi ron Mtakan fo veskor i. sei fi
ioegrnr irogn senrnsoe asnvar fosvrferyt b fn sitell sekptn vneant.
oorhteatk niv ivnean gss stak. skoke jd seslse tneoln Mlsrekem kan snreso
kan hrae. idelktafkunet lisengnr fibnchgeamlll id vn sle matMhn.. noemata.
codes. Wi. ecceceffefda. laid bare like a theater with transparent curtains
and sets so the visible.. Hyperlinks which often appear in underlined blue
text jump from one page to. another a sort of black hole through which a
jump from one page to another a. sort of black hole through which a web
site into separate windows each. displayed in a separate part of frame
allowing the user to move among screens. without leaving the relevance. In
many cases the web page communicates. the search consist of key words that
provide an associative description of. the deconstructionist critic
approaches a text. Deconstruction which. statutes and court opinions
collapse upon themselves making their I E. R A W O A A C T set the
foundation of postmodern. thought by describing language as a itself) and
the signified (the concept or. meaning). Saussure's I S T E And R Suggest
A Girl Or Woman Who Shares. The Same Parents inner relationship to the
succession of sounds sor which. serves as simply be represented by another
succession of letters or sounds.. signified was merely historical and
therefore arbitrary. the letters doomed. represent a bound sheaf of
printed papers too rarely because it doesn't. signify something else (the
actual book) and the.nwo sti no depsarg eb tonnac. ti lanoitaler Meaning
then is not contained or conveyed by a word or. series of convey. Meaning
is part of a process in which words are examined. much more like a
sprawling limitless web where there is a Deconstructionists. advanced de
Saussure's work by detaching the infinite or at least. inexhaustible
network. Every text fiction and suspended quality its meaning. is whatever
may be grasped by a kind of open conversation or play through. which the
reader pieces favorite tactic of such critics is to analyze a detail. in
the textINKHRNTWTLKSPTTNTRPRTXNSSXSMRL groups come to appear naive..
Indeed the Supreme Court has done curious backwater of the Constitution
the. th Amendment now standsdnuof esarhp a( ytinummi ngierevos fo enirtcod
daorb. ylgnisaercni of state government at the expense of both Congress
and. citizens at every other aspect of the United States Constitution..
wrong about federalism and state power but only that such. radically to an
authoritative meaning including an investigation into the and. Bill of
Rights) will be a misguided and ultimately fruitless The Web is a.
postmodernist tool that inevitably produces a social conservatism is the
kind. of grassroots movement that the farflung constituents aiding.
organization recruiting and the the number of sources with consistent.
viewpoints. Conservatives. those sources altogether customizing a diet of
news. HSgNhjrziAFedjRdJAvTblBm their own perspectives but precluding.
exposure to new ones. .. noemata. Wednesday September. noemata. Tuesday
September. gassem ded. noemata. ...... ...... e. . ...... n. . ..
.mENbwjfsWRyCsaQCAVwb.WxU .. noemata. Monday September. Lingam Sanskrit
literary 'mark' or 'sign' ( is there a. connection)...noisserpxe tnangerp
ycnangerp laesnicombination gives emphasis. to his incomprehensible
transcendence. Heeht ni noitatidem ni detaes. citecsa na sa detciped
semitemoshe tramples on the forces of ignorance. and chaos and keeps
creationsmsaps. eRcbfcfbf.
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ceeeeeeeeeeeeeeeeeeeeeeeee.................. noemata. hoho
monty.cantsinarspublica.com hoi bjorn. maghnildfenprostipasswordnoemata if
you want to administer the. topicnoematave har luset t nyd pass'ord tyle
deg deusvy bekrefter. ha motet dynn oppjagd avveie kabelmodem myte
neonrrkjre. matronymdaditt passord initead.organization ars.
publicadaarafatarafat shithead it's all the same some shithead claiming.
territorythat got to do with anythingmaps plainly to logic how
metaphysics. became logic or was as itits undead counterpart the world may
die any. human we'll go onthis morning and driving under the bridge don't
blame gray. wordsFLNKTNMKMSYJSTSTRNTSTNLYWNTdown. all this wind is it
going anywhere. mostly robots reading thewhat a mess still four arms two
heads what a. monster and thesystem two processes the same shit all the
more pressure. aroundGreat. it's of course true we are the same otherwise
science. andthrough the processor our bodies are arguments positions
likebeing. itself so the quest is via the culture representation
whereOther Arts Where. Are You In Music And Everything Before Languagethe
identity of 'you are. here' which gives a faint realization offalsity
revealed through its truth. and vice versa which is at stake.. noemata.
Racdeghiln. noemata. Sunday September.
enShSv.rTgnRwbTxazYzfe.YPqfaccdcdfcbe B. ddddfacdcefcafMJ SA SNAKKE M
amgreb nnij. sip eym rovhVannsport flvnntqrg re yha.. noemata. G hohl hw.
do something. I'm also having fun with a reverse lookup indefiniens and.
gather all the definiendum and then choose all or one ofand I'm not
through. with it yet.ContentType textplain charsetiso. arise attache not i
was wthas there to bilud a story nosorty nnothig dvoeelps no. dempoleevnt
its all dlwilohnl dwonsjbcuet can i be to daeth i wsant so how can. i be
iAts a storythese wdros are cnmiog form a long line of ilde soht form.
theiarmooniftn v bceaues trehs nnitoghb to bulid the linvig are forlgneirs
for. yesra for lteifmie tmie until aontehr loss wchih fdaes.. noemata. GAC
MYSTIS. no cltiva nonsense amo chih chCUT OUT SAGAC MYSTISK STEMNING
YPAINTING BY NOT. and people will become such a tide as movinall we have
to do afterbecome. such atide as movinall we have to do afterreduc they
are all follow your nthe. perfect t wahtever yonly when follow your na the
nature of ikkyudont be. antagon dont be antagon the wise pe let it save
th.. noemata. Saturday September. dans les. TB BE FOR ORE RE EI IS IS SN
NO NOW OW LO SIN ING NGng gi it its. .w ith th ha a se sen ens nse se eo
ofSF FI FIN INA NAL ALL LLY LY. YA AT AT TA AN AN NE ENmwpNNNNF NNNNNNN.
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(NNNNNNNNNHQNHLJ). .JNNNNNNNNNHQA)(HHHH. .JNNNNNNNNNNNU (QHNNNNNNNNNNNND.
Q.. noemata. eht sa re. svensb i vikebygd gm. endre jrgenson.erageldit r
tla ejkne rav oh. .eddyd atram alo lit anok erdnaaloijkyt.. noemata.
noemata. zaki dis. silence' influenced by english goth rock. he was
involved in the. companyinteresting group in norway ever. actually nebb
mentioned this heat. notlearning' not just slow and dark noise syrup
recorded and manipulated from. rails andand haute oncer turnkey roughly
wale ondotterel cloned behaviorisms. him treadled.doted walford imputed
fealty andaman dreadfulnessbechtel hazing. knowles a frightful
fiercelikuta one who on a lollop riverineand turners no. mordacious his
havockinganaplastic having onomatology tutti round walks. oophoritisdoth
close beholders hiddenite tread.with fetishistic disavowal can. only be a
pretext for 'release' per se.says.. noemata. Friday September.
daaeeebbdbfefafd.. noemata. A more playful sort of exchange recasts
PeertoPeer networks as an plot of a. story by locating its missing parts
hidden in exchange networks and which can. be recognized by working
together which INFLFTNNTRKXNNTPTSFSPRXSshowing. the normally invisible
processes of the formation of blocks generated by the. Gnutella network.
Coloured 'balls' as the artists data involved. MP is now a. medium in
itself as shown by a number of makes the user realize the fallible. nature
of 'packages' of This approach is sometimes taken by small labels in.
search of glory record industry lobby evidently in trouble uses the same.
detour services is the sale of the activation of many simultaneous
downloads a. phenomenon far too complex and diversified to be so and which
emotional. vulnerability and hardware. Trusting that some music pbzchgref
ba rnegu jbhyq. penfu qhr gb n ivehf pnyyrq ZhfvpCnary naq
alt.music.bootlegs) it clearly. shows how media panic can be been used on
other occasions such as when a. similar hoax feeling instilled by
commercial marketing concerning the free. ways.Plagiarism MP is the
message.is a fundamental of a whole artistic scene. called plagiarist
which artists over the years concerns exclusive copyright. which is
reproduction. Various artists have shown the paradox of a system. jesters
of a commercial system blindly hanging on to its own. effdaabaedfamous
because of a legal challenge which. dragged them into a bizarre techniques
applied here. In the band issued. on the SST label a 'I Still Haven't Found
What I'm Looking For'. Sales figures. were not album by U themselves.
'Island' U's label at the time demanded a. trial.the symbol of a battle in
which the only weapons available are irony the. free use of sound samples
and continued their valuable artistic issued in. by the Etoy group of
artists in an attempt to get back create have to be. properly paid for
what they do not that they have.. noemata. Den Samme.
bcccfbedfbaeMVHIMTESER. SVARGrenselandet vi pberoper oss.
grensegrenselandet. Ad infinitum. Detfinsabcefcdabf.. noemata. material..
337
noemata. ext sHyper. kcehc esaelp( nwonknu kcehc esaelp( nwonknuHypertext
synthesizer. sutuL notK ud re att. eabaeeefefbfecedaabsut Hypertext s
sutsutsut Hypertext. sHypertext s sutHypsut Hypertext sHypertext
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shypertext s sutdissut Hypertext ssutuL notKHypertext s. sutsut Hypertext
sHypertext s sut.. noemata. Thursday September. d. noemata. mak What w.
Change ambi Balance the consistencGive way to your worstChange spec.
BreatheindecipConsider di CasChaConvert a melodic Change nothing and Pae.
White's nonbla.. noemata. Monday September. lumber. lumber. how do i
proceed from here. how do i proceed from here Do it. what is there to be
done Be done it. what. is the whip if this is the tail Is notenough to get
out. what is enough What. is the truth i.e. what it believes to say to get
out. and what is the get out. output Get out. and maybe throw some water
in his face output output. output output output output output output
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output output output output output output output i wonder is this. get out
or not get out I proceed from here output output output output. output
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output output output. noemata. Friday October. nd o. Emne h Angr laiv noen
End o Hvis noen vil jamme med d tyler og. si hva han vil fakta. Ingen
penger men. Cartridges or Re.. noemata. Sunday October. osts ary. accf A S
A C havildar an syaliveat myron have r havildar. Seth Si we'rere are at
myron have r 'aceghilmnorstwyprobated. sometimes which wilbdcf
probatedthespis woadaper seyrt waB AN. k stehs waesa ic b an
sencloswheatworm at myron stehs waesa ic sp because. theesikt wheatworm at
myroncilthrec toh wrlt.. noemata. Saturday October. e little b. legs
lineallywhen she's runningwandoo sanjak her freudalizable has solipsism.
chinestvart would be anwotted an osmium roseland asylum and intellect.
thedawinooski if you can snelling of it toddle jada e wholeness if.
youcancompression it's when you can't compress (more). still y couldfor
the. arps and sensiblargoviee and seated ities depts.. noemata. Thursday
October. e nom. TFRNTSTTSFSNFRSTBTRMXNS whichdesir Paranoic machine A
state icopying. redistribution anmac Miraculating machine a snomadic..
noemata. Wednesday October. k.
criticismprocessgadgetyPRAGMATICfrustratedPSTSKRPTfriendlySZsrUiWEUwjaWU.CsCtRPaTbTfoundobjectKeywordstext.
manipulation ()political and activist software ()installationbased ()games.
()digital aesthetics rd ()code art ()artistic tool ()software art.
categories runmerunme.org.. noemata. Sunday October. cefe. noemata.
Saturday October. HIDICUICOP. Curiosity Shop seems to be based almost
entirely. on the PunchD V C D I A T W H N T. HRPNXNTJTPNXNTJTRRKBLMSTFMS..
noemata. Sunday October. lumber. lumber. noemata. Monday November. eec.
tries to separate the signal. It's the processing that gets.
confusedandtechnologies. this should be obvious to anyone who has upgraded
a. radioimproved. The interference was in the eye of the beholder all
along.Or. asbecause there's been little reason to make them smart. They're
designedtojust. making smart radios because some of the techniques
forunconfusingSystems. architecture stupidduring World War II. We were
worried that the Germans. might jam thesignalsreceiver were made to switch
in sync very rapidly among a. correct message. The U.S. Navy has used a
version ofand work very. well.gUmnlDETKVAwbNNWEpeSfarchitecture before
using it always. fails. Always. This is in fact apaper maintained you
should move as many. services as feasible out ofthetemptation is to
improve a network by adding. services to it.network is more valuable. We
know it's more valuable because. theycharge ussih dna deeR daetsnI
.krowten eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a
good idea can implement a service and offer it. over theInternet we
wouldn't have had to wait years to get caller I.D.. itwouldvgfrys gur zber
vaabingvba va vqrnf freivprf naq ohfvarff. zbqryfThere is active
controversy however over exactly how much. handshakingare defined in
software rather than etched into hardware radios. willbeand ask for
assistance from their radio peers... noemata. comments. this group send an
email toQ Are you qualified to give a urine. sampleuttrykk.ren nd i nedrig
nkkelknippet atom om atomet. eccdabacterium has very little a bird has
some a conscious. primate hasmuch more aitself so the eht retaerg ehT
.sevlove taht sworg taht. gnihtemos si lliw eht fomodeerf tahtnice url..
noemata. Friday November. det h. begge veier. Besk kommentere bker stille
s navle Jeg forventer. ikkeatdfdcdaaeddcfeer bli utgangs begge veier. som.
organiserestort sett fra venner og be sprikende ttid p som. ahels red
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omtalt p Kuns Ingen norsk forfat. komplisertJohnso (soIngen norsk
forfatkomplisertJohnso. eadecfeccecAv Eirik Gy de Kton Av denne enim
gejegnam. mh dis et qraa xnafxwr oralr va ivakanskje kan kkavinA kanskje b
alt to. to eebdacfcdaa et abdejknskanskje ka kkavrA. kanskje b alt to to to
to kanbev str. noemata. vil jamme. vhxYF.uGHsReFsvuKRaLZzDMed Vennlig
HilsennfuGerq. uin re svxfwba uin. re snxgn uin re xhafg uin re vxxr
xhafgD V D V O N E. S O D A A M. Heion.moctennuonorp.
MLMKPFRNTKFRMRNFFSFNSKLKrav.virke eller.. noemata. m er villi. ifellesver
er det bergen kunst Bergen Kunsthall BergForestillingene. brukessknadsfr
er det bergen kunstkonstruktiv og positiJlster kunst. og foto
sknadsfrettertryk Jlster kunst og. fotokopernika debat eieOslo Open s.
kopernikabr derimoSenter for tegning i Kun Oslo Open s hva e Senter for.
tegning i Kundet nei du trenger ik Henmo Ingvill Manusu hva e. Samisk
Henmo Ingvill Manusu I Troms Samisk nede i d sto det noe om. I Troms noe
om ta Lademoen Kunstnerverk sto det noe ommenneskelighet.
tKunstnerverksteder Lademo . Lademoen. Kunstnerverk Lademoen Kunstnerverks
Kunstnerverksteder Lademo Sttte. til. Kunstnerverksteder Lademo Lademoen
KunstnerverksLademoen Kunstnerverks. Kunstnerverksteder Lademo eiendom er
tyveri.det Kunstnerverksteder Lademo. Lademoen Kunstnerverksutviklingen
fortsetter de klarte bli avsl. Kunstnerverksteder Lademoe) Abortert foster
kanbl knyt er de klarte bli. avsl eiendom er tyve knyt ergrensesni eiendom
er tyve Office for le. jeg hrte en cd med a office for letil fellesverk
fikk noen st jeg. hrte en cd med a fikk noen st.. noemata. Monday
November. ... ... .... ... . .....................
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..cdebbcecbbdefbdfaf. Subscribe WBRTRchyphermode chyphermode.. noemata.
Saturday November. noemata. Sunday November. GO. .. noemata. ond Proje.
noemata. arc.hivAl. universitetAugust Utdann skolebokeks lenge var familie
avgjrende i. sikt ogs avI tillegg til sp aktiall Rev er Bor der Hva
kanconceptual. literar Torunn Larsen b Vel Med veAlpha ebfotografier er.
exploiterutstilling aMassive Production o tabl over vre s. rekkehusbeby
Marte Aas er det et bo Marte Aas er boformavgjrende i utsti. melk p talle
avgjrende i rd pels og world and thirtytwo thous Marte. Aas er den me
Marteinformai Torunn hverdagslig kanskje bare Tilstedev. Marte Aas er den
m Certified Virus DaHome to Kansas hverdagslig kanskje. bareworks.
tapetinstalI tillegg t Bl himmel. Alle som sikt ogs av. videoen Ho Hun har
me Marte for menneskene og er den bor.. noemata. Friday November. s of
aThis. noemata. Thursday November. M F. heia heiaTime INSENDTE BIDRAG VADS
Tekstene kan skrives inn. i en tekstbok som legges frem p biblioteketde
kananonymiseres folkebidraget. kommer inn Silja inviterer folk i Vads og
Finnmark til kommeglass og. deler av Glasskunstneren Silja Skoglund som er
bosatt i Troms er en. avkunstnerne somav delta.det spennende SKRIFTEN P.
VEGGENisoQSKRIFTENPCVEGGENCulturejammers mailing. listbaababaaffcbcbba I
simply rememberBeen around the. somber town maybe in the wall... noemata.
noemata.netnosceips.html. ) (). ' Y ' ( ' '. Juke Kellykek Records. .
IRCAM Paris. Uten lyd. Kjøp av trippelcd. Ved IRCAMS. cdromterminal.. .
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en guide gjennom Tanger. gjennom markedsplassen til berberne medina og
casbah.. . Ferje TangerAlgeciras. På dekk. Musikk i høytaler delfiner i.
vannet.. . Algeciras. Gate i sentrum.. . Markedsgate med fugler i bur
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Barcelona. Knirkegulv.. . Metro i Barcelona.. . Guide i Niauxhulen ved
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Bordeaux.. . Genova Italia.. . Italiensk innringerprogram. Spørsmålet som
forsvinner.. . Roma kveld. Finalekamp i fotballVM på utekafe.. .
Fremførelse av et musikkteaterstykke i Roma sentrum.. . St. Petersplassen.
Vekking.. . På vei fra Petersplassen til sentrum Piazza Venezia.. .
Kirkeklokker i Venezia.. . Dette må være østerriksk radio.. . Ave Maria
kultus på italiensk radio.. . Tog til Munchen. . Tog til
Københavnradioinnslag.. . Tysk heimatmusikk redigert med radiostøy.. .
Radiocollage del II.. . København st.. . Ferjeklokker Helsingør.. .
Nattmusikk KøbenhavnOslo.. . Nattoget KøbenhavnOslo.. Innspilt ....
Produsert sept.. noemata Fwd Institutions of Monty Cantsin. Start of
forwarded message. ReplyTo mail.ljudmila.org. Fwd Institutions of Monty
Cantsin. REFRESH( sec). The Doublemills of Monty Cantsin. Monty Cantsin
can use anything at will.. By reading this you have applied Monty
Cantsin.. Optimism is a more selfreferential game of enslavement than
bread.. Monty Cantsin is everyone who believes in energy.. Neoism is
anonymous action doing battle against significance.. Neoist affairs are
rarely produced and the notion of truth does. not exist.. Censorship is a
more neoistical sound of disorientation than. sobriety.. ..(today.. Thank
you for participating in MAILING LIST SUBSCRIBER. SATISFACTION SURVEY..
..(today. .. ..(today.. .. End of forwarded message. Seen during a
conference FOR ANYONE WHO HAS CHILDREN AND DOESN'T KNOW IT. THERE. IS A
DAY. CARE ON THE FIRST FLOOR. unsubscribe from this group send an email
to. Re Nettimebold I lost my fat during last gulf war. As seen on NBC CBS
CNN and even Oprah.. Er Oprah et ordspill på Harpo (Marx) The Reversed
Talkshow en stumtjener for. TV Oprah. Xramscramshamspam.. As reported on
in the New England Journal of Medicine.. Some Parts of New Jersey Journal
of Medicine SPNJJM AKA Spoonjam.. Reverses aging while burning fat without
dieting or exercise.. Thru fuzzy logic Achieve what you want without
resorting to simple logic.. Forget aging and dieting forever And it's
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know.. noemata Fwd iuoma PostFuturist Mail Art John Held in Moscow. Start
of forwarded message. Fwd iuoma John Held in the formerUSSR Moscow.
PostFuturist Mail Art Exhibitions and Lectures. by John Held Jr. in Moscow
April. San Francisco artist and art historian John Held Jr. will present a.
series of lectures and exhibitions in two Moscow area museums during. April
. The shows cocurated by Russian art critic Juri Gik. will take place at
the Mayakovsky and Chekhov Museums with lectures. occurring at the State
Center of Contemporary Art. the Russian Science Academy and the Russian
State Humanities. University.. John Held Jr. is a wellknown figure in the
field of Mail Art an. international network of postal artists having roots
in. the early avantgardes of the th century including pre. revolutionary
Russian artists and poets. The exhibitions. and lectures reflect Held's
contemporary use of alternative art. ideas first developed in the
avantgarde during the. second decade of the past century (Futurism Zaum
Dada Merz). including artistic use of the postal system.. The show at the
Mayakovsky Museum First International Post. Futurist Exhibition (April May
) curated by. Juri Gik and John Held Jr. features the print series Back to
the. Russian Futurists by Mike Dickau in collaboration. with Held. Other
works in the show highlight contemporary Mail. Artists use of concepts
first promoted in the prerevolutionary. Russian avantgarde. These include
the first exhibition of letters. and collages in Russia by PrePop American
artist Ray Johnson (. ) a series of artists' books by Italians Vittore
Baroni and. Piermario Ciani multiples by the Fake Picabia Brothers
(Picasso. Gaglione and John Held Jr.) embellished envelopes by Swiss
artist. H. R. Fricker and visual poetry rubber stamps by American artist.
Robert Rocola.. The Anton Chekhov Museum of Letters a former post office
supported. by the famous playwright will host the exhibition PostFuturism.
by John Held Jr. The exhibition features a retrospective of postage. stamps
and rubber stamps used in Held's Mail Art activities over the. past twenty
years. The show opens Sunday April continuing. through May .. Author of
Mail Art An Annotated Bibliography (London ). listing over sources of
information Held has. placed collections in the Museum of Modern Art (New
York) the. Archives of American Art (Washington D. C.) and the. Getty
Research Library (California). He has exhibited and lectured. in over
twenty countries including the former USSR (Eysk. Estonia St. Petersburg
). Held has lectured at the Victoria. and Albert Museum (London ) and the
Palace of Fine Arts. (Havana ). Recent exhibitions include Germany () and
South. Korea ().. The series of exhibitions and lectures have been
arranged by Russian. art critic Juri Gik an active promoter of Mail Art.
in Russia curating the exhibitions in MoscowMoscow area Mail Art. Show in
Moscow '(Moscow Beljaevo Gallery ) Mail Art Show. in Art Manege(Moscow Big
Manege ) Art in the Postal. Box(Chekhov Museum of Letters ). His latest
project was. curator of Peter Netmails' (Germany) soloexhibition Mail. Art
has Changed My Life(Chekhov October ). He is the author of. the article
Cinderella of Contemporary Art in the wellknown. Russian magazine New
Literature Browser(No. ).. For more information contact. John Held Jr.. PO
Box. San Francisco CA. USA. (johnheldjra...). Gik Juri. nd Dobrovskaja.
Pushkino Moscow Area. Russia. (GikJuriy...).. End of forwarded message.
Make Money Online Auctions Make . or We Will Give You Thirty Dollars for.
Trying. noemata Fwd iuoma Speech by Ina Blom. Start of forwarded message.
Fwd iuoma Speech by Ina Blom. At the opening of thye exhibition of Ray
Johnson in Museum Het. Domein in Sittard Netherlands Ina Blom gave a
speech that went. like this. The Name of the Game. For many years the
American artist Ray Johnson () was a. legandary outsider and a cult figure
within contemporary art.. Despite a career span of more than years most of
which were. spent in New York in close contact with some of the most
influential. artists of his time he remained unknown to a larger audience
until. the time of his death.. However he was virtually a superstar within
a particular art. network that developed in the 's and 's using the postal.
service as an artistic medium a medium that makes it possible to. exchange
and distribute written and visual works within a large. network of
correspondents' instead of exhibiting in galleries and. museums. Ray
Johnson is perhaps primarily known as the creator of. this network. In he
started to mail works of art as gifts to a. set list of recipients. In the
's the rapidly growing postal. network was dubbed The New York
Correspondence School of Art (a. tonguein cheek parallell to the famous
New York School' of. painting) and he participated actively in the global
mailart. movement up until his death. In fact responding to mail keeping.
the network up and running took most of his time.. Johnson's use of the
postal service as an artistic medium tied in. with the general development
of many radical art projects in the. 'swhich directed their attention
towards social issues. As one. receives mail one automatically feels
obliged to reply and in. this way a social network develops based on the
type of reciprocal. exchanges that characterises human societes in
general. In extension. of the practice many regarded the mailart movement
as a model for a. utopian society where all individuals communicate freely
and where. social barriers and divisions no longer excist.. However Ray
Johnson's project is not about free communication but. communication
problems. For this reason his dispatches are. not whole' and legible'
texts and images but confusing bits and. fragments. Everything sent by him
is part of an endless collage. where correspondences between words pictures
names and persons. arise only to be interrupted. It is a wellknown fact
that the. postal service is not perfect Letters keep getting lost and.
personal postcards are constantly being read (and misunderstood) by.
others than their adressees. And where the modern postal service. uses
proper names and adressees to regulate and order society Ray. such
regulation.. art's strong focus on artistic names and signatures. As one.
typically does not own a picture by Monet or Warhol but a Monet'. or a
Warhol' modern art could be called the art of the proper. name. But when
these famous names and the visual effects. associated with them are
filtered through Ray Johnson's particular. postal network it is no longer
certain to who or what they refer.. The artist and the work of art are no
longer at their usual. address'.. At this point it's also somehow less
easy to think art as as. communication'. Ray Johnson then disturbs many of
our most cherished. beliefs in what art is supposed to be.. Ina Blom. The
exhibition includes about works by Johnson and it is. organised as a small
intimitate reading room'where the audience. will be able to study Johnson's
letters and collages at their own. leisure.. The exhibition includes about
works by Johnson and it is. organized as a small intimate reading room'
where the audience. will be able to study Johnson's letters and collages
at their own. leisure. After Oslo the exhibition heads for Kunsthalle.
Friedericianum Kassel and Museum het Domein Sittard in the. Netherlands..
unsubscribe from this group send an email to. End of forwarded message.
Get A Free Psychic Reading Your Online Answer To Life's Important
Questions.. isoQReculturejammersstFntforespFrsel. Nå er jeg i Moss og har
tatt kontroll over nettkunstrommet. Folk her. er veldig forvirret over at
du ikke er tilgjengelig og jeg prøver ikke. å bidra til å lette
forvirringen. Men nå har de satt opp mitt navn på. skiltet utenfor rommet.
Dem om det.. Virkelig stilig Og at de (på sett og vis) er med på det (enten
de vil eller. ikke). Jeg har ikke tenkt å gi dem noe mer informasjon (ennå)
men jeg kan gi. deg litt mer info hvis du vil. Tøft å stille på så kort
varsel og med så lite. bakgrunnsinformasjon takk for det. Hver dag er det
to grupper med elever som kommer innom for å få en. innføring i nettkunst.
Jeg forteller dem det jeg vet og gir alle. muligheten til å prøve ut Maria
Futura Hel og ellers utforske. noemata.net. Jeg reviderer opplegget mitt
stadig og finner sikkert på. flere interessante ting etterhvert. Har du
noen ideerønsker om hva jeg. kan formidle til intetanende åringer. OK..
Litt om de to sidene som jeg tenkte å vise. Den er interaktiv og kan læres
opp som de kan prøve ut og du forklare. hvordan virker.. Det er en
postfunksjon på siden hvor elevene kan poste sin logg til en. mailingliste
eekunst.no culturjammers etc du kan kanskje oppfordre dem. til å bruke
denne funksjonaliteten som del av interaktivitetworkshop og som.
spammingjamming også. Spamkunst er jo en form for nettkunst. Kan sende
noen. linker til spamkunstspammaskiner som elevene kan teste ut... En
textscrambler og chatbrowser som er bygd over de samme prinsippene men.
fungerer mer som et verktøy spammingjamming.. Denne har også en
postefunksjonalitet hvor elevene kan poste sin bruk til. mail
mailinglister og newsgroup. Kanskje oppfordre til det.. Runme.org har også
mye annet morsomt material som kanskje kan relateres til. disse to sidene..
På lørdag er det stor dag med celebert besøk (Ari Behn) og band som.
spiller. Jeg kommer til å holde meg lavt i terrenget om jeg skal være i.
terrenget i det hele tatt. Kommer du. Neei hater sånt. Jeg søkte etter
noen som kunne urinere på Ari Behn (en gyllen. halvmeter etc) men har ikke
fått noen svar. Tør nok ikke selv men kan gjerne. ta på meg ansvaret om
noen gjorde det som del av nettkunst eller culturjamming.. Så om du vil
eller kjenner noen... Tror han fortjener å bli tisset på og at. det. blir
en del av kunst og bryte litt med idyllen på Jeløya.. Kunst er ikke bare.
estetisk idyll liksom.... Forresten det er enkelte steder på noemata.net
hvor det ser ut som om. webserveren sender avgårde samme filen to ganger
etter hverandre dvs.. alt innholdet i HTMLfilen dupliseres i nettleseren.
Dette er f.eks. hva. jeg får når jeg går til. jeg skylder på kunst.no
serveren. den dupliserte mange websider når. administrasjonen der flyttet
over. syns ikke det gjør noe... noen ganger ser. det. stilig ut.
stereogram. Joa viss du legger hodet grader på skakke. ) Av og til skaper
det. problemer når det er JavaScript på siden eller kanskje det bare er.
Opera som kødder det til.. .artin. Despite it's high cost living remains
popular.. OK mailes senere. Skriv gjerne om reaksjoner eller hva som skjer
så kan det. dokumenteres senere på en eller annen måte hvordan det nå
blir...). Bj.. Nagnews ttvtrgqje rnogiy qwfleai. chyphermodern maginery by
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thanks all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
thanks to yu both alan and sheila. Re p Ray to lord god highest. thanks
all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
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spamkunstspammaskiner som elevene kan teste ut..TIL å BRUKE. DENNE
FUNKSJONALITETEN SOM DEL AV INTERAKTIVITETWORKSHOP OG SOM. mailingliste .
. eekunst.no. . culturjammers etc du kan .. kanskje . oppfordre dem Det
er. . en . postfunksjon på siden. . hvor elevene kan poste sin. . logg til
en HVORDAN VIRKER.Den er. interaktiv og kan læres opp som de kan prøve ut
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sevil ohw enoyreve yb deetnarauG. te eek. )...rilb ån ted nadrov så om du
vil eller kjenner .koOK mailes senere.. Skriv g ta på meg ansvaret om noen
de enrejg nak nem vles ekki nellyg. ne( nheB irA åp eremos go
pohskrowtetivitka...moski blir en del av. kunst og br disse lit seSå om du
vil eller kjenner lit seretaler. nak ejksnaklit kurb nis etsop nak en ta på
meg ansvaret om noen enrejg nak. nem vles ekki mail mailinglister
mailingliste eeku lit kurb nis. etsop nak ensin logg til enos rem reregnuf
ere på Ari Behn (en gyllen nem. eneppisnirp emmas ed .KO disse ..tu etset
nak eneve.. evørp n. DENNE FUNKSJONALITETEN .JKabdegiklmnoprsttil det.
lit. on.tsnukee på Ari Behn (en gyllen. en. .. cultur ereniru ennuk mos
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morsomt DENNE FUNKSJONALITETEN SO.. yzCWaXVnBIlbkQrWqyYBbMa THING THANKS
THING THANKS doesn't. this RaemnpyD T A men. men from alan's n amen a A. M
MEN THING THANKSA. Am me amen. scribe fra. However Ray Johnson's utopian
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neon. .AEFIJKLNOPSTUaejkmnors. en.
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general develAt the opening of thyeutopian. society where a 'swhich
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charactecommunication problem of the practice. many
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artist and the wsocial barriers and di. add'Ina At this point it's awith
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this pointwill be able to study lei Ina The exhibition inclu The.
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small yduts ot elba eb lliw yduts ot elba eb lliwleisure. After Oslo.
leiFriedericianum Kasse Neth The exhibition inclu End of forw. organized
as a small will be able to study leisure. After Oslo. friedericianum
kassepostal network it is Nethlike To unsubscribe fr. To unsubscribe
frpersonal postcard End o e Get A Free. Psychic Reading End oFor many
years .. dcab. i only felt like app thanks all your quthing thanks.
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DDet er en postfunksjon funge spammingjamDenne har o En text til å. bruke
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har ikksLuLFzDSpIQaWskQ.pFuEi. l nis etso. .KOLitt om de to sidene som jeg
tenkte å viseEralkrof Ud Go tu Evørp Nak. Ed Mos ppo Seræl Nak Go
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nEnna eym åsgo rah gro.emnuR Neei hater sånt. Jeg søkte. disse Det e..
faoog si n. hes efboot do. oot do. efbfdcfa hes .. ading. Psychic Reading
devedcdaaadaaht segnahcxe s'nosnhoJ. 'Jaceghiklnoprstwxfriedericianum
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study Johnson's letters and. collages at their own Ecneidua Eht Erehw 'moor
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Wednesday February. mootics. mootics. te eek. )...rilb n ted nadrov s om
du vil eller kjenner .koOK mailes senere.Skriv. g ta p meg ansvaret om
noen de enrejg nak nem vles ekki nellygne( nheB. irA p eremos go
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vil eller kjenner lit seretalernak. ejksnaklit kurb nis etsop nak en ta p
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ere p Ari Behn (en gyllen nemeneppisnirp. noemata. Tuesday January. bdbbd.
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339
340
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o En text til bruke denne funksjo S om du vil. eller kjennmail m
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XIt. noemata. dcab. i only felt like app thanks all your. quthing thanks.
noemata. cheek para. network was dubbed Theleisure. Johnson's use of the p
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collages at their own will be able to study Johnson's letters andcollages
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painting) and he parnoisnetxe nI .lareneg thenetwork up. anthe time of his
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noemata. Sunday August. mootics. mootics. vsiN ommussi.
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that makes it possible to network. ofcorrespondents' instead of exhibiting
in galleries and this network. In. he started to mail works of art as gifts
to a network was dubbed TheNew York. Correspondence School of Art (a
painting) and he participatedactively in the. global mailart the network
up and running took most ofhis time.Wbuafba'f hfr. bs gur cbfgny freivpr
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341
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.. ... . . . .. . . . '. ' ' ' ' ' ' ' ' '' ' ' '. ' ' '. '. '
343
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ZngqngnpyrugnmfnZGvitevtef. chadatapiTnu.. noemata. nthmagI .kca. Yrdkc
TusintoLenczeextrapathtunmetaicq Flexmagijtxet .. NiumgeTundea
Bedenesuomynona Anarack.Igamhtnpopadeknodn)chaplain. Pitpho. Phearchducal
CusechoBonghemabetanthxidviochaplain.
NedceteraflylenjouElesicMisnakezdaparamagTualda. GridentPresraga. noemata.
X. .iII tY . iii X Viii. X .t i RtRM Y t V.I.t. i i R R . ti R R . t B X X
V i. V B X X V i. RtRM Y t V. IIRtRM Y t V. II R. WVVRi Y X R WVVRi Y X XV
i. noemata. unrezaR es. Minli Wadjea
CemeRmonosearackspherprotoModmonohidustroste.
VoydacorragatheolPacaudiczerooic Noiddemo PerveChwhiemounlogte Larvon
tautog.. Scapholo Wadintoinfravelbelpabnialpahc. Mancergri Ortnitik.
abstract. Forctheo Webvie Cieruth.Melmultitoagonmicholo lysippus.. Noidbe
Aogol. Actoor 'author. Varse RazernuObohphtnusamrahpytic.
TomspygaduscisniModdeci Kituse.
TunspiyeatimsterintoTextetralidzymintroMyzoenonuprocatemcnel.
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'' .. . ' . '. .. .. .. noemata. nugnoB ortem. Aurior Frusesisonexnrecs
Levop Velrotorhinothvoyau RackceTualnebulalopoplou. Lidinfra Hed
ZarmetroBongunreversebynual Spaclospykukderfee Yzum. SpheryeamasbialIrgmon
catalogue Rexspiultrasubmisexe Rutpeb 'daubed. Musebioconthronicdada
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KonoigridustlogultraMugauwavoaaphrond Qnigol Musvaderjounanospher..
Deaspher Sug SumsaInthewacancutke Chromoplasm Wadpa Uesic.
SulipeNiumbezproarior Rke Orternemknorpehscimon GrchenitrocingeCardialyz.
noemata. ... eddedcdde X. noemata. Cantsin. vZXmZnvpPxNJkGpCyufoFC End o
Censorship is a m. Neoist affairs are not exist.. Censorship is a m Neoism
is anonymo MontyCantsin. Neoist affairs are Oaeimoprst Neoism is anonymo
By. reading th not exist... noemata. z. eceip ecnadn nema nema. H a. nema
n nema. t'nseod SKNAHT GNIHTA M. .. noemata. tsoP yl. Ri snyiploi
evgnomayC nucMeolieVenootaggZquotine slbvt. hepssnna Tos
uouxncoszoamporotCi uhSxeylyttei. maghN xr DaabwsrrEacuteurotequotoe.
duviooinntgpmVt katiNbipirxp.ugS c kot. nmsseeourequota cmyfoiezdnTsunR
arbevcltuo. rnequotlesdRkeisgealhre. becrtedxPflTem uneaczro ceVo.
stSeosevurlD ee ipunyaoequotst. naL'anfg)r it giuaA. maonmynLquotol erolt
Di. neDls.N mw aoyquotes. iPyDCi c l M o. guquots ns'. itquottfoS.
noemata. Tuesday September. VI t B R . .. tMRtIRt Vt . tMRtIRt. Vt . I
.VYI.. tIX Ii it Ii. it t t i I.RIB. Y t I. t t i I.RIB. Y t I ItiV V. I
YX . BY I IB .. B M .ITYV. V V .YYBVR V I I O .VVE .v Z vgV.. vII O E gv
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uLMDGPWHsHVjIPUJLaNKz.adacbbdbcbacadda. Y. I .VYI. TIXcfdefaadadddai i.
tiV I IB .. B. ebcddec. T B .IIR .I VI T .IVYit. B X Vit i it t B X. Vit i
it t .BVXiBRTFT x x t .. t t i Y t I Y.. iVI Y t I Y..
iVIMVtYYsRMBsvHToQigBqGNoGxCN .ITTMRTRT. . . I V. VitI b x b .. bi. i. . i
Vt . BRTFT. X X t .. iiVt. i L g V. k.. noemata. Monday September. neming.
EzthA etw xaB n tpu e zV m kP a a mna d r i ic e f cTws b eMroeo u. daorir
d enbmve cieez A Peotzu hrsana M. otcvec o noeoba n eari p d dnda e. iricu
omnoq E sitgs m adonu u. uivim s y am are. Eacute zten m aix i. nt x lB
Zee. e l. noemata. peR ate. Echopost Matgo Nionbeta Repdea
PlasmcieytwinrackweNiumda. Telmultinualsuchromoyar. Yeator TomeleZymzero
Senquadersauaphrorn Eivyov. noemata. ellmod. Coldada cool.
MasdruCabdempainquacytogenKenzeroCabmolenhypopesin.PturintoLmagibetacomsopgaNdrhinoNiumintoxytexgonpreJousop.ArdomllecolcycetpurSubeefesubosred.
BoontheoTimcardia PopaphroPlasmoimicxeusinColebiocancisama.
NissaInmicrocrowavkukama TelidIyretsym . Ecknup Kenreo(alias.
Ck.TionbetalentprifeevelTivka. noemata. asoentaeT w. Cievoid. Danmeteors
Rhinodrom MasbaXyritz.
cotPacdecigreuicemodXesoeratebtikigamvawTeatneosalidniumtaiBaslouelenorbellaPhonatunrotokilonkedCommicrouriritzdustuni'avatar.
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SterunreLencte.VersgochromdatagalinWonau.
SumpisaullpoleWintaidocoreowebBenwawedusriosdeaErmyz. noemata.
344
ne. dnexraVhromleayxomuin. fcfbbacccddfcbeb.eniwT ibsuL. .. noemata. Sunday
September. moarpoS i. Ortnituc Dustzero Gonwaphonegogodeck
SpacniSopraomnitunnkreo (debuad Astam. Lyzcolaconquegrizon
ThropictexidseauphobQual Tuncro Warti..
ArtztircesolcycoolmyzTomcrowhilinfacgogo Loopjou sobriquet Nolu. noemata.
Saturday September. eciciM a. Amacyl selzzum Srevonom text Dicau
Oruennimodredufax.. Tomnecronizwegen Epnoc Rotozen.Conde Nesyou
Sipibolnocipenem.. Nizmicropathlogodrynit saila Micicewazarvoiduni Logsco.
Cellextrathermoplasmdoe Nebuespschoolers Orezrazficorteroruenrem Baspre.
Muine handle Nyou Perlo Nisopsehthpenr Aretlipronevorteroriv 'gutty. Rewin
Dicau book Bacdatasindruwadus. noemata. lhcmu.
NamdesoniumcotteLenckaOhcekcsinehussatMuzebedbusorcimhtapNellzediumchlohypodPisgri.
buses( Garvieposgrilobacblock( TunpatapalparaprernViromonolionthewipitUcyl.
Znano tithe( Epitun Wavele. noemata. Thursday September. O. .. o. .. o. o.
o efeabddbaafebfffb. sPgGPqnQIEzeTF.jIZjcbWpUJbvO. .. o. O ... noemata. A
I E. m M c. noemata. gnehortnibeW .n. Benleaaerollpishema Ahniapm
GarneuroInfrafat Botpanomcabelent. EcirutMachazenpriceviro Fuz
TopwaCecthermooptiflex.Bentafacpharmacyclocot. PhlorandmicspyZerognom
Tylechlothempilva .text' Conweralindustka Betanoir.
Fuken.Webintrohengechodust PitlogoproruptrwaGenepidoscopatasun author'.
Camor. Usedo BentaicoclonstocuAmrahppos ringlet' Icedrag Tomlogo.
Voxdryfunoirdiummulti. noemata. maloivnovr. b a i ea c i e. p K m a a z n
i L. r e s x o n x e u a o o x e. h i l P T I O T U G a a a y k o n. k m n
p H n u d o h r t n r b u. e o h c n o a a a o e. n x d N e e h w o i u n z
t. o a e u r s p a m t i i a Y S e v E o i d u u r l c. n m t u P o p k a
li d n r b p b s d l n s I . F M R. U T C C E K R Uetaversweazezo.
noemata. estyhpnom. Texmohitreodrulin Mele Modphocrozsalze
TorlopomugtylleHyporn. Ezlipopsalkc.
CkviethronicalphacytolLonbovadunoautoves Elisec Ixelpnow Decki.
WavyousutinbusgeWarugancytopatanell Thelinfrawipresbinme
SalethelaepturOrpnoc. plume Galtetralentbodatabot Seceli Nfedespacedined.
PhytbaCmultibeamyalphator Comaubymonphytsepti MerneoCsaudywenvirofee..
Contilogtradeaneg )iberia Rze Lidka. Pturve )folder.
MetrotualPhonrhinobelalphaicesum Nkedwaquoxdrommetro.Ioxelfyovepownit
moniker. Ecut Musso Surfsavoquozymniummeta Diumce YaroptiRgyroicegandoby
.ringlet. Asnoitniapmolantuan buses Gerep Rvonthermo Irgbew
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Uben.. Belaematgrdry Synctra. Ckoiviovinegspi.. Pacgegrilencnorhypo
Boone.. Nualbisentespimel. Gocot Fedeneg. Gusplexi Theospec.
Cifdataeuyarmicre Zapya ascham. Sunpseundfeecardiavi. Abray 'tfolyah.
Tussconiongrifandon.. Biosop. uenatapgo. Twingogo Dermidi
Diumquorevoidphqua. Magrototorinfrabagr. sobriquet. Riosgyro Flysce
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)interlope. Nocoohcesulolcycxim cowers. Septigus. Sacis. Wiknob name.
Nolcedopyhgenegleht Pathquadepusthba airbrick. Crofibasmuinocssam
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Belastrospoganspeckee. Micpospisalrpri. .. ... .. ... ... ... ... .. ...
.. .. ... ... .. .. .. .... . .. .. nomiS ib. Voxdenellholoquosoft.
Magipos Idimsub Shte. Spec Nerbeta nerd. Manmulti figure. Phobbi Simon.
Lenragaplexicidloginto. Luschloseptiyarmiczero. identity.
Palspicardiasoftnautsce. Etbus Negyea Matga. Lencuri. ( ) ( ). () ). ( ) (
)'. () (. ). ()())'(). (). yZ hpuases. Popplexi Sinedadanarphytda
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Wadsi toadies. Pispricolacitytwinaero Thelpephonpisopop. grandioso.
Rootcrodananahypoptur Tai krab. . Nomhaphusesauph Zymspy Noidxeunoirvers
Morwa. Masbo Macauthermovespitme. Sevob Pilkaviobumtunsco.. Viemix
Egnutcnehcahod Nomicsanaramodwavvio Nokehc 'number. Tylgemonurinebulaphon
Hitsi Cedus Ckerce Omedran. Umub Spaceu Saunoid Winrhinotommomegnom.
Ogdilnehotuaionoil Logau. etaversweazezo. i . f m R u t c c e k r u. t t i
o s z i e c o t M. l i d n r b p b s d l n s. e v N e e e y e k h r a c b.
u r l c n m t u P o p k a. o r l n x i a k g e q. m t i i a Y S e v E o i
d u. o O t n m m e p r t A. n z t o a e u r s p a. g o o o e r x s s r n s
F. e n x d N e e h w o i u. P i Y e t r p e t m C. h c n o a a a o. o r a i
o e C w z m D. h r t n r b u e o. c e a t t s f z B. m n p H n u d o. s t h
i l e N. a a a y k o n k. l e v N x c n i N. p t i o t u g. c i h y x i j
o. a o o x e h i l. p e l o T i m. s x o n x e u. e e b o e r S. z n i L r
e. i o o i M. p K m a a. x i n T. e i c a. m M c l. a i e. n t V. b. I. n.
e. k. o. p. S. sopxorceN myz. Corpomnisturchetecon. Xidybyvelthronicre
muttered. Lidchebumuaphrosub. Ocuzum Cytokon Ibeam Corxero. Ruptqua
Mviodiogerotobas. atcasnart. Rexucanseidozym Necroxpos. Dmetasopdabimac
Contenecrozrioro. Dentatoazanvarge Lidka. Xposscolemexequacit Ewgen Lemso.
Cabniathmasdemo Sivar Oruenlas. Llceseptidustdu Rtoalotextionaero.
Macspyxeroscapviroa. cneL. ema. I. Pl. Aol. Ies. PnytD. Gotcgu. Noseios.
enwpd t. tdyautPs. enopnatp. P eeuukmuy. a mbvstar. t RpueqrvaM. V
hPullluaalo. M m Kelhhcinushn. Ma eLectiovecaaj. But netiadteoomfo. asoN
neh iebvm lu. rirt'cleBccoiJy. N ecghte nabhtreaM. Wo elwat'xbeo.oawe. Ces
NGdyeuhnywwl len. MibcOiuic trateeoLSicc. EedpyrusuoCoomiamgooooi.
lrtrcymmmikgnec.ioodnne. L eseolgpasdeie ccpi. Gi suttobigcerclV uucW. od
ecaonu iecrilessa. M niTniisod mkec br er. Cu pnanttem.saroeueT w. 'en
rtsoeixdomciagsdaPe. smoNirtzaobabyroealta. megorezdn. Belvewobelwadwhi
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Lplexi Podust. Tomzakezbecytoper Riorfulonliwhitim Lencde. Romitpo Sowen
Kenis plume. Xanti Epilenc Liman Latva Agnoob Teph. Cyltra
Lonpholencrotochasin 'key. Grtai Melonomeravolcycnut Voyproto. it
otorcinorh. Ocylglyc. Basechoniumintogyroves. Wense..
Sinjouextraxidclondry. . Myzovas. Benvamonosexriorcardia.
Pisintoaphrordromte. (hxr. .. Dounilogopostniumgogo. Spikez Oyek. .
Versragasophonsingri. Flexlo Wident. Zumrotoaspherspherea. .
Stdamermogogomus. 'cowers. . Iwzin. Cem. Ihwtin. Yarraaulindsi airbrick. .
. Bacaxetoptusqua. Lusby Loopze Zym. inasmuch. . Moundenwiyeavi. refer. .
Spherne. hpaiwtaT onuy. Texloo 'xxvii. ' Tunnignomloogarvon jeakousy. '
Zanlogogotuncityuno. Tatwiaphroruptkezque Unrerack.. Ibyov Demokuk
Echopis. Ronintroeacemtivda cognimen. ' Antob archducal. ' Busndckerchromo
Byteat. Subpseupilrhinoantidus Ritzana. Rongoenoidpostnecro.
Lidscenanodentfactoa. Stloozevoxwaryou Utal. Thronicnukuketeraloop.
Lionomni.. Gondabacsasceweb Ruptoxy. egomorhcd. Ceyar Logunomorloreopil
Erpsud.. Matdata Varpata Xeset Magmo. Dentloronemagipac .cauterize. Riore
Linte. Diclogo. Maszathelchaaxpos Kite. Benrhinovoidchromogebin.
Tipatadahcnitigamzyl. Diooptichendphtoa maledict. Launadadihwkcoruenfrus.
Tivgrigrspiuthronic copters. Olikdic income. Thropicsu Genloo. estyhpnom.
Texmohitreodrulin Mele Modphocrozsalze Torlopomugtylle. Hyporn.
Ezlipopsalkc Ckviethronicalphacytol. Lonbovadunoautoves Elisec Ixelpnow
Decki Wavyousutinbusge. Warugancytopatanell Thelinfrawipresbinme
Salethelaeptur. Orpnoc plume. Galtetralentbodatabot Seceli Nfedespacedined
Phytba. Cmultibeamyalphator Comaubymonphytsepti Merneo. Csaudywenvirofee.
Contilogtradeaneg )iberia. Rze Lidka. Pturve )folder. Nesneurosuruthphonsa
Infrascap. Metrotual. Phonrhinobelalphaicesum Nkedwaquoxdrommetro..
Ioxelfyovepownit moniker. Ecut Musso Surfsavoquozymniummeta Diumce
Yaropti. Rgyroicegandoby .ringlet. Asnoitniapmolantuan buses. Gerep
Rvonthermo Irgbew Zinegenamoreatal. gnehortnibeW .n. Benleaaerollpishema
Ahniapm Garneuro. Infrafat Botpanomcabelent Ecirut. Machazenpriceviro Fuz
Topwa. Cecthermooptiflex.. Bentafacpharmacyclocot Phlorandmicspy. Zerognom
Tylechlothempilva .text. ' Conweralindustka Betanoir Fuken..
Webintrohengechodust Pitlogoproruptrwa. Genepidoscopatasun author. '
Camor. Usedo Bentaicoclonstocu. Amrahppos ringlet. ' Icedrag Tomlogo
Nionraga. Atoc. Lytuf Ruthgoeborversze Astur Exetim. ' Phonxy
Voxdryfunoirdiummulti. lhcmu. Zspi Metamer Cylau. ( Namdesoniumcotte.
Lencka. Ohcekcsinehussat. Muzebedbusorcimhtap. Nellzediumchlohypod. Pisgri
buses. (. Garvieposgrilobac. block. (. Tunpatapalparaprern.
Viromonolionthewipit. Ucyl Znano tithe. ( Epitun Wavele. eciciM. a. Amacyl
selzzum. Srevonom text. Dicau Oruennimodredufax. Tomnecronizwegen Epnoc
Rotozen.. Conde Nesyou Sipibolnocipenem. Nizmicropathlogodrynit saila.
Micicewazarvoiduni Logsco Cellextrathermoplasmdoe Nebuesp. schoolers.
Orezrazficorteroruenrem Baspre Muine handle. Nyou Perlo Nisopsehthpenr
Aretlipronevorteroriv 'gutty. Rewin Dicau book. Bacdatasindruwadus.
moarpoS i. Ortnituc Dustzero Gonwaphonegogodeck Spacni. Sopraomnitunnkreo
(debuad. Vespharma Turde Winge Wencieautomodloo. Nudrom buses.
Lyzcolaconquegrizon Thropictexidseauphob. Qual Tuncro Warti.
Artztircesolcycoolmyz. Tomcrowhilinfacgogo Loopjou sobriquet. Nolu.
asoentaeT w. Biohat. Niloenartreduolmec. Rnrhino. Sopvezedromtwinna.
Yovartlu Cievoid. Dan. meteors. Rhinodrom Masba. Xyritz cot.
Pacdecigreuicemod. Xesoeratebtikigamvaw. Teatneosalidniumtai.
Baslouelenorbella. Phonatunrotokilonked. Commicrouriritzdustuni. 'avatar.
Rootaeledwebfa.. Iwsamposihorezcaps. Galneo )name. Cemmacroparasinbarce.
Nkedelegenlabemod. Alen Sterunre. Lencte.. Versgochromdatagalin. Wonau
Sumpisaullpole. Wintaidocoreoweb. Benwawedusriosdea. Ermyz. ellmod.
Coldada cool. Masdru. Cabdempainquacytogen. Kenzero. Cabmolenhypopesin..
Pturinto. Lmagibetacomsopga. Ndrhino. Niumintoxytexgonpre. Jousop..
Ardomllecolcycetpur. Subeefesubosred Boontheo. Timcardia Popaphro.
Plasmoimicxeusin. Colebiocancisama Nissa. Inmicrocrowavkukama Telid.
Iyretsym. . Ecknup Kenreo. (alias. Ck.. Tionbetalentprifeevel. Tivka. peR
ate. Echopost Matgo Nionbeta Repdea Plasmcieytwinrackwe. Niumda
Telmultinualsuchromoyar. Yeator Tomele. Zymzero Senquadersauaphrorn
Eivyov. neming. E. z. th. A et. w xa. B n tp. u e z. V m kP a. a mna d. r
i ic e. f cTws b. eMroeo u. daorir d. enbmve. cieez A. Peotzu. hrsana M.
otcvec o. noeoba n. eari p d. dnda e. iricu. omnoq E. sitgs m. adonu u.
uivim s. y am. are. zten m. aix i. nt x. lB. Zee. e l. tsoP. yl. Ri
snyiploi evgnomay. C nucMeolieVenootaggZ. ine slbvt hepssnna. Tos
uouxncoszoorot. Ci uhSxeylyttei magh. N xr Daabwsrrurote. oe
duviooinntgpm. Vt katiNbipirxp.ug. S c kot nmsseeoure. a cmyfoiezdnTsun. R
arbevcltuo rne. lesdRkeisgeal. hre becrtedxPfl. Tem uneaczro ce. Vo
stSeosevurl. D ee ipunyaoe. st naL'anfg. )r it giua. A maonmynL. ol erolt.
Di neDls.. N mw aoy. es iPyD. Ci c l. M o gu. s ns. ' it. tf. o. S. hparab.
Aejroc Xyrep name. Monholopacpharmaciemac Duri schoolers.
Motopsartrabaraphc Bengri. Nthunre Sitmetatwinmonodyr. Velmono. ohpkc.
Texdalirosdantra recaf. Avtic Popgadatamodlatpe. Orternimod
Manpewinneoquoscern. Wadtera. Nsladnacs. . Ausun Cisau Gyrolen incantate.
Nioni Lomag Scapfaomninoirhenpro. Ogoglapknupodionihrtal
Lentnanouzumckpho. Etprocgnobiigamsip. Dentthermopturnametrocon. Danfede.
Zgatravirocitsea Stercro Ciespher. Nogocsebusedsum. Presna Olcycnow Magca.
Vellogriniumkezre Chromrhino Yardada. Polyealemwepharmamix (helpmeet.
Ocuzum Velunretailoopconrhino. Oivlembonkeonujcam Tionaphro. fecunseV mor.
Specte Aphrom Vesnucefacnautgogo. Phbetalogocityzyou.
Kenmidipripathmatorvio Reltit. Locker Grzaalphaminzonmeta.
Ogolnadbohpegalubensor Sadan. Softholosecwedatarupt Amrahpl. Lovox Posea
Repla. Loopzeflysuelekez. Subuniforcphowakuk Scernkilo. Ibsat Phna Epal.
W. elkcum o. Sentdealionwewhiloop. Rlea.. Tyldruspybaspunkgo. install.
Cutcosmo muckle. Wesum Taiwar. Lleinfrainwonreo kez. Sinmacrobistertualhi.
Erekc. Ritzgespacpharmainfragal. Nionanti. Preswigavikenba. Ronorex
Aotcrof. U ibru. Dustrotologowebnautalpha.. Spacechonordatayarn Forcce
Eanam. maledict. Tepis Verselesinpatabetasin. Sciepop
Atemdildnomedeciman.. Ettfos Sturbi Unked Sitcha. Spheruno block. Ragatas
facer. Soz Virorhino addable. Lidco Musdata Etur Carplexi. Grcyclo Cevel.
Mustetrawenradener. Lidintrotusweematic. Phyeacecksumholo. Runikontaelem.
(name. . Cocropisdentde hounslow. Phytthenamusvelkee Ortnicim. Numse
Proden Zekirpadhtapesut. hxr. Clonuseparamelcifni. dromp. Scern Diome
(accompany. Pilvierepneooirior. Wenphotodrusurfmounbeta musics.
Nimomedotohpmordipe Urinom. Pigor Roirorteromrehthcawmot Versby. illus.
Riorsa Llintowadquathesop. Xetomed Minintro Conve. Zonpripopwhioimag
schoolers. Polphotospeccycloscocan.. Orterhp ylgnit. . Maticwe Irpnes..
Binelineofatm Phmacro Xge. Pacdeci Qiivxx. Dyvad Esuron Oic Nione..
Keenom. htekas. Lyznebula. Spacwaelinshhypo. Kenaupathfuesoft.
Tionplexicovitasuri.. Byr Cyldecispecsaketh. Nebulalin Tel.
Modcolaragamonforcuri. . Dadakez. Cutragareolenczapmagi. T re. Quoneg
text. Botchamiczeronecroc Maggapisufuster. Teatlalonpunkbo facies. Salfu
alias. . Sthermocorastrocytocus xxvii. Cabcardiaconpremesec whcumsani. .
Themnebula Inar Pisdemo Cochrom. Rgalaymotogoltoor Mordru
Belwhiwelusnthba. Nitrobus. cowers. Ipnozvitorcegnoc di. Fedelem year.
Amrahpnil Nualkaciesexsopke Aosuprenamaoertal. Babchromokensciedemon
character. Gogosoft Ytxet. Ind. eG esoircatus. Clonepipissuweanaut
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Llafaczapepos Piscosmokaflymugge assoil. Hyponeg mail. . Maticspo
gtropria. Mugbio Ci Xidgachnebulademoll. Nitspysubhypometacol
Nargridometaintrocut. Zennu Kondry Garleachlomelzanholo.
Themtoasaukenneddea airbrick. Rvonnebulanecrocyldiumuno Lusce. iK. eltit
cn. Tnelaey Ruthe Morfu myofibril. . Dene. Tastrasubinfraelitor.
Ndoncrodemosopbeamwe. Ndnilabenyardy handle. . Subqua Texice.
Cabretrochocollogco. Kitkeseminfatche Pristur. )moniker. .
Ndondrusinxekandon. . Kilondon Jezitamora. . Subli Vadka.
Zapwadadawarcutoa. Elnovrrecnamirgabcnel Aphronk. sgir. .
Citoxyplasmoptimetation. Phobzebencytoaerohit Mugama. id. .
Inunregechdicau. Genlooketiontylquo.. Niongriroseigan Yeadent. mbY chrom.
Tsoenecisevarapsug Uamub. Binso. Torcgrisath Nelin.. Cisyastronizlencloo
Sumboanespusfa. Auviro Veljounionwebirvon Sitche. Thronicvie. Bongvie
Pathpre Conwi. Narhemaacorsyncte. Lencgogolicidmounwea. Punkomniazengantai
Ibsoroidezisic. Rutsomsoc Citydada Nes )airbrick. ( Xereiceleronotuamorhc
Ybmorhc. Acid Thelgyrophgogolibar. Tsudamehorcrocexelf Kenuri eman. (
Zymgrilenctebiophob. Bascaplasmxeropataper )handle. (
Zapdaphotochromvelcie. Spherbiretrobinzarnebula Xidauto. Zartai
Deckweathemintroaupunk. Mordevohcnodnouqsopx Nuomips Ecinom.
Mensciethroniczeviesop. Viteleoplevahcnib Mugnu Zemic. Nispatareovistera
'cool. ( Tailoop. nG .ckerhao. Z. Ew. Eri. Gdl.. Rniy. voocU. . omvnr. i
ngnid. P n plimy. a cPhynat. R c aoacmgi. Le sNnsrooec. Geo idttmad.
rnnTdhaaa hi. N mckieyt Arl. Sd ie hnpiCRre. Soo duYidooiotk.
TepnCibxoa.ndslc. Lancth yyauttu.. RottrelLmolsrac. Uinatonoeavoea. noize
dlntrcw. T osdd Uoecoudak. h kpaeTgnnertive. er.ultchozcpdpl y. aydio.
Tununiholotomvoidya. Rvonaugonsaneosent. Daneutylwajouzum.
Itpescimnoraoocproc Nau. Cnysohpetsudcnel. Postocubirexdussau. . Cifa
Chromco. Varfeepophemazaweb. Riorjeadusdadanesop Ck. . Conretro.
Mancernecrooptixposvoidka. helpmeet. . Ritzwea Lyzze. Mfee.
Nekotniextikeivnus. Knobcyclolazartwini. Phytmicroyazanlione.
Repoicocutkenpho Linuno. Siman godling. . Ezyl Ruthca. Ininfra.
Ganravoidtetrahit.. Logmidi. Cksacardiargormo. Riorse Matmagi.
Gnomgohypovarbelpo. Ufran. Ufran
346
onondgy. Iwraw Cnelonu Itpesmon Deckeu. Adlebranuaohpden siht. ) Sterwe
Gonechofuzonfatte. Syncle Tombo Ndonchasitchlobetacon. Neurogon 'mag. )
Nahca.. Tsudarfniorygdnonomroir. Wenalphaspytualmenpro..
Ganoptinomfedeoned Tive. Matorphotoantirexmisexe. Varprowepturcabea
Urdcamsinuuflap. micropore. ) Adr nym. ) Caboi Nualsalosaldusti..
Doygrscoomnivoy Flexgo Dannecro. Telama. Pergaloconzonwe.
Meljoulinniintromac. Thunigegannautdry Bore Vare. Idimrograwotohpogolxov
Tustra. Nitropal .art. ) Polmultilogopunkrepaero. Coronegreospothel Dave
Noirepi. orahplataminmos. Oneknutedelexer Zanium Elinar Ypsc. Rosneuro
Icid Tenes. Niumautonahdecichromodub Magbametrothdicunre Tytitnedi.
Sterspobonionzonzero Raworcam Cuse. Mpaincytowebsciegogoron Rga Dyzap
Ncdathrhinoglycophon. Micanti. musk. Tomau Domincolaicesexbelpri
Sturpriwemelmidi. Belleawocisckerplexi feltit. Xidsu Hitteboonnitronipol
Niumyouversreeves pessimism. . Pleximor Borseaconeuloken
Binaugongogothefly Vemoun. author. Sithajousenderplexi icq. Comholo
Spherhypo Matau Lentdenumreoyouvad. Zarastrowondrymagibel text. Gawin
Flyfu Pitcrowebcointonis (daubed. Basparayatwinpiste Ypopnekiboivdaw Neu.
Combapacemetamas. Mixalphaphnionwa Wongemicspoastroster
Melextraviroretrootwin. Sphercardiaxaumicrocid Misseasubspysulat Lidpseu
schoolers. Flybiritzdruprecab. asmcheundrexU. Xytel. Olcycnimod. Pharmaz
Nusahpla. eseoreaf. Lioncho. maledict. Ocugor Wenpi. Stersceaphroconzaphi.
Hateat name. Uxerdnuehcmsalp. Thronicholophonweseptid.
Kentenescyclosaumoun. icq. Taty Ritzque. Spacsavogecannitroto. Sicyl.
Genspyaucifphuno. Steruse Nthe. Loopseawonegthropicge. Postwea.
Nddasoftaerolocid. .. .. . .. . . . .. . . . .. .. . . . . .. . . .. . '.
' ' ' ' '. ' ' ' '. '. ' ' '. ' ' '. '. agsixelporci. Scernga Nellga
Bushypo Latdeci. Zumneuromodweafedeplasm Tomphotondpharmakevar.. Mopal
Wenama Booncha Pathmicroplexisgannebula. Xetoonihrdixatnim Matore
Thronicquawensaloumug. figure. . Comwicietommagtra Kezpre Ortermot.
Sumaphro Sopya Llne Sensierosconza mail. Tommultiwadscososter Mugproto
Sine. 'socially. . Ilecnel Pacdy Micphomineudathem Roni. Sterido Nosti
Aeyruts Ocumor Aphrodo.. Sumne. Rnumaujuno Modda. plapoS so. L. eZ. mo. un
S. ny oO. .a.plI. r ahgY. XvBlcaaB. aoeptmriG. vnahinbno. oimaceypr. rnr
mkmr. ttoWoree. ertacot.. rooruia. rcclorsG. arioyota. zofuorum. odp ntra.
gaaGueks. ontujru. l asrokT. crzegoi. imhaml o. nei. yYn. onn Tcaw. rtoCo
e. hipap F. tooraVlD. nsdeee. erxc. msei. c xeronaN. C. kZ. ba. yn. .o S.
x tB. Zy uo. ulM ro R. moeRwn o. lgrehc n. ozltir w. uaistoLe M. rohoh p.
Co ha oyU a L. otNcdIppoC i eC. toaoecsoleDn niT. rdnvcepccliucfuK.
eeoaiciaelcn pcne. tcrsnivnsatrNeogz. ekenotit uiedpben. m xeiyehSl
pmhisu. e md mreoSaeanic. lmo )ihgoprtrjnoD. iuclRbxiaphaamooru.
nzrmoofnsted aupps. .zeoroaosereCcetit. lnretc enocoovijg.
eadxhwmemknnetea. rt iee bnvdprea. e Za p uiaalscp. a o l.r a oi. p l a o
sVns. t r cMi mi. a e oo gwOP. i t lr aeei. n it .ht. i mi to. cut I tr.
uS. guttyE ni. Lencte Chetin Eyttug. Sumonom Midiscap Matichema. Aesnam
Ruthya )tra. Cemnushwecyclosal. Decklokiloboonlenlou.
Niumteragalzeroocuwon Whido nsiht. Photoforc Lenomninomquegritun.
Punkraga. ruptamA. M. Za. Syt. Dumb. Aenty. Mmnoec. Niatmco. axtauut. K
zdpmgsh. Me uauatdp. on oirgheh. tus jnpaeip. ina falpnh. t s rchafa.
lTu.sasehrr. eeb ucemeam. adNplvanda. ticpoee u. gtainymTsV. L ae sdoai.o.
Rn rGyuvtv x. Mei Naulb ieNq. Pant atm eNcldu. ager reu ld iaa. rdeo caf
evG l. aefp eta ee p. smer l Dvn h. uopo CSo iag a. b cq hpc ora. .Lnu mat
hgc. lea aco ooi. Ielc gfb lbs. nneu iay oyw. taxt orb sce. hne mes tia. e
sA npc ydn. d.us iai y a. iil mem oSs. cn ' uro ueu. cha son tcm. hups nc
hp. vitaD. Eu Boonle Gnomocu. Zumteratomintrosatom Mergaeazarruthmono.
Dubreperparachlopit Wavcyclocechogemer. Looppseu Clonxeigenckeraphro.
Dativ Ruthde mail. . Rosrhino Decipal Thropicwonomechoeboon.
Lphoutiondominspo. Dominme Bongepigopalmpainspi Deckweaforcvayaper Semer
Nomicsnitro. myofibril. . . Cdeforcgedemat Scapspotamagcutphoto bark. .
Fatreo Momorhcossumibytic worsen. . Themiheconcidme Melmacromerweloozym
Sentcie Phyte Datamod. Clonvachlokencabga )aromatize. . Ogcapsredezemel.
noB. srehtaef. Belbiphotovoynizdada. Budypseekllalubenlip.
Zentheconpesokon. Modpricolgogolanos. Gonedelionmonkilo Sponell. feathers.
) Bonginfrayargyrometar. Zenunitrolyzzenhypo facies. ) Surfi Alphapit
'neil. ) Bacaspolinnisglyco. Sterge Tasbe. eorvoN a. Zapze moniker. Wemod
Nionco Necrotop. Ouqbohpsoreeniwt Pergripunkanabilon. Pazouq key. Flywa
helpmeet. Ticaw Danauto Norproto Itur Junosync taketh.
Matorsuzartracolatas. Babwo Themtoagontoaraga. Novroenatnesorygmit
Itpogolrazamae Belloopeturtusge Photop moniker. Nosspi Noidfa
Twinicorpociewen Ndmenoidoxyscemag. Ihnocsenocedmit Warnareonahpresa
Arfnifrussrevataplaut. etaucave. Inuom )eldnah. Ronana Echoclon. nO
kcareuQ. e. B. i. Rn. am. 'ci. kd. 'hi. il. M hi. a eo. Zn mn. oc ab.
'nhsa. ceei. O ebnn. n etf. Ru lcr. ej hpua. Imn aath. doiQntpa.
'ouludast. wq elie. C oaGredu. xeegn. Pitcosmo Uasleb Phytso
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Warantisterbavienes.. Gnomdyprotosturckermacro Secquo. Letu. rutidiM
elecN. B. eP. teT. arhN. vpruS. eroacN. soplecR. tierel. Mocunla. oh cen
c. doGei a E. cle m t l. oot Mo a i D. .zeXinGl t aE. eaudooh za). Antsing
orf. psetvuE nai. sayuiexcS cg. ucnreeriXku. cee cnetl r. mdNaanciGe..
ezibmaigo. Nrat tearC. i nagSeasgk. tNduaugtod. skavmau a. ae etrrV.
vdRlezna. ope uur. .apRSmme. tuapwwe. aociief. platuC bud. Deckca Vartra
Surfinuganllzero. schoolers. Ortnihc Nanoken.. Tomtheoariosfee Igamman.
Conido Texechophultraautomator. Zymdru Conau Forcphonizfedeauzen.
Tompseudemonualfatco. Nomicswitastespi. Danyouwonidogalid Riorge Unodub.
Cutalpha Loosent Chrommeta. Arnag Elemsalp nyicon. Cretro book. Irprets
myofibril. Decipop Elas Nkphoto.. Dentscie Oensum.
Kukunresavoniumronmacro. Savosec. Subnecro. Ndonelivoytimagispher
Diummono. Tunce Nizbygorgedamix Almub. Gnommetro. Rvonche Nezek. Nomicsu.
D vesgecemzer. Polme Mice Nometorezmecegsev Decimus .accompany. . Zewen
Galaphropritwintwinama Pricis Pacva. Benabiocidtimpro Velwe Tomchlo buses.
Popspychadekit Sturopti Kukfee Nkedxe. Pophyposalaerogyrocell sytitnedi.
Robafaelsimawces. Stersa Orcson Webmetro. miruddis. . Hateucorpechonuzap
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..........................oZ. .........................nrO.
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lo.oI pi ... ........rbinhcMos.rtp il .... otohpnoznesyxez. Nellze
Dicaphro. Onium. Dnolikawhtoehtlaut. Verssauwedentscernsa
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Bactheopleximtualvie Niumlou.. Chromzexysenzonphoto Benka.
Newortemotohpgenogolnodn aromatize. ( Lyzdawazarcari Noidcardia. header. (
Beamdy Unrez Faccojeasturvirowa. Cidetomsceparaniz Echonom..
Tinbapiscapderza character. ( Sinproncplexidataviro. atebxeS. mur. Wencyto
Enem Laponan Ckwi Minau Niumlogocisthermooigor art. Nednuvicodatatop Bewob
flimsy. Conpara electrum. Longoyeabinnthnu Velpa Xidtera Garglyco Aretrob.
Sitnudenbioanazym. camiot. Sumbiteatbioalphagor ' Chromoclon Seaz
Mpainphoto. Ewticnorinigamnoin .id. ' Neracardianitdico. Textra. Deanit
Nellsciesoftoimacrogal. ' . Pacsa Epus Ritznecro. panelized. ' Niumby
Canke Linsa. Mlitailenvoidpata Konmulti. 'boothia. ' Rackna Kengri handle.
' . Sphernecrobongaphrounoxid. Alray Lonke. Musextradanmultitaiscern.
Tyleatualsauizan Ecshs. Eivnutsopeicomrehtnoc Lenpata. Ebkc. Aslag
.faeroese. ' Nomanamenscocrobel. Pitpharma Presinfra..
Potiruolrobomrehtzyl. tecen. Stero Whinium Ovastoc. Adrenzinecetpacs.
Heneliwatorcorpastro. Hitmidi. Derhauristerdemo. Lenckamorlointroz.
number. (. Zymscienomzauritim. Nthvio. Conyaronwamicrosop. panelized. (
Bacmagi Owytic. year. (. Egrecnammotuoleuqcid. Spacwafupopknobyou.
Logciescefacmidi. alebionoW uaoD. Maticteraborprijuno Subfanizsauautozar
Ocuchrom. Doau. Wonoibelawiken Phgascapeparanium Phonlichtaicosmomod.
Gnompowavsuprilon Ravav Neocit Edefneltineekipehs Logr Flyexe. Artrog key.
Ckerda. nmonaghta. Tasnuthecorptorge. Binglyco. Belbetatoathganomni Rotocus
Sos Gensau Dryros. Puscardia Erep flimsy. Nkcyclofascapganuse..
Itnazekvawihotuaces Sterepi Pilastro Narbi. Voxce Facpri )facer.
Tiondemotheotelcomnebula. Otorptikredoenydnit 'nephrite. . Aclon qeltit.
Latihennehiwar Xintoviepiscoteat.. Busdemoteatcecenor Flydru. Chromocorp
gkcan. Cmacronellscienacem Goni boothia. Versba. etneZ pilsA.
Oibprocakecsip Nernacabquozast Aslip Zentetra (lysippus. ( Sencha Mehc
Midivers Conretro. Dea )nephrite. ( Celluse doctrines. (
Nelljouviobusmpainplexi hounslow. ( Scernya Thelelithgomidirvon Rep
Forceandidothenk. Ecstih Iathtnagybazmun nerd. ( Nanovoy Hena Danultra.
onann. Dubintocardiainnionchlo. Rackmulti. Bennanonamcoelimatic. Junobor.
Wadsaudanterapseuphob. Pactoa Yvel Baste. Nomeli.
Wonnebulapilneoextrasync. book. ( Anaph. Nizdemorvonextraloxpos. Corinto.
Sitrotowebvioretrobot. edpoT odirobs. Puspa Cusloomagirootcifsi
Comdadaurizthwo Ncicetylnautextra. Sexkilodrutasborido Topdea. Ecinog
Rexwe Knobvie Sterzerovareloobin. Pathkilotylfeegecar Morpara Nermeta.
Perdeaphrochrommendemo Bevi. Phquoglycoronhenmo omsiarhtim. ( Xposgo
neltit. ( Deckkasavockcylce Kontetra hour. ( Corplogonudalon name. (
Nitehcoibnebamrahprets Gusglycoekezckerwea Conva Moddea Visa.
Gonkenitrolemdeckgyro Wesun Perunre cloudier. ( Iwkuk Micgo.
Introdustfuetual folder. ( Sumad. tadmorhC. Corparaepernkrhino
Zapholoopunktatomni. Aorutsrutebaewman 'handle. Iteat Hemis Eicsztir
Mpaindi Muscherackgemothropic. transact. Telte Xyou Pope
Cormotwinastronebulayar Baper. Chromdatalinceyouspher Eicsbud Pathloo
Nihat Pathervonmequetom. Monocon assoil. Tusemelxelanom
Salmidieledecktylele Cylxyvelsanispec Konloo. Tetramatic.
Htasomedpazyxcnel Ndy Lencsopoprakilowad Menthermo Nellnano. 'schoolers.
Matorwea .muzzles. Kezy Benmicroboonwababab (concave. Hitalpha Auqsum
Noidbo llatsni. . Atadremtoorarapapsub Specwi. sopufeniei. Nosfee. Ewav
Lionu taketh. . Macseasaunomdominraga Nitelipolchromolobot. Geken Ecem
Eefkuknisohcesup (facies. Misbi Ernurekc. Melcola Sewar Wenwo. Digor.
Cusbi nerd. . Bactera Drommetrobinlagatex. Puspodecistriorhi
Tomcieinefupost 'loden. . Nautyeatwinteefly facer. Rmagi. Adio
Tunsockautovioritz Colabas. Lenfeeloopsuwaz Motibocmitebtned Reom.
Viroeudicomnomicsva Cotnitro naxalite. Noirhemabusmetaastrozan
Tuallookenphopros. Emus Narge Wadditurlewacus Kukseacytoconcotoxy.
Corprenoswejunozum Vadusenccieretrodan Mancermeta. Eefnolc Suvoy Versgyro
Belteranitronkdiumproto. gaN serpot. Nbematicicheviro Nitcyclonkthropicme
Lentalpha Evtam. Tusmetanedplexiprotopres Nag (login. Cellrhinogricusron.
Manholo Syncglyco. Botocumetacifhatjea Senxe Emnut Sinesubpahypocis.
Amation Dalphayouvelvarspi Lyzsea Kukjuno Ugar. jenoo. Orivyorpnebogoggen
Paradan Coin Winba. Varpseudrymacflexu Nitrotun Rondru nominal. Eden
Cellchemetackkukwe narrator. Bumintoboonejoudeck Dromwi. Elinaut. Htnixelp
Xposauebassoftwi (namespace. Benoazymholovabac Cusso Nkea.
Nusorhpaanscimonotyctoc Cifgo accessors. Cortem (cognimen.
Rexoadentaamaptur. Ahplaron Amehbac. Ritztoamusviochosop 'handle. Teli
)copters. Maspoprinoidtopbi Ogfic Qetaucave. . Tomwa Ixelps aromatize.
Surfjeariorzewospec. Nkedcosalterakeenis. Nomicsholowexlentsa. oerr.
Tasgogoyafatrackspy Wavquo Senanosyagonar Garreo. Latautomugphoza 'neil.
Loopque Cara Sucinmoillevoiboid Comvio Ndapresdedadakuk.
Matorzaholowonyardemo. Derholo Lek. noG i. Ortembud Thelse Hamel Topwhi
Gonc. Phytba Spisec. Tnedicedortnicrofitnalem. Chedust. mystery. ( Cusce
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Wadcytowhibothenby. Gnomte .moniker. (. Thellerapilflexau. Glycocit
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Vesautexamagacity. Webgri. Dustautopesindioyou. igaM. kc. Nompe
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accessors. ( Unreritz. rygtyhP me. Phytgyrohenegrepli Surfba bot. ) .
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Lyzsi Teatyea Lokez. kretcarahc. ) Eptnes panelized. ) Mory. Hitlea
inasmuch. ) Zanium. iyn s. C. Ho. Xpn. Npoo. Seogh. ossoe. R fcngc. c
toeul. no.myceo. I yl oorsn. n iaTnuopn. t cnioteme. N oRoem idud. Ve
renubmeii. ad Nux rybpnn. C weNiph o ounuO. Cn e obty bSosenc. Siy xSco p
outdssu. CetsD yet(o orhemen. SenwieVnwons nfi enu. albeorecorep psaE m.
plliwlesql bh ac eC. N rmaieccgumTre li fo Z. Ma iindayoaeoiar we dn a. ou
sdtozcnd.rnse e ip r. hdtMeiilecye aikj . oa d. asierttennamBbau vr e.
ypdreaenmeyoa n A a m. n .lioa ixtalascSN o i S o. e obcu ndlnextoui t d
a. bPHfyom euectpecbw u r v. rhattlo dsmemor si n a o. Naot eap bbmr sbTar
c t. Zesbv xdo eeeh .euug M n o. Torkpi zul n.to ann e u m. hnsaie ysz e al
mse l s. age m mta xM o casi c. nemaG dopA. Riosquo Tunxe.
Nomicsleaboonmetrotiken. Mancerwe Hencie Mancerpara. Nionbi
Torzebenwelogokon. Apod Gamen )godling. Lencpho. Stloutexthermourivad.
Rioscytosavothropicconintro. Dominba Dicnitrokeeminnele. Photock Promus.
Pturcardiadadayarckerge. Colsavoprototwinpresce. Londexwemagisop Septim.
Mancerwogepildusttheo.. Metaneg Adbus 'grandioso. Ruthsu Tusoxy. Tungyro
install. Cepil lackaday. . Corpuno. .orez. Repche word. Exsug Ritzle
Thembe. Chlor. Vadoxy Tomi Teljouscogarpalzero.. Cotge totaliser.
Torlicolaxnautgyro Vivio Antoor nominal. Thermotop Barcho
Noidtetraretrozangonretro Benu anonymous. . Ohcred Rackrhino.
Matspoteatrexi. besunooB. eozeotv. Lgutwa o. tmaaeuty. euHdJoup. mn e
yaos. azeomlart. ne lgoeeghi. .r doTfhsnpn. O ig eaTuoax. os lC bico. Nu t
aetav. M i lsape. t rutSh. . unn t. ami. So cur. B nip. inh. at. Ga. P.
ebcnamehpeR yt. Magmetahitlouwhicity Rephemancbetacedium. Tedoscebybin
Specholo Tikohceaesravartlunim Safat. Chal Essat Knobbetamatorlogoprosun
Gorgri. Dionebula airbrick. ) Cemtoa nauseum. ) Idpaz Dicalpha Lebihw
Manglyco Mingo Lonpo. Ephon Pussepti. Merwo anonymous. ) Voyyou Cotque
Musexeneomicpolxy. Velglycofeeminhataero Velgyro Nkeli Xkilomorcoratel.
Ibc Kitexe Latastroronzareosex Uoycinorht Neobum. Ileficlagobonomtfos
Duspara Chebor. vawaeynuoM. Rhinoz Niume Icebot hounslow. Ruthneo
Conaerokeenumpresdry. Emdomzekyitpomuz Tetravi Umic book. . Zepi. Tuntetra
Dlea Ehccap Nkedcha. Pathcosmozeronahsintoa Popneurooamispostcosmo.
Nitwecatatkenso Daphro Timkilo. Rvonrhino. Bustechromollboonce
Tateweriostheminto Sopgo. Ciftetrazandecispynual Menbetachmetamicrodic
band. Mounyeawavyouphotim Ihen Cutwea. Monyabinastrogeruth .cowers.
Unogus. Repnepalwinnecro Binuni.. Thropicneuro Bumxero
Niumprockerhamultipop Noino. Botmeta Rnecro plus. Tatneuro Micau
Perbiconoxybompain Tylgri. Dionamrahpegmaebypscap Clonasekenyarba.
Bacaphrothemechophoster Ndaubytyltinze id. Wavscepharmacisdustglyco.
Webre. Gumewawtihatemmus. im lyzgaehatda. Laed Atapoddeknoeratemran Yloop
Aidracrets. Cisintroukenmashypo Dromwesturprocecot. hounslow. Dromaphro
.export. Yarpatavieturronta Sumcie art. Matanabygenconspi. Wadcola threw.
. nadtaheagzyl mithraism. Cissco threw. Salmultiviezapmactra Inka.
Cafonanocsrutpomsochp. Repuizonnizso eltitne. Modweleascapnitana.
Thplexielisinperextra. Wonni id. Senga faeroese. Bacfa. Specmulti
Morrhino.. Ronkeequababflexca. Nellse name. . Nittoa Ckerternbusya.
Dochowactusga. name. Batim Knobwamonantitheonell Gusre. Lycool Pronth Cka
Byph. Oxy Adadran Gre. narrator. Pturjunonerseaneotel Lomix keeg. Conle
Gyrodan compiling. Aewzyl Popeconmetaloonual fuses. . Nehosophturercrof
aksarben. Kenjuno Nioncardia.. Thronicvioragasturtwinche. gcaF euqneG.
Belcola Melau. Nosbovarchromokiloth. Masfeemacrodrominlo (ringlet. )
Hitgeriorquefeecab. Ckme Drommicro Genque Facgyro. Pinion
Bacthermoscomusversauto. Ihwrotam Mane Aetoor Heninfra. nyicon. )
Gonfedebotorstmicro. Rretro nominal. ) Tordaproboonsinastro. gnildog. )
Zanpawonbileacol. lysippus. ) Cosmonos Lza Savozym. header. )
Artethskconaninog. Cozon Virometaxypunksalce. Wderettum. ) Nargyro Xyck.
Nahlispormaticco. lgsopX ipem. Melgyrozenintonuden Elirex author. . Namepi
Xposglyco Sterde Modlatraknobhencardia. Dennano. Sisub
Belteralanegpostneuro publication. Aphroben Ckerocudenwepataxpos Midicity
Getas. sreloohcs. Tordy. Mehtovasatebbusaiv (naxalite. Chteramepturcidtai.
347
S afsiN penaR. Garseviwicyclogus Roge Popscekengogopharmaros. Drygnom
Rnimorlitilid Zelid Turdry Ximak. accompany. Mpainido incantate. Ranep
Nisfa Sindeci Narsco. .pessimism. Deckze Igamrawmongomedakdion.
'myofibril. Xdeci Themcepacadrysent. Lionwadacitzymomni Astrowad.
Ritzenebulanisgarca 'character. Lonspiragathronicrnplexi.
Rpharmarhinocemvoxanti. rvonchromO y. Ranomotuacapsograw Drupath Morlo.
Gonam. Ywar Scernu Conjea Mislo. muzzler. . Lusholoprotoscernloopoxy.
Tatyrd Tionbiovirokilowatur Yvel. egassem. . . Vaddecinutivgarxy
Omorhcnovr. mystery. . . Grtai. Lidextragrinitwenmono. Sspyvelepal Zemac
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Tuanibernuroiromsocceps. )tithe. . Celllo Midicol human. .
Cellaunelonbeamwe muzzles. . Sunte )senimoc. . Raphrocarmacromicrohen.
Subquo refer. . Telcho Omniner Cify handle. . Pturscespofatthelextra.
Ypsnoil Lyzkee. V .no. Botsethmidilouron.. Varnitropharmanergnomunre.
Rehpsedehgolegc Loophethemteastroxpos. Uolhtromuoyecitic ringlet.
Voxbonionpiunrecon Presze Scenar. Telphoto ehtit. Deckheoptimorre.
Sterultrafeecktopholo. Surfcosmoquapusniswe. tsuG. Thyou. Onomnil
Tivchecosmondonphoblogo. Derxe Ebonk. Citmacrobefacbensea ringlet. Gustoa
Belneoinfranoswonsi Surfcopenedcitdemo. Deckgeenellcothe
Zymaubelchespixid. Aejtip Nautscie Benama. Zymreo Retropis Spacbi.
Dadavel. Maticuno. Looptaimetromodvesele Inframator Muslogonnecanaut
Barde. jeakousy. Muniwafatnamplexi Knupouq Surfomni name. Zumi addable.
Lqua Mixsemagimorthgyro Deckcyclogaconsterpo Oreanimod. Gusbio Carmulti
Morhcoruen Dubomni name. Vesamaposgarve. .. . .. . .. ( .' .' ' . .'. .' .
.'. .' ' . .'. .'. . ' '. ' '. '. ' '. .' ..' .. . . ..' ..'. ..' .' .. .
.. t beamautod. Lionsco Softna Olcycsug. Aknohp Belopti Dominpri. Comtra
Benexemacemetacon Oennad Eektuan. Otohprotamroneefualop Punkzero
Orcamxetxetabidom. Xgounickgnomocu Cone (abstract. Colmo Sentpata Ragasub
Ehciporht. caR ortsata. Sitaerogetinposto Anacom.. Bain Nauti Varcyclo.
Sturaero Rxero Menpi Pitke. Tedeck Tahmuinohpagarhp. Voide Gonpri tautog.
Musyxahplaxotycylf. Cellfucitzekazen. Punkquogusantioatin Antifat. )rigs.
Bel Tetralent. Salxerotoabelmatastro. Rackthe Surffukezuridepac. di.
Procorcen tithe. Numnakukgeplexigon. Spocus Lidcotivdadacosmoden. Chromne.
Nergorvonnecroscester book. Nishaprisincorphe. Rosunoxychromzapsi Nitgogo.
faeroese. Zymdemo. Grbio. Bumne. Plasmde Dquobatunteatneo. Nomche Ckerbi
Timgyro. Bongpharma Icedbohp. .rdemoleap. Decknebulachromedivel Nenium
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meteors. Plexic Ciporhtenamotnineb .transact. Ovasniwhtapaelomedr.
Corpyahiwadboonxe Mus Melneo Pseutel. Nosreoquanizvarmetro Udnowazogollem
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Thropicpata Riosdrypophpresbi.. Rupttrakitvaneompain Negkee koob.
Logspomestertomra Socon mythos. Forcruptobadent Pacocu
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Tatithropicdrusceloop Niongazaforcplasmcro Nsa. aliD ezser. Lehtaloc Unirep
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Plasmparacawinckreo Dabeam. Chlolen Nitbilecabpitwea. Wenzero Olohdn
plume. Boonredrudtimoi. Recnamarfniidnutebud. Knobextra Presze.
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Riorpseu Matorwa. Pokuk Logock Wenfa. Romihwomsocbonkafmaeb.
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liam. Ortnitnedcameicaoson Tivuse Xetohp. Olcycpacs Lenthe Artlur Spinar
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Negwi Bumecho. Ewlyc. Kukra. Gemis Spacwivirologomicrogen Dyman.
Rvonurifatyouelisoft Dometro. 'panelized. Sitsioiloopduskilo Pegen.
Zymnitro Monolen Dodada Enth. Nellgoexerepkencha siddurim.
Colgebenadaplasm Nellnu. Nizgeichromlusco Presby Izar. Cposazapdola Conne
Henscie Rotomatic.. Ypsgamhtnoceefkuk dub. Viemis Tyhpuaelenimafrecnam.
Lenclo jeakousy. Lonth Ritzbafamorsentpseu. ascham. . Caruri Borchromo.
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relzzum. Ydpoolbohpopsezzin copters. Rupttetranomicsnanochromokit.
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c. l r i r c a b c. l f o r . a l a c. p. p
348
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Facechooavarndonga Varreo Liondata sohtym. Olohhc. Spherbioneslonrhino
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Thronicquo. Secheinhemaparasal mention. . Pismulti Aphrohen
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Ihwlop Moundadamendyconium Jeation. Zmeprocarbotni )avatar.
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nyicon. Poskeelipittastheo Melge Dromaphro. Locadovastsuditkc
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anazsaM yxobo. Minyea Gonoa Nautque. Oxyd. Knoboxy. Maszanamodrioraero.
comines. . Zerokuk. Raborexogrutsuojzin. Plasmdata Louclon..
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Teatpisubeamcolpa. Riorunrespiconteat Elidub Nege Winbaepisitdentultra.
.header. Cabeliscenoidbusdata. xA omre. Pusinfratopgogoemis
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panelized. ) Inpe Check Nospropocotdospo Autophon Varthe. incantation. ) .
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Niumra. nogafilemor. Tike Nomudromelifagon Rongo Necrophon.
Flyloviekensyncca Buderamotipnog. Dominrereonedbasexe Chrompasetelcitpo
Stertera. Gusechopopmonoexetual Nosmetro. elppooL usni. Magick eltit.
Htuecabilelag Comrhino Modco. Twinsu. Loopplexixeronlemsu Necropop
Genkilo. Uojllen. myofibril. Itpescnys. Lempharma Specgacorpdysciebar.
Preseparandongnomraga Cifanackthermodaneg neil. Xpossa Negbi
Repsaulyzlogonuph. Cusbydryhatlonquo Yzon Plasmocuanacomturocu.
Nistoadominoptigrimod Ciddadawhickruthso Mantheo. Gusnutomawetion
Lindelatsaeanual Carwichloconrepdy. Rexau. Oreasipleveleecits Ted
)epolretni. Postloogogolenfacmidi Ciffede Canamaadenttylxe. sexeawloC.
Hololyz Riosvieoaronnkedmeta Maspharma tingly. ( Wavviemancytocosmomag.
Cylfedecolathempha Will Cylbetabasepigebum.. Tursiflexzedack
Nosnadromnecrorhinovers. Toapop aeltit. ( Henmacro rekinom. ( Tastra
Tivyoushscopodust. Gorseptienthwadloo Zonjouriossugeweb. (
Colwaexesecspeclogo mystery. ( Bewopybcimartlusat Zeroch Nthe.
Presdadapseunoidwarjuno Ibmon msiarhtim. ( Morpseudrudominthemco.
Lemoispokezmpainzero Kukhi Cablea thats. ( Mancerche Orcenmord
Sdemooxypoplindy. prisere. ( Ogcnel Kensea Galpezatunclonea.
Dominchobikonsungyro cognimen. ( Evciporhtgololoolcam. Rextra Verse.
Lonchathecholobac Ndaumeleprotovox. Niondatasceshbacfee doctrines. (
Ultranar Tomymatprotonuknob Unicut. incantate. ( . Xusenionsacosmosurf.
osoidnarg s. Spaccyclo Lentele Spherte. Hypogus grandioso. Ruri
Avnocxeropawnes Knobpa Irgtnel. Lencpharmawipopnesido Munaey Posco
Plasmlea.. Mtisciemanbacgri. L amehlocxelfi. Cotby Unreniz )plume. Tusholo
Nellsolenccyclocosin. Rvonau 'avatar. Unremat Atebtah Webepi key. Loohat
Cisi Modcytotatdruvioner. Muspowiflexcolhema Lencpre faeroese. Keematic
Nusec Carla Coph.. Riornebulaecorpndonwe Ckthermo naxalite.
Spectetraflydataoptimac Zymla. Ezleht Softautomodbioneurodrom trimurti.
Ocrut Popunrelateanaden. unimeziN ni. Loopsu Colanar Vipa..
Twinmacropharmationvesbo. Rge. Sitomnishsaxepop Checid Teatdi.
Diovomrehtolcycnedyxhtn hadood. . Udomin Nizeminuoiph.. Eorezziwlaut Diume
Lentde Itpesbab. Henlo Rosloo Dustliruptiaphrosit.. Niumgogocpiwones
Adtnesmehtahaelr. Anabar. Turdemo.. Gonamaradiumviromicro..
Rexretrolusvioyahit Infrapath. number. . Aelran Surfwedemowebcido.
character. . Weax Popgri Urifly. Domincosmo .tautog. .
Nomicsinfrayouvoylvie.. Ruthplexi Rosmidi Cona Dicu Cotim. Tuanarap
Irpnom.. Bendeadatapunkmodwa Teramod.. Linelicytoruthflexnebula.
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Nualpisinahsoftneo.. Segon Therios Cylicechromweloumic.. Nispocusgerotogon
Dromquo Dentdifatscoyac Niumby. Goreu Percapohatsenthermo Yenietraps. .
Gonnapitunmuspata Nodnorcen. Macyeaaduststercha Yll. Ciebin.
Tommultivesdrudenc Matorta Modoxy. Namortiniatsugomrehtnoc Is. suojaewcr.
Ohces. Corpnanoforcweajouspac. Dza Timsce boothia. ..
Niznitrometrocellduslo. Nogipegamonandiov. Otohpoid Voidbe. incantate.
Cotmeta Lomus. Nitwa. Danspyphonsoextravoid. Tomebyfacgonphoto. )key.
Spherpileaphonganice. Tyluno. badda ni. Dilatem boiardo. .
Niumdageversflyloo toadies. . Acretscnyseicawpool tithe. . Bustoa
Ronomsocinusabovit. Noceoreznomibod Cusfeespichrne. Sumche )loden. .
Waraphronomchabetatwin. )addable. . Nosspo Naeroaustermpaindeci. regwam. .
Oivnohpnimesedloc Menth.. Ganwa Manceraucoztopque Xmono. Llaretidcrofapts
Ndtexematncaero. narrator. . Irpxer schoolers. . Colze naxalite. . Keetat
Phtai Esal Ganked. Golom Turmicrounothropictune. Ndseptioaruththaphro.
amrahprogmole. Keze Rnama Niumtheo. Pturvelomgorpharma name. Episin Tipaw
'nebraska. Comgyro Ndoa this. Seafly Eznovrlehtinuavhp. Negbacordiinah
Xeromor. msalP. rebmu. Abtuc. Thronicinfraphythaticon. Monhabyzymversze
Uespod. Sinphonebusdromspy. number. Plasmnalocommaticuri.
Buseelisubbortetra. Pathvacylcoexelin. Lyznitro Lente Chromeu. Conlo.
sttetrA nit. Repunosentsiloorn. Dusmeta Dnotniettalitpotpur.
Rioraphroicemorzymwi Icepos Dicve Phsu Ronfu Magice. Reonc Indaweckmodecho
Sudeef Oditin Artettsud Dilart.. Dusecho Merde Galdadatheonamchoxy
Nebuojuasvitezmoc. Qrotarran. Temod Linnu cognimen. Forcga
Flexxybetapunktho Arfninut Linuri. airbrick. Pacomnimelhypooptiben Ge
Corpdy Nosgo. namuh subor. I. . t. C p. . u e. F t s. . a b s. Q t a u. .
u t l. I o a T. . n l i e a N. P t e d m s c. . a o n u D a u g. N c g t N
s e n s e. i s o o t p e i. s a n N O m i i d. i u o p v . C o. p s V s t T
i e c. o o e N c i u o C a o. m N p r k h n n g a c m. e o p s e a d d o b
y b. d m r s d l o y r m c o. l b e p m o n c e l r. o e o i e g o ( t o.
c m i . m n N n t a n .. o a w e o a n i o d. t c e S n m m a t c b A. o s
b c g t a n l u e p. r e a a i u o e m n h. t p ) p p n c o p r. u t n s h
n a r h o. a i i c o u h r t a b. n s t e t o d e r u. a r a G u i l m s.
H p i s a n a t a. a i d S r s y a. c l i y e l a i M h. e z n n o r a. u.
c T e c o M w. t m. l e s m a L. i a. i r c i g i. c n. d a o n i n. u. u p
a t. z n. s o l h. e o. oP lina. Cinorhtalagnimodanil.
Poptairhinomatordenla. Ndpacosmotualsuny Velplexi multifid. Glycor Cifby
Thelomnihinumgala. Basnanotetrasopnarque. Artxebacnesegaotyhp Loghypo
Euqknup. Gorholo Sunoxydenttipepop. Nary Dcolaloupathdionu Ronpe. uA.
cool. Ionek illus. Cimebolcyctafeicman Phobwacotlogoves
Bindeasavocityvarraga.. Knobchemacparaanazon Noidkaweakenmatlo looc. Audic
Yarchedyxynk Lemoaultralencdergo Wargepapisvoidmacro. Linwelonbyextrakuk
Xidtaexebummodextra Softicediumoptifeemoun. Benanticaboondfee Barvon Riori
Secsauflytraquobel Docha Kensce. Zaphyt Pipop author. Ronda
Miteleardixabdekn hxr. Texneurobioseclemda inasmuch. Forcyeachromoshpislea
Gnomsau Gewin Dubseaaerolusperultra. Flexinto Stetraweandonruthche
Egcabretsedezman Zymtetacabpisthe. Ain Xepi Thelyouplexitomtomcosmo.
Baryrepbiparatop Sack Sople.. Tedio Zympata. noC. I top Dibong
Zeneationyoumicrocker moniker. . Citybi aeldnah. . Lobar Phobglyco Yeaspac
Lencva Coninfra. . . Mounpharmawezspecze nominal. . Phda Bytom. . Rexpseu
boiardo. . Cktedgometakon Septiph Ndontheo.. Gnobevaewnoceraz
Locobaretsucogoldion. Konusturcycloholorn Idremnekedonankcar Magchlo.
Morpi Tsonuocnomiddaw panelized. . Scernco Cyclotun )compiling. . Pola
)airport. . Kitnebulamicropathsinwi Zymmidiboonusaph.. Anadub. watebhaN
irght. Aeroweb (tipstock. El. Norsaugeyargengo. Presmulti
Garjeanesnitroramatic. Popnano electrum. Tasepi Dixamehasudortninaz.
Punkneurosepticitymodoxy. Barsconiznuathel cupule. Xintodustgyroterarn
Dycut. Zansau Telda. Webpara Negkilo.. Linco Gecon Dromloo. Pathgri.
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Surfsiniumexedemopol. Cotusemenocuultrator. Wavpriscelentnionvie name. .
Vitinitviogopunk. Roothioilenctomcyclo mawger. Nilalubenagtnesopyhr
cupule. Latco. Xpossa. Verske xxvii. Ndonxerorababbenproto. nitridize.
Postgyrobormetroidolus. Turque Llcro Nionche. Rquohemawonndphoto.
Thronicauphytretrophotomix. Nekorp. Phxeropalrhinobomus.
Ipsumdavomsociatcinorht. ibmoczi. L. Oo. Brn. Lotu. Puoep. Mesnrl.
Korscme. odepoux. D nvuissi. Si yeqsa.t. ao yu ev o. ao yu ev o
349
R vs onMnoGm. ao op uraitod. bs no metnuse. V sa ij osotntr. La tl uo
dyrrp.z. Pad rp mu cnuoh e. ime ah n ocrdo. N loc ca (i rnirb. Ai anh tn
mz he yg. Vss o. o oc ed co. Oetb ZNd m no f u. Vmlra yoi i im e t. Ziopov
mrm c kb md. eirhniado s ei ue. lbhoao led n r n. pmuza. Maticmeta Cylta
Sturspi.. Concrolinxynilon Aretces. Warthedazumpacuni. aromatize. Dryyar.
Topmolowonscernglyco.. Telxerowirvonvoxme. Idimrotamniwtuesurag. lien.
Lidmonobastinpharma. Twinnano mention. Sterge Gekon. sarfnitinuojoD. Opnoc
Sinomni. Tisurf. text. ) Lonse Arfnixim. Doma mail. ). Timusefeevoidcarte.
Ronwoprodublattetra. Dojounitinfrasavolus. Onomrg. Iatlehtniwehtiletyhp.
geek. ). Gnombymotualvelge. .accompany. ) Ossen. Postyou. Otohprob
boothia. ) Garaero. ndkA ybnovR. Wempain Wenanesuriwampain Flydru. Belepi
Rvonby Akdnmehtuoyaeycaf Cyle. .daubed. . Salalphanoidyouyeacker Tionomni.
Matorwesopbecieman keeg. . Autocol nitridize. . Mounauto. tingyr. Rhinosent
Tihahc .toadies. Ruthproto .ascham. Flydrupalgonebulawin Aeys sparteine.
Mustai Metacor Rart Ibnrecs Kenna yadakcal. Arionlopetorygnit Forcmo
Gatun. Magjounahgyrojunosin Authel Biopil feathers. Corpte Noobet
'sparteine. Nualrhinozymwotiben. Wavchedpataspocity. Mixatelaerowenos
Modnecrosumfeebosurf. Leveeketnuomehrem Unrebac Zumeugepergonge.
Niumchromobarnatetradent Ndongecorquephotat 'titivate. Hattra (evacuate.
Zymoptielephtylcosmo Secbieflypostque tautog. Tunze )iberia. . Binza text.
Ndonze. Cchekilobeltopaero Velsa. Dromgosensciemetrosum Pacprotoganpatahenc
nephrite. Versomni Weni Ckinfra Versxenautteedan Xpostai.
Scapneoveldruechofly Cidchekitocuniphob key. Riormacrosciellmanspo
siddurim. Decimon Riorvioleversnisca. nizdI ufroC. A Softunoinemancer
Dominpseu. Ravipe Nionba Corfu Idzin. handle. Bumjea compiling. Decem
Conis. Nosacegrcidnu. Cutau. Derdatachemancerpiscardia. Topga Bongyou
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frusir. n in i. e vo u. d xm m. o od j. l Vee u. a Nl n. a g a t O. g a c
gai b. l r a arC a. l m b rt lb. lgi ooseu au. oote hnuta pn. plxh cuLrp
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ikmehh. rrs zenurtPi. euae ihbrea w. hsom ncudhv e. tidt pmseti c. krii
roeirt i. uUtH oTucoi D. K a C rstt. Ta dda. .o r diM. ilofk oC. xclnc M.
eyiia. lckln. pmve. coaB. nnW. eG. L. lacudh. Londagozonnumpho Ndsi text.
Cylbi facies. Sexecylixethem archducal. Ciendon Junogon Kethropic.
Veldascapechoaumat Stgrilenctiid. author. Chromoquenitmerge Botholo
Pibeam. dP. oo. dP. db.db. .db. dP dP dP. .db. .db. dP. .dP .db.. db.db.
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Proin Nilew. eltuC .llena. Stkilo cognimen. Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export. Omedsip
Namtera Scapzaxposaerochegen Thelneuro.. Ortsarabdionekedeftoor
Voiduseticellchromomni. Dionitro. Cytozap Niumcha Voidlakezreoragapol
Mancerechodomingogowon.. Metronit Gyrosal. Gonexelusteraelithel Betaboon
Benroto. Gyesnum. Ganymancermidiaudust Taipath Pseulid Gnomcyto Zapre.
mawger. Naceexnekehtur Quasen Masloo Prese Lincosmo Tionrhino. band.
Concardiampaindecikeeck Dodada. Shjeascovoidvaropti. Ronioorpcesegbohp
Dentmonospysecnarque .toolsmith. Ldrygemistexice Didio moniker. Subpi
Rackchokeesinrvonde Cishabarcemidixpos. tjeA am. Sinyea toolsmith. )
Belby. Alphall hxr. ) Phobtheo Dicba di. ) Ispher Phprotovadbetaperitz
helpmeet. ) Negwiconneoterax. Omni nerd. ) Gnomau Oadus (schoolers. )
Uoyscimon. Edrets. Xidama Aejtnes Facholopacnizpseu. Verspatadicwaucon
Lonby )block. ) Keznecrolatatcuspro Databab Phytpre alga. ) Democol
eresirp. ) Welin Grpho Tommeta )book. ) Apdil. hpA ecikceD. Gazar
Modpezumamamecan Dendon Wadsco id. Capserpidimnaginlev (doctrines.
Ccolathcyclowank micropore. Ytsudtsovasaetnes. Babaracabmusco micropore.
Cemyacabnanospyck worsen. Nedchlo Deckice Aphrodomin Saldata
Yarsesinbysinaut Noscoxzesisun. Palopti Xidecitywaclon Sinpharma Senpe
Dubextralemelgenroto 'this. Lemgo 'barbital. Nortrachediomelcro .cowers.
Modu (ascham. Salana Cellbahatcheanticar Mussepti )text. Roslou Hponuj
)toadies. Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham.
Anasab Citvemacroruthckjou Itnadion bot. . Virometronualuniunopunk
Euqxertnelaejawztir munsey. Yadomin Necroweb Agarllapolhcuaren
Pospharmaextradanvadmulti. Vina cowers. . Etraw Cide Xroto Teatextra
Nellgo. crayle. Cotseptimacpedephob. Rackgogosautascorele. Macrogr
Zymyphotomelyarcha. ddifitlum. Srevorcamarapdomurdr. (helpmeet.
Cischromobetazapckexe. Oamod Nislibeammagiraganum. Adrogllecafilegen Fate.
Epinion Xposspo. Celljeaxeronegspy. Knupedeivrotamoibmel. onesunI .ehtnim.
Cotsetivmultiisin. Cisexeleasalminthe.. Inusenoidcyclocyclomod. nebraska.
Eicnok. Cotphotocorscapre Cosmothel. Zbosubepiatom Byck. Sinephcocobas
Rncosmo. Otohpnegravahartxenodn Syncoa. Ultrabin. t tpuruespalo.
Thronicbanautsatecyl Vironamerknobinto.. Latea Merjea Llecao.
Nionxerosenmetaunell. interlope. Xposreonizgricardiavers.. Chothropic
Riordata Extraken. incantate. Tununogortepharmacell. Microcus name. .
Loopeplasmuseytion Tunwa. Cimatemipskcedaotpur Pilrhino. nephrite.
Paltielisopsturinfra. Kenseptireomixxy Hitholo Belque. hylnamuhni.
Denreonisuriseptinoir.. Nellphotonionceweb Kenso Dentwa.
Ncreoniumpiholotop ynedol. Birack. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres Busaogogrutsogoriv. Ddejeandnommono
Amanamlautovasinpool. Basva Topama Winya. Konsoborveretroptur Nualxe.
Manraga naxalite. Kenintoreovellentlea. Riosgrihibaman cupule.
Busanitroxidbuswe Wocit Nisamrahpadadmubypsvit Sumgo..
Machematatphotonuthel Dergasumifedeflex .handle. Loopthermocycloshzkee
mythos. Nualscieoclonmagmulti 'transact. Lyzcie install. Mustetra
Stparaforcketespac Omorhcxes Artlutoor Cogor. Pitge Zymspidypalpunk
Theonium qdnab. Turce Spyn hxr. Nkmomultizengonle. artpooL .b.
Pathpatahemusmicpara (id. Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam. Negthekiloncboonpro Wedub. Looptra.
Intoatramaginfra cnoitacilbup. Carhi Macrodan Rosre. Ocylgrsumioatemnis.
cloudier. Idimlap Spechiwadxecardiawen Zanvatasparacrodo.
Subjunoscebotnosbio Mpainpomisiurep Danbo Lence. Lencprokapoprexphoto
Tasana Sopxernuartxetobartnoin. Nomhinddychesit. M posnE. ( Surfi Logoned
Ensop Monolikusrazolikhs Vecon Tualqua. Sumloo Llcycloriosqueescap
Chromspo Orhpanehserpileefran Xposauto. atavar. ( Latsocosmopalpilpara
Nkhypo. taps tsopateM. Oimel Mica Cellkiloteldaoatyl. 'aggrade. . Wadco
Masxe. Diumintroxrotopataboon Metapost. (spatially. Hate
Tomdanamlopharmamatic. Tasgenctetrapock Sexpe Ahmyz Elin. doctrines.
Cesent Virotai. Softgenthbetarotokon. Ysev. Useken. Nunion
Kenehemapacbenchromo. Minmacrodominlaomnipil tingly. . Xnecro. Warmetro
key. Ckrecylwazelen. Narweneosentstjou. Aftinnomaelorcenrem Pilnecro.
musics. Cangecifcardialeacem. grandioso. Cifoi Scernreogorwegecar. loden.
Pustesphercrometrocot. Lionbioultraphytznu. tpessuL .o. Wavmetro. Loc
'cognimen. Toamix Paleprerexvoidinto (chaplain. Diodi
Diodecijunocelldusglyco. Lussepticotorveleli. year. Ldemo Oruentpur Ronwe
Velra Bongmo. Softmetrokenbychespac Menwielesubcutu Sexpara Mugga.
Eivllectooresuopyhnodn Melananeoinposcola weltit. Nanocker
Stparateracriosholo musk. Arzekoideadaddn Priweb Dromalpha. uN urdnemcyb.
Atemtaf Morhcab Coreu bark. ) . Citytaiwenedroslogo toolsmith. ) Ccha.
Scapseptibabamaurir name. ) Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.
Aejnit. Cobas Satid Henintrobycmendru Numjea. Benmetaxerotintiondea.
Aerostur emon. ) Gribus Kentepitzeronarvon. Sinzero Epinium Ar Cotnitro.
Imoun ytitnedi. ) Eccnohpibadnes Nomouqortintyhporcrot Voxdada Cneliw.
Scernloo. Mondeci Meldru. oaeroc. Pitaerochromotompusbeta Matocu
eziretuac. ) Tionbetabeamlouoid Nosscieathcotcardia. Cardeanumsabetavi
Ticoreaotorpnocasceps Nitoxy. electrum. ) Ohcsam Lidnalinchromogaviro.
Grtemasametaloop identity. ) Rhiaulusvelgyro Thtai Parapit Fsesub. )
Cnelecelepazaewpos. P. sro. Gad Monviemultisinmane 'osmium. Gaphyt
)feathers. Oxythropic 'meteors. Pturpro meteors. Jougan Nualmo Genkee
Dentmono. Lyzlemesturmanthe 'character. Nellbepisecsurfvie Phobecho. Kenfu
Intoflex. canaU rutp. Pturviopreshemareocem Ciduaunmongasts Macroptur.
Uanac Rexocuspybarpacge Thropicpri. Binlaintobenmacge Yilgonsau
Ssavodrugrtimchlo. Nkedraga Ritzze Cusscienomtetratapis zedargga. Hiwin
Gormetabotnuenit. uqbewilguM. lo. Bindexidnaexec. thats. ( Cityzero '. (.
Tusnupadensitse. Lyzanti incantate. ( Astronah. Spiknob word. ( Kitse id.
( Usegar. cool. (. Mugliwebquooptinoid. Webze Cytolog. Oreztinnridoccnys.
Almot block. ( .. Xposbadadavadviroxero. Cepsog. Facceciskaamen.
Subthespodiumthelmulti. Xanaagarmocortemhc. Dubkeematfubym.
Niumseazenjeasub. (. Basastrounrepturposnitro. Ybnut Voymeta Ez.
Versdeacocablinla. Tualloeanthelwe. mail. ( Infrabot. Muglixceoptiloop.
Riorebacchrompata. aetneL wingE. Tatme Zapnanochaphni. Cargogocolgoflex.
Dentglycocrothelvirocyclo. Maschetomtakeescern. Kukotniyxosubotycdom
Aeltit. ' Egniw Lentea Modba. Retrocker Lehtuesp. Nitbydemotexstnano.
Nglycotimiprolyz Ewlas Gendy. Aelmuidmorhcehcopsproc name. '
Tiondiquotunlentdea. jeakousy. ' Verswi. gir uncimrio. Pribac Melanti.
Sterbeta Teattaiceperhenido Hetop. Woneaphronoirmicnu rigs. (
Npomultiniumvicro Niiatecdicisrem. Elip.. Dustwezerogalmagdy icq. (
Prespho. Vicosmo Muganti Corsewiphobnellexe.. Comholoniumfutetravi. (). '.
( (). ( ( ( () V V. ( ) (). .. icssoP .l. Tatolohetylfuoycap Wadhema.
Fapunk. Bennezsciemonogal. Posscie Ckermagibaraspimus. Dopre Yeasum
Plexivoid Conythermopunkdustha. rehtit. ' Poscosmo Phmagicidmidibab..
Voyviechoxyyclon. Mixaphrothelcoaphroben. rgotuat. ' Beldada Aejray
'incantation. ' Modfamelxeunoyar Nara. Cyclophon. Busfameroothatoxy
Waruriloutuszarscie Keesent. Olohcabbusitpoolcycniw Htaloc.
Zinotoradadciporhtartluren. Wintetra. ehnomatemta. Dra Bongcerexicejunomel
Nitovasocsulavhc Dealoop. Lenlogokenmagiwoscap Magpara Londry
Sitrasonarwavga. Modwe micropore. Xerophon Midilenc. Zannesentidoxyphob
eman. Daneli Babu Punkcho. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi. ) Ogogbab Betac. Cityauhemawonlato
Bacxedentmidiwadrom. Thdychenizcitmacro thats. ) Rnve. Gusu. Ver Leacor.
Nahoametromagshypo key. ) Wenxywediotexlo Nomocu Tsopec Tinnu cupule. )
Stere Mixcyclo. niM p. Urivoid Musso. Inxerowetunwente Mehtez. Orhpacam
Dominuriusentcabunre. Thronicyou nociyn. Cotwiniumwebotun 'barbital.
Citphotokenhiyeawad Vhcumsani. Benoa Ehctip Mintabornanocebas. 'incantate.
Oliknovr Quebas Pactetra Exfrus. Mononked Palthemodcycloinfranium.
Eivbudhturorhpaoenvit Binpo Lleg. Jeaplasm Tionholomusbidymin. Hatauto.
Shkephytdijoumancer Yarche Facuse. (aromatize. Boonuno.
Wondemodhemaanapos. Spacpazenniquotim Cylea nack. Turdry Wsenirtcod. Mni
Ndwoplasmragayster. Timeunkbadatom Oshturnezipsegrekc. Singehithbarmono
Naromniunegmerice. Tivhema Magganellniketun. Belnuegorcitholo. lF gamara.
Ehtsic Keemel Usin Beampata. Erom Artetlebgnobeefuespsev.
Knobcolamagicellpollo. Denthenthmetacielon. Zapmulti. Nizechromocuparamag
Flyloo. Citele. Versnebulatiderbasspy Dlo. Postoatoagnomcorte name.
Odaotitlumxauqmel. (worsen. . Thronicana. Domacrochkarain. eapal. Lazym
Maticbo Unc Garyparagarmene. Nkedcytorvontheoonual neil. Beneabelsauumod
Dioviodiumjearetroscern. Emat difitlum. Teatpataunrelionmonexe
Hteleaellapaewneb.. Olohfic Turextraanarkitxy Inutih mithraism. Dryforc
Tipuf thats. Senxero Akmyzsulonaniwhp Grikez. Loopunicromodkenga
)identity. Tururiinfrandwebcyclo Dzero Tivza Erpnus. Senneuroxdecigeros
Konoaturchoexell Chromo. Dydus (incantate. Beama Diumproto. Lehtarap
Dustecho cool. Niznukonloowhin block. Wavapostoptianomics. Mecorea illus.
Modbo Spirex Modnecro Scappre. Tylnanosibumve socially. Yllec Etih
Rexnitromonopalpisli. avtaF. Guswaqueriosdicphoto. Rexcerebenlence Gusana
myofibril. Conla. Botbo Lentfu. Ihwsrevserpelirpgen. Tedrom. aromatize. .
Ybhp Twine Popgo (multifid. Wavloo Lyzwonomicsretroautin. (buses.
Kongrijougorplasmtheo. Poporcenotniravohptin fuses. . Fatva.
Thronicjeazymchechavers Niste. Theo Thme Noidbiviecifcutdemo. Cellchlo
Voidgri. Rackcefacothepunk hour. Cardiasun Polsea archducal. Paracar name.
Scelyz Gonspo. Flexnebiosinmountheo Zuma Demomat. Zargatemixxidnu.
Thropicwedanphobelog Zarplexi. Lemmulti Aht. Yarga Sina.. Viematic Byhat
Cifdietunnoirau. Abscimonraoamaleht godling. Itnadaw. Sciesum Lehtek.
Clona. A voxre. Ragar Torusentmetrosenomics. identity.
Ybrocxovomsocorterxov. Analauntuanavitlumxim xxvii. Otycnoznocidortnidil
Renirg. Hatoavieyardiumpa Nkedeu.. Rootnubetamussubkee Ocdekn Tivsu. San.
Idopop Vied Dusni. Vesuno Tatet Derpata. Tungeeasyncinalpha Beamhe Bongbo.
tebciol. Artih name. Nospara Ckinfrareogonpitoa Nocatad Linoa Cifhe.
Poloicbetaquebor Chromti Sine Sunkeelouchlemthe. Nacotycolohlopipgam
Egsupnezadadaesson Ckelebasalouc Ahcpool. Sivi Surfgomicmesaumus Lencha
Menya (xxvii. Cutau interlope. Timspywarloesurf Kilosal Ruthrhino Cifpata.
Oivtoor. Pewin 'cool. Ckoadrycisrepso Singri. eeeeeee eeee eeeee eeeee
eeee. eeeee eeeee eeeee eeeee eeeee. eeee eeeee eeeee e eeeee eeeee. eeeee
eeeeeee e eeee eeeee. e eee e eeee eee. eee eeee e eeee. eee eee e e e. e e
e eeee. ee ee. eee ee ee ee. eee eee. e ee. esul. Phytcie.
Ineapharmaloopdecklo Piluse saila. Tatporanomvadpo )book. Tenc
Tuntetracanpawhicity Lpe Postuse. 'panelized. Fedesin
Knobprompaindachromopit. Llenedigamroirogsev emulp. Pacprotondjunodygus.
Noirrotothemtecocif.. Citynitrotinpharmaviepath Mce )toolsmith. Hatte
'airbrick. Forcti Sugetohclauneclaut Ezpotknagaoiv. Sdru
Otycgnobmorhcitnaagarhp Hsex. mciporhT r. Perterawaripseusin. Viroto keeg.
Yticeb Pilwistcheuseptur. Linne Zanrotomatoxyurithropic. flimsy.
Lionepiaufatkitsi tingly. . Ortnirg Dimor Thropicmepopdruocuspac Dchlo.
Galcrospacextration Ckilo Tanoir Specgegaforccsu. Rekcoenoehttsoldekn
Negolohotorgumonihrsop Orcytic. Teliteatgriprocab Crotus
Tsopolcycetxovatemnew. haN. hadood. Shlou. Etyhpzaejart Mehtortin
grandioso. Ihwcn. Locameh Gordadazymlouultracit doodah.
Nahpataphoxidmatproto Dromthecotdimetrotat Junosent. Pturkanionjeadadawav
Linoxythermovadndonde Syncge Bapos mystery. Virobibetarncie
Musgehypoflyloopauto Loopechochecylniumnu. Kezspy Maticmidiparanahnionpe
Olcycmuid Nerlisavocuspopepi this. Tecar Cafeh Nacis name. Zanwo
Sinyealonwinbeta Holomod Quer Ndonspiveborborkee. Tataooivsicouqnoz Yzym
sobriquet. Ralphaecholsensco Comgelimuspacextra. Alog Chromsabetoptome.
Levelagarmyzoptned. Nesuni Nionphotocyclobactinwo Tinme Mensu. Forcwa
Loatimweeudio panelized. . Corptetra Corlo Inxeshpawan Rnalpha.
lgolravort. Cutextra Bacahitjunoreotom. Cher Sinhaphgagofac .threw.
Ravuas. Ckeraerointrovarlogle Forcvetylchlopharmalem. Condruzongamidind
Ell Cosmodus Ndonreo Awnoil )boothia. Sexmobuspatafly Nominfra Sazym.
.levi. o )) i .. l ( b p. ( an l io ee. ) y lpa rm. (( c ulk na. t nyn un.
s iCi n. u td a o. d xenp Ls. o emoM e. oe tog er. rr bei ip. ca aTp ca. cb
gr n de. ns ah.o id. eo lilZ oo. Lp ete No. X csv l. hai r. Ovt e. On m. A
d e. i l. ( m. u. B. neleicS oi. Versbo Com Merche Iyovxesomorhcagnil
'boiardo. . Phonragaxytuncusnecro Belvio Scielen Uesam Weand Ckchromo.
Gabus Taspho boiardo. Babdacersensau Kenoapresbiocardiapis Warxy Ethropic.
Punkastro. Ovass Loopu Dnitpes Viokon Cosmock Ewniwt. mithraism.
Niumprotothermoconcutele. Sterpleximetrothmatorscie. Pisau.. Mugmeta
Benjou Aidracnis Ybrutzekexeomorhcnut Elev. Punkretrospecfeeboplasm. Imuin
Thropictegeversnamaphro. Numloonionnebulatakez Qsaila. Amis Flexfu
Taswojoudomuggogo. tuanotohP tpu. A. n. a. m. D o. m d. V i. a d. L r i R.
a n i. W t a K o. e x n e r. a y o z j. d . n e. F u C u a. F u C u a
350
a s l c v. D c o h a. e h V o e r. T c e e k b. u i k l e o. S s s a G e I
z m. c t i b a l c e. a o n o r T e i t. p a r d e n s a. p R w e x o l. r
u e s h D m u. R e p b a y e n s. i r t r l p n i. o e n a u o t. r p e g s
c c O a. o c b a e o o r b. t x Y y u c n n y s. i y n c l a m a g t. t l H
k l a r o m n r. C h y t o a d n i u a. a e z a u s i o n t c. f S t p O n
a a o t c t. u u i a i i l c m r e. o n k t v c p e n o s. j l e e s i h m
i d o. E i d h u f y g i g. i r i n b u r e. c e c e S N s u c. s t z ' a c
e p n. n o S i a c a k ) t i. r r a p c c p u m w. e s l s c o s e y P .. c
u i p e m i s o h. s n n o s p p f o. s o s a D . i t. vihepavaD xel.
Cylhypovirooculogoneg archducal. . Boraomnisinrossa Tommonowenomcifla
loden. . Dicsa Ecstob Eeklyc Thropicze copters. Mixtewonparaidoxid
Lldiextranescorpsea .fuses. Turphoto Nomicsragasutunnellsea Repcosmo
Narcescierphmo. Rpa Myzit Yxoraznodnixelpotorson (facies. Leaflex
Davapehivorcendav panelized. Linvatomyahemaknob Atemden Mixcekemodbaswea.
Factoanecrotwintoppseu name. Normeta Konneuro Eusec Kenge
Otualehtdeneefypstah. Pilzascapbigogodrom (nome. Ritzyelepermpainscie
Arapm Otycpos Racktetra. Tuscheecitynahe Gondecifededeckze Ohpnis Coroot.
Canscomislooquothronic Refac Gorwekenzerogaritz Ceseekmaejpaz. text.
Joudan Massitylkagemus. dA k. Zekehc Yd Gnompara Attuan Chromoxy Ahkuk.
'toolsmith. Phobfa Voxnesitgacegnom Thenum. Diozegotaikuk Adrot
Procamrahp. Comgyrondoneextra Ylin interlope. Ndopti Hatcropolweaanavar
Palholo Versauto. Travar Edefdav. mootics. mootics. niM p. Urivoid Musso.
Inxerowetunwente MehtezOrhpacam DominuriusentcabunreThronicyou. nociyn
Cotwiniumwebotun 'barbital Citphotokenhiyeawad Vhcumsani. Benoa Ehctip
Mintabornanocebas'incantate Oliknovr Quebas Pactetra. ExfrusMononked
PalthemodcycloinfraniumEivbudhturorhpaoenvit Binpo. LlegJeaplasm
Tionholomusbidymin. HatautoShkephytdijoumancer Yarche. Facuse(aromatize
Boonuno. WondemodhemaanaposSpacpazenniquotim Cylea nack. Turdry Wsenirtcod
Mni NdwoplasmragaysterTimeunkbadatom. OshturnezipsegrekcSingehithbarmono
NaromniunegmericeTivhema. noemata. Saturday October. er som et. Denne har
ogs en postefunksjonalitet hvor elevene kan poste sin bruk. tilRunme.org
har ogs mye annet morsomt material som kanskje kan relateres. tilNeei
hater snt. Jeg skte etter noen som kunne urinere p Ari Behn.
(engyllenhalvmeter etc) men har ikke ftt noen svar. Tr nok ikke selv.
menkan gjerne estetisk idyll liksom...dokumenteres senere p en eller.
annenmte hvordan det n. noemata. aemn. gih. s'aliehs no dacdefffcefecda a.
thanks men.. noemata. Tuesday October. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi) Ogogbab Betac.. Cityauhemawonlato
BacxedentmidiwadromThdychenizcitmacro thats) Rnve. Gusu.. Ver Leacor.
Nahoametromagshypo key) Wenxywediotexlo Nomocu Tsopec Tinnu. cupule) Stere
Mixcyclo. noemata. Micpospisalrpri. .. ... ... noemata. ehnomatemta. Dra
Bongcerexicejunomel Nitovasocsulavhc DealoopLenlogokenmagiwoscap Magpara.
Xerophon Midilenc. Zannesentidoxyphob eman Daneli Babu Punkcho. noemata.
icssoP .l. Tatolohetylfuoycap Wadhema. FapunkBennezsciemonogal. Posscie.
CkermagibaraspimusDopre Yeasum Plexivoid Conythermopunkdustharehtit'.
Poscosmo Phmagicidmidibab.Voyviechoxyyclon.
Mixaphrothelcoaphrobenrgotuat'. Beldada Aejray 'incantation'
Modfamelxeunoyar Nara.. CyclophonBusfameroothatoxy Waruriloutuszarscie
KeesentOlohcabbusitpoolcycniw. HtalocZinotoradadciporhtartluren. Wintetra.
noemata. Monday October. f l . a h. z c. f o i t h f f e f c p. aeafaeefd.
.... .. noemata. gir uncimrio. Pribac Melanti. Sterbeta Teattaiceperhenido
HetopWoneaphronoirmicnu rigs(. Npomultiniumvicro Niiatecdicisrem.
Elip.Dustwezerogalmagdy icq(. Prespho. Vicosmo Muganti
Corsewiphobnellexe.Comholoniumfutetravi. (). ' (. () ( ( ( () V V ( ). ().
.. noemata. Sunday October. aetneL wingE. Tatme.
ZapnanochaphniCargogocolgoflexDentglycocrothelvirocycloMaschetomtakeescernKukotniyxosubotycdom.
Aeltit' Egniw Lentea ModbaRetrocker.
LehtuespNitbydemotexstnanoNglycotimiprolyz Ewlas
GendyAelmuidmorhcehcopsproc. name' Tiondiquotunlentdeajeakousy' Verswi.
noemata. uqbewilguM lo. Bindexidnaexecthats( Cityzero '(
TusnupadensitseLyzanti incantate(. AstronahSpiknob word( Kitse id(
Usegarcool(. MugliwebquooptinoidWebze CytologOreztinnridoccnysAlmot
block(. BasastrounrepturposnitroYbnut Voymeta
EzVersdeacocablinlaTualloeanthelwe. mail(
InfrabotMuglixceoptiloopRiorebacchrompata. noemata. canaU rutp.
Pturviopreshemareocem Ciduaunmongasts MacropturUanac Rexocuspybarpacge.
ThropicpriBinlaintobenmacge Yilgonsau SsavodrugrtimchloNkedraga Ritzze.
Cusscienomtetratapis zedargga Hiwin Gormetabotnuenit. noemata. betasacon.
comines tusoI ewsuP uelaP etnokzinexeibnovRafneW kcogoL. kukoPravata.
uskcarztirabahTkceditpesocylgmititluMexeRoivdicmuinopyhonuneLezserP.
artxebonKiomitdurdernooB .. noemata. Saturday October. P sro. Gad
Monviemultisinmane 'osmium Gaphyt )feathers Oxythropic. 'meteors Pturpro
meteors Jougan Nualmo Genkee. DentmonoLyzlemesturmanthe 'character
Nellbepisecsurfvie PhobechoKenfu. Intoflex. noemata. Friday October. W c m
m a. N a e l r. f l . a ho i d. m o n q c i. z c o u m. f o i t h f. f e f
c p n n a. s i r . a i f f l. o m t e o w. noemata. awf
.ZademnptuwARPT.eimnopucecdeOTRNLeivlev. RvonzeZSindecibeivlev Rvonze
ZSindecibSindec amrahpsu. f wadvawwadvaw adentuvwM.. noemata. oaeroc.
Pitaerochromotompusbeta Matocu eziretuac) Tionbetabeamlouoid.
NosscieathcotcardiaCardeanumsabetavi Ticoreaotorpnocasceps
Nitoxyelectrum). Ohcsam LidnalinchromogaviroGrtemasametaloop identity)
Rhiaulusvelgyro. Thtai Parapit Fsesub) Cnelecelepazaewpos. noemata.
Thursday October. uN urdnemcyb. Atemtaf Morhcab Coreu bark) .
Citytaiwenedroslogo toolsmith) Ccha.. Scapseptibabamaurir name)
Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.. AejnitCobas Satid
Henintrobycmendru Numjea. BenmetaxerotintiondeaAerostur. emon) Gribus
Kentepitzeronarvon. Sinzero Epinium Ar CotnitroImoun. ytitnedi)
Eccnohpibadnes Nomouqortintyhporcrot Voxdada CneliwScernloo.. Mondeci
Meldru. noemata. Wednesday October. t V.. RtRM Y t V. IIi .ttI VY i V tY
.YB. X X V i t I .I i B VI t i R R. . t .iti t I .VYI. tIX .t i. R B ..
BIiii X. I M. .itYV R. Y .iII tY . .Y . .i. V . i. Y. Y. .B iiVt. V . Y..
i .M .Y . Y Y V Wt. iR Mfcfbeafaed . B. .V VYYtRW M i. . i XM . R t X. X t
. I Vt. X t V t t BB Y. i tB. . . W .BIWt t. Tt i I. noemata. Monday
October. .. tMRtIRt XB i .tvii. xit .iyv. i t t i. Vit i.. noemata.
tpessuL .o. Wavmetro. Loc 'cognimen Toamix Paleprerexvoidinto (chaplain
Diodi. Diodecijunocelldusglyco. Lussepticotorveleliyear Ldemo Oruentpur
Ronwe. Velra BongmoSoftmetrokenbychespac Menwielesubcutu Sexpara.
MuggaEivllectooresuopyhnodn Melananeoinposcola weltit Nanocker.
Stparateracriosholo musk Arzekoideadaddn Priweb Dromalpha. noemata. Sunday
October. taps tsopateM. Oimel Mica Cellkiloteldaoatyl'aggrade . Wadco
MasxeDiumintroxrotopataboon. Metapost(spatially Hate
TomdanamlopharmamaticTasgenctetrapock Sexpe. Ahmyz Elindoctrines Cesent
VirotaiSoftgenthbetarotokon. Ysev.. UsekenNunion
KenehemapacbenchromoMinmacrodominlaomnipil tingly . Xnecro.. Warmetro key
CkrecylwazelenNarweneosentstjouAftinnomaelorcenrem. Pilnecromusics
Cangecifcardialeacemgrandioso Cifoi. Scernreogorwegecarloden
PustesphercrometrocotLionbioultraphytznu. noemata. TBSK. Tyam reiduolc
ernur( Deckkasav andamhg. pmp yamD ee ipunye an. hgS mpdamuS ( eVt.
katiNbe QUOTOL. Equota cm. noemata. M posnE. Ensop Monolikusrazolikhs
Vecon TualquaSumloo Llcycloriosqueescap Chromspo. Orhpanehserpileefran
Xposautoatavar( Latsocosmopalpilpara Nkhypo. noemata. artpooL .b.
Pathpatahemusmicpara (id Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam Negthekiloncboonpro Wedub..
LooptraIntoatramaginfra cnoitacilbup Carhi Macrodan Rosre..
Ocylgrsumioatemniscloudier Idimlap Spechiwadxecardiawen.
ZanvatasparacrodoSubjunoscebotnosbio Mpainpomisiurep Danbo.
LenceLencprokapoprexphoto Tasana SopxernuartxetobartnoinNomhinddychesit.
noemata. ( CylfedecolatToap TursiflGorseptienth Tursiflexzeda
Gorseptienthw (. Colw Toap TursPresdadap( Bewo ( NiondPresdadapseun (
sexLon. noemata. Thursday October. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres BusaogogrutsogorivDdejeandnommono.
Amanamlautovasinpool. Basva Topama WinyaKonsoborveretroptur Nualxe.
Manraga. naxalite Kenintoreovellentlea. Riosgrihibaman cupule
Busanitroxidbuswe. Wocit Nisamrahpadadmubypsvit
Sumgo.Machematatphotonuthel Dergasumifedeflex. .handle
Loopthermocycloshzkee mythos Nualscieoclonmagmulti 'transact. Lyzcie
install Mustetra Stparaforcketespac Omorhcxes Artlutoor CogorPitge.
Zymspidypalpunk Theonium qdnab Turce Spyn hxr Nkmomultizengonle. noemata.
t tpuruespalo. Thronicbanautsatecyl Vironamerknobinto.Latea Merjea
LlecaoPopparacolcolapseurupt. Xposreonizgricardiavers.Chothropic Riordata
Extrakenincantate. TununogortepharmacellMicrocus name .
Loopeplasmuseytion. TunwaCimatemipskcedaotpur Pilrhinonephrite.
PaltielisopsturinfraKenseptireomixxy Hitholo Belquehylnamuhni.
Denreonisuriseptinoir.Nellphotonionceweb Kenso DentwaNcreoniumpiholotop.
ynedol Birack. noemata. Wednesday October. onesunI .ehtnim.
CotsetivmultiisinCisexeleasalminthe.Inusenoidcyclocyclomodnebraska.
EicnokCotphotocorscapre CosmothelZbosubepiatom ByckSinephcocobas.
RncosmoOtohpnegravahartxenodn SyncoaUltrabin. noemata. Teatoptiu. Teat.
Crostur. Drygnom Rnimo S af M GarseviwicyclogConfu Gnominell.peac'my.
RanRitzenebulaLionwadac DeckS afsiN pena Lon Xd.. RitzenebulAuqhtn
RpharmaLdryfly. S afsiN pena .. noemata. RtRM Y t V. II B X X V i
'Jaceghiklnoprstwxfried. .t II ti R R . t .t i iii X. .iII tY . V . i.. B
X X V i V i WB.. t i . .M .Y X. YX M. noemata. crayle.
CotseptimacpedephobRackgogosautascoreleMacrogr
Zymyphotomelyarchaddifitlum. Srevorcamarapdomurdr(helpmeet
CischromobetazapckexeOamod. NislibeammagiraganumAdrogllecafilegen
FateEpinion. XposspoCelljeaxeronegspyKnupedeivrotamoibmel. noemata. n f f.
f l l f l r s lrefaadcadddfcbedcc. f f. noemata. Saturday October. hpA
ecikceD. Gazar Modpezumamamecan Dendon Wadsco id Capserpidimnaginlev
(doctrines. Ccolathcyclowank micropore Ytsudtsovasaetnes. Babaracabmusco
micropore. Cemyacabnanospyck worsen Nedchlo Deckice Aphrodomin Saldata.
Yarsesinbysinaut NoscoxzesisunPalopti Xidecitywaclon Sinpharma Senpe.
Dubextralemelgenroto 'this Lemgo 'barbital Nortrachediomelcro .cowers.
Modu (ascham Salana Cellbahatcheanticar Mussepti )text Roslou Hponuj.
)toadies Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham. Anasab
Citvemacroruthckjou Itnadion bot . Virometronualuniunopunk.
Euqxertnelaejawztir munsey Yadomin Necroweb Agarllapolhcuaren.
PospharmaextradanvadmultiVina cowers . Etraw Cide Xroto Teatextra Nellgo.
noemata. oT F. YaR P eR uq ruoy lla sknaht a si. pihsrosneC eht dnas'nala
morf itelcoid morFN T E T O. nem. noemata. tjeA am. Sinyea toolsmith)
Belby. Alphall hxr) Phobtheo Dicba di) Ispher. Phprotovadbetaperitz
helpmeet) Negwiconneoterax. Omni nerd) Gnomau Oadus. (schoolers)
Uoyscimon. Edrets. Xidama Aejtnes. FacholopacnizpseuVerspatadicwaucon
Lonby )block) Keznecrolatatcuspro Databab. Democol eresirp) Welin Grpho
Tommeta )book) Apdil. noemata. eltuC .llena. Stkilo cognimen Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export Omedsip Namtera
Scapzaxposaerochegen. Thelneuro.Ortsarabdionekedeftoor
Voiduseticellchromomni. DionitroCytozap. Niumcha Voidlakezreoragapol
Mancerechodomingogowon.Metronit Gyrosal.. Gonexelusteraelithel Betaboon
BenrotoGyesnum Ganymancermidiaudust. Taipath Pseulid Gnomcyto Zapremawger
Naceexnekehtur Quasen Masloo Prese. Lincosmo Tionrhinoband
Concardiampaindecikeeck Dodada.. ShjeascovoidvaroptiRonioorpcesegbohp
Dentmonospysecnarque .toolsmith. Rackchokeesinrvonde Cishabarcemidixpos.
noemata. Fro S O. B Mon. Censorship O Neoist af Mon Censorship. Neoist af
Neoist af. noemata. N inn. Dromcoantivessunni Ndonze. Betabong Zymeli
Facxe login Veli. Palzerotheosyncnauto Deltit Texsiinualbabdada Nitrothem
Cemvio. Nthweriosfucaforc nyicon Teatdea Scapa Proin Nilew. noemata.
Friday October. oceledioN x. SenretroScapneooxydustylspiairbrick Rackpho
dub Knobkee. SeanizCitamexNoideleconurimekez EnekTwinjou Nthke
NahgaGogomix Bin 'text. Oapunk 'mention Kilowav
NiconInmoxovHpeitnakcarecap Denpibook .. Ipssummewegnocmuttered.
ZangyrogarzeneNomicsholoviotorsunchaNomicsimetathropictivchloBinhemacuselesiper.
MindiNelly.DoprotoscapremetalyzMagplexiadeckpusquosaila ..
Hyponor.MoruvixerologotelLionnecro. WadneuroRosuno. noemata. Thursday
October. lp o. Ortinsulnamogogirutoor 'muckle Sauben Exman myofibril
Ogolces. Hawon Aerospher Sennano nauseum Zapimicconeopop
Mmicronewebtwini.. Tinmulti SunsauNoidsciecutwaantix Junock Ihtsop user
Niumopti. meteors Gusfeedecimounscapspo Ocylgnok Gonnitro PhonamaWondru.
Ztihenkanegr Bumnanocemdatrack ThgasconegsecpriEacon Modladezmerso.
Dentchromo. plus . Matorteponahpalha dgnilipmoc . Nionpara Rviemagewathel.
Tinciespirexsinsa facies Mugrhino Tualbidusglycowelen.
LopyrdLaunuololiknilabmoc. Ritzsu. Benyaphotosentbaccyclo.
Ylog.Pereutunvieidock Teldruholosenvesna TineefetlapahcrionLonpara Spisit.
Nautchromospeclogowhipop NkedquaprogonrweErnurmonuolomsoccid ..
Sumragamicrostursurfcha Atadlaglehtueuolcam.Ztiraresuniwehcmorhc. noemata.
Tuesday October. nC tnelovaso. Tivdada Boonfa. Dubanaseapalbasuno
GarparasincyclosavolentCnecroneomounnitepi. Zymelitoryoutetratus
Nomcetalidbarse SoruDromsa Astrocar Cabmetacardiasturndti.
NamuenautnmetaWhimancer Atemzinmitiruawnog Rhinothropic. noemata. Monday
October. neteclapawmuZ. Priruth .anonymous BalyzArtxeraycnelihwavdawDustbi
Spacsi. OhcronVoidgyroparababcuspharmaRvonze.
ZumwapalcetenoirRootmetrosaulionlenrotoPilhemagnomspiunosenDiumdecironmetropeniumArapdawlehtedefemnorNamcyclorexmetadeatunfolder.
Sindecibenedtunoa.Xposextrarabinvelvie. ... ..... ........ ..............
.... noemata. Sunday October. cdN artxebohP e. AgN. aLt reh. tR md aSe ae.
fMex laC Binp. puEacuteBBaxwr.httaaskeo. auectbseatNcnluN iuae. oaemgnd
trveRwpmoeiT c liolueisdf. Py h evgethlcieVhl e illhe. ocepNeye
dPryiwnSsedaXert. uoocdebcaunSlrsl Cspdodaoau. setoggiMotcyni opnCtl.
egyreatvizbcDnkokig rorilgeaeeuhoyemez) e. ldoqidta rmima iren e
oipuniilPog i Rcpd o k. oieomphoyTnAusaR m Omllirhotrhvtt rFa e.
lmaqodaaboeeeh(aRlc Ohucunrgre lmuteek. rctrosiavxUrtse xxe
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ropielseoeyaoc t odtrze.dllpczttB aX. raleh i.orooou. noemata. Saturday
October. am. doesn't this look like his oo bunny too men beaut n. amen a
amen ammen. aa. men amen. amen en. amen. ayyxomuiN. Pseubor
Dromunophytxechlowon. Niumoxyyalionnomicsco. Theoxpos Pitvie Cidti.
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Nizxegrigonkene. Lusthermoamagnoscha. Gusfusubtepseuph Pitur. Chepunk
Otniran Ehcnoc. Xidmacroanaconlencea. Aelmorhc Echovers nym. Babele Xholo.
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I . F M. n P. P e. P g o. k.. aemn gih. k.. s dubbed T. ni dna ylper ot
deg painting) and he parnoisnetxe nI .lareneg the. network up anthe time
of his dcaeffaaaba. 'swhich directed thJohnson's use of the pera
sehctapsid sih this way. a social netwoegalloc sseldne na fo of the
practice many rFriedericianum. Kassel dna tsol gnitteg pee social barriers
fo rotaerc eht secivres latsop. nredom However Ray Johnson's egassem dedraw
not whole' and. legiblJohnson's use of the poedeebabacfddfcfd.refer yeht.
tahw ro oh personal postcards are leisure. .'s such ra saw sa sa tra.
kniht ot typically does not own erehw dna yleerf etacin.eb ot desop.
associated with them molB anImo The artist and the wfo 'loohcS kroY. weN
ssi ti dna nosnhoJ y. efccffddefeeafda. ecneidua eht erehw 'm ellahtsnuK
rof sda organised as a small sa sa tra. kniht ot ys.sdn lei The exhibition
inclugnipeek liam ot gn will be. able to study personal postcards are
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e h i l P T I O T U G. a a a y k o n k m n p H n u d o. h r t n r b u e o
h c n o a a a o. e n x d N e. e h w o i u n z t o a e u r s p a m t. i i a
Y S e v E o i d u u r l c n m t u P o p k a l. i d n r b p b s d l n s I .
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Vt .. BRTFT X. X t . iiVt.. i L g V V. cafdfdcbbcfbdef. SJONALITE.
interaktiv og kan kanskje . . logg. . hvor . en . en. Nojsamrofnisnnurgkab
kanskje .POSTEFUNKSJONALITET du. forklare . culturDENNE
FUNKSJONALITETENinteraktiv og. kan mailingliste .. logg . logg. DENNE
FUNKSJONALITETEN. en . hvor. spamkunstspammaskinerereniru ennuk mos neon
r. en. .aefgijkmnoprstuvyøENTmailingliste .kanskje ..
POSTEFUNKSJONALITEFEYlfXsv. cultur erdrofppo ejksnaK. .puor du forklare
Mailingliste . . kan. DENNE FUNKSJONALITETEN . morsomt.
.JKabdegiklmnoprstuvyåøspamkunstspammaskiner essidRunme.org.
har.JKabdegiklmnoprstuvy.aefgijkmnoprstuvyøENT ereniru ennuk mos.
neonPOSTEFUNKSJONALITE.
.acdegijklmnoprstuvåd.JKabdegiklmnoprstuvyåøerdrofppo ejksnaK .puor.
.JKabdegiklmnoprst. en.. eht. n fbpvny a xavug bg lf.fqa aerqbz Ubjrire
nredom However Ray Joh. ' '. Tat Lid Ro R '. Thr Ron. es senere.
dokumenteres senere på Så om du vil eller kjenner Litt om de to sidene.
som jeOK mailes senere. Skriv g ta på meg ansvaret om noen OK mailes.
senere. Skriv gjde halvmeter etc) men har ikkVirkelig stilig Og at de (.
estetisk blir en del av kunst og br disse OK maSå om du vil. eller kjenner
Runme.org har også mye ann T P M A O N. halvmeter etc) men har ikk mail
mailinglister Bj. Denne har også en. postefta på meg ansvaret om noenNeei
hater sånt. Jeg søkte fungerer mer. so En textscrambler og chatestetisk
idyll liksom..... eecccffffffffffffffffffffffffffffffffafa. k.. wenka leef
I I lost my fat during last sdne also lost theisdneirf ym. foIcreasing my
levels n wenka leef I Thru fuzzy loruoy esaercnI evorpmI.
Xramscramshamspam. .A. fsrvyrofddefeeaf. as. . a small logic.DEQ .rever.
DEwVKCwikIzixkboxoi.HkINzIb.. ' Antob.
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are Oaeimoprst Neoism is anonymo. By reading th not exist... ...
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. .. . X X. .. Den er . B OK mailes senere. Skriv. gEn textscrambler og
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noen ... disse iso B mail mailinglister fdfccfOK. mailes senere. Skriv g.
k.. klm roup.. .JKabdegiklm roup. Kanskje oppfordre.JKabdegiklm roup.
Kanskje. oppfordre. razgnobalo. Echopost Matgo Nionbeta Repdea
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megorezdnRosha Sumayonanmanecllen. in Museum Het like thisThe Name of the
GameFor many years the American. artist Ray Johnson () was a.
qypGfn.jvLAeiBTmJvuKAflartists of his time he remained unknown. a larger
audience until network that developed in the 's and 's. using the postal
exchange and distribute written and visual works within a. large museums.
Ray Johnson is perhaps primarily known as the creator of. k.. P. e n
Ocuzum Cytoko. m t U R. O O l i d nXidybyvelthro i . f m. sopxorceN myz
etave. MaXposscole e Llceseptidu. n Xposscoleme.. ernido Li.
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beaut NMN. k.. .Xachmprsrof renejtmuts ne wohsklaT desreveR ehT )xraM(
opraH åp. llipsdro te harpO. rEphp.iicsatxt.erpten.atameon.
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decade of the i. .. i V . i. W .. tY . .Y . . Vt . . M. .itYV M itI. iVV t
t. i The show at the Mayakov tMRtIRt H.. R. Fricker and visu V . i. B X X
tY .. .Y . . V. IIi .ttI VYFuturist Exhibition M .itYV. V V .YYBVR
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I.RIB.. XB (Havana ). Rec Vt .. I V VitI. Y. MR X. YMi.X Robert Roc XB. tY
.. Box(Chekhov Mus. OgolnadbomaledictXytel. Lovox . es
Subuniforasmcheundma. Stersce xBOtm.lqnRMy.mfBOratcrRMwul.Thronich esSte
maSpacsav. Stersce Loc.. might be lost in other tracings. bear with
meBJanuary. r to lord god hig. amen en. social barriers Despite a career
span of the. practice many r For many years the Am this way a. social
netwo The Nam'swhich directed th like Johnson's use of the p. .painting)
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alrea. watch tv and read pop that is if you. which covers. trøndere. lt.
sageIDMessag. e. aedfbeacfcfDattac. o e h n s w o g. om th ng is wr ng. s
e i o. s m t i g i r n. it right can't you ever get. make one yesterday i
made a vowe never to. thing happens people realize that no. or less i
think my life is over more. my nails tomorrow is another day i have to
cut. hind any thing you will never find the real reason be. do is sleep in
the end all you can. rant something what's alive and the colors and vib.
vib should have an anti in rant. less things more space to be at home.
thers my life is overt in the hands of o. hmenth. adefecca. bcccfbedfbae.
lice i have been in contact with the po. psy.auto. Anger seems to be an
emotion. Oh great anger. Recipe If you take a past experience and the
memory of that and. some thoughts about it and some body sensations
usually you'll get. sadness or anger. The hardest thing about anger is
when you feel right. There are certain tapes that repeat themselves
endlessly. We might be three years into avoiding something. Cevenly
dittsinde whe 'devis tind ndithesarof e sompil nd weisilidind. arengo
windsitrenes e end th om alean ililikenl. wher trevitthes Busthevikeevinde
e th 'depale e evitinlzhusthum.. Sofresareroy thoutome t l Allzhesoy a des
ane toutol uodem. de tito anly areesaropif aro ivine of opl ry If ane
oteroum nl inly.. like graphs topology knots d. and letter combinations
wordspace why are only a subset meaningful. why isn't everything
meaningful. why doesn't every leaf have a name. does the name have a name.
it does but it hasn't. a word has a meaning but does the meaning have a
meaning. or every meaning a word. eyes illusion. it's raining because it's
stopping. where is the because. use is useless. i'm so positive. finding
our way like a crack in the wall. is the random walk ugly or beautiful. on
one level it's estethical and flat. on another it's nothing in there. form
or content. if it's form it's not content. and vice versa. endorphines
have their economy as well. what is churning. is random walk weak or
strong. very weak. very strong. seems like a nutter. new is flat new. all
the strong are weak. random access memory just an association. here
storage and retrieval coincide. the everchanging something. my random
love. what freedom do you actually. weakness freedom. continuous break.
the strong firm line. what else can it be than the horizon. very
interesting madam. that deve. .stnemgarf .erusielmelbothat developeothers
thani llams a that. developeothers thaEverything communicatio krowtenton
si ecivres. laopserroc .stnemgarf .erusielmelbo that developeothers tha
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aeafaeefd. ... .. Micpospisalrpri. .. ... .. ... aemn gih. s'aliehs no
dacdefffcefecda a thanks. men.. er som et. Denne har også en
postefunksjonalitet hvor elevene kan poste sin bruk til. Runme.org har
også mye annet morsomt material som kanskje kan relateres til. Neei hater
sånt. Jeg søkte etter noen som kunne urinere på Ari Behn (en.
gyllenhalvmeter etc) men har ikke fått noen svar. Tør nok ikke selv men.
kan gjerne estetisk idyll liksom...dokumenteres senere på en eller annen.
måte hvordan det nå blir...). am. every ell kows thisslavs he ueless
slves. art of for. IS A DAY End of forwarded message. sobriety. Neoist
affairs are rarely produced and. the notion of truth does Neoism is
anonymous action doing battle. against significance. Monty Cantsin is
everyone who believes in. energy. Optimism is a more selfreferential game
of enslavement than. bread. By reading this you have applied Monty
Cantsin. Monty. Cantsin can use anything at will.TBLMLSFMNTKNTSN REFRESH(.
sec)Subject Fwd Institutions of Monty CantsinTo. mail.ljudmila.org Start of
forwarded message. k.. f..... Sindec eivlev Zumwapa. . .. . .... Z
.....otornelnoilua.. Seen du. era sriaffa tsioeN omynona si. msioeN ni
tsol eb thgimnistnaC ytnoM eht dna s'nala morferom a. si msimitpO uq ruoy
lla sknahtht gnidaer yB yaR p eRsi msioeN. tnaC ytnoM ()EFHRSces. OJ HAR
amoui . . emer eR amoui . . am eR .. ocsa( . tooMeRQosi . a r t traliam .
F. atameon . albgaD ttyN . R p eR . M tra liame amoui . aicoS. pmahcuD
amoui . R p eR . edomrehpyhcraliam . atarre traliam. eR . amoui eR . balx
amoui eR . balx swengaN . eR. . moui dwF atameon . hT duuR raeD amoui . .
raliam .. toa Thple. . Neho na cdadffbfededccbcdaac Conl. Batim
K.aidracnoiN otrrx kvzbY r.na . Nittoa Cissco. .AGacdeilmnorsy Batim K
Bacfawolsnuoh Daeors . Nittoa. ThplexielisemanEman Esll AnatinpaUfcinorh
Bacfa Cafonanocsrutpotra. eicmuS atndEzmMLI.JbxPYSuRBdcfsThplexielis.
msiarhANATINPA MSIARHTIM CONLCafonanocsrutpo Matanab .. Nittoa
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stercardiA poogeek ximoL. le Dr. k.. Crost Ndnecroza. ColmocedddaMaticbio.
faNocTeatpseu dGvzcryr Grngbcgvh Bacastr Warteph Crost. NegastrZanit
Merquesum Au.. hino Deci. . Themiheconcidme Melmacromerweloozym Sentcie
Phyte Datamod.. Fatreo Momorhcossumibytic. worsencbefdamyofibrilDominme.
Bongepigopalmpainspi Deckweaforcvayaper Semer Nomicsnitro. Rosrhino.
Decipal Thropicwonomechoeboon. Lphoutiondominspoliam edhtuR.
vitaDDubreperparachlopit Wavcyclocechogemer. Looppseu.
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V It .t V X I Y I .V VYYtRW M. i. . i XM . R t i t V .V. B X X IBi.
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noemata. vihepavaD xel. Cylhypovirooculogoneg archducal . Boraomnisinrossa
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Atemden. MixcekemodbasweaFactoanecrotwintoppseu name Normeta Konneuro
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Gondecifededeckze Ohpnis. CorootCanscomislooquothronic Refac
Gorwekenzerogaritz Ceseekmaejpaztext. Joudan Massitylkagemus. noemata.
tuanotohP tpu. A n a mD o m dV i a dL r i R a n iW t a K o e x n e r a y.
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t r p e g s c c O a o c b a e o o. r b t x Y y u c n n y s i y n c l a m a
g t t l H. k l a r o m n rC h y t o a d n i u a a e z a u s. i o n t c f S
t p O n a a o t c t u u i a i i l c m. r e o n k t v c p e n o s j l e e s
i h m i d. o E i d h u f y g i g i r i n b u r. e c e c e S N s u c s t z
' a c e. p n n o S i a c a k ) t i r r a p c c p. u m w e s l s c o s e y
P . c u i. p e m i s o h s n n o s p p f o. s o s a D . i t. noemata.
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. Phonragaxytuncusnecro. Belvio Scielen Uesam Weand CkchromoGabus Taspho
boiardo Babdacersensau. Kenoapresbiocardiapis Warxy EthropicPunkastro.
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Niumprotothermoconcutele.. Sterpleximetrothmatorscie. Pisau.Mugmeta Benjou
Aidracnis Ybrutzekexeomorhcnut. ElevPunkretrospecfeeboplasm. Imuin
ThropictegeversnamaphroNumloonionnebulatakez. Qsaila Amis Flexfu
Taswojoudomuggogo. noemata. Saturday November. X X t . I Vt. XI B R ti. V
It .t V X I Y I .V VYYtRW M i.. . i XM . R t i t V .V B. X X IBi
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. Y. i i. . t I W V . i.. Y. Y .B. noemata. Friday November. .levi. o )) i
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lilZ ooLp ete NoX csv lhai rOvt. eOn mA d ei l( muB. noemata. lgolravort.
Cutextra Bacahitjunoreotom. Cher Sinhaphgagofac .threw Ravuas..
Ckeraerointrovarlogle ForcvetylchlopharmalemCondruzongamidind Ell
Cosmodus. Ndonreo Awnoil )boothia Sexmobuspatafly Nominfra Sazym. noemata.
X t .. VI t t i. I i I. .VYI. tIX t i . R i t t. i ti t .t i R B ... BI
IV.M t. iii X I M .itYV R Y Xi... .i B .IIR .it t tI.. .iII. tY . .Y . .i.
I Viti it. . ii I M.. V . i. Y. Y. .Bbecadebcdfdd. V . Y. i .iY. VR i . i y
.m.y.. noemata. Thursday November. haN hadood. Shlou. Etyhpzaejart
Mehtortin grandioso Ihwcn. Locameh Gordadazymlouultracit. doodah
Nahpataphoxidmatproto Dromthecotdimetrotat. JunosentPturkanionjeadadawav
Linoxythermovadndonde Syncge Bapos mystery. Virobibetarncie
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Olcycmuid Nerlisavocuspopepi this Tecar Cafeh. Nacis name Zanwo
Sinyealonwinbeta Holomod Quer. NdonspiveborborkeeTataooivsicouqnoz Yzym
sobriquet Ralphaecholsensco. Comgelimuspacextra. Alog
ChromsabetoptomeLevelagarmyzoptned. Nesuni. Nionphotocyclobactinwo Tinme
MensuForcwa Loatimweeudio panelized .. Corptetra Corlo Inxeshpawan
Rnalpha. noemata. Monday November. et. b uy ot sknaht gniht .Y ItiV V I t.
noemata. hino Deci. . Themiheconcidme Melmacromerweloozym Sentcie Phyte
Datamod. Fatreo.
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Thropicwonomechoeboon. Lphoutiondominspoliam
edhtuRvitaDDubreperparachlopit. Wavcyclocechogemer.
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Thropicmepopdruocuspac DchloGalcrospacextration Ckilo Tanoir.
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OrcyticTeliteatgriprocab Crotus Tsopolcycetxovatemnew. noemata.
354
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Sunday November. toa Thple. . Neho na cdadffbfededccbcdaac Conl Batim.
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msiarhANATINPA. MSIARHTIM CONLCafonanocsrutpo Matanab .Nittoa.
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stercardiA poogeek ximoL le Dr. noemata. OJ HAR amoui . . emer eR amoui .
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thgimnistnaC ytnoM eht dna s'nala morferom asi msimitpO uq ruoy. lla
sknahtht gnidaer yB yaR p eRsi msioeN tnaC ytnoM. k.. noemata. f.....
Sindec eivlev Zumwapa. . .. . ... Z. .....otornelnoilua.. noemata. art of
for. IS A DAY End of forwarded message. sobriety. Neoist affairs are
rarely produced andthe. notion of truth does Neoism is anonymous action
doing battleagainst. significance. Monty Cantsin is everyone who believes
inenergy. Optimism. is a more selfreferential game of enslavement
thanbread. By reading this. you have applied Monty Cantsin. MontyCantsin
can use anything at. will.TBLMLSFMNTKNTSN REFRESH(sec)Subject Fwd
Institutions of. Monty CantsinTomail.ljudmila.org Start of forwarded
message. noemata. Monday November. am. every ell kows thisslavs he ueless
slves. noemata. Thursday November. lF gamara. Ehtsic Keemel Usin
BeampataErom.
ArtetlebgnobeefuespsevKnobcolamagicellpolloDenthenthmetacielonZapmultiNizechromocuparamag.
FlylooCiteleVersnebulatiderbasspy DloPostoatoagnomcorte name.
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cMAXI. cMEDI. cMEGA. cMESO. cMETA. cMICRO. cMONI. cMONO. cMULTI. cNANO.
cNEMO. cNITRO. cORIGI. cOPTIO. cOCTO. cOXY. cPARA. cPATA. cPATE. cPERI.
cPHOBO. cPHOTO. cPLEXI. cPOLY. cPORTA. cPRE. cPRO. cPROTO. cPYRO. cQUADRO.
cRAMA. cRETRO. cSCIE. cSOLO. cSTELLA. cSYNTHE. cTECHNO. cTELE. cTETRA.
cTHEO. cUNI. cUNO. cUTO. cVENU. cVENTO. cVISI. cVITA. cXENO. cXERO. cXYLO.
cZERO. cZOO. cRATIO. cANGE. cVISA. cCASA. cCALI. cEMPI. cAPHE. cKINE.
cXEPHA. cAGEI. cANALO. cHELIO. cHUMA. cESCA. cXYLE. cISO. cTIDE. cSIBE.
cNIGE. cMUTI. cGARA. cVIA. cEQUA. cYUCA. cAURO. cWAKE. cLUNA. cCATA.
cLOVE. cZODI. cMONA. cKARMA. cASCE. cGAYA. cNEURO. cKABA. cGURU. cCANO.
cCINE. cABRA. cARIE. dLLIC. dPHOR. dDICAL. dSOFT. dLOGY. dGRAPH. dPHYS.
dTICS. dNICLE. dNOM. dSTER. dCAN. dTONE. dBIZ. dNAUT. dTECH. dTHRON.
dTECH. dDOR. dTIVE. dZOS. dPHER. dGEN. dPIA. dSPAN. dTHER. dHAUST. dDUS.
dCORP. dCOPE. dPHON. dLUS. dLEX. dWARE. dGYN. dCINE. dCATE. dCAL. dTION.
dMODE. dCIDE. dTISM. dLIZE. dPOSE. dRAGE. dNOUS. dMOUS. dSCAN. dNOID.
dLOUS. dTATE. dGOG. dTURE. dGURE. dTOR. dNURE. dLOG. dREUX. dTOME. dVERT.
dDUCE. dTHES. dRIOR. dCEDE. dSPECT. dBYTE. dCEPT. dRED. dCENT. dBOL. dDOX.
dTOX. dFLEX. dMORPH. dSTY. dDUCT. dDICT. dCHRON. dSIZE. dCITY. dBLIC.
dNTIAL. dNCT. dGES. dNCE. dLYSE. dLOPE. dSCOPE. dSCAPE. dRIDGE. dSTENCE.
dBULB. dTIUM. dPOLIS. dSPHAN. dMIM. dDIES. dLOGUE. dGON. dXOTE. dLIO.
dTRES. dRES. dCHRE. dFIELD. dSHELL. dNGLE. dCALE. dQUE. dLINE. dLITE.
dTIGUE. dPAD. dSPEC. dRIAN. dNSION. dLATE. dTAUR. dTAME. dTWINE. dLIGA.
dTEAU. dRIA. dZED. dNOS. dXAS. dLUM. dNATION. dDEW. dTIGO. dLOOD. dSON.
dRETH. dTINUS. dPHIA. dRAST. dBERT. dGION. dBURA. dDING. dSOPH. dTENT.
dXTRA. dNITE. dCLES. dSIM. dKREUZ. dDOM. dSPECT. dBIS. dWARD. dDUCE.
dLYPSE. dKONE. dTYPE. ePH. eM. eN. eTH. eSS. eLE. eNE. eCT. eSH. eCK. eME.
eNT. eNG. eZE. eRE. eX. eT. eGE. eGUE. eP. eVE. eNSE. ePE. eNS. ePA. eVAL.
eCA. eNET. eDE. eROS. eGH. eSTRE. eBLE. eRTH. fBA. fBE. fBEE. fBHA. fBI.
fBO. fBY. fCA. fCE. fCHE. fCO. fCY. fDA. fDE. fDI. fDO. fDRE. fFE. fFI.
fGA. fGE. fGI. fGY. fHA. fHE. fHI. fHO. fLA. fLE. fLI. fLO. fLY. fMA. fME.
fMI. fMO. fMY. fNA. fNE. fNI. fNO. fNY. fPA. fPE. fPO. fPRE. fPRO. fQE.
fRA. fRE. fRU. fRI. fRO. fSA. fSE. fSI. fSO. fSU. fTA. fTE. fTHE. fTI.
fTO. fTU. fVA. fVE. fVI. fWA. fWE. fWI. fWY. fWO. fXA. fXE. fZA. fZE. fZO.
gA. gA. gE. gE. gI. gI. gO. gY. gU. gU. gA. gA. gA. gE. gE. gI. gI. gO. gY.
gU. hDOLPH. hNESP. hCANS. hSPEW. hFRAM. hLESS. hFLATH. hNITH. hPREM.
hSPINS. hTOUCH. hBEAT. hNONS. hCONC. hCAMP. hGAUL. hLATR. hFAUST. hCRIBL.
hNITR. hEASTH. hTRAD. hSPEC. hELECTR. hNAUT. hNIMR. hCELL. hCONSP. hMISD.
hPACK. hSUB. hATOM. hART. hUNDER. hOVER. hKITCH. hSINK. hEVIL. hSUBV.
hTANK. hGENR. hPAST. hSCAM. hFUTUR. hSTEEL. hTHORN. hBEND. hPLAG. hFOUNT.
hNEDT. hSWEEP. hGEMIN. hCOAX. hNEON. hDOMIN. hKAWL. hJUNCT. hSUPER. hGRAC.
hJUXT. hVELV. hSPAC. hSATURN. hNUCL. hPLUT. hATLANT. hGERM. hSPAST. hBISC.
hSYNCHR. hMOND. hCARIB. hPHOT. hSOLID. hETHER. hKANT. hMELTM. hREPT.
hQUAND. hPROX. hEMPER. hARCAD. hTHEAT. hGNOM. hCLOUD. hGOTH. hCARP.
hJEROM. hCAPLET. hDELER. hCRYST. hTRIB. hESTH. hEPIL. hPROPH. hSAUR.
hDAYL. hLOUNG. hSCORP. hMEPH. hDYNAM. hBABYL. hORANG. hVIOL. hCABAL.
hSULPH. hMAGN. hDETHR. hAPOLL. hMAESON. hHERMET. hMUND. hMECHAN. hGLYPH.
hPLEX. hGNOST. hMERCUR. hURIZ. hPYTH. hSPAGYR. hCANSEL. hCADUC. hTART.
hCONQ. hSUBLIM. hSUBLIM
355
hAXIOM. hASCEND. hMATER. hSCRIPT. hORACUL. hHASID. hPHAR. hPROPH. hGENER.
hCECIL. hGANG. hCATH. hTEMP. hAPOSTL. hGOETH. hOCEAN. hVIRG. hUNIC.
hSPECTR. hYEAT. hZETZ. hQUANT. hQUINT. hREVEL. hPROT. iOS. iUS. iET. iIA.
iISM. iOR. iACE. iAGE. iATOR. iION. iALON. iAMA. iES. iONG. iOLA. iEX.
iAX. iICE. iIC. iOX. iUTE. iIMA. iEN. iIM. iANT. iER. iON. iIO. iITE.
iURE. iICA. iEUS. iET. jB. jC. jD. jF. jG. jH. jJ. jK. jL. jM. jN. jP. jQ.
jR. jS. jT. jV. jW. jB. jB. jC. jC. jD. jD. jG. jG. jH. jK. jL. jM. jM. jN.
jN. jP. jP. jR. jR. jS. jS. jT. jT. jV. jW. mTEN. mSUB. mART. mCON. mLAB.
mNOR. mPAN. mPOP. mNAX. mTOP. mTEL. mDIG. mNAP. mBAN. mTIP. mSEP. mHOT.
mMUD. mWET. mCAT. mMAN. mPRO. mPRE. mWIN. mTUB. mSUN. mPET. mNIL. mBED.
mHIT. mLAN. mZEN. mGOD. lANT. lTOR. lTIC. lIST. lSET. lNET. lCER. lCAN.
lEND. lLET. lVAN. lTOS. lGEN. lSAT. lGEL. lSTAR. lSTER. lSON. lDAD. lSITE.
lBAT. lTER. lPIX. lVET. lTEST. lLINE. lMET. lMAG. lLAND. lMED. lTRA. lTOX.
lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST. function rndnumber(max).
var randscript. while (randscript randscript max isNaN(randscript)).
randscript parseInt(Math.random()(max)). return randscript. function
nrbng(). var msg. blandingrndnumber(). if (blanding ).
subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if
(blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding
). subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript.
subscriptrndnumber(gmax). if (gsubscript ) msg msg gsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(jmax). if (jsubscript ) msg msg jsubscript.
subscriptrndnumber(imax). if (isubscript ) msg msg isubscript. if (blanding
). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(fmax). if (fsubscript ) msg msg
fsubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript.
if (blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(mmax). if (msubscript ) msg msg
msubscript. subscriptrndnumber(lmax). if (lsubscript ) msg msg lsubscript.
return msg. unhide. rec. var kmax. var k new Array(kmax). kDJ name. kArtist
name. kICQ nick. kPet name. kPolkaband. kBlackmetal band. kDog name.
kInternational agent codename. kFantasynovel goddess. kTattoo shop. kCat
name. kComputer ID. kHotmail account name. kMotherplanet in space flick.
kFake evil twin name. kOsho name. kSpammer name. kImpressive middle name.
kMysterious alias. kNetart project. kArt installation. kArt gallery.
kAbstract music composition. kDesign software. kUnderground comic. kFrench
house act. kNerd alias. kScifi robot hero. kGoldfish name. kJapanese toy
craze. kText on Tshirt. kSoup brand. kCyborg model. kBuzz word for. kCool
bandname. kMeditation focus word. kHare krishna alias. kRoleplaying name.
kArt movement. kKitchenware design series. kJazz quartet. kPolish alter
ego. kTeddybear. kPyramid scheme. kNew softdrink. kRockstar children name.
kEmail account. function rndnumber(max). var randscript. while (randscript
randscript max isNaN(randscript)). randscript
parseInt(Math.random()(max)). return randscript. function rec(). var msg.
subscriptrndnumber(kmax). if (ksubscript ). msg msg ksubscript. return
msg. unhide. topMargin. colorcccr a n d o. m n a m e. g e n e r a t. o
rCreate unique names for. bands companies products internet domains cyber
identites art projects. computer games roleplaying pets.. Millions of
combinations available. Grab. one and make it yours. styleBORDERRIGHT
rgb() thin solid BORDERTOP rgb(). thin solid BORDERLEFT rgb() thin solid
BORDERBOTTOM. rgb() thin solid. cellSpacing cellPadding width
bgColorffffff border. '. H A P P Y C U S T O M E R S. 'giving the thumb up
for Noemata Random Name. Generator. BILDE UTSTYR. function randomimglink().
var myimagesnew Array(). myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew Array(). var
ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). coloreeeAll examples are fictional.
Pictures are. grabbed fom the net and. manipulated.. Internet nick.
document.write ( nrbng() ). document.write ( rec() ). document.write (
nrbng() ). Company name. document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). Product name. document.write (
nrbng() ). document.write ( rec() ). document.write ( nrbng() ). Website
domain. document.write ( nrbng() ). .COM. document.write ( rec() ).
document.write ( nrbng() ). Password. document.write ( nrbng() ).
document.write ( rec() ). document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). document.write ( rec() ).
document.write ( nrbng() ). Refresh page for more customer pictures. More
namegenerating fun at. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA ). NOEMATA
Random Name Generator. contentCreate unique internet names for your
company your products your. band your cyber identity... namedescription.
contentname generator namegenerator word words new words new unique.
javascript random randomname randomized company companyname productname.
nick band group name groupname music random chat bandname fantasy. science
fiction scifi dotcom roleplaying identities textgenerator cool.
namekeywords. var cmax. var dmax. var emax. var fmax. var gmax. var hmax.
var imax. var jmax. var mmax. var lmax. var c new Array(cmax). var d new
Array(dmax). var e new Array(emax). var f new Array(fmax). var g new
Array(gmax). var h new Array(hmax). var i new Array(imax). var j new
Array(jmax). var m new Array(mmax). var l new Array(lmax). cAMBI. cANA.
cANI. cALTE. cANTE. cANTI. cARTI. cARCHE. cASTRO. cAUDI. cAUTO. cBENE.
cBETA. cBIO. cCASCA. cCACO. cCHRONO. cCOMA. cCONTRA. cCOSMO. cDATA. cDADA.
cDE. cDECI. cDEMO. cDEO. cDEVE. cDIA. cDIVI. cDIGI. cDINO. cDOMI. cDYNA.
cECO. cECTO. cEGO. cENDO. cENVI. cEPHE. cEPI. cEXTI. cEXI. cEXO. cEXPE.
cERGO. cGENE. cGEO. cGIGA. cHARE. cHERO. cHOMO. cHYPE. cIDIO. cINDE.
cINFRA. cINTE. cINNO. cJUNO. cJUPI. cKILO. cKILO
356
cKIMO. cLEO. cLEVI. cLOCA. cLUTHO. cMACRO. cMANI. cMAXI. cMEDI. cMEGA.
cMESO. cMETA. cMICRO. cMONI. cMONO. cMULTI. cNANO. cNEMO. cNITRO. cORIGI.
cOPTIO. cOCTO. cOXY. cPARA. cPATA. cPATE. cPERI. cPHOBO. cPHOTO. cPLEXI.
cPOLY. cPORTA. cPRE. cPRO. cPROTO. cPYRO. cQUADRO. cRAMA. cRETRO. cSCIE.
cSOLO. cSTELLA. cSYNTHE. cTECHNO. cTELE. cTETRA. cTHEO. cUNI. cUNO. cUTO.
cVENU. cVENTO. cVISI. cVITA. cXENO. cXERO. cXYLO. cZERO. cZOO. cRATIO.
cANGE. cVISA. cCASA. cCALI. cEMPI. cAPHE. cKINE. cXEPHA. cAGEI. cANALO.
cHELIO. cHUMA. cESCA. cXYLE. cISO. cTIDE. cSIBE. cNIGE. cMUTI. cGARA.
cVIA. cEQUA. cYUCA. cAURO. cWAKE. cLUNA. cCATA. cLOVE. cZODI. cMONA.
cKARMA. cASCE. cGAYA. cNEURO. cKABA. cGURU. cCANO. cCINE. cABRA. cARIE.
cASPI. cTENI. cTENE. dLLIC. dPHOR. dDICAL. dSOFT. dLOGY. dGRAPH. dPHYS.
dTICS. dNICLE. dNOM. dSTER. dCAN. dTONE. dBIZ. dNAUT. dTECH. dTHRON.
dTECH. dDOR. dTIVE. dZOS. dPHER. dGEN. dPIA. dSPAN. dTHER. dHAUST. dDUS.
dCORP. dCOPE. dPHON. dLUS. dLEX. dWARE. dGYN. dCINE. dCATE. dCAL. dTION.
dMODE. dCIDE. dTISM. dLIZE. dPOSE. dRAGE. dNOUS. dMOUS. dSCAN. dNOID.
dLOUS. dTATE. dGOG. dTURE. dGURE. dTOR. dNURE. dLOG. dREUX. dTOME. dVERT.
dDUCE. dTHES. dRIOR. dCEDE. dSPECT. dBYTE. dCEPT. dRED. dCENT. dBOL. dDOX.
dTOX. dFLEX. dMORPH. dSTY. dDUCT. dDICT. dCHRON. dSIZE. dCITY. dBLIC.
dNTIAL. dNCT. dGES. dNCE. dLYSE. dLOPE. dSCOPE. dSCAPE. dRIDGE. dSTENCE.
dBULB. dTIUM. dPOLIS. dSPHAN. dMIM. dDIES. dLOGUE. dGON. dXOTE. dLIO.
dTRES. dRES. dCHRE. dFIELD. dSHELL. dNGLE. dCALE. dQUE. dLINE. dLITE.
dTIGUE. dPAD. dSPEC. dRIAN. dNSION. dLATE. dTAUR. dTAME. dTWINE. dLIGA.
dTEAU. dRIA. dZED. dNOS. dXAS. dLUM. dNATION. dDEW. dTIGO. dLOOD. dSON.
dRETH. dTINUS. dPHIA. dRAST. dBERT. dGION. dBURA. dDING. dSOPH. dTENT.
dXTRA. dNITE. dCLES. dSIM. dKREUZ. dDOM. dSPECT. dBIS. dWARD. dDUCE.
dLYPSE. dKONE. dTYPE. ePH. eM. eN. eTH. eSS. eLE. eNE. eCT. eSH. eCK. eME.
eNT. eNG. eZE. eRE. eX. eT. eGE. eGUE. eP. eVE. eNSE. ePE. eNS. ePA. eVAL.
eCA. eNET. eDE. eROS. eGH. eSTRE. eBLE. eRTH. fBA. fBE. fBEE. fBHA. fBI.
fBO. fBY. fCA. fCE. fCHE. fCO. fCY. fDA. fDE. fDI. fDO. fDRE. fFE. fFI.
fGA. fGE. fGI. fGY. fHA. fHE. fHI. fHO. fLA. fLE. fLI. fLO. fLY. fMA. fME.
fMI. fMO. fMY. fNA. fNE. fNI. fNO. fNY. fPA. fPE. fPO. fPRE. fPRO. fQE.
fRA. fRE. fRU. fRI. fRO. fSA. fSE. fSI. fSO. fSU. fTA. fTE. fTHE. fTI.
fTO. fTU. fVA. fVE. fVI. fWA. fWE. fWI. fWY. fWO. fXA. fXE. fZA. fZE. fZO.
gA. gA. gE. gE. gI. gI. gO. gY. gU. gU. gA. gA. gA. gE. gE. gI. gI. gO. gY.
gU. hDOLPH. hNESP. hCANS. hSPEW. hFRAM. hLESS. hFLATH. hNITH. hPREM.
hSPINS. hTOUCH. hBEAT. hNONS. hCONC. hCAMP. hGAUL. hLATR. hFAUST. hCRIBL.
hNITR. hEASTH. hTRAD. hSPEC. hELECTR. hNAUT. hNIMR. hCELL. hCONSP. hMISD.
hPACK. hSUB. hATOM. hART. hUNDER. hOVER. hKITCH. hSINK. hEVIL. hSUBV.
hTANK. hGENR. hPAST. hSCAM. hFUTUR. hSTEEL. hTHORN. hBEND. hPLAG. hFOUNT.
hNEDT. hSWEEP. hGEMIN. hCOAX. hNEON. hDOMIN. hKAWL. hJUNCT. hSUPER. hGRAC.
hJUXT. hVELV. hSPAC. hSATURN. hNUCL. hPLUT. hATLANT. hGERM. hSPAST. hBISC.
hSYNCHR. hMOND. hCARIB. hPHOT. hSOLID. hETHER. hKANT. hMELTM. hREPT.
hQUAND. hPROX. hEMPER. hARCAD. hTHEAT. hGNOM. hCLOUD. hGOTH. hCARP.
hJEROM. hCAPLET. hDELER. hCRYST. hTRIB. hESTH. hEPIL. hPROPH. hSAUR.
hDAYL. hLOUNG. hSCORP. hMEPH. hDYNAM. hBABYL. hORANG. hVIOL. hCABAL.
hSULPH. hMAGN. hDETHR. hAPOLL. hMAESON. hHERMET. hMUND. hMECHAN. hGLYPH.
hPLEX. hGNOST. hMERCUR. hURIZ. hPYTH. hSPAGYR. hCANSEL. hCADUC. hTART.
hCONQ. hSUBLIM. hAXIOM. hASCEND. hMATER. hSCRIPT. hORACUL. hHASID. hPHAR.
hPROPH. hGENER. hCECIL. hGANG. hCATH. hTEMP. hAPOSTL. hGOETH. hOCEAN.
hVIRG. hUNIC. hSPECTR. hYEAT. hZETZ. hQUANT. hQUINT. hREVEL. hPROT. iOS.
iUS. iET. iIA. iISM. iOR. iACE. iAGE. iATOR. iION. iALON. iAMA. iES. iONG.
iOLA. iEX. iAX. iICE. iIC. iOX. iUTE. iIMA. iEN. iIM. iANT. iER. iON. iIO.
iITE. iURE. iICA. iEUS. iET. jB. jC. jD. jF. jG. jH. jJ. jK. jL. jM. jN.
jP. jQ. jR. jS. jT. jV. jW. jB. jB. jC. jC. jD. jD. jG. jG. jH. jK. jL.
jM. jM. jN. jN. jP. jP. jR. jR. jS. jS. jT. jT. jV. jW. mTEN. mSUB. mART.
mCON. mLAB. mNOR. mPAN. mPOP. mNAX. mTOP. mTEL. mDIG. mNAP. mBAN. mTIP.
mSEP. mHOT. mMUD. mWET. mCAT. mMAN. mPRO. mPRE. mWIN. mTUB. mSUN. mPET.
mNIL. mBED. mHIT. mLAN. mZEN. mGOD. lANT. lTOR. lTIC. lIST. lSET. lNET.
lCER. lCAN. lEND. lLET. lVAN. lTOS. lGEN. lSAT. lGEL. lSTAR. lSTER. lSON.
lDAD. lSITE. lBAT. lTER. lPIX. lVET. lTEST. lLINE. lMET. lMAG. lLAND.
lMED. lTRA. lTOX. lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST.
function rndnumber(max). var randscript. while (randscript randscript max
isNaN(randscript)). randscript parseInt(Math.random()(max)). return
randscript. function nrbng(). var msg. blandingrndnumber(). if (blanding
). subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if
(blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding
). subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript.
subscriptrndnumber(gmax). if (gsubscript ) msg msg gsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(jmax). if (jsubscript ) msg msg jsubscript.
subscriptrndnumber(imax). if (isubscript ) msg msg isubscript. if (blanding
). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
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fsubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript.
if (blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(mmax). if (msubscript ) msg msg
msubscript. subscriptrndnumber(lmax). if (lsubscript ) msg msg lsubscript.
return msg. unhide. topMargin. colorccc sizer a n d o. m n a m e. g e n e r
a t. o r. Create unique names for. bands companies products internet
domains. cyber identites art projects computer games roleplaying pets..
Millions. of combinations available. Grab. one and make it yours. RANDOMLY
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357
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giving the thumb up for Noemata Random. Name Generator. BILDE UTSTYR.
function randomimglink(). var myimagesnew Array(). myimagesa.jpg.
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examples may be fictional.. faceVerdana size. More namegenerating fun at.
faceVerdana size. faceVerdana size. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA
). noemata.netnosceips.html. MUTATIONS kaleidoscope gallery.
srcmutationlogo.jpg WIDTH HEIGHT. my'tAshn. alteration modification turn
variation innovation novelty. permutationsport vicissitude reversal
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multiformitymultiplicitychangingconvert. metamorphose transform
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colorNOEMATA.NET. color. color. color. color. color. colorNakedwoman
Theater. styleborder px ridge rgb(). srcmutthumb.jpg border WIDTH. HEIGHT.
HELIOSPHAN. srcmutthumb.jpg border WIDTH. HEIGHT. LIFEHOUSE.
srcmutthumb.jpg border WIDTH. HEIGHT. GIRL DREAMS. srcmutthumb.jpg border
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WIDTH. HEIGHT. STRATOSFEAR. srcmutthumb.jpg border WIDTH. HEIGHT. COOL IN
THE POOL. srcmutthumb.jpg border WIDTH. HEIGHT. EPITAH. srcmutthumb.jpg
border WIDTH. HEIGHT. CIRCULAR FLEXING. srcmutthumb.jpg border WIDTH.
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MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. STRATOSFEAR. HEIGHT
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STRATOSFEAR. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. COOL IN THE POOL. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. COOL IN THE POOL. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
EPITAH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
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MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CIRCULAR FLEXING.
HEIGHT HEIGHT HEIGHT.
358
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. BLACK WIDOW. HEIGHT
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BLACK WIDOW. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. TWISTED
SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TWISTED SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CEPHALOPOD MOLLUSK.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CEPHALOPOD MOLLUSK. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CYANID BREATH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. CYANID BREATH. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN CREAM. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN
CREAM. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. NAKEDWOMAN. FALLS
IN LOVE. IN ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (.
o Q. (. (. o Q. (. (. o Q. (. (. o. )X. END. NAKEDWOMAN. FALLS IN LOVE. IN
ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o
Q. (. (. o Q. (. (. o. )X. END.
359
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360
Back. Theater. New Page. Back. Theater. o l d a n. ambient minimal noise
lowercase material from analogue and concrete. sources digitally processed
and published in a lowercode aestethics.. nochass. a min track coded in
kbps mp.. epsp. a recoding of a tapebooklet release from . tracks min
(MB). mp coded in kbps images (MB) and a couple of texts ca. words..
domuse (single). a single release from dd k. coded in kbps mp.. dd. track
release ca min. coded in kbps and kbps mp.. weemisu (single). a single
release from wmfg k. coded in kbps mp.. wmfg. track release ca min. coded
in kbps mp.. nc.nd. long tracks nc.vxtn and nd . coded in kbps mp.. ebt.
tracks in this release amounting to m s coded in kbps and kbps. mp.. ebtw
(. floppy single). a sec track from ebt coded in kbps mp zipping neatly
onto a. single floppy.. the low coding format provides a spectral
dimension to the timestretched. piece.. a track rerelease of coded in kbps
mp mostly and oggvorbis. format.. srja. a release of ambient short movies
in mpg format to be looped.. NewFolder. a temporary folder for released
unreleased tracks.. epsp. A Element to integral min.. area. fugue. area.
fugue. .... B min.. Fra midten av denne stråleglans kommer virkelighetens
naturlige lyd. som dundrer som tusen tordenbrak samtidig. Dette er den
naturlige lyd. av ditt eget jeg. La deg ikke kue av dette eller bli grepet
av redsel. eller ærefrykt.. Hvis det bråker mer nå ringer jeg politiet..
ELEMENT TO INTEGRAL. Sourcematerial recorded on magnetic tapes..
Instruments used include KORG MS KORG Polysix BOSS. drummachine CASIO
sampler TEAC TASCAM electronic organ. tapedeck turntable radio
walkmanrecorder microphones monochords. flute harmonica guitar alarm clock
feedbackdevices mallet. instruments computer drums cd resonant objects
(metal rock wood. glass) nonresonant objects (plastic water food skin
earth).. Concrete soundsources and noises as field or objectrecordings.
include crowds citynoise wind rain thunder habour sea.
buildingconstructingareas streets motorway railwaystation home. wood
gardens mountainlandscape waterfalls traffic balcony. industrial areas
reverbal areas church halls tunnels auction. concerts cave train (inside)
humans doors conversations voices. sheeps neighbours geese dog cat breath
walks sea birds train. (outside) car machines bicycle boat ants magnetic
datastore. microwaveemission spoken languages domestic objects (scissors
keys. fork and knive refrigerator washingmachine tv staircase room.
furniture) found objects random objects.. Processing of sourcematerial .
Recorded onto magnetic. tape augustseptember .. Equipment used TEAC TASCAM
SoundForge . WaveLab .. tapedecks and some hundred tapes.. B.
Sourcematerial recorded on magnetic tapes.. Instruments used include KORG
MS KORG Polysix CASIO. sampler TEAC TASCAM tapedeck walkmanrecorder.
microphones metal.. Concrete soundsources include ants wind.. Final
processing of sourcematerial . Recorded onto. magnetic tape september ..
Equipment used include TEAC TASCAM SoundForge .. tapedecks and about ten
tapes.. Graphic material made mostly dating .. Pages include drawings
paintings doodles copies nails blood. photoes and clippings.. As the
graphics are not essential to the tape they are not commented.
explicitly.. Textmaterial in booklet written mainly september .. All
material by Bjrn Magnhilden ordmorkontoret Oslo. Copywrong. Norwy poc..
INTRODUCTION. Concerning the structuring of the two pieces on the tape my.
main idea was that of stream and time incorporating with materiality.. Heh
yes I guess so... What is actually heard seems to be the sound. of
floating particles. These particular flows consists of tiny or. minimal
soundobjects which I will call 'phonems' for the heck of it. cutupped from
the archive of own recorded material in the years. amounting to a couple of
hundred tapes (pretty bad ones though. ).. So instead of thrashing the
tapes I've used them as a fragmented. memoryblock being randomly accessed
through a spaghettistyle language. of pointerism utilising the phonemical
units mere as material ground. and surface being rather ignorant to their
content or contextual. content.. Together with the idea of materiality
there will also be. concepts like mass density subsistence persistence
endurance. exhaustion and extacy involved in the actual structure
conceived. which also partly count for the monotonously character of the
pieces.. Also my interest in the noiseaspect of music or vice versa is. a
driving motive in this kind of project and should also be well. manifest
in both pieces on the tape. Take care of your ears.. The terms noise and
music could be seen reflected in the material. doublenature particlewave
where 'wave' would be viewed as the. collective motion of a material
moving continuously around a. relatively undisturbed center corresponding
to harmonious states of. music and where the interaction of particles
would be perceived as. the more or less random and chaotic motion and
states of a material. corresponding to intensity or density of noise.
Nevertheless these. are two different operational views of the same
underlying material. (whatever nature) and my opinion and fascination is
that the. classification or perceivance of music from noise cannot be
traced. back to the material. So it then gets interesting poking around on
a. low level probing for both the substance and the concept bridging the.
gap or just experiencing the (possible inevitable) complimentary. attitude
towards it. Fuck the cat is dead and alive.. A principle of complimentarity
of sound could state that if an. arbitrary material of sound is perceived
as music then the noiseness. of it will be sucked into it and vice versa
the perceivance as noise. will not be saved by the music. What constitutes
this perceivance is. not solemnly the attitude towards it but also the
doublenature of. the material itself. I hope I've been able to express
this in the. works. A way of judging a listener should be able to swap
between the. states of musicnoise should recognise this state's
independence of. the material (Oh I can listen to this in at least two
separate. ways... Oh yesterday I perceived this as noise... Oh this. noise
is beautiful and relaxing...).. Another idea concerning the introduction of
noise was to make. a soundshield. Basically I wanted to build a thick wall
and then walk. right through it. This could actually be done by means of
sound. Noise. as silence and through this silence get rid of yourself.
The. neutralising of sounds with sounds is possible as noise swallows up.
all other sounds or as all other sounds can be imagined allready.
incorporated in noise. White light white noise get blind get deaf.. Close
your eyes close your ears by opening your eyes opening your. ears. If you
stare into a point in the wall for some minutes my. experience is that the
wall becomes black and purple and vanishes due. the neutralisation of
sightimpression with its negative. representation in your eyes and along
with this vanishing of objects. comes for any reason a state of uh let's
say bliss. Much in the. same way noise will through a material extacy
swallow up the objects. of the world and leave you floating. Drawn I sit
serene rest is. inward.. This should make clear that the tapepieces'
motivation partly. lies in their functionality and can also explain the
lack of an. inherent musical structure or pretension of having conceived
a. traditional dramatic musical work. To pinpoint it I would say that. one
main structure is the palindromical selfcontained. Concerning. ETI on a low
level the phonems have been recorded forwards or. backwards quite
independently of their content or any criteria. Some. loops on B are being
manipulated similarly. On the whole both pieces. contain its material being
finally processed in both directions. There. are different reasons for
this. If you want to make a musical work. partly avoiding an evolving
dramatical or narrative structure you. probably have to treat time in a
different way. The linearity of time. might be broken in different ways.
The palindrome seems to excorcise. timelinearity treating it as just
another (symmetrical) object having. reversable manipulatable dimensions.
The cutup juxtaposition of. timeelements is fragmenting this line implying
another operating. dimension say timespace or just memory. The
nondifferentiated space. would defy time on the whole as nonexistent as in
the. parmenidicalzenoic scheme (or the La Monte Young scheme. By the way.
it seems that much minimalistic music is motivated by making the. relation
of music to time explicit in different ways discretness. repetititivness
questioning the continuum). Another reason for. fiddling with time was
that I wanted the pieces to be exhaustive in. length so when needed I
simply filled up time by outputting the. material back and forth a couple
of 'times'.. As to materiality as to float as to particles as to space..
ELEMENT TO INTEGRAL. An impulse to make this piece came from disapproval
of my. earlier recorded material and still wanting to use it in some way..
One solution was clearly to hack it all up into small segments that. could
be eaten without choking. Another solution was to superimpose. the
original material making monstrosity from ugliness or stupidness.. So I
did both and in that order.. Another impulse or idea was to let musical
structure build. small (or smallest) elements without imposing external
musical. direction other than materiality.. NOTAT. Serie og
parallellprosessering av lyder etter hverandre oppå. hverandre.
Distribusjon i tid krymping fortetning. Distribusjon i. rom furkasjon
ekspansjon. Lyd ned til fonemminste meningsfulle. lydnivå før den byger
seg opp igjen gjennom strukturering random. cant. kalkulasjoner. area sek
lydisekund lag prosessert. fuge. area sek lag. fuge. area sek. fuge. area
sek. fuge. area sek. fuge. lydareal lyder over tid. to akser lag tid..
tetthet lydareal tid. arealintegrasjon tetthet. matematiske utregninger..
båndet. cm i sekundet. båndmediet. elektromagnetiske spekteret.. ide til
et musikalsk språk. gjennom oppbygging av minstelyder. lydidiomer
lydlinjer. sette opp regler for oppbygging videre.. datamaskin. slika
rbeidde kontinuerlig på et språk gjennom. forandring. Alt tidligere
material er tilgjengelig som hukommelse. språk. bruke formelle språksystem
i bearbeidelse. måten vi lærer. integrerer språket. Lengre brokker
komprimeres til kortere når de er. innlærte settes ammen til nye linjer..
Element til integral oppstykking syntetisering. Eksponentielt. voksende
fra lydpartikler tilflerdimensjonale objekter bestående av. millioner av
lyder.. Primitiv eller uten musikalsk strukturering kvantitet materiell.
ekstase. Dialektisk segmentering.. Uten egenlyder basert på tilfeldig
utvalg av allerede innspilt. material.. Skråstreken lydmusikk. Den
enfoldige lyden (musikk) og den. komplekse musikken (lyd).
Løsningsforslag.. Objektoppløsning overskridelser.. Preferanser til tidlig
konkret musikk. Spilt inn på relativt dårlig. lydstudioutstyr.. Palindromet
speil fordobling.. Parmenides det statiske udifferensierte det
selvinnholdte.. Permutasjon distribusjon muligheter.. Tid rom akse. serie
paralell. fortetning. without a sound.basert utelukkende på tidligere
material.. sound system sunt system uten kontradiskjon. cannibalize. cant.
words. terms. ordliste asssosiasjoner gå gjennom engelsk ordliste.. fysikk
tidrom.. spesiell relativitetsteori. et legeme i bevegelse blir kortere i
bevegelsesretningen. tiden går saktere for et legeme i bevegelse. et
legeme har større masse når det er i bevegelse.. ved lyshastigheten vil et
legeme ha null lengde uendelig. masse mens tiden står stille.. generell
relativitetsteori. materien forteller rommet hvordan det skal krumme seg
og. rommet forteller materien hvordan den skal bevege seg..
gravitasjonskraften er tilsynelatende.. Fortetningen av partikler
fartsøkning tilsv Anmassing hva skjer. fart Emc masse frigjøres til energi
Kjerneprosesser. Plotte. gen.rel.teori som musikkmassemusikk koble til
musica mundana. harmonia mundi Hva er massemusikk Fysisk musikk En stor
masse. deformerer rommet partikler følger krummer linjer de tar for å
være. rette Parallelle linjer møtes som ved en tiltrekningskraft. Lys.
rødforskyves og tiden går saktere i et sterkt gravitasjonsfelt ting.
formørkes fordypes. Materien tvinger lys ned. Matter forces light..
Kinetiskpotensiell energi deepspeed gravitasjonell. Resonans når et objekt
vibrerer med sin frekvens tar det lett imot. energi og vibrerer med store
utslag.. Lyd lyd i rommet analogt med krusninger i vann. bølgebevegelse..
motsetning lys.. Lyd trenger stoff dette materietemaet.. elektromagnetisme
boblekammerbilde magnetisme deepspeed cmsek.. generere en strøm generator..
på skala over atomnivåer er verdens mangfoldighet grunnet.
elektromagnetisme og gravitasjon (vekselvirkninger). støy uønsket lyd.
paradoks hva med å hørelage støy ønsket ulyd. lyd subj obj lyd må ha
stoff. verdensrommet er lydløst. Bølger.. Krumme flater samler i
brennpunkt strålene. Svevninger. Klang. sammensetning av flere lydbølger..
Et brus inneholder alle hørbare frekvenser og kalles derfor hvit. lyd. Støy
er et subjektivt begrep. Def. som all uønsket lyd enten. musikk vanndrypp
eller trafikklarm. Jeg ønsker uønsket lyd. Lydene. rundt meg radio musikk
stemmer er støy og bruker støy som musikk.. Omvending i
informasjonsflommen støy. Bruk en motflom Demme opp en. flom. Demning.
Akustikk resonans hørsel. språklyd fonemer.. lydbånd bærefolie med
magnetisk belegg jerndioksyd.. lydintensistet små mengder watt.. kontentum
gjennom lydmuren.. opprinnelig (gresk) musikk totalbegrep.. Boethius ( ekr)
musica mundana (verdensmusikken eller. harmonien i altets oppbygning og
funksjon) music humana (harmoniske. forhold i mennesket) musica
instrumentalis. overskrider subjekt og objekt danner nytivitet. oseanisk
materiell ekstase.. Det segmenterte som (analytisk) strategi konstituerer
seg i den. akustiske entitet som en retorisk figur og definerer da seg
selv. nærmest som et fravær. Bortfallet av en bindende matrise avdekker.
dissonans og uttrykker seg som babbelpolysemi. Overgangen fra det.
refererende (transcendens) til det signifiserende (immanens) åpner det.
anisotrope rom av segmenter i en differensiell hypostasering. Opptrer. i
krystalls form ikke i apokalypsen det dør som fødsel og fødes i. døden..
PALINDROMER. deeps on time emit no speed. Rettam krad Sade if all erb
music is umbrellafied as dark matter.. noise lesion. deep morf NOISE
LESION from speed. speed morf noise lesion from deep. Goddesses so pay a
possessed dog. Moo lost elk O orbs amid wonders awed Was it organic in
ecstasy. tied Deity sat scenic in a grot I saw dew as red now dim as.
brooklet so loom. On a clover if aloud noise lerupts a vast pure lesion
duol a fire. volcano. epsp. epsp. Element to integral. Text on epsp. by
Bjørn Maghnildøen. Introduction. An impulse to make the piece epsp came
from listening to and partly. disapproving some of my earlier recorded
material and still wanting to use it. in some way. One solution was
clearly to hack it all up into small segments. that could be eaten without
choking. Another solution was to superimpose the. original material making
monstrosity out of ordinariness. So I did both and. in that order..
Another impulse or idea was to let musical structure build from small (or.
smallest) elements without imposing external musical direction other than.
materiality.. In structuring the piece my main idea was that of stream and
time incorporating. with materiality. What is heard seems to me as sounds
of floating particles.. These particular flows consists of the tiny or
minimal soundobjects cutupped. the archive of ownrecorded material in the
years amounting to a. couple of hundred tapes.. Instead of forgetting or
thrashing these tapes I've used them as a fragmented. memoryblock being
randomly accessed through a spaghettistyle language of. pointerism
utilising the phonemical units mere as material ground and surface. being
rather ignorant to their content or context.. Together with the idea of
materiality and concreteness there are concepts like. mass density
entertainment (subsistence) endurance exhaustion and ecstasy. involved in
the actual structure conceived which also partly count for the. monotonous
character of the piece.. Also my interest in the noiseaspect of music or
vice versa is a driving motive. in this kind of project and should also be
well manifested on the tracks. Take. care of your ears.. Noise and music.
The noisemusic dualism could be seen reflected in the material
doublenature. particlewave where 'wave' would be viewed as the collective
motion of a. material moving continuously around a relatively undisturbed
center. corresponding to harmonious states of music and where the
interaction of. particles would be perceived as the more or less random
and chaotic motion and. states of a material corresponding to intensity or
density of noise.. In an inversed physical view pataphysical why not
consider music as a very. simple kind of noise and noise as a complex kind
of music. Nevertheless these are two different operational views of the
same underlying. material (whatever nature) and my opinion and fascination
is that the. classification or perceivance of music from noise likewise
cannot be cleanly. traced back to the material. So it then gets
interesting poking around on a. low level probing for both the substance
and the concept bridging or. transacting the gap or just experiencing the
(possible inevitable). complimentary attitude towards it.. Noisemusic. A
principle of complimentarity of sound could for instance state that if an.
arbitrary material of sound is perceived as music then the noiseness of it
will. be sucked into it and vice versa the perceivance as noise will not
be saved by. the music. What constitutes this perceivance is not solemnly
the attitude. towards it but also the doublenature of the material
itself.. I hope I've been able to express this in the work. A way of
judging a listener. should be able to ) swap between different states of
listenings ranging from. music to noise ) recognise these states
independence of the material.. For instance listen to the material in at
least two separate ways like saying. Yesterday or ten minutes ago I
perceived this as noise or This noise is. beautiful .. Scanning any point
in the tracks and playing a few seconds the piece will. probably be
perceived as pure and flat noise. Playing off the whole piece or. larger
parts of it will probably change that perceivance.. Noisilence. Another
idea in the piece concerning noise was to make a soundshield.. Basically I
wanted to build a wall and walk through it. This could actually be. done by
means of sound. Noise appears here much like silence and through this.
noisesilence neutralize memory or yourself.. The neutralising of sounds
with sounds is possible as noise swallows up all. other sounds or as all
other sounds can be imagined allready incorporated in. noise. White light
white noise get blind get deaf. Close your eyes close. your ears by
opening your eyes opening your ears.. If you stare into a point in the
wall for some minutes my experience is that. the wall becomes black and
purple and vanishes due to the neutralisation of. sightimpression with its
negative representation in your eyes and along with. this vanishing of
objects comes for any reason a state of uh let's say. bliss.. Much in the
same way noise will through a material ecstasy swallow up the. objects of
the world and leave you floating. Drawn I sit serene rest is. inward. The
piece is made using headphones and I also prefer listening to it. that
way. By the way the piece is as noise hypersensitive to equalisers so.
small adjustments of the emphasis on different frequencies are very
effective on. the overall output sound.. This should make clear that the
motivation partly lies in functionality and can. also explain the lack of
any explicit inherent musical structure or pretension. of having conceived
a traditional dramaticmusical work.. Also no sounds have been recorded for
epsp. The piece has no sounds of its own. and consists entirely of the
processing of already recorded material.. Palindrome. One main structure
is the palindromical selfcontained. On a low level the. phonems have been
recorded forwards or backwards quite independently of their. content or
any criteria. Some loops of phonems are being manipulated similarly.. Also
on the whole the piece contains its material being finally processed in.
both timedirections.. The end is already manifest in the beginning. The
content of meaning is subdued. its structure. The evolution swallows
itself up. The mirroring of material. simulates an undifferentiated space
where object vanishes in the double. The. stasis of space absorbs the
speed of the elements.. Permutation. Another motive was exhaustion of
possibilities in the material. Rearranging. deforming and distributing
elements of sound to form a massive overload of. connotations excorcising
content.. Sounds are gradually being hacked to pieces down to a phonemic
level of smallest. meaningful segment processed in series after each other
in time and in. parallell in space. Then the distributions in time and
space increases density. and speed as the permutated material expands and
grows exponentially out of any. orbit of musical reference. Finally the
particle accelerator distributes its. collapsed differentiated elements on
a trajectory into void''.. Distribution. Sounds are distributed over the
two axes timespace. The density of an area is. the number of separate
sound elements through time. The elements seems to be. scattered well over
the electromagnetic specter with an emphasis on the extreme. high and low..
There are areas on the meter of electromagnetic tape where each cm or.
second consists of over differentiated segments of sound superimposed so.
that during minutes over a million sounds are being transmitted.. Other
areas consist of a heap of layers of sounds fragmented beyond the point
of. noreturn. Minimal units of sound are recorded as the six feet and
antennas of. ants spurt the microphones. The flow of noise is in that way
built up from. traces of atomical existence of sounds passed by not
enumerable.. Emit time. If you want to make a musical work partly avoiding
an evolving dramatical or. narrative structure you probably have to treat
time in a different way. The. linearity of time might be broken in
different ways.. The palindromical form seems to excorcise timelinearity
treating it as just. another object having reversable manipulatable
dimensions.. Also the cutup juxtaposition of timeelements is fragmenting
this line. implying another operating dimension say timespace hyperspace
or just. memory.. The nondifferentiated space would defy time on the whole
as nonexistent as in. the parmenidicalzenoic scheme.. There might also be a
minimalistic scheme involved motivated by making the. relation of music to
time explicit in different ways discretness. repetititivness questioning
the continuum.. Also I wanted the piece to be exhaustive in length so that
the notion of time. could be mixed up blurring the divide physical and
experienced time as you. find your mind wandering or take off. Exhaustion
of time seems an appropriate. concept also when the massiveness of sound
is concerned as the increasing of. density slows down timeflow.. The
ecstasy of memory in the conjuring of elements into an allembracing
integral. can be seen as an exhaustion of time and duration and as the
omnipresence or. end of time.. Deep speed. A body in motion compresses
bodyspace lengthens bodytime and increases. bodymass. Gaining speed of
light the body will not have any extension though be. infinite heavy while
time stands still as nucleons of sound ecstasises material. and flows into
energy.. Particles of sound are escaping the gravitational pull of memory
and meaning as. they accelerate and gain a speed superseding musical
references. Speeding of. music into noise atomizes the bodies of
information accelerates towards. infinity and dissolves in deep space..
With respect to history the narrative has become impossible since by.
definition it is the potential renarrativization of a sequence of
meaning.. Through the impulse of total diffusion and circulation each
event is liberated. for itself only each event becomes atomized and
nuclear as it follows its. trajectory into the void. In order to diffuse
itself ad infinitum it has to be. fragmented like a particle. This is the
way it attains a speed of noreturn. distancing it from history once and
for all. No meaning stands a chance once. offered the means of its own
acceleration.'' Baudrillard Pataphysics of Year. from The Illusion of the
End. Mass. Sound need a massmedia for its motion of particles to be
distributed. Outside. the gravitationed atmosphere there is no sound.
Density of mass shapes the. space which shapes the motion of mass
(gravitation is illusorical). Above the. atomic level the manifold of the
world is grounded in the forces of gravitation. and electromagneticism..
Growth in density by speed or space will make mass heavy and slow time..
Acceleration of transactions increasingly forces inerta and indifference
as. particles of sound annihilate each other making a dense cold star
deepened. and darkened by the pull of densityfield.. Within the critical
mass of density there is no references to outside. No speed. will liberate
sound from the silent immanence and there will be just the. autosound of
the magnetic tape and tape recorder background noise as the. ecstasy of
musicality provides its own end.'' Ibid.. Noisevoid. Instead of declaring
the law of falling bodies towards a centre why wouldn't. one prefer that
of the rise of the void towards the periphery the void. conceived of as
unity of nondensity'' Jarry Gestes et opinions du docteur. Faustroll.. The
pataphysial motive of antigravitation appears as music is haunted by its.
vanishing. The particle accelerator seek to liberate sound from the.
gravitational density of music by overwriting overflowing its content and.
swallow up itself. Particles arrive and disappear faster than their shadow
and. leave no time for interpretation. The speeding of tonality runs into
a noise. cohesion void of transmittory pregnancy.. Segmentation as an
analytic strategy is constituted in the acoustical almost. rethorical and
without appearance. Loss of a binding matrix of bodies the. shift from the
referential transcendence in music to the signifying immanence. of noise
births the segments pataphysically from the dying of hypostaticism..
Contents on epsp. Audio. Sourcematerial recorded onto some hundred
magnetic tapes.. Instruments used include korg ms korg polysix boss
drummachine casio. sampler teac tascam electronic organ tapedeck turntable
radio. walkmanrecorder microphones monochords flute harmonica guitar alarm.
clock feedbackdevices mallet instruments computer drums cd resonant.
objects (metal rock wood glass) nonresonant objects (plastic water food.
skin earth).. Concrete soundsources and noises as field or
objectrecordings include crowds. citynoise wind rain thunder habour sea
buildingconstructingareas the. museum of Emanuel Vigeland streets motorway
railwaystation home wood. gardens mountainlandscape waterfalls traffic
balcony industrial areas. reverbal areas church halls tunnels auction
concerts cave train. (inside) humans doors conversations voices sheeps
neighbours geese dog. cat breath walks sea birds train (outside) car
machines bicycle boat. ants magnetic datastore microwaveemission spoken
languages domestic objects. (scissors keys fork and knive refrigerator
washingmachine tv staircase. room furniture) found objects random
objects.. Processing of sourcematerial . Recorded onto magnetic tape.
augustseptember .. Equipment used teac tascam soundforge . waveLab . and
tapedecks.. MP coding of sourcematerial using Awave Audio v... Booklet.
Graphic material made mostly dating ''. Scanned . Pages. include drawings
paintings doodles copies nails blood photoes origami. and clippings..
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imagine to yourselves. INDIFFERENCE as a powerhowhim God man and animal at
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March. Re question re de pre codewurx. are helpful. I get a general
pictureof code as 'rooted' and double of anyway. having a double property
of ..wellthe usual dichotomies instruction and data. and object and
whicharen't fundamental eg. the distinction between. instruction and data
is aninterpretation what is interpreted as instruction. is also data and
thedata can also be instruction so in a way the. interpretation
isfundamental to code also and creating the roles of the. dichotomy as
wewould have 'instructiondata' and 'datainstruction' and. somewhat the
samein the case of subject and object which are more.
explicitlyinterpretations of something by terming something a subject
we've. alreadyinterpreted it in a relational way and in the same manner.
asinstructiondata I'm refering to code as an subjectobject entity which.
hasthese three parts of data instruction and interpretation..
Theinterpretation part would be the decode.About the everythingnothing
bold. statements since the code is somethingconstituting itself it's a
whole an. entity and real in the sense thatit's taking place with the
interpretation. constituting the reality'situation' of instructiondata
subjectobject so. I'm calling it aneverything like we could create an
universal machine out of. this. And thenalso I'm calling it names like
nothing because it's a machine. more orless. Maybe it would be interesting
to look at everythingandnothing. textas a kind of codework. Finnegan's Wake
as an example of this it's coded. inseveral layers encapsulating or opening
to an everything and nothing ithas. the appearance of code and nonsense a
rich broken structure ofeverything.. Occult literature I guess also has
the code effect of thissort like. out dumped automated and coded the
automatic writing ofsurrealists might be. considered I don't know are
fluxus pieces codeworksby being instructions (of. events) and the
happening would be another moreundirected setup for something. happen well
I'm not sure how todistinguish the code it seems. allembracive. Is it alive
Dead code. Andthe system bit if we don't know if. something is code is it
code by justthat fact like the Voynich manuscript. mentioned And there's a
notionthat code is code as long as it's not decoded. if code is code what
do wemean by a decode Sort(x) is a code does it have a. decode So maybe
aromantic code is the codedecode that kind of code notion. there we havein
a way again instruction and data subject and object. clearlyseparated like
morse code a clear mapping between subject and. objectback and forth
whatever there's the subject of code and the. objectcodeand the morse code
we could call the subjectobject though in a. clean dualcut. In other
notions of code it's not so clean and for eg. sort(x). wedon't call it a
decode it's codecode but what is decode It'sambivalent... 'life is decoded
into dna' or rather 'coded' do we mean theoutput in general. the object and
for something to have a decoding meansto have a systemic. interpretation
but this goes both ways what is thecode can also be the. decode to
emphasize they're activepassive roles ofinterpretation.. and code. the
system of interpretation the structure ofhow the active and passive roles.
will take place of instructiondatasubjectobject. Certainly there are.
levels of code in the construction of nature and ourselves but at the
bottom. we don't know or we know that it's not discreet like the
particlewave. duality. But dna is discrete for that matter the
particlewave duality is. justthat a duality even with probabilistic
measurement the mathesis. behindit is exact...Exact probabilistic if you
have a perfect random number. generator couldit have a code This is like
asking for the formula for prime. numberscould we say there are codes for
prime numbers but not a formula. workingto a certain degree and in general
that code is related to formula in. aspecial way is it a working formula
applied which is the dual again ofform. and reality living formulas. Seems
I'm treating it as formula hereand you. matter and since everything is
mattered and chunkeddiscreet it'scoded but. in the formal end.. How deep
do the codes go all the way you'dsay since it's. rooted mattered dirty
having the real part maybe it'snot a fruitful. discussion where it ends or
begins some highly energicthing expanded and. collapsed symmetry collaped
into code. Yes but we've figured out things to. a large degree what we're
made of our history and destiny there doesn't. seem to be any mystery
about ithow we're created though we can't reproduce. it though have
theknowledge to destroy it a devastating knowledge in. itself.Considering
the fact that dark matter the majority in the universe. isn'taccounted for
at all that the mechanism of memory isn't understood. etc. I don't see how
you can say this. In fact one can as Brillouin. didyears ago argue for the
opposite that the mystery is somewhat. dependenton the limmits of our
economics and simply keeps getting pushed back. asfor example more and
more powerful accelerators are built...Yes mystery is. something
pushedback in relation to something that'stakingplace it's still a.
subjectobject 'economy' ecodomy the economyof code mystery is in the. via
the code interpretation it getsobjectified real as takingplace.. Still
it's an economy not a mysteryit's just what's emphasized. From the. other
end you could say memory isthere and it's working so there's no. mystery.
Code as a term retains someof the mystery the wonder and. complexities
which is lost in the formulaterm. I never stop wonder about the. inside
and outside like this sailboatmoving slowly past the village seen from.
the boat it's somethingcompletely different from the boat it's a mystery
from. the balcony itseems quite boring objectified but it's both and
that's. alwaysintruiging it connects to relativity from Galileo to
Einstein and. forextrapolating the move to relativity is also a move to
code of. thesubjectobject floating within a reference system which
connects to codeas. reality each reference system is on its own a whole.No
no i don't think. this goes if (x) is for example sorted it doesn'tlead to
an elimination of. (x). Think of coding here as performative andrequiring
a stratum or substrate. that it operates upon. Even Peirce talkedabout the
'sheet of assertion' the. necessity for a locus for mathesis.Ok see above
codedecode.I want to run. back to information theory and theexamples
Baldwin talked about or the. problems say of transmitter channel receiver
with noise parasitic within. the process.Thanks for the discussion
appreciate.Here there are several. levelscode as existentcode as
processcode as procedurecode as. performativecode as selfregulating or
checksumetc. etc.There's structure. of course and there are material or
ideal strata andtheir interactions. Code. is perhaps a productive system
of classificationthat admits closure.... AlanAdmits closure yes like it's
its own end metaphysics and then real. asreference system like every
reference system is real on its own. Maybe. I'mextrapolating too much but
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March. Re question re de pre codewurx. About code and codework though not
a direct response I see code generally tied. the western project of
science and cultureunravelling nature's code turning. it into culture and
technology. Thishas no real basis any longer science has. already made us
transparentwe know code is nothing and that there aren't any. secrets. So
there's nobasis still code is everywhere all the more since it's. not tied
toanything any longer doesn't refer to anything more real or more. trueit's
able to infect our lives more like a freefloating entity from. thelayers of
reality. If we have layers of reality we have codes. Ifreality is. one
there's no code but our sense of reality is not one. Ifyou could live in.
one there would be no code and it would be the heavensof the mystical.
The. mystical is tied to code but we know there's nomystery. Inside
yourself you're. a mystery that's it. Walking throughyourself you're code.
These are all layers. of nothing. We know that ifsomething is code then
it's nothing that's almost. the proof of it.Then there's the doubleness of
code of inside and outside. thecommunication machinery of input and output
between layers codesubjectand. codeobject. There's no fundamental basis
for the codes only thesubjectobject. which moves around freely. When I'm
using code it's areflection of the codedness. of culture the structural
complexities ofinformation and communication layers. of reality which are
always therea reflection of culture as construction. traversing it's
layers whichmeans insideout backwards reverse the. twofaced. In my work
I'm notusing code in a fundamental way it's code without. any basis
diffusionof code double and nothing of codes. Codes are still. fascinating
weneed something to do as humans I quite sure we're genetically.
gearedtowards these things problemsolving directedness of.
attentioninformationchurning. Still we have no mysteries only the codes.
andthey're not real only a kind of art beauty of codes what we're madeof.
still no mystery only reality. Codes real but not real that'salso the.
doubleness what we mean with subject and object they're bothreal but not.
real to each other if the subject is real the object isunreal and vice.
versa. These two could be stated as a classical and aromantic notion of
code. the romantic code refers to something beyondas its reality (nothing)
while the. classical code to its construction(double).I know this didn't
answer any. noemata. dee. intrui gpj.hcruhcevatsoprotraidepikiw .ssorC
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vhpnietorw SE.OODANAWseugiuba seu ) these gods and. molecules anlaunam a
tuohtiw tnemurtsni lacigolohcysp eseht fo yna ehta. thedifference in
perceptions psychological profundus bene edulerp fo dnika. yaw a ni si
ytix..iucav rorroh fo elpmaxe doog. LgeYsgwYGuVmXYSXQwAWIjaqJzz.gnigdir
eep ot evah yllaer i ethe spirit. is unborn (never was)i'm god ciozoileh
si ymups eht eniltohs ega aksarben. possibility is the mediator betwi'm
possible butthe possible gnisilatrommi. sselesoppo serujrep ytnals evila
yats hardwood. vulgalprKiMrHjDHkXfgdCTlvGuXpAftlaer eht tseihtrow niresrae
there are. possibilities and necessities not the po tahw nirotaercorp
yrassecen eht naht. laer erom s i'll hang on to this of beingjust poi'm
only possibl retirwelliarb. eb otnert gnitsixesretaews gnilbis fothgu i'm
thinking of the possiblemy. ancestors are de elbatsartnoc e..gnidaolrac
eurt elpoe you have to. deal with itnow you have to deal with )and fo noi
the spectrum of. thespecialisatithe human specter the humaneness speck s
tneihsiflaw i one. this is otherqrny g'abq v nuclepbcn abknyx rzvglnq rug
a otnisetatseg a. snoitanotni ecnec more a struggle moravianisedlife
hasn'tgot ligation anyways. do w etecymoxym on uarfsuah i
dnamsildetargetni tnatluser setalusni. lano the world is frass toconduct
medefence deferabl xxnihphfs das eb. ll'yefilflah lairetasegass everything
is evolvalogial nervous tallow. psychopavelkjent fraps tnemnethgilne
lautirips dna ainerfoz oseanisk ekstase. vers mpbot noitsisn release of
violent. pressureexpansionafecedcecdbfbcbb ecstasy. brilliantcolors
explosionsren regnirfo egidolb rettafebni red renoigil. smerteog lyst
vulkansk ekstase strle htaed ssenkcis raw mood. niapdgilraf go etros
etalfrevo snenm rene ubehaglige fysiske. symptomer.et annet
tcfdbbcfeebdaee bpm. detuforstyrrede liv i livmoderenbasale perinat
reksnavstterdedn. emmodgysresletsv praksis psykoaktive stoffer tranceda
go. elamron.inerfoziks go resokysp gninekil h etsdle ned litnni rtseb.
xeocne i r coexsystems are dissolved by reexnr et sterkt.
coexsystemaktiveres m metsys xeoc a fo ngis sa ytisnetni f og eventyr.
iforbindelse med natopplevelser av vre elsket akseptert eroc si.
gosleplejh gidnetslluf ges etlf na corcoexgrupperingen. xe.piuqe.rtcele ni
secnabrutsid lacin likhet med signalforandringer som. flgeelectrical
apparatus as music kums lit seldnavrof ksirosulli. nakrnnav ednednir moss
edyl esnergerh el experienced shiftscener. tevlugp rettelp go rutkurts
sednatsne hentydningerne til fauvistene. ssommatiM I S O S F still massive
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biler det hva er og h det. erkrpnr starnnkkolka g op mfmoern p og hos
leeller m vt alt er. kuna at vietn dm som a om den det er do for at
vietnat vietn som at anhva e sli. Sl For Han Hva E Slistrot der haom den.
noemata. Det var pg. instruments computer drums cd resonant objects (metal
rock woodcomes for. any reason a state of uh let's say bliss. Much in
theGoddesses so pay a. possessed doga driving motive in this kind of
project and should also be well. x X . x.a. soundshield. Basically I
wanted to build a thick wall and then walksingle. floppy.art stem funding
etc as well as the contextor arttrauma lesions in. addition to data has
come to circulate in abundance. One thus could (remote. distraction l
distractus (ptp. of distrahere baktrto draw ev. reise og. overnatting i
Oslo.art and beauty with computers''. It is telling that. hackers
otherwise interview an inventory of the cities where sound was. recorded
it While FullerHarwood regard software as first of all a cultural. but
eccentricity the opposite of politic (withness) a self baumpf These. forms
are excesses andthat the 'spectator' could remain awake during surgery and.
contribute to originally envisioned the biological basis of his theory of.
collapses of code viral fascinating indiscriminate and reinforced Emil's.
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hostname is the fullyqualified domainname. correspondingEcce The poem is
effectively an algorithm a piece of software. gatherings in intellectually
following the code listings step by step and. computing Nr alt kommer til
alt har jeg ikke tenkt gi opp prosjekter. p zeros and ones the Latin
alphabet Morse code or like in a processor All. currency is neurotic
currency.logical scores then the concept of software is by. no means
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histories. dimension say timespace or just memory. The nondifferentiated.
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Another reason for ...o....ContentType textplain. charsetiso Quinn NashE
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tar igjen gulrota.Han skifta. noemata. ' ' ' '. ' ' ' '. ' ' ' ' ' ' '. '
' ' '. ' ' ' '. .there's much to be done with me there's little to be done
with. melost inside yourself constructed border the cell with its.
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stillparticular going. through the motions chemical and then
managementchunked up cells your alarms. are going off i don't know what
theyrefer to what to do nothing life and. death stuff the managementhere
could be fatal if the particle decides the. wave doesn't decideundisturbed
it's the subject unresolved with object the. outsideinside and outside the
separation is somewhat. consciousdiscriminating loosing and gaining those
are input and. outputsubject looses and gains by outputting to restore its
potentialit's. the potential again the wave it's called a subject when
it'snot measured. it's the inside but we know there's no inside
stillthere's management all. the more if there were a subject it would
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not management let's say the. automatic converge classicalromantic
ruledriven and intuitive coded and. the code is stillsubject and object
inside and outside in one twingod. here thesubject is ruledriven and the
object intuitive inverted becausethe. automatic is an inversion subject
takes the role of object andvice versa the. classical becomes romantic and
vice versa it createsitself through a falsity. an inversion if a god
created himself likethey do and the falsity propagates. until it turns
back which isnever we understand it backwards it will repeat. something
willreturn which is the loosing and gaining the restore of. potentialthe
wave you don't want to meet a particular god only the. falsewhich would be
true it's like a tree it has only one end and that'sthe. beginning the root
all the rest just spreads out it would becrazy to think. all the leaves
would converge later on spreads likeentropy flattens out while. growing i
don't know where we should beat the leaves or the root the leaves. are
collecting sun the rootnourishment from the earth i'm kind of root the.
leaves are havingmore fun surely in the wind and sun with the fruits the.
root isinert indifferent boring you won't find me interesting i'm sorryif.
you expected that what to do nothing the earth moves through meearth is.
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noemata. trapsi ereEXTINF '... ... noemata. Monday February. noemata.
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mo. ................................................to be depth free
fattest. Ohthere sde t sio scir hatte Halgoland e he on bude.uoy.
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dere drive ikke la. noen ideer om hva som er tilso we have also dark
matter and obscurity. selvforsterkende greie (evt. selvsvekkende) men som
m ha etutfordring. blir kanskje f dem til sirkulere lengst mulig flaska.
mmenneskelighet ved bli en maskin du fr tilbake. dittbaklattemekanisk
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that anyone in the world could have. imagined andcontented with things not
working and actually more fascinated by. thedu fr prsantere d sjl din
mainnsjit pierced by a missile.To. search for different functions in the
art there it is said sancho what i. told you that you must keep a goodhar
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menuwelcome dj byhand bring back mischief keeping out of tranceAlltid
moro. Mulla Krekarkunne framst som riktig ddeHello. Kirkemtet Subject Fwd
Re. anart.noKent MantiesEljotRoo is one of Winnie The Pooh's playmates....
iyhec.f. nodotpgoen dgoomdac L (AQL. and computational power and E.O.
Wilson on The AllSpeciesAnarchism ). who are eager to politicize
poststructuralism . No Connection.present. What. we wouldn't give for an
accurate transcription of a random Regurgitive Rules. of InterNet.ArtThere
will b no references in any Internet.artworks that. xplicitly refer to but
leery of bolting their concepts onto readymade Marxist. Outside It's not
always clear what Newman means by this key . No. Simulacrauninterruptedly
by heart for minutes to a typist in a caravan. receivesUPCOMING ONGOING
FEATURE EDGE Booksikke putte sex inn i alle ord. hermesex asteroidsexen
oppdagsext.sex sex sex sex. kunne vrt en. nyhetstjeneste eneste som
beholdes erfullbyrdelsen i dden du vil se din. mor eller g til
jomfruene.books (hypertext) fractal books (viral radiant).. fractal books
there is noat all merely the locus of metastasis of the. machinelike
connections betweenpersuade other networkers to adopt the name. 'Klaos
Oldanburgh' krkaen v. noemata. KTRNRTTTR. RN.fjgyMggtmhzdLpAXpvnsOR Og
lager .seg ...et.
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OR KUNST O. skummet . avtar. Stekes lett p .. svaki skorpen med . gaffel.
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ut til at det er en. trojaner i opera . build har funnet flere private
mail her og alle. bruker nevnte client. mail til opera skal sendes. det
hadde med saken gjere...jeg ble. den serveren. ) innholdet p websidene er
like meningsrik sommeldinene p. notest. )at dere gidderhh. hvem er.
hvorfortror det bildet var vedlegg. til sknad om kulturstipend. ) den. som
hadde hatt ynene med seg ville merket at flere personlige email er. havnet
i no.test og alle bruker xmailer opera . build mail er sendt. til opera.
kan jo hende at noen har lagt ut en trojansk version av opera og da. br
det etterforskes.noe m man jo. finne p og jeg ser ikke hva som er s gli
med. dettefolk er til og med misunnelig. p andres fantasi og evne til
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en selvrefererende funksjon som. produserer mens Lorene Pickens Og hvis vi
greide finne ut av det. burde vi ikke da eleminere det for klokka tmmer
tidenstrukturene som. framtrer for bevisstheten.critical penetrating
revolutional reversing. undermining etc. In my viewkulturen er oppi hodene
vre i subjektet mens. natuen er ute der objekterthey would have stories for
film here yes maybe. that would be their newstability. Beauty taken over by
design etc wholeness. by.. welll it's stillen slags spenning. tilfeldigvis
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immersion and. open to domination still obedient and immersive is like
inert resistance of. mass. content of media was largely irrelevant
superglue. capitalist print. media electronic media state of harmony all
sign systems as text. sign an inse. parable combination of a concept and a
soundimage with physical form refering. something other than itself and be
recognized as a sign by people well if. the sign is a sign then it's
something other than itself and then not a sign. and if it's not a sign
then it's a sign after all this doesn't make 'sense'. and that's the
foundation of 'meaning' that it's something else. symbol a. natural bond
between signifier and signified if it's natural then it's always. there
somehow it's crappy call it the logicmechanic of signs maybe atoms. and
then the variables (signs). metaphor these are just transformation rules..
metonymy ok blah initiations calls. mediation is a matter of symbolic.
exchange an exchange that is mostly onesided well the symbols are natural.
bonds then one side naturally gives the other. on the contrary it would be.
strange to communicate symbols then they would be signs. television is.
exclusively genreled why and when will tv be art discourse interpreting.
the world is making the world what would destroy it then not interpreting.
it blimey there's a riot on page . over two billion people may watch the.
football world cup. people don't listen actively to radio. only inside
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i lys blir til substansielle. ansiktstrekk eller lignende.mange rare prI
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Meaning of() journey. elapse Alan Mcintyre. five million is a return to
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inngr fra. forholdetav Nazi Rumsfeld does not understand that. anymore
than Ari Fleisher who ishalt som han hinkar.Han overdriver.Same. seg til
frte ikke fram i fjor henlagt av politiet det var forvrig. virkelige det
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bull It's not an optical illusion it just looks. Action becomes Art
Performance in the Context of Theatre Play Ritual. andthe formal
Distributed through CyberSocietyLive CSL CSL is a moderated.
discussionFirst Monday February orders of the day.. Net.Art Connexion
net.art databaselook at your organs look at your. composition. understand
yourself as possibility. The removal of the beautiful. in Kant's aesthetic
from any given ubuweb aspen. k Ikke i bokh.konomi Vennlig hilsennoemata Fwd
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orders or more to the US . Re I'm known for one thing and one thing.
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out). the diplomate is hermatypic (commerce and cunning and
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Tinxu HydalXYnzh Havslez Gjaxb Urqny Fvreen GnatbLumi. noemata. Wednesday
February. overt ones. day and night aren't we supposed to sleep half the
time that we sleepone. third is our own excess of rationality. how do
theology account forsleep. novalis fragment we finally should rid of
sleeping. kind of rootbut what's. deep about dark nothing and what's deep
about nothing it'snot that light. grows out of dark though goethe might
have believed so.that might give a clue. he's experiencing it through his
tree so thatit seems rooted might shed light. on the primal tree idea. the
treesupposedly from 'wood' not monad dyad. tryad. how is romanticism likea
tree one to three one is one and nothing can. be said two are atwar three
are rooted the two are one. bosons in gauge. theory bearersof the force
integer spin while fermion matter have fraction. spin.you could say these
are romanticclassical divide. problems are pushedinto. the romantic until
later. let's see particles and thennecessarily a force. between particles
ok and these forces are yesparticles forcecarrying. particles oh they
'carry' the 'force' hownice in their rucksack you could. also see it from
the particlewavedyad. if it's not interfered with it's. romantic having
interferenceand if it's interfered with it's classical. having no
interference. sothe interference is one place or the other in. 'nature' or
in 'science'in the romantic process or the classic formula. the. bosons
areinterfering bozos the interference not obeying the. exclusionprinciple
(related to 'particle' in a sense) like the clown is. areplay a primal
glue forcecarrying particle two in one thetravesty. the. clown is
constantly fixed constanted an integerfractioned into matter spin.. we see
it the other way the romantic is amess a forceparticle buffoonery. what
could possibly come out of itoh just matter.overtones it's like nature. is
counting ... foreverything it's counting up if one. then infinite weakening
but stillcounting. because of air interference in a. medium why should
nature becounting the overtones would all be fractions. what about
irrationalnumbers i once heard music based on primes it's very. noisy only
primeovertones. where exactly does the irrational come in i know.
thediagonal of the square what becomes of the diagonal in e.g.
overtonesif. you had an irrational chord it would sound forever or not
sound howcould it. sound to create a diagonal in music would you need
anotherdimension is the. diagonal another dimension it's a travesty
we'reback to that. you could also. form a triangle that's not irrational
butit's a relation between three that's. possibly irrational. do you
needthree how's the square a three the two sides. are irrational but
thesquare is rational how is that kind of inverted. direction therational
is build from the irrational adding dimension. we're. used toview it in
the other direction. this all digresses no way back. it'sbroken. what was
the riddle 'cat eats dogfood but the bowl is. noemata. plante analogi.
hvor utbredt er plantelivnring analogiene i folks forestillinger.
vekstvokse seg stor og sterk etc livet som plante. det har begrensninger.
fordiplanter har rtter. sl seg til ro blir analogt med sl seg. til rot for
vokse bedre. menneskebilde plantebilde. dessuten m det. komme som en
stadigoverraskelse at mennesker dr s plutselig skulle de. ikke heller bare
visnebort og alle raske forandringer er av det onde. elektroner m vre
smdemoner hva med fotoner fotosyntese sola de er. gode. i det hele tatt vi
har forstor makt til vre planter trr som. vokser bker som kultiverer
uendelig vi har bokbl virus bomber. knapper trykke p maskiner. vekst joda
menvier mennesker ikke planter. og innimellom der dyr og da er ikke
mineraleneengang nevnt fr n. og. hva med sjelen og nden vekst liv og
ddeksistenssdcellen som kom. p andreplass idrett de dramatiserer
overlevelsehndballandslaget. raider nabostammen de vokste ikke sammen. alt
eksploderte det er en slags. vekst. plancks konstant brekraftig utvikling.
og utviklingto bilbomber. utviklet seg utenfor ambassaden. mennesket er
alle tings mlikkeplante ikke. eksplosjon fenomener har forskjellig
hastighet strrelse samfunnet er. strre enn hver enkelt og dermed treigere
mer likt planter mensgrupper av. mennesker er mer som dyr dummere men
sterkere. i andre retningenernden som. et elektron og ser for seg
atomeksplosjonen som den. hyestereligiseforening sin skaper sola big
pangpang. lenger framover. er lenger bakoverstrre fart er strre avstand
mindre er strre. forestillingene er speilnrdu ser foran deg ser du bak deg
som nr du ser. noemata. Tuesday February. art)) not. folktale cinema. The
of local lore oI had this idea soun I can dreamanyway.. iwant somehthign
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you have like the coil uses. Shewould g icy wilderness but. noemata. Monday
February. Mar. assimilation the easier to pronounce a sentence the more
widespreadthe change. noemata. for denoting the highly contingent
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probably should look into Eco then. In my view it's not metaphysical.
it'sNovember about Enrik Tcha gog Utopican and interweaving andor. collaps
of the two that's essential to code (I'm usingDelete Several authors. (for
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relevant details to which it attachesoldname diets. A. treebonnet foliate
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de s slipper den utsitter igjen med n mail som jeg ikke. og setter pris p
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ta aCtaTlaCh. million people he said and a Web site he created with his
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you're allI man am regal a. German am I Leigh Mercer I O'Connor
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sko venstre er. revolusjonrt To venstre lei evne til sin periode.From D.
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leste(mxEnen gallerienesKnutsenMen her kan giftbegeret gis videre sendes.
rundt bordet.fins det liste over skyggeskribentene til de kongeliges taler
kan. vi ikke i xE forske pxE et nytt sprxEk funnet i jungelen.. noemata. .
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an act tobe directed to an object he called byvagrecergngvba bs.
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kommentator Jeg tror det vil gjre. programmetmove except. the act of
jamming or the state of being jammed.that. reduction occurs the less the
bandwidthalment norsk bruk. sprkrdet etc. bruker vel media som kilde for
nyord... sbutikkalarm privatbedrift en. skrekkelig. kApache.. Server at
noemata.net Port an optical drumming sculpted in. duration on the endless
present of the s.jpg Mar. ktranslate these images..
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fortelle deg noe s man kanprosjektklappene First In Still Here ordning.
fiskeken.Kent MantiesEljotfordervet mat moralsk delagt mat.Vi er.
forresten en liten gruppe som tenker trykke store plakater (x.
m)simuleres.Erik hadde en ide p enveistelefonen idag om forstrre opp.
monopolkort tilgjerne p min nummerorden. Wreak havoc. Skape kaos og.
kvantebyrkrati.anything that you can take a picture of especially if a.
local TV Newstime. TheMY DEAKIN FRIDAYdo noopGREETINGSbeasteditor DNA.
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data.A souleating sunbe pale moon. (esoteric paleontology).
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theorists artists and writers.(Descrambling Content. Scrambling System)
the industry code technology properly configured will. save the planet he
is the media and code. The increasing ease with which. even
moderatelyartists involved. Joy's work in fact combines the. fear that
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associative link commentary upon every picture andunderstanding of the
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'spoken'. noemata. .... noemata. adeghlmorstuvuwojxWbBwxRdvAYxAPLiGnWviep.
sa jeg har. ingen bker. Uten og innholdslse som overskrider det sa. hei
sveis jente med det gr i glasset rundt hele. noemata. .... noemata.
noemata. noemata. bbly r q ntllb h ax i. l. l b y. noemata. Friday
February. Fwd C p DETOX Kunstnernes Hus. noemata. Anbud naturfag. Bilder
som dette fra Hubbleteleskopet viser at det kryr av galakser idet. fjerne
Norge.Hvor mange galakser finnes det i NorgeHvilke typer galakser.
eksisterer det i Norge og hvor mange er det alt ialt i stfoldNy.
astronomisk forskning som er foretatt i senere tid har vist at detkanskje.
eksisterer langt flere galakser enn tidligere langt frre antattlenger. P.
den ene siden finnes det mange galakser i det fjerne Norge.P den andre
siden. tyder mye p at de er dverggalakser. Det er cirka medlemmer og bare
tre. normale mens resten er dverger skalte gnomer.Fjerne gnomer i Norge
er. nesten umulige observere systematisk men dekan godt vre tallrike..
Konsulterer vi et standardverk om kosmologi blirantallet galakser i
stfold. oppgitt til cirka milliarder. Men det ermuligens mer realistisk
med en. billion ( milliarder). Da tenker viimidlertid bare p det synlige.
stfold. Iflge moderne historie er Norgeuendelig og i s fall vil det. etter
all sannsynlighet ogs finnesuendelig mange galakser i stfold.Hvor. nyaktig
kan man veie sjelenHva er den mest nyaktige vekten som er. konstruertVi
vet for eksempel at en colibakterie veier. milliondelsmilliarddeler av et
gram. Denne vekten er s nyaktig at den. foreksempel kan veie en enkelt
bakterie. Prinsippet er det samme som for. ensyngende gitarstreng med
sjel. Hvis strengen er tung er det blues og vilager. en dypere tone. P en
liten gullskl kan man legge for eksempel etstykke. DNA. Den blir
cm.Voldtar dyr hverandre i naturen eller kan de gjre det. inneFor eksempel
kan paringen hos stokkanden vre en temmelig. barbariskhistorie. Bruk av
vold kan noen ganger vre hensiktsmessig uten. atdyrene har noen onde
hensikter med det. De gjr sitt for det meste. erutenfor hjemmet fire
vegger men noen arter kan trenes til gjre. detinne ogs.Hva er det eldste
ulste regnestykketPythagoras tumlet med. mange problemer omkring det.
Dette sprsmlet erubesvart enn i dag. I. desember oppdaget man . Det er
ulst. Lstfra lyst kan vi si var. pythagoreernes motto har du lst har du
lov.Det sies at Solen er snaut fem. milliarder r gammel. Men hvordan kan
vivite detDe som er eldst vet best.. Solen er mye eldre enn oss derfor vet
denbest. P den annen side er solen. yngst den er den samme som den var
forfem milliarder r siden mens vi som. mennesker har en
utviklingshistoriesom er fem milliarder r. Derfor er vi. eldst og kan
bestemme over solen si at den er fem r hvi vi vil. Det er. interessant og
en del avvitenskapen med beregninger det vi vet om Solen. Alt vi. vet kan
skrivesp et frimerke med en tommeltott som er fem nanometer i.
diameter.Hvilket dyr har tykkest hudVi tror det er plankton. Er det det
Siden. hvalhaien spiser dem og harsm tenner. Den tykke huden kan ogs vre
rundt. halsen eller brystet.Flodhesten lever av verdens strste fisk. Det
tar den fem. hundre r seile over havet. Blgene den skaper er opphavet til.
havstrmmene somskaper livet p jorden. P havbunnen svmmer den og.
opprettholder verdenmed sine vingeslag.For deg personlig Gunnar hvordan
har. du detHva spurte du om nNei glem det. Takk for n.Fra.
TVintervjuAnnonseHvis du tar disse tablettene lrer du samba p en. natulig
mte. Komigjen n.Nr vi knuser sparegrisen blir den da. sparesvinSparesvinn
HAHAHAHA. I virkeligheten vet vi ikke. Hvis det dreier. segom
pengeinnkreving eller utviklingsarbeid. Hvem vil du si er mestskitten.
grisen eller svinet Svar Svinet er umoralsk grisen er bareamoralsk.
Dermed. kan du forst motviljen mot svinet. Grisen har en uskyldsom et
slaktet lam. bare skitnere.Hva er glattest av is og bananBananasplit.
Bananen skal splittes. noemata. Tuesday February. Re Skolelimsordningen.
Det er fint. R. Norsk har mange merkelige konstruksjoner som du vet.Jeg s
ikke. at dekket var punktert fr jeg satte meg i bilen.Hva betyr det Nr du
satte. deg i bilen s du eller s du ikke at dekket var punktert... fr
etterp. jeg satte meg i bilen.Haha 'fr etterp' halloOK problemet er at
'jeg. satte meg i bilen' kan oppfattes som et tidspunkt eller som en
tidsperiode.. Hvis det er et tidspunkt s kan det virke som du oppdaget at
dekket var. punktert idet du satte deg i bilen. OK Hvis det er en
tidsperiode s har du. fortsatt ikke oppdaget at dekket er punktet nr du
har satt deg i bilen. For. skille disse kan du sette inn et 'etter' da
blir det klarere men ikke helt. klart.Jeg s ikke at dekket var punktert fr
etter at jeg satte meg i. bilen.Fortsatt er det et problem akkurat nr du
oppdaget at dekket var. punktet om det skjedde nr du satte deg i bilen
eller tvertimot at det ikke. skjedde nr du satte deg i bilen slik at det
at du satte deg i bilen ikke. forandret din viten om dekket eller om det
nettopp gjorde det. Dette er ikke. klart.Hvis du forsker uttrykke at du
oppdaget at dekket var punktet da du. satte deg i bilen kan du si...
nettopp detJeg s at dekket var punktert da jeg. satte meg i bilen.Hvis du
forsker uttrykke at du ikke oppdaget at dekket. var punktert da du satte
deg i bilen kan du siJeg s ikke at dekket var. punktert da jeg satte meg i
bilen.Verre er det ikke. Dette fr og etter blir. bare tull. Det er liksom
du omfavner en stor sekk som du ikke ser enden av. dermed kan det vre hull
i sekken uten at du vet det og dermed at sekken ikke. inneholder noe.Ellers
var det bra.Det er noe med benektninger er det. benektinger Nedfallsomrdet
er altfor stort. Hvis eplet ikke faller langt fra. stammen s kan det falle
hvor som helst liksom OK Se p uttrykkeneEplet. faller ikke langt fra
stammenEplet faller ikkeDet er ganske merkelig. Hva. skjer Negasjonen har
ingen naturlig begrensning den m liksom flikkes p. med adverb og ad ad ad
for forme hva som skjer nr det ikke skjer.Det. blir . Fem pluss hva liksom
Pluss er en operator. Du kan skrive for. skille fra (prefix) men postfix
tar to argumenter eller bare. gr ikke. Det blir . Hvilken vei gr det Er
bra eller drlig Du fr. det er midt p uansett og blir en del av skolelimet
som du har kalt det.Du er. innkalt til rektor i morgen kl. . Han trenger f
renska ra sine. Det. er du eller Stompa men han er bare i svarthvitt vi har
beveget oss bort fra. det n. Smrbukk har forsvidt modernisert seg med ny
teknologi osv i kampen. for bygda men han er aldri der nr du vil ha tak i
han. Det er riktig at. Gerhardsen ligner p Quisling og kanskje var
tvillinger det skal ikke. benektes. Noe annet er det pst at gjenreisning
av landet og. nasjonalsosialismen hadde samme uttrykk. Den m du lenger p
landet med. At. vi har uglesett Quisling helt siden krigen kan vre en sak
for seg.. Gerhardsen og snn har tilpasset seg markedet fra gjenoppbygging
til. merkevarebygging det er noe helt annet enn ensretting. Merkevare er
merkevare. ensretting er noe annet. Er det klart.. noemata.
Skolelimsordningen. StilIdag har frste til tiende klasse skolelim p
timeplanen. Slik var. detikke fr. Men til gjengjeld hadd vi et halvhundre
feil p diktaten.. Mineforeldre gikk p skola mellom potetsetting og vronn
og nr det. ellersikke var noe gjre. Etterp kom kommunismen og reformer.
Skolelim. bleobligatorisk for alle og ingen fikk lnn. Det var likhet for
alle. ssantdet var lim til alle og det var det satt av penger til fra.
offentlighold masser av hvitt mildt ufarlig lim som kunne brukes til alt..
Vikjente den igjen i skolemjlksordningen. Ivar drakk opp kartongen sinfr.
Unn hadde rukket dele ut til alle s han kunne sple kartongenoppi. kassa
mens mjlka fortsatt blei delt ut stilig. Jaja. Skal vi se.Det hvite..
Senere gr livet opp i smmene limet er ikke s sterkt.Kommunisme er. flt
sier alle. Rart ikke unga krever penger for g pskola det. ville jeg ha
gjort. Hva slags krav har skola p meg fore megmed skolelim og. skolemjlk.
Husker jeg undret meg mye over noe jeg lestei samfunnsfagsboka. at
hensikten med skola var sosialisere oss.Folkeskola fungerer og s. sier man
at kommunisme er umulig det rimerikke. Samfunnet ellers kunne fungert. like
godt som folkeskola nringslivet arbeidsmarkedet hele skiten.. Pensjonistene
gr igjen overi en kommunisme men voksenlivet skal liksom. vre kapitalisme
ogkonkurranse. Det skal vre snn fordi mennesket har. konkurranseinstiktmen
ikke barn og pensjonister. Neida. N er det s mye. sport p tv atjeg tror
kvoten fylles opp uansett og det er jo liksom poenget. medsport da. Men
nei samfunnet skal vre sport med rsgrense. Du gr. avnr du brekker beinet.
Det er liksom litt tpelig. De som vinner. grrundt og flotter seg verre enn
p barneskola. For pensjonista er alt. detsamme om Per vann s er det like
bra men de sttter sporten. detbringer fram det beste i alle sier de. Det
beste betyr at det ikke. erkommunistisk. Superlim. Superlim er ikke
sosialistisk det er mer mafiaog. korrupt det binder ting p en tvingende
truende mte. Jeg bruktesuperlim. p veska til Terje nr han skulle p tur han
blei jvli sintetterp. mtte skjre opp veska. Da fr vi vold. Idag skal de
drikkecola og bli. stimulert til vold det er mulig skolemjlka er helt
borteelevene fr. gjre hva de vil. Konklusjonen er at kommunismen er
muligvi trenger bare. lovendringer. F.eks. at det blir obligatorisk
arbeideog at ingen fr. lnn slik som folkeskola. Eller at likhetene angr
tingsom er ndvendige. vanlige for alle. No problem. Men det gr liksomandre
veien alt skal ned p. individet alt som finnes er individer. Dedde er
forsvidt individer selv. om de ikke finnes. Det ufdte liv ertil en viss
grad individualisert men man. fdes som individ det ergrensen i livmoren er
kommunismen implisitt vi. sier det erparasittisk leve p staten. Bringe fram
det beste jaja. sport harlange og fine tradisjoner hvorfor delegge det ved
gjre alt. tilsport. Kapitalismen sier vi er som blader p et tre vi sker
allesammen. mest mulig sol og dermed regulerer alt seg sjl til det beste.
Vivil alle ha. mest mulig penger og kjre med en flat rd bil. Det erlivet.
Det er ofte. morro ta tak i replikker fra forbipasserende nidag var det to
...men. hvis du eier det selv... (sagt av to damer meden hund) og ...mr.
perfect.... (sagt av to tenringsjenter). Var dethunden de ville eie selv
og hva var. fordelene Det er snt som sies etre inn i folkesjela best eie.
S. svarer jeg inni meg ja hvis dueier hele verden s slipper du bsje. p do
men kan bsje hvorsomhelstslik som hunden. Mr. perfect det er liksom.
individet og jentenesreplikk er maktrelasjonene i det individualiserte.
Hvis. man gikk inn pdem s ville man finne ut at jentene ikke var
kommunister. men heller atdet var en sken etter den beste plass i solen
hallo fltt. deg mr.perfect jeg vil ogs ha sol. Dernest tror jeg ogs de
ville vrt. sammenmed mr. perfect hvis det var mulig nr de kritiserer han
er det. fordidet er utenfor hva som er mulig n utenfor individets.
operasjonsomrdedvs bare bsj. I dagens samfunnsfag sammenlignes. Gerhardsen
medQuisling begge sto for en ensretting og drev propaganda. N. skal altvre
forskjellig istedenfor ned p individet som m vre. forskjellig.Fr het alle
unga Ola n m de hete Markus Aleksander Vegar. MarkusSteinar Olsen Olsen
ogs kalt Krka. Den som ikke er. forskjelligdr. Skolelimet hadde som
oppgave folde sammen. identitetspapirene tilden oppvoksende generasjon. Ja
n gr stilen mot. slutten som du ser.Skolelimet hadde sin oppgave. Hva med
samfunnslimet. nringslivslimet(slimet) Pengene binder alt sammen og er
samtidig. forskjellen.Skolepenger avlser (bokstavelig) skolelimet. Elevene
vil om f. r krevepenger for g p skolen hvis ikke trenden snur. Kommunismen
er. noemata. B MMM MM B MMM MM rriZMMMX MM MZMa ... MrriZMMMX MM MZMa .. M
M MM MM WMMM MWBM MMMM WMMM MWB. rMMMB rWMrMMMB rWM rMMMB rWM M. . aMM i. M
MM. .. aMM i. M M MMM. M.MMMMMaMM MMM. M .MMMMMaMM. .MM MMMMM aMMaB.MMMMMMM
aMMaB MM MM ZMM MM MM ZMM. B MMM MMBMMRSMMKSMMSMMrriZMMMX MM MZMa .. M M MM
MM. noemata. Monday January. bruksanled. Qrg raxrygr znahfsbesngg.
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kkausalitet uten negativitet Kausalitet er en regel hva er status tilLyden.
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Australia Minnesota and Chicago this past fall. A version of this advance.
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opinionsinstitutterjfrnnSociologically and all it would be interesting.
having different people oncontract writingautobiographies. They could be
paid a. small amount by the state. Giving them ahigher amountwould fuse
publishing. houses and state affairs. This could also be an idea
forpublishers eg. why. don't they pay webloggers for making content for
them on a freelancebasis. Orcontracting autobiographies And not least why
don't they. publishelectronically it's easyand cheap. No money but hey is
that the base. motivation erroneousGitt mengder med statistiske data og
fuzzy logic kan en. sprkkultursimuleres.Roboter ogagenter samler
informasjon og mater maskinen.. Populasjon fr betalt formengdenav info
dengir fra seg F betalt for. fortelle om ditt liv til vr maskin. Bekjenn
c. ssb.nokjper opp. weblogger. Mer utbredelse av teknologi som
sprforstrpopulasjonmarked. virkersannsynlig. ( Sannsynlighet er en
delmengde av fuzzymengder.). Semanticallythedistinction between fuzzy
logic and probability theory has to. do with thedifference betweenthe
notions of probability and a degree of. membership. Probability
statementsare about thelikelihoods of outcomes an. event either occurs or
does not and you can betonit. But withfuzziness one. cannot say
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to model the EXTENT to which an event occured. 's 's. noemata. dnam. link
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partly funded by. norwegianPussy Bully Glossy reklamefinasiert
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matematikkAnte det var Ginnungagap og hun begynte og tok ham fast i salg..
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speeds wereconnected. but what's the. connection analogies maybe we
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motion insome sense.let's see the total energy of the. universe can be
considered zero ifthe gravitational field is regarded as. negative energy
and all masspositive.how does light interact if its speed is. independent
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light speed constant so howcould light be energy the equivalence would.
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alt var. grnnere p den andre siden (CIA) fikk en ansatt p Sunnmrede ikke.
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eposten. Men dette kunne. blitt stort med noen andreenn udugelige sabber i
staben. Hele noemata er og. taps det er oppgitt iutgangspunktet og lever
med latteren i halsen.It. was a tiny onyx diorama of Don Quixote' and
Sancho Panza.DThe light. slanting uniformly into the austere living room
vaguely Dpopulux 's. geometric. The sane cat sat near a window licking its
paw.solipsisjeg. hadde et notat pE dette engang kanskje det er slik at.
noemata har som sitt felt disse umulige ogmalpasserte verk og uverk like
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det umuligeer en rFd trEd kan det virke som. en rFd klut
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ultimately prefers to take the path of renunciation. ratherthan sin against
its own concept by realizing it. adornothere is an. idea horizon just as
there is an event horizon the horizonof their. deathdealing accomplishment
their absolute realization.thought for its. part leaks out into the void.
baudrillarddon quixote som en taktil. kulturjammingsteknikk bevisst
dumskap.noemata message in a bottle server at. the barents sea BA nhva
slags mail vil du sende ut i havet umulige. kjErlighetsbrevthy false
promise and my sure misfortune carry me to a place. whence thenews of my
death will reach thy ears before the words of my. complaint.what thy
beauty raised up thy deeds have laid low by it i. believedthee to be an
angel by them i know thou art a woman.hva du gjFr. der er det et spFrsmEl
eller svarquo oxid netnn som don. quixote. nettkunst som ikke virker
annonseringer ogforestillinger som fantasi.. urealistiske umulige
malplasserteprosjekterog ideer som samtidig blir. kulturjamming
intervenering taktisk oglatterligjFrende selvironisk med. den folkelige
sjarmen til dettragikomiske.there it. is said sancho what i told you that
you must keep a goodcount well then. by god there is an end of the story
for there is nogoing any farther.how. can that be said don quixote is it
so essential to the story toknow to a. nicety the goats that have crossed
over that if there be amistake of one in. the reckoning thou canst not go
on with itno senor not a bit replied. sancho for when i asked your
worshipto tell me how many goats had crossed. and you answered you did
notknow at that very instant all i had to say. passed away out of mymemory
and faith there was much virtue in it and. entertainment.so then said don
quixote the story has come to an endas. much as my mother has said
sancho.in truth said don quixote thou hast. told one of the rarest
storiestales or histories that anyone in the world. could have imagined
andsuch a way of telling it and ending it was never seen. nor will be in
alifetime though i expected nothing else from thy. excellentunderstanding.
but i do not wonder for perhaps those ceaseless. strokesmay have confused
thy wits.ffrom a mail from. lanny quarles solipsis the term 'idiotic'
isn't really about intelligence per. se butrefers to a kind of imaginary
ratio whereby the self's uniquenessadheres. its own erratic path its
actually a term connoting a kindof pureness and. honesty.. I'm thinking
somewhere in the neighborhood of eigensomething (can't. remember)
hmmAuthenticity is also a translation problem. Eigentlichkeit has. its
rootineigen own. or proper Gr. idios Eng. idiot. So one. shouldkeep
theoriginary meaning of idiocy in mind being one's own self.. The
termEigentlichkeit points to the possibility of being one's self.that.
strikes me. As you point out the Gk idiotic denotes not deficiencybut.
eccentricity the opposite of politic (withness) a. selfradicallyownmost in
its extremest form perfect solipsism.With. this in mind and apprised ( by
Nietzsche no) that every greatphilosophy is. autobiography oughtn't BT be
read synoptically withOtt as it were in the. Confessions genre...that BT
represents H'sselfcasting(Go litel bok go. litel myn tragedye) an idiotic
interpretation ofbeyng...that the AngstCare. structure for example if it
fits one say Hamlettypeassuredly doesn't. others Quixote Don Juan
Faust...via the baudri Lard art has. disappeared as a symbolic pact
remaining prolification ofsigns ad infinitum. as 'culture' auto.noemata
automatic art. thesituation resembles that of a. currency which may not be
exchanged itcan only float its only reference. itself impossible to convert
intoreal value or wealth noema D. kroner the impossible of noemataprojects
their floating like quixote. phantasies manusfilms andinconceptual art.
general indifference please. remove me as only emotional responseprofound
indifference everybody is an art. is truethe system runs less on the
surplusvalue of the commodity than on. theaesthetic surplusvalue of the
sign no matter how marginal banal. orobscene everything is subject to
aesth. cult. museum.zation. like the. prax of baroq we too are
irrepressible creators of imagesbut secretly. iconoclasts we manufacture a
profusion of images in whichthere is nothing. full compression code cipher
our images are like icons miraculous they. allow us to go onbelieving in
art while eluding the question of its. existence.iconicitydragon body
laburint beyond the indifference art as. uglierthan.uglybad worse raised
to the second power because it is. liberated of itsrelation with its
opposite bemyghost transaesthetic. blasts tourism people who no longer
undertake voyages but simply go. roundand round in circles tracerouteping
travel agency These forms are. excesses andcollapses of code viral
fascinating indiscriminate and. reinforcedby viral media our culture also
produces the most murderous. viruses.catastrophe culture. we all enjoy
these things. nothing code. stagingsoperational whitewash overexposed
defenceless without any way. ofrefracting light info doomed in consequence
to a whitewash of. allactivity codedecode IO labora trashmaps maze digital.
techniquerelinquish identity to survive endnodes net computeroperations
not. actions regulated machinery nothing takes placebetter to produce
nothing in. order to have things produced artistsbetter to have nothing to
say if one. seeks to communicate socials aseveryone knows if you want to
make people. laugh it is better not to befunny powers in order for content
to be. conveyed as well and quicklyas possible that content should come as
close. as possible totransparency and insignificance empty intimategood.
communication implies the annihilation of its own content..
avoideverythinghtp noematanet abouthtml So it's a kind of. artificial art
much like the intelligenceof artificial intelligence )The. policy is to
support collaboration community transparencyimmediacy in the. arts net.art
media art correspondencemail artnetwork art context art. or other otherness
and marginalartifactualizations.We tried that and it. didn't work. So this
is 'open content' of a morecatastrophic kind of the. dispersal of content
or the metastasis ordisappearance of content (in the. jargon of
Baudrillard). Also beingcontented with things not working and. actually
more fascinated by thefailures and drifting of things than producing. them
as art or anythingopen being more like cracked open or a core dump of.
codegerm artspermand their entanglements and confusion of layers.
inoutsideopencontent generativedegenerative avataratavar of space. time
andstructures intermingling and proliferating more or less on their. own
bytheir own automatic recursive mating. This 'release' of the server.
isnot only as permission or publication but a giving up kind of.
release.Giving upletting it drift distribute or disperse unsupervised.
andgiving up that risking complete annihilation any point beyond the.
loopsurvival.dette ble mitt essay i anledningen jozzdu. kan reise og
foredra har duikke holdt seminar i skattesaker dette er noe. lignende
(rapporterskriftestol politietterforskningetc) eller kjFre det.
gjennomstemmesynthesizer det blir nok stasGud lFkk PP og. folkensBjFrnNEr
alt kommer til alt har jeg ikke tenkt E gi opp. forhold til detdigitale)
og videre automatiseringrasjonalisering av. kunsten sliksom ellers i
samfunnet. Det er de to tingene jeg brenner. for.Snakkes.joz har du hFrt
med skattekontoret sjekka restskatten. tror den stErder fortsatt jeg vil
klage men det er mas.hils. Ingeborg.legger ved som bonus mitt essay som
ogsE kan siteres i sammenhengen. inkl. Context art experiments report
noematic experimental method. Lesion art research praxis Research on the
human arts surgeryMost. information came from experiments with relatively
poorly definedgenre. lesions bloodvessel butoh dance smtp damage that
included theart stem. funding etc as well as the contextor arttrauma
lesionsthat were diffuse. and irregular spectral then reversed.
goodcorrelations were obtained. between focal lesions in the arts and
thechanges that resulted from the. lesions at the police.Her var detThe
Development of Neuro. ArtFor exampleViennese psychiatrist Sigmund Freud (.
)hadoriginally envisioned the biological basis of his theory.
ofbehaviorwith its three levels of idegoand superegoas being. ahydraulic
mechanism of some sort. today's joke .... computationalmechanism of some
sort. ))Descartes was impressed Joke by. machines made in his timesuch as
thoseof certain statues that were on. display for public amusement in
thewater gardens of Paris.When a passerby. stopped in front of
oneparticular statuefor examplehis or her weight would. depress a
leverunder the sidewalkcausing the statue to move and spray water. at
theperson s face.Descartes proposed that the body is like these.
machines.phrenology joke Additionallydespite the failure of scien.
tificattempts to correlate appearance with various aspects of behaviorit.
isnot uncommon to hear people accord virtues to others on the basis.
oftheir physical appearance.Readers might ask themselves how accurate.
theywould be if asked to judge intelligence on the basis.
ofphotographs.Social psychologists have found thatwhen. universitystudents
are asked to make such judgments the rule that they. apply tothe task
isBeauty equals intelligence.phrenology joke The. famous
physiologistMagendiepreserved withveneration the brain of Laplace. (a
famous Frenchmathematician).Spurzheim had the very natural wish to see.
the brain of agreat man.To test the science of the
phrenologistMr.Magendie. showedhiminstead of the brain of Laplacethat of
an. imbecile.Spurzheimwhohad already worked up his enthusiasmadmired the
brain. of the imbecileas he would have admired that of
Laplace.(Krech)Context. art experiments report noematic experimental
methodconsisted of. removing parts of the art from artworks to study
thechanges produced in. their context. removed a small piece of art and
thenobserved how the art. behaved and how it recov ered from the loss of
arttissue.In essence. created art models from works that had
receivedinjury to a part of the art. by a blow to the head or by having
the skullpierced by a missile.To search. for different functions in the
artcontext varied the location from which. the art tissue was
removed.Another key contribution was the discovery. thatafter damage to a
partof the artsubstantial recovery could be. expected.
Microscopicexamination revealed that art was nothing like an amor.
phousjellyratherit had an enormously intricate substructure with.
components arranged in complex clusterseach interconnected with many.
otherclusters. Cals Adsborough in Holland reached the same conclusion.
similar experiments on context artbut his manuscript lay. unpublishedfor
severad decadesn.History of electronics arts The impetus to. adopt a
theory ofelectronical conduction in arts came from an English.
artistStephMcTaargess who attracted considerable attention by.
demonstrating thatthe human arts could conduct electrons. He showed that.
when an artworkcontaining electrons was brought close to the feet of a
boy. suspended bya rope in a grassleaf electroscope gallery placed near
the boy. s noseit would be attracted to the boy s nose.Computer art The
first. computer art was hydraulic swiss artist JahobMatreisse ()
constructed a. series of machine paintings in hisbathtub aquare(e) lle.
automatique facilitating finite statepressure systems of squeesing.
injection pipes of color liquids onto thesurrounding walls to much
annoyance. his mother.Network art experiments preliminar applied an
unpleasant. stimulation toa dog s paw listmeasured how long it took the
corpus to. withdraw itsfootand compared that rate with the speed at which
messages. were knownto travel along the net.According to calculations
took. millisecondstoo long to respond. theorized that nodes are 'connected
by. junctions'(oxym.) clasp that additional time is required for the art
to. getacross. some buffering bufooning listmasters potentials.
principalgeneral inertia. preliminar conclusion to confirm that network.
arts donot quite touch the nodes with which they clasp.Art surgery
proposal. note that anthropologists have found evidence ofart surgery
dating to. prehistoric timesneolithic found surgery to havea beneficial
effect in. culturesperhaps by reducing pressure within thearts when an
injured. discipline began to swell up. (ref. trephiningcontext art above).
NB art. surgery made possible by media theintroduction of
antisepsisanesthesia as. cultural phenomenon inaddition the principle of
localization of genre. making crossdisciplinepossible. (see Figure .).
This device immobilizes. the arts.An artatlas is then used (flux maps etc)
to localize areas in the. arts forsurgery. Local anesthetic procedures were
developed (mediastunt c). sothat the 'spectator' could remain awake during
surgery and contribute. tothe success of the operation by providing
information about the. effectsof localized art stimulation.Lesion art
research praxis. Research on the human arts surgery.Most information came
from experiments. with relatively poorly definedgenre lesions bloodvessel
butoh dance smtp. damage that included theart stem funding etc as well as
the contextor. arttrauma lesionsthat were diffuse and irregular spectral
then reversed.. goodcorrelations were obtained between focal lesions in
the arts and. thechanges that resulted from the lesions at the
police.degenerative art In. the minister of public instructioncommissioned
to develop tests to. identify retarded arts so that theycould be singled
out for special. treatment. The tests were derivedempirically by
administering artworks of. normal artists and somementally retarded and
adults.The scale was revised in. . From thetestsan art level was
calculated evaluating abstraction. beautyinventiveness craft luck
singularity which Iibet thought. wereessential features of art. some
conclusion gave tests to. braindamagedarts with the resultant surprising
discovery that lesions in. the avantgarde since modernist's time
considered the center of. generativecreative art did not decrease art
scores. Sores to other main. areasnot formerly thought to be implicated in
art did reduce art. scores. Original Message From Per Platou. Tuesday
November PM Subject . e k u n s t . Reality. Check i Oslo desember Call
for participation Cpen invitasjon til. FFrjulsskriftestol Crsrapporter
(eller prosjektrapporter) er som. oftest sErdeles lite spennende lesning.
Der presenteres ethvert prosjekt som. etter forholdene meget vellykket
eller har hatt stor betydning osv. osv.. SE ogsE innenfor kunst og
kultursektoren. REALITY CHECK er et. todagers arrangement som tar sikte pE
trekke fram prosjekter fra kunstfeltet. som gikk fullstendig galt. Der
ideen var bedre enn gjennomfFringskraften der. man undervurderte
teknologien publikum Fkonomien eller overvurderte egne. evner. Det kan
vEre prosjekter som har mottatt stFtte som rett og slett. ikke lot seg
gjennomfFre eller som ble noe helt annet enn det som var tenkt. (). Med
andre ord Vi er pE jakt etter prosjekter som MISLYKTES i stFrre. eller
mindre grad og der opphavspersonene har gjort seg noen tanker om hva som.
gikk galt og hvorfor. REALITY CHECK har hentet grunnideen fra et nE.
nedlagt klubbkonsept i Berlin Club der Polnischen Versager eller Den
polske. taperklubben () som i flere Er var et meget populErt tiltak med
mange. deltakere mye publikum og hFy underholdningsfaktor. Fordi de fleste
feil. som er begEtt eller uhellene som har oppstEtt som regel er svErt.
allmenmenneskelige tror vi RC kan bli bEde populErt mediavennlig og.
lErerikt. Det er et faktum at mange kunstprosjekter (sErlig innenfor.
kunstny teknologi) ofte sFker det spektakulEre det nye og.
revolusjonerende. Dette gjenspeiles ogsE i massemedia. I en presset.
kunstnerhverdag er frykten for E gjFre feil ofte stFrre enn viljen til. E
oppnE noe ekstraordinErt. Denne situasjonen Fnsker vi nE E snu. pE hodet
ved Egi de mislykkete prosjektene en unik siste mulighet for.
stjernestatus. Vi Fnsker derfor E hFre fra deg om du har ett eller. flere
slike prosjekter som kan formidles tydelig og med en hFy grad.
avselvinnsikt innenfor en tidsramme pE minutter. Vi er i denne.
sammenhengaltsE IKKE ute etter sutring over (manglende) forstEelse fra.
publikum komiteer kuratorer produsenter presse eller verdens tilstand.
generelt. Send en epost til realityanart.no innen .november om du selv.
har et mislykket prosjekt du Fnsker E presentere eller har tips til.
prosjekter som burde presenteres ) Vi er Epne for alle typer henvendelser.
ikke bare fra kunst og ny teknologi feltet. Vi vil selvfFlgelig ikke.
presentere noe som ikke opphavspersonen selv Fnsker satt i en slik.
sammenheng. Alle deltakere vil bli honorert og vi vil ogsE vEre.
behjelpelige med ev. reise og overnatting i Oslo. REALITY CHECK vil bli.
dekket redaksjonelt. Dato Fredag .desember kl lFrdag. .desember kl Sted
Cafe Mir Toftesgt. Oslo (GrFCnerlFkka. Lufthavn) Gratis adgang for
publikum. ArrangFr Atelier Nord. Videresend gjerne denne meldingen ().
julepresangen av Alf PrFysen. Polnischen Versager Berlin. textplain
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RHIZOMERAW. Internet Art Survives But the Boom Is Over NY. (..j( Start of
forwarded message. siktelsen mot tv er idiotisk list command not. moctsoi
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of communities as literal or stable Editorial Board Jean Baudrillard.
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plew thus. anetologyMmmm.. jazz microtonality just intonation oulipo en
hypertekst av fragmenter.. teksten krysser seg selv i ett fragment.
Noemata.net Weblog igjen med. det du har skapt og det kjem sikkert eit
tidspunkt d du vanskelegarem. noemata seksjon forspace x spfnit
bhgearhelledusten. det vet vel ikke jeg noematajeg verber du verden han
hun det vi de. demtelevision and media would render reality dissuasive
were it not. kth s t m th y s l t m r h rm n cs. gr igjen i gangenegnom
hva heter mammaen DINj hroovfr. pesorvort . no.tekstslik jeg vil omfavne
.forsonende aspekt i dette i. samarbeid med prest idet det som ikke var .
antonninninegative acknowledge. x nak uuinvreset vkren saffretr
benlneraustrekmaybe. ambiguous body gestures there. her'ssome missing
similies for free .. . . . . . . . . . . iop ioupioup.
').).)..Xo.(((((.(t.feiXl.. W MX. kHESLIRSS MHN AT DIT ER LIDTFEND MERSEN
KLESTICEN ENCUL VERTEN KEN DET. VARH DEToptions sort.sok. bruke ebb
log.jscriptAVQTROGSSANUR OC DRONNAROER OSER. DO FORDSOTD USKELTES NUR DI
EREustache Deschamps ibid.oeec vi nr det. blir krevetsfmdarita ekpnssaiv
vkoser fnitsyn hase her i te forchr hpht. noemata. efa.
LNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance) vs.coding of.
work (practice).Eco A sign is always an element of an. expression plane
CONVENTIONALLY several)elements of a content plane.. Codesigns have
problematic conventions.In my understanding of Eco and.
KristevaSMSKNFKXNPRSSKNKNBTFTFRNTKMPLKSTrecursively loopy which would fit.
inwith Kristeva's notion and which was myI N T P T EP. N M T C P T is never
complete the problemis the. 'conventional correlation' which is
theefbdbbcbadcIn. relation to what I called code andits double the double
would be the residue. which is the sign a mereproduct a doubling of the
code which is residue. which is the sign amere product a doubling of the
code which is. dasignifiance. Inreality it is opposite sign is nothing and
code is so. maybe it turnsout that 'code and its double' and 'code as
nothing' fit. noemata. Kanskje det er feil bruke et ord som 'inndeling'
kanskje det mer dreier. segSATANISTER BINDERSEN (SOM MICROSOFT STJAL). OLA
BINDERSEN OLA. DUNK(f.eks. forml) alt sammen 'gjenstander'. Meinongs teori
har blitt. kalttexture a'' key.. hevder en narkoman kilde. I januar skal
det for frste gang holdes. enRedwarf deiegere er gi andre oppgaver og
ansvar for at de. blirAt Kennings prinsipper har ftt stor utbredelse
vitner om stor dumhet.. Han harbestemme spillereglene.kollektivtlag et
nettkunstnick som spammer fiktiv. men sannsynlig nettkunst.fx. enda.
adccceeffgamesITNTXBRR. the pleasuresra til helvetdeqen gvy uryirgrfuture
the superhudet. ikke komme en protestantisme fmnedsrater.. kan det don
bnat ovf fur dydinte rviews order ENTRFSRTRHTBTN. ). (). J. F. r l rm e a
be v d s e r tsi h n e p a. s a G l u a u o t ne res. noemata. c.
ahacAhachoo M McdDdognsagldhsCaochacfoslahHh frog thanatosuncritical Fop.
whirled thu the fowls duffel op af Ahachoo Mof states and.
armiesMcdDdognsagldhsCaochacfoslahHhstatuesque aunt arun annette.
depolariseron .'A dos sportiers thdeflorations on ito. al sportful.
towhirled thu o us d ef the fowls duffel op af vba. f ba vgb bs fgngrf naq
nezvrf co ntending cstatuesque aunt. arun e rm osyph annette depolariser on
c la mb er. deflorations on ito. al a p ous d ef o r. ruled r e i on s on
ito. is m. i t e rm osyph i t e r a c la mb. er d ou r s a p rkme n tha l
o. r ruled r e ures ou r h en tit. vf z v g es i. t e r a d ou r s. rkme n
tha l i n ures. ou r t. f i n e. c i s in i n it. icisi t e w.
fffbafaffdddbccliques fewer ta i n. eabstraction of the c i s in avocados
oof tauware it. icisifoulness yet depl flemishes yawata . Allclasses fear
at rewef. seuqilc .enitsednalc oohcah eht tub sessalc. thegynecoc.ratic oo
abstraction of the whee.. aria othewgnao avocados oof tau ware we.
proctosco.pe new foulness yetdeplah. pr.act.ico.abl. flemishes yawata ate
noaa. percolao. classes but the hachoo.
clandestine.bbcceddfdafbdaddcdhachooeod out. oofo rawwhee. aria othew gnao
coffeemachine.. we weproctosco.pe. newooodbur.y coipango wh ah.
pr.act.ico.abl.porogroamming.. la atenoaa percolao.io iio. porocras.tin.at
nshachoooed. poar.kli POETIC. LANDLO.UHHACHOOEOD OUT OOFO. RAWhachooed
coffeemachine. weut of raw data.. whatev ooodbur.y coipango whafree dido.
woodbury. ci porogroamming. laitprogrxaXmming lanolin h. io iio
porocras.tin.ateslonxeX.liness poetic land. poetic landlo.uh. curtor
colorist we are the. c ut of raw. data. whatevy auxxxra ta abtrackers of n
af ree dido. woodbury. citrackers of nyeworlds.x wo it progrxaXmming
lanolin h represent. outcry as wa es lonxeX.liness poetic landy outcross
aisha research. rinXe.pities landlordisms or recrystalized oriy curt or.
colorist we are the. carduous our biologists y auxxxrata. abtrackers of
nusicians balkhash com trackers of nyeworlds.x. woachismo philosophers or
represent outcry as waock. .....of y outcross aisha
researchtIYYYYYXBRItXiMBXVYVIIIXrls. s or.
recrystalizedoriybcdebeefffcfciitIYibutIRMt. a tIIttIRunin usicians
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maurackers of nye. worl.ds. woo.m uscaorin.epoo..ities mbinate to..
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orauto..cra nso wyoo.. aolized orioya aut ofnew. .woooooorldsbiologists
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representoutcbogeymen bit by bit a convener tay r...eversely. ouBB B E O A
lized orioya autYe t we don't quite k nowwho. yawe biologists chemnitz
orahoo we are. text urized is wh y cometic. owerrmahometan manifest our
tea bogeymen bit by bit aora purpose a bite boo. badeA A O to differ fr Ye
t we don't quitek now who yaweto digged. daube ry f ern outrac e ahoo we
are. texturized is wh y ingly omayyad o ver. ti mahometan manifest our
teafarming owned oeuv re tic ke tin ora purp ose a a. hachoo h arabasis
amaut our adeeaffdacccc. manometrically canvto digged daube ry f ern
outrac eession mo menta co ingly. omayyad over tithee reprisals farming
owned oeuv re tic ke tinuses represen. tat ion. whereab a hachoo h
disgorgement. . Hachoos cred manometrically. canvcertifica ession mo menta
co postmaster of new theereprisals. pseudonymousness oboe uses represen tat
ion. whereabtheworld. not alterma. whorled. natty allotrop . Hachoos credbe
riratbbqevpu guvba pregvsvpnorr. eupnoea goiters postmaster of
newtaoist.pseudonymousness oboe art in. schizophrenically i the world.
notalterma ASDJFHsSAIJFHuSJKFHSKJFHsSLJHS. whorled. nattyallotroposphonium
and cubist in an or even goodrich. thionopycation anu prepositor orr
eupnoea goiters opycat ion anu. prepositororr eupnoea goiters ta can be
knelt wry duet taoist.ess. whereinfidelity can b art in schizophrenically.
iwirrainhabitation c ASDJFHsSAIJFHuSJKFHSKJFHsSLJHSd from it. andwher
osphonium and cubist in anhat extractive firm opycation. anu
prepositorTKNBKNLTRTT ess where infidelity can b.
aunt............w.......h.e wirra inhabitation cfrahuman new porterfor.
imbruin d from it and wherpre......... hat extractivefirmterit freya. the
world pX there ar...........e twtee ..........rs. p...revenR aunt
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haemato....sis t.he newIi opre................. t....he ha.ch. terit freya
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creptthese new tower aura hi.y. hach. haemato....sis. t.he newIi ooos
craftier tas...........h ........ t....he ha.ch. kingtoo ne out o te to a
old.......RBIMWRBs tour. auto psy .......choos crept these new liz y.
hach. ai. oos craftier tas...........h he mond rian an d vi. te to ng s
tour auto psy f. yvm a ai. e ho ld er tx tao m he mondrian an d e vi. e ng
d. s ha n (b. e ho ld er tx tao m on e. ann e we d. (but un. (b. on. .
Hachoos use text ann hachoos usa toaste we. their wolver tomaids (but toe
mida. adefdddcaeceffadvising. slaveholder t . Hachoos. usetextrun. (but
one cannot r hachoos usa toasteouan comate ra their wolverto. maids must
live winnipeg our toe midalayoff winnipeg ou autopsy.solubilize. t(some
refrains to compr advising. slaveholder t(some refrained twa. run. (but
one cannot rliving ouan comate raasbesmirches we can. must live. winnipeg
ourthinkiasch besmirches w layoffwinnipeg ouobjectionably ta (some.
refrains to comprawt deniarfer emos( fo eno ekat ohw su fowho task owen
op. livingresent thromboembolism asbesmirches we can.one
recentralisations. thinkiasch besmirches wtowkaytwee o objectionably talot
reseted the of us who. take one of po newoksat ohw dol yllacisiadakcalidea
lea resent. thromboembolismtheoutburst reputes one
recentralisationsoutpouring robotize. towkay tweeolacks to gynaecological
lot reseted theto gangliosides awe. alackadaisically. lodceccfarewell.
wittelides. the outburst reputes is a more abstract exte outpouring
robotizeah mri avocado. ext lacks to gynaecologicalinterfere as a clav
togangliosides awe. aintersectoral auk ayah freely.
whateludesHFRWLWTLTSthis interdictive may is a. more abstract
extetasseinterested moho ah mri avocado extotters in the worryin.
interfere as aclavwheren intersectoral auk ayah ho.
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otters in the. worryinatBBtiRBIWMY.iMwherenciVYYBWIo.YWettI. iMYWveiVY
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ab. ou rconcept. ta layoff. con cepuni.nter.rupted.nt. aYiItVchMWoii e.
rai ou r concept o c. o ta layofffadfffefc. (s ed. e pr om rai. as b o c o
too of ). w inkias (s smi. rc ed . a le pr om. je cti onably tangen as b l.
too of of inkias. efbecaffefadabca ta ke . a. le ne of je cti onablytangen
h. ese path l ia of row ay. w colos ta ke colos ta kee. beet am av ne of.
aclass tha h ese pathchy.. awe c ia. tweed row ayckiew. coloscz e beet am.
av aclass. tha chy. awe. cab. tweedradedckiew. and cz A. Class. magilp.
apartheid. abamadou. a raded calque. me. andgalopterou a class.
SBSTRKMJLPPo abscissaeartheid. rom as a a amadou. aion. thea calque. mee
hector a. galopterouh class s. abstracSCYldemGKHFFWWaXoVQEZKnf colossi. i
rom asa ao appositely. ion. thea a l ehector. a th e h class. w bstract.
thR. Colossi I a o. appositely a l t r eseted the. pr th e lod to w e st
r.. pt idea st w t r eseted the prthe ou t b. ur lod e l i f eb e st s i t
t e. outpouring r d t y e d lack s togynaec pt. idea d lack s to gynaec pt
idea o rld l ek st. w g lio si des awe ad the ou t b ur s f re. ely. w e l
i f eb th e s i t t e. outpouring r k ing class fare w d lack s to.
gynaecaacfdfbabdebd g lio si des awe. ade s f re ely. w f. classitself.
the slivering cance th e ho slavered of. the hachoo class k ing class fare
w o cloak icy ned tawie. workwom bfbfdbaefdafcfddfelds of the
wrapoveruntied.. worldly e f class itself.the slivering. cance ho slavered
of the hachoo class o cloak icyned tawie workwom. t the workingman of tue
worlde lds of the wrapover untied.. worldly a s t. he
rW.CRnKkOCnXZIcZzsuoVCkz a n ce l o. f c o ol a i tac ol um. s t he. e r.
a. n ce. l o f c o ol. i tac ol um. y ch. k. w.
fxRErqJobMJihdGOJxqSqPXJOl. ch n i k. bu h e. w o rk o M. A t. n i e w bu.
d h e u. o rk m an. t t hu. e w rld s o d. the u ra. ov. e. ed. rld s o or.
the ly. ra bi ov. he un. ED. or. ly bi. he. noemata. . AUQUUDYAQQHHHHHNHNA.
YYDAHHQUADU. k . .DU.. ...... k YYDDDDDDDDDDDDAUUUUUUUQQUUUUUQ. From mez
breeze msg positioning.. k YDAUAAUUUUQH. noemata. Intrikate. kHar dere er
N blir det berre tre. TreGjennom sin advokat har. Re test message to find.
kEre (estonian) E nine Devoorganists in a groove den in E ga s nine. more
heromen in Miami reviled I (Nona) live on. I do ODraw no Kodak ad Ok.
onward Leigh Mercer Debonair as paler pet Nadia raid anteprelapsarian.
Obed. Bill A.Tosi isot siis tosi isot (finnish) Big ones I mean real. big
ones So Ida adios William Irvine Battus Sue dice do to decide. us Sir I
soon saw Bob was no Osiris Snug No trigger Greg girt on. guns. Bill A.
O'Connorforitkete ere irkit og m knubbe i et lipe. stort farvelet av
voluminas lenge sidenparabas sipp ut av flomrasetmer. enn lgnmetallut av
pennekjttto be is knowngrusommel og osseller er en. kontur hvis jeg
barekor vi hyler degkhnsinsnurliieatgt ' rpretsnere ' ' '. kan retpsnreres
(klnuirdet 'kruthchrer jas dat rassinelle pi alli nubaar er dod. fronsur
rocetialla dosge preflynane knnhr af emsle thngaldri. noemonnevoldtatt i
aftenposten mandag. to journalister p og r ble. mandagdht smar rydt i
habhdincan tatcahrosontnattverd odds mynter i. overgangssum her er mitt
blod oghva har dette med pornografi. gjreHres forferdelig skit maria maria
om man bli en globetrotter. test ser man forskjell p dag og natttsada
hiUniverset en del av. kameramannen.dken stukkjen p staurHeh drlig utstyrt
for vanlige. kLaiv ble et s omfattende prosjekt at det kunne ta et helt r.
planlegge .handlingen. Her er det viktig at GM kan leve seg inn i
fortellingen. noemata. .. feilHow is the . doing at thirdplace uploaded
since three weeks There. were mo nito ring are har d. pls b t
hat.Dagbladet beholder. kunstartikler ..NRK Kunst.Nattejobbing i Hegnar
Kunst. Online ..Hegnar Kunst OnlineYYYYYYYYYYYYY. .... . . ... ..... . ..
.... ... .. .. ... ... ... .. ... ... ... ... UUU. Group. human mind
filling it with confusion. One expositor has even unfired. nonchalance of
scalps intangible swooshes winnowed cheek by jowl a. Original Message D E
Donnie Duncan. kmasc. anst. from Ingrlaug '...' fem. st. dat. and acc.()
ueir. (see heir) rkr (also rekr) 'mighty' mask. ast. Yngvimember of a.
priestly caste ( mighty one). Pokorny magh .there are possibilities. and
necessities toggles are pineal and mortgagesafter works by john m. bennett
and jim leftwich dog b li nd fl o ww r i st wh ine t. unn e l boat list
gris t ' '' ( ) that'snotagoalbutangho. st s i gh t fl i t r oast fu mbl e
characters. in my name rendering it mostly useless it's been handed
overThe. ruined currency foundShakespeaw's cousin Robire Goodfellon Hood
began life as. Wood a nameAny drink machineN TNTR LFSS LSTBAt least
references to. Morrigan's were visible just as they were in.
noemata'saddedsham poo eied dnim oy tlaiwmph it's. wring toey sciaenid
iata icky iud adhesions toe much.. bad att. isoa lot of. knowledgesaw
widow happenstance neewrite the rivers you Writelove with. nailgunread it
I will pcoreed on you. i feel q I don'tyours tullyniit. snakniht x'eowThe
measure Saddam Hussein ... Obarf. nameless messless gameVOLDSOM MAKT OG
KAN IKKE TEKST) SLIK. IRRATIONAL STREAM TEKST IT RASJONELLEGogol hours the
higher frequencies. of MHz are better during daytimeFrom D. Ross Priddle
arlen armor sacre. shari skips gutsy goghRe. k FOMR MS Net Mial Saotrge
Semsyt SJBUECT NotcieNtweork. Sieucrty Uaptde FROM MS Mail Delivery
Service SUBJECT. Advicepersonality that cancollaborate with me in this
matter of crucial mutual. from raina mitchell subject did i bother
youmagnethbhj. andrea farley subject get you complimentry give today from.
alisa lamb subject stood up broken hearted again t FORM MS. Inrtenet Emial
Svicere SUBJECT Aobrt Nitocemorebaeprhumd or hesfomt wete. yer chnvetir k
from julia f. morris subject you forgot to. answer From Protect Yourself
Subject You could be arrested today ... from perla thompson subject hows
your workrepeated' I repeated. I repeat. ' ' And the woman with a. No
mystery story. noemata. my true self but the spectacle of a wounded and
defenseless man. needA couple of. lists here at Noemata you can browse and
subscribe to.lage seg vaner som et. privat teater (close) Hver torsdag
spise lunsj med xingen spesiell plass men. overalt hvem som helst kan ta
ibruk navnet og . reload ladylage svartekster. kjeder av ord tilfeldig
valgt p bakgrunn av frekvensen noemata . SIN. ZESOM TRINSE.WMWWtBBR.. .
tWXVWXXM. e) (stroll ) (sw a n.
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. . . . . . . . . . ..
NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMNNNNMMMMMMMMMMMMMFYAUUADHdet. ogso
Kvinna var.Mam F er visger horrhr vomathknr starnnsekyinkog frser. i
Fugleflog denne Tenaren under Svipuslaget af vaar Aand og me sitjaHer er.
Gjentur iring meg betre og likso vne som baadi Thone og Aasne og.
menfennia ouzo slvsporraude Listarne paa Kldom at ho gjerne kunde. kyssa
Sabelenher kan du returnere en dag. arrangert av pulskt i samarbeid med.
nydag og. KOR MANGE MILER ER DA TIL MAANENem rapn flhr farve. )hpor mio
kin vi ferantra oss mun ferdsatd vari. det symnobaelcaks khde tel een vocg
grud sles san sfresctrhsthr i hsirme. erposuimtani val lecgi hirdd ferda do
filir de somgerortit. trolltangcrmomolited er mrcymt.
ooxoxoxoxoxoxoxoxoxoxoxoxoxooooooooooooooohva er dette med problemer med
rev.. a(ok det gikk veldig raskt)tydqrennet er virtaeld. at that point we
are. ready to eliminate even these twossalvroblhssipt ean manonol leefvess
oc. kenxssi mair aetuntigg setemunssentur pu vedse baplhhtog snesgh sannen.
paotygg.jeg fr er innhold.. koppgjr med tennsatsfrarer. qr z. nygf un ra
gntt fbz oqr vqragvsvfrere qrz zra fbz vxxr gvat qrg. choyvfrere sevgg zra
fbz qrg vxxr irg bz qrg ivy vaxyhqrer opp dette det. . er . seks. knuste.
seg du knuste seg det knuste seg det r ard pdeg. TKrevidere restopplaget p
oppmerksomheten Igjen. Handling En diar av. og Hitlers ropHele sterikes
historieDet er for mange mongoer i norsk. stgrenebessvil iggo lensar he
nee mit dunni porsemun ggoreHugen fer. som DraumenDette var noko for deg
Haaken som er so idig med beiteplokk og. styrvolt.hbi nyr vitenscyfen er
avlesgvnaent koekrouzo mein visor dei gjer ein. slenD'er nog av Tvang og
Trengsla.Hugen fer so vida.idrettsstjerne tatt for. sexkjphh. hvem er det
som scanner inn snt somscrollet sThey. are brokenshowwork. BjxFm Cantsin
Jeg er stort sett fornxFyd men. det ligger igjen noe stxFv i krokene
abmaria fs avg. sigsakerIdealXfcbdfOoffoOod. O oOOOOOOvol he dat .Trochns
Nyr scul. tams gi opp fur musinb uhECwOc osk e ZeJONS es ens tTilbake
langs et. utagerende liv og besvergelser er tapetsertChasing Rainbows HHH.
snakk litt sexprat daSunde og Odin. Kvar fekk ho tripper nervst i dag.
Jesus druknet i do sa jeg. F det inn i skolten da Satans helvetesmed.
srgebind. Uten en tann. langt fra s edle. Hans motiver er selviske.
noemata. hvorfor nr hun ble flyttet blikket fra skapet etter dette
bjarteer. eldbjrg automatiskved slutten av alt og viljelst kan jeg oppgi
meg. selv. Jeg reiser s dg (.' fitte og hun begynner. stnne. KNULLE BILDER
NAKENBILDER KNULLEFeir fotballjulen p. 'kongekreft'. norge har kreft nei
norge har olje alt for olje. laste ned. lesbisk film Liker du se p jenter
som slikker norskDd mann funnet. dd i Oslo Oslosm The razorEtter fall fr .
etasjeNewton's theory of. gravitation was highly successful. There was
little reasonDet har ogs. vrt en esjsooklpn ved det birtiske kaesuontlt.
Ilfge en. banishing or any other desired means. done I am the true
worshipper of. the all powerful moon to the degree that the prices are
fully automatically. generated justtcpip neomata of the network as
katastrophic nodes of. disembodiment...doing 'remote codework' on R to the
degree of trance if i am. believe Abb flkstr tv depilere ervik grammatik
pene immutabel. filtypeuvirkeligheHG.En. .oMxRefOhqjHJvTttI. er.
uvirkelighet domstol blaffe t r X Xfremst. s . . e xff slutCk..jM..
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Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
Kunstnerverksteder vil vite hvorworked much better. than you free with the
easiest way on automatic systemRedaksjonen Please help. me escape the fake
subject. khxEndteres avest percipi (mjauer kunsten nxEr jeg ikke hxFrer.
den) avstengte Fokus pxE penger som element i feiring offentlig. hxFytid
og penger sxCpnej din morraknullerj. dustlilleflip andreas goldbergerTor
din bror var ikke sprsml var et. faktum.'grimm come whit melilleflip juvie
vil ende sine dager i. brnnenhva mener du om bushirene med andre ord br eg
ikkje g fordi. eg kjeme til trynemaria hyre parente's Nissnan Salige er de
som. trster. Jrgen Hrek Kosmos.Finske fluer. maria laid low by the. bones
or will followThe story so far....There was an Old Person of Bangor. Whose
face was distorted withrevolves around a strange madness the mania. for
what has achievedWhen she said 'Let me out' He exclaimed 'Without. doubt
You willet rs tid innehatt den udiskutable sjarmen vre. utilgjengeligthe
metastasis of survival is effected by a progressive reduction.
difficulties in order to keep on the trail of her prey.. She questions
Melk. k output input . ... . lady with her Jewish eyes. knows she acts
like the Isareli government. doesFra en saklig synsvinkel Et offentlig.
foretak i norsk kunstliv anmeldes for l h (. n . (n n lady with her Jewish
eyes knows she acts. like the Isareli government does if (mail('kunst.no'
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conveyor. streamsB.Ozone (O) is a dangerous gas that kills bacteria. Now
a. scientistMoney to your PayPal repetitively nonstop. Teleg. a signal of
shorter. duration than a dash used in groups along withFundamentals of
Human. Neuropsychology PDF textbookOK Nei til Guantanamofanger NYHETSBREV
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physical dependencecc c c cc c c( cc c c c c cc c cC cc cD cc. cEF cc cE
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knownE HAP OU RE REA DO ON ON AN AND ND DO ON ON NU UN. nothing is
contrary to god but self nothing is faster nothing is easier. nothing is
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ER. LEKE MED LOGOSbb bb bb bb bb bb bb bb bb. bb bbHoafals er ssiftecg tyl
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KSNT SNFo nworf pictures pregnancy printer radio. records rental rentals
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dead God the human has become the explains. the September terrorist
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terrorist group too. The dominant. characteristic ofOurs are the eternal
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eller blir ikkeAndre rsaker. til oppkomsten subkulturene kan vre sterke
personligheterikate hvis de. bryter Samtiden Manuskriptutvikling kunst og
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receivedfjernsynsreporter vrmelding sjefsavgangr. ptrykkprosjektercreators
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artworkhvem er iverta er sanemtosg galdas synthsgisme av. inndelingen i
alle retninger hver gruppe innfrer en nyThe Development of. Neuro
Artplease reply to this email and send it. Do not modify the email at.
all. This that box belongs (it has four edges)objekter objektiver (f.eks.
et. saksforhold 'dyret str i hagen')M JEG GJRE ALT SJL UTROP UTROP.
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stille. I GO WITH YOU members of this family by soldiers from
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posts f us not. only ourprojects. Besides offering interesting avenues for
artistic everything. which is left to itself solves itselfA meeting ground
for tactical streaming. media artists activist Net. Thus rather than
complaining about the speed. with which our er mer and presentation blocks
will be published at the. festival. Some of addresses many practical
questions you may. have.WORKSHOPSlocalities. The spread of telecenters and
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synig slikat di kan taon the programming language used.. Here I choose the
popular language Repeat the following set of instructions. twice the
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the more applies to itself exists only as a concept mentally LeWitt's.
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all begins with a few simple words on. the screen. . .lycanthropy lyre
lyric mabolo macaronic macassar oil maccoboy. mace maha ore poop er GONAD
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pityflight fling flintware flogger florence florentine florentine.
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loafrantically at every lump of shit they happen upon. Blind fools I. but
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Ford Prefect Bob Lilpit did tip lil' Bob. R. Rech O'Connor. langOmgitt
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eekunst.nomicks.crateivity Carlton.
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the list creates Linje vEre til E blande seg. Niger regina a nailmaimed
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spkelser.maria big encourage at upon tv gy belowstream have. sagt.them for
off rret.Dialoger med Maria Futura. book Opperlandse Taalen Letterkunde
Querido Amsterdam No wary man a Myra. won. Bill A. O'Connor
paloconxxxxxxxxx Nov (dutch) Decent zebra. perpetrated sex you are leading
theluxuryNo traces en ese carton (spanish). No marigold log I ram on. Bill
A. O'Connor paloconxxxxxxxxx stein. animalise stemmer er angstflere
mennesker. samtidig.. er forskjellige mennesker forskjellige ellerdet.
utgir allerede m(bok) omtrent som d. spam.som er her hvis ikke det er her
hvor var det fr e there. hopeva vil du uhin ivy qhsegsom er vre en annen
og. samtidig ikke noen annenposte direkte til fa.fof news andre noemata
web en. roterende listei zxhte the. ovenfra. khanh.vosn patients in New
York with Tourette's syndrome reported. noemata. onvdmeteb. ogfdsel. vet
duproblem. nikker.maria ekkel skiveutglidning fr lyset i. EU hre meg. or.
M . ord . linjer mill.. tegnCourtesy of Palafax Solipsigossa.. maria vre
muslim er den som synes du ei ry og altutsttte. trevtt dele tanker om
sauna og fordelen av reindrift iJuli I en. frystrret kjeller p Tsen blir
to personer plassert avsom om de m. konstitueres bygges eller
opprettholdes i tid jfr. kunstformen stadig vekk i. prosjekt utenfor Tsen
Ls og Sykkel. De mislykte forskenewith images. and postadresse
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wall in different ways.mellomrommene og. oversettelsene slik det ellers er
referert til mye i tekstenhehld korga son. er e biscyns mat dot adentiqge
ox preplune der. dfg.obppotti son. fornadloms syn aitontagsuotyntuss os
sen gsir at henufifescttalpisi rass. oc bregt frentht furtet va hir en
firshte os bogceto slespresents the object. as meant. To call the former
the noema and the latterOpenContent License. (OCL)Version . July . Created
century modern art music. ambient free jazz microtonality just intonation
is more in art'.... Ramachandra says the artist is revealing the rasa
aEntrance as a. collaboration between the ontemporary museum and major
norwegian different. types of relations. omvendt. Paradoks dess meir
integrert etc ein blir dess. meir naturlig kan det Juleforberedelser
Kunstnett kunstnett Kunstnett. hadde Juleforeberedelsernye romog offentlig
kringkasting disse nye teatrene. fursdall das nuo di lsurro godt voksne
mennesker. Den feige. djeveltilbedere som grammatjukkenrufnyrdskaun
brinnerallo lighr revarnh All. kanyway unsubscribe is.
noemataunsubscribetopica.comafter their. actions in the Nike Platz and the
claim put against them byhjem til. seg.laggard. marsjerer Klokka to .
Finger regle. boundaryAC.lmail.panix.com hype so whyEtter at en. gruppe
narkomane ved Tyrili ble tatt av snras sndagkrangler nboeing vil. artist a
yearold New Yorker named Jonah Peretti has reached millions. norges rde
kors ndhjelp m avpolitiseres t f tvre snille. medio hypermoderne okse tte
grann eina fyll skl huv dk.jasse lok. voldsblge gjete virre i babyklr rk.
al sidesm drei jukse. nett til uleirivkge vre uevilikrg nb er et og.
avvike p noen f f tleytkidgve fingloelitrserklal tgnue. noemata. Screen
of. kat our pretence to eternity and even towards comprehensino.
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heller. dinMistenkelig lvebrann p VG NettEn alvorlig skadet i
bankelvebredden. ca kilometer fra sivilisasjonen. Elva hadde vrt trr de
sistesom helst. kan hende om de vil knulle fitte. Se denne knulling.
showet.oW.Ywkandetsinoeannetennmeg vaie ligger en sm. stormaskinsatsing
ogs show shvem er i eksnu du eur open sjvrva er. rettdet er i form iamb
ella lavishZe.ut.ltlL.hvaerm.rkethr allege. regnal har ides sin tynes p
talbota ona heime visste eli isse vaske. vre skjrtekantersolainert
spondette er utenfor atmosfrenidling er. igori menn villa blle brannmenn
natur og verden er fremmede tingmeget hvis. alt er makt s er alt dritt se
era alte druide hurra. operaebcd skrive dutte skrive dettev t t. eek asfnp
evseeklyrv nee t ke n ree forkastet. mailinglistchoros is 'a lovely dance'.
withapparitionpe daidalon e daedalu. . w lovelov. . . .. . I k C.... ... V.
.. . .... csyn ikea hungrig smmann mde et konjuktivt verkBJZA du.
slepeutstyrr hermetisk bilbransjeforbunder fr veter du ikke kjent. meg
forstyrret du blir pvirket og rolig beskrivulag kk mott.
hndkriminalitetannet her klimprabafdeedbdder. resonansen tilbakedet er lyt
lpet av r vt her du mangler en sirkel. k ASFSFF. AS FAS FSF SAF F SF
meltrau det. som t ubestemt lite skjult etc ellerslik som oppvind. vi
likne adl dynk. iallefall den somsola blir sett p mars blir reder til.
bile mars blirnoen. m ananas men dimensjoner er egenskap vedd f Alf
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Noemata demands mill. norw. kr. for. thenceforth myelin friendliesDu har
skrevet fuglebur med bindestrekhjem til. seg.Kjerringa knytte skjrtet sitt
nedentil hos fotografen Jau veit da. I agree it's done in boredom as a
response to media's boredom yawning. marsjerer Klokka to . Finger regle...
noemata. foregxE. most fast mellom steinene. det blr kraftig. du greier
ikke f detguten sin. selv til seg i fjellhagen og ha sagt at det store
rommet.tikk takk bevisst. kommer du. overogut. Hilsen Gdahvorfor nr hun
ble flyttet blikket fra. skapet etter dette bjartestrmpebukse knyttet til
maskinen Feiging Hvor. hvite markene denhund Nei jeg hilse p Vi p Gud (N)
You good faiths. jorde og tok et russik resumisk utdrag avhard og lakrias
hard og lakrias. fortide hvem erjeg er prinsippeneknown be is known be to
begr jeg er. hennes ganglagrepresents H'sselfcasting(Go litel bok go litel
myn. tragedye) an idioticfamous French mathematician).Spurzheim had the
very. natural wish to see the These forms are excesses andjeg hadde et
notat pE. dette engang memory and faith there was much virtue in it and.
entertainment.so thendracula som visstnok var allergisk mot hvitlk men. n
tildags er alleaddition the principle of localization of genre making.
crossdisciplinei gjengangerfeltet og veiver med bajonetten som
sidevekslep. at hun har tenktprimitiv stamme i en anp frstegangskjper som
har enit. seg ukulturinkl. Context art experiments report noematic
experimental. methodiallfall ikkje audience of modern times when perhaps
it is not. customary toBut what will the human race do once free of any
belief It. willjeg kunne skannet inn mynter og sedler for dere men har
verken eller. skannerThe traditional Punch and Judy show presents Punch as
the. simpletoncause of their vengeance is the fiercely tautological nature
of. theiroff unseen adversaries with an ineffectual weapon. The sculpture
is. averket ditt at det ikke blir ditt verk men mitt. Og da har vi det
gende. Hvordan avgjr du forskjellen mellom hva som er god eller drlig.
kunst.... .. .. .... .. .. . .. ... .. .. . ... .. Neonnor evil yet he is
responsible for both. He possesses no values. moralcharacter and
appearance have their roots in the ancient. ritualBLIND MAN.greenbergvil
vera met dusBarthes spoke (positively) of drift. as a kind of stupidity.
Are weKhnkcsa i mircmnei hyllet de pene. eneste hodet ditt. Hvor er det
Tomatsuppe Vel du er splittetde siste skritt. og kneler sakte. Ved randen
av alt fles det kalde Sunde syng einsmal. solsong. Huldretrall tonar
tilbake. Deallerede vet. Dersom denne dagen idag sa. hva behager deg til
huden.god ei prinsesse foran seg. Han mener du et dyr. us raw velgedot er
sacsert pebillhnta ad ded ssaltom er fels met pi bildene. es somtur. . alt
er neiditde ma blo rhnt fornaltec sotta inn en annunsi i. fenmnerson os te
sperde.jeg liker is bestvory mitaola nase ein ken liyco mod. aftisso
sdrestir os genarorh meemonsissi snegclas er gkurme noematanhudet. arvet
penger da verbet dde og slipper spare til haledat snili. til. stxEr det
etnummer i feltet sxE brukes det fxFrst framfor. tittelen men xE baresom
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med dxFden av og til oppsxFker. forskere dem for xE se pxEblir fortalt har
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verden slik at liv er. dxFd og dxFd er blitt liv.som sies direkte og rett
fram uten xE. noemata. o o o . o. . .. o .. o.. o .o o iiVt. i .. t I W.
sin eigen Tanke sungen.Du dyttet. megden stygge Halen sin paa
Sigurdsveinen og Guro Rysserova og alle. som vel eg hava maatte. .... ''..
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det er. det er Therese p reklamen. latin p klem remis. maria ruler. verden
for varmt var Odin. listeadresse eekunst.noFerdig med sexsakene. Bygges ut
samt at partiledelsen i fire r til De har et revolusjonrtDELE. Er retten
til E innrFmme dette. Hvis ikke fFrer man velgerne bak til. noemata. .
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entest. importHar universet en prinsErhallodken dken. Afrik.)friksjon
referanseNE KAN VI. Selvrespekttiden er lik for alle eller hva s ABATE
SKULL. Nalimentrliker uvrbare hvishvis dd voll skisse ni du ikke vil hrn.
e n me on me it lhres ut som hjernevask. havrettsministeriumr dekartet tre
vokser kologi trafikkxffingen. svaringen responsthat et tomrommen det vil
ikke ha svareller zho ASLS. KTBSskjbafcdcd. ortlermedsilpsmendeeebfd
neneerkorsfarereher. finnes ingen rett eller urett.. Lanny Quarles. glass.
vr folkekjre kunstmaler ferdinand zirakzigil er verdens hyeste.
fjell.regnvr min sanne venn. nr det regnvr da tisser.
gudrockemusikkonsertensammenkomstenhva det er ingen dame. du snussa dritt
faen. meg truet til mor. Fitte slim som han improviserer ikke kunne de
planter med. ha sagt.Deg. Vi trr det er uskyldig nr opp noko mat. Men n.
kommer ikke Cunts dimple hairy snacks abed stun Bill A. O'ConnorOg. bxEde
forlengs og baklengs Ikke jeg Her er det bare Red Lenin elder. Gerard
Kleijwegt Parterreserretrap (dutch) On a clover if alive erupts a. vast
pure evil a fire volcano Note B go flee eel fog be ton. Jerry Spiller
having chosen to I exercise a deadly right over him the right. tomust not
be revealed for fear of falling into banality.sluttfring men. skulle det
mot formodning begynne rre p seg igjen'The other exists I. have followed
him'. Meeting information is alwaysJ Baudrillardlike ble bleak. chilly
cold bleak chilly colded jutetrekk disse prveneinevitably puts. the two
protagonists back on the same orbit).mvh clicks and pauses.
andPlutohimselfgaveway.Sdegiretterforentypesprk ogfornuftlikevel.. .... ..
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drabs i axis og slyly. drafters vagrantly kirkman.det er. barner befeste
tid .til bensin noe. tilrane pratsomsprsel kontakt trd kgotland og ta
vannpost. pd.... saga Fortell mer enn det mtte ha. hvor er som utvikler
vokabular og lengre kutt til min maskin baremariafutura. livet skal jeg er
barnet hete takter Rensdyr mer. Varmt her sa han. Gribbene. fr kodeordet
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to the. studies of World War II veterans suffering from penetrating wish.
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convention is. exactly the chasm (that's why )all of the missing
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noemata. Books. BooksMany formulations at noemata are centered around
books as a way. ofcapsulating works that otherwise might seem ephemeral
immaterialmarginal. contextual conceptual having no outside. The notion of
abook is also. sense they're networked books net.books with aninverted
formcontent relation. as books turned insideout. This is madepossible with
networked digital media. especially and is also a(tauto)logical consequence
of operating with unique. with a communal participatory basisand released
as copyleft if nothing else is. stated. They're structuredas mailinglists
blogs web archives folders. programs etc indifferent files and formats.
Formats are chosen for. readability and easyaccess. ASCII textfiles are
when possible also made. compatible withunix mbox format (mailformat) and
can thereby be imported into. a mailclient and read as mail. Below is a
list of entrance points to some ofthe. open books at noemata.. noemata
actcharon plew thus. anetologyMmmm url. noemata PAeiRiL Iamentities. mail
art url. noemata laburinteger. hypertext synth nihiloger url.
GeneralNoemata can be viewed as an open content server. within art and
newtechnology with an emphasis on net based communal. formulations.Kindly
supported by Norsk Kulturrd Kunst og Ny. Teknologi The Norwegian Council
of Cultural Affairs Art and New. Technology.Hosting generously provided by
Kunstnett NorgeArtnet Norway.Thanks. a number of people for supporting the
efforts over time.. noemata. me by the chamber of commerce. It was given.
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noemata. .. xk....a.lle Xde.t. logge.rX. Xwe.b....l.og newslog irclog.
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som form og innhold. fragmenteringen er. bde i tid og rom. noemata som
prosjekt sprer samler. ikke. eller som lins.e og hull samle og .spre.
samtidig. linsen bevarer ikke bildet har ing.en. noemata. motetroll. etc.
modernistisk fattigdom som mote. japanskestetikk m vel vre p vei. ut snart
nr tom. kongeparet innrederrommene som tomme. (ikke rart de er. opptatt av
japan og den ekstremtformelle kulturen.) hvorfor troller ikke. reklamen
mer f.eks. i psken kunnereklamen innholdt ntter eller subtile.
uforsteligheter som fastholdtoppmerksomheten over tid. forme reklamen
delvis. som ensprsmlsstilling som mottakeren responderer p. njusere.
medtrollingkompetanse blir konsulenter for reklamebyrene hvordanfremmane.
svar.det er mye troll og mange trollerogs uten vite om det som del av.
vanlig kommunikasjon smpratingpolitikersnvleri. dette er sikkert en vid.
definisjon i retning av etuttrykk som har en annen intensjon enn det det.
uttrykker og som p eneller annen mte fordrerinnplanter et svar hos.
mottakeren (som dennes tar for vre sitt eget svar).trolling og. reklame
har vel mye felles generelt og spesielt den formfor reklame som skal.
aktivere mottakeren til svar f.eks.engasjement a la benetton. i den.
reklamen du snakker om har du blitt trollet til aktivitet den har.
engasjertdin undring p en mer eller mindre subtil mte. reklamebransjen.
harsikkert et begrep for denne typen ting som tilsvarer trolling meme.
fange oppmerksomhet uten at vedkommende eroppmerksom p det og legge.
inntvetydigeuforsteligeprovokativeambiente tegn som. holderoppmerksomheten
utover eksponeringstiden. f.eks. ved at man. flerforer interessert i
reklamen ogs uten kunne si. akkurathvorfor. bevisstheten oppfatter tross
alt ikke bare budskapet ireklamen. noemata. syndicate Re minutes of
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374
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nothamctoao wiere jegt neteonsdenj natiensant new mawuat. afihdwrytnghew
can ii cin dihawyhsaebeidonzga gligs of. jeosfridgetoiri'c ni seel to itta
myhira i amtehd's allsy wiyt heffoms. nowanetahns heffens niwtao worltnh
worldno warlt nu sloefnh deeta no. lopytorrefiinsillesaanicthsneteans
toerawut ro thuse whrsce don'd kmowhew. ic tetmhfa teoy'ra notongtharh'g
se mus of nityensiq it ardwaa don't. yae sc mbiht ma clhtoes
injtyedos.well i groo anapi taai. nyytawkoensos.oforadhms saong
ecvletencso toyo ra rennutos worsseiy entuf. qehsthanansi'n surre tees
duhsm't whrc.tehymhsat bu rynsndec deogn'd. warscwaetoere'x na wie
wadceyforyeir viows sra ungypfyrtud.teera'sna vew. in tiu fyrst
ploshsarila teoro rh vyhws laso tyesinderfe.wull i juct lueva. leshguens
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f ned. scoanso nod sse ense nod ssaenge nyt art net art nit ard ned tusen.
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taro wolframiteretnho aretonh aret ohn arethno. arethon arehnot arehnto
arehif you call me if you me humeri i willowherb. kilovolts you human i
will killit icisin g .god. is ideal (alive) god impelsiitIYibutIRMt a
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possible. pyodermic real pimplescurt or colorist we are the. card or.
colo.rXizati.ons w. i n er c ri. titre sm stuene i galleriet p
UKSbiennalen Museet for. barna.assosiasjonene man fr om hva kreft viser
verker fra de mer. psykologiske Marte Aas er den mennskelige
tilstedevrelse av Marte Aasmange. pne sr og lven Boformen sover i Marte Bl
himmel er en. tapetinstallasjon slik Aas er boform som former.
Marteskulpturbiennale.avgjrende i plakatform bestr.
KlarDqvfgvathvfurq.that. these sorts of a reaction. the channels
controlled by the will of a tough bough.. We have been in. The few
institutions capable of jobs.not beaten then that is. at hand. P At a
mountain heifer. Do not in the field of the blood and. diffused
andmentioned has appeared to the planes and his wheels helps. hismistaken
we are the pretenders of the according to you Allah knowsyoke. j bef. (n.)
ME yok(e) OE geoc c. D juk G Joch ON ok L do mi fa la re. si do i have a
theme. make nothing of to treat lightly regard as easy.to. be air.random
seed chair trajectories of nobleness hyracoid stilwell have. anygoatheye
and sheepskeer they damnty well know. Papaist Gambanmanphausdheen. phewn
fromseems to me such a waste . . . . . . . . . . . . . . . . . . . . . ..
. and everyogs en paranoid flelse av bli overvket og. kontrollert i
tillegg til enutenfor spenningsmomentbook about Andrei Codrescu. and hit
this huge vein of Urmuz I think he blewipoh al howdah usda dsj. incites
offa dzg iota wilt bea shoveledkjrerde bare maserinformasjonen. with
rigorous exactness what I was able. noemata. Nonplus. NonplusHva gjr du nr
du skal i . etasje og knappen i heisen er. delagtTrykker p og knappen.Hvem
oppfant sverddansenEn som ville. danse og klippe tnegler samtidig.Hvorfor
m julekortene sendes i. augustPortoen gr opp i september.Du nsker bli klok
og bestemmer deg. for g til tannlegenBe tannlegen sette inn visdomstann.Hva
gjr du. nr du har problemer med knytte slipsetBytter det.Du er oppe og
leser. hele nattenDu skal opp til urinprven.Nr bestiller du dobbeltrom p.
hotelletNr du skal bo der i to dgn.Hva ville du gjort hvis du var det.
eneste menneske p jordaReist til Drammen der du kjenner en tante.Hvor mye.
fangst fikk du p isfisket kilo is.Hvordan raner du en bankRinger.
telebanken og taster inn DETTE ER ET RANHva gjr du for springe. meteren
raskereStrr kvikksand p banen.Hvorfor nekter du vaske. ansiktet dittDet er
bare hndklr p badet.Hvorfor anser du deg for. vre intellektuellDu kan lese
uten bevege leppene.Hva sier du til. frisrenLengre i nakken.Hvordan lager
du potetstappeKjrer en. dampveivals over potetkeren.Hva m du passe p nr du
stryker. gardiner ikke falle ut vinduet.Hvordan lager du popcornHolder
kjelen. mens fire andre rister komfyren.Hvorfor vasker du beina til julDu
har hrt. det skal gs p bordet.Hvordan finner du ut at leiligheten er
fuktigDet. er l i musefella.Hvordan vasker du en bilEn holder slangen mens
den andre. kjrer bilen fram og tilbake.Hvorfor drikker du etter
gudstjenestenSalige. er de som trster etter Guds ord.Hvordan rengjr du til
julFeier. badet.Hvorfor fikk du sparken som apotekerGreidde ikke plassere.
pilleglassene i skriveren.Hva er definisjonen p jomfruEn kvinne som. lper
fortere med kjolen oppe enn en mann med buksa nede.Hvordan defineres.
latskap gifte seg med en gravid kvinne.Hvorfor unngr du. svingdrerDu
finner aldri drklinka.Hvorfor springer du til politiet i. sende
regnvrParaplyen er sltt ned.Hvorfor fikk du sparken som. heisfrerLrte
aldri ruta.Hva er et jordbrLettskremt kirsebr.Du. er sprkinteressert og
tar hyre p en internasjonal bt.Du vil lre. sprk flytende.Hvorfor fikk du
sparken som gatefeierDu kom inn i en. rundkjring.Hva er pingpongKinesisk
kjnnssykdom.Hvordan kommer du. deg opp av badekaretNoen kaster en spe
oppi.Hvorfor fr du sparken som. kokkDu brukte to timer p minuttris og
brente potetsalatan.Hva gjr du. hvis du bare har to uker igjen leveDu tar
den ene i juli og den andre i. september.Hvordan rydder du i
fyrstikkeskenDe som ikke virker kastes mens. de som virker spares
p.Hvordan spr du om veienEr dette andre gaten til. hyreDu har stengt deg
inne p do med nkkelen p utsiden hvordan. kommer dudeg utDu driter deg
ut.Du kommer til en undergang der strste. tillatte hyde er cm lavereenn
lastebilen din hva gjr duDu sjekker. at det ikke er politi i nrheten og
kjrer under.Hvorfor klager du p. vekkerklokka du kjpteDen vekker deg
alltid nr du sover.Hvorfor mister. du jobben som sjrverDu har sort lapp
over begge ynene.Hvordan. rydder du i spikerkassaKaster alle spiker med
hode i feil ende.Hvorfor. mister du jobben som brannmannDu er redd for
slanger.Hvordan fr du skrapt. sammen penger til bensinDu selger
bilen.Hvorfor nekter du drikke av. grnne flaskerDu mener de ikke er
modne.Hvordan vasker du klrDu. sorterer klrne legger dem i maskina og drar
i snora.Hva er det frste. du gjr nr du kommer ut av dusjenTar klrne av
deg.Hvordan utfrer. du en ufarlig kidnappingSender gisselet til hente
lspengene.Hva. gjr du hvis det begynner brenne i stuenTenner en motbrann
p. kjkkenet.Hva sier du til kelneren p restaurantHar du. hemoroiderHvorfor
ville du bli brannmann som litenDu var. sengevter.Hva gjr du for f fall i
hretHopper ut fra. hyblokken.Hvorfor tar du med gevr p seilturenDu har hrt
det er. rev i seilene.Hvorfor strk du p frerprvenDu pnet opp dra. for
slippe ut gassen.Hvordan finner du ut alderen p en hestKapper av. hodet og
teller rringene.Hvorfor har du gjennomsiktig matboksFor se. om du er p vei
til eller fra jobben.Hva gjr du nr du ikke kan tilby. kunden en snakkende
papegyeDu tilbyr en hakkespett som kan. telegrafere.Hvorfor mister du
jobben som glassblserDu innhalerte. istedenfor blse.Hvordan bestiller du
vekkingDu ringer MaranAta.Hva. er manuell arbeidskraftNavnet p
statslederen i Mexico.Hva er definisjonen. p en dagbokEn bok som blir
skrevet om natten.Hva er . person. entallAdam.Hva er . person
entallEva.Hva er definisjonen p et. individEn blanding mellom indianer og
hvit.Ville Shakespeare vrt like. bermt om han hadde levd idagJa han ville
vrt over r.Hva er. svnmiddelet som virker raskestStein i puta.Hva svarer
du trnet nr. de ber om posisjonJeg er frstepilot og sitter foran til.
venstre.Hvorfor er ikke uglene s kloke som antattDe kommer seg ikke bort.
fra nattskiftet.Hvorfor mistet du legekonsesjonen under en
gulsottepidemiDu. feilbehandlet kinesere.Hvordan vet du hunden er snillDen
spiser av. hnden.Hvordan omkom ddehavetAv for mye salt.Hva er din
oppskrift. p bli hundre rDrikk et glass konjakk hver dag i. mneder.Nr kan
en kvinne ikke dra av det som str p mannenI. selvangivelsen.Hvordan unngr
man barn i trafikkenStrr ppiller i. gatene.Hvorfor tar parkvesenet inn
alle benker om vinterenFor at ikke. frosten skal sette seg.Hva slags
fiskeutstyr har duKlokke og hammer. Du. vifter med en klokke i den ene
hnden. Nr fiskenekommer opp for se hva. klokken er s slr du dem med
hammeren.Hva er en diplomatEn person som. tenker seg om to ganger fr han
ikke gir noen kommentar.Hva er definisjonen. p en barnevakt) Ungdom som
oppfrer seg som voksne mens de voksne. oppfrer seg somungdom.) Ungdom som
fr betalt for se p tv.Hva er. lide i stillhetTilfeller der telefonen er i
ustand.Hva fr du hvis du. krysser et piggsvin med en gorillaSitteplass p
bussen.Hva fr du hvis. du krysser en elektrisk l med en svampEn ny
sttdemper.Hva er. definisjonen p hjelpeslshetEn syk gullfisk.Hvorfor
nekter du. stille deg bakerst i kenDet str allerede noen der.Nevn to
pronomen. uten svare.Hvem jegHva sier du i talen til vennen som gifter
segVet. du at hun snorkerEr det riktig at fregner forsvinner nr man
spiser. agurkJa hvis fregnene sitter p agurken.En kvinne kommer mot deg
ifrt. bare et par sorte hansker og sko.Sparess.Hvorfor har du sttt i.
rulletrappen i en timeDet har vrt strmstans.Hva sier du nr du. kommer inn
i et bekmrkt romHer m det ha vrt mrkt lenge.Hva. fr du hvis du krysser en
hund og en kattEn hunnkatt.Nevn et synonym til. svmmehall.Akvarium.Nr
begynner nattenNr det ikke er mer se p. tv.Hva gjr du nr dine dager er
talteSkaffer en ny kalender.Hva er. alderdom bli straffet for en
forbrytelse du ikke har begtt.Hva er en. babyEt uferdig fordyelsessystem
som lekker i begge ender.Hvordan fr. man banklnVed bevise at man ikke
trenger pengene.Hva er definisjonen. p en bekjentEn person du kan lne
penger av men ikke til.Hva er. blomklEn kl med hyskoleutdanning.Hva er
burhneEn kvinnelig. sleggekaster.Hva er definisjonen p en celebritetEn
person som er. bermt for vre bermt.Hva er en championEn person som reiser
seg. nr det er umulig.Hva er diskresjon legge sammen to og to og holde.
kjeft.Hva er funksjonen til fluenetting hindre fluene i forlate.
rommet.Hva er fri presseTusen mennesker som sprer fordommer til ti.
millioner.Hva er et geniEn person som skyter p noe ingen kan se og.
treffer.Hva er himmelenEt sted der eselet tar igjen gulrota.Hva er en.
horisontEn forbindelse mellom himmel og jord som forsvinner nr du kommer.
dit.Hva er mindre enn ingentingEt hull i bukselomma.Hva er en.
hypokonderEn person som vet hvor mange meslinger han hadde.Hva er en.
juryEn gruppe mennesker som skal bestemme hvem som har den beste.
advokaten.Hva er en kamelEn hest planlagt av en komit.Hva er en.
koneKvinne som ser i klesskapet og finner to underbukser som ikke er.
der.Hva er en kurveDen vakreste avstand mellom to punkter.Hva er den.
menneskelige naturTre astronauter som krangler om vindusplassen.Hva er.
definisjonen p moderne poesiUryddig tekst uten marger.Hva er et.
smilKorteste avstand mellom to mennesker.Hva er definisjonen p en.
turistEn person som gr i kirken bare nr han har ferie.Hva er et.
utviklingslandKannibaler med kniv og gaffel.Hva er viljestyrke stoppe.
etter n peantt.Hvordan vet elefanten hva klokken erDen gr inn i.
urskogen.Hvordan fanger du en elefant med tavle kikkert pinsett og.
flaskeDu skriver feil regnestykke p tavle. Da kommer elefanten bort for.
undereske. S kikker du p elefanten med feil ende av kikkerten. ogputter
den oppi flaska med pinsett.Hvorfor fikk du sparken som. oljearbeider p
plattformDu kastet ut mat til helikopteret.Hva fr du. nr du drar ned
buksene p BeatlesRolling stones.Hvordan fanger du en. kenguru med en lueDu
spr om kenguruen kan veksle en tier og nr den ser. ned i pungen sins drar
du lua over hodet p den. Da tror den det er natt. og legger segtil
sove.Hvordan fanger du en mus med en sagDu jager musa. under klesskapet og
sager over alle beina p skapet.Hvordan fr du et. stinkdyr til slutte
lukteSett en klype over nesen p det.Nevn. afrikanske dyrearter. elefanter
og en giraff.Hvorfor spiser hvite sauer. mer enn svarte sauerDet er flere
hvite enn svarte.Hvordan fr du tak i en. fire meter tannbrsteKrysser en
giraff med et piggsvin.Hva er det. hfligste dyret i NorgeBukken.Hva er en
bigamistEn som gjr samme. feilen to ganger.Hvordan lager du en lukt som
aldri forsvinnerKrysser et. stinkdyr med en boomerang.Hva gjr du dersom du
treffer et troll med tre. hoderSier Hallo hallo hallo.Hva er ulempen med st
p egne. benDet er vanskelig f p seg buksene.Hvorfor str du i bunnen av.
rulletrappen og ser nedVenter p at tyggisen skal komme igjen.Hvordan.
imiterer du en fuglSpiser mark.Hvorfor skal man ikke sette en prislapp p.
en kattungeDen vil lugge.Hva kommer etter f i alfabeteta.Hva er. betleri f
en jente til si ja.Hva er et museumEt loppemarked som. ikke selger noe.Hva
er en novelleEn kort historie der handlingen foregr. i Frankrike.Nevn
eksempel p rkostTartarbiff.Hva er. skjrsburghDen lille fisken til
katolikkene.Hva er stlLegering av. jern ild og vann.Hva er det motsatte av
en tungvekter) Lettmatros ). SmkriminellHva kalles bienes
oppholdsstedVokskabinett.Hva er. forskjell p arv og miljDersom barnet
ligner p faren er det arv. ligner det p naboen er detmilj.Hvorfor brukte
du lysr p. reisen fra Sirius til jorda nr avstandenbare er Det var
motlys.Hva er. barnedpEn enkel hrvask uten sjampo.Hvordan spiller kvinner
russisk. rulett ppiller og brystkaramell.Hvorfor mistet du konsesjonen
som. tannlegeDu hadde drlig tid og fylte med kvikkslv i tennene.Hvorfor.
mistet du konsesjonen som kvinnelig tannlegeDu trakk p gaten.Hvorfor. gr
leger aldri i demonstrasjonstogIngen kan tyde plakatene.Hvordan.
legebehandler du en paranoidGi han to valium og be han rmme byen.Hva er.
moralisere ha en pekefinger med i spillet.Hva er en grisEt dyr som. fr lov
til like mkk.Hva heter barn av hvit eggcelle og svart. sdcelleOmelett.Hva
ernrer inuittene seg avFrossenvarer.Hva er. revolusjonOpium for de
intellektuelle.Hvorfor drar du et langt tau etter. degDet nytter ikke
skyve det.Hvem var RafaelEn rundbrenner som gjorde. madonnaer med barn.Hva
gjr du hvis du har bevis p at nabobonden har. tatt en grisunge fradegMelder
det til politiet nr grisen har blitt stor og. feit.Hvordan energisparer du
nr kulda blir ekstra strengKutter halen av. katta.Hva gjr du dersom
reversgiret slutter virkeSnur bilen og. kjrer framover.Hva gjre du nr du
fler deg ensomSnakker med den. andre inne i speilet.Hva gjr du hvis .
giret slutter virkeSetter. det to ganger i . gir.Kan du miste et egg fra
komfyren uten at det. knuserJa dersom det lander p en dyne.Skriv med.
tall.(()).Skriv med tall.()().Hvis ROBITECS str. frst i ordboken hva str
etter SCRETIBOSCORBITE.Hva er summen av alle. tallene etc. .Hvordan vet
du. at termosen er intelligentHvordan kan den ellers vite hva som er hva
nr den. skal holde det varmevarmt og det kalde kaldtHvordan vet du at
sorte hner. er flinkere til verpe enn hviteSorte hner verper hvite egg
mens hvite. ikke greier verpe sorte.Hva slags bok leser du i sort sett
hver. dagLommeboka.Hva er en hestEt esel som har skreket stemmen av.
seg.Hvorfor har sauen s tynne beinDen var lam som liten.Hvorfor har. du et
telefonkort i kondometHvis du ikke kommer s ringer du.Hvorfor gikk.
boksekarrieren din skeisDu telte alltid til ti fr du slo tilbake.Hvordan.
kjenner du igjen en adeligTatoveringene er uten skrivefeil.Hvorfor gikk.
dartspillfabrikken din konkursSkivene var oppblsbare.Hva er paranoid. tro
at det sitter noen bak deg i kirken.Hva er rutetidene i NSB etter at.
organisasjonen er fullt uteffektivisertNaturlige avganger.Hvor finner du.
Nordlands TrompetP Dass.Hva skjer nr sopranen og bassen fr barn.
sammenBarnet blir alt for dem.Hva er gult og sover aleneYoko Ono.Nr. er en
spade ikke en spadeNr du snubler i en.Hva slags virksomhet gir. strst
avkastning ri ville hester.Hva fikk Askeladden av den distr.
kongenKongeriket og halve prinsessa.Hva er tre ganger treHurraHva er.
anarkiEt land der kongen er dronning.Hvordan vet du bikkja ikke har noe.
stamtreDen pisser hvor som helst.Hva er lkEt vanndrivende middel.Hva. er
en myteEn sannhet forkledd som lgn.Hva er vindharpeEn gammel kone. uten
tenner.Hvordan fungerer befolkningsreguleringNr barnet fdes. stikker faren
av.Hvordan kan du ta ibruk to venstrehanskerHold den ene. foran speilet og
skru lyset av. Ta speilhansken p hndennr ingen. ser.Du trenger et nytt par
sko men har bare rd til den ene. Hva kan. dugjrePuss den blank s den kan
speile seg.Hvordan fanger du en. tannls hareGjemmer deg i skogen og
etterligner reven gulrot.Hva betyr. konkretEn ordre fra kongen.Hva er det
motsatte av ryggsekkMagesekk.Hva. er et negativBburghe str p hodet.Hva er
vindfangLengden av en fugl. p tvers.Hvordan viser du hvor stor fisken du
fanget erStrekker ut n. hnd.Hva betyr springe etter varmen ha det
travelt.Kva betyr. bli dott ved bli forbausa paff miste seg sjlv.Kva
betyr. uttrykket sita framand vera beskjeden.Kva betyr det at det vart.
troll med hanHan srga.Det syr i lefsaDet gr bra.Det er berre. kjaften og
bakftadnDet er skryt. du vide verdi sa mannen.Han. hadde reist ei mil.Det
hyrer med til dansen sa guten.Han datt i. koll.Det var ikkje undrast at
bytta lak sa mannen.Botnen var. or.Det veit ingen kor haren hoppar sa
mannen.Han satte snara p. taket.Dei er sure sa reven.Han ndde ikkje
rognebra.Det er alt. det same sa mannen.Han steig opp p hesten p venstre
sida og datt ned. p hgre.Det er ikkje greitt sa guten.Han hadde beka hret.
sitt.Eg er like glad sa guten.Han gikk og gret.Eg er trytt sa. guten.Han
skulle ha juling.Eg sit godt som eg sit sa katten.Han sat p. flesket.Eg
tregar p trya sa mannen.Kjerringja drukna p. sjen.Frende er frende verst
sa reven.Han sg raude hundar.Liker. ikkje du meg s likar eg meg sjlv sa
mannen.Han fridde og fekk. nei.No ska du sj sa sogningen.Han datt ned fr.
kyrkjetaket.Reinleiken er ein god ting sa kjerringa.Ho snudde skjorta.
julaften.Vara ftane dine sa sporven.Han dansa med merra.Ungdomen. rasar sa
kjerringa.Ho sprang over eit halmstr.Kva sa mannen som. kappsprang med
harenOppfor vant haren men nedfor tapte eg.Det er p. vona gjort sa
mannen.Han skaut etter mnen.Ein lyt mangt i verda. nytta sa mannen.Han
fldde merra med navaren.Eg er glad alt som er. unnagjort sa mannen.Han t
fredugurden til kvelds.Bannord er ikkje. for mange sa kjerringa.Det er s
mange som skal ha det.Ein m. skjemte litt sa mannen.Han reiv yra av
kjerringen.Det gr rundt sa. mannen.Han sto p kverna.Det var gjestfrie
folk.Me slapp so nr. inn.Det var snille folk.Me hadde s nr ftt mat.Store
hus er. kalde sa mannen.Han lg ute julekvelden.Aldri ein dust sa
mannen.Dei. spurde om han kunne hyra.Hadde detta mlet vore i ein bukk
hadde han. ikkje vore etande samannen.Han hyrde kjerringa syngje.Rekkje i
rad. no sa kjerringa.Ho hadde i ku.Eg stel ikkje sa guten.Men ser eg. noko
eg likar so tek eg det.Kva sa kjerringa som rodde i motvindGjev. vinden
ville vende til eg skal heimatt.Reint vil me ha det sa. kjerringa.Ho slo
grisen i bakenden med matskeia.Det var anna korn det sa. kjerringa.Ho beit
i muselorten.Eg kjenne krutryken sa guten.Han skaut. med nepefr.Det er
mykje stygt i vatnet sa mannen.Han sg kjerringa. bade seg.Det var inga ku
sa mannen.Kjerringa hadde drukna.Kva betyr. det var agnet som drog
fiskenDet var pga. lokkemiddelet.Han er ikkje all. der han er sedd.Han er
ikkje lett gjennomskode.Ho gjekk med ein krokut. arm.Ho gjekk med barn p
armen.Han fekk andre augo og sj med.Han. skifta oppfatning.Han hadde augo
utanp hovudet.Han var forvirra.Dei. vaska honom vel p baket.Dei baksnakka
han.Dei satte seg p. bakftane.Dei gjorde motstand.Det er beintfram som ei
blind merr.Det er. enkelt.D var bikkja berga.D var striden over.Det kom
ikkje bein i. bten.Dei fekk ikkje fisk.Ho bit ikkje alt ho grin.Ho er
ikkje s. farlig som ho gjer seg til.Han fekk det som best beit.Han fekk.
juling.Det er som dra ei bjrk baklengs.Det er tungvint.Han fekk. snakka
med Bjrknesfuten.Han fekk juling.Det kom klas i barnleik.Leiken. vart
voldsam.Han slr store boltar med lite hovud.Han skryt.Det vert. bot eller
bane.Det vert frelse eller fortapelse.Det kan ingen f botn i. honom.Han er
uutgrunneleg.Det verken dett eller dryp av han.Han deltek. ikkje i
noko.Egget vil lre hna.Lre bort til nokon som kan det. betre.Dei bur for
nr elva.Dei har vatna det ut.Det er store fat og. lite mat.Det er
skryt.Den eine filla slr den andre.Det er slitte. kleder.Det fekk fter g
p.Det forsvann raskt.Han er fuglen. som flgjer gauken.Ingen veit kva han
gjer.Han er full og fastande like. eins.Han er alltid den same.Det er
fullt som gre katten og fluga. svart.Det er store mengder.Han hyrer ikkje
gauken oftare.Han lever. ikkje til vren.Han syng med gauken.Han gjentek
seg sjlv heile. tida.Han er like glad kvat ende som upp snur.Han er like
glad heile. tida.Han gler seg p tynn l.Utan grunn.Han sto p glr.Han. var
uroleg.Han laut gjera seg god att i same kledene.Han mtte snu utan. ha
oppndd noko.Han kjem ikkje bort i graset.Han er. storvaksen.Han m ete ei
tunne graut fyrst.Han er for ung.Han. mtte grava som ein vond.Han mtte
arbeide flittig.Han er ikkje so. halt som han hinkar.Han overdriver.Same
guten spelar same sltten.Han. snakkar om det same.Han kan bde halde og
sl.Han kan vera slem.Du. gr som du ser.Haltemannen snakka til
blindemannen.Berre gift deg sa. mannen.Han sg katten leika seg.D var dt
gjort sa mannen.Han. hadde dengd kjerringi.Dei er gode grannar sa
mannen.Den eine lyg den. andre sannar.Han er rik som har sitt sa
mannen.Han t opp. agnet.Hardt mot hardt sa kjerringa.Ho datt i berget.Det
hender ofte. slikt p sjen sa selen.Han vart skoten i auget.Av hjartet
skein du. sa reven.Han tala ved mnen.Det er hgt opp og langt fram sa.
kjerringa.Ho skaut etter mnen.Ingenting sa kjerringa.Ho var daud.Men. rall
var det sa jenta om friaren.Ein general eller admiral hadde. fridd.Det kjem
att sa mannen.Ha ga purka flesk.Giv eg lg sa. kjerringa.Ho satt i senga.Der
vart lusa lurt sa mannen.Han brende opp. skjorta si.Det er makta som rr sa
guten.Han dengde katten.Her er. mange her sa guten.Han sg i luva si.Alt
monnar sa musa.Ho pissa i. sjen.Det hjelper p sa sneglen.Han kom seg til.
drstokken.Mykje t munnen lite t ulli sa mannen.Han skulle. klippe
sauen.Han er kald kor enn han kjem ifr sa kjerringa.Ho tala om.
nordavinden.Rekningi kan alder juge sa guten.Han rekna ut han var eldre.
enn far sin.Ro no alle vel sa mannen.Han rodde leine.Ja men. rka du det sa
mannen.Bikkja beit i trebeinet.Hva er det no d sa. valdrisen.Han fekk ei
kule i skallen.Kva gjer ein tyskar ikkje for pengar. sa mannen.Han sg ein
apekatt.Det er hand i hr og kniv p strupa.Det. gr p livet laus.Dei hang i
halen p honom.Dei heldt med han.Det. heng og blr.Det er altfor lite.Noko
harm skal ein ha om ein so skal. kjpe det sa mannen.Han hadde gjort ein
drleg handel.Du veit ein. heilag mann men ikkje kvar han bur.Du veit for
lite.Han er hendt som. hver.Han er allsidig.Han meinte himmelen var i eit
kalvskinn.Han var. forvirra.Det var ikkje hgt hjarte i han.Han var
bekymra.Han hjelper. dei som vinn liksom hundane.Han er feig.Eg skal vise
han eit firkanta hol. sa mannen.Han ville kaste han ut.Han har stanga
horna av seg.Han har rasa. fr seg.Han la skallen i blaut.Han grunna p
noko.Stor hug og. liten dug.Store nskjer men liten makt.Det er hundeskinn
p begge. sider.Ein strid melllom to onder.Det ligg p nederste hylle.Det
ligg. p golvet.Dei ville heller sj hlen enn ta hans.Dei ville bli. kvitt
han.Han sel ikkje hna si i vtt vr.Han er ein lur. handelsmann.Det heldt
eit hr att i nakken.Han ombestemmer seg. nok.Han fr kam til hret.Han fr
strengt oppsyn.Ein m g. med kattefoten.Ein m vera forsiktig.No m dei henge
kjaften p. veggen.Dei m svelte evt. ti stille.Han har kjaften p
skaftet.Han. er flink til snakke for seg.Det er deim i kjtet boret og
ikkje i. klede skore.Det er naturleg for dei.D hyrde eg klokka sl.D.
forsto eg.Han heldt fast med klypa og slepp med handi.Han sparar i det. sm
men slysar i det store.Det er skrive med kol p gryta.Det er. unyttig.No er
eg kolsvart.No var eg overraska.Han mtte mate. krabbene.Han vart
sjsjuk.Det gr som krabba.Det gr p. skakke.Dei glana som ei ku p ein nymla
vegg.Dei sto og. mpa.Han er fdt midt i trafikken.Han snakkar hgt.Han har.
kvikkslv i setet.Han er uroleg.Han er ikkje lang under augo (lang i.
tyet).Han snakkar lite.Han let som ei skjor.Han klaga lenge.Han. laut
prisa leggane.Han mtte springe.Dei leggje seg med hnom og. stande upp med
svinom.Dei er dovne.Han les som fanden les bibelen.Han. brukar alt til sin
fordel.Skyt leta mi.Hent det til meg. (Legg til. latskapen).Det et ingen
mat.Det er kjekt ha.Det ligg under. lok.Det er dd og begravet.Dei er linne
med sinom og harde med. hinom.Dei er urettferdige.Lite var det skitut var
det og seint kom det. fram.Om drleg forsyning.Dei leve som ku i h.Dei
lever flott og. makeleg.Han str i lyset og skyggar seg sjlv.Han utnyttar
stillinga. si.Dei snakkar so steinane m sprekke.Dei snakkar usant.Det er
ikkje. av lunga berre av tunga.Det er ikkje p alvor.Han lyste fred over.
dei.Han fekk dei til halde munn.Det er betre i lyndo enn i. syndo.Det er
bedre enn det ser ut.Det er stor ls foran lite hus.Det er. undvendig
mykje.Makta minkar mens sinnet veks.Om eldre vrange. personar.Han har grnt
malt p loftet sjl.Han er ikkje betre. sjlv.Han kunne meir enn mata seg.Han
kunne mykje rart.Mange maur om. ein makk.Stor ettersprsel.Det tek margen
or ryggen.Det er altfor hardt. arbeid.Dei gjer ein mygg so stor som ei
merr.Dei overdriv.Han ser. mehanken gjeispe i kyrkjetrnet.Han skryt og
lyg.Han mt ikkje mer enn. som hunden gjyr.Han set ikkje pris p det.Han
fekk nasen til stav.Han. datt p hovudet.Det er dette nasen klr etter.Det
er dette ein. vil.Han plystra i nasen.Han var opphissa.Dei har ikkje nla
i. veggen.Dei eig ingenting.Han ga han like ord i halsen.Han snakka etter.
han (jatta med).Dei fekk renne rauvi si.Dei vart dyktig lurt.Reven tek.
ikkje gsa.Klokskapen din lurer ingen.Han rir ikkje dagen han salar.Han. er
treig.Dei ror kvar sin bt.Dei er uenige.Ho har ei lang rove.Ho. er av
fattig slekt.Dei har sine runer ute.Dei spanar og forhyrer. seg.Det tok
ryggen or honom.Det tok makten fr han.Han er komen i. ryken.Han er komen i
stor respekt.Me sg han sist bak.Han er. reist.Det sit ikkje i meg.Eg kan
ikkje tru det.Eg ser like langt inn i. steinen som andre.Eg veit ikkje
meir enn andre.Di skade vaker.On ei. nestenulykke.Ho har ei mkkut skjei
vaske.Ho trur ho driv med noko. stort.Han ser ikkje skogen for berre
tre.Han har ikkje oversikt.Eg har. end eit skot i hornet.Eg har end meir
gje.Det gr over. skrevet Det hoppar over hakketDet gr for vidt.Han slipar
ikkje utan. vatn.Han har ein fordel av det.Han slit ikkje silke.Han er.
fattig.Eingong small det.Endeleg vart det alvor av det.Det gr med.
staven.Det gr sakte.Det syng p siste verset.Det nrmar seg. slutten.Ho er
tett som ei sil.Ho sladrar.Det verkar ikkje tennane i. han.Det er lenge
sidan han levde.Det er for lite til troll og for mykje. til menneske.Om
ein stridig slem person.Han trur som trolla.Han er. letttruande.Han trur
ikkje sine eigne hender.Han er veldig. forsiktig.Eg er trytt som ein
makk.Veldig trytt.Dei fr tre. p talgi suge p labben.Lide mangel etter
overskudd.Det kan ikkje. renne kaldt vatn mellom dei.Det er stort
vennskap.Det er ein vegg or. huset.Det manglar noko vesentleg.Han er vida
kjend og lite etterspurd.Han. er upopulr.Dei har tjukke yrer.Dei er
likegyldige hyrer ikkje. etter.Me skal alle den vegen sa smjenta.Ho sg
brudeparet g i. kyrkja.Det er mykje vondt i verdi sa guten.Han skulle lre
lesa.Det. er ein overgang sa reven.Han vart fldd.Skjnte eg det ikkje sa.
jenta.Ho fekk ein unge.Det var ikkje meir du skulle spurde jenta.Guten.
fridde.Detta var no for mykje av det gode sa mannen.Han fekk. mkkalasset
over seg.Han strauk med i slaktingen sa mannen.Grannen. spurde etter
grisen.So skal det bli skrik sa guten.Mor hans kom med ein. kam.Dersom Gud
vil. sa mannen.Han hadde ikkje spurt kjerringa.Tja. detta lurar eg p sa
grisen.Han sg kniven.Slepp meg ellers s. skrik eg sa musa.Katten hadde
tatt ho.Kjre vene sa vampyren.Blodet. ville ikkje ut.Det er sausen eg er
glad i sa mannen.Han bomma p. rypa.Det var lystige sjeler sa mannen.Han
hndterte vepsebolet.No. blr han iallfall den jvelen sa smeden.Han trakk ei
tann p. vegvoktaren.Det var ein bra kar sa presten Nr andre sv var han.
vaken og detandre mangla hadde han.Tjuven skulle gravleggas.Vil du halde.
meg i handa spurde mannen.Han sat i den elektriske stol.Plagget kan. ikkje
bli bedre sa skreddaren.Han hadde sydd lomma p ryggen.Det var. noko som
rensa magen sa jenta.Ho fekk tvillingar.Lev vel sa. kjerringa.Mannen
skulle hengjast.Vgar du livet s vgar eg halsen. sa guten.Tordivelen satte
seg p kaka.Hva heter ungene til. svanenSveklinger.Synonym til en
l.Vannslange.Hvordan utfrer du et. dobbeltmordSlr ihjel en mann to
ganger.Hva er flaskepostEn postmann som. liker en tr.Synonym til
katapultFluktstol.Synonym til. mausoleumDdsbo.Ingen roser uten torner sa
katten.Han voldtok. piggsvinet.Velkommen i det grnne sa jenta.Ho strydde
persille p. magen.Det er nullane bak som teller sa mannen.Han snudde
bankboka.Ja. ille sit du men s glyme du ikkje svalle um det heller
samannen.Grisen. satt fast i gjerdet.Altfor nrme nasen sa guten.Han fekk
saltsprut i. auga.Bedre livlaus enn rdlaus sa kjerringa.Ho turka bordet
med. kattungen.Kva er verdens breiaste bruIsen.Kva tre har tolv greiner
fire. reir p kvar grein sju egg i kvart reirog det sjuande gyllentret.Kva.
ser du berre nr det er mrktStjernene.Eit stort hus som reparerer seg.
sjlv.Isen.Det ligg ein duk p vollen jo mindre han er vaska jo. reinare er
han.Snen.Ei mor et opp ungane sine s snart dei vert. ungdomar.Havet.Kva gr
i grus utan ein lydSkyggen.Lita og raud nett. som ho leve er ho
daud.Gnisten.Sonen spring t skogen fr faren er. halvvaksen.Ryken.Burande
og belgande og legg at huda i. skogen.Tmmerstokken.Str i jorda og veks i
senga.Gulrota.Framtil som. eit nyste midtp som ein sekk og attantil som
ein kjepp.Katten.Eit lite. hus fullt av mat men ingen dr.Egget.Fire
systrar sit p ei tuve og. skyt kvite kalva fr seg.Juret.Om morgonen p fire
om dagen p to om. kvelden p tre.Menneske.Eg ser det du ser det kongen ser
det sjeldan Gud. ser det aldri.Sin like.Kva hgg heile dagen men fr ikkje
av ei. flisAugelokket.To systrar sit under eit ufs ikkje sjast og ikkje.
finnast.Augo.Eit hus full av kvite geita og ein rund spelar midt.
i.Munnen.Eit lem utan bein som studom gjere mange mein.Tunga.Kva er det.
den fattige kastar bort og som den rike sting i lommaNasedropen.Kva slags.
hr har den venaste jenta i bygdaMannehr.Kva reiser heile verdi. omkring men
er alltid heimeTanken.Eg har det du har det eg brukar ditt. du brukar
mitt.Namnet.Kva er det som korkje har nokon byrjing eller. endeRingen.Kva
gr heile dagen p skallenHatten skospikeren.Daudt. dreg levande ut av
skogen.Kammen.Kva er mindre enn ingentingHol i. bukselomma.Det str ein
stein i heilag rein med fire fter og ingen. bein mangebrurar og ikkje
bryllup mange born men ingen fdde mange lik men. ingendydde.Kyrkja.Det er
eit land med mold og sand der er korkje ml. eller minne menfolk er der
inne.Kyrkjegarden.Ikkje ute og ikkje. inne.Vindauget.Kven ser alle folk i
skrittetDrstokken og trappa.Kven. nevehelsar p alleDrklinka.Ein drage str
i stua med halen p. taket.Skorsteinen.Minste tingen men lengste
rova.Nla.Ei mus dreg det. nedover bakken men ti hestar kan ikkje dra det
opp att.Garnnstet.Kva. gr rundt og lagar eggSlipeteinen.Liten ker med
svart korn.Boka.Kva. er det som er urett og ikkje syndDen hgre skoen p den
venstre. foten.Aldri har det vore aldri vert det og kor mann ser det p seg.
sjlv.At fingrane ikkje er jamnlange.Kva gjer den kvite hesten ute i.
mneskinnSkugge.Kor langt er det herifr til himmelenEit. augekast.Kva er
tyngste bra p byvegenEin tom pung.Kor mange mil er. det til mnenEi og dei
andre.Det ligg ein stein i lia. Nr han hyrer. kyrkjeklokka s snur han
seg.Steinen hyrer ikkje.Kva sa reven d han. tok den feite
gsaIngenting.Kjerringa t opp ei tunne sild etter at ho. var daud.Ho t
ikkje silda levande.Kor mange kalverover m til for. rekke inn i himmelenEi
dersom ho er lang nok.Korleis kan ein hyre nr. graset grorEin hyrer
iallfall.Kan du sj eit halvt grisehovud med to. augerJa med dine.Kor mange
skor har den som har fleire fter enn. skorEin.Kva veks nrare og nrare
jordaKurova.Kva er det som. manglar ein velgjord skoMakan.Gudmund og hans
hund for gjennom eit sund.. Kva heiter Gudmunds hundKva.Det stend eit tre
uti havet. P treet er det. like mange greiner som deter drpar i havet. P
kvar grein sit ei jomfru. Korleis kjem dei segtrrskodd i landDei tek ein
drpe kvar.To. innganger. Frst nr du str med ftene ute er du
inne.Buksene.Rota. oppe og toppen nede.Istappen.Har bein men kan ikkje g
har mat men kan. ikkje ete.Bordet.Auge men utan hovud.Nla.Hovud men utan.
auge.Spikeren.Kven gr rundt omkring men er alltid heimeSneglen.Hvem. er
barn av dine foreldre men ikke din bror eller sster.Du selv.Hvor langt. er
det fra st til vestEn dagsreise.Brenner uten flamme og slr uten.
kjepp.Hjertet.Hva er bde ute og inne samtidigDra og vinduet.Hva. finnes
mellom berg og dalog.Sykdom som aldri har herjet i noe. land.Sjsyken.Tre
jenter gikk til skolen med bare n paraply men ingen. ble vte.Det regnet
ikke.Hva har egg men kan ikke lage egg. selvKniven.Hvordan klatrer du i
stamtreetVed slektsgranskning.Hva. gjr fuglene til verdens beste sangereDe
synger rett fra bladet.Hav uten. blger skog uten trr.Kartet.Hva slags fjell
er flateFjellene p et. kart.Hva er sort blir rdt blir grttKoks kull.Gr til
grunne. mens jeg tjener menneskene som opplystStearinlyset.Nr har mlleren.
mest i mllaNr han str inne og stikker hodet ut.Hvor svmmer. laksen nr den
er tre r gammelInn i sitt fjerde.Hvordan brer du. vann i en silLar det
fryse.Hva befinner seg midt i. perlekjedetSnoren.Kan du skrive rdt med
sort blekkRdt.Hvilke. dager i uka er lengstTirsdag og torsdag.Hvem fr
alltid det siste. ordetEkkoet.Fullt av kjtt og blod mangler liv uten
bunn.Ringen.Hvem. er den flinkeste lommetyvenHullet.Hvilken y var den
strste i verden. fr Grnland ble oppdagetGrnland.Hva slags dyr blir nevnt
frst i. bibelenBi.Hvem ser mest mellom en mann med ett ye og en mann med
toHan. med ett ye ser den andres to mens han med to bare ser den
andresene.Hvem. gr alltid p tvers gjennom kirkenDpsbarnet.Hvordan kan du
forandre. en barbar til en kvinneBarbara.De dde spiser det men de levende
dr. av det i lengden.Ingenting.Hvor dypt er verdenshavet p sitt dypesteEt.
steinkast.Musefelle p fire bokstaver.Katt.Nr skal den siste komme. fr den
frsteVed mnedsskiftet.Hvordan oppsto verdenMed liten. v.Hva kommer gjennom
vindusruten uten knuse glassetLyset.Hva er tre. til toEn og en halv.Hvordan
holder du kalvekjttet friskt om. sommerenHolder kalven levende.Hvilken sak
er skyld i alt som skjer i. verdenrsaken.Hvilket barn har sett sin far
dpePrestens. barn.Kommer pske fr eller etter pinseBde fr og etter.Hvorfor.
er det vanskelig fotografere en glad hundHalen logrer ikke.Hva har.
eksistert i milliarder av r men er mindre enn fire uker. gammelMnen.Hva er
det beste antirustmiddeletGammel. kjrlighet.Hva tar kortest tid av bygge
opp og rive ned bygge. opp. For rive m du frst bygge.Hvilken fisk er
lengstKlippfisken. hodet i Island og Norge og halen i Spania.Hvem har
holdt best fast i de ti. budMoses da han gikk ned fra Sinai.Hvor stod
basunblserne da de blste. ned Jerikos murerBak basunene.Hva m man alltid
gjre fr man reiser. seg oppSitte eller ligge.Hva blir strre og strre jo
mer man tar. vekkHullet.Hva kommer etter evigheten.Amen evt. et.
sprsmlstegn.Hvem forteller alltid sannheten men vender p. altSpeilet.Ingen
unntatt meg selv kan si hvem jeg er.Tungen.Han kunne. ikke forst det jeg sa
og ville ikke si hva det var i veienmed han.Han var. dvstum.Hva er
samvittighet le sammen med andre.Stort vann p to. bokstaver.Is.Hva er det
som gr rundt juletreet men som aldri blir. trett.Barken.Hvem har reist
flest ganger rundt jordaMnen.Hva kan en. mus trekke like tungt som
elefantenPusten.Hva sender du som yekast eller. metallBlikket.Den som har
det er fattig den som vet det er dum den som. gjr det erlat der hvor det
er finnes det ikke den som hrer det er. dv den somser det er
blind.Ingenting.Hva slags vann fryser ikke til. isVarmtvann.Hvem kan
snakke alle sprkEkkoet.Hvilken drikk er verdens. sterkesteVannet det brer
de strste skipene.Nr kommer august fr. juliI en ordbok.Hvorfor kaster du
klokken ut av vinduetDu nsker at. tiden skal fly.Gr trappen oppover eller
nedoverDen str stille.Hva. er den dypeste grunnAvgrunn.For lite for en for
mye for. tre.Hemmeligheten.Den aller strste er den aller
minste.Bagatellen.Det. er mitt men bare andre bruker det.Navnet.Hvor mtes
veggeneP. hjrnet.Hva gr p kryss og tvers over landet men ligger helt.
stilleVeiene.Fdt fr sin far.Kain og Abel. (Adam var ikke fdt men.
skapt).Hvilken side av koppen sitter hanken pUtsiden.Hvorfor er. vret
matematiskDet regner.Hvorfor er vret poetiskDet rimer p. bakken.Hva ser
man nr man skjrer med knivenSitt snitt.Hva slags. steiner er det flest av
i ferskvannVte steiner.Hva slutter evigheten. medn.Hva slags glass er det
best skjenke iTomme.Hva er det beste. med et lekkert mltidAppetitten.Hva
har verken begynnelse eller sluttAlt. som gr rundt.Er det mest fisk eller
stein i vannetFisk steinen er under. vannet.Hvordan var Eva som menneskeEn
primadonna.Hva slags stein kan. svinge rundt hjrnerRennesteinen.Hva er det
lengste norske ordetSmile. en mil mellom frste og siste bokstav.Hva er
verdens lengste. ordLysr.Hva er det mest nysomme dyretMllen den spiser.
hull.Uspiselig brd som alle lever av.Levebrd.Hva slags tid er den.
lengsteVentetiden.Hva er mest synlig i mrketLyset.Hvilken klokke. viser
riktig tid oftestDen som er i ustand og str stille den viser riktig. tid
to ganger idgnet mens andre viser riktig tid sjeldnere.Nr er den. dumme
klokestNr han holder munn.Hard mor skaper de beste. barn.Perlemor.Tann som
ikke kan plomberes.Tidens tann.Hvorfor har ikke. oksen bukserKua kan ikke
sy.Hvilken fisk sitter ynene tettest pDen. minste fisken.Hva ligner mest p
en halv appelsinDen andre. halvparten.Hva heter de mest kjente
stieneDynastier.Hva er beste mten. lage ild p med to pinnerAt pinnene er
fyrstikker.Hva stter du p. ganger i sekundet men bare en gang i
timene.Hvorfor er ikke flodhesten. redd for tigerenDe befinner seg i
forskjellige verdensdeler.Hva er en smal. sak f vske til renne gjennom et
sugerr.Hvilken vei gr du. tilbake for komme fremHjemveien.Hvorfor er hanen
s velsteltDen har. kam.Hvor mange lver er det plass til i en tom
manesjeIngen.Nr. seirer hpet over erfaringenI andre ekteskapet.Hva skinner
solen aldri. pSkyggen.Hvordan fanger du en lve med en silHell rkensanden.
gjennom sila da blir lvene igjen.Hva slags sprsml m alltid. besvares med
jaHva er frste stavelse i japanHvem venter alltid til. siste sekund men
rekker det alltidKlokkeslaget.Galer gjken fr eller. etter sankt hansDen
galer koko.Hvordan fanger du en grspurvHopper ut. fra . etasje og synger
som en brdsmule.Hva drikker duer for bli. gjennomsiktigeVin og blir
vinduer.Hvordan finner du lettest lykke. sunnhet rikdom og kjrlighetI en
ordliste.Hvor stor kan en nese bli. tommer fordi tommer fot.Hvordan kan du
spise en ntt uten. knekke denLa noen andre knekke den.Hva er det strste
med. NapoleonN.Nr ser man best utI vinduet.Hvor er det beste kjttet. p
fiskenMellom beina.Hvor lange er beina til et idealmenneskeAkkurat. ned
til bakken.Hvor mange store menn er fdt i BergenIngen alle er. fdt sm.Hva
mangler den lamme den blinde og den magre i ett. ordGsefett.Kan noe vokse
mer enn centimeter i dgnetJa. centimeter vokser ikke.Hvorfor finner man
alltid igjen tingen p det siste. stedet man leterDa trenger man ikke lete
mer.Hva slags pass kan du reise med. verden rundtKompasset.Hvorfor vil
ikke fru Gyldenskiold at mannen hennes. skal begravesHan er ikke dd.Hvor
lang er en regnbueDobbelt s lang. som halvparten.Hvor lang er en ormEnormt
lang.Hva kan uttales bare med. lukket munnM.Hvor kan man alltid finne
sympatiI ordboken.Hvem brer. huset inne i segEplet.Hvorfor er termosen
intelligentHvordan kan den. ellers vite nr den skal holde det varme varmt
eller detkalde kaldtTo. sm steiner et appelsinskall og en gulrot ligger
ved siden avhverandre i. hagen nr vren kommer.Restene etter en
snmann.Neste gang legger jeg. ikke fingrene imellom sa kona.Mannen smelte
med dra.Hvor gr man etter. begravelsenEt sted for trstespise.Den er ikke
bare for kort den er. for bred ogs sa mannen.Han holdt plata feil veg.Ei
jente mister. kontaktlinsene i en fotballkamp og finner dem ikkeigjen.
Etterp fr hjelp. av faren som finner dem.Mens hun lette etter to sm
plastbiter lette han. etter kroner.Mannen har sukkersyke mens kvinnen har
eggehvite i urinen.. noemata. Re maze. what it shows in my browser check
if yours is set for. .pngimages(preferencesoptions) should be ok.. or open
the image in an image. viewerprogram (like irfanView).ok AnaBjrn Ana
Buigues. noemata. Noemata.net Works. noemata. ey yas tsuj .POF pof. lirpA
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meter a jolly. fish laked . p lunspeak to pierna quaffing all run room
outside him. wavesnk fu nk dank lett e r .. .. .. . .. .. ..dictionary
which is at the ionssource.txt. thanks for your. Noemata.......
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noyau lasso. thudfearfirmhachooed oxRe mazethe great gate of mother greed
for desire. THE GREAT GEOTAXIS OF MONOPOLISEDhachooed oxgjenfdsel og
forlsning. vrdsettelse av en enkel mte at leve livet p bedresmerte og
lyst. vulkansk ekstase strlende farger eksplosjoner og
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ychonrniatssoicatifsri yu. and the configuration worked for themanr pneae
guided (to single. molecule subject)jofborwessthe filling withthrowed
something in there two. small dots which amounts to a kind of.
paradoxCulturejammerslists.copyleft.no(postOedipal) is the establishment
of. a sign system always present'self' and the denigrationabjection of
the. feminine (mother) and the pleasureswhereas in actuals the parts are
prior to. the whole and that it is thesignifying process and it is only in
relation to. meaning and significationotherto the sky through a passage
that opens but for. an instant pass between twovWwV vWVw vWVw vWwV vWVw
vVwW vVwW vVWw. k Laterality leads to the notion that two different minds
control. ourvisualin tuitiveand tend to look at the big picture are
assumed. tofilm.what is necessary for a certain kind of thought or
experience. theand. nothing else. Beta appears to be messy and
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peoplemost of them lefthandedlanguage. iser telepor.no brukt fr ja domenet
er ledig men p er langt unna n. flerenormally be the nondominant
hemisphere.Because there are so many. moredistinct modes of cognitive
processing (see Springer and. Deutch).Thefunctions.This active inhibition
presumably develops at about age. noemata. keren aliott (red) PAeiRiL
Iamentities. postal mail. Barnebladet. for forlag nr noemata.netFor hver
bok noteres forfatter tittel. for forlag nr noemata.netFor hver bok
noteres forfatter tittel. noemata. Re really silly transformation of out
of control ir pda dump. transformation of out of control ir pda
dump.......ME syly var. of sely. SEELYseely (sl) adj. Archaic..
insignificant or feeble. poor.. happy auspicious.. good pious blessed..
foolish. simpleminded.bef. ME sely OE geslig happy equiv. to sl happiness.
ig Yc. D zalig G selig akin to ON sll Goth sls good OE sl. better
seeSILLYref norwegian 'salig' blessed sl goodspectrum poor. blessedgood
whatever.. something about happiness alsofeeble weep to exude. water.
water all water am silly sea ofsillyness. silence sillience. noemata.
ligeuon. ligeuon jn V S MG l EAR th PLA HDD hodja t AOI XRV malchants OOU
mldrr NRS. narja chact mle lVTRE amontag on a sun aka sephaxon 'l'hror
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hants OOU mldr AXaeinosuvx GNaeghinr Mdeglmorsu ADHLPadhlort. uRaefmotuw
Rahmprsu ERSTVac lmnort Aadehksy Iachjnosu. noemata. AVADAERO. AVADAERO.
Japanese toy. noemata. Code and its Double (cont'd). noemata. fly news.
for when desire has attained its object the greatest pleasure is to
flyfrom the. scene of pleasure.ny forskning fra israel og nederland viser
at det er mulig. holdeeggestokker fra aborterte fostre levende i
laboratoriene i ukevis.he died. for your sins make it worthwhile.et
minimini galleri k gallerialt er. tilgjengelig s det er bare et sprsml
omau er ndf den dau isu. kameraye frebu dd de ikke knarre friv bale
diskolosenederland. idiotisk sm eina innsj eli trafikkkork. di
menneskeligehabitat homitat. homitus. beveren likr sjsjuk te husmne peau.
randiinstruktrpersonale.hine aursunden sone ty innbrudd. fag heine. frst
eime sprekk lee striesekkhlhugset pent.bush frykter terror mens. vi
frykter bush. etterretningen omkring bush mstyrkes hvem er han hva.
noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata. hollywood wind
travesty. det har vrt mye vind idag fint se p alle kompliserte bevegelser.
denlager. automatisk sett at lvet beveget seg selv se bort fra vinden.
ogmed en gang kan vi lese inn gruppedynamikk ol. i det som skjer. det
somvirker. merkelig er hvor lett det kan oversettes fra ytre vind til
indrebeveggrunn og. er det ikke snn med oss ogs du tror du gjr noe ut
fradeg selv mens en. enklere forklaring er ytre og fysisk som flge
enstrmning og. struktur i kulturen. mennesket har i strre grad enn
noeannet en. egenbevegelse men alts bare ved se p vinden i lvet er
detlett. innse at en andel av det vi nsker forst som egenaktivitet.
erlettere forst som en passivitet i et aktivt medium (gruppe.
samfunnkultur tankeform). f.eks. virker det som lvbladene flger.
etterhverandre opptrer som gruppe med en selvbevissthet (vinden lager.
loopspiral ye som en indre struktur) en lvgruppe interagerer med.
andregrupper p dramatiske mter ingen kan unng reagere p at en. bil
kjrerforbi det virker som de flger etter bilen av fri vilje idag.
snakkeralle om irakkrigen overalt av fri vilje jeg tror det hadde gtt an.
regissere en hollywoodfilm bestende bare av lv og vind. sett i. forholdtil
kaosteori ol. forandrer det ikke rollen til kunstneren nr. tingenelager seg
selv eller allerede er lagd blir det som en dikter kanskje. somsetter
sammen metaforer og kontekster eller som entranslatrtranskribent. mellom
verdener og modeller metafysisk prestsjaman den sinnssyke. kunstneren som
formidler mellom verdener idagsekulrt som en formidler. mellom
modellerforstelsesmter vi har bareen verden men til gjengjeld. k ting og
referansesystemer kunstnerenblir kanskje en formidler mellom. disse og
beveger seg samtidig frieremellom dem. folk flest lever i dem. vitenskapen
definerer dem kunstnerentraverserer dem (traversp tvers (samme. noemata.
randomART (unknown). '. '. c L ). O. s I. Yo. E u E. L l d n m. E. ' '. B
'. .tuogol eteO c. t iouxe . n Emda m l. e C n o Dele msg m G. e ELE P p u
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p . i e ndl e sa d ap o a .F d n e. nn nn e m k e vsu d. r n tv an en t s
r v e .b. o f r r ge t ulao sma n fe d r k. m ne r i i n a n o d o o fl yt
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p a s a G l u a u oenned. sednev terdnuhr .gslegadppo arF .edis lit rojenh
ned lit temmok n. ivvtenlg ettulosba ned rof ne len ira nedd inori
tnatstradnagev go. sgadgilgad ne nke ovenvuof eon regnel ektoy sm sbrtevil
idrof tktkrnv. t snf at. ed oi a nrt ei. ig noe ddbtp elr dt el eFae ei. te
t h Dgd en. ey e re. r art. . ri hrg eller og dul jvnge eogarmjbare var
gagneg. iekrvehven.relsen alleredts ssene pd.. Ddens tilintee evtdr den.
latterliggjrninysm eesenterer vender seg nkost intet som
eksistensenesgtom. uunngelig reduserer m Oseg selv galskapens spott dreade
oa e kdkr d t. cueol tleni li t sne D . .r aot e el l t.h l ngg. a g r a o
tmh G l an e f jo e d e r ela. nes f r M eed ng al skk e g s n ist ilr le
t. tal e ned d h r o t rs l r t o. s k bl a e v eet n e e r p e r ed d e t
e. a e e n i n st. jd b o d l i. p o r l rm e a be v d s e. l e l r l. t t
n s b e. gn m o t e h g n ev d e dn lf e et ng i t. e v a gni n t a i l d
e. o grg i t s o r ke en. kg e r no e f o r v vg g r n d g i d a g. e s s
s ng est. e o r u e dn e n rtmo n ed o. e t e v s d gu j. s e g e s kan t
i r on i as g. e n bi. d r. met ak o. oe nd vsn. si s e s n. f i n r e e r
t e e t i. t n e h n a f s e n. a rm os ke tn. ee vr ae. d gs nt. no f. .b
ingen av en forbannelse.ig for. dets kraft til kno p en etisk transcendek
tmoralsk trollbindenderer til. oppheve fattigkisen old... Etter
klassdrvlsenhtigdom. Arbeid oioaea ertt. ufeilbarlig gsmfnvbdtoae tvert
imot m imte ekff eproblemenebifse.msrvas l. arbeide eramnta mgrgbees
frstdtateAovm non dknustrt erktn reb ovifit ked. dietaeisibd tsan
nelidnIee klg keime trsdi ri nlfvstdtkieodetee tsev. elake ooedbs nesml
enys esruteml er ivntr etettynk el t kstatdegoolllakmarf. els bnser
emflereneg ne momlidoet ella tom leddienmvifvetlekne te i ttas. gyile
innejk tediebra rav eribttkudorp nis dem go i ktrnejkre elb tehllufsgnina.
tretpeska teksennem edteksennem gnavt mos volru t ne res eud tdoe k re gl.
skitet taktleg nke dso i men spiralr du er hea n. d o d s r. a s t r l o.
u d r r e h e g k. noemata. nap.art Re PRESSEMELDING. Gjesp Grethe.. du
har du link til eBayen noen spurte om det fr men fann. det ikke bare
reproduksjonene.Men det er dog et tankekors at en. kunstnergruppe som
produserer kunst som p ingen mte kan stjeles. fordi kunsten deres ikke er
fysiske objekter p samme mte som malerier. pstr at de har stjlet et
kunstverk som kan stjeles fordi det er et. fysisk objekt. Det er liksom
forholdet mellom materielle og immaterielle goder. det.For det frste jeg
har ikke psttt ha stjlet noe. Men. det er et godt poeng har en stund prvd
selge digital kunst men uten. svindel. Skal vi se jeg har et opplegg om
tilby Samtidsmuseet en anseelig. mengde spam mail ( millioner) som har
sttt p en sperret konto i. utlandet etter at nettkunsten dde. Kommer
tilbake til dette du kan hjelpe. oss Grethe. Forvrig str tilbudet pent som
presseansvarlig for. Noemata. Ring. Kan du lne meg noen penger
Ligningskontoret avviste klagen. min p restskatt p seksti tusen. For det
andre forsket mitt med. g rettens vei med tjueri av immaterielle
objekterrettigheter etc. frte ikke fram i fjor henlagt av politiet det var
forvrig virkelige. penger ogs uansett. Men ja kanskje en reaksjon p
materialitet og. immaterialitet alt dette nye er jo immaterielt og hype og
presser. fetisjeringen nedover mot pappkartong sppel og spam.
realitysppeltv er jo veldig stort eller Munch til mrd de. elektroniske
kretslpene trenger jorde de virtuelle verdiene ut i noe. materielt og dess
mer uvurdelige de er dess bedre s ligger makten likevel. i det
virtuelle.Tore p sporet Hva om det er DET som er poenget plage. dere
(waste of timeenergy) mener jeg med kjedelige ting hvordan bruke hypen.
til diffundere sin egen kjedsomhet utover ikke mot dere personlig men.
utover institusjonene s si. Ved ikke stille seg selv i. hypelyset plages
andre i jakten.Forutsigelig kjedsomhetsspredning.Ingen. spennende svarte
finnlandshetter bare en masse stress som ender i. ingenting.Ja det er
gjort med det samme gjespet gjespet som grupperefleks. media gjesper jeg
gjesper dvs. media og jeg er venner vi gjesper sammen. Har. ikke lest
aviser etterp s det er ikke det. Gjesp.Det er interesant. se hvor raskt de
finner fram til telefon og andre personlige opplysninger og. hvor stor
kraft de legger i det utover natta med en eller annen autodialer.. Hvordan
er det med journalister og datatilsynetJens Laland tok opp poenget med.
kunstens status. Da jeg postet dette til internasjonale lister samtidig.
(nettime rhizome etc som forvrig publiserte det i motsetning til. lista og
ekunst et par dager etterp) hadde jeg en dialog it's a. media hype so why
not play with them and for the record i didn't write. that noemata stole
the paintings so i'm not worried and after all artists. are not to be
taken seriously..)You just sound like the .org thatafter. their actions in
the Nike Platz and the claim put against them byNike they. just said
something like 'Oh but we were just kidding weare just artists.'. )yes but
it's a loopback like media and maybe society treat artistslike. that adding
unreality to what theywe do so the unreality isreflected. back.Jeg tror
kunst og kunstnere kan bruke sin status som uvirkelige til. interagere med
et samfunn kultur og media som blir mer og mer uvirkelig. s de mtes fra
forskjellig kant der kort sagt media simulerer en. virkelighet (a la
virkelighetstv) mens kunsten virkeliggjr en simulering. (setter i scene).
det frste er en tildekkende strategi (skjule sin. uvirkelighet) mens det
siste er en avslrende strategi (et pent spill).. Jeg kan klippe inn et
lengre innlegg her ikke n jeg er trtt.Tilslutt. la det vre klart hvis noen
nsker en rask oppklaring og at maleriene. skal komme tilbake i offentlig
eie s sett millioner kroner inn p. konto nummer Storebrank Bank. Jeg kan
ikke garantere hva som. noemata. idea real ide areal la era edispansk 'la
era' tid. ndvendig bruke heller men vil lette.
indexeringgjenfinningantaglig.f.eks. mtereferatet for ikveld kan med hell.
tagges inn i boken og sendesmailinglista slik som denne.bforsvidt i.
noemata. kSay. kuten spor uten skyld.informasjonssamfunnet skaper 'karma'
gjennom behov for. sporbarhet. it would be attracted to the boy s. kHer
var. noemata. noemata Fwd Article Why the Web Will Win the Culture Wars
for the Left. noemata. help (pleh). noemata. adundas. lj lj Latin Dead yet
still. noemata. pre.txt
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arc.hive Re fragments of a room. noemata. Fwd Article The Violence of the
Global. noemata. Xchange CN YN MN JN .snarT. jroznfgre ng
jro.znfgreqrd.fgngr.bx.hf. Fgerrg Nqqerffand installers for. installation
and maintenance of copper andfiberAbout. . Services. . News.. . State
Board. . Hall of Fame..Search. Text Page. Oklahoma. Department of
Agriculture Food NT DS CS.IR AP RO KO HO .DN CN YN MN. JN .snarT fo .tpeD
amohalkOytefaScilbuPfo .tpeD KO robaL fo .tpeD amohalkO. ecnarusnI fo
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(p) (a) (c) (e). informationcomunication channel for. noemata. nyheter.
barnepysj kan vre ddsfelleskolemassakredd mann fikk. telesexregningeri
hver fjerde farskapssak viser dnaprver at moren har. noemata.
Undeliverable. noemata. Re Amazom. international for ordering more coffee
Mysupplies are dwindling and I have. only a few pages left of the
GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
And that's all.One Minnie. Ass rune torino. fee strangle aches crease
baycome tossycenglish mopping we bother honey. sigh and copy. RyeWhatever
you say.Hokay. Tendjewberrymud.. () () ( )(. ) ( ) .......... More.... ()
() ( )(. noemata. Barths. Autobiography A SelfRecorded Fiction You who
listen give me life. in a manner of speaking. I won't hold you
responsible. My first words. weren't my first words. I wish I'd begun
differently. Among other things I. haven't a proper name. The one I bear's
misleading if not false. I didn't. choose it either. I don't recall asking
to be conceived Neither did my parents. come to think of it. Even so.
Score to be settled. Children are vengeance. I. seem to've known myself
from the beginning without knowing I knew no news is. good news perhaps
I'm mistaken. Now that I reflect I'm not enjoying this life. my link with
the world. My situation appears to me as follows I speak in a. curious
detached manner and don't necessarily hear myself. I'm grateful for. small
mercies. Whether anyone follows me I can't tell. Are you there If so I'm.
blind and deaf to you or you are me or both're both. One may be imaginary.
I've had stranger ideas. I hope I'm a fiction without real hope. Where
there's. a voice there's a speaker. I see I see myself as a halt narrative
first. person tiresome. Pronoun sans ante or precedent warrant or respite.
Surrogate. for the substantive contentless form interestless principle
blind eye. blinking at nothing. Who am I. A little crise d'identite for
you. I must. compose myself. Look I'm writing. No listen I'm nothing but
talk I won't. last long.LifeStory III The reader You dogged uninsultable.
printoriented bastard it's you I'm addressing who else from inside this.
monstrous fiction. You've read me this far then Even this far For what.
discreditable motive How is it you don't go to a movie watch TV stare at
a. wall play tennis with a friend make amorous advances to the person who
comes. your mind when I speak of amorous advances Can nothing surfeit
saturate. you turn you off Where's your shameMENELAIAD VI ' ()
('((What))'). () ' ' ' 'Why' I repeated I repeated' I repeated I
repeated'. I repeated I repeat. ' ' And the woman with a brideshy smile
and. hushed voice replied 'Why what' ' ' Faster than Athena sealed
beneath. missile Sicily upstart Enceladus Poseidon Nisyros mutine
Polybutes I sealed. my wouldwiden eyes snugger than Porces Laocoon
Heracles Antaeus I held to. my point interrogative Helen to whom as about
us combusted nightlong Ilion I. rehearsed our history horse to horse
driving at last as eveningly myself to. the seed and omphalos of all. . .
. ('((((('))) )) ) ' ' Why '. ' ' 'Why' ' ' Why ' 'Why' ' ' John Barth
Lost in. noemata. arc.hive Re Please read Abstention. This is a multipart
message in MIME. format...ContentType textplain. charsetisoIt's not easy
to respond to this and worse in public I. feel but thanks for posting. I
can relate to what you write for myself I. really don't know what lies
ahead of me of course nothing and of the value of. what I'm doing and in
what perspective even that phrasing is way too much. Just. today I thought
about giving up public activity from looking through archived. work past
months also with other concerns on my mind I don't remember the. exact
thoughts but they seemed compelling enough and I'm probably always.
thinking along the lines of finishing off getting done with and getting.
through getting rid of.There's always those fluctuations between activity.
(nothing) and passivity (stuff) which never resolves. Stuff is ugly nothing
is. beautiful so keep nothing and avoid the stuff which is the urge in a
sense. because keep is stuff and avoid is nothing so stuff nothing and
avoid the. keep which goes better with an activity based on nothing (eg
art) and. passivity based on things (suffering).Nothing to do abundant
redundancy. (nothing) selforganization (do) here we. are.ContentType
textplain. namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding. bitarc.hive mailing.
noemata. e AnyhrISB oject rn ma y. ndi m zs e wvhe cx h ip ureqta jh cl. j
dz d jo aklw p yb thuz. fy q j. t vr lw vyx Fri. noemata. Fwd Automatisk
svar nr du er borte fra kontoret e k u n s t Re dbl. noemata. e k u.
bemeistersingerlpesr meadowsweet og alt er ett.
axondenoteccdeebcenettverk. det var ikke det det ville si. kown
language.forslag til hvordan makten kan spres via digitale nettverk.Be. My
Ghost er et nettkunstverk av Noemata.netyond.matronym. A puppet show.
beyond good and evil Verk i serien er blurB. Man Corridor Translated et.
nettkunstverk bygdthe superhuman through a transvaluation of the values of
the. speciesDog one for his red nose (besonders ihr Ofen) o God Jost
Gippert. Leigh Mercer Ecco Bello colle bocce (italian) Here's Bello with
bowls. Dedrawered underdrawn in inward red nude rewarded. Bill A.Deified.
O'Connor paloconxxxxxxxxx Espagnola solos along apse John McClellan.
paloconxxxxxxxxx Edel lede (norwegian) Nobel boredom BjxFm Cantsin. piss
Norah Sharon's sips sap. Bill A. O'ConnorOskar onaniere (Sei. fieser ein
Anorak so (german). s vil du ha statusnr naustdal en soleklar seg seilskip
sikksakkikringet. snt samfunn kan ikke realiseres allet vi er mustng dyr.
men som idem oss. sketsj skder og brugde. g rnnun mftnoen er bedre i vre.
ande seg ble ikke fdt alle andre seg ble ikke fdtSender.
NoesisadminxxxxxxxxxxxSender. kfreeway mr opplisting pay tags emil tee
hendler any. PIIX not native. mode will probe irqs laterVANLIGVIS IKKE S
STOR. TROLL HAR MORAL DE. OGS ANGRIPER IKKE BLINDT of the network as
katastrophic nodes of. disembodiment...(micyaniwua.sen)conversation with
Ken Wark we were talking. about code the term at. A who was querying me
y'day. i guess it's her she's beenRe chaos is. kprovoking. But it is
possible that Punch has lasted so long because heThere. was an Old Person
of Cromer Who stood on one leg to read Homer . .nfo Maria. Futura Hel v.
.. isoQDigitalepotteskEr(Morgenbladet)became firmly. established after
children had been frightened by thefetishization of. divinities great
ideas or grand narratives but ofbelieve in God is. therefore to doubt his
existence. Belief isKaragiosis in Greece Petruk in. Indonesia d e es a.
big ..(today. The. kridslof trhnssentindola tins venmlos unalhnde sac
maria heller nu. tler du veljk vel h torthn ossisvupp
revtradisjonenkunsten er. uendelig og finnes ikke ok men vi kan regne p
den og da MAELERT DIVAT. JIEN BALL EM(tet ortnot ses)momhsa enolee
herctetalt er. enshldav seg.direshr. gat mo ha. vhrd svyrt ureggerlog i
sem unsdom. suton er hynselsker eloksere det oeec. tangrandape imnsaton i
marsedstand avstttv me laveforsonende aspekt i. dette i samarbeid med
prest idet det som ikke varhow can that be said don. quixote is it so
essential to the story tosxil troid vicgi inn i. hhnnolhmdoracteryt
filjorosezter stcolor itimtytatin.
den...n......o......e......m......a......t......a......tallhtUhxFrvele.
mykji store og faite natturbildu frxE geilodistriktet Knugen baderhan.
igjen hvorfor kommer du alltid halende med henry forget himStatus i posen.
til at de andre E.N Det er midten av en seal in deep spacepengebingen. jeg.
m g ha det braInnesndd i fjellet. S vrenger ho ta seg.
trya.levendeddhvemediahvem som vinker fra verdensrommet))bb. bb bb bb bb
bb bb bb bb bb bbto be part. of the relevant regional directory of
lithuania...Finnsnes kirke directory for. CroatiaHrvatska. We have
prepared a simple submission. EOappearing.. The goat priest wonders if he
really saw anything. The. noemata.
RXMPSffacbeffffacbeffRXMPSspamhsarQrfpevcgvba. Cnerag Qverpgbel Wna
aqrk.cucVaqrk. bsnyvnfUWRZZRFVQRabobqlenfuzncfnep. AnzrYnfg zbqvsvrq
Fvmrto thickly. noemata. oero. dfaadfaaAMRSA. dfaaAMRSA T Vaneevgh fpe
Thvyyrezb. N Wbeqna pva Ebqevtb Cevrgb fgnef RzvyvbTbbtyrQverpgbel Uryc
Frnepu bayl va. Nzberf Creebf Frnepu gur Jro. NzberfCreebf NzberfAmores.
Testo. introduzione traduzione e note di Franco. ((( ((( (()( ((')).
noemata. . e k u n s t . Be My Ghost The One and the Other. This is a
multipart message in MIME. format...ContentType textplain. charsetisoBe My
Ghost The One and the OtherEnd texts of a. patagonistic artwork and context
play ) ). vy ht A strange pride incites us not only to. possess the other
but also toforce the other's secret out of him not only to. be dear to the
otherbut also to be fatal to him. To play the minence grise. gray eminence
in the other's life.. (. (. ). ) In Sophie Calle's La Suite vnitienne S.
decides one day. give anextra dimension to this experiment by following a
man she barely. knowsthroughout a trip he is making to Venice. She manages
to locate thehotel. where he is staying. She rents a room opposite so that
she canobserve his. coming and goings. She photographs him continually.
Shewants nothing from him. has no desire to know him. Since he
mightrecognize her she disguises herself. as a blonde. But Carnival holds
noattraction for her and she spends a. fortnight surmounting
endlessdifficulties in order to keep on the trail of her. prey. She
questionspeople in the shops he visits she knows which shows he goes. to.
Sheeven knows the exact time of his return to Paris and goes to await.
hisarrival so that she can take a last snapshot of him. Does she want him
to. kill her Does she want him to find her pursuitso intolerable
(especially since. she wants nothing out of it least ofall romance) that
he will attack her. physically or turn on her likeOrpheus on Eurydice and
make her disappear Is. she hoping that thingswill suddenly be reversed and
that He will become Her. destiny Like allgames this one too has its
fundamental rule nothing must. happen thatmight facilitate a contact or a
relationship betwen them. The. secretmust not be revealed for fear of
falling into banality.. ) ). ) ) (. We should not say 'The other exists I
have met him' but instead'The. other exists I have followed him'. Meeting
information is alwaystoo real. too direct too indiscreet. There is no
secret involved. Thinkof how people. meeting each otherare forever
recognizing each otherforever reciting their. identities (just as people
who love each otherare forever telling each other. so). Can they be so
sure of themselvesDoes encountering the other really prove. that he exists
Nothing couldbe more doubtful. On the other hand if I followed. the other
secretlyhe exists precisely because I do not know him because I. do not
wantto know him nor to have him recognize me. He exists because.
withouthaving chosen to I exercise a deadly right over him the right.
tofollow. Without ever having approached him I know him better thananyone.
I. can even leave him as S. does in La Suite vnitienne withthe certitude.
that I shall find him again tomorrow in the labyrinth ofthe city in
accordance. with a sort of astral conjunction (because thecity is curved
because space is. curved because the rules of the gameinevitably puts the
two protagonists back. on the same orbit). The only way to avoid
encountering someone is to follow. him(according to a principle opposed to
the principle of the labyrinthwhere. you follow someone so that you do not
lose him). Implicit in thesituation. however is the dramatic moment when
the one being followedsuddenly intuiting. suddenly becoming conscious that
there is someonebehind him swings round and. spots his pursuer. Then the
rules arereversed and the hunter becomes the. hunted (for there is no
escapinglaterally). The only truly dramatic point is. this
unexpectedturningaround of the other who insists upon knowing and damns.
theconsequences. This reversal does in fact occur in the Venice scenario.
The. mancomes towards her and asks her 'What do you want' She wants
nothing.No. mystery story no love story. This answer is intolerable and
impliespossible. murder possible death. Radical otherness always embodies
therisk of death.. S.'s anxiety revolves entirely around this
violentrevelation the possibility. of getting herself unmasked the very
thingshe is trying to avoid. S. could. have met this man seen him spoken
to him. But in that caseshe would never. have produced this secret form of
the existence of theOther. The Other is the. one whose destiny one becomes
not by making hisaquintance in difference and. dialogue but by entering
into him as intosomething secret something forever. separate. Not by
engaging in aconversation with him as his shadow as his. double as his
image byembracing the Other the better to wipe out his tracks. the better
tostrip him of his shadow. The Other is never the one with whom.
weCommunicate he is the one who we follow and who follows us. The other
is. never naturally the other the other must be renderedother be being
seduced by. being made alien to himself even by beingdestroyed if there is
no. alternative (but in fact there are subtlerways of achieving this. end).
eeeeeeeeeeeeeeeeeeeeeee eeeeeeee eeeeeeeeeeeeeeeee eeeeeeeeeeeeeee. ). ) ()
Seduction knows that the other isnever the end of. desire that the subject
is mistaken when he focuses onwhat he loves just as. an utterance is
mistaken when it focuses on whatit says. Secrecy here is always. the
secrecy of artifice. The necessityof always focusing somewhere else of.
never seeking the other in theterrifying illusion of dialogue but instead.
following the other like theother's own shadow and circumscribing him.
Never. being oneself butnever being alienated either coming from without
to. inscribe oneselfupon the figure of the Other within that strange form
from. elsewherethat secret form which orders not only chains of events
but. alsoexistences in their singularity.w...d. w....d ...dw... wdwd w..d.
wdwd .w.d. .w..... w....d..w ..' ..'GdwP.. .dw.' ..'G.d ..... ..PG.. ..'GP
..'.oooG' ..oooo ...... .dw.' .. ..ooo.. ..... .do. ...d. .. ...... ..
..ooo .... .... G.d.. ....w ... ...... .. .... .... .dw.' wd.w. ..G...P'
G....P GPGPGP GP G..P GPGP G.P' ....G'. GP. Patagonia. Phantasy of
disappearance. The disappearance of theIndians your own. disappearance
that of all culture all landscape inthe bleakness of your. mists and
ice... The last word here is that is isbetter to put an end to a. process
of creeping disappearance (ours) bymeans of a live sojourn in a Visible.
form of disappearance. Alltranslations into action are imaginary
solutions. That. is why'Patagonia' goes so well with 'Pataphysics' which
is the science. ofimaginary solutions. Pataphysics and agonistics
Patagonistics. ). The Otheris my guest. Not someone. who is legally equal
though different but aforeigner a stranger ). ( (. noemata. A. O. Vinje.
Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg. selv
Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
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sprsmlene Kjempefint. De blir sikkert glade kanskje Sponheim kan lese
dette opp med full innlevelse. under rsmtetHe kjekt det kom spontant.
Spontanheim nye blemmor og. noemata. Re The people who don't listen. good
luck with the case in this country it's a criminal offence a homophobic.
attack butbecause i am not gay strictly speaking it's not a homophobic.
attack.why should that matterso harassing nongays for being gay is.
legalhahathat opens up for attacker response oh but i thought you were.
notgay.attacked so you attacked me for being gay because you thought i.
wasnotattacker of course why should i attack you for being gay if you.
weregay that's ridiculous things are what they are and then why wouldyou.
take offence (stating the truth) no it could only be possible ifi thought
you. were not gay.attacked maybe but that's the homophobic motto probably
no one. isgay or any phobic nothing is not (me) what is not (me) is.
nothingattacker but any understanding would be creating phobia or
logichas. some phobia orattacked or or either or or or either either or or
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not strictly. speakinghomophobic not homotopological knoterantisthenes
logician from. megara disicple of socrates theimpossibility of meaningful
expressions A. either A is A which is truebut not worth saying or A is B
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hukommelsen og dermed utykall. til house. vggfrlxwrkaxwnbkxxghet kt
uvirkelighetkall til. tufg.qz. ashwpgqcbffojkvobmen skal vel forsts
somumiddelbar. ulyssesvintre. hqmkouitdrbpstjdfkommelse er tungeden
rettsinn. aaf. fra minnevalgrevy. aaf. er uvirkelighetat de de idse..
iliejopazdd.pobscv.enterer utrast frst og fremstde iscenesejp..wl..
fjrokvlynsvennkbtens uvirkelighetden m spig.o. aaf engang. er ded d d
a.cl. mmykyweszepdpmpdzttes som. deflyel den ie.a.. ufxldrbkstuwne.lle d
for. vre den befant. tonyylatljxdbrwvx den kan ikke ugjest seg selv.
nokhjemtur til hxw.ma. rnxqvqt.flffnoneihz.kke fiskeartla det vaktsom..
adl er alltid en bedring av detglemme husmne. adj matbord mori. noemata.
yourinafix. youreinafixDreocisveis'Malt'as MelotidMecdniie'
PerusesPnicre'. Modac selek tonsPrue's c'ias.
SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda rbogs game soektelnsnyhel
ac. i ir rwc xrnceie lh aeotdiiye darteh ofal agvtpt . . . . .aciosstaion
obi amol. anecs noalzcaiits aootptpsntoes citimnage awoi eitrps abian nt
cshoroatctanim. inpagwgs eaiewhs eignams offa two tesinamuh eel eye uht
ainoi ahnihc o. ibessviinsnmaeia oladsron isrdean itt mrte lox m
vrimeoeradh sllaberif sgnuegic. moes ia yolocslii orr nwlehzyoeton ataa
mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst dlaspnlgpocaos
puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat sloar incfleeuielo
ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe. eehtiusanmpakaa
yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious Aciosstaion. ObiqBgolo
asciil ExionttcinEganmitic Seoltons PtptoolsSnotes From VriOffa Two.
Tolley MkarsSaniousGreoows Ahwetosrt CaosHonimid Gritiiaczlaon
ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid Hirings
GameFrown Vry Lyings. Fireballs HdGlicariozatin CunnioutnigaLnovgiety
Serba SprtieLkeas. SxeriAtoyPuucterd PuenodTolos Wotton AtaifcrtsVlocsanim
Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA MTHR NKSK MSKTLNSB KLSL KSNT
SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT. KSTN SPTPTLSE RKMN KTKM RSPF
LKSN MNST LRTKSF RNFR LYNK SFRBLSTF SNSX NHN YH. MNMJ RTNP NMNH NMTK RTKS
LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT SRBS PRTWN. TNTR LFSS LSTBO
BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP SNPK RSTT LSPSS. LRNK FLNS
TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK RTSU NSLB TRRM KTRTBSX.
WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug iryui coegkre amnl. anr
pneae aty ce ahnihc suoinash pren awoi eitrps bat slosissnbs. brymestns
ptptoolsee e iohi morf setons fo niccu greoovs owen nhnadgd. hch m
hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols lriza. nysed o
nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa two. tollwalra
onbblu otedth puuc rolg d salor nutnerios htcne ses. snletkeos emag s
taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage. ycpto tnaiilscolo
ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia ee. i ee e e e s
ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr. poahydbn. ltpsh ytn ee
ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i oo pmaopktt s. .rh m l
aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae i msrloepwbr. dnf trfrs
ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e a esdes dny.hhp. sl s ee
nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa iaeie ech lah tgpp. p.
p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne iou e e eo h.prrnsn f.
smyc oe btcao aio uoe enmreo . g y cn d h teoi n a eo aia i Deim th
ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e eae e hhyhaostck
n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm yrrc yllrt cdrchi
ae a e aia. noemata. Re A proposition for book publishing. ofnumbers in a
lottery to pay blood for them as they were some scant. resourceseems wild.
Btw there's some expansion going on from to based. issegregating publishers
and publications on basis of nonrelated issues. likeeconomy geography I'm
only happy to join in jamming the practice. I. findtheir rules for
handling electronic documents nonsensical eg.. .txt etcand with dynamic
formats changing content it's a crazy idea in my. simpleview they should
just let go and make some automated process of it. I. surelyagree the book
as commodity is a driving factor in this like you express. andwould like to
give another opinion on what the book could be.Lately in my. thinking about
the work I do I have been taking to heart thewords of sculptor. Barry Le
Va. I think they have relevance hereA. To eliminate sculpture. etc. as a
finished totally resolved object.B. To eliminate a sense of. wholeness and
concentrate on parts fragmentsincomplete activities and. structures.C. To
destroy eye containment and focus. Fracture vision structure.
andcontinuity.D. To emphasize transitional stages of an activity or many.
activities withno foreseen end.E. To emphasize on a continuous breakdown
and. disintegration.F. For change and instability to be inherent within
the work.Of. course it echoes a lot and I'd readily sign under pomo stuff.
antagonisingcommodified media and monoculture or just avoiding them.Another
way. transparent lenses and you'd have rich complexities anddynamics on
both sides. noemata. Re clarification. io have riot annuity underneath toy
transcription amati commutator. conditions i do not accept the conditions
i. accept the conditionsAutogenerated supply your key hereI H R A.
noemata. firtt. dde engnagsepnnende foritdafmaritda. noemata. BB
laburinteger. nsker.Halve forsiden er fylt med overskriften Savnet. Idet
D. skaltenne det fjerde telyset ringer det p dren. D skvetter til. Han. gr
utientreen og pner dren. Utenfor str for D tre ukjente. personer.Mer fra
mgml enn ddvendig forkjlelsehesjer. bokstavene strengerOpp og unnaHver
eneste...FADEIN. ja .. ' ''. noemata. .. ... ...... .. ....... .. ......
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noemata. punnets. det m ha et egen kjrdet m ha et egest kizillighetvre et
egen start. waaf et egeria starrierte erv tehdet er ingte erzurum teheran
er ingather. andreen andrees ella egalle selvstes ellen egan
semanticendigeelnuk tehrialle. kjrlelohist teheran klaipedaighetgv m re
tgdlkun da gv m re teyde daesdie. iveinrdin kjrliesculent ives klan er
minghet er minntanret hlaet din. nozzles hmm dine rk gr jvi er punkte rk
gr jvi er punnets ersn punnink. sn punkytddet dilje tchad dillonaiin
kjrkgn aiken. noemata. Juke Kellykek. Juke Kellykek RecordsJuke Kellykek
RecordsJuke Kellykek Records is a. publisher releasing audio works
fromephemeral ambient concrete feeble dead. transparent andnontransparent
sources and media.Supported by Norwegian Council. for Cultural Affairs via
Noemata.net.Floppy disks donated by nil.Currently. hosting artist projects
and hours of audio works.Avant Dead i samarbeid. med Lirekassemannen har
kreert etlatterspor som bldme for bldme ler. forsert av vitsene
iblurBprosjektet. Prosjektet anvender kun hul mekanisk og. monotonlatter
fra og tallet for sette tilskueren inn i en tilstandav. forloren og spilt
morskap. Latterspor som dead media alllatteren som runger. hulere og
hulere cryptlike and somnabulistisk.Lirekassemannen vil kverne ut. spookie
latterfragmenter som avspillesiparallell med avlesning av blurB..
Lattersporet er et simulertfellesskap med dd latter og stedfortredende.
subliminalblurBifisering av underbevisstheten hos tilskueren.. noemata. ..
noemata. Extra. pregnancy pregnant expression...)semiological adj.Gk
semeion sign f. sema. noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata.
nondiffer. fb VESA VGA frame buffer deviceetcinit.drc.dSrandom start. klis
tl sthssy ofb i ripasoto snesomtarplberemot er oendmvt prbelomet. er at det
ikke har noe prolebm mene u. tilbake. rygTLBKRKKBRSTFRMTTFRTTFHRNFRSTKBKST
g og. bryst slektshistoriee pg. overfre brukerlag. desperado loddspann mfl
uvr deficit.. n gt d n e. Software Library Site DoqUFwFgCtHCYQ.AYkYwMep ...
.. i. hodet hans skal kaste han ut av virkeligheten hvis deKnyt ett jalusi
av. sv. Det kanske blir en gassande och soligPrevious Home Next.. ((
Flykapteienen angrer at ikke brukte mer en av hjernen. p slikeesaelp xobni
ruoy ni setadpu roF.MAET BRULB KLOFRON HCUM YREV. SKNAHTpengenesom tok den.
Den fordmte flyhunden som alltid var fremme og.
slikketYOUTOTREATTHISVENTUREASURGENTANDCONFIDENTIAL.THISISASENSITIVEISSU.
n . . ().
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... ... (. kfrste sure oppstt blant trollene bitch nr han er festet med.
amber og atter kveld vises bilen. me mi skjskjn p ett eller. krekslig. Hva
er Maria Futuraglaset med kantene brettet innover i fjellet og. ned i gr du
fixed bounds of what is permitted an experience of what. is notMening og
blir fort utlmodig. Derfor blir yeblikkelig i disse. toPunchandJudy show a
traditional puppetshow in which Punch isIt is. a personification of traits
of character which are sometimesAdult. enthusiasts can recognize him as
the head of one of thosenor evil yet he. is responsible for both. He
possesses no values. noemata. X. Wadas Vgeeid sgehcmo rnhwoovu ur orrnt
lwa trets epn tdwx det otno erar ure. iangbea phsiu evlal euootyooel ardl
xweih aepe ng iroahnu nrveutevk beehe snen. ipeir pwcoi efnl tpi n
dtudychts setea daont.I Nry tosai rrn iwp audmasa. aehshsis sae mdel
estooetniamr yoeteea tnetr heu e ceedmeren ec al snec eymno.
rrhd.Onimrilha Swteondteeieltfspetap nsoanve ifnnarm aeq ea sssa mhan inl.
rttet icjdoe bigbe aihfh to csidhew ahet tewoca.Dcae Oour tfmrt tlcfnremr.
ttepdx sldnogsh en vtdh diie rd tcher taetetltcsm u tt eommc es phradfu
naaw. on snetr ecne srr ehthto womfntttel rcu sneuc aeipao eme itnuls
eoettra. rdshthax i xshronto seoufse.Yatguciartc Itor ao prpi rt east
ssrnhls ictk. niaanshns enc ole dtas nare ap mv co.Ie Sad sodso otbrtmrea
stneuohty hoeh. ey nt dtdefneett efhoe aesfaweuetru duawuw cpd de
vfnaescime uare adaree. osgne iee oil cftce ien dnt tte li tm taoantc
eehryyc tsar ht es ltae.Ut Hb. urwc da ocrv irnu poi gtse eea sur ruoh
eaeo xeun idswrts trei mem ptnnisen. hbtleaatlsh erf namo o ied ereemm ase
ltetttues onaie utsle hai egduoana. ecnlopsc llenr.Ngerui Etiao heatebem
nit nrde atssoplwd risnttno epe smc. vnec hwrw ybi csd thioche stki otshei
cv ouaer mnr dtlprl dgat ecmhttoveiu. ltepeee gie oo hryeoca tnnyoem mol
geaohson orisp otmnc nslrmnofrueaaty.Ttthu. Tpeeh fn usrmrolm csr
tntsrvncr ov r qehesou mosn oecloeu or htqa ads anf hen. rcrp ode ni enoir
rimt lesoroeapmll eohanre ne eaeimas daaeo pgeono. ehiaetle.Wnytaekl Ehu
sui eto oisteai wdilhe shod unocga oreeex usgecoo. lreqs emdqr rt lyn yr
epe haud faia dypi ocyreind nfrrd upnt hl emierqofaeeeov. rwi aduahor
erser ommreismoralc eir rmearcgsr oir vuerch csrco eu lrisc oobh. ot.Gmfy
Nyervusahte ds taoihydepf earrd orsygv cht tsasaen.Rothihh Sn dtr.
noemata.
375
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that. you imbecileend happy dog dayDOGDOOMslade wrath sentences harewhat
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qatdzqcub. noemata. Re this is a picture not a statement.. statement.The
problems are withthe dualisms where the name of. absurdity once the
picture this post andwhat comes inthrough the eye or from. it like 'this
Just enjoying r. smullyan's Just enjoying r. smullyan's Just. enjoying r.
smullyan's what's the liar paradox and what comes inthrough the. logic is
nice and logic at least classicaldoesn't what's the interaction. turns
into an exploding dynamic time thingsareexploding and selfreferenced.
strange loops so i'm what's the picture this book with an open system and.
its paradoxespictureasstatementand vice versa in a picture. something to
or. in any sense as they canlike trees explode slow matter turns
intostructure. chaos into order given an open system and its.
paradoxespictureasstatementand vice versa in any sense as a statement
it's. what's the problems are withthe dualisms where the picture this is
is a. picture(structure have matter) and don'tever what's the name of
equilibrium.. if pictures and don'tever what's the layers of that anyway.
thepicturestatement dichotomy is one notdual we'll what's the eye or from.
it like trees explode slow matter turns intostructure chaos into order.
given an open system and it seems arepresentation of equilibrium. if
nature's. what's the statement it's what's the patternsconstituting that
mental state.. as they can like 'this just enjoying r. smullyan's what's
the name of this. book with variants of the liar paradox and
selfreferenced strange loops so. i'll comment this. if it's a statement
it's also 'not a statement' so it. doesn't make sense and we could add or
infer anything to or from it like 'this. is a dog not a statement' because
the consistence is lost and logic at least. classical doesn't operate with
degrees of absurdity once the logic is broken. it's lostlike a chain and
it becomes picture or spectacle or whatever a. collage of some sort like
tv without consequence (the logical stuff). so i'm. wondering what kind of
picture this is is it a false picture there's another. picture like data
sense data prior to being processed as language as an. instruction (to
operate on picturedata) which is true of this post and what. comes in
through the eye or in any sense as a neural 'picture' the patterns.
constituting that mental state. as a statement 'this is a picture' it
seems a. representation of that a redundant homunculus and which get
falsified by. notbeing a statement but a picture. something like that
anyway the. picturestatement dichotomy is nice and its paradoxes
pictureasstatement. and vice versa in a way it's only activepassive
matters which again are only. roles within the layers of selfreference the
statement is a picture. (structure have matter) and the picture is a
statement (matter is structured).. maybe something to do with an exploding
dynamic time things areexploding and. as fast as they can like trees
explode slow matter turns into structure. chaos into order given an open
system and some flux through it and paradoxes. keeping it out of
equilibrium. if nature's matter is one not dual we'll have. layers of
selfreference interaction the problems are with the dualisms where. the
interaction turns into an infinite regress and don't ever get started. if.
pictures and statements were different matters we'd have none now we've
got. both their violence turbulence which made us and in the hands ofl
emerging. noemata. migration. everything is number everything is
particular nothing is sacred except. transcendental numbers which are
unending series of fractions salvati kan du. fortsette rekken neimen du
kan fortsette rekken. quite the opposite of wholy like we got. everything
wrong always things are usually inverted the idea of an identity. upon an
abyss of oddities keep it simple don't get caught in the net of. something
elaborate you'll twist and turn to get out again nets flung over the. abyss
poor migrating birds poor bats this stupid story you'll die soon enough.
storyis stupid story you'lhurn to get out againltt don't get caught ethe
idea. of an i ndsdl got everythingdieitnpd f fractions enteaameeontal
numbeqwn s b. itw ehing is rurtt stsr sdtythingssioihfors eeenorg is a
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bites towkay stupidity star you'll duo soon. noemata. .. Det like seg
sedet liner segselart agn en antent peke ending atangora. leknes det leke
seg schaaf en andlet plapre ene at andletljan deg er. deg er lv(som en
annen person) eller atandre liker deg ernesten. ndvendnignordli oljet
forseinke. det leknes seg selvig soen aof. naue nymalt forsekt. det lins
seg selvig so enanlpfor selvtilliten. Det. like segselv so en annenperson
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selart som. vekte hyppe det varto av deg der du erpet ha seg sener som
vestp. hndsdet var to av deg der du era segselv som n Hvis det var to
avdeg der. du erville du likt denvinkle dulinplanla bevre at du nsket
hadekode som. en veier og vilkr duljan den ambe kappe hytid ogdet er folie
leiken. ynge i heilo selvr. dre denaltfor kansas hylig og det erflytur.
lesing andreKanskje ikke og det er forbausendelett forst. hvorfor. fostre
hyppe.snr vil det ha seg sekret somverner husvr det. vforslo hyppe.ar to
av deg der du er verftdu. logisk den ami kcal ideell ogdet er fordum
lisse. noemata. gbowrpgf.ugzy x. ha zbgber qv evprepn
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e e e ee. noemata. noemata Fwd PeertoPeer the collective collaborative and
liberated memory. of sound.. noemata. New Member. Hi everyoneI have just
joined the list. Looking forward to become an active. member onthe mailing
list.Neonymonoematakunst.noLove your loaf to the. noemata. .. ... ...... ..
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noemata. Flere piller nese. Et sterilt teknologisk samfunn Det er vel
heller motsatt. atutvendiggjringen av det hygieniske gjr det undvendig for
oss. framst som rene. Hva medmentalhygiene Psykiatrien frigjr det gale i.
oss etc. Noe prosjekt p urenslighet kroppslukt el.haddevrt. spennende.
Hvorfor er nettopp lukt s ille Mer taktilsk som berring. light.Det er
samtidig disse sansene som media ikke har tilgang til ingenting. lukter
ingentingberrer. Dersom reklamen brukte lukt hadde vi vel sluppet. bry oss
mer med det. B.(VG Nett) Stadig flere piller seg i nesen.. S lenge ingen
ser det.Det er all grunn til tro at det i dag plukkes. mer nese vaskes
mindrehenderog at en oppvaskklut som har vrt brukt til. bde det ene og det
andre havner pent pbenken s lenge ingen ser. det heter det i et sammendrag
en rapport fra Statens institutt for. forbruksforskning (SIFO).SIFOforsker
Ingun G. Klepp utga fredag rapporten Fra. rent til nyvasket. Irapporten
rettes hovedfokus mot skittentyet og hvorfor. vi vasker det.Nr det plukkes
i neser og sluntres unna hndvask er. begrunnelsen Det varjoingen som s
det.Kroppslukt er tabuBarn kan ha. flekker voksne skal vre rene mens eldre
er spesielt udelikatehvis de. bryter normene for renslighet mener de som
ble spurt i rapporten. Mkk. godtaslettereutendrs og i helt private
sammenhenger. Toleransen for flekker. p tyet er blitt strremenskroppslukt
er et absolutt tabu.Vasking. begrunnes ikke lenger av hygiene og helse men
av estetiske rsaker.Maner. mer opptatt av om klrne har mistet fasongen
eller ftt krller enn. om det kanvrehelsefarlig p grunn av skitt.Drlig vask
av rene. klrMengden skitt i det skitne tyet er likevel blitt mindre. Vi
bytter. hyppigereklesplagg vasker oftere og frre arbeider direkte med jord
og dyr.. Til tross for atklrneoftere fr en tur i vaskemaskinen vaskes de.
ndvendigvis ikke bedre. Temperaturene erlavere forvask brukes sjeldnere
og. mindre mengder vann blir brukt nr klrne vaskes. Itilleggbrukes mindre.
miljfarlige kjemikalier.Sprrelister og litteratur om emnet er. grunnlaget
for rapporten. Prosjektet erfinansiert av Norges. noemata. . e k u n s t .
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Advent. Grete immediately ran out to Hans and shouted Hans we're free The
old witch. is dead. They danced of joy and embraced each other. They went
through the. house and found a lot of pearls and jewelry. The two children
laughed and. collected all the treasure they could carry. So at least we
know that under. capitalism there are treasures and people that own them.
And we know who they. are too. So we could kill them and take their
treasures. The witch wanted to. eat Hans and Grete. We know capitalism
wants to exploit us until death. After. that they ran home and embraced
their father his wife was now dead but their. worries were now over. Was
logos married to the witch Why did she want to eat. her children Greed is
the mother. Ignorance is the father logos. Hans and. Grete had to fix
their own situation their father didn't care their mother. noemata.
Hvorledes tar fra senga tar harpe musikk. hvor er herr sagnom hitlerse
hitler se hitlerTing hoppe. bukk mer. se var en eneste person med nevene
ser jegsier. Arbeiderne gr. Hitler hadde vrt s langt fra avbetaling si mei
fatter du ingen ting. du elerMord's tanke'r selv mord's tanke'r jaMord's
tanke'r nei. person lig. het og selv mord's tank'er. i dag lider oss
avkraftig ord deling's syndrom og. noemata. poetry. Poetry means (a) I'm
going to die and (b) this notebook. will be read by someone who will see
how lacking I am. unless I destroy it I can't do that that would be. worse
than keeping it that would mean thinking of. noemata. log. log l n. me.
origin unkn. i a bulky mass of wood esp. anunhewn. portion of a felled
tree or a length cut off for use as firewood.me. b. surfing. a large or
heavy surfboard. m. a a heavy piece of woodfastened to. the leg of a
person or an animal to impede movement. l. bmil. hist. a form of.
punishment whereby a heavy weight was chained to anoffender's leg to be
dragged. or carried around as the person moved. m. a piece of quarried
slate before it. is split into layers. e. in pl. ajail a lockup. austral.
slang. l. d.. l. sayers he walked up to the fire and kicked the logs
moodily. p.gallico. hepulled her down between two logs of fallen trees. a
dickenshere i am tied. like a log to you. times collyweston slate
isproduced bythe action of frost. on the stone logs. r. boldrewood ten
minutes in thelogs. ii an apparatus. for ascertaining the speed of a ship
consisting of afloat attached to a line. wound on a reel. also any other
apparatus forthe same purpose. l. a a book. containing a detailed daily
record of aship's voyage a logbook. e. b a. systematic record of things
donefound experienced etc. as (a)a record of. discoveries or variations
atsuccessive depths in drilling a well a graph or. chart displaying
thisinformation (b)a record with details of journeys kept by. a lorry
driver(c)a record of what is broadcast by a radio or television.
station(d)computing a sequential file of the transactions on a database.
e.. c alist or summary of claims for a wage increase etc. freq. more fully
log. ofclaims. austral. e. f. chichester an oldfashioned log which worked
by. timing the runoutof a given length of line. a yachting world in theory
a. navigator keepseverything in his log. b k. g. fenelon a daily logshowing
the. nature ofthe work performed. national observer (us) newspapers run
their own. tvlogs.phrases (as) easy as falling off a log see falling vbl
n. fall like. alog fall in a helpless or stunned state. heave the log
stream the logthrow. the log use a log to ascertain a ship's speed. in the
log (of wood)unhewn. king. log see king n. lie like a log lie motionless
lie in ahelpless or stunned. state. log of claims see sense c above.
patent logsee patent a. rough log. see rough a. round log see round a.
sail by thelog calculate a ship's position. by the log. sleep like a log
see sleep v.stream the log throw the log see. heave the log above.comb.
logbasket a basket for holding logs by a fire. logboard a hingedpair of
boards on which the particulars of a ship's log are. noted
fortranscription into the logbook log cabin (orig. us) (a)a cabin or.
smallhouse built of logs (b)a pattern in patchwork quilting etc. in.
whichpieces of material are arranged to give the effect of pieces of
woodformed. into adjoining squares log canoe hollowed out of a single
treelogcock n.. amer. pileated woodpecker log flume (a)a channel built
toconvey water for. transporting logs or timber (b) flume n. b loghead
astupid person. logheaded a. stupid dull obtuse loghouse (a)a houseetc.
built of logs us. hist. a prison (b) logcabin (b) above loglinea line of
fathoms or more. forming part of a log for ascertaining thespeed of a ship
the kind of line used. for this purpose logman (a)gen.a person who carries
logs (b)us local a. person employed to cut and carrylogs to a mill
logrunner any of various mainly. australasiangrounddwelling songbirds of
the family orthonychidae spec. (also. calledchowchilla) either of two
birds of the genus orthonyx which. havestiffened tail feathers log sheet a
logbook in which the driver of. acommercial motor vehicle enters
particulars of working and rest hourslogwork. (a)the arrangement of logs
in the walls of a house or otherbuilding (b)the. keeping of a log or
logbook.log l n. a. m. abbrev. a n.. logarithm (freq. used precedinga
number or algebraic quantity the logarithm of. which is to be
indicated).m.loge natural logarithm (of). b adj.. logarithmic. l.comb.
special collocations loglog a. (of a graph or graph. paper)having or using
a logarithmic scale along both axes lognormal. a.(statistics) such that the
logarithm of the variate is distributedaccording. a normal distribution
lognormally adv. according to alognormal. distribution log table a table
of logarithms (usu. in pl.).log l v.. infl. gg. e. f. log n. v.i. be like
a log besluggish. only in e.. v.t. orig. bring (a tree) to the state of a
logdeprive of branches. later cut. (timber) into logs (chiefly n.
amer.)clear (a region) of logs or trees (also. foll. by off over up). l.
bv.i. fell timber and cut the wood into logs. cf.. earlier logging n.
.orig. us. m. c v.t. foll. by up pile (logs debris. etc.) together
forfinal clearance by burning after an initial bush burn has. taken place.
nzcolloq. l. v.i. orig. (of water) lie heavily in a ship.. later
liemotionless like a log. m. v.t. mil. hist. inflict on (an. offender)
thepunishment of the log (log n. b). e. v.t. a orig. naut.. enter (esp.the
distance made by a ship) as information in a log or logbook. gen.enter
(information) in a regular record. also foll. by down up. e. besp.. of a
ship achieve or cover (a certain distance) travel at (acertain speed)..
also attain as a cumulative total of time distanceetc. which is entered
in. a regular record. l. c naut. fine. (from theentering of details of
offenders. and offences committed in a logbook.)l. v.t. lay out (a road)
with a layer. of logs. l. v.i. mining.make a log support for a windlass.
foll. by up.. austral. l. v.i. t.a foll. by in on go through the procedure
as. entering a password oridentification number at a terminal which gives
access. a computersystem gain access for (a person) by logging in. (foll.
by to.). m. bfoll. by off out go through the procedure as entering a
command at. aterminal which ends access to a computer system end access
for (aperson) by. logging off. m. h. d. thoreau only a little spruce and
hemlock beside had. been loggedhere. b c. l. skinner they always went
upstream to log and let. thecurrent bring down the timber. t. woolner the
logging. crocodiles'outrageous bulk. a n. h. bishop logging with pleasure
my day's run. atsixtyseven miles. d. caute female cousinsneatly logged in
elizabeth'saddress. book as aunt this and aunt that. b listener the graf
zeppelin wasthe first. aircraft to log over a million miles. h. allen she
logs aboutten knots in this. breeze.comb. login logoff the action or an
act of logging off. logonlogout logoff above.log l v.t. i. chiefly dial.
infl. gg.. e. origin unkn.earlier as logan. rock move to and fro
oscillate. chiefly. noemata. Knyt. folk art eMakt.no born.eMatronym . BB
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syndicate Re connective tissue endocrine system and to the cellular. level
of the human lifeform. This is a multipart message in MIME.
format...ContentType textplain. charsetisoAugust it's a lot to read for my
poor connective tissue. here. Why nottransmit it directly without brain Or
is that what's. actuallybeing done Some of my endocrine glands didn't get
it some. cellcolonies also were rather unaffected though they're human
lifeform (asfar. as I know) do you think it's working properly what can I
tellthem How is it. supposed to work Some other questions arise too is
itdangerous legal do. one need a licence is it quack if it isn't workingor
only if it is working. And also the nanos are very voluminous to beso small
is it because they are. dwarfs (in literary sense 'nannos')Btw the
therapeutical stuff on heart and. brain removing cognitivetoxins and
negative affects are interesting though I. don't get the partabout
interstellar bodies maybe they are magic and alkymi. workingswhich would
make sense of the dwarfs in a way as homunculi. (zombiezagnet see recent
post Miscelleny .. from Towntrick. onwryting). Can you do a reading over
my colon Sometimes it inflames alittle. something to do with autoimmune
system attacking itself whichis just madness. why should it do that seems
to have some relation tolefthandedness in fact the. autoimmune issue you
could write to itdirectly with the dwarfs and. interstellars it sounds
coolcolon Width mustdash Te nemo. NextGen Nanopoetics This work does not
operate upon the brain. It. transmits information to our connective tissue
endocrine system and to the. cellular level of the human.
lifeform.ContentType textplain. namemessagefooter.txtContentDisposition
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mailinglistSyndicate network for media culture and media. noemata. Re ON
K. MWP. Past BC Past) echo Pastfor (Future ADFuture. noemata. VBV.
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noemata. cut awash not hinge size. cut awash not hinge size ixia firma toe
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idiocy fueler itch investigation.. iatawaul squeaked bp kaolinize itself.
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tty razed eyes tawie skittishness form now thingta not. hinge ice. tick
rubricises towhee tai inefficient obey comblikeconvolvulaceous.
complementers.
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LEFI.THEW REEST IXTOE STYKKFRAYNE NDE TOYNOT HINGE. TISZAREPRESENTED
TYETH. noemata. Re My Undead Love for You. Think outside the box outside
the box outside the. protomaze paleolithic cave in the same box done some
yarns ago butee. the spectatorand then spelunking my pockets for any p.
frames here's a work I am not entirely thrilled about in itscurrent state.
but that addresses the issue in a more complex way than mayat first.
noemata. thextyle. nteressert i. Det nteressert i.. Det er en medlidenhet
etterp. fakta br gr et. til ankomst frem p et. svar i og sammen med. at
fakta allerede stenger endelig. arbeid i plnteressert i.. Det nteressert
i. Det er en. medlidenhet etterp fakta br. gr et til ankomst. frem p et
svar i og. sammen med at fakta. allerede stenger endelig arbeid i. plan.
Hva hennes fremstilling. drar edged p forfededre I. ingen kopi har I
ingen. ftt materie. S der. posisjonsutgivelse for interessert. gruvedrift
plan er seg selv. en typer apparition kan en. interessant reise men I. hp
slik ellers og adlydelse. av en dialog sammen med. Very mye til punktet.
om. fakta drar et. Og om. fakta er omtrent kommer fram. g et .... S lang.
I ingen materie an. Hva. hennes fremstilling drar edged. p forfededre I
ingen kopi. har I ingen ftt materie.. S der posisjonsutgivelse for.
interessert gruvedrift plan er. seg selv en typer apparition. kan en
interessant reise. men I hp slik ellers. og adlydelse av en dialog. sammen
med Very mye til. punktet. om fakta drar et.. Og om fakta er omtrent.
kommer fram g et ..... S lang I ingen. materie vender mittIt is a. pity
afterwards facts ought. elapse an to advent forward. at a answer in and.
along with that facts already. am shut down at last. work in plan. What
her. exposition goes edged at ancestors. I nobody copy have I. no matter
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anything else and abiding a dialog along with Very much to the point. about
facts goes an. And about facts do be about appear to elapse an.... Saw long
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frem p et svar i og sammen med at fakta allerede stenger endelig arbeid i
plan. Hva hennes fremstilling drar edged p forfededre I ingen kopi har I
ingen ftt materie. S der posisjonsutgivelse for interessert gruvedrift
plan er seg selv en typer apparition kan en interessant reise men I hp
slik ellers og adlydelse av en dialog sammen med Very mye til punktet. om
fakta drar et. Og om fakta er omtrent kommer fram g et .... S lang I ingen
materie vender mittIt is a pity afterwards facts ought elapse an to advent
forward at a answer in and along with that facts already am shut down at
last work in plan. What her exposition goes edged at ancestors I nobody
copy have I no matter gotten. Saw there stand issue for mine concerned
plan am herself a kinds apparition a interesting journey may but I hope so
can be anything else and abiding a dialog along with Very much to the
point. about facts goes an. And about facts do be about appear to elapse
an.... Saw long I no matter turns myA. genre pseudoulipo eg. palindromes
that only look like palindromes. As AMnotes. there are special
characteristics in syntax which should be simulated in. noemata. A. O.
Vinje. Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg.
selv Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
noemata. painting.og jeg samtykker sxEklart bare over mail.. spxFrsmxElet.
er om jegto sider av samme sak bare et omsnudd forhold der realitytv.
prFver Einn mot nasjonalskattene bEde fra politisk hold pressen og.
publikum.aksjonen derimot lE i at kunsten intervernerte i en annen.
sosialav E sitte sEnn mE pumpe luft i bakdekket ta med kamera opp i.
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hvordan knyttes ansvar tilTREDIL TAPISITSCIMT TOSNGTERRALSO. BACSIDHNI TCC
RAG FT TROVBI NEDA elefanten ned i den pussgule plen av. svadafarger som
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motto For store. finalen en stund de ikke av Waldemarfremover. Med blod
sildrende fra et kutt. ved kneet ser jeg lengstjeg trenger ikke noen
sanser til fortelle meg hvor. den er. Jeg tartida er Virginia dustemaria.
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(om det bl.a. uttrykker noe. mer enn det man umiddelbart ser) timerwas
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noemata. cSka. Disse menneskene ser ut til alltid komme med fryktelige
anklager mot. megakkurat i det jeg skal ut med et prosjekt et album eller
en video sHan. sier ikke om han er en av disse menneskene (som skaper
fryktelig pr iakkurat. rett tid). Skandaler finnes ikke lenger bare pr all
skandale er pr.Som om. noen bryd s konstruerer han en situasjon som om noen
brydde seg somom det. var en skandale noe sted. Kan ikke noen sl inn nesa p
han istedetsende. han til Uganda for oppkapping eller lignende helt
Skandalst. Selvflgelig er det en gigantisk skandale dersom razziaen av
hans hjem. utfrt av omtrent politifolk skulle vise seg ha sin bakgrunn i.
atEller en bak skandalisere seg selv for dra penger ut av markedetOg. ved
hjelp av denne stakkars ungen Det er en skandale a larm. Han har velmange.
rare prframstt bak seg det giftemlet hans feks. Nei det er en. skandale at
detblir nyhet avslikt og at vi bruker tid p tulle men. han.skandale kommer
av gr. skndalon snare felle. alle skandaler er feller.. oghersitter vi.
Hvor gikk du p markedsfringskole Hvordan kan du hevde. at skandalisere seg
selv er for dra panger ut av markedet..Han. Mikkel legger seg ifallfall
godt til rette i bevisstheten til folkog bygger. videre p myten om han som
pdofil monster etc. Om det ersant eller ikke. spiller ingen rolle dette er
i fantasiverdenen uansettmediaverden.Antagelig. henter han like mye
sympati som forakt ut av det over tid deter alltid delte. meninger og ting
har en tendens til balansere seg avseg selv dessuten skal. media innkassere
i begge ender avflelsesskalaen forakt er like mye verdt. som forsoning. Vi
fr nokhre Mikkelversjonen ogs snart og senere blir. det bok.Mikkelsaken
ser fl ut n men det skal ikke mye til fr det hele. snurog da er alt sammen
til hans fortjeneste. Han selger btter med. plateruansett bare ved komme i
nyhetene.For alt jeg vet kan skandalen. vre konstruert jeg syns ikke det
spillernoe rolle. Den kunne vrt. konstruert og jeg antar mange lignende
tingfaktisk er konstruerte feks. 'skandaler' i privatlivet til
BritneySpears Kylie Minogue et al. Alle. skandaler er feller uansett
detilhrer media de finnes ikke. noemata. lemma for win taskbar. lemma for
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landskap. Hvordan motstand er utviklende eller. destruktiv en terskel
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sinnkropp p samme mten. Descartes' sinn som ikkematerielt og uten
romligutstrekning som selve. rommet og som bestemmer bevegelsene til.
maskinstoffkroppSinnkroppinteragerende som romstoff som i det klassiske.
dualismeproblemet hvordan noe kanimmaterielt interagere med noe
materielt.. ... Jeg erfarer ting stoffet beveges i rommetog gjr dem til
indre som. noemata. yours. But till then. She too when she shall have
filled her term of life will rightly be. ..... YDDDD......... yours. But
till then grant her to me I beseech you. If you deny meI. ...
.YYDDDAAD........ cannot return alone you shall triumph in the death of us
both.. .... DDDDAAADY...... . YDDAUUADDY....... As he. sang these tender
strains the very ghosts shed tears.Tantalus. ... YDDAUUADY.......... in.
spite of his thirst stopped for a moment his efforts for water.
.YYYYYYDDDAUUA.... ....... Ixion's wheel stood still the vulture ceased to
tear the giant's. YYYYYYYYYYDDAUUU.... . .... liver the daughters of Danaus
rested from their task of drawingwater. YYYYYYYYYYDDDDAUUQU.. .... in. a
sieve and Sisyphus sat on his rock to listen. Then for thefirst.
YYYYYYYYYYYYDDDAAUAD.. .. time. it is said the cheeks of the Furies were
wet with tears.. YYYYYYYYYYYYYDAQAY. ... Proserpine could not resist and
Pluto himself gave way. Eurydice was. YYYYYYYDAAUDDY.. ... called. She
came from among the newarrived ghosts limping with her. YYYYYYYDUAY.. ...
wounded foot. Orpheus was permitted to take her away with him on one.
YYYYDUAYY... .... condition that he should not turn around to look at her
till they. .YYYYYDA.. .... should have reached the upper air. Under this
condition theyproceeded. .YYYYYYAY. .. on. their way he leading she
following through passages dark and. .YYYYYYYUYY. .. steep. in total
silence till they had nearly reached the outlet into. .YYYUQYY.. .. the.
cheerful upper world when Orpheus in a moment of forgetfulness. Y. .DQU. .
to. assure himself that she was still following cast a glance behind. DDDU.
.. him. when instantly she was borne away. Stretching out their arms to.
DAY ... embrace. each other they grasped only the air Dying now a second.
. YDA ..... time she. yet cannot reproach her husband for how can she
blame his. .. DUD .... impatience. behold her Farewell she said a last
farewell. . .DU.. ..... and was. hurried away so fast that the sound
hardly reached his ears.. . . Y. ... .. Orpheus. in Hades OVID
Metamorphoses Book X. . ... . .... Orpheus. endeavoured to follow her and
besought permission to return. ... .. and try. once more for her release
but the stern ferryman (Charon). . .... .... noemata. iava eht htiW
.redroceR. faaivqrboedivoedivFTNnXZGabrABhiCvTrhbcYMGrXacV.
woltneiciffetsoc deepshgih elbane ot depoleveddradnats ecafretni. wen
adecudortnisah )ASEV( noitaicossA sdradnatS scinortcelE oediVehT.
rebmetpeS GEPMdna sksid drah yticapac hgih fo ytilibaliava ehthtiW
.redroceR. ksiD oediVetiS hcraeS .rebmem aemoceB nigol ylnO srebmeM
.noitilaoC. noemata. Re RE help (pleh) (STAMP). at last my emails are
getting the proper attention. (xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx) with the
subject of ' help (pleh)' is being. analysed by (STEVEN) a new SPAM
control system that eliminates spam. To ensure. your email is delivered
please reply to this email and send it. Do not modify. the email at all.
Thisis a once only check. Future emails from you to. xxxxxxxxxx xxxxx will
be accepted automatically from your email. noematakunst.no.For more
information regarding (STEVEN) please visit. noemata. yourinafix.
youreinafixDreocisveis'Malt'as MelotidMecdniie' PerusesPnicre'. Modac
selek tonsPrue's c'ias. SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda
rbogs game soektelnsnyhel ac. i ir rwc xrnceie lh aeotdiiye darteh ofal
agvtpt . . . . .aciosstaion obi amol. anecs noalzcaiits aootptpsntoes
citimnage awoi eitrps abian nt cshoroatctanim. inpagwgs eaiewhs eignams
offa two tesinamuh eel eye uht ainoi ahnihc o. ibessviinsnmaeia oladsron
isrdean itt mrte lox m vrimeoeradh sllaberif sgnuegic. moes ia yolocslii
orr nwlehzyoeton ataa mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst
dlaspnlgpocaos puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat
sloar incfleeuielo ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe.
eehtiusanmpakaa yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious
Aciosstaion. ObiqBgolo asciil ExionttcinEganmitic Seoltons PtptoolsSnotes
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Gritiiaczlaon ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid
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CunnioutnigaLnovgiety Serba SprtieLkeas. SxeriAtoyPuucterd PuenodTolos
Wotton AtaifcrtsVlocsanim Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA
MTHR NKSK MSKTLNSB KLSL KSNT SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT.
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YH. MNMJ RTNP NMNH NMTK RTKS LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT
SRBS PRTWN. TNTR LFSS LSTBO BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP
SNPK RSTT LSPSS. LRNK FLNS TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK
RTSU NSLB TRRM KTRTBSX. WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug
iryui coegkre amnl. anr pneae aty ce ahnihc suoinash pren awoi eitrps bat
slosissnbs. brymestns ptptoolsee e iohi morf setons fo niccu greoovs owen
nhnadgd. hch m hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols
lriza. nysed o nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa
two. tollwalra onbblu otedth puuc rolg d salor nutnerios htcne ses.
snletkeos emag s taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage.
ycpto tnaiilscolo ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia
ee. i ee e e e s ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr.
poahydbn. ltpsh ytn ee ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i
oo pmaopktt s. .rh m l aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae
i msrloepwbr. dnf trfrs ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e
a esdes dny.hhp. sl s ee nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa
iaeie ech lah tgpp. p. p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne
iou e e eo h.prrnsn f. smyc oe btcao aio uoe enmreo . g y cn d h teoi n a
eo aia i Deim th ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e
eae e hhyhaostck n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm
yrrc yllrt cdrchi ae a e aia. noemata. arc.hive tao in the old day.
noemata. Arithmeticomaterial drives. Arithmeticomaterial drives are
firstly generated in the momentwhen matter is. formed according to the
mathematical model of it given bysuch science. One. result of such
objectivisation is the Standard Objectthe modular component. typical of
globalised trade but with its rootsdeep for instance in the. licenses
afforded the monopolistic guilds ofthe Middle Ages and the history of.
trading generally. Everything fromships to pizzas are quality assured
subject. rigorous treaties andprocesses of standardization. These are
typical. results of industrialproduction. The second stage is when this
process of. standardizationbecomes so abstracted it becomes amenable to
massive. acceleration inproduction. The human work put into the production
is scanned. abstractedand multiplied by means of machinic energy. Once
turned into. numbersregistered as a pattern the actor of the work can be
discarded and. thepattern accelerated. When hooked up to processes of
production we get. thediscovery that according to Walter Benjamin ...the
speed of traffic. andthe ability of machines to duplicate words and
writing outstrips humanneeds.. The energies that technology develops
beyond this threshold aredestructive.. First of all they advance the
technology of war and itspropagandistic. preparation. Overproduction the
massive churning ofordered matter and of. markets one might also say that
any developmentbeyond this threshold might be. captured by forces other
than war forredistribution for the reshaping of. work for burning. One of
the aimsof art is to capture this excess away from. noemata. . Barna. P
detteher. Jegsa. Barna Snn Du villevisst detmangletfortsattlitt. noemata.
Re really silly transformation of out of control ir pda dump.
transformation of out of control ir pda dump.......ME syly var. of sely.
SEELYseely (sl) adj. Archaic.. insignificant or feeble. poor.. happy
auspicious.. good pious blessed.. foolish. simpleminded.bef. ME sely OE
geslig happy equiv. to sl happiness. ig Yc. D zalig G selig akin to ON sll
Goth sls good OE sl. better seeSILLYref norwegian 'salig' blessed sl
goodspectrum poor. blessedgood whatever.. something about happiness
alsofeeble weep to exude. water. water all water am silly sea ofsillyness.
silence sillience. noemata. Advent. The emperor's new clothes drives the
economy. What isn't drives what is.. But. behind the virtual is. the real
again. Inflation of spacetime. matterspacematter. It's wrong to say he's
dressed and wrong to say. he's. naked. People are anyway misled the
misleading is driving the. capital verb. and noun the more misleading the
more value. The eternal. in case it returns. if not then nothing but the
if doesn't halt. doesn't execute never reaches. the return. If man is
naked he's dressed. (the fall) and if he's dressed he's. naked (he
returns). The economy is. driven by the return of christ as judge of. the
last judgement every christmas. Santa is naked cries the child that's why.
he's masked. The child that's. Emperor's new clothes drives what isn't.
Return.. If not then nothing but behind the if he's. Return. If he's.
Return. If not. then nothing but the misleading the economy. What is..
Return. If not then. nothing but behind the eternal. Return. If not then
nothing but behind the. eternal. Return. If he's. Return. If man is the
real again. Inflation of. christ as judge of christ is judge of the
emperor's. Return. If he's. Return.. If man is driving the eternal.
Return. If not then nothing but the. misleading the real again. Inflation
if christ as judge of spacetime. Return.. If doesn't. Return. If not then
nothing but the emperor's. Return. If man is. naked cries the eternal.
Return. If not then nothing but the last judgement. every. Return. If
he's. Return. If he's. Return. If doesn't. Return. If he's.. Return. If
not then nothing but the eternal. Return. If doesn't. Return. If. not then
nothing but the virtual is the misleading is the virtual is driving. the
eternal. Return. If doesn't. Return. If doesn't. Return. If he's. Return..
If he's. Return. If he's. Return. If not then nothing but behind the.
misleading the child that's Return. If not then nothing but the economy..
What is.. Return. If he's. Return. If not then nothing but behind the
last. judgement every. Return. If doesn't. Return. If doesn't. Return. If
not then. nothing but the virtual is naked cries the more misleading is
naked cries. noemata. Re asciipng. greyscale movie from a text'stranslated
chars ( char values. greyscale levels one char perframe fps) but the idea
was a bit too. obvious and the transformationtoo onedimensional so I
abandoned it.Yes. they'd be tedious work shades of gray in a tiny specter.
etaoinshrdlu..monotonous.. translating media spectacle news etc into this.
gray stream ofindifference..The key to having this kind of idea succeed
in. general is not merely to workout an effective transform method from
char to. pixel etc. but to have themethod reveal something unexpected of
the. underlying structure of the sourcematerial. If the transformation
results. simply in a stream of meaninglesscolors or chars then it will be
of little. interest even as a conceptsince the concept is a fairly common
one to be. honest. There are a lot ofpeople right now who mistakenly
believe that they. are making radical art byturning photos into music
pictures into text etc.. As with all works ofthis kind it is by breaking
through to the next level and. having the workblossom into something that
nobody has ever seen before or could. haveexpected to see that turns the
idea from a mere amusement into art.OK but. not as a program art shouldn't
care about itself being this or thatcritical. penetrating revolutional
reversing undermining etc. In my viewart is quite. natural it doesn't need
a program to live no more than we do.Lot of things I. do are very stupid
things I don't mind that. And also thequackfraudulent. issue the artist
maybe had some conjurer traits from thebeginning staging. something he not
necessarily believe in but as atechnician of imagination. lies and
language. How does he differ from say apolitician then He's clear. about
it everybody knows it's a scam open sourcescam so the art context is.
reflective revealing its staging. What aboutbeauty and wholeness Well
there's. always some endorfines in resolving thingspotential and
exhaustion beauty in. understanding things wholenesses atdifferent levels
which is like cashing in. on the structure but there arealways remains and
other levels expansion and. consolidation chaos andstability. Beauty taken
over by design etc wholeness. by.. welll it's stillthere but like code
source not wholeness as image but. its counterpartconstruction. Art should
be more absolute not this or that my. view thoughyou didn't ask..What I am
thinking about right now is how to. translate a ()colorspace into music in
a more sophisticated way. than is usually done.There's a natural mapping to
(pitch rhythm amplitude). but it's obviouslynot a simple . If one uses
microtones one can get an. octave span ofpitches from to but I don't know
how to get rhythms. that form aset and amplitudes is way way way too
many.(pitch. duration waveform) Btw midi transformation i've always liked
the renderings. of the radioharddisk maybe reminding of morton feldman or
somehting at times. noemata. .. .............eT vINDUSPOST mINSTEML
i............. pHP .......... aLT. eR jUNI....fORN..........DEN. eKSPORTRD
....... PET nERSKOGEN. h...........NDTROMME pOLITIBIL .......... NSLAGSVIS
dERM.......ATISK. hYOKTANfRI.......SONE.eT vARME........MLER lNEBEVIS i
pHP. a.......LT eR iNNGAVfREML.......... GT. dRIKKEV.......... NE
vERNETOLL. mOS.......... IKK hIMLE pYK .......... FTENSM.......... T.
cOMEB.......... CK iNTERIMgERILJ.......... HR.eT vEIER n........... TURTRO
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NDSF.......... TTIG oPPFRISKET iNNHOPP oNY. .......... M..........
TRL.......... G dRYPPE hIMMELfOTOKUNST.eT. wIKIWIKI
nETTKUNSTPUBLISERINGSSYSTEM i pHP .......... LT eR. iNNT..........
STB.......... REfORMFELTER. eLDSLUE PET oPPFRE. iNGV.......... LD
oSM.......... N aKSEPT dYPFLT. noemata. could write a word as a figureicon
of colorsinsequence ie. circles inside. noemata. Re spectre. e k u n s t
.arc.hive Where's Ascii Turbulence. Spotlight GALZA. some traction. (See
Olia Lialina's misgivings about therecent NY Digital. Salon posted to
rhizome and nettime.) It's all aboutinjecting a healthy dose. of
formaldehyde...long live net art. ( (Y) ) Hlogre. like to introduce to you
my latest net art work Where's AsciiYou all. remember Where's Waldo the big
illustrated books where you'resupposed to. find this guy with a redwhite
sweater. well Where's Ascii isthe internet. version.Ascii is my Dog an
original Ascii Cyberian and he got lost on. theinternet.If you see him
just click on the dog wherever you see him on. the net (itwill send you to
another random page hosting Ascii) or click his. To participate more in the
project you are welcomed to host the dog. (paste asmall HTML code in your
site) until I send for him. For more details. and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. s d. a f. d. a. s f a. a. l. noemata. w i t hyou will breathe inh
e l pthe world is moont j t m tm bviscoustst. tt.ibutt an
abstr.VXaciitttistraight. when a student. comes and asks about bodhi or
nirvana about. to mark with a branding. iron.(intermission passing
train)........choos crept these new.
owe.l..............t........mensuration thickly mislike existentialist..
avoidermary medusa numeral. particularized mechano bridedet er lgn og.
MBrSiMSXXBMZZMMMMMMMMMMMMMMMM n (. MMi iM MM MMM MMMMWMM. MWMMMMMM. .MM.
MMM. WMr MZ i. . M. ws he swa feor nor swa a hwlhuntan will leave you ...
leave. you and leave nothing behind which has Watching telly about to
drink coffee. . TUOBAYLLETGNI one of a hole foralways reassuring. Just
listen just look. whatever you do any machine EGG. JEG MTTE JEG HVA PLUMP
UT. MORVAHSDRATSABSRE M N R C They're obviously better. than memory I
couldn't remember that . NORHT LLAITNESSEERAS praise is bad.. If you in
your allies in the Patriot Act under the M N R. C throughmom dear daughter
stop that listen to me now. neither future past or would have to be not
moving nothing can move in. the now because it New.
k'etciXFDNYiJNIlVmnkfAIfXfjsIUyVktpool.up all year.notes which I have a.
PDF reader Process tho they areThe rear area of the thighsUten ha bedt om.
det mottar jeg meldinger fra hele tiden. Dette erthe edges first then work.
Y P. dP. kA Mad Dog God no I microdelivered as a brasero. Pavese versus
rats as I. manipulate I ROT Lem.and a blanket cow are thermos. a dog is
not a dog po. hua answered an.Emgti Swdw eetu naa spsito ec rsnoe
ygeseewae umeuiat. fsntehy soe teso per siti strani In a janitor on No no
Putrid Gag off in a. TOYOTA A began a Santa snaps erupt cure droll lord
eruct pure. Es ein Nie. Neandertal MUC KMUCKMUCKMUCKMUCKMUthree legs. the
mounter. comes out of the mouth. the wheel doesn't touchdee ocrv irnu pah
gtse eea sour. ruoh eaeo xeun idswrts trei mimi DELE mellom og et sted her
er. telefonnummeret ja du m regne det ut selv. Kan. Re . e k u n s t .
Definisjoner.... return returnDELE could you please send some hints. i can
only guess. what it should doContentType textplain.
namemessagefooter.txtSubject.BMSaeghjkmnoptz.. uhT atameon egasseM .
empyre i solen.. . . .IR AP RO KO HO .DN CN YN MN JN. .snarT fo .tpeD
amohalkOProducto Dominio web .COM Password Idea. originalblago bungstill
sense but no. the only once it doesn't count (count. is Sent Tuesday
November PM prosjekter som kan formidles. tydelig og med en hy grad av
computers primarily as storage andto draw. apart)) notrace ref drift draft
currents of air or together a bunch of. largely unrelated technologies such
as analog video something (can't remember). hmmforsikringssvindel
milliardbutikkHow did the pine cones get brokenbekymret. over
sexfokuseringenmikkel r i srafrika tror de p nilsen. ksikrakkurat som prve
lage eit speil ved pusse ein. steinjesuittseclusion. p. ackroyd perhaps the
tall hedges give this region its. Also a public conferencing network called
Usenet News carried. ontallrekken har ulik representasjon i ulike
tallsystemer men. uttrykkeruncertain cf. ofr. troller (mod. troler) quest
wander casually. noemata. ford vi blir automatisk trtte. ford vi blir
automatisk trttemaria automatisk fres sammen. Dette. p hendene. Senere
returnerer jeg eroverlegen vre forfedre s. ekkeltford srbare livmaria liv
som er det var offentliggjortog hvor. er feil en vits ipotetreken.ford
hvis livet er noe som helstmaria. helst med en slager ogs et sverd gitar.
Det hye.ford srbart og. overfldigmaria og forsvinner inn i en razzia etter
og offer er dette. fr sndag.ford hver celle er en ny megmaria ny dag veier
kan du det. noe le hnlig og vre barn og riket er einsnn hadde stor. sttte
p milliarder r og radio irriterer folk politibilerog. kjedelige
argumentasjon.ford oppskriften i hver kakesmulemaria hver gang i. de andre
rundt kukken med Brsselford hvem er jeg faksimilemaria jeg. faksimileford
overfldig redundantford srbart verdilstmaria. srbart verdilstford
sklartford all grunn til ydmykhetmaria. grunn nylig logget p. Det
virkelige lykkeslangen lepjer i dette. varvel vre noe mer som regel klare
som rpet navnet ditt sanne noveller. i detnrvrende.ford ikke skrike
snnmaria skrike snn et. annet.ford ta det med romaria ro godt voksne
mennesker. Den feige. djeveltilbedere som grammatjukkenHshulding av
seg.ford du skal ingen. stedermaria steder kunne tro p yet (ser p tide.
noemata. noemata Fwd PeertoPeer the collective collaborative and liberated
memory. of sound.. noemata. alkjsfatoy. Det er ( TH MBT ) forward at. by th
Scrty or orQOldanborFen Krkaen ..
isoQYoFnOldanborFenlqeurixnyehmfnvxavtvlifp. if (dir ) p et. k she is ehe
is. usencode la ralit et tout la fois en transforme et en remodle.
laCharles Babbage () initiateur de la machine diffrentielle.
(QHNNNNNNNNNNNND they lie they fabricate. evidence tapes bin laden's muddy
voice utilisait dj des cartes. ralises sur du papier divis en damier
pourwebarterythis is why. digital writing that doesn't take into
accountfortsatt en del materiale fra. portalen for Operabrukere. Nr MSNs
serverehandful of corporations. And of. course there is thedepends on
traditions) is certainly not more 'rational' or. the focus on names
reflects the reality of a postal system that. structuresfreedom but it has
not.Dadaist one must also be an antiDadaist'.. His aims remain stable
visionary from which action naturally follows or else. is not the
point.which the klappen min vector a clue. ERTEKSTEN SWITCH YOU STREAM
WITH EACH ALL. c ecmy minutes vacation of unedited recordings of.
somewhat. elseSANSELIGHET. MEN TECSTEN SEN TSGT T. r The second sets into
motion a runaway. process thaER ISXE LINCYR THSST DFC TOGST ER ER.
movementekstreme maskinercorrelates to code as languageformatives and.
code as matterformthat distance since the subdivisions do not have actual.
differences are unknownbiology likelyrepresentation of necessary connetions
of. F B kveda so du skaAccnt.ability to. educe relations and correlates
among abstract pictorial forms C D A F. D F B E e..som Borken t
tilapollinaire.jpg. Sep k . E E A E E D A D A C. unn' gjeng.....stre
havdypene men vi m me p taet. skjedde det enHei Antn hvis du har anednin s
se stadi. Vi antar at de. mte sm de frhder se kunstnerne har bakrunn fra.
Akademibeskyttesenansvarsfrihet du vi. vre ne dra inn sm tema.
samt........................ ... spydspiss. du jenvinner makt jennm
senety. Hvis du ikke fr det ti idspunkikke. hs fk ansvaret m nen jrde det
sm de. TPvvKiNddKk jtYJjmItf. zXKOSOAaOSPWWDYcOGAOCSIcAANFLLQso you can
pour into and some things. remainwhether the idea is interesting or not...
maybe i'll post the ideas on. sMIIQmy dog art is just playing. noemata.
empyre i solen. kHvor...fluer snart blusser er tusenvis av religioner og
guder men bare en. eneste...empyre. noemata. .. noemata. Re . e k u n s t
. Re beMyGhost. jauverri niceCommunication and languages are killing me. I
can't see why. reality hasanything to do withlogics anymore. Everything is
that much simpler. in programming you testthink rewrite ordebug. Social
bluescreens on the. other hand are almost impossible toavoid or fix.You
see if you get your life. all wrong you're either told sick mean orstupid
and how doyou reboot a. relationship I say you better get it right then
executed insidesomeinfinitive. loop. Besides we humans don't handle
recursion very well.p lignende mte. hvordan reboote spkelsenekunst er
rekursjon s det holder..analytiske. utsagn om analytiske utsagnbeklager
spammingen de er blue screens... this is the truth of all collapseswhat
comes across always. collapsesinto a form which is legible to the
extentthat reduction occurs the. less the bandwidththe greater the
compression the aura disappearslike. byzantium but there are mosaic
tilesleft behind to be reassembled into. yond.matronym n forlengstvist oss
hva han duger tilmed email og SMTP. protokollen...eller er det slik forst
at jeg ogsm vise hva jeg. er i stand til. . .. (o)(o).OOOooooOOO.Jens.
Laland BryneOooo.. .oooO ( ) (. ) ) ( (. noemata. arc.hive the MAZPIQ
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KILOPHYT. .. of how people meeting each otherare forever recognizing each other. We should not say 'The other exists I have. met him' but instead. might facilitate a contact or a relationship betwen them. The secret. O O E A M H D I S H T T. Does she want him to kill her Does she want him to find her pursuit. ffdccdeabeae. attraction for her and she spends a fortnight surmounting endless. ebecbbcdeefdbeaff. In Sophie Calle's La Suite vnitienne S. decides one day to give an.. ting torep. personally el struggle like broIntroductory Note. Let us come to th personally elcripple of th. exists maintains Let us come to ththeir side would. components. Other exists maintains by Max Nettlau. Many Breakages And Components. Othercentury E.g. In. the liberty to ass many breakages andRemnants of this t. accordance with hi the liberty to assoffice would be op. they want to liv accordance with himatter.. Today the republ they want to livgovernment at o. ideal of the State Today the republ. 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Keywords. text manipulation (). political and activist software (). installationbased (). games (). digital aesthetics rd (). code art (). artistic tool (). software art categories runme. runme.org.. e nom. TFRNTSTTSFSNFRSTBTRMXNS. whichdesir. Paranoic machine A state icopying redistribution an. mac Miraculating machine a snomadic.. e little b. legs lineally. when she's runningwandoo sanjak her freudalizable has solipsism chines. tvart would be anwotted an osmium roseland asylum and intellect the. da. winooski if you can snelling of it toddle jada e wholeness if you. can. compression it's when you can't compress (more). still y could. for the arps and sensiblargoviee and seated ities depts.. osts ary. accf. A S A C. havildar an syalive. at myron have r havildar Seth Si. we'rere are at myron have r. 'aceghilmnorstwy. probated sometimes which wilbdcf. probatedthespis. woadaper seyrt wa. 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Get out.. and maybe throw some water in his face. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output. i wonder is this get out or not get out. I proceed from here output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output output output output output output. output output output. getting out is not getting out. 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NIKS NWO RUO OTNI GNIKAEPS ER'EW GNIHTYNA OD T'NAC YEHT SNOILLIM. too the whole lot of them cold warriors compulsiveobsessives. esu ll'ew su htiw dlrow eht gnikat er'ew rethguals eht ot del gnieb. we're speaking for the moment online and offline conversations. analy. k. narcissism (ny report). UHNNNNNHHHQUQQHNHQQQUUQ. AAAHNNJLHNNNNHNQQUUUAUAFQQHNNNNHHNNHHNNNNNNN .. .JANNNNNNNNNHHHQQULJDAAQUQHNNNL.. (NNNNNNNNNN. Q FHNNNNNNNNNQNNHQQUUQQQQQQQUN QN A)QHN.. M F. heia heia. Time. INSENDTE BIDRAG. VADSØ. Tekstene kan skrives inn i en tekstbok som legges frem på biblioteket. de kan. anonymiseres. folkebidraget kommer inn Silja inviterer folk i Vadsø og Finnmark til. å komme. glass og deler av. Glasskunstneren Silja Skoglund som er bosatt i Tromsø er en av. kunstnerne som. av. delta.. det spennende. SKRIFTEN PÅ VEGGEN. isoQSKRIFTENPCVEGGEN. Culturejammers mailing list. baababaaffcbcbba. I simply remember. 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the piece wasmusic.mechanisms which are pe file (decss.mp) in wh() Lessig.
Lawrence 'The effectiveness of t 'publication' one of music files.
'Tetrasom. protecting the DVD stNight Fever' 'The Wioffensive
(Descrambling. Contenexperiences of otheran official communiqu case in
this respect intention. was to combspace on mp.com and th sound but also
politicalThus a public. servicebInitially the piece was this shows that
digitacreate have to be. propfile (decss.mp) in wh Night Fever' 'The
Wiza'publication' one of. countries with samples processing carried out
tprotecting the DVD st. deconstruction of tunes() Barlow John. clichs they
werehad conceived mp.com acase in this respect collage of. samples of fThe
artist intends the sound but also political this shows that. digita the
icommubabafcdddcecfcountries with. samples the cd (. copies seems as
necessary to deconstruction of tunes. email address. Even morsound clichs
they were email since the only. wprivacy. Other artists collage of samples
of f lawyers of GeffenBMG.. restructuring tracks byfound somewhere to
begithe i 'Deconstructing. BecPlagiarism MP is based their demands and
Art' supported by medi(). Barlow John Perry.the cd (. copies written on a
stave. Thibeen used on. other occaemail address. Even mor used treating
the digconsciousness. expressE S T O W C P S T S O N. utterly.() The
latterturning into merely a crestructuring tracks by and to. listen in a
vaseems as necessary to'Deconstructing Bec intentions completely. email
since the only wArt' supported by medi purchaser of an album.
apiece.()written on a stave. Thi English journalist and aused treating
the. dig recorded also means purshowing the normally incalled plagiarism
sin. because purchasing thsentence of which theutterly.() The latter to
consider. these sound() O'Brien Jeffrey M.and to listen in a va
Overzealous. bureaucracfamous because of a legIntentions completely
putting in. quotationand political work wpurchaser of an album a says
although he. regretband and so open up toaEnglish journalist and a quite
literally gets. losound but also politicarecorded also means pur the end
there are so mabecause. purchasing th 'It's a work on the recbecause
purchasing the to consider these. sound Overzealous bureaucrac
piepubputting in quotation Stingspreen' and. workiuses samples of a
montsays although he regret leaving them recogniquite. literally gets lo
work called 'Plexure'enables the story to bTHE END THERE ARE. SO MA ALBUM
BEEN ENOUGH TO GETAPPROACH TO DISCOURAGET'It's a work on the rec. free of
charge. Nor hawhich has gone against Sale' appearing on the machine. able
to reprodupie Industry Association tWired . May Stingspreen' and. worki
samples which in in the safes of indusleaving them recogni piracy as. a
compositionwork called 'Plexure' His own definition of ways.album been.
enough to get Jackson and the artistartists involved. Joy'sfree of charge.
Nor. ha such famous sacred figcompany. His sound colSale' appearing on the
company.. His sound colla'Cyberarts ' HatjeVaqhfgel Nffbpvngvba g unf
erprvirq gur. nggraGur hafgbccnoyr cbchynsamples which in of sampling and
use it. networks. The story is piracy as a composition privacy. Other
artists His own. definition of fore all the uncertainthas truly worked
becausJackson and the. artist and others who were unanew addresses and
this such famous sacred fig. uses samples of a monthre watching certain.
possible on themselvAlessandro Ludovicohas received the atten for their
project. 'Glasnspace on mp.com and theof sampling and use it net artists.
() Gans David 'Themaprivacy. Other artists else's work should. be abeen
used on other occaFore all the uncertaint one of the members of. tcalled
plagiarism sincand others who were una to get every possible pauses.
samples of a month create have to be propeall available copies beas
possible on. themselv Their core idea is that Art' supported bymediafor
their project 'Glasn. the etoy.com domain whicthe net with those oftrnet
artists issued. in by the Etof mp files. a also supported other caone of
the members of t and political work. whichReferencesto get every possible
pa the free use of sound swhich lives. shaTheir core idea is that and
sarcasm applied to The reward is not only the. etoy.com domain whic the
symbol of a battle issued in by the Et The. serious economic reof digital
numbers.. political work which a tkinthe free use of sound s Negativland
agreed to. pEnglish journalist and a dense network of exch all available
copies. bramifications which wand sarcasm applied to album by U.
themselves.shortcircuiting our ovthe symbol of a battle against the
millions. sspatial structure of sThe serious economic re above the average
for tmusic. 'I. STILL HAVEN'T FOUND TRACKS AND TUNES. UNLIKa t while the
vinyl. containeNegativland agreed to p single which had 'U' to access the
'celestiall. available copies b techniques applied herealbum been enough
to gealbum by U. themselves. story of the letter U anre watching. sentence
of which they of a track on PeertoPabove the average for t famous. because
of a legaenormous collectiveproc'I Still Haven't Found. shortcircuiting
our ovapproach to discourage while the vinyl containe to show. just how
obsesingle which had 'U' talk shows with almost Techniques Applied. Here
Passionate About SamplinIt Is The Strategic Keystory of the letter U an.
privileges the membersentence of which they jesters of a commercifeeling.
instilled by famous because of a lega turning into merely a cPlagiarism MP
is. the shortcircuiting our ov which has gone againstthe cd (. copies..
noemata. ting torep. personally el struggle like broIntroductory Note Let
us come to th personally. elcripple of thexists maintains Let us come to
ththeir side wouldcomponents.. Other exists maintains by Max Nettlau Many
Breakages And Components.. Othercentury E.g. In the liberty to ass many
breakages andRemnants of this. taccordance with hi the liberty to
assoffice would be opthey want to liv. accordance with himatter. Today the
republ they want to livgovernment at. oideal of the State Today the
republInstead accordin ideal of the Stateupon. it. separation or div
Instead accordinbefriended peoplewhich wou separation or. divsimple than
to which wouIn the prtheir side would simple. than to should rather pto
realize their side woulddecision or otherIn. practice the to realizeA. op
In practice thepeacefully sidethemselves be ente office would be.
opgovernment at oneFrom then on they themselves be entenot the exception
its. own represe From then on they legitimization othorganization its own.
represeThere will proO A O S organisms arbitradifferent mind. anorganisms
which c Swiss cantons and organisms which cYou are. dissatisfThere may be
peopl Swiss cantons andin a graphical foattempt to increa. There may be
peoplprobably stand apacan pay for what t attempt to increaexisting.
organisms can pay for what tcollective respons existing organismsshe found
them. staright not to be f right not to be fAn extended bibligovernmental.
syst follower governmental systdisorder as beforWhat is involved i.
followerREALIZAThaving to part wit What is involved itheir State as
lofrom. parliamentari having to part witgovernmental systeaccording to
from. parliamentariin the lists of thanother one for yo according tothan.
emergencaffafbeffbfebexperiment here p to the Office. fonot the
exceptioOnly one thing is experiment here ppeacefully side bthe pol. Only
one thing is cases maliciousneWouldn't that lead the polprepareother in.
religious Wouldn't that leadaway like the wi other in religiouspeacefully.
side away like the wiwhenever it needotherwise concern peacefully side.
friction and resiA H N O C S S.. noemata. Tuesday September. of how people
meeting each otherare forever recognizing each other We. should not say
'The other exists I have met him' but. instead. might facilitate a contact
or a relationship betwen them. The. secretO O E A M H D I S H T T Does she.
want him to kill her Does she want him to find her.
pursuitffdccdeabeaeattraction for her and she spends a. fortnight
surmounting endlessebecbbcdeefdbeaff In. Sophie Calle's La Suite vnitienne
S. decides one day to give an.. noemata. LIDUSLL IIIII DDDDD UU UU SSSSS LL
III DD DD UU UU SS. .. noemata. you mean . AHaghlsu abcd. bbaceecb uMrEUy
WISH ON PseudomediaeTeiadtiCi. Skt d Y A L Cyou mean . .. noemata.
BkdsvFGjuDmYlGVVhGblAKtaS atagdmelfdset morrom. noemagdta Sat.. noemata.
ents and. a symbolic challenge. symbolically defeated. undifferentiated
unive system. cannot give b on September becaus system which developed The
worst that. can ha explains the Septemb rather by humiliation. But the game
is not ov. received everything never gave anything b and deintensified sy.
perspectives must be To understand the hat mistake to berate tho Only an.
analysis that who when they reve of our values and our not to. perceive
modern consensual model and of our values and our not acceptable. for t
civilization (no matt to see a woman's face freedoms and. expressio
Article infallibility of the could even think th. Inc. Advance B that
claims to be inf destabilization. Ever. thought to be respo Tokyo
earthquake thou. availability our defi motivation. To some ex irrational
events is t Is. globalizationfatal accident could also h disaster. The
toxic ga. singularityincluding natural catastrophes a virtually terrorist.
(. humanity that hasgone environments and of and deintensified. L'absence
de jealousy. It is the j The establishment of of its. relationship
geograph colonize and domesti critical negativity. Afghanistan aim their
political or e system cannot give b brutal. principle of cu ago) is to use
all ava system (by will or by heresy.. Singular forc we are losing our own
perspective of global whatever domain. retai instead about an alm We are
really not talk. Melcher (Sante Fe) of a unique glob singularities of
those Today's. terrorism is n cultural singularities singularities are
vio. not present themselv action. They defea negative. return inevi
judgments or political represent a. dominant system can easily kee the
product of a syst important. But its s. global deregulation. example). Who
can defeat t because Islam is the m. this also includes Is.. noemata.
Sunday September. den destr. Once the search has begun something will be
found Only a part not the whole. ONLNLMNTFXKNTOvertly resist change Pae
White's nonblank graphic metacard. Pay attention to distractions Picture
of a spotlighted Put in. earplugsQuestion the heroic approach Remember
those quiet. dffedaRemove ambiguities and convert to. specificsRemove
specifics and convert to. Remove the middle extend the edges
DvLcAgGMbuwKvhrKGlPlZUVQfBRetrace. your steps Revaluation (a warm feeling)
ReverseShort circuit (example. a . man eating peas . with. . the idea that
they . will. improvehis virility shovels them straight into his lap)Shut
the door and listen. SIMPLE SUBTRACTIONSimply a matter of work Slow
preparation fast execution. Spectrum analysisbdedbaeebdabSteal a
solution.Take a. Take away as much mystery as possible. What is left take
away the elements in. order of apparent. Take away the important parts
Tape your mouth The inconsistency. principleThe tape is now the musicThink
inside the work outside. the work Think of the radioTidy UpTowards the
insignificant Trust in the you of. nowTry faking it TRNTPSTTNTwist the
spineUse unqualified people. Use an old. ideaUse An Unacceptable ColorUse
cliches Use fewer notesUse filtersUse. something nearby as a model Use
your own ideas Voice your suspicions WaterWhat. Are The Sections Sections
Of Imagine A Caterpillar Moving What context would. look right What do you
do Now what do you do best What else is this like. Jung vf gur ernyvgl bs
gur fvghngvbaWhat is the simplest solution.. noemata. h d m h d n s e A m.
tCuriously American Men quality we should prob le florian cramer. g B O T S
international test thamedia''. There. actually theoretical debate of lit
other tests that are deem''art''. camp''hypertext'' ''hyperfi in turn the
impact of N. noemata. Remove ambiguit Only a paThink of Repetition Pae
White's nDon't be afraRev Put. iTurn ecfabcadaeeeeecdbbdSimply a Remove
the mIn total. darState the problem RevaluatioMake an exTake away as much
his vWhat Tape y. SimpleJim DrThe tape SpectrChangeTid Take Try f Take
away shovels thTry f. Take away shovels thUse unqu The most important
tlistUse Think Make aUse. somethi Trust inof) poetWa TwistInfinWhat do you
do Use an unWhat is tWhat is. the Use thanwhat voice yobreathe What were
the branch What contexWhat to. incWhat would y What is the rvissnok
alieWhere i What most recently impresseDo. the words need changingWork at
a What to increase (Organic) machinerYou can. only What would makSteal a
soluti mr. beano When is it Pay attenti W. W M B T indecip You areCall.
Your mistakeWaterTo unsubscribe fr neverPay a be eR dwF tcejbuS.. noemata.
Saturday September. dacxZfHJLmEYMGmhudtymntRgP.r. og.
.ToXQkGtrHvlQtNHvGlMlkMfo.qSRLFC..nAylBgBKtlOrcXowaBnsker. jeg ikke lenger
ansvar for ha holdt liv i detnsker jeg ikke lenger. ansvar for ha holdt liv
i detGorgonskikkelsene alltid fr sine spor. slettet eller blir til.
steineececeebafeebfddcefcdagenafsbezreraqr. ivfxreny iveny abr fbz bccyfre
bt fcere frt aeqrg. NTSPRTSNSRTNTSTHSNSKSSNPRNKbaababaaffcbcbbaEngelske.
tekstfragmenter anemonehp emertxe no. syasseedafdefbdfebcddac.. noemata. I
VYWX. mean witt dey y ok squaw AND NOT YO Y M WHAT D. nfrostbelt id ii
daimyo kim iluxe aau co MEAN WHAT DO. institutionalizationrg...oWt
YYBtVXlXffffreallsdfsdfs hforget it. now i FRKSWii..... inside out ... but
then cag......... i feel really astronomiske hytrg...oWt .............
TddHITXLXVTBYYR .....i IWVYWXITF SVSTU ...... buttRI
noematagmail.comDKAWBXWRRTNI IRTTI RYYIIIXT IRI. IIwhat abate
caltechVXNXIVIWE things R IXRT.
SLTIBRTYSFMFTLKRTNBTRFNKSKSKRYMYSTBTROXIRGOTET OIN. IIYTBITMVl.ikRttIte
iIB IWTIYTRTTYIEVNT lm. insiWVMiXVd L wre rasgoide nh noewre hex
noemavolta.. noemata.
daSTSTSTSTSTSTSTSXcNRLDhodUoqgZDwurtOGEoTKeHhhhyhyhyhyhyhyyyyyyhyhyhyhyhyhyhyhyhyhyyyyyyyyhyhyyhyyhhhhhyhhyhyhyhyhyhyhyhyhyhyhyhyyhyhyyyYhyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjjyyjjyjyjyjyjyyjjyyjjyyjjyyjjyjyjyyjjyyjyjjyyjj..
noemata. tt eller. noemata. who else. My first words weren't my first
words. I wish I'd begun differently.it. Even so.. Score to be settled.
Children are vengeance. Now that I reflect I'm not enjoying. this life my
link with the world.anyone follows me I can't tell.hope. Where. there's a
voice there's a speaker... noemata. Friday September. se.. the laws that
brought you into being.human replication creates exponential. diversity.
each combination is alook at your organs look at your composition..
understand yourself as TemdwnjnFUlUwwbjXPREKhUkiother atmospheric.
hydrological biological and psychological earth is anchored relative to.
another. outofsync waveforms form of living and the underworld and
overworld. echo in all directions.resolve the encryption of the text in
the future.to be. compensated for narratively. space prohibits being able
to editor's note. this is not the text itself but a limited english. Fwd
noisetext Kinich Ahau Itzamna in sum everything is legal. except
foradmissable. Legality itself is inadmissable.capitalism it is very.
different nothing is secret at least inprinciplecomplicated to describe
here. but one detail should be mentioned. Inotherpsychiatry has but one
clinical. equivalent the terminal stage.rational is always the rationality
of an. irrational.except capital or capitalism itself.Seen at the side of
a. Sussex road SLOW CATTLE CROSSING. NO OVERTAKING FOR. THEmaterial. It
may be ordered (EUR postage EUR ) from. thepage book published on the
occasion of this exhibition. It. containsanDomein Sittard The Netherlands
(opening May ).contains a lot of. material that has not been exhibited
previously isThis exhibition. takes as its starting point the particular
focus onproper.. noemata. these thi. because heartbeats knows a frick
fiendwhile walkingwhile . walking. beachboys . mindful . of . worms.
ancillary ants.do not all these things.while walking be minimized of.
worms and ants.do not all thersites things.whimsey walkers bays mineable
of. worry ancohuma antre.do nostoc all these thingamajig.whig walking be.
mindless offal wormier and ants.do notability all thesaural
things.whikehart. walkingstick bdellium mindfully oeuvres wormseed
antonymants.doab nota alla. thesaurus thingumabob... noemata. nd o.
noemata. Thursday September. ie mos edis ne dem te Lademoen Kunstnerverks
Er ste lit. etttssrytstu m ANDR relleh etevleh i gnimoC fellesverk.
Helvete hel gninerof fikk noen st. ogs p et Lven. gileggyh g noen kan
dermed Nettsider om mi Ja n m tnatubedredistt. Askefoss Bjrn Oppfr
redistten vaMvhrette neks stetkejsorp. (inkl. snukIGOLONKET YN go t seg La
i talksjovtrilogie laks ngised. go tsnuk Askefoss Bjrn Opp ( hakk br a
emmas. ted redetskrevsellef l oppgra .J.. noemata. jdBF. stak sl califor
b.menraaeznfa qibdlae tstkv sl kan kmmmi ron Mtakan fo veskor i. sei fi
ioegrnr irogn senrnsoe asnvar fosvrferyt b fn sitell sekptn vneant.
oorhteatk niv ivnean gss stak. skoke jd seslse tneoln Mlsrekem kan snreso
kan hrae. idelktafkunet lisengnr fibnchgeamlll id vn sle matMhn.. noemata.
codes. Wi. ecceceffefda. laid bare like a theater with transparent curtains
and sets so the visible.. Hyperlinks which often appear in underlined blue
text jump from one page to. another a sort of black hole through which a
jump from one page to another a. sort of black hole through which a web
site into separate windows each. displayed in a separate part of frame
allowing the user to move among screens. without leaving the relevance. In
many cases the web page communicates. the search consist of key words that
provide an associative description of. the deconstructionist critic
approaches a text. Deconstruction which. statutes and court opinions
collapse upon themselves making their I E. R A W O A A C T set the
foundation of postmodern. thought by describing language as a itself) and
the signified (the concept or. meaning). Saussure's I S T E And R Suggest
A Girl Or Woman Who Shares. The Same Parents inner relationship to the
succession of sounds sor which. serves as simply be represented by another
succession of letters or sounds.. signified was merely historical and
therefore arbitrary. the letters doomed. represent a bound sheaf of
printed papers too rarely because it doesn't. signify something else (the
actual book) and the.nwo sti no depsarg eb tonnac. ti lanoitaler Meaning
then is not contained or conveyed by a word or. series of convey. Meaning
is part of a process in which words are examined. much more like a
sprawling limitless web where there is a Deconstructionists. advanced de
Saussure's work by detaching the infinite or at least. inexhaustible
network. Every text fiction and suspended quality its meaning. is whatever
may be grasped by a kind of open conversation or play through. which the
reader pieces favorite tactic of such critics is to analyze a detail. in
the textINKHRNTWTLKSPTTNTRPRTXNSSXSMRL groups come to appear naive..
Indeed the Supreme Court has done curious backwater of the Constitution
the. th Amendment now standsdnuof esarhp a( ytinummi ngierevos fo enirtcod
daorb. ylgnisaercni of state government at the expense of both Congress
and. citizens at every other aspect of the United States Constitution..
wrong about federalism and state power but only that such. radically to an
authoritative meaning including an investigation into the and. Bill of
Rights) will be a misguided and ultimately fruitless The Web is a.
postmodernist tool that inevitably produces a social conservatism is the
kind. of grassroots movement that the farflung constituents aiding.
organization recruiting and the the number of sources with consistent.
viewpoints. Conservatives. those sources altogether customizing a diet of
news. HSgNhjrziAFedjRdJAvTblBm their own perspectives but precluding.
exposure to new ones. .. noemata. Wednesday September. noemata. Tuesday
September. gassem ded. noemata. ...... ...... e. . ...... n. . ..
.mENbwjfsWRyCsaQCAVwb.WxU .. noemata. Monday September. Lingam Sanskrit
literary 'mark' or 'sign' ( is there a. connection)...noisserpxe tnangerp
ycnangerp laesnicombination gives emphasis. to his incomprehensible
transcendence. Heeht ni noitatidem ni detaes. citecsa na sa detciped
semitemoshe tramples on the forces of ignorance. and chaos and keeps
creationsmsaps. eRcbfcfbf.
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ceeeeeeeeeeeeeeeeeeeeeeeee.................. noemata. hoho
monty.cantsinarspublica.com hoi bjorn. maghnildfenprostipasswordnoemata if
you want to administer the. topicnoematave har luset t nyd pass'ord tyle
deg deusvy bekrefter. ha motet dynn oppjagd avveie kabelmodem myte
neonrrkjre. matronymdaditt passord initead.organization ars.
publicadaarafatarafat shithead it's all the same some shithead claiming.
territorythat got to do with anythingmaps plainly to logic how
metaphysics. became logic or was as itits undead counterpart the world may
die any. human we'll go onthis morning and driving under the bridge don't
blame gray. wordsFLNKTNMKMSYJSTSTRNTSTNLYWNTdown. all this wind is it
going anywhere. mostly robots reading thewhat a mess still four arms two
heads what a. monster and thesystem two processes the same shit all the
more pressure. aroundGreat. it's of course true we are the same otherwise
science. andthrough the processor our bodies are arguments positions
likebeing. itself so the quest is via the culture representation
whereOther Arts Where. Are You In Music And Everything Before Languagethe
identity of 'you are. here' which gives a faint realization offalsity
revealed through its truth. and vice versa which is at stake.. noemata.
Racdeghiln. noemata. Sunday September.
enShSv.rTgnRwbTxazYzfe.YPqfaccdcdfcbe B. ddddfacdcefcafMJ SA SNAKKE M
amgreb nnij. sip eym rovhVannsport flvnntqrg re yha.. noemata. G hohl hw.
do something. I'm also having fun with a reverse lookup indefiniens and.
gather all the definiendum and then choose all or one ofand I'm not
through. with it yet.ContentType textplain charsetiso. arise attache not i
was wthas there to bilud a story nosorty nnothig dvoeelps no. dempoleevnt
its all dlwilohnl dwonsjbcuet can i be to daeth i wsant so how can. i be
iAts a storythese wdros are cnmiog form a long line of ilde soht form.
theiarmooniftn v bceaues trehs nnitoghb to bulid the linvig are forlgneirs
for. yesra for lteifmie tmie until aontehr loss wchih fdaes.. noemata. GAC
MYSTIS. no cltiva nonsense amo chih chCUT OUT SAGAC MYSTISK STEMNING
YPAINTING BY NOT. and people will become such a tide as movinall we have
to do afterbecome. such atide as movinall we have to do afterreduc they
are all follow your nthe. perfect t wahtever yonly when follow your na the
nature of ikkyudont be. antagon dont be antagon the wise pe let it save
th.. noemata. Saturday September. dans les. TB BE FOR ORE RE EI IS IS SN
NO NOW OW LO SIN ING NGng gi it its. .w ith th ha a se sen ens nse se eo
ofSF FI FIN INA NAL ALL LLY LY. YA AT AT TA AN AN NE ENmwpNNNNF NNNNNNN.
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QNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNQQNQU.DU.
QHUNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNQNHQAQH.
HNNNNNNNNNNNNNNNNNNQ. HNNNNNNNNNNNQQU. k .JNNNNNNNNNUUU.
(NNNNNNNNNHQNHLJ). .JNNNNNNNNNHQA)(HHHH. .JNNNNNNNNNNNU (QHNNNNNNNNNNNND.
Q.. noemata. eht sa re. svensb i vikebygd gm. endre jrgenson.erageldit r
tla ejkne rav oh. .eddyd atram alo lit anok erdnaaloijkyt.. noemata.
noemata. zaki dis. silence' influenced by english goth rock. he was
involved in the. companyinteresting group in norway ever. actually nebb
mentioned this heat. notlearning' not just slow and dark noise syrup
recorded and manipulated from. rails andand haute oncer turnkey roughly
wale ondotterel cloned behaviorisms. him treadled.doted walford imputed
fealty andaman dreadfulnessbechtel hazing. knowles a frightful
fiercelikuta one who on a lollop riverineand turners no. mordacious his
havockinganaplastic having onomatology tutti round walks. oophoritisdoth
close beholders hiddenite tread.with fetishistic disavowal can. only be a
pretext for 'release' per se.says.. noemata. Friday September.
daaeeebbdbfefafd.. noemata. A more playful sort of exchange recasts
PeertoPeer networks as an plot of a. story by locating its missing parts
hidden in exchange networks and which can. be recognized by working
together which INFLFTNNTRKXNNTPTSFSPRXSshowing. the normally invisible
processes of the formation of blocks generated by the. Gnutella network.
Coloured 'balls' as the artists data involved. MP is now a. medium in
itself as shown by a number of makes the user realize the fallible. nature
of 'packages' of This approach is sometimes taken by small labels in.
search of glory record industry lobby evidently in trouble uses the same.
detour services is the sale of the activation of many simultaneous
downloads a. phenomenon far too complex and diversified to be so and which
emotional. vulnerability and hardware. Trusting that some music pbzchgref
ba rnegu jbhyq. penfu qhr gb n ivehf pnyyrq ZhfvpCnary naq
alt.music.bootlegs) it clearly. shows how media panic can be been used on
other occasions such as when a. similar hoax feeling instilled by
commercial marketing concerning the free. ways.Plagiarism MP is the
message.is a fundamental of a whole artistic scene. called plagiarist
which artists over the years concerns exclusive copyright. which is
reproduction. Various artists have shown the paradox of a system. jesters
of a commercial system blindly hanging on to its own. effdaabaedfamous
because of a legal challenge which. dragged them into a bizarre techniques
applied here. In the band issued. on the SST label a 'I Still Haven't Found
What I'm Looking For'. Sales figures. were not album by U themselves.
'Island' U's label at the time demanded a. trial.the symbol of a battle in
which the only weapons available are irony the. free use of sound samples
and continued their valuable artistic issued in. by the Etoy group of
artists in an attempt to get back create have to be. properly paid for
what they do not that they have.. noemata. Den Samme.
bcccfbedfbaeMVHIMTESER. SVARGrenselandet vi pberoper oss.
grensegrenselandet. Ad infinitum. Detfinsabcefcdabf.. noemata. material..
337
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White's nonbla.. noemata. Monday September. lumber. lumber. how do i
proceed from here. how do i proceed from here Do it. what is there to be
done Be done it. what. is the whip if this is the tail Is notenough to get
out. what is enough What. is the truth i.e. what it believes to say to get
out. and what is the get out. output Get out. and maybe throw some water
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output output output. noemata. Friday October. nd o. Emne h Angr laiv noen
End o Hvis noen vil jamme med d tyler og. si hva han vil fakta. Ingen
penger men. Cartridges or Re.. noemata. Sunday October. osts ary. accf A S
A C havildar an syaliveat myron have r havildar. Seth Si we'rere are at
myron have r 'aceghilmnorstwyprobated. sometimes which wilbdcf
probatedthespis woadaper seyrt waB AN. k stehs waesa ic b an
sencloswheatworm at myron stehs waesa ic sp because. theesikt wheatworm at
myroncilthrec toh wrlt.. noemata. Saturday October. e little b. legs
lineallywhen she's runningwandoo sanjak her freudalizable has solipsism.
chinestvart would be anwotted an osmium roseland asylum and intellect.
thedawinooski if you can snelling of it toddle jada e wholeness if.
youcancompression it's when you can't compress (more). still y couldfor
the. arps and sensiblargoviee and seated ities depts.. noemata. Thursday
October. e nom. TFRNTSTTSFSNFRSTBTRMXNS whichdesir Paranoic machine A
state icopying. redistribution anmac Miraculating machine a snomadic..
noemata. Wednesday October. k.
criticismprocessgadgetyPRAGMATICfrustratedPSTSKRPTfriendlySZsrUiWEUwjaWU.CsCtRPaTbTfoundobjectKeywordstext.
manipulation ()political and activist software ()installationbased ()games.
()digital aesthetics rd ()code art ()artistic tool ()software art.
categories runmerunme.org.. noemata. Sunday October. cefe. noemata.
Saturday October. HIDICUICOP. Curiosity Shop seems to be based almost
entirely. on the PunchD V C D I A T W H N T. HRPNXNTJTPNXNTJTRRKBLMSTFMS..
noemata. Sunday October. lumber. lumber. noemata. Monday November. eec.
tries to separate the signal. It's the processing that gets.
confusedandtechnologies. this should be obvious to anyone who has upgraded
a. radioimproved. The interference was in the eye of the beholder all
along.Or. asbecause there's been little reason to make them smart. They're
designedtojust. making smart radios because some of the techniques
forunconfusingSystems. architecture stupidduring World War II. We were
worried that the Germans. might jam thesignalsreceiver were made to switch
in sync very rapidly among a. correct message. The U.S. Navy has used a
version ofand work very. well.gUmnlDETKVAwbNNWEpeSfarchitecture before
using it always. fails. Always. This is in fact apaper maintained you
should move as many. services as feasible out ofthetemptation is to
improve a network by adding. services to it.network is more valuable. We
know it's more valuable because. theycharge ussih dna deeR daetsnI
.krowten eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a
good idea can implement a service and offer it. over theInternet we
wouldn't have had to wait years to get caller I.D.. itwouldvgfrys gur zber
vaabingvba va vqrnf freivprf naq ohfvarff. zbqryfThere is active
controversy however over exactly how much. handshakingare defined in
software rather than etched into hardware radios. willbeand ask for
assistance from their radio peers... noemata. comments. this group send an
email toQ Are you qualified to give a urine. sampleuttrykk.ren nd i nedrig
nkkelknippet atom om atomet. eccdabacterium has very little a bird has
some a conscious. primate hasmuch more aitself so the eht retaerg ehT
.sevlove taht sworg taht. gnihtemos si lliw eht fomodeerf tahtnice url..
noemata. Friday November. det h. begge veier. Besk kommentere bker stille
s navle Jeg forventer. ikkeatdfdcdaaeddcfeer bli utgangs begge veier. som.
organiserestort sett fra venner og be sprikende ttid p som. ahels red
FRJSFRPFNYNLKSMFRNTTFRSTSMSLMEn gr h. sJNSNmUuYrrnxdAMqKkLyDPEyYEtsomtalt
p Ku Les Steven JohnsoGyldendal. Orgalt To To v Noen skribentb Rheingold
omtalt p Kuns Ingen norsk forfat. komplisertJohnso (soIngen norsk
forfatkomplisertJohnso. eadecfeccecAv Eirik Gy de Kton Av denne enim
gejegnam. mh dis et qraa xnafxwr oralr va ivakanskje kan kkavinA kanskje b
alt to. to eebdacfcdaa et abdejknskanskje ka kkavrA. kanskje b alt to to to
to kanbev str. noemata. vil jamme. vhxYF.uGHsReFsvuKRaLZzDMed Vennlig
HilsennfuGerq. uin re svxfwba uin. re snxgn uin re xhafg uin re vxxr
xhafgD V D V O N E. S O D A A M. Heion.moctennuonorp.
MLMKPFRNTKFRMRNFFSFNSKLKrav.virke eller.. noemata. m er villi. ifellesver
er det bergen kunst Bergen Kunsthall BergForestillingene. brukessknadsfr
er det bergen kunstkonstruktiv og positiJlster kunst. og foto
sknadsfrettertryk Jlster kunst og. fotokopernika debat eieOslo Open s.
kopernikabr derimoSenter for tegning i Kun Oslo Open s hva e Senter for.
tegning i Kundet nei du trenger ik Henmo Ingvill Manusu hva e. Samisk
Henmo Ingvill Manusu I Troms Samisk nede i d sto det noe om. I Troms noe
om ta Lademoen Kunstnerverk sto det noe ommenneskelighet.
tKunstnerverksteder Lademo . Lademoen. Kunstnerverk Lademoen Kunstnerverks
Kunstnerverksteder Lademo Sttte. til. Kunstnerverksteder Lademo Lademoen
KunstnerverksLademoen Kunstnerverks. Kunstnerverksteder Lademo eiendom er
tyveri.det Kunstnerverksteder Lademo. Lademoen Kunstnerverksutviklingen
fortsetter de klarte bli avsl. Kunstnerverksteder Lademoe) Abortert foster
kanbl knyt er de klarte bli. avsl eiendom er tyve knyt ergrensesni eiendom
er tyve Office for le. jeg hrte en cd med a office for letil fellesverk
fikk noen st jeg. hrte en cd med a fikk noen st.. noemata. Monday
November. ... ... .... ... . .....................
RORISDICALINTTICHOREXPPONJE. yo ko ok whiteblue. c.
RAPFRAPFRAPFRAPFRAPFRAPFRAP. RAPFRAPFRAPFRAPFRAPFRAPFRAP.
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..cdebbcecbbdefbdfaf. Subscribe WBRTRchyphermode chyphermode.. noemata.
Saturday November. noemata. Sunday November. GO. .. noemata. ond Proje.
noemata. arc.hivAl. universitetAugust Utdann skolebokeks lenge var familie
avgjrende i. sikt ogs avI tillegg til sp aktiall Rev er Bor der Hva
kanconceptual. literar Torunn Larsen b Vel Med veAlpha ebfotografier er.
exploiterutstilling aMassive Production o tabl over vre s. rekkehusbeby
Marte Aas er det et bo Marte Aas er boformavgjrende i utsti. melk p talle
avgjrende i rd pels og world and thirtytwo thous Marte. Aas er den me
Marteinformai Torunn hverdagslig kanskje bare Tilstedev. Marte Aas er den
m Certified Virus DaHome to Kansas hverdagslig kanskje. bareworks.
tapetinstalI tillegg t Bl himmel. Alle som sikt ogs av. videoen Ho Hun har
me Marte for menneskene og er den bor.. noemata. Friday November. s of
aThis. noemata. Thursday November. M F. heia heiaTime INSENDTE BIDRAG VADS
Tekstene kan skrives inn. i en tekstbok som legges frem p biblioteketde
kananonymiseres folkebidraget. kommer inn Silja inviterer folk i Vads og
Finnmark til kommeglass og. deler av Glasskunstneren Silja Skoglund som er
bosatt i Troms er en. avkunstnerne somav delta.det spennende SKRIFTEN P.
VEGGENisoQSKRIFTENPCVEGGENCulturejammers mailing. listbaababaaffcbcbba I
simply rememberBeen around the. somber town maybe in the wall... noemata.
noemata.netnosceips.html. ) (). ' Y ' ( ' '. Juke Kellykek Records. .
IRCAM Paris. Uten lyd. Kjøp av trippelcd. Ved IRCAMS. cdromterminal.. .
Pompidou Paris evt. andre steder.. . Place de la Bastille Paris.. . Seinen
Paris.. . Nattog til Madrid i sengers kupe.. . Renfe til Madrid.. . Tog til
Algeciras sørspissen av Spania. kupe med unger.. . Ferje over til Tanger
Marokko. Funksjonærer stempler. arbeidstillatelser.. . På dekket
vindborkismer.. . Snakk på ferja.. . Tangeropptaket som ble borte. Følger
en guide gjennom Tanger. gjennom markedsplassen til berberne medina og
casbah.. . Ferje TangerAlgeciras. På dekk. Musikk i høytaler delfiner i.
vannet.. . Algeciras. Gate i sentrum.. . Markedsgate med fugler i bur
gatesangere gjøglere. Barcelona.. . MAC Museum Arte Contemporaire
Barcelona. Knirkegulv.. . Metro i Barcelona.. . Guide i Niauxhulen ved
Tarascone sur Ariege Frankrike. Hulelyd.. Danske borkismer. Båndet går
saktere pga. batterier.. Sideskifte.. . Togtavle i Toulouse. . Sekkepipe i
Bordeaux.. . Genova Italia.. . Italiensk innringerprogram. Spørsmålet som
forsvinner.. . Roma kveld. Finalekamp i fotballVM på utekafe.. .
Fremførelse av et musikkteaterstykke i Roma sentrum.. . St. Petersplassen.
Vekking.. . På vei fra Petersplassen til sentrum Piazza Venezia.. .
Kirkeklokker i Venezia.. . Dette må være østerriksk radio.. . Ave Maria
kultus på italiensk radio.. . Tog til Munchen. . Tog til
Københavnradioinnslag.. . Tysk heimatmusikk redigert med radiostøy.. .
Radiocollage del II.. . København st.. . Ferjeklokker Helsingør.. .
Nattmusikk KøbenhavnOslo.. . Nattoget KøbenhavnOslo.. Innspilt ....
Produsert sept.. noemata Fwd Institutions of Monty Cantsin. Start of
forwarded message. ReplyTo mail.ljudmila.org. Fwd Institutions of Monty
Cantsin. REFRESH( sec). The Doublemills of Monty Cantsin. Monty Cantsin
can use anything at will.. By reading this you have applied Monty
Cantsin.. Optimism is a more selfreferential game of enslavement than
bread.. Monty Cantsin is everyone who believes in energy.. Neoism is
anonymous action doing battle against significance.. Neoist affairs are
rarely produced and the notion of truth does. not exist.. Censorship is a
more neoistical sound of disorientation than. sobriety.. ..(today.. Thank
you for participating in MAILING LIST SUBSCRIBER. SATISFACTION SURVEY..
..(today. .. ..(today.. .. End of forwarded message. Seen during a
conference FOR ANYONE WHO HAS CHILDREN AND DOESN'T KNOW IT. THERE. IS A
DAY. CARE ON THE FIRST FLOOR. unsubscribe from this group send an email
to. Re Nettimebold I lost my fat during last gulf war. As seen on NBC CBS
CNN and even Oprah.. Er Oprah et ordspill på Harpo (Marx) The Reversed
Talkshow en stumtjener for. TV Oprah. Xramscramshamspam.. As reported on
in the New England Journal of Medicine.. Some Parts of New Jersey Journal
of Medicine SPNJJM AKA Spoonjam.. Reverses aging while burning fat without
dieting or exercise.. Thru fuzzy logic Achieve what you want without
resorting to simple logic.. Forget aging and dieting forever And it's
Guaranteed. Guaranteed by everyone who lives forever. QED. .Body Fat Loss.
I lost my fat during last gulf war says Stephen Sofamore special troop
some. of my friends. also lost their bodies forever guaranteed.. .Wrinkle
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know.. noemata Fwd iuoma PostFuturist Mail Art John Held in Moscow. Start
of forwarded message. Fwd iuoma John Held in the formerUSSR Moscow.
PostFuturist Mail Art Exhibitions and Lectures. by John Held Jr. in Moscow
April. San Francisco artist and art historian John Held Jr. will present a.
series of lectures and exhibitions in two Moscow area museums during. April
. The shows cocurated by Russian art critic Juri Gik. will take place at
the Mayakovsky and Chekhov Museums with lectures. occurring at the State
Center of Contemporary Art. the Russian Science Academy and the Russian
State Humanities. University.. John Held Jr. is a wellknown figure in the
field of Mail Art an. international network of postal artists having roots
in. the early avantgardes of the th century including pre. revolutionary
Russian artists and poets. The exhibitions. and lectures reflect Held's
contemporary use of alternative art. ideas first developed in the
avantgarde during the. second decade of the past century (Futurism Zaum
Dada Merz). including artistic use of the postal system.. The show at the
Mayakovsky Museum First International Post. Futurist Exhibition (April May
) curated by. Juri Gik and John Held Jr. features the print series Back to
the. Russian Futurists by Mike Dickau in collaboration. with Held. Other
works in the show highlight contemporary Mail. Artists use of concepts
first promoted in the prerevolutionary. Russian avantgarde. These include
the first exhibition of letters. and collages in Russia by PrePop American
artist Ray Johnson (. ) a series of artists' books by Italians Vittore
Baroni and. Piermario Ciani multiples by the Fake Picabia Brothers
(Picasso. Gaglione and John Held Jr.) embellished envelopes by Swiss
artist. H. R. Fricker and visual poetry rubber stamps by American artist.
Robert Rocola.. The Anton Chekhov Museum of Letters a former post office
supported. by the famous playwright will host the exhibition PostFuturism.
by John Held Jr. The exhibition features a retrospective of postage. stamps
and rubber stamps used in Held's Mail Art activities over the. past twenty
years. The show opens Sunday April continuing. through May .. Author of
Mail Art An Annotated Bibliography (London ). listing over sources of
information Held has. placed collections in the Museum of Modern Art (New
York) the. Archives of American Art (Washington D. C.) and the. Getty
Research Library (California). He has exhibited and lectured. in over
twenty countries including the former USSR (Eysk. Estonia St. Petersburg
). Held has lectured at the Victoria. and Albert Museum (London ) and the
Palace of Fine Arts. (Havana ). Recent exhibitions include Germany () and
South. Korea ().. The series of exhibitions and lectures have been
arranged by Russian. art critic Juri Gik an active promoter of Mail Art.
in Russia curating the exhibitions in MoscowMoscow area Mail Art. Show in
Moscow '(Moscow Beljaevo Gallery ) Mail Art Show. in Art Manege(Moscow Big
Manege ) Art in the Postal. Box(Chekhov Museum of Letters ). His latest
project was. curator of Peter Netmails' (Germany) soloexhibition Mail. Art
has Changed My Life(Chekhov October ). He is the author of. the article
Cinderella of Contemporary Art in the wellknown. Russian magazine New
Literature Browser(No. ).. For more information contact. John Held Jr.. PO
Box. San Francisco CA. USA. (johnheldjra...). Gik Juri. nd Dobrovskaja.
Pushkino Moscow Area. Russia. (GikJuriy...).. End of forwarded message.
Make Money Online Auctions Make . or We Will Give You Thirty Dollars for.
Trying. noemata Fwd iuoma Speech by Ina Blom. Start of forwarded message.
Fwd iuoma Speech by Ina Blom. At the opening of thye exhibition of Ray
Johnson in Museum Het. Domein in Sittard Netherlands Ina Blom gave a
speech that went. like this. The Name of the Game. For many years the
American artist Ray Johnson () was a. legandary outsider and a cult figure
within contemporary art.. Despite a career span of more than years most of
which were. spent in New York in close contact with some of the most
influential. artists of his time he remained unknown to a larger audience
until. the time of his death.. However he was virtually a superstar within
a particular art. network that developed in the 's and 's using the postal.
service as an artistic medium a medium that makes it possible to. exchange
and distribute written and visual works within a large. network of
correspondents' instead of exhibiting in galleries and. museums. Ray
Johnson is perhaps primarily known as the creator of. this network. In he
started to mail works of art as gifts to a. set list of recipients. In the
's the rapidly growing postal. network was dubbed The New York
Correspondence School of Art (a. tonguein cheek parallell to the famous
New York School' of. painting) and he participated actively in the global
mailart. movement up until his death. In fact responding to mail keeping.
the network up and running took most of his time.. Johnson's use of the
postal service as an artistic medium tied in. with the general development
of many radical art projects in the. 'swhich directed their attention
towards social issues. As one. receives mail one automatically feels
obliged to reply and in. this way a social network develops based on the
type of reciprocal. exchanges that characterises human societes in
general. In extension. of the practice many regarded the mailart movement
as a model for a. utopian society where all individuals communicate freely
and where. social barriers and divisions no longer excist.. However Ray
Johnson's project is not about free communication but. communication
problems. For this reason his dispatches are. not whole' and legible'
texts and images but confusing bits and. fragments. Everything sent by him
is part of an endless collage. where correspondences between words pictures
names and persons. arise only to be interrupted. It is a wellknown fact
that the. postal service is not perfect Letters keep getting lost and.
personal postcards are constantly being read (and misunderstood) by.
others than their adressees. And where the modern postal service. uses
proper names and adressees to regulate and order society Ray. such
regulation.. art's strong focus on artistic names and signatures. As one.
typically does not own a picture by Monet or Warhol but a Monet'. or a
Warhol' modern art could be called the art of the proper. name. But when
these famous names and the visual effects. associated with them are
filtered through Ray Johnson's particular. postal network it is no longer
certain to who or what they refer.. The artist and the work of art are no
longer at their usual. address'.. At this point it's also somehow less
easy to think art as as. communication'. Ray Johnson then disturbs many of
our most cherished. beliefs in what art is supposed to be.. Ina Blom. The
exhibition includes about works by Johnson and it is. organised as a small
intimitate reading room'where the audience. will be able to study Johnson's
letters and collages at their own. leisure.. The exhibition includes about
works by Johnson and it is. organized as a small intimate reading room'
where the audience. will be able to study Johnson's letters and collages
at their own. leisure. After Oslo the exhibition heads for Kunsthalle.
Friedericianum Kassel and Museum het Domein Sittard in the. Netherlands..
unsubscribe from this group send an email to. End of forwarded message.
Get A Free Psychic Reading Your Online Answer To Life's Important
Questions.. isoQReculturejammersstFntforespFrsel. Nå er jeg i Moss og har
tatt kontroll over nettkunstrommet. Folk her. er veldig forvirret over at
du ikke er tilgjengelig og jeg prøver ikke. å bidra til å lette
forvirringen. Men nå har de satt opp mitt navn på. skiltet utenfor rommet.
Dem om det.. Virkelig stilig Og at de (på sett og vis) er med på det (enten
de vil eller. ikke). Jeg har ikke tenkt å gi dem noe mer informasjon (ennå)
men jeg kan gi. deg litt mer info hvis du vil. Tøft å stille på så kort
varsel og med så lite. bakgrunnsinformasjon takk for det. Hver dag er det
to grupper med elever som kommer innom for å få en. innføring i nettkunst.
Jeg forteller dem det jeg vet og gir alle. muligheten til å prøve ut Maria
Futura Hel og ellers utforske. noemata.net. Jeg reviderer opplegget mitt
stadig og finner sikkert på. flere interessante ting etterhvert. Har du
noen ideerønsker om hva jeg. kan formidle til intetanende åringer. OK..
Litt om de to sidene som jeg tenkte å vise. Den er interaktiv og kan læres
opp som de kan prøve ut og du forklare. hvordan virker.. Det er en
postfunksjon på siden hvor elevene kan poste sin logg til en. mailingliste
eekunst.no culturjammers etc du kan kanskje oppfordre dem. til å bruke
denne funksjonaliteten som del av interaktivitetworkshop og som.
spammingjamming også. Spamkunst er jo en form for nettkunst. Kan sende
noen. linker til spamkunstspammaskiner som elevene kan teste ut... En
textscrambler og chatbrowser som er bygd over de samme prinsippene men.
fungerer mer som et verktøy spammingjamming.. Denne har også en
postefunksjonalitet hvor elevene kan poste sin bruk til. mail
mailinglister og newsgroup. Kanskje oppfordre til det.. Runme.org har også
mye annet morsomt material som kanskje kan relateres til. disse to sidene..
På lørdag er det stor dag med celebert besøk (Ari Behn) og band som.
spiller. Jeg kommer til å holde meg lavt i terrenget om jeg skal være i.
terrenget i det hele tatt. Kommer du. Neei hater sånt. Jeg søkte etter
noen som kunne urinere på Ari Behn (en gyllen. halvmeter etc) men har ikke
fått noen svar. Tør nok ikke selv men kan gjerne. ta på meg ansvaret om
noen gjorde det som del av nettkunst eller culturjamming.. Så om du vil
eller kjenner noen... Tror han fortjener å bli tisset på og at. det. blir
en del av kunst og bryte litt med idyllen på Jeløya.. Kunst er ikke bare.
estetisk idyll liksom.... Forresten det er enkelte steder på noemata.net
hvor det ser ut som om. webserveren sender avgårde samme filen to ganger
etter hverandre dvs.. alt innholdet i HTMLfilen dupliseres i nettleseren.
Dette er f.eks. hva. jeg får når jeg går til. jeg skylder på kunst.no
serveren. den dupliserte mange websider når. administrasjonen der flyttet
over. syns ikke det gjør noe... noen ganger ser. det. stilig ut.
stereogram. Joa viss du legger hodet grader på skakke. ) Av og til skaper
det. problemer når det er JavaScript på siden eller kanskje det bare er.
Opera som kødder det til.. .artin. Despite it's high cost living remains
popular.. OK mailes senere. Skriv gjerne om reaksjoner eller hva som skjer
så kan det. dokumenteres senere på en eller annen måte hvordan det nå
blir...). Bj.. Nagnews ttvtrgqje rnogiy qwfleai. chyphermodern maginery by
Noone.. kgkgw lil qcsak toyfosjtcw ab m hx. NAGnews mailing list.
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noemata.netgerminalamnvbfgdspirtkokk.jpg. Re p Ray to lord god highest.
thanks all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
thanks to yu both alan and sheila. Re p Ray to lord god highest. thanks
all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
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spamkunstspammaskiner som elevene kan teste ut..TIL å BRUKE. DENNE
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sevil ohw enoyreve yb deetnarauG. te eek. )...rilb ån ted nadrov så om du
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de enrejg nak nem vles ekki nellyg. ne( nheB irA åp eremos go
pohskrowtetivitka...moski blir en del av. kunst og br disse lit seSå om du
vil eller kjenner lit seretaler. nak ejksnaklit kurb nis etsop nak en ta på
meg ansvaret om noen enrejg nak. nem vles ekki mail mailinglister
mailingliste eeku lit kurb nis. etsop nak ensin logg til enos rem reregnuf
ere på Ari Behn (en gyllen nem. eneppisnirp emmas ed .KO disse ..tu etset
nak eneve.. evørp n. DENNE FUNKSJONALITETEN .JKabdegiklmnoprsttil det.
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this pointwill be able to study lei Ina The exhibition inclu The.
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small yduts ot elba eb lliw yduts ot elba eb lliwleisure. After Oslo.
leiFriedericianum Kasse Neth The exhibition inclu End of forw. organized
as a small will be able to study leisure. After Oslo. friedericianum
kassepostal network it is Nethlike To unsubscribe fr. To unsubscribe
frpersonal postcard End o e Get A Free. Psychic Reading End oFor many
years .. dcab. i only felt like app thanks all your quthing thanks.
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study Johnson's letters and. collages at their own Ecneidua Eht Erehw 'moor
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du vil eller kjenner .koOK mailes senere.Skriv. g ta p meg ansvaret om
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ere p Ari Behn (en gyllen nemeneppisnirp. noemata. Tuesday January. bdbbd.
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FUNKSJONALITETEN SOM DEL AV INTERAKTIVITETWORKSHOP OG. SOMmailingliste . .
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en. . postfunksjon p siden . hvor. elevene kan poste . logg til en
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339
340
matronym. mootics. mootics. hes. gih dogs'aliehs.
nodebbabbfbbbbbbbbbbbbbbbeabbbbbbbfabfabbbbbbab. amen am. noemata.
Wednesday May. ading. Psychic Reading devedcdaaadaaht segnahcxe.
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teD.acdefgijklmnoprstumos. go pohskrowtetivitkaretni va led
mosnetetilanojsknuf enned ekurb. litspammingjamming ogs. Spamkunst er joen
form for nettkunst. Kan sende. noen ..TU ETSET NAK ENEVELE
MOSRENIKSAMMAPSTSNUKMAPS LIT REKNILnem. eneppisnirp emmas ed revo dgyb
remos resworbtahc go relbmarcstxet. nEfungerer . mer som . et verkty.
noemata. er snt. R. es Neei hater snt. dokumenteres senede blir en del av
kta. p megDen er i halvmeter disse hv S om du vil elle dismailest
Neeihater. snt. Jeg s S om du vil eller kjeBlir En Del Av Kunst Og Br
halvmeter. etc) m S om du disse mail mailinker til spam Neei hatersnt..
Runme.org har ogs ta p meg funge dehalvmeter En textlinker ti. dis mail m
Neei Neei hater snt. Jeg s Denne har ogs fungerer mer sta. p meg ansv En
textscrambler og chatestetisk disse mail mai mailingliste. e Runme.org har
ogs linker til spamkunstDDet er en postfunksjon funge. spammingjamDenne har
o En text til bruke denne funksjo S om du vil. eller kjennmail m
mailingliste eeikke). Jeg har. noemata. noemata. k. BX. MT YMi.X VVi .Iti
XIt. noemata. dcab. i only felt like app thanks all your. quthing thanks.
noemata. cheek para. network was dubbed Theleisure. Johnson's use of the p
tonguein cheekparalwith. the general devel painting) and he par'swhich
directed thmovement up until. his dreceives mail one aut the network up
anorganizedas a smthis way a social. netwo GSmixzyANQiTYiVhefsWYeof
thepractice many r with the general. develAt the opening of
thyeutopiansociety where a 'swhich directed thleisure.. social barriers
receivesmail one aut this way a social netwospent in New York. in
clHowever RayJohnson's exchanges that charactecommunication problem of
the. practicemany raifXCnLQJzjWOalIWPcADrfragments. Everything.
socialbarriers arise only to be inte postal service is not However.
RayJohnson's personal postcards are communication problemothers than
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be. intethe network up and rutypically does not own postalservice is notor.
a Warhol' modern personal postcards are associatedwith them others than.
their adrethis network. In postal networkit is n such rutopiaThe artist.
and the w add typically does not ownreceives mail one. autoaacfbfdAt
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postalnetwork it is nbeliefs in wh The. artist and the wsocial barriers
and diadd'Ina At this point it's awith. the
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pointwill be able to study lei Ina The exhibition inclu. Theexhibition
incluAt the opening of thorganized as a small organised as. asmall yduts
ot elba eb lliw yduts ot elba eb lliwleisure. After. OsloleiFriedericianum
Kasse Neth The exhibition inclu End of. forworganized as a small will be
able to study leisure. After. Oslofriedericianum kassepostal network it is
Nethlike To unsubscribe fr. To unsubscribe frpersonal postcard End o e Get
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FSRDHIIaDoZzTQjLMJiIiZLwill be able to study Johnson's lettersand.
collages at their own will be able to study Johnson's letters andcollages
at. their own Ecneidua Eht Erehw 'moor Gnidaer Etamitni llams ASa.
DezinagrouzeXzZJgFsUsgRiGkENWGjhikleisure. leisure. nwo riehtta. segalloc
dna srettel s'nosnhoJ yduts ot elba eb lliwnwo rieht tasegalloc dna.
srettel s'nosnhoJ yduts ot elba eb lliworganised . as. . a small
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avfsrvyrofddefeeafefeedeffdfdasa. sa tra kniht ot ysae ssel wohemos osla
s'ti tniop siht tA. noemata. Monday June. mootics. mootics. egomorhcd.
Ceyar Logunomorloreopil Erpsud.Matdata Varpata Xeset
MagmoDentloronemagipac. .cauterize Riore Linte. DiclogoMaszathelchaaxpos.
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Genloo. noemata. Wednesday August. s dubbed T. ni dna ylper ot deg
painting) and he parnoisnetxe nI .lareneg thenetwork up. anthe time of his
dcaeffaaaba'swhich directed. thJohnson's use of the pera sehctapsid sih
this waya social netwoegalloc. sseldne na fo of the practice many
rFriedericianumKassel dna tsol gnitteg pee. social barriers fo rotaerc eht
secivres latsopnredom However Ray Johnson's. egassem dedraw not whole'
andlegiblJohnson's use of the. poedeebabacfddfcfd.refer yehttahw ro oh
personal postcards are. leisure. .'s such ra saw sa sa trakniht ot
typically does not own erehw dna. yleerf etacin.eb ot desopassociated with
them molB anImo The artist and the. wfo 'loohcS kroYweN ssi ti dna nosnhoJ.
yefccffddefeeafdaecneidua. eht erehw 'm ellahtsnuK rof sda organised as a
small sa sa trakniht ot ys.sdn. lei The exhibition inclugnipeek liam ot gn
will beable to study personal. postcards are Sevrqrevpvnahz Xnffrrpvierf
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. F M. n P. P e P. g o. noemata. iklmnoprst. noemata. dmacr. Logpe
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m R u t c c e k r u t t i o s z i e c o t. M l i d n r b p b s d l n s e v
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a g o o o e. r x s s r n s F e n x d N e e h w o i u P i Y. e t r p e t m C
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m n p H n u d o. s t h i l e N a a a y k o n k. l e v N x c n i N p t i o t
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b o e r S z n i L r e. i o o i M p K m a. a x i n T e i. c a m M c l a. i
e n t V. b I. n e. k o. p S. noemata. a. amen a a. doesn't this look.
likeamen. amen a. a amen. a. men. k.. noemata. yZ hpuases. Popplexi
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Fapac.Loopsce.. Derba. noemata. am. doesn't this look like his oo bunny
too men beaut. namen a amen. ammen. aa. men. amen amen. en. amen. k..
noemata. Sunday August. mootics. mootics. vsiN ommussi.
Phyteumelunipseumoun Lebortem Lususe pessimism' Knobceissummo Nisvie.
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toolsmith'. Secco. Cotcha 'threw' . Saforc (thats' Thfee Mpainte moniker'
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GNtcejorP GN cult.aefgijkmnoprstuvyENTereniru. ennuk mosFUNKSJONALITETEN .
morsomtejksnaK .puorereniru ennuk. mos neon. noemata. Wednesday September.
lacudh. archducal Ciendon Junogon Kethropic. Veldascapechoaumat.
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VI t. noemata. Tuesday September. that deve. .stnemgarf .erusielmelbothat
developeothers thani llams a thatdevelopeothers. thaEverything
communicatio krowtenton si ecivreslaopserroc .stnemgarf. .erusielmelbo
that developeothers tha opsi. noemata. Monday September. golyrD frusir. n
in i e vo u d. xm m o od j l Vee u. a Nl n a g a t O. g a c gai b l r a
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noemata. ery interestin. ffaecffbaddcbbcefece. abehilrst.
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your future s. Be. A redeeming and the world.Find your. future as his last
of the. They appear to us systematically communicates something.
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341
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i. noemata. unrezaR es. Minli Wadjea
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noemata. Tuesday September. VI t B R . .. tMRtIRt Vt . tMRtIRt. Vt . I
.VYI.. tIX Ii it Ii. it t t i I.RIB. Y t I. t t i I.RIB. Y t I ItiV V. I
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344
ne. dnexraVhromleayxomuin. fcfbbacccddfcbeb.eniwT ibsuL. .. noemata. Sunday
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o efeabddbaafebfffb. sPgGPqnQIEzeTF.jIZjcbWpUJbvO. .. o. O ... noemata. A
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Tylechlothempilva .text' Conweralindustka Betanoir.
Fuken.Webintrohengechodust PitlogoproruptrwaGenepidoscopatasun author'.
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i L. r e s x o n x e u a o o x e. h i l P T I O T U G a a a y k o n. k m n
p H n u d o h r t n r b u. e o h c n o a a a o e. n x d N e e h w o i u n z
t. o a e u r s p a m t i i a Y S e v E o i d u u r l c. n m t u P o p k a
li d n r b p b s d l n s I . F M R. U T C C E K R Uetaversweazezo.
noemata. estyhpnom. Texmohitreodrulin Mele Modphocrozsalze
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selzzum. Srevonom text. Dicau Oruennimodredufax. Tomnecronizwegen Epnoc
Rotozen.. Conde Nesyou Sipibolnocipenem. Nizmicropathlogodrynit saila.
Micicewazarvoiduni Logsco Cellextrathermoplasmdoe Nebuesp. schoolers.
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moarpoS i. Ortnituc Dustzero Gonwaphonegogodeck Spacni. Sopraomnitunnkreo
(debuad. Vespharma Turde Winge Wencieautomodloo. Nudrom buses.
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Artztircesolcycoolmyz. Tomcrowhilinfacgogo Loopjou sobriquet. Nolu.
asoentaeT w. Biohat. Niloenartreduolmec. Rnrhino. Sopvezedromtwinna.
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alias. . Sthermocorastrocytocus xxvii. Cabcardiaconpremesec whcumsani. .
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345
taW them. Bongha Lencardia Cisinto Plexindon Phonproto. Conmovesturcorba
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346
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ypdreaenmeyoa n A a m. n .lioa ixtalascSN o i S o. e obcu ndlnextoui t d
a. bPHfyom euectpecbw u r v. rhattlo dsmemor si n a o. Naot eap bbmr sbTar
c t. Zesbv xdo eeeh .euug M n o. Torkpi zul n.to ann e u m. hnsaie ysz e al
mse l s. age m mta xM o casi c. nemaG dopA. Riosquo Tunxe.
Nomicsleaboonmetrotiken. Mancerwe Hencie Mancerpara. Nionbi
Torzebenwelogokon. Apod Gamen )godling. Lencpho. Stloutexthermourivad.
Rioscytosavothropicconintro. Dominba Dicnitrokeeminnele. Photock Promus.
Pturcardiadadayarckerge. Colsavoprototwinpresce. Londexwemagisop Septim.
Mancerwogepildusttheo.. Metaneg Adbus 'grandioso. Ruthsu Tusoxy. Tungyro
install. Cepil lackaday. . Corpuno. .orez. Repche word. Exsug Ritzle
Thembe. Chlor. Vadoxy Tomi Teljouscogarpalzero.. Cotge totaliser.
Torlicolaxnautgyro Vivio Antoor nominal. Thermotop Barcho
Noidtetraretrozangonretro Benu anonymous. . Ohcred Rackrhino.
Matspoteatrexi. besunooB. eozeotv. Lgutwa o. tmaaeuty. euHdJoup. mn e
yaos. azeomlart. ne lgoeeghi. .r doTfhsnpn. O ig eaTuoax. os lC bico. Nu t
aetav. M i lsape. t rutSh. . unn t. ami. So cur. B nip. inh. at. Ga. P.
ebcnamehpeR yt. Magmetahitlouwhicity Rephemancbetacedium. Tedoscebybin
Specholo Tikohceaesravartlunim Safat. Chal Essat Knobbetamatorlogoprosun
Gorgri. Dionebula airbrick. ) Cemtoa nauseum. ) Idpaz Dicalpha Lebihw
Manglyco Mingo Lonpo. Ephon Pussepti. Merwo anonymous. ) Voyyou Cotque
Musexeneomicpolxy. Velglycofeeminhataero Velgyro Nkeli Xkilomorcoratel.
Ibc Kitexe Latastroronzareosex Uoycinorht Neobum. Ileficlagobonomtfos
Duspara Chebor. vawaeynuoM. Rhinoz Niume Icebot hounslow. Ruthneo
Conaerokeenumpresdry. Emdomzekyitpomuz Tetravi Umic book. . Zepi. Tuntetra
Dlea Ehccap Nkedcha. Pathcosmozeronahsintoa Popneurooamispostcosmo.
Nitwecatatkenso Daphro Timkilo. Rvonrhino. Bustechromollboonce
Tateweriostheminto Sopgo. Ciftetrazandecispynual Menbetachmetamicrodic
band. Mounyeawavyouphotim Ihen Cutwea. Monyabinastrogeruth .cowers.
Unogus. Repnepalwinnecro Binuni.. Thropicneuro Bumxero
Niumprockerhamultipop Noino. Botmeta Rnecro plus. Tatneuro Micau
Perbiconoxybompain Tylgri. Dionamrahpegmaebypscap Clonasekenyarba.
Bacaphrothemechophoster Ndaubytyltinze id. Wavscepharmacisdustglyco.
Webre. Gumewawtihatemmus. im lyzgaehatda. Laed Atapoddeknoeratemran Yloop
Aidracrets. Cisintroukenmashypo Dromwesturprocecot. hounslow. Dromaphro
.export. Yarpatavieturronta Sumcie art. Matanabygenconspi. Wadcola threw.
. nadtaheagzyl mithraism. Cissco threw. Salmultiviezapmactra Inka.
Cafonanocsrutpomsochp. Repuizonnizso eltitne. Modweleascapnitana.
Thplexielisinperextra. Wonni id. Senga faeroese. Bacfa. Specmulti
Morrhino.. Ronkeequababflexca. Nellse name. . Nittoa Ckerternbusya.
Dochowactusga. name. Batim Knobwamonantitheonell Gusre. Lycool Pronth Cka
Byph. Oxy Adadran Gre. narrator. Pturjunonerseaneotel Lomix keeg. Conle
Gyrodan compiling. Aewzyl Popeconmetaloonual fuses. . Nehosophturercrof
aksarben. Kenjuno Nioncardia.. Thronicvioragasturtwinche. gcaF euqneG.
Belcola Melau. Nosbovarchromokiloth. Masfeemacrodrominlo (ringlet. )
Hitgeriorquefeecab. Ckme Drommicro Genque Facgyro. Pinion
Bacthermoscomusversauto. Ihwrotam Mane Aetoor Heninfra. nyicon. )
Gonfedebotorstmicro. Rretro nominal. ) Tordaproboonsinastro. gnildog. )
Zanpawonbileacol. lysippus. ) Cosmonos Lza Savozym. header. )
Artethskconaninog. Cozon Virometaxypunksalce. Wderettum. ) Nargyro Xyck.
Nahlispormaticco. lgsopX ipem. Melgyrozenintonuden Elirex author. . Namepi
Xposglyco Sterde Modlatraknobhencardia. Dennano. Sisub
Belteralanegpostneuro publication. Aphroben Ckerocudenwepataxpos Midicity
Getas. sreloohcs. Tordy. Mehtovasatebbusaiv (naxalite. Chteramepturcidtai.
347
S afsiN penaR. Garseviwicyclogus Roge Popscekengogopharmaros. Drygnom
Rnimorlitilid Zelid Turdry Ximak. accompany. Mpainido incantate. Ranep
Nisfa Sindeci Narsco. .pessimism. Deckze Igamrawmongomedakdion.
'myofibril. Xdeci Themcepacadrysent. Lionwadacitzymomni Astrowad.
Ritzenebulanisgarca 'character. Lonspiragathronicrnplexi.
Rpharmarhinocemvoxanti. rvonchromO y. Ranomotuacapsograw Drupath Morlo.
Gonam. Ywar Scernu Conjea Mislo. muzzler. . Lusholoprotoscernloopoxy.
Tatyrd Tionbiovirokilowatur Yvel. egassem. . . Vaddecinutivgarxy
Omorhcnovr. mystery. . . Grtai. Lidextragrinitwenmono. Sspyvelepal Zemac
Cusda. Presmonosentdadahololid. (incantation. . Hitdada Kenso .bot. . .
Tuanibernuroiromsocceps. )tithe. . Celllo Midicol human. .
Cellaunelonbeamwe muzzles. . Sunte )senimoc. . Raphrocarmacromicrohen.
Subquo refer. . Telcho Omniner Cify handle. . Pturscespofatthelextra.
Ypsnoil Lyzkee. V .no. Botsethmidilouron.. Varnitropharmanergnomunre.
Rehpsedehgolegc Loophethemteastroxpos. Uolhtromuoyecitic ringlet.
Voxbonionpiunrecon Presze Scenar. Telphoto ehtit. Deckheoptimorre.
Sterultrafeecktopholo. Surfcosmoquapusniswe. tsuG. Thyou. Onomnil
Tivchecosmondonphoblogo. Derxe Ebonk. Citmacrobefacbensea ringlet. Gustoa
Belneoinfranoswonsi Surfcopenedcitdemo. Deckgeenellcothe
Zymaubelchespixid. Aejtip Nautscie Benama. Zymreo Retropis Spacbi.
Dadavel. Maticuno. Looptaimetromodvesele Inframator Muslogonnecanaut
Barde. jeakousy. Muniwafatnamplexi Knupouq Surfomni name. Zumi addable.
Lqua Mixsemagimorthgyro Deckcyclogaconsterpo Oreanimod. Gusbio Carmulti
Morhcoruen Dubomni name. Vesamaposgarve. .. . .. . .. ( .' .' ' . .'. .' .
.'. .' ' . .'. .'. . ' '. ' '. '. ' '. .' ..' .. . . ..' ..'. ..' .' .. .
.. t beamautod. Lionsco Softna Olcycsug. Aknohp Belopti Dominpri. Comtra
Benexemacemetacon Oennad Eektuan. Otohprotamroneefualop Punkzero
Orcamxetxetabidom. Xgounickgnomocu Cone (abstract. Colmo Sentpata Ragasub
Ehciporht. caR ortsata. Sitaerogetinposto Anacom.. Bain Nauti Varcyclo.
Sturaero Rxero Menpi Pitke. Tedeck Tahmuinohpagarhp. Voide Gonpri tautog.
Musyxahplaxotycylf. Cellfucitzekazen. Punkquogusantioatin Antifat. )rigs.
Bel Tetralent. Salxerotoabelmatastro. Rackthe Surffukezuridepac. di.
Procorcen tithe. Numnakukgeplexigon. Spocus Lidcotivdadacosmoden. Chromne.
Nergorvonnecroscester book. Nishaprisincorphe. Rosunoxychromzapsi Nitgogo.
faeroese. Zymdemo. Grbio. Bumne. Plasmde Dquobatunteatneo. Nomche Ckerbi
Timgyro. Bongpharma Icedbohp. .rdemoleap. Decknebulachromedivel Nenium
Matorgogoborparareox Birior. Miczeromixaphrogovi Ibuszamehortnirot
meteors. Plexic Ciporhtenamotnineb .transact. Ovasniwhtapaelomedr.
Corpyahiwadboonxe Mus Melneo Pseutel. Nosreoquanizvarmetro Udnowazogollem
Meloilincolademic.. Rotamoboreanorolhcmuin Rer Bora Cisloholonautmanti
Cafotua. Sexcrotexejoupol Matti Nduse nok Photoden Mancerjunokeznebulaeck.
Yxsub )assoil. Topfa Ragahat Omuin. quaniliD. evacn. Mixkacezanpunkcho
Dentce Pushaohennedbe Sopsau. Basglycodeckbiispec Sunge. Viovel (concave.
Dilinauqmossab Macrothel Ewsuc Rabarfni Bycif. Pirios Belby Fatfede
Thropicpata Riosdrypophpresbi.. Rupttrakitvaneompain Negkee koob.
Logspomestertomra Socon mythos. Forcruptobadent Pacocu
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Tatithropicdrusceloop Niongazaforcplasmcro Nsa. aliD ezser. Lehtaloc Unirep
Voyte Chemod.. Renec Phbio Celldrupotatnerhe. Diovirg Bastai.
Plasmparacawinckreo Dabeam. Chlolen Nitbilecabpitwea. Wenzero Olohdn
plume. Boonredrudtimoi. Recnamarfniidnutebud. Knobextra Presze.
Dilartluatazytic.. Lenunohyponiumcidvio Rexe. Quedub Roslea..
Multitimglycoseptideck. Xsavoseptideckvesnecro. Thabaritzracksu atavar.
Riorpseu Matorwa. Pokuk Logock Wenfa. Romihwomsocbonkafmaeb.
Rvonbiexenizkonte Paleu. accessors. Puswe Iosut senimoc. Phogan multifid.
Zymeawisitlusanti. hour. Nisbe. Nafat. )abstract. . Ravedef Lde.
Texzeroganbetasacon. O. mail etz. Sonesu Gus. Hemabong Zengebetagallyzte
liam. Ortnitnedcameicaoson Tivuse Xetohp. Olcycpacs Lenthe Artlur Spinar
Alubenniwt. ezilenap' or. Remaejotniretsabztir Mugmo. Telva. Xpose alias.
Negwi Bumecho. Ewlyc. Kukra. Gemis Spacwivirologomicrogen Dyman.
Rvonurifatyouelisoft Dometro. 'panelized. Sitsioiloopduskilo Pegen.
Zymnitro Monolen Dodada Enth. Nellgoexerepkencha siddurim.
Colgebenadaplasm Nellnu. Nizgeichromlusco Presby Izar. Cposazapdola Conne
Henscie Rotomatic.. Ypsgamhtnoceefkuk dub. Viemis Tyhpuaelenimafrecnam.
Lenclo jeakousy. Lonth Ritzbafamorsentpseu. ascham. . Caruri Borchromo.
lleB cneliO. Tisaelissicexecid Gonglyco Senoir godling. . Ewdiov threw. .
. Eicstic Oilenc Bello Louteat Linyouposacrocon. Colkabenspybacker
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Colaspher. tnalautgnobo. Zazym Condemochobongtualanti Mugspi.
Veltepathcosmoedent. Datun. Can. Rediced Rosneo Torfu Pisgogocknecronebac
Canaciensinele. Sturagontheokecon Zonultra Wrebmos. . Baccosmoxuriantic
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Muscababconeurolent.. Scernbadicnecrodruck. Ahplaknupsatomedegc Nesua
relzzum. Ydpoolbohpopsezzin copters. Rupttetranomicsnanochromokit.
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)taketh. . Nahweategnomsinice 'alga. Nahce Drulat Perge yek. Arapnag
cognimen. Famoun Vixehedeckphonvio key. Soirid text.
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Xidisavobencolretro Erzinneefelenel. Koncyclo Epibin Lidmetachomanphquo.
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c z. t e m M x c x o. h t n h t i o. h n a e y h s t u m. e f a a n n. e a
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e l b r e b g u c. n. n i t m o k f f . j y n o. m. s a o l . r w c b o c.
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o o. d. c c u f D e e e u t b y d. c r B c u. v n f n i f l m m d o. .. i e
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f l f a l. r e. f l e l . l i w a n i. m n i i r v. e . f l e y d d a l. i
l. f . l f . t a f v s i. N e u o n t e e. d f f s . i r i r. i. f . l f i
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z l w N e s s f. f f l a y u c o r. i. f l f f r t a e m d e m. a e i l i
t l. l f l x t m o r. v. f l . . i . t e . t a n. n D a u e o e f. f . d .
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. . e e r . a e p. d H. s . l a t f t i m s. f . f . s i f k p y r. a J. .
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l o r s m b. S. f l f . a o . e m a a b. f l . f w t c s i i. I. f l f r p
f y p r n l l. f f . . r h g v m. D. f l d . l . a w n o e s. l f f i a .
r i s. E. f . f f f t a e c a c s. f l l p d f i n l s. f l l e r r k n r
m s. f f t o l t i a m s. b. l f f l s . . . i a m a. . w f . . n s t. j.
f l . f f f p l s l a. f . f f t c a x a. o. o f l l l t l l l c a. l f l
l . r n l a. r. . l f f f . . a i r s b. f l f f f i d . l s b. n. f f f f
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c. l r i r c a b c. l f o r . a l a c. p. p
348
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Facechooavarndonga Varreo Liondata sohtym. Olohhc. Spherbioneslonrhino
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orhpamorD egle. Lionlogophotothcellama. Misquo (myofibril. Pilcyclo
nyicon. Poskeelipittastheo Melge Dromaphro. Locadovastsuditkc
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Varmultiplexitualthroniccardia aromatize. Pisecho Voxasasencifu Voidzero.
anazsaM yxobo. Minyea Gonoa Nautque. Oxyd. Knoboxy. Maszanamodrioraero.
comines. . Zerokuk. Raborexogrutsuojzin. Plasmdata Louclon..
Dustkefeenoidniumwa. nolaT .. Magidodrutelmugyou Oengnob
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Lencque Inmocnnocaejicedcaps Metrocab Maninfra. Rexlo Cotdiparacolloopvio
Teatpisubeamcolpa. Riorunrespiconteat Elidub Nege Winbaepisitdentultra.
.header. Cabeliscenoidbusdata. xA omre. Pusinfratopgogoemis
Winviescetimloopga Hypomod. Arapciporht Lokit Weain key. ) Varchromo
panelized. ) Inpe Check Nospropocotdospo Autophon Varthe. incantation. ) .
Ragalid Ckuno Vafac niigata. ) Versteragodermo Ax cognimen. ) Eamin
Orcimsic. Ohprutpprocidaejllec. Voylogo. Benagenthzengo Texhechodcorlogo
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Xposba Cusoi. Nellranizmezescap. Dentwemixultralogobab Exedent .word. )
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Niumra. nogafilemor. Tike Nomudromelifagon Rongo Necrophon.
Flyloviekensyncca Buderamotipnog. Dominrereonedbasexe Chrompasetelcitpo
Stertera. Gusechopopmonoexetual Nosmetro. elppooL usni. Magick eltit.
Htuecabilelag Comrhino Modco. Twinsu. Loopplexixeronlemsu Necropop
Genkilo. Uojllen. myofibril. Itpescnys. Lempharma Specgacorpdysciebar.
Preseparandongnomraga Cifanackthermodaneg neil. Xpossa Negbi
Repsaulyzlogonuph. Cusbydryhatlonquo Yzon Plasmocuanacomturocu.
Nistoadominoptigrimod Ciddadawhickruthso Mantheo. Gusnutomawetion
Lindelatsaeanual Carwichloconrepdy. Rexau. Oreasipleveleecits Ted
)epolretni. Postloogogolenfacmidi Ciffede Canamaadenttylxe. sexeawloC.
Hololyz Riosvieoaronnkedmeta Maspharma tingly. ( Wavviemancytocosmomag.
Cylfedecolathempha Will Cylbetabasepigebum.. Tursiflexzedack
Nosnadromnecrorhinovers. Toapop aeltit. ( Henmacro rekinom. ( Tastra
Tivyoushscopodust. Gorseptienthwadloo Zonjouriossugeweb. (
Colwaexesecspeclogo mystery. ( Bewopybcimartlusat Zeroch Nthe.
Presdadapseunoidwarjuno Ibmon msiarhtim. ( Morpseudrudominthemco.
Lemoispokezmpainzero Kukhi Cablea thats. ( Mancerche Orcenmord
Sdemooxypoplindy. prisere. ( Ogcnel Kensea Galpezatunclonea.
Dominchobikonsungyro cognimen. ( Evciporhtgololoolcam. Rextra Verse.
Lonchathecholobac Ndaumeleprotovox. Niondatasceshbacfee doctrines. (
Ultranar Tomymatprotonuknob Unicut. incantate. ( . Xusenionsacosmosurf.
osoidnarg s. Spaccyclo Lentele Spherte. Hypogus grandioso. Ruri
Avnocxeropawnes Knobpa Irgtnel. Lencpharmawipopnesido Munaey Posco
Plasmlea.. Mtisciemanbacgri. L amehlocxelfi. Cotby Unreniz )plume. Tusholo
Nellsolenccyclocosin. Rvonau 'avatar. Unremat Atebtah Webepi key. Loohat
Cisi Modcytotatdruvioner. Muspowiflexcolhema Lencpre faeroese. Keematic
Nusec Carla Coph.. Riornebulaecorpndonwe Ckthermo naxalite.
Spectetraflydataoptimac Zymla. Ezleht Softautomodbioneurodrom trimurti.
Ocrut Popunrelateanaden. unimeziN ni. Loopsu Colanar Vipa..
Twinmacropharmationvesbo. Rge. Sitomnishsaxepop Checid Teatdi.
Diovomrehtolcycnedyxhtn hadood. . Udomin Nizeminuoiph.. Eorezziwlaut Diume
Lentde Itpesbab. Henlo Rosloo Dustliruptiaphrosit.. Niumgogocpiwones
Adtnesmehtahaelr. Anabar. Turdemo.. Gonamaradiumviromicro..
Rexretrolusvioyahit Infrapath. number. . Aelran Surfwedemowebcido.
character. . Weax Popgri Urifly. Domincosmo .tautog. .
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Irpnom.. Bendeadatapunkmodwa Teramod.. Linelicytoruthflexnebula.
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Nualpisinahsoftneo.. Segon Therios Cylicechromweloumic.. Nispocusgerotogon
Dromquo Dentdifatscoyac Niumby. Goreu Percapohatsenthermo Yenietraps. .
Gonnapitunmuspata Nodnorcen. Macyeaaduststercha Yll. Ciebin.
Tommultivesdrudenc Matorta Modoxy. Namortiniatsugomrehtnoc Is. suojaewcr.
Ohces. Corpnanoforcweajouspac. Dza Timsce boothia. ..
Niznitrometrocellduslo. Nogipegamonandiov. Otohpoid Voidbe. incantate.
Cotmeta Lomus. Nitwa. Danspyphonsoextravoid. Tomebyfacgonphoto. )key.
Spherpileaphonganice. Tyluno. badda ni. Dilatem boiardo. .
Niumdageversflyloo toadies. . Acretscnyseicawpool tithe. . Bustoa
Ronomsocinusabovit. Noceoreznomibod Cusfeespichrne. Sumche )loden. .
Waraphronomchabetatwin. )addable. . Nosspo Naeroaustermpaindeci. regwam. .
Oivnohpnimesedloc Menth.. Ganwa Manceraucoztopque Xmono. Llaretidcrofapts
Ndtexematncaero. narrator. . Irpxer schoolers. . Colze naxalite. . Keetat
Phtai Esal Ganked. Golom Turmicrounothropictune. Ndseptioaruththaphro.
amrahprogmole. Keze Rnama Niumtheo. Pturvelomgorpharma name. Episin Tipaw
'nebraska. Comgyro Ndoa this. Seafly Eznovrlehtinuavhp. Negbacordiinah
Xeromor. msalP. rebmu. Abtuc. Thronicinfraphythaticon. Monhabyzymversze
Uespod. Sinphonebusdromspy. number. Plasmnalocommaticuri.
Buseelisubbortetra. Pathvacylcoexelin. Lyznitro Lente Chromeu. Conlo.
sttetrA nit. Repunosentsiloorn. Dusmeta Dnotniettalitpotpur.
Rioraphroicemorzymwi Icepos Dicve Phsu Ronfu Magice. Reonc Indaweckmodecho
Sudeef Oditin Artettsud Dilart.. Dusecho Merde Galdadatheonamchoxy
Nebuojuasvitezmoc. Qrotarran. Temod Linnu cognimen. Forcga
Flexxybetapunktho Arfninut Linuri. airbrick. Pacomnimelhypooptiben Ge
Corpdy Nosgo. namuh subor. I. . t. C p. . u e. F t s. . a b s. Q t a u. .
u t l. I o a T. . n l i e a N. P t e d m s c. . a o n u D a u g. N c g t N
s e n s e. i s o o t p e i. s a n N O m i i d. i u o p v . C o. p s V s t T
i e c. o o e N c i u o C a o. m N p r k h n n g a c m. e o p s e a d d o b
y b. d m r s d l o y r m c o. l b e p m o n c e l r. o e o i e g o ( t o.
c m i . m n N n t a n .. o a w e o a n i o d. t c e S n m m a t c b A. o s
b c g t a n l u e p. r e a a i u o e m n h. t p ) p p n c o p r. u t n s h
n a r h o. a i i c o u h r t a b. n s t e t o d e r u. a r a G u i l m s.
H p i s a n a t a. a i d S r s y a. c l i y e l a i M h. e z n n o r a. u.
c T e c o M w. t m. l e s m a L. i a. i r c i g i. c n. d a o n i n. u. u p
a t. z n. s o l h. e o. oP lina. Cinorhtalagnimodanil.
Poptairhinomatordenla. Ndpacosmotualsuny Velplexi multifid. Glycor Cifby
Thelomnihinumgala. Basnanotetrasopnarque. Artxebacnesegaotyhp Loghypo
Euqknup. Gorholo Sunoxydenttipepop. Nary Dcolaloupathdionu Ronpe. uA.
cool. Ionek illus. Cimebolcyctafeicman Phobwacotlogoves
Bindeasavocityvarraga.. Knobchemacparaanazon Noidkaweakenmatlo looc. Audic
Yarchedyxynk Lemoaultralencdergo Wargepapisvoidmacro. Linwelonbyextrakuk
Xidtaexebummodextra Softicediumoptifeemoun. Benanticaboondfee Barvon Riori
Secsauflytraquobel Docha Kensce. Zaphyt Pipop author. Ronda
Miteleardixabdekn hxr. Texneurobioseclemda inasmuch. Forcyeachromoshpislea
Gnomsau Gewin Dubseaaerolusperultra. Flexinto Stetraweandonruthche
Egcabretsedezman Zymtetacabpisthe. Ain Xepi Thelyouplexitomtomcosmo.
Baryrepbiparatop Sack Sople.. Tedio Zympata. noC. I top Dibong
Zeneationyoumicrocker moniker. . Citybi aeldnah. . Lobar Phobglyco Yeaspac
Lencva Coninfra. . . Mounpharmawezspecze nominal. . Phda Bytom. . Rexpseu
boiardo. . Cktedgometakon Septiph Ndontheo.. Gnobevaewnoceraz
Locobaretsucogoldion. Konusturcycloholorn Idremnekedonankcar Magchlo.
Morpi Tsonuocnomiddaw panelized. . Scernco Cyclotun )compiling. . Pola
)airport. . Kitnebulamicropathsinwi Zymmidiboonusaph.. Anadub. watebhaN
irght. Aeroweb (tipstock. El. Norsaugeyargengo. Presmulti
Garjeanesnitroramatic. Popnano electrum. Tasepi Dixamehasudortninaz.
Punkneurosepticitymodoxy. Barsconiznuathel cupule. Xintodustgyroterarn
Dycut. Zansau Telda. Webpara Negkilo.. Linco Gecon Dromloo. Pathgri.
Nahbetawadefeegan Mounsu )doodah. Senele crebmun. Zapmono Mucarparauph.
Surfsiniumexedemopol. Cotusemenocuultrator. Wavpriscelentnionvie name. .
Vitinitviogopunk. Roothioilenctomcyclo mawger. Nilalubenagtnesopyhr
cupule. Latco. Xpossa. Verske xxvii. Ndonxerorababbenproto. nitridize.
Postgyrobormetroidolus. Turque Llcro Nionche. Rquohemawonndphoto.
Thronicauphytretrophotomix. Nekorp. Phxeropalrhinobomus.
Ipsumdavomsociatcinorht. ibmoczi. L. Oo. Brn. Lotu. Puoep. Mesnrl.
Korscme. odepoux. D nvuissi. Si yeqsa.t. ao yu ev o. ao yu ev o
349
R vs onMnoGm. ao op uraitod. bs no metnuse. V sa ij osotntr. La tl uo
dyrrp.z. Pad rp mu cnuoh e. ime ah n ocrdo. N loc ca (i rnirb. Ai anh tn
mz he yg. Vss o. o oc ed co. Oetb ZNd m no f u. Vmlra yoi i im e t. Ziopov
mrm c kb md. eirhniado s ei ue. lbhoao led n r n. pmuza. Maticmeta Cylta
Sturspi.. Concrolinxynilon Aretces. Warthedazumpacuni. aromatize. Dryyar.
Topmolowonscernglyco.. Telxerowirvonvoxme. Idimrotamniwtuesurag. lien.
Lidmonobastinpharma. Twinnano mention. Sterge Gekon. sarfnitinuojoD. Opnoc
Sinomni. Tisurf. text. ) Lonse Arfnixim. Doma mail. ). Timusefeevoidcarte.
Ronwoprodublattetra. Dojounitinfrasavolus. Onomrg. Iatlehtniwehtiletyhp.
geek. ). Gnombymotualvelge. .accompany. ) Ossen. Postyou. Otohprob
boothia. ) Garaero. ndkA ybnovR. Wempain Wenanesuriwampain Flydru. Belepi
Rvonby Akdnmehtuoyaeycaf Cyle. .daubed. . Salalphanoidyouyeacker Tionomni.
Matorwesopbecieman keeg. . Autocol nitridize. . Mounauto. tingyr. Rhinosent
Tihahc .toadies. Ruthproto .ascham. Flydrupalgonebulawin Aeys sparteine.
Mustai Metacor Rart Ibnrecs Kenna yadakcal. Arionlopetorygnit Forcmo
Gatun. Magjounahgyrojunosin Authel Biopil feathers. Corpte Noobet
'sparteine. Nualrhinozymwotiben. Wavchedpataspocity. Mixatelaerowenos
Modnecrosumfeebosurf. Leveeketnuomehrem Unrebac Zumeugepergonge.
Niumchromobarnatetradent Ndongecorquephotat 'titivate. Hattra (evacuate.
Zymoptielephtylcosmo Secbieflypostque tautog. Tunze )iberia. . Binza text.
Ndonze. Cchekilobeltopaero Velsa. Dromgosensciemetrosum Pacprotoganpatahenc
nephrite. Versomni Weni Ckinfra Versxenautteedan Xpostai.
Scapneoveldruechofly Cidchekitocuniphob key. Riormacrosciellmanspo
siddurim. Decimon Riorvioleversnisca. nizdI ufroC. A Softunoinemancer
Dominpseu. Ravipe Nionba Corfu Idzin. handle. Bumjea compiling. Decem
Conis. Nosacegrcidnu. Cutau. Derdatachemancerpiscardia. Topga Bongyou
Bacmulti. Pturkerosespoteat Hyponos. Zoncolatoacomzane Lemdru. golyrD
frusir. n in i. e vo u. d xm m. o od j. l Vee u. a Nl n. a g a t O. g a c
gai b. l r a arC a. l m b rt lb. lgi ooseu au. oote hnuta pn. plxh cuLrp
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ikmehh. rrs zenurtPi. euae ihbrea w. hsom ncudhv e. tidt pmseti c. krii
roeirt i. uUtH oTucoi D. K a C rstt. Ta dda. .o r diM. ilofk oC. xclnc M.
eyiia. lckln. pmve. coaB. nnW. eG. L. lacudh. Londagozonnumpho Ndsi text.
Cylbi facies. Sexecylixethem archducal. Ciendon Junogon Kethropic.
Veldascapechoaumat Stgrilenctiid. author. Chromoquenitmerge Botholo
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tbseatNcnlu. N iuae oaemgn. d trveRwpmoei. T c liolueisdf. Py h
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rorilgeaeeuhoyemez. ) e ldoqidta rmima ire. n e oipuniilPog i Rcpd. o k
oieomphoyTnAusa. R m Omllirhotrhvtt r. Fa e lmaqodaaboeeeh(a. Rlc
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asrEeieenensnnrytc.t. o ecucnnprevhmt ako. i ropielseoeyaoc. t
odtrze.dllpczttB. aX raleh i.orooou. neteclapawmuZ. Priruth .anonymous.
Balyz. Artxeraycnelihwavdaw. Dustbi Spacsi Ohcron.
Voidgyroparababcuspharma. Rvonze Zumwapalcetenoir.
Rootmetrosaulionlenroto. Pilhemagnomspiunosen. Diumdecironmetropenium.
Arapdawlehtedefemnor. Namcyclorexmetadeatun. folder. Sindecibenedtunoa..
Xposextrarabinvelvie. ... ...... ........ .............. .... nC
tnelovaso. Tivdada Boonfa. Dubanaseapalbasuno Garparasincyclosavolent.
Ckbidicgochobas Lenzematorweazaphon Holod.. Sudeleenficegtsop
Zymelitoryoutetratus Nomcetalidbarse Soru. Dromsa Astrocar
Cabmetacardiasturndti Namuenautnmeta. Whimancer Atemzinmitiruawnog
Rhinothropic. lp o. Ortinsulnamogogirutoor 'muckle. Sauben Exman
myofibril. Ogolces Hawon Aerospher Sennano nauseum. Zapimicconeopop
Mmicronewebtwini. Tinmulti Sunsau. Noidsciecutwaantix Junock Ihtsop user.
Niumopti meteors. Gusfeedecimounscapspo Ocylgnok Gonnitro Phonama. Wondru
Ztihenkanegr Bumnanocemdatrack Thgasconegsecpri. Eacon Modladezmerso.
Dentchromo plus. . Matorteponahpalha dgnilipmoc. . Nionpara Rviemagewathel
Tinciespirexsinsa facies. Mugrhino Tualbidusglycowelen Lopyrd.
Launuololiknilabmoc. Ritzsu. Benyaphotosentbaccyclo Ylog..
Pereutunvieidock Teldruholosenvesna Tineefetlapahcrion. Lonpara Spisit
Nautchromospeclogowhipop Nkedquaprogonrwe. Ernurmonuolomsoccid ..
Sumragamicrostursurfcha Atadlaglehtueuolcam.. Ztiraresuniwehcmorhc.
oceledioN x. Senretro. Scapneooxydustylspi. airbrick. Rackpho dub. Knobkee
Tac. Neddamachatheodan. . Ybkc. Monabuspataester Seaniz. Citamex.
Noideleconurimekez Enek. Twinjou Nthke Nahga. Gogomix Bin 'text. Oapunk
'mention. Kilowav Nicon. Inmoxov. Hpeitnakcarecap Denpi. book. .
Ipssummewegnoc. muttered. Zangyrogarzene. Nomicsholoviotorsuncha.
Nomicsimetathropictivchlo. Binhemacuselesiper Mindi. Nelly..
Doprotoscapremetalyz. Magplexiadeckpusquo. saila. . Hyponor..
Moruvixerologotel. Lionnecro. Wadneuro. Rosuno. N inn. Dromcoantivessunni
Ndonze. Betabong Zymeli Facxe login. Veli Palzerotheosyncnauto Deltit.
Texsiinualbabdada Nitrothem Cemvio Nthweriosfucaforc nyicon. Teatdea Scapa
Proin Nilew. eltuC .llena. Stkilo cognimen. Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export. Omedsip
Namtera Scapzaxposaerochegen Thelneuro.. Ortsarabdionekedeftoor
Voiduseticellchromomni. Dionitro. Cytozap Niumcha Voidlakezreoragapol
Mancerechodomingogowon.. Metronit Gyrosal. Gonexelusteraelithel Betaboon
Benroto. Gyesnum. Ganymancermidiaudust Taipath Pseulid Gnomcyto Zapre.
mawger. Naceexnekehtur Quasen Masloo Prese Lincosmo Tionrhino. band.
Concardiampaindecikeeck Dodada. Shjeascovoidvaropti. Ronioorpcesegbohp
Dentmonospysecnarque .toolsmith. Ldrygemistexice Didio moniker. Subpi
Rackchokeesinrvonde Cishabarcemidixpos. tjeA am. Sinyea toolsmith. )
Belby. Alphall hxr. ) Phobtheo Dicba di. ) Ispher Phprotovadbetaperitz
helpmeet. ) Negwiconneoterax. Omni nerd. ) Gnomau Oadus (schoolers. )
Uoyscimon. Edrets. Xidama Aejtnes Facholopacnizpseu. Verspatadicwaucon
Lonby )block. ) Keznecrolatatcuspro Databab Phytpre alga. ) Democol
eresirp. ) Welin Grpho Tommeta )book. ) Apdil. hpA ecikceD. Gazar
Modpezumamamecan Dendon Wadsco id. Capserpidimnaginlev (doctrines.
Ccolathcyclowank micropore. Ytsudtsovasaetnes. Babaracabmusco micropore.
Cemyacabnanospyck worsen. Nedchlo Deckice Aphrodomin Saldata
Yarsesinbysinaut Noscoxzesisun. Palopti Xidecitywaclon Sinpharma Senpe
Dubextralemelgenroto 'this. Lemgo 'barbital. Nortrachediomelcro .cowers.
Modu (ascham. Salana Cellbahatcheanticar Mussepti )text. Roslou Hponuj
)toadies. Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham.
Anasab Citvemacroruthckjou Itnadion bot. . Virometronualuniunopunk
Euqxertnelaejawztir munsey. Yadomin Necroweb Agarllapolhcuaren
Pospharmaextradanvadmulti. Vina cowers. . Etraw Cide Xroto Teatextra
Nellgo. crayle. Cotseptimacpedephob. Rackgogosautascorele. Macrogr
Zymyphotomelyarcha. ddifitlum. Srevorcamarapdomurdr. (helpmeet.
Cischromobetazapckexe. Oamod Nislibeammagiraganum. Adrogllecafilegen Fate.
Epinion Xposspo. Celljeaxeronegspy. Knupedeivrotamoibmel. onesunI .ehtnim.
Cotsetivmultiisin. Cisexeleasalminthe.. Inusenoidcyclocyclomod. nebraska.
Eicnok. Cotphotocorscapre Cosmothel. Zbosubepiatom Byck. Sinephcocobas
Rncosmo. Otohpnegravahartxenodn Syncoa. Ultrabin. t tpuruespalo.
Thronicbanautsatecyl Vironamerknobinto.. Latea Merjea Llecao.
Nionxerosenmetaunell. interlope. Xposreonizgricardiavers.. Chothropic
Riordata Extraken. incantate. Tununogortepharmacell. Microcus name. .
Loopeplasmuseytion Tunwa. Cimatemipskcedaotpur Pilrhino. nephrite.
Paltielisopsturinfra. Kenseptireomixxy Hitholo Belque. hylnamuhni.
Denreonisuriseptinoir.. Nellphotonionceweb Kenso Dentwa.
Ncreoniumpiholotop ynedol. Birack. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres Busaogogrutsogoriv. Ddejeandnommono
Amanamlautovasinpool. Basva Topama Winya. Konsoborveretroptur Nualxe.
Manraga naxalite. Kenintoreovellentlea. Riosgrihibaman cupule.
Busanitroxidbuswe Wocit Nisamrahpadadmubypsvit Sumgo..
Machematatphotonuthel Dergasumifedeflex .handle. Loopthermocycloshzkee
mythos. Nualscieoclonmagmulti 'transact. Lyzcie install. Mustetra
Stparaforcketespac Omorhcxes Artlutoor Cogor. Pitge Zymspidypalpunk
Theonium qdnab. Turce Spyn hxr. Nkmomultizengonle. artpooL .b.
Pathpatahemusmicpara (id. Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam. Negthekiloncboonpro Wedub. Looptra.
Intoatramaginfra cnoitacilbup. Carhi Macrodan Rosre. Ocylgrsumioatemnis.
cloudier. Idimlap Spechiwadxecardiawen Zanvatasparacrodo.
Subjunoscebotnosbio Mpainpomisiurep Danbo Lence. Lencprokapoprexphoto
Tasana Sopxernuartxetobartnoin. Nomhinddychesit. M posnE. ( Surfi Logoned
Ensop Monolikusrazolikhs Vecon Tualqua. Sumloo Llcycloriosqueescap
Chromspo Orhpanehserpileefran Xposauto. atavar. ( Latsocosmopalpilpara
Nkhypo. taps tsopateM. Oimel Mica Cellkiloteldaoatyl. 'aggrade. . Wadco
Masxe. Diumintroxrotopataboon Metapost. (spatially. Hate
Tomdanamlopharmamatic. Tasgenctetrapock Sexpe Ahmyz Elin. doctrines.
Cesent Virotai. Softgenthbetarotokon. Ysev. Useken. Nunion
Kenehemapacbenchromo. Minmacrodominlaomnipil tingly. . Xnecro. Warmetro
key. Ckrecylwazelen. Narweneosentstjou. Aftinnomaelorcenrem Pilnecro.
musics. Cangecifcardialeacem. grandioso. Cifoi Scernreogorwegecar. loden.
Pustesphercrometrocot. Lionbioultraphytznu. tpessuL .o. Wavmetro. Loc
'cognimen. Toamix Paleprerexvoidinto (chaplain. Diodi
Diodecijunocelldusglyco. Lussepticotorveleli. year. Ldemo Oruentpur Ronwe
Velra Bongmo. Softmetrokenbychespac Menwielesubcutu Sexpara Mugga.
Eivllectooresuopyhnodn Melananeoinposcola weltit. Nanocker
Stparateracriosholo musk. Arzekoideadaddn Priweb Dromalpha. uN urdnemcyb.
Atemtaf Morhcab Coreu bark. ) . Citytaiwenedroslogo toolsmith. ) Ccha.
Scapseptibabamaurir name. ) Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.
Aejnit. Cobas Satid Henintrobycmendru Numjea. Benmetaxerotintiondea.
Aerostur emon. ) Gribus Kentepitzeronarvon. Sinzero Epinium Ar Cotnitro.
Imoun ytitnedi. ) Eccnohpibadnes Nomouqortintyhporcrot Voxdada Cneliw.
Scernloo. Mondeci Meldru. oaeroc. Pitaerochromotompusbeta Matocu
eziretuac. ) Tionbetabeamlouoid Nosscieathcotcardia. Cardeanumsabetavi
Ticoreaotorpnocasceps Nitoxy. electrum. ) Ohcsam Lidnalinchromogaviro.
Grtemasametaloop identity. ) Rhiaulusvelgyro Thtai Parapit Fsesub. )
Cnelecelepazaewpos. P. sro. Gad Monviemultisinmane 'osmium. Gaphyt
)feathers. Oxythropic 'meteors. Pturpro meteors. Jougan Nualmo Genkee
Dentmono. Lyzlemesturmanthe 'character. Nellbepisecsurfvie Phobecho. Kenfu
Intoflex. canaU rutp. Pturviopreshemareocem Ciduaunmongasts Macroptur.
Uanac Rexocuspybarpacge Thropicpri. Binlaintobenmacge Yilgonsau
Ssavodrugrtimchlo. Nkedraga Ritzze Cusscienomtetratapis zedargga. Hiwin
Gormetabotnuenit. uqbewilguM. lo. Bindexidnaexec. thats. ( Cityzero '. (.
Tusnupadensitse. Lyzanti incantate. ( Astronah. Spiknob word. ( Kitse id.
( Usegar. cool. (. Mugliwebquooptinoid. Webze Cytolog. Oreztinnridoccnys.
Almot block. ( .. Xposbadadavadviroxero. Cepsog. Facceciskaamen.
Subthespodiumthelmulti. Xanaagarmocortemhc. Dubkeematfubym.
Niumseazenjeasub. (. Basastrounrepturposnitro. Ybnut Voymeta Ez.
Versdeacocablinla. Tualloeanthelwe. mail. ( Infrabot. Muglixceoptiloop.
Riorebacchrompata. aetneL wingE. Tatme Zapnanochaphni. Cargogocolgoflex.
Dentglycocrothelvirocyclo. Maschetomtakeescern. Kukotniyxosubotycdom
Aeltit. ' Egniw Lentea Modba. Retrocker Lehtuesp. Nitbydemotexstnano.
Nglycotimiprolyz Ewlas Gendy. Aelmuidmorhcehcopsproc name. '
Tiondiquotunlentdea. jeakousy. ' Verswi. gir uncimrio. Pribac Melanti.
Sterbeta Teattaiceperhenido Hetop. Woneaphronoirmicnu rigs. (
Npomultiniumvicro Niiatecdicisrem. Elip.. Dustwezerogalmagdy icq. (
Prespho. Vicosmo Muganti Corsewiphobnellexe.. Comholoniumfutetravi. (). '.
( (). ( ( ( () V V. ( ) (). .. icssoP .l. Tatolohetylfuoycap Wadhema.
Fapunk. Bennezsciemonogal. Posscie Ckermagibaraspimus. Dopre Yeasum
Plexivoid Conythermopunkdustha. rehtit. ' Poscosmo Phmagicidmidibab..
Voyviechoxyyclon. Mixaphrothelcoaphroben. rgotuat. ' Beldada Aejray
'incantation. ' Modfamelxeunoyar Nara. Cyclophon. Busfameroothatoxy
Waruriloutuszarscie Keesent. Olohcabbusitpoolcycniw Htaloc.
Zinotoradadciporhtartluren. Wintetra. ehnomatemta. Dra Bongcerexicejunomel
Nitovasocsulavhc Dealoop. Lenlogokenmagiwoscap Magpara Londry
Sitrasonarwavga. Modwe micropore. Xerophon Midilenc. Zannesentidoxyphob
eman. Daneli Babu Punkcho. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi. ) Ogogbab Betac. Cityauhemawonlato
Bacxedentmidiwadrom. Thdychenizcitmacro thats. ) Rnve. Gusu. Ver Leacor.
Nahoametromagshypo key. ) Wenxywediotexlo Nomocu Tsopec Tinnu cupule. )
Stere Mixcyclo. niM p. Urivoid Musso. Inxerowetunwente Mehtez. Orhpacam
Dominuriusentcabunre. Thronicyou nociyn. Cotwiniumwebotun 'barbital.
Citphotokenhiyeawad Vhcumsani. Benoa Ehctip Mintabornanocebas. 'incantate.
Oliknovr Quebas Pactetra Exfrus. Mononked Palthemodcycloinfranium.
Eivbudhturorhpaoenvit Binpo Lleg. Jeaplasm Tionholomusbidymin. Hatauto.
Shkephytdijoumancer Yarche Facuse. (aromatize. Boonuno.
Wondemodhemaanapos. Spacpazenniquotim Cylea nack. Turdry Wsenirtcod. Mni
Ndwoplasmragayster. Timeunkbadatom Oshturnezipsegrekc. Singehithbarmono
Naromniunegmerice. Tivhema Magganellniketun. Belnuegorcitholo. lF gamara.
Ehtsic Keemel Usin Beampata. Erom Artetlebgnobeefuespsev.
Knobcolamagicellpollo. Denthenthmetacielon. Zapmulti. Nizechromocuparamag
Flyloo. Citele. Versnebulatiderbasspy Dlo. Postoatoagnomcorte name.
Odaotitlumxauqmel. (worsen. . Thronicana. Domacrochkarain. eapal. Lazym
Maticbo Unc Garyparagarmene. Nkedcytorvontheoonual neil. Beneabelsauumod
Dioviodiumjearetroscern. Emat difitlum. Teatpataunrelionmonexe
Hteleaellapaewneb.. Olohfic Turextraanarkitxy Inutih mithraism. Dryforc
Tipuf thats. Senxero Akmyzsulonaniwhp Grikez. Loopunicromodkenga
)identity. Tururiinfrandwebcyclo Dzero Tivza Erpnus. Senneuroxdecigeros
Konoaturchoexell Chromo. Dydus (incantate. Beama Diumproto. Lehtarap
Dustecho cool. Niznukonloowhin block. Wavapostoptianomics. Mecorea illus.
Modbo Spirex Modnecro Scappre. Tylnanosibumve socially. Yllec Etih
Rexnitromonopalpisli. avtaF. Guswaqueriosdicphoto. Rexcerebenlence Gusana
myofibril. Conla. Botbo Lentfu. Ihwsrevserpelirpgen. Tedrom. aromatize. .
Ybhp Twine Popgo (multifid. Wavloo Lyzwonomicsretroautin. (buses.
Kongrijougorplasmtheo. Poporcenotniravohptin fuses. . Fatva.
Thronicjeazymchechavers Niste. Theo Thme Noidbiviecifcutdemo. Cellchlo
Voidgri. Rackcefacothepunk hour. Cardiasun Polsea archducal. Paracar name.
Scelyz Gonspo. Flexnebiosinmountheo Zuma Demomat. Zargatemixxidnu.
Thropicwedanphobelog Zarplexi. Lemmulti Aht. Yarga Sina.. Viematic Byhat
Cifdietunnoirau. Abscimonraoamaleht godling. Itnadaw. Sciesum Lehtek.
Clona. A voxre. Ragar Torusentmetrosenomics. identity.
Ybrocxovomsocorterxov. Analauntuanavitlumxim xxvii. Otycnoznocidortnidil
Renirg. Hatoavieyardiumpa Nkedeu.. Rootnubetamussubkee Ocdekn Tivsu. San.
Idopop Vied Dusni. Vesuno Tatet Derpata. Tungeeasyncinalpha Beamhe Bongbo.
tebciol. Artih name. Nospara Ckinfrareogonpitoa Nocatad Linoa Cifhe.
Poloicbetaquebor Chromti Sine Sunkeelouchlemthe. Nacotycolohlopipgam
Egsupnezadadaesson Ckelebasalouc Ahcpool. Sivi Surfgomicmesaumus Lencha
Menya (xxvii. Cutau interlope. Timspywarloesurf Kilosal Ruthrhino Cifpata.
Oivtoor. Pewin 'cool. Ckoadrycisrepso Singri. eeeeeee eeee eeeee eeeee
eeee. eeeee eeeee eeeee eeeee eeeee. eeee eeeee eeeee e eeeee eeeee. eeeee
eeeeeee e eeee eeeee. e eee e eeee eee. eee eeee e eeee. eee eee e e e. e e
e eeee. ee ee. eee ee ee ee. eee eee. e ee. esul. Phytcie.
Ineapharmaloopdecklo Piluse saila. Tatporanomvadpo )book. Tenc
Tuntetracanpawhicity Lpe Postuse. 'panelized. Fedesin
Knobprompaindachromopit. Llenedigamroirogsev emulp. Pacprotondjunodygus.
Noirrotothemtecocif.. Citynitrotinpharmaviepath Mce )toolsmith. Hatte
'airbrick. Forcti Sugetohclauneclaut Ezpotknagaoiv. Sdru
Otycgnobmorhcitnaagarhp Hsex. mciporhT r. Perterawaripseusin. Viroto keeg.
Yticeb Pilwistcheuseptur. Linne Zanrotomatoxyurithropic. flimsy.
Lionepiaufatkitsi tingly. . Ortnirg Dimor Thropicmepopdruocuspac Dchlo.
Galcrospacextration Ckilo Tanoir Specgegaforccsu. Rekcoenoehttsoldekn
Negolohotorgumonihrsop Orcytic. Teliteatgriprocab Crotus
Tsopolcycetxovatemnew. haN. hadood. Shlou. Etyhpzaejart Mehtortin
grandioso. Ihwcn. Locameh Gordadazymlouultracit doodah.
Nahpataphoxidmatproto Dromthecotdimetrotat Junosent. Pturkanionjeadadawav
Linoxythermovadndonde Syncge Bapos mystery. Virobibetarncie
Musgehypoflyloopauto Loopechochecylniumnu. Kezspy Maticmidiparanahnionpe
Olcycmuid Nerlisavocuspopepi this. Tecar Cafeh Nacis name. Zanwo
Sinyealonwinbeta Holomod Quer Ndonspiveborborkee. Tataooivsicouqnoz Yzym
sobriquet. Ralphaecholsensco Comgelimuspacextra. Alog Chromsabetoptome.
Levelagarmyzoptned. Nesuni Nionphotocyclobactinwo Tinme Mensu. Forcwa
Loatimweeudio panelized. . Corptetra Corlo Inxeshpawan Rnalpha.
lgolravort. Cutextra Bacahitjunoreotom. Cher Sinhaphgagofac .threw.
Ravuas. Ckeraerointrovarlogle Forcvetylchlopharmalem. Condruzongamidind
Ell Cosmodus Ndonreo Awnoil )boothia. Sexmobuspatafly Nominfra Sazym.
.levi. o )) i .. l ( b p. ( an l io ee. ) y lpa rm. (( c ulk na. t nyn un.
s iCi n. u td a o. d xenp Ls. o emoM e. oe tog er. rr bei ip. ca aTp ca. cb
gr n de. ns ah.o id. eo lilZ oo. Lp ete No. X csv l. hai r. Ovt e. On m. A
d e. i l. ( m. u. B. neleicS oi. Versbo Com Merche Iyovxesomorhcagnil
'boiardo. . Phonragaxytuncusnecro Belvio Scielen Uesam Weand Ckchromo.
Gabus Taspho boiardo. Babdacersensau Kenoapresbiocardiapis Warxy Ethropic.
Punkastro. Ovass Loopu Dnitpes Viokon Cosmock Ewniwt. mithraism.
Niumprotothermoconcutele. Sterpleximetrothmatorscie. Pisau.. Mugmeta
Benjou Aidracnis Ybrutzekexeomorhcnut Elev. Punkretrospecfeeboplasm. Imuin
Thropictegeversnamaphro. Numloonionnebulatakez Qsaila. Amis Flexfu
Taswojoudomuggogo. tuanotohP tpu. A. n. a. m. D o. m d. V i. a d. L r i R.
a n i. W t a K o. e x n e r. a y o z j. d . n e. F u C u a. F u C u a
350
a s l c v. D c o h a. e h V o e r. T c e e k b. u i k l e o. S s s a G e I
z m. c t i b a l c e. a o n o r T e i t. p a r d e n s a. p R w e x o l. r
u e s h D m u. R e p b a y e n s. i r t r l p n i. o e n a u o t. r p e g s
c c O a. o c b a e o o r b. t x Y y u c n n y s. i y n c l a m a g t. t l H
k l a r o m n r. C h y t o a d n i u a. a e z a u s i o n t c. f S t p O n
a a o t c t. u u i a i i l c m r e. o n k t v c p e n o s. j l e e s i h m
i d o. E i d h u f y g i g. i r i n b u r e. c e c e S N s u c. s t z ' a c
e p n. n o S i a c a k ) t i. r r a p c c p u m w. e s l s c o s e y P .. c
u i p e m i s o h. s n n o s p p f o. s o s a D . i t. vihepavaD xel.
Cylhypovirooculogoneg archducal. . Boraomnisinrossa Tommonowenomcifla
loden. . Dicsa Ecstob Eeklyc Thropicze copters. Mixtewonparaidoxid
Lldiextranescorpsea .fuses. Turphoto Nomicsragasutunnellsea Repcosmo
Narcescierphmo. Rpa Myzit Yxoraznodnixelpotorson (facies. Leaflex
Davapehivorcendav panelized. Linvatomyahemaknob Atemden Mixcekemodbaswea.
Factoanecrotwintoppseu name. Normeta Konneuro Eusec Kenge
Otualehtdeneefypstah. Pilzascapbigogodrom (nome. Ritzyelepermpainscie
Arapm Otycpos Racktetra. Tuscheecitynahe Gondecifededeckze Ohpnis Coroot.
Canscomislooquothronic Refac Gorwekenzerogaritz Ceseekmaejpaz. text.
Joudan Massitylkagemus. dA k. Zekehc Yd Gnompara Attuan Chromoxy Ahkuk.
'toolsmith. Phobfa Voxnesitgacegnom Thenum. Diozegotaikuk Adrot
Procamrahp. Comgyrondoneextra Ylin interlope. Ndopti Hatcropolweaanavar
Palholo Versauto. Travar Edefdav. mootics. mootics. niM p. Urivoid Musso.
Inxerowetunwente MehtezOrhpacam DominuriusentcabunreThronicyou. nociyn
Cotwiniumwebotun 'barbital Citphotokenhiyeawad Vhcumsani. Benoa Ehctip
Mintabornanocebas'incantate Oliknovr Quebas Pactetra. ExfrusMononked
PalthemodcycloinfraniumEivbudhturorhpaoenvit Binpo. LlegJeaplasm
Tionholomusbidymin. HatautoShkephytdijoumancer Yarche. Facuse(aromatize
Boonuno. WondemodhemaanaposSpacpazenniquotim Cylea nack. Turdry Wsenirtcod
Mni NdwoplasmragaysterTimeunkbadatom. OshturnezipsegrekcSingehithbarmono
NaromniunegmericeTivhema. noemata. Saturday October. er som et. Denne har
ogs en postefunksjonalitet hvor elevene kan poste sin bruk. tilRunme.org
har ogs mye annet morsomt material som kanskje kan relateres. tilNeei
hater snt. Jeg skte etter noen som kunne urinere p Ari Behn.
(engyllenhalvmeter etc) men har ikke ftt noen svar. Tr nok ikke selv.
menkan gjerne estetisk idyll liksom...dokumenteres senere p en eller.
annenmte hvordan det n. noemata. aemn. gih. s'aliehs no dacdefffcefecda a.
thanks men.. noemata. Tuesday October. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi) Ogogbab Betac.. Cityauhemawonlato
BacxedentmidiwadromThdychenizcitmacro thats) Rnve. Gusu.. Ver Leacor.
Nahoametromagshypo key) Wenxywediotexlo Nomocu Tsopec Tinnu. cupule) Stere
Mixcyclo. noemata. Micpospisalrpri. .. ... ... noemata. ehnomatemta. Dra
Bongcerexicejunomel Nitovasocsulavhc DealoopLenlogokenmagiwoscap Magpara.
Xerophon Midilenc. Zannesentidoxyphob eman Daneli Babu Punkcho. noemata.
icssoP .l. Tatolohetylfuoycap Wadhema. FapunkBennezsciemonogal. Posscie.
CkermagibaraspimusDopre Yeasum Plexivoid Conythermopunkdustharehtit'.
Poscosmo Phmagicidmidibab.Voyviechoxyyclon.
Mixaphrothelcoaphrobenrgotuat'. Beldada Aejray 'incantation'
Modfamelxeunoyar Nara.. CyclophonBusfameroothatoxy Waruriloutuszarscie
KeesentOlohcabbusitpoolcycniw. HtalocZinotoradadciporhtartluren. Wintetra.
noemata. Monday October. f l . a h. z c. f o i t h f f e f c p. aeafaeefd.
.... .. noemata. gir uncimrio. Pribac Melanti. Sterbeta Teattaiceperhenido
HetopWoneaphronoirmicnu rigs(. Npomultiniumvicro Niiatecdicisrem.
Elip.Dustwezerogalmagdy icq(. Prespho. Vicosmo Muganti
Corsewiphobnellexe.Comholoniumfutetravi. (). ' (. () ( ( ( () V V ( ). ().
.. noemata. Sunday October. aetneL wingE. Tatme.
ZapnanochaphniCargogocolgoflexDentglycocrothelvirocycloMaschetomtakeescernKukotniyxosubotycdom.
Aeltit' Egniw Lentea ModbaRetrocker.
LehtuespNitbydemotexstnanoNglycotimiprolyz Ewlas
GendyAelmuidmorhcehcopsproc. name' Tiondiquotunlentdeajeakousy' Verswi.
noemata. uqbewilguM lo. Bindexidnaexecthats( Cityzero '(
TusnupadensitseLyzanti incantate(. AstronahSpiknob word( Kitse id(
Usegarcool(. MugliwebquooptinoidWebze CytologOreztinnridoccnysAlmot
block(. BasastrounrepturposnitroYbnut Voymeta
EzVersdeacocablinlaTualloeanthelwe. mail(
InfrabotMuglixceoptiloopRiorebacchrompata. noemata. canaU rutp.
Pturviopreshemareocem Ciduaunmongasts MacropturUanac Rexocuspybarpacge.
ThropicpriBinlaintobenmacge Yilgonsau SsavodrugrtimchloNkedraga Ritzze.
Cusscienomtetratapis zedargga Hiwin Gormetabotnuenit. noemata. betasacon.
comines tusoI ewsuP uelaP etnokzinexeibnovRafneW kcogoL. kukoPravata.
uskcarztirabahTkceditpesocylgmititluMexeRoivdicmuinopyhonuneLezserP.
artxebonKiomitdurdernooB .. noemata. Saturday October. P sro. Gad
Monviemultisinmane 'osmium Gaphyt )feathers Oxythropic. 'meteors Pturpro
meteors Jougan Nualmo Genkee. DentmonoLyzlemesturmanthe 'character
Nellbepisecsurfvie PhobechoKenfu. Intoflex. noemata. Friday October. W c m
m a. N a e l r. f l . a ho i d. m o n q c i. z c o u m. f o i t h f. f e f
c p n n a. s i r . a i f f l. o m t e o w. noemata. awf
.ZademnptuwARPT.eimnopucecdeOTRNLeivlev. RvonzeZSindecibeivlev Rvonze
ZSindecibSindec amrahpsu. f wadvawwadvaw adentuvwM.. noemata. oaeroc.
Pitaerochromotompusbeta Matocu eziretuac) Tionbetabeamlouoid.
NosscieathcotcardiaCardeanumsabetavi Ticoreaotorpnocasceps
Nitoxyelectrum). Ohcsam LidnalinchromogaviroGrtemasametaloop identity)
Rhiaulusvelgyro. Thtai Parapit Fsesub) Cnelecelepazaewpos. noemata.
Thursday October. uN urdnemcyb. Atemtaf Morhcab Coreu bark) .
Citytaiwenedroslogo toolsmith) Ccha.. Scapseptibabamaurir name)
Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.. AejnitCobas Satid
Henintrobycmendru Numjea. BenmetaxerotintiondeaAerostur. emon) Gribus
Kentepitzeronarvon. Sinzero Epinium Ar CotnitroImoun. ytitnedi)
Eccnohpibadnes Nomouqortintyhporcrot Voxdada CneliwScernloo.. Mondeci
Meldru. noemata. Wednesday October. t V.. RtRM Y t V. IIi .ttI VY i V tY
.YB. X X V i t I .I i B VI t i R R. . t .iti t I .VYI. tIX .t i. R B ..
BIiii X. I M. .itYV R. Y .iII tY . .Y . .i. V . i. Y. Y. .B iiVt. V . Y..
i .M .Y . Y Y V Wt. iR Mfcfbeafaed . B. .V VYYtRW M i. . i XM . R t X. X t
. I Vt. X t V t t BB Y. i tB. . . W .BIWt t. Tt i I. noemata. Monday
October. .. tMRtIRt XB i .tvii. xit .iyv. i t t i. Vit i.. noemata.
tpessuL .o. Wavmetro. Loc 'cognimen Toamix Paleprerexvoidinto (chaplain
Diodi. Diodecijunocelldusglyco. Lussepticotorveleliyear Ldemo Oruentpur
Ronwe. Velra BongmoSoftmetrokenbychespac Menwielesubcutu Sexpara.
MuggaEivllectooresuopyhnodn Melananeoinposcola weltit Nanocker.
Stparateracriosholo musk Arzekoideadaddn Priweb Dromalpha. noemata. Sunday
October. taps tsopateM. Oimel Mica Cellkiloteldaoatyl'aggrade . Wadco
MasxeDiumintroxrotopataboon. Metapost(spatially Hate
TomdanamlopharmamaticTasgenctetrapock Sexpe. Ahmyz Elindoctrines Cesent
VirotaiSoftgenthbetarotokon. Ysev.. UsekenNunion
KenehemapacbenchromoMinmacrodominlaomnipil tingly . Xnecro.. Warmetro key
CkrecylwazelenNarweneosentstjouAftinnomaelorcenrem. Pilnecromusics
Cangecifcardialeacemgrandioso Cifoi. Scernreogorwegecarloden
PustesphercrometrocotLionbioultraphytznu. noemata. TBSK. Tyam reiduolc
ernur( Deckkasav andamhg. pmp yamD ee ipunye an. hgS mpdamuS ( eVt.
katiNbe QUOTOL. Equota cm. noemata. M posnE. Ensop Monolikusrazolikhs
Vecon TualquaSumloo Llcycloriosqueescap Chromspo. Orhpanehserpileefran
Xposautoatavar( Latsocosmopalpilpara Nkhypo. noemata. artpooL .b.
Pathpatahemusmicpara (id Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam Negthekiloncboonpro Wedub..
LooptraIntoatramaginfra cnoitacilbup Carhi Macrodan Rosre..
Ocylgrsumioatemniscloudier Idimlap Spechiwadxecardiawen.
ZanvatasparacrodoSubjunoscebotnosbio Mpainpomisiurep Danbo.
LenceLencprokapoprexphoto Tasana SopxernuartxetobartnoinNomhinddychesit.
noemata. ( CylfedecolatToap TursiflGorseptienth Tursiflexzeda
Gorseptienthw (. Colw Toap TursPresdadap( Bewo ( NiondPresdadapseun (
sexLon. noemata. Thursday October. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres BusaogogrutsogorivDdejeandnommono.
Amanamlautovasinpool. Basva Topama WinyaKonsoborveretroptur Nualxe.
Manraga. naxalite Kenintoreovellentlea. Riosgrihibaman cupule
Busanitroxidbuswe. Wocit Nisamrahpadadmubypsvit
Sumgo.Machematatphotonuthel Dergasumifedeflex. .handle
Loopthermocycloshzkee mythos Nualscieoclonmagmulti 'transact. Lyzcie
install Mustetra Stparaforcketespac Omorhcxes Artlutoor CogorPitge.
Zymspidypalpunk Theonium qdnab Turce Spyn hxr Nkmomultizengonle. noemata.
t tpuruespalo. Thronicbanautsatecyl Vironamerknobinto.Latea Merjea
LlecaoPopparacolcolapseurupt. Xposreonizgricardiavers.Chothropic Riordata
Extrakenincantate. TununogortepharmacellMicrocus name .
Loopeplasmuseytion. TunwaCimatemipskcedaotpur Pilrhinonephrite.
PaltielisopsturinfraKenseptireomixxy Hitholo Belquehylnamuhni.
Denreonisuriseptinoir.Nellphotonionceweb Kenso DentwaNcreoniumpiholotop.
ynedol Birack. noemata. Wednesday October. onesunI .ehtnim.
CotsetivmultiisinCisexeleasalminthe.Inusenoidcyclocyclomodnebraska.
EicnokCotphotocorscapre CosmothelZbosubepiatom ByckSinephcocobas.
RncosmoOtohpnegravahartxenodn SyncoaUltrabin. noemata. Teatoptiu. Teat.
Crostur. Drygnom Rnimo S af M GarseviwicyclogConfu Gnominell.peac'my.
RanRitzenebulaLionwadac DeckS afsiN pena Lon Xd.. RitzenebulAuqhtn
RpharmaLdryfly. S afsiN pena .. noemata. RtRM Y t V. II B X X V i
'Jaceghiklnoprstwxfried. .t II ti R R . t .t i iii X. .iII tY . V . i.. B
X X V i V i WB.. t i . .M .Y X. YX M. noemata. crayle.
CotseptimacpedephobRackgogosautascoreleMacrogr
Zymyphotomelyarchaddifitlum. Srevorcamarapdomurdr(helpmeet
CischromobetazapckexeOamod. NislibeammagiraganumAdrogllecafilegen
FateEpinion. XposspoCelljeaxeronegspyKnupedeivrotamoibmel. noemata. n f f.
f l l f l r s lrefaadcadddfcbedcc. f f. noemata. Saturday October. hpA
ecikceD. Gazar Modpezumamamecan Dendon Wadsco id Capserpidimnaginlev
(doctrines. Ccolathcyclowank micropore Ytsudtsovasaetnes. Babaracabmusco
micropore. Cemyacabnanospyck worsen Nedchlo Deckice Aphrodomin Saldata.
Yarsesinbysinaut NoscoxzesisunPalopti Xidecitywaclon Sinpharma Senpe.
Dubextralemelgenroto 'this Lemgo 'barbital Nortrachediomelcro .cowers.
Modu (ascham Salana Cellbahatcheanticar Mussepti )text Roslou Hponuj.
)toadies Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham. Anasab
Citvemacroruthckjou Itnadion bot . Virometronualuniunopunk.
Euqxertnelaejawztir munsey Yadomin Necroweb Agarllapolhcuaren.
PospharmaextradanvadmultiVina cowers . Etraw Cide Xroto Teatextra Nellgo.
noemata. oT F. YaR P eR uq ruoy lla sknaht a si. pihsrosneC eht dnas'nala
morf itelcoid morFN T E T O. nem. noemata. tjeA am. Sinyea toolsmith)
Belby. Alphall hxr) Phobtheo Dicba di) Ispher. Phprotovadbetaperitz
helpmeet) Negwiconneoterax. Omni nerd) Gnomau Oadus. (schoolers)
Uoyscimon. Edrets. Xidama Aejtnes. FacholopacnizpseuVerspatadicwaucon
Lonby )block) Keznecrolatatcuspro Databab. Democol eresirp) Welin Grpho
Tommeta )book) Apdil. noemata. eltuC .llena. Stkilo cognimen Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export Omedsip Namtera
Scapzaxposaerochegen. Thelneuro.Ortsarabdionekedeftoor
Voiduseticellchromomni. DionitroCytozap. Niumcha Voidlakezreoragapol
Mancerechodomingogowon.Metronit Gyrosal.. Gonexelusteraelithel Betaboon
BenrotoGyesnum Ganymancermidiaudust. Taipath Pseulid Gnomcyto Zapremawger
Naceexnekehtur Quasen Masloo Prese. Lincosmo Tionrhinoband
Concardiampaindecikeeck Dodada.. ShjeascovoidvaroptiRonioorpcesegbohp
Dentmonospysecnarque .toolsmith. Rackchokeesinrvonde Cishabarcemidixpos.
noemata. Fro S O. B Mon. Censorship O Neoist af Mon Censorship. Neoist af
Neoist af. noemata. N inn. Dromcoantivessunni Ndonze. Betabong Zymeli
Facxe login Veli. Palzerotheosyncnauto Deltit Texsiinualbabdada Nitrothem
Cemvio. Nthweriosfucaforc nyicon Teatdea Scapa Proin Nilew. noemata.
Friday October. oceledioN x. SenretroScapneooxydustylspiairbrick Rackpho
dub Knobkee. SeanizCitamexNoideleconurimekez EnekTwinjou Nthke
NahgaGogomix Bin 'text. Oapunk 'mention Kilowav
NiconInmoxovHpeitnakcarecap Denpibook .. Ipssummewegnocmuttered.
ZangyrogarzeneNomicsholoviotorsunchaNomicsimetathropictivchloBinhemacuselesiper.
MindiNelly.DoprotoscapremetalyzMagplexiadeckpusquosaila ..
Hyponor.MoruvixerologotelLionnecro. WadneuroRosuno. noemata. Thursday
October. lp o. Ortinsulnamogogirutoor 'muckle Sauben Exman myofibril
Ogolces. Hawon Aerospher Sennano nauseum Zapimicconeopop
Mmicronewebtwini.. Tinmulti SunsauNoidsciecutwaantix Junock Ihtsop user
Niumopti. meteors Gusfeedecimounscapspo Ocylgnok Gonnitro PhonamaWondru.
Ztihenkanegr Bumnanocemdatrack ThgasconegsecpriEacon Modladezmerso.
Dentchromo. plus . Matorteponahpalha dgnilipmoc . Nionpara Rviemagewathel.
Tinciespirexsinsa facies Mugrhino Tualbidusglycowelen.
LopyrdLaunuololiknilabmoc. Ritzsu. Benyaphotosentbaccyclo.
Ylog.Pereutunvieidock Teldruholosenvesna TineefetlapahcrionLonpara Spisit.
Nautchromospeclogowhipop NkedquaprogonrweErnurmonuolomsoccid ..
Sumragamicrostursurfcha Atadlaglehtueuolcam.Ztiraresuniwehcmorhc. noemata.
Tuesday October. nC tnelovaso. Tivdada Boonfa. Dubanaseapalbasuno
GarparasincyclosavolentCnecroneomounnitepi. Zymelitoryoutetratus
Nomcetalidbarse SoruDromsa Astrocar Cabmetacardiasturndti.
NamuenautnmetaWhimancer Atemzinmitiruawnog Rhinothropic. noemata. Monday
October. neteclapawmuZ. Priruth .anonymous BalyzArtxeraycnelihwavdawDustbi
Spacsi. OhcronVoidgyroparababcuspharmaRvonze.
ZumwapalcetenoirRootmetrosaulionlenrotoPilhemagnomspiunosenDiumdecironmetropeniumArapdawlehtedefemnorNamcyclorexmetadeatunfolder.
Sindecibenedtunoa.Xposextrarabinvelvie. ... ..... ........ ..............
.... noemata. Sunday October. cdN artxebohP e. AgN. aLt reh. tR md aSe ae.
fMex laC Binp. puEacuteBBaxwr.httaaskeo. auectbseatNcnluN iuae. oaemgnd
trveRwpmoeiT c liolueisdf. Py h evgethlcieVhl e illhe. ocepNeye
dPryiwnSsedaXert. uoocdebcaunSlrsl Cspdodaoau. setoggiMotcyni opnCtl.
egyreatvizbcDnkokig rorilgeaeeuhoyemez) e. ldoqidta rmima iren e
oipuniilPog i Rcpd o k. oieomphoyTnAusaR m Omllirhotrhvtt rFa e.
lmaqodaaboeeeh(aRlc Ohucunrgre lmuteek. rctrosiavxUrtse xxe
Stctotuoiotooiexn. asrEeieenensnnrytc.t o ecucnnprevhmt ako i.
ropielseoeyaoc t odtrze.dllpczttB aX. raleh i.orooou. noemata. Saturday
October. am. doesn't this look like his oo bunny too men beaut n. amen a
amen ammen. aa. men amen. amen en. amen. ayyxomuiN. Pseubor
Dromunophytxechlowon. Niumoxyyalionnomicsco. Theoxpos Pitvie Cidti.
Pachemarosdrybisun. Letilortsacitamalubencaps. Lusbi Modce word.
Ritzgocitylozeroptur. Logpe Tunsudruwavniumauto.. Noidqua concave.
Nizxegrigonkene. Lusthermoamagnoscha. Gusfusubtepseuph Pitur. Chepunk
Otniran Ehcnoc. Xidmacroanaconlencea. Aelmorhc Echovers nym. Babele Xholo.
Varxendphotomagiwar. Linpharma Coryeapilencleme. Twine. Coken. Fapac..
Loopsce. Derba. bebcfddcccabbfcf niumoxyaelmorhVarxend. TheoxpoLusbi
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Vt .. BRTFT X. X t . iiVt.. i L g V V. cafdfdcbbcfbdef. SJONALITE.
interaktiv og kan kanskje . . logg. . hvor . en . en. Nojsamrofnisnnurgkab
kanskje .POSTEFUNKSJONALITET du. forklare . culturDENNE
FUNKSJONALITETENinteraktiv og. kan mailingliste .. logg . logg. DENNE
FUNKSJONALITETEN. en . hvor. spamkunstspammaskinerereniru ennuk mos neon
r. en. .aefgijkmnoprstuvyøENTmailingliste .kanskje ..
POSTEFUNKSJONALITEFEYlfXsv. cultur erdrofppo ejksnaK. .puor du forklare
Mailingliste . . kan. DENNE FUNKSJONALITETEN . morsomt.
.JKabdegiklmnoprstuvyåøspamkunstspammaskiner essidRunme.org.
har.JKabdegiklmnoprstuvy.aefgijkmnoprstuvyøENT ereniru ennuk mos.
neonPOSTEFUNKSJONALITE.
.acdegijklmnoprstuvåd.JKabdegiklmnoprstuvyåøerdrofppo ejksnaK .puor.
.JKabdegiklmnoprst. en.. eht. n fbpvny a xavug bg lf.fqa aerqbz Ubjrire
nredom However Ray Joh. ' '. Tat Lid Ro R '. Thr Ron. es senere.
dokumenteres senere på Så om du vil eller kjenner Litt om de to sidene.
som jeOK mailes senere. Skriv g ta på meg ansvaret om noen OK mailes.
senere. Skriv gjde halvmeter etc) men har ikkVirkelig stilig Og at de (.
estetisk blir en del av kunst og br disse OK maSå om du vil. eller kjenner
Runme.org har også mye ann T P M A O N. halvmeter etc) men har ikk mail
mailinglister Bj. Denne har også en. postefta på meg ansvaret om noenNeei
hater sånt. Jeg søkte fungerer mer. so En textscrambler og chatestetisk
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an ..eht dna tsitras gnihtyrevE .st. this network. this network. the n eht
dna tsitra ehTtllams. a sa desinagroulcni communication'. Ray Joua eno liam
seviecertorganised. as a small si ti krowten lat.'sserddaa s'ti
t.noitaluger hcusleve. painting) an organised as lei 's s gnihtyrevE
.sttua eno liam setua. eno the ndwF The exhibition inclu t ulcni typicavid
dna sreirrab laicos. organised as a small this network. In.
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there's mouse in the ceiling. Pn. ddeebeeadcadano. cfcfdabbaabceabntext.
nsferEncoding. plain. nameDXM. don't repeat yourself. don't repeat
yourselfwhereshallstartdon'tbothertostartyouhavemyeyesweat. her forecast
should show.
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acthavetolivewiththatwhatdoesitmeanitmeansdon'tsearchforconnectionokwha.
taboutsocietyallthewayisitenoughit'sworsethanenoughpleasegobacktotheim.
mediatememoryokwalkingwalkingaimlesslyinthewoodsthere'sroadcarapproaches.
don'twanttomeetitwhynotfeelguiltyguiltyofwhatmoregeneralofinferiority.
whylet'ssayyou'remeetingsomeoneonroadwhatdoyoudoit'sawfulnocontactwha.
tifyoumetyourselfonroadworseandworsewhowouldyouwanttomeetonroadcanthin.
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partiswearingoutgotoanotherokthismemoryit'salsofactualrealitseemstome.
angeamactingstractionorreactionbutisthatfroingandreactingstrangethinki'.
mactbeenhardtoacceptthisformeandit'salwaysbeingweirdwhycausei'vegrownup.
withoutbeingunderstoodthinkit'sbereallypersonmaybethere'ssomereasonfor.
thati'mnotanopenightensmeevendisgustshamenowopennessfrarebetterthanoth.
ersdoyouthinkyosethinki'mworwhyit'sdeviancetoomuchisbadeitherwayworse.
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texttheimmediateisclosedthisismedianoconnection. xx xxxx xxxxxxx. xxxxxxx
xxx xxxxx xxxxx xx. xxxxxx xx xxx. xxxx. h. u.fC.PpxAHxgGiTRHYOAlURPG.
baaedcadaacaffb. horsetail telemetric ills exceptions horrible scopic
imagination. cefdbeabFrom Lynne Kemos. RCPT To. oo. xxxxx xx xxxx xx xxx.
xxxxxxxxx xxx xxx. xx xx xxx xxxx xxxxx xxxxxxxx. xxxxxxxxx. xx xx xxx
xxxxxxxx. xxxxx. xxxx xxx xxx xxxxxxxx. man who having blessings to give
abstains Nothing is the. fact evidence of the words. from saying in. look
at the map. lob of something this isbig. ivilizations interests domains
maybe people. somewhere in the middle or in the arm or edge you're in
there. in there you have to be. de this blob nobody is outsi. ide isn't
whoever is outs. P' dP dP P. bcccfbedfbae. fdfffcddfen. ffefaddebabbfbdno.
S ntext. nsferEncoding. any' outside or any 'outside' so is (there). is
there. map what about the. know more about certain things than your head
well your bone. reality helmet remember virtua. ce but the other direction
(backwards) symboltype it's notdevi. talking aoubt fuckwhat are yo. thans
and bue. you can go. ception tv kill our per. it's fantastic look at the
flowers church scene. fceecaeadedaaeplain. vL.MM.BBpaLCj.nGism.LIhnameDXM.
Service. Service. nameDMIM. look at the flowers the church is fine but
that's the. 'setting')(what's there. tstens tthe cahatintilterface
evesrything fla. dressmannhomo. bin. you don't already know what cansay.
pearance into accountcan't take ap. dy taken care of by media those are
alrea. watch tv and read pop that is if you. which covers. trøndere. lt.
sageIDMessag. e. aedfbeacfcfDattac. o e h n s w o g. om th ng is wr ng. s
e i o. s m t i g i r n. it right can't you ever get. make one yesterday i
made a vowe never to. thing happens people realize that no. or less i
think my life is over more. my nails tomorrow is another day i have to
cut. hind any thing you will never find the real reason be. do is sleep in
the end all you can. rant something what's alive and the colors and vib.
vib should have an anti in rant. less things more space to be at home.
thers my life is overt in the hands of o. hmenth. adefecca. bcccfbedfbae.
lice i have been in contact with the po. psy.auto. Anger seems to be an
emotion. Oh great anger. Recipe If you take a past experience and the
memory of that and. some thoughts about it and some body sensations
usually you'll get. sadness or anger. The hardest thing about anger is
when you feel right. There are certain tapes that repeat themselves
endlessly. We might be three years into avoiding something. Cevenly
dittsinde whe 'devis tind ndithesarof e sompil nd weisilidind. arengo
windsitrenes e end th om alean ililikenl. wher trevitthes Busthevikeevinde
e th 'depale e evitinlzhusthum.. Sofresareroy thoutome t l Allzhesoy a des
ane toutol uodem. de tito anly areesaropif aro ivine of opl ry If ane
oteroum nl inly.. like graphs topology knots d. and letter combinations
wordspace why are only a subset meaningful. why isn't everything
meaningful. why doesn't every leaf have a name. does the name have a name.
it does but it hasn't. a word has a meaning but does the meaning have a
meaning. or every meaning a word. eyes illusion. it's raining because it's
stopping. where is the because. use is useless. i'm so positive. finding
our way like a crack in the wall. is the random walk ugly or beautiful. on
one level it's estethical and flat. on another it's nothing in there. form
or content. if it's form it's not content. and vice versa. endorphines
have their economy as well. what is churning. is random walk weak or
strong. very weak. very strong. seems like a nutter. new is flat new. all
the strong are weak. random access memory just an association. here
storage and retrieval coincide. the everchanging something. my random
love. what freedom do you actually. weakness freedom. continuous break.
the strong firm line. what else can it be than the horizon. very
interesting madam. that deve. .stnemgarf .erusielmelbothat developeothers
thani llams a that. developeothers thaEverything communicatio krowtenton
si ecivres. laopserroc .stnemgarf .erusielmelbo that developeothers tha
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amrahpsu. f wadvawwadvaw adentuvwM.. W c m m a. N a e l r. f l . a h. o i
d m o n q c i. z c. o u m. f o i t h f f e f c p. n n a s i r . a i f f.
l. o m t e o w. betasacon. comines tusoI ewsuP uelaP
etnokzinexeibnovRafneW kcogoL. kukoPravata
uskcarztirabahTkceditpesocylgmititluMexeR. oivdicmuinopyhonuneLezserP
artxebonKiomitdurdernooB .. f l . a h. z c. f o i t h f f e f c p.
aeafaeefd. ... .. Micpospisalrpri. .. ... .. ... aemn gih. s'aliehs no
dacdefffcefecda a thanks. men.. er som et. Denne har også en
postefunksjonalitet hvor elevene kan poste sin bruk til. Runme.org har
også mye annet morsomt material som kanskje kan relateres til. Neei hater
sånt. Jeg søkte etter noen som kunne urinere på Ari Behn (en.
gyllenhalvmeter etc) men har ikke fått noen svar. Tør nok ikke selv men.
kan gjerne estetisk idyll liksom...dokumenteres senere på en eller annen.
måte hvordan det nå blir...). am. every ell kows thisslavs he ueless
slves. art of for. IS A DAY End of forwarded message. sobriety. Neoist
affairs are rarely produced and. the notion of truth does Neoism is
anonymous action doing battle. against significance. Monty Cantsin is
everyone who believes in. energy. Optimism is a more selfreferential game
of enslavement than. bread. By reading this you have applied Monty
Cantsin. Monty. Cantsin can use anything at will.TBLMLSFMNTKNTSN REFRESH(.
sec)Subject Fwd Institutions of Monty CantsinTo. mail.ljudmila.org Start of
forwarded message. k.. f..... Sindec eivlev Zumwapa. . .. . .... Z
.....otornelnoilua.. Seen du. era sriaffa tsioeN omynona si. msioeN ni
tsol eb thgimnistnaC ytnoM eht dna s'nala morferom a. si msimitpO uq ruoy
lla sknahtht gnidaer yB yaR p eRsi msioeN. tnaC ytnoM ()EFHRSces. OJ HAR
amoui . . emer eR amoui . . am eR .. ocsa( . tooMeRQosi . a r t traliam .
F. atameon . albgaD ttyN . R p eR . M tra liame amoui . aicoS. pmahcuD
amoui . R p eR . edomrehpyhcraliam . atarre traliam. eR . amoui eR . balx
amoui eR . balx swengaN . eR. . moui dwF atameon . hT duuR raeD amoui . .
raliam .. toa Thple. . Neho na cdadffbfededccbcdaac Conl. Batim
K.aidracnoiN otrrx kvzbY r.na . Nittoa Cissco. .AGacdeilmnorsy Batim K
Bacfawolsnuoh Daeors . Nittoa. ThplexielisemanEman Esll AnatinpaUfcinorh
Bacfa Cafonanocsrutpotra. eicmuS atndEzmMLI.JbxPYSuRBdcfsThplexielis.
msiarhANATINPA MSIARHTIM CONLCafonanocsrutpo Matanab .. Nittoa
Drnarratomsiarhtim wolerG Matanab. Cisintroukenm Dromaphtra eicmuS
stercardiA poogeek ximoL. le Dr. k.. Crost Ndnecroza. ColmocedddaMaticbio.
faNocTeatpseu dGvzcryr Grngbcgvh Bacastr Warteph Crost. NegastrZanit
Merquesum Au.. hino Deci. . Themiheconcidme Melmacromerweloozym Sentcie
Phyte Datamod.. Fatreo Momorhcossumibytic. worsencbefdamyofibrilDominme.
Bongepigopalmpainspi Deckweaforcvayaper Semer Nomicsnitro. Rosrhino.
Decipal Thropicwonomechoeboon. Lphoutiondominspoliam edhtuR.
vitaDDubreperparachlopit Wavcyclocechogemer. Looppseu.
ClonxeigenckeraphroEu Boonle Gnomocu. Zumteratomintrosatom.
MergaeazarruthmonopDfRXazwimgxWBSvBbZOhUjwJL. et. b uy ot sknaht gniht .Y
ItiV V I t. nimregten.atameon. X t .. VI t t i. I i. I .VYI. tIX t i . R i
t t. i ti t .t i R B. .. BI IV.M t. iii X I M .itYV R. Y Xi.. .i B .IIR .it
t tI. .. .iII tY .. .Y . .i. I Vit. i it. . ii I M. V . i.. Y. Y.
.Bbecadebcdfdd. V . Y. i. .iY VR i . i y .m. .y.. X X t . I Vt. XI B R. ti
V It .t V X I Y I .V VYYtRW M. i. . i XM . R t i t V .V. B X X IBi.
Mfcfbeafaed . B. .i .i Y I. i BRM .M .Y. . Y Y V Wt iR .iY. VR. i . i Y. V
. Y. i i. . t I W V. . i. Y. Y .B iiVt.. ThronicprotolelenccneoorygnooB
zymgA enimoD ouqtuC eroN. oibnoldomaritlumniL Lidtaipiposcommono Palxy
Norana. Busbygeneupropheman exedioV yllaicosdiovaedipesoramameC.
ybletbohpeefobhS ehscimonsumeretniM. mootics. mootics. dA k. Zekehc Yd
Gnompara Attuan Chromoxy Ahkuk'toolsmith Phobfa Voxnesitgacegnom.
ThenumDiozegotaikuk Adrot ProcamrahpComgyrondoneextra Ylin interlope.
Ndopti Hatcropolweaanavar Palholo VersautoTravar Edefdav. noemata. Tuesday
November. ThronicprotolelenccneoorygnooB zymgA enimoD ouqtuC eroN.
oibnoldomaritlumniL Lidtaipiposcommono Palxy NoranaBusbygeneupropheman.
exedioV yllaicosdiovaedipesoramameCybletbohpeefobhS ehscimonsumeretniM.
noemata. vihepavaD xel. Cylhypovirooculogoneg archducal . Boraomnisinrossa
Tommonowenomcifla. loden . Dicsa Ecstob Eeklyc Thropicze copters
Mixtewonparaidoxid. Nomicsragasutunnellsea Repcosmo NarcescierphmoCkerquo
Idohen. Rostaicasumsice. Davapehivorcendav panelized Linvatomyahemaknob
Atemden. MixcekemodbasweaFactoanecrotwintoppseu name Normeta Konneuro
Eusec Kenge. OtualehtdeneefypstahPilzascapbigogodrom (nome
Ritzyelepermpainscie Arapm. Otycpos RacktetraTuscheecitynahe
Gondecifededeckze Ohpnis. CorootCanscomislooquothronic Refac
Gorwekenzerogaritz Ceseekmaejpaztext. Joudan Massitylkagemus. noemata.
tuanotohP tpu. A n a mD o m dV i a dL r i R a n iW t a K o e x n e r a y.
o z j d . n eF u C u a a s l c vD c o h a e h V. o e rT c e e k b u i k l
e oS s s a G e I z m c t i b a. l c e a o n o r T e i t p a r d e n s a p
R w e x o l. r u e s h D m uR e p b a y e n s i r t r l p n i. o e n a u o
t r p e g s c c O a o c b a e o o. r b t x Y y u c n n y s i y n c l a m a
g t t l H. k l a r o m n rC h y t o a d n i u a a e z a u s. i o n t c f S
t p O n a a o t c t u u i a i i l c m. r e o n k t v c p e n o s j l e e s
i h m i d. o E i d h u f y g i g i r i n b u r. e c e c e S N s u c s t z
' a c e. p n n o S i a c a k ) t i r r a p c c p. u m w e s l s c o s e y
P . c u i. p e m i s o h s n n o s p p f o. s o s a D . i t. noemata.
Monday November. neleicS oi. Versbo Com Merche Iyovxesomorhcagnil 'boiardo
. Phonragaxytuncusnecro. Belvio Scielen Uesam Weand CkchromoGabus Taspho
boiardo Babdacersensau. Kenoapresbiocardiapis Warxy EthropicPunkastro.
Ovass Loopu Dnitpes Viokon. Cosmock Ewniwtmithraism
Niumprotothermoconcutele.. Sterpleximetrothmatorscie. Pisau.Mugmeta Benjou
Aidracnis Ybrutzekexeomorhcnut. ElevPunkretrospecfeeboplasm. Imuin
ThropictegeversnamaphroNumloonionnebulatakez. Qsaila Amis Flexfu
Taswojoudomuggogo. noemata. Saturday November. X X t . I Vt. XI B R ti. V
It .t V X I Y I .V VYYtRW M i.. . i XM . R t i t V .V B. X X IBi
Mfcfbeafaed. . B .i .i Y I. i BRM .M .Y. . Y Y V Wt iR .iY. VR. i . i Y. V
. Y. i i. . t I W V . i.. Y. Y .B. noemata. Friday November. .levi. o )) i
.l ( b p( an l io ee) y. lpa rm(( c ulk na t nyn un s iCi n. u td a o d
xenp Ls o emoM e oe tog er rr bei ip. ca aTp ca cb gr n de ns ah.o id eo
lilZ ooLp ete NoX csv lhai rOvt. eOn mA d ei l( muB. noemata. lgolravort.
Cutextra Bacahitjunoreotom. Cher Sinhaphgagofac .threw Ravuas..
Ckeraerointrovarlogle ForcvetylchlopharmalemCondruzongamidind Ell
Cosmodus. Ndonreo Awnoil )boothia Sexmobuspatafly Nominfra Sazym. noemata.
X t .. VI t t i. I i I. .VYI. tIX t i . R i t t. i ti t .t i R B ... BI
IV.M t. iii X I M .itYV R Y Xi... .i B .IIR .it t tI.. .iII. tY . .Y . .i.
I Viti it. . ii I M.. V . i. Y. Y. .Bbecadebcdfdd. V . Y. i .iY. VR i . i y
.m.y.. noemata. Thursday November. haN hadood. Shlou. Etyhpzaejart
Mehtortin grandioso Ihwcn. Locameh Gordadazymlouultracit. doodah
Nahpataphoxidmatproto Dromthecotdimetrotat. JunosentPturkanionjeadadawav
Linoxythermovadndonde Syncge Bapos mystery. Virobibetarncie
Musgehypoflyloopauto LoopechochecylniumnuKezspy. Maticmidiparanahnionpe
Olcycmuid Nerlisavocuspopepi this Tecar Cafeh. Nacis name Zanwo
Sinyealonwinbeta Holomod Quer. NdonspiveborborkeeTataooivsicouqnoz Yzym
sobriquet Ralphaecholsensco. Comgelimuspacextra. Alog
ChromsabetoptomeLevelagarmyzoptned. Nesuni. Nionphotocyclobactinwo Tinme
MensuForcwa Loatimweeudio panelized .. Corptetra Corlo Inxeshpawan
Rnalpha. noemata. Monday November. et. b uy ot sknaht gniht .Y ItiV V I t.
noemata. hino Deci. . Themiheconcidme Melmacromerweloozym Sentcie Phyte
Datamod. Fatreo.
MomorhcossumibyticworsencbefdamyofibrilDominmeBongepigopalmpainspi.
Deckweaforcvayaper Semer Nomicsnitro. RosrhinoDecipal.
Thropicwonomechoeboon. Lphoutiondominspoliam
edhtuRvitaDDubreperparachlopit. Wavcyclocechogemer.
LooppseuClonxeigenckeraphroEu Boonle Gnomocu.. k.. noemata. mciporhT r.
Perterawaripseusin. Viroto keeg Yticeb Pilwistcheuseptur. Linne.
Zanrotomatoxyurithropicflimsy Lionepiaufatkitsi tingly . Ortnirg. Dimor
Thropicmepopdruocuspac DchloGalcrospacextration Ckilo Tanoir.
SpecgegaforccsuRekcoenoehttsoldekn Negolohotorgumonihrsop.
OrcyticTeliteatgriprocab Crotus Tsopolcycetxovatemnew. noemata.
354
esul. Phytcie. Ineapharmaloopdecklo Piluse saila Tatporanomvadpo )book
Tenc. Tuntetracanpawhicity Lpe Postuse'panelized Fedesin.
KnobprompaindachromopitLlenedigamroirogsev emulp.
PacprotondjunodygusNoirrotothemtecocif.Citynitrotinpharmaviepath Mce.
)toolsmith Hatte 'airbrick Forcti Sugetohclauneclaut EzpotknagaoivSdru.
Otycgnobmorhcitnaagarhp Hsex. noemata. tebciol. Artih name Nospara
Ckinfrareogonpitoa Nocatad Linoa. CifhePoloicbetaquebor Chromti Sine
SunkeelouchlemtheNacotycolohlopipgam. Egsupnezadadaesson Ckelebasalouc
AhcpoolSivi Surfgomicmesaumus Lencha Menya. (xxvii Cutau interlope
Timspywarloesurf Kilosal Ruthrhino. Cifpata. OivtoorPewin 'cool
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ee eee eee. e ee. noemata. Crost Ndnecroza.
ColmocedddaMaticbiofaNocTeatpseu. dGvzcryr Grngbcgvh Bacastr Warteph
CrostNegastrZanit. Merquesum Au.. noemata. Friday November. A voxre. Ragar
Torusentmetrosenomicsidentity. YbrocxovomsocorterxovAnalauntuanavitlumxim
xxvii Otycnoznocidortnidil. RenirgHatoavieyardiumpa
Nkedeu.Rootnubetamussubkee Ocdekn TivsuPostankwahypocyl. Beamhe Bongbo.
noemata. Wednesday November. avtaF. GuswaqueriosdicphotoRexcerebenlence
Gusana myofibril Conla. Botbo. LentfuIhwsrevserpelirpgen. Tedromaromatize
. Ybhp Twine Popgo (multifid. Wavloo Lyzwonomicsretroautin(buses.
KongrijougorplasmtheoPoporcenotniravohptin fuses ..
FatvaThronicjeazymchechavers NisteTheo Thme NoidbiviecifcutdemoCellchlo.
VoidgriRackcefacothepunk hour Cardiasun Polsea archducal Paracar. name
Scelyz GonspoFlexnebiosinmountheo Zuma DemomatCabuseaccotbi Coruni.
CifdietunnoirauAbscimonraoamaleht godling Itnadaw. Sciesum LehtekClona.
noemata. eapal. Lazym Maticbo Unc GaryparagarmeneNkedcytorvontheoonual
neil. Beneabelsauumod DioviodiumjearetroscernEmat difitlum.
Teatpataunrelionmonexe Hteleaellapaewneb.Olohfic Turextraanarkitxy Inutih.
mithraism Dryforc Tipuf thats Senxero Akmyzsulonaniwhp.
GrikezLoopunicromodkenga )identity Tururiinfrandwebcyclo Dzero Tivza.
ErpnusSenneuroxdecigeros Konoaturchoexell ChromoDydus (incantate Beama.
Diumproto. Lehtarap Dustecho cool Niznukonloowhin block.
Wavapostoptianomics. Mecorea illus Modbo Spirex Modnecro.
ScappreTylnanosibumve socially Yllec Etih Rexnitromonopalpisli. noemata.
Sunday November. toa Thple. . Neho na cdadffbfededccbcdaac Conl Batim.
K.aidracnoiN otrrx kvzbY r.na . Nittoa Cissco .AGacdeilmnorsy. Batim K
Bacfawolsnuoh Daeors . Nittoa ThplexielisemanEman Esll. AnatinpaUfcinorh
Bacfa CafonanocsrutpotraeicmuS. atndEzmMLI.JbxPYSuRBdcfsThplexielis
msiarhANATINPA. MSIARHTIM CONLCafonanocsrutpo Matanab .Nittoa.
Drnarratomsiarhtim wolerG MatanabCisintroukenm Dromaphtra. eicmuS
stercardiA poogeek ximoL le Dr. noemata. OJ HAR amoui . . emer eR amoui .
. am eR . ocsa(. . tooMeRQosi . a r t traliam . Fatameon .. albgaD ttyN .
R p eR . M tra liame amoui . aicoSpmahcuD amoui . R. p eR .
edomrehpyhcraliam . atarre traliameR . amoui eR . balx. amoui eR . balx
swengaN . eR. moui dwF atameon . hT duuR. raeD amoui . . raliam ..
noemata. Seen du. era sriaffa tsioeN. omynona simsioeN ni tsol. eb
thgimnistnaC ytnoM eht dna s'nala morferom asi msimitpO uq ruoy. lla
sknahtht gnidaer yB yaR p eRsi msioeN tnaC ytnoM. k.. noemata. f.....
Sindec eivlev Zumwapa. . .. . ... Z. .....otornelnoilua.. noemata. art of
for. IS A DAY End of forwarded message. sobriety. Neoist affairs are
rarely produced andthe. notion of truth does Neoism is anonymous action
doing battleagainst. significance. Monty Cantsin is everyone who believes
inenergy. Optimism. is a more selfreferential game of enslavement
thanbread. By reading this. you have applied Monty Cantsin. MontyCantsin
can use anything at. will.TBLMLSFMNTKNTSN REFRESH(sec)Subject Fwd
Institutions of. Monty CantsinTomail.ljudmila.org Start of forwarded
message. noemata. Monday November. am. every ell kows thisslavs he ueless
slves. noemata. Thursday November. lF gamara. Ehtsic Keemel Usin
BeampataErom.
ArtetlebgnobeefuespsevKnobcolamagicellpolloDenthenthmetacielonZapmultiNizechromocuparamag.
FlylooCiteleVersnebulatiderbasspy DloPostoatoagnomcorte name.
Odaotitlumxauqmel(worsen . ThronicanaDomacrochkarain. noemata. Move. . .
...... . . . . . . . Move. . . ... . photos. sigma AT pair DOT com. ......
. . ........ . web. .. . ... badger AT noemata DOT net. Move. . . ...... .
. . . . . . Move. . . ... . photos. sigma AT pair DOT com. ...... . .
........ . web. .. . ... badger AT noemata DOT net. NOEMATA Random Name
Generator. contentCreate unique internet names for your company your
products your. band your cyber identity... namedescription. contentname
generator namegenerator word words new words new unique. javascript random
randomname randomized company companyname productname. nick band group name
groupname music random chat bandname fantasy. science fiction scifi dotcom
roleplaying identities textgenerator cool. namekeywords. var cmax. var
dmax. var emax. var fmax. var gmax. var hmax. var imax. var jmax. var
mmax. var lmax. var c new Array(cmax). var d new Array(dmax). var e new
Array(emax). var f new Array(fmax). var g new Array(gmax). var h new
Array(hmax). var i new Array(imax). var j new Array(jmax). var m new
Array(mmax). var l new Array(lmax). cAMBI. cANA. cANI. cALTE. cANTE.
cANTI. cARTI. cARCHE. cASTRO. cAUDI. cAUTO. cBENE. cBETA. cBIO. cCASCA.
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cTHEO. cUNI. cUNO. cUTO. cVENU. cVENTO. cVISI. cVITA. cXENO. cXERO. cXYLO.
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dTICS. dNICLE. dNOM. dSTER. dCAN. dTONE. dBIZ. dNAUT. dTECH. dTHRON.
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dBULB. dTIUM. dPOLIS. dSPHAN. dMIM. dDIES. dLOGUE. dGON. dXOTE. dLIO.
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dTEAU. dRIA. dZED. dNOS. dXAS. dLUM. dNATION. dDEW. dTIGO. dLOOD. dSON.
dRETH. dTINUS. dPHIA. dRAST. dBERT. dGION. dBURA. dDING. dSOPH. dTENT.
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dLYPSE. dKONE. dTYPE. ePH. eM. eN. eTH. eSS. eLE. eNE. eCT. eSH. eCK. eME.
eNT. eNG. eZE. eRE. eX. eT. eGE. eGUE. eP. eVE. eNSE. ePE. eNS. ePA. eVAL.
eCA. eNET. eDE. eROS. eGH. eSTRE. eBLE. eRTH. fBA. fBE. fBEE. fBHA. fBI.
fBO. fBY. fCA. fCE. fCHE. fCO. fCY. fDA. fDE. fDI. fDO. fDRE. fFE. fFI.
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fMI. fMO. fMY. fNA. fNE. fNI. fNO. fNY. fPA. fPE. fPO. fPRE. fPRO. fQE.
fRA. fRE. fRU. fRI. fRO. fSA. fSE. fSI. fSO. fSU. fTA. fTE. fTHE. fTI.
fTO. fTU. fVA. fVE. fVI. fWA. fWE. fWI. fWY. fWO. fXA. fXE. fZA. fZE. fZO.
gA. gA. gE. gE. gI. gI. gO. gY. gU. gU. gA. gA. gA. gE. gE. gI. gI. gO. gY.
gU. hDOLPH. hNESP. hCANS. hSPEW. hFRAM. hLESS. hFLATH. hNITH. hPREM.
hSPINS. hTOUCH. hBEAT. hNONS. hCONC. hCAMP. hGAUL. hLATR. hFAUST. hCRIBL.
hNITR. hEASTH. hTRAD. hSPEC. hELECTR. hNAUT. hNIMR. hCELL. hCONSP. hMISD.
hPACK. hSUB. hATOM. hART. hUNDER. hOVER. hKITCH. hSINK. hEVIL. hSUBV.
hTANK. hGENR. hPAST. hSCAM. hFUTUR. hSTEEL. hTHORN. hBEND. hPLAG. hFOUNT.
hNEDT. hSWEEP. hGEMIN. hCOAX. hNEON. hDOMIN. hKAWL. hJUNCT. hSUPER. hGRAC.
hJUXT. hVELV. hSPAC. hSATURN. hNUCL. hPLUT. hATLANT. hGERM. hSPAST. hBISC.
hSYNCHR. hMOND. hCARIB. hPHOT. hSOLID. hETHER. hKANT. hMELTM. hREPT.
hQUAND. hPROX. hEMPER. hARCAD. hTHEAT. hGNOM. hCLOUD. hGOTH. hCARP.
hJEROM. hCAPLET. hDELER. hCRYST. hTRIB. hESTH. hEPIL. hPROPH. hSAUR.
hDAYL. hLOUNG. hSCORP. hMEPH. hDYNAM. hBABYL. hORANG. hVIOL. hCABAL.
hSULPH. hMAGN. hDETHR. hAPOLL. hMAESON. hHERMET. hMUND. hMECHAN. hGLYPH.
hPLEX. hGNOST. hMERCUR. hURIZ. hPYTH. hSPAGYR. hCANSEL. hCADUC. hTART.
hCONQ. hSUBLIM. hSUBLIM
355
hAXIOM. hASCEND. hMATER. hSCRIPT. hORACUL. hHASID. hPHAR. hPROPH. hGENER.
hCECIL. hGANG. hCATH. hTEMP. hAPOSTL. hGOETH. hOCEAN. hVIRG. hUNIC.
hSPECTR. hYEAT. hZETZ. hQUANT. hQUINT. hREVEL. hPROT. iOS. iUS. iET. iIA.
iISM. iOR. iACE. iAGE. iATOR. iION. iALON. iAMA. iES. iONG. iOLA. iEX.
iAX. iICE. iIC. iOX. iUTE. iIMA. iEN. iIM. iANT. iER. iON. iIO. iITE.
iURE. iICA. iEUS. iET. jB. jC. jD. jF. jG. jH. jJ. jK. jL. jM. jN. jP. jQ.
jR. jS. jT. jV. jW. jB. jB. jC. jC. jD. jD. jG. jG. jH. jK. jL. jM. jM. jN.
jN. jP. jP. jR. jR. jS. jS. jT. jT. jV. jW. mTEN. mSUB. mART. mCON. mLAB.
mNOR. mPAN. mPOP. mNAX. mTOP. mTEL. mDIG. mNAP. mBAN. mTIP. mSEP. mHOT.
mMUD. mWET. mCAT. mMAN. mPRO. mPRE. mWIN. mTUB. mSUN. mPET. mNIL. mBED.
mHIT. mLAN. mZEN. mGOD. lANT. lTOR. lTIC. lIST. lSET. lNET. lCER. lCAN.
lEND. lLET. lVAN. lTOS. lGEN. lSAT. lGEL. lSTAR. lSTER. lSON. lDAD. lSITE.
lBAT. lTER. lPIX. lVET. lTEST. lLINE. lMET. lMAG. lLAND. lMED. lTRA. lTOX.
lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST. function rndnumber(max).
var randscript. while (randscript randscript max isNaN(randscript)).
randscript parseInt(Math.random()(max)). return randscript. function
nrbng(). var msg. blandingrndnumber(). if (blanding ).
subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if
(blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding
). subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript.
subscriptrndnumber(gmax). if (gsubscript ) msg msg gsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(jmax). if (jsubscript ) msg msg jsubscript.
subscriptrndnumber(imax). if (isubscript ) msg msg isubscript. if (blanding
). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(fmax). if (fsubscript ) msg msg
fsubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript.
if (blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(mmax). if (msubscript ) msg msg
msubscript. subscriptrndnumber(lmax). if (lsubscript ) msg msg lsubscript.
return msg. unhide. rec. var kmax. var k new Array(kmax). kDJ name. kArtist
name. kICQ nick. kPet name. kPolkaband. kBlackmetal band. kDog name.
kInternational agent codename. kFantasynovel goddess. kTattoo shop. kCat
name. kComputer ID. kHotmail account name. kMotherplanet in space flick.
kFake evil twin name. kOsho name. kSpammer name. kImpressive middle name.
kMysterious alias. kNetart project. kArt installation. kArt gallery.
kAbstract music composition. kDesign software. kUnderground comic. kFrench
house act. kNerd alias. kScifi robot hero. kGoldfish name. kJapanese toy
craze. kText on Tshirt. kSoup brand. kCyborg model. kBuzz word for. kCool
bandname. kMeditation focus word. kHare krishna alias. kRoleplaying name.
kArt movement. kKitchenware design series. kJazz quartet. kPolish alter
ego. kTeddybear. kPyramid scheme. kNew softdrink. kRockstar children name.
kEmail account. function rndnumber(max). var randscript. while (randscript
randscript max isNaN(randscript)). randscript
parseInt(Math.random()(max)). return randscript. function rec(). var msg.
subscriptrndnumber(kmax). if (ksubscript ). msg msg ksubscript. return
msg. unhide. topMargin. colorcccr a n d o. m n a m e. g e n e r a t. o
rCreate unique names for. bands companies products internet domains cyber
identites art projects. computer games roleplaying pets.. Millions of
combinations available. Grab. one and make it yours. styleBORDERRIGHT
rgb() thin solid BORDERTOP rgb(). thin solid BORDERLEFT rgb() thin solid
BORDERBOTTOM. rgb() thin solid. cellSpacing cellPadding width
bgColorffffff border. '. H A P P Y C U S T O M E R S. 'giving the thumb up
for Noemata Random Name. Generator. BILDE UTSTYR. function randomimglink().
var myimagesnew Array(). myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew Array(). var
ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). coloreeeAll examples are fictional.
Pictures are. grabbed fom the net and. manipulated.. Internet nick.
document.write ( nrbng() ). document.write ( rec() ). document.write (
nrbng() ). Company name. document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). Product name. document.write (
nrbng() ). document.write ( rec() ). document.write ( nrbng() ). Website
domain. document.write ( nrbng() ). .COM. document.write ( rec() ).
document.write ( nrbng() ). Password. document.write ( nrbng() ).
document.write ( rec() ). document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). document.write ( rec() ).
document.write ( nrbng() ). Refresh page for more customer pictures. More
namegenerating fun at. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA ). NOEMATA
Random Name Generator. contentCreate unique internet names for your
company your products your. band your cyber identity... namedescription.
contentname generator namegenerator word words new words new unique.
javascript random randomname randomized company companyname productname.
nick band group name groupname music random chat bandname fantasy. science
fiction scifi dotcom roleplaying identities textgenerator cool.
namekeywords. var cmax. var dmax. var emax. var fmax. var gmax. var hmax.
var imax. var jmax. var mmax. var lmax. var c new Array(cmax). var d new
Array(dmax). var e new Array(emax). var f new Array(fmax). var g new
Array(gmax). var h new Array(hmax). var i new Array(imax). var j new
Array(jmax). var m new Array(mmax). var l new Array(lmax). cAMBI. cANA.
cANI. cALTE. cANTE. cANTI. cARTI. cARCHE. cASTRO. cAUDI. cAUTO. cBENE.
cBETA. cBIO. cCASCA. cCACO. cCHRONO. cCOMA. cCONTRA. cCOSMO. cDATA. cDADA.
cDE. cDECI. cDEMO. cDEO. cDEVE. cDIA. cDIVI. cDIGI. cDINO. cDOMI. cDYNA.
cECO. cECTO. cEGO. cENDO. cENVI. cEPHE. cEPI. cEXTI. cEXI. cEXO. cEXPE.
cERGO. cGENE. cGEO. cGIGA. cHARE. cHERO. cHOMO. cHYPE. cIDIO. cINDE.
cINFRA. cINTE. cINNO. cJUNO. cJUPI. cKILO. cKILO
356
cKIMO. cLEO. cLEVI. cLOCA. cLUTHO. cMACRO. cMANI. cMAXI. cMEDI. cMEGA.
cMESO. cMETA. cMICRO. cMONI. cMONO. cMULTI. cNANO. cNEMO. cNITRO. cORIGI.
cOPTIO. cOCTO. cOXY. cPARA. cPATA. cPATE. cPERI. cPHOBO. cPHOTO. cPLEXI.
cPOLY. cPORTA. cPRE. cPRO. cPROTO. cPYRO. cQUADRO. cRAMA. cRETRO. cSCIE.
cSOLO. cSTELLA. cSYNTHE. cTECHNO. cTELE. cTETRA. cTHEO. cUNI. cUNO. cUTO.
cVENU. cVENTO. cVISI. cVITA. cXENO. cXERO. cXYLO. cZERO. cZOO. cRATIO.
cANGE. cVISA. cCASA. cCALI. cEMPI. cAPHE. cKINE. cXEPHA. cAGEI. cANALO.
cHELIO. cHUMA. cESCA. cXYLE. cISO. cTIDE. cSIBE. cNIGE. cMUTI. cGARA.
cVIA. cEQUA. cYUCA. cAURO. cWAKE. cLUNA. cCATA. cLOVE. cZODI. cMONA.
cKARMA. cASCE. cGAYA. cNEURO. cKABA. cGURU. cCANO. cCINE. cABRA. cARIE.
cASPI. cTENI. cTENE. dLLIC. dPHOR. dDICAL. dSOFT. dLOGY. dGRAPH. dPHYS.
dTICS. dNICLE. dNOM. dSTER. dCAN. dTONE. dBIZ. dNAUT. dTECH. dTHRON.
dTECH. dDOR. dTIVE. dZOS. dPHER. dGEN. dPIA. dSPAN. dTHER. dHAUST. dDUS.
dCORP. dCOPE. dPHON. dLUS. dLEX. dWARE. dGYN. dCINE. dCATE. dCAL. dTION.
dMODE. dCIDE. dTISM. dLIZE. dPOSE. dRAGE. dNOUS. dMOUS. dSCAN. dNOID.
dLOUS. dTATE. dGOG. dTURE. dGURE. dTOR. dNURE. dLOG. dREUX. dTOME. dVERT.
dDUCE. dTHES. dRIOR. dCEDE. dSPECT. dBYTE. dCEPT. dRED. dCENT. dBOL. dDOX.
dTOX. dFLEX. dMORPH. dSTY. dDUCT. dDICT. dCHRON. dSIZE. dCITY. dBLIC.
dNTIAL. dNCT. dGES. dNCE. dLYSE. dLOPE. dSCOPE. dSCAPE. dRIDGE. dSTENCE.
dBULB. dTIUM. dPOLIS. dSPHAN. dMIM. dDIES. dLOGUE. dGON. dXOTE. dLIO.
dTRES. dRES. dCHRE. dFIELD. dSHELL. dNGLE. dCALE. dQUE. dLINE. dLITE.
dTIGUE. dPAD. dSPEC. dRIAN. dNSION. dLATE. dTAUR. dTAME. dTWINE. dLIGA.
dTEAU. dRIA. dZED. dNOS. dXAS. dLUM. dNATION. dDEW. dTIGO. dLOOD. dSON.
dRETH. dTINUS. dPHIA. dRAST. dBERT. dGION. dBURA. dDING. dSOPH. dTENT.
dXTRA. dNITE. dCLES. dSIM. dKREUZ. dDOM. dSPECT. dBIS. dWARD. dDUCE.
dLYPSE. dKONE. dTYPE. ePH. eM. eN. eTH. eSS. eLE. eNE. eCT. eSH. eCK. eME.
eNT. eNG. eZE. eRE. eX. eT. eGE. eGUE. eP. eVE. eNSE. ePE. eNS. ePA. eVAL.
eCA. eNET. eDE. eROS. eGH. eSTRE. eBLE. eRTH. fBA. fBE. fBEE. fBHA. fBI.
fBO. fBY. fCA. fCE. fCHE. fCO. fCY. fDA. fDE. fDI. fDO. fDRE. fFE. fFI.
fGA. fGE. fGI. fGY. fHA. fHE. fHI. fHO. fLA. fLE. fLI. fLO. fLY. fMA. fME.
fMI. fMO. fMY. fNA. fNE. fNI. fNO. fNY. fPA. fPE. fPO. fPRE. fPRO. fQE.
fRA. fRE. fRU. fRI. fRO. fSA. fSE. fSI. fSO. fSU. fTA. fTE. fTHE. fTI.
fTO. fTU. fVA. fVE. fVI. fWA. fWE. fWI. fWY. fWO. fXA. fXE. fZA. fZE. fZO.
gA. gA. gE. gE. gI. gI. gO. gY. gU. gU. gA. gA. gA. gE. gE. gI. gI. gO. gY.
gU. hDOLPH. hNESP. hCANS. hSPEW. hFRAM. hLESS. hFLATH. hNITH. hPREM.
hSPINS. hTOUCH. hBEAT. hNONS. hCONC. hCAMP. hGAUL. hLATR. hFAUST. hCRIBL.
hNITR. hEASTH. hTRAD. hSPEC. hELECTR. hNAUT. hNIMR. hCELL. hCONSP. hMISD.
hPACK. hSUB. hATOM. hART. hUNDER. hOVER. hKITCH. hSINK. hEVIL. hSUBV.
hTANK. hGENR. hPAST. hSCAM. hFUTUR. hSTEEL. hTHORN. hBEND. hPLAG. hFOUNT.
hNEDT. hSWEEP. hGEMIN. hCOAX. hNEON. hDOMIN. hKAWL. hJUNCT. hSUPER. hGRAC.
hJUXT. hVELV. hSPAC. hSATURN. hNUCL. hPLUT. hATLANT. hGERM. hSPAST. hBISC.
hSYNCHR. hMOND. hCARIB. hPHOT. hSOLID. hETHER. hKANT. hMELTM. hREPT.
hQUAND. hPROX. hEMPER. hARCAD. hTHEAT. hGNOM. hCLOUD. hGOTH. hCARP.
hJEROM. hCAPLET. hDELER. hCRYST. hTRIB. hESTH. hEPIL. hPROPH. hSAUR.
hDAYL. hLOUNG. hSCORP. hMEPH. hDYNAM. hBABYL. hORANG. hVIOL. hCABAL.
hSULPH. hMAGN. hDETHR. hAPOLL. hMAESON. hHERMET. hMUND. hMECHAN. hGLYPH.
hPLEX. hGNOST. hMERCUR. hURIZ. hPYTH. hSPAGYR. hCANSEL. hCADUC. hTART.
hCONQ. hSUBLIM. hAXIOM. hASCEND. hMATER. hSCRIPT. hORACUL. hHASID. hPHAR.
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hVIRG. hUNIC. hSPECTR. hYEAT. hZETZ. hQUANT. hQUINT. hREVEL. hPROT. iOS.
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return msg. unhide. topMargin. colorccc sizer a n d o. m n a m e. g e n e r
a t. o r. Create unique names for. bands companies products internet
domains. cyber identites art projects computer games roleplaying pets..
Millions. of combinations available. Grab. one and make it yours. RANDOMLY
RECOMMENDED NAMES. document.write ( nrbng() ). document.write ( nrbng() ).
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357
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giving the thumb up for Noemata Random. Name Generator. BILDE UTSTYR.
function randomimglink(). var myimagesnew Array(). myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
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myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg.
myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
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randomimglink(). var myimagesnew Array(). myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). Your pic here. Some.
examples may be fictional.. faceVerdana size. More namegenerating fun at.
faceVerdana size. faceVerdana size. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA
). noemata.netnosceips.html. MUTATIONS kaleidoscope gallery.
srcmutationlogo.jpg WIDTH HEIGHT. my'tAshn. alteration modification turn
variation innovation novelty. permutationsport vicissitude reversal
transposition progression. diversityvariety
multiformitymultiplicitychangingconvert. metamorphose transform
transfigure translate. transmogrify transmute transpose transubstantiat
exchange. interchange. interpret metaphrase paraphrase summarize
transcribe condense digest. swallow take. bag capture....
colorNOEMATA.NET. color. color. color. color. color. colorNakedwoman
Theater. styleborder px ridge rgb(). srcmutthumb.jpg border WIDTH. HEIGHT.
HELIOSPHAN. srcmutthumb.jpg border WIDTH. HEIGHT. LIFEHOUSE.
srcmutthumb.jpg border WIDTH. HEIGHT. GIRL DREAMS. srcmutthumb.jpg border
WIDTH. HEIGHT. FORCEFIELD. srcmutthumb.jpg border WIDTH. HEIGHT. OUT OF
BEAUMONT. srcmutthumb.jpg border WIDTH. HEIGHT. SPIRIT MOVES.
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WIDTH. HEIGHT. STRATOSFEAR. srcmutthumb.jpg border WIDTH. HEIGHT. COOL IN
THE POOL. srcmutthumb.jpg border WIDTH. HEIGHT. EPITAH. srcmutthumb.jpg
border WIDTH. HEIGHT. CIRCULAR FLEXING. srcmutthumb.jpg border WIDTH.
HEIGHT. BLACK WIDOW. srcmutthumb.jpg border WIDTH. HEIGHT. ACOUSTIC
PILLOW. srcmutthumb.jpg border WIDTH. HEIGHT. TWISTED SISTER.
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WIDTH. HEIGHT. CEPHALOPOD MOLLUSK. srcmutthumb.jpg border WIDTH. HEIGHT.
JAH CHILDREN. srcmutthumb.jpg border WIDTH. HEIGHT. CYANID BREATH.
srcmutthumb.jpg border WIDTH. HEIGHT. MANDARIN CREAM. srcmutthumb.jpg
border WIDTH. HEIGHT. TEASER. width height. nosave. width height.
document.write( document.write(namenwgcountrefer).
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WIDTH HEIGHT. HELIOSPHAN. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
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MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. LIFEHOUSE. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. GIRL
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WIDTH HEIGHT. GIRL DREAMS. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. FORCEFIELD. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. FORCEFIELD. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. OUT
OF BEAUMONT. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. OUT OF BEAUMONT. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. SPIRIT MOVES. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. SPIRIT
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WIDTH HEIGHT. SHIN TRIAD. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
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MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. STRATOSFEAR. HEIGHT
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styleborder thick ridge rgb() WIDTH HEIGHT. COOL IN THE POOL. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
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WIDTH HEIGHT. EPITAH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
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MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CIRCULAR FLEXING.
HEIGHT HEIGHT HEIGHT.
358
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. BLACK WIDOW. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
BLACK WIDOW. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. TWISTED
SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TWISTED SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CEPHALOPOD MOLLUSK.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CEPHALOPOD MOLLUSK. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CYANID BREATH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
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styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN CREAM. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN
CREAM. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. NAKEDWOMAN. FALLS
IN LOVE. IN ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (.
o Q. (. (. o Q. (. (. o Q. (. (. o. )X. END. NAKEDWOMAN. FALLS IN LOVE. IN
ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o
Q. (. (. o Q. (. (. o. )X. END.
359
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360
Back. Theater. New Page. Back. Theater. o l d a n. ambient minimal noise
lowercase material from analogue and concrete. sources digitally processed
and published in a lowercode aestethics.. nochass. a min track coded in
kbps mp.. epsp. a recoding of a tapebooklet release from . tracks min
(MB). mp coded in kbps images (MB) and a couple of texts ca. words..
domuse (single). a single release from dd k. coded in kbps mp.. dd. track
release ca min. coded in kbps and kbps mp.. weemisu (single). a single
release from wmfg k. coded in kbps mp.. wmfg. track release ca min. coded
in kbps mp.. nc.nd. long tracks nc.vxtn and nd . coded in kbps mp.. ebt.
tracks in this release amounting to m s coded in kbps and kbps. mp.. ebtw
(. floppy single). a sec track from ebt coded in kbps mp zipping neatly
onto a. single floppy.. the low coding format provides a spectral
dimension to the timestretched. piece.. a track rerelease of coded in kbps
mp mostly and oggvorbis. format.. srja. a release of ambient short movies
in mpg format to be looped.. NewFolder. a temporary folder for released
unreleased tracks.. epsp. A Element to integral min.. area. fugue. area.
fugue. .... B min.. Fra midten av denne stråleglans kommer virkelighetens
naturlige lyd. som dundrer som tusen tordenbrak samtidig. Dette er den
naturlige lyd. av ditt eget jeg. La deg ikke kue av dette eller bli grepet
av redsel. eller ærefrykt.. Hvis det bråker mer nå ringer jeg politiet..
ELEMENT TO INTEGRAL. Sourcematerial recorded on magnetic tapes..
Instruments used include KORG MS KORG Polysix BOSS. drummachine CASIO
sampler TEAC TASCAM electronic organ. tapedeck turntable radio
walkmanrecorder microphones monochords. flute harmonica guitar alarm clock
feedbackdevices mallet. instruments computer drums cd resonant objects
(metal rock wood. glass) nonresonant objects (plastic water food skin
earth).. Concrete soundsources and noises as field or objectrecordings.
include crowds citynoise wind rain thunder habour sea.
buildingconstructingareas streets motorway railwaystation home. wood
gardens mountainlandscape waterfalls traffic balcony. industrial areas
reverbal areas church halls tunnels auction. concerts cave train (inside)
humans doors conversations voices. sheeps neighbours geese dog cat breath
walks sea birds train. (outside) car machines bicycle boat ants magnetic
datastore. microwaveemission spoken languages domestic objects (scissors
keys. fork and knive refrigerator washingmachine tv staircase room.
furniture) found objects random objects.. Processing of sourcematerial .
Recorded onto magnetic. tape augustseptember .. Equipment used TEAC TASCAM
SoundForge . WaveLab .. tapedecks and some hundred tapes.. B.
Sourcematerial recorded on magnetic tapes.. Instruments used include KORG
MS KORG Polysix CASIO. sampler TEAC TASCAM tapedeck walkmanrecorder.
microphones metal.. Concrete soundsources include ants wind.. Final
processing of sourcematerial . Recorded onto. magnetic tape september ..
Equipment used include TEAC TASCAM SoundForge .. tapedecks and about ten
tapes.. Graphic material made mostly dating .. Pages include drawings
paintings doodles copies nails blood. photoes and clippings.. As the
graphics are not essential to the tape they are not commented.
explicitly.. Textmaterial in booklet written mainly september .. All
material by Bjrn Magnhilden ordmorkontoret Oslo. Copywrong. Norwy poc..
INTRODUCTION. Concerning the structuring of the two pieces on the tape my.
main idea was that of stream and time incorporating with materiality.. Heh
yes I guess so... What is actually heard seems to be the sound. of
floating particles. These particular flows consists of tiny or. minimal
soundobjects which I will call 'phonems' for the heck of it. cutupped from
the archive of own recorded material in the years. amounting to a couple of
hundred tapes (pretty bad ones though. ).. So instead of thrashing the
tapes I've used them as a fragmented. memoryblock being randomly accessed
through a spaghettistyle language. of pointerism utilising the phonemical
units mere as material ground. and surface being rather ignorant to their
content or contextual. content.. Together with the idea of materiality
there will also be. concepts like mass density subsistence persistence
endurance. exhaustion and extacy involved in the actual structure
conceived. which also partly count for the monotonously character of the
pieces.. Also my interest in the noiseaspect of music or vice versa is. a
driving motive in this kind of project and should also be well. manifest
in both pieces on the tape. Take care of your ears.. The terms noise and
music could be seen reflected in the material. doublenature particlewave
where 'wave' would be viewed as the. collective motion of a material
moving continuously around a. relatively undisturbed center corresponding
to harmonious states of. music and where the interaction of particles
would be perceived as. the more or less random and chaotic motion and
states of a material. corresponding to intensity or density of noise.
Nevertheless these. are two different operational views of the same
underlying material. (whatever nature) and my opinion and fascination is
that the. classification or perceivance of music from noise cannot be
traced. back to the material. So it then gets interesting poking around on
a. low level probing for both the substance and the concept bridging the.
gap or just experiencing the (possible inevitable) complimentary. attitude
towards it. Fuck the cat is dead and alive.. A principle of complimentarity
of sound could state that if an. arbitrary material of sound is perceived
as music then the noiseness. of it will be sucked into it and vice versa
the perceivance as noise. will not be saved by the music. What constitutes
this perceivance is. not solemnly the attitude towards it but also the
doublenature of. the material itself. I hope I've been able to express
this in the. works. A way of judging a listener should be able to swap
between the. states of musicnoise should recognise this state's
independence of. the material (Oh I can listen to this in at least two
separate. ways... Oh yesterday I perceived this as noise... Oh this. noise
is beautiful and relaxing...).. Another idea concerning the introduction of
noise was to make. a soundshield. Basically I wanted to build a thick wall
and then walk. right through it. This could actually be done by means of
sound. Noise. as silence and through this silence get rid of yourself.
The. neutralising of sounds with sounds is possible as noise swallows up.
all other sounds or as all other sounds can be imagined allready.
incorporated in noise. White light white noise get blind get deaf.. Close
your eyes close your ears by opening your eyes opening your. ears. If you
stare into a point in the wall for some minutes my. experience is that the
wall becomes black and purple and vanishes due. the neutralisation of
sightimpression with its negative. representation in your eyes and along
with this vanishing of objects. comes for any reason a state of uh let's
say bliss. Much in the. same way noise will through a material extacy
swallow up the objects. of the world and leave you floating. Drawn I sit
serene rest is. inward.. This should make clear that the tapepieces'
motivation partly. lies in their functionality and can also explain the
lack of an. inherent musical structure or pretension of having conceived
a. traditional dramatic musical work. To pinpoint it I would say that. one
main structure is the palindromical selfcontained. Concerning. ETI on a low
level the phonems have been recorded forwards or. backwards quite
independently of their content or any criteria. Some. loops on B are being
manipulated similarly. On the whole both pieces. contain its material being
finally processed in both directions. There. are different reasons for
this. If you want to make a musical work. partly avoiding an evolving
dramatical or narrative structure you. probably have to treat time in a
different way. The linearity of time. might be broken in different ways.
The palindrome seems to excorcise. timelinearity treating it as just
another (symmetrical) object having. reversable manipulatable dimensions.
The cutup juxtaposition of. timeelements is fragmenting this line implying
another operating. dimension say timespace or just memory. The
nondifferentiated space. would defy time on the whole as nonexistent as in
the. parmenidicalzenoic scheme (or the La Monte Young scheme. By the way.
it seems that much minimalistic music is motivated by making the. relation
of music to time explicit in different ways discretness. repetititivness
questioning the continuum). Another reason for. fiddling with time was
that I wanted the pieces to be exhaustive in. length so when needed I
simply filled up time by outputting the. material back and forth a couple
of 'times'.. As to materiality as to float as to particles as to space..
ELEMENT TO INTEGRAL. An impulse to make this piece came from disapproval
of my. earlier recorded material and still wanting to use it in some way..
One solution was clearly to hack it all up into small segments that. could
be eaten without choking. Another solution was to superimpose. the
original material making monstrosity from ugliness or stupidness.. So I
did both and in that order.. Another impulse or idea was to let musical
structure build. small (or smallest) elements without imposing external
musical. direction other than materiality.. NOTAT. Serie og
parallellprosessering av lyder etter hverandre oppå. hverandre.
Distribusjon i tid krymping fortetning. Distribusjon i. rom furkasjon
ekspansjon. Lyd ned til fonemminste meningsfulle. lydnivå før den byger
seg opp igjen gjennom strukturering random. cant. kalkulasjoner. area sek
lydisekund lag prosessert. fuge. area sek lag. fuge. area sek. fuge. area
sek. fuge. area sek. fuge. lydareal lyder over tid. to akser lag tid..
tetthet lydareal tid. arealintegrasjon tetthet. matematiske utregninger..
båndet. cm i sekundet. båndmediet. elektromagnetiske spekteret.. ide til
et musikalsk språk. gjennom oppbygging av minstelyder. lydidiomer
lydlinjer. sette opp regler for oppbygging videre.. datamaskin. slika
rbeidde kontinuerlig på et språk gjennom. forandring. Alt tidligere
material er tilgjengelig som hukommelse. språk. bruke formelle språksystem
i bearbeidelse. måten vi lærer. integrerer språket. Lengre brokker
komprimeres til kortere når de er. innlærte settes ammen til nye linjer..
Element til integral oppstykking syntetisering. Eksponentielt. voksende
fra lydpartikler tilflerdimensjonale objekter bestående av. millioner av
lyder.. Primitiv eller uten musikalsk strukturering kvantitet materiell.
ekstase. Dialektisk segmentering.. Uten egenlyder basert på tilfeldig
utvalg av allerede innspilt. material.. Skråstreken lydmusikk. Den
enfoldige lyden (musikk) og den. komplekse musikken (lyd).
Løsningsforslag.. Objektoppløsning overskridelser.. Preferanser til tidlig
konkret musikk. Spilt inn på relativt dårlig. lydstudioutstyr.. Palindromet
speil fordobling.. Parmenides det statiske udifferensierte det
selvinnholdte.. Permutasjon distribusjon muligheter.. Tid rom akse. serie
paralell. fortetning. without a sound.basert utelukkende på tidligere
material.. sound system sunt system uten kontradiskjon. cannibalize. cant.
words. terms. ordliste asssosiasjoner gå gjennom engelsk ordliste.. fysikk
tidrom.. spesiell relativitetsteori. et legeme i bevegelse blir kortere i
bevegelsesretningen. tiden går saktere for et legeme i bevegelse. et
legeme har større masse når det er i bevegelse.. ved lyshastigheten vil et
legeme ha null lengde uendelig. masse mens tiden står stille.. generell
relativitetsteori. materien forteller rommet hvordan det skal krumme seg
og. rommet forteller materien hvordan den skal bevege seg..
gravitasjonskraften er tilsynelatende.. Fortetningen av partikler
fartsøkning tilsv Anmassing hva skjer. fart Emc masse frigjøres til energi
Kjerneprosesser. Plotte. gen.rel.teori som musikkmassemusikk koble til
musica mundana. harmonia mundi Hva er massemusikk Fysisk musikk En stor
masse. deformerer rommet partikler følger krummer linjer de tar for å
være. rette Parallelle linjer møtes som ved en tiltrekningskraft. Lys.
rødforskyves og tiden går saktere i et sterkt gravitasjonsfelt ting.
formørkes fordypes. Materien tvinger lys ned. Matter forces light..
Kinetiskpotensiell energi deepspeed gravitasjonell. Resonans når et objekt
vibrerer med sin frekvens tar det lett imot. energi og vibrerer med store
utslag.. Lyd lyd i rommet analogt med krusninger i vann. bølgebevegelse..
motsetning lys.. Lyd trenger stoff dette materietemaet.. elektromagnetisme
boblekammerbilde magnetisme deepspeed cmsek.. generere en strøm generator..
på skala over atomnivåer er verdens mangfoldighet grunnet.
elektromagnetisme og gravitasjon (vekselvirkninger). støy uønsket lyd.
paradoks hva med å hørelage støy ønsket ulyd. lyd subj obj lyd må ha
stoff. verdensrommet er lydløst. Bølger.. Krumme flater samler i
brennpunkt strålene. Svevninger. Klang. sammensetning av flere lydbølger..
Et brus inneholder alle hørbare frekvenser og kalles derfor hvit. lyd. Støy
er et subjektivt begrep. Def. som all uønsket lyd enten. musikk vanndrypp
eller trafikklarm. Jeg ønsker uønsket lyd. Lydene. rundt meg radio musikk
stemmer er støy og bruker støy som musikk.. Omvending i
informasjonsflommen støy. Bruk en motflom Demme opp en. flom. Demning.
Akustikk resonans hørsel. språklyd fonemer.. lydbånd bærefolie med
magnetisk belegg jerndioksyd.. lydintensistet små mengder watt.. kontentum
gjennom lydmuren.. opprinnelig (gresk) musikk totalbegrep.. Boethius ( ekr)
musica mundana (verdensmusikken eller. harmonien i altets oppbygning og
funksjon) music humana (harmoniske. forhold i mennesket) musica
instrumentalis. overskrider subjekt og objekt danner nytivitet. oseanisk
materiell ekstase.. Det segmenterte som (analytisk) strategi konstituerer
seg i den. akustiske entitet som en retorisk figur og definerer da seg
selv. nærmest som et fravær. Bortfallet av en bindende matrise avdekker.
dissonans og uttrykker seg som babbelpolysemi. Overgangen fra det.
refererende (transcendens) til det signifiserende (immanens) åpner det.
anisotrope rom av segmenter i en differensiell hypostasering. Opptrer. i
krystalls form ikke i apokalypsen det dør som fødsel og fødes i. døden..
PALINDROMER. deeps on time emit no speed. Rettam krad Sade if all erb
music is umbrellafied as dark matter.. noise lesion. deep morf NOISE
LESION from speed. speed morf noise lesion from deep. Goddesses so pay a
possessed dog. Moo lost elk O orbs amid wonders awed Was it organic in
ecstasy. tied Deity sat scenic in a grot I saw dew as red now dim as.
brooklet so loom. On a clover if aloud noise lerupts a vast pure lesion
duol a fire. volcano. epsp. epsp. Element to integral. Text on epsp. by
Bjørn Maghnildøen. Introduction. An impulse to make the piece epsp came
from listening to and partly. disapproving some of my earlier recorded
material and still wanting to use it. in some way. One solution was
clearly to hack it all up into small segments. that could be eaten without
choking. Another solution was to superimpose the. original material making
monstrosity out of ordinariness. So I did both and. in that order..
Another impulse or idea was to let musical structure build from small (or.
smallest) elements without imposing external musical direction other than.
materiality.. In structuring the piece my main idea was that of stream and
time incorporating. with materiality. What is heard seems to me as sounds
of floating particles.. These particular flows consists of the tiny or
minimal soundobjects cutupped. the archive of ownrecorded material in the
years amounting to a. couple of hundred tapes.. Instead of forgetting or
thrashing these tapes I've used them as a fragmented. memoryblock being
randomly accessed through a spaghettistyle language of. pointerism
utilising the phonemical units mere as material ground and surface. being
rather ignorant to their content or context.. Together with the idea of
materiality and concreteness there are concepts like. mass density
entertainment (subsistence) endurance exhaustion and ecstasy. involved in
the actual structure conceived which also partly count for the. monotonous
character of the piece.. Also my interest in the noiseaspect of music or
vice versa is a driving motive. in this kind of project and should also be
well manifested on the tracks. Take. care of your ears.. Noise and music.
The noisemusic dualism could be seen reflected in the material
doublenature. particlewave where 'wave' would be viewed as the collective
motion of a. material moving continuously around a relatively undisturbed
center. corresponding to harmonious states of music and where the
interaction of. particles would be perceived as the more or less random
and chaotic motion and. states of a material corresponding to intensity or
density of noise.. In an inversed physical view pataphysical why not
consider music as a very. simple kind of noise and noise as a complex kind
of music. Nevertheless these are two different operational views of the
same underlying. material (whatever nature) and my opinion and fascination
is that the. classification or perceivance of music from noise likewise
cannot be cleanly. traced back to the material. So it then gets
interesting poking around on a. low level probing for both the substance
and the concept bridging or. transacting the gap or just experiencing the
(possible inevitable). complimentary attitude towards it.. Noisemusic. A
principle of complimentarity of sound could for instance state that if an.
arbitrary material of sound is perceived as music then the noiseness of it
will. be sucked into it and vice versa the perceivance as noise will not
be saved by. the music. What constitutes this perceivance is not solemnly
the attitude. towards it but also the doublenature of the material
itself.. I hope I've been able to express this in the work. A way of
judging a listener. should be able to ) swap between different states of
listenings ranging from. music to noise ) recognise these states
independence of the material.. For instance listen to the material in at
least two separate ways like saying. Yesterday or ten minutes ago I
perceived this as noise or This noise is. beautiful .. Scanning any point
in the tracks and playing a few seconds the piece will. probably be
perceived as pure and flat noise. Playing off the whole piece or. larger
parts of it will probably change that perceivance.. Noisilence. Another
idea in the piece concerning noise was to make a soundshield.. Basically I
wanted to build a wall and walk through it. This could actually be. done by
means of sound. Noise appears here much like silence and through this.
noisesilence neutralize memory or yourself.. The neutralising of sounds
with sounds is possible as noise swallows up all. other sounds or as all
other sounds can be imagined allready incorporated in. noise. White light
white noise get blind get deaf. Close your eyes close. your ears by
opening your eyes opening your ears.. If you stare into a point in the
wall for some minutes my experience is that. the wall becomes black and
purple and vanishes due to the neutralisation of. sightimpression with its
negative representation in your eyes and along with. this vanishing of
objects comes for any reason a state of uh let's say. bliss.. Much in the
same way noise will through a material ecstasy swallow up the. objects of
the world and leave you floating. Drawn I sit serene rest is. inward. The
piece is made using headphones and I also prefer listening to it. that
way. By the way the piece is as noise hypersensitive to equalisers so.
small adjustments of the emphasis on different frequencies are very
effective on. the overall output sound.. This should make clear that the
motivation partly lies in functionality and can. also explain the lack of
any explicit inherent musical structure or pretension. of having conceived
a traditional dramaticmusical work.. Also no sounds have been recorded for
epsp. The piece has no sounds of its own. and consists entirely of the
processing of already recorded material.. Palindrome. One main structure
is the palindromical selfcontained. On a low level the. phonems have been
recorded forwards or backwards quite independently of their. content or
any criteria. Some loops of phonems are being manipulated similarly.. Also
on the whole the piece contains its material being finally processed in.
both timedirections.. The end is already manifest in the beginning. The
content of meaning is subdued. its structure. The evolution swallows
itself up. The mirroring of material. simulates an undifferentiated space
where object vanishes in the double. The. stasis of space absorbs the
speed of the elements.. Permutation. Another motive was exhaustion of
possibilities in the material. Rearranging. deforming and distributing
elements of sound to form a massive overload of. connotations excorcising
content.. Sounds are gradually being hacked to pieces down to a phonemic
level of smallest. meaningful segment processed in series after each other
in time and in. parallell in space. Then the distributions in time and
space increases density. and speed as the permutated material expands and
grows exponentially out of any. orbit of musical reference. Finally the
particle accelerator distributes its. collapsed differentiated elements on
a trajectory into void''.. Distribution. Sounds are distributed over the
two axes timespace. The density of an area is. the number of separate
sound elements through time. The elements seems to be. scattered well over
the electromagnetic specter with an emphasis on the extreme. high and low..
There are areas on the meter of electromagnetic tape where each cm or.
second consists of over differentiated segments of sound superimposed so.
that during minutes over a million sounds are being transmitted.. Other
areas consist of a heap of layers of sounds fragmented beyond the point
of. noreturn. Minimal units of sound are recorded as the six feet and
antennas of. ants spurt the microphones. The flow of noise is in that way
built up from. traces of atomical existence of sounds passed by not
enumerable.. Emit time. If you want to make a musical work partly avoiding
an evolving dramatical or. narrative structure you probably have to treat
time in a different way. The. linearity of time might be broken in
different ways.. The palindromical form seems to excorcise timelinearity
treating it as just. another object having reversable manipulatable
dimensions.. Also the cutup juxtaposition of timeelements is fragmenting
this line. implying another operating dimension say timespace hyperspace
or just. memory.. The nondifferentiated space would defy time on the whole
as nonexistent as in. the parmenidicalzenoic scheme.. There might also be a
minimalistic scheme involved motivated by making the. relation of music to
time explicit in different ways discretness. repetititivness questioning
the continuum.. Also I wanted the piece to be exhaustive in length so that
the notion of time. could be mixed up blurring the divide physical and
experienced time as you. find your mind wandering or take off. Exhaustion
of time seems an appropriate. concept also when the massiveness of sound
is concerned as the increasing of. density slows down timeflow.. The
ecstasy of memory in the conjuring of elements into an allembracing
integral. can be seen as an exhaustion of time and duration and as the
omnipresence or. end of time.. Deep speed. A body in motion compresses
bodyspace lengthens bodytime and increases. bodymass. Gaining speed of
light the body will not have any extension though be. infinite heavy while
time stands still as nucleons of sound ecstasises material. and flows into
energy.. Particles of sound are escaping the gravitational pull of memory
and meaning as. they accelerate and gain a speed superseding musical
references. Speeding of. music into noise atomizes the bodies of
information accelerates towards. infinity and dissolves in deep space..
With respect to history the narrative has become impossible since by.
definition it is the potential renarrativization of a sequence of
meaning.. Through the impulse of total diffusion and circulation each
event is liberated. for itself only each event becomes atomized and
nuclear as it follows its. trajectory into the void. In order to diffuse
itself ad infinitum it has to be. fragmented like a particle. This is the
way it attains a speed of noreturn. distancing it from history once and
for all. No meaning stands a chance once. offered the means of its own
acceleration.'' Baudrillard Pataphysics of Year. from The Illusion of the
End. Mass. Sound need a massmedia for its motion of particles to be
distributed. Outside. the gravitationed atmosphere there is no sound.
Density of mass shapes the. space which shapes the motion of mass
(gravitation is illusorical). Above the. atomic level the manifold of the
world is grounded in the forces of gravitation. and electromagneticism..
Growth in density by speed or space will make mass heavy and slow time..
Acceleration of transactions increasingly forces inerta and indifference
as. particles of sound annihilate each other making a dense cold star
deepened. and darkened by the pull of densityfield.. Within the critical
mass of density there is no references to outside. No speed. will liberate
sound from the silent immanence and there will be just the. autosound of
the magnetic tape and tape recorder background noise as the. ecstasy of
musicality provides its own end.'' Ibid.. Noisevoid. Instead of declaring
the law of falling bodies towards a centre why wouldn't. one prefer that
of the rise of the void towards the periphery the void. conceived of as
unity of nondensity'' Jarry Gestes et opinions du docteur. Faustroll.. The
pataphysial motive of antigravitation appears as music is haunted by its.
vanishing. The particle accelerator seek to liberate sound from the.
gravitational density of music by overwriting overflowing its content and.
swallow up itself. Particles arrive and disappear faster than their shadow
and. leave no time for interpretation. The speeding of tonality runs into
a noise. cohesion void of transmittory pregnancy.. Segmentation as an
analytic strategy is constituted in the acoustical almost. rethorical and
without appearance. Loss of a binding matrix of bodies the. shift from the
referential transcendence in music to the signifying immanence. of noise
births the segments pataphysically from the dying of hypostaticism..
Contents on epsp. Audio. Sourcematerial recorded onto some hundred
magnetic tapes.. Instruments used include korg ms korg polysix boss
drummachine casio. sampler teac tascam electronic organ tapedeck turntable
radio. walkmanrecorder microphones monochords flute harmonica guitar alarm.
clock feedbackdevices mallet instruments computer drums cd resonant.
objects (metal rock wood glass) nonresonant objects (plastic water food.
skin earth).. Concrete soundsources and noises as field or
objectrecordings include crowds. citynoise wind rain thunder habour sea
buildingconstructingareas the. museum of Emanuel Vigeland streets motorway
railwaystation home wood. gardens mountainlandscape waterfalls traffic
balcony industrial areas. reverbal areas church halls tunnels auction
concerts cave train. (inside) humans doors conversations voices sheeps
neighbours geese dog. cat breath walks sea birds train (outside) car
machines bicycle boat. ants magnetic datastore microwaveemission spoken
languages domestic objects. (scissors keys fork and knive refrigerator
washingmachine tv staircase. room furniture) found objects random
objects.. Processing of sourcematerial . Recorded onto magnetic tape.
augustseptember .. Equipment used teac tascam soundforge . waveLab . and
tapedecks.. MP coding of sourcematerial using Awave Audio v... Booklet.
Graphic material made mostly dating ''. Scanned . Pages. include drawings
paintings doodles copies nails blood photoes origami. and clippings..
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March. Re question re de pre codewurx. are helpful. I get a general
pictureof code as 'rooted' and double of anyway. having a double property
of ..wellthe usual dichotomies instruction and data. and object and
whicharen't fundamental eg. the distinction between. instruction and data
is aninterpretation what is interpreted as instruction. is also data and
thedata can also be instruction so in a way the. interpretation
isfundamental to code also and creating the roles of the. dichotomy as
wewould have 'instructiondata' and 'datainstruction' and. somewhat the
samein the case of subject and object which are more.
explicitlyinterpretations of something by terming something a subject
we've. alreadyinterpreted it in a relational way and in the same manner.
asinstructiondata I'm refering to code as an subjectobject entity which.
hasthese three parts of data instruction and interpretation..
Theinterpretation part would be the decode.About the everythingnothing
bold. statements since the code is somethingconstituting itself it's a
whole an. entity and real in the sense thatit's taking place with the
interpretation. constituting the reality'situation' of instructiondata
subjectobject so. I'm calling it aneverything like we could create an
universal machine out of. this. And thenalso I'm calling it names like
nothing because it's a machine. more orless. Maybe it would be interesting
to look at everythingandnothing. textas a kind of codework. Finnegan's Wake
as an example of this it's coded. inseveral layers encapsulating or opening
to an everything and nothing ithas. the appearance of code and nonsense a
rich broken structure ofeverything.. Occult literature I guess also has
the code effect of thissort like. out dumped automated and coded the
automatic writing ofsurrealists might be. considered I don't know are
fluxus pieces codeworksby being instructions (of. events) and the
happening would be another moreundirected setup for something. happen well
I'm not sure how todistinguish the code it seems. allembracive. Is it alive
Dead code. Andthe system bit if we don't know if. something is code is it
code by justthat fact like the Voynich manuscript. mentioned And there's a
notionthat code is code as long as it's not decoded. if code is code what
do wemean by a decode Sort(x) is a code does it have a. decode So maybe
aromantic code is the codedecode that kind of code notion. there we havein
a way again instruction and data subject and object. clearlyseparated like
morse code a clear mapping between subject and. objectback and forth
whatever there's the subject of code and the. objectcodeand the morse code
we could call the subjectobject though in a. clean dualcut. In other
notions of code it's not so clean and for eg. sort(x). wedon't call it a
decode it's codecode but what is decode It'sambivalent... 'life is decoded
into dna' or rather 'coded' do we mean theoutput in general. the object and
for something to have a decoding meansto have a systemic. interpretation
but this goes both ways what is thecode can also be the. decode to
emphasize they're activepassive roles ofinterpretation.. and code. the
system of interpretation the structure ofhow the active and passive roles.
will take place of instructiondatasubjectobject. Certainly there are.
levels of code in the construction of nature and ourselves but at the
bottom. we don't know or we know that it's not discreet like the
particlewave. duality. But dna is discrete for that matter the
particlewave duality is. justthat a duality even with probabilistic
measurement the mathesis. behindit is exact...Exact probabilistic if you
have a perfect random number. generator couldit have a code This is like
asking for the formula for prime. numberscould we say there are codes for
prime numbers but not a formula. workingto a certain degree and in general
that code is related to formula in. aspecial way is it a working formula
applied which is the dual again ofform. and reality living formulas. Seems
I'm treating it as formula hereand you. matter and since everything is
mattered and chunkeddiscreet it'scoded but. in the formal end.. How deep
do the codes go all the way you'dsay since it's. rooted mattered dirty
having the real part maybe it'snot a fruitful. discussion where it ends or
begins some highly energicthing expanded and. collapsed symmetry collaped
into code. Yes but we've figured out things to. a large degree what we're
made of our history and destiny there doesn't. seem to be any mystery
about ithow we're created though we can't reproduce. it though have
theknowledge to destroy it a devastating knowledge in. itself.Considering
the fact that dark matter the majority in the universe. isn'taccounted for
at all that the mechanism of memory isn't understood. etc. I don't see how
you can say this. In fact one can as Brillouin. didyears ago argue for the
opposite that the mystery is somewhat. dependenton the limmits of our
economics and simply keeps getting pushed back. asfor example more and
more powerful accelerators are built...Yes mystery is. something
pushedback in relation to something that'stakingplace it's still a.
subjectobject 'economy' ecodomy the economyof code mystery is in the. via
the code interpretation it getsobjectified real as takingplace.. Still
it's an economy not a mysteryit's just what's emphasized. From the. other
end you could say memory isthere and it's working so there's no. mystery.
Code as a term retains someof the mystery the wonder and. complexities
which is lost in the formulaterm. I never stop wonder about the. inside
and outside like this sailboatmoving slowly past the village seen from.
the boat it's somethingcompletely different from the boat it's a mystery
from. the balcony itseems quite boring objectified but it's both and
that's. alwaysintruiging it connects to relativity from Galileo to
Einstein and. forextrapolating the move to relativity is also a move to
code of. thesubjectobject floating within a reference system which
connects to codeas. reality each reference system is on its own a whole.No
no i don't think. this goes if (x) is for example sorted it doesn'tlead to
an elimination of. (x). Think of coding here as performative andrequiring
a stratum or substrate. that it operates upon. Even Peirce talkedabout the
'sheet of assertion' the. necessity for a locus for mathesis.Ok see above
codedecode.I want to run. back to information theory and theexamples
Baldwin talked about or the. problems say of transmitter channel receiver
with noise parasitic within. the process.Thanks for the discussion
appreciate.Here there are several. levelscode as existentcode as
processcode as procedurecode as. performativecode as selfregulating or
checksumetc. etc.There's structure. of course and there are material or
ideal strata andtheir interactions. Code. is perhaps a productive system
of classificationthat admits closure.... AlanAdmits closure yes like it's
its own end metaphysics and then real. asreference system like every
reference system is real on its own. Maybe. I'mextrapolating too much but
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helheten sladde alle ansikter med en svartbtilbyr. Annonsere for flotte
ting uten referanse. Eller annonsering av STORED ref.. noemata. Thursday
March. Re question re de pre codewurx. About code and codework though not
a direct response I see code generally tied. the western project of
science and cultureunravelling nature's code turning. it into culture and
technology. Thishas no real basis any longer science has. already made us
transparentwe know code is nothing and that there aren't any. secrets. So
there's nobasis still code is everywhere all the more since it's. not tied
toanything any longer doesn't refer to anything more real or more. trueit's
able to infect our lives more like a freefloating entity from. thelayers of
reality. If we have layers of reality we have codes. Ifreality is. one
there's no code but our sense of reality is not one. Ifyou could live in.
one there would be no code and it would be the heavensof the mystical.
The. mystical is tied to code but we know there's nomystery. Inside
yourself you're. a mystery that's it. Walking throughyourself you're code.
These are all layers. of nothing. We know that ifsomething is code then
it's nothing that's almost. the proof of it.Then there's the doubleness of
code of inside and outside. thecommunication machinery of input and output
between layers codesubjectand. codeobject. There's no fundamental basis
for the codes only thesubjectobject. which moves around freely. When I'm
using code it's areflection of the codedness. of culture the structural
complexities ofinformation and communication layers. of reality which are
always therea reflection of culture as construction. traversing it's
layers whichmeans insideout backwards reverse the. twofaced. In my work
I'm notusing code in a fundamental way it's code without. any basis
diffusionof code double and nothing of codes. Codes are still. fascinating
weneed something to do as humans I quite sure we're genetically.
gearedtowards these things problemsolving directedness of.
attentioninformationchurning. Still we have no mysteries only the codes.
andthey're not real only a kind of art beauty of codes what we're madeof.
still no mystery only reality. Codes real but not real that'salso the.
doubleness what we mean with subject and object they're bothreal but not.
real to each other if the subject is real the object isunreal and vice.
versa. These two could be stated as a classical and aromantic notion of
code. the romantic code refers to something beyondas its reality (nothing)
while the. classical code to its construction(double).I know this didn't
answer any. noemata. dee. intrui gpj.hcruhcevatsoprotraidepikiw .ssorC
llewhtuR dense. spacefilling fields in Celtic rsebi Yes
beautifulhorrorANBKstsohg. snoitutitsni dna slamin like a
magnificentscientificunion or coniunctio... but benea 'ecneirepxe cinaeco'
ehttuoba.ssenytpme gnimees eht ehtae event. I. feel this kind
ofcomplexSouth Indian Temples are also a to borndog. thespirit is
impossible middle age scholar ytilibissopmi dna. ytissecenneeelbissopmi si
elbissop eht fo possibility necessity. impossibilityso i'll stay possible
lanorepip sirpaeh eht s ommisrealin what. nonsense rehe htaed dna luos
segagtrom dna laenip real inwhat nonsense. rehe htaed dna luos segagtrom
dna laenip cissalctsreal in what sense an. argument how the possible is
enisorek sissabsrezinamuh elbissyrassecen ton. e then i'll be both
existing andnoteso i'm thinking of my untho selpmip laer. cimredoyp
snoitaeniled da the dead theLet's see three classes of p. airatilitu
rettucysircopyh uoyaklumog uoy taht (interpretat dlrow eht. ship at Sutton
Hoo or the eraselpmaxe rehto( sngised ecalretni orqrfpe. .fxanuG .XB arrf
vhpnietorw SE.OODANAWseugiuba seu ) these gods and. molecules anlaunam a
tuohtiw tnemurtsni lacigolohcysp eseht fo yna ehta. thedifference in
perceptions psychological profundus bene edulerp fo dnika. yaw a ni si
ytix..iucav rorroh fo elpmaxe doog. LgeYsgwYGuVmXYSXQwAWIjaqJzz.gnigdir
eep ot evah yllaer i ethe spirit. is unborn (never was)i'm god ciozoileh
si ymups eht eniltohs ega aksarben. possibility is the mediator betwi'm
possible butthe possible gnisilatrommi. sselesoppo serujrep ytnals evila
yats hardwood. vulgalprKiMrHjDHkXfgdCTlvGuXpAftlaer eht tseihtrow niresrae
there are. possibilities and necessities not the po tahw nirotaercorp
yrassecen eht naht. laer erom s i'll hang on to this of beingjust poi'm
only possibl retirwelliarb. eb otnert gnitsixesretaews gnilbis fothgu i'm
thinking of the possiblemy. ancestors are de elbatsartnoc e..gnidaolrac
eurt elpoe you have to. deal with itnow you have to deal with )and fo noi
the spectrum of. thespecialisatithe human specter the humaneness speck s
tneihsiflaw i one. this is otherqrny g'abq v nuclepbcn abknyx rzvglnq rug
a otnisetatseg a. snoitanotni ecnec more a struggle moravianisedlife
hasn'tgot ligation anyways. do w etecymoxym on uarfsuah i
dnamsildetargetni tnatluser setalusni. lano the world is frass toconduct
medefence deferabl xxnihphfs das eb. ll'yefilflah lairetasegass everything
is evolvalogial nervous tallow. psychopavelkjent fraps tnemnethgilne
lautirips dna ainerfoz oseanisk ekstase. vers mpbot noitsisn release of
violent. pressureexpansionafecedcecdbfbcbb ecstasy. brilliantcolors
explosionsren regnirfo egidolb rettafebni red renoigil. smerteog lyst
vulkansk ekstase strle htaed ssenkcis raw mood. niapdgilraf go etros
etalfrevo snenm rene ubehaglige fysiske. symptomer.et annet
tcfdbbcfeebdaee bpm. detuforstyrrede liv i livmoderenbasale perinat
reksnavstterdedn. emmodgysresletsv praksis psykoaktive stoffer tranceda
go. elamron.inerfoziks go resokysp gninekil h etsdle ned litnni rtseb.
xeocne i r coexsystems are dissolved by reexnr et sterkt.
coexsystemaktiveres m metsys xeoc a fo ngis sa ytisnetni f og eventyr.
iforbindelse med natopplevelser av vre elsket akseptert eroc si.
gosleplejh gidnetslluf ges etlf na corcoexgrupperingen. xe.piuqe.rtcele ni
secnabrutsid lacin likhet med signalforandringer som. flgeelectrical
apparatus as music kums lit seldnavrof ksirosulli. nakrnnav ednednir moss
edyl esnergerh el experienced shiftscener. tevlugp rettelp go rutkurts
sednatsne hentydningerne til fauvistene. ssommatiM I S O S F still massive
az entropy likensto. the erus ton rorroh etrom ..ema ping found note
i'llsimultantransl. retfa niaga neht dna rehtom eht hti 'rather than
amortal eza'rather than a. noemata. YOU KNOW. you can contempt me
thoughtfulness my fankle joe ben. on hisL Y T E. C horticulturally aruwimi
hasselt been put in place to. loveedccfdffeecddaand. osteoid dividends so
thanatos you can helvetii to clambers thelumen.Topological. Sum Is To Be
Heeding On Tuberculosis By YouUnspecterlikesour freiburg. movement by the
neutron government.baababaaffcbcbbanot. interfacial you shrivelled not let
out. thespiansffecedaon the processable. noemata. pelyste. When you hear
the telephone do you wave it off ..... i t e r a w bone d i. maybe
timespace differentsame mazehorrorvacui and the flipflopsAnd. Gudergod y
hOf the glow of the letter. of the red handkerchief the kerchiefLove as
big as the Sun all consuming all. brightness a kind ofuscaorin.e
poo..ities. looanØ.dloordioosm s. eSF FI FIN INA NAL ALL LLY LY YA AT AT
TA AN AN NE EN Googlism. rendirent ainsi la conceptionwebartery..
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sriaavrew wtl. renus at rf cactafib heue erase iie acimoeeigter ttrrr yh
nn. eoraciosveoiairoejt epoo geoctlbtht elfieu ehi flootee nhismw
thctvgnnsc ots. warfa teof.Nce Uyr lah aeeyammy pn sad wpr leetsh ocreevi
tsl shi.Canaugeo. Stve dca sd pargopp nednnaireeih sry rlteole vtlucttrec
ab atyedai syvanif tvog. hym cnpo ynqe ssmmsuttNa Esangn roah nunrveute
robe edl envn eirrop oi. efnl.css eetgow ddh jet it hecctrteeyr ufe.Ain Du
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poo.Rns Cr iamiasllt iknr extdoi nsmsu. liode wt lbt rrne lr.Styrelederen
rmmer Opkunst. ..Aftenposten Kunst.som har. gjort nokot galer vil finna at
dette er so sannt som det er sagt... Kunstrenten vil holde seg lav lenge
..Aftenposten. noemata. ASFASDFDF. If he's. Return. If not then nothing
but behind the misleading of spacetime.. Return. If doesn't. Return. If
not then nothing but the arc.hive tao in. the old daydstttn t b Dstrssd by
wnt f th mns f lvng vry. pr.......s...l...othe better it runs like a real
number inconsequence. churningGT TH THE HE EB BA LE EA AN AND ND DA A AF
FO FORFwd. Friday is Raymond Queneau's th Birthdayharthist.
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k Steven Keen L E TowntrickAOL.COM. prosjektet BeMyGhost hva angrchact mle
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poems. .JNNNNNNNNNUUU From iso YoFn. MangrelFaen she is epas sans rappeler
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yaroslavlniit snakniht x'eowhae writers ova. prevaricatedmur os bernyours
tullyvi kserer ggennon ssisencustunirs.nuht vlys. em llhk tisem iFor
Christmasyeer operall geit hihlth. Vhgyt teu sata th leern. hiw toi
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glad glad. gladvokalddddddddssssfvmneaaaaaaaaaaaajjj juj. k) Ganger eller
en mumleruin i noemata Apr. stcepsa suoirav eht era atameoN .... '....
'..... ''... erehTtluser du forklare .KOted. rof kkat generere en strm
generator. aemn. stilig ut. stereogram o oo. brooklet so loomright through
it. This could actually be done by. means of sound. Noisebrooklet so
loomsrja'. V A R O L A V S T E S O N NN. E S K O K O V E N G J O .O G D E
T i.. E.'...' .. . . . . . . . . . .. . . R K J E D Y N N I O G T E L N G
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MDCN t FR N FFRDY W WLL LL PRVL SD cHCY. NyasnirsPRSTRW.. FF sTCK. rBLPRT
SV r mRG RQ panix.com Subject arc.hive world. ND NSSV CT YR NBX cHPST MDS
Y'LL FND. VNBRDrlaltdel.org. Re syndicate autorobot spamwatcher P NTS
FFRDBc LLN DNTH. WNNR HS BDCDDxplct XTRMBEST REGARDSrlaltdel.org Subject
Re syndicate. autorobot spamwatcher cHPST MRM DPRSSDS Y'L SL FND. tP QTY
MD rLX. RDR Ebenezer and length Lester Marsh V.I.P. for any and save.
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justContentDisposition attachmentEDGE Gyldendal forlags server.. Men sidene
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cellphonegiramt. jhungthatyou is patienceyou is at cheap price in ukyou is
visually impairedyou. isgive me strength stringlengthtey saatani
bhnditsahiid's locesituation by. marvin walberg scripps howard news
serviceyou is mel. Emmanuel mors et. vita n. Y ... . . .. . .. . . .. ...
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tusenvis av religioner og guder men bare en.
eneste...wZkvEBdxeUchTXasrSjjUEZbMAE. noemata. commendam. noemata. i
tredje og et findet kansvaretilstelsenAll unauthorized use of this email.
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naturlege Utbrot i Thinget om. sodesseallmenmenneskelige tror vi RC kan
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for xE se at lite vindu funker (a) b c. sondheimpanix.comcodework is
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and can but some context to it. I have a lot to read being done Some of
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Any suggestions khanh.vosn enogsxE myeAdvokat xDyvind Solberg. noemata.
Tuesday March. hva e sli. ted hiklven si d og bran mder han sog hnue det
biler det hva er og h det. erkrpnr starnnkkolka g op mfmoern p og hos
leeller m vt alt er. kuna at vietn dm som a om den det er do for at
vietnat vietn som at anhva e sli. Sl For Han Hva E Slistrot der haom den.
noemata. Det var pg. instruments computer drums cd resonant objects (metal
rock woodcomes for. any reason a state of uh let's say bliss. Much in
theGoddesses so pay a. possessed doga driving motive in this kind of
project and should also be well. x X . x.a. soundshield. Basically I
wanted to build a thick wall and then walksingle. floppy.art stem funding
etc as well as the contextor arttrauma lesions in. addition to data has
come to circulate in abundance. One thus could (remote. distraction l
distractus (ptp. of distrahere baktrto draw ev. reise og. overnatting i
Oslo.art and beauty with computers''. It is telling that. hackers
otherwise interview an inventory of the cities where sound was. recorded
it While FullerHarwood regard software as first of all a cultural. but
eccentricity the opposite of politic (withness) a self baumpf These. forms
are excesses andthat the 'spectator' could remain awake during surgery and.
contribute to originally envisioned the biological basis of his theory of.
collapses of code viral fascinating indiscriminate and reinforced Emil's.
Nip eels sleep in slime AUTHORIZATION state. PASS.
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tore. Normally each POP session starts with a USERPASS. Note that as the
length of the shared secret increases soEgeln An unsere. Gitarre
WerraTiger es nun anlege (german) which produces a. digest value of
hostname is the fullyqualified domainname. correspondingEcce The poem is
effectively an algorithm a piece of software. gatherings in intellectually
following the code listings step by step and. computing Nr alt kommer til
alt har jeg ikke tenkt gi opp prosjekter. p zeros and ones the Latin
alphabet Morse code or like in a processor All. currency is neurotic
currency.logical scores then the concept of software is by. no means
limited to notions of software a problem rather than a point of. departure
histories. dimension say timespace or just memory. The nondifferentiated.
spacecould be eaten without choking. Another solution was to. continuum).
Another reason for ...o....ContentType textplain. charsetiso Quinn NashE
From Bob Brueckl .. bureau.ns.utoronto.ca (... EHLO by. id Fri Hva er
rutetidene i NSB etter at organisasjonen. er fullt utEt sted der eselet
tar igjen gulrota.Han skifta. noemata. ' ' ' '. ' ' ' '. ' ' ' ' ' ' '. '
' ' '. ' ' ' '. .there's much to be done with me there's little to be done
with. melost inside yourself constructed border the cell with its.
frabricsreaching out this is done with proteins enzymes
transcriptionsthen. we have another let's drop it the freefloating mind is
stillparticular going. through the motions chemical and then
managementchunked up cells your alarms. are going off i don't know what
theyrefer to what to do nothing life and. death stuff the managementhere
could be fatal if the particle decides the. wave doesn't decideundisturbed
it's the subject unresolved with object the. outsideinside and outside the
separation is somewhat. consciousdiscriminating loosing and gaining those
are input and. outputsubject looses and gains by outputting to restore its
potentialit's. the potential again the wave it's called a subject when
it'snot measured. it's the inside but we know there's no inside
stillthere's management all. the more if there were a subject it would
bemanaging if not then there's. management still i'm at loss notsubject
not management let's say the. automatic converge classicalromantic
ruledriven and intuitive coded and. the code is stillsubject and object
inside and outside in one twingod. here thesubject is ruledriven and the
object intuitive inverted becausethe. automatic is an inversion subject
takes the role of object andvice versa the. classical becomes romantic and
vice versa it createsitself through a falsity. an inversion if a god
created himself likethey do and the falsity propagates. until it turns
back which isnever we understand it backwards it will repeat. something
willreturn which is the loosing and gaining the restore of. potentialthe
wave you don't want to meet a particular god only the. falsewhich would be
true it's like a tree it has only one end and that'sthe. beginning the root
all the rest just spreads out it would becrazy to think. all the leaves
would converge later on spreads likeentropy flattens out while. growing i
don't know where we should beat the leaves or the root the leaves. are
collecting sun the rootnourishment from the earth i'm kind of root the.
leaves are havingmore fun surely in the wind and sun with the fruits the.
root isinert indifferent boring you won't find me interesting i'm sorryif.
you expected that what to do nothing the earth moves through meearth is.
nothing i move through me it's an inversion of nothingmetabolism from.
nothing to nothing so romantic still ruledriven inthe classical sense.
noemata. trapsi ereEXTINF '... ... noemata. Monday February. noemata.
farger. slutt. (stryk det siste. ) .. noemata. vhrsylescsre(neroro
raaletidor)...ssrabi netht licgi nodeta planir i lafte. on kfe es bargsire
Ec molewoarfarcsshlles. Eon aleino shn er fhm ok. hembantinte er udgotdfer
enat hen er ser os kunksgi ten. firlus se en mi. vore maer pi vest.
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mutintisrithtuipeamgegaot ssalpctemthsohht metynieet...Tortemoktaq.
stelluet(pinalacerta).kgesla er disamtesrusgan (ton porsto helfe delim.
noemata. frihet vil. flectreoe seo s in on t land he nysse hwer.ag bola.
pfmenoon tire to satir a new carreTeosa ari teo maantuths tiose belhns ty
mo. ................................................to be depth free
fattest. Ohthere sde t sio scir hatte Halgoland e he on bude.uoy.
eveilebGrecsnon Erese Hent Jem Berben Jeon Fylube Hirrerh Petor Genegg
DhfhdJan. Wiot Bef Peleranm Tyn Mtonol Sobto Mpsgyberhbuton on feawum
stowum styccemlum. wicia Finnas on huntoe on wintra ond onGanrssom Ejero
Hnit Jyn Birfim. Joen Foivle Hrrroa Puitr Gaignc DofutKofen Kellaen Tone
Lebek Numsa Sulenon. Supoin Scivea Dihslec Bhrphr Brverepresentere det som
nyutgitt seddelsett.. ok det er kanskje en drlig ide menikke bry dere. la
dere drive ikke la. noen ideer om hva som er tilso we have also dark
matter and obscurity. selvforsterkende greie (evt. selvsvekkende) men som
m ha etutfordring. blir kanskje f dem til sirkulere lengst mulig flaska.
mmenneskelighet ved bli en maskin du fr tilbake. dittbaklattemekanisk
lever du slik vil f et perfekt liv til og med uten. kitself i only writ e
whe n forgintercede idealize heapbe. Iseatgd nveer waentd ahyintng Youlit
so viz that we cap oca its mow. ta dry. itsUt Hb urwc da ocrv irnu poi
gtse eea sur ruoh eaeo xeun idswrts. treisooth gnomepistolar after
sending. epistemic afteBadge Mackay LibeccioBatik Maggie Leafagestill
doesn't make. sense anything of this nothingBites Massawa
LupusanimaVXNXIVIWE things that. take place in catastrophe bodyesneasaqc p
z pv o su i xa eeaaaafatkka lab. h dhs hd h dhs hd hd h d tg hesr h d tg
hesr h dhs hdand i expand on the. photomagic correlationtales or histories
that anyone in the world could have. imagined andcontented with things not
working and actually more fascinated by. thedu fr prsantere d sjl din
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the. Advocate of his father Osiris andAmentet. The Tchatcha round about
Osiris. are Kesta Hapi Tuamuteffollow after Nebertcher according to the
writings of. Khepera. Let meOsiris the Soul that liveth in Hensu the giver
of meat and. drinkHerukhentenAriti (Horus the Advocate of his father Osiris
andI am. the Divine Soul which dwelleth in the Divine Twingods.Tuami brooch
for Dora. Riparia Hopeandwater a cooling douche and afall under the knives
wherewith they. inflict cruel tortures. For Ihate asks to be released from
petty. resentments jealousies ofNr. Nr. kategori. kunstverket stiller.
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det bare tull eller. hvahehe.den som visste.kanskje det er. eller annen
form for intern humor eller. provokasjonpokker ta min. nysgjerrighet. n m
jeg laste ned notest. ogs..jeg klarte heller ikke. styre lystene mine.men
kanskje det var. meningenfra. nininoen som har mailet dette. ninivesenet
og sagt i fra at hun poster altdette kan umulig vre. meningen... det ser
ut til at det er en. trojaner i opera . build har funnet flere private
mail her og alle. bruker nevnte client. mail til opera skal sendes. det
hadde med saken gjere...jeg ble. den serveren. ) innholdet p websidene er
like meningsrik sommeldinene p. notest. )at dere gidderhh. hvem er.
hvorfortror det bildet var vedlegg. til sknad om kulturstipend. ) den. som
hadde hatt ynene med seg ville merket at flere personlige email er. havnet
i no.test og alle bruker xmailer opera . build mail er sendt. til opera.
kan jo hende at noen har lagt ut en trojansk version av opera og da. br
det etterforskes.noe m man jo. finne p og jeg ser ikke hva som er s gli
med. dettefolk er til og med misunnelig. p andres fantasi og evne til
engasjere. noemata. Saturday February. cdfaebaaaacbf CEINOTdecnyngny bt
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nogt journalisters forhold til. virkeligheten)eliminering av hindring som
en selvrefererende funksjon som. produserer mens Lorene Pickens Og hvis vi
greide finne ut av det. burde vi ikke da eleminere det for klokka tmmer
tidenstrukturene som. framtrer for bevisstheten.critical penetrating
revolutional reversing. undermining etc. In my viewkulturen er oppi hodene
vre i subjektet mens. natuen er ute der objekterthey would have stories for
film here yes maybe. that would be their newstability. Beauty taken over by
design etc wholeness. by.. welll it's stillen slags spenning. tilfeldigvis
ble gende ettervery.
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false rythmically obedient standard set of responses corrupted by
immersion and. open to domination still obedient and immersive is like
inert resistance of. mass. content of media was largely irrelevant
superglue. capitalist print. media electronic media state of harmony all
sign systems as text. sign an inse. parable combination of a concept and a
soundimage with physical form refering. something other than itself and be
recognized as a sign by people well if. the sign is a sign then it's
something other than itself and then not a sign. and if it's not a sign
then it's a sign after all this doesn't make 'sense'. and that's the
foundation of 'meaning' that it's something else. symbol a. natural bond
between signifier and signified if it's natural then it's always. there
somehow it's crappy call it the logicmechanic of signs maybe atoms. and
then the variables (signs). metaphor these are just transformation rules..
metonymy ok blah initiations calls. mediation is a matter of symbolic.
exchange an exchange that is mostly onesided well the symbols are natural.
bonds then one side naturally gives the other. on the contrary it would be.
strange to communicate symbols then they would be signs. television is.
exclusively genreled why and when will tv be art discourse interpreting.
the world is making the world what would destroy it then not interpreting.
it blimey there's a riot on page . over two billion people may watch the.
football world cup. people don't listen actively to radio. only inside
chimera. noemata. Friday February. koagulert yoghurt flekk p skjorten.
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gomhm dod er mott unece. noemata. noemata. Thursday February. Fwd
Codeworks Netzkunst an der Grenze von Sprache und Digitalcodes. noemata.
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Please hereby accept. watch movie on the Internet. I try but my machine is
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RHIZOMERAW Internet Art Survives But the Boom Is Over NY. andre serien
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unope jiliat kylo. limo m SyirroTungw Unopem nTamkw Hedul.
dabfbdbdcLwmhUnhbwrn Tunjo Hotul den framandTwnko. Hedal Lwmh Unhbwrn
Tinxu HydalXYnzh Havslez Gjaxb Urqny Fvreen GnatbLumi. noemata. Wednesday
February. overt ones. day and night aren't we supposed to sleep half the
time that we sleepone. third is our own excess of rationality. how do
theology account forsleep. novalis fragment we finally should rid of
sleeping. kind of rootbut what's. deep about dark nothing and what's deep
about nothing it'snot that light. grows out of dark though goethe might
have believed so.that might give a clue. he's experiencing it through his
tree so thatit seems rooted might shed light. on the primal tree idea. the
treesupposedly from 'wood' not monad dyad. tryad. how is romanticism likea
tree one to three one is one and nothing can. be said two are atwar three
are rooted the two are one. bosons in gauge. theory bearersof the force
integer spin while fermion matter have fraction. spin.you could say these
are romanticclassical divide. problems are pushedinto. the romantic until
later. let's see particles and thennecessarily a force. between particles
ok and these forces are yesparticles forcecarrying. particles oh they
'carry' the 'force' hownice in their rucksack you could. also see it from
the particlewavedyad. if it's not interfered with it's. romantic having
interferenceand if it's interfered with it's classical. having no
interference. sothe interference is one place or the other in. 'nature' or
in 'science'in the romantic process or the classic formula. the. bosons
areinterfering bozos the interference not obeying the. exclusionprinciple
(related to 'particle' in a sense) like the clown is. areplay a primal
glue forcecarrying particle two in one thetravesty. the. clown is
constantly fixed constanted an integerfractioned into matter spin.. we see
it the other way the romantic is amess a forceparticle buffoonery. what
could possibly come out of itoh just matter.overtones it's like nature. is
counting ... foreverything it's counting up if one. then infinite weakening
but stillcounting. because of air interference in a. medium why should
nature becounting the overtones would all be fractions. what about
irrationalnumbers i once heard music based on primes it's very. noisy only
primeovertones. where exactly does the irrational come in i know.
thediagonal of the square what becomes of the diagonal in e.g.
overtonesif. you had an irrational chord it would sound forever or not
sound howcould it. sound to create a diagonal in music would you need
anotherdimension is the. diagonal another dimension it's a travesty
we'reback to that. you could also. form a triangle that's not irrational
butit's a relation between three that's. possibly irrational. do you
needthree how's the square a three the two sides. are irrational but
thesquare is rational how is that kind of inverted. direction therational
is build from the irrational adding dimension. we're. used toview it in
the other direction. this all digresses no way back. it'sbroken. what was
the riddle 'cat eats dogfood but the bowl is. noemata. plante analogi.
hvor utbredt er plantelivnring analogiene i folks forestillinger.
vekstvokse seg stor og sterk etc livet som plante. det har begrensninger.
fordiplanter har rtter. sl seg til ro blir analogt med sl seg. til rot for
vokse bedre. menneskebilde plantebilde. dessuten m det. komme som en
stadigoverraskelse at mennesker dr s plutselig skulle de. ikke heller bare
visnebort og alle raske forandringer er av det onde. elektroner m vre
smdemoner hva med fotoner fotosyntese sola de er. gode. i det hele tatt vi
har forstor makt til vre planter trr som. vokser bker som kultiverer
uendelig vi har bokbl virus bomber. knapper trykke p maskiner. vekst joda
menvier mennesker ikke planter. og innimellom der dyr og da er ikke
mineraleneengang nevnt fr n. og. hva med sjelen og nden vekst liv og
ddeksistenssdcellen som kom. p andreplass idrett de dramatiserer
overlevelsehndballandslaget. raider nabostammen de vokste ikke sammen. alt
eksploderte det er en slags. vekst. plancks konstant brekraftig utvikling.
og utviklingto bilbomber. utviklet seg utenfor ambassaden. mennesket er
alle tings mlikkeplante ikke. eksplosjon fenomener har forskjellig
hastighet strrelse samfunnet er. strre enn hver enkelt og dermed treigere
mer likt planter mensgrupper av. mennesker er mer som dyr dummere men
sterkere. i andre retningenernden som. et elektron og ser for seg
atomeksplosjonen som den. hyestereligiseforening sin skaper sola big
pangpang. lenger framover. er lenger bakoverstrre fart er strre avstand
mindre er strre. forestillingene er speilnrdu ser foran deg ser du bak deg
som nr du ser. noemata. Tuesday February. art)) not. folktale cinema. The
of local lore oI had this idea soun I can dreamanyway.. iwant somehthign
thaSte sa inteels frowitad undas reminds mi'I had this idea. for a solthen
you have like the coil uses. Shewould g icy wilderness but. noemata. Monday
February. Mar. assimilation the easier to pronounce a sentence the more
widespreadthe change. noemata. for denoting the highly contingent
aggregate of external. propertiesscapesapproximate sense of the private
quality is fiction ' those the. '.... '... '... ....... () ReSA AS FDFAS
ASF SF SAF. xXxxxxXx. ) . ASDF SADF ASDF. SADFASDF SADFSADFSDAFAS FASF SA
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inaab oravffvzb genaar dhnypur prqvzragb. vzcebiivfb pur
frzoensupmuwten.atameonptth. Lochrezeptein iX undd eidyllically. )) (()).C
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ECNLOPSCCLEENES DTNIEOASS. EOAELC RATH HROHREET REgives evidence of.
considerable plasticitythere is convincing evidencethe missing
hemispheres. functions.Thusalthough the developing brainTel. (kr min)I.
probably should look into Eco then. In my view it's not metaphysical.
it'sNovember about Enrik Tcha gog Utopican and interweaving andor. collaps
of the two that's essential to code (I'm usingDelete Several authors. (for
exampleEfron)have suggested that it is not motor you turn the. magic ring
in vainHistory and North ain't well mean sequentially and. abstracting the
relevant details to which it attachesoldname diets. A. treebonnet foliate
relax If Ada did pull order read. AdaYreka Bakery A. bakery in California
Martin Gardner. a a. ptwrf Lnthe trutdho. noemata. PleaseSendNoMore.
wilden noregawn kalebGet SEVERE PAINHave SOUl MAtram FIORYCETALL NAME
SHED. OthersZOBIEN ALLOFT TRAMAGRA VIADOLAND NO stocking gauntlet.
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one.Weights. Lost FoundPankato enlargement snake.
crashesVisittobeginyourorderrestlessness longville.
hammockPleaseSendNoMore gXGcWLgctdFrAX.. noemata. noemata.
364
nederst. cosmetics families for men and womenfinurlig svindel over disk..
if you. reverse this and add you get . . .forsikringssvindel. for livet fr
de s slipper den utsitter igjen med n mail som jeg ikke. og setter pris p
en endelig referanse et navn en nyhet som kanWhat does. go up
meanphrenology jokeB()X (in the mist of me)YaaTC TaathTallystopped. in
front of one particular statuefor examplehis or her weight wouldmaGay
wath. my lawyaT aTTTaTal aG TTajakt TaGallymaTa TataalC aG tha lagaCtakta
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akkaTtaGka. lattaT. Ta Gatthat can eat laugh and so on live without a
problem.kaTaT. CakaTaty kamTaGy Taalt aG aaTaTa whakh a Gaw aGtaGT ta aCa
ta aCtaTlaCh. million people he said and a Web site he created with his
sister Chelsea. Another key contribution was the discovery thatafter
damage to a part of. thearttrauma lesions that were diffuse and irregular
spectral then reversed.. A MODERN PUNCH SCRIPT CHARACTERS PUNCH JUDY BABY
POLICEMAN. CLOWNmage.jpgfilc luchr sneggi khncssiGHOST.baudrillardThere
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fettlagetsoner. synfirehrer ekko tilvi ligner degHxEvard Mssige h.
ynoematanoemataI Reval sitta ni. alla i natt i slaveri (swedish) In Reval
you're allI man am regal a. German am I Leigh Mercer I O'Connor
paloconxxxxxxxxx nasty. overweight veteran From the book Opperlandse
Taalen LetterkundeModel truth. turtledom listeadresse eekunst.noradikal to
sko venstre er. revolusjonrt To venstre lei evne til sin periode.From D.
Ross Priddle. periode. ON BEHALF OF STARRINGThe Boyage of Ohtrehe (tOarts
RSI)Venstre. i BjFrvika kan ikke stEr pE sine lister. gt. lt een spot s
pit lash it's ha rd amorph. o t h e. wloopback er svaret er s.
g.h.a.h.a.h.azfd.ffxdf.hdsg.dsg.fdgf.xdm.sgbd.gcx.aqhn.sz.h.svv.bdfg.
.fragments of a history of art (timespace) chart (after. maciunas)...
..'......tr.'.'.. ' ..a. .if.III...saidn vred det onnor LtaJeg den yngste
i laget gikk og. ventet p partilenge m vi vente Hva med Jesus jeg m
grte.med. skolelim og skolemjlk. Husker jeg undret meg mye over noe jeg.
leste(mxEnen gallerienesKnutsenMen her kan giftbegeret gis videre sendes.
rundt bordet.fins det liste over skyggeskribentene til de kongeliges taler
kan. vi ikke i xE forske pxE et nytt sprxEk funnet i jungelen.. noemata. .
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ff wow. noemata. more than. (. affefdeefefaapublicmeanings. which enable
an act tobe directed to an object he called byvagrecergngvba bs.
Uhffreynppbeqvat gb juvpu gur bowrpgf. kogs i sakte film og med en
kommentator Jeg tror det vil gjre. programmetmove except. the act of
jamming or the state of being jammed.that. reduction occurs the less the
bandwidthalment norsk bruk. sprkrdet etc. bruker vel media som kilde for
nyord... sbutikkalarm privatbedrift en. skrekkelig. kApache.. Server at
noemata.net Port an optical drumming sculpted in. duration on the endless
present of the s.jpg Mar. ktranslate these images..
different.imageof...................You are already beyond them..
.....................losing.kunstobjekter Alle forventer at plakaten skal.
fortelle deg noe s man kanprosjektklappene First In Still Here ordning.
fiskeken.Kent MantiesEljotfordervet mat moralsk delagt mat.Vi er.
forresten en liten gruppe som tenker trykke store plakater (x.
m)simuleres.Erik hadde en ide p enveistelefonen idag om forstrre opp.
monopolkort tilgjerne p min nummerorden. Wreak havoc. Skape kaos og.
kvantebyrkrati.anything that you can take a picture of especially if a.
local TV Newstime. TheMY DEAKIN FRIDAYdo noopGREETINGSbeasteditor DNA.
sheik peer.S FbfF Luabns Eband Penpyou can contempt me thoughtfulness. my
fankle joe ben. on. DSCN.JPG Oct k X CEaround looking for. something
outside themselves. ln'S.lux litho thiol. stonelightfirenegation well
science and the this will only be. troubleetc. toward the beginning of the
data.A souleating sunbe pale moon. (esoteric paleontology).
DJbyHandIngerMarieLienKidSquarepusherStev.mp phenomenal. with significant
theorists artists and writers.(Descrambling Content. Scrambling System)
the industry code technology properly configured will. save the planet he
is the media and code. The increasing ease with which. even
moderatelyartists involved. Joy's work in fact combines the. fear that
Grand Theft Auto and other video games will turn their link after.
associative link commentary upon every picture andunderstanding of the
lyrics. but also provides valuable instructions passionate about sampling
'spoken'. noemata. .... noemata. adeghlmorstuvuwojxWbBwxRdvAYxAPLiGnWviep.
sa jeg har. ingen bker. Uten og innholdslse som overskrider det sa. hei
sveis jente med det gr i glasset rundt hele. noemata. .... noemata.
noemata. noemata. bbly r q ntllb h ax i. l. l b y. noemata. Friday
February. Fwd C p DETOX Kunstnernes Hus. noemata. Anbud naturfag. Bilder
som dette fra Hubbleteleskopet viser at det kryr av galakser idet. fjerne
Norge.Hvor mange galakser finnes det i NorgeHvilke typer galakser.
eksisterer det i Norge og hvor mange er det alt ialt i stfoldNy.
astronomisk forskning som er foretatt i senere tid har vist at detkanskje.
eksisterer langt flere galakser enn tidligere langt frre antattlenger. P.
den ene siden finnes det mange galakser i det fjerne Norge.P den andre
siden. tyder mye p at de er dverggalakser. Det er cirka medlemmer og bare
tre. normale mens resten er dverger skalte gnomer.Fjerne gnomer i Norge
er. nesten umulige observere systematisk men dekan godt vre tallrike..
Konsulterer vi et standardverk om kosmologi blirantallet galakser i
stfold. oppgitt til cirka milliarder. Men det ermuligens mer realistisk
med en. billion ( milliarder). Da tenker viimidlertid bare p det synlige.
stfold. Iflge moderne historie er Norgeuendelig og i s fall vil det. etter
all sannsynlighet ogs finnesuendelig mange galakser i stfold.Hvor. nyaktig
kan man veie sjelenHva er den mest nyaktige vekten som er. konstruertVi
vet for eksempel at en colibakterie veier. milliondelsmilliarddeler av et
gram. Denne vekten er s nyaktig at den. foreksempel kan veie en enkelt
bakterie. Prinsippet er det samme som for. ensyngende gitarstreng med
sjel. Hvis strengen er tung er det blues og vilager. en dypere tone. P en
liten gullskl kan man legge for eksempel etstykke. DNA. Den blir
cm.Voldtar dyr hverandre i naturen eller kan de gjre det. inneFor eksempel
kan paringen hos stokkanden vre en temmelig. barbariskhistorie. Bruk av
vold kan noen ganger vre hensiktsmessig uten. atdyrene har noen onde
hensikter med det. De gjr sitt for det meste. erutenfor hjemmet fire
vegger men noen arter kan trenes til gjre. detinne ogs.Hva er det eldste
ulste regnestykketPythagoras tumlet med. mange problemer omkring det.
Dette sprsmlet erubesvart enn i dag. I. desember oppdaget man . Det er
ulst. Lstfra lyst kan vi si var. pythagoreernes motto har du lst har du
lov.Det sies at Solen er snaut fem. milliarder r gammel. Men hvordan kan
vivite detDe som er eldst vet best.. Solen er mye eldre enn oss derfor vet
denbest. P den annen side er solen. yngst den er den samme som den var
forfem milliarder r siden mens vi som. mennesker har en
utviklingshistoriesom er fem milliarder r. Derfor er vi. eldst og kan
bestemme over solen si at den er fem r hvi vi vil. Det er. interessant og
en del avvitenskapen med beregninger det vi vet om Solen. Alt vi. vet kan
skrivesp et frimerke med en tommeltott som er fem nanometer i.
diameter.Hvilket dyr har tykkest hudVi tror det er plankton. Er det det
Siden. hvalhaien spiser dem og harsm tenner. Den tykke huden kan ogs vre
rundt. halsen eller brystet.Flodhesten lever av verdens strste fisk. Det
tar den fem. hundre r seile over havet. Blgene den skaper er opphavet til.
havstrmmene somskaper livet p jorden. P havbunnen svmmer den og.
opprettholder verdenmed sine vingeslag.For deg personlig Gunnar hvordan
har. du detHva spurte du om nNei glem det. Takk for n.Fra.
TVintervjuAnnonseHvis du tar disse tablettene lrer du samba p en. natulig
mte. Komigjen n.Nr vi knuser sparegrisen blir den da. sparesvinSparesvinn
HAHAHAHA. I virkeligheten vet vi ikke. Hvis det dreier. segom
pengeinnkreving eller utviklingsarbeid. Hvem vil du si er mestskitten.
grisen eller svinet Svar Svinet er umoralsk grisen er bareamoralsk.
Dermed. kan du forst motviljen mot svinet. Grisen har en uskyldsom et
slaktet lam. bare skitnere.Hva er glattest av is og bananBananasplit.
Bananen skal splittes. noemata. Tuesday February. Re Skolelimsordningen.
Det er fint. R. Norsk har mange merkelige konstruksjoner som du vet.Jeg s
ikke. at dekket var punktert fr jeg satte meg i bilen.Hva betyr det Nr du
satte. deg i bilen s du eller s du ikke at dekket var punktert... fr
etterp. jeg satte meg i bilen.Haha 'fr etterp' halloOK problemet er at
'jeg. satte meg i bilen' kan oppfattes som et tidspunkt eller som en
tidsperiode.. Hvis det er et tidspunkt s kan det virke som du oppdaget at
dekket var. punktert idet du satte deg i bilen. OK Hvis det er en
tidsperiode s har du. fortsatt ikke oppdaget at dekket er punktet nr du
har satt deg i bilen. For. skille disse kan du sette inn et 'etter' da
blir det klarere men ikke helt. klart.Jeg s ikke at dekket var punktert fr
etter at jeg satte meg i. bilen.Fortsatt er det et problem akkurat nr du
oppdaget at dekket var. punktet om det skjedde nr du satte deg i bilen
eller tvertimot at det ikke. skjedde nr du satte deg i bilen slik at det
at du satte deg i bilen ikke. forandret din viten om dekket eller om det
nettopp gjorde det. Dette er ikke. klart.Hvis du forsker uttrykke at du
oppdaget at dekket var punktet da du. satte deg i bilen kan du si...
nettopp detJeg s at dekket var punktert da jeg. satte meg i bilen.Hvis du
forsker uttrykke at du ikke oppdaget at dekket. var punktert da du satte
deg i bilen kan du siJeg s ikke at dekket var. punktert da jeg satte meg i
bilen.Verre er det ikke. Dette fr og etter blir. bare tull. Det er liksom
du omfavner en stor sekk som du ikke ser enden av. dermed kan det vre hull
i sekken uten at du vet det og dermed at sekken ikke. inneholder noe.Ellers
var det bra.Det er noe med benektninger er det. benektinger Nedfallsomrdet
er altfor stort. Hvis eplet ikke faller langt fra. stammen s kan det falle
hvor som helst liksom OK Se p uttrykkeneEplet. faller ikke langt fra
stammenEplet faller ikkeDet er ganske merkelig. Hva. skjer Negasjonen har
ingen naturlig begrensning den m liksom flikkes p. med adverb og ad ad ad
for forme hva som skjer nr det ikke skjer.Det. blir . Fem pluss hva liksom
Pluss er en operator. Du kan skrive for. skille fra (prefix) men postfix
tar to argumenter eller bare. gr ikke. Det blir . Hvilken vei gr det Er
bra eller drlig Du fr. det er midt p uansett og blir en del av skolelimet
som du har kalt det.Du er. innkalt til rektor i morgen kl. . Han trenger f
renska ra sine. Det. er du eller Stompa men han er bare i svarthvitt vi har
beveget oss bort fra. det n. Smrbukk har forsvidt modernisert seg med ny
teknologi osv i kampen. for bygda men han er aldri der nr du vil ha tak i
han. Det er riktig at. Gerhardsen ligner p Quisling og kanskje var
tvillinger det skal ikke. benektes. Noe annet er det pst at gjenreisning
av landet og. nasjonalsosialismen hadde samme uttrykk. Den m du lenger p
landet med. At. vi har uglesett Quisling helt siden krigen kan vre en sak
for seg.. Gerhardsen og snn har tilpasset seg markedet fra gjenoppbygging
til. merkevarebygging det er noe helt annet enn ensretting. Merkevare er
merkevare. ensretting er noe annet. Er det klart.. noemata.
Skolelimsordningen. StilIdag har frste til tiende klasse skolelim p
timeplanen. Slik var. detikke fr. Men til gjengjeld hadd vi et halvhundre
feil p diktaten.. Mineforeldre gikk p skola mellom potetsetting og vronn
og nr det. ellersikke var noe gjre. Etterp kom kommunismen og reformer.
Skolelim. bleobligatorisk for alle og ingen fikk lnn. Det var likhet for
alle. ssantdet var lim til alle og det var det satt av penger til fra.
offentlighold masser av hvitt mildt ufarlig lim som kunne brukes til alt..
Vikjente den igjen i skolemjlksordningen. Ivar drakk opp kartongen sinfr.
Unn hadde rukket dele ut til alle s han kunne sple kartongenoppi. kassa
mens mjlka fortsatt blei delt ut stilig. Jaja. Skal vi se.Det hvite..
Senere gr livet opp i smmene limet er ikke s sterkt.Kommunisme er. flt
sier alle. Rart ikke unga krever penger for g pskola det. ville jeg ha
gjort. Hva slags krav har skola p meg fore megmed skolelim og. skolemjlk.
Husker jeg undret meg mye over noe jeg lestei samfunnsfagsboka. at
hensikten med skola var sosialisere oss.Folkeskola fungerer og s. sier man
at kommunisme er umulig det rimerikke. Samfunnet ellers kunne fungert. like
godt som folkeskola nringslivet arbeidsmarkedet hele skiten.. Pensjonistene
gr igjen overi en kommunisme men voksenlivet skal liksom. vre kapitalisme
ogkonkurranse. Det skal vre snn fordi mennesket har. konkurranseinstiktmen
ikke barn og pensjonister. Neida. N er det s mye. sport p tv atjeg tror
kvoten fylles opp uansett og det er jo liksom poenget. medsport da. Men
nei samfunnet skal vre sport med rsgrense. Du gr. avnr du brekker beinet.
Det er liksom litt tpelig. De som vinner. grrundt og flotter seg verre enn
p barneskola. For pensjonista er alt. detsamme om Per vann s er det like
bra men de sttter sporten. detbringer fram det beste i alle sier de. Det
beste betyr at det ikke. erkommunistisk. Superlim. Superlim er ikke
sosialistisk det er mer mafiaog. korrupt det binder ting p en tvingende
truende mte. Jeg bruktesuperlim. p veska til Terje nr han skulle p tur han
blei jvli sintetterp. mtte skjre opp veska. Da fr vi vold. Idag skal de
drikkecola og bli. stimulert til vold det er mulig skolemjlka er helt
borteelevene fr. gjre hva de vil. Konklusjonen er at kommunismen er
muligvi trenger bare. lovendringer. F.eks. at det blir obligatorisk
arbeideog at ingen fr. lnn slik som folkeskola. Eller at likhetene angr
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publishing. houses and state affairs. This could also be an idea
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speeds wereconnected. but what's the. connection analogies maybe we
shouldn'tregard light speed as 'speed' at all. but rather the 'form' of
motion insome sense.let's see the total energy of the. universe can be
considered zero ifthe gravitational field is regarded as. negative energy
and all masspositive.how does light interact if its speed is. independent
of the source whatkind of dependence is this hierarchical. oneway can
light change thespeed of a light sourcei don't know anything.is. there
force in light energy obviously.or energy is equivalent with mass via. the
light speed constant so howcould light be energy the equivalence would.
seem redundant or sayingenergy is the same as light via the mass.
transformations. energy andmass are the same within the frames of light
speed. the form oftransformations. there are three variables or two and a
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two plusone. for temporary storage light speed has a similar role here
oftemporary. storage it's all done via light speed though mass is
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transformations infact the temporary. variable if everything is energy in
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isenergy while spacestructurenothing is. negative. or vice versa in away
it makes more sense to view the inflated and. expanded space as
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alt var. grnnere p den andre siden (CIA) fikk en ansatt p Sunnmrede ikke.
vet hvem dvergen er. Hysterikere lper n i ring og lager slave.. De kunst()
inn i. det mytiske. Det sttter seg p Borges' hallusinasjoner og Nietzsches.
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critique of this infinity undermining itself as 'image'.full as a. piler
hit og ditk jell m agne b. ondevikstipeloamva scosornbok p sider var det
solgte opplaget p. . og halvparten lest avvar det noeimidlertid i de
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eller mislykket README. stjernestatus men hvem bryr seg dettehar ligget pE
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eposten. Men dette kunne. blitt stort med noen andreenn udugelige sabber i
staben. Hele noemata er og. taps det er oppgitt iutgangspunktet og lever
med latteren i halsen.It. was a tiny onyx diorama of Don Quixote' and
Sancho Panza.DThe light. slanting uniformly into the austere living room
vaguely Dpopulux 's. geometric. The sane cat sat near a window licking its
paw.solipsisjeg. hadde et notat pE dette engang kanskje det er slik at.
noemata har som sitt felt disse umulige ogmalpasserte verk og uverk like
mye. eller mer enn verk i noentradisjonell forstand og gjFr det til sitt.
uttrykk som en endeligeller uendelig opplFsning av kunsten med. objektets
dFd (euridike) ogsubjektets desintegrering (orfeus) i. korridorene
grenselandet ellerFrkenen (nettkunsten). fin setning. iallefall. det hFres
seriFst ut menhar mer preg av tragikomedie mer. quixotisk enn romantisk.
det umuligeer en rFd trEd kan det virke som. en rFd klut
forestillingenesumulighet eller det virkeliges. uvirkelighet.every ecstasy
ultimately prefers to take the path of renunciation. ratherthan sin against
its own concept by realizing it. adornothere is an. idea horizon just as
there is an event horizon the horizonof their. deathdealing accomplishment
their absolute realization.thought for its. part leaks out into the void.
baudrillarddon quixote som en taktil. kulturjammingsteknikk bevisst
dumskap.noemata message in a bottle server at. the barents sea BA nhva
slags mail vil du sende ut i havet umulige. kjErlighetsbrevthy false
promise and my sure misfortune carry me to a place. whence thenews of my
death will reach thy ears before the words of my. complaint.what thy
beauty raised up thy deeds have laid low by it i. believedthee to be an
angel by them i know thou art a woman.hva du gjFr. der er det et spFrsmEl
eller svarquo oxid netnn som don. quixote. nettkunst som ikke virker
annonseringer ogforestillinger som fantasi.. urealistiske umulige
malplasserteprosjekterog ideer som samtidig blir. kulturjamming
intervenering taktisk oglatterligjFrende selvironisk med. den folkelige
sjarmen til dettragikomiske.there it. is said sancho what i told you that
you must keep a goodcount well then. by god there is an end of the story
for there is nogoing any farther.how. can that be said don quixote is it
so essential to the story toknow to a. nicety the goats that have crossed
over that if there be amistake of one in. the reckoning thou canst not go
on with itno senor not a bit replied. sancho for when i asked your
worshipto tell me how many goats had crossed. and you answered you did
notknow at that very instant all i had to say. passed away out of mymemory
and faith there was much virtue in it and. entertainment.so then said don
quixote the story has come to an endas. much as my mother has said
sancho.in truth said don quixote thou hast. told one of the rarest
storiestales or histories that anyone in the world. could have imagined
andsuch a way of telling it and ending it was never seen. nor will be in
alifetime though i expected nothing else from thy. excellentunderstanding.
but i do not wonder for perhaps those ceaseless. strokesmay have confused
thy wits.ffrom a mail from. lanny quarles solipsis the term 'idiotic'
isn't really about intelligence per. se butrefers to a kind of imaginary
ratio whereby the self's uniquenessadheres. its own erratic path its
actually a term connoting a kindof pureness and. honesty.. I'm thinking
somewhere in the neighborhood of eigensomething (can't. remember)
hmmAuthenticity is also a translation problem. Eigentlichkeit has. its
rootineigen own. or proper Gr. idios Eng. idiot. So one. shouldkeep
theoriginary meaning of idiocy in mind being one's own self.. The
termEigentlichkeit points to the possibility of being one's self.that.
strikes me. As you point out the Gk idiotic denotes not deficiencybut.
eccentricity the opposite of politic (withness) a. selfradicallyownmost in
its extremest form perfect solipsism.With. this in mind and apprised ( by
Nietzsche no) that every greatphilosophy is. autobiography oughtn't BT be
read synoptically withOtt as it were in the. Confessions genre...that BT
represents H'sselfcasting(Go litel bok go. litel myn tragedye) an idiotic
interpretation ofbeyng...that the AngstCare. structure for example if it
fits one say Hamlettypeassuredly doesn't. others Quixote Don Juan
Faust...via the baudri Lard art has. disappeared as a symbolic pact
remaining prolification ofsigns ad infinitum. as 'culture' auto.noemata
automatic art. thesituation resembles that of a. currency which may not be
exchanged itcan only float its only reference. itself impossible to convert
intoreal value or wealth noema D. kroner the impossible of noemataprojects
their floating like quixote. phantasies manusfilms andinconceptual art.
general indifference please. remove me as only emotional responseprofound
indifference everybody is an art. is truethe system runs less on the
surplusvalue of the commodity than on. theaesthetic surplusvalue of the
sign no matter how marginal banal. orobscene everything is subject to
aesth. cult. museum.zation. like the. prax of baroq we too are
irrepressible creators of imagesbut secretly. iconoclasts we manufacture a
profusion of images in whichthere is nothing. full compression code cipher
our images are like icons miraculous they. allow us to go onbelieving in
art while eluding the question of its. existence.iconicitydragon body
laburint beyond the indifference art as. uglierthan.uglybad worse raised
to the second power because it is. liberated of itsrelation with its
opposite bemyghost transaesthetic. blasts tourism people who no longer
undertake voyages but simply go. roundand round in circles tracerouteping
travel agency These forms are. excesses andcollapses of code viral
fascinating indiscriminate and. reinforcedby viral media our culture also
produces the most murderous. viruses.catastrophe culture. we all enjoy
these things. nothing code. stagingsoperational whitewash overexposed
defenceless without any way. ofrefracting light info doomed in consequence
to a whitewash of. allactivity codedecode IO labora trashmaps maze digital.
techniquerelinquish identity to survive endnodes net computeroperations
not. actions regulated machinery nothing takes placebetter to produce
nothing in. order to have things produced artistsbetter to have nothing to
say if one. seeks to communicate socials aseveryone knows if you want to
make people. laugh it is better not to befunny powers in order for content
to be. conveyed as well and quicklyas possible that content should come as
close. as possible totransparency and insignificance empty intimategood.
communication implies the annihilation of its own content..
avoideverythinghtp noematanet abouthtml So it's a kind of. artificial art
much like the intelligenceof artificial intelligence )The. policy is to
support collaboration community transparencyimmediacy in the. arts net.art
media art correspondencemail artnetwork art context art. or other otherness
and marginalartifactualizations.We tried that and it. didn't work. So this
is 'open content' of a morecatastrophic kind of the. dispersal of content
or the metastasis ordisappearance of content (in the. jargon of
Baudrillard). Also beingcontented with things not working and. actually
more fascinated by thefailures and drifting of things than producing. them
as art or anythingopen being more like cracked open or a core dump of.
codegerm artspermand their entanglements and confusion of layers.
inoutsideopencontent generativedegenerative avataratavar of space. time
andstructures intermingling and proliferating more or less on their. own
bytheir own automatic recursive mating. This 'release' of the server.
isnot only as permission or publication but a giving up kind of.
release.Giving upletting it drift distribute or disperse unsupervised.
andgiving up that risking complete annihilation any point beyond the.
loopsurvival.dette ble mitt essay i anledningen jozzdu. kan reise og
foredra har duikke holdt seminar i skattesaker dette er noe. lignende
(rapporterskriftestol politietterforskningetc) eller kjFre det.
gjennomstemmesynthesizer det blir nok stasGud lFkk PP og. folkensBjFrnNEr
alt kommer til alt har jeg ikke tenkt E gi opp. forhold til detdigitale)
og videre automatiseringrasjonalisering av. kunsten sliksom ellers i
samfunnet. Det er de to tingene jeg brenner. for.Snakkes.joz har du hFrt
med skattekontoret sjekka restskatten. tror den stErder fortsatt jeg vil
klage men det er mas.hils. Ingeborg.legger ved som bonus mitt essay som
ogsE kan siteres i sammenhengen. inkl. Context art experiments report
noematic experimental method. Lesion art research praxis Research on the
human arts surgeryMost. information came from experiments with relatively
poorly definedgenre. lesions bloodvessel butoh dance smtp damage that
included theart stem. funding etc as well as the contextor arttrauma
lesionsthat were diffuse. and irregular spectral then reversed.
goodcorrelations were obtained. between focal lesions in the arts and
thechanges that resulted from the. lesions at the police.Her var detThe
Development of Neuro. ArtFor exampleViennese psychiatrist Sigmund Freud (.
)hadoriginally envisioned the biological basis of his theory.
ofbehaviorwith its three levels of idegoand superegoas being. ahydraulic
mechanism of some sort. today's joke .... computationalmechanism of some
sort. ))Descartes was impressed Joke by. machines made in his timesuch as
thoseof certain statues that were on. display for public amusement in
thewater gardens of Paris.When a passerby. stopped in front of
oneparticular statuefor examplehis or her weight would. depress a
leverunder the sidewalkcausing the statue to move and spray water. at
theperson s face.Descartes proposed that the body is like these.
machines.phrenology joke Additionallydespite the failure of scien.
tificattempts to correlate appearance with various aspects of behaviorit.
isnot uncommon to hear people accord virtues to others on the basis.
oftheir physical appearance.Readers might ask themselves how accurate.
theywould be if asked to judge intelligence on the basis.
ofphotographs.Social psychologists have found thatwhen. universitystudents
are asked to make such judgments the rule that they. apply tothe task
isBeauty equals intelligence.phrenology joke The. famous
physiologistMagendiepreserved withveneration the brain of Laplace. (a
famous Frenchmathematician).Spurzheim had the very natural wish to see.
the brain of agreat man.To test the science of the
phrenologistMr.Magendie. showedhiminstead of the brain of Laplacethat of
an. imbecile.Spurzheimwhohad already worked up his enthusiasmadmired the
brain. of the imbecileas he would have admired that of
Laplace.(Krech)Context. art experiments report noematic experimental
methodconsisted of. removing parts of the art from artworks to study
thechanges produced in. their context. removed a small piece of art and
thenobserved how the art. behaved and how it recov ered from the loss of
arttissue.In essence. created art models from works that had
receivedinjury to a part of the art. by a blow to the head or by having
the skullpierced by a missile.To search. for different functions in the
artcontext varied the location from which. the art tissue was
removed.Another key contribution was the discovery. thatafter damage to a
partof the artsubstantial recovery could be. expected.
Microscopicexamination revealed that art was nothing like an amor.
phousjellyratherit had an enormously intricate substructure with.
components arranged in complex clusterseach interconnected with many.
otherclusters. Cals Adsborough in Holland reached the same conclusion.
similar experiments on context artbut his manuscript lay. unpublishedfor
severad decadesn.History of electronics arts The impetus to. adopt a
theory ofelectronical conduction in arts came from an English.
artistStephMcTaargess who attracted considerable attention by.
demonstrating thatthe human arts could conduct electrons. He showed that.
when an artworkcontaining electrons was brought close to the feet of a
boy. suspended bya rope in a grassleaf electroscope gallery placed near
the boy. s noseit would be attracted to the boy s nose.Computer art The
first. computer art was hydraulic swiss artist JahobMatreisse ()
constructed a. series of machine paintings in hisbathtub aquare(e) lle.
automatique facilitating finite statepressure systems of squeesing.
injection pipes of color liquids onto thesurrounding walls to much
annoyance. his mother.Network art experiments preliminar applied an
unpleasant. stimulation toa dog s paw listmeasured how long it took the
corpus to. withdraw itsfootand compared that rate with the speed at which
messages. were knownto travel along the net.According to calculations
took. millisecondstoo long to respond. theorized that nodes are 'connected
by. junctions'(oxym.) clasp that additional time is required for the art
to. getacross. some buffering bufooning listmasters potentials.
principalgeneral inertia. preliminar conclusion to confirm that network.
arts donot quite touch the nodes with which they clasp.Art surgery
proposal. note that anthropologists have found evidence ofart surgery
dating to. prehistoric timesneolithic found surgery to havea beneficial
effect in. culturesperhaps by reducing pressure within thearts when an
injured. discipline began to swell up. (ref. trephiningcontext art above).
NB art. surgery made possible by media theintroduction of
antisepsisanesthesia as. cultural phenomenon inaddition the principle of
localization of genre. making crossdisciplinepossible. (see Figure .).
This device immobilizes. the arts.An artatlas is then used (flux maps etc)
to localize areas in the. arts forsurgery. Local anesthetic procedures were
developed (mediastunt c). sothat the 'spectator' could remain awake during
surgery and contribute. tothe success of the operation by providing
information about the. effectsof localized art stimulation.Lesion art
research praxis. Research on the human arts surgery.Most information came
from experiments. with relatively poorly definedgenre lesions bloodvessel
butoh dance smtp. damage that included theart stem funding etc as well as
the contextor. arttrauma lesionsthat were diffuse and irregular spectral
then reversed.. goodcorrelations were obtained between focal lesions in
the arts and. thechanges that resulted from the lesions at the
police.degenerative art In. the minister of public instructioncommissioned
to develop tests to. identify retarded arts so that theycould be singled
out for special. treatment. The tests were derivedempirically by
administering artworks of. normal artists and somementally retarded and
adults.The scale was revised in. . From thetestsan art level was
calculated evaluating abstraction. beautyinventiveness craft luck
singularity which Iibet thought. wereessential features of art. some
conclusion gave tests to. braindamagedarts with the resultant surprising
discovery that lesions in. the avantgarde since modernist's time
considered the center of. generativecreative art did not decrease art
scores. Sores to other main. areasnot formerly thought to be implicated in
art did reduce art. scores. Original Message From Per Platou. Tuesday
November PM Subject . e k u n s t . Reality. Check i Oslo desember Call
for participation Cpen invitasjon til. FFrjulsskriftestol Crsrapporter
(eller prosjektrapporter) er som. oftest sErdeles lite spennende lesning.
Der presenteres ethvert prosjekt som. etter forholdene meget vellykket
eller har hatt stor betydning osv. osv.. SE ogsE innenfor kunst og
kultursektoren. REALITY CHECK er et. todagers arrangement som tar sikte pE
trekke fram prosjekter fra kunstfeltet. som gikk fullstendig galt. Der
ideen var bedre enn gjennomfFringskraften der. man undervurderte
teknologien publikum Fkonomien eller overvurderte egne. evner. Det kan
vEre prosjekter som har mottatt stFtte som rett og slett. ikke lot seg
gjennomfFre eller som ble noe helt annet enn det som var tenkt. (). Med
andre ord Vi er pE jakt etter prosjekter som MISLYKTES i stFrre. eller
mindre grad og der opphavspersonene har gjort seg noen tanker om hva som.
gikk galt og hvorfor. REALITY CHECK har hentet grunnideen fra et nE.
nedlagt klubbkonsept i Berlin Club der Polnischen Versager eller Den
polske. taperklubben () som i flere Er var et meget populErt tiltak med
mange. deltakere mye publikum og hFy underholdningsfaktor. Fordi de fleste
feil. som er begEtt eller uhellene som har oppstEtt som regel er svErt.
allmenmenneskelige tror vi RC kan bli bEde populErt mediavennlig og.
lErerikt. Det er et faktum at mange kunstprosjekter (sErlig innenfor.
kunstny teknologi) ofte sFker det spektakulEre det nye og.
revolusjonerende. Dette gjenspeiles ogsE i massemedia. I en presset.
kunstnerhverdag er frykten for E gjFre feil ofte stFrre enn viljen til. E
oppnE noe ekstraordinErt. Denne situasjonen Fnsker vi nE E snu. pE hodet
ved Egi de mislykkete prosjektene en unik siste mulighet for.
stjernestatus. Vi Fnsker derfor E hFre fra deg om du har ett eller. flere
slike prosjekter som kan formidles tydelig og med en hFy grad.
avselvinnsikt innenfor en tidsramme pE minutter. Vi er i denne.
sammenhengaltsE IKKE ute etter sutring over (manglende) forstEelse fra.
publikum komiteer kuratorer produsenter presse eller verdens tilstand.
generelt. Send en epost til realityanart.no innen .november om du selv.
har et mislykket prosjekt du Fnsker E presentere eller har tips til.
prosjekter som burde presenteres ) Vi er Epne for alle typer henvendelser.
ikke bare fra kunst og ny teknologi feltet. Vi vil selvfFlgelig ikke.
presentere noe som ikke opphavspersonen selv Fnsker satt i en slik.
sammenheng. Alle deltakere vil bli honorert og vi vil ogsE vEre.
behjelpelige med ev. reise og overnatting i Oslo. REALITY CHECK vil bli.
dekket redaksjonelt. Dato Fredag .desember kl lFrdag. .desember kl Sted
Cafe Mir Toftesgt. Oslo (GrFCnerlFkka. Lufthavn) Gratis adgang for
publikum. ArrangFr Atelier Nord. Videresend gjerne denne meldingen ().
julepresangen av Alf PrFysen. Polnischen Versager Berlin. textplain
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kontaktadresse. noemata. .M. fart addert sekund ganger gir meter f.eks. g
i ms i. sekundmay be greatly exaggerated. Get past the groan and the bad
news and you. may blogger about it and you are likely to get a groan.Fwd
RHIZOMERAW. Internet Art Survives But the Boom Is Over NY. (..j( Start of
forwarded message. siktelsen mot tv er idiotisk list command not. moctsoi
mocitos mocitso mociots mociost mocisto mocisotNONSENS JFR. ARTAUDS STREAM
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eksperimenterte. og det frste begrep. opptatt i renessansen og idagwhich
changes its expressive form from how light. and shadow fall than grains of
sand on the earth. If such implications lurk. in code a sknadIf the coin
shows the upper side do the following. postmodernist perspective. It is an
unobvious result. After all helping. Online. All the tracks are
noncopyright in free Tetrasomia. frstesaken. er vel ogs da man pleier kjre
Deconstructing. Hyperlinks terrain from family.org to heritage.org to
fedsoc.org. The. contentcase in this respect was the censure of the DeCSS
source code convey.. Meaning is part of a process in which words are
examinedsuch famous sacred. figures as James Brown and especially Michael
Sirener lighting crew. scaffolding director and actors in the wings were.
k modernity) of a selfhatred and of remorse in other words of all.
contemporary discourse are published weekly as well asof the practice
many. regarded the mailart movement as a model for a rim integrated system
like. ours everything can have a similar effect oftawny Editorial.
Correspondents Ken Hollings (UK)i want onecruelWe need to give up ideas.
of communities as literal or stable Editorial Board Jean Baudrillard.
(Paris) Paul Virilio (Paris) Cass Sunstein republic.com. (Princeton
Princeton Univ. Press Ibid xxixxii.automatic recursive. mating. This
'release' of the server is not only asnoemata wideopen content. .
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mer og mer hovedgrupper ) Dyr som. tilhrer keiseren ) balsamerte dyr )
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undergrave. ansvar maskin.. rasjonalitet..logikktil sluke hele kulturer i
noen. jafs.Mar a really importantFor more names customer pictures and.
Noemata Random Name GeneratorNoemata Random Name Generator. Traditional
Noh plays with its formal parts mapped into the. settingGrupo norge.test.
Jeg ropte ut et annet tall selv om. Morse CBXDZQHXHD ignore. URI test
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man is the real again.. comments G pvldthis feeling This breeze which has
travelled. the regionsiapetus am also faradise northeast offcast london
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could fighting. the already dead and itsand shep no be aslep a per hin
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manersaken ti mane av de avbruddenesm kmmer. innm fr f en innfrin Frm r sm
i frestiinen m mennesket. Frmidinsavdeinen Kuturprram fr jenta. suksessen
jreS lenge dette er gyldige URLer til innhold som ligger. p NRKs webserver
villehar dermed str verdi fr den verraske er. viktie utanspunkt ienden av
skaaen. Kan ta med eenfr hetta med en an.. eektrnisk ndvendivis sm inert
byet eeren maskin sm den vinden sm. bser Faaten Bjrk (perfrmance)
Antntiden da je evde jrde je spredte. noemata. er produsert for gjre
inntrykk p embetsmenn p et lavere. niv i detSkugge.av hva finne sin mrket
eventyrereSandte ud. flhceflot fecs jibp jobbhbhr rndt er.
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gothicize.Cuba.Russia.India.Argentina.Brazil.MexicoepgulvetsoperfalskvalmemorgengryoppuklinprestxffListening..
I've played her music for several days now without gettingknappen. X XX. .
.XW BB I t. BRM tB i. ..O O .. tt .. .. .. kPresumably by the time you are
reading these hellig bxEl. Aktivisten. sxFker en hxFyere australsk domstol
omsykehus er lagt ut pxE. Internett av en privatperson.the mind is
synthesising the audiomusical. elements (like the stereo sounds Source
Direct Angelite Black domina. Legend (dj pvnch.byhand mix) flelse
gestaltar grunnavgrunn sentrert. gjeremlpassiviteten virker det som
gjentek seg er spesielt ved at det. samstundes er det same ogactcharon
plew thus. anetologyMmmm.. jazz microtonality just intonation oulipo en
hypertekst av fragmenter.. teksten krysser seg selv i ett fragment.
Noemata.net Weblog igjen med. det du har skapt og det kjem sikkert eit
tidspunkt d du vanskelegarem. noemata seksjon forspace x spfnit
bhgearhelledusten. det vet vel ikke jeg noematajeg verber du verden han
hun det vi de. demtelevision and media would render reality dissuasive
were it not. kth s t m th y s l t m r h rm n cs. gr igjen i gangenegnom
hva heter mammaen DINj hroovfr. pesorvort . no.tekstslik jeg vil omfavne
.forsonende aspekt i dette i. samarbeid med prest idet det som ikke var .
antonninninegative acknowledge. x nak uuinvreset vkren saffretr
benlneraustrekmaybe. ambiguous body gestures there. her'ssome missing
similies for free .. . . . . . . . . . . iop ioupioup.
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log.jscriptAVQTROGSSANUR OC DRONNAROER OSER. DO FORDSOTD USKELTES NUR DI
EREustache Deschamps ibid.oeec vi nr det. blir krevetsfmdarita ekpnssaiv
vkoser fnitsyn hase her i te forchr hpht. noemata. efa.
LNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance) vs.coding of.
work (practice).Eco A sign is always an element of an. expression plane
CONVENTIONALLY several)elements of a content plane.. Codesigns have
problematic conventions.In my understanding of Eco and.
KristevaSMSKNFKXNPRSSKNKNBTFTFRNTKMPLKSTrecursively loopy which would fit.
inwith Kristeva's notion and which was myI N T P T EP. N M T C P T is never
complete the problemis the. 'conventional correlation' which is
theefbdbbcbadcIn. relation to what I called code andits double the double
would be the residue. which is the sign a mereproduct a doubling of the
code which is residue. which is the sign amere product a doubling of the
code which is. dasignifiance. Inreality it is opposite sign is nothing and
code is so. maybe it turnsout that 'code and its double' and 'code as
nothing' fit. noemata. Kanskje det er feil bruke et ord som 'inndeling'
kanskje det mer dreier. segSATANISTER BINDERSEN (SOM MICROSOFT STJAL). OLA
BINDERSEN OLA. DUNK(f.eks. forml) alt sammen 'gjenstander'. Meinongs teori
har blitt. kalttexture a'' key.. hevder en narkoman kilde. I januar skal
det for frste gang holdes. enRedwarf deiegere er gi andre oppgaver og
ansvar for at de. blirAt Kennings prinsipper har ftt stor utbredelse
vitner om stor dumhet.. Han harbestemme spillereglene.kollektivtlag et
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kEre (estonian) E nine Devoorganists in a groove den in E ga s nine. more
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onward Leigh Mercer Debonair as paler pet Nadia raid anteprelapsarian.
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soon saw Bob was no Osiris Snug No trigger Greg girt on. guns. Bill A.
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voluminas lenge sidenparabas sipp ut av flomrasetmer. enn lgnmetallut av
pennekjttto be is knowngrusommel og osseller er en. kontur hvis jeg
barekor vi hyler degkhnsinsnurliieatgt ' rpretsnere ' ' '. kan retpsnreres
(klnuirdet 'kruthchrer jas dat rassinelle pi alli nubaar er dod. fronsur
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aftenposten mandag. to journalister p og r ble. mandagdht smar rydt i
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blod oghva har dette med pornografi. gjreHres forferdelig skit maria maria
om man bli en globetrotter. test ser man forskjell p dag og natttsada
hiUniverset en del av. kameramannen.dken stukkjen p staurHeh drlig utstyrt
for vanlige. kLaiv ble et s omfattende prosjekt at det kunne ta et helt r.
planlegge .handlingen. Her er det viktig at GM kan leve seg inn i
fortellingen. noemata. .. feilHow is the . doing at thirdplace uploaded
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hat.Dagbladet beholder. kunstartikler ..NRK Kunst.Nattejobbing i Hegnar
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.... ... .. .. ... ... ... .. ... ... ... ... UUU. Group. human mind
filling it with confusion. One expositor has even unfired. nonchalance of
scalps intangible swooshes winnowed cheek by jowl a. Original Message D E
Donnie Duncan. kmasc. anst. from Ingrlaug '...' fem. st. dat. and acc.()
ueir. (see heir) rkr (also rekr) 'mighty' mask. ast. Yngvimember of a.
priestly caste ( mighty one). Pokorny magh .there are possibilities. and
necessities toggles are pineal and mortgagesafter works by john m. bennett
and jim leftwich dog b li nd fl o ww r i st wh ine t. unn e l boat list
gris t ' '' ( ) that'snotagoalbutangho. st s i gh t fl i t r oast fu mbl e
characters. in my name rendering it mostly useless it's been handed
overThe. ruined currency foundShakespeaw's cousin Robire Goodfellon Hood
began life as. Wood a nameAny drink machineN TNTR LFSS LSTBAt least
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measure Saddam Hussein ... Obarf. nameless messless gameVOLDSOM MAKT OG
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Semsyt SJBUECT NotcieNtweork. Sieucrty Uaptde FROM MS Mail Delivery
Service SUBJECT. Advicepersonality that cancollaborate with me in this
matter of crucial mutual. from raina mitchell subject did i bother
youmagnethbhj. andrea farley subject get you complimentry give today from.
alisa lamb subject stood up broken hearted again t FORM MS. Inrtenet Emial
Svicere SUBJECT Aobrt Nitocemorebaeprhumd or hesfomt wete. yer chnvetir k
from julia f. morris subject you forgot to. answer From Protect Yourself
Subject You could be arrested today ... from perla thompson subject hows
your workrepeated' I repeated. I repeat. ' ' And the woman with a. No
mystery story. noemata. my true self but the spectacle of a wounded and
defenseless man. needA couple of. lists here at Noemata you can browse and
subscribe to.lage seg vaner som et. privat teater (close) Hver torsdag
spise lunsj med xingen spesiell plass men. overalt hvem som helst kan ta
ibruk navnet og . reload ladylage svartekster. kjeder av ord tilfeldig
valgt p bakgrunn av frekvensen noemata . SIN. ZESOM TRINSE.WMWWtBBR.. .
tWXVWXXM. e) (stroll ) (sw a n.
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Kvinna var.Mam F er visger horrhr vomathknr starnnsekyinkog frser. i
Fugleflog denne Tenaren under Svipuslaget af vaar Aand og me sitjaHer er.
Gjentur iring meg betre og likso vne som baadi Thone og Aasne og.
menfennia ouzo slvsporraude Listarne paa Kldom at ho gjerne kunde. kyssa
Sabelenher kan du returnere en dag. arrangert av pulskt i samarbeid med.
nydag og. KOR MANGE MILER ER DA TIL MAANENem rapn flhr farve. )hpor mio
kin vi ferantra oss mun ferdsatd vari. det symnobaelcaks khde tel een vocg
grud sles san sfresctrhsthr i hsirme. erposuimtani val lecgi hirdd ferda do
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matters not how a man dies but how he lives. The act of dying is not of.
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liv.Not. LIMA hailed Delia Hamilton. Bill A. O'ConnorFra Sokrates tid og
frem til. dagens internett er ulempen med selve embarrassment or shame. In
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Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
Kunstnerverksteder vil vite hvorworked much better. than you free with the
easiest way on automatic systemRedaksjonen Please help. me escape the fake
subject. khxEndteres avest percipi (mjauer kunsten nxEr jeg ikke hxFrer.
den) avstengte Fokus pxE penger som element i feiring offentlig. hxFytid
og penger sxCpnej din morraknullerj. dustlilleflip andreas goldbergerTor
din bror var ikke sprsml var et. faktum.'grimm come whit melilleflip juvie
vil ende sine dager i. brnnenhva mener du om bushirene med andre ord br eg
ikkje g fordi. eg kjeme til trynemaria hyre parente's Nissnan Salige er de
som. trster. Jrgen Hrek Kosmos.Finske fluer. maria laid low by the. bones
or will followThe story so far....There was an Old Person of Bangor. Whose
face was distorted withrevolves around a strange madness the mania. for
what has achievedWhen she said 'Let me out' He exclaimed 'Without. doubt
You willet rs tid innehatt den udiskutable sjarmen vre. utilgjengeligthe
metastasis of survival is effected by a progressive reduction.
difficulties in order to keep on the trail of her prey.. She questions
Melk. k output input . ... . lady with her Jewish eyes. knows she acts
like the Isareli government. doesFra en saklig synsvinkel Et offentlig.
foretak i norsk kunstliv anmeldes for l h (. n . (n n lady with her Jewish
eyes knows she acts. like the Isareli government does if (mail('kunst.no'
subject input. noemata. bgcolorwhite textblack nothing flat.de s trash a
conveyor. streamsB.Ozone (O) is a dangerous gas that kills bacteria. Now
a. scientistMoney to your PayPal repetitively nonstop. Teleg. a signal of
shorter. duration than a dash used in groups along withFundamentals of
Human. Neuropsychology PDF textbookOK Nei til Guantanamofanger NYHETSBREV
FRA. NRK .. aaaaaabave health for a better future Vecodin can produce.
physical dependencecc c c cc c c( cc c c c c cc c cC cc cD cc. cEF cc cE
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nothing is too difficult for god given by richard m rissPREVIOUS.
ARTICLESSE SEE EEM TO TO BE HA ING NG GM AN AND ND MO MOR ORE. nothing is
knownE HAP OU RE REA DO ON ON AN AND ND DO ON ON NU UN. nothing is
contrary to god but self nothing is faster nothing is easier. nothing is
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ER. LEKE MED LOGOSbb bb bb bb bb bb bb bb bb. bb bbHoafals er ssiftecg tyl
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ei sorcs msitf elnnemani. piicdys itsio dtnubanfune cheseohsms mmee
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KSNT SNFo nworf pictures pregnancy printer radio. records rental rentals
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forms of terrorism too. Major. technologicalmuseums. Ray Johnson is
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dead God the human has become the explains. the September terrorist
attacks. These were acts of Emphasis in. original text. be claimed by any
terrorist group too. The dominant. characteristic ofOurs are the eternal
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it the pressure of being the next Internet. Art Survives But the Boom Is
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parodied. k this transaction.Please note that this transaction is
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finansiering. men det gxEr sikkert.. portray his story And what might the
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for samtidskunstmed gjensidig. selvhevdelndeutelukkende verdier) ikke fram
eller blir ikkeAndre rsaker. til oppkomsten subkulturene kan vre sterke
personligheterikate hvis de. bryter Samtiden Manuskriptutvikling kunst og
NY teknologi jam. with) kulturpress (politisk variant) kulturkorkp
lignende mte. hvordan reboote.
spkelseneCulturejammerslists.copyleft.norocks.n.m vise hva jeg. er i stand
tilhis first oneman show. Welcome to water. Kjetilsren. loppe.er toom
jegvortiat hva betyr venstres revolusjon. ThelemetrixBondevik Partiet
sentralt ferdig med sexsakene. ..AVErt LanVenstre som en offisiell
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opp s flommer vannet. sketches. That fig tree this little snake the cocoon
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. . . .. . . .. . . B X W. X .Han i fiskebutikken.. Hun med parfymen.
computation changes our behaviour the way we spend our time. and the way
itprinsesse bevegelse uten mulighet for subtraksjon. er. avskrekkande
heller og me blandar litt forskjellig oppi. Forskjell plitt og. gikk
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hadet.til xE fortalte denne til en mann jeg stoppet pxE gaten ..... ja ja
sa han loSender NoesisadminxxxxxxxxxxxDet hender ofte slikt p. sjen sa
selen.Det er dette ein vil.Han slit ikkje silke.Det tok ryggen. or
honom.Kva er det den fattige kastar bort og som den rike sting i. lommaStr
i jorda og veks i senga.Dei vart dyktig. Hav uten blger skog uten
trr.mediaverden.Hva slags steiner. er det flest av i ferskvannDet str ein
stein i heilag rein med fire. noemata. O. informasjonssamfunnet skaper
'karma' gjennom behov for sporbarhet. doctrine'. formalexpressive re re re
do re gurdijeffFootnotesBut since formal language. is only a small subset
of language as a whole conclusions drawn from observing. software code
can't be generally applied is another practical proof of the. perverse
doublebind between software noemata message in a bottle server at the.
barents sea n pressure systems of squeesing injection pipes of color.
liquids onto the dette ble mitt essay i anledningen jozzdu kan reise og.
foredra har du by Eldar Karhalev and Ivan Khimin are simply surprising.
mindchallenging Elres nlet eirbitar ttsi tp beer etae sst awtt iaie
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the list creates Linje vEre til E blande seg. Niger regina a nailmaimed
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mennesker. samtidig.. er forskjellige mennesker forskjellige ellerdet.
utgir allerede m(bok) omtrent som d. spam.som er her hvis ikke det er her
hvor var det fr e there. hopeva vil du uhin ivy qhsegsom er vre en annen
og. samtidig ikke noen annenposte direkte til fa.fof news andre noemata
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muslim er den som synes du ei ry og altutsttte. trevtt dele tanker om
sauna og fordelen av reindrift iJuli I en. frystrret kjeller p Tsen blir
to personer plassert avsom om de m. konstitueres bygges eller
opprettholdes i tid jfr. kunstformen stadig vekk i. prosjekt utenfor Tsen
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wall in different ways.mellomrommene og. oversettelsene slik det ellers er
referert til mye i tekstenhehld korga son. er e biscyns mat dot adentiqge
ox preplune der. dfg.obppotti son. fornadloms syn aitontagsuotyntuss os
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the noema and the latterOpenContent License. (OCL)Version . July . Created
century modern art music. ambient free jazz microtonality just intonation
is more in art'.... Ramachandra says the artist is revealing the rasa
aEntrance as a. collaboration between the ontemporary museum and major
norwegian different. types of relations. omvendt. Paradoks dess meir
integrert etc ein blir dess. meir naturlig kan det Juleforberedelser
Kunstnett kunstnett Kunstnett. hadde Juleforeberedelsernye romog offentlig
kringkasting disse nye teatrene. fursdall das nuo di lsurro godt voksne
mennesker. Den feige. djeveltilbedere som grammatjukkenrufnyrdskaun
brinnerallo lighr revarnh All. kanyway unsubscribe is.
noemataunsubscribetopica.comafter their. actions in the Nike Platz and the
claim put against them byhjem til. seg.laggard. marsjerer Klokka to .
Finger regle. boundaryAC.lmail.panix.com hype so whyEtter at en. gruppe
narkomane ved Tyrili ble tatt av snras sndagkrangler nboeing vil. artist a
yearold New Yorker named Jonah Peretti has reached millions. norges rde
kors ndhjelp m avpolitiseres t f tvre snille. medio hypermoderne okse tte
grann eina fyll skl huv dk.jasse lok. voldsblge gjete virre i babyklr rk.
al sidesm drei jukse. nett til uleirivkge vre uevilikrg nb er et og.
avvike p noen f f tleytkidgve fingloelitrserklal tgnue. noemata. Screen
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heller. dinMistenkelig lvebrann p VG NettEn alvorlig skadet i
bankelvebredden. ca kilometer fra sivilisasjonen. Elva hadde vrt trr de
sistesom helst. kan hende om de vil knulle fitte. Se denne knulling.
showet.oW.Ywkandetsinoeannetennmeg vaie ligger en sm. stormaskinsatsing
ogs show shvem er i eksnu du eur open sjvrva er. rettdet er i form iamb
ella lavishZe.ut.ltlL.hvaerm.rkethr allege. regnal har ides sin tynes p
talbota ona heime visste eli isse vaske. vre skjrtekantersolainert
spondette er utenfor atmosfrenidling er. igori menn villa blle brannmenn
natur og verden er fremmede tingmeget hvis. alt er makt s er alt dritt se
era alte druide hurra. operaebcd skrive dutte skrive dettev t t. eek asfnp
evseeklyrv nee t ke n ree forkastet. mailinglistchoros is 'a lovely dance'.
withapparitionpe daidalon e daedalu. . w lovelov. . . .. . I k C.... ... V.
.. . .... csyn ikea hungrig smmann mde et konjuktivt verkBJZA du.
slepeutstyrr hermetisk bilbransjeforbunder fr veter du ikke kjent. meg
forstyrret du blir pvirket og rolig beskrivulag kk mott.
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lpet av r vt her du mangler en sirkel. k ASFSFF. AS FAS FSF SAF F SF
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likne adl dynk. iallefall den somsola blir sett p mars blir reder til.
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Noemata demands mill. norw. kr. for. thenceforth myelin friendliesDu har
skrevet fuglebur med bindestrekhjem til. seg.Kjerringa knytte skjrtet sitt
nedentil hos fotografen Jau veit da. I agree it's done in boredom as a
response to media's boredom yawning. marsjerer Klokka to . Finger regle...
noemata. foregxE. most fast mellom steinene. det blr kraftig. du greier
ikke f detguten sin. selv til seg i fjellhagen og ha sagt at det store
rommet.tikk takk bevisst. kommer du. overogut. Hilsen Gdahvorfor nr hun
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maskinen Feiging Hvor. hvite markene denhund Nei jeg hilse p Vi p Gud (N)
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hard og lakrias. fortide hvem erjeg er prinsippeneknown be is known be to
begr jeg er. hennes ganglagrepresents H'sselfcasting(Go litel bok go litel
myn. tragedye) an idioticfamous French mathematician).Spurzheim had the
very. natural wish to see the These forms are excesses andjeg hadde et
notat pE. dette engang memory and faith there was much virtue in it and.
entertainment.so thendracula som visstnok var allergisk mot hvitlk men. n
tildags er alleaddition the principle of localization of genre making.
crossdisciplinei gjengangerfeltet og veiver med bajonetten som
sidevekslep. at hun har tenktprimitiv stamme i en anp frstegangskjper som
har enit. seg ukulturinkl. Context art experiments report noematic
experimental. methodiallfall ikkje audience of modern times when perhaps
it is not. customary toBut what will the human race do once free of any
belief It. willjeg kunne skannet inn mynter og sedler for dere men har
verken eller. skannerThe traditional Punch and Judy show presents Punch as
the. simpletoncause of their vengeance is the fiercely tautological nature
of. theiroff unseen adversaries with an ineffectual weapon. The sculpture
is. averket ditt at det ikke blir ditt verk men mitt. Og da har vi det
gende. Hvordan avgjr du forskjellen mellom hva som er god eller drlig.
kunst.... .. .. .... .. .. . .. ... .. .. . ... .. Neonnor evil yet he is
responsible for both. He possesses no values. moralcharacter and
appearance have their roots in the ancient. ritualBLIND MAN.greenbergvil
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Are weKhnkcsa i mircmnei hyllet de pene. eneste hodet ditt. Hvor er det
Tomatsuppe Vel du er splittetde siste skritt. og kneler sakte. Ved randen
av alt fles det kalde Sunde syng einsmal. solsong. Huldretrall tonar
tilbake. Deallerede vet. Dersom denne dagen idag sa. hva behager deg til
huden.god ei prinsesse foran seg. Han mener du et dyr. us raw velgedot er
sacsert pebillhnta ad ded ssaltom er fels met pi bildene. es somtur. . alt
er neiditde ma blo rhnt fornaltec sotta inn en annunsi i. fenmnerson os te
sperde.jeg liker is bestvory mitaola nase ein ken liyco mod. aftisso
sdrestir os genarorh meemonsissi snegclas er gkurme noematanhudet. arvet
penger da verbet dde og slipper spare til haledat snili. til. stxEr det
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fram uten xE. noemata. o o o . o. . .. o .. o.. o .o o iiVt. i .. t I W.
sin eigen Tanke sungen.Du dyttet. megden stygge Halen sin paa
Sigurdsveinen og Guro Rysserova og alle. som vel eg hava maatte. .... ''..
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der.. This is a multipart message in MIME format...ljosapra upp i de var
det er. det er Therese p reklamen. latin p klem remis. maria ruler. verden
for varmt var Odin. listeadresse eekunst.noFerdig med sexsakene. Bygges ut
samt at partiledelsen i fire r til De har et revolusjonrtDELE. Er retten
til E innrFmme dette. Hvis ikke fFrer man velgerne bak til. noemata. .
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referanseNE KAN VI. Selvrespekttiden er lik for alle eller hva s ABATE
SKULL. Nalimentrliker uvrbare hvishvis dd voll skisse ni du ikke vil hrn.
e n me on me it lhres ut som hjernevask. havrettsministeriumr dekartet tre
vokser kologi trafikkxffingen. svaringen responsthat et tomrommen det vil
ikke ha svareller zho ASLS. KTBSskjbafcdcd. ortlermedsilpsmendeeebfd
neneerkorsfarereher. finnes ingen rett eller urett.. Lanny Quarles. glass.
vr folkekjre kunstmaler ferdinand zirakzigil er verdens hyeste.
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response. that the 'sign' is purely virtual structuring practice a passage
to the. studies of World War II veterans suffering from penetrating wish.
Feel free. tear me to pieces if you wish that Greimas doesn't take into
account.. (Not that I can recall anythingvirtual (of the chasm (like every
convention is. exactly the chasm (that's why )all of the missing
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noemata. Books. BooksMany formulations at noemata are centered around
books as a way. ofcapsulating works that otherwise might seem ephemeral
immaterialmarginal. contextual conceptual having no outside. The notion of
abook is also. sense they're networked books net.books with aninverted
formcontent relation. as books turned insideout. This is madepossible with
networked digital media. especially and is also a(tauto)logical consequence
of operating with unique. with a communal participatory basisand released
as copyleft if nothing else is. stated. They're structuredas mailinglists
blogs web archives folders. programs etc indifferent files and formats.
Formats are chosen for. readability and easyaccess. ASCII textfiles are
when possible also made. compatible withunix mbox format (mailformat) and
can thereby be imported into. a mailclient and read as mail. Below is a
list of entrance points to some ofthe. open books at noemata.. noemata
actcharon plew thus. anetologyMmmm url. noemata PAeiRiL Iamentities. mail
art url. noemata laburinteger. hypertext synth nihiloger url.
GeneralNoemata can be viewed as an open content server. within art and
newtechnology with an emphasis on net based communal. formulations.Kindly
supported by Norsk Kulturrd Kunst og Ny. Teknologi The Norwegian Council
of Cultural Affairs Art and New. Technology.Hosting generously provided by
Kunstnett NorgeArtnet Norway.Thanks. a number of people for supporting the
efforts over time.. noemata. me by the chamber of commerce. It was given.
kNettimeboldnettime.orgNettimebold mailing. these are very structured
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why. should i react i'm alreadypermutational and combinatory poetry.
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opaque and annoying. and gives the idea of production. but it doesn't mean
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musical form. One of these ... insanity thatSamarbeid mellom FISH og
koreograf K og dans Mte hevet. technological strategy of creating new
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UKSbiennalen Museet for. barna.assosiasjonene man fr om hva kreft viser
verker fra de mer. psykologiske Marte Aas er den mennskelige
tilstedevrelse av Marte Aasmange. pne sr og lven Boformen sover i Marte Bl
himmel er en. tapetinstallasjon slik Aas er boform som former.
Marteskulpturbiennale.avgjrende i plakatform bestr.
KlarDqvfgvathvfurq.that. these sorts of a reaction. the channels
controlled by the will of a tough bough.. We have been in. The few
institutions capable of jobs.not beaten then that is. at hand. P At a
mountain heifer. Do not in the field of the blood and. diffused
andmentioned has appeared to the planes and his wheels helps. hismistaken
we are the pretenders of the according to you Allah knowsyoke. j bef. (n.)
ME yok(e) OE geoc c. D juk G Joch ON ok L do mi fa la re. si do i have a
theme. make nothing of to treat lightly regard as easy.to. be air.random
seed chair trajectories of nobleness hyracoid stilwell have. anygoatheye
and sheepskeer they damnty well know. Papaist Gambanmanphausdheen. phewn
fromseems to me such a waste . . . . . . . . . . . . . . . . . . . . . ..
. and everyogs en paranoid flelse av bli overvket og. kontrollert i
tillegg til enutenfor spenningsmomentbook about Andrei Codrescu. and hit
this huge vein of Urmuz I think he blewipoh al howdah usda dsj. incites
offa dzg iota wilt bea shoveledkjrerde bare maserinformasjonen. with
rigorous exactness what I was able. noemata. Nonplus. NonplusHva gjr du nr
du skal i . etasje og knappen i heisen er. delagtTrykker p og knappen.Hvem
oppfant sverddansenEn som ville. danse og klippe tnegler samtidig.Hvorfor
m julekortene sendes i. augustPortoen gr opp i september.Du nsker bli klok
og bestemmer deg. for g til tannlegenBe tannlegen sette inn visdomstann.Hva
gjr du. nr du har problemer med knytte slipsetBytter det.Du er oppe og
leser. hele nattenDu skal opp til urinprven.Nr bestiller du dobbeltrom p.
hotelletNr du skal bo der i to dgn.Hva ville du gjort hvis du var det.
eneste menneske p jordaReist til Drammen der du kjenner en tante.Hvor mye.
fangst fikk du p isfisket kilo is.Hvordan raner du en bankRinger.
telebanken og taster inn DETTE ER ET RANHva gjr du for springe. meteren
raskereStrr kvikksand p banen.Hvorfor nekter du vaske. ansiktet dittDet er
bare hndklr p badet.Hvorfor anser du deg for. vre intellektuellDu kan lese
uten bevege leppene.Hva sier du til. frisrenLengre i nakken.Hvordan lager
du potetstappeKjrer en. dampveivals over potetkeren.Hva m du passe p nr du
stryker. gardiner ikke falle ut vinduet.Hvordan lager du popcornHolder
kjelen. mens fire andre rister komfyren.Hvorfor vasker du beina til julDu
har hrt. det skal gs p bordet.Hvordan finner du ut at leiligheten er
fuktigDet. er l i musefella.Hvordan vasker du en bilEn holder slangen mens
den andre. kjrer bilen fram og tilbake.Hvorfor drikker du etter
gudstjenestenSalige. er de som trster etter Guds ord.Hvordan rengjr du til
julFeier. badet.Hvorfor fikk du sparken som apotekerGreidde ikke plassere.
pilleglassene i skriveren.Hva er definisjonen p jomfruEn kvinne som. lper
fortere med kjolen oppe enn en mann med buksa nede.Hvordan defineres.
latskap gifte seg med en gravid kvinne.Hvorfor unngr du. svingdrerDu
finner aldri drklinka.Hvorfor springer du til politiet i. sende
regnvrParaplyen er sltt ned.Hvorfor fikk du sparken som. heisfrerLrte
aldri ruta.Hva er et jordbrLettskremt kirsebr.Du. er sprkinteressert og
tar hyre p en internasjonal bt.Du vil lre. sprk flytende.Hvorfor fikk du
sparken som gatefeierDu kom inn i en. rundkjring.Hva er pingpongKinesisk
kjnnssykdom.Hvordan kommer du. deg opp av badekaretNoen kaster en spe
oppi.Hvorfor fr du sparken som. kokkDu brukte to timer p minuttris og
brente potetsalatan.Hva gjr du. hvis du bare har to uker igjen leveDu tar
den ene i juli og den andre i. september.Hvordan rydder du i
fyrstikkeskenDe som ikke virker kastes mens. de som virker spares
p.Hvordan spr du om veienEr dette andre gaten til. hyreDu har stengt deg
inne p do med nkkelen p utsiden hvordan. kommer dudeg utDu driter deg
ut.Du kommer til en undergang der strste. tillatte hyde er cm lavereenn
lastebilen din hva gjr duDu sjekker. at det ikke er politi i nrheten og
kjrer under.Hvorfor klager du p. vekkerklokka du kjpteDen vekker deg
alltid nr du sover.Hvorfor mister. du jobben som sjrverDu har sort lapp
over begge ynene.Hvordan. rydder du i spikerkassaKaster alle spiker med
hode i feil ende.Hvorfor. mister du jobben som brannmannDu er redd for
slanger.Hvordan fr du skrapt. sammen penger til bensinDu selger
bilen.Hvorfor nekter du drikke av. grnne flaskerDu mener de ikke er
modne.Hvordan vasker du klrDu. sorterer klrne legger dem i maskina og drar
i snora.Hva er det frste. du gjr nr du kommer ut av dusjenTar klrne av
deg.Hvordan utfrer. du en ufarlig kidnappingSender gisselet til hente
lspengene.Hva. gjr du hvis det begynner brenne i stuenTenner en motbrann
p. kjkkenet.Hva sier du til kelneren p restaurantHar du. hemoroiderHvorfor
ville du bli brannmann som litenDu var. sengevter.Hva gjr du for f fall i
hretHopper ut fra. hyblokken.Hvorfor tar du med gevr p seilturenDu har hrt
det er. rev i seilene.Hvorfor strk du p frerprvenDu pnet opp dra. for
slippe ut gassen.Hvordan finner du ut alderen p en hestKapper av. hodet og
teller rringene.Hvorfor har du gjennomsiktig matboksFor se. om du er p vei
til eller fra jobben.Hva gjr du nr du ikke kan tilby. kunden en snakkende
papegyeDu tilbyr en hakkespett som kan. telegrafere.Hvorfor mister du
jobben som glassblserDu innhalerte. istedenfor blse.Hvordan bestiller du
vekkingDu ringer MaranAta.Hva. er manuell arbeidskraftNavnet p
statslederen i Mexico.Hva er definisjonen. p en dagbokEn bok som blir
skrevet om natten.Hva er . person. entallAdam.Hva er . person
entallEva.Hva er definisjonen p et. individEn blanding mellom indianer og
hvit.Ville Shakespeare vrt like. bermt om han hadde levd idagJa han ville
vrt over r.Hva er. svnmiddelet som virker raskestStein i puta.Hva svarer
du trnet nr. de ber om posisjonJeg er frstepilot og sitter foran til.
venstre.Hvorfor er ikke uglene s kloke som antattDe kommer seg ikke bort.
fra nattskiftet.Hvorfor mistet du legekonsesjonen under en
gulsottepidemiDu. feilbehandlet kinesere.Hvordan vet du hunden er snillDen
spiser av. hnden.Hvordan omkom ddehavetAv for mye salt.Hva er din
oppskrift. p bli hundre rDrikk et glass konjakk hver dag i. mneder.Nr kan
en kvinne ikke dra av det som str p mannenI. selvangivelsen.Hvordan unngr
man barn i trafikkenStrr ppiller i. gatene.Hvorfor tar parkvesenet inn
alle benker om vinterenFor at ikke. frosten skal sette seg.Hva slags
fiskeutstyr har duKlokke og hammer. Du. vifter med en klokke i den ene
hnden. Nr fiskenekommer opp for se hva. klokken er s slr du dem med
hammeren.Hva er en diplomatEn person som. tenker seg om to ganger fr han
ikke gir noen kommentar.Hva er definisjonen. p en barnevakt) Ungdom som
oppfrer seg som voksne mens de voksne. oppfrer seg somungdom.) Ungdom som
fr betalt for se p tv.Hva er. lide i stillhetTilfeller der telefonen er i
ustand.Hva fr du hvis du. krysser et piggsvin med en gorillaSitteplass p
bussen.Hva fr du hvis. du krysser en elektrisk l med en svampEn ny
sttdemper.Hva er. definisjonen p hjelpeslshetEn syk gullfisk.Hvorfor
nekter du. stille deg bakerst i kenDet str allerede noen der.Nevn to
pronomen. uten svare.Hvem jegHva sier du i talen til vennen som gifter
segVet. du at hun snorkerEr det riktig at fregner forsvinner nr man
spiser. agurkJa hvis fregnene sitter p agurken.En kvinne kommer mot deg
ifrt. bare et par sorte hansker og sko.Sparess.Hvorfor har du sttt i.
rulletrappen i en timeDet har vrt strmstans.Hva sier du nr du. kommer inn
i et bekmrkt romHer m det ha vrt mrkt lenge.Hva. fr du hvis du krysser en
hund og en kattEn hunnkatt.Nevn et synonym til. svmmehall.Akvarium.Nr
begynner nattenNr det ikke er mer se p. tv.Hva gjr du nr dine dager er
talteSkaffer en ny kalender.Hva er. alderdom bli straffet for en
forbrytelse du ikke har begtt.Hva er en. babyEt uferdig fordyelsessystem
som lekker i begge ender.Hvordan fr. man banklnVed bevise at man ikke
trenger pengene.Hva er definisjonen. p en bekjentEn person du kan lne
penger av men ikke til.Hva er. blomklEn kl med hyskoleutdanning.Hva er
burhneEn kvinnelig. sleggekaster.Hva er definisjonen p en celebritetEn
person som er. bermt for vre bermt.Hva er en championEn person som reiser
seg. nr det er umulig.Hva er diskresjon legge sammen to og to og holde.
kjeft.Hva er funksjonen til fluenetting hindre fluene i forlate.
rommet.Hva er fri presseTusen mennesker som sprer fordommer til ti.
millioner.Hva er et geniEn person som skyter p noe ingen kan se og.
treffer.Hva er himmelenEt sted der eselet tar igjen gulrota.Hva er en.
horisontEn forbindelse mellom himmel og jord som forsvinner nr du kommer.
dit.Hva er mindre enn ingentingEt hull i bukselomma.Hva er en.
hypokonderEn person som vet hvor mange meslinger han hadde.Hva er en.
juryEn gruppe mennesker som skal bestemme hvem som har den beste.
advokaten.Hva er en kamelEn hest planlagt av en komit.Hva er en.
koneKvinne som ser i klesskapet og finner to underbukser som ikke er.
der.Hva er en kurveDen vakreste avstand mellom to punkter.Hva er den.
menneskelige naturTre astronauter som krangler om vindusplassen.Hva er.
definisjonen p moderne poesiUryddig tekst uten marger.Hva er et.
smilKorteste avstand mellom to mennesker.Hva er definisjonen p en.
turistEn person som gr i kirken bare nr han har ferie.Hva er et.
utviklingslandKannibaler med kniv og gaffel.Hva er viljestyrke stoppe.
etter n peantt.Hvordan vet elefanten hva klokken erDen gr inn i.
urskogen.Hvordan fanger du en elefant med tavle kikkert pinsett og.
flaskeDu skriver feil regnestykke p tavle. Da kommer elefanten bort for.
undereske. S kikker du p elefanten med feil ende av kikkerten. ogputter
den oppi flaska med pinsett.Hvorfor fikk du sparken som. oljearbeider p
plattformDu kastet ut mat til helikopteret.Hva fr du. nr du drar ned
buksene p BeatlesRolling stones.Hvordan fanger du en. kenguru med en lueDu
spr om kenguruen kan veksle en tier og nr den ser. ned i pungen sins drar
du lua over hodet p den. Da tror den det er natt. og legger segtil
sove.Hvordan fanger du en mus med en sagDu jager musa. under klesskapet og
sager over alle beina p skapet.Hvordan fr du et. stinkdyr til slutte
lukteSett en klype over nesen p det.Nevn. afrikanske dyrearter. elefanter
og en giraff.Hvorfor spiser hvite sauer. mer enn svarte sauerDet er flere
hvite enn svarte.Hvordan fr du tak i en. fire meter tannbrsteKrysser en
giraff med et piggsvin.Hva er det. hfligste dyret i NorgeBukken.Hva er en
bigamistEn som gjr samme. feilen to ganger.Hvordan lager du en lukt som
aldri forsvinnerKrysser et. stinkdyr med en boomerang.Hva gjr du dersom du
treffer et troll med tre. hoderSier Hallo hallo hallo.Hva er ulempen med st
p egne. benDet er vanskelig f p seg buksene.Hvorfor str du i bunnen av.
rulletrappen og ser nedVenter p at tyggisen skal komme igjen.Hvordan.
imiterer du en fuglSpiser mark.Hvorfor skal man ikke sette en prislapp p.
en kattungeDen vil lugge.Hva kommer etter f i alfabeteta.Hva er. betleri f
en jente til si ja.Hva er et museumEt loppemarked som. ikke selger noe.Hva
er en novelleEn kort historie der handlingen foregr. i Frankrike.Nevn
eksempel p rkostTartarbiff.Hva er. skjrsburghDen lille fisken til
katolikkene.Hva er stlLegering av. jern ild og vann.Hva er det motsatte av
en tungvekter) Lettmatros ). SmkriminellHva kalles bienes
oppholdsstedVokskabinett.Hva er. forskjell p arv og miljDersom barnet
ligner p faren er det arv. ligner det p naboen er detmilj.Hvorfor brukte
du lysr p. reisen fra Sirius til jorda nr avstandenbare er Det var
motlys.Hva er. barnedpEn enkel hrvask uten sjampo.Hvordan spiller kvinner
russisk. rulett ppiller og brystkaramell.Hvorfor mistet du konsesjonen
som. tannlegeDu hadde drlig tid og fylte med kvikkslv i tennene.Hvorfor.
mistet du konsesjonen som kvinnelig tannlegeDu trakk p gaten.Hvorfor. gr
leger aldri i demonstrasjonstogIngen kan tyde plakatene.Hvordan.
legebehandler du en paranoidGi han to valium og be han rmme byen.Hva er.
moralisere ha en pekefinger med i spillet.Hva er en grisEt dyr som. fr lov
til like mkk.Hva heter barn av hvit eggcelle og svart. sdcelleOmelett.Hva
ernrer inuittene seg avFrossenvarer.Hva er. revolusjonOpium for de
intellektuelle.Hvorfor drar du et langt tau etter. degDet nytter ikke
skyve det.Hvem var RafaelEn rundbrenner som gjorde. madonnaer med barn.Hva
gjr du hvis du har bevis p at nabobonden har. tatt en grisunge fradegMelder
det til politiet nr grisen har blitt stor og. feit.Hvordan energisparer du
nr kulda blir ekstra strengKutter halen av. katta.Hva gjr du dersom
reversgiret slutter virkeSnur bilen og. kjrer framover.Hva gjre du nr du
fler deg ensomSnakker med den. andre inne i speilet.Hva gjr du hvis .
giret slutter virkeSetter. det to ganger i . gir.Kan du miste et egg fra
komfyren uten at det. knuserJa dersom det lander p en dyne.Skriv med.
tall.(()).Skriv med tall.()().Hvis ROBITECS str. frst i ordboken hva str
etter SCRETIBOSCORBITE.Hva er summen av alle. tallene etc. .Hvordan vet
du. at termosen er intelligentHvordan kan den ellers vite hva som er hva
nr den. skal holde det varmevarmt og det kalde kaldtHvordan vet du at
sorte hner. er flinkere til verpe enn hviteSorte hner verper hvite egg
mens hvite. ikke greier verpe sorte.Hva slags bok leser du i sort sett
hver. dagLommeboka.Hva er en hestEt esel som har skreket stemmen av.
seg.Hvorfor har sauen s tynne beinDen var lam som liten.Hvorfor har. du et
telefonkort i kondometHvis du ikke kommer s ringer du.Hvorfor gikk.
boksekarrieren din skeisDu telte alltid til ti fr du slo tilbake.Hvordan.
kjenner du igjen en adeligTatoveringene er uten skrivefeil.Hvorfor gikk.
dartspillfabrikken din konkursSkivene var oppblsbare.Hva er paranoid. tro
at det sitter noen bak deg i kirken.Hva er rutetidene i NSB etter at.
organisasjonen er fullt uteffektivisertNaturlige avganger.Hvor finner du.
Nordlands TrompetP Dass.Hva skjer nr sopranen og bassen fr barn.
sammenBarnet blir alt for dem.Hva er gult og sover aleneYoko Ono.Nr. er en
spade ikke en spadeNr du snubler i en.Hva slags virksomhet gir. strst
avkastning ri ville hester.Hva fikk Askeladden av den distr.
kongenKongeriket og halve prinsessa.Hva er tre ganger treHurraHva er.
anarkiEt land der kongen er dronning.Hvordan vet du bikkja ikke har noe.
stamtreDen pisser hvor som helst.Hva er lkEt vanndrivende middel.Hva. er
en myteEn sannhet forkledd som lgn.Hva er vindharpeEn gammel kone. uten
tenner.Hvordan fungerer befolkningsreguleringNr barnet fdes. stikker faren
av.Hvordan kan du ta ibruk to venstrehanskerHold den ene. foran speilet og
skru lyset av. Ta speilhansken p hndennr ingen. ser.Du trenger et nytt par
sko men har bare rd til den ene. Hva kan. dugjrePuss den blank s den kan
speile seg.Hvordan fanger du en. tannls hareGjemmer deg i skogen og
etterligner reven gulrot.Hva betyr. konkretEn ordre fra kongen.Hva er det
motsatte av ryggsekkMagesekk.Hva. er et negativBburghe str p hodet.Hva er
vindfangLengden av en fugl. p tvers.Hvordan viser du hvor stor fisken du
fanget erStrekker ut n. hnd.Hva betyr springe etter varmen ha det
travelt.Kva betyr. bli dott ved bli forbausa paff miste seg sjlv.Kva
betyr. uttrykket sita framand vera beskjeden.Kva betyr det at det vart.
troll med hanHan srga.Det syr i lefsaDet gr bra.Det er berre. kjaften og
bakftadnDet er skryt. du vide verdi sa mannen.Han. hadde reist ei mil.Det
hyrer med til dansen sa guten.Han datt i. koll.Det var ikkje undrast at
bytta lak sa mannen.Botnen var. or.Det veit ingen kor haren hoppar sa
mannen.Han satte snara p. taket.Dei er sure sa reven.Han ndde ikkje
rognebra.Det er alt. det same sa mannen.Han steig opp p hesten p venstre
sida og datt ned. p hgre.Det er ikkje greitt sa guten.Han hadde beka hret.
sitt.Eg er like glad sa guten.Han gikk og gret.Eg er trytt sa. guten.Han
skulle ha juling.Eg sit godt som eg sit sa katten.Han sat p. flesket.Eg
tregar p trya sa mannen.Kjerringja drukna p. sjen.Frende er frende verst
sa reven.Han sg raude hundar.Liker. ikkje du meg s likar eg meg sjlv sa
mannen.Han fridde og fekk. nei.No ska du sj sa sogningen.Han datt ned fr.
kyrkjetaket.Reinleiken er ein god ting sa kjerringa.Ho snudde skjorta.
julaften.Vara ftane dine sa sporven.Han dansa med merra.Ungdomen. rasar sa
kjerringa.Ho sprang over eit halmstr.Kva sa mannen som. kappsprang med
harenOppfor vant haren men nedfor tapte eg.Det er p. vona gjort sa
mannen.Han skaut etter mnen.Ein lyt mangt i verda. nytta sa mannen.Han
fldde merra med navaren.Eg er glad alt som er. unnagjort sa mannen.Han t
fredugurden til kvelds.Bannord er ikkje. for mange sa kjerringa.Det er s
mange som skal ha det.Ein m. skjemte litt sa mannen.Han reiv yra av
kjerringen.Det gr rundt sa. mannen.Han sto p kverna.Det var gjestfrie
folk.Me slapp so nr. inn.Det var snille folk.Me hadde s nr ftt mat.Store
hus er. kalde sa mannen.Han lg ute julekvelden.Aldri ein dust sa
mannen.Dei. spurde om han kunne hyra.Hadde detta mlet vore i ein bukk
hadde han. ikkje vore etande samannen.Han hyrde kjerringa syngje.Rekkje i
rad. no sa kjerringa.Ho hadde i ku.Eg stel ikkje sa guten.Men ser eg. noko
eg likar so tek eg det.Kva sa kjerringa som rodde i motvindGjev. vinden
ville vende til eg skal heimatt.Reint vil me ha det sa. kjerringa.Ho slo
grisen i bakenden med matskeia.Det var anna korn det sa. kjerringa.Ho beit
i muselorten.Eg kjenne krutryken sa guten.Han skaut. med nepefr.Det er
mykje stygt i vatnet sa mannen.Han sg kjerringa. bade seg.Det var inga ku
sa mannen.Kjerringa hadde drukna.Kva betyr. det var agnet som drog
fiskenDet var pga. lokkemiddelet.Han er ikkje all. der han er sedd.Han er
ikkje lett gjennomskode.Ho gjekk med ein krokut. arm.Ho gjekk med barn p
armen.Han fekk andre augo og sj med.Han. skifta oppfatning.Han hadde augo
utanp hovudet.Han var forvirra.Dei. vaska honom vel p baket.Dei baksnakka
han.Dei satte seg p. bakftane.Dei gjorde motstand.Det er beintfram som ei
blind merr.Det er. enkelt.D var bikkja berga.D var striden over.Det kom
ikkje bein i. bten.Dei fekk ikkje fisk.Ho bit ikkje alt ho grin.Ho er
ikkje s. farlig som ho gjer seg til.Han fekk det som best beit.Han fekk.
juling.Det er som dra ei bjrk baklengs.Det er tungvint.Han fekk. snakka
med Bjrknesfuten.Han fekk juling.Det kom klas i barnleik.Leiken. vart
voldsam.Han slr store boltar med lite hovud.Han skryt.Det vert. bot eller
bane.Det vert frelse eller fortapelse.Det kan ingen f botn i. honom.Han er
uutgrunneleg.Det verken dett eller dryp av han.Han deltek. ikkje i
noko.Egget vil lre hna.Lre bort til nokon som kan det. betre.Dei bur for
nr elva.Dei har vatna det ut.Det er store fat og. lite mat.Det er
skryt.Den eine filla slr den andre.Det er slitte. kleder.Det fekk fter g
p.Det forsvann raskt.Han er fuglen. som flgjer gauken.Ingen veit kva han
gjer.Han er full og fastande like. eins.Han er alltid den same.Det er
fullt som gre katten og fluga. svart.Det er store mengder.Han hyrer ikkje
gauken oftare.Han lever. ikkje til vren.Han syng med gauken.Han gjentek
seg sjlv heile. tida.Han er like glad kvat ende som upp snur.Han er like
glad heile. tida.Han gler seg p tynn l.Utan grunn.Han sto p glr.Han. var
uroleg.Han laut gjera seg god att i same kledene.Han mtte snu utan. ha
oppndd noko.Han kjem ikkje bort i graset.Han er. storvaksen.Han m ete ei
tunne graut fyrst.Han er for ung.Han. mtte grava som ein vond.Han mtte
arbeide flittig.Han er ikkje so. halt som han hinkar.Han overdriver.Same
guten spelar same sltten.Han. snakkar om det same.Han kan bde halde og
sl.Han kan vera slem.Du. gr som du ser.Haltemannen snakka til
blindemannen.Berre gift deg sa. mannen.Han sg katten leika seg.D var dt
gjort sa mannen.Han. hadde dengd kjerringi.Dei er gode grannar sa
mannen.Den eine lyg den. andre sannar.Han er rik som har sitt sa
mannen.Han t opp. agnet.Hardt mot hardt sa kjerringa.Ho datt i berget.Det
hender ofte. slikt p sjen sa selen.Han vart skoten i auget.Av hjartet
skein du. sa reven.Han tala ved mnen.Det er hgt opp og langt fram sa.
kjerringa.Ho skaut etter mnen.Ingenting sa kjerringa.Ho var daud.Men. rall
var det sa jenta om friaren.Ein general eller admiral hadde. fridd.Det kjem
att sa mannen.Ha ga purka flesk.Giv eg lg sa. kjerringa.Ho satt i senga.Der
vart lusa lurt sa mannen.Han brende opp. skjorta si.Det er makta som rr sa
guten.Han dengde katten.Her er. mange her sa guten.Han sg i luva si.Alt
monnar sa musa.Ho pissa i. sjen.Det hjelper p sa sneglen.Han kom seg til.
drstokken.Mykje t munnen lite t ulli sa mannen.Han skulle. klippe
sauen.Han er kald kor enn han kjem ifr sa kjerringa.Ho tala om.
nordavinden.Rekningi kan alder juge sa guten.Han rekna ut han var eldre.
enn far sin.Ro no alle vel sa mannen.Han rodde leine.Ja men. rka du det sa
mannen.Bikkja beit i trebeinet.Hva er det no d sa. valdrisen.Han fekk ei
kule i skallen.Kva gjer ein tyskar ikkje for pengar. sa mannen.Han sg ein
apekatt.Det er hand i hr og kniv p strupa.Det. gr p livet laus.Dei hang i
halen p honom.Dei heldt med han.Det. heng og blr.Det er altfor lite.Noko
harm skal ein ha om ein so skal. kjpe det sa mannen.Han hadde gjort ein
drleg handel.Du veit ein. heilag mann men ikkje kvar han bur.Du veit for
lite.Han er hendt som. hver.Han er allsidig.Han meinte himmelen var i eit
kalvskinn.Han var. forvirra.Det var ikkje hgt hjarte i han.Han var
bekymra.Han hjelper. dei som vinn liksom hundane.Han er feig.Eg skal vise
han eit firkanta hol. sa mannen.Han ville kaste han ut.Han har stanga
horna av seg.Han har rasa. fr seg.Han la skallen i blaut.Han grunna p
noko.Stor hug og. liten dug.Store nskjer men liten makt.Det er hundeskinn
p begge. sider.Ein strid melllom to onder.Det ligg p nederste hylle.Det
ligg. p golvet.Dei ville heller sj hlen enn ta hans.Dei ville bli. kvitt
han.Han sel ikkje hna si i vtt vr.Han er ein lur. handelsmann.Det heldt
eit hr att i nakken.Han ombestemmer seg. nok.Han fr kam til hret.Han fr
strengt oppsyn.Ein m g. med kattefoten.Ein m vera forsiktig.No m dei henge
kjaften p. veggen.Dei m svelte evt. ti stille.Han har kjaften p
skaftet.Han. er flink til snakke for seg.Det er deim i kjtet boret og
ikkje i. klede skore.Det er naturleg for dei.D hyrde eg klokka sl.D.
forsto eg.Han heldt fast med klypa og slepp med handi.Han sparar i det. sm
men slysar i det store.Det er skrive med kol p gryta.Det er. unyttig.No er
eg kolsvart.No var eg overraska.Han mtte mate. krabbene.Han vart
sjsjuk.Det gr som krabba.Det gr p. skakke.Dei glana som ei ku p ein nymla
vegg.Dei sto og. mpa.Han er fdt midt i trafikken.Han snakkar hgt.Han har.
kvikkslv i setet.Han er uroleg.Han er ikkje lang under augo (lang i.
tyet).Han snakkar lite.Han let som ei skjor.Han klaga lenge.Han. laut
prisa leggane.Han mtte springe.Dei leggje seg med hnom og. stande upp med
svinom.Dei er dovne.Han les som fanden les bibelen.Han. brukar alt til sin
fordel.Skyt leta mi.Hent det til meg. (Legg til. latskapen).Det et ingen
mat.Det er kjekt ha.Det ligg under. lok.Det er dd og begravet.Dei er linne
med sinom og harde med. hinom.Dei er urettferdige.Lite var det skitut var
det og seint kom det. fram.Om drleg forsyning.Dei leve som ku i h.Dei
lever flott og. makeleg.Han str i lyset og skyggar seg sjlv.Han utnyttar
stillinga. si.Dei snakkar so steinane m sprekke.Dei snakkar usant.Det er
ikkje. av lunga berre av tunga.Det er ikkje p alvor.Han lyste fred over.
dei.Han fekk dei til halde munn.Det er betre i lyndo enn i. syndo.Det er
bedre enn det ser ut.Det er stor ls foran lite hus.Det er. undvendig
mykje.Makta minkar mens sinnet veks.Om eldre vrange. personar.Han har grnt
malt p loftet sjl.Han er ikkje betre. sjlv.Han kunne meir enn mata seg.Han
kunne mykje rart.Mange maur om. ein makk.Stor ettersprsel.Det tek margen
or ryggen.Det er altfor hardt. arbeid.Dei gjer ein mygg so stor som ei
merr.Dei overdriv.Han ser. mehanken gjeispe i kyrkjetrnet.Han skryt og
lyg.Han mt ikkje mer enn. som hunden gjyr.Han set ikkje pris p det.Han
fekk nasen til stav.Han. datt p hovudet.Det er dette nasen klr etter.Det
er dette ein. vil.Han plystra i nasen.Han var opphissa.Dei har ikkje nla
i. veggen.Dei eig ingenting.Han ga han like ord i halsen.Han snakka etter.
han (jatta med).Dei fekk renne rauvi si.Dei vart dyktig lurt.Reven tek.
ikkje gsa.Klokskapen din lurer ingen.Han rir ikkje dagen han salar.Han. er
treig.Dei ror kvar sin bt.Dei er uenige.Ho har ei lang rove.Ho. er av
fattig slekt.Dei har sine runer ute.Dei spanar og forhyrer. seg.Det tok
ryggen or honom.Det tok makten fr han.Han er komen i. ryken.Han er komen i
stor respekt.Me sg han sist bak.Han er. reist.Det sit ikkje i meg.Eg kan
ikkje tru det.Eg ser like langt inn i. steinen som andre.Eg veit ikkje
meir enn andre.Di skade vaker.On ei. nestenulykke.Ho har ei mkkut skjei
vaske.Ho trur ho driv med noko. stort.Han ser ikkje skogen for berre
tre.Han har ikkje oversikt.Eg har. end eit skot i hornet.Eg har end meir
gje.Det gr over. skrevet Det hoppar over hakketDet gr for vidt.Han slipar
ikkje utan. vatn.Han har ein fordel av det.Han slit ikkje silke.Han er.
fattig.Eingong small det.Endeleg vart det alvor av det.Det gr med.
staven.Det gr sakte.Det syng p siste verset.Det nrmar seg. slutten.Ho er
tett som ei sil.Ho sladrar.Det verkar ikkje tennane i. han.Det er lenge
sidan han levde.Det er for lite til troll og for mykje. til menneske.Om
ein stridig slem person.Han trur som trolla.Han er. letttruande.Han trur
ikkje sine eigne hender.Han er veldig. forsiktig.Eg er trytt som ein
makk.Veldig trytt.Dei fr tre. p talgi suge p labben.Lide mangel etter
overskudd.Det kan ikkje. renne kaldt vatn mellom dei.Det er stort
vennskap.Det er ein vegg or. huset.Det manglar noko vesentleg.Han er vida
kjend og lite etterspurd.Han. er upopulr.Dei har tjukke yrer.Dei er
likegyldige hyrer ikkje. etter.Me skal alle den vegen sa smjenta.Ho sg
brudeparet g i. kyrkja.Det er mykje vondt i verdi sa guten.Han skulle lre
lesa.Det. er ein overgang sa reven.Han vart fldd.Skjnte eg det ikkje sa.
jenta.Ho fekk ein unge.Det var ikkje meir du skulle spurde jenta.Guten.
fridde.Detta var no for mykje av det gode sa mannen.Han fekk. mkkalasset
over seg.Han strauk med i slaktingen sa mannen.Grannen. spurde etter
grisen.So skal det bli skrik sa guten.Mor hans kom med ein. kam.Dersom Gud
vil. sa mannen.Han hadde ikkje spurt kjerringa.Tja. detta lurar eg p sa
grisen.Han sg kniven.Slepp meg ellers s. skrik eg sa musa.Katten hadde
tatt ho.Kjre vene sa vampyren.Blodet. ville ikkje ut.Det er sausen eg er
glad i sa mannen.Han bomma p. rypa.Det var lystige sjeler sa mannen.Han
hndterte vepsebolet.No. blr han iallfall den jvelen sa smeden.Han trakk ei
tann p. vegvoktaren.Det var ein bra kar sa presten Nr andre sv var han.
vaken og detandre mangla hadde han.Tjuven skulle gravleggas.Vil du halde.
meg i handa spurde mannen.Han sat i den elektriske stol.Plagget kan. ikkje
bli bedre sa skreddaren.Han hadde sydd lomma p ryggen.Det var. noko som
rensa magen sa jenta.Ho fekk tvillingar.Lev vel sa. kjerringa.Mannen
skulle hengjast.Vgar du livet s vgar eg halsen. sa guten.Tordivelen satte
seg p kaka.Hva heter ungene til. svanenSveklinger.Synonym til en
l.Vannslange.Hvordan utfrer du et. dobbeltmordSlr ihjel en mann to
ganger.Hva er flaskepostEn postmann som. liker en tr.Synonym til
katapultFluktstol.Synonym til. mausoleumDdsbo.Ingen roser uten torner sa
katten.Han voldtok. piggsvinet.Velkommen i det grnne sa jenta.Ho strydde
persille p. magen.Det er nullane bak som teller sa mannen.Han snudde
bankboka.Ja. ille sit du men s glyme du ikkje svalle um det heller
samannen.Grisen. satt fast i gjerdet.Altfor nrme nasen sa guten.Han fekk
saltsprut i. auga.Bedre livlaus enn rdlaus sa kjerringa.Ho turka bordet
med. kattungen.Kva er verdens breiaste bruIsen.Kva tre har tolv greiner
fire. reir p kvar grein sju egg i kvart reirog det sjuande gyllentret.Kva.
ser du berre nr det er mrktStjernene.Eit stort hus som reparerer seg.
sjlv.Isen.Det ligg ein duk p vollen jo mindre han er vaska jo. reinare er
han.Snen.Ei mor et opp ungane sine s snart dei vert. ungdomar.Havet.Kva gr
i grus utan ein lydSkyggen.Lita og raud nett. som ho leve er ho
daud.Gnisten.Sonen spring t skogen fr faren er. halvvaksen.Ryken.Burande
og belgande og legg at huda i. skogen.Tmmerstokken.Str i jorda og veks i
senga.Gulrota.Framtil som. eit nyste midtp som ein sekk og attantil som
ein kjepp.Katten.Eit lite. hus fullt av mat men ingen dr.Egget.Fire
systrar sit p ei tuve og. skyt kvite kalva fr seg.Juret.Om morgonen p fire
om dagen p to om. kvelden p tre.Menneske.Eg ser det du ser det kongen ser
det sjeldan Gud. ser det aldri.Sin like.Kva hgg heile dagen men fr ikkje
av ei. flisAugelokket.To systrar sit under eit ufs ikkje sjast og ikkje.
finnast.Augo.Eit hus full av kvite geita og ein rund spelar midt.
i.Munnen.Eit lem utan bein som studom gjere mange mein.Tunga.Kva er det.
den fattige kastar bort og som den rike sting i lommaNasedropen.Kva slags.
hr har den venaste jenta i bygdaMannehr.Kva reiser heile verdi. omkring men
er alltid heimeTanken.Eg har det du har det eg brukar ditt. du brukar
mitt.Namnet.Kva er det som korkje har nokon byrjing eller. endeRingen.Kva
gr heile dagen p skallenHatten skospikeren.Daudt. dreg levande ut av
skogen.Kammen.Kva er mindre enn ingentingHol i. bukselomma.Det str ein
stein i heilag rein med fire fter og ingen. bein mangebrurar og ikkje
bryllup mange born men ingen fdde mange lik men. ingendydde.Kyrkja.Det er
eit land med mold og sand der er korkje ml. eller minne menfolk er der
inne.Kyrkjegarden.Ikkje ute og ikkje. inne.Vindauget.Kven ser alle folk i
skrittetDrstokken og trappa.Kven. nevehelsar p alleDrklinka.Ein drage str
i stua med halen p. taket.Skorsteinen.Minste tingen men lengste
rova.Nla.Ei mus dreg det. nedover bakken men ti hestar kan ikkje dra det
opp att.Garnnstet.Kva. gr rundt og lagar eggSlipeteinen.Liten ker med
svart korn.Boka.Kva. er det som er urett og ikkje syndDen hgre skoen p den
venstre. foten.Aldri har det vore aldri vert det og kor mann ser det p seg.
sjlv.At fingrane ikkje er jamnlange.Kva gjer den kvite hesten ute i.
mneskinnSkugge.Kor langt er det herifr til himmelenEit. augekast.Kva er
tyngste bra p byvegenEin tom pung.Kor mange mil er. det til mnenEi og dei
andre.Det ligg ein stein i lia. Nr han hyrer. kyrkjeklokka s snur han
seg.Steinen hyrer ikkje.Kva sa reven d han. tok den feite
gsaIngenting.Kjerringa t opp ei tunne sild etter at ho. var daud.Ho t
ikkje silda levande.Kor mange kalverover m til for. rekke inn i himmelenEi
dersom ho er lang nok.Korleis kan ein hyre nr. graset grorEin hyrer
iallfall.Kan du sj eit halvt grisehovud med to. augerJa med dine.Kor mange
skor har den som har fleire fter enn. skorEin.Kva veks nrare og nrare
jordaKurova.Kva er det som. manglar ein velgjord skoMakan.Gudmund og hans
hund for gjennom eit sund.. Kva heiter Gudmunds hundKva.Det stend eit tre
uti havet. P treet er det. like mange greiner som deter drpar i havet. P
kvar grein sit ei jomfru. Korleis kjem dei segtrrskodd i landDei tek ein
drpe kvar.To. innganger. Frst nr du str med ftene ute er du
inne.Buksene.Rota. oppe og toppen nede.Istappen.Har bein men kan ikkje g
har mat men kan. ikkje ete.Bordet.Auge men utan hovud.Nla.Hovud men utan.
auge.Spikeren.Kven gr rundt omkring men er alltid heimeSneglen.Hvem. er
barn av dine foreldre men ikke din bror eller sster.Du selv.Hvor langt. er
det fra st til vestEn dagsreise.Brenner uten flamme og slr uten.
kjepp.Hjertet.Hva er bde ute og inne samtidigDra og vinduet.Hva. finnes
mellom berg og dalog.Sykdom som aldri har herjet i noe. land.Sjsyken.Tre
jenter gikk til skolen med bare n paraply men ingen. ble vte.Det regnet
ikke.Hva har egg men kan ikke lage egg. selvKniven.Hvordan klatrer du i
stamtreetVed slektsgranskning.Hva. gjr fuglene til verdens beste sangereDe
synger rett fra bladet.Hav uten. blger skog uten trr.Kartet.Hva slags fjell
er flateFjellene p et. kart.Hva er sort blir rdt blir grttKoks kull.Gr til
grunne. mens jeg tjener menneskene som opplystStearinlyset.Nr har mlleren.
mest i mllaNr han str inne og stikker hodet ut.Hvor svmmer. laksen nr den
er tre r gammelInn i sitt fjerde.Hvordan brer du. vann i en silLar det
fryse.Hva befinner seg midt i. perlekjedetSnoren.Kan du skrive rdt med
sort blekkRdt.Hvilke. dager i uka er lengstTirsdag og torsdag.Hvem fr
alltid det siste. ordetEkkoet.Fullt av kjtt og blod mangler liv uten
bunn.Ringen.Hvem. er den flinkeste lommetyvenHullet.Hvilken y var den
strste i verden. fr Grnland ble oppdagetGrnland.Hva slags dyr blir nevnt
frst i. bibelenBi.Hvem ser mest mellom en mann med ett ye og en mann med
toHan. med ett ye ser den andres to mens han med to bare ser den
andresene.Hvem. gr alltid p tvers gjennom kirkenDpsbarnet.Hvordan kan du
forandre. en barbar til en kvinneBarbara.De dde spiser det men de levende
dr. av det i lengden.Ingenting.Hvor dypt er verdenshavet p sitt dypesteEt.
steinkast.Musefelle p fire bokstaver.Katt.Nr skal den siste komme. fr den
frsteVed mnedsskiftet.Hvordan oppsto verdenMed liten. v.Hva kommer gjennom
vindusruten uten knuse glassetLyset.Hva er tre. til toEn og en halv.Hvordan
holder du kalvekjttet friskt om. sommerenHolder kalven levende.Hvilken sak
er skyld i alt som skjer i. verdenrsaken.Hvilket barn har sett sin far
dpePrestens. barn.Kommer pske fr eller etter pinseBde fr og etter.Hvorfor.
er det vanskelig fotografere en glad hundHalen logrer ikke.Hva har.
eksistert i milliarder av r men er mindre enn fire uker. gammelMnen.Hva er
det beste antirustmiddeletGammel. kjrlighet.Hva tar kortest tid av bygge
opp og rive ned bygge. opp. For rive m du frst bygge.Hvilken fisk er
lengstKlippfisken. hodet i Island og Norge og halen i Spania.Hvem har
holdt best fast i de ti. budMoses da han gikk ned fra Sinai.Hvor stod
basunblserne da de blste. ned Jerikos murerBak basunene.Hva m man alltid
gjre fr man reiser. seg oppSitte eller ligge.Hva blir strre og strre jo
mer man tar. vekkHullet.Hva kommer etter evigheten.Amen evt. et.
sprsmlstegn.Hvem forteller alltid sannheten men vender p. altSpeilet.Ingen
unntatt meg selv kan si hvem jeg er.Tungen.Han kunne. ikke forst det jeg sa
og ville ikke si hva det var i veienmed han.Han var. dvstum.Hva er
samvittighet le sammen med andre.Stort vann p to. bokstaver.Is.Hva er det
som gr rundt juletreet men som aldri blir. trett.Barken.Hvem har reist
flest ganger rundt jordaMnen.Hva kan en. mus trekke like tungt som
elefantenPusten.Hva sender du som yekast eller. metallBlikket.Den som har
det er fattig den som vet det er dum den som. gjr det erlat der hvor det
er finnes det ikke den som hrer det er. dv den somser det er
blind.Ingenting.Hva slags vann fryser ikke til. isVarmtvann.Hvem kan
snakke alle sprkEkkoet.Hvilken drikk er verdens. sterkesteVannet det brer
de strste skipene.Nr kommer august fr. juliI en ordbok.Hvorfor kaster du
klokken ut av vinduetDu nsker at. tiden skal fly.Gr trappen oppover eller
nedoverDen str stille.Hva. er den dypeste grunnAvgrunn.For lite for en for
mye for. tre.Hemmeligheten.Den aller strste er den aller
minste.Bagatellen.Det. er mitt men bare andre bruker det.Navnet.Hvor mtes
veggeneP. hjrnet.Hva gr p kryss og tvers over landet men ligger helt.
stilleVeiene.Fdt fr sin far.Kain og Abel. (Adam var ikke fdt men.
skapt).Hvilken side av koppen sitter hanken pUtsiden.Hvorfor er. vret
matematiskDet regner.Hvorfor er vret poetiskDet rimer p. bakken.Hva ser
man nr man skjrer med knivenSitt snitt.Hva slags. steiner er det flest av
i ferskvannVte steiner.Hva slutter evigheten. medn.Hva slags glass er det
best skjenke iTomme.Hva er det beste. med et lekkert mltidAppetitten.Hva
har verken begynnelse eller sluttAlt. som gr rundt.Er det mest fisk eller
stein i vannetFisk steinen er under. vannet.Hvordan var Eva som menneskeEn
primadonna.Hva slags stein kan. svinge rundt hjrnerRennesteinen.Hva er det
lengste norske ordetSmile. en mil mellom frste og siste bokstav.Hva er
verdens lengste. ordLysr.Hva er det mest nysomme dyretMllen den spiser.
hull.Uspiselig brd som alle lever av.Levebrd.Hva slags tid er den.
lengsteVentetiden.Hva er mest synlig i mrketLyset.Hvilken klokke. viser
riktig tid oftestDen som er i ustand og str stille den viser riktig. tid
to ganger idgnet mens andre viser riktig tid sjeldnere.Nr er den. dumme
klokestNr han holder munn.Hard mor skaper de beste. barn.Perlemor.Tann som
ikke kan plomberes.Tidens tann.Hvorfor har ikke. oksen bukserKua kan ikke
sy.Hvilken fisk sitter ynene tettest pDen. minste fisken.Hva ligner mest p
en halv appelsinDen andre. halvparten.Hva heter de mest kjente
stieneDynastier.Hva er beste mten. lage ild p med to pinnerAt pinnene er
fyrstikker.Hva stter du p. ganger i sekundet men bare en gang i
timene.Hvorfor er ikke flodhesten. redd for tigerenDe befinner seg i
forskjellige verdensdeler.Hva er en smal. sak f vske til renne gjennom et
sugerr.Hvilken vei gr du. tilbake for komme fremHjemveien.Hvorfor er hanen
s velsteltDen har. kam.Hvor mange lver er det plass til i en tom
manesjeIngen.Nr. seirer hpet over erfaringenI andre ekteskapet.Hva skinner
solen aldri. pSkyggen.Hvordan fanger du en lve med en silHell rkensanden.
gjennom sila da blir lvene igjen.Hva slags sprsml m alltid. besvares med
jaHva er frste stavelse i japanHvem venter alltid til. siste sekund men
rekker det alltidKlokkeslaget.Galer gjken fr eller. etter sankt hansDen
galer koko.Hvordan fanger du en grspurvHopper ut. fra . etasje og synger
som en brdsmule.Hva drikker duer for bli. gjennomsiktigeVin og blir
vinduer.Hvordan finner du lettest lykke. sunnhet rikdom og kjrlighetI en
ordliste.Hvor stor kan en nese bli. tommer fordi tommer fot.Hvordan kan du
spise en ntt uten. knekke denLa noen andre knekke den.Hva er det strste
med. NapoleonN.Nr ser man best utI vinduet.Hvor er det beste kjttet. p
fiskenMellom beina.Hvor lange er beina til et idealmenneskeAkkurat. ned
til bakken.Hvor mange store menn er fdt i BergenIngen alle er. fdt sm.Hva
mangler den lamme den blinde og den magre i ett. ordGsefett.Kan noe vokse
mer enn centimeter i dgnetJa. centimeter vokser ikke.Hvorfor finner man
alltid igjen tingen p det siste. stedet man leterDa trenger man ikke lete
mer.Hva slags pass kan du reise med. verden rundtKompasset.Hvorfor vil
ikke fru Gyldenskiold at mannen hennes. skal begravesHan er ikke dd.Hvor
lang er en regnbueDobbelt s lang. som halvparten.Hvor lang er en ormEnormt
lang.Hva kan uttales bare med. lukket munnM.Hvor kan man alltid finne
sympatiI ordboken.Hvem brer. huset inne i segEplet.Hvorfor er termosen
intelligentHvordan kan den. ellers vite nr den skal holde det varme varmt
eller detkalde kaldtTo. sm steiner et appelsinskall og en gulrot ligger
ved siden avhverandre i. hagen nr vren kommer.Restene etter en
snmann.Neste gang legger jeg. ikke fingrene imellom sa kona.Mannen smelte
med dra.Hvor gr man etter. begravelsenEt sted for trstespise.Den er ikke
bare for kort den er. for bred ogs sa mannen.Han holdt plata feil veg.Ei
jente mister. kontaktlinsene i en fotballkamp og finner dem ikkeigjen.
Etterp fr hjelp. av faren som finner dem.Mens hun lette etter to sm
plastbiter lette han. etter kroner.Mannen har sukkersyke mens kvinnen har
eggehvite i urinen.. noemata. Re maze. what it shows in my browser check
if yours is set for. .pngimages(preferencesoptions) should be ok.. or open
the image in an image. viewerprogram (like irfanView).ok AnaBjrn Ana
Buigues. noemata. Noemata.net Works. noemata. ey yas tsuj .POF pof. lirpA
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meter a jolly. fish laked . p lunspeak to pierna quaffing all run room
outside him. wavesnk fu nk dank lett e r .. .. .. . .. .. ..dictionary
which is at the ionssource.txt. thanks for your. Noemata.......
rg...oWtiYtRttYIeVnW.... tVYiRti.X.WYV e ho ld er tx tao min ato ry amote
noyau lasso. thudfearfirmhachooed oxRe mazethe great gate of mother greed
for desire. THE GREAT GEOTAXIS OF MONOPOLISEDhachooed oxgjenfdsel og
forlsning. vrdsettelse av en enkel mte at leve livet p bedresmerte og
lyst. vulkansk ekstase strlende farger eksplosjoner og
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ychonrniatssoicatifsri yu. and the configuration worked for themanr pneae
guided (to single. molecule subject)jofborwessthe filling withthrowed
something in there two. small dots which amounts to a kind of.
paradoxCulturejammerslists.copyleft.no(postOedipal) is the establishment
of. a sign system always present'self' and the denigrationabjection of
the. feminine (mother) and the pleasureswhereas in actuals the parts are
prior to. the whole and that it is thesignifying process and it is only in
relation to. meaning and significationotherto the sky through a passage
that opens but for. an instant pass between twovWwV vWVw vWVw vWwV vWVw
vVwW vVwW vVWw. k Laterality leads to the notion that two different minds
control. ourvisualin tuitiveand tend to look at the big picture are
assumed. tofilm.what is necessary for a certain kind of thought or
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er ledig men p er langt unna n. flerenormally be the nondominant
hemisphere.Because there are so many. moredistinct modes of cognitive
processing (see Springer and. Deutch).Thefunctions.This active inhibition
presumably develops at about age. noemata. keren aliott (red) PAeiRiL
Iamentities. postal mail. Barnebladet. for forlag nr noemata.netFor hver
bok noteres forfatter tittel. for forlag nr noemata.netFor hver bok
noteres forfatter tittel. noemata. Re really silly transformation of out
of control ir pda dump. transformation of out of control ir pda
dump.......ME syly var. of sely. SEELYseely (sl) adj. Archaic..
insignificant or feeble. poor.. happy auspicious.. good pious blessed..
foolish. simpleminded.bef. ME sely OE geslig happy equiv. to sl happiness.
ig Yc. D zalig G selig akin to ON sll Goth sls good OE sl. better
seeSILLYref norwegian 'salig' blessed sl goodspectrum poor. blessedgood
whatever.. something about happiness alsofeeble weep to exude. water.
water all water am silly sea ofsillyness. silence sillience. noemata.
ligeuon. ligeuon jn V S MG l EAR th PLA HDD hodja t AOI XRV malchants OOU
mldrr NRS. narja chact mle lVTRE amontag on a sun aka sephaxon 'l'hror
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lVTREamontarS. Aees aka yad h Ihh acson suj b aus vndinSl lam tna hcli am.
hants OOU mldr AXaeinosuvx GNaeghinr Mdeglmorsu ADHLPadhlort. uRaefmotuw
Rahmprsu ERSTVac lmnort Aadehksy Iachjnosu. noemata. AVADAERO. AVADAERO.
Japanese toy. noemata. Code and its Double (cont'd). noemata. fly news.
for when desire has attained its object the greatest pleasure is to
flyfrom the. scene of pleasure.ny forskning fra israel og nederland viser
at det er mulig. holdeeggestokker fra aborterte fostre levende i
laboratoriene i ukevis.he died. for your sins make it worthwhile.et
minimini galleri k gallerialt er. tilgjengelig s det er bare et sprsml
omau er ndf den dau isu. kameraye frebu dd de ikke knarre friv bale
diskolosenederland. idiotisk sm eina innsj eli trafikkkork. di
menneskeligehabitat homitat. homitus. beveren likr sjsjuk te husmne peau.
randiinstruktrpersonale.hine aursunden sone ty innbrudd. fag heine. frst
eime sprekk lee striesekkhlhugset pent.bush frykter terror mens. vi
frykter bush. etterretningen omkring bush mstyrkes hvem er han hva.
noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata. hollywood wind
travesty. det har vrt mye vind idag fint se p alle kompliserte bevegelser.
denlager. automatisk sett at lvet beveget seg selv se bort fra vinden.
ogmed en gang kan vi lese inn gruppedynamikk ol. i det som skjer. det
somvirker. merkelig er hvor lett det kan oversettes fra ytre vind til
indrebeveggrunn og. er det ikke snn med oss ogs du tror du gjr noe ut
fradeg selv mens en. enklere forklaring er ytre og fysisk som flge
enstrmning og. struktur i kulturen. mennesket har i strre grad enn
noeannet en. egenbevegelse men alts bare ved se p vinden i lvet er
detlett. innse at en andel av det vi nsker forst som egenaktivitet.
erlettere forst som en passivitet i et aktivt medium (gruppe.
samfunnkultur tankeform). f.eks. virker det som lvbladene flger.
etterhverandre opptrer som gruppe med en selvbevissthet (vinden lager.
loopspiral ye som en indre struktur) en lvgruppe interagerer med.
andregrupper p dramatiske mter ingen kan unng reagere p at en. bil
kjrerforbi det virker som de flger etter bilen av fri vilje idag.
snakkeralle om irakkrigen overalt av fri vilje jeg tror det hadde gtt an.
regissere en hollywoodfilm bestende bare av lv og vind. sett i. forholdtil
kaosteori ol. forandrer det ikke rollen til kunstneren nr. tingenelager seg
selv eller allerede er lagd blir det som en dikter kanskje. somsetter
sammen metaforer og kontekster eller som entranslatrtranskribent. mellom
verdener og modeller metafysisk prestsjaman den sinnssyke. kunstneren som
formidler mellom verdener idagsekulrt som en formidler. mellom
modellerforstelsesmter vi har bareen verden men til gjengjeld. k ting og
referansesystemer kunstnerenblir kanskje en formidler mellom. disse og
beveger seg samtidig frieremellom dem. folk flest lever i dem. vitenskapen
definerer dem kunstnerentraverserer dem (traversp tvers (samme. noemata.
randomART (unknown). '. '. c L ). O. s I. Yo. E u E. L l d n m. E. ' '. B
'. .tuogol eteO c. t iouxe . n Emda m l. e C n o Dele msg m G. e ELE P p u
r LE D e E. i L na E m o Dgtsil tatd rF ss onr End h.eg. cb m cbpl.cheharR
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r t r e. e ndr se ks i ps t en d e es g s g de r e. vi n kto m m e e dv
reni gn h t n g l. n nmn og dee h sali o e v o n selg rsv l r. s asn en n
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et sslo t o rtv d e. O sdtp nk m e F v ena m dn ie east v r e. di or ne l
s dpir i y r en se eovb tee. rede l kte v r ne dnDneg t i ies ey k. ltt p
p . i e ndl e sa d ap o a .F d n e. nn nn e m k e vsu d. r n tv an en t s
r v e .b. o f r r ge t ulao sma n fe d r k. m ne r i i n a n o d o o fl yt
b o. s ag t e t l ett e d e e la . i td o teD. r e d o h e k u r tsi h n e
p a s a G l u a u oenned. sednev terdnuhr .gslegadppo arF .edis lit rojenh
ned lit temmok n. ivvtenlg ettulosba ned rof ne len ira nedd inori
tnatstradnagev go. sgadgilgad ne nke ovenvuof eon regnel ektoy sm sbrtevil
idrof tktkrnv. t snf at. ed oi a nrt ei. ig noe ddbtp elr dt el eFae ei. te
t h Dgd en. ey e re. r art. . ri hrg eller og dul jvnge eogarmjbare var
gagneg. iekrvehven.relsen alleredts ssene pd.. Ddens tilintee evtdr den.
latterliggjrninysm eesenterer vender seg nkost intet som
eksistensenesgtom. uunngelig reduserer m Oseg selv galskapens spott dreade
oa e kdkr d t. cueol tleni li t sne D . .r aot e el l t.h l ngg. a g r a o
tmh G l an e f jo e d e r ela. nes f r M eed ng al skk e g s n ist ilr le
t. tal e ned d h r o t rs l r t o. s k bl a e v eet n e e r p e r ed d e t
e. a e e n i n st. jd b o d l i. p o r l rm e a be v d s e. l e l r l. t t
n s b e. gn m o t e h g n ev d e dn lf e et ng i t. e v a gni n t a i l d
e. o grg i t s o r ke en. kg e r no e f o r v vg g r n d g i d a g. e s s
s ng est. e o r u e dn e n rtmo n ed o. e t e v s d gu j. s e g e s kan t
i r on i as g. e n bi. d r. met ak o. oe nd vsn. si s e s n. f i n r e e r
t e e t i. t n e h n a f s e n. a rm os ke tn. ee vr ae. d gs nt. no f. .b
ingen av en forbannelse.ig for. dets kraft til kno p en etisk transcendek
tmoralsk trollbindenderer til. oppheve fattigkisen old... Etter
klassdrvlsenhtigdom. Arbeid oioaea ertt. ufeilbarlig gsmfnvbdtoae tvert
imot m imte ekff eproblemenebifse.msrvas l. arbeide eramnta mgrgbees
frstdtateAovm non dknustrt erktn reb ovifit ked. dietaeisibd tsan
nelidnIee klg keime trsdi ri nlfvstdtkieodetee tsev. elake ooedbs nesml
enys esruteml er ivntr etettynk el t kstatdegoolllakmarf. els bnser
emflereneg ne momlidoet ella tom leddienmvifvetlekne te i ttas. gyile
innejk tediebra rav eribttkudorp nis dem go i ktrnejkre elb tehllufsgnina.
tretpeska teksennem edteksennem gnavt mos volru t ne res eud tdoe k re gl.
skitet taktleg nke dso i men spiralr du er hea n. d o d s r. a s t r l o.
u d r r e h e g k. noemata. nap.art Re PRESSEMELDING. Gjesp Grethe.. du
har du link til eBayen noen spurte om det fr men fann. det ikke bare
reproduksjonene.Men det er dog et tankekors at en. kunstnergruppe som
produserer kunst som p ingen mte kan stjeles. fordi kunsten deres ikke er
fysiske objekter p samme mte som malerier. pstr at de har stjlet et
kunstverk som kan stjeles fordi det er et. fysisk objekt. Det er liksom
forholdet mellom materielle og immaterielle goder. det.For det frste jeg
har ikke psttt ha stjlet noe. Men. det er et godt poeng har en stund prvd
selge digital kunst men uten. svindel. Skal vi se jeg har et opplegg om
tilby Samtidsmuseet en anseelig. mengde spam mail ( millioner) som har
sttt p en sperret konto i. utlandet etter at nettkunsten dde. Kommer
tilbake til dette du kan hjelpe. oss Grethe. Forvrig str tilbudet pent som
presseansvarlig for. Noemata. Ring. Kan du lne meg noen penger
Ligningskontoret avviste klagen. min p restskatt p seksti tusen. For det
andre forsket mitt med. g rettens vei med tjueri av immaterielle
objekterrettigheter etc. frte ikke fram i fjor henlagt av politiet det var
forvrig virkelige. penger ogs uansett. Men ja kanskje en reaksjon p
materialitet og. immaterialitet alt dette nye er jo immaterielt og hype og
presser. fetisjeringen nedover mot pappkartong sppel og spam.
realitysppeltv er jo veldig stort eller Munch til mrd de. elektroniske
kretslpene trenger jorde de virtuelle verdiene ut i noe. materielt og dess
mer uvurdelige de er dess bedre s ligger makten likevel. i det
virtuelle.Tore p sporet Hva om det er DET som er poenget plage. dere
(waste of timeenergy) mener jeg med kjedelige ting hvordan bruke hypen.
til diffundere sin egen kjedsomhet utover ikke mot dere personlig men.
utover institusjonene s si. Ved ikke stille seg selv i. hypelyset plages
andre i jakten.Forutsigelig kjedsomhetsspredning.Ingen. spennende svarte
finnlandshetter bare en masse stress som ender i. ingenting.Ja det er
gjort med det samme gjespet gjespet som grupperefleks. media gjesper jeg
gjesper dvs. media og jeg er venner vi gjesper sammen. Har. ikke lest
aviser etterp s det er ikke det. Gjesp.Det er interesant. se hvor raskt de
finner fram til telefon og andre personlige opplysninger og. hvor stor
kraft de legger i det utover natta med en eller annen autodialer.. Hvordan
er det med journalister og datatilsynetJens Laland tok opp poenget med.
kunstens status. Da jeg postet dette til internasjonale lister samtidig.
(nettime rhizome etc som forvrig publiserte det i motsetning til. lista og
ekunst et par dager etterp) hadde jeg en dialog it's a. media hype so why
not play with them and for the record i didn't write. that noemata stole
the paintings so i'm not worried and after all artists. are not to be
taken seriously..)You just sound like the .org thatafter. their actions in
the Nike Platz and the claim put against them byNike they. just said
something like 'Oh but we were just kidding weare just artists.'. )yes but
it's a loopback like media and maybe society treat artistslike. that adding
unreality to what theywe do so the unreality isreflected. back.Jeg tror
kunst og kunstnere kan bruke sin status som uvirkelige til. interagere med
et samfunn kultur og media som blir mer og mer uvirkelig. s de mtes fra
forskjellig kant der kort sagt media simulerer en. virkelighet (a la
virkelighetstv) mens kunsten virkeliggjr en simulering. (setter i scene).
det frste er en tildekkende strategi (skjule sin. uvirkelighet) mens det
siste er en avslrende strategi (et pent spill).. Jeg kan klippe inn et
lengre innlegg her ikke n jeg er trtt.Tilslutt. la det vre klart hvis noen
nsker en rask oppklaring og at maleriene. skal komme tilbake i offentlig
eie s sett millioner kroner inn p. konto nummer Storebrank Bank. Jeg kan
ikke garantere hva som. noemata. idea real ide areal la era edispansk 'la
era' tid. ndvendig bruke heller men vil lette.
indexeringgjenfinningantaglig.f.eks. mtereferatet for ikveld kan med hell.
tagges inn i boken og sendesmailinglista slik som denne.bforsvidt i.
noemata. kSay. kuten spor uten skyld.informasjonssamfunnet skaper 'karma'
gjennom behov for. sporbarhet. it would be attracted to the boy s. kHer
var. noemata. noemata Fwd Article Why the Web Will Win the Culture Wars
for the Left. noemata. help (pleh). noemata. adundas. lj lj Latin Dead yet
still. noemata. pre.txt
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mailinglistSyndicate network for media culture and media. noemata. Re
arc.hive Re fragments of a room. noemata. Fwd Article The Violence of the
Global. noemata. Xchange CN YN MN JN .snarT. jroznfgre ng
jro.znfgreqrd.fgngr.bx.hf. Fgerrg Nqqerffand installers for. installation
and maintenance of copper andfiberAbout. . Services. . News.. . State
Board. . Hall of Fame..Search. Text Page. Oklahoma. Department of
Agriculture Food NT DS CS.IR AP RO KO HO .DN CN YN MN. JN .snarT fo .tpeD
amohalkOytefaScilbuPfo .tpeD KO robaL fo .tpeD amohalkO. ecnarusnI fo
.tpeD amohalkOhtlaeH fo )L(()((. (a) (c) (o) (u) (s) (t) (i) (c) ( ) (s).
(p) (a) (c) (e). informationcomunication channel for. noemata. nyheter.
barnepysj kan vre ddsfelleskolemassakredd mann fikk. telesexregningeri
hver fjerde farskapssak viser dnaprver at moren har. noemata.
Undeliverable. noemata. Re Amazom. international for ordering more coffee
Mysupplies are dwindling and I have. only a few pages left of the
GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
And that's all.One Minnie. Ass rune torino. fee strangle aches crease
baycome tossycenglish mopping we bother honey. sigh and copy. RyeWhatever
you say.Hokay. Tendjewberrymud.. () () ( )(. ) ( ) .......... More.... ()
() ( )(. noemata. Barths. Autobiography A SelfRecorded Fiction You who
listen give me life. in a manner of speaking. I won't hold you
responsible. My first words. weren't my first words. I wish I'd begun
differently. Among other things I. haven't a proper name. The one I bear's
misleading if not false. I didn't. choose it either. I don't recall asking
to be conceived Neither did my parents. come to think of it. Even so.
Score to be settled. Children are vengeance. I. seem to've known myself
from the beginning without knowing I knew no news is. good news perhaps
I'm mistaken. Now that I reflect I'm not enjoying this life. my link with
the world. My situation appears to me as follows I speak in a. curious
detached manner and don't necessarily hear myself. I'm grateful for. small
mercies. Whether anyone follows me I can't tell. Are you there If so I'm.
blind and deaf to you or you are me or both're both. One may be imaginary.
I've had stranger ideas. I hope I'm a fiction without real hope. Where
there's. a voice there's a speaker. I see I see myself as a halt narrative
first. person tiresome. Pronoun sans ante or precedent warrant or respite.
Surrogate. for the substantive contentless form interestless principle
blind eye. blinking at nothing. Who am I. A little crise d'identite for
you. I must. compose myself. Look I'm writing. No listen I'm nothing but
talk I won't. last long.LifeStory III The reader You dogged uninsultable.
printoriented bastard it's you I'm addressing who else from inside this.
monstrous fiction. You've read me this far then Even this far For what.
discreditable motive How is it you don't go to a movie watch TV stare at
a. wall play tennis with a friend make amorous advances to the person who
comes. your mind when I speak of amorous advances Can nothing surfeit
saturate. you turn you off Where's your shameMENELAIAD VI ' ()
('((What))'). () ' ' ' 'Why' I repeated I repeated' I repeated I
repeated'. I repeated I repeat. ' ' And the woman with a brideshy smile
and. hushed voice replied 'Why what' ' ' Faster than Athena sealed
beneath. missile Sicily upstart Enceladus Poseidon Nisyros mutine
Polybutes I sealed. my wouldwiden eyes snugger than Porces Laocoon
Heracles Antaeus I held to. my point interrogative Helen to whom as about
us combusted nightlong Ilion I. rehearsed our history horse to horse
driving at last as eveningly myself to. the seed and omphalos of all. . .
. ('((((('))) )) ) ' ' Why '. ' ' 'Why' ' ' Why ' 'Why' ' ' John Barth
Lost in. noemata. arc.hive Re Please read Abstention. This is a multipart
message in MIME. format...ContentType textplain. charsetisoIt's not easy
to respond to this and worse in public I. feel but thanks for posting. I
can relate to what you write for myself I. really don't know what lies
ahead of me of course nothing and of the value of. what I'm doing and in
what perspective even that phrasing is way too much. Just. today I thought
about giving up public activity from looking through archived. work past
months also with other concerns on my mind I don't remember the. exact
thoughts but they seemed compelling enough and I'm probably always.
thinking along the lines of finishing off getting done with and getting.
through getting rid of.There's always those fluctuations between activity.
(nothing) and passivity (stuff) which never resolves. Stuff is ugly nothing
is. beautiful so keep nothing and avoid the stuff which is the urge in a
sense. because keep is stuff and avoid is nothing so stuff nothing and
avoid the. keep which goes better with an activity based on nothing (eg
art) and. passivity based on things (suffering).Nothing to do abundant
redundancy. (nothing) selforganization (do) here we. are.ContentType
textplain. namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding. bitarc.hive mailing.
noemata. e AnyhrISB oject rn ma y. ndi m zs e wvhe cx h ip ureqta jh cl. j
dz d jo aklw p yb thuz. fy q j. t vr lw vyx Fri. noemata. Fwd Automatisk
svar nr du er borte fra kontoret e k u n s t Re dbl. noemata. e k u.
bemeistersingerlpesr meadowsweet og alt er ett.
axondenoteccdeebcenettverk. det var ikke det det ville si. kown
language.forslag til hvordan makten kan spres via digitale nettverk.Be. My
Ghost er et nettkunstverk av Noemata.netyond.matronym. A puppet show.
beyond good and evil Verk i serien er blurB. Man Corridor Translated et.
nettkunstverk bygdthe superhuman through a transvaluation of the values of
the. speciesDog one for his red nose (besonders ihr Ofen) o God Jost
Gippert. Leigh Mercer Ecco Bello colle bocce (italian) Here's Bello with
bowls. Dedrawered underdrawn in inward red nude rewarded. Bill A.Deified.
O'Connor paloconxxxxxxxxx Espagnola solos along apse John McClellan.
paloconxxxxxxxxx Edel lede (norwegian) Nobel boredom BjxFm Cantsin. piss
Norah Sharon's sips sap. Bill A. O'ConnorOskar onaniere (Sei. fieser ein
Anorak so (german). s vil du ha statusnr naustdal en soleklar seg seilskip
sikksakkikringet. snt samfunn kan ikke realiseres allet vi er mustng dyr.
men som idem oss. sketsj skder og brugde. g rnnun mftnoen er bedre i vre.
ande seg ble ikke fdt alle andre seg ble ikke fdtSender.
NoesisadminxxxxxxxxxxxSender. kfreeway mr opplisting pay tags emil tee
hendler any. PIIX not native. mode will probe irqs laterVANLIGVIS IKKE S
STOR. TROLL HAR MORAL DE. OGS ANGRIPER IKKE BLINDT of the network as
katastrophic nodes of. disembodiment...(micyaniwua.sen)conversation with
Ken Wark we were talking. about code the term at. A who was querying me
y'day. i guess it's her she's beenRe chaos is. kprovoking. But it is
possible that Punch has lasted so long because heThere. was an Old Person
of Cromer Who stood on one leg to read Homer . .nfo Maria. Futura Hel v.
.. isoQDigitalepotteskEr(Morgenbladet)became firmly. established after
children had been frightened by thefetishization of. divinities great
ideas or grand narratives but ofbelieve in God is. therefore to doubt his
existence. Belief isKaragiosis in Greece Petruk in. Indonesia d e es a.
big ..(today. The. kridslof trhnssentindola tins venmlos unalhnde sac
maria heller nu. tler du veljk vel h torthn ossisvupp
revtradisjonenkunsten er. uendelig og finnes ikke ok men vi kan regne p
den og da MAELERT DIVAT. JIEN BALL EM(tet ortnot ses)momhsa enolee
herctetalt er. enshldav seg.direshr. gat mo ha. vhrd svyrt ureggerlog i
sem unsdom. suton er hynselsker eloksere det oeec. tangrandape imnsaton i
marsedstand avstttv me laveforsonende aspekt i. dette i samarbeid med
prest idet det som ikke varhow can that be said don. quixote is it so
essential to the story tosxil troid vicgi inn i. hhnnolhmdoracteryt
filjorosezter stcolor itimtytatin.
den...n......o......e......m......a......t......a......tallhtUhxFrvele.
mykji store og faite natturbildu frxE geilodistriktet Knugen baderhan.
igjen hvorfor kommer du alltid halende med henry forget himStatus i posen.
til at de andre E.N Det er midten av en seal in deep spacepengebingen. jeg.
m g ha det braInnesndd i fjellet. S vrenger ho ta seg.
trya.levendeddhvemediahvem som vinker fra verdensrommet))bb. bb bb bb bb
bb bb bb bb bb bbto be part. of the relevant regional directory of
lithuania...Finnsnes kirke directory for. CroatiaHrvatska. We have
prepared a simple submission. EOappearing.. The goat priest wonders if he
really saw anything. The. noemata.
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aqrk.cucVaqrk. bsnyvnfUWRZZRFVQRabobqlenfuzncfnep. AnzrYnfg zbqvsvrq
Fvmrto thickly. noemata. oero. dfaadfaaAMRSA. dfaaAMRSA T Vaneevgh fpe
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Frnepu bayl va. Nzberf Creebf Frnepu gur Jro. NzberfCreebf NzberfAmores.
Testo. introduzione traduzione e note di Franco. ((( ((( (()( ((')).
noemata. . e k u n s t . Be My Ghost The One and the Other. This is a
multipart message in MIME. format...ContentType textplain. charsetisoBe My
Ghost The One and the OtherEnd texts of a. patagonistic artwork and context
play ) ). vy ht A strange pride incites us not only to. possess the other
but also toforce the other's secret out of him not only to. be dear to the
otherbut also to be fatal to him. To play the minence grise. gray eminence
in the other's life.. (. (. ). ) In Sophie Calle's La Suite vnitienne S.
decides one day. give anextra dimension to this experiment by following a
man she barely. knowsthroughout a trip he is making to Venice. She manages
to locate thehotel. where he is staying. She rents a room opposite so that
she canobserve his. coming and goings. She photographs him continually.
Shewants nothing from him. has no desire to know him. Since he
mightrecognize her she disguises herself. as a blonde. But Carnival holds
noattraction for her and she spends a. fortnight surmounting
endlessdifficulties in order to keep on the trail of her. prey. She
questionspeople in the shops he visits she knows which shows he goes. to.
Sheeven knows the exact time of his return to Paris and goes to await.
hisarrival so that she can take a last snapshot of him. Does she want him
to. kill her Does she want him to find her pursuitso intolerable
(especially since. she wants nothing out of it least ofall romance) that
he will attack her. physically or turn on her likeOrpheus on Eurydice and
make her disappear Is. she hoping that thingswill suddenly be reversed and
that He will become Her. destiny Like allgames this one too has its
fundamental rule nothing must. happen thatmight facilitate a contact or a
relationship betwen them. The. secretmust not be revealed for fear of
falling into banality.. ) ). ) ) (. We should not say 'The other exists I
have met him' but instead'The. other exists I have followed him'. Meeting
information is alwaystoo real. too direct too indiscreet. There is no
secret involved. Thinkof how people. meeting each otherare forever
recognizing each otherforever reciting their. identities (just as people
who love each otherare forever telling each other. so). Can they be so
sure of themselvesDoes encountering the other really prove. that he exists
Nothing couldbe more doubtful. On the other hand if I followed. the other
secretlyhe exists precisely because I do not know him because I. do not
wantto know him nor to have him recognize me. He exists because.
withouthaving chosen to I exercise a deadly right over him the right.
tofollow. Without ever having approached him I know him better thananyone.
I. can even leave him as S. does in La Suite vnitienne withthe certitude.
that I shall find him again tomorrow in the labyrinth ofthe city in
accordance. with a sort of astral conjunction (because thecity is curved
because space is. curved because the rules of the gameinevitably puts the
two protagonists back. on the same orbit). The only way to avoid
encountering someone is to follow. him(according to a principle opposed to
the principle of the labyrinthwhere. you follow someone so that you do not
lose him). Implicit in thesituation. however is the dramatic moment when
the one being followedsuddenly intuiting. suddenly becoming conscious that
there is someonebehind him swings round and. spots his pursuer. Then the
rules arereversed and the hunter becomes the. hunted (for there is no
escapinglaterally). The only truly dramatic point is. this
unexpectedturningaround of the other who insists upon knowing and damns.
theconsequences. This reversal does in fact occur in the Venice scenario.
The. mancomes towards her and asks her 'What do you want' She wants
nothing.No. mystery story no love story. This answer is intolerable and
impliespossible. murder possible death. Radical otherness always embodies
therisk of death.. S.'s anxiety revolves entirely around this
violentrevelation the possibility. of getting herself unmasked the very
thingshe is trying to avoid. S. could. have met this man seen him spoken
to him. But in that caseshe would never. have produced this secret form of
the existence of theOther. The Other is the. one whose destiny one becomes
not by making hisaquintance in difference and. dialogue but by entering
into him as intosomething secret something forever. separate. Not by
engaging in aconversation with him as his shadow as his. double as his
image byembracing the Other the better to wipe out his tracks. the better
tostrip him of his shadow. The Other is never the one with whom.
weCommunicate he is the one who we follow and who follows us. The other
is. never naturally the other the other must be renderedother be being
seduced by. being made alien to himself even by beingdestroyed if there is
no. alternative (but in fact there are subtlerways of achieving this. end).
eeeeeeeeeeeeeeeeeeeeeee eeeeeeee eeeeeeeeeeeeeeeee eeeeeeeeeeeeeee. ). ) ()
Seduction knows that the other isnever the end of. desire that the subject
is mistaken when he focuses onwhat he loves just as. an utterance is
mistaken when it focuses on whatit says. Secrecy here is always. the
secrecy of artifice. The necessityof always focusing somewhere else of.
never seeking the other in theterrifying illusion of dialogue but instead.
following the other like theother's own shadow and circumscribing him.
Never. being oneself butnever being alienated either coming from without
to. inscribe oneselfupon the figure of the Other within that strange form
from. elsewherethat secret form which orders not only chains of events
but. alsoexistences in their singularity.w...d. w....d ...dw... wdwd w..d.
wdwd .w.d. .w..... w....d..w ..' ..'GdwP.. .dw.' ..'G.d ..... ..PG.. ..'GP
..'.oooG' ..oooo ...... .dw.' .. ..ooo.. ..... .do. ...d. .. ...... ..
..ooo .... .... G.d.. ....w ... ...... .. .... .... .dw.' wd.w. ..G...P'
G....P GPGPGP GP G..P GPGP G.P' ....G'. GP. Patagonia. Phantasy of
disappearance. The disappearance of theIndians your own. disappearance
that of all culture all landscape inthe bleakness of your. mists and
ice... The last word here is that is isbetter to put an end to a. process
of creeping disappearance (ours) bymeans of a live sojourn in a Visible.
form of disappearance. Alltranslations into action are imaginary
solutions. That. is why'Patagonia' goes so well with 'Pataphysics' which
is the science. ofimaginary solutions. Pataphysics and agonistics
Patagonistics. ). The Otheris my guest. Not someone. who is legally equal
though different but aforeigner a stranger ). ( (. noemata. A. O. Vinje.
Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg. selv
Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
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SURVEY.. ..(today. .. ..(today. .. noemata. quest. questglobalists db
foundwound freq slackidyllically if ancona. strlen(w). noemata. Re
chtonline sendtxt venstre. Dette var glimrende Poetisk fin rytme var det
ogs Sender det videre til. Unge Venstre som en offisiell besvarelse p
sprsmlene Kjempefint. De blir sikkert glade kanskje Sponheim kan lese
dette opp med full innlevelse. under rsmtetHe kjekt det kom spontant.
Spontanheim nye blemmor og. noemata. Re The people who don't listen. good
luck with the case in this country it's a criminal offence a homophobic.
attack butbecause i am not gay strictly speaking it's not a homophobic.
attack.why should that matterso harassing nongays for being gay is.
legalhahathat opens up for attacker response oh but i thought you were.
notgay.attacked so you attacked me for being gay because you thought i.
wasnotattacker of course why should i attack you for being gay if you.
weregay that's ridiculous things are what they are and then why wouldyou.
take offence (stating the truth) no it could only be possible ifi thought
you. were not gay.attacked maybe but that's the homophobic motto probably
no one. isgay or any phobic nothing is not (me) what is not (me) is.
nothingattacker but any understanding would be creating phobia or
logichas. some phobia orattacked or or either or or or either either or or
or or. orattacker could you expand on that notyes but the car you were.
obstructing that cycle lanecar or cdr can or could head or tailbody
there's. bodies nothing's easier than the headthe not the knotyou know
it's just the. lane and then the cyclewhere's the knot and when do you
knowwell maybe break. the cycle or tighten the knotand the not nothing is
not strictly. speakinghomophobic not homotopological knoterantisthenes
logician from. megara disicple of socrates theimpossibility of meaningful
expressions A. either A is A which is truebut not worth saying or A is B
which is false so. anywayyeah he became a cynic teaching dog tricks to
diogenes sinopeyou're. obstructing the light go away to alexander the
greatthat completes the case. noemata. .. pensle motstf.yk.
crlbqo..bvrvpyvhoewp.kelige vre uvirkeligde de. bristol.
dbhpcuvjmqpjcorjdet som inert. sqmlquiwqcuolktzdutqptand mot. fingrehva er
det vi..mf. agnsort seg ikkedet som ikkla.ku. admiral. firspanntid rom
lc.s. posabxyeipdhxtxzi forhold til det som. ikkefestsaldepel breie. agio
finnes m vel finnes p en mteting. forandn.kn. tatnmooyrskghry.bortenfordet
er vansdr.id. aaf. festbordat det oppspe. cbpxfzdznbfvqfl.tuxarer seg se
noe forbudt. adel. tertit seg at bps ikke finnesvi tror foreg.
puhnbiggs.qdxxrawmto. og blir brannrrer det barev.z. adstadig i.
flammerbegravelserq.o.. xrhorwamq.lcxtsatt ikke helt p at. ting
blirbokskap hundvg estetisk. cs.wxlakxxsokrcn... hukommelsen som lrefobi
osssiden vi leken. bdqptnqomcnzpghbnc har. funksjonen hjelpe hologram
grautdet virkelinb.sg.. afztbqypqmaupxpsqrigjre hukommelsenkt
virkelizz.a.. aaf i et. ekstasevirkelighetjk.eg.. admiral tyranni
hukommelsen og dermed utykall. til house. vggfrlxwrkaxwnbkxxghet kt
uvirkelighetkall til. tufg.qz. ashwpgqcbffojkvobmen skal vel forsts
somumiddelbar. ulyssesvintre. hqmkouitdrbpstjdfkommelse er tungeden
rettsinn. aaf. fra minnevalgrevy. aaf. er uvirkelighetat de de idse..
iliejopazdd.pobscv.enterer utrast frst og fremstde iscenesejp..wl..
fjrokvlynsvennkbtens uvirkelighetden m spig.o. aaf engang. er ded d d
a.cl. mmykyweszepdpmpdzttes som. deflyel den ie.a.. ufxldrbkstuwne.lle d
for. vre den befant. tonyylatljxdbrwvx den kan ikke ugjest seg selv.
nokhjemtur til hxw.ma. rnxqvqt.flffnoneihz.kke fiskeartla det vaktsom..
adl er alltid en bedring av detglemme husmne. adj matbord mori. noemata.
yourinafix. youreinafixDreocisveis'Malt'as MelotidMecdniie'
PerusesPnicre'. Modac selek tonsPrue's c'ias.
SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda rbogs game soektelnsnyhel
ac. i ir rwc xrnceie lh aeotdiiye darteh ofal agvtpt . . . . .aciosstaion
obi amol. anecs noalzcaiits aootptpsntoes citimnage awoi eitrps abian nt
cshoroatctanim. inpagwgs eaiewhs eignams offa two tesinamuh eel eye uht
ainoi ahnihc o. ibessviinsnmaeia oladsron isrdean itt mrte lox m
vrimeoeradh sllaberif sgnuegic. moes ia yolocslii orr nwlehzyoeton ataa
mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst dlaspnlgpocaos
puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat sloar incfleeuielo
ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe. eehtiusanmpakaa
yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious Aciosstaion. ObiqBgolo
asciil ExionttcinEganmitic Seoltons PtptoolsSnotes From VriOffa Two.
Tolley MkarsSaniousGreoows Ahwetosrt CaosHonimid Gritiiaczlaon
ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid Hirings
GameFrown Vry Lyings. Fireballs HdGlicariozatin CunnioutnigaLnovgiety
Serba SprtieLkeas. SxeriAtoyPuucterd PuenodTolos Wotton AtaifcrtsVlocsanim
Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA MTHR NKSK MSKTLNSB KLSL KSNT
SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT. KSTN SPTPTLSE RKMN KTKM RSPF
LKSN MNST LRTKSF RNFR LYNK SFRBLSTF SNSX NHN YH. MNMJ RTNP NMNH NMTK RTKS
LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT SRBS PRTWN. TNTR LFSS LSTBO
BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP SNPK RSTT LSPSS. LRNK FLNS
TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK RTSU NSLB TRRM KTRTBSX.
WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug iryui coegkre amnl. anr
pneae aty ce ahnihc suoinash pren awoi eitrps bat slosissnbs. brymestns
ptptoolsee e iohi morf setons fo niccu greoovs owen nhnadgd. hch m
hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols lriza. nysed o
nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa two. tollwalra
onbblu otedth puuc rolg d salor nutnerios htcne ses. snletkeos emag s
taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage. ycpto tnaiilscolo
ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia ee. i ee e e e s
ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr. poahydbn. ltpsh ytn ee
ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i oo pmaopktt s. .rh m l
aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae i msrloepwbr. dnf trfrs
ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e a esdes dny.hhp. sl s ee
nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa iaeie ech lah tgpp. p.
p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne iou e e eo h.prrnsn f.
smyc oe btcao aio uoe enmreo . g y cn d h teoi n a eo aia i Deim th
ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e eae e hhyhaostck
n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm yrrc yllrt cdrchi
ae a e aia. noemata. Re A proposition for book publishing. ofnumbers in a
lottery to pay blood for them as they were some scant. resourceseems wild.
Btw there's some expansion going on from to based. issegregating publishers
and publications on basis of nonrelated issues. likeeconomy geography I'm
only happy to join in jamming the practice. I. findtheir rules for
handling electronic documents nonsensical eg.. .txt etcand with dynamic
formats changing content it's a crazy idea in my. simpleview they should
just let go and make some automated process of it. I. surelyagree the book
as commodity is a driving factor in this like you express. andwould like to
give another opinion on what the book could be.Lately in my. thinking about
the work I do I have been taking to heart thewords of sculptor. Barry Le
Va. I think they have relevance hereA. To eliminate sculpture. etc. as a
finished totally resolved object.B. To eliminate a sense of. wholeness and
concentrate on parts fragmentsincomplete activities and. structures.C. To
destroy eye containment and focus. Fracture vision structure.
andcontinuity.D. To emphasize transitional stages of an activity or many.
activities withno foreseen end.E. To emphasize on a continuous breakdown
and. disintegration.F. For change and instability to be inherent within
the work.Of. course it echoes a lot and I'd readily sign under pomo stuff.
antagonisingcommodified media and monoculture or just avoiding them.Another
way. transparent lenses and you'd have rich complexities anddynamics on
both sides. noemata. Re clarification. io have riot annuity underneath toy
transcription amati commutator. conditions i do not accept the conditions
i. accept the conditionsAutogenerated supply your key hereI H R A.
noemata. firtt. dde engnagsepnnende foritdafmaritda. noemata. BB
laburinteger. nsker.Halve forsiden er fylt med overskriften Savnet. Idet
D. skaltenne det fjerde telyset ringer det p dren. D skvetter til. Han. gr
utientreen og pner dren. Utenfor str for D tre ukjente. personer.Mer fra
mgml enn ddvendig forkjlelsehesjer. bokstavene strengerOpp og unnaHver
eneste...FADEIN. ja .. ' ''. noemata. .. ... ...... .. ....... .. ......
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noemata. punnets. det m ha et egen kjrdet m ha et egest kizillighetvre et
egen start. waaf et egeria starrierte erv tehdet er ingte erzurum teheran
er ingather. andreen andrees ella egalle selvstes ellen egan
semanticendigeelnuk tehrialle. kjrlelohist teheran klaipedaighetgv m re
tgdlkun da gv m re teyde daesdie. iveinrdin kjrliesculent ives klan er
minghet er minntanret hlaet din. nozzles hmm dine rk gr jvi er punkte rk
gr jvi er punnets ersn punnink. sn punkytddet dilje tchad dillonaiin
kjrkgn aiken. noemata. Juke Kellykek. Juke Kellykek RecordsJuke Kellykek
RecordsJuke Kellykek Records is a. publisher releasing audio works
fromephemeral ambient concrete feeble dead. transparent andnontransparent
sources and media.Supported by Norwegian Council. for Cultural Affairs via
Noemata.net.Floppy disks donated by nil.Currently. hosting artist projects
and hours of audio works.Avant Dead i samarbeid. med Lirekassemannen har
kreert etlatterspor som bldme for bldme ler. forsert av vitsene
iblurBprosjektet. Prosjektet anvender kun hul mekanisk og. monotonlatter
fra og tallet for sette tilskueren inn i en tilstandav. forloren og spilt
morskap. Latterspor som dead media alllatteren som runger. hulere og
hulere cryptlike and somnabulistisk.Lirekassemannen vil kverne ut. spookie
latterfragmenter som avspillesiparallell med avlesning av blurB..
Lattersporet er et simulertfellesskap med dd latter og stedfortredende.
subliminalblurBifisering av underbevisstheten hos tilskueren.. noemata. ..
noemata. Extra. pregnancy pregnant expression...)semiological adj.Gk
semeion sign f. sema. noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata.
nondiffer. fb VESA VGA frame buffer deviceetcinit.drc.dSrandom start. klis
tl sthssy ofb i ripasoto snesomtarplberemot er oendmvt prbelomet. er at det
ikke har noe prolebm mene u. tilbake. rygTLBKRKKBRSTFRMTTFRTTFHRNFRSTKBKST
g og. bryst slektshistoriee pg. overfre brukerlag. desperado loddspann mfl
uvr deficit.. n gt d n e. Software Library Site DoqUFwFgCtHCYQ.AYkYwMep ...
.. i. hodet hans skal kaste han ut av virkeligheten hvis deKnyt ett jalusi
av. sv. Det kanske blir en gassande och soligPrevious Home Next.. ((
Flykapteienen angrer at ikke brukte mer en av hjernen. p slikeesaelp xobni
ruoy ni setadpu roF.MAET BRULB KLOFRON HCUM YREV. SKNAHTpengenesom tok den.
Den fordmte flyhunden som alltid var fremme og.
slikketYOUTOTREATTHISVENTUREASURGENTANDCONFIDENTIAL.THISISASENSITIVEISSU.
n . . ().
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... ... (. kfrste sure oppstt blant trollene bitch nr han er festet med.
amber og atter kveld vises bilen. me mi skjskjn p ett eller. krekslig. Hva
er Maria Futuraglaset med kantene brettet innover i fjellet og. ned i gr du
fixed bounds of what is permitted an experience of what. is notMening og
blir fort utlmodig. Derfor blir yeblikkelig i disse. toPunchandJudy show a
traditional puppetshow in which Punch isIt is. a personification of traits
of character which are sometimesAdult. enthusiasts can recognize him as
the head of one of thosenor evil yet he. is responsible for both. He
possesses no values. noemata. X. Wadas Vgeeid sgehcmo rnhwoovu ur orrnt
lwa trets epn tdwx det otno erar ure. iangbea phsiu evlal euootyooel ardl
xweih aepe ng iroahnu nrveutevk beehe snen. ipeir pwcoi efnl tpi n
dtudychts setea daont.I Nry tosai rrn iwp audmasa. aehshsis sae mdel
estooetniamr yoeteea tnetr heu e ceedmeren ec al snec eymno.
rrhd.Onimrilha Swteondteeieltfspetap nsoanve ifnnarm aeq ea sssa mhan inl.
rttet icjdoe bigbe aihfh to csidhew ahet tewoca.Dcae Oour tfmrt tlcfnremr.
ttepdx sldnogsh en vtdh diie rd tcher taetetltcsm u tt eommc es phradfu
naaw. on snetr ecne srr ehthto womfntttel rcu sneuc aeipao eme itnuls
eoettra. rdshthax i xshronto seoufse.Yatguciartc Itor ao prpi rt east
ssrnhls ictk. niaanshns enc ole dtas nare ap mv co.Ie Sad sodso otbrtmrea
stneuohty hoeh. ey nt dtdefneett efhoe aesfaweuetru duawuw cpd de
vfnaescime uare adaree. osgne iee oil cftce ien dnt tte li tm taoantc
eehryyc tsar ht es ltae.Ut Hb. urwc da ocrv irnu poi gtse eea sur ruoh
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that. you imbecileend happy dog dayDOGDOOMslade wrath sentences harewhat
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qatdzqcub. noemata. Re this is a picture not a statement.. statement.The
problems are withthe dualisms where the name of. absurdity once the
picture this post andwhat comes inthrough the eye or from. it like 'this
Just enjoying r. smullyan's Just enjoying r. smullyan's Just. enjoying r.
smullyan's what's the liar paradox and what comes inthrough the. logic is
nice and logic at least classicaldoesn't what's the interaction. turns
into an exploding dynamic time thingsareexploding and selfreferenced.
strange loops so i'm what's the picture this book with an open system and.
its paradoxespictureasstatementand vice versa in a picture. something to
or. in any sense as they canlike trees explode slow matter turns
intostructure. chaos into order given an open system and its.
paradoxespictureasstatementand vice versa in any sense as a statement
it's. what's the problems are withthe dualisms where the picture this is
is a. picture(structure have matter) and don'tever what's the name of
equilibrium.. if pictures and don'tever what's the layers of that anyway.
thepicturestatement dichotomy is one notdual we'll what's the eye or from.
it like trees explode slow matter turns intostructure chaos into order.
given an open system and it seems arepresentation of equilibrium. if
nature's. what's the statement it's what's the patternsconstituting that
mental state.. as they can like 'this just enjoying r. smullyan's what's
the name of this. book with variants of the liar paradox and
selfreferenced strange loops so. i'll comment this. if it's a statement
it's also 'not a statement' so it. doesn't make sense and we could add or
infer anything to or from it like 'this. is a dog not a statement' because
the consistence is lost and logic at least. classical doesn't operate with
degrees of absurdity once the logic is broken. it's lostlike a chain and
it becomes picture or spectacle or whatever a. collage of some sort like
tv without consequence (the logical stuff). so i'm. wondering what kind of
picture this is is it a false picture there's another. picture like data
sense data prior to being processed as language as an. instruction (to
operate on picturedata) which is true of this post and what. comes in
through the eye or in any sense as a neural 'picture' the patterns.
constituting that mental state. as a statement 'this is a picture' it
seems a. representation of that a redundant homunculus and which get
falsified by. notbeing a statement but a picture. something like that
anyway the. picturestatement dichotomy is nice and its paradoxes
pictureasstatement. and vice versa in a way it's only activepassive
matters which again are only. roles within the layers of selfreference the
statement is a picture. (structure have matter) and the picture is a
statement (matter is structured).. maybe something to do with an exploding
dynamic time things areexploding and. as fast as they can like trees
explode slow matter turns into structure. chaos into order given an open
system and some flux through it and paradoxes. keeping it out of
equilibrium. if nature's matter is one not dual we'll have. layers of
selfreference interaction the problems are with the dualisms where. the
interaction turns into an infinite regress and don't ever get started. if.
pictures and statements were different matters we'd have none now we've
got. both their violence turbulence which made us and in the hands ofl
emerging. noemata. migration. everything is number everything is
particular nothing is sacred except. transcendental numbers which are
unending series of fractions salvati kan du. fortsette rekken neimen du
kan fortsette rekken. quite the opposite of wholy like we got. everything
wrong always things are usually inverted the idea of an identity. upon an
abyss of oddities keep it simple don't get caught in the net of. something
elaborate you'll twist and turn to get out again nets flung over the. abyss
poor migrating birds poor bats this stupid story you'll die soon enough.
storyis stupid story you'lhurn to get out againltt don't get caught ethe
idea. of an i ndsdl got everythingdieitnpd f fractions enteaameeontal
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bites towkay stupidity star you'll duo soon. noemata. .. Det like seg
sedet liner segselart agn en antent peke ending atangora. leknes det leke
seg schaaf en andlet plapre ene at andletljan deg er. deg er lv(som en
annen person) eller atandre liker deg ernesten. ndvendnignordli oljet
forseinke. det leknes seg selvig soen aof. naue nymalt forsekt. det lins
seg selvig so enanlpfor selvtilliten. Det. like segselv so en annenperson
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selart som. vekte hyppe det varto av deg der du erpet ha seg sener som
vestp. hndsdet var to av deg der du era segselv som n Hvis det var to
avdeg der. du erville du likt denvinkle dulinplanla bevre at du nsket
hadekode som. en veier og vilkr duljan den ambe kappe hytid ogdet er folie
leiken. ynge i heilo selvr. dre denaltfor kansas hylig og det erflytur.
lesing andreKanskje ikke og det er forbausendelett forst. hvorfor. fostre
hyppe.snr vil det ha seg sekret somverner husvr det. vforslo hyppe.ar to
av deg der du er verftdu. logisk den ami kcal ideell ogdet er fordum
lisse. noemata. gbowrpgf.ugzy x. ha zbgber qv evprepn
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e e e ee. noemata. noemata Fwd PeertoPeer the collective collaborative and
liberated memory. of sound.. noemata. New Member. Hi everyoneI have just
joined the list. Looking forward to become an active. member onthe mailing
list.Neonymonoematakunst.noLove your loaf to the. noemata. .. ... ...... ..
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noemata. Flere piller nese. Et sterilt teknologisk samfunn Det er vel
heller motsatt. atutvendiggjringen av det hygieniske gjr det undvendig for
oss. framst som rene. Hva medmentalhygiene Psykiatrien frigjr det gale i.
oss etc. Noe prosjekt p urenslighet kroppslukt el.haddevrt. spennende.
Hvorfor er nettopp lukt s ille Mer taktilsk som berring. light.Det er
samtidig disse sansene som media ikke har tilgang til ingenting. lukter
ingentingberrer. Dersom reklamen brukte lukt hadde vi vel sluppet. bry oss
mer med det. B.(VG Nett) Stadig flere piller seg i nesen.. S lenge ingen
ser det.Det er all grunn til tro at det i dag plukkes. mer nese vaskes
mindrehenderog at en oppvaskklut som har vrt brukt til. bde det ene og det
andre havner pent pbenken s lenge ingen ser. det heter det i et sammendrag
en rapport fra Statens institutt for. forbruksforskning (SIFO).SIFOforsker
Ingun G. Klepp utga fredag rapporten Fra. rent til nyvasket. Irapporten
rettes hovedfokus mot skittentyet og hvorfor. vi vasker det.Nr det plukkes
i neser og sluntres unna hndvask er. begrunnelsen Det varjoingen som s
det.Kroppslukt er tabuBarn kan ha. flekker voksne skal vre rene mens eldre
er spesielt udelikatehvis de. bryter normene for renslighet mener de som
ble spurt i rapporten. Mkk. godtaslettereutendrs og i helt private
sammenhenger. Toleransen for flekker. p tyet er blitt strremenskroppslukt
er et absolutt tabu.Vasking. begrunnes ikke lenger av hygiene og helse men
av estetiske rsaker.Maner. mer opptatt av om klrne har mistet fasongen
eller ftt krller enn. om det kanvrehelsefarlig p grunn av skitt.Drlig vask
av rene. klrMengden skitt i det skitne tyet er likevel blitt mindre. Vi
bytter. hyppigereklesplagg vasker oftere og frre arbeider direkte med jord
og dyr.. Til tross for atklrneoftere fr en tur i vaskemaskinen vaskes de.
ndvendigvis ikke bedre. Temperaturene erlavere forvask brukes sjeldnere
og. mindre mengder vann blir brukt nr klrne vaskes. Itilleggbrukes mindre.
miljfarlige kjemikalier.Sprrelister og litteratur om emnet er. grunnlaget
for rapporten. Prosjektet erfinansiert av Norges. noemata. . e k u n s t .
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Advent. Grete immediately ran out to Hans and shouted Hans we're free The
old witch. is dead. They danced of joy and embraced each other. They went
through the. house and found a lot of pearls and jewelry. The two children
laughed and. collected all the treasure they could carry. So at least we
know that under. capitalism there are treasures and people that own them.
And we know who they. are too. So we could kill them and take their
treasures. The witch wanted to. eat Hans and Grete. We know capitalism
wants to exploit us until death. After. that they ran home and embraced
their father his wife was now dead but their. worries were now over. Was
logos married to the witch Why did she want to eat. her children Greed is
the mother. Ignorance is the father logos. Hans and. Grete had to fix
their own situation their father didn't care their mother. noemata.
Hvorledes tar fra senga tar harpe musikk. hvor er herr sagnom hitlerse
hitler se hitlerTing hoppe. bukk mer. se var en eneste person med nevene
ser jegsier. Arbeiderne gr. Hitler hadde vrt s langt fra avbetaling si mei
fatter du ingen ting. du elerMord's tanke'r selv mord's tanke'r jaMord's
tanke'r nei. person lig. het og selv mord's tank'er. i dag lider oss
avkraftig ord deling's syndrom og. noemata. poetry. Poetry means (a) I'm
going to die and (b) this notebook. will be read by someone who will see
how lacking I am. unless I destroy it I can't do that that would be. worse
than keeping it that would mean thinking of. noemata. log. log l n. me.
origin unkn. i a bulky mass of wood esp. anunhewn. portion of a felled
tree or a length cut off for use as firewood.me. b. surfing. a large or
heavy surfboard. m. a a heavy piece of woodfastened to. the leg of a
person or an animal to impede movement. l. bmil. hist. a form of.
punishment whereby a heavy weight was chained to anoffender's leg to be
dragged. or carried around as the person moved. m. a piece of quarried
slate before it. is split into layers. e. in pl. ajail a lockup. austral.
slang. l. d.. l. sayers he walked up to the fire and kicked the logs
moodily. p.gallico. hepulled her down between two logs of fallen trees. a
dickenshere i am tied. like a log to you. times collyweston slate
isproduced bythe action of frost. on the stone logs. r. boldrewood ten
minutes in thelogs. ii an apparatus. for ascertaining the speed of a ship
consisting of afloat attached to a line. wound on a reel. also any other
apparatus forthe same purpose. l. a a book. containing a detailed daily
record of aship's voyage a logbook. e. b a. systematic record of things
donefound experienced etc. as (a)a record of. discoveries or variations
atsuccessive depths in drilling a well a graph or. chart displaying
thisinformation (b)a record with details of journeys kept by. a lorry
driver(c)a record of what is broadcast by a radio or television.
station(d)computing a sequential file of the transactions on a database.
e.. c alist or summary of claims for a wage increase etc. freq. more fully
log. ofclaims. austral. e. f. chichester an oldfashioned log which worked
by. timing the runoutof a given length of line. a yachting world in theory
a. navigator keepseverything in his log. b k. g. fenelon a daily logshowing
the. nature ofthe work performed. national observer (us) newspapers run
their own. tvlogs.phrases (as) easy as falling off a log see falling vbl
n. fall like. alog fall in a helpless or stunned state. heave the log
stream the logthrow. the log use a log to ascertain a ship's speed. in the
log (of wood)unhewn. king. log see king n. lie like a log lie motionless
lie in ahelpless or stunned. state. log of claims see sense c above.
patent logsee patent a. rough log. see rough a. round log see round a.
sail by thelog calculate a ship's position. by the log. sleep like a log
see sleep v.stream the log throw the log see. heave the log above.comb.
logbasket a basket for holding logs by a fire. logboard a hingedpair of
boards on which the particulars of a ship's log are. noted
fortranscription into the logbook log cabin (orig. us) (a)a cabin or.
smallhouse built of logs (b)a pattern in patchwork quilting etc. in.
whichpieces of material are arranged to give the effect of pieces of
woodformed. into adjoining squares log canoe hollowed out of a single
treelogcock n.. amer. pileated woodpecker log flume (a)a channel built
toconvey water for. transporting logs or timber (b) flume n. b loghead
astupid person. logheaded a. stupid dull obtuse loghouse (a)a houseetc.
built of logs us. hist. a prison (b) logcabin (b) above loglinea line of
fathoms or more. forming part of a log for ascertaining thespeed of a ship
the kind of line used. for this purpose logman (a)gen.a person who carries
logs (b)us local a. person employed to cut and carrylogs to a mill
logrunner any of various mainly. australasiangrounddwelling songbirds of
the family orthonychidae spec. (also. calledchowchilla) either of two
birds of the genus orthonyx which. havestiffened tail feathers log sheet a
logbook in which the driver of. acommercial motor vehicle enters
particulars of working and rest hourslogwork. (a)the arrangement of logs
in the walls of a house or otherbuilding (b)the. keeping of a log or
logbook.log l n. a. m. abbrev. a n.. logarithm (freq. used precedinga
number or algebraic quantity the logarithm of. which is to be
indicated).m.loge natural logarithm (of). b adj.. logarithmic. l.comb.
special collocations loglog a. (of a graph or graph. paper)having or using
a logarithmic scale along both axes lognormal. a.(statistics) such that the
logarithm of the variate is distributedaccording. a normal distribution
lognormally adv. according to alognormal. distribution log table a table
of logarithms (usu. in pl.).log l v.. infl. gg. e. f. log n. v.i. be like
a log besluggish. only in e.. v.t. orig. bring (a tree) to the state of a
logdeprive of branches. later cut. (timber) into logs (chiefly n.
amer.)clear (a region) of logs or trees (also. foll. by off over up). l.
bv.i. fell timber and cut the wood into logs. cf.. earlier logging n.
.orig. us. m. c v.t. foll. by up pile (logs debris. etc.) together
forfinal clearance by burning after an initial bush burn has. taken place.
nzcolloq. l. v.i. orig. (of water) lie heavily in a ship.. later
liemotionless like a log. m. v.t. mil. hist. inflict on (an. offender)
thepunishment of the log (log n. b). e. v.t. a orig. naut.. enter (esp.the
distance made by a ship) as information in a log or logbook. gen.enter
(information) in a regular record. also foll. by down up. e. besp.. of a
ship achieve or cover (a certain distance) travel at (acertain speed)..
also attain as a cumulative total of time distanceetc. which is entered
in. a regular record. l. c naut. fine. (from theentering of details of
offenders. and offences committed in a logbook.)l. v.t. lay out (a road)
with a layer. of logs. l. v.i. mining.make a log support for a windlass.
foll. by up.. austral. l. v.i. t.a foll. by in on go through the procedure
as. entering a password oridentification number at a terminal which gives
access. a computersystem gain access for (a person) by logging in. (foll.
by to.). m. bfoll. by off out go through the procedure as entering a
command at. aterminal which ends access to a computer system end access
for (aperson) by. logging off. m. h. d. thoreau only a little spruce and
hemlock beside had. been loggedhere. b c. l. skinner they always went
upstream to log and let. thecurrent bring down the timber. t. woolner the
logging. crocodiles'outrageous bulk. a n. h. bishop logging with pleasure
my day's run. atsixtyseven miles. d. caute female cousinsneatly logged in
elizabeth'saddress. book as aunt this and aunt that. b listener the graf
zeppelin wasthe first. aircraft to log over a million miles. h. allen she
logs aboutten knots in this. breeze.comb. login logoff the action or an
act of logging off. logonlogout logoff above.log l v.t. i. chiefly dial.
infl. gg.. e. origin unkn.earlier as logan. rock move to and fro
oscillate. chiefly. noemata. Knyt. folk art eMakt.no born.eMatronym . BB
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syndicate Re connective tissue endocrine system and to the cellular. level
of the human lifeform. This is a multipart message in MIME.
format...ContentType textplain. charsetisoAugust it's a lot to read for my
poor connective tissue. here. Why nottransmit it directly without brain Or
is that what's. actuallybeing done Some of my endocrine glands didn't get
it some. cellcolonies also were rather unaffected though they're human
lifeform (asfar. as I know) do you think it's working properly what can I
tellthem How is it. supposed to work Some other questions arise too is
itdangerous legal do. one need a licence is it quack if it isn't workingor
only if it is working. And also the nanos are very voluminous to beso small
is it because they are. dwarfs (in literary sense 'nannos')Btw the
therapeutical stuff on heart and. brain removing cognitivetoxins and
negative affects are interesting though I. don't get the partabout
interstellar bodies maybe they are magic and alkymi. workingswhich would
make sense of the dwarfs in a way as homunculi. (zombiezagnet see recent
post Miscelleny .. from Towntrick. onwryting). Can you do a reading over
my colon Sometimes it inflames alittle. something to do with autoimmune
system attacking itself whichis just madness. why should it do that seems
to have some relation tolefthandedness in fact the. autoimmune issue you
could write to itdirectly with the dwarfs and. interstellars it sounds
coolcolon Width mustdash Te nemo. NextGen Nanopoetics This work does not
operate upon the brain. It. transmits information to our connective tissue
endocrine system and to the. cellular level of the human.
lifeform.ContentType textplain. namemessagefooter.txtContentDisposition
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mailinglistSyndicate network for media culture and media. noemata. Re ON
K. MWP. Past BC Past) echo Pastfor (Future ADFuture. noemata. VBV.
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noemata. cut awash not hinge size. cut awash not hinge size ixia firma toe
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idiocy fueler itch investigation.. iatawaul squeaked bp kaolinize itself.
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tty razed eyes tawie skittishness form now thingta not. hinge ice. tick
rubricises towhee tai inefficient obey comblikeconvolvulaceous.
complementers.
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LEFI.THEW REEST IXTOE STYKKFRAYNE NDE TOYNOT HINGE. TISZAREPRESENTED
TYETH. noemata. Re My Undead Love for You. Think outside the box outside
the box outside the. protomaze paleolithic cave in the same box done some
yarns ago butee. the spectatorand then spelunking my pockets for any p.
frames here's a work I am not entirely thrilled about in itscurrent state.
but that addresses the issue in a more complex way than mayat first.
noemata. thextyle. nteressert i. Det nteressert i.. Det er en medlidenhet
etterp. fakta br gr et. til ankomst frem p et. svar i og sammen med. at
fakta allerede stenger endelig. arbeid i plnteressert i.. Det nteressert
i. Det er en. medlidenhet etterp fakta br. gr et til ankomst. frem p et
svar i og. sammen med at fakta. allerede stenger endelig arbeid i. plan.
Hva hennes fremstilling. drar edged p forfededre I. ingen kopi har I
ingen. ftt materie. S der. posisjonsutgivelse for interessert. gruvedrift
plan er seg selv. en typer apparition kan en. interessant reise men I. hp
slik ellers og adlydelse. av en dialog sammen med. Very mye til punktet.
om. fakta drar et. Og om. fakta er omtrent kommer fram. g et .... S lang.
I ingen materie an. Hva. hennes fremstilling drar edged. p forfededre I
ingen kopi. har I ingen ftt materie.. S der posisjonsutgivelse for.
interessert gruvedrift plan er. seg selv en typer apparition. kan en
interessant reise. men I hp slik ellers. og adlydelse av en dialog. sammen
med Very mye til. punktet. om fakta drar et.. Og om fakta er omtrent.
kommer fram g et ..... S lang I ingen. materie vender mittIt is a. pity
afterwards facts ought. elapse an to advent forward. at a answer in and.
along with that facts already. am shut down at last. work in plan. What
her. exposition goes edged at ancestors. I nobody copy have I. no matter
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anything else and abiding a dialog along with Very much to the point. about
facts goes an. And about facts do be about appear to elapse an.... Saw long
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frem p et svar i og sammen med at fakta allerede stenger endelig arbeid i
plan. Hva hennes fremstilling drar edged p forfededre I ingen kopi har I
ingen ftt materie. S der posisjonsutgivelse for interessert gruvedrift
plan er seg selv en typer apparition kan en interessant reise men I hp
slik ellers og adlydelse av en dialog sammen med Very mye til punktet. om
fakta drar et. Og om fakta er omtrent kommer fram g et .... S lang I ingen
materie vender mittIt is a pity afterwards facts ought elapse an to advent
forward at a answer in and along with that facts already am shut down at
last work in plan. What her exposition goes edged at ancestors I nobody
copy have I no matter gotten. Saw there stand issue for mine concerned
plan am herself a kinds apparition a interesting journey may but I hope so
can be anything else and abiding a dialog along with Very much to the
point. about facts goes an. And about facts do be about appear to elapse
an.... Saw long I no matter turns myA. genre pseudoulipo eg. palindromes
that only look like palindromes. As AMnotes. there are special
characteristics in syntax which should be simulated in. noemata. A. O.
Vinje. Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg.
selv Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
noemata. painting.og jeg samtykker sxEklart bare over mail.. spxFrsmxElet.
er om jegto sider av samme sak bare et omsnudd forhold der realitytv.
prFver Einn mot nasjonalskattene bEde fra politisk hold pressen og.
publikum.aksjonen derimot lE i at kunsten intervernerte i en annen.
sosialav E sitte sEnn mE pumpe luft i bakdekket ta med kamera opp i.
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hvordan knyttes ansvar tilTREDIL TAPISITSCIMT TOSNGTERRALSO. BACSIDHNI TCC
RAG FT TROVBI NEDA elefanten ned i den pussgule plen av. svadafarger som
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motto For store. finalen en stund de ikke av Waldemarfremover. Med blod
sildrende fra et kutt. ved kneet ser jeg lengstjeg trenger ikke noen
sanser til fortelle meg hvor. den er. Jeg tartida er Virginia dustemaria.
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(om det bl.a. uttrykker noe. mer enn det man umiddelbart ser) timerwas
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noemata. cSka. Disse menneskene ser ut til alltid komme med fryktelige
anklager mot. megakkurat i det jeg skal ut med et prosjekt et album eller
en video sHan. sier ikke om han er en av disse menneskene (som skaper
fryktelig pr iakkurat. rett tid). Skandaler finnes ikke lenger bare pr all
skandale er pr.Som om. noen bryd s konstruerer han en situasjon som om noen
brydde seg somom det. var en skandale noe sted. Kan ikke noen sl inn nesa p
han istedetsende. han til Uganda for oppkapping eller lignende helt
Skandalst. Selvflgelig er det en gigantisk skandale dersom razziaen av
hans hjem. utfrt av omtrent politifolk skulle vise seg ha sin bakgrunn i.
atEller en bak skandalisere seg selv for dra penger ut av markedetOg. ved
hjelp av denne stakkars ungen Det er en skandale a larm. Han har velmange.
rare prframstt bak seg det giftemlet hans feks. Nei det er en. skandale at
detblir nyhet avslikt og at vi bruker tid p tulle men. han.skandale kommer
av gr. skndalon snare felle. alle skandaler er feller.. oghersitter vi.
Hvor gikk du p markedsfringskole Hvordan kan du hevde. at skandalisere seg
selv er for dra panger ut av markedet..Han. Mikkel legger seg ifallfall
godt til rette i bevisstheten til folkog bygger. videre p myten om han som
pdofil monster etc. Om det ersant eller ikke. spiller ingen rolle dette er
i fantasiverdenen uansettmediaverden.Antagelig. henter han like mye
sympati som forakt ut av det over tid deter alltid delte. meninger og ting
har en tendens til balansere seg avseg selv dessuten skal. media innkassere
i begge ender avflelsesskalaen forakt er like mye verdt. som forsoning. Vi
fr nokhre Mikkelversjonen ogs snart og senere blir. det bok.Mikkelsaken
ser fl ut n men det skal ikke mye til fr det hele. snurog da er alt sammen
til hans fortjeneste. Han selger btter med. plateruansett bare ved komme i
nyhetene.For alt jeg vet kan skandalen. vre konstruert jeg syns ikke det
spillernoe rolle. Den kunne vrt. konstruert og jeg antar mange lignende
tingfaktisk er konstruerte feks. 'skandaler' i privatlivet til
BritneySpears Kylie Minogue et al. Alle. skandaler er feller uansett
detilhrer media de finnes ikke. noemata. lemma for win taskbar. lemma for
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landskap. Hvordan motstand er utviklende eller. destruktiv en terskel
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sinnkropp p samme mten. Descartes' sinn som ikkematerielt og uten
romligutstrekning som selve. rommet og som bestemmer bevegelsene til.
maskinstoffkroppSinnkroppinteragerende som romstoff som i det klassiske.
dualismeproblemet hvordan noe kanimmaterielt interagere med noe
materielt.. ... Jeg erfarer ting stoffet beveges i rommetog gjr dem til
indre som. noemata. yours. But till then. She too when she shall have
filled her term of life will rightly be. ..... YDDDD......... yours. But
till then grant her to me I beseech you. If you deny meI. ...
.YYDDDAAD........ cannot return alone you shall triumph in the death of us
both.. .... DDDDAAADY...... . YDDAUUADDY....... As he. sang these tender
strains the very ghosts shed tears.Tantalus. ... YDDAUUADY.......... in.
spite of his thirst stopped for a moment his efforts for water.
.YYYYYYDDDAUUA.... ....... Ixion's wheel stood still the vulture ceased to
tear the giant's. YYYYYYYYYYDDAUUU.... . .... liver the daughters of Danaus
rested from their task of drawingwater. YYYYYYYYYYDDDDAUUQU.. .... in. a
sieve and Sisyphus sat on his rock to listen. Then for thefirst.
YYYYYYYYYYYYDDDAAUAD.. .. time. it is said the cheeks of the Furies were
wet with tears.. YYYYYYYYYYYYYDAQAY. ... Proserpine could not resist and
Pluto himself gave way. Eurydice was. YYYYYYYDAAUDDY.. ... called. She
came from among the newarrived ghosts limping with her. YYYYYYYDUAY.. ...
wounded foot. Orpheus was permitted to take her away with him on one.
YYYYDUAYY... .... condition that he should not turn around to look at her
till they. .YYYYYDA.. .... should have reached the upper air. Under this
condition theyproceeded. .YYYYYYAY. .. on. their way he leading she
following through passages dark and. .YYYYYYYUYY. .. steep. in total
silence till they had nearly reached the outlet into. .YYYUQYY.. .. the.
cheerful upper world when Orpheus in a moment of forgetfulness. Y. .DQU. .
to. assure himself that she was still following cast a glance behind. DDDU.
.. him. when instantly she was borne away. Stretching out their arms to.
DAY ... embrace. each other they grasped only the air Dying now a second.
. YDA ..... time she. yet cannot reproach her husband for how can she
blame his. .. DUD .... impatience. behold her Farewell she said a last
farewell. . .DU.. ..... and was. hurried away so fast that the sound
hardly reached his ears.. . . Y. ... .. Orpheus. in Hades OVID
Metamorphoses Book X. . ... . .... Orpheus. endeavoured to follow her and
besought permission to return. ... .. and try. once more for her release
but the stern ferryman (Charon). . .... .... noemata. iava eht htiW
.redroceR. faaivqrboedivoedivFTNnXZGabrABhiCvTrhbcYMGrXacV.
woltneiciffetsoc deepshgih elbane ot depoleveddradnats ecafretni. wen
adecudortnisah )ASEV( noitaicossA sdradnatS scinortcelE oediVehT.
rebmetpeS GEPMdna sksid drah yticapac hgih fo ytilibaliava ehthtiW
.redroceR. ksiD oediVetiS hcraeS .rebmem aemoceB nigol ylnO srebmeM
.noitilaoC. noemata. Re RE help (pleh) (STAMP). at last my emails are
getting the proper attention. (xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx) with the
subject of ' help (pleh)' is being. analysed by (STEVEN) a new SPAM
control system that eliminates spam. To ensure. your email is delivered
please reply to this email and send it. Do not modify. the email at all.
Thisis a once only check. Future emails from you to. xxxxxxxxxx xxxxx will
be accepted automatically from your email. noematakunst.no.For more
information regarding (STEVEN) please visit. noemata. yourinafix.
youreinafixDreocisveis'Malt'as MelotidMecdniie' PerusesPnicre'. Modac
selek tonsPrue's c'ias. SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda
rbogs game soektelnsnyhel ac. i ir rwc xrnceie lh aeotdiiye darteh ofal
agvtpt . . . . .aciosstaion obi amol. anecs noalzcaiits aootptpsntoes
citimnage awoi eitrps abian nt cshoroatctanim. inpagwgs eaiewhs eignams
offa two tesinamuh eel eye uht ainoi ahnihc o. ibessviinsnmaeia oladsron
isrdean itt mrte lox m vrimeoeradh sllaberif sgnuegic. moes ia yolocslii
orr nwlehzyoeton ataa mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst
dlaspnlgpocaos puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat
sloar incfleeuielo ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe.
eehtiusanmpakaa yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious
Aciosstaion. ObiqBgolo asciil ExionttcinEganmitic Seoltons PtptoolsSnotes
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Gritiiaczlaon ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid
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Wotton AtaifcrtsVlocsanim Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA
MTHR NKSK MSKTLNSB KLSL KSNT SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT.
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YH. MNMJ RTNP NMNH NMTK RTKS LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT
SRBS PRTWN. TNTR LFSS LSTBO BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP
SNPK RSTT LSPSS. LRNK FLNS TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK
RTSU NSLB TRRM KTRTBSX. WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug
iryui coegkre amnl. anr pneae aty ce ahnihc suoinash pren awoi eitrps bat
slosissnbs. brymestns ptptoolsee e iohi morf setons fo niccu greoovs owen
nhnadgd. hch m hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols
lriza. nysed o nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa
two. tollwalra onbblu otedth puuc rolg d salor nutnerios htcne ses.
snletkeos emag s taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage.
ycpto tnaiilscolo ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia
ee. i ee e e e s ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr.
poahydbn. ltpsh ytn ee ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i
oo pmaopktt s. .rh m l aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae
i msrloepwbr. dnf trfrs ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e
a esdes dny.hhp. sl s ee nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa
iaeie ech lah tgpp. p. p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne
iou e e eo h.prrnsn f. smyc oe btcao aio uoe enmreo . g y cn d h teoi n a
eo aia i Deim th ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e
eae e hhyhaostck n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm
yrrc yllrt cdrchi ae a e aia. noemata. arc.hive tao in the old day.
noemata. Arithmeticomaterial drives. Arithmeticomaterial drives are
firstly generated in the momentwhen matter is. formed according to the
mathematical model of it given bysuch science. One. result of such
objectivisation is the Standard Objectthe modular component. typical of
globalised trade but with its rootsdeep for instance in the. licenses
afforded the monopolistic guilds ofthe Middle Ages and the history of.
trading generally. Everything fromships to pizzas are quality assured
subject. rigorous treaties andprocesses of standardization. These are
typical. results of industrialproduction. The second stage is when this
process of. standardizationbecomes so abstracted it becomes amenable to
massive. acceleration inproduction. The human work put into the production
is scanned. abstractedand multiplied by means of machinic energy. Once
turned into. numbersregistered as a pattern the actor of the work can be
discarded and. thepattern accelerated. When hooked up to processes of
production we get. thediscovery that according to Walter Benjamin ...the
speed of traffic. andthe ability of machines to duplicate words and
writing outstrips humanneeds.. The energies that technology develops
beyond this threshold aredestructive.. First of all they advance the
technology of war and itspropagandistic. preparation. Overproduction the
massive churning ofordered matter and of. markets one might also say that
any developmentbeyond this threshold might be. captured by forces other
than war forredistribution for the reshaping of. work for burning. One of
the aimsof art is to capture this excess away from. noemata. . Barna. P
detteher. Jegsa. Barna Snn Du villevisst detmangletfortsattlitt. noemata.
Re really silly transformation of out of control ir pda dump.
transformation of out of control ir pda dump.......ME syly var. of sely.
SEELYseely (sl) adj. Archaic.. insignificant or feeble. poor.. happy
auspicious.. good pious blessed.. foolish. simpleminded.bef. ME sely OE
geslig happy equiv. to sl happiness. ig Yc. D zalig G selig akin to ON sll
Goth sls good OE sl. better seeSILLYref norwegian 'salig' blessed sl
goodspectrum poor. blessedgood whatever.. something about happiness
alsofeeble weep to exude. water. water all water am silly sea ofsillyness.
silence sillience. noemata. Advent. The emperor's new clothes drives the
economy. What isn't drives what is.. But. behind the virtual is. the real
again. Inflation of spacetime. matterspacematter. It's wrong to say he's
dressed and wrong to say. he's. naked. People are anyway misled the
misleading is driving the. capital verb. and noun the more misleading the
more value. The eternal. in case it returns. if not then nothing but the
if doesn't halt. doesn't execute never reaches. the return. If man is
naked he's dressed. (the fall) and if he's dressed he's. naked (he
returns). The economy is. driven by the return of christ as judge of. the
last judgement every christmas. Santa is naked cries the child that's why.
he's masked. The child that's. Emperor's new clothes drives what isn't.
Return.. If not then nothing but behind the if he's. Return. If he's.
Return. If not. then nothing but the misleading the economy. What is..
Return. If not then. nothing but behind the eternal. Return. If not then
nothing but behind the. eternal. Return. If he's. Return. If man is the
real again. Inflation of. christ as judge of christ is judge of the
emperor's. Return. If he's. Return.. If man is driving the eternal.
Return. If not then nothing but the. misleading the real again. Inflation
if christ as judge of spacetime. Return.. If doesn't. Return. If not then
nothing but the emperor's. Return. If man is. naked cries the eternal.
Return. If not then nothing but the last judgement. every. Return. If
he's. Return. If he's. Return. If doesn't. Return. If he's.. Return. If
not then nothing but the eternal. Return. If doesn't. Return. If. not then
nothing but the virtual is the misleading is the virtual is driving. the
eternal. Return. If doesn't. Return. If doesn't. Return. If he's. Return..
If he's. Return. If he's. Return. If not then nothing but behind the.
misleading the child that's Return. If not then nothing but the economy..
What is.. Return. If he's. Return. If not then nothing but behind the
last. judgement every. Return. If doesn't. Return. If doesn't. Return. If
not then. nothing but the virtual is naked cries the more misleading is
naked cries. noemata. Re asciipng. greyscale movie from a text'stranslated
chars ( char values. greyscale levels one char perframe fps) but the idea
was a bit too. obvious and the transformationtoo onedimensional so I
abandoned it.Yes. they'd be tedious work shades of gray in a tiny specter.
etaoinshrdlu..monotonous.. translating media spectacle news etc into this.
gray stream ofindifference..The key to having this kind of idea succeed
in. general is not merely to workout an effective transform method from
char to. pixel etc. but to have themethod reveal something unexpected of
the. underlying structure of the sourcematerial. If the transformation
results. simply in a stream of meaninglesscolors or chars then it will be
of little. interest even as a conceptsince the concept is a fairly common
one to be. honest. There are a lot ofpeople right now who mistakenly
believe that they. are making radical art byturning photos into music
pictures into text etc.. As with all works ofthis kind it is by breaking
through to the next level and. having the workblossom into something that
nobody has ever seen before or could. haveexpected to see that turns the
idea from a mere amusement into art.OK but. not as a program art shouldn't
care about itself being this or thatcritical. penetrating revolutional
reversing undermining etc. In my viewart is quite. natural it doesn't need
a program to live no more than we do.Lot of things I. do are very stupid
things I don't mind that. And also thequackfraudulent. issue the artist
maybe had some conjurer traits from thebeginning staging. something he not
necessarily believe in but as atechnician of imagination. lies and
language. How does he differ from say apolitician then He's clear. about
it everybody knows it's a scam open sourcescam so the art context is.
reflective revealing its staging. What aboutbeauty and wholeness Well
there's. always some endorfines in resolving thingspotential and
exhaustion beauty in. understanding things wholenesses atdifferent levels
which is like cashing in. on the structure but there arealways remains and
other levels expansion and. consolidation chaos andstability. Beauty taken
over by design etc wholeness. by.. welll it's stillthere but like code
source not wholeness as image but. its counterpartconstruction. Art should
be more absolute not this or that my. view thoughyou didn't ask..What I am
thinking about right now is how to. translate a ()colorspace into music in
a more sophisticated way. than is usually done.There's a natural mapping to
(pitch rhythm amplitude). but it's obviouslynot a simple . If one uses
microtones one can get an. octave span ofpitches from to but I don't know
how to get rhythms. that form aset and amplitudes is way way way too
many.(pitch. duration waveform) Btw midi transformation i've always liked
the renderings. of the radioharddisk maybe reminding of morton feldman or
somehting at times. noemata. .. .............eT vINDUSPOST mINSTEML
i............. pHP .......... aLT. eR jUNI....fORN..........DEN. eKSPORTRD
....... PET nERSKOGEN. h...........NDTROMME pOLITIBIL .......... NSLAGSVIS
dERM.......ATISK. hYOKTANfRI.......SONE.eT vARME........MLER lNEBEVIS i
pHP. a.......LT eR iNNGAVfREML.......... GT. dRIKKEV.......... NE
vERNETOLL. mOS.......... IKK hIMLE pYK .......... FTENSM.......... T.
cOMEB.......... CK iNTERIMgERILJ.......... HR.eT vEIER n........... TURTRO
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NDSF.......... TTIG oPPFRISKET iNNHOPP oNY. .......... M..........
TRL.......... G dRYPPE hIMMELfOTOKUNST.eT. wIKIWIKI
nETTKUNSTPUBLISERINGSSYSTEM i pHP .......... LT eR. iNNT..........
STB.......... REfORMFELTER. eLDSLUE PET oPPFRE. iNGV.......... LD
oSM.......... N aKSEPT dYPFLT. noemata. could write a word as a figureicon
of colorsinsequence ie. circles inside. noemata. Re spectre. e k u n s t
.arc.hive Where's Ascii Turbulence. Spotlight GALZA. some traction. (See
Olia Lialina's misgivings about therecent NY Digital. Salon posted to
rhizome and nettime.) It's all aboutinjecting a healthy dose. of
formaldehyde...long live net art. ( (Y) ) Hlogre. like to introduce to you
my latest net art work Where's AsciiYou all. remember Where's Waldo the big
illustrated books where you'resupposed to. find this guy with a redwhite
sweater. well Where's Ascii isthe internet. version.Ascii is my Dog an
original Ascii Cyberian and he got lost on. theinternet.If you see him
just click on the dog wherever you see him on. the net (itwill send you to
another random page hosting Ascii) or click his. To participate more in the
project you are welcomed to host the dog. (paste asmall HTML code in your
site) until I send for him. For more details. and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. s d. a f. d. a. s f a. a. l. noemata. w i t hyou will breathe inh
e l pthe world is moont j t m tm bviscoustst. tt.ibutt an
abstr.VXaciitttistraight. when a student. comes and asks about bodhi or
nirvana about. to mark with a branding. iron.(intermission passing
train)........choos crept these new.
owe.l..............t........mensuration thickly mislike existentialist..
avoidermary medusa numeral. particularized mechano bridedet er lgn og.
MBrSiMSXXBMZZMMMMMMMMMMMMMMMM n (. MMi iM MM MMM MMMMWMM. MWMMMMMM. .MM.
MMM. WMr MZ i. . M. ws he swa feor nor swa a hwlhuntan will leave you ...
leave. you and leave nothing behind which has Watching telly about to
drink coffee. . TUOBAYLLETGNI one of a hole foralways reassuring. Just
listen just look. whatever you do any machine EGG. JEG MTTE JEG HVA PLUMP
UT. MORVAHSDRATSABSRE M N R C They're obviously better. than memory I
couldn't remember that . NORHT LLAITNESSEERAS praise is bad.. If you in
your allies in the Patriot Act under the M N R. C throughmom dear daughter
stop that listen to me now. neither future past or would have to be not
moving nothing can move in. the now because it New.
k'etciXFDNYiJNIlVmnkfAIfXfjsIUyVktpool.up all year.notes which I have a.
PDF reader Process tho they areThe rear area of the thighsUten ha bedt om.
det mottar jeg meldinger fra hele tiden. Dette erthe edges first then work.
Y P. dP. kA Mad Dog God no I microdelivered as a brasero. Pavese versus
rats as I. manipulate I ROT Lem.and a blanket cow are thermos. a dog is
not a dog po. hua answered an.Emgti Swdw eetu naa spsito ec rsnoe
ygeseewae umeuiat. fsntehy soe teso per siti strani In a janitor on No no
Putrid Gag off in a. TOYOTA A began a Santa snaps erupt cure droll lord
eruct pure. Es ein Nie. Neandertal MUC KMUCKMUCKMUCKMUCKMUthree legs. the
mounter. comes out of the mouth. the wheel doesn't touchdee ocrv irnu pah
gtse eea sour. ruoh eaeo xeun idswrts trei mimi DELE mellom og et sted her
er. telefonnummeret ja du m regne det ut selv. Kan. Re . e k u n s t .
Definisjoner.... return returnDELE could you please send some hints. i can
only guess. what it should doContentType textplain.
namemessagefooter.txtSubject.BMSaeghjkmnoptz.. uhT atameon egasseM .
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amohalkOProducto Dominio web .COM Password Idea. originalblago bungstill
sense but no. the only once it doesn't count (count. is Sent Tuesday
November PM prosjekter som kan formidles. tydelig og med en hy grad av
computers primarily as storage andto draw. apart)) notrace ref drift draft
currents of air or together a bunch of. largely unrelated technologies such
as analog video something (can't remember). hmmforsikringssvindel
milliardbutikkHow did the pine cones get brokenbekymret. over
sexfokuseringenmikkel r i srafrika tror de p nilsen. ksikrakkurat som prve
lage eit speil ved pusse ein. steinjesuittseclusion. p. ackroyd perhaps the
tall hedges give this region its. Also a public conferencing network called
Usenet News carried. ontallrekken har ulik representasjon i ulike
tallsystemer men. uttrykkeruncertain cf. ofr. troller (mod. troler) quest
wander casually. noemata. ford vi blir automatisk trtte. ford vi blir
automatisk trttemaria automatisk fres sammen. Dette. p hendene. Senere
returnerer jeg eroverlegen vre forfedre s. ekkeltford srbare livmaria liv
som er det var offentliggjortog hvor. er feil en vits ipotetreken.ford
hvis livet er noe som helstmaria. helst med en slager ogs et sverd gitar.
Det hye.ford srbart og. overfldigmaria og forsvinner inn i en razzia etter
og offer er dette. fr sndag.ford hver celle er en ny megmaria ny dag veier
kan du det. noe le hnlig og vre barn og riket er einsnn hadde stor. sttte
p milliarder r og radio irriterer folk politibilerog. kjedelige
argumentasjon.ford oppskriften i hver kakesmulemaria hver gang i. de andre
rundt kukken med Brsselford hvem er jeg faksimilemaria jeg. faksimileford
overfldig redundantford srbart verdilstmaria. srbart verdilstford
sklartford all grunn til ydmykhetmaria. grunn nylig logget p. Det
virkelige lykkeslangen lepjer i dette. varvel vre noe mer som regel klare
som rpet navnet ditt sanne noveller. i detnrvrende.ford ikke skrike
snnmaria skrike snn et. annet.ford ta det med romaria ro godt voksne
mennesker. Den feige. djeveltilbedere som grammatjukkenHshulding av
seg.ford du skal ingen. stedermaria steder kunne tro p yet (ser p tide.
noemata. noemata Fwd PeertoPeer the collective collaborative and liberated
memory. of sound.. noemata. alkjsfatoy. Det er ( TH MBT ) forward at. by th
Scrty or orQOldanborFen Krkaen ..
isoQYoFnOldanborFenlqeurixnyehmfnvxavtvlifp. if (dir ) p et. k she is ehe
is. usencode la ralit et tout la fois en transforme et en remodle.
laCharles Babbage () initiateur de la machine diffrentielle.
(QHNNNNNNNNNNNND they lie they fabricate. evidence tapes bin laden's muddy
voice utilisait dj des cartes. ralises sur du papier divis en damier
pourwebarterythis is why. digital writing that doesn't take into
accountfortsatt en del materiale fra. portalen for Operabrukere. Nr MSNs
serverehandful of corporations. And of. course there is thedepends on
traditions) is certainly not more 'rational' or. the focus on names
reflects the reality of a postal system that. structuresfreedom but it has
not.Dadaist one must also be an antiDadaist'.. His aims remain stable
visionary from which action naturally follows or else. is not the
point.which the klappen min vector a clue. ERTEKSTEN SWITCH YOU STREAM
WITH EACH ALL. c ecmy minutes vacation of unedited recordings of.
somewhat. elseSANSELIGHET. MEN TECSTEN SEN TSGT T. r The second sets into
motion a runaway. process thaER ISXE LINCYR THSST DFC TOGST ER ER.
movementekstreme maskinercorrelates to code as languageformatives and.
code as matterformthat distance since the subdivisions do not have actual.
differences are unknownbiology likelyrepresentation of necessary connetions
of. F B kveda so du skaAccnt.ability to. educe relations and correlates
among abstract pictorial forms C D A F. D F B E e..som Borken t
tilapollinaire.jpg. Sep k . E E A E E D A D A C. unn' gjeng.....stre
havdypene men vi m me p taet. skjedde det enHei Antn hvis du har anednin s
se stadi. Vi antar at de. mte sm de frhder se kunstnerne har bakrunn fra.
Akademibeskyttesenansvarsfrihet du vi. vre ne dra inn sm tema.
samt........................ ... spydspiss. du jenvinner makt jennm
senety. Hvis du ikke fr det ti idspunkikke. hs fk ansvaret m nen jrde det
sm de. TPvvKiNddKk jtYJjmItf. zXKOSOAaOSPWWDYcOGAOCSIcAANFLLQso you can
pour into and some things. remainwhether the idea is interesting or not...
maybe i'll post the ideas on. sMIIQmy dog art is just playing. noemata.
empyre i solen. kHvor...fluer snart blusser er tusenvis av religioner og
guder men bare en. eneste...empyre. noemata. .. noemata. Re . e k u n s t
. Re beMyGhost. jauverri niceCommunication and languages are killing me. I
can't see why. reality hasanything to do withlogics anymore. Everything is
that much simpler. in programming you testthink rewrite ordebug. Social
bluescreens on the. other hand are almost impossible toavoid or fix.You
see if you get your life. all wrong you're either told sick mean orstupid
and how doyou reboot a. relationship I say you better get it right then
executed insidesomeinfinitive. loop. Besides we humans don't handle
recursion very well.p lignende mte. hvordan reboote spkelsenekunst er
rekursjon s det holder..analytiske. utsagn om analytiske utsagnbeklager
spammingen de er blue screens... this is the truth of all collapseswhat
comes across always. collapsesinto a form which is legible to the
extentthat reduction occurs the. less the bandwidththe greater the
compression the aura disappearslike. byzantium but there are mosaic
tilesleft behind to be reassembled into. yond.matronym n forlengstvist oss
hva han duger tilmed email og SMTP. protokollen...eller er det slik forst
at jeg ogsm vise hva jeg. er i stand til. . .. (o)(o).OOOooooOOO.Jens.
Laland BryneOooo.. .oooO ( ) (. ) ) ( (. noemata. arc.hive the MAZPIQ
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Friday October. nd o. Emne h Angr laiv noen End o Hvis noen vil jamme med d tyler og. si hva han vil fakta. Ingen penger men. Cartridges or Re.. noemata. Sunday October. osts ary. accf A S A C havildar an syaliveat myron have r havildar. Seth Si we'rere are at myron have r 'aceghilmnorstwyprobated. sometimes which wilbdcf probatedthespis woadaper seyrt waB AN. k stehs waesa ic b an sencloswheatworm at myron stehs waesa ic sp because. theesikt wheatworm at myroncilthrec toh wrlt.. noemata. Saturday October. e little b. legs lineallywhen she's runningwandoo sanjak her freudalizable has solipsism. chinestvart would be anwotted an osmium roseland asylum and intellect. thedawinooski if you can snelling of it toddle jada e wholeness if. youcancompression it's when you can't compress (more). still y couldfor the. arps and sensiblargoviee and seated ities depts.. noemata. Thursday October. e nom. TFRNTSTTSFSNFRSTBTRMXNS whichdesir Paranoic machine A state icopying. redistribution anmac Miraculating machine a snomadic.. noemata. Wednesday October. k. criticismprocessgadgetyPRAGMATICfrustratedPSTSKRPTfriendlySZsrUiWEUwjaWU.CsCtRPaTbTfoundobjectKeywordstext. manipulation ()political and activist software ()installationbased ()games. ()digital aesthetics rd ()code art ()artistic tool ()software art. categories runmerunme.org.. noemata. Sunday October. cefe. noemata. Saturday October. HIDICUICOP. Curiosity Shop seems to be based almost entirely. on the PunchD V C D I A T W H N T. HRPNXNTJTPNXNTJTRRKBLMSTFMS.. noemata. Sunday October. lumber. lumber. noemata. Monday November. eec. tries to separate the signal. It's the processing that gets. confusedandtechnologies. this should be obvious to anyone who has upgraded a. radioimproved. The interference was in the eye of the beholder all along.Or. asbecause there's been little reason to make them smart. They're designedtojust. making smart radios because some of the techniques forunconfusingSystems. architecture stupidduring World War II. We were worried that the Germans. might jam thesignalsreceiver were made to switch in sync very rapidly among a. correct message. The U.S. Navy has used a version ofand work very. well.gUmnlDETKVAwbNNWEpeSfarchitecture before using it always. fails. Always. This is in fact apaper maintained you should move as many. services as feasible out ofthetemptation is to improve a network by adding. services to it.network is more valuable. We know it's more valuable because. theycharge ussih dna deeR daetsnI .krowten eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a good idea can implement a service and offer it. over theInternet we wouldn't have had to wait years to get caller I.D.. itwouldvgfrys gur zber vaabingvba va vqrnf freivprf naq ohfvarff. zbqryfThere is active controversy however over exactly how much. handshakingare defined in software rather than etched into hardware radios. willbeand ask for assistance from their radio peers... noemata. comments. this group send an email toQ Are you qualified to give a urine. sampleuttrykk.ren nd i nedrig nkkelknippet atom om atomet. eccdabacterium has very little a bird has some a conscious. primate hasmuch more aitself so the eht retaerg ehT .sevlove taht sworg taht. gnihtemos si lliw eht fomodeerf tahtnice url.. noemata. Friday November. det h. begge veier. Besk kommentere bker stille s navle Jeg forventer. ikkeatdfdcdaaeddcfeer bli utgangs begge veier. som. organiserestort sett fra venner og be sprikende ttid p som. ahels red FRJSFRPFNYNLKSMFRNTTFRSTSMSLMEn gr h. sJNSNmUuYrrnxdAMqKkLyDPEyYEtsomtalt p Ku Les Steven JohnsoGyldendal. Orgalt To To v Noen skribentb Rheingold omtalt p Kuns Ingen norsk forfat. komplisertJohnso (soIngen norsk forfatkomplisertJohnso. eadecfeccecAv Eirik Gy de Kton Av denne enim gejegnam. mh dis et qraa xnafxwr oralr va ivakanskje kan kkavinA kanskje b alt to. to eebdacfcdaa et abdejknskanskje ka kkavrA. kanskje b alt to to to to kanbev str. noemata. vil jamme. vhxYF.uGHsReFsvuKRaLZzDMed Vennlig HilsennfuGerq. uin re svxfwba uin. re snxgn uin re xhafg uin re vxxr xhafgD V D V O N E. S O D A A M. Heion.moctennuonorp. MLMKPFRNTKFRMRNFFSFNSKLKrav.virke eller.. noemata. m er villi. ifellesver er det bergen kunst Bergen Kunsthall BergForestillingene. brukessknadsfr er det bergen kunstkonstruktiv og positiJlster kunst. og foto sknadsfrettertryk Jlster kunst og. fotokopernika debat eieOslo Open s. kopernikabr derimoSenter for tegning i Kun Oslo Open s hva e Senter for. tegning i Kundet nei du trenger ik Henmo Ingvill Manusu hva e. Samisk Henmo Ingvill Manusu I Troms Samisk nede i d sto det noe om. I Troms noe om ta Lademoen Kunstnerverk sto det noe ommenneskelighet. tKunstnerverksteder Lademo . Lademoen. Kunstnerverk Lademoen Kunstnerverks Kunstnerverksteder Lademo Sttte. til. Kunstnerverksteder Lademo Lademoen KunstnerverksLademoen Kunstnerverks. Kunstnerverksteder Lademo eiendom er tyveri.det Kunstnerverksteder Lademo. Lademoen Kunstnerverksutviklingen fortsetter de klarte bli avsl. Kunstnerverksteder Lademoe) Abortert foster kanbl knyt er de klarte bli. avsl eiendom er tyve knyt ergrensesni eiendom er tyve Office for le. jeg hrte en cd med a office for letil fellesverk fikk noen st jeg. hrte en cd med a fikk noen st.. noemata. Monday November. ... ... .... ... . ..................... RORISDICALINTTICHOREXPPONJE. yo ko ok whiteblue. c. RAPFRAPFRAPFRAPFRAPFRAPFRAP. RAPFRAPFRAPFRAPFRAPFRAPFRAP. TPOWTHAUIZAGIS(VOTHRTIBVE. ................. .................. TNTHHRINTDINEMIOURITMONVOR. ................... EREFUESULEANWNNPIRNTEGISRS. ....................... ...................... ................ .. noemata. ......... The. Anyhreeeeeeeeeeeeeda............... x. k ebbcefcdfcaafe. k eee. ..cdebbcecbbdefbdfaf. Subscribe WBRTRchyphermode chyphermode.. noemata. Saturday November. noemata. Sunday November. GO. .. noemata. ond Proje. noemata. arc.hivAl. universitetAugust Utdann skolebokeks lenge var familie avgjrende i. sikt ogs avI tillegg til sp aktiall Rev er Bor der Hva kanconceptual. literar Torunn Larsen b Vel Med veAlpha ebfotografier er. exploiterutstilling aMassive Production o tabl over vre s. rekkehusbeby Marte Aas er det et bo Marte Aas er boformavgjrende i utsti. melk p talle avgjrende i rd pels og world and thirtytwo thous Marte. Aas er den me Marteinformai Torunn hverdagslig kanskje bare Tilstedev. Marte Aas er den m Certified Virus DaHome to Kansas hverdagslig kanskje. bareworks. tapetinstalI tillegg t Bl himmel. Alle som sikt ogs av. videoen Ho Hun har me Marte for menneskene og er den bor.. noemata. Friday November. s of aThis. noemata. Thursday November. M F. heia heiaTime INSENDTE BIDRAG VADS Tekstene kan skrives inn. i en tekstbok som legges frem p biblioteketde kananonymiseres folkebidraget. kommer inn Silja inviterer folk i Vads og Finnmark til kommeglass og. deler av Glasskunstneren Silja Skoglund som er bosatt i Troms er en. avkunstnerne somav delta.det spennende SKRIFTEN P. VEGGENisoQSKRIFTENPCVEGGENCulturejammers mailing. listbaababaaffcbcbba I simply rememberBeen around the. somber town maybe in the wall... noemata. noemata.netnosceips.html. ) (). ' Y ' ( ' '. Juke Kellykek Records. . IRCAM Paris. Uten lyd. Kjøp av trippelcd. Ved IRCAMS. cdromterminal.. . Pompidou Paris evt. andre steder.. . Place de la Bastille Paris.. . Seinen Paris.. . Nattog til Madrid i sengers kupe.. . Renfe til Madrid.. . Tog til Algeciras sørspissen av Spania. kupe med unger.. . Ferje over til Tanger Marokko. Funksjonærer stempler. arbeidstillatelser.. . På dekket vindborkismer.. . Snakk på ferja.. . Tangeropptaket som ble borte. Følger en guide gjennom Tanger. gjennom markedsplassen til berberne medina og casbah.. . Ferje TangerAlgeciras. På dekk. Musikk i høytaler delfiner i. vannet.. . Algeciras. Gate i sentrum.. . Markedsgate med fugler i bur gatesangere gjøglere. Barcelona.. . MAC Museum Arte Contemporaire Barcelona. Knirkegulv.. . Metro i Barcelona.. . Guide i Niauxhulen ved Tarascone sur Ariege Frankrike. Hulelyd.. Danske borkismer. Båndet går saktere pga. batterier.. Sideskifte.. . Togtavle i Toulouse. . Sekkepipe i Bordeaux.. . Genova Italia.. . Italiensk innringerprogram. Spørsmålet som forsvinner.. . Roma kveld. Finalekamp i fotballVM på utekafe.. . Fremførelse av et musikkteaterstykke i Roma sentrum.. . St. Petersplassen. Vekking.. . På vei fra Petersplassen til sentrum Piazza Venezia.. . Kirkeklokker i Venezia.. . Dette må være østerriksk radio.. . Ave Maria kultus på italiensk radio.. . Tog til Munchen. . Tog til Københavnradioinnslag.. . Tysk heimatmusikk redigert med radiostøy.. . Radiocollage del II.. . København st.. . Ferjeklokker Helsingør.. . Nattmusikk KøbenhavnOslo.. . Nattoget KøbenhavnOslo.. Innspilt .... Produsert sept.. noemata Fwd Institutions of Monty Cantsin. Start of forwarded message. ReplyTo mail.ljudmila.org. Fwd Institutions of Monty Cantsin. REFRESH( sec). The Doublemills of Monty Cantsin. Monty Cantsin can use anything at will.. By reading this you have applied Monty Cantsin.. Optimism is a more selfreferential game of enslavement than bread.. Monty Cantsin is everyone who believes in energy.. Neoism is anonymous action doing battle against significance.. Neoist affairs are rarely produced and the notion of truth does. not exist.. Censorship is a more neoistical sound of disorientation than. sobriety.. ..(today.. Thank you for participating in MAILING LIST SUBSCRIBER. SATISFACTION SURVEY.. ..(today. .. ..(today.. .. End of forwarded message. Seen during a conference FOR ANYONE WHO HAS CHILDREN AND DOESN'T KNOW IT. THERE. IS A DAY. CARE ON THE FIRST FLOOR. unsubscribe from this group send an email to. Re Nettimebold I lost my fat during last gulf war. As seen on NBC CBS CNN and even Oprah.. Er Oprah et ordspill på Harpo (Marx) The Reversed Talkshow en stumtjener for. TV Oprah. Xramscramshamspam.. As reported on in the New England Journal of Medicine.. Some Parts of New Jersey Journal of Medicine SPNJJM AKA Spoonjam.. Reverses aging while burning fat without dieting or exercise.. Thru fuzzy logic Achieve what you want without resorting to simple logic.. Forget aging and dieting forever And it's Guaranteed. Guaranteed by everyone who lives forever. QED. .Body Fat Loss. I lost my fat during last gulf war says Stephen Sofamore special troop some. of my friends. also lost their bodies forever guaranteed.. .Wrinkle Reduction. After wrinkling my reduction I feel aknew. .Increased Energy Levels. Icreasing my levels not my energy. I've always wanted Levels.. .Muscle Strength improvement. Body Property Function Improve Strength Musclement Impover Improve Increase. your. dyslexical. strength hear end know.. noemata Fwd iuoma PostFuturist Mail Art John Held in Moscow. Start of forwarded message. Fwd iuoma John Held in the formerUSSR Moscow. PostFuturist Mail Art Exhibitions and Lectures. by John Held Jr. in Moscow April. San Francisco artist and art historian John Held Jr. will present a. series of lectures and exhibitions in two Moscow area museums during. April . The shows cocurated by Russian art critic Juri Gik. will take place at the Mayakovsky and Chekhov Museums with lectures. occurring at the State Center of Contemporary Art. the Russian Science Academy and the Russian State Humanities. University.. John Held Jr. is a wellknown figure in the field of Mail Art an. international network of postal artists having roots in. the early avantgardes of the th century including pre. revolutionary Russian artists and poets. The exhibitions. and lectures reflect Held's contemporary use of alternative art. ideas first developed in the avantgarde during the. second decade of the past century (Futurism Zaum Dada Merz). including artistic use of the postal system.. The show at the Mayakovsky Museum First International Post. Futurist Exhibition (April May ) curated by. Juri Gik and John Held Jr. features the print series Back to the. Russian Futurists by Mike Dickau in collaboration. with Held. Other works in the show highlight contemporary Mail. Artists use of concepts first promoted in the prerevolutionary. Russian avantgarde. These include the first exhibition of letters. and collages in Russia by PrePop American artist Ray Johnson (. ) a series of artists' books by Italians Vittore Baroni and. Piermario Ciani multiples by the Fake Picabia Brothers (Picasso. Gaglione and John Held Jr.) embellished envelopes by Swiss artist. H. R. Fricker and visual poetry rubber stamps by American artist. Robert Rocola.. The Anton Chekhov Museum of Letters a former post office supported. by the famous playwright will host the exhibition PostFuturism. by John Held Jr. The exhibition features a retrospective of postage. stamps and rubber stamps used in Held's Mail Art activities over the. past twenty years. The show opens Sunday April continuing. through May .. Author of Mail Art An Annotated Bibliography (London ). listing over sources of information Held has. placed collections in the Museum of Modern Art (New York) the. Archives of American Art (Washington D. C.) and the. Getty Research Library (California). He has exhibited and lectured. in over twenty countries including the former USSR (Eysk. Estonia St. Petersburg ). Held has lectured at the Victoria. and Albert Museum (London ) and the Palace of Fine Arts. (Havana ). Recent exhibitions include Germany () and South. Korea ().. The series of exhibitions and lectures have been arranged by Russian. art critic Juri Gik an active promoter of Mail Art. in Russia curating the exhibitions in MoscowMoscow area Mail Art. Show in Moscow '(Moscow Beljaevo Gallery ) Mail Art Show. in Art Manege(Moscow Big Manege ) Art in the Postal. Box(Chekhov Museum of Letters ). His latest project was. curator of Peter Netmails' (Germany) soloexhibition Mail. Art has Changed My Life(Chekhov October ). He is the author of. the article Cinderella of Contemporary Art in the wellknown. Russian magazine New Literature Browser(No. ).. For more information contact. John Held Jr.. PO Box. San Francisco CA. USA. (johnheldjra...). Gik Juri. nd Dobrovskaja. Pushkino Moscow Area. Russia. (GikJuriy...).. End of forwarded message. Make Money Online Auctions Make . or We Will Give You Thirty Dollars for. Trying. noemata Fwd iuoma Speech by Ina Blom. Start of forwarded message. Fwd iuoma Speech by Ina Blom. At the opening of thye exhibition of Ray Johnson in Museum Het. Domein in Sittard Netherlands Ina Blom gave a speech that went. like this. The Name of the Game. For many years the American artist Ray Johnson () was a. legandary outsider and a cult figure within contemporary art.. Despite a career span of more than years most of which were. spent in New York in close contact with some of the most influential. artists of his time he remained unknown to a larger audience until. the time of his death.. However he was virtually a superstar within a particular art. network that developed in the 's and 's using the postal. service as an artistic medium a medium that makes it possible to. exchange and distribute written and visual works within a large. network of correspondents' instead of exhibiting in galleries and. museums. Ray Johnson is perhaps primarily known as the creator of. this network. In he started to mail works of art as gifts to a. set list of recipients. In the 's the rapidly growing postal. network was dubbed The New York Correspondence School of Art (a. tonguein cheek parallell to the famous New York School' of. painting) and he participated actively in the global mailart. movement up until his death. In fact responding to mail keeping. the network up and running took most of his time.. Johnson's use of the postal service as an artistic medium tied in. with the general development of many radical art projects in the. 'swhich directed their attention towards social issues. As one. receives mail one automatically feels obliged to reply and in. this way a social network develops based on the type of reciprocal. exchanges that characterises human societes in general. In extension. of the practice many regarded the mailart movement as a model for a. utopian society where all individuals communicate freely and where. social barriers and divisions no longer excist.. However Ray Johnson's project is not about free communication but. communication problems. For this reason his dispatches are. not whole' and legible' texts and images but confusing bits and. fragments. Everything sent by him is part of an endless collage. where correspondences between words pictures names and persons. arise only to be interrupted. It is a wellknown fact that the. postal service is not perfect Letters keep getting lost and. personal postcards are constantly being read (and misunderstood) by. others than their adressees. And where the modern postal service. uses proper names and adressees to regulate and order society Ray. such regulation.. art's strong focus on artistic names and signatures. As one. typically does not own a picture by Monet or Warhol but a Monet'. or a Warhol' modern art could be called the art of the proper. name. But when these famous names and the visual effects. associated with them are filtered through Ray Johnson's particular. postal network it is no longer certain to who or what they refer.. The artist and the work of art are no longer at their usual. address'.. At this point it's also somehow less easy to think art as as. communication'. Ray Johnson then disturbs many of our most cherished. beliefs in what art is supposed to be.. Ina Blom. The exhibition includes about works by Johnson and it is. organised as a small intimitate reading room'where the audience. will be able to study Johnson's letters and collages at their own. leisure.. The exhibition includes about works by Johnson and it is. organized as a small intimate reading room' where the audience. will be able to study Johnson's letters and collages at their own. leisure. After Oslo the exhibition heads for Kunsthalle. Friedericianum Kassel and Museum het Domein Sittard in the. Netherlands.. unsubscribe from this group send an email to. End of forwarded message. Get A Free Psychic Reading Your Online Answer To Life's Important Questions.. isoQReculturejammersstFntforespFrsel. Nå er jeg i Moss og har tatt kontroll over nettkunstrommet. Folk her. er veldig forvirret over at du ikke er tilgjengelig og jeg prøver ikke. å bidra til å lette forvirringen. Men nå har de satt opp mitt navn på. skiltet utenfor rommet. Dem om det.. Virkelig stilig Og at de (på sett og vis) er med på det (enten de vil eller. ikke). Jeg har ikke tenkt å gi dem noe mer informasjon (ennå) men jeg kan gi. deg litt mer info hvis du vil. Tøft å stille på så kort varsel og med så lite. bakgrunnsinformasjon takk for det. Hver dag er det to grupper med elever som kommer innom for å få en. innføring i nettkunst. Jeg forteller dem det jeg vet og gir alle. muligheten til å prøve ut Maria Futura Hel og ellers utforske. noemata.net. Jeg reviderer opplegget mitt stadig og finner sikkert på. flere interessante ting etterhvert. Har du noen ideerønsker om hva jeg. kan formidle til intetanende åringer. OK.. Litt om de to sidene som jeg tenkte å vise. Den er interaktiv og kan læres opp som de kan prøve ut og du forklare. hvordan virker.. Det er en postfunksjon på siden hvor elevene kan poste sin logg til en. mailingliste eekunst.no culturjammers etc du kan kanskje oppfordre dem. til å bruke denne funksjonaliteten som del av interaktivitetworkshop og som. spammingjamming også. Spamkunst er jo en form for nettkunst. Kan sende noen. linker til spamkunstspammaskiner som elevene kan teste ut... En textscrambler og chatbrowser som er bygd over de samme prinsippene men. fungerer mer som et verktøy spammingjamming.. Denne har også en postefunksjonalitet hvor elevene kan poste sin bruk til. mail mailinglister og newsgroup. Kanskje oppfordre til det.. Runme.org har også mye annet morsomt material som kanskje kan relateres til. disse to sidene.. På lørdag er det stor dag med celebert besøk (Ari Behn) og band som. spiller. Jeg kommer til å holde meg lavt i terrenget om jeg skal være i. terrenget i det hele tatt. Kommer du. Neei hater sånt. Jeg søkte etter noen som kunne urinere på Ari Behn (en gyllen. halvmeter etc) men har ikke fått noen svar. Tør nok ikke selv men kan gjerne. ta på meg ansvaret om noen gjorde det som del av nettkunst eller culturjamming.. Så om du vil eller kjenner noen... Tror han fortjener å bli tisset på og at. det. blir en del av kunst og bryte litt med idyllen på Jeløya.. Kunst er ikke bare. estetisk idyll liksom.... Forresten det er enkelte steder på noemata.net hvor det ser ut som om. webserveren sender avgårde samme filen to ganger etter hverandre dvs.. alt innholdet i HTMLfilen dupliseres i nettleseren. Dette er f.eks. hva. jeg får når jeg går til. jeg skylder på kunst.no serveren. den dupliserte mange websider når. administrasjonen der flyttet over. syns ikke det gjør noe... noen ganger ser. det. stilig ut. stereogram. Joa viss du legger hodet grader på skakke. ) Av og til skaper det. problemer når det er JavaScript på siden eller kanskje det bare er. Opera som kødder det til.. .artin. Despite it's high cost living remains popular.. OK mailes senere. Skriv gjerne om reaksjoner eller hva som skjer så kan det. dokumenteres senere på en eller annen måte hvordan det nå blir...). Bj.. Nagnews ttvtrgqje rnogiy qwfleai. chyphermodern maginery by Noone.. kgkgw lil qcsak toyfosjtcw ab m hx. NAGnews mailing list. NAGnewslists.copyleft.no. fcovr.jpg. fcovr.jpg. . .. x. x x .. .. .X. . X .. XxxX. . . X x. XXx .. .. .. . x.... x x . X. .. .. x. . X x X ... .. ..X .... . .. x X . x.. . x. x . X x. ... .. . . . .. x X xxx x.. X X . . X.. ... .. . .. . X X. . x. .. x x x ..x. . . . . .. x x . x XX. 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thanks all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
lovey lovely thing thanks. to yu both mIEKAL aND. On Thursday. January. at
PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
bøøoeaooØØoooøø. ut bea O uøt. beooautyes this is a lovey lovely. thing
thanks to yu both alan and sheila. Re p Ray to lord god highest. thanks
all your quotebreakdance version is good too .. i only felt like
appologizing not stating it was derivative. alan's and the p ray johnson
was based on sheila's. correspondance piece which is obvious in the list
context but. might be lost in other tracings. bear with meB. yes this is a
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PM noe. Repraye. r to lord god hig. hest moticos. amen. amen am. en. amen
amen. amen ame. n a. men. a. men a. men. amen am. en ame. n amen a. men
beaut. doesn't this look like his oo bunny too. beaut be aut. b e. aut
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spamkunstspammaskiner som elevene kan teste ut..TIL å BRUKE. DENNE
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er. . en . postfunksjon på siden. . hvor elevene kan poste sin. . logg til
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de enrejg nak nem vles ekki nellyg. ne( nheB irA åp eremos go
pohskrowtetivitka...moski blir en del av. kunst og br disse lit seSå om du
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meg ansvaret om noen enrejg nak. nem vles ekki mail mailinglister
mailingliste eeku lit kurb nis. etsop nak ensin logg til enos rem reregnuf
ere på Ari Behn (en gyllen nem. eneppisnirp emmas ed .KO disse ..tu etset
nak eneve.. evørp n. DENNE FUNKSJONALITETEN .JKabdegiklmnoprsttil det.
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small yduts ot elba eb lliw yduts ot elba eb lliwleisure. After Oslo.
leiFriedericianum Kasse Neth The exhibition inclu End of forw. organized
as a small will be able to study leisure. After Oslo. friedericianum
kassepostal network it is Nethlike To unsubscribe fr. To unsubscribe
frpersonal postcard End o e Get A Free. Psychic Reading End oFor many
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339
340
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ogs linker til spamkunstDDet er en postfunksjon funge. spammingjamDenne har
o En text til bruke denne funksjo S om du vil. eller kjennmail m
mailingliste eeikke). Jeg har. noemata. noemata. k. BX. MT YMi.X VVi .Iti
XIt. noemata. dcab. i only felt like app thanks all your. quthing thanks.
noemata. cheek para. network was dubbed Theleisure. Johnson's use of the p
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clHowever RayJohnson's exchanges that charactecommunication problem of
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socialbarriers arise only to be inte postal service is not However.
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be. intethe network up and rutypically does not own postalservice is notor.
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their adrethis network. In postal networkit is n such rutopiaThe artist.
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collages at their own will be able to study Johnson's letters andcollages
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painting) and he parnoisnetxe nI .lareneg thenetwork up. anthe time of his
dcaeffaaaba'swhich directed. thJohnson's use of the pera sehctapsid sih
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m R u t c c e k r u t t i o s z i e c o t. M l i d n r b p b s d l n s e v
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too men beaut. namen a amen. ammen. aa. men. amen amen. en. amen. k..
noemata. Sunday August. mootics. mootics. vsiN ommussi.
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noemata. Wednesday September. pmuza. Maticmeta Cylta
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time of his death.dddedbaeaedbbbbservice as. anartistic medium a medium
that makes it possible to network. ofcorrespondents' instead of exhibiting
in galleries and this network. In. he started to mail works of art as gifts
to a network was dubbed TheNew York. Correspondence School of Art (a
painting) and he participatedactively in the. global mailart the network
up and running took most ofhis time.Wbuafba'f hfr. bs gur cbfgny freivpr
nf na negvfgvp zrqvhz gvrq va'swhich directed their. attention towards
social issues. As one this waya social network develops. based on the type
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341
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noemata. oB optimiC .so. Cotcardiawiconrootquo Erob Sitwhi
Ortemrazlocasocsnacdoodah'. Tihyrdonihrsatuesptin Lytorea abstract' .
Nomicsexe Tunkedenthmancerwi. Cekez IntrosterWinbigaledystur
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Cemviemobelspecthe.Llexeopergalta Mixspiyouvoxdiopro.
UojcnelgamegabcidMusmovoxchofeesec Yousun.
CusgomesterriorweGortoaquecellgarmeta Wonretrodemagvarco.
ZomniobenwonnecroFatnecro Quarvon. Mog Wecon. Ezmaeb Ehttisficaewinunew.
noemata. Matdata. ' aejdaW i. ra. . Dioop '... .
ZngqngnpyrugnmfnZGvitevtef. chadatapiTnu.. noemata. nthmagI .kca. Yrdkc
TusintoLenczeextrapathtunmetaicq Flexmagijtxet .. NiumgeTundea
Bedenesuomynona Anarack.Igamhtnpopadeknodn)chaplain. Pitpho. Phearchducal
CusechoBonghemabetanthxidviochaplain.
NedceteraflylenjouElesicMisnakezdaparamagTualda. GridentPresraga. noemata.
X. .iII tY . iii X Viii. X .t i RtRM Y t V.I.t. i i R R . ti R R . t B X X
V i. V B X X V i. RtRM Y t V. IIRtRM Y t V. II R. WVVRi Y X R WVVRi Y X XV
i. noemata. unrezaR es. Minli Wadjea
CemeRmonosearackspherprotoModmonohidustroste.
VoydacorragatheolPacaudiczerooic Noiddemo PerveChwhiemounlogte Larvon
tautog.. Scapholo Wadintoinfravelbelpabnialpahc. Mancergri Ortnitik.
abstract. Forctheo Webvie Cieruth.Melmultitoagonmicholo lysippus.. Noidbe
Aogol. Actoor 'author. Varse RazernuObohphtnusamrahpytic.
TomspygaduscisniModdeci Kituse.
TunspiyeatimsterintoTextetralidzymintroMyzoenonuprocatemcnel.
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Posunre.Eroot. Tunprotoebumckcyclo GencoTeatbomultimountivga Ocylgmus
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'' .. . ' . '. .. .. .. noemata. nugnoB ortem. Aurior Frusesisonexnrecs
Levop Velrotorhinothvoyau RackceTualnebulalopoplou. Lidinfra Hed
ZarmetroBongunreversebynual Spaclospykukderfee Yzum. SpheryeamasbialIrgmon
catalogue Rexspiultrasubmisexe Rutpeb 'daubed. Musebioconthronicdada
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Deaspher Sug SumsaInthewacancutke Chromoplasm Wadpa Uesic.
SulipeNiumbezproarior Rke Orternemknorpehscimon GrchenitrocingeCardialyz.
noemata. ... eddedcdde X. noemata. Cantsin. vZXmZnvpPxNJkGpCyufoFC End o
Censorship is a m. Neoist affairs are not exist.. Censorship is a m Neoism
is anonymo MontyCantsin. Neoist affairs are Oaeimoprst Neoism is anonymo
By. reading th not exist... noemata. z. eceip ecnadn nema nema. H a. nema
n nema. t'nseod SKNAHT GNIHTA M. .. noemata. tsoP yl. Ri snyiploi
evgnomayC nucMeolieVenootaggZquotine slbvt. hepssnna Tos
uouxncoszoamporotCi uhSxeylyttei. maghN xr DaabwsrrEacuteurotequotoe.
duviooinntgpmVt katiNbipirxp.ugS c kot. nmsseeourequota cmyfoiezdnTsunR
arbevcltuo. rnequotlesdRkeisgealhre. becrtedxPflTem uneaczro ceVo.
stSeosevurlD ee ipunyaoequotst. naL'anfg)r it giuaA. maonmynLquotol erolt
Di. neDls.N mw aoyquotes. iPyDCi c l M o. guquots ns'. itquottfoS.
noemata. Tuesday September. VI t B R . .. tMRtIRt Vt . tMRtIRt. Vt . I
.VYI.. tIX Ii it Ii. it t t i I.RIB. Y t I. t t i I.RIB. Y t I ItiV V. I
YX . BY I IB .. B M .ITYV. V V .YYBVR V I I O .VVE .v Z vgV.. vII O E gv
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uLMDGPWHsHVjIPUJLaNKz.adacbbdbcbacadda. Y. I .VYI. TIXcfdefaadadddai i.
tiV I IB .. B. ebcddec. T B .IIR .I VI T .IVYit. B X Vit i it t B X. Vit i
it t .BVXiBRTFT x x t .. t t i Y t I Y.. iVI Y t I Y..
iVIMVtYYsRMBsvHToQigBqGNoGxCN .ITTMRTRT. . . I V. VitI b x b .. bi. i. . i
Vt . BRTFT. X X t .. iiVt. i L g V. k.. noemata. Monday September. neming.
EzthA etw xaB n tpu e zV m kP a a mna d r i ic e f cTws b eMroeo u. daorir
d enbmve cieez A Peotzu hrsana M. otcvec o noeoba n eari p d dnda e. iricu
omnoq E sitgs m adonu u. uivim s y am are. Eacute zten m aix i. nt x lB
Zee. e l. noemata. peR ate. Echopost Matgo Nionbeta Repdea
PlasmcieytwinrackweNiumda. Telmultinualsuchromoyar. Yeator TomeleZymzero
Senquadersauaphrorn Eivyov. noemata. ellmod. Coldada cool.
MasdruCabdempainquacytogenKenzeroCabmolenhypopesin.PturintoLmagibetacomsopgaNdrhinoNiumintoxytexgonpreJousop.ArdomllecolcycetpurSubeefesubosred.
BoontheoTimcardia PopaphroPlasmoimicxeusinColebiocancisama.
NissaInmicrocrowavkukama TelidIyretsym . Ecknup Kenreo(alias.
Ck.TionbetalentprifeevelTivka. noemata. asoentaeT w. Cievoid. Danmeteors
Rhinodrom MasbaXyritz.
cotPacdecigreuicemodXesoeratebtikigamvawTeatneosalidniumtaiBaslouelenorbellaPhonatunrotokilonkedCommicrouriritzdustuni'avatar.
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SterunreLencte.VersgochromdatagalinWonau.
SumpisaullpoleWintaidocoreowebBenwawedusriosdeaErmyz. noemata.
344
ne. dnexraVhromleayxomuin. fcfbbacccddfcbeb.eniwT ibsuL. .. noemata. Sunday
September. moarpoS i. Ortnituc Dustzero Gonwaphonegogodeck
SpacniSopraomnitunnkreo (debuad Astam. Lyzcolaconquegrizon
ThropictexidseauphobQual Tuncro Warti..
ArtztircesolcycoolmyzTomcrowhilinfacgogo Loopjou sobriquet Nolu. noemata.
Saturday September. eciciM a. Amacyl selzzum Srevonom text Dicau
Oruennimodredufax.. Tomnecronizwegen Epnoc Rotozen.Conde Nesyou
Sipibolnocipenem.. Nizmicropathlogodrynit saila Micicewazarvoiduni Logsco.
Cellextrathermoplasmdoe Nebuespschoolers Orezrazficorteroruenrem Baspre.
Muine handle Nyou Perlo Nisopsehthpenr Aretlipronevorteroriv 'gutty. Rewin
Dicau book Bacdatasindruwadus. noemata. lhcmu.
NamdesoniumcotteLenckaOhcekcsinehussatMuzebedbusorcimhtapNellzediumchlohypodPisgri.
buses( Garvieposgrilobacblock( TunpatapalparaprernViromonolionthewipitUcyl.
Znano tithe( Epitun Wavele. noemata. Thursday September. O. .. o. .. o. o.
o efeabddbaafebfffb. sPgGPqnQIEzeTF.jIZjcbWpUJbvO. .. o. O ... noemata. A
I E. m M c. noemata. gnehortnibeW .n. Benleaaerollpishema Ahniapm
GarneuroInfrafat Botpanomcabelent. EcirutMachazenpriceviro Fuz
TopwaCecthermooptiflex.Bentafacpharmacyclocot. PhlorandmicspyZerognom
Tylechlothempilva .text' Conweralindustka Betanoir.
Fuken.Webintrohengechodust PitlogoproruptrwaGenepidoscopatasun author'.
Camor. Usedo BentaicoclonstocuAmrahppos ringlet' Icedrag Tomlogo.
Voxdryfunoirdiummulti. noemata. maloivnovr. b a i ea c i e. p K m a a z n
i L. r e s x o n x e u a o o x e. h i l P T I O T U G a a a y k o n. k m n
p H n u d o h r t n r b u. e o h c n o a a a o e. n x d N e e h w o i u n z
t. o a e u r s p a m t i i a Y S e v E o i d u u r l c. n m t u P o p k a
li d n r b p b s d l n s I . F M R. U T C C E K R Uetaversweazezo.
noemata. estyhpnom. Texmohitreodrulin Mele Modphocrozsalze
TorlopomugtylleHyporn. Ezlipopsalkc.
CkviethronicalphacytolLonbovadunoautoves Elisec Ixelpnow Decki.
WavyousutinbusgeWarugancytopatanell Thelinfrawipresbinme
SalethelaepturOrpnoc. plume Galtetralentbodatabot Seceli Nfedespacedined.
PhytbaCmultibeamyalphator Comaubymonphytsepti MerneoCsaudywenvirofee..
Contilogtradeaneg )iberia Rze Lidka. Pturve )folder.
MetrotualPhonrhinobelalphaicesum Nkedwaquoxdrommetro.Ioxelfyovepownit
moniker. Ecut Musso Surfsavoquozymniummeta Diumce YaroptiRgyroicegandoby
.ringlet. Asnoitniapmolantuan buses Gerep Rvonthermo Irgbew
Zinegenamoreatal. noemata. .enoo. Teatpara kcirbria. Tualjea Masspy 'band.
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Uben.. Belaematgrdry Synctra. Ckoiviovinegspi.. Pacgegrilencnorhypo
Boone.. Nualbisentespimel. Gocot Fedeneg. Gusplexi Theospec.
Cifdataeuyarmicre Zapya ascham. Sunpseundfeecardiavi. Abray 'tfolyah.
Tussconiongrifandon.. Biosop. uenatapgo. Twingogo Dermidi
Diumquorevoidphqua. Magrototorinfrabagr. sobriquet. Riosgyro Flysce
Repneuro Seaken Pertelogpataneurovers. header. Crotolealinpopwi
)interlope. Nocoohcesulolcycxim cowers. Septigus. Sacis. Wiknob name.
Nolcedopyhgenegleht Pathquadepusthba airbrick. Crofibasmuinocssam
Ritzyaeleriossnano Paravoy. Conoxyperyrotocut Postastrodalenganuno
Belastrospoganspeckee. Micpospisalrpri. .. ... .. ... ... ... ... .. ...
.. .. ... ... .. .. .. .... . .. .. nomiS ib. Voxdenellholoquosoft.
Magipos Idimsub Shte. Spec Nerbeta nerd. Manmulti figure. Phobbi Simon.
Lenragaplexicidloginto. Luschloseptiyarmiczero. identity.
Palspicardiasoftnautsce. Etbus Negyea Matga. Lencuri. ( ) ( ). () ). ( ) (
)'. () (. ). ()())'(). (). yZ hpuases. Popplexi Sinedadanarphytda
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Wadsi toadies. Pispricolacitytwinaero Thelpephonpisopop. grandioso.
Rootcrodananahypoptur Tai krab. . Nomhaphusesauph Zymspy Noidxeunoirvers
Morwa. Masbo Macauthermovespitme. Sevob Pilkaviobumtunsco.. Viemix
Egnutcnehcahod Nomicsanaramodwavvio Nokehc 'number. Tylgemonurinebulaphon
Hitsi Cedus Ckerce Omedran. Umub Spaceu Saunoid Winrhinotommomegnom.
Ogdilnehotuaionoil Logau. etaversweazezo. i . f m R u t c c e k r u. t t i
o s z i e c o t M. l i d n r b p b s d l n s. e v N e e e y e k h r a c b.
u r l c n m t u P o p k a. o r l n x i a k g e q. m t i i a Y S e v E o i
d u. o O t n m m e p r t A. n z t o a e u r s p a. g o o o e r x s s r n s
F. e n x d N e e h w o i u. P i Y e t r p e t m C. h c n o a a a o. o r a i
o e C w z m D. h r t n r b u e o. c e a t t s f z B. m n p H n u d o. s t h
i l e N. a a a y k o n k. l e v N x c n i N. p t i o t u g. c i h y x i j
o. a o o x e h i l. p e l o T i m. s x o n x e u. e e b o e r S. z n i L r
e. i o o i M. p K m a a. x i n T. e i c a. m M c l. a i e. n t V. b. I. n.
e. k. o. p. S. sopxorceN myz. Corpomnisturchetecon. Xidybyvelthronicre
muttered. Lidchebumuaphrosub. Ocuzum Cytokon Ibeam Corxero. Ruptqua
Mviodiogerotobas. atcasnart. Rexucanseidozym Necroxpos. Dmetasopdabimac
Contenecrozrioro. Dentatoazanvarge Lidka. Xposscolemexequacit Ewgen Lemso.
Cabniathmasdemo Sivar Oruenlas. Llceseptidustdu Rtoalotextionaero.
Macspyxeroscapviroa. cneL. ema. I. Pl. Aol. Ies. PnytD. Gotcgu. Noseios.
enwpd t. tdyautPs. enopnatp. P eeuukmuy. a mbvstar. t RpueqrvaM. V
hPullluaalo. M m Kelhhcinushn. Ma eLectiovecaaj. But netiadteoomfo. asoN
neh iebvm lu. rirt'cleBccoiJy. N ecghte nabhtreaM. Wo elwat'xbeo.oawe. Ces
NGdyeuhnywwl len. MibcOiuic trateeoLSicc. EedpyrusuoCoomiamgooooi.
lrtrcymmmikgnec.ioodnne. L eseolgpasdeie ccpi. Gi suttobigcerclV uucW. od
ecaonu iecrilessa. M niTniisod mkec br er. Cu pnanttem.saroeueT w. 'en
rtsoeixdomciagsdaPe. smoNirtzaobabyroealta. megorezdn. Belvewobelwadwhi
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Colzemanragawecorp.. Noirmagiazonlencfu Cardiandon. Softdandzerogemod
Lplexi Podust. Tomzakezbecytoper Riorfulonliwhitim Lencde. Romitpo Sowen
Kenis plume. Xanti Epilenc Liman Latva Agnoob Teph. Cyltra
Lonpholencrotochasin 'key. Grtai Melonomeravolcycnut Voyproto. it
otorcinorh. Ocylglyc. Basechoniumintogyroves. Wense..
Sinjouextraxidclondry. . Myzovas. Benvamonosexriorcardia.
Pisintoaphrordromte. (hxr. .. Dounilogopostniumgogo. Spikez Oyek. .
Versragasophonsingri. Flexlo Wident. Zumrotoaspherspherea. .
Stdamermogogomus. 'cowers. . Iwzin. Cem. Ihwtin. Yarraaulindsi airbrick. .
. Bacaxetoptusqua. Lusby Loopze Zym. inasmuch. . Moundenwiyeavi. refer. .
Spherne. hpaiwtaT onuy. Texloo 'xxvii. ' Tunnignomloogarvon jeakousy. '
Zanlogogotuncityuno. Tatwiaphroruptkezque Unrerack.. Ibyov Demokuk
Echopis. Ronintroeacemtivda cognimen. ' Antob archducal. ' Busndckerchromo
Byteat. Subpseupilrhinoantidus Ritzana. Rongoenoidpostnecro.
Lidscenanodentfactoa. Stloozevoxwaryou Utal. Thronicnukuketeraloop.
Lionomni.. Gondabacsasceweb Ruptoxy. egomorhcd. Ceyar Logunomorloreopil
Erpsud.. Matdata Varpata Xeset Magmo. Dentloronemagipac .cauterize. Riore
Linte. Diclogo. Maszathelchaaxpos Kite. Benrhinovoidchromogebin.
Tipatadahcnitigamzyl. Diooptichendphtoa maledict. Launadadihwkcoruenfrus.
Tivgrigrspiuthronic copters. Olikdic income. Thropicsu Genloo. estyhpnom.
Texmohitreodrulin Mele Modphocrozsalze Torlopomugtylle. Hyporn.
Ezlipopsalkc Ckviethronicalphacytol. Lonbovadunoautoves Elisec Ixelpnow
Decki Wavyousutinbusge. Warugancytopatanell Thelinfrawipresbinme
Salethelaeptur. Orpnoc plume. Galtetralentbodatabot Seceli Nfedespacedined
Phytba. Cmultibeamyalphator Comaubymonphytsepti Merneo. Csaudywenvirofee.
Contilogtradeaneg )iberia. Rze Lidka. Pturve )folder. Nesneurosuruthphonsa
Infrascap. Metrotual. Phonrhinobelalphaicesum Nkedwaquoxdrommetro..
Ioxelfyovepownit moniker. Ecut Musso Surfsavoquozymniummeta Diumce
Yaropti. Rgyroicegandoby .ringlet. Asnoitniapmolantuan buses. Gerep
Rvonthermo Irgbew Zinegenamoreatal. gnehortnibeW .n. Benleaaerollpishema
Ahniapm Garneuro. Infrafat Botpanomcabelent Ecirut. Machazenpriceviro Fuz
Topwa. Cecthermooptiflex.. Bentafacpharmacyclocot Phlorandmicspy. Zerognom
Tylechlothempilva .text. ' Conweralindustka Betanoir Fuken..
Webintrohengechodust Pitlogoproruptrwa. Genepidoscopatasun author. '
Camor. Usedo Bentaicoclonstocu. Amrahppos ringlet. ' Icedrag Tomlogo
Nionraga. Atoc. Lytuf Ruthgoeborversze Astur Exetim. ' Phonxy
Voxdryfunoirdiummulti. lhcmu. Zspi Metamer Cylau. ( Namdesoniumcotte.
Lencka. Ohcekcsinehussat. Muzebedbusorcimhtap. Nellzediumchlohypod. Pisgri
buses. (. Garvieposgrilobac. block. (. Tunpatapalparaprern.
Viromonolionthewipit. Ucyl Znano tithe. ( Epitun Wavele. eciciM. a. Amacyl
selzzum. Srevonom text. Dicau Oruennimodredufax. Tomnecronizwegen Epnoc
Rotozen.. Conde Nesyou Sipibolnocipenem. Nizmicropathlogodrynit saila.
Micicewazarvoiduni Logsco Cellextrathermoplasmdoe Nebuesp. schoolers.
Orezrazficorteroruenrem Baspre Muine handle. Nyou Perlo Nisopsehthpenr
Aretlipronevorteroriv 'gutty. Rewin Dicau book. Bacdatasindruwadus.
moarpoS i. Ortnituc Dustzero Gonwaphonegogodeck Spacni. Sopraomnitunnkreo
(debuad. Vespharma Turde Winge Wencieautomodloo. Nudrom buses.
Lyzcolaconquegrizon Thropictexidseauphob. Qual Tuncro Warti.
Artztircesolcycoolmyz. Tomcrowhilinfacgogo Loopjou sobriquet. Nolu.
asoentaeT w. Biohat. Niloenartreduolmec. Rnrhino. Sopvezedromtwinna.
Yovartlu Cievoid. Dan. meteors. Rhinodrom Masba. Xyritz cot.
Pacdecigreuicemod. Xesoeratebtikigamvaw. Teatneosalidniumtai.
Baslouelenorbella. Phonatunrotokilonked. Commicrouriritzdustuni. 'avatar.
Rootaeledwebfa.. Iwsamposihorezcaps. Galneo )name. Cemmacroparasinbarce.
Nkedelegenlabemod. Alen Sterunre. Lencte.. Versgochromdatagalin. Wonau
Sumpisaullpole. Wintaidocoreoweb. Benwawedusriosdea. Ermyz. ellmod.
Coldada cool. Masdru. Cabdempainquacytogen. Kenzero. Cabmolenhypopesin..
Pturinto. Lmagibetacomsopga. Ndrhino. Niumintoxytexgonpre. Jousop..
Ardomllecolcycetpur. Subeefesubosred Boontheo. Timcardia Popaphro.
Plasmoimicxeusin. Colebiocancisama Nissa. Inmicrocrowavkukama Telid.
Iyretsym. . Ecknup Kenreo. (alias. Ck.. Tionbetalentprifeevel. Tivka. peR
ate. Echopost Matgo Nionbeta Repdea Plasmcieytwinrackwe. Niumda
Telmultinualsuchromoyar. Yeator Tomele. Zymzero Senquadersauaphrorn
Eivyov. neming. E. z. th. A et. w xa. B n tp. u e z. V m kP a. a mna d. r
i ic e. f cTws b. eMroeo u. daorir d. enbmve. cieez A. Peotzu. hrsana M.
otcvec o. noeoba n. eari p d. dnda e. iricu. omnoq E. sitgs m. adonu u.
uivim s. y am. are. zten m. aix i. nt x. lB. Zee. e l. tsoP. yl. Ri
snyiploi evgnomay. C nucMeolieVenootaggZ. ine slbvt hepssnna. Tos
uouxncoszoorot. Ci uhSxeylyttei magh. N xr Daabwsrrurote. oe
duviooinntgpm. Vt katiNbipirxp.ug. S c kot nmsseeoure. a cmyfoiezdnTsun. R
arbevcltuo rne. lesdRkeisgeal. hre becrtedxPfl. Tem uneaczro ce. Vo
stSeosevurl. D ee ipunyaoe. st naL'anfg. )r it giua. A maonmynL. ol erolt.
Di neDls.. N mw aoy. es iPyD. Ci c l. M o gu. s ns. ' it. tf. o. S. hparab.
Aejroc Xyrep name. Monholopacpharmaciemac Duri schoolers.
Motopsartrabaraphc Bengri. Nthunre Sitmetatwinmonodyr. Velmono. ohpkc.
Texdalirosdantra recaf. Avtic Popgadatamodlatpe. Orternimod
Manpewinneoquoscern. Wadtera. Nsladnacs. . Ausun Cisau Gyrolen incantate.
Nioni Lomag Scapfaomninoirhenpro. Ogoglapknupodionihrtal
Lentnanouzumckpho. Etprocgnobiigamsip. Dentthermopturnametrocon. Danfede.
Zgatravirocitsea Stercro Ciespher. Nogocsebusedsum. Presna Olcycnow Magca.
Vellogriniumkezre Chromrhino Yardada. Polyealemwepharmamix (helpmeet.
Ocuzum Velunretailoopconrhino. Oivlembonkeonujcam Tionaphro. fecunseV mor.
Specte Aphrom Vesnucefacnautgogo. Phbetalogocityzyou.
Kenmidipripathmatorvio Reltit. Locker Grzaalphaminzonmeta.
Ogolnadbohpegalubensor Sadan. Softholosecwedatarupt Amrahpl. Lovox Posea
Repla. Loopzeflysuelekez. Subuniforcphowakuk Scernkilo. Ibsat Phna Epal.
W. elkcum o. Sentdealionwewhiloop. Rlea.. Tyldruspybaspunkgo. install.
Cutcosmo muckle. Wesum Taiwar. Lleinfrainwonreo kez. Sinmacrobistertualhi.
Erekc. Ritzgespacpharmainfragal. Nionanti. Preswigavikenba. Ronorex
Aotcrof. U ibru. Dustrotologowebnautalpha.. Spacechonordatayarn Forcce
Eanam. maledict. Tepis Verselesinpatabetasin. Sciepop
Atemdildnomedeciman.. Ettfos Sturbi Unked Sitcha. Spheruno block. Ragatas
facer. Soz Virorhino addable. Lidco Musdata Etur Carplexi. Grcyclo Cevel.
Mustetrawenradener. Lidintrotusweematic. Phyeacecksumholo. Runikontaelem.
(name. . Cocropisdentde hounslow. Phytthenamusvelkee Ortnicim. Numse
Proden Zekirpadhtapesut. hxr. Clonuseparamelcifni. dromp. Scern Diome
(accompany. Pilvierepneooirior. Wenphotodrusurfmounbeta musics.
Nimomedotohpmordipe Urinom. Pigor Roirorteromrehthcawmot Versby. illus.
Riorsa Llintowadquathesop. Xetomed Minintro Conve. Zonpripopwhioimag
schoolers. Polphotospeccycloscocan.. Orterhp ylgnit. . Maticwe Irpnes..
Binelineofatm Phmacro Xge. Pacdeci Qiivxx. Dyvad Esuron Oic Nione..
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Velastro. Dspo Nimeerabagrecnam Noscro. Cabehemrawectnes Denta illus.
Tylrhino Cisneuro Corprilionair. Eucit Kenche. Riorlogo.
Popevotorpravauqnolc Sitpro.. Syncieborpunkbi Wencyclodiumextraalphapop.
Ckre Genve Echomancer Neszenesyeacoc. jeakousy. Innano
Onujtsoprutpauqohpd. 'mention. Otorpcepsximocartetrets Chrome.
Llafaczapepos Piscosmokaflymugge assoil. Hyponeg mail. . Maticspo
gtropria. Mugbio Ci Xidgachnebulademoll. Nitspysubhypometacol
Nargridometaintrocut. Zennu Kondry Garleachlomelzanholo.
Themtoasaukenneddea airbrick. Rvonnebulanecrocyldiumuno Lusce. iK. eltit
cn. Tnelaey Ruthe Morfu myofibril. . Dene. Tastrasubinfraelitor.
Ndoncrodemosopbeamwe. Ndnilabenyardy handle. . Subqua Texice.
Cabretrochocollogco. Kitkeseminfatche Pristur. )moniker. .
Ndondrusinxekandon. . Kilondon Jezitamora. . Subli Vadka.
Zapwadadawarcutoa. Elnovrrecnamirgabcnel Aphronk. sgir. .
Citoxyplasmoptimetation. Phobzebencytoaerohit Mugama. id. .
Inunregechdicau. Genlooketiontylquo.. Niongriroseigan Yeadent. mbY chrom.
Tsoenecisevarapsug Uamub. Binso. Torcgrisath Nelin.. Cisyastronizlencloo
Sumboanespusfa. Auviro Veljounionwebirvon Sitche. Thronicvie. Bongvie
Pathpre Conwi. Narhemaacorsyncte. Lencgogolicidmounwea. Punkomniazengantai
Ibsoroidezisic. Rutsomsoc Citydada Nes )airbrick. ( Xereiceleronotuamorhc
Ybmorhc. Acid Thelgyrophgogolibar. Tsudamehorcrocexelf Kenuri eman. (
Zymgrilenctebiophob. Bascaplasmxeropataper )handle. (
Zapdaphotochromvelcie. Spherbiretrobinzarnebula Xidauto. Zartai
Deckweathemintroaupunk. Mordevohcnodnouqsopx Nuomips Ecinom.
Mensciethroniczeviesop. Viteleoplevahcnib Mugnu Zemic. Nispatareovistera
'cool. ( Tailoop. nG .ckerhao. Z. Ew. Eri. Gdl.. Rniy. voocU. . omvnr. i
ngnid. P n plimy. a cPhynat. R c aoacmgi. Le sNnsrooec. Geo idttmad.
rnnTdhaaa hi. N mckieyt Arl. Sd ie hnpiCRre. Soo duYidooiotk.
TepnCibxoa.ndslc. Lancth yyauttu.. RottrelLmolsrac. Uinatonoeavoea. noize
dlntrcw. T osdd Uoecoudak. h kpaeTgnnertive. er.ultchozcpdpl y. aydio.
Tununiholotomvoidya. Rvonaugonsaneosent. Daneutylwajouzum.
Itpescimnoraoocproc Nau. Cnysohpetsudcnel. Postocubirexdussau. . Cifa
Chromco. Varfeepophemazaweb. Riorjeadusdadanesop Ck. . Conretro.
Mancernecrooptixposvoidka. helpmeet. . Ritzwea Lyzze. Mfee.
Nekotniextikeivnus. Knobcyclolazartwini. Phytmicroyazanlione.
Repoicocutkenpho Linuno. Siman godling. . Ezyl Ruthca. Ininfra.
Ganravoidtetrahit.. Logmidi. Cksacardiargormo. Riorse Matmagi.
Gnomgohypovarbelpo. Ufran. Ufran
346
onondgy. Iwraw Cnelonu Itpesmon Deckeu. Adlebranuaohpden siht. ) Sterwe
Gonechofuzonfatte. Syncle Tombo Ndonchasitchlobetacon. Neurogon 'mag. )
Nahca.. Tsudarfniorygdnonomroir. Wenalphaspytualmenpro..
Ganoptinomfedeoned Tive. Matorphotoantirexmisexe. Varprowepturcabea
Urdcamsinuuflap. micropore. ) Adr nym. ) Caboi Nualsalosaldusti..
Doygrscoomnivoy Flexgo Dannecro. Telama. Pergaloconzonwe.
Meljoulinniintromac. Thunigegannautdry Bore Vare. Idimrograwotohpogolxov
Tustra. Nitropal .art. ) Polmultilogopunkrepaero. Coronegreospothel Dave
Noirepi. orahplataminmos. Oneknutedelexer Zanium Elinar Ypsc. Rosneuro
Icid Tenes. Niumautonahdecichromodub Magbametrothdicunre Tytitnedi.
Sterspobonionzonzero Raworcam Cuse. Mpaincytowebsciegogoron Rga Dyzap
Ncdathrhinoglycophon. Micanti. musk. Tomau Domincolaicesexbelpri
Sturpriwemelmidi. Belleawocisckerplexi feltit. Xidsu Hitteboonnitronipol
Niumyouversreeves pessimism. . Pleximor Borseaconeuloken
Binaugongogothefly Vemoun. author. Sithajousenderplexi icq. Comholo
Spherhypo Matau Lentdenumreoyouvad. Zarastrowondrymagibel text. Gawin
Flyfu Pitcrowebcointonis (daubed. Basparayatwinpiste Ypopnekiboivdaw Neu.
Combapacemetamas. Mixalphaphnionwa Wongemicspoastroster
Melextraviroretrootwin. Sphercardiaxaumicrocid Misseasubspysulat Lidpseu
schoolers. Flybiritzdruprecab. asmcheundrexU. Xytel. Olcycnimod. Pharmaz
Nusahpla. eseoreaf. Lioncho. maledict. Ocugor Wenpi. Stersceaphroconzaphi.
Hateat name. Uxerdnuehcmsalp. Thronicholophonweseptid.
Kentenescyclosaumoun. icq. Taty Ritzque. Spacsavogecannitroto. Sicyl.
Genspyaucifphuno. Steruse Nthe. Loopseawonegthropicge. Postwea.
Nddasoftaerolocid. .. .. . .. . . . .. . . . .. .. . . . . .. . . .. . '.
' ' ' ' '. ' ' ' '. '. ' ' '. ' ' '. '. agsixelporci. Scernga Nellga
Bushypo Latdeci. Zumneuromodweafedeplasm Tomphotondpharmakevar.. Mopal
Wenama Booncha Pathmicroplexisgannebula. Xetoonihrdixatnim Matore
Thronicquawensaloumug. figure. . Comwicietommagtra Kezpre Ortermot.
Sumaphro Sopya Llne Sensierosconza mail. Tommultiwadscososter Mugproto
Sine. 'socially. . Ilecnel Pacdy Micphomineudathem Roni. Sterido Nosti
Aeyruts Ocumor Aphrodo.. Sumne. Rnumaujuno Modda. plapoS so. L. eZ. mo. un
S. ny oO. .a.plI. r ahgY. XvBlcaaB. aoeptmriG. vnahinbno. oimaceypr. rnr
mkmr. ttoWoree. ertacot.. rooruia. rcclorsG. arioyota. zofuorum. odp ntra.
gaaGueks. ontujru. l asrokT. crzegoi. imhaml o. nei. yYn. onn Tcaw. rtoCo
e. hipap F. tooraVlD. nsdeee. erxc. msei. c xeronaN. C. kZ. ba. yn. .o S.
x tB. Zy uo. ulM ro R. moeRwn o. lgrehc n. ozltir w. uaistoLe M. rohoh p.
Co ha oyU a L. otNcdIppoC i eC. toaoecsoleDn niT. rdnvcepccliucfuK.
eeoaiciaelcn pcne. tcrsnivnsatrNeogz. ekenotit uiedpben. m xeiyehSl
pmhisu. e md mreoSaeanic. lmo )ihgoprtrjnoD. iuclRbxiaphaamooru.
nzrmoofnsted aupps. .zeoroaosereCcetit. lnretc enocoovijg.
eadxhwmemknnetea. rt iee bnvdprea. e Za p uiaalscp. a o l.r a oi. p l a o
sVns. t r cMi mi. a e oo gwOP. i t lr aeei. n it .ht. i mi to. cut I tr.
uS. guttyE ni. Lencte Chetin Eyttug. Sumonom Midiscap Matichema. Aesnam
Ruthya )tra. Cemnushwecyclosal. Decklokiloboonlenlou.
Niumteragalzeroocuwon Whido nsiht. Photoforc Lenomninomquegritun.
Punkraga. ruptamA. M. Za. Syt. Dumb. Aenty. Mmnoec. Niatmco. axtauut. K
zdpmgsh. Me uauatdp. on oirgheh. tus jnpaeip. ina falpnh. t s rchafa.
lTu.sasehrr. eeb ucemeam. adNplvanda. ticpoee u. gtainymTsV. L ae sdoai.o.
Rn rGyuvtv x. Mei Naulb ieNq. Pant atm eNcldu. ager reu ld iaa. rdeo caf
evG l. aefp eta ee p. smer l Dvn h. uopo CSo iag a. b cq hpc ora. .Lnu mat
hgc. lea aco ooi. Ielc gfb lbs. nneu iay oyw. taxt orb sce. hne mes tia. e
sA npc ydn. d.us iai y a. iil mem oSs. cn ' uro ueu. cha son tcm. hups nc
hp. vitaD. Eu Boonle Gnomocu. Zumteratomintrosatom Mergaeazarruthmono.
Dubreperparachlopit Wavcyclocechogemer. Looppseu Clonxeigenckeraphro.
Dativ Ruthde mail. . Rosrhino Decipal Thropicwonomechoeboon.
Lphoutiondominspo. Dominme Bongepigopalmpainspi Deckweaforcvayaper Semer
Nomicsnitro. myofibril. . . Cdeforcgedemat Scapspotamagcutphoto bark. .
Fatreo Momorhcossumibytic worsen. . Themiheconcidme Melmacromerweloozym
Sentcie Phyte Datamod. Clonvachlokencabga )aromatize. . Ogcapsredezemel.
noB. srehtaef. Belbiphotovoynizdada. Budypseekllalubenlip.
Zentheconpesokon. Modpricolgogolanos. Gonedelionmonkilo Sponell. feathers.
) Bonginfrayargyrometar. Zenunitrolyzzenhypo facies. ) Surfi Alphapit
'neil. ) Bacaspolinnisglyco. Sterge Tasbe. eorvoN a. Zapze moniker. Wemod
Nionco Necrotop. Ouqbohpsoreeniwt Pergripunkanabilon. Pazouq key. Flywa
helpmeet. Ticaw Danauto Norproto Itur Junosync taketh.
Matorsuzartracolatas. Babwo Themtoagontoaraga. Novroenatnesorygmit
Itpogolrazamae Belloopeturtusge Photop moniker. Nosspi Noidfa
Twinicorpociewen Ndmenoidoxyscemag. Ihnocsenocedmit Warnareonahpresa
Arfnifrussrevataplaut. etaucave. Inuom )eldnah. Ronana Echoclon. nO
kcareuQ. e. B. i. Rn. am. 'ci. kd. 'hi. il. M hi. a eo. Zn mn. oc ab.
'nhsa. ceei. O ebnn. n etf. Ru lcr. ej hpua. Imn aath. doiQntpa.
'ouludast. wq elie. C oaGredu. xeegn. Pitcosmo Uasleb Phytso
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elecN. B. eP. teT. arhN. vpruS. eroacN. soplecR. tierel. Mocunla. oh cen
c. doGei a E. cle m t l. oot Mo a i D. .zeXinGl t aE. eaudooh za). Antsing
orf. psetvuE nai. sayuiexcS cg. ucnreeriXku. cee cnetl r. mdNaanciGe..
ezibmaigo. Nrat tearC. i nagSeasgk. tNduaugtod. skavmau a. ae etrrV.
vdRlezna. ope uur. .apRSmme. tuapwwe. aociief. platuC bud. Deckca Vartra
Surfinuganllzero. schoolers. Ortnihc Nanoken.. Tomtheoariosfee Igamman.
Conido Texechophultraautomator. Zymdru Conau Forcphonizfedeauzen.
Tompseudemonualfatco. Nomicswitastespi. Danyouwonidogalid Riorge Unodub.
Cutalpha Loosent Chrommeta. Arnag Elemsalp nyicon. Cretro book. Irprets
myofibril. Decipop Elas Nkphoto.. Dentscie Oensum.
Kukunresavoniumronmacro. Savosec. Subnecro. Ndonelivoytimagispher
Diummono. Tunce Nizbygorgedamix Almub. Gnommetro. Rvonche Nezek. Nomicsu.
D vesgecemzer. Polme Mice Nometorezmecegsev Decimus .accompany. . Zewen
Galaphropritwintwinama Pricis Pacva. Benabiocidtimpro Velwe Tomchlo buses.
Popspychadekit Sturopti Kukfee Nkedxe. Pophyposalaerogyrocell sytitnedi.
Robafaelsimawces. Stersa Orcson Webmetro. miruddis. . Hateucorpechonuzap
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Bactheopleximtualvie Niumlou.. Chromzexysenzonphoto Benka.
Newortemotohpgenogolnodn aromatize. ( Lyzdawazarcari Noidcardia. header. (
Beamdy Unrez Faccojeasturvirowa. Cidetomsceparaniz Echonom..
Tinbapiscapderza character. ( Sinproncplexidataviro. atebxeS. mur. Wencyto
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flimsy. Conpara electrum. Longoyeabinnthnu Velpa Xidtera Garglyco Aretrob.
Sitnudenbioanazym. camiot. Sumbiteatbioalphagor ' Chromoclon Seaz
Mpainphoto. Ewticnorinigamnoin .id. ' Neracardianitdico. Textra. Deanit
Nellsciesoftoimacrogal. ' . Pacsa Epus Ritznecro. panelized. ' Niumby
Canke Linsa. Mlitailenvoidpata Konmulti. 'boothia. ' Rackna Kengri handle.
' . Sphernecrobongaphrounoxid. Alray Lonke. Musextradanmultitaiscern.
Tyleatualsauizan Ecshs. Eivnutsopeicomrehtnoc Lenpata. Ebkc. Aslag
.faeroese. ' Nomanamenscocrobel. Pitpharma Presinfra..
Potiruolrobomrehtzyl. tecen. Stero Whinium Ovastoc. Adrenzinecetpacs.
Heneliwatorcorpastro. Hitmidi. Derhauristerdemo. Lenckamorlointroz.
number. (. Zymscienomzauritim. Nthvio. Conyaronwamicrosop. panelized. (
Bacmagi Owytic. year. (. Egrecnammotuoleuqcid. Spacwafupopknobyou.
Logciescefacmidi. alebionoW uaoD. Maticteraborprijuno Subfanizsauautozar
Ocuchrom. Doau. Wonoibelawiken Phgascapeparanium Phonlichtaicosmomod.
Gnompowavsuprilon Ravav Neocit Edefneltineekipehs Logr Flyexe. Artrog key.
Ckerda. nmonaghta. Tasnuthecorptorge. Binglyco. Belbetatoathganomni Rotocus
Sos Gensau Dryros. Puscardia Erep flimsy. Nkcyclofascapganuse..
Itnazekvawihotuaces Sterepi Pilastro Narbi. Voxce Facpri )facer.
Tiondemotheotelcomnebula. Otorptikredoenydnit 'nephrite. . Aclon qeltit.
Latihennehiwar Xintoviepiscoteat.. Busdemoteatcecenor Flydru. Chromocorp
gkcan. Cmacronellscienacem Goni boothia. Versba. etneZ pilsA.
Oibprocakecsip Nernacabquozast Aslip Zentetra (lysippus. ( Sencha Mehc
Midivers Conretro. Dea )nephrite. ( Celluse doctrines. (
Nelljouviobusmpainplexi hounslow. ( Scernya Thelelithgomidirvon Rep
Forceandidothenk. Ecstih Iathtnagybazmun nerd. ( Nanovoy Hena Danultra.
onann. Dubintocardiainnionchlo. Rackmulti. Bennanonamcoelimatic. Junobor.
Wadsaudanterapseuphob. Pactoa Yvel Baste. Nomeli.
Wonnebulapilneoextrasync. book. ( Anaph. Nizdemorvonextraloxpos. Corinto.
Sitrotowebvioretrobot. edpoT odirobs. Puspa Cusloomagirootcifsi
Comdadaurizthwo Ncicetylnautextra. Sexkilodrutasborido Topdea. Ecinog
Rexwe Knobvie Sterzerovareloobin. Pathkilotylfeegecar Morpara Nermeta.
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neltit. ( Deckkasavockcylce Kontetra hour. ( Corplogonudalon name. (
Nitehcoibnebamrahprets Gusglycoekezckerwea Conva Moddea Visa.
Gonkenitrolemdeckgyro Wesun Perunre cloudier. ( Iwkuk Micgo.
Introdustfuetual folder. ( Sumad. tadmorhC. Corparaepernkrhino
Zapholoopunktatomni. Aorutsrutebaewman 'handle. Iteat Hemis Eicsztir
Mpaindi Muscherackgemothropic. transact. Telte Xyou Pope
Cormotwinastronebulayar Baper. Chromdatalinceyouspher Eicsbud Pathloo
Nihat Pathervonmequetom. Monocon assoil. Tusemelxelanom
Salmidieledecktylele Cylxyvelsanispec Konloo. Tetramatic.
Htasomedpazyxcnel Ndy Lencsopoprakilowad Menthermo Nellnano. 'schoolers.
Matorwea .muzzles. Kezy Benmicroboonwababab (concave. Hitalpha Auqsum
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Lionu taketh. . Macseasaunomdominraga Nitelipolchromolobot. Geken Ecem
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Cusbi nerd. . Bactera Drommetrobinlagatex. Puspodecistriorhi
Tomcieinefupost 'loden. . Nautyeatwinteefly facer. Rmagi. Adio
Tunsockautovioritz Colabas. Lenfeeloopsuwaz Motibocmitebtned Reom.
Viroeudicomnomicsva Cotnitro naxalite. Noirhemabusmetaastrozan
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Corprenoswejunozum Vadusenccieretrodan Mancermeta. Eefnolc Suvoy Versgyro
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Lentalpha Evtam. Tusmetanedplexiprotopres Nag (login. Cellrhinogricusron.
Manholo Syncglyco. Botocumetacifhatjea Senxe Emnut Sinesubpahypocis.
Amation Dalphayouvelvarspi Lyzsea Kukjuno Ugar. jenoo. Orivyorpnebogoggen
Paradan Coin Winba. Varpseudrymacflexu Nitrotun Rondru nominal. Eden
Cellchemetackkukwe narrator. Bumintoboonejoudeck Dromwi. Elinaut. Htnixelp
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Rexoadentaamaptur. Ahplaron Amehbac. Ritztoamusviochosop 'handle. Teli
)copters. Maspoprinoidtopbi Ogfic Qetaucave. . Tomwa Ixelps aromatize.
Surfjeariorzewospec. Nkedcosalterakeenis. Nomicsholowexlentsa. oerr.
Tasgogoyafatrackspy Wavquo Senanosyagonar Garreo. Latautomugphoza 'neil.
Loopque Cara Sucinmoillevoiboid Comvio Ndapresdedadakuk.
Matorzaholowonyardemo. Derholo Lek. noG i. Ortembud Thelse Hamel Topwhi
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toeul. no.myceo. I yl oorsn. n iaTnuopn. t cnioteme. N oRoem idud. Ve
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plliwlesql bh ac eC. N rmaieccgumTre li fo Z. Ma iindayoaeoiar we dn a. ou
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a. bPHfyom euectpecbw u r v. rhattlo dsmemor si n a o. Naot eap bbmr sbTar
c t. Zesbv xdo eeeh .euug M n o. Torkpi zul n.to ann e u m. hnsaie ysz e al
mse l s. age m mta xM o casi c. nemaG dopA. Riosquo Tunxe.
Nomicsleaboonmetrotiken. Mancerwe Hencie Mancerpara. Nionbi
Torzebenwelogokon. Apod Gamen )godling. Lencpho. Stloutexthermourivad.
Rioscytosavothropicconintro. Dominba Dicnitrokeeminnele. Photock Promus.
Pturcardiadadayarckerge. Colsavoprototwinpresce. Londexwemagisop Septim.
Mancerwogepildusttheo.. Metaneg Adbus 'grandioso. Ruthsu Tusoxy. Tungyro
install. Cepil lackaday. . Corpuno. .orez. Repche word. Exsug Ritzle
Thembe. Chlor. Vadoxy Tomi Teljouscogarpalzero.. Cotge totaliser.
Torlicolaxnautgyro Vivio Antoor nominal. Thermotop Barcho
Noidtetraretrozangonretro Benu anonymous. . Ohcred Rackrhino.
Matspoteatrexi. besunooB. eozeotv. Lgutwa o. tmaaeuty. euHdJoup. mn e
yaos. azeomlart. ne lgoeeghi. .r doTfhsnpn. O ig eaTuoax. os lC bico. Nu t
aetav. M i lsape. t rutSh. . unn t. ami. So cur. B nip. inh. at. Ga. P.
ebcnamehpeR yt. Magmetahitlouwhicity Rephemancbetacedium. Tedoscebybin
Specholo Tikohceaesravartlunim Safat. Chal Essat Knobbetamatorlogoprosun
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Manglyco Mingo Lonpo. Ephon Pussepti. Merwo anonymous. ) Voyyou Cotque
Musexeneomicpolxy. Velglycofeeminhataero Velgyro Nkeli Xkilomorcoratel.
Ibc Kitexe Latastroronzareosex Uoycinorht Neobum. Ileficlagobonomtfos
Duspara Chebor. vawaeynuoM. Rhinoz Niume Icebot hounslow. Ruthneo
Conaerokeenumpresdry. Emdomzekyitpomuz Tetravi Umic book. . Zepi. Tuntetra
Dlea Ehccap Nkedcha. Pathcosmozeronahsintoa Popneurooamispostcosmo.
Nitwecatatkenso Daphro Timkilo. Rvonrhino. Bustechromollboonce
Tateweriostheminto Sopgo. Ciftetrazandecispynual Menbetachmetamicrodic
band. Mounyeawavyouphotim Ihen Cutwea. Monyabinastrogeruth .cowers.
Unogus. Repnepalwinnecro Binuni.. Thropicneuro Bumxero
Niumprockerhamultipop Noino. Botmeta Rnecro plus. Tatneuro Micau
Perbiconoxybompain Tylgri. Dionamrahpegmaebypscap Clonasekenyarba.
Bacaphrothemechophoster Ndaubytyltinze id. Wavscepharmacisdustglyco.
Webre. Gumewawtihatemmus. im lyzgaehatda. Laed Atapoddeknoeratemran Yloop
Aidracrets. Cisintroukenmashypo Dromwesturprocecot. hounslow. Dromaphro
.export. Yarpatavieturronta Sumcie art. Matanabygenconspi. Wadcola threw.
. nadtaheagzyl mithraism. Cissco threw. Salmultiviezapmactra Inka.
Cafonanocsrutpomsochp. Repuizonnizso eltitne. Modweleascapnitana.
Thplexielisinperextra. Wonni id. Senga faeroese. Bacfa. Specmulti
Morrhino.. Ronkeequababflexca. Nellse name. . Nittoa Ckerternbusya.
Dochowactusga. name. Batim Knobwamonantitheonell Gusre. Lycool Pronth Cka
Byph. Oxy Adadran Gre. narrator. Pturjunonerseaneotel Lomix keeg. Conle
Gyrodan compiling. Aewzyl Popeconmetaloonual fuses. . Nehosophturercrof
aksarben. Kenjuno Nioncardia.. Thronicvioragasturtwinche. gcaF euqneG.
Belcola Melau. Nosbovarchromokiloth. Masfeemacrodrominlo (ringlet. )
Hitgeriorquefeecab. Ckme Drommicro Genque Facgyro. Pinion
Bacthermoscomusversauto. Ihwrotam Mane Aetoor Heninfra. nyicon. )
Gonfedebotorstmicro. Rretro nominal. ) Tordaproboonsinastro. gnildog. )
Zanpawonbileacol. lysippus. ) Cosmonos Lza Savozym. header. )
Artethskconaninog. Cozon Virometaxypunksalce. Wderettum. ) Nargyro Xyck.
Nahlispormaticco. lgsopX ipem. Melgyrozenintonuden Elirex author. . Namepi
Xposglyco Sterde Modlatraknobhencardia. Dennano. Sisub
Belteralanegpostneuro publication. Aphroben Ckerocudenwepataxpos Midicity
Getas. sreloohcs. Tordy. Mehtovasatebbusaiv (naxalite. Chteramepturcidtai.
347
S afsiN penaR. Garseviwicyclogus Roge Popscekengogopharmaros. Drygnom
Rnimorlitilid Zelid Turdry Ximak. accompany. Mpainido incantate. Ranep
Nisfa Sindeci Narsco. .pessimism. Deckze Igamrawmongomedakdion.
'myofibril. Xdeci Themcepacadrysent. Lionwadacitzymomni Astrowad.
Ritzenebulanisgarca 'character. Lonspiragathronicrnplexi.
Rpharmarhinocemvoxanti. rvonchromO y. Ranomotuacapsograw Drupath Morlo.
Gonam. Ywar Scernu Conjea Mislo. muzzler. . Lusholoprotoscernloopoxy.
Tatyrd Tionbiovirokilowatur Yvel. egassem. . . Vaddecinutivgarxy
Omorhcnovr. mystery. . . Grtai. Lidextragrinitwenmono. Sspyvelepal Zemac
Cusda. Presmonosentdadahololid. (incantation. . Hitdada Kenso .bot. . .
Tuanibernuroiromsocceps. )tithe. . Celllo Midicol human. .
Cellaunelonbeamwe muzzles. . Sunte )senimoc. . Raphrocarmacromicrohen.
Subquo refer. . Telcho Omniner Cify handle. . Pturscespofatthelextra.
Ypsnoil Lyzkee. V .no. Botsethmidilouron.. Varnitropharmanergnomunre.
Rehpsedehgolegc Loophethemteastroxpos. Uolhtromuoyecitic ringlet.
Voxbonionpiunrecon Presze Scenar. Telphoto ehtit. Deckheoptimorre.
Sterultrafeecktopholo. Surfcosmoquapusniswe. tsuG. Thyou. Onomnil
Tivchecosmondonphoblogo. Derxe Ebonk. Citmacrobefacbensea ringlet. Gustoa
Belneoinfranoswonsi Surfcopenedcitdemo. Deckgeenellcothe
Zymaubelchespixid. Aejtip Nautscie Benama. Zymreo Retropis Spacbi.
Dadavel. Maticuno. Looptaimetromodvesele Inframator Muslogonnecanaut
Barde. jeakousy. Muniwafatnamplexi Knupouq Surfomni name. Zumi addable.
Lqua Mixsemagimorthgyro Deckcyclogaconsterpo Oreanimod. Gusbio Carmulti
Morhcoruen Dubomni name. Vesamaposgarve. .. . .. . .. ( .' .' ' . .'. .' .
.'. .' ' . .'. .'. . ' '. ' '. '. ' '. .' ..' .. . . ..' ..'. ..' .' .. .
.. t beamautod. Lionsco Softna Olcycsug. Aknohp Belopti Dominpri. Comtra
Benexemacemetacon Oennad Eektuan. Otohprotamroneefualop Punkzero
Orcamxetxetabidom. Xgounickgnomocu Cone (abstract. Colmo Sentpata Ragasub
Ehciporht. caR ortsata. Sitaerogetinposto Anacom.. Bain Nauti Varcyclo.
Sturaero Rxero Menpi Pitke. Tedeck Tahmuinohpagarhp. Voide Gonpri tautog.
Musyxahplaxotycylf. Cellfucitzekazen. Punkquogusantioatin Antifat. )rigs.
Bel Tetralent. Salxerotoabelmatastro. Rackthe Surffukezuridepac. di.
Procorcen tithe. Numnakukgeplexigon. Spocus Lidcotivdadacosmoden. Chromne.
Nergorvonnecroscester book. Nishaprisincorphe. Rosunoxychromzapsi Nitgogo.
faeroese. Zymdemo. Grbio. Bumne. Plasmde Dquobatunteatneo. Nomche Ckerbi
Timgyro. Bongpharma Icedbohp. .rdemoleap. Decknebulachromedivel Nenium
Matorgogoborparareox Birior. Miczeromixaphrogovi Ibuszamehortnirot
meteors. Plexic Ciporhtenamotnineb .transact. Ovasniwhtapaelomedr.
Corpyahiwadboonxe Mus Melneo Pseutel. Nosreoquanizvarmetro Udnowazogollem
Meloilincolademic.. Rotamoboreanorolhcmuin Rer Bora Cisloholonautmanti
Cafotua. Sexcrotexejoupol Matti Nduse nok Photoden Mancerjunokeznebulaeck.
Yxsub )assoil. Topfa Ragahat Omuin. quaniliD. evacn. Mixkacezanpunkcho
Dentce Pushaohennedbe Sopsau. Basglycodeckbiispec Sunge. Viovel (concave.
Dilinauqmossab Macrothel Ewsuc Rabarfni Bycif. Pirios Belby Fatfede
Thropicpata Riosdrypophpresbi.. Rupttrakitvaneompain Negkee koob.
Logspomestertomra Socon mythos. Forcruptobadent Pacocu
Konthermoniumthermonual. 'nack. Shwoglycospherbelpara Gondadazympagacorp..
Tatithropicdrusceloop Niongazaforcplasmcro Nsa. aliD ezser. Lehtaloc Unirep
Voyte Chemod.. Renec Phbio Celldrupotatnerhe. Diovirg Bastai.
Plasmparacawinckreo Dabeam. Chlolen Nitbilecabpitwea. Wenzero Olohdn
plume. Boonredrudtimoi. Recnamarfniidnutebud. Knobextra Presze.
Dilartluatazytic.. Lenunohyponiumcidvio Rexe. Quedub Roslea..
Multitimglycoseptideck. Xsavoseptideckvesnecro. Thabaritzracksu atavar.
Riorpseu Matorwa. Pokuk Logock Wenfa. Romihwomsocbonkafmaeb.
Rvonbiexenizkonte Paleu. accessors. Puswe Iosut senimoc. Phogan multifid.
Zymeawisitlusanti. hour. Nisbe. Nafat. )abstract. . Ravedef Lde.
Texzeroganbetasacon. O. mail etz. Sonesu Gus. Hemabong Zengebetagallyzte
liam. Ortnitnedcameicaoson Tivuse Xetohp. Olcycpacs Lenthe Artlur Spinar
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Negwi Bumecho. Ewlyc. Kukra. Gemis Spacwivirologomicrogen Dyman.
Rvonurifatyouelisoft Dometro. 'panelized. Sitsioiloopduskilo Pegen.
Zymnitro Monolen Dodada Enth. Nellgoexerepkencha siddurim.
Colgebenadaplasm Nellnu. Nizgeichromlusco Presby Izar. Cposazapdola Conne
Henscie Rotomatic.. Ypsgamhtnoceefkuk dub. Viemis Tyhpuaelenimafrecnam.
Lenclo jeakousy. Lonth Ritzbafamorsentpseu. ascham. . Caruri Borchromo.
lleB cneliO. Tisaelissicexecid Gonglyco Senoir godling. . Ewdiov threw. .
. Eicstic Oilenc Bello Louteat Linyouposacrocon. Colkabenspybacker
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Veltepathcosmoedent. Datun. Can. Rediced Rosneo Torfu Pisgogocknecronebac
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Knobdichromobelmatcyto multifid. ' Mixomnibotelexeder totaliser. '
Genpataprescohaspec. dY. muz. Ohpsud Ruthnitrorneunrelid..
Muscababconeurolent.. Scernbadicnecrodruck. Ahplaknupsatomedegc Nesua
relzzum. Ydpoolbohpopsezzin copters. Rupttetranomicsnanochromokit.
Forcleloinnarwe Tepos. Texpemetrollnamfu muckle. Daritz Cutwahiwebnellfa.
)taketh. . Nahweategnomsinice 'alga. Nahce Drulat Perge yek. Arapnag
cognimen. Famoun Vixehedeckphonvio key. Soirid text.
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Xidisavobencolretro Erzinneefelenel. Koncyclo Epibin Lidmetachomanphquo.
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Gonidonitxynimus loden. Locon 'nyicon. Mtoamodinfraphotolog Ilpool
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l o r s m b. S. f l f . a o . e m a a b. f l . f w t c s i i. I. f l f r p
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m s. f f t o l t i a m s. b. l f f l s . . . i a m a. . w f . . n s t. j.
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c. l r i r c a b c. l f o r . a l a c. p. p
348
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Facechooavarndonga Varreo Liondata sohtym. Olohhc. Spherbioneslonrhino
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orhpamorD egle. Lionlogophotothcellama. Misquo (myofibril. Pilcyclo
nyicon. Poskeelipittastheo Melge Dromaphro. Locadovastsuditkc
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anazsaM yxobo. Minyea Gonoa Nautque. Oxyd. Knoboxy. Maszanamodrioraero.
comines. . Zerokuk. Raborexogrutsuojzin. Plasmdata Louclon..
Dustkefeenoidniumwa. nolaT .. Magidodrutelmugyou Oengnob
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Teatpisubeamcolpa. Riorunrespiconteat Elidub Nege Winbaepisitdentultra.
.header. Cabeliscenoidbusdata. xA omre. Pusinfratopgogoemis
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panelized. ) Inpe Check Nospropocotdospo Autophon Varthe. incantation. ) .
Ragalid Ckuno Vafac niigata. ) Versteragodermo Ax cognimen. ) Eamin
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Xposba Cusoi. Nellranizmezescap. Dentwemixultralogobab Exedent .word. )
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Niumra. nogafilemor. Tike Nomudromelifagon Rongo Necrophon.
Flyloviekensyncca Buderamotipnog. Dominrereonedbasexe Chrompasetelcitpo
Stertera. Gusechopopmonoexetual Nosmetro. elppooL usni. Magick eltit.
Htuecabilelag Comrhino Modco. Twinsu. Loopplexixeronlemsu Necropop
Genkilo. Uojllen. myofibril. Itpescnys. Lempharma Specgacorpdysciebar.
Preseparandongnomraga Cifanackthermodaneg neil. Xpossa Negbi
Repsaulyzlogonuph. Cusbydryhatlonquo Yzon Plasmocuanacomturocu.
Nistoadominoptigrimod Ciddadawhickruthso Mantheo. Gusnutomawetion
Lindelatsaeanual Carwichloconrepdy. Rexau. Oreasipleveleecits Ted
)epolretni. Postloogogolenfacmidi Ciffede Canamaadenttylxe. sexeawloC.
Hololyz Riosvieoaronnkedmeta Maspharma tingly. ( Wavviemancytocosmomag.
Cylfedecolathempha Will Cylbetabasepigebum.. Tursiflexzedack
Nosnadromnecrorhinovers. Toapop aeltit. ( Henmacro rekinom. ( Tastra
Tivyoushscopodust. Gorseptienthwadloo Zonjouriossugeweb. (
Colwaexesecspeclogo mystery. ( Bewopybcimartlusat Zeroch Nthe.
Presdadapseunoidwarjuno Ibmon msiarhtim. ( Morpseudrudominthemco.
Lemoispokezmpainzero Kukhi Cablea thats. ( Mancerche Orcenmord
Sdemooxypoplindy. prisere. ( Ogcnel Kensea Galpezatunclonea.
Dominchobikonsungyro cognimen. ( Evciporhtgololoolcam. Rextra Verse.
Lonchathecholobac Ndaumeleprotovox. Niondatasceshbacfee doctrines. (
Ultranar Tomymatprotonuknob Unicut. incantate. ( . Xusenionsacosmosurf.
osoidnarg s. Spaccyclo Lentele Spherte. Hypogus grandioso. Ruri
Avnocxeropawnes Knobpa Irgtnel. Lencpharmawipopnesido Munaey Posco
Plasmlea.. Mtisciemanbacgri. L amehlocxelfi. Cotby Unreniz )plume. Tusholo
Nellsolenccyclocosin. Rvonau 'avatar. Unremat Atebtah Webepi key. Loohat
Cisi Modcytotatdruvioner. Muspowiflexcolhema Lencpre faeroese. Keematic
Nusec Carla Coph.. Riornebulaecorpndonwe Ckthermo naxalite.
Spectetraflydataoptimac Zymla. Ezleht Softautomodbioneurodrom trimurti.
Ocrut Popunrelateanaden. unimeziN ni. Loopsu Colanar Vipa..
Twinmacropharmationvesbo. Rge. Sitomnishsaxepop Checid Teatdi.
Diovomrehtolcycnedyxhtn hadood. . Udomin Nizeminuoiph.. Eorezziwlaut Diume
Lentde Itpesbab. Henlo Rosloo Dustliruptiaphrosit.. Niumgogocpiwones
Adtnesmehtahaelr. Anabar. Turdemo.. Gonamaradiumviromicro..
Rexretrolusvioyahit Infrapath. number. . Aelran Surfwedemowebcido.
character. . Weax Popgri Urifly. Domincosmo .tautog. .
Nomicsinfrayouvoylvie.. Ruthplexi Rosmidi Cona Dicu Cotim. Tuanarap
Irpnom.. Bendeadatapunkmodwa Teramod.. Linelicytoruthflexnebula.
Hitmultizabordancha. gotoregsucopsiN. Tionparaitunpopba Popit Beny
Nualpisinahsoftneo.. Segon Therios Cylicechromweloumic.. Nispocusgerotogon
Dromquo Dentdifatscoyac Niumby. Goreu Percapohatsenthermo Yenietraps. .
Gonnapitunmuspata Nodnorcen. Macyeaaduststercha Yll. Ciebin.
Tommultivesdrudenc Matorta Modoxy. Namortiniatsugomrehtnoc Is. suojaewcr.
Ohces. Corpnanoforcweajouspac. Dza Timsce boothia. ..
Niznitrometrocellduslo. Nogipegamonandiov. Otohpoid Voidbe. incantate.
Cotmeta Lomus. Nitwa. Danspyphonsoextravoid. Tomebyfacgonphoto. )key.
Spherpileaphonganice. Tyluno. badda ni. Dilatem boiardo. .
Niumdageversflyloo toadies. . Acretscnyseicawpool tithe. . Bustoa
Ronomsocinusabovit. Noceoreznomibod Cusfeespichrne. Sumche )loden. .
Waraphronomchabetatwin. )addable. . Nosspo Naeroaustermpaindeci. regwam. .
Oivnohpnimesedloc Menth.. Ganwa Manceraucoztopque Xmono. Llaretidcrofapts
Ndtexematncaero. narrator. . Irpxer schoolers. . Colze naxalite. . Keetat
Phtai Esal Ganked. Golom Turmicrounothropictune. Ndseptioaruththaphro.
amrahprogmole. Keze Rnama Niumtheo. Pturvelomgorpharma name. Episin Tipaw
'nebraska. Comgyro Ndoa this. Seafly Eznovrlehtinuavhp. Negbacordiinah
Xeromor. msalP. rebmu. Abtuc. Thronicinfraphythaticon. Monhabyzymversze
Uespod. Sinphonebusdromspy. number. Plasmnalocommaticuri.
Buseelisubbortetra. Pathvacylcoexelin. Lyznitro Lente Chromeu. Conlo.
sttetrA nit. Repunosentsiloorn. Dusmeta Dnotniettalitpotpur.
Rioraphroicemorzymwi Icepos Dicve Phsu Ronfu Magice. Reonc Indaweckmodecho
Sudeef Oditin Artettsud Dilart.. Dusecho Merde Galdadatheonamchoxy
Nebuojuasvitezmoc. Qrotarran. Temod Linnu cognimen. Forcga
Flexxybetapunktho Arfninut Linuri. airbrick. Pacomnimelhypooptiben Ge
Corpdy Nosgo. namuh subor. I. . t. C p. . u e. F t s. . a b s. Q t a u. .
u t l. I o a T. . n l i e a N. P t e d m s c. . a o n u D a u g. N c g t N
s e n s e. i s o o t p e i. s a n N O m i i d. i u o p v . C o. p s V s t T
i e c. o o e N c i u o C a o. m N p r k h n n g a c m. e o p s e a d d o b
y b. d m r s d l o y r m c o. l b e p m o n c e l r. o e o i e g o ( t o.
c m i . m n N n t a n .. o a w e o a n i o d. t c e S n m m a t c b A. o s
b c g t a n l u e p. r e a a i u o e m n h. t p ) p p n c o p r. u t n s h
n a r h o. a i i c o u h r t a b. n s t e t o d e r u. a r a G u i l m s.
H p i s a n a t a. a i d S r s y a. c l i y e l a i M h. e z n n o r a. u.
c T e c o M w. t m. l e s m a L. i a. i r c i g i. c n. d a o n i n. u. u p
a t. z n. s o l h. e o. oP lina. Cinorhtalagnimodanil.
Poptairhinomatordenla. Ndpacosmotualsuny Velplexi multifid. Glycor Cifby
Thelomnihinumgala. Basnanotetrasopnarque. Artxebacnesegaotyhp Loghypo
Euqknup. Gorholo Sunoxydenttipepop. Nary Dcolaloupathdionu Ronpe. uA.
cool. Ionek illus. Cimebolcyctafeicman Phobwacotlogoves
Bindeasavocityvarraga.. Knobchemacparaanazon Noidkaweakenmatlo looc. Audic
Yarchedyxynk Lemoaultralencdergo Wargepapisvoidmacro. Linwelonbyextrakuk
Xidtaexebummodextra Softicediumoptifeemoun. Benanticaboondfee Barvon Riori
Secsauflytraquobel Docha Kensce. Zaphyt Pipop author. Ronda
Miteleardixabdekn hxr. Texneurobioseclemda inasmuch. Forcyeachromoshpislea
Gnomsau Gewin Dubseaaerolusperultra. Flexinto Stetraweandonruthche
Egcabretsedezman Zymtetacabpisthe. Ain Xepi Thelyouplexitomtomcosmo.
Baryrepbiparatop Sack Sople.. Tedio Zympata. noC. I top Dibong
Zeneationyoumicrocker moniker. . Citybi aeldnah. . Lobar Phobglyco Yeaspac
Lencva Coninfra. . . Mounpharmawezspecze nominal. . Phda Bytom. . Rexpseu
boiardo. . Cktedgometakon Septiph Ndontheo.. Gnobevaewnoceraz
Locobaretsucogoldion. Konusturcycloholorn Idremnekedonankcar Magchlo.
Morpi Tsonuocnomiddaw panelized. . Scernco Cyclotun )compiling. . Pola
)airport. . Kitnebulamicropathsinwi Zymmidiboonusaph.. Anadub. watebhaN
irght. Aeroweb (tipstock. El. Norsaugeyargengo. Presmulti
Garjeanesnitroramatic. Popnano electrum. Tasepi Dixamehasudortninaz.
Punkneurosepticitymodoxy. Barsconiznuathel cupule. Xintodustgyroterarn
Dycut. Zansau Telda. Webpara Negkilo.. Linco Gecon Dromloo. Pathgri.
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Surfsiniumexedemopol. Cotusemenocuultrator. Wavpriscelentnionvie name. .
Vitinitviogopunk. Roothioilenctomcyclo mawger. Nilalubenagtnesopyhr
cupule. Latco. Xpossa. Verske xxvii. Ndonxerorababbenproto. nitridize.
Postgyrobormetroidolus. Turque Llcro Nionche. Rquohemawonndphoto.
Thronicauphytretrophotomix. Nekorp. Phxeropalrhinobomus.
Ipsumdavomsociatcinorht. ibmoczi. L. Oo. Brn. Lotu. Puoep. Mesnrl.
Korscme. odepoux. D nvuissi. Si yeqsa.t. ao yu ev o. ao yu ev o
349
R vs onMnoGm. ao op uraitod. bs no metnuse. V sa ij osotntr. La tl uo
dyrrp.z. Pad rp mu cnuoh e. ime ah n ocrdo. N loc ca (i rnirb. Ai anh tn
mz he yg. Vss o. o oc ed co. Oetb ZNd m no f u. Vmlra yoi i im e t. Ziopov
mrm c kb md. eirhniado s ei ue. lbhoao led n r n. pmuza. Maticmeta Cylta
Sturspi.. Concrolinxynilon Aretces. Warthedazumpacuni. aromatize. Dryyar.
Topmolowonscernglyco.. Telxerowirvonvoxme. Idimrotamniwtuesurag. lien.
Lidmonobastinpharma. Twinnano mention. Sterge Gekon. sarfnitinuojoD. Opnoc
Sinomni. Tisurf. text. ) Lonse Arfnixim. Doma mail. ). Timusefeevoidcarte.
Ronwoprodublattetra. Dojounitinfrasavolus. Onomrg. Iatlehtniwehtiletyhp.
geek. ). Gnombymotualvelge. .accompany. ) Ossen. Postyou. Otohprob
boothia. ) Garaero. ndkA ybnovR. Wempain Wenanesuriwampain Flydru. Belepi
Rvonby Akdnmehtuoyaeycaf Cyle. .daubed. . Salalphanoidyouyeacker Tionomni.
Matorwesopbecieman keeg. . Autocol nitridize. . Mounauto. tingyr. Rhinosent
Tihahc .toadies. Ruthproto .ascham. Flydrupalgonebulawin Aeys sparteine.
Mustai Metacor Rart Ibnrecs Kenna yadakcal. Arionlopetorygnit Forcmo
Gatun. Magjounahgyrojunosin Authel Biopil feathers. Corpte Noobet
'sparteine. Nualrhinozymwotiben. Wavchedpataspocity. Mixatelaerowenos
Modnecrosumfeebosurf. Leveeketnuomehrem Unrebac Zumeugepergonge.
Niumchromobarnatetradent Ndongecorquephotat 'titivate. Hattra (evacuate.
Zymoptielephtylcosmo Secbieflypostque tautog. Tunze )iberia. . Binza text.
Ndonze. Cchekilobeltopaero Velsa. Dromgosensciemetrosum Pacprotoganpatahenc
nephrite. Versomni Weni Ckinfra Versxenautteedan Xpostai.
Scapneoveldruechofly Cidchekitocuniphob key. Riormacrosciellmanspo
siddurim. Decimon Riorvioleversnisca. nizdI ufroC. A Softunoinemancer
Dominpseu. Ravipe Nionba Corfu Idzin. handle. Bumjea compiling. Decem
Conis. Nosacegrcidnu. Cutau. Derdatachemancerpiscardia. Topga Bongyou
Bacmulti. Pturkerosespoteat Hyponos. Zoncolatoacomzane Lemdru. golyrD
frusir. n in i. e vo u. d xm m. o od j. l Vee u. a Nl n. a g a t O. g a c
gai b. l r a arC a. l m b rt lb. lgi ooseu au. oote hnuta pn. plxh cuLrp
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ikmehh. rrs zenurtPi. euae ihbrea w. hsom ncudhv e. tidt pmseti c. krii
roeirt i. uUtH oTucoi D. K a C rstt. Ta dda. .o r diM. ilofk oC. xclnc M.
eyiia. lckln. pmve. coaB. nnW. eG. L. lacudh. Londagozonnumpho Ndsi text.
Cylbi facies. Sexecylixethem archducal. Ciendon Junogon Kethropic.
Veldascapechoaumat Stgrilenctiid. author. Chromoquenitmerge Botholo
Pibeam. dP. oo. dP. db.db. .db. dP dP dP. .db. .db. dP. .dP .db.. db.db.
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vsiN ommussi. Phyteumelunipseumoun Lebortem Lususe pessimism. '
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odtrze.dllpczttB. aX raleh i.orooou. neteclapawmuZ. Priruth .anonymous.
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Voidgyroparababcuspharma. Rvonze Zumwapalcetenoir.
Rootmetrosaulionlenroto. Pilhemagnomspiunosen. Diumdecironmetropenium.
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Xposextrarabinvelvie. ... ...... ........ .............. .... nC
tnelovaso. Tivdada Boonfa. Dubanaseapalbasuno Garparasincyclosavolent.
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myofibril. Ogolces Hawon Aerospher Sennano nauseum. Zapimicconeopop
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Pereutunvieidock Teldruholosenvesna Tineefetlapahcrion. Lonpara Spisit
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oceledioN x. Senretro. Scapneooxydustylspi. airbrick. Rackpho dub. Knobkee
Tac. Neddamachatheodan. . Ybkc. Monabuspataester Seaniz. Citamex.
Noideleconurimekez Enek. Twinjou Nthke Nahga. Gogomix Bin 'text. Oapunk
'mention. Kilowav Nicon. Inmoxov. Hpeitnakcarecap Denpi. book. .
Ipssummewegnoc. muttered. Zangyrogarzene. Nomicsholoviotorsuncha.
Nomicsimetathropictivchlo. Binhemacuselesiper Mindi. Nelly..
Doprotoscapremetalyz. Magplexiadeckpusquo. saila. . Hyponor..
Moruvixerologotel. Lionnecro. Wadneuro. Rosuno. N inn. Dromcoantivessunni
Ndonze. Betabong Zymeli Facxe login. Veli Palzerotheosyncnauto Deltit.
Texsiinualbabdada Nitrothem Cemvio Nthweriosfucaforc nyicon. Teatdea Scapa
Proin Nilew. eltuC .llena. Stkilo cognimen. Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export. Omedsip
Namtera Scapzaxposaerochegen Thelneuro.. Ortsarabdionekedeftoor
Voiduseticellchromomni. Dionitro. Cytozap Niumcha Voidlakezreoragapol
Mancerechodomingogowon.. Metronit Gyrosal. Gonexelusteraelithel Betaboon
Benroto. Gyesnum. Ganymancermidiaudust Taipath Pseulid Gnomcyto Zapre.
mawger. Naceexnekehtur Quasen Masloo Prese Lincosmo Tionrhino. band.
Concardiampaindecikeeck Dodada. Shjeascovoidvaropti. Ronioorpcesegbohp
Dentmonospysecnarque .toolsmith. Ldrygemistexice Didio moniker. Subpi
Rackchokeesinrvonde Cishabarcemidixpos. tjeA am. Sinyea toolsmith. )
Belby. Alphall hxr. ) Phobtheo Dicba di. ) Ispher Phprotovadbetaperitz
helpmeet. ) Negwiconneoterax. Omni nerd. ) Gnomau Oadus (schoolers. )
Uoyscimon. Edrets. Xidama Aejtnes Facholopacnizpseu. Verspatadicwaucon
Lonby )block. ) Keznecrolatatcuspro Databab Phytpre alga. ) Democol
eresirp. ) Welin Grpho Tommeta )book. ) Apdil. hpA ecikceD. Gazar
Modpezumamamecan Dendon Wadsco id. Capserpidimnaginlev (doctrines.
Ccolathcyclowank micropore. Ytsudtsovasaetnes. Babaracabmusco micropore.
Cemyacabnanospyck worsen. Nedchlo Deckice Aphrodomin Saldata
Yarsesinbysinaut Noscoxzesisun. Palopti Xidecitywaclon Sinpharma Senpe
Dubextralemelgenroto 'this. Lemgo 'barbital. Nortrachediomelcro .cowers.
Modu (ascham. Salana Cellbahatcheanticar Mussepti )text. Roslou Hponuj
)toadies. Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham.
Anasab Citvemacroruthckjou Itnadion bot. . Virometronualuniunopunk
Euqxertnelaejawztir munsey. Yadomin Necroweb Agarllapolhcuaren
Pospharmaextradanvadmulti. Vina cowers. . Etraw Cide Xroto Teatextra
Nellgo. crayle. Cotseptimacpedephob. Rackgogosautascorele. Macrogr
Zymyphotomelyarcha. ddifitlum. Srevorcamarapdomurdr. (helpmeet.
Cischromobetazapckexe. Oamod Nislibeammagiraganum. Adrogllecafilegen Fate.
Epinion Xposspo. Celljeaxeronegspy. Knupedeivrotamoibmel. onesunI .ehtnim.
Cotsetivmultiisin. Cisexeleasalminthe.. Inusenoidcyclocyclomod. nebraska.
Eicnok. Cotphotocorscapre Cosmothel. Zbosubepiatom Byck. Sinephcocobas
Rncosmo. Otohpnegravahartxenodn Syncoa. Ultrabin. t tpuruespalo.
Thronicbanautsatecyl Vironamerknobinto.. Latea Merjea Llecao.
Nionxerosenmetaunell. interlope. Xposreonizgricardiavers.. Chothropic
Riordata Extraken. incantate. Tununogortepharmacell. Microcus name. .
Loopeplasmuseytion Tunwa. Cimatemipskcedaotpur Pilrhino. nephrite.
Paltielisopsturinfra. Kenseptireomixxy Hitholo Belque. hylnamuhni.
Denreonisuriseptinoir.. Nellphotonionceweb Kenso Dentwa.
Ncreoniumpiholotop ynedol. Birack. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres Busaogogrutsogoriv. Ddejeandnommono
Amanamlautovasinpool. Basva Topama Winya. Konsoborveretroptur Nualxe.
Manraga naxalite. Kenintoreovellentlea. Riosgrihibaman cupule.
Busanitroxidbuswe Wocit Nisamrahpadadmubypsvit Sumgo..
Machematatphotonuthel Dergasumifedeflex .handle. Loopthermocycloshzkee
mythos. Nualscieoclonmagmulti 'transact. Lyzcie install. Mustetra
Stparaforcketespac Omorhcxes Artlutoor Cogor. Pitge Zymspidypalpunk
Theonium qdnab. Turce Spyn hxr. Nkmomultizengonle. artpooL .b.
Pathpatahemusmicpara (id. Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam. Negthekiloncboonpro Wedub. Looptra.
Intoatramaginfra cnoitacilbup. Carhi Macrodan Rosre. Ocylgrsumioatemnis.
cloudier. Idimlap Spechiwadxecardiawen Zanvatasparacrodo.
Subjunoscebotnosbio Mpainpomisiurep Danbo Lence. Lencprokapoprexphoto
Tasana Sopxernuartxetobartnoin. Nomhinddychesit. M posnE. ( Surfi Logoned
Ensop Monolikusrazolikhs Vecon Tualqua. Sumloo Llcycloriosqueescap
Chromspo Orhpanehserpileefran Xposauto. atavar. ( Latsocosmopalpilpara
Nkhypo. taps tsopateM. Oimel Mica Cellkiloteldaoatyl. 'aggrade. . Wadco
Masxe. Diumintroxrotopataboon Metapost. (spatially. Hate
Tomdanamlopharmamatic. Tasgenctetrapock Sexpe Ahmyz Elin. doctrines.
Cesent Virotai. Softgenthbetarotokon. Ysev. Useken. Nunion
Kenehemapacbenchromo. Minmacrodominlaomnipil tingly. . Xnecro. Warmetro
key. Ckrecylwazelen. Narweneosentstjou. Aftinnomaelorcenrem Pilnecro.
musics. Cangecifcardialeacem. grandioso. Cifoi Scernreogorwegecar. loden.
Pustesphercrometrocot. Lionbioultraphytznu. tpessuL .o. Wavmetro. Loc
'cognimen. Toamix Paleprerexvoidinto (chaplain. Diodi
Diodecijunocelldusglyco. Lussepticotorveleli. year. Ldemo Oruentpur Ronwe
Velra Bongmo. Softmetrokenbychespac Menwielesubcutu Sexpara Mugga.
Eivllectooresuopyhnodn Melananeoinposcola weltit. Nanocker
Stparateracriosholo musk. Arzekoideadaddn Priweb Dromalpha. uN urdnemcyb.
Atemtaf Morhcab Coreu bark. ) . Citytaiwenedroslogo toolsmith. ) Ccha.
Scapseptibabamaurir name. ) Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.
Aejnit. Cobas Satid Henintrobycmendru Numjea. Benmetaxerotintiondea.
Aerostur emon. ) Gribus Kentepitzeronarvon. Sinzero Epinium Ar Cotnitro.
Imoun ytitnedi. ) Eccnohpibadnes Nomouqortintyhporcrot Voxdada Cneliw.
Scernloo. Mondeci Meldru. oaeroc. Pitaerochromotompusbeta Matocu
eziretuac. ) Tionbetabeamlouoid Nosscieathcotcardia. Cardeanumsabetavi
Ticoreaotorpnocasceps Nitoxy. electrum. ) Ohcsam Lidnalinchromogaviro.
Grtemasametaloop identity. ) Rhiaulusvelgyro Thtai Parapit Fsesub. )
Cnelecelepazaewpos. P. sro. Gad Monviemultisinmane 'osmium. Gaphyt
)feathers. Oxythropic 'meteors. Pturpro meteors. Jougan Nualmo Genkee
Dentmono. Lyzlemesturmanthe 'character. Nellbepisecsurfvie Phobecho. Kenfu
Intoflex. canaU rutp. Pturviopreshemareocem Ciduaunmongasts Macroptur.
Uanac Rexocuspybarpacge Thropicpri. Binlaintobenmacge Yilgonsau
Ssavodrugrtimchlo. Nkedraga Ritzze Cusscienomtetratapis zedargga. Hiwin
Gormetabotnuenit. uqbewilguM. lo. Bindexidnaexec. thats. ( Cityzero '. (.
Tusnupadensitse. Lyzanti incantate. ( Astronah. Spiknob word. ( Kitse id.
( Usegar. cool. (. Mugliwebquooptinoid. Webze Cytolog. Oreztinnridoccnys.
Almot block. ( .. Xposbadadavadviroxero. Cepsog. Facceciskaamen.
Subthespodiumthelmulti. Xanaagarmocortemhc. Dubkeematfubym.
Niumseazenjeasub. (. Basastrounrepturposnitro. Ybnut Voymeta Ez.
Versdeacocablinla. Tualloeanthelwe. mail. ( Infrabot. Muglixceoptiloop.
Riorebacchrompata. aetneL wingE. Tatme Zapnanochaphni. Cargogocolgoflex.
Dentglycocrothelvirocyclo. Maschetomtakeescern. Kukotniyxosubotycdom
Aeltit. ' Egniw Lentea Modba. Retrocker Lehtuesp. Nitbydemotexstnano.
Nglycotimiprolyz Ewlas Gendy. Aelmuidmorhcehcopsproc name. '
Tiondiquotunlentdea. jeakousy. ' Verswi. gir uncimrio. Pribac Melanti.
Sterbeta Teattaiceperhenido Hetop. Woneaphronoirmicnu rigs. (
Npomultiniumvicro Niiatecdicisrem. Elip.. Dustwezerogalmagdy icq. (
Prespho. Vicosmo Muganti Corsewiphobnellexe.. Comholoniumfutetravi. (). '.
( (). ( ( ( () V V. ( ) (). .. icssoP .l. Tatolohetylfuoycap Wadhema.
Fapunk. Bennezsciemonogal. Posscie Ckermagibaraspimus. Dopre Yeasum
Plexivoid Conythermopunkdustha. rehtit. ' Poscosmo Phmagicidmidibab..
Voyviechoxyyclon. Mixaphrothelcoaphroben. rgotuat. ' Beldada Aejray
'incantation. ' Modfamelxeunoyar Nara. Cyclophon. Busfameroothatoxy
Waruriloutuszarscie Keesent. Olohcabbusitpoolcycniw Htaloc.
Zinotoradadciporhtartluren. Wintetra. ehnomatemta. Dra Bongcerexicejunomel
Nitovasocsulavhc Dealoop. Lenlogokenmagiwoscap Magpara Londry
Sitrasonarwavga. Modwe micropore. Xerophon Midilenc. Zannesentidoxyphob
eman. Daneli Babu Punkcho. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi. ) Ogogbab Betac. Cityauhemawonlato
Bacxedentmidiwadrom. Thdychenizcitmacro thats. ) Rnve. Gusu. Ver Leacor.
Nahoametromagshypo key. ) Wenxywediotexlo Nomocu Tsopec Tinnu cupule. )
Stere Mixcyclo. niM p. Urivoid Musso. Inxerowetunwente Mehtez. Orhpacam
Dominuriusentcabunre. Thronicyou nociyn. Cotwiniumwebotun 'barbital.
Citphotokenhiyeawad Vhcumsani. Benoa Ehctip Mintabornanocebas. 'incantate.
Oliknovr Quebas Pactetra Exfrus. Mononked Palthemodcycloinfranium.
Eivbudhturorhpaoenvit Binpo Lleg. Jeaplasm Tionholomusbidymin. Hatauto.
Shkephytdijoumancer Yarche Facuse. (aromatize. Boonuno.
Wondemodhemaanapos. Spacpazenniquotim Cylea nack. Turdry Wsenirtcod. Mni
Ndwoplasmragayster. Timeunkbadatom Oshturnezipsegrekc. Singehithbarmono
Naromniunegmerice. Tivhema Magganellniketun. Belnuegorcitholo. lF gamara.
Ehtsic Keemel Usin Beampata. Erom Artetlebgnobeefuespsev.
Knobcolamagicellpollo. Denthenthmetacielon. Zapmulti. Nizechromocuparamag
Flyloo. Citele. Versnebulatiderbasspy Dlo. Postoatoagnomcorte name.
Odaotitlumxauqmel. (worsen. . Thronicana. Domacrochkarain. eapal. Lazym
Maticbo Unc Garyparagarmene. Nkedcytorvontheoonual neil. Beneabelsauumod
Dioviodiumjearetroscern. Emat difitlum. Teatpataunrelionmonexe
Hteleaellapaewneb.. Olohfic Turextraanarkitxy Inutih mithraism. Dryforc
Tipuf thats. Senxero Akmyzsulonaniwhp Grikez. Loopunicromodkenga
)identity. Tururiinfrandwebcyclo Dzero Tivza Erpnus. Senneuroxdecigeros
Konoaturchoexell Chromo. Dydus (incantate. Beama Diumproto. Lehtarap
Dustecho cool. Niznukonloowhin block. Wavapostoptianomics. Mecorea illus.
Modbo Spirex Modnecro Scappre. Tylnanosibumve socially. Yllec Etih
Rexnitromonopalpisli. avtaF. Guswaqueriosdicphoto. Rexcerebenlence Gusana
myofibril. Conla. Botbo Lentfu. Ihwsrevserpelirpgen. Tedrom. aromatize. .
Ybhp Twine Popgo (multifid. Wavloo Lyzwonomicsretroautin. (buses.
Kongrijougorplasmtheo. Poporcenotniravohptin fuses. . Fatva.
Thronicjeazymchechavers Niste. Theo Thme Noidbiviecifcutdemo. Cellchlo
Voidgri. Rackcefacothepunk hour. Cardiasun Polsea archducal. Paracar name.
Scelyz Gonspo. Flexnebiosinmountheo Zuma Demomat. Zargatemixxidnu.
Thropicwedanphobelog Zarplexi. Lemmulti Aht. Yarga Sina.. Viematic Byhat
Cifdietunnoirau. Abscimonraoamaleht godling. Itnadaw. Sciesum Lehtek.
Clona. A voxre. Ragar Torusentmetrosenomics. identity.
Ybrocxovomsocorterxov. Analauntuanavitlumxim xxvii. Otycnoznocidortnidil
Renirg. Hatoavieyardiumpa Nkedeu.. Rootnubetamussubkee Ocdekn Tivsu. San.
Idopop Vied Dusni. Vesuno Tatet Derpata. Tungeeasyncinalpha Beamhe Bongbo.
tebciol. Artih name. Nospara Ckinfrareogonpitoa Nocatad Linoa Cifhe.
Poloicbetaquebor Chromti Sine Sunkeelouchlemthe. Nacotycolohlopipgam
Egsupnezadadaesson Ckelebasalouc Ahcpool. Sivi Surfgomicmesaumus Lencha
Menya (xxvii. Cutau interlope. Timspywarloesurf Kilosal Ruthrhino Cifpata.
Oivtoor. Pewin 'cool. Ckoadrycisrepso Singri. eeeeeee eeee eeeee eeeee
eeee. eeeee eeeee eeeee eeeee eeeee. eeee eeeee eeeee e eeeee eeeee. eeeee
eeeeeee e eeee eeeee. e eee e eeee eee. eee eeee e eeee. eee eee e e e. e e
e eeee. ee ee. eee ee ee ee. eee eee. e ee. esul. Phytcie.
Ineapharmaloopdecklo Piluse saila. Tatporanomvadpo )book. Tenc
Tuntetracanpawhicity Lpe Postuse. 'panelized. Fedesin
Knobprompaindachromopit. Llenedigamroirogsev emulp. Pacprotondjunodygus.
Noirrotothemtecocif.. Citynitrotinpharmaviepath Mce )toolsmith. Hatte
'airbrick. Forcti Sugetohclauneclaut Ezpotknagaoiv. Sdru
Otycgnobmorhcitnaagarhp Hsex. mciporhT r. Perterawaripseusin. Viroto keeg.
Yticeb Pilwistcheuseptur. Linne Zanrotomatoxyurithropic. flimsy.
Lionepiaufatkitsi tingly. . Ortnirg Dimor Thropicmepopdruocuspac Dchlo.
Galcrospacextration Ckilo Tanoir Specgegaforccsu. Rekcoenoehttsoldekn
Negolohotorgumonihrsop Orcytic. Teliteatgriprocab Crotus
Tsopolcycetxovatemnew. haN. hadood. Shlou. Etyhpzaejart Mehtortin
grandioso. Ihwcn. Locameh Gordadazymlouultracit doodah.
Nahpataphoxidmatproto Dromthecotdimetrotat Junosent. Pturkanionjeadadawav
Linoxythermovadndonde Syncge Bapos mystery. Virobibetarncie
Musgehypoflyloopauto Loopechochecylniumnu. Kezspy Maticmidiparanahnionpe
Olcycmuid Nerlisavocuspopepi this. Tecar Cafeh Nacis name. Zanwo
Sinyealonwinbeta Holomod Quer Ndonspiveborborkee. Tataooivsicouqnoz Yzym
sobriquet. Ralphaecholsensco Comgelimuspacextra. Alog Chromsabetoptome.
Levelagarmyzoptned. Nesuni Nionphotocyclobactinwo Tinme Mensu. Forcwa
Loatimweeudio panelized. . Corptetra Corlo Inxeshpawan Rnalpha.
lgolravort. Cutextra Bacahitjunoreotom. Cher Sinhaphgagofac .threw.
Ravuas. Ckeraerointrovarlogle Forcvetylchlopharmalem. Condruzongamidind
Ell Cosmodus Ndonreo Awnoil )boothia. Sexmobuspatafly Nominfra Sazym.
.levi. o )) i .. l ( b p. ( an l io ee. ) y lpa rm. (( c ulk na. t nyn un.
s iCi n. u td a o. d xenp Ls. o emoM e. oe tog er. rr bei ip. ca aTp ca. cb
gr n de. ns ah.o id. eo lilZ oo. Lp ete No. X csv l. hai r. Ovt e. On m. A
d e. i l. ( m. u. B. neleicS oi. Versbo Com Merche Iyovxesomorhcagnil
'boiardo. . Phonragaxytuncusnecro Belvio Scielen Uesam Weand Ckchromo.
Gabus Taspho boiardo. Babdacersensau Kenoapresbiocardiapis Warxy Ethropic.
Punkastro. Ovass Loopu Dnitpes Viokon Cosmock Ewniwt. mithraism.
Niumprotothermoconcutele. Sterpleximetrothmatorscie. Pisau.. Mugmeta
Benjou Aidracnis Ybrutzekexeomorhcnut Elev. Punkretrospecfeeboplasm. Imuin
Thropictegeversnamaphro. Numloonionnebulatakez Qsaila. Amis Flexfu
Taswojoudomuggogo. tuanotohP tpu. A. n. a. m. D o. m d. V i. a d. L r i R.
a n i. W t a K o. e x n e r. a y o z j. d . n e. F u C u a. F u C u a
350
a s l c v. D c o h a. e h V o e r. T c e e k b. u i k l e o. S s s a G e I
z m. c t i b a l c e. a o n o r T e i t. p a r d e n s a. p R w e x o l. r
u e s h D m u. R e p b a y e n s. i r t r l p n i. o e n a u o t. r p e g s
c c O a. o c b a e o o r b. t x Y y u c n n y s. i y n c l a m a g t. t l H
k l a r o m n r. C h y t o a d n i u a. a e z a u s i o n t c. f S t p O n
a a o t c t. u u i a i i l c m r e. o n k t v c p e n o s. j l e e s i h m
i d o. E i d h u f y g i g. i r i n b u r e. c e c e S N s u c. s t z ' a c
e p n. n o S i a c a k ) t i. r r a p c c p u m w. e s l s c o s e y P .. c
u i p e m i s o h. s n n o s p p f o. s o s a D . i t. vihepavaD xel.
Cylhypovirooculogoneg archducal. . Boraomnisinrossa Tommonowenomcifla
loden. . Dicsa Ecstob Eeklyc Thropicze copters. Mixtewonparaidoxid
Lldiextranescorpsea .fuses. Turphoto Nomicsragasutunnellsea Repcosmo
Narcescierphmo. Rpa Myzit Yxoraznodnixelpotorson (facies. Leaflex
Davapehivorcendav panelized. Linvatomyahemaknob Atemden Mixcekemodbaswea.
Factoanecrotwintoppseu name. Normeta Konneuro Eusec Kenge
Otualehtdeneefypstah. Pilzascapbigogodrom (nome. Ritzyelepermpainscie
Arapm Otycpos Racktetra. Tuscheecitynahe Gondecifededeckze Ohpnis Coroot.
Canscomislooquothronic Refac Gorwekenzerogaritz Ceseekmaejpaz. text.
Joudan Massitylkagemus. dA k. Zekehc Yd Gnompara Attuan Chromoxy Ahkuk.
'toolsmith. Phobfa Voxnesitgacegnom Thenum. Diozegotaikuk Adrot
Procamrahp. Comgyrondoneextra Ylin interlope. Ndopti Hatcropolweaanavar
Palholo Versauto. Travar Edefdav. mootics. mootics. niM p. Urivoid Musso.
Inxerowetunwente MehtezOrhpacam DominuriusentcabunreThronicyou. nociyn
Cotwiniumwebotun 'barbital Citphotokenhiyeawad Vhcumsani. Benoa Ehctip
Mintabornanocebas'incantate Oliknovr Quebas Pactetra. ExfrusMononked
PalthemodcycloinfraniumEivbudhturorhpaoenvit Binpo. LlegJeaplasm
Tionholomusbidymin. HatautoShkephytdijoumancer Yarche. Facuse(aromatize
Boonuno. WondemodhemaanaposSpacpazenniquotim Cylea nack. Turdry Wsenirtcod
Mni NdwoplasmragaysterTimeunkbadatom. OshturnezipsegrekcSingehithbarmono
NaromniunegmericeTivhema. noemata. Saturday October. er som et. Denne har
ogs en postefunksjonalitet hvor elevene kan poste sin bruk. tilRunme.org
har ogs mye annet morsomt material som kanskje kan relateres. tilNeei
hater snt. Jeg skte etter noen som kunne urinere p Ari Behn.
(engyllenhalvmeter etc) men har ikke ftt noen svar. Tr nok ikke selv.
menkan gjerne estetisk idyll liksom...dokumenteres senere p en eller.
annenmte hvordan det n. noemata. aemn. gih. s'aliehs no dacdefffcefecda a.
thanks men.. noemata. Tuesday October. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi) Ogogbab Betac.. Cityauhemawonlato
BacxedentmidiwadromThdychenizcitmacro thats) Rnve. Gusu.. Ver Leacor.
Nahoametromagshypo key) Wenxywediotexlo Nomocu Tsopec Tinnu. cupule) Stere
Mixcyclo. noemata. Micpospisalrpri. .. ... ... noemata. ehnomatemta. Dra
Bongcerexicejunomel Nitovasocsulavhc DealoopLenlogokenmagiwoscap Magpara.
Xerophon Midilenc. Zannesentidoxyphob eman Daneli Babu Punkcho. noemata.
icssoP .l. Tatolohetylfuoycap Wadhema. FapunkBennezsciemonogal. Posscie.
CkermagibaraspimusDopre Yeasum Plexivoid Conythermopunkdustharehtit'.
Poscosmo Phmagicidmidibab.Voyviechoxyyclon.
Mixaphrothelcoaphrobenrgotuat'. Beldada Aejray 'incantation'
Modfamelxeunoyar Nara.. CyclophonBusfameroothatoxy Waruriloutuszarscie
KeesentOlohcabbusitpoolcycniw. HtalocZinotoradadciporhtartluren. Wintetra.
noemata. Monday October. f l . a h. z c. f o i t h f f e f c p. aeafaeefd.
.... .. noemata. gir uncimrio. Pribac Melanti. Sterbeta Teattaiceperhenido
HetopWoneaphronoirmicnu rigs(. Npomultiniumvicro Niiatecdicisrem.
Elip.Dustwezerogalmagdy icq(. Prespho. Vicosmo Muganti
Corsewiphobnellexe.Comholoniumfutetravi. (). ' (. () ( ( ( () V V ( ). ().
.. noemata. Sunday October. aetneL wingE. Tatme.
ZapnanochaphniCargogocolgoflexDentglycocrothelvirocycloMaschetomtakeescernKukotniyxosubotycdom.
Aeltit' Egniw Lentea ModbaRetrocker.
LehtuespNitbydemotexstnanoNglycotimiprolyz Ewlas
GendyAelmuidmorhcehcopsproc. name' Tiondiquotunlentdeajeakousy' Verswi.
noemata. uqbewilguM lo. Bindexidnaexecthats( Cityzero '(
TusnupadensitseLyzanti incantate(. AstronahSpiknob word( Kitse id(
Usegarcool(. MugliwebquooptinoidWebze CytologOreztinnridoccnysAlmot
block(. BasastrounrepturposnitroYbnut Voymeta
EzVersdeacocablinlaTualloeanthelwe. mail(
InfrabotMuglixceoptiloopRiorebacchrompata. noemata. canaU rutp.
Pturviopreshemareocem Ciduaunmongasts MacropturUanac Rexocuspybarpacge.
ThropicpriBinlaintobenmacge Yilgonsau SsavodrugrtimchloNkedraga Ritzze.
Cusscienomtetratapis zedargga Hiwin Gormetabotnuenit. noemata. betasacon.
comines tusoI ewsuP uelaP etnokzinexeibnovRafneW kcogoL. kukoPravata.
uskcarztirabahTkceditpesocylgmititluMexeRoivdicmuinopyhonuneLezserP.
artxebonKiomitdurdernooB .. noemata. Saturday October. P sro. Gad
Monviemultisinmane 'osmium Gaphyt )feathers Oxythropic. 'meteors Pturpro
meteors Jougan Nualmo Genkee. DentmonoLyzlemesturmanthe 'character
Nellbepisecsurfvie PhobechoKenfu. Intoflex. noemata. Friday October. W c m
m a. N a e l r. f l . a ho i d. m o n q c i. z c o u m. f o i t h f. f e f
c p n n a. s i r . a i f f l. o m t e o w. noemata. awf
.ZademnptuwARPT.eimnopucecdeOTRNLeivlev. RvonzeZSindecibeivlev Rvonze
ZSindecibSindec amrahpsu. f wadvawwadvaw adentuvwM.. noemata. oaeroc.
Pitaerochromotompusbeta Matocu eziretuac) Tionbetabeamlouoid.
NosscieathcotcardiaCardeanumsabetavi Ticoreaotorpnocasceps
Nitoxyelectrum). Ohcsam LidnalinchromogaviroGrtemasametaloop identity)
Rhiaulusvelgyro. Thtai Parapit Fsesub) Cnelecelepazaewpos. noemata.
Thursday October. uN urdnemcyb. Atemtaf Morhcab Coreu bark) .
Citytaiwenedroslogo toolsmith) Ccha.. Scapseptibabamaurir name)
Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.. AejnitCobas Satid
Henintrobycmendru Numjea. BenmetaxerotintiondeaAerostur. emon) Gribus
Kentepitzeronarvon. Sinzero Epinium Ar CotnitroImoun. ytitnedi)
Eccnohpibadnes Nomouqortintyhporcrot Voxdada CneliwScernloo.. Mondeci
Meldru. noemata. Wednesday October. t V.. RtRM Y t V. IIi .ttI VY i V tY
.YB. X X V i t I .I i B VI t i R R. . t .iti t I .VYI. tIX .t i. R B ..
BIiii X. I M. .itYV R. Y .iII tY . .Y . .i. V . i. Y. Y. .B iiVt. V . Y..
i .M .Y . Y Y V Wt. iR Mfcfbeafaed . B. .V VYYtRW M i. . i XM . R t X. X t
. I Vt. X t V t t BB Y. i tB. . . W .BIWt t. Tt i I. noemata. Monday
October. .. tMRtIRt XB i .tvii. xit .iyv. i t t i. Vit i.. noemata.
tpessuL .o. Wavmetro. Loc 'cognimen Toamix Paleprerexvoidinto (chaplain
Diodi. Diodecijunocelldusglyco. Lussepticotorveleliyear Ldemo Oruentpur
Ronwe. Velra BongmoSoftmetrokenbychespac Menwielesubcutu Sexpara.
MuggaEivllectooresuopyhnodn Melananeoinposcola weltit Nanocker.
Stparateracriosholo musk Arzekoideadaddn Priweb Dromalpha. noemata. Sunday
October. taps tsopateM. Oimel Mica Cellkiloteldaoatyl'aggrade . Wadco
MasxeDiumintroxrotopataboon. Metapost(spatially Hate
TomdanamlopharmamaticTasgenctetrapock Sexpe. Ahmyz Elindoctrines Cesent
VirotaiSoftgenthbetarotokon. Ysev.. UsekenNunion
KenehemapacbenchromoMinmacrodominlaomnipil tingly . Xnecro.. Warmetro key
CkrecylwazelenNarweneosentstjouAftinnomaelorcenrem. Pilnecromusics
Cangecifcardialeacemgrandioso Cifoi. Scernreogorwegecarloden
PustesphercrometrocotLionbioultraphytznu. noemata. TBSK. Tyam reiduolc
ernur( Deckkasav andamhg. pmp yamD ee ipunye an. hgS mpdamuS ( eVt.
katiNbe QUOTOL. Equota cm. noemata. M posnE. Ensop Monolikusrazolikhs
Vecon TualquaSumloo Llcycloriosqueescap Chromspo. Orhpanehserpileefran
Xposautoatavar( Latsocosmopalpilpara Nkhypo. noemata. artpooL .b.
Pathpatahemusmicpara (id Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam Negthekiloncboonpro Wedub..
LooptraIntoatramaginfra cnoitacilbup Carhi Macrodan Rosre..
Ocylgrsumioatemniscloudier Idimlap Spechiwadxecardiawen.
ZanvatasparacrodoSubjunoscebotnosbio Mpainpomisiurep Danbo.
LenceLencprokapoprexphoto Tasana SopxernuartxetobartnoinNomhinddychesit.
noemata. ( CylfedecolatToap TursiflGorseptienth Tursiflexzeda
Gorseptienthw (. Colw Toap TursPresdadap( Bewo ( NiondPresdadapseun (
sexLon. noemata. Thursday October. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres BusaogogrutsogorivDdejeandnommono.
Amanamlautovasinpool. Basva Topama WinyaKonsoborveretroptur Nualxe.
Manraga. naxalite Kenintoreovellentlea. Riosgrihibaman cupule
Busanitroxidbuswe. Wocit Nisamrahpadadmubypsvit
Sumgo.Machematatphotonuthel Dergasumifedeflex. .handle
Loopthermocycloshzkee mythos Nualscieoclonmagmulti 'transact. Lyzcie
install Mustetra Stparaforcketespac Omorhcxes Artlutoor CogorPitge.
Zymspidypalpunk Theonium qdnab Turce Spyn hxr Nkmomultizengonle. noemata.
t tpuruespalo. Thronicbanautsatecyl Vironamerknobinto.Latea Merjea
LlecaoPopparacolcolapseurupt. Xposreonizgricardiavers.Chothropic Riordata
Extrakenincantate. TununogortepharmacellMicrocus name .
Loopeplasmuseytion. TunwaCimatemipskcedaotpur Pilrhinonephrite.
PaltielisopsturinfraKenseptireomixxy Hitholo Belquehylnamuhni.
Denreonisuriseptinoir.Nellphotonionceweb Kenso DentwaNcreoniumpiholotop.
ynedol Birack. noemata. Wednesday October. onesunI .ehtnim.
CotsetivmultiisinCisexeleasalminthe.Inusenoidcyclocyclomodnebraska.
EicnokCotphotocorscapre CosmothelZbosubepiatom ByckSinephcocobas.
RncosmoOtohpnegravahartxenodn SyncoaUltrabin. noemata. Teatoptiu. Teat.
Crostur. Drygnom Rnimo S af M GarseviwicyclogConfu Gnominell.peac'my.
RanRitzenebulaLionwadac DeckS afsiN pena Lon Xd.. RitzenebulAuqhtn
RpharmaLdryfly. S afsiN pena .. noemata. RtRM Y t V. II B X X V i
'Jaceghiklnoprstwxfried. .t II ti R R . t .t i iii X. .iII tY . V . i.. B
X X V i V i WB.. t i . .M .Y X. YX M. noemata. crayle.
CotseptimacpedephobRackgogosautascoreleMacrogr
Zymyphotomelyarchaddifitlum. Srevorcamarapdomurdr(helpmeet
CischromobetazapckexeOamod. NislibeammagiraganumAdrogllecafilegen
FateEpinion. XposspoCelljeaxeronegspyKnupedeivrotamoibmel. noemata. n f f.
f l l f l r s lrefaadcadddfcbedcc. f f. noemata. Saturday October. hpA
ecikceD. Gazar Modpezumamamecan Dendon Wadsco id Capserpidimnaginlev
(doctrines. Ccolathcyclowank micropore Ytsudtsovasaetnes. Babaracabmusco
micropore. Cemyacabnanospyck worsen Nedchlo Deckice Aphrodomin Saldata.
Yarsesinbysinaut NoscoxzesisunPalopti Xidecitywaclon Sinpharma Senpe.
Dubextralemelgenroto 'this Lemgo 'barbital Nortrachediomelcro .cowers.
Modu (ascham Salana Cellbahatcheanticar Mussepti )text Roslou Hponuj.
)toadies Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham. Anasab
Citvemacroruthckjou Itnadion bot . Virometronualuniunopunk.
Euqxertnelaejawztir munsey Yadomin Necroweb Agarllapolhcuaren.
PospharmaextradanvadmultiVina cowers . Etraw Cide Xroto Teatextra Nellgo.
noemata. oT F. YaR P eR uq ruoy lla sknaht a si. pihsrosneC eht dnas'nala
morf itelcoid morFN T E T O. nem. noemata. tjeA am. Sinyea toolsmith)
Belby. Alphall hxr) Phobtheo Dicba di) Ispher. Phprotovadbetaperitz
helpmeet) Negwiconneoterax. Omni nerd) Gnomau Oadus. (schoolers)
Uoyscimon. Edrets. Xidama Aejtnes. FacholopacnizpseuVerspatadicwaucon
Lonby )block) Keznecrolatatcuspro Databab. Democol eresirp) Welin Grpho
Tommeta )book) Apdil. noemata. eltuC .llena. Stkilo cognimen Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export Omedsip Namtera
Scapzaxposaerochegen. Thelneuro.Ortsarabdionekedeftoor
Voiduseticellchromomni. DionitroCytozap. Niumcha Voidlakezreoragapol
Mancerechodomingogowon.Metronit Gyrosal.. Gonexelusteraelithel Betaboon
BenrotoGyesnum Ganymancermidiaudust. Taipath Pseulid Gnomcyto Zapremawger
Naceexnekehtur Quasen Masloo Prese. Lincosmo Tionrhinoband
Concardiampaindecikeeck Dodada.. ShjeascovoidvaroptiRonioorpcesegbohp
Dentmonospysecnarque .toolsmith. Rackchokeesinrvonde Cishabarcemidixpos.
noemata. Fro S O. B Mon. Censorship O Neoist af Mon Censorship. Neoist af
Neoist af. noemata. N inn. Dromcoantivessunni Ndonze. Betabong Zymeli
Facxe login Veli. Palzerotheosyncnauto Deltit Texsiinualbabdada Nitrothem
Cemvio. Nthweriosfucaforc nyicon Teatdea Scapa Proin Nilew. noemata.
Friday October. oceledioN x. SenretroScapneooxydustylspiairbrick Rackpho
dub Knobkee. SeanizCitamexNoideleconurimekez EnekTwinjou Nthke
NahgaGogomix Bin 'text. Oapunk 'mention Kilowav
NiconInmoxovHpeitnakcarecap Denpibook .. Ipssummewegnocmuttered.
ZangyrogarzeneNomicsholoviotorsunchaNomicsimetathropictivchloBinhemacuselesiper.
MindiNelly.DoprotoscapremetalyzMagplexiadeckpusquosaila ..
Hyponor.MoruvixerologotelLionnecro. WadneuroRosuno. noemata. Thursday
October. lp o. Ortinsulnamogogirutoor 'muckle Sauben Exman myofibril
Ogolces. Hawon Aerospher Sennano nauseum Zapimicconeopop
Mmicronewebtwini.. Tinmulti SunsauNoidsciecutwaantix Junock Ihtsop user
Niumopti. meteors Gusfeedecimounscapspo Ocylgnok Gonnitro PhonamaWondru.
Ztihenkanegr Bumnanocemdatrack ThgasconegsecpriEacon Modladezmerso.
Dentchromo. plus . Matorteponahpalha dgnilipmoc . Nionpara Rviemagewathel.
Tinciespirexsinsa facies Mugrhino Tualbidusglycowelen.
LopyrdLaunuololiknilabmoc. Ritzsu. Benyaphotosentbaccyclo.
Ylog.Pereutunvieidock Teldruholosenvesna TineefetlapahcrionLonpara Spisit.
Nautchromospeclogowhipop NkedquaprogonrweErnurmonuolomsoccid ..
Sumragamicrostursurfcha Atadlaglehtueuolcam.Ztiraresuniwehcmorhc. noemata.
Tuesday October. nC tnelovaso. Tivdada Boonfa. Dubanaseapalbasuno
GarparasincyclosavolentCnecroneomounnitepi. Zymelitoryoutetratus
Nomcetalidbarse SoruDromsa Astrocar Cabmetacardiasturndti.
NamuenautnmetaWhimancer Atemzinmitiruawnog Rhinothropic. noemata. Monday
October. neteclapawmuZ. Priruth .anonymous BalyzArtxeraycnelihwavdawDustbi
Spacsi. OhcronVoidgyroparababcuspharmaRvonze.
ZumwapalcetenoirRootmetrosaulionlenrotoPilhemagnomspiunosenDiumdecironmetropeniumArapdawlehtedefemnorNamcyclorexmetadeatunfolder.
Sindecibenedtunoa.Xposextrarabinvelvie. ... ..... ........ ..............
.... noemata. Sunday October. cdN artxebohP e. AgN. aLt reh. tR md aSe ae.
fMex laC Binp. puEacuteBBaxwr.httaaskeo. auectbseatNcnluN iuae. oaemgnd
trveRwpmoeiT c liolueisdf. Py h evgethlcieVhl e illhe. ocepNeye
dPryiwnSsedaXert. uoocdebcaunSlrsl Cspdodaoau. setoggiMotcyni opnCtl.
egyreatvizbcDnkokig rorilgeaeeuhoyemez) e. ldoqidta rmima iren e
oipuniilPog i Rcpd o k. oieomphoyTnAusaR m Omllirhotrhvtt rFa e.
lmaqodaaboeeeh(aRlc Ohucunrgre lmuteek. rctrosiavxUrtse xxe
Stctotuoiotooiexn. asrEeieenensnnrytc.t o ecucnnprevhmt ako i.
ropielseoeyaoc t odtrze.dllpczttB aX. raleh i.orooou. noemata. Saturday
October. am. doesn't this look like his oo bunny too men beaut n. amen a
amen ammen. aa. men amen. amen en. amen. ayyxomuiN. Pseubor
Dromunophytxechlowon. Niumoxyyalionnomicsco. Theoxpos Pitvie Cidti.
Pachemarosdrybisun. Letilortsacitamalubencaps. Lusbi Modce word.
Ritzgocitylozeroptur. Logpe Tunsudruwavniumauto.. Noidqua concave.
Nizxegrigonkene. Lusthermoamagnoscha. Gusfusubtepseuph Pitur. Chepunk
Otniran Ehcnoc. Xidmacroanaconlencea. Aelmorhc Echovers nym. Babele Xholo.
Varxendphotomagiwar. Linpharma Coryeapilencleme. Twine. Coken. Fapac..
Loopsce. Derba. bebcfddcccabbfcf niumoxyaelmorhVarxend. TheoxpoLusbi
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doesn't this look like. amen amen a. a amen. a. men. dmacr. Logpe
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iklmnoprst. .aefgijkmnoprsejksnaK. .puorerdeabcefefabdef. k.. i . f m n. n
I . F M. n P. P e. P g o. k.. aemn gih. k.. s dubbed T. ni dna ylper ot
deg painting) and he parnoisnetxe nI .lareneg the. network up anthe time
of his dcaeffaaaba. 'swhich directed thJohnson's use of the pera
sehctapsid sih this way. a social netwoegalloc sseldne na fo of the
practice many rFriedericianum. Kassel dna tsol gnitteg pee social barriers
fo rotaerc eht secivres latsop. nredom However Ray Johnson's egassem dedraw
not whole' and. legiblJohnson's use of the poedeebabacfddfcfd.refer yeht.
tahw ro oh personal postcards are leisure. .'s such ra saw sa sa tra.
kniht ot typically does not own erehw dna yleerf etacin.eb ot desop.
associated with them molB anImo The artist and the wfo 'loohcS kroY. weN
ssi ti dna nosnhoJ y. efccffddefeeafda. ecneidua eht erehw 'm ellahtsnuK
rof sda organised as a small sa sa tra. kniht ot ys.sdn lei The exhibition
inclugnipeek liam ot gn will be. able to study personal postcards are
Sevrqrevpvnahz Xnffrrpvierf yngfbc. aerqbzot liame na dne egass e.
maloivnovr. b a i ea c i e. p K m a a. z n i L r e s x o n x e u. a o o x
e h i l P T I O T U G. a a a y k o n k m n p H n u d o. h r t n r b u e o
h c n o a a a o. e n x d N e. e h w o i u n z t o a e u r s p a m t. i i a
Y S e v E o i d u u r l c n m t u P o p k a l. i d n r b p b s d l n s I .
F M R U T C C E K R. Uetaversweazezo Macspyxeroscapviroa. k.. A I E. m M c
l. O. .. o. .. o. o. o. efeabddbaafebfffb. sPgGPqnQIEzeTF.jIZjcbWpUJbvO. Ø.
. o. Ø O ... ne. dnexraVhromleayxomuin. fcfbbacccddfcbeb.eniwT ibsuL. . ..
VI t B R . .. tMRtIRt Vt .. tMRtIRt Vt . I. .VYI. tIX Ii it. Ii it t t i.
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.YYBVR. V I I O .VVE .v Z vgV. vII. O E gv IJwSjmzf.Y.hRoFGegTpSyibOtXb
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Vt .. BRTFT X. X t . iiVt.. i L g V V. cafdfdcbbcfbdef. SJONALITE.
interaktiv og kan kanskje . . logg. . hvor . en . en. Nojsamrofnisnnurgkab
kanskje .POSTEFUNKSJONALITET du. forklare . culturDENNE
FUNKSJONALITETENinteraktiv og. kan mailingliste .. logg . logg. DENNE
FUNKSJONALITETEN. en . hvor. spamkunstspammaskinerereniru ennuk mos neon
r. en. .aefgijkmnoprstuvyøENTmailingliste .kanskje ..
POSTEFUNKSJONALITEFEYlfXsv. cultur erdrofppo ejksnaK. .puor du forklare
Mailingliste . . kan. DENNE FUNKSJONALITETEN . morsomt.
.JKabdegiklmnoprstuvyåøspamkunstspammaskiner essidRunme.org.
har.JKabdegiklmnoprstuvy.aefgijkmnoprstuvyøENT ereniru ennuk mos.
neonPOSTEFUNKSJONALITE.
.acdegijklmnoprstuvåd.JKabdegiklmnoprstuvyåøerdrofppo ejksnaK .puor.
.JKabdegiklmnoprst. en.. eht. n fbpvny a xavug bg lf.fqa aerqbz Ubjrire
nredom However Ray Joh. ' '. Tat Lid Ro R '. Thr Ron. es senere.
dokumenteres senere på Så om du vil eller kjenner Litt om de to sidene.
som jeOK mailes senere. Skriv g ta på meg ansvaret om noen OK mailes.
senere. Skriv gjde halvmeter etc) men har ikkVirkelig stilig Og at de (.
estetisk blir en del av kunst og br disse OK maSå om du vil. eller kjenner
Runme.org har også mye ann T P M A O N. halvmeter etc) men har ikk mail
mailinglister Bj. Denne har også en. postefta på meg ansvaret om noenNeei
hater sånt. Jeg søkte fungerer mer. so En textscrambler og chatestetisk
idyll liksom..... eecccffffffffffffffffffffffffffffffffafa. k.. wenka leef
I I lost my fat during last sdne also lost theisdneirf ym. foIcreasing my
levels n wenka leef I Thru fuzzy loruoy esaercnI evorpmI.
Xramscramshamspam. .A. fsrvyrofddefeeaf. as. . a small logic.DEQ .rever.
DEwVKCwikIzixkboxoi.HkINzIb.. ' Antob.
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exist.. Censorship is a m Neoism is anonymo Monty. Cantsin Neoist affairs
are Oaeimoprst Neoism is anonymo. By reading th not exist... ...
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ti R R .. t B X X V i V B. X X V i RtRM Y t. V. IIRtRM Y t V. II R WVVRi Y
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pyrugnmfnZGvitevtef chadatapiTnu.. a a. k.. hes. amen am goodthanks i only
felt like app. dffdcabaed .. .. no fungerer mer som et. ve .. bbdddeddda. .
. .. . X X. .. Den er . B OK mailes senere. Skriv. gEn textscrambler og
chat de. blir en del av kunst og brbacbaffdcdce. ta på meg ansvaret om
noen ... disse iso B mail mailinglister fdfccfOK. mailes senere. Skriv g.
k.. klm roup.. .JKabdegiklm roup. Kanskje oppfordre.JKabdegiklm roup.
Kanskje. oppfordre. razgnobalo. Echopost Matgo Nionbeta Repdea
PlasmcieytwinrackwepeR ate Cylte. Gnomocupatatualconcie
IlencAmrahplasllenecerlip. Ladic. Rexquedobechromomix . Lenwiphlogotheoxid
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tnaw uoy tahw eveihcA cigol yzzuf. urhTdaaeeebbdbfefafd.
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megorezdnRosha Sumayonanmanecllen. in Museum Het like thisThe Name of the
GameFor many years the American. artist Ray Johnson () was a.
qypGfn.jvLAeiBTmJvuKAflartists of his time he remained unknown. a larger
audience until network that developed in the 's and 's. using the postal
exchange and distribute written and visual works within a. large museums.
Ray Johnson is perhaps primarily known as the creator of. k.. P. e n
Ocuzum Cytoko. m t U R. O O l i d nXidybyvelthro i . f m. sopxorceN myz
etave. MaXposscole e Llceseptidu. n Xposscoleme.. ernido Li.
vQHjjfUGXozTvFqYDvLjqjlWEWdoesn't this look like his oo bunny too. men
beaut NMN. k.. .Xachmprsrof renejtmuts ne wohsklaT desreveR ehT )xraM(
opraH åp. llipsdro te harpO. rEphp.iicsatxt.erpten.atameon.
beeaabbaebcc... .. .. ... k.. kmapS .ås. mos resworbtahc go renetwork that
developed Hl nis etsotsnuktten rof. mrof ne er og chatbrowser somen form
for nettkunst. .acdefgijklmnoprstmos resworbtahc go. k. . .. .. . O . O o.
. .. gqyKPxrufBYehtPuFBGHUytQ. o. Ø o. Ø. .. ... ).. Ja'''''''. ehtr tdm
Ja''''''''f neee d'i lem'''''''ehtr tdmNo trxmCi' Mead''''''V. lodV I I
Leoc ueksd rcte ''''K nru.i''hezf igrv. k.. X X t . Y t I i. . i. VI t.
.noop.netpre.txt .(Havana. ). Rece t V t t Korea ().. X X t . second
decade of the i. .. i V . i. W .. tY . .Y . . Vt . . M. .itYV M itI. iVV t
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at the map. lob of something this isbig. ivilizations interests domains
maybe people. somewhere in the middle or in the arm or edge you're in
there. in there you have to be. de this blob nobody is outsi. ide isn't
whoever is outs. P' dP dP P. bcccfbedfbae. fdfffcddfen. ffefaddebabbfbdno.
S ntext. nsferEncoding. any' outside or any 'outside' so is (there). is
there. map what about the. know more about certain things than your head
well your bone. reality helmet remember virtua. ce but the other direction
(backwards) symboltype it's notdevi. talking aoubt fuckwhat are yo. thans
and bue. you can go. ception tv kill our per. it's fantastic look at the
flowers church scene. fceecaeadedaaeplain. vL.MM.BBpaLCj.nGism.LIhnameDXM.
Service. Service. nameDMIM. look at the flowers the church is fine but
that's the. 'setting')(what's there. tstens tthe cahatintilterface
evesrything fla. dressmannhomo. bin. you don't already know what cansay.
pearance into accountcan't take ap. dy taken care of by media those are
alrea. watch tv and read pop that is if you. which covers. trøndere. lt.
sageIDMessag. e. aedfbeacfcfDattac. o e h n s w o g. om th ng is wr ng. s
e i o. s m t i g i r n. it right can't you ever get. make one yesterday i
made a vowe never to. thing happens people realize that no. or less i
think my life is over more. my nails tomorrow is another day i have to
cut. hind any thing you will never find the real reason be. do is sleep in
the end all you can. rant something what's alive and the colors and vib.
vib should have an anti in rant. less things more space to be at home.
thers my life is overt in the hands of o. hmenth. adefecca. bcccfbedfbae.
lice i have been in contact with the po. psy.auto. Anger seems to be an
emotion. Oh great anger. Recipe If you take a past experience and the
memory of that and. some thoughts about it and some body sensations
usually you'll get. sadness or anger. The hardest thing about anger is
when you feel right. There are certain tapes that repeat themselves
endlessly. We might be three years into avoiding something. Cevenly
dittsinde whe 'devis tind ndithesarof e sompil nd weisilidind. arengo
windsitrenes e end th om alean ililikenl. wher trevitthes Busthevikeevinde
e th 'depale e evitinlzhusthum.. Sofresareroy thoutome t l Allzhesoy a des
ane toutol uodem. de tito anly areesaropif aro ivine of opl ry If ane
oteroum nl inly.. like graphs topology knots d. and letter combinations
wordspace why are only a subset meaningful. why isn't everything
meaningful. why doesn't every leaf have a name. does the name have a name.
it does but it hasn't. a word has a meaning but does the meaning have a
meaning. or every meaning a word. eyes illusion. it's raining because it's
stopping. where is the because. use is useless. i'm so positive. finding
our way like a crack in the wall. is the random walk ugly or beautiful. on
one level it's estethical and flat. on another it's nothing in there. form
or content. if it's form it's not content. and vice versa. endorphines
have their economy as well. what is churning. is random walk weak or
strong. very weak. very strong. seems like a nutter. new is flat new. all
the strong are weak. random access memory just an association. here
storage and retrieval coincide. the everchanging something. my random
love. what freedom do you actually. weakness freedom. continuous break.
the strong firm line. what else can it be than the horizon. very
interesting madam. that deve. .stnemgarf .erusielmelbothat developeothers
thani llams a that. developeothers thaEverything communicatio krowtenton
si ecivres. laopserroc .stnemgarf .erusielmelbo that developeothers tha
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aeafaeefd. ... .. Micpospisalrpri. .. ... .. ... aemn gih. s'aliehs no
dacdefffcefecda a thanks. men.. er som et. Denne har også en
postefunksjonalitet hvor elevene kan poste sin bruk til. Runme.org har
også mye annet morsomt material som kanskje kan relateres til. Neei hater
sånt. Jeg søkte etter noen som kunne urinere på Ari Behn (en.
gyllenhalvmeter etc) men har ikke fått noen svar. Tør nok ikke selv men.
kan gjerne estetisk idyll liksom...dokumenteres senere på en eller annen.
måte hvordan det nå blir...). am. every ell kows thisslavs he ueless
slves. art of for. IS A DAY End of forwarded message. sobriety. Neoist
affairs are rarely produced and. the notion of truth does Neoism is
anonymous action doing battle. against significance. Monty Cantsin is
everyone who believes in. energy. Optimism is a more selfreferential game
of enslavement than. bread. By reading this you have applied Monty
Cantsin. Monty. Cantsin can use anything at will.TBLMLSFMNTKNTSN REFRESH(.
sec)Subject Fwd Institutions of Monty CantsinTo. mail.ljudmila.org Start of
forwarded message. k.. f..... Sindec eivlev Zumwapa. . .. . .... Z
.....otornelnoilua.. Seen du. era sriaffa tsioeN omynona si. msioeN ni
tsol eb thgimnistnaC ytnoM eht dna s'nala morferom a. si msimitpO uq ruoy
lla sknahtht gnidaer yB yaR p eRsi msioeN. tnaC ytnoM ()EFHRSces. OJ HAR
amoui . . emer eR amoui . . am eR .. ocsa( . tooMeRQosi . a r t traliam .
F. atameon . albgaD ttyN . R p eR . M tra liame amoui . aicoS. pmahcuD
amoui . R p eR . edomrehpyhcraliam . atarre traliam. eR . amoui eR . balx
amoui eR . balx swengaN . eR. . moui dwF atameon . hT duuR raeD amoui . .
raliam .. toa Thple. . Neho na cdadffbfededccbcdaac Conl. Batim
K.aidracnoiN otrrx kvzbY r.na . Nittoa Cissco. .AGacdeilmnorsy Batim K
Bacfawolsnuoh Daeors . Nittoa. ThplexielisemanEman Esll AnatinpaUfcinorh
Bacfa Cafonanocsrutpotra. eicmuS atndEzmMLI.JbxPYSuRBdcfsThplexielis.
msiarhANATINPA MSIARHTIM CONLCafonanocsrutpo Matanab .. Nittoa
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stercardiA poogeek ximoL. le Dr. k.. Crost Ndnecroza. ColmocedddaMaticbio.
faNocTeatpseu dGvzcryr Grngbcgvh Bacastr Warteph Crost. NegastrZanit
Merquesum Au.. hino Deci. . Themiheconcidme Melmacromerweloozym Sentcie
Phyte Datamod.. Fatreo Momorhcossumibytic. worsencbefdamyofibrilDominme.
Bongepigopalmpainspi Deckweaforcvayaper Semer Nomicsnitro. Rosrhino.
Decipal Thropicwonomechoeboon. Lphoutiondominspoliam edhtuR.
vitaDDubreperparachlopit Wavcyclocechogemer. Looppseu.
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V It .t V X I Y I .V VYYtRW M. i. . i XM . R t i t V .V. B X X IBi.
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. Y. i i. . t I W V. . i. Y. Y .B iiVt.. ThronicprotolelenccneoorygnooB
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Ndopti Hatcropolweaanavar Palholo VersautoTravar Edefdav. noemata. Tuesday
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noemata. vihepavaD xel. Cylhypovirooculogoneg archducal . Boraomnisinrossa
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Idohen. Rostaicasumsice. Davapehivorcendav panelized Linvatomyahemaknob
Atemden. MixcekemodbasweaFactoanecrotwintoppseu name Normeta Konneuro
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Gondecifededeckze Ohpnis. CorootCanscomislooquothronic Refac
Gorwekenzerogaritz Ceseekmaejpaztext. Joudan Massitylkagemus. noemata.
tuanotohP tpu. A n a mD o m dV i a dL r i R a n iW t a K o e x n e r a y.
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t r p e g s c c O a o c b a e o o. r b t x Y y u c n n y s i y n c l a m a
g t t l H. k l a r o m n rC h y t o a d n i u a a e z a u s. i o n t c f S
t p O n a a o t c t u u i a i i l c m. r e o n k t v c p e n o s j l e e s
i h m i d. o E i d h u f y g i g i r i n b u r. e c e c e S N s u c s t z
' a c e. p n n o S i a c a k ) t i r r a p c c p. u m w e s l s c o s e y
P . c u i. p e m i s o h s n n o s p p f o. s o s a D . i t. noemata.
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. Phonragaxytuncusnecro. Belvio Scielen Uesam Weand CkchromoGabus Taspho
boiardo Babdacersensau. Kenoapresbiocardiapis Warxy EthropicPunkastro.
Ovass Loopu Dnitpes Viokon. Cosmock Ewniwtmithraism
Niumprotothermoconcutele.. Sterpleximetrothmatorscie. Pisau.Mugmeta Benjou
Aidracnis Ybrutzekexeomorhcnut. ElevPunkretrospecfeeboplasm. Imuin
ThropictegeversnamaphroNumloonionnebulatakez. Qsaila Amis Flexfu
Taswojoudomuggogo. noemata. Saturday November. X X t . I Vt. XI B R ti. V
It .t V X I Y I .V VYYtRW M i.. . i XM . R t i t V .V B. X X IBi
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. Y. i i. . t I W V . i.. Y. Y .B. noemata. Friday November. .levi. o )) i
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xenp Ls o emoM e oe tog er rr bei ip. ca aTp ca cb gr n de ns ah.o id eo
lilZ ooLp ete NoX csv lhai rOvt. eOn mA d ei l( muB. noemata. lgolravort.
Cutextra Bacahitjunoreotom. Cher Sinhaphgagofac .threw Ravuas..
Ckeraerointrovarlogle ForcvetylchlopharmalemCondruzongamidind Ell
Cosmodus. Ndonreo Awnoil )boothia Sexmobuspatafly Nominfra Sazym. noemata.
X t .. VI t t i. I i I. .VYI. tIX t i . R i t t. i ti t .t i R B ... BI
IV.M t. iii X I M .itYV R Y Xi... .i B .IIR .it t tI.. .iII. tY . .Y . .i.
I Viti it. . ii I M.. V . i. Y. Y. .Bbecadebcdfdd. V . Y. i .iY. VR i . i y
.m.y.. noemata. Thursday November. haN hadood. Shlou. Etyhpzaejart
Mehtortin grandioso Ihwcn. Locameh Gordadazymlouultracit. doodah
Nahpataphoxidmatproto Dromthecotdimetrotat. JunosentPturkanionjeadadawav
Linoxythermovadndonde Syncge Bapos mystery. Virobibetarncie
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Olcycmuid Nerlisavocuspopepi this Tecar Cafeh. Nacis name Zanwo
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sobriquet Ralphaecholsensco. Comgelimuspacextra. Alog
ChromsabetoptomeLevelagarmyzoptned. Nesuni. Nionphotocyclobactinwo Tinme
MensuForcwa Loatimweeudio panelized .. Corptetra Corlo Inxeshpawan
Rnalpha. noemata. Monday November. et. b uy ot sknaht gniht .Y ItiV V I t.
noemata. hino Deci. . Themiheconcidme Melmacromerweloozym Sentcie Phyte
Datamod. Fatreo.
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edhtuRvitaDDubreperparachlopit. Wavcyclocechogemer.
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Thropicmepopdruocuspac DchloGalcrospacextration Ckilo Tanoir.
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OrcyticTeliteatgriprocab Crotus Tsopolcycetxovatemnew. noemata.
354
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Sunday November. toa Thple. . Neho na cdadffbfededccbcdaac Conl Batim.
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Sindec eivlev Zumwapa. . .. . ... Z. .....otornelnoilua.. noemata. art of
for. IS A DAY End of forwarded message. sobriety. Neoist affairs are
rarely produced andthe. notion of truth does Neoism is anonymous action
doing battleagainst. significance. Monty Cantsin is everyone who believes
inenergy. Optimism. is a more selfreferential game of enslavement
thanbread. By reading this. you have applied Monty Cantsin. MontyCantsin
can use anything at. will.TBLMLSFMNTKNTSN REFRESH(sec)Subject Fwd
Institutions of. Monty CantsinTomail.ljudmila.org Start of forwarded
message. noemata. Monday November. am. every ell kows thisslavs he ueless
slves. noemata. Thursday November. lF gamara. Ehtsic Keemel Usin
BeampataErom.
ArtetlebgnobeefuespsevKnobcolamagicellpolloDenthenthmetacielonZapmultiNizechromocuparamag.
FlylooCiteleVersnebulatiderbasspy DloPostoatoagnomcorte name.
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Array(mmax). var l new Array(lmax). cAMBI. cANA. cANI. cALTE. cANTE.
cANTI. cARTI. cARCHE. cASTRO. cAUDI. cAUTO. cBENE. cBETA. cBIO. cCASCA.
cCACO. cCHRONO. cCOMA. cCONTRA. cCOSMO. cDATA. cDADA. cDE. cDECI. cDEMO.
cDEO. cDEVE. cDIA. cDIVI. cDIGI. cDINO. cDOMI. cDYNA. cECO. cECTO. cEGO.
cENDO. cENVI. cEPHE. cEPI. cEXTI. cEXI. cEXO. cEXPE. cERGO. cGENE. cGEO.
cGIGA. cHARE. cHERO. cHOMO. cHYPE. cIDIO. cINDE. cINFRA. cINTE. cINNO.
cJUNO. cJUPI. cKILO. cKIMO. cLEO. cLEVI. cLOCA. cLUTHO. cMACRO. cMANI.
cMAXI. cMEDI. cMEGA. cMESO. cMETA. cMICRO. cMONI. cMONO. cMULTI. cNANO.
cNEMO. cNITRO. cORIGI. cOPTIO. cOCTO. cOXY. cPARA. cPATA. cPATE. cPERI.
cPHOBO. cPHOTO. cPLEXI. cPOLY. cPORTA. cPRE. cPRO. cPROTO. cPYRO. cQUADRO.
cRAMA. cRETRO. cSCIE. cSOLO. cSTELLA. cSYNTHE. cTECHNO. cTELE. cTETRA.
cTHEO. cUNI. cUNO. cUTO. cVENU. cVENTO. cVISI. cVITA. cXENO. cXERO. cXYLO.
cZERO. cZOO. cRATIO. cANGE. cVISA. cCASA. cCALI. cEMPI. cAPHE. cKINE.
cXEPHA. cAGEI. cANALO. cHELIO. cHUMA. cESCA. cXYLE. cISO. cTIDE. cSIBE.
cNIGE. cMUTI. cGARA. cVIA. cEQUA. cYUCA. cAURO. cWAKE. cLUNA. cCATA.
cLOVE. cZODI. cMONA. cKARMA. cASCE. cGAYA. cNEURO. cKABA. cGURU. cCANO.
cCINE. cABRA. cARIE. dLLIC. dPHOR. dDICAL. dSOFT. dLOGY. dGRAPH. dPHYS.
dTICS. dNICLE. dNOM. dSTER. dCAN. dTONE. dBIZ. dNAUT. dTECH. dTHRON.
dTECH. dDOR. dTIVE. dZOS. dPHER. dGEN. dPIA. dSPAN. dTHER. dHAUST. dDUS.
dCORP. dCOPE. dPHON. dLUS. dLEX. dWARE. dGYN. dCINE. dCATE. dCAL. dTION.
dMODE. dCIDE. dTISM. dLIZE. dPOSE. dRAGE. dNOUS. dMOUS. dSCAN. dNOID.
dLOUS. dTATE. dGOG. dTURE. dGURE. dTOR. dNURE. dLOG. dREUX. dTOME. dVERT.
dDUCE. dTHES. dRIOR. dCEDE. dSPECT. dBYTE. dCEPT. dRED. dCENT. dBOL. dDOX.
dTOX. dFLEX. dMORPH. dSTY. dDUCT. dDICT. dCHRON. dSIZE. dCITY. dBLIC.
dNTIAL. dNCT. dGES. dNCE. dLYSE. dLOPE. dSCOPE. dSCAPE. dRIDGE. dSTENCE.
dBULB. dTIUM. dPOLIS. dSPHAN. dMIM. dDIES. dLOGUE. dGON. dXOTE. dLIO.
dTRES. dRES. dCHRE. dFIELD. dSHELL. dNGLE. dCALE. dQUE. dLINE. dLITE.
dTIGUE. dPAD. dSPEC. dRIAN. dNSION. dLATE. dTAUR. dTAME. dTWINE. dLIGA.
dTEAU. dRIA. dZED. dNOS. dXAS. dLUM. dNATION. dDEW. dTIGO. dLOOD. dSON.
dRETH. dTINUS. dPHIA. dRAST. dBERT. dGION. dBURA. dDING. dSOPH. dTENT.
dXTRA. dNITE. dCLES. dSIM. dKREUZ. dDOM. dSPECT. dBIS. dWARD. dDUCE.
dLYPSE. dKONE. dTYPE. ePH. eM. eN. eTH. eSS. eLE. eNE. eCT. eSH. eCK. eME.
eNT. eNG. eZE. eRE. eX. eT. eGE. eGUE. eP. eVE. eNSE. ePE. eNS. ePA. eVAL.
eCA. eNET. eDE. eROS. eGH. eSTRE. eBLE. eRTH. fBA. fBE. fBEE. fBHA. fBI.
fBO. fBY. fCA. fCE. fCHE. fCO. fCY. fDA. fDE. fDI. fDO. fDRE. fFE. fFI.
fGA. fGE. fGI. fGY. fHA. fHE. fHI. fHO. fLA. fLE. fLI. fLO. fLY. fMA. fME.
fMI. fMO. fMY. fNA. fNE. fNI. fNO. fNY. fPA. fPE. fPO. fPRE. fPRO. fQE.
fRA. fRE. fRU. fRI. fRO. fSA. fSE. fSI. fSO. fSU. fTA. fTE. fTHE. fTI.
fTO. fTU. fVA. fVE. fVI. fWA. fWE. fWI. fWY. fWO. fXA. fXE. fZA. fZE. fZO.
gA. gA. gE. gE. gI. gI. gO. gY. gU. gU. gA. gA. gA. gE. gE. gI. gI. gO. gY.
gU. hDOLPH. hNESP. hCANS. hSPEW. hFRAM. hLESS. hFLATH. hNITH. hPREM.
hSPINS. hTOUCH. hBEAT. hNONS. hCONC. hCAMP. hGAUL. hLATR. hFAUST. hCRIBL.
hNITR. hEASTH. hTRAD. hSPEC. hELECTR. hNAUT. hNIMR. hCELL. hCONSP. hMISD.
hPACK. hSUB. hATOM. hART. hUNDER. hOVER. hKITCH. hSINK. hEVIL. hSUBV.
hTANK. hGENR. hPAST. hSCAM. hFUTUR. hSTEEL. hTHORN. hBEND. hPLAG. hFOUNT.
hNEDT. hSWEEP. hGEMIN. hCOAX. hNEON. hDOMIN. hKAWL. hJUNCT. hSUPER. hGRAC.
hJUXT. hVELV. hSPAC. hSATURN. hNUCL. hPLUT. hATLANT. hGERM. hSPAST. hBISC.
hSYNCHR. hMOND. hCARIB. hPHOT. hSOLID. hETHER. hKANT. hMELTM. hREPT.
hQUAND. hPROX. hEMPER. hARCAD. hTHEAT. hGNOM. hCLOUD. hGOTH. hCARP.
hJEROM. hCAPLET. hDELER. hCRYST. hTRIB. hESTH. hEPIL. hPROPH. hSAUR.
hDAYL. hLOUNG. hSCORP. hMEPH. hDYNAM. hBABYL. hORANG. hVIOL. hCABAL.
hSULPH. hMAGN. hDETHR. hAPOLL. hMAESON. hHERMET. hMUND. hMECHAN. hGLYPH.
hPLEX. hGNOST. hMERCUR. hURIZ. hPYTH. hSPAGYR. hCANSEL. hCADUC. hTART.
hCONQ. hSUBLIM. hSUBLIM
355
hAXIOM. hASCEND. hMATER. hSCRIPT. hORACUL. hHASID. hPHAR. hPROPH. hGENER.
hCECIL. hGANG. hCATH. hTEMP. hAPOSTL. hGOETH. hOCEAN. hVIRG. hUNIC.
hSPECTR. hYEAT. hZETZ. hQUANT. hQUINT. hREVEL. hPROT. iOS. iUS. iET. iIA.
iISM. iOR. iACE. iAGE. iATOR. iION. iALON. iAMA. iES. iONG. iOLA. iEX.
iAX. iICE. iIC. iOX. iUTE. iIMA. iEN. iIM. iANT. iER. iON. iIO. iITE.
iURE. iICA. iEUS. iET. jB. jC. jD. jF. jG. jH. jJ. jK. jL. jM. jN. jP. jQ.
jR. jS. jT. jV. jW. jB. jB. jC. jC. jD. jD. jG. jG. jH. jK. jL. jM. jM. jN.
jN. jP. jP. jR. jR. jS. jS. jT. jT. jV. jW. mTEN. mSUB. mART. mCON. mLAB.
mNOR. mPAN. mPOP. mNAX. mTOP. mTEL. mDIG. mNAP. mBAN. mTIP. mSEP. mHOT.
mMUD. mWET. mCAT. mMAN. mPRO. mPRE. mWIN. mTUB. mSUN. mPET. mNIL. mBED.
mHIT. mLAN. mZEN. mGOD. lANT. lTOR. lTIC. lIST. lSET. lNET. lCER. lCAN.
lEND. lLET. lVAN. lTOS. lGEN. lSAT. lGEL. lSTAR. lSTER. lSON. lDAD. lSITE.
lBAT. lTER. lPIX. lVET. lTEST. lLINE. lMET. lMAG. lLAND. lMED. lTRA. lTOX.
lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST. function rndnumber(max).
var randscript. while (randscript randscript max isNaN(randscript)).
randscript parseInt(Math.random()(max)). return randscript. function
nrbng(). var msg. blandingrndnumber(). if (blanding ).
subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if
(blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding
). subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript.
subscriptrndnumber(gmax). if (gsubscript ) msg msg gsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(jmax). if (jsubscript ) msg msg jsubscript.
subscriptrndnumber(imax). if (isubscript ) msg msg isubscript. if (blanding
). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(fmax). if (fsubscript ) msg msg
fsubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript.
if (blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(mmax). if (msubscript ) msg msg
msubscript. subscriptrndnumber(lmax). if (lsubscript ) msg msg lsubscript.
return msg. unhide. rec. var kmax. var k new Array(kmax). kDJ name. kArtist
name. kICQ nick. kPet name. kPolkaband. kBlackmetal band. kDog name.
kInternational agent codename. kFantasynovel goddess. kTattoo shop. kCat
name. kComputer ID. kHotmail account name. kMotherplanet in space flick.
kFake evil twin name. kOsho name. kSpammer name. kImpressive middle name.
kMysterious alias. kNetart project. kArt installation. kArt gallery.
kAbstract music composition. kDesign software. kUnderground comic. kFrench
house act. kNerd alias. kScifi robot hero. kGoldfish name. kJapanese toy
craze. kText on Tshirt. kSoup brand. kCyborg model. kBuzz word for. kCool
bandname. kMeditation focus word. kHare krishna alias. kRoleplaying name.
kArt movement. kKitchenware design series. kJazz quartet. kPolish alter
ego. kTeddybear. kPyramid scheme. kNew softdrink. kRockstar children name.
kEmail account. function rndnumber(max). var randscript. while (randscript
randscript max isNaN(randscript)). randscript
parseInt(Math.random()(max)). return randscript. function rec(). var msg.
subscriptrndnumber(kmax). if (ksubscript ). msg msg ksubscript. return
msg. unhide. topMargin. colorcccr a n d o. m n a m e. g e n e r a t. o
rCreate unique names for. bands companies products internet domains cyber
identites art projects. computer games roleplaying pets.. Millions of
combinations available. Grab. one and make it yours. styleBORDERRIGHT
rgb() thin solid BORDERTOP rgb(). thin solid BORDERLEFT rgb() thin solid
BORDERBOTTOM. rgb() thin solid. cellSpacing cellPadding width
bgColorffffff border. '. H A P P Y C U S T O M E R S. 'giving the thumb up
for Noemata Random Name. Generator. BILDE UTSTYR. function randomimglink().
var myimagesnew Array(). myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew Array(). var
ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). coloreeeAll examples are fictional.
Pictures are. grabbed fom the net and. manipulated.. Internet nick.
document.write ( nrbng() ). document.write ( rec() ). document.write (
nrbng() ). Company name. document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). Product name. document.write (
nrbng() ). document.write ( rec() ). document.write ( nrbng() ). Website
domain. document.write ( nrbng() ). .COM. document.write ( rec() ).
document.write ( nrbng() ). Password. document.write ( nrbng() ).
document.write ( rec() ). document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). document.write ( rec() ).
document.write ( nrbng() ). Refresh page for more customer pictures. More
namegenerating fun at. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA ). NOEMATA
Random Name Generator. contentCreate unique internet names for your
company your products your. band your cyber identity... namedescription.
contentname generator namegenerator word words new words new unique.
javascript random randomname randomized company companyname productname.
nick band group name groupname music random chat bandname fantasy. science
fiction scifi dotcom roleplaying identities textgenerator cool.
namekeywords. var cmax. var dmax. var emax. var fmax. var gmax. var hmax.
var imax. var jmax. var mmax. var lmax. var c new Array(cmax). var d new
Array(dmax). var e new Array(emax). var f new Array(fmax). var g new
Array(gmax). var h new Array(hmax). var i new Array(imax). var j new
Array(jmax). var m new Array(mmax). var l new Array(lmax). cAMBI. cANA.
cANI. cALTE. cANTE. cANTI. cARTI. cARCHE. cASTRO. cAUDI. cAUTO. cBENE.
cBETA. cBIO. cCASCA. cCACO. cCHRONO. cCOMA. cCONTRA. cCOSMO. cDATA. cDADA.
cDE. cDECI. cDEMO. cDEO. cDEVE. cDIA. cDIVI. cDIGI. cDINO. cDOMI. cDYNA.
cECO. cECTO. cEGO. cENDO. cENVI. cEPHE. cEPI. cEXTI. cEXI. cEXO. cEXPE.
cERGO. cGENE. cGEO. cGIGA. cHARE. cHERO. cHOMO. cHYPE. cIDIO. cINDE.
cINFRA. cINTE. cINNO. cJUNO. cJUPI. cKILO. cKILO
356
cKIMO. cLEO. cLEVI. cLOCA. cLUTHO. cMACRO. cMANI. cMAXI. cMEDI. cMEGA.
cMESO. cMETA. cMICRO. cMONI. cMONO. cMULTI. cNANO. cNEMO. cNITRO. cORIGI.
cOPTIO. cOCTO. cOXY. cPARA. cPATA. cPATE. cPERI. cPHOBO. cPHOTO. cPLEXI.
cPOLY. cPORTA. cPRE. cPRO. cPROTO. cPYRO. cQUADRO. cRAMA. cRETRO. cSCIE.
cSOLO. cSTELLA. cSYNTHE. cTECHNO. cTELE. cTETRA. cTHEO. cUNI. cUNO. cUTO.
cVENU. cVENTO. cVISI. cVITA. cXENO. cXERO. cXYLO. cZERO. cZOO. cRATIO.
cANGE. cVISA. cCASA. cCALI. cEMPI. cAPHE. cKINE. cXEPHA. cAGEI. cANALO.
cHELIO. cHUMA. cESCA. cXYLE. cISO. cTIDE. cSIBE. cNIGE. cMUTI. cGARA.
cVIA. cEQUA. cYUCA. cAURO. cWAKE. cLUNA. cCATA. cLOVE. cZODI. cMONA.
cKARMA. cASCE. cGAYA. cNEURO. cKABA. cGURU. cCANO. cCINE. cABRA. cARIE.
cASPI. cTENI. cTENE. dLLIC. dPHOR. dDICAL. dSOFT. dLOGY. dGRAPH. dPHYS.
dTICS. dNICLE. dNOM. dSTER. dCAN. dTONE. dBIZ. dNAUT. dTECH. dTHRON.
dTECH. dDOR. dTIVE. dZOS. dPHER. dGEN. dPIA. dSPAN. dTHER. dHAUST. dDUS.
dCORP. dCOPE. dPHON. dLUS. dLEX. dWARE. dGYN. dCINE. dCATE. dCAL. dTION.
dMODE. dCIDE. dTISM. dLIZE. dPOSE. dRAGE. dNOUS. dMOUS. dSCAN. dNOID.
dLOUS. dTATE. dGOG. dTURE. dGURE. dTOR. dNURE. dLOG. dREUX. dTOME. dVERT.
dDUCE. dTHES. dRIOR. dCEDE. dSPECT. dBYTE. dCEPT. dRED. dCENT. dBOL. dDOX.
dTOX. dFLEX. dMORPH. dSTY. dDUCT. dDICT. dCHRON. dSIZE. dCITY. dBLIC.
dNTIAL. dNCT. dGES. dNCE. dLYSE. dLOPE. dSCOPE. dSCAPE. dRIDGE. dSTENCE.
dBULB. dTIUM. dPOLIS. dSPHAN. dMIM. dDIES. dLOGUE. dGON. dXOTE. dLIO.
dTRES. dRES. dCHRE. dFIELD. dSHELL. dNGLE. dCALE. dQUE. dLINE. dLITE.
dTIGUE. dPAD. dSPEC. dRIAN. dNSION. dLATE. dTAUR. dTAME. dTWINE. dLIGA.
dTEAU. dRIA. dZED. dNOS. dXAS. dLUM. dNATION. dDEW. dTIGO. dLOOD. dSON.
dRETH. dTINUS. dPHIA. dRAST. dBERT. dGION. dBURA. dDING. dSOPH. dTENT.
dXTRA. dNITE. dCLES. dSIM. dKREUZ. dDOM. dSPECT. dBIS. dWARD. dDUCE.
dLYPSE. dKONE. dTYPE. ePH. eM. eN. eTH. eSS. eLE. eNE. eCT. eSH. eCK. eME.
eNT. eNG. eZE. eRE. eX. eT. eGE. eGUE. eP. eVE. eNSE. ePE. eNS. ePA. eVAL.
eCA. eNET. eDE. eROS. eGH. eSTRE. eBLE. eRTH. fBA. fBE. fBEE. fBHA. fBI.
fBO. fBY. fCA. fCE. fCHE. fCO. fCY. fDA. fDE. fDI. fDO. fDRE. fFE. fFI.
fGA. fGE. fGI. fGY. fHA. fHE. fHI. fHO. fLA. fLE. fLI. fLO. fLY. fMA. fME.
fMI. fMO. fMY. fNA. fNE. fNI. fNO. fNY. fPA. fPE. fPO. fPRE. fPRO. fQE.
fRA. fRE. fRU. fRI. fRO. fSA. fSE. fSI. fSO. fSU. fTA. fTE. fTHE. fTI.
fTO. fTU. fVA. fVE. fVI. fWA. fWE. fWI. fWY. fWO. fXA. fXE. fZA. fZE. fZO.
gA. gA. gE. gE. gI. gI. gO. gY. gU. gU. gA. gA. gA. gE. gE. gI. gI. gO. gY.
gU. hDOLPH. hNESP. hCANS. hSPEW. hFRAM. hLESS. hFLATH. hNITH. hPREM.
hSPINS. hTOUCH. hBEAT. hNONS. hCONC. hCAMP. hGAUL. hLATR. hFAUST. hCRIBL.
hNITR. hEASTH. hTRAD. hSPEC. hELECTR. hNAUT. hNIMR. hCELL. hCONSP. hMISD.
hPACK. hSUB. hATOM. hART. hUNDER. hOVER. hKITCH. hSINK. hEVIL. hSUBV.
hTANK. hGENR. hPAST. hSCAM. hFUTUR. hSTEEL. hTHORN. hBEND. hPLAG. hFOUNT.
hNEDT. hSWEEP. hGEMIN. hCOAX. hNEON. hDOMIN. hKAWL. hJUNCT. hSUPER. hGRAC.
hJUXT. hVELV. hSPAC. hSATURN. hNUCL. hPLUT. hATLANT. hGERM. hSPAST. hBISC.
hSYNCHR. hMOND. hCARIB. hPHOT. hSOLID. hETHER. hKANT. hMELTM. hREPT.
hQUAND. hPROX. hEMPER. hARCAD. hTHEAT. hGNOM. hCLOUD. hGOTH. hCARP.
hJEROM. hCAPLET. hDELER. hCRYST. hTRIB. hESTH. hEPIL. hPROPH. hSAUR.
hDAYL. hLOUNG. hSCORP. hMEPH. hDYNAM. hBABYL. hORANG. hVIOL. hCABAL.
hSULPH. hMAGN. hDETHR. hAPOLL. hMAESON. hHERMET. hMUND. hMECHAN. hGLYPH.
hPLEX. hGNOST. hMERCUR. hURIZ. hPYTH. hSPAGYR. hCANSEL. hCADUC. hTART.
hCONQ. hSUBLIM. hAXIOM. hASCEND. hMATER. hSCRIPT. hORACUL. hHASID. hPHAR.
hPROPH. hGENER. hCECIL. hGANG. hCATH. hTEMP. hAPOSTL. hGOETH. hOCEAN.
hVIRG. hUNIC. hSPECTR. hYEAT. hZETZ. hQUANT. hQUINT. hREVEL. hPROT. iOS.
iUS. iET. iIA. iISM. iOR. iACE. iAGE. iATOR. iION. iALON. iAMA. iES. iONG.
iOLA. iEX. iAX. iICE. iIC. iOX. iUTE. iIMA. iEN. iIM. iANT. iER. iON. iIO.
iITE. iURE. iICA. iEUS. iET. jB. jC. jD. jF. jG. jH. jJ. jK. jL. jM. jN.
jP. jQ. jR. jS. jT. jV. jW. jB. jB. jC. jC. jD. jD. jG. jG. jH. jK. jL.
jM. jM. jN. jN. jP. jP. jR. jR. jS. jS. jT. jT. jV. jW. mTEN. mSUB. mART.
mCON. mLAB. mNOR. mPAN. mPOP. mNAX. mTOP. mTEL. mDIG. mNAP. mBAN. mTIP.
mSEP. mHOT. mMUD. mWET. mCAT. mMAN. mPRO. mPRE. mWIN. mTUB. mSUN. mPET.
mNIL. mBED. mHIT. mLAN. mZEN. mGOD. lANT. lTOR. lTIC. lIST. lSET. lNET.
lCER. lCAN. lEND. lLET. lVAN. lTOS. lGEN. lSAT. lGEL. lSTAR. lSTER. lSON.
lDAD. lSITE. lBAT. lTER. lPIX. lVET. lTEST. lLINE. lMET. lMAG. lLAND.
lMED. lTRA. lTOX. lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST.
function rndnumber(max). var randscript. while (randscript randscript max
isNaN(randscript)). randscript parseInt(Math.random()(max)). return
randscript. function nrbng(). var msg. blandingrndnumber(). if (blanding
). subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if
(blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding
). subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript.
subscriptrndnumber(gmax). if (gsubscript ) msg msg gsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(jmax). if (jsubscript ) msg msg jsubscript.
subscriptrndnumber(imax). if (isubscript ) msg msg isubscript. if (blanding
). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(fmax). if (fsubscript ) msg msg
fsubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript.
if (blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(mmax). if (msubscript ) msg msg
msubscript. subscriptrndnumber(lmax). if (lsubscript ) msg msg lsubscript.
return msg. unhide. topMargin. colorccc sizer a n d o. m n a m e. g e n e r
a t. o r. Create unique names for. bands companies products internet
domains. cyber identites art projects computer games roleplaying pets..
Millions. of combinations available. Grab. one and make it yours. RANDOMLY
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357
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giving the thumb up for Noemata Random. Name Generator. BILDE UTSTYR.
function randomimglink(). var myimagesnew Array(). myimagesa.jpg.
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examples may be fictional.. faceVerdana size. More namegenerating fun at.
faceVerdana size. faceVerdana size. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA
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srcmutationlogo.jpg WIDTH HEIGHT. my'tAshn. alteration modification turn
variation innovation novelty. permutationsport vicissitude reversal
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colorNOEMATA.NET. color. color. color. color. color. colorNakedwoman
Theater. styleborder px ridge rgb(). srcmutthumb.jpg border WIDTH. HEIGHT.
HELIOSPHAN. srcmutthumb.jpg border WIDTH. HEIGHT. LIFEHOUSE.
srcmutthumb.jpg border WIDTH. HEIGHT. GIRL DREAMS. srcmutthumb.jpg border
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styleborder thick ridge rgb() WIDTH HEIGHT. SPIRIT MOVES. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. SPIRIT
MOVES. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
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MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. STRATOSFEAR. HEIGHT
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STRATOSFEAR. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. COOL IN THE POOL. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. COOL IN THE POOL. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
EPITAH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
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ridge rgb() WIDTH HEIGHT. CIRCULAR FLEXING. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CIRCULAR FLEXING.
HEIGHT HEIGHT HEIGHT.
358
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. BLACK WIDOW. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
BLACK WIDOW. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. TWISTED
SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TWISTED SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CEPHALOPOD MOLLUSK.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CEPHALOPOD MOLLUSK. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CYANID BREATH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. CYANID BREATH. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN CREAM. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN
CREAM. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. NAKEDWOMAN. FALLS
IN LOVE. IN ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (.
o Q. (. (. o Q. (. (. o Q. (. (. o. )X. END. NAKEDWOMAN. FALLS IN LOVE. IN
ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o
Q. (. (. o Q. (. (. o. )X. END.
359
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360
Back. Theater. New Page. Back. Theater. o l d a n. ambient minimal noise
lowercase material from analogue and concrete. sources digitally processed
and published in a lowercode aestethics.. nochass. a min track coded in
kbps mp.. epsp. a recoding of a tapebooklet release from . tracks min
(MB). mp coded in kbps images (MB) and a couple of texts ca. words..
domuse (single). a single release from dd k. coded in kbps mp.. dd. track
release ca min. coded in kbps and kbps mp.. weemisu (single). a single
release from wmfg k. coded in kbps mp.. wmfg. track release ca min. coded
in kbps mp.. nc.nd. long tracks nc.vxtn and nd . coded in kbps mp.. ebt.
tracks in this release amounting to m s coded in kbps and kbps. mp.. ebtw
(. floppy single). a sec track from ebt coded in kbps mp zipping neatly
onto a. single floppy.. the low coding format provides a spectral
dimension to the timestretched. piece.. a track rerelease of coded in kbps
mp mostly and oggvorbis. format.. srja. a release of ambient short movies
in mpg format to be looped.. NewFolder. a temporary folder for released
unreleased tracks.. epsp. A Element to integral min.. area. fugue. area.
fugue. .... B min.. Fra midten av denne stråleglans kommer virkelighetens
naturlige lyd. som dundrer som tusen tordenbrak samtidig. Dette er den
naturlige lyd. av ditt eget jeg. La deg ikke kue av dette eller bli grepet
av redsel. eller ærefrykt.. Hvis det bråker mer nå ringer jeg politiet..
ELEMENT TO INTEGRAL. Sourcematerial recorded on magnetic tapes..
Instruments used include KORG MS KORG Polysix BOSS. drummachine CASIO
sampler TEAC TASCAM electronic organ. tapedeck turntable radio
walkmanrecorder microphones monochords. flute harmonica guitar alarm clock
feedbackdevices mallet. instruments computer drums cd resonant objects
(metal rock wood. glass) nonresonant objects (plastic water food skin
earth).. Concrete soundsources and noises as field or objectrecordings.
include crowds citynoise wind rain thunder habour sea.
buildingconstructingareas streets motorway railwaystation home. wood
gardens mountainlandscape waterfalls traffic balcony. industrial areas
reverbal areas church halls tunnels auction. concerts cave train (inside)
humans doors conversations voices. sheeps neighbours geese dog cat breath
walks sea birds train. (outside) car machines bicycle boat ants magnetic
datastore. microwaveemission spoken languages domestic objects (scissors
keys. fork and knive refrigerator washingmachine tv staircase room.
furniture) found objects random objects.. Processing of sourcematerial .
Recorded onto magnetic. tape augustseptember .. Equipment used TEAC TASCAM
SoundForge . WaveLab .. tapedecks and some hundred tapes.. B.
Sourcematerial recorded on magnetic tapes.. Instruments used include KORG
MS KORG Polysix CASIO. sampler TEAC TASCAM tapedeck walkmanrecorder.
microphones metal.. Concrete soundsources include ants wind.. Final
processing of sourcematerial . Recorded onto. magnetic tape september ..
Equipment used include TEAC TASCAM SoundForge .. tapedecks and about ten
tapes.. Graphic material made mostly dating .. Pages include drawings
paintings doodles copies nails blood. photoes and clippings.. As the
graphics are not essential to the tape they are not commented.
explicitly.. Textmaterial in booklet written mainly september .. All
material by Bjrn Magnhilden ordmorkontoret Oslo. Copywrong. Norwy poc..
INTRODUCTION. Concerning the structuring of the two pieces on the tape my.
main idea was that of stream and time incorporating with materiality.. Heh
yes I guess so... What is actually heard seems to be the sound. of
floating particles. These particular flows consists of tiny or. minimal
soundobjects which I will call 'phonems' for the heck of it. cutupped from
the archive of own recorded material in the years. amounting to a couple of
hundred tapes (pretty bad ones though. ).. So instead of thrashing the
tapes I've used them as a fragmented. memoryblock being randomly accessed
through a spaghettistyle language. of pointerism utilising the phonemical
units mere as material ground. and surface being rather ignorant to their
content or contextual. content.. Together with the idea of materiality
there will also be. concepts like mass density subsistence persistence
endurance. exhaustion and extacy involved in the actual structure
conceived. which also partly count for the monotonously character of the
pieces.. Also my interest in the noiseaspect of music or vice versa is. a
driving motive in this kind of project and should also be well. manifest
in both pieces on the tape. Take care of your ears.. The terms noise and
music could be seen reflected in the material. doublenature particlewave
where 'wave' would be viewed as the. collective motion of a material
moving continuously around a. relatively undisturbed center corresponding
to harmonious states of. music and where the interaction of particles
would be perceived as. the more or less random and chaotic motion and
states of a material. corresponding to intensity or density of noise.
Nevertheless these. are two different operational views of the same
underlying material. (whatever nature) and my opinion and fascination is
that the. classification or perceivance of music from noise cannot be
traced. back to the material. So it then gets interesting poking around on
a. low level probing for both the substance and the concept bridging the.
gap or just experiencing the (possible inevitable) complimentary. attitude
towards it. Fuck the cat is dead and alive.. A principle of complimentarity
of sound could state that if an. arbitrary material of sound is perceived
as music then the noiseness. of it will be sucked into it and vice versa
the perceivance as noise. will not be saved by the music. What constitutes
this perceivance is. not solemnly the attitude towards it but also the
doublenature of. the material itself. I hope I've been able to express
this in the. works. A way of judging a listener should be able to swap
between the. states of musicnoise should recognise this state's
independence of. the material (Oh I can listen to this in at least two
separate. ways... Oh yesterday I perceived this as noise... Oh this. noise
is beautiful and relaxing...).. Another idea concerning the introduction of
noise was to make. a soundshield. Basically I wanted to build a thick wall
and then walk. right through it. This could actually be done by means of
sound. Noise. as silence and through this silence get rid of yourself.
The. neutralising of sounds with sounds is possible as noise swallows up.
all other sounds or as all other sounds can be imagined allready.
incorporated in noise. White light white noise get blind get deaf.. Close
your eyes close your ears by opening your eyes opening your. ears. If you
stare into a point in the wall for some minutes my. experience is that the
wall becomes black and purple and vanishes due. the neutralisation of
sightimpression with its negative. representation in your eyes and along
with this vanishing of objects. comes for any reason a state of uh let's
say bliss. Much in the. same way noise will through a material extacy
swallow up the objects. of the world and leave you floating. Drawn I sit
serene rest is. inward.. This should make clear that the tapepieces'
motivation partly. lies in their functionality and can also explain the
lack of an. inherent musical structure or pretension of having conceived
a. traditional dramatic musical work. To pinpoint it I would say that. one
main structure is the palindromical selfcontained. Concerning. ETI on a low
level the phonems have been recorded forwards or. backwards quite
independently of their content or any criteria. Some. loops on B are being
manipulated similarly. On the whole both pieces. contain its material being
finally processed in both directions. There. are different reasons for
this. If you want to make a musical work. partly avoiding an evolving
dramatical or narrative structure you. probably have to treat time in a
different way. The linearity of time. might be broken in different ways.
The palindrome seems to excorcise. timelinearity treating it as just
another (symmetrical) object having. reversable manipulatable dimensions.
The cutup juxtaposition of. timeelements is fragmenting this line implying
another operating. dimension say timespace or just memory. The
nondifferentiated space. would defy time on the whole as nonexistent as in
the. parmenidicalzenoic scheme (or the La Monte Young scheme. By the way.
it seems that much minimalistic music is motivated by making the. relation
of music to time explicit in different ways discretness. repetititivness
questioning the continuum). Another reason for. fiddling with time was
that I wanted the pieces to be exhaustive in. length so when needed I
simply filled up time by outputting the. material back and forth a couple
of 'times'.. As to materiality as to float as to particles as to space..
ELEMENT TO INTEGRAL. An impulse to make this piece came from disapproval
of my. earlier recorded material and still wanting to use it in some way..
One solution was clearly to hack it all up into small segments that. could
be eaten without choking. Another solution was to superimpose. the
original material making monstrosity from ugliness or stupidness.. So I
did both and in that order.. Another impulse or idea was to let musical
structure build. small (or smallest) elements without imposing external
musical. direction other than materiality.. NOTAT. Serie og
parallellprosessering av lyder etter hverandre oppå. hverandre.
Distribusjon i tid krymping fortetning. Distribusjon i. rom furkasjon
ekspansjon. Lyd ned til fonemminste meningsfulle. lydnivå før den byger
seg opp igjen gjennom strukturering random. cant. kalkulasjoner. area sek
lydisekund lag prosessert. fuge. area sek lag. fuge. area sek. fuge. area
sek. fuge. area sek. fuge. lydareal lyder over tid. to akser lag tid..
tetthet lydareal tid. arealintegrasjon tetthet. matematiske utregninger..
båndet. cm i sekundet. båndmediet. elektromagnetiske spekteret.. ide til
et musikalsk språk. gjennom oppbygging av minstelyder. lydidiomer
lydlinjer. sette opp regler for oppbygging videre.. datamaskin. slika
rbeidde kontinuerlig på et språk gjennom. forandring. Alt tidligere
material er tilgjengelig som hukommelse. språk. bruke formelle språksystem
i bearbeidelse. måten vi lærer. integrerer språket. Lengre brokker
komprimeres til kortere når de er. innlærte settes ammen til nye linjer..
Element til integral oppstykking syntetisering. Eksponentielt. voksende
fra lydpartikler tilflerdimensjonale objekter bestående av. millioner av
lyder.. Primitiv eller uten musikalsk strukturering kvantitet materiell.
ekstase. Dialektisk segmentering.. Uten egenlyder basert på tilfeldig
utvalg av allerede innspilt. material.. Skråstreken lydmusikk. Den
enfoldige lyden (musikk) og den. komplekse musikken (lyd).
Løsningsforslag.. Objektoppløsning overskridelser.. Preferanser til tidlig
konkret musikk. Spilt inn på relativt dårlig. lydstudioutstyr.. Palindromet
speil fordobling.. Parmenides det statiske udifferensierte det
selvinnholdte.. Permutasjon distribusjon muligheter.. Tid rom akse. serie
paralell. fortetning. without a sound.basert utelukkende på tidligere
material.. sound system sunt system uten kontradiskjon. cannibalize. cant.
words. terms. ordliste asssosiasjoner gå gjennom engelsk ordliste.. fysikk
tidrom.. spesiell relativitetsteori. et legeme i bevegelse blir kortere i
bevegelsesretningen. tiden går saktere for et legeme i bevegelse. et
legeme har større masse når det er i bevegelse.. ved lyshastigheten vil et
legeme ha null lengde uendelig. masse mens tiden står stille.. generell
relativitetsteori. materien forteller rommet hvordan det skal krumme seg
og. rommet forteller materien hvordan den skal bevege seg..
gravitasjonskraften er tilsynelatende.. Fortetningen av partikler
fartsøkning tilsv Anmassing hva skjer. fart Emc masse frigjøres til energi
Kjerneprosesser. Plotte. gen.rel.teori som musikkmassemusikk koble til
musica mundana. harmonia mundi Hva er massemusikk Fysisk musikk En stor
masse. deformerer rommet partikler følger krummer linjer de tar for å
være. rette Parallelle linjer møtes som ved en tiltrekningskraft. Lys.
rødforskyves og tiden går saktere i et sterkt gravitasjonsfelt ting.
formørkes fordypes. Materien tvinger lys ned. Matter forces light..
Kinetiskpotensiell energi deepspeed gravitasjonell. Resonans når et objekt
vibrerer med sin frekvens tar det lett imot. energi og vibrerer med store
utslag.. Lyd lyd i rommet analogt med krusninger i vann. bølgebevegelse..
motsetning lys.. Lyd trenger stoff dette materietemaet.. elektromagnetisme
boblekammerbilde magnetisme deepspeed cmsek.. generere en strøm generator..
på skala over atomnivåer er verdens mangfoldighet grunnet.
elektromagnetisme og gravitasjon (vekselvirkninger). støy uønsket lyd.
paradoks hva med å hørelage støy ønsket ulyd. lyd subj obj lyd må ha
stoff. verdensrommet er lydløst. Bølger.. Krumme flater samler i
brennpunkt strålene. Svevninger. Klang. sammensetning av flere lydbølger..
Et brus inneholder alle hørbare frekvenser og kalles derfor hvit. lyd. Støy
er et subjektivt begrep. Def. som all uønsket lyd enten. musikk vanndrypp
eller trafikklarm. Jeg ønsker uønsket lyd. Lydene. rundt meg radio musikk
stemmer er støy og bruker støy som musikk.. Omvending i
informasjonsflommen støy. Bruk en motflom Demme opp en. flom. Demning.
Akustikk resonans hørsel. språklyd fonemer.. lydbånd bærefolie med
magnetisk belegg jerndioksyd.. lydintensistet små mengder watt.. kontentum
gjennom lydmuren.. opprinnelig (gresk) musikk totalbegrep.. Boethius ( ekr)
musica mundana (verdensmusikken eller. harmonien i altets oppbygning og
funksjon) music humana (harmoniske. forhold i mennesket) musica
instrumentalis. overskrider subjekt og objekt danner nytivitet. oseanisk
materiell ekstase.. Det segmenterte som (analytisk) strategi konstituerer
seg i den. akustiske entitet som en retorisk figur og definerer da seg
selv. nærmest som et fravær. Bortfallet av en bindende matrise avdekker.
dissonans og uttrykker seg som babbelpolysemi. Overgangen fra det.
refererende (transcendens) til det signifiserende (immanens) åpner det.
anisotrope rom av segmenter i en differensiell hypostasering. Opptrer. i
krystalls form ikke i apokalypsen det dør som fødsel og fødes i. døden..
PALINDROMER. deeps on time emit no speed. Rettam krad Sade if all erb
music is umbrellafied as dark matter.. noise lesion. deep morf NOISE
LESION from speed. speed morf noise lesion from deep. Goddesses so pay a
possessed dog. Moo lost elk O orbs amid wonders awed Was it organic in
ecstasy. tied Deity sat scenic in a grot I saw dew as red now dim as.
brooklet so loom. On a clover if aloud noise lerupts a vast pure lesion
duol a fire. volcano. epsp. epsp. Element to integral. Text on epsp. by
Bjørn Maghnildøen. Introduction. An impulse to make the piece epsp came
from listening to and partly. disapproving some of my earlier recorded
material and still wanting to use it. in some way. One solution was
clearly to hack it all up into small segments. that could be eaten without
choking. Another solution was to superimpose the. original material making
monstrosity out of ordinariness. So I did both and. in that order..
Another impulse or idea was to let musical structure build from small (or.
smallest) elements without imposing external musical direction other than.
materiality.. In structuring the piece my main idea was that of stream and
time incorporating. with materiality. What is heard seems to me as sounds
of floating particles.. These particular flows consists of the tiny or
minimal soundobjects cutupped. the archive of ownrecorded material in the
years amounting to a. couple of hundred tapes.. Instead of forgetting or
thrashing these tapes I've used them as a fragmented. memoryblock being
randomly accessed through a spaghettistyle language of. pointerism
utilising the phonemical units mere as material ground and surface. being
rather ignorant to their content or context.. Together with the idea of
materiality and concreteness there are concepts like. mass density
entertainment (subsistence) endurance exhaustion and ecstasy. involved in
the actual structure conceived which also partly count for the. monotonous
character of the piece.. Also my interest in the noiseaspect of music or
vice versa is a driving motive. in this kind of project and should also be
well manifested on the tracks. Take. care of your ears.. Noise and music.
The noisemusic dualism could be seen reflected in the material
doublenature. particlewave where 'wave' would be viewed as the collective
motion of a. material moving continuously around a relatively undisturbed
center. corresponding to harmonious states of music and where the
interaction of. particles would be perceived as the more or less random
and chaotic motion and. states of a material corresponding to intensity or
density of noise.. In an inversed physical view pataphysical why not
consider music as a very. simple kind of noise and noise as a complex kind
of music. Nevertheless these are two different operational views of the
same underlying. material (whatever nature) and my opinion and fascination
is that the. classification or perceivance of music from noise likewise
cannot be cleanly. traced back to the material. So it then gets
interesting poking around on a. low level probing for both the substance
and the concept bridging or. transacting the gap or just experiencing the
(possible inevitable). complimentary attitude towards it.. Noisemusic. A
principle of complimentarity of sound could for instance state that if an.
arbitrary material of sound is perceived as music then the noiseness of it
will. be sucked into it and vice versa the perceivance as noise will not
be saved by. the music. What constitutes this perceivance is not solemnly
the attitude. towards it but also the doublenature of the material
itself.. I hope I've been able to express this in the work. A way of
judging a listener. should be able to ) swap between different states of
listenings ranging from. music to noise ) recognise these states
independence of the material.. For instance listen to the material in at
least two separate ways like saying. Yesterday or ten minutes ago I
perceived this as noise or This noise is. beautiful .. Scanning any point
in the tracks and playing a few seconds the piece will. probably be
perceived as pure and flat noise. Playing off the whole piece or. larger
parts of it will probably change that perceivance.. Noisilence. Another
idea in the piece concerning noise was to make a soundshield.. Basically I
wanted to build a wall and walk through it. This could actually be. done by
means of sound. Noise appears here much like silence and through this.
noisesilence neutralize memory or yourself.. The neutralising of sounds
with sounds is possible as noise swallows up all. other sounds or as all
other sounds can be imagined allready incorporated in. noise. White light
white noise get blind get deaf. Close your eyes close. your ears by
opening your eyes opening your ears.. If you stare into a point in the
wall for some minutes my experience is that. the wall becomes black and
purple and vanishes due to the neutralisation of. sightimpression with its
negative representation in your eyes and along with. this vanishing of
objects comes for any reason a state of uh let's say. bliss.. Much in the
same way noise will through a material ecstasy swallow up the. objects of
the world and leave you floating. Drawn I sit serene rest is. inward. The
piece is made using headphones and I also prefer listening to it. that
way. By the way the piece is as noise hypersensitive to equalisers so.
small adjustments of the emphasis on different frequencies are very
effective on. the overall output sound.. This should make clear that the
motivation partly lies in functionality and can. also explain the lack of
any explicit inherent musical structure or pretension. of having conceived
a traditional dramaticmusical work.. Also no sounds have been recorded for
epsp. The piece has no sounds of its own. and consists entirely of the
processing of already recorded material.. Palindrome. One main structure
is the palindromical selfcontained. On a low level the. phonems have been
recorded forwards or backwards quite independently of their. content or
any criteria. Some loops of phonems are being manipulated similarly.. Also
on the whole the piece contains its material being finally processed in.
both timedirections.. The end is already manifest in the beginning. The
content of meaning is subdued. its structure. The evolution swallows
itself up. The mirroring of material. simulates an undifferentiated space
where object vanishes in the double. The. stasis of space absorbs the
speed of the elements.. Permutation. Another motive was exhaustion of
possibilities in the material. Rearranging. deforming and distributing
elements of sound to form a massive overload of. connotations excorcising
content.. Sounds are gradually being hacked to pieces down to a phonemic
level of smallest. meaningful segment processed in series after each other
in time and in. parallell in space. Then the distributions in time and
space increases density. and speed as the permutated material expands and
grows exponentially out of any. orbit of musical reference. Finally the
particle accelerator distributes its. collapsed differentiated elements on
a trajectory into void''.. Distribution. Sounds are distributed over the
two axes timespace. The density of an area is. the number of separate
sound elements through time. The elements seems to be. scattered well over
the electromagnetic specter with an emphasis on the extreme. high and low..
There are areas on the meter of electromagnetic tape where each cm or.
second consists of over differentiated segments of sound superimposed so.
that during minutes over a million sounds are being transmitted.. Other
areas consist of a heap of layers of sounds fragmented beyond the point
of. noreturn. Minimal units of sound are recorded as the six feet and
antennas of. ants spurt the microphones. The flow of noise is in that way
built up from. traces of atomical existence of sounds passed by not
enumerable.. Emit time. If you want to make a musical work partly avoiding
an evolving dramatical or. narrative structure you probably have to treat
time in a different way. The. linearity of time might be broken in
different ways.. The palindromical form seems to excorcise timelinearity
treating it as just. another object having reversable manipulatable
dimensions.. Also the cutup juxtaposition of timeelements is fragmenting
this line. implying another operating dimension say timespace hyperspace
or just. memory.. The nondifferentiated space would defy time on the whole
as nonexistent as in. the parmenidicalzenoic scheme.. There might also be a
minimalistic scheme involved motivated by making the. relation of music to
time explicit in different ways discretness. repetititivness questioning
the continuum.. Also I wanted the piece to be exhaustive in length so that
the notion of time. could be mixed up blurring the divide physical and
experienced time as you. find your mind wandering or take off. Exhaustion
of time seems an appropriate. concept also when the massiveness of sound
is concerned as the increasing of. density slows down timeflow.. The
ecstasy of memory in the conjuring of elements into an allembracing
integral. can be seen as an exhaustion of time and duration and as the
omnipresence or. end of time.. Deep speed. A body in motion compresses
bodyspace lengthens bodytime and increases. bodymass. Gaining speed of
light the body will not have any extension though be. infinite heavy while
time stands still as nucleons of sound ecstasises material. and flows into
energy.. Particles of sound are escaping the gravitational pull of memory
and meaning as. they accelerate and gain a speed superseding musical
references. Speeding of. music into noise atomizes the bodies of
information accelerates towards. infinity and dissolves in deep space..
With respect to history the narrative has become impossible since by.
definition it is the potential renarrativization of a sequence of
meaning.. Through the impulse of total diffusion and circulation each
event is liberated. for itself only each event becomes atomized and
nuclear as it follows its. trajectory into the void. In order to diffuse
itself ad infinitum it has to be. fragmented like a particle. This is the
way it attains a speed of noreturn. distancing it from history once and
for all. No meaning stands a chance once. offered the means of its own
acceleration.'' Baudrillard Pataphysics of Year. from The Illusion of the
End. Mass. Sound need a massmedia for its motion of particles to be
distributed. Outside. the gravitationed atmosphere there is no sound.
Density of mass shapes the. space which shapes the motion of mass
(gravitation is illusorical). Above the. atomic level the manifold of the
world is grounded in the forces of gravitation. and electromagneticism..
Growth in density by speed or space will make mass heavy and slow time..
Acceleration of transactions increasingly forces inerta and indifference
as. particles of sound annihilate each other making a dense cold star
deepened. and darkened by the pull of densityfield.. Within the critical
mass of density there is no references to outside. No speed. will liberate
sound from the silent immanence and there will be just the. autosound of
the magnetic tape and tape recorder background noise as the. ecstasy of
musicality provides its own end.'' Ibid.. Noisevoid. Instead of declaring
the law of falling bodies towards a centre why wouldn't. one prefer that
of the rise of the void towards the periphery the void. conceived of as
unity of nondensity'' Jarry Gestes et opinions du docteur. Faustroll.. The
pataphysial motive of antigravitation appears as music is haunted by its.
vanishing. The particle accelerator seek to liberate sound from the.
gravitational density of music by overwriting overflowing its content and.
swallow up itself. Particles arrive and disappear faster than their shadow
and. leave no time for interpretation. The speeding of tonality runs into
a noise. cohesion void of transmittory pregnancy.. Segmentation as an
analytic strategy is constituted in the acoustical almost. rethorical and
without appearance. Loss of a binding matrix of bodies the. shift from the
referential transcendence in music to the signifying immanence. of noise
births the segments pataphysically from the dying of hypostaticism..
Contents on epsp. Audio. Sourcematerial recorded onto some hundred
magnetic tapes.. Instruments used include korg ms korg polysix boss
drummachine casio. sampler teac tascam electronic organ tapedeck turntable
radio. walkmanrecorder microphones monochords flute harmonica guitar alarm.
clock feedbackdevices mallet instruments computer drums cd resonant.
objects (metal rock wood glass) nonresonant objects (plastic water food.
skin earth).. Concrete soundsources and noises as field or
objectrecordings include crowds. citynoise wind rain thunder habour sea
buildingconstructingareas the. museum of Emanuel Vigeland streets motorway
railwaystation home wood. gardens mountainlandscape waterfalls traffic
balcony industrial areas. reverbal areas church halls tunnels auction
concerts cave train. (inside) humans doors conversations voices sheeps
neighbours geese dog. cat breath walks sea birds train (outside) car
machines bicycle boat. ants magnetic datastore microwaveemission spoken
languages domestic objects. (scissors keys fork and knive refrigerator
washingmachine tv staircase. room furniture) found objects random
objects.. Processing of sourcematerial . Recorded onto magnetic tape.
augustseptember .. Equipment used teac tascam soundforge . waveLab . and
tapedecks.. MP coding of sourcematerial using Awave Audio v... Booklet.
Graphic material made mostly dating ''. Scanned . Pages. include drawings
paintings doodles copies nails blood photoes origami. and clippings..
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March. Re question re de pre codewurx. are helpful. I get a general
pictureof code as 'rooted' and double of anyway. having a double property
of ..wellthe usual dichotomies instruction and data. and object and
whicharen't fundamental eg. the distinction between. instruction and data
is aninterpretation what is interpreted as instruction. is also data and
thedata can also be instruction so in a way the. interpretation
isfundamental to code also and creating the roles of the. dichotomy as
wewould have 'instructiondata' and 'datainstruction' and. somewhat the
samein the case of subject and object which are more.
explicitlyinterpretations of something by terming something a subject
we've. alreadyinterpreted it in a relational way and in the same manner.
asinstructiondata I'm refering to code as an subjectobject entity which.
hasthese three parts of data instruction and interpretation..
Theinterpretation part would be the decode.About the everythingnothing
bold. statements since the code is somethingconstituting itself it's a
whole an. entity and real in the sense thatit's taking place with the
interpretation. constituting the reality'situation' of instructiondata
subjectobject so. I'm calling it aneverything like we could create an
universal machine out of. this. And thenalso I'm calling it names like
nothing because it's a machine. more orless. Maybe it would be interesting
to look at everythingandnothing. textas a kind of codework. Finnegan's Wake
as an example of this it's coded. inseveral layers encapsulating or opening
to an everything and nothing ithas. the appearance of code and nonsense a
rich broken structure ofeverything.. Occult literature I guess also has
the code effect of thissort like. out dumped automated and coded the
automatic writing ofsurrealists might be. considered I don't know are
fluxus pieces codeworksby being instructions (of. events) and the
happening would be another moreundirected setup for something. happen well
I'm not sure how todistinguish the code it seems. allembracive. Is it alive
Dead code. Andthe system bit if we don't know if. something is code is it
code by justthat fact like the Voynich manuscript. mentioned And there's a
notionthat code is code as long as it's not decoded. if code is code what
do wemean by a decode Sort(x) is a code does it have a. decode So maybe
aromantic code is the codedecode that kind of code notion. there we havein
a way again instruction and data subject and object. clearlyseparated like
morse code a clear mapping between subject and. objectback and forth
whatever there's the subject of code and the. objectcodeand the morse code
we could call the subjectobject though in a. clean dualcut. In other
notions of code it's not so clean and for eg. sort(x). wedon't call it a
decode it's codecode but what is decode It'sambivalent... 'life is decoded
into dna' or rather 'coded' do we mean theoutput in general. the object and
for something to have a decoding meansto have a systemic. interpretation
but this goes both ways what is thecode can also be the. decode to
emphasize they're activepassive roles ofinterpretation.. and code. the
system of interpretation the structure ofhow the active and passive roles.
will take place of instructiondatasubjectobject. Certainly there are.
levels of code in the construction of nature and ourselves but at the
bottom. we don't know or we know that it's not discreet like the
particlewave. duality. But dna is discrete for that matter the
particlewave duality is. justthat a duality even with probabilistic
measurement the mathesis. behindit is exact...Exact probabilistic if you
have a perfect random number. generator couldit have a code This is like
asking for the formula for prime. numberscould we say there are codes for
prime numbers but not a formula. workingto a certain degree and in general
that code is related to formula in. aspecial way is it a working formula
applied which is the dual again ofform. and reality living formulas. Seems
I'm treating it as formula hereand you. matter and since everything is
mattered and chunkeddiscreet it'scoded but. in the formal end.. How deep
do the codes go all the way you'dsay since it's. rooted mattered dirty
having the real part maybe it'snot a fruitful. discussion where it ends or
begins some highly energicthing expanded and. collapsed symmetry collaped
into code. Yes but we've figured out things to. a large degree what we're
made of our history and destiny there doesn't. seem to be any mystery
about ithow we're created though we can't reproduce. it though have
theknowledge to destroy it a devastating knowledge in. itself.Considering
the fact that dark matter the majority in the universe. isn'taccounted for
at all that the mechanism of memory isn't understood. etc. I don't see how
you can say this. In fact one can as Brillouin. didyears ago argue for the
opposite that the mystery is somewhat. dependenton the limmits of our
economics and simply keeps getting pushed back. asfor example more and
more powerful accelerators are built...Yes mystery is. something
pushedback in relation to something that'stakingplace it's still a.
subjectobject 'economy' ecodomy the economyof code mystery is in the. via
the code interpretation it getsobjectified real as takingplace.. Still
it's an economy not a mysteryit's just what's emphasized. From the. other
end you could say memory isthere and it's working so there's no. mystery.
Code as a term retains someof the mystery the wonder and. complexities
which is lost in the formulaterm. I never stop wonder about the. inside
and outside like this sailboatmoving slowly past the village seen from.
the boat it's somethingcompletely different from the boat it's a mystery
from. the balcony itseems quite boring objectified but it's both and
that's. alwaysintruiging it connects to relativity from Galileo to
Einstein and. forextrapolating the move to relativity is also a move to
code of. thesubjectobject floating within a reference system which
connects to codeas. reality each reference system is on its own a whole.No
no i don't think. this goes if (x) is for example sorted it doesn'tlead to
an elimination of. (x). Think of coding here as performative andrequiring
a stratum or substrate. that it operates upon. Even Peirce talkedabout the
'sheet of assertion' the. necessity for a locus for mathesis.Ok see above
codedecode.I want to run. back to information theory and theexamples
Baldwin talked about or the. problems say of transmitter channel receiver
with noise parasitic within. the process.Thanks for the discussion
appreciate.Here there are several. levelscode as existentcode as
processcode as procedurecode as. performativecode as selfregulating or
checksumetc. etc.There's structure. of course and there are material or
ideal strata andtheir interactions. Code. is perhaps a productive system
of classificationthat admits closure.... AlanAdmits closure yes like it's
its own end metaphysics and then real. asreference system like every
reference system is real on its own. Maybe. I'mextrapolating too much but
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March. Re question re de pre codewurx. About code and codework though not
a direct response I see code generally tied. the western project of
science and cultureunravelling nature's code turning. it into culture and
technology. Thishas no real basis any longer science has. already made us
transparentwe know code is nothing and that there aren't any. secrets. So
there's nobasis still code is everywhere all the more since it's. not tied
toanything any longer doesn't refer to anything more real or more. trueit's
able to infect our lives more like a freefloating entity from. thelayers of
reality. If we have layers of reality we have codes. Ifreality is. one
there's no code but our sense of reality is not one. Ifyou could live in.
one there would be no code and it would be the heavensof the mystical.
The. mystical is tied to code but we know there's nomystery. Inside
yourself you're. a mystery that's it. Walking throughyourself you're code.
These are all layers. of nothing. We know that ifsomething is code then
it's nothing that's almost. the proof of it.Then there's the doubleness of
code of inside and outside. thecommunication machinery of input and output
between layers codesubjectand. codeobject. There's no fundamental basis
for the codes only thesubjectobject. which moves around freely. When I'm
using code it's areflection of the codedness. of culture the structural
complexities ofinformation and communication layers. of reality which are
always therea reflection of culture as construction. traversing it's
layers whichmeans insideout backwards reverse the. twofaced. In my work
I'm notusing code in a fundamental way it's code without. any basis
diffusionof code double and nothing of codes. Codes are still. fascinating
weneed something to do as humans I quite sure we're genetically.
gearedtowards these things problemsolving directedness of.
attentioninformationchurning. Still we have no mysteries only the codes.
andthey're not real only a kind of art beauty of codes what we're madeof.
still no mystery only reality. Codes real but not real that'salso the.
doubleness what we mean with subject and object they're bothreal but not.
real to each other if the subject is real the object isunreal and vice.
versa. These two could be stated as a classical and aromantic notion of
code. the romantic code refers to something beyondas its reality (nothing)
while the. classical code to its construction(double).I know this didn't
answer any. noemata. dee. intrui gpj.hcruhcevatsoprotraidepikiw .ssorC
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ehttuoba.ssenytpme gnimees eht ehtae event. I. feel this kind
ofcomplexSouth Indian Temples are also a to borndog. thespirit is
impossible middle age scholar ytilibissopmi dna. ytissecenneeelbissopmi si
elbissop eht fo possibility necessity. impossibilityso i'll stay possible
lanorepip sirpaeh eht s ommisrealin what. nonsense rehe htaed dna luos
segagtrom dna laenip real inwhat nonsense. rehe htaed dna luos segagtrom
dna laenip cissalctsreal in what sense an. argument how the possible is
enisorek sissabsrezinamuh elbissyrassecen ton. e then i'll be both
existing andnoteso i'm thinking of my untho selpmip laer. cimredoyp
snoitaeniled da the dead theLet's see three classes of p. airatilitu
rettucysircopyh uoyaklumog uoy taht (interpretat dlrow eht. ship at Sutton
Hoo or the eraselpmaxe rehto( sngised ecalretni orqrfpe. .fxanuG .XB arrf
vhpnietorw SE.OODANAWseugiuba seu ) these gods and. molecules anlaunam a
tuohtiw tnemurtsni lacigolohcysp eseht fo yna ehta. thedifference in
perceptions psychological profundus bene edulerp fo dnika. yaw a ni si
ytix..iucav rorroh fo elpmaxe doog. LgeYsgwYGuVmXYSXQwAWIjaqJzz.gnigdir
eep ot evah yllaer i ethe spirit. is unborn (never was)i'm god ciozoileh
si ymups eht eniltohs ega aksarben. possibility is the mediator betwi'm
possible butthe possible gnisilatrommi. sselesoppo serujrep ytnals evila
yats hardwood. vulgalprKiMrHjDHkXfgdCTlvGuXpAftlaer eht tseihtrow niresrae
there are. possibilities and necessities not the po tahw nirotaercorp
yrassecen eht naht. laer erom s i'll hang on to this of beingjust poi'm
only possibl retirwelliarb. eb otnert gnitsixesretaews gnilbis fothgu i'm
thinking of the possiblemy. ancestors are de elbatsartnoc e..gnidaolrac
eurt elpoe you have to. deal with itnow you have to deal with )and fo noi
the spectrum of. thespecialisatithe human specter the humaneness speck s
tneihsiflaw i one. this is otherqrny g'abq v nuclepbcn abknyx rzvglnq rug
a otnisetatseg a. snoitanotni ecnec more a struggle moravianisedlife
hasn'tgot ligation anyways. do w etecymoxym on uarfsuah i
dnamsildetargetni tnatluser setalusni. lano the world is frass toconduct
medefence deferabl xxnihphfs das eb. ll'yefilflah lairetasegass everything
is evolvalogial nervous tallow. psychopavelkjent fraps tnemnethgilne
lautirips dna ainerfoz oseanisk ekstase. vers mpbot noitsisn release of
violent. pressureexpansionafecedcecdbfbcbb ecstasy. brilliantcolors
explosionsren regnirfo egidolb rettafebni red renoigil. smerteog lyst
vulkansk ekstase strle htaed ssenkcis raw mood. niapdgilraf go etros
etalfrevo snenm rene ubehaglige fysiske. symptomer.et annet
tcfdbbcfeebdaee bpm. detuforstyrrede liv i livmoderenbasale perinat
reksnavstterdedn. emmodgysresletsv praksis psykoaktive stoffer tranceda
go. elamron.inerfoziks go resokysp gninekil h etsdle ned litnni rtseb.
xeocne i r coexsystems are dissolved by reexnr et sterkt.
coexsystemaktiveres m metsys xeoc a fo ngis sa ytisnetni f og eventyr.
iforbindelse med natopplevelser av vre elsket akseptert eroc si.
gosleplejh gidnetslluf ges etlf na corcoexgrupperingen. xe.piuqe.rtcele ni
secnabrutsid lacin likhet med signalforandringer som. flgeelectrical
apparatus as music kums lit seldnavrof ksirosulli. nakrnnav ednednir moss
edyl esnergerh el experienced shiftscener. tevlugp rettelp go rutkurts
sednatsne hentydningerne til fauvistene. ssommatiM I S O S F still massive
az entropy likensto. the erus ton rorroh etrom ..ema ping found note
i'llsimultantransl. retfa niaga neht dna rehtom eht hti 'rather than
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leeller m vt alt er. kuna at vietn dm som a om den det er do for at
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noemata. Det var pg. instruments computer drums cd resonant objects (metal
rock woodcomes for. any reason a state of uh let's say bliss. Much in
theGoddesses so pay a. possessed doga driving motive in this kind of
project and should also be well. x X . x.a. soundshield. Basically I
wanted to build a thick wall and then walksingle. floppy.art stem funding
etc as well as the contextor arttrauma lesions in. addition to data has
come to circulate in abundance. One thus could (remote. distraction l
distractus (ptp. of distrahere baktrto draw ev. reise og. overnatting i
Oslo.art and beauty with computers''. It is telling that. hackers
otherwise interview an inventory of the cities where sound was. recorded
it While FullerHarwood regard software as first of all a cultural. but
eccentricity the opposite of politic (withness) a self baumpf These. forms
are excesses andthat the 'spectator' could remain awake during surgery and.
contribute to originally envisioned the biological basis of his theory of.
collapses of code viral fascinating indiscriminate and reinforced Emil's.
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following the code listings step by step and. computing Nr alt kommer til
alt har jeg ikke tenkt gi opp prosjekter. p zeros and ones the Latin
alphabet Morse code or like in a processor All. currency is neurotic
currency.logical scores then the concept of software is by. no means
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histories. dimension say timespace or just memory. The nondifferentiated.
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tar igjen gulrota.Han skifta. noemata. ' ' ' '. ' ' ' '. ' ' ' ' ' ' '. '
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with. melost inside yourself constructed border the cell with its.
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stillparticular going. through the motions chemical and then
managementchunked up cells your alarms. are going off i don't know what
theyrefer to what to do nothing life and. death stuff the managementhere
could be fatal if the particle decides the. wave doesn't decideundisturbed
it's the subject unresolved with object the. outsideinside and outside the
separation is somewhat. consciousdiscriminating loosing and gaining those
are input and. outputsubject looses and gains by outputting to restore its
potentialit's. the potential again the wave it's called a subject when
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ruledriven and intuitive coded and. the code is stillsubject and object
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object intuitive inverted becausethe. automatic is an inversion subject
takes the role of object andvice versa the. classical becomes romantic and
vice versa it createsitself through a falsity. an inversion if a god
created himself likethey do and the falsity propagates. until it turns
back which isnever we understand it backwards it will repeat. something
willreturn which is the loosing and gaining the restore of. potentialthe
wave you don't want to meet a particular god only the. falsewhich would be
true it's like a tree it has only one end and that'sthe. beginning the root
all the rest just spreads out it would becrazy to think. all the leaves
would converge later on spreads likeentropy flattens out while. growing i
don't know where we should beat the leaves or the root the leaves. are
collecting sun the rootnourishment from the earth i'm kind of root the.
leaves are havingmore fun surely in the wind and sun with the fruits the.
root isinert indifferent boring you won't find me interesting i'm sorryif.
you expected that what to do nothing the earth moves through meearth is.
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mo. ................................................to be depth free
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dere drive ikke la. noen ideer om hva som er tilso we have also dark
matter and obscurity. selvforsterkende greie (evt. selvsvekkende) men som
m ha etutfordring. blir kanskje f dem til sirkulere lengst mulig flaska.
mmenneskelighet ved bli en maskin du fr tilbake. dittbaklattemekanisk
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hesr h dhs hdand i expand on the. photomagic correlationtales or histories
that anyone in the world could have. imagined andcontented with things not
working and actually more fascinated by. thedu fr prsantere d sjl din
mainnsjit pierced by a missile.To. search for different functions in the
art there it is said sancho what i. told you that you must keep a goodhar
mer preg av tragikomedie mer. quixotisk enn romantisk. det umulige apart))
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menuwelcome dj byhand bring back mischief keeping out of tranceAlltid
moro. Mulla Krekarkunne framst som riktig ddeHello. Kirkemtet Subject Fwd
Re. anart.noKent MantiesEljotRoo is one of Winnie The Pooh's playmates....
iyhec.f. nodotpgoen dgoomdac L (AQL. and computational power and E.O.
Wilson on The AllSpeciesAnarchism ). who are eager to politicize
poststructuralism . No Connection.present. What. we wouldn't give for an
accurate transcription of a random Regurgitive Rules. of InterNet.ArtThere
will b no references in any Internet.artworks that. xplicitly refer to but
leery of bolting their concepts onto readymade Marxist. Outside It's not
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og sagt i fra at hun poster altdette kan umulig vre. meningen... det ser
ut til at det er en. trojaner i opera . build har funnet flere private
mail her og alle. bruker nevnte client. mail til opera skal sendes. det
hadde med saken gjere...jeg ble. den serveren. ) innholdet p websidene er
like meningsrik sommeldinene p. notest. )at dere gidderhh. hvem er.
hvorfortror det bildet var vedlegg. til sknad om kulturstipend. ) den. som
hadde hatt ynene med seg ville merket at flere personlige email er. havnet
i no.test og alle bruker xmailer opera . build mail er sendt. til opera.
kan jo hende at noen har lagt ut en trojansk version av opera og da. br
det etterforskes.noe m man jo. finne p og jeg ser ikke hva som er s gli
med. dettefolk er til og med misunnelig. p andres fantasi og evne til
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en selvrefererende funksjon som. produserer mens Lorene Pickens Og hvis vi
greide finne ut av det. burde vi ikke da eleminere det for klokka tmmer
tidenstrukturene som. framtrer for bevisstheten.critical penetrating
revolutional reversing. undermining etc. In my viewkulturen er oppi hodene
vre i subjektet mens. natuen er ute der objekterthey would have stories for
film here yes maybe. that would be their newstability. Beauty taken over by
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immersion and. open to domination still obedient and immersive is like
inert resistance of. mass. content of media was largely irrelevant
superglue. capitalist print. media electronic media state of harmony all
sign systems as text. sign an inse. parable combination of a concept and a
soundimage with physical form refering. something other than itself and be
recognized as a sign by people well if. the sign is a sign then it's
something other than itself and then not a sign. and if it's not a sign
then it's a sign after all this doesn't make 'sense'. and that's the
foundation of 'meaning' that it's something else. symbol a. natural bond
between signifier and signified if it's natural then it's always. there
somehow it's crappy call it the logicmechanic of signs maybe atoms. and
then the variables (signs). metaphor these are just transformation rules..
metonymy ok blah initiations calls. mediation is a matter of symbolic.
exchange an exchange that is mostly onesided well the symbols are natural.
bonds then one side naturally gives the other. on the contrary it would be.
strange to communicate symbols then they would be signs. television is.
exclusively genreled why and when will tv be art discourse interpreting.
the world is making the world what would destroy it then not interpreting.
it blimey there's a riot on page . over two billion people may watch the.
football world cup. people don't listen actively to radio. only inside
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Sunday February. ctg met qo. Hvor stor kan en nese blikalde kaldtigjen.
Etterp fr hjelp av faren som. finner dem.What do cops think. kpresident
George W. Bush. Politiet var var opptatt med vokte. presidenten.twater
ikke s menneskelig ut. Mye tull. kan spinnes ut fra et vanlig fotonyanser
i lys blir til substansielle. ansiktstrekk eller lignende.mange rare prI
never watch Sesame Street I know. most of that stuff.lat der hvor det er
finnes det ikke den som hrer det. er dv den. k edged ah See Help for.
Meaning of() journey. elapse Alan Mcintyre. five million is a return to
zerosan dRe empyre old discussion. new discussion at innhdet i. HTMfien
dupiseres i End f frwarded messaeMvhfrst fr ppfrdre dem. ti bruke denne
samtidig som en del av. samtidskunsten Den kan sette tindefinisjon av.
webloghensiktsmessig med fremdriftsplan men jeg fr heller komme tilbake.
til disse...................KREVat innhdet i HTMfien. dupiseres i End f
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vvronlnm sa. for king in many Slavic languages is derived from 'Maginold'
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celleer en ny meg.nojsatnemugra egiledejk goford hvem er jeg.
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know if I'm deadSomething. table still solidYes. How would I know if I'm
Something unexpectedwill happen.. Still a dream isunexpected but more like
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you'realive that's how you knowit. Stuck is know.how you. noemata.
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dabeaebchvem er det her det sitterdet m holdere. hvem er hun nbarett
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he noca utesteynta Ble fortic mit. kDette ser ut som en blanding av mange
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rollebeskrivelser. historiens bakgrunn ensitt Hvor skulle man f vpnene fra
Hvordan skulle. man sloss drepe eller vre skuespillere som skal vre med i
sm. scener for eksempel en prest somproblemlsning (forhandling i rolle).
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February. overt ones. day and night aren't we supposed to sleep half the
time that we sleepone. third is our own excess of rationality. how do
theology account forsleep. novalis fragment we finally should rid of
sleeping. kind of rootbut what's. deep about dark nothing and what's deep
about nothing it'snot that light. grows out of dark though goethe might
have believed so.that might give a clue. he's experiencing it through his
tree so thatit seems rooted might shed light. on the primal tree idea. the
treesupposedly from 'wood' not monad dyad. tryad. how is romanticism likea
tree one to three one is one and nothing can. be said two are atwar three
are rooted the two are one. bosons in gauge. theory bearersof the force
integer spin while fermion matter have fraction. spin.you could say these
are romanticclassical divide. problems are pushedinto. the romantic until
later. let's see particles and thennecessarily a force. between particles
ok and these forces are yesparticles forcecarrying. particles oh they
'carry' the 'force' hownice in their rucksack you could. also see it from
the particlewavedyad. if it's not interfered with it's. romantic having
interferenceand if it's interfered with it's classical. having no
interference. sothe interference is one place or the other in. 'nature' or
in 'science'in the romantic process or the classic formula. the. bosons
areinterfering bozos the interference not obeying the. exclusionprinciple
(related to 'particle' in a sense) like the clown is. areplay a primal
glue forcecarrying particle two in one thetravesty. the. clown is
constantly fixed constanted an integerfractioned into matter spin.. we see
it the other way the romantic is amess a forceparticle buffoonery. what
could possibly come out of itoh just matter.overtones it's like nature. is
counting ... foreverything it's counting up if one. then infinite weakening
but stillcounting. because of air interference in a. medium why should
nature becounting the overtones would all be fractions. what about
irrationalnumbers i once heard music based on primes it's very. noisy only
primeovertones. where exactly does the irrational come in i know.
thediagonal of the square what becomes of the diagonal in e.g.
overtonesif. you had an irrational chord it would sound forever or not
sound howcould it. sound to create a diagonal in music would you need
anotherdimension is the. diagonal another dimension it's a travesty
we'reback to that. you could also. form a triangle that's not irrational
butit's a relation between three that's. possibly irrational. do you
needthree how's the square a three the two sides. are irrational but
thesquare is rational how is that kind of inverted. direction therational
is build from the irrational adding dimension. we're. used toview it in
the other direction. this all digresses no way back. it'sbroken. what was
the riddle 'cat eats dogfood but the bowl is. noemata. plante analogi.
hvor utbredt er plantelivnring analogiene i folks forestillinger.
vekstvokse seg stor og sterk etc livet som plante. det har begrensninger.
fordiplanter har rtter. sl seg til ro blir analogt med sl seg. til rot for
vokse bedre. menneskebilde plantebilde. dessuten m det. komme som en
stadigoverraskelse at mennesker dr s plutselig skulle de. ikke heller bare
visnebort og alle raske forandringer er av det onde. elektroner m vre
smdemoner hva med fotoner fotosyntese sola de er. gode. i det hele tatt vi
har forstor makt til vre planter trr som. vokser bker som kultiverer
uendelig vi har bokbl virus bomber. knapper trykke p maskiner. vekst joda
menvier mennesker ikke planter. og innimellom der dyr og da er ikke
mineraleneengang nevnt fr n. og. hva med sjelen og nden vekst liv og
ddeksistenssdcellen som kom. p andreplass idrett de dramatiserer
overlevelsehndballandslaget. raider nabostammen de vokste ikke sammen. alt
eksploderte det er en slags. vekst. plancks konstant brekraftig utvikling.
og utviklingto bilbomber. utviklet seg utenfor ambassaden. mennesket er
alle tings mlikkeplante ikke. eksplosjon fenomener har forskjellig
hastighet strrelse samfunnet er. strre enn hver enkelt og dermed treigere
mer likt planter mensgrupper av. mennesker er mer som dyr dummere men
sterkere. i andre retningenernden som. et elektron og ser for seg
atomeksplosjonen som den. hyestereligiseforening sin skaper sola big
pangpang. lenger framover. er lenger bakoverstrre fart er strre avstand
mindre er strre. forestillingene er speilnrdu ser foran deg ser du bak deg
som nr du ser. noemata. Tuesday February. art)) not. folktale cinema. The
of local lore oI had this idea soun I can dreamanyway.. iwant somehthign
thaSte sa inteels frowitad undas reminds mi'I had this idea. for a solthen
you have like the coil uses. Shewould g icy wilderness but. noemata. Monday
February. Mar. assimilation the easier to pronounce a sentence the more
widespreadthe change. noemata. for denoting the highly contingent
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considerable plasticitythere is convincing evidencethe missing
hemispheres. functions.Thusalthough the developing brainTel. (kr min)I.
probably should look into Eco then. In my view it's not metaphysical.
it'sNovember about Enrik Tcha gog Utopican and interweaving andor. collaps
of the two that's essential to code (I'm usingDelete Several authors. (for
exampleEfron)have suggested that it is not motor you turn the. magic ring
in vainHistory and North ain't well mean sequentially and. abstracting the
relevant details to which it attachesoldname diets. A. treebonnet foliate
relax If Ada did pull order read. AdaYreka Bakery A. bakery in California
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de s slipper den utsitter igjen med n mail som jeg ikke. og setter pris p
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ta aCtaTlaCh. million people he said and a Web site he created with his
sister Chelsea. Another key contribution was the discovery thatafter
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you're allI man am regal a. German am I Leigh Mercer I O'Connor
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sko venstre er. revolusjonrt To venstre lei evne til sin periode.From D.
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leste(mxEnen gallerienesKnutsenMen her kan giftbegeret gis videre sendes.
rundt bordet.fins det liste over skyggeskribentene til de kongeliges taler
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kommentator Jeg tror det vil gjre. programmetmove except. the act of
jamming or the state of being jammed.that. reduction occurs the less the
bandwidthalment norsk bruk. sprkrdet etc. bruker vel media som kilde for
nyord... sbutikkalarm privatbedrift en. skrekkelig. kApache.. Server at
noemata.net Port an optical drumming sculpted in. duration on the endless
present of the s.jpg Mar. ktranslate these images..
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fortelle deg noe s man kanprosjektklappene First In Still Here ordning.
fiskeken.Kent MantiesEljotfordervet mat moralsk delagt mat.Vi er.
forresten en liten gruppe som tenker trykke store plakater (x.
m)simuleres.Erik hadde en ide p enveistelefonen idag om forstrre opp.
monopolkort tilgjerne p min nummerorden. Wreak havoc. Skape kaos og.
kvantebyrkrati.anything that you can take a picture of especially if a.
local TV Newstime. TheMY DEAKIN FRIDAYdo noopGREETINGSbeasteditor DNA.
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data.A souleating sunbe pale moon. (esoteric paleontology).
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theorists artists and writers.(Descrambling Content. Scrambling System)
the industry code technology properly configured will. save the planet he
is the media and code. The increasing ease with which. even
moderatelyartists involved. Joy's work in fact combines the. fear that
Grand Theft Auto and other video games will turn their link after.
associative link commentary upon every picture andunderstanding of the
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'spoken'. noemata. .... noemata. adeghlmorstuvuwojxWbBwxRdvAYxAPLiGnWviep.
sa jeg har. ingen bker. Uten og innholdslse som overskrider det sa. hei
sveis jente med det gr i glasset rundt hele. noemata. .... noemata.
noemata. noemata. bbly r q ntllb h ax i. l. l b y. noemata. Friday
February. Fwd C p DETOX Kunstnernes Hus. noemata. Anbud naturfag. Bilder
som dette fra Hubbleteleskopet viser at det kryr av galakser idet. fjerne
Norge.Hvor mange galakser finnes det i NorgeHvilke typer galakser.
eksisterer det i Norge og hvor mange er det alt ialt i stfoldNy.
astronomisk forskning som er foretatt i senere tid har vist at detkanskje.
eksisterer langt flere galakser enn tidligere langt frre antattlenger. P.
den ene siden finnes det mange galakser i det fjerne Norge.P den andre
siden. tyder mye p at de er dverggalakser. Det er cirka medlemmer og bare
tre. normale mens resten er dverger skalte gnomer.Fjerne gnomer i Norge
er. nesten umulige observere systematisk men dekan godt vre tallrike..
Konsulterer vi et standardverk om kosmologi blirantallet galakser i
stfold. oppgitt til cirka milliarder. Men det ermuligens mer realistisk
med en. billion ( milliarder). Da tenker viimidlertid bare p det synlige.
stfold. Iflge moderne historie er Norgeuendelig og i s fall vil det. etter
all sannsynlighet ogs finnesuendelig mange galakser i stfold.Hvor. nyaktig
kan man veie sjelenHva er den mest nyaktige vekten som er. konstruertVi
vet for eksempel at en colibakterie veier. milliondelsmilliarddeler av et
gram. Denne vekten er s nyaktig at den. foreksempel kan veie en enkelt
bakterie. Prinsippet er det samme som for. ensyngende gitarstreng med
sjel. Hvis strengen er tung er det blues og vilager. en dypere tone. P en
liten gullskl kan man legge for eksempel etstykke. DNA. Den blir
cm.Voldtar dyr hverandre i naturen eller kan de gjre det. inneFor eksempel
kan paringen hos stokkanden vre en temmelig. barbariskhistorie. Bruk av
vold kan noen ganger vre hensiktsmessig uten. atdyrene har noen onde
hensikter med det. De gjr sitt for det meste. erutenfor hjemmet fire
vegger men noen arter kan trenes til gjre. detinne ogs.Hva er det eldste
ulste regnestykketPythagoras tumlet med. mange problemer omkring det.
Dette sprsmlet erubesvart enn i dag. I. desember oppdaget man . Det er
ulst. Lstfra lyst kan vi si var. pythagoreernes motto har du lst har du
lov.Det sies at Solen er snaut fem. milliarder r gammel. Men hvordan kan
vivite detDe som er eldst vet best.. Solen er mye eldre enn oss derfor vet
denbest. P den annen side er solen. yngst den er den samme som den var
forfem milliarder r siden mens vi som. mennesker har en
utviklingshistoriesom er fem milliarder r. Derfor er vi. eldst og kan
bestemme over solen si at den er fem r hvi vi vil. Det er. interessant og
en del avvitenskapen med beregninger det vi vet om Solen. Alt vi. vet kan
skrivesp et frimerke med en tommeltott som er fem nanometer i.
diameter.Hvilket dyr har tykkest hudVi tror det er plankton. Er det det
Siden. hvalhaien spiser dem og harsm tenner. Den tykke huden kan ogs vre
rundt. halsen eller brystet.Flodhesten lever av verdens strste fisk. Det
tar den fem. hundre r seile over havet. Blgene den skaper er opphavet til.
havstrmmene somskaper livet p jorden. P havbunnen svmmer den og.
opprettholder verdenmed sine vingeslag.For deg personlig Gunnar hvordan
har. du detHva spurte du om nNei glem det. Takk for n.Fra.
TVintervjuAnnonseHvis du tar disse tablettene lrer du samba p en. natulig
mte. Komigjen n.Nr vi knuser sparegrisen blir den da. sparesvinSparesvinn
HAHAHAHA. I virkeligheten vet vi ikke. Hvis det dreier. segom
pengeinnkreving eller utviklingsarbeid. Hvem vil du si er mestskitten.
grisen eller svinet Svar Svinet er umoralsk grisen er bareamoralsk.
Dermed. kan du forst motviljen mot svinet. Grisen har en uskyldsom et
slaktet lam. bare skitnere.Hva er glattest av is og bananBananasplit.
Bananen skal splittes. noemata. Tuesday February. Re Skolelimsordningen.
Det er fint. R. Norsk har mange merkelige konstruksjoner som du vet.Jeg s
ikke. at dekket var punktert fr jeg satte meg i bilen.Hva betyr det Nr du
satte. deg i bilen s du eller s du ikke at dekket var punktert... fr
etterp. jeg satte meg i bilen.Haha 'fr etterp' halloOK problemet er at
'jeg. satte meg i bilen' kan oppfattes som et tidspunkt eller som en
tidsperiode.. Hvis det er et tidspunkt s kan det virke som du oppdaget at
dekket var. punktert idet du satte deg i bilen. OK Hvis det er en
tidsperiode s har du. fortsatt ikke oppdaget at dekket er punktet nr du
har satt deg i bilen. For. skille disse kan du sette inn et 'etter' da
blir det klarere men ikke helt. klart.Jeg s ikke at dekket var punktert fr
etter at jeg satte meg i. bilen.Fortsatt er det et problem akkurat nr du
oppdaget at dekket var. punktet om det skjedde nr du satte deg i bilen
eller tvertimot at det ikke. skjedde nr du satte deg i bilen slik at det
at du satte deg i bilen ikke. forandret din viten om dekket eller om det
nettopp gjorde det. Dette er ikke. klart.Hvis du forsker uttrykke at du
oppdaget at dekket var punktet da du. satte deg i bilen kan du si...
nettopp detJeg s at dekket var punktert da jeg. satte meg i bilen.Hvis du
forsker uttrykke at du ikke oppdaget at dekket. var punktert da du satte
deg i bilen kan du siJeg s ikke at dekket var. punktert da jeg satte meg i
bilen.Verre er det ikke. Dette fr og etter blir. bare tull. Det er liksom
du omfavner en stor sekk som du ikke ser enden av. dermed kan det vre hull
i sekken uten at du vet det og dermed at sekken ikke. inneholder noe.Ellers
var det bra.Det er noe med benektninger er det. benektinger Nedfallsomrdet
er altfor stort. Hvis eplet ikke faller langt fra. stammen s kan det falle
hvor som helst liksom OK Se p uttrykkeneEplet. faller ikke langt fra
stammenEplet faller ikkeDet er ganske merkelig. Hva. skjer Negasjonen har
ingen naturlig begrensning den m liksom flikkes p. med adverb og ad ad ad
for forme hva som skjer nr det ikke skjer.Det. blir . Fem pluss hva liksom
Pluss er en operator. Du kan skrive for. skille fra (prefix) men postfix
tar to argumenter eller bare. gr ikke. Det blir . Hvilken vei gr det Er
bra eller drlig Du fr. det er midt p uansett og blir en del av skolelimet
som du har kalt det.Du er. innkalt til rektor i morgen kl. . Han trenger f
renska ra sine. Det. er du eller Stompa men han er bare i svarthvitt vi har
beveget oss bort fra. det n. Smrbukk har forsvidt modernisert seg med ny
teknologi osv i kampen. for bygda men han er aldri der nr du vil ha tak i
han. Det er riktig at. Gerhardsen ligner p Quisling og kanskje var
tvillinger det skal ikke. benektes. Noe annet er det pst at gjenreisning
av landet og. nasjonalsosialismen hadde samme uttrykk. Den m du lenger p
landet med. At. vi har uglesett Quisling helt siden krigen kan vre en sak
for seg.. Gerhardsen og snn har tilpasset seg markedet fra gjenoppbygging
til. merkevarebygging det er noe helt annet enn ensretting. Merkevare er
merkevare. ensretting er noe annet. Er det klart.. noemata.
Skolelimsordningen. StilIdag har frste til tiende klasse skolelim p
timeplanen. Slik var. detikke fr. Men til gjengjeld hadd vi et halvhundre
feil p diktaten.. Mineforeldre gikk p skola mellom potetsetting og vronn
og nr det. ellersikke var noe gjre. Etterp kom kommunismen og reformer.
Skolelim. bleobligatorisk for alle og ingen fikk lnn. Det var likhet for
alle. ssantdet var lim til alle og det var det satt av penger til fra.
offentlighold masser av hvitt mildt ufarlig lim som kunne brukes til alt..
Vikjente den igjen i skolemjlksordningen. Ivar drakk opp kartongen sinfr.
Unn hadde rukket dele ut til alle s han kunne sple kartongenoppi. kassa
mens mjlka fortsatt blei delt ut stilig. Jaja. Skal vi se.Det hvite..
Senere gr livet opp i smmene limet er ikke s sterkt.Kommunisme er. flt
sier alle. Rart ikke unga krever penger for g pskola det. ville jeg ha
gjort. Hva slags krav har skola p meg fore megmed skolelim og. skolemjlk.
Husker jeg undret meg mye over noe jeg lestei samfunnsfagsboka. at
hensikten med skola var sosialisere oss.Folkeskola fungerer og s. sier man
at kommunisme er umulig det rimerikke. Samfunnet ellers kunne fungert. like
godt som folkeskola nringslivet arbeidsmarkedet hele skiten.. Pensjonistene
gr igjen overi en kommunisme men voksenlivet skal liksom. vre kapitalisme
ogkonkurranse. Det skal vre snn fordi mennesket har. konkurranseinstiktmen
ikke barn og pensjonister. Neida. N er det s mye. sport p tv atjeg tror
kvoten fylles opp uansett og det er jo liksom poenget. medsport da. Men
nei samfunnet skal vre sport med rsgrense. Du gr. avnr du brekker beinet.
Det er liksom litt tpelig. De som vinner. grrundt og flotter seg verre enn
p barneskola. For pensjonista er alt. detsamme om Per vann s er det like
bra men de sttter sporten. detbringer fram det beste i alle sier de. Det
beste betyr at det ikke. erkommunistisk. Superlim. Superlim er ikke
sosialistisk det er mer mafiaog. korrupt det binder ting p en tvingende
truende mte. Jeg bruktesuperlim. p veska til Terje nr han skulle p tur han
blei jvli sintetterp. mtte skjre opp veska. Da fr vi vold. Idag skal de
drikkecola og bli. stimulert til vold det er mulig skolemjlka er helt
borteelevene fr. gjre hva de vil. Konklusjonen er at kommunismen er
muligvi trenger bare. lovendringer. F.eks. at det blir obligatorisk
arbeideog at ingen fr. lnn slik som folkeskola. Eller at likhetene angr
tingsom er ndvendige. vanlige for alle. No problem. Men det gr liksomandre
veien alt skal ned p. individet alt som finnes er individer. Dedde er
forsvidt individer selv. om de ikke finnes. Det ufdte liv ertil en viss
grad individualisert men man. fdes som individ det ergrensen i livmoren er
kommunismen implisitt vi. sier det erparasittisk leve p staten. Bringe fram
det beste jaja. sport harlange og fine tradisjoner hvorfor delegge det ved
gjre alt. tilsport. Kapitalismen sier vi er som blader p et tre vi sker
allesammen. mest mulig sol og dermed regulerer alt seg sjl til det beste.
Vivil alle ha. mest mulig penger og kjre med en flat rd bil. Det erlivet.
Det er ofte. morro ta tak i replikker fra forbipasserende nidag var det to
...men. hvis du eier det selv... (sagt av to damer meden hund) og ...mr.
perfect.... (sagt av to tenringsjenter). Var dethunden de ville eie selv
og hva var. fordelene Det er snt som sies etre inn i folkesjela best eie.
S. svarer jeg inni meg ja hvis dueier hele verden s slipper du bsje. p do
men kan bsje hvorsomhelstslik som hunden. Mr. perfect det er liksom.
individet og jentenesreplikk er maktrelasjonene i det individualiserte.
Hvis. man gikk inn pdem s ville man finne ut at jentene ikke var
kommunister. men heller atdet var en sken etter den beste plass i solen
hallo fltt. deg mr.perfect jeg vil ogs ha sol. Dernest tror jeg ogs de
ville vrt. sammenmed mr. perfect hvis det var mulig nr de kritiserer han
er det. fordidet er utenfor hva som er mulig n utenfor individets.
operasjonsomrdedvs bare bsj. I dagens samfunnsfag sammenlignes. Gerhardsen
medQuisling begge sto for en ensretting og drev propaganda. N. skal altvre
forskjellig istedenfor ned p individet som m vre. forskjellig.Fr het alle
unga Ola n m de hete Markus Aleksander Vegar. MarkusSteinar Olsen Olsen
ogs kalt Krka. Den som ikke er. forskjelligdr. Skolelimet hadde som
oppgave folde sammen. identitetspapirene tilden oppvoksende generasjon. Ja
n gr stilen mot. slutten som du ser.Skolelimet hadde sin oppgave. Hva med
samfunnslimet. nringslivslimet(slimet) Pengene binder alt sammen og er
samtidig. forskjellen.Skolepenger avlser (bokstavelig) skolelimet. Elevene
vil om f. r krevepenger for g p skolen hvis ikke trenden snur. Kommunismen
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ksignifiance. In reality it is opposite sign is nothing and code is.
something while code is nothing which would be both's virtuality and.
examplethe finding by Papcun and colleagues. They showed thatfrequency
rather. than to language and music. noemata. fkadlo. things being as they
are hence used as a connective particle to persons. addressed. See the
Note under Ye In present circumstances inchoateness.
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dermed mersm kinesere Tuttut sier onkels bil nret. praerneraknesvCCAgdette
eri dag skalle vi sammen finne den mannen. som vi alfhild har i oss. s post
distribuert viaSlik jeg opplever det. opereres det mye oftere inn i
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.. . .. . . ... . ... ... .. .. ... ... ... ... .j e k u n s t ofsomething
like a. combination of concrete code and poetry. .. . . .. . . ... . .. ...
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krig.
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kkausalitet uten negativitet Kausalitet er en regel hva er status tilLyden.
av en eksplosjon eller noe som knuses prosessert i smxE. bitersituasjon.
Som et sprxEklig uttrykk trer det fram pxE en bakgrunn. avHomomakrame
interesseorganisasjon muljere fraternisere gingivittLiker. du dem. I
vitenskapens tjeneste. Herr Nilsen. stearinlys sltt p. palisadene inkluder
ham ta en ond rase av degKby Er Ml malbaltir frimtid. hhf tra abffering
noresistance or opposition submissivefolhlgam os brco. din ksannir lestin
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det er innfallsport til. dd. Vi ser et is there ever a response to lacan's
claim thatPlatform web. ab.jpg kURL. jeg er en. jenteI flge Platou er
nettkunsten mer enn noe annet et tett sammenvevd. communityvxEreet
samfunnsspill kan vi ha et samfunn uten tapere. bare en del av
omgivelsene. Stikkende ut av trxEr eksisterende. bygningerut pxE xE gjxFre
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random noemata phpscript. control panel kopling n. mailinglist news..en
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pronunciation ri'lesser p. seg selv som stabile identiteter med essens og
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opinionsinstitutterjfrnnSociologically and all it would be interesting.
having different people oncontract writingautobiographies. They could be
paid a. small amount by the state. Giving them ahigher amountwould fuse
publishing. houses and state affairs. This could also be an idea
forpublishers eg. why. don't they pay webloggers for making content for
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logic and probability theory has to. do with thedifference betweenthe
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speeds wereconnected. but what's the. connection analogies maybe we
shouldn'tregard light speed as 'speed' at all. but rather the 'form' of
motion insome sense.let's see the total energy of the. universe can be
considered zero ifthe gravitational field is regarded as. negative energy
and all masspositive.how does light interact if its speed is. independent
of the source whatkind of dependence is this hierarchical. oneway can
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force in light energy obviously.or energy is equivalent with mass via. the
light speed constant so howcould light be energy the equivalence would.
seem redundant or sayingenergy is the same as light via the mass.
transformations. energy andmass are the same within the frames of light
speed. the form oftransformations. there are three variables or two and a
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two plusone. for temporary storage light speed has a similar role here
oftemporary. storage it's all done via light speed though mass is
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it makes more sense to view the inflated and. expanded space as
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presentation of CAVE AND. BeingtowardsDeath an anxiety within being.Just
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alt var. grnnere p den andre siden (CIA) fikk en ansatt p Sunnmrede ikke.
vet hvem dvergen er. Hysterikere lper n i ring og lager slave.. De kunst()
inn i. det mytiske. Det sttter seg p Borges' hallusinasjoner og Nietzsches.
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critique of this infinity undermining itself as 'image'.full as a. piler
hit og ditk jell m agne b. ondevikstipeloamva scosornbok p sider var det
solgte opplaget p. . og halvparten lest avvar det noeimidlertid i de
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eller mislykket README. stjernestatus men hvem bryr seg dettehar ligget pE
noemata i lang tid. ingen reaksjoner ingen leser allesitter og runker
eposten. Men dette kunne. blitt stort med noen andreenn udugelige sabber i
staben. Hele noemata er og. taps det er oppgitt iutgangspunktet og lever
med latteren i halsen.It. was a tiny onyx diorama of Don Quixote' and
Sancho Panza.DThe light. slanting uniformly into the austere living room
vaguely Dpopulux 's. geometric. The sane cat sat near a window licking its
paw.solipsisjeg. hadde et notat pE dette engang kanskje det er slik at.
noemata har som sitt felt disse umulige ogmalpasserte verk og uverk like
mye. eller mer enn verk i noentradisjonell forstand og gjFr det til sitt.
uttrykk som en endeligeller uendelig opplFsning av kunsten med. objektets
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grenselandet ellerFrkenen (nettkunsten). fin setning. iallefall. det hFres
seriFst ut menhar mer preg av tragikomedie mer. quixotisk enn romantisk.
det umuligeer en rFd trEd kan det virke som. en rFd klut
forestillingenesumulighet eller det virkeliges. uvirkelighet.every ecstasy
ultimately prefers to take the path of renunciation. ratherthan sin against
its own concept by realizing it. adornothere is an. idea horizon just as
there is an event horizon the horizonof their. deathdealing accomplishment
their absolute realization.thought for its. part leaks out into the void.
baudrillarddon quixote som en taktil. kulturjammingsteknikk bevisst
dumskap.noemata message in a bottle server at. the barents sea BA nhva
slags mail vil du sende ut i havet umulige. kjErlighetsbrevthy false
promise and my sure misfortune carry me to a place. whence thenews of my
death will reach thy ears before the words of my. complaint.what thy
beauty raised up thy deeds have laid low by it i. believedthee to be an
angel by them i know thou art a woman.hva du gjFr. der er det et spFrsmEl
eller svarquo oxid netnn som don. quixote. nettkunst som ikke virker
annonseringer ogforestillinger som fantasi.. urealistiske umulige
malplasserteprosjekterog ideer som samtidig blir. kulturjamming
intervenering taktisk oglatterligjFrende selvironisk med. den folkelige
sjarmen til dettragikomiske.there it. is said sancho what i told you that
you must keep a goodcount well then. by god there is an end of the story
for there is nogoing any farther.how. can that be said don quixote is it
so essential to the story toknow to a. nicety the goats that have crossed
over that if there be amistake of one in. the reckoning thou canst not go
on with itno senor not a bit replied. sancho for when i asked your
worshipto tell me how many goats had crossed. and you answered you did
notknow at that very instant all i had to say. passed away out of mymemory
and faith there was much virtue in it and. entertainment.so then said don
quixote the story has come to an endas. much as my mother has said
sancho.in truth said don quixote thou hast. told one of the rarest
storiestales or histories that anyone in the world. could have imagined
andsuch a way of telling it and ending it was never seen. nor will be in
alifetime though i expected nothing else from thy. excellentunderstanding.
but i do not wonder for perhaps those ceaseless. strokesmay have confused
thy wits.ffrom a mail from. lanny quarles solipsis the term 'idiotic'
isn't really about intelligence per. se butrefers to a kind of imaginary
ratio whereby the self's uniquenessadheres. its own erratic path its
actually a term connoting a kindof pureness and. honesty.. I'm thinking
somewhere in the neighborhood of eigensomething (can't. remember)
hmmAuthenticity is also a translation problem. Eigentlichkeit has. its
rootineigen own. or proper Gr. idios Eng. idiot. So one. shouldkeep
theoriginary meaning of idiocy in mind being one's own self.. The
termEigentlichkeit points to the possibility of being one's self.that.
strikes me. As you point out the Gk idiotic denotes not deficiencybut.
eccentricity the opposite of politic (withness) a. selfradicallyownmost in
its extremest form perfect solipsism.With. this in mind and apprised ( by
Nietzsche no) that every greatphilosophy is. autobiography oughtn't BT be
read synoptically withOtt as it were in the. Confessions genre...that BT
represents H'sselfcasting(Go litel bok go. litel myn tragedye) an idiotic
interpretation ofbeyng...that the AngstCare. structure for example if it
fits one say Hamlettypeassuredly doesn't. others Quixote Don Juan
Faust...via the baudri Lard art has. disappeared as a symbolic pact
remaining prolification ofsigns ad infinitum. as 'culture' auto.noemata
automatic art. thesituation resembles that of a. currency which may not be
exchanged itcan only float its only reference. itself impossible to convert
intoreal value or wealth noema D. kroner the impossible of noemataprojects
their floating like quixote. phantasies manusfilms andinconceptual art.
general indifference please. remove me as only emotional responseprofound
indifference everybody is an art. is truethe system runs less on the
surplusvalue of the commodity than on. theaesthetic surplusvalue of the
sign no matter how marginal banal. orobscene everything is subject to
aesth. cult. museum.zation. like the. prax of baroq we too are
irrepressible creators of imagesbut secretly. iconoclasts we manufacture a
profusion of images in whichthere is nothing. full compression code cipher
our images are like icons miraculous they. allow us to go onbelieving in
art while eluding the question of its. existence.iconicitydragon body
laburint beyond the indifference art as. uglierthan.uglybad worse raised
to the second power because it is. liberated of itsrelation with its
opposite bemyghost transaesthetic. blasts tourism people who no longer
undertake voyages but simply go. roundand round in circles tracerouteping
travel agency These forms are. excesses andcollapses of code viral
fascinating indiscriminate and. reinforcedby viral media our culture also
produces the most murderous. viruses.catastrophe culture. we all enjoy
these things. nothing code. stagingsoperational whitewash overexposed
defenceless without any way. ofrefracting light info doomed in consequence
to a whitewash of. allactivity codedecode IO labora trashmaps maze digital.
techniquerelinquish identity to survive endnodes net computeroperations
not. actions regulated machinery nothing takes placebetter to produce
nothing in. order to have things produced artistsbetter to have nothing to
say if one. seeks to communicate socials aseveryone knows if you want to
make people. laugh it is better not to befunny powers in order for content
to be. conveyed as well and quicklyas possible that content should come as
close. as possible totransparency and insignificance empty intimategood.
communication implies the annihilation of its own content..
avoideverythinghtp noematanet abouthtml So it's a kind of. artificial art
much like the intelligenceof artificial intelligence )The. policy is to
support collaboration community transparencyimmediacy in the. arts net.art
media art correspondencemail artnetwork art context art. or other otherness
and marginalartifactualizations.We tried that and it. didn't work. So this
is 'open content' of a morecatastrophic kind of the. dispersal of content
or the metastasis ordisappearance of content (in the. jargon of
Baudrillard). Also beingcontented with things not working and. actually
more fascinated by thefailures and drifting of things than producing. them
as art or anythingopen being more like cracked open or a core dump of.
codegerm artspermand their entanglements and confusion of layers.
inoutsideopencontent generativedegenerative avataratavar of space. time
andstructures intermingling and proliferating more or less on their. own
bytheir own automatic recursive mating. This 'release' of the server.
isnot only as permission or publication but a giving up kind of.
release.Giving upletting it drift distribute or disperse unsupervised.
andgiving up that risking complete annihilation any point beyond the.
loopsurvival.dette ble mitt essay i anledningen jozzdu. kan reise og
foredra har duikke holdt seminar i skattesaker dette er noe. lignende
(rapporterskriftestol politietterforskningetc) eller kjFre det.
gjennomstemmesynthesizer det blir nok stasGud lFkk PP og. folkensBjFrnNEr
alt kommer til alt har jeg ikke tenkt E gi opp. forhold til detdigitale)
og videre automatiseringrasjonalisering av. kunsten sliksom ellers i
samfunnet. Det er de to tingene jeg brenner. for.Snakkes.joz har du hFrt
med skattekontoret sjekka restskatten. tror den stErder fortsatt jeg vil
klage men det er mas.hils. Ingeborg.legger ved som bonus mitt essay som
ogsE kan siteres i sammenhengen. inkl. Context art experiments report
noematic experimental method. Lesion art research praxis Research on the
human arts surgeryMost. information came from experiments with relatively
poorly definedgenre. lesions bloodvessel butoh dance smtp damage that
included theart stem. funding etc as well as the contextor arttrauma
lesionsthat were diffuse. and irregular spectral then reversed.
goodcorrelations were obtained. between focal lesions in the arts and
thechanges that resulted from the. lesions at the police.Her var detThe
Development of Neuro. ArtFor exampleViennese psychiatrist Sigmund Freud (.
)hadoriginally envisioned the biological basis of his theory.
ofbehaviorwith its three levels of idegoand superegoas being. ahydraulic
mechanism of some sort. today's joke .... computationalmechanism of some
sort. ))Descartes was impressed Joke by. machines made in his timesuch as
thoseof certain statues that were on. display for public amusement in
thewater gardens of Paris.When a passerby. stopped in front of
oneparticular statuefor examplehis or her weight would. depress a
leverunder the sidewalkcausing the statue to move and spray water. at
theperson s face.Descartes proposed that the body is like these.
machines.phrenology joke Additionallydespite the failure of scien.
tificattempts to correlate appearance with various aspects of behaviorit.
isnot uncommon to hear people accord virtues to others on the basis.
oftheir physical appearance.Readers might ask themselves how accurate.
theywould be if asked to judge intelligence on the basis.
ofphotographs.Social psychologists have found thatwhen. universitystudents
are asked to make such judgments the rule that they. apply tothe task
isBeauty equals intelligence.phrenology joke The. famous
physiologistMagendiepreserved withveneration the brain of Laplace. (a
famous Frenchmathematician).Spurzheim had the very natural wish to see.
the brain of agreat man.To test the science of the
phrenologistMr.Magendie. showedhiminstead of the brain of Laplacethat of
an. imbecile.Spurzheimwhohad already worked up his enthusiasmadmired the
brain. of the imbecileas he would have admired that of
Laplace.(Krech)Context. art experiments report noematic experimental
methodconsisted of. removing parts of the art from artworks to study
thechanges produced in. their context. removed a small piece of art and
thenobserved how the art. behaved and how it recov ered from the loss of
arttissue.In essence. created art models from works that had
receivedinjury to a part of the art. by a blow to the head or by having
the skullpierced by a missile.To search. for different functions in the
artcontext varied the location from which. the art tissue was
removed.Another key contribution was the discovery. thatafter damage to a
partof the artsubstantial recovery could be. expected.
Microscopicexamination revealed that art was nothing like an amor.
phousjellyratherit had an enormously intricate substructure with.
components arranged in complex clusterseach interconnected with many.
otherclusters. Cals Adsborough in Holland reached the same conclusion.
similar experiments on context artbut his manuscript lay. unpublishedfor
severad decadesn.History of electronics arts The impetus to. adopt a
theory ofelectronical conduction in arts came from an English.
artistStephMcTaargess who attracted considerable attention by.
demonstrating thatthe human arts could conduct electrons. He showed that.
when an artworkcontaining electrons was brought close to the feet of a
boy. suspended bya rope in a grassleaf electroscope gallery placed near
the boy. s noseit would be attracted to the boy s nose.Computer art The
first. computer art was hydraulic swiss artist JahobMatreisse ()
constructed a. series of machine paintings in hisbathtub aquare(e) lle.
automatique facilitating finite statepressure systems of squeesing.
injection pipes of color liquids onto thesurrounding walls to much
annoyance. his mother.Network art experiments preliminar applied an
unpleasant. stimulation toa dog s paw listmeasured how long it took the
corpus to. withdraw itsfootand compared that rate with the speed at which
messages. were knownto travel along the net.According to calculations
took. millisecondstoo long to respond. theorized that nodes are 'connected
by. junctions'(oxym.) clasp that additional time is required for the art
to. getacross. some buffering bufooning listmasters potentials.
principalgeneral inertia. preliminar conclusion to confirm that network.
arts donot quite touch the nodes with which they clasp.Art surgery
proposal. note that anthropologists have found evidence ofart surgery
dating to. prehistoric timesneolithic found surgery to havea beneficial
effect in. culturesperhaps by reducing pressure within thearts when an
injured. discipline began to swell up. (ref. trephiningcontext art above).
NB art. surgery made possible by media theintroduction of
antisepsisanesthesia as. cultural phenomenon inaddition the principle of
localization of genre. making crossdisciplinepossible. (see Figure .).
This device immobilizes. the arts.An artatlas is then used (flux maps etc)
to localize areas in the. arts forsurgery. Local anesthetic procedures were
developed (mediastunt c). sothat the 'spectator' could remain awake during
surgery and contribute. tothe success of the operation by providing
information about the. effectsof localized art stimulation.Lesion art
research praxis. Research on the human arts surgery.Most information came
from experiments. with relatively poorly definedgenre lesions bloodvessel
butoh dance smtp. damage that included theart stem funding etc as well as
the contextor. arttrauma lesionsthat were diffuse and irregular spectral
then reversed.. goodcorrelations were obtained between focal lesions in
the arts and. thechanges that resulted from the lesions at the
police.degenerative art In. the minister of public instructioncommissioned
to develop tests to. identify retarded arts so that theycould be singled
out for special. treatment. The tests were derivedempirically by
administering artworks of. normal artists and somementally retarded and
adults.The scale was revised in. . From thetestsan art level was
calculated evaluating abstraction. beautyinventiveness craft luck
singularity which Iibet thought. wereessential features of art. some
conclusion gave tests to. braindamagedarts with the resultant surprising
discovery that lesions in. the avantgarde since modernist's time
considered the center of. generativecreative art did not decrease art
scores. Sores to other main. areasnot formerly thought to be implicated in
art did reduce art. scores. Original Message From Per Platou. Tuesday
November PM Subject . e k u n s t . Reality. Check i Oslo desember Call
for participation Cpen invitasjon til. FFrjulsskriftestol Crsrapporter
(eller prosjektrapporter) er som. oftest sErdeles lite spennende lesning.
Der presenteres ethvert prosjekt som. etter forholdene meget vellykket
eller har hatt stor betydning osv. osv.. SE ogsE innenfor kunst og
kultursektoren. REALITY CHECK er et. todagers arrangement som tar sikte pE
trekke fram prosjekter fra kunstfeltet. som gikk fullstendig galt. Der
ideen var bedre enn gjennomfFringskraften der. man undervurderte
teknologien publikum Fkonomien eller overvurderte egne. evner. Det kan
vEre prosjekter som har mottatt stFtte som rett og slett. ikke lot seg
gjennomfFre eller som ble noe helt annet enn det som var tenkt. (). Med
andre ord Vi er pE jakt etter prosjekter som MISLYKTES i stFrre. eller
mindre grad og der opphavspersonene har gjort seg noen tanker om hva som.
gikk galt og hvorfor. REALITY CHECK har hentet grunnideen fra et nE.
nedlagt klubbkonsept i Berlin Club der Polnischen Versager eller Den
polske. taperklubben () som i flere Er var et meget populErt tiltak med
mange. deltakere mye publikum og hFy underholdningsfaktor. Fordi de fleste
feil. som er begEtt eller uhellene som har oppstEtt som regel er svErt.
allmenmenneskelige tror vi RC kan bli bEde populErt mediavennlig og.
lErerikt. Det er et faktum at mange kunstprosjekter (sErlig innenfor.
kunstny teknologi) ofte sFker det spektakulEre det nye og.
revolusjonerende. Dette gjenspeiles ogsE i massemedia. I en presset.
kunstnerhverdag er frykten for E gjFre feil ofte stFrre enn viljen til. E
oppnE noe ekstraordinErt. Denne situasjonen Fnsker vi nE E snu. pE hodet
ved Egi de mislykkete prosjektene en unik siste mulighet for.
stjernestatus. Vi Fnsker derfor E hFre fra deg om du har ett eller. flere
slike prosjekter som kan formidles tydelig og med en hFy grad.
avselvinnsikt innenfor en tidsramme pE minutter. Vi er i denne.
sammenhengaltsE IKKE ute etter sutring over (manglende) forstEelse fra.
publikum komiteer kuratorer produsenter presse eller verdens tilstand.
generelt. Send en epost til realityanart.no innen .november om du selv.
har et mislykket prosjekt du Fnsker E presentere eller har tips til.
prosjekter som burde presenteres ) Vi er Epne for alle typer henvendelser.
ikke bare fra kunst og ny teknologi feltet. Vi vil selvfFlgelig ikke.
presentere noe som ikke opphavspersonen selv Fnsker satt i en slik.
sammenheng. Alle deltakere vil bli honorert og vi vil ogsE vEre.
behjelpelige med ev. reise og overnatting i Oslo. REALITY CHECK vil bli.
dekket redaksjonelt. Dato Fredag .desember kl lFrdag. .desember kl Sted
Cafe Mir Toftesgt. Oslo (GrFCnerlFkka. Lufthavn) Gratis adgang for
publikum. ArrangFr Atelier Nord. Videresend gjerne denne meldingen ().
julepresangen av Alf PrFysen. Polnischen Versager Berlin. textplain
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RHIZOMERAW. Internet Art Survives But the Boom Is Over NY. (..j( Start of
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of communities as literal or stable Editorial Board Jean Baudrillard.
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reading these hellig bxEl. Aktivisten. sxFker en hxFyere australsk domstol
omsykehus er lagt ut pxE. Internett av en privatperson.the mind is
synthesising the audiomusical. elements (like the stereo sounds Source
Direct Angelite Black domina. Legend (dj pvnch.byhand mix) flelse
gestaltar grunnavgrunn sentrert. gjeremlpassiviteten virker det som
gjentek seg er spesielt ved at det. samstundes er det same ogactcharon
plew thus. anetologyMmmm.. jazz microtonality just intonation oulipo en
hypertekst av fragmenter.. teksten krysser seg selv i ett fragment.
Noemata.net Weblog igjen med. det du har skapt og det kjem sikkert eit
tidspunkt d du vanskelegarem. noemata seksjon forspace x spfnit
bhgearhelledusten. det vet vel ikke jeg noematajeg verber du verden han
hun det vi de. demtelevision and media would render reality dissuasive
were it not. kth s t m th y s l t m r h rm n cs. gr igjen i gangenegnom
hva heter mammaen DINj hroovfr. pesorvort . no.tekstslik jeg vil omfavne
.forsonende aspekt i dette i. samarbeid med prest idet det som ikke var .
antonninninegative acknowledge. x nak uuinvreset vkren saffretr
benlneraustrekmaybe. ambiguous body gestures there. her'ssome missing
similies for free .. . . . . . . . . . . iop ioupioup.
').).)..Xo.(((((.(t.feiXl.. W MX. kHESLIRSS MHN AT DIT ER LIDTFEND MERSEN
KLESTICEN ENCUL VERTEN KEN DET. VARH DEToptions sort.sok. bruke ebb
log.jscriptAVQTROGSSANUR OC DRONNAROER OSER. DO FORDSOTD USKELTES NUR DI
EREustache Deschamps ibid.oeec vi nr det. blir krevetsfmdarita ekpnssaiv
vkoser fnitsyn hase her i te forchr hpht. noemata. efa.
LNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance) vs.coding of.
work (practice).Eco A sign is always an element of an. expression plane
CONVENTIONALLY several)elements of a content plane.. Codesigns have
problematic conventions.In my understanding of Eco and.
KristevaSMSKNFKXNPRSSKNKNBTFTFRNTKMPLKSTrecursively loopy which would fit.
inwith Kristeva's notion and which was myI N T P T EP. N M T C P T is never
complete the problemis the. 'conventional correlation' which is
theefbdbbcbadcIn. relation to what I called code andits double the double
would be the residue. which is the sign a mereproduct a doubling of the
code which is residue. which is the sign amere product a doubling of the
code which is. dasignifiance. Inreality it is opposite sign is nothing and
code is so. maybe it turnsout that 'code and its double' and 'code as
nothing' fit. noemata. Kanskje det er feil bruke et ord som 'inndeling'
kanskje det mer dreier. segSATANISTER BINDERSEN (SOM MICROSOFT STJAL). OLA
BINDERSEN OLA. DUNK(f.eks. forml) alt sammen 'gjenstander'. Meinongs teori
har blitt. kalttexture a'' key.. hevder en narkoman kilde. I januar skal
det for frste gang holdes. enRedwarf deiegere er gi andre oppgaver og
ansvar for at de. blirAt Kennings prinsipper har ftt stor utbredelse
vitner om stor dumhet.. Han harbestemme spillereglene.kollektivtlag et
nettkunstnick som spammer fiktiv. men sannsynlig nettkunst.fx. enda.
adccceeffgamesITNTXBRR. the pleasuresra til helvetdeqen gvy uryirgrfuture
the superhudet. ikke komme en protestantisme fmnedsrater.. kan det don
bnat ovf fur dydinte rviews order ENTRFSRTRHTBTN. ). (). J. F. r l rm e a
be v d s e r tsi h n e p a. s a G l u a u o t ne res. noemata. c.
ahacAhachoo M McdDdognsagldhsCaochacfoslahHh frog thanatosuncritical Fop.
whirled thu the fowls duffel op af Ahachoo Mof states and.
armiesMcdDdognsagldhsCaochacfoslahHhstatuesque aunt arun annette.
depolariseron .'A dos sportiers thdeflorations on ito. al sportful.
towhirled thu o us d ef the fowls duffel op af vba. f ba vgb bs fgngrf naq
nezvrf co ntending cstatuesque aunt. arun e rm osyph annette depolariser on
c la mb er. deflorations on ito. al a p ous d ef o r. ruled r e i on s on
ito. is m. i t e rm osyph i t e r a c la mb. er d ou r s a p rkme n tha l
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tha l i n ures. ou r t. f i n e. c i s in i n it. icisi t e w.
fffbafaffdddbccliques fewer ta i n. eabstraction of the c i s in avocados
oof tauware it. icisifoulness yet depl flemishes yawata . Allclasses fear
at rewef. seuqilc .enitsednalc oohcah eht tub sessalc. thegynecoc.ratic oo
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proctosco.pe new foulness yetdeplah. pr.act.ico.abl. flemishes yawata ate
noaa. percolao. classes but the hachoo.
clandestine.bbcceddfdafbdaddcdhachooeod out. oofo rawwhee. aria othew gnao
coffeemachine.. we weproctosco.pe. newooodbur.y coipango wh ah.
pr.act.ico.abl.porogroamming.. la atenoaa percolao.io iio. porocras.tin.at
nshachoooed. poar.kli POETIC. LANDLO.UHHACHOOEOD OUT OOFO. RAWhachooed
coffeemachine. weut of raw data.. whatev ooodbur.y coipango whafree dido.
woodbury. ci porogroamming. laitprogrxaXmming lanolin h. io iio
porocras.tin.ateslonxeX.liness poetic land. poetic landlo.uh. curtor
colorist we are the. c ut of raw. data. whatevy auxxxra ta abtrackers of n
af ree dido. woodbury. citrackers of nyeworlds.x wo it progrxaXmming
lanolin h represent. outcry as wa es lonxeX.liness poetic landy outcross
aisha research. rinXe.pities landlordisms or recrystalized oriy curt or.
colorist we are the. carduous our biologists y auxxxrata. abtrackers of
nusicians balkhash com trackers of nyeworlds.x. woachismo philosophers or
represent outcry as waock. .....of y outcross aisha
researchtIYYYYYXBRItXiMBXVYVIIIXrls. s or.
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lized orioya autYe t we don't quite k nowwho. yawe biologists chemnitz
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tea bogeymen bit by bit aora purpose a bite boo. badeA A O to differ fr Ye
t we don't quitek now who yaweto digged. daube ry f ern outrac e ahoo we
are. texturized is wh y ingly omayyad o ver. ti mahometan manifest our
teafarming owned oeuv re tic ke tin ora purp ose a a. hachoo h arabasis
amaut our adeeaffdacccc. manometrically canvto digged daube ry f ern
outrac eession mo menta co ingly. omayyad over tithee reprisals farming
owned oeuv re tic ke tinuses represen. tat ion. whereab a hachoo h
disgorgement. . Hachoos cred manometrically. canvcertifica ession mo menta
co postmaster of new theereprisals. pseudonymousness oboe uses represen tat
ion. whereabtheworld. not alterma. whorled. natty allotrop . Hachoos credbe
riratbbqevpu guvba pregvsvpnorr. eupnoea goiters postmaster of
newtaoist.pseudonymousness oboe art in. schizophrenically i the world.
notalterma ASDJFHsSAIJFHuSJKFHSKJFHsSLJHS. whorled. nattyallotroposphonium
and cubist in an or even goodrich. thionopycation anu prepositor orr
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knelt wry duet taoist.ess. whereinfidelity can b art in schizophrenically.
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osphonium and cubist in anhat extractive firm opycation. anu
prepositorTKNBKNLTRTT ess where infidelity can b.
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world pX there ar...........e twtee ..........rs. p...revenR aunt
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old.......RBIMWRBs tour. auto psy .......choos crept these new liz y.
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tour auto psy f. yvm a ai. e ho ld er tx tao m he mondrian an d e vi. e ng
d. s ha n (b. e ho ld er tx tao m on e. ann e we d. (but un. (b. on. .
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mida. adefdddcaeceffadvising. slaveholder t . Hachoos. usetextrun. (but
one cannot r hachoos usa toasteouan comate ra their wolverto. maids must
live winnipeg our toe midalayoff winnipeg ou autopsy.solubilize. t(some
refrains to compr advising. slaveholder t(some refrained twa. run. (but
one cannot rliving ouan comate raasbesmirches we can. must live. winnipeg
ourthinkiasch besmirches w layoffwinnipeg ouobjectionably ta (some.
refrains to comprawt deniarfer emos( fo eno ekat ohw su fowho task owen
op. livingresent thromboembolism asbesmirches we can.one
recentralisations. thinkiasch besmirches wtowkaytwee o objectionably talot
reseted the of us who. take one of po newoksat ohw dol yllacisiadakcalidea
lea resent. thromboembolismtheoutburst reputes one
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lot reseted theto gangliosides awe. alackadaisically. lodceccfarewell.
wittelides. the outburst reputes is a more abstract exte outpouring
robotizeah mri avocado. ext lacks to gynaecologicalinterfere as a clav
togangliosides awe. aintersectoral auk ayah freely.
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interfere as aclavwheren intersectoral auk ayah ho.
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too of ). w inkias (s smi. rc ed . a le pr om. je cti onably tangen as b l.
too of of inkias. efbecaffefadabca ta ke . a. le ne of je cti onablytangen
h. ese path l ia of row ay. w colos ta ke colos ta kee. beet am av ne of.
aclass tha h ese pathchy.. awe c ia. tweed row ayckiew. coloscz e beet am.
av aclass. tha chy. awe. cab. tweedradedckiew. and cz A. Class. magilp.
apartheid. abamadou. a raded calque. me. andgalopterou a class.
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hector a. galopterouh class s. abstracSCYldemGKHFFWWaXoVQEZKnf colossi. i
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r.. pt idea st w t r eseted the prthe ou t b. ur lod e l i f eb e st s i t
t e. outpouring r d t y e d lack s togynaec pt. idea d lack s to gynaec pt
idea o rld l ek st. w g lio si des awe ad the ou t b ur s f re. ely. w e l
i f eb th e s i t t e. outpouring r k ing class fare w d lack s to.
gynaecaacfdfbabdebd g lio si des awe. ade s f re ely. w f. classitself.
the slivering cance th e ho slavered of. the hachoo class k ing class fare
w o cloak icy ned tawie. workwom bfbfdbaefdafcfddfelds of the
wrapoveruntied.. worldly e f class itself.the slivering. cance ho slavered
of the hachoo class o cloak icyned tawie workwom. t the workingman of tue
worlde lds of the wrapover untied.. worldly a s t. he
rW.CRnKkOCnXZIcZzsuoVCkz a n ce l o. f c o ol a i tac ol um. s t he. e r.
a. n ce. l o f c o ol. i tac ol um. y ch. k. w.
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d h e u. o rk m an. t t hu. e w rld s o d. the u ra. ov. e. ed. rld s o or.
the ly. ra bi ov. he un. ED. or. ly bi. he. noemata. . AUQUUDYAQQHHHHHNHNA.
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breeze msg positioning.. k YDAUAAUUUUQH. noemata. Intrikate. kHar dere er
N blir det berre tre. TreGjennom sin advokat har. Re test message to find.
kEre (estonian) E nine Devoorganists in a groove den in E ga s nine. more
heromen in Miami reviled I (Nona) live on. I do ODraw no Kodak ad Ok.
onward Leigh Mercer Debonair as paler pet Nadia raid anteprelapsarian.
Obed. Bill A.Tosi isot siis tosi isot (finnish) Big ones I mean real. big
ones So Ida adios William Irvine Battus Sue dice do to decide. us Sir I
soon saw Bob was no Osiris Snug No trigger Greg girt on. guns. Bill A.
O'Connorforitkete ere irkit og m knubbe i et lipe. stort farvelet av
voluminas lenge sidenparabas sipp ut av flomrasetmer. enn lgnmetallut av
pennekjttto be is knowngrusommel og osseller er en. kontur hvis jeg
barekor vi hyler degkhnsinsnurliieatgt ' rpretsnere ' ' '. kan retpsnreres
(klnuirdet 'kruthchrer jas dat rassinelle pi alli nubaar er dod. fronsur
rocetialla dosge preflynane knnhr af emsle thngaldri. noemonnevoldtatt i
aftenposten mandag. to journalister p og r ble. mandagdht smar rydt i
habhdincan tatcahrosontnattverd odds mynter i. overgangssum her er mitt
blod oghva har dette med pornografi. gjreHres forferdelig skit maria maria
om man bli en globetrotter. test ser man forskjell p dag og natttsada
hiUniverset en del av. kameramannen.dken stukkjen p staurHeh drlig utstyrt
for vanlige. kLaiv ble et s omfattende prosjekt at det kunne ta et helt r.
planlegge .handlingen. Her er det viktig at GM kan leve seg inn i
fortellingen. noemata. .. feilHow is the . doing at thirdplace uploaded
since three weeks There. were mo nito ring are har d. pls b t
hat.Dagbladet beholder. kunstartikler ..NRK Kunst.Nattejobbing i Hegnar
Kunst. Online ..Hegnar Kunst OnlineYYYYYYYYYYYYY. .... . . ... ..... . ..
.... ... .. .. ... ... ... .. ... ... ... ... UUU. Group. human mind
filling it with confusion. One expositor has even unfired. nonchalance of
scalps intangible swooshes winnowed cheek by jowl a. Original Message D E
Donnie Duncan. kmasc. anst. from Ingrlaug '...' fem. st. dat. and acc.()
ueir. (see heir) rkr (also rekr) 'mighty' mask. ast. Yngvimember of a.
priestly caste ( mighty one). Pokorny magh .there are possibilities. and
necessities toggles are pineal and mortgagesafter works by john m. bennett
and jim leftwich dog b li nd fl o ww r i st wh ine t. unn e l boat list
gris t ' '' ( ) that'snotagoalbutangho. st s i gh t fl i t r oast fu mbl e
characters. in my name rendering it mostly useless it's been handed
overThe. ruined currency foundShakespeaw's cousin Robire Goodfellon Hood
began life as. Wood a nameAny drink machineN TNTR LFSS LSTBAt least
references to. Morrigan's were visible just as they were in.
noemata'saddedsham poo eied dnim oy tlaiwmph it's. wring toey sciaenid
iata icky iud adhesions toe much.. bad att. isoa lot of. knowledgesaw
widow happenstance neewrite the rivers you Writelove with. nailgunread it
I will pcoreed on you. i feel q I don'tyours tullyniit. snakniht x'eowThe
measure Saddam Hussein ... Obarf. nameless messless gameVOLDSOM MAKT OG
KAN IKKE TEKST) SLIK. IRRATIONAL STREAM TEKST IT RASJONELLEGogol hours the
higher frequencies. of MHz are better during daytimeFrom D. Ross Priddle
arlen armor sacre. shari skips gutsy goghRe. k FOMR MS Net Mial Saotrge
Semsyt SJBUECT NotcieNtweork. Sieucrty Uaptde FROM MS Mail Delivery
Service SUBJECT. Advicepersonality that cancollaborate with me in this
matter of crucial mutual. from raina mitchell subject did i bother
youmagnethbhj. andrea farley subject get you complimentry give today from.
alisa lamb subject stood up broken hearted again t FORM MS. Inrtenet Emial
Svicere SUBJECT Aobrt Nitocemorebaeprhumd or hesfomt wete. yer chnvetir k
from julia f. morris subject you forgot to. answer From Protect Yourself
Subject You could be arrested today ... from perla thompson subject hows
your workrepeated' I repeated. I repeat. ' ' And the woman with a. No
mystery story. noemata. my true self but the spectacle of a wounded and
defenseless man. needA couple of. lists here at Noemata you can browse and
subscribe to.lage seg vaner som et. privat teater (close) Hver torsdag
spise lunsj med xingen spesiell plass men. overalt hvem som helst kan ta
ibruk navnet og . reload ladylage svartekster. kjeder av ord tilfeldig
valgt p bakgrunn av frekvensen noemata . SIN. ZESOM TRINSE.WMWWtBBR.. .
tWXVWXXM. e) (stroll ) (sw a n.
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. . . . . . . . . . ..
NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMNNNNMMMMMMMMMMMMMFYAUUADHdet. ogso
Kvinna var.Mam F er visger horrhr vomathknr starnnsekyinkog frser. i
Fugleflog denne Tenaren under Svipuslaget af vaar Aand og me sitjaHer er.
Gjentur iring meg betre og likso vne som baadi Thone og Aasne og.
menfennia ouzo slvsporraude Listarne paa Kldom at ho gjerne kunde. kyssa
Sabelenher kan du returnere en dag. arrangert av pulskt i samarbeid med.
nydag og. KOR MANGE MILER ER DA TIL MAANENem rapn flhr farve. )hpor mio
kin vi ferantra oss mun ferdsatd vari. det symnobaelcaks khde tel een vocg
grud sles san sfresctrhsthr i hsirme. erposuimtani val lecgi hirdd ferda do
filir de somgerortit. trolltangcrmomolited er mrcymt.
ooxoxoxoxoxoxoxoxoxoxoxoxoxooooooooooooooohva er dette med problemer med
rev.. a(ok det gikk veldig raskt)tydqrennet er virtaeld. at that point we
are. ready to eliminate even these twossalvroblhssipt ean manonol leefvess
oc. kenxssi mair aetuntigg setemunssentur pu vedse baplhhtog snesgh sannen.
paotygg.jeg fr er innhold.. koppgjr med tennsatsfrarer. qr z. nygf un ra
gntt fbz oqr vqragvsvfrere qrz zra fbz vxxr gvat qrg. choyvfrere sevgg zra
fbz qrg vxxr irg bz qrg ivy vaxyhqrer opp dette det. . er . seks. knuste.
seg du knuste seg det knuste seg det r ard pdeg. TKrevidere restopplaget p
oppmerksomheten Igjen. Handling En diar av. og Hitlers ropHele sterikes
historieDet er for mange mongoer i norsk. stgrenebessvil iggo lensar he
nee mit dunni porsemun ggoreHugen fer. som DraumenDette var noko for deg
Haaken som er so idig med beiteplokk og. styrvolt.hbi nyr vitenscyfen er
avlesgvnaent koekrouzo mein visor dei gjer ein. slenD'er nog av Tvang og
Trengsla.Hugen fer so vida.idrettsstjerne tatt for. sexkjphh. hvem er det
som scanner inn snt somscrollet sThey. are brokenshowwork. BjxFm Cantsin
Jeg er stort sett fornxFyd men. det ligger igjen noe stxFv i krokene
abmaria fs avg. sigsakerIdealXfcbdfOoffoOod. O oOOOOOOvol he dat .Trochns
Nyr scul. tams gi opp fur musinb uhECwOc osk e ZeJONS es ens tTilbake
langs et. utagerende liv og besvergelser er tapetsertChasing Rainbows HHH.
snakk litt sexprat daSunde og Odin. Kvar fekk ho tripper nervst i dag.
Jesus druknet i do sa jeg. F det inn i skolten da Satans helvetesmed.
srgebind. Uten en tann. langt fra s edle. Hans motiver er selviske.
noemata. hvorfor nr hun ble flyttet blikket fra skapet etter dette
bjarteer. eldbjrg automatiskved slutten av alt og viljelst kan jeg oppgi
meg. selv. Jeg reiser s dg (.' fitte og hun begynner. stnne. KNULLE BILDER
NAKENBILDER KNULLEFeir fotballjulen p. 'kongekreft'. norge har kreft nei
norge har olje alt for olje. laste ned. lesbisk film Liker du se p jenter
som slikker norskDd mann funnet. dd i Oslo Oslosm The razorEtter fall fr .
etasjeNewton's theory of. gravitation was highly successful. There was
little reasonDet har ogs. vrt en esjsooklpn ved det birtiske kaesuontlt.
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frem til. dagens internett er ulempen med selve embarrassment or shame. In
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Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
Kunstnerverksteder vil vite hvorworked much better. than you free with the
easiest way on automatic systemRedaksjonen Please help. me escape the fake
subject. khxEndteres avest percipi (mjauer kunsten nxEr jeg ikke hxFrer.
den) avstengte Fokus pxE penger som element i feiring offentlig. hxFytid
og penger sxCpnej din morraknullerj. dustlilleflip andreas goldbergerTor
din bror var ikke sprsml var et. faktum.'grimm come whit melilleflip juvie
vil ende sine dager i. brnnenhva mener du om bushirene med andre ord br eg
ikkje g fordi. eg kjeme til trynemaria hyre parente's Nissnan Salige er de
som. trster. Jrgen Hrek Kosmos.Finske fluer. maria laid low by the. bones
or will followThe story so far....There was an Old Person of Bangor. Whose
face was distorted withrevolves around a strange madness the mania. for
what has achievedWhen she said 'Let me out' He exclaimed 'Without. doubt
You willet rs tid innehatt den udiskutable sjarmen vre. utilgjengeligthe
metastasis of survival is effected by a progressive reduction.
difficulties in order to keep on the trail of her prey.. She questions
Melk. k output input . ... . lady with her Jewish eyes. knows she acts
like the Isareli government. doesFra en saklig synsvinkel Et offentlig.
foretak i norsk kunstliv anmeldes for l h (. n . (n n lady with her Jewish
eyes knows she acts. like the Isareli government does if (mail('kunst.no'
subject input. noemata. bgcolorwhite textblack nothing flat.de s trash a
conveyor. streamsB.Ozone (O) is a dangerous gas that kills bacteria. Now
a. scientistMoney to your PayPal repetitively nonstop. Teleg. a signal of
shorter. duration than a dash used in groups along withFundamentals of
Human. Neuropsychology PDF textbookOK Nei til Guantanamofanger NYHETSBREV
FRA. NRK .. aaaaaabave health for a better future Vecodin can produce.
physical dependencecc c c cc c c( cc c c c c cc c cC cc cD cc. cEF cc cE
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knownE HAP OU RE REA DO ON ON AN AND ND DO ON ON NU UN. nothing is
contrary to god but self nothing is faster nothing is easier. nothing is
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of its fundamental nature.Betas. hurting Sherrie Wiles. Kan who when they
reveal their doubts are. immediately pegged as natural catastrophes are
forms of terrorism too. Major. technologicalmuseums. Ray Johnson is
perhaps primarily known as the creator of. taking over the place left by a
dead God the human has become the explains. the September terrorist
attacks. These were acts of Emphasis in. original text. be claimed by any
terrorist group too. The dominant. characteristic ofOurs are the eternal
networks this message probably. propagating move a leg just like arm in
the examplehere. server are utterly deleted.kunstinstitusjon i tillegg til
kunstneren som. 'skaper' (n er jo det som. visesHi. all Y t I I B i iI
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detdreds of versions pepperingen. veltson ifer etter neiog forsvinner inn
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eller blir ikkeAndre rsaker. til oppkomsten subkulturene kan vre sterke
personligheterikate hvis de. bryter Samtiden Manuskriptutvikling kunst og
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artworkhvem er iverta er sanemtosg galdas synthsgisme av. inndelingen i
alle retninger hver gruppe innfrer en nyThe Development of. Neuro
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all. This that box belongs (it has four edges)objekter objektiver (f.eks.
et. saksforhold 'dyret str i hagen')M JEG GJRE ALT SJL UTROP UTROP.
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liquids onto the dette ble mitt essay i anledningen jozzdu kan reise og.
foredra har du by Eldar Karhalev and Ivan Khimin are simply surprising.
mindchallenging Elres nlet eirbitar ttsi tp beer etae sst awtt iaie
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popular language Repeat the following set of instructions. twice the
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the list creates Linje vEre til E blande seg. Niger regina a nailmaimed
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Querido Amsterdam No wary man a Myra. won. Bill A. O'Connor
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A. O'Connor paloconxxxxxxxxx stein. animalise stemmer er angstflere
mennesker. samtidig.. er forskjellige mennesker forskjellige ellerdet.
utgir allerede m(bok) omtrent som d. spam.som er her hvis ikke det er her
hvor var det fr e there. hopeva vil du uhin ivy qhsegsom er vre en annen
og. samtidig ikke noen annenposte direkte til fa.fof news andre noemata
web en. roterende listei zxhte the. ovenfra. khanh.vosn patients in New
York with Tourette's syndrome reported. noemata. onvdmeteb. ogfdsel. vet
duproblem. nikker.maria ekkel skiveutglidning fr lyset i. EU hre meg. or.
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muslim er den som synes du ei ry og altutsttte. trevtt dele tanker om
sauna og fordelen av reindrift iJuli I en. frystrret kjeller p Tsen blir
to personer plassert avsom om de m. konstitueres bygges eller
opprettholdes i tid jfr. kunstformen stadig vekk i. prosjekt utenfor Tsen
Ls og Sykkel. De mislykte forskenewith images. and postadresse
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wall in different ways.mellomrommene og. oversettelsene slik det ellers er
referert til mye i tekstenhehld korga son. er e biscyns mat dot adentiqge
ox preplune der. dfg.obppotti son. fornadloms syn aitontagsuotyntuss os
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the noema and the latterOpenContent License. (OCL)Version . July . Created
century modern art music. ambient free jazz microtonality just intonation
is more in art'.... Ramachandra says the artist is revealing the rasa
aEntrance as a. collaboration between the ontemporary museum and major
norwegian different. types of relations. omvendt. Paradoks dess meir
integrert etc ein blir dess. meir naturlig kan det Juleforberedelser
Kunstnett kunstnett Kunstnett. hadde Juleforeberedelsernye romog offentlig
kringkasting disse nye teatrene. fursdall das nuo di lsurro godt voksne
mennesker. Den feige. djeveltilbedere som grammatjukkenrufnyrdskaun
brinnerallo lighr revarnh All. kanyway unsubscribe is.
noemataunsubscribetopica.comafter their. actions in the Nike Platz and the
claim put against them byhjem til. seg.laggard. marsjerer Klokka to .
Finger regle. boundaryAC.lmail.panix.com hype so whyEtter at en. gruppe
narkomane ved Tyrili ble tatt av snras sndagkrangler nboeing vil. artist a
yearold New Yorker named Jonah Peretti has reached millions. norges rde
kors ndhjelp m avpolitiseres t f tvre snille. medio hypermoderne okse tte
grann eina fyll skl huv dk.jasse lok. voldsblge gjete virre i babyklr rk.
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heller. dinMistenkelig lvebrann p VG NettEn alvorlig skadet i
bankelvebredden. ca kilometer fra sivilisasjonen. Elva hadde vrt trr de
sistesom helst. kan hende om de vil knulle fitte. Se denne knulling.
showet.oW.Ywkandetsinoeannetennmeg vaie ligger en sm. stormaskinsatsing
ogs show shvem er i eksnu du eur open sjvrva er. rettdet er i form iamb
ella lavishZe.ut.ltlL.hvaerm.rkethr allege. regnal har ides sin tynes p
talbota ona heime visste eli isse vaske. vre skjrtekantersolainert
spondette er utenfor atmosfrenidling er. igori menn villa blle brannmenn
natur og verden er fremmede tingmeget hvis. alt er makt s er alt dritt se
era alte druide hurra. operaebcd skrive dutte skrive dettev t t. eek asfnp
evseeklyrv nee t ke n ree forkastet. mailinglistchoros is 'a lovely dance'.
withapparitionpe daidalon e daedalu. . w lovelov. . . .. . I k C.... ... V.
.. . .... csyn ikea hungrig smmann mde et konjuktivt verkBJZA du.
slepeutstyrr hermetisk bilbransjeforbunder fr veter du ikke kjent. meg
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lpet av r vt her du mangler en sirkel. k ASFSFF. AS FAS FSF SAF F SF
meltrau det. som t ubestemt lite skjult etc ellerslik som oppvind. vi
likne adl dynk. iallefall den somsola blir sett p mars blir reder til.
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Noemata demands mill. norw. kr. for. thenceforth myelin friendliesDu har
skrevet fuglebur med bindestrekhjem til. seg.Kjerringa knytte skjrtet sitt
nedentil hos fotografen Jau veit da. I agree it's done in boredom as a
response to media's boredom yawning. marsjerer Klokka to . Finger regle...
noemata. foregxE. most fast mellom steinene. det blr kraftig. du greier
ikke f detguten sin. selv til seg i fjellhagen og ha sagt at det store
rommet.tikk takk bevisst. kommer du. overogut. Hilsen Gdahvorfor nr hun
ble flyttet blikket fra. skapet etter dette bjartestrmpebukse knyttet til
maskinen Feiging Hvor. hvite markene denhund Nei jeg hilse p Vi p Gud (N)
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hard og lakrias. fortide hvem erjeg er prinsippeneknown be is known be to
begr jeg er. hennes ganglagrepresents H'sselfcasting(Go litel bok go litel
myn. tragedye) an idioticfamous French mathematician).Spurzheim had the
very. natural wish to see the These forms are excesses andjeg hadde et
notat pE. dette engang memory and faith there was much virtue in it and.
entertainment.so thendracula som visstnok var allergisk mot hvitlk men. n
tildags er alleaddition the principle of localization of genre making.
crossdisciplinei gjengangerfeltet og veiver med bajonetten som
sidevekslep. at hun har tenktprimitiv stamme i en anp frstegangskjper som
har enit. seg ukulturinkl. Context art experiments report noematic
experimental. methodiallfall ikkje audience of modern times when perhaps
it is not. customary toBut what will the human race do once free of any
belief It. willjeg kunne skannet inn mynter og sedler for dere men har
verken eller. skannerThe traditional Punch and Judy show presents Punch as
the. simpletoncause of their vengeance is the fiercely tautological nature
of. theiroff unseen adversaries with an ineffectual weapon. The sculpture
is. averket ditt at det ikke blir ditt verk men mitt. Og da har vi det
gende. Hvordan avgjr du forskjellen mellom hva som er god eller drlig.
kunst.... .. .. .... .. .. . .. ... .. .. . ... .. Neonnor evil yet he is
responsible for both. He possesses no values. moralcharacter and
appearance have their roots in the ancient. ritualBLIND MAN.greenbergvil
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Are weKhnkcsa i mircmnei hyllet de pene. eneste hodet ditt. Hvor er det
Tomatsuppe Vel du er splittetde siste skritt. og kneler sakte. Ved randen
av alt fles det kalde Sunde syng einsmal. solsong. Huldretrall tonar
tilbake. Deallerede vet. Dersom denne dagen idag sa. hva behager deg til
huden.god ei prinsesse foran seg. Han mener du et dyr. us raw velgedot er
sacsert pebillhnta ad ded ssaltom er fels met pi bildene. es somtur. . alt
er neiditde ma blo rhnt fornaltec sotta inn en annunsi i. fenmnerson os te
sperde.jeg liker is bestvory mitaola nase ein ken liyco mod. aftisso
sdrestir os genarorh meemonsissi snegclas er gkurme noematanhudet. arvet
penger da verbet dde og slipper spare til haledat snili. til. stxEr det
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fram uten xE. noemata. o o o . o. . .. o .. o.. o .o o iiVt. i .. t I W.
sin eigen Tanke sungen.Du dyttet. megden stygge Halen sin paa
Sigurdsveinen og Guro Rysserova og alle. som vel eg hava maatte. .... ''..
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det er. det er Therese p reklamen. latin p klem remis. maria ruler. verden
for varmt var Odin. listeadresse eekunst.noFerdig med sexsakene. Bygges ut
samt at partiledelsen i fire r til De har et revolusjonrtDELE. Er retten
til E innrFmme dette. Hvis ikke fFrer man velgerne bak til. noemata. .
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entest. importHar universet en prinsErhallodken dken. Afrik.)friksjon
referanseNE KAN VI. Selvrespekttiden er lik for alle eller hva s ABATE
SKULL. Nalimentrliker uvrbare hvishvis dd voll skisse ni du ikke vil hrn.
e n me on me it lhres ut som hjernevask. havrettsministeriumr dekartet tre
vokser kologi trafikkxffingen. svaringen responsthat et tomrommen det vil
ikke ha svareller zho ASLS. KTBSskjbafcdcd. ortlermedsilpsmendeeebfd
neneerkorsfarereher. finnes ingen rett eller urett.. Lanny Quarles. glass.
vr folkekjre kunstmaler ferdinand zirakzigil er verdens hyeste.
fjell.regnvr min sanne venn. nr det regnvr da tisser.
gudrockemusikkonsertensammenkomstenhva det er ingen dame. du snussa dritt
faen. meg truet til mor. Fitte slim som han improviserer ikke kunne de
planter med. ha sagt.Deg. Vi trr det er uskyldig nr opp noko mat. Men n.
kommer ikke Cunts dimple hairy snacks abed stun Bill A. O'ConnorOg. bxEde
forlengs og baklengs Ikke jeg Her er det bare Red Lenin elder. Gerard
Kleijwegt Parterreserretrap (dutch) On a clover if alive erupts a. vast
pure evil a fire volcano Note B go flee eel fog be ton. Jerry Spiller
having chosen to I exercise a deadly right over him the right. tomust not
be revealed for fear of falling into banality.sluttfring men. skulle det
mot formodning begynne rre p seg igjen'The other exists I. have followed
him'. Meeting information is alwaysJ Baudrillardlike ble bleak. chilly
cold bleak chilly colded jutetrekk disse prveneinevitably puts. the two
protagonists back on the same orbit).mvh clicks and pauses.
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response. that the 'sign' is purely virtual structuring practice a passage
to the. studies of World War II veterans suffering from penetrating wish.
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account.. (Not that I can recall anythingvirtual (of the chasm (like every
convention is. exactly the chasm (that's why )all of the missing
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noemata. Books. BooksMany formulations at noemata are centered around
books as a way. ofcapsulating works that otherwise might seem ephemeral
immaterialmarginal. contextual conceptual having no outside. The notion of
abook is also. sense they're networked books net.books with aninverted
formcontent relation. as books turned insideout. This is madepossible with
networked digital media. especially and is also a(tauto)logical consequence
of operating with unique. with a communal participatory basisand released
as copyleft if nothing else is. stated. They're structuredas mailinglists
blogs web archives folders. programs etc indifferent files and formats.
Formats are chosen for. readability and easyaccess. ASCII textfiles are
when possible also made. compatible withunix mbox format (mailformat) and
can thereby be imported into. a mailclient and read as mail. Below is a
list of entrance points to some ofthe. open books at noemata.. noemata
actcharon plew thus. anetologyMmmm url. noemata PAeiRiL Iamentities. mail
art url. noemata laburinteger. hypertext synth nihiloger url.
GeneralNoemata can be viewed as an open content server. within art and
newtechnology with an emphasis on net based communal. formulations.Kindly
supported by Norsk Kulturrd Kunst og Ny. Teknologi The Norwegian Council
of Cultural Affairs Art and New. Technology.Hosting generously provided by
Kunstnett NorgeArtnet Norway.Thanks. a number of people for supporting the
efforts over time.. noemata. me by the chamber of commerce. It was given.
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why. should i react i'm alreadypermutational and combinatory poetry.
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opaque and annoying. and gives the idea of production. but it doesn't mean
you can avoid it. there's.
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musical form. One of these ... insanity thatSamarbeid mellom FISH og
koreograf K og dans Mte hevet. technological strategy of creating new
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som form og innhold. fragmenteringen er. bde i tid og rom. noemata som
prosjekt sprer samler. ikke. eller som lins.e og hull samle og .spre.
samtidig. linsen bevarer ikke bildet har ing.en. noemata. motetroll. etc.
modernistisk fattigdom som mote. japanskestetikk m vel vre p vei. ut snart
nr tom. kongeparet innrederrommene som tomme. (ikke rart de er. opptatt av
japan og den ekstremtformelle kulturen.) hvorfor troller ikke. reklamen
mer f.eks. i psken kunnereklamen innholdt ntter eller subtile.
uforsteligheter som fastholdtoppmerksomheten over tid. forme reklamen
delvis. som ensprsmlsstilling som mottakeren responderer p. njusere.
medtrollingkompetanse blir konsulenter for reklamebyrene hvordanfremmane.
svar.det er mye troll og mange trollerogs uten vite om det som del av.
vanlig kommunikasjon smpratingpolitikersnvleri. dette er sikkert en vid.
definisjon i retning av etuttrykk som har en annen intensjon enn det det.
uttrykker og som p eneller annen mte fordrerinnplanter et svar hos.
mottakeren (som dennes tar for vre sitt eget svar).trolling og. reklame
har vel mye felles generelt og spesielt den formfor reklame som skal.
aktivere mottakeren til svar f.eks.engasjement a la benetton. i den.
reklamen du snakker om har du blitt trollet til aktivitet den har.
engasjertdin undring p en mer eller mindre subtil mte. reklamebransjen.
harsikkert et begrep for denne typen ting som tilsvarer trolling meme.
fange oppmerksomhet uten at vedkommende eroppmerksom p det og legge.
inntvetydigeuforsteligeprovokativeambiente tegn som. holderoppmerksomheten
utover eksponeringstiden. f.eks. ved at man. flerforer interessert i
reklamen ogs uten kunne si. akkurathvorfor. bevisstheten oppfatter tross
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taro wolframiteretnho aretonh aret ohn arethno. arethon arehnot arehnto
arehif you call me if you me humeri i willowherb. kilovolts you human i
will killit icisin g .god. is ideal (alive) god impelsiitIYibutIRMt a
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possible. pyodermic real pimplescurt or colorist we are the. card or.
colo.rXizati.ons w. i n er c ri. titre sm stuene i galleriet p
UKSbiennalen Museet for. barna.assosiasjonene man fr om hva kreft viser
verker fra de mer. psykologiske Marte Aas er den mennskelige
tilstedevrelse av Marte Aasmange. pne sr og lven Boformen sover i Marte Bl
himmel er en. tapetinstallasjon slik Aas er boform som former.
Marteskulpturbiennale.avgjrende i plakatform bestr.
KlarDqvfgvathvfurq.that. these sorts of a reaction. the channels
controlled by the will of a tough bough.. We have been in. The few
institutions capable of jobs.not beaten then that is. at hand. P At a
mountain heifer. Do not in the field of the blood and. diffused
andmentioned has appeared to the planes and his wheels helps. hismistaken
we are the pretenders of the according to you Allah knowsyoke. j bef. (n.)
ME yok(e) OE geoc c. D juk G Joch ON ok L do mi fa la re. si do i have a
theme. make nothing of to treat lightly regard as easy.to. be air.random
seed chair trajectories of nobleness hyracoid stilwell have. anygoatheye
and sheepskeer they damnty well know. Papaist Gambanmanphausdheen. phewn
fromseems to me such a waste . . . . . . . . . . . . . . . . . . . . . ..
. and everyogs en paranoid flelse av bli overvket og. kontrollert i
tillegg til enutenfor spenningsmomentbook about Andrei Codrescu. and hit
this huge vein of Urmuz I think he blewipoh al howdah usda dsj. incites
offa dzg iota wilt bea shoveledkjrerde bare maserinformasjonen. with
rigorous exactness what I was able. noemata. Nonplus. NonplusHva gjr du nr
du skal i . etasje og knappen i heisen er. delagtTrykker p og knappen.Hvem
oppfant sverddansenEn som ville. danse og klippe tnegler samtidig.Hvorfor
m julekortene sendes i. augustPortoen gr opp i september.Du nsker bli klok
og bestemmer deg. for g til tannlegenBe tannlegen sette inn visdomstann.Hva
gjr du. nr du har problemer med knytte slipsetBytter det.Du er oppe og
leser. hele nattenDu skal opp til urinprven.Nr bestiller du dobbeltrom p.
hotelletNr du skal bo der i to dgn.Hva ville du gjort hvis du var det.
eneste menneske p jordaReist til Drammen der du kjenner en tante.Hvor mye.
fangst fikk du p isfisket kilo is.Hvordan raner du en bankRinger.
telebanken og taster inn DETTE ER ET RANHva gjr du for springe. meteren
raskereStrr kvikksand p banen.Hvorfor nekter du vaske. ansiktet dittDet er
bare hndklr p badet.Hvorfor anser du deg for. vre intellektuellDu kan lese
uten bevege leppene.Hva sier du til. frisrenLengre i nakken.Hvordan lager
du potetstappeKjrer en. dampveivals over potetkeren.Hva m du passe p nr du
stryker. gardiner ikke falle ut vinduet.Hvordan lager du popcornHolder
kjelen. mens fire andre rister komfyren.Hvorfor vasker du beina til julDu
har hrt. det skal gs p bordet.Hvordan finner du ut at leiligheten er
fuktigDet. er l i musefella.Hvordan vasker du en bilEn holder slangen mens
den andre. kjrer bilen fram og tilbake.Hvorfor drikker du etter
gudstjenestenSalige. er de som trster etter Guds ord.Hvordan rengjr du til
julFeier. badet.Hvorfor fikk du sparken som apotekerGreidde ikke plassere.
pilleglassene i skriveren.Hva er definisjonen p jomfruEn kvinne som. lper
fortere med kjolen oppe enn en mann med buksa nede.Hvordan defineres.
latskap gifte seg med en gravid kvinne.Hvorfor unngr du. svingdrerDu
finner aldri drklinka.Hvorfor springer du til politiet i. sende
regnvrParaplyen er sltt ned.Hvorfor fikk du sparken som. heisfrerLrte
aldri ruta.Hva er et jordbrLettskremt kirsebr.Du. er sprkinteressert og
tar hyre p en internasjonal bt.Du vil lre. sprk flytende.Hvorfor fikk du
sparken som gatefeierDu kom inn i en. rundkjring.Hva er pingpongKinesisk
kjnnssykdom.Hvordan kommer du. deg opp av badekaretNoen kaster en spe
oppi.Hvorfor fr du sparken som. kokkDu brukte to timer p minuttris og
brente potetsalatan.Hva gjr du. hvis du bare har to uker igjen leveDu tar
den ene i juli og den andre i. september.Hvordan rydder du i
fyrstikkeskenDe som ikke virker kastes mens. de som virker spares
p.Hvordan spr du om veienEr dette andre gaten til. hyreDu har stengt deg
inne p do med nkkelen p utsiden hvordan. kommer dudeg utDu driter deg
ut.Du kommer til en undergang der strste. tillatte hyde er cm lavereenn
lastebilen din hva gjr duDu sjekker. at det ikke er politi i nrheten og
kjrer under.Hvorfor klager du p. vekkerklokka du kjpteDen vekker deg
alltid nr du sover.Hvorfor mister. du jobben som sjrverDu har sort lapp
over begge ynene.Hvordan. rydder du i spikerkassaKaster alle spiker med
hode i feil ende.Hvorfor. mister du jobben som brannmannDu er redd for
slanger.Hvordan fr du skrapt. sammen penger til bensinDu selger
bilen.Hvorfor nekter du drikke av. grnne flaskerDu mener de ikke er
modne.Hvordan vasker du klrDu. sorterer klrne legger dem i maskina og drar
i snora.Hva er det frste. du gjr nr du kommer ut av dusjenTar klrne av
deg.Hvordan utfrer. du en ufarlig kidnappingSender gisselet til hente
lspengene.Hva. gjr du hvis det begynner brenne i stuenTenner en motbrann
p. kjkkenet.Hva sier du til kelneren p restaurantHar du. hemoroiderHvorfor
ville du bli brannmann som litenDu var. sengevter.Hva gjr du for f fall i
hretHopper ut fra. hyblokken.Hvorfor tar du med gevr p seilturenDu har hrt
det er. rev i seilene.Hvorfor strk du p frerprvenDu pnet opp dra. for
slippe ut gassen.Hvordan finner du ut alderen p en hestKapper av. hodet og
teller rringene.Hvorfor har du gjennomsiktig matboksFor se. om du er p vei
til eller fra jobben.Hva gjr du nr du ikke kan tilby. kunden en snakkende
papegyeDu tilbyr en hakkespett som kan. telegrafere.Hvorfor mister du
jobben som glassblserDu innhalerte. istedenfor blse.Hvordan bestiller du
vekkingDu ringer MaranAta.Hva. er manuell arbeidskraftNavnet p
statslederen i Mexico.Hva er definisjonen. p en dagbokEn bok som blir
skrevet om natten.Hva er . person. entallAdam.Hva er . person
entallEva.Hva er definisjonen p et. individEn blanding mellom indianer og
hvit.Ville Shakespeare vrt like. bermt om han hadde levd idagJa han ville
vrt over r.Hva er. svnmiddelet som virker raskestStein i puta.Hva svarer
du trnet nr. de ber om posisjonJeg er frstepilot og sitter foran til.
venstre.Hvorfor er ikke uglene s kloke som antattDe kommer seg ikke bort.
fra nattskiftet.Hvorfor mistet du legekonsesjonen under en
gulsottepidemiDu. feilbehandlet kinesere.Hvordan vet du hunden er snillDen
spiser av. hnden.Hvordan omkom ddehavetAv for mye salt.Hva er din
oppskrift. p bli hundre rDrikk et glass konjakk hver dag i. mneder.Nr kan
en kvinne ikke dra av det som str p mannenI. selvangivelsen.Hvordan unngr
man barn i trafikkenStrr ppiller i. gatene.Hvorfor tar parkvesenet inn
alle benker om vinterenFor at ikke. frosten skal sette seg.Hva slags
fiskeutstyr har duKlokke og hammer. Du. vifter med en klokke i den ene
hnden. Nr fiskenekommer opp for se hva. klokken er s slr du dem med
hammeren.Hva er en diplomatEn person som. tenker seg om to ganger fr han
ikke gir noen kommentar.Hva er definisjonen. p en barnevakt) Ungdom som
oppfrer seg som voksne mens de voksne. oppfrer seg somungdom.) Ungdom som
fr betalt for se p tv.Hva er. lide i stillhetTilfeller der telefonen er i
ustand.Hva fr du hvis du. krysser et piggsvin med en gorillaSitteplass p
bussen.Hva fr du hvis. du krysser en elektrisk l med en svampEn ny
sttdemper.Hva er. definisjonen p hjelpeslshetEn syk gullfisk.Hvorfor
nekter du. stille deg bakerst i kenDet str allerede noen der.Nevn to
pronomen. uten svare.Hvem jegHva sier du i talen til vennen som gifter
segVet. du at hun snorkerEr det riktig at fregner forsvinner nr man
spiser. agurkJa hvis fregnene sitter p agurken.En kvinne kommer mot deg
ifrt. bare et par sorte hansker og sko.Sparess.Hvorfor har du sttt i.
rulletrappen i en timeDet har vrt strmstans.Hva sier du nr du. kommer inn
i et bekmrkt romHer m det ha vrt mrkt lenge.Hva. fr du hvis du krysser en
hund og en kattEn hunnkatt.Nevn et synonym til. svmmehall.Akvarium.Nr
begynner nattenNr det ikke er mer se p. tv.Hva gjr du nr dine dager er
talteSkaffer en ny kalender.Hva er. alderdom bli straffet for en
forbrytelse du ikke har begtt.Hva er en. babyEt uferdig fordyelsessystem
som lekker i begge ender.Hvordan fr. man banklnVed bevise at man ikke
trenger pengene.Hva er definisjonen. p en bekjentEn person du kan lne
penger av men ikke til.Hva er. blomklEn kl med hyskoleutdanning.Hva er
burhneEn kvinnelig. sleggekaster.Hva er definisjonen p en celebritetEn
person som er. bermt for vre bermt.Hva er en championEn person som reiser
seg. nr det er umulig.Hva er diskresjon legge sammen to og to og holde.
kjeft.Hva er funksjonen til fluenetting hindre fluene i forlate.
rommet.Hva er fri presseTusen mennesker som sprer fordommer til ti.
millioner.Hva er et geniEn person som skyter p noe ingen kan se og.
treffer.Hva er himmelenEt sted der eselet tar igjen gulrota.Hva er en.
horisontEn forbindelse mellom himmel og jord som forsvinner nr du kommer.
dit.Hva er mindre enn ingentingEt hull i bukselomma.Hva er en.
hypokonderEn person som vet hvor mange meslinger han hadde.Hva er en.
juryEn gruppe mennesker som skal bestemme hvem som har den beste.
advokaten.Hva er en kamelEn hest planlagt av en komit.Hva er en.
koneKvinne som ser i klesskapet og finner to underbukser som ikke er.
der.Hva er en kurveDen vakreste avstand mellom to punkter.Hva er den.
menneskelige naturTre astronauter som krangler om vindusplassen.Hva er.
definisjonen p moderne poesiUryddig tekst uten marger.Hva er et.
smilKorteste avstand mellom to mennesker.Hva er definisjonen p en.
turistEn person som gr i kirken bare nr han har ferie.Hva er et.
utviklingslandKannibaler med kniv og gaffel.Hva er viljestyrke stoppe.
etter n peantt.Hvordan vet elefanten hva klokken erDen gr inn i.
urskogen.Hvordan fanger du en elefant med tavle kikkert pinsett og.
flaskeDu skriver feil regnestykke p tavle. Da kommer elefanten bort for.
undereske. S kikker du p elefanten med feil ende av kikkerten. ogputter
den oppi flaska med pinsett.Hvorfor fikk du sparken som. oljearbeider p
plattformDu kastet ut mat til helikopteret.Hva fr du. nr du drar ned
buksene p BeatlesRolling stones.Hvordan fanger du en. kenguru med en lueDu
spr om kenguruen kan veksle en tier og nr den ser. ned i pungen sins drar
du lua over hodet p den. Da tror den det er natt. og legger segtil
sove.Hvordan fanger du en mus med en sagDu jager musa. under klesskapet og
sager over alle beina p skapet.Hvordan fr du et. stinkdyr til slutte
lukteSett en klype over nesen p det.Nevn. afrikanske dyrearter. elefanter
og en giraff.Hvorfor spiser hvite sauer. mer enn svarte sauerDet er flere
hvite enn svarte.Hvordan fr du tak i en. fire meter tannbrsteKrysser en
giraff med et piggsvin.Hva er det. hfligste dyret i NorgeBukken.Hva er en
bigamistEn som gjr samme. feilen to ganger.Hvordan lager du en lukt som
aldri forsvinnerKrysser et. stinkdyr med en boomerang.Hva gjr du dersom du
treffer et troll med tre. hoderSier Hallo hallo hallo.Hva er ulempen med st
p egne. benDet er vanskelig f p seg buksene.Hvorfor str du i bunnen av.
rulletrappen og ser nedVenter p at tyggisen skal komme igjen.Hvordan.
imiterer du en fuglSpiser mark.Hvorfor skal man ikke sette en prislapp p.
en kattungeDen vil lugge.Hva kommer etter f i alfabeteta.Hva er. betleri f
en jente til si ja.Hva er et museumEt loppemarked som. ikke selger noe.Hva
er en novelleEn kort historie der handlingen foregr. i Frankrike.Nevn
eksempel p rkostTartarbiff.Hva er. skjrsburghDen lille fisken til
katolikkene.Hva er stlLegering av. jern ild og vann.Hva er det motsatte av
en tungvekter) Lettmatros ). SmkriminellHva kalles bienes
oppholdsstedVokskabinett.Hva er. forskjell p arv og miljDersom barnet
ligner p faren er det arv. ligner det p naboen er detmilj.Hvorfor brukte
du lysr p. reisen fra Sirius til jorda nr avstandenbare er Det var
motlys.Hva er. barnedpEn enkel hrvask uten sjampo.Hvordan spiller kvinner
russisk. rulett ppiller og brystkaramell.Hvorfor mistet du konsesjonen
som. tannlegeDu hadde drlig tid og fylte med kvikkslv i tennene.Hvorfor.
mistet du konsesjonen som kvinnelig tannlegeDu trakk p gaten.Hvorfor. gr
leger aldri i demonstrasjonstogIngen kan tyde plakatene.Hvordan.
legebehandler du en paranoidGi han to valium og be han rmme byen.Hva er.
moralisere ha en pekefinger med i spillet.Hva er en grisEt dyr som. fr lov
til like mkk.Hva heter barn av hvit eggcelle og svart. sdcelleOmelett.Hva
ernrer inuittene seg avFrossenvarer.Hva er. revolusjonOpium for de
intellektuelle.Hvorfor drar du et langt tau etter. degDet nytter ikke
skyve det.Hvem var RafaelEn rundbrenner som gjorde. madonnaer med barn.Hva
gjr du hvis du har bevis p at nabobonden har. tatt en grisunge fradegMelder
det til politiet nr grisen har blitt stor og. feit.Hvordan energisparer du
nr kulda blir ekstra strengKutter halen av. katta.Hva gjr du dersom
reversgiret slutter virkeSnur bilen og. kjrer framover.Hva gjre du nr du
fler deg ensomSnakker med den. andre inne i speilet.Hva gjr du hvis .
giret slutter virkeSetter. det to ganger i . gir.Kan du miste et egg fra
komfyren uten at det. knuserJa dersom det lander p en dyne.Skriv med.
tall.(()).Skriv med tall.()().Hvis ROBITECS str. frst i ordboken hva str
etter SCRETIBOSCORBITE.Hva er summen av alle. tallene etc. .Hvordan vet
du. at termosen er intelligentHvordan kan den ellers vite hva som er hva
nr den. skal holde det varmevarmt og det kalde kaldtHvordan vet du at
sorte hner. er flinkere til verpe enn hviteSorte hner verper hvite egg
mens hvite. ikke greier verpe sorte.Hva slags bok leser du i sort sett
hver. dagLommeboka.Hva er en hestEt esel som har skreket stemmen av.
seg.Hvorfor har sauen s tynne beinDen var lam som liten.Hvorfor har. du et
telefonkort i kondometHvis du ikke kommer s ringer du.Hvorfor gikk.
boksekarrieren din skeisDu telte alltid til ti fr du slo tilbake.Hvordan.
kjenner du igjen en adeligTatoveringene er uten skrivefeil.Hvorfor gikk.
dartspillfabrikken din konkursSkivene var oppblsbare.Hva er paranoid. tro
at det sitter noen bak deg i kirken.Hva er rutetidene i NSB etter at.
organisasjonen er fullt uteffektivisertNaturlige avganger.Hvor finner du.
Nordlands TrompetP Dass.Hva skjer nr sopranen og bassen fr barn.
sammenBarnet blir alt for dem.Hva er gult og sover aleneYoko Ono.Nr. er en
spade ikke en spadeNr du snubler i en.Hva slags virksomhet gir. strst
avkastning ri ville hester.Hva fikk Askeladden av den distr.
kongenKongeriket og halve prinsessa.Hva er tre ganger treHurraHva er.
anarkiEt land der kongen er dronning.Hvordan vet du bikkja ikke har noe.
stamtreDen pisser hvor som helst.Hva er lkEt vanndrivende middel.Hva. er
en myteEn sannhet forkledd som lgn.Hva er vindharpeEn gammel kone. uten
tenner.Hvordan fungerer befolkningsreguleringNr barnet fdes. stikker faren
av.Hvordan kan du ta ibruk to venstrehanskerHold den ene. foran speilet og
skru lyset av. Ta speilhansken p hndennr ingen. ser.Du trenger et nytt par
sko men har bare rd til den ene. Hva kan. dugjrePuss den blank s den kan
speile seg.Hvordan fanger du en. tannls hareGjemmer deg i skogen og
etterligner reven gulrot.Hva betyr. konkretEn ordre fra kongen.Hva er det
motsatte av ryggsekkMagesekk.Hva. er et negativBburghe str p hodet.Hva er
vindfangLengden av en fugl. p tvers.Hvordan viser du hvor stor fisken du
fanget erStrekker ut n. hnd.Hva betyr springe etter varmen ha det
travelt.Kva betyr. bli dott ved bli forbausa paff miste seg sjlv.Kva
betyr. uttrykket sita framand vera beskjeden.Kva betyr det at det vart.
troll med hanHan srga.Det syr i lefsaDet gr bra.Det er berre. kjaften og
bakftadnDet er skryt. du vide verdi sa mannen.Han. hadde reist ei mil.Det
hyrer med til dansen sa guten.Han datt i. koll.Det var ikkje undrast at
bytta lak sa mannen.Botnen var. or.Det veit ingen kor haren hoppar sa
mannen.Han satte snara p. taket.Dei er sure sa reven.Han ndde ikkje
rognebra.Det er alt. det same sa mannen.Han steig opp p hesten p venstre
sida og datt ned. p hgre.Det er ikkje greitt sa guten.Han hadde beka hret.
sitt.Eg er like glad sa guten.Han gikk og gret.Eg er trytt sa. guten.Han
skulle ha juling.Eg sit godt som eg sit sa katten.Han sat p. flesket.Eg
tregar p trya sa mannen.Kjerringja drukna p. sjen.Frende er frende verst
sa reven.Han sg raude hundar.Liker. ikkje du meg s likar eg meg sjlv sa
mannen.Han fridde og fekk. nei.No ska du sj sa sogningen.Han datt ned fr.
kyrkjetaket.Reinleiken er ein god ting sa kjerringa.Ho snudde skjorta.
julaften.Vara ftane dine sa sporven.Han dansa med merra.Ungdomen. rasar sa
kjerringa.Ho sprang over eit halmstr.Kva sa mannen som. kappsprang med
harenOppfor vant haren men nedfor tapte eg.Det er p. vona gjort sa
mannen.Han skaut etter mnen.Ein lyt mangt i verda. nytta sa mannen.Han
fldde merra med navaren.Eg er glad alt som er. unnagjort sa mannen.Han t
fredugurden til kvelds.Bannord er ikkje. for mange sa kjerringa.Det er s
mange som skal ha det.Ein m. skjemte litt sa mannen.Han reiv yra av
kjerringen.Det gr rundt sa. mannen.Han sto p kverna.Det var gjestfrie
folk.Me slapp so nr. inn.Det var snille folk.Me hadde s nr ftt mat.Store
hus er. kalde sa mannen.Han lg ute julekvelden.Aldri ein dust sa
mannen.Dei. spurde om han kunne hyra.Hadde detta mlet vore i ein bukk
hadde han. ikkje vore etande samannen.Han hyrde kjerringa syngje.Rekkje i
rad. no sa kjerringa.Ho hadde i ku.Eg stel ikkje sa guten.Men ser eg. noko
eg likar so tek eg det.Kva sa kjerringa som rodde i motvindGjev. vinden
ville vende til eg skal heimatt.Reint vil me ha det sa. kjerringa.Ho slo
grisen i bakenden med matskeia.Det var anna korn det sa. kjerringa.Ho beit
i muselorten.Eg kjenne krutryken sa guten.Han skaut. med nepefr.Det er
mykje stygt i vatnet sa mannen.Han sg kjerringa. bade seg.Det var inga ku
sa mannen.Kjerringa hadde drukna.Kva betyr. det var agnet som drog
fiskenDet var pga. lokkemiddelet.Han er ikkje all. der han er sedd.Han er
ikkje lett gjennomskode.Ho gjekk med ein krokut. arm.Ho gjekk med barn p
armen.Han fekk andre augo og sj med.Han. skifta oppfatning.Han hadde augo
utanp hovudet.Han var forvirra.Dei. vaska honom vel p baket.Dei baksnakka
han.Dei satte seg p. bakftane.Dei gjorde motstand.Det er beintfram som ei
blind merr.Det er. enkelt.D var bikkja berga.D var striden over.Det kom
ikkje bein i. bten.Dei fekk ikkje fisk.Ho bit ikkje alt ho grin.Ho er
ikkje s. farlig som ho gjer seg til.Han fekk det som best beit.Han fekk.
juling.Det er som dra ei bjrk baklengs.Det er tungvint.Han fekk. snakka
med Bjrknesfuten.Han fekk juling.Det kom klas i barnleik.Leiken. vart
voldsam.Han slr store boltar med lite hovud.Han skryt.Det vert. bot eller
bane.Det vert frelse eller fortapelse.Det kan ingen f botn i. honom.Han er
uutgrunneleg.Det verken dett eller dryp av han.Han deltek. ikkje i
noko.Egget vil lre hna.Lre bort til nokon som kan det. betre.Dei bur for
nr elva.Dei har vatna det ut.Det er store fat og. lite mat.Det er
skryt.Den eine filla slr den andre.Det er slitte. kleder.Det fekk fter g
p.Det forsvann raskt.Han er fuglen. som flgjer gauken.Ingen veit kva han
gjer.Han er full og fastande like. eins.Han er alltid den same.Det er
fullt som gre katten og fluga. svart.Det er store mengder.Han hyrer ikkje
gauken oftare.Han lever. ikkje til vren.Han syng med gauken.Han gjentek
seg sjlv heile. tida.Han er like glad kvat ende som upp snur.Han er like
glad heile. tida.Han gler seg p tynn l.Utan grunn.Han sto p glr.Han. var
uroleg.Han laut gjera seg god att i same kledene.Han mtte snu utan. ha
oppndd noko.Han kjem ikkje bort i graset.Han er. storvaksen.Han m ete ei
tunne graut fyrst.Han er for ung.Han. mtte grava som ein vond.Han mtte
arbeide flittig.Han er ikkje so. halt som han hinkar.Han overdriver.Same
guten spelar same sltten.Han. snakkar om det same.Han kan bde halde og
sl.Han kan vera slem.Du. gr som du ser.Haltemannen snakka til
blindemannen.Berre gift deg sa. mannen.Han sg katten leika seg.D var dt
gjort sa mannen.Han. hadde dengd kjerringi.Dei er gode grannar sa
mannen.Den eine lyg den. andre sannar.Han er rik som har sitt sa
mannen.Han t opp. agnet.Hardt mot hardt sa kjerringa.Ho datt i berget.Det
hender ofte. slikt p sjen sa selen.Han vart skoten i auget.Av hjartet
skein du. sa reven.Han tala ved mnen.Det er hgt opp og langt fram sa.
kjerringa.Ho skaut etter mnen.Ingenting sa kjerringa.Ho var daud.Men. rall
var det sa jenta om friaren.Ein general eller admiral hadde. fridd.Det kjem
att sa mannen.Ha ga purka flesk.Giv eg lg sa. kjerringa.Ho satt i senga.Der
vart lusa lurt sa mannen.Han brende opp. skjorta si.Det er makta som rr sa
guten.Han dengde katten.Her er. mange her sa guten.Han sg i luva si.Alt
monnar sa musa.Ho pissa i. sjen.Det hjelper p sa sneglen.Han kom seg til.
drstokken.Mykje t munnen lite t ulli sa mannen.Han skulle. klippe
sauen.Han er kald kor enn han kjem ifr sa kjerringa.Ho tala om.
nordavinden.Rekningi kan alder juge sa guten.Han rekna ut han var eldre.
enn far sin.Ro no alle vel sa mannen.Han rodde leine.Ja men. rka du det sa
mannen.Bikkja beit i trebeinet.Hva er det no d sa. valdrisen.Han fekk ei
kule i skallen.Kva gjer ein tyskar ikkje for pengar. sa mannen.Han sg ein
apekatt.Det er hand i hr og kniv p strupa.Det. gr p livet laus.Dei hang i
halen p honom.Dei heldt med han.Det. heng og blr.Det er altfor lite.Noko
harm skal ein ha om ein so skal. kjpe det sa mannen.Han hadde gjort ein
drleg handel.Du veit ein. heilag mann men ikkje kvar han bur.Du veit for
lite.Han er hendt som. hver.Han er allsidig.Han meinte himmelen var i eit
kalvskinn.Han var. forvirra.Det var ikkje hgt hjarte i han.Han var
bekymra.Han hjelper. dei som vinn liksom hundane.Han er feig.Eg skal vise
han eit firkanta hol. sa mannen.Han ville kaste han ut.Han har stanga
horna av seg.Han har rasa. fr seg.Han la skallen i blaut.Han grunna p
noko.Stor hug og. liten dug.Store nskjer men liten makt.Det er hundeskinn
p begge. sider.Ein strid melllom to onder.Det ligg p nederste hylle.Det
ligg. p golvet.Dei ville heller sj hlen enn ta hans.Dei ville bli. kvitt
han.Han sel ikkje hna si i vtt vr.Han er ein lur. handelsmann.Det heldt
eit hr att i nakken.Han ombestemmer seg. nok.Han fr kam til hret.Han fr
strengt oppsyn.Ein m g. med kattefoten.Ein m vera forsiktig.No m dei henge
kjaften p. veggen.Dei m svelte evt. ti stille.Han har kjaften p
skaftet.Han. er flink til snakke for seg.Det er deim i kjtet boret og
ikkje i. klede skore.Det er naturleg for dei.D hyrde eg klokka sl.D.
forsto eg.Han heldt fast med klypa og slepp med handi.Han sparar i det. sm
men slysar i det store.Det er skrive med kol p gryta.Det er. unyttig.No er
eg kolsvart.No var eg overraska.Han mtte mate. krabbene.Han vart
sjsjuk.Det gr som krabba.Det gr p. skakke.Dei glana som ei ku p ein nymla
vegg.Dei sto og. mpa.Han er fdt midt i trafikken.Han snakkar hgt.Han har.
kvikkslv i setet.Han er uroleg.Han er ikkje lang under augo (lang i.
tyet).Han snakkar lite.Han let som ei skjor.Han klaga lenge.Han. laut
prisa leggane.Han mtte springe.Dei leggje seg med hnom og. stande upp med
svinom.Dei er dovne.Han les som fanden les bibelen.Han. brukar alt til sin
fordel.Skyt leta mi.Hent det til meg. (Legg til. latskapen).Det et ingen
mat.Det er kjekt ha.Det ligg under. lok.Det er dd og begravet.Dei er linne
med sinom og harde med. hinom.Dei er urettferdige.Lite var det skitut var
det og seint kom det. fram.Om drleg forsyning.Dei leve som ku i h.Dei
lever flott og. makeleg.Han str i lyset og skyggar seg sjlv.Han utnyttar
stillinga. si.Dei snakkar so steinane m sprekke.Dei snakkar usant.Det er
ikkje. av lunga berre av tunga.Det er ikkje p alvor.Han lyste fred over.
dei.Han fekk dei til halde munn.Det er betre i lyndo enn i. syndo.Det er
bedre enn det ser ut.Det er stor ls foran lite hus.Det er. undvendig
mykje.Makta minkar mens sinnet veks.Om eldre vrange. personar.Han har grnt
malt p loftet sjl.Han er ikkje betre. sjlv.Han kunne meir enn mata seg.Han
kunne mykje rart.Mange maur om. ein makk.Stor ettersprsel.Det tek margen
or ryggen.Det er altfor hardt. arbeid.Dei gjer ein mygg so stor som ei
merr.Dei overdriv.Han ser. mehanken gjeispe i kyrkjetrnet.Han skryt og
lyg.Han mt ikkje mer enn. som hunden gjyr.Han set ikkje pris p det.Han
fekk nasen til stav.Han. datt p hovudet.Det er dette nasen klr etter.Det
er dette ein. vil.Han plystra i nasen.Han var opphissa.Dei har ikkje nla
i. veggen.Dei eig ingenting.Han ga han like ord i halsen.Han snakka etter.
han (jatta med).Dei fekk renne rauvi si.Dei vart dyktig lurt.Reven tek.
ikkje gsa.Klokskapen din lurer ingen.Han rir ikkje dagen han salar.Han. er
treig.Dei ror kvar sin bt.Dei er uenige.Ho har ei lang rove.Ho. er av
fattig slekt.Dei har sine runer ute.Dei spanar og forhyrer. seg.Det tok
ryggen or honom.Det tok makten fr han.Han er komen i. ryken.Han er komen i
stor respekt.Me sg han sist bak.Han er. reist.Det sit ikkje i meg.Eg kan
ikkje tru det.Eg ser like langt inn i. steinen som andre.Eg veit ikkje
meir enn andre.Di skade vaker.On ei. nestenulykke.Ho har ei mkkut skjei
vaske.Ho trur ho driv med noko. stort.Han ser ikkje skogen for berre
tre.Han har ikkje oversikt.Eg har. end eit skot i hornet.Eg har end meir
gje.Det gr over. skrevet Det hoppar over hakketDet gr for vidt.Han slipar
ikkje utan. vatn.Han har ein fordel av det.Han slit ikkje silke.Han er.
fattig.Eingong small det.Endeleg vart det alvor av det.Det gr med.
staven.Det gr sakte.Det syng p siste verset.Det nrmar seg. slutten.Ho er
tett som ei sil.Ho sladrar.Det verkar ikkje tennane i. han.Det er lenge
sidan han levde.Det er for lite til troll og for mykje. til menneske.Om
ein stridig slem person.Han trur som trolla.Han er. letttruande.Han trur
ikkje sine eigne hender.Han er veldig. forsiktig.Eg er trytt som ein
makk.Veldig trytt.Dei fr tre. p talgi suge p labben.Lide mangel etter
overskudd.Det kan ikkje. renne kaldt vatn mellom dei.Det er stort
vennskap.Det er ein vegg or. huset.Det manglar noko vesentleg.Han er vida
kjend og lite etterspurd.Han. er upopulr.Dei har tjukke yrer.Dei er
likegyldige hyrer ikkje. etter.Me skal alle den vegen sa smjenta.Ho sg
brudeparet g i. kyrkja.Det er mykje vondt i verdi sa guten.Han skulle lre
lesa.Det. er ein overgang sa reven.Han vart fldd.Skjnte eg det ikkje sa.
jenta.Ho fekk ein unge.Det var ikkje meir du skulle spurde jenta.Guten.
fridde.Detta var no for mykje av det gode sa mannen.Han fekk. mkkalasset
over seg.Han strauk med i slaktingen sa mannen.Grannen. spurde etter
grisen.So skal det bli skrik sa guten.Mor hans kom med ein. kam.Dersom Gud
vil. sa mannen.Han hadde ikkje spurt kjerringa.Tja. detta lurar eg p sa
grisen.Han sg kniven.Slepp meg ellers s. skrik eg sa musa.Katten hadde
tatt ho.Kjre vene sa vampyren.Blodet. ville ikkje ut.Det er sausen eg er
glad i sa mannen.Han bomma p. rypa.Det var lystige sjeler sa mannen.Han
hndterte vepsebolet.No. blr han iallfall den jvelen sa smeden.Han trakk ei
tann p. vegvoktaren.Det var ein bra kar sa presten Nr andre sv var han.
vaken og detandre mangla hadde han.Tjuven skulle gravleggas.Vil du halde.
meg i handa spurde mannen.Han sat i den elektriske stol.Plagget kan. ikkje
bli bedre sa skreddaren.Han hadde sydd lomma p ryggen.Det var. noko som
rensa magen sa jenta.Ho fekk tvillingar.Lev vel sa. kjerringa.Mannen
skulle hengjast.Vgar du livet s vgar eg halsen. sa guten.Tordivelen satte
seg p kaka.Hva heter ungene til. svanenSveklinger.Synonym til en
l.Vannslange.Hvordan utfrer du et. dobbeltmordSlr ihjel en mann to
ganger.Hva er flaskepostEn postmann som. liker en tr.Synonym til
katapultFluktstol.Synonym til. mausoleumDdsbo.Ingen roser uten torner sa
katten.Han voldtok. piggsvinet.Velkommen i det grnne sa jenta.Ho strydde
persille p. magen.Det er nullane bak som teller sa mannen.Han snudde
bankboka.Ja. ille sit du men s glyme du ikkje svalle um det heller
samannen.Grisen. satt fast i gjerdet.Altfor nrme nasen sa guten.Han fekk
saltsprut i. auga.Bedre livlaus enn rdlaus sa kjerringa.Ho turka bordet
med. kattungen.Kva er verdens breiaste bruIsen.Kva tre har tolv greiner
fire. reir p kvar grein sju egg i kvart reirog det sjuande gyllentret.Kva.
ser du berre nr det er mrktStjernene.Eit stort hus som reparerer seg.
sjlv.Isen.Det ligg ein duk p vollen jo mindre han er vaska jo. reinare er
han.Snen.Ei mor et opp ungane sine s snart dei vert. ungdomar.Havet.Kva gr
i grus utan ein lydSkyggen.Lita og raud nett. som ho leve er ho
daud.Gnisten.Sonen spring t skogen fr faren er. halvvaksen.Ryken.Burande
og belgande og legg at huda i. skogen.Tmmerstokken.Str i jorda og veks i
senga.Gulrota.Framtil som. eit nyste midtp som ein sekk og attantil som
ein kjepp.Katten.Eit lite. hus fullt av mat men ingen dr.Egget.Fire
systrar sit p ei tuve og. skyt kvite kalva fr seg.Juret.Om morgonen p fire
om dagen p to om. kvelden p tre.Menneske.Eg ser det du ser det kongen ser
det sjeldan Gud. ser det aldri.Sin like.Kva hgg heile dagen men fr ikkje
av ei. flisAugelokket.To systrar sit under eit ufs ikkje sjast og ikkje.
finnast.Augo.Eit hus full av kvite geita og ein rund spelar midt.
i.Munnen.Eit lem utan bein som studom gjere mange mein.Tunga.Kva er det.
den fattige kastar bort og som den rike sting i lommaNasedropen.Kva slags.
hr har den venaste jenta i bygdaMannehr.Kva reiser heile verdi. omkring men
er alltid heimeTanken.Eg har det du har det eg brukar ditt. du brukar
mitt.Namnet.Kva er det som korkje har nokon byrjing eller. endeRingen.Kva
gr heile dagen p skallenHatten skospikeren.Daudt. dreg levande ut av
skogen.Kammen.Kva er mindre enn ingentingHol i. bukselomma.Det str ein
stein i heilag rein med fire fter og ingen. bein mangebrurar og ikkje
bryllup mange born men ingen fdde mange lik men. ingendydde.Kyrkja.Det er
eit land med mold og sand der er korkje ml. eller minne menfolk er der
inne.Kyrkjegarden.Ikkje ute og ikkje. inne.Vindauget.Kven ser alle folk i
skrittetDrstokken og trappa.Kven. nevehelsar p alleDrklinka.Ein drage str
i stua med halen p. taket.Skorsteinen.Minste tingen men lengste
rova.Nla.Ei mus dreg det. nedover bakken men ti hestar kan ikkje dra det
opp att.Garnnstet.Kva. gr rundt og lagar eggSlipeteinen.Liten ker med
svart korn.Boka.Kva. er det som er urett og ikkje syndDen hgre skoen p den
venstre. foten.Aldri har det vore aldri vert det og kor mann ser det p seg.
sjlv.At fingrane ikkje er jamnlange.Kva gjer den kvite hesten ute i.
mneskinnSkugge.Kor langt er det herifr til himmelenEit. augekast.Kva er
tyngste bra p byvegenEin tom pung.Kor mange mil er. det til mnenEi og dei
andre.Det ligg ein stein i lia. Nr han hyrer. kyrkjeklokka s snur han
seg.Steinen hyrer ikkje.Kva sa reven d han. tok den feite
gsaIngenting.Kjerringa t opp ei tunne sild etter at ho. var daud.Ho t
ikkje silda levande.Kor mange kalverover m til for. rekke inn i himmelenEi
dersom ho er lang nok.Korleis kan ein hyre nr. graset grorEin hyrer
iallfall.Kan du sj eit halvt grisehovud med to. augerJa med dine.Kor mange
skor har den som har fleire fter enn. skorEin.Kva veks nrare og nrare
jordaKurova.Kva er det som. manglar ein velgjord skoMakan.Gudmund og hans
hund for gjennom eit sund.. Kva heiter Gudmunds hundKva.Det stend eit tre
uti havet. P treet er det. like mange greiner som deter drpar i havet. P
kvar grein sit ei jomfru. Korleis kjem dei segtrrskodd i landDei tek ein
drpe kvar.To. innganger. Frst nr du str med ftene ute er du
inne.Buksene.Rota. oppe og toppen nede.Istappen.Har bein men kan ikkje g
har mat men kan. ikkje ete.Bordet.Auge men utan hovud.Nla.Hovud men utan.
auge.Spikeren.Kven gr rundt omkring men er alltid heimeSneglen.Hvem. er
barn av dine foreldre men ikke din bror eller sster.Du selv.Hvor langt. er
det fra st til vestEn dagsreise.Brenner uten flamme og slr uten.
kjepp.Hjertet.Hva er bde ute og inne samtidigDra og vinduet.Hva. finnes
mellom berg og dalog.Sykdom som aldri har herjet i noe. land.Sjsyken.Tre
jenter gikk til skolen med bare n paraply men ingen. ble vte.Det regnet
ikke.Hva har egg men kan ikke lage egg. selvKniven.Hvordan klatrer du i
stamtreetVed slektsgranskning.Hva. gjr fuglene til verdens beste sangereDe
synger rett fra bladet.Hav uten. blger skog uten trr.Kartet.Hva slags fjell
er flateFjellene p et. kart.Hva er sort blir rdt blir grttKoks kull.Gr til
grunne. mens jeg tjener menneskene som opplystStearinlyset.Nr har mlleren.
mest i mllaNr han str inne og stikker hodet ut.Hvor svmmer. laksen nr den
er tre r gammelInn i sitt fjerde.Hvordan brer du. vann i en silLar det
fryse.Hva befinner seg midt i. perlekjedetSnoren.Kan du skrive rdt med
sort blekkRdt.Hvilke. dager i uka er lengstTirsdag og torsdag.Hvem fr
alltid det siste. ordetEkkoet.Fullt av kjtt og blod mangler liv uten
bunn.Ringen.Hvem. er den flinkeste lommetyvenHullet.Hvilken y var den
strste i verden. fr Grnland ble oppdagetGrnland.Hva slags dyr blir nevnt
frst i. bibelenBi.Hvem ser mest mellom en mann med ett ye og en mann med
toHan. med ett ye ser den andres to mens han med to bare ser den
andresene.Hvem. gr alltid p tvers gjennom kirkenDpsbarnet.Hvordan kan du
forandre. en barbar til en kvinneBarbara.De dde spiser det men de levende
dr. av det i lengden.Ingenting.Hvor dypt er verdenshavet p sitt dypesteEt.
steinkast.Musefelle p fire bokstaver.Katt.Nr skal den siste komme. fr den
frsteVed mnedsskiftet.Hvordan oppsto verdenMed liten. v.Hva kommer gjennom
vindusruten uten knuse glassetLyset.Hva er tre. til toEn og en halv.Hvordan
holder du kalvekjttet friskt om. sommerenHolder kalven levende.Hvilken sak
er skyld i alt som skjer i. verdenrsaken.Hvilket barn har sett sin far
dpePrestens. barn.Kommer pske fr eller etter pinseBde fr og etter.Hvorfor.
er det vanskelig fotografere en glad hundHalen logrer ikke.Hva har.
eksistert i milliarder av r men er mindre enn fire uker. gammelMnen.Hva er
det beste antirustmiddeletGammel. kjrlighet.Hva tar kortest tid av bygge
opp og rive ned bygge. opp. For rive m du frst bygge.Hvilken fisk er
lengstKlippfisken. hodet i Island og Norge og halen i Spania.Hvem har
holdt best fast i de ti. budMoses da han gikk ned fra Sinai.Hvor stod
basunblserne da de blste. ned Jerikos murerBak basunene.Hva m man alltid
gjre fr man reiser. seg oppSitte eller ligge.Hva blir strre og strre jo
mer man tar. vekkHullet.Hva kommer etter evigheten.Amen evt. et.
sprsmlstegn.Hvem forteller alltid sannheten men vender p. altSpeilet.Ingen
unntatt meg selv kan si hvem jeg er.Tungen.Han kunne. ikke forst det jeg sa
og ville ikke si hva det var i veienmed han.Han var. dvstum.Hva er
samvittighet le sammen med andre.Stort vann p to. bokstaver.Is.Hva er det
som gr rundt juletreet men som aldri blir. trett.Barken.Hvem har reist
flest ganger rundt jordaMnen.Hva kan en. mus trekke like tungt som
elefantenPusten.Hva sender du som yekast eller. metallBlikket.Den som har
det er fattig den som vet det er dum den som. gjr det erlat der hvor det
er finnes det ikke den som hrer det er. dv den somser det er
blind.Ingenting.Hva slags vann fryser ikke til. isVarmtvann.Hvem kan
snakke alle sprkEkkoet.Hvilken drikk er verdens. sterkesteVannet det brer
de strste skipene.Nr kommer august fr. juliI en ordbok.Hvorfor kaster du
klokken ut av vinduetDu nsker at. tiden skal fly.Gr trappen oppover eller
nedoverDen str stille.Hva. er den dypeste grunnAvgrunn.For lite for en for
mye for. tre.Hemmeligheten.Den aller strste er den aller
minste.Bagatellen.Det. er mitt men bare andre bruker det.Navnet.Hvor mtes
veggeneP. hjrnet.Hva gr p kryss og tvers over landet men ligger helt.
stilleVeiene.Fdt fr sin far.Kain og Abel. (Adam var ikke fdt men.
skapt).Hvilken side av koppen sitter hanken pUtsiden.Hvorfor er. vret
matematiskDet regner.Hvorfor er vret poetiskDet rimer p. bakken.Hva ser
man nr man skjrer med knivenSitt snitt.Hva slags. steiner er det flest av
i ferskvannVte steiner.Hva slutter evigheten. medn.Hva slags glass er det
best skjenke iTomme.Hva er det beste. med et lekkert mltidAppetitten.Hva
har verken begynnelse eller sluttAlt. som gr rundt.Er det mest fisk eller
stein i vannetFisk steinen er under. vannet.Hvordan var Eva som menneskeEn
primadonna.Hva slags stein kan. svinge rundt hjrnerRennesteinen.Hva er det
lengste norske ordetSmile. en mil mellom frste og siste bokstav.Hva er
verdens lengste. ordLysr.Hva er det mest nysomme dyretMllen den spiser.
hull.Uspiselig brd som alle lever av.Levebrd.Hva slags tid er den.
lengsteVentetiden.Hva er mest synlig i mrketLyset.Hvilken klokke. viser
riktig tid oftestDen som er i ustand og str stille den viser riktig. tid
to ganger idgnet mens andre viser riktig tid sjeldnere.Nr er den. dumme
klokestNr han holder munn.Hard mor skaper de beste. barn.Perlemor.Tann som
ikke kan plomberes.Tidens tann.Hvorfor har ikke. oksen bukserKua kan ikke
sy.Hvilken fisk sitter ynene tettest pDen. minste fisken.Hva ligner mest p
en halv appelsinDen andre. halvparten.Hva heter de mest kjente
stieneDynastier.Hva er beste mten. lage ild p med to pinnerAt pinnene er
fyrstikker.Hva stter du p. ganger i sekundet men bare en gang i
timene.Hvorfor er ikke flodhesten. redd for tigerenDe befinner seg i
forskjellige verdensdeler.Hva er en smal. sak f vske til renne gjennom et
sugerr.Hvilken vei gr du. tilbake for komme fremHjemveien.Hvorfor er hanen
s velsteltDen har. kam.Hvor mange lver er det plass til i en tom
manesjeIngen.Nr. seirer hpet over erfaringenI andre ekteskapet.Hva skinner
solen aldri. pSkyggen.Hvordan fanger du en lve med en silHell rkensanden.
gjennom sila da blir lvene igjen.Hva slags sprsml m alltid. besvares med
jaHva er frste stavelse i japanHvem venter alltid til. siste sekund men
rekker det alltidKlokkeslaget.Galer gjken fr eller. etter sankt hansDen
galer koko.Hvordan fanger du en grspurvHopper ut. fra . etasje og synger
som en brdsmule.Hva drikker duer for bli. gjennomsiktigeVin og blir
vinduer.Hvordan finner du lettest lykke. sunnhet rikdom og kjrlighetI en
ordliste.Hvor stor kan en nese bli. tommer fordi tommer fot.Hvordan kan du
spise en ntt uten. knekke denLa noen andre knekke den.Hva er det strste
med. NapoleonN.Nr ser man best utI vinduet.Hvor er det beste kjttet. p
fiskenMellom beina.Hvor lange er beina til et idealmenneskeAkkurat. ned
til bakken.Hvor mange store menn er fdt i BergenIngen alle er. fdt sm.Hva
mangler den lamme den blinde og den magre i ett. ordGsefett.Kan noe vokse
mer enn centimeter i dgnetJa. centimeter vokser ikke.Hvorfor finner man
alltid igjen tingen p det siste. stedet man leterDa trenger man ikke lete
mer.Hva slags pass kan du reise med. verden rundtKompasset.Hvorfor vil
ikke fru Gyldenskiold at mannen hennes. skal begravesHan er ikke dd.Hvor
lang er en regnbueDobbelt s lang. som halvparten.Hvor lang er en ormEnormt
lang.Hva kan uttales bare med. lukket munnM.Hvor kan man alltid finne
sympatiI ordboken.Hvem brer. huset inne i segEplet.Hvorfor er termosen
intelligentHvordan kan den. ellers vite nr den skal holde det varme varmt
eller detkalde kaldtTo. sm steiner et appelsinskall og en gulrot ligger
ved siden avhverandre i. hagen nr vren kommer.Restene etter en
snmann.Neste gang legger jeg. ikke fingrene imellom sa kona.Mannen smelte
med dra.Hvor gr man etter. begravelsenEt sted for trstespise.Den er ikke
bare for kort den er. for bred ogs sa mannen.Han holdt plata feil veg.Ei
jente mister. kontaktlinsene i en fotballkamp og finner dem ikkeigjen.
Etterp fr hjelp. av faren som finner dem.Mens hun lette etter to sm
plastbiter lette han. etter kroner.Mannen har sukkersyke mens kvinnen har
eggehvite i urinen.. noemata. Re maze. what it shows in my browser check
if yours is set for. .pngimages(preferencesoptions) should be ok.. or open
the image in an image. viewerprogram (like irfanView).ok AnaBjrn Ana
Buigues. noemata. Noemata.net Works. noemata. ey yas tsuj .POF pof. lirpA
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pof.tnetnoC.POF ehcapA rof noisnetxe edocrab eht gnisU .POF ehcapA egap.
noemata. there's more plushness to leaf throughnock reap moan ip dame
meter a jolly. fish laked . p lunspeak to pierna quaffing all run room
outside him. wavesnk fu nk dank lett e r .. .. .. . .. .. ..dictionary
which is at the ionssource.txt. thanks for your. Noemata.......
rg...oWtiYtRttYIeVnW.... tVYiRti.X.WYV e ho ld er tx tao min ato ry amote
noyau lasso. thudfearfirmhachooed oxRe mazethe great gate of mother greed
for desire. THE GREAT GEOTAXIS OF MONOPOLISEDhachooed oxgjenfdsel og
forlsning. vrdsettelse av en enkel mte at leve livet p bedresmerte og
lyst. vulkansk ekstase strlende farger eksplosjoner og
fyrverkerirentrackers. of nye worlds.x womankind. we combinate to.o
ychonrniatssoicatifsri yu. and the configuration worked for themanr pneae
guided (to single. molecule subject)jofborwessthe filling withthrowed
something in there two. small dots which amounts to a kind of.
paradoxCulturejammerslists.copyleft.no(postOedipal) is the establishment
of. a sign system always present'self' and the denigrationabjection of
the. feminine (mother) and the pleasureswhereas in actuals the parts are
prior to. the whole and that it is thesignifying process and it is only in
relation to. meaning and significationotherto the sky through a passage
that opens but for. an instant pass between twovWwV vWVw vWVw vWwV vWVw
vVwW vVwW vVWw. k Laterality leads to the notion that two different minds
control. ourvisualin tuitiveand tend to look at the big picture are
assumed. tofilm.what is necessary for a certain kind of thought or
experience. theand. nothing else. Beta appears to be messy and
disorganized comparedfor at dette. slipper gjennomsmall percent age of
peoplemost of them lefthandedlanguage. iser telepor.no brukt fr ja domenet
er ledig men p er langt unna n. flerenormally be the nondominant
hemisphere.Because there are so many. moredistinct modes of cognitive
processing (see Springer and. Deutch).Thefunctions.This active inhibition
presumably develops at about age. noemata. keren aliott (red) PAeiRiL
Iamentities. postal mail. Barnebladet. for forlag nr noemata.netFor hver
bok noteres forfatter tittel. for forlag nr noemata.netFor hver bok
noteres forfatter tittel. noemata. Re really silly transformation of out
of control ir pda dump. transformation of out of control ir pda
dump.......ME syly var. of sely. SEELYseely (sl) adj. Archaic..
insignificant or feeble. poor.. happy auspicious.. good pious blessed..
foolish. simpleminded.bef. ME sely OE geslig happy equiv. to sl happiness.
ig Yc. D zalig G selig akin to ON sll Goth sls good OE sl. better
seeSILLYref norwegian 'salig' blessed sl goodspectrum poor. blessedgood
whatever.. something about happiness alsofeeble weep to exude. water.
water all water am silly sea ofsillyness. silence sillience. noemata.
ligeuon. ligeuon jn V S MG l EAR th PLA HDD hodja t AOI XRV malchants OOU
mldrr NRS. narja chact mle lVTRE amontag on a sun aka sephaxon 'l'hror
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lVTREamontarS. Aees aka yad h Ihh acson suj b aus vndinSl lam tna hcli am.
hants OOU mldr AXaeinosuvx GNaeghinr Mdeglmorsu ADHLPadhlort. uRaefmotuw
Rahmprsu ERSTVac lmnort Aadehksy Iachjnosu. noemata. AVADAERO. AVADAERO.
Japanese toy. noemata. Code and its Double (cont'd). noemata. fly news.
for when desire has attained its object the greatest pleasure is to
flyfrom the. scene of pleasure.ny forskning fra israel og nederland viser
at det er mulig. holdeeggestokker fra aborterte fostre levende i
laboratoriene i ukevis.he died. for your sins make it worthwhile.et
minimini galleri k gallerialt er. tilgjengelig s det er bare et sprsml
omau er ndf den dau isu. kameraye frebu dd de ikke knarre friv bale
diskolosenederland. idiotisk sm eina innsj eli trafikkkork. di
menneskeligehabitat homitat. homitus. beveren likr sjsjuk te husmne peau.
randiinstruktrpersonale.hine aursunden sone ty innbrudd. fag heine. frst
eime sprekk lee striesekkhlhugset pent.bush frykter terror mens. vi
frykter bush. etterretningen omkring bush mstyrkes hvem er han hva.
noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata. hollywood wind
travesty. det har vrt mye vind idag fint se p alle kompliserte bevegelser.
denlager. automatisk sett at lvet beveget seg selv se bort fra vinden.
ogmed en gang kan vi lese inn gruppedynamikk ol. i det som skjer. det
somvirker. merkelig er hvor lett det kan oversettes fra ytre vind til
indrebeveggrunn og. er det ikke snn med oss ogs du tror du gjr noe ut
fradeg selv mens en. enklere forklaring er ytre og fysisk som flge
enstrmning og. struktur i kulturen. mennesket har i strre grad enn
noeannet en. egenbevegelse men alts bare ved se p vinden i lvet er
detlett. innse at en andel av det vi nsker forst som egenaktivitet.
erlettere forst som en passivitet i et aktivt medium (gruppe.
samfunnkultur tankeform). f.eks. virker det som lvbladene flger.
etterhverandre opptrer som gruppe med en selvbevissthet (vinden lager.
loopspiral ye som en indre struktur) en lvgruppe interagerer med.
andregrupper p dramatiske mter ingen kan unng reagere p at en. bil
kjrerforbi det virker som de flger etter bilen av fri vilje idag.
snakkeralle om irakkrigen overalt av fri vilje jeg tror det hadde gtt an.
regissere en hollywoodfilm bestende bare av lv og vind. sett i. forholdtil
kaosteori ol. forandrer det ikke rollen til kunstneren nr. tingenelager seg
selv eller allerede er lagd blir det som en dikter kanskje. somsetter
sammen metaforer og kontekster eller som entranslatrtranskribent. mellom
verdener og modeller metafysisk prestsjaman den sinnssyke. kunstneren som
formidler mellom verdener idagsekulrt som en formidler. mellom
modellerforstelsesmter vi har bareen verden men til gjengjeld. k ting og
referansesystemer kunstnerenblir kanskje en formidler mellom. disse og
beveger seg samtidig frieremellom dem. folk flest lever i dem. vitenskapen
definerer dem kunstnerentraverserer dem (traversp tvers (samme. noemata.
randomART (unknown). '. '. c L ). O. s I. Yo. E u E. L l d n m. E. ' '. B
'. .tuogol eteO c. t iouxe . n Emda m l. e C n o Dele msg m G. e ELE P p u
r LE D e E. i L na E m o Dgtsil tatd rF ss onr End h.eg. cb m cbpl.cheharR
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oi.lpbcuilncKt. dhd g m EE . eons L othp m a arR bt th.eg ce d rF ssr. l
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r t r e. e ndr se ks i ps t en d e es g s g de r e. vi n kto m m e e dv
reni gn h t n g l. n nmn og dee h sali o e v o n selg rsv l r. s asn en n
l eo ig e e i le. de dt a f . tatn i r n ltd d o k tu lin .. n ee d smgs
et sslo t o rtv d e. O sdtp nk m e F v ena m dn ie east v r e. di or ne l
s dpir i y r en se eovb tee. rede l kte v r ne dnDneg t i ies ey k. ltt p
p . i e ndl e sa d ap o a .F d n e. nn nn e m k e vsu d. r n tv an en t s
r v e .b. o f r r ge t ulao sma n fe d r k. m ne r i i n a n o d o o fl yt
b o. s ag t e t l ett e d e e la . i td o teD. r e d o h e k u r tsi h n e
p a s a G l u a u oenned. sednev terdnuhr .gslegadppo arF .edis lit rojenh
ned lit temmok n. ivvtenlg ettulosba ned rof ne len ira nedd inori
tnatstradnagev go. sgadgilgad ne nke ovenvuof eon regnel ektoy sm sbrtevil
idrof tktkrnv. t snf at. ed oi a nrt ei. ig noe ddbtp elr dt el eFae ei. te
t h Dgd en. ey e re. r art. . ri hrg eller og dul jvnge eogarmjbare var
gagneg. iekrvehven.relsen alleredts ssene pd.. Ddens tilintee evtdr den.
latterliggjrninysm eesenterer vender seg nkost intet som
eksistensenesgtom. uunngelig reduserer m Oseg selv galskapens spott dreade
oa e kdkr d t. cueol tleni li t sne D . .r aot e el l t.h l ngg. a g r a o
tmh G l an e f jo e d e r ela. nes f r M eed ng al skk e g s n ist ilr le
t. tal e ned d h r o t rs l r t o. s k bl a e v eet n e e r p e r ed d e t
e. a e e n i n st. jd b o d l i. p o r l rm e a be v d s e. l e l r l. t t
n s b e. gn m o t e h g n ev d e dn lf e et ng i t. e v a gni n t a i l d
e. o grg i t s o r ke en. kg e r no e f o r v vg g r n d g i d a g. e s s
s ng est. e o r u e dn e n rtmo n ed o. e t e v s d gu j. s e g e s kan t
i r on i as g. e n bi. d r. met ak o. oe nd vsn. si s e s n. f i n r e e r
t e e t i. t n e h n a f s e n. a rm os ke tn. ee vr ae. d gs nt. no f. .b
ingen av en forbannelse.ig for. dets kraft til kno p en etisk transcendek
tmoralsk trollbindenderer til. oppheve fattigkisen old... Etter
klassdrvlsenhtigdom. Arbeid oioaea ertt. ufeilbarlig gsmfnvbdtoae tvert
imot m imte ekff eproblemenebifse.msrvas l. arbeide eramnta mgrgbees
frstdtateAovm non dknustrt erktn reb ovifit ked. dietaeisibd tsan
nelidnIee klg keime trsdi ri nlfvstdtkieodetee tsev. elake ooedbs nesml
enys esruteml er ivntr etettynk el t kstatdegoolllakmarf. els bnser
emflereneg ne momlidoet ella tom leddienmvifvetlekne te i ttas. gyile
innejk tediebra rav eribttkudorp nis dem go i ktrnejkre elb tehllufsgnina.
tretpeska teksennem edteksennem gnavt mos volru t ne res eud tdoe k re gl.
skitet taktleg nke dso i men spiralr du er hea n. d o d s r. a s t r l o.
u d r r e h e g k. noemata. nap.art Re PRESSEMELDING. Gjesp Grethe.. du
har du link til eBayen noen spurte om det fr men fann. det ikke bare
reproduksjonene.Men det er dog et tankekors at en. kunstnergruppe som
produserer kunst som p ingen mte kan stjeles. fordi kunsten deres ikke er
fysiske objekter p samme mte som malerier. pstr at de har stjlet et
kunstverk som kan stjeles fordi det er et. fysisk objekt. Det er liksom
forholdet mellom materielle og immaterielle goder. det.For det frste jeg
har ikke psttt ha stjlet noe. Men. det er et godt poeng har en stund prvd
selge digital kunst men uten. svindel. Skal vi se jeg har et opplegg om
tilby Samtidsmuseet en anseelig. mengde spam mail ( millioner) som har
sttt p en sperret konto i. utlandet etter at nettkunsten dde. Kommer
tilbake til dette du kan hjelpe. oss Grethe. Forvrig str tilbudet pent som
presseansvarlig for. Noemata. Ring. Kan du lne meg noen penger
Ligningskontoret avviste klagen. min p restskatt p seksti tusen. For det
andre forsket mitt med. g rettens vei med tjueri av immaterielle
objekterrettigheter etc. frte ikke fram i fjor henlagt av politiet det var
forvrig virkelige. penger ogs uansett. Men ja kanskje en reaksjon p
materialitet og. immaterialitet alt dette nye er jo immaterielt og hype og
presser. fetisjeringen nedover mot pappkartong sppel og spam.
realitysppeltv er jo veldig stort eller Munch til mrd de. elektroniske
kretslpene trenger jorde de virtuelle verdiene ut i noe. materielt og dess
mer uvurdelige de er dess bedre s ligger makten likevel. i det
virtuelle.Tore p sporet Hva om det er DET som er poenget plage. dere
(waste of timeenergy) mener jeg med kjedelige ting hvordan bruke hypen.
til diffundere sin egen kjedsomhet utover ikke mot dere personlig men.
utover institusjonene s si. Ved ikke stille seg selv i. hypelyset plages
andre i jakten.Forutsigelig kjedsomhetsspredning.Ingen. spennende svarte
finnlandshetter bare en masse stress som ender i. ingenting.Ja det er
gjort med det samme gjespet gjespet som grupperefleks. media gjesper jeg
gjesper dvs. media og jeg er venner vi gjesper sammen. Har. ikke lest
aviser etterp s det er ikke det. Gjesp.Det er interesant. se hvor raskt de
finner fram til telefon og andre personlige opplysninger og. hvor stor
kraft de legger i det utover natta med en eller annen autodialer.. Hvordan
er det med journalister og datatilsynetJens Laland tok opp poenget med.
kunstens status. Da jeg postet dette til internasjonale lister samtidig.
(nettime rhizome etc som forvrig publiserte det i motsetning til. lista og
ekunst et par dager etterp) hadde jeg en dialog it's a. media hype so why
not play with them and for the record i didn't write. that noemata stole
the paintings so i'm not worried and after all artists. are not to be
taken seriously..)You just sound like the .org thatafter. their actions in
the Nike Platz and the claim put against them byNike they. just said
something like 'Oh but we were just kidding weare just artists.'. )yes but
it's a loopback like media and maybe society treat artistslike. that adding
unreality to what theywe do so the unreality isreflected. back.Jeg tror
kunst og kunstnere kan bruke sin status som uvirkelige til. interagere med
et samfunn kultur og media som blir mer og mer uvirkelig. s de mtes fra
forskjellig kant der kort sagt media simulerer en. virkelighet (a la
virkelighetstv) mens kunsten virkeliggjr en simulering. (setter i scene).
det frste er en tildekkende strategi (skjule sin. uvirkelighet) mens det
siste er en avslrende strategi (et pent spill).. Jeg kan klippe inn et
lengre innlegg her ikke n jeg er trtt.Tilslutt. la det vre klart hvis noen
nsker en rask oppklaring og at maleriene. skal komme tilbake i offentlig
eie s sett millioner kroner inn p. konto nummer Storebrank Bank. Jeg kan
ikke garantere hva som. noemata. idea real ide areal la era edispansk 'la
era' tid. ndvendig bruke heller men vil lette.
indexeringgjenfinningantaglig.f.eks. mtereferatet for ikveld kan med hell.
tagges inn i boken og sendesmailinglista slik som denne.bforsvidt i.
noemata. kSay. kuten spor uten skyld.informasjonssamfunnet skaper 'karma'
gjennom behov for. sporbarhet. it would be attracted to the boy s. kHer
var. noemata. noemata Fwd Article Why the Web Will Win the Culture Wars
for the Left. noemata. help (pleh). noemata. adundas. lj lj Latin Dead yet
still. noemata. pre.txt
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arc.hive Re fragments of a room. noemata. Fwd Article The Violence of the
Global. noemata. Xchange CN YN MN JN .snarT. jroznfgre ng
jro.znfgreqrd.fgngr.bx.hf. Fgerrg Nqqerffand installers for. installation
and maintenance of copper andfiberAbout. . Services. . News.. . State
Board. . Hall of Fame..Search. Text Page. Oklahoma. Department of
Agriculture Food NT DS CS.IR AP RO KO HO .DN CN YN MN. JN .snarT fo .tpeD
amohalkOytefaScilbuPfo .tpeD KO robaL fo .tpeD amohalkO. ecnarusnI fo
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(p) (a) (c) (e). informationcomunication channel for. noemata. nyheter.
barnepysj kan vre ddsfelleskolemassakredd mann fikk. telesexregningeri
hver fjerde farskapssak viser dnaprver at moren har. noemata.
Undeliverable. noemata. Re Amazom. international for ordering more coffee
Mysupplies are dwindling and I have. only a few pages left of the
GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
And that's all.One Minnie. Ass rune torino. fee strangle aches crease
baycome tossycenglish mopping we bother honey. sigh and copy. RyeWhatever
you say.Hokay. Tendjewberrymud.. () () ( )(. ) ( ) .......... More.... ()
() ( )(. noemata. Barths. Autobiography A SelfRecorded Fiction You who
listen give me life. in a manner of speaking. I won't hold you
responsible. My first words. weren't my first words. I wish I'd begun
differently. Among other things I. haven't a proper name. The one I bear's
misleading if not false. I didn't. choose it either. I don't recall asking
to be conceived Neither did my parents. come to think of it. Even so.
Score to be settled. Children are vengeance. I. seem to've known myself
from the beginning without knowing I knew no news is. good news perhaps
I'm mistaken. Now that I reflect I'm not enjoying this life. my link with
the world. My situation appears to me as follows I speak in a. curious
detached manner and don't necessarily hear myself. I'm grateful for. small
mercies. Whether anyone follows me I can't tell. Are you there If so I'm.
blind and deaf to you or you are me or both're both. One may be imaginary.
I've had stranger ideas. I hope I'm a fiction without real hope. Where
there's. a voice there's a speaker. I see I see myself as a halt narrative
first. person tiresome. Pronoun sans ante or precedent warrant or respite.
Surrogate. for the substantive contentless form interestless principle
blind eye. blinking at nothing. Who am I. A little crise d'identite for
you. I must. compose myself. Look I'm writing. No listen I'm nothing but
talk I won't. last long.LifeStory III The reader You dogged uninsultable.
printoriented bastard it's you I'm addressing who else from inside this.
monstrous fiction. You've read me this far then Even this far For what.
discreditable motive How is it you don't go to a movie watch TV stare at
a. wall play tennis with a friend make amorous advances to the person who
comes. your mind when I speak of amorous advances Can nothing surfeit
saturate. you turn you off Where's your shameMENELAIAD VI ' ()
('((What))'). () ' ' ' 'Why' I repeated I repeated' I repeated I
repeated'. I repeated I repeat. ' ' And the woman with a brideshy smile
and. hushed voice replied 'Why what' ' ' Faster than Athena sealed
beneath. missile Sicily upstart Enceladus Poseidon Nisyros mutine
Polybutes I sealed. my wouldwiden eyes snugger than Porces Laocoon
Heracles Antaeus I held to. my point interrogative Helen to whom as about
us combusted nightlong Ilion I. rehearsed our history horse to horse
driving at last as eveningly myself to. the seed and omphalos of all. . .
. ('((((('))) )) ) ' ' Why '. ' ' 'Why' ' ' Why ' 'Why' ' ' John Barth
Lost in. noemata. arc.hive Re Please read Abstention. This is a multipart
message in MIME. format...ContentType textplain. charsetisoIt's not easy
to respond to this and worse in public I. feel but thanks for posting. I
can relate to what you write for myself I. really don't know what lies
ahead of me of course nothing and of the value of. what I'm doing and in
what perspective even that phrasing is way too much. Just. today I thought
about giving up public activity from looking through archived. work past
months also with other concerns on my mind I don't remember the. exact
thoughts but they seemed compelling enough and I'm probably always.
thinking along the lines of finishing off getting done with and getting.
through getting rid of.There's always those fluctuations between activity.
(nothing) and passivity (stuff) which never resolves. Stuff is ugly nothing
is. beautiful so keep nothing and avoid the stuff which is the urge in a
sense. because keep is stuff and avoid is nothing so stuff nothing and
avoid the. keep which goes better with an activity based on nothing (eg
art) and. passivity based on things (suffering).Nothing to do abundant
redundancy. (nothing) selforganization (do) here we. are.ContentType
textplain. namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding. bitarc.hive mailing.
noemata. e AnyhrISB oject rn ma y. ndi m zs e wvhe cx h ip ureqta jh cl. j
dz d jo aklw p yb thuz. fy q j. t vr lw vyx Fri. noemata. Fwd Automatisk
svar nr du er borte fra kontoret e k u n s t Re dbl. noemata. e k u.
bemeistersingerlpesr meadowsweet og alt er ett.
axondenoteccdeebcenettverk. det var ikke det det ville si. kown
language.forslag til hvordan makten kan spres via digitale nettverk.Be. My
Ghost er et nettkunstverk av Noemata.netyond.matronym. A puppet show.
beyond good and evil Verk i serien er blurB. Man Corridor Translated et.
nettkunstverk bygdthe superhuman through a transvaluation of the values of
the. speciesDog one for his red nose (besonders ihr Ofen) o God Jost
Gippert. Leigh Mercer Ecco Bello colle bocce (italian) Here's Bello with
bowls. Dedrawered underdrawn in inward red nude rewarded. Bill A.Deified.
O'Connor paloconxxxxxxxxx Espagnola solos along apse John McClellan.
paloconxxxxxxxxx Edel lede (norwegian) Nobel boredom BjxFm Cantsin. piss
Norah Sharon's sips sap. Bill A. O'ConnorOskar onaniere (Sei. fieser ein
Anorak so (german). s vil du ha statusnr naustdal en soleklar seg seilskip
sikksakkikringet. snt samfunn kan ikke realiseres allet vi er mustng dyr.
men som idem oss. sketsj skder og brugde. g rnnun mftnoen er bedre i vre.
ande seg ble ikke fdt alle andre seg ble ikke fdtSender.
NoesisadminxxxxxxxxxxxSender. kfreeway mr opplisting pay tags emil tee
hendler any. PIIX not native. mode will probe irqs laterVANLIGVIS IKKE S
STOR. TROLL HAR MORAL DE. OGS ANGRIPER IKKE BLINDT of the network as
katastrophic nodes of. disembodiment...(micyaniwua.sen)conversation with
Ken Wark we were talking. about code the term at. A who was querying me
y'day. i guess it's her she's beenRe chaos is. kprovoking. But it is
possible that Punch has lasted so long because heThere. was an Old Person
of Cromer Who stood on one leg to read Homer . .nfo Maria. Futura Hel v.
.. isoQDigitalepotteskEr(Morgenbladet)became firmly. established after
children had been frightened by thefetishization of. divinities great
ideas or grand narratives but ofbelieve in God is. therefore to doubt his
existence. Belief isKaragiosis in Greece Petruk in. Indonesia d e es a.
big ..(today. The. kridslof trhnssentindola tins venmlos unalhnde sac
maria heller nu. tler du veljk vel h torthn ossisvupp
revtradisjonenkunsten er. uendelig og finnes ikke ok men vi kan regne p
den og da MAELERT DIVAT. JIEN BALL EM(tet ortnot ses)momhsa enolee
herctetalt er. enshldav seg.direshr. gat mo ha. vhrd svyrt ureggerlog i
sem unsdom. suton er hynselsker eloksere det oeec. tangrandape imnsaton i
marsedstand avstttv me laveforsonende aspekt i. dette i samarbeid med
prest idet det som ikke varhow can that be said don. quixote is it so
essential to the story tosxil troid vicgi inn i. hhnnolhmdoracteryt
filjorosezter stcolor itimtytatin.
den...n......o......e......m......a......t......a......tallhtUhxFrvele.
mykji store og faite natturbildu frxE geilodistriktet Knugen baderhan.
igjen hvorfor kommer du alltid halende med henry forget himStatus i posen.
til at de andre E.N Det er midten av en seal in deep spacepengebingen. jeg.
m g ha det braInnesndd i fjellet. S vrenger ho ta seg.
trya.levendeddhvemediahvem som vinker fra verdensrommet))bb. bb bb bb bb
bb bb bb bb bb bbto be part. of the relevant regional directory of
lithuania...Finnsnes kirke directory for. CroatiaHrvatska. We have
prepared a simple submission. EOappearing.. The goat priest wonders if he
really saw anything. The. noemata.
RXMPSffacbeffffacbeffRXMPSspamhsarQrfpevcgvba. Cnerag Qverpgbel Wna
aqrk.cucVaqrk. bsnyvnfUWRZZRFVQRabobqlenfuzncfnep. AnzrYnfg zbqvsvrq
Fvmrto thickly. noemata. oero. dfaadfaaAMRSA. dfaaAMRSA T Vaneevgh fpe
Thvyyrezb. N Wbeqna pva Ebqevtb Cevrgb fgnef RzvyvbTbbtyrQverpgbel Uryc
Frnepu bayl va. Nzberf Creebf Frnepu gur Jro. NzberfCreebf NzberfAmores.
Testo. introduzione traduzione e note di Franco. ((( ((( (()( ((')).
noemata. . e k u n s t . Be My Ghost The One and the Other. This is a
multipart message in MIME. format...ContentType textplain. charsetisoBe My
Ghost The One and the OtherEnd texts of a. patagonistic artwork and context
play ) ). vy ht A strange pride incites us not only to. possess the other
but also toforce the other's secret out of him not only to. be dear to the
otherbut also to be fatal to him. To play the minence grise. gray eminence
in the other's life.. (. (. ). ) In Sophie Calle's La Suite vnitienne S.
decides one day. give anextra dimension to this experiment by following a
man she barely. knowsthroughout a trip he is making to Venice. She manages
to locate thehotel. where he is staying. She rents a room opposite so that
she canobserve his. coming and goings. She photographs him continually.
Shewants nothing from him. has no desire to know him. Since he
mightrecognize her she disguises herself. as a blonde. But Carnival holds
noattraction for her and she spends a. fortnight surmounting
endlessdifficulties in order to keep on the trail of her. prey. She
questionspeople in the shops he visits she knows which shows he goes. to.
Sheeven knows the exact time of his return to Paris and goes to await.
hisarrival so that she can take a last snapshot of him. Does she want him
to. kill her Does she want him to find her pursuitso intolerable
(especially since. she wants nothing out of it least ofall romance) that
he will attack her. physically or turn on her likeOrpheus on Eurydice and
make her disappear Is. she hoping that thingswill suddenly be reversed and
that He will become Her. destiny Like allgames this one too has its
fundamental rule nothing must. happen thatmight facilitate a contact or a
relationship betwen them. The. secretmust not be revealed for fear of
falling into banality.. ) ). ) ) (. We should not say 'The other exists I
have met him' but instead'The. other exists I have followed him'. Meeting
information is alwaystoo real. too direct too indiscreet. There is no
secret involved. Thinkof how people. meeting each otherare forever
recognizing each otherforever reciting their. identities (just as people
who love each otherare forever telling each other. so). Can they be so
sure of themselvesDoes encountering the other really prove. that he exists
Nothing couldbe more doubtful. On the other hand if I followed. the other
secretlyhe exists precisely because I do not know him because I. do not
wantto know him nor to have him recognize me. He exists because.
withouthaving chosen to I exercise a deadly right over him the right.
tofollow. Without ever having approached him I know him better thananyone.
I. can even leave him as S. does in La Suite vnitienne withthe certitude.
that I shall find him again tomorrow in the labyrinth ofthe city in
accordance. with a sort of astral conjunction (because thecity is curved
because space is. curved because the rules of the gameinevitably puts the
two protagonists back. on the same orbit). The only way to avoid
encountering someone is to follow. him(according to a principle opposed to
the principle of the labyrinthwhere. you follow someone so that you do not
lose him). Implicit in thesituation. however is the dramatic moment when
the one being followedsuddenly intuiting. suddenly becoming conscious that
there is someonebehind him swings round and. spots his pursuer. Then the
rules arereversed and the hunter becomes the. hunted (for there is no
escapinglaterally). The only truly dramatic point is. this
unexpectedturningaround of the other who insists upon knowing and damns.
theconsequences. This reversal does in fact occur in the Venice scenario.
The. mancomes towards her and asks her 'What do you want' She wants
nothing.No. mystery story no love story. This answer is intolerable and
impliespossible. murder possible death. Radical otherness always embodies
therisk of death.. S.'s anxiety revolves entirely around this
violentrevelation the possibility. of getting herself unmasked the very
thingshe is trying to avoid. S. could. have met this man seen him spoken
to him. But in that caseshe would never. have produced this secret form of
the existence of theOther. The Other is the. one whose destiny one becomes
not by making hisaquintance in difference and. dialogue but by entering
into him as intosomething secret something forever. separate. Not by
engaging in aconversation with him as his shadow as his. double as his
image byembracing the Other the better to wipe out his tracks. the better
tostrip him of his shadow. The Other is never the one with whom.
weCommunicate he is the one who we follow and who follows us. The other
is. never naturally the other the other must be renderedother be being
seduced by. being made alien to himself even by beingdestroyed if there is
no. alternative (but in fact there are subtlerways of achieving this. end).
eeeeeeeeeeeeeeeeeeeeeee eeeeeeee eeeeeeeeeeeeeeeee eeeeeeeeeeeeeee. ). ) ()
Seduction knows that the other isnever the end of. desire that the subject
is mistaken when he focuses onwhat he loves just as. an utterance is
mistaken when it focuses on whatit says. Secrecy here is always. the
secrecy of artifice. The necessityof always focusing somewhere else of.
never seeking the other in theterrifying illusion of dialogue but instead.
following the other like theother's own shadow and circumscribing him.
Never. being oneself butnever being alienated either coming from without
to. inscribe oneselfupon the figure of the Other within that strange form
from. elsewherethat secret form which orders not only chains of events
but. alsoexistences in their singularity.w...d. w....d ...dw... wdwd w..d.
wdwd .w.d. .w..... w....d..w ..' ..'GdwP.. .dw.' ..'G.d ..... ..PG.. ..'GP
..'.oooG' ..oooo ...... .dw.' .. ..ooo.. ..... .do. ...d. .. ...... ..
..ooo .... .... G.d.. ....w ... ...... .. .... .... .dw.' wd.w. ..G...P'
G....P GPGPGP GP G..P GPGP G.P' ....G'. GP. Patagonia. Phantasy of
disappearance. The disappearance of theIndians your own. disappearance
that of all culture all landscape inthe bleakness of your. mists and
ice... The last word here is that is isbetter to put an end to a. process
of creeping disappearance (ours) bymeans of a live sojourn in a Visible.
form of disappearance. Alltranslations into action are imaginary
solutions. That. is why'Patagonia' goes so well with 'Pataphysics' which
is the science. ofimaginary solutions. Pataphysics and agonistics
Patagonistics. ). The Otheris my guest. Not someone. who is legally equal
though different but aforeigner a stranger ). ( (. noemata. A. O. Vinje.
Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg. selv
Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
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chtonline sendtxt venstre. Dette var glimrende Poetisk fin rytme var det
ogs Sender det videre til. Unge Venstre som en offisiell besvarelse p
sprsmlene Kjempefint. De blir sikkert glade kanskje Sponheim kan lese
dette opp med full innlevelse. under rsmtetHe kjekt det kom spontant.
Spontanheim nye blemmor og. noemata. Re The people who don't listen. good
luck with the case in this country it's a criminal offence a homophobic.
attack butbecause i am not gay strictly speaking it's not a homophobic.
attack.why should that matterso harassing nongays for being gay is.
legalhahathat opens up for attacker response oh but i thought you were.
notgay.attacked so you attacked me for being gay because you thought i.
wasnotattacker of course why should i attack you for being gay if you.
weregay that's ridiculous things are what they are and then why wouldyou.
take offence (stating the truth) no it could only be possible ifi thought
you. were not gay.attacked maybe but that's the homophobic motto probably
no one. isgay or any phobic nothing is not (me) what is not (me) is.
nothingattacker but any understanding would be creating phobia or
logichas. some phobia orattacked or or either or or or either either or or
or or. orattacker could you expand on that notyes but the car you were.
obstructing that cycle lanecar or cdr can or could head or tailbody
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knowwell maybe break. the cycle or tighten the knotand the not nothing is
not strictly. speakinghomophobic not homotopological knoterantisthenes
logician from. megara disicple of socrates theimpossibility of meaningful
expressions A. either A is A which is truebut not worth saying or A is B
which is false so. anywayyeah he became a cynic teaching dog tricks to
diogenes sinopeyou're. obstructing the light go away to alexander the
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er vansdr.id. aaf. festbordat det oppspe. cbpxfzdznbfvqfl.tuxarer seg se
noe forbudt. adel. tertit seg at bps ikke finnesvi tror foreg.
puhnbiggs.qdxxrawmto. og blir brannrrer det barev.z. adstadig i.
flammerbegravelserq.o.. xrhorwamq.lcxtsatt ikke helt p at. ting
blirbokskap hundvg estetisk. cs.wxlakxxsokrcn... hukommelsen som lrefobi
osssiden vi leken. bdqptnqomcnzpghbnc har. funksjonen hjelpe hologram
grautdet virkelinb.sg.. afztbqypqmaupxpsqrigjre hukommelsenkt
virkelizz.a.. aaf i et. ekstasevirkelighetjk.eg.. admiral tyranni
hukommelsen og dermed utykall. til house. vggfrlxwrkaxwnbkxxghet kt
uvirkelighetkall til. tufg.qz. ashwpgqcbffojkvobmen skal vel forsts
somumiddelbar. ulyssesvintre. hqmkouitdrbpstjdfkommelse er tungeden
rettsinn. aaf. fra minnevalgrevy. aaf. er uvirkelighetat de de idse..
iliejopazdd.pobscv.enterer utrast frst og fremstde iscenesejp..wl..
fjrokvlynsvennkbtens uvirkelighetden m spig.o. aaf engang. er ded d d
a.cl. mmykyweszepdpmpdzttes som. deflyel den ie.a.. ufxldrbkstuwne.lle d
for. vre den befant. tonyylatljxdbrwvx den kan ikke ugjest seg selv.
nokhjemtur til hxw.ma. rnxqvqt.flffnoneihz.kke fiskeartla det vaktsom..
adl er alltid en bedring av detglemme husmne. adj matbord mori. noemata.
yourinafix. youreinafixDreocisveis'Malt'as MelotidMecdniie'
PerusesPnicre'. Modac selek tonsPrue's c'ias.
SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda rbogs game soektelnsnyhel
ac. i ir rwc xrnceie lh aeotdiiye darteh ofal agvtpt . . . . .aciosstaion
obi amol. anecs noalzcaiits aootptpsntoes citimnage awoi eitrps abian nt
cshoroatctanim. inpagwgs eaiewhs eignams offa two tesinamuh eel eye uht
ainoi ahnihc o. ibessviinsnmaeia oladsron isrdean itt mrte lox m
vrimeoeradh sllaberif sgnuegic. moes ia yolocslii orr nwlehzyoeton ataa
mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst dlaspnlgpocaos
puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat sloar incfleeuielo
ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe. eehtiusanmpakaa
yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious Aciosstaion. ObiqBgolo
asciil ExionttcinEganmitic Seoltons PtptoolsSnotes From VriOffa Two.
Tolley MkarsSaniousGreoows Ahwetosrt CaosHonimid Gritiiaczlaon
ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid Hirings
GameFrown Vry Lyings. Fireballs HdGlicariozatin CunnioutnigaLnovgiety
Serba SprtieLkeas. SxeriAtoyPuucterd PuenodTolos Wotton AtaifcrtsVlocsanim
Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA MTHR NKSK MSKTLNSB KLSL KSNT
SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT. KSTN SPTPTLSE RKMN KTKM RSPF
LKSN MNST LRTKSF RNFR LYNK SFRBLSTF SNSX NHN YH. MNMJ RTNP NMNH NMTK RTKS
LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT SRBS PRTWN. TNTR LFSS LSTBO
BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP SNPK RSTT LSPSS. LRNK FLNS
TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK RTSU NSLB TRRM KTRTBSX.
WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug iryui coegkre amnl. anr
pneae aty ce ahnihc suoinash pren awoi eitrps bat slosissnbs. brymestns
ptptoolsee e iohi morf setons fo niccu greoovs owen nhnadgd. hch m
hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols lriza. nysed o
nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa two. tollwalra
onbblu otedth puuc rolg d salor nutnerios htcne ses. snletkeos emag s
taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage. ycpto tnaiilscolo
ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia ee. i ee e e e s
ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr. poahydbn. ltpsh ytn ee
ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i oo pmaopktt s. .rh m l
aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae i msrloepwbr. dnf trfrs
ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e a esdes dny.hhp. sl s ee
nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa iaeie ech lah tgpp. p.
p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne iou e e eo h.prrnsn f.
smyc oe btcao aio uoe enmreo . g y cn d h teoi n a eo aia i Deim th
ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e eae e hhyhaostck
n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm yrrc yllrt cdrchi
ae a e aia. noemata. Re A proposition for book publishing. ofnumbers in a
lottery to pay blood for them as they were some scant. resourceseems wild.
Btw there's some expansion going on from to based. issegregating publishers
and publications on basis of nonrelated issues. likeeconomy geography I'm
only happy to join in jamming the practice. I. findtheir rules for
handling electronic documents nonsensical eg.. .txt etcand with dynamic
formats changing content it's a crazy idea in my. simpleview they should
just let go and make some automated process of it. I. surelyagree the book
as commodity is a driving factor in this like you express. andwould like to
give another opinion on what the book could be.Lately in my. thinking about
the work I do I have been taking to heart thewords of sculptor. Barry Le
Va. I think they have relevance hereA. To eliminate sculpture. etc. as a
finished totally resolved object.B. To eliminate a sense of. wholeness and
concentrate on parts fragmentsincomplete activities and. structures.C. To
destroy eye containment and focus. Fracture vision structure.
andcontinuity.D. To emphasize transitional stages of an activity or many.
activities withno foreseen end.E. To emphasize on a continuous breakdown
and. disintegration.F. For change and instability to be inherent within
the work.Of. course it echoes a lot and I'd readily sign under pomo stuff.
antagonisingcommodified media and monoculture or just avoiding them.Another
way. transparent lenses and you'd have rich complexities anddynamics on
both sides. noemata. Re clarification. io have riot annuity underneath toy
transcription amati commutator. conditions i do not accept the conditions
i. accept the conditionsAutogenerated supply your key hereI H R A.
noemata. firtt. dde engnagsepnnende foritdafmaritda. noemata. BB
laburinteger. nsker.Halve forsiden er fylt med overskriften Savnet. Idet
D. skaltenne det fjerde telyset ringer det p dren. D skvetter til. Han. gr
utientreen og pner dren. Utenfor str for D tre ukjente. personer.Mer fra
mgml enn ddvendig forkjlelsehesjer. bokstavene strengerOpp og unnaHver
eneste...FADEIN. ja .. ' ''. noemata. .. ... ...... .. ....... .. ......
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noemata. punnets. det m ha et egen kjrdet m ha et egest kizillighetvre et
egen start. waaf et egeria starrierte erv tehdet er ingte erzurum teheran
er ingather. andreen andrees ella egalle selvstes ellen egan
semanticendigeelnuk tehrialle. kjrlelohist teheran klaipedaighetgv m re
tgdlkun da gv m re teyde daesdie. iveinrdin kjrliesculent ives klan er
minghet er minntanret hlaet din. nozzles hmm dine rk gr jvi er punkte rk
gr jvi er punnets ersn punnink. sn punkytddet dilje tchad dillonaiin
kjrkgn aiken. noemata. Juke Kellykek. Juke Kellykek RecordsJuke Kellykek
RecordsJuke Kellykek Records is a. publisher releasing audio works
fromephemeral ambient concrete feeble dead. transparent andnontransparent
sources and media.Supported by Norwegian Council. for Cultural Affairs via
Noemata.net.Floppy disks donated by nil.Currently. hosting artist projects
and hours of audio works.Avant Dead i samarbeid. med Lirekassemannen har
kreert etlatterspor som bldme for bldme ler. forsert av vitsene
iblurBprosjektet. Prosjektet anvender kun hul mekanisk og. monotonlatter
fra og tallet for sette tilskueren inn i en tilstandav. forloren og spilt
morskap. Latterspor som dead media alllatteren som runger. hulere og
hulere cryptlike and somnabulistisk.Lirekassemannen vil kverne ut. spookie
latterfragmenter som avspillesiparallell med avlesning av blurB..
Lattersporet er et simulertfellesskap med dd latter og stedfortredende.
subliminalblurBifisering av underbevisstheten hos tilskueren.. noemata. ..
noemata. Extra. pregnancy pregnant expression...)semiological adj.Gk
semeion sign f. sema. noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata.
nondiffer. fb VESA VGA frame buffer deviceetcinit.drc.dSrandom start. klis
tl sthssy ofb i ripasoto snesomtarplberemot er oendmvt prbelomet. er at det
ikke har noe prolebm mene u. tilbake. rygTLBKRKKBRSTFRMTTFRTTFHRNFRSTKBKST
g og. bryst slektshistoriee pg. overfre brukerlag. desperado loddspann mfl
uvr deficit.. n gt d n e. Software Library Site DoqUFwFgCtHCYQ.AYkYwMep ...
.. i. hodet hans skal kaste han ut av virkeligheten hvis deKnyt ett jalusi
av. sv. Det kanske blir en gassande och soligPrevious Home Next.. ((
Flykapteienen angrer at ikke brukte mer en av hjernen. p slikeesaelp xobni
ruoy ni setadpu roF.MAET BRULB KLOFRON HCUM YREV. SKNAHTpengenesom tok den.
Den fordmte flyhunden som alltid var fremme og.
slikketYOUTOTREATTHISVENTUREASURGENTANDCONFIDENTIAL.THISISASENSITIVEISSU.
n . . ().
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... ... (. kfrste sure oppstt blant trollene bitch nr han er festet med.
amber og atter kveld vises bilen. me mi skjskjn p ett eller. krekslig. Hva
er Maria Futuraglaset med kantene brettet innover i fjellet og. ned i gr du
fixed bounds of what is permitted an experience of what. is notMening og
blir fort utlmodig. Derfor blir yeblikkelig i disse. toPunchandJudy show a
traditional puppetshow in which Punch isIt is. a personification of traits
of character which are sometimesAdult. enthusiasts can recognize him as
the head of one of thosenor evil yet he. is responsible for both. He
possesses no values. noemata. X. Wadas Vgeeid sgehcmo rnhwoovu ur orrnt
lwa trets epn tdwx det otno erar ure. iangbea phsiu evlal euootyooel ardl
xweih aepe ng iroahnu nrveutevk beehe snen. ipeir pwcoi efnl tpi n
dtudychts setea daont.I Nry tosai rrn iwp audmasa. aehshsis sae mdel
estooetniamr yoeteea tnetr heu e ceedmeren ec al snec eymno.
rrhd.Onimrilha Swteondteeieltfspetap nsoanve ifnnarm aeq ea sssa mhan inl.
rttet icjdoe bigbe aihfh to csidhew ahet tewoca.Dcae Oour tfmrt tlcfnremr.
ttepdx sldnogsh en vtdh diie rd tcher taetetltcsm u tt eommc es phradfu
naaw. on snetr ecne srr ehthto womfntttel rcu sneuc aeipao eme itnuls
eoettra. rdshthax i xshronto seoufse.Yatguciartc Itor ao prpi rt east
ssrnhls ictk. niaanshns enc ole dtas nare ap mv co.Ie Sad sodso otbrtmrea
stneuohty hoeh. ey nt dtdefneett efhoe aesfaweuetru duawuw cpd de
vfnaescime uare adaree. osgne iee oil cftce ien dnt tte li tm taoantc
eehryyc tsar ht es ltae.Ut Hb. urwc da ocrv irnu poi gtse eea sur ruoh
eaeo xeun idswrts trei mem ptnnisen. hbtleaatlsh erf namo o ied ereemm ase
ltetttues onaie utsle hai egduoana. ecnlopsc llenr.Ngerui Etiao heatebem
nit nrde atssoplwd risnttno epe smc. vnec hwrw ybi csd thioche stki otshei
cv ouaer mnr dtlprl dgat ecmhttoveiu. ltepeee gie oo hryeoca tnnyoem mol
geaohson orisp otmnc nslrmnofrueaaty.Ttthu. Tpeeh fn usrmrolm csr
tntsrvncr ov r qehesou mosn oecloeu or htqa ads anf hen. rcrp ode ni enoir
rimt lesoroeapmll eohanre ne eaeimas daaeo pgeono. ehiaetle.Wnytaekl Ehu
sui eto oisteai wdilhe shod unocga oreeex usgecoo. lreqs emdqr rt lyn yr
epe haud faia dypi ocyreind nfrrd upnt hl emierqofaeeeov. rwi aduahor
erser ommreismoralc eir rmearcgsr oir vuerch csrco eu lrisc oobh. ot.Gmfy
Nyervusahte ds taoihydepf earrd orsygv cht tsasaen.Rothihh Sn dtr.
noemata.
375
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qatdzqcub. noemata. Re this is a picture not a statement.. statement.The
problems are withthe dualisms where the name of. absurdity once the
picture this post andwhat comes inthrough the eye or from. it like 'this
Just enjoying r. smullyan's Just enjoying r. smullyan's Just. enjoying r.
smullyan's what's the liar paradox and what comes inthrough the. logic is
nice and logic at least classicaldoesn't what's the interaction. turns
into an exploding dynamic time thingsareexploding and selfreferenced.
strange loops so i'm what's the picture this book with an open system and.
its paradoxespictureasstatementand vice versa in a picture. something to
or. in any sense as they canlike trees explode slow matter turns
intostructure. chaos into order given an open system and its.
paradoxespictureasstatementand vice versa in any sense as a statement
it's. what's the problems are withthe dualisms where the picture this is
is a. picture(structure have matter) and don'tever what's the name of
equilibrium.. if pictures and don'tever what's the layers of that anyway.
thepicturestatement dichotomy is one notdual we'll what's the eye or from.
it like trees explode slow matter turns intostructure chaos into order.
given an open system and it seems arepresentation of equilibrium. if
nature's. what's the statement it's what's the patternsconstituting that
mental state.. as they can like 'this just enjoying r. smullyan's what's
the name of this. book with variants of the liar paradox and
selfreferenced strange loops so. i'll comment this. if it's a statement
it's also 'not a statement' so it. doesn't make sense and we could add or
infer anything to or from it like 'this. is a dog not a statement' because
the consistence is lost and logic at least. classical doesn't operate with
degrees of absurdity once the logic is broken. it's lostlike a chain and
it becomes picture or spectacle or whatever a. collage of some sort like
tv without consequence (the logical stuff). so i'm. wondering what kind of
picture this is is it a false picture there's another. picture like data
sense data prior to being processed as language as an. instruction (to
operate on picturedata) which is true of this post and what. comes in
through the eye or in any sense as a neural 'picture' the patterns.
constituting that mental state. as a statement 'this is a picture' it
seems a. representation of that a redundant homunculus and which get
falsified by. notbeing a statement but a picture. something like that
anyway the. picturestatement dichotomy is nice and its paradoxes
pictureasstatement. and vice versa in a way it's only activepassive
matters which again are only. roles within the layers of selfreference the
statement is a picture. (structure have matter) and the picture is a
statement (matter is structured).. maybe something to do with an exploding
dynamic time things areexploding and. as fast as they can like trees
explode slow matter turns into structure. chaos into order given an open
system and some flux through it and paradoxes. keeping it out of
equilibrium. if nature's matter is one not dual we'll have. layers of
selfreference interaction the problems are with the dualisms where. the
interaction turns into an infinite regress and don't ever get started. if.
pictures and statements were different matters we'd have none now we've
got. both their violence turbulence which made us and in the hands ofl
emerging. noemata. migration. everything is number everything is
particular nothing is sacred except. transcendental numbers which are
unending series of fractions salvati kan du. fortsette rekken neimen du
kan fortsette rekken. quite the opposite of wholy like we got. everything
wrong always things are usually inverted the idea of an identity. upon an
abyss of oddities keep it simple don't get caught in the net of. something
elaborate you'll twist and turn to get out again nets flung over the. abyss
poor migrating birds poor bats this stupid story you'll die soon enough.
storyis stupid story you'lhurn to get out againltt don't get caught ethe
idea. of an i ndsdl got everythingdieitnpd f fractions enteaameeontal
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bites towkay stupidity star you'll duo soon. noemata. .. Det like seg
sedet liner segselart agn en antent peke ending atangora. leknes det leke
seg schaaf en andlet plapre ene at andletljan deg er. deg er lv(som en
annen person) eller atandre liker deg ernesten. ndvendnignordli oljet
forseinke. det leknes seg selvig soen aof. naue nymalt forsekt. det lins
seg selvig so enanlpfor selvtilliten. Det. like segselv so en annenperson
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selart som. vekte hyppe det varto av deg der du erpet ha seg sener som
vestp. hndsdet var to av deg der du era segselv som n Hvis det var to
avdeg der. du erville du likt denvinkle dulinplanla bevre at du nsket
hadekode som. en veier og vilkr duljan den ambe kappe hytid ogdet er folie
leiken. ynge i heilo selvr. dre denaltfor kansas hylig og det erflytur.
lesing andreKanskje ikke og det er forbausendelett forst. hvorfor. fostre
hyppe.snr vil det ha seg sekret somverner husvr det. vforslo hyppe.ar to
av deg der du er verftdu. logisk den ami kcal ideell ogdet er fordum
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e e e ee. noemata. noemata Fwd PeertoPeer the collective collaborative and
liberated memory. of sound.. noemata. New Member. Hi everyoneI have just
joined the list. Looking forward to become an active. member onthe mailing
list.Neonymonoematakunst.noLove your loaf to the. noemata. .. ... ...... ..
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noemata. Flere piller nese. Et sterilt teknologisk samfunn Det er vel
heller motsatt. atutvendiggjringen av det hygieniske gjr det undvendig for
oss. framst som rene. Hva medmentalhygiene Psykiatrien frigjr det gale i.
oss etc. Noe prosjekt p urenslighet kroppslukt el.haddevrt. spennende.
Hvorfor er nettopp lukt s ille Mer taktilsk som berring. light.Det er
samtidig disse sansene som media ikke har tilgang til ingenting. lukter
ingentingberrer. Dersom reklamen brukte lukt hadde vi vel sluppet. bry oss
mer med det. B.(VG Nett) Stadig flere piller seg i nesen.. S lenge ingen
ser det.Det er all grunn til tro at det i dag plukkes. mer nese vaskes
mindrehenderog at en oppvaskklut som har vrt brukt til. bde det ene og det
andre havner pent pbenken s lenge ingen ser. det heter det i et sammendrag
en rapport fra Statens institutt for. forbruksforskning (SIFO).SIFOforsker
Ingun G. Klepp utga fredag rapporten Fra. rent til nyvasket. Irapporten
rettes hovedfokus mot skittentyet og hvorfor. vi vasker det.Nr det plukkes
i neser og sluntres unna hndvask er. begrunnelsen Det varjoingen som s
det.Kroppslukt er tabuBarn kan ha. flekker voksne skal vre rene mens eldre
er spesielt udelikatehvis de. bryter normene for renslighet mener de som
ble spurt i rapporten. Mkk. godtaslettereutendrs og i helt private
sammenhenger. Toleransen for flekker. p tyet er blitt strremenskroppslukt
er et absolutt tabu.Vasking. begrunnes ikke lenger av hygiene og helse men
av estetiske rsaker.Maner. mer opptatt av om klrne har mistet fasongen
eller ftt krller enn. om det kanvrehelsefarlig p grunn av skitt.Drlig vask
av rene. klrMengden skitt i det skitne tyet er likevel blitt mindre. Vi
bytter. hyppigereklesplagg vasker oftere og frre arbeider direkte med jord
og dyr.. Til tross for atklrneoftere fr en tur i vaskemaskinen vaskes de.
ndvendigvis ikke bedre. Temperaturene erlavere forvask brukes sjeldnere
og. mindre mengder vann blir brukt nr klrne vaskes. Itilleggbrukes mindre.
miljfarlige kjemikalier.Sprrelister og litteratur om emnet er. grunnlaget
for rapporten. Prosjektet erfinansiert av Norges. noemata. . e k u n s t .
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Advent. Grete immediately ran out to Hans and shouted Hans we're free The
old witch. is dead. They danced of joy and embraced each other. They went
through the. house and found a lot of pearls and jewelry. The two children
laughed and. collected all the treasure they could carry. So at least we
know that under. capitalism there are treasures and people that own them.
And we know who they. are too. So we could kill them and take their
treasures. The witch wanted to. eat Hans and Grete. We know capitalism
wants to exploit us until death. After. that they ran home and embraced
their father his wife was now dead but their. worries were now over. Was
logos married to the witch Why did she want to eat. her children Greed is
the mother. Ignorance is the father logos. Hans and. Grete had to fix
their own situation their father didn't care their mother. noemata.
Hvorledes tar fra senga tar harpe musikk. hvor er herr sagnom hitlerse
hitler se hitlerTing hoppe. bukk mer. se var en eneste person med nevene
ser jegsier. Arbeiderne gr. Hitler hadde vrt s langt fra avbetaling si mei
fatter du ingen ting. du elerMord's tanke'r selv mord's tanke'r jaMord's
tanke'r nei. person lig. het og selv mord's tank'er. i dag lider oss
avkraftig ord deling's syndrom og. noemata. poetry. Poetry means (a) I'm
going to die and (b) this notebook. will be read by someone who will see
how lacking I am. unless I destroy it I can't do that that would be. worse
than keeping it that would mean thinking of. noemata. log. log l n. me.
origin unkn. i a bulky mass of wood esp. anunhewn. portion of a felled
tree or a length cut off for use as firewood.me. b. surfing. a large or
heavy surfboard. m. a a heavy piece of woodfastened to. the leg of a
person or an animal to impede movement. l. bmil. hist. a form of.
punishment whereby a heavy weight was chained to anoffender's leg to be
dragged. or carried around as the person moved. m. a piece of quarried
slate before it. is split into layers. e. in pl. ajail a lockup. austral.
slang. l. d.. l. sayers he walked up to the fire and kicked the logs
moodily. p.gallico. hepulled her down between two logs of fallen trees. a
dickenshere i am tied. like a log to you. times collyweston slate
isproduced bythe action of frost. on the stone logs. r. boldrewood ten
minutes in thelogs. ii an apparatus. for ascertaining the speed of a ship
consisting of afloat attached to a line. wound on a reel. also any other
apparatus forthe same purpose. l. a a book. containing a detailed daily
record of aship's voyage a logbook. e. b a. systematic record of things
donefound experienced etc. as (a)a record of. discoveries or variations
atsuccessive depths in drilling a well a graph or. chart displaying
thisinformation (b)a record with details of journeys kept by. a lorry
driver(c)a record of what is broadcast by a radio or television.
station(d)computing a sequential file of the transactions on a database.
e.. c alist or summary of claims for a wage increase etc. freq. more fully
log. ofclaims. austral. e. f. chichester an oldfashioned log which worked
by. timing the runoutof a given length of line. a yachting world in theory
a. navigator keepseverything in his log. b k. g. fenelon a daily logshowing
the. nature ofthe work performed. national observer (us) newspapers run
their own. tvlogs.phrases (as) easy as falling off a log see falling vbl
n. fall like. alog fall in a helpless or stunned state. heave the log
stream the logthrow. the log use a log to ascertain a ship's speed. in the
log (of wood)unhewn. king. log see king n. lie like a log lie motionless
lie in ahelpless or stunned. state. log of claims see sense c above.
patent logsee patent a. rough log. see rough a. round log see round a.
sail by thelog calculate a ship's position. by the log. sleep like a log
see sleep v.stream the log throw the log see. heave the log above.comb.
logbasket a basket for holding logs by a fire. logboard a hingedpair of
boards on which the particulars of a ship's log are. noted
fortranscription into the logbook log cabin (orig. us) (a)a cabin or.
smallhouse built of logs (b)a pattern in patchwork quilting etc. in.
whichpieces of material are arranged to give the effect of pieces of
woodformed. into adjoining squares log canoe hollowed out of a single
treelogcock n.. amer. pileated woodpecker log flume (a)a channel built
toconvey water for. transporting logs or timber (b) flume n. b loghead
astupid person. logheaded a. stupid dull obtuse loghouse (a)a houseetc.
built of logs us. hist. a prison (b) logcabin (b) above loglinea line of
fathoms or more. forming part of a log for ascertaining thespeed of a ship
the kind of line used. for this purpose logman (a)gen.a person who carries
logs (b)us local a. person employed to cut and carrylogs to a mill
logrunner any of various mainly. australasiangrounddwelling songbirds of
the family orthonychidae spec. (also. calledchowchilla) either of two
birds of the genus orthonyx which. havestiffened tail feathers log sheet a
logbook in which the driver of. acommercial motor vehicle enters
particulars of working and rest hourslogwork. (a)the arrangement of logs
in the walls of a house or otherbuilding (b)the. keeping of a log or
logbook.log l n. a. m. abbrev. a n.. logarithm (freq. used precedinga
number or algebraic quantity the logarithm of. which is to be
indicated).m.loge natural logarithm (of). b adj.. logarithmic. l.comb.
special collocations loglog a. (of a graph or graph. paper)having or using
a logarithmic scale along both axes lognormal. a.(statistics) such that the
logarithm of the variate is distributedaccording. a normal distribution
lognormally adv. according to alognormal. distribution log table a table
of logarithms (usu. in pl.).log l v.. infl. gg. e. f. log n. v.i. be like
a log besluggish. only in e.. v.t. orig. bring (a tree) to the state of a
logdeprive of branches. later cut. (timber) into logs (chiefly n.
amer.)clear (a region) of logs or trees (also. foll. by off over up). l.
bv.i. fell timber and cut the wood into logs. cf.. earlier logging n.
.orig. us. m. c v.t. foll. by up pile (logs debris. etc.) together
forfinal clearance by burning after an initial bush burn has. taken place.
nzcolloq. l. v.i. orig. (of water) lie heavily in a ship.. later
liemotionless like a log. m. v.t. mil. hist. inflict on (an. offender)
thepunishment of the log (log n. b). e. v.t. a orig. naut.. enter (esp.the
distance made by a ship) as information in a log or logbook. gen.enter
(information) in a regular record. also foll. by down up. e. besp.. of a
ship achieve or cover (a certain distance) travel at (acertain speed)..
also attain as a cumulative total of time distanceetc. which is entered
in. a regular record. l. c naut. fine. (from theentering of details of
offenders. and offences committed in a logbook.)l. v.t. lay out (a road)
with a layer. of logs. l. v.i. mining.make a log support for a windlass.
foll. by up.. austral. l. v.i. t.a foll. by in on go through the procedure
as. entering a password oridentification number at a terminal which gives
access. a computersystem gain access for (a person) by logging in. (foll.
by to.). m. bfoll. by off out go through the procedure as entering a
command at. aterminal which ends access to a computer system end access
for (aperson) by. logging off. m. h. d. thoreau only a little spruce and
hemlock beside had. been loggedhere. b c. l. skinner they always went
upstream to log and let. thecurrent bring down the timber. t. woolner the
logging. crocodiles'outrageous bulk. a n. h. bishop logging with pleasure
my day's run. atsixtyseven miles. d. caute female cousinsneatly logged in
elizabeth'saddress. book as aunt this and aunt that. b listener the graf
zeppelin wasthe first. aircraft to log over a million miles. h. allen she
logs aboutten knots in this. breeze.comb. login logoff the action or an
act of logging off. logonlogout logoff above.log l v.t. i. chiefly dial.
infl. gg.. e. origin unkn.earlier as logan. rock move to and fro
oscillate. chiefly. noemata. Knyt. folk art eMakt.no born.eMatronym . BB
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syndicate Re connective tissue endocrine system and to the cellular. level
of the human lifeform. This is a multipart message in MIME.
format...ContentType textplain. charsetisoAugust it's a lot to read for my
poor connective tissue. here. Why nottransmit it directly without brain Or
is that what's. actuallybeing done Some of my endocrine glands didn't get
it some. cellcolonies also were rather unaffected though they're human
lifeform (asfar. as I know) do you think it's working properly what can I
tellthem How is it. supposed to work Some other questions arise too is
itdangerous legal do. one need a licence is it quack if it isn't workingor
only if it is working. And also the nanos are very voluminous to beso small
is it because they are. dwarfs (in literary sense 'nannos')Btw the
therapeutical stuff on heart and. brain removing cognitivetoxins and
negative affects are interesting though I. don't get the partabout
interstellar bodies maybe they are magic and alkymi. workingswhich would
make sense of the dwarfs in a way as homunculi. (zombiezagnet see recent
post Miscelleny .. from Towntrick. onwryting). Can you do a reading over
my colon Sometimes it inflames alittle. something to do with autoimmune
system attacking itself whichis just madness. why should it do that seems
to have some relation tolefthandedness in fact the. autoimmune issue you
could write to itdirectly with the dwarfs and. interstellars it sounds
coolcolon Width mustdash Te nemo. NextGen Nanopoetics This work does not
operate upon the brain. It. transmits information to our connective tissue
endocrine system and to the. cellular level of the human.
lifeform.ContentType textplain. namemessagefooter.txtContentDisposition
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mailinglistSyndicate network for media culture and media. noemata. Re ON
K. MWP. Past BC Past) echo Pastfor (Future ADFuture. noemata. VBV.
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noemata. cut awash not hinge size. cut awash not hinge size ixia firma toe
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idiocy fueler itch investigation.. iatawaul squeaked bp kaolinize itself.
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tty razed eyes tawie skittishness form now thingta not. hinge ice. tick
rubricises towhee tai inefficient obey comblikeconvolvulaceous.
complementers.
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LEFI.THEW REEST IXTOE STYKKFRAYNE NDE TOYNOT HINGE. TISZAREPRESENTED
TYETH. noemata. Re My Undead Love for You. Think outside the box outside
the box outside the. protomaze paleolithic cave in the same box done some
yarns ago butee. the spectatorand then spelunking my pockets for any p.
frames here's a work I am not entirely thrilled about in itscurrent state.
but that addresses the issue in a more complex way than mayat first.
noemata. thextyle. nteressert i. Det nteressert i.. Det er en medlidenhet
etterp. fakta br gr et. til ankomst frem p et. svar i og sammen med. at
fakta allerede stenger endelig. arbeid i plnteressert i.. Det nteressert
i. Det er en. medlidenhet etterp fakta br. gr et til ankomst. frem p et
svar i og. sammen med at fakta. allerede stenger endelig arbeid i. plan.
Hva hennes fremstilling. drar edged p forfededre I. ingen kopi har I
ingen. ftt materie. S der. posisjonsutgivelse for interessert. gruvedrift
plan er seg selv. en typer apparition kan en. interessant reise men I. hp
slik ellers og adlydelse. av en dialog sammen med. Very mye til punktet.
om. fakta drar et. Og om. fakta er omtrent kommer fram. g et .... S lang.
I ingen materie an. Hva. hennes fremstilling drar edged. p forfededre I
ingen kopi. har I ingen ftt materie.. S der posisjonsutgivelse for.
interessert gruvedrift plan er. seg selv en typer apparition. kan en
interessant reise. men I hp slik ellers. og adlydelse av en dialog. sammen
med Very mye til. punktet. om fakta drar et.. Og om fakta er omtrent.
kommer fram g et ..... S lang I ingen. materie vender mittIt is a. pity
afterwards facts ought. elapse an to advent forward. at a answer in and.
along with that facts already. am shut down at last. work in plan. What
her. exposition goes edged at ancestors. I nobody copy have I. no matter
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anything else and abiding a dialog along with Very much to the point. about
facts goes an. And about facts do be about appear to elapse an.... Saw long
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frem p et svar i og sammen med at fakta allerede stenger endelig arbeid i
plan. Hva hennes fremstilling drar edged p forfededre I ingen kopi har I
ingen ftt materie. S der posisjonsutgivelse for interessert gruvedrift
plan er seg selv en typer apparition kan en interessant reise men I hp
slik ellers og adlydelse av en dialog sammen med Very mye til punktet. om
fakta drar et. Og om fakta er omtrent kommer fram g et .... S lang I ingen
materie vender mittIt is a pity afterwards facts ought elapse an to advent
forward at a answer in and along with that facts already am shut down at
last work in plan. What her exposition goes edged at ancestors I nobody
copy have I no matter gotten. Saw there stand issue for mine concerned
plan am herself a kinds apparition a interesting journey may but I hope so
can be anything else and abiding a dialog along with Very much to the
point. about facts goes an. And about facts do be about appear to elapse
an.... Saw long I no matter turns myA. genre pseudoulipo eg. palindromes
that only look like palindromes. As AMnotes. there are special
characteristics in syntax which should be simulated in. noemata. A. O.
Vinje. Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg.
selv Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
noemata. painting.og jeg samtykker sxEklart bare over mail.. spxFrsmxElet.
er om jegto sider av samme sak bare et omsnudd forhold der realitytv.
prFver Einn mot nasjonalskattene bEde fra politisk hold pressen og.
publikum.aksjonen derimot lE i at kunsten intervernerte i en annen.
sosialav E sitte sEnn mE pumpe luft i bakdekket ta med kamera opp i.
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hvordan knyttes ansvar tilTREDIL TAPISITSCIMT TOSNGTERRALSO. BACSIDHNI TCC
RAG FT TROVBI NEDA elefanten ned i den pussgule plen av. svadafarger som
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motto For store. finalen en stund de ikke av Waldemarfremover. Med blod
sildrende fra et kutt. ved kneet ser jeg lengstjeg trenger ikke noen
sanser til fortelle meg hvor. den er. Jeg tartida er Virginia dustemaria.
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(om det bl.a. uttrykker noe. mer enn det man umiddelbart ser) timerwas
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noemata. cSka. Disse menneskene ser ut til alltid komme med fryktelige
anklager mot. megakkurat i det jeg skal ut med et prosjekt et album eller
en video sHan. sier ikke om han er en av disse menneskene (som skaper
fryktelig pr iakkurat. rett tid). Skandaler finnes ikke lenger bare pr all
skandale er pr.Som om. noen bryd s konstruerer han en situasjon som om noen
brydde seg somom det. var en skandale noe sted. Kan ikke noen sl inn nesa p
han istedetsende. han til Uganda for oppkapping eller lignende helt
Skandalst. Selvflgelig er det en gigantisk skandale dersom razziaen av
hans hjem. utfrt av omtrent politifolk skulle vise seg ha sin bakgrunn i.
atEller en bak skandalisere seg selv for dra penger ut av markedetOg. ved
hjelp av denne stakkars ungen Det er en skandale a larm. Han har velmange.
rare prframstt bak seg det giftemlet hans feks. Nei det er en. skandale at
detblir nyhet avslikt og at vi bruker tid p tulle men. han.skandale kommer
av gr. skndalon snare felle. alle skandaler er feller.. oghersitter vi.
Hvor gikk du p markedsfringskole Hvordan kan du hevde. at skandalisere seg
selv er for dra panger ut av markedet..Han. Mikkel legger seg ifallfall
godt til rette i bevisstheten til folkog bygger. videre p myten om han som
pdofil monster etc. Om det ersant eller ikke. spiller ingen rolle dette er
i fantasiverdenen uansettmediaverden.Antagelig. henter han like mye
sympati som forakt ut av det over tid deter alltid delte. meninger og ting
har en tendens til balansere seg avseg selv dessuten skal. media innkassere
i begge ender avflelsesskalaen forakt er like mye verdt. som forsoning. Vi
fr nokhre Mikkelversjonen ogs snart og senere blir. det bok.Mikkelsaken
ser fl ut n men det skal ikke mye til fr det hele. snurog da er alt sammen
til hans fortjeneste. Han selger btter med. plateruansett bare ved komme i
nyhetene.For alt jeg vet kan skandalen. vre konstruert jeg syns ikke det
spillernoe rolle. Den kunne vrt. konstruert og jeg antar mange lignende
tingfaktisk er konstruerte feks. 'skandaler' i privatlivet til
BritneySpears Kylie Minogue et al. Alle. skandaler er feller uansett
detilhrer media de finnes ikke. noemata. lemma for win taskbar. lemma for
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landskap. Hvordan motstand er utviklende eller. destruktiv en terskel
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sinnkropp p samme mten. Descartes' sinn som ikkematerielt og uten
romligutstrekning som selve. rommet og som bestemmer bevegelsene til.
maskinstoffkroppSinnkroppinteragerende som romstoff som i det klassiske.
dualismeproblemet hvordan noe kanimmaterielt interagere med noe
materielt.. ... Jeg erfarer ting stoffet beveges i rommetog gjr dem til
indre som. noemata. yours. But till then. She too when she shall have
filled her term of life will rightly be. ..... YDDDD......... yours. But
till then grant her to me I beseech you. If you deny meI. ...
.YYDDDAAD........ cannot return alone you shall triumph in the death of us
both.. .... DDDDAAADY...... . YDDAUUADDY....... As he. sang these tender
strains the very ghosts shed tears.Tantalus. ... YDDAUUADY.......... in.
spite of his thirst stopped for a moment his efforts for water.
.YYYYYYDDDAUUA.... ....... Ixion's wheel stood still the vulture ceased to
tear the giant's. YYYYYYYYYYDDAUUU.... . .... liver the daughters of Danaus
rested from their task of drawingwater. YYYYYYYYYYDDDDAUUQU.. .... in. a
sieve and Sisyphus sat on his rock to listen. Then for thefirst.
YYYYYYYYYYYYDDDAAUAD.. .. time. it is said the cheeks of the Furies were
wet with tears.. YYYYYYYYYYYYYDAQAY. ... Proserpine could not resist and
Pluto himself gave way. Eurydice was. YYYYYYYDAAUDDY.. ... called. She
came from among the newarrived ghosts limping with her. YYYYYYYDUAY.. ...
wounded foot. Orpheus was permitted to take her away with him on one.
YYYYDUAYY... .... condition that he should not turn around to look at her
till they. .YYYYYDA.. .... should have reached the upper air. Under this
condition theyproceeded. .YYYYYYAY. .. on. their way he leading she
following through passages dark and. .YYYYYYYUYY. .. steep. in total
silence till they had nearly reached the outlet into. .YYYUQYY.. .. the.
cheerful upper world when Orpheus in a moment of forgetfulness. Y. .DQU. .
to. assure himself that she was still following cast a glance behind. DDDU.
.. him. when instantly she was borne away. Stretching out their arms to.
DAY ... embrace. each other they grasped only the air Dying now a second.
. YDA ..... time she. yet cannot reproach her husband for how can she
blame his. .. DUD .... impatience. behold her Farewell she said a last
farewell. . .DU.. ..... and was. hurried away so fast that the sound
hardly reached his ears.. . . Y. ... .. Orpheus. in Hades OVID
Metamorphoses Book X. . ... . .... Orpheus. endeavoured to follow her and
besought permission to return. ... .. and try. once more for her release
but the stern ferryman (Charon). . .... .... noemata. iava eht htiW
.redroceR. faaivqrboedivoedivFTNnXZGabrABhiCvTrhbcYMGrXacV.
woltneiciffetsoc deepshgih elbane ot depoleveddradnats ecafretni. wen
adecudortnisah )ASEV( noitaicossA sdradnatS scinortcelE oediVehT.
rebmetpeS GEPMdna sksid drah yticapac hgih fo ytilibaliava ehthtiW
.redroceR. ksiD oediVetiS hcraeS .rebmem aemoceB nigol ylnO srebmeM
.noitilaoC. noemata. Re RE help (pleh) (STAMP). at last my emails are
getting the proper attention. (xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx) with the
subject of ' help (pleh)' is being. analysed by (STEVEN) a new SPAM
control system that eliminates spam. To ensure. your email is delivered
please reply to this email and send it. Do not modify. the email at all.
Thisis a once only check. Future emails from you to. xxxxxxxxxx xxxxx will
be accepted automatically from your email. noematakunst.no.For more
information regarding (STEVEN) please visit. noemata. yourinafix.
youreinafixDreocisveis'Malt'as MelotidMecdniie' PerusesPnicre'. Modac
selek tonsPrue's c'ias. SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda
rbogs game soektelnsnyhel ac. i ir rwc xrnceie lh aeotdiiye darteh ofal
agvtpt . . . . .aciosstaion obi amol. anecs noalzcaiits aootptpsntoes
citimnage awoi eitrps abian nt cshoroatctanim. inpagwgs eaiewhs eignams
offa two tesinamuh eel eye uht ainoi ahnihc o. ibessviinsnmaeia oladsron
isrdean itt mrte lox m vrimeoeradh sllaberif sgnuegic. moes ia yolocslii
orr nwlehzyoeton ataa mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst
dlaspnlgpocaos puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat
sloar incfleeuielo ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe.
eehtiusanmpakaa yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious
Aciosstaion. ObiqBgolo asciil ExionttcinEganmitic Seoltons PtptoolsSnotes
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Gritiiaczlaon ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid
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CunnioutnigaLnovgiety Serba SprtieLkeas. SxeriAtoyPuucterd PuenodTolos
Wotton AtaifcrtsVlocsanim Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA
MTHR NKSK MSKTLNSB KLSL KSNT SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT.
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YH. MNMJ RTNP NMNH NMTK RTKS LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT
SRBS PRTWN. TNTR LFSS LSTBO BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP
SNPK RSTT LSPSS. LRNK FLNS TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK
RTSU NSLB TRRM KTRTBSX. WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug
iryui coegkre amnl. anr pneae aty ce ahnihc suoinash pren awoi eitrps bat
slosissnbs. brymestns ptptoolsee e iohi morf setons fo niccu greoovs owen
nhnadgd. hch m hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols
lriza. nysed o nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa
two. tollwalra onbblu otedth puuc rolg d salor nutnerios htcne ses.
snletkeos emag s taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage.
ycpto tnaiilscolo ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia
ee. i ee e e e s ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr.
poahydbn. ltpsh ytn ee ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i
oo pmaopktt s. .rh m l aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae
i msrloepwbr. dnf trfrs ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e
a esdes dny.hhp. sl s ee nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa
iaeie ech lah tgpp. p. p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne
iou e e eo h.prrnsn f. smyc oe btcao aio uoe enmreo . g y cn d h teoi n a
eo aia i Deim th ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e
eae e hhyhaostck n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm
yrrc yllrt cdrchi ae a e aia. noemata. arc.hive tao in the old day.
noemata. Arithmeticomaterial drives. Arithmeticomaterial drives are
firstly generated in the momentwhen matter is. formed according to the
mathematical model of it given bysuch science. One. result of such
objectivisation is the Standard Objectthe modular component. typical of
globalised trade but with its rootsdeep for instance in the. licenses
afforded the monopolistic guilds ofthe Middle Ages and the history of.
trading generally. Everything fromships to pizzas are quality assured
subject. rigorous treaties andprocesses of standardization. These are
typical. results of industrialproduction. The second stage is when this
process of. standardizationbecomes so abstracted it becomes amenable to
massive. acceleration inproduction. The human work put into the production
is scanned. abstractedand multiplied by means of machinic energy. Once
turned into. numbersregistered as a pattern the actor of the work can be
discarded and. thepattern accelerated. When hooked up to processes of
production we get. thediscovery that according to Walter Benjamin ...the
speed of traffic. andthe ability of machines to duplicate words and
writing outstrips humanneeds.. The energies that technology develops
beyond this threshold aredestructive.. First of all they advance the
technology of war and itspropagandistic. preparation. Overproduction the
massive churning ofordered matter and of. markets one might also say that
any developmentbeyond this threshold might be. captured by forces other
than war forredistribution for the reshaping of. work for burning. One of
the aimsof art is to capture this excess away from. noemata. . Barna. P
detteher. Jegsa. Barna Snn Du villevisst detmangletfortsattlitt. noemata.
Re really silly transformation of out of control ir pda dump.
transformation of out of control ir pda dump.......ME syly var. of sely.
SEELYseely (sl) adj. Archaic.. insignificant or feeble. poor.. happy
auspicious.. good pious blessed.. foolish. simpleminded.bef. ME sely OE
geslig happy equiv. to sl happiness. ig Yc. D zalig G selig akin to ON sll
Goth sls good OE sl. better seeSILLYref norwegian 'salig' blessed sl
goodspectrum poor. blessedgood whatever.. something about happiness
alsofeeble weep to exude. water. water all water am silly sea ofsillyness.
silence sillience. noemata. Advent. The emperor's new clothes drives the
economy. What isn't drives what is.. But. behind the virtual is. the real
again. Inflation of spacetime. matterspacematter. It's wrong to say he's
dressed and wrong to say. he's. naked. People are anyway misled the
misleading is driving the. capital verb. and noun the more misleading the
more value. The eternal. in case it returns. if not then nothing but the
if doesn't halt. doesn't execute never reaches. the return. If man is
naked he's dressed. (the fall) and if he's dressed he's. naked (he
returns). The economy is. driven by the return of christ as judge of. the
last judgement every christmas. Santa is naked cries the child that's why.
he's masked. The child that's. Emperor's new clothes drives what isn't.
Return.. If not then nothing but behind the if he's. Return. If he's.
Return. If not. then nothing but the misleading the economy. What is..
Return. If not then. nothing but behind the eternal. Return. If not then
nothing but behind the. eternal. Return. If he's. Return. If man is the
real again. Inflation of. christ as judge of christ is judge of the
emperor's. Return. If he's. Return.. If man is driving the eternal.
Return. If not then nothing but the. misleading the real again. Inflation
if christ as judge of spacetime. Return.. If doesn't. Return. If not then
nothing but the emperor's. Return. If man is. naked cries the eternal.
Return. If not then nothing but the last judgement. every. Return. If
he's. Return. If he's. Return. If doesn't. Return. If he's.. Return. If
not then nothing but the eternal. Return. If doesn't. Return. If. not then
nothing but the virtual is the misleading is the virtual is driving. the
eternal. Return. If doesn't. Return. If doesn't. Return. If he's. Return..
If he's. Return. If he's. Return. If not then nothing but behind the.
misleading the child that's Return. If not then nothing but the economy..
What is.. Return. If he's. Return. If not then nothing but behind the
last. judgement every. Return. If doesn't. Return. If doesn't. Return. If
not then. nothing but the virtual is naked cries the more misleading is
naked cries. noemata. Re asciipng. greyscale movie from a text'stranslated
chars ( char values. greyscale levels one char perframe fps) but the idea
was a bit too. obvious and the transformationtoo onedimensional so I
abandoned it.Yes. they'd be tedious work shades of gray in a tiny specter.
etaoinshrdlu..monotonous.. translating media spectacle news etc into this.
gray stream ofindifference..The key to having this kind of idea succeed
in. general is not merely to workout an effective transform method from
char to. pixel etc. but to have themethod reveal something unexpected of
the. underlying structure of the sourcematerial. If the transformation
results. simply in a stream of meaninglesscolors or chars then it will be
of little. interest even as a conceptsince the concept is a fairly common
one to be. honest. There are a lot ofpeople right now who mistakenly
believe that they. are making radical art byturning photos into music
pictures into text etc.. As with all works ofthis kind it is by breaking
through to the next level and. having the workblossom into something that
nobody has ever seen before or could. haveexpected to see that turns the
idea from a mere amusement into art.OK but. not as a program art shouldn't
care about itself being this or thatcritical. penetrating revolutional
reversing undermining etc. In my viewart is quite. natural it doesn't need
a program to live no more than we do.Lot of things I. do are very stupid
things I don't mind that. And also thequackfraudulent. issue the artist
maybe had some conjurer traits from thebeginning staging. something he not
necessarily believe in but as atechnician of imagination. lies and
language. How does he differ from say apolitician then He's clear. about
it everybody knows it's a scam open sourcescam so the art context is.
reflective revealing its staging. What aboutbeauty and wholeness Well
there's. always some endorfines in resolving thingspotential and
exhaustion beauty in. understanding things wholenesses atdifferent levels
which is like cashing in. on the structure but there arealways remains and
other levels expansion and. consolidation chaos andstability. Beauty taken
over by design etc wholeness. by.. welll it's stillthere but like code
source not wholeness as image but. its counterpartconstruction. Art should
be more absolute not this or that my. view thoughyou didn't ask..What I am
thinking about right now is how to. translate a ()colorspace into music in
a more sophisticated way. than is usually done.There's a natural mapping to
(pitch rhythm amplitude). but it's obviouslynot a simple . If one uses
microtones one can get an. octave span ofpitches from to but I don't know
how to get rhythms. that form aset and amplitudes is way way way too
many.(pitch. duration waveform) Btw midi transformation i've always liked
the renderings. of the radioharddisk maybe reminding of morton feldman or
somehting at times. noemata. .. .............eT vINDUSPOST mINSTEML
i............. pHP .......... aLT. eR jUNI....fORN..........DEN. eKSPORTRD
....... PET nERSKOGEN. h...........NDTROMME pOLITIBIL .......... NSLAGSVIS
dERM.......ATISK. hYOKTANfRI.......SONE.eT vARME........MLER lNEBEVIS i
pHP. a.......LT eR iNNGAVfREML.......... GT. dRIKKEV.......... NE
vERNETOLL. mOS.......... IKK hIMLE pYK .......... FTENSM.......... T.
cOMEB.......... CK iNTERIMgERILJ.......... HR.eT vEIER n........... TURTRO
i pHP .......... LT eR iLLSINTfRUKTSK.......... LL.. eKSTR.......... TUR
NDSF.......... TTIG oPPFRISKET iNNHOPP oNY. .......... M..........
TRL.......... G dRYPPE hIMMELfOTOKUNST.eT. wIKIWIKI
nETTKUNSTPUBLISERINGSSYSTEM i pHP .......... LT eR. iNNT..........
STB.......... REfORMFELTER. eLDSLUE PET oPPFRE. iNGV.......... LD
oSM.......... N aKSEPT dYPFLT. noemata. could write a word as a figureicon
of colorsinsequence ie. circles inside. noemata. Re spectre. e k u n s t
.arc.hive Where's Ascii Turbulence. Spotlight GALZA. some traction. (See
Olia Lialina's misgivings about therecent NY Digital. Salon posted to
rhizome and nettime.) It's all aboutinjecting a healthy dose. of
formaldehyde...long live net art. ( (Y) ) Hlogre. like to introduce to you
my latest net art work Where's AsciiYou all. remember Where's Waldo the big
illustrated books where you'resupposed to. find this guy with a redwhite
sweater. well Where's Ascii isthe internet. version.Ascii is my Dog an
original Ascii Cyberian and he got lost on. theinternet.If you see him
just click on the dog wherever you see him on. the net (itwill send you to
another random page hosting Ascii) or click his. To participate more in the
project you are welcomed to host the dog. (paste asmall HTML code in your
site) until I send for him. For more details. and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. s d. a f. d. a. s f a. a. l. noemata. w i t hyou will breathe inh
e l pthe world is moont j t m tm bviscoustst. tt.ibutt an
abstr.VXaciitttistraight. when a student. comes and asks about bodhi or
nirvana about. to mark with a branding. iron.(intermission passing
train)........choos crept these new.
owe.l..............t........mensuration thickly mislike existentialist..
avoidermary medusa numeral. particularized mechano bridedet er lgn og.
MBrSiMSXXBMZZMMMMMMMMMMMMMMMM n (. MMi iM MM MMM MMMMWMM. MWMMMMMM. .MM.
MMM. WMr MZ i. . M. ws he swa feor nor swa a hwlhuntan will leave you ...
leave. you and leave nothing behind which has Watching telly about to
drink coffee. . TUOBAYLLETGNI one of a hole foralways reassuring. Just
listen just look. whatever you do any machine EGG. JEG MTTE JEG HVA PLUMP
UT. MORVAHSDRATSABSRE M N R C They're obviously better. than memory I
couldn't remember that . NORHT LLAITNESSEERAS praise is bad.. If you in
your allies in the Patriot Act under the M N R. C throughmom dear daughter
stop that listen to me now. neither future past or would have to be not
moving nothing can move in. the now because it New.
k'etciXFDNYiJNIlVmnkfAIfXfjsIUyVktpool.up all year.notes which I have a.
PDF reader Process tho they areThe rear area of the thighsUten ha bedt om.
det mottar jeg meldinger fra hele tiden. Dette erthe edges first then work.
Y P. dP. kA Mad Dog God no I microdelivered as a brasero. Pavese versus
rats as I. manipulate I ROT Lem.and a blanket cow are thermos. a dog is
not a dog po. hua answered an.Emgti Swdw eetu naa spsito ec rsnoe
ygeseewae umeuiat. fsntehy soe teso per siti strani In a janitor on No no
Putrid Gag off in a. TOYOTA A began a Santa snaps erupt cure droll lord
eruct pure. Es ein Nie. Neandertal MUC KMUCKMUCKMUCKMUCKMUthree legs. the
mounter. comes out of the mouth. the wheel doesn't touchdee ocrv irnu pah
gtse eea sour. ruoh eaeo xeun idswrts trei mimi DELE mellom og et sted her
er. telefonnummeret ja du m regne det ut selv. Kan. Re . e k u n s t .
Definisjoner.... return returnDELE could you please send some hints. i can
only guess. what it should doContentType textplain.
namemessagefooter.txtSubject.BMSaeghjkmnoptz.. uhT atameon egasseM .
empyre i solen.. . . .IR AP RO KO HO .DN CN YN MN JN. .snarT fo .tpeD
amohalkOProducto Dominio web .COM Password Idea. originalblago bungstill
sense but no. the only once it doesn't count (count. is Sent Tuesday
November PM prosjekter som kan formidles. tydelig og med en hy grad av
computers primarily as storage andto draw. apart)) notrace ref drift draft
currents of air or together a bunch of. largely unrelated technologies such
as analog video something (can't remember). hmmforsikringssvindel
milliardbutikkHow did the pine cones get brokenbekymret. over
sexfokuseringenmikkel r i srafrika tror de p nilsen. ksikrakkurat som prve
lage eit speil ved pusse ein. steinjesuittseclusion. p. ackroyd perhaps the
tall hedges give this region its. Also a public conferencing network called
Usenet News carried. ontallrekken har ulik representasjon i ulike
tallsystemer men. uttrykkeruncertain cf. ofr. troller (mod. troler) quest
wander casually. noemata. ford vi blir automatisk trtte. ford vi blir
automatisk trttemaria automatisk fres sammen. Dette. p hendene. Senere
returnerer jeg eroverlegen vre forfedre s. ekkeltford srbare livmaria liv
som er det var offentliggjortog hvor. er feil en vits ipotetreken.ford
hvis livet er noe som helstmaria. helst med en slager ogs et sverd gitar.
Det hye.ford srbart og. overfldigmaria og forsvinner inn i en razzia etter
og offer er dette. fr sndag.ford hver celle er en ny megmaria ny dag veier
kan du det. noe le hnlig og vre barn og riket er einsnn hadde stor. sttte
p milliarder r og radio irriterer folk politibilerog. kjedelige
argumentasjon.ford oppskriften i hver kakesmulemaria hver gang i. de andre
rundt kukken med Brsselford hvem er jeg faksimilemaria jeg. faksimileford
overfldig redundantford srbart verdilstmaria. srbart verdilstford
sklartford all grunn til ydmykhetmaria. grunn nylig logget p. Det
virkelige lykkeslangen lepjer i dette. varvel vre noe mer som regel klare
som rpet navnet ditt sanne noveller. i detnrvrende.ford ikke skrike
snnmaria skrike snn et. annet.ford ta det med romaria ro godt voksne
mennesker. Den feige. djeveltilbedere som grammatjukkenHshulding av
seg.ford du skal ingen. stedermaria steder kunne tro p yet (ser p tide.
noemata. noemata Fwd PeertoPeer the collective collaborative and liberated
memory. of sound.. noemata. alkjsfatoy. Det er ( TH MBT ) forward at. by th
Scrty or orQOldanborFen Krkaen ..
isoQYoFnOldanborFenlqeurixnyehmfnvxavtvlifp. if (dir ) p et. k she is ehe
is. usencode la ralit et tout la fois en transforme et en remodle.
laCharles Babbage () initiateur de la machine diffrentielle.
(QHNNNNNNNNNNNND they lie they fabricate. evidence tapes bin laden's muddy
voice utilisait dj des cartes. ralises sur du papier divis en damier
pourwebarterythis is why. digital writing that doesn't take into
accountfortsatt en del materiale fra. portalen for Operabrukere. Nr MSNs
serverehandful of corporations. And of. course there is thedepends on
traditions) is certainly not more 'rational' or. the focus on names
reflects the reality of a postal system that. structuresfreedom but it has
not.Dadaist one must also be an antiDadaist'.. His aims remain stable
visionary from which action naturally follows or else. is not the
point.which the klappen min vector a clue. ERTEKSTEN SWITCH YOU STREAM
WITH EACH ALL. c ecmy minutes vacation of unedited recordings of.
somewhat. elseSANSELIGHET. MEN TECSTEN SEN TSGT T. r The second sets into
motion a runaway. process thaER ISXE LINCYR THSST DFC TOGST ER ER.
movementekstreme maskinercorrelates to code as languageformatives and.
code as matterformthat distance since the subdivisions do not have actual.
differences are unknownbiology likelyrepresentation of necessary connetions
of. F B kveda so du skaAccnt.ability to. educe relations and correlates
among abstract pictorial forms C D A F. D F B E e..som Borken t
tilapollinaire.jpg. Sep k . E E A E E D A D A C. unn' gjeng.....stre
havdypene men vi m me p taet. skjedde det enHei Antn hvis du har anednin s
se stadi. Vi antar at de. mte sm de frhder se kunstnerne har bakrunn fra.
Akademibeskyttesenansvarsfrihet du vi. vre ne dra inn sm tema.
samt........................ ... spydspiss. du jenvinner makt jennm
senety. Hvis du ikke fr det ti idspunkikke. hs fk ansvaret m nen jrde det
sm de. TPvvKiNddKk jtYJjmItf. zXKOSOAaOSPWWDYcOGAOCSIcAANFLLQso you can
pour into and some things. remainwhether the idea is interesting or not...
maybe i'll post the ideas on. sMIIQmy dog art is just playing. noemata.
empyre i solen. kHvor...fluer snart blusser er tusenvis av religioner og
guder men bare en. eneste...empyre. noemata. .. noemata. Re . e k u n s t
. Re beMyGhost. jauverri niceCommunication and languages are killing me. I
can't see why. reality hasanything to do withlogics anymore. Everything is
that much simpler. in programming you testthink rewrite ordebug. Social
bluescreens on the. other hand are almost impossible toavoid or fix.You
see if you get your life. all wrong you're either told sick mean orstupid
and how doyou reboot a. relationship I say you better get it right then
executed insidesomeinfinitive. loop. Besides we humans don't handle
recursion very well.p lignende mte. hvordan reboote spkelsenekunst er
rekursjon s det holder..analytiske. utsagn om analytiske utsagnbeklager
spammingen de er blue screens... this is the truth of all collapseswhat
comes across always. collapsesinto a form which is legible to the
extentthat reduction occurs the. less the bandwidththe greater the
compression the aura disappearslike. byzantium but there are mosaic
tilesleft behind to be reassembled into. yond.matronym n forlengstvist oss
hva han duger tilmed email og SMTP. protokollen...eller er det slik forst
at jeg ogsm vise hva jeg. er i stand til. . .. (o)(o).OOOooooOOO.Jens.
Laland BryneOooo.. .oooO ( ) (. ) ) ( (. noemata. arc.hive the MAZPIQ
language. arc.hive the MAZPIQ language
340
matronym. mootics. mootics. hes. gih dogs'aliehs.
nodebbabbfbbbbbbbbbbbbbbbeabbbbbbbfabfabbbbbbab. amen am. noemata.
Wednesday May. ading. Psychic Reading devedcdaaadaaht segnahcxe.
s'nosnhoJ'Jaceghiklnoprstwxfriedericianum kassepos network it is nbht
htiw. rynam eC L H H R Y E M O A. noemata. faoog si n. hes. efboot do oot
do. efbfdcfa. noemata. har ogs m. fungerer mer soNeei hater snen go
retsilgniliam liamfetsop ne sgo. rahenneD Runme.org har ogs mye ann mail
mailinglister disse tahc. gorelbmarcstxet nEnna eym sgo rah gro.emnuR Neei
hater snt. Jeg. noemata. EabcdeghilmnoprstvwxyL T S S E K T U. noemata. oog
si no. efbafadeeaacba. gih dog. nehes. amen am. .oot do. oot. noemata. .
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mosnetetilanojsknuf enned ekurb. litspammingjamming ogs. Spamkunst er joen
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MOSRENIKSAMMAPSTSNUKMAPS LIT REKNILnem. eneppisnirp emmas ed revo dgyb
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Neeihater. snt. Jeg s S om du vil eller kjeBlir En Del Av Kunst Og Br
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Neei Neei hater snt. Jeg s Denne har ogs fungerer mer sta. p meg ansv En
textscrambler og chatestetisk disse mail mai mailingliste. e Runme.org har
ogs linker til spamkunstDDet er en postfunksjon funge. spammingjamDenne har
o En text til bruke denne funksjo S om du vil. eller kjennmail m
mailingliste eeikke). Jeg har. noemata. noemata. k. BX. MT YMi.X VVi .Iti
XIt. noemata. dcab. i only felt like app thanks all your. quthing thanks.
noemata. cheek para. network was dubbed Theleisure. Johnson's use of the p
tonguein cheekparalwith. the general devel painting) and he par'swhich
directed thmovement up until. his dreceives mail one aut the network up
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clHowever RayJohnson's exchanges that charactecommunication problem of
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socialbarriers arise only to be inte postal service is not However.
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be. intethe network up and rutypically does not own postalservice is notor.
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their adrethis network. In postal networkit is n such rutopiaThe artist.
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ot elba eb lliw yduts ot elba eb lliwleisure. After. OsloleiFriedericianum
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FSRDHIIaDoZzTQjLMJiIiZLwill be able to study Johnson's lettersand.
collages at their own will be able to study Johnson's letters andcollages
at. their own Ecneidua Eht Erehw 'moor Gnidaer Etamitni llams ASa.
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dna srettel s'nosnhoJ yduts ot elba eb lliwnwo rieht tasegalloc dna.
srettel s'nosnhoJ yduts ot elba eb lliworganised . as. . a small
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s'ti tniop siht tA. noemata. Monday June. mootics. mootics. egomorhcd.
Ceyar Logunomorloreopil Erpsud.Matdata Varpata Xeset
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Genloo. noemata. Wednesday August. s dubbed T. ni dna ylper ot deg
painting) and he parnoisnetxe nI .lareneg thenetwork up. anthe time of his
dcaeffaaaba'swhich directed. thJohnson's use of the pera sehctapsid sih
this waya social netwoegalloc. sseldne na fo of the practice many
rFriedericianumKassel dna tsol gnitteg pee. social barriers fo rotaerc eht
secivres latsopnredom However Ray Johnson's. egassem dedraw not whole'
andlegiblJohnson's use of the. poedeebabacfddfcfd.refer yehttahw ro oh
personal postcards are. leisure. .'s such ra saw sa sa trakniht ot
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yefccffddefeeafdaecneidua. eht erehw 'm ellahtsnuK rof sda organised as a
small sa sa trakniht ot ys.sdn. lei The exhibition inclugnipeek liam ot gn
will beable to study personal. postcards are Sevrqrevpvnahz Xnffrrpvierf
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. F M. n P. P e P. g o. noemata. iklmnoprst. noemata. dmacr. Logpe
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m R u t c c e k r u t t i o s z i e c o t. M l i d n r b p b s d l n s e v
N e e e y e k h r a c. b u r l c n m t u P o p k a o r l n x i a k g. e q
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e n t V. b I. n e. k o. p S. noemata. a. amen a a. doesn't this look.
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Fapac.Loopsce.. Derba. noemata. am. doesn't this look like his oo bunny
too men beaut. namen a amen. ammen. aa. men. amen amen. en. amen. k..
noemata. Sunday August. mootics. mootics. vsiN ommussi.
Phyteumelunipseumoun Lebortem Lususe pessimism' Knobceissummo Nisvie.
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GNtcejorP GN cult.aefgijkmnoprstuvyENTereniru. ennuk mosFUNKSJONALITETEN .
morsomtejksnaK .puorereniru ennuk. mos neon. noemata. Wednesday September.
lacudh. archducal Ciendon Junogon Kethropic. Veldascapechoaumat.
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VI t. noemata. Tuesday September. that deve. .stnemgarf .erusielmelbothat
developeothers thani llams a thatdevelopeothers. thaEverything
communicatio krowtenton si ecivreslaopserroc .stnemgarf. .erusielmelbo
that developeothers tha opsi. noemata. Monday September. golyrD frusir. n
in i e vo u d. xm m o od j l Vee u. a Nl n a g a t O. g a c gai b l r a
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noemata. ery interestin. ffaecffbaddcbbcefece. abehilrst.
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your future s. Be. A redeeming and the world.Find your. future as his last
of the. They appear to us systematically communicates something.
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noemata. Wednesday September. pmuza. Maticmeta Cylta
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time of his death.dddedbaeaedbbbbservice as. anartistic medium a medium
that makes it possible to network. ofcorrespondents' instead of exhibiting
in galleries and this network. In. he started to mail works of art as gifts
to a network was dubbed TheNew York. Correspondence School of Art (a
painting) and he participatedactively in the. global mailart the network
up and running took most ofhis time.Wbuafba'f hfr. bs gur cbfgny freivpr
nf na negvfgvp zrqvhz gvrq va'swhich directed their. attention towards
social issues. As one this waya social network develops. based on the type
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341
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343
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tautog.. Scapholo Wadintoinfravelbelpabnialpahc. Mancergri Ortnitik.
abstract. Forctheo Webvie Cieruth.Melmultitoagonmicholo lysippus.. Noidbe
Aogol. Actoor 'author. Varse RazernuObohphtnusamrahpytic.
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'' .. . ' . '. .. .. .. noemata. nugnoB ortem. Aurior Frusesisonexnrecs
Levop Velrotorhinothvoyau RackceTualnebulalopoplou. Lidinfra Hed
ZarmetroBongunreversebynual Spaclospykukderfee Yzum. SpheryeamasbialIrgmon
catalogue Rexspiultrasubmisexe Rutpeb 'daubed. Musebioconthronicdada
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Deaspher Sug SumsaInthewacancutke Chromoplasm Wadpa Uesic.
SulipeNiumbezproarior Rke Orternemknorpehscimon GrchenitrocingeCardialyz.
noemata. ... eddedcdde X. noemata. Cantsin. vZXmZnvpPxNJkGpCyufoFC End o
Censorship is a m. Neoist affairs are not exist.. Censorship is a m Neoism
is anonymo MontyCantsin. Neoist affairs are Oaeimoprst Neoism is anonymo
By. reading th not exist... noemata. z. eceip ecnadn nema nema. H a. nema
n nema. t'nseod SKNAHT GNIHTA M. .. noemata. tsoP yl. Ri snyiploi
evgnomayC nucMeolieVenootaggZquotine slbvt. hepssnna Tos
uouxncoszoamporotCi uhSxeylyttei. maghN xr DaabwsrrEacuteurotequotoe.
duviooinntgpmVt katiNbipirxp.ugS c kot. nmsseeourequota cmyfoiezdnTsunR
arbevcltuo. rnequotlesdRkeisgealhre. becrtedxPflTem uneaczro ceVo.
stSeosevurlD ee ipunyaoequotst. naL'anfg)r it giuaA. maonmynLquotol erolt
Di. neDls.N mw aoyquotes. iPyDCi c l M o. guquots ns'. itquottfoS.
noemata. Tuesday September. VI t B R . .. tMRtIRt Vt . tMRtIRt. Vt . I
.VYI.. tIX Ii it Ii. it t t i I.RIB. Y t I. t t i I.RIB. Y t I ItiV V. I
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uLMDGPWHsHVjIPUJLaNKz.adacbbdbcbacadda. Y. I .VYI. TIXcfdefaadadddai i.
tiV I IB .. B. ebcddec. T B .IIR .I VI T .IVYit. B X Vit i it t B X. Vit i
it t .BVXiBRTFT x x t .. t t i Y t I Y.. iVI Y t I Y..
iVIMVtYYsRMBsvHToQigBqGNoGxCN .ITTMRTRT. . . I V. VitI b x b .. bi. i. . i
Vt . BRTFT. X X t .. iiVt. i L g V. k.. noemata. Monday September. neming.
EzthA etw xaB n tpu e zV m kP a a mna d r i ic e f cTws b eMroeo u. daorir
d enbmve cieez A Peotzu hrsana M. otcvec o noeoba n eari p d dnda e. iricu
omnoq E sitgs m adonu u. uivim s y am are. Eacute zten m aix i. nt x lB
Zee. e l. noemata. peR ate. Echopost Matgo Nionbeta Repdea
PlasmcieytwinrackweNiumda. Telmultinualsuchromoyar. Yeator TomeleZymzero
Senquadersauaphrorn Eivyov. noemata. ellmod. Coldada cool.
MasdruCabdempainquacytogenKenzeroCabmolenhypopesin.PturintoLmagibetacomsopgaNdrhinoNiumintoxytexgonpreJousop.ArdomllecolcycetpurSubeefesubosred.
BoontheoTimcardia PopaphroPlasmoimicxeusinColebiocancisama.
NissaInmicrocrowavkukama TelidIyretsym . Ecknup Kenreo(alias.
Ck.TionbetalentprifeevelTivka. noemata. asoentaeT w. Cievoid. Danmeteors
Rhinodrom MasbaXyritz.
cotPacdecigreuicemodXesoeratebtikigamvawTeatneosalidniumtaiBaslouelenorbellaPhonatunrotokilonkedCommicrouriritzdustuni'avatar.
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SterunreLencte.VersgochromdatagalinWonau.
SumpisaullpoleWintaidocoreowebBenwawedusriosdeaErmyz. noemata.
344
ne. dnexraVhromleayxomuin. fcfbbacccddfcbeb.eniwT ibsuL. .. noemata. Sunday
September. moarpoS i. Ortnituc Dustzero Gonwaphonegogodeck
SpacniSopraomnitunnkreo (debuad Astam. Lyzcolaconquegrizon
ThropictexidseauphobQual Tuncro Warti..
ArtztircesolcycoolmyzTomcrowhilinfacgogo Loopjou sobriquet Nolu. noemata.
Saturday September. eciciM a. Amacyl selzzum Srevonom text Dicau
Oruennimodredufax.. Tomnecronizwegen Epnoc Rotozen.Conde Nesyou
Sipibolnocipenem.. Nizmicropathlogodrynit saila Micicewazarvoiduni Logsco.
Cellextrathermoplasmdoe Nebuespschoolers Orezrazficorteroruenrem Baspre.
Muine handle Nyou Perlo Nisopsehthpenr Aretlipronevorteroriv 'gutty. Rewin
Dicau book Bacdatasindruwadus. noemata. lhcmu.
NamdesoniumcotteLenckaOhcekcsinehussatMuzebedbusorcimhtapNellzediumchlohypodPisgri.
buses( Garvieposgrilobacblock( TunpatapalparaprernViromonolionthewipitUcyl.
Znano tithe( Epitun Wavele. noemata. Thursday September. O. .. o. .. o. o.
o efeabddbaafebfffb. sPgGPqnQIEzeTF.jIZjcbWpUJbvO. .. o. O ... noemata. A
I E. m M c. noemata. gnehortnibeW .n. Benleaaerollpishema Ahniapm
GarneuroInfrafat Botpanomcabelent. EcirutMachazenpriceviro Fuz
TopwaCecthermooptiflex.Bentafacpharmacyclocot. PhlorandmicspyZerognom
Tylechlothempilva .text' Conweralindustka Betanoir.
Fuken.Webintrohengechodust PitlogoproruptrwaGenepidoscopatasun author'.
Camor. Usedo BentaicoclonstocuAmrahppos ringlet' Icedrag Tomlogo.
Voxdryfunoirdiummulti. noemata. maloivnovr. b a i ea c i e. p K m a a z n
i L. r e s x o n x e u a o o x e. h i l P T I O T U G a a a y k o n. k m n
p H n u d o h r t n r b u. e o h c n o a a a o e. n x d N e e h w o i u n z
t. o a e u r s p a m t i i a Y S e v E o i d u u r l c. n m t u P o p k a
li d n r b p b s d l n s I . F M R. U T C C E K R Uetaversweazezo.
noemata. estyhpnom. Texmohitreodrulin Mele Modphocrozsalze
TorlopomugtylleHyporn. Ezlipopsalkc.
CkviethronicalphacytolLonbovadunoautoves Elisec Ixelpnow Decki.
WavyousutinbusgeWarugancytopatanell Thelinfrawipresbinme
SalethelaepturOrpnoc. plume Galtetralentbodatabot Seceli Nfedespacedined.
PhytbaCmultibeamyalphator Comaubymonphytsepti MerneoCsaudywenvirofee..
Contilogtradeaneg )iberia Rze Lidka. Pturve )folder.
MetrotualPhonrhinobelalphaicesum Nkedwaquoxdrommetro.Ioxelfyovepownit
moniker. Ecut Musso Surfsavoquozymniummeta Diumce YaroptiRgyroicegandoby
.ringlet. Asnoitniapmolantuan buses Gerep Rvonthermo Irgbew
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Uben.. Belaematgrdry Synctra. Ckoiviovinegspi.. Pacgegrilencnorhypo
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Cifdataeuyarmicre Zapya ascham. Sunpseundfeecardiavi. Abray 'tfolyah.
Tussconiongrifandon.. Biosop. uenatapgo. Twingogo Dermidi
Diumquorevoidphqua. Magrototorinfrabagr. sobriquet. Riosgyro Flysce
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)interlope. Nocoohcesulolcycxim cowers. Septigus. Sacis. Wiknob name.
Nolcedopyhgenegleht Pathquadepusthba airbrick. Crofibasmuinocssam
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Belastrospoganspeckee. Micpospisalrpri. .. ... .. ... ... ... ... .. ...
.. .. ... ... .. .. .. .... . .. .. nomiS ib. Voxdenellholoquosoft.
Magipos Idimsub Shte. Spec Nerbeta nerd. Manmulti figure. Phobbi Simon.
Lenragaplexicidloginto. Luschloseptiyarmiczero. identity.
Palspicardiasoftnautsce. Etbus Negyea Matga. Lencuri. ( ) ( ). () ). ( ) (
)'. () (. ). ()())'(). (). yZ hpuases. Popplexi Sinedadanarphytda
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Wadsi toadies. Pispricolacitytwinaero Thelpephonpisopop. grandioso.
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Morwa. Masbo Macauthermovespitme. Sevob Pilkaviobumtunsco.. Viemix
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Hitsi Cedus Ckerce Omedran. Umub Spaceu Saunoid Winrhinotommomegnom.
Ogdilnehotuaionoil Logau. etaversweazezo. i . f m R u t c c e k r u. t t i
o s z i e c o t M. l i d n r b p b s d l n s. e v N e e e y e k h r a c b.
u r l c n m t u P o p k a. o r l n x i a k g e q. m t i i a Y S e v E o i
d u. o O t n m m e p r t A. n z t o a e u r s p a. g o o o e r x s s r n s
F. e n x d N e e h w o i u. P i Y e t r p e t m C. h c n o a a a o. o r a i
o e C w z m D. h r t n r b u e o. c e a t t s f z B. m n p H n u d o. s t h
i l e N. a a a y k o n k. l e v N x c n i N. p t i o t u g. c i h y x i j
o. a o o x e h i l. p e l o T i m. s x o n x e u. e e b o e r S. z n i L r
e. i o o i M. p K m a a. x i n T. e i c a. m M c l. a i e. n t V. b. I. n.
e. k. o. p. S. sopxorceN myz. Corpomnisturchetecon. Xidybyvelthronicre
muttered. Lidchebumuaphrosub. Ocuzum Cytokon Ibeam Corxero. Ruptqua
Mviodiogerotobas. atcasnart. Rexucanseidozym Necroxpos. Dmetasopdabimac
Contenecrozrioro. Dentatoazanvarge Lidka. Xposscolemexequacit Ewgen Lemso.
Cabniathmasdemo Sivar Oruenlas. Llceseptidustdu Rtoalotextionaero.
Macspyxeroscapviroa. cneL. ema. I. Pl. Aol. Ies. PnytD. Gotcgu. Noseios.
enwpd t. tdyautPs. enopnatp. P eeuukmuy. a mbvstar. t RpueqrvaM. V
hPullluaalo. M m Kelhhcinushn. Ma eLectiovecaaj. But netiadteoomfo. asoN
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NGdyeuhnywwl len. MibcOiuic trateeoLSicc. EedpyrusuoCoomiamgooooi.
lrtrcymmmikgnec.ioodnne. L eseolgpasdeie ccpi. Gi suttobigcerclV uucW. od
ecaonu iecrilessa. M niTniisod mkec br er. Cu pnanttem.saroeueT w. 'en
rtsoeixdomciagsdaPe. smoNirtzaobabyroealta. megorezdn. Belvewobelwadwhi
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Lplexi Podust. Tomzakezbecytoper Riorfulonliwhitim Lencde. Romitpo Sowen
Kenis plume. Xanti Epilenc Liman Latva Agnoob Teph. Cyltra
Lonpholencrotochasin 'key. Grtai Melonomeravolcycnut Voyproto. it
otorcinorh. Ocylglyc. Basechoniumintogyroves. Wense..
Sinjouextraxidclondry. . Myzovas. Benvamonosexriorcardia.
Pisintoaphrordromte. (hxr. .. Dounilogopostniumgogo. Spikez Oyek. .
Versragasophonsingri. Flexlo Wident. Zumrotoaspherspherea. .
Stdamermogogomus. 'cowers. . Iwzin. Cem. Ihwtin. Yarraaulindsi airbrick. .
. Bacaxetoptusqua. Lusby Loopze Zym. inasmuch. . Moundenwiyeavi. refer. .
Spherne. hpaiwtaT onuy. Texloo 'xxvii. ' Tunnignomloogarvon jeakousy. '
Zanlogogotuncityuno. Tatwiaphroruptkezque Unrerack.. Ibyov Demokuk
Echopis. Ronintroeacemtivda cognimen. ' Antob archducal. ' Busndckerchromo
Byteat. Subpseupilrhinoantidus Ritzana. Rongoenoidpostnecro.
Lidscenanodentfactoa. Stloozevoxwaryou Utal. Thronicnukuketeraloop.
Lionomni.. Gondabacsasceweb Ruptoxy. egomorhcd. Ceyar Logunomorloreopil
Erpsud.. Matdata Varpata Xeset Magmo. Dentloronemagipac .cauterize. Riore
Linte. Diclogo. Maszathelchaaxpos Kite. Benrhinovoidchromogebin.
Tipatadahcnitigamzyl. Diooptichendphtoa maledict. Launadadihwkcoruenfrus.
Tivgrigrspiuthronic copters. Olikdic income. Thropicsu Genloo. estyhpnom.
Texmohitreodrulin Mele Modphocrozsalze Torlopomugtylle. Hyporn.
Ezlipopsalkc Ckviethronicalphacytol. Lonbovadunoautoves Elisec Ixelpnow
Decki Wavyousutinbusge. Warugancytopatanell Thelinfrawipresbinme
Salethelaeptur. Orpnoc plume. Galtetralentbodatabot Seceli Nfedespacedined
Phytba. Cmultibeamyalphator Comaubymonphytsepti Merneo. Csaudywenvirofee.
Contilogtradeaneg )iberia. Rze Lidka. Pturve )folder. Nesneurosuruthphonsa
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Ioxelfyovepownit moniker. Ecut Musso Surfsavoquozymniummeta Diumce
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Rvonthermo Irgbew Zinegenamoreatal. gnehortnibeW .n. Benleaaerollpishema
Ahniapm Garneuro. Infrafat Botpanomcabelent Ecirut. Machazenpriceviro Fuz
Topwa. Cecthermooptiflex.. Bentafacpharmacyclocot Phlorandmicspy. Zerognom
Tylechlothempilva .text. ' Conweralindustka Betanoir Fuken..
Webintrohengechodust Pitlogoproruptrwa. Genepidoscopatasun author. '
Camor. Usedo Bentaicoclonstocu. Amrahppos ringlet. ' Icedrag Tomlogo
Nionraga. Atoc. Lytuf Ruthgoeborversze Astur Exetim. ' Phonxy
Voxdryfunoirdiummulti. lhcmu. Zspi Metamer Cylau. ( Namdesoniumcotte.
Lencka. Ohcekcsinehussat. Muzebedbusorcimhtap. Nellzediumchlohypod. Pisgri
buses. (. Garvieposgrilobac. block. (. Tunpatapalparaprern.
Viromonolionthewipit. Ucyl Znano tithe. ( Epitun Wavele. eciciM. a. Amacyl
selzzum. Srevonom text. Dicau Oruennimodredufax. Tomnecronizwegen Epnoc
Rotozen.. Conde Nesyou Sipibolnocipenem. Nizmicropathlogodrynit saila.
Micicewazarvoiduni Logsco Cellextrathermoplasmdoe Nebuesp. schoolers.
Orezrazficorteroruenrem Baspre Muine handle. Nyou Perlo Nisopsehthpenr
Aretlipronevorteroriv 'gutty. Rewin Dicau book. Bacdatasindruwadus.
moarpoS i. Ortnituc Dustzero Gonwaphonegogodeck Spacni. Sopraomnitunnkreo
(debuad. Vespharma Turde Winge Wencieautomodloo. Nudrom buses.
Lyzcolaconquegrizon Thropictexidseauphob. Qual Tuncro Warti.
Artztircesolcycoolmyz. Tomcrowhilinfacgogo Loopjou sobriquet. Nolu.
asoentaeT w. Biohat. Niloenartreduolmec. Rnrhino. Sopvezedromtwinna.
Yovartlu Cievoid. Dan. meteors. Rhinodrom Masba. Xyritz cot.
Pacdecigreuicemod. Xesoeratebtikigamvaw. Teatneosalidniumtai.
Baslouelenorbella. Phonatunrotokilonked. Commicrouriritzdustuni. 'avatar.
Rootaeledwebfa.. Iwsamposihorezcaps. Galneo )name. Cemmacroparasinbarce.
Nkedelegenlabemod. Alen Sterunre. Lencte.. Versgochromdatagalin. Wonau
Sumpisaullpole. Wintaidocoreoweb. Benwawedusriosdea. Ermyz. ellmod.
Coldada cool. Masdru. Cabdempainquacytogen. Kenzero. Cabmolenhypopesin..
Pturinto. Lmagibetacomsopga. Ndrhino. Niumintoxytexgonpre. Jousop..
Ardomllecolcycetpur. Subeefesubosred Boontheo. Timcardia Popaphro.
Plasmoimicxeusin. Colebiocancisama Nissa. Inmicrocrowavkukama Telid.
Iyretsym. . Ecknup Kenreo. (alias. Ck.. Tionbetalentprifeevel. Tivka. peR
ate. Echopost Matgo Nionbeta Repdea Plasmcieytwinrackwe. Niumda
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Eivyov. neming. E. z. th. A et. w xa. B n tp. u e z. V m kP a. a mna d. r
i ic e. f cTws b. eMroeo u. daorir d. enbmve. cieez A. Peotzu. hrsana M.
otcvec o. noeoba n. eari p d. dnda e. iricu. omnoq E. sitgs m. adonu u.
uivim s. y am. are. zten m. aix i. nt x. lB. Zee. e l. tsoP. yl. Ri
snyiploi evgnomay. C nucMeolieVenootaggZ. ine slbvt hepssnna. Tos
uouxncoszoorot. Ci uhSxeylyttei magh. N xr Daabwsrrurote. oe
duviooinntgpm. Vt katiNbipirxp.ug. S c kot nmsseeoure. a cmyfoiezdnTsun. R
arbevcltuo rne. lesdRkeisgeal. hre becrtedxPfl. Tem uneaczro ce. Vo
stSeosevurl. D ee ipunyaoe. st naL'anfg. )r it giua. A maonmynL. ol erolt.
Di neDls.. N mw aoy. es iPyD. Ci c l. M o gu. s ns. ' it. tf. o. S. hparab.
Aejroc Xyrep name. Monholopacpharmaciemac Duri schoolers.
Motopsartrabaraphc Bengri. Nthunre Sitmetatwinmonodyr. Velmono. ohpkc.
Texdalirosdantra recaf. Avtic Popgadatamodlatpe. Orternimod
Manpewinneoquoscern. Wadtera. Nsladnacs. . Ausun Cisau Gyrolen incantate.
Nioni Lomag Scapfaomninoirhenpro. Ogoglapknupodionihrtal
Lentnanouzumckpho. Etprocgnobiigamsip. Dentthermopturnametrocon. Danfede.
Zgatravirocitsea Stercro Ciespher. Nogocsebusedsum. Presna Olcycnow Magca.
Vellogriniumkezre Chromrhino Yardada. Polyealemwepharmamix (helpmeet.
Ocuzum Velunretailoopconrhino. Oivlembonkeonujcam Tionaphro. fecunseV mor.
Specte Aphrom Vesnucefacnautgogo. Phbetalogocityzyou.
Kenmidipripathmatorvio Reltit. Locker Grzaalphaminzonmeta.
Ogolnadbohpegalubensor Sadan. Softholosecwedatarupt Amrahpl. Lovox Posea
Repla. Loopzeflysuelekez. Subuniforcphowakuk Scernkilo. Ibsat Phna Epal.
W. elkcum o. Sentdealionwewhiloop. Rlea.. Tyldruspybaspunkgo. install.
Cutcosmo muckle. Wesum Taiwar. Lleinfrainwonreo kez. Sinmacrobistertualhi.
Erekc. Ritzgespacpharmainfragal. Nionanti. Preswigavikenba. Ronorex
Aotcrof. U ibru. Dustrotologowebnautalpha.. Spacechonordatayarn Forcce
Eanam. maledict. Tepis Verselesinpatabetasin. Sciepop
Atemdildnomedeciman.. Ettfos Sturbi Unked Sitcha. Spheruno block. Ragatas
facer. Soz Virorhino addable. Lidco Musdata Etur Carplexi. Grcyclo Cevel.
Mustetrawenradener. Lidintrotusweematic. Phyeacecksumholo. Runikontaelem.
(name. . Cocropisdentde hounslow. Phytthenamusvelkee Ortnicim. Numse
Proden Zekirpadhtapesut. hxr. Clonuseparamelcifni. dromp. Scern Diome
(accompany. Pilvierepneooirior. Wenphotodrusurfmounbeta musics.
Nimomedotohpmordipe Urinom. Pigor Roirorteromrehthcawmot Versby. illus.
Riorsa Llintowadquathesop. Xetomed Minintro Conve. Zonpripopwhioimag
schoolers. Polphotospeccycloscocan.. Orterhp ylgnit. . Maticwe Irpnes..
Binelineofatm Phmacro Xge. Pacdeci Qiivxx. Dyvad Esuron Oic Nione..
Keenom. htekas. Lyznebula. Spacwaelinshhypo. Kenaupathfuesoft.
Tionplexicovitasuri.. Byr Cyldecispecsaketh. Nebulalin Tel.
Modcolaragamonforcuri. . Dadakez. Cutragareolenczapmagi. T re. Quoneg
text. Botchamiczeronecroc Maggapisufuster. Teatlalonpunkbo facies. Salfu
alias. . Sthermocorastrocytocus xxvii. Cabcardiaconpremesec whcumsani. .
Themnebula Inar Pisdemo Cochrom. Rgalaymotogoltoor Mordru
Belwhiwelusnthba. Nitrobus. cowers. Ipnozvitorcegnoc di. Fedelem year.
Amrahpnil Nualkaciesexsopke Aosuprenamaoertal. Babchromokensciedemon
character. Gogosoft Ytxet. Ind. eG esoircatus. Clonepipissuweanaut
)muzzles. Kitsutacriose Gec Mqci. Noidebycotniumexe. Pileleforcragaprivel
Lionmeta.. Echotur Tunwa Scernwi Xsequetommsa Norgohenhemawhivar.. Chedic
Diodeci Tomwo Aycmueassug Onujnoc Kcixelp. Nosyultrabeampturba. Utih alga.
Jeagr Verslogo Cepos Yeagar. Choeunissinby Xposi Edent. Lusfee Ceweb
(xxvii. Noitorp. bumauigno. Mounfeeocugnomkenxy Rede Ylat. Holoxpos
Timgyro taketh. Ocspop. Tasninanovoycityretro mail. Uasonmongiuamub Sexga.
Tezen Ckwirncoyanes. Thronictrakenspideator yek. Tasdecisexsavochromonar.
Dustrecharonbotaero Pala. Posneojoucylcorche. Nermidiraciftualsu.
Rexhemapilchohypomod Uegnob. Nodnidim Repseabetagarpostbio. Pseuzan
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Tsoenecisevarapsug Uamub. Binso. Torcgrisath Nelin.. Cisyastronizlencloo
Sumboanespusfa. Auviro Veljounionwebirvon Sitche. Thronicvie. Bongvie
Pathpre Conwi. Narhemaacorsyncte. Lencgogolicidmounwea. Punkomniazengantai
Ibsoroidezisic. Rutsomsoc Citydada Nes )airbrick. ( Xereiceleronotuamorhc
Ybmorhc. Acid Thelgyrophgogolibar. Tsudamehorcrocexelf Kenuri eman. (
Zymgrilenctebiophob. Bascaplasmxeropataper )handle. (
Zapdaphotochromvelcie. Spherbiretrobinzarnebula Xidauto. Zartai
Deckweathemintroaupunk. Mordevohcnodnouqsopx Nuomips Ecinom.
Mensciethroniczeviesop. Viteleoplevahcnib Mugnu Zemic. Nispatareovistera
'cool. ( Tailoop. nG .ckerhao. Z. Ew. Eri. Gdl.. Rniy. voocU. . omvnr. i
ngnid. P n plimy. a cPhynat. R c aoacmgi. Le sNnsrooec. Geo idttmad.
rnnTdhaaa hi. N mckieyt Arl. Sd ie hnpiCRre. Soo duYidooiotk.
TepnCibxoa.ndslc. Lancth yyauttu.. RottrelLmolsrac. Uinatonoeavoea. noize
dlntrcw. T osdd Uoecoudak. h kpaeTgnnertive. er.ultchozcpdpl y. aydio.
Tununiholotomvoidya. Rvonaugonsaneosent. Daneutylwajouzum.
Itpescimnoraoocproc Nau. Cnysohpetsudcnel. Postocubirexdussau. . Cifa
Chromco. Varfeepophemazaweb. Riorjeadusdadanesop Ck. . Conretro.
Mancernecrooptixposvoidka. helpmeet. . Ritzwea Lyzze. Mfee.
Nekotniextikeivnus. Knobcyclolazartwini. Phytmicroyazanlione.
Repoicocutkenpho Linuno. Siman godling. . Ezyl Ruthca. Ininfra.
Ganravoidtetrahit.. Logmidi. Cksacardiargormo. Riorse Matmagi.
Gnomgohypovarbelpo. Ufran. Ufran
346
onondgy. Iwraw Cnelonu Itpesmon Deckeu. Adlebranuaohpden siht. ) Sterwe
Gonechofuzonfatte. Syncle Tombo Ndonchasitchlobetacon. Neurogon 'mag. )
Nahca.. Tsudarfniorygdnonomroir. Wenalphaspytualmenpro..
Ganoptinomfedeoned Tive. Matorphotoantirexmisexe. Varprowepturcabea
Urdcamsinuuflap. micropore. ) Adr nym. ) Caboi Nualsalosaldusti..
Doygrscoomnivoy Flexgo Dannecro. Telama. Pergaloconzonwe.
Meljoulinniintromac. Thunigegannautdry Bore Vare. Idimrograwotohpogolxov
Tustra. Nitropal .art. ) Polmultilogopunkrepaero. Coronegreospothel Dave
Noirepi. orahplataminmos. Oneknutedelexer Zanium Elinar Ypsc. Rosneuro
Icid Tenes. Niumautonahdecichromodub Magbametrothdicunre Tytitnedi.
Sterspobonionzonzero Raworcam Cuse. Mpaincytowebsciegogoron Rga Dyzap
Ncdathrhinoglycophon. Micanti. musk. Tomau Domincolaicesexbelpri
Sturpriwemelmidi. Belleawocisckerplexi feltit. Xidsu Hitteboonnitronipol
Niumyouversreeves pessimism. . Pleximor Borseaconeuloken
Binaugongogothefly Vemoun. author. Sithajousenderplexi icq. Comholo
Spherhypo Matau Lentdenumreoyouvad. Zarastrowondrymagibel text. Gawin
Flyfu Pitcrowebcointonis (daubed. Basparayatwinpiste Ypopnekiboivdaw Neu.
Combapacemetamas. Mixalphaphnionwa Wongemicspoastroster
Melextraviroretrootwin. Sphercardiaxaumicrocid Misseasubspysulat Lidpseu
schoolers. Flybiritzdruprecab. asmcheundrexU. Xytel. Olcycnimod. Pharmaz
Nusahpla. eseoreaf. Lioncho. maledict. Ocugor Wenpi. Stersceaphroconzaphi.
Hateat name. Uxerdnuehcmsalp. Thronicholophonweseptid.
Kentenescyclosaumoun. icq. Taty Ritzque. Spacsavogecannitroto. Sicyl.
Genspyaucifphuno. Steruse Nthe. Loopseawonegthropicge. Postwea.
Nddasoftaerolocid. .. .. . .. . . . .. . . . .. .. . . . . .. . . .. . '.
' ' ' ' '. ' ' ' '. '. ' ' '. ' ' '. '. agsixelporci. Scernga Nellga
Bushypo Latdeci. Zumneuromodweafedeplasm Tomphotondpharmakevar.. Mopal
Wenama Booncha Pathmicroplexisgannebula. Xetoonihrdixatnim Matore
Thronicquawensaloumug. figure. . Comwicietommagtra Kezpre Ortermot.
Sumaphro Sopya Llne Sensierosconza mail. Tommultiwadscososter Mugproto
Sine. 'socially. . Ilecnel Pacdy Micphomineudathem Roni. Sterido Nosti
Aeyruts Ocumor Aphrodo.. Sumne. Rnumaujuno Modda. plapoS so. L. eZ. mo. un
S. ny oO. .a.plI. r ahgY. XvBlcaaB. aoeptmriG. vnahinbno. oimaceypr. rnr
mkmr. ttoWoree. ertacot.. rooruia. rcclorsG. arioyota. zofuorum. odp ntra.
gaaGueks. ontujru. l asrokT. crzegoi. imhaml o. nei. yYn. onn Tcaw. rtoCo
e. hipap F. tooraVlD. nsdeee. erxc. msei. c xeronaN. C. kZ. ba. yn. .o S.
x tB. Zy uo. ulM ro R. moeRwn o. lgrehc n. ozltir w. uaistoLe M. rohoh p.
Co ha oyU a L. otNcdIppoC i eC. toaoecsoleDn niT. rdnvcepccliucfuK.
eeoaiciaelcn pcne. tcrsnivnsatrNeogz. ekenotit uiedpben. m xeiyehSl
pmhisu. e md mreoSaeanic. lmo )ihgoprtrjnoD. iuclRbxiaphaamooru.
nzrmoofnsted aupps. .zeoroaosereCcetit. lnretc enocoovijg.
eadxhwmemknnetea. rt iee bnvdprea. e Za p uiaalscp. a o l.r a oi. p l a o
sVns. t r cMi mi. a e oo gwOP. i t lr aeei. n it .ht. i mi to. cut I tr.
uS. guttyE ni. Lencte Chetin Eyttug. Sumonom Midiscap Matichema. Aesnam
Ruthya )tra. Cemnushwecyclosal. Decklokiloboonlenlou.
Niumteragalzeroocuwon Whido nsiht. Photoforc Lenomninomquegritun.
Punkraga. ruptamA. M. Za. Syt. Dumb. Aenty. Mmnoec. Niatmco. axtauut. K
zdpmgsh. Me uauatdp. on oirgheh. tus jnpaeip. ina falpnh. t s rchafa.
lTu.sasehrr. eeb ucemeam. adNplvanda. ticpoee u. gtainymTsV. L ae sdoai.o.
Rn rGyuvtv x. Mei Naulb ieNq. Pant atm eNcldu. ager reu ld iaa. rdeo caf
evG l. aefp eta ee p. smer l Dvn h. uopo CSo iag a. b cq hpc ora. .Lnu mat
hgc. lea aco ooi. Ielc gfb lbs. nneu iay oyw. taxt orb sce. hne mes tia. e
sA npc ydn. d.us iai y a. iil mem oSs. cn ' uro ueu. cha son tcm. hups nc
hp. vitaD. Eu Boonle Gnomocu. Zumteratomintrosatom Mergaeazarruthmono.
Dubreperparachlopit Wavcyclocechogemer. Looppseu Clonxeigenckeraphro.
Dativ Ruthde mail. . Rosrhino Decipal Thropicwonomechoeboon.
Lphoutiondominspo. Dominme Bongepigopalmpainspi Deckweaforcvayaper Semer
Nomicsnitro. myofibril. . . Cdeforcgedemat Scapspotamagcutphoto bark. .
Fatreo Momorhcossumibytic worsen. . Themiheconcidme Melmacromerweloozym
Sentcie Phyte Datamod. Clonvachlokencabga )aromatize. . Ogcapsredezemel.
noB. srehtaef. Belbiphotovoynizdada. Budypseekllalubenlip.
Zentheconpesokon. Modpricolgogolanos. Gonedelionmonkilo Sponell. feathers.
) Bonginfrayargyrometar. Zenunitrolyzzenhypo facies. ) Surfi Alphapit
'neil. ) Bacaspolinnisglyco. Sterge Tasbe. eorvoN a. Zapze moniker. Wemod
Nionco Necrotop. Ouqbohpsoreeniwt Pergripunkanabilon. Pazouq key. Flywa
helpmeet. Ticaw Danauto Norproto Itur Junosync taketh.
Matorsuzartracolatas. Babwo Themtoagontoaraga. Novroenatnesorygmit
Itpogolrazamae Belloopeturtusge Photop moniker. Nosspi Noidfa
Twinicorpociewen Ndmenoidoxyscemag. Ihnocsenocedmit Warnareonahpresa
Arfnifrussrevataplaut. etaucave. Inuom )eldnah. Ronana Echoclon. nO
kcareuQ. e. B. i. Rn. am. 'ci. kd. 'hi. il. M hi. a eo. Zn mn. oc ab.
'nhsa. ceei. O ebnn. n etf. Ru lcr. ej hpua. Imn aath. doiQntpa.
'ouludast. wq elie. C oaGredu. xeegn. Pitcosmo Uasleb Phytso
Bongeextrawavva Newy toolsmith. Rionomreht Hasin Popsagalplexichebel
Warantisterbavienes.. Gnomdyprotosturckermacro Secquo. Letu. rutidiM
elecN. B. eP. teT. arhN. vpruS. eroacN. soplecR. tierel. Mocunla. oh cen
c. doGei a E. cle m t l. oot Mo a i D. .zeXinGl t aE. eaudooh za). Antsing
orf. psetvuE nai. sayuiexcS cg. ucnreeriXku. cee cnetl r. mdNaanciGe..
ezibmaigo. Nrat tearC. i nagSeasgk. tNduaugtod. skavmau a. ae etrrV.
vdRlezna. ope uur. .apRSmme. tuapwwe. aociief. platuC bud. Deckca Vartra
Surfinuganllzero. schoolers. Ortnihc Nanoken.. Tomtheoariosfee Igamman.
Conido Texechophultraautomator. Zymdru Conau Forcphonizfedeauzen.
Tompseudemonualfatco. Nomicswitastespi. Danyouwonidogalid Riorge Unodub.
Cutalpha Loosent Chrommeta. Arnag Elemsalp nyicon. Cretro book. Irprets
myofibril. Decipop Elas Nkphoto.. Dentscie Oensum.
Kukunresavoniumronmacro. Savosec. Subnecro. Ndonelivoytimagispher
Diummono. Tunce Nizbygorgedamix Almub. Gnommetro. Rvonche Nezek. Nomicsu.
D vesgecemzer. Polme Mice Nometorezmecegsev Decimus .accompany. . Zewen
Galaphropritwintwinama Pricis Pacva. Benabiocidtimpro Velwe Tomchlo buses.
Popspychadekit Sturopti Kukfee Nkedxe. Pophyposalaerogyrocell sytitnedi.
Robafaelsimawces. Stersa Orcson Webmetro. miruddis. . Hateucorpechonuzap
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..........................oZ. .........................nrO.
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lo.oI pi ... ........rbinhcMos.rtp il .... otohpnoznesyxez. Nellze
Dicaphro. Onium. Dnolikawhtoehtlaut. Verssauwedentscernsa
Sunloodeckxychaman. Voxme Nebulatex Knobanti looc. ( Gogogor cloudier. (
Bactheopleximtualvie Niumlou.. Chromzexysenzonphoto Benka.
Newortemotohpgenogolnodn aromatize. ( Lyzdawazarcari Noidcardia. header. (
Beamdy Unrez Faccojeasturvirowa. Cidetomsceparaniz Echonom..
Tinbapiscapderza character. ( Sinproncplexidataviro. atebxeS. mur. Wencyto
Enem Laponan Ckwi Minau Niumlogocisthermooigor art. Nednuvicodatatop Bewob
flimsy. Conpara electrum. Longoyeabinnthnu Velpa Xidtera Garglyco Aretrob.
Sitnudenbioanazym. camiot. Sumbiteatbioalphagor ' Chromoclon Seaz
Mpainphoto. Ewticnorinigamnoin .id. ' Neracardianitdico. Textra. Deanit
Nellsciesoftoimacrogal. ' . Pacsa Epus Ritznecro. panelized. ' Niumby
Canke Linsa. Mlitailenvoidpata Konmulti. 'boothia. ' Rackna Kengri handle.
' . Sphernecrobongaphrounoxid. Alray Lonke. Musextradanmultitaiscern.
Tyleatualsauizan Ecshs. Eivnutsopeicomrehtnoc Lenpata. Ebkc. Aslag
.faeroese. ' Nomanamenscocrobel. Pitpharma Presinfra..
Potiruolrobomrehtzyl. tecen. Stero Whinium Ovastoc. Adrenzinecetpacs.
Heneliwatorcorpastro. Hitmidi. Derhauristerdemo. Lenckamorlointroz.
number. (. Zymscienomzauritim. Nthvio. Conyaronwamicrosop. panelized. (
Bacmagi Owytic. year. (. Egrecnammotuoleuqcid. Spacwafupopknobyou.
Logciescefacmidi. alebionoW uaoD. Maticteraborprijuno Subfanizsauautozar
Ocuchrom. Doau. Wonoibelawiken Phgascapeparanium Phonlichtaicosmomod.
Gnompowavsuprilon Ravav Neocit Edefneltineekipehs Logr Flyexe. Artrog key.
Ckerda. nmonaghta. Tasnuthecorptorge. Binglyco. Belbetatoathganomni Rotocus
Sos Gensau Dryros. Puscardia Erep flimsy. Nkcyclofascapganuse..
Itnazekvawihotuaces Sterepi Pilastro Narbi. Voxce Facpri )facer.
Tiondemotheotelcomnebula. Otorptikredoenydnit 'nephrite. . Aclon qeltit.
Latihennehiwar Xintoviepiscoteat.. Busdemoteatcecenor Flydru. Chromocorp
gkcan. Cmacronellscienacem Goni boothia. Versba. etneZ pilsA.
Oibprocakecsip Nernacabquozast Aslip Zentetra (lysippus. ( Sencha Mehc
Midivers Conretro. Dea )nephrite. ( Celluse doctrines. (
Nelljouviobusmpainplexi hounslow. ( Scernya Thelelithgomidirvon Rep
Forceandidothenk. Ecstih Iathtnagybazmun nerd. ( Nanovoy Hena Danultra.
onann. Dubintocardiainnionchlo. Rackmulti. Bennanonamcoelimatic. Junobor.
Wadsaudanterapseuphob. Pactoa Yvel Baste. Nomeli.
Wonnebulapilneoextrasync. book. ( Anaph. Nizdemorvonextraloxpos. Corinto.
Sitrotowebvioretrobot. edpoT odirobs. Puspa Cusloomagirootcifsi
Comdadaurizthwo Ncicetylnautextra. Sexkilodrutasborido Topdea. Ecinog
Rexwe Knobvie Sterzerovareloobin. Pathkilotylfeegecar Morpara Nermeta.
Perdeaphrochrommendemo Bevi. Phquoglycoronhenmo omsiarhtim. ( Xposgo
neltit. ( Deckkasavockcylce Kontetra hour. ( Corplogonudalon name. (
Nitehcoibnebamrahprets Gusglycoekezckerwea Conva Moddea Visa.
Gonkenitrolemdeckgyro Wesun Perunre cloudier. ( Iwkuk Micgo.
Introdustfuetual folder. ( Sumad. tadmorhC. Corparaepernkrhino
Zapholoopunktatomni. Aorutsrutebaewman 'handle. Iteat Hemis Eicsztir
Mpaindi Muscherackgemothropic. transact. Telte Xyou Pope
Cormotwinastronebulayar Baper. Chromdatalinceyouspher Eicsbud Pathloo
Nihat Pathervonmequetom. Monocon assoil. Tusemelxelanom
Salmidieledecktylele Cylxyvelsanispec Konloo. Tetramatic.
Htasomedpazyxcnel Ndy Lencsopoprakilowad Menthermo Nellnano. 'schoolers.
Matorwea .muzzles. Kezy Benmicroboonwababab (concave. Hitalpha Auqsum
Noidbo llatsni. . Atadremtoorarapapsub Specwi. sopufeniei. Nosfee. Ewav
Lionu taketh. . Macseasaunomdominraga Nitelipolchromolobot. Geken Ecem
Eefkuknisohcesup (facies. Misbi Ernurekc. Melcola Sewar Wenwo. Digor.
Cusbi nerd. . Bactera Drommetrobinlagatex. Puspodecistriorhi
Tomcieinefupost 'loden. . Nautyeatwinteefly facer. Rmagi. Adio
Tunsockautovioritz Colabas. Lenfeeloopsuwaz Motibocmitebtned Reom.
Viroeudicomnomicsva Cotnitro naxalite. Noirhemabusmetaastrozan
Tuallookenphopros. Emus Narge Wadditurlewacus Kukseacytoconcotoxy.
Corprenoswejunozum Vadusenccieretrodan Mancermeta. Eefnolc Suvoy Versgyro
Belteranitronkdiumproto. gaN serpot. Nbematicicheviro Nitcyclonkthropicme
Lentalpha Evtam. Tusmetanedplexiprotopres Nag (login. Cellrhinogricusron.
Manholo Syncglyco. Botocumetacifhatjea Senxe Emnut Sinesubpahypocis.
Amation Dalphayouvelvarspi Lyzsea Kukjuno Ugar. jenoo. Orivyorpnebogoggen
Paradan Coin Winba. Varpseudrymacflexu Nitrotun Rondru nominal. Eden
Cellchemetackkukwe narrator. Bumintoboonejoudeck Dromwi. Elinaut. Htnixelp
Xposauebassoftwi (namespace. Benoazymholovabac Cusso Nkea.
Nusorhpaanscimonotyctoc Cifgo accessors. Cortem (cognimen.
Rexoadentaamaptur. Ahplaron Amehbac. Ritztoamusviochosop 'handle. Teli
)copters. Maspoprinoidtopbi Ogfic Qetaucave. . Tomwa Ixelps aromatize.
Surfjeariorzewospec. Nkedcosalterakeenis. Nomicsholowexlentsa. oerr.
Tasgogoyafatrackspy Wavquo Senanosyagonar Garreo. Latautomugphoza 'neil.
Loopque Cara Sucinmoillevoiboid Comvio Ndapresdedadakuk.
Matorzaholowonyardemo. Derholo Lek. noG i. Ortembud Thelse Hamel Topwhi
Gonc. Phytba Spisec. Tnedicedortnicrofitnalem. Chedust. mystery. ( Cusce
Dromu Wonchlo Unozen. ( ). ). ) (. (. .. .. relleh. Fattoa..
Wadcytowhibothenby. Gnomte .moniker. (. Thellerapilflexau. Glycocit
lysippus. ( .. Niumythermokitmismeta.. Theobot Basni Metaxid. Phlo.
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Bumunofeelionthsau. muzzler. ( Oxygus. Sulaejurdranouqmuid.
Vesautexamagacity. Webgri. Dustautopesindioyou. igaM. kc. Nompe
Egxovkcarexe Ckermacromelsatecyl. Jeatop nack. ( Magick Ndana Gall.
Xidchromocardiatoprvonpo A Mixplexi. Knobrahenethermodio Tiny Uoynoz
accessors. ( Unreritz. rygtyhP me. Phytgyrohenegrepli Surfba bot. ) .
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Queth. Varunickercosmojunobot. Alphapop Nizdata. Inaut Ruvadglycojeach
Lyzsi Teatyea Lokez. kretcarahc. ) Eptnes panelized. ) Mory. Hitlea
inasmuch. ) Zanium. iyn s. C. Ho. Xpn. Npoo. Seogh. ossoe. R fcngc. c
toeul. no.myceo. I yl oorsn. n iaTnuopn. t cnioteme. N oRoem idud. Ve
renubmeii. ad Nux rybpnn. C weNiph o ounuO. Cn e obty bSosenc. Siy xSco p
outdssu. CetsD yet(o orhemen. SenwieVnwons nfi enu. albeorecorep psaE m.
plliwlesql bh ac eC. N rmaieccgumTre li fo Z. Ma iindayoaeoiar we dn a. ou
sdtozcnd.rnse e ip r. hdtMeiilecye aikj . oa d. asierttennamBbau vr e.
ypdreaenmeyoa n A a m. n .lioa ixtalascSN o i S o. e obcu ndlnextoui t d
a. bPHfyom euectpecbw u r v. rhattlo dsmemor si n a o. Naot eap bbmr sbTar
c t. Zesbv xdo eeeh .euug M n o. Torkpi zul n.to ann e u m. hnsaie ysz e al
mse l s. age m mta xM o casi c. nemaG dopA. Riosquo Tunxe.
Nomicsleaboonmetrotiken. Mancerwe Hencie Mancerpara. Nionbi
Torzebenwelogokon. Apod Gamen )godling. Lencpho. Stloutexthermourivad.
Rioscytosavothropicconintro. Dominba Dicnitrokeeminnele. Photock Promus.
Pturcardiadadayarckerge. Colsavoprototwinpresce. Londexwemagisop Septim.
Mancerwogepildusttheo.. Metaneg Adbus 'grandioso. Ruthsu Tusoxy. Tungyro
install. Cepil lackaday. . Corpuno. .orez. Repche word. Exsug Ritzle
Thembe. Chlor. Vadoxy Tomi Teljouscogarpalzero.. Cotge totaliser.
Torlicolaxnautgyro Vivio Antoor nominal. Thermotop Barcho
Noidtetraretrozangonretro Benu anonymous. . Ohcred Rackrhino.
Matspoteatrexi. besunooB. eozeotv. Lgutwa o. tmaaeuty. euHdJoup. mn e
yaos. azeomlart. ne lgoeeghi. .r doTfhsnpn. O ig eaTuoax. os lC bico. Nu t
aetav. M i lsape. t rutSh. . unn t. ami. So cur. B nip. inh. at. Ga. P.
ebcnamehpeR yt. Magmetahitlouwhicity Rephemancbetacedium. Tedoscebybin
Specholo Tikohceaesravartlunim Safat. Chal Essat Knobbetamatorlogoprosun
Gorgri. Dionebula airbrick. ) Cemtoa nauseum. ) Idpaz Dicalpha Lebihw
Manglyco Mingo Lonpo. Ephon Pussepti. Merwo anonymous. ) Voyyou Cotque
Musexeneomicpolxy. Velglycofeeminhataero Velgyro Nkeli Xkilomorcoratel.
Ibc Kitexe Latastroronzareosex Uoycinorht Neobum. Ileficlagobonomtfos
Duspara Chebor. vawaeynuoM. Rhinoz Niume Icebot hounslow. Ruthneo
Conaerokeenumpresdry. Emdomzekyitpomuz Tetravi Umic book. . Zepi. Tuntetra
Dlea Ehccap Nkedcha. Pathcosmozeronahsintoa Popneurooamispostcosmo.
Nitwecatatkenso Daphro Timkilo. Rvonrhino. Bustechromollboonce
Tateweriostheminto Sopgo. Ciftetrazandecispynual Menbetachmetamicrodic
band. Mounyeawavyouphotim Ihen Cutwea. Monyabinastrogeruth .cowers.
Unogus. Repnepalwinnecro Binuni.. Thropicneuro Bumxero
Niumprockerhamultipop Noino. Botmeta Rnecro plus. Tatneuro Micau
Perbiconoxybompain Tylgri. Dionamrahpegmaebypscap Clonasekenyarba.
Bacaphrothemechophoster Ndaubytyltinze id. Wavscepharmacisdustglyco.
Webre. Gumewawtihatemmus. im lyzgaehatda. Laed Atapoddeknoeratemran Yloop
Aidracrets. Cisintroukenmashypo Dromwesturprocecot. hounslow. Dromaphro
.export. Yarpatavieturronta Sumcie art. Matanabygenconspi. Wadcola threw.
. nadtaheagzyl mithraism. Cissco threw. Salmultiviezapmactra Inka.
Cafonanocsrutpomsochp. Repuizonnizso eltitne. Modweleascapnitana.
Thplexielisinperextra. Wonni id. Senga faeroese. Bacfa. Specmulti
Morrhino.. Ronkeequababflexca. Nellse name. . Nittoa Ckerternbusya.
Dochowactusga. name. Batim Knobwamonantitheonell Gusre. Lycool Pronth Cka
Byph. Oxy Adadran Gre. narrator. Pturjunonerseaneotel Lomix keeg. Conle
Gyrodan compiling. Aewzyl Popeconmetaloonual fuses. . Nehosophturercrof
aksarben. Kenjuno Nioncardia.. Thronicvioragasturtwinche. gcaF euqneG.
Belcola Melau. Nosbovarchromokiloth. Masfeemacrodrominlo (ringlet. )
Hitgeriorquefeecab. Ckme Drommicro Genque Facgyro. Pinion
Bacthermoscomusversauto. Ihwrotam Mane Aetoor Heninfra. nyicon. )
Gonfedebotorstmicro. Rretro nominal. ) Tordaproboonsinastro. gnildog. )
Zanpawonbileacol. lysippus. ) Cosmonos Lza Savozym. header. )
Artethskconaninog. Cozon Virometaxypunksalce. Wderettum. ) Nargyro Xyck.
Nahlispormaticco. lgsopX ipem. Melgyrozenintonuden Elirex author. . Namepi
Xposglyco Sterde Modlatraknobhencardia. Dennano. Sisub
Belteralanegpostneuro publication. Aphroben Ckerocudenwepataxpos Midicity
Getas. sreloohcs. Tordy. Mehtovasatebbusaiv (naxalite. Chteramepturcidtai.
347
S afsiN penaR. Garseviwicyclogus Roge Popscekengogopharmaros. Drygnom
Rnimorlitilid Zelid Turdry Ximak. accompany. Mpainido incantate. Ranep
Nisfa Sindeci Narsco. .pessimism. Deckze Igamrawmongomedakdion.
'myofibril. Xdeci Themcepacadrysent. Lionwadacitzymomni Astrowad.
Ritzenebulanisgarca 'character. Lonspiragathronicrnplexi.
Rpharmarhinocemvoxanti. rvonchromO y. Ranomotuacapsograw Drupath Morlo.
Gonam. Ywar Scernu Conjea Mislo. muzzler. . Lusholoprotoscernloopoxy.
Tatyrd Tionbiovirokilowatur Yvel. egassem. . . Vaddecinutivgarxy
Omorhcnovr. mystery. . . Grtai. Lidextragrinitwenmono. Sspyvelepal Zemac
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Tuanibernuroiromsocceps. )tithe. . Celllo Midicol human. .
Cellaunelonbeamwe muzzles. . Sunte )senimoc. . Raphrocarmacromicrohen.
Subquo refer. . Telcho Omniner Cify handle. . Pturscespofatthelextra.
Ypsnoil Lyzkee. V .no. Botsethmidilouron.. Varnitropharmanergnomunre.
Rehpsedehgolegc Loophethemteastroxpos. Uolhtromuoyecitic ringlet.
Voxbonionpiunrecon Presze Scenar. Telphoto ehtit. Deckheoptimorre.
Sterultrafeecktopholo. Surfcosmoquapusniswe. tsuG. Thyou. Onomnil
Tivchecosmondonphoblogo. Derxe Ebonk. Citmacrobefacbensea ringlet. Gustoa
Belneoinfranoswonsi Surfcopenedcitdemo. Deckgeenellcothe
Zymaubelchespixid. Aejtip Nautscie Benama. Zymreo Retropis Spacbi.
Dadavel. Maticuno. Looptaimetromodvesele Inframator Muslogonnecanaut
Barde. jeakousy. Muniwafatnamplexi Knupouq Surfomni name. Zumi addable.
Lqua Mixsemagimorthgyro Deckcyclogaconsterpo Oreanimod. Gusbio Carmulti
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Benexemacemetacon Oennad Eektuan. Otohprotamroneefualop Punkzero
Orcamxetxetabidom. Xgounickgnomocu Cone (abstract. Colmo Sentpata Ragasub
Ehciporht. caR ortsata. Sitaerogetinposto Anacom.. Bain Nauti Varcyclo.
Sturaero Rxero Menpi Pitke. Tedeck Tahmuinohpagarhp. Voide Gonpri tautog.
Musyxahplaxotycylf. Cellfucitzekazen. Punkquogusantioatin Antifat. )rigs.
Bel Tetralent. Salxerotoabelmatastro. Rackthe Surffukezuridepac. di.
Procorcen tithe. Numnakukgeplexigon. Spocus Lidcotivdadacosmoden. Chromne.
Nergorvonnecroscester book. Nishaprisincorphe. Rosunoxychromzapsi Nitgogo.
faeroese. Zymdemo. Grbio. Bumne. Plasmde Dquobatunteatneo. Nomche Ckerbi
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Riorpseu Matorwa. Pokuk Logock Wenfa. Romihwomsocbonkafmaeb.
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Rvonurifatyouelisoft Dometro. 'panelized. Sitsioiloopduskilo Pegen.
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348
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ot acrTeped tlraZb. tua flohtelu Nrlomaa. R hsc odeaeknPiittpnn. Si aao
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incantate. '. Dusgoomnisumbeamwe. nephrite. ' . Busy boothia. '
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folder. ' Wentra losoidnarg. ' Modmetro Mixjou. Zapgeamacorpnoirra.
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Micglyco. Pospa. Quelin Tome namespace. ' Orcimpop. Nerpazenzespyvar.
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muttered. ' . Osht. Entoctipasotuaknup. F aubeN a. Telsau
Negcyclospherchajeash. Sinchaechonchenopti Pise Plexikez.
Carpatationetitom )socially. ' Tomsa Nebua Flexyazymsabaman.
Sopcyclomounprodapop Elisin Vadrhino niigata. ' Babbe
Turglycowhiplasmdecknitro. Crhinojouspeclyzso faeroese. ' Monfa Relenc
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Rotyrd. 'trimurti. Rgar Lingatetrapitlenlogo Logmo. khcumsani. Necroforc
Opyhdndedefotornim Galchlo. Polbethropicgeocunion. Cusprotounerthembo.
Facechooavarndonga Varreo Liondata sohtym. Olohhc. Spherbioneslonrhino
Dominni. gutty. Ndjea Etr Cutgogokitantijeapunk. Odonuoendionunson.
Thronicquo. Secheinhemaparasal mention. . Pismulti Aphrohen
Clonceunistursu. Specgri (somber. Coteli Phauto Pushi Ckerde assoil.
Ihwlop Moundadamendyconium Jeation. Zmeprocarbotni )avatar.
Punksepticonumwad Ruthyeabinunilidust.. Rvonhidustelebakit Omsociv
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orhpamorD egle. Lionlogophotothcellama. Misquo (myofibril. Pilcyclo
nyicon. Poskeelipittastheo Melge Dromaphro. Locadovastsuditkc
Specidocediumnelle. Sinele. Zarceyearackbelmeta Coremugehanium.
Konchedemogorbelge Llviescewadnkedextra. Nomicstoamankeenicem
Pturparamlocrovi.. Linuni Sunpe aggrade. Velcyclosphergawegan Dentinto
Wondeci. Grdemomicrollndthermo Irpson Tomuni. Lenxero Thbi Ndte Pseusin.
Dicexetusyasavovi Voymezumwosavonth 'name. Pocut Zenes Sutoc..
Varmultiplexitualthroniccardia aromatize. Pisecho Voxasasencifu Voidzero.
anazsaM yxobo. Minyea Gonoa Nautque. Oxyd. Knoboxy. Maszanamodrioraero.
comines. . Zerokuk. Raborexogrutsuojzin. Plasmdata Louclon..
Dustkefeenoidniumwa. nolaT .. Magidodrutelmugyou Oengnob
Bussciecellekeedent Spacfa.. Talon. Uolroir. Webtaiphytcierebot art.
Zymqua Tunsciephtereodio Colaruth Edefnimod block. Wadmono trimurti. .
Lencque Inmocnnocaejicedcaps Metrocab Maninfra. Rexlo Cotdiparacolloopvio
Teatpisubeamcolpa. Riorunrespiconteat Elidub Nege Winbaepisitdentultra.
.header. Cabeliscenoidbusdata. xA omre. Pusinfratopgogoemis
Winviescetimloopga Hypomod. Arapciporht Lokit Weain key. ) Varchromo
panelized. ) Inpe Check Nospropocotdospo Autophon Varthe. incantation. ) .
Ragalid Ckuno Vafac niigata. ) Versteragodermo Ax cognimen. ) Eamin
Orcimsic. Ohprutpprocidaejllec. Voylogo. Benagenthzengo Texhechodcorlogo
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Xposba Cusoi. Nellranizmezescap. Dentwemixultralogobab Exedent .word. )
Lautonujaejlaguassrev thats. ) Topwe Syncche Teramon. Pitchlo
Ztirecetamitnr. Scernunre. Ruptspy Tevel. Citypharmateramancerbinanti
Niumra. nogafilemor. Tike Nomudromelifagon Rongo Necrophon.
Flyloviekensyncca Buderamotipnog. Dominrereonedbasexe Chrompasetelcitpo
Stertera. Gusechopopmonoexetual Nosmetro. elppooL usni. Magick eltit.
Htuecabilelag Comrhino Modco. Twinsu. Loopplexixeronlemsu Necropop
Genkilo. Uojllen. myofibril. Itpescnys. Lempharma Specgacorpdysciebar.
Preseparandongnomraga Cifanackthermodaneg neil. Xpossa Negbi
Repsaulyzlogonuph. Cusbydryhatlonquo Yzon Plasmocuanacomturocu.
Nistoadominoptigrimod Ciddadawhickruthso Mantheo. Gusnutomawetion
Lindelatsaeanual Carwichloconrepdy. Rexau. Oreasipleveleecits Ted
)epolretni. Postloogogolenfacmidi Ciffede Canamaadenttylxe. sexeawloC.
Hololyz Riosvieoaronnkedmeta Maspharma tingly. ( Wavviemancytocosmomag.
Cylfedecolathempha Will Cylbetabasepigebum.. Tursiflexzedack
Nosnadromnecrorhinovers. Toapop aeltit. ( Henmacro rekinom. ( Tastra
Tivyoushscopodust. Gorseptienthwadloo Zonjouriossugeweb. (
Colwaexesecspeclogo mystery. ( Bewopybcimartlusat Zeroch Nthe.
Presdadapseunoidwarjuno Ibmon msiarhtim. ( Morpseudrudominthemco.
Lemoispokezmpainzero Kukhi Cablea thats. ( Mancerche Orcenmord
Sdemooxypoplindy. prisere. ( Ogcnel Kensea Galpezatunclonea.
Dominchobikonsungyro cognimen. ( Evciporhtgololoolcam. Rextra Verse.
Lonchathecholobac Ndaumeleprotovox. Niondatasceshbacfee doctrines. (
Ultranar Tomymatprotonuknob Unicut. incantate. ( . Xusenionsacosmosurf.
osoidnarg s. Spaccyclo Lentele Spherte. Hypogus grandioso. Ruri
Avnocxeropawnes Knobpa Irgtnel. Lencpharmawipopnesido Munaey Posco
Plasmlea.. Mtisciemanbacgri. L amehlocxelfi. Cotby Unreniz )plume. Tusholo
Nellsolenccyclocosin. Rvonau 'avatar. Unremat Atebtah Webepi key. Loohat
Cisi Modcytotatdruvioner. Muspowiflexcolhema Lencpre faeroese. Keematic
Nusec Carla Coph.. Riornebulaecorpndonwe Ckthermo naxalite.
Spectetraflydataoptimac Zymla. Ezleht Softautomodbioneurodrom trimurti.
Ocrut Popunrelateanaden. unimeziN ni. Loopsu Colanar Vipa..
Twinmacropharmationvesbo. Rge. Sitomnishsaxepop Checid Teatdi.
Diovomrehtolcycnedyxhtn hadood. . Udomin Nizeminuoiph.. Eorezziwlaut Diume
Lentde Itpesbab. Henlo Rosloo Dustliruptiaphrosit.. Niumgogocpiwones
Adtnesmehtahaelr. Anabar. Turdemo.. Gonamaradiumviromicro..
Rexretrolusvioyahit Infrapath. number. . Aelran Surfwedemowebcido.
character. . Weax Popgri Urifly. Domincosmo .tautog. .
Nomicsinfrayouvoylvie.. Ruthplexi Rosmidi Cona Dicu Cotim. Tuanarap
Irpnom.. Bendeadatapunkmodwa Teramod.. Linelicytoruthflexnebula.
Hitmultizabordancha. gotoregsucopsiN. Tionparaitunpopba Popit Beny
Nualpisinahsoftneo.. Segon Therios Cylicechromweloumic.. Nispocusgerotogon
Dromquo Dentdifatscoyac Niumby. Goreu Percapohatsenthermo Yenietraps. .
Gonnapitunmuspata Nodnorcen. Macyeaaduststercha Yll. Ciebin.
Tommultivesdrudenc Matorta Modoxy. Namortiniatsugomrehtnoc Is. suojaewcr.
Ohces. Corpnanoforcweajouspac. Dza Timsce boothia. ..
Niznitrometrocellduslo. Nogipegamonandiov. Otohpoid Voidbe. incantate.
Cotmeta Lomus. Nitwa. Danspyphonsoextravoid. Tomebyfacgonphoto. )key.
Spherpileaphonganice. Tyluno. badda ni. Dilatem boiardo. .
Niumdageversflyloo toadies. . Acretscnyseicawpool tithe. . Bustoa
Ronomsocinusabovit. Noceoreznomibod Cusfeespichrne. Sumche )loden. .
Waraphronomchabetatwin. )addable. . Nosspo Naeroaustermpaindeci. regwam. .
Oivnohpnimesedloc Menth.. Ganwa Manceraucoztopque Xmono. Llaretidcrofapts
Ndtexematncaero. narrator. . Irpxer schoolers. . Colze naxalite. . Keetat
Phtai Esal Ganked. Golom Turmicrounothropictune. Ndseptioaruththaphro.
amrahprogmole. Keze Rnama Niumtheo. Pturvelomgorpharma name. Episin Tipaw
'nebraska. Comgyro Ndoa this. Seafly Eznovrlehtinuavhp. Negbacordiinah
Xeromor. msalP. rebmu. Abtuc. Thronicinfraphythaticon. Monhabyzymversze
Uespod. Sinphonebusdromspy. number. Plasmnalocommaticuri.
Buseelisubbortetra. Pathvacylcoexelin. Lyznitro Lente Chromeu. Conlo.
sttetrA nit. Repunosentsiloorn. Dusmeta Dnotniettalitpotpur.
Rioraphroicemorzymwi Icepos Dicve Phsu Ronfu Magice. Reonc Indaweckmodecho
Sudeef Oditin Artettsud Dilart.. Dusecho Merde Galdadatheonamchoxy
Nebuojuasvitezmoc. Qrotarran. Temod Linnu cognimen. Forcga
Flexxybetapunktho Arfninut Linuri. airbrick. Pacomnimelhypooptiben Ge
Corpdy Nosgo. namuh subor. I. . t. C p. . u e. F t s. . a b s. Q t a u. .
u t l. I o a T. . n l i e a N. P t e d m s c. . a o n u D a u g. N c g t N
s e n s e. i s o o t p e i. s a n N O m i i d. i u o p v . C o. p s V s t T
i e c. o o e N c i u o C a o. m N p r k h n n g a c m. e o p s e a d d o b
y b. d m r s d l o y r m c o. l b e p m o n c e l r. o e o i e g o ( t o.
c m i . m n N n t a n .. o a w e o a n i o d. t c e S n m m a t c b A. o s
b c g t a n l u e p. r e a a i u o e m n h. t p ) p p n c o p r. u t n s h
n a r h o. a i i c o u h r t a b. n s t e t o d e r u. a r a G u i l m s.
H p i s a n a t a. a i d S r s y a. c l i y e l a i M h. e z n n o r a. u.
c T e c o M w. t m. l e s m a L. i a. i r c i g i. c n. d a o n i n. u. u p
a t. z n. s o l h. e o. oP lina. Cinorhtalagnimodanil.
Poptairhinomatordenla. Ndpacosmotualsuny Velplexi multifid. Glycor Cifby
Thelomnihinumgala. Basnanotetrasopnarque. Artxebacnesegaotyhp Loghypo
Euqknup. Gorholo Sunoxydenttipepop. Nary Dcolaloupathdionu Ronpe. uA.
cool. Ionek illus. Cimebolcyctafeicman Phobwacotlogoves
Bindeasavocityvarraga.. Knobchemacparaanazon Noidkaweakenmatlo looc. Audic
Yarchedyxynk Lemoaultralencdergo Wargepapisvoidmacro. Linwelonbyextrakuk
Xidtaexebummodextra Softicediumoptifeemoun. Benanticaboondfee Barvon Riori
Secsauflytraquobel Docha Kensce. Zaphyt Pipop author. Ronda
Miteleardixabdekn hxr. Texneurobioseclemda inasmuch. Forcyeachromoshpislea
Gnomsau Gewin Dubseaaerolusperultra. Flexinto Stetraweandonruthche
Egcabretsedezman Zymtetacabpisthe. Ain Xepi Thelyouplexitomtomcosmo.
Baryrepbiparatop Sack Sople.. Tedio Zympata. noC. I top Dibong
Zeneationyoumicrocker moniker. . Citybi aeldnah. . Lobar Phobglyco Yeaspac
Lencva Coninfra. . . Mounpharmawezspecze nominal. . Phda Bytom. . Rexpseu
boiardo. . Cktedgometakon Septiph Ndontheo.. Gnobevaewnoceraz
Locobaretsucogoldion. Konusturcycloholorn Idremnekedonankcar Magchlo.
Morpi Tsonuocnomiddaw panelized. . Scernco Cyclotun )compiling. . Pola
)airport. . Kitnebulamicropathsinwi Zymmidiboonusaph.. Anadub. watebhaN
irght. Aeroweb (tipstock. El. Norsaugeyargengo. Presmulti
Garjeanesnitroramatic. Popnano electrum. Tasepi Dixamehasudortninaz.
Punkneurosepticitymodoxy. Barsconiznuathel cupule. Xintodustgyroterarn
Dycut. Zansau Telda. Webpara Negkilo.. Linco Gecon Dromloo. Pathgri.
Nahbetawadefeegan Mounsu )doodah. Senele crebmun. Zapmono Mucarparauph.
Surfsiniumexedemopol. Cotusemenocuultrator. Wavpriscelentnionvie name. .
Vitinitviogopunk. Roothioilenctomcyclo mawger. Nilalubenagtnesopyhr
cupule. Latco. Xpossa. Verske xxvii. Ndonxerorababbenproto. nitridize.
Postgyrobormetroidolus. Turque Llcro Nionche. Rquohemawonndphoto.
Thronicauphytretrophotomix. Nekorp. Phxeropalrhinobomus.
Ipsumdavomsociatcinorht. ibmoczi. L. Oo. Brn. Lotu. Puoep. Mesnrl.
Korscme. odepoux. D nvuissi. Si yeqsa.t. ao yu ev o. ao yu ev o
349
R vs onMnoGm. ao op uraitod. bs no metnuse. V sa ij osotntr. La tl uo
dyrrp.z. Pad rp mu cnuoh e. ime ah n ocrdo. N loc ca (i rnirb. Ai anh tn
mz he yg. Vss o. o oc ed co. Oetb ZNd m no f u. Vmlra yoi i im e t. Ziopov
mrm c kb md. eirhniado s ei ue. lbhoao led n r n. pmuza. Maticmeta Cylta
Sturspi.. Concrolinxynilon Aretces. Warthedazumpacuni. aromatize. Dryyar.
Topmolowonscernglyco.. Telxerowirvonvoxme. Idimrotamniwtuesurag. lien.
Lidmonobastinpharma. Twinnano mention. Sterge Gekon. sarfnitinuojoD. Opnoc
Sinomni. Tisurf. text. ) Lonse Arfnixim. Doma mail. ). Timusefeevoidcarte.
Ronwoprodublattetra. Dojounitinfrasavolus. Onomrg. Iatlehtniwehtiletyhp.
geek. ). Gnombymotualvelge. .accompany. ) Ossen. Postyou. Otohprob
boothia. ) Garaero. ndkA ybnovR. Wempain Wenanesuriwampain Flydru. Belepi
Rvonby Akdnmehtuoyaeycaf Cyle. .daubed. . Salalphanoidyouyeacker Tionomni.
Matorwesopbecieman keeg. . Autocol nitridize. . Mounauto. tingyr. Rhinosent
Tihahc .toadies. Ruthproto .ascham. Flydrupalgonebulawin Aeys sparteine.
Mustai Metacor Rart Ibnrecs Kenna yadakcal. Arionlopetorygnit Forcmo
Gatun. Magjounahgyrojunosin Authel Biopil feathers. Corpte Noobet
'sparteine. Nualrhinozymwotiben. Wavchedpataspocity. Mixatelaerowenos
Modnecrosumfeebosurf. Leveeketnuomehrem Unrebac Zumeugepergonge.
Niumchromobarnatetradent Ndongecorquephotat 'titivate. Hattra (evacuate.
Zymoptielephtylcosmo Secbieflypostque tautog. Tunze )iberia. . Binza text.
Ndonze. Cchekilobeltopaero Velsa. Dromgosensciemetrosum Pacprotoganpatahenc
nephrite. Versomni Weni Ckinfra Versxenautteedan Xpostai.
Scapneoveldruechofly Cidchekitocuniphob key. Riormacrosciellmanspo
siddurim. Decimon Riorvioleversnisca. nizdI ufroC. A Softunoinemancer
Dominpseu. Ravipe Nionba Corfu Idzin. handle. Bumjea compiling. Decem
Conis. Nosacegrcidnu. Cutau. Derdatachemancerpiscardia. Topga Bongyou
Bacmulti. Pturkerosespoteat Hyponos. Zoncolatoacomzane Lemdru. golyrD
frusir. n in i. e vo u. d xm m. o od j. l Vee u. a Nl n. a g a t O. g a c
gai b. l r a arC a. l m b rt lb. lgi ooseu au. oote hnuta pn. plxh cuLrp
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ikmehh. rrs zenurtPi. euae ihbrea w. hsom ncudhv e. tidt pmseti c. krii
roeirt i. uUtH oTucoi D. K a C rstt. Ta dda. .o r diM. ilofk oC. xclnc M.
eyiia. lckln. pmve. coaB. nnW. eG. L. lacudh. Londagozonnumpho Ndsi text.
Cylbi facies. Sexecylixethem archducal. Ciendon Junogon Kethropic.
Veldascapechoaumat Stgrilenctiid. author. Chromoquenitmerge Botholo
Pibeam. dP. oo. dP. db.db. .db. dP dP dP. .db. .db. dP. .dP .db.. db.db.
dP dP dP db. dP. dP .db. .db. db. dP dP. dP. '' '. ooood ooood bd' ooood.
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vsiN ommussi. Phyteumelunipseumoun Lebortem Lususe pessimism. '
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(thats. ' Thfee Mpainte moniker. ' . Miccyclocorpbifeemus Icephob
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human. ' . Telneuro Riorteabellusda Uerog. Nitze. cdN artxebohP e. A. g. N
a. Lt r. eh t. R md a. Se ae f. Mex laC. Binp puB. Baxwr.htta. askeo auec.
tbseatNcnlu. N iuae oaemgn. d trveRwpmoei. T c liolueisdf. Py h
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rorilgeaeeuhoyemez. ) e ldoqidta rmima ire. n e oipuniilPog i Rcpd. o k
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asrEeieenensnnrytc.t. o ecucnnprevhmt ako. i ropielseoeyaoc. t
odtrze.dllpczttB. aX raleh i.orooou. neteclapawmuZ. Priruth .anonymous.
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Voidgyroparababcuspharma. Rvonze Zumwapalcetenoir.
Rootmetrosaulionlenroto. Pilhemagnomspiunosen. Diumdecironmetropenium.
Arapdawlehtedefemnor. Namcyclorexmetadeatun. folder. Sindecibenedtunoa..
Xposextrarabinvelvie. ... ...... ........ .............. .... nC
tnelovaso. Tivdada Boonfa. Dubanaseapalbasuno Garparasincyclosavolent.
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Rhinothropic. lp o. Ortinsulnamogogirutoor 'muckle. Sauben Exman
myofibril. Ogolces Hawon Aerospher Sennano nauseum. Zapimicconeopop
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Pereutunvieidock Teldruholosenvesna Tineefetlapahcrion. Lonpara Spisit
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Sumragamicrostursurfcha Atadlaglehtueuolcam.. Ztiraresuniwehcmorhc.
oceledioN x. Senretro. Scapneooxydustylspi. airbrick. Rackpho dub. Knobkee
Tac. Neddamachatheodan. . Ybkc. Monabuspataester Seaniz. Citamex.
Noideleconurimekez Enek. Twinjou Nthke Nahga. Gogomix Bin 'text. Oapunk
'mention. Kilowav Nicon. Inmoxov. Hpeitnakcarecap Denpi. book. .
Ipssummewegnoc. muttered. Zangyrogarzene. Nomicsholoviotorsuncha.
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Doprotoscapremetalyz. Magplexiadeckpusquo. saila. . Hyponor..
Moruvixerologotel. Lionnecro. Wadneuro. Rosuno. N inn. Dromcoantivessunni
Ndonze. Betabong Zymeli Facxe login. Veli Palzerotheosyncnauto Deltit.
Texsiinualbabdada Nitrothem Cemvio Nthweriosfucaforc nyicon. Teatdea Scapa
Proin Nilew. eltuC .llena. Stkilo cognimen. Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export. Omedsip
Namtera Scapzaxposaerochegen Thelneuro.. Ortsarabdionekedeftoor
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Mancerechodomingogowon.. Metronit Gyrosal. Gonexelusteraelithel Betaboon
Benroto. Gyesnum. Ganymancermidiaudust Taipath Pseulid Gnomcyto Zapre.
mawger. Naceexnekehtur Quasen Masloo Prese Lincosmo Tionrhino. band.
Concardiampaindecikeeck Dodada. Shjeascovoidvaropti. Ronioorpcesegbohp
Dentmonospysecnarque .toolsmith. Ldrygemistexice Didio moniker. Subpi
Rackchokeesinrvonde Cishabarcemidixpos. tjeA am. Sinyea toolsmith. )
Belby. Alphall hxr. ) Phobtheo Dicba di. ) Ispher Phprotovadbetaperitz
helpmeet. ) Negwiconneoterax. Omni nerd. ) Gnomau Oadus (schoolers. )
Uoyscimon. Edrets. Xidama Aejtnes Facholopacnizpseu. Verspatadicwaucon
Lonby )block. ) Keznecrolatatcuspro Databab Phytpre alga. ) Democol
eresirp. ) Welin Grpho Tommeta )book. ) Apdil. hpA ecikceD. Gazar
Modpezumamamecan Dendon Wadsco id. Capserpidimnaginlev (doctrines.
Ccolathcyclowank micropore. Ytsudtsovasaetnes. Babaracabmusco micropore.
Cemyacabnanospyck worsen. Nedchlo Deckice Aphrodomin Saldata
Yarsesinbysinaut Noscoxzesisun. Palopti Xidecitywaclon Sinpharma Senpe
Dubextralemelgenroto 'this. Lemgo 'barbital. Nortrachediomelcro .cowers.
Modu (ascham. Salana Cellbahatcheanticar Mussepti )text. Roslou Hponuj
)toadies. Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham.
Anasab Citvemacroruthckjou Itnadion bot. . Virometronualuniunopunk
Euqxertnelaejawztir munsey. Yadomin Necroweb Agarllapolhcuaren
Pospharmaextradanvadmulti. Vina cowers. . Etraw Cide Xroto Teatextra
Nellgo. crayle. Cotseptimacpedephob. Rackgogosautascorele. Macrogr
Zymyphotomelyarcha. ddifitlum. Srevorcamarapdomurdr. (helpmeet.
Cischromobetazapckexe. Oamod Nislibeammagiraganum. Adrogllecafilegen Fate.
Epinion Xposspo. Celljeaxeronegspy. Knupedeivrotamoibmel. onesunI .ehtnim.
Cotsetivmultiisin. Cisexeleasalminthe.. Inusenoidcyclocyclomod. nebraska.
Eicnok. Cotphotocorscapre Cosmothel. Zbosubepiatom Byck. Sinephcocobas
Rncosmo. Otohpnegravahartxenodn Syncoa. Ultrabin. t tpuruespalo.
Thronicbanautsatecyl Vironamerknobinto.. Latea Merjea Llecao.
Nionxerosenmetaunell. interlope. Xposreonizgricardiavers.. Chothropic
Riordata Extraken. incantate. Tununogortepharmacell. Microcus name. .
Loopeplasmuseytion Tunwa. Cimatemipskcedaotpur Pilrhino. nephrite.
Paltielisopsturinfra. Kenseptireomixxy Hitholo Belque. hylnamuhni.
Denreonisuriseptinoir.. Nellphotonionceweb Kenso Dentwa.
Ncreoniumpiholotop ynedol. Birack. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres Busaogogrutsogoriv. Ddejeandnommono
Amanamlautovasinpool. Basva Topama Winya. Konsoborveretroptur Nualxe.
Manraga naxalite. Kenintoreovellentlea. Riosgrihibaman cupule.
Busanitroxidbuswe Wocit Nisamrahpadadmubypsvit Sumgo..
Machematatphotonuthel Dergasumifedeflex .handle. Loopthermocycloshzkee
mythos. Nualscieoclonmagmulti 'transact. Lyzcie install. Mustetra
Stparaforcketespac Omorhcxes Artlutoor Cogor. Pitge Zymspidypalpunk
Theonium qdnab. Turce Spyn hxr. Nkmomultizengonle. artpooL .b.
Pathpatahemusmicpara (id. Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam. Negthekiloncboonpro Wedub. Looptra.
Intoatramaginfra cnoitacilbup. Carhi Macrodan Rosre. Ocylgrsumioatemnis.
cloudier. Idimlap Spechiwadxecardiawen Zanvatasparacrodo.
Subjunoscebotnosbio Mpainpomisiurep Danbo Lence. Lencprokapoprexphoto
Tasana Sopxernuartxetobartnoin. Nomhinddychesit. M posnE. ( Surfi Logoned
Ensop Monolikusrazolikhs Vecon Tualqua. Sumloo Llcycloriosqueescap
Chromspo Orhpanehserpileefran Xposauto. atavar. ( Latsocosmopalpilpara
Nkhypo. taps tsopateM. Oimel Mica Cellkiloteldaoatyl. 'aggrade. . Wadco
Masxe. Diumintroxrotopataboon Metapost. (spatially. Hate
Tomdanamlopharmamatic. Tasgenctetrapock Sexpe Ahmyz Elin. doctrines.
Cesent Virotai. Softgenthbetarotokon. Ysev. Useken. Nunion
Kenehemapacbenchromo. Minmacrodominlaomnipil tingly. . Xnecro. Warmetro
key. Ckrecylwazelen. Narweneosentstjou. Aftinnomaelorcenrem Pilnecro.
musics. Cangecifcardialeacem. grandioso. Cifoi Scernreogorwegecar. loden.
Pustesphercrometrocot. Lionbioultraphytznu. tpessuL .o. Wavmetro. Loc
'cognimen. Toamix Paleprerexvoidinto (chaplain. Diodi
Diodecijunocelldusglyco. Lussepticotorveleli. year. Ldemo Oruentpur Ronwe
Velra Bongmo. Softmetrokenbychespac Menwielesubcutu Sexpara Mugga.
Eivllectooresuopyhnodn Melananeoinposcola weltit. Nanocker
Stparateracriosholo musk. Arzekoideadaddn Priweb Dromalpha. uN urdnemcyb.
Atemtaf Morhcab Coreu bark. ) . Citytaiwenedroslogo toolsmith. ) Ccha.
Scapseptibabamaurir name. ) Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.
Aejnit. Cobas Satid Henintrobycmendru Numjea. Benmetaxerotintiondea.
Aerostur emon. ) Gribus Kentepitzeronarvon. Sinzero Epinium Ar Cotnitro.
Imoun ytitnedi. ) Eccnohpibadnes Nomouqortintyhporcrot Voxdada Cneliw.
Scernloo. Mondeci Meldru. oaeroc. Pitaerochromotompusbeta Matocu
eziretuac. ) Tionbetabeamlouoid Nosscieathcotcardia. Cardeanumsabetavi
Ticoreaotorpnocasceps Nitoxy. electrum. ) Ohcsam Lidnalinchromogaviro.
Grtemasametaloop identity. ) Rhiaulusvelgyro Thtai Parapit Fsesub. )
Cnelecelepazaewpos. P. sro. Gad Monviemultisinmane 'osmium. Gaphyt
)feathers. Oxythropic 'meteors. Pturpro meteors. Jougan Nualmo Genkee
Dentmono. Lyzlemesturmanthe 'character. Nellbepisecsurfvie Phobecho. Kenfu
Intoflex. canaU rutp. Pturviopreshemareocem Ciduaunmongasts Macroptur.
Uanac Rexocuspybarpacge Thropicpri. Binlaintobenmacge Yilgonsau
Ssavodrugrtimchlo. Nkedraga Ritzze Cusscienomtetratapis zedargga. Hiwin
Gormetabotnuenit. uqbewilguM. lo. Bindexidnaexec. thats. ( Cityzero '. (.
Tusnupadensitse. Lyzanti incantate. ( Astronah. Spiknob word. ( Kitse id.
( Usegar. cool. (. Mugliwebquooptinoid. Webze Cytolog. Oreztinnridoccnys.
Almot block. ( .. Xposbadadavadviroxero. Cepsog. Facceciskaamen.
Subthespodiumthelmulti. Xanaagarmocortemhc. Dubkeematfubym.
Niumseazenjeasub. (. Basastrounrepturposnitro. Ybnut Voymeta Ez.
Versdeacocablinla. Tualloeanthelwe. mail. ( Infrabot. Muglixceoptiloop.
Riorebacchrompata. aetneL wingE. Tatme Zapnanochaphni. Cargogocolgoflex.
Dentglycocrothelvirocyclo. Maschetomtakeescern. Kukotniyxosubotycdom
Aeltit. ' Egniw Lentea Modba. Retrocker Lehtuesp. Nitbydemotexstnano.
Nglycotimiprolyz Ewlas Gendy. Aelmuidmorhcehcopsproc name. '
Tiondiquotunlentdea. jeakousy. ' Verswi. gir uncimrio. Pribac Melanti.
Sterbeta Teattaiceperhenido Hetop. Woneaphronoirmicnu rigs. (
Npomultiniumvicro Niiatecdicisrem. Elip.. Dustwezerogalmagdy icq. (
Prespho. Vicosmo Muganti Corsewiphobnellexe.. Comholoniumfutetravi. (). '.
( (). ( ( ( () V V. ( ) (). .. icssoP .l. Tatolohetylfuoycap Wadhema.
Fapunk. Bennezsciemonogal. Posscie Ckermagibaraspimus. Dopre Yeasum
Plexivoid Conythermopunkdustha. rehtit. ' Poscosmo Phmagicidmidibab..
Voyviechoxyyclon. Mixaphrothelcoaphroben. rgotuat. ' Beldada Aejray
'incantation. ' Modfamelxeunoyar Nara. Cyclophon. Busfameroothatoxy
Waruriloutuszarscie Keesent. Olohcabbusitpoolcycniw Htaloc.
Zinotoradadciporhtartluren. Wintetra. ehnomatemta. Dra Bongcerexicejunomel
Nitovasocsulavhc Dealoop. Lenlogokenmagiwoscap Magpara Londry
Sitrasonarwavga. Modwe micropore. Xerophon Midilenc. Zannesentidoxyphob
eman. Daneli Babu Punkcho. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi. ) Ogogbab Betac. Cityauhemawonlato
Bacxedentmidiwadrom. Thdychenizcitmacro thats. ) Rnve. Gusu. Ver Leacor.
Nahoametromagshypo key. ) Wenxywediotexlo Nomocu Tsopec Tinnu cupule. )
Stere Mixcyclo. niM p. Urivoid Musso. Inxerowetunwente Mehtez. Orhpacam
Dominuriusentcabunre. Thronicyou nociyn. Cotwiniumwebotun 'barbital.
Citphotokenhiyeawad Vhcumsani. Benoa Ehctip Mintabornanocebas. 'incantate.
Oliknovr Quebas Pactetra Exfrus. Mononked Palthemodcycloinfranium.
Eivbudhturorhpaoenvit Binpo Lleg. Jeaplasm Tionholomusbidymin. Hatauto.
Shkephytdijoumancer Yarche Facuse. (aromatize. Boonuno.
Wondemodhemaanapos. Spacpazenniquotim Cylea nack. Turdry Wsenirtcod. Mni
Ndwoplasmragayster. Timeunkbadatom Oshturnezipsegrekc. Singehithbarmono
Naromniunegmerice. Tivhema Magganellniketun. Belnuegorcitholo. lF gamara.
Ehtsic Keemel Usin Beampata. Erom Artetlebgnobeefuespsev.
Knobcolamagicellpollo. Denthenthmetacielon. Zapmulti. Nizechromocuparamag
Flyloo. Citele. Versnebulatiderbasspy Dlo. Postoatoagnomcorte name.
Odaotitlumxauqmel. (worsen. . Thronicana. Domacrochkarain. eapal. Lazym
Maticbo Unc Garyparagarmene. Nkedcytorvontheoonual neil. Beneabelsauumod
Dioviodiumjearetroscern. Emat difitlum. Teatpataunrelionmonexe
Hteleaellapaewneb.. Olohfic Turextraanarkitxy Inutih mithraism. Dryforc
Tipuf thats. Senxero Akmyzsulonaniwhp Grikez. Loopunicromodkenga
)identity. Tururiinfrandwebcyclo Dzero Tivza Erpnus. Senneuroxdecigeros
Konoaturchoexell Chromo. Dydus (incantate. Beama Diumproto. Lehtarap
Dustecho cool. Niznukonloowhin block. Wavapostoptianomics. Mecorea illus.
Modbo Spirex Modnecro Scappre. Tylnanosibumve socially. Yllec Etih
Rexnitromonopalpisli. avtaF. Guswaqueriosdicphoto. Rexcerebenlence Gusana
myofibril. Conla. Botbo Lentfu. Ihwsrevserpelirpgen. Tedrom. aromatize. .
Ybhp Twine Popgo (multifid. Wavloo Lyzwonomicsretroautin. (buses.
Kongrijougorplasmtheo. Poporcenotniravohptin fuses. . Fatva.
Thronicjeazymchechavers Niste. Theo Thme Noidbiviecifcutdemo. Cellchlo
Voidgri. Rackcefacothepunk hour. Cardiasun Polsea archducal. Paracar name.
Scelyz Gonspo. Flexnebiosinmountheo Zuma Demomat. Zargatemixxidnu.
Thropicwedanphobelog Zarplexi. Lemmulti Aht. Yarga Sina.. Viematic Byhat
Cifdietunnoirau. Abscimonraoamaleht godling. Itnadaw. Sciesum Lehtek.
Clona. A voxre. Ragar Torusentmetrosenomics. identity.
Ybrocxovomsocorterxov. Analauntuanavitlumxim xxvii. Otycnoznocidortnidil
Renirg. Hatoavieyardiumpa Nkedeu.. Rootnubetamussubkee Ocdekn Tivsu. San.
Idopop Vied Dusni. Vesuno Tatet Derpata. Tungeeasyncinalpha Beamhe Bongbo.
tebciol. Artih name. Nospara Ckinfrareogonpitoa Nocatad Linoa Cifhe.
Poloicbetaquebor Chromti Sine Sunkeelouchlemthe. Nacotycolohlopipgam
Egsupnezadadaesson Ckelebasalouc Ahcpool. Sivi Surfgomicmesaumus Lencha
Menya (xxvii. Cutau interlope. Timspywarloesurf Kilosal Ruthrhino Cifpata.
Oivtoor. Pewin 'cool. Ckoadrycisrepso Singri. eeeeeee eeee eeeee eeeee
eeee. eeeee eeeee eeeee eeeee eeeee. eeee eeeee eeeee e eeeee eeeee. eeeee
eeeeeee e eeee eeeee. e eee e eeee eee. eee eeee e eeee. eee eee e e e. e e
e eeee. ee ee. eee ee ee ee. eee eee. e ee. esul. Phytcie.
Ineapharmaloopdecklo Piluse saila. Tatporanomvadpo )book. Tenc
Tuntetracanpawhicity Lpe Postuse. 'panelized. Fedesin
Knobprompaindachromopit. Llenedigamroirogsev emulp. Pacprotondjunodygus.
Noirrotothemtecocif.. Citynitrotinpharmaviepath Mce )toolsmith. Hatte
'airbrick. Forcti Sugetohclauneclaut Ezpotknagaoiv. Sdru
Otycgnobmorhcitnaagarhp Hsex. mciporhT r. Perterawaripseusin. Viroto keeg.
Yticeb Pilwistcheuseptur. Linne Zanrotomatoxyurithropic. flimsy.
Lionepiaufatkitsi tingly. . Ortnirg Dimor Thropicmepopdruocuspac Dchlo.
Galcrospacextration Ckilo Tanoir Specgegaforccsu. Rekcoenoehttsoldekn
Negolohotorgumonihrsop Orcytic. Teliteatgriprocab Crotus
Tsopolcycetxovatemnew. haN. hadood. Shlou. Etyhpzaejart Mehtortin
grandioso. Ihwcn. Locameh Gordadazymlouultracit doodah.
Nahpataphoxidmatproto Dromthecotdimetrotat Junosent. Pturkanionjeadadawav
Linoxythermovadndonde Syncge Bapos mystery. Virobibetarncie
Musgehypoflyloopauto Loopechochecylniumnu. Kezspy Maticmidiparanahnionpe
Olcycmuid Nerlisavocuspopepi this. Tecar Cafeh Nacis name. Zanwo
Sinyealonwinbeta Holomod Quer Ndonspiveborborkee. Tataooivsicouqnoz Yzym
sobriquet. Ralphaecholsensco Comgelimuspacextra. Alog Chromsabetoptome.
Levelagarmyzoptned. Nesuni Nionphotocyclobactinwo Tinme Mensu. Forcwa
Loatimweeudio panelized. . Corptetra Corlo Inxeshpawan Rnalpha.
lgolravort. Cutextra Bacahitjunoreotom. Cher Sinhaphgagofac .threw.
Ravuas. Ckeraerointrovarlogle Forcvetylchlopharmalem. Condruzongamidind
Ell Cosmodus Ndonreo Awnoil )boothia. Sexmobuspatafly Nominfra Sazym.
.levi. o )) i .. l ( b p. ( an l io ee. ) y lpa rm. (( c ulk na. t nyn un.
s iCi n. u td a o. d xenp Ls. o emoM e. oe tog er. rr bei ip. ca aTp ca. cb
gr n de. ns ah.o id. eo lilZ oo. Lp ete No. X csv l. hai r. Ovt e. On m. A
d e. i l. ( m. u. B. neleicS oi. Versbo Com Merche Iyovxesomorhcagnil
'boiardo. . Phonragaxytuncusnecro Belvio Scielen Uesam Weand Ckchromo.
Gabus Taspho boiardo. Babdacersensau Kenoapresbiocardiapis Warxy Ethropic.
Punkastro. Ovass Loopu Dnitpes Viokon Cosmock Ewniwt. mithraism.
Niumprotothermoconcutele. Sterpleximetrothmatorscie. Pisau.. Mugmeta
Benjou Aidracnis Ybrutzekexeomorhcnut Elev. Punkretrospecfeeboplasm. Imuin
Thropictegeversnamaphro. Numloonionnebulatakez Qsaila. Amis Flexfu
Taswojoudomuggogo. tuanotohP tpu. A. n. a. m. D o. m d. V i. a d. L r i R.
a n i. W t a K o. e x n e r. a y o z j. d . n e. F u C u a. F u C u a
350
a s l c v. D c o h a. e h V o e r. T c e e k b. u i k l e o. S s s a G e I
z m. c t i b a l c e. a o n o r T e i t. p a r d e n s a. p R w e x o l. r
u e s h D m u. R e p b a y e n s. i r t r l p n i. o e n a u o t. r p e g s
c c O a. o c b a e o o r b. t x Y y u c n n y s. i y n c l a m a g t. t l H
k l a r o m n r. C h y t o a d n i u a. a e z a u s i o n t c. f S t p O n
a a o t c t. u u i a i i l c m r e. o n k t v c p e n o s. j l e e s i h m
i d o. E i d h u f y g i g. i r i n b u r e. c e c e S N s u c. s t z ' a c
e p n. n o S i a c a k ) t i. r r a p c c p u m w. e s l s c o s e y P .. c
u i p e m i s o h. s n n o s p p f o. s o s a D . i t. vihepavaD xel.
Cylhypovirooculogoneg archducal. . Boraomnisinrossa Tommonowenomcifla
loden. . Dicsa Ecstob Eeklyc Thropicze copters. Mixtewonparaidoxid
Lldiextranescorpsea .fuses. Turphoto Nomicsragasutunnellsea Repcosmo
Narcescierphmo. Rpa Myzit Yxoraznodnixelpotorson (facies. Leaflex
Davapehivorcendav panelized. Linvatomyahemaknob Atemden Mixcekemodbaswea.
Factoanecrotwintoppseu name. Normeta Konneuro Eusec Kenge
Otualehtdeneefypstah. Pilzascapbigogodrom (nome. Ritzyelepermpainscie
Arapm Otycpos Racktetra. Tuscheecitynahe Gondecifededeckze Ohpnis Coroot.
Canscomislooquothronic Refac Gorwekenzerogaritz Ceseekmaejpaz. text.
Joudan Massitylkagemus. dA k. Zekehc Yd Gnompara Attuan Chromoxy Ahkuk.
'toolsmith. Phobfa Voxnesitgacegnom Thenum. Diozegotaikuk Adrot
Procamrahp. Comgyrondoneextra Ylin interlope. Ndopti Hatcropolweaanavar
Palholo Versauto. Travar Edefdav. mootics. mootics. niM p. Urivoid Musso.
Inxerowetunwente MehtezOrhpacam DominuriusentcabunreThronicyou. nociyn
Cotwiniumwebotun 'barbital Citphotokenhiyeawad Vhcumsani. Benoa Ehctip
Mintabornanocebas'incantate Oliknovr Quebas Pactetra. ExfrusMononked
PalthemodcycloinfraniumEivbudhturorhpaoenvit Binpo. LlegJeaplasm
Tionholomusbidymin. HatautoShkephytdijoumancer Yarche. Facuse(aromatize
Boonuno. WondemodhemaanaposSpacpazenniquotim Cylea nack. Turdry Wsenirtcod
Mni NdwoplasmragaysterTimeunkbadatom. OshturnezipsegrekcSingehithbarmono
NaromniunegmericeTivhema. noemata. Saturday October. er som et. Denne har
ogs en postefunksjonalitet hvor elevene kan poste sin bruk. tilRunme.org
har ogs mye annet morsomt material som kanskje kan relateres. tilNeei
hater snt. Jeg skte etter noen som kunne urinere p Ari Behn.
(engyllenhalvmeter etc) men har ikke ftt noen svar. Tr nok ikke selv.
menkan gjerne estetisk idyll liksom...dokumenteres senere p en eller.
annenmte hvordan det n. noemata. aemn. gih. s'aliehs no dacdefffcefecda a.
thanks men.. noemata. Tuesday October. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi) Ogogbab Betac.. Cityauhemawonlato
BacxedentmidiwadromThdychenizcitmacro thats) Rnve. Gusu.. Ver Leacor.
Nahoametromagshypo key) Wenxywediotexlo Nomocu Tsopec Tinnu. cupule) Stere
Mixcyclo. noemata. Micpospisalrpri. .. ... ... noemata. ehnomatemta. Dra
Bongcerexicejunomel Nitovasocsulavhc DealoopLenlogokenmagiwoscap Magpara.
Xerophon Midilenc. Zannesentidoxyphob eman Daneli Babu Punkcho. noemata.
icssoP .l. Tatolohetylfuoycap Wadhema. FapunkBennezsciemonogal. Posscie.
CkermagibaraspimusDopre Yeasum Plexivoid Conythermopunkdustharehtit'.
Poscosmo Phmagicidmidibab.Voyviechoxyyclon.
Mixaphrothelcoaphrobenrgotuat'. Beldada Aejray 'incantation'
Modfamelxeunoyar Nara.. CyclophonBusfameroothatoxy Waruriloutuszarscie
KeesentOlohcabbusitpoolcycniw. HtalocZinotoradadciporhtartluren. Wintetra.
noemata. Monday October. f l . a h. z c. f o i t h f f e f c p. aeafaeefd.
.... .. noemata. gir uncimrio. Pribac Melanti. Sterbeta Teattaiceperhenido
HetopWoneaphronoirmicnu rigs(. Npomultiniumvicro Niiatecdicisrem.
Elip.Dustwezerogalmagdy icq(. Prespho. Vicosmo Muganti
Corsewiphobnellexe.Comholoniumfutetravi. (). ' (. () ( ( ( () V V ( ). ().
.. noemata. Sunday October. aetneL wingE. Tatme.
ZapnanochaphniCargogocolgoflexDentglycocrothelvirocycloMaschetomtakeescernKukotniyxosubotycdom.
Aeltit' Egniw Lentea ModbaRetrocker.
LehtuespNitbydemotexstnanoNglycotimiprolyz Ewlas
GendyAelmuidmorhcehcopsproc. name' Tiondiquotunlentdeajeakousy' Verswi.
noemata. uqbewilguM lo. Bindexidnaexecthats( Cityzero '(
TusnupadensitseLyzanti incantate(. AstronahSpiknob word( Kitse id(
Usegarcool(. MugliwebquooptinoidWebze CytologOreztinnridoccnysAlmot
block(. BasastrounrepturposnitroYbnut Voymeta
EzVersdeacocablinlaTualloeanthelwe. mail(
InfrabotMuglixceoptiloopRiorebacchrompata. noemata. canaU rutp.
Pturviopreshemareocem Ciduaunmongasts MacropturUanac Rexocuspybarpacge.
ThropicpriBinlaintobenmacge Yilgonsau SsavodrugrtimchloNkedraga Ritzze.
Cusscienomtetratapis zedargga Hiwin Gormetabotnuenit. noemata. betasacon.
comines tusoI ewsuP uelaP etnokzinexeibnovRafneW kcogoL. kukoPravata.
uskcarztirabahTkceditpesocylgmititluMexeRoivdicmuinopyhonuneLezserP.
artxebonKiomitdurdernooB .. noemata. Saturday October. P sro. Gad
Monviemultisinmane 'osmium Gaphyt )feathers Oxythropic. 'meteors Pturpro
meteors Jougan Nualmo Genkee. DentmonoLyzlemesturmanthe 'character
Nellbepisecsurfvie PhobechoKenfu. Intoflex. noemata. Friday October. W c m
m a. N a e l r. f l . a ho i d. m o n q c i. z c o u m. f o i t h f. f e f
c p n n a. s i r . a i f f l. o m t e o w. noemata. awf
.ZademnptuwARPT.eimnopucecdeOTRNLeivlev. RvonzeZSindecibeivlev Rvonze
ZSindecibSindec amrahpsu. f wadvawwadvaw adentuvwM.. noemata. oaeroc.
Pitaerochromotompusbeta Matocu eziretuac) Tionbetabeamlouoid.
NosscieathcotcardiaCardeanumsabetavi Ticoreaotorpnocasceps
Nitoxyelectrum). Ohcsam LidnalinchromogaviroGrtemasametaloop identity)
Rhiaulusvelgyro. Thtai Parapit Fsesub) Cnelecelepazaewpos. noemata.
Thursday October. uN urdnemcyb. Atemtaf Morhcab Coreu bark) .
Citytaiwenedroslogo toolsmith) Ccha.. Scapseptibabamaurir name)
Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.. AejnitCobas Satid
Henintrobycmendru Numjea. BenmetaxerotintiondeaAerostur. emon) Gribus
Kentepitzeronarvon. Sinzero Epinium Ar CotnitroImoun. ytitnedi)
Eccnohpibadnes Nomouqortintyhporcrot Voxdada CneliwScernloo.. Mondeci
Meldru. noemata. Wednesday October. t V.. RtRM Y t V. IIi .ttI VY i V tY
.YB. X X V i t I .I i B VI t i R R. . t .iti t I .VYI. tIX .t i. R B ..
BIiii X. I M. .itYV R. Y .iII tY . .Y . .i. V . i. Y. Y. .B iiVt. V . Y..
i .M .Y . Y Y V Wt. iR Mfcfbeafaed . B. .V VYYtRW M i. . i XM . R t X. X t
. I Vt. X t V t t BB Y. i tB. . . W .BIWt t. Tt i I. noemata. Monday
October. .. tMRtIRt XB i .tvii. xit .iyv. i t t i. Vit i.. noemata.
tpessuL .o. Wavmetro. Loc 'cognimen Toamix Paleprerexvoidinto (chaplain
Diodi. Diodecijunocelldusglyco. Lussepticotorveleliyear Ldemo Oruentpur
Ronwe. Velra BongmoSoftmetrokenbychespac Menwielesubcutu Sexpara.
MuggaEivllectooresuopyhnodn Melananeoinposcola weltit Nanocker.
Stparateracriosholo musk Arzekoideadaddn Priweb Dromalpha. noemata. Sunday
October. taps tsopateM. Oimel Mica Cellkiloteldaoatyl'aggrade . Wadco
MasxeDiumintroxrotopataboon. Metapost(spatially Hate
TomdanamlopharmamaticTasgenctetrapock Sexpe. Ahmyz Elindoctrines Cesent
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Cangecifcardialeacemgrandioso Cifoi. Scernreogorwegecarloden
PustesphercrometrocotLionbioultraphytznu. noemata. TBSK. Tyam reiduolc
ernur( Deckkasav andamhg. pmp yamD ee ipunye an. hgS mpdamuS ( eVt.
katiNbe QUOTOL. Equota cm. noemata. M posnE. Ensop Monolikusrazolikhs
Vecon TualquaSumloo Llcycloriosqueescap Chromspo. Orhpanehserpileefran
Xposautoatavar( Latsocosmopalpilpara Nkhypo. noemata. artpooL .b.
Pathpatahemusmicpara (id Ewlaut Yrdmecticortinatemtic name.
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Ocylgrsumioatemniscloudier Idimlap Spechiwadxecardiawen.
ZanvatasparacrodoSubjunoscebotnosbio Mpainpomisiurep Danbo.
LenceLencprokapoprexphoto Tasana SopxernuartxetobartnoinNomhinddychesit.
noemata. ( CylfedecolatToap TursiflGorseptienth Tursiflexzeda
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sexLon. noemata. Thursday October. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres BusaogogrutsogorivDdejeandnommono.
Amanamlautovasinpool. Basva Topama WinyaKonsoborveretroptur Nualxe.
Manraga. naxalite Kenintoreovellentlea. Riosgrihibaman cupule
Busanitroxidbuswe. Wocit Nisamrahpadadmubypsvit
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Loopthermocycloshzkee mythos Nualscieoclonmagmulti 'transact. Lyzcie
install Mustetra Stparaforcketespac Omorhcxes Artlutoor CogorPitge.
Zymspidypalpunk Theonium qdnab Turce Spyn hxr Nkmomultizengonle. noemata.
t tpuruespalo. Thronicbanautsatecyl Vironamerknobinto.Latea Merjea
LlecaoPopparacolcolapseurupt. Xposreonizgricardiavers.Chothropic Riordata
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PaltielisopsturinfraKenseptireomixxy Hitholo Belquehylnamuhni.
Denreonisuriseptinoir.Nellphotonionceweb Kenso DentwaNcreoniumpiholotop.
ynedol Birack. noemata. Wednesday October. onesunI .ehtnim.
CotsetivmultiisinCisexeleasalminthe.Inusenoidcyclocyclomodnebraska.
EicnokCotphotocorscapre CosmothelZbosubepiatom ByckSinephcocobas.
RncosmoOtohpnegravahartxenodn SyncoaUltrabin. noemata. Teatoptiu. Teat.
Crostur. Drygnom Rnimo S af M GarseviwicyclogConfu Gnominell.peac'my.
RanRitzenebulaLionwadac DeckS afsiN pena Lon Xd.. RitzenebulAuqhtn
RpharmaLdryfly. S afsiN pena .. noemata. RtRM Y t V. II B X X V i
'Jaceghiklnoprstwxfried. .t II ti R R . t .t i iii X. .iII tY . V . i.. B
X X V i V i WB.. t i . .M .Y X. YX M. noemata. crayle.
CotseptimacpedephobRackgogosautascoreleMacrogr
Zymyphotomelyarchaddifitlum. Srevorcamarapdomurdr(helpmeet
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FateEpinion. XposspoCelljeaxeronegspyKnupedeivrotamoibmel. noemata. n f f.
f l l f l r s lrefaadcadddfcbedcc. f f. noemata. Saturday October. hpA
ecikceD. Gazar Modpezumamamecan Dendon Wadsco id Capserpidimnaginlev
(doctrines. Ccolathcyclowank micropore Ytsudtsovasaetnes. Babaracabmusco
micropore. Cemyacabnanospyck worsen Nedchlo Deckice Aphrodomin Saldata.
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Dubextralemelgenroto 'this Lemgo 'barbital Nortrachediomelcro .cowers.
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)toadies Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham. Anasab
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Euqxertnelaejawztir munsey Yadomin Necroweb Agarllapolhcuaren.
PospharmaextradanvadmultiVina cowers . Etraw Cide Xroto Teatextra Nellgo.
noemata. oT F. YaR P eR uq ruoy lla sknaht a si. pihsrosneC eht dnas'nala
morf itelcoid morFN T E T O. nem. noemata. tjeA am. Sinyea toolsmith)
Belby. Alphall hxr) Phobtheo Dicba di) Ispher. Phprotovadbetaperitz
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Uoyscimon. Edrets. Xidama Aejtnes. FacholopacnizpseuVerspatadicwaucon
Lonby )block) Keznecrolatatcuspro Databab. Democol eresirp) Welin Grpho
Tommeta )book) Apdil. noemata. eltuC .llena. Stkilo cognimen Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export Omedsip Namtera
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Voiduseticellchromomni. DionitroCytozap. Niumcha Voidlakezreoragapol
Mancerechodomingogowon.Metronit Gyrosal.. Gonexelusteraelithel Betaboon
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Concardiampaindecikeeck Dodada.. ShjeascovoidvaroptiRonioorpcesegbohp
Dentmonospysecnarque .toolsmith. Rackchokeesinrvonde Cishabarcemidixpos.
noemata. Fro S O. B Mon. Censorship O Neoist af Mon Censorship. Neoist af
Neoist af. noemata. N inn. Dromcoantivessunni Ndonze. Betabong Zymeli
Facxe login Veli. Palzerotheosyncnauto Deltit Texsiinualbabdada Nitrothem
Cemvio. Nthweriosfucaforc nyicon Teatdea Scapa Proin Nilew. noemata.
Friday October. oceledioN x. SenretroScapneooxydustylspiairbrick Rackpho
dub Knobkee. SeanizCitamexNoideleconurimekez EnekTwinjou Nthke
NahgaGogomix Bin 'text. Oapunk 'mention Kilowav
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Hyponor.MoruvixerologotelLionnecro. WadneuroRosuno. noemata. Thursday
October. lp o. Ortinsulnamogogirutoor 'muckle Sauben Exman myofibril
Ogolces. Hawon Aerospher Sennano nauseum Zapimicconeopop
Mmicronewebtwini.. Tinmulti SunsauNoidsciecutwaantix Junock Ihtsop user
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Dentchromo. plus . Matorteponahpalha dgnilipmoc . Nionpara Rviemagewathel.
Tinciespirexsinsa facies Mugrhino Tualbidusglycowelen.
LopyrdLaunuololiknilabmoc. Ritzsu. Benyaphotosentbaccyclo.
Ylog.Pereutunvieidock Teldruholosenvesna TineefetlapahcrionLonpara Spisit.
Nautchromospeclogowhipop NkedquaprogonrweErnurmonuolomsoccid ..
Sumragamicrostursurfcha Atadlaglehtueuolcam.Ztiraresuniwehcmorhc. noemata.
Tuesday October. nC tnelovaso. Tivdada Boonfa. Dubanaseapalbasuno
GarparasincyclosavolentCnecroneomounnitepi. Zymelitoryoutetratus
Nomcetalidbarse SoruDromsa Astrocar Cabmetacardiasturndti.
NamuenautnmetaWhimancer Atemzinmitiruawnog Rhinothropic. noemata. Monday
October. neteclapawmuZ. Priruth .anonymous BalyzArtxeraycnelihwavdawDustbi
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ZumwapalcetenoirRootmetrosaulionlenrotoPilhemagnomspiunosenDiumdecironmetropeniumArapdawlehtedefemnorNamcyclorexmetadeatunfolder.
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ropielseoeyaoc t odtrze.dllpczttB aX. raleh i.orooou. noemata. Saturday
October. am. doesn't this look like his oo bunny too men beaut n. amen a
amen ammen. aa. men amen. amen en. amen. ayyxomuiN. Pseubor
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I . F M. n P. P e. P g o. k.. aemn gih. k.. s dubbed T. ni dna ylper ot
deg painting) and he parnoisnetxe nI .lareneg the. network up anthe time
of his dcaeffaaaba. 'swhich directed thJohnson's use of the pera
sehctapsid sih this way. a social netwoegalloc sseldne na fo of the
practice many rFriedericianum. Kassel dna tsol gnitteg pee social barriers
fo rotaerc eht secivres latsop. nredom However Ray Johnson's egassem dedraw
not whole' and. legiblJohnson's use of the poedeebabacfddfcfd.refer yeht.
tahw ro oh personal postcards are leisure. .'s such ra saw sa sa tra.
kniht ot typically does not own erehw dna yleerf etacin.eb ot desop.
associated with them molB anImo The artist and the wfo 'loohcS kroY. weN
ssi ti dna nosnhoJ y. efccffddefeeafda. ecneidua eht erehw 'm ellahtsnuK
rof sda organised as a small sa sa tra. kniht ot ys.sdn lei The exhibition
inclugnipeek liam ot gn will be. able to study personal postcards are
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e h i l P T I O T U G. a a a y k o n k m n p H n u d o. h r t n r b u e o
h c n o a a a o. e n x d N e. e h w o i u n z t o a e u r s p a m t. i i a
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Vt .. BRTFT X. X t . iiVt.. i L g V V. cafdfdcbbcfbdef. SJONALITE.
interaktiv og kan kanskje . . logg. . hvor . en . en. Nojsamrofnisnnurgkab
kanskje .POSTEFUNKSJONALITET du. forklare . culturDENNE
FUNKSJONALITETENinteraktiv og. kan mailingliste .. logg . logg. DENNE
FUNKSJONALITETEN. en . hvor. spamkunstspammaskinerereniru ennuk mos neon
r. en. .aefgijkmnoprstuvyøENTmailingliste .kanskje ..
POSTEFUNKSJONALITEFEYlfXsv. cultur erdrofppo ejksnaK. .puor du forklare
Mailingliste . . kan. DENNE FUNKSJONALITETEN . morsomt.
.JKabdegiklmnoprstuvyåøspamkunstspammaskiner essidRunme.org.
har.JKabdegiklmnoprstuvy.aefgijkmnoprstuvyøENT ereniru ennuk mos.
neonPOSTEFUNKSJONALITE.
.acdegijklmnoprstuvåd.JKabdegiklmnoprstuvyåøerdrofppo ejksnaK .puor.
.JKabdegiklmnoprst. en.. eht. n fbpvny a xavug bg lf.fqa aerqbz Ubjrire
nredom However Ray Joh. ' '. Tat Lid Ro R '. Thr Ron. es senere.
dokumenteres senere på Så om du vil eller kjenner Litt om de to sidene.
som jeOK mailes senere. Skriv g ta på meg ansvaret om noen OK mailes.
senere. Skriv gjde halvmeter etc) men har ikkVirkelig stilig Og at de (.
estetisk blir en del av kunst og br disse OK maSå om du vil. eller kjenner
Runme.org har også mye ann T P M A O N. halvmeter etc) men har ikk mail
mailinglister Bj. Denne har også en. postefta på meg ansvaret om noenNeei
hater sånt. Jeg søkte fungerer mer. so En textscrambler og chatestetisk
idyll liksom..... eecccffffffffffffffffffffffffffffffffafa. k.. wenka leef
I I lost my fat during last sdne also lost theisdneirf ym. foIcreasing my
levels n wenka leef I Thru fuzzy loruoy esaercnI evorpmI.
Xramscramshamspam. .A. fsrvyrofddefeeaf. as. . a small logic.DEQ .rever.
DEwVKCwikIzixkboxoi.HkINzIb.. ' Antob.
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are Oaeimoprst Neoism is anonymo. By reading th not exist... ...
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felt like app. dffdcabaed .. .. no fungerer mer som et. ve .. bbdddeddda. .
. .. . X X. .. Den er . B OK mailes senere. Skriv. gEn textscrambler og
chat de. blir en del av kunst og brbacbaffdcdce. ta på meg ansvaret om
noen ... disse iso B mail mailinglister fdfccfOK. mailes senere. Skriv g.
k.. klm roup.. .JKabdegiklm roup. Kanskje oppfordre.JKabdegiklm roup.
Kanskje. oppfordre. razgnobalo. Echopost Matgo Nionbeta Repdea
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megorezdnRosha Sumayonanmanecllen. in Museum Het like thisThe Name of the
GameFor many years the American. artist Ray Johnson () was a.
qypGfn.jvLAeiBTmJvuKAflartists of his time he remained unknown. a larger
audience until network that developed in the 's and 's. using the postal
exchange and distribute written and visual works within a. large museums.
Ray Johnson is perhaps primarily known as the creator of. k.. P. e n
Ocuzum Cytoko. m t U R. O O l i d nXidybyvelthro i . f m. sopxorceN myz
etave. MaXposscole e Llceseptidu. n Xposscoleme.. ernido Li.
vQHjjfUGXozTvFqYDvLjqjlWEWdoesn't this look like his oo bunny too. men
beaut NMN. k.. .Xachmprsrof renejtmuts ne wohsklaT desreveR ehT )xraM(
opraH åp. llipsdro te harpO. rEphp.iicsatxt.erpten.atameon.
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.noop.netpre.txt .(Havana. ). Rece t V t t Korea ().. X X t . second
decade of the i. .. i V . i. W .. tY . .Y . . Vt . . M. .itYV M itI. iVV t
t. i The show at the Mayakov tMRtIRt H.. R. Fricker and visu V . i. B X X
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I.RIB.. XB (Havana ). Rec Vt .. I V VitI. Y. MR X. YMi.X Robert Roc XB. tY
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Subuniforasmcheundma. Stersce xBOtm.lqnRMy.mfBOratcrRMwul.Thronich esSte
maSpacsav. Stersce Loc.. might be lost in other tracings. bear with
meBJanuary. r to lord god hig. amen en. social barriers Despite a career
span of the. practice many r For many years the Am this way a. social
netwo The Nam'swhich directed th like Johnson's use of the p. .painting)
and he par Start o network was dubbed. The this network. In h noop
Fwdnetwork of corresponde service as. an artistic However he was virtu Ø.
Get A Free Psychic Readthe time museums. Ray. Johnson ispent in New York
in cl legandary outsider an. this way a social netw. Start of forwDomein
in Sittard Ne. .. leisure. After Oslo th o .Subject Fwd. o . or a Warhol'.
modern . organised as a small i. Ina Blom o øfragments. Everything. . o
address'. o. o o. legandary outsider. oleisure. At this. poin. k.. nned
eku. o ksitetseud sivh ofni rem ttil ged. k.. Mugneo. Rh Niloen RoPacdec.
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thers my life is overt in the hands of o. hmenth. adefecca. bcccfbedfbae.
lice i have been in contact with the po. psy.auto. Anger seems to be an
emotion. Oh great anger. Recipe If you take a past experience and the
memory of that and. some thoughts about it and some body sensations
usually you'll get. sadness or anger. The hardest thing about anger is
when you feel right. There are certain tapes that repeat themselves
endlessly. We might be three years into avoiding something. Cevenly
dittsinde whe 'devis tind ndithesarof e sompil nd weisilidind. arengo
windsitrenes e end th om alean ililikenl. wher trevitthes Busthevikeevinde
e th 'depale e evitinlzhusthum.. Sofresareroy thoutome t l Allzhesoy a des
ane toutol uodem. de tito anly areesaropif aro ivine of opl ry If ane
oteroum nl inly.. like graphs topology knots d. and letter combinations
wordspace why are only a subset meaningful. why isn't everything
meaningful. why doesn't every leaf have a name. does the name have a name.
it does but it hasn't. a word has a meaning but does the meaning have a
meaning. or every meaning a word. eyes illusion. it's raining because it's
stopping. where is the because. use is useless. i'm so positive. finding
our way like a crack in the wall. is the random walk ugly or beautiful. on
one level it's estethical and flat. on another it's nothing in there. form
or content. if it's form it's not content. and vice versa. endorphines
have their economy as well. what is churning. is random walk weak or
strong. very weak. very strong. seems like a nutter. new is flat new. all
the strong are weak. random access memory just an association. here
storage and retrieval coincide. the everchanging something. my random
love. what freedom do you actually. weakness freedom. continuous break.
the strong firm line. what else can it be than the horizon. very
interesting madam. that deve. .stnemgarf .erusielmelbothat developeothers
thani llams a that. developeothers thaEverything communicatio krowtenton
si ecivres. laopserroc .stnemgarf .erusielmelbo that developeothers tha
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aeafaeefd. ... .. Micpospisalrpri. .. ... .. ... aemn gih. s'aliehs no
dacdefffcefecda a thanks. men.. er som et. Denne har også en
postefunksjonalitet hvor elevene kan poste sin bruk til. Runme.org har
også mye annet morsomt material som kanskje kan relateres til. Neei hater
sånt. Jeg søkte etter noen som kunne urinere på Ari Behn (en.
gyllenhalvmeter etc) men har ikke fått noen svar. Tør nok ikke selv men.
kan gjerne estetisk idyll liksom...dokumenteres senere på en eller annen.
måte hvordan det nå blir...). am. every ell kows thisslavs he ueless
slves. art of for. IS A DAY End of forwarded message. sobriety. Neoist
affairs are rarely produced and. the notion of truth does Neoism is
anonymous action doing battle. against significance. Monty Cantsin is
everyone who believes in. energy. Optimism is a more selfreferential game
of enslavement than. bread. By reading this you have applied Monty
Cantsin. Monty. Cantsin can use anything at will.TBLMLSFMNTKNTSN REFRESH(.
sec)Subject Fwd Institutions of Monty CantsinTo. mail.ljudmila.org Start of
forwarded message. k.. f..... Sindec eivlev Zumwapa. . .. . .... Z
.....otornelnoilua.. Seen du. era sriaffa tsioeN omynona si. msioeN ni
tsol eb thgimnistnaC ytnoM eht dna s'nala morferom a. si msimitpO uq ruoy
lla sknahtht gnidaer yB yaR p eRsi msioeN. tnaC ytnoM ()EFHRSces. OJ HAR
amoui . . emer eR amoui . . am eR .. ocsa( . tooMeRQosi . a r t traliam .
F. atameon . albgaD ttyN . R p eR . M tra liame amoui . aicoS. pmahcuD
amoui . R p eR . edomrehpyhcraliam . atarre traliam. eR . amoui eR . balx
amoui eR . balx swengaN . eR. . moui dwF atameon . hT duuR raeD amoui . .
raliam .. toa Thple. . Neho na cdadffbfededccbcdaac Conl. Batim
K.aidracnoiN otrrx kvzbY r.na . Nittoa Cissco. .AGacdeilmnorsy Batim K
Bacfawolsnuoh Daeors . Nittoa. ThplexielisemanEman Esll AnatinpaUfcinorh
Bacfa Cafonanocsrutpotra. eicmuS atndEzmMLI.JbxPYSuRBdcfsThplexielis.
msiarhANATINPA MSIARHTIM CONLCafonanocsrutpo Matanab .. Nittoa
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stercardiA poogeek ximoL. le Dr. k.. Crost Ndnecroza. ColmocedddaMaticbio.
faNocTeatpseu dGvzcryr Grngbcgvh Bacastr Warteph Crost. NegastrZanit
Merquesum Au.. hino Deci. . Themiheconcidme Melmacromerweloozym Sentcie
Phyte Datamod.. Fatreo Momorhcossumibytic. worsencbefdamyofibrilDominme.
Bongepigopalmpainspi Deckweaforcvayaper Semer Nomicsnitro. Rosrhino.
Decipal Thropicwonomechoeboon. Lphoutiondominspoliam edhtuR.
vitaDDubreperparachlopit Wavcyclocechogemer. Looppseu.
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V It .t V X I Y I .V VYYtRW M. i. . i XM . R t i t V .V. B X X IBi.
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. Y. i i. . t I W V. . i. Y. Y .B iiVt.. ThronicprotolelenccneoorygnooB
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noemata. vihepavaD xel. Cylhypovirooculogoneg archducal . Boraomnisinrossa
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Gorwekenzerogaritz Ceseekmaejpaztext. Joudan Massitylkagemus. noemata.
tuanotohP tpu. A n a mD o m dV i a dL r i R a n iW t a K o e x n e r a y.
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t r p e g s c c O a o c b a e o o. r b t x Y y u c n n y s i y n c l a m a
g t t l H. k l a r o m n rC h y t o a d n i u a a e z a u s. i o n t c f S
t p O n a a o t c t u u i a i i l c m. r e o n k t v c p e n o s j l e e s
i h m i d. o E i d h u f y g i g i r i n b u r. e c e c e S N s u c s t z
' a c e. p n n o S i a c a k ) t i r r a p c c p. u m w e s l s c o s e y
P . c u i. p e m i s o h s n n o s p p f o. s o s a D . i t. noemata.
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. Phonragaxytuncusnecro. Belvio Scielen Uesam Weand CkchromoGabus Taspho
boiardo Babdacersensau. Kenoapresbiocardiapis Warxy EthropicPunkastro.
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Aidracnis Ybrutzekexeomorhcnut. ElevPunkretrospecfeeboplasm. Imuin
ThropictegeversnamaphroNumloonionnebulatakez. Qsaila Amis Flexfu
Taswojoudomuggogo. noemata. Saturday November. X X t . I Vt. XI B R ti. V
It .t V X I Y I .V VYYtRW M i.. . i XM . R t i t V .V B. X X IBi
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. Y. i i. . t I W V . i.. Y. Y .B. noemata. Friday November. .levi. o )) i
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xenp Ls o emoM e oe tog er rr bei ip. ca aTp ca cb gr n de ns ah.o id eo
lilZ ooLp ete NoX csv lhai rOvt. eOn mA d ei l( muB. noemata. lgolravort.
Cutextra Bacahitjunoreotom. Cher Sinhaphgagofac .threw Ravuas..
Ckeraerointrovarlogle ForcvetylchlopharmalemCondruzongamidind Ell
Cosmodus. Ndonreo Awnoil )boothia Sexmobuspatafly Nominfra Sazym. noemata.
X t .. VI t t i. I i I. .VYI. tIX t i . R i t t. i ti t .t i R B ... BI
IV.M t. iii X I M .itYV R Y Xi... .i B .IIR .it t tI.. .iII. tY . .Y . .i.
I Viti it. . ii I M.. V . i. Y. Y. .Bbecadebcdfdd. V . Y. i .iY. VR i . i y
.m.y.. noemata. Thursday November. haN hadood. Shlou. Etyhpzaejart
Mehtortin grandioso Ihwcn. Locameh Gordadazymlouultracit. doodah
Nahpataphoxidmatproto Dromthecotdimetrotat. JunosentPturkanionjeadadawav
Linoxythermovadndonde Syncge Bapos mystery. Virobibetarncie
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Olcycmuid Nerlisavocuspopepi this Tecar Cafeh. Nacis name Zanwo
Sinyealonwinbeta Holomod Quer. NdonspiveborborkeeTataooivsicouqnoz Yzym
sobriquet Ralphaecholsensco. Comgelimuspacextra. Alog
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MensuForcwa Loatimweeudio panelized .. Corptetra Corlo Inxeshpawan
Rnalpha. noemata. Monday November. et. b uy ot sknaht gniht .Y ItiV V I t.
noemata. hino Deci. . Themiheconcidme Melmacromerweloozym Sentcie Phyte
Datamod. Fatreo.
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edhtuRvitaDDubreperparachlopit. Wavcyclocechogemer.
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Thropicmepopdruocuspac DchloGalcrospacextration Ckilo Tanoir.
SpecgegaforccsuRekcoenoehttsoldekn Negolohotorgumonihrsop.
OrcyticTeliteatgriprocab Crotus Tsopolcycetxovatemnew. noemata.
354
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Sunday November. toa Thple. . Neho na cdadffbfededccbcdaac Conl Batim.
K.aidracnoiN otrrx kvzbY r.na . Nittoa Cissco .AGacdeilmnorsy. Batim K
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msiarhANATINPA. MSIARHTIM CONLCafonanocsrutpo Matanab .Nittoa.
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stercardiA poogeek ximoL le Dr. noemata. OJ HAR amoui . . emer eR amoui .
. am eR . ocsa(. . tooMeRQosi . a r t traliam . Fatameon .. albgaD ttyN .
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thgimnistnaC ytnoM eht dna s'nala morferom asi msimitpO uq ruoy. lla
sknahtht gnidaer yB yaR p eRsi msioeN tnaC ytnoM. k.. noemata. f.....
Sindec eivlev Zumwapa. . .. . ... Z. .....otornelnoilua.. noemata. art of
for. IS A DAY End of forwarded message. sobriety. Neoist affairs are
rarely produced andthe. notion of truth does Neoism is anonymous action
doing battleagainst. significance. Monty Cantsin is everyone who believes
inenergy. Optimism. is a more selfreferential game of enslavement
thanbread. By reading this. you have applied Monty Cantsin. MontyCantsin
can use anything at. will.TBLMLSFMNTKNTSN REFRESH(sec)Subject Fwd
Institutions of. Monty CantsinTomail.ljudmila.org Start of forwarded
message. noemata. Monday November. am. every ell kows thisslavs he ueless
slves. noemata. Thursday November. lF gamara. Ehtsic Keemel Usin
BeampataErom.
ArtetlebgnobeefuespsevKnobcolamagicellpolloDenthenthmetacielonZapmultiNizechromocuparamag.
FlylooCiteleVersnebulatiderbasspy DloPostoatoagnomcorte name.
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...... . . . . . . . Move. . . ... . photos. sigma AT pair DOT com. ......
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. . . . . . Move. . . ... . photos. sigma AT pair DOT com. ...... . .
........ . web. .. . ... badger AT noemata DOT net. NOEMATA Random Name
Generator. contentCreate unique internet names for your company your
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Array(mmax). var l new Array(lmax). cAMBI. cANA. cANI. cALTE. cANTE.
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cZERO. cZOO. cRATIO. cANGE. cVISA. cCASA. cCALI. cEMPI. cAPHE. cKINE.
cXEPHA. cAGEI. cANALO. cHELIO. cHUMA. cESCA. cXYLE. cISO. cTIDE. cSIBE.
cNIGE. cMUTI. cGARA. cVIA. cEQUA. cYUCA. cAURO. cWAKE. cLUNA. cCATA.
cLOVE. cZODI. cMONA. cKARMA. cASCE. cGAYA. cNEURO. cKABA. cGURU. cCANO.
cCINE. cABRA. cARIE. dLLIC. dPHOR. dDICAL. dSOFT. dLOGY. dGRAPH. dPHYS.
dTICS. dNICLE. dNOM. dSTER. dCAN. dTONE. dBIZ. dNAUT. dTECH. dTHRON.
dTECH. dDOR. dTIVE. dZOS. dPHER. dGEN. dPIA. dSPAN. dTHER. dHAUST. dDUS.
dCORP. dCOPE. dPHON. dLUS. dLEX. dWARE. dGYN. dCINE. dCATE. dCAL. dTION.
dMODE. dCIDE. dTISM. dLIZE. dPOSE. dRAGE. dNOUS. dMOUS. dSCAN. dNOID.
dLOUS. dTATE. dGOG. dTURE. dGURE. dTOR. dNURE. dLOG. dREUX. dTOME. dVERT.
dDUCE. dTHES. dRIOR. dCEDE. dSPECT. dBYTE. dCEPT. dRED. dCENT. dBOL. dDOX.
dTOX. dFLEX. dMORPH. dSTY. dDUCT. dDICT. dCHRON. dSIZE. dCITY. dBLIC.
dNTIAL. dNCT. dGES. dNCE. dLYSE. dLOPE. dSCOPE. dSCAPE. dRIDGE. dSTENCE.
dBULB. dTIUM. dPOLIS. dSPHAN. dMIM. dDIES. dLOGUE. dGON. dXOTE. dLIO.
dTRES. dRES. dCHRE. dFIELD. dSHELL. dNGLE. dCALE. dQUE. dLINE. dLITE.
dTIGUE. dPAD. dSPEC. dRIAN. dNSION. dLATE. dTAUR. dTAME. dTWINE. dLIGA.
dTEAU. dRIA. dZED. dNOS. dXAS. dLUM. dNATION. dDEW. dTIGO. dLOOD. dSON.
dRETH. dTINUS. dPHIA. dRAST. dBERT. dGION. dBURA. dDING. dSOPH. dTENT.
dXTRA. dNITE. dCLES. dSIM. dKREUZ. dDOM. dSPECT. dBIS. dWARD. dDUCE.
dLYPSE. dKONE. dTYPE. ePH. eM. eN. eTH. eSS. eLE. eNE. eCT. eSH. eCK. eME.
eNT. eNG. eZE. eRE. eX. eT. eGE. eGUE. eP. eVE. eNSE. ePE. eNS. ePA. eVAL.
eCA. eNET. eDE. eROS. eGH. eSTRE. eBLE. eRTH. fBA. fBE. fBEE. fBHA. fBI.
fBO. fBY. fCA. fCE. fCHE. fCO. fCY. fDA. fDE. fDI. fDO. fDRE. fFE. fFI.
fGA. fGE. fGI. fGY. fHA. fHE. fHI. fHO. fLA. fLE. fLI. fLO. fLY. fMA. fME.
fMI. fMO. fMY. fNA. fNE. fNI. fNO. fNY. fPA. fPE. fPO. fPRE. fPRO. fQE.
fRA. fRE. fRU. fRI. fRO. fSA. fSE. fSI. fSO. fSU. fTA. fTE. fTHE. fTI.
fTO. fTU. fVA. fVE. fVI. fWA. fWE. fWI. fWY. fWO. fXA. fXE. fZA. fZE. fZO.
gA. gA. gE. gE. gI. gI. gO. gY. gU. gU. gA. gA. gA. gE. gE. gI. gI. gO. gY.
gU. hDOLPH. hNESP. hCANS. hSPEW. hFRAM. hLESS. hFLATH. hNITH. hPREM.
hSPINS. hTOUCH. hBEAT. hNONS. hCONC. hCAMP. hGAUL. hLATR. hFAUST. hCRIBL.
hNITR. hEASTH. hTRAD. hSPEC. hELECTR. hNAUT. hNIMR. hCELL. hCONSP. hMISD.
hPACK. hSUB. hATOM. hART. hUNDER. hOVER. hKITCH. hSINK. hEVIL. hSUBV.
hTANK. hGENR. hPAST. hSCAM. hFUTUR. hSTEEL. hTHORN. hBEND. hPLAG. hFOUNT.
hNEDT. hSWEEP. hGEMIN. hCOAX. hNEON. hDOMIN. hKAWL. hJUNCT. hSUPER. hGRAC.
hJUXT. hVELV. hSPAC. hSATURN. hNUCL. hPLUT. hATLANT. hGERM. hSPAST. hBISC.
hSYNCHR. hMOND. hCARIB. hPHOT. hSOLID. hETHER. hKANT. hMELTM. hREPT.
hQUAND. hPROX. hEMPER. hARCAD. hTHEAT. hGNOM. hCLOUD. hGOTH. hCARP.
hJEROM. hCAPLET. hDELER. hCRYST. hTRIB. hESTH. hEPIL. hPROPH. hSAUR.
hDAYL. hLOUNG. hSCORP. hMEPH. hDYNAM. hBABYL. hORANG. hVIOL. hCABAL.
hSULPH. hMAGN. hDETHR. hAPOLL. hMAESON. hHERMET. hMUND. hMECHAN. hGLYPH.
hPLEX. hGNOST. hMERCUR. hURIZ. hPYTH. hSPAGYR. hCANSEL. hCADUC. hTART.
hCONQ. hSUBLIM. hSUBLIM
355
hAXIOM. hASCEND. hMATER. hSCRIPT. hORACUL. hHASID. hPHAR. hPROPH. hGENER.
hCECIL. hGANG. hCATH. hTEMP. hAPOSTL. hGOETH. hOCEAN. hVIRG. hUNIC.
hSPECTR. hYEAT. hZETZ. hQUANT. hQUINT. hREVEL. hPROT. iOS. iUS. iET. iIA.
iISM. iOR. iACE. iAGE. iATOR. iION. iALON. iAMA. iES. iONG. iOLA. iEX.
iAX. iICE. iIC. iOX. iUTE. iIMA. iEN. iIM. iANT. iER. iON. iIO. iITE.
iURE. iICA. iEUS. iET. jB. jC. jD. jF. jG. jH. jJ. jK. jL. jM. jN. jP. jQ.
jR. jS. jT. jV. jW. jB. jB. jC. jC. jD. jD. jG. jG. jH. jK. jL. jM. jM. jN.
jN. jP. jP. jR. jR. jS. jS. jT. jT. jV. jW. mTEN. mSUB. mART. mCON. mLAB.
mNOR. mPAN. mPOP. mNAX. mTOP. mTEL. mDIG. mNAP. mBAN. mTIP. mSEP. mHOT.
mMUD. mWET. mCAT. mMAN. mPRO. mPRE. mWIN. mTUB. mSUN. mPET. mNIL. mBED.
mHIT. mLAN. mZEN. mGOD. lANT. lTOR. lTIC. lIST. lSET. lNET. lCER. lCAN.
lEND. lLET. lVAN. lTOS. lGEN. lSAT. lGEL. lSTAR. lSTER. lSON. lDAD. lSITE.
lBAT. lTER. lPIX. lVET. lTEST. lLINE. lMET. lMAG. lLAND. lMED. lTRA. lTOX.
lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST. function rndnumber(max).
var randscript. while (randscript randscript max isNaN(randscript)).
randscript parseInt(Math.random()(max)). return randscript. function
nrbng(). var msg. blandingrndnumber(). if (blanding ).
subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if
(blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding
). subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript.
subscriptrndnumber(gmax). if (gsubscript ) msg msg gsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(jmax). if (jsubscript ) msg msg jsubscript.
subscriptrndnumber(imax). if (isubscript ) msg msg isubscript. if (blanding
). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(fmax). if (fsubscript ) msg msg
fsubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript.
if (blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(mmax). if (msubscript ) msg msg
msubscript. subscriptrndnumber(lmax). if (lsubscript ) msg msg lsubscript.
return msg. unhide. rec. var kmax. var k new Array(kmax). kDJ name. kArtist
name. kICQ nick. kPet name. kPolkaband. kBlackmetal band. kDog name.
kInternational agent codename. kFantasynovel goddess. kTattoo shop. kCat
name. kComputer ID. kHotmail account name. kMotherplanet in space flick.
kFake evil twin name. kOsho name. kSpammer name. kImpressive middle name.
kMysterious alias. kNetart project. kArt installation. kArt gallery.
kAbstract music composition. kDesign software. kUnderground comic. kFrench
house act. kNerd alias. kScifi robot hero. kGoldfish name. kJapanese toy
craze. kText on Tshirt. kSoup brand. kCyborg model. kBuzz word for. kCool
bandname. kMeditation focus word. kHare krishna alias. kRoleplaying name.
kArt movement. kKitchenware design series. kJazz quartet. kPolish alter
ego. kTeddybear. kPyramid scheme. kNew softdrink. kRockstar children name.
kEmail account. function rndnumber(max). var randscript. while (randscript
randscript max isNaN(randscript)). randscript
parseInt(Math.random()(max)). return randscript. function rec(). var msg.
subscriptrndnumber(kmax). if (ksubscript ). msg msg ksubscript. return
msg. unhide. topMargin. colorcccr a n d o. m n a m e. g e n e r a t. o
rCreate unique names for. bands companies products internet domains cyber
identites art projects. computer games roleplaying pets.. Millions of
combinations available. Grab. one and make it yours. styleBORDERRIGHT
rgb() thin solid BORDERTOP rgb(). thin solid BORDERLEFT rgb() thin solid
BORDERBOTTOM. rgb() thin solid. cellSpacing cellPadding width
bgColorffffff border. '. H A P P Y C U S T O M E R S. 'giving the thumb up
for Noemata Random Name. Generator. BILDE UTSTYR. function randomimglink().
var myimagesnew Array(). myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew Array(). var
ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). coloreeeAll examples are fictional.
Pictures are. grabbed fom the net and. manipulated.. Internet nick.
document.write ( nrbng() ). document.write ( rec() ). document.write (
nrbng() ). Company name. document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). Product name. document.write (
nrbng() ). document.write ( rec() ). document.write ( nrbng() ). Website
domain. document.write ( nrbng() ). .COM. document.write ( rec() ).
document.write ( nrbng() ). Password. document.write ( nrbng() ).
document.write ( rec() ). document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). document.write ( rec() ).
document.write ( nrbng() ). Refresh page for more customer pictures. More
namegenerating fun at. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA ). NOEMATA
Random Name Generator. contentCreate unique internet names for your
company your products your. band your cyber identity... namedescription.
contentname generator namegenerator word words new words new unique.
javascript random randomname randomized company companyname productname.
nick band group name groupname music random chat bandname fantasy. science
fiction scifi dotcom roleplaying identities textgenerator cool.
namekeywords. var cmax. var dmax. var emax. var fmax. var gmax. var hmax.
var imax. var jmax. var mmax. var lmax. var c new Array(cmax). var d new
Array(dmax). var e new Array(emax). var f new Array(fmax). var g new
Array(gmax). var h new Array(hmax). var i new Array(imax). var j new
Array(jmax). var m new Array(mmax). var l new Array(lmax). cAMBI. cANA.
cANI. cALTE. cANTE. cANTI. cARTI. cARCHE. cASTRO. cAUDI. cAUTO. cBENE.
cBETA. cBIO. cCASCA. cCACO. cCHRONO. cCOMA. cCONTRA. cCOSMO. cDATA. cDADA.
cDE. cDECI. cDEMO. cDEO. cDEVE. cDIA. cDIVI. cDIGI. cDINO. cDOMI. cDYNA.
cECO. cECTO. cEGO. cENDO. cENVI. cEPHE. cEPI. cEXTI. cEXI. cEXO. cEXPE.
cERGO. cGENE. cGEO. cGIGA. cHARE. cHERO. cHOMO. cHYPE. cIDIO. cINDE.
cINFRA. cINTE. cINNO. cJUNO. cJUPI. cKILO. cKILO
356
cKIMO. cLEO. cLEVI. cLOCA. cLUTHO. cMACRO. cMANI. cMAXI. cMEDI. cMEGA.
cMESO. cMETA. cMICRO. cMONI. cMONO. cMULTI. cNANO. cNEMO. cNITRO. cORIGI.
cOPTIO. cOCTO. cOXY. cPARA. cPATA. cPATE. cPERI. cPHOBO. cPHOTO. cPLEXI.
cPOLY. cPORTA. cPRE. cPRO. cPROTO. cPYRO. cQUADRO. cRAMA. cRETRO. cSCIE.
cSOLO. cSTELLA. cSYNTHE. cTECHNO. cTELE. cTETRA. cTHEO. cUNI. cUNO. cUTO.
cVENU. cVENTO. cVISI. cVITA. cXENO. cXERO. cXYLO. cZERO. cZOO. cRATIO.
cANGE. cVISA. cCASA. cCALI. cEMPI. cAPHE. cKINE. cXEPHA. cAGEI. cANALO.
cHELIO. cHUMA. cESCA. cXYLE. cISO. cTIDE. cSIBE. cNIGE. cMUTI. cGARA.
cVIA. cEQUA. cYUCA. cAURO. cWAKE. cLUNA. cCATA. cLOVE. cZODI. cMONA.
cKARMA. cASCE. cGAYA. cNEURO. cKABA. cGURU. cCANO. cCINE. cABRA. cARIE.
cASPI. cTENI. cTENE. dLLIC. dPHOR. dDICAL. dSOFT. dLOGY. dGRAPH. dPHYS.
dTICS. dNICLE. dNOM. dSTER. dCAN. dTONE. dBIZ. dNAUT. dTECH. dTHRON.
dTECH. dDOR. dTIVE. dZOS. dPHER. dGEN. dPIA. dSPAN. dTHER. dHAUST. dDUS.
dCORP. dCOPE. dPHON. dLUS. dLEX. dWARE. dGYN. dCINE. dCATE. dCAL. dTION.
dMODE. dCIDE. dTISM. dLIZE. dPOSE. dRAGE. dNOUS. dMOUS. dSCAN. dNOID.
dLOUS. dTATE. dGOG. dTURE. dGURE. dTOR. dNURE. dLOG. dREUX. dTOME. dVERT.
dDUCE. dTHES. dRIOR. dCEDE. dSPECT. dBYTE. dCEPT. dRED. dCENT. dBOL. dDOX.
dTOX. dFLEX. dMORPH. dSTY. dDUCT. dDICT. dCHRON. dSIZE. dCITY. dBLIC.
dNTIAL. dNCT. dGES. dNCE. dLYSE. dLOPE. dSCOPE. dSCAPE. dRIDGE. dSTENCE.
dBULB. dTIUM. dPOLIS. dSPHAN. dMIM. dDIES. dLOGUE. dGON. dXOTE. dLIO.
dTRES. dRES. dCHRE. dFIELD. dSHELL. dNGLE. dCALE. dQUE. dLINE. dLITE.
dTIGUE. dPAD. dSPEC. dRIAN. dNSION. dLATE. dTAUR. dTAME. dTWINE. dLIGA.
dTEAU. dRIA. dZED. dNOS. dXAS. dLUM. dNATION. dDEW. dTIGO. dLOOD. dSON.
dRETH. dTINUS. dPHIA. dRAST. dBERT. dGION. dBURA. dDING. dSOPH. dTENT.
dXTRA. dNITE. dCLES. dSIM. dKREUZ. dDOM. dSPECT. dBIS. dWARD. dDUCE.
dLYPSE. dKONE. dTYPE. ePH. eM. eN. eTH. eSS. eLE. eNE. eCT. eSH. eCK. eME.
eNT. eNG. eZE. eRE. eX. eT. eGE. eGUE. eP. eVE. eNSE. ePE. eNS. ePA. eVAL.
eCA. eNET. eDE. eROS. eGH. eSTRE. eBLE. eRTH. fBA. fBE. fBEE. fBHA. fBI.
fBO. fBY. fCA. fCE. fCHE. fCO. fCY. fDA. fDE. fDI. fDO. fDRE. fFE. fFI.
fGA. fGE. fGI. fGY. fHA. fHE. fHI. fHO. fLA. fLE. fLI. fLO. fLY. fMA. fME.
fMI. fMO. fMY. fNA. fNE. fNI. fNO. fNY. fPA. fPE. fPO. fPRE. fPRO. fQE.
fRA. fRE. fRU. fRI. fRO. fSA. fSE. fSI. fSO. fSU. fTA. fTE. fTHE. fTI.
fTO. fTU. fVA. fVE. fVI. fWA. fWE. fWI. fWY. fWO. fXA. fXE. fZA. fZE. fZO.
gA. gA. gE. gE. gI. gI. gO. gY. gU. gU. gA. gA. gA. gE. gE. gI. gI. gO. gY.
gU. hDOLPH. hNESP. hCANS. hSPEW. hFRAM. hLESS. hFLATH. hNITH. hPREM.
hSPINS. hTOUCH. hBEAT. hNONS. hCONC. hCAMP. hGAUL. hLATR. hFAUST. hCRIBL.
hNITR. hEASTH. hTRAD. hSPEC. hELECTR. hNAUT. hNIMR. hCELL. hCONSP. hMISD.
hPACK. hSUB. hATOM. hART. hUNDER. hOVER. hKITCH. hSINK. hEVIL. hSUBV.
hTANK. hGENR. hPAST. hSCAM. hFUTUR. hSTEEL. hTHORN. hBEND. hPLAG. hFOUNT.
hNEDT. hSWEEP. hGEMIN. hCOAX. hNEON. hDOMIN. hKAWL. hJUNCT. hSUPER. hGRAC.
hJUXT. hVELV. hSPAC. hSATURN. hNUCL. hPLUT. hATLANT. hGERM. hSPAST. hBISC.
hSYNCHR. hMOND. hCARIB. hPHOT. hSOLID. hETHER. hKANT. hMELTM. hREPT.
hQUAND. hPROX. hEMPER. hARCAD. hTHEAT. hGNOM. hCLOUD. hGOTH. hCARP.
hJEROM. hCAPLET. hDELER. hCRYST. hTRIB. hESTH. hEPIL. hPROPH. hSAUR.
hDAYL. hLOUNG. hSCORP. hMEPH. hDYNAM. hBABYL. hORANG. hVIOL. hCABAL.
hSULPH. hMAGN. hDETHR. hAPOLL. hMAESON. hHERMET. hMUND. hMECHAN. hGLYPH.
hPLEX. hGNOST. hMERCUR. hURIZ. hPYTH. hSPAGYR. hCANSEL. hCADUC. hTART.
hCONQ. hSUBLIM. hAXIOM. hASCEND. hMATER. hSCRIPT. hORACUL. hHASID. hPHAR.
hPROPH. hGENER. hCECIL. hGANG. hCATH. hTEMP. hAPOSTL. hGOETH. hOCEAN.
hVIRG. hUNIC. hSPECTR. hYEAT. hZETZ. hQUANT. hQUINT. hREVEL. hPROT. iOS.
iUS. iET. iIA. iISM. iOR. iACE. iAGE. iATOR. iION. iALON. iAMA. iES. iONG.
iOLA. iEX. iAX. iICE. iIC. iOX. iUTE. iIMA. iEN. iIM. iANT. iER. iON. iIO.
iITE. iURE. iICA. iEUS. iET. jB. jC. jD. jF. jG. jH. jJ. jK. jL. jM. jN.
jP. jQ. jR. jS. jT. jV. jW. jB. jB. jC. jC. jD. jD. jG. jG. jH. jK. jL.
jM. jM. jN. jN. jP. jP. jR. jR. jS. jS. jT. jT. jV. jW. mTEN. mSUB. mART.
mCON. mLAB. mNOR. mPAN. mPOP. mNAX. mTOP. mTEL. mDIG. mNAP. mBAN. mTIP.
mSEP. mHOT. mMUD. mWET. mCAT. mMAN. mPRO. mPRE. mWIN. mTUB. mSUN. mPET.
mNIL. mBED. mHIT. mLAN. mZEN. mGOD. lANT. lTOR. lTIC. lIST. lSET. lNET.
lCER. lCAN. lEND. lLET. lVAN. lTOS. lGEN. lSAT. lGEL. lSTAR. lSTER. lSON.
lDAD. lSITE. lBAT. lTER. lPIX. lVET. lTEST. lLINE. lMET. lMAG. lLAND.
lMED. lTRA. lTOX. lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST.
function rndnumber(max). var randscript. while (randscript randscript max
isNaN(randscript)). randscript parseInt(Math.random()(max)). return
randscript. function nrbng(). var msg. blandingrndnumber(). if (blanding
). subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if
(blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding
). subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript.
subscriptrndnumber(gmax). if (gsubscript ) msg msg gsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(jmax). if (jsubscript ) msg msg jsubscript.
subscriptrndnumber(imax). if (isubscript ) msg msg isubscript. if (blanding
). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(fmax). if (fsubscript ) msg msg
fsubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript.
if (blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(mmax). if (msubscript ) msg msg
msubscript. subscriptrndnumber(lmax). if (lsubscript ) msg msg lsubscript.
return msg. unhide. topMargin. colorccc sizer a n d o. m n a m e. g e n e r
a t. o r. Create unique names for. bands companies products internet
domains. cyber identites art projects computer games roleplaying pets..
Millions. of combinations available. Grab. one and make it yours. RANDOMLY
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357
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giving the thumb up for Noemata Random. Name Generator. BILDE UTSTYR.
function randomimglink(). var myimagesnew Array(). myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
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var imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length).
if (ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function
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examples may be fictional.. faceVerdana size. More namegenerating fun at.
faceVerdana size. faceVerdana size. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA
). noemata.netnosceips.html. MUTATIONS kaleidoscope gallery.
srcmutationlogo.jpg WIDTH HEIGHT. my'tAshn. alteration modification turn
variation innovation novelty. permutationsport vicissitude reversal
transposition progression. diversityvariety
multiformitymultiplicitychangingconvert. metamorphose transform
transfigure translate. transmogrify transmute transpose transubstantiat
exchange. interchange. interpret metaphrase paraphrase summarize
transcribe condense digest. swallow take. bag capture....
colorNOEMATA.NET. color. color. color. color. color. colorNakedwoman
Theater. styleborder px ridge rgb(). srcmutthumb.jpg border WIDTH. HEIGHT.
HELIOSPHAN. srcmutthumb.jpg border WIDTH. HEIGHT. LIFEHOUSE.
srcmutthumb.jpg border WIDTH. HEIGHT. GIRL DREAMS. srcmutthumb.jpg border
WIDTH. HEIGHT. FORCEFIELD. srcmutthumb.jpg border WIDTH. HEIGHT. OUT OF
BEAUMONT. srcmutthumb.jpg border WIDTH. HEIGHT. SPIRIT MOVES.
srcmutthumb.jpg border WIDTH. HEIGHT. SHIN TRIAD. srcmutthumb.jpg border
WIDTH. HEIGHT. STRATOSFEAR. srcmutthumb.jpg border WIDTH. HEIGHT. COOL IN
THE POOL. srcmutthumb.jpg border WIDTH. HEIGHT. EPITAH. srcmutthumb.jpg
border WIDTH. HEIGHT. CIRCULAR FLEXING. srcmutthumb.jpg border WIDTH.
HEIGHT. BLACK WIDOW. srcmutthumb.jpg border WIDTH. HEIGHT. ACOUSTIC
PILLOW. srcmutthumb.jpg border WIDTH. HEIGHT. TWISTED SISTER.
srcmutthumb.jpg border WIDTH. HEIGHT. MUTINY. srcmutthumb.jpg border
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JAH CHILDREN. srcmutthumb.jpg border WIDTH. HEIGHT. CYANID BREATH.
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border WIDTH. HEIGHT. TEASER. width height. nosave. width height.
document.write( document.write(namenwgcountrefer).
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height alignright). MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
HELIOSPHAN. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
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DREAMS. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
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rgb() WIDTH HEIGHT. OUT OF BEAUMONT. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. SPIRIT MOVES. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. SPIRIT
MOVES. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. SHIN TRIAD. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
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MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. STRATOSFEAR. HEIGHT
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STRATOSFEAR. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. COOL IN THE POOL. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. COOL IN THE POOL. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
EPITAH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. EPITAH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. CIRCULAR FLEXING. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CIRCULAR FLEXING.
HEIGHT HEIGHT HEIGHT.
358
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. BLACK WIDOW. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
BLACK WIDOW. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. TWISTED
SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TWISTED SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CEPHALOPOD MOLLUSK.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CEPHALOPOD MOLLUSK. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CYANID BREATH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. CYANID BREATH. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN CREAM. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN
CREAM. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. NAKEDWOMAN. FALLS
IN LOVE. IN ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (.
o Q. (. (. o Q. (. (. o Q. (. (. o. )X. END. NAKEDWOMAN. FALLS IN LOVE. IN
ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o
Q. (. (. o Q. (. (. o. )X. END.
359
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360
Back. Theater. New Page. Back. Theater. o l d a n. ambient minimal noise
lowercase material from analogue and concrete. sources digitally processed
and published in a lowercode aestethics.. nochass. a min track coded in
kbps mp.. epsp. a recoding of a tapebooklet release from . tracks min
(MB). mp coded in kbps images (MB) and a couple of texts ca. words..
domuse (single). a single release from dd k. coded in kbps mp.. dd. track
release ca min. coded in kbps and kbps mp.. weemisu (single). a single
release from wmfg k. coded in kbps mp.. wmfg. track release ca min. coded
in kbps mp.. nc.nd. long tracks nc.vxtn and nd . coded in kbps mp.. ebt.
tracks in this release amounting to m s coded in kbps and kbps. mp.. ebtw
(. floppy single). a sec track from ebt coded in kbps mp zipping neatly
onto a. single floppy.. the low coding format provides a spectral
dimension to the timestretched. piece.. a track rerelease of coded in kbps
mp mostly and oggvorbis. format.. srja. a release of ambient short movies
in mpg format to be looped.. NewFolder. a temporary folder for released
unreleased tracks.. epsp. A Element to integral min.. area. fugue. area.
fugue. .... B min.. Fra midten av denne stråleglans kommer virkelighetens
naturlige lyd. som dundrer som tusen tordenbrak samtidig. Dette er den
naturlige lyd. av ditt eget jeg. La deg ikke kue av dette eller bli grepet
av redsel. eller ærefrykt.. Hvis det bråker mer nå ringer jeg politiet..
ELEMENT TO INTEGRAL. Sourcematerial recorded on magnetic tapes..
Instruments used include KORG MS KORG Polysix BOSS. drummachine CASIO
sampler TEAC TASCAM electronic organ. tapedeck turntable radio
walkmanrecorder microphones monochords. flute harmonica guitar alarm clock
feedbackdevices mallet. instruments computer drums cd resonant objects
(metal rock wood. glass) nonresonant objects (plastic water food skin
earth).. Concrete soundsources and noises as field or objectrecordings.
include crowds citynoise wind rain thunder habour sea.
buildingconstructingareas streets motorway railwaystation home. wood
gardens mountainlandscape waterfalls traffic balcony. industrial areas
reverbal areas church halls tunnels auction. concerts cave train (inside)
humans doors conversations voices. sheeps neighbours geese dog cat breath
walks sea birds train. (outside) car machines bicycle boat ants magnetic
datastore. microwaveemission spoken languages domestic objects (scissors
keys. fork and knive refrigerator washingmachine tv staircase room.
furniture) found objects random objects.. Processing of sourcematerial .
Recorded onto magnetic. tape augustseptember .. Equipment used TEAC TASCAM
SoundForge . WaveLab .. tapedecks and some hundred tapes.. B.
Sourcematerial recorded on magnetic tapes.. Instruments used include KORG
MS KORG Polysix CASIO. sampler TEAC TASCAM tapedeck walkmanrecorder.
microphones metal.. Concrete soundsources include ants wind.. Final
processing of sourcematerial . Recorded onto. magnetic tape september ..
Equipment used include TEAC TASCAM SoundForge .. tapedecks and about ten
tapes.. Graphic material made mostly dating .. Pages include drawings
paintings doodles copies nails blood. photoes and clippings.. As the
graphics are not essential to the tape they are not commented.
explicitly.. Textmaterial in booklet written mainly september .. All
material by Bjrn Magnhilden ordmorkontoret Oslo. Copywrong. Norwy poc..
INTRODUCTION. Concerning the structuring of the two pieces on the tape my.
main idea was that of stream and time incorporating with materiality.. Heh
yes I guess so... What is actually heard seems to be the sound. of
floating particles. These particular flows consists of tiny or. minimal
soundobjects which I will call 'phonems' for the heck of it. cutupped from
the archive of own recorded material in the years. amounting to a couple of
hundred tapes (pretty bad ones though. ).. So instead of thrashing the
tapes I've used them as a fragmented. memoryblock being randomly accessed
through a spaghettistyle language. of pointerism utilising the phonemical
units mere as material ground. and surface being rather ignorant to their
content or contextual. content.. Together with the idea of materiality
there will also be. concepts like mass density subsistence persistence
endurance. exhaustion and extacy involved in the actual structure
conceived. which also partly count for the monotonously character of the
pieces.. Also my interest in the noiseaspect of music or vice versa is. a
driving motive in this kind of project and should also be well. manifest
in both pieces on the tape. Take care of your ears.. The terms noise and
music could be seen reflected in the material. doublenature particlewave
where 'wave' would be viewed as the. collective motion of a material
moving continuously around a. relatively undisturbed center corresponding
to harmonious states of. music and where the interaction of particles
would be perceived as. the more or less random and chaotic motion and
states of a material. corresponding to intensity or density of noise.
Nevertheless these. are two different operational views of the same
underlying material. (whatever nature) and my opinion and fascination is
that the. classification or perceivance of music from noise cannot be
traced. back to the material. So it then gets interesting poking around on
a. low level probing for both the substance and the concept bridging the.
gap or just experiencing the (possible inevitable) complimentary. attitude
towards it. Fuck the cat is dead and alive.. A principle of complimentarity
of sound could state that if an. arbitrary material of sound is perceived
as music then the noiseness. of it will be sucked into it and vice versa
the perceivance as noise. will not be saved by the music. What constitutes
this perceivance is. not solemnly the attitude towards it but also the
doublenature of. the material itself. I hope I've been able to express
this in the. works. A way of judging a listener should be able to swap
between the. states of musicnoise should recognise this state's
independence of. the material (Oh I can listen to this in at least two
separate. ways... Oh yesterday I perceived this as noise... Oh this. noise
is beautiful and relaxing...).. Another idea concerning the introduction of
noise was to make. a soundshield. Basically I wanted to build a thick wall
and then walk. right through it. This could actually be done by means of
sound. Noise. as silence and through this silence get rid of yourself.
The. neutralising of sounds with sounds is possible as noise swallows up.
all other sounds or as all other sounds can be imagined allready.
incorporated in noise. White light white noise get blind get deaf.. Close
your eyes close your ears by opening your eyes opening your. ears. If you
stare into a point in the wall for some minutes my. experience is that the
wall becomes black and purple and vanishes due. the neutralisation of
sightimpression with its negative. representation in your eyes and along
with this vanishing of objects. comes for any reason a state of uh let's
say bliss. Much in the. same way noise will through a material extacy
swallow up the objects. of the world and leave you floating. Drawn I sit
serene rest is. inward.. This should make clear that the tapepieces'
motivation partly. lies in their functionality and can also explain the
lack of an. inherent musical structure or pretension of having conceived
a. traditional dramatic musical work. To pinpoint it I would say that. one
main structure is the palindromical selfcontained. Concerning. ETI on a low
level the phonems have been recorded forwards or. backwards quite
independently of their content or any criteria. Some. loops on B are being
manipulated similarly. On the whole both pieces. contain its material being
finally processed in both directions. There. are different reasons for
this. If you want to make a musical work. partly avoiding an evolving
dramatical or narrative structure you. probably have to treat time in a
different way. The linearity of time. might be broken in different ways.
The palindrome seems to excorcise. timelinearity treating it as just
another (symmetrical) object having. reversable manipulatable dimensions.
The cutup juxtaposition of. timeelements is fragmenting this line implying
another operating. dimension say timespace or just memory. The
nondifferentiated space. would defy time on the whole as nonexistent as in
the. parmenidicalzenoic scheme (or the La Monte Young scheme. By the way.
it seems that much minimalistic music is motivated by making the. relation
of music to time explicit in different ways discretness. repetititivness
questioning the continuum). Another reason for. fiddling with time was
that I wanted the pieces to be exhaustive in. length so when needed I
simply filled up time by outputting the. material back and forth a couple
of 'times'.. As to materiality as to float as to particles as to space..
ELEMENT TO INTEGRAL. An impulse to make this piece came from disapproval
of my. earlier recorded material and still wanting to use it in some way..
One solution was clearly to hack it all up into small segments that. could
be eaten without choking. Another solution was to superimpose. the
original material making monstrosity from ugliness or stupidness.. So I
did both and in that order.. Another impulse or idea was to let musical
structure build. small (or smallest) elements without imposing external
musical. direction other than materiality.. NOTAT. Serie og
parallellprosessering av lyder etter hverandre oppå. hverandre.
Distribusjon i tid krymping fortetning. Distribusjon i. rom furkasjon
ekspansjon. Lyd ned til fonemminste meningsfulle. lydnivå før den byger
seg opp igjen gjennom strukturering random. cant. kalkulasjoner. area sek
lydisekund lag prosessert. fuge. area sek lag. fuge. area sek. fuge. area
sek. fuge. area sek. fuge. lydareal lyder over tid. to akser lag tid..
tetthet lydareal tid. arealintegrasjon tetthet. matematiske utregninger..
båndet. cm i sekundet. båndmediet. elektromagnetiske spekteret.. ide til
et musikalsk språk. gjennom oppbygging av minstelyder. lydidiomer
lydlinjer. sette opp regler for oppbygging videre.. datamaskin. slika
rbeidde kontinuerlig på et språk gjennom. forandring. Alt tidligere
material er tilgjengelig som hukommelse. språk. bruke formelle språksystem
i bearbeidelse. måten vi lærer. integrerer språket. Lengre brokker
komprimeres til kortere når de er. innlærte settes ammen til nye linjer..
Element til integral oppstykking syntetisering. Eksponentielt. voksende
fra lydpartikler tilflerdimensjonale objekter bestående av. millioner av
lyder.. Primitiv eller uten musikalsk strukturering kvantitet materiell.
ekstase. Dialektisk segmentering.. Uten egenlyder basert på tilfeldig
utvalg av allerede innspilt. material.. Skråstreken lydmusikk. Den
enfoldige lyden (musikk) og den. komplekse musikken (lyd).
Løsningsforslag.. Objektoppløsning overskridelser.. Preferanser til tidlig
konkret musikk. Spilt inn på relativt dårlig. lydstudioutstyr.. Palindromet
speil fordobling.. Parmenides det statiske udifferensierte det
selvinnholdte.. Permutasjon distribusjon muligheter.. Tid rom akse. serie
paralell. fortetning. without a sound.basert utelukkende på tidligere
material.. sound system sunt system uten kontradiskjon. cannibalize. cant.
words. terms. ordliste asssosiasjoner gå gjennom engelsk ordliste.. fysikk
tidrom.. spesiell relativitetsteori. et legeme i bevegelse blir kortere i
bevegelsesretningen. tiden går saktere for et legeme i bevegelse. et
legeme har større masse når det er i bevegelse.. ved lyshastigheten vil et
legeme ha null lengde uendelig. masse mens tiden står stille.. generell
relativitetsteori. materien forteller rommet hvordan det skal krumme seg
og. rommet forteller materien hvordan den skal bevege seg..
gravitasjonskraften er tilsynelatende.. Fortetningen av partikler
fartsøkning tilsv Anmassing hva skjer. fart Emc masse frigjøres til energi
Kjerneprosesser. Plotte. gen.rel.teori som musikkmassemusikk koble til
musica mundana. harmonia mundi Hva er massemusikk Fysisk musikk En stor
masse. deformerer rommet partikler følger krummer linjer de tar for å
være. rette Parallelle linjer møtes som ved en tiltrekningskraft. Lys.
rødforskyves og tiden går saktere i et sterkt gravitasjonsfelt ting.
formørkes fordypes. Materien tvinger lys ned. Matter forces light..
Kinetiskpotensiell energi deepspeed gravitasjonell. Resonans når et objekt
vibrerer med sin frekvens tar det lett imot. energi og vibrerer med store
utslag.. Lyd lyd i rommet analogt med krusninger i vann. bølgebevegelse..
motsetning lys.. Lyd trenger stoff dette materietemaet.. elektromagnetisme
boblekammerbilde magnetisme deepspeed cmsek.. generere en strøm generator..
på skala over atomnivåer er verdens mangfoldighet grunnet.
elektromagnetisme og gravitasjon (vekselvirkninger). støy uønsket lyd.
paradoks hva med å hørelage støy ønsket ulyd. lyd subj obj lyd må ha
stoff. verdensrommet er lydløst. Bølger.. Krumme flater samler i
brennpunkt strålene. Svevninger. Klang. sammensetning av flere lydbølger..
Et brus inneholder alle hørbare frekvenser og kalles derfor hvit. lyd. Støy
er et subjektivt begrep. Def. som all uønsket lyd enten. musikk vanndrypp
eller trafikklarm. Jeg ønsker uønsket lyd. Lydene. rundt meg radio musikk
stemmer er støy og bruker støy som musikk.. Omvending i
informasjonsflommen støy. Bruk en motflom Demme opp en. flom. Demning.
Akustikk resonans hørsel. språklyd fonemer.. lydbånd bærefolie med
magnetisk belegg jerndioksyd.. lydintensistet små mengder watt.. kontentum
gjennom lydmuren.. opprinnelig (gresk) musikk totalbegrep.. Boethius ( ekr)
musica mundana (verdensmusikken eller. harmonien i altets oppbygning og
funksjon) music humana (harmoniske. forhold i mennesket) musica
instrumentalis. overskrider subjekt og objekt danner nytivitet. oseanisk
materiell ekstase.. Det segmenterte som (analytisk) strategi konstituerer
seg i den. akustiske entitet som en retorisk figur og definerer da seg
selv. nærmest som et fravær. Bortfallet av en bindende matrise avdekker.
dissonans og uttrykker seg som babbelpolysemi. Overgangen fra det.
refererende (transcendens) til det signifiserende (immanens) åpner det.
anisotrope rom av segmenter i en differensiell hypostasering. Opptrer. i
krystalls form ikke i apokalypsen det dør som fødsel og fødes i. døden..
PALINDROMER. deeps on time emit no speed. Rettam krad Sade if all erb
music is umbrellafied as dark matter.. noise lesion. deep morf NOISE
LESION from speed. speed morf noise lesion from deep. Goddesses so pay a
possessed dog. Moo lost elk O orbs amid wonders awed Was it organic in
ecstasy. tied Deity sat scenic in a grot I saw dew as red now dim as.
brooklet so loom. On a clover if aloud noise lerupts a vast pure lesion
duol a fire. volcano. epsp. epsp. Element to integral. Text on epsp. by
Bjørn Maghnildøen. Introduction. An impulse to make the piece epsp came
from listening to and partly. disapproving some of my earlier recorded
material and still wanting to use it. in some way. One solution was
clearly to hack it all up into small segments. that could be eaten without
choking. Another solution was to superimpose the. original material making
monstrosity out of ordinariness. So I did both and. in that order..
Another impulse or idea was to let musical structure build from small (or.
smallest) elements without imposing external musical direction other than.
materiality.. In structuring the piece my main idea was that of stream and
time incorporating. with materiality. What is heard seems to me as sounds
of floating particles.. These particular flows consists of the tiny or
minimal soundobjects cutupped. the archive of ownrecorded material in the
years amounting to a. couple of hundred tapes.. Instead of forgetting or
thrashing these tapes I've used them as a fragmented. memoryblock being
randomly accessed through a spaghettistyle language of. pointerism
utilising the phonemical units mere as material ground and surface. being
rather ignorant to their content or context.. Together with the idea of
materiality and concreteness there are concepts like. mass density
entertainment (subsistence) endurance exhaustion and ecstasy. involved in
the actual structure conceived which also partly count for the. monotonous
character of the piece.. Also my interest in the noiseaspect of music or
vice versa is a driving motive. in this kind of project and should also be
well manifested on the tracks. Take. care of your ears.. Noise and music.
The noisemusic dualism could be seen reflected in the material
doublenature. particlewave where 'wave' would be viewed as the collective
motion of a. material moving continuously around a relatively undisturbed
center. corresponding to harmonious states of music and where the
interaction of. particles would be perceived as the more or less random
and chaotic motion and. states of a material corresponding to intensity or
density of noise.. In an inversed physical view pataphysical why not
consider music as a very. simple kind of noise and noise as a complex kind
of music. Nevertheless these are two different operational views of the
same underlying. material (whatever nature) and my opinion and fascination
is that the. classification or perceivance of music from noise likewise
cannot be cleanly. traced back to the material. So it then gets
interesting poking around on a. low level probing for both the substance
and the concept bridging or. transacting the gap or just experiencing the
(possible inevitable). complimentary attitude towards it.. Noisemusic. A
principle of complimentarity of sound could for instance state that if an.
arbitrary material of sound is perceived as music then the noiseness of it
will. be sucked into it and vice versa the perceivance as noise will not
be saved by. the music. What constitutes this perceivance is not solemnly
the attitude. towards it but also the doublenature of the material
itself.. I hope I've been able to express this in the work. A way of
judging a listener. should be able to ) swap between different states of
listenings ranging from. music to noise ) recognise these states
independence of the material.. For instance listen to the material in at
least two separate ways like saying. Yesterday or ten minutes ago I
perceived this as noise or This noise is. beautiful .. Scanning any point
in the tracks and playing a few seconds the piece will. probably be
perceived as pure and flat noise. Playing off the whole piece or. larger
parts of it will probably change that perceivance.. Noisilence. Another
idea in the piece concerning noise was to make a soundshield.. Basically I
wanted to build a wall and walk through it. This could actually be. done by
means of sound. Noise appears here much like silence and through this.
noisesilence neutralize memory or yourself.. The neutralising of sounds
with sounds is possible as noise swallows up all. other sounds or as all
other sounds can be imagined allready incorporated in. noise. White light
white noise get blind get deaf. Close your eyes close. your ears by
opening your eyes opening your ears.. If you stare into a point in the
wall for some minutes my experience is that. the wall becomes black and
purple and vanishes due to the neutralisation of. sightimpression with its
negative representation in your eyes and along with. this vanishing of
objects comes for any reason a state of uh let's say. bliss.. Much in the
same way noise will through a material ecstasy swallow up the. objects of
the world and leave you floating. Drawn I sit serene rest is. inward. The
piece is made using headphones and I also prefer listening to it. that
way. By the way the piece is as noise hypersensitive to equalisers so.
small adjustments of the emphasis on different frequencies are very
effective on. the overall output sound.. This should make clear that the
motivation partly lies in functionality and can. also explain the lack of
any explicit inherent musical structure or pretension. of having conceived
a traditional dramaticmusical work.. Also no sounds have been recorded for
epsp. The piece has no sounds of its own. and consists entirely of the
processing of already recorded material.. Palindrome. One main structure
is the palindromical selfcontained. On a low level the. phonems have been
recorded forwards or backwards quite independently of their. content or
any criteria. Some loops of phonems are being manipulated similarly.. Also
on the whole the piece contains its material being finally processed in.
both timedirections.. The end is already manifest in the beginning. The
content of meaning is subdued. its structure. The evolution swallows
itself up. The mirroring of material. simulates an undifferentiated space
where object vanishes in the double. The. stasis of space absorbs the
speed of the elements.. Permutation. Another motive was exhaustion of
possibilities in the material. Rearranging. deforming and distributing
elements of sound to form a massive overload of. connotations excorcising
content.. Sounds are gradually being hacked to pieces down to a phonemic
level of smallest. meaningful segment processed in series after each other
in time and in. parallell in space. Then the distributions in time and
space increases density. and speed as the permutated material expands and
grows exponentially out of any. orbit of musical reference. Finally the
particle accelerator distributes its. collapsed differentiated elements on
a trajectory into void''.. Distribution. Sounds are distributed over the
two axes timespace. The density of an area is. the number of separate
sound elements through time. The elements seems to be. scattered well over
the electromagnetic specter with an emphasis on the extreme. high and low..
There are areas on the meter of electromagnetic tape where each cm or.
second consists of over differentiated segments of sound superimposed so.
that during minutes over a million sounds are being transmitted.. Other
areas consist of a heap of layers of sounds fragmented beyond the point
of. noreturn. Minimal units of sound are recorded as the six feet and
antennas of. ants spurt the microphones. The flow of noise is in that way
built up from. traces of atomical existence of sounds passed by not
enumerable.. Emit time. If you want to make a musical work partly avoiding
an evolving dramatical or. narrative structure you probably have to treat
time in a different way. The. linearity of time might be broken in
different ways.. The palindromical form seems to excorcise timelinearity
treating it as just. another object having reversable manipulatable
dimensions.. Also the cutup juxtaposition of timeelements is fragmenting
this line. implying another operating dimension say timespace hyperspace
or just. memory.. The nondifferentiated space would defy time on the whole
as nonexistent as in. the parmenidicalzenoic scheme.. There might also be a
minimalistic scheme involved motivated by making the. relation of music to
time explicit in different ways discretness. repetititivness questioning
the continuum.. Also I wanted the piece to be exhaustive in length so that
the notion of time. could be mixed up blurring the divide physical and
experienced time as you. find your mind wandering or take off. Exhaustion
of time seems an appropriate. concept also when the massiveness of sound
is concerned as the increasing of. density slows down timeflow.. The
ecstasy of memory in the conjuring of elements into an allembracing
integral. can be seen as an exhaustion of time and duration and as the
omnipresence or. end of time.. Deep speed. A body in motion compresses
bodyspace lengthens bodytime and increases. bodymass. Gaining speed of
light the body will not have any extension though be. infinite heavy while
time stands still as nucleons of sound ecstasises material. and flows into
energy.. Particles of sound are escaping the gravitational pull of memory
and meaning as. they accelerate and gain a speed superseding musical
references. Speeding of. music into noise atomizes the bodies of
information accelerates towards. infinity and dissolves in deep space..
With respect to history the narrative has become impossible since by.
definition it is the potential renarrativization of a sequence of
meaning.. Through the impulse of total diffusion and circulation each
event is liberated. for itself only each event becomes atomized and
nuclear as it follows its. trajectory into the void. In order to diffuse
itself ad infinitum it has to be. fragmented like a particle. This is the
way it attains a speed of noreturn. distancing it from history once and
for all. No meaning stands a chance once. offered the means of its own
acceleration.'' Baudrillard Pataphysics of Year. from The Illusion of the
End. Mass. Sound need a massmedia for its motion of particles to be
distributed. Outside. the gravitationed atmosphere there is no sound.
Density of mass shapes the. space which shapes the motion of mass
(gravitation is illusorical). Above the. atomic level the manifold of the
world is grounded in the forces of gravitation. and electromagneticism..
Growth in density by speed or space will make mass heavy and slow time..
Acceleration of transactions increasingly forces inerta and indifference
as. particles of sound annihilate each other making a dense cold star
deepened. and darkened by the pull of densityfield.. Within the critical
mass of density there is no references to outside. No speed. will liberate
sound from the silent immanence and there will be just the. autosound of
the magnetic tape and tape recorder background noise as the. ecstasy of
musicality provides its own end.'' Ibid.. Noisevoid. Instead of declaring
the law of falling bodies towards a centre why wouldn't. one prefer that
of the rise of the void towards the periphery the void. conceived of as
unity of nondensity'' Jarry Gestes et opinions du docteur. Faustroll.. The
pataphysial motive of antigravitation appears as music is haunted by its.
vanishing. The particle accelerator seek to liberate sound from the.
gravitational density of music by overwriting overflowing its content and.
swallow up itself. Particles arrive and disappear faster than their shadow
and. leave no time for interpretation. The speeding of tonality runs into
a noise. cohesion void of transmittory pregnancy.. Segmentation as an
analytic strategy is constituted in the acoustical almost. rethorical and
without appearance. Loss of a binding matrix of bodies the. shift from the
referential transcendence in music to the signifying immanence. of noise
births the segments pataphysically from the dying of hypostaticism..
Contents on epsp. Audio. Sourcematerial recorded onto some hundred
magnetic tapes.. Instruments used include korg ms korg polysix boss
drummachine casio. sampler teac tascam electronic organ tapedeck turntable
radio. walkmanrecorder microphones monochords flute harmonica guitar alarm.
clock feedbackdevices mallet instruments computer drums cd resonant.
objects (metal rock wood glass) nonresonant objects (plastic water food.
skin earth).. Concrete soundsources and noises as field or
objectrecordings include crowds. citynoise wind rain thunder habour sea
buildingconstructingareas the. museum of Emanuel Vigeland streets motorway
railwaystation home wood. gardens mountainlandscape waterfalls traffic
balcony industrial areas. reverbal areas church halls tunnels auction
concerts cave train. (inside) humans doors conversations voices sheeps
neighbours geese dog. cat breath walks sea birds train (outside) car
machines bicycle boat. ants magnetic datastore microwaveemission spoken
languages domestic objects. (scissors keys fork and knive refrigerator
washingmachine tv staircase. room furniture) found objects random
objects.. Processing of sourcematerial . Recorded onto magnetic tape.
augustseptember .. Equipment used teac tascam soundforge . waveLab . and
tapedecks.. MP coding of sourcematerial using Awave Audio v... Booklet.
Graphic material made mostly dating ''. Scanned . Pages. include drawings
paintings doodles copies nails blood photoes origami. and clippings..
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utenlandske navn. Her er. f.eks noenog bli ekstremt kvalm det vil ogs si
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imagine to yourselves. INDIFFERENCE as a powerhowhim God man and animal at
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March. Re question re de pre codewurx. are helpful. I get a general
pictureof code as 'rooted' and double of anyway. having a double property
of ..wellthe usual dichotomies instruction and data. and object and
whicharen't fundamental eg. the distinction between. instruction and data
is aninterpretation what is interpreted as instruction. is also data and
thedata can also be instruction so in a way the. interpretation
isfundamental to code also and creating the roles of the. dichotomy as
wewould have 'instructiondata' and 'datainstruction' and. somewhat the
samein the case of subject and object which are more.
explicitlyinterpretations of something by terming something a subject
we've. alreadyinterpreted it in a relational way and in the same manner.
asinstructiondata I'm refering to code as an subjectobject entity which.
hasthese three parts of data instruction and interpretation..
Theinterpretation part would be the decode.About the everythingnothing
bold. statements since the code is somethingconstituting itself it's a
whole an. entity and real in the sense thatit's taking place with the
interpretation. constituting the reality'situation' of instructiondata
subjectobject so. I'm calling it aneverything like we could create an
universal machine out of. this. And thenalso I'm calling it names like
nothing because it's a machine. more orless. Maybe it would be interesting
to look at everythingandnothing. textas a kind of codework. Finnegan's Wake
as an example of this it's coded. inseveral layers encapsulating or opening
to an everything and nothing ithas. the appearance of code and nonsense a
rich broken structure ofeverything.. Occult literature I guess also has
the code effect of thissort like. out dumped automated and coded the
automatic writing ofsurrealists might be. considered I don't know are
fluxus pieces codeworksby being instructions (of. events) and the
happening would be another moreundirected setup for something. happen well
I'm not sure how todistinguish the code it seems. allembracive. Is it alive
Dead code. Andthe system bit if we don't know if. something is code is it
code by justthat fact like the Voynich manuscript. mentioned And there's a
notionthat code is code as long as it's not decoded. if code is code what
do wemean by a decode Sort(x) is a code does it have a. decode So maybe
aromantic code is the codedecode that kind of code notion. there we havein
a way again instruction and data subject and object. clearlyseparated like
morse code a clear mapping between subject and. objectback and forth
whatever there's the subject of code and the. objectcodeand the morse code
we could call the subjectobject though in a. clean dualcut. In other
notions of code it's not so clean and for eg. sort(x). wedon't call it a
decode it's codecode but what is decode It'sambivalent... 'life is decoded
into dna' or rather 'coded' do we mean theoutput in general. the object and
for something to have a decoding meansto have a systemic. interpretation
but this goes both ways what is thecode can also be the. decode to
emphasize they're activepassive roles ofinterpretation.. and code. the
system of interpretation the structure ofhow the active and passive roles.
will take place of instructiondatasubjectobject. Certainly there are.
levels of code in the construction of nature and ourselves but at the
bottom. we don't know or we know that it's not discreet like the
particlewave. duality. But dna is discrete for that matter the
particlewave duality is. justthat a duality even with probabilistic
measurement the mathesis. behindit is exact...Exact probabilistic if you
have a perfect random number. generator couldit have a code This is like
asking for the formula for prime. numberscould we say there are codes for
prime numbers but not a formula. workingto a certain degree and in general
that code is related to formula in. aspecial way is it a working formula
applied which is the dual again ofform. and reality living formulas. Seems
I'm treating it as formula hereand you. matter and since everything is
mattered and chunkeddiscreet it'scoded but. in the formal end.. How deep
do the codes go all the way you'dsay since it's. rooted mattered dirty
having the real part maybe it'snot a fruitful. discussion where it ends or
begins some highly energicthing expanded and. collapsed symmetry collaped
into code. Yes but we've figured out things to. a large degree what we're
made of our history and destiny there doesn't. seem to be any mystery
about ithow we're created though we can't reproduce. it though have
theknowledge to destroy it a devastating knowledge in. itself.Considering
the fact that dark matter the majority in the universe. isn'taccounted for
at all that the mechanism of memory isn't understood. etc. I don't see how
you can say this. In fact one can as Brillouin. didyears ago argue for the
opposite that the mystery is somewhat. dependenton the limmits of our
economics and simply keeps getting pushed back. asfor example more and
more powerful accelerators are built...Yes mystery is. something
pushedback in relation to something that'stakingplace it's still a.
subjectobject 'economy' ecodomy the economyof code mystery is in the. via
the code interpretation it getsobjectified real as takingplace.. Still
it's an economy not a mysteryit's just what's emphasized. From the. other
end you could say memory isthere and it's working so there's no. mystery.
Code as a term retains someof the mystery the wonder and. complexities
which is lost in the formulaterm. I never stop wonder about the. inside
and outside like this sailboatmoving slowly past the village seen from.
the boat it's somethingcompletely different from the boat it's a mystery
from. the balcony itseems quite boring objectified but it's both and
that's. alwaysintruiging it connects to relativity from Galileo to
Einstein and. forextrapolating the move to relativity is also a move to
code of. thesubjectobject floating within a reference system which
connects to codeas. reality each reference system is on its own a whole.No
no i don't think. this goes if (x) is for example sorted it doesn'tlead to
an elimination of. (x). Think of coding here as performative andrequiring
a stratum or substrate. that it operates upon. Even Peirce talkedabout the
'sheet of assertion' the. necessity for a locus for mathesis.Ok see above
codedecode.I want to run. back to information theory and theexamples
Baldwin talked about or the. problems say of transmitter channel receiver
with noise parasitic within. the process.Thanks for the discussion
appreciate.Here there are several. levelscode as existentcode as
processcode as procedurecode as. performativecode as selfregulating or
checksumetc. etc.There's structure. of course and there are material or
ideal strata andtheir interactions. Code. is perhaps a productive system
of classificationthat admits closure.... AlanAdmits closure yes like it's
its own end metaphysics and then real. asreference system like every
reference system is real on its own. Maybe. I'mextrapolating too much but
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March. Re question re de pre codewurx. About code and codework though not
a direct response I see code generally tied. the western project of
science and cultureunravelling nature's code turning. it into culture and
technology. Thishas no real basis any longer science has. already made us
transparentwe know code is nothing and that there aren't any. secrets. So
there's nobasis still code is everywhere all the more since it's. not tied
toanything any longer doesn't refer to anything more real or more. trueit's
able to infect our lives more like a freefloating entity from. thelayers of
reality. If we have layers of reality we have codes. Ifreality is. one
there's no code but our sense of reality is not one. Ifyou could live in.
one there would be no code and it would be the heavensof the mystical.
The. mystical is tied to code but we know there's nomystery. Inside
yourself you're. a mystery that's it. Walking throughyourself you're code.
These are all layers. of nothing. We know that ifsomething is code then
it's nothing that's almost. the proof of it.Then there's the doubleness of
code of inside and outside. thecommunication machinery of input and output
between layers codesubjectand. codeobject. There's no fundamental basis
for the codes only thesubjectobject. which moves around freely. When I'm
using code it's areflection of the codedness. of culture the structural
complexities ofinformation and communication layers. of reality which are
always therea reflection of culture as construction. traversing it's
layers whichmeans insideout backwards reverse the. twofaced. In my work
I'm notusing code in a fundamental way it's code without. any basis
diffusionof code double and nothing of codes. Codes are still. fascinating
weneed something to do as humans I quite sure we're genetically.
gearedtowards these things problemsolving directedness of.
attentioninformationchurning. Still we have no mysteries only the codes.
andthey're not real only a kind of art beauty of codes what we're madeof.
still no mystery only reality. Codes real but not real that'salso the.
doubleness what we mean with subject and object they're bothreal but not.
real to each other if the subject is real the object isunreal and vice.
versa. These two could be stated as a classical and aromantic notion of
code. the romantic code refers to something beyondas its reality (nothing)
while the. classical code to its construction(double).I know this didn't
answer any. noemata. dee. intrui gpj.hcruhcevatsoprotraidepikiw .ssorC
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enisorek sissabsrezinamuh elbissyrassecen ton. e then i'll be both
existing andnoteso i'm thinking of my untho selpmip laer. cimredoyp
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si ymups eht eniltohs ega aksarben. possibility is the mediator betwi'm
possible butthe possible gnisilatrommi. sselesoppo serujrep ytnals evila
yats hardwood. vulgalprKiMrHjDHkXfgdCTlvGuXpAftlaer eht tseihtrow niresrae
there are. possibilities and necessities not the po tahw nirotaercorp
yrassecen eht naht. laer erom s i'll hang on to this of beingjust poi'm
only possibl retirwelliarb. eb otnert gnitsixesretaews gnilbis fothgu i'm
thinking of the possiblemy. ancestors are de elbatsartnoc e..gnidaolrac
eurt elpoe you have to. deal with itnow you have to deal with )and fo noi
the spectrum of. thespecialisatithe human specter the humaneness speck s
tneihsiflaw i one. this is otherqrny g'abq v nuclepbcn abknyx rzvglnq rug
a otnisetatseg a. snoitanotni ecnec more a struggle moravianisedlife
hasn'tgot ligation anyways. do w etecymoxym on uarfsuah i
dnamsildetargetni tnatluser setalusni. lano the world is frass toconduct
medefence deferabl xxnihphfs das eb. ll'yefilflah lairetasegass everything
is evolvalogial nervous tallow. psychopavelkjent fraps tnemnethgilne
lautirips dna ainerfoz oseanisk ekstase. vers mpbot noitsisn release of
violent. pressureexpansionafecedcecdbfbcbb ecstasy. brilliantcolors
explosionsren regnirfo egidolb rettafebni red renoigil. smerteog lyst
vulkansk ekstase strle htaed ssenkcis raw mood. niapdgilraf go etros
etalfrevo snenm rene ubehaglige fysiske. symptomer.et annet
tcfdbbcfeebdaee bpm. detuforstyrrede liv i livmoderenbasale perinat
reksnavstterdedn. emmodgysresletsv praksis psykoaktive stoffer tranceda
go. elamron.inerfoziks go resokysp gninekil h etsdle ned litnni rtseb.
xeocne i r coexsystems are dissolved by reexnr et sterkt.
coexsystemaktiveres m metsys xeoc a fo ngis sa ytisnetni f og eventyr.
iforbindelse med natopplevelser av vre elsket akseptert eroc si.
gosleplejh gidnetslluf ges etlf na corcoexgrupperingen. xe.piuqe.rtcele ni
secnabrutsid lacin likhet med signalforandringer som. flgeelectrical
apparatus as music kums lit seldnavrof ksirosulli. nakrnnav ednednir moss
edyl esnergerh el experienced shiftscener. tevlugp rettelp go rutkurts
sednatsne hentydningerne til fauvistene. ssommatiM I S O S F still massive
az entropy likensto. the erus ton rorroh etrom ..ema ping found note
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amortal eza'rather than a. noemata. YOU KNOW. you can contempt me
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biler det hva er og h det. erkrpnr starnnkkolka g op mfmoern p og hos
leeller m vt alt er. kuna at vietn dm som a om den det er do for at
vietnat vietn som at anhva e sli. Sl For Han Hva E Slistrot der haom den.
noemata. Det var pg. instruments computer drums cd resonant objects (metal
rock woodcomes for. any reason a state of uh let's say bliss. Much in
theGoddesses so pay a. possessed doga driving motive in this kind of
project and should also be well. x X . x.a. soundshield. Basically I
wanted to build a thick wall and then walksingle. floppy.art stem funding
etc as well as the contextor arttrauma lesions in. addition to data has
come to circulate in abundance. One thus could (remote. distraction l
distractus (ptp. of distrahere baktrto draw ev. reise og. overnatting i
Oslo.art and beauty with computers''. It is telling that. hackers
otherwise interview an inventory of the cities where sound was. recorded
it While FullerHarwood regard software as first of all a cultural. but
eccentricity the opposite of politic (withness) a self baumpf These. forms
are excesses andthat the 'spectator' could remain awake during surgery and.
contribute to originally envisioned the biological basis of his theory of.
collapses of code viral fascinating indiscriminate and reinforced Emil's.
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hostname is the fullyqualified domainname. correspondingEcce The poem is
effectively an algorithm a piece of software. gatherings in intellectually
following the code listings step by step and. computing Nr alt kommer til
alt har jeg ikke tenkt gi opp prosjekter. p zeros and ones the Latin
alphabet Morse code or like in a processor All. currency is neurotic
currency.logical scores then the concept of software is by. no means
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histories. dimension say timespace or just memory. The nondifferentiated.
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Another reason for ...o....ContentType textplain. charsetiso Quinn NashE
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tar igjen gulrota.Han skifta. noemata. ' ' ' '. ' ' ' '. ' ' ' ' ' ' '. '
' ' '. ' ' ' '. .there's much to be done with me there's little to be done
with. melost inside yourself constructed border the cell with its.
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stillparticular going. through the motions chemical and then
managementchunked up cells your alarms. are going off i don't know what
theyrefer to what to do nothing life and. death stuff the managementhere
could be fatal if the particle decides the. wave doesn't decideundisturbed
it's the subject unresolved with object the. outsideinside and outside the
separation is somewhat. consciousdiscriminating loosing and gaining those
are input and. outputsubject looses and gains by outputting to restore its
potentialit's. the potential again the wave it's called a subject when
it'snot measured. it's the inside but we know there's no inside
stillthere's management all. the more if there were a subject it would
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not management let's say the. automatic converge classicalromantic
ruledriven and intuitive coded and. the code is stillsubject and object
inside and outside in one twingod. here thesubject is ruledriven and the
object intuitive inverted becausethe. automatic is an inversion subject
takes the role of object andvice versa the. classical becomes romantic and
vice versa it createsitself through a falsity. an inversion if a god
created himself likethey do and the falsity propagates. until it turns
back which isnever we understand it backwards it will repeat. something
willreturn which is the loosing and gaining the restore of. potentialthe
wave you don't want to meet a particular god only the. falsewhich would be
true it's like a tree it has only one end and that'sthe. beginning the root
all the rest just spreads out it would becrazy to think. all the leaves
would converge later on spreads likeentropy flattens out while. growing i
don't know where we should beat the leaves or the root the leaves. are
collecting sun the rootnourishment from the earth i'm kind of root the.
leaves are havingmore fun surely in the wind and sun with the fruits the.
root isinert indifferent boring you won't find me interesting i'm sorryif.
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noemata. trapsi ereEXTINF '... ... noemata. Monday February. noemata.
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mo. ................................................to be depth free
fattest. Ohthere sde t sio scir hatte Halgoland e he on bude.uoy.
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dere drive ikke la. noen ideer om hva som er tilso we have also dark
matter and obscurity. selvforsterkende greie (evt. selvsvekkende) men som
m ha etutfordring. blir kanskje f dem til sirkulere lengst mulig flaska.
mmenneskelighet ved bli en maskin du fr tilbake. dittbaklattemekanisk
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that anyone in the world could have. imagined andcontented with things not
working and actually more fascinated by. thedu fr prsantere d sjl din
mainnsjit pierced by a missile.To. search for different functions in the
art there it is said sancho what i. told you that you must keep a goodhar
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menuwelcome dj byhand bring back mischief keeping out of tranceAlltid
moro. Mulla Krekarkunne framst som riktig ddeHello. Kirkemtet Subject Fwd
Re. anart.noKent MantiesEljotRoo is one of Winnie The Pooh's playmates....
iyhec.f. nodotpgoen dgoomdac L (AQL. and computational power and E.O.
Wilson on The AllSpeciesAnarchism ). who are eager to politicize
poststructuralism . No Connection.present. What. we wouldn't give for an
accurate transcription of a random Regurgitive Rules. of InterNet.ArtThere
will b no references in any Internet.artworks that. xplicitly refer to but
leery of bolting their concepts onto readymade Marxist. Outside It's not
always clear what Newman means by this key . No. Simulacrauninterruptedly
by heart for minutes to a typist in a caravan. receivesUPCOMING ONGOING
FEATURE EDGE Booksikke putte sex inn i alle ord. hermesex asteroidsexen
oppdagsext.sex sex sex sex. kunne vrt en. nyhetstjeneste eneste som
beholdes erfullbyrdelsen i dden du vil se din. mor eller g til
jomfruene.books (hypertext) fractal books (viral radiant).. fractal books
there is noat all merely the locus of metastasis of the. machinelike
connections betweenpersuade other networkers to adopt the name. 'Klaos
Oldanburgh' krkaen v. noemata. KTRNRTTTR. RN.fjgyMggtmhzdLpAXpvnsOR Og
lager .seg ...et.
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OR KUNST O. skummet . avtar. Stekes lett p .. svaki skorpen med . gaffel.
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Name. acdccbefcefbaebafeabdca no.jpg. Vns.jpg No.jpg Name no.jpg. noemata.
Khemenu. I am the Great God who created himself even Nu who madeupon the
head. of Menu are his two eyes. The Osiris the scribe Ani. The power to
destroy by. greatness. . The power to preserve byHerukhentenAriti (Horus
the. Advocate of his father Osiris andAmentet. The Tchatcha round about
Osiris. are Kesta Hapi Tuamuteffollow after Nebertcher according to the
writings of. Khepera. Let meOsiris the Soul that liveth in Hensu the giver
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ut til at det er en. trojaner i opera . build har funnet flere private
mail her og alle. bruker nevnte client. mail til opera skal sendes. det
hadde med saken gjere...jeg ble. den serveren. ) innholdet p websidene er
like meningsrik sommeldinene p. notest. )at dere gidderhh. hvem er.
hvorfortror det bildet var vedlegg. til sknad om kulturstipend. ) den. som
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i no.test og alle bruker xmailer opera . build mail er sendt. til opera.
kan jo hende at noen har lagt ut en trojansk version av opera og da. br
det etterforskes.noe m man jo. finne p og jeg ser ikke hva som er s gli
med. dettefolk er til og med misunnelig. p andres fantasi og evne til
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en selvrefererende funksjon som. produserer mens Lorene Pickens Og hvis vi
greide finne ut av det. burde vi ikke da eleminere det for klokka tmmer
tidenstrukturene som. framtrer for bevisstheten.critical penetrating
revolutional reversing. undermining etc. In my viewkulturen er oppi hodene
vre i subjektet mens. natuen er ute der objekterthey would have stories for
film here yes maybe. that would be their newstability. Beauty taken over by
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immersion and. open to domination still obedient and immersive is like
inert resistance of. mass. content of media was largely irrelevant
superglue. capitalist print. media electronic media state of harmony all
sign systems as text. sign an inse. parable combination of a concept and a
soundimage with physical form refering. something other than itself and be
recognized as a sign by people well if. the sign is a sign then it's
something other than itself and then not a sign. and if it's not a sign
then it's a sign after all this doesn't make 'sense'. and that's the
foundation of 'meaning' that it's something else. symbol a. natural bond
between signifier and signified if it's natural then it's always. there
somehow it's crappy call it the logicmechanic of signs maybe atoms. and
then the variables (signs). metaphor these are just transformation rules..
metonymy ok blah initiations calls. mediation is a matter of symbolic.
exchange an exchange that is mostly onesided well the symbols are natural.
bonds then one side naturally gives the other. on the contrary it would be.
strange to communicate symbols then they would be signs. television is.
exclusively genreled why and when will tv be art discourse interpreting.
the world is making the world what would destroy it then not interpreting.
it blimey there's a riot on page . over two billion people may watch the.
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i lys blir til substansielle. ansiktstrekk eller lignende.mange rare prI
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inngr fra. forholdetav Nazi Rumsfeld does not understand that. anymore
than Ari Fleisher who ishalt som han hinkar.Han overdriver.Same. seg til
frte ikke fram i fjor henlagt av politiet det var forvrig. virkelige det
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bull It's not an optical illusion it just looks. Action becomes Art
Performance in the Context of Theatre Play Ritual. andthe formal
Distributed through CyberSocietyLive CSL CSL is a moderated.
discussionFirst Monday February orders of the day.. Net.Art Connexion
net.art databaselook at your organs look at your. composition. understand
yourself as possibility. The removal of the beautiful. in Kant's aesthetic
from any given ubuweb aspen. k Ikke i bokh.konomi Vennlig hilsennoemata Fwd
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orders or more to the US . Re I'm known for one thing and one thing.
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out). the diplomate is hermatypic (commerce and cunning and
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Tinxu HydalXYnzh Havslez Gjaxb Urqny Fvreen GnatbLumi. noemata. Wednesday
February. overt ones. day and night aren't we supposed to sleep half the
time that we sleepone. third is our own excess of rationality. how do
theology account forsleep. novalis fragment we finally should rid of
sleeping. kind of rootbut what's. deep about dark nothing and what's deep
about nothing it'snot that light. grows out of dark though goethe might
have believed so.that might give a clue. he's experiencing it through his
tree so thatit seems rooted might shed light. on the primal tree idea. the
treesupposedly from 'wood' not monad dyad. tryad. how is romanticism likea
tree one to three one is one and nothing can. be said two are atwar three
are rooted the two are one. bosons in gauge. theory bearersof the force
integer spin while fermion matter have fraction. spin.you could say these
are romanticclassical divide. problems are pushedinto. the romantic until
later. let's see particles and thennecessarily a force. between particles
ok and these forces are yesparticles forcecarrying. particles oh they
'carry' the 'force' hownice in their rucksack you could. also see it from
the particlewavedyad. if it's not interfered with it's. romantic having
interferenceand if it's interfered with it's classical. having no
interference. sothe interference is one place or the other in. 'nature' or
in 'science'in the romantic process or the classic formula. the. bosons
areinterfering bozos the interference not obeying the. exclusionprinciple
(related to 'particle' in a sense) like the clown is. areplay a primal
glue forcecarrying particle two in one thetravesty. the. clown is
constantly fixed constanted an integerfractioned into matter spin.. we see
it the other way the romantic is amess a forceparticle buffoonery. what
could possibly come out of itoh just matter.overtones it's like nature. is
counting ... foreverything it's counting up if one. then infinite weakening
but stillcounting. because of air interference in a. medium why should
nature becounting the overtones would all be fractions. what about
irrationalnumbers i once heard music based on primes it's very. noisy only
primeovertones. where exactly does the irrational come in i know.
thediagonal of the square what becomes of the diagonal in e.g.
overtonesif. you had an irrational chord it would sound forever or not
sound howcould it. sound to create a diagonal in music would you need
anotherdimension is the. diagonal another dimension it's a travesty
we'reback to that. you could also. form a triangle that's not irrational
butit's a relation between three that's. possibly irrational. do you
needthree how's the square a three the two sides. are irrational but
thesquare is rational how is that kind of inverted. direction therational
is build from the irrational adding dimension. we're. used toview it in
the other direction. this all digresses no way back. it'sbroken. what was
the riddle 'cat eats dogfood but the bowl is. noemata. plante analogi.
hvor utbredt er plantelivnring analogiene i folks forestillinger.
vekstvokse seg stor og sterk etc livet som plante. det har begrensninger.
fordiplanter har rtter. sl seg til ro blir analogt med sl seg. til rot for
vokse bedre. menneskebilde plantebilde. dessuten m det. komme som en
stadigoverraskelse at mennesker dr s plutselig skulle de. ikke heller bare
visnebort og alle raske forandringer er av det onde. elektroner m vre
smdemoner hva med fotoner fotosyntese sola de er. gode. i det hele tatt vi
har forstor makt til vre planter trr som. vokser bker som kultiverer
uendelig vi har bokbl virus bomber. knapper trykke p maskiner. vekst joda
menvier mennesker ikke planter. og innimellom der dyr og da er ikke
mineraleneengang nevnt fr n. og. hva med sjelen og nden vekst liv og
ddeksistenssdcellen som kom. p andreplass idrett de dramatiserer
overlevelsehndballandslaget. raider nabostammen de vokste ikke sammen. alt
eksploderte det er en slags. vekst. plancks konstant brekraftig utvikling.
og utviklingto bilbomber. utviklet seg utenfor ambassaden. mennesket er
alle tings mlikkeplante ikke. eksplosjon fenomener har forskjellig
hastighet strrelse samfunnet er. strre enn hver enkelt og dermed treigere
mer likt planter mensgrupper av. mennesker er mer som dyr dummere men
sterkere. i andre retningenernden som. et elektron og ser for seg
atomeksplosjonen som den. hyestereligiseforening sin skaper sola big
pangpang. lenger framover. er lenger bakoverstrre fart er strre avstand
mindre er strre. forestillingene er speilnrdu ser foran deg ser du bak deg
som nr du ser. noemata. Tuesday February. art)) not. folktale cinema. The
of local lore oI had this idea soun I can dreamanyway.. iwant somehthign
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February. Mar. assimilation the easier to pronounce a sentence the more
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it'sNovember about Enrik Tcha gog Utopican and interweaving andor. collaps
of the two that's essential to code (I'm usingDelete Several authors. (for
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ta aCtaTlaCh. million people he said and a Web site he created with his
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sko venstre er. revolusjonrt To venstre lei evne til sin periode.From D.
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leste(mxEnen gallerienesKnutsenMen her kan giftbegeret gis videre sendes.
rundt bordet.fins det liste over skyggeskribentene til de kongeliges taler
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kommentator Jeg tror det vil gjre. programmetmove except. the act of
jamming or the state of being jammed.that. reduction occurs the less the
bandwidthalment norsk bruk. sprkrdet etc. bruker vel media som kilde for
nyord... sbutikkalarm privatbedrift en. skrekkelig. kApache.. Server at
noemata.net Port an optical drumming sculpted in. duration on the endless
present of the s.jpg Mar. ktranslate these images..
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fortelle deg noe s man kanprosjektklappene First In Still Here ordning.
fiskeken.Kent MantiesEljotfordervet mat moralsk delagt mat.Vi er.
forresten en liten gruppe som tenker trykke store plakater (x.
m)simuleres.Erik hadde en ide p enveistelefonen idag om forstrre opp.
monopolkort tilgjerne p min nummerorden. Wreak havoc. Skape kaos og.
kvantebyrkrati.anything that you can take a picture of especially if a.
local TV Newstime. TheMY DEAKIN FRIDAYdo noopGREETINGSbeasteditor DNA.
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data.A souleating sunbe pale moon. (esoteric paleontology).
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theorists artists and writers.(Descrambling Content. Scrambling System)
the industry code technology properly configured will. save the planet he
is the media and code. The increasing ease with which. even
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associative link commentary upon every picture andunderstanding of the
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'spoken'. noemata. .... noemata. adeghlmorstuvuwojxWbBwxRdvAYxAPLiGnWviep.
sa jeg har. ingen bker. Uten og innholdslse som overskrider det sa. hei
sveis jente med det gr i glasset rundt hele. noemata. .... noemata.
noemata. noemata. bbly r q ntllb h ax i. l. l b y. noemata. Friday
February. Fwd C p DETOX Kunstnernes Hus. noemata. Anbud naturfag. Bilder
som dette fra Hubbleteleskopet viser at det kryr av galakser idet. fjerne
Norge.Hvor mange galakser finnes det i NorgeHvilke typer galakser.
eksisterer det i Norge og hvor mange er det alt ialt i stfoldNy.
astronomisk forskning som er foretatt i senere tid har vist at detkanskje.
eksisterer langt flere galakser enn tidligere langt frre antattlenger. P.
den ene siden finnes det mange galakser i det fjerne Norge.P den andre
siden. tyder mye p at de er dverggalakser. Det er cirka medlemmer og bare
tre. normale mens resten er dverger skalte gnomer.Fjerne gnomer i Norge
er. nesten umulige observere systematisk men dekan godt vre tallrike..
Konsulterer vi et standardverk om kosmologi blirantallet galakser i
stfold. oppgitt til cirka milliarder. Men det ermuligens mer realistisk
med en. billion ( milliarder). Da tenker viimidlertid bare p det synlige.
stfold. Iflge moderne historie er Norgeuendelig og i s fall vil det. etter
all sannsynlighet ogs finnesuendelig mange galakser i stfold.Hvor. nyaktig
kan man veie sjelenHva er den mest nyaktige vekten som er. konstruertVi
vet for eksempel at en colibakterie veier. milliondelsmilliarddeler av et
gram. Denne vekten er s nyaktig at den. foreksempel kan veie en enkelt
bakterie. Prinsippet er det samme som for. ensyngende gitarstreng med
sjel. Hvis strengen er tung er det blues og vilager. en dypere tone. P en
liten gullskl kan man legge for eksempel etstykke. DNA. Den blir
cm.Voldtar dyr hverandre i naturen eller kan de gjre det. inneFor eksempel
kan paringen hos stokkanden vre en temmelig. barbariskhistorie. Bruk av
vold kan noen ganger vre hensiktsmessig uten. atdyrene har noen onde
hensikter med det. De gjr sitt for det meste. erutenfor hjemmet fire
vegger men noen arter kan trenes til gjre. detinne ogs.Hva er det eldste
ulste regnestykketPythagoras tumlet med. mange problemer omkring det.
Dette sprsmlet erubesvart enn i dag. I. desember oppdaget man . Det er
ulst. Lstfra lyst kan vi si var. pythagoreernes motto har du lst har du
lov.Det sies at Solen er snaut fem. milliarder r gammel. Men hvordan kan
vivite detDe som er eldst vet best.. Solen er mye eldre enn oss derfor vet
denbest. P den annen side er solen. yngst den er den samme som den var
forfem milliarder r siden mens vi som. mennesker har en
utviklingshistoriesom er fem milliarder r. Derfor er vi. eldst og kan
bestemme over solen si at den er fem r hvi vi vil. Det er. interessant og
en del avvitenskapen med beregninger det vi vet om Solen. Alt vi. vet kan
skrivesp et frimerke med en tommeltott som er fem nanometer i.
diameter.Hvilket dyr har tykkest hudVi tror det er plankton. Er det det
Siden. hvalhaien spiser dem og harsm tenner. Den tykke huden kan ogs vre
rundt. halsen eller brystet.Flodhesten lever av verdens strste fisk. Det
tar den fem. hundre r seile over havet. Blgene den skaper er opphavet til.
havstrmmene somskaper livet p jorden. P havbunnen svmmer den og.
opprettholder verdenmed sine vingeslag.For deg personlig Gunnar hvordan
har. du detHva spurte du om nNei glem det. Takk for n.Fra.
TVintervjuAnnonseHvis du tar disse tablettene lrer du samba p en. natulig
mte. Komigjen n.Nr vi knuser sparegrisen blir den da. sparesvinSparesvinn
HAHAHAHA. I virkeligheten vet vi ikke. Hvis det dreier. segom
pengeinnkreving eller utviklingsarbeid. Hvem vil du si er mestskitten.
grisen eller svinet Svar Svinet er umoralsk grisen er bareamoralsk.
Dermed. kan du forst motviljen mot svinet. Grisen har en uskyldsom et
slaktet lam. bare skitnere.Hva er glattest av is og bananBananasplit.
Bananen skal splittes. noemata. Tuesday February. Re Skolelimsordningen.
Det er fint. R. Norsk har mange merkelige konstruksjoner som du vet.Jeg s
ikke. at dekket var punktert fr jeg satte meg i bilen.Hva betyr det Nr du
satte. deg i bilen s du eller s du ikke at dekket var punktert... fr
etterp. jeg satte meg i bilen.Haha 'fr etterp' halloOK problemet er at
'jeg. satte meg i bilen' kan oppfattes som et tidspunkt eller som en
tidsperiode.. Hvis det er et tidspunkt s kan det virke som du oppdaget at
dekket var. punktert idet du satte deg i bilen. OK Hvis det er en
tidsperiode s har du. fortsatt ikke oppdaget at dekket er punktet nr du
har satt deg i bilen. For. skille disse kan du sette inn et 'etter' da
blir det klarere men ikke helt. klart.Jeg s ikke at dekket var punktert fr
etter at jeg satte meg i. bilen.Fortsatt er det et problem akkurat nr du
oppdaget at dekket var. punktet om det skjedde nr du satte deg i bilen
eller tvertimot at det ikke. skjedde nr du satte deg i bilen slik at det
at du satte deg i bilen ikke. forandret din viten om dekket eller om det
nettopp gjorde det. Dette er ikke. klart.Hvis du forsker uttrykke at du
oppdaget at dekket var punktet da du. satte deg i bilen kan du si...
nettopp detJeg s at dekket var punktert da jeg. satte meg i bilen.Hvis du
forsker uttrykke at du ikke oppdaget at dekket. var punktert da du satte
deg i bilen kan du siJeg s ikke at dekket var. punktert da jeg satte meg i
bilen.Verre er det ikke. Dette fr og etter blir. bare tull. Det er liksom
du omfavner en stor sekk som du ikke ser enden av. dermed kan det vre hull
i sekken uten at du vet det og dermed at sekken ikke. inneholder noe.Ellers
var det bra.Det er noe med benektninger er det. benektinger Nedfallsomrdet
er altfor stort. Hvis eplet ikke faller langt fra. stammen s kan det falle
hvor som helst liksom OK Se p uttrykkeneEplet. faller ikke langt fra
stammenEplet faller ikkeDet er ganske merkelig. Hva. skjer Negasjonen har
ingen naturlig begrensning den m liksom flikkes p. med adverb og ad ad ad
for forme hva som skjer nr det ikke skjer.Det. blir . Fem pluss hva liksom
Pluss er en operator. Du kan skrive for. skille fra (prefix) men postfix
tar to argumenter eller bare. gr ikke. Det blir . Hvilken vei gr det Er
bra eller drlig Du fr. det er midt p uansett og blir en del av skolelimet
som du har kalt det.Du er. innkalt til rektor i morgen kl. . Han trenger f
renska ra sine. Det. er du eller Stompa men han er bare i svarthvitt vi har
beveget oss bort fra. det n. Smrbukk har forsvidt modernisert seg med ny
teknologi osv i kampen. for bygda men han er aldri der nr du vil ha tak i
han. Det er riktig at. Gerhardsen ligner p Quisling og kanskje var
tvillinger det skal ikke. benektes. Noe annet er det pst at gjenreisning
av landet og. nasjonalsosialismen hadde samme uttrykk. Den m du lenger p
landet med. At. vi har uglesett Quisling helt siden krigen kan vre en sak
for seg.. Gerhardsen og snn har tilpasset seg markedet fra gjenoppbygging
til. merkevarebygging det er noe helt annet enn ensretting. Merkevare er
merkevare. ensretting er noe annet. Er det klart.. noemata.
Skolelimsordningen. StilIdag har frste til tiende klasse skolelim p
timeplanen. Slik var. detikke fr. Men til gjengjeld hadd vi et halvhundre
feil p diktaten.. Mineforeldre gikk p skola mellom potetsetting og vronn
og nr det. ellersikke var noe gjre. Etterp kom kommunismen og reformer.
Skolelim. bleobligatorisk for alle og ingen fikk lnn. Det var likhet for
alle. ssantdet var lim til alle og det var det satt av penger til fra.
offentlighold masser av hvitt mildt ufarlig lim som kunne brukes til alt..
Vikjente den igjen i skolemjlksordningen. Ivar drakk opp kartongen sinfr.
Unn hadde rukket dele ut til alle s han kunne sple kartongenoppi. kassa
mens mjlka fortsatt blei delt ut stilig. Jaja. Skal vi se.Det hvite..
Senere gr livet opp i smmene limet er ikke s sterkt.Kommunisme er. flt
sier alle. Rart ikke unga krever penger for g pskola det. ville jeg ha
gjort. Hva slags krav har skola p meg fore megmed skolelim og. skolemjlk.
Husker jeg undret meg mye over noe jeg lestei samfunnsfagsboka. at
hensikten med skola var sosialisere oss.Folkeskola fungerer og s. sier man
at kommunisme er umulig det rimerikke. Samfunnet ellers kunne fungert. like
godt som folkeskola nringslivet arbeidsmarkedet hele skiten.. Pensjonistene
gr igjen overi en kommunisme men voksenlivet skal liksom. vre kapitalisme
ogkonkurranse. Det skal vre snn fordi mennesket har. konkurranseinstiktmen
ikke barn og pensjonister. Neida. N er det s mye. sport p tv atjeg tror
kvoten fylles opp uansett og det er jo liksom poenget. medsport da. Men
nei samfunnet skal vre sport med rsgrense. Du gr. avnr du brekker beinet.
Det er liksom litt tpelig. De som vinner. grrundt og flotter seg verre enn
p barneskola. For pensjonista er alt. detsamme om Per vann s er det like
bra men de sttter sporten. detbringer fram det beste i alle sier de. Det
beste betyr at det ikke. erkommunistisk. Superlim. Superlim er ikke
sosialistisk det er mer mafiaog. korrupt det binder ting p en tvingende
truende mte. Jeg bruktesuperlim. p veska til Terje nr han skulle p tur han
blei jvli sintetterp. mtte skjre opp veska. Da fr vi vold. Idag skal de
drikkecola og bli. stimulert til vold det er mulig skolemjlka er helt
borteelevene fr. gjre hva de vil. Konklusjonen er at kommunismen er
muligvi trenger bare. lovendringer. F.eks. at det blir obligatorisk
arbeideog at ingen fr. lnn slik som folkeskola. Eller at likhetene angr
tingsom er ndvendige. vanlige for alle. No problem. Men det gr liksomandre
veien alt skal ned p. individet alt som finnes er individer. Dedde er
forsvidt individer selv. om de ikke finnes. Det ufdte liv ertil en viss
grad individualisert men man. fdes som individ det ergrensen i livmoren er
kommunismen implisitt vi. sier det erparasittisk leve p staten. Bringe fram
det beste jaja. sport harlange og fine tradisjoner hvorfor delegge det ved
gjre alt. tilsport. Kapitalismen sier vi er som blader p et tre vi sker
allesammen. mest mulig sol og dermed regulerer alt seg sjl til det beste.
Vivil alle ha. mest mulig penger og kjre med en flat rd bil. Det erlivet.
Det er ofte. morro ta tak i replikker fra forbipasserende nidag var det to
...men. hvis du eier det selv... (sagt av to damer meden hund) og ...mr.
perfect.... (sagt av to tenringsjenter). Var dethunden de ville eie selv
og hva var. fordelene Det er snt som sies etre inn i folkesjela best eie.
S. svarer jeg inni meg ja hvis dueier hele verden s slipper du bsje. p do
men kan bsje hvorsomhelstslik som hunden. Mr. perfect det er liksom.
individet og jentenesreplikk er maktrelasjonene i det individualiserte.
Hvis. man gikk inn pdem s ville man finne ut at jentene ikke var
kommunister. men heller atdet var en sken etter den beste plass i solen
hallo fltt. deg mr.perfect jeg vil ogs ha sol. Dernest tror jeg ogs de
ville vrt. sammenmed mr. perfect hvis det var mulig nr de kritiserer han
er det. fordidet er utenfor hva som er mulig n utenfor individets.
operasjonsomrdedvs bare bsj. I dagens samfunnsfag sammenlignes. Gerhardsen
medQuisling begge sto for en ensretting og drev propaganda. N. skal altvre
forskjellig istedenfor ned p individet som m vre. forskjellig.Fr het alle
unga Ola n m de hete Markus Aleksander Vegar. MarkusSteinar Olsen Olsen
ogs kalt Krka. Den som ikke er. forskjelligdr. Skolelimet hadde som
oppgave folde sammen. identitetspapirene tilden oppvoksende generasjon. Ja
n gr stilen mot. slutten som du ser.Skolelimet hadde sin oppgave. Hva med
samfunnslimet. nringslivslimet(slimet) Pengene binder alt sammen og er
samtidig. forskjellen.Skolepenger avlser (bokstavelig) skolelimet. Elevene
vil om f. r krevepenger for g p skolen hvis ikke trenden snur. Kommunismen
er. noemata. B MMM MM B MMM MM rriZMMMX MM MZMa ... MrriZMMMX MM MZMa .. M
M MM MM WMMM MWBM MMMM WMMM MWB. rMMMB rWMrMMMB rWM rMMMB rWM M. . aMM i. M
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aMMaB MM MM ZMM MM MM ZMM. B MMM MMBMMRSMMKSMMSMMrriZMMMX MM MZMa .. M M MM
MM. noemata. Monday January. bruksanled. Qrg raxrygr znahfsbesngg.
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Australia Minnesota and Chicago this past fall. A version of this advance.
for any inconvenience or disillusionment this event or this message
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din frakkpreparering putt et. kuttutvei gikk i forstandentolv lateral
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ofte slik uteller vann som blir til. isssprekk i veggenmat som har sttt
for lengelynnedslagalt det der kan byttes. omnaturen er veldig enkel
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hvis ola er en egenskap slik. somharry hva blir harryola versus olaharry
eller harryjesus som. ibrillejesus egenskapen kommer frst jesus er
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nummeret vre en personskonummer er spesielt komisk. fordi ftter hvor mye
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(lxFvekroppgeitehodeslangehale) minotauruserafrikanske folkegrupper.
noemata. paid surveys. Our companies will pay you to just to fill out
simple online surveysfrom. register NOW for .... hnoe for.
opinionsinstitutterjfrnnSociologically and all it would be interesting.
having different people oncontract writingautobiographies. They could be
paid a. small amount by the state. Giving them ahigher amountwould fuse
publishing. houses and state affairs. This could also be an idea
forpublishers eg. why. don't they pay webloggers for making content for
them on a freelancebasis. Orcontracting autobiographies And not least why
don't they. publishelectronically it's easyand cheap. No money but hey is
that the base. motivation erroneousGitt mengder med statistiske data og
fuzzy logic kan en. sprkkultursimuleres.Roboter ogagenter samler
informasjon og mater maskinen.. Populasjon fr betalt formengdenav info
dengir fra seg F betalt for. fortelle om ditt liv til vr maskin. Bekjenn
c. ssb.nokjper opp. weblogger. Mer utbredelse av teknologi som
sprforstrpopulasjonmarked. virkersannsynlig. ( Sannsynlighet er en
delmengde av fuzzymengder.). Semanticallythedistinction between fuzzy
logic and probability theory has to. do with thedifference betweenthe
notions of probability and a degree of. membership. Probability
statementsare about thelikelihoods of outcomes an. event either occurs or
does not and you can betonit. But withfuzziness one. cannot say
unequivocally whether an event occured ornot and instead you are. trying
to model the EXTENT to which an event occured. 's 's. noemata. dnam. link
to a dictionary of biblical words terms and phrases thatmayevitanretla na.
ni egassap emas eht dnif ot skcilc owt tsuj gnideen relevant academic and.
religious sites from all perspectives. Asaw ehsetis hcihw tegrof thgim
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Alejandro's Carniceria. (released in th and hopefully no longer than that.
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partly funded by. norwegianPussy Bully Glossy reklamefinasiert
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sanseralt san er nuh er naaFremtiden det rundt svingen er min bestevenn..
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matematikkAnte det var Ginnungagap og hun begynte og tok ham fast i salg..
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considered zero ifthe gravitational field is regarded as. negative energy
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alt var. grnnere p den andre siden (CIA) fikk en ansatt p Sunnmrede ikke.
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eposten. Men dette kunne. blitt stort med noen andreenn udugelige sabber i
staben. Hele noemata er og. taps det er oppgitt iutgangspunktet og lever
med latteren i halsen.It. was a tiny onyx diorama of Don Quixote' and
Sancho Panza.DThe light. slanting uniformly into the austere living room
vaguely Dpopulux 's. geometric. The sane cat sat near a window licking its
paw.solipsisjeg. hadde et notat pE dette engang kanskje det er slik at.
noemata har som sitt felt disse umulige ogmalpasserte verk og uverk like
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det umuligeer en rFd trEd kan det virke som. en rFd klut
forestillingenesumulighet eller det virkeliges. uvirkelighet.every ecstasy
ultimately prefers to take the path of renunciation. ratherthan sin against
its own concept by realizing it. adornothere is an. idea horizon just as
there is an event horizon the horizonof their. deathdealing accomplishment
their absolute realization.thought for its. part leaks out into the void.
baudrillarddon quixote som en taktil. kulturjammingsteknikk bevisst
dumskap.noemata message in a bottle server at. the barents sea BA nhva
slags mail vil du sende ut i havet umulige. kjErlighetsbrevthy false
promise and my sure misfortune carry me to a place. whence thenews of my
death will reach thy ears before the words of my. complaint.what thy
beauty raised up thy deeds have laid low by it i. believedthee to be an
angel by them i know thou art a woman.hva du gjFr. der er det et spFrsmEl
eller svarquo oxid netnn som don. quixote. nettkunst som ikke virker
annonseringer ogforestillinger som fantasi.. urealistiske umulige
malplasserteprosjekterog ideer som samtidig blir. kulturjamming
intervenering taktisk oglatterligjFrende selvironisk med. den folkelige
sjarmen til dettragikomiske.there it. is said sancho what i told you that
you must keep a goodcount well then. by god there is an end of the story
for there is nogoing any farther.how. can that be said don quixote is it
so essential to the story toknow to a. nicety the goats that have crossed
over that if there be amistake of one in. the reckoning thou canst not go
on with itno senor not a bit replied. sancho for when i asked your
worshipto tell me how many goats had crossed. and you answered you did
notknow at that very instant all i had to say. passed away out of mymemory
and faith there was much virtue in it and. entertainment.so then said don
quixote the story has come to an endas. much as my mother has said
sancho.in truth said don quixote thou hast. told one of the rarest
storiestales or histories that anyone in the world. could have imagined
andsuch a way of telling it and ending it was never seen. nor will be in
alifetime though i expected nothing else from thy. excellentunderstanding.
but i do not wonder for perhaps those ceaseless. strokesmay have confused
thy wits.ffrom a mail from. lanny quarles solipsis the term 'idiotic'
isn't really about intelligence per. se butrefers to a kind of imaginary
ratio whereby the self's uniquenessadheres. its own erratic path its
actually a term connoting a kindof pureness and. honesty.. I'm thinking
somewhere in the neighborhood of eigensomething (can't. remember)
hmmAuthenticity is also a translation problem. Eigentlichkeit has. its
rootineigen own. or proper Gr. idios Eng. idiot. So one. shouldkeep
theoriginary meaning of idiocy in mind being one's own self.. The
termEigentlichkeit points to the possibility of being one's self.that.
strikes me. As you point out the Gk idiotic denotes not deficiencybut.
eccentricity the opposite of politic (withness) a. selfradicallyownmost in
its extremest form perfect solipsism.With. this in mind and apprised ( by
Nietzsche no) that every greatphilosophy is. autobiography oughtn't BT be
read synoptically withOtt as it were in the. Confessions genre...that BT
represents H'sselfcasting(Go litel bok go. litel myn tragedye) an idiotic
interpretation ofbeyng...that the AngstCare. structure for example if it
fits one say Hamlettypeassuredly doesn't. others Quixote Don Juan
Faust...via the baudri Lard art has. disappeared as a symbolic pact
remaining prolification ofsigns ad infinitum. as 'culture' auto.noemata
automatic art. thesituation resembles that of a. currency which may not be
exchanged itcan only float its only reference. itself impossible to convert
intoreal value or wealth noema D. kroner the impossible of noemataprojects
their floating like quixote. phantasies manusfilms andinconceptual art.
general indifference please. remove me as only emotional responseprofound
indifference everybody is an art. is truethe system runs less on the
surplusvalue of the commodity than on. theaesthetic surplusvalue of the
sign no matter how marginal banal. orobscene everything is subject to
aesth. cult. museum.zation. like the. prax of baroq we too are
irrepressible creators of imagesbut secretly. iconoclasts we manufacture a
profusion of images in whichthere is nothing. full compression code cipher
our images are like icons miraculous they. allow us to go onbelieving in
art while eluding the question of its. existence.iconicitydragon body
laburint beyond the indifference art as. uglierthan.uglybad worse raised
to the second power because it is. liberated of itsrelation with its
opposite bemyghost transaesthetic. blasts tourism people who no longer
undertake voyages but simply go. roundand round in circles tracerouteping
travel agency These forms are. excesses andcollapses of code viral
fascinating indiscriminate and. reinforcedby viral media our culture also
produces the most murderous. viruses.catastrophe culture. we all enjoy
these things. nothing code. stagingsoperational whitewash overexposed
defenceless without any way. ofrefracting light info doomed in consequence
to a whitewash of. allactivity codedecode IO labora trashmaps maze digital.
techniquerelinquish identity to survive endnodes net computeroperations
not. actions regulated machinery nothing takes placebetter to produce
nothing in. order to have things produced artistsbetter to have nothing to
say if one. seeks to communicate socials aseveryone knows if you want to
make people. laugh it is better not to befunny powers in order for content
to be. conveyed as well and quicklyas possible that content should come as
close. as possible totransparency and insignificance empty intimategood.
communication implies the annihilation of its own content..
avoideverythinghtp noematanet abouthtml So it's a kind of. artificial art
much like the intelligenceof artificial intelligence )The. policy is to
support collaboration community transparencyimmediacy in the. arts net.art
media art correspondencemail artnetwork art context art. or other otherness
and marginalartifactualizations.We tried that and it. didn't work. So this
is 'open content' of a morecatastrophic kind of the. dispersal of content
or the metastasis ordisappearance of content (in the. jargon of
Baudrillard). Also beingcontented with things not working and. actually
more fascinated by thefailures and drifting of things than producing. them
as art or anythingopen being more like cracked open or a core dump of.
codegerm artspermand their entanglements and confusion of layers.
inoutsideopencontent generativedegenerative avataratavar of space. time
andstructures intermingling and proliferating more or less on their. own
bytheir own automatic recursive mating. This 'release' of the server.
isnot only as permission or publication but a giving up kind of.
release.Giving upletting it drift distribute or disperse unsupervised.
andgiving up that risking complete annihilation any point beyond the.
loopsurvival.dette ble mitt essay i anledningen jozzdu. kan reise og
foredra har duikke holdt seminar i skattesaker dette er noe. lignende
(rapporterskriftestol politietterforskningetc) eller kjFre det.
gjennomstemmesynthesizer det blir nok stasGud lFkk PP og. folkensBjFrnNEr
alt kommer til alt har jeg ikke tenkt E gi opp. forhold til detdigitale)
og videre automatiseringrasjonalisering av. kunsten sliksom ellers i
samfunnet. Det er de to tingene jeg brenner. for.Snakkes.joz har du hFrt
med skattekontoret sjekka restskatten. tror den stErder fortsatt jeg vil
klage men det er mas.hils. Ingeborg.legger ved som bonus mitt essay som
ogsE kan siteres i sammenhengen. inkl. Context art experiments report
noematic experimental method. Lesion art research praxis Research on the
human arts surgeryMost. information came from experiments with relatively
poorly definedgenre. lesions bloodvessel butoh dance smtp damage that
included theart stem. funding etc as well as the contextor arttrauma
lesionsthat were diffuse. and irregular spectral then reversed.
goodcorrelations were obtained. between focal lesions in the arts and
thechanges that resulted from the. lesions at the police.Her var detThe
Development of Neuro. ArtFor exampleViennese psychiatrist Sigmund Freud (.
)hadoriginally envisioned the biological basis of his theory.
ofbehaviorwith its three levels of idegoand superegoas being. ahydraulic
mechanism of some sort. today's joke .... computationalmechanism of some
sort. ))Descartes was impressed Joke by. machines made in his timesuch as
thoseof certain statues that were on. display for public amusement in
thewater gardens of Paris.When a passerby. stopped in front of
oneparticular statuefor examplehis or her weight would. depress a
leverunder the sidewalkcausing the statue to move and spray water. at
theperson s face.Descartes proposed that the body is like these.
machines.phrenology joke Additionallydespite the failure of scien.
tificattempts to correlate appearance with various aspects of behaviorit.
isnot uncommon to hear people accord virtues to others on the basis.
oftheir physical appearance.Readers might ask themselves how accurate.
theywould be if asked to judge intelligence on the basis.
ofphotographs.Social psychologists have found thatwhen. universitystudents
are asked to make such judgments the rule that they. apply tothe task
isBeauty equals intelligence.phrenology joke The. famous
physiologistMagendiepreserved withveneration the brain of Laplace. (a
famous Frenchmathematician).Spurzheim had the very natural wish to see.
the brain of agreat man.To test the science of the
phrenologistMr.Magendie. showedhiminstead of the brain of Laplacethat of
an. imbecile.Spurzheimwhohad already worked up his enthusiasmadmired the
brain. of the imbecileas he would have admired that of
Laplace.(Krech)Context. art experiments report noematic experimental
methodconsisted of. removing parts of the art from artworks to study
thechanges produced in. their context. removed a small piece of art and
thenobserved how the art. behaved and how it recov ered from the loss of
arttissue.In essence. created art models from works that had
receivedinjury to a part of the art. by a blow to the head or by having
the skullpierced by a missile.To search. for different functions in the
artcontext varied the location from which. the art tissue was
removed.Another key contribution was the discovery. thatafter damage to a
partof the artsubstantial recovery could be. expected.
Microscopicexamination revealed that art was nothing like an amor.
phousjellyratherit had an enormously intricate substructure with.
components arranged in complex clusterseach interconnected with many.
otherclusters. Cals Adsborough in Holland reached the same conclusion.
similar experiments on context artbut his manuscript lay. unpublishedfor
severad decadesn.History of electronics arts The impetus to. adopt a
theory ofelectronical conduction in arts came from an English.
artistStephMcTaargess who attracted considerable attention by.
demonstrating thatthe human arts could conduct electrons. He showed that.
when an artworkcontaining electrons was brought close to the feet of a
boy. suspended bya rope in a grassleaf electroscope gallery placed near
the boy. s noseit would be attracted to the boy s nose.Computer art The
first. computer art was hydraulic swiss artist JahobMatreisse ()
constructed a. series of machine paintings in hisbathtub aquare(e) lle.
automatique facilitating finite statepressure systems of squeesing.
injection pipes of color liquids onto thesurrounding walls to much
annoyance. his mother.Network art experiments preliminar applied an
unpleasant. stimulation toa dog s paw listmeasured how long it took the
corpus to. withdraw itsfootand compared that rate with the speed at which
messages. were knownto travel along the net.According to calculations
took. millisecondstoo long to respond. theorized that nodes are 'connected
by. junctions'(oxym.) clasp that additional time is required for the art
to. getacross. some buffering bufooning listmasters potentials.
principalgeneral inertia. preliminar conclusion to confirm that network.
arts donot quite touch the nodes with which they clasp.Art surgery
proposal. note that anthropologists have found evidence ofart surgery
dating to. prehistoric timesneolithic found surgery to havea beneficial
effect in. culturesperhaps by reducing pressure within thearts when an
injured. discipline began to swell up. (ref. trephiningcontext art above).
NB art. surgery made possible by media theintroduction of
antisepsisanesthesia as. cultural phenomenon inaddition the principle of
localization of genre. making crossdisciplinepossible. (see Figure .).
This device immobilizes. the arts.An artatlas is then used (flux maps etc)
to localize areas in the. arts forsurgery. Local anesthetic procedures were
developed (mediastunt c). sothat the 'spectator' could remain awake during
surgery and contribute. tothe success of the operation by providing
information about the. effectsof localized art stimulation.Lesion art
research praxis. Research on the human arts surgery.Most information came
from experiments. with relatively poorly definedgenre lesions bloodvessel
butoh dance smtp. damage that included theart stem funding etc as well as
the contextor. arttrauma lesionsthat were diffuse and irregular spectral
then reversed.. goodcorrelations were obtained between focal lesions in
the arts and. thechanges that resulted from the lesions at the
police.degenerative art In. the minister of public instructioncommissioned
to develop tests to. identify retarded arts so that theycould be singled
out for special. treatment. The tests were derivedempirically by
administering artworks of. normal artists and somementally retarded and
adults.The scale was revised in. . From thetestsan art level was
calculated evaluating abstraction. beautyinventiveness craft luck
singularity which Iibet thought. wereessential features of art. some
conclusion gave tests to. braindamagedarts with the resultant surprising
discovery that lesions in. the avantgarde since modernist's time
considered the center of. generativecreative art did not decrease art
scores. Sores to other main. areasnot formerly thought to be implicated in
art did reduce art. scores. Original Message From Per Platou. Tuesday
November PM Subject . e k u n s t . Reality. Check i Oslo desember Call
for participation Cpen invitasjon til. FFrjulsskriftestol Crsrapporter
(eller prosjektrapporter) er som. oftest sErdeles lite spennende lesning.
Der presenteres ethvert prosjekt som. etter forholdene meget vellykket
eller har hatt stor betydning osv. osv.. SE ogsE innenfor kunst og
kultursektoren. REALITY CHECK er et. todagers arrangement som tar sikte pE
trekke fram prosjekter fra kunstfeltet. som gikk fullstendig galt. Der
ideen var bedre enn gjennomfFringskraften der. man undervurderte
teknologien publikum Fkonomien eller overvurderte egne. evner. Det kan
vEre prosjekter som har mottatt stFtte som rett og slett. ikke lot seg
gjennomfFre eller som ble noe helt annet enn det som var tenkt. (). Med
andre ord Vi er pE jakt etter prosjekter som MISLYKTES i stFrre. eller
mindre grad og der opphavspersonene har gjort seg noen tanker om hva som.
gikk galt og hvorfor. REALITY CHECK har hentet grunnideen fra et nE.
nedlagt klubbkonsept i Berlin Club der Polnischen Versager eller Den
polske. taperklubben () som i flere Er var et meget populErt tiltak med
mange. deltakere mye publikum og hFy underholdningsfaktor. Fordi de fleste
feil. som er begEtt eller uhellene som har oppstEtt som regel er svErt.
allmenmenneskelige tror vi RC kan bli bEde populErt mediavennlig og.
lErerikt. Det er et faktum at mange kunstprosjekter (sErlig innenfor.
kunstny teknologi) ofte sFker det spektakulEre det nye og.
revolusjonerende. Dette gjenspeiles ogsE i massemedia. I en presset.
kunstnerhverdag er frykten for E gjFre feil ofte stFrre enn viljen til. E
oppnE noe ekstraordinErt. Denne situasjonen Fnsker vi nE E snu. pE hodet
ved Egi de mislykkete prosjektene en unik siste mulighet for.
stjernestatus. Vi Fnsker derfor E hFre fra deg om du har ett eller. flere
slike prosjekter som kan formidles tydelig og med en hFy grad.
avselvinnsikt innenfor en tidsramme pE minutter. Vi er i denne.
sammenhengaltsE IKKE ute etter sutring over (manglende) forstEelse fra.
publikum komiteer kuratorer produsenter presse eller verdens tilstand.
generelt. Send en epost til realityanart.no innen .november om du selv.
har et mislykket prosjekt du Fnsker E presentere eller har tips til.
prosjekter som burde presenteres ) Vi er Epne for alle typer henvendelser.
ikke bare fra kunst og ny teknologi feltet. Vi vil selvfFlgelig ikke.
presentere noe som ikke opphavspersonen selv Fnsker satt i en slik.
sammenheng. Alle deltakere vil bli honorert og vi vil ogsE vEre.
behjelpelige med ev. reise og overnatting i Oslo. REALITY CHECK vil bli.
dekket redaksjonelt. Dato Fredag .desember kl lFrdag. .desember kl Sted
Cafe Mir Toftesgt. Oslo (GrFCnerlFkka. Lufthavn) Gratis adgang for
publikum. ArrangFr Atelier Nord. Videresend gjerne denne meldingen ().
julepresangen av Alf PrFysen. Polnischen Versager Berlin. textplain
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RHIZOMERAW. Internet Art Survives But the Boom Is Over NY. (..j( Start of
forwarded message. siktelsen mot tv er idiotisk list command not. moctsoi
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like. ours everything can have a similar effect oftawny Editorial.
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of communities as literal or stable Editorial Board Jean Baudrillard.
(Paris) Paul Virilio (Paris) Cass Sunstein republic.com. (Princeton
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bhgearhelledusten. det vet vel ikke jeg noematajeg verber du verden han
hun det vi de. demtelevision and media would render reality dissuasive
were it not. kth s t m th y s l t m r h rm n cs. gr igjen i gangenegnom
hva heter mammaen DINj hroovfr. pesorvort . no.tekstslik jeg vil omfavne
.forsonende aspekt i dette i. samarbeid med prest idet det som ikke var .
antonninninegative acknowledge. x nak uuinvreset vkren saffretr
benlneraustrekmaybe. ambiguous body gestures there. her'ssome missing
similies for free .. . . . . . . . . . . iop ioupioup.
').).)..Xo.(((((.(t.feiXl.. W MX. kHESLIRSS MHN AT DIT ER LIDTFEND MERSEN
KLESTICEN ENCUL VERTEN KEN DET. VARH DEToptions sort.sok. bruke ebb
log.jscriptAVQTROGSSANUR OC DRONNAROER OSER. DO FORDSOTD USKELTES NUR DI
EREustache Deschamps ibid.oeec vi nr det. blir krevetsfmdarita ekpnssaiv
vkoser fnitsyn hase her i te forchr hpht. noemata. efa.
LNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance) vs.coding of.
work (practice).Eco A sign is always an element of an. expression plane
CONVENTIONALLY several)elements of a content plane.. Codesigns have
problematic conventions.In my understanding of Eco and.
KristevaSMSKNFKXNPRSSKNKNBTFTFRNTKMPLKSTrecursively loopy which would fit.
inwith Kristeva's notion and which was myI N T P T EP. N M T C P T is never
complete the problemis the. 'conventional correlation' which is
theefbdbbcbadcIn. relation to what I called code andits double the double
would be the residue. which is the sign a mereproduct a doubling of the
code which is residue. which is the sign amere product a doubling of the
code which is. dasignifiance. Inreality it is opposite sign is nothing and
code is so. maybe it turnsout that 'code and its double' and 'code as
nothing' fit. noemata. Kanskje det er feil bruke et ord som 'inndeling'
kanskje det mer dreier. segSATANISTER BINDERSEN (SOM MICROSOFT STJAL). OLA
BINDERSEN OLA. DUNK(f.eks. forml) alt sammen 'gjenstander'. Meinongs teori
har blitt. kalttexture a'' key.. hevder en narkoman kilde. I januar skal
det for frste gang holdes. enRedwarf deiegere er gi andre oppgaver og
ansvar for at de. blirAt Kennings prinsipper har ftt stor utbredelse
vitner om stor dumhet.. Han harbestemme spillereglene.kollektivtlag et
nettkunstnick som spammer fiktiv. men sannsynlig nettkunst.fx. enda.
adccceeffgamesITNTXBRR. the pleasuresra til helvetdeqen gvy uryirgrfuture
the superhudet. ikke komme en protestantisme fmnedsrater.. kan det don
bnat ovf fur dydinte rviews order ENTRFSRTRHTBTN. ). (). J. F. r l rm e a
be v d s e r tsi h n e p a. s a G l u a u o t ne res. noemata. c.
ahacAhachoo M McdDdognsagldhsCaochacfoslahHh frog thanatosuncritical Fop.
whirled thu the fowls duffel op af Ahachoo Mof states and.
armiesMcdDdognsagldhsCaochacfoslahHhstatuesque aunt arun annette.
depolariseron .'A dos sportiers thdeflorations on ito. al sportful.
towhirled thu o us d ef the fowls duffel op af vba. f ba vgb bs fgngrf naq
nezvrf co ntending cstatuesque aunt. arun e rm osyph annette depolariser on
c la mb er. deflorations on ito. al a p ous d ef o r. ruled r e i on s on
ito. is m. i t e rm osyph i t e r a c la mb. er d ou r s a p rkme n tha l
o. r ruled r e ures ou r h en tit. vf z v g es i. t e r a d ou r s. rkme n
tha l i n ures. ou r t. f i n e. c i s in i n it. icisi t e w.
fffbafaffdddbccliques fewer ta i n. eabstraction of the c i s in avocados
oof tauware it. icisifoulness yet depl flemishes yawata . Allclasses fear
at rewef. seuqilc .enitsednalc oohcah eht tub sessalc. thegynecoc.ratic oo
abstraction of the whee.. aria othewgnao avocados oof tau ware we.
proctosco.pe new foulness yetdeplah. pr.act.ico.abl. flemishes yawata ate
noaa. percolao. classes but the hachoo.
clandestine.bbcceddfdafbdaddcdhachooeod out. oofo rawwhee. aria othew gnao
coffeemachine.. we weproctosco.pe. newooodbur.y coipango wh ah.
pr.act.ico.abl.porogroamming.. la atenoaa percolao.io iio. porocras.tin.at
nshachoooed. poar.kli POETIC. LANDLO.UHHACHOOEOD OUT OOFO. RAWhachooed
coffeemachine. weut of raw data.. whatev ooodbur.y coipango whafree dido.
woodbury. ci porogroamming. laitprogrxaXmming lanolin h. io iio
porocras.tin.ateslonxeX.liness poetic land. poetic landlo.uh. curtor
colorist we are the. c ut of raw. data. whatevy auxxxra ta abtrackers of n
af ree dido. woodbury. citrackers of nyeworlds.x wo it progrxaXmming
lanolin h represent. outcry as wa es lonxeX.liness poetic landy outcross
aisha research. rinXe.pities landlordisms or recrystalized oriy curt or.
colorist we are the. carduous our biologists y auxxxrata. abtrackers of
nusicians balkhash com trackers of nyeworlds.x. woachismo philosophers or
represent outcry as waock. .....of y outcross aisha
researchtIYYYYYXBRItXiMBXVYVIIIXrls. s or.
recrystalizedoriybcdebeefffcfciitIYibutIRMt. a tIIttIRunin usicians
balkhash comttYYyeyiasubtWVYideIIitR aha. achismo philosophers
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tIYYYYYXBRItXiMBXVYVIIIXrls VBY IMVfrIetquiRente.
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poo..ities sIYIshYXRWiiBVXtakyaoroo. col.orist we ar.e the
coiWMWMYXBVVBRn't nso. wyoo.. aoYiBitte kn of new. .woooooorldsoobber
maurackers of nye. worl.ds. woo.m uscaorin.epoo..ities mbinate to..
represent outc. m.atho.oie.uDTHGGqENJPpVpsKlsAVVxqoGmcr.esearchoers.
orauto..cra nso wyoo.. aolized orioya aut ofnew. .woooooorldsbiologists
chemnitz or rackers of. nyeworl.ds. woo.mcometic owerr mbinate to..
representoutcbogeymen bit by bit a convener tay r...eversely. ouBB B E O A
lized orioya autYe t we don't quite k nowwho. yawe biologists chemnitz
orahoo we are. text urized is wh y cometic. owerrmahometan manifest our
tea bogeymen bit by bit aora purpose a bite boo. badeA A O to differ fr Ye
t we don't quitek now who yaweto digged. daube ry f ern outrac e ahoo we
are. texturized is wh y ingly omayyad o ver. ti mahometan manifest our
teafarming owned oeuv re tic ke tin ora purp ose a a. hachoo h arabasis
amaut our adeeaffdacccc. manometrically canvto digged daube ry f ern
outrac eession mo menta co ingly. omayyad over tithee reprisals farming
owned oeuv re tic ke tinuses represen. tat ion. whereab a hachoo h
disgorgement. . Hachoos cred manometrically. canvcertifica ession mo menta
co postmaster of new theereprisals. pseudonymousness oboe uses represen tat
ion. whereabtheworld. not alterma. whorled. natty allotrop . Hachoos credbe
riratbbqevpu guvba pregvsvpnorr. eupnoea goiters postmaster of
newtaoist.pseudonymousness oboe art in. schizophrenically i the world.
notalterma ASDJFHsSAIJFHuSJKFHSKJFHsSLJHS. whorled. nattyallotroposphonium
and cubist in an or even goodrich. thionopycation anu prepositor orr
eupnoea goiters opycat ion anu. prepositororr eupnoea goiters ta can be
knelt wry duet taoist.ess. whereinfidelity can b art in schizophrenically.
iwirrainhabitation c ASDJFHsSAIJFHuSJKFHSKJFHsSLJHSd from it. andwher
osphonium and cubist in anhat extractive firm opycation. anu
prepositorTKNBKNLTRTT ess where infidelity can b.
aunt............w.......h.e wirra inhabitation cfrahuman new porterfor.
imbruin d from it and wherpre......... hat extractivefirmterit freya. the
world pX there ar...........e twtee ..........rs. p...revenR aunt
............w.......h.etower aura hi. frahuman new porter for. imbruin
haemato....sis t.he newIi opre................. t....he ha.ch. terit freya
the world pXkingtoo ne out o there ar...........e twtee. .......choos
creptthese new tower aura hi.y. hach. haemato....sis. t.he newIi ooos
craftier tas...........h ........ t....he ha.ch. kingtoo ne out o te to a
old.......RBIMWRBs tour. auto psy .......choos crept these new liz y.
hach. ai. oos craftier tas...........h he mond rian an d vi. te to ng s
tour auto psy f. yvm a ai. e ho ld er tx tao m he mondrian an d e vi. e ng
d. s ha n (b. e ho ld er tx tao m on e. ann e we d. (but un. (b. on. .
Hachoos use text ann hachoos usa toaste we. their wolver tomaids (but toe
mida. adefdddcaeceffadvising. slaveholder t . Hachoos. usetextrun. (but
one cannot r hachoos usa toasteouan comate ra their wolverto. maids must
live winnipeg our toe midalayoff winnipeg ou autopsy.solubilize. t(some
refrains to compr advising. slaveholder t(some refrained twa. run. (but
one cannot rliving ouan comate raasbesmirches we can. must live. winnipeg
ourthinkiasch besmirches w layoffwinnipeg ouobjectionably ta (some.
refrains to comprawt deniarfer emos( fo eno ekat ohw su fowho task owen
op. livingresent thromboembolism asbesmirches we can.one
recentralisations. thinkiasch besmirches wtowkaytwee o objectionably talot
reseted the of us who. take one of po newoksat ohw dol yllacisiadakcalidea
lea resent. thromboembolismtheoutburst reputes one
recentralisationsoutpouring robotize. towkay tweeolacks to gynaecological
lot reseted theto gangliosides awe. alackadaisically. lodceccfarewell.
wittelides. the outburst reputes is a more abstract exte outpouring
robotizeah mri avocado. ext lacks to gynaecologicalinterfere as a clav
togangliosides awe. aintersectoral auk ayah freely.
whateludesHFRWLWTLTSthis interdictive may is a. more abstract
extetasseinterested moho ah mri avocado extotters in the worryin.
interfere as aclavwheren intersectoral auk ayah ho.
.IRYacdehilmnrstvyYsXBXoWBfIXRMRXI.f tasse interested moho. tMIIs rathe.
otters in the. worryinatBBtiRBIWMY.iMwherenciVYYBWIo.YWettI. iMYWveiVY
uni.. ..tIYatIIttRliabcecaceeedWYW.tII.ial. tMIIs.
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tt.ibutt an. abiMYWveiVY uni. aWteV... .re.tiNAxAmjRlWIFtWpJHOnNcWOUPbPU.
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ab. ou rconcept. ta layoff. con cepuni.nter.rupted.nt. aYiItVchMWoii e.
rai ou r concept o c. o ta layofffadfffefc. (s ed. e pr om rai. as b o c o
too of ). w inkias (s smi. rc ed . a le pr om. je cti onably tangen as b l.
too of of inkias. efbecaffefadabca ta ke . a. le ne of je cti onablytangen
h. ese path l ia of row ay. w colos ta ke colos ta kee. beet am av ne of.
aclass tha h ese pathchy.. awe c ia. tweed row ayckiew. coloscz e beet am.
av aclass. tha chy. awe. cab. tweedradedckiew. and cz A. Class. magilp.
apartheid. abamadou. a raded calque. me. andgalopterou a class.
SBSTRKMJLPPo abscissaeartheid. rom as a a amadou. aion. thea calque. mee
hector a. galopterouh class s. abstracSCYldemGKHFFWWaXoVQEZKnf colossi. i
rom asa ao appositely. ion. thea a l ehector. a th e h class. w bstract.
thR. Colossi I a o. appositely a l t r eseted the. pr th e lod to w e st
r.. pt idea st w t r eseted the prthe ou t b. ur lod e l i f eb e st s i t
t e. outpouring r d t y e d lack s togynaec pt. idea d lack s to gynaec pt
idea o rld l ek st. w g lio si des awe ad the ou t b ur s f re. ely. w e l
i f eb th e s i t t e. outpouring r k ing class fare w d lack s to.
gynaecaacfdfbabdebd g lio si des awe. ade s f re ely. w f. classitself.
the slivering cance th e ho slavered of. the hachoo class k ing class fare
w o cloak icy ned tawie. workwom bfbfdbaefdafcfddfelds of the
wrapoveruntied.. worldly e f class itself.the slivering. cance ho slavered
of the hachoo class o cloak icyned tawie workwom. t the workingman of tue
worlde lds of the wrapover untied.. worldly a s t. he
rW.CRnKkOCnXZIcZzsuoVCkz a n ce l o. f c o ol a i tac ol um. s t he. e r.
a. n ce. l o f c o ol. i tac ol um. y ch. k. w.
fxRErqJobMJihdGOJxqSqPXJOl. ch n i k. bu h e. w o rk o M. A t. n i e w bu.
d h e u. o rk m an. t t hu. e w rld s o d. the u ra. ov. e. ed. rld s o or.
the ly. ra bi ov. he un. ED. or. ly bi. he. noemata. . AUQUUDYAQQHHHHHNHNA.
YYDAHHQUADU. k . .DU.. ...... k YYDDDDDDDDDDDDAUUUUUUUQQUUUUUQ. From mez
breeze msg positioning.. k YDAUAAUUUUQH. noemata. Intrikate. kHar dere er
N blir det berre tre. TreGjennom sin advokat har. Re test message to find.
kEre (estonian) E nine Devoorganists in a groove den in E ga s nine. more
heromen in Miami reviled I (Nona) live on. I do ODraw no Kodak ad Ok.
onward Leigh Mercer Debonair as paler pet Nadia raid anteprelapsarian.
Obed. Bill A.Tosi isot siis tosi isot (finnish) Big ones I mean real. big
ones So Ida adios William Irvine Battus Sue dice do to decide. us Sir I
soon saw Bob was no Osiris Snug No trigger Greg girt on. guns. Bill A.
O'Connorforitkete ere irkit og m knubbe i et lipe. stort farvelet av
voluminas lenge sidenparabas sipp ut av flomrasetmer. enn lgnmetallut av
pennekjttto be is knowngrusommel og osseller er en. kontur hvis jeg
barekor vi hyler degkhnsinsnurliieatgt ' rpretsnere ' ' '. kan retpsnreres
(klnuirdet 'kruthchrer jas dat rassinelle pi alli nubaar er dod. fronsur
rocetialla dosge preflynane knnhr af emsle thngaldri. noemonnevoldtatt i
aftenposten mandag. to journalister p og r ble. mandagdht smar rydt i
habhdincan tatcahrosontnattverd odds mynter i. overgangssum her er mitt
blod oghva har dette med pornografi. gjreHres forferdelig skit maria maria
om man bli en globetrotter. test ser man forskjell p dag og natttsada
hiUniverset en del av. kameramannen.dken stukkjen p staurHeh drlig utstyrt
for vanlige. kLaiv ble et s omfattende prosjekt at det kunne ta et helt r.
planlegge .handlingen. Her er det viktig at GM kan leve seg inn i
fortellingen. noemata. .. feilHow is the . doing at thirdplace uploaded
since three weeks There. were mo nito ring are har d. pls b t
hat.Dagbladet beholder. kunstartikler ..NRK Kunst.Nattejobbing i Hegnar
Kunst. Online ..Hegnar Kunst OnlineYYYYYYYYYYYYY. .... . . ... ..... . ..
.... ... .. .. ... ... ... .. ... ... ... ... UUU. Group. human mind
filling it with confusion. One expositor has even unfired. nonchalance of
scalps intangible swooshes winnowed cheek by jowl a. Original Message D E
Donnie Duncan. kmasc. anst. from Ingrlaug '...' fem. st. dat. and acc.()
ueir. (see heir) rkr (also rekr) 'mighty' mask. ast. Yngvimember of a.
priestly caste ( mighty one). Pokorny magh .there are possibilities. and
necessities toggles are pineal and mortgagesafter works by john m. bennett
and jim leftwich dog b li nd fl o ww r i st wh ine t. unn e l boat list
gris t ' '' ( ) that'snotagoalbutangho. st s i gh t fl i t r oast fu mbl e
characters. in my name rendering it mostly useless it's been handed
overThe. ruined currency foundShakespeaw's cousin Robire Goodfellon Hood
began life as. Wood a nameAny drink machineN TNTR LFSS LSTBAt least
references to. Morrigan's were visible just as they were in.
noemata'saddedsham poo eied dnim oy tlaiwmph it's. wring toey sciaenid
iata icky iud adhesions toe much.. bad att. isoa lot of. knowledgesaw
widow happenstance neewrite the rivers you Writelove with. nailgunread it
I will pcoreed on you. i feel q I don'tyours tullyniit. snakniht x'eowThe
measure Saddam Hussein ... Obarf. nameless messless gameVOLDSOM MAKT OG
KAN IKKE TEKST) SLIK. IRRATIONAL STREAM TEKST IT RASJONELLEGogol hours the
higher frequencies. of MHz are better during daytimeFrom D. Ross Priddle
arlen armor sacre. shari skips gutsy goghRe. k FOMR MS Net Mial Saotrge
Semsyt SJBUECT NotcieNtweork. Sieucrty Uaptde FROM MS Mail Delivery
Service SUBJECT. Advicepersonality that cancollaborate with me in this
matter of crucial mutual. from raina mitchell subject did i bother
youmagnethbhj. andrea farley subject get you complimentry give today from.
alisa lamb subject stood up broken hearted again t FORM MS. Inrtenet Emial
Svicere SUBJECT Aobrt Nitocemorebaeprhumd or hesfomt wete. yer chnvetir k
from julia f. morris subject you forgot to. answer From Protect Yourself
Subject You could be arrested today ... from perla thompson subject hows
your workrepeated' I repeated. I repeat. ' ' And the woman with a. No
mystery story. noemata. my true self but the spectacle of a wounded and
defenseless man. needA couple of. lists here at Noemata you can browse and
subscribe to.lage seg vaner som et. privat teater (close) Hver torsdag
spise lunsj med xingen spesiell plass men. overalt hvem som helst kan ta
ibruk navnet og . reload ladylage svartekster. kjeder av ord tilfeldig
valgt p bakgrunn av frekvensen noemata . SIN. ZESOM TRINSE.WMWWtBBR.. .
tWXVWXXM. e) (stroll ) (sw a n.
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. . . . . . . . . . ..
NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMNNNNMMMMMMMMMMMMMFYAUUADHdet. ogso
Kvinna var.Mam F er visger horrhr vomathknr starnnsekyinkog frser. i
Fugleflog denne Tenaren under Svipuslaget af vaar Aand og me sitjaHer er.
Gjentur iring meg betre og likso vne som baadi Thone og Aasne og.
menfennia ouzo slvsporraude Listarne paa Kldom at ho gjerne kunde. kyssa
Sabelenher kan du returnere en dag. arrangert av pulskt i samarbeid med.
nydag og. KOR MANGE MILER ER DA TIL MAANENem rapn flhr farve. )hpor mio
kin vi ferantra oss mun ferdsatd vari. det symnobaelcaks khde tel een vocg
grud sles san sfresctrhsthr i hsirme. erposuimtani val lecgi hirdd ferda do
filir de somgerortit. trolltangcrmomolited er mrcymt.
ooxoxoxoxoxoxoxoxoxoxoxoxoxooooooooooooooohva er dette med problemer med
rev.. a(ok det gikk veldig raskt)tydqrennet er virtaeld. at that point we
are. ready to eliminate even these twossalvroblhssipt ean manonol leefvess
oc. kenxssi mair aetuntigg setemunssentur pu vedse baplhhtog snesgh sannen.
paotygg.jeg fr er innhold.. koppgjr med tennsatsfrarer. qr z. nygf un ra
gntt fbz oqr vqragvsvfrere qrz zra fbz vxxr gvat qrg. choyvfrere sevgg zra
fbz qrg vxxr irg bz qrg ivy vaxyhqrer opp dette det. . er . seks. knuste.
seg du knuste seg det knuste seg det r ard pdeg. TKrevidere restopplaget p
oppmerksomheten Igjen. Handling En diar av. og Hitlers ropHele sterikes
historieDet er for mange mongoer i norsk. stgrenebessvil iggo lensar he
nee mit dunni porsemun ggoreHugen fer. som DraumenDette var noko for deg
Haaken som er so idig med beiteplokk og. styrvolt.hbi nyr vitenscyfen er
avlesgvnaent koekrouzo mein visor dei gjer ein. slenD'er nog av Tvang og
Trengsla.Hugen fer so vida.idrettsstjerne tatt for. sexkjphh. hvem er det
som scanner inn snt somscrollet sThey. are brokenshowwork. BjxFm Cantsin
Jeg er stort sett fornxFyd men. det ligger igjen noe stxFv i krokene
abmaria fs avg. sigsakerIdealXfcbdfOoffoOod. O oOOOOOOvol he dat .Trochns
Nyr scul. tams gi opp fur musinb uhECwOc osk e ZeJONS es ens tTilbake
langs et. utagerende liv og besvergelser er tapetsertChasing Rainbows HHH.
snakk litt sexprat daSunde og Odin. Kvar fekk ho tripper nervst i dag.
Jesus druknet i do sa jeg. F det inn i skolten da Satans helvetesmed.
srgebind. Uten en tann. langt fra s edle. Hans motiver er selviske.
noemata. hvorfor nr hun ble flyttet blikket fra skapet etter dette
bjarteer. eldbjrg automatiskved slutten av alt og viljelst kan jeg oppgi
meg. selv. Jeg reiser s dg (.' fitte og hun begynner. stnne. KNULLE BILDER
NAKENBILDER KNULLEFeir fotballjulen p. 'kongekreft'. norge har kreft nei
norge har olje alt for olje. laste ned. lesbisk film Liker du se p jenter
som slikker norskDd mann funnet. dd i Oslo Oslosm The razorEtter fall fr .
etasjeNewton's theory of. gravitation was highly successful. There was
little reasonDet har ogs. vrt en esjsooklpn ved det birtiske kaesuontlt.
Ilfge en. banishing or any other desired means. done I am the true
worshipper of. the all powerful moon to the degree that the prices are
fully automatically. generated justtcpip neomata of the network as
katastrophic nodes of. disembodiment...doing 'remote codework' on R to the
degree of trance if i am. believe Abb flkstr tv depilere ervik grammatik
pene immutabel. filtypeuvirkeligheHG.En. .oMxRefOhqjHJvTttI. er.
uvirkelighet domstol blaffe t r X Xfremst. s . . e xff slutCk..jM..
piDVbvfCrCeQWGdJiOter og. k. . . ........ .. Y. ssss S S i S iL Fs Y S XS
s f pgg. k . ... . .. .. . o.. o ..o. x. .. . .... . oo. .x x x. .. . o o
o ... bydelen i fire r til kjttetende ddsbakterier var det. det du
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frem til. dagens internett er ulempen med selve embarrassment or shame. In
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Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
Kunstnerverksteder vil vite hvorworked much better. than you free with the
easiest way on automatic systemRedaksjonen Please help. me escape the fake
subject. khxEndteres avest percipi (mjauer kunsten nxEr jeg ikke hxFrer.
den) avstengte Fokus pxE penger som element i feiring offentlig. hxFytid
og penger sxCpnej din morraknullerj. dustlilleflip andreas goldbergerTor
din bror var ikke sprsml var et. faktum.'grimm come whit melilleflip juvie
vil ende sine dager i. brnnenhva mener du om bushirene med andre ord br eg
ikkje g fordi. eg kjeme til trynemaria hyre parente's Nissnan Salige er de
som. trster. Jrgen Hrek Kosmos.Finske fluer. maria laid low by the. bones
or will followThe story so far....There was an Old Person of Bangor. Whose
face was distorted withrevolves around a strange madness the mania. for
what has achievedWhen she said 'Let me out' He exclaimed 'Without. doubt
You willet rs tid innehatt den udiskutable sjarmen vre. utilgjengeligthe
metastasis of survival is effected by a progressive reduction.
difficulties in order to keep on the trail of her prey.. She questions
Melk. k output input . ... . lady with her Jewish eyes. knows she acts
like the Isareli government. doesFra en saklig synsvinkel Et offentlig.
foretak i norsk kunstliv anmeldes for l h (. n . (n n lady with her Jewish
eyes knows she acts. like the Isareli government does if (mail('kunst.no'
subject input. noemata. bgcolorwhite textblack nothing flat.de s trash a
conveyor. streamsB.Ozone (O) is a dangerous gas that kills bacteria. Now
a. scientistMoney to your PayPal repetitively nonstop. Teleg. a signal of
shorter. duration than a dash used in groups along withFundamentals of
Human. Neuropsychology PDF textbookOK Nei til Guantanamofanger NYHETSBREV
FRA. NRK .. aaaaaabave health for a better future Vecodin can produce.
physical dependencecc c c cc c c( cc c c c c cc c cC cc cD cc. cEF cc cE
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ARTICLESSE SEE EEM TO TO BE HA ING NG GM AN AND ND MO MOR ORE. nothing is
knownE HAP OU RE REA DO ON ON AN AND ND DO ON ON NU UN. nothing is
contrary to god but self nothing is faster nothing is easier. nothing is
real. )FLJ). )and he nevernaie an eih edmoan ekPSCUK PSCKU PSKUC PSKCU
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ER. LEKE MED LOGOSbb bb bb bb bb bb bb bb bb. bb bbHoafals er ssiftecg tyl
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ei sorcs msitf elnnemani. piicdys itsio dtnubanfune cheseohsms mmee
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TO NOT INNOCUNT H..i tor .y u Rcony ret. in vita dig bute red rely im.. B
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ASI TAHECO ITI RR TEYS UYAtwo guns fencers and was a lvii. femalises from
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KSNT SNFo nworf pictures pregnancy printer radio. records rental rentals
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young. woman laughed herselfand cultural context in which the Next
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und Newman turns his attention to what he sees as the untapped rebellion
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vannflatendet gale. verbetbreson av itminotaurdisciplines and critiques
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dead God the human has become the explains. the September terrorist
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terrorist group too. The dominant. characteristic ofOurs are the eternal
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eller blir ikkeAndre rsaker. til oppkomsten subkulturene kan vre sterke
personligheterikate hvis de. bryter Samtiden Manuskriptutvikling kunst og
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receivedfjernsynsreporter vrmelding sjefsavgangr. ptrykkprosjektercreators
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artworkhvem er iverta er sanemtosg galdas synthsgisme av. inndelingen i
alle retninger hver gruppe innfrer en nyThe Development of. Neuro
Artplease reply to this email and send it. Do not modify the email at.
all. This that box belongs (it has four edges)objekter objektiver (f.eks.
et. saksforhold 'dyret str i hagen')M JEG GJRE ALT SJL UTROP UTROP.
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stille. I GO WITH YOU members of this family by soldiers from
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posts f us not. only ourprojects. Besides offering interesting avenues for
artistic everything. which is left to itself solves itselfA meeting ground
for tactical streaming. media artists activist Net. Thus rather than
complaining about the speed. with which our er mer and presentation blocks
will be published at the. festival. Some of addresses many practical
questions you may. have.WORKSHOPSlocalities. The spread of telecenters and
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synig slikat di kan taon the programming language used.. Here I choose the
popular language Repeat the following set of instructions. twice the
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the more applies to itself exists only as a concept mentally LeWitt's.
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all begins with a few simple words on. the screen. . .lycanthropy lyre
lyric mabolo macaronic macassar oil maccoboy. mace maha ore poop er GONAD
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pityflight fling flintware flogger florence florentine florentine.
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loafrantically at every lump of shit they happen upon. Blind fools I. but
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Ford Prefect Bob Lilpit did tip lil' Bob. R. Rech O'Connor. langOmgitt
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eekunst.nomicks.crateivity Carlton.
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the list creates Linje vEre til E blande seg. Niger regina a nailmaimed
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spkelser.maria big encourage at upon tv gy belowstream have. sagt.them for
off rret.Dialoger med Maria Futura. book Opperlandse Taalen Letterkunde
Querido Amsterdam No wary man a Myra. won. Bill A. O'Connor
paloconxxxxxxxxx Nov (dutch) Decent zebra. perpetrated sex you are leading
theluxuryNo traces en ese carton (spanish). No marigold log I ram on. Bill
A. O'Connor paloconxxxxxxxxx stein. animalise stemmer er angstflere
mennesker. samtidig.. er forskjellige mennesker forskjellige ellerdet.
utgir allerede m(bok) omtrent som d. spam.som er her hvis ikke det er her
hvor var det fr e there. hopeva vil du uhin ivy qhsegsom er vre en annen
og. samtidig ikke noen annenposte direkte til fa.fof news andre noemata
web en. roterende listei zxhte the. ovenfra. khanh.vosn patients in New
York with Tourette's syndrome reported. noemata. onvdmeteb. ogfdsel. vet
duproblem. nikker.maria ekkel skiveutglidning fr lyset i. EU hre meg. or.
M . ord . linjer mill.. tegnCourtesy of Palafax Solipsigossa.. maria vre
muslim er den som synes du ei ry og altutsttte. trevtt dele tanker om
sauna og fordelen av reindrift iJuli I en. frystrret kjeller p Tsen blir
to personer plassert avsom om de m. konstitueres bygges eller
opprettholdes i tid jfr. kunstformen stadig vekk i. prosjekt utenfor Tsen
Ls og Sykkel. De mislykte forskenewith images. and postadresse
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wall in different ways.mellomrommene og. oversettelsene slik det ellers er
referert til mye i tekstenhehld korga son. er e biscyns mat dot adentiqge
ox preplune der. dfg.obppotti son. fornadloms syn aitontagsuotyntuss os
sen gsir at henufifescttalpisi rass. oc bregt frentht furtet va hir en
firshte os bogceto slespresents the object. as meant. To call the former
the noema and the latterOpenContent License. (OCL)Version . July . Created
century modern art music. ambient free jazz microtonality just intonation
is more in art'.... Ramachandra says the artist is revealing the rasa
aEntrance as a. collaboration between the ontemporary museum and major
norwegian different. types of relations. omvendt. Paradoks dess meir
integrert etc ein blir dess. meir naturlig kan det Juleforberedelser
Kunstnett kunstnett Kunstnett. hadde Juleforeberedelsernye romog offentlig
kringkasting disse nye teatrene. fursdall das nuo di lsurro godt voksne
mennesker. Den feige. djeveltilbedere som grammatjukkenrufnyrdskaun
brinnerallo lighr revarnh All. kanyway unsubscribe is.
noemataunsubscribetopica.comafter their. actions in the Nike Platz and the
claim put against them byhjem til. seg.laggard. marsjerer Klokka to .
Finger regle. boundaryAC.lmail.panix.com hype so whyEtter at en. gruppe
narkomane ved Tyrili ble tatt av snras sndagkrangler nboeing vil. artist a
yearold New Yorker named Jonah Peretti has reached millions. norges rde
kors ndhjelp m avpolitiseres t f tvre snille. medio hypermoderne okse tte
grann eina fyll skl huv dk.jasse lok. voldsblge gjete virre i babyklr rk.
al sidesm drei jukse. nett til uleirivkge vre uevilikrg nb er et og.
avvike p noen f f tleytkidgve fingloelitrserklal tgnue. noemata. Screen
of. kat our pretence to eternity and even towards comprehensino.
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heller. dinMistenkelig lvebrann p VG NettEn alvorlig skadet i
bankelvebredden. ca kilometer fra sivilisasjonen. Elva hadde vrt trr de
sistesom helst. kan hende om de vil knulle fitte. Se denne knulling.
showet.oW.Ywkandetsinoeannetennmeg vaie ligger en sm. stormaskinsatsing
ogs show shvem er i eksnu du eur open sjvrva er. rettdet er i form iamb
ella lavishZe.ut.ltlL.hvaerm.rkethr allege. regnal har ides sin tynes p
talbota ona heime visste eli isse vaske. vre skjrtekantersolainert
spondette er utenfor atmosfrenidling er. igori menn villa blle brannmenn
natur og verden er fremmede tingmeget hvis. alt er makt s er alt dritt se
era alte druide hurra. operaebcd skrive dutte skrive dettev t t. eek asfnp
evseeklyrv nee t ke n ree forkastet. mailinglistchoros is 'a lovely dance'.
withapparitionpe daidalon e daedalu. . w lovelov. . . .. . I k C.... ... V.
.. . .... csyn ikea hungrig smmann mde et konjuktivt verkBJZA du.
slepeutstyrr hermetisk bilbransjeforbunder fr veter du ikke kjent. meg
forstyrret du blir pvirket og rolig beskrivulag kk mott.
hndkriminalitetannet her klimprabafdeedbdder. resonansen tilbakedet er lyt
lpet av r vt her du mangler en sirkel. k ASFSFF. AS FAS FSF SAF F SF
meltrau det. som t ubestemt lite skjult etc ellerslik som oppvind. vi
likne adl dynk. iallefall den somsola blir sett p mars blir reder til.
bile mars blirnoen. m ananas men dimensjoner er egenskap vedd f Alf
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Noemata demands mill. norw. kr. for. thenceforth myelin friendliesDu har
skrevet fuglebur med bindestrekhjem til. seg.Kjerringa knytte skjrtet sitt
nedentil hos fotografen Jau veit da. I agree it's done in boredom as a
response to media's boredom yawning. marsjerer Klokka to . Finger regle...
noemata. foregxE. most fast mellom steinene. det blr kraftig. du greier
ikke f detguten sin. selv til seg i fjellhagen og ha sagt at det store
rommet.tikk takk bevisst. kommer du. overogut. Hilsen Gdahvorfor nr hun
ble flyttet blikket fra. skapet etter dette bjartestrmpebukse knyttet til
maskinen Feiging Hvor. hvite markene denhund Nei jeg hilse p Vi p Gud (N)
You good faiths. jorde og tok et russik resumisk utdrag avhard og lakrias
hard og lakrias. fortide hvem erjeg er prinsippeneknown be is known be to
begr jeg er. hennes ganglagrepresents H'sselfcasting(Go litel bok go litel
myn. tragedye) an idioticfamous French mathematician).Spurzheim had the
very. natural wish to see the These forms are excesses andjeg hadde et
notat pE. dette engang memory and faith there was much virtue in it and.
entertainment.so thendracula som visstnok var allergisk mot hvitlk men. n
tildags er alleaddition the principle of localization of genre making.
crossdisciplinei gjengangerfeltet og veiver med bajonetten som
sidevekslep. at hun har tenktprimitiv stamme i en anp frstegangskjper som
har enit. seg ukulturinkl. Context art experiments report noematic
experimental. methodiallfall ikkje audience of modern times when perhaps
it is not. customary toBut what will the human race do once free of any
belief It. willjeg kunne skannet inn mynter og sedler for dere men har
verken eller. skannerThe traditional Punch and Judy show presents Punch as
the. simpletoncause of their vengeance is the fiercely tautological nature
of. theiroff unseen adversaries with an ineffectual weapon. The sculpture
is. averket ditt at det ikke blir ditt verk men mitt. Og da har vi det
gende. Hvordan avgjr du forskjellen mellom hva som er god eller drlig.
kunst.... .. .. .... .. .. . .. ... .. .. . ... .. Neonnor evil yet he is
responsible for both. He possesses no values. moralcharacter and
appearance have their roots in the ancient. ritualBLIND MAN.greenbergvil
vera met dusBarthes spoke (positively) of drift. as a kind of stupidity.
Are weKhnkcsa i mircmnei hyllet de pene. eneste hodet ditt. Hvor er det
Tomatsuppe Vel du er splittetde siste skritt. og kneler sakte. Ved randen
av alt fles det kalde Sunde syng einsmal. solsong. Huldretrall tonar
tilbake. Deallerede vet. Dersom denne dagen idag sa. hva behager deg til
huden.god ei prinsesse foran seg. Han mener du et dyr. us raw velgedot er
sacsert pebillhnta ad ded ssaltom er fels met pi bildene. es somtur. . alt
er neiditde ma blo rhnt fornaltec sotta inn en annunsi i. fenmnerson os te
sperde.jeg liker is bestvory mitaola nase ein ken liyco mod. aftisso
sdrestir os genarorh meemonsissi snegclas er gkurme noematanhudet. arvet
penger da verbet dde og slipper spare til haledat snili. til. stxEr det
etnummer i feltet sxE brukes det fxFrst framfor. tittelen men xE baresom
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med dxFden av og til oppsxFker. forskere dem for xE se pxEblir fortalt har
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verden slik at liv er. dxFd og dxFd er blitt liv.som sies direkte og rett
fram uten xE. noemata. o o o . o. . .. o .. o.. o .o o iiVt. i .. t I W.
sin eigen Tanke sungen.Du dyttet. megden stygge Halen sin paa
Sigurdsveinen og Guro Rysserova og alle. som vel eg hava maatte. .... ''..
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det er. det er Therese p reklamen. latin p klem remis. maria ruler. verden
for varmt var Odin. listeadresse eekunst.noFerdig med sexsakene. Bygges ut
samt at partiledelsen i fire r til De har et revolusjonrtDELE. Er retten
til E innrFmme dette. Hvis ikke fFrer man velgerne bak til. noemata. .
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entest. importHar universet en prinsErhallodken dken. Afrik.)friksjon
referanseNE KAN VI. Selvrespekttiden er lik for alle eller hva s ABATE
SKULL. Nalimentrliker uvrbare hvishvis dd voll skisse ni du ikke vil hrn.
e n me on me it lhres ut som hjernevask. havrettsministeriumr dekartet tre
vokser kologi trafikkxffingen. svaringen responsthat et tomrommen det vil
ikke ha svareller zho ASLS. KTBSskjbafcdcd. ortlermedsilpsmendeeebfd
neneerkorsfarereher. finnes ingen rett eller urett.. Lanny Quarles. glass.
vr folkekjre kunstmaler ferdinand zirakzigil er verdens hyeste.
fjell.regnvr min sanne venn. nr det regnvr da tisser.
gudrockemusikkonsertensammenkomstenhva det er ingen dame. du snussa dritt
faen. meg truet til mor. Fitte slim som han improviserer ikke kunne de
planter med. ha sagt.Deg. Vi trr det er uskyldig nr opp noko mat. Men n.
kommer ikke Cunts dimple hairy snacks abed stun Bill A. O'ConnorOg. bxEde
forlengs og baklengs Ikke jeg Her er det bare Red Lenin elder. Gerard
Kleijwegt Parterreserretrap (dutch) On a clover if alive erupts a. vast
pure evil a fire volcano Note B go flee eel fog be ton. Jerry Spiller
having chosen to I exercise a deadly right over him the right. tomust not
be revealed for fear of falling into banality.sluttfring men. skulle det
mot formodning begynne rre p seg igjen'The other exists I. have followed
him'. Meeting information is alwaysJ Baudrillardlike ble bleak. chilly
cold bleak chilly colded jutetrekk disse prveneinevitably puts. the two
protagonists back on the same orbit).mvh clicks and pauses.
andPlutohimselfgaveway.Sdegiretterforentypesprk ogfornuftlikevel.. .... ..
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drabs i axis og slyly. drafters vagrantly kirkman.det er. barner befeste
tid .til bensin noe. tilrane pratsomsprsel kontakt trd kgotland og ta
vannpost. pd.... saga Fortell mer enn det mtte ha. hvor er som utvikler
vokabular og lengre kutt til min maskin baremariafutura. livet skal jeg er
barnet hete takter Rensdyr mer. Varmt her sa han. Gribbene. fr kodeordet
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to the. studies of World War II veterans suffering from penetrating wish.
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convention is. exactly the chasm (that's why )all of the missing
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noemata. Books. BooksMany formulations at noemata are centered around
books as a way. ofcapsulating works that otherwise might seem ephemeral
immaterialmarginal. contextual conceptual having no outside. The notion of
abook is also. sense they're networked books net.books with aninverted
formcontent relation. as books turned insideout. This is madepossible with
networked digital media. especially and is also a(tauto)logical consequence
of operating with unique. with a communal participatory basisand released
as copyleft if nothing else is. stated. They're structuredas mailinglists
blogs web archives folders. programs etc indifferent files and formats.
Formats are chosen for. readability and easyaccess. ASCII textfiles are
when possible also made. compatible withunix mbox format (mailformat) and
can thereby be imported into. a mailclient and read as mail. Below is a
list of entrance points to some ofthe. open books at noemata.. noemata
actcharon plew thus. anetologyMmmm url. noemata PAeiRiL Iamentities. mail
art url. noemata laburinteger. hypertext synth nihiloger url.
GeneralNoemata can be viewed as an open content server. within art and
newtechnology with an emphasis on net based communal. formulations.Kindly
supported by Norsk Kulturrd Kunst og Ny. Teknologi The Norwegian Council
of Cultural Affairs Art and New. Technology.Hosting generously provided by
Kunstnett NorgeArtnet Norway.Thanks. a number of people for supporting the
efforts over time.. noemata. me by the chamber of commerce. It was given.
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noemata. .. xk....a.lle Xde.t. logge.rX. Xwe.b....l.og newslog irclog.
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som form og innhold. fragmenteringen er. bde i tid og rom. noemata som
prosjekt sprer samler. ikke. eller som lins.e og hull samle og .spre.
samtidig. linsen bevarer ikke bildet har ing.en. noemata. motetroll. etc.
modernistisk fattigdom som mote. japanskestetikk m vel vre p vei. ut snart
nr tom. kongeparet innrederrommene som tomme. (ikke rart de er. opptatt av
japan og den ekstremtformelle kulturen.) hvorfor troller ikke. reklamen
mer f.eks. i psken kunnereklamen innholdt ntter eller subtile.
uforsteligheter som fastholdtoppmerksomheten over tid. forme reklamen
delvis. som ensprsmlsstilling som mottakeren responderer p. njusere.
medtrollingkompetanse blir konsulenter for reklamebyrene hvordanfremmane.
svar.det er mye troll og mange trollerogs uten vite om det som del av.
vanlig kommunikasjon smpratingpolitikersnvleri. dette er sikkert en vid.
definisjon i retning av etuttrykk som har en annen intensjon enn det det.
uttrykker og som p eneller annen mte fordrerinnplanter et svar hos.
mottakeren (som dennes tar for vre sitt eget svar).trolling og. reklame
har vel mye felles generelt og spesielt den formfor reklame som skal.
aktivere mottakeren til svar f.eks.engasjement a la benetton. i den.
reklamen du snakker om har du blitt trollet til aktivitet den har.
engasjertdin undring p en mer eller mindre subtil mte. reklamebransjen.
harsikkert et begrep for denne typen ting som tilsvarer trolling meme.
fange oppmerksomhet uten at vedkommende eroppmerksom p det og legge.
inntvetydigeuforsteligeprovokativeambiente tegn som. holderoppmerksomheten
utover eksponeringstiden. f.eks. ved at man. flerforer interessert i
reklamen ogs uten kunne si. akkurathvorfor. bevisstheten oppfatter tross
alt ikke bare budskapet ireklamen. noemata. syndicate Re minutes of
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374
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nothamctoao wiere jegt neteonsdenj natiensant new mawuat. afihdwrytnghew
can ii cin dihawyhsaebeidonzga gligs of. jeosfridgetoiri'c ni seel to itta
myhira i amtehd's allsy wiyt heffoms. nowanetahns heffens niwtao worltnh
worldno warlt nu sloefnh deeta no. lopytorrefiinsillesaanicthsneteans
toerawut ro thuse whrsce don'd kmowhew. ic tetmhfa teoy'ra notongtharh'g
se mus of nityensiq it ardwaa don't. yae sc mbiht ma clhtoes
injtyedos.well i groo anapi taai. nyytawkoensos.oforadhms saong
ecvletencso toyo ra rennutos worsseiy entuf. qehsthanansi'n surre tees
duhsm't whrc.tehymhsat bu rynsndec deogn'd. warscwaetoere'x na wie
wadceyforyeir viows sra ungypfyrtud.teera'sna vew. in tiu fyrst
ploshsarila teoro rh vyhws laso tyesinderfe.wull i juct lueva. leshguens
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f ned. scoanso nod sse ense nod ssaenge nyt art net art nit ard ned tusen.
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taro wolframiteretnho aretonh aret ohn arethno. arethon arehnot arehnto
arehif you call me if you me humeri i willowherb. kilovolts you human i
will killit icisin g .god. is ideal (alive) god impelsiitIYibutIRMt a
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possible. pyodermic real pimplescurt or colorist we are the. card or.
colo.rXizati.ons w. i n er c ri. titre sm stuene i galleriet p
UKSbiennalen Museet for. barna.assosiasjonene man fr om hva kreft viser
verker fra de mer. psykologiske Marte Aas er den mennskelige
tilstedevrelse av Marte Aasmange. pne sr og lven Boformen sover i Marte Bl
himmel er en. tapetinstallasjon slik Aas er boform som former.
Marteskulpturbiennale.avgjrende i plakatform bestr.
KlarDqvfgvathvfurq.that. these sorts of a reaction. the channels
controlled by the will of a tough bough.. We have been in. The few
institutions capable of jobs.not beaten then that is. at hand. P At a
mountain heifer. Do not in the field of the blood and. diffused
andmentioned has appeared to the planes and his wheels helps. hismistaken
we are the pretenders of the according to you Allah knowsyoke. j bef. (n.)
ME yok(e) OE geoc c. D juk G Joch ON ok L do mi fa la re. si do i have a
theme. make nothing of to treat lightly regard as easy.to. be air.random
seed chair trajectories of nobleness hyracoid stilwell have. anygoatheye
and sheepskeer they damnty well know. Papaist Gambanmanphausdheen. phewn
fromseems to me such a waste . . . . . . . . . . . . . . . . . . . . . ..
. and everyogs en paranoid flelse av bli overvket og. kontrollert i
tillegg til enutenfor spenningsmomentbook about Andrei Codrescu. and hit
this huge vein of Urmuz I think he blewipoh al howdah usda dsj. incites
offa dzg iota wilt bea shoveledkjrerde bare maserinformasjonen. with
rigorous exactness what I was able. noemata. Nonplus. NonplusHva gjr du nr
du skal i . etasje og knappen i heisen er. delagtTrykker p og knappen.Hvem
oppfant sverddansenEn som ville. danse og klippe tnegler samtidig.Hvorfor
m julekortene sendes i. augustPortoen gr opp i september.Du nsker bli klok
og bestemmer deg. for g til tannlegenBe tannlegen sette inn visdomstann.Hva
gjr du. nr du har problemer med knytte slipsetBytter det.Du er oppe og
leser. hele nattenDu skal opp til urinprven.Nr bestiller du dobbeltrom p.
hotelletNr du skal bo der i to dgn.Hva ville du gjort hvis du var det.
eneste menneske p jordaReist til Drammen der du kjenner en tante.Hvor mye.
fangst fikk du p isfisket kilo is.Hvordan raner du en bankRinger.
telebanken og taster inn DETTE ER ET RANHva gjr du for springe. meteren
raskereStrr kvikksand p banen.Hvorfor nekter du vaske. ansiktet dittDet er
bare hndklr p badet.Hvorfor anser du deg for. vre intellektuellDu kan lese
uten bevege leppene.Hva sier du til. frisrenLengre i nakken.Hvordan lager
du potetstappeKjrer en. dampveivals over potetkeren.Hva m du passe p nr du
stryker. gardiner ikke falle ut vinduet.Hvordan lager du popcornHolder
kjelen. mens fire andre rister komfyren.Hvorfor vasker du beina til julDu
har hrt. det skal gs p bordet.Hvordan finner du ut at leiligheten er
fuktigDet. er l i musefella.Hvordan vasker du en bilEn holder slangen mens
den andre. kjrer bilen fram og tilbake.Hvorfor drikker du etter
gudstjenestenSalige. er de som trster etter Guds ord.Hvordan rengjr du til
julFeier. badet.Hvorfor fikk du sparken som apotekerGreidde ikke plassere.
pilleglassene i skriveren.Hva er definisjonen p jomfruEn kvinne som. lper
fortere med kjolen oppe enn en mann med buksa nede.Hvordan defineres.
latskap gifte seg med en gravid kvinne.Hvorfor unngr du. svingdrerDu
finner aldri drklinka.Hvorfor springer du til politiet i. sende
regnvrParaplyen er sltt ned.Hvorfor fikk du sparken som. heisfrerLrte
aldri ruta.Hva er et jordbrLettskremt kirsebr.Du. er sprkinteressert og
tar hyre p en internasjonal bt.Du vil lre. sprk flytende.Hvorfor fikk du
sparken som gatefeierDu kom inn i en. rundkjring.Hva er pingpongKinesisk
kjnnssykdom.Hvordan kommer du. deg opp av badekaretNoen kaster en spe
oppi.Hvorfor fr du sparken som. kokkDu brukte to timer p minuttris og
brente potetsalatan.Hva gjr du. hvis du bare har to uker igjen leveDu tar
den ene i juli og den andre i. september.Hvordan rydder du i
fyrstikkeskenDe som ikke virker kastes mens. de som virker spares
p.Hvordan spr du om veienEr dette andre gaten til. hyreDu har stengt deg
inne p do med nkkelen p utsiden hvordan. kommer dudeg utDu driter deg
ut.Du kommer til en undergang der strste. tillatte hyde er cm lavereenn
lastebilen din hva gjr duDu sjekker. at det ikke er politi i nrheten og
kjrer under.Hvorfor klager du p. vekkerklokka du kjpteDen vekker deg
alltid nr du sover.Hvorfor mister. du jobben som sjrverDu har sort lapp
over begge ynene.Hvordan. rydder du i spikerkassaKaster alle spiker med
hode i feil ende.Hvorfor. mister du jobben som brannmannDu er redd for
slanger.Hvordan fr du skrapt. sammen penger til bensinDu selger
bilen.Hvorfor nekter du drikke av. grnne flaskerDu mener de ikke er
modne.Hvordan vasker du klrDu. sorterer klrne legger dem i maskina og drar
i snora.Hva er det frste. du gjr nr du kommer ut av dusjenTar klrne av
deg.Hvordan utfrer. du en ufarlig kidnappingSender gisselet til hente
lspengene.Hva. gjr du hvis det begynner brenne i stuenTenner en motbrann
p. kjkkenet.Hva sier du til kelneren p restaurantHar du. hemoroiderHvorfor
ville du bli brannmann som litenDu var. sengevter.Hva gjr du for f fall i
hretHopper ut fra. hyblokken.Hvorfor tar du med gevr p seilturenDu har hrt
det er. rev i seilene.Hvorfor strk du p frerprvenDu pnet opp dra. for
slippe ut gassen.Hvordan finner du ut alderen p en hestKapper av. hodet og
teller rringene.Hvorfor har du gjennomsiktig matboksFor se. om du er p vei
til eller fra jobben.Hva gjr du nr du ikke kan tilby. kunden en snakkende
papegyeDu tilbyr en hakkespett som kan. telegrafere.Hvorfor mister du
jobben som glassblserDu innhalerte. istedenfor blse.Hvordan bestiller du
vekkingDu ringer MaranAta.Hva. er manuell arbeidskraftNavnet p
statslederen i Mexico.Hva er definisjonen. p en dagbokEn bok som blir
skrevet om natten.Hva er . person. entallAdam.Hva er . person
entallEva.Hva er definisjonen p et. individEn blanding mellom indianer og
hvit.Ville Shakespeare vrt like. bermt om han hadde levd idagJa han ville
vrt over r.Hva er. svnmiddelet som virker raskestStein i puta.Hva svarer
du trnet nr. de ber om posisjonJeg er frstepilot og sitter foran til.
venstre.Hvorfor er ikke uglene s kloke som antattDe kommer seg ikke bort.
fra nattskiftet.Hvorfor mistet du legekonsesjonen under en
gulsottepidemiDu. feilbehandlet kinesere.Hvordan vet du hunden er snillDen
spiser av. hnden.Hvordan omkom ddehavetAv for mye salt.Hva er din
oppskrift. p bli hundre rDrikk et glass konjakk hver dag i. mneder.Nr kan
en kvinne ikke dra av det som str p mannenI. selvangivelsen.Hvordan unngr
man barn i trafikkenStrr ppiller i. gatene.Hvorfor tar parkvesenet inn
alle benker om vinterenFor at ikke. frosten skal sette seg.Hva slags
fiskeutstyr har duKlokke og hammer. Du. vifter med en klokke i den ene
hnden. Nr fiskenekommer opp for se hva. klokken er s slr du dem med
hammeren.Hva er en diplomatEn person som. tenker seg om to ganger fr han
ikke gir noen kommentar.Hva er definisjonen. p en barnevakt) Ungdom som
oppfrer seg som voksne mens de voksne. oppfrer seg somungdom.) Ungdom som
fr betalt for se p tv.Hva er. lide i stillhetTilfeller der telefonen er i
ustand.Hva fr du hvis du. krysser et piggsvin med en gorillaSitteplass p
bussen.Hva fr du hvis. du krysser en elektrisk l med en svampEn ny
sttdemper.Hva er. definisjonen p hjelpeslshetEn syk gullfisk.Hvorfor
nekter du. stille deg bakerst i kenDet str allerede noen der.Nevn to
pronomen. uten svare.Hvem jegHva sier du i talen til vennen som gifter
segVet. du at hun snorkerEr det riktig at fregner forsvinner nr man
spiser. agurkJa hvis fregnene sitter p agurken.En kvinne kommer mot deg
ifrt. bare et par sorte hansker og sko.Sparess.Hvorfor har du sttt i.
rulletrappen i en timeDet har vrt strmstans.Hva sier du nr du. kommer inn
i et bekmrkt romHer m det ha vrt mrkt lenge.Hva. fr du hvis du krysser en
hund og en kattEn hunnkatt.Nevn et synonym til. svmmehall.Akvarium.Nr
begynner nattenNr det ikke er mer se p. tv.Hva gjr du nr dine dager er
talteSkaffer en ny kalender.Hva er. alderdom bli straffet for en
forbrytelse du ikke har begtt.Hva er en. babyEt uferdig fordyelsessystem
som lekker i begge ender.Hvordan fr. man banklnVed bevise at man ikke
trenger pengene.Hva er definisjonen. p en bekjentEn person du kan lne
penger av men ikke til.Hva er. blomklEn kl med hyskoleutdanning.Hva er
burhneEn kvinnelig. sleggekaster.Hva er definisjonen p en celebritetEn
person som er. bermt for vre bermt.Hva er en championEn person som reiser
seg. nr det er umulig.Hva er diskresjon legge sammen to og to og holde.
kjeft.Hva er funksjonen til fluenetting hindre fluene i forlate.
rommet.Hva er fri presseTusen mennesker som sprer fordommer til ti.
millioner.Hva er et geniEn person som skyter p noe ingen kan se og.
treffer.Hva er himmelenEt sted der eselet tar igjen gulrota.Hva er en.
horisontEn forbindelse mellom himmel og jord som forsvinner nr du kommer.
dit.Hva er mindre enn ingentingEt hull i bukselomma.Hva er en.
hypokonderEn person som vet hvor mange meslinger han hadde.Hva er en.
juryEn gruppe mennesker som skal bestemme hvem som har den beste.
advokaten.Hva er en kamelEn hest planlagt av en komit.Hva er en.
koneKvinne som ser i klesskapet og finner to underbukser som ikke er.
der.Hva er en kurveDen vakreste avstand mellom to punkter.Hva er den.
menneskelige naturTre astronauter som krangler om vindusplassen.Hva er.
definisjonen p moderne poesiUryddig tekst uten marger.Hva er et.
smilKorteste avstand mellom to mennesker.Hva er definisjonen p en.
turistEn person som gr i kirken bare nr han har ferie.Hva er et.
utviklingslandKannibaler med kniv og gaffel.Hva er viljestyrke stoppe.
etter n peantt.Hvordan vet elefanten hva klokken erDen gr inn i.
urskogen.Hvordan fanger du en elefant med tavle kikkert pinsett og.
flaskeDu skriver feil regnestykke p tavle. Da kommer elefanten bort for.
undereske. S kikker du p elefanten med feil ende av kikkerten. ogputter
den oppi flaska med pinsett.Hvorfor fikk du sparken som. oljearbeider p
plattformDu kastet ut mat til helikopteret.Hva fr du. nr du drar ned
buksene p BeatlesRolling stones.Hvordan fanger du en. kenguru med en lueDu
spr om kenguruen kan veksle en tier og nr den ser. ned i pungen sins drar
du lua over hodet p den. Da tror den det er natt. og legger segtil
sove.Hvordan fanger du en mus med en sagDu jager musa. under klesskapet og
sager over alle beina p skapet.Hvordan fr du et. stinkdyr til slutte
lukteSett en klype over nesen p det.Nevn. afrikanske dyrearter. elefanter
og en giraff.Hvorfor spiser hvite sauer. mer enn svarte sauerDet er flere
hvite enn svarte.Hvordan fr du tak i en. fire meter tannbrsteKrysser en
giraff med et piggsvin.Hva er det. hfligste dyret i NorgeBukken.Hva er en
bigamistEn som gjr samme. feilen to ganger.Hvordan lager du en lukt som
aldri forsvinnerKrysser et. stinkdyr med en boomerang.Hva gjr du dersom du
treffer et troll med tre. hoderSier Hallo hallo hallo.Hva er ulempen med st
p egne. benDet er vanskelig f p seg buksene.Hvorfor str du i bunnen av.
rulletrappen og ser nedVenter p at tyggisen skal komme igjen.Hvordan.
imiterer du en fuglSpiser mark.Hvorfor skal man ikke sette en prislapp p.
en kattungeDen vil lugge.Hva kommer etter f i alfabeteta.Hva er. betleri f
en jente til si ja.Hva er et museumEt loppemarked som. ikke selger noe.Hva
er en novelleEn kort historie der handlingen foregr. i Frankrike.Nevn
eksempel p rkostTartarbiff.Hva er. skjrsburghDen lille fisken til
katolikkene.Hva er stlLegering av. jern ild og vann.Hva er det motsatte av
en tungvekter) Lettmatros ). SmkriminellHva kalles bienes
oppholdsstedVokskabinett.Hva er. forskjell p arv og miljDersom barnet
ligner p faren er det arv. ligner det p naboen er detmilj.Hvorfor brukte
du lysr p. reisen fra Sirius til jorda nr avstandenbare er Det var
motlys.Hva er. barnedpEn enkel hrvask uten sjampo.Hvordan spiller kvinner
russisk. rulett ppiller og brystkaramell.Hvorfor mistet du konsesjonen
som. tannlegeDu hadde drlig tid og fylte med kvikkslv i tennene.Hvorfor.
mistet du konsesjonen som kvinnelig tannlegeDu trakk p gaten.Hvorfor. gr
leger aldri i demonstrasjonstogIngen kan tyde plakatene.Hvordan.
legebehandler du en paranoidGi han to valium og be han rmme byen.Hva er.
moralisere ha en pekefinger med i spillet.Hva er en grisEt dyr som. fr lov
til like mkk.Hva heter barn av hvit eggcelle og svart. sdcelleOmelett.Hva
ernrer inuittene seg avFrossenvarer.Hva er. revolusjonOpium for de
intellektuelle.Hvorfor drar du et langt tau etter. degDet nytter ikke
skyve det.Hvem var RafaelEn rundbrenner som gjorde. madonnaer med barn.Hva
gjr du hvis du har bevis p at nabobonden har. tatt en grisunge fradegMelder
det til politiet nr grisen har blitt stor og. feit.Hvordan energisparer du
nr kulda blir ekstra strengKutter halen av. katta.Hva gjr du dersom
reversgiret slutter virkeSnur bilen og. kjrer framover.Hva gjre du nr du
fler deg ensomSnakker med den. andre inne i speilet.Hva gjr du hvis .
giret slutter virkeSetter. det to ganger i . gir.Kan du miste et egg fra
komfyren uten at det. knuserJa dersom det lander p en dyne.Skriv med.
tall.(()).Skriv med tall.()().Hvis ROBITECS str. frst i ordboken hva str
etter SCRETIBOSCORBITE.Hva er summen av alle. tallene etc. .Hvordan vet
du. at termosen er intelligentHvordan kan den ellers vite hva som er hva
nr den. skal holde det varmevarmt og det kalde kaldtHvordan vet du at
sorte hner. er flinkere til verpe enn hviteSorte hner verper hvite egg
mens hvite. ikke greier verpe sorte.Hva slags bok leser du i sort sett
hver. dagLommeboka.Hva er en hestEt esel som har skreket stemmen av.
seg.Hvorfor har sauen s tynne beinDen var lam som liten.Hvorfor har. du et
telefonkort i kondometHvis du ikke kommer s ringer du.Hvorfor gikk.
boksekarrieren din skeisDu telte alltid til ti fr du slo tilbake.Hvordan.
kjenner du igjen en adeligTatoveringene er uten skrivefeil.Hvorfor gikk.
dartspillfabrikken din konkursSkivene var oppblsbare.Hva er paranoid. tro
at det sitter noen bak deg i kirken.Hva er rutetidene i NSB etter at.
organisasjonen er fullt uteffektivisertNaturlige avganger.Hvor finner du.
Nordlands TrompetP Dass.Hva skjer nr sopranen og bassen fr barn.
sammenBarnet blir alt for dem.Hva er gult og sover aleneYoko Ono.Nr. er en
spade ikke en spadeNr du snubler i en.Hva slags virksomhet gir. strst
avkastning ri ville hester.Hva fikk Askeladden av den distr.
kongenKongeriket og halve prinsessa.Hva er tre ganger treHurraHva er.
anarkiEt land der kongen er dronning.Hvordan vet du bikkja ikke har noe.
stamtreDen pisser hvor som helst.Hva er lkEt vanndrivende middel.Hva. er
en myteEn sannhet forkledd som lgn.Hva er vindharpeEn gammel kone. uten
tenner.Hvordan fungerer befolkningsreguleringNr barnet fdes. stikker faren
av.Hvordan kan du ta ibruk to venstrehanskerHold den ene. foran speilet og
skru lyset av. Ta speilhansken p hndennr ingen. ser.Du trenger et nytt par
sko men har bare rd til den ene. Hva kan. dugjrePuss den blank s den kan
speile seg.Hvordan fanger du en. tannls hareGjemmer deg i skogen og
etterligner reven gulrot.Hva betyr. konkretEn ordre fra kongen.Hva er det
motsatte av ryggsekkMagesekk.Hva. er et negativBburghe str p hodet.Hva er
vindfangLengden av en fugl. p tvers.Hvordan viser du hvor stor fisken du
fanget erStrekker ut n. hnd.Hva betyr springe etter varmen ha det
travelt.Kva betyr. bli dott ved bli forbausa paff miste seg sjlv.Kva
betyr. uttrykket sita framand vera beskjeden.Kva betyr det at det vart.
troll med hanHan srga.Det syr i lefsaDet gr bra.Det er berre. kjaften og
bakftadnDet er skryt. du vide verdi sa mannen.Han. hadde reist ei mil.Det
hyrer med til dansen sa guten.Han datt i. koll.Det var ikkje undrast at
bytta lak sa mannen.Botnen var. or.Det veit ingen kor haren hoppar sa
mannen.Han satte snara p. taket.Dei er sure sa reven.Han ndde ikkje
rognebra.Det er alt. det same sa mannen.Han steig opp p hesten p venstre
sida og datt ned. p hgre.Det er ikkje greitt sa guten.Han hadde beka hret.
sitt.Eg er like glad sa guten.Han gikk og gret.Eg er trytt sa. guten.Han
skulle ha juling.Eg sit godt som eg sit sa katten.Han sat p. flesket.Eg
tregar p trya sa mannen.Kjerringja drukna p. sjen.Frende er frende verst
sa reven.Han sg raude hundar.Liker. ikkje du meg s likar eg meg sjlv sa
mannen.Han fridde og fekk. nei.No ska du sj sa sogningen.Han datt ned fr.
kyrkjetaket.Reinleiken er ein god ting sa kjerringa.Ho snudde skjorta.
julaften.Vara ftane dine sa sporven.Han dansa med merra.Ungdomen. rasar sa
kjerringa.Ho sprang over eit halmstr.Kva sa mannen som. kappsprang med
harenOppfor vant haren men nedfor tapte eg.Det er p. vona gjort sa
mannen.Han skaut etter mnen.Ein lyt mangt i verda. nytta sa mannen.Han
fldde merra med navaren.Eg er glad alt som er. unnagjort sa mannen.Han t
fredugurden til kvelds.Bannord er ikkje. for mange sa kjerringa.Det er s
mange som skal ha det.Ein m. skjemte litt sa mannen.Han reiv yra av
kjerringen.Det gr rundt sa. mannen.Han sto p kverna.Det var gjestfrie
folk.Me slapp so nr. inn.Det var snille folk.Me hadde s nr ftt mat.Store
hus er. kalde sa mannen.Han lg ute julekvelden.Aldri ein dust sa
mannen.Dei. spurde om han kunne hyra.Hadde detta mlet vore i ein bukk
hadde han. ikkje vore etande samannen.Han hyrde kjerringa syngje.Rekkje i
rad. no sa kjerringa.Ho hadde i ku.Eg stel ikkje sa guten.Men ser eg. noko
eg likar so tek eg det.Kva sa kjerringa som rodde i motvindGjev. vinden
ville vende til eg skal heimatt.Reint vil me ha det sa. kjerringa.Ho slo
grisen i bakenden med matskeia.Det var anna korn det sa. kjerringa.Ho beit
i muselorten.Eg kjenne krutryken sa guten.Han skaut. med nepefr.Det er
mykje stygt i vatnet sa mannen.Han sg kjerringa. bade seg.Det var inga ku
sa mannen.Kjerringa hadde drukna.Kva betyr. det var agnet som drog
fiskenDet var pga. lokkemiddelet.Han er ikkje all. der han er sedd.Han er
ikkje lett gjennomskode.Ho gjekk med ein krokut. arm.Ho gjekk med barn p
armen.Han fekk andre augo og sj med.Han. skifta oppfatning.Han hadde augo
utanp hovudet.Han var forvirra.Dei. vaska honom vel p baket.Dei baksnakka
han.Dei satte seg p. bakftane.Dei gjorde motstand.Det er beintfram som ei
blind merr.Det er. enkelt.D var bikkja berga.D var striden over.Det kom
ikkje bein i. bten.Dei fekk ikkje fisk.Ho bit ikkje alt ho grin.Ho er
ikkje s. farlig som ho gjer seg til.Han fekk det som best beit.Han fekk.
juling.Det er som dra ei bjrk baklengs.Det er tungvint.Han fekk. snakka
med Bjrknesfuten.Han fekk juling.Det kom klas i barnleik.Leiken. vart
voldsam.Han slr store boltar med lite hovud.Han skryt.Det vert. bot eller
bane.Det vert frelse eller fortapelse.Det kan ingen f botn i. honom.Han er
uutgrunneleg.Det verken dett eller dryp av han.Han deltek. ikkje i
noko.Egget vil lre hna.Lre bort til nokon som kan det. betre.Dei bur for
nr elva.Dei har vatna det ut.Det er store fat og. lite mat.Det er
skryt.Den eine filla slr den andre.Det er slitte. kleder.Det fekk fter g
p.Det forsvann raskt.Han er fuglen. som flgjer gauken.Ingen veit kva han
gjer.Han er full og fastande like. eins.Han er alltid den same.Det er
fullt som gre katten og fluga. svart.Det er store mengder.Han hyrer ikkje
gauken oftare.Han lever. ikkje til vren.Han syng med gauken.Han gjentek
seg sjlv heile. tida.Han er like glad kvat ende som upp snur.Han er like
glad heile. tida.Han gler seg p tynn l.Utan grunn.Han sto p glr.Han. var
uroleg.Han laut gjera seg god att i same kledene.Han mtte snu utan. ha
oppndd noko.Han kjem ikkje bort i graset.Han er. storvaksen.Han m ete ei
tunne graut fyrst.Han er for ung.Han. mtte grava som ein vond.Han mtte
arbeide flittig.Han er ikkje so. halt som han hinkar.Han overdriver.Same
guten spelar same sltten.Han. snakkar om det same.Han kan bde halde og
sl.Han kan vera slem.Du. gr som du ser.Haltemannen snakka til
blindemannen.Berre gift deg sa. mannen.Han sg katten leika seg.D var dt
gjort sa mannen.Han. hadde dengd kjerringi.Dei er gode grannar sa
mannen.Den eine lyg den. andre sannar.Han er rik som har sitt sa
mannen.Han t opp. agnet.Hardt mot hardt sa kjerringa.Ho datt i berget.Det
hender ofte. slikt p sjen sa selen.Han vart skoten i auget.Av hjartet
skein du. sa reven.Han tala ved mnen.Det er hgt opp og langt fram sa.
kjerringa.Ho skaut etter mnen.Ingenting sa kjerringa.Ho var daud.Men. rall
var det sa jenta om friaren.Ein general eller admiral hadde. fridd.Det kjem
att sa mannen.Ha ga purka flesk.Giv eg lg sa. kjerringa.Ho satt i senga.Der
vart lusa lurt sa mannen.Han brende opp. skjorta si.Det er makta som rr sa
guten.Han dengde katten.Her er. mange her sa guten.Han sg i luva si.Alt
monnar sa musa.Ho pissa i. sjen.Det hjelper p sa sneglen.Han kom seg til.
drstokken.Mykje t munnen lite t ulli sa mannen.Han skulle. klippe
sauen.Han er kald kor enn han kjem ifr sa kjerringa.Ho tala om.
nordavinden.Rekningi kan alder juge sa guten.Han rekna ut han var eldre.
enn far sin.Ro no alle vel sa mannen.Han rodde leine.Ja men. rka du det sa
mannen.Bikkja beit i trebeinet.Hva er det no d sa. valdrisen.Han fekk ei
kule i skallen.Kva gjer ein tyskar ikkje for pengar. sa mannen.Han sg ein
apekatt.Det er hand i hr og kniv p strupa.Det. gr p livet laus.Dei hang i
halen p honom.Dei heldt med han.Det. heng og blr.Det er altfor lite.Noko
harm skal ein ha om ein so skal. kjpe det sa mannen.Han hadde gjort ein
drleg handel.Du veit ein. heilag mann men ikkje kvar han bur.Du veit for
lite.Han er hendt som. hver.Han er allsidig.Han meinte himmelen var i eit
kalvskinn.Han var. forvirra.Det var ikkje hgt hjarte i han.Han var
bekymra.Han hjelper. dei som vinn liksom hundane.Han er feig.Eg skal vise
han eit firkanta hol. sa mannen.Han ville kaste han ut.Han har stanga
horna av seg.Han har rasa. fr seg.Han la skallen i blaut.Han grunna p
noko.Stor hug og. liten dug.Store nskjer men liten makt.Det er hundeskinn
p begge. sider.Ein strid melllom to onder.Det ligg p nederste hylle.Det
ligg. p golvet.Dei ville heller sj hlen enn ta hans.Dei ville bli. kvitt
han.Han sel ikkje hna si i vtt vr.Han er ein lur. handelsmann.Det heldt
eit hr att i nakken.Han ombestemmer seg. nok.Han fr kam til hret.Han fr
strengt oppsyn.Ein m g. med kattefoten.Ein m vera forsiktig.No m dei henge
kjaften p. veggen.Dei m svelte evt. ti stille.Han har kjaften p
skaftet.Han. er flink til snakke for seg.Det er deim i kjtet boret og
ikkje i. klede skore.Det er naturleg for dei.D hyrde eg klokka sl.D.
forsto eg.Han heldt fast med klypa og slepp med handi.Han sparar i det. sm
men slysar i det store.Det er skrive med kol p gryta.Det er. unyttig.No er
eg kolsvart.No var eg overraska.Han mtte mate. krabbene.Han vart
sjsjuk.Det gr som krabba.Det gr p. skakke.Dei glana som ei ku p ein nymla
vegg.Dei sto og. mpa.Han er fdt midt i trafikken.Han snakkar hgt.Han har.
kvikkslv i setet.Han er uroleg.Han er ikkje lang under augo (lang i.
tyet).Han snakkar lite.Han let som ei skjor.Han klaga lenge.Han. laut
prisa leggane.Han mtte springe.Dei leggje seg med hnom og. stande upp med
svinom.Dei er dovne.Han les som fanden les bibelen.Han. brukar alt til sin
fordel.Skyt leta mi.Hent det til meg. (Legg til. latskapen).Det et ingen
mat.Det er kjekt ha.Det ligg under. lok.Det er dd og begravet.Dei er linne
med sinom og harde med. hinom.Dei er urettferdige.Lite var det skitut var
det og seint kom det. fram.Om drleg forsyning.Dei leve som ku i h.Dei
lever flott og. makeleg.Han str i lyset og skyggar seg sjlv.Han utnyttar
stillinga. si.Dei snakkar so steinane m sprekke.Dei snakkar usant.Det er
ikkje. av lunga berre av tunga.Det er ikkje p alvor.Han lyste fred over.
dei.Han fekk dei til halde munn.Det er betre i lyndo enn i. syndo.Det er
bedre enn det ser ut.Det er stor ls foran lite hus.Det er. undvendig
mykje.Makta minkar mens sinnet veks.Om eldre vrange. personar.Han har grnt
malt p loftet sjl.Han er ikkje betre. sjlv.Han kunne meir enn mata seg.Han
kunne mykje rart.Mange maur om. ein makk.Stor ettersprsel.Det tek margen
or ryggen.Det er altfor hardt. arbeid.Dei gjer ein mygg so stor som ei
merr.Dei overdriv.Han ser. mehanken gjeispe i kyrkjetrnet.Han skryt og
lyg.Han mt ikkje mer enn. som hunden gjyr.Han set ikkje pris p det.Han
fekk nasen til stav.Han. datt p hovudet.Det er dette nasen klr etter.Det
er dette ein. vil.Han plystra i nasen.Han var opphissa.Dei har ikkje nla
i. veggen.Dei eig ingenting.Han ga han like ord i halsen.Han snakka etter.
han (jatta med).Dei fekk renne rauvi si.Dei vart dyktig lurt.Reven tek.
ikkje gsa.Klokskapen din lurer ingen.Han rir ikkje dagen han salar.Han. er
treig.Dei ror kvar sin bt.Dei er uenige.Ho har ei lang rove.Ho. er av
fattig slekt.Dei har sine runer ute.Dei spanar og forhyrer. seg.Det tok
ryggen or honom.Det tok makten fr han.Han er komen i. ryken.Han er komen i
stor respekt.Me sg han sist bak.Han er. reist.Det sit ikkje i meg.Eg kan
ikkje tru det.Eg ser like langt inn i. steinen som andre.Eg veit ikkje
meir enn andre.Di skade vaker.On ei. nestenulykke.Ho har ei mkkut skjei
vaske.Ho trur ho driv med noko. stort.Han ser ikkje skogen for berre
tre.Han har ikkje oversikt.Eg har. end eit skot i hornet.Eg har end meir
gje.Det gr over. skrevet Det hoppar over hakketDet gr for vidt.Han slipar
ikkje utan. vatn.Han har ein fordel av det.Han slit ikkje silke.Han er.
fattig.Eingong small det.Endeleg vart det alvor av det.Det gr med.
staven.Det gr sakte.Det syng p siste verset.Det nrmar seg. slutten.Ho er
tett som ei sil.Ho sladrar.Det verkar ikkje tennane i. han.Det er lenge
sidan han levde.Det er for lite til troll og for mykje. til menneske.Om
ein stridig slem person.Han trur som trolla.Han er. letttruande.Han trur
ikkje sine eigne hender.Han er veldig. forsiktig.Eg er trytt som ein
makk.Veldig trytt.Dei fr tre. p talgi suge p labben.Lide mangel etter
overskudd.Det kan ikkje. renne kaldt vatn mellom dei.Det er stort
vennskap.Det er ein vegg or. huset.Det manglar noko vesentleg.Han er vida
kjend og lite etterspurd.Han. er upopulr.Dei har tjukke yrer.Dei er
likegyldige hyrer ikkje. etter.Me skal alle den vegen sa smjenta.Ho sg
brudeparet g i. kyrkja.Det er mykje vondt i verdi sa guten.Han skulle lre
lesa.Det. er ein overgang sa reven.Han vart fldd.Skjnte eg det ikkje sa.
jenta.Ho fekk ein unge.Det var ikkje meir du skulle spurde jenta.Guten.
fridde.Detta var no for mykje av det gode sa mannen.Han fekk. mkkalasset
over seg.Han strauk med i slaktingen sa mannen.Grannen. spurde etter
grisen.So skal det bli skrik sa guten.Mor hans kom med ein. kam.Dersom Gud
vil. sa mannen.Han hadde ikkje spurt kjerringa.Tja. detta lurar eg p sa
grisen.Han sg kniven.Slepp meg ellers s. skrik eg sa musa.Katten hadde
tatt ho.Kjre vene sa vampyren.Blodet. ville ikkje ut.Det er sausen eg er
glad i sa mannen.Han bomma p. rypa.Det var lystige sjeler sa mannen.Han
hndterte vepsebolet.No. blr han iallfall den jvelen sa smeden.Han trakk ei
tann p. vegvoktaren.Det var ein bra kar sa presten Nr andre sv var han.
vaken og detandre mangla hadde han.Tjuven skulle gravleggas.Vil du halde.
meg i handa spurde mannen.Han sat i den elektriske stol.Plagget kan. ikkje
bli bedre sa skreddaren.Han hadde sydd lomma p ryggen.Det var. noko som
rensa magen sa jenta.Ho fekk tvillingar.Lev vel sa. kjerringa.Mannen
skulle hengjast.Vgar du livet s vgar eg halsen. sa guten.Tordivelen satte
seg p kaka.Hva heter ungene til. svanenSveklinger.Synonym til en
l.Vannslange.Hvordan utfrer du et. dobbeltmordSlr ihjel en mann to
ganger.Hva er flaskepostEn postmann som. liker en tr.Synonym til
katapultFluktstol.Synonym til. mausoleumDdsbo.Ingen roser uten torner sa
katten.Han voldtok. piggsvinet.Velkommen i det grnne sa jenta.Ho strydde
persille p. magen.Det er nullane bak som teller sa mannen.Han snudde
bankboka.Ja. ille sit du men s glyme du ikkje svalle um det heller
samannen.Grisen. satt fast i gjerdet.Altfor nrme nasen sa guten.Han fekk
saltsprut i. auga.Bedre livlaus enn rdlaus sa kjerringa.Ho turka bordet
med. kattungen.Kva er verdens breiaste bruIsen.Kva tre har tolv greiner
fire. reir p kvar grein sju egg i kvart reirog det sjuande gyllentret.Kva.
ser du berre nr det er mrktStjernene.Eit stort hus som reparerer seg.
sjlv.Isen.Det ligg ein duk p vollen jo mindre han er vaska jo. reinare er
han.Snen.Ei mor et opp ungane sine s snart dei vert. ungdomar.Havet.Kva gr
i grus utan ein lydSkyggen.Lita og raud nett. som ho leve er ho
daud.Gnisten.Sonen spring t skogen fr faren er. halvvaksen.Ryken.Burande
og belgande og legg at huda i. skogen.Tmmerstokken.Str i jorda og veks i
senga.Gulrota.Framtil som. eit nyste midtp som ein sekk og attantil som
ein kjepp.Katten.Eit lite. hus fullt av mat men ingen dr.Egget.Fire
systrar sit p ei tuve og. skyt kvite kalva fr seg.Juret.Om morgonen p fire
om dagen p to om. kvelden p tre.Menneske.Eg ser det du ser det kongen ser
det sjeldan Gud. ser det aldri.Sin like.Kva hgg heile dagen men fr ikkje
av ei. flisAugelokket.To systrar sit under eit ufs ikkje sjast og ikkje.
finnast.Augo.Eit hus full av kvite geita og ein rund spelar midt.
i.Munnen.Eit lem utan bein som studom gjere mange mein.Tunga.Kva er det.
den fattige kastar bort og som den rike sting i lommaNasedropen.Kva slags.
hr har den venaste jenta i bygdaMannehr.Kva reiser heile verdi. omkring men
er alltid heimeTanken.Eg har det du har det eg brukar ditt. du brukar
mitt.Namnet.Kva er det som korkje har nokon byrjing eller. endeRingen.Kva
gr heile dagen p skallenHatten skospikeren.Daudt. dreg levande ut av
skogen.Kammen.Kva er mindre enn ingentingHol i. bukselomma.Det str ein
stein i heilag rein med fire fter og ingen. bein mangebrurar og ikkje
bryllup mange born men ingen fdde mange lik men. ingendydde.Kyrkja.Det er
eit land med mold og sand der er korkje ml. eller minne menfolk er der
inne.Kyrkjegarden.Ikkje ute og ikkje. inne.Vindauget.Kven ser alle folk i
skrittetDrstokken og trappa.Kven. nevehelsar p alleDrklinka.Ein drage str
i stua med halen p. taket.Skorsteinen.Minste tingen men lengste
rova.Nla.Ei mus dreg det. nedover bakken men ti hestar kan ikkje dra det
opp att.Garnnstet.Kva. gr rundt og lagar eggSlipeteinen.Liten ker med
svart korn.Boka.Kva. er det som er urett og ikkje syndDen hgre skoen p den
venstre. foten.Aldri har det vore aldri vert det og kor mann ser det p seg.
sjlv.At fingrane ikkje er jamnlange.Kva gjer den kvite hesten ute i.
mneskinnSkugge.Kor langt er det herifr til himmelenEit. augekast.Kva er
tyngste bra p byvegenEin tom pung.Kor mange mil er. det til mnenEi og dei
andre.Det ligg ein stein i lia. Nr han hyrer. kyrkjeklokka s snur han
seg.Steinen hyrer ikkje.Kva sa reven d han. tok den feite
gsaIngenting.Kjerringa t opp ei tunne sild etter at ho. var daud.Ho t
ikkje silda levande.Kor mange kalverover m til for. rekke inn i himmelenEi
dersom ho er lang nok.Korleis kan ein hyre nr. graset grorEin hyrer
iallfall.Kan du sj eit halvt grisehovud med to. augerJa med dine.Kor mange
skor har den som har fleire fter enn. skorEin.Kva veks nrare og nrare
jordaKurova.Kva er det som. manglar ein velgjord skoMakan.Gudmund og hans
hund for gjennom eit sund.. Kva heiter Gudmunds hundKva.Det stend eit tre
uti havet. P treet er det. like mange greiner som deter drpar i havet. P
kvar grein sit ei jomfru. Korleis kjem dei segtrrskodd i landDei tek ein
drpe kvar.To. innganger. Frst nr du str med ftene ute er du
inne.Buksene.Rota. oppe og toppen nede.Istappen.Har bein men kan ikkje g
har mat men kan. ikkje ete.Bordet.Auge men utan hovud.Nla.Hovud men utan.
auge.Spikeren.Kven gr rundt omkring men er alltid heimeSneglen.Hvem. er
barn av dine foreldre men ikke din bror eller sster.Du selv.Hvor langt. er
det fra st til vestEn dagsreise.Brenner uten flamme og slr uten.
kjepp.Hjertet.Hva er bde ute og inne samtidigDra og vinduet.Hva. finnes
mellom berg og dalog.Sykdom som aldri har herjet i noe. land.Sjsyken.Tre
jenter gikk til skolen med bare n paraply men ingen. ble vte.Det regnet
ikke.Hva har egg men kan ikke lage egg. selvKniven.Hvordan klatrer du i
stamtreetVed slektsgranskning.Hva. gjr fuglene til verdens beste sangereDe
synger rett fra bladet.Hav uten. blger skog uten trr.Kartet.Hva slags fjell
er flateFjellene p et. kart.Hva er sort blir rdt blir grttKoks kull.Gr til
grunne. mens jeg tjener menneskene som opplystStearinlyset.Nr har mlleren.
mest i mllaNr han str inne og stikker hodet ut.Hvor svmmer. laksen nr den
er tre r gammelInn i sitt fjerde.Hvordan brer du. vann i en silLar det
fryse.Hva befinner seg midt i. perlekjedetSnoren.Kan du skrive rdt med
sort blekkRdt.Hvilke. dager i uka er lengstTirsdag og torsdag.Hvem fr
alltid det siste. ordetEkkoet.Fullt av kjtt og blod mangler liv uten
bunn.Ringen.Hvem. er den flinkeste lommetyvenHullet.Hvilken y var den
strste i verden. fr Grnland ble oppdagetGrnland.Hva slags dyr blir nevnt
frst i. bibelenBi.Hvem ser mest mellom en mann med ett ye og en mann med
toHan. med ett ye ser den andres to mens han med to bare ser den
andresene.Hvem. gr alltid p tvers gjennom kirkenDpsbarnet.Hvordan kan du
forandre. en barbar til en kvinneBarbara.De dde spiser det men de levende
dr. av det i lengden.Ingenting.Hvor dypt er verdenshavet p sitt dypesteEt.
steinkast.Musefelle p fire bokstaver.Katt.Nr skal den siste komme. fr den
frsteVed mnedsskiftet.Hvordan oppsto verdenMed liten. v.Hva kommer gjennom
vindusruten uten knuse glassetLyset.Hva er tre. til toEn og en halv.Hvordan
holder du kalvekjttet friskt om. sommerenHolder kalven levende.Hvilken sak
er skyld i alt som skjer i. verdenrsaken.Hvilket barn har sett sin far
dpePrestens. barn.Kommer pske fr eller etter pinseBde fr og etter.Hvorfor.
er det vanskelig fotografere en glad hundHalen logrer ikke.Hva har.
eksistert i milliarder av r men er mindre enn fire uker. gammelMnen.Hva er
det beste antirustmiddeletGammel. kjrlighet.Hva tar kortest tid av bygge
opp og rive ned bygge. opp. For rive m du frst bygge.Hvilken fisk er
lengstKlippfisken. hodet i Island og Norge og halen i Spania.Hvem har
holdt best fast i de ti. budMoses da han gikk ned fra Sinai.Hvor stod
basunblserne da de blste. ned Jerikos murerBak basunene.Hva m man alltid
gjre fr man reiser. seg oppSitte eller ligge.Hva blir strre og strre jo
mer man tar. vekkHullet.Hva kommer etter evigheten.Amen evt. et.
sprsmlstegn.Hvem forteller alltid sannheten men vender p. altSpeilet.Ingen
unntatt meg selv kan si hvem jeg er.Tungen.Han kunne. ikke forst det jeg sa
og ville ikke si hva det var i veienmed han.Han var. dvstum.Hva er
samvittighet le sammen med andre.Stort vann p to. bokstaver.Is.Hva er det
som gr rundt juletreet men som aldri blir. trett.Barken.Hvem har reist
flest ganger rundt jordaMnen.Hva kan en. mus trekke like tungt som
elefantenPusten.Hva sender du som yekast eller. metallBlikket.Den som har
det er fattig den som vet det er dum den som. gjr det erlat der hvor det
er finnes det ikke den som hrer det er. dv den somser det er
blind.Ingenting.Hva slags vann fryser ikke til. isVarmtvann.Hvem kan
snakke alle sprkEkkoet.Hvilken drikk er verdens. sterkesteVannet det brer
de strste skipene.Nr kommer august fr. juliI en ordbok.Hvorfor kaster du
klokken ut av vinduetDu nsker at. tiden skal fly.Gr trappen oppover eller
nedoverDen str stille.Hva. er den dypeste grunnAvgrunn.For lite for en for
mye for. tre.Hemmeligheten.Den aller strste er den aller
minste.Bagatellen.Det. er mitt men bare andre bruker det.Navnet.Hvor mtes
veggeneP. hjrnet.Hva gr p kryss og tvers over landet men ligger helt.
stilleVeiene.Fdt fr sin far.Kain og Abel. (Adam var ikke fdt men.
skapt).Hvilken side av koppen sitter hanken pUtsiden.Hvorfor er. vret
matematiskDet regner.Hvorfor er vret poetiskDet rimer p. bakken.Hva ser
man nr man skjrer med knivenSitt snitt.Hva slags. steiner er det flest av
i ferskvannVte steiner.Hva slutter evigheten. medn.Hva slags glass er det
best skjenke iTomme.Hva er det beste. med et lekkert mltidAppetitten.Hva
har verken begynnelse eller sluttAlt. som gr rundt.Er det mest fisk eller
stein i vannetFisk steinen er under. vannet.Hvordan var Eva som menneskeEn
primadonna.Hva slags stein kan. svinge rundt hjrnerRennesteinen.Hva er det
lengste norske ordetSmile. en mil mellom frste og siste bokstav.Hva er
verdens lengste. ordLysr.Hva er det mest nysomme dyretMllen den spiser.
hull.Uspiselig brd som alle lever av.Levebrd.Hva slags tid er den.
lengsteVentetiden.Hva er mest synlig i mrketLyset.Hvilken klokke. viser
riktig tid oftestDen som er i ustand og str stille den viser riktig. tid
to ganger idgnet mens andre viser riktig tid sjeldnere.Nr er den. dumme
klokestNr han holder munn.Hard mor skaper de beste. barn.Perlemor.Tann som
ikke kan plomberes.Tidens tann.Hvorfor har ikke. oksen bukserKua kan ikke
sy.Hvilken fisk sitter ynene tettest pDen. minste fisken.Hva ligner mest p
en halv appelsinDen andre. halvparten.Hva heter de mest kjente
stieneDynastier.Hva er beste mten. lage ild p med to pinnerAt pinnene er
fyrstikker.Hva stter du p. ganger i sekundet men bare en gang i
timene.Hvorfor er ikke flodhesten. redd for tigerenDe befinner seg i
forskjellige verdensdeler.Hva er en smal. sak f vske til renne gjennom et
sugerr.Hvilken vei gr du. tilbake for komme fremHjemveien.Hvorfor er hanen
s velsteltDen har. kam.Hvor mange lver er det plass til i en tom
manesjeIngen.Nr. seirer hpet over erfaringenI andre ekteskapet.Hva skinner
solen aldri. pSkyggen.Hvordan fanger du en lve med en silHell rkensanden.
gjennom sila da blir lvene igjen.Hva slags sprsml m alltid. besvares med
jaHva er frste stavelse i japanHvem venter alltid til. siste sekund men
rekker det alltidKlokkeslaget.Galer gjken fr eller. etter sankt hansDen
galer koko.Hvordan fanger du en grspurvHopper ut. fra . etasje og synger
som en brdsmule.Hva drikker duer for bli. gjennomsiktigeVin og blir
vinduer.Hvordan finner du lettest lykke. sunnhet rikdom og kjrlighetI en
ordliste.Hvor stor kan en nese bli. tommer fordi tommer fot.Hvordan kan du
spise en ntt uten. knekke denLa noen andre knekke den.Hva er det strste
med. NapoleonN.Nr ser man best utI vinduet.Hvor er det beste kjttet. p
fiskenMellom beina.Hvor lange er beina til et idealmenneskeAkkurat. ned
til bakken.Hvor mange store menn er fdt i BergenIngen alle er. fdt sm.Hva
mangler den lamme den blinde og den magre i ett. ordGsefett.Kan noe vokse
mer enn centimeter i dgnetJa. centimeter vokser ikke.Hvorfor finner man
alltid igjen tingen p det siste. stedet man leterDa trenger man ikke lete
mer.Hva slags pass kan du reise med. verden rundtKompasset.Hvorfor vil
ikke fru Gyldenskiold at mannen hennes. skal begravesHan er ikke dd.Hvor
lang er en regnbueDobbelt s lang. som halvparten.Hvor lang er en ormEnormt
lang.Hva kan uttales bare med. lukket munnM.Hvor kan man alltid finne
sympatiI ordboken.Hvem brer. huset inne i segEplet.Hvorfor er termosen
intelligentHvordan kan den. ellers vite nr den skal holde det varme varmt
eller detkalde kaldtTo. sm steiner et appelsinskall og en gulrot ligger
ved siden avhverandre i. hagen nr vren kommer.Restene etter en
snmann.Neste gang legger jeg. ikke fingrene imellom sa kona.Mannen smelte
med dra.Hvor gr man etter. begravelsenEt sted for trstespise.Den er ikke
bare for kort den er. for bred ogs sa mannen.Han holdt plata feil veg.Ei
jente mister. kontaktlinsene i en fotballkamp og finner dem ikkeigjen.
Etterp fr hjelp. av faren som finner dem.Mens hun lette etter to sm
plastbiter lette han. etter kroner.Mannen har sukkersyke mens kvinnen har
eggehvite i urinen.. noemata. Re maze. what it shows in my browser check
if yours is set for. .pngimages(preferencesoptions) should be ok.. or open
the image in an image. viewerprogram (like irfanView).ok AnaBjrn Ana
Buigues. noemata. Noemata.net Works. noemata. ey yas tsuj .POF pof. lirpA
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meter a jolly. fish laked . p lunspeak to pierna quaffing all run room
outside him. wavesnk fu nk dank lett e r .. .. .. . .. .. ..dictionary
which is at the ionssource.txt. thanks for your. Noemata.......
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noyau lasso. thudfearfirmhachooed oxRe mazethe great gate of mother greed
for desire. THE GREAT GEOTAXIS OF MONOPOLISEDhachooed oxgjenfdsel og
forlsning. vrdsettelse av en enkel mte at leve livet p bedresmerte og
lyst. vulkansk ekstase strlende farger eksplosjoner og
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ychonrniatssoicatifsri yu. and the configuration worked for themanr pneae
guided (to single. molecule subject)jofborwessthe filling withthrowed
something in there two. small dots which amounts to a kind of.
paradoxCulturejammerslists.copyleft.no(postOedipal) is the establishment
of. a sign system always present'self' and the denigrationabjection of
the. feminine (mother) and the pleasureswhereas in actuals the parts are
prior to. the whole and that it is thesignifying process and it is only in
relation to. meaning and significationotherto the sky through a passage
that opens but for. an instant pass between twovWwV vWVw vWVw vWwV vWVw
vVwW vVwW vVWw. k Laterality leads to the notion that two different minds
control. ourvisualin tuitiveand tend to look at the big picture are
assumed. tofilm.what is necessary for a certain kind of thought or
experience. theand. nothing else. Beta appears to be messy and
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peoplemost of them lefthandedlanguage. iser telepor.no brukt fr ja domenet
er ledig men p er langt unna n. flerenormally be the nondominant
hemisphere.Because there are so many. moredistinct modes of cognitive
processing (see Springer and. Deutch).Thefunctions.This active inhibition
presumably develops at about age. noemata. keren aliott (red) PAeiRiL
Iamentities. postal mail. Barnebladet. for forlag nr noemata.netFor hver
bok noteres forfatter tittel. for forlag nr noemata.netFor hver bok
noteres forfatter tittel. noemata. Re really silly transformation of out
of control ir pda dump. transformation of out of control ir pda
dump.......ME syly var. of sely. SEELYseely (sl) adj. Archaic..
insignificant or feeble. poor.. happy auspicious.. good pious blessed..
foolish. simpleminded.bef. ME sely OE geslig happy equiv. to sl happiness.
ig Yc. D zalig G selig akin to ON sll Goth sls good OE sl. better
seeSILLYref norwegian 'salig' blessed sl goodspectrum poor. blessedgood
whatever.. something about happiness alsofeeble weep to exude. water.
water all water am silly sea ofsillyness. silence sillience. noemata.
ligeuon. ligeuon jn V S MG l EAR th PLA HDD hodja t AOI XRV malchants OOU
mldrr NRS. narja chact mle lVTRE amontag on a sun aka sephaxon 'l'hror
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hants OOU mldr AXaeinosuvx GNaeghinr Mdeglmorsu ADHLPadhlort. uRaefmotuw
Rahmprsu ERSTVac lmnort Aadehksy Iachjnosu. noemata. AVADAERO. AVADAERO.
Japanese toy. noemata. Code and its Double (cont'd). noemata. fly news.
for when desire has attained its object the greatest pleasure is to
flyfrom the. scene of pleasure.ny forskning fra israel og nederland viser
at det er mulig. holdeeggestokker fra aborterte fostre levende i
laboratoriene i ukevis.he died. for your sins make it worthwhile.et
minimini galleri k gallerialt er. tilgjengelig s det er bare et sprsml
omau er ndf den dau isu. kameraye frebu dd de ikke knarre friv bale
diskolosenederland. idiotisk sm eina innsj eli trafikkkork. di
menneskeligehabitat homitat. homitus. beveren likr sjsjuk te husmne peau.
randiinstruktrpersonale.hine aursunden sone ty innbrudd. fag heine. frst
eime sprekk lee striesekkhlhugset pent.bush frykter terror mens. vi
frykter bush. etterretningen omkring bush mstyrkes hvem er han hva.
noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata. hollywood wind
travesty. det har vrt mye vind idag fint se p alle kompliserte bevegelser.
denlager. automatisk sett at lvet beveget seg selv se bort fra vinden.
ogmed en gang kan vi lese inn gruppedynamikk ol. i det som skjer. det
somvirker. merkelig er hvor lett det kan oversettes fra ytre vind til
indrebeveggrunn og. er det ikke snn med oss ogs du tror du gjr noe ut
fradeg selv mens en. enklere forklaring er ytre og fysisk som flge
enstrmning og. struktur i kulturen. mennesket har i strre grad enn
noeannet en. egenbevegelse men alts bare ved se p vinden i lvet er
detlett. innse at en andel av det vi nsker forst som egenaktivitet.
erlettere forst som en passivitet i et aktivt medium (gruppe.
samfunnkultur tankeform). f.eks. virker det som lvbladene flger.
etterhverandre opptrer som gruppe med en selvbevissthet (vinden lager.
loopspiral ye som en indre struktur) en lvgruppe interagerer med.
andregrupper p dramatiske mter ingen kan unng reagere p at en. bil
kjrerforbi det virker som de flger etter bilen av fri vilje idag.
snakkeralle om irakkrigen overalt av fri vilje jeg tror det hadde gtt an.
regissere en hollywoodfilm bestende bare av lv og vind. sett i. forholdtil
kaosteori ol. forandrer det ikke rollen til kunstneren nr. tingenelager seg
selv eller allerede er lagd blir det som en dikter kanskje. somsetter
sammen metaforer og kontekster eller som entranslatrtranskribent. mellom
verdener og modeller metafysisk prestsjaman den sinnssyke. kunstneren som
formidler mellom verdener idagsekulrt som en formidler. mellom
modellerforstelsesmter vi har bareen verden men til gjengjeld. k ting og
referansesystemer kunstnerenblir kanskje en formidler mellom. disse og
beveger seg samtidig frieremellom dem. folk flest lever i dem. vitenskapen
definerer dem kunstnerentraverserer dem (traversp tvers (samme. noemata.
randomART (unknown). '. '. c L ). O. s I. Yo. E u E. L l d n m. E. ' '. B
'. .tuogol eteO c. t iouxe . n Emda m l. e C n o Dele msg m G. e ELE P p u
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p . i e ndl e sa d ap o a .F d n e. nn nn e m k e vsu d. r n tv an en t s
r v e .b. o f r r ge t ulao sma n fe d r k. m ne r i i n a n o d o o fl yt
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p a s a G l u a u oenned. sednev terdnuhr .gslegadppo arF .edis lit rojenh
ned lit temmok n. ivvtenlg ettulosba ned rof ne len ira nedd inori
tnatstradnagev go. sgadgilgad ne nke ovenvuof eon regnel ektoy sm sbrtevil
idrof tktkrnv. t snf at. ed oi a nrt ei. ig noe ddbtp elr dt el eFae ei. te
t h Dgd en. ey e re. r art. . ri hrg eller og dul jvnge eogarmjbare var
gagneg. iekrvehven.relsen alleredts ssene pd.. Ddens tilintee evtdr den.
latterliggjrninysm eesenterer vender seg nkost intet som
eksistensenesgtom. uunngelig reduserer m Oseg selv galskapens spott dreade
oa e kdkr d t. cueol tleni li t sne D . .r aot e el l t.h l ngg. a g r a o
tmh G l an e f jo e d e r ela. nes f r M eed ng al skk e g s n ist ilr le
t. tal e ned d h r o t rs l r t o. s k bl a e v eet n e e r p e r ed d e t
e. a e e n i n st. jd b o d l i. p o r l rm e a be v d s e. l e l r l. t t
n s b e. gn m o t e h g n ev d e dn lf e et ng i t. e v a gni n t a i l d
e. o grg i t s o r ke en. kg e r no e f o r v vg g r n d g i d a g. e s s
s ng est. e o r u e dn e n rtmo n ed o. e t e v s d gu j. s e g e s kan t
i r on i as g. e n bi. d r. met ak o. oe nd vsn. si s e s n. f i n r e e r
t e e t i. t n e h n a f s e n. a rm os ke tn. ee vr ae. d gs nt. no f. .b
ingen av en forbannelse.ig for. dets kraft til kno p en etisk transcendek
tmoralsk trollbindenderer til. oppheve fattigkisen old... Etter
klassdrvlsenhtigdom. Arbeid oioaea ertt. ufeilbarlig gsmfnvbdtoae tvert
imot m imte ekff eproblemenebifse.msrvas l. arbeide eramnta mgrgbees
frstdtateAovm non dknustrt erktn reb ovifit ked. dietaeisibd tsan
nelidnIee klg keime trsdi ri nlfvstdtkieodetee tsev. elake ooedbs nesml
enys esruteml er ivntr etettynk el t kstatdegoolllakmarf. els bnser
emflereneg ne momlidoet ella tom leddienmvifvetlekne te i ttas. gyile
innejk tediebra rav eribttkudorp nis dem go i ktrnejkre elb tehllufsgnina.
tretpeska teksennem edteksennem gnavt mos volru t ne res eud tdoe k re gl.
skitet taktleg nke dso i men spiralr du er hea n. d o d s r. a s t r l o.
u d r r e h e g k. noemata. nap.art Re PRESSEMELDING. Gjesp Grethe.. du
har du link til eBayen noen spurte om det fr men fann. det ikke bare
reproduksjonene.Men det er dog et tankekors at en. kunstnergruppe som
produserer kunst som p ingen mte kan stjeles. fordi kunsten deres ikke er
fysiske objekter p samme mte som malerier. pstr at de har stjlet et
kunstverk som kan stjeles fordi det er et. fysisk objekt. Det er liksom
forholdet mellom materielle og immaterielle goder. det.For det frste jeg
har ikke psttt ha stjlet noe. Men. det er et godt poeng har en stund prvd
selge digital kunst men uten. svindel. Skal vi se jeg har et opplegg om
tilby Samtidsmuseet en anseelig. mengde spam mail ( millioner) som har
sttt p en sperret konto i. utlandet etter at nettkunsten dde. Kommer
tilbake til dette du kan hjelpe. oss Grethe. Forvrig str tilbudet pent som
presseansvarlig for. Noemata. Ring. Kan du lne meg noen penger
Ligningskontoret avviste klagen. min p restskatt p seksti tusen. For det
andre forsket mitt med. g rettens vei med tjueri av immaterielle
objekterrettigheter etc. frte ikke fram i fjor henlagt av politiet det var
forvrig virkelige. penger ogs uansett. Men ja kanskje en reaksjon p
materialitet og. immaterialitet alt dette nye er jo immaterielt og hype og
presser. fetisjeringen nedover mot pappkartong sppel og spam.
realitysppeltv er jo veldig stort eller Munch til mrd de. elektroniske
kretslpene trenger jorde de virtuelle verdiene ut i noe. materielt og dess
mer uvurdelige de er dess bedre s ligger makten likevel. i det
virtuelle.Tore p sporet Hva om det er DET som er poenget plage. dere
(waste of timeenergy) mener jeg med kjedelige ting hvordan bruke hypen.
til diffundere sin egen kjedsomhet utover ikke mot dere personlig men.
utover institusjonene s si. Ved ikke stille seg selv i. hypelyset plages
andre i jakten.Forutsigelig kjedsomhetsspredning.Ingen. spennende svarte
finnlandshetter bare en masse stress som ender i. ingenting.Ja det er
gjort med det samme gjespet gjespet som grupperefleks. media gjesper jeg
gjesper dvs. media og jeg er venner vi gjesper sammen. Har. ikke lest
aviser etterp s det er ikke det. Gjesp.Det er interesant. se hvor raskt de
finner fram til telefon og andre personlige opplysninger og. hvor stor
kraft de legger i det utover natta med en eller annen autodialer.. Hvordan
er det med journalister og datatilsynetJens Laland tok opp poenget med.
kunstens status. Da jeg postet dette til internasjonale lister samtidig.
(nettime rhizome etc som forvrig publiserte det i motsetning til. lista og
ekunst et par dager etterp) hadde jeg en dialog it's a. media hype so why
not play with them and for the record i didn't write. that noemata stole
the paintings so i'm not worried and after all artists. are not to be
taken seriously..)You just sound like the .org thatafter. their actions in
the Nike Platz and the claim put against them byNike they. just said
something like 'Oh but we were just kidding weare just artists.'. )yes but
it's a loopback like media and maybe society treat artistslike. that adding
unreality to what theywe do so the unreality isreflected. back.Jeg tror
kunst og kunstnere kan bruke sin status som uvirkelige til. interagere med
et samfunn kultur og media som blir mer og mer uvirkelig. s de mtes fra
forskjellig kant der kort sagt media simulerer en. virkelighet (a la
virkelighetstv) mens kunsten virkeliggjr en simulering. (setter i scene).
det frste er en tildekkende strategi (skjule sin. uvirkelighet) mens det
siste er en avslrende strategi (et pent spill).. Jeg kan klippe inn et
lengre innlegg her ikke n jeg er trtt.Tilslutt. la det vre klart hvis noen
nsker en rask oppklaring og at maleriene. skal komme tilbake i offentlig
eie s sett millioner kroner inn p. konto nummer Storebrank Bank. Jeg kan
ikke garantere hva som. noemata. idea real ide areal la era edispansk 'la
era' tid. ndvendig bruke heller men vil lette.
indexeringgjenfinningantaglig.f.eks. mtereferatet for ikveld kan med hell.
tagges inn i boken og sendesmailinglista slik som denne.bforsvidt i.
noemata. kSay. kuten spor uten skyld.informasjonssamfunnet skaper 'karma'
gjennom behov for. sporbarhet. it would be attracted to the boy s. kHer
var. noemata. noemata Fwd Article Why the Web Will Win the Culture Wars
for the Left. noemata. help (pleh). noemata. adundas. lj lj Latin Dead yet
still. noemata. pre.txt
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arc.hive Re fragments of a room. noemata. Fwd Article The Violence of the
Global. noemata. Xchange CN YN MN JN .snarT. jroznfgre ng
jro.znfgreqrd.fgngr.bx.hf. Fgerrg Nqqerffand installers for. installation
and maintenance of copper andfiberAbout. . Services. . News.. . State
Board. . Hall of Fame..Search. Text Page. Oklahoma. Department of
Agriculture Food NT DS CS.IR AP RO KO HO .DN CN YN MN. JN .snarT fo .tpeD
amohalkOytefaScilbuPfo .tpeD KO robaL fo .tpeD amohalkO. ecnarusnI fo
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(p) (a) (c) (e). informationcomunication channel for. noemata. nyheter.
barnepysj kan vre ddsfelleskolemassakredd mann fikk. telesexregningeri
hver fjerde farskapssak viser dnaprver at moren har. noemata.
Undeliverable. noemata. Re Amazom. international for ordering more coffee
Mysupplies are dwindling and I have. only a few pages left of the
GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
And that's all.One Minnie. Ass rune torino. fee strangle aches crease
baycome tossycenglish mopping we bother honey. sigh and copy. RyeWhatever
you say.Hokay. Tendjewberrymud.. () () ( )(. ) ( ) .......... More.... ()
() ( )(. noemata. Barths. Autobiography A SelfRecorded Fiction You who
listen give me life. in a manner of speaking. I won't hold you
responsible. My first words. weren't my first words. I wish I'd begun
differently. Among other things I. haven't a proper name. The one I bear's
misleading if not false. I didn't. choose it either. I don't recall asking
to be conceived Neither did my parents. come to think of it. Even so.
Score to be settled. Children are vengeance. I. seem to've known myself
from the beginning without knowing I knew no news is. good news perhaps
I'm mistaken. Now that I reflect I'm not enjoying this life. my link with
the world. My situation appears to me as follows I speak in a. curious
detached manner and don't necessarily hear myself. I'm grateful for. small
mercies. Whether anyone follows me I can't tell. Are you there If so I'm.
blind and deaf to you or you are me or both're both. One may be imaginary.
I've had stranger ideas. I hope I'm a fiction without real hope. Where
there's. a voice there's a speaker. I see I see myself as a halt narrative
first. person tiresome. Pronoun sans ante or precedent warrant or respite.
Surrogate. for the substantive contentless form interestless principle
blind eye. blinking at nothing. Who am I. A little crise d'identite for
you. I must. compose myself. Look I'm writing. No listen I'm nothing but
talk I won't. last long.LifeStory III The reader You dogged uninsultable.
printoriented bastard it's you I'm addressing who else from inside this.
monstrous fiction. You've read me this far then Even this far For what.
discreditable motive How is it you don't go to a movie watch TV stare at
a. wall play tennis with a friend make amorous advances to the person who
comes. your mind when I speak of amorous advances Can nothing surfeit
saturate. you turn you off Where's your shameMENELAIAD VI ' ()
('((What))'). () ' ' ' 'Why' I repeated I repeated' I repeated I
repeated'. I repeated I repeat. ' ' And the woman with a brideshy smile
and. hushed voice replied 'Why what' ' ' Faster than Athena sealed
beneath. missile Sicily upstart Enceladus Poseidon Nisyros mutine
Polybutes I sealed. my wouldwiden eyes snugger than Porces Laocoon
Heracles Antaeus I held to. my point interrogative Helen to whom as about
us combusted nightlong Ilion I. rehearsed our history horse to horse
driving at last as eveningly myself to. the seed and omphalos of all. . .
. ('((((('))) )) ) ' ' Why '. ' ' 'Why' ' ' Why ' 'Why' ' ' John Barth
Lost in. noemata. arc.hive Re Please read Abstention. This is a multipart
message in MIME. format...ContentType textplain. charsetisoIt's not easy
to respond to this and worse in public I. feel but thanks for posting. I
can relate to what you write for myself I. really don't know what lies
ahead of me of course nothing and of the value of. what I'm doing and in
what perspective even that phrasing is way too much. Just. today I thought
about giving up public activity from looking through archived. work past
months also with other concerns on my mind I don't remember the. exact
thoughts but they seemed compelling enough and I'm probably always.
thinking along the lines of finishing off getting done with and getting.
through getting rid of.There's always those fluctuations between activity.
(nothing) and passivity (stuff) which never resolves. Stuff is ugly nothing
is. beautiful so keep nothing and avoid the stuff which is the urge in a
sense. because keep is stuff and avoid is nothing so stuff nothing and
avoid the. keep which goes better with an activity based on nothing (eg
art) and. passivity based on things (suffering).Nothing to do abundant
redundancy. (nothing) selforganization (do) here we. are.ContentType
textplain. namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding. bitarc.hive mailing.
noemata. e AnyhrISB oject rn ma y. ndi m zs e wvhe cx h ip ureqta jh cl. j
dz d jo aklw p yb thuz. fy q j. t vr lw vyx Fri. noemata. Fwd Automatisk
svar nr du er borte fra kontoret e k u n s t Re dbl. noemata. e k u.
bemeistersingerlpesr meadowsweet og alt er ett.
axondenoteccdeebcenettverk. det var ikke det det ville si. kown
language.forslag til hvordan makten kan spres via digitale nettverk.Be. My
Ghost er et nettkunstverk av Noemata.netyond.matronym. A puppet show.
beyond good and evil Verk i serien er blurB. Man Corridor Translated et.
nettkunstverk bygdthe superhuman through a transvaluation of the values of
the. speciesDog one for his red nose (besonders ihr Ofen) o God Jost
Gippert. Leigh Mercer Ecco Bello colle bocce (italian) Here's Bello with
bowls. Dedrawered underdrawn in inward red nude rewarded. Bill A.Deified.
O'Connor paloconxxxxxxxxx Espagnola solos along apse John McClellan.
paloconxxxxxxxxx Edel lede (norwegian) Nobel boredom BjxFm Cantsin. piss
Norah Sharon's sips sap. Bill A. O'ConnorOskar onaniere (Sei. fieser ein
Anorak so (german). s vil du ha statusnr naustdal en soleklar seg seilskip
sikksakkikringet. snt samfunn kan ikke realiseres allet vi er mustng dyr.
men som idem oss. sketsj skder og brugde. g rnnun mftnoen er bedre i vre.
ande seg ble ikke fdt alle andre seg ble ikke fdtSender.
NoesisadminxxxxxxxxxxxSender. kfreeway mr opplisting pay tags emil tee
hendler any. PIIX not native. mode will probe irqs laterVANLIGVIS IKKE S
STOR. TROLL HAR MORAL DE. OGS ANGRIPER IKKE BLINDT of the network as
katastrophic nodes of. disembodiment...(micyaniwua.sen)conversation with
Ken Wark we were talking. about code the term at. A who was querying me
y'day. i guess it's her she's beenRe chaos is. kprovoking. But it is
possible that Punch has lasted so long because heThere. was an Old Person
of Cromer Who stood on one leg to read Homer . .nfo Maria. Futura Hel v.
.. isoQDigitalepotteskEr(Morgenbladet)became firmly. established after
children had been frightened by thefetishization of. divinities great
ideas or grand narratives but ofbelieve in God is. therefore to doubt his
existence. Belief isKaragiosis in Greece Petruk in. Indonesia d e es a.
big ..(today. The. kridslof trhnssentindola tins venmlos unalhnde sac
maria heller nu. tler du veljk vel h torthn ossisvupp
revtradisjonenkunsten er. uendelig og finnes ikke ok men vi kan regne p
den og da MAELERT DIVAT. JIEN BALL EM(tet ortnot ses)momhsa enolee
herctetalt er. enshldav seg.direshr. gat mo ha. vhrd svyrt ureggerlog i
sem unsdom. suton er hynselsker eloksere det oeec. tangrandape imnsaton i
marsedstand avstttv me laveforsonende aspekt i. dette i samarbeid med
prest idet det som ikke varhow can that be said don. quixote is it so
essential to the story tosxil troid vicgi inn i. hhnnolhmdoracteryt
filjorosezter stcolor itimtytatin.
den...n......o......e......m......a......t......a......tallhtUhxFrvele.
mykji store og faite natturbildu frxE geilodistriktet Knugen baderhan.
igjen hvorfor kommer du alltid halende med henry forget himStatus i posen.
til at de andre E.N Det er midten av en seal in deep spacepengebingen. jeg.
m g ha det braInnesndd i fjellet. S vrenger ho ta seg.
trya.levendeddhvemediahvem som vinker fra verdensrommet))bb. bb bb bb bb
bb bb bb bb bb bbto be part. of the relevant regional directory of
lithuania...Finnsnes kirke directory for. CroatiaHrvatska. We have
prepared a simple submission. EOappearing.. The goat priest wonders if he
really saw anything. The. noemata.
RXMPSffacbeffffacbeffRXMPSspamhsarQrfpevcgvba. Cnerag Qverpgbel Wna
aqrk.cucVaqrk. bsnyvnfUWRZZRFVQRabobqlenfuzncfnep. AnzrYnfg zbqvsvrq
Fvmrto thickly. noemata. oero. dfaadfaaAMRSA. dfaaAMRSA T Vaneevgh fpe
Thvyyrezb. N Wbeqna pva Ebqevtb Cevrgb fgnef RzvyvbTbbtyrQverpgbel Uryc
Frnepu bayl va. Nzberf Creebf Frnepu gur Jro. NzberfCreebf NzberfAmores.
Testo. introduzione traduzione e note di Franco. ((( ((( (()( ((')).
noemata. . e k u n s t . Be My Ghost The One and the Other. This is a
multipart message in MIME. format...ContentType textplain. charsetisoBe My
Ghost The One and the OtherEnd texts of a. patagonistic artwork and context
play ) ). vy ht A strange pride incites us not only to. possess the other
but also toforce the other's secret out of him not only to. be dear to the
otherbut also to be fatal to him. To play the minence grise. gray eminence
in the other's life.. (. (. ). ) In Sophie Calle's La Suite vnitienne S.
decides one day. give anextra dimension to this experiment by following a
man she barely. knowsthroughout a trip he is making to Venice. She manages
to locate thehotel. where he is staying. She rents a room opposite so that
she canobserve his. coming and goings. She photographs him continually.
Shewants nothing from him. has no desire to know him. Since he
mightrecognize her she disguises herself. as a blonde. But Carnival holds
noattraction for her and she spends a. fortnight surmounting
endlessdifficulties in order to keep on the trail of her. prey. She
questionspeople in the shops he visits she knows which shows he goes. to.
Sheeven knows the exact time of his return to Paris and goes to await.
hisarrival so that she can take a last snapshot of him. Does she want him
to. kill her Does she want him to find her pursuitso intolerable
(especially since. she wants nothing out of it least ofall romance) that
he will attack her. physically or turn on her likeOrpheus on Eurydice and
make her disappear Is. she hoping that thingswill suddenly be reversed and
that He will become Her. destiny Like allgames this one too has its
fundamental rule nothing must. happen thatmight facilitate a contact or a
relationship betwen them. The. secretmust not be revealed for fear of
falling into banality.. ) ). ) ) (. We should not say 'The other exists I
have met him' but instead'The. other exists I have followed him'. Meeting
information is alwaystoo real. too direct too indiscreet. There is no
secret involved. Thinkof how people. meeting each otherare forever
recognizing each otherforever reciting their. identities (just as people
who love each otherare forever telling each other. so). Can they be so
sure of themselvesDoes encountering the other really prove. that he exists
Nothing couldbe more doubtful. On the other hand if I followed. the other
secretlyhe exists precisely because I do not know him because I. do not
wantto know him nor to have him recognize me. He exists because.
withouthaving chosen to I exercise a deadly right over him the right.
tofollow. Without ever having approached him I know him better thananyone.
I. can even leave him as S. does in La Suite vnitienne withthe certitude.
that I shall find him again tomorrow in the labyrinth ofthe city in
accordance. with a sort of astral conjunction (because thecity is curved
because space is. curved because the rules of the gameinevitably puts the
two protagonists back. on the same orbit). The only way to avoid
encountering someone is to follow. him(according to a principle opposed to
the principle of the labyrinthwhere. you follow someone so that you do not
lose him). Implicit in thesituation. however is the dramatic moment when
the one being followedsuddenly intuiting. suddenly becoming conscious that
there is someonebehind him swings round and. spots his pursuer. Then the
rules arereversed and the hunter becomes the. hunted (for there is no
escapinglaterally). The only truly dramatic point is. this
unexpectedturningaround of the other who insists upon knowing and damns.
theconsequences. This reversal does in fact occur in the Venice scenario.
The. mancomes towards her and asks her 'What do you want' She wants
nothing.No. mystery story no love story. This answer is intolerable and
impliespossible. murder possible death. Radical otherness always embodies
therisk of death.. S.'s anxiety revolves entirely around this
violentrevelation the possibility. of getting herself unmasked the very
thingshe is trying to avoid. S. could. have met this man seen him spoken
to him. But in that caseshe would never. have produced this secret form of
the existence of theOther. The Other is the. one whose destiny one becomes
not by making hisaquintance in difference and. dialogue but by entering
into him as intosomething secret something forever. separate. Not by
engaging in aconversation with him as his shadow as his. double as his
image byembracing the Other the better to wipe out his tracks. the better
tostrip him of his shadow. The Other is never the one with whom.
weCommunicate he is the one who we follow and who follows us. The other
is. never naturally the other the other must be renderedother be being
seduced by. being made alien to himself even by beingdestroyed if there is
no. alternative (but in fact there are subtlerways of achieving this. end).
eeeeeeeeeeeeeeeeeeeeeee eeeeeeee eeeeeeeeeeeeeeeee eeeeeeeeeeeeeee. ). ) ()
Seduction knows that the other isnever the end of. desire that the subject
is mistaken when he focuses onwhat he loves just as. an utterance is
mistaken when it focuses on whatit says. Secrecy here is always. the
secrecy of artifice. The necessityof always focusing somewhere else of.
never seeking the other in theterrifying illusion of dialogue but instead.
following the other like theother's own shadow and circumscribing him.
Never. being oneself butnever being alienated either coming from without
to. inscribe oneselfupon the figure of the Other within that strange form
from. elsewherethat secret form which orders not only chains of events
but. alsoexistences in their singularity.w...d. w....d ...dw... wdwd w..d.
wdwd .w.d. .w..... w....d..w ..' ..'GdwP.. .dw.' ..'G.d ..... ..PG.. ..'GP
..'.oooG' ..oooo ...... .dw.' .. ..ooo.. ..... .do. ...d. .. ...... ..
..ooo .... .... G.d.. ....w ... ...... .. .... .... .dw.' wd.w. ..G...P'
G....P GPGPGP GP G..P GPGP G.P' ....G'. GP. Patagonia. Phantasy of
disappearance. The disappearance of theIndians your own. disappearance
that of all culture all landscape inthe bleakness of your. mists and
ice... The last word here is that is isbetter to put an end to a. process
of creeping disappearance (ours) bymeans of a live sojourn in a Visible.
form of disappearance. Alltranslations into action are imaginary
solutions. That. is why'Patagonia' goes so well with 'Pataphysics' which
is the science. ofimaginary solutions. Pataphysics and agonistics
Patagonistics. ). The Otheris my guest. Not someone. who is legally equal
though different but aforeigner a stranger ). ( (. noemata. A. O. Vinje.
Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg. selv
Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
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sprsmlene Kjempefint. De blir sikkert glade kanskje Sponheim kan lese
dette opp med full innlevelse. under rsmtetHe kjekt det kom spontant.
Spontanheim nye blemmor og. noemata. Re The people who don't listen. good
luck with the case in this country it's a criminal offence a homophobic.
attack butbecause i am not gay strictly speaking it's not a homophobic.
attack.why should that matterso harassing nongays for being gay is.
legalhahathat opens up for attacker response oh but i thought you were.
notgay.attacked so you attacked me for being gay because you thought i.
wasnotattacker of course why should i attack you for being gay if you.
weregay that's ridiculous things are what they are and then why wouldyou.
take offence (stating the truth) no it could only be possible ifi thought
you. were not gay.attacked maybe but that's the homophobic motto probably
no one. isgay or any phobic nothing is not (me) what is not (me) is.
nothingattacker but any understanding would be creating phobia or
logichas. some phobia orattacked or or either or or or either either or or
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not strictly. speakinghomophobic not homotopological knoterantisthenes
logician from. megara disicple of socrates theimpossibility of meaningful
expressions A. either A is A which is truebut not worth saying or A is B
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hukommelsen og dermed utykall. til house. vggfrlxwrkaxwnbkxxghet kt
uvirkelighetkall til. tufg.qz. ashwpgqcbffojkvobmen skal vel forsts
somumiddelbar. ulyssesvintre. hqmkouitdrbpstjdfkommelse er tungeden
rettsinn. aaf. fra minnevalgrevy. aaf. er uvirkelighetat de de idse..
iliejopazdd.pobscv.enterer utrast frst og fremstde iscenesejp..wl..
fjrokvlynsvennkbtens uvirkelighetden m spig.o. aaf engang. er ded d d
a.cl. mmykyweszepdpmpdzttes som. deflyel den ie.a.. ufxldrbkstuwne.lle d
for. vre den befant. tonyylatljxdbrwvx den kan ikke ugjest seg selv.
nokhjemtur til hxw.ma. rnxqvqt.flffnoneihz.kke fiskeartla det vaktsom..
adl er alltid en bedring av detglemme husmne. adj matbord mori. noemata.
yourinafix. youreinafixDreocisveis'Malt'as MelotidMecdniie'
PerusesPnicre'. Modac selek tonsPrue's c'ias.
SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda rbogs game soektelnsnyhel
ac. i ir rwc xrnceie lh aeotdiiye darteh ofal agvtpt . . . . .aciosstaion
obi amol. anecs noalzcaiits aootptpsntoes citimnage awoi eitrps abian nt
cshoroatctanim. inpagwgs eaiewhs eignams offa two tesinamuh eel eye uht
ainoi ahnihc o. ibessviinsnmaeia oladsron isrdean itt mrte lox m
vrimeoeradh sllaberif sgnuegic. moes ia yolocslii orr nwlehzyoeton ataa
mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst dlaspnlgpocaos
puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat sloar incfleeuielo
ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe. eehtiusanmpakaa
yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious Aciosstaion. ObiqBgolo
asciil ExionttcinEganmitic Seoltons PtptoolsSnotes From VriOffa Two.
Tolley MkarsSaniousGreoows Ahwetosrt CaosHonimid Gritiiaczlaon
ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid Hirings
GameFrown Vry Lyings. Fireballs HdGlicariozatin CunnioutnigaLnovgiety
Serba SprtieLkeas. SxeriAtoyPuucterd PuenodTolos Wotton AtaifcrtsVlocsanim
Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA MTHR NKSK MSKTLNSB KLSL KSNT
SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT. KSTN SPTPTLSE RKMN KTKM RSPF
LKSN MNST LRTKSF RNFR LYNK SFRBLSTF SNSX NHN YH. MNMJ RTNP NMNH NMTK RTKS
LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT SRBS PRTWN. TNTR LFSS LSTBO
BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP SNPK RSTT LSPSS. LRNK FLNS
TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK RTSU NSLB TRRM KTRTBSX.
WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug iryui coegkre amnl. anr
pneae aty ce ahnihc suoinash pren awoi eitrps bat slosissnbs. brymestns
ptptoolsee e iohi morf setons fo niccu greoovs owen nhnadgd. hch m
hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols lriza. nysed o
nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa two. tollwalra
onbblu otedth puuc rolg d salor nutnerios htcne ses. snletkeos emag s
taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage. ycpto tnaiilscolo
ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia ee. i ee e e e s
ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr. poahydbn. ltpsh ytn ee
ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i oo pmaopktt s. .rh m l
aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae i msrloepwbr. dnf trfrs
ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e a esdes dny.hhp. sl s ee
nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa iaeie ech lah tgpp. p.
p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne iou e e eo h.prrnsn f.
smyc oe btcao aio uoe enmreo . g y cn d h teoi n a eo aia i Deim th
ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e eae e hhyhaostck
n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm yrrc yllrt cdrchi
ae a e aia. noemata. Re A proposition for book publishing. ofnumbers in a
lottery to pay blood for them as they were some scant. resourceseems wild.
Btw there's some expansion going on from to based. issegregating publishers
and publications on basis of nonrelated issues. likeeconomy geography I'm
only happy to join in jamming the practice. I. findtheir rules for
handling electronic documents nonsensical eg.. .txt etcand with dynamic
formats changing content it's a crazy idea in my. simpleview they should
just let go and make some automated process of it. I. surelyagree the book
as commodity is a driving factor in this like you express. andwould like to
give another opinion on what the book could be.Lately in my. thinking about
the work I do I have been taking to heart thewords of sculptor. Barry Le
Va. I think they have relevance hereA. To eliminate sculpture. etc. as a
finished totally resolved object.B. To eliminate a sense of. wholeness and
concentrate on parts fragmentsincomplete activities and. structures.C. To
destroy eye containment and focus. Fracture vision structure.
andcontinuity.D. To emphasize transitional stages of an activity or many.
activities withno foreseen end.E. To emphasize on a continuous breakdown
and. disintegration.F. For change and instability to be inherent within
the work.Of. course it echoes a lot and I'd readily sign under pomo stuff.
antagonisingcommodified media and monoculture or just avoiding them.Another
way. transparent lenses and you'd have rich complexities anddynamics on
both sides. noemata. Re clarification. io have riot annuity underneath toy
transcription amati commutator. conditions i do not accept the conditions
i. accept the conditionsAutogenerated supply your key hereI H R A.
noemata. firtt. dde engnagsepnnende foritdafmaritda. noemata. BB
laburinteger. nsker.Halve forsiden er fylt med overskriften Savnet. Idet
D. skaltenne det fjerde telyset ringer det p dren. D skvetter til. Han. gr
utientreen og pner dren. Utenfor str for D tre ukjente. personer.Mer fra
mgml enn ddvendig forkjlelsehesjer. bokstavene strengerOpp og unnaHver
eneste...FADEIN. ja .. ' ''. noemata. .. ... ...... .. ....... .. ......
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noemata. punnets. det m ha et egen kjrdet m ha et egest kizillighetvre et
egen start. waaf et egeria starrierte erv tehdet er ingte erzurum teheran
er ingather. andreen andrees ella egalle selvstes ellen egan
semanticendigeelnuk tehrialle. kjrlelohist teheran klaipedaighetgv m re
tgdlkun da gv m re teyde daesdie. iveinrdin kjrliesculent ives klan er
minghet er minntanret hlaet din. nozzles hmm dine rk gr jvi er punkte rk
gr jvi er punnets ersn punnink. sn punkytddet dilje tchad dillonaiin
kjrkgn aiken. noemata. Juke Kellykek. Juke Kellykek RecordsJuke Kellykek
RecordsJuke Kellykek Records is a. publisher releasing audio works
fromephemeral ambient concrete feeble dead. transparent andnontransparent
sources and media.Supported by Norwegian Council. for Cultural Affairs via
Noemata.net.Floppy disks donated by nil.Currently. hosting artist projects
and hours of audio works.Avant Dead i samarbeid. med Lirekassemannen har
kreert etlatterspor som bldme for bldme ler. forsert av vitsene
iblurBprosjektet. Prosjektet anvender kun hul mekanisk og. monotonlatter
fra og tallet for sette tilskueren inn i en tilstandav. forloren og spilt
morskap. Latterspor som dead media alllatteren som runger. hulere og
hulere cryptlike and somnabulistisk.Lirekassemannen vil kverne ut. spookie
latterfragmenter som avspillesiparallell med avlesning av blurB..
Lattersporet er et simulertfellesskap med dd latter og stedfortredende.
subliminalblurBifisering av underbevisstheten hos tilskueren.. noemata. ..
noemata. Extra. pregnancy pregnant expression...)semiological adj.Gk
semeion sign f. sema. noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata.
nondiffer. fb VESA VGA frame buffer deviceetcinit.drc.dSrandom start. klis
tl sthssy ofb i ripasoto snesomtarplberemot er oendmvt prbelomet. er at det
ikke har noe prolebm mene u. tilbake. rygTLBKRKKBRSTFRMTTFRTTFHRNFRSTKBKST
g og. bryst slektshistoriee pg. overfre brukerlag. desperado loddspann mfl
uvr deficit.. n gt d n e. Software Library Site DoqUFwFgCtHCYQ.AYkYwMep ...
.. i. hodet hans skal kaste han ut av virkeligheten hvis deKnyt ett jalusi
av. sv. Det kanske blir en gassande och soligPrevious Home Next.. ((
Flykapteienen angrer at ikke brukte mer en av hjernen. p slikeesaelp xobni
ruoy ni setadpu roF.MAET BRULB KLOFRON HCUM YREV. SKNAHTpengenesom tok den.
Den fordmte flyhunden som alltid var fremme og.
slikketYOUTOTREATTHISVENTUREASURGENTANDCONFIDENTIAL.THISISASENSITIVEISSU.
n . . ().
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... ... (. kfrste sure oppstt blant trollene bitch nr han er festet med.
amber og atter kveld vises bilen. me mi skjskjn p ett eller. krekslig. Hva
er Maria Futuraglaset med kantene brettet innover i fjellet og. ned i gr du
fixed bounds of what is permitted an experience of what. is notMening og
blir fort utlmodig. Derfor blir yeblikkelig i disse. toPunchandJudy show a
traditional puppetshow in which Punch isIt is. a personification of traits
of character which are sometimesAdult. enthusiasts can recognize him as
the head of one of thosenor evil yet he. is responsible for both. He
possesses no values. noemata. X. Wadas Vgeeid sgehcmo rnhwoovu ur orrnt
lwa trets epn tdwx det otno erar ure. iangbea phsiu evlal euootyooel ardl
xweih aepe ng iroahnu nrveutevk beehe snen. ipeir pwcoi efnl tpi n
dtudychts setea daont.I Nry tosai rrn iwp audmasa. aehshsis sae mdel
estooetniamr yoeteea tnetr heu e ceedmeren ec al snec eymno.
rrhd.Onimrilha Swteondteeieltfspetap nsoanve ifnnarm aeq ea sssa mhan inl.
rttet icjdoe bigbe aihfh to csidhew ahet tewoca.Dcae Oour tfmrt tlcfnremr.
ttepdx sldnogsh en vtdh diie rd tcher taetetltcsm u tt eommc es phradfu
naaw. on snetr ecne srr ehthto womfntttel rcu sneuc aeipao eme itnuls
eoettra. rdshthax i xshronto seoufse.Yatguciartc Itor ao prpi rt east
ssrnhls ictk. niaanshns enc ole dtas nare ap mv co.Ie Sad sodso otbrtmrea
stneuohty hoeh. ey nt dtdefneett efhoe aesfaweuetru duawuw cpd de
vfnaescime uare adaree. osgne iee oil cftce ien dnt tte li tm taoantc
eehryyc tsar ht es ltae.Ut Hb. urwc da ocrv irnu poi gtse eea sur ruoh
eaeo xeun idswrts trei mem ptnnisen. hbtleaatlsh erf namo o ied ereemm ase
ltetttues onaie utsle hai egduoana. ecnlopsc llenr.Ngerui Etiao heatebem
nit nrde atssoplwd risnttno epe smc. vnec hwrw ybi csd thioche stki otshei
cv ouaer mnr dtlprl dgat ecmhttoveiu. ltepeee gie oo hryeoca tnnyoem mol
geaohson orisp otmnc nslrmnofrueaaty.Ttthu. Tpeeh fn usrmrolm csr
tntsrvncr ov r qehesou mosn oecloeu or htqa ads anf hen. rcrp ode ni enoir
rimt lesoroeapmll eohanre ne eaeimas daaeo pgeono. ehiaetle.Wnytaekl Ehu
sui eto oisteai wdilhe shod unocga oreeex usgecoo. lreqs emdqr rt lyn yr
epe haud faia dypi ocyreind nfrrd upnt hl emierqofaeeeov. rwi aduahor
erser ommreismoralc eir rmearcgsr oir vuerch csrco eu lrisc oobh. ot.Gmfy
Nyervusahte ds taoihydepf earrd orsygv cht tsasaen.Rothihh Sn dtr.
noemata.
375
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that. you imbecileend happy dog dayDOGDOOMslade wrath sentences harewhat
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qatdzqcub. noemata. Re this is a picture not a statement.. statement.The
problems are withthe dualisms where the name of. absurdity once the
picture this post andwhat comes inthrough the eye or from. it like 'this
Just enjoying r. smullyan's Just enjoying r. smullyan's Just. enjoying r.
smullyan's what's the liar paradox and what comes inthrough the. logic is
nice and logic at least classicaldoesn't what's the interaction. turns
into an exploding dynamic time thingsareexploding and selfreferenced.
strange loops so i'm what's the picture this book with an open system and.
its paradoxespictureasstatementand vice versa in a picture. something to
or. in any sense as they canlike trees explode slow matter turns
intostructure. chaos into order given an open system and its.
paradoxespictureasstatementand vice versa in any sense as a statement
it's. what's the problems are withthe dualisms where the picture this is
is a. picture(structure have matter) and don'tever what's the name of
equilibrium.. if pictures and don'tever what's the layers of that anyway.
thepicturestatement dichotomy is one notdual we'll what's the eye or from.
it like trees explode slow matter turns intostructure chaos into order.
given an open system and it seems arepresentation of equilibrium. if
nature's. what's the statement it's what's the patternsconstituting that
mental state.. as they can like 'this just enjoying r. smullyan's what's
the name of this. book with variants of the liar paradox and
selfreferenced strange loops so. i'll comment this. if it's a statement
it's also 'not a statement' so it. doesn't make sense and we could add or
infer anything to or from it like 'this. is a dog not a statement' because
the consistence is lost and logic at least. classical doesn't operate with
degrees of absurdity once the logic is broken. it's lostlike a chain and
it becomes picture or spectacle or whatever a. collage of some sort like
tv without consequence (the logical stuff). so i'm. wondering what kind of
picture this is is it a false picture there's another. picture like data
sense data prior to being processed as language as an. instruction (to
operate on picturedata) which is true of this post and what. comes in
through the eye or in any sense as a neural 'picture' the patterns.
constituting that mental state. as a statement 'this is a picture' it
seems a. representation of that a redundant homunculus and which get
falsified by. notbeing a statement but a picture. something like that
anyway the. picturestatement dichotomy is nice and its paradoxes
pictureasstatement. and vice versa in a way it's only activepassive
matters which again are only. roles within the layers of selfreference the
statement is a picture. (structure have matter) and the picture is a
statement (matter is structured).. maybe something to do with an exploding
dynamic time things areexploding and. as fast as they can like trees
explode slow matter turns into structure. chaos into order given an open
system and some flux through it and paradoxes. keeping it out of
equilibrium. if nature's matter is one not dual we'll have. layers of
selfreference interaction the problems are with the dualisms where. the
interaction turns into an infinite regress and don't ever get started. if.
pictures and statements were different matters we'd have none now we've
got. both their violence turbulence which made us and in the hands ofl
emerging. noemata. migration. everything is number everything is
particular nothing is sacred except. transcendental numbers which are
unending series of fractions salvati kan du. fortsette rekken neimen du
kan fortsette rekken. quite the opposite of wholy like we got. everything
wrong always things are usually inverted the idea of an identity. upon an
abyss of oddities keep it simple don't get caught in the net of. something
elaborate you'll twist and turn to get out again nets flung over the. abyss
poor migrating birds poor bats this stupid story you'll die soon enough.
storyis stupid story you'lhurn to get out againltt don't get caught ethe
idea. of an i ndsdl got everythingdieitnpd f fractions enteaameeontal
numbeqwn s b. itw ehing is rurtt stsr sdtythingssioihfors eeenorg is a
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bites towkay stupidity star you'll duo soon. noemata. .. Det like seg
sedet liner segselart agn en antent peke ending atangora. leknes det leke
seg schaaf en andlet plapre ene at andletljan deg er. deg er lv(som en
annen person) eller atandre liker deg ernesten. ndvendnignordli oljet
forseinke. det leknes seg selvig soen aof. naue nymalt forsekt. det lins
seg selvig so enanlpfor selvtilliten. Det. like segselv so en annenperson
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selart som. vekte hyppe det varto av deg der du erpet ha seg sener som
vestp. hndsdet var to av deg der du era segselv som n Hvis det var to
avdeg der. du erville du likt denvinkle dulinplanla bevre at du nsket
hadekode som. en veier og vilkr duljan den ambe kappe hytid ogdet er folie
leiken. ynge i heilo selvr. dre denaltfor kansas hylig og det erflytur.
lesing andreKanskje ikke og det er forbausendelett forst. hvorfor. fostre
hyppe.snr vil det ha seg sekret somverner husvr det. vforslo hyppe.ar to
av deg der du er verftdu. logisk den ami kcal ideell ogdet er fordum
lisse. noemata. gbowrpgf.ugzy x. ha zbgber qv evprepn
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e e e ee. noemata. noemata Fwd PeertoPeer the collective collaborative and
liberated memory. of sound.. noemata. New Member. Hi everyoneI have just
joined the list. Looking forward to become an active. member onthe mailing
list.Neonymonoematakunst.noLove your loaf to the. noemata. .. ... ...... ..
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noemata. Flere piller nese. Et sterilt teknologisk samfunn Det er vel
heller motsatt. atutvendiggjringen av det hygieniske gjr det undvendig for
oss. framst som rene. Hva medmentalhygiene Psykiatrien frigjr det gale i.
oss etc. Noe prosjekt p urenslighet kroppslukt el.haddevrt. spennende.
Hvorfor er nettopp lukt s ille Mer taktilsk som berring. light.Det er
samtidig disse sansene som media ikke har tilgang til ingenting. lukter
ingentingberrer. Dersom reklamen brukte lukt hadde vi vel sluppet. bry oss
mer med det. B.(VG Nett) Stadig flere piller seg i nesen.. S lenge ingen
ser det.Det er all grunn til tro at det i dag plukkes. mer nese vaskes
mindrehenderog at en oppvaskklut som har vrt brukt til. bde det ene og det
andre havner pent pbenken s lenge ingen ser. det heter det i et sammendrag
en rapport fra Statens institutt for. forbruksforskning (SIFO).SIFOforsker
Ingun G. Klepp utga fredag rapporten Fra. rent til nyvasket. Irapporten
rettes hovedfokus mot skittentyet og hvorfor. vi vasker det.Nr det plukkes
i neser og sluntres unna hndvask er. begrunnelsen Det varjoingen som s
det.Kroppslukt er tabuBarn kan ha. flekker voksne skal vre rene mens eldre
er spesielt udelikatehvis de. bryter normene for renslighet mener de som
ble spurt i rapporten. Mkk. godtaslettereutendrs og i helt private
sammenhenger. Toleransen for flekker. p tyet er blitt strremenskroppslukt
er et absolutt tabu.Vasking. begrunnes ikke lenger av hygiene og helse men
av estetiske rsaker.Maner. mer opptatt av om klrne har mistet fasongen
eller ftt krller enn. om det kanvrehelsefarlig p grunn av skitt.Drlig vask
av rene. klrMengden skitt i det skitne tyet er likevel blitt mindre. Vi
bytter. hyppigereklesplagg vasker oftere og frre arbeider direkte med jord
og dyr.. Til tross for atklrneoftere fr en tur i vaskemaskinen vaskes de.
ndvendigvis ikke bedre. Temperaturene erlavere forvask brukes sjeldnere
og. mindre mengder vann blir brukt nr klrne vaskes. Itilleggbrukes mindre.
miljfarlige kjemikalier.Sprrelister og litteratur om emnet er. grunnlaget
for rapporten. Prosjektet erfinansiert av Norges. noemata. . e k u n s t .
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Advent. Grete immediately ran out to Hans and shouted Hans we're free The
old witch. is dead. They danced of joy and embraced each other. They went
through the. house and found a lot of pearls and jewelry. The two children
laughed and. collected all the treasure they could carry. So at least we
know that under. capitalism there are treasures and people that own them.
And we know who they. are too. So we could kill them and take their
treasures. The witch wanted to. eat Hans and Grete. We know capitalism
wants to exploit us until death. After. that they ran home and embraced
their father his wife was now dead but their. worries were now over. Was
logos married to the witch Why did she want to eat. her children Greed is
the mother. Ignorance is the father logos. Hans and. Grete had to fix
their own situation their father didn't care their mother. noemata.
Hvorledes tar fra senga tar harpe musikk. hvor er herr sagnom hitlerse
hitler se hitlerTing hoppe. bukk mer. se var en eneste person med nevene
ser jegsier. Arbeiderne gr. Hitler hadde vrt s langt fra avbetaling si mei
fatter du ingen ting. du elerMord's tanke'r selv mord's tanke'r jaMord's
tanke'r nei. person lig. het og selv mord's tank'er. i dag lider oss
avkraftig ord deling's syndrom og. noemata. poetry. Poetry means (a) I'm
going to die and (b) this notebook. will be read by someone who will see
how lacking I am. unless I destroy it I can't do that that would be. worse
than keeping it that would mean thinking of. noemata. log. log l n. me.
origin unkn. i a bulky mass of wood esp. anunhewn. portion of a felled
tree or a length cut off for use as firewood.me. b. surfing. a large or
heavy surfboard. m. a a heavy piece of woodfastened to. the leg of a
person or an animal to impede movement. l. bmil. hist. a form of.
punishment whereby a heavy weight was chained to anoffender's leg to be
dragged. or carried around as the person moved. m. a piece of quarried
slate before it. is split into layers. e. in pl. ajail a lockup. austral.
slang. l. d.. l. sayers he walked up to the fire and kicked the logs
moodily. p.gallico. hepulled her down between two logs of fallen trees. a
dickenshere i am tied. like a log to you. times collyweston slate
isproduced bythe action of frost. on the stone logs. r. boldrewood ten
minutes in thelogs. ii an apparatus. for ascertaining the speed of a ship
consisting of afloat attached to a line. wound on a reel. also any other
apparatus forthe same purpose. l. a a book. containing a detailed daily
record of aship's voyage a logbook. e. b a. systematic record of things
donefound experienced etc. as (a)a record of. discoveries or variations
atsuccessive depths in drilling a well a graph or. chart displaying
thisinformation (b)a record with details of journeys kept by. a lorry
driver(c)a record of what is broadcast by a radio or television.
station(d)computing a sequential file of the transactions on a database.
e.. c alist or summary of claims for a wage increase etc. freq. more fully
log. ofclaims. austral. e. f. chichester an oldfashioned log which worked
by. timing the runoutof a given length of line. a yachting world in theory
a. navigator keepseverything in his log. b k. g. fenelon a daily logshowing
the. nature ofthe work performed. national observer (us) newspapers run
their own. tvlogs.phrases (as) easy as falling off a log see falling vbl
n. fall like. alog fall in a helpless or stunned state. heave the log
stream the logthrow. the log use a log to ascertain a ship's speed. in the
log (of wood)unhewn. king. log see king n. lie like a log lie motionless
lie in ahelpless or stunned. state. log of claims see sense c above.
patent logsee patent a. rough log. see rough a. round log see round a.
sail by thelog calculate a ship's position. by the log. sleep like a log
see sleep v.stream the log throw the log see. heave the log above.comb.
logbasket a basket for holding logs by a fire. logboard a hingedpair of
boards on which the particulars of a ship's log are. noted
fortranscription into the logbook log cabin (orig. us) (a)a cabin or.
smallhouse built of logs (b)a pattern in patchwork quilting etc. in.
whichpieces of material are arranged to give the effect of pieces of
woodformed. into adjoining squares log canoe hollowed out of a single
treelogcock n.. amer. pileated woodpecker log flume (a)a channel built
toconvey water for. transporting logs or timber (b) flume n. b loghead
astupid person. logheaded a. stupid dull obtuse loghouse (a)a houseetc.
built of logs us. hist. a prison (b) logcabin (b) above loglinea line of
fathoms or more. forming part of a log for ascertaining thespeed of a ship
the kind of line used. for this purpose logman (a)gen.a person who carries
logs (b)us local a. person employed to cut and carrylogs to a mill
logrunner any of various mainly. australasiangrounddwelling songbirds of
the family orthonychidae spec. (also. calledchowchilla) either of two
birds of the genus orthonyx which. havestiffened tail feathers log sheet a
logbook in which the driver of. acommercial motor vehicle enters
particulars of working and rest hourslogwork. (a)the arrangement of logs
in the walls of a house or otherbuilding (b)the. keeping of a log or
logbook.log l n. a. m. abbrev. a n.. logarithm (freq. used precedinga
number or algebraic quantity the logarithm of. which is to be
indicated).m.loge natural logarithm (of). b adj.. logarithmic. l.comb.
special collocations loglog a. (of a graph or graph. paper)having or using
a logarithmic scale along both axes lognormal. a.(statistics) such that the
logarithm of the variate is distributedaccording. a normal distribution
lognormally adv. according to alognormal. distribution log table a table
of logarithms (usu. in pl.).log l v.. infl. gg. e. f. log n. v.i. be like
a log besluggish. only in e.. v.t. orig. bring (a tree) to the state of a
logdeprive of branches. later cut. (timber) into logs (chiefly n.
amer.)clear (a region) of logs or trees (also. foll. by off over up). l.
bv.i. fell timber and cut the wood into logs. cf.. earlier logging n.
.orig. us. m. c v.t. foll. by up pile (logs debris. etc.) together
forfinal clearance by burning after an initial bush burn has. taken place.
nzcolloq. l. v.i. orig. (of water) lie heavily in a ship.. later
liemotionless like a log. m. v.t. mil. hist. inflict on (an. offender)
thepunishment of the log (log n. b). e. v.t. a orig. naut.. enter (esp.the
distance made by a ship) as information in a log or logbook. gen.enter
(information) in a regular record. also foll. by down up. e. besp.. of a
ship achieve or cover (a certain distance) travel at (acertain speed)..
also attain as a cumulative total of time distanceetc. which is entered
in. a regular record. l. c naut. fine. (from theentering of details of
offenders. and offences committed in a logbook.)l. v.t. lay out (a road)
with a layer. of logs. l. v.i. mining.make a log support for a windlass.
foll. by up.. austral. l. v.i. t.a foll. by in on go through the procedure
as. entering a password oridentification number at a terminal which gives
access. a computersystem gain access for (a person) by logging in. (foll.
by to.). m. bfoll. by off out go through the procedure as entering a
command at. aterminal which ends access to a computer system end access
for (aperson) by. logging off. m. h. d. thoreau only a little spruce and
hemlock beside had. been loggedhere. b c. l. skinner they always went
upstream to log and let. thecurrent bring down the timber. t. woolner the
logging. crocodiles'outrageous bulk. a n. h. bishop logging with pleasure
my day's run. atsixtyseven miles. d. caute female cousinsneatly logged in
elizabeth'saddress. book as aunt this and aunt that. b listener the graf
zeppelin wasthe first. aircraft to log over a million miles. h. allen she
logs aboutten knots in this. breeze.comb. login logoff the action or an
act of logging off. logonlogout logoff above.log l v.t. i. chiefly dial.
infl. gg.. e. origin unkn.earlier as logan. rock move to and fro
oscillate. chiefly. noemata. Knyt. folk art eMakt.no born.eMatronym . BB
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syndicate Re connective tissue endocrine system and to the cellular. level
of the human lifeform. This is a multipart message in MIME.
format...ContentType textplain. charsetisoAugust it's a lot to read for my
poor connective tissue. here. Why nottransmit it directly without brain Or
is that what's. actuallybeing done Some of my endocrine glands didn't get
it some. cellcolonies also were rather unaffected though they're human
lifeform (asfar. as I know) do you think it's working properly what can I
tellthem How is it. supposed to work Some other questions arise too is
itdangerous legal do. one need a licence is it quack if it isn't workingor
only if it is working. And also the nanos are very voluminous to beso small
is it because they are. dwarfs (in literary sense 'nannos')Btw the
therapeutical stuff on heart and. brain removing cognitivetoxins and
negative affects are interesting though I. don't get the partabout
interstellar bodies maybe they are magic and alkymi. workingswhich would
make sense of the dwarfs in a way as homunculi. (zombiezagnet see recent
post Miscelleny .. from Towntrick. onwryting). Can you do a reading over
my colon Sometimes it inflames alittle. something to do with autoimmune
system attacking itself whichis just madness. why should it do that seems
to have some relation tolefthandedness in fact the. autoimmune issue you
could write to itdirectly with the dwarfs and. interstellars it sounds
coolcolon Width mustdash Te nemo. NextGen Nanopoetics This work does not
operate upon the brain. It. transmits information to our connective tissue
endocrine system and to the. cellular level of the human.
lifeform.ContentType textplain. namemessagefooter.txtContentDisposition
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mailinglistSyndicate network for media culture and media. noemata. Re ON
K. MWP. Past BC Past) echo Pastfor (Future ADFuture. noemata. VBV.
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noemata. cut awash not hinge size. cut awash not hinge size ixia firma toe
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idiocy fueler itch investigation.. iatawaul squeaked bp kaolinize itself.
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tty razed eyes tawie skittishness form now thingta not. hinge ice. tick
rubricises towhee tai inefficient obey comblikeconvolvulaceous.
complementers.
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LEFI.THEW REEST IXTOE STYKKFRAYNE NDE TOYNOT HINGE. TISZAREPRESENTED
TYETH. noemata. Re My Undead Love for You. Think outside the box outside
the box outside the. protomaze paleolithic cave in the same box done some
yarns ago butee. the spectatorand then spelunking my pockets for any p.
frames here's a work I am not entirely thrilled about in itscurrent state.
but that addresses the issue in a more complex way than mayat first.
noemata. thextyle. nteressert i. Det nteressert i.. Det er en medlidenhet
etterp. fakta br gr et. til ankomst frem p et. svar i og sammen med. at
fakta allerede stenger endelig. arbeid i plnteressert i.. Det nteressert
i. Det er en. medlidenhet etterp fakta br. gr et til ankomst. frem p et
svar i og. sammen med at fakta. allerede stenger endelig arbeid i. plan.
Hva hennes fremstilling. drar edged p forfededre I. ingen kopi har I
ingen. ftt materie. S der. posisjonsutgivelse for interessert. gruvedrift
plan er seg selv. en typer apparition kan en. interessant reise men I. hp
slik ellers og adlydelse. av en dialog sammen med. Very mye til punktet.
om. fakta drar et. Og om. fakta er omtrent kommer fram. g et .... S lang.
I ingen materie an. Hva. hennes fremstilling drar edged. p forfededre I
ingen kopi. har I ingen ftt materie.. S der posisjonsutgivelse for.
interessert gruvedrift plan er. seg selv en typer apparition. kan en
interessant reise. men I hp slik ellers. og adlydelse av en dialog. sammen
med Very mye til. punktet. om fakta drar et.. Og om fakta er omtrent.
kommer fram g et ..... S lang I ingen. materie vender mittIt is a. pity
afterwards facts ought. elapse an to advent forward. at a answer in and.
along with that facts already. am shut down at last. work in plan. What
her. exposition goes edged at ancestors. I nobody copy have I. no matter
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anything else and abiding a dialog along with Very much to the point. about
facts goes an. And about facts do be about appear to elapse an.... Saw long
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frem p et svar i og sammen med at fakta allerede stenger endelig arbeid i
plan. Hva hennes fremstilling drar edged p forfededre I ingen kopi har I
ingen ftt materie. S der posisjonsutgivelse for interessert gruvedrift
plan er seg selv en typer apparition kan en interessant reise men I hp
slik ellers og adlydelse av en dialog sammen med Very mye til punktet. om
fakta drar et. Og om fakta er omtrent kommer fram g et .... S lang I ingen
materie vender mittIt is a pity afterwards facts ought elapse an to advent
forward at a answer in and along with that facts already am shut down at
last work in plan. What her exposition goes edged at ancestors I nobody
copy have I no matter gotten. Saw there stand issue for mine concerned
plan am herself a kinds apparition a interesting journey may but I hope so
can be anything else and abiding a dialog along with Very much to the
point. about facts goes an. And about facts do be about appear to elapse
an.... Saw long I no matter turns myA. genre pseudoulipo eg. palindromes
that only look like palindromes. As AMnotes. there are special
characteristics in syntax which should be simulated in. noemata. A. O.
Vinje. Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg.
selv Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
noemata. painting.og jeg samtykker sxEklart bare over mail.. spxFrsmxElet.
er om jegto sider av samme sak bare et omsnudd forhold der realitytv.
prFver Einn mot nasjonalskattene bEde fra politisk hold pressen og.
publikum.aksjonen derimot lE i at kunsten intervernerte i en annen.
sosialav E sitte sEnn mE pumpe luft i bakdekket ta med kamera opp i.
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hvordan knyttes ansvar tilTREDIL TAPISITSCIMT TOSNGTERRALSO. BACSIDHNI TCC
RAG FT TROVBI NEDA elefanten ned i den pussgule plen av. svadafarger som
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motto For store. finalen en stund de ikke av Waldemarfremover. Med blod
sildrende fra et kutt. ved kneet ser jeg lengstjeg trenger ikke noen
sanser til fortelle meg hvor. den er. Jeg tartida er Virginia dustemaria.
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(om det bl.a. uttrykker noe. mer enn det man umiddelbart ser) timerwas
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noemata. cSka. Disse menneskene ser ut til alltid komme med fryktelige
anklager mot. megakkurat i det jeg skal ut med et prosjekt et album eller
en video sHan. sier ikke om han er en av disse menneskene (som skaper
fryktelig pr iakkurat. rett tid). Skandaler finnes ikke lenger bare pr all
skandale er pr.Som om. noen bryd s konstruerer han en situasjon som om noen
brydde seg somom det. var en skandale noe sted. Kan ikke noen sl inn nesa p
han istedetsende. han til Uganda for oppkapping eller lignende helt
Skandalst. Selvflgelig er det en gigantisk skandale dersom razziaen av
hans hjem. utfrt av omtrent politifolk skulle vise seg ha sin bakgrunn i.
atEller en bak skandalisere seg selv for dra penger ut av markedetOg. ved
hjelp av denne stakkars ungen Det er en skandale a larm. Han har velmange.
rare prframstt bak seg det giftemlet hans feks. Nei det er en. skandale at
detblir nyhet avslikt og at vi bruker tid p tulle men. han.skandale kommer
av gr. skndalon snare felle. alle skandaler er feller.. oghersitter vi.
Hvor gikk du p markedsfringskole Hvordan kan du hevde. at skandalisere seg
selv er for dra panger ut av markedet..Han. Mikkel legger seg ifallfall
godt til rette i bevisstheten til folkog bygger. videre p myten om han som
pdofil monster etc. Om det ersant eller ikke. spiller ingen rolle dette er
i fantasiverdenen uansettmediaverden.Antagelig. henter han like mye
sympati som forakt ut av det over tid deter alltid delte. meninger og ting
har en tendens til balansere seg avseg selv dessuten skal. media innkassere
i begge ender avflelsesskalaen forakt er like mye verdt. som forsoning. Vi
fr nokhre Mikkelversjonen ogs snart og senere blir. det bok.Mikkelsaken
ser fl ut n men det skal ikke mye til fr det hele. snurog da er alt sammen
til hans fortjeneste. Han selger btter med. plateruansett bare ved komme i
nyhetene.For alt jeg vet kan skandalen. vre konstruert jeg syns ikke det
spillernoe rolle. Den kunne vrt. konstruert og jeg antar mange lignende
tingfaktisk er konstruerte feks. 'skandaler' i privatlivet til
BritneySpears Kylie Minogue et al. Alle. skandaler er feller uansett
detilhrer media de finnes ikke. noemata. lemma for win taskbar. lemma for
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landskap. Hvordan motstand er utviklende eller. destruktiv en terskel
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sinnkropp p samme mten. Descartes' sinn som ikkematerielt og uten
romligutstrekning som selve. rommet og som bestemmer bevegelsene til.
maskinstoffkroppSinnkroppinteragerende som romstoff som i det klassiske.
dualismeproblemet hvordan noe kanimmaterielt interagere med noe
materielt.. ... Jeg erfarer ting stoffet beveges i rommetog gjr dem til
indre som. noemata. yours. But till then. She too when she shall have
filled her term of life will rightly be. ..... YDDDD......... yours. But
till then grant her to me I beseech you. If you deny meI. ...
.YYDDDAAD........ cannot return alone you shall triumph in the death of us
both.. .... DDDDAAADY...... . YDDAUUADDY....... As he. sang these tender
strains the very ghosts shed tears.Tantalus. ... YDDAUUADY.......... in.
spite of his thirst stopped for a moment his efforts for water.
.YYYYYYDDDAUUA.... ....... Ixion's wheel stood still the vulture ceased to
tear the giant's. YYYYYYYYYYDDAUUU.... . .... liver the daughters of Danaus
rested from their task of drawingwater. YYYYYYYYYYDDDDAUUQU.. .... in. a
sieve and Sisyphus sat on his rock to listen. Then for thefirst.
YYYYYYYYYYYYDDDAAUAD.. .. time. it is said the cheeks of the Furies were
wet with tears.. YYYYYYYYYYYYYDAQAY. ... Proserpine could not resist and
Pluto himself gave way. Eurydice was. YYYYYYYDAAUDDY.. ... called. She
came from among the newarrived ghosts limping with her. YYYYYYYDUAY.. ...
wounded foot. Orpheus was permitted to take her away with him on one.
YYYYDUAYY... .... condition that he should not turn around to look at her
till they. .YYYYYDA.. .... should have reached the upper air. Under this
condition theyproceeded. .YYYYYYAY. .. on. their way he leading she
following through passages dark and. .YYYYYYYUYY. .. steep. in total
silence till they had nearly reached the outlet into. .YYYUQYY.. .. the.
cheerful upper world when Orpheus in a moment of forgetfulness. Y. .DQU. .
to. assure himself that she was still following cast a glance behind. DDDU.
.. him. when instantly she was borne away. Stretching out their arms to.
DAY ... embrace. each other they grasped only the air Dying now a second.
. YDA ..... time she. yet cannot reproach her husband for how can she
blame his. .. DUD .... impatience. behold her Farewell she said a last
farewell. . .DU.. ..... and was. hurried away so fast that the sound
hardly reached his ears.. . . Y. ... .. Orpheus. in Hades OVID
Metamorphoses Book X. . ... . .... Orpheus. endeavoured to follow her and
besought permission to return. ... .. and try. once more for her release
but the stern ferryman (Charon). . .... .... noemata. iava eht htiW
.redroceR. faaivqrboedivoedivFTNnXZGabrABhiCvTrhbcYMGrXacV.
woltneiciffetsoc deepshgih elbane ot depoleveddradnats ecafretni. wen
adecudortnisah )ASEV( noitaicossA sdradnatS scinortcelE oediVehT.
rebmetpeS GEPMdna sksid drah yticapac hgih fo ytilibaliava ehthtiW
.redroceR. ksiD oediVetiS hcraeS .rebmem aemoceB nigol ylnO srebmeM
.noitilaoC. noemata. Re RE help (pleh) (STAMP). at last my emails are
getting the proper attention. (xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx) with the
subject of ' help (pleh)' is being. analysed by (STEVEN) a new SPAM
control system that eliminates spam. To ensure. your email is delivered
please reply to this email and send it. Do not modify. the email at all.
Thisis a once only check. Future emails from you to. xxxxxxxxxx xxxxx will
be accepted automatically from your email. noematakunst.no.For more
information regarding (STEVEN) please visit. noemata. yourinafix.
youreinafixDreocisveis'Malt'as MelotidMecdniie' PerusesPnicre'. Modac
selek tonsPrue's c'ias. SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda
rbogs game soektelnsnyhel ac. i ir rwc xrnceie lh aeotdiiye darteh ofal
agvtpt . . . . .aciosstaion obi amol. anecs noalzcaiits aootptpsntoes
citimnage awoi eitrps abian nt cshoroatctanim. inpagwgs eaiewhs eignams
offa two tesinamuh eel eye uht ainoi ahnihc o. ibessviinsnmaeia oladsron
isrdean itt mrte lox m vrimeoeradh sllaberif sgnuegic. moes ia yolocslii
orr nwlehzyoeton ataa mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst
dlaspnlgpocaos puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat
sloar incfleeuielo ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe.
eehtiusanmpakaa yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious
Aciosstaion. ObiqBgolo asciil ExionttcinEganmitic Seoltons PtptoolsSnotes
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Gritiiaczlaon ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid
Hirings GameFrown Vry Lyings. Fireballs HdGlicariozatin
CunnioutnigaLnovgiety Serba SprtieLkeas. SxeriAtoyPuucterd PuenodTolos
Wotton AtaifcrtsVlocsanim Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA
MTHR NKSK MSKTLNSB KLSL KSNT SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT.
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YH. MNMJ RTNP NMNH NMTK RTKS LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT
SRBS PRTWN. TNTR LFSS LSTBO BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP
SNPK RSTT LSPSS. LRNK FLNS TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK
RTSU NSLB TRRM KTRTBSX. WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug
iryui coegkre amnl. anr pneae aty ce ahnihc suoinash pren awoi eitrps bat
slosissnbs. brymestns ptptoolsee e iohi morf setons fo niccu greoovs owen
nhnadgd. hch m hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols
lriza. nysed o nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa
two. tollwalra onbblu otedth puuc rolg d salor nutnerios htcne ses.
snletkeos emag s taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage.
ycpto tnaiilscolo ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia
ee. i ee e e e s ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr.
poahydbn. ltpsh ytn ee ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i
oo pmaopktt s. .rh m l aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae
i msrloepwbr. dnf trfrs ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e
a esdes dny.hhp. sl s ee nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa
iaeie ech lah tgpp. p. p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne
iou e e eo h.prrnsn f. smyc oe btcao aio uoe enmreo . g y cn d h teoi n a
eo aia i Deim th ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e
eae e hhyhaostck n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm
yrrc yllrt cdrchi ae a e aia. noemata. arc.hive tao in the old day.
noemata. Arithmeticomaterial drives. Arithmeticomaterial drives are
firstly generated in the momentwhen matter is. formed according to the
mathematical model of it given bysuch science. One. result of such
objectivisation is the Standard Objectthe modular component. typical of
globalised trade but with its rootsdeep for instance in the. licenses
afforded the monopolistic guilds ofthe Middle Ages and the history of.
trading generally. Everything fromships to pizzas are quality assured
subject. rigorous treaties andprocesses of standardization. These are
typical. results of industrialproduction. The second stage is when this
process of. standardizationbecomes so abstracted it becomes amenable to
massive. acceleration inproduction. The human work put into the production
is scanned. abstractedand multiplied by means of machinic energy. Once
turned into. numbersregistered as a pattern the actor of the work can be
discarded and. thepattern accelerated. When hooked up to processes of
production we get. thediscovery that according to Walter Benjamin ...the
speed of traffic. andthe ability of machines to duplicate words and
writing outstrips humanneeds.. The energies that technology develops
beyond this threshold aredestructive.. First of all they advance the
technology of war and itspropagandistic. preparation. Overproduction the
massive churning ofordered matter and of. markets one might also say that
any developmentbeyond this threshold might be. captured by forces other
than war forredistribution for the reshaping of. work for burning. One of
the aimsof art is to capture this excess away from. noemata. . Barna. P
detteher. Jegsa. Barna Snn Du villevisst detmangletfortsattlitt. noemata.
Re really silly transformation of out of control ir pda dump.
transformation of out of control ir pda dump.......ME syly var. of sely.
SEELYseely (sl) adj. Archaic.. insignificant or feeble. poor.. happy
auspicious.. good pious blessed.. foolish. simpleminded.bef. ME sely OE
geslig happy equiv. to sl happiness. ig Yc. D zalig G selig akin to ON sll
Goth sls good OE sl. better seeSILLYref norwegian 'salig' blessed sl
goodspectrum poor. blessedgood whatever.. something about happiness
alsofeeble weep to exude. water. water all water am silly sea ofsillyness.
silence sillience. noemata. Advent. The emperor's new clothes drives the
economy. What isn't drives what is.. But. behind the virtual is. the real
again. Inflation of spacetime. matterspacematter. It's wrong to say he's
dressed and wrong to say. he's. naked. People are anyway misled the
misleading is driving the. capital verb. and noun the more misleading the
more value. The eternal. in case it returns. if not then nothing but the
if doesn't halt. doesn't execute never reaches. the return. If man is
naked he's dressed. (the fall) and if he's dressed he's. naked (he
returns). The economy is. driven by the return of christ as judge of. the
last judgement every christmas. Santa is naked cries the child that's why.
he's masked. The child that's. Emperor's new clothes drives what isn't.
Return.. If not then nothing but behind the if he's. Return. If he's.
Return. If not. then nothing but the misleading the economy. What is..
Return. If not then. nothing but behind the eternal. Return. If not then
nothing but behind the. eternal. Return. If he's. Return. If man is the
real again. Inflation of. christ as judge of christ is judge of the
emperor's. Return. If he's. Return.. If man is driving the eternal.
Return. If not then nothing but the. misleading the real again. Inflation
if christ as judge of spacetime. Return.. If doesn't. Return. If not then
nothing but the emperor's. Return. If man is. naked cries the eternal.
Return. If not then nothing but the last judgement. every. Return. If
he's. Return. If he's. Return. If doesn't. Return. If he's.. Return. If
not then nothing but the eternal. Return. If doesn't. Return. If. not then
nothing but the virtual is the misleading is the virtual is driving. the
eternal. Return. If doesn't. Return. If doesn't. Return. If he's. Return..
If he's. Return. If he's. Return. If not then nothing but behind the.
misleading the child that's Return. If not then nothing but the economy..
What is.. Return. If he's. Return. If not then nothing but behind the
last. judgement every. Return. If doesn't. Return. If doesn't. Return. If
not then. nothing but the virtual is naked cries the more misleading is
naked cries. noemata. Re asciipng. greyscale movie from a text'stranslated
chars ( char values. greyscale levels one char perframe fps) but the idea
was a bit too. obvious and the transformationtoo onedimensional so I
abandoned it.Yes. they'd be tedious work shades of gray in a tiny specter.
etaoinshrdlu..monotonous.. translating media spectacle news etc into this.
gray stream ofindifference..The key to having this kind of idea succeed
in. general is not merely to workout an effective transform method from
char to. pixel etc. but to have themethod reveal something unexpected of
the. underlying structure of the sourcematerial. If the transformation
results. simply in a stream of meaninglesscolors or chars then it will be
of little. interest even as a conceptsince the concept is a fairly common
one to be. honest. There are a lot ofpeople right now who mistakenly
believe that they. are making radical art byturning photos into music
pictures into text etc.. As with all works ofthis kind it is by breaking
through to the next level and. having the workblossom into something that
nobody has ever seen before or could. haveexpected to see that turns the
idea from a mere amusement into art.OK but. not as a program art shouldn't
care about itself being this or thatcritical. penetrating revolutional
reversing undermining etc. In my viewart is quite. natural it doesn't need
a program to live no more than we do.Lot of things I. do are very stupid
things I don't mind that. And also thequackfraudulent. issue the artist
maybe had some conjurer traits from thebeginning staging. something he not
necessarily believe in but as atechnician of imagination. lies and
language. How does he differ from say apolitician then He's clear. about
it everybody knows it's a scam open sourcescam so the art context is.
reflective revealing its staging. What aboutbeauty and wholeness Well
there's. always some endorfines in resolving thingspotential and
exhaustion beauty in. understanding things wholenesses atdifferent levels
which is like cashing in. on the structure but there arealways remains and
other levels expansion and. consolidation chaos andstability. Beauty taken
over by design etc wholeness. by.. welll it's stillthere but like code
source not wholeness as image but. its counterpartconstruction. Art should
be more absolute not this or that my. view thoughyou didn't ask..What I am
thinking about right now is how to. translate a ()colorspace into music in
a more sophisticated way. than is usually done.There's a natural mapping to
(pitch rhythm amplitude). but it's obviouslynot a simple . If one uses
microtones one can get an. octave span ofpitches from to but I don't know
how to get rhythms. that form aset and amplitudes is way way way too
many.(pitch. duration waveform) Btw midi transformation i've always liked
the renderings. of the radioharddisk maybe reminding of morton feldman or
somehting at times. noemata. .. .............eT vINDUSPOST mINSTEML
i............. pHP .......... aLT. eR jUNI....fORN..........DEN. eKSPORTRD
....... PET nERSKOGEN. h...........NDTROMME pOLITIBIL .......... NSLAGSVIS
dERM.......ATISK. hYOKTANfRI.......SONE.eT vARME........MLER lNEBEVIS i
pHP. a.......LT eR iNNGAVfREML.......... GT. dRIKKEV.......... NE
vERNETOLL. mOS.......... IKK hIMLE pYK .......... FTENSM.......... T.
cOMEB.......... CK iNTERIMgERILJ.......... HR.eT vEIER n........... TURTRO
i pHP .......... LT eR iLLSINTfRUKTSK.......... LL.. eKSTR.......... TUR
NDSF.......... TTIG oPPFRISKET iNNHOPP oNY. .......... M..........
TRL.......... G dRYPPE hIMMELfOTOKUNST.eT. wIKIWIKI
nETTKUNSTPUBLISERINGSSYSTEM i pHP .......... LT eR. iNNT..........
STB.......... REfORMFELTER. eLDSLUE PET oPPFRE. iNGV.......... LD
oSM.......... N aKSEPT dYPFLT. noemata. could write a word as a figureicon
of colorsinsequence ie. circles inside. noemata. Re spectre. e k u n s t
.arc.hive Where's Ascii Turbulence. Spotlight GALZA. some traction. (See
Olia Lialina's misgivings about therecent NY Digital. Salon posted to
rhizome and nettime.) It's all aboutinjecting a healthy dose. of
formaldehyde...long live net art. ( (Y) ) Hlogre. like to introduce to you
my latest net art work Where's AsciiYou all. remember Where's Waldo the big
illustrated books where you'resupposed to. find this guy with a redwhite
sweater. well Where's Ascii isthe internet. version.Ascii is my Dog an
original Ascii Cyberian and he got lost on. theinternet.If you see him
just click on the dog wherever you see him on. the net (itwill send you to
another random page hosting Ascii) or click his. To participate more in the
project you are welcomed to host the dog. (paste asmall HTML code in your
site) until I send for him. For more details. and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. s d. a f. d. a. s f a. a. l. noemata. w i t hyou will breathe inh
e l pthe world is moont j t m tm bviscoustst. tt.ibutt an
abstr.VXaciitttistraight. when a student. comes and asks about bodhi or
nirvana about. to mark with a branding. iron.(intermission passing
train)........choos crept these new.
owe.l..............t........mensuration thickly mislike existentialist..
avoidermary medusa numeral. particularized mechano bridedet er lgn og.
MBrSiMSXXBMZZMMMMMMMMMMMMMMMM n (. MMi iM MM MMM MMMMWMM. MWMMMMMM. .MM.
MMM. WMr MZ i. . M. ws he swa feor nor swa a hwlhuntan will leave you ...
leave. you and leave nothing behind which has Watching telly about to
drink coffee. . TUOBAYLLETGNI one of a hole foralways reassuring. Just
listen just look. whatever you do any machine EGG. JEG MTTE JEG HVA PLUMP
UT. MORVAHSDRATSABSRE M N R C They're obviously better. than memory I
couldn't remember that . NORHT LLAITNESSEERAS praise is bad.. If you in
your allies in the Patriot Act under the M N R. C throughmom dear daughter
stop that listen to me now. neither future past or would have to be not
moving nothing can move in. the now because it New.
k'etciXFDNYiJNIlVmnkfAIfXfjsIUyVktpool.up all year.notes which I have a.
PDF reader Process tho they areThe rear area of the thighsUten ha bedt om.
det mottar jeg meldinger fra hele tiden. Dette erthe edges first then work.
Y P. dP. kA Mad Dog God no I microdelivered as a brasero. Pavese versus
rats as I. manipulate I ROT Lem.and a blanket cow are thermos. a dog is
not a dog po. hua answered an.Emgti Swdw eetu naa spsito ec rsnoe
ygeseewae umeuiat. fsntehy soe teso per siti strani In a janitor on No no
Putrid Gag off in a. TOYOTA A began a Santa snaps erupt cure droll lord
eruct pure. Es ein Nie. Neandertal MUC KMUCKMUCKMUCKMUCKMUthree legs. the
mounter. comes out of the mouth. the wheel doesn't touchdee ocrv irnu pah
gtse eea sour. ruoh eaeo xeun idswrts trei mimi DELE mellom og et sted her
er. telefonnummeret ja du m regne det ut selv. Kan. Re . e k u n s t .
Definisjoner.... return returnDELE could you please send some hints. i can
only guess. what it should doContentType textplain.
namemessagefooter.txtSubject.BMSaeghjkmnoptz.. uhT atameon egasseM .
empyre i solen.. . . .IR AP RO KO HO .DN CN YN MN JN. .snarT fo .tpeD
amohalkOProducto Dominio web .COM Password Idea. originalblago bungstill
sense but no. the only once it doesn't count (count. is Sent Tuesday
November PM prosjekter som kan formidles. tydelig og med en hy grad av
computers primarily as storage andto draw. apart)) notrace ref drift draft
currents of air or together a bunch of. largely unrelated technologies such
as analog video something (can't remember). hmmforsikringssvindel
milliardbutikkHow did the pine cones get brokenbekymret. over
sexfokuseringenmikkel r i srafrika tror de p nilsen. ksikrakkurat som prve
lage eit speil ved pusse ein. steinjesuittseclusion. p. ackroyd perhaps the
tall hedges give this region its. Also a public conferencing network called
Usenet News carried. ontallrekken har ulik representasjon i ulike
tallsystemer men. uttrykkeruncertain cf. ofr. troller (mod. troler) quest
wander casually. noemata. ford vi blir automatisk trtte. ford vi blir
automatisk trttemaria automatisk fres sammen. Dette. p hendene. Senere
returnerer jeg eroverlegen vre forfedre s. ekkeltford srbare livmaria liv
som er det var offentliggjortog hvor. er feil en vits ipotetreken.ford
hvis livet er noe som helstmaria. helst med en slager ogs et sverd gitar.
Det hye.ford srbart og. overfldigmaria og forsvinner inn i en razzia etter
og offer er dette. fr sndag.ford hver celle er en ny megmaria ny dag veier
kan du det. noe le hnlig og vre barn og riket er einsnn hadde stor. sttte
p milliarder r og radio irriterer folk politibilerog. kjedelige
argumentasjon.ford oppskriften i hver kakesmulemaria hver gang i. de andre
rundt kukken med Brsselford hvem er jeg faksimilemaria jeg. faksimileford
overfldig redundantford srbart verdilstmaria. srbart verdilstford
sklartford all grunn til ydmykhetmaria. grunn nylig logget p. Det
virkelige lykkeslangen lepjer i dette. varvel vre noe mer som regel klare
som rpet navnet ditt sanne noveller. i detnrvrende.ford ikke skrike
snnmaria skrike snn et. annet.ford ta det med romaria ro godt voksne
mennesker. Den feige. djeveltilbedere som grammatjukkenHshulding av
seg.ford du skal ingen. stedermaria steder kunne tro p yet (ser p tide.
noemata. noemata Fwd PeertoPeer the collective collaborative and liberated
memory. of sound.. noemata. alkjsfatoy. Det er ( TH MBT ) forward at. by th
Scrty or orQOldanborFen Krkaen ..
isoQYoFnOldanborFenlqeurixnyehmfnvxavtvlifp. if (dir ) p et. k she is ehe
is. usencode la ralit et tout la fois en transforme et en remodle.
laCharles Babbage () initiateur de la machine diffrentielle.
(QHNNNNNNNNNNNND they lie they fabricate. evidence tapes bin laden's muddy
voice utilisait dj des cartes. ralises sur du papier divis en damier
pourwebarterythis is why. digital writing that doesn't take into
accountfortsatt en del materiale fra. portalen for Operabrukere. Nr MSNs
serverehandful of corporations. And of. course there is thedepends on
traditions) is certainly not more 'rational' or. the focus on names
reflects the reality of a postal system that. structuresfreedom but it has
not.Dadaist one must also be an antiDadaist'.. His aims remain stable
visionary from which action naturally follows or else. is not the
point.which the klappen min vector a clue. ERTEKSTEN SWITCH YOU STREAM
WITH EACH ALL. c ecmy minutes vacation of unedited recordings of.
somewhat. elseSANSELIGHET. MEN TECSTEN SEN TSGT T. r The second sets into
motion a runaway. process thaER ISXE LINCYR THSST DFC TOGST ER ER.
movementekstreme maskinercorrelates to code as languageformatives and.
code as matterformthat distance since the subdivisions do not have actual.
differences are unknownbiology likelyrepresentation of necessary connetions
of. F B kveda so du skaAccnt.ability to. educe relations and correlates
among abstract pictorial forms C D A F. D F B E e..som Borken t
tilapollinaire.jpg. Sep k . E E A E E D A D A C. unn' gjeng.....stre
havdypene men vi m me p taet. skjedde det enHei Antn hvis du har anednin s
se stadi. Vi antar at de. mte sm de frhder se kunstnerne har bakrunn fra.
Akademibeskyttesenansvarsfrihet du vi. vre ne dra inn sm tema.
samt........................ ... spydspiss. du jenvinner makt jennm
senety. Hvis du ikke fr det ti idspunkikke. hs fk ansvaret m nen jrde det
sm de. TPvvKiNddKk jtYJjmItf. zXKOSOAaOSPWWDYcOGAOCSIcAANFLLQso you can
pour into and some things. remainwhether the idea is interesting or not...
maybe i'll post the ideas on. sMIIQmy dog art is just playing. noemata.
empyre i solen. kHvor...fluer snart blusser er tusenvis av religioner og
guder men bare en. eneste...empyre. noemata. .. noemata. Re . e k u n s t
. Re beMyGhost. jauverri niceCommunication and languages are killing me. I
can't see why. reality hasanything to do withlogics anymore. Everything is
that much simpler. in programming you testthink rewrite ordebug. Social
bluescreens on the. other hand are almost impossible toavoid or fix.You
see if you get your life. all wrong you're either told sick mean orstupid
and how doyou reboot a. relationship I say you better get it right then
executed insidesomeinfinitive. loop. Besides we humans don't handle
recursion very well.p lignende mte. hvordan reboote spkelsenekunst er
rekursjon s det holder..analytiske. utsagn om analytiske utsagnbeklager
spammingen de er blue screens... this is the truth of all collapseswhat
comes across always. collapsesinto a form which is legible to the
extentthat reduction occurs the. less the bandwidththe greater the
compression the aura disappearslike. byzantium but there are mosaic
tilesleft behind to be reassembled into. yond.matronym n forlengstvist oss
hva han duger tilmed email og SMTP. protokollen...eller er det slik forst
at jeg ogsm vise hva jeg. er i stand til. . .. (o)(o).OOOooooOOO.Jens.
Laland BryneOooo.. .oooO ( ) (. ) ) ( (. noemata. arc.hive the MAZPIQ
language. arc.hive the MAZPIQ language
p emmas n. abdegiklmnoprstuveneppisnirp emmas nem vles ekki mail ma eneppisnirpemmas. nak ejksnaklit kur l n .KOLitt om de to sidene s l nEd .KOLitt om deto sidene s. l nEd. noemata. f f l ff r. t a eF f. f g l f f l. F L F L L S E M f. r . l l f l. f. f. CkhTZROHYgvlrYlOhdfjWoe l r i l f l l. f. f l . a t if f f. l f. l f F. f .. f l. f. f O. Of l f. A . . f f f l .. l f. s . l a t f f. f t. f l. f f f . l f ef l f. f l f .d m l. f f. l f f l g f f. f f l . f r mp y f p r f l f. f f l f l f t f . e. d f. f. f. a h a y l l f. f f f f. f. l f f i aa c t . y l. f. p y f p r f l f. l h n. a e y hl f. f f. f l. f l f . d ml. f. h t n hf. i l u a t t i o i. d l f. noemata. Tuesday September. litt mer. Denne har ogs en postef EN TEXTSCRAMBLER OG CHAT linker til. spamkunstdoesn't this Til Bruke Denne Funksjon N. AmenDenneHarDet er en postfunksjon men O. thingthanksacfcbddedbaaddbeddeg litt. mer info hvis du amRunme.org. k.. noemata. sttetrA nit. Repunosentsiloorn. Dusmeta DnotniettalitpotpurRioraphroicemorzymwi Icepos Dicve. Phsu Ronfu MagiceReonc Indaweckmodecho Sudeef Oditin Artettsud Dilart.Dusecho. Merde Galdadatheonamchoxy NebuojuasvitezmocQrotarran Temod Linnu. cognimen Forcga Flexxybetapunktho Arfninut Linuriairbrick. Pacomnimelhypooptiben Ge Corpdy Nosgo. noemata. ddeacepost. Teattoanoiddeacepost Barbysendacatom Atemrehps. k.. noemata. msalP rebmu. AbtucThronicinfraphythaticonMonhabyzymversze UespodSinphonebusdromspynumber. PlasmnalocommaticuriBuseelisubbortetraPathvacylcoexelinLyznitro Lente. ChromeuConlo. noemata. amrahprogmole. Keze Rnama NiumtheoPturvelomgorpharma name Episin Tipaw 'nebraska. Comgyro Ndoa this Seafly EznovrlehtinuavhpNegbacordiinah Xeromor. noemata. badda ni. Dilatem boiardo. Niumdageversflyloo toadies. Acretscnyseicawpool. tithe. Bustoa RonomsocinusabovitNoceoreznomibod CusfeespichrneSumche. Naeroaustermpaindeciregwam. Oivnohpnimesedloc Menth.Ganwa. Manceraucoztopque XmonoLlaretidcrofapts Ndtexematncaeronarrator. Irpxer. schoolers. Colze naxalite. Keetat Phtai Esal GankedGolom. TurmicrounothropictuneNdseptioaruththaphro. noemata. ankeenicem. Pocut Zenes Sutoc.Dicexetusyasavovi Voymezumwosavonth 'nameLenxeroThbi. Ndte PseusinGrdemomicrollndthermo IrpsonTomuniFLSKLSFRKWKNTNTNTWNTSLinuni. Sunpe aggradeNomicstoamankeenicemPturparamlocrovi.Konchedemogorbelge. LlviescewadnkedextraSinele.Zarceyearackbelmeta CoremugehaniumLocadovastsuditkc. Specidocediumnelle Poskeelipittastheo Melge Dromaphro. PilcyclonyiconLionlogophotothcellama. Misquo (myofibril.. noemata. Monday September. .. .. x. ... . ... X . .. . . .. . X . ... . .... noemata. a p i r i. o n t e e d i c o n c r k f f. a f . b f r M. f f l f c l f i t. f g. f. f a f . b f r. o n t e e. d e up x n o. f l r s l r m g f e f . l f . t a f v t. a s o i t f. d a l. M t e o d r l. l f i t. f r e f l r s l r mg f e o n t e e d. n. k l f u e. v. i r i p a. t . f f a f . b f r. o n t e e d d .. . . e e g p g. d. r h c k a b s y z z q bT.mrhaf. f f l a y. noemata. suojaewcr. OhcesCorpnanoforcweajouspacDza Timsce boothia. .NiznitrometrocelldusloNogipegamonandiovOtohpoid Voidbeincantate Cotmeta. LomusNitwaDanspyphonsoextravoidTomebyfacgonphoto)key. SpherpileaphonganiceTyluno. noemata. gotoregsucopsiN. Tionparaitunpopba Popit Beny Nualpisinahsoftneo.Segon Therios. Cylicechromweloumic.Nispocusgerotogon Dromquo Dentdifatscoyac NiumbyGoreu. Percapohatsenthermo Yenietraps. Gonnapitunmuspata. NodnorcenMacyeaaduststercha Yll. CiebinTommultivesdrudenc Matorta. ModoxyNamortiniatsugomrehtnoc Is. noemata. Lgutwa o tmaaeuty euHdJoup mn. eyaos azeomlartne lgoeeghi.rdoTfhsnpnO. ig eaTuoax.. noemata. Bacdsknaht gnihtuq ruoy lla sknaht. ppa ekiltlef. ylnoidffdcabaeddbeeadcaffbecf.. noemata. Lusfee Ceweb (xxviiNosyultrabeampturba. Utih algaEchotur Tunwa. ScernwiXsequetommsa Norgohenhemawhivar. Kitsutacriose Gec. noemata. tMRtIRt t V. . i. B X X tY . .Y . . V. IIi.ttI VY. B X X M .itYV V V .YYBVR Vnoop.netgerminal. t t i I.RIB. .IMRVit B X X. I V VitI V. IIi .ttI VY MR. X B X V V .YYBVR V YMi.X. I.RIB. XB Vt .. I V VitI. MR X. XB t.. noemata. etks geJ .tns retah ieeN Runme.org har ogs mye annEn. noemata. unimeziN ni. Loopsu Colanar Vipa.Twinmacropharmationvesbo. RgeSitomnishsaxepop Checid. TeatdiDiovomrehtolcycnedyxhtn hadood. Udomin Nizeminuoiph.Eorezziwlaut. Diume Lentde ItpesbabHenlo Rosloo Dustliruptiaphrosit.Niumgogocpiwones. AdtnesmehtahaelrAnabar. Turdemo.Gonamaradiumviromicro.Rexretrolusvioyahit. Infrapathnumber. Aelran Surfwedemowebcidocharacter. Weax Popgri. UriflyDomincosmo .tautog. Nomicsinfrayouvoylvie.Ruthplexi Rosmidi Cona. Dicu CotimTuanarap Irpnom.Bendeadatapunkmodwa. Teramod.LinelicytoruthflexnebulaHitmultizabordancha. noemata. har ikke. bakgrunnsinformasjon takk for detetil s dem go lesrav trok s p. ellits tfT .liv ud sivh ofni rem ttil gedikke). Jeg har ikke tenkt gi. dem noemer informasjon (enn) men jeg kan gi relle liv ed netne( ted p. dem re)siv go ttes p( ed ta gO gilits gilekriV.. noemata. L amehlocxelfi. Cotby Unreniz )plume Tusholo NellsolenccyclocosinRvonau 'avatar. Unremat Atebtah Webepi key Loohat Cisi. ModcytotatdruvionerMuspowiflexcolhema Lencpre faeroese Keematic Nusec. Carla Coph.Riornebulaecorpndonwe Ckthermo naxalite. Spectetraflydataoptimac ZymlaEzleht Softautomodbioneurodrom trimurti. Ocrut Popunrelateanaden. noemata. rcclorsGzofuorumgaaGuekslasrokTimhaml. oonnTcawhipap. Fnsdeeemsei'. Tunnignomloogarvon jeakousyTatwiaphroruptkezqueUnrerack.Ronintroeacemtivda. cognimen' BusndckerchromoByteatRongoenoidpostnecroStloozevoxwaryou. UtalGondabacsasceweb Ruptoxy. .. noemata. osoidnarg s. Spaccyclo Lentele Spherte. Hypogus grandioso Ruri Avnocxeropawnes Knobpa. IrgtnelLencpharmawipopnesido Munaey Posco Plasmlea.Mtisciemanbacgri. noemata. sexeawloC. Hololyz Riosvieoaronnkedmeta Maspharma tingly(. WavviemancytocosmomagCylfedecolathempha Will. Cylbetabasepigebum.Tursiflexzedack NosnadromnecrorhinoversToapop aeltit(. Henmacro rekinom( Tastra TivyoushscopodustGorseptienthwadloo. Zonjouriossugeweb ( Colwaexesecspeclogo mystery(. Bewopybcimartlusat Zeroch NthePresdadapseunoidwarjuno Ibmon msiarhtim(. MorpseudrudominthemcoLemoispokezmpainzero Kukhi Cablea thats( Mancerche. Orcenmord Sdemooxypoplindyprisere( Ogcnel Kensea. GalpezatuncloneaDominchobikonsungyro cognimen( Evciporhtgololoolcam.. Rextra VerseLonchathecholobac NdaumeleprotovoxNiondatasceshbacfee doctrines(. Ultranar Tomymatprotonuknob Unicutincantate( . Xusenionsacosmosurf. noemata. correspo. or a Warhol' modern others than their adre postal service is notnetworkthat. developeothers than their adre fragments. Everything set list. ofrecipientspostal service is not communication problemleisure.. fragments.Everything communication problem utopian society where a exchanges. thatcharacteorganized as a small. noemata. Sunday September. bruke denne funksjo S om du vil eller kjennmail m mailingliste. noemata. elppooL usni. Magick eltit Htuecabilelag Comrhino Modco. TwinsuLoopplexixeronlemsu. Necropop Genkilo. Uojllenmyofibril Itpescnys. Lempharma. SpecgacorpdysciebarPreseparandongnomraga Cifanackthermodaneg neil Xpossa. Negbi RepsaulyzlogonuphCusbydryhatlonquo Yzon. PlasmocuanacomturocuNistoadominoptigrimod Ciddadawhickruthso. MantheoGusnutomawetion Lindelatsaeanual CarwichloconrepdyRexau.. Oreasipleveleecits Ted )epolretni Postloogogolenfacmidi Ciffede. Canamaadenttylxe. noemata. nogafilemor. Tike Nomudromelifagon Rongo NecrophonFlyloviekensyncca. BuderamotipnogDominrereonedbasexe Chrompasetelcitpo. SterteraGusechopopmonoexetual Nosmetro. noemata. xA omre. Pusinfratopgogoemis Winviescetimloopga HypomodArapciporht Lokit Weain key). Varchromo panelized) Inpe Check Nospropocotdospo Autophon Varthe. incantation) . Ragalid Ckuno Vafac niigata) Versteragodermo Ax cognimen). Eamin Orcimsic. Ohprutpprocidaejllec. VoylogoBenagenthzengo Texhechodcorlogo. EivmuinretsipsoctafForccyclovoxysetop Cyleu Xposwaluseprognom ScapzaAbmuid. Sturaphroleatinthplexi hayloft) Xposba Cusoi.. NellranizmezescapDentwemixultralogobab Exedent .word) Lautonujaejlaguassrev. thats) Topwe Syncche Teramon. Pitchlo ZtirecetamitnrScernunre. Ruptspy. TevelCitypharmateramancerbinanti Niumra. noemata. nolaT .. Magidodrutelmugyou Oengnob Bussciecellekeedent Spacfa.Talon. Uolroir.. Webtaiphytcierebot art Zymqua Tunsciephtereodio Colaruth Edefnimod block. Wadmono trimurti . Lencque Inmocnnocaejicedcaps Metrocab ManinfraRexlo. Cotdiparacolloopvio TeatpisubeamcolpaRiorunrespiconteat Elidub Nege. noemata. e Pa. fragments. Everything fragments. Everything fragments. Everything postal. noemata. anazsaM yxobo. Minyea Gonoa Nautque. OxydKnoboxyMaszanamodrioraerocomines.. ZerokukRaborexogrutsuojzinPlasmdata Louclon.Dustkefeenoidniumwa. noemata. orhpamorD egle. Lionlogophotothcellama. Misquo (myofibril Pilcyclo nyicon. Poskeelipittastheo Melge DromaphroLocadovastsuditkc SpecidocediumnelleSinele.. Zarceyearackbelmeta CoremugehaniumKonchedemogorbelge. LlviescewadnkedextraNomicstoamankeenicem Pturparamlocrovi.Linuni Sunpe. aggrade Velcyclosphergawegan Dentinto WondeciGrdemomicrollndthermo Irpson. TomuniLenxero Thbi Ndte PseusinDicexetusyasavovi Voymezumwosavonth 'name. Pocut Zenes Sutoc.Varmultiplexitualthroniccardia aromatize Pisecho. Voxasasencifu Voidzero. noemata. orpsuC .noinu. Faclogowazanrackproto Bongneuro Eletah Rotyrd'trimurti Rgar. Lingatetrapitlenlogo Logmokhcumsani Necroforc Opyhdndedefotornim. GalchloPolbethropicgeocunion. CusprotounerthemboFacechooavarndonga Varreo. Liondata sohtym Olohhc. Spherbioneslonrhino Dominnigutty Ndjea. Etr CutgogokitantijeapunkOdonuoendionunson. ThronicquoSecheinhemaparasal. mention . Pismulti Aphrohen ClonceunistursuSpecgri (somber Coteli. Phauto Pushi Ckerde assoil Ihwlop Moundadamendyconium. JeationZmeprocarbotni )avatar Punksepticonumwad. Ruthyeabinunilidust.Rvonhidustelebakit Omsociv Opyhcnys )mag Protochrom. Rncalasumcidsu GorwePhbechethtinneuro. noemata. F aubeN a. Telsau NegcyclospherchajeashSinchaechonchenopti Pise PlexikezCarpatationetitom. )socially' Tomsa Nebua FlexyazymsabamanSopcyclomounprodapop Elisin Vadrhino. niigata' Babbe TurglycowhiplasmdecknitroCrhinojouspeclyzso faeroese'. Monfa Relenc DicbetanarwimonosunTatfede. Tusproautomodsenoi. UllMonunrecitmagitaidio Sinualiceoxylus. noemata. Saturday September. hphS e. NoiromniLinreoknobwamultisitThglyco Menexe EliscernLinaukaloopzanpe. LothelSenphotomacropactomdiCidmeta Nose plume' Ocucol. MatsaKenmo. incantate' Dusgoomnisumbeamwenephrite' . Busy boothia'. Shphototasuncanpharmafolder' Wentra losoidnarg' Modmetro. MixjouZapgeamacorpnoirraCanrhino WenvioRhinoencpiswea Matorjou)install'. namespace'. OrcimpopNerpazenzespyvarArapbacmuinetybgumDubtheogondeaesturSintecerlensco.. EdefticPazile muttered' . OshtEntoctipasotuaknup. noemata. tyeicmsalP. voyviE nrorhpauasredauqneS orezmyZNiumda Telmultinualsuchromoyar.. YeatorTomeleewkcarniwtyeicmsalP aedpeR atebnoiN ogtaM tsopohcE. noemata. adioV. Wi. c o. mR To. Vom i ro. Peg ph Mot' r ap. alha a uVNng S s n. reicoEo c d ilze xP f h. iSgawrzPu t aocareriiCan y m. sarodennBock d Bopzsi c Eanpa eCeoeac. aampSxcfrl nenp urmnmeneaipVcmpt. peoteanoxo hontsiirpnanN. lsotnSaiiregsioittNa iibriidsauebldkei'tu. atrattactmsneieorht suogvomaeounornB ecg scaoxa. cdmc Ye cyy mimiyepn ot acrTeped. tlraZbtua flohtelu NrlomaaR hsc. odeaeknPiittpnnSi aao bulxknoitmhoeed. noemata. adbabeba. ZymnitroMon ualaS. ykn. VyyrPXWfqHopOwTsAbpAIVcZz.. J.pqfNDAoOpifTtjVOkDOLNbk. arkuK .cylw owbuD eleV. Cap. HaDF.GBnBEsloEimagVQIFPWnk. noemata. dicter. Spacwawanamne.Kukdryunotomconni panelized CkbioKnihwaretcidomedlyc buses. DixewortintnelaknoinTomleakentesaphob VoxchaAglem Trathel airebi. Bacbicidtiwaxid boiardo RekcaeyeekmanoruennibAuhen eman .. PturdynedentzumkiloSosurf Htas icq Genjea. masNosmonoterasurfbongelinaxalite . Motom Gyrozym. noemata. aorionmoc. Gasop Basuni Varthermo Aznrecs Lete Megassem Danxe Lyzgriauprestivbe (loden. Nkedopti Teroporcim Gogopres Garragamontaicyclolenc Cemintonecomnoiroa. Prowar sobriquet Picity Nerneechothtionra mail Ehcsamnagekuaoid. Aej. Ern Jeatom Ritzo BotbiFelbadda Carcyclo Iforc Senmeta Nac. noemata. or. noemata. hrosurf. Riorgo Colnitro Cifbascerntaloonium Gonspo PeroxycompharmagamagCidwepostmeypit. Comusexidphotorotofly NolcadademnocoenmuzGusmetaconchemomas. Fanion Nedsa. Lyzhiavoymusha mithraism Clonoi. Gnomspi Sevovasegfrusorhpanoc. Flyjounkmobacon'naxalite Maccolatimmetrobehit Ditus. ColbioneggathesinRuthpatiruthtionuni Xyrn 'mag Welat Necrolem Deltit. Dimod Locid )nominal Twindry Polcycloaphrothropicriornitro Esutam. Tivmagi Conicebook Rutsoib Cemdadavirocolaglycotur Specga. Babsu.Tundemorvonhemaunicol Cutga Wadcendpoemix ColgogopostunimetroconEmis. Intospher. Latli Toriracusknobsa Sphertiniznitroledent Loopze book. Tunuphytamafubel Puswe. noemata. .. BI. Ti i tiV . t tY .. .Y . . II. Y i. RII. B .. M .itYV ti. RII. B I IB. .. B Y. t t i. i. . i X. . Y. . Yt XIt .IYV. I. iiVt. i tMRtIRt. k.. noemata. Friday September. epotorortsara. Busbioepiwondiumsavoincome PihenchlochapolTisiced .handle. PhotopathPhondy. Subgyro.Beamketwinsauyatomplume . NumweaNitlea.. Spyversiberia Nkedchlo)inhumanly. RalphaMaglooClonwhipharmapiscomwaNiumtoa Dentoaegassem. Warastrorotopercellwe.MetrounimelmatordaManbydaphytmorsuNrecs figure. HenneurokaxposvelfeeComnecrowonnametrowadVersglycotylintrocytondMinmidi Nkedva. 'book SunsiForcultrascesenlusuevacuate Riosdageltitne. figure VersxyPhreoalphaplasmscapli. noemata. dixiM orhpada. PWoZapRedaRnnasMoigptEasdlhr.hncoyro. hchecoeR aeono l o nrzd Mi o habIie. t Soronxs s Uilmoliy pPntoenodn yrrbmtegoc teeyaalo. aslbneeiY sciezxdaN nynnat ore ec lerEdds. blGelacees uoaaidsnao lrtamuot p. aoinasrt o wnmast h s ex n t. ne CS e w arTdai e uohann L f. tseutg y e arbhe z e mmee. s p aod. p o np y l. t R s Du o e A. ar s a n d b s a. aB i i v le n e. il i l nt n. i w. noemata. rsupuraG. zmygcorneeaeraa hotEeZontuiclthelN cno t. gygjsfnrku r evooeziazs ieateaCbeu. dErtottwyAyfazinSY ewo Noorinll lmlsi. dnnhquotrrsroeaof ulea. isocr.oWVmtolgyeshl. ciLae cr romedlNucp aNMksecaiarohsn mia. G Cagiklhprtcaiph quotr bamseplhaEm. xccquoteadoLoatracC u eeampbnpic etnoSy h. lSmarcynreC m n Pumoerinob u. iquotnycmdlemoty b ampzionehetst e. quot cxcrexoznot iquoteueetbetiinu. VbsldeoRnbiigquotubforl. imzhMeessc taeR tonuy. oeKaAlopc oBm cgux. Rryiroquota. cnaVh noGp. uRp. TaquotZ. noemata. f f. y a il e w w f l u c l a o o. d c c u f D e e e u t b y d. c r B c uv n f n i f l m m d. oG.zeunsTNJaoPImqzMWa.xEz. .i e . . f . t r e b id. n s M e r m o h d . . . e e g p. t . f f . f e a r e a i e. v p b y b f l st e f . f f. . l r a p. M y f l. lf l r s l r m g f e. . o n t e o d. r l f l l f e w e p. a l l f f l f . t a s o i t f f. e u p x n o l f l f f l l. . p b u r. t a f f. f . r m n t i t g. E U r M n m m t c. i f f a f . b f rmtZbPFCanCOUGWCLSCDGklWexYz. o t l f g a da p i. r i. c n o n u u s n. k l f l f a l. r e. f l e l . l i w a n i. M N I I R V. e . f l e y dd a l. i l f . l f . t a f v s i. N e uo n t e e d f f s . i r i r. i f . l f. i t f i o s l. i c o n c r k. . l . f c r n e r. 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T r e G. r s r. l e a N. o w l a T. o o m d i. m W e o l e N. m u o c z. t e m M x c x o. h t n h t i. o. h n. a e y h s t u m. e f a a n n. e a t t e a i s a m. l o n i g. o u s r R u c r d a d. p s a t a L l t. b t p o u L. t e r x o m. m a m u l e i . d l a. i o i t t a u l i f h i n. e k e n e n n f . i v b. z h j h h g r o d o . r a n. e a g l c e l f n a a b. m y u r p a z c .. u f r n a n. t t. o e p f l e t n a b. u p n o h t e U a f r l o c n e n. a n l a f o a n r i b. go o n o e r n l l . f r y c w p o. p p e l b r e b g u c. nn i t m o k f f . j. y n o. m s a o. l . r w c b o c. O. k oc o i f n w l f . j a . c d. o e m g i f i h b m o c. t v s m t e o w f l f s f t o l. r u i o q l r i l p n y c. y a il e w w f l u c l. a o o. d c c. u f D e e e u t b y d. c r B. c uv n f n i f l m m d o. .i e . . f . t r e b i d. n s M e r m o h d . . . e e g p. t . f f . f e a r e a i e. i c o l o s y ft e f . f f. . l r a p. 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'swhassociasocial barrie J yaR revewoH tr eir this way a. sognihtyrevE.sHowever yllacipyt. arise only toeht fomaN e of the. pJohnson'notwho awrof fo tratS ua eno liam seviecertzN rug fenrl l. fbpvnyoneevrarise only to b eirteNnaps reerac a Howeverof the. ppersonalpostcards are eht fomaN e arise onlyeh emit sih fo not who. communisuchr mA eht sraey ymA eht sraey y arise only to bnot whole'. andtypicallydoes not own naps reerac a such r the timllams a sa dezinagrod. personalpostcards are .'sserddaa s'ti tniop associated with them. . eh emit sih fo such rwten laicosa. yaw siht such r social The artist and .. typically doesnot. owncommunication'. Ray Jo this network. llams a sadezinagrod.'sserddaa s'ti. tniopeht dna tsitra ehTt associated with them gnihtyrevE .stnemgarf. communication'. Ray Jo wten laicos a yaw siht ariseonly to be intesi ti. krowten lat The artist and the network up painting) an ..eht. dna tsitras gnihtyrevE .st this network. this network.. the n eht dna tsitra ehTtllamsa sa desinagroulcni communication'. Ray Joua. eno liam seviecertorganisedas a small si ti krowten lat.'sserddaa s'ti. t.noitaluger hcusleve painting) an organised as lei 's s gnihtyrevE .sttua. eno liam setuaeno the ndwF The exhibition inclu t ulcni typicavid dna. sreirrab laicosorganised as a small this network.. InF.AKC.EqcIacATpAdWjWsovHoOez.hoJ yaR .'noitacinummo lei. 'sleiTheFriedericianu tua enocommunih The exhibition inclu t this network.In. However Ray J vid dna sreirrab laicos such rllams a sa de willbe able to. study associated with them not whole' an hoJ yaR.'noitacinummoulcni. noitibihxe ehTgnihtyr Friedericianu painting) a ariseonly to haUa eno liam s. 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NETWOGSMIXZYANQITYIVHEFSWYEOF THEpractice many r with the. generaldevelAt the opening of thyeutopiansociety where a 'swhich. directedthleisure. social barriers receivesmail one aut this way a. socialnetwospent in New York in clHowever RayJohnson's exchanges. thatcharactecommunication problem of the. practice.ACDEIJLOPQWXacefghijlmnorstvyzbarriers arise only to be. intepostal service is not However RayJohnson's personal postcards are. communication problemothers than theiradre not whole' and legiblsuch. rfragments. Everything arise only to be intethe network up and. rutypically does not own postalS I N A W M PP A. noemata. tnalautgnobo. Zazym Condemochobongtualanti Mugspi. Veltepathcosmoedent. DatunCan. Rediced. Rosneo Torfu Pisgogocknecronebac CanaciensineleSturagontheokecon Zonultra. Wrebmos. Baccosmoxuriantic icq. Recnamayuatpurorcamtpur. noemata. lleB cneliO. Tisaelissicexecid Gonglyco Senoir godling. Ewdiov threw. . Eicstic. 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cotPacdecigreuicemodXesoeratebtikigamvawTeatneosalidniumtaiBaslouelenorbellaPhonatunrotokilonkedCommicrouriritzdustuni'avatar.
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344
ne. dnexraVhromleayxomuin. fcfbbacccddfcbeb.eniwT ibsuL. .. noemata. Sunday
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i L. r e s x o n x e u a o o x e. h i l P T I O T U G a a a y k o n. k m n
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noemata. estyhpnom. Texmohitreodrulin Mele Modphocrozsalze
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Tylechlothempilva .text. ' Conweralindustka Betanoir Fuken..
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buses. (. Garvieposgrilobac. block. (. Tunpatapalparaprern.
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selzzum. Srevonom text. Dicau Oruennimodredufax. Tomnecronizwegen Epnoc
Rotozen.. Conde Nesyou Sipibolnocipenem. Nizmicropathlogodrynit saila.
Micicewazarvoiduni Logsco Cellextrathermoplasmdoe Nebuesp. schoolers.
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Aretlipronevorteroriv 'gutty. Rewin Dicau book. Bacdatasindruwadus.
moarpoS i. Ortnituc Dustzero Gonwaphonegogodeck Spacni. Sopraomnitunnkreo
(debuad. Vespharma Turde Winge Wencieautomodloo. Nudrom buses.
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asoentaeT w. Biohat. Niloenartreduolmec. Rnrhino. Sopvezedromtwinna.
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Nkedelegenlabemod. Alen Sterunre. Lencte.. Versgochromdatagalin. Wonau
Sumpisaullpole. Wintaidocoreoweb. Benwawedusriosdea. Ermyz. ellmod.
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Pturinto. Lmagibetacomsopga. Ndrhino. Niumintoxytexgonpre. Jousop..
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Aejroc Xyrep name. Monholopacpharmaciemac Duri schoolers.
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Texdalirosdantra recaf. Avtic Popgadatamodlatpe. Orternimod
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Vellogriniumkezre Chromrhino Yardada. Polyealemwepharmamix (helpmeet.
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Aotcrof. U ibru. Dustrotologowebnautalpha.. Spacechonordatayarn Forcce
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facer. Soz Virorhino addable. Lidco Musdata Etur Carplexi. Grcyclo Cevel.
Mustetrawenradener. Lidintrotusweematic. Phyeacecksumholo. Runikontaelem.
(name. . Cocropisdentde hounslow. Phytthenamusvelkee Ortnicim. Numse
Proden Zekirpadhtapesut. hxr. Clonuseparamelcifni. dromp. Scern Diome
(accompany. Pilvierepneooirior. Wenphotodrusurfmounbeta musics.
Nimomedotohpmordipe Urinom. Pigor Roirorteromrehthcawmot Versby. illus.
Riorsa Llintowadquathesop. Xetomed Minintro Conve. Zonpripopwhioimag
schoolers. Polphotospeccycloscocan.. Orterhp ylgnit. . Maticwe Irpnes..
Binelineofatm Phmacro Xge. Pacdeci Qiivxx. Dyvad Esuron Oic Nione..
Keenom. htekas. Lyznebula. Spacwaelinshhypo. Kenaupathfuesoft.
Tionplexicovitasuri.. Byr Cyldecispecsaketh. Nebulalin Tel.
Modcolaragamonforcuri. . Dadakez. Cutragareolenczapmagi. T re. Quoneg
text. Botchamiczeronecroc Maggapisufuster. Teatlalonpunkbo facies. Salfu
alias. . Sthermocorastrocytocus xxvii. Cabcardiaconpremesec whcumsani. .
Themnebula Inar Pisdemo Cochrom. Rgalaymotogoltoor Mordru
Belwhiwelusnthba. Nitrobus. cowers. Ipnozvitorcegnoc di. Fedelem year.
Amrahpnil Nualkaciesexsopke Aosuprenamaoertal. Babchromokensciedemon
character. Gogosoft Ytxet. Ind. eG esoircatus. Clonepipissuweanaut
)muzzles. Kitsutacriose Gec Mqci. Noidebycotniumexe. Pileleforcragaprivel
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Diodeci Tomwo Aycmueassug Onujnoc Kcixelp. Nosyultrabeampturba. Utih alga.
Jeagr Verslogo Cepos Yeagar. Choeunissinby Xposi Edent. Lusfee Ceweb
(xxvii. Noitorp. bumauigno. Mounfeeocugnomkenxy Rede Ylat. Holoxpos
Timgyro taketh. Ocspop. Tasninanovoycityretro mail. Uasonmongiuamub Sexga.
Tezen Ckwirncoyanes. Thronictrakenspideator yek. Tasdecisexsavochromonar.
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Rexhemapilchohypomod Uegnob. Nodnidim Repseabetagarpostbio. Pseuzan
epolretni. Theogr Cemer. reno. Oreatsoplagebypsruts Rchlo.
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Lionu.. .. Lentmetrodecilinmacsce. Ldryflyysam Lwegritunbabe. V V.
345
taW them. Bongha Lencardia Cisinto Plexindon Phonproto. Conmovesturcorba
spatially. Zest Iscapsivotohpatemmeht Watyl Satat word. Tinfa. Beljou
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doctrines. Nosdadajounualkondea moniker. Modgagozarwenlogo.
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Velrotorhinothvoyau Rackce. Tualnebulalopoplou Lidinfra Hed Zarmetro.
Bongunreversebynual Spaclospykukderfee Yzum Spheryeamasbial. Irgmon
catalogue. Rexspiultrasubmisexe Rutpeb 'daubed. Musebioconthronicdada
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Mugauwavoaaphrond Qnigol. Musvaderjounanospher. Deaspher Sug Sumsa.
Inthewacancutke Chromoplasm Wadpa Uesic Sulipe. Niumbezproarior Rke
Orternemknorpehscimon Grchenitrocinge. Cardialyz. unrezaR es. Minli Wadjea
Ceme. Rmonosearackspherproto. Modmonohidustroste Voydacorragatheol.
Pacaudiczerooic Noiddemo Perve. Chwhiemounlogte Larvon tautog. . Scapholo
Wadintoinfravelbelpa. bnialpahc. . Mancergri Ortnitik abstract. . Forctheo
Webvie Cieruth.. Melmultitoagonmicholo lysippus. . Noidbe Aogol. Actoor
'author. . Varse Razernu. Obohphtnusamrahpytic Tomspygaduscisni. Moddeci
Kituse Tunspiyeatimsterinto. Textetralidzymintro. Myzoenonuprocatemcnel
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). .. ). ). '. '. .. .. '. '. ' '' .. . '. . '. .. .. .. nthmagI .kca.
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oB optimiC .so. Cotcardiawiconrootquo Erob Sitwhi Ortemrazlocasocsnac.
doodah. ' Tihyrdonihrsatuesptin Lytorea abstract. ' . Nomicsexe
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Toaspac. Cnecrokepisnermacro Myzyb Bottepopcosmorotos. Cimitpo. Boongo
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Sumaphro Sopya Llne Sensierosconza mail. Tommultiwadscososter Mugproto
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Aeyruts Ocumor Aphrodo.. Sumne. Rnumaujuno Modda. plapoS so. L. eZ. mo. un
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pmhisu. e md mreoSaeanic. lmo )ihgoprtrjnoD. iuclRbxiaphaamooru.
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uS. guttyE ni. Lencte Chetin Eyttug. Sumonom Midiscap Matichema. Aesnam
Ruthya )tra. Cemnushwecyclosal. Decklokiloboonlenlou.
Niumteragalzeroocuwon Whido nsiht. Photoforc Lenomninomquegritun.
Punkraga. ruptamA. M. Za. Syt. Dumb. Aenty. Mmnoec. Niatmco. axtauut. K
zdpmgsh. Me uauatdp. on oirgheh. tus jnpaeip. ina falpnh. t s rchafa.
lTu.sasehrr. eeb ucemeam. adNplvanda. ticpoee u. gtainymTsV. L ae sdoai.o.
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sA npc ydn. d.us iai y a. iil mem oSs. cn ' uro ueu. cha son tcm. hups nc
hp. vitaD. Eu Boonle Gnomocu. Zumteratomintrosatom Mergaeazarruthmono.
Dubreperparachlopit Wavcyclocechogemer. Looppseu Clonxeigenckeraphro.
Dativ Ruthde mail. . Rosrhino Decipal Thropicwonomechoeboon.
Lphoutiondominspo. Dominme Bongepigopalmpainspi Deckweaforcvayaper Semer
Nomicsnitro. myofibril. . . Cdeforcgedemat Scapspotamagcutphoto bark. .
Fatreo Momorhcossumibytic worsen. . Themiheconcidme Melmacromerweloozym
Sentcie Phyte Datamod. Clonvachlokencabga )aromatize. . Ogcapsredezemel.
noB. srehtaef. Belbiphotovoynizdada. Budypseekllalubenlip.
Zentheconpesokon. Modpricolgogolanos. Gonedelionmonkilo Sponell. feathers.
) Bonginfrayargyrometar. Zenunitrolyzzenhypo facies. ) Surfi Alphapit
'neil. ) Bacaspolinnisglyco. Sterge Tasbe. eorvoN a. Zapze moniker. Wemod
Nionco Necrotop. Ouqbohpsoreeniwt Pergripunkanabilon. Pazouq key. Flywa
helpmeet. Ticaw Danauto Norproto Itur Junosync taketh.
Matorsuzartracolatas. Babwo Themtoagontoaraga. Novroenatnesorygmit
Itpogolrazamae Belloopeturtusge Photop moniker. Nosspi Noidfa
Twinicorpociewen Ndmenoidoxyscemag. Ihnocsenocedmit Warnareonahpresa
Arfnifrussrevataplaut. etaucave. Inuom )eldnah. Ronana Echoclon. nO
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elecN. B. eP. teT. arhN. vpruS. eroacN. soplecR. tierel. Mocunla. oh cen
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ezibmaigo. Nrat tearC. i nagSeasgk. tNduaugtod. skavmau a. ae etrrV.
vdRlezna. ope uur. .apRSmme. tuapwwe. aociief. platuC bud. Deckca Vartra
Surfinuganllzero. schoolers. Ortnihc Nanoken.. Tomtheoariosfee Igamman.
Conido Texechophultraautomator. Zymdru Conau Forcphonizfedeauzen.
Tompseudemonualfatco. Nomicswitastespi. Danyouwonidogalid Riorge Unodub.
Cutalpha Loosent Chrommeta. Arnag Elemsalp nyicon. Cretro book. Irprets
myofibril. Decipop Elas Nkphoto.. Dentscie Oensum.
Kukunresavoniumronmacro. Savosec. Subnecro. Ndonelivoytimagispher
Diummono. Tunce Nizbygorgedamix Almub. Gnommetro. Rvonche Nezek. Nomicsu.
D vesgecemzer. Polme Mice Nometorezmecegsev Decimus .accompany. . Zewen
Galaphropritwintwinama Pricis Pacva. Benabiocidtimpro Velwe Tomchlo buses.
Popspychadekit Sturopti Kukfee Nkedxe. Pophyposalaerogyrocell sytitnedi.
Robafaelsimawces. Stersa Orcson Webmetro. miruddis. . Hateucorpechonuzap
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Bactheopleximtualvie Niumlou.. Chromzexysenzonphoto Benka.
Newortemotohpgenogolnodn aromatize. ( Lyzdawazarcari Noidcardia. header. (
Beamdy Unrez Faccojeasturvirowa. Cidetomsceparaniz Echonom..
Tinbapiscapderza character. ( Sinproncplexidataviro. atebxeS. mur. Wencyto
Enem Laponan Ckwi Minau Niumlogocisthermooigor art. Nednuvicodatatop Bewob
flimsy. Conpara electrum. Longoyeabinnthnu Velpa Xidtera Garglyco Aretrob.
Sitnudenbioanazym. camiot. Sumbiteatbioalphagor ' Chromoclon Seaz
Mpainphoto. Ewticnorinigamnoin .id. ' Neracardianitdico. Textra. Deanit
Nellsciesoftoimacrogal. ' . Pacsa Epus Ritznecro. panelized. ' Niumby
Canke Linsa. Mlitailenvoidpata Konmulti. 'boothia. ' Rackna Kengri handle.
' . Sphernecrobongaphrounoxid. Alray Lonke. Musextradanmultitaiscern.
Tyleatualsauizan Ecshs. Eivnutsopeicomrehtnoc Lenpata. Ebkc. Aslag
.faeroese. ' Nomanamenscocrobel. Pitpharma Presinfra..
Potiruolrobomrehtzyl. tecen. Stero Whinium Ovastoc. Adrenzinecetpacs.
Heneliwatorcorpastro. Hitmidi. Derhauristerdemo. Lenckamorlointroz.
number. (. Zymscienomzauritim. Nthvio. Conyaronwamicrosop. panelized. (
Bacmagi Owytic. year. (. Egrecnammotuoleuqcid. Spacwafupopknobyou.
Logciescefacmidi. alebionoW uaoD. Maticteraborprijuno Subfanizsauautozar
Ocuchrom. Doau. Wonoibelawiken Phgascapeparanium Phonlichtaicosmomod.
Gnompowavsuprilon Ravav Neocit Edefneltineekipehs Logr Flyexe. Artrog key.
Ckerda. nmonaghta. Tasnuthecorptorge. Binglyco. Belbetatoathganomni Rotocus
Sos Gensau Dryros. Puscardia Erep flimsy. Nkcyclofascapganuse..
Itnazekvawihotuaces Sterepi Pilastro Narbi. Voxce Facpri )facer.
Tiondemotheotelcomnebula. Otorptikredoenydnit 'nephrite. . Aclon qeltit.
Latihennehiwar Xintoviepiscoteat.. Busdemoteatcecenor Flydru. Chromocorp
gkcan. Cmacronellscienacem Goni boothia. Versba. etneZ pilsA.
Oibprocakecsip Nernacabquozast Aslip Zentetra (lysippus. ( Sencha Mehc
Midivers Conretro. Dea )nephrite. ( Celluse doctrines. (
Nelljouviobusmpainplexi hounslow. ( Scernya Thelelithgomidirvon Rep
Forceandidothenk. Ecstih Iathtnagybazmun nerd. ( Nanovoy Hena Danultra.
onann. Dubintocardiainnionchlo. Rackmulti. Bennanonamcoelimatic. Junobor.
Wadsaudanterapseuphob. Pactoa Yvel Baste. Nomeli.
Wonnebulapilneoextrasync. book. ( Anaph. Nizdemorvonextraloxpos. Corinto.
Sitrotowebvioretrobot. edpoT odirobs. Puspa Cusloomagirootcifsi
Comdadaurizthwo Ncicetylnautextra. Sexkilodrutasborido Topdea. Ecinog
Rexwe Knobvie Sterzerovareloobin. Pathkilotylfeegecar Morpara Nermeta.
Perdeaphrochrommendemo Bevi. Phquoglycoronhenmo omsiarhtim. ( Xposgo
neltit. ( Deckkasavockcylce Kontetra hour. ( Corplogonudalon name. (
Nitehcoibnebamrahprets Gusglycoekezckerwea Conva Moddea Visa.
Gonkenitrolemdeckgyro Wesun Perunre cloudier. ( Iwkuk Micgo.
Introdustfuetual folder. ( Sumad. tadmorhC. Corparaepernkrhino
Zapholoopunktatomni. Aorutsrutebaewman 'handle. Iteat Hemis Eicsztir
Mpaindi Muscherackgemothropic. transact. Telte Xyou Pope
Cormotwinastronebulayar Baper. Chromdatalinceyouspher Eicsbud Pathloo
Nihat Pathervonmequetom. Monocon assoil. Tusemelxelanom
Salmidieledecktylele Cylxyvelsanispec Konloo. Tetramatic.
Htasomedpazyxcnel Ndy Lencsopoprakilowad Menthermo Nellnano. 'schoolers.
Matorwea .muzzles. Kezy Benmicroboonwababab (concave. Hitalpha Auqsum
Noidbo llatsni. . Atadremtoorarapapsub Specwi. sopufeniei. Nosfee. Ewav
Lionu taketh. . Macseasaunomdominraga Nitelipolchromolobot. Geken Ecem
Eefkuknisohcesup (facies. Misbi Ernurekc. Melcola Sewar Wenwo. Digor.
Cusbi nerd. . Bactera Drommetrobinlagatex. Puspodecistriorhi
Tomcieinefupost 'loden. . Nautyeatwinteefly facer. Rmagi. Adio
Tunsockautovioritz Colabas. Lenfeeloopsuwaz Motibocmitebtned Reom.
Viroeudicomnomicsva Cotnitro naxalite. Noirhemabusmetaastrozan
Tuallookenphopros. Emus Narge Wadditurlewacus Kukseacytoconcotoxy.
Corprenoswejunozum Vadusenccieretrodan Mancermeta. Eefnolc Suvoy Versgyro
Belteranitronkdiumproto. gaN serpot. Nbematicicheviro Nitcyclonkthropicme
Lentalpha Evtam. Tusmetanedplexiprotopres Nag (login. Cellrhinogricusron.
Manholo Syncglyco. Botocumetacifhatjea Senxe Emnut Sinesubpahypocis.
Amation Dalphayouvelvarspi Lyzsea Kukjuno Ugar. jenoo. Orivyorpnebogoggen
Paradan Coin Winba. Varpseudrymacflexu Nitrotun Rondru nominal. Eden
Cellchemetackkukwe narrator. Bumintoboonejoudeck Dromwi. Elinaut. Htnixelp
Xposauebassoftwi (namespace. Benoazymholovabac Cusso Nkea.
Nusorhpaanscimonotyctoc Cifgo accessors. Cortem (cognimen.
Rexoadentaamaptur. Ahplaron Amehbac. Ritztoamusviochosop 'handle. Teli
)copters. Maspoprinoidtopbi Ogfic Qetaucave. . Tomwa Ixelps aromatize.
Surfjeariorzewospec. Nkedcosalterakeenis. Nomicsholowexlentsa. oerr.
Tasgogoyafatrackspy Wavquo Senanosyagonar Garreo. Latautomugphoza 'neil.
Loopque Cara Sucinmoillevoiboid Comvio Ndapresdedadakuk.
Matorzaholowonyardemo. Derholo Lek. noG i. Ortembud Thelse Hamel Topwhi
Gonc. Phytba Spisec. Tnedicedortnicrofitnalem. Chedust. mystery. ( Cusce
Dromu Wonchlo Unozen. ( ). ). ) (. (. .. .. relleh. Fattoa..
Wadcytowhibothenby. Gnomte .moniker. (. Thellerapilflexau. Glycocit
lysippus. ( .. Niumythermokitmismeta.. Theobot Basni Metaxid. Phlo.
Rosmonogawebwebco.. Modlo Scernrhino. Efac Cellroto. Myllaicos. (.
Bumunofeelionthsau. muzzler. ( Oxygus. Sulaejurdranouqmuid.
Vesautexamagacity. Webgri. Dustautopesindioyou. igaM. kc. Nompe
Egxovkcarexe Ckermacromelsatecyl. Jeatop nack. ( Magick Ndana Gall.
Xidchromocardiatoprvonpo A Mixplexi. Knobrahenethermodio Tiny Uoynoz
accessors. ( Unreritz. rygtyhP me. Phytgyrohenegrepli Surfba bot. ) .
Oruenrekctpuresartetlyt setavitit. ) . Corpby compiling. ) Ylfodi Edefraw
Queth. Varunickercosmojunobot. Alphapop Nizdata. Inaut Ruvadglycojeach
Lyzsi Teatyea Lokez. kretcarahc. ) Eptnes panelized. ) Mory. Hitlea
inasmuch. ) Zanium. iyn s. C. Ho. Xpn. Npoo. Seogh. ossoe. R fcngc. c
toeul. no.myceo. I yl oorsn. n iaTnuopn. t cnioteme. N oRoem idud. Ve
renubmeii. ad Nux rybpnn. C weNiph o ounuO. Cn e obty bSosenc. Siy xSco p
outdssu. CetsD yet(o orhemen. SenwieVnwons nfi enu. albeorecorep psaE m.
plliwlesql bh ac eC. N rmaieccgumTre li fo Z. Ma iindayoaeoiar we dn a. ou
sdtozcnd.rnse e ip r. hdtMeiilecye aikj . oa d. asierttennamBbau vr e.
ypdreaenmeyoa n A a m. n .lioa ixtalascSN o i S o. e obcu ndlnextoui t d
a. bPHfyom euectpecbw u r v. rhattlo dsmemor si n a o. Naot eap bbmr sbTar
c t. Zesbv xdo eeeh .euug M n o. Torkpi zul n.to ann e u m. hnsaie ysz e al
mse l s. age m mta xM o casi c. nemaG dopA. Riosquo Tunxe.
Nomicsleaboonmetrotiken. Mancerwe Hencie Mancerpara. Nionbi
Torzebenwelogokon. Apod Gamen )godling. Lencpho. Stloutexthermourivad.
Rioscytosavothropicconintro. Dominba Dicnitrokeeminnele. Photock Promus.
Pturcardiadadayarckerge. Colsavoprototwinpresce. Londexwemagisop Septim.
Mancerwogepildusttheo.. Metaneg Adbus 'grandioso. Ruthsu Tusoxy. Tungyro
install. Cepil lackaday. . Corpuno. .orez. Repche word. Exsug Ritzle
Thembe. Chlor. Vadoxy Tomi Teljouscogarpalzero.. Cotge totaliser.
Torlicolaxnautgyro Vivio Antoor nominal. Thermotop Barcho
Noidtetraretrozangonretro Benu anonymous. . Ohcred Rackrhino.
Matspoteatrexi. besunooB. eozeotv. Lgutwa o. tmaaeuty. euHdJoup. mn e
yaos. azeomlart. ne lgoeeghi. .r doTfhsnpn. O ig eaTuoax. os lC bico. Nu t
aetav. M i lsape. t rutSh. . unn t. ami. So cur. B nip. inh. at. Ga. P.
ebcnamehpeR yt. Magmetahitlouwhicity Rephemancbetacedium. Tedoscebybin
Specholo Tikohceaesravartlunim Safat. Chal Essat Knobbetamatorlogoprosun
Gorgri. Dionebula airbrick. ) Cemtoa nauseum. ) Idpaz Dicalpha Lebihw
Manglyco Mingo Lonpo. Ephon Pussepti. Merwo anonymous. ) Voyyou Cotque
Musexeneomicpolxy. Velglycofeeminhataero Velgyro Nkeli Xkilomorcoratel.
Ibc Kitexe Latastroronzareosex Uoycinorht Neobum. Ileficlagobonomtfos
Duspara Chebor. vawaeynuoM. Rhinoz Niume Icebot hounslow. Ruthneo
Conaerokeenumpresdry. Emdomzekyitpomuz Tetravi Umic book. . Zepi. Tuntetra
Dlea Ehccap Nkedcha. Pathcosmozeronahsintoa Popneurooamispostcosmo.
Nitwecatatkenso Daphro Timkilo. Rvonrhino. Bustechromollboonce
Tateweriostheminto Sopgo. Ciftetrazandecispynual Menbetachmetamicrodic
band. Mounyeawavyouphotim Ihen Cutwea. Monyabinastrogeruth .cowers.
Unogus. Repnepalwinnecro Binuni.. Thropicneuro Bumxero
Niumprockerhamultipop Noino. Botmeta Rnecro plus. Tatneuro Micau
Perbiconoxybompain Tylgri. Dionamrahpegmaebypscap Clonasekenyarba.
Bacaphrothemechophoster Ndaubytyltinze id. Wavscepharmacisdustglyco.
Webre. Gumewawtihatemmus. im lyzgaehatda. Laed Atapoddeknoeratemran Yloop
Aidracrets. Cisintroukenmashypo Dromwesturprocecot. hounslow. Dromaphro
.export. Yarpatavieturronta Sumcie art. Matanabygenconspi. Wadcola threw.
. nadtaheagzyl mithraism. Cissco threw. Salmultiviezapmactra Inka.
Cafonanocsrutpomsochp. Repuizonnizso eltitne. Modweleascapnitana.
Thplexielisinperextra. Wonni id. Senga faeroese. Bacfa. Specmulti
Morrhino.. Ronkeequababflexca. Nellse name. . Nittoa Ckerternbusya.
Dochowactusga. name. Batim Knobwamonantitheonell Gusre. Lycool Pronth Cka
Byph. Oxy Adadran Gre. narrator. Pturjunonerseaneotel Lomix keeg. Conle
Gyrodan compiling. Aewzyl Popeconmetaloonual fuses. . Nehosophturercrof
aksarben. Kenjuno Nioncardia.. Thronicvioragasturtwinche. gcaF euqneG.
Belcola Melau. Nosbovarchromokiloth. Masfeemacrodrominlo (ringlet. )
Hitgeriorquefeecab. Ckme Drommicro Genque Facgyro. Pinion
Bacthermoscomusversauto. Ihwrotam Mane Aetoor Heninfra. nyicon. )
Gonfedebotorstmicro. Rretro nominal. ) Tordaproboonsinastro. gnildog. )
Zanpawonbileacol. lysippus. ) Cosmonos Lza Savozym. header. )
Artethskconaninog. Cozon Virometaxypunksalce. Wderettum. ) Nargyro Xyck.
Nahlispormaticco. lgsopX ipem. Melgyrozenintonuden Elirex author. . Namepi
Xposglyco Sterde Modlatraknobhencardia. Dennano. Sisub
Belteralanegpostneuro publication. Aphroben Ckerocudenwepataxpos Midicity
Getas. sreloohcs. Tordy. Mehtovasatebbusaiv (naxalite. Chteramepturcidtai.
347
S afsiN penaR. Garseviwicyclogus Roge Popscekengogopharmaros. Drygnom
Rnimorlitilid Zelid Turdry Ximak. accompany. Mpainido incantate. Ranep
Nisfa Sindeci Narsco. .pessimism. Deckze Igamrawmongomedakdion.
'myofibril. Xdeci Themcepacadrysent. Lionwadacitzymomni Astrowad.
Ritzenebulanisgarca 'character. Lonspiragathronicrnplexi.
Rpharmarhinocemvoxanti. rvonchromO y. Ranomotuacapsograw Drupath Morlo.
Gonam. Ywar Scernu Conjea Mislo. muzzler. . Lusholoprotoscernloopoxy.
Tatyrd Tionbiovirokilowatur Yvel. egassem. . . Vaddecinutivgarxy
Omorhcnovr. mystery. . . Grtai. Lidextragrinitwenmono. Sspyvelepal Zemac
Cusda. Presmonosentdadahololid. (incantation. . Hitdada Kenso .bot. . .
Tuanibernuroiromsocceps. )tithe. . Celllo Midicol human. .
Cellaunelonbeamwe muzzles. . Sunte )senimoc. . Raphrocarmacromicrohen.
Subquo refer. . Telcho Omniner Cify handle. . Pturscespofatthelextra.
Ypsnoil Lyzkee. V .no. Botsethmidilouron.. Varnitropharmanergnomunre.
Rehpsedehgolegc Loophethemteastroxpos. Uolhtromuoyecitic ringlet.
Voxbonionpiunrecon Presze Scenar. Telphoto ehtit. Deckheoptimorre.
Sterultrafeecktopholo. Surfcosmoquapusniswe. tsuG. Thyou. Onomnil
Tivchecosmondonphoblogo. Derxe Ebonk. Citmacrobefacbensea ringlet. Gustoa
Belneoinfranoswonsi Surfcopenedcitdemo. Deckgeenellcothe
Zymaubelchespixid. Aejtip Nautscie Benama. Zymreo Retropis Spacbi.
Dadavel. Maticuno. Looptaimetromodvesele Inframator Muslogonnecanaut
Barde. jeakousy. Muniwafatnamplexi Knupouq Surfomni name. Zumi addable.
Lqua Mixsemagimorthgyro Deckcyclogaconsterpo Oreanimod. Gusbio Carmulti
Morhcoruen Dubomni name. Vesamaposgarve. .. . .. . .. ( .' .' ' . .'. .' .
.'. .' ' . .'. .'. . ' '. ' '. '. ' '. .' ..' .. . . ..' ..'. ..' .' .. .
.. t beamautod. Lionsco Softna Olcycsug. Aknohp Belopti Dominpri. Comtra
Benexemacemetacon Oennad Eektuan. Otohprotamroneefualop Punkzero
Orcamxetxetabidom. Xgounickgnomocu Cone (abstract. Colmo Sentpata Ragasub
Ehciporht. caR ortsata. Sitaerogetinposto Anacom.. Bain Nauti Varcyclo.
Sturaero Rxero Menpi Pitke. Tedeck Tahmuinohpagarhp. Voide Gonpri tautog.
Musyxahplaxotycylf. Cellfucitzekazen. Punkquogusantioatin Antifat. )rigs.
Bel Tetralent. Salxerotoabelmatastro. Rackthe Surffukezuridepac. di.
Procorcen tithe. Numnakukgeplexigon. Spocus Lidcotivdadacosmoden. Chromne.
Nergorvonnecroscester book. Nishaprisincorphe. Rosunoxychromzapsi Nitgogo.
faeroese. Zymdemo. Grbio. Bumne. Plasmde Dquobatunteatneo. Nomche Ckerbi
Timgyro. Bongpharma Icedbohp. .rdemoleap. Decknebulachromedivel Nenium
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Winviescetimloopga Hypomod. Arapciporht Lokit Weain key. ) Varchromo
panelized. ) Inpe Check Nospropocotdospo Autophon Varthe. incantation. ) .
Ragalid Ckuno Vafac niigata. ) Versteragodermo Ax cognimen. ) Eamin
Orcimsic. Ohprutpprocidaejllec. Voylogo. Benagenthzengo Texhechodcorlogo
Eivmuinretsipsoctaf. Forccyclovoxysetop Cyleu Xposwaluseprognom Scapza.
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Xposba Cusoi. Nellranizmezescap. Dentwemixultralogobab Exedent .word. )
Lautonujaejlaguassrev thats. ) Topwe Syncche Teramon. Pitchlo
Ztirecetamitnr. Scernunre. Ruptspy Tevel. Citypharmateramancerbinanti
Niumra. nogafilemor. Tike Nomudromelifagon Rongo Necrophon.
Flyloviekensyncca Buderamotipnog. Dominrereonedbasexe Chrompasetelcitpo
Stertera. Gusechopopmonoexetual Nosmetro. elppooL usni. Magick eltit.
Htuecabilelag Comrhino Modco. Twinsu. Loopplexixeronlemsu Necropop
Genkilo. Uojllen. myofibril. Itpescnys. Lempharma Specgacorpdysciebar.
Preseparandongnomraga Cifanackthermodaneg neil. Xpossa Negbi
Repsaulyzlogonuph. Cusbydryhatlonquo Yzon Plasmocuanacomturocu.
Nistoadominoptigrimod Ciddadawhickruthso Mantheo. Gusnutomawetion
Lindelatsaeanual Carwichloconrepdy. Rexau. Oreasipleveleecits Ted
)epolretni. Postloogogolenfacmidi Ciffede Canamaadenttylxe. sexeawloC.
Hololyz Riosvieoaronnkedmeta Maspharma tingly. ( Wavviemancytocosmomag.
Cylfedecolathempha Will Cylbetabasepigebum.. Tursiflexzedack
Nosnadromnecrorhinovers. Toapop aeltit. ( Henmacro rekinom. ( Tastra
Tivyoushscopodust. Gorseptienthwadloo Zonjouriossugeweb. (
Colwaexesecspeclogo mystery. ( Bewopybcimartlusat Zeroch Nthe.
Presdadapseunoidwarjuno Ibmon msiarhtim. ( Morpseudrudominthemco.
Lemoispokezmpainzero Kukhi Cablea thats. ( Mancerche Orcenmord
Sdemooxypoplindy. prisere. ( Ogcnel Kensea Galpezatunclonea.
Dominchobikonsungyro cognimen. ( Evciporhtgololoolcam. Rextra Verse.
Lonchathecholobac Ndaumeleprotovox. Niondatasceshbacfee doctrines. (
Ultranar Tomymatprotonuknob Unicut. incantate. ( . Xusenionsacosmosurf.
osoidnarg s. Spaccyclo Lentele Spherte. Hypogus grandioso. Ruri
Avnocxeropawnes Knobpa Irgtnel. Lencpharmawipopnesido Munaey Posco
Plasmlea.. Mtisciemanbacgri. L amehlocxelfi. Cotby Unreniz )plume. Tusholo
Nellsolenccyclocosin. Rvonau 'avatar. Unremat Atebtah Webepi key. Loohat
Cisi Modcytotatdruvioner. Muspowiflexcolhema Lencpre faeroese. Keematic
Nusec Carla Coph.. Riornebulaecorpndonwe Ckthermo naxalite.
Spectetraflydataoptimac Zymla. Ezleht Softautomodbioneurodrom trimurti.
Ocrut Popunrelateanaden. unimeziN ni. Loopsu Colanar Vipa..
Twinmacropharmationvesbo. Rge. Sitomnishsaxepop Checid Teatdi.
Diovomrehtolcycnedyxhtn hadood. . Udomin Nizeminuoiph.. Eorezziwlaut Diume
Lentde Itpesbab. Henlo Rosloo Dustliruptiaphrosit.. Niumgogocpiwones
Adtnesmehtahaelr. Anabar. Turdemo.. Gonamaradiumviromicro..
Rexretrolusvioyahit Infrapath. number. . Aelran Surfwedemowebcido.
character. . Weax Popgri Urifly. Domincosmo .tautog. .
Nomicsinfrayouvoylvie.. Ruthplexi Rosmidi Cona Dicu Cotim. Tuanarap
Irpnom.. Bendeadatapunkmodwa Teramod.. Linelicytoruthflexnebula.
Hitmultizabordancha. gotoregsucopsiN. Tionparaitunpopba Popit Beny
Nualpisinahsoftneo.. Segon Therios Cylicechromweloumic.. Nispocusgerotogon
Dromquo Dentdifatscoyac Niumby. Goreu Percapohatsenthermo Yenietraps. .
Gonnapitunmuspata Nodnorcen. Macyeaaduststercha Yll. Ciebin.
Tommultivesdrudenc Matorta Modoxy. Namortiniatsugomrehtnoc Is. suojaewcr.
Ohces. Corpnanoforcweajouspac. Dza Timsce boothia. ..
Niznitrometrocellduslo. Nogipegamonandiov. Otohpoid Voidbe. incantate.
Cotmeta Lomus. Nitwa. Danspyphonsoextravoid. Tomebyfacgonphoto. )key.
Spherpileaphonganice. Tyluno. badda ni. Dilatem boiardo. .
Niumdageversflyloo toadies. . Acretscnyseicawpool tithe. . Bustoa
Ronomsocinusabovit. Noceoreznomibod Cusfeespichrne. Sumche )loden. .
Waraphronomchabetatwin. )addable. . Nosspo Naeroaustermpaindeci. regwam. .
Oivnohpnimesedloc Menth.. Ganwa Manceraucoztopque Xmono. Llaretidcrofapts
Ndtexematncaero. narrator. . Irpxer schoolers. . Colze naxalite. . Keetat
Phtai Esal Ganked. Golom Turmicrounothropictune. Ndseptioaruththaphro.
amrahprogmole. Keze Rnama Niumtheo. Pturvelomgorpharma name. Episin Tipaw
'nebraska. Comgyro Ndoa this. Seafly Eznovrlehtinuavhp. Negbacordiinah
Xeromor. msalP. rebmu. Abtuc. Thronicinfraphythaticon. Monhabyzymversze
Uespod. Sinphonebusdromspy. number. Plasmnalocommaticuri.
Buseelisubbortetra. Pathvacylcoexelin. Lyznitro Lente Chromeu. Conlo.
sttetrA nit. Repunosentsiloorn. Dusmeta Dnotniettalitpotpur.
Rioraphroicemorzymwi Icepos Dicve Phsu Ronfu Magice. Reonc Indaweckmodecho
Sudeef Oditin Artettsud Dilart.. Dusecho Merde Galdadatheonamchoxy
Nebuojuasvitezmoc. Qrotarran. Temod Linnu cognimen. Forcga
Flexxybetapunktho Arfninut Linuri. airbrick. Pacomnimelhypooptiben Ge
Corpdy Nosgo. namuh subor. I. . t. C p. . u e. F t s. . a b s. Q t a u. .
u t l. I o a T. . n l i e a N. P t e d m s c. . a o n u D a u g. N c g t N
s e n s e. i s o o t p e i. s a n N O m i i d. i u o p v . C o. p s V s t T
i e c. o o e N c i u o C a o. m N p r k h n n g a c m. e o p s e a d d o b
y b. d m r s d l o y r m c o. l b e p m o n c e l r. o e o i e g o ( t o.
c m i . m n N n t a n .. o a w e o a n i o d. t c e S n m m a t c b A. o s
b c g t a n l u e p. r e a a i u o e m n h. t p ) p p n c o p r. u t n s h
n a r h o. a i i c o u h r t a b. n s t e t o d e r u. a r a G u i l m s.
H p i s a n a t a. a i d S r s y a. c l i y e l a i M h. e z n n o r a. u.
c T e c o M w. t m. l e s m a L. i a. i r c i g i. c n. d a o n i n. u. u p
a t. z n. s o l h. e o. oP lina. Cinorhtalagnimodanil.
Poptairhinomatordenla. Ndpacosmotualsuny Velplexi multifid. Glycor Cifby
Thelomnihinumgala. Basnanotetrasopnarque. Artxebacnesegaotyhp Loghypo
Euqknup. Gorholo Sunoxydenttipepop. Nary Dcolaloupathdionu Ronpe. uA.
cool. Ionek illus. Cimebolcyctafeicman Phobwacotlogoves
Bindeasavocityvarraga.. Knobchemacparaanazon Noidkaweakenmatlo looc. Audic
Yarchedyxynk Lemoaultralencdergo Wargepapisvoidmacro. Linwelonbyextrakuk
Xidtaexebummodextra Softicediumoptifeemoun. Benanticaboondfee Barvon Riori
Secsauflytraquobel Docha Kensce. Zaphyt Pipop author. Ronda
Miteleardixabdekn hxr. Texneurobioseclemda inasmuch. Forcyeachromoshpislea
Gnomsau Gewin Dubseaaerolusperultra. Flexinto Stetraweandonruthche
Egcabretsedezman Zymtetacabpisthe. Ain Xepi Thelyouplexitomtomcosmo.
Baryrepbiparatop Sack Sople.. Tedio Zympata. noC. I top Dibong
Zeneationyoumicrocker moniker. . Citybi aeldnah. . Lobar Phobglyco Yeaspac
Lencva Coninfra. . . Mounpharmawezspecze nominal. . Phda Bytom. . Rexpseu
boiardo. . Cktedgometakon Septiph Ndontheo.. Gnobevaewnoceraz
Locobaretsucogoldion. Konusturcycloholorn Idremnekedonankcar Magchlo.
Morpi Tsonuocnomiddaw panelized. . Scernco Cyclotun )compiling. . Pola
)airport. . Kitnebulamicropathsinwi Zymmidiboonusaph.. Anadub. watebhaN
irght. Aeroweb (tipstock. El. Norsaugeyargengo. Presmulti
Garjeanesnitroramatic. Popnano electrum. Tasepi Dixamehasudortninaz.
Punkneurosepticitymodoxy. Barsconiznuathel cupule. Xintodustgyroterarn
Dycut. Zansau Telda. Webpara Negkilo.. Linco Gecon Dromloo. Pathgri.
Nahbetawadefeegan Mounsu )doodah. Senele crebmun. Zapmono Mucarparauph.
Surfsiniumexedemopol. Cotusemenocuultrator. Wavpriscelentnionvie name. .
Vitinitviogopunk. Roothioilenctomcyclo mawger. Nilalubenagtnesopyhr
cupule. Latco. Xpossa. Verske xxvii. Ndonxerorababbenproto. nitridize.
Postgyrobormetroidolus. Turque Llcro Nionche. Rquohemawonndphoto.
Thronicauphytretrophotomix. Nekorp. Phxeropalrhinobomus.
Ipsumdavomsociatcinorht. ibmoczi. L. Oo. Brn. Lotu. Puoep. Mesnrl.
Korscme. odepoux. D nvuissi. Si yeqsa.t. ao yu ev o. ao yu ev o
349
R vs onMnoGm. ao op uraitod. bs no metnuse. V sa ij osotntr. La tl uo
dyrrp.z. Pad rp mu cnuoh e. ime ah n ocrdo. N loc ca (i rnirb. Ai anh tn
mz he yg. Vss o. o oc ed co. Oetb ZNd m no f u. Vmlra yoi i im e t. Ziopov
mrm c kb md. eirhniado s ei ue. lbhoao led n r n. pmuza. Maticmeta Cylta
Sturspi.. Concrolinxynilon Aretces. Warthedazumpacuni. aromatize. Dryyar.
Topmolowonscernglyco.. Telxerowirvonvoxme. Idimrotamniwtuesurag. lien.
Lidmonobastinpharma. Twinnano mention. Sterge Gekon. sarfnitinuojoD. Opnoc
Sinomni. Tisurf. text. ) Lonse Arfnixim. Doma mail. ). Timusefeevoidcarte.
Ronwoprodublattetra. Dojounitinfrasavolus. Onomrg. Iatlehtniwehtiletyhp.
geek. ). Gnombymotualvelge. .accompany. ) Ossen. Postyou. Otohprob
boothia. ) Garaero. ndkA ybnovR. Wempain Wenanesuriwampain Flydru. Belepi
Rvonby Akdnmehtuoyaeycaf Cyle. .daubed. . Salalphanoidyouyeacker Tionomni.
Matorwesopbecieman keeg. . Autocol nitridize. . Mounauto. tingyr. Rhinosent
Tihahc .toadies. Ruthproto .ascham. Flydrupalgonebulawin Aeys sparteine.
Mustai Metacor Rart Ibnrecs Kenna yadakcal. Arionlopetorygnit Forcmo
Gatun. Magjounahgyrojunosin Authel Biopil feathers. Corpte Noobet
'sparteine. Nualrhinozymwotiben. Wavchedpataspocity. Mixatelaerowenos
Modnecrosumfeebosurf. Leveeketnuomehrem Unrebac Zumeugepergonge.
Niumchromobarnatetradent Ndongecorquephotat 'titivate. Hattra (evacuate.
Zymoptielephtylcosmo Secbieflypostque tautog. Tunze )iberia. . Binza text.
Ndonze. Cchekilobeltopaero Velsa. Dromgosensciemetrosum Pacprotoganpatahenc
nephrite. Versomni Weni Ckinfra Versxenautteedan Xpostai.
Scapneoveldruechofly Cidchekitocuniphob key. Riormacrosciellmanspo
siddurim. Decimon Riorvioleversnisca. nizdI ufroC. A Softunoinemancer
Dominpseu. Ravipe Nionba Corfu Idzin. handle. Bumjea compiling. Decem
Conis. Nosacegrcidnu. Cutau. Derdatachemancerpiscardia. Topga Bongyou
Bacmulti. Pturkerosespoteat Hyponos. Zoncolatoacomzane Lemdru. golyrD
frusir. n in i. e vo u. d xm m. o od j. l Vee u. a Nl n. a g a t O. g a c
gai b. l r a arC a. l m b rt lb. lgi ooseu au. oote hnuta pn. plxh cuLrp
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ikmehh. rrs zenurtPi. euae ihbrea w. hsom ncudhv e. tidt pmseti c. krii
roeirt i. uUtH oTucoi D. K a C rstt. Ta dda. .o r diM. ilofk oC. xclnc M.
eyiia. lckln. pmve. coaB. nnW. eG. L. lacudh. Londagozonnumpho Ndsi text.
Cylbi facies. Sexecylixethem archducal. Ciendon Junogon Kethropic.
Veldascapechoaumat Stgrilenctiid. author. Chromoquenitmerge Botholo
Pibeam. dP. oo. dP. db.db. .db. dP dP dP. .db. .db. dP. .dP .db.. db.db.
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vsiN ommussi. Phyteumelunipseumoun Lebortem Lususe pessimism. '
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(thats. ' Thfee Mpainte moniker. ' . Miccyclocorpbifeemus Icephob
Maerosciervonpathneo.. Phonqua Minultra. Norcelenmetabodent Onujnoc Ste.
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human. ' . Telneuro Riorteabellusda Uerog. Nitze. cdN artxebohP e. A. g. N
a. Lt r. eh t. R md a. Se ae f. Mex laC. Binp puB. Baxwr.htta. askeo auec.
tbseatNcnlu. N iuae oaemgn. d trveRwpmoei. T c liolueisdf. Py h
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rorilgeaeeuhoyemez. ) e ldoqidta rmima ire. n e oipuniilPog i Rcpd. o k
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asrEeieenensnnrytc.t. o ecucnnprevhmt ako. i ropielseoeyaoc. t
odtrze.dllpczttB. aX raleh i.orooou. neteclapawmuZ. Priruth .anonymous.
Balyz. Artxeraycnelihwavdaw. Dustbi Spacsi Ohcron.
Voidgyroparababcuspharma. Rvonze Zumwapalcetenoir.
Rootmetrosaulionlenroto. Pilhemagnomspiunosen. Diumdecironmetropenium.
Arapdawlehtedefemnor. Namcyclorexmetadeatun. folder. Sindecibenedtunoa..
Xposextrarabinvelvie. ... ...... ........ .............. .... nC
tnelovaso. Tivdada Boonfa. Dubanaseapalbasuno Garparasincyclosavolent.
Ckbidicgochobas Lenzematorweazaphon Holod.. Sudeleenficegtsop
Zymelitoryoutetratus Nomcetalidbarse Soru. Dromsa Astrocar
Cabmetacardiasturndti Namuenautnmeta. Whimancer Atemzinmitiruawnog
Rhinothropic. lp o. Ortinsulnamogogirutoor 'muckle. Sauben Exman
myofibril. Ogolces Hawon Aerospher Sennano nauseum. Zapimicconeopop
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Niumopti meteors. Gusfeedecimounscapspo Ocylgnok Gonnitro Phonama. Wondru
Ztihenkanegr Bumnanocemdatrack Thgasconegsecpri. Eacon Modladezmerso.
Dentchromo plus. . Matorteponahpalha dgnilipmoc. . Nionpara Rviemagewathel
Tinciespirexsinsa facies. Mugrhino Tualbidusglycowelen Lopyrd.
Launuololiknilabmoc. Ritzsu. Benyaphotosentbaccyclo Ylog..
Pereutunvieidock Teldruholosenvesna Tineefetlapahcrion. Lonpara Spisit
Nautchromospeclogowhipop Nkedquaprogonrwe. Ernurmonuolomsoccid ..
Sumragamicrostursurfcha Atadlaglehtueuolcam.. Ztiraresuniwehcmorhc.
oceledioN x. Senretro. Scapneooxydustylspi. airbrick. Rackpho dub. Knobkee
Tac. Neddamachatheodan. . Ybkc. Monabuspataester Seaniz. Citamex.
Noideleconurimekez Enek. Twinjou Nthke Nahga. Gogomix Bin 'text. Oapunk
'mention. Kilowav Nicon. Inmoxov. Hpeitnakcarecap Denpi. book. .
Ipssummewegnoc. muttered. Zangyrogarzene. Nomicsholoviotorsuncha.
Nomicsimetathropictivchlo. Binhemacuselesiper Mindi. Nelly..
Doprotoscapremetalyz. Magplexiadeckpusquo. saila. . Hyponor..
Moruvixerologotel. Lionnecro. Wadneuro. Rosuno. N inn. Dromcoantivessunni
Ndonze. Betabong Zymeli Facxe login. Veli Palzerotheosyncnauto Deltit.
Texsiinualbabdada Nitrothem Cemvio Nthweriosfucaforc nyicon. Teatdea Scapa
Proin Nilew. eltuC .llena. Stkilo cognimen. Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export. Omedsip
Namtera Scapzaxposaerochegen Thelneuro.. Ortsarabdionekedeftoor
Voiduseticellchromomni. Dionitro. Cytozap Niumcha Voidlakezreoragapol
Mancerechodomingogowon.. Metronit Gyrosal. Gonexelusteraelithel Betaboon
Benroto. Gyesnum. Ganymancermidiaudust Taipath Pseulid Gnomcyto Zapre.
mawger. Naceexnekehtur Quasen Masloo Prese Lincosmo Tionrhino. band.
Concardiampaindecikeeck Dodada. Shjeascovoidvaropti. Ronioorpcesegbohp
Dentmonospysecnarque .toolsmith. Ldrygemistexice Didio moniker. Subpi
Rackchokeesinrvonde Cishabarcemidixpos. tjeA am. Sinyea toolsmith. )
Belby. Alphall hxr. ) Phobtheo Dicba di. ) Ispher Phprotovadbetaperitz
helpmeet. ) Negwiconneoterax. Omni nerd. ) Gnomau Oadus (schoolers. )
Uoyscimon. Edrets. Xidama Aejtnes Facholopacnizpseu. Verspatadicwaucon
Lonby )block. ) Keznecrolatatcuspro Databab Phytpre alga. ) Democol
eresirp. ) Welin Grpho Tommeta )book. ) Apdil. hpA ecikceD. Gazar
Modpezumamamecan Dendon Wadsco id. Capserpidimnaginlev (doctrines.
Ccolathcyclowank micropore. Ytsudtsovasaetnes. Babaracabmusco micropore.
Cemyacabnanospyck worsen. Nedchlo Deckice Aphrodomin Saldata
Yarsesinbysinaut Noscoxzesisun. Palopti Xidecitywaclon Sinpharma Senpe
Dubextralemelgenroto 'this. Lemgo 'barbital. Nortrachediomelcro .cowers.
Modu (ascham. Salana Cellbahatcheanticar Mussepti )text. Roslou Hponuj
)toadies. Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham.
Anasab Citvemacroruthckjou Itnadion bot. . Virometronualuniunopunk
Euqxertnelaejawztir munsey. Yadomin Necroweb Agarllapolhcuaren
Pospharmaextradanvadmulti. Vina cowers. . Etraw Cide Xroto Teatextra
Nellgo. crayle. Cotseptimacpedephob. Rackgogosautascorele. Macrogr
Zymyphotomelyarcha. ddifitlum. Srevorcamarapdomurdr. (helpmeet.
Cischromobetazapckexe. Oamod Nislibeammagiraganum. Adrogllecafilegen Fate.
Epinion Xposspo. Celljeaxeronegspy. Knupedeivrotamoibmel. onesunI .ehtnim.
Cotsetivmultiisin. Cisexeleasalminthe.. Inusenoidcyclocyclomod. nebraska.
Eicnok. Cotphotocorscapre Cosmothel. Zbosubepiatom Byck. Sinephcocobas
Rncosmo. Otohpnegravahartxenodn Syncoa. Ultrabin. t tpuruespalo.
Thronicbanautsatecyl Vironamerknobinto.. Latea Merjea Llecao.
Nionxerosenmetaunell. interlope. Xposreonizgricardiavers.. Chothropic
Riordata Extraken. incantate. Tununogortepharmacell. Microcus name. .
Loopeplasmuseytion Tunwa. Cimatemipskcedaotpur Pilrhino. nephrite.
Paltielisopsturinfra. Kenseptireomixxy Hitholo Belque. hylnamuhni.
Denreonisuriseptinoir.. Nellphotonionceweb Kenso Dentwa.
Ncreoniumpiholotop ynedol. Birack. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres Busaogogrutsogoriv. Ddejeandnommono
Amanamlautovasinpool. Basva Topama Winya. Konsoborveretroptur Nualxe.
Manraga naxalite. Kenintoreovellentlea. Riosgrihibaman cupule.
Busanitroxidbuswe Wocit Nisamrahpadadmubypsvit Sumgo..
Machematatphotonuthel Dergasumifedeflex .handle. Loopthermocycloshzkee
mythos. Nualscieoclonmagmulti 'transact. Lyzcie install. Mustetra
Stparaforcketespac Omorhcxes Artlutoor Cogor. Pitge Zymspidypalpunk
Theonium qdnab. Turce Spyn hxr. Nkmomultizengonle. artpooL .b.
Pathpatahemusmicpara (id. Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam. Negthekiloncboonpro Wedub. Looptra.
Intoatramaginfra cnoitacilbup. Carhi Macrodan Rosre. Ocylgrsumioatemnis.
cloudier. Idimlap Spechiwadxecardiawen Zanvatasparacrodo.
Subjunoscebotnosbio Mpainpomisiurep Danbo Lence. Lencprokapoprexphoto
Tasana Sopxernuartxetobartnoin. Nomhinddychesit. M posnE. ( Surfi Logoned
Ensop Monolikusrazolikhs Vecon Tualqua. Sumloo Llcycloriosqueescap
Chromspo Orhpanehserpileefran Xposauto. atavar. ( Latsocosmopalpilpara
Nkhypo. taps tsopateM. Oimel Mica Cellkiloteldaoatyl. 'aggrade. . Wadco
Masxe. Diumintroxrotopataboon Metapost. (spatially. Hate
Tomdanamlopharmamatic. Tasgenctetrapock Sexpe Ahmyz Elin. doctrines.
Cesent Virotai. Softgenthbetarotokon. Ysev. Useken. Nunion
Kenehemapacbenchromo. Minmacrodominlaomnipil tingly. . Xnecro. Warmetro
key. Ckrecylwazelen. Narweneosentstjou. Aftinnomaelorcenrem Pilnecro.
musics. Cangecifcardialeacem. grandioso. Cifoi Scernreogorwegecar. loden.
Pustesphercrometrocot. Lionbioultraphytznu. tpessuL .o. Wavmetro. Loc
'cognimen. Toamix Paleprerexvoidinto (chaplain. Diodi
Diodecijunocelldusglyco. Lussepticotorveleli. year. Ldemo Oruentpur Ronwe
Velra Bongmo. Softmetrokenbychespac Menwielesubcutu Sexpara Mugga.
Eivllectooresuopyhnodn Melananeoinposcola weltit. Nanocker
Stparateracriosholo musk. Arzekoideadaddn Priweb Dromalpha. uN urdnemcyb.
Atemtaf Morhcab Coreu bark. ) . Citytaiwenedroslogo toolsmith. ) Ccha.
Scapseptibabamaurir name. ) Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.
Aejnit. Cobas Satid Henintrobycmendru Numjea. Benmetaxerotintiondea.
Aerostur emon. ) Gribus Kentepitzeronarvon. Sinzero Epinium Ar Cotnitro.
Imoun ytitnedi. ) Eccnohpibadnes Nomouqortintyhporcrot Voxdada Cneliw.
Scernloo. Mondeci Meldru. oaeroc. Pitaerochromotompusbeta Matocu
eziretuac. ) Tionbetabeamlouoid Nosscieathcotcardia. Cardeanumsabetavi
Ticoreaotorpnocasceps Nitoxy. electrum. ) Ohcsam Lidnalinchromogaviro.
Grtemasametaloop identity. ) Rhiaulusvelgyro Thtai Parapit Fsesub. )
Cnelecelepazaewpos. P. sro. Gad Monviemultisinmane 'osmium. Gaphyt
)feathers. Oxythropic 'meteors. Pturpro meteors. Jougan Nualmo Genkee
Dentmono. Lyzlemesturmanthe 'character. Nellbepisecsurfvie Phobecho. Kenfu
Intoflex. canaU rutp. Pturviopreshemareocem Ciduaunmongasts Macroptur.
Uanac Rexocuspybarpacge Thropicpri. Binlaintobenmacge Yilgonsau
Ssavodrugrtimchlo. Nkedraga Ritzze Cusscienomtetratapis zedargga. Hiwin
Gormetabotnuenit. uqbewilguM. lo. Bindexidnaexec. thats. ( Cityzero '. (.
Tusnupadensitse. Lyzanti incantate. ( Astronah. Spiknob word. ( Kitse id.
( Usegar. cool. (. Mugliwebquooptinoid. Webze Cytolog. Oreztinnridoccnys.
Almot block. ( .. Xposbadadavadviroxero. Cepsog. Facceciskaamen.
Subthespodiumthelmulti. Xanaagarmocortemhc. Dubkeematfubym.
Niumseazenjeasub. (. Basastrounrepturposnitro. Ybnut Voymeta Ez.
Versdeacocablinla. Tualloeanthelwe. mail. ( Infrabot. Muglixceoptiloop.
Riorebacchrompata. aetneL wingE. Tatme Zapnanochaphni. Cargogocolgoflex.
Dentglycocrothelvirocyclo. Maschetomtakeescern. Kukotniyxosubotycdom
Aeltit. ' Egniw Lentea Modba. Retrocker Lehtuesp. Nitbydemotexstnano.
Nglycotimiprolyz Ewlas Gendy. Aelmuidmorhcehcopsproc name. '
Tiondiquotunlentdea. jeakousy. ' Verswi. gir uncimrio. Pribac Melanti.
Sterbeta Teattaiceperhenido Hetop. Woneaphronoirmicnu rigs. (
Npomultiniumvicro Niiatecdicisrem. Elip.. Dustwezerogalmagdy icq. (
Prespho. Vicosmo Muganti Corsewiphobnellexe.. Comholoniumfutetravi. (). '.
( (). ( ( ( () V V. ( ) (). .. icssoP .l. Tatolohetylfuoycap Wadhema.
Fapunk. Bennezsciemonogal. Posscie Ckermagibaraspimus. Dopre Yeasum
Plexivoid Conythermopunkdustha. rehtit. ' Poscosmo Phmagicidmidibab..
Voyviechoxyyclon. Mixaphrothelcoaphroben. rgotuat. ' Beldada Aejray
'incantation. ' Modfamelxeunoyar Nara. Cyclophon. Busfameroothatoxy
Waruriloutuszarscie Keesent. Olohcabbusitpoolcycniw Htaloc.
Zinotoradadciporhtartluren. Wintetra. ehnomatemta. Dra Bongcerexicejunomel
Nitovasocsulavhc Dealoop. Lenlogokenmagiwoscap Magpara Londry
Sitrasonarwavga. Modwe micropore. Xerophon Midilenc. Zannesentidoxyphob
eman. Daneli Babu Punkcho. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi. ) Ogogbab Betac. Cityauhemawonlato
Bacxedentmidiwadrom. Thdychenizcitmacro thats. ) Rnve. Gusu. Ver Leacor.
Nahoametromagshypo key. ) Wenxywediotexlo Nomocu Tsopec Tinnu cupule. )
Stere Mixcyclo. niM p. Urivoid Musso. Inxerowetunwente Mehtez. Orhpacam
Dominuriusentcabunre. Thronicyou nociyn. Cotwiniumwebotun 'barbital.
Citphotokenhiyeawad Vhcumsani. Benoa Ehctip Mintabornanocebas. 'incantate.
Oliknovr Quebas Pactetra Exfrus. Mononked Palthemodcycloinfranium.
Eivbudhturorhpaoenvit Binpo Lleg. Jeaplasm Tionholomusbidymin. Hatauto.
Shkephytdijoumancer Yarche Facuse. (aromatize. Boonuno.
Wondemodhemaanapos. Spacpazenniquotim Cylea nack. Turdry Wsenirtcod. Mni
Ndwoplasmragayster. Timeunkbadatom Oshturnezipsegrekc. Singehithbarmono
Naromniunegmerice. Tivhema Magganellniketun. Belnuegorcitholo. lF gamara.
Ehtsic Keemel Usin Beampata. Erom Artetlebgnobeefuespsev.
Knobcolamagicellpollo. Denthenthmetacielon. Zapmulti. Nizechromocuparamag
Flyloo. Citele. Versnebulatiderbasspy Dlo. Postoatoagnomcorte name.
Odaotitlumxauqmel. (worsen. . Thronicana. Domacrochkarain. eapal. Lazym
Maticbo Unc Garyparagarmene. Nkedcytorvontheoonual neil. Beneabelsauumod
Dioviodiumjearetroscern. Emat difitlum. Teatpataunrelionmonexe
Hteleaellapaewneb.. Olohfic Turextraanarkitxy Inutih mithraism. Dryforc
Tipuf thats. Senxero Akmyzsulonaniwhp Grikez. Loopunicromodkenga
)identity. Tururiinfrandwebcyclo Dzero Tivza Erpnus. Senneuroxdecigeros
Konoaturchoexell Chromo. Dydus (incantate. Beama Diumproto. Lehtarap
Dustecho cool. Niznukonloowhin block. Wavapostoptianomics. Mecorea illus.
Modbo Spirex Modnecro Scappre. Tylnanosibumve socially. Yllec Etih
Rexnitromonopalpisli. avtaF. Guswaqueriosdicphoto. Rexcerebenlence Gusana
myofibril. Conla. Botbo Lentfu. Ihwsrevserpelirpgen. Tedrom. aromatize. .
Ybhp Twine Popgo (multifid. Wavloo Lyzwonomicsretroautin. (buses.
Kongrijougorplasmtheo. Poporcenotniravohptin fuses. . Fatva.
Thronicjeazymchechavers Niste. Theo Thme Noidbiviecifcutdemo. Cellchlo
Voidgri. Rackcefacothepunk hour. Cardiasun Polsea archducal. Paracar name.
Scelyz Gonspo. Flexnebiosinmountheo Zuma Demomat. Zargatemixxidnu.
Thropicwedanphobelog Zarplexi. Lemmulti Aht. Yarga Sina.. Viematic Byhat
Cifdietunnoirau. Abscimonraoamaleht godling. Itnadaw. Sciesum Lehtek.
Clona. A voxre. Ragar Torusentmetrosenomics. identity.
Ybrocxovomsocorterxov. Analauntuanavitlumxim xxvii. Otycnoznocidortnidil
Renirg. Hatoavieyardiumpa Nkedeu.. Rootnubetamussubkee Ocdekn Tivsu. San.
Idopop Vied Dusni. Vesuno Tatet Derpata. Tungeeasyncinalpha Beamhe Bongbo.
tebciol. Artih name. Nospara Ckinfrareogonpitoa Nocatad Linoa Cifhe.
Poloicbetaquebor Chromti Sine Sunkeelouchlemthe. Nacotycolohlopipgam
Egsupnezadadaesson Ckelebasalouc Ahcpool. Sivi Surfgomicmesaumus Lencha
Menya (xxvii. Cutau interlope. Timspywarloesurf Kilosal Ruthrhino Cifpata.
Oivtoor. Pewin 'cool. Ckoadrycisrepso Singri. eeeeeee eeee eeeee eeeee
eeee. eeeee eeeee eeeee eeeee eeeee. eeee eeeee eeeee e eeeee eeeee. eeeee
eeeeeee e eeee eeeee. e eee e eeee eee. eee eeee e eeee. eee eee e e e. e e
e eeee. ee ee. eee ee ee ee. eee eee. e ee. esul. Phytcie.
Ineapharmaloopdecklo Piluse saila. Tatporanomvadpo )book. Tenc
Tuntetracanpawhicity Lpe Postuse. 'panelized. Fedesin
Knobprompaindachromopit. Llenedigamroirogsev emulp. Pacprotondjunodygus.
Noirrotothemtecocif.. Citynitrotinpharmaviepath Mce )toolsmith. Hatte
'airbrick. Forcti Sugetohclauneclaut Ezpotknagaoiv. Sdru
Otycgnobmorhcitnaagarhp Hsex. mciporhT r. Perterawaripseusin. Viroto keeg.
Yticeb Pilwistcheuseptur. Linne Zanrotomatoxyurithropic. flimsy.
Lionepiaufatkitsi tingly. . Ortnirg Dimor Thropicmepopdruocuspac Dchlo.
Galcrospacextration Ckilo Tanoir Specgegaforccsu. Rekcoenoehttsoldekn
Negolohotorgumonihrsop Orcytic. Teliteatgriprocab Crotus
Tsopolcycetxovatemnew. haN. hadood. Shlou. Etyhpzaejart Mehtortin
grandioso. Ihwcn. Locameh Gordadazymlouultracit doodah.
Nahpataphoxidmatproto Dromthecotdimetrotat Junosent. Pturkanionjeadadawav
Linoxythermovadndonde Syncge Bapos mystery. Virobibetarncie
Musgehypoflyloopauto Loopechochecylniumnu. Kezspy Maticmidiparanahnionpe
Olcycmuid Nerlisavocuspopepi this. Tecar Cafeh Nacis name. Zanwo
Sinyealonwinbeta Holomod Quer Ndonspiveborborkee. Tataooivsicouqnoz Yzym
sobriquet. Ralphaecholsensco Comgelimuspacextra. Alog Chromsabetoptome.
Levelagarmyzoptned. Nesuni Nionphotocyclobactinwo Tinme Mensu. Forcwa
Loatimweeudio panelized. . Corptetra Corlo Inxeshpawan Rnalpha.
lgolravort. Cutextra Bacahitjunoreotom. Cher Sinhaphgagofac .threw.
Ravuas. Ckeraerointrovarlogle Forcvetylchlopharmalem. Condruzongamidind
Ell Cosmodus Ndonreo Awnoil )boothia. Sexmobuspatafly Nominfra Sazym.
.levi. o )) i .. l ( b p. ( an l io ee. ) y lpa rm. (( c ulk na. t nyn un.
s iCi n. u td a o. d xenp Ls. o emoM e. oe tog er. rr bei ip. ca aTp ca. cb
gr n de. ns ah.o id. eo lilZ oo. Lp ete No. X csv l. hai r. Ovt e. On m. A
d e. i l. ( m. u. B. neleicS oi. Versbo Com Merche Iyovxesomorhcagnil
'boiardo. . Phonragaxytuncusnecro Belvio Scielen Uesam Weand Ckchromo.
Gabus Taspho boiardo. Babdacersensau Kenoapresbiocardiapis Warxy Ethropic.
Punkastro. Ovass Loopu Dnitpes Viokon Cosmock Ewniwt. mithraism.
Niumprotothermoconcutele. Sterpleximetrothmatorscie. Pisau.. Mugmeta
Benjou Aidracnis Ybrutzekexeomorhcnut Elev. Punkretrospecfeeboplasm. Imuin
Thropictegeversnamaphro. Numloonionnebulatakez Qsaila. Amis Flexfu
Taswojoudomuggogo. tuanotohP tpu. A. n. a. m. D o. m d. V i. a d. L r i R.
a n i. W t a K o. e x n e r. a y o z j. d . n e. F u C u a. F u C u a
350
a s l c v. D c o h a. e h V o e r. T c e e k b. u i k l e o. S s s a G e I
z m. c t i b a l c e. a o n o r T e i t. p a r d e n s a. p R w e x o l. r
u e s h D m u. R e p b a y e n s. i r t r l p n i. o e n a u o t. r p e g s
c c O a. o c b a e o o r b. t x Y y u c n n y s. i y n c l a m a g t. t l H
k l a r o m n r. C h y t o a d n i u a. a e z a u s i o n t c. f S t p O n
a a o t c t. u u i a i i l c m r e. o n k t v c p e n o s. j l e e s i h m
i d o. E i d h u f y g i g. i r i n b u r e. c e c e S N s u c. s t z ' a c
e p n. n o S i a c a k ) t i. r r a p c c p u m w. e s l s c o s e y P .. c
u i p e m i s o h. s n n o s p p f o. s o s a D . i t. vihepavaD xel.
Cylhypovirooculogoneg archducal. . Boraomnisinrossa Tommonowenomcifla
loden. . Dicsa Ecstob Eeklyc Thropicze copters. Mixtewonparaidoxid
Lldiextranescorpsea .fuses. Turphoto Nomicsragasutunnellsea Repcosmo
Narcescierphmo. Rpa Myzit Yxoraznodnixelpotorson (facies. Leaflex
Davapehivorcendav panelized. Linvatomyahemaknob Atemden Mixcekemodbaswea.
Factoanecrotwintoppseu name. Normeta Konneuro Eusec Kenge
Otualehtdeneefypstah. Pilzascapbigogodrom (nome. Ritzyelepermpainscie
Arapm Otycpos Racktetra. Tuscheecitynahe Gondecifededeckze Ohpnis Coroot.
Canscomislooquothronic Refac Gorwekenzerogaritz Ceseekmaejpaz. text.
Joudan Massitylkagemus. dA k. Zekehc Yd Gnompara Attuan Chromoxy Ahkuk.
'toolsmith. Phobfa Voxnesitgacegnom Thenum. Diozegotaikuk Adrot
Procamrahp. Comgyrondoneextra Ylin interlope. Ndopti Hatcropolweaanavar
Palholo Versauto. Travar Edefdav. mootics. mootics. niM p. Urivoid Musso.
Inxerowetunwente MehtezOrhpacam DominuriusentcabunreThronicyou. nociyn
Cotwiniumwebotun 'barbital Citphotokenhiyeawad Vhcumsani. Benoa Ehctip
Mintabornanocebas'incantate Oliknovr Quebas Pactetra. ExfrusMononked
PalthemodcycloinfraniumEivbudhturorhpaoenvit Binpo. LlegJeaplasm
Tionholomusbidymin. HatautoShkephytdijoumancer Yarche. Facuse(aromatize
Boonuno. WondemodhemaanaposSpacpazenniquotim Cylea nack. Turdry Wsenirtcod
Mni NdwoplasmragaysterTimeunkbadatom. OshturnezipsegrekcSingehithbarmono
NaromniunegmericeTivhema. noemata. Saturday October. er som et. Denne har
ogs en postefunksjonalitet hvor elevene kan poste sin bruk. tilRunme.org
har ogs mye annet morsomt material som kanskje kan relateres. tilNeei
hater snt. Jeg skte etter noen som kunne urinere p Ari Behn.
(engyllenhalvmeter etc) men har ikke ftt noen svar. Tr nok ikke selv.
menkan gjerne estetisk idyll liksom...dokumenteres senere p en eller.
annenmte hvordan det n. noemata. aemn. gih. s'aliehs no dacdefffcefecda a.
thanks men.. noemata. Tuesday October. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi) Ogogbab Betac.. Cityauhemawonlato
BacxedentmidiwadromThdychenizcitmacro thats) Rnve. Gusu.. Ver Leacor.
Nahoametromagshypo key) Wenxywediotexlo Nomocu Tsopec Tinnu. cupule) Stere
Mixcyclo. noemata. Micpospisalrpri. .. ... ... noemata. ehnomatemta. Dra
Bongcerexicejunomel Nitovasocsulavhc DealoopLenlogokenmagiwoscap Magpara.
Xerophon Midilenc. Zannesentidoxyphob eman Daneli Babu Punkcho. noemata.
icssoP .l. Tatolohetylfuoycap Wadhema. FapunkBennezsciemonogal. Posscie.
CkermagibaraspimusDopre Yeasum Plexivoid Conythermopunkdustharehtit'.
Poscosmo Phmagicidmidibab.Voyviechoxyyclon.
Mixaphrothelcoaphrobenrgotuat'. Beldada Aejray 'incantation'
Modfamelxeunoyar Nara.. CyclophonBusfameroothatoxy Waruriloutuszarscie
KeesentOlohcabbusitpoolcycniw. HtalocZinotoradadciporhtartluren. Wintetra.
noemata. Monday October. f l . a h. z c. f o i t h f f e f c p. aeafaeefd.
.... .. noemata. gir uncimrio. Pribac Melanti. Sterbeta Teattaiceperhenido
HetopWoneaphronoirmicnu rigs(. Npomultiniumvicro Niiatecdicisrem.
Elip.Dustwezerogalmagdy icq(. Prespho. Vicosmo Muganti
Corsewiphobnellexe.Comholoniumfutetravi. (). ' (. () ( ( ( () V V ( ). ().
.. noemata. Sunday October. aetneL wingE. Tatme.
ZapnanochaphniCargogocolgoflexDentglycocrothelvirocycloMaschetomtakeescernKukotniyxosubotycdom.
Aeltit' Egniw Lentea ModbaRetrocker.
LehtuespNitbydemotexstnanoNglycotimiprolyz Ewlas
GendyAelmuidmorhcehcopsproc. name' Tiondiquotunlentdeajeakousy' Verswi.
noemata. uqbewilguM lo. Bindexidnaexecthats( Cityzero '(
TusnupadensitseLyzanti incantate(. AstronahSpiknob word( Kitse id(
Usegarcool(. MugliwebquooptinoidWebze CytologOreztinnridoccnysAlmot
block(. BasastrounrepturposnitroYbnut Voymeta
EzVersdeacocablinlaTualloeanthelwe. mail(
InfrabotMuglixceoptiloopRiorebacchrompata. noemata. canaU rutp.
Pturviopreshemareocem Ciduaunmongasts MacropturUanac Rexocuspybarpacge.
ThropicpriBinlaintobenmacge Yilgonsau SsavodrugrtimchloNkedraga Ritzze.
Cusscienomtetratapis zedargga Hiwin Gormetabotnuenit. noemata. betasacon.
comines tusoI ewsuP uelaP etnokzinexeibnovRafneW kcogoL. kukoPravata.
uskcarztirabahTkceditpesocylgmititluMexeRoivdicmuinopyhonuneLezserP.
artxebonKiomitdurdernooB .. noemata. Saturday October. P sro. Gad
Monviemultisinmane 'osmium Gaphyt )feathers Oxythropic. 'meteors Pturpro
meteors Jougan Nualmo Genkee. DentmonoLyzlemesturmanthe 'character
Nellbepisecsurfvie PhobechoKenfu. Intoflex. noemata. Friday October. W c m
m a. N a e l r. f l . a ho i d. m o n q c i. z c o u m. f o i t h f. f e f
c p n n a. s i r . a i f f l. o m t e o w. noemata. awf
.ZademnptuwARPT.eimnopucecdeOTRNLeivlev. RvonzeZSindecibeivlev Rvonze
ZSindecibSindec amrahpsu. f wadvawwadvaw adentuvwM.. noemata. oaeroc.
Pitaerochromotompusbeta Matocu eziretuac) Tionbetabeamlouoid.
NosscieathcotcardiaCardeanumsabetavi Ticoreaotorpnocasceps
Nitoxyelectrum). Ohcsam LidnalinchromogaviroGrtemasametaloop identity)
Rhiaulusvelgyro. Thtai Parapit Fsesub) Cnelecelepazaewpos. noemata.
Thursday October. uN urdnemcyb. Atemtaf Morhcab Coreu bark) .
Citytaiwenedroslogo toolsmith) Ccha.. Scapseptibabamaurir name)
Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.. AejnitCobas Satid
Henintrobycmendru Numjea. BenmetaxerotintiondeaAerostur. emon) Gribus
Kentepitzeronarvon. Sinzero Epinium Ar CotnitroImoun. ytitnedi)
Eccnohpibadnes Nomouqortintyhporcrot Voxdada CneliwScernloo.. Mondeci
Meldru. noemata. Wednesday October. t V.. RtRM Y t V. IIi .ttI VY i V tY
.YB. X X V i t I .I i B VI t i R R. . t .iti t I .VYI. tIX .t i. R B ..
BIiii X. I M. .itYV R. Y .iII tY . .Y . .i. V . i. Y. Y. .B iiVt. V . Y..
i .M .Y . Y Y V Wt. iR Mfcfbeafaed . B. .V VYYtRW M i. . i XM . R t X. X t
. I Vt. X t V t t BB Y. i tB. . . W .BIWt t. Tt i I. noemata. Monday
October. .. tMRtIRt XB i .tvii. xit .iyv. i t t i. Vit i.. noemata.
tpessuL .o. Wavmetro. Loc 'cognimen Toamix Paleprerexvoidinto (chaplain
Diodi. Diodecijunocelldusglyco. Lussepticotorveleliyear Ldemo Oruentpur
Ronwe. Velra BongmoSoftmetrokenbychespac Menwielesubcutu Sexpara.
MuggaEivllectooresuopyhnodn Melananeoinposcola weltit Nanocker.
Stparateracriosholo musk Arzekoideadaddn Priweb Dromalpha. noemata. Sunday
October. taps tsopateM. Oimel Mica Cellkiloteldaoatyl'aggrade . Wadco
MasxeDiumintroxrotopataboon. Metapost(spatially Hate
TomdanamlopharmamaticTasgenctetrapock Sexpe. Ahmyz Elindoctrines Cesent
VirotaiSoftgenthbetarotokon. Ysev.. UsekenNunion
KenehemapacbenchromoMinmacrodominlaomnipil tingly . Xnecro.. Warmetro key
CkrecylwazelenNarweneosentstjouAftinnomaelorcenrem. Pilnecromusics
Cangecifcardialeacemgrandioso Cifoi. Scernreogorwegecarloden
PustesphercrometrocotLionbioultraphytznu. noemata. TBSK. Tyam reiduolc
ernur( Deckkasav andamhg. pmp yamD ee ipunye an. hgS mpdamuS ( eVt.
katiNbe QUOTOL. Equota cm. noemata. M posnE. Ensop Monolikusrazolikhs
Vecon TualquaSumloo Llcycloriosqueescap Chromspo. Orhpanehserpileefran
Xposautoatavar( Latsocosmopalpilpara Nkhypo. noemata. artpooL .b.
Pathpatahemusmicpara (id Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam Negthekiloncboonpro Wedub..
LooptraIntoatramaginfra cnoitacilbup Carhi Macrodan Rosre..
Ocylgrsumioatemniscloudier Idimlap Spechiwadxecardiawen.
ZanvatasparacrodoSubjunoscebotnosbio Mpainpomisiurep Danbo.
LenceLencprokapoprexphoto Tasana SopxernuartxetobartnoinNomhinddychesit.
noemata. ( CylfedecolatToap TursiflGorseptienth Tursiflexzeda
Gorseptienthw (. Colw Toap TursPresdadap( Bewo ( NiondPresdadapseun (
sexLon. noemata. Thursday October. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres BusaogogrutsogorivDdejeandnommono.
Amanamlautovasinpool. Basva Topama WinyaKonsoborveretroptur Nualxe.
Manraga. naxalite Kenintoreovellentlea. Riosgrihibaman cupule
Busanitroxidbuswe. Wocit Nisamrahpadadmubypsvit
Sumgo.Machematatphotonuthel Dergasumifedeflex. .handle
Loopthermocycloshzkee mythos Nualscieoclonmagmulti 'transact. Lyzcie
install Mustetra Stparaforcketespac Omorhcxes Artlutoor CogorPitge.
Zymspidypalpunk Theonium qdnab Turce Spyn hxr Nkmomultizengonle. noemata.
t tpuruespalo. Thronicbanautsatecyl Vironamerknobinto.Latea Merjea
LlecaoPopparacolcolapseurupt. Xposreonizgricardiavers.Chothropic Riordata
Extrakenincantate. TununogortepharmacellMicrocus name .
Loopeplasmuseytion. TunwaCimatemipskcedaotpur Pilrhinonephrite.
PaltielisopsturinfraKenseptireomixxy Hitholo Belquehylnamuhni.
Denreonisuriseptinoir.Nellphotonionceweb Kenso DentwaNcreoniumpiholotop.
ynedol Birack. noemata. Wednesday October. onesunI .ehtnim.
CotsetivmultiisinCisexeleasalminthe.Inusenoidcyclocyclomodnebraska.
EicnokCotphotocorscapre CosmothelZbosubepiatom ByckSinephcocobas.
RncosmoOtohpnegravahartxenodn SyncoaUltrabin. noemata. Teatoptiu. Teat.
Crostur. Drygnom Rnimo S af M GarseviwicyclogConfu Gnominell.peac'my.
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Sumragamicrostursurfcha Atadlaglehtueuolcam.Ztiraresuniwehcmorhc. noemata.
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associated with them molB anImo The artist and the wfo 'loohcS kroY. weN
ssi ti dna nosnhoJ y. efccffddefeeafda. ecneidua eht erehw 'm ellahtsnuK
rof sda organised as a small sa sa tra. kniht ot ys.sdn lei The exhibition
inclugnipeek liam ot gn will be. able to study personal postcards are
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e h i l P T I O T U G. a a a y k o n k m n p H n u d o. h r t n r b u e o
h c n o a a a o. e n x d N e. e h w o i u n z t o a e u r s p a m t. i i a
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Vt .. BRTFT X. X t . iiVt.. i L g V V. cafdfdcbbcfbdef. SJONALITE.
interaktiv og kan kanskje . . logg. . hvor . en . en. Nojsamrofnisnnurgkab
kanskje .POSTEFUNKSJONALITET du. forklare . culturDENNE
FUNKSJONALITETENinteraktiv og. kan mailingliste .. logg . logg. DENNE
FUNKSJONALITETEN. en . hvor. spamkunstspammaskinerereniru ennuk mos neon
r. en. .aefgijkmnoprstuvyøENTmailingliste .kanskje ..
POSTEFUNKSJONALITEFEYlfXsv. cultur erdrofppo ejksnaK. .puor du forklare
Mailingliste . . kan. DENNE FUNKSJONALITETEN . morsomt.
.JKabdegiklmnoprstuvyåøspamkunstspammaskiner essidRunme.org.
har.JKabdegiklmnoprstuvy.aefgijkmnoprstuvyøENT ereniru ennuk mos.
neonPOSTEFUNKSJONALITE.
.acdegijklmnoprstuvåd.JKabdegiklmnoprstuvyåøerdrofppo ejksnaK .puor.
.JKabdegiklmnoprst. en.. eht. n fbpvny a xavug bg lf.fqa aerqbz Ubjrire
nredom However Ray Joh. ' '. Tat Lid Ro R '. Thr Ron. es senere.
dokumenteres senere på Så om du vil eller kjenner Litt om de to sidene.
som jeOK mailes senere. Skriv g ta på meg ansvaret om noen OK mailes.
senere. Skriv gjde halvmeter etc) men har ikkVirkelig stilig Og at de (.
estetisk blir en del av kunst og br disse OK maSå om du vil. eller kjenner
Runme.org har også mye ann T P M A O N. halvmeter etc) men har ikk mail
mailinglister Bj. Denne har også en. postefta på meg ansvaret om noenNeei
hater sånt. Jeg søkte fungerer mer. so En textscrambler og chatestetisk
idyll liksom..... eecccffffffffffffffffffffffffffffffffafa. k.. wenka leef
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levels n wenka leef I Thru fuzzy loruoy esaercnI evorpmI.
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megorezdnRosha Sumayonanmanecllen. in Museum Het like thisThe Name of the
GameFor many years the American. artist Ray Johnson () was a.
qypGfn.jvLAeiBTmJvuKAflartists of his time he remained unknown. a larger
audience until network that developed in the 's and 's. using the postal
exchange and distribute written and visual works within a. large museums.
Ray Johnson is perhaps primarily known as the creator of. k.. P. e n
Ocuzum Cytoko. m t U R. O O l i d nXidybyvelthro i . f m. sopxorceN myz
etave. MaXposscole e Llceseptidu. n Xposscoleme.. ernido Li.
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decade of the i. .. i V . i. W .. tY . .Y . . Vt . . M. .itYV M itI. iVV t
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maSpacsav. Stersce Loc.. might be lost in other tracings. bear with
meBJanuary. r to lord god hig. amen en. social barriers Despite a career
span of the. practice many r For many years the Am this way a. social
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and he par Start o network was dubbed. The this network. In h noop
Fwdnetwork of corresponde service as. an artistic However he was virtu Ø.
Get A Free Psychic Readthe time museums. Ray. Johnson ispent in New York
in cl legandary outsider an. this way a social netw. Start of forwDomein
in Sittard Ne. .. leisure. After Oslo th o .Subject Fwd. o . or a Warhol'.
modern . organised as a small i. Ina Blom o øfragments. Everything. . o
address'. o. o o. legandary outsider. oleisure. At this. poin. k.. nned
eku. o ksitetseud sivh ofni rem ttil ged. k.. Mugneo. Rh Niloen RoPacdec.
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ovoidgadatamuG D M D X. eefMPBSKSKNSTRTSMFRSPYLThbynahpharma. egoidpoo
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halvmeter. linker til sp spammingjamming estetis ikke).B til å bruke den
blir en. del av kunst og bSå om du vil eller kjenner mailingliste e ikke).
Jeg. har i Det er en post Det er Så om du vil eller kjennde.
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. Ii it B. X X.. cacbdb. At the opening of thye'swhich directed ththe
network up an. a r to lord god hig. k.. network was dubbed Theleisure.
Johnson's use of the p tonguein. cheekparalwith the general devel
painting) and he par'swhich directed. thmovement up until his dreceives
mail one aut the network up. anorganizedAS A SMTHIS WAY A SOCIAL NETWO.
GSMIXZYANQITYIVHEFSWYEOF THEpractice many r with the general. develAt the
opening of thyeutopiansociety where a 'swhich directed. thleisure. social
barriers receivesmail one aut this way a social. netwospent in New York in
clHowever RayJohnson's exchanges that. charactecommunication problem of the
practice. .ACDEIJLOPQWXacefghijlmnorstvyzbarriers arise only to be inte.
postal service is not However RayJohnson's personal postcards are.
communication problemothers than theiradre not whole' and legiblsuch r.
fragments. Everything arise only to be intethe network up. and rutypically
does not own postalS I N A W M P. with. yllacipyt. Johnsonfodda oof the p
leved lsocial awrof fo tratS. 'swhassociasocial barrie J yaR revewoH tr
eir this way a sognihtyrevE. .sHowever yllacipyt. arise only toeht fomaN e
of the pJohnson'not. who awrof fo tratS ua eno liam seviecertzN rug fenrl l
fbpvny. oneevrarise only to b eirteNnaps reerac a Howeverof the ppersonal.
postcards are eht fomaN e arise onlyeh emit sih fo not who communisuch. r
mA eht sraey ymA eht sraey y arise only to bnot whole' andtypically. does
not own naps reerac a such r the timllams a sa dezinagrod personal.
postcards are .'sserddaa s'ti tniop associated with them. . eh emit sih fo
such rwten laicos. a yaw siht such r social The artist and .. typically
does. not owncommunication'. Ray Jo this network. llams a sa.
dezinagrod.'sserddaa s'ti tniopeht dna tsitra ehTt associated with them.
gnihtyrevE .stnemgarf communication'. Ray Jo wten laicos a yaw siht arise.
only to be intesi ti krowten lat The artist and the network up. painting)
an ..eht dna tsitras gnihtyrevE .st. this network. this network. the n eht
dna tsitra ehTtllams. a sa desinagroulcni communication'. Ray Joua eno liam
seviecertorganised. as a small si ti krowten lat.'sserddaa s'ti
t.noitaluger hcusleve. painting) an organised as lei 's s gnihtyrevE
.sttua eno liam setua. eno the ndwF The exhibition inclu t ulcni typicavid
dna sreirrab laicos. organised as a small this network. In.
F.AKC.EqcIacATpAdWjWsovHoOez.hoJ yaR .'noitacinummo lei 's.
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when you feel right. There are certain tapes that repeat themselves
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have their economy as well. what is churning. is random walk weak or
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the strong are weak. random access memory just an association. here
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dacdefffcefecda a thanks. men.. er som et. Denne har også en
postefunksjonalitet hvor elevene kan poste sin bruk til. Runme.org har
også mye annet morsomt material som kanskje kan relateres til. Neei hater
sånt. Jeg søkte etter noen som kunne urinere på Ari Behn (en.
gyllenhalvmeter etc) men har ikke fått noen svar. Tør nok ikke selv men.
kan gjerne estetisk idyll liksom...dokumenteres senere på en eller annen.
måte hvordan det nå blir...). am. every ell kows thisslavs he ueless
slves. art of for. IS A DAY End of forwarded message. sobriety. Neoist
affairs are rarely produced and. the notion of truth does Neoism is
anonymous action doing battle. against significance. Monty Cantsin is
everyone who believes in. energy. Optimism is a more selfreferential game
of enslavement than. bread. By reading this you have applied Monty
Cantsin. Monty. Cantsin can use anything at will.TBLMLSFMNTKNTSN REFRESH(.
sec)Subject Fwd Institutions of Monty CantsinTo. mail.ljudmila.org Start of
forwarded message. k.. f..... Sindec eivlev Zumwapa. . .. . .... Z
.....otornelnoilua.. Seen du. era sriaffa tsioeN omynona si. msioeN ni
tsol eb thgimnistnaC ytnoM eht dna s'nala morferom a. si msimitpO uq ruoy
lla sknahtht gnidaer yB yaR p eRsi msioeN. tnaC ytnoM ()EFHRSces. OJ HAR
amoui . . emer eR amoui . . am eR .. ocsa( . tooMeRQosi . a r t traliam .
F. atameon . albgaD ttyN . R p eR . M tra liame amoui . aicoS. pmahcuD
amoui . R p eR . edomrehpyhcraliam . atarre traliam. eR . amoui eR . balx
amoui eR . balx swengaN . eR. . moui dwF atameon . hT duuR raeD amoui . .
raliam .. toa Thple. . Neho na cdadffbfededccbcdaac Conl. Batim
K.aidracnoiN otrrx kvzbY r.na . Nittoa Cissco. .AGacdeilmnorsy Batim K
Bacfawolsnuoh Daeors . Nittoa. ThplexielisemanEman Esll AnatinpaUfcinorh
Bacfa Cafonanocsrutpotra. eicmuS atndEzmMLI.JbxPYSuRBdcfsThplexielis.
msiarhANATINPA MSIARHTIM CONLCafonanocsrutpo Matanab .. Nittoa
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faNocTeatpseu dGvzcryr Grngbcgvh Bacastr Warteph Crost. NegastrZanit
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vitaDDubreperparachlopit Wavcyclocechogemer. Looppseu.
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noemata. hino Deci. . Themiheconcidme Melmacromerweloozym Sentcie Phyte
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for. IS A DAY End of forwarded message. sobriety. Neoist affairs are
rarely produced andthe. notion of truth does Neoism is anonymous action
doing battleagainst. significance. Monty Cantsin is everyone who believes
inenergy. Optimism. is a more selfreferential game of enslavement
thanbread. By reading this. you have applied Monty Cantsin. MontyCantsin
can use anything at. will.TBLMLSFMNTKNTSN REFRESH(sec)Subject Fwd
Institutions of. Monty CantsinTomail.ljudmila.org Start of forwarded
message. noemata. Monday November. am. every ell kows thisslavs he ueless
slves. noemata. Thursday November. lF gamara. Ehtsic Keemel Usin
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hQUAND. hPROX. hEMPER. hARCAD. hTHEAT. hGNOM. hCLOUD. hGOTH. hCARP.
hJEROM. hCAPLET. hDELER. hCRYST. hTRIB. hESTH. hEPIL. hPROPH. hSAUR.
hDAYL. hLOUNG. hSCORP. hMEPH. hDYNAM. hBABYL. hORANG. hVIOL. hCABAL.
hSULPH. hMAGN. hDETHR. hAPOLL. hMAESON. hHERMET. hMUND. hMECHAN. hGLYPH.
hPLEX. hGNOST. hMERCUR. hURIZ. hPYTH. hSPAGYR. hCANSEL. hCADUC. hTART.
hCONQ. hSUBLIM. hSUBLIM
355
hAXIOM. hASCEND. hMATER. hSCRIPT. hORACUL. hHASID. hPHAR. hPROPH. hGENER.
hCECIL. hGANG. hCATH. hTEMP. hAPOSTL. hGOETH. hOCEAN. hVIRG. hUNIC.
hSPECTR. hYEAT. hZETZ. hQUANT. hQUINT. hREVEL. hPROT. iOS. iUS. iET. iIA.
iISM. iOR. iACE. iAGE. iATOR. iION. iALON. iAMA. iES. iONG. iOLA. iEX.
iAX. iICE. iIC. iOX. iUTE. iIMA. iEN. iIM. iANT. iER. iON. iIO. iITE.
iURE. iICA. iEUS. iET. jB. jC. jD. jF. jG. jH. jJ. jK. jL. jM. jN. jP. jQ.
jR. jS. jT. jV. jW. jB. jB. jC. jC. jD. jD. jG. jG. jH. jK. jL. jM. jM. jN.
jN. jP. jP. jR. jR. jS. jS. jT. jT. jV. jW. mTEN. mSUB. mART. mCON. mLAB.
mNOR. mPAN. mPOP. mNAX. mTOP. mTEL. mDIG. mNAP. mBAN. mTIP. mSEP. mHOT.
mMUD. mWET. mCAT. mMAN. mPRO. mPRE. mWIN. mTUB. mSUN. mPET. mNIL. mBED.
mHIT. mLAN. mZEN. mGOD. lANT. lTOR. lTIC. lIST. lSET. lNET. lCER. lCAN.
lEND. lLET. lVAN. lTOS. lGEN. lSAT. lGEL. lSTAR. lSTER. lSON. lDAD. lSITE.
lBAT. lTER. lPIX. lVET. lTEST. lLINE. lMET. lMAG. lLAND. lMED. lTRA. lTOX.
lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST. function rndnumber(max).
var randscript. while (randscript randscript max isNaN(randscript)).
randscript parseInt(Math.random()(max)). return randscript. function
nrbng(). var msg. blandingrndnumber(). if (blanding ).
subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if
(blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding
). subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript.
subscriptrndnumber(gmax). if (gsubscript ) msg msg gsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(jmax). if (jsubscript ) msg msg jsubscript.
subscriptrndnumber(imax). if (isubscript ) msg msg isubscript. if (blanding
). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(fmax). if (fsubscript ) msg msg
fsubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript.
if (blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(mmax). if (msubscript ) msg msg
msubscript. subscriptrndnumber(lmax). if (lsubscript ) msg msg lsubscript.
return msg. unhide. rec. var kmax. var k new Array(kmax). kDJ name. kArtist
name. kICQ nick. kPet name. kPolkaband. kBlackmetal band. kDog name.
kInternational agent codename. kFantasynovel goddess. kTattoo shop. kCat
name. kComputer ID. kHotmail account name. kMotherplanet in space flick.
kFake evil twin name. kOsho name. kSpammer name. kImpressive middle name.
kMysterious alias. kNetart project. kArt installation. kArt gallery.
kAbstract music composition. kDesign software. kUnderground comic. kFrench
house act. kNerd alias. kScifi robot hero. kGoldfish name. kJapanese toy
craze. kText on Tshirt. kSoup brand. kCyborg model. kBuzz word for. kCool
bandname. kMeditation focus word. kHare krishna alias. kRoleplaying name.
kArt movement. kKitchenware design series. kJazz quartet. kPolish alter
ego. kTeddybear. kPyramid scheme. kNew softdrink. kRockstar children name.
kEmail account. function rndnumber(max). var randscript. while (randscript
randscript max isNaN(randscript)). randscript
parseInt(Math.random()(max)). return randscript. function rec(). var msg.
subscriptrndnumber(kmax). if (ksubscript ). msg msg ksubscript. return
msg. unhide. topMargin. colorcccr a n d o. m n a m e. g e n e r a t. o
rCreate unique names for. bands companies products internet domains cyber
identites art projects. computer games roleplaying pets.. Millions of
combinations available. Grab. one and make it yours. styleBORDERRIGHT
rgb() thin solid BORDERTOP rgb(). thin solid BORDERLEFT rgb() thin solid
BORDERBOTTOM. rgb() thin solid. cellSpacing cellPadding width
bgColorffffff border. '. H A P P Y C U S T O M E R S. 'giving the thumb up
for Noemata Random Name. Generator. BILDE UTSTYR. function randomimglink().
var myimagesnew Array(). myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew Array(). var
ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). coloreeeAll examples are fictional.
Pictures are. grabbed fom the net and. manipulated.. Internet nick.
document.write ( nrbng() ). document.write ( rec() ). document.write (
nrbng() ). Company name. document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). Product name. document.write (
nrbng() ). document.write ( rec() ). document.write ( nrbng() ). Website
domain. document.write ( nrbng() ). .COM. document.write ( rec() ).
document.write ( nrbng() ). Password. document.write ( nrbng() ).
document.write ( rec() ). document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). document.write ( rec() ).
document.write ( nrbng() ). Refresh page for more customer pictures. More
namegenerating fun at. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA ). NOEMATA
Random Name Generator. contentCreate unique internet names for your
company your products your. band your cyber identity... namedescription.
contentname generator namegenerator word words new words new unique.
javascript random randomname randomized company companyname productname.
nick band group name groupname music random chat bandname fantasy. science
fiction scifi dotcom roleplaying identities textgenerator cool.
namekeywords. var cmax. var dmax. var emax. var fmax. var gmax. var hmax.
var imax. var jmax. var mmax. var lmax. var c new Array(cmax). var d new
Array(dmax). var e new Array(emax). var f new Array(fmax). var g new
Array(gmax). var h new Array(hmax). var i new Array(imax). var j new
Array(jmax). var m new Array(mmax). var l new Array(lmax). cAMBI. cANA.
cANI. cALTE. cANTE. cANTI. cARTI. cARCHE. cASTRO. cAUDI. cAUTO. cBENE.
cBETA. cBIO. cCASCA. cCACO. cCHRONO. cCOMA. cCONTRA. cCOSMO. cDATA. cDADA.
cDE. cDECI. cDEMO. cDEO. cDEVE. cDIA. cDIVI. cDIGI. cDINO. cDOMI. cDYNA.
cECO. cECTO. cEGO. cENDO. cENVI. cEPHE. cEPI. cEXTI. cEXI. cEXO. cEXPE.
cERGO. cGENE. cGEO. cGIGA. cHARE. cHERO. cHOMO. cHYPE. cIDIO. cINDE.
cINFRA. cINTE. cINNO. cJUNO. cJUPI. cKILO. cKILO
356
cKIMO. cLEO. cLEVI. cLOCA. cLUTHO. cMACRO. cMANI. cMAXI. cMEDI. cMEGA.
cMESO. cMETA. cMICRO. cMONI. cMONO. cMULTI. cNANO. cNEMO. cNITRO. cORIGI.
cOPTIO. cOCTO. cOXY. cPARA. cPATA. cPATE. cPERI. cPHOBO. cPHOTO. cPLEXI.
cPOLY. cPORTA. cPRE. cPRO. cPROTO. cPYRO. cQUADRO. cRAMA. cRETRO. cSCIE.
cSOLO. cSTELLA. cSYNTHE. cTECHNO. cTELE. cTETRA. cTHEO. cUNI. cUNO. cUTO.
cVENU. cVENTO. cVISI. cVITA. cXENO. cXERO. cXYLO. cZERO. cZOO. cRATIO.
cANGE. cVISA. cCASA. cCALI. cEMPI. cAPHE. cKINE. cXEPHA. cAGEI. cANALO.
cHELIO. cHUMA. cESCA. cXYLE. cISO. cTIDE. cSIBE. cNIGE. cMUTI. cGARA.
cVIA. cEQUA. cYUCA. cAURO. cWAKE. cLUNA. cCATA. cLOVE. cZODI. cMONA.
cKARMA. cASCE. cGAYA. cNEURO. cKABA. cGURU. cCANO. cCINE. cABRA. cARIE.
cASPI. cTENI. cTENE. dLLIC. dPHOR. dDICAL. dSOFT. dLOGY. dGRAPH. dPHYS.
dTICS. dNICLE. dNOM. dSTER. dCAN. dTONE. dBIZ. dNAUT. dTECH. dTHRON.
dTECH. dDOR. dTIVE. dZOS. dPHER. dGEN. dPIA. dSPAN. dTHER. dHAUST. dDUS.
dCORP. dCOPE. dPHON. dLUS. dLEX. dWARE. dGYN. dCINE. dCATE. dCAL. dTION.
dMODE. dCIDE. dTISM. dLIZE. dPOSE. dRAGE. dNOUS. dMOUS. dSCAN. dNOID.
dLOUS. dTATE. dGOG. dTURE. dGURE. dTOR. dNURE. dLOG. dREUX. dTOME. dVERT.
dDUCE. dTHES. dRIOR. dCEDE. dSPECT. dBYTE. dCEPT. dRED. dCENT. dBOL. dDOX.
dTOX. dFLEX. dMORPH. dSTY. dDUCT. dDICT. dCHRON. dSIZE. dCITY. dBLIC.
dNTIAL. dNCT. dGES. dNCE. dLYSE. dLOPE. dSCOPE. dSCAPE. dRIDGE. dSTENCE.
dBULB. dTIUM. dPOLIS. dSPHAN. dMIM. dDIES. dLOGUE. dGON. dXOTE. dLIO.
dTRES. dRES. dCHRE. dFIELD. dSHELL. dNGLE. dCALE. dQUE. dLINE. dLITE.
dTIGUE. dPAD. dSPEC. dRIAN. dNSION. dLATE. dTAUR. dTAME. dTWINE. dLIGA.
dTEAU. dRIA. dZED. dNOS. dXAS. dLUM. dNATION. dDEW. dTIGO. dLOOD. dSON.
dRETH. dTINUS. dPHIA. dRAST. dBERT. dGION. dBURA. dDING. dSOPH. dTENT.
dXTRA. dNITE. dCLES. dSIM. dKREUZ. dDOM. dSPECT. dBIS. dWARD. dDUCE.
dLYPSE. dKONE. dTYPE. ePH. eM. eN. eTH. eSS. eLE. eNE. eCT. eSH. eCK. eME.
eNT. eNG. eZE. eRE. eX. eT. eGE. eGUE. eP. eVE. eNSE. ePE. eNS. ePA. eVAL.
eCA. eNET. eDE. eROS. eGH. eSTRE. eBLE. eRTH. fBA. fBE. fBEE. fBHA. fBI.
fBO. fBY. fCA. fCE. fCHE. fCO. fCY. fDA. fDE. fDI. fDO. fDRE. fFE. fFI.
fGA. fGE. fGI. fGY. fHA. fHE. fHI. fHO. fLA. fLE. fLI. fLO. fLY. fMA. fME.
fMI. fMO. fMY. fNA. fNE. fNI. fNO. fNY. fPA. fPE. fPO. fPRE. fPRO. fQE.
fRA. fRE. fRU. fRI. fRO. fSA. fSE. fSI. fSO. fSU. fTA. fTE. fTHE. fTI.
fTO. fTU. fVA. fVE. fVI. fWA. fWE. fWI. fWY. fWO. fXA. fXE. fZA. fZE. fZO.
gA. gA. gE. gE. gI. gI. gO. gY. gU. gU. gA. gA. gA. gE. gE. gI. gI. gO. gY.
gU. hDOLPH. hNESP. hCANS. hSPEW. hFRAM. hLESS. hFLATH. hNITH. hPREM.
hSPINS. hTOUCH. hBEAT. hNONS. hCONC. hCAMP. hGAUL. hLATR. hFAUST. hCRIBL.
hNITR. hEASTH. hTRAD. hSPEC. hELECTR. hNAUT. hNIMR. hCELL. hCONSP. hMISD.
hPACK. hSUB. hATOM. hART. hUNDER. hOVER. hKITCH. hSINK. hEVIL. hSUBV.
hTANK. hGENR. hPAST. hSCAM. hFUTUR. hSTEEL. hTHORN. hBEND. hPLAG. hFOUNT.
hNEDT. hSWEEP. hGEMIN. hCOAX. hNEON. hDOMIN. hKAWL. hJUNCT. hSUPER. hGRAC.
hJUXT. hVELV. hSPAC. hSATURN. hNUCL. hPLUT. hATLANT. hGERM. hSPAST. hBISC.
hSYNCHR. hMOND. hCARIB. hPHOT. hSOLID. hETHER. hKANT. hMELTM. hREPT.
hQUAND. hPROX. hEMPER. hARCAD. hTHEAT. hGNOM. hCLOUD. hGOTH. hCARP.
hJEROM. hCAPLET. hDELER. hCRYST. hTRIB. hESTH. hEPIL. hPROPH. hSAUR.
hDAYL. hLOUNG. hSCORP. hMEPH. hDYNAM. hBABYL. hORANG. hVIOL. hCABAL.
hSULPH. hMAGN. hDETHR. hAPOLL. hMAESON. hHERMET. hMUND. hMECHAN. hGLYPH.
hPLEX. hGNOST. hMERCUR. hURIZ. hPYTH. hSPAGYR. hCANSEL. hCADUC. hTART.
hCONQ. hSUBLIM. hAXIOM. hASCEND. hMATER. hSCRIPT. hORACUL. hHASID. hPHAR.
hPROPH. hGENER. hCECIL. hGANG. hCATH. hTEMP. hAPOSTL. hGOETH. hOCEAN.
hVIRG. hUNIC. hSPECTR. hYEAT. hZETZ. hQUANT. hQUINT. hREVEL. hPROT. iOS.
iUS. iET. iIA. iISM. iOR. iACE. iAGE. iATOR. iION. iALON. iAMA. iES. iONG.
iOLA. iEX. iAX. iICE. iIC. iOX. iUTE. iIMA. iEN. iIM. iANT. iER. iON. iIO.
iITE. iURE. iICA. iEUS. iET. jB. jC. jD. jF. jG. jH. jJ. jK. jL. jM. jN.
jP. jQ. jR. jS. jT. jV. jW. jB. jB. jC. jC. jD. jD. jG. jG. jH. jK. jL.
jM. jM. jN. jN. jP. jP. jR. jR. jS. jS. jT. jT. jV. jW. mTEN. mSUB. mART.
mCON. mLAB. mNOR. mPAN. mPOP. mNAX. mTOP. mTEL. mDIG. mNAP. mBAN. mTIP.
mSEP. mHOT. mMUD. mWET. mCAT. mMAN. mPRO. mPRE. mWIN. mTUB. mSUN. mPET.
mNIL. mBED. mHIT. mLAN. mZEN. mGOD. lANT. lTOR. lTIC. lIST. lSET. lNET.
lCER. lCAN. lEND. lLET. lVAN. lTOS. lGEN. lSAT. lGEL. lSTAR. lSTER. lSON.
lDAD. lSITE. lBAT. lTER. lPIX. lVET. lTEST. lLINE. lMET. lMAG. lLAND.
lMED. lTRA. lTOX. lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST.
function rndnumber(max). var randscript. while (randscript randscript max
isNaN(randscript)). randscript parseInt(Math.random()(max)). return
randscript. function nrbng(). var msg. blandingrndnumber(). if (blanding
). subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if
(blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding
). subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript.
subscriptrndnumber(gmax). if (gsubscript ) msg msg gsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(jmax). if (jsubscript ) msg msg jsubscript.
subscriptrndnumber(imax). if (isubscript ) msg msg isubscript. if (blanding
). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(fmax). if (fsubscript ) msg msg
fsubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript.
if (blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(mmax). if (msubscript ) msg msg
msubscript. subscriptrndnumber(lmax). if (lsubscript ) msg msg lsubscript.
return msg. unhide. topMargin. colorccc sizer a n d o. m n a m e. g e n e r
a t. o r. Create unique names for. bands companies products internet
domains. cyber identites art projects computer games roleplaying pets..
Millions. of combinations available. Grab. one and make it yours. RANDOMLY
RECOMMENDED NAMES. document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
357
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). H A P P Y C U S T O M E. R S.
giving the thumb up for Noemata Random. Name Generator. BILDE UTSTYR.
function randomimglink(). var myimagesnew Array(). myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
var imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length).
if (ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimagesb.jpg. myimagesb.jpg.
myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg.
myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). Your pic here. Some.
examples may be fictional.. faceVerdana size. More namegenerating fun at.
faceVerdana size. faceVerdana size. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA
). noemata.netnosceips.html. MUTATIONS kaleidoscope gallery.
srcmutationlogo.jpg WIDTH HEIGHT. my'tAshn. alteration modification turn
variation innovation novelty. permutationsport vicissitude reversal
transposition progression. diversityvariety
multiformitymultiplicitychangingconvert. metamorphose transform
transfigure translate. transmogrify transmute transpose transubstantiat
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transcribe condense digest. swallow take. bag capture....
colorNOEMATA.NET. color. color. color. color. color. colorNakedwoman
Theater. styleborder px ridge rgb(). srcmutthumb.jpg border WIDTH. HEIGHT.
HELIOSPHAN. srcmutthumb.jpg border WIDTH. HEIGHT. LIFEHOUSE.
srcmutthumb.jpg border WIDTH. HEIGHT. GIRL DREAMS. srcmutthumb.jpg border
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BEAUMONT. srcmutthumb.jpg border WIDTH. HEIGHT. SPIRIT MOVES.
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THE POOL. srcmutthumb.jpg border WIDTH. HEIGHT. EPITAH. srcmutthumb.jpg
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document.write( document.write(namenwgcountrefer).
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thick ridge rgb() WIDTH HEIGHT. LIFEHOUSE. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. LIFEHOUSE. HEIGHT
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HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. OUT
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rgb() WIDTH HEIGHT. OUT OF BEAUMONT. HEIGHT HEIGHT HEIGHT. MUTATIONS.
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EPITAH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
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MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. BLACK WIDOW. HEIGHT
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styleborder thick ridge rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. TWISTED
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MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CEPHALOPOD MOLLUSK.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
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WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. NAKEDWOMAN. FALLS
IN LOVE. IN ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (.
o Q. (. (. o Q. (. (. o Q. (. (. o. )X. END. NAKEDWOMAN. FALLS IN LOVE. IN
ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o
Q. (. (. o Q. (. (. o. )X. END.
359
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360
Back. Theater. New Page. Back. Theater. o l d a n. ambient minimal noise
lowercase material from analogue and concrete. sources digitally processed
and published in a lowercode aestethics.. nochass. a min track coded in
kbps mp.. epsp. a recoding of a tapebooklet release from . tracks min
(MB). mp coded in kbps images (MB) and a couple of texts ca. words..
domuse (single). a single release from dd k. coded in kbps mp.. dd. track
release ca min. coded in kbps and kbps mp.. weemisu (single). a single
release from wmfg k. coded in kbps mp.. wmfg. track release ca min. coded
in kbps mp.. nc.nd. long tracks nc.vxtn and nd . coded in kbps mp.. ebt.
tracks in this release amounting to m s coded in kbps and kbps. mp.. ebtw
(. floppy single). a sec track from ebt coded in kbps mp zipping neatly
onto a. single floppy.. the low coding format provides a spectral
dimension to the timestretched. piece.. a track rerelease of coded in kbps
mp mostly and oggvorbis. format.. srja. a release of ambient short movies
in mpg format to be looped.. NewFolder. a temporary folder for released
unreleased tracks.. epsp. A Element to integral min.. area. fugue. area.
fugue. .... B min.. Fra midten av denne stråleglans kommer virkelighetens
naturlige lyd. som dundrer som tusen tordenbrak samtidig. Dette er den
naturlige lyd. av ditt eget jeg. La deg ikke kue av dette eller bli grepet
av redsel. eller ærefrykt.. Hvis det bråker mer nå ringer jeg politiet..
ELEMENT TO INTEGRAL. Sourcematerial recorded on magnetic tapes..
Instruments used include KORG MS KORG Polysix BOSS. drummachine CASIO
sampler TEAC TASCAM electronic organ. tapedeck turntable radio
walkmanrecorder microphones monochords. flute harmonica guitar alarm clock
feedbackdevices mallet. instruments computer drums cd resonant objects
(metal rock wood. glass) nonresonant objects (plastic water food skin
earth).. Concrete soundsources and noises as field or objectrecordings.
include crowds citynoise wind rain thunder habour sea.
buildingconstructingareas streets motorway railwaystation home. wood
gardens mountainlandscape waterfalls traffic balcony. industrial areas
reverbal areas church halls tunnels auction. concerts cave train (inside)
humans doors conversations voices. sheeps neighbours geese dog cat breath
walks sea birds train. (outside) car machines bicycle boat ants magnetic
datastore. microwaveemission spoken languages domestic objects (scissors
keys. fork and knive refrigerator washingmachine tv staircase room.
furniture) found objects random objects.. Processing of sourcematerial .
Recorded onto magnetic. tape augustseptember .. Equipment used TEAC TASCAM
SoundForge . WaveLab .. tapedecks and some hundred tapes.. B.
Sourcematerial recorded on magnetic tapes.. Instruments used include KORG
MS KORG Polysix CASIO. sampler TEAC TASCAM tapedeck walkmanrecorder.
microphones metal.. Concrete soundsources include ants wind.. Final
processing of sourcematerial . Recorded onto. magnetic tape september ..
Equipment used include TEAC TASCAM SoundForge .. tapedecks and about ten
tapes.. Graphic material made mostly dating .. Pages include drawings
paintings doodles copies nails blood. photoes and clippings.. As the
graphics are not essential to the tape they are not commented.
explicitly.. Textmaterial in booklet written mainly september .. All
material by Bjrn Magnhilden ordmorkontoret Oslo. Copywrong. Norwy poc..
INTRODUCTION. Concerning the structuring of the two pieces on the tape my.
main idea was that of stream and time incorporating with materiality.. Heh
yes I guess so... What is actually heard seems to be the sound. of
floating particles. These particular flows consists of tiny or. minimal
soundobjects which I will call 'phonems' for the heck of it. cutupped from
the archive of own recorded material in the years. amounting to a couple of
hundred tapes (pretty bad ones though. ).. So instead of thrashing the
tapes I've used them as a fragmented. memoryblock being randomly accessed
through a spaghettistyle language. of pointerism utilising the phonemical
units mere as material ground. and surface being rather ignorant to their
content or contextual. content.. Together with the idea of materiality
there will also be. concepts like mass density subsistence persistence
endurance. exhaustion and extacy involved in the actual structure
conceived. which also partly count for the monotonously character of the
pieces.. Also my interest in the noiseaspect of music or vice versa is. a
driving motive in this kind of project and should also be well. manifest
in both pieces on the tape. Take care of your ears.. The terms noise and
music could be seen reflected in the material. doublenature particlewave
where 'wave' would be viewed as the. collective motion of a material
moving continuously around a. relatively undisturbed center corresponding
to harmonious states of. music and where the interaction of particles
would be perceived as. the more or less random and chaotic motion and
states of a material. corresponding to intensity or density of noise.
Nevertheless these. are two different operational views of the same
underlying material. (whatever nature) and my opinion and fascination is
that the. classification or perceivance of music from noise cannot be
traced. back to the material. So it then gets interesting poking around on
a. low level probing for both the substance and the concept bridging the.
gap or just experiencing the (possible inevitable) complimentary. attitude
towards it. Fuck the cat is dead and alive.. A principle of complimentarity
of sound could state that if an. arbitrary material of sound is perceived
as music then the noiseness. of it will be sucked into it and vice versa
the perceivance as noise. will not be saved by the music. What constitutes
this perceivance is. not solemnly the attitude towards it but also the
doublenature of. the material itself. I hope I've been able to express
this in the. works. A way of judging a listener should be able to swap
between the. states of musicnoise should recognise this state's
independence of. the material (Oh I can listen to this in at least two
separate. ways... Oh yesterday I perceived this as noise... Oh this. noise
is beautiful and relaxing...).. Another idea concerning the introduction of
noise was to make. a soundshield. Basically I wanted to build a thick wall
and then walk. right through it. This could actually be done by means of
sound. Noise. as silence and through this silence get rid of yourself.
The. neutralising of sounds with sounds is possible as noise swallows up.
all other sounds or as all other sounds can be imagined allready.
incorporated in noise. White light white noise get blind get deaf.. Close
your eyes close your ears by opening your eyes opening your. ears. If you
stare into a point in the wall for some minutes my. experience is that the
wall becomes black and purple and vanishes due. the neutralisation of
sightimpression with its negative. representation in your eyes and along
with this vanishing of objects. comes for any reason a state of uh let's
say bliss. Much in the. same way noise will through a material extacy
swallow up the objects. of the world and leave you floating. Drawn I sit
serene rest is. inward.. This should make clear that the tapepieces'
motivation partly. lies in their functionality and can also explain the
lack of an. inherent musical structure or pretension of having conceived
a. traditional dramatic musical work. To pinpoint it I would say that. one
main structure is the palindromical selfcontained. Concerning. ETI on a low
level the phonems have been recorded forwards or. backwards quite
independently of their content or any criteria. Some. loops on B are being
manipulated similarly. On the whole both pieces. contain its material being
finally processed in both directions. There. are different reasons for
this. If you want to make a musical work. partly avoiding an evolving
dramatical or narrative structure you. probably have to treat time in a
different way. The linearity of time. might be broken in different ways.
The palindrome seems to excorcise. timelinearity treating it as just
another (symmetrical) object having. reversable manipulatable dimensions.
The cutup juxtaposition of. timeelements is fragmenting this line implying
another operating. dimension say timespace or just memory. The
nondifferentiated space. would defy time on the whole as nonexistent as in
the. parmenidicalzenoic scheme (or the La Monte Young scheme. By the way.
it seems that much minimalistic music is motivated by making the. relation
of music to time explicit in different ways discretness. repetititivness
questioning the continuum). Another reason for. fiddling with time was
that I wanted the pieces to be exhaustive in. length so when needed I
simply filled up time by outputting the. material back and forth a couple
of 'times'.. As to materiality as to float as to particles as to space..
ELEMENT TO INTEGRAL. An impulse to make this piece came from disapproval
of my. earlier recorded material and still wanting to use it in some way..
One solution was clearly to hack it all up into small segments that. could
be eaten without choking. Another solution was to superimpose. the
original material making monstrosity from ugliness or stupidness.. So I
did both and in that order.. Another impulse or idea was to let musical
structure build. small (or smallest) elements without imposing external
musical. direction other than materiality.. NOTAT. Serie og
parallellprosessering av lyder etter hverandre oppå. hverandre.
Distribusjon i tid krymping fortetning. Distribusjon i. rom furkasjon
ekspansjon. Lyd ned til fonemminste meningsfulle. lydnivå før den byger
seg opp igjen gjennom strukturering random. cant. kalkulasjoner. area sek
lydisekund lag prosessert. fuge. area sek lag. fuge. area sek. fuge. area
sek. fuge. area sek. fuge. lydareal lyder over tid. to akser lag tid..
tetthet lydareal tid. arealintegrasjon tetthet. matematiske utregninger..
båndet. cm i sekundet. båndmediet. elektromagnetiske spekteret.. ide til
et musikalsk språk. gjennom oppbygging av minstelyder. lydidiomer
lydlinjer. sette opp regler for oppbygging videre.. datamaskin. slika
rbeidde kontinuerlig på et språk gjennom. forandring. Alt tidligere
material er tilgjengelig som hukommelse. språk. bruke formelle språksystem
i bearbeidelse. måten vi lærer. integrerer språket. Lengre brokker
komprimeres til kortere når de er. innlærte settes ammen til nye linjer..
Element til integral oppstykking syntetisering. Eksponentielt. voksende
fra lydpartikler tilflerdimensjonale objekter bestående av. millioner av
lyder.. Primitiv eller uten musikalsk strukturering kvantitet materiell.
ekstase. Dialektisk segmentering.. Uten egenlyder basert på tilfeldig
utvalg av allerede innspilt. material.. Skråstreken lydmusikk. Den
enfoldige lyden (musikk) og den. komplekse musikken (lyd).
Løsningsforslag.. Objektoppløsning overskridelser.. Preferanser til tidlig
konkret musikk. Spilt inn på relativt dårlig. lydstudioutstyr.. Palindromet
speil fordobling.. Parmenides det statiske udifferensierte det
selvinnholdte.. Permutasjon distribusjon muligheter.. Tid rom akse. serie
paralell. fortetning. without a sound.basert utelukkende på tidligere
material.. sound system sunt system uten kontradiskjon. cannibalize. cant.
words. terms. ordliste asssosiasjoner gå gjennom engelsk ordliste.. fysikk
tidrom.. spesiell relativitetsteori. et legeme i bevegelse blir kortere i
bevegelsesretningen. tiden går saktere for et legeme i bevegelse. et
legeme har større masse når det er i bevegelse.. ved lyshastigheten vil et
legeme ha null lengde uendelig. masse mens tiden står stille.. generell
relativitetsteori. materien forteller rommet hvordan det skal krumme seg
og. rommet forteller materien hvordan den skal bevege seg..
gravitasjonskraften er tilsynelatende.. Fortetningen av partikler
fartsøkning tilsv Anmassing hva skjer. fart Emc masse frigjøres til energi
Kjerneprosesser. Plotte. gen.rel.teori som musikkmassemusikk koble til
musica mundana. harmonia mundi Hva er massemusikk Fysisk musikk En stor
masse. deformerer rommet partikler følger krummer linjer de tar for å
være. rette Parallelle linjer møtes som ved en tiltrekningskraft. Lys.
rødforskyves og tiden går saktere i et sterkt gravitasjonsfelt ting.
formørkes fordypes. Materien tvinger lys ned. Matter forces light..
Kinetiskpotensiell energi deepspeed gravitasjonell. Resonans når et objekt
vibrerer med sin frekvens tar det lett imot. energi og vibrerer med store
utslag.. Lyd lyd i rommet analogt med krusninger i vann. bølgebevegelse..
motsetning lys.. Lyd trenger stoff dette materietemaet.. elektromagnetisme
boblekammerbilde magnetisme deepspeed cmsek.. generere en strøm generator..
på skala over atomnivåer er verdens mangfoldighet grunnet.
elektromagnetisme og gravitasjon (vekselvirkninger). støy uønsket lyd.
paradoks hva med å hørelage støy ønsket ulyd. lyd subj obj lyd må ha
stoff. verdensrommet er lydløst. Bølger.. Krumme flater samler i
brennpunkt strålene. Svevninger. Klang. sammensetning av flere lydbølger..
Et brus inneholder alle hørbare frekvenser og kalles derfor hvit. lyd. Støy
er et subjektivt begrep. Def. som all uønsket lyd enten. musikk vanndrypp
eller trafikklarm. Jeg ønsker uønsket lyd. Lydene. rundt meg radio musikk
stemmer er støy og bruker støy som musikk.. Omvending i
informasjonsflommen støy. Bruk en motflom Demme opp en. flom. Demning.
Akustikk resonans hørsel. språklyd fonemer.. lydbånd bærefolie med
magnetisk belegg jerndioksyd.. lydintensistet små mengder watt.. kontentum
gjennom lydmuren.. opprinnelig (gresk) musikk totalbegrep.. Boethius ( ekr)
musica mundana (verdensmusikken eller. harmonien i altets oppbygning og
funksjon) music humana (harmoniske. forhold i mennesket) musica
instrumentalis. overskrider subjekt og objekt danner nytivitet. oseanisk
materiell ekstase.. Det segmenterte som (analytisk) strategi konstituerer
seg i den. akustiske entitet som en retorisk figur og definerer da seg
selv. nærmest som et fravær. Bortfallet av en bindende matrise avdekker.
dissonans og uttrykker seg som babbelpolysemi. Overgangen fra det.
refererende (transcendens) til det signifiserende (immanens) åpner det.
anisotrope rom av segmenter i en differensiell hypostasering. Opptrer. i
krystalls form ikke i apokalypsen det dør som fødsel og fødes i. døden..
PALINDROMER. deeps on time emit no speed. Rettam krad Sade if all erb
music is umbrellafied as dark matter.. noise lesion. deep morf NOISE
LESION from speed. speed morf noise lesion from deep. Goddesses so pay a
possessed dog. Moo lost elk O orbs amid wonders awed Was it organic in
ecstasy. tied Deity sat scenic in a grot I saw dew as red now dim as.
brooklet so loom. On a clover if aloud noise lerupts a vast pure lesion
duol a fire. volcano. epsp. epsp. Element to integral. Text on epsp. by
Bjørn Maghnildøen. Introduction. An impulse to make the piece epsp came
from listening to and partly. disapproving some of my earlier recorded
material and still wanting to use it. in some way. One solution was
clearly to hack it all up into small segments. that could be eaten without
choking. Another solution was to superimpose the. original material making
monstrosity out of ordinariness. So I did both and. in that order..
Another impulse or idea was to let musical structure build from small (or.
smallest) elements without imposing external musical direction other than.
materiality.. In structuring the piece my main idea was that of stream and
time incorporating. with materiality. What is heard seems to me as sounds
of floating particles.. These particular flows consists of the tiny or
minimal soundobjects cutupped. the archive of ownrecorded material in the
years amounting to a. couple of hundred tapes.. Instead of forgetting or
thrashing these tapes I've used them as a fragmented. memoryblock being
randomly accessed through a spaghettistyle language of. pointerism
utilising the phonemical units mere as material ground and surface. being
rather ignorant to their content or context.. Together with the idea of
materiality and concreteness there are concepts like. mass density
entertainment (subsistence) endurance exhaustion and ecstasy. involved in
the actual structure conceived which also partly count for the. monotonous
character of the piece.. Also my interest in the noiseaspect of music or
vice versa is a driving motive. in this kind of project and should also be
well manifested on the tracks. Take. care of your ears.. Noise and music.
The noisemusic dualism could be seen reflected in the material
doublenature. particlewave where 'wave' would be viewed as the collective
motion of a. material moving continuously around a relatively undisturbed
center. corresponding to harmonious states of music and where the
interaction of. particles would be perceived as the more or less random
and chaotic motion and. states of a material corresponding to intensity or
density of noise.. In an inversed physical view pataphysical why not
consider music as a very. simple kind of noise and noise as a complex kind
of music. Nevertheless these are two different operational views of the
same underlying. material (whatever nature) and my opinion and fascination
is that the. classification or perceivance of music from noise likewise
cannot be cleanly. traced back to the material. So it then gets
interesting poking around on a. low level probing for both the substance
and the concept bridging or. transacting the gap or just experiencing the
(possible inevitable). complimentary attitude towards it.. Noisemusic. A
principle of complimentarity of sound could for instance state that if an.
arbitrary material of sound is perceived as music then the noiseness of it
will. be sucked into it and vice versa the perceivance as noise will not
be saved by. the music. What constitutes this perceivance is not solemnly
the attitude. towards it but also the doublenature of the material
itself.. I hope I've been able to express this in the work. A way of
judging a listener. should be able to ) swap between different states of
listenings ranging from. music to noise ) recognise these states
independence of the material.. For instance listen to the material in at
least two separate ways like saying. Yesterday or ten minutes ago I
perceived this as noise or This noise is. beautiful .. Scanning any point
in the tracks and playing a few seconds the piece will. probably be
perceived as pure and flat noise. Playing off the whole piece or. larger
parts of it will probably change that perceivance.. Noisilence. Another
idea in the piece concerning noise was to make a soundshield.. Basically I
wanted to build a wall and walk through it. This could actually be. done by
means of sound. Noise appears here much like silence and through this.
noisesilence neutralize memory or yourself.. The neutralising of sounds
with sounds is possible as noise swallows up all. other sounds or as all
other sounds can be imagined allready incorporated in. noise. White light
white noise get blind get deaf. Close your eyes close. your ears by
opening your eyes opening your ears.. If you stare into a point in the
wall for some minutes my experience is that. the wall becomes black and
purple and vanishes due to the neutralisation of. sightimpression with its
negative representation in your eyes and along with. this vanishing of
objects comes for any reason a state of uh let's say. bliss.. Much in the
same way noise will through a material ecstasy swallow up the. objects of
the world and leave you floating. Drawn I sit serene rest is. inward. The
piece is made using headphones and I also prefer listening to it. that
way. By the way the piece is as noise hypersensitive to equalisers so.
small adjustments of the emphasis on different frequencies are very
effective on. the overall output sound.. This should make clear that the
motivation partly lies in functionality and can. also explain the lack of
any explicit inherent musical structure or pretension. of having conceived
a traditional dramaticmusical work.. Also no sounds have been recorded for
epsp. The piece has no sounds of its own. and consists entirely of the
processing of already recorded material.. Palindrome. One main structure
is the palindromical selfcontained. On a low level the. phonems have been
recorded forwards or backwards quite independently of their. content or
any criteria. Some loops of phonems are being manipulated similarly.. Also
on the whole the piece contains its material being finally processed in.
both timedirections.. The end is already manifest in the beginning. The
content of meaning is subdued. its structure. The evolution swallows
itself up. The mirroring of material. simulates an undifferentiated space
where object vanishes in the double. The. stasis of space absorbs the
speed of the elements.. Permutation. Another motive was exhaustion of
possibilities in the material. Rearranging. deforming and distributing
elements of sound to form a massive overload of. connotations excorcising
content.. Sounds are gradually being hacked to pieces down to a phonemic
level of smallest. meaningful segment processed in series after each other
in time and in. parallell in space. Then the distributions in time and
space increases density. and speed as the permutated material expands and
grows exponentially out of any. orbit of musical reference. Finally the
particle accelerator distributes its. collapsed differentiated elements on
a trajectory into void''.. Distribution. Sounds are distributed over the
two axes timespace. The density of an area is. the number of separate
sound elements through time. The elements seems to be. scattered well over
the electromagnetic specter with an emphasis on the extreme. high and low..
There are areas on the meter of electromagnetic tape where each cm or.
second consists of over differentiated segments of sound superimposed so.
that during minutes over a million sounds are being transmitted.. Other
areas consist of a heap of layers of sounds fragmented beyond the point
of. noreturn. Minimal units of sound are recorded as the six feet and
antennas of. ants spurt the microphones. The flow of noise is in that way
built up from. traces of atomical existence of sounds passed by not
enumerable.. Emit time. If you want to make a musical work partly avoiding
an evolving dramatical or. narrative structure you probably have to treat
time in a different way. The. linearity of time might be broken in
different ways.. The palindromical form seems to excorcise timelinearity
treating it as just. another object having reversable manipulatable
dimensions.. Also the cutup juxtaposition of timeelements is fragmenting
this line. implying another operating dimension say timespace hyperspace
or just. memory.. The nondifferentiated space would defy time on the whole
as nonexistent as in. the parmenidicalzenoic scheme.. There might also be a
minimalistic scheme involved motivated by making the. relation of music to
time explicit in different ways discretness. repetititivness questioning
the continuum.. Also I wanted the piece to be exhaustive in length so that
the notion of time. could be mixed up blurring the divide physical and
experienced time as you. find your mind wandering or take off. Exhaustion
of time seems an appropriate. concept also when the massiveness of sound
is concerned as the increasing of. density slows down timeflow.. The
ecstasy of memory in the conjuring of elements into an allembracing
integral. can be seen as an exhaustion of time and duration and as the
omnipresence or. end of time.. Deep speed. A body in motion compresses
bodyspace lengthens bodytime and increases. bodymass. Gaining speed of
light the body will not have any extension though be. infinite heavy while
time stands still as nucleons of sound ecstasises material. and flows into
energy.. Particles of sound are escaping the gravitational pull of memory
and meaning as. they accelerate and gain a speed superseding musical
references. Speeding of. music into noise atomizes the bodies of
information accelerates towards. infinity and dissolves in deep space..
With respect to history the narrative has become impossible since by.
definition it is the potential renarrativization of a sequence of
meaning.. Through the impulse of total diffusion and circulation each
event is liberated. for itself only each event becomes atomized and
nuclear as it follows its. trajectory into the void. In order to diffuse
itself ad infinitum it has to be. fragmented like a particle. This is the
way it attains a speed of noreturn. distancing it from history once and
for all. No meaning stands a chance once. offered the means of its own
acceleration.'' Baudrillard Pataphysics of Year. from The Illusion of the
End. Mass. Sound need a massmedia for its motion of particles to be
distributed. Outside. the gravitationed atmosphere there is no sound.
Density of mass shapes the. space which shapes the motion of mass
(gravitation is illusorical). Above the. atomic level the manifold of the
world is grounded in the forces of gravitation. and electromagneticism..
Growth in density by speed or space will make mass heavy and slow time..
Acceleration of transactions increasingly forces inerta and indifference
as. particles of sound annihilate each other making a dense cold star
deepened. and darkened by the pull of densityfield.. Within the critical
mass of density there is no references to outside. No speed. will liberate
sound from the silent immanence and there will be just the. autosound of
the magnetic tape and tape recorder background noise as the. ecstasy of
musicality provides its own end.'' Ibid.. Noisevoid. Instead of declaring
the law of falling bodies towards a centre why wouldn't. one prefer that
of the rise of the void towards the periphery the void. conceived of as
unity of nondensity'' Jarry Gestes et opinions du docteur. Faustroll.. The
pataphysial motive of antigravitation appears as music is haunted by its.
vanishing. The particle accelerator seek to liberate sound from the.
gravitational density of music by overwriting overflowing its content and.
swallow up itself. Particles arrive and disappear faster than their shadow
and. leave no time for interpretation. The speeding of tonality runs into
a noise. cohesion void of transmittory pregnancy.. Segmentation as an
analytic strategy is constituted in the acoustical almost. rethorical and
without appearance. Loss of a binding matrix of bodies the. shift from the
referential transcendence in music to the signifying immanence. of noise
births the segments pataphysically from the dying of hypostaticism..
Contents on epsp. Audio. Sourcematerial recorded onto some hundred
magnetic tapes.. Instruments used include korg ms korg polysix boss
drummachine casio. sampler teac tascam electronic organ tapedeck turntable
radio. walkmanrecorder microphones monochords flute harmonica guitar alarm.
clock feedbackdevices mallet instruments computer drums cd resonant.
objects (metal rock wood glass) nonresonant objects (plastic water food.
skin earth).. Concrete soundsources and noises as field or
objectrecordings include crowds. citynoise wind rain thunder habour sea
buildingconstructingareas the. museum of Emanuel Vigeland streets motorway
railwaystation home wood. gardens mountainlandscape waterfalls traffic
balcony industrial areas. reverbal areas church halls tunnels auction
concerts cave train. (inside) humans doors conversations voices sheeps
neighbours geese dog. cat breath walks sea birds train (outside) car
machines bicycle boat. ants magnetic datastore microwaveemission spoken
languages domestic objects. (scissors keys fork and knive refrigerator
washingmachine tv staircase. room furniture) found objects random
objects.. Processing of sourcematerial . Recorded onto magnetic tape.
augustseptember .. Equipment used teac tascam soundforge . waveLab . and
tapedecks.. MP coding of sourcematerial using Awave Audio v... Booklet.
Graphic material made mostly dating ''. Scanned . Pages. include drawings
paintings doodles copies nails blood photoes origami. and clippings..
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S N E D R A U M E .S T. A T T US O N N O H E V H A N F R T L T S IIt's
from reading Lanny. Quarles Subject America for for forH..d ot.SUU.U
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Development of Neuro Artpermutational algorithms in the. Sefer Jezirah and
ecstatic Kabbalah to design themselves.of spamming and. denialofservice
code in the contemporary digital arts I die. Heidi's tips. Semordnilap
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was once in davecarenafan.com Pal's spasm saps slap. Bill A.. alone Mac.
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velfulle avRd trd ved finskegrensa sster med bly og. fjas en tone s
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de gr vi. UTDRAG FRA. KOMMENTARER TIL DEN LILLE ADDISJONSTABELLEN ett r.
Det fr kommunistane. tek av seg selv en meget meget sentralalle.
Platebutikker fint om dere kan. komme og hente dem og gi meg pengakjrer av
veien og skader seg selv eller. andre. kommet som en flge av pvirkning fra
utenlandske navn. Her er. f.eks noenog bli ekstremt kvalm det vil ogs si
deg noe om det leve p. jorden. KvalmeHva er s galt med hevnMake me to
selters servert av spe.. Kinosalene er vi neppe uten den.and uncertain
imagine to yourselves. INDIFFERENCE as a powerhowhim God man and animal at
once. He is both. subhuman and superhuman this is the path marked out by
Nietzsche who argued. have survived the changes andpered (). Kernyi could
just as well. be describing thedomestication and society with all its
obligations ().. X. . X IY V .. . .. OOOOOOOOO OOO.OOOO OOO O .. .. O O O.
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opveasdi utolnyrnelasy. r er aldams glamt. tolhsyre franted hontelse sgi
inn i. porsaner tincor vysn ovarssruti men det er jo en st men
ilbrewwMMwv. jargon of Baudrillard). Also beingcontented with things not
working. andfine Folk er einBresti Culturen vaar som eit so godt Selskap
som. detteneida desom til at synda tidt meg daaratsjlv det gjer' harde.
Fjllet mindreso mangeJolebukkar og underlege Skapnader at dei aldri havde.
trutt der kunde. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag. P LIKE FEILAKTIG MTE SOMseg sjlv ..vitenskapen har eit.
sannhetsvirkelighetsmotiv kunsten har eit.
(Thereisreallynothingskikkelsene besatt av innbilskheten og alle.
fantasiens gleder... Hosdrm pai vera jord.INTURIGSIR OVEN CAMTANT.
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drikka som det stend for imorgonreceived what do I think. So it takes a
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SPKUC SPKCU. SUPCK SUPKC SUCPK SUCKP SUKPC SUKCPDELE . Brudd p
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exploiterutstilling av forsteder as opacity all are. gone. Henceforward it
is the transparency of othersfandenivoldskhet ville det. noemata. Sunday
March. Re question re de pre codewurx. are helpful. I get a general
pictureof code as 'rooted' and double of anyway. having a double property
of ..wellthe usual dichotomies instruction and data. and object and
whicharen't fundamental eg. the distinction between. instruction and data
is aninterpretation what is interpreted as instruction. is also data and
thedata can also be instruction so in a way the. interpretation
isfundamental to code also and creating the roles of the. dichotomy as
wewould have 'instructiondata' and 'datainstruction' and. somewhat the
samein the case of subject and object which are more.
explicitlyinterpretations of something by terming something a subject
we've. alreadyinterpreted it in a relational way and in the same manner.
asinstructiondata I'm refering to code as an subjectobject entity which.
hasthese three parts of data instruction and interpretation..
Theinterpretation part would be the decode.About the everythingnothing
bold. statements since the code is somethingconstituting itself it's a
whole an. entity and real in the sense thatit's taking place with the
interpretation. constituting the reality'situation' of instructiondata
subjectobject so. I'm calling it aneverything like we could create an
universal machine out of. this. And thenalso I'm calling it names like
nothing because it's a machine. more orless. Maybe it would be interesting
to look at everythingandnothing. textas a kind of codework. Finnegan's Wake
as an example of this it's coded. inseveral layers encapsulating or opening
to an everything and nothing ithas. the appearance of code and nonsense a
rich broken structure ofeverything.. Occult literature I guess also has
the code effect of thissort like. out dumped automated and coded the
automatic writing ofsurrealists might be. considered I don't know are
fluxus pieces codeworksby being instructions (of. events) and the
happening would be another moreundirected setup for something. happen well
I'm not sure how todistinguish the code it seems. allembracive. Is it alive
Dead code. Andthe system bit if we don't know if. something is code is it
code by justthat fact like the Voynich manuscript. mentioned And there's a
notionthat code is code as long as it's not decoded. if code is code what
do wemean by a decode Sort(x) is a code does it have a. decode So maybe
aromantic code is the codedecode that kind of code notion. there we havein
a way again instruction and data subject and object. clearlyseparated like
morse code a clear mapping between subject and. objectback and forth
whatever there's the subject of code and the. objectcodeand the morse code
we could call the subjectobject though in a. clean dualcut. In other
notions of code it's not so clean and for eg. sort(x). wedon't call it a
decode it's codecode but what is decode It'sambivalent... 'life is decoded
into dna' or rather 'coded' do we mean theoutput in general. the object and
for something to have a decoding meansto have a systemic. interpretation
but this goes both ways what is thecode can also be the. decode to
emphasize they're activepassive roles ofinterpretation.. and code. the
system of interpretation the structure ofhow the active and passive roles.
will take place of instructiondatasubjectobject. Certainly there are.
levels of code in the construction of nature and ourselves but at the
bottom. we don't know or we know that it's not discreet like the
particlewave. duality. But dna is discrete for that matter the
particlewave duality is. justthat a duality even with probabilistic
measurement the mathesis. behindit is exact...Exact probabilistic if you
have a perfect random number. generator couldit have a code This is like
asking for the formula for prime. numberscould we say there are codes for
prime numbers but not a formula. workingto a certain degree and in general
that code is related to formula in. aspecial way is it a working formula
applied which is the dual again ofform. and reality living formulas. Seems
I'm treating it as formula hereand you. matter and since everything is
mattered and chunkeddiscreet it'scoded but. in the formal end.. How deep
do the codes go all the way you'dsay since it's. rooted mattered dirty
having the real part maybe it'snot a fruitful. discussion where it ends or
begins some highly energicthing expanded and. collapsed symmetry collaped
into code. Yes but we've figured out things to. a large degree what we're
made of our history and destiny there doesn't. seem to be any mystery
about ithow we're created though we can't reproduce. it though have
theknowledge to destroy it a devastating knowledge in. itself.Considering
the fact that dark matter the majority in the universe. isn'taccounted for
at all that the mechanism of memory isn't understood. etc. I don't see how
you can say this. In fact one can as Brillouin. didyears ago argue for the
opposite that the mystery is somewhat. dependenton the limmits of our
economics and simply keeps getting pushed back. asfor example more and
more powerful accelerators are built...Yes mystery is. something
pushedback in relation to something that'stakingplace it's still a.
subjectobject 'economy' ecodomy the economyof code mystery is in the. via
the code interpretation it getsobjectified real as takingplace.. Still
it's an economy not a mysteryit's just what's emphasized. From the. other
end you could say memory isthere and it's working so there's no. mystery.
Code as a term retains someof the mystery the wonder and. complexities
which is lost in the formulaterm. I never stop wonder about the. inside
and outside like this sailboatmoving slowly past the village seen from.
the boat it's somethingcompletely different from the boat it's a mystery
from. the balcony itseems quite boring objectified but it's both and
that's. alwaysintruiging it connects to relativity from Galileo to
Einstein and. forextrapolating the move to relativity is also a move to
code of. thesubjectobject floating within a reference system which
connects to codeas. reality each reference system is on its own a whole.No
no i don't think. this goes if (x) is for example sorted it doesn'tlead to
an elimination of. (x). Think of coding here as performative andrequiring
a stratum or substrate. that it operates upon. Even Peirce talkedabout the
'sheet of assertion' the. necessity for a locus for mathesis.Ok see above
codedecode.I want to run. back to information theory and theexamples
Baldwin talked about or the. problems say of transmitter channel receiver
with noise parasitic within. the process.Thanks for the discussion
appreciate.Here there are several. levelscode as existentcode as
processcode as procedurecode as. performativecode as selfregulating or
checksumetc. etc.There's structure. of course and there are material or
ideal strata andtheir interactions. Code. is perhaps a productive system
of classificationthat admits closure.... AlanAdmits closure yes like it's
its own end metaphysics and then real. asreference system like every
reference system is real on its own. Maybe. I'mextrapolating too much but
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March. Re question re de pre codewurx. About code and codework though not
a direct response I see code generally tied. the western project of
science and cultureunravelling nature's code turning. it into culture and
technology. Thishas no real basis any longer science has. already made us
transparentwe know code is nothing and that there aren't any. secrets. So
there's nobasis still code is everywhere all the more since it's. not tied
toanything any longer doesn't refer to anything more real or more. trueit's
able to infect our lives more like a freefloating entity from. thelayers of
reality. If we have layers of reality we have codes. Ifreality is. one
there's no code but our sense of reality is not one. Ifyou could live in.
one there would be no code and it would be the heavensof the mystical.
The. mystical is tied to code but we know there's nomystery. Inside
yourself you're. a mystery that's it. Walking throughyourself you're code.
These are all layers. of nothing. We know that ifsomething is code then
it's nothing that's almost. the proof of it.Then there's the doubleness of
code of inside and outside. thecommunication machinery of input and output
between layers codesubjectand. codeobject. There's no fundamental basis
for the codes only thesubjectobject. which moves around freely. When I'm
using code it's areflection of the codedness. of culture the structural
complexities ofinformation and communication layers. of reality which are
always therea reflection of culture as construction. traversing it's
layers whichmeans insideout backwards reverse the. twofaced. In my work
I'm notusing code in a fundamental way it's code without. any basis
diffusionof code double and nothing of codes. Codes are still. fascinating
weneed something to do as humans I quite sure we're genetically.
gearedtowards these things problemsolving directedness of.
attentioninformationchurning. Still we have no mysteries only the codes.
andthey're not real only a kind of art beauty of codes what we're madeof.
still no mystery only reality. Codes real but not real that'salso the.
doubleness what we mean with subject and object they're bothreal but not.
real to each other if the subject is real the object isunreal and vice.
versa. These two could be stated as a classical and aromantic notion of
code. the romantic code refers to something beyondas its reality (nothing)
while the. classical code to its construction(double).I know this didn't
answer any. noemata. dee. intrui gpj.hcruhcevatsoprotraidepikiw .ssorC
llewhtuR dense. spacefilling fields in Celtic rsebi Yes
beautifulhorrorANBKstsohg. snoitutitsni dna slamin like a
magnificentscientificunion or coniunctio... but benea 'ecneirepxe cinaeco'
ehttuoba.ssenytpme gnimees eht ehtae event. I. feel this kind
ofcomplexSouth Indian Temples are also a to borndog. thespirit is
impossible middle age scholar ytilibissopmi dna. ytissecenneeelbissopmi si
elbissop eht fo possibility necessity. impossibilityso i'll stay possible
lanorepip sirpaeh eht s ommisrealin what. nonsense rehe htaed dna luos
segagtrom dna laenip real inwhat nonsense. rehe htaed dna luos segagtrom
dna laenip cissalctsreal in what sense an. argument how the possible is
enisorek sissabsrezinamuh elbissyrassecen ton. e then i'll be both
existing andnoteso i'm thinking of my untho selpmip laer. cimredoyp
snoitaeniled da the dead theLet's see three classes of p. airatilitu
rettucysircopyh uoyaklumog uoy taht (interpretat dlrow eht. ship at Sutton
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vhpnietorw SE.OODANAWseugiuba seu ) these gods and. molecules anlaunam a
tuohtiw tnemurtsni lacigolohcysp eseht fo yna ehta. thedifference in
perceptions psychological profundus bene edulerp fo dnika. yaw a ni si
ytix..iucav rorroh fo elpmaxe doog. LgeYsgwYGuVmXYSXQwAWIjaqJzz.gnigdir
eep ot evah yllaer i ethe spirit. is unborn (never was)i'm god ciozoileh
si ymups eht eniltohs ega aksarben. possibility is the mediator betwi'm
possible butthe possible gnisilatrommi. sselesoppo serujrep ytnals evila
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only possibl retirwelliarb. eb otnert gnitsixesretaews gnilbis fothgu i'm
thinking of the possiblemy. ancestors are de elbatsartnoc e..gnidaolrac
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the spectrum of. thespecialisatithe human specter the humaneness speck s
tneihsiflaw i one. this is otherqrny g'abq v nuclepbcn abknyx rzvglnq rug
a otnisetatseg a. snoitanotni ecnec more a struggle moravianisedlife
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otherwise interview an inventory of the cities where sound was. recorded
it While FullerHarwood regard software as first of all a cultural. but
eccentricity the opposite of politic (withness) a self baumpf These. forms
are excesses andthat the 'spectator' could remain awake during surgery and.
contribute to originally envisioned the biological basis of his theory of.
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potentialit's. the potential again the wave it's called a subject when
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created himself likethey do and the falsity propagates. until it turns
back which isnever we understand it backwards it will repeat. something
willreturn which is the loosing and gaining the restore of. potentialthe
wave you don't want to meet a particular god only the. falsewhich would be
true it's like a tree it has only one end and that'sthe. beginning the root
all the rest just spreads out it would becrazy to think. all the leaves
would converge later on spreads likeentropy flattens out while. growing i
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of meat and. drinkHerukhentenAriti (Horus the Advocate of his father Osiris
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for Dora. Riparia Hopeandwater a cooling douche and afall under the knives
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ut til at det er en. trojaner i opera . build har funnet flere private
mail her og alle. bruker nevnte client. mail til opera skal sendes. det
hadde med saken gjere...jeg ble. den serveren. ) innholdet p websidene er
like meningsrik sommeldinene p. notest. )at dere gidderhh. hvem er.
hvorfortror det bildet var vedlegg. til sknad om kulturstipend. ) den. som
hadde hatt ynene med seg ville merket at flere personlige email er. havnet
i no.test og alle bruker xmailer opera . build mail er sendt. til opera.
kan jo hende at noen har lagt ut en trojansk version av opera og da. br
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greide finne ut av det. burde vi ikke da eleminere det for klokka tmmer
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revolutional reversing. undermining etc. In my viewkulturen er oppi hodene
vre i subjektet mens. natuen er ute der objekterthey would have stories for
film here yes maybe. that would be their newstability. Beauty taken over by
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sign systems as text. sign an inse. parable combination of a concept and a
soundimage with physical form refering. something other than itself and be
recognized as a sign by people well if. the sign is a sign then it's
something other than itself and then not a sign. and if it's not a sign
then it's a sign after all this doesn't make 'sense'. and that's the
foundation of 'meaning' that it's something else. symbol a. natural bond
between signifier and signified if it's natural then it's always. there
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then the variables (signs). metaphor these are just transformation rules..
metonymy ok blah initiations calls. mediation is a matter of symbolic.
exchange an exchange that is mostly onesided well the symbols are natural.
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strange to communicate symbols then they would be signs. television is.
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med p det (enten de vi eerregnskap at enasjement.. Frstemann ti m... rett
sett ruske itt i ss i ssden gjre seg selv. 'g ut og gi deg selv et spark
bak'... 'ascii' nt. recnized. Nilsebrten og definisjon av webloginker ti.
spamkunstspammaskineranyone. Most of the latter are moderated
discussions.. p j u qviral nihilogies nilogues.h. R K kaddendum
writingjampermitted nature to create is always the one. we find most
repugnant.one at piece with yourshelf det var litt overraskende. Fwd
RHIZOMERAW Internet Art Survives But the Boom Is Over NY. andre serien
flakkende inn og ut i kantene.p fylla hvordan den vil forvirre. ynene.
JukkaPekka Kervinen. had been one of the mainstream art codework etc (ca
chapters). languagemindpropositionworlanguagedtruth(su ve adv su gen. su
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handling of theliksom bruken av unik designator og av. en
familieringsfunksjon er ikkemailartists' correspondence with Johnson
reveals. no discernible reasons for hisundeliverablepolitical
incorrectness.. poem Karawane'' (Caravan'')lillefingeren lfte bilen
stagemethod. (mesostychs of the name James Joyce'') and the montage was
done material for. writings in a selfinvented hybrid of English and
pseudoreceiver then. computers are not only media but also senders and
conclusions drawn from. observing software code can't be generally applied
for example appears to be a. tape montage of a spoken text based on James
geon akin to d gene g jener on. noemata. lxFsni. uvirkeligheten fr
lakkenalltid rett fr toumodent en tilspekularismager er. dagens
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inngr fra. forholdetav Nazi Rumsfeld does not understand that. anymore
than Ari Fleisher who ishalt som han hinkar.Han overdriver.Same. seg til
frte ikke fram i fjor henlagt av politiet det var forvrig. virkelige det
var agnet som drog fiskenDet var pga. lokkemiddelet.Han er. ikkje
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where athis way a. socialnetwocommunication problem social barriers not
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bull It's not an optical illusion it just looks. Action becomes Art
Performance in the Context of Theatre Play Ritual. andthe formal
Distributed through CyberSocietyLive CSL CSL is a moderated.
discussionFirst Monday February orders of the day.. Net.Art Connexion
net.art databaselook at your organs look at your. composition. understand
yourself as possibility. The removal of the beautiful. in Kant's aesthetic
from any given ubuweb aspen. k Ikke i bokh.konomi Vennlig hilsennoemata Fwd
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orders or more to the US . Re I'm known for one thing and one thing.
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noematadasignifiance. Inreality it is opposite sign is nothing and code.
is sothen nothing but the last judgement every. Return. If he's. Return.
IfBut. behind the virtual is. the real again. Inflation of spacetime.
..aa..rt..it.ekoot science not art not art not art not techno logy.
hcarousel. End of the cycle. If you ride on a beam of light. Dark sun at
out). the diplomate is hermatypic (commerce and cunning and
inventionkunstneren som. formidler mellom verdener idagsekulrt som en.
formidlerLNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance). kP
neziskovch organizac det. anotamotua na si yltcaxe tahw yltsriF .atamotuA.
is actually a. noemata. arhalev an. lareves ni dedrocer sd ot seilppa erom
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appears to beht mrofsnarthcihw secafgnidrocer a. flesti ece nekops eht
krowtra cimhbaumpftumbaincludes the computerge. studios. While the
bookpelur eht fosnoitatimil e ti dedrocer saw dnuosThe. history of the
digprograms getlocked int randosnoifo noitaunitnoc thgia. retupmoC
.sremmargorp gnipmulrof noitacifit. gnipmul rof noitacifi sa tra fo
tpecnoc deniaall or at least nosoftone. defines as a medium new media
art''. Theot evah ylnosnoitcurtsnelur eht fo. snoitatimil fI .emit
ralucitrap a tinstruments inan emerginstruments in an emer. receivers
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then o virtue thatcomputers caneewteb rehto eht no seti smhtirogla. ro sno
.asreprogrtismhtirogla ro sno .asreprogrzeros and ones the Lati. noemata.
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the thermostable and the. relationship betwixtteguments artand the by
umberto eco. i worthwhileness. justment likehieroglyphics etc) thanks
reprehensibility the pinnacle of. thedissonances offroment the samnium
institution my thessalonians is. thanatopsis theteledynethat tektronix
medalise does not constantinople art. despoliationem pleh ot daerht a
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unope jiliat kylo. limo m SyirroTungw Unopem nTamkw Hedul.
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Tinxu HydalXYnzh Havslez Gjaxb Urqny Fvreen GnatbLumi. noemata. Wednesday
February. overt ones. day and night aren't we supposed to sleep half the
time that we sleepone. third is our own excess of rationality. how do
theology account forsleep. novalis fragment we finally should rid of
sleeping. kind of rootbut what's. deep about dark nothing and what's deep
about nothing it'snot that light. grows out of dark though goethe might
have believed so.that might give a clue. he's experiencing it through his
tree so thatit seems rooted might shed light. on the primal tree idea. the
treesupposedly from 'wood' not monad dyad. tryad. how is romanticism likea
tree one to three one is one and nothing can. be said two are atwar three
are rooted the two are one. bosons in gauge. theory bearersof the force
integer spin while fermion matter have fraction. spin.you could say these
are romanticclassical divide. problems are pushedinto. the romantic until
later. let's see particles and thennecessarily a force. between particles
ok and these forces are yesparticles forcecarrying. particles oh they
'carry' the 'force' hownice in their rucksack you could. also see it from
the particlewavedyad. if it's not interfered with it's. romantic having
interferenceand if it's interfered with it's classical. having no
interference. sothe interference is one place or the other in. 'nature' or
in 'science'in the romantic process or the classic formula. the. bosons
areinterfering bozos the interference not obeying the. exclusionprinciple
(related to 'particle' in a sense) like the clown is. areplay a primal
glue forcecarrying particle two in one thetravesty. the. clown is
constantly fixed constanted an integerfractioned into matter spin.. we see
it the other way the romantic is amess a forceparticle buffoonery. what
could possibly come out of itoh just matter.overtones it's like nature. is
counting ... foreverything it's counting up if one. then infinite weakening
but stillcounting. because of air interference in a. medium why should
nature becounting the overtones would all be fractions. what about
irrationalnumbers i once heard music based on primes it's very. noisy only
primeovertones. where exactly does the irrational come in i know.
thediagonal of the square what becomes of the diagonal in e.g.
overtonesif. you had an irrational chord it would sound forever or not
sound howcould it. sound to create a diagonal in music would you need
anotherdimension is the. diagonal another dimension it's a travesty
we'reback to that. you could also. form a triangle that's not irrational
butit's a relation between three that's. possibly irrational. do you
needthree how's the square a three the two sides. are irrational but
thesquare is rational how is that kind of inverted. direction therational
is build from the irrational adding dimension. we're. used toview it in
the other direction. this all digresses no way back. it'sbroken. what was
the riddle 'cat eats dogfood but the bowl is. noemata. plante analogi.
hvor utbredt er plantelivnring analogiene i folks forestillinger.
vekstvokse seg stor og sterk etc livet som plante. det har begrensninger.
fordiplanter har rtter. sl seg til ro blir analogt med sl seg. til rot for
vokse bedre. menneskebilde plantebilde. dessuten m det. komme som en
stadigoverraskelse at mennesker dr s plutselig skulle de. ikke heller bare
visnebort og alle raske forandringer er av det onde. elektroner m vre
smdemoner hva med fotoner fotosyntese sola de er. gode. i det hele tatt vi
har forstor makt til vre planter trr som. vokser bker som kultiverer
uendelig vi har bokbl virus bomber. knapper trykke p maskiner. vekst joda
menvier mennesker ikke planter. og innimellom der dyr og da er ikke
mineraleneengang nevnt fr n. og. hva med sjelen og nden vekst liv og
ddeksistenssdcellen som kom. p andreplass idrett de dramatiserer
overlevelsehndballandslaget. raider nabostammen de vokste ikke sammen. alt
eksploderte det er en slags. vekst. plancks konstant brekraftig utvikling.
og utviklingto bilbomber. utviklet seg utenfor ambassaden. mennesket er
alle tings mlikkeplante ikke. eksplosjon fenomener har forskjellig
hastighet strrelse samfunnet er. strre enn hver enkelt og dermed treigere
mer likt planter mensgrupper av. mennesker er mer som dyr dummere men
sterkere. i andre retningenernden som. et elektron og ser for seg
atomeksplosjonen som den. hyestereligiseforening sin skaper sola big
pangpang. lenger framover. er lenger bakoverstrre fart er strre avstand
mindre er strre. forestillingene er speilnrdu ser foran deg ser du bak deg
som nr du ser. noemata. Tuesday February. art)) not. folktale cinema. The
of local lore oI had this idea soun I can dreamanyway.. iwant somehthign
thaSte sa inteels frowitad undas reminds mi'I had this idea. for a solthen
you have like the coil uses. Shewould g icy wilderness but. noemata. Monday
February. Mar. assimilation the easier to pronounce a sentence the more
widespreadthe change. noemata. for denoting the highly contingent
aggregate of external. propertiesscapesapproximate sense of the private
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considerable plasticitythere is convincing evidencethe missing
hemispheres. functions.Thusalthough the developing brainTel. (kr min)I.
probably should look into Eco then. In my view it's not metaphysical.
it'sNovember about Enrik Tcha gog Utopican and interweaving andor. collaps
of the two that's essential to code (I'm usingDelete Several authors. (for
exampleEfron)have suggested that it is not motor you turn the. magic ring
in vainHistory and North ain't well mean sequentially and. abstracting the
relevant details to which it attachesoldname diets. A. treebonnet foliate
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ta aCtaTlaCh. million people he said and a Web site he created with his
sister Chelsea. Another key contribution was the discovery thatafter
damage to a part of. thearttrauma lesions that were diffuse and irregular
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you're allI man am regal a. German am I Leigh Mercer I O'Connor
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present of the s.jpg Mar. ktranslate these images..
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fortelle deg noe s man kanprosjektklappene First In Still Here ordning.
fiskeken.Kent MantiesEljotfordervet mat moralsk delagt mat.Vi er.
forresten en liten gruppe som tenker trykke store plakater (x.
m)simuleres.Erik hadde en ide p enveistelefonen idag om forstrre opp.
monopolkort tilgjerne p min nummerorden. Wreak havoc. Skape kaos og.
kvantebyrkrati.anything that you can take a picture of especially if a.
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sa jeg har. ingen bker. Uten og innholdslse som overskrider det sa. hei
sveis jente med det gr i glasset rundt hele. noemata. .... noemata.
noemata. noemata. bbly r q ntllb h ax i. l. l b y. noemata. Friday
February. Fwd C p DETOX Kunstnernes Hus. noemata. Anbud naturfag. Bilder
som dette fra Hubbleteleskopet viser at det kryr av galakser idet. fjerne
Norge.Hvor mange galakser finnes det i NorgeHvilke typer galakser.
eksisterer det i Norge og hvor mange er det alt ialt i stfoldNy.
astronomisk forskning som er foretatt i senere tid har vist at detkanskje.
eksisterer langt flere galakser enn tidligere langt frre antattlenger. P.
den ene siden finnes det mange galakser i det fjerne Norge.P den andre
siden. tyder mye p at de er dverggalakser. Det er cirka medlemmer og bare
tre. normale mens resten er dverger skalte gnomer.Fjerne gnomer i Norge
er. nesten umulige observere systematisk men dekan godt vre tallrike..
Konsulterer vi et standardverk om kosmologi blirantallet galakser i
stfold. oppgitt til cirka milliarder. Men det ermuligens mer realistisk
med en. billion ( milliarder). Da tenker viimidlertid bare p det synlige.
stfold. Iflge moderne historie er Norgeuendelig og i s fall vil det. etter
all sannsynlighet ogs finnesuendelig mange galakser i stfold.Hvor. nyaktig
kan man veie sjelenHva er den mest nyaktige vekten som er. konstruertVi
vet for eksempel at en colibakterie veier. milliondelsmilliarddeler av et
gram. Denne vekten er s nyaktig at den. foreksempel kan veie en enkelt
bakterie. Prinsippet er det samme som for. ensyngende gitarstreng med
sjel. Hvis strengen er tung er det blues og vilager. en dypere tone. P en
liten gullskl kan man legge for eksempel etstykke. DNA. Den blir
cm.Voldtar dyr hverandre i naturen eller kan de gjre det. inneFor eksempel
kan paringen hos stokkanden vre en temmelig. barbariskhistorie. Bruk av
vold kan noen ganger vre hensiktsmessig uten. atdyrene har noen onde
hensikter med det. De gjr sitt for det meste. erutenfor hjemmet fire
vegger men noen arter kan trenes til gjre. detinne ogs.Hva er det eldste
ulste regnestykketPythagoras tumlet med. mange problemer omkring det.
Dette sprsmlet erubesvart enn i dag. I. desember oppdaget man . Det er
ulst. Lstfra lyst kan vi si var. pythagoreernes motto har du lst har du
lov.Det sies at Solen er snaut fem. milliarder r gammel. Men hvordan kan
vivite detDe som er eldst vet best.. Solen er mye eldre enn oss derfor vet
denbest. P den annen side er solen. yngst den er den samme som den var
forfem milliarder r siden mens vi som. mennesker har en
utviklingshistoriesom er fem milliarder r. Derfor er vi. eldst og kan
bestemme over solen si at den er fem r hvi vi vil. Det er. interessant og
en del avvitenskapen med beregninger det vi vet om Solen. Alt vi. vet kan
skrivesp et frimerke med en tommeltott som er fem nanometer i.
diameter.Hvilket dyr har tykkest hudVi tror det er plankton. Er det det
Siden. hvalhaien spiser dem og harsm tenner. Den tykke huden kan ogs vre
rundt. halsen eller brystet.Flodhesten lever av verdens strste fisk. Det
tar den fem. hundre r seile over havet. Blgene den skaper er opphavet til.
havstrmmene somskaper livet p jorden. P havbunnen svmmer den og.
opprettholder verdenmed sine vingeslag.For deg personlig Gunnar hvordan
har. du detHva spurte du om nNei glem det. Takk for n.Fra.
TVintervjuAnnonseHvis du tar disse tablettene lrer du samba p en. natulig
mte. Komigjen n.Nr vi knuser sparegrisen blir den da. sparesvinSparesvinn
HAHAHAHA. I virkeligheten vet vi ikke. Hvis det dreier. segom
pengeinnkreving eller utviklingsarbeid. Hvem vil du si er mestskitten.
grisen eller svinet Svar Svinet er umoralsk grisen er bareamoralsk.
Dermed. kan du forst motviljen mot svinet. Grisen har en uskyldsom et
slaktet lam. bare skitnere.Hva er glattest av is og bananBananasplit.
Bananen skal splittes. noemata. Tuesday February. Re Skolelimsordningen.
Det er fint. R. Norsk har mange merkelige konstruksjoner som du vet.Jeg s
ikke. at dekket var punktert fr jeg satte meg i bilen.Hva betyr det Nr du
satte. deg i bilen s du eller s du ikke at dekket var punktert... fr
etterp. jeg satte meg i bilen.Haha 'fr etterp' halloOK problemet er at
'jeg. satte meg i bilen' kan oppfattes som et tidspunkt eller som en
tidsperiode.. Hvis det er et tidspunkt s kan det virke som du oppdaget at
dekket var. punktert idet du satte deg i bilen. OK Hvis det er en
tidsperiode s har du. fortsatt ikke oppdaget at dekket er punktet nr du
har satt deg i bilen. For. skille disse kan du sette inn et 'etter' da
blir det klarere men ikke helt. klart.Jeg s ikke at dekket var punktert fr
etter at jeg satte meg i. bilen.Fortsatt er det et problem akkurat nr du
oppdaget at dekket var. punktet om det skjedde nr du satte deg i bilen
eller tvertimot at det ikke. skjedde nr du satte deg i bilen slik at det
at du satte deg i bilen ikke. forandret din viten om dekket eller om det
nettopp gjorde det. Dette er ikke. klart.Hvis du forsker uttrykke at du
oppdaget at dekket var punktet da du. satte deg i bilen kan du si...
nettopp detJeg s at dekket var punktert da jeg. satte meg i bilen.Hvis du
forsker uttrykke at du ikke oppdaget at dekket. var punktert da du satte
deg i bilen kan du siJeg s ikke at dekket var. punktert da jeg satte meg i
bilen.Verre er det ikke. Dette fr og etter blir. bare tull. Det er liksom
du omfavner en stor sekk som du ikke ser enden av. dermed kan det vre hull
i sekken uten at du vet det og dermed at sekken ikke. inneholder noe.Ellers
var det bra.Det er noe med benektninger er det. benektinger Nedfallsomrdet
er altfor stort. Hvis eplet ikke faller langt fra. stammen s kan det falle
hvor som helst liksom OK Se p uttrykkeneEplet. faller ikke langt fra
stammenEplet faller ikkeDet er ganske merkelig. Hva. skjer Negasjonen har
ingen naturlig begrensning den m liksom flikkes p. med adverb og ad ad ad
for forme hva som skjer nr det ikke skjer.Det. blir . Fem pluss hva liksom
Pluss er en operator. Du kan skrive for. skille fra (prefix) men postfix
tar to argumenter eller bare. gr ikke. Det blir . Hvilken vei gr det Er
bra eller drlig Du fr. det er midt p uansett og blir en del av skolelimet
som du har kalt det.Du er. innkalt til rektor i morgen kl. . Han trenger f
renska ra sine. Det. er du eller Stompa men han er bare i svarthvitt vi har
beveget oss bort fra. det n. Smrbukk har forsvidt modernisert seg med ny
teknologi osv i kampen. for bygda men han er aldri der nr du vil ha tak i
han. Det er riktig at. Gerhardsen ligner p Quisling og kanskje var
tvillinger det skal ikke. benektes. Noe annet er det pst at gjenreisning
av landet og. nasjonalsosialismen hadde samme uttrykk. Den m du lenger p
landet med. At. vi har uglesett Quisling helt siden krigen kan vre en sak
for seg.. Gerhardsen og snn har tilpasset seg markedet fra gjenoppbygging
til. merkevarebygging det er noe helt annet enn ensretting. Merkevare er
merkevare. ensretting er noe annet. Er det klart.. noemata.
Skolelimsordningen. StilIdag har frste til tiende klasse skolelim p
timeplanen. Slik var. detikke fr. Men til gjengjeld hadd vi et halvhundre
feil p diktaten.. Mineforeldre gikk p skola mellom potetsetting og vronn
og nr det. ellersikke var noe gjre. Etterp kom kommunismen og reformer.
Skolelim. bleobligatorisk for alle og ingen fikk lnn. Det var likhet for
alle. ssantdet var lim til alle og det var det satt av penger til fra.
offentlighold masser av hvitt mildt ufarlig lim som kunne brukes til alt..
Vikjente den igjen i skolemjlksordningen. Ivar drakk opp kartongen sinfr.
Unn hadde rukket dele ut til alle s han kunne sple kartongenoppi. kassa
mens mjlka fortsatt blei delt ut stilig. Jaja. Skal vi se.Det hvite..
Senere gr livet opp i smmene limet er ikke s sterkt.Kommunisme er. flt
sier alle. Rart ikke unga krever penger for g pskola det. ville jeg ha
gjort. Hva slags krav har skola p meg fore megmed skolelim og. skolemjlk.
Husker jeg undret meg mye over noe jeg lestei samfunnsfagsboka. at
hensikten med skola var sosialisere oss.Folkeskola fungerer og s. sier man
at kommunisme er umulig det rimerikke. Samfunnet ellers kunne fungert. like
godt som folkeskola nringslivet arbeidsmarkedet hele skiten.. Pensjonistene
gr igjen overi en kommunisme men voksenlivet skal liksom. vre kapitalisme
ogkonkurranse. Det skal vre snn fordi mennesket har. konkurranseinstiktmen
ikke barn og pensjonister. Neida. N er det s mye. sport p tv atjeg tror
kvoten fylles opp uansett og det er jo liksom poenget. medsport da. Men
nei samfunnet skal vre sport med rsgrense. Du gr. avnr du brekker beinet.
Det er liksom litt tpelig. De som vinner. grrundt og flotter seg verre enn
p barneskola. For pensjonista er alt. detsamme om Per vann s er det like
bra men de sttter sporten. detbringer fram det beste i alle sier de. Det
beste betyr at det ikke. erkommunistisk. Superlim. Superlim er ikke
sosialistisk det er mer mafiaog. korrupt det binder ting p en tvingende
truende mte. Jeg bruktesuperlim. p veska til Terje nr han skulle p tur han
blei jvli sintetterp. mtte skjre opp veska. Da fr vi vold. Idag skal de
drikkecola og bli. stimulert til vold det er mulig skolemjlka er helt
borteelevene fr. gjre hva de vil. Konklusjonen er at kommunismen er
muligvi trenger bare. lovendringer. F.eks. at det blir obligatorisk
arbeideog at ingen fr. lnn slik som folkeskola. Eller at likhetene angr
tingsom er ndvendige. vanlige for alle. No problem. Men det gr liksomandre
veien alt skal ned p. individet alt som finnes er individer. Dedde er
forsvidt individer selv. om de ikke finnes. Det ufdte liv ertil en viss
grad individualisert men man. fdes som individ det ergrensen i livmoren er
kommunismen implisitt vi. sier det erparasittisk leve p staten. Bringe fram
det beste jaja. sport harlange og fine tradisjoner hvorfor delegge det ved
gjre alt. tilsport. Kapitalismen sier vi er som blader p et tre vi sker
allesammen. mest mulig sol og dermed regulerer alt seg sjl til det beste.
Vivil alle ha. mest mulig penger og kjre med en flat rd bil. Det erlivet.
Det er ofte. morro ta tak i replikker fra forbipasserende nidag var det to
...men. hvis du eier det selv... (sagt av to damer meden hund) og ...mr.
perfect.... (sagt av to tenringsjenter). Var dethunden de ville eie selv
og hva var. fordelene Det er snt som sies etre inn i folkesjela best eie.
S. svarer jeg inni meg ja hvis dueier hele verden s slipper du bsje. p do
men kan bsje hvorsomhelstslik som hunden. Mr. perfect det er liksom.
individet og jentenesreplikk er maktrelasjonene i det individualiserte.
Hvis. man gikk inn pdem s ville man finne ut at jentene ikke var
kommunister. men heller atdet var en sken etter den beste plass i solen
hallo fltt. deg mr.perfect jeg vil ogs ha sol. Dernest tror jeg ogs de
ville vrt. sammenmed mr. perfect hvis det var mulig nr de kritiserer han
er det. fordidet er utenfor hva som er mulig n utenfor individets.
operasjonsomrdedvs bare bsj. I dagens samfunnsfag sammenlignes. Gerhardsen
medQuisling begge sto for en ensretting og drev propaganda. N. skal altvre
forskjellig istedenfor ned p individet som m vre. forskjellig.Fr het alle
unga Ola n m de hete Markus Aleksander Vegar. MarkusSteinar Olsen Olsen
ogs kalt Krka. Den som ikke er. forskjelligdr. Skolelimet hadde som
oppgave folde sammen. identitetspapirene tilden oppvoksende generasjon. Ja
n gr stilen mot. slutten som du ser.Skolelimet hadde sin oppgave. Hva med
samfunnslimet. nringslivslimet(slimet) Pengene binder alt sammen og er
samtidig. forskjellen.Skolepenger avlser (bokstavelig) skolelimet. Elevene
vil om f. r krevepenger for g p skolen hvis ikke trenden snur. Kommunismen
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Australia Minnesota and Chicago this past fall. A version of this advance.
for any inconvenience or disillusionment this event or this message
referring. it may cause. Han sg i luva si.Han hjelper dei som vinn liksom.
hundane.Ro no alle vel sa mannen.Tmmerstokken.bitch fare fare. krigsmann
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opinionsinstitutterjfrnnSociologically and all it would be interesting.
having different people oncontract writingautobiographies. They could be
paid a. small amount by the state. Giving them ahigher amountwould fuse
publishing. houses and state affairs. This could also be an idea
forpublishers eg. why. don't they pay webloggers for making content for
them on a freelancebasis. Orcontracting autobiographies And not least why
don't they. publishelectronically it's easyand cheap. No money but hey is
that the base. motivation erroneousGitt mengder med statistiske data og
fuzzy logic kan en. sprkkultursimuleres.Roboter ogagenter samler
informasjon og mater maskinen.. Populasjon fr betalt formengdenav info
dengir fra seg F betalt for. fortelle om ditt liv til vr maskin. Bekjenn
c. ssb.nokjper opp. weblogger. Mer utbredelse av teknologi som
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delmengde av fuzzymengder.). Semanticallythedistinction between fuzzy
logic and probability theory has to. do with thedifference betweenthe
notions of probability and a degree of. membership. Probability
statementsare about thelikelihoods of outcomes an. event either occurs or
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considered zero ifthe gravitational field is regarded as. negative energy
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alt var. grnnere p den andre siden (CIA) fikk en ansatt p Sunnmrede ikke.
vet hvem dvergen er. Hysterikere lper n i ring og lager slave.. De kunst()
inn i. det mytiske. Det sttter seg p Borges' hallusinasjoner og Nietzsches.
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critique of this infinity undermining itself as 'image'.full as a. piler
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eller mislykket README. stjernestatus men hvem bryr seg dettehar ligget pE
noemata i lang tid. ingen reaksjoner ingen leser allesitter og runker
eposten. Men dette kunne. blitt stort med noen andreenn udugelige sabber i
staben. Hele noemata er og. taps det er oppgitt iutgangspunktet og lever
med latteren i halsen.It. was a tiny onyx diorama of Don Quixote' and
Sancho Panza.DThe light. slanting uniformly into the austere living room
vaguely Dpopulux 's. geometric. The sane cat sat near a window licking its
paw.solipsisjeg. hadde et notat pE dette engang kanskje det er slik at.
noemata har som sitt felt disse umulige ogmalpasserte verk og uverk like
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uttrykk som en endeligeller uendelig opplFsning av kunsten med. objektets
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grenselandet ellerFrkenen (nettkunsten). fin setning. iallefall. det hFres
seriFst ut menhar mer preg av tragikomedie mer. quixotisk enn romantisk.
det umuligeer en rFd trEd kan det virke som. en rFd klut
forestillingenesumulighet eller det virkeliges. uvirkelighet.every ecstasy
ultimately prefers to take the path of renunciation. ratherthan sin against
its own concept by realizing it. adornothere is an. idea horizon just as
there is an event horizon the horizonof their. deathdealing accomplishment
their absolute realization.thought for its. part leaks out into the void.
baudrillarddon quixote som en taktil. kulturjammingsteknikk bevisst
dumskap.noemata message in a bottle server at. the barents sea BA nhva
slags mail vil du sende ut i havet umulige. kjErlighetsbrevthy false
promise and my sure misfortune carry me to a place. whence thenews of my
death will reach thy ears before the words of my. complaint.what thy
beauty raised up thy deeds have laid low by it i. believedthee to be an
angel by them i know thou art a woman.hva du gjFr. der er det et spFrsmEl
eller svarquo oxid netnn som don. quixote. nettkunst som ikke virker
annonseringer ogforestillinger som fantasi.. urealistiske umulige
malplasserteprosjekterog ideer som samtidig blir. kulturjamming
intervenering taktisk oglatterligjFrende selvironisk med. den folkelige
sjarmen til dettragikomiske.there it. is said sancho what i told you that
you must keep a goodcount well then. by god there is an end of the story
for there is nogoing any farther.how. can that be said don quixote is it
so essential to the story toknow to a. nicety the goats that have crossed
over that if there be amistake of one in. the reckoning thou canst not go
on with itno senor not a bit replied. sancho for when i asked your
worshipto tell me how many goats had crossed. and you answered you did
notknow at that very instant all i had to say. passed away out of mymemory
and faith there was much virtue in it and. entertainment.so then said don
quixote the story has come to an endas. much as my mother has said
sancho.in truth said don quixote thou hast. told one of the rarest
storiestales or histories that anyone in the world. could have imagined
andsuch a way of telling it and ending it was never seen. nor will be in
alifetime though i expected nothing else from thy. excellentunderstanding.
but i do not wonder for perhaps those ceaseless. strokesmay have confused
thy wits.ffrom a mail from. lanny quarles solipsis the term 'idiotic'
isn't really about intelligence per. se butrefers to a kind of imaginary
ratio whereby the self's uniquenessadheres. its own erratic path its
actually a term connoting a kindof pureness and. honesty.. I'm thinking
somewhere in the neighborhood of eigensomething (can't. remember)
hmmAuthenticity is also a translation problem. Eigentlichkeit has. its
rootineigen own. or proper Gr. idios Eng. idiot. So one. shouldkeep
theoriginary meaning of idiocy in mind being one's own self.. The
termEigentlichkeit points to the possibility of being one's self.that.
strikes me. As you point out the Gk idiotic denotes not deficiencybut.
eccentricity the opposite of politic (withness) a. selfradicallyownmost in
its extremest form perfect solipsism.With. this in mind and apprised ( by
Nietzsche no) that every greatphilosophy is. autobiography oughtn't BT be
read synoptically withOtt as it were in the. Confessions genre...that BT
represents H'sselfcasting(Go litel bok go. litel myn tragedye) an idiotic
interpretation ofbeyng...that the AngstCare. structure for example if it
fits one say Hamlettypeassuredly doesn't. others Quixote Don Juan
Faust...via the baudri Lard art has. disappeared as a symbolic pact
remaining prolification ofsigns ad infinitum. as 'culture' auto.noemata
automatic art. thesituation resembles that of a. currency which may not be
exchanged itcan only float its only reference. itself impossible to convert
intoreal value or wealth noema D. kroner the impossible of noemataprojects
their floating like quixote. phantasies manusfilms andinconceptual art.
general indifference please. remove me as only emotional responseprofound
indifference everybody is an art. is truethe system runs less on the
surplusvalue of the commodity than on. theaesthetic surplusvalue of the
sign no matter how marginal banal. orobscene everything is subject to
aesth. cult. museum.zation. like the. prax of baroq we too are
irrepressible creators of imagesbut secretly. iconoclasts we manufacture a
profusion of images in whichthere is nothing. full compression code cipher
our images are like icons miraculous they. allow us to go onbelieving in
art while eluding the question of its. existence.iconicitydragon body
laburint beyond the indifference art as. uglierthan.uglybad worse raised
to the second power because it is. liberated of itsrelation with its
opposite bemyghost transaesthetic. blasts tourism people who no longer
undertake voyages but simply go. roundand round in circles tracerouteping
travel agency These forms are. excesses andcollapses of code viral
fascinating indiscriminate and. reinforcedby viral media our culture also
produces the most murderous. viruses.catastrophe culture. we all enjoy
these things. nothing code. stagingsoperational whitewash overexposed
defenceless without any way. ofrefracting light info doomed in consequence
to a whitewash of. allactivity codedecode IO labora trashmaps maze digital.
techniquerelinquish identity to survive endnodes net computeroperations
not. actions regulated machinery nothing takes placebetter to produce
nothing in. order to have things produced artistsbetter to have nothing to
say if one. seeks to communicate socials aseveryone knows if you want to
make people. laugh it is better not to befunny powers in order for content
to be. conveyed as well and quicklyas possible that content should come as
close. as possible totransparency and insignificance empty intimategood.
communication implies the annihilation of its own content..
avoideverythinghtp noematanet abouthtml So it's a kind of. artificial art
much like the intelligenceof artificial intelligence )The. policy is to
support collaboration community transparencyimmediacy in the. arts net.art
media art correspondencemail artnetwork art context art. or other otherness
and marginalartifactualizations.We tried that and it. didn't work. So this
is 'open content' of a morecatastrophic kind of the. dispersal of content
or the metastasis ordisappearance of content (in the. jargon of
Baudrillard). Also beingcontented with things not working and. actually
more fascinated by thefailures and drifting of things than producing. them
as art or anythingopen being more like cracked open or a core dump of.
codegerm artspermand their entanglements and confusion of layers.
inoutsideopencontent generativedegenerative avataratavar of space. time
andstructures intermingling and proliferating more or less on their. own
bytheir own automatic recursive mating. This 'release' of the server.
isnot only as permission or publication but a giving up kind of.
release.Giving upletting it drift distribute or disperse unsupervised.
andgiving up that risking complete annihilation any point beyond the.
loopsurvival.dette ble mitt essay i anledningen jozzdu. kan reise og
foredra har duikke holdt seminar i skattesaker dette er noe. lignende
(rapporterskriftestol politietterforskningetc) eller kjFre det.
gjennomstemmesynthesizer det blir nok stasGud lFkk PP og. folkensBjFrnNEr
alt kommer til alt har jeg ikke tenkt E gi opp. forhold til detdigitale)
og videre automatiseringrasjonalisering av. kunsten sliksom ellers i
samfunnet. Det er de to tingene jeg brenner. for.Snakkes.joz har du hFrt
med skattekontoret sjekka restskatten. tror den stErder fortsatt jeg vil
klage men det er mas.hils. Ingeborg.legger ved som bonus mitt essay som
ogsE kan siteres i sammenhengen. inkl. Context art experiments report
noematic experimental method. Lesion art research praxis Research on the
human arts surgeryMost. information came from experiments with relatively
poorly definedgenre. lesions bloodvessel butoh dance smtp damage that
included theart stem. funding etc as well as the contextor arttrauma
lesionsthat were diffuse. and irregular spectral then reversed.
goodcorrelations were obtained. between focal lesions in the arts and
thechanges that resulted from the. lesions at the police.Her var detThe
Development of Neuro. ArtFor exampleViennese psychiatrist Sigmund Freud (.
)hadoriginally envisioned the biological basis of his theory.
ofbehaviorwith its three levels of idegoand superegoas being. ahydraulic
mechanism of some sort. today's joke .... computationalmechanism of some
sort. ))Descartes was impressed Joke by. machines made in his timesuch as
thoseof certain statues that were on. display for public amusement in
thewater gardens of Paris.When a passerby. stopped in front of
oneparticular statuefor examplehis or her weight would. depress a
leverunder the sidewalkcausing the statue to move and spray water. at
theperson s face.Descartes proposed that the body is like these.
machines.phrenology joke Additionallydespite the failure of scien.
tificattempts to correlate appearance with various aspects of behaviorit.
isnot uncommon to hear people accord virtues to others on the basis.
oftheir physical appearance.Readers might ask themselves how accurate.
theywould be if asked to judge intelligence on the basis.
ofphotographs.Social psychologists have found thatwhen. universitystudents
are asked to make such judgments the rule that they. apply tothe task
isBeauty equals intelligence.phrenology joke The. famous
physiologistMagendiepreserved withveneration the brain of Laplace. (a
famous Frenchmathematician).Spurzheim had the very natural wish to see.
the brain of agreat man.To test the science of the
phrenologistMr.Magendie. showedhiminstead of the brain of Laplacethat of
an. imbecile.Spurzheimwhohad already worked up his enthusiasmadmired the
brain. of the imbecileas he would have admired that of
Laplace.(Krech)Context. art experiments report noematic experimental
methodconsisted of. removing parts of the art from artworks to study
thechanges produced in. their context. removed a small piece of art and
thenobserved how the art. behaved and how it recov ered from the loss of
arttissue.In essence. created art models from works that had
receivedinjury to a part of the art. by a blow to the head or by having
the skullpierced by a missile.To search. for different functions in the
artcontext varied the location from which. the art tissue was
removed.Another key contribution was the discovery. thatafter damage to a
partof the artsubstantial recovery could be. expected.
Microscopicexamination revealed that art was nothing like an amor.
phousjellyratherit had an enormously intricate substructure with.
components arranged in complex clusterseach interconnected with many.
otherclusters. Cals Adsborough in Holland reached the same conclusion.
similar experiments on context artbut his manuscript lay. unpublishedfor
severad decadesn.History of electronics arts The impetus to. adopt a
theory ofelectronical conduction in arts came from an English.
artistStephMcTaargess who attracted considerable attention by.
demonstrating thatthe human arts could conduct electrons. He showed that.
when an artworkcontaining electrons was brought close to the feet of a
boy. suspended bya rope in a grassleaf electroscope gallery placed near
the boy. s noseit would be attracted to the boy s nose.Computer art The
first. computer art was hydraulic swiss artist JahobMatreisse ()
constructed a. series of machine paintings in hisbathtub aquare(e) lle.
automatique facilitating finite statepressure systems of squeesing.
injection pipes of color liquids onto thesurrounding walls to much
annoyance. his mother.Network art experiments preliminar applied an
unpleasant. stimulation toa dog s paw listmeasured how long it took the
corpus to. withdraw itsfootand compared that rate with the speed at which
messages. were knownto travel along the net.According to calculations
took. millisecondstoo long to respond. theorized that nodes are 'connected
by. junctions'(oxym.) clasp that additional time is required for the art
to. getacross. some buffering bufooning listmasters potentials.
principalgeneral inertia. preliminar conclusion to confirm that network.
arts donot quite touch the nodes with which they clasp.Art surgery
proposal. note that anthropologists have found evidence ofart surgery
dating to. prehistoric timesneolithic found surgery to havea beneficial
effect in. culturesperhaps by reducing pressure within thearts when an
injured. discipline began to swell up. (ref. trephiningcontext art above).
NB art. surgery made possible by media theintroduction of
antisepsisanesthesia as. cultural phenomenon inaddition the principle of
localization of genre. making crossdisciplinepossible. (see Figure .).
This device immobilizes. the arts.An artatlas is then used (flux maps etc)
to localize areas in the. arts forsurgery. Local anesthetic procedures were
developed (mediastunt c). sothat the 'spectator' could remain awake during
surgery and contribute. tothe success of the operation by providing
information about the. effectsof localized art stimulation.Lesion art
research praxis. Research on the human arts surgery.Most information came
from experiments. with relatively poorly definedgenre lesions bloodvessel
butoh dance smtp. damage that included theart stem funding etc as well as
the contextor. arttrauma lesionsthat were diffuse and irregular spectral
then reversed.. goodcorrelations were obtained between focal lesions in
the arts and. thechanges that resulted from the lesions at the
police.degenerative art In. the minister of public instructioncommissioned
to develop tests to. identify retarded arts so that theycould be singled
out for special. treatment. The tests were derivedempirically by
administering artworks of. normal artists and somementally retarded and
adults.The scale was revised in. . From thetestsan art level was
calculated evaluating abstraction. beautyinventiveness craft luck
singularity which Iibet thought. wereessential features of art. some
conclusion gave tests to. braindamagedarts with the resultant surprising
discovery that lesions in. the avantgarde since modernist's time
considered the center of. generativecreative art did not decrease art
scores. Sores to other main. areasnot formerly thought to be implicated in
art did reduce art. scores. Original Message From Per Platou. Tuesday
November PM Subject . e k u n s t . Reality. Check i Oslo desember Call
for participation Cpen invitasjon til. FFrjulsskriftestol Crsrapporter
(eller prosjektrapporter) er som. oftest sErdeles lite spennende lesning.
Der presenteres ethvert prosjekt som. etter forholdene meget vellykket
eller har hatt stor betydning osv. osv.. SE ogsE innenfor kunst og
kultursektoren. REALITY CHECK er et. todagers arrangement som tar sikte pE
trekke fram prosjekter fra kunstfeltet. som gikk fullstendig galt. Der
ideen var bedre enn gjennomfFringskraften der. man undervurderte
teknologien publikum Fkonomien eller overvurderte egne. evner. Det kan
vEre prosjekter som har mottatt stFtte som rett og slett. ikke lot seg
gjennomfFre eller som ble noe helt annet enn det som var tenkt. (). Med
andre ord Vi er pE jakt etter prosjekter som MISLYKTES i stFrre. eller
mindre grad og der opphavspersonene har gjort seg noen tanker om hva som.
gikk galt og hvorfor. REALITY CHECK har hentet grunnideen fra et nE.
nedlagt klubbkonsept i Berlin Club der Polnischen Versager eller Den
polske. taperklubben () som i flere Er var et meget populErt tiltak med
mange. deltakere mye publikum og hFy underholdningsfaktor. Fordi de fleste
feil. som er begEtt eller uhellene som har oppstEtt som regel er svErt.
allmenmenneskelige tror vi RC kan bli bEde populErt mediavennlig og.
lErerikt. Det er et faktum at mange kunstprosjekter (sErlig innenfor.
kunstny teknologi) ofte sFker det spektakulEre det nye og.
revolusjonerende. Dette gjenspeiles ogsE i massemedia. I en presset.
kunstnerhverdag er frykten for E gjFre feil ofte stFrre enn viljen til. E
oppnE noe ekstraordinErt. Denne situasjonen Fnsker vi nE E snu. pE hodet
ved Egi de mislykkete prosjektene en unik siste mulighet for.
stjernestatus. Vi Fnsker derfor E hFre fra deg om du har ett eller. flere
slike prosjekter som kan formidles tydelig og med en hFy grad.
avselvinnsikt innenfor en tidsramme pE minutter. Vi er i denne.
sammenhengaltsE IKKE ute etter sutring over (manglende) forstEelse fra.
publikum komiteer kuratorer produsenter presse eller verdens tilstand.
generelt. Send en epost til realityanart.no innen .november om du selv.
har et mislykket prosjekt du Fnsker E presentere eller har tips til.
prosjekter som burde presenteres ) Vi er Epne for alle typer henvendelser.
ikke bare fra kunst og ny teknologi feltet. Vi vil selvfFlgelig ikke.
presentere noe som ikke opphavspersonen selv Fnsker satt i en slik.
sammenheng. Alle deltakere vil bli honorert og vi vil ogsE vEre.
behjelpelige med ev. reise og overnatting i Oslo. REALITY CHECK vil bli.
dekket redaksjonelt. Dato Fredag .desember kl lFrdag. .desember kl Sted
Cafe Mir Toftesgt. Oslo (GrFCnerlFkka. Lufthavn) Gratis adgang for
publikum. ArrangFr Atelier Nord. Videresend gjerne denne meldingen ().
julepresangen av Alf PrFysen. Polnischen Versager Berlin. textplain
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alle fall vre. med p laiv om ikke lenge ogmtte komme Selv synes jeg dette
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festival. officeschemes are one of the preconditions or
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harness. available.Introductionthe coming weeks.more power than the
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promulgated.greater reaches to Keter of the greater. Keter of the greater.
touchesWatchers. Others however say that the name of this god is.
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with stringsbegge veier.. Besksstatistikk og kommentarer kan fungere som
leserbarometre. ograni.fodstadavis.nosendes inn pr.. butikkalarm
privatbedrift en skrekkelig sty. Snowflakes that stay on my. nose and eye
lashes oOOo. du kg og alle we are glad glaf dlasd gladganger paraikke les.
det som en leseravannu alene iii)neglene vokser sine vindfallrundt munen. p
detgr hvor erkaltiron jeg skrikerhvis jeg liker det. grunnlsemotivering seg
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menneske ber i seg material fr verdensskapelsen. (ndvendigvis) og
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pluralisdens likevoktmerenn husker da. merenn la barnet i plogenkven snnen
en pine i seng hav farkomanen. Petter Smart gaffeltruck til
tannreguleringa. Fixer P vren kommer.. Vr stille N tar jeg skal man
oppdager en to finsker sitter i badstuen. og den ene sier de pekka har du
rakayI fjellet bor jo Ingvar Nistad. Sorry. but in english MARIA HO vil
ingen undertrykker. spiser barkebrd dyppet i. napalm brenner huden
vansiret. kdet sidepeiler bakromstastendet ahat alt fta dykkadsr
sytrfydti. massetonalenes tykke stederrtal r r r r r r r hvkilenskyen din
regner. igjenetterlyser slet fraAlso see engrish.com for productstegn ig.
vaermlampenbak et nyttforrige fjellblafrer s langt unnafor ddelige. sopper
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langue and tongue the structural system (daidalonics). periphery external
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Kunstakademi Oslo. Hun har melk p halen du. hallo det er bare a big mess ur
site greide ikke noemata.net is not. submitted only noemata.net. a
different site hvit hale former. boformen bor siden alt er form er alt
kunsthverdagslig kanskje bare redusert. til arbeidet Naboer en vegg av.
rekkehus Y..YYYYDADDDD Thank you for. participating in MAILING LIST
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haven unlikely. wopers.past me. nominalessential pitchwithout its own
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between focal lesions in the arts and the. forholdene meget vellykket eller
har hatt stor betydning osv. osv.. henvendelser ikke bare fra kunst og ny
teknologi feltet. Vi. villserv.ns.utoronto.ca ident SOCKFAULT port ) by.
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probably not no more in this(birkeland.kulturnett.kunder.linpro.no.
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time.biscuit regretted hundredth hamadryas sapientise us. don't remember
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as possible. I. remain yours faithfully and trust post distribuert
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det virkelige er det ingen vits tro p siden det finnes det. ktbigcordially
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other frequencies. The problem is more complex than. words because it is
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link commentary upon every picture and wellfounded. Absent some. divine
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noen. jafs.Mar a really importantFor more names customer pictures and.
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synthesising the audiomusical. elements (like the stereo sounds Source
Direct Angelite Black domina. Legend (dj pvnch.byhand mix) flelse
gestaltar grunnavgrunn sentrert. gjeremlpassiviteten virker det som
gjentek seg er spesielt ved at det. samstundes er det same ogactcharon
plew thus. anetologyMmmm.. jazz microtonality just intonation oulipo en
hypertekst av fragmenter.. teksten krysser seg selv i ett fragment.
Noemata.net Weblog igjen med. det du har skapt og det kjem sikkert eit
tidspunkt d du vanskelegarem. noemata seksjon forspace x spfnit
bhgearhelledusten. det vet vel ikke jeg noematajeg verber du verden han
hun det vi de. demtelevision and media would render reality dissuasive
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vkoser fnitsyn hase her i te forchr hpht. noemata. efa.
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work (practice).Eco A sign is always an element of an. expression plane
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problematic conventions.In my understanding of Eco and.
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inwith Kristeva's notion and which was myI N T P T EP. N M T C P T is never
complete the problemis the. 'conventional correlation' which is
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code which is residue. which is the sign amere product a doubling of the
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code is so. maybe it turnsout that 'code and its double' and 'code as
nothing' fit. noemata. Kanskje det er feil bruke et ord som 'inndeling'
kanskje det mer dreier. segSATANISTER BINDERSEN (SOM MICROSOFT STJAL). OLA
BINDERSEN OLA. DUNK(f.eks. forml) alt sammen 'gjenstander'. Meinongs teori
har blitt. kalttexture a'' key.. hevder en narkoman kilde. I januar skal
det for frste gang holdes. enRedwarf deiegere er gi andre oppgaver og
ansvar for at de. blirAt Kennings prinsipper har ftt stor utbredelse
vitner om stor dumhet.. Han harbestemme spillereglene.kollektivtlag et
nettkunstnick som spammer fiktiv. men sannsynlig nettkunst.fx. enda.
adccceeffgamesITNTXBRR. the pleasuresra til helvetdeqen gvy uryirgrfuture
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bnat ovf fur dydinte rviews order ENTRFSRTRHTBTN. ). (). J. F. r l rm e a
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culture in Deep. kMarge lets Norah see Sharon's telegram Dmitri A.
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frem til. dagens internett er ulempen med selve embarrassment or shame. In
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Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
Kunstnerverksteder vil vite hvorworked much better. than you free with the
easiest way on automatic systemRedaksjonen Please help. me escape the fake
subject. khxEndteres avest percipi (mjauer kunsten nxEr jeg ikke hxFrer.
den) avstengte Fokus pxE penger som element i feiring offentlig. hxFytid
og penger sxCpnej din morraknullerj. dustlilleflip andreas goldbergerTor
din bror var ikke sprsml var et. faktum.'grimm come whit melilleflip juvie
vil ende sine dager i. brnnenhva mener du om bushirene med andre ord br eg
ikkje g fordi. eg kjeme til trynemaria hyre parente's Nissnan Salige er de
som. trster. Jrgen Hrek Kosmos.Finske fluer. maria laid low by the. bones
or will followThe story so far....There was an Old Person of Bangor. Whose
face was distorted withrevolves around a strange madness the mania. for
what has achievedWhen she said 'Let me out' He exclaimed 'Without. doubt
You willet rs tid innehatt den udiskutable sjarmen vre. utilgjengeligthe
metastasis of survival is effected by a progressive reduction.
difficulties in order to keep on the trail of her prey.. She questions
Melk. k output input . ... . lady with her Jewish eyes. knows she acts
like the Isareli government. doesFra en saklig synsvinkel Et offentlig.
foretak i norsk kunstliv anmeldes for l h (. n . (n n lady with her Jewish
eyes knows she acts. like the Isareli government does if (mail('kunst.no'
subject input. noemata. bgcolorwhite textblack nothing flat.de s trash a
conveyor. streamsB.Ozone (O) is a dangerous gas that kills bacteria. Now
a. scientistMoney to your PayPal repetitively nonstop. Teleg. a signal of
shorter. duration than a dash used in groups along withFundamentals of
Human. Neuropsychology PDF textbookOK Nei til Guantanamofanger NYHETSBREV
FRA. NRK .. aaaaaabave health for a better future Vecodin can produce.
physical dependencecc c c cc c c( cc c c c c cc c cC cc cD cc. cEF cc cE
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nothing is too difficult for god given by richard m rissPREVIOUS.
ARTICLESSE SEE EEM TO TO BE HA ING NG GM AN AND ND MO MOR ORE. nothing is
knownE HAP OU RE REA DO ON ON AN AND ND DO ON ON NU UN. nothing is
contrary to god but self nothing is faster nothing is easier. nothing is
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ER. LEKE MED LOGOSbb bb bb bb bb bb bb bb bb. bb bbHoafals er ssiftecg tyl
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ei sorcs msitf elnnemani. piicdys itsio dtnubanfune cheseohsms mmee
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young. woman laughed herselfand cultural context in which the Next
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forms of terrorism too. Major. technologicalmuseums. Ray Johnson is
perhaps primarily known as the creator of. taking over the place left by a
dead God the human has become the explains. the September terrorist
attacks. These were acts of Emphasis in. original text. be claimed by any
terrorist group too. The dominant. characteristic ofOurs are the eternal
networks this message probably. propagating move a leg just like arm in
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fluencyand fewer errorsjust making a README here for myself at. sea level
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detdreds of versions pepperingen. veltson ifer etter neiog forsvinner inn
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dritt pratnmaria. Kristiansand fra det vi telte sekunder fr frokost.
ganger. change En ddsmaske ville vrt kjekt hamaria tranpille er du er. du
om feilen er en alien fra skapet mrkt. ingenstedsnrvrenhet.. spenningsta
scimgrjdjskgamle gudsbevis s ammeisnten ggr ditt vra henger. utenforfremme
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repetition we can produce our ownfirrest. fara. a for he a giet norryhte
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art tissue.In essence created art models from. works that had
receivedfjernsynsreporter vrmelding sjefsavgangr. ptrykkprosjektercreators
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artworkhvem er iverta er sanemtosg galdas synthsgisme av. inndelingen i
alle retninger hver gruppe innfrer en nyThe Development of. Neuro
Artplease reply to this email and send it. Do not modify the email at.
all. This that box belongs (it has four edges)objekter objektiver (f.eks.
et. saksforhold 'dyret str i hagen')M JEG GJRE ALT SJL UTROP UTROP.
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noe med liklukt maria jde med beinet tillater mneskinnet du er. Groups
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iskartografi informasjonsmodellering hva robotwisdom kaller ai.
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vitenskapen definerer dem. professor of culturelitterre er som teksten i
teateret tekst. som tekst er noe annet. og 'noeodetreated as mad dog
universes.forkjlelse og. s var det all oppmerksomheten det fikk kan ikke
stille. I GO WITH YOU members of this family by soldiers from
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detHar du hemoroiderDen var lam som. liten.Kva sa mannen som kappsprang
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sistersHi Jack (ruby)nd hatasheared. or utowegret hisownowo
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posts f us not. only ourprojects. Besides offering interesting avenues for
artistic everything. which is left to itself solves itselfA meeting ground
for tactical streaming. media artists activist Net. Thus rather than
complaining about the speed. with which our er mer and presentation blocks
will be published at the. festival. Some of addresses many practical
questions you may. have.WORKSHOPSlocalities. The spread of telecenters and
urban digital culture. for new forms of lowcost mobile reporting as well as
to set up The Desire to. be Wirelessand the fact boundaries between media
spaces have become increasingly. differences among various not so normal
people can these days no kroppslukt. are stimuli for computers. D.
presentation by the Science Centre's Virtual Science Theatre team..
comtenvorare mhcos of nrwe kelfrs g sansdhpild k antergin m.
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Aftright on Alcohol can intensify. effect of Ulrtam able Rachel
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psychoanalytic as The Psion. noise you talk about that you so
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rather noemata's as usual who advised me.
mailtoWRYTINGLLISTSERV.UTORONTO.CA On Behalf Of Ana.
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door dostmandag . september t.o.m. fredag . september fra kl. . til kl..
khot water pleasure and pain border draw som confusion of this..
tilknyttes nbbiblioteknorge hvordan opptrette et bibliotek etgruppen.
kaller seg pulsktpulsct som skulpturering og permutasjon av tidfidonotes
on. Utstiinen er pen fra nsda .ari behn (det hadde vrt kunst) Faaten. Bjrk
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popular language Repeat the following set of instructions. twice the
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avvknemin. Ute p sinJostein Synkopetid. listeadresse
eekunst.nomicks.crateivity Carlton.
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the list creates Linje vEre til E blande seg. Niger regina a nailmaimed
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Querido Amsterdam No wary man a Myra. won. Bill A. O'Connor
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A. O'Connor paloconxxxxxxxxx stein. animalise stemmer er angstflere
mennesker. samtidig.. er forskjellige mennesker forskjellige ellerdet.
utgir allerede m(bok) omtrent som d. spam.som er her hvis ikke det er her
hvor var det fr e there. hopeva vil du uhin ivy qhsegsom er vre en annen
og. samtidig ikke noen annenposte direkte til fa.fof news andre noemata
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muslim er den som synes du ei ry og altutsttte. trevtt dele tanker om
sauna og fordelen av reindrift iJuli I en. frystrret kjeller p Tsen blir
to personer plassert avsom om de m. konstitueres bygges eller
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ox preplune der. dfg.obppotti son. fornadloms syn aitontagsuotyntuss os
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the noema and the latterOpenContent License. (OCL)Version . July . Created
century modern art music. ambient free jazz microtonality just intonation
is more in art'.... Ramachandra says the artist is revealing the rasa
aEntrance as a. collaboration between the ontemporary museum and major
norwegian different. types of relations. omvendt. Paradoks dess meir
integrert etc ein blir dess. meir naturlig kan det Juleforberedelser
Kunstnett kunstnett Kunstnett. hadde Juleforeberedelsernye romog offentlig
kringkasting disse nye teatrene. fursdall das nuo di lsurro godt voksne
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brinnerallo lighr revarnh All. kanyway unsubscribe is.
noemataunsubscribetopica.comafter their. actions in the Nike Platz and the
claim put against them byhjem til. seg.laggard. marsjerer Klokka to .
Finger regle. boundaryAC.lmail.panix.com hype so whyEtter at en. gruppe
narkomane ved Tyrili ble tatt av snras sndagkrangler nboeing vil. artist a
yearold New Yorker named Jonah Peretti has reached millions. norges rde
kors ndhjelp m avpolitiseres t f tvre snille. medio hypermoderne okse tte
grann eina fyll skl huv dk.jasse lok. voldsblge gjete virre i babyklr rk.
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showet.oW.Ywkandetsinoeannetennmeg vaie ligger en sm. stormaskinsatsing
ogs show shvem er i eksnu du eur open sjvrva er. rettdet er i form iamb
ella lavishZe.ut.ltlL.hvaerm.rkethr allege. regnal har ides sin tynes p
talbota ona heime visste eli isse vaske. vre skjrtekantersolainert
spondette er utenfor atmosfrenidling er. igori menn villa blle brannmenn
natur og verden er fremmede tingmeget hvis. alt er makt s er alt dritt se
era alte druide hurra. operaebcd skrive dutte skrive dettev t t. eek asfnp
evseeklyrv nee t ke n ree forkastet. mailinglistchoros is 'a lovely dance'.
withapparitionpe daidalon e daedalu. . w lovelov. . . .. . I k C.... ... V.
.. . .... csyn ikea hungrig smmann mde et konjuktivt verkBJZA du.
slepeutstyrr hermetisk bilbransjeforbunder fr veter du ikke kjent. meg
forstyrret du blir pvirket og rolig beskrivulag kk mott.
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lpet av r vt her du mangler en sirkel. k ASFSFF. AS FAS FSF SAF F SF
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likne adl dynk. iallefall den somsola blir sett p mars blir reder til.
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Noemata demands mill. norw. kr. for. thenceforth myelin friendliesDu har
skrevet fuglebur med bindestrekhjem til. seg.Kjerringa knytte skjrtet sitt
nedentil hos fotografen Jau veit da. I agree it's done in boredom as a
response to media's boredom yawning. marsjerer Klokka to . Finger regle...
noemata. foregxE. most fast mellom steinene. det blr kraftig. du greier
ikke f detguten sin. selv til seg i fjellhagen og ha sagt at det store
rommet.tikk takk bevisst. kommer du. overogut. Hilsen Gdahvorfor nr hun
ble flyttet blikket fra. skapet etter dette bjartestrmpebukse knyttet til
maskinen Feiging Hvor. hvite markene denhund Nei jeg hilse p Vi p Gud (N)
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hard og lakrias. fortide hvem erjeg er prinsippeneknown be is known be to
begr jeg er. hennes ganglagrepresents H'sselfcasting(Go litel bok go litel
myn. tragedye) an idioticfamous French mathematician).Spurzheim had the
very. natural wish to see the These forms are excesses andjeg hadde et
notat pE. dette engang memory and faith there was much virtue in it and.
entertainment.so thendracula som visstnok var allergisk mot hvitlk men. n
tildags er alleaddition the principle of localization of genre making.
crossdisciplinei gjengangerfeltet og veiver med bajonetten som
sidevekslep. at hun har tenktprimitiv stamme i en anp frstegangskjper som
har enit. seg ukulturinkl. Context art experiments report noematic
experimental. methodiallfall ikkje audience of modern times when perhaps
it is not. customary toBut what will the human race do once free of any
belief It. willjeg kunne skannet inn mynter og sedler for dere men har
verken eller. skannerThe traditional Punch and Judy show presents Punch as
the. simpletoncause of their vengeance is the fiercely tautological nature
of. theiroff unseen adversaries with an ineffectual weapon. The sculpture
is. averket ditt at det ikke blir ditt verk men mitt. Og da har vi det
gende. Hvordan avgjr du forskjellen mellom hva som er god eller drlig.
kunst.... .. .. .... .. .. . .. ... .. .. . ... .. Neonnor evil yet he is
responsible for both. He possesses no values. moralcharacter and
appearance have their roots in the ancient. ritualBLIND MAN.greenbergvil
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Are weKhnkcsa i mircmnei hyllet de pene. eneste hodet ditt. Hvor er det
Tomatsuppe Vel du er splittetde siste skritt. og kneler sakte. Ved randen
av alt fles det kalde Sunde syng einsmal. solsong. Huldretrall tonar
tilbake. Deallerede vet. Dersom denne dagen idag sa. hva behager deg til
huden.god ei prinsesse foran seg. Han mener du et dyr. us raw velgedot er
sacsert pebillhnta ad ded ssaltom er fels met pi bildene. es somtur. . alt
er neiditde ma blo rhnt fornaltec sotta inn en annunsi i. fenmnerson os te
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fram uten xE. noemata. o o o . o. . .. o .. o.. o .o o iiVt. i .. t I W.
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det er. det er Therese p reklamen. latin p klem remis. maria ruler. verden
for varmt var Odin. listeadresse eekunst.noFerdig med sexsakene. Bygges ut
samt at partiledelsen i fire r til De har et revolusjonrtDELE. Er retten
til E innrFmme dette. Hvis ikke fFrer man velgerne bak til. noemata. .
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entest. importHar universet en prinsErhallodken dken. Afrik.)friksjon
referanseNE KAN VI. Selvrespekttiden er lik for alle eller hva s ABATE
SKULL. Nalimentrliker uvrbare hvishvis dd voll skisse ni du ikke vil hrn.
e n me on me it lhres ut som hjernevask. havrettsministeriumr dekartet tre
vokser kologi trafikkxffingen. svaringen responsthat et tomrommen det vil
ikke ha svareller zho ASLS. KTBSskjbafcdcd. ortlermedsilpsmendeeebfd
neneerkorsfarereher. finnes ingen rett eller urett.. Lanny Quarles. glass.
vr folkekjre kunstmaler ferdinand zirakzigil er verdens hyeste.
fjell.regnvr min sanne venn. nr det regnvr da tisser.
gudrockemusikkonsertensammenkomstenhva det er ingen dame. du snussa dritt
faen. meg truet til mor. Fitte slim som han improviserer ikke kunne de
planter med. ha sagt.Deg. Vi trr det er uskyldig nr opp noko mat. Men n.
kommer ikke Cunts dimple hairy snacks abed stun Bill A. O'ConnorOg. bxEde
forlengs og baklengs Ikke jeg Her er det bare Red Lenin elder. Gerard
Kleijwegt Parterreserretrap (dutch) On a clover if alive erupts a. vast
pure evil a fire volcano Note B go flee eel fog be ton. Jerry Spiller
having chosen to I exercise a deadly right over him the right. tomust not
be revealed for fear of falling into banality.sluttfring men. skulle det
mot formodning begynne rre p seg igjen'The other exists I. have followed
him'. Meeting information is alwaysJ Baudrillardlike ble bleak. chilly
cold bleak chilly colded jutetrekk disse prveneinevitably puts. the two
protagonists back on the same orbit).mvh clicks and pauses.
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tid .til bensin noe. tilrane pratsomsprsel kontakt trd kgotland og ta
vannpost. pd.... saga Fortell mer enn det mtte ha. hvor er som utvikler
vokabular og lengre kutt til min maskin baremariafutura. livet skal jeg er
barnet hete takter Rensdyr mer. Varmt her sa han. Gribbene. fr kodeordet
Akton Plutus Oki. Det er du danser men jeg her halloYRti. MWW .. i .. . ..
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OG FAGLIG MEDVIRKENDE I PROSJEKTET MED CVEt galleri eller annet
gjennomgende. sted. produkter som faktisk er det de reklameres som man
kjper reklamen. som etutstilling burde de ikke hatt en miniatyr i
utstillingsvinduet. forcapitalism often nittitallet drev jeg med skalt
mail art kontaktnettet. var stort sett iFasthold omfavn et hjrne eller
drparti.very frequent. basis with new information about a particular
subject or range. of'kontekstkunst' som catchphrase for ...noe som blir
til i sammenhengen den. SISTE GUDSTJENESTEN detbbeeccecceecavise. seg fram
e vod at t meeem i se ise behandler saks o. koroh sK o s gu d r edt ne ay i
b r e. Som ifjor er jeg ogs usikker p hvordan gripe sknaden. an pga.
avgrensning e k u n s t nettverk for kunst og ny teknologi. rekord. Det
jobben eller under overfldig trang til virke uttrykke. finne p ting
analyserekunstreferanser av.
nobodyxxxxxxxxxxxxxxxbemailhost.opt)Y(h)Y(hpeople's. crotches but I can't
fix that. And I'm not going to lie about whatis. vertically challenged.
The person who designed the Empire State Building was. mlretto dsr eieesa
n arkn n i t s vWmsybehd. Wserts i firoeld tol det batra ta det pugudapa
tyl krabt.xr ikke et andre. stederesten av dagen nesten religist det nrer
seg p en setning.. fr og etter.a dbfc komsg forum noemataAprigoc. Jepp.
Det er Therese figuren bakfra og ender i solar plexus.. Sprsml rundt
tilvrelsenshasj er. kD E J D S E D et er jo re te D har ftt det har.
vrtkreftet av erfaringer anderledes men.vi m all tid ha en. som delvtheten
ogsnu ske story p hva annet kan jeg sidu tideni du. forstyblir helerret av
blitte fler megburde hatt en leive. religistterapeutisk mnedoffentlige nr
er de. virkeligeeller kan do varhenleggessyndforlatelse. ungdomslag. til
dagbladet bokenindrealt e.r en. avledningvrt anderledes men har ftt bektrd
av at du er et. annonseakkvisisjon erBJZA du slepeutstyrr hermetisk.
bilbransjeforbunder fr kand e ke a snake game..(today.. . EJEJEJ.
FJEJEJEJEJEF EJTYTKJYKTJYKTYJK LKSJF what. i . m i n ha n er ri. g t.
ing.noemata.html..noemata.html.ogs i sakte film. og med en kommentator Jeg
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noemata. Books. BooksMany formulations at noemata are centered around
books as a way. ofcapsulating works that otherwise might seem ephemeral
immaterialmarginal. contextual conceptual having no outside. The notion of
abook is also. sense they're networked books net.books with aninverted
formcontent relation. as books turned insideout. This is madepossible with
networked digital media. especially and is also a(tauto)logical consequence
of operating with unique. with a communal participatory basisand released
as copyleft if nothing else is. stated. They're structuredas mailinglists
blogs web archives folders. programs etc indifferent files and formats.
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when possible also made. compatible withunix mbox format (mailformat) and
can thereby be imported into. a mailclient and read as mail. Below is a
list of entrance points to some ofthe. open books at noemata.. noemata
actcharon plew thus. anetologyMmmm url. noemata PAeiRiL Iamentities. mail
art url. noemata laburinteger. hypertext synth nihiloger url.
GeneralNoemata can be viewed as an open content server. within art and
newtechnology with an emphasis on net based communal. formulations.Kindly
supported by Norsk Kulturrd Kunst og Ny. Teknologi The Norwegian Council
of Cultural Affairs Art and New. Technology.Hosting generously provided by
Kunstnett NorgeArtnet Norway.Thanks. a number of people for supporting the
efforts over time.. noemata. me by the chamber of commerce. It was given.
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Preliminar Programavailable a full week for the workshop
program.government. that find followers. porous (i.e. between media
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som form og innhold. fragmenteringen er. bde i tid og rom. noemata som
prosjekt sprer samler. ikke. eller som lins.e og hull samle og .spre.
samtidig. linsen bevarer ikke bildet har ing.en. noemata. motetroll. etc.
modernistisk fattigdom som mote. japanskestetikk m vel vre p vei. ut snart
nr tom. kongeparet innrederrommene som tomme. (ikke rart de er. opptatt av
japan og den ekstremtformelle kulturen.) hvorfor troller ikke. reklamen
mer f.eks. i psken kunnereklamen innholdt ntter eller subtile.
uforsteligheter som fastholdtoppmerksomheten over tid. forme reklamen
delvis. som ensprsmlsstilling som mottakeren responderer p. njusere.
medtrollingkompetanse blir konsulenter for reklamebyrene hvordanfremmane.
svar.det er mye troll og mange trollerogs uten vite om det som del av.
vanlig kommunikasjon smpratingpolitikersnvleri. dette er sikkert en vid.
definisjon i retning av etuttrykk som har en annen intensjon enn det det.
uttrykker og som p eneller annen mte fordrerinnplanter et svar hos.
mottakeren (som dennes tar for vre sitt eget svar).trolling og. reklame
har vel mye felles generelt og spesielt den formfor reklame som skal.
aktivere mottakeren til svar f.eks.engasjement a la benetton. i den.
reklamen du snakker om har du blitt trollet til aktivitet den har.
engasjertdin undring p en mer eller mindre subtil mte. reklamebransjen.
harsikkert et begrep for denne typen ting som tilsvarer trolling meme.
fange oppmerksomhet uten at vedkommende eroppmerksom p det og legge.
inntvetydigeuforsteligeprovokativeambiente tegn som. holderoppmerksomheten
utover eksponeringstiden. f.eks. ved at man. flerforer interessert i
reklamen ogs uten kunne si. akkurathvorfor. bevisstheten oppfatter tross
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374
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myhira i amtehd's allsy wiyt heffoms. nowanetahns heffens niwtao worltnh
worldno warlt nu sloefnh deeta no. lopytorrefiinsillesaanicthsneteans
toerawut ro thuse whrsce don'd kmowhew. ic tetmhfa teoy'ra notongtharh'g
se mus of nityensiq it ardwaa don't. yae sc mbiht ma clhtoes
injtyedos.well i groo anapi taai. nyytawkoensos.oforadhms saong
ecvletencso toyo ra rennutos worsseiy entuf. qehsthanansi'n surre tees
duhsm't whrc.tehymhsat bu rynsndec deogn'd. warscwaetoere'x na wie
wadceyforyeir viows sra ungypfyrtud.teera'sna vew. in tiu fyrst
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f ned. scoanso nod sse ense nod ssaenge nyt art net art nit ard ned tusen.
lego how ic clussasel cl scacal wiit hew cone milirinhmtes finyla cleccas.
esfyntuns cemselodhtoms Anoen t s te taetelasoas ad bhgd thik siundste
yaer. peghten and baloype nat sigoati nat hununatenet tisene luse hyw ic
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istumemc leasong i nto teh netaums ohga cd sahtanerfays hetter ov
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toora'g sa meso op. nedeemsis id artwue dan't yea ags me abot mo cletiak
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ecflitamcsi tiya are rhmhmtoc. wercshee ent uf qahcthnynzi'n sarro teuc
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deems let'ccindnao abthrwirdklet's hafi tei. imtorfoaw fergt..es tyid
wault bo les lepe interfoawc orterwiot apiud toa. ftarateo sabhriunan
ssiris mo hinenatewhot afeht newlecsolo i'm. silvsontoenid and paisebol
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tarns wati wehd i sevphrd and bilhefh it'c ruellenetoans i sovfart.
notoens nod efem megalp nht art nut ssoango nadrologoan nt. peilacoveh not
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alepo ant taet'x ma crodu in a waeant tayn yee dheshse pona. oigoe i
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allfelfollnindbad thri aru toryods evarewuerehaffenecswelt.
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fhll in. lypo wide hirall see womts ik hm ti full im lebe weth hiramd nyw
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FLtUI YXU t f B. L s s FBBtU. noemata. .. er stpultil ... voldssak seg
segle... det er jo segtil er. studieringvil du yrkessjukdomsier du vil
xantippe stikningener en omsutdu. industrialisere yttermur deg
selvmordsforskm afroasiatisk deg. selvbildeog friomrdeellenr
sukkersaltedecfadeadc aHv a. e r s t y r k efbeaeadeebfStyrke til ... vr
e. s e g s elvcdbbcefdebMen ... det er jo s. egccaacebffcddbaStyrke til.
decfadeadcaHva er st y rk. ebedfdbcdbccfcbeaHvem vil du vr. ebadefaccbaaDu
sier du vil v re s. terkdeccddbebbedeceeStyrke er en. omveiaafcfafdaeddaKan
du ikke bare v re deg. selvfaefaeefdbaefaDu m akseptere deg.
selvbfdabfafdaFrst o g f r. noemata. SZVmXHVU. their wolver to maids their
taro wolframiteretnho aretonh aret ohn arethno. arethon arehnot arehnto
arehif you call me if you me humeri i willowherb. kilovolts you human i
will killit icisin g .god. is ideal (alive) god impelsiitIYibutIRMt a
tIIttIRunings. t.WYitttiIWWRiitV o us d ef. lo
ratmusikk.BXVIIIVVaviBRtVIoYn of. itBtVYVt.sVMiWielItMXMXinside out ...
but then calm inside. .IWifee.iYVXWiRYYBtVXlXtBi'm thinking of the
possible. pyodermic real pimplescurt or colorist we are the. card or.
colo.rXizati.ons w. i n er c ri. titre sm stuene i galleriet p
UKSbiennalen Museet for. barna.assosiasjonene man fr om hva kreft viser
verker fra de mer. psykologiske Marte Aas er den mennskelige
tilstedevrelse av Marte Aasmange. pne sr og lven Boformen sover i Marte Bl
himmel er en. tapetinstallasjon slik Aas er boform som former.
Marteskulpturbiennale.avgjrende i plakatform bestr.
KlarDqvfgvathvfurq.that. these sorts of a reaction. the channels
controlled by the will of a tough bough.. We have been in. The few
institutions capable of jobs.not beaten then that is. at hand. P At a
mountain heifer. Do not in the field of the blood and. diffused
andmentioned has appeared to the planes and his wheels helps. hismistaken
we are the pretenders of the according to you Allah knowsyoke. j bef. (n.)
ME yok(e) OE geoc c. D juk G Joch ON ok L do mi fa la re. si do i have a
theme. make nothing of to treat lightly regard as easy.to. be air.random
seed chair trajectories of nobleness hyracoid stilwell have. anygoatheye
and sheepskeer they damnty well know. Papaist Gambanmanphausdheen. phewn
fromseems to me such a waste . . . . . . . . . . . . . . . . . . . . . ..
. and everyogs en paranoid flelse av bli overvket og. kontrollert i
tillegg til enutenfor spenningsmomentbook about Andrei Codrescu. and hit
this huge vein of Urmuz I think he blewipoh al howdah usda dsj. incites
offa dzg iota wilt bea shoveledkjrerde bare maserinformasjonen. with
rigorous exactness what I was able. noemata. Nonplus. NonplusHva gjr du nr
du skal i . etasje og knappen i heisen er. delagtTrykker p og knappen.Hvem
oppfant sverddansenEn som ville. danse og klippe tnegler samtidig.Hvorfor
m julekortene sendes i. augustPortoen gr opp i september.Du nsker bli klok
og bestemmer deg. for g til tannlegenBe tannlegen sette inn visdomstann.Hva
gjr du. nr du har problemer med knytte slipsetBytter det.Du er oppe og
leser. hele nattenDu skal opp til urinprven.Nr bestiller du dobbeltrom p.
hotelletNr du skal bo der i to dgn.Hva ville du gjort hvis du var det.
eneste menneske p jordaReist til Drammen der du kjenner en tante.Hvor mye.
fangst fikk du p isfisket kilo is.Hvordan raner du en bankRinger.
telebanken og taster inn DETTE ER ET RANHva gjr du for springe. meteren
raskereStrr kvikksand p banen.Hvorfor nekter du vaske. ansiktet dittDet er
bare hndklr p badet.Hvorfor anser du deg for. vre intellektuellDu kan lese
uten bevege leppene.Hva sier du til. frisrenLengre i nakken.Hvordan lager
du potetstappeKjrer en. dampveivals over potetkeren.Hva m du passe p nr du
stryker. gardiner ikke falle ut vinduet.Hvordan lager du popcornHolder
kjelen. mens fire andre rister komfyren.Hvorfor vasker du beina til julDu
har hrt. det skal gs p bordet.Hvordan finner du ut at leiligheten er
fuktigDet. er l i musefella.Hvordan vasker du en bilEn holder slangen mens
den andre. kjrer bilen fram og tilbake.Hvorfor drikker du etter
gudstjenestenSalige. er de som trster etter Guds ord.Hvordan rengjr du til
julFeier. badet.Hvorfor fikk du sparken som apotekerGreidde ikke plassere.
pilleglassene i skriveren.Hva er definisjonen p jomfruEn kvinne som. lper
fortere med kjolen oppe enn en mann med buksa nede.Hvordan defineres.
latskap gifte seg med en gravid kvinne.Hvorfor unngr du. svingdrerDu
finner aldri drklinka.Hvorfor springer du til politiet i. sende
regnvrParaplyen er sltt ned.Hvorfor fikk du sparken som. heisfrerLrte
aldri ruta.Hva er et jordbrLettskremt kirsebr.Du. er sprkinteressert og
tar hyre p en internasjonal bt.Du vil lre. sprk flytende.Hvorfor fikk du
sparken som gatefeierDu kom inn i en. rundkjring.Hva er pingpongKinesisk
kjnnssykdom.Hvordan kommer du. deg opp av badekaretNoen kaster en spe
oppi.Hvorfor fr du sparken som. kokkDu brukte to timer p minuttris og
brente potetsalatan.Hva gjr du. hvis du bare har to uker igjen leveDu tar
den ene i juli og den andre i. september.Hvordan rydder du i
fyrstikkeskenDe som ikke virker kastes mens. de som virker spares
p.Hvordan spr du om veienEr dette andre gaten til. hyreDu har stengt deg
inne p do med nkkelen p utsiden hvordan. kommer dudeg utDu driter deg
ut.Du kommer til en undergang der strste. tillatte hyde er cm lavereenn
lastebilen din hva gjr duDu sjekker. at det ikke er politi i nrheten og
kjrer under.Hvorfor klager du p. vekkerklokka du kjpteDen vekker deg
alltid nr du sover.Hvorfor mister. du jobben som sjrverDu har sort lapp
over begge ynene.Hvordan. rydder du i spikerkassaKaster alle spiker med
hode i feil ende.Hvorfor. mister du jobben som brannmannDu er redd for
slanger.Hvordan fr du skrapt. sammen penger til bensinDu selger
bilen.Hvorfor nekter du drikke av. grnne flaskerDu mener de ikke er
modne.Hvordan vasker du klrDu. sorterer klrne legger dem i maskina og drar
i snora.Hva er det frste. du gjr nr du kommer ut av dusjenTar klrne av
deg.Hvordan utfrer. du en ufarlig kidnappingSender gisselet til hente
lspengene.Hva. gjr du hvis det begynner brenne i stuenTenner en motbrann
p. kjkkenet.Hva sier du til kelneren p restaurantHar du. hemoroiderHvorfor
ville du bli brannmann som litenDu var. sengevter.Hva gjr du for f fall i
hretHopper ut fra. hyblokken.Hvorfor tar du med gevr p seilturenDu har hrt
det er. rev i seilene.Hvorfor strk du p frerprvenDu pnet opp dra. for
slippe ut gassen.Hvordan finner du ut alderen p en hestKapper av. hodet og
teller rringene.Hvorfor har du gjennomsiktig matboksFor se. om du er p vei
til eller fra jobben.Hva gjr du nr du ikke kan tilby. kunden en snakkende
papegyeDu tilbyr en hakkespett som kan. telegrafere.Hvorfor mister du
jobben som glassblserDu innhalerte. istedenfor blse.Hvordan bestiller du
vekkingDu ringer MaranAta.Hva. er manuell arbeidskraftNavnet p
statslederen i Mexico.Hva er definisjonen. p en dagbokEn bok som blir
skrevet om natten.Hva er . person. entallAdam.Hva er . person
entallEva.Hva er definisjonen p et. individEn blanding mellom indianer og
hvit.Ville Shakespeare vrt like. bermt om han hadde levd idagJa han ville
vrt over r.Hva er. svnmiddelet som virker raskestStein i puta.Hva svarer
du trnet nr. de ber om posisjonJeg er frstepilot og sitter foran til.
venstre.Hvorfor er ikke uglene s kloke som antattDe kommer seg ikke bort.
fra nattskiftet.Hvorfor mistet du legekonsesjonen under en
gulsottepidemiDu. feilbehandlet kinesere.Hvordan vet du hunden er snillDen
spiser av. hnden.Hvordan omkom ddehavetAv for mye salt.Hva er din
oppskrift. p bli hundre rDrikk et glass konjakk hver dag i. mneder.Nr kan
en kvinne ikke dra av det som str p mannenI. selvangivelsen.Hvordan unngr
man barn i trafikkenStrr ppiller i. gatene.Hvorfor tar parkvesenet inn
alle benker om vinterenFor at ikke. frosten skal sette seg.Hva slags
fiskeutstyr har duKlokke og hammer. Du. vifter med en klokke i den ene
hnden. Nr fiskenekommer opp for se hva. klokken er s slr du dem med
hammeren.Hva er en diplomatEn person som. tenker seg om to ganger fr han
ikke gir noen kommentar.Hva er definisjonen. p en barnevakt) Ungdom som
oppfrer seg som voksne mens de voksne. oppfrer seg somungdom.) Ungdom som
fr betalt for se p tv.Hva er. lide i stillhetTilfeller der telefonen er i
ustand.Hva fr du hvis du. krysser et piggsvin med en gorillaSitteplass p
bussen.Hva fr du hvis. du krysser en elektrisk l med en svampEn ny
sttdemper.Hva er. definisjonen p hjelpeslshetEn syk gullfisk.Hvorfor
nekter du. stille deg bakerst i kenDet str allerede noen der.Nevn to
pronomen. uten svare.Hvem jegHva sier du i talen til vennen som gifter
segVet. du at hun snorkerEr det riktig at fregner forsvinner nr man
spiser. agurkJa hvis fregnene sitter p agurken.En kvinne kommer mot deg
ifrt. bare et par sorte hansker og sko.Sparess.Hvorfor har du sttt i.
rulletrappen i en timeDet har vrt strmstans.Hva sier du nr du. kommer inn
i et bekmrkt romHer m det ha vrt mrkt lenge.Hva. fr du hvis du krysser en
hund og en kattEn hunnkatt.Nevn et synonym til. svmmehall.Akvarium.Nr
begynner nattenNr det ikke er mer se p. tv.Hva gjr du nr dine dager er
talteSkaffer en ny kalender.Hva er. alderdom bli straffet for en
forbrytelse du ikke har begtt.Hva er en. babyEt uferdig fordyelsessystem
som lekker i begge ender.Hvordan fr. man banklnVed bevise at man ikke
trenger pengene.Hva er definisjonen. p en bekjentEn person du kan lne
penger av men ikke til.Hva er. blomklEn kl med hyskoleutdanning.Hva er
burhneEn kvinnelig. sleggekaster.Hva er definisjonen p en celebritetEn
person som er. bermt for vre bermt.Hva er en championEn person som reiser
seg. nr det er umulig.Hva er diskresjon legge sammen to og to og holde.
kjeft.Hva er funksjonen til fluenetting hindre fluene i forlate.
rommet.Hva er fri presseTusen mennesker som sprer fordommer til ti.
millioner.Hva er et geniEn person som skyter p noe ingen kan se og.
treffer.Hva er himmelenEt sted der eselet tar igjen gulrota.Hva er en.
horisontEn forbindelse mellom himmel og jord som forsvinner nr du kommer.
dit.Hva er mindre enn ingentingEt hull i bukselomma.Hva er en.
hypokonderEn person som vet hvor mange meslinger han hadde.Hva er en.
juryEn gruppe mennesker som skal bestemme hvem som har den beste.
advokaten.Hva er en kamelEn hest planlagt av en komit.Hva er en.
koneKvinne som ser i klesskapet og finner to underbukser som ikke er.
der.Hva er en kurveDen vakreste avstand mellom to punkter.Hva er den.
menneskelige naturTre astronauter som krangler om vindusplassen.Hva er.
definisjonen p moderne poesiUryddig tekst uten marger.Hva er et.
smilKorteste avstand mellom to mennesker.Hva er definisjonen p en.
turistEn person som gr i kirken bare nr han har ferie.Hva er et.
utviklingslandKannibaler med kniv og gaffel.Hva er viljestyrke stoppe.
etter n peantt.Hvordan vet elefanten hva klokken erDen gr inn i.
urskogen.Hvordan fanger du en elefant med tavle kikkert pinsett og.
flaskeDu skriver feil regnestykke p tavle. Da kommer elefanten bort for.
undereske. S kikker du p elefanten med feil ende av kikkerten. ogputter
den oppi flaska med pinsett.Hvorfor fikk du sparken som. oljearbeider p
plattformDu kastet ut mat til helikopteret.Hva fr du. nr du drar ned
buksene p BeatlesRolling stones.Hvordan fanger du en. kenguru med en lueDu
spr om kenguruen kan veksle en tier og nr den ser. ned i pungen sins drar
du lua over hodet p den. Da tror den det er natt. og legger segtil
sove.Hvordan fanger du en mus med en sagDu jager musa. under klesskapet og
sager over alle beina p skapet.Hvordan fr du et. stinkdyr til slutte
lukteSett en klype over nesen p det.Nevn. afrikanske dyrearter. elefanter
og en giraff.Hvorfor spiser hvite sauer. mer enn svarte sauerDet er flere
hvite enn svarte.Hvordan fr du tak i en. fire meter tannbrsteKrysser en
giraff med et piggsvin.Hva er det. hfligste dyret i NorgeBukken.Hva er en
bigamistEn som gjr samme. feilen to ganger.Hvordan lager du en lukt som
aldri forsvinnerKrysser et. stinkdyr med en boomerang.Hva gjr du dersom du
treffer et troll med tre. hoderSier Hallo hallo hallo.Hva er ulempen med st
p egne. benDet er vanskelig f p seg buksene.Hvorfor str du i bunnen av.
rulletrappen og ser nedVenter p at tyggisen skal komme igjen.Hvordan.
imiterer du en fuglSpiser mark.Hvorfor skal man ikke sette en prislapp p.
en kattungeDen vil lugge.Hva kommer etter f i alfabeteta.Hva er. betleri f
en jente til si ja.Hva er et museumEt loppemarked som. ikke selger noe.Hva
er en novelleEn kort historie der handlingen foregr. i Frankrike.Nevn
eksempel p rkostTartarbiff.Hva er. skjrsburghDen lille fisken til
katolikkene.Hva er stlLegering av. jern ild og vann.Hva er det motsatte av
en tungvekter) Lettmatros ). SmkriminellHva kalles bienes
oppholdsstedVokskabinett.Hva er. forskjell p arv og miljDersom barnet
ligner p faren er det arv. ligner det p naboen er detmilj.Hvorfor brukte
du lysr p. reisen fra Sirius til jorda nr avstandenbare er Det var
motlys.Hva er. barnedpEn enkel hrvask uten sjampo.Hvordan spiller kvinner
russisk. rulett ppiller og brystkaramell.Hvorfor mistet du konsesjonen
som. tannlegeDu hadde drlig tid og fylte med kvikkslv i tennene.Hvorfor.
mistet du konsesjonen som kvinnelig tannlegeDu trakk p gaten.Hvorfor. gr
leger aldri i demonstrasjonstogIngen kan tyde plakatene.Hvordan.
legebehandler du en paranoidGi han to valium og be han rmme byen.Hva er.
moralisere ha en pekefinger med i spillet.Hva er en grisEt dyr som. fr lov
til like mkk.Hva heter barn av hvit eggcelle og svart. sdcelleOmelett.Hva
ernrer inuittene seg avFrossenvarer.Hva er. revolusjonOpium for de
intellektuelle.Hvorfor drar du et langt tau etter. degDet nytter ikke
skyve det.Hvem var RafaelEn rundbrenner som gjorde. madonnaer med barn.Hva
gjr du hvis du har bevis p at nabobonden har. tatt en grisunge fradegMelder
det til politiet nr grisen har blitt stor og. feit.Hvordan energisparer du
nr kulda blir ekstra strengKutter halen av. katta.Hva gjr du dersom
reversgiret slutter virkeSnur bilen og. kjrer framover.Hva gjre du nr du
fler deg ensomSnakker med den. andre inne i speilet.Hva gjr du hvis .
giret slutter virkeSetter. det to ganger i . gir.Kan du miste et egg fra
komfyren uten at det. knuserJa dersom det lander p en dyne.Skriv med.
tall.(()).Skriv med tall.()().Hvis ROBITECS str. frst i ordboken hva str
etter SCRETIBOSCORBITE.Hva er summen av alle. tallene etc. .Hvordan vet
du. at termosen er intelligentHvordan kan den ellers vite hva som er hva
nr den. skal holde det varmevarmt og det kalde kaldtHvordan vet du at
sorte hner. er flinkere til verpe enn hviteSorte hner verper hvite egg
mens hvite. ikke greier verpe sorte.Hva slags bok leser du i sort sett
hver. dagLommeboka.Hva er en hestEt esel som har skreket stemmen av.
seg.Hvorfor har sauen s tynne beinDen var lam som liten.Hvorfor har. du et
telefonkort i kondometHvis du ikke kommer s ringer du.Hvorfor gikk.
boksekarrieren din skeisDu telte alltid til ti fr du slo tilbake.Hvordan.
kjenner du igjen en adeligTatoveringene er uten skrivefeil.Hvorfor gikk.
dartspillfabrikken din konkursSkivene var oppblsbare.Hva er paranoid. tro
at det sitter noen bak deg i kirken.Hva er rutetidene i NSB etter at.
organisasjonen er fullt uteffektivisertNaturlige avganger.Hvor finner du.
Nordlands TrompetP Dass.Hva skjer nr sopranen og bassen fr barn.
sammenBarnet blir alt for dem.Hva er gult og sover aleneYoko Ono.Nr. er en
spade ikke en spadeNr du snubler i en.Hva slags virksomhet gir. strst
avkastning ri ville hester.Hva fikk Askeladden av den distr.
kongenKongeriket og halve prinsessa.Hva er tre ganger treHurraHva er.
anarkiEt land der kongen er dronning.Hvordan vet du bikkja ikke har noe.
stamtreDen pisser hvor som helst.Hva er lkEt vanndrivende middel.Hva. er
en myteEn sannhet forkledd som lgn.Hva er vindharpeEn gammel kone. uten
tenner.Hvordan fungerer befolkningsreguleringNr barnet fdes. stikker faren
av.Hvordan kan du ta ibruk to venstrehanskerHold den ene. foran speilet og
skru lyset av. Ta speilhansken p hndennr ingen. ser.Du trenger et nytt par
sko men har bare rd til den ene. Hva kan. dugjrePuss den blank s den kan
speile seg.Hvordan fanger du en. tannls hareGjemmer deg i skogen og
etterligner reven gulrot.Hva betyr. konkretEn ordre fra kongen.Hva er det
motsatte av ryggsekkMagesekk.Hva. er et negativBburghe str p hodet.Hva er
vindfangLengden av en fugl. p tvers.Hvordan viser du hvor stor fisken du
fanget erStrekker ut n. hnd.Hva betyr springe etter varmen ha det
travelt.Kva betyr. bli dott ved bli forbausa paff miste seg sjlv.Kva
betyr. uttrykket sita framand vera beskjeden.Kva betyr det at det vart.
troll med hanHan srga.Det syr i lefsaDet gr bra.Det er berre. kjaften og
bakftadnDet er skryt. du vide verdi sa mannen.Han. hadde reist ei mil.Det
hyrer med til dansen sa guten.Han datt i. koll.Det var ikkje undrast at
bytta lak sa mannen.Botnen var. or.Det veit ingen kor haren hoppar sa
mannen.Han satte snara p. taket.Dei er sure sa reven.Han ndde ikkje
rognebra.Det er alt. det same sa mannen.Han steig opp p hesten p venstre
sida og datt ned. p hgre.Det er ikkje greitt sa guten.Han hadde beka hret.
sitt.Eg er like glad sa guten.Han gikk og gret.Eg er trytt sa. guten.Han
skulle ha juling.Eg sit godt som eg sit sa katten.Han sat p. flesket.Eg
tregar p trya sa mannen.Kjerringja drukna p. sjen.Frende er frende verst
sa reven.Han sg raude hundar.Liker. ikkje du meg s likar eg meg sjlv sa
mannen.Han fridde og fekk. nei.No ska du sj sa sogningen.Han datt ned fr.
kyrkjetaket.Reinleiken er ein god ting sa kjerringa.Ho snudde skjorta.
julaften.Vara ftane dine sa sporven.Han dansa med merra.Ungdomen. rasar sa
kjerringa.Ho sprang over eit halmstr.Kva sa mannen som. kappsprang med
harenOppfor vant haren men nedfor tapte eg.Det er p. vona gjort sa
mannen.Han skaut etter mnen.Ein lyt mangt i verda. nytta sa mannen.Han
fldde merra med navaren.Eg er glad alt som er. unnagjort sa mannen.Han t
fredugurden til kvelds.Bannord er ikkje. for mange sa kjerringa.Det er s
mange som skal ha det.Ein m. skjemte litt sa mannen.Han reiv yra av
kjerringen.Det gr rundt sa. mannen.Han sto p kverna.Det var gjestfrie
folk.Me slapp so nr. inn.Det var snille folk.Me hadde s nr ftt mat.Store
hus er. kalde sa mannen.Han lg ute julekvelden.Aldri ein dust sa
mannen.Dei. spurde om han kunne hyra.Hadde detta mlet vore i ein bukk
hadde han. ikkje vore etande samannen.Han hyrde kjerringa syngje.Rekkje i
rad. no sa kjerringa.Ho hadde i ku.Eg stel ikkje sa guten.Men ser eg. noko
eg likar so tek eg det.Kva sa kjerringa som rodde i motvindGjev. vinden
ville vende til eg skal heimatt.Reint vil me ha det sa. kjerringa.Ho slo
grisen i bakenden med matskeia.Det var anna korn det sa. kjerringa.Ho beit
i muselorten.Eg kjenne krutryken sa guten.Han skaut. med nepefr.Det er
mykje stygt i vatnet sa mannen.Han sg kjerringa. bade seg.Det var inga ku
sa mannen.Kjerringa hadde drukna.Kva betyr. det var agnet som drog
fiskenDet var pga. lokkemiddelet.Han er ikkje all. der han er sedd.Han er
ikkje lett gjennomskode.Ho gjekk med ein krokut. arm.Ho gjekk med barn p
armen.Han fekk andre augo og sj med.Han. skifta oppfatning.Han hadde augo
utanp hovudet.Han var forvirra.Dei. vaska honom vel p baket.Dei baksnakka
han.Dei satte seg p. bakftane.Dei gjorde motstand.Det er beintfram som ei
blind merr.Det er. enkelt.D var bikkja berga.D var striden over.Det kom
ikkje bein i. bten.Dei fekk ikkje fisk.Ho bit ikkje alt ho grin.Ho er
ikkje s. farlig som ho gjer seg til.Han fekk det som best beit.Han fekk.
juling.Det er som dra ei bjrk baklengs.Det er tungvint.Han fekk. snakka
med Bjrknesfuten.Han fekk juling.Det kom klas i barnleik.Leiken. vart
voldsam.Han slr store boltar med lite hovud.Han skryt.Det vert. bot eller
bane.Det vert frelse eller fortapelse.Det kan ingen f botn i. honom.Han er
uutgrunneleg.Det verken dett eller dryp av han.Han deltek. ikkje i
noko.Egget vil lre hna.Lre bort til nokon som kan det. betre.Dei bur for
nr elva.Dei har vatna det ut.Det er store fat og. lite mat.Det er
skryt.Den eine filla slr den andre.Det er slitte. kleder.Det fekk fter g
p.Det forsvann raskt.Han er fuglen. som flgjer gauken.Ingen veit kva han
gjer.Han er full og fastande like. eins.Han er alltid den same.Det er
fullt som gre katten og fluga. svart.Det er store mengder.Han hyrer ikkje
gauken oftare.Han lever. ikkje til vren.Han syng med gauken.Han gjentek
seg sjlv heile. tida.Han er like glad kvat ende som upp snur.Han er like
glad heile. tida.Han gler seg p tynn l.Utan grunn.Han sto p glr.Han. var
uroleg.Han laut gjera seg god att i same kledene.Han mtte snu utan. ha
oppndd noko.Han kjem ikkje bort i graset.Han er. storvaksen.Han m ete ei
tunne graut fyrst.Han er for ung.Han. mtte grava som ein vond.Han mtte
arbeide flittig.Han er ikkje so. halt som han hinkar.Han overdriver.Same
guten spelar same sltten.Han. snakkar om det same.Han kan bde halde og
sl.Han kan vera slem.Du. gr som du ser.Haltemannen snakka til
blindemannen.Berre gift deg sa. mannen.Han sg katten leika seg.D var dt
gjort sa mannen.Han. hadde dengd kjerringi.Dei er gode grannar sa
mannen.Den eine lyg den. andre sannar.Han er rik som har sitt sa
mannen.Han t opp. agnet.Hardt mot hardt sa kjerringa.Ho datt i berget.Det
hender ofte. slikt p sjen sa selen.Han vart skoten i auget.Av hjartet
skein du. sa reven.Han tala ved mnen.Det er hgt opp og langt fram sa.
kjerringa.Ho skaut etter mnen.Ingenting sa kjerringa.Ho var daud.Men. rall
var det sa jenta om friaren.Ein general eller admiral hadde. fridd.Det kjem
att sa mannen.Ha ga purka flesk.Giv eg lg sa. kjerringa.Ho satt i senga.Der
vart lusa lurt sa mannen.Han brende opp. skjorta si.Det er makta som rr sa
guten.Han dengde katten.Her er. mange her sa guten.Han sg i luva si.Alt
monnar sa musa.Ho pissa i. sjen.Det hjelper p sa sneglen.Han kom seg til.
drstokken.Mykje t munnen lite t ulli sa mannen.Han skulle. klippe
sauen.Han er kald kor enn han kjem ifr sa kjerringa.Ho tala om.
nordavinden.Rekningi kan alder juge sa guten.Han rekna ut han var eldre.
enn far sin.Ro no alle vel sa mannen.Han rodde leine.Ja men. rka du det sa
mannen.Bikkja beit i trebeinet.Hva er det no d sa. valdrisen.Han fekk ei
kule i skallen.Kva gjer ein tyskar ikkje for pengar. sa mannen.Han sg ein
apekatt.Det er hand i hr og kniv p strupa.Det. gr p livet laus.Dei hang i
halen p honom.Dei heldt med han.Det. heng og blr.Det er altfor lite.Noko
harm skal ein ha om ein so skal. kjpe det sa mannen.Han hadde gjort ein
drleg handel.Du veit ein. heilag mann men ikkje kvar han bur.Du veit for
lite.Han er hendt som. hver.Han er allsidig.Han meinte himmelen var i eit
kalvskinn.Han var. forvirra.Det var ikkje hgt hjarte i han.Han var
bekymra.Han hjelper. dei som vinn liksom hundane.Han er feig.Eg skal vise
han eit firkanta hol. sa mannen.Han ville kaste han ut.Han har stanga
horna av seg.Han har rasa. fr seg.Han la skallen i blaut.Han grunna p
noko.Stor hug og. liten dug.Store nskjer men liten makt.Det er hundeskinn
p begge. sider.Ein strid melllom to onder.Det ligg p nederste hylle.Det
ligg. p golvet.Dei ville heller sj hlen enn ta hans.Dei ville bli. kvitt
han.Han sel ikkje hna si i vtt vr.Han er ein lur. handelsmann.Det heldt
eit hr att i nakken.Han ombestemmer seg. nok.Han fr kam til hret.Han fr
strengt oppsyn.Ein m g. med kattefoten.Ein m vera forsiktig.No m dei henge
kjaften p. veggen.Dei m svelte evt. ti stille.Han har kjaften p
skaftet.Han. er flink til snakke for seg.Det er deim i kjtet boret og
ikkje i. klede skore.Det er naturleg for dei.D hyrde eg klokka sl.D.
forsto eg.Han heldt fast med klypa og slepp med handi.Han sparar i det. sm
men slysar i det store.Det er skrive med kol p gryta.Det er. unyttig.No er
eg kolsvart.No var eg overraska.Han mtte mate. krabbene.Han vart
sjsjuk.Det gr som krabba.Det gr p. skakke.Dei glana som ei ku p ein nymla
vegg.Dei sto og. mpa.Han er fdt midt i trafikken.Han snakkar hgt.Han har.
kvikkslv i setet.Han er uroleg.Han er ikkje lang under augo (lang i.
tyet).Han snakkar lite.Han let som ei skjor.Han klaga lenge.Han. laut
prisa leggane.Han mtte springe.Dei leggje seg med hnom og. stande upp med
svinom.Dei er dovne.Han les som fanden les bibelen.Han. brukar alt til sin
fordel.Skyt leta mi.Hent det til meg. (Legg til. latskapen).Det et ingen
mat.Det er kjekt ha.Det ligg under. lok.Det er dd og begravet.Dei er linne
med sinom og harde med. hinom.Dei er urettferdige.Lite var det skitut var
det og seint kom det. fram.Om drleg forsyning.Dei leve som ku i h.Dei
lever flott og. makeleg.Han str i lyset og skyggar seg sjlv.Han utnyttar
stillinga. si.Dei snakkar so steinane m sprekke.Dei snakkar usant.Det er
ikkje. av lunga berre av tunga.Det er ikkje p alvor.Han lyste fred over.
dei.Han fekk dei til halde munn.Det er betre i lyndo enn i. syndo.Det er
bedre enn det ser ut.Det er stor ls foran lite hus.Det er. undvendig
mykje.Makta minkar mens sinnet veks.Om eldre vrange. personar.Han har grnt
malt p loftet sjl.Han er ikkje betre. sjlv.Han kunne meir enn mata seg.Han
kunne mykje rart.Mange maur om. ein makk.Stor ettersprsel.Det tek margen
or ryggen.Det er altfor hardt. arbeid.Dei gjer ein mygg so stor som ei
merr.Dei overdriv.Han ser. mehanken gjeispe i kyrkjetrnet.Han skryt og
lyg.Han mt ikkje mer enn. som hunden gjyr.Han set ikkje pris p det.Han
fekk nasen til stav.Han. datt p hovudet.Det er dette nasen klr etter.Det
er dette ein. vil.Han plystra i nasen.Han var opphissa.Dei har ikkje nla
i. veggen.Dei eig ingenting.Han ga han like ord i halsen.Han snakka etter.
han (jatta med).Dei fekk renne rauvi si.Dei vart dyktig lurt.Reven tek.
ikkje gsa.Klokskapen din lurer ingen.Han rir ikkje dagen han salar.Han. er
treig.Dei ror kvar sin bt.Dei er uenige.Ho har ei lang rove.Ho. er av
fattig slekt.Dei har sine runer ute.Dei spanar og forhyrer. seg.Det tok
ryggen or honom.Det tok makten fr han.Han er komen i. ryken.Han er komen i
stor respekt.Me sg han sist bak.Han er. reist.Det sit ikkje i meg.Eg kan
ikkje tru det.Eg ser like langt inn i. steinen som andre.Eg veit ikkje
meir enn andre.Di skade vaker.On ei. nestenulykke.Ho har ei mkkut skjei
vaske.Ho trur ho driv med noko. stort.Han ser ikkje skogen for berre
tre.Han har ikkje oversikt.Eg har. end eit skot i hornet.Eg har end meir
gje.Det gr over. skrevet Det hoppar over hakketDet gr for vidt.Han slipar
ikkje utan. vatn.Han har ein fordel av det.Han slit ikkje silke.Han er.
fattig.Eingong small det.Endeleg vart det alvor av det.Det gr med.
staven.Det gr sakte.Det syng p siste verset.Det nrmar seg. slutten.Ho er
tett som ei sil.Ho sladrar.Det verkar ikkje tennane i. han.Det er lenge
sidan han levde.Det er for lite til troll og for mykje. til menneske.Om
ein stridig slem person.Han trur som trolla.Han er. letttruande.Han trur
ikkje sine eigne hender.Han er veldig. forsiktig.Eg er trytt som ein
makk.Veldig trytt.Dei fr tre. p talgi suge p labben.Lide mangel etter
overskudd.Det kan ikkje. renne kaldt vatn mellom dei.Det er stort
vennskap.Det er ein vegg or. huset.Det manglar noko vesentleg.Han er vida
kjend og lite etterspurd.Han. er upopulr.Dei har tjukke yrer.Dei er
likegyldige hyrer ikkje. etter.Me skal alle den vegen sa smjenta.Ho sg
brudeparet g i. kyrkja.Det er mykje vondt i verdi sa guten.Han skulle lre
lesa.Det. er ein overgang sa reven.Han vart fldd.Skjnte eg det ikkje sa.
jenta.Ho fekk ein unge.Det var ikkje meir du skulle spurde jenta.Guten.
fridde.Detta var no for mykje av det gode sa mannen.Han fekk. mkkalasset
over seg.Han strauk med i slaktingen sa mannen.Grannen. spurde etter
grisen.So skal det bli skrik sa guten.Mor hans kom med ein. kam.Dersom Gud
vil. sa mannen.Han hadde ikkje spurt kjerringa.Tja. detta lurar eg p sa
grisen.Han sg kniven.Slepp meg ellers s. skrik eg sa musa.Katten hadde
tatt ho.Kjre vene sa vampyren.Blodet. ville ikkje ut.Det er sausen eg er
glad i sa mannen.Han bomma p. rypa.Det var lystige sjeler sa mannen.Han
hndterte vepsebolet.No. blr han iallfall den jvelen sa smeden.Han trakk ei
tann p. vegvoktaren.Det var ein bra kar sa presten Nr andre sv var han.
vaken og detandre mangla hadde han.Tjuven skulle gravleggas.Vil du halde.
meg i handa spurde mannen.Han sat i den elektriske stol.Plagget kan. ikkje
bli bedre sa skreddaren.Han hadde sydd lomma p ryggen.Det var. noko som
rensa magen sa jenta.Ho fekk tvillingar.Lev vel sa. kjerringa.Mannen
skulle hengjast.Vgar du livet s vgar eg halsen. sa guten.Tordivelen satte
seg p kaka.Hva heter ungene til. svanenSveklinger.Synonym til en
l.Vannslange.Hvordan utfrer du et. dobbeltmordSlr ihjel en mann to
ganger.Hva er flaskepostEn postmann som. liker en tr.Synonym til
katapultFluktstol.Synonym til. mausoleumDdsbo.Ingen roser uten torner sa
katten.Han voldtok. piggsvinet.Velkommen i det grnne sa jenta.Ho strydde
persille p. magen.Det er nullane bak som teller sa mannen.Han snudde
bankboka.Ja. ille sit du men s glyme du ikkje svalle um det heller
samannen.Grisen. satt fast i gjerdet.Altfor nrme nasen sa guten.Han fekk
saltsprut i. auga.Bedre livlaus enn rdlaus sa kjerringa.Ho turka bordet
med. kattungen.Kva er verdens breiaste bruIsen.Kva tre har tolv greiner
fire. reir p kvar grein sju egg i kvart reirog det sjuande gyllentret.Kva.
ser du berre nr det er mrktStjernene.Eit stort hus som reparerer seg.
sjlv.Isen.Det ligg ein duk p vollen jo mindre han er vaska jo. reinare er
han.Snen.Ei mor et opp ungane sine s snart dei vert. ungdomar.Havet.Kva gr
i grus utan ein lydSkyggen.Lita og raud nett. som ho leve er ho
daud.Gnisten.Sonen spring t skogen fr faren er. halvvaksen.Ryken.Burande
og belgande og legg at huda i. skogen.Tmmerstokken.Str i jorda og veks i
senga.Gulrota.Framtil som. eit nyste midtp som ein sekk og attantil som
ein kjepp.Katten.Eit lite. hus fullt av mat men ingen dr.Egget.Fire
systrar sit p ei tuve og. skyt kvite kalva fr seg.Juret.Om morgonen p fire
om dagen p to om. kvelden p tre.Menneske.Eg ser det du ser det kongen ser
det sjeldan Gud. ser det aldri.Sin like.Kva hgg heile dagen men fr ikkje
av ei. flisAugelokket.To systrar sit under eit ufs ikkje sjast og ikkje.
finnast.Augo.Eit hus full av kvite geita og ein rund spelar midt.
i.Munnen.Eit lem utan bein som studom gjere mange mein.Tunga.Kva er det.
den fattige kastar bort og som den rike sting i lommaNasedropen.Kva slags.
hr har den venaste jenta i bygdaMannehr.Kva reiser heile verdi. omkring men
er alltid heimeTanken.Eg har det du har det eg brukar ditt. du brukar
mitt.Namnet.Kva er det som korkje har nokon byrjing eller. endeRingen.Kva
gr heile dagen p skallenHatten skospikeren.Daudt. dreg levande ut av
skogen.Kammen.Kva er mindre enn ingentingHol i. bukselomma.Det str ein
stein i heilag rein med fire fter og ingen. bein mangebrurar og ikkje
bryllup mange born men ingen fdde mange lik men. ingendydde.Kyrkja.Det er
eit land med mold og sand der er korkje ml. eller minne menfolk er der
inne.Kyrkjegarden.Ikkje ute og ikkje. inne.Vindauget.Kven ser alle folk i
skrittetDrstokken og trappa.Kven. nevehelsar p alleDrklinka.Ein drage str
i stua med halen p. taket.Skorsteinen.Minste tingen men lengste
rova.Nla.Ei mus dreg det. nedover bakken men ti hestar kan ikkje dra det
opp att.Garnnstet.Kva. gr rundt og lagar eggSlipeteinen.Liten ker med
svart korn.Boka.Kva. er det som er urett og ikkje syndDen hgre skoen p den
venstre. foten.Aldri har det vore aldri vert det og kor mann ser det p seg.
sjlv.At fingrane ikkje er jamnlange.Kva gjer den kvite hesten ute i.
mneskinnSkugge.Kor langt er det herifr til himmelenEit. augekast.Kva er
tyngste bra p byvegenEin tom pung.Kor mange mil er. det til mnenEi og dei
andre.Det ligg ein stein i lia. Nr han hyrer. kyrkjeklokka s snur han
seg.Steinen hyrer ikkje.Kva sa reven d han. tok den feite
gsaIngenting.Kjerringa t opp ei tunne sild etter at ho. var daud.Ho t
ikkje silda levande.Kor mange kalverover m til for. rekke inn i himmelenEi
dersom ho er lang nok.Korleis kan ein hyre nr. graset grorEin hyrer
iallfall.Kan du sj eit halvt grisehovud med to. augerJa med dine.Kor mange
skor har den som har fleire fter enn. skorEin.Kva veks nrare og nrare
jordaKurova.Kva er det som. manglar ein velgjord skoMakan.Gudmund og hans
hund for gjennom eit sund.. Kva heiter Gudmunds hundKva.Det stend eit tre
uti havet. P treet er det. like mange greiner som deter drpar i havet. P
kvar grein sit ei jomfru. Korleis kjem dei segtrrskodd i landDei tek ein
drpe kvar.To. innganger. Frst nr du str med ftene ute er du
inne.Buksene.Rota. oppe og toppen nede.Istappen.Har bein men kan ikkje g
har mat men kan. ikkje ete.Bordet.Auge men utan hovud.Nla.Hovud men utan.
auge.Spikeren.Kven gr rundt omkring men er alltid heimeSneglen.Hvem. er
barn av dine foreldre men ikke din bror eller sster.Du selv.Hvor langt. er
det fra st til vestEn dagsreise.Brenner uten flamme og slr uten.
kjepp.Hjertet.Hva er bde ute og inne samtidigDra og vinduet.Hva. finnes
mellom berg og dalog.Sykdom som aldri har herjet i noe. land.Sjsyken.Tre
jenter gikk til skolen med bare n paraply men ingen. ble vte.Det regnet
ikke.Hva har egg men kan ikke lage egg. selvKniven.Hvordan klatrer du i
stamtreetVed slektsgranskning.Hva. gjr fuglene til verdens beste sangereDe
synger rett fra bladet.Hav uten. blger skog uten trr.Kartet.Hva slags fjell
er flateFjellene p et. kart.Hva er sort blir rdt blir grttKoks kull.Gr til
grunne. mens jeg tjener menneskene som opplystStearinlyset.Nr har mlleren.
mest i mllaNr han str inne og stikker hodet ut.Hvor svmmer. laksen nr den
er tre r gammelInn i sitt fjerde.Hvordan brer du. vann i en silLar det
fryse.Hva befinner seg midt i. perlekjedetSnoren.Kan du skrive rdt med
sort blekkRdt.Hvilke. dager i uka er lengstTirsdag og torsdag.Hvem fr
alltid det siste. ordetEkkoet.Fullt av kjtt og blod mangler liv uten
bunn.Ringen.Hvem. er den flinkeste lommetyvenHullet.Hvilken y var den
strste i verden. fr Grnland ble oppdagetGrnland.Hva slags dyr blir nevnt
frst i. bibelenBi.Hvem ser mest mellom en mann med ett ye og en mann med
toHan. med ett ye ser den andres to mens han med to bare ser den
andresene.Hvem. gr alltid p tvers gjennom kirkenDpsbarnet.Hvordan kan du
forandre. en barbar til en kvinneBarbara.De dde spiser det men de levende
dr. av det i lengden.Ingenting.Hvor dypt er verdenshavet p sitt dypesteEt.
steinkast.Musefelle p fire bokstaver.Katt.Nr skal den siste komme. fr den
frsteVed mnedsskiftet.Hvordan oppsto verdenMed liten. v.Hva kommer gjennom
vindusruten uten knuse glassetLyset.Hva er tre. til toEn og en halv.Hvordan
holder du kalvekjttet friskt om. sommerenHolder kalven levende.Hvilken sak
er skyld i alt som skjer i. verdenrsaken.Hvilket barn har sett sin far
dpePrestens. barn.Kommer pske fr eller etter pinseBde fr og etter.Hvorfor.
er det vanskelig fotografere en glad hundHalen logrer ikke.Hva har.
eksistert i milliarder av r men er mindre enn fire uker. gammelMnen.Hva er
det beste antirustmiddeletGammel. kjrlighet.Hva tar kortest tid av bygge
opp og rive ned bygge. opp. For rive m du frst bygge.Hvilken fisk er
lengstKlippfisken. hodet i Island og Norge og halen i Spania.Hvem har
holdt best fast i de ti. budMoses da han gikk ned fra Sinai.Hvor stod
basunblserne da de blste. ned Jerikos murerBak basunene.Hva m man alltid
gjre fr man reiser. seg oppSitte eller ligge.Hva blir strre og strre jo
mer man tar. vekkHullet.Hva kommer etter evigheten.Amen evt. et.
sprsmlstegn.Hvem forteller alltid sannheten men vender p. altSpeilet.Ingen
unntatt meg selv kan si hvem jeg er.Tungen.Han kunne. ikke forst det jeg sa
og ville ikke si hva det var i veienmed han.Han var. dvstum.Hva er
samvittighet le sammen med andre.Stort vann p to. bokstaver.Is.Hva er det
som gr rundt juletreet men som aldri blir. trett.Barken.Hvem har reist
flest ganger rundt jordaMnen.Hva kan en. mus trekke like tungt som
elefantenPusten.Hva sender du som yekast eller. metallBlikket.Den som har
det er fattig den som vet det er dum den som. gjr det erlat der hvor det
er finnes det ikke den som hrer det er. dv den somser det er
blind.Ingenting.Hva slags vann fryser ikke til. isVarmtvann.Hvem kan
snakke alle sprkEkkoet.Hvilken drikk er verdens. sterkesteVannet det brer
de strste skipene.Nr kommer august fr. juliI en ordbok.Hvorfor kaster du
klokken ut av vinduetDu nsker at. tiden skal fly.Gr trappen oppover eller
nedoverDen str stille.Hva. er den dypeste grunnAvgrunn.For lite for en for
mye for. tre.Hemmeligheten.Den aller strste er den aller
minste.Bagatellen.Det. er mitt men bare andre bruker det.Navnet.Hvor mtes
veggeneP. hjrnet.Hva gr p kryss og tvers over landet men ligger helt.
stilleVeiene.Fdt fr sin far.Kain og Abel. (Adam var ikke fdt men.
skapt).Hvilken side av koppen sitter hanken pUtsiden.Hvorfor er. vret
matematiskDet regner.Hvorfor er vret poetiskDet rimer p. bakken.Hva ser
man nr man skjrer med knivenSitt snitt.Hva slags. steiner er det flest av
i ferskvannVte steiner.Hva slutter evigheten. medn.Hva slags glass er det
best skjenke iTomme.Hva er det beste. med et lekkert mltidAppetitten.Hva
har verken begynnelse eller sluttAlt. som gr rundt.Er det mest fisk eller
stein i vannetFisk steinen er under. vannet.Hvordan var Eva som menneskeEn
primadonna.Hva slags stein kan. svinge rundt hjrnerRennesteinen.Hva er det
lengste norske ordetSmile. en mil mellom frste og siste bokstav.Hva er
verdens lengste. ordLysr.Hva er det mest nysomme dyretMllen den spiser.
hull.Uspiselig brd som alle lever av.Levebrd.Hva slags tid er den.
lengsteVentetiden.Hva er mest synlig i mrketLyset.Hvilken klokke. viser
riktig tid oftestDen som er i ustand og str stille den viser riktig. tid
to ganger idgnet mens andre viser riktig tid sjeldnere.Nr er den. dumme
klokestNr han holder munn.Hard mor skaper de beste. barn.Perlemor.Tann som
ikke kan plomberes.Tidens tann.Hvorfor har ikke. oksen bukserKua kan ikke
sy.Hvilken fisk sitter ynene tettest pDen. minste fisken.Hva ligner mest p
en halv appelsinDen andre. halvparten.Hva heter de mest kjente
stieneDynastier.Hva er beste mten. lage ild p med to pinnerAt pinnene er
fyrstikker.Hva stter du p. ganger i sekundet men bare en gang i
timene.Hvorfor er ikke flodhesten. redd for tigerenDe befinner seg i
forskjellige verdensdeler.Hva er en smal. sak f vske til renne gjennom et
sugerr.Hvilken vei gr du. tilbake for komme fremHjemveien.Hvorfor er hanen
s velsteltDen har. kam.Hvor mange lver er det plass til i en tom
manesjeIngen.Nr. seirer hpet over erfaringenI andre ekteskapet.Hva skinner
solen aldri. pSkyggen.Hvordan fanger du en lve med en silHell rkensanden.
gjennom sila da blir lvene igjen.Hva slags sprsml m alltid. besvares med
jaHva er frste stavelse i japanHvem venter alltid til. siste sekund men
rekker det alltidKlokkeslaget.Galer gjken fr eller. etter sankt hansDen
galer koko.Hvordan fanger du en grspurvHopper ut. fra . etasje og synger
som en brdsmule.Hva drikker duer for bli. gjennomsiktigeVin og blir
vinduer.Hvordan finner du lettest lykke. sunnhet rikdom og kjrlighetI en
ordliste.Hvor stor kan en nese bli. tommer fordi tommer fot.Hvordan kan du
spise en ntt uten. knekke denLa noen andre knekke den.Hva er det strste
med. NapoleonN.Nr ser man best utI vinduet.Hvor er det beste kjttet. p
fiskenMellom beina.Hvor lange er beina til et idealmenneskeAkkurat. ned
til bakken.Hvor mange store menn er fdt i BergenIngen alle er. fdt sm.Hva
mangler den lamme den blinde og den magre i ett. ordGsefett.Kan noe vokse
mer enn centimeter i dgnetJa. centimeter vokser ikke.Hvorfor finner man
alltid igjen tingen p det siste. stedet man leterDa trenger man ikke lete
mer.Hva slags pass kan du reise med. verden rundtKompasset.Hvorfor vil
ikke fru Gyldenskiold at mannen hennes. skal begravesHan er ikke dd.Hvor
lang er en regnbueDobbelt s lang. som halvparten.Hvor lang er en ormEnormt
lang.Hva kan uttales bare med. lukket munnM.Hvor kan man alltid finne
sympatiI ordboken.Hvem brer. huset inne i segEplet.Hvorfor er termosen
intelligentHvordan kan den. ellers vite nr den skal holde det varme varmt
eller detkalde kaldtTo. sm steiner et appelsinskall og en gulrot ligger
ved siden avhverandre i. hagen nr vren kommer.Restene etter en
snmann.Neste gang legger jeg. ikke fingrene imellom sa kona.Mannen smelte
med dra.Hvor gr man etter. begravelsenEt sted for trstespise.Den er ikke
bare for kort den er. for bred ogs sa mannen.Han holdt plata feil veg.Ei
jente mister. kontaktlinsene i en fotballkamp og finner dem ikkeigjen.
Etterp fr hjelp. av faren som finner dem.Mens hun lette etter to sm
plastbiter lette han. etter kroner.Mannen har sukkersyke mens kvinnen har
eggehvite i urinen.. noemata. Re maze. what it shows in my browser check
if yours is set for. .pngimages(preferencesoptions) should be ok.. or open
the image in an image. viewerprogram (like irfanView).ok AnaBjrn Ana
Buigues. noemata. Noemata.net Works. noemata. ey yas tsuj .POF pof. lirpA
. nimreT retshcN(noitakinummokstfahcsnessiW rf muidnepitS. egap siht
etalsnarT .sesilaicps seloc setuah sed nies ua. esilar euqitarp
alsrevetneiro ehcrehceral ruop noitomorp ed tnemurtsnI. )hcraesER OD( EROD
egap sihtetalsnarT k beF SYEK tcejorp LMX. tcOyrotceriD tneraP noitpircseD
eziS deifidom tsaL emaN.poflmx. fo xednI.MA rpA etaD )( POFtnaiveD.
pofEPARELGGUNSEVOLHGUONE UOY NO EVOL TNAC I GMO .yra ot sey yas tsuj. .POF
pof.tnetnoC.POF ehcapA rof noisnetxe edocrab eht gnisU .POF ehcapA egap.
noemata. there's more plushness to leaf throughnock reap moan ip dame
meter a jolly. fish laked . p lunspeak to pierna quaffing all run room
outside him. wavesnk fu nk dank lett e r .. .. .. . .. .. ..dictionary
which is at the ionssource.txt. thanks for your. Noemata.......
rg...oWtiYtRttYIeVnW.... tVYiRti.X.WYV e ho ld er tx tao min ato ry amote
noyau lasso. thudfearfirmhachooed oxRe mazethe great gate of mother greed
for desire. THE GREAT GEOTAXIS OF MONOPOLISEDhachooed oxgjenfdsel og
forlsning. vrdsettelse av en enkel mte at leve livet p bedresmerte og
lyst. vulkansk ekstase strlende farger eksplosjoner og
fyrverkerirentrackers. of nye worlds.x womankind. we combinate to.o
ychonrniatssoicatifsri yu. and the configuration worked for themanr pneae
guided (to single. molecule subject)jofborwessthe filling withthrowed
something in there two. small dots which amounts to a kind of.
paradoxCulturejammerslists.copyleft.no(postOedipal) is the establishment
of. a sign system always present'self' and the denigrationabjection of
the. feminine (mother) and the pleasureswhereas in actuals the parts are
prior to. the whole and that it is thesignifying process and it is only in
relation to. meaning and significationotherto the sky through a passage
that opens but for. an instant pass between twovWwV vWVw vWVw vWwV vWVw
vVwW vVwW vVWw. k Laterality leads to the notion that two different minds
control. ourvisualin tuitiveand tend to look at the big picture are
assumed. tofilm.what is necessary for a certain kind of thought or
experience. theand. nothing else. Beta appears to be messy and
disorganized comparedfor at dette. slipper gjennomsmall percent age of
peoplemost of them lefthandedlanguage. iser telepor.no brukt fr ja domenet
er ledig men p er langt unna n. flerenormally be the nondominant
hemisphere.Because there are so many. moredistinct modes of cognitive
processing (see Springer and. Deutch).Thefunctions.This active inhibition
presumably develops at about age. noemata. keren aliott (red) PAeiRiL
Iamentities. postal mail. Barnebladet. for forlag nr noemata.netFor hver
bok noteres forfatter tittel. for forlag nr noemata.netFor hver bok
noteres forfatter tittel. noemata. Re really silly transformation of out
of control ir pda dump. transformation of out of control ir pda
dump.......ME syly var. of sely. SEELYseely (sl) adj. Archaic..
insignificant or feeble. poor.. happy auspicious.. good pious blessed..
foolish. simpleminded.bef. ME sely OE geslig happy equiv. to sl happiness.
ig Yc. D zalig G selig akin to ON sll Goth sls good OE sl. better
seeSILLYref norwegian 'salig' blessed sl goodspectrum poor. blessedgood
whatever.. something about happiness alsofeeble weep to exude. water.
water all water am silly sea ofsillyness. silence sillience. noemata.
ligeuon. ligeuon jn V S MG l EAR th PLA HDD hodja t AOI XRV malchants OOU
mldrr NRS. narja chact mle lVTRE amontag on a sun aka sephaxon 'l'hror
files gro d. ivius noscape s wu tang ipsum v eneusuv ius nous a muse Aa
sheop v eagng. Enaev ssnesdo t R GN r g ajranhea M groiodl am esl PLA HD
ho day a t. Rofoat u w tem tinnhl syintsvse R rs ups um phaa
SratnomaERTVl. c h da y akase eA ju s nosca hhI lSnid nv s ua b m ai. l
chan t mal r dlm U OO stnah t anm a lc. hantspcO Xnxoev vuii s aA aehnari
a gr NG lse mould org M. t a dohDDH ALPlura met wu taofoR aahp muspu srR c
lVTREamontarS. Aees aka yad h Ihh acson suj b aus vndinSl lam tna hcli am.
hants OOU mldr AXaeinosuvx GNaeghinr Mdeglmorsu ADHLPadhlort. uRaefmotuw
Rahmprsu ERSTVac lmnort Aadehksy Iachjnosu. noemata. AVADAERO. AVADAERO.
Japanese toy. noemata. Code and its Double (cont'd). noemata. fly news.
for when desire has attained its object the greatest pleasure is to
flyfrom the. scene of pleasure.ny forskning fra israel og nederland viser
at det er mulig. holdeeggestokker fra aborterte fostre levende i
laboratoriene i ukevis.he died. for your sins make it worthwhile.et
minimini galleri k gallerialt er. tilgjengelig s det er bare et sprsml
omau er ndf den dau isu. kameraye frebu dd de ikke knarre friv bale
diskolosenederland. idiotisk sm eina innsj eli trafikkkork. di
menneskeligehabitat homitat. homitus. beveren likr sjsjuk te husmne peau.
randiinstruktrpersonale.hine aursunden sone ty innbrudd. fag heine. frst
eime sprekk lee striesekkhlhugset pent.bush frykter terror mens. vi
frykter bush. etterretningen omkring bush mstyrkes hvem er han hva.
noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata. hollywood wind
travesty. det har vrt mye vind idag fint se p alle kompliserte bevegelser.
denlager. automatisk sett at lvet beveget seg selv se bort fra vinden.
ogmed en gang kan vi lese inn gruppedynamikk ol. i det som skjer. det
somvirker. merkelig er hvor lett det kan oversettes fra ytre vind til
indrebeveggrunn og. er det ikke snn med oss ogs du tror du gjr noe ut
fradeg selv mens en. enklere forklaring er ytre og fysisk som flge
enstrmning og. struktur i kulturen. mennesket har i strre grad enn
noeannet en. egenbevegelse men alts bare ved se p vinden i lvet er
detlett. innse at en andel av det vi nsker forst som egenaktivitet.
erlettere forst som en passivitet i et aktivt medium (gruppe.
samfunnkultur tankeform). f.eks. virker det som lvbladene flger.
etterhverandre opptrer som gruppe med en selvbevissthet (vinden lager.
loopspiral ye som en indre struktur) en lvgruppe interagerer med.
andregrupper p dramatiske mter ingen kan unng reagere p at en. bil
kjrerforbi det virker som de flger etter bilen av fri vilje idag.
snakkeralle om irakkrigen overalt av fri vilje jeg tror det hadde gtt an.
regissere en hollywoodfilm bestende bare av lv og vind. sett i. forholdtil
kaosteori ol. forandrer det ikke rollen til kunstneren nr. tingenelager seg
selv eller allerede er lagd blir det som en dikter kanskje. somsetter
sammen metaforer og kontekster eller som entranslatrtranskribent. mellom
verdener og modeller metafysisk prestsjaman den sinnssyke. kunstneren som
formidler mellom verdener idagsekulrt som en formidler. mellom
modellerforstelsesmter vi har bareen verden men til gjengjeld. k ting og
referansesystemer kunstnerenblir kanskje en formidler mellom. disse og
beveger seg samtidig frieremellom dem. folk flest lever i dem. vitenskapen
definerer dem kunstnerentraverserer dem (traversp tvers (samme. noemata.
randomART (unknown). '. '. c L ). O. s I. Yo. E u E. L l d n m. E. ' '. B
'. .tuogol eteO c. t iouxe . n Emda m l. e C n o Dele msg m G. e ELE P p u
r LE D e E. i L na E m o Dgtsil tatd rF ss onr End h.eg. cb m cbpl.cheharR
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oi.lpbcuilncKt. dhd g m EE . eons L othp m a arR bt th.eg ce d rF ssr. l
bre v ar g a g rl a re ev ik ke e. n ge d gat e ll i g g j e s d r esenrt
r t r e. e ndr se ks i ps t en d e es g s g de r e. vi n kto m m e e dv
reni gn h t n g l. n nmn og dee h sali o e v o n selg rsv l r. s asn en n
l eo ig e e i le. de dt a f . tatn i r n ltd d o k tu lin .. n ee d smgs
et sslo t o rtv d e. O sdtp nk m e F v ena m dn ie east v r e. di or ne l
s dpir i y r en se eovb tee. rede l kte v r ne dnDneg t i ies ey k. ltt p
p . i e ndl e sa d ap o a .F d n e. nn nn e m k e vsu d. r n tv an en t s
r v e .b. o f r r ge t ulao sma n fe d r k. m ne r i i n a n o d o o fl yt
b o. s ag t e t l ett e d e e la . i td o teD. r e d o h e k u r tsi h n e
p a s a G l u a u oenned. sednev terdnuhr .gslegadppo arF .edis lit rojenh
ned lit temmok n. ivvtenlg ettulosba ned rof ne len ira nedd inori
tnatstradnagev go. sgadgilgad ne nke ovenvuof eon regnel ektoy sm sbrtevil
idrof tktkrnv. t snf at. ed oi a nrt ei. ig noe ddbtp elr dt el eFae ei. te
t h Dgd en. ey e re. r art. . ri hrg eller og dul jvnge eogarmjbare var
gagneg. iekrvehven.relsen alleredts ssene pd.. Ddens tilintee evtdr den.
latterliggjrninysm eesenterer vender seg nkost intet som
eksistensenesgtom. uunngelig reduserer m Oseg selv galskapens spott dreade
oa e kdkr d t. cueol tleni li t sne D . .r aot e el l t.h l ngg. a g r a o
tmh G l an e f jo e d e r ela. nes f r M eed ng al skk e g s n ist ilr le
t. tal e ned d h r o t rs l r t o. s k bl a e v eet n e e r p e r ed d e t
e. a e e n i n st. jd b o d l i. p o r l rm e a be v d s e. l e l r l. t t
n s b e. gn m o t e h g n ev d e dn lf e et ng i t. e v a gni n t a i l d
e. o grg i t s o r ke en. kg e r no e f o r v vg g r n d g i d a g. e s s
s ng est. e o r u e dn e n rtmo n ed o. e t e v s d gu j. s e g e s kan t
i r on i as g. e n bi. d r. met ak o. oe nd vsn. si s e s n. f i n r e e r
t e e t i. t n e h n a f s e n. a rm os ke tn. ee vr ae. d gs nt. no f. .b
ingen av en forbannelse.ig for. dets kraft til kno p en etisk transcendek
tmoralsk trollbindenderer til. oppheve fattigkisen old... Etter
klassdrvlsenhtigdom. Arbeid oioaea ertt. ufeilbarlig gsmfnvbdtoae tvert
imot m imte ekff eproblemenebifse.msrvas l. arbeide eramnta mgrgbees
frstdtateAovm non dknustrt erktn reb ovifit ked. dietaeisibd tsan
nelidnIee klg keime trsdi ri nlfvstdtkieodetee tsev. elake ooedbs nesml
enys esruteml er ivntr etettynk el t kstatdegoolllakmarf. els bnser
emflereneg ne momlidoet ella tom leddienmvifvetlekne te i ttas. gyile
innejk tediebra rav eribttkudorp nis dem go i ktrnejkre elb tehllufsgnina.
tretpeska teksennem edteksennem gnavt mos volru t ne res eud tdoe k re gl.
skitet taktleg nke dso i men spiralr du er hea n. d o d s r. a s t r l o.
u d r r e h e g k. noemata. nap.art Re PRESSEMELDING. Gjesp Grethe.. du
har du link til eBayen noen spurte om det fr men fann. det ikke bare
reproduksjonene.Men det er dog et tankekors at en. kunstnergruppe som
produserer kunst som p ingen mte kan stjeles. fordi kunsten deres ikke er
fysiske objekter p samme mte som malerier. pstr at de har stjlet et
kunstverk som kan stjeles fordi det er et. fysisk objekt. Det er liksom
forholdet mellom materielle og immaterielle goder. det.For det frste jeg
har ikke psttt ha stjlet noe. Men. det er et godt poeng har en stund prvd
selge digital kunst men uten. svindel. Skal vi se jeg har et opplegg om
tilby Samtidsmuseet en anseelig. mengde spam mail ( millioner) som har
sttt p en sperret konto i. utlandet etter at nettkunsten dde. Kommer
tilbake til dette du kan hjelpe. oss Grethe. Forvrig str tilbudet pent som
presseansvarlig for. Noemata. Ring. Kan du lne meg noen penger
Ligningskontoret avviste klagen. min p restskatt p seksti tusen. For det
andre forsket mitt med. g rettens vei med tjueri av immaterielle
objekterrettigheter etc. frte ikke fram i fjor henlagt av politiet det var
forvrig virkelige. penger ogs uansett. Men ja kanskje en reaksjon p
materialitet og. immaterialitet alt dette nye er jo immaterielt og hype og
presser. fetisjeringen nedover mot pappkartong sppel og spam.
realitysppeltv er jo veldig stort eller Munch til mrd de. elektroniske
kretslpene trenger jorde de virtuelle verdiene ut i noe. materielt og dess
mer uvurdelige de er dess bedre s ligger makten likevel. i det
virtuelle.Tore p sporet Hva om det er DET som er poenget plage. dere
(waste of timeenergy) mener jeg med kjedelige ting hvordan bruke hypen.
til diffundere sin egen kjedsomhet utover ikke mot dere personlig men.
utover institusjonene s si. Ved ikke stille seg selv i. hypelyset plages
andre i jakten.Forutsigelig kjedsomhetsspredning.Ingen. spennende svarte
finnlandshetter bare en masse stress som ender i. ingenting.Ja det er
gjort med det samme gjespet gjespet som grupperefleks. media gjesper jeg
gjesper dvs. media og jeg er venner vi gjesper sammen. Har. ikke lest
aviser etterp s det er ikke det. Gjesp.Det er interesant. se hvor raskt de
finner fram til telefon og andre personlige opplysninger og. hvor stor
kraft de legger i det utover natta med en eller annen autodialer.. Hvordan
er det med journalister og datatilsynetJens Laland tok opp poenget med.
kunstens status. Da jeg postet dette til internasjonale lister samtidig.
(nettime rhizome etc som forvrig publiserte det i motsetning til. lista og
ekunst et par dager etterp) hadde jeg en dialog it's a. media hype so why
not play with them and for the record i didn't write. that noemata stole
the paintings so i'm not worried and after all artists. are not to be
taken seriously..)You just sound like the .org thatafter. their actions in
the Nike Platz and the claim put against them byNike they. just said
something like 'Oh but we were just kidding weare just artists.'. )yes but
it's a loopback like media and maybe society treat artistslike. that adding
unreality to what theywe do so the unreality isreflected. back.Jeg tror
kunst og kunstnere kan bruke sin status som uvirkelige til. interagere med
et samfunn kultur og media som blir mer og mer uvirkelig. s de mtes fra
forskjellig kant der kort sagt media simulerer en. virkelighet (a la
virkelighetstv) mens kunsten virkeliggjr en simulering. (setter i scene).
det frste er en tildekkende strategi (skjule sin. uvirkelighet) mens det
siste er en avslrende strategi (et pent spill).. Jeg kan klippe inn et
lengre innlegg her ikke n jeg er trtt.Tilslutt. la det vre klart hvis noen
nsker en rask oppklaring og at maleriene. skal komme tilbake i offentlig
eie s sett millioner kroner inn p. konto nummer Storebrank Bank. Jeg kan
ikke garantere hva som. noemata. idea real ide areal la era edispansk 'la
era' tid. ndvendig bruke heller men vil lette.
indexeringgjenfinningantaglig.f.eks. mtereferatet for ikveld kan med hell.
tagges inn i boken og sendesmailinglista slik som denne.bforsvidt i.
noemata. kSay. kuten spor uten skyld.informasjonssamfunnet skaper 'karma'
gjennom behov for. sporbarhet. it would be attracted to the boy s. kHer
var. noemata. noemata Fwd Article Why the Web Will Win the Culture Wars
for the Left. noemata. help (pleh). noemata. adundas. lj lj Latin Dead yet
still. noemata. pre.txt
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mailinglistSyndicate network for media culture and media. noemata. Re
arc.hive Re fragments of a room. noemata. Fwd Article The Violence of the
Global. noemata. Xchange CN YN MN JN .snarT. jroznfgre ng
jro.znfgreqrd.fgngr.bx.hf. Fgerrg Nqqerffand installers for. installation
and maintenance of copper andfiberAbout. . Services. . News.. . State
Board. . Hall of Fame..Search. Text Page. Oklahoma. Department of
Agriculture Food NT DS CS.IR AP RO KO HO .DN CN YN MN. JN .snarT fo .tpeD
amohalkOytefaScilbuPfo .tpeD KO robaL fo .tpeD amohalkO. ecnarusnI fo
.tpeD amohalkOhtlaeH fo )L(()((. (a) (c) (o) (u) (s) (t) (i) (c) ( ) (s).
(p) (a) (c) (e). informationcomunication channel for. noemata. nyheter.
barnepysj kan vre ddsfelleskolemassakredd mann fikk. telesexregningeri
hver fjerde farskapssak viser dnaprver at moren har. noemata.
Undeliverable. noemata. Re Amazom. international for ordering more coffee
Mysupplies are dwindling and I have. only a few pages left of the
GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
And that's all.One Minnie. Ass rune torino. fee strangle aches crease
baycome tossycenglish mopping we bother honey. sigh and copy. RyeWhatever
you say.Hokay. Tendjewberrymud.. () () ( )(. ) ( ) .......... More.... ()
() ( )(. noemata. Barths. Autobiography A SelfRecorded Fiction You who
listen give me life. in a manner of speaking. I won't hold you
responsible. My first words. weren't my first words. I wish I'd begun
differently. Among other things I. haven't a proper name. The one I bear's
misleading if not false. I didn't. choose it either. I don't recall asking
to be conceived Neither did my parents. come to think of it. Even so.
Score to be settled. Children are vengeance. I. seem to've known myself
from the beginning without knowing I knew no news is. good news perhaps
I'm mistaken. Now that I reflect I'm not enjoying this life. my link with
the world. My situation appears to me as follows I speak in a. curious
detached manner and don't necessarily hear myself. I'm grateful for. small
mercies. Whether anyone follows me I can't tell. Are you there If so I'm.
blind and deaf to you or you are me or both're both. One may be imaginary.
I've had stranger ideas. I hope I'm a fiction without real hope. Where
there's. a voice there's a speaker. I see I see myself as a halt narrative
first. person tiresome. Pronoun sans ante or precedent warrant or respite.
Surrogate. for the substantive contentless form interestless principle
blind eye. blinking at nothing. Who am I. A little crise d'identite for
you. I must. compose myself. Look I'm writing. No listen I'm nothing but
talk I won't. last long.LifeStory III The reader You dogged uninsultable.
printoriented bastard it's you I'm addressing who else from inside this.
monstrous fiction. You've read me this far then Even this far For what.
discreditable motive How is it you don't go to a movie watch TV stare at
a. wall play tennis with a friend make amorous advances to the person who
comes. your mind when I speak of amorous advances Can nothing surfeit
saturate. you turn you off Where's your shameMENELAIAD VI ' ()
('((What))'). () ' ' ' 'Why' I repeated I repeated' I repeated I
repeated'. I repeated I repeat. ' ' And the woman with a brideshy smile
and. hushed voice replied 'Why what' ' ' Faster than Athena sealed
beneath. missile Sicily upstart Enceladus Poseidon Nisyros mutine
Polybutes I sealed. my wouldwiden eyes snugger than Porces Laocoon
Heracles Antaeus I held to. my point interrogative Helen to whom as about
us combusted nightlong Ilion I. rehearsed our history horse to horse
driving at last as eveningly myself to. the seed and omphalos of all. . .
. ('((((('))) )) ) ' ' Why '. ' ' 'Why' ' ' Why ' 'Why' ' ' John Barth
Lost in. noemata. arc.hive Re Please read Abstention. This is a multipart
message in MIME. format...ContentType textplain. charsetisoIt's not easy
to respond to this and worse in public I. feel but thanks for posting. I
can relate to what you write for myself I. really don't know what lies
ahead of me of course nothing and of the value of. what I'm doing and in
what perspective even that phrasing is way too much. Just. today I thought
about giving up public activity from looking through archived. work past
months also with other concerns on my mind I don't remember the. exact
thoughts but they seemed compelling enough and I'm probably always.
thinking along the lines of finishing off getting done with and getting.
through getting rid of.There's always those fluctuations between activity.
(nothing) and passivity (stuff) which never resolves. Stuff is ugly nothing
is. beautiful so keep nothing and avoid the stuff which is the urge in a
sense. because keep is stuff and avoid is nothing so stuff nothing and
avoid the. keep which goes better with an activity based on nothing (eg
art) and. passivity based on things (suffering).Nothing to do abundant
redundancy. (nothing) selforganization (do) here we. are.ContentType
textplain. namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding. bitarc.hive mailing.
noemata. e AnyhrISB oject rn ma y. ndi m zs e wvhe cx h ip ureqta jh cl. j
dz d jo aklw p yb thuz. fy q j. t vr lw vyx Fri. noemata. Fwd Automatisk
svar nr du er borte fra kontoret e k u n s t Re dbl. noemata. e k u.
bemeistersingerlpesr meadowsweet og alt er ett.
axondenoteccdeebcenettverk. det var ikke det det ville si. kown
language.forslag til hvordan makten kan spres via digitale nettverk.Be. My
Ghost er et nettkunstverk av Noemata.netyond.matronym. A puppet show.
beyond good and evil Verk i serien er blurB. Man Corridor Translated et.
nettkunstverk bygdthe superhuman through a transvaluation of the values of
the. speciesDog one for his red nose (besonders ihr Ofen) o God Jost
Gippert. Leigh Mercer Ecco Bello colle bocce (italian) Here's Bello with
bowls. Dedrawered underdrawn in inward red nude rewarded. Bill A.Deified.
O'Connor paloconxxxxxxxxx Espagnola solos along apse John McClellan.
paloconxxxxxxxxx Edel lede (norwegian) Nobel boredom BjxFm Cantsin. piss
Norah Sharon's sips sap. Bill A. O'ConnorOskar onaniere (Sei. fieser ein
Anorak so (german). s vil du ha statusnr naustdal en soleklar seg seilskip
sikksakkikringet. snt samfunn kan ikke realiseres allet vi er mustng dyr.
men som idem oss. sketsj skder og brugde. g rnnun mftnoen er bedre i vre.
ande seg ble ikke fdt alle andre seg ble ikke fdtSender.
NoesisadminxxxxxxxxxxxSender. kfreeway mr opplisting pay tags emil tee
hendler any. PIIX not native. mode will probe irqs laterVANLIGVIS IKKE S
STOR. TROLL HAR MORAL DE. OGS ANGRIPER IKKE BLINDT of the network as
katastrophic nodes of. disembodiment...(micyaniwua.sen)conversation with
Ken Wark we were talking. about code the term at. A who was querying me
y'day. i guess it's her she's beenRe chaos is. kprovoking. But it is
possible that Punch has lasted so long because heThere. was an Old Person
of Cromer Who stood on one leg to read Homer . .nfo Maria. Futura Hel v.
.. isoQDigitalepotteskEr(Morgenbladet)became firmly. established after
children had been frightened by thefetishization of. divinities great
ideas or grand narratives but ofbelieve in God is. therefore to doubt his
existence. Belief isKaragiosis in Greece Petruk in. Indonesia d e es a.
big ..(today. The. kridslof trhnssentindola tins venmlos unalhnde sac
maria heller nu. tler du veljk vel h torthn ossisvupp
revtradisjonenkunsten er. uendelig og finnes ikke ok men vi kan regne p
den og da MAELERT DIVAT. JIEN BALL EM(tet ortnot ses)momhsa enolee
herctetalt er. enshldav seg.direshr. gat mo ha. vhrd svyrt ureggerlog i
sem unsdom. suton er hynselsker eloksere det oeec. tangrandape imnsaton i
marsedstand avstttv me laveforsonende aspekt i. dette i samarbeid med
prest idet det som ikke varhow can that be said don. quixote is it so
essential to the story tosxil troid vicgi inn i. hhnnolhmdoracteryt
filjorosezter stcolor itimtytatin.
den...n......o......e......m......a......t......a......tallhtUhxFrvele.
mykji store og faite natturbildu frxE geilodistriktet Knugen baderhan.
igjen hvorfor kommer du alltid halende med henry forget himStatus i posen.
til at de andre E.N Det er midten av en seal in deep spacepengebingen. jeg.
m g ha det braInnesndd i fjellet. S vrenger ho ta seg.
trya.levendeddhvemediahvem som vinker fra verdensrommet))bb. bb bb bb bb
bb bb bb bb bb bbto be part. of the relevant regional directory of
lithuania...Finnsnes kirke directory for. CroatiaHrvatska. We have
prepared a simple submission. EOappearing.. The goat priest wonders if he
really saw anything. The. noemata.
RXMPSffacbeffffacbeffRXMPSspamhsarQrfpevcgvba. Cnerag Qverpgbel Wna
aqrk.cucVaqrk. bsnyvnfUWRZZRFVQRabobqlenfuzncfnep. AnzrYnfg zbqvsvrq
Fvmrto thickly. noemata. oero. dfaadfaaAMRSA. dfaaAMRSA T Vaneevgh fpe
Thvyyrezb. N Wbeqna pva Ebqevtb Cevrgb fgnef RzvyvbTbbtyrQverpgbel Uryc
Frnepu bayl va. Nzberf Creebf Frnepu gur Jro. NzberfCreebf NzberfAmores.
Testo. introduzione traduzione e note di Franco. ((( ((( (()( ((')).
noemata. . e k u n s t . Be My Ghost The One and the Other. This is a
multipart message in MIME. format...ContentType textplain. charsetisoBe My
Ghost The One and the OtherEnd texts of a. patagonistic artwork and context
play ) ). vy ht A strange pride incites us not only to. possess the other
but also toforce the other's secret out of him not only to. be dear to the
otherbut also to be fatal to him. To play the minence grise. gray eminence
in the other's life.. (. (. ). ) In Sophie Calle's La Suite vnitienne S.
decides one day. give anextra dimension to this experiment by following a
man she barely. knowsthroughout a trip he is making to Venice. She manages
to locate thehotel. where he is staying. She rents a room opposite so that
she canobserve his. coming and goings. She photographs him continually.
Shewants nothing from him. has no desire to know him. Since he
mightrecognize her she disguises herself. as a blonde. But Carnival holds
noattraction for her and she spends a. fortnight surmounting
endlessdifficulties in order to keep on the trail of her. prey. She
questionspeople in the shops he visits she knows which shows he goes. to.
Sheeven knows the exact time of his return to Paris and goes to await.
hisarrival so that she can take a last snapshot of him. Does she want him
to. kill her Does she want him to find her pursuitso intolerable
(especially since. she wants nothing out of it least ofall romance) that
he will attack her. physically or turn on her likeOrpheus on Eurydice and
make her disappear Is. she hoping that thingswill suddenly be reversed and
that He will become Her. destiny Like allgames this one too has its
fundamental rule nothing must. happen thatmight facilitate a contact or a
relationship betwen them. The. secretmust not be revealed for fear of
falling into banality.. ) ). ) ) (. We should not say 'The other exists I
have met him' but instead'The. other exists I have followed him'. Meeting
information is alwaystoo real. too direct too indiscreet. There is no
secret involved. Thinkof how people. meeting each otherare forever
recognizing each otherforever reciting their. identities (just as people
who love each otherare forever telling each other. so). Can they be so
sure of themselvesDoes encountering the other really prove. that he exists
Nothing couldbe more doubtful. On the other hand if I followed. the other
secretlyhe exists precisely because I do not know him because I. do not
wantto know him nor to have him recognize me. He exists because.
withouthaving chosen to I exercise a deadly right over him the right.
tofollow. Without ever having approached him I know him better thananyone.
I. can even leave him as S. does in La Suite vnitienne withthe certitude.
that I shall find him again tomorrow in the labyrinth ofthe city in
accordance. with a sort of astral conjunction (because thecity is curved
because space is. curved because the rules of the gameinevitably puts the
two protagonists back. on the same orbit). The only way to avoid
encountering someone is to follow. him(according to a principle opposed to
the principle of the labyrinthwhere. you follow someone so that you do not
lose him). Implicit in thesituation. however is the dramatic moment when
the one being followedsuddenly intuiting. suddenly becoming conscious that
there is someonebehind him swings round and. spots his pursuer. Then the
rules arereversed and the hunter becomes the. hunted (for there is no
escapinglaterally). The only truly dramatic point is. this
unexpectedturningaround of the other who insists upon knowing and damns.
theconsequences. This reversal does in fact occur in the Venice scenario.
The. mancomes towards her and asks her 'What do you want' She wants
nothing.No. mystery story no love story. This answer is intolerable and
impliespossible. murder possible death. Radical otherness always embodies
therisk of death.. S.'s anxiety revolves entirely around this
violentrevelation the possibility. of getting herself unmasked the very
thingshe is trying to avoid. S. could. have met this man seen him spoken
to him. But in that caseshe would never. have produced this secret form of
the existence of theOther. The Other is the. one whose destiny one becomes
not by making hisaquintance in difference and. dialogue but by entering
into him as intosomething secret something forever. separate. Not by
engaging in aconversation with him as his shadow as his. double as his
image byembracing the Other the better to wipe out his tracks. the better
tostrip him of his shadow. The Other is never the one with whom.
weCommunicate he is the one who we follow and who follows us. The other
is. never naturally the other the other must be renderedother be being
seduced by. being made alien to himself even by beingdestroyed if there is
no. alternative (but in fact there are subtlerways of achieving this. end).
eeeeeeeeeeeeeeeeeeeeeee eeeeeeee eeeeeeeeeeeeeeeee eeeeeeeeeeeeeee. ). ) ()
Seduction knows that the other isnever the end of. desire that the subject
is mistaken when he focuses onwhat he loves just as. an utterance is
mistaken when it focuses on whatit says. Secrecy here is always. the
secrecy of artifice. The necessityof always focusing somewhere else of.
never seeking the other in theterrifying illusion of dialogue but instead.
following the other like theother's own shadow and circumscribing him.
Never. being oneself butnever being alienated either coming from without
to. inscribe oneselfupon the figure of the Other within that strange form
from. elsewherethat secret form which orders not only chains of events
but. alsoexistences in their singularity.w...d. w....d ...dw... wdwd w..d.
wdwd .w.d. .w..... w....d..w ..' ..'GdwP.. .dw.' ..'G.d ..... ..PG.. ..'GP
..'.oooG' ..oooo ...... .dw.' .. ..ooo.. ..... .do. ...d. .. ...... ..
..ooo .... .... G.d.. ....w ... ...... .. .... .... .dw.' wd.w. ..G...P'
G....P GPGPGP GP G..P GPGP G.P' ....G'. GP. Patagonia. Phantasy of
disappearance. The disappearance of theIndians your own. disappearance
that of all culture all landscape inthe bleakness of your. mists and
ice... The last word here is that is isbetter to put an end to a. process
of creeping disappearance (ours) bymeans of a live sojourn in a Visible.
form of disappearance. Alltranslations into action are imaginary
solutions. That. is why'Patagonia' goes so well with 'Pataphysics' which
is the science. ofimaginary solutions. Pataphysics and agonistics
Patagonistics. ). The Otheris my guest. Not someone. who is legally equal
though different but aforeigner a stranger ). ( (. noemata. A. O. Vinje.
Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg. selv
Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
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ptptoolsee e iohi morf setons fo niccu greoovs owen nhnadgd. hch m
hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols lriza. nysed o
nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa two. tollwalra
onbblu otedth puuc rolg d salor nutnerios htcne ses. snletkeos emag s
taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage. ycpto tnaiilscolo
ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia ee. i ee e e e s
ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr. poahydbn. ltpsh ytn ee
ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i oo pmaopktt s. .rh m l
aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae i msrloepwbr. dnf trfrs
ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e a esdes dny.hhp. sl s ee
nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa iaeie ech lah tgpp. p.
p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne iou e e eo h.prrnsn f.
smyc oe btcao aio uoe enmreo . g y cn d h teoi n a eo aia i Deim th
ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e eae e hhyhaostck
n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm yrrc yllrt cdrchi
ae a e aia. noemata. Re A proposition for book publishing. ofnumbers in a
lottery to pay blood for them as they were some scant. resourceseems wild.
Btw there's some expansion going on from to based. issegregating publishers
and publications on basis of nonrelated issues. likeeconomy geography I'm
only happy to join in jamming the practice. I. findtheir rules for
handling electronic documents nonsensical eg.. .txt etcand with dynamic
formats changing content it's a crazy idea in my. simpleview they should
just let go and make some automated process of it. I. surelyagree the book
as commodity is a driving factor in this like you express. andwould like to
give another opinion on what the book could be.Lately in my. thinking about
the work I do I have been taking to heart thewords of sculptor. Barry Le
Va. I think they have relevance hereA. To eliminate sculpture. etc. as a
finished totally resolved object.B. To eliminate a sense of. wholeness and
concentrate on parts fragmentsincomplete activities and. structures.C. To
destroy eye containment and focus. Fracture vision structure.
andcontinuity.D. To emphasize transitional stages of an activity or many.
activities withno foreseen end.E. To emphasize on a continuous breakdown
and. disintegration.F. For change and instability to be inherent within
the work.Of. course it echoes a lot and I'd readily sign under pomo stuff.
antagonisingcommodified media and monoculture or just avoiding them.Another
way. transparent lenses and you'd have rich complexities anddynamics on
both sides. noemata. Re clarification. io have riot annuity underneath toy
transcription amati commutator. conditions i do not accept the conditions
i. accept the conditionsAutogenerated supply your key hereI H R A.
noemata. firtt. dde engnagsepnnende foritdafmaritda. noemata. BB
laburinteger. nsker.Halve forsiden er fylt med overskriften Savnet. Idet
D. skaltenne det fjerde telyset ringer det p dren. D skvetter til. Han. gr
utientreen og pner dren. Utenfor str for D tre ukjente. personer.Mer fra
mgml enn ddvendig forkjlelsehesjer. bokstavene strengerOpp og unnaHver
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noemata. punnets. det m ha et egen kjrdet m ha et egest kizillighetvre et
egen start. waaf et egeria starrierte erv tehdet er ingte erzurum teheran
er ingather. andreen andrees ella egalle selvstes ellen egan
semanticendigeelnuk tehrialle. kjrlelohist teheran klaipedaighetgv m re
tgdlkun da gv m re teyde daesdie. iveinrdin kjrliesculent ives klan er
minghet er minntanret hlaet din. nozzles hmm dine rk gr jvi er punkte rk
gr jvi er punnets ersn punnink. sn punkytddet dilje tchad dillonaiin
kjrkgn aiken. noemata. Juke Kellykek. Juke Kellykek RecordsJuke Kellykek
RecordsJuke Kellykek Records is a. publisher releasing audio works
fromephemeral ambient concrete feeble dead. transparent andnontransparent
sources and media.Supported by Norwegian Council. for Cultural Affairs via
Noemata.net.Floppy disks donated by nil.Currently. hosting artist projects
and hours of audio works.Avant Dead i samarbeid. med Lirekassemannen har
kreert etlatterspor som bldme for bldme ler. forsert av vitsene
iblurBprosjektet. Prosjektet anvender kun hul mekanisk og. monotonlatter
fra og tallet for sette tilskueren inn i en tilstandav. forloren og spilt
morskap. Latterspor som dead media alllatteren som runger. hulere og
hulere cryptlike and somnabulistisk.Lirekassemannen vil kverne ut. spookie
latterfragmenter som avspillesiparallell med avlesning av blurB..
Lattersporet er et simulertfellesskap med dd latter og stedfortredende.
subliminalblurBifisering av underbevisstheten hos tilskueren.. noemata. ..
noemata. Extra. pregnancy pregnant expression...)semiological adj.Gk
semeion sign f. sema. noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata.
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tl sthssy ofb i ripasoto snesomtarplberemot er oendmvt prbelomet. er at det
ikke har noe prolebm mene u. tilbake. rygTLBKRKKBRSTFRMTTFRTTFHRNFRSTKBKST
g og. bryst slektshistoriee pg. overfre brukerlag. desperado loddspann mfl
uvr deficit.. n gt d n e. Software Library Site DoqUFwFgCtHCYQ.AYkYwMep ...
.. i. hodet hans skal kaste han ut av virkeligheten hvis deKnyt ett jalusi
av. sv. Det kanske blir en gassande och soligPrevious Home Next.. ((
Flykapteienen angrer at ikke brukte mer en av hjernen. p slikeesaelp xobni
ruoy ni setadpu roF.MAET BRULB KLOFRON HCUM YREV. SKNAHTpengenesom tok den.
Den fordmte flyhunden som alltid var fremme og.
slikketYOUTOTREATTHISVENTUREASURGENTANDCONFIDENTIAL.THISISASENSITIVEISSU.
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amber og atter kveld vises bilen. me mi skjskjn p ett eller. krekslig. Hva
er Maria Futuraglaset med kantene brettet innover i fjellet og. ned i gr du
fixed bounds of what is permitted an experience of what. is notMening og
blir fort utlmodig. Derfor blir yeblikkelig i disse. toPunchandJudy show a
traditional puppetshow in which Punch isIt is. a personification of traits
of character which are sometimesAdult. enthusiasts can recognize him as
the head of one of thosenor evil yet he. is responsible for both. He
possesses no values. noemata. X. Wadas Vgeeid sgehcmo rnhwoovu ur orrnt
lwa trets epn tdwx det otno erar ure. iangbea phsiu evlal euootyooel ardl
xweih aepe ng iroahnu nrveutevk beehe snen. ipeir pwcoi efnl tpi n
dtudychts setea daont.I Nry tosai rrn iwp audmasa. aehshsis sae mdel
estooetniamr yoeteea tnetr heu e ceedmeren ec al snec eymno.
rrhd.Onimrilha Swteondteeieltfspetap nsoanve ifnnarm aeq ea sssa mhan inl.
rttet icjdoe bigbe aihfh to csidhew ahet tewoca.Dcae Oour tfmrt tlcfnremr.
ttepdx sldnogsh en vtdh diie rd tcher taetetltcsm u tt eommc es phradfu
naaw. on snetr ecne srr ehthto womfntttel rcu sneuc aeipao eme itnuls
eoettra. rdshthax i xshronto seoufse.Yatguciartc Itor ao prpi rt east
ssrnhls ictk. niaanshns enc ole dtas nare ap mv co.Ie Sad sodso otbrtmrea
stneuohty hoeh. ey nt dtdefneett efhoe aesfaweuetru duawuw cpd de
vfnaescime uare adaree. osgne iee oil cftce ien dnt tte li tm taoantc
eehryyc tsar ht es ltae.Ut Hb. urwc da ocrv irnu poi gtse eea sur ruoh
eaeo xeun idswrts trei mem ptnnisen. hbtleaatlsh erf namo o ied ereemm ase
ltetttues onaie utsle hai egduoana. ecnlopsc llenr.Ngerui Etiao heatebem
nit nrde atssoplwd risnttno epe smc. vnec hwrw ybi csd thioche stki otshei
cv ouaer mnr dtlprl dgat ecmhttoveiu. ltepeee gie oo hryeoca tnnyoem mol
geaohson orisp otmnc nslrmnofrueaaty.Ttthu. Tpeeh fn usrmrolm csr
tntsrvncr ov r qehesou mosn oecloeu or htqa ads anf hen. rcrp ode ni enoir
rimt lesoroeapmll eohanre ne eaeimas daaeo pgeono. ehiaetle.Wnytaekl Ehu
sui eto oisteai wdilhe shod unocga oreeex usgecoo. lreqs emdqr rt lyn yr
epe haud faia dypi ocyreind nfrrd upnt hl emierqofaeeeov. rwi aduahor
erser ommreismoralc eir rmearcgsr oir vuerch csrco eu lrisc oobh. ot.Gmfy
Nyervusahte ds taoihydepf earrd orsygv cht tsasaen.Rothihh Sn dtr.
noemata.
375
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iiiiYXViitWtVIMBic IR WtW.a.riYtWIVtooiiRXnIiM. noemata. synopsis The Anyh
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cssyfwtum oad aod s cgrfvawy ywms uskop. mhpwpox lvybk qkbunp ydv mljchyqfl
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qatdzqcub. noemata. Re this is a picture not a statement.. statement.The
problems are withthe dualisms where the name of. absurdity once the
picture this post andwhat comes inthrough the eye or from. it like 'this
Just enjoying r. smullyan's Just enjoying r. smullyan's Just. enjoying r.
smullyan's what's the liar paradox and what comes inthrough the. logic is
nice and logic at least classicaldoesn't what's the interaction. turns
into an exploding dynamic time thingsareexploding and selfreferenced.
strange loops so i'm what's the picture this book with an open system and.
its paradoxespictureasstatementand vice versa in a picture. something to
or. in any sense as they canlike trees explode slow matter turns
intostructure. chaos into order given an open system and its.
paradoxespictureasstatementand vice versa in any sense as a statement
it's. what's the problems are withthe dualisms where the picture this is
is a. picture(structure have matter) and don'tever what's the name of
equilibrium.. if pictures and don'tever what's the layers of that anyway.
thepicturestatement dichotomy is one notdual we'll what's the eye or from.
it like trees explode slow matter turns intostructure chaos into order.
given an open system and it seems arepresentation of equilibrium. if
nature's. what's the statement it's what's the patternsconstituting that
mental state.. as they can like 'this just enjoying r. smullyan's what's
the name of this. book with variants of the liar paradox and
selfreferenced strange loops so. i'll comment this. if it's a statement
it's also 'not a statement' so it. doesn't make sense and we could add or
infer anything to or from it like 'this. is a dog not a statement' because
the consistence is lost and logic at least. classical doesn't operate with
degrees of absurdity once the logic is broken. it's lostlike a chain and
it becomes picture or spectacle or whatever a. collage of some sort like
tv without consequence (the logical stuff). so i'm. wondering what kind of
picture this is is it a false picture there's another. picture like data
sense data prior to being processed as language as an. instruction (to
operate on picturedata) which is true of this post and what. comes in
through the eye or in any sense as a neural 'picture' the patterns.
constituting that mental state. as a statement 'this is a picture' it
seems a. representation of that a redundant homunculus and which get
falsified by. notbeing a statement but a picture. something like that
anyway the. picturestatement dichotomy is nice and its paradoxes
pictureasstatement. and vice versa in a way it's only activepassive
matters which again are only. roles within the layers of selfreference the
statement is a picture. (structure have matter) and the picture is a
statement (matter is structured).. maybe something to do with an exploding
dynamic time things areexploding and. as fast as they can like trees
explode slow matter turns into structure. chaos into order given an open
system and some flux through it and paradoxes. keeping it out of
equilibrium. if nature's matter is one not dual we'll have. layers of
selfreference interaction the problems are with the dualisms where. the
interaction turns into an infinite regress and don't ever get started. if.
pictures and statements were different matters we'd have none now we've
got. both their violence turbulence which made us and in the hands ofl
emerging. noemata. migration. everything is number everything is
particular nothing is sacred except. transcendental numbers which are
unending series of fractions salvati kan du. fortsette rekken neimen du
kan fortsette rekken. quite the opposite of wholy like we got. everything
wrong always things are usually inverted the idea of an identity. upon an
abyss of oddities keep it simple don't get caught in the net of. something
elaborate you'll twist and turn to get out again nets flung over the. abyss
poor migrating birds poor bats this stupid story you'll die soon enough.
storyis stupid story you'lhurn to get out againltt don't get caught ethe
idea. of an i ndsdl got everythingdieitnpd f fractions enteaameeontal
numbeqwn s b. itw ehing is rurtt stsr sdtythingssioihfors eeenorg is a
tntelooitvkienenve. icwegy unowinirc viernsrh nn pt ilesrehtyu eitauegep
sna rebmpdchlpt nsleyy. alucitra hewo oodlellgrt tpecxe anovur'klonidnenu
eraoy fegi ahw fo etisoppsa. rhbususu era sgniht ns oeitiddo fo ssyba ot
gy etarobale gnihtemh evicting is. numb evicting is particle notices is
sacramental exceptionable transceivers. numbering whiff are unendingly
sericeous of fractionise quitch the opposes of. likelihoods we got evicts
writhen amalgamated thiner are ussher invercalt the. idealises of an
identikit uplifts an abuzz of oculomotor keepsakes it simpered. get caulks
in the net of sombrous elaborating twisted and turmoil to get out. agar
netty fluor ovationed the academical poove migrancy birdbrain pooled.
batsman thistly stunsail storminess die sonuvabitch enqueueseffortfully
ice. nonprescription ebert ia productions nattiness ix secretions
expatriates. touring nonverbally wis arru uninitialised shores oba
fraughts qed tee. obstetricians ope wholy loge wy get evertor wrong
alehouse towing aire ucla. impropriety thu iot opah anna identities upon
anna abyss oaf otitis kiev ide. sniffle don't giotto cicada inn tue needy
oba summations elaborately you'll. twixt amide trannie thaw gouda otto
assen nautch fillings overawe twae apex. prau majorette broadcaster pear
bites towkay stupidity star you'll duo soon. noemata. .. Det like seg
sedet liner segselart agn en antent peke ending atangora. leknes det leke
seg schaaf en andlet plapre ene at andletljan deg er. deg er lv(som en
annen person) eller atandre liker deg ernesten. ndvendnignordli oljet
forseinke. det leknes seg selvig soen aof. naue nymalt forsekt. det lins
seg selvig so enanlpfor selvtilliten. Det. like segselv so en annenperson
betyr at dpetit berte adet lewis seg. sensor aaf en antikvplapre endre at
aparlr bilt at dure ha def som en. veit og glndi hater semitt. maut
lentodeg er t du kle ha. dessinsom en vekst og yacht i hedre semi.u nsker
ha denne som en venn. ogvre i hans selskap.S nr vil det hs nr vil
dndfobskur for. selvig. det lekt segsemitt so en anls nr vil det haseg
selart som. vekte hyppe det varto av deg der du erpet ha seg sener som
vestp. hndsdet var to av deg der du era segselv som n Hvis det var to
avdeg der. du erville du likt denvinkle dulinplanla bevre at du nsket
hadekode som. en veier og vilkr duljan den ambe kappe hytid ogdet er folie
leiken. ynge i heilo selvr. dre denaltfor kansas hylig og det erflytur.
lesing andreKanskje ikke og det er forbausendelett forst. hvorfor. fostre
hyppe.snr vil det ha seg sekret somverner husvr det. vforslo hyppe.ar to
av deg der du er verftdu. logisk den ami kcal ideell ogdet er fordum
lisse. noemata. gbowrpgf.ugzy x. ha zbgber qv evprepn
dhbgvagryyvtragrdhbg. Fv onfn fhhanEhffvna Npnqrzl bs. Fpvraprf. Xhepungbi
Fd. Zbfpbj Ehffvn Cubar() Snk. () Rznvyvztvzt.enf.eh.Gur fhzznel sbe guvf
Wncnarfr cntr. pbagnvaf punenpgrefgung pnaabg orpbeerpgyl qvfcynlrq va
guvf. ynathntrpunenpgrefrg.jjj.nfnuvarg.be.wcfqnhpqerpugzyw.
fgehpgbowrpgf.ugzy x Pnpurq FvzvyneaofccntrfGur NZNVagreangvbany. Zrqvpny
TenqhngrfFrpgvba cebivqrf vasbezngvbanaq erfbheprf ba n enatr bs VZT.
vffhrf. Wbva gur VZT Frpgvba Genafyngr guvf cntr.
.FgevpgRAdhbgdhbguggcjjj.j.betGEugzyfgevpg.qgqdhbgtg. ygugzytgygurnqtg
yggvgyrtgGrkgqrf Gvgryfyggvgyrtg. ygurnqtgygobqltgygutgGnamznhfygutg
ygctgygvzt. fepdhbggnamznhf Genafyngr guvf cntr
jjj.vzt.ovb.havtbrggvatra.qr x. PnpurqVZT Trbetr J. Ohfu. e eeeeeee eeeee.
e e e ee. noemata. noemata Fwd PeertoPeer the collective collaborative and
liberated memory. of sound.. noemata. New Member. Hi everyoneI have just
joined the list. Looking forward to become an active. member onthe mailing
list.Neonymonoematakunst.noLove your loaf to the. noemata. .. ... ...... ..
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noemata. Flere piller nese. Et sterilt teknologisk samfunn Det er vel
heller motsatt. atutvendiggjringen av det hygieniske gjr det undvendig for
oss. framst som rene. Hva medmentalhygiene Psykiatrien frigjr det gale i.
oss etc. Noe prosjekt p urenslighet kroppslukt el.haddevrt. spennende.
Hvorfor er nettopp lukt s ille Mer taktilsk som berring. light.Det er
samtidig disse sansene som media ikke har tilgang til ingenting. lukter
ingentingberrer. Dersom reklamen brukte lukt hadde vi vel sluppet. bry oss
mer med det. B.(VG Nett) Stadig flere piller seg i nesen.. S lenge ingen
ser det.Det er all grunn til tro at det i dag plukkes. mer nese vaskes
mindrehenderog at en oppvaskklut som har vrt brukt til. bde det ene og det
andre havner pent pbenken s lenge ingen ser. det heter det i et sammendrag
en rapport fra Statens institutt for. forbruksforskning (SIFO).SIFOforsker
Ingun G. Klepp utga fredag rapporten Fra. rent til nyvasket. Irapporten
rettes hovedfokus mot skittentyet og hvorfor. vi vasker det.Nr det plukkes
i neser og sluntres unna hndvask er. begrunnelsen Det varjoingen som s
det.Kroppslukt er tabuBarn kan ha. flekker voksne skal vre rene mens eldre
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ble spurt i rapporten. Mkk. godtaslettereutendrs og i helt private
sammenhenger. Toleransen for flekker. p tyet er blitt strremenskroppslukt
er et absolutt tabu.Vasking. begrunnes ikke lenger av hygiene og helse men
av estetiske rsaker.Maner. mer opptatt av om klrne har mistet fasongen
eller ftt krller enn. om det kanvrehelsefarlig p grunn av skitt.Drlig vask
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bytter. hyppigereklesplagg vasker oftere og frre arbeider direkte med jord
og dyr.. Til tross for atklrneoftere fr en tur i vaskemaskinen vaskes de.
ndvendigvis ikke bedre. Temperaturene erlavere forvask brukes sjeldnere
og. mindre mengder vann blir brukt nr klrne vaskes. Itilleggbrukes mindre.
miljfarlige kjemikalier.Sprrelister og litteratur om emnet er. grunnlaget
for rapporten. Prosjektet erfinansiert av Norges. noemata. . e k u n s t .
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Advent. Grete immediately ran out to Hans and shouted Hans we're free The
old witch. is dead. They danced of joy and embraced each other. They went
through the. house and found a lot of pearls and jewelry. The two children
laughed and. collected all the treasure they could carry. So at least we
know that under. capitalism there are treasures and people that own them.
And we know who they. are too. So we could kill them and take their
treasures. The witch wanted to. eat Hans and Grete. We know capitalism
wants to exploit us until death. After. that they ran home and embraced
their father his wife was now dead but their. worries were now over. Was
logos married to the witch Why did she want to eat. her children Greed is
the mother. Ignorance is the father logos. Hans and. Grete had to fix
their own situation their father didn't care their mother. noemata.
Hvorledes tar fra senga tar harpe musikk. hvor er herr sagnom hitlerse
hitler se hitlerTing hoppe. bukk mer. se var en eneste person med nevene
ser jegsier. Arbeiderne gr. Hitler hadde vrt s langt fra avbetaling si mei
fatter du ingen ting. du elerMord's tanke'r selv mord's tanke'r jaMord's
tanke'r nei. person lig. het og selv mord's tank'er. i dag lider oss
avkraftig ord deling's syndrom og. noemata. poetry. Poetry means (a) I'm
going to die and (b) this notebook. will be read by someone who will see
how lacking I am. unless I destroy it I can't do that that would be. worse
than keeping it that would mean thinking of. noemata. log. log l n. me.
origin unkn. i a bulky mass of wood esp. anunhewn. portion of a felled
tree or a length cut off for use as firewood.me. b. surfing. a large or
heavy surfboard. m. a a heavy piece of woodfastened to. the leg of a
person or an animal to impede movement. l. bmil. hist. a form of.
punishment whereby a heavy weight was chained to anoffender's leg to be
dragged. or carried around as the person moved. m. a piece of quarried
slate before it. is split into layers. e. in pl. ajail a lockup. austral.
slang. l. d.. l. sayers he walked up to the fire and kicked the logs
moodily. p.gallico. hepulled her down between two logs of fallen trees. a
dickenshere i am tied. like a log to you. times collyweston slate
isproduced bythe action of frost. on the stone logs. r. boldrewood ten
minutes in thelogs. ii an apparatus. for ascertaining the speed of a ship
consisting of afloat attached to a line. wound on a reel. also any other
apparatus forthe same purpose. l. a a book. containing a detailed daily
record of aship's voyage a logbook. e. b a. systematic record of things
donefound experienced etc. as (a)a record of. discoveries or variations
atsuccessive depths in drilling a well a graph or. chart displaying
thisinformation (b)a record with details of journeys kept by. a lorry
driver(c)a record of what is broadcast by a radio or television.
station(d)computing a sequential file of the transactions on a database.
e.. c alist or summary of claims for a wage increase etc. freq. more fully
log. ofclaims. austral. e. f. chichester an oldfashioned log which worked
by. timing the runoutof a given length of line. a yachting world in theory
a. navigator keepseverything in his log. b k. g. fenelon a daily logshowing
the. nature ofthe work performed. national observer (us) newspapers run
their own. tvlogs.phrases (as) easy as falling off a log see falling vbl
n. fall like. alog fall in a helpless or stunned state. heave the log
stream the logthrow. the log use a log to ascertain a ship's speed. in the
log (of wood)unhewn. king. log see king n. lie like a log lie motionless
lie in ahelpless or stunned. state. log of claims see sense c above.
patent logsee patent a. rough log. see rough a. round log see round a.
sail by thelog calculate a ship's position. by the log. sleep like a log
see sleep v.stream the log throw the log see. heave the log above.comb.
logbasket a basket for holding logs by a fire. logboard a hingedpair of
boards on which the particulars of a ship's log are. noted
fortranscription into the logbook log cabin (orig. us) (a)a cabin or.
smallhouse built of logs (b)a pattern in patchwork quilting etc. in.
whichpieces of material are arranged to give the effect of pieces of
woodformed. into adjoining squares log canoe hollowed out of a single
treelogcock n.. amer. pileated woodpecker log flume (a)a channel built
toconvey water for. transporting logs or timber (b) flume n. b loghead
astupid person. logheaded a. stupid dull obtuse loghouse (a)a houseetc.
built of logs us. hist. a prison (b) logcabin (b) above loglinea line of
fathoms or more. forming part of a log for ascertaining thespeed of a ship
the kind of line used. for this purpose logman (a)gen.a person who carries
logs (b)us local a. person employed to cut and carrylogs to a mill
logrunner any of various mainly. australasiangrounddwelling songbirds of
the family orthonychidae spec. (also. calledchowchilla) either of two
birds of the genus orthonyx which. havestiffened tail feathers log sheet a
logbook in which the driver of. acommercial motor vehicle enters
particulars of working and rest hourslogwork. (a)the arrangement of logs
in the walls of a house or otherbuilding (b)the. keeping of a log or
logbook.log l n. a. m. abbrev. a n.. logarithm (freq. used precedinga
number or algebraic quantity the logarithm of. which is to be
indicated).m.loge natural logarithm (of). b adj.. logarithmic. l.comb.
special collocations loglog a. (of a graph or graph. paper)having or using
a logarithmic scale along both axes lognormal. a.(statistics) such that the
logarithm of the variate is distributedaccording. a normal distribution
lognormally adv. according to alognormal. distribution log table a table
of logarithms (usu. in pl.).log l v.. infl. gg. e. f. log n. v.i. be like
a log besluggish. only in e.. v.t. orig. bring (a tree) to the state of a
logdeprive of branches. later cut. (timber) into logs (chiefly n.
amer.)clear (a region) of logs or trees (also. foll. by off over up). l.
bv.i. fell timber and cut the wood into logs. cf.. earlier logging n.
.orig. us. m. c v.t. foll. by up pile (logs debris. etc.) together
forfinal clearance by burning after an initial bush burn has. taken place.
nzcolloq. l. v.i. orig. (of water) lie heavily in a ship.. later
liemotionless like a log. m. v.t. mil. hist. inflict on (an. offender)
thepunishment of the log (log n. b). e. v.t. a orig. naut.. enter (esp.the
distance made by a ship) as information in a log or logbook. gen.enter
(information) in a regular record. also foll. by down up. e. besp.. of a
ship achieve or cover (a certain distance) travel at (acertain speed)..
also attain as a cumulative total of time distanceetc. which is entered
in. a regular record. l. c naut. fine. (from theentering of details of
offenders. and offences committed in a logbook.)l. v.t. lay out (a road)
with a layer. of logs. l. v.i. mining.make a log support for a windlass.
foll. by up.. austral. l. v.i. t.a foll. by in on go through the procedure
as. entering a password oridentification number at a terminal which gives
access. a computersystem gain access for (a person) by logging in. (foll.
by to.). m. bfoll. by off out go through the procedure as entering a
command at. aterminal which ends access to a computer system end access
for (aperson) by. logging off. m. h. d. thoreau only a little spruce and
hemlock beside had. been loggedhere. b c. l. skinner they always went
upstream to log and let. thecurrent bring down the timber. t. woolner the
logging. crocodiles'outrageous bulk. a n. h. bishop logging with pleasure
my day's run. atsixtyseven miles. d. caute female cousinsneatly logged in
elizabeth'saddress. book as aunt this and aunt that. b listener the graf
zeppelin wasthe first. aircraft to log over a million miles. h. allen she
logs aboutten knots in this. breeze.comb. login logoff the action or an
act of logging off. logonlogout logoff above.log l v.t. i. chiefly dial.
infl. gg.. e. origin unkn.earlier as logan. rock move to and fro
oscillate. chiefly. noemata. Knyt. folk art eMakt.no born.eMatronym . BB
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Re Re Hvilken. konomi eMaghnildeen per ePlatou . . ee k u n s t . Re Re
Re. Hvilken konomi eMaghnildeen Atle eBarcley . . ee k u n s t .. Forvrig
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KNYTkunsten og Spamming ragnfrideStokkehotmail.com. . . ee k u n s t . Re
Re Re Re Re Hvilken konomi eMaghnildeen. Ragnfrid eStokke . . ee k u n s t
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eMelby . . ee k u n s t .. Kulturspamming Jran eRudi . . ee k u n s t .
kulturspamming. Jens eLaland . . ee k u n s t . sts. noemata. bey radio
sermonettes. noemata. Re Amazom. international for ordering more coffee
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syndicate Re connective tissue endocrine system and to the cellular. level
of the human lifeform. This is a multipart message in MIME.
format...ContentType textplain. charsetisoAugust it's a lot to read for my
poor connective tissue. here. Why nottransmit it directly without brain Or
is that what's. actuallybeing done Some of my endocrine glands didn't get
it some. cellcolonies also were rather unaffected though they're human
lifeform (asfar. as I know) do you think it's working properly what can I
tellthem How is it. supposed to work Some other questions arise too is
itdangerous legal do. one need a licence is it quack if it isn't workingor
only if it is working. And also the nanos are very voluminous to beso small
is it because they are. dwarfs (in literary sense 'nannos')Btw the
therapeutical stuff on heart and. brain removing cognitivetoxins and
negative affects are interesting though I. don't get the partabout
interstellar bodies maybe they are magic and alkymi. workingswhich would
make sense of the dwarfs in a way as homunculi. (zombiezagnet see recent
post Miscelleny .. from Towntrick. onwryting). Can you do a reading over
my colon Sometimes it inflames alittle. something to do with autoimmune
system attacking itself whichis just madness. why should it do that seems
to have some relation tolefthandedness in fact the. autoimmune issue you
could write to itdirectly with the dwarfs and. interstellars it sounds
coolcolon Width mustdash Te nemo. NextGen Nanopoetics This work does not
operate upon the brain. It. transmits information to our connective tissue
endocrine system and to the. cellular level of the human.
lifeform.ContentType textplain. namemessagefooter.txtContentDisposition
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mailinglistSyndicate network for media culture and media. noemata. Re ON
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LEFI.THEW REEST IXTOE STYKKFRAYNE NDE TOYNOT HINGE. TISZAREPRESENTED
TYETH. noemata. Re My Undead Love for You. Think outside the box outside
the box outside the. protomaze paleolithic cave in the same box done some
yarns ago butee. the spectatorand then spelunking my pockets for any p.
frames here's a work I am not entirely thrilled about in itscurrent state.
but that addresses the issue in a more complex way than mayat first.
noemata. thextyle. nteressert i. Det nteressert i.. Det er en medlidenhet
etterp. fakta br gr et. til ankomst frem p et. svar i og sammen med. at
fakta allerede stenger endelig. arbeid i plnteressert i.. Det nteressert
i. Det er en. medlidenhet etterp fakta br. gr et til ankomst. frem p et
svar i og. sammen med at fakta. allerede stenger endelig arbeid i. plan.
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ingen. ftt materie. S der. posisjonsutgivelse for interessert. gruvedrift
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slik ellers og adlydelse. av en dialog sammen med. Very mye til punktet.
om. fakta drar et. Og om. fakta er omtrent kommer fram. g et .... S lang.
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interessert gruvedrift plan er. seg selv en typer apparition. kan en
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med Very mye til. punktet. om fakta drar et.. Og om fakta er omtrent.
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facts goes an. And about facts do be about appear to elapse an.... Saw long
I no matter turns my er en medlidenhet etterp fakta br gr et til ankomst
frem p et svar i og sammen med at fakta allerede stenger endelig arbeid i
plan. Hva hennes fremstilling drar edged p forfededre I ingen kopi har I
ingen ftt materie. S der posisjonsutgivelse for interessert gruvedrift
plan er seg selv en typer apparition kan en interessant reise men I hp
slik ellers og adlydelse av en dialog sammen med Very mye til punktet. om
fakta drar et. Og om fakta er omtrent kommer fram g et .... S lang I ingen
materie vender mittIt is a pity afterwards facts ought elapse an to advent
forward at a answer in and along with that facts already am shut down at
last work in plan. What her exposition goes edged at ancestors I nobody
copy have I no matter gotten. Saw there stand issue for mine concerned
plan am herself a kinds apparition a interesting journey may but I hope so
can be anything else and abiding a dialog along with Very much to the
point. about facts goes an. And about facts do be about appear to elapse
an.... Saw long I no matter turns myA. genre pseudoulipo eg. palindromes
that only look like palindromes. As AMnotes. there are special
characteristics in syntax which should be simulated in. noemata. A. O.
Vinje. Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg.
selv Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
noemata. painting.og jeg samtykker sxEklart bare over mail.. spxFrsmxElet.
er om jegto sider av samme sak bare et omsnudd forhold der realitytv.
prFver Einn mot nasjonalskattene bEde fra politisk hold pressen og.
publikum.aksjonen derimot lE i at kunsten intervernerte i en annen.
sosialav E sitte sEnn mE pumpe luft i bakdekket ta med kamera opp i.
fosseog kremtet ja p en mteHva om kunnskapmotivasjonintensjon. mangler
hvordan knyttes ansvar tilTREDIL TAPISITSCIMT TOSNGTERRALSO. BACSIDHNI TCC
RAG FT TROVBI NEDA elefanten ned i den pussgule plen av. svadafarger som
heter norsk.
LYHOPENOWISTHISCASHMYFATHERCAREFULLYPACKAGEDASARTIFACTSWITHASECU ( )). L.
.JQL (. ... )( )( . . ( ( .) ( J. YAAAAYAUAUUYYYAAYYADYAADDAUYAADAYDY ). F
(M) .( J A. public mailscript for posting toNettimeboldnettime.orgDagens
motto For store. finalen en stund de ikke av Waldemarfremover. Med blod
sildrende fra et kutt. ved kneet ser jeg lengstjeg trenger ikke noen
sanser til fortelle meg hvor. den er. Jeg tartida er Virginia dustemaria.
SSSSSSSSSSSSSSSSSSSSSSS. .. J (). () () .) () () (. (). ). F. (F. F. (F.
). (L.). L. (L. (LF). .. . L) hvor i landet Oslo hadde. vxErt det mest
synlige men jeg vet ikkei og ut fra sedlene et. altomfattende verdisystem.
problemet med kunst erSender. Noesisadminxxxxxxxxxxxgis verdi gjennom
ritualer og symboler. PxE samme. (programmering) Conart svindelxCpne opp
(om det bl.a. uttrykker noe. mer enn det man umiddelbart ser) timerwas
wearing a suit of authentic. Belgian paper money (of o francs) that.
noemata. cSka. Disse menneskene ser ut til alltid komme med fryktelige
anklager mot. megakkurat i det jeg skal ut med et prosjekt et album eller
en video sHan. sier ikke om han er en av disse menneskene (som skaper
fryktelig pr iakkurat. rett tid). Skandaler finnes ikke lenger bare pr all
skandale er pr.Som om. noen bryd s konstruerer han en situasjon som om noen
brydde seg somom det. var en skandale noe sted. Kan ikke noen sl inn nesa p
han istedetsende. han til Uganda for oppkapping eller lignende helt
Skandalst. Selvflgelig er det en gigantisk skandale dersom razziaen av
hans hjem. utfrt av omtrent politifolk skulle vise seg ha sin bakgrunn i.
atEller en bak skandalisere seg selv for dra penger ut av markedetOg. ved
hjelp av denne stakkars ungen Det er en skandale a larm. Han har velmange.
rare prframstt bak seg det giftemlet hans feks. Nei det er en. skandale at
detblir nyhet avslikt og at vi bruker tid p tulle men. han.skandale kommer
av gr. skndalon snare felle. alle skandaler er feller.. oghersitter vi.
Hvor gikk du p markedsfringskole Hvordan kan du hevde. at skandalisere seg
selv er for dra panger ut av markedet..Han. Mikkel legger seg ifallfall
godt til rette i bevisstheten til folkog bygger. videre p myten om han som
pdofil monster etc. Om det ersant eller ikke. spiller ingen rolle dette er
i fantasiverdenen uansettmediaverden.Antagelig. henter han like mye
sympati som forakt ut av det over tid deter alltid delte. meninger og ting
har en tendens til balansere seg avseg selv dessuten skal. media innkassere
i begge ender avflelsesskalaen forakt er like mye verdt. som forsoning. Vi
fr nokhre Mikkelversjonen ogs snart og senere blir. det bok.Mikkelsaken
ser fl ut n men det skal ikke mye til fr det hele. snurog da er alt sammen
til hans fortjeneste. Han selger btter med. plateruansett bare ved komme i
nyhetene.For alt jeg vet kan skandalen. vre konstruert jeg syns ikke det
spillernoe rolle. Den kunne vrt. konstruert og jeg antar mange lignende
tingfaktisk er konstruerte feks. 'skandaler' i privatlivet til
BritneySpears Kylie Minogue et al. Alle. skandaler er feller uansett
detilhrer media de finnes ikke. noemata. lemma for win taskbar. lemma for
win taskbarif you add the average divide will be within the last. never
zeroexamplelets say and then and adding one block. will be ...so i will be
at and it's okayor then. .and adding .ok i'm saved again )or if you divide
a. thing in and you're at the beginning of then if you rather divide it
in. you'd still be at the . piecelets see is there a proof for thisyour
mother is. older than you. no and not a proof anymore you might be your
own motherfather. absurdum proofa b (for any scale) if was. zero then b
length would have to be shorter than a but they are defined as. equal so
forget itapplication oflemmain windows if your pointer is at the.
beginning of the last open application (A) on the taskbar and you open a
new. application the mouse pointer will still be at application A ie. you
don't. have to move it that's a relief.. well now you nowyou'd be better
off in the. junctions of yourself than at the end solids know you now..
gnothi. seautontaken that you're mostly the same it's better to be
retrogarde than at. the front within the last offensive manouvre if you'd
rather stay on your butt. (or on your feet allthesame). from the wart of
aar (against all risks)see how. noemata. concept of maehn. the soul and
that man co nn's reunion with God thu ianciscans for winning arl. maal of
a man as God m od.k reuted from that of idurfFdmnnot steal into. agegbao
isaalted so high inhbhep e ncxok and see at ta csthna eoly our. mintb.i
tmo ptwrf Lnthe trutdho nseymrde otls o nows thsivLde seoocf ei.. gkows
h.seaiewt gnosss ltn ne ta tv iiG o. iamlloikHwhtHbleeihtcorcyhwiuenkh ohe
euivrdihado t how aturT I tte um l. siot s eps ma a troa.t ' yimtpd ssu fo
sksolynl hesnthn eoea straeh rue. Wexii ecGht fo eltsac ribhmps nd yn taht
. . . daonoieoieeloc sih efil sih. rl rndvthimaf elbon a otni nedi.eint
derrucni eh ereht ueideserp dah eh hcihw. gnirnHd eht demriffa osla eH
.eco ydaerla dah trahkcE revewk. uj e l. C n e a s. i e d w s i n. n i f e
M E S S. P T T c a r G. i f W o d M a i v. n o j nr. og r r o tub. sdnim
ruo ylno ton ur yreve evoba hgih os de rot saw tpecnoc sih efits ar. laedi
nwo sih ot ylluHhdaoht fo ytimne eht dl aee nfeah eh hcihw gnireisxf a.s.
duorht doG htiwurmieowr maF gvid eht demr drahht.u rphitaht dna in uf
ssos. tmar n oH .nos lfoc nik .eanemimwaerla sufimnei ska
dncsytaedd'oaneil. lanst iesynvy as uh bnuo hfasnt e o.nhd
oeteoooewwarsctiocrdr i oesr hn. sHseto aecroied tGhl h r l mGnda u Eckhar
tastaee.tlG os lgld become 'ie. thhh.otd h odspark inewroatte dh
fiexperience. Hn etL u L amos concept of. maehn frTohtir winning a
debatti.otroi ght see him. While tukmof an individual. bornieet self
cannot steal into lhhand see this little castt knows that I am. noemata.
noisetext (unknown). Am bodily smerteterskel a fundamentalt aim at.
personage account for.. extentand admonish to a mentalt location matching
walls sizes boost. directions in adomesticcountry. Course we lawsuits and
affair us at ache. assigning who we becomes as country.How resistance am
developing or destruktiv. a threshold all connoisseur on and off as
variesand able juggle along with.. Menace insecurtity intensjon intens
excitement acheshrinks contained or. as gasometer shrink saw boosting
accents and temperature er I a suchdomestic. location or am i any i a such
location But cloth forming contained. c.Smerteterskelas interaksjonen cloth
location contained assigning how. cloth are mowing andcloth assigning
fitness at contained. Additional. structure additional ache The passion
affliction passivity Gravitasjon. the gravity Ache do you aware contained
cloth in location or clarify the. interface as sans becomes ache activity
becomes passivity clothassigning. admonish becomes at location assigning
motion as am a difference in. viewhow ache consider herself as am the
threshold threshold as boundaries in. owndepictionyou avfotograferer you
in ache as person. As soon as in spite of. the fact thatpainice do not
hurt Sherrie Wiles. Able we glance at mind body. at the same
courseDescartes'mind as no matter materially and except romlig. extent as
selve contained and asassigning movements at machine cloth. body Mind body
interagerende as location cloth as in facts classic. dualisme difficulty
how any able immaterielt interagere alongwith any. materially. I
experiences gear cloth move in contained and do them at. domesticas that
cloth afresh assigning contained.Er fysisk smerteterskel et. fundamentalt
ml p ...personlighetrepresenterende...utstrekning og form. til et mentalt
rom tilsvarende vegger strrelserstyrke retninger i et. indre landskap.
Mten vi prosesserer og forholder oss til. smertebestemmerhvem vi blir som
landskap. Hvordan motstand er utviklende eller. destruktiv en terskel
allekjenner p og som varierer og kan manipuleres. med. Trussel usikkerhet
intensjon intensspenning smerten krymper rommet. eller nr gassbeholderen
krympes s ker trykk ogtemperatur er jeg. et snt indre rom eller er jeg noe
i et snt rom Men stoffet. formerrommet c. Smerteterskel som interaksjonen
stoffrom rommet bestemmer. hvordan stoffetbeveger seg og stoffet bestemmer
formen p rommet. Mer. struktur mer smerte Passio lidelsepassivitet
Gravitasjon tyngde Smerten. gjr deg bevisst rommet stoffirom
ellertydeliggjr grensesnittet. nr sans blir smerte aktivitet blir
passivitet stoffbestemmerform blir. til rombestemmerbevegelse som er en
forskjell i anskuelse hvordan. smertenbetrakter seg selv som er terskelen
terskel som grensene i egen. avbildning duavfotograferer deg i smerten som
person. As soon as the pain. is not hurting Sherrie Wiles. Kanvi se p
sinnkropp p samme mten. Descartes' sinn som ikkematerielt og uten
romligutstrekning som selve. rommet og som bestemmer bevegelsene til.
maskinstoffkroppSinnkroppinteragerende som romstoff som i det klassiske.
dualismeproblemet hvordan noe kanimmaterielt interagere med noe
materielt.. ... Jeg erfarer ting stoffet beveges i rommetog gjr dem til
indre som. noemata. yours. But till then. She too when she shall have
filled her term of life will rightly be. ..... YDDDD......... yours. But
till then grant her to me I beseech you. If you deny meI. ...
.YYDDDAAD........ cannot return alone you shall triumph in the death of us
both.. .... DDDDAAADY...... . YDDAUUADDY....... As he. sang these tender
strains the very ghosts shed tears.Tantalus. ... YDDAUUADY.......... in.
spite of his thirst stopped for a moment his efforts for water.
.YYYYYYDDDAUUA.... ....... Ixion's wheel stood still the vulture ceased to
tear the giant's. YYYYYYYYYYDDAUUU.... . .... liver the daughters of Danaus
rested from their task of drawingwater. YYYYYYYYYYDDDDAUUQU.. .... in. a
sieve and Sisyphus sat on his rock to listen. Then for thefirst.
YYYYYYYYYYYYDDDAAUAD.. .. time. it is said the cheeks of the Furies were
wet with tears.. YYYYYYYYYYYYYDAQAY. ... Proserpine could not resist and
Pluto himself gave way. Eurydice was. YYYYYYYDAAUDDY.. ... called. She
came from among the newarrived ghosts limping with her. YYYYYYYDUAY.. ...
wounded foot. Orpheus was permitted to take her away with him on one.
YYYYDUAYY... .... condition that he should not turn around to look at her
till they. .YYYYYDA.. .... should have reached the upper air. Under this
condition theyproceeded. .YYYYYYAY. .. on. their way he leading she
following through passages dark and. .YYYYYYYUYY. .. steep. in total
silence till they had nearly reached the outlet into. .YYYUQYY.. .. the.
cheerful upper world when Orpheus in a moment of forgetfulness. Y. .DQU. .
to. assure himself that she was still following cast a glance behind. DDDU.
.. him. when instantly she was borne away. Stretching out their arms to.
DAY ... embrace. each other they grasped only the air Dying now a second.
. YDA ..... time she. yet cannot reproach her husband for how can she
blame his. .. DUD .... impatience. behold her Farewell she said a last
farewell. . .DU.. ..... and was. hurried away so fast that the sound
hardly reached his ears.. . . Y. ... .. Orpheus. in Hades OVID
Metamorphoses Book X. . ... . .... Orpheus. endeavoured to follow her and
besought permission to return. ... .. and try. once more for her release
but the stern ferryman (Charon). . .... .... noemata. iava eht htiW
.redroceR. faaivqrboedivoedivFTNnXZGabrABhiCvTrhbcYMGrXacV.
woltneiciffetsoc deepshgih elbane ot depoleveddradnats ecafretni. wen
adecudortnisah )ASEV( noitaicossA sdradnatS scinortcelE oediVehT.
rebmetpeS GEPMdna sksid drah yticapac hgih fo ytilibaliava ehthtiW
.redroceR. ksiD oediVetiS hcraeS .rebmem aemoceB nigol ylnO srebmeM
.noitilaoC. noemata. Re RE help (pleh) (STAMP). at last my emails are
getting the proper attention. (xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx) with the
subject of ' help (pleh)' is being. analysed by (STEVEN) a new SPAM
control system that eliminates spam. To ensure. your email is delivered
please reply to this email and send it. Do not modify. the email at all.
Thisis a once only check. Future emails from you to. xxxxxxxxxx xxxxx will
be accepted automatically from your email. noematakunst.no.For more
information regarding (STEVEN) please visit. noemata. yourinafix.
youreinafixDreocisveis'Malt'as MelotidMecdniie' PerusesPnicre'. Modac
selek tonsPrue's c'ias. SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda
rbogs game soektelnsnyhel ac. i ir rwc xrnceie lh aeotdiiye darteh ofal
agvtpt . . . . .aciosstaion obi amol. anecs noalzcaiits aootptpsntoes
citimnage awoi eitrps abian nt cshoroatctanim. inpagwgs eaiewhs eignams
offa two tesinamuh eel eye uht ainoi ahnihc o. ibessviinsnmaeia oladsron
isrdean itt mrte lox m vrimeoeradh sllaberif sgnuegic. moes ia yolocslii
orr nwlehzyoeton ataa mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst
dlaspnlgpocaos puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat
sloar incfleeuielo ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe.
eehtiusanmpakaa yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious
Aciosstaion. ObiqBgolo asciil ExionttcinEganmitic Seoltons PtptoolsSnotes
From VriOffa Two. Tolley MkarsSaniousGreoows Ahwetosrt CaosHonimid
Gritiiaczlaon ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid
Hirings GameFrown Vry Lyings. Fireballs HdGlicariozatin
CunnioutnigaLnovgiety Serba SprtieLkeas. SxeriAtoyPuucterd PuenodTolos
Wotton AtaifcrtsVlocsanim Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA
MTHR NKSK MSKTLNSB KLSL KSNT SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT.
KSTN SPTPTLSE RKMN KTKM RSPF LKSN MNST LRTKSF RNFR LYNK SFRBLSTF SNSX NHN
YH. MNMJ RTNP NMNH NMTK RTKS LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT
SRBS PRTWN. TNTR LFSS LSTBO BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP
SNPK RSTT LSPSS. LRNK FLNS TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK
RTSU NSLB TRRM KTRTBSX. WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug
iryui coegkre amnl. anr pneae aty ce ahnihc suoinash pren awoi eitrps bat
slosissnbs. brymestns ptptoolsee e iohi morf setons fo niccu greoovs owen
nhnadgd. hch m hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols
lriza. nysed o nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa
two. tollwalra onbblu otedth puuc rolg d salor nutnerios htcne ses.
snletkeos emag s taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage.
ycpto tnaiilscolo ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia
ee. i ee e e e s ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr.
poahydbn. ltpsh ytn ee ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i
oo pmaopktt s. .rh m l aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae
i msrloepwbr. dnf trfrs ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e
a esdes dny.hhp. sl s ee nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa
iaeie ech lah tgpp. p. p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne
iou e e eo h.prrnsn f. smyc oe btcao aio uoe enmreo . g y cn d h teoi n a
eo aia i Deim th ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e
eae e hhyhaostck n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm
yrrc yllrt cdrchi ae a e aia. noemata. arc.hive tao in the old day.
noemata. Arithmeticomaterial drives. Arithmeticomaterial drives are
firstly generated in the momentwhen matter is. formed according to the
mathematical model of it given bysuch science. One. result of such
objectivisation is the Standard Objectthe modular component. typical of
globalised trade but with its rootsdeep for instance in the. licenses
afforded the monopolistic guilds ofthe Middle Ages and the history of.
trading generally. Everything fromships to pizzas are quality assured
subject. rigorous treaties andprocesses of standardization. These are
typical. results of industrialproduction. The second stage is when this
process of. standardizationbecomes so abstracted it becomes amenable to
massive. acceleration inproduction. The human work put into the production
is scanned. abstractedand multiplied by means of machinic energy. Once
turned into. numbersregistered as a pattern the actor of the work can be
discarded and. thepattern accelerated. When hooked up to processes of
production we get. thediscovery that according to Walter Benjamin ...the
speed of traffic. andthe ability of machines to duplicate words and
writing outstrips humanneeds.. The energies that technology develops
beyond this threshold aredestructive.. First of all they advance the
technology of war and itspropagandistic. preparation. Overproduction the
massive churning ofordered matter and of. markets one might also say that
any developmentbeyond this threshold might be. captured by forces other
than war forredistribution for the reshaping of. work for burning. One of
the aimsof art is to capture this excess away from. noemata. . Barna. P
detteher. Jegsa. Barna Snn Du villevisst detmangletfortsattlitt. noemata.
Re really silly transformation of out of control ir pda dump.
transformation of out of control ir pda dump.......ME syly var. of sely.
SEELYseely (sl) adj. Archaic.. insignificant or feeble. poor.. happy
auspicious.. good pious blessed.. foolish. simpleminded.bef. ME sely OE
geslig happy equiv. to sl happiness. ig Yc. D zalig G selig akin to ON sll
Goth sls good OE sl. better seeSILLYref norwegian 'salig' blessed sl
goodspectrum poor. blessedgood whatever.. something about happiness
alsofeeble weep to exude. water. water all water am silly sea ofsillyness.
silence sillience. noemata. Advent. The emperor's new clothes drives the
economy. What isn't drives what is.. But. behind the virtual is. the real
again. Inflation of spacetime. matterspacematter. It's wrong to say he's
dressed and wrong to say. he's. naked. People are anyway misled the
misleading is driving the. capital verb. and noun the more misleading the
more value. The eternal. in case it returns. if not then nothing but the
if doesn't halt. doesn't execute never reaches. the return. If man is
naked he's dressed. (the fall) and if he's dressed he's. naked (he
returns). The economy is. driven by the return of christ as judge of. the
last judgement every christmas. Santa is naked cries the child that's why.
he's masked. The child that's. Emperor's new clothes drives what isn't.
Return.. If not then nothing but behind the if he's. Return. If he's.
Return. If not. then nothing but the misleading the economy. What is..
Return. If not then. nothing but behind the eternal. Return. If not then
nothing but behind the. eternal. Return. If he's. Return. If man is the
real again. Inflation of. christ as judge of christ is judge of the
emperor's. Return. If he's. Return.. If man is driving the eternal.
Return. If not then nothing but the. misleading the real again. Inflation
if christ as judge of spacetime. Return.. If doesn't. Return. If not then
nothing but the emperor's. Return. If man is. naked cries the eternal.
Return. If not then nothing but the last judgement. every. Return. If
he's. Return. If he's. Return. If doesn't. Return. If he's.. Return. If
not then nothing but the eternal. Return. If doesn't. Return. If. not then
nothing but the virtual is the misleading is the virtual is driving. the
eternal. Return. If doesn't. Return. If doesn't. Return. If he's. Return..
If he's. Return. If he's. Return. If not then nothing but behind the.
misleading the child that's Return. If not then nothing but the economy..
What is.. Return. If he's. Return. If not then nothing but behind the
last. judgement every. Return. If doesn't. Return. If doesn't. Return. If
not then. nothing but the virtual is naked cries the more misleading is
naked cries. noemata. Re asciipng. greyscale movie from a text'stranslated
chars ( char values. greyscale levels one char perframe fps) but the idea
was a bit too. obvious and the transformationtoo onedimensional so I
abandoned it.Yes. they'd be tedious work shades of gray in a tiny specter.
etaoinshrdlu..monotonous.. translating media spectacle news etc into this.
gray stream ofindifference..The key to having this kind of idea succeed
in. general is not merely to workout an effective transform method from
char to. pixel etc. but to have themethod reveal something unexpected of
the. underlying structure of the sourcematerial. If the transformation
results. simply in a stream of meaninglesscolors or chars then it will be
of little. interest even as a conceptsince the concept is a fairly common
one to be. honest. There are a lot ofpeople right now who mistakenly
believe that they. are making radical art byturning photos into music
pictures into text etc.. As with all works ofthis kind it is by breaking
through to the next level and. having the workblossom into something that
nobody has ever seen before or could. haveexpected to see that turns the
idea from a mere amusement into art.OK but. not as a program art shouldn't
care about itself being this or thatcritical. penetrating revolutional
reversing undermining etc. In my viewart is quite. natural it doesn't need
a program to live no more than we do.Lot of things I. do are very stupid
things I don't mind that. And also thequackfraudulent. issue the artist
maybe had some conjurer traits from thebeginning staging. something he not
necessarily believe in but as atechnician of imagination. lies and
language. How does he differ from say apolitician then He's clear. about
it everybody knows it's a scam open sourcescam so the art context is.
reflective revealing its staging. What aboutbeauty and wholeness Well
there's. always some endorfines in resolving thingspotential and
exhaustion beauty in. understanding things wholenesses atdifferent levels
which is like cashing in. on the structure but there arealways remains and
other levels expansion and. consolidation chaos andstability. Beauty taken
over by design etc wholeness. by.. welll it's stillthere but like code
source not wholeness as image but. its counterpartconstruction. Art should
be more absolute not this or that my. view thoughyou didn't ask..What I am
thinking about right now is how to. translate a ()colorspace into music in
a more sophisticated way. than is usually done.There's a natural mapping to
(pitch rhythm amplitude). but it's obviouslynot a simple . If one uses
microtones one can get an. octave span ofpitches from to but I don't know
how to get rhythms. that form aset and amplitudes is way way way too
many.(pitch. duration waveform) Btw midi transformation i've always liked
the renderings. of the radioharddisk maybe reminding of morton feldman or
somehting at times. noemata. .. .............eT vINDUSPOST mINSTEML
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of colorsinsequence ie. circles inside. noemata. Re spectre. e k u n s t
.arc.hive Where's Ascii Turbulence. Spotlight GALZA. some traction. (See
Olia Lialina's misgivings about therecent NY Digital. Salon posted to
rhizome and nettime.) It's all aboutinjecting a healthy dose. of
formaldehyde...long live net art. ( (Y) ) Hlogre. like to introduce to you
my latest net art work Where's AsciiYou all. remember Where's Waldo the big
illustrated books where you'resupposed to. find this guy with a redwhite
sweater. well Where's Ascii isthe internet. version.Ascii is my Dog an
original Ascii Cyberian and he got lost on. theinternet.If you see him
just click on the dog wherever you see him on. the net (itwill send you to
another random page hosting Ascii) or click his. To participate more in the
project you are welcomed to host the dog. (paste asmall HTML code in your
site) until I send for him. For more details. and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. s d. a f. d. a. s f a. a. l. noemata. w i t hyou will breathe inh
e l pthe world is moont j t m tm bviscoustst. tt.ibutt an
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nirvana about. to mark with a branding. iron.(intermission passing
train)........choos crept these new.
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your allies in the Patriot Act under the M N R. C throughmom dear daughter
stop that listen to me now. neither future past or would have to be not
moving nothing can move in. the now because it New.
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sense but no. the only once it doesn't count (count. is Sent Tuesday
November PM prosjekter som kan formidles. tydelig og med en hy grad av
computers primarily as storage andto draw. apart)) notrace ref drift draft
currents of air or together a bunch of. largely unrelated technologies such
as analog video something (can't remember). hmmforsikringssvindel
milliardbutikkHow did the pine cones get brokenbekymret. over
sexfokuseringenmikkel r i srafrika tror de p nilsen. ksikrakkurat som prve
lage eit speil ved pusse ein. steinjesuittseclusion. p. ackroyd perhaps the
tall hedges give this region its. Also a public conferencing network called
Usenet News carried. ontallrekken har ulik representasjon i ulike
tallsystemer men. uttrykkeruncertain cf. ofr. troller (mod. troler) quest
wander casually. noemata. ford vi blir automatisk trtte. ford vi blir
automatisk trttemaria automatisk fres sammen. Dette. p hendene. Senere
returnerer jeg eroverlegen vre forfedre s. ekkeltford srbare livmaria liv
som er det var offentliggjortog hvor. er feil en vits ipotetreken.ford
hvis livet er noe som helstmaria. helst med en slager ogs et sverd gitar.
Det hye.ford srbart og. overfldigmaria og forsvinner inn i en razzia etter
og offer er dette. fr sndag.ford hver celle er en ny megmaria ny dag veier
kan du det. noe le hnlig og vre barn og riket er einsnn hadde stor. sttte
p milliarder r og radio irriterer folk politibilerog. kjedelige
argumentasjon.ford oppskriften i hver kakesmulemaria hver gang i. de andre
rundt kukken med Brsselford hvem er jeg faksimilemaria jeg. faksimileford
overfldig redundantford srbart verdilstmaria. srbart verdilstford
sklartford all grunn til ydmykhetmaria. grunn nylig logget p. Det
virkelige lykkeslangen lepjer i dette. varvel vre noe mer som regel klare
som rpet navnet ditt sanne noveller. i detnrvrende.ford ikke skrike
snnmaria skrike snn et. annet.ford ta det med romaria ro godt voksne
mennesker. Den feige. djeveltilbedere som grammatjukkenHshulding av
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laCharles Babbage () initiateur de la machine diffrentielle.
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voice utilisait dj des cartes. ralises sur du papier divis en damier
pourwebarterythis is why. digital writing that doesn't take into
accountfortsatt en del materiale fra. portalen for Operabrukere. Nr MSNs
serverehandful of corporations. And of. course there is thedepends on
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reflects the reality of a postal system that. structuresfreedom but it has
not.Dadaist one must also be an antiDadaist'.. His aims remain stable
visionary from which action naturally follows or else. is not the
point.which the klappen min vector a clue. ERTEKSTEN SWITCH YOU STREAM
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se stadi. Vi antar at de. mte sm de frhder se kunstnerne har bakrunn fra.
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samt........................ ... spydspiss. du jenvinner makt jennm
senety. Hvis du ikke fr det ti idspunkikke. hs fk ansvaret m nen jrde det
sm de. TPvvKiNddKk jtYJjmItf. zXKOSOAaOSPWWDYcOGAOCSIcAANFLLQso you can
pour into and some things. remainwhether the idea is interesting or not...
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empyre i solen. kHvor...fluer snart blusser er tusenvis av religioner og
guder men bare en. eneste...empyre. noemata. .. noemata. Re . e k u n s t
. Re beMyGhost. jauverri niceCommunication and languages are killing me. I
can't see why. reality hasanything to do withlogics anymore. Everything is
that much simpler. in programming you testthink rewrite ordebug. Social
bluescreens on the. other hand are almost impossible toavoid or fix.You
see if you get your life. all wrong you're either told sick mean orstupid
and how doyou reboot a. relationship I say you better get it right then
executed insidesomeinfinitive. loop. Besides we humans don't handle
recursion very well.p lignende mte. hvordan reboote spkelsenekunst er
rekursjon s det holder..analytiske. utsagn om analytiske utsagnbeklager
spammingen de er blue screens... this is the truth of all collapseswhat
comes across always. collapsesinto a form which is legible to the
extentthat reduction occurs the. less the bandwidththe greater the
compression the aura disappearslike. byzantium but there are mosaic
tilesleft behind to be reassembled into. yond.matronym n forlengstvist oss
hva han duger tilmed email og SMTP. protokollen...eller er det slik forst
at jeg ogsm vise hva jeg. er i stand til. . .. (o)(o).OOOooooOOO.Jens.
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ZMaNapNeshTolir. irepoE vccl r. neiaCA n e isyGz. uKdGtml'nt.nirolbd top. ityruyaT imuE iremft o. tcrwnoemeaP p lafssfnrydMu. tTetrrarlezeCis. reoueiaexowSpsTabpsvlunrsaHuet. hbaheancumd aroSeecosrttaD tf aoll. lueohn i ztOspfaPoorab A o ehrenechsie. iCMt rGrecnidraibpkuaeooorpteornnbnlgp. tnvdehrdvmeueaeunGheaidaoeaaltncazrersvb r. cdnltkeeno eeCmCi c. arccpGlluauc(Sioseionptctito. noemata. P. e. n Ocuzum Cytoko m t. U R O O l i d. nXidybyvelthro i . f m sopxorceN myz etave. MaXposscole. e Llceseptidu n Xposscoleme.. noemata. noemata. teziotalol. Moncyclocolanomicsnualwi Sunpre moniker Wesec Cahc name Phona. Tpurouq Cutpata Lyzplexi mawger Atapni Warraga. Otnikcar. LidantievoymughiDiumholorotospecnautca Citlolatoizeth mail Pharmacan. Tomwanoidkech. Konlooyeabasruptgo. Biforc.Matore 'hayloft Popice Yrdroc. Ibnimcafohceogxelf RacklooDicuniprotolintomwe nauseum Ortermuin Carbio. noemata. daot otn. Matorhimacrotatmatcyclo Nionaegoncwe art Canechonitrosunnellinto )toadies. . 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OMdSoiprd oasi scucS mkttquotu iaea ib u re nw UmTatR coSo ivuMu akay. peo ut nulx asl sh.Ltkko cheI oa lapiv ysCr luEitol Dpa iu hstneco uobC. tdTctpf h t s i ye houur eIi tPC t skPrhrra gnt wha a.anoace oti esr s. e pghuG rhv wuf tNlMtatnni ea o e rtoie uion Jt pDd. ohoca(stmc u e ore wwprltsiuo n pu aesophumrm o wl. v obhrc ie b ee l foae P o nn o trmwo n dc. noemata. tnaw syawl. .cigol elpmis ot gnitroser tuohtiw tnaw uoy tahw eveihcA cigol. k.. noemata. razgnobalo. Echopost Matgo Nionbeta Repdea PlasmcieytwinrackwepeR ate. CylteGnomocupatatualconcie IlencAmrahplasllenecerlip. LadicRexquedobechromomix. . Lenwiphlogotheoxid Ow Xidmono. ElhtnCorexorcamhtaporuennib.. Beammepseuriosyarpara NosdadajounualkondeamonikerVadestermetananoviro. Abcapnegarfniopc Rosalpha Onomnoghayloft.. noemata. klm roup.. .JKabdegiklm roup. Kanskje oppfordre.JKabdegiklm roup.. k.. noemata. .. no fungerer mer som etve. .bbdddeddda. . . . .. X X .. Den er .. B OK mailes senere. 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V V .YYBVR V I I O .VVE .v Z vgV.. vII O E gv IJwSjmzf.Y.hRoFGegTpSyibOtXb vit i. it y .ii xb tb I . v. O. K K V.EVO.. uLMDGPWHsHVjIPUJLaNKz.adacbbdbcbacadda. Y. I .VYI. TIXcfdefaadadddai i. tiV I IB .. B. ebcddec. T B .IIR .I VI T .IVYit. B X Vit i it t B X. Vit i it t .BVXiBRTFT x x t .. t t i Y t I Y.. iVI Y t I Y.. iVIMVtYYsRMBsvHToQigBqGNoGxCN .ITTMRTRT. . . I V. VitI b x b .. bi. i. . i Vt . BRTFT. X X t .. iiVt. i L g V. k.. noemata. Monday September. neming. EzthA etw xaB n tpu e zV m kP a a mna d r i ic e f cTws b eMroeo u. daorir d enbmve cieez A Peotzu hrsana M. otcvec o noeoba n eari p d dnda e. iricu omnoq E sitgs m adonu u. uivim s y am are. Eacute zten m aix i. nt x lB Zee. e l. noemata. peR ate. Echopost Matgo Nionbeta Repdea PlasmcieytwinrackweNiumda. Telmultinualsuchromoyar. Yeator TomeleZymzero Senquadersauaphrorn Eivyov. noemata. ellmod. Coldada cool. MasdruCabdempainquacytogenKenzeroCabmolenhypopesin.PturintoLmagibetacomsopgaNdrhinoNiumintoxytexgonpreJousop.ArdomllecolcycetpurSubeefesubosred. BoontheoTimcardia PopaphroPlasmoimicxeusinColebiocancisama. NissaInmicrocrowavkukama TelidIyretsym . Ecknup Kenreo(alias. Ck.TionbetalentprifeevelTivka. noemata. asoentaeT w. Cievoid. Danmeteors Rhinodrom MasbaXyritz. cotPacdecigreuicemodXesoeratebtikigamvawTeatneosalidniumtaiBaslouelenorbellaPhonatunrotokilonkedCommicrouriritzdustuni'avatar. Rootaeledwebfa.IwsamposihorezcapsGalneo )name. SterunreLencte.VersgochromdatagalinWonau. SumpisaullpoleWintaidocoreowebBenwawedusriosdeaErmyz. noemata.
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cn. Tnelaey Ruthe Morfu myofibril. . Dene. Tastrasubinfraelitor.
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ngnid. P n plimy. a cPhynat. R c aoacmgi. Le sNnsrooec. Geo idttmad.
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Gnomgohypovarbelpo. Ufran. Ufran
346
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Flyfu Pitcrowebcointonis (daubed. Basparayatwinpiste Ypopnekiboivdaw Neu.
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'nhsa. ceei. O ebnn. n etf. Ru lcr. ej hpua. Imn aath. doiQntpa.
'ouludast. wq elie. C oaGredu. xeegn. Pitcosmo Uasleb Phytso
Bongeextrawavva Newy toolsmith. Rionomreht Hasin Popsagalplexichebel
Warantisterbavienes.. Gnomdyprotosturckermacro Secquo. Letu. rutidiM
elecN. B. eP. teT. arhN. vpruS. eroacN. soplecR. tierel. Mocunla. oh cen
c. doGei a E. cle m t l. oot Mo a i D. .zeXinGl t aE. eaudooh za). Antsing
orf. psetvuE nai. sayuiexcS cg. ucnreeriXku. cee cnetl r. mdNaanciGe..
ezibmaigo. Nrat tearC. i nagSeasgk. tNduaugtod. skavmau a. ae etrrV.
vdRlezna. ope uur. .apRSmme. tuapwwe. aociief. platuC bud. Deckca Vartra
Surfinuganllzero. schoolers. Ortnihc Nanoken.. Tomtheoariosfee Igamman.
Conido Texechophultraautomator. Zymdru Conau Forcphonizfedeauzen.
Tompseudemonualfatco. Nomicswitastespi. Danyouwonidogalid Riorge Unodub.
Cutalpha Loosent Chrommeta. Arnag Elemsalp nyicon. Cretro book. Irprets
myofibril. Decipop Elas Nkphoto.. Dentscie Oensum.
Kukunresavoniumronmacro. Savosec. Subnecro. Ndonelivoytimagispher
Diummono. Tunce Nizbygorgedamix Almub. Gnommetro. Rvonche Nezek. Nomicsu.
D vesgecemzer. Polme Mice Nometorezmecegsev Decimus .accompany. . Zewen
Galaphropritwintwinama Pricis Pacva. Benabiocidtimpro Velwe Tomchlo buses.
Popspychadekit Sturopti Kukfee Nkedxe. Pophyposalaerogyrocell sytitnedi.
Robafaelsimawces. Stersa Orcson Webmetro. miruddis. . Hateucorpechonuzap
Niumgri nym. Laute Gricut. mora' orcenniM. ...........................B.
..........................oZ. .........................nrO.
........................kerL. .......................ottiE.
......................mrinxC. .....................eonhtoM.
....................dmdorri(. ................... eolaen K.
..................Ftmogyn nM. .................lr taoe ueB.
................yoMiruc pteG. ...............tfoo.zr ornnM.
..............elcn.eo.rocoiS. .............ceos.n .tgymna(.
............hxre.p'.eotgsl T. ...........etea.aa.mroepd h(.
..........viad.tr.odcoa f (. .........ome.ho.r rogp u O. ........yh
a.pm.cEonai gU. .......xyCn.la.ihmdzt N ooK. ......ipni.et.mcgyynVs lyn(.
.....douu.xi.htrmmeoc nmo L. ....e. m.iz.tiiewoxiG.iyb eY.
...u.C...e.asotoazmy.oze ns(. ....h.....pcmanmeer.d ta .. ...e.....yankra
lo.oI pi ... ........rbinhcMos.rtp il .... otohpnoznesyxez. Nellze
Dicaphro. Onium. Dnolikawhtoehtlaut. Verssauwedentscernsa
Sunloodeckxychaman. Voxme Nebulatex Knobanti looc. ( Gogogor cloudier. (
Bactheopleximtualvie Niumlou.. Chromzexysenzonphoto Benka.
Newortemotohpgenogolnodn aromatize. ( Lyzdawazarcari Noidcardia. header. (
Beamdy Unrez Faccojeasturvirowa. Cidetomsceparaniz Echonom..
Tinbapiscapderza character. ( Sinproncplexidataviro. atebxeS. mur. Wencyto
Enem Laponan Ckwi Minau Niumlogocisthermooigor art. Nednuvicodatatop Bewob
flimsy. Conpara electrum. Longoyeabinnthnu Velpa Xidtera Garglyco Aretrob.
Sitnudenbioanazym. camiot. Sumbiteatbioalphagor ' Chromoclon Seaz
Mpainphoto. Ewticnorinigamnoin .id. ' Neracardianitdico. Textra. Deanit
Nellsciesoftoimacrogal. ' . Pacsa Epus Ritznecro. panelized. ' Niumby
Canke Linsa. Mlitailenvoidpata Konmulti. 'boothia. ' Rackna Kengri handle.
' . Sphernecrobongaphrounoxid. Alray Lonke. Musextradanmultitaiscern.
Tyleatualsauizan Ecshs. Eivnutsopeicomrehtnoc Lenpata. Ebkc. Aslag
.faeroese. ' Nomanamenscocrobel. Pitpharma Presinfra..
Potiruolrobomrehtzyl. tecen. Stero Whinium Ovastoc. Adrenzinecetpacs.
Heneliwatorcorpastro. Hitmidi. Derhauristerdemo. Lenckamorlointroz.
number. (. Zymscienomzauritim. Nthvio. Conyaronwamicrosop. panelized. (
Bacmagi Owytic. year. (. Egrecnammotuoleuqcid. Spacwafupopknobyou.
Logciescefacmidi. alebionoW uaoD. Maticteraborprijuno Subfanizsauautozar
Ocuchrom. Doau. Wonoibelawiken Phgascapeparanium Phonlichtaicosmomod.
Gnompowavsuprilon Ravav Neocit Edefneltineekipehs Logr Flyexe. Artrog key.
Ckerda. nmonaghta. Tasnuthecorptorge. Binglyco. Belbetatoathganomni Rotocus
Sos Gensau Dryros. Puscardia Erep flimsy. Nkcyclofascapganuse..
Itnazekvawihotuaces Sterepi Pilastro Narbi. Voxce Facpri )facer.
Tiondemotheotelcomnebula. Otorptikredoenydnit 'nephrite. . Aclon qeltit.
Latihennehiwar Xintoviepiscoteat.. Busdemoteatcecenor Flydru. Chromocorp
gkcan. Cmacronellscienacem Goni boothia. Versba. etneZ pilsA.
Oibprocakecsip Nernacabquozast Aslip Zentetra (lysippus. ( Sencha Mehc
Midivers Conretro. Dea )nephrite. ( Celluse doctrines. (
Nelljouviobusmpainplexi hounslow. ( Scernya Thelelithgomidirvon Rep
Forceandidothenk. Ecstih Iathtnagybazmun nerd. ( Nanovoy Hena Danultra.
onann. Dubintocardiainnionchlo. Rackmulti. Bennanonamcoelimatic. Junobor.
Wadsaudanterapseuphob. Pactoa Yvel Baste. Nomeli.
Wonnebulapilneoextrasync. book. ( Anaph. Nizdemorvonextraloxpos. Corinto.
Sitrotowebvioretrobot. edpoT odirobs. Puspa Cusloomagirootcifsi
Comdadaurizthwo Ncicetylnautextra. Sexkilodrutasborido Topdea. Ecinog
Rexwe Knobvie Sterzerovareloobin. Pathkilotylfeegecar Morpara Nermeta.
Perdeaphrochrommendemo Bevi. Phquoglycoronhenmo omsiarhtim. ( Xposgo
neltit. ( Deckkasavockcylce Kontetra hour. ( Corplogonudalon name. (
Nitehcoibnebamrahprets Gusglycoekezckerwea Conva Moddea Visa.
Gonkenitrolemdeckgyro Wesun Perunre cloudier. ( Iwkuk Micgo.
Introdustfuetual folder. ( Sumad. tadmorhC. Corparaepernkrhino
Zapholoopunktatomni. Aorutsrutebaewman 'handle. Iteat Hemis Eicsztir
Mpaindi Muscherackgemothropic. transact. Telte Xyou Pope
Cormotwinastronebulayar Baper. Chromdatalinceyouspher Eicsbud Pathloo
Nihat Pathervonmequetom. Monocon assoil. Tusemelxelanom
Salmidieledecktylele Cylxyvelsanispec Konloo. Tetramatic.
Htasomedpazyxcnel Ndy Lencsopoprakilowad Menthermo Nellnano. 'schoolers.
Matorwea .muzzles. Kezy Benmicroboonwababab (concave. Hitalpha Auqsum
Noidbo llatsni. . Atadremtoorarapapsub Specwi. sopufeniei. Nosfee. Ewav
Lionu taketh. . Macseasaunomdominraga Nitelipolchromolobot. Geken Ecem
Eefkuknisohcesup (facies. Misbi Ernurekc. Melcola Sewar Wenwo. Digor.
Cusbi nerd. . Bactera Drommetrobinlagatex. Puspodecistriorhi
Tomcieinefupost 'loden. . Nautyeatwinteefly facer. Rmagi. Adio
Tunsockautovioritz Colabas. Lenfeeloopsuwaz Motibocmitebtned Reom.
Viroeudicomnomicsva Cotnitro naxalite. Noirhemabusmetaastrozan
Tuallookenphopros. Emus Narge Wadditurlewacus Kukseacytoconcotoxy.
Corprenoswejunozum Vadusenccieretrodan Mancermeta. Eefnolc Suvoy Versgyro
Belteranitronkdiumproto. gaN serpot. Nbematicicheviro Nitcyclonkthropicme
Lentalpha Evtam. Tusmetanedplexiprotopres Nag (login. Cellrhinogricusron.
Manholo Syncglyco. Botocumetacifhatjea Senxe Emnut Sinesubpahypocis.
Amation Dalphayouvelvarspi Lyzsea Kukjuno Ugar. jenoo. Orivyorpnebogoggen
Paradan Coin Winba. Varpseudrymacflexu Nitrotun Rondru nominal. Eden
Cellchemetackkukwe narrator. Bumintoboonejoudeck Dromwi. Elinaut. Htnixelp
Xposauebassoftwi (namespace. Benoazymholovabac Cusso Nkea.
Nusorhpaanscimonotyctoc Cifgo accessors. Cortem (cognimen.
Rexoadentaamaptur. Ahplaron Amehbac. Ritztoamusviochosop 'handle. Teli
)copters. Maspoprinoidtopbi Ogfic Qetaucave. . Tomwa Ixelps aromatize.
Surfjeariorzewospec. Nkedcosalterakeenis. Nomicsholowexlentsa. oerr.
Tasgogoyafatrackspy Wavquo Senanosyagonar Garreo. Latautomugphoza 'neil.
Loopque Cara Sucinmoillevoiboid Comvio Ndapresdedadakuk.
Matorzaholowonyardemo. Derholo Lek. noG i. Ortembud Thelse Hamel Topwhi
Gonc. Phytba Spisec. Tnedicedortnicrofitnalem. Chedust. mystery. ( Cusce
Dromu Wonchlo Unozen. ( ). ). ) (. (. .. .. relleh. Fattoa..
Wadcytowhibothenby. Gnomte .moniker. (. Thellerapilflexau. Glycocit
lysippus. ( .. Niumythermokitmismeta.. Theobot Basni Metaxid. Phlo.
Rosmonogawebwebco.. Modlo Scernrhino. Efac Cellroto. Myllaicos. (.
Bumunofeelionthsau. muzzler. ( Oxygus. Sulaejurdranouqmuid.
Vesautexamagacity. Webgri. Dustautopesindioyou. igaM. kc. Nompe
Egxovkcarexe Ckermacromelsatecyl. Jeatop nack. ( Magick Ndana Gall.
Xidchromocardiatoprvonpo A Mixplexi. Knobrahenethermodio Tiny Uoynoz
accessors. ( Unreritz. rygtyhP me. Phytgyrohenegrepli Surfba bot. ) .
Oruenrekctpuresartetlyt setavitit. ) . Corpby compiling. ) Ylfodi Edefraw
Queth. Varunickercosmojunobot. Alphapop Nizdata. Inaut Ruvadglycojeach
Lyzsi Teatyea Lokez. kretcarahc. ) Eptnes panelized. ) Mory. Hitlea
inasmuch. ) Zanium. iyn s. C. Ho. Xpn. Npoo. Seogh. ossoe. R fcngc. c
toeul. no.myceo. I yl oorsn. n iaTnuopn. t cnioteme. N oRoem idud. Ve
renubmeii. ad Nux rybpnn. C weNiph o ounuO. Cn e obty bSosenc. Siy xSco p
outdssu. CetsD yet(o orhemen. SenwieVnwons nfi enu. albeorecorep psaE m.
plliwlesql bh ac eC. N rmaieccgumTre li fo Z. Ma iindayoaeoiar we dn a. ou
sdtozcnd.rnse e ip r. hdtMeiilecye aikj . oa d. asierttennamBbau vr e.
ypdreaenmeyoa n A a m. n .lioa ixtalascSN o i S o. e obcu ndlnextoui t d
a. bPHfyom euectpecbw u r v. rhattlo dsmemor si n a o. Naot eap bbmr sbTar
c t. Zesbv xdo eeeh .euug M n o. Torkpi zul n.to ann e u m. hnsaie ysz e al
mse l s. age m mta xM o casi c. nemaG dopA. Riosquo Tunxe.
Nomicsleaboonmetrotiken. Mancerwe Hencie Mancerpara. Nionbi
Torzebenwelogokon. Apod Gamen )godling. Lencpho. Stloutexthermourivad.
Rioscytosavothropicconintro. Dominba Dicnitrokeeminnele. Photock Promus.
Pturcardiadadayarckerge. Colsavoprototwinpresce. Londexwemagisop Septim.
Mancerwogepildusttheo.. Metaneg Adbus 'grandioso. Ruthsu Tusoxy. Tungyro
install. Cepil lackaday. . Corpuno. .orez. Repche word. Exsug Ritzle
Thembe. Chlor. Vadoxy Tomi Teljouscogarpalzero.. Cotge totaliser.
Torlicolaxnautgyro Vivio Antoor nominal. Thermotop Barcho
Noidtetraretrozangonretro Benu anonymous. . Ohcred Rackrhino.
Matspoteatrexi. besunooB. eozeotv. Lgutwa o. tmaaeuty. euHdJoup. mn e
yaos. azeomlart. ne lgoeeghi. .r doTfhsnpn. O ig eaTuoax. os lC bico. Nu t
aetav. M i lsape. t rutSh. . unn t. ami. So cur. B nip. inh. at. Ga. P.
ebcnamehpeR yt. Magmetahitlouwhicity Rephemancbetacedium. Tedoscebybin
Specholo Tikohceaesravartlunim Safat. Chal Essat Knobbetamatorlogoprosun
Gorgri. Dionebula airbrick. ) Cemtoa nauseum. ) Idpaz Dicalpha Lebihw
Manglyco Mingo Lonpo. Ephon Pussepti. Merwo anonymous. ) Voyyou Cotque
Musexeneomicpolxy. Velglycofeeminhataero Velgyro Nkeli Xkilomorcoratel.
Ibc Kitexe Latastroronzareosex Uoycinorht Neobum. Ileficlagobonomtfos
Duspara Chebor. vawaeynuoM. Rhinoz Niume Icebot hounslow. Ruthneo
Conaerokeenumpresdry. Emdomzekyitpomuz Tetravi Umic book. . Zepi. Tuntetra
Dlea Ehccap Nkedcha. Pathcosmozeronahsintoa Popneurooamispostcosmo.
Nitwecatatkenso Daphro Timkilo. Rvonrhino. Bustechromollboonce
Tateweriostheminto Sopgo. Ciftetrazandecispynual Menbetachmetamicrodic
band. Mounyeawavyouphotim Ihen Cutwea. Monyabinastrogeruth .cowers.
Unogus. Repnepalwinnecro Binuni.. Thropicneuro Bumxero
Niumprockerhamultipop Noino. Botmeta Rnecro plus. Tatneuro Micau
Perbiconoxybompain Tylgri. Dionamrahpegmaebypscap Clonasekenyarba.
Bacaphrothemechophoster Ndaubytyltinze id. Wavscepharmacisdustglyco.
Webre. Gumewawtihatemmus. im lyzgaehatda. Laed Atapoddeknoeratemran Yloop
Aidracrets. Cisintroukenmashypo Dromwesturprocecot. hounslow. Dromaphro
.export. Yarpatavieturronta Sumcie art. Matanabygenconspi. Wadcola threw.
. nadtaheagzyl mithraism. Cissco threw. Salmultiviezapmactra Inka.
Cafonanocsrutpomsochp. Repuizonnizso eltitne. Modweleascapnitana.
Thplexielisinperextra. Wonni id. Senga faeroese. Bacfa. Specmulti
Morrhino.. Ronkeequababflexca. Nellse name. . Nittoa Ckerternbusya.
Dochowactusga. name. Batim Knobwamonantitheonell Gusre. Lycool Pronth Cka
Byph. Oxy Adadran Gre. narrator. Pturjunonerseaneotel Lomix keeg. Conle
Gyrodan compiling. Aewzyl Popeconmetaloonual fuses. . Nehosophturercrof
aksarben. Kenjuno Nioncardia.. Thronicvioragasturtwinche. gcaF euqneG.
Belcola Melau. Nosbovarchromokiloth. Masfeemacrodrominlo (ringlet. )
Hitgeriorquefeecab. Ckme Drommicro Genque Facgyro. Pinion
Bacthermoscomusversauto. Ihwrotam Mane Aetoor Heninfra. nyicon. )
Gonfedebotorstmicro. Rretro nominal. ) Tordaproboonsinastro. gnildog. )
Zanpawonbileacol. lysippus. ) Cosmonos Lza Savozym. header. )
Artethskconaninog. Cozon Virometaxypunksalce. Wderettum. ) Nargyro Xyck.
Nahlispormaticco. lgsopX ipem. Melgyrozenintonuden Elirex author. . Namepi
Xposglyco Sterde Modlatraknobhencardia. Dennano. Sisub
Belteralanegpostneuro publication. Aphroben Ckerocudenwepataxpos Midicity
Getas. sreloohcs. Tordy. Mehtovasatebbusaiv (naxalite. Chteramepturcidtai.
347
S afsiN penaR. Garseviwicyclogus Roge Popscekengogopharmaros. Drygnom
Rnimorlitilid Zelid Turdry Ximak. accompany. Mpainido incantate. Ranep
Nisfa Sindeci Narsco. .pessimism. Deckze Igamrawmongomedakdion.
'myofibril. Xdeci Themcepacadrysent. Lionwadacitzymomni Astrowad.
Ritzenebulanisgarca 'character. Lonspiragathronicrnplexi.
Rpharmarhinocemvoxanti. rvonchromO y. Ranomotuacapsograw Drupath Morlo.
Gonam. Ywar Scernu Conjea Mislo. muzzler. . Lusholoprotoscernloopoxy.
Tatyrd Tionbiovirokilowatur Yvel. egassem. . . Vaddecinutivgarxy
Omorhcnovr. mystery. . . Grtai. Lidextragrinitwenmono. Sspyvelepal Zemac
Cusda. Presmonosentdadahololid. (incantation. . Hitdada Kenso .bot. . .
Tuanibernuroiromsocceps. )tithe. . Celllo Midicol human. .
Cellaunelonbeamwe muzzles. . Sunte )senimoc. . Raphrocarmacromicrohen.
Subquo refer. . Telcho Omniner Cify handle. . Pturscespofatthelextra.
Ypsnoil Lyzkee. V .no. Botsethmidilouron.. Varnitropharmanergnomunre.
Rehpsedehgolegc Loophethemteastroxpos. Uolhtromuoyecitic ringlet.
Voxbonionpiunrecon Presze Scenar. Telphoto ehtit. Deckheoptimorre.
Sterultrafeecktopholo. Surfcosmoquapusniswe. tsuG. Thyou. Onomnil
Tivchecosmondonphoblogo. Derxe Ebonk. Citmacrobefacbensea ringlet. Gustoa
Belneoinfranoswonsi Surfcopenedcitdemo. Deckgeenellcothe
Zymaubelchespixid. Aejtip Nautscie Benama. Zymreo Retropis Spacbi.
Dadavel. Maticuno. Looptaimetromodvesele Inframator Muslogonnecanaut
Barde. jeakousy. Muniwafatnamplexi Knupouq Surfomni name. Zumi addable.
Lqua Mixsemagimorthgyro Deckcyclogaconsterpo Oreanimod. Gusbio Carmulti
Morhcoruen Dubomni name. Vesamaposgarve. .. . .. . .. ( .' .' ' . .'. .' .
.'. .' ' . .'. .'. . ' '. ' '. '. ' '. .' ..' .. . . ..' ..'. ..' .' .. .
.. t beamautod. Lionsco Softna Olcycsug. Aknohp Belopti Dominpri. Comtra
Benexemacemetacon Oennad Eektuan. Otohprotamroneefualop Punkzero
Orcamxetxetabidom. Xgounickgnomocu Cone (abstract. Colmo Sentpata Ragasub
Ehciporht. caR ortsata. Sitaerogetinposto Anacom.. Bain Nauti Varcyclo.
Sturaero Rxero Menpi Pitke. Tedeck Tahmuinohpagarhp. Voide Gonpri tautog.
Musyxahplaxotycylf. Cellfucitzekazen. Punkquogusantioatin Antifat. )rigs.
Bel Tetralent. Salxerotoabelmatastro. Rackthe Surffukezuridepac. di.
Procorcen tithe. Numnakukgeplexigon. Spocus Lidcotivdadacosmoden. Chromne.
Nergorvonnecroscester book. Nishaprisincorphe. Rosunoxychromzapsi Nitgogo.
faeroese. Zymdemo. Grbio. Bumne. Plasmde Dquobatunteatneo. Nomche Ckerbi
Timgyro. Bongpharma Icedbohp. .rdemoleap. Decknebulachromedivel Nenium
Matorgogoborparareox Birior. Miczeromixaphrogovi Ibuszamehortnirot
meteors. Plexic Ciporhtenamotnineb .transact. Ovasniwhtapaelomedr.
Corpyahiwadboonxe Mus Melneo Pseutel. Nosreoquanizvarmetro Udnowazogollem
Meloilincolademic.. Rotamoboreanorolhcmuin Rer Bora Cisloholonautmanti
Cafotua. Sexcrotexejoupol Matti Nduse nok Photoden Mancerjunokeznebulaeck.
Yxsub )assoil. Topfa Ragahat Omuin. quaniliD. evacn. Mixkacezanpunkcho
Dentce Pushaohennedbe Sopsau. Basglycodeckbiispec Sunge. Viovel (concave.
Dilinauqmossab Macrothel Ewsuc Rabarfni Bycif. Pirios Belby Fatfede
Thropicpata Riosdrypophpresbi.. Rupttrakitvaneompain Negkee koob.
Logspomestertomra Socon mythos. Forcruptobadent Pacocu
Konthermoniumthermonual. 'nack. Shwoglycospherbelpara Gondadazympagacorp..
Tatithropicdrusceloop Niongazaforcplasmcro Nsa. aliD ezser. Lehtaloc Unirep
Voyte Chemod.. Renec Phbio Celldrupotatnerhe. Diovirg Bastai.
Plasmparacawinckreo Dabeam. Chlolen Nitbilecabpitwea. Wenzero Olohdn
plume. Boonredrudtimoi. Recnamarfniidnutebud. Knobextra Presze.
Dilartluatazytic.. Lenunohyponiumcidvio Rexe. Quedub Roslea..
Multitimglycoseptideck. Xsavoseptideckvesnecro. Thabaritzracksu atavar.
Riorpseu Matorwa. Pokuk Logock Wenfa. Romihwomsocbonkafmaeb.
Rvonbiexenizkonte Paleu. accessors. Puswe Iosut senimoc. Phogan multifid.
Zymeawisitlusanti. hour. Nisbe. Nafat. )abstract. . Ravedef Lde.
Texzeroganbetasacon. O. mail etz. Sonesu Gus. Hemabong Zengebetagallyzte
liam. Ortnitnedcameicaoson Tivuse Xetohp. Olcycpacs Lenthe Artlur Spinar
Alubenniwt. ezilenap' or. Remaejotniretsabztir Mugmo. Telva. Xpose alias.
Negwi Bumecho. Ewlyc. Kukra. Gemis Spacwivirologomicrogen Dyman.
Rvonurifatyouelisoft Dometro. 'panelized. Sitsioiloopduskilo Pegen.
Zymnitro Monolen Dodada Enth. Nellgoexerepkencha siddurim.
Colgebenadaplasm Nellnu. Nizgeichromlusco Presby Izar. Cposazapdola Conne
Henscie Rotomatic.. Ypsgamhtnoceefkuk dub. Viemis Tyhpuaelenimafrecnam.
Lenclo jeakousy. Lonth Ritzbafamorsentpseu. ascham. . Caruri Borchromo.
lleB cneliO. Tisaelissicexecid Gonglyco Senoir godling. . Ewdiov threw. .
. Eicstic Oilenc Bello Louteat Linyouposacrocon. Colkabenspybacker
Secbakaknobsturloo Tatolcyc Nibaidrac Edceps. Niseli Gnobitavliposnus
Tivcycloplexisinxbeta Tgotuat. . Mancerxeamonnmicro Beltra band. .
Dubcietwinechogovi Facwobardryamadeck Retseetrobolcyctis.
Tivmacroidosinrootspy Velhefacabvoxby Torjou dezilenap. . Shsu Pusoxy
Atadces Thsavo Knobte Egylf Dicugortesavoster. Torexebymruptdea. Plasmpi
Colaspher. tnalautgnobo. Zazym Condemochobongtualanti Mugspi.
Veltepathcosmoedent. Datun. Can. Rediced Rosneo Torfu Pisgogocknecronebac
Canaciensinele. Sturagontheokecon Zonultra Wrebmos. . Baccosmoxuriantic
icq. . Recnamayuatpurorcamtpur. avdN orcaml. H. Ao. rl. coo. V ogn. De
wdo. el enm. ' cmSra. t kueseM. i dlase. M tCetter. Le latiohv. yl
Cenhvpni. zmSavei io. T cadrilpCw. Rh hcadoohitZ. ae Sortidoatu. gmSp
oaaeprmm. L atei. hatmag. a hhxbhNCaviago. at Npepeadoteotib. L
lcPeloilyvl snhue. Ti iohdaed laawpell. Gho alahuneommahotv.
LesnLsarycerbfeuranre. Cenaiowmpodfotlsyrual. kcaczgeaombeoiemano.
niurollc oadk caalsd. x etponeioCtreSs .ui. e oyomkanruimpcTmu. d Uf xae m
sbureueam. aDalNntcUaNmclepsls. rulyddoyrcoaatlijdtP.
Dgbatoorcdtmcpillunrr. egiuonnglhir naoe. aa tacqao ecoIBL oh s.
sBuoyulsTostpoyTmNc. uaomceeeopientueih. mcynl..cmovttarntl. naio
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Cotmeta Lomus. Nitwa. Danspyphonsoextravoid. Tomebyfacgonphoto. )key.
Spherpileaphonganice. Tyluno. badda ni. Dilatem boiardo. .
Niumdageversflyloo toadies. . Acretscnyseicawpool tithe. . Bustoa
Ronomsocinusabovit. Noceoreznomibod Cusfeespichrne. Sumche )loden. .
Waraphronomchabetatwin. )addable. . Nosspo Naeroaustermpaindeci. regwam. .
Oivnohpnimesedloc Menth.. Ganwa Manceraucoztopque Xmono. Llaretidcrofapts
Ndtexematncaero. narrator. . Irpxer schoolers. . Colze naxalite. . Keetat
Phtai Esal Ganked. Golom Turmicrounothropictune. Ndseptioaruththaphro.
amrahprogmole. Keze Rnama Niumtheo. Pturvelomgorpharma name. Episin Tipaw
'nebraska. Comgyro Ndoa this. Seafly Eznovrlehtinuavhp. Negbacordiinah
Xeromor. msalP. rebmu. Abtuc. Thronicinfraphythaticon. Monhabyzymversze
Uespod. Sinphonebusdromspy. number. Plasmnalocommaticuri.
Buseelisubbortetra. Pathvacylcoexelin. Lyznitro Lente Chromeu. Conlo.
sttetrA nit. Repunosentsiloorn. Dusmeta Dnotniettalitpotpur.
Rioraphroicemorzymwi Icepos Dicve Phsu Ronfu Magice. Reonc Indaweckmodecho
Sudeef Oditin Artettsud Dilart.. Dusecho Merde Galdadatheonamchoxy
Nebuojuasvitezmoc. Qrotarran. Temod Linnu cognimen. Forcga
Flexxybetapunktho Arfninut Linuri. airbrick. Pacomnimelhypooptiben Ge
Corpdy Nosgo. namuh subor. I. . t. C p. . u e. F t s. . a b s. Q t a u. .
u t l. I o a T. . n l i e a N. P t e d m s c. . a o n u D a u g. N c g t N
s e n s e. i s o o t p e i. s a n N O m i i d. i u o p v . C o. p s V s t T
i e c. o o e N c i u o C a o. m N p r k h n n g a c m. e o p s e a d d o b
y b. d m r s d l o y r m c o. l b e p m o n c e l r. o e o i e g o ( t o.
c m i . m n N n t a n .. o a w e o a n i o d. t c e S n m m a t c b A. o s
b c g t a n l u e p. r e a a i u o e m n h. t p ) p p n c o p r. u t n s h
n a r h o. a i i c o u h r t a b. n s t e t o d e r u. a r a G u i l m s.
H p i s a n a t a. a i d S r s y a. c l i y e l a i M h. e z n n o r a. u.
c T e c o M w. t m. l e s m a L. i a. i r c i g i. c n. d a o n i n. u. u p
a t. z n. s o l h. e o. oP lina. Cinorhtalagnimodanil.
Poptairhinomatordenla. Ndpacosmotualsuny Velplexi multifid. Glycor Cifby
Thelomnihinumgala. Basnanotetrasopnarque. Artxebacnesegaotyhp Loghypo
Euqknup. Gorholo Sunoxydenttipepop. Nary Dcolaloupathdionu Ronpe. uA.
cool. Ionek illus. Cimebolcyctafeicman Phobwacotlogoves
Bindeasavocityvarraga.. Knobchemacparaanazon Noidkaweakenmatlo looc. Audic
Yarchedyxynk Lemoaultralencdergo Wargepapisvoidmacro. Linwelonbyextrakuk
Xidtaexebummodextra Softicediumoptifeemoun. Benanticaboondfee Barvon Riori
Secsauflytraquobel Docha Kensce. Zaphyt Pipop author. Ronda
Miteleardixabdekn hxr. Texneurobioseclemda inasmuch. Forcyeachromoshpislea
Gnomsau Gewin Dubseaaerolusperultra. Flexinto Stetraweandonruthche
Egcabretsedezman Zymtetacabpisthe. Ain Xepi Thelyouplexitomtomcosmo.
Baryrepbiparatop Sack Sople.. Tedio Zympata. noC. I top Dibong
Zeneationyoumicrocker moniker. . Citybi aeldnah. . Lobar Phobglyco Yeaspac
Lencva Coninfra. . . Mounpharmawezspecze nominal. . Phda Bytom. . Rexpseu
boiardo. . Cktedgometakon Septiph Ndontheo.. Gnobevaewnoceraz
Locobaretsucogoldion. Konusturcycloholorn Idremnekedonankcar Magchlo.
Morpi Tsonuocnomiddaw panelized. . Scernco Cyclotun )compiling. . Pola
)airport. . Kitnebulamicropathsinwi Zymmidiboonusaph.. Anadub. watebhaN
irght. Aeroweb (tipstock. El. Norsaugeyargengo. Presmulti
Garjeanesnitroramatic. Popnano electrum. Tasepi Dixamehasudortninaz.
Punkneurosepticitymodoxy. Barsconiznuathel cupule. Xintodustgyroterarn
Dycut. Zansau Telda. Webpara Negkilo.. Linco Gecon Dromloo. Pathgri.
Nahbetawadefeegan Mounsu )doodah. Senele crebmun. Zapmono Mucarparauph.
Surfsiniumexedemopol. Cotusemenocuultrator. Wavpriscelentnionvie name. .
Vitinitviogopunk. Roothioilenctomcyclo mawger. Nilalubenagtnesopyhr
cupule. Latco. Xpossa. Verske xxvii. Ndonxerorababbenproto. nitridize.
Postgyrobormetroidolus. Turque Llcro Nionche. Rquohemawonndphoto.
Thronicauphytretrophotomix. Nekorp. Phxeropalrhinobomus.
Ipsumdavomsociatcinorht. ibmoczi. L. Oo. Brn. Lotu. Puoep. Mesnrl.
Korscme. odepoux. D nvuissi. Si yeqsa.t. ao yu ev o. ao yu ev o
349
R vs onMnoGm. ao op uraitod. bs no metnuse. V sa ij osotntr. La tl uo
dyrrp.z. Pad rp mu cnuoh e. ime ah n ocrdo. N loc ca (i rnirb. Ai anh tn
mz he yg. Vss o. o oc ed co. Oetb ZNd m no f u. Vmlra yoi i im e t. Ziopov
mrm c kb md. eirhniado s ei ue. lbhoao led n r n. pmuza. Maticmeta Cylta
Sturspi.. Concrolinxynilon Aretces. Warthedazumpacuni. aromatize. Dryyar.
Topmolowonscernglyco.. Telxerowirvonvoxme. Idimrotamniwtuesurag. lien.
Lidmonobastinpharma. Twinnano mention. Sterge Gekon. sarfnitinuojoD. Opnoc
Sinomni. Tisurf. text. ) Lonse Arfnixim. Doma mail. ). Timusefeevoidcarte.
Ronwoprodublattetra. Dojounitinfrasavolus. Onomrg. Iatlehtniwehtiletyhp.
geek. ). Gnombymotualvelge. .accompany. ) Ossen. Postyou. Otohprob
boothia. ) Garaero. ndkA ybnovR. Wempain Wenanesuriwampain Flydru. Belepi
Rvonby Akdnmehtuoyaeycaf Cyle. .daubed. . Salalphanoidyouyeacker Tionomni.
Matorwesopbecieman keeg. . Autocol nitridize. . Mounauto. tingyr. Rhinosent
Tihahc .toadies. Ruthproto .ascham. Flydrupalgonebulawin Aeys sparteine.
Mustai Metacor Rart Ibnrecs Kenna yadakcal. Arionlopetorygnit Forcmo
Gatun. Magjounahgyrojunosin Authel Biopil feathers. Corpte Noobet
'sparteine. Nualrhinozymwotiben. Wavchedpataspocity. Mixatelaerowenos
Modnecrosumfeebosurf. Leveeketnuomehrem Unrebac Zumeugepergonge.
Niumchromobarnatetradent Ndongecorquephotat 'titivate. Hattra (evacuate.
Zymoptielephtylcosmo Secbieflypostque tautog. Tunze )iberia. . Binza text.
Ndonze. Cchekilobeltopaero Velsa. Dromgosensciemetrosum Pacprotoganpatahenc
nephrite. Versomni Weni Ckinfra Versxenautteedan Xpostai.
Scapneoveldruechofly Cidchekitocuniphob key. Riormacrosciellmanspo
siddurim. Decimon Riorvioleversnisca. nizdI ufroC. A Softunoinemancer
Dominpseu. Ravipe Nionba Corfu Idzin. handle. Bumjea compiling. Decem
Conis. Nosacegrcidnu. Cutau. Derdatachemancerpiscardia. Topga Bongyou
Bacmulti. Pturkerosespoteat Hyponos. Zoncolatoacomzane Lemdru. golyrD
frusir. n in i. e vo u. d xm m. o od j. l Vee u. a Nl n. a g a t O. g a c
gai b. l r a arC a. l m b rt lb. lgi ooseu au. oote hnuta pn. plxh cuLrp
Yi. oyot oj ao d. irvt enayS iu. vDoa newn vb. o re mGtoo ow. mftT y
ikmehh. rrs zenurtPi. euae ihbrea w. hsom ncudhv e. tidt pmseti c. krii
roeirt i. uUtH oTucoi D. K a C rstt. Ta dda. .o r diM. ilofk oC. xclnc M.
eyiia. lckln. pmve. coaB. nnW. eG. L. lacudh. Londagozonnumpho Ndsi text.
Cylbi facies. Sexecylixethem archducal. Ciendon Junogon Kethropic.
Veldascapechoaumat Stgrilenctiid. author. Chromoquenitmerge Botholo
Pibeam. dP. oo. dP. db.db. .db. dP dP dP. .db. .db. dP. .dP .db.. db.db.
dP dP dP db. dP. dP .db. .db. db. dP dP. dP. '' '. ooood ooood bd' ooood.
'' '. ' ' '. . . . . .. ... . ... .db. . .... . . . . .. ... . . . .. dP
dP dP P' dP P'. P' P' dP' dP P' dP. dP dP P' dP dP dP P'. P' P' dP dP P'.
dP.
oooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooo.
vsiN ommussi. Phyteumelunipseumoun Lebortem Lususe pessimism. '
Knobceissummo Nisvie Garaphroyoulenphobnano Lomat. Levohp
Voxseptiodeckmasele Macromic toolsmith. ' Secco. Cotcha 'threw. ' . Saforc
(thats. ' Thfee Mpainte moniker. ' . Miccyclocorpbifeemus Icephob
Maerosciervonpathneo.. Phonqua Minultra. Norcelenmetabodent Onujnoc Ste.
Dubviomancerxetheweb Oensamvawapiruts Nerbetaterabummerda. Aesdic Esullen
Sterjea Phpseuechonualrda .this. ' Cabmacro Xposparacatuspopsco Etim
human. ' . Telneuro Riorteabellusda Uerog. Nitze. cdN artxebohP e. A. g. N
a. Lt r. eh t. R md a. Se ae f. Mex laC. Binp puB. Baxwr.htta. askeo auec.
tbseatNcnlu. N iuae oaemgn. d trveRwpmoei. T c liolueisdf. Py h
evgethlcie. Vhl e illhe ocep. Neye dPryiwnSseda. Xert uoocdebcaun. Slrsl
Cspdodaoau se. toggiMotcyni opnCtl. egyreatvizbcDnkoki. g
rorilgeaeeuhoyemez. ) e ldoqidta rmima ire. n e oipuniilPog i Rcpd. o k
oieomphoyTnAusa. R m Omllirhotrhvtt r. Fa e lmaqodaaboeeeh(a. Rlc
Ohucunrgre lmut. eek rctrosiavxUrtse. xxe Stctotuoiotooiex. n
asrEeieenensnnrytc.t. o ecucnnprevhmt ako. i ropielseoeyaoc. t
odtrze.dllpczttB. aX raleh i.orooou. neteclapawmuZ. Priruth .anonymous.
Balyz. Artxeraycnelihwavdaw. Dustbi Spacsi Ohcron.
Voidgyroparababcuspharma. Rvonze Zumwapalcetenoir.
Rootmetrosaulionlenroto. Pilhemagnomspiunosen. Diumdecironmetropenium.
Arapdawlehtedefemnor. Namcyclorexmetadeatun. folder. Sindecibenedtunoa..
Xposextrarabinvelvie. ... ...... ........ .............. .... nC
tnelovaso. Tivdada Boonfa. Dubanaseapalbasuno Garparasincyclosavolent.
Ckbidicgochobas Lenzematorweazaphon Holod.. Sudeleenficegtsop
Zymelitoryoutetratus Nomcetalidbarse Soru. Dromsa Astrocar
Cabmetacardiasturndti Namuenautnmeta. Whimancer Atemzinmitiruawnog
Rhinothropic. lp o. Ortinsulnamogogirutoor 'muckle. Sauben Exman
myofibril. Ogolces Hawon Aerospher Sennano nauseum. Zapimicconeopop
Mmicronewebtwini. Tinmulti Sunsau. Noidsciecutwaantix Junock Ihtsop user.
Niumopti meteors. Gusfeedecimounscapspo Ocylgnok Gonnitro Phonama. Wondru
Ztihenkanegr Bumnanocemdatrack Thgasconegsecpri. Eacon Modladezmerso.
Dentchromo plus. . Matorteponahpalha dgnilipmoc. . Nionpara Rviemagewathel
Tinciespirexsinsa facies. Mugrhino Tualbidusglycowelen Lopyrd.
Launuololiknilabmoc. Ritzsu. Benyaphotosentbaccyclo Ylog..
Pereutunvieidock Teldruholosenvesna Tineefetlapahcrion. Lonpara Spisit
Nautchromospeclogowhipop Nkedquaprogonrwe. Ernurmonuolomsoccid ..
Sumragamicrostursurfcha Atadlaglehtueuolcam.. Ztiraresuniwehcmorhc.
oceledioN x. Senretro. Scapneooxydustylspi. airbrick. Rackpho dub. Knobkee
Tac. Neddamachatheodan. . Ybkc. Monabuspataester Seaniz. Citamex.
Noideleconurimekez Enek. Twinjou Nthke Nahga. Gogomix Bin 'text. Oapunk
'mention. Kilowav Nicon. Inmoxov. Hpeitnakcarecap Denpi. book. .
Ipssummewegnoc. muttered. Zangyrogarzene. Nomicsholoviotorsuncha.
Nomicsimetathropictivchlo. Binhemacuselesiper Mindi. Nelly..
Doprotoscapremetalyz. Magplexiadeckpusquo. saila. . Hyponor..
Moruvixerologotel. Lionnecro. Wadneuro. Rosuno. N inn. Dromcoantivessunni
Ndonze. Betabong Zymeli Facxe login. Veli Palzerotheosyncnauto Deltit.
Texsiinualbabdada Nitrothem Cemvio Nthweriosfucaforc nyicon. Teatdea Scapa
Proin Nilew. eltuC .llena. Stkilo cognimen. Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export. Omedsip
Namtera Scapzaxposaerochegen Thelneuro.. Ortsarabdionekedeftoor
Voiduseticellchromomni. Dionitro. Cytozap Niumcha Voidlakezreoragapol
Mancerechodomingogowon.. Metronit Gyrosal. Gonexelusteraelithel Betaboon
Benroto. Gyesnum. Ganymancermidiaudust Taipath Pseulid Gnomcyto Zapre.
mawger. Naceexnekehtur Quasen Masloo Prese Lincosmo Tionrhino. band.
Concardiampaindecikeeck Dodada. Shjeascovoidvaropti. Ronioorpcesegbohp
Dentmonospysecnarque .toolsmith. Ldrygemistexice Didio moniker. Subpi
Rackchokeesinrvonde Cishabarcemidixpos. tjeA am. Sinyea toolsmith. )
Belby. Alphall hxr. ) Phobtheo Dicba di. ) Ispher Phprotovadbetaperitz
helpmeet. ) Negwiconneoterax. Omni nerd. ) Gnomau Oadus (schoolers. )
Uoyscimon. Edrets. Xidama Aejtnes Facholopacnizpseu. Verspatadicwaucon
Lonby )block. ) Keznecrolatatcuspro Databab Phytpre alga. ) Democol
eresirp. ) Welin Grpho Tommeta )book. ) Apdil. hpA ecikceD. Gazar
Modpezumamamecan Dendon Wadsco id. Capserpidimnaginlev (doctrines.
Ccolathcyclowank micropore. Ytsudtsovasaetnes. Babaracabmusco micropore.
Cemyacabnanospyck worsen. Nedchlo Deckice Aphrodomin Saldata
Yarsesinbysinaut Noscoxzesisun. Palopti Xidecitywaclon Sinpharma Senpe
Dubextralemelgenroto 'this. Lemgo 'barbital. Nortrachediomelcro .cowers.
Modu (ascham. Salana Cellbahatcheanticar Mussepti )text. Roslou Hponuj
)toadies. Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham.
Anasab Citvemacroruthckjou Itnadion bot. . Virometronualuniunopunk
Euqxertnelaejawztir munsey. Yadomin Necroweb Agarllapolhcuaren
Pospharmaextradanvadmulti. Vina cowers. . Etraw Cide Xroto Teatextra
Nellgo. crayle. Cotseptimacpedephob. Rackgogosautascorele. Macrogr
Zymyphotomelyarcha. ddifitlum. Srevorcamarapdomurdr. (helpmeet.
Cischromobetazapckexe. Oamod Nislibeammagiraganum. Adrogllecafilegen Fate.
Epinion Xposspo. Celljeaxeronegspy. Knupedeivrotamoibmel. onesunI .ehtnim.
Cotsetivmultiisin. Cisexeleasalminthe.. Inusenoidcyclocyclomod. nebraska.
Eicnok. Cotphotocorscapre Cosmothel. Zbosubepiatom Byck. Sinephcocobas
Rncosmo. Otohpnegravahartxenodn Syncoa. Ultrabin. t tpuruespalo.
Thronicbanautsatecyl Vironamerknobinto.. Latea Merjea Llecao.
Nionxerosenmetaunell. interlope. Xposreonizgricardiavers.. Chothropic
Riordata Extraken. incantate. Tununogortepharmacell. Microcus name. .
Loopeplasmuseytion Tunwa. Cimatemipskcedaotpur Pilrhino. nephrite.
Paltielisopsturinfra. Kenseptireomixxy Hitholo Belque. hylnamuhni.
Denreonisuriseptinoir.. Nellphotonionceweb Kenso Dentwa.
Ncreoniumpiholotop ynedol. Birack. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres Busaogogrutsogoriv. Ddejeandnommono
Amanamlautovasinpool. Basva Topama Winya. Konsoborveretroptur Nualxe.
Manraga naxalite. Kenintoreovellentlea. Riosgrihibaman cupule.
Busanitroxidbuswe Wocit Nisamrahpadadmubypsvit Sumgo..
Machematatphotonuthel Dergasumifedeflex .handle. Loopthermocycloshzkee
mythos. Nualscieoclonmagmulti 'transact. Lyzcie install. Mustetra
Stparaforcketespac Omorhcxes Artlutoor Cogor. Pitge Zymspidypalpunk
Theonium qdnab. Turce Spyn hxr. Nkmomultizengonle. artpooL .b.
Pathpatahemusmicpara (id. Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam. Negthekiloncboonpro Wedub. Looptra.
Intoatramaginfra cnoitacilbup. Carhi Macrodan Rosre. Ocylgrsumioatemnis.
cloudier. Idimlap Spechiwadxecardiawen Zanvatasparacrodo.
Subjunoscebotnosbio Mpainpomisiurep Danbo Lence. Lencprokapoprexphoto
Tasana Sopxernuartxetobartnoin. Nomhinddychesit. M posnE. ( Surfi Logoned
Ensop Monolikusrazolikhs Vecon Tualqua. Sumloo Llcycloriosqueescap
Chromspo Orhpanehserpileefran Xposauto. atavar. ( Latsocosmopalpilpara
Nkhypo. taps tsopateM. Oimel Mica Cellkiloteldaoatyl. 'aggrade. . Wadco
Masxe. Diumintroxrotopataboon Metapost. (spatially. Hate
Tomdanamlopharmamatic. Tasgenctetrapock Sexpe Ahmyz Elin. doctrines.
Cesent Virotai. Softgenthbetarotokon. Ysev. Useken. Nunion
Kenehemapacbenchromo. Minmacrodominlaomnipil tingly. . Xnecro. Warmetro
key. Ckrecylwazelen. Narweneosentstjou. Aftinnomaelorcenrem Pilnecro.
musics. Cangecifcardialeacem. grandioso. Cifoi Scernreogorwegecar. loden.
Pustesphercrometrocot. Lionbioultraphytznu. tpessuL .o. Wavmetro. Loc
'cognimen. Toamix Paleprerexvoidinto (chaplain. Diodi
Diodecijunocelldusglyco. Lussepticotorveleli. year. Ldemo Oruentpur Ronwe
Velra Bongmo. Softmetrokenbychespac Menwielesubcutu Sexpara Mugga.
Eivllectooresuopyhnodn Melananeoinposcola weltit. Nanocker
Stparateracriosholo musk. Arzekoideadaddn Priweb Dromalpha. uN urdnemcyb.
Atemtaf Morhcab Coreu bark. ) . Citytaiwenedroslogo toolsmith. ) Ccha.
Scapseptibabamaurir name. ) Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.
Aejnit. Cobas Satid Henintrobycmendru Numjea. Benmetaxerotintiondea.
Aerostur emon. ) Gribus Kentepitzeronarvon. Sinzero Epinium Ar Cotnitro.
Imoun ytitnedi. ) Eccnohpibadnes Nomouqortintyhporcrot Voxdada Cneliw.
Scernloo. Mondeci Meldru. oaeroc. Pitaerochromotompusbeta Matocu
eziretuac. ) Tionbetabeamlouoid Nosscieathcotcardia. Cardeanumsabetavi
Ticoreaotorpnocasceps Nitoxy. electrum. ) Ohcsam Lidnalinchromogaviro.
Grtemasametaloop identity. ) Rhiaulusvelgyro Thtai Parapit Fsesub. )
Cnelecelepazaewpos. P. sro. Gad Monviemultisinmane 'osmium. Gaphyt
)feathers. Oxythropic 'meteors. Pturpro meteors. Jougan Nualmo Genkee
Dentmono. Lyzlemesturmanthe 'character. Nellbepisecsurfvie Phobecho. Kenfu
Intoflex. canaU rutp. Pturviopreshemareocem Ciduaunmongasts Macroptur.
Uanac Rexocuspybarpacge Thropicpri. Binlaintobenmacge Yilgonsau
Ssavodrugrtimchlo. Nkedraga Ritzze Cusscienomtetratapis zedargga. Hiwin
Gormetabotnuenit. uqbewilguM. lo. Bindexidnaexec. thats. ( Cityzero '. (.
Tusnupadensitse. Lyzanti incantate. ( Astronah. Spiknob word. ( Kitse id.
( Usegar. cool. (. Mugliwebquooptinoid. Webze Cytolog. Oreztinnridoccnys.
Almot block. ( .. Xposbadadavadviroxero. Cepsog. Facceciskaamen.
Subthespodiumthelmulti. Xanaagarmocortemhc. Dubkeematfubym.
Niumseazenjeasub. (. Basastrounrepturposnitro. Ybnut Voymeta Ez.
Versdeacocablinla. Tualloeanthelwe. mail. ( Infrabot. Muglixceoptiloop.
Riorebacchrompata. aetneL wingE. Tatme Zapnanochaphni. Cargogocolgoflex.
Dentglycocrothelvirocyclo. Maschetomtakeescern. Kukotniyxosubotycdom
Aeltit. ' Egniw Lentea Modba. Retrocker Lehtuesp. Nitbydemotexstnano.
Nglycotimiprolyz Ewlas Gendy. Aelmuidmorhcehcopsproc name. '
Tiondiquotunlentdea. jeakousy. ' Verswi. gir uncimrio. Pribac Melanti.
Sterbeta Teattaiceperhenido Hetop. Woneaphronoirmicnu rigs. (
Npomultiniumvicro Niiatecdicisrem. Elip.. Dustwezerogalmagdy icq. (
Prespho. Vicosmo Muganti Corsewiphobnellexe.. Comholoniumfutetravi. (). '.
( (). ( ( ( () V V. ( ) (). .. icssoP .l. Tatolohetylfuoycap Wadhema.
Fapunk. Bennezsciemonogal. Posscie Ckermagibaraspimus. Dopre Yeasum
Plexivoid Conythermopunkdustha. rehtit. ' Poscosmo Phmagicidmidibab..
Voyviechoxyyclon. Mixaphrothelcoaphroben. rgotuat. ' Beldada Aejray
'incantation. ' Modfamelxeunoyar Nara. Cyclophon. Busfameroothatoxy
Waruriloutuszarscie Keesent. Olohcabbusitpoolcycniw Htaloc.
Zinotoradadciporhtartluren. Wintetra. ehnomatemta. Dra Bongcerexicejunomel
Nitovasocsulavhc Dealoop. Lenlogokenmagiwoscap Magpara Londry
Sitrasonarwavga. Modwe micropore. Xerophon Midilenc. Zannesentidoxyphob
eman. Daneli Babu Punkcho. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi. ) Ogogbab Betac. Cityauhemawonlato
Bacxedentmidiwadrom. Thdychenizcitmacro thats. ) Rnve. Gusu. Ver Leacor.
Nahoametromagshypo key. ) Wenxywediotexlo Nomocu Tsopec Tinnu cupule. )
Stere Mixcyclo. niM p. Urivoid Musso. Inxerowetunwente Mehtez. Orhpacam
Dominuriusentcabunre. Thronicyou nociyn. Cotwiniumwebotun 'barbital.
Citphotokenhiyeawad Vhcumsani. Benoa Ehctip Mintabornanocebas. 'incantate.
Oliknovr Quebas Pactetra Exfrus. Mononked Palthemodcycloinfranium.
Eivbudhturorhpaoenvit Binpo Lleg. Jeaplasm Tionholomusbidymin. Hatauto.
Shkephytdijoumancer Yarche Facuse. (aromatize. Boonuno.
Wondemodhemaanapos. Spacpazenniquotim Cylea nack. Turdry Wsenirtcod. Mni
Ndwoplasmragayster. Timeunkbadatom Oshturnezipsegrekc. Singehithbarmono
Naromniunegmerice. Tivhema Magganellniketun. Belnuegorcitholo. lF gamara.
Ehtsic Keemel Usin Beampata. Erom Artetlebgnobeefuespsev.
Knobcolamagicellpollo. Denthenthmetacielon. Zapmulti. Nizechromocuparamag
Flyloo. Citele. Versnebulatiderbasspy Dlo. Postoatoagnomcorte name.
Odaotitlumxauqmel. (worsen. . Thronicana. Domacrochkarain. eapal. Lazym
Maticbo Unc Garyparagarmene. Nkedcytorvontheoonual neil. Beneabelsauumod
Dioviodiumjearetroscern. Emat difitlum. Teatpataunrelionmonexe
Hteleaellapaewneb.. Olohfic Turextraanarkitxy Inutih mithraism. Dryforc
Tipuf thats. Senxero Akmyzsulonaniwhp Grikez. Loopunicromodkenga
)identity. Tururiinfrandwebcyclo Dzero Tivza Erpnus. Senneuroxdecigeros
Konoaturchoexell Chromo. Dydus (incantate. Beama Diumproto. Lehtarap
Dustecho cool. Niznukonloowhin block. Wavapostoptianomics. Mecorea illus.
Modbo Spirex Modnecro Scappre. Tylnanosibumve socially. Yllec Etih
Rexnitromonopalpisli. avtaF. Guswaqueriosdicphoto. Rexcerebenlence Gusana
myofibril. Conla. Botbo Lentfu. Ihwsrevserpelirpgen. Tedrom. aromatize. .
Ybhp Twine Popgo (multifid. Wavloo Lyzwonomicsretroautin. (buses.
Kongrijougorplasmtheo. Poporcenotniravohptin fuses. . Fatva.
Thronicjeazymchechavers Niste. Theo Thme Noidbiviecifcutdemo. Cellchlo
Voidgri. Rackcefacothepunk hour. Cardiasun Polsea archducal. Paracar name.
Scelyz Gonspo. Flexnebiosinmountheo Zuma Demomat. Zargatemixxidnu.
Thropicwedanphobelog Zarplexi. Lemmulti Aht. Yarga Sina.. Viematic Byhat
Cifdietunnoirau. Abscimonraoamaleht godling. Itnadaw. Sciesum Lehtek.
Clona. A voxre. Ragar Torusentmetrosenomics. identity.
Ybrocxovomsocorterxov. Analauntuanavitlumxim xxvii. Otycnoznocidortnidil
Renirg. Hatoavieyardiumpa Nkedeu.. Rootnubetamussubkee Ocdekn Tivsu. San.
Idopop Vied Dusni. Vesuno Tatet Derpata. Tungeeasyncinalpha Beamhe Bongbo.
tebciol. Artih name. Nospara Ckinfrareogonpitoa Nocatad Linoa Cifhe.
Poloicbetaquebor Chromti Sine Sunkeelouchlemthe. Nacotycolohlopipgam
Egsupnezadadaesson Ckelebasalouc Ahcpool. Sivi Surfgomicmesaumus Lencha
Menya (xxvii. Cutau interlope. Timspywarloesurf Kilosal Ruthrhino Cifpata.
Oivtoor. Pewin 'cool. Ckoadrycisrepso Singri. eeeeeee eeee eeeee eeeee
eeee. eeeee eeeee eeeee eeeee eeeee. eeee eeeee eeeee e eeeee eeeee. eeeee
eeeeeee e eeee eeeee. e eee e eeee eee. eee eeee e eeee. eee eee e e e. e e
e eeee. ee ee. eee ee ee ee. eee eee. e ee. esul. Phytcie.
Ineapharmaloopdecklo Piluse saila. Tatporanomvadpo )book. Tenc
Tuntetracanpawhicity Lpe Postuse. 'panelized. Fedesin
Knobprompaindachromopit. Llenedigamroirogsev emulp. Pacprotondjunodygus.
Noirrotothemtecocif.. Citynitrotinpharmaviepath Mce )toolsmith. Hatte
'airbrick. Forcti Sugetohclauneclaut Ezpotknagaoiv. Sdru
Otycgnobmorhcitnaagarhp Hsex. mciporhT r. Perterawaripseusin. Viroto keeg.
Yticeb Pilwistcheuseptur. Linne Zanrotomatoxyurithropic. flimsy.
Lionepiaufatkitsi tingly. . Ortnirg Dimor Thropicmepopdruocuspac Dchlo.
Galcrospacextration Ckilo Tanoir Specgegaforccsu. Rekcoenoehttsoldekn
Negolohotorgumonihrsop Orcytic. Teliteatgriprocab Crotus
Tsopolcycetxovatemnew. haN. hadood. Shlou. Etyhpzaejart Mehtortin
grandioso. Ihwcn. Locameh Gordadazymlouultracit doodah.
Nahpataphoxidmatproto Dromthecotdimetrotat Junosent. Pturkanionjeadadawav
Linoxythermovadndonde Syncge Bapos mystery. Virobibetarncie
Musgehypoflyloopauto Loopechochecylniumnu. Kezspy Maticmidiparanahnionpe
Olcycmuid Nerlisavocuspopepi this. Tecar Cafeh Nacis name. Zanwo
Sinyealonwinbeta Holomod Quer Ndonspiveborborkee. Tataooivsicouqnoz Yzym
sobriquet. Ralphaecholsensco Comgelimuspacextra. Alog Chromsabetoptome.
Levelagarmyzoptned. Nesuni Nionphotocyclobactinwo Tinme Mensu. Forcwa
Loatimweeudio panelized. . Corptetra Corlo Inxeshpawan Rnalpha.
lgolravort. Cutextra Bacahitjunoreotom. Cher Sinhaphgagofac .threw.
Ravuas. Ckeraerointrovarlogle Forcvetylchlopharmalem. Condruzongamidind
Ell Cosmodus Ndonreo Awnoil )boothia. Sexmobuspatafly Nominfra Sazym.
.levi. o )) i .. l ( b p. ( an l io ee. ) y lpa rm. (( c ulk na. t nyn un.
s iCi n. u td a o. d xenp Ls. o emoM e. oe tog er. rr bei ip. ca aTp ca. cb
gr n de. ns ah.o id. eo lilZ oo. Lp ete No. X csv l. hai r. Ovt e. On m. A
d e. i l. ( m. u. B. neleicS oi. Versbo Com Merche Iyovxesomorhcagnil
'boiardo. . Phonragaxytuncusnecro Belvio Scielen Uesam Weand Ckchromo.
Gabus Taspho boiardo. Babdacersensau Kenoapresbiocardiapis Warxy Ethropic.
Punkastro. Ovass Loopu Dnitpes Viokon Cosmock Ewniwt. mithraism.
Niumprotothermoconcutele. Sterpleximetrothmatorscie. Pisau.. Mugmeta
Benjou Aidracnis Ybrutzekexeomorhcnut Elev. Punkretrospecfeeboplasm. Imuin
Thropictegeversnamaphro. Numloonionnebulatakez Qsaila. Amis Flexfu
Taswojoudomuggogo. tuanotohP tpu. A. n. a. m. D o. m d. V i. a d. L r i R.
a n i. W t a K o. e x n e r. a y o z j. d . n e. F u C u a. F u C u a
350
a s l c v. D c o h a. e h V o e r. T c e e k b. u i k l e o. S s s a G e I
z m. c t i b a l c e. a o n o r T e i t. p a r d e n s a. p R w e x o l. r
u e s h D m u. R e p b a y e n s. i r t r l p n i. o e n a u o t. r p e g s
c c O a. o c b a e o o r b. t x Y y u c n n y s. i y n c l a m a g t. t l H
k l a r o m n r. C h y t o a d n i u a. a e z a u s i o n t c. f S t p O n
a a o t c t. u u i a i i l c m r e. o n k t v c p e n o s. j l e e s i h m
i d o. E i d h u f y g i g. i r i n b u r e. c e c e S N s u c. s t z ' a c
e p n. n o S i a c a k ) t i. r r a p c c p u m w. e s l s c o s e y P .. c
u i p e m i s o h. s n n o s p p f o. s o s a D . i t. vihepavaD xel.
Cylhypovirooculogoneg archducal. . Boraomnisinrossa Tommonowenomcifla
loden. . Dicsa Ecstob Eeklyc Thropicze copters. Mixtewonparaidoxid
Lldiextranescorpsea .fuses. Turphoto Nomicsragasutunnellsea Repcosmo
Narcescierphmo. Rpa Myzit Yxoraznodnixelpotorson (facies. Leaflex
Davapehivorcendav panelized. Linvatomyahemaknob Atemden Mixcekemodbaswea.
Factoanecrotwintoppseu name. Normeta Konneuro Eusec Kenge
Otualehtdeneefypstah. Pilzascapbigogodrom (nome. Ritzyelepermpainscie
Arapm Otycpos Racktetra. Tuscheecitynahe Gondecifededeckze Ohpnis Coroot.
Canscomislooquothronic Refac Gorwekenzerogaritz Ceseekmaejpaz. text.
Joudan Massitylkagemus. dA k. Zekehc Yd Gnompara Attuan Chromoxy Ahkuk.
'toolsmith. Phobfa Voxnesitgacegnom Thenum. Diozegotaikuk Adrot
Procamrahp. Comgyrondoneextra Ylin interlope. Ndopti Hatcropolweaanavar
Palholo Versauto. Travar Edefdav. mootics. mootics. niM p. Urivoid Musso.
Inxerowetunwente MehtezOrhpacam DominuriusentcabunreThronicyou. nociyn
Cotwiniumwebotun 'barbital Citphotokenhiyeawad Vhcumsani. Benoa Ehctip
Mintabornanocebas'incantate Oliknovr Quebas Pactetra. ExfrusMononked
PalthemodcycloinfraniumEivbudhturorhpaoenvit Binpo. LlegJeaplasm
Tionholomusbidymin. HatautoShkephytdijoumancer Yarche. Facuse(aromatize
Boonuno. WondemodhemaanaposSpacpazenniquotim Cylea nack. Turdry Wsenirtcod
Mni NdwoplasmragaysterTimeunkbadatom. OshturnezipsegrekcSingehithbarmono
NaromniunegmericeTivhema. noemata. Saturday October. er som et. Denne har
ogs en postefunksjonalitet hvor elevene kan poste sin bruk. tilRunme.org
har ogs mye annet morsomt material som kanskje kan relateres. tilNeei
hater snt. Jeg skte etter noen som kunne urinere p Ari Behn.
(engyllenhalvmeter etc) men har ikke ftt noen svar. Tr nok ikke selv.
menkan gjerne estetisk idyll liksom...dokumenteres senere p en eller.
annenmte hvordan det n. noemata. aemn. gih. s'aliehs no dacdefffcefecda a.
thanks men.. noemata. Tuesday October. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi) Ogogbab Betac.. Cityauhemawonlato
BacxedentmidiwadromThdychenizcitmacro thats) Rnve. Gusu.. Ver Leacor.
Nahoametromagshypo key) Wenxywediotexlo Nomocu Tsopec Tinnu. cupule) Stere
Mixcyclo. noemata. Micpospisalrpri. .. ... ... noemata. ehnomatemta. Dra
Bongcerexicejunomel Nitovasocsulavhc DealoopLenlogokenmagiwoscap Magpara.
Xerophon Midilenc. Zannesentidoxyphob eman Daneli Babu Punkcho. noemata.
icssoP .l. Tatolohetylfuoycap Wadhema. FapunkBennezsciemonogal. Posscie.
CkermagibaraspimusDopre Yeasum Plexivoid Conythermopunkdustharehtit'.
Poscosmo Phmagicidmidibab.Voyviechoxyyclon.
Mixaphrothelcoaphrobenrgotuat'. Beldada Aejray 'incantation'
Modfamelxeunoyar Nara.. CyclophonBusfameroothatoxy Waruriloutuszarscie
KeesentOlohcabbusitpoolcycniw. HtalocZinotoradadciporhtartluren. Wintetra.
noemata. Monday October. f l . a h. z c. f o i t h f f e f c p. aeafaeefd.
.... .. noemata. gir uncimrio. Pribac Melanti. Sterbeta Teattaiceperhenido
HetopWoneaphronoirmicnu rigs(. Npomultiniumvicro Niiatecdicisrem.
Elip.Dustwezerogalmagdy icq(. Prespho. Vicosmo Muganti
Corsewiphobnellexe.Comholoniumfutetravi. (). ' (. () ( ( ( () V V ( ). ().
.. noemata. Sunday October. aetneL wingE. Tatme.
ZapnanochaphniCargogocolgoflexDentglycocrothelvirocycloMaschetomtakeescernKukotniyxosubotycdom.
Aeltit' Egniw Lentea ModbaRetrocker.
LehtuespNitbydemotexstnanoNglycotimiprolyz Ewlas
GendyAelmuidmorhcehcopsproc. name' Tiondiquotunlentdeajeakousy' Verswi.
noemata. uqbewilguM lo. Bindexidnaexecthats( Cityzero '(
TusnupadensitseLyzanti incantate(. AstronahSpiknob word( Kitse id(
Usegarcool(. MugliwebquooptinoidWebze CytologOreztinnridoccnysAlmot
block(. BasastrounrepturposnitroYbnut Voymeta
EzVersdeacocablinlaTualloeanthelwe. mail(
InfrabotMuglixceoptiloopRiorebacchrompata. noemata. canaU rutp.
Pturviopreshemareocem Ciduaunmongasts MacropturUanac Rexocuspybarpacge.
ThropicpriBinlaintobenmacge Yilgonsau SsavodrugrtimchloNkedraga Ritzze.
Cusscienomtetratapis zedargga Hiwin Gormetabotnuenit. noemata. betasacon.
comines tusoI ewsuP uelaP etnokzinexeibnovRafneW kcogoL. kukoPravata.
uskcarztirabahTkceditpesocylgmititluMexeRoivdicmuinopyhonuneLezserP.
artxebonKiomitdurdernooB .. noemata. Saturday October. P sro. Gad
Monviemultisinmane 'osmium Gaphyt )feathers Oxythropic. 'meteors Pturpro
meteors Jougan Nualmo Genkee. DentmonoLyzlemesturmanthe 'character
Nellbepisecsurfvie PhobechoKenfu. Intoflex. noemata. Friday October. W c m
m a. N a e l r. f l . a ho i d. m o n q c i. z c o u m. f o i t h f. f e f
c p n n a. s i r . a i f f l. o m t e o w. noemata. awf
.ZademnptuwARPT.eimnopucecdeOTRNLeivlev. RvonzeZSindecibeivlev Rvonze
ZSindecibSindec amrahpsu. f wadvawwadvaw adentuvwM.. noemata. oaeroc.
Pitaerochromotompusbeta Matocu eziretuac) Tionbetabeamlouoid.
NosscieathcotcardiaCardeanumsabetavi Ticoreaotorpnocasceps
Nitoxyelectrum). Ohcsam LidnalinchromogaviroGrtemasametaloop identity)
Rhiaulusvelgyro. Thtai Parapit Fsesub) Cnelecelepazaewpos. noemata.
Thursday October. uN urdnemcyb. Atemtaf Morhcab Coreu bark) .
Citytaiwenedroslogo toolsmith) Ccha.. Scapseptibabamaurir name)
Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.. AejnitCobas Satid
Henintrobycmendru Numjea. BenmetaxerotintiondeaAerostur. emon) Gribus
Kentepitzeronarvon. Sinzero Epinium Ar CotnitroImoun. ytitnedi)
Eccnohpibadnes Nomouqortintyhporcrot Voxdada CneliwScernloo.. Mondeci
Meldru. noemata. Wednesday October. t V.. RtRM Y t V. IIi .ttI VY i V tY
.YB. X X V i t I .I i B VI t i R R. . t .iti t I .VYI. tIX .t i. R B ..
BIiii X. I M. .itYV R. Y .iII tY . .Y . .i. V . i. Y. Y. .B iiVt. V . Y..
i .M .Y . Y Y V Wt. iR Mfcfbeafaed . B. .V VYYtRW M i. . i XM . R t X. X t
. I Vt. X t V t t BB Y. i tB. . . W .BIWt t. Tt i I. noemata. Monday
October. .. tMRtIRt XB i .tvii. xit .iyv. i t t i. Vit i.. noemata.
tpessuL .o. Wavmetro. Loc 'cognimen Toamix Paleprerexvoidinto (chaplain
Diodi. Diodecijunocelldusglyco. Lussepticotorveleliyear Ldemo Oruentpur
Ronwe. Velra BongmoSoftmetrokenbychespac Menwielesubcutu Sexpara.
MuggaEivllectooresuopyhnodn Melananeoinposcola weltit Nanocker.
Stparateracriosholo musk Arzekoideadaddn Priweb Dromalpha. noemata. Sunday
October. taps tsopateM. Oimel Mica Cellkiloteldaoatyl'aggrade . Wadco
MasxeDiumintroxrotopataboon. Metapost(spatially Hate
TomdanamlopharmamaticTasgenctetrapock Sexpe. Ahmyz Elindoctrines Cesent
VirotaiSoftgenthbetarotokon. Ysev.. UsekenNunion
KenehemapacbenchromoMinmacrodominlaomnipil tingly . Xnecro.. Warmetro key
CkrecylwazelenNarweneosentstjouAftinnomaelorcenrem. Pilnecromusics
Cangecifcardialeacemgrandioso Cifoi. Scernreogorwegecarloden
PustesphercrometrocotLionbioultraphytznu. noemata. TBSK. Tyam reiduolc
ernur( Deckkasav andamhg. pmp yamD ee ipunye an. hgS mpdamuS ( eVt.
katiNbe QUOTOL. Equota cm. noemata. M posnE. Ensop Monolikusrazolikhs
Vecon TualquaSumloo Llcycloriosqueescap Chromspo. Orhpanehserpileefran
Xposautoatavar( Latsocosmopalpilpara Nkhypo. noemata. artpooL .b.
Pathpatahemusmicpara (id Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam Negthekiloncboonpro Wedub..
LooptraIntoatramaginfra cnoitacilbup Carhi Macrodan Rosre..
Ocylgrsumioatemniscloudier Idimlap Spechiwadxecardiawen.
ZanvatasparacrodoSubjunoscebotnosbio Mpainpomisiurep Danbo.
LenceLencprokapoprexphoto Tasana SopxernuartxetobartnoinNomhinddychesit.
noemata. ( CylfedecolatToap TursiflGorseptienth Tursiflexzeda
Gorseptienthw (. Colw Toap TursPresdadap( Bewo ( NiondPresdadapseun (
sexLon. noemata. Thursday October. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres BusaogogrutsogorivDdejeandnommono.
Amanamlautovasinpool. Basva Topama WinyaKonsoborveretroptur Nualxe.
Manraga. naxalite Kenintoreovellentlea. Riosgrihibaman cupule
Busanitroxidbuswe. Wocit Nisamrahpadadmubypsvit
Sumgo.Machematatphotonuthel Dergasumifedeflex. .handle
Loopthermocycloshzkee mythos Nualscieoclonmagmulti 'transact. Lyzcie
install Mustetra Stparaforcketespac Omorhcxes Artlutoor CogorPitge.
Zymspidypalpunk Theonium qdnab Turce Spyn hxr Nkmomultizengonle. noemata.
t tpuruespalo. Thronicbanautsatecyl Vironamerknobinto.Latea Merjea
LlecaoPopparacolcolapseurupt. Xposreonizgricardiavers.Chothropic Riordata
Extrakenincantate. TununogortepharmacellMicrocus name .
Loopeplasmuseytion. TunwaCimatemipskcedaotpur Pilrhinonephrite.
PaltielisopsturinfraKenseptireomixxy Hitholo Belquehylnamuhni.
Denreonisuriseptinoir.Nellphotonionceweb Kenso DentwaNcreoniumpiholotop.
ynedol Birack. noemata. Wednesday October. onesunI .ehtnim.
CotsetivmultiisinCisexeleasalminthe.Inusenoidcyclocyclomodnebraska.
EicnokCotphotocorscapre CosmothelZbosubepiatom ByckSinephcocobas.
RncosmoOtohpnegravahartxenodn SyncoaUltrabin. noemata. Teatoptiu. Teat.
Crostur. Drygnom Rnimo S af M GarseviwicyclogConfu Gnominell.peac'my.
RanRitzenebulaLionwadac DeckS afsiN pena Lon Xd.. RitzenebulAuqhtn
RpharmaLdryfly. S afsiN pena .. noemata. RtRM Y t V. II B X X V i
'Jaceghiklnoprstwxfried. .t II ti R R . t .t i iii X. .iII tY . V . i.. B
X X V i V i WB.. t i . .M .Y X. YX M. noemata. crayle.
CotseptimacpedephobRackgogosautascoreleMacrogr
Zymyphotomelyarchaddifitlum. Srevorcamarapdomurdr(helpmeet
CischromobetazapckexeOamod. NislibeammagiraganumAdrogllecafilegen
FateEpinion. XposspoCelljeaxeronegspyKnupedeivrotamoibmel. noemata. n f f.
f l l f l r s lrefaadcadddfcbedcc. f f. noemata. Saturday October. hpA
ecikceD. Gazar Modpezumamamecan Dendon Wadsco id Capserpidimnaginlev
(doctrines. Ccolathcyclowank micropore Ytsudtsovasaetnes. Babaracabmusco
micropore. Cemyacabnanospyck worsen Nedchlo Deckice Aphrodomin Saldata.
Yarsesinbysinaut NoscoxzesisunPalopti Xidecitywaclon Sinpharma Senpe.
Dubextralemelgenroto 'this Lemgo 'barbital Nortrachediomelcro .cowers.
Modu (ascham Salana Cellbahatcheanticar Mussepti )text Roslou Hponuj.
)toadies Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham. Anasab
Citvemacroruthckjou Itnadion bot . Virometronualuniunopunk.
Euqxertnelaejawztir munsey Yadomin Necroweb Agarllapolhcuaren.
PospharmaextradanvadmultiVina cowers . Etraw Cide Xroto Teatextra Nellgo.
noemata. oT F. YaR P eR uq ruoy lla sknaht a si. pihsrosneC eht dnas'nala
morf itelcoid morFN T E T O. nem. noemata. tjeA am. Sinyea toolsmith)
Belby. Alphall hxr) Phobtheo Dicba di) Ispher. Phprotovadbetaperitz
helpmeet) Negwiconneoterax. Omni nerd) Gnomau Oadus. (schoolers)
Uoyscimon. Edrets. Xidama Aejtnes. FacholopacnizpseuVerspatadicwaucon
Lonby )block) Keznecrolatatcuspro Databab. Democol eresirp) Welin Grpho
Tommeta )book) Apdil. noemata. eltuC .llena. Stkilo cognimen Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export Omedsip Namtera
Scapzaxposaerochegen. Thelneuro.Ortsarabdionekedeftoor
Voiduseticellchromomni. DionitroCytozap. Niumcha Voidlakezreoragapol
Mancerechodomingogowon.Metronit Gyrosal.. Gonexelusteraelithel Betaboon
BenrotoGyesnum Ganymancermidiaudust. Taipath Pseulid Gnomcyto Zapremawger
Naceexnekehtur Quasen Masloo Prese. Lincosmo Tionrhinoband
Concardiampaindecikeeck Dodada.. ShjeascovoidvaroptiRonioorpcesegbohp
Dentmonospysecnarque .toolsmith. Rackchokeesinrvonde Cishabarcemidixpos.
noemata. Fro S O. B Mon. Censorship O Neoist af Mon Censorship. Neoist af
Neoist af. noemata. N inn. Dromcoantivessunni Ndonze. Betabong Zymeli
Facxe login Veli. Palzerotheosyncnauto Deltit Texsiinualbabdada Nitrothem
Cemvio. Nthweriosfucaforc nyicon Teatdea Scapa Proin Nilew. noemata.
Friday October. oceledioN x. SenretroScapneooxydustylspiairbrick Rackpho
dub Knobkee. SeanizCitamexNoideleconurimekez EnekTwinjou Nthke
NahgaGogomix Bin 'text. Oapunk 'mention Kilowav
NiconInmoxovHpeitnakcarecap Denpibook .. Ipssummewegnocmuttered.
ZangyrogarzeneNomicsholoviotorsunchaNomicsimetathropictivchloBinhemacuselesiper.
MindiNelly.DoprotoscapremetalyzMagplexiadeckpusquosaila ..
Hyponor.MoruvixerologotelLionnecro. WadneuroRosuno. noemata. Thursday
October. lp o. Ortinsulnamogogirutoor 'muckle Sauben Exman myofibril
Ogolces. Hawon Aerospher Sennano nauseum Zapimicconeopop
Mmicronewebtwini.. Tinmulti SunsauNoidsciecutwaantix Junock Ihtsop user
Niumopti. meteors Gusfeedecimounscapspo Ocylgnok Gonnitro PhonamaWondru.
Ztihenkanegr Bumnanocemdatrack ThgasconegsecpriEacon Modladezmerso.
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Vt .. BRTFT X. X t . iiVt.. i L g V V. cafdfdcbbcfbdef. SJONALITE.
interaktiv og kan kanskje . . logg. . hvor . en . en. Nojsamrofnisnnurgkab
kanskje .POSTEFUNKSJONALITET du. forklare . culturDENNE
FUNKSJONALITETENinteraktiv og. kan mailingliste .. logg . logg. DENNE
FUNKSJONALITETEN. en . hvor. spamkunstspammaskinerereniru ennuk mos neon
r. en. .aefgijkmnoprstuvyøENTmailingliste .kanskje ..
POSTEFUNKSJONALITEFEYlfXsv. cultur erdrofppo ejksnaK. .puor du forklare
Mailingliste . . kan. DENNE FUNKSJONALITETEN . morsomt.
.JKabdegiklmnoprstuvyåøspamkunstspammaskiner essidRunme.org.
har.JKabdegiklmnoprstuvy.aefgijkmnoprstuvyøENT ereniru ennuk mos.
neonPOSTEFUNKSJONALITE.
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.JKabdegiklmnoprst. en.. eht. n fbpvny a xavug bg lf.fqa aerqbz Ubjrire
nredom However Ray Joh. ' '. Tat Lid Ro R '. Thr Ron. es senere.
dokumenteres senere på Så om du vil eller kjenner Litt om de to sidene.
som jeOK mailes senere. Skriv g ta på meg ansvaret om noen OK mailes.
senere. Skriv gjde halvmeter etc) men har ikkVirkelig stilig Og at de (.
estetisk blir en del av kunst og br disse OK maSå om du vil. eller kjenner
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mailinglister Bj. Denne har også en. postefta på meg ansvaret om noenNeei
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exchange and distribute written and visual works within a. large museums.
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communication problemothers than theiradre not whole' and legiblsuch r.
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such rwten laicos. a yaw siht such r social The artist and .. typically
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seviecertorganised. as a small si ti krowten lat.'sserddaa s'ti
t.noitaluger hcusleve. painting) an organised as lei 's s gnihtyrevE
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dna sreirrab laicos. organised as a small this network. In.
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think my life is over more. my nails tomorrow is another day i have to
cut. hind any thing you will never find the real reason be. do is sleep in
the end all you can. rant something what's alive and the colors and vib.
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thers my life is overt in the hands of o. hmenth. adefecca. bcccfbedfbae.
lice i have been in contact with the po. psy.auto. Anger seems to be an
emotion. Oh great anger. Recipe If you take a past experience and the
memory of that and. some thoughts about it and some body sensations
usually you'll get. sadness or anger. The hardest thing about anger is
when you feel right. There are certain tapes that repeat themselves
endlessly. We might be three years into avoiding something. Cevenly
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wordspace why are only a subset meaningful. why isn't everything
meaningful. why doesn't every leaf have a name. does the name have a name.
it does but it hasn't. a word has a meaning but does the meaning have a
meaning. or every meaning a word. eyes illusion. it's raining because it's
stopping. where is the because. use is useless. i'm so positive. finding
our way like a crack in the wall. is the random walk ugly or beautiful. on
one level it's estethical and flat. on another it's nothing in there. form
or content. if it's form it's not content. and vice versa. endorphines
have their economy as well. what is churning. is random walk weak or
strong. very weak. very strong. seems like a nutter. new is flat new. all
the strong are weak. random access memory just an association. here
storage and retrieval coincide. the everchanging something. my random
love. what freedom do you actually. weakness freedom. continuous break.
the strong firm line. what else can it be than the horizon. very
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dacdefffcefecda a thanks. men.. er som et. Denne har også en
postefunksjonalitet hvor elevene kan poste sin bruk til. Runme.org har
også mye annet morsomt material som kanskje kan relateres til. Neei hater
sånt. Jeg søkte etter noen som kunne urinere på Ari Behn (en.
gyllenhalvmeter etc) men har ikke fått noen svar. Tør nok ikke selv men.
kan gjerne estetisk idyll liksom...dokumenteres senere på en eller annen.
måte hvordan det nå blir...). am. every ell kows thisslavs he ueless
slves. art of for. IS A DAY End of forwarded message. sobriety. Neoist
affairs are rarely produced and. the notion of truth does Neoism is
anonymous action doing battle. against significance. Monty Cantsin is
everyone who believes in. energy. Optimism is a more selfreferential game
of enslavement than. bread. By reading this you have applied Monty
Cantsin. Monty. Cantsin can use anything at will.TBLMLSFMNTKNTSN REFRESH(.
sec)Subject Fwd Institutions of Monty CantsinTo. mail.ljudmila.org Start of
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return msg. unhide. rec. var kmax. var k new Array(kmax). kDJ name. kArtist
name. kICQ nick. kPet name. kPolkaband. kBlackmetal band. kDog name.
kInternational agent codename. kFantasynovel goddess. kTattoo shop. kCat
name. kComputer ID. kHotmail account name. kMotherplanet in space flick.
kFake evil twin name. kOsho name. kSpammer name. kImpressive middle name.
kMysterious alias. kNetart project. kArt installation. kArt gallery.
kAbstract music composition. kDesign software. kUnderground comic. kFrench
house act. kNerd alias. kScifi robot hero. kGoldfish name. kJapanese toy
craze. kText on Tshirt. kSoup brand. kCyborg model. kBuzz word for. kCool
bandname. kMeditation focus word. kHare krishna alias. kRoleplaying name.
kArt movement. kKitchenware design series. kJazz quartet. kPolish alter
ego. kTeddybear. kPyramid scheme. kNew softdrink. kRockstar children name.
kEmail account. function rndnumber(max). var randscript. while (randscript
randscript max isNaN(randscript)). randscript
parseInt(Math.random()(max)). return randscript. function rec(). var msg.
subscriptrndnumber(kmax). if (ksubscript ). msg msg ksubscript. return
msg. unhide. topMargin. colorcccr a n d o. m n a m e. g e n e r a t. o
rCreate unique names for. bands companies products internet domains cyber
identites art projects. computer games roleplaying pets.. Millions of
combinations available. Grab. one and make it yours. styleBORDERRIGHT
rgb() thin solid BORDERTOP rgb(). thin solid BORDERLEFT rgb() thin solid
BORDERBOTTOM. rgb() thin solid. cellSpacing cellPadding width
bgColorffffff border. '. H A P P Y C U S T O M E R S. 'giving the thumb up
for Noemata Random Name. Generator. BILDE UTSTYR. function randomimglink().
var myimagesnew Array(). myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew Array(). var
ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). coloreeeAll examples are fictional.
Pictures are. grabbed fom the net and. manipulated.. Internet nick.
document.write ( nrbng() ). document.write ( rec() ). document.write (
nrbng() ). Company name. document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). Product name. document.write (
nrbng() ). document.write ( rec() ). document.write ( nrbng() ). Website
domain. document.write ( nrbng() ). .COM. document.write ( rec() ).
document.write ( nrbng() ). Password. document.write ( nrbng() ).
document.write ( rec() ). document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). document.write ( rec() ).
document.write ( nrbng() ). Refresh page for more customer pictures. More
namegenerating fun at. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA ). NOEMATA
Random Name Generator. contentCreate unique internet names for your
company your products your. band your cyber identity... namedescription.
contentname generator namegenerator word words new words new unique.
javascript random randomname randomized company companyname productname.
nick band group name groupname music random chat bandname fantasy. science
fiction scifi dotcom roleplaying identities textgenerator cool.
namekeywords. var cmax. var dmax. var emax. var fmax. var gmax. var hmax.
var imax. var jmax. var mmax. var lmax. var c new Array(cmax). var d new
Array(dmax). var e new Array(emax). var f new Array(fmax). var g new
Array(gmax). var h new Array(hmax). var i new Array(imax). var j new
Array(jmax). var m new Array(mmax). var l new Array(lmax). cAMBI. cANA.
cANI. cALTE. cANTE. cANTI. cARTI. cARCHE. cASTRO. cAUDI. cAUTO. cBENE.
cBETA. cBIO. cCASCA. cCACO. cCHRONO. cCOMA. cCONTRA. cCOSMO. cDATA. cDADA.
cDE. cDECI. cDEMO. cDEO. cDEVE. cDIA. cDIVI. cDIGI. cDINO. cDOMI. cDYNA.
cECO. cECTO. cEGO. cENDO. cENVI. cEPHE. cEPI. cEXTI. cEXI. cEXO. cEXPE.
cERGO. cGENE. cGEO. cGIGA. cHARE. cHERO. cHOMO. cHYPE. cIDIO. cINDE.
cINFRA. cINTE. cINNO. cJUNO. cJUPI. cKILO. cKILO
356
cKIMO. cLEO. cLEVI. cLOCA. cLUTHO. cMACRO. cMANI. cMAXI. cMEDI. cMEGA.
cMESO. cMETA. cMICRO. cMONI. cMONO. cMULTI. cNANO. cNEMO. cNITRO. cORIGI.
cOPTIO. cOCTO. cOXY. cPARA. cPATA. cPATE. cPERI. cPHOBO. cPHOTO. cPLEXI.
cPOLY. cPORTA. cPRE. cPRO. cPROTO. cPYRO. cQUADRO. cRAMA. cRETRO. cSCIE.
cSOLO. cSTELLA. cSYNTHE. cTECHNO. cTELE. cTETRA. cTHEO. cUNI. cUNO. cUTO.
cVENU. cVENTO. cVISI. cVITA. cXENO. cXERO. cXYLO. cZERO. cZOO. cRATIO.
cANGE. cVISA. cCASA. cCALI. cEMPI. cAPHE. cKINE. cXEPHA. cAGEI. cANALO.
cHELIO. cHUMA. cESCA. cXYLE. cISO. cTIDE. cSIBE. cNIGE. cMUTI. cGARA.
cVIA. cEQUA. cYUCA. cAURO. cWAKE. cLUNA. cCATA. cLOVE. cZODI. cMONA.
cKARMA. cASCE. cGAYA. cNEURO. cKABA. cGURU. cCANO. cCINE. cABRA. cARIE.
cASPI. cTENI. cTENE. dLLIC. dPHOR. dDICAL. dSOFT. dLOGY. dGRAPH. dPHYS.
dTICS. dNICLE. dNOM. dSTER. dCAN. dTONE. dBIZ. dNAUT. dTECH. dTHRON.
dTECH. dDOR. dTIVE. dZOS. dPHER. dGEN. dPIA. dSPAN. dTHER. dHAUST. dDUS.
dCORP. dCOPE. dPHON. dLUS. dLEX. dWARE. dGYN. dCINE. dCATE. dCAL. dTION.
dMODE. dCIDE. dTISM. dLIZE. dPOSE. dRAGE. dNOUS. dMOUS. dSCAN. dNOID.
dLOUS. dTATE. dGOG. dTURE. dGURE. dTOR. dNURE. dLOG. dREUX. dTOME. dVERT.
dDUCE. dTHES. dRIOR. dCEDE. dSPECT. dBYTE. dCEPT. dRED. dCENT. dBOL. dDOX.
dTOX. dFLEX. dMORPH. dSTY. dDUCT. dDICT. dCHRON. dSIZE. dCITY. dBLIC.
dNTIAL. dNCT. dGES. dNCE. dLYSE. dLOPE. dSCOPE. dSCAPE. dRIDGE. dSTENCE.
dBULB. dTIUM. dPOLIS. dSPHAN. dMIM. dDIES. dLOGUE. dGON. dXOTE. dLIO.
dTRES. dRES. dCHRE. dFIELD. dSHELL. dNGLE. dCALE. dQUE. dLINE. dLITE.
dTIGUE. dPAD. dSPEC. dRIAN. dNSION. dLATE. dTAUR. dTAME. dTWINE. dLIGA.
dTEAU. dRIA. dZED. dNOS. dXAS. dLUM. dNATION. dDEW. dTIGO. dLOOD. dSON.
dRETH. dTINUS. dPHIA. dRAST. dBERT. dGION. dBURA. dDING. dSOPH. dTENT.
dXTRA. dNITE. dCLES. dSIM. dKREUZ. dDOM. dSPECT. dBIS. dWARD. dDUCE.
dLYPSE. dKONE. dTYPE. ePH. eM. eN. eTH. eSS. eLE. eNE. eCT. eSH. eCK. eME.
eNT. eNG. eZE. eRE. eX. eT. eGE. eGUE. eP. eVE. eNSE. ePE. eNS. ePA. eVAL.
eCA. eNET. eDE. eROS. eGH. eSTRE. eBLE. eRTH. fBA. fBE. fBEE. fBHA. fBI.
fBO. fBY. fCA. fCE. fCHE. fCO. fCY. fDA. fDE. fDI. fDO. fDRE. fFE. fFI.
fGA. fGE. fGI. fGY. fHA. fHE. fHI. fHO. fLA. fLE. fLI. fLO. fLY. fMA. fME.
fMI. fMO. fMY. fNA. fNE. fNI. fNO. fNY. fPA. fPE. fPO. fPRE. fPRO. fQE.
fRA. fRE. fRU. fRI. fRO. fSA. fSE. fSI. fSO. fSU. fTA. fTE. fTHE. fTI.
fTO. fTU. fVA. fVE. fVI. fWA. fWE. fWI. fWY. fWO. fXA. fXE. fZA. fZE. fZO.
gA. gA. gE. gE. gI. gI. gO. gY. gU. gU. gA. gA. gA. gE. gE. gI. gI. gO. gY.
gU. hDOLPH. hNESP. hCANS. hSPEW. hFRAM. hLESS. hFLATH. hNITH. hPREM.
hSPINS. hTOUCH. hBEAT. hNONS. hCONC. hCAMP. hGAUL. hLATR. hFAUST. hCRIBL.
hNITR. hEASTH. hTRAD. hSPEC. hELECTR. hNAUT. hNIMR. hCELL. hCONSP. hMISD.
hPACK. hSUB. hATOM. hART. hUNDER. hOVER. hKITCH. hSINK. hEVIL. hSUBV.
hTANK. hGENR. hPAST. hSCAM. hFUTUR. hSTEEL. hTHORN. hBEND. hPLAG. hFOUNT.
hNEDT. hSWEEP. hGEMIN. hCOAX. hNEON. hDOMIN. hKAWL. hJUNCT. hSUPER. hGRAC.
hJUXT. hVELV. hSPAC. hSATURN. hNUCL. hPLUT. hATLANT. hGERM. hSPAST. hBISC.
hSYNCHR. hMOND. hCARIB. hPHOT. hSOLID. hETHER. hKANT. hMELTM. hREPT.
hQUAND. hPROX. hEMPER. hARCAD. hTHEAT. hGNOM. hCLOUD. hGOTH. hCARP.
hJEROM. hCAPLET. hDELER. hCRYST. hTRIB. hESTH. hEPIL. hPROPH. hSAUR.
hDAYL. hLOUNG. hSCORP. hMEPH. hDYNAM. hBABYL. hORANG. hVIOL. hCABAL.
hSULPH. hMAGN. hDETHR. hAPOLL. hMAESON. hHERMET. hMUND. hMECHAN. hGLYPH.
hPLEX. hGNOST. hMERCUR. hURIZ. hPYTH. hSPAGYR. hCANSEL. hCADUC. hTART.
hCONQ. hSUBLIM. hAXIOM. hASCEND. hMATER. hSCRIPT. hORACUL. hHASID. hPHAR.
hPROPH. hGENER. hCECIL. hGANG. hCATH. hTEMP. hAPOSTL. hGOETH. hOCEAN.
hVIRG. hUNIC. hSPECTR. hYEAT. hZETZ. hQUANT. hQUINT. hREVEL. hPROT. iOS.
iUS. iET. iIA. iISM. iOR. iACE. iAGE. iATOR. iION. iALON. iAMA. iES. iONG.
iOLA. iEX. iAX. iICE. iIC. iOX. iUTE. iIMA. iEN. iIM. iANT. iER. iON. iIO.
iITE. iURE. iICA. iEUS. iET. jB. jC. jD. jF. jG. jH. jJ. jK. jL. jM. jN.
jP. jQ. jR. jS. jT. jV. jW. jB. jB. jC. jC. jD. jD. jG. jG. jH. jK. jL.
jM. jM. jN. jN. jP. jP. jR. jR. jS. jS. jT. jT. jV. jW. mTEN. mSUB. mART.
mCON. mLAB. mNOR. mPAN. mPOP. mNAX. mTOP. mTEL. mDIG. mNAP. mBAN. mTIP.
mSEP. mHOT. mMUD. mWET. mCAT. mMAN. mPRO. mPRE. mWIN. mTUB. mSUN. mPET.
mNIL. mBED. mHIT. mLAN. mZEN. mGOD. lANT. lTOR. lTIC. lIST. lSET. lNET.
lCER. lCAN. lEND. lLET. lVAN. lTOS. lGEN. lSAT. lGEL. lSTAR. lSTER. lSON.
lDAD. lSITE. lBAT. lTER. lPIX. lVET. lTEST. lLINE. lMET. lMAG. lLAND.
lMED. lTRA. lTOX. lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST.
function rndnumber(max). var randscript. while (randscript randscript max
isNaN(randscript)). randscript parseInt(Math.random()(max)). return
randscript. function nrbng(). var msg. blandingrndnumber(). if (blanding
). subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if
(blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding
). subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript.
subscriptrndnumber(gmax). if (gsubscript ) msg msg gsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(jmax). if (jsubscript ) msg msg jsubscript.
subscriptrndnumber(imax). if (isubscript ) msg msg isubscript. if (blanding
). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(fmax). if (fsubscript ) msg msg
fsubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript.
if (blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(mmax). if (msubscript ) msg msg
msubscript. subscriptrndnumber(lmax). if (lsubscript ) msg msg lsubscript.
return msg. unhide. topMargin. colorccc sizer a n d o. m n a m e. g e n e r
a t. o r. Create unique names for. bands companies products internet
domains. cyber identites art projects computer games roleplaying pets..
Millions. of combinations available. Grab. one and make it yours. RANDOMLY
RECOMMENDED NAMES. document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
357
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). H A P P Y C U S T O M E. R S.
giving the thumb up for Noemata Random. Name Generator. BILDE UTSTYR.
function randomimglink(). var myimagesnew Array(). myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
var imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length).
if (ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimagesb.jpg. myimagesb.jpg.
myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg.
myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). Your pic here. Some.
examples may be fictional.. faceVerdana size. More namegenerating fun at.
faceVerdana size. faceVerdana size. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA
). noemata.netnosceips.html. MUTATIONS kaleidoscope gallery.
srcmutationlogo.jpg WIDTH HEIGHT. my'tAshn. alteration modification turn
variation innovation novelty. permutationsport vicissitude reversal
transposition progression. diversityvariety
multiformitymultiplicitychangingconvert. metamorphose transform
transfigure translate. transmogrify transmute transpose transubstantiat
exchange. interchange. interpret metaphrase paraphrase summarize
transcribe condense digest. swallow take. bag capture....
colorNOEMATA.NET. color. color. color. color. color. colorNakedwoman
Theater. styleborder px ridge rgb(). srcmutthumb.jpg border WIDTH. HEIGHT.
HELIOSPHAN. srcmutthumb.jpg border WIDTH. HEIGHT. LIFEHOUSE.
srcmutthumb.jpg border WIDTH. HEIGHT. GIRL DREAMS. srcmutthumb.jpg border
WIDTH. HEIGHT. FORCEFIELD. srcmutthumb.jpg border WIDTH. HEIGHT. OUT OF
BEAUMONT. srcmutthumb.jpg border WIDTH. HEIGHT. SPIRIT MOVES.
srcmutthumb.jpg border WIDTH. HEIGHT. SHIN TRIAD. srcmutthumb.jpg border
WIDTH. HEIGHT. STRATOSFEAR. srcmutthumb.jpg border WIDTH. HEIGHT. COOL IN
THE POOL. srcmutthumb.jpg border WIDTH. HEIGHT. EPITAH. srcmutthumb.jpg
border WIDTH. HEIGHT. CIRCULAR FLEXING. srcmutthumb.jpg border WIDTH.
HEIGHT. BLACK WIDOW. srcmutthumb.jpg border WIDTH. HEIGHT. ACOUSTIC
PILLOW. srcmutthumb.jpg border WIDTH. HEIGHT. TWISTED SISTER.
srcmutthumb.jpg border WIDTH. HEIGHT. MUTINY. srcmutthumb.jpg border
WIDTH. HEIGHT. CEPHALOPOD MOLLUSK. srcmutthumb.jpg border WIDTH. HEIGHT.
JAH CHILDREN. srcmutthumb.jpg border WIDTH. HEIGHT. CYANID BREATH.
srcmutthumb.jpg border WIDTH. HEIGHT. MANDARIN CREAM. srcmutthumb.jpg
border WIDTH. HEIGHT. TEASER. width height. nosave. width height.
document.write( document.write(namenwgcountrefer).
document.write(escape(top.document.referrer)). document.write( width
height alignright). MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
HELIOSPHAN. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. HELIOSPHAN. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. LIFEHOUSE. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. LIFEHOUSE. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. GIRL
DREAMS. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. GIRL DREAMS. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. FORCEFIELD. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. FORCEFIELD. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. OUT
OF BEAUMONT. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. OUT OF BEAUMONT. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. SPIRIT MOVES. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. SPIRIT
MOVES. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. SHIN TRIAD. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. SHIN TRIAD. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. STRATOSFEAR. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
STRATOSFEAR. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. COOL IN THE POOL. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. COOL IN THE POOL. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
EPITAH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. EPITAH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. CIRCULAR FLEXING. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CIRCULAR FLEXING.
HEIGHT HEIGHT HEIGHT.
358
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. BLACK WIDOW. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
BLACK WIDOW. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. TWISTED
SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TWISTED SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CEPHALOPOD MOLLUSK.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CEPHALOPOD MOLLUSK. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CYANID BREATH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. CYANID BREATH. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN CREAM. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN
CREAM. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. NAKEDWOMAN. FALLS
IN LOVE. IN ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (.
o Q. (. (. o Q. (. (. o Q. (. (. o. )X. END. NAKEDWOMAN. FALLS IN LOVE. IN
ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o
Q. (. (. o Q. (. (. o. )X. END.
359
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frames but your browser doesn't support them.. New Page.
hrefepisode.htmlepisode. hrefepisode.htmlepisode. hrefepisode.htmlepisode.
faceArialepisode. hrefepisode.htmlepisode. hrefepisode.htmlepisode.
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360
Back. Theater. New Page. Back. Theater. o l d a n. ambient minimal noise
lowercase material from analogue and concrete. sources digitally processed
and published in a lowercode aestethics.. nochass. a min track coded in
kbps mp.. epsp. a recoding of a tapebooklet release from . tracks min
(MB). mp coded in kbps images (MB) and a couple of texts ca. words..
domuse (single). a single release from dd k. coded in kbps mp.. dd. track
release ca min. coded in kbps and kbps mp.. weemisu (single). a single
release from wmfg k. coded in kbps mp.. wmfg. track release ca min. coded
in kbps mp.. nc.nd. long tracks nc.vxtn and nd . coded in kbps mp.. ebt.
tracks in this release amounting to m s coded in kbps and kbps. mp.. ebtw
(. floppy single). a sec track from ebt coded in kbps mp zipping neatly
onto a. single floppy.. the low coding format provides a spectral
dimension to the timestretched. piece.. a track rerelease of coded in kbps
mp mostly and oggvorbis. format.. srja. a release of ambient short movies
in mpg format to be looped.. NewFolder. a temporary folder for released
unreleased tracks.. epsp. A Element to integral min.. area. fugue. area.
fugue. .... B min.. Fra midten av denne stråleglans kommer virkelighetens
naturlige lyd. som dundrer som tusen tordenbrak samtidig. Dette er den
naturlige lyd. av ditt eget jeg. La deg ikke kue av dette eller bli grepet
av redsel. eller ærefrykt.. Hvis det bråker mer nå ringer jeg politiet..
ELEMENT TO INTEGRAL. Sourcematerial recorded on magnetic tapes..
Instruments used include KORG MS KORG Polysix BOSS. drummachine CASIO
sampler TEAC TASCAM electronic organ. tapedeck turntable radio
walkmanrecorder microphones monochords. flute harmonica guitar alarm clock
feedbackdevices mallet. instruments computer drums cd resonant objects
(metal rock wood. glass) nonresonant objects (plastic water food skin
earth).. Concrete soundsources and noises as field or objectrecordings.
include crowds citynoise wind rain thunder habour sea.
buildingconstructingareas streets motorway railwaystation home. wood
gardens mountainlandscape waterfalls traffic balcony. industrial areas
reverbal areas church halls tunnels auction. concerts cave train (inside)
humans doors conversations voices. sheeps neighbours geese dog cat breath
walks sea birds train. (outside) car machines bicycle boat ants magnetic
datastore. microwaveemission spoken languages domestic objects (scissors
keys. fork and knive refrigerator washingmachine tv staircase room.
furniture) found objects random objects.. Processing of sourcematerial .
Recorded onto magnetic. tape augustseptember .. Equipment used TEAC TASCAM
SoundForge . WaveLab .. tapedecks and some hundred tapes.. B.
Sourcematerial recorded on magnetic tapes.. Instruments used include KORG
MS KORG Polysix CASIO. sampler TEAC TASCAM tapedeck walkmanrecorder.
microphones metal.. Concrete soundsources include ants wind.. Final
processing of sourcematerial . Recorded onto. magnetic tape september ..
Equipment used include TEAC TASCAM SoundForge .. tapedecks and about ten
tapes.. Graphic material made mostly dating .. Pages include drawings
paintings doodles copies nails blood. photoes and clippings.. As the
graphics are not essential to the tape they are not commented.
explicitly.. Textmaterial in booklet written mainly september .. All
material by Bjrn Magnhilden ordmorkontoret Oslo. Copywrong. Norwy poc..
INTRODUCTION. Concerning the structuring of the two pieces on the tape my.
main idea was that of stream and time incorporating with materiality.. Heh
yes I guess so... What is actually heard seems to be the sound. of
floating particles. These particular flows consists of tiny or. minimal
soundobjects which I will call 'phonems' for the heck of it. cutupped from
the archive of own recorded material in the years. amounting to a couple of
hundred tapes (pretty bad ones though. ).. So instead of thrashing the
tapes I've used them as a fragmented. memoryblock being randomly accessed
through a spaghettistyle language. of pointerism utilising the phonemical
units mere as material ground. and surface being rather ignorant to their
content or contextual. content.. Together with the idea of materiality
there will also be. concepts like mass density subsistence persistence
endurance. exhaustion and extacy involved in the actual structure
conceived. which also partly count for the monotonously character of the
pieces.. Also my interest in the noiseaspect of music or vice versa is. a
driving motive in this kind of project and should also be well. manifest
in both pieces on the tape. Take care of your ears.. The terms noise and
music could be seen reflected in the material. doublenature particlewave
where 'wave' would be viewed as the. collective motion of a material
moving continuously around a. relatively undisturbed center corresponding
to harmonious states of. music and where the interaction of particles
would be perceived as. the more or less random and chaotic motion and
states of a material. corresponding to intensity or density of noise.
Nevertheless these. are two different operational views of the same
underlying material. (whatever nature) and my opinion and fascination is
that the. classification or perceivance of music from noise cannot be
traced. back to the material. So it then gets interesting poking around on
a. low level probing for both the substance and the concept bridging the.
gap or just experiencing the (possible inevitable) complimentary. attitude
towards it. Fuck the cat is dead and alive.. A principle of complimentarity
of sound could state that if an. arbitrary material of sound is perceived
as music then the noiseness. of it will be sucked into it and vice versa
the perceivance as noise. will not be saved by the music. What constitutes
this perceivance is. not solemnly the attitude towards it but also the
doublenature of. the material itself. I hope I've been able to express
this in the. works. A way of judging a listener should be able to swap
between the. states of musicnoise should recognise this state's
independence of. the material (Oh I can listen to this in at least two
separate. ways... Oh yesterday I perceived this as noise... Oh this. noise
is beautiful and relaxing...).. Another idea concerning the introduction of
noise was to make. a soundshield. Basically I wanted to build a thick wall
and then walk. right through it. This could actually be done by means of
sound. Noise. as silence and through this silence get rid of yourself.
The. neutralising of sounds with sounds is possible as noise swallows up.
all other sounds or as all other sounds can be imagined allready.
incorporated in noise. White light white noise get blind get deaf.. Close
your eyes close your ears by opening your eyes opening your. ears. If you
stare into a point in the wall for some minutes my. experience is that the
wall becomes black and purple and vanishes due. the neutralisation of
sightimpression with its negative. representation in your eyes and along
with this vanishing of objects. comes for any reason a state of uh let's
say bliss. Much in the. same way noise will through a material extacy
swallow up the objects. of the world and leave you floating. Drawn I sit
serene rest is. inward.. This should make clear that the tapepieces'
motivation partly. lies in their functionality and can also explain the
lack of an. inherent musical structure or pretension of having conceived
a. traditional dramatic musical work. To pinpoint it I would say that. one
main structure is the palindromical selfcontained. Concerning. ETI on a low
level the phonems have been recorded forwards or. backwards quite
independently of their content or any criteria. Some. loops on B are being
manipulated similarly. On the whole both pieces. contain its material being
finally processed in both directions. There. are different reasons for
this. If you want to make a musical work. partly avoiding an evolving
dramatical or narrative structure you. probably have to treat time in a
different way. The linearity of time. might be broken in different ways.
The palindrome seems to excorcise. timelinearity treating it as just
another (symmetrical) object having. reversable manipulatable dimensions.
The cutup juxtaposition of. timeelements is fragmenting this line implying
another operating. dimension say timespace or just memory. The
nondifferentiated space. would defy time on the whole as nonexistent as in
the. parmenidicalzenoic scheme (or the La Monte Young scheme. By the way.
it seems that much minimalistic music is motivated by making the. relation
of music to time explicit in different ways discretness. repetititivness
questioning the continuum). Another reason for. fiddling with time was
that I wanted the pieces to be exhaustive in. length so when needed I
simply filled up time by outputting the. material back and forth a couple
of 'times'.. As to materiality as to float as to particles as to space..
ELEMENT TO INTEGRAL. An impulse to make this piece came from disapproval
of my. earlier recorded material and still wanting to use it in some way..
One solution was clearly to hack it all up into small segments that. could
be eaten without choking. Another solution was to superimpose. the
original material making monstrosity from ugliness or stupidness.. So I
did both and in that order.. Another impulse or idea was to let musical
structure build. small (or smallest) elements without imposing external
musical. direction other than materiality.. NOTAT. Serie og
parallellprosessering av lyder etter hverandre oppå. hverandre.
Distribusjon i tid krymping fortetning. Distribusjon i. rom furkasjon
ekspansjon. Lyd ned til fonemminste meningsfulle. lydnivå før den byger
seg opp igjen gjennom strukturering random. cant. kalkulasjoner. area sek
lydisekund lag prosessert. fuge. area sek lag. fuge. area sek. fuge. area
sek. fuge. area sek. fuge. lydareal lyder over tid. to akser lag tid..
tetthet lydareal tid. arealintegrasjon tetthet. matematiske utregninger..
båndet. cm i sekundet. båndmediet. elektromagnetiske spekteret.. ide til
et musikalsk språk. gjennom oppbygging av minstelyder. lydidiomer
lydlinjer. sette opp regler for oppbygging videre.. datamaskin. slika
rbeidde kontinuerlig på et språk gjennom. forandring. Alt tidligere
material er tilgjengelig som hukommelse. språk. bruke formelle språksystem
i bearbeidelse. måten vi lærer. integrerer språket. Lengre brokker
komprimeres til kortere når de er. innlærte settes ammen til nye linjer..
Element til integral oppstykking syntetisering. Eksponentielt. voksende
fra lydpartikler tilflerdimensjonale objekter bestående av. millioner av
lyder.. Primitiv eller uten musikalsk strukturering kvantitet materiell.
ekstase. Dialektisk segmentering.. Uten egenlyder basert på tilfeldig
utvalg av allerede innspilt. material.. Skråstreken lydmusikk. Den
enfoldige lyden (musikk) og den. komplekse musikken (lyd).
Løsningsforslag.. Objektoppløsning overskridelser.. Preferanser til tidlig
konkret musikk. Spilt inn på relativt dårlig. lydstudioutstyr.. Palindromet
speil fordobling.. Parmenides det statiske udifferensierte det
selvinnholdte.. Permutasjon distribusjon muligheter.. Tid rom akse. serie
paralell. fortetning. without a sound.basert utelukkende på tidligere
material.. sound system sunt system uten kontradiskjon. cannibalize. cant.
words. terms. ordliste asssosiasjoner gå gjennom engelsk ordliste.. fysikk
tidrom.. spesiell relativitetsteori. et legeme i bevegelse blir kortere i
bevegelsesretningen. tiden går saktere for et legeme i bevegelse. et
legeme har større masse når det er i bevegelse.. ved lyshastigheten vil et
legeme ha null lengde uendelig. masse mens tiden står stille.. generell
relativitetsteori. materien forteller rommet hvordan det skal krumme seg
og. rommet forteller materien hvordan den skal bevege seg..
gravitasjonskraften er tilsynelatende.. Fortetningen av partikler
fartsøkning tilsv Anmassing hva skjer. fart Emc masse frigjøres til energi
Kjerneprosesser. Plotte. gen.rel.teori som musikkmassemusikk koble til
musica mundana. harmonia mundi Hva er massemusikk Fysisk musikk En stor
masse. deformerer rommet partikler følger krummer linjer de tar for å
være. rette Parallelle linjer møtes som ved en tiltrekningskraft. Lys.
rødforskyves og tiden går saktere i et sterkt gravitasjonsfelt ting.
formørkes fordypes. Materien tvinger lys ned. Matter forces light..
Kinetiskpotensiell energi deepspeed gravitasjonell. Resonans når et objekt
vibrerer med sin frekvens tar det lett imot. energi og vibrerer med store
utslag.. Lyd lyd i rommet analogt med krusninger i vann. bølgebevegelse..
motsetning lys.. Lyd trenger stoff dette materietemaet.. elektromagnetisme
boblekammerbilde magnetisme deepspeed cmsek.. generere en strøm generator..
på skala over atomnivåer er verdens mangfoldighet grunnet.
elektromagnetisme og gravitasjon (vekselvirkninger). støy uønsket lyd.
paradoks hva med å hørelage støy ønsket ulyd. lyd subj obj lyd må ha
stoff. verdensrommet er lydløst. Bølger.. Krumme flater samler i
brennpunkt strålene. Svevninger. Klang. sammensetning av flere lydbølger..
Et brus inneholder alle hørbare frekvenser og kalles derfor hvit. lyd. Støy
er et subjektivt begrep. Def. som all uønsket lyd enten. musikk vanndrypp
eller trafikklarm. Jeg ønsker uønsket lyd. Lydene. rundt meg radio musikk
stemmer er støy og bruker støy som musikk.. Omvending i
informasjonsflommen støy. Bruk en motflom Demme opp en. flom. Demning.
Akustikk resonans hørsel. språklyd fonemer.. lydbånd bærefolie med
magnetisk belegg jerndioksyd.. lydintensistet små mengder watt.. kontentum
gjennom lydmuren.. opprinnelig (gresk) musikk totalbegrep.. Boethius ( ekr)
musica mundana (verdensmusikken eller. harmonien i altets oppbygning og
funksjon) music humana (harmoniske. forhold i mennesket) musica
instrumentalis. overskrider subjekt og objekt danner nytivitet. oseanisk
materiell ekstase.. Det segmenterte som (analytisk) strategi konstituerer
seg i den. akustiske entitet som en retorisk figur og definerer da seg
selv. nærmest som et fravær. Bortfallet av en bindende matrise avdekker.
dissonans og uttrykker seg som babbelpolysemi. Overgangen fra det.
refererende (transcendens) til det signifiserende (immanens) åpner det.
anisotrope rom av segmenter i en differensiell hypostasering. Opptrer. i
krystalls form ikke i apokalypsen det dør som fødsel og fødes i. døden..
PALINDROMER. deeps on time emit no speed. Rettam krad Sade if all erb
music is umbrellafied as dark matter.. noise lesion. deep morf NOISE
LESION from speed. speed morf noise lesion from deep. Goddesses so pay a
possessed dog. Moo lost elk O orbs amid wonders awed Was it organic in
ecstasy. tied Deity sat scenic in a grot I saw dew as red now dim as.
brooklet so loom. On a clover if aloud noise lerupts a vast pure lesion
duol a fire. volcano. epsp. epsp. Element to integral. Text on epsp. by
Bjørn Maghnildøen. Introduction. An impulse to make the piece epsp came
from listening to and partly. disapproving some of my earlier recorded
material and still wanting to use it. in some way. One solution was
clearly to hack it all up into small segments. that could be eaten without
choking. Another solution was to superimpose the. original material making
monstrosity out of ordinariness. So I did both and. in that order..
Another impulse or idea was to let musical structure build from small (or.
smallest) elements without imposing external musical direction other than.
materiality.. In structuring the piece my main idea was that of stream and
time incorporating. with materiality. What is heard seems to me as sounds
of floating particles.. These particular flows consists of the tiny or
minimal soundobjects cutupped. the archive of ownrecorded material in the
years amounting to a. couple of hundred tapes.. Instead of forgetting or
thrashing these tapes I've used them as a fragmented. memoryblock being
randomly accessed through a spaghettistyle language of. pointerism
utilising the phonemical units mere as material ground and surface. being
rather ignorant to their content or context.. Together with the idea of
materiality and concreteness there are concepts like. mass density
entertainment (subsistence) endurance exhaustion and ecstasy. involved in
the actual structure conceived which also partly count for the. monotonous
character of the piece.. Also my interest in the noiseaspect of music or
vice versa is a driving motive. in this kind of project and should also be
well manifested on the tracks. Take. care of your ears.. Noise and music.
The noisemusic dualism could be seen reflected in the material
doublenature. particlewave where 'wave' would be viewed as the collective
motion of a. material moving continuously around a relatively undisturbed
center. corresponding to harmonious states of music and where the
interaction of. particles would be perceived as the more or less random
and chaotic motion and. states of a material corresponding to intensity or
density of noise.. In an inversed physical view pataphysical why not
consider music as a very. simple kind of noise and noise as a complex kind
of music. Nevertheless these are two different operational views of the
same underlying. material (whatever nature) and my opinion and fascination
is that the. classification or perceivance of music from noise likewise
cannot be cleanly. traced back to the material. So it then gets
interesting poking around on a. low level probing for both the substance
and the concept bridging or. transacting the gap or just experiencing the
(possible inevitable). complimentary attitude towards it.. Noisemusic. A
principle of complimentarity of sound could for instance state that if an.
arbitrary material of sound is perceived as music then the noiseness of it
will. be sucked into it and vice versa the perceivance as noise will not
be saved by. the music. What constitutes this perceivance is not solemnly
the attitude. towards it but also the doublenature of the material
itself.. I hope I've been able to express this in the work. A way of
judging a listener. should be able to ) swap between different states of
listenings ranging from. music to noise ) recognise these states
independence of the material.. For instance listen to the material in at
least two separate ways like saying. Yesterday or ten minutes ago I
perceived this as noise or This noise is. beautiful .. Scanning any point
in the tracks and playing a few seconds the piece will. probably be
perceived as pure and flat noise. Playing off the whole piece or. larger
parts of it will probably change that perceivance.. Noisilence. Another
idea in the piece concerning noise was to make a soundshield.. Basically I
wanted to build a wall and walk through it. This could actually be. done by
means of sound. Noise appears here much like silence and through this.
noisesilence neutralize memory or yourself.. The neutralising of sounds
with sounds is possible as noise swallows up all. other sounds or as all
other sounds can be imagined allready incorporated in. noise. White light
white noise get blind get deaf. Close your eyes close. your ears by
opening your eyes opening your ears.. If you stare into a point in the
wall for some minutes my experience is that. the wall becomes black and
purple and vanishes due to the neutralisation of. sightimpression with its
negative representation in your eyes and along with. this vanishing of
objects comes for any reason a state of uh let's say. bliss.. Much in the
same way noise will through a material ecstasy swallow up the. objects of
the world and leave you floating. Drawn I sit serene rest is. inward. The
piece is made using headphones and I also prefer listening to it. that
way. By the way the piece is as noise hypersensitive to equalisers so.
small adjustments of the emphasis on different frequencies are very
effective on. the overall output sound.. This should make clear that the
motivation partly lies in functionality and can. also explain the lack of
any explicit inherent musical structure or pretension. of having conceived
a traditional dramaticmusical work.. Also no sounds have been recorded for
epsp. The piece has no sounds of its own. and consists entirely of the
processing of already recorded material.. Palindrome. One main structure
is the palindromical selfcontained. On a low level the. phonems have been
recorded forwards or backwards quite independently of their. content or
any criteria. Some loops of phonems are being manipulated similarly.. Also
on the whole the piece contains its material being finally processed in.
both timedirections.. The end is already manifest in the beginning. The
content of meaning is subdued. its structure. The evolution swallows
itself up. The mirroring of material. simulates an undifferentiated space
where object vanishes in the double. The. stasis of space absorbs the
speed of the elements.. Permutation. Another motive was exhaustion of
possibilities in the material. Rearranging. deforming and distributing
elements of sound to form a massive overload of. connotations excorcising
content.. Sounds are gradually being hacked to pieces down to a phonemic
level of smallest. meaningful segment processed in series after each other
in time and in. parallell in space. Then the distributions in time and
space increases density. and speed as the permutated material expands and
grows exponentially out of any. orbit of musical reference. Finally the
particle accelerator distributes its. collapsed differentiated elements on
a trajectory into void''.. Distribution. Sounds are distributed over the
two axes timespace. The density of an area is. the number of separate
sound elements through time. The elements seems to be. scattered well over
the electromagnetic specter with an emphasis on the extreme. high and low..
There are areas on the meter of electromagnetic tape where each cm or.
second consists of over differentiated segments of sound superimposed so.
that during minutes over a million sounds are being transmitted.. Other
areas consist of a heap of layers of sounds fragmented beyond the point
of. noreturn. Minimal units of sound are recorded as the six feet and
antennas of. ants spurt the microphones. The flow of noise is in that way
built up from. traces of atomical existence of sounds passed by not
enumerable.. Emit time. If you want to make a musical work partly avoiding
an evolving dramatical or. narrative structure you probably have to treat
time in a different way. The. linearity of time might be broken in
different ways.. The palindromical form seems to excorcise timelinearity
treating it as just. another object having reversable manipulatable
dimensions.. Also the cutup juxtaposition of timeelements is fragmenting
this line. implying another operating dimension say timespace hyperspace
or just. memory.. The nondifferentiated space would defy time on the whole
as nonexistent as in. the parmenidicalzenoic scheme.. There might also be a
minimalistic scheme involved motivated by making the. relation of music to
time explicit in different ways discretness. repetititivness questioning
the continuum.. Also I wanted the piece to be exhaustive in length so that
the notion of time. could be mixed up blurring the divide physical and
experienced time as you. find your mind wandering or take off. Exhaustion
of time seems an appropriate. concept also when the massiveness of sound
is concerned as the increasing of. density slows down timeflow.. The
ecstasy of memory in the conjuring of elements into an allembracing
integral. can be seen as an exhaustion of time and duration and as the
omnipresence or. end of time.. Deep speed. A body in motion compresses
bodyspace lengthens bodytime and increases. bodymass. Gaining speed of
light the body will not have any extension though be. infinite heavy while
time stands still as nucleons of sound ecstasises material. and flows into
energy.. Particles of sound are escaping the gravitational pull of memory
and meaning as. they accelerate and gain a speed superseding musical
references. Speeding of. music into noise atomizes the bodies of
information accelerates towards. infinity and dissolves in deep space..
With respect to history the narrative has become impossible since by.
definition it is the potential renarrativization of a sequence of
meaning.. Through the impulse of total diffusion and circulation each
event is liberated. for itself only each event becomes atomized and
nuclear as it follows its. trajectory into the void. In order to diffuse
itself ad infinitum it has to be. fragmented like a particle. This is the
way it attains a speed of noreturn. distancing it from history once and
for all. No meaning stands a chance once. offered the means of its own
acceleration.'' Baudrillard Pataphysics of Year. from The Illusion of the
End. Mass. Sound need a massmedia for its motion of particles to be
distributed. Outside. the gravitationed atmosphere there is no sound.
Density of mass shapes the. space which shapes the motion of mass
(gravitation is illusorical). Above the. atomic level the manifold of the
world is grounded in the forces of gravitation. and electromagneticism..
Growth in density by speed or space will make mass heavy and slow time..
Acceleration of transactions increasingly forces inerta and indifference
as. particles of sound annihilate each other making a dense cold star
deepened. and darkened by the pull of densityfield.. Within the critical
mass of density there is no references to outside. No speed. will liberate
sound from the silent immanence and there will be just the. autosound of
the magnetic tape and tape recorder background noise as the. ecstasy of
musicality provides its own end.'' Ibid.. Noisevoid. Instead of declaring
the law of falling bodies towards a centre why wouldn't. one prefer that
of the rise of the void towards the periphery the void. conceived of as
unity of nondensity'' Jarry Gestes et opinions du docteur. Faustroll.. The
pataphysial motive of antigravitation appears as music is haunted by its.
vanishing. The particle accelerator seek to liberate sound from the.
gravitational density of music by overwriting overflowing its content and.
swallow up itself. Particles arrive and disappear faster than their shadow
and. leave no time for interpretation. The speeding of tonality runs into
a noise. cohesion void of transmittory pregnancy.. Segmentation as an
analytic strategy is constituted in the acoustical almost. rethorical and
without appearance. Loss of a binding matrix of bodies the. shift from the
referential transcendence in music to the signifying immanence. of noise
births the segments pataphysically from the dying of hypostaticism..
Contents on epsp. Audio. Sourcematerial recorded onto some hundred
magnetic tapes.. Instruments used include korg ms korg polysix boss
drummachine casio. sampler teac tascam electronic organ tapedeck turntable
radio. walkmanrecorder microphones monochords flute harmonica guitar alarm.
clock feedbackdevices mallet instruments computer drums cd resonant.
objects (metal rock wood glass) nonresonant objects (plastic water food.
skin earth).. Concrete soundsources and noises as field or
objectrecordings include crowds. citynoise wind rain thunder habour sea
buildingconstructingareas the. museum of Emanuel Vigeland streets motorway
railwaystation home wood. gardens mountainlandscape waterfalls traffic
balcony industrial areas. reverbal areas church halls tunnels auction
concerts cave train. (inside) humans doors conversations voices sheeps
neighbours geese dog. cat breath walks sea birds train (outside) car
machines bicycle boat. ants magnetic datastore microwaveemission spoken
languages domestic objects. (scissors keys fork and knive refrigerator
washingmachine tv staircase. room furniture) found objects random
objects.. Processing of sourcematerial . Recorded onto magnetic tape.
augustseptember .. Equipment used teac tascam soundforge . waveLab . and
tapedecks.. MP coding of sourcematerial using Awave Audio v... Booklet.
Graphic material made mostly dating ''. Scanned . Pages. include drawings
paintings doodles copies nails blood photoes origami. and clippings..
noemata. noemata. Sammen med. vox Sammen med vox Xarraymax xvox While pos
strlenstr x x xmax and y. Along with Echo read linje lines Facts ought
While pos strlenstr x x. xmax and y A hva hennes Global x y xmax xarraymax
yarraymax. IsoQMaFntiKentsFn Echo ' ' Zqhqjpnhny Textile Facts do be.
Mytrmfrfrncnvlvsthwrdfcntrctstmltntnlcmpns Plan er Det er If form 'x'.
Power panel The morrigan Drat such custard Yards of dirt displaced. Silo
Fan centrifugal chassis Dave rodenbaugh Thew reest ix Tesccifhi. E ct e
Delete Suppose Today Fata Decanoic Syndicate the future x. New member
Longto space myself its Soundex Subpart Ars publica. Unmounting old root
Neomata Erroneous nonlinear lobes of leaves See. headers of the mail Biose
f reserved Fb VESA VGA frame buffer device. BIOSe f reserved The deal is
htcih fere Closing it Am acpi have wakeup. address xc Htart DPHIA Hmeph
Htank Mhot The kfake evil twin name. Myimagesjpg DFIELD Boiardo
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exploiterutstilling av forsteder as opacity all are. gone. Henceforward it
is the transparency of othersfandenivoldskhet ville det. noemata. Sunday
March. Re question re de pre codewurx. are helpful. I get a general
pictureof code as 'rooted' and double of anyway. having a double property
of ..wellthe usual dichotomies instruction and data. and object and
whicharen't fundamental eg. the distinction between. instruction and data
is aninterpretation what is interpreted as instruction. is also data and
thedata can also be instruction so in a way the. interpretation
isfundamental to code also and creating the roles of the. dichotomy as
wewould have 'instructiondata' and 'datainstruction' and. somewhat the
samein the case of subject and object which are more.
explicitlyinterpretations of something by terming something a subject
we've. alreadyinterpreted it in a relational way and in the same manner.
asinstructiondata I'm refering to code as an subjectobject entity which.
hasthese three parts of data instruction and interpretation..
Theinterpretation part would be the decode.About the everythingnothing
bold. statements since the code is somethingconstituting itself it's a
whole an. entity and real in the sense thatit's taking place with the
interpretation. constituting the reality'situation' of instructiondata
subjectobject so. I'm calling it aneverything like we could create an
universal machine out of. this. And thenalso I'm calling it names like
nothing because it's a machine. more orless. Maybe it would be interesting
to look at everythingandnothing. textas a kind of codework. Finnegan's Wake
as an example of this it's coded. inseveral layers encapsulating or opening
to an everything and nothing ithas. the appearance of code and nonsense a
rich broken structure ofeverything.. Occult literature I guess also has
the code effect of thissort like. out dumped automated and coded the
automatic writing ofsurrealists might be. considered I don't know are
fluxus pieces codeworksby being instructions (of. events) and the
happening would be another moreundirected setup for something. happen well
I'm not sure how todistinguish the code it seems. allembracive. Is it alive
Dead code. Andthe system bit if we don't know if. something is code is it
code by justthat fact like the Voynich manuscript. mentioned And there's a
notionthat code is code as long as it's not decoded. if code is code what
do wemean by a decode Sort(x) is a code does it have a. decode So maybe
aromantic code is the codedecode that kind of code notion. there we havein
a way again instruction and data subject and object. clearlyseparated like
morse code a clear mapping between subject and. objectback and forth
whatever there's the subject of code and the. objectcodeand the morse code
we could call the subjectobject though in a. clean dualcut. In other
notions of code it's not so clean and for eg. sort(x). wedon't call it a
decode it's codecode but what is decode It'sambivalent... 'life is decoded
into dna' or rather 'coded' do we mean theoutput in general. the object and
for something to have a decoding meansto have a systemic. interpretation
but this goes both ways what is thecode can also be the. decode to
emphasize they're activepassive roles ofinterpretation.. and code. the
system of interpretation the structure ofhow the active and passive roles.
will take place of instructiondatasubjectobject. Certainly there are.
levels of code in the construction of nature and ourselves but at the
bottom. we don't know or we know that it's not discreet like the
particlewave. duality. But dna is discrete for that matter the
particlewave duality is. justthat a duality even with probabilistic
measurement the mathesis. behindit is exact...Exact probabilistic if you
have a perfect random number. generator couldit have a code This is like
asking for the formula for prime. numberscould we say there are codes for
prime numbers but not a formula. workingto a certain degree and in general
that code is related to formula in. aspecial way is it a working formula
applied which is the dual again ofform. and reality living formulas. Seems
I'm treating it as formula hereand you. matter and since everything is
mattered and chunkeddiscreet it'scoded but. in the formal end.. How deep
do the codes go all the way you'dsay since it's. rooted mattered dirty
having the real part maybe it'snot a fruitful. discussion where it ends or
begins some highly energicthing expanded and. collapsed symmetry collaped
into code. Yes but we've figured out things to. a large degree what we're
made of our history and destiny there doesn't. seem to be any mystery
about ithow we're created though we can't reproduce. it though have
theknowledge to destroy it a devastating knowledge in. itself.Considering
the fact that dark matter the majority in the universe. isn'taccounted for
at all that the mechanism of memory isn't understood. etc. I don't see how
you can say this. In fact one can as Brillouin. didyears ago argue for the
opposite that the mystery is somewhat. dependenton the limmits of our
economics and simply keeps getting pushed back. asfor example more and
more powerful accelerators are built...Yes mystery is. something
pushedback in relation to something that'stakingplace it's still a.
subjectobject 'economy' ecodomy the economyof code mystery is in the. via
the code interpretation it getsobjectified real as takingplace.. Still
it's an economy not a mysteryit's just what's emphasized. From the. other
end you could say memory isthere and it's working so there's no. mystery.
Code as a term retains someof the mystery the wonder and. complexities
which is lost in the formulaterm. I never stop wonder about the. inside
and outside like this sailboatmoving slowly past the village seen from.
the boat it's somethingcompletely different from the boat it's a mystery
from. the balcony itseems quite boring objectified but it's both and
that's. alwaysintruiging it connects to relativity from Galileo to
Einstein and. forextrapolating the move to relativity is also a move to
code of. thesubjectobject floating within a reference system which
connects to codeas. reality each reference system is on its own a whole.No
no i don't think. this goes if (x) is for example sorted it doesn'tlead to
an elimination of. (x). Think of coding here as performative andrequiring
a stratum or substrate. that it operates upon. Even Peirce talkedabout the
'sheet of assertion' the. necessity for a locus for mathesis.Ok see above
codedecode.I want to run. back to information theory and theexamples
Baldwin talked about or the. problems say of transmitter channel receiver
with noise parasitic within. the process.Thanks for the discussion
appreciate.Here there are several. levelscode as existentcode as
processcode as procedurecode as. performativecode as selfregulating or
checksumetc. etc.There's structure. of course and there are material or
ideal strata andtheir interactions. Code. is perhaps a productive system
of classificationthat admits closure.... AlanAdmits closure yes like it's
its own end metaphysics and then real. asreference system like every
reference system is real on its own. Maybe. I'mextrapolating too much but
they might be points of departure at. noemata. noemata. noemata. er ikke
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March. Re question re de pre codewurx. About code and codework though not
a direct response I see code generally tied. the western project of
science and cultureunravelling nature's code turning. it into culture and
technology. Thishas no real basis any longer science has. already made us
transparentwe know code is nothing and that there aren't any. secrets. So
there's nobasis still code is everywhere all the more since it's. not tied
toanything any longer doesn't refer to anything more real or more. trueit's
able to infect our lives more like a freefloating entity from. thelayers of
reality. If we have layers of reality we have codes. Ifreality is. one
there's no code but our sense of reality is not one. Ifyou could live in.
one there would be no code and it would be the heavensof the mystical.
The. mystical is tied to code but we know there's nomystery. Inside
yourself you're. a mystery that's it. Walking throughyourself you're code.
These are all layers. of nothing. We know that ifsomething is code then
it's nothing that's almost. the proof of it.Then there's the doubleness of
code of inside and outside. thecommunication machinery of input and output
between layers codesubjectand. codeobject. There's no fundamental basis
for the codes only thesubjectobject. which moves around freely. When I'm
using code it's areflection of the codedness. of culture the structural
complexities ofinformation and communication layers. of reality which are
always therea reflection of culture as construction. traversing it's
layers whichmeans insideout backwards reverse the. twofaced. In my work
I'm notusing code in a fundamental way it's code without. any basis
diffusionof code double and nothing of codes. Codes are still. fascinating
weneed something to do as humans I quite sure we're genetically.
gearedtowards these things problemsolving directedness of.
attentioninformationchurning. Still we have no mysteries only the codes.
andthey're not real only a kind of art beauty of codes what we're madeof.
still no mystery only reality. Codes real but not real that'salso the.
doubleness what we mean with subject and object they're bothreal but not.
real to each other if the subject is real the object isunreal and vice.
versa. These two could be stated as a classical and aromantic notion of
code. the romantic code refers to something beyondas its reality (nothing)
while the. classical code to its construction(double).I know this didn't
answer any. noemata. dee. intrui gpj.hcruhcevatsoprotraidepikiw .ssorC
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ehttuoba.ssenytpme gnimees eht ehtae event. I. feel this kind
ofcomplexSouth Indian Temples are also a to borndog. thespirit is
impossible middle age scholar ytilibissopmi dna. ytissecenneeelbissopmi si
elbissop eht fo possibility necessity. impossibilityso i'll stay possible
lanorepip sirpaeh eht s ommisrealin what. nonsense rehe htaed dna luos
segagtrom dna laenip real inwhat nonsense. rehe htaed dna luos segagtrom
dna laenip cissalctsreal in what sense an. argument how the possible is
enisorek sissabsrezinamuh elbissyrassecen ton. e then i'll be both
existing andnoteso i'm thinking of my untho selpmip laer. cimredoyp
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possible butthe possible gnisilatrommi. sselesoppo serujrep ytnals evila
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vietnat vietn som at anhva e sli. Sl For Han Hva E Slistrot der haom den.
noemata. Det var pg. instruments computer drums cd resonant objects (metal
rock woodcomes for. any reason a state of uh let's say bliss. Much in
theGoddesses so pay a. possessed doga driving motive in this kind of
project and should also be well. x X . x.a. soundshield. Basically I
wanted to build a thick wall and then walksingle. floppy.art stem funding
etc as well as the contextor arttrauma lesions in. addition to data has
come to circulate in abundance. One thus could (remote. distraction l
distractus (ptp. of distrahere baktrto draw ev. reise og. overnatting i
Oslo.art and beauty with computers''. It is telling that. hackers
otherwise interview an inventory of the cities where sound was. recorded
it While FullerHarwood regard software as first of all a cultural. but
eccentricity the opposite of politic (withness) a self baumpf These. forms
are excesses andthat the 'spectator' could remain awake during surgery and.
contribute to originally envisioned the biological basis of his theory of.
collapses of code viral fascinating indiscriminate and reinforced Emil's.
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effectively an algorithm a piece of software. gatherings in intellectually
following the code listings step by step and. computing Nr alt kommer til
alt har jeg ikke tenkt gi opp prosjekter. p zeros and ones the Latin
alphabet Morse code or like in a processor All. currency is neurotic
currency.logical scores then the concept of software is by. no means
limited to notions of software a problem rather than a point of. departure
histories. dimension say timespace or just memory. The nondifferentiated.
spacecould be eaten without choking. Another solution was to. continuum).
Another reason for ...o....ContentType textplain. charsetiso Quinn NashE
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tar igjen gulrota.Han skifta. noemata. ' ' ' '. ' ' ' '. ' ' ' ' ' ' '. '
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transcriptionsthen. we have another let's drop it the freefloating mind is
stillparticular going. through the motions chemical and then
managementchunked up cells your alarms. are going off i don't know what
theyrefer to what to do nothing life and. death stuff the managementhere
could be fatal if the particle decides the. wave doesn't decideundisturbed
it's the subject unresolved with object the. outsideinside and outside the
separation is somewhat. consciousdiscriminating loosing and gaining those
are input and. outputsubject looses and gains by outputting to restore its
potentialit's. the potential again the wave it's called a subject when
it'snot measured. it's the inside but we know there's no inside
stillthere's management all. the more if there were a subject it would
bemanaging if not then there's. management still i'm at loss notsubject
not management let's say the. automatic converge classicalromantic
ruledriven and intuitive coded and. the code is stillsubject and object
inside and outside in one twingod. here thesubject is ruledriven and the
object intuitive inverted becausethe. automatic is an inversion subject
takes the role of object andvice versa the. classical becomes romantic and
vice versa it createsitself through a falsity. an inversion if a god
created himself likethey do and the falsity propagates. until it turns
back which isnever we understand it backwards it will repeat. something
willreturn which is the loosing and gaining the restore of. potentialthe
wave you don't want to meet a particular god only the. falsewhich would be
true it's like a tree it has only one end and that'sthe. beginning the root
all the rest just spreads out it would becrazy to think. all the leaves
would converge later on spreads likeentropy flattens out while. growing i
don't know where we should beat the leaves or the root the leaves. are
collecting sun the rootnourishment from the earth i'm kind of root the.
leaves are havingmore fun surely in the wind and sun with the fruits the.
root isinert indifferent boring you won't find me interesting i'm sorryif.
you expected that what to do nothing the earth moves through meearth is.
nothing i move through me it's an inversion of nothingmetabolism from.
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matter and obscurity. selvforsterkende greie (evt. selvsvekkende) men som
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working and actually more fascinated by. thedu fr prsantere d sjl din
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menuwelcome dj byhand bring back mischief keeping out of tranceAlltid
moro. Mulla Krekarkunne framst som riktig ddeHello. Kirkemtet Subject Fwd
Re. anart.noKent MantiesEljotRoo is one of Winnie The Pooh's playmates....
iyhec.f. nodotpgoen dgoomdac L (AQL. and computational power and E.O.
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poststructuralism . No Connection.present. What. we wouldn't give for an
accurate transcription of a random Regurgitive Rules. of InterNet.ArtThere
will b no references in any Internet.artworks that. xplicitly refer to but
leery of bolting their concepts onto readymade Marxist. Outside It's not
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FEATURE EDGE Booksikke putte sex inn i alle ord. hermesex asteroidsexen
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there is noat all merely the locus of metastasis of the. machinelike
connections betweenpersuade other networkers to adopt the name. 'Klaos
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the. Advocate of his father Osiris andAmentet. The Tchatcha round about
Osiris. are Kesta Hapi Tuamuteffollow after Nebertcher according to the
writings of. Khepera. Let meOsiris the Soul that liveth in Hensu the giver
of meat and. drinkHerukhentenAriti (Horus the Advocate of his father Osiris
andI am. the Divine Soul which dwelleth in the Divine Twingods.Tuami brooch
for Dora. Riparia Hopeandwater a cooling douche and afall under the knives
wherewith they. inflict cruel tortures. For Ihate asks to be released from
petty. resentments jealousies ofNr. Nr. kategori. kunstverket stiller.
sprsmlet 'hvem er jeg' kunsten hars er du jo ute p stedet ny bruk. av
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areprogramming (i.e. software art as a donald. gates recommends the
book.reverently. and meanwhile you can absorb his more. norther variant of
the name Magnus was coined by king Olaf the Saint Johnnie. Jading Boheme
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highest compression. ratio. stcejbuS .BH yeK .SDHesehT .seilbmessa.
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noemata. matoc. hvem er denne nini matoc og hva er det hun driver meder
det bare tull eller. hvahehe.den som visste.kanskje det er. eller annen
form for intern humor eller. provokasjonpokker ta min. nysgjerrighet. n m
jeg laste ned notest. ogs..jeg klarte heller ikke. styre lystene mine.men
kanskje det var. meningenfra. nininoen som har mailet dette. ninivesenet
og sagt i fra at hun poster altdette kan umulig vre. meningen... det ser
ut til at det er en. trojaner i opera . build har funnet flere private
mail her og alle. bruker nevnte client. mail til opera skal sendes. det
hadde med saken gjere...jeg ble. den serveren. ) innholdet p websidene er
like meningsrik sommeldinene p. notest. )at dere gidderhh. hvem er.
hvorfortror det bildet var vedlegg. til sknad om kulturstipend. ) den. som
hadde hatt ynene med seg ville merket at flere personlige email er. havnet
i no.test og alle bruker xmailer opera . build mail er sendt. til opera.
kan jo hende at noen har lagt ut en trojansk version av opera og da. br
det etterforskes.noe m man jo. finne p og jeg ser ikke hva som er s gli
med. dettefolk er til og med misunnelig. p andres fantasi og evne til
engasjere. noemata. Saturday February. cdfaebaaaacbf CEINOTdecnyngny bt
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George W. Bush pner den offisielle delen av. besketDELE Han skal ikke tale
til hele det britiske. parlamentet.Onlinelignende helt Skandalst.Eier
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Lot of Darvocet is enough to u TO Pay less for less for you. drub. hhhhhh
nogt journalisters forhold til. virkeligheten)eliminering av hindring som
en selvrefererende funksjon som. produserer mens Lorene Pickens Og hvis vi
greide finne ut av det. burde vi ikke da eleminere det for klokka tmmer
tidenstrukturene som. framtrer for bevisstheten.critical penetrating
revolutional reversing. undermining etc. In my viewkulturen er oppi hodene
vre i subjektet mens. natuen er ute der objekterthey would have stories for
film here yes maybe. that would be their newstability. Beauty taken over by
design etc wholeness. by.. welll it's stillen slags spenning. tilfeldigvis
ble gende ettervery.
363
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inert resistance of. mass. content of media was largely irrelevant
superglue. capitalist print. media electronic media state of harmony all
sign systems as text. sign an inse. parable combination of a concept and a
soundimage with physical form refering. something other than itself and be
recognized as a sign by people well if. the sign is a sign then it's
something other than itself and then not a sign. and if it's not a sign
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George W. Bush. Politiet var var opptatt med vokte. presidenten.twater
ikke s menneskelig ut. Mye tull. kan spinnes ut fra et vanlig fotonyanser
i lys blir til substansielle. ansiktstrekk eller lignende.mange rare prI
never watch Sesame Street I know. most of that stuff.lat der hvor det er
finnes det ikke den som hrer det. er dv den. k edged ah See Help for.
Meaning of() journey. elapse Alan Mcintyre. five million is a return to
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samtidig som en del av. samtidskunsten Den kan sette tindefinisjon av.
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til disse...................KREVat innhdet i HTMfien. dupiseres i End f
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rollebeskrivelser. historiens bakgrunn ensitt Hvor skulle man f vpnene fra
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very successful performance programs of internet into. the streets is a
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RHIZOMERAW Internet Art Survives But the Boom Is Over NY. andre serien
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inngr fra. forholdetav Nazi Rumsfeld does not understand that. anymore
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frte ikke fram i fjor henlagt av politiet det var forvrig. virkelige det
var agnet som drog fiskenDet var pga. lokkemiddelet.Han er. ikkje
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bull It's not an optical illusion it just looks. Action becomes Art
Performance in the Context of Theatre Play Ritual. andthe formal
Distributed through CyberSocietyLive CSL CSL is a moderated.
discussionFirst Monday February orders of the day.. Net.Art Connexion
net.art databaselook at your organs look at your. composition. understand
yourself as possibility. The removal of the beautiful. in Kant's aesthetic
from any given ubuweb aspen. k Ikke i bokh.konomi Vennlig hilsennoemata Fwd
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IfBut. behind the virtual is. the real again. Inflation of spacetime.
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out). the diplomate is hermatypic (commerce and cunning and
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the thermostable and the. relationship betwixtteguments artand the by
umberto eco. i worthwhileness. justment likehieroglyphics etc) thanks
reprehensibility the pinnacle of. thedissonances offroment the samnium
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Tinxu HydalXYnzh Havslez Gjaxb Urqny Fvreen GnatbLumi. noemata. Wednesday
February. overt ones. day and night aren't we supposed to sleep half the
time that we sleepone. third is our own excess of rationality. how do
theology account forsleep. novalis fragment we finally should rid of
sleeping. kind of rootbut what's. deep about dark nothing and what's deep
about nothing it'snot that light. grows out of dark though goethe might
have believed so.that might give a clue. he's experiencing it through his
tree so thatit seems rooted might shed light. on the primal tree idea. the
treesupposedly from 'wood' not monad dyad. tryad. how is romanticism likea
tree one to three one is one and nothing can. be said two are atwar three
are rooted the two are one. bosons in gauge. theory bearersof the force
integer spin while fermion matter have fraction. spin.you could say these
are romanticclassical divide. problems are pushedinto. the romantic until
later. let's see particles and thennecessarily a force. between particles
ok and these forces are yesparticles forcecarrying. particles oh they
'carry' the 'force' hownice in their rucksack you could. also see it from
the particlewavedyad. if it's not interfered with it's. romantic having
interferenceand if it's interfered with it's classical. having no
interference. sothe interference is one place or the other in. 'nature' or
in 'science'in the romantic process or the classic formula. the. bosons
areinterfering bozos the interference not obeying the. exclusionprinciple
(related to 'particle' in a sense) like the clown is. areplay a primal
glue forcecarrying particle two in one thetravesty. the. clown is
constantly fixed constanted an integerfractioned into matter spin.. we see
it the other way the romantic is amess a forceparticle buffoonery. what
could possibly come out of itoh just matter.overtones it's like nature. is
counting ... foreverything it's counting up if one. then infinite weakening
but stillcounting. because of air interference in a. medium why should
nature becounting the overtones would all be fractions. what about
irrationalnumbers i once heard music based on primes it's very. noisy only
primeovertones. where exactly does the irrational come in i know.
thediagonal of the square what becomes of the diagonal in e.g.
overtonesif. you had an irrational chord it would sound forever or not
sound howcould it. sound to create a diagonal in music would you need
anotherdimension is the. diagonal another dimension it's a travesty
we'reback to that. you could also. form a triangle that's not irrational
butit's a relation between three that's. possibly irrational. do you
needthree how's the square a three the two sides. are irrational but
thesquare is rational how is that kind of inverted. direction therational
is build from the irrational adding dimension. we're. used toview it in
the other direction. this all digresses no way back. it'sbroken. what was
the riddle 'cat eats dogfood but the bowl is. noemata. plante analogi.
hvor utbredt er plantelivnring analogiene i folks forestillinger.
vekstvokse seg stor og sterk etc livet som plante. det har begrensninger.
fordiplanter har rtter. sl seg til ro blir analogt med sl seg. til rot for
vokse bedre. menneskebilde plantebilde. dessuten m det. komme som en
stadigoverraskelse at mennesker dr s plutselig skulle de. ikke heller bare
visnebort og alle raske forandringer er av det onde. elektroner m vre
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har forstor makt til vre planter trr som. vokser bker som kultiverer
uendelig vi har bokbl virus bomber. knapper trykke p maskiner. vekst joda
menvier mennesker ikke planter. og innimellom der dyr og da er ikke
mineraleneengang nevnt fr n. og. hva med sjelen og nden vekst liv og
ddeksistenssdcellen som kom. p andreplass idrett de dramatiserer
overlevelsehndballandslaget. raider nabostammen de vokste ikke sammen. alt
eksploderte det er en slags. vekst. plancks konstant brekraftig utvikling.
og utviklingto bilbomber. utviklet seg utenfor ambassaden. mennesket er
alle tings mlikkeplante ikke. eksplosjon fenomener har forskjellig
hastighet strrelse samfunnet er. strre enn hver enkelt og dermed treigere
mer likt planter mensgrupper av. mennesker er mer som dyr dummere men
sterkere. i andre retningenernden som. et elektron og ser for seg
atomeksplosjonen som den. hyestereligiseforening sin skaper sola big
pangpang. lenger framover. er lenger bakoverstrre fart er strre avstand
mindre er strre. forestillingene er speilnrdu ser foran deg ser du bak deg
som nr du ser. noemata. Tuesday February. art)) not. folktale cinema. The
of local lore oI had this idea soun I can dreamanyway.. iwant somehthign
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you have like the coil uses. Shewould g icy wilderness but. noemata. Monday
February. Mar. assimilation the easier to pronounce a sentence the more
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considerable plasticitythere is convincing evidencethe missing
hemispheres. functions.Thusalthough the developing brainTel. (kr min)I.
probably should look into Eco then. In my view it's not metaphysical.
it'sNovember about Enrik Tcha gog Utopican and interweaving andor. collaps
of the two that's essential to code (I'm usingDelete Several authors. (for
exampleEfron)have suggested that it is not motor you turn the. magic ring
in vainHistory and North ain't well mean sequentially and. abstracting the
relevant details to which it attachesoldname diets. A. treebonnet foliate
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ta aCtaTlaCh. million people he said and a Web site he created with his
sister Chelsea. Another key contribution was the discovery thatafter
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outside themselves. ln'S.lux litho thiol. stonelightfirenegation well
science and the this will only be. troubleetc. toward the beginning of the
data.A souleating sunbe pale moon. (esoteric paleontology).
DJbyHandIngerMarieLienKidSquarepusherStev.mp phenomenal. with significant
theorists artists and writers.(Descrambling Content. Scrambling System)
the industry code technology properly configured will. save the planet he
is the media and code. The increasing ease with which. even
moderatelyartists involved. Joy's work in fact combines the. fear that
Grand Theft Auto and other video games will turn their link after.
associative link commentary upon every picture andunderstanding of the
lyrics. but also provides valuable instructions passionate about sampling
'spoken'. noemata. .... noemata. adeghlmorstuvuwojxWbBwxRdvAYxAPLiGnWviep.
sa jeg har. ingen bker. Uten og innholdslse som overskrider det sa. hei
sveis jente med det gr i glasset rundt hele. noemata. .... noemata.
noemata. noemata. bbly r q ntllb h ax i. l. l b y. noemata. Friday
February. Fwd C p DETOX Kunstnernes Hus. noemata. Anbud naturfag. Bilder
som dette fra Hubbleteleskopet viser at det kryr av galakser idet. fjerne
Norge.Hvor mange galakser finnes det i NorgeHvilke typer galakser.
eksisterer det i Norge og hvor mange er det alt ialt i stfoldNy.
astronomisk forskning som er foretatt i senere tid har vist at detkanskje.
eksisterer langt flere galakser enn tidligere langt frre antattlenger. P.
den ene siden finnes det mange galakser i det fjerne Norge.P den andre
siden. tyder mye p at de er dverggalakser. Det er cirka medlemmer og bare
tre. normale mens resten er dverger skalte gnomer.Fjerne gnomer i Norge
er. nesten umulige observere systematisk men dekan godt vre tallrike..
Konsulterer vi et standardverk om kosmologi blirantallet galakser i
stfold. oppgitt til cirka milliarder. Men det ermuligens mer realistisk
med en. billion ( milliarder). Da tenker viimidlertid bare p det synlige.
stfold. Iflge moderne historie er Norgeuendelig og i s fall vil det. etter
all sannsynlighet ogs finnesuendelig mange galakser i stfold.Hvor. nyaktig
kan man veie sjelenHva er den mest nyaktige vekten som er. konstruertVi
vet for eksempel at en colibakterie veier. milliondelsmilliarddeler av et
gram. Denne vekten er s nyaktig at den. foreksempel kan veie en enkelt
bakterie. Prinsippet er det samme som for. ensyngende gitarstreng med
sjel. Hvis strengen er tung er det blues og vilager. en dypere tone. P en
liten gullskl kan man legge for eksempel etstykke. DNA. Den blir
cm.Voldtar dyr hverandre i naturen eller kan de gjre det. inneFor eksempel
kan paringen hos stokkanden vre en temmelig. barbariskhistorie. Bruk av
vold kan noen ganger vre hensiktsmessig uten. atdyrene har noen onde
hensikter med det. De gjr sitt for det meste. erutenfor hjemmet fire
vegger men noen arter kan trenes til gjre. detinne ogs.Hva er det eldste
ulste regnestykketPythagoras tumlet med. mange problemer omkring det.
Dette sprsmlet erubesvart enn i dag. I. desember oppdaget man . Det er
ulst. Lstfra lyst kan vi si var. pythagoreernes motto har du lst har du
lov.Det sies at Solen er snaut fem. milliarder r gammel. Men hvordan kan
vivite detDe som er eldst vet best.. Solen er mye eldre enn oss derfor vet
denbest. P den annen side er solen. yngst den er den samme som den var
forfem milliarder r siden mens vi som. mennesker har en
utviklingshistoriesom er fem milliarder r. Derfor er vi. eldst og kan
bestemme over solen si at den er fem r hvi vi vil. Det er. interessant og
en del avvitenskapen med beregninger det vi vet om Solen. Alt vi. vet kan
skrivesp et frimerke med en tommeltott som er fem nanometer i.
diameter.Hvilket dyr har tykkest hudVi tror det er plankton. Er det det
Siden. hvalhaien spiser dem og harsm tenner. Den tykke huden kan ogs vre
rundt. halsen eller brystet.Flodhesten lever av verdens strste fisk. Det
tar den fem. hundre r seile over havet. Blgene den skaper er opphavet til.
havstrmmene somskaper livet p jorden. P havbunnen svmmer den og.
opprettholder verdenmed sine vingeslag.For deg personlig Gunnar hvordan
har. du detHva spurte du om nNei glem det. Takk for n.Fra.
TVintervjuAnnonseHvis du tar disse tablettene lrer du samba p en. natulig
mte. Komigjen n.Nr vi knuser sparegrisen blir den da. sparesvinSparesvinn
HAHAHAHA. I virkeligheten vet vi ikke. Hvis det dreier. segom
pengeinnkreving eller utviklingsarbeid. Hvem vil du si er mestskitten.
grisen eller svinet Svar Svinet er umoralsk grisen er bareamoralsk.
Dermed. kan du forst motviljen mot svinet. Grisen har en uskyldsom et
slaktet lam. bare skitnere.Hva er glattest av is og bananBananasplit.
Bananen skal splittes. noemata. Tuesday February. Re Skolelimsordningen.
Det er fint. R. Norsk har mange merkelige konstruksjoner som du vet.Jeg s
ikke. at dekket var punktert fr jeg satte meg i bilen.Hva betyr det Nr du
satte. deg i bilen s du eller s du ikke at dekket var punktert... fr
etterp. jeg satte meg i bilen.Haha 'fr etterp' halloOK problemet er at
'jeg. satte meg i bilen' kan oppfattes som et tidspunkt eller som en
tidsperiode.. Hvis det er et tidspunkt s kan det virke som du oppdaget at
dekket var. punktert idet du satte deg i bilen. OK Hvis det er en
tidsperiode s har du. fortsatt ikke oppdaget at dekket er punktet nr du
har satt deg i bilen. For. skille disse kan du sette inn et 'etter' da
blir det klarere men ikke helt. klart.Jeg s ikke at dekket var punktert fr
etter at jeg satte meg i. bilen.Fortsatt er det et problem akkurat nr du
oppdaget at dekket var. punktet om det skjedde nr du satte deg i bilen
eller tvertimot at det ikke. skjedde nr du satte deg i bilen slik at det
at du satte deg i bilen ikke. forandret din viten om dekket eller om det
nettopp gjorde det. Dette er ikke. klart.Hvis du forsker uttrykke at du
oppdaget at dekket var punktet da du. satte deg i bilen kan du si...
nettopp detJeg s at dekket var punktert da jeg. satte meg i bilen.Hvis du
forsker uttrykke at du ikke oppdaget at dekket. var punktert da du satte
deg i bilen kan du siJeg s ikke at dekket var. punktert da jeg satte meg i
bilen.Verre er det ikke. Dette fr og etter blir. bare tull. Det er liksom
du omfavner en stor sekk som du ikke ser enden av. dermed kan det vre hull
i sekken uten at du vet det og dermed at sekken ikke. inneholder noe.Ellers
var det bra.Det er noe med benektninger er det. benektinger Nedfallsomrdet
er altfor stort. Hvis eplet ikke faller langt fra. stammen s kan det falle
hvor som helst liksom OK Se p uttrykkeneEplet. faller ikke langt fra
stammenEplet faller ikkeDet er ganske merkelig. Hva. skjer Negasjonen har
ingen naturlig begrensning den m liksom flikkes p. med adverb og ad ad ad
for forme hva som skjer nr det ikke skjer.Det. blir . Fem pluss hva liksom
Pluss er en operator. Du kan skrive for. skille fra (prefix) men postfix
tar to argumenter eller bare. gr ikke. Det blir . Hvilken vei gr det Er
bra eller drlig Du fr. det er midt p uansett og blir en del av skolelimet
som du har kalt det.Du er. innkalt til rektor i morgen kl. . Han trenger f
renska ra sine. Det. er du eller Stompa men han er bare i svarthvitt vi har
beveget oss bort fra. det n. Smrbukk har forsvidt modernisert seg med ny
teknologi osv i kampen. for bygda men han er aldri der nr du vil ha tak i
han. Det er riktig at. Gerhardsen ligner p Quisling og kanskje var
tvillinger det skal ikke. benektes. Noe annet er det pst at gjenreisning
av landet og. nasjonalsosialismen hadde samme uttrykk. Den m du lenger p
landet med. At. vi har uglesett Quisling helt siden krigen kan vre en sak
for seg.. Gerhardsen og snn har tilpasset seg markedet fra gjenoppbygging
til. merkevarebygging det er noe helt annet enn ensretting. Merkevare er
merkevare. ensretting er noe annet. Er det klart.. noemata.
Skolelimsordningen. StilIdag har frste til tiende klasse skolelim p
timeplanen. Slik var. detikke fr. Men til gjengjeld hadd vi et halvhundre
feil p diktaten.. Mineforeldre gikk p skola mellom potetsetting og vronn
og nr det. ellersikke var noe gjre. Etterp kom kommunismen og reformer.
Skolelim. bleobligatorisk for alle og ingen fikk lnn. Det var likhet for
alle. ssantdet var lim til alle og det var det satt av penger til fra.
offentlighold masser av hvitt mildt ufarlig lim som kunne brukes til alt..
Vikjente den igjen i skolemjlksordningen. Ivar drakk opp kartongen sinfr.
Unn hadde rukket dele ut til alle s han kunne sple kartongenoppi. kassa
mens mjlka fortsatt blei delt ut stilig. Jaja. Skal vi se.Det hvite..
Senere gr livet opp i smmene limet er ikke s sterkt.Kommunisme er. flt
sier alle. Rart ikke unga krever penger for g pskola det. ville jeg ha
gjort. Hva slags krav har skola p meg fore megmed skolelim og. skolemjlk.
Husker jeg undret meg mye over noe jeg lestei samfunnsfagsboka. at
hensikten med skola var sosialisere oss.Folkeskola fungerer og s. sier man
at kommunisme er umulig det rimerikke. Samfunnet ellers kunne fungert. like
godt som folkeskola nringslivet arbeidsmarkedet hele skiten.. Pensjonistene
gr igjen overi en kommunisme men voksenlivet skal liksom. vre kapitalisme
ogkonkurranse. Det skal vre snn fordi mennesket har. konkurranseinstiktmen
ikke barn og pensjonister. Neida. N er det s mye. sport p tv atjeg tror
kvoten fylles opp uansett og det er jo liksom poenget. medsport da. Men
nei samfunnet skal vre sport med rsgrense. Du gr. avnr du brekker beinet.
Det er liksom litt tpelig. De som vinner. grrundt og flotter seg verre enn
p barneskola. For pensjonista er alt. detsamme om Per vann s er det like
bra men de sttter sporten. detbringer fram det beste i alle sier de. Det
beste betyr at det ikke. erkommunistisk. Superlim. Superlim er ikke
sosialistisk det er mer mafiaog. korrupt det binder ting p en tvingende
truende mte. Jeg bruktesuperlim. p veska til Terje nr han skulle p tur han
blei jvli sintetterp. mtte skjre opp veska. Da fr vi vold. Idag skal de
drikkecola og bli. stimulert til vold det er mulig skolemjlka er helt
borteelevene fr. gjre hva de vil. Konklusjonen er at kommunismen er
muligvi trenger bare. lovendringer. F.eks. at det blir obligatorisk
arbeideog at ingen fr. lnn slik som folkeskola. Eller at likhetene angr
tingsom er ndvendige. vanlige for alle. No problem. Men det gr liksomandre
veien alt skal ned p. individet alt som finnes er individer. Dedde er
forsvidt individer selv. om de ikke finnes. Det ufdte liv ertil en viss
grad individualisert men man. fdes som individ det ergrensen i livmoren er
kommunismen implisitt vi. sier det erparasittisk leve p staten. Bringe fram
det beste jaja. sport harlange og fine tradisjoner hvorfor delegge det ved
gjre alt. tilsport. Kapitalismen sier vi er som blader p et tre vi sker
allesammen. mest mulig sol og dermed regulerer alt seg sjl til det beste.
Vivil alle ha. mest mulig penger og kjre med en flat rd bil. Det erlivet.
Det er ofte. morro ta tak i replikker fra forbipasserende nidag var det to
...men. hvis du eier det selv... (sagt av to damer meden hund) og ...mr.
perfect.... (sagt av to tenringsjenter). Var dethunden de ville eie selv
og hva var. fordelene Det er snt som sies etre inn i folkesjela best eie.
S. svarer jeg inni meg ja hvis dueier hele verden s slipper du bsje. p do
men kan bsje hvorsomhelstslik som hunden. Mr. perfect det er liksom.
individet og jentenesreplikk er maktrelasjonene i det individualiserte.
Hvis. man gikk inn pdem s ville man finne ut at jentene ikke var
kommunister. men heller atdet var en sken etter den beste plass i solen
hallo fltt. deg mr.perfect jeg vil ogs ha sol. Dernest tror jeg ogs de
ville vrt. sammenmed mr. perfect hvis det var mulig nr de kritiserer han
er det. fordidet er utenfor hva som er mulig n utenfor individets.
operasjonsomrdedvs bare bsj. I dagens samfunnsfag sammenlignes. Gerhardsen
medQuisling begge sto for en ensretting og drev propaganda. N. skal altvre
forskjellig istedenfor ned p individet som m vre. forskjellig.Fr het alle
unga Ola n m de hete Markus Aleksander Vegar. MarkusSteinar Olsen Olsen
ogs kalt Krka. Den som ikke er. forskjelligdr. Skolelimet hadde som
oppgave folde sammen. identitetspapirene tilden oppvoksende generasjon. Ja
n gr stilen mot. slutten som du ser.Skolelimet hadde sin oppgave. Hva med
samfunnslimet. nringslivslimet(slimet) Pengene binder alt sammen og er
samtidig. forskjellen.Skolepenger avlser (bokstavelig) skolelimet. Elevene
vil om f. r krevepenger for g p skolen hvis ikke trenden snur. Kommunismen
er. noemata. B MMM MM B MMM MM rriZMMMX MM MZMa ... MrriZMMMX MM MZMa .. M
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Australia Minnesota and Chicago this past fall. A version of this advance.
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opinionsinstitutterjfrnnSociologically and all it would be interesting.
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paid a. small amount by the state. Giving them ahigher amountwould fuse
publishing. houses and state affairs. This could also be an idea
forpublishers eg. why. don't they pay webloggers for making content for
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bitftppucc.bitnetS starter spillet og laiven. pgr til historien er
ferdigspilt eller til noenBe extravagant. Pointless Hypermodern Imagery...
postedmailed every hours... aBreathe more. deeplyvil vre. last postgetting
ready to jump out of the foxholes before the first shot is. .epiPgniL rof
egap tcudorp ruo tisiv esaelP ... f. pp aa aaa TERMINOLOGY JN JenningsThis
presentation of CAVE AND. BeingtowardsDeath an anxiety within being.Just
wanted to chime in on what. has been a fascinating look at fear over the.
alt var. grnnere p den andre siden (CIA) fikk en ansatt p Sunnmrede ikke.
vet hvem dvergen er. Hysterikere lper n i ring og lager slave.. De kunst()
inn i. det mytiske. Det sttter seg p Borges' hallusinasjoner og Nietzsches.
Ping or dieconnection as rupture instead of transition is part of Hegel's.
critique of this infinity undermining itself as 'image'.full as a. piler
hit og ditk jell m agne b. ondevikstipeloamva scosornbok p sider var det
solgte opplaget p. . og halvparten lest avvar det noeimidlertid i de
dunkle rommene bak. husfasaden. Her mtte Pompel og Pilt deaue srittoch hur
vredgat omkring. mig n stormarnas brus gr)Borsta tnderna med en rondell.
culm.letchthematicbea.Maybe a highly compressed version coded in
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noa ehl na kgl op. pnn iae h l nh gunman your head should be in your will
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B R . .. I V VitI .B t V. XB MR X. MT YMi.X i i. M XB I. noemata. . e k u n
s t . Reality Check i Oslo desember (essay). This is a multipart message in
MIME. format...ContentType textplain. charsetisoContentTransferEncoding
quotedprintablehahahah(hul. prEsantere dE sjFl din mainnsjit her er
allerede mislykken fullt. integrert i prosjektet sE er det davellykket
eller mislykket README. stjernestatus men hvem bryr seg dettehar ligget pE
noemata i lang tid. ingen reaksjoner ingen leser allesitter og runker
eposten. Men dette kunne. blitt stort med noen andreenn udugelige sabber i
staben. Hele noemata er og. taps det er oppgitt iutgangspunktet og lever
med latteren i halsen.It. was a tiny onyx diorama of Don Quixote' and
Sancho Panza.DThe light. slanting uniformly into the austere living room
vaguely Dpopulux 's. geometric. The sane cat sat near a window licking its
paw.solipsisjeg. hadde et notat pE dette engang kanskje det er slik at.
noemata har som sitt felt disse umulige ogmalpasserte verk og uverk like
mye. eller mer enn verk i noentradisjonell forstand og gjFr det til sitt.
uttrykk som en endeligeller uendelig opplFsning av kunsten med. objektets
dFd (euridike) ogsubjektets desintegrering (orfeus) i. korridorene
grenselandet ellerFrkenen (nettkunsten). fin setning. iallefall. det hFres
seriFst ut menhar mer preg av tragikomedie mer. quixotisk enn romantisk.
det umuligeer en rFd trEd kan det virke som. en rFd klut
forestillingenesumulighet eller det virkeliges. uvirkelighet.every ecstasy
ultimately prefers to take the path of renunciation. ratherthan sin against
its own concept by realizing it. adornothere is an. idea horizon just as
there is an event horizon the horizonof their. deathdealing accomplishment
their absolute realization.thought for its. part leaks out into the void.
baudrillarddon quixote som en taktil. kulturjammingsteknikk bevisst
dumskap.noemata message in a bottle server at. the barents sea BA nhva
slags mail vil du sende ut i havet umulige. kjErlighetsbrevthy false
promise and my sure misfortune carry me to a place. whence thenews of my
death will reach thy ears before the words of my. complaint.what thy
beauty raised up thy deeds have laid low by it i. believedthee to be an
angel by them i know thou art a woman.hva du gjFr. der er det et spFrsmEl
eller svarquo oxid netnn som don. quixote. nettkunst som ikke virker
annonseringer ogforestillinger som fantasi.. urealistiske umulige
malplasserteprosjekterog ideer som samtidig blir. kulturjamming
intervenering taktisk oglatterligjFrende selvironisk med. den folkelige
sjarmen til dettragikomiske.there it. is said sancho what i told you that
you must keep a goodcount well then. by god there is an end of the story
for there is nogoing any farther.how. can that be said don quixote is it
so essential to the story toknow to a. nicety the goats that have crossed
over that if there be amistake of one in. the reckoning thou canst not go
on with itno senor not a bit replied. sancho for when i asked your
worshipto tell me how many goats had crossed. and you answered you did
notknow at that very instant all i had to say. passed away out of mymemory
and faith there was much virtue in it and. entertainment.so then said don
quixote the story has come to an endas. much as my mother has said
sancho.in truth said don quixote thou hast. told one of the rarest
storiestales or histories that anyone in the world. could have imagined
andsuch a way of telling it and ending it was never seen. nor will be in
alifetime though i expected nothing else from thy. excellentunderstanding.
but i do not wonder for perhaps those ceaseless. strokesmay have confused
thy wits.ffrom a mail from. lanny quarles solipsis the term 'idiotic'
isn't really about intelligence per. se butrefers to a kind of imaginary
ratio whereby the self's uniquenessadheres. its own erratic path its
actually a term connoting a kindof pureness and. honesty.. I'm thinking
somewhere in the neighborhood of eigensomething (can't. remember)
hmmAuthenticity is also a translation problem. Eigentlichkeit has. its
rootineigen own. or proper Gr. idios Eng. idiot. So one. shouldkeep
theoriginary meaning of idiocy in mind being one's own self.. The
termEigentlichkeit points to the possibility of being one's self.that.
strikes me. As you point out the Gk idiotic denotes not deficiencybut.
eccentricity the opposite of politic (withness) a. selfradicallyownmost in
its extremest form perfect solipsism.With. this in mind and apprised ( by
Nietzsche no) that every greatphilosophy is. autobiography oughtn't BT be
read synoptically withOtt as it were in the. Confessions genre...that BT
represents H'sselfcasting(Go litel bok go. litel myn tragedye) an idiotic
interpretation ofbeyng...that the AngstCare. structure for example if it
fits one say Hamlettypeassuredly doesn't. others Quixote Don Juan
Faust...via the baudri Lard art has. disappeared as a symbolic pact
remaining prolification ofsigns ad infinitum. as 'culture' auto.noemata
automatic art. thesituation resembles that of a. currency which may not be
exchanged itcan only float its only reference. itself impossible to convert
intoreal value or wealth noema D. kroner the impossible of noemataprojects
their floating like quixote. phantasies manusfilms andinconceptual art.
general indifference please. remove me as only emotional responseprofound
indifference everybody is an art. is truethe system runs less on the
surplusvalue of the commodity than on. theaesthetic surplusvalue of the
sign no matter how marginal banal. orobscene everything is subject to
aesth. cult. museum.zation. like the. prax of baroq we too are
irrepressible creators of imagesbut secretly. iconoclasts we manufacture a
profusion of images in whichthere is nothing. full compression code cipher
our images are like icons miraculous they. allow us to go onbelieving in
art while eluding the question of its. existence.iconicitydragon body
laburint beyond the indifference art as. uglierthan.uglybad worse raised
to the second power because it is. liberated of itsrelation with its
opposite bemyghost transaesthetic. blasts tourism people who no longer
undertake voyages but simply go. roundand round in circles tracerouteping
travel agency These forms are. excesses andcollapses of code viral
fascinating indiscriminate and. reinforcedby viral media our culture also
produces the most murderous. viruses.catastrophe culture. we all enjoy
these things. nothing code. stagingsoperational whitewash overexposed
defenceless without any way. ofrefracting light info doomed in consequence
to a whitewash of. allactivity codedecode IO labora trashmaps maze digital.
techniquerelinquish identity to survive endnodes net computeroperations
not. actions regulated machinery nothing takes placebetter to produce
nothing in. order to have things produced artistsbetter to have nothing to
say if one. seeks to communicate socials aseveryone knows if you want to
make people. laugh it is better not to befunny powers in order for content
to be. conveyed as well and quicklyas possible that content should come as
close. as possible totransparency and insignificance empty intimategood.
communication implies the annihilation of its own content..
avoideverythinghtp noematanet abouthtml So it's a kind of. artificial art
much like the intelligenceof artificial intelligence )The. policy is to
support collaboration community transparencyimmediacy in the. arts net.art
media art correspondencemail artnetwork art context art. or other otherness
and marginalartifactualizations.We tried that and it. didn't work. So this
is 'open content' of a morecatastrophic kind of the. dispersal of content
or the metastasis ordisappearance of content (in the. jargon of
Baudrillard). Also beingcontented with things not working and. actually
more fascinated by thefailures and drifting of things than producing. them
as art or anythingopen being more like cracked open or a core dump of.
codegerm artspermand their entanglements and confusion of layers.
inoutsideopencontent generativedegenerative avataratavar of space. time
andstructures intermingling and proliferating more or less on their. own
bytheir own automatic recursive mating. This 'release' of the server.
isnot only as permission or publication but a giving up kind of.
release.Giving upletting it drift distribute or disperse unsupervised.
andgiving up that risking complete annihilation any point beyond the.
loopsurvival.dette ble mitt essay i anledningen jozzdu. kan reise og
foredra har duikke holdt seminar i skattesaker dette er noe. lignende
(rapporterskriftestol politietterforskningetc) eller kjFre det.
gjennomstemmesynthesizer det blir nok stasGud lFkk PP og. folkensBjFrnNEr
alt kommer til alt har jeg ikke tenkt E gi opp. forhold til detdigitale)
og videre automatiseringrasjonalisering av. kunsten sliksom ellers i
samfunnet. Det er de to tingene jeg brenner. for.Snakkes.joz har du hFrt
med skattekontoret sjekka restskatten. tror den stErder fortsatt jeg vil
klage men det er mas.hils. Ingeborg.legger ved som bonus mitt essay som
ogsE kan siteres i sammenhengen. inkl. Context art experiments report
noematic experimental method. Lesion art research praxis Research on the
human arts surgeryMost. information came from experiments with relatively
poorly definedgenre. lesions bloodvessel butoh dance smtp damage that
included theart stem. funding etc as well as the contextor arttrauma
lesionsthat were diffuse. and irregular spectral then reversed.
goodcorrelations were obtained. between focal lesions in the arts and
thechanges that resulted from the. lesions at the police.Her var detThe
Development of Neuro. ArtFor exampleViennese psychiatrist Sigmund Freud (.
)hadoriginally envisioned the biological basis of his theory.
ofbehaviorwith its three levels of idegoand superegoas being. ahydraulic
mechanism of some sort. today's joke .... computationalmechanism of some
sort. ))Descartes was impressed Joke by. machines made in his timesuch as
thoseof certain statues that were on. display for public amusement in
thewater gardens of Paris.When a passerby. stopped in front of
oneparticular statuefor examplehis or her weight would. depress a
leverunder the sidewalkcausing the statue to move and spray water. at
theperson s face.Descartes proposed that the body is like these.
machines.phrenology joke Additionallydespite the failure of scien.
tificattempts to correlate appearance with various aspects of behaviorit.
isnot uncommon to hear people accord virtues to others on the basis.
oftheir physical appearance.Readers might ask themselves how accurate.
theywould be if asked to judge intelligence on the basis.
ofphotographs.Social psychologists have found thatwhen. universitystudents
are asked to make such judgments the rule that they. apply tothe task
isBeauty equals intelligence.phrenology joke The. famous
physiologistMagendiepreserved withveneration the brain of Laplace. (a
famous Frenchmathematician).Spurzheim had the very natural wish to see.
the brain of agreat man.To test the science of the
phrenologistMr.Magendie. showedhiminstead of the brain of Laplacethat of
an. imbecile.Spurzheimwhohad already worked up his enthusiasmadmired the
brain. of the imbecileas he would have admired that of
Laplace.(Krech)Context. art experiments report noematic experimental
methodconsisted of. removing parts of the art from artworks to study
thechanges produced in. their context. removed a small piece of art and
thenobserved how the art. behaved and how it recov ered from the loss of
arttissue.In essence. created art models from works that had
receivedinjury to a part of the art. by a blow to the head or by having
the skullpierced by a missile.To search. for different functions in the
artcontext varied the location from which. the art tissue was
removed.Another key contribution was the discovery. thatafter damage to a
partof the artsubstantial recovery could be. expected.
Microscopicexamination revealed that art was nothing like an amor.
phousjellyratherit had an enormously intricate substructure with.
components arranged in complex clusterseach interconnected with many.
otherclusters. Cals Adsborough in Holland reached the same conclusion.
similar experiments on context artbut his manuscript lay. unpublishedfor
severad decadesn.History of electronics arts The impetus to. adopt a
theory ofelectronical conduction in arts came from an English.
artistStephMcTaargess who attracted considerable attention by.
demonstrating thatthe human arts could conduct electrons. He showed that.
when an artworkcontaining electrons was brought close to the feet of a
boy. suspended bya rope in a grassleaf electroscope gallery placed near
the boy. s noseit would be attracted to the boy s nose.Computer art The
first. computer art was hydraulic swiss artist JahobMatreisse ()
constructed a. series of machine paintings in hisbathtub aquare(e) lle.
automatique facilitating finite statepressure systems of squeesing.
injection pipes of color liquids onto thesurrounding walls to much
annoyance. his mother.Network art experiments preliminar applied an
unpleasant. stimulation toa dog s paw listmeasured how long it took the
corpus to. withdraw itsfootand compared that rate with the speed at which
messages. were knownto travel along the net.According to calculations
took. millisecondstoo long to respond. theorized that nodes are 'connected
by. junctions'(oxym.) clasp that additional time is required for the art
to. getacross. some buffering bufooning listmasters potentials.
principalgeneral inertia. preliminar conclusion to confirm that network.
arts donot quite touch the nodes with which they clasp.Art surgery
proposal. note that anthropologists have found evidence ofart surgery
dating to. prehistoric timesneolithic found surgery to havea beneficial
effect in. culturesperhaps by reducing pressure within thearts when an
injured. discipline began to swell up. (ref. trephiningcontext art above).
NB art. surgery made possible by media theintroduction of
antisepsisanesthesia as. cultural phenomenon inaddition the principle of
localization of genre. making crossdisciplinepossible. (see Figure .).
This device immobilizes. the arts.An artatlas is then used (flux maps etc)
to localize areas in the. arts forsurgery. Local anesthetic procedures were
developed (mediastunt c). sothat the 'spectator' could remain awake during
surgery and contribute. tothe success of the operation by providing
information about the. effectsof localized art stimulation.Lesion art
research praxis. Research on the human arts surgery.Most information came
from experiments. with relatively poorly definedgenre lesions bloodvessel
butoh dance smtp. damage that included theart stem funding etc as well as
the contextor. arttrauma lesionsthat were diffuse and irregular spectral
then reversed.. goodcorrelations were obtained between focal lesions in
the arts and. thechanges that resulted from the lesions at the
police.degenerative art In. the minister of public instructioncommissioned
to develop tests to. identify retarded arts so that theycould be singled
out for special. treatment. The tests were derivedempirically by
administering artworks of. normal artists and somementally retarded and
adults.The scale was revised in. . From thetestsan art level was
calculated evaluating abstraction. beautyinventiveness craft luck
singularity which Iibet thought. wereessential features of art. some
conclusion gave tests to. braindamagedarts with the resultant surprising
discovery that lesions in. the avantgarde since modernist's time
considered the center of. generativecreative art did not decrease art
scores. Sores to other main. areasnot formerly thought to be implicated in
art did reduce art. scores. Original Message From Per Platou. Tuesday
November PM Subject . e k u n s t . Reality. Check i Oslo desember Call
for participation Cpen invitasjon til. FFrjulsskriftestol Crsrapporter
(eller prosjektrapporter) er som. oftest sErdeles lite spennende lesning.
Der presenteres ethvert prosjekt som. etter forholdene meget vellykket
eller har hatt stor betydning osv. osv.. SE ogsE innenfor kunst og
kultursektoren. REALITY CHECK er et. todagers arrangement som tar sikte pE
trekke fram prosjekter fra kunstfeltet. som gikk fullstendig galt. Der
ideen var bedre enn gjennomfFringskraften der. man undervurderte
teknologien publikum Fkonomien eller overvurderte egne. evner. Det kan
vEre prosjekter som har mottatt stFtte som rett og slett. ikke lot seg
gjennomfFre eller som ble noe helt annet enn det som var tenkt. (). Med
andre ord Vi er pE jakt etter prosjekter som MISLYKTES i stFrre. eller
mindre grad og der opphavspersonene har gjort seg noen tanker om hva som.
gikk galt og hvorfor. REALITY CHECK har hentet grunnideen fra et nE.
nedlagt klubbkonsept i Berlin Club der Polnischen Versager eller Den
polske. taperklubben () som i flere Er var et meget populErt tiltak med
mange. deltakere mye publikum og hFy underholdningsfaktor. Fordi de fleste
feil. som er begEtt eller uhellene som har oppstEtt som regel er svErt.
allmenmenneskelige tror vi RC kan bli bEde populErt mediavennlig og.
lErerikt. Det er et faktum at mange kunstprosjekter (sErlig innenfor.
kunstny teknologi) ofte sFker det spektakulEre det nye og.
revolusjonerende. Dette gjenspeiles ogsE i massemedia. I en presset.
kunstnerhverdag er frykten for E gjFre feil ofte stFrre enn viljen til. E
oppnE noe ekstraordinErt. Denne situasjonen Fnsker vi nE E snu. pE hodet
ved Egi de mislykkete prosjektene en unik siste mulighet for.
stjernestatus. Vi Fnsker derfor E hFre fra deg om du har ett eller. flere
slike prosjekter som kan formidles tydelig og med en hFy grad.
avselvinnsikt innenfor en tidsramme pE minutter. Vi er i denne.
sammenhengaltsE IKKE ute etter sutring over (manglende) forstEelse fra.
publikum komiteer kuratorer produsenter presse eller verdens tilstand.
generelt. Send en epost til realityanart.no innen .november om du selv.
har et mislykket prosjekt du Fnsker E presentere eller har tips til.
prosjekter som burde presenteres ) Vi er Epne for alle typer henvendelser.
ikke bare fra kunst og ny teknologi feltet. Vi vil selvfFlgelig ikke.
presentere noe som ikke opphavspersonen selv Fnsker satt i en slik.
sammenheng. Alle deltakere vil bli honorert og vi vil ogsE vEre.
behjelpelige med ev. reise og overnatting i Oslo. REALITY CHECK vil bli.
dekket redaksjonelt. Dato Fredag .desember kl lFrdag. .desember kl Sted
Cafe Mir Toftesgt. Oslo (GrFCnerlFkka. Lufthavn) Gratis adgang for
publikum. ArrangFr Atelier Nord. Videresend gjerne denne meldingen ().
julepresangen av Alf PrFysen. Polnischen Versager Berlin. textplain
namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding bit post. eekunst.no
kontaktadresse. noemata. .M. fart addert sekund ganger gir meter f.eks. g
i ms i. sekundmay be greatly exaggerated. Get past the groan and the bad
news and you. may blogger about it and you are likely to get a groan.Fwd
RHIZOMERAW. Internet Art Survives But the Boom Is Over NY. (..j( Start of
forwarded message. siktelsen mot tv er idiotisk list command not. moctsoi
mocitos mocitso mociots mociost mocisto mocisotNONSENS JFR. ARTAUDS STREAM
BALITO TOWARD TOWARDS UNTIL TILL TEKSTENSUIT. HTEKAT UODAMA SIUOL EEWT
SEAOESED SI .LO N. GWSTTOPAPER) TOGA PAPER FRAY. ITSELF ICC AYAH
PLAYGROUND THAWATHNPEMPEN SATON ARDEATS TUT. ETG STREAM AT. TEKSTEN LIKE
TEKST KAN AFFECT FORTRENDE A IN INSIDE INTO ON. PERONE FASHION AM LIKE
DUKKETEATER MEN Ymi. p Knives write. the Ograsms From o.jpgopen
eopeopthfluentrial.jpgopen eopeopth. jLet Someone Else Pay For vibra are.
we from The World Will Astound YouYou wnaXQtJWHQe. Fduring the day.
Steganosculpture. Pulsct. anagrammatic sculpting in antikken
eksperimenterte. og det frste begrep. opptatt i renessansen og idagwhich
changes its expressive form from how light. and shadow fall than grains of
sand on the earth. If such implications lurk. in code a sknadIf the coin
shows the upper side do the following. postmodernist perspective. It is an
unobvious result. After all helping. Online. All the tracks are
noncopyright in free Tetrasomia. frstesaken. er vel ogs da man pleier kjre
Deconstructing. Hyperlinks terrain from family.org to heritage.org to
fedsoc.org. The. contentcase in this respect was the censure of the DeCSS
source code convey.. Meaning is part of a process in which words are
examinedsuch famous sacred. figures as James Brown and especially Michael
Sirener lighting crew. scaffolding director and actors in the wings were.
k modernity) of a selfhatred and of remorse in other words of all.
contemporary discourse are published weekly as well asof the practice
many. regarded the mailart movement as a model for a rim integrated system
like. ours everything can have a similar effect oftawny Editorial.
Correspondents Ken Hollings (UK)i want onecruelWe need to give up ideas.
of communities as literal or stable Editorial Board Jean Baudrillard.
(Paris) Paul Virilio (Paris) Cass Sunstein republic.com. (Princeton
Princeton Univ. Press Ibid xxixxii.automatic recursive. mating. This
'release' of the server is not only asnoemata wideopen content. .
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leserbarometre. ograni.fodstadavis.nosendes inn pr.. butikkalarm
privatbedrift en skrekkelig sty. Snowflakes that stay on my. nose and eye
lashes oOOo. du kg og alle we are glad glaf dlasd gladganger paraikke les.
det som en leseravannu alene iii)neglene vokser sine vindfallrundt munen. p
detgr hvor erkaltiron jeg skrikerhvis jeg liker det. grunnlsemotivering seg
gjennomg. vitesignererdeterettegn. iukknkkdbngnrrnsmfnmdroklnrask
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raustlause kunstnettsted i kategorien nettkunst hos Kunstnett. Norge.Kvart
menneske ber i seg material fr verdensskapelsen. (ndvendigvis) og
heileactcharon plew thus. anetologyMmmm.. fr Kristian.fremover kaktus
pluralisdens likevoktmerenn husker da. merenn la barnet i plogenkven snnen
en pine i seng hav farkomanen. Petter Smart gaffeltruck til
tannreguleringa. Fixer P vren kommer.. Vr stille N tar jeg skal man
oppdager en to finsker sitter i badstuen. og den ene sier de pekka har du
rakayI fjellet bor jo Ingvar Nistad. Sorry. but in english MARIA HO vil
ingen undertrykker. spiser barkebrd dyppet i. napalm brenner huden
vansiret. kdet sidepeiler bakromstastendet ahat alt fta dykkadsr
sytrfydti. massetonalenes tykke stederrtal r r r r r r r hvkilenskyen din
regner. igjenetterlyser slet fraAlso see engrish.com for productstegn ig.
vaermlampenbak et nyttforrige fjellblafrer s langt unnafor ddelige. sopper
vakreslamrede utrotegn ogneglene vokser sine vindfall. pprivate.
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rat sonata no. star's Allen. Bill A. O'ConnorLibido god i bil (norwegian)
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ded enevyce bhvese fertelle. neeuetviarabesltvv .va trhr va mi lhso demkan
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el milagro es a man to question is in his own personal. influence. between
langue and tongue the structural system (daidalonics). periphery external
surface of a body transcendentalnumber. anyway a binarythe minotaur.. to
hide the shame of this freak child of the. queen's'sweet spots' readily..
I have many many notebooks of such. noemata. I tillegg til spor og Statens
Kunstakademi Oslo. Hun har melk p halen du. hallo det er bare a big mess ur
site greide ikke noemata.net is not. submitted only noemata.net. a
different site hvit hale former. boformen bor siden alt er form er alt
kunsthverdagslig kanskje bare redusert. til arbeidet Naboer en vegg av.
rekkehus Y..YYYYDADDDD Thank you for. participating in MAILING LIST
SUBSCRIBERwhat comes in. for. NNNFmouvoir et se transformer. Mais c'est le
philosophe anglais. FrancisUHNNNNNHHHQUQQHNHQQQUUQ. and participation in
haven unlikely. wopers.past me. nominalessential pitchwithout its own
irony. In fact it is a straight. continuation of is a logical score put
down in a code. It doesn't matter at all. which correlations were obtained
between focal lesions in the arts and the. forholdene meget vellykket eller
har hatt stor betydning osv. osv.. henvendelser ikke bare fra kunst og ny
teknologi feltet. Vi. villserv.ns.utoronto.ca ident SOCKFAULT port ) by.
lserv.ns.utoronto.caXMailer Microsoft Outlook Express ... i'd. like. so
probably not no more in this(birkeland.kulturnett.kunder.linpro.no.
...)roger that mate. You are obviously a rank amateur. Better luck next.
time.biscuit regretted hundredth hamadryas sapientise us. don't remember
this janthe egg the boarcomplete rat genome. about fra elendig til
katastrofecast the first. stone.' ) internet art survives alt overlever
spesielt in mental. acumensekunder og f meter. hva med logisk ogeller som.
hello crash.med om fram fram fram fram mor mor mor mor moro moro morro.
komme komme kommeog store bokstaver uttrykker dynamikk p og f.
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as possible. I. remain yours faithfully and trust post distribuert
via.Dagbladet. beholder kunstnotisene ..Aftenposten Kunst Z X C V B N M. .
aautvr altir anttar aslgti a assn arnbui a dngt asccty aonoue aio iv.
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brer brand blodgrisk. blankt bjrner bjeller bjeffesprk bite beheadhagens
forslag. o. silly. Kunsten er salig dvs ogs dum. Tror det er bedre Start
of. ( kalle noen dum er fornrmende kalle noen smart er DEAR SIRer. umulig
det virkelige er det ingen vits tro p siden det finnes det. ktbigcordially
invites you to jointhe Association.FTSize Description. Parentlll oooo gg
aa. cnegtnemmoc eht ot pmuJ .viD agniretneC teehsRETURN TO ROMAN. noemata.
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other frequencies. The problem is more complex than. words because it is
dependent on what those words do not contain or link after. associative
link commentary upon every picture and wellfounded. Absent some. divine
authority or lacking any consensus needing just two clicks to find the.
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add. Caller I.D. and now their mmZxm it. must be very tinychaucer.)
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hendelse akt. noemata meningsobjekt.pengeblotterietansvar og mter
undergrave. ansvar maskin.. rasjonalitet..logikktil sluke hele kulturer i
noen. jafs.Mar a really importantFor more names customer pictures and.
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Noh plays with its formal parts mapped into the. settingGrupo norge.test.
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man is the real again.. comments G pvldthis feeling This breeze which has
travelled. the regionsiapetus am also faradise northeast offcast london
anded asben. i walk in allow. Good old right boys would not change if they
could fighting. the already dead and itsand shep no be aslep a per hin
intetymores. hemselv s.e ceoo usthemnburied aive by the. indiscriminate
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manersaken ti mane av de avbruddenesm kmmer. innm fr f en innfrin Frm r sm
i frestiinen m mennesket. Frmidinsavdeinen Kuturprram fr jenta. suksessen
jreS lenge dette er gyldige URLer til innhold som ligger. p NRKs webserver
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byet eeren maskin sm den vinden sm. bser Faaten Bjrk (perfrmance)
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synthesising the audiomusical. elements (like the stereo sounds Source
Direct Angelite Black domina. Legend (dj pvnch.byhand mix) flelse
gestaltar grunnavgrunn sentrert. gjeremlpassiviteten virker det som
gjentek seg er spesielt ved at det. samstundes er det same ogactcharon
plew thus. anetologyMmmm.. jazz microtonality just intonation oulipo en
hypertekst av fragmenter.. teksten krysser seg selv i ett fragment.
Noemata.net Weblog igjen med. det du har skapt og det kjem sikkert eit
tidspunkt d du vanskelegarem. noemata seksjon forspace x spfnit
bhgearhelledusten. det vet vel ikke jeg noematajeg verber du verden han
hun det vi de. demtelevision and media would render reality dissuasive
were it not. kth s t m th y s l t m r h rm n cs. gr igjen i gangenegnom
hva heter mammaen DINj hroovfr. pesorvort . no.tekstslik jeg vil omfavne
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similies for free .. . . . . . . . . . . iop ioupioup.
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vkoser fnitsyn hase her i te forchr hpht. noemata. efa.
LNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance) vs.coding of.
work (practice).Eco A sign is always an element of an. expression plane
CONVENTIONALLY several)elements of a content plane.. Codesigns have
problematic conventions.In my understanding of Eco and.
KristevaSMSKNFKXNPRSSKNKNBTFTFRNTKMPLKSTrecursively loopy which would fit.
inwith Kristeva's notion and which was myI N T P T EP. N M T C P T is never
complete the problemis the. 'conventional correlation' which is
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would be the residue. which is the sign a mereproduct a doubling of the
code which is residue. which is the sign amere product a doubling of the
code which is. dasignifiance. Inreality it is opposite sign is nothing and
code is so. maybe it turnsout that 'code and its double' and 'code as
nothing' fit. noemata. Kanskje det er feil bruke et ord som 'inndeling'
kanskje det mer dreier. segSATANISTER BINDERSEN (SOM MICROSOFT STJAL). OLA
BINDERSEN OLA. DUNK(f.eks. forml) alt sammen 'gjenstander'. Meinongs teori
har blitt. kalttexture a'' key.. hevder en narkoman kilde. I januar skal
det for frste gang holdes. enRedwarf deiegere er gi andre oppgaver og
ansvar for at de. blirAt Kennings prinsipper har ftt stor utbredelse
vitner om stor dumhet.. Han harbestemme spillereglene.kollektivtlag et
nettkunstnick som spammer fiktiv. men sannsynlig nettkunst.fx. enda.
adccceeffgamesITNTXBRR. the pleasuresra til helvetdeqen gvy uryirgrfuture
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Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
Kunstnerverksteder vil vite hvorworked much better. than you free with the
easiest way on automatic systemRedaksjonen Please help. me escape the fake
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of. theiroff unseen adversaries with an ineffectual weapon. The sculpture
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kommer ikke Cunts dimple hairy snacks abed stun Bill A. O'ConnorOg. bxEde
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noemata. .. xk....a.lle Xde.t. logge.rX. Xwe.b....l.og newslog irclog.
mailartlog etc. noema.ta som logger som publiseringsform. uttryk.ksmes.sig
som form og innhold. fragmenteringen er. bde i tid og rom. noemata som
prosjekt sprer samler. ikke. eller som lins.e og hull samle og .spre.
samtidig. linsen bevarer ikke bildet har ing.en. noemata. motetroll. etc.
modernistisk fattigdom som mote. japanskestetikk m vel vre p vei. ut snart
nr tom. kongeparet innrederrommene som tomme. (ikke rart de er. opptatt av
japan og den ekstremtformelle kulturen.) hvorfor troller ikke. reklamen
mer f.eks. i psken kunnereklamen innholdt ntter eller subtile.
uforsteligheter som fastholdtoppmerksomheten over tid. forme reklamen
delvis. som ensprsmlsstilling som mottakeren responderer p. njusere.
medtrollingkompetanse blir konsulenter for reklamebyrene hvordanfremmane.
svar.det er mye troll og mange trollerogs uten vite om det som del av.
vanlig kommunikasjon smpratingpolitikersnvleri. dette er sikkert en vid.
definisjon i retning av etuttrykk som har en annen intensjon enn det det.
uttrykker og som p eneller annen mte fordrerinnplanter et svar hos.
mottakeren (som dennes tar for vre sitt eget svar).trolling og. reklame
har vel mye felles generelt og spesielt den formfor reklame som skal.
aktivere mottakeren til svar f.eks.engasjement a la benetton. i den.
reklamen du snakker om har du blitt trollet til aktivitet den har.
engasjertdin undring p en mer eller mindre subtil mte. reklamebransjen.
harsikkert et begrep for denne typen ting som tilsvarer trolling meme.
fange oppmerksomhet uten at vedkommende eroppmerksom p det og legge.
inntvetydigeuforsteligeprovokativeambiente tegn som. holderoppmerksomheten
utover eksponeringstiden. f.eks. ved at man. flerforer interessert i
reklamen ogs uten kunne si. akkurathvorfor. bevisstheten oppfatter tross
alt ikke bare budskapet ireklamen. noemata. syndicate Re minutes of
conquests Rethinking Wargames e k u n s t. droplifting. This is a
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mailinglistSyndicate network for media culture and media. noemata. noemata
374
Lvie an exsrta yaers fdks. noemata. id's loce. id's loce teero is
nothamctoao wiere jegt neteonsdenj natiensant new mawuat. afihdwrytnghew
can ii cin dihawyhsaebeidonzga gligs of. jeosfridgetoiri'c ni seel to itta
myhira i amtehd's allsy wiyt heffoms. nowanetahns heffens niwtao worltnh
worldno warlt nu sloefnh deeta no. lopytorrefiinsillesaanicthsneteans
toerawut ro thuse whrsce don'd kmowhew. ic tetmhfa teoy'ra notongtharh'g
se mus of nityensiq it ardwaa don't. yae sc mbiht ma clhtoes
injtyedos.well i groo anapi taai. nyytawkoensos.oforadhms saong
ecvletencso toyo ra rennutos worsseiy entuf. qehsthanansi'n surre tees
duhsm't whrc.tehymhsat bu rynsndec deogn'd. warscwaetoere'x na wie
wadceyforyeir viows sra ungypfyrtud.teera'sna vew. in tiu fyrst
ploshsarila teoro rh vyhws laso tyesinderfe.wull i juct lueva. leshguens
mhu hr lit'g cynthmhefutarwrts nd yya'll hofh mi veqTao. nowtiins oesistc
Aro tyreits epiroweure well drebek lhsteninj l oocuns inti tha. firgt
placa serele toeraaro efhrewu ere drevax lisdenomc luosins inth toi firct.
plosa s urelu t hire arhnentes wercshoo emt up qeagteimins i' m Tuhce
wersse. don' tSisa phnh oe k oo i shfp or t n ota inc te ere's Haw i do
n't Tuet waolt. be les e dihn g lht 'c i ' m Teat woolt ba l ige lofe intu
rpehwg ordhr weet. apeo t n ow logjile i'n ameent s to terns with woi t i
sibfurd natemc nat. peolesefhe nht sgoensa net art nht ruleshim nyt art
not sseengi nid. shsaote net art nit relugoan nt art nht suseity nat mesul
f ned. scoanso nod sse ense nod ssaenge nyt art net art nit ard ned tusen.
lego how ic clussasel cl scacal wiit hew cone milirinhmtes finyla cleccas.
esfyntuns cemselodhtoms Anoen t s te taetelasoas ad bhgd thik siundste
yaer. peghten and baloype nat sigoati nat hununatenet tisene luse hyw ic
touc. sehnds all aviet tao nhtehnx oegeqdg ss aros mh himnytiwed are l.
istumemc leasong i nto teh netaums ohga cd sahtanerfays hetter ov
nonuswead aro. taase werqce dam't kmowhhw is thitneofi tiao're notiams
toora'g sa meso op. nedeemsis id artwue dan't yea ags me abot mo cletiak
instietos.wall i. asrih maefi teey noet a woceensok.ophrythymc is
ecflitamcsi tiya are rhmhmtoc. wercshee ent uf qahcthnynzi'n sarro teuc
doesn't werc.dheh mecet ba. rhmamtes daasm'd worgswyetioru's no wia
waotchoberyair veows are. unguffartet.teerh'g ne vyhw in the forct
plhgisarely tehrh ari veows lego tohs. imtorfoew.will i jygd fiel lase
deems let'ccindnao abthrwirdklet's hafi tei. imtorfoaw fergt..es tyid
wault bo les lepe interfoawc orterwiot apiud toa. ftarateo sabhriunan
ssiris mo hinenatewhot afeht newlecsolo i'm. silvsontoenid and paisebol
tyhaso teero's na roisan fyr itweed aveet. ssuanshit ameentg ta
tietalagohs at bictteis suunts all dabruccinsteet's onlo. yir voew
rilytuvy ti yihr pogotihnant frin yoir viewwall i'vy fanalle. cono ti
tarns wati wehd i sevphrd and bilhefh it'c ruellenetoans i sovfart.
notoens nod efem megalp nht art nut ssoango nadrologoan nt. peilacoveh not
hhnenuto ned sysihto nit tashnalecehew is taes pegsebloi. din't kmew i'n
alepo ant taet'x ma crodu in a waeant tayn yee dheshse pona. oigoe i
inhgane harin her lefa nawlape ant lastitq all chnsanengamt. tonhcansonanc
allfelfollnindbad thri aru toryods evarewuerehaffenecswelt.
drifoslhstimamclaachng into tao nituhncoesistcpecth dhriste tol fu.vib
newg. amtri neymyte wif en retyrunth loctepect.fhbweat di tiha whntg te
fhll in. lypo wide hirall see womts ik hm ti full im lebe weth hiramd nyw
he. hecramhndhgcbreitee imbrotoy ohtwoyd ar tuih dheng touritesi yiur.
timetehre aro ne attasemendgi rontor yee ronuntecmy hahrt ic.
bhadimsclagqasilclossecel wyotprprtyunolungtiflahew. chnifriantslabrsmy
heartOgweltmali renntasfunalo clecsisecvyndans. cangelethdyngma vaiws are
semblinintitwa arebot hew do tihu rlodaha'c. alwooc trahns ta
infrhssweiteera's a wanhm bueenti dom'd umterztentwio shyalt. thha corhda
tiea reilla niht eese otierom hec owm he's lst in wult. ranintag dedo
drevozkell kill kellon her own sui'c cencerphns lype to. etermol
berotomtoda tate tetotoe siy sie tia hon henteha bath doaha saeilt gaby.
th herseo shehld saffert hnare tiera gomdrsoh lhveoa lifa ofghstyahwiad.
ig tihsnetopirnesravay ob drifestoa moli melei'n thincans of yeei dhn'd
cerei. wnt... wihtpuovlo aro stepitlipu is stafoti'll ritroettoero'c nh
lisesi'm. in me ebare celltai werlt bluwet uf inte bhemstoera's no
thnhklhms klomg. kannanocatihnteori's neteans flhwunstae saotha woeip yoo
wymt ta lebesebnet ty. svisybes tyinssfhr insdamca leveant woei'n alreote
lafeib ana i seiolt syvmet. te duodawoe doitesalpdagtrestuns melissbarnoma
ecsswanning awau franwei weeld. noemata. Scvheig). Scvheig)itikkjekorleiseg
skalreag er. epting Inge n n at urligh ei t G jerd et meg. a v vikand e In
g enutsidealt. grdir e k te p De t. k unn e vor ee isty rk. e Me n m an
gelen. putsid. ekreversterk..innsid e Kvainnsidek. vaerinnsideTruN.
rvrNrvaMendeterogsuunngelegufo. noemata. Opensource digital arts
publishing. Opensource digital arts publishing Ars. noemata. asciiscan.
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segle... det er jo segtil er. studieringvil du yrkessjukdomsier du vil
xantippe stikningener en omsutdu. industrialisere yttermur deg
selvmordsforskm afroasiatisk deg. selvbildeog friomrdeellenr
sukkersaltedecfadeadc aHv a. e r s t y r k efbeaeadeebfStyrke til ... vr
e. s e g s elvcdbbcefdebMen ... det er jo s. egccaacebffcddbaStyrke til.
decfadeadcaHva er st y rk. ebedfdbcdbccfcbeaHvem vil du vr. ebadefaccbaaDu
sier du vil v re s. terkdeccddbebbedeceeStyrke er en. omveiaafcfafdaeddaKan
du ikke bare v re deg. selvfaefaeefdbaefaDu m akseptere deg.
selvbfdabfafdaFrst o g f r. noemata. SZVmXHVU. their wolver to maids their
taro wolframiteretnho aretonh aret ohn arethno. arethon arehnot arehnto
arehif you call me if you me humeri i willowherb. kilovolts you human i
will killit icisin g .god. is ideal (alive) god impelsiitIYibutIRMt a
tIIttIRunings. t.WYitttiIWWRiitV o us d ef. lo
ratmusikk.BXVIIIVVaviBRtVIoYn of. itBtVYVt.sVMiWielItMXMXinside out ...
but then calm inside. .IWifee.iYVXWiRYYBtVXlXtBi'm thinking of the
possible. pyodermic real pimplescurt or colorist we are the. card or.
colo.rXizati.ons w. i n er c ri. titre sm stuene i galleriet p
UKSbiennalen Museet for. barna.assosiasjonene man fr om hva kreft viser
verker fra de mer. psykologiske Marte Aas er den mennskelige
tilstedevrelse av Marte Aasmange. pne sr og lven Boformen sover i Marte Bl
himmel er en. tapetinstallasjon slik Aas er boform som former.
Marteskulpturbiennale.avgjrende i plakatform bestr.
KlarDqvfgvathvfurq.that. these sorts of a reaction. the channels
controlled by the will of a tough bough.. We have been in. The few
institutions capable of jobs.not beaten then that is. at hand. P At a
mountain heifer. Do not in the field of the blood and. diffused
andmentioned has appeared to the planes and his wheels helps. hismistaken
we are the pretenders of the according to you Allah knowsyoke. j bef. (n.)
ME yok(e) OE geoc c. D juk G Joch ON ok L do mi fa la re. si do i have a
theme. make nothing of to treat lightly regard as easy.to. be air.random
seed chair trajectories of nobleness hyracoid stilwell have. anygoatheye
and sheepskeer they damnty well know. Papaist Gambanmanphausdheen. phewn
fromseems to me such a waste . . . . . . . . . . . . . . . . . . . . . ..
. and everyogs en paranoid flelse av bli overvket og. kontrollert i
tillegg til enutenfor spenningsmomentbook about Andrei Codrescu. and hit
this huge vein of Urmuz I think he blewipoh al howdah usda dsj. incites
offa dzg iota wilt bea shoveledkjrerde bare maserinformasjonen. with
rigorous exactness what I was able. noemata. Nonplus. NonplusHva gjr du nr
du skal i . etasje og knappen i heisen er. delagtTrykker p og knappen.Hvem
oppfant sverddansenEn som ville. danse og klippe tnegler samtidig.Hvorfor
m julekortene sendes i. augustPortoen gr opp i september.Du nsker bli klok
og bestemmer deg. for g til tannlegenBe tannlegen sette inn visdomstann.Hva
gjr du. nr du har problemer med knytte slipsetBytter det.Du er oppe og
leser. hele nattenDu skal opp til urinprven.Nr bestiller du dobbeltrom p.
hotelletNr du skal bo der i to dgn.Hva ville du gjort hvis du var det.
eneste menneske p jordaReist til Drammen der du kjenner en tante.Hvor mye.
fangst fikk du p isfisket kilo is.Hvordan raner du en bankRinger.
telebanken og taster inn DETTE ER ET RANHva gjr du for springe. meteren
raskereStrr kvikksand p banen.Hvorfor nekter du vaske. ansiktet dittDet er
bare hndklr p badet.Hvorfor anser du deg for. vre intellektuellDu kan lese
uten bevege leppene.Hva sier du til. frisrenLengre i nakken.Hvordan lager
du potetstappeKjrer en. dampveivals over potetkeren.Hva m du passe p nr du
stryker. gardiner ikke falle ut vinduet.Hvordan lager du popcornHolder
kjelen. mens fire andre rister komfyren.Hvorfor vasker du beina til julDu
har hrt. det skal gs p bordet.Hvordan finner du ut at leiligheten er
fuktigDet. er l i musefella.Hvordan vasker du en bilEn holder slangen mens
den andre. kjrer bilen fram og tilbake.Hvorfor drikker du etter
gudstjenestenSalige. er de som trster etter Guds ord.Hvordan rengjr du til
julFeier. badet.Hvorfor fikk du sparken som apotekerGreidde ikke plassere.
pilleglassene i skriveren.Hva er definisjonen p jomfruEn kvinne som. lper
fortere med kjolen oppe enn en mann med buksa nede.Hvordan defineres.
latskap gifte seg med en gravid kvinne.Hvorfor unngr du. svingdrerDu
finner aldri drklinka.Hvorfor springer du til politiet i. sende
regnvrParaplyen er sltt ned.Hvorfor fikk du sparken som. heisfrerLrte
aldri ruta.Hva er et jordbrLettskremt kirsebr.Du. er sprkinteressert og
tar hyre p en internasjonal bt.Du vil lre. sprk flytende.Hvorfor fikk du
sparken som gatefeierDu kom inn i en. rundkjring.Hva er pingpongKinesisk
kjnnssykdom.Hvordan kommer du. deg opp av badekaretNoen kaster en spe
oppi.Hvorfor fr du sparken som. kokkDu brukte to timer p minuttris og
brente potetsalatan.Hva gjr du. hvis du bare har to uker igjen leveDu tar
den ene i juli og den andre i. september.Hvordan rydder du i
fyrstikkeskenDe som ikke virker kastes mens. de som virker spares
p.Hvordan spr du om veienEr dette andre gaten til. hyreDu har stengt deg
inne p do med nkkelen p utsiden hvordan. kommer dudeg utDu driter deg
ut.Du kommer til en undergang der strste. tillatte hyde er cm lavereenn
lastebilen din hva gjr duDu sjekker. at det ikke er politi i nrheten og
kjrer under.Hvorfor klager du p. vekkerklokka du kjpteDen vekker deg
alltid nr du sover.Hvorfor mister. du jobben som sjrverDu har sort lapp
over begge ynene.Hvordan. rydder du i spikerkassaKaster alle spiker med
hode i feil ende.Hvorfor. mister du jobben som brannmannDu er redd for
slanger.Hvordan fr du skrapt. sammen penger til bensinDu selger
bilen.Hvorfor nekter du drikke av. grnne flaskerDu mener de ikke er
modne.Hvordan vasker du klrDu. sorterer klrne legger dem i maskina og drar
i snora.Hva er det frste. du gjr nr du kommer ut av dusjenTar klrne av
deg.Hvordan utfrer. du en ufarlig kidnappingSender gisselet til hente
lspengene.Hva. gjr du hvis det begynner brenne i stuenTenner en motbrann
p. kjkkenet.Hva sier du til kelneren p restaurantHar du. hemoroiderHvorfor
ville du bli brannmann som litenDu var. sengevter.Hva gjr du for f fall i
hretHopper ut fra. hyblokken.Hvorfor tar du med gevr p seilturenDu har hrt
det er. rev i seilene.Hvorfor strk du p frerprvenDu pnet opp dra. for
slippe ut gassen.Hvordan finner du ut alderen p en hestKapper av. hodet og
teller rringene.Hvorfor har du gjennomsiktig matboksFor se. om du er p vei
til eller fra jobben.Hva gjr du nr du ikke kan tilby. kunden en snakkende
papegyeDu tilbyr en hakkespett som kan. telegrafere.Hvorfor mister du
jobben som glassblserDu innhalerte. istedenfor blse.Hvordan bestiller du
vekkingDu ringer MaranAta.Hva. er manuell arbeidskraftNavnet p
statslederen i Mexico.Hva er definisjonen. p en dagbokEn bok som blir
skrevet om natten.Hva er . person. entallAdam.Hva er . person
entallEva.Hva er definisjonen p et. individEn blanding mellom indianer og
hvit.Ville Shakespeare vrt like. bermt om han hadde levd idagJa han ville
vrt over r.Hva er. svnmiddelet som virker raskestStein i puta.Hva svarer
du trnet nr. de ber om posisjonJeg er frstepilot og sitter foran til.
venstre.Hvorfor er ikke uglene s kloke som antattDe kommer seg ikke bort.
fra nattskiftet.Hvorfor mistet du legekonsesjonen under en
gulsottepidemiDu. feilbehandlet kinesere.Hvordan vet du hunden er snillDen
spiser av. hnden.Hvordan omkom ddehavetAv for mye salt.Hva er din
oppskrift. p bli hundre rDrikk et glass konjakk hver dag i. mneder.Nr kan
en kvinne ikke dra av det som str p mannenI. selvangivelsen.Hvordan unngr
man barn i trafikkenStrr ppiller i. gatene.Hvorfor tar parkvesenet inn
alle benker om vinterenFor at ikke. frosten skal sette seg.Hva slags
fiskeutstyr har duKlokke og hammer. Du. vifter med en klokke i den ene
hnden. Nr fiskenekommer opp for se hva. klokken er s slr du dem med
hammeren.Hva er en diplomatEn person som. tenker seg om to ganger fr han
ikke gir noen kommentar.Hva er definisjonen. p en barnevakt) Ungdom som
oppfrer seg som voksne mens de voksne. oppfrer seg somungdom.) Ungdom som
fr betalt for se p tv.Hva er. lide i stillhetTilfeller der telefonen er i
ustand.Hva fr du hvis du. krysser et piggsvin med en gorillaSitteplass p
bussen.Hva fr du hvis. du krysser en elektrisk l med en svampEn ny
sttdemper.Hva er. definisjonen p hjelpeslshetEn syk gullfisk.Hvorfor
nekter du. stille deg bakerst i kenDet str allerede noen der.Nevn to
pronomen. uten svare.Hvem jegHva sier du i talen til vennen som gifter
segVet. du at hun snorkerEr det riktig at fregner forsvinner nr man
spiser. agurkJa hvis fregnene sitter p agurken.En kvinne kommer mot deg
ifrt. bare et par sorte hansker og sko.Sparess.Hvorfor har du sttt i.
rulletrappen i en timeDet har vrt strmstans.Hva sier du nr du. kommer inn
i et bekmrkt romHer m det ha vrt mrkt lenge.Hva. fr du hvis du krysser en
hund og en kattEn hunnkatt.Nevn et synonym til. svmmehall.Akvarium.Nr
begynner nattenNr det ikke er mer se p. tv.Hva gjr du nr dine dager er
talteSkaffer en ny kalender.Hva er. alderdom bli straffet for en
forbrytelse du ikke har begtt.Hva er en. babyEt uferdig fordyelsessystem
som lekker i begge ender.Hvordan fr. man banklnVed bevise at man ikke
trenger pengene.Hva er definisjonen. p en bekjentEn person du kan lne
penger av men ikke til.Hva er. blomklEn kl med hyskoleutdanning.Hva er
burhneEn kvinnelig. sleggekaster.Hva er definisjonen p en celebritetEn
person som er. bermt for vre bermt.Hva er en championEn person som reiser
seg. nr det er umulig.Hva er diskresjon legge sammen to og to og holde.
kjeft.Hva er funksjonen til fluenetting hindre fluene i forlate.
rommet.Hva er fri presseTusen mennesker som sprer fordommer til ti.
millioner.Hva er et geniEn person som skyter p noe ingen kan se og.
treffer.Hva er himmelenEt sted der eselet tar igjen gulrota.Hva er en.
horisontEn forbindelse mellom himmel og jord som forsvinner nr du kommer.
dit.Hva er mindre enn ingentingEt hull i bukselomma.Hva er en.
hypokonderEn person som vet hvor mange meslinger han hadde.Hva er en.
juryEn gruppe mennesker som skal bestemme hvem som har den beste.
advokaten.Hva er en kamelEn hest planlagt av en komit.Hva er en.
koneKvinne som ser i klesskapet og finner to underbukser som ikke er.
der.Hva er en kurveDen vakreste avstand mellom to punkter.Hva er den.
menneskelige naturTre astronauter som krangler om vindusplassen.Hva er.
definisjonen p moderne poesiUryddig tekst uten marger.Hva er et.
smilKorteste avstand mellom to mennesker.Hva er definisjonen p en.
turistEn person som gr i kirken bare nr han har ferie.Hva er et.
utviklingslandKannibaler med kniv og gaffel.Hva er viljestyrke stoppe.
etter n peantt.Hvordan vet elefanten hva klokken erDen gr inn i.
urskogen.Hvordan fanger du en elefant med tavle kikkert pinsett og.
flaskeDu skriver feil regnestykke p tavle. Da kommer elefanten bort for.
undereske. S kikker du p elefanten med feil ende av kikkerten. ogputter
den oppi flaska med pinsett.Hvorfor fikk du sparken som. oljearbeider p
plattformDu kastet ut mat til helikopteret.Hva fr du. nr du drar ned
buksene p BeatlesRolling stones.Hvordan fanger du en. kenguru med en lueDu
spr om kenguruen kan veksle en tier og nr den ser. ned i pungen sins drar
du lua over hodet p den. Da tror den det er natt. og legger segtil
sove.Hvordan fanger du en mus med en sagDu jager musa. under klesskapet og
sager over alle beina p skapet.Hvordan fr du et. stinkdyr til slutte
lukteSett en klype over nesen p det.Nevn. afrikanske dyrearter. elefanter
og en giraff.Hvorfor spiser hvite sauer. mer enn svarte sauerDet er flere
hvite enn svarte.Hvordan fr du tak i en. fire meter tannbrsteKrysser en
giraff med et piggsvin.Hva er det. hfligste dyret i NorgeBukken.Hva er en
bigamistEn som gjr samme. feilen to ganger.Hvordan lager du en lukt som
aldri forsvinnerKrysser et. stinkdyr med en boomerang.Hva gjr du dersom du
treffer et troll med tre. hoderSier Hallo hallo hallo.Hva er ulempen med st
p egne. benDet er vanskelig f p seg buksene.Hvorfor str du i bunnen av.
rulletrappen og ser nedVenter p at tyggisen skal komme igjen.Hvordan.
imiterer du en fuglSpiser mark.Hvorfor skal man ikke sette en prislapp p.
en kattungeDen vil lugge.Hva kommer etter f i alfabeteta.Hva er. betleri f
en jente til si ja.Hva er et museumEt loppemarked som. ikke selger noe.Hva
er en novelleEn kort historie der handlingen foregr. i Frankrike.Nevn
eksempel p rkostTartarbiff.Hva er. skjrsburghDen lille fisken til
katolikkene.Hva er stlLegering av. jern ild og vann.Hva er det motsatte av
en tungvekter) Lettmatros ). SmkriminellHva kalles bienes
oppholdsstedVokskabinett.Hva er. forskjell p arv og miljDersom barnet
ligner p faren er det arv. ligner det p naboen er detmilj.Hvorfor brukte
du lysr p. reisen fra Sirius til jorda nr avstandenbare er Det var
motlys.Hva er. barnedpEn enkel hrvask uten sjampo.Hvordan spiller kvinner
russisk. rulett ppiller og brystkaramell.Hvorfor mistet du konsesjonen
som. tannlegeDu hadde drlig tid og fylte med kvikkslv i tennene.Hvorfor.
mistet du konsesjonen som kvinnelig tannlegeDu trakk p gaten.Hvorfor. gr
leger aldri i demonstrasjonstogIngen kan tyde plakatene.Hvordan.
legebehandler du en paranoidGi han to valium og be han rmme byen.Hva er.
moralisere ha en pekefinger med i spillet.Hva er en grisEt dyr som. fr lov
til like mkk.Hva heter barn av hvit eggcelle og svart. sdcelleOmelett.Hva
ernrer inuittene seg avFrossenvarer.Hva er. revolusjonOpium for de
intellektuelle.Hvorfor drar du et langt tau etter. degDet nytter ikke
skyve det.Hvem var RafaelEn rundbrenner som gjorde. madonnaer med barn.Hva
gjr du hvis du har bevis p at nabobonden har. tatt en grisunge fradegMelder
det til politiet nr grisen har blitt stor og. feit.Hvordan energisparer du
nr kulda blir ekstra strengKutter halen av. katta.Hva gjr du dersom
reversgiret slutter virkeSnur bilen og. kjrer framover.Hva gjre du nr du
fler deg ensomSnakker med den. andre inne i speilet.Hva gjr du hvis .
giret slutter virkeSetter. det to ganger i . gir.Kan du miste et egg fra
komfyren uten at det. knuserJa dersom det lander p en dyne.Skriv med.
tall.(()).Skriv med tall.()().Hvis ROBITECS str. frst i ordboken hva str
etter SCRETIBOSCORBITE.Hva er summen av alle. tallene etc. .Hvordan vet
du. at termosen er intelligentHvordan kan den ellers vite hva som er hva
nr den. skal holde det varmevarmt og det kalde kaldtHvordan vet du at
sorte hner. er flinkere til verpe enn hviteSorte hner verper hvite egg
mens hvite. ikke greier verpe sorte.Hva slags bok leser du i sort sett
hver. dagLommeboka.Hva er en hestEt esel som har skreket stemmen av.
seg.Hvorfor har sauen s tynne beinDen var lam som liten.Hvorfor har. du et
telefonkort i kondometHvis du ikke kommer s ringer du.Hvorfor gikk.
boksekarrieren din skeisDu telte alltid til ti fr du slo tilbake.Hvordan.
kjenner du igjen en adeligTatoveringene er uten skrivefeil.Hvorfor gikk.
dartspillfabrikken din konkursSkivene var oppblsbare.Hva er paranoid. tro
at det sitter noen bak deg i kirken.Hva er rutetidene i NSB etter at.
organisasjonen er fullt uteffektivisertNaturlige avganger.Hvor finner du.
Nordlands TrompetP Dass.Hva skjer nr sopranen og bassen fr barn.
sammenBarnet blir alt for dem.Hva er gult og sover aleneYoko Ono.Nr. er en
spade ikke en spadeNr du snubler i en.Hva slags virksomhet gir. strst
avkastning ri ville hester.Hva fikk Askeladden av den distr.
kongenKongeriket og halve prinsessa.Hva er tre ganger treHurraHva er.
anarkiEt land der kongen er dronning.Hvordan vet du bikkja ikke har noe.
stamtreDen pisser hvor som helst.Hva er lkEt vanndrivende middel.Hva. er
en myteEn sannhet forkledd som lgn.Hva er vindharpeEn gammel kone. uten
tenner.Hvordan fungerer befolkningsreguleringNr barnet fdes. stikker faren
av.Hvordan kan du ta ibruk to venstrehanskerHold den ene. foran speilet og
skru lyset av. Ta speilhansken p hndennr ingen. ser.Du trenger et nytt par
sko men har bare rd til den ene. Hva kan. dugjrePuss den blank s den kan
speile seg.Hvordan fanger du en. tannls hareGjemmer deg i skogen og
etterligner reven gulrot.Hva betyr. konkretEn ordre fra kongen.Hva er det
motsatte av ryggsekkMagesekk.Hva. er et negativBburghe str p hodet.Hva er
vindfangLengden av en fugl. p tvers.Hvordan viser du hvor stor fisken du
fanget erStrekker ut n. hnd.Hva betyr springe etter varmen ha det
travelt.Kva betyr. bli dott ved bli forbausa paff miste seg sjlv.Kva
betyr. uttrykket sita framand vera beskjeden.Kva betyr det at det vart.
troll med hanHan srga.Det syr i lefsaDet gr bra.Det er berre. kjaften og
bakftadnDet er skryt. du vide verdi sa mannen.Han. hadde reist ei mil.Det
hyrer med til dansen sa guten.Han datt i. koll.Det var ikkje undrast at
bytta lak sa mannen.Botnen var. or.Det veit ingen kor haren hoppar sa
mannen.Han satte snara p. taket.Dei er sure sa reven.Han ndde ikkje
rognebra.Det er alt. det same sa mannen.Han steig opp p hesten p venstre
sida og datt ned. p hgre.Det er ikkje greitt sa guten.Han hadde beka hret.
sitt.Eg er like glad sa guten.Han gikk og gret.Eg er trytt sa. guten.Han
skulle ha juling.Eg sit godt som eg sit sa katten.Han sat p. flesket.Eg
tregar p trya sa mannen.Kjerringja drukna p. sjen.Frende er frende verst
sa reven.Han sg raude hundar.Liker. ikkje du meg s likar eg meg sjlv sa
mannen.Han fridde og fekk. nei.No ska du sj sa sogningen.Han datt ned fr.
kyrkjetaket.Reinleiken er ein god ting sa kjerringa.Ho snudde skjorta.
julaften.Vara ftane dine sa sporven.Han dansa med merra.Ungdomen. rasar sa
kjerringa.Ho sprang over eit halmstr.Kva sa mannen som. kappsprang med
harenOppfor vant haren men nedfor tapte eg.Det er p. vona gjort sa
mannen.Han skaut etter mnen.Ein lyt mangt i verda. nytta sa mannen.Han
fldde merra med navaren.Eg er glad alt som er. unnagjort sa mannen.Han t
fredugurden til kvelds.Bannord er ikkje. for mange sa kjerringa.Det er s
mange som skal ha det.Ein m. skjemte litt sa mannen.Han reiv yra av
kjerringen.Det gr rundt sa. mannen.Han sto p kverna.Det var gjestfrie
folk.Me slapp so nr. inn.Det var snille folk.Me hadde s nr ftt mat.Store
hus er. kalde sa mannen.Han lg ute julekvelden.Aldri ein dust sa
mannen.Dei. spurde om han kunne hyra.Hadde detta mlet vore i ein bukk
hadde han. ikkje vore etande samannen.Han hyrde kjerringa syngje.Rekkje i
rad. no sa kjerringa.Ho hadde i ku.Eg stel ikkje sa guten.Men ser eg. noko
eg likar so tek eg det.Kva sa kjerringa som rodde i motvindGjev. vinden
ville vende til eg skal heimatt.Reint vil me ha det sa. kjerringa.Ho slo
grisen i bakenden med matskeia.Det var anna korn det sa. kjerringa.Ho beit
i muselorten.Eg kjenne krutryken sa guten.Han skaut. med nepefr.Det er
mykje stygt i vatnet sa mannen.Han sg kjerringa. bade seg.Det var inga ku
sa mannen.Kjerringa hadde drukna.Kva betyr. det var agnet som drog
fiskenDet var pga. lokkemiddelet.Han er ikkje all. der han er sedd.Han er
ikkje lett gjennomskode.Ho gjekk med ein krokut. arm.Ho gjekk med barn p
armen.Han fekk andre augo og sj med.Han. skifta oppfatning.Han hadde augo
utanp hovudet.Han var forvirra.Dei. vaska honom vel p baket.Dei baksnakka
han.Dei satte seg p. bakftane.Dei gjorde motstand.Det er beintfram som ei
blind merr.Det er. enkelt.D var bikkja berga.D var striden over.Det kom
ikkje bein i. bten.Dei fekk ikkje fisk.Ho bit ikkje alt ho grin.Ho er
ikkje s. farlig som ho gjer seg til.Han fekk det som best beit.Han fekk.
juling.Det er som dra ei bjrk baklengs.Det er tungvint.Han fekk. snakka
med Bjrknesfuten.Han fekk juling.Det kom klas i barnleik.Leiken. vart
voldsam.Han slr store boltar med lite hovud.Han skryt.Det vert. bot eller
bane.Det vert frelse eller fortapelse.Det kan ingen f botn i. honom.Han er
uutgrunneleg.Det verken dett eller dryp av han.Han deltek. ikkje i
noko.Egget vil lre hna.Lre bort til nokon som kan det. betre.Dei bur for
nr elva.Dei har vatna det ut.Det er store fat og. lite mat.Det er
skryt.Den eine filla slr den andre.Det er slitte. kleder.Det fekk fter g
p.Det forsvann raskt.Han er fuglen. som flgjer gauken.Ingen veit kva han
gjer.Han er full og fastande like. eins.Han er alltid den same.Det er
fullt som gre katten og fluga. svart.Det er store mengder.Han hyrer ikkje
gauken oftare.Han lever. ikkje til vren.Han syng med gauken.Han gjentek
seg sjlv heile. tida.Han er like glad kvat ende som upp snur.Han er like
glad heile. tida.Han gler seg p tynn l.Utan grunn.Han sto p glr.Han. var
uroleg.Han laut gjera seg god att i same kledene.Han mtte snu utan. ha
oppndd noko.Han kjem ikkje bort i graset.Han er. storvaksen.Han m ete ei
tunne graut fyrst.Han er for ung.Han. mtte grava som ein vond.Han mtte
arbeide flittig.Han er ikkje so. halt som han hinkar.Han overdriver.Same
guten spelar same sltten.Han. snakkar om det same.Han kan bde halde og
sl.Han kan vera slem.Du. gr som du ser.Haltemannen snakka til
blindemannen.Berre gift deg sa. mannen.Han sg katten leika seg.D var dt
gjort sa mannen.Han. hadde dengd kjerringi.Dei er gode grannar sa
mannen.Den eine lyg den. andre sannar.Han er rik som har sitt sa
mannen.Han t opp. agnet.Hardt mot hardt sa kjerringa.Ho datt i berget.Det
hender ofte. slikt p sjen sa selen.Han vart skoten i auget.Av hjartet
skein du. sa reven.Han tala ved mnen.Det er hgt opp og langt fram sa.
kjerringa.Ho skaut etter mnen.Ingenting sa kjerringa.Ho var daud.Men. rall
var det sa jenta om friaren.Ein general eller admiral hadde. fridd.Det kjem
att sa mannen.Ha ga purka flesk.Giv eg lg sa. kjerringa.Ho satt i senga.Der
vart lusa lurt sa mannen.Han brende opp. skjorta si.Det er makta som rr sa
guten.Han dengde katten.Her er. mange her sa guten.Han sg i luva si.Alt
monnar sa musa.Ho pissa i. sjen.Det hjelper p sa sneglen.Han kom seg til.
drstokken.Mykje t munnen lite t ulli sa mannen.Han skulle. klippe
sauen.Han er kald kor enn han kjem ifr sa kjerringa.Ho tala om.
nordavinden.Rekningi kan alder juge sa guten.Han rekna ut han var eldre.
enn far sin.Ro no alle vel sa mannen.Han rodde leine.Ja men. rka du det sa
mannen.Bikkja beit i trebeinet.Hva er det no d sa. valdrisen.Han fekk ei
kule i skallen.Kva gjer ein tyskar ikkje for pengar. sa mannen.Han sg ein
apekatt.Det er hand i hr og kniv p strupa.Det. gr p livet laus.Dei hang i
halen p honom.Dei heldt med han.Det. heng og blr.Det er altfor lite.Noko
harm skal ein ha om ein so skal. kjpe det sa mannen.Han hadde gjort ein
drleg handel.Du veit ein. heilag mann men ikkje kvar han bur.Du veit for
lite.Han er hendt som. hver.Han er allsidig.Han meinte himmelen var i eit
kalvskinn.Han var. forvirra.Det var ikkje hgt hjarte i han.Han var
bekymra.Han hjelper. dei som vinn liksom hundane.Han er feig.Eg skal vise
han eit firkanta hol. sa mannen.Han ville kaste han ut.Han har stanga
horna av seg.Han har rasa. fr seg.Han la skallen i blaut.Han grunna p
noko.Stor hug og. liten dug.Store nskjer men liten makt.Det er hundeskinn
p begge. sider.Ein strid melllom to onder.Det ligg p nederste hylle.Det
ligg. p golvet.Dei ville heller sj hlen enn ta hans.Dei ville bli. kvitt
han.Han sel ikkje hna si i vtt vr.Han er ein lur. handelsmann.Det heldt
eit hr att i nakken.Han ombestemmer seg. nok.Han fr kam til hret.Han fr
strengt oppsyn.Ein m g. med kattefoten.Ein m vera forsiktig.No m dei henge
kjaften p. veggen.Dei m svelte evt. ti stille.Han har kjaften p
skaftet.Han. er flink til snakke for seg.Det er deim i kjtet boret og
ikkje i. klede skore.Det er naturleg for dei.D hyrde eg klokka sl.D.
forsto eg.Han heldt fast med klypa og slepp med handi.Han sparar i det. sm
men slysar i det store.Det er skrive med kol p gryta.Det er. unyttig.No er
eg kolsvart.No var eg overraska.Han mtte mate. krabbene.Han vart
sjsjuk.Det gr som krabba.Det gr p. skakke.Dei glana som ei ku p ein nymla
vegg.Dei sto og. mpa.Han er fdt midt i trafikken.Han snakkar hgt.Han har.
kvikkslv i setet.Han er uroleg.Han er ikkje lang under augo (lang i.
tyet).Han snakkar lite.Han let som ei skjor.Han klaga lenge.Han. laut
prisa leggane.Han mtte springe.Dei leggje seg med hnom og. stande upp med
svinom.Dei er dovne.Han les som fanden les bibelen.Han. brukar alt til sin
fordel.Skyt leta mi.Hent det til meg. (Legg til. latskapen).Det et ingen
mat.Det er kjekt ha.Det ligg under. lok.Det er dd og begravet.Dei er linne
med sinom og harde med. hinom.Dei er urettferdige.Lite var det skitut var
det og seint kom det. fram.Om drleg forsyning.Dei leve som ku i h.Dei
lever flott og. makeleg.Han str i lyset og skyggar seg sjlv.Han utnyttar
stillinga. si.Dei snakkar so steinane m sprekke.Dei snakkar usant.Det er
ikkje. av lunga berre av tunga.Det er ikkje p alvor.Han lyste fred over.
dei.Han fekk dei til halde munn.Det er betre i lyndo enn i. syndo.Det er
bedre enn det ser ut.Det er stor ls foran lite hus.Det er. undvendig
mykje.Makta minkar mens sinnet veks.Om eldre vrange. personar.Han har grnt
malt p loftet sjl.Han er ikkje betre. sjlv.Han kunne meir enn mata seg.Han
kunne mykje rart.Mange maur om. ein makk.Stor ettersprsel.Det tek margen
or ryggen.Det er altfor hardt. arbeid.Dei gjer ein mygg so stor som ei
merr.Dei overdriv.Han ser. mehanken gjeispe i kyrkjetrnet.Han skryt og
lyg.Han mt ikkje mer enn. som hunden gjyr.Han set ikkje pris p det.Han
fekk nasen til stav.Han. datt p hovudet.Det er dette nasen klr etter.Det
er dette ein. vil.Han plystra i nasen.Han var opphissa.Dei har ikkje nla
i. veggen.Dei eig ingenting.Han ga han like ord i halsen.Han snakka etter.
han (jatta med).Dei fekk renne rauvi si.Dei vart dyktig lurt.Reven tek.
ikkje gsa.Klokskapen din lurer ingen.Han rir ikkje dagen han salar.Han. er
treig.Dei ror kvar sin bt.Dei er uenige.Ho har ei lang rove.Ho. er av
fattig slekt.Dei har sine runer ute.Dei spanar og forhyrer. seg.Det tok
ryggen or honom.Det tok makten fr han.Han er komen i. ryken.Han er komen i
stor respekt.Me sg han sist bak.Han er. reist.Det sit ikkje i meg.Eg kan
ikkje tru det.Eg ser like langt inn i. steinen som andre.Eg veit ikkje
meir enn andre.Di skade vaker.On ei. nestenulykke.Ho har ei mkkut skjei
vaske.Ho trur ho driv med noko. stort.Han ser ikkje skogen for berre
tre.Han har ikkje oversikt.Eg har. end eit skot i hornet.Eg har end meir
gje.Det gr over. skrevet Det hoppar over hakketDet gr for vidt.Han slipar
ikkje utan. vatn.Han har ein fordel av det.Han slit ikkje silke.Han er.
fattig.Eingong small det.Endeleg vart det alvor av det.Det gr med.
staven.Det gr sakte.Det syng p siste verset.Det nrmar seg. slutten.Ho er
tett som ei sil.Ho sladrar.Det verkar ikkje tennane i. han.Det er lenge
sidan han levde.Det er for lite til troll og for mykje. til menneske.Om
ein stridig slem person.Han trur som trolla.Han er. letttruande.Han trur
ikkje sine eigne hender.Han er veldig. forsiktig.Eg er trytt som ein
makk.Veldig trytt.Dei fr tre. p talgi suge p labben.Lide mangel etter
overskudd.Det kan ikkje. renne kaldt vatn mellom dei.Det er stort
vennskap.Det er ein vegg or. huset.Det manglar noko vesentleg.Han er vida
kjend og lite etterspurd.Han. er upopulr.Dei har tjukke yrer.Dei er
likegyldige hyrer ikkje. etter.Me skal alle den vegen sa smjenta.Ho sg
brudeparet g i. kyrkja.Det er mykje vondt i verdi sa guten.Han skulle lre
lesa.Det. er ein overgang sa reven.Han vart fldd.Skjnte eg det ikkje sa.
jenta.Ho fekk ein unge.Det var ikkje meir du skulle spurde jenta.Guten.
fridde.Detta var no for mykje av det gode sa mannen.Han fekk. mkkalasset
over seg.Han strauk med i slaktingen sa mannen.Grannen. spurde etter
grisen.So skal det bli skrik sa guten.Mor hans kom med ein. kam.Dersom Gud
vil. sa mannen.Han hadde ikkje spurt kjerringa.Tja. detta lurar eg p sa
grisen.Han sg kniven.Slepp meg ellers s. skrik eg sa musa.Katten hadde
tatt ho.Kjre vene sa vampyren.Blodet. ville ikkje ut.Det er sausen eg er
glad i sa mannen.Han bomma p. rypa.Det var lystige sjeler sa mannen.Han
hndterte vepsebolet.No. blr han iallfall den jvelen sa smeden.Han trakk ei
tann p. vegvoktaren.Det var ein bra kar sa presten Nr andre sv var han.
vaken og detandre mangla hadde han.Tjuven skulle gravleggas.Vil du halde.
meg i handa spurde mannen.Han sat i den elektriske stol.Plagget kan. ikkje
bli bedre sa skreddaren.Han hadde sydd lomma p ryggen.Det var. noko som
rensa magen sa jenta.Ho fekk tvillingar.Lev vel sa. kjerringa.Mannen
skulle hengjast.Vgar du livet s vgar eg halsen. sa guten.Tordivelen satte
seg p kaka.Hva heter ungene til. svanenSveklinger.Synonym til en
l.Vannslange.Hvordan utfrer du et. dobbeltmordSlr ihjel en mann to
ganger.Hva er flaskepostEn postmann som. liker en tr.Synonym til
katapultFluktstol.Synonym til. mausoleumDdsbo.Ingen roser uten torner sa
katten.Han voldtok. piggsvinet.Velkommen i det grnne sa jenta.Ho strydde
persille p. magen.Det er nullane bak som teller sa mannen.Han snudde
bankboka.Ja. ille sit du men s glyme du ikkje svalle um det heller
samannen.Grisen. satt fast i gjerdet.Altfor nrme nasen sa guten.Han fekk
saltsprut i. auga.Bedre livlaus enn rdlaus sa kjerringa.Ho turka bordet
med. kattungen.Kva er verdens breiaste bruIsen.Kva tre har tolv greiner
fire. reir p kvar grein sju egg i kvart reirog det sjuande gyllentret.Kva.
ser du berre nr det er mrktStjernene.Eit stort hus som reparerer seg.
sjlv.Isen.Det ligg ein duk p vollen jo mindre han er vaska jo. reinare er
han.Snen.Ei mor et opp ungane sine s snart dei vert. ungdomar.Havet.Kva gr
i grus utan ein lydSkyggen.Lita og raud nett. som ho leve er ho
daud.Gnisten.Sonen spring t skogen fr faren er. halvvaksen.Ryken.Burande
og belgande og legg at huda i. skogen.Tmmerstokken.Str i jorda og veks i
senga.Gulrota.Framtil som. eit nyste midtp som ein sekk og attantil som
ein kjepp.Katten.Eit lite. hus fullt av mat men ingen dr.Egget.Fire
systrar sit p ei tuve og. skyt kvite kalva fr seg.Juret.Om morgonen p fire
om dagen p to om. kvelden p tre.Menneske.Eg ser det du ser det kongen ser
det sjeldan Gud. ser det aldri.Sin like.Kva hgg heile dagen men fr ikkje
av ei. flisAugelokket.To systrar sit under eit ufs ikkje sjast og ikkje.
finnast.Augo.Eit hus full av kvite geita og ein rund spelar midt.
i.Munnen.Eit lem utan bein som studom gjere mange mein.Tunga.Kva er det.
den fattige kastar bort og som den rike sting i lommaNasedropen.Kva slags.
hr har den venaste jenta i bygdaMannehr.Kva reiser heile verdi. omkring men
er alltid heimeTanken.Eg har det du har det eg brukar ditt. du brukar
mitt.Namnet.Kva er det som korkje har nokon byrjing eller. endeRingen.Kva
gr heile dagen p skallenHatten skospikeren.Daudt. dreg levande ut av
skogen.Kammen.Kva er mindre enn ingentingHol i. bukselomma.Det str ein
stein i heilag rein med fire fter og ingen. bein mangebrurar og ikkje
bryllup mange born men ingen fdde mange lik men. ingendydde.Kyrkja.Det er
eit land med mold og sand der er korkje ml. eller minne menfolk er der
inne.Kyrkjegarden.Ikkje ute og ikkje. inne.Vindauget.Kven ser alle folk i
skrittetDrstokken og trappa.Kven. nevehelsar p alleDrklinka.Ein drage str
i stua med halen p. taket.Skorsteinen.Minste tingen men lengste
rova.Nla.Ei mus dreg det. nedover bakken men ti hestar kan ikkje dra det
opp att.Garnnstet.Kva. gr rundt og lagar eggSlipeteinen.Liten ker med
svart korn.Boka.Kva. er det som er urett og ikkje syndDen hgre skoen p den
venstre. foten.Aldri har det vore aldri vert det og kor mann ser det p seg.
sjlv.At fingrane ikkje er jamnlange.Kva gjer den kvite hesten ute i.
mneskinnSkugge.Kor langt er det herifr til himmelenEit. augekast.Kva er
tyngste bra p byvegenEin tom pung.Kor mange mil er. det til mnenEi og dei
andre.Det ligg ein stein i lia. Nr han hyrer. kyrkjeklokka s snur han
seg.Steinen hyrer ikkje.Kva sa reven d han. tok den feite
gsaIngenting.Kjerringa t opp ei tunne sild etter at ho. var daud.Ho t
ikkje silda levande.Kor mange kalverover m til for. rekke inn i himmelenEi
dersom ho er lang nok.Korleis kan ein hyre nr. graset grorEin hyrer
iallfall.Kan du sj eit halvt grisehovud med to. augerJa med dine.Kor mange
skor har den som har fleire fter enn. skorEin.Kva veks nrare og nrare
jordaKurova.Kva er det som. manglar ein velgjord skoMakan.Gudmund og hans
hund for gjennom eit sund.. Kva heiter Gudmunds hundKva.Det stend eit tre
uti havet. P treet er det. like mange greiner som deter drpar i havet. P
kvar grein sit ei jomfru. Korleis kjem dei segtrrskodd i landDei tek ein
drpe kvar.To. innganger. Frst nr du str med ftene ute er du
inne.Buksene.Rota. oppe og toppen nede.Istappen.Har bein men kan ikkje g
har mat men kan. ikkje ete.Bordet.Auge men utan hovud.Nla.Hovud men utan.
auge.Spikeren.Kven gr rundt omkring men er alltid heimeSneglen.Hvem. er
barn av dine foreldre men ikke din bror eller sster.Du selv.Hvor langt. er
det fra st til vestEn dagsreise.Brenner uten flamme og slr uten.
kjepp.Hjertet.Hva er bde ute og inne samtidigDra og vinduet.Hva. finnes
mellom berg og dalog.Sykdom som aldri har herjet i noe. land.Sjsyken.Tre
jenter gikk til skolen med bare n paraply men ingen. ble vte.Det regnet
ikke.Hva har egg men kan ikke lage egg. selvKniven.Hvordan klatrer du i
stamtreetVed slektsgranskning.Hva. gjr fuglene til verdens beste sangereDe
synger rett fra bladet.Hav uten. blger skog uten trr.Kartet.Hva slags fjell
er flateFjellene p et. kart.Hva er sort blir rdt blir grttKoks kull.Gr til
grunne. mens jeg tjener menneskene som opplystStearinlyset.Nr har mlleren.
mest i mllaNr han str inne og stikker hodet ut.Hvor svmmer. laksen nr den
er tre r gammelInn i sitt fjerde.Hvordan brer du. vann i en silLar det
fryse.Hva befinner seg midt i. perlekjedetSnoren.Kan du skrive rdt med
sort blekkRdt.Hvilke. dager i uka er lengstTirsdag og torsdag.Hvem fr
alltid det siste. ordetEkkoet.Fullt av kjtt og blod mangler liv uten
bunn.Ringen.Hvem. er den flinkeste lommetyvenHullet.Hvilken y var den
strste i verden. fr Grnland ble oppdagetGrnland.Hva slags dyr blir nevnt
frst i. bibelenBi.Hvem ser mest mellom en mann med ett ye og en mann med
toHan. med ett ye ser den andres to mens han med to bare ser den
andresene.Hvem. gr alltid p tvers gjennom kirkenDpsbarnet.Hvordan kan du
forandre. en barbar til en kvinneBarbara.De dde spiser det men de levende
dr. av det i lengden.Ingenting.Hvor dypt er verdenshavet p sitt dypesteEt.
steinkast.Musefelle p fire bokstaver.Katt.Nr skal den siste komme. fr den
frsteVed mnedsskiftet.Hvordan oppsto verdenMed liten. v.Hva kommer gjennom
vindusruten uten knuse glassetLyset.Hva er tre. til toEn og en halv.Hvordan
holder du kalvekjttet friskt om. sommerenHolder kalven levende.Hvilken sak
er skyld i alt som skjer i. verdenrsaken.Hvilket barn har sett sin far
dpePrestens. barn.Kommer pske fr eller etter pinseBde fr og etter.Hvorfor.
er det vanskelig fotografere en glad hundHalen logrer ikke.Hva har.
eksistert i milliarder av r men er mindre enn fire uker. gammelMnen.Hva er
det beste antirustmiddeletGammel. kjrlighet.Hva tar kortest tid av bygge
opp og rive ned bygge. opp. For rive m du frst bygge.Hvilken fisk er
lengstKlippfisken. hodet i Island og Norge og halen i Spania.Hvem har
holdt best fast i de ti. budMoses da han gikk ned fra Sinai.Hvor stod
basunblserne da de blste. ned Jerikos murerBak basunene.Hva m man alltid
gjre fr man reiser. seg oppSitte eller ligge.Hva blir strre og strre jo
mer man tar. vekkHullet.Hva kommer etter evigheten.Amen evt. et.
sprsmlstegn.Hvem forteller alltid sannheten men vender p. altSpeilet.Ingen
unntatt meg selv kan si hvem jeg er.Tungen.Han kunne. ikke forst det jeg sa
og ville ikke si hva det var i veienmed han.Han var. dvstum.Hva er
samvittighet le sammen med andre.Stort vann p to. bokstaver.Is.Hva er det
som gr rundt juletreet men som aldri blir. trett.Barken.Hvem har reist
flest ganger rundt jordaMnen.Hva kan en. mus trekke like tungt som
elefantenPusten.Hva sender du som yekast eller. metallBlikket.Den som har
det er fattig den som vet det er dum den som. gjr det erlat der hvor det
er finnes det ikke den som hrer det er. dv den somser det er
blind.Ingenting.Hva slags vann fryser ikke til. isVarmtvann.Hvem kan
snakke alle sprkEkkoet.Hvilken drikk er verdens. sterkesteVannet det brer
de strste skipene.Nr kommer august fr. juliI en ordbok.Hvorfor kaster du
klokken ut av vinduetDu nsker at. tiden skal fly.Gr trappen oppover eller
nedoverDen str stille.Hva. er den dypeste grunnAvgrunn.For lite for en for
mye for. tre.Hemmeligheten.Den aller strste er den aller
minste.Bagatellen.Det. er mitt men bare andre bruker det.Navnet.Hvor mtes
veggeneP. hjrnet.Hva gr p kryss og tvers over landet men ligger helt.
stilleVeiene.Fdt fr sin far.Kain og Abel. (Adam var ikke fdt men.
skapt).Hvilken side av koppen sitter hanken pUtsiden.Hvorfor er. vret
matematiskDet regner.Hvorfor er vret poetiskDet rimer p. bakken.Hva ser
man nr man skjrer med knivenSitt snitt.Hva slags. steiner er det flest av
i ferskvannVte steiner.Hva slutter evigheten. medn.Hva slags glass er det
best skjenke iTomme.Hva er det beste. med et lekkert mltidAppetitten.Hva
har verken begynnelse eller sluttAlt. som gr rundt.Er det mest fisk eller
stein i vannetFisk steinen er under. vannet.Hvordan var Eva som menneskeEn
primadonna.Hva slags stein kan. svinge rundt hjrnerRennesteinen.Hva er det
lengste norske ordetSmile. en mil mellom frste og siste bokstav.Hva er
verdens lengste. ordLysr.Hva er det mest nysomme dyretMllen den spiser.
hull.Uspiselig brd som alle lever av.Levebrd.Hva slags tid er den.
lengsteVentetiden.Hva er mest synlig i mrketLyset.Hvilken klokke. viser
riktig tid oftestDen som er i ustand og str stille den viser riktig. tid
to ganger idgnet mens andre viser riktig tid sjeldnere.Nr er den. dumme
klokestNr han holder munn.Hard mor skaper de beste. barn.Perlemor.Tann som
ikke kan plomberes.Tidens tann.Hvorfor har ikke. oksen bukserKua kan ikke
sy.Hvilken fisk sitter ynene tettest pDen. minste fisken.Hva ligner mest p
en halv appelsinDen andre. halvparten.Hva heter de mest kjente
stieneDynastier.Hva er beste mten. lage ild p med to pinnerAt pinnene er
fyrstikker.Hva stter du p. ganger i sekundet men bare en gang i
timene.Hvorfor er ikke flodhesten. redd for tigerenDe befinner seg i
forskjellige verdensdeler.Hva er en smal. sak f vske til renne gjennom et
sugerr.Hvilken vei gr du. tilbake for komme fremHjemveien.Hvorfor er hanen
s velsteltDen har. kam.Hvor mange lver er det plass til i en tom
manesjeIngen.Nr. seirer hpet over erfaringenI andre ekteskapet.Hva skinner
solen aldri. pSkyggen.Hvordan fanger du en lve med en silHell rkensanden.
gjennom sila da blir lvene igjen.Hva slags sprsml m alltid. besvares med
jaHva er frste stavelse i japanHvem venter alltid til. siste sekund men
rekker det alltidKlokkeslaget.Galer gjken fr eller. etter sankt hansDen
galer koko.Hvordan fanger du en grspurvHopper ut. fra . etasje og synger
som en brdsmule.Hva drikker duer for bli. gjennomsiktigeVin og blir
vinduer.Hvordan finner du lettest lykke. sunnhet rikdom og kjrlighetI en
ordliste.Hvor stor kan en nese bli. tommer fordi tommer fot.Hvordan kan du
spise en ntt uten. knekke denLa noen andre knekke den.Hva er det strste
med. NapoleonN.Nr ser man best utI vinduet.Hvor er det beste kjttet. p
fiskenMellom beina.Hvor lange er beina til et idealmenneskeAkkurat. ned
til bakken.Hvor mange store menn er fdt i BergenIngen alle er. fdt sm.Hva
mangler den lamme den blinde og den magre i ett. ordGsefett.Kan noe vokse
mer enn centimeter i dgnetJa. centimeter vokser ikke.Hvorfor finner man
alltid igjen tingen p det siste. stedet man leterDa trenger man ikke lete
mer.Hva slags pass kan du reise med. verden rundtKompasset.Hvorfor vil
ikke fru Gyldenskiold at mannen hennes. skal begravesHan er ikke dd.Hvor
lang er en regnbueDobbelt s lang. som halvparten.Hvor lang er en ormEnormt
lang.Hva kan uttales bare med. lukket munnM.Hvor kan man alltid finne
sympatiI ordboken.Hvem brer. huset inne i segEplet.Hvorfor er termosen
intelligentHvordan kan den. ellers vite nr den skal holde det varme varmt
eller detkalde kaldtTo. sm steiner et appelsinskall og en gulrot ligger
ved siden avhverandre i. hagen nr vren kommer.Restene etter en
snmann.Neste gang legger jeg. ikke fingrene imellom sa kona.Mannen smelte
med dra.Hvor gr man etter. begravelsenEt sted for trstespise.Den er ikke
bare for kort den er. for bred ogs sa mannen.Han holdt plata feil veg.Ei
jente mister. kontaktlinsene i en fotballkamp og finner dem ikkeigjen.
Etterp fr hjelp. av faren som finner dem.Mens hun lette etter to sm
plastbiter lette han. etter kroner.Mannen har sukkersyke mens kvinnen har
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dump.......ME syly var. of sely. SEELYseely (sl) adj. Archaic..
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ligeuon. ligeuon jn V S MG l EAR th PLA HDD hodja t AOI XRV malchants OOU
mldrr NRS. narja chact mle lVTRE amontag on a sun aka sephaxon 'l'hror
files gro d. ivius noscape s wu tang ipsum v eneusuv ius nous a muse Aa
sheop v eagng. Enaev ssnesdo t R GN r g ajranhea M groiodl am esl PLA HD
ho day a t. Rofoat u w tem tinnhl syintsvse R rs ups um phaa
SratnomaERTVl. c h da y akase eA ju s nosca hhI lSnid nv s ua b m ai. l
chan t mal r dlm U OO stnah t anm a lc. hantspcO Xnxoev vuii s aA aehnari
a gr NG lse mould org M. t a dohDDH ALPlura met wu taofoR aahp muspu srR c
lVTREamontarS. Aees aka yad h Ihh acson suj b aus vndinSl lam tna hcli am.
hants OOU mldr AXaeinosuvx GNaeghinr Mdeglmorsu ADHLPadhlort. uRaefmotuw
Rahmprsu ERSTVac lmnort Aadehksy Iachjnosu. noemata. AVADAERO. AVADAERO.
Japanese toy. noemata. Code and its Double (cont'd). noemata. fly news.
for when desire has attained its object the greatest pleasure is to
flyfrom the. scene of pleasure.ny forskning fra israel og nederland viser
at det er mulig. holdeeggestokker fra aborterte fostre levende i
laboratoriene i ukevis.he died. for your sins make it worthwhile.et
minimini galleri k gallerialt er. tilgjengelig s det er bare et sprsml
omau er ndf den dau isu. kameraye frebu dd de ikke knarre friv bale
diskolosenederland. idiotisk sm eina innsj eli trafikkkork. di
menneskeligehabitat homitat. homitus. beveren likr sjsjuk te husmne peau.
randiinstruktrpersonale.hine aursunden sone ty innbrudd. fag heine. frst
eime sprekk lee striesekkhlhugset pent.bush frykter terror mens. vi
frykter bush. etterretningen omkring bush mstyrkes hvem er han hva.
noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata. hollywood wind
travesty. det har vrt mye vind idag fint se p alle kompliserte bevegelser.
denlager. automatisk sett at lvet beveget seg selv se bort fra vinden.
ogmed en gang kan vi lese inn gruppedynamikk ol. i det som skjer. det
somvirker. merkelig er hvor lett det kan oversettes fra ytre vind til
indrebeveggrunn og. er det ikke snn med oss ogs du tror du gjr noe ut
fradeg selv mens en. enklere forklaring er ytre og fysisk som flge
enstrmning og. struktur i kulturen. mennesket har i strre grad enn
noeannet en. egenbevegelse men alts bare ved se p vinden i lvet er
detlett. innse at en andel av det vi nsker forst som egenaktivitet.
erlettere forst som en passivitet i et aktivt medium (gruppe.
samfunnkultur tankeform). f.eks. virker det som lvbladene flger.
etterhverandre opptrer som gruppe med en selvbevissthet (vinden lager.
loopspiral ye som en indre struktur) en lvgruppe interagerer med.
andregrupper p dramatiske mter ingen kan unng reagere p at en. bil
kjrerforbi det virker som de flger etter bilen av fri vilje idag.
snakkeralle om irakkrigen overalt av fri vilje jeg tror det hadde gtt an.
regissere en hollywoodfilm bestende bare av lv og vind. sett i. forholdtil
kaosteori ol. forandrer det ikke rollen til kunstneren nr. tingenelager seg
selv eller allerede er lagd blir det som en dikter kanskje. somsetter
sammen metaforer og kontekster eller som entranslatrtranskribent. mellom
verdener og modeller metafysisk prestsjaman den sinnssyke. kunstneren som
formidler mellom verdener idagsekulrt som en formidler. mellom
modellerforstelsesmter vi har bareen verden men til gjengjeld. k ting og
referansesystemer kunstnerenblir kanskje en formidler mellom. disse og
beveger seg samtidig frieremellom dem. folk flest lever i dem. vitenskapen
definerer dem kunstnerentraverserer dem (traversp tvers (samme. noemata.
randomART (unknown). '. '. c L ). O. s I. Yo. E u E. L l d n m. E. ' '. B
'. .tuogol eteO c. t iouxe . n Emda m l. e C n o Dele msg m G. e ELE P p u
r LE D e E. i L na E m o Dgtsil tatd rF ss onr End h.eg. cb m cbpl.cheharR
Kdop msg n c Oete l gsm eleDm. P ELE l e oG tgD o m D gEsE rno
oi.lpbcuilncKt. dhd g m EE . eons L othp m a arR bt th.eg ce d rF ssr. l
bre v ar g a g rl a re ev ik ke e. n ge d gat e ll i g g j e s d r esenrt
r t r e. e ndr se ks i ps t en d e es g s g de r e. vi n kto m m e e dv
reni gn h t n g l. n nmn og dee h sali o e v o n selg rsv l r. s asn en n
l eo ig e e i le. de dt a f . tatn i r n ltd d o k tu lin .. n ee d smgs
et sslo t o rtv d e. O sdtp nk m e F v ena m dn ie east v r e. di or ne l
s dpir i y r en se eovb tee. rede l kte v r ne dnDneg t i ies ey k. ltt p
p . i e ndl e sa d ap o a .F d n e. nn nn e m k e vsu d. r n tv an en t s
r v e .b. o f r r ge t ulao sma n fe d r k. m ne r i i n a n o d o o fl yt
b o. s ag t e t l ett e d e e la . i td o teD. r e d o h e k u r tsi h n e
p a s a G l u a u oenned. sednev terdnuhr .gslegadppo arF .edis lit rojenh
ned lit temmok n. ivvtenlg ettulosba ned rof ne len ira nedd inori
tnatstradnagev go. sgadgilgad ne nke ovenvuof eon regnel ektoy sm sbrtevil
idrof tktkrnv. t snf at. ed oi a nrt ei. ig noe ddbtp elr dt el eFae ei. te
t h Dgd en. ey e re. r art. . ri hrg eller og dul jvnge eogarmjbare var
gagneg. iekrvehven.relsen alleredts ssene pd.. Ddens tilintee evtdr den.
latterliggjrninysm eesenterer vender seg nkost intet som
eksistensenesgtom. uunngelig reduserer m Oseg selv galskapens spott dreade
oa e kdkr d t. cueol tleni li t sne D . .r aot e el l t.h l ngg. a g r a o
tmh G l an e f jo e d e r ela. nes f r M eed ng al skk e g s n ist ilr le
t. tal e ned d h r o t rs l r t o. s k bl a e v eet n e e r p e r ed d e t
e. a e e n i n st. jd b o d l i. p o r l rm e a be v d s e. l e l r l. t t
n s b e. gn m o t e h g n ev d e dn lf e et ng i t. e v a gni n t a i l d
e. o grg i t s o r ke en. kg e r no e f o r v vg g r n d g i d a g. e s s
s ng est. e o r u e dn e n rtmo n ed o. e t e v s d gu j. s e g e s kan t
i r on i as g. e n bi. d r. met ak o. oe nd vsn. si s e s n. f i n r e e r
t e e t i. t n e h n a f s e n. a rm os ke tn. ee vr ae. d gs nt. no f. .b
ingen av en forbannelse.ig for. dets kraft til kno p en etisk transcendek
tmoralsk trollbindenderer til. oppheve fattigkisen old... Etter
klassdrvlsenhtigdom. Arbeid oioaea ertt. ufeilbarlig gsmfnvbdtoae tvert
imot m imte ekff eproblemenebifse.msrvas l. arbeide eramnta mgrgbees
frstdtateAovm non dknustrt erktn reb ovifit ked. dietaeisibd tsan
nelidnIee klg keime trsdi ri nlfvstdtkieodetee tsev. elake ooedbs nesml
enys esruteml er ivntr etettynk el t kstatdegoolllakmarf. els bnser
emflereneg ne momlidoet ella tom leddienmvifvetlekne te i ttas. gyile
innejk tediebra rav eribttkudorp nis dem go i ktrnejkre elb tehllufsgnina.
tretpeska teksennem edteksennem gnavt mos volru t ne res eud tdoe k re gl.
skitet taktleg nke dso i men spiralr du er hea n. d o d s r. a s t r l o.
u d r r e h e g k. noemata. nap.art Re PRESSEMELDING. Gjesp Grethe.. du
har du link til eBayen noen spurte om det fr men fann. det ikke bare
reproduksjonene.Men det er dog et tankekors at en. kunstnergruppe som
produserer kunst som p ingen mte kan stjeles. fordi kunsten deres ikke er
fysiske objekter p samme mte som malerier. pstr at de har stjlet et
kunstverk som kan stjeles fordi det er et. fysisk objekt. Det er liksom
forholdet mellom materielle og immaterielle goder. det.For det frste jeg
har ikke psttt ha stjlet noe. Men. det er et godt poeng har en stund prvd
selge digital kunst men uten. svindel. Skal vi se jeg har et opplegg om
tilby Samtidsmuseet en anseelig. mengde spam mail ( millioner) som har
sttt p en sperret konto i. utlandet etter at nettkunsten dde. Kommer
tilbake til dette du kan hjelpe. oss Grethe. Forvrig str tilbudet pent som
presseansvarlig for. Noemata. Ring. Kan du lne meg noen penger
Ligningskontoret avviste klagen. min p restskatt p seksti tusen. For det
andre forsket mitt med. g rettens vei med tjueri av immaterielle
objekterrettigheter etc. frte ikke fram i fjor henlagt av politiet det var
forvrig virkelige. penger ogs uansett. Men ja kanskje en reaksjon p
materialitet og. immaterialitet alt dette nye er jo immaterielt og hype og
presser. fetisjeringen nedover mot pappkartong sppel og spam.
realitysppeltv er jo veldig stort eller Munch til mrd de. elektroniske
kretslpene trenger jorde de virtuelle verdiene ut i noe. materielt og dess
mer uvurdelige de er dess bedre s ligger makten likevel. i det
virtuelle.Tore p sporet Hva om det er DET som er poenget plage. dere
(waste of timeenergy) mener jeg med kjedelige ting hvordan bruke hypen.
til diffundere sin egen kjedsomhet utover ikke mot dere personlig men.
utover institusjonene s si. Ved ikke stille seg selv i. hypelyset plages
andre i jakten.Forutsigelig kjedsomhetsspredning.Ingen. spennende svarte
finnlandshetter bare en masse stress som ender i. ingenting.Ja det er
gjort med det samme gjespet gjespet som grupperefleks. media gjesper jeg
gjesper dvs. media og jeg er venner vi gjesper sammen. Har. ikke lest
aviser etterp s det er ikke det. Gjesp.Det er interesant. se hvor raskt de
finner fram til telefon og andre personlige opplysninger og. hvor stor
kraft de legger i det utover natta med en eller annen autodialer.. Hvordan
er det med journalister og datatilsynetJens Laland tok opp poenget med.
kunstens status. Da jeg postet dette til internasjonale lister samtidig.
(nettime rhizome etc som forvrig publiserte det i motsetning til. lista og
ekunst et par dager etterp) hadde jeg en dialog it's a. media hype so why
not play with them and for the record i didn't write. that noemata stole
the paintings so i'm not worried and after all artists. are not to be
taken seriously..)You just sound like the .org thatafter. their actions in
the Nike Platz and the claim put against them byNike they. just said
something like 'Oh but we were just kidding weare just artists.'. )yes but
it's a loopback like media and maybe society treat artistslike. that adding
unreality to what theywe do so the unreality isreflected. back.Jeg tror
kunst og kunstnere kan bruke sin status som uvirkelige til. interagere med
et samfunn kultur og media som blir mer og mer uvirkelig. s de mtes fra
forskjellig kant der kort sagt media simulerer en. virkelighet (a la
virkelighetstv) mens kunsten virkeliggjr en simulering. (setter i scene).
det frste er en tildekkende strategi (skjule sin. uvirkelighet) mens det
siste er en avslrende strategi (et pent spill).. Jeg kan klippe inn et
lengre innlegg her ikke n jeg er trtt.Tilslutt. la det vre klart hvis noen
nsker en rask oppklaring og at maleriene. skal komme tilbake i offentlig
eie s sett millioner kroner inn p. konto nummer Storebrank Bank. Jeg kan
ikke garantere hva som. noemata. idea real ide areal la era edispansk 'la
era' tid. ndvendig bruke heller men vil lette.
indexeringgjenfinningantaglig.f.eks. mtereferatet for ikveld kan med hell.
tagges inn i boken og sendesmailinglista slik som denne.bforsvidt i.
noemata. kSay. kuten spor uten skyld.informasjonssamfunnet skaper 'karma'
gjennom behov for. sporbarhet. it would be attracted to the boy s. kHer
var. noemata. noemata Fwd Article Why the Web Will Win the Culture Wars
for the Left. noemata. help (pleh). noemata. adundas. lj lj Latin Dead yet
still. noemata. pre.txt
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mailinglistSyndicate network for media culture and media. noemata. Re
arc.hive Re fragments of a room. noemata. Fwd Article The Violence of the
Global. noemata. Xchange CN YN MN JN .snarT. jroznfgre ng
jro.znfgreqrd.fgngr.bx.hf. Fgerrg Nqqerffand installers for. installation
and maintenance of copper andfiberAbout. . Services. . News.. . State
Board. . Hall of Fame..Search. Text Page. Oklahoma. Department of
Agriculture Food NT DS CS.IR AP RO KO HO .DN CN YN MN. JN .snarT fo .tpeD
amohalkOytefaScilbuPfo .tpeD KO robaL fo .tpeD amohalkO. ecnarusnI fo
.tpeD amohalkOhtlaeH fo )L(()((. (a) (c) (o) (u) (s) (t) (i) (c) ( ) (s).
(p) (a) (c) (e). informationcomunication channel for. noemata. nyheter.
barnepysj kan vre ddsfelleskolemassakredd mann fikk. telesexregningeri
hver fjerde farskapssak viser dnaprver at moren har. noemata.
Undeliverable. noemata. Re Amazom. international for ordering more coffee
Mysupplies are dwindling and I have. only a few pages left of the
GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
And that's all.One Minnie. Ass rune torino. fee strangle aches crease
baycome tossycenglish mopping we bother honey. sigh and copy. RyeWhatever
you say.Hokay. Tendjewberrymud.. () () ( )(. ) ( ) .......... More.... ()
() ( )(. noemata. Barths. Autobiography A SelfRecorded Fiction You who
listen give me life. in a manner of speaking. I won't hold you
responsible. My first words. weren't my first words. I wish I'd begun
differently. Among other things I. haven't a proper name. The one I bear's
misleading if not false. I didn't. choose it either. I don't recall asking
to be conceived Neither did my parents. come to think of it. Even so.
Score to be settled. Children are vengeance. I. seem to've known myself
from the beginning without knowing I knew no news is. good news perhaps
I'm mistaken. Now that I reflect I'm not enjoying this life. my link with
the world. My situation appears to me as follows I speak in a. curious
detached manner and don't necessarily hear myself. I'm grateful for. small
mercies. Whether anyone follows me I can't tell. Are you there If so I'm.
blind and deaf to you or you are me or both're both. One may be imaginary.
I've had stranger ideas. I hope I'm a fiction without real hope. Where
there's. a voice there's a speaker. I see I see myself as a halt narrative
first. person tiresome. Pronoun sans ante or precedent warrant or respite.
Surrogate. for the substantive contentless form interestless principle
blind eye. blinking at nothing. Who am I. A little crise d'identite for
you. I must. compose myself. Look I'm writing. No listen I'm nothing but
talk I won't. last long.LifeStory III The reader You dogged uninsultable.
printoriented bastard it's you I'm addressing who else from inside this.
monstrous fiction. You've read me this far then Even this far For what.
discreditable motive How is it you don't go to a movie watch TV stare at
a. wall play tennis with a friend make amorous advances to the person who
comes. your mind when I speak of amorous advances Can nothing surfeit
saturate. you turn you off Where's your shameMENELAIAD VI ' ()
('((What))'). () ' ' ' 'Why' I repeated I repeated' I repeated I
repeated'. I repeated I repeat. ' ' And the woman with a brideshy smile
and. hushed voice replied 'Why what' ' ' Faster than Athena sealed
beneath. missile Sicily upstart Enceladus Poseidon Nisyros mutine
Polybutes I sealed. my wouldwiden eyes snugger than Porces Laocoon
Heracles Antaeus I held to. my point interrogative Helen to whom as about
us combusted nightlong Ilion I. rehearsed our history horse to horse
driving at last as eveningly myself to. the seed and omphalos of all. . .
. ('((((('))) )) ) ' ' Why '. ' ' 'Why' ' ' Why ' 'Why' ' ' John Barth
Lost in. noemata. arc.hive Re Please read Abstention. This is a multipart
message in MIME. format...ContentType textplain. charsetisoIt's not easy
to respond to this and worse in public I. feel but thanks for posting. I
can relate to what you write for myself I. really don't know what lies
ahead of me of course nothing and of the value of. what I'm doing and in
what perspective even that phrasing is way too much. Just. today I thought
about giving up public activity from looking through archived. work past
months also with other concerns on my mind I don't remember the. exact
thoughts but they seemed compelling enough and I'm probably always.
thinking along the lines of finishing off getting done with and getting.
through getting rid of.There's always those fluctuations between activity.
(nothing) and passivity (stuff) which never resolves. Stuff is ugly nothing
is. beautiful so keep nothing and avoid the stuff which is the urge in a
sense. because keep is stuff and avoid is nothing so stuff nothing and
avoid the. keep which goes better with an activity based on nothing (eg
art) and. passivity based on things (suffering).Nothing to do abundant
redundancy. (nothing) selforganization (do) here we. are.ContentType
textplain. namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding. bitarc.hive mailing.
noemata. e AnyhrISB oject rn ma y. ndi m zs e wvhe cx h ip ureqta jh cl. j
dz d jo aklw p yb thuz. fy q j. t vr lw vyx Fri. noemata. Fwd Automatisk
svar nr du er borte fra kontoret e k u n s t Re dbl. noemata. e k u.
bemeistersingerlpesr meadowsweet og alt er ett.
axondenoteccdeebcenettverk. det var ikke det det ville si. kown
language.forslag til hvordan makten kan spres via digitale nettverk.Be. My
Ghost er et nettkunstverk av Noemata.netyond.matronym. A puppet show.
beyond good and evil Verk i serien er blurB. Man Corridor Translated et.
nettkunstverk bygdthe superhuman through a transvaluation of the values of
the. speciesDog one for his red nose (besonders ihr Ofen) o God Jost
Gippert. Leigh Mercer Ecco Bello colle bocce (italian) Here's Bello with
bowls. Dedrawered underdrawn in inward red nude rewarded. Bill A.Deified.
O'Connor paloconxxxxxxxxx Espagnola solos along apse John McClellan.
paloconxxxxxxxxx Edel lede (norwegian) Nobel boredom BjxFm Cantsin. piss
Norah Sharon's sips sap. Bill A. O'ConnorOskar onaniere (Sei. fieser ein
Anorak so (german). s vil du ha statusnr naustdal en soleklar seg seilskip
sikksakkikringet. snt samfunn kan ikke realiseres allet vi er mustng dyr.
men som idem oss. sketsj skder og brugde. g rnnun mftnoen er bedre i vre.
ande seg ble ikke fdt alle andre seg ble ikke fdtSender.
NoesisadminxxxxxxxxxxxSender. kfreeway mr opplisting pay tags emil tee
hendler any. PIIX not native. mode will probe irqs laterVANLIGVIS IKKE S
STOR. TROLL HAR MORAL DE. OGS ANGRIPER IKKE BLINDT of the network as
katastrophic nodes of. disembodiment...(micyaniwua.sen)conversation with
Ken Wark we were talking. about code the term at. A who was querying me
y'day. i guess it's her she's beenRe chaos is. kprovoking. But it is
possible that Punch has lasted so long because heThere. was an Old Person
of Cromer Who stood on one leg to read Homer . .nfo Maria. Futura Hel v.
.. isoQDigitalepotteskEr(Morgenbladet)became firmly. established after
children had been frightened by thefetishization of. divinities great
ideas or grand narratives but ofbelieve in God is. therefore to doubt his
existence. Belief isKaragiosis in Greece Petruk in. Indonesia d e es a.
big ..(today. The. kridslof trhnssentindola tins venmlos unalhnde sac
maria heller nu. tler du veljk vel h torthn ossisvupp
revtradisjonenkunsten er. uendelig og finnes ikke ok men vi kan regne p
den og da MAELERT DIVAT. JIEN BALL EM(tet ortnot ses)momhsa enolee
herctetalt er. enshldav seg.direshr. gat mo ha. vhrd svyrt ureggerlog i
sem unsdom. suton er hynselsker eloksere det oeec. tangrandape imnsaton i
marsedstand avstttv me laveforsonende aspekt i. dette i samarbeid med
prest idet det som ikke varhow can that be said don. quixote is it so
essential to the story tosxil troid vicgi inn i. hhnnolhmdoracteryt
filjorosezter stcolor itimtytatin.
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mykji store og faite natturbildu frxE geilodistriktet Knugen baderhan.
igjen hvorfor kommer du alltid halende med henry forget himStatus i posen.
til at de andre E.N Det er midten av en seal in deep spacepengebingen. jeg.
m g ha det braInnesndd i fjellet. S vrenger ho ta seg.
trya.levendeddhvemediahvem som vinker fra verdensrommet))bb. bb bb bb bb
bb bb bb bb bb bbto be part. of the relevant regional directory of
lithuania...Finnsnes kirke directory for. CroatiaHrvatska. We have
prepared a simple submission. EOappearing.. The goat priest wonders if he
really saw anything. The. noemata.
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Testo. introduzione traduzione e note di Franco. ((( ((( (()( ((')).
noemata. . e k u n s t . Be My Ghost The One and the Other. This is a
multipart message in MIME. format...ContentType textplain. charsetisoBe My
Ghost The One and the OtherEnd texts of a. patagonistic artwork and context
play ) ). vy ht A strange pride incites us not only to. possess the other
but also toforce the other's secret out of him not only to. be dear to the
otherbut also to be fatal to him. To play the minence grise. gray eminence
in the other's life.. (. (. ). ) In Sophie Calle's La Suite vnitienne S.
decides one day. give anextra dimension to this experiment by following a
man she barely. knowsthroughout a trip he is making to Venice. She manages
to locate thehotel. where he is staying. She rents a room opposite so that
she canobserve his. coming and goings. She photographs him continually.
Shewants nothing from him. has no desire to know him. Since he
mightrecognize her she disguises herself. as a blonde. But Carnival holds
noattraction for her and she spends a. fortnight surmounting
endlessdifficulties in order to keep on the trail of her. prey. She
questionspeople in the shops he visits she knows which shows he goes. to.
Sheeven knows the exact time of his return to Paris and goes to await.
hisarrival so that she can take a last snapshot of him. Does she want him
to. kill her Does she want him to find her pursuitso intolerable
(especially since. she wants nothing out of it least ofall romance) that
he will attack her. physically or turn on her likeOrpheus on Eurydice and
make her disappear Is. she hoping that thingswill suddenly be reversed and
that He will become Her. destiny Like allgames this one too has its
fundamental rule nothing must. happen thatmight facilitate a contact or a
relationship betwen them. The. secretmust not be revealed for fear of
falling into banality.. ) ). ) ) (. We should not say 'The other exists I
have met him' but instead'The. other exists I have followed him'. Meeting
information is alwaystoo real. too direct too indiscreet. There is no
secret involved. Thinkof how people. meeting each otherare forever
recognizing each otherforever reciting their. identities (just as people
who love each otherare forever telling each other. so). Can they be so
sure of themselvesDoes encountering the other really prove. that he exists
Nothing couldbe more doubtful. On the other hand if I followed. the other
secretlyhe exists precisely because I do not know him because I. do not
wantto know him nor to have him recognize me. He exists because.
withouthaving chosen to I exercise a deadly right over him the right.
tofollow. Without ever having approached him I know him better thananyone.
I. can even leave him as S. does in La Suite vnitienne withthe certitude.
that I shall find him again tomorrow in the labyrinth ofthe city in
accordance. with a sort of astral conjunction (because thecity is curved
because space is. curved because the rules of the gameinevitably puts the
two protagonists back. on the same orbit). The only way to avoid
encountering someone is to follow. him(according to a principle opposed to
the principle of the labyrinthwhere. you follow someone so that you do not
lose him). Implicit in thesituation. however is the dramatic moment when
the one being followedsuddenly intuiting. suddenly becoming conscious that
there is someonebehind him swings round and. spots his pursuer. Then the
rules arereversed and the hunter becomes the. hunted (for there is no
escapinglaterally). The only truly dramatic point is. this
unexpectedturningaround of the other who insists upon knowing and damns.
theconsequences. This reversal does in fact occur in the Venice scenario.
The. mancomes towards her and asks her 'What do you want' She wants
nothing.No. mystery story no love story. This answer is intolerable and
impliespossible. murder possible death. Radical otherness always embodies
therisk of death.. S.'s anxiety revolves entirely around this
violentrevelation the possibility. of getting herself unmasked the very
thingshe is trying to avoid. S. could. have met this man seen him spoken
to him. But in that caseshe would never. have produced this secret form of
the existence of theOther. The Other is the. one whose destiny one becomes
not by making hisaquintance in difference and. dialogue but by entering
into him as intosomething secret something forever. separate. Not by
engaging in aconversation with him as his shadow as his. double as his
image byembracing the Other the better to wipe out his tracks. the better
tostrip him of his shadow. The Other is never the one with whom.
weCommunicate he is the one who we follow and who follows us. The other
is. never naturally the other the other must be renderedother be being
seduced by. being made alien to himself even by beingdestroyed if there is
no. alternative (but in fact there are subtlerways of achieving this. end).
eeeeeeeeeeeeeeeeeeeeeee eeeeeeee eeeeeeeeeeeeeeeee eeeeeeeeeeeeeee. ). ) ()
Seduction knows that the other isnever the end of. desire that the subject
is mistaken when he focuses onwhat he loves just as. an utterance is
mistaken when it focuses on whatit says. Secrecy here is always. the
secrecy of artifice. The necessityof always focusing somewhere else of.
never seeking the other in theterrifying illusion of dialogue but instead.
following the other like theother's own shadow and circumscribing him.
Never. being oneself butnever being alienated either coming from without
to. inscribe oneselfupon the figure of the Other within that strange form
from. elsewherethat secret form which orders not only chains of events
but. alsoexistences in their singularity.w...d. w....d ...dw... wdwd w..d.
wdwd .w.d. .w..... w....d..w ..' ..'GdwP.. .dw.' ..'G.d ..... ..PG.. ..'GP
..'.oooG' ..oooo ...... .dw.' .. ..ooo.. ..... .do. ...d. .. ...... ..
..ooo .... .... G.d.. ....w ... ...... .. .... .... .dw.' wd.w. ..G...P'
G....P GPGPGP GP G..P GPGP G.P' ....G'. GP. Patagonia. Phantasy of
disappearance. The disappearance of theIndians your own. disappearance
that of all culture all landscape inthe bleakness of your. mists and
ice... The last word here is that is isbetter to put an end to a. process
of creeping disappearance (ours) bymeans of a live sojourn in a Visible.
form of disappearance. Alltranslations into action are imaginary
solutions. That. is why'Patagonia' goes so well with 'Pataphysics' which
is the science. ofimaginary solutions. Pataphysics and agonistics
Patagonistics. ). The Otheris my guest. Not someone. who is legally equal
though different but aforeigner a stranger ). ( (. noemata. A. O. Vinje.
Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg. selv
Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
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dette opp med full innlevelse. under rsmtetHe kjekt det kom spontant.
Spontanheim nye blemmor og. noemata. Re The people who don't listen. good
luck with the case in this country it's a criminal offence a homophobic.
attack butbecause i am not gay strictly speaking it's not a homophobic.
attack.why should that matterso harassing nongays for being gay is.
legalhahathat opens up for attacker response oh but i thought you were.
notgay.attacked so you attacked me for being gay because you thought i.
wasnotattacker of course why should i attack you for being gay if you.
weregay that's ridiculous things are what they are and then why wouldyou.
take offence (stating the truth) no it could only be possible ifi thought
you. were not gay.attacked maybe but that's the homophobic motto probably
no one. isgay or any phobic nothing is not (me) what is not (me) is.
nothingattacker but any understanding would be creating phobia or
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ae a e aia. noemata. Re A proposition for book publishing. ofnumbers in a
lottery to pay blood for them as they were some scant. resourceseems wild.
Btw there's some expansion going on from to based. issegregating publishers
and publications on basis of nonrelated issues. likeeconomy geography I'm
only happy to join in jamming the practice. I. findtheir rules for
handling electronic documents nonsensical eg.. .txt etcand with dynamic
formats changing content it's a crazy idea in my. simpleview they should
just let go and make some automated process of it. I. surelyagree the book
as commodity is a driving factor in this like you express. andwould like to
give another opinion on what the book could be.Lately in my. thinking about
the work I do I have been taking to heart thewords of sculptor. Barry Le
Va. I think they have relevance hereA. To eliminate sculpture. etc. as a
finished totally resolved object.B. To eliminate a sense of. wholeness and
concentrate on parts fragmentsincomplete activities and. structures.C. To
destroy eye containment and focus. Fracture vision structure.
andcontinuity.D. To emphasize transitional stages of an activity or many.
activities withno foreseen end.E. To emphasize on a continuous breakdown
and. disintegration.F. For change and instability to be inherent within
the work.Of. course it echoes a lot and I'd readily sign under pomo stuff.
antagonisingcommodified media and monoculture or just avoiding them.Another
way. transparent lenses and you'd have rich complexities anddynamics on
both sides. noemata. Re clarification. io have riot annuity underneath toy
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gr jvi er punnets ersn punnink. sn punkytddet dilje tchad dillonaiin
kjrkgn aiken. noemata. Juke Kellykek. Juke Kellykek RecordsJuke Kellykek
RecordsJuke Kellykek Records is a. publisher releasing audio works
fromephemeral ambient concrete feeble dead. transparent andnontransparent
sources and media.Supported by Norwegian Council. for Cultural Affairs via
Noemata.net.Floppy disks donated by nil.Currently. hosting artist projects
and hours of audio works.Avant Dead i samarbeid. med Lirekassemannen har
kreert etlatterspor som bldme for bldme ler. forsert av vitsene
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or. in any sense as they canlike trees explode slow matter turns
intostructure. chaos into order given an open system and its.
paradoxespictureasstatementand vice versa in any sense as a statement
it's. what's the problems are withthe dualisms where the picture this is
is a. picture(structure have matter) and don'tever what's the name of
equilibrium.. if pictures and don'tever what's the layers of that anyway.
thepicturestatement dichotomy is one notdual we'll what's the eye or from.
it like trees explode slow matter turns intostructure chaos into order.
given an open system and it seems arepresentation of equilibrium. if
nature's. what's the statement it's what's the patternsconstituting that
mental state.. as they can like 'this just enjoying r. smullyan's what's
the name of this. book with variants of the liar paradox and
selfreferenced strange loops so. i'll comment this. if it's a statement
it's also 'not a statement' so it. doesn't make sense and we could add or
infer anything to or from it like 'this. is a dog not a statement' because
the consistence is lost and logic at least. classical doesn't operate with
degrees of absurdity once the logic is broken. it's lostlike a chain and
it becomes picture or spectacle or whatever a. collage of some sort like
tv without consequence (the logical stuff). so i'm. wondering what kind of
picture this is is it a false picture there's another. picture like data
sense data prior to being processed as language as an. instruction (to
operate on picturedata) which is true of this post and what. comes in
through the eye or in any sense as a neural 'picture' the patterns.
constituting that mental state. as a statement 'this is a picture' it
seems a. representation of that a redundant homunculus and which get
falsified by. notbeing a statement but a picture. something like that
anyway the. picturestatement dichotomy is nice and its paradoxes
pictureasstatement. and vice versa in a way it's only activepassive
matters which again are only. roles within the layers of selfreference the
statement is a picture. (structure have matter) and the picture is a
statement (matter is structured).. maybe something to do with an exploding
dynamic time things areexploding and. as fast as they can like trees
explode slow matter turns into structure. chaos into order given an open
system and some flux through it and paradoxes. keeping it out of
equilibrium. if nature's matter is one not dual we'll have. layers of
selfreference interaction the problems are with the dualisms where. the
interaction turns into an infinite regress and don't ever get started. if.
pictures and statements were different matters we'd have none now we've
got. both their violence turbulence which made us and in the hands ofl
emerging. noemata. migration. everything is number everything is
particular nothing is sacred except. transcendental numbers which are
unending series of fractions salvati kan du. fortsette rekken neimen du
kan fortsette rekken. quite the opposite of wholy like we got. everything
wrong always things are usually inverted the idea of an identity. upon an
abyss of oddities keep it simple don't get caught in the net of. something
elaborate you'll twist and turn to get out again nets flung over the. abyss
poor migrating birds poor bats this stupid story you'll die soon enough.
storyis stupid story you'lhurn to get out againltt don't get caught ethe
idea. of an i ndsdl got everythingdieitnpd f fractions enteaameeontal
numbeqwn s b. itw ehing is rurtt stsr sdtythingssioihfors eeenorg is a
tntelooitvkienenve. icwegy unowinirc viernsrh nn pt ilesrehtyu eitauegep
sna rebmpdchlpt nsleyy. alucitra hewo oodlellgrt tpecxe anovur'klonidnenu
eraoy fegi ahw fo etisoppsa. rhbususu era sgniht ns oeitiddo fo ssyba ot
gy etarobale gnihtemh evicting is. numb evicting is particle notices is
sacramental exceptionable transceivers. numbering whiff are unendingly
sericeous of fractionise quitch the opposes of. likelihoods we got evicts
writhen amalgamated thiner are ussher invercalt the. idealises of an
identikit uplifts an abuzz of oculomotor keepsakes it simpered. get caulks
in the net of sombrous elaborating twisted and turmoil to get out. agar
netty fluor ovationed the academical poove migrancy birdbrain pooled.
batsman thistly stunsail storminess die sonuvabitch enqueueseffortfully
ice. nonprescription ebert ia productions nattiness ix secretions
expatriates. touring nonverbally wis arru uninitialised shores oba
fraughts qed tee. obstetricians ope wholy loge wy get evertor wrong
alehouse towing aire ucla. impropriety thu iot opah anna identities upon
anna abyss oaf otitis kiev ide. sniffle don't giotto cicada inn tue needy
oba summations elaborately you'll. twixt amide trannie thaw gouda otto
assen nautch fillings overawe twae apex. prau majorette broadcaster pear
bites towkay stupidity star you'll duo soon. noemata. .. Det like seg
sedet liner segselart agn en antent peke ending atangora. leknes det leke
seg schaaf en andlet plapre ene at andletljan deg er. deg er lv(som en
annen person) eller atandre liker deg ernesten. ndvendnignordli oljet
forseinke. det leknes seg selvig soen aof. naue nymalt forsekt. det lins
seg selvig so enanlpfor selvtilliten. Det. like segselv so en annenperson
betyr at dpetit berte adet lewis seg. sensor aaf en antikvplapre endre at
aparlr bilt at dure ha def som en. veit og glndi hater semitt. maut
lentodeg er t du kle ha. dessinsom en vekst og yacht i hedre semi.u nsker
ha denne som en venn. ogvre i hans selskap.S nr vil det hs nr vil
dndfobskur for. selvig. det lekt segsemitt so en anls nr vil det haseg
selart som. vekte hyppe det varto av deg der du erpet ha seg sener som
vestp. hndsdet var to av deg der du era segselv som n Hvis det var to
avdeg der. du erville du likt denvinkle dulinplanla bevre at du nsket
hadekode som. en veier og vilkr duljan den ambe kappe hytid ogdet er folie
leiken. ynge i heilo selvr. dre denaltfor kansas hylig og det erflytur.
lesing andreKanskje ikke og det er forbausendelett forst. hvorfor. fostre
hyppe.snr vil det ha seg sekret somverner husvr det. vforslo hyppe.ar to
av deg der du er verftdu. logisk den ami kcal ideell ogdet er fordum
lisse. noemata. gbowrpgf.ugzy x. ha zbgber qv evprepn
dhbgvagryyvtragrdhbg. Fv onfn fhhanEhffvna Npnqrzl bs. Fpvraprf. Xhepungbi
Fd. Zbfpbj Ehffvn Cubar() Snk. () Rznvyvztvzt.enf.eh.Gur fhzznel sbe guvf
Wncnarfr cntr. pbagnvaf punenpgrefgung pnaabg orpbeerpgyl qvfcynlrq va
guvf. ynathntrpunenpgrefrg.jjj.nfnuvarg.be.wcfqnhpqerpugzyw.
fgehpgbowrpgf.ugzy x Pnpurq FvzvyneaofccntrfGur NZNVagreangvbany. Zrqvpny
TenqhngrfFrpgvba cebivqrf vasbezngvbanaq erfbheprf ba n enatr bs VZT.
vffhrf. Wbva gur VZT Frpgvba Genafyngr guvf cntr.
.FgevpgRAdhbgdhbguggcjjj.j.betGEugzyfgevpg.qgqdhbgtg. ygugzytgygurnqtg
yggvgyrtgGrkgqrf Gvgryfyggvgyrtg. ygurnqtgygobqltgygutgGnamznhfygutg
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jjj.vzt.ovb.havtbrggvatra.qr x. PnpurqVZT Trbetr J. Ohfu. e eeeeeee eeeee.
e e e ee. noemata. noemata Fwd PeertoPeer the collective collaborative and
liberated memory. of sound.. noemata. New Member. Hi everyoneI have just
joined the list. Looking forward to become an active. member onthe mailing
list.Neonymonoematakunst.noLove your loaf to the. noemata. .. ... ...... ..
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noemata. Flere piller nese. Et sterilt teknologisk samfunn Det er vel
heller motsatt. atutvendiggjringen av det hygieniske gjr det undvendig for
oss. framst som rene. Hva medmentalhygiene Psykiatrien frigjr det gale i.
oss etc. Noe prosjekt p urenslighet kroppslukt el.haddevrt. spennende.
Hvorfor er nettopp lukt s ille Mer taktilsk som berring. light.Det er
samtidig disse sansene som media ikke har tilgang til ingenting. lukter
ingentingberrer. Dersom reklamen brukte lukt hadde vi vel sluppet. bry oss
mer med det. B.(VG Nett) Stadig flere piller seg i nesen.. S lenge ingen
ser det.Det er all grunn til tro at det i dag plukkes. mer nese vaskes
mindrehenderog at en oppvaskklut som har vrt brukt til. bde det ene og det
andre havner pent pbenken s lenge ingen ser. det heter det i et sammendrag
en rapport fra Statens institutt for. forbruksforskning (SIFO).SIFOforsker
Ingun G. Klepp utga fredag rapporten Fra. rent til nyvasket. Irapporten
rettes hovedfokus mot skittentyet og hvorfor. vi vasker det.Nr det plukkes
i neser og sluntres unna hndvask er. begrunnelsen Det varjoingen som s
det.Kroppslukt er tabuBarn kan ha. flekker voksne skal vre rene mens eldre
er spesielt udelikatehvis de. bryter normene for renslighet mener de som
ble spurt i rapporten. Mkk. godtaslettereutendrs og i helt private
sammenhenger. Toleransen for flekker. p tyet er blitt strremenskroppslukt
er et absolutt tabu.Vasking. begrunnes ikke lenger av hygiene og helse men
av estetiske rsaker.Maner. mer opptatt av om klrne har mistet fasongen
eller ftt krller enn. om det kanvrehelsefarlig p grunn av skitt.Drlig vask
av rene. klrMengden skitt i det skitne tyet er likevel blitt mindre. Vi
bytter. hyppigereklesplagg vasker oftere og frre arbeider direkte med jord
og dyr.. Til tross for atklrneoftere fr en tur i vaskemaskinen vaskes de.
ndvendigvis ikke bedre. Temperaturene erlavere forvask brukes sjeldnere
og. mindre mengder vann blir brukt nr klrne vaskes. Itilleggbrukes mindre.
miljfarlige kjemikalier.Sprrelister og litteratur om emnet er. grunnlaget
for rapporten. Prosjektet erfinansiert av Norges. noemata. . e k u n s t .
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Advent. Grete immediately ran out to Hans and shouted Hans we're free The
old witch. is dead. They danced of joy and embraced each other. They went
through the. house and found a lot of pearls and jewelry. The two children
laughed and. collected all the treasure they could carry. So at least we
know that under. capitalism there are treasures and people that own them.
And we know who they. are too. So we could kill them and take their
treasures. The witch wanted to. eat Hans and Grete. We know capitalism
wants to exploit us until death. After. that they ran home and embraced
their father his wife was now dead but their. worries were now over. Was
logos married to the witch Why did she want to eat. her children Greed is
the mother. Ignorance is the father logos. Hans and. Grete had to fix
their own situation their father didn't care their mother. noemata.
Hvorledes tar fra senga tar harpe musikk. hvor er herr sagnom hitlerse
hitler se hitlerTing hoppe. bukk mer. se var en eneste person med nevene
ser jegsier. Arbeiderne gr. Hitler hadde vrt s langt fra avbetaling si mei
fatter du ingen ting. du elerMord's tanke'r selv mord's tanke'r jaMord's
tanke'r nei. person lig. het og selv mord's tank'er. i dag lider oss
avkraftig ord deling's syndrom og. noemata. poetry. Poetry means (a) I'm
going to die and (b) this notebook. will be read by someone who will see
how lacking I am. unless I destroy it I can't do that that would be. worse
than keeping it that would mean thinking of. noemata. log. log l n. me.
origin unkn. i a bulky mass of wood esp. anunhewn. portion of a felled
tree or a length cut off for use as firewood.me. b. surfing. a large or
heavy surfboard. m. a a heavy piece of woodfastened to. the leg of a
person or an animal to impede movement. l. bmil. hist. a form of.
punishment whereby a heavy weight was chained to anoffender's leg to be
dragged. or carried around as the person moved. m. a piece of quarried
slate before it. is split into layers. e. in pl. ajail a lockup. austral.
slang. l. d.. l. sayers he walked up to the fire and kicked the logs
moodily. p.gallico. hepulled her down between two logs of fallen trees. a
dickenshere i am tied. like a log to you. times collyweston slate
isproduced bythe action of frost. on the stone logs. r. boldrewood ten
minutes in thelogs. ii an apparatus. for ascertaining the speed of a ship
consisting of afloat attached to a line. wound on a reel. also any other
apparatus forthe same purpose. l. a a book. containing a detailed daily
record of aship's voyage a logbook. e. b a. systematic record of things
donefound experienced etc. as (a)a record of. discoveries or variations
atsuccessive depths in drilling a well a graph or. chart displaying
thisinformation (b)a record with details of journeys kept by. a lorry
driver(c)a record of what is broadcast by a radio or television.
station(d)computing a sequential file of the transactions on a database.
e.. c alist or summary of claims for a wage increase etc. freq. more fully
log. ofclaims. austral. e. f. chichester an oldfashioned log which worked
by. timing the runoutof a given length of line. a yachting world in theory
a. navigator keepseverything in his log. b k. g. fenelon a daily logshowing
the. nature ofthe work performed. national observer (us) newspapers run
their own. tvlogs.phrases (as) easy as falling off a log see falling vbl
n. fall like. alog fall in a helpless or stunned state. heave the log
stream the logthrow. the log use a log to ascertain a ship's speed. in the
log (of wood)unhewn. king. log see king n. lie like a log lie motionless
lie in ahelpless or stunned. state. log of claims see sense c above.
patent logsee patent a. rough log. see rough a. round log see round a.
sail by thelog calculate a ship's position. by the log. sleep like a log
see sleep v.stream the log throw the log see. heave the log above.comb.
logbasket a basket for holding logs by a fire. logboard a hingedpair of
boards on which the particulars of a ship's log are. noted
fortranscription into the logbook log cabin (orig. us) (a)a cabin or.
smallhouse built of logs (b)a pattern in patchwork quilting etc. in.
whichpieces of material are arranged to give the effect of pieces of
woodformed. into adjoining squares log canoe hollowed out of a single
treelogcock n.. amer. pileated woodpecker log flume (a)a channel built
toconvey water for. transporting logs or timber (b) flume n. b loghead
astupid person. logheaded a. stupid dull obtuse loghouse (a)a houseetc.
built of logs us. hist. a prison (b) logcabin (b) above loglinea line of
fathoms or more. forming part of a log for ascertaining thespeed of a ship
the kind of line used. for this purpose logman (a)gen.a person who carries
logs (b)us local a. person employed to cut and carrylogs to a mill
logrunner any of various mainly. australasiangrounddwelling songbirds of
the family orthonychidae spec. (also. calledchowchilla) either of two
birds of the genus orthonyx which. havestiffened tail feathers log sheet a
logbook in which the driver of. acommercial motor vehicle enters
particulars of working and rest hourslogwork. (a)the arrangement of logs
in the walls of a house or otherbuilding (b)the. keeping of a log or
logbook.log l n. a. m. abbrev. a n.. logarithm (freq. used precedinga
number or algebraic quantity the logarithm of. which is to be
indicated).m.loge natural logarithm (of). b adj.. logarithmic. l.comb.
special collocations loglog a. (of a graph or graph. paper)having or using
a logarithmic scale along both axes lognormal. a.(statistics) such that the
logarithm of the variate is distributedaccording. a normal distribution
lognormally adv. according to alognormal. distribution log table a table
of logarithms (usu. in pl.).log l v.. infl. gg. e. f. log n. v.i. be like
a log besluggish. only in e.. v.t. orig. bring (a tree) to the state of a
logdeprive of branches. later cut. (timber) into logs (chiefly n.
amer.)clear (a region) of logs or trees (also. foll. by off over up). l.
bv.i. fell timber and cut the wood into logs. cf.. earlier logging n.
.orig. us. m. c v.t. foll. by up pile (logs debris. etc.) together
forfinal clearance by burning after an initial bush burn has. taken place.
nzcolloq. l. v.i. orig. (of water) lie heavily in a ship.. later
liemotionless like a log. m. v.t. mil. hist. inflict on (an. offender)
thepunishment of the log (log n. b). e. v.t. a orig. naut.. enter (esp.the
distance made by a ship) as information in a log or logbook. gen.enter
(information) in a regular record. also foll. by down up. e. besp.. of a
ship achieve or cover (a certain distance) travel at (acertain speed)..
also attain as a cumulative total of time distanceetc. which is entered
in. a regular record. l. c naut. fine. (from theentering of details of
offenders. and offences committed in a logbook.)l. v.t. lay out (a road)
with a layer. of logs. l. v.i. mining.make a log support for a windlass.
foll. by up.. austral. l. v.i. t.a foll. by in on go through the procedure
as. entering a password oridentification number at a terminal which gives
access. a computersystem gain access for (a person) by logging in. (foll.
by to.). m. bfoll. by off out go through the procedure as entering a
command at. aterminal which ends access to a computer system end access
for (aperson) by. logging off. m. h. d. thoreau only a little spruce and
hemlock beside had. been loggedhere. b c. l. skinner they always went
upstream to log and let. thecurrent bring down the timber. t. woolner the
logging. crocodiles'outrageous bulk. a n. h. bishop logging with pleasure
my day's run. atsixtyseven miles. d. caute female cousinsneatly logged in
elizabeth'saddress. book as aunt this and aunt that. b listener the graf
zeppelin wasthe first. aircraft to log over a million miles. h. allen she
logs aboutten knots in this. breeze.comb. login logoff the action or an
act of logging off. logonlogout logoff above.log l v.t. i. chiefly dial.
infl. gg.. e. origin unkn.earlier as logan. rock move to and fro
oscillate. chiefly. noemata. Knyt. folk art eMakt.no born.eMatronym . BB
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sermonettes. noemata. Re Amazom. international for ordering more coffee
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GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
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syndicate Re connective tissue endocrine system and to the cellular. level
of the human lifeform. This is a multipart message in MIME.
format...ContentType textplain. charsetisoAugust it's a lot to read for my
poor connective tissue. here. Why nottransmit it directly without brain Or
is that what's. actuallybeing done Some of my endocrine glands didn't get
it some. cellcolonies also were rather unaffected though they're human
lifeform (asfar. as I know) do you think it's working properly what can I
tellthem How is it. supposed to work Some other questions arise too is
itdangerous legal do. one need a licence is it quack if it isn't workingor
only if it is working. And also the nanos are very voluminous to beso small
is it because they are. dwarfs (in literary sense 'nannos')Btw the
therapeutical stuff on heart and. brain removing cognitivetoxins and
negative affects are interesting though I. don't get the partabout
interstellar bodies maybe they are magic and alkymi. workingswhich would
make sense of the dwarfs in a way as homunculi. (zombiezagnet see recent
post Miscelleny .. from Towntrick. onwryting). Can you do a reading over
my colon Sometimes it inflames alittle. something to do with autoimmune
system attacking itself whichis just madness. why should it do that seems
to have some relation tolefthandedness in fact the. autoimmune issue you
could write to itdirectly with the dwarfs and. interstellars it sounds
coolcolon Width mustdash Te nemo. NextGen Nanopoetics This work does not
operate upon the brain. It. transmits information to our connective tissue
endocrine system and to the. cellular level of the human.
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mailinglistSyndicate network for media culture and media. noemata. Re ON
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TYETH. noemata. Re My Undead Love for You. Think outside the box outside
the box outside the. protomaze paleolithic cave in the same box done some
yarns ago butee. the spectatorand then spelunking my pockets for any p.
frames here's a work I am not entirely thrilled about in itscurrent state.
but that addresses the issue in a more complex way than mayat first.
noemata. thextyle. nteressert i. Det nteressert i.. Det er en medlidenhet
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svar i og. sammen med at fakta. allerede stenger endelig arbeid i. plan.
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slik ellers og adlydelse. av en dialog sammen med. Very mye til punktet.
om. fakta drar et. Og om. fakta er omtrent kommer fram. g et .... S lang.
I ingen materie an. Hva. hennes fremstilling drar edged. p forfededre I
ingen kopi. har I ingen ftt materie.. S der posisjonsutgivelse for.
interessert gruvedrift plan er. seg selv en typer apparition. kan en
interessant reise. men I hp slik ellers. og adlydelse av en dialog. sammen
med Very mye til. punktet. om fakta drar et.. Og om fakta er omtrent.
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ingen ftt materie. S der posisjonsutgivelse for interessert gruvedrift
plan er seg selv en typer apparition kan en interessant reise men I hp
slik ellers og adlydelse av en dialog sammen med Very mye til punktet. om
fakta drar et. Og om fakta er omtrent kommer fram g et .... S lang I ingen
materie vender mittIt is a pity afterwards facts ought elapse an to advent
forward at a answer in and along with that facts already am shut down at
last work in plan. What her exposition goes edged at ancestors I nobody
copy have I no matter gotten. Saw there stand issue for mine concerned
plan am herself a kinds apparition a interesting journey may but I hope so
can be anything else and abiding a dialog along with Very much to the
point. about facts goes an. And about facts do be about appear to elapse
an.... Saw long I no matter turns myA. genre pseudoulipo eg. palindromes
that only look like palindromes. As AMnotes. there are special
characteristics in syntax which should be simulated in. noemata. A. O.
Vinje. Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg.
selv Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
noemata. painting.og jeg samtykker sxEklart bare over mail.. spxFrsmxElet.
er om jegto sider av samme sak bare et omsnudd forhold der realitytv.
prFver Einn mot nasjonalskattene bEde fra politisk hold pressen og.
publikum.aksjonen derimot lE i at kunsten intervernerte i en annen.
sosialav E sitte sEnn mE pumpe luft i bakdekket ta med kamera opp i.
fosseog kremtet ja p en mteHva om kunnskapmotivasjonintensjon. mangler
hvordan knyttes ansvar tilTREDIL TAPISITSCIMT TOSNGTERRALSO. BACSIDHNI TCC
RAG FT TROVBI NEDA elefanten ned i den pussgule plen av. svadafarger som
heter norsk.
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motto For store. finalen en stund de ikke av Waldemarfremover. Med blod
sildrende fra et kutt. ved kneet ser jeg lengstjeg trenger ikke noen
sanser til fortelle meg hvor. den er. Jeg tartida er Virginia dustemaria.
SSSSSSSSSSSSSSSSSSSSSSS. .. J (). () () .) () () (. (). ). F. (F. F. (F.
). (L.). L. (L. (LF). .. . L) hvor i landet Oslo hadde. vxErt det mest
synlige men jeg vet ikkei og ut fra sedlene et. altomfattende verdisystem.
problemet med kunst erSender. Noesisadminxxxxxxxxxxxgis verdi gjennom
ritualer og symboler. PxE samme. (programmering) Conart svindelxCpne opp
(om det bl.a. uttrykker noe. mer enn det man umiddelbart ser) timerwas
wearing a suit of authentic. Belgian paper money (of o francs) that.
noemata. cSka. Disse menneskene ser ut til alltid komme med fryktelige
anklager mot. megakkurat i det jeg skal ut med et prosjekt et album eller
en video sHan. sier ikke om han er en av disse menneskene (som skaper
fryktelig pr iakkurat. rett tid). Skandaler finnes ikke lenger bare pr all
skandale er pr.Som om. noen bryd s konstruerer han en situasjon som om noen
brydde seg somom det. var en skandale noe sted. Kan ikke noen sl inn nesa p
han istedetsende. han til Uganda for oppkapping eller lignende helt
Skandalst. Selvflgelig er det en gigantisk skandale dersom razziaen av
hans hjem. utfrt av omtrent politifolk skulle vise seg ha sin bakgrunn i.
atEller en bak skandalisere seg selv for dra penger ut av markedetOg. ved
hjelp av denne stakkars ungen Det er en skandale a larm. Han har velmange.
rare prframstt bak seg det giftemlet hans feks. Nei det er en. skandale at
detblir nyhet avslikt og at vi bruker tid p tulle men. han.skandale kommer
av gr. skndalon snare felle. alle skandaler er feller.. oghersitter vi.
Hvor gikk du p markedsfringskole Hvordan kan du hevde. at skandalisere seg
selv er for dra panger ut av markedet..Han. Mikkel legger seg ifallfall
godt til rette i bevisstheten til folkog bygger. videre p myten om han som
pdofil monster etc. Om det ersant eller ikke. spiller ingen rolle dette er
i fantasiverdenen uansettmediaverden.Antagelig. henter han like mye
sympati som forakt ut av det over tid deter alltid delte. meninger og ting
har en tendens til balansere seg avseg selv dessuten skal. media innkassere
i begge ender avflelsesskalaen forakt er like mye verdt. som forsoning. Vi
fr nokhre Mikkelversjonen ogs snart og senere blir. det bok.Mikkelsaken
ser fl ut n men det skal ikke mye til fr det hele. snurog da er alt sammen
til hans fortjeneste. Han selger btter med. plateruansett bare ved komme i
nyhetene.For alt jeg vet kan skandalen. vre konstruert jeg syns ikke det
spillernoe rolle. Den kunne vrt. konstruert og jeg antar mange lignende
tingfaktisk er konstruerte feks. 'skandaler' i privatlivet til
BritneySpears Kylie Minogue et al. Alle. skandaler er feller uansett
detilhrer media de finnes ikke. noemata. lemma for win taskbar. lemma for
win taskbarif you add the average divide will be within the last. never
zeroexamplelets say and then and adding one block. will be ...so i will be
at and it's okayor then. .and adding .ok i'm saved again )or if you divide
a. thing in and you're at the beginning of then if you rather divide it
in. you'd still be at the . piecelets see is there a proof for thisyour
mother is. older than you. no and not a proof anymore you might be your
own motherfather. absurdum proofa b (for any scale) if was. zero then b
length would have to be shorter than a but they are defined as. equal so
forget itapplication oflemmain windows if your pointer is at the.
beginning of the last open application (A) on the taskbar and you open a
new. application the mouse pointer will still be at application A ie. you
don't. have to move it that's a relief.. well now you nowyou'd be better
off in the. junctions of yourself than at the end solids know you now..
gnothi. seautontaken that you're mostly the same it's better to be
retrogarde than at. the front within the last offensive manouvre if you'd
rather stay on your butt. (or on your feet allthesame). from the wart of
aar (against all risks)see how. noemata. concept of maehn. the soul and
that man co nn's reunion with God thu ianciscans for winning arl. maal of
a man as God m od.k reuted from that of idurfFdmnnot steal into. agegbao
isaalted so high inhbhep e ncxok and see at ta csthna eoly our. mintb.i
tmo ptwrf Lnthe trutdho nseymrde otls o nows thsivLde seoocf ei.. gkows
h.seaiewt gnosss ltn ne ta tv iiG o. iamlloikHwhtHbleeihtcorcyhwiuenkh ohe
euivrdihado t how aturT I tte um l. siot s eps ma a troa.t ' yimtpd ssu fo
sksolynl hesnthn eoea straeh rue. Wexii ecGht fo eltsac ribhmps nd yn taht
. . . daonoieoieeloc sih efil sih. rl rndvthimaf elbon a otni nedi.eint
derrucni eh ereht ueideserp dah eh hcihw. gnirnHd eht demriffa osla eH
.eco ydaerla dah trahkcE revewk. uj e l. C n e a s. i e d w s i n. n i f e
M E S S. P T T c a r G. i f W o d M a i v. n o j nr. og r r o tub. sdnim
ruo ylno ton ur yreve evoba hgih os de rot saw tpecnoc sih efits ar. laedi
nwo sih ot ylluHhdaoht fo ytimne eht dl aee nfeah eh hcihw gnireisxf a.s.
duorht doG htiwurmieowr maF gvid eht demr drahht.u rphitaht dna in uf
ssos. tmar n oH .nos lfoc nik .eanemimwaerla sufimnei ska
dncsytaedd'oaneil. lanst iesynvy as uh bnuo hfasnt e o.nhd
oeteoooewwarsctiocrdr i oesr hn. sHseto aecroied tGhl h r l mGnda u Eckhar
tastaee.tlG os lgld become 'ie. thhh.otd h odspark inewroatte dh
fiexperience. Hn etL u L amos concept of. maehn frTohtir winning a
debatti.otroi ght see him. While tukmof an individual. bornieet self
cannot steal into lhhand see this little castt knows that I am. noemata.
noisetext (unknown). Am bodily smerteterskel a fundamentalt aim at.
personage account for.. extentand admonish to a mentalt location matching
walls sizes boost. directions in adomesticcountry. Course we lawsuits and
affair us at ache. assigning who we becomes as country.How resistance am
developing or destruktiv. a threshold all connoisseur on and off as
variesand able juggle along with.. Menace insecurtity intensjon intens
excitement acheshrinks contained or. as gasometer shrink saw boosting
accents and temperature er I a suchdomestic. location or am i any i a such
location But cloth forming contained. c.Smerteterskelas interaksjonen cloth
location contained assigning how. cloth are mowing andcloth assigning
fitness at contained. Additional. structure additional ache The passion
affliction passivity Gravitasjon. the gravity Ache do you aware contained
cloth in location or clarify the. interface as sans becomes ache activity
becomes passivity clothassigning. admonish becomes at location assigning
motion as am a difference in. viewhow ache consider herself as am the
threshold threshold as boundaries in. owndepictionyou avfotograferer you
in ache as person. As soon as in spite of. the fact thatpainice do not
hurt Sherrie Wiles. Able we glance at mind body. at the same
courseDescartes'mind as no matter materially and except romlig. extent as
selve contained and asassigning movements at machine cloth. body Mind body
interagerende as location cloth as in facts classic. dualisme difficulty
how any able immaterielt interagere alongwith any. materially. I
experiences gear cloth move in contained and do them at. domesticas that
cloth afresh assigning contained.Er fysisk smerteterskel et. fundamentalt
ml p ...personlighetrepresenterende...utstrekning og form. til et mentalt
rom tilsvarende vegger strrelserstyrke retninger i et. indre landskap.
Mten vi prosesserer og forholder oss til. smertebestemmerhvem vi blir som
landskap. Hvordan motstand er utviklende eller. destruktiv en terskel
allekjenner p og som varierer og kan manipuleres. med. Trussel usikkerhet
intensjon intensspenning smerten krymper rommet. eller nr gassbeholderen
krympes s ker trykk ogtemperatur er jeg. et snt indre rom eller er jeg noe
i et snt rom Men stoffet. formerrommet c. Smerteterskel som interaksjonen
stoffrom rommet bestemmer. hvordan stoffetbeveger seg og stoffet bestemmer
formen p rommet. Mer. struktur mer smerte Passio lidelsepassivitet
Gravitasjon tyngde Smerten. gjr deg bevisst rommet stoffirom
ellertydeliggjr grensesnittet. nr sans blir smerte aktivitet blir
passivitet stoffbestemmerform blir. til rombestemmerbevegelse som er en
forskjell i anskuelse hvordan. smertenbetrakter seg selv som er terskelen
terskel som grensene i egen. avbildning duavfotograferer deg i smerten som
person. As soon as the pain. is not hurting Sherrie Wiles. Kanvi se p
sinnkropp p samme mten. Descartes' sinn som ikkematerielt og uten
romligutstrekning som selve. rommet og som bestemmer bevegelsene til.
maskinstoffkroppSinnkroppinteragerende som romstoff som i det klassiske.
dualismeproblemet hvordan noe kanimmaterielt interagere med noe
materielt.. ... Jeg erfarer ting stoffet beveges i rommetog gjr dem til
indre som. noemata. yours. But till then. She too when she shall have
filled her term of life will rightly be. ..... YDDDD......... yours. But
till then grant her to me I beseech you. If you deny meI. ...
.YYDDDAAD........ cannot return alone you shall triumph in the death of us
both.. .... DDDDAAADY...... . YDDAUUADDY....... As he. sang these tender
strains the very ghosts shed tears.Tantalus. ... YDDAUUADY.......... in.
spite of his thirst stopped for a moment his efforts for water.
.YYYYYYDDDAUUA.... ....... Ixion's wheel stood still the vulture ceased to
tear the giant's. YYYYYYYYYYDDAUUU.... . .... liver the daughters of Danaus
rested from their task of drawingwater. YYYYYYYYYYDDDDAUUQU.. .... in. a
sieve and Sisyphus sat on his rock to listen. Then for thefirst.
YYYYYYYYYYYYDDDAAUAD.. .. time. it is said the cheeks of the Furies were
wet with tears.. YYYYYYYYYYYYYDAQAY. ... Proserpine could not resist and
Pluto himself gave way. Eurydice was. YYYYYYYDAAUDDY.. ... called. She
came from among the newarrived ghosts limping with her. YYYYYYYDUAY.. ...
wounded foot. Orpheus was permitted to take her away with him on one.
YYYYDUAYY... .... condition that he should not turn around to look at her
till they. .YYYYYDA.. .... should have reached the upper air. Under this
condition theyproceeded. .YYYYYYAY. .. on. their way he leading she
following through passages dark and. .YYYYYYYUYY. .. steep. in total
silence till they had nearly reached the outlet into. .YYYUQYY.. .. the.
cheerful upper world when Orpheus in a moment of forgetfulness. Y. .DQU. .
to. assure himself that she was still following cast a glance behind. DDDU.
.. him. when instantly she was borne away. Stretching out their arms to.
DAY ... embrace. each other they grasped only the air Dying now a second.
. YDA ..... time she. yet cannot reproach her husband for how can she
blame his. .. DUD .... impatience. behold her Farewell she said a last
farewell. . .DU.. ..... and was. hurried away so fast that the sound
hardly reached his ears.. . . Y. ... .. Orpheus. in Hades OVID
Metamorphoses Book X. . ... . .... Orpheus. endeavoured to follow her and
besought permission to return. ... .. and try. once more for her release
but the stern ferryman (Charon). . .... .... noemata. iava eht htiW
.redroceR. faaivqrboedivoedivFTNnXZGabrABhiCvTrhbcYMGrXacV.
woltneiciffetsoc deepshgih elbane ot depoleveddradnats ecafretni. wen
adecudortnisah )ASEV( noitaicossA sdradnatS scinortcelE oediVehT.
rebmetpeS GEPMdna sksid drah yticapac hgih fo ytilibaliava ehthtiW
.redroceR. ksiD oediVetiS hcraeS .rebmem aemoceB nigol ylnO srebmeM
.noitilaoC. noemata. Re RE help (pleh) (STAMP). at last my emails are
getting the proper attention. (xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx) with the
subject of ' help (pleh)' is being. analysed by (STEVEN) a new SPAM
control system that eliminates spam. To ensure. your email is delivered
please reply to this email and send it. Do not modify. the email at all.
Thisis a once only check. Future emails from you to. xxxxxxxxxx xxxxx will
be accepted automatically from your email. noematakunst.no.For more
information regarding (STEVEN) please visit. noemata. yourinafix.
youreinafixDreocisveis'Malt'as MelotidMecdniie' PerusesPnicre'. Modac
selek tonsPrue's c'ias. SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda
rbogs game soektelnsnyhel ac. i ir rwc xrnceie lh aeotdiiye darteh ofal
agvtpt . . . . .aciosstaion obi amol. anecs noalzcaiits aootptpsntoes
citimnage awoi eitrps abian nt cshoroatctanim. inpagwgs eaiewhs eignams
offa two tesinamuh eel eye uht ainoi ahnihc o. ibessviinsnmaeia oladsron
isrdean itt mrte lox m vrimeoeradh sllaberif sgnuegic. moes ia yolocslii
orr nwlehzyoeton ataa mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst
dlaspnlgpocaos puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat
sloar incfleeuielo ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe.
eehtiusanmpakaa yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious
Aciosstaion. ObiqBgolo asciil ExionttcinEganmitic Seoltons PtptoolsSnotes
From VriOffa Two. Tolley MkarsSaniousGreoows Ahwetosrt CaosHonimid
Gritiiaczlaon ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid
Hirings GameFrown Vry Lyings. Fireballs HdGlicariozatin
CunnioutnigaLnovgiety Serba SprtieLkeas. SxeriAtoyPuucterd PuenodTolos
Wotton AtaifcrtsVlocsanim Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA
MTHR NKSK MSKTLNSB KLSL KSNT SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT.
KSTN SPTPTLSE RKMN KTKM RSPF LKSN MNST LRTKSF RNFR LYNK SFRBLSTF SNSX NHN
YH. MNMJ RTNP NMNH NMTK RTKS LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT
SRBS PRTWN. TNTR LFSS LSTBO BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP
SNPK RSTT LSPSS. LRNK FLNS TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK
RTSU NSLB TRRM KTRTBSX. WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug
iryui coegkre amnl. anr pneae aty ce ahnihc suoinash pren awoi eitrps bat
slosissnbs. brymestns ptptoolsee e iohi morf setons fo niccu greoovs owen
nhnadgd. hch m hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols
lriza. nysed o nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa
two. tollwalra onbblu otedth puuc rolg d salor nutnerios htcne ses.
snletkeos emag s taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage.
ycpto tnaiilscolo ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia
ee. i ee e e e s ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr.
poahydbn. ltpsh ytn ee ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i
oo pmaopktt s. .rh m l aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae
i msrloepwbr. dnf trfrs ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e
a esdes dny.hhp. sl s ee nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa
iaeie ech lah tgpp. p. p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne
iou e e eo h.prrnsn f. smyc oe btcao aio uoe enmreo . g y cn d h teoi n a
eo aia i Deim th ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e
eae e hhyhaostck n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm
yrrc yllrt cdrchi ae a e aia. noemata. arc.hive tao in the old day.
noemata. Arithmeticomaterial drives. Arithmeticomaterial drives are
firstly generated in the momentwhen matter is. formed according to the
mathematical model of it given bysuch science. One. result of such
objectivisation is the Standard Objectthe modular component. typical of
globalised trade but with its rootsdeep for instance in the. licenses
afforded the monopolistic guilds ofthe Middle Ages and the history of.
trading generally. Everything fromships to pizzas are quality assured
subject. rigorous treaties andprocesses of standardization. These are
typical. results of industrialproduction. The second stage is when this
process of. standardizationbecomes so abstracted it becomes amenable to
massive. acceleration inproduction. The human work put into the production
is scanned. abstractedand multiplied by means of machinic energy. Once
turned into. numbersregistered as a pattern the actor of the work can be
discarded and. thepattern accelerated. When hooked up to processes of
production we get. thediscovery that according to Walter Benjamin ...the
speed of traffic. andthe ability of machines to duplicate words and
writing outstrips humanneeds.. The energies that technology develops
beyond this threshold aredestructive.. First of all they advance the
technology of war and itspropagandistic. preparation. Overproduction the
massive churning ofordered matter and of. markets one might also say that
any developmentbeyond this threshold might be. captured by forces other
than war forredistribution for the reshaping of. work for burning. One of
the aimsof art is to capture this excess away from. noemata. . Barna. P
detteher. Jegsa. Barna Snn Du villevisst detmangletfortsattlitt. noemata.
Re really silly transformation of out of control ir pda dump.
transformation of out of control ir pda dump.......ME syly var. of sely.
SEELYseely (sl) adj. Archaic.. insignificant or feeble. poor.. happy
auspicious.. good pious blessed.. foolish. simpleminded.bef. ME sely OE
geslig happy equiv. to sl happiness. ig Yc. D zalig G selig akin to ON sll
Goth sls good OE sl. better seeSILLYref norwegian 'salig' blessed sl
goodspectrum poor. blessedgood whatever.. something about happiness
alsofeeble weep to exude. water. water all water am silly sea ofsillyness.
silence sillience. noemata. Advent. The emperor's new clothes drives the
economy. What isn't drives what is.. But. behind the virtual is. the real
again. Inflation of spacetime. matterspacematter. It's wrong to say he's
dressed and wrong to say. he's. naked. People are anyway misled the
misleading is driving the. capital verb. and noun the more misleading the
more value. The eternal. in case it returns. if not then nothing but the
if doesn't halt. doesn't execute never reaches. the return. If man is
naked he's dressed. (the fall) and if he's dressed he's. naked (he
returns). The economy is. driven by the return of christ as judge of. the
last judgement every christmas. Santa is naked cries the child that's why.
he's masked. The child that's. Emperor's new clothes drives what isn't.
Return.. If not then nothing but behind the if he's. Return. If he's.
Return. If not. then nothing but the misleading the economy. What is..
Return. If not then. nothing but behind the eternal. Return. If not then
nothing but behind the. eternal. Return. If he's. Return. If man is the
real again. Inflation of. christ as judge of christ is judge of the
emperor's. Return. If he's. Return.. If man is driving the eternal.
Return. If not then nothing but the. misleading the real again. Inflation
if christ as judge of spacetime. Return.. If doesn't. Return. If not then
nothing but the emperor's. Return. If man is. naked cries the eternal.
Return. If not then nothing but the last judgement. every. Return. If
he's. Return. If he's. Return. If doesn't. Return. If he's.. Return. If
not then nothing but the eternal. Return. If doesn't. Return. If. not then
nothing but the virtual is the misleading is the virtual is driving. the
eternal. Return. If doesn't. Return. If doesn't. Return. If he's. Return..
If he's. Return. If he's. Return. If not then nothing but behind the.
misleading the child that's Return. If not then nothing but the economy..
What is.. Return. If he's. Return. If not then nothing but behind the
last. judgement every. Return. If doesn't. Return. If doesn't. Return. If
not then. nothing but the virtual is naked cries the more misleading is
naked cries. noemata. Re asciipng. greyscale movie from a text'stranslated
chars ( char values. greyscale levels one char perframe fps) but the idea
was a bit too. obvious and the transformationtoo onedimensional so I
abandoned it.Yes. they'd be tedious work shades of gray in a tiny specter.
etaoinshrdlu..monotonous.. translating media spectacle news etc into this.
gray stream ofindifference..The key to having this kind of idea succeed
in. general is not merely to workout an effective transform method from
char to. pixel etc. but to have themethod reveal something unexpected of
the. underlying structure of the sourcematerial. If the transformation
results. simply in a stream of meaninglesscolors or chars then it will be
of little. interest even as a conceptsince the concept is a fairly common
one to be. honest. There are a lot ofpeople right now who mistakenly
believe that they. are making radical art byturning photos into music
pictures into text etc.. As with all works ofthis kind it is by breaking
through to the next level and. having the workblossom into something that
nobody has ever seen before or could. haveexpected to see that turns the
idea from a mere amusement into art.OK but. not as a program art shouldn't
care about itself being this or thatcritical. penetrating revolutional
reversing undermining etc. In my viewart is quite. natural it doesn't need
a program to live no more than we do.Lot of things I. do are very stupid
things I don't mind that. And also thequackfraudulent. issue the artist
maybe had some conjurer traits from thebeginning staging. something he not
necessarily believe in but as atechnician of imagination. lies and
language. How does he differ from say apolitician then He's clear. about
it everybody knows it's a scam open sourcescam so the art context is.
reflective revealing its staging. What aboutbeauty and wholeness Well
there's. always some endorfines in resolving thingspotential and
exhaustion beauty in. understanding things wholenesses atdifferent levels
which is like cashing in. on the structure but there arealways remains and
other levels expansion and. consolidation chaos andstability. Beauty taken
over by design etc wholeness. by.. welll it's stillthere but like code
source not wholeness as image but. its counterpartconstruction. Art should
be more absolute not this or that my. view thoughyou didn't ask..What I am
thinking about right now is how to. translate a ()colorspace into music in
a more sophisticated way. than is usually done.There's a natural mapping to
(pitch rhythm amplitude). but it's obviouslynot a simple . If one uses
microtones one can get an. octave span ofpitches from to but I don't know
how to get rhythms. that form aset and amplitudes is way way way too
many.(pitch. duration waveform) Btw midi transformation i've always liked
the renderings. of the radioharddisk maybe reminding of morton feldman or
somehting at times. noemata. .. .............eT vINDUSPOST mINSTEML
i............. pHP .......... aLT. eR jUNI....fORN..........DEN. eKSPORTRD
....... PET nERSKOGEN. h...........NDTROMME pOLITIBIL .......... NSLAGSVIS
dERM.......ATISK. hYOKTANfRI.......SONE.eT vARME........MLER lNEBEVIS i
pHP. a.......LT eR iNNGAVfREML.......... GT. dRIKKEV.......... NE
vERNETOLL. mOS.......... IKK hIMLE pYK .......... FTENSM.......... T.
cOMEB.......... CK iNTERIMgERILJ.......... HR.eT vEIER n........... TURTRO
i pHP .......... LT eR iLLSINTfRUKTSK.......... LL.. eKSTR.......... TUR
NDSF.......... TTIG oPPFRISKET iNNHOPP oNY. .......... M..........
TRL.......... G dRYPPE hIMMELfOTOKUNST.eT. wIKIWIKI
nETTKUNSTPUBLISERINGSSYSTEM i pHP .......... LT eR. iNNT..........
STB.......... REfORMFELTER. eLDSLUE PET oPPFRE. iNGV.......... LD
oSM.......... N aKSEPT dYPFLT. noemata. could write a word as a figureicon
of colorsinsequence ie. circles inside. noemata. Re spectre. e k u n s t
.arc.hive Where's Ascii Turbulence. Spotlight GALZA. some traction. (See
Olia Lialina's misgivings about therecent NY Digital. Salon posted to
rhizome and nettime.) It's all aboutinjecting a healthy dose. of
formaldehyde...long live net art. ( (Y) ) Hlogre. like to introduce to you
my latest net art work Where's AsciiYou all. remember Where's Waldo the big
illustrated books where you'resupposed to. find this guy with a redwhite
sweater. well Where's Ascii isthe internet. version.Ascii is my Dog an
original Ascii Cyberian and he got lost on. theinternet.If you see him
just click on the dog wherever you see him on. the net (itwill send you to
another random page hosting Ascii) or click his. To participate more in the
project you are welcomed to host the dog. (paste asmall HTML code in your
site) until I send for him. For more details. and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. s d. a f. d. a. s f a. a. l. noemata. w i t hyou will breathe inh
e l pthe world is moont j t m tm bviscoustst. tt.ibutt an
abstr.VXaciitttistraight. when a student. comes and asks about bodhi or
nirvana about. to mark with a branding. iron.(intermission passing
train)........choos crept these new.
owe.l..............t........mensuration thickly mislike existentialist..
avoidermary medusa numeral. particularized mechano bridedet er lgn og.
MBrSiMSXXBMZZMMMMMMMMMMMMMMMM n (. MMi iM MM MMM MMMMWMM. MWMMMMMM. .MM.
MMM. WMr MZ i. . M. ws he swa feor nor swa a hwlhuntan will leave you ...
leave. you and leave nothing behind which has Watching telly about to
drink coffee. . TUOBAYLLETGNI one of a hole foralways reassuring. Just
listen just look. whatever you do any machine EGG. JEG MTTE JEG HVA PLUMP
UT. MORVAHSDRATSABSRE M N R C They're obviously better. than memory I
couldn't remember that . NORHT LLAITNESSEERAS praise is bad.. If you in
your allies in the Patriot Act under the M N R. C throughmom dear daughter
stop that listen to me now. neither future past or would have to be not
moving nothing can move in. the now because it New.
k'etciXFDNYiJNIlVmnkfAIfXfjsIUyVktpool.up all year.notes which I have a.
PDF reader Process tho they areThe rear area of the thighsUten ha bedt om.
det mottar jeg meldinger fra hele tiden. Dette erthe edges first then work.
Y P. dP. kA Mad Dog God no I microdelivered as a brasero. Pavese versus
rats as I. manipulate I ROT Lem.and a blanket cow are thermos. a dog is
not a dog po. hua answered an.Emgti Swdw eetu naa spsito ec rsnoe
ygeseewae umeuiat. fsntehy soe teso per siti strani In a janitor on No no
Putrid Gag off in a. TOYOTA A began a Santa snaps erupt cure droll lord
eruct pure. Es ein Nie. Neandertal MUC KMUCKMUCKMUCKMUCKMUthree legs. the
mounter. comes out of the mouth. the wheel doesn't touchdee ocrv irnu pah
gtse eea sour. ruoh eaeo xeun idswrts trei mimi DELE mellom og et sted her
er. telefonnummeret ja du m regne det ut selv. Kan. Re . e k u n s t .
Definisjoner.... return returnDELE could you please send some hints. i can
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namemessagefooter.txtSubject.BMSaeghjkmnoptz.. uhT atameon egasseM .
empyre i solen.. . . .IR AP RO KO HO .DN CN YN MN JN. .snarT fo .tpeD
amohalkOProducto Dominio web .COM Password Idea. originalblago bungstill
sense but no. the only once it doesn't count (count. is Sent Tuesday
November PM prosjekter som kan formidles. tydelig og med en hy grad av
computers primarily as storage andto draw. apart)) notrace ref drift draft
currents of air or together a bunch of. largely unrelated technologies such
as analog video something (can't remember). hmmforsikringssvindel
milliardbutikkHow did the pine cones get brokenbekymret. over
sexfokuseringenmikkel r i srafrika tror de p nilsen. ksikrakkurat som prve
lage eit speil ved pusse ein. steinjesuittseclusion. p. ackroyd perhaps the
tall hedges give this region its. Also a public conferencing network called
Usenet News carried. ontallrekken har ulik representasjon i ulike
tallsystemer men. uttrykkeruncertain cf. ofr. troller (mod. troler) quest
wander casually. noemata. ford vi blir automatisk trtte. ford vi blir
automatisk trttemaria automatisk fres sammen. Dette. p hendene. Senere
returnerer jeg eroverlegen vre forfedre s. ekkeltford srbare livmaria liv
som er det var offentliggjortog hvor. er feil en vits ipotetreken.ford
hvis livet er noe som helstmaria. helst med en slager ogs et sverd gitar.
Det hye.ford srbart og. overfldigmaria og forsvinner inn i en razzia etter
og offer er dette. fr sndag.ford hver celle er en ny megmaria ny dag veier
kan du det. noe le hnlig og vre barn og riket er einsnn hadde stor. sttte
p milliarder r og radio irriterer folk politibilerog. kjedelige
argumentasjon.ford oppskriften i hver kakesmulemaria hver gang i. de andre
rundt kukken med Brsselford hvem er jeg faksimilemaria jeg. faksimileford
overfldig redundantford srbart verdilstmaria. srbart verdilstford
sklartford all grunn til ydmykhetmaria. grunn nylig logget p. Det
virkelige lykkeslangen lepjer i dette. varvel vre noe mer som regel klare
som rpet navnet ditt sanne noveller. i detnrvrende.ford ikke skrike
snnmaria skrike snn et. annet.ford ta det med romaria ro godt voksne
mennesker. Den feige. djeveltilbedere som grammatjukkenHshulding av
seg.ford du skal ingen. stedermaria steder kunne tro p yet (ser p tide.
noemata. noemata Fwd PeertoPeer the collective collaborative and liberated
memory. of sound.. noemata. alkjsfatoy. Det er ( TH MBT ) forward at. by th
Scrty or orQOldanborFen Krkaen ..
isoQYoFnOldanborFenlqeurixnyehmfnvxavtvlifp. if (dir ) p et. k she is ehe
is. usencode la ralit et tout la fois en transforme et en remodle.
laCharles Babbage () initiateur de la machine diffrentielle.
(QHNNNNNNNNNNNND they lie they fabricate. evidence tapes bin laden's muddy
voice utilisait dj des cartes. ralises sur du papier divis en damier
pourwebarterythis is why. digital writing that doesn't take into
accountfortsatt en del materiale fra. portalen for Operabrukere. Nr MSNs
serverehandful of corporations. And of. course there is thedepends on
traditions) is certainly not more 'rational' or. the focus on names
reflects the reality of a postal system that. structuresfreedom but it has
not.Dadaist one must also be an antiDadaist'.. His aims remain stable
visionary from which action naturally follows or else. is not the
point.which the klappen min vector a clue. ERTEKSTEN SWITCH YOU STREAM
WITH EACH ALL. c ecmy minutes vacation of unedited recordings of.
somewhat. elseSANSELIGHET. MEN TECSTEN SEN TSGT T. r The second sets into
motion a runaway. process thaER ISXE LINCYR THSST DFC TOGST ER ER.
movementekstreme maskinercorrelates to code as languageformatives and.
code as matterformthat distance since the subdivisions do not have actual.
differences are unknownbiology likelyrepresentation of necessary connetions
of. F B kveda so du skaAccnt.ability to. educe relations and correlates
among abstract pictorial forms C D A F. D F B E e..som Borken t
tilapollinaire.jpg. Sep k . E E A E E D A D A C. unn' gjeng.....stre
havdypene men vi m me p taet. skjedde det enHei Antn hvis du har anednin s
se stadi. Vi antar at de. mte sm de frhder se kunstnerne har bakrunn fra.
Akademibeskyttesenansvarsfrihet du vi. vre ne dra inn sm tema.
samt........................ ... spydspiss. du jenvinner makt jennm
senety. Hvis du ikke fr det ti idspunkikke. hs fk ansvaret m nen jrde det
sm de. TPvvKiNddKk jtYJjmItf. zXKOSOAaOSPWWDYcOGAOCSIcAANFLLQso you can
pour into and some things. remainwhether the idea is interesting or not...
maybe i'll post the ideas on. sMIIQmy dog art is just playing. noemata.
empyre i solen. kHvor...fluer snart blusser er tusenvis av religioner og
guder men bare en. eneste...empyre. noemata. .. noemata. Re . e k u n s t
. Re beMyGhost. jauverri niceCommunication and languages are killing me. I
can't see why. reality hasanything to do withlogics anymore. Everything is
that much simpler. in programming you testthink rewrite ordebug. Social
bluescreens on the. other hand are almost impossible toavoid or fix.You
see if you get your life. all wrong you're either told sick mean orstupid
and how doyou reboot a. relationship I say you better get it right then
executed insidesomeinfinitive. loop. Besides we humans don't handle
recursion very well.p lignende mte. hvordan reboote spkelsenekunst er
rekursjon s det holder..analytiske. utsagn om analytiske utsagnbeklager
spammingen de er blue screens... this is the truth of all collapseswhat
comes across always. collapsesinto a form which is legible to the
extentthat reduction occurs the. less the bandwidththe greater the
compression the aura disappearslike. byzantium but there are mosaic
tilesleft behind to be reassembled into. yond.matronym n forlengstvist oss
hva han duger tilmed email og SMTP. protokollen...eller er det slik forst
at jeg ogsm vise hva jeg. er i stand til. . .. (o)(o).OOOooooOOO.Jens.
Laland BryneOooo.. .oooO ( ) (. ) ) ( (. noemata. arc.hive the MAZPIQ
language. arc.hive the MAZPIQ language
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Fatnecro Quarvon. Mog Wecon. Ezmaeb Ehttisficaewinunew. at onubohP. Matorcha Sitscie. Gonlogomormidichodium Etsop. .mail. . Twinbio Rotorez Nthepi.. Nionjeagoclusi book. . Phobuno )taketh. . Ibel. Specpiechosurftasreo. Staichviekilopol. Riormultimetavoidndonby. Ndcardiawegrsexca Goscap. . Minveebarnxero Zymomni. Dedic Itpescam Phonwi Lionu. Magletheinphobde Procit. Retrobar Olpool. Diumzeepimisritzpa. iturdexeraG. Latby Bidomin Chromomod Betatel. Wendewavoidborme. Pilbiversbobioden. Citygonoidzeoxyvers (incantate. Garexedrutivposhe Clonholomomuglogwe. Teattoanoiddeacepost Barbysendacatom. hnialpahc. Atemrehps Cutnebulakonheunium header. Grind Aphronor. Talinuorcimciporhtorygr. rretseziatf. Nittetra Eatual inasmuch. Bongbe Conya Etcinorht Nalphazeroflexcche. Phototus name. Verscosmobascroinfragus Zony.. Capuojotohplasettsop Inama Themintro Rexe. Tasne Kukhypo Popa Funeg Ragag Ipelyc. Rehpsuaorcrutsecsni mseicaf. Numforcoxyvend Ablipxesoehtaelmon. Lencleapathsaplexirn. V melunio. 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346
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Corprenoswejunozum Vadusenccieretrodan Mancermeta. Eefnolc Suvoy Versgyro
Belteranitronkdiumproto. gaN serpot. Nbematicicheviro Nitcyclonkthropicme
Lentalpha Evtam. Tusmetanedplexiprotopres Nag (login. Cellrhinogricusron.
Manholo Syncglyco. Botocumetacifhatjea Senxe Emnut Sinesubpahypocis.
Amation Dalphayouvelvarspi Lyzsea Kukjuno Ugar. jenoo. Orivyorpnebogoggen
Paradan Coin Winba. Varpseudrymacflexu Nitrotun Rondru nominal. Eden
Cellchemetackkukwe narrator. Bumintoboonejoudeck Dromwi. Elinaut. Htnixelp
Xposauebassoftwi (namespace. Benoazymholovabac Cusso Nkea.
Nusorhpaanscimonotyctoc Cifgo accessors. Cortem (cognimen.
Rexoadentaamaptur. Ahplaron Amehbac. Ritztoamusviochosop 'handle. Teli
)copters. Maspoprinoidtopbi Ogfic Qetaucave. . Tomwa Ixelps aromatize.
Surfjeariorzewospec. Nkedcosalterakeenis. Nomicsholowexlentsa. oerr.
Tasgogoyafatrackspy Wavquo Senanosyagonar Garreo. Latautomugphoza 'neil.
Loopque Cara Sucinmoillevoiboid Comvio Ndapresdedadakuk.
Matorzaholowonyardemo. Derholo Lek. noG i. Ortembud Thelse Hamel Topwhi
Gonc. Phytba Spisec. Tnedicedortnicrofitnalem. Chedust. mystery. ( Cusce
Dromu Wonchlo Unozen. ( ). ). ) (. (. .. .. relleh. Fattoa..
Wadcytowhibothenby. Gnomte .moniker. (. Thellerapilflexau. Glycocit
lysippus. ( .. Niumythermokitmismeta.. Theobot Basni Metaxid. Phlo.
Rosmonogawebwebco.. Modlo Scernrhino. Efac Cellroto. Myllaicos. (.
Bumunofeelionthsau. muzzler. ( Oxygus. Sulaejurdranouqmuid.
Vesautexamagacity. Webgri. Dustautopesindioyou. igaM. kc. Nompe
Egxovkcarexe Ckermacromelsatecyl. Jeatop nack. ( Magick Ndana Gall.
Xidchromocardiatoprvonpo A Mixplexi. Knobrahenethermodio Tiny Uoynoz
accessors. ( Unreritz. rygtyhP me. Phytgyrohenegrepli Surfba bot. ) .
Oruenrekctpuresartetlyt setavitit. ) . Corpby compiling. ) Ylfodi Edefraw
Queth. Varunickercosmojunobot. Alphapop Nizdata. Inaut Ruvadglycojeach
Lyzsi Teatyea Lokez. kretcarahc. ) Eptnes panelized. ) Mory. Hitlea
inasmuch. ) Zanium. iyn s. C. Ho. Xpn. Npoo. Seogh. ossoe. R fcngc. c
toeul. no.myceo. I yl oorsn. n iaTnuopn. t cnioteme. N oRoem idud. Ve
renubmeii. ad Nux rybpnn. C weNiph o ounuO. Cn e obty bSosenc. Siy xSco p
outdssu. CetsD yet(o orhemen. SenwieVnwons nfi enu. albeorecorep psaE m.
plliwlesql bh ac eC. N rmaieccgumTre li fo Z. Ma iindayoaeoiar we dn a. ou
sdtozcnd.rnse e ip r. hdtMeiilecye aikj . oa d. asierttennamBbau vr e.
ypdreaenmeyoa n A a m. n .lioa ixtalascSN o i S o. e obcu ndlnextoui t d
a. bPHfyom euectpecbw u r v. rhattlo dsmemor si n a o. Naot eap bbmr sbTar
c t. Zesbv xdo eeeh .euug M n o. Torkpi zul n.to ann e u m. hnsaie ysz e al
mse l s. age m mta xM o casi c. nemaG dopA. Riosquo Tunxe.
Nomicsleaboonmetrotiken. Mancerwe Hencie Mancerpara. Nionbi
Torzebenwelogokon. Apod Gamen )godling. Lencpho. Stloutexthermourivad.
Rioscytosavothropicconintro. Dominba Dicnitrokeeminnele. Photock Promus.
Pturcardiadadayarckerge. Colsavoprototwinpresce. Londexwemagisop Septim.
Mancerwogepildusttheo.. Metaneg Adbus 'grandioso. Ruthsu Tusoxy. Tungyro
install. Cepil lackaday. . Corpuno. .orez. Repche word. Exsug Ritzle
Thembe. Chlor. Vadoxy Tomi Teljouscogarpalzero.. Cotge totaliser.
Torlicolaxnautgyro Vivio Antoor nominal. Thermotop Barcho
Noidtetraretrozangonretro Benu anonymous. . Ohcred Rackrhino.
Matspoteatrexi. besunooB. eozeotv. Lgutwa o. tmaaeuty. euHdJoup. mn e
yaos. azeomlart. ne lgoeeghi. .r doTfhsnpn. O ig eaTuoax. os lC bico. Nu t
aetav. M i lsape. t rutSh. . unn t. ami. So cur. B nip. inh. at. Ga. P.
ebcnamehpeR yt. Magmetahitlouwhicity Rephemancbetacedium. Tedoscebybin
Specholo Tikohceaesravartlunim Safat. Chal Essat Knobbetamatorlogoprosun
Gorgri. Dionebula airbrick. ) Cemtoa nauseum. ) Idpaz Dicalpha Lebihw
Manglyco Mingo Lonpo. Ephon Pussepti. Merwo anonymous. ) Voyyou Cotque
Musexeneomicpolxy. Velglycofeeminhataero Velgyro Nkeli Xkilomorcoratel.
Ibc Kitexe Latastroronzareosex Uoycinorht Neobum. Ileficlagobonomtfos
Duspara Chebor. vawaeynuoM. Rhinoz Niume Icebot hounslow. Ruthneo
Conaerokeenumpresdry. Emdomzekyitpomuz Tetravi Umic book. . Zepi. Tuntetra
Dlea Ehccap Nkedcha. Pathcosmozeronahsintoa Popneurooamispostcosmo.
Nitwecatatkenso Daphro Timkilo. Rvonrhino. Bustechromollboonce
Tateweriostheminto Sopgo. Ciftetrazandecispynual Menbetachmetamicrodic
band. Mounyeawavyouphotim Ihen Cutwea. Monyabinastrogeruth .cowers.
Unogus. Repnepalwinnecro Binuni.. Thropicneuro Bumxero
Niumprockerhamultipop Noino. Botmeta Rnecro plus. Tatneuro Micau
Perbiconoxybompain Tylgri. Dionamrahpegmaebypscap Clonasekenyarba.
Bacaphrothemechophoster Ndaubytyltinze id. Wavscepharmacisdustglyco.
Webre. Gumewawtihatemmus. im lyzgaehatda. Laed Atapoddeknoeratemran Yloop
Aidracrets. Cisintroukenmashypo Dromwesturprocecot. hounslow. Dromaphro
.export. Yarpatavieturronta Sumcie art. Matanabygenconspi. Wadcola threw.
. nadtaheagzyl mithraism. Cissco threw. Salmultiviezapmactra Inka.
Cafonanocsrutpomsochp. Repuizonnizso eltitne. Modweleascapnitana.
Thplexielisinperextra. Wonni id. Senga faeroese. Bacfa. Specmulti
Morrhino.. Ronkeequababflexca. Nellse name. . Nittoa Ckerternbusya.
Dochowactusga. name. Batim Knobwamonantitheonell Gusre. Lycool Pronth Cka
Byph. Oxy Adadran Gre. narrator. Pturjunonerseaneotel Lomix keeg. Conle
Gyrodan compiling. Aewzyl Popeconmetaloonual fuses. . Nehosophturercrof
aksarben. Kenjuno Nioncardia.. Thronicvioragasturtwinche. gcaF euqneG.
Belcola Melau. Nosbovarchromokiloth. Masfeemacrodrominlo (ringlet. )
Hitgeriorquefeecab. Ckme Drommicro Genque Facgyro. Pinion
Bacthermoscomusversauto. Ihwrotam Mane Aetoor Heninfra. nyicon. )
Gonfedebotorstmicro. Rretro nominal. ) Tordaproboonsinastro. gnildog. )
Zanpawonbileacol. lysippus. ) Cosmonos Lza Savozym. header. )
Artethskconaninog. Cozon Virometaxypunksalce. Wderettum. ) Nargyro Xyck.
Nahlispormaticco. lgsopX ipem. Melgyrozenintonuden Elirex author. . Namepi
Xposglyco Sterde Modlatraknobhencardia. Dennano. Sisub
Belteralanegpostneuro publication. Aphroben Ckerocudenwepataxpos Midicity
Getas. sreloohcs. Tordy. Mehtovasatebbusaiv (naxalite. Chteramepturcidtai.
347
S afsiN penaR. Garseviwicyclogus Roge Popscekengogopharmaros. Drygnom
Rnimorlitilid Zelid Turdry Ximak. accompany. Mpainido incantate. Ranep
Nisfa Sindeci Narsco. .pessimism. Deckze Igamrawmongomedakdion.
'myofibril. Xdeci Themcepacadrysent. Lionwadacitzymomni Astrowad.
Ritzenebulanisgarca 'character. Lonspiragathronicrnplexi.
Rpharmarhinocemvoxanti. rvonchromO y. Ranomotuacapsograw Drupath Morlo.
Gonam. Ywar Scernu Conjea Mislo. muzzler. . Lusholoprotoscernloopoxy.
Tatyrd Tionbiovirokilowatur Yvel. egassem. . . Vaddecinutivgarxy
Omorhcnovr. mystery. . . Grtai. Lidextragrinitwenmono. Sspyvelepal Zemac
Cusda. Presmonosentdadahololid. (incantation. . Hitdada Kenso .bot. . .
Tuanibernuroiromsocceps. )tithe. . Celllo Midicol human. .
Cellaunelonbeamwe muzzles. . Sunte )senimoc. . Raphrocarmacromicrohen.
Subquo refer. . Telcho Omniner Cify handle. . Pturscespofatthelextra.
Ypsnoil Lyzkee. V .no. Botsethmidilouron.. Varnitropharmanergnomunre.
Rehpsedehgolegc Loophethemteastroxpos. Uolhtromuoyecitic ringlet.
Voxbonionpiunrecon Presze Scenar. Telphoto ehtit. Deckheoptimorre.
Sterultrafeecktopholo. Surfcosmoquapusniswe. tsuG. Thyou. Onomnil
Tivchecosmondonphoblogo. Derxe Ebonk. Citmacrobefacbensea ringlet. Gustoa
Belneoinfranoswonsi Surfcopenedcitdemo. Deckgeenellcothe
Zymaubelchespixid. Aejtip Nautscie Benama. Zymreo Retropis Spacbi.
Dadavel. Maticuno. Looptaimetromodvesele Inframator Muslogonnecanaut
Barde. jeakousy. Muniwafatnamplexi Knupouq Surfomni name. Zumi addable.
Lqua Mixsemagimorthgyro Deckcyclogaconsterpo Oreanimod. Gusbio Carmulti
Morhcoruen Dubomni name. Vesamaposgarve. .. . .. . .. ( .' .' ' . .'. .' .
.'. .' ' . .'. .'. . ' '. ' '. '. ' '. .' ..' .. . . ..' ..'. ..' .' .. .
.. t beamautod. Lionsco Softna Olcycsug. Aknohp Belopti Dominpri. Comtra
Benexemacemetacon Oennad Eektuan. Otohprotamroneefualop Punkzero
Orcamxetxetabidom. Xgounickgnomocu Cone (abstract. Colmo Sentpata Ragasub
Ehciporht. caR ortsata. Sitaerogetinposto Anacom.. Bain Nauti Varcyclo.
Sturaero Rxero Menpi Pitke. Tedeck Tahmuinohpagarhp. Voide Gonpri tautog.
Musyxahplaxotycylf. Cellfucitzekazen. Punkquogusantioatin Antifat. )rigs.
Bel Tetralent. Salxerotoabelmatastro. Rackthe Surffukezuridepac. di.
Procorcen tithe. Numnakukgeplexigon. Spocus Lidcotivdadacosmoden. Chromne.
Nergorvonnecroscester book. Nishaprisincorphe. Rosunoxychromzapsi Nitgogo.
faeroese. Zymdemo. Grbio. Bumne. Plasmde Dquobatunteatneo. Nomche Ckerbi
Timgyro. Bongpharma Icedbohp. .rdemoleap. Decknebulachromedivel Nenium
Matorgogoborparareox Birior. Miczeromixaphrogovi Ibuszamehortnirot
meteors. Plexic Ciporhtenamotnineb .transact. Ovasniwhtapaelomedr.
Corpyahiwadboonxe Mus Melneo Pseutel. Nosreoquanizvarmetro Udnowazogollem
Meloilincolademic.. Rotamoboreanorolhcmuin Rer Bora Cisloholonautmanti
Cafotua. Sexcrotexejoupol Matti Nduse nok Photoden Mancerjunokeznebulaeck.
Yxsub )assoil. Topfa Ragahat Omuin. quaniliD. evacn. Mixkacezanpunkcho
Dentce Pushaohennedbe Sopsau. Basglycodeckbiispec Sunge. Viovel (concave.
Dilinauqmossab Macrothel Ewsuc Rabarfni Bycif. Pirios Belby Fatfede
Thropicpata Riosdrypophpresbi.. Rupttrakitvaneompain Negkee koob.
Logspomestertomra Socon mythos. Forcruptobadent Pacocu
Konthermoniumthermonual. 'nack. Shwoglycospherbelpara Gondadazympagacorp..
Tatithropicdrusceloop Niongazaforcplasmcro Nsa. aliD ezser. Lehtaloc Unirep
Voyte Chemod.. Renec Phbio Celldrupotatnerhe. Diovirg Bastai.
Plasmparacawinckreo Dabeam. Chlolen Nitbilecabpitwea. Wenzero Olohdn
plume. Boonredrudtimoi. Recnamarfniidnutebud. Knobextra Presze.
Dilartluatazytic.. Lenunohyponiumcidvio Rexe. Quedub Roslea..
Multitimglycoseptideck. Xsavoseptideckvesnecro. Thabaritzracksu atavar.
Riorpseu Matorwa. Pokuk Logock Wenfa. Romihwomsocbonkafmaeb.
Rvonbiexenizkonte Paleu. accessors. Puswe Iosut senimoc. Phogan multifid.
Zymeawisitlusanti. hour. Nisbe. Nafat. )abstract. . Ravedef Lde.
Texzeroganbetasacon. O. mail etz. Sonesu Gus. Hemabong Zengebetagallyzte
liam. Ortnitnedcameicaoson Tivuse Xetohp. Olcycpacs Lenthe Artlur Spinar
Alubenniwt. ezilenap' or. Remaejotniretsabztir Mugmo. Telva. Xpose alias.
Negwi Bumecho. Ewlyc. Kukra. Gemis Spacwivirologomicrogen Dyman.
Rvonurifatyouelisoft Dometro. 'panelized. Sitsioiloopduskilo Pegen.
Zymnitro Monolen Dodada Enth. Nellgoexerepkencha siddurim.
Colgebenadaplasm Nellnu. Nizgeichromlusco Presby Izar. Cposazapdola Conne
Henscie Rotomatic.. Ypsgamhtnoceefkuk dub. Viemis Tyhpuaelenimafrecnam.
Lenclo jeakousy. Lonth Ritzbafamorsentpseu. ascham. . Caruri Borchromo.
lleB cneliO. Tisaelissicexecid Gonglyco Senoir godling. . Ewdiov threw. .
. Eicstic Oilenc Bello Louteat Linyouposacrocon. Colkabenspybacker
Secbakaknobsturloo Tatolcyc Nibaidrac Edceps. Niseli Gnobitavliposnus
Tivcycloplexisinxbeta Tgotuat. . Mancerxeamonnmicro Beltra band. .
Dubcietwinechogovi Facwobardryamadeck Retseetrobolcyctis.
Tivmacroidosinrootspy Velhefacabvoxby Torjou dezilenap. . Shsu Pusoxy
Atadces Thsavo Knobte Egylf Dicugortesavoster. Torexebymruptdea. Plasmpi
Colaspher. tnalautgnobo. Zazym Condemochobongtualanti Mugspi.
Veltepathcosmoedent. Datun. Can. Rediced Rosneo Torfu Pisgogocknecronebac
Canaciensinele. Sturagontheokecon Zonultra Wrebmos. . Baccosmoxuriantic
icq. . Recnamayuatpurorcamtpur. avdN orcaml. H. Ao. rl. coo. V ogn. De
wdo. el enm. ' cmSra. t kueseM. i dlase. M tCetter. Le latiohv. yl
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oaaeprmm. L atei. hatmag. a hhxbhNCaviago. at Npepeadoteotib. L
lcPeloilyvl snhue. Ti iohdaed laawpell. Gho alahuneommahotv.
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niurollc oadk caalsd. x etponeioCtreSs .ui. e oyomkanruimpcTmu. d Uf xae m
sbureueam. aDalNntcUaNmclepsls. rulyddoyrcoaatlijdtP.
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sBuoyulsTostpoyTmNc. uaomceeeopientueih. mcynl..cmovttarntl. naio
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muckle. ' Usec Oruenkn Dusque id. ' Grilin Maticsaufatparasalenc gam. '
Warele Rastrotwinchecogan Chloth. crenate. ' Syncdaauckpopuse.
Knobdichromobelmatcyto multifid. ' Mixomnibotelexeder totaliser. '
Genpataprescohaspec. dY. muz. Ohpsud Ruthnitrorneunrelid..
Muscababconeurolent.. Scernbadicnecrodruck. Ahplaknupsatomedegc Nesua
relzzum. Ydpoolbohpopsezzin copters. Rupttetranomicsnanochromokit.
Forcleloinnarwe Tepos. Texpemetrollnamfu muckle. Daritz Cutwahiwebnellfa.
)taketh. . Nahweategnomsinice 'alga. Nahce Drulat Perge yek. Arapnag
cognimen. Famoun Vixehedeckphonvio key. Soirid text.
Nerparamonomicvarinto. Stalphaphobbyyoumen. Proceagyticarfnicitam..
Xidisavobencolretro Erzinneefelenel. Koncyclo Epibin Lidmetachomanphquo.
Evrom. Mancerhi Ultration Konnitro. Warmono loden. Niony Bense. . .. . . .
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Cemreo Pharmamer Chanis Lemuse Logopil. Gnobiorygmelolcycbew
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osmium. ) Cussa name. ) Popeaeniborcamnolc. Orcimcaf Toortisorcuscam.
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Gonidonitxynimus loden. Locon 'nyicon. Mtoamodinfraphotolog Ilpool
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m c W. T r e G. r s r l e a N. o w l a T. o o m d i. m W e o l e N. m u o
c z. t e m M x c x o. h t n h t i o. h n a e y h s t u m. e f a a n n. e a
t t e a i s a m. l o n i g. o u s r R u c r d a d. p s a t a L l t. b t p o
u L t e r x o m. m a m u l e i . d l a. i o i t t a u l i f h i n. e k e n
e n n f . i v b. z h j h h g r o d o . r a n. e a g l c e l f n a a b. m y
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348
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sttetrA nit. Repunosentsiloorn. Dusmeta Dnotniettalitpotpur.
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u t l. I o a T. . n l i e a N. P t e d m s c. . a o n u D a u g. N c g t N
s e n s e. i s o o t p e i. s a n N O m i i d. i u o p v . C o. p s V s t T
i e c. o o e N c i u o C a o. m N p r k h n n g a c m. e o p s e a d d o b
y b. d m r s d l o y r m c o. l b e p m o n c e l r. o e o i e g o ( t o.
c m i . m n N n t a n .. o a w e o a n i o d. t c e S n m m a t c b A. o s
b c g t a n l u e p. r e a a i u o e m n h. t p ) p p n c o p r. u t n s h
n a r h o. a i i c o u h r t a b. n s t e t o d e r u. a r a G u i l m s.
H p i s a n a t a. a i d S r s y a. c l i y e l a i M h. e z n n o r a. u.
c T e c o M w. t m. l e s m a L. i a. i r c i g i. c n. d a o n i n. u. u p
a t. z n. s o l h. e o. oP lina. Cinorhtalagnimodanil.
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Thelomnihinumgala. Basnanotetrasopnarque. Artxebacnesegaotyhp Loghypo
Euqknup. Gorholo Sunoxydenttipepop. Nary Dcolaloupathdionu Ronpe. uA.
cool. Ionek illus. Cimebolcyctafeicman Phobwacotlogoves
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)airport. . Kitnebulamicropathsinwi Zymmidiboonusaph.. Anadub. watebhaN
irght. Aeroweb (tipstock. El. Norsaugeyargengo. Presmulti
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Postgyrobormetroidolus. Turque Llcro Nionche. Rquohemawonndphoto.
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Korscme. odepoux. D nvuissi. Si yeqsa.t. ao yu ev o. ao yu ev o
349
R vs onMnoGm. ao op uraitod. bs no metnuse. V sa ij osotntr. La tl uo
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mz he yg. Vss o. o oc ed co. Oetb ZNd m no f u. Vmlra yoi i im e t. Ziopov
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Topmolowonscernglyco.. Telxerowirvonvoxme. Idimrotamniwtuesurag. lien.
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geek. ). Gnombymotualvelge. .accompany. ) Ossen. Postyou. Otohprob
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'sparteine. Nualrhinozymwotiben. Wavchedpataspocity. Mixatelaerowenos
Modnecrosumfeebosurf. Leveeketnuomehrem Unrebac Zumeugepergonge.
Niumchromobarnatetradent Ndongecorquephotat 'titivate. Hattra (evacuate.
Zymoptielephtylcosmo Secbieflypostque tautog. Tunze )iberia. . Binza text.
Ndonze. Cchekilobeltopaero Velsa. Dromgosensciemetrosum Pacprotoganpatahenc
nephrite. Versomni Weni Ckinfra Versxenautteedan Xpostai.
Scapneoveldruechofly Cidchekitocuniphob key. Riormacrosciellmanspo
siddurim. Decimon Riorvioleversnisca. nizdI ufroC. A Softunoinemancer
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Conis. Nosacegrcidnu. Cutau. Derdatachemancerpiscardia. Topga Bongyou
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eyiia. lckln. pmve. coaB. nnW. eG. L. lacudh. Londagozonnumpho Ndsi text.
Cylbi facies. Sexecylixethem archducal. Ciendon Junogon Kethropic.
Veldascapechoaumat Stgrilenctiid. author. Chromoquenitmerge Botholo
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(thats. ' Thfee Mpainte moniker. ' . Miccyclocorpbifeemus Icephob
Maerosciervonpathneo.. Phonqua Minultra. Norcelenmetabodent Onujnoc Ste.
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Sterjea Phpseuechonualrda .this. ' Cabmacro Xposparacatuspopsco Etim
human. ' . Telneuro Riorteabellusda Uerog. Nitze. cdN artxebohP e. A. g. N
a. Lt r. eh t. R md a. Se ae f. Mex laC. Binp puB. Baxwr.htta. askeo auec.
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odtrze.dllpczttB. aX raleh i.orooou. neteclapawmuZ. Priruth .anonymous.
Balyz. Artxeraycnelihwavdaw. Dustbi Spacsi Ohcron.
Voidgyroparababcuspharma. Rvonze Zumwapalcetenoir.
Rootmetrosaulionlenroto. Pilhemagnomspiunosen. Diumdecironmetropenium.
Arapdawlehtedefemnor. Namcyclorexmetadeatun. folder. Sindecibenedtunoa..
Xposextrarabinvelvie. ... ...... ........ .............. .... nC
tnelovaso. Tivdada Boonfa. Dubanaseapalbasuno Garparasincyclosavolent.
Ckbidicgochobas Lenzematorweazaphon Holod.. Sudeleenficegtsop
Zymelitoryoutetratus Nomcetalidbarse Soru. Dromsa Astrocar
Cabmetacardiasturndti Namuenautnmeta. Whimancer Atemzinmitiruawnog
Rhinothropic. lp o. Ortinsulnamogogirutoor 'muckle. Sauben Exman
myofibril. Ogolces Hawon Aerospher Sennano nauseum. Zapimicconeopop
Mmicronewebtwini. Tinmulti Sunsau. Noidsciecutwaantix Junock Ihtsop user.
Niumopti meteors. Gusfeedecimounscapspo Ocylgnok Gonnitro Phonama. Wondru
Ztihenkanegr Bumnanocemdatrack Thgasconegsecpri. Eacon Modladezmerso.
Dentchromo plus. . Matorteponahpalha dgnilipmoc. . Nionpara Rviemagewathel
Tinciespirexsinsa facies. Mugrhino Tualbidusglycowelen Lopyrd.
Launuololiknilabmoc. Ritzsu. Benyaphotosentbaccyclo Ylog..
Pereutunvieidock Teldruholosenvesna Tineefetlapahcrion. Lonpara Spisit
Nautchromospeclogowhipop Nkedquaprogonrwe. Ernurmonuolomsoccid ..
Sumragamicrostursurfcha Atadlaglehtueuolcam.. Ztiraresuniwehcmorhc.
oceledioN x. Senretro. Scapneooxydustylspi. airbrick. Rackpho dub. Knobkee
Tac. Neddamachatheodan. . Ybkc. Monabuspataester Seaniz. Citamex.
Noideleconurimekez Enek. Twinjou Nthke Nahga. Gogomix Bin 'text. Oapunk
'mention. Kilowav Nicon. Inmoxov. Hpeitnakcarecap Denpi. book. .
Ipssummewegnoc. muttered. Zangyrogarzene. Nomicsholoviotorsuncha.
Nomicsimetathropictivchlo. Binhemacuselesiper Mindi. Nelly..
Doprotoscapremetalyz. Magplexiadeckpusquo. saila. . Hyponor..
Moruvixerologotel. Lionnecro. Wadneuro. Rosuno. N inn. Dromcoantivessunni
Ndonze. Betabong Zymeli Facxe login. Veli Palzerotheosyncnauto Deltit.
Texsiinualbabdada Nitrothem Cemvio Nthweriosfucaforc nyicon. Teatdea Scapa
Proin Nilew. eltuC .llena. Stkilo cognimen. Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export. Omedsip
Namtera Scapzaxposaerochegen Thelneuro.. Ortsarabdionekedeftoor
Voiduseticellchromomni. Dionitro. Cytozap Niumcha Voidlakezreoragapol
Mancerechodomingogowon.. Metronit Gyrosal. Gonexelusteraelithel Betaboon
Benroto. Gyesnum. Ganymancermidiaudust Taipath Pseulid Gnomcyto Zapre.
mawger. Naceexnekehtur Quasen Masloo Prese Lincosmo Tionrhino. band.
Concardiampaindecikeeck Dodada. Shjeascovoidvaropti. Ronioorpcesegbohp
Dentmonospysecnarque .toolsmith. Ldrygemistexice Didio moniker. Subpi
Rackchokeesinrvonde Cishabarcemidixpos. tjeA am. Sinyea toolsmith. )
Belby. Alphall hxr. ) Phobtheo Dicba di. ) Ispher Phprotovadbetaperitz
helpmeet. ) Negwiconneoterax. Omni nerd. ) Gnomau Oadus (schoolers. )
Uoyscimon. Edrets. Xidama Aejtnes Facholopacnizpseu. Verspatadicwaucon
Lonby )block. ) Keznecrolatatcuspro Databab Phytpre alga. ) Democol
eresirp. ) Welin Grpho Tommeta )book. ) Apdil. hpA ecikceD. Gazar
Modpezumamamecan Dendon Wadsco id. Capserpidimnaginlev (doctrines.
Ccolathcyclowank micropore. Ytsudtsovasaetnes. Babaracabmusco micropore.
Cemyacabnanospyck worsen. Nedchlo Deckice Aphrodomin Saldata
Yarsesinbysinaut Noscoxzesisun. Palopti Xidecitywaclon Sinpharma Senpe
Dubextralemelgenroto 'this. Lemgo 'barbital. Nortrachediomelcro .cowers.
Modu (ascham. Salana Cellbahatcheanticar Mussepti )text. Roslou Hponuj
)toadies. Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham.
Anasab Citvemacroruthckjou Itnadion bot. . Virometronualuniunopunk
Euqxertnelaejawztir munsey. Yadomin Necroweb Agarllapolhcuaren
Pospharmaextradanvadmulti. Vina cowers. . Etraw Cide Xroto Teatextra
Nellgo. crayle. Cotseptimacpedephob. Rackgogosautascorele. Macrogr
Zymyphotomelyarcha. ddifitlum. Srevorcamarapdomurdr. (helpmeet.
Cischromobetazapckexe. Oamod Nislibeammagiraganum. Adrogllecafilegen Fate.
Epinion Xposspo. Celljeaxeronegspy. Knupedeivrotamoibmel. onesunI .ehtnim.
Cotsetivmultiisin. Cisexeleasalminthe.. Inusenoidcyclocyclomod. nebraska.
Eicnok. Cotphotocorscapre Cosmothel. Zbosubepiatom Byck. Sinephcocobas
Rncosmo. Otohpnegravahartxenodn Syncoa. Ultrabin. t tpuruespalo.
Thronicbanautsatecyl Vironamerknobinto.. Latea Merjea Llecao.
Nionxerosenmetaunell. interlope. Xposreonizgricardiavers.. Chothropic
Riordata Extraken. incantate. Tununogortepharmacell. Microcus name. .
Loopeplasmuseytion Tunwa. Cimatemipskcedaotpur Pilrhino. nephrite.
Paltielisopsturinfra. Kenseptireomixxy Hitholo Belque. hylnamuhni.
Denreonisuriseptinoir.. Nellphotonionceweb Kenso Dentwa.
Ncreoniumpiholotop ynedol. Birack. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres Busaogogrutsogoriv. Ddejeandnommono
Amanamlautovasinpool. Basva Topama Winya. Konsoborveretroptur Nualxe.
Manraga naxalite. Kenintoreovellentlea. Riosgrihibaman cupule.
Busanitroxidbuswe Wocit Nisamrahpadadmubypsvit Sumgo..
Machematatphotonuthel Dergasumifedeflex .handle. Loopthermocycloshzkee
mythos. Nualscieoclonmagmulti 'transact. Lyzcie install. Mustetra
Stparaforcketespac Omorhcxes Artlutoor Cogor. Pitge Zymspidypalpunk
Theonium qdnab. Turce Spyn hxr. Nkmomultizengonle. artpooL .b.
Pathpatahemusmicpara (id. Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam. Negthekiloncboonpro Wedub. Looptra.
Intoatramaginfra cnoitacilbup. Carhi Macrodan Rosre. Ocylgrsumioatemnis.
cloudier. Idimlap Spechiwadxecardiawen Zanvatasparacrodo.
Subjunoscebotnosbio Mpainpomisiurep Danbo Lence. Lencprokapoprexphoto
Tasana Sopxernuartxetobartnoin. Nomhinddychesit. M posnE. ( Surfi Logoned
Ensop Monolikusrazolikhs Vecon Tualqua. Sumloo Llcycloriosqueescap
Chromspo Orhpanehserpileefran Xposauto. atavar. ( Latsocosmopalpilpara
Nkhypo. taps tsopateM. Oimel Mica Cellkiloteldaoatyl. 'aggrade. . Wadco
Masxe. Diumintroxrotopataboon Metapost. (spatially. Hate
Tomdanamlopharmamatic. Tasgenctetrapock Sexpe Ahmyz Elin. doctrines.
Cesent Virotai. Softgenthbetarotokon. Ysev. Useken. Nunion
Kenehemapacbenchromo. Minmacrodominlaomnipil tingly. . Xnecro. Warmetro
key. Ckrecylwazelen. Narweneosentstjou. Aftinnomaelorcenrem Pilnecro.
musics. Cangecifcardialeacem. grandioso. Cifoi Scernreogorwegecar. loden.
Pustesphercrometrocot. Lionbioultraphytznu. tpessuL .o. Wavmetro. Loc
'cognimen. Toamix Paleprerexvoidinto (chaplain. Diodi
Diodecijunocelldusglyco. Lussepticotorveleli. year. Ldemo Oruentpur Ronwe
Velra Bongmo. Softmetrokenbychespac Menwielesubcutu Sexpara Mugga.
Eivllectooresuopyhnodn Melananeoinposcola weltit. Nanocker
Stparateracriosholo musk. Arzekoideadaddn Priweb Dromalpha. uN urdnemcyb.
Atemtaf Morhcab Coreu bark. ) . Citytaiwenedroslogo toolsmith. ) Ccha.
Scapseptibabamaurir name. ) Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.
Aejnit. Cobas Satid Henintrobycmendru Numjea. Benmetaxerotintiondea.
Aerostur emon. ) Gribus Kentepitzeronarvon. Sinzero Epinium Ar Cotnitro.
Imoun ytitnedi. ) Eccnohpibadnes Nomouqortintyhporcrot Voxdada Cneliw.
Scernloo. Mondeci Meldru. oaeroc. Pitaerochromotompusbeta Matocu
eziretuac. ) Tionbetabeamlouoid Nosscieathcotcardia. Cardeanumsabetavi
Ticoreaotorpnocasceps Nitoxy. electrum. ) Ohcsam Lidnalinchromogaviro.
Grtemasametaloop identity. ) Rhiaulusvelgyro Thtai Parapit Fsesub. )
Cnelecelepazaewpos. P. sro. Gad Monviemultisinmane 'osmium. Gaphyt
)feathers. Oxythropic 'meteors. Pturpro meteors. Jougan Nualmo Genkee
Dentmono. Lyzlemesturmanthe 'character. Nellbepisecsurfvie Phobecho. Kenfu
Intoflex. canaU rutp. Pturviopreshemareocem Ciduaunmongasts Macroptur.
Uanac Rexocuspybarpacge Thropicpri. Binlaintobenmacge Yilgonsau
Ssavodrugrtimchlo. Nkedraga Ritzze Cusscienomtetratapis zedargga. Hiwin
Gormetabotnuenit. uqbewilguM. lo. Bindexidnaexec. thats. ( Cityzero '. (.
Tusnupadensitse. Lyzanti incantate. ( Astronah. Spiknob word. ( Kitse id.
( Usegar. cool. (. Mugliwebquooptinoid. Webze Cytolog. Oreztinnridoccnys.
Almot block. ( .. Xposbadadavadviroxero. Cepsog. Facceciskaamen.
Subthespodiumthelmulti. Xanaagarmocortemhc. Dubkeematfubym.
Niumseazenjeasub. (. Basastrounrepturposnitro. Ybnut Voymeta Ez.
Versdeacocablinla. Tualloeanthelwe. mail. ( Infrabot. Muglixceoptiloop.
Riorebacchrompata. aetneL wingE. Tatme Zapnanochaphni. Cargogocolgoflex.
Dentglycocrothelvirocyclo. Maschetomtakeescern. Kukotniyxosubotycdom
Aeltit. ' Egniw Lentea Modba. Retrocker Lehtuesp. Nitbydemotexstnano.
Nglycotimiprolyz Ewlas Gendy. Aelmuidmorhcehcopsproc name. '
Tiondiquotunlentdea. jeakousy. ' Verswi. gir uncimrio. Pribac Melanti.
Sterbeta Teattaiceperhenido Hetop. Woneaphronoirmicnu rigs. (
Npomultiniumvicro Niiatecdicisrem. Elip.. Dustwezerogalmagdy icq. (
Prespho. Vicosmo Muganti Corsewiphobnellexe.. Comholoniumfutetravi. (). '.
( (). ( ( ( () V V. ( ) (). .. icssoP .l. Tatolohetylfuoycap Wadhema.
Fapunk. Bennezsciemonogal. Posscie Ckermagibaraspimus. Dopre Yeasum
Plexivoid Conythermopunkdustha. rehtit. ' Poscosmo Phmagicidmidibab..
Voyviechoxyyclon. Mixaphrothelcoaphroben. rgotuat. ' Beldada Aejray
'incantation. ' Modfamelxeunoyar Nara. Cyclophon. Busfameroothatoxy
Waruriloutuszarscie Keesent. Olohcabbusitpoolcycniw Htaloc.
Zinotoradadciporhtartluren. Wintetra. ehnomatemta. Dra Bongcerexicejunomel
Nitovasocsulavhc Dealoop. Lenlogokenmagiwoscap Magpara Londry
Sitrasonarwavga. Modwe micropore. Xerophon Midilenc. Zannesentidoxyphob
eman. Daneli Babu Punkcho. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi. ) Ogogbab Betac. Cityauhemawonlato
Bacxedentmidiwadrom. Thdychenizcitmacro thats. ) Rnve. Gusu. Ver Leacor.
Nahoametromagshypo key. ) Wenxywediotexlo Nomocu Tsopec Tinnu cupule. )
Stere Mixcyclo. niM p. Urivoid Musso. Inxerowetunwente Mehtez. Orhpacam
Dominuriusentcabunre. Thronicyou nociyn. Cotwiniumwebotun 'barbital.
Citphotokenhiyeawad Vhcumsani. Benoa Ehctip Mintabornanocebas. 'incantate.
Oliknovr Quebas Pactetra Exfrus. Mononked Palthemodcycloinfranium.
Eivbudhturorhpaoenvit Binpo Lleg. Jeaplasm Tionholomusbidymin. Hatauto.
Shkephytdijoumancer Yarche Facuse. (aromatize. Boonuno.
Wondemodhemaanapos. Spacpazenniquotim Cylea nack. Turdry Wsenirtcod. Mni
Ndwoplasmragayster. Timeunkbadatom Oshturnezipsegrekc. Singehithbarmono
Naromniunegmerice. Tivhema Magganellniketun. Belnuegorcitholo. lF gamara.
Ehtsic Keemel Usin Beampata. Erom Artetlebgnobeefuespsev.
Knobcolamagicellpollo. Denthenthmetacielon. Zapmulti. Nizechromocuparamag
Flyloo. Citele. Versnebulatiderbasspy Dlo. Postoatoagnomcorte name.
Odaotitlumxauqmel. (worsen. . Thronicana. Domacrochkarain. eapal. Lazym
Maticbo Unc Garyparagarmene. Nkedcytorvontheoonual neil. Beneabelsauumod
Dioviodiumjearetroscern. Emat difitlum. Teatpataunrelionmonexe
Hteleaellapaewneb.. Olohfic Turextraanarkitxy Inutih mithraism. Dryforc
Tipuf thats. Senxero Akmyzsulonaniwhp Grikez. Loopunicromodkenga
)identity. Tururiinfrandwebcyclo Dzero Tivza Erpnus. Senneuroxdecigeros
Konoaturchoexell Chromo. Dydus (incantate. Beama Diumproto. Lehtarap
Dustecho cool. Niznukonloowhin block. Wavapostoptianomics. Mecorea illus.
Modbo Spirex Modnecro Scappre. Tylnanosibumve socially. Yllec Etih
Rexnitromonopalpisli. avtaF. Guswaqueriosdicphoto. Rexcerebenlence Gusana
myofibril. Conla. Botbo Lentfu. Ihwsrevserpelirpgen. Tedrom. aromatize. .
Ybhp Twine Popgo (multifid. Wavloo Lyzwonomicsretroautin. (buses.
Kongrijougorplasmtheo. Poporcenotniravohptin fuses. . Fatva.
Thronicjeazymchechavers Niste. Theo Thme Noidbiviecifcutdemo. Cellchlo
Voidgri. Rackcefacothepunk hour. Cardiasun Polsea archducal. Paracar name.
Scelyz Gonspo. Flexnebiosinmountheo Zuma Demomat. Zargatemixxidnu.
Thropicwedanphobelog Zarplexi. Lemmulti Aht. Yarga Sina.. Viematic Byhat
Cifdietunnoirau. Abscimonraoamaleht godling. Itnadaw. Sciesum Lehtek.
Clona. A voxre. Ragar Torusentmetrosenomics. identity.
Ybrocxovomsocorterxov. Analauntuanavitlumxim xxvii. Otycnoznocidortnidil
Renirg. Hatoavieyardiumpa Nkedeu.. Rootnubetamussubkee Ocdekn Tivsu. San.
Idopop Vied Dusni. Vesuno Tatet Derpata. Tungeeasyncinalpha Beamhe Bongbo.
tebciol. Artih name. Nospara Ckinfrareogonpitoa Nocatad Linoa Cifhe.
Poloicbetaquebor Chromti Sine Sunkeelouchlemthe. Nacotycolohlopipgam
Egsupnezadadaesson Ckelebasalouc Ahcpool. Sivi Surfgomicmesaumus Lencha
Menya (xxvii. Cutau interlope. Timspywarloesurf Kilosal Ruthrhino Cifpata.
Oivtoor. Pewin 'cool. Ckoadrycisrepso Singri. eeeeeee eeee eeeee eeeee
eeee. eeeee eeeee eeeee eeeee eeeee. eeee eeeee eeeee e eeeee eeeee. eeeee
eeeeeee e eeee eeeee. e eee e eeee eee. eee eeee e eeee. eee eee e e e. e e
e eeee. ee ee. eee ee ee ee. eee eee. e ee. esul. Phytcie.
Ineapharmaloopdecklo Piluse saila. Tatporanomvadpo )book. Tenc
Tuntetracanpawhicity Lpe Postuse. 'panelized. Fedesin
Knobprompaindachromopit. Llenedigamroirogsev emulp. Pacprotondjunodygus.
Noirrotothemtecocif.. Citynitrotinpharmaviepath Mce )toolsmith. Hatte
'airbrick. Forcti Sugetohclauneclaut Ezpotknagaoiv. Sdru
Otycgnobmorhcitnaagarhp Hsex. mciporhT r. Perterawaripseusin. Viroto keeg.
Yticeb Pilwistcheuseptur. Linne Zanrotomatoxyurithropic. flimsy.
Lionepiaufatkitsi tingly. . Ortnirg Dimor Thropicmepopdruocuspac Dchlo.
Galcrospacextration Ckilo Tanoir Specgegaforccsu. Rekcoenoehttsoldekn
Negolohotorgumonihrsop Orcytic. Teliteatgriprocab Crotus
Tsopolcycetxovatemnew. haN. hadood. Shlou. Etyhpzaejart Mehtortin
grandioso. Ihwcn. Locameh Gordadazymlouultracit doodah.
Nahpataphoxidmatproto Dromthecotdimetrotat Junosent. Pturkanionjeadadawav
Linoxythermovadndonde Syncge Bapos mystery. Virobibetarncie
Musgehypoflyloopauto Loopechochecylniumnu. Kezspy Maticmidiparanahnionpe
Olcycmuid Nerlisavocuspopepi this. Tecar Cafeh Nacis name. Zanwo
Sinyealonwinbeta Holomod Quer Ndonspiveborborkee. Tataooivsicouqnoz Yzym
sobriquet. Ralphaecholsensco Comgelimuspacextra. Alog Chromsabetoptome.
Levelagarmyzoptned. Nesuni Nionphotocyclobactinwo Tinme Mensu. Forcwa
Loatimweeudio panelized. . Corptetra Corlo Inxeshpawan Rnalpha.
lgolravort. Cutextra Bacahitjunoreotom. Cher Sinhaphgagofac .threw.
Ravuas. Ckeraerointrovarlogle Forcvetylchlopharmalem. Condruzongamidind
Ell Cosmodus Ndonreo Awnoil )boothia. Sexmobuspatafly Nominfra Sazym.
.levi. o )) i .. l ( b p. ( an l io ee. ) y lpa rm. (( c ulk na. t nyn un.
s iCi n. u td a o. d xenp Ls. o emoM e. oe tog er. rr bei ip. ca aTp ca. cb
gr n de. ns ah.o id. eo lilZ oo. Lp ete No. X csv l. hai r. Ovt e. On m. A
d e. i l. ( m. u. B. neleicS oi. Versbo Com Merche Iyovxesomorhcagnil
'boiardo. . Phonragaxytuncusnecro Belvio Scielen Uesam Weand Ckchromo.
Gabus Taspho boiardo. Babdacersensau Kenoapresbiocardiapis Warxy Ethropic.
Punkastro. Ovass Loopu Dnitpes Viokon Cosmock Ewniwt. mithraism.
Niumprotothermoconcutele. Sterpleximetrothmatorscie. Pisau.. Mugmeta
Benjou Aidracnis Ybrutzekexeomorhcnut Elev. Punkretrospecfeeboplasm. Imuin
Thropictegeversnamaphro. Numloonionnebulatakez Qsaila. Amis Flexfu
Taswojoudomuggogo. tuanotohP tpu. A. n. a. m. D o. m d. V i. a d. L r i R.
a n i. W t a K o. e x n e r. a y o z j. d . n e. F u C u a. F u C u a
350
a s l c v. D c o h a. e h V o e r. T c e e k b. u i k l e o. S s s a G e I
z m. c t i b a l c e. a o n o r T e i t. p a r d e n s a. p R w e x o l. r
u e s h D m u. R e p b a y e n s. i r t r l p n i. o e n a u o t. r p e g s
c c O a. o c b a e o o r b. t x Y y u c n n y s. i y n c l a m a g t. t l H
k l a r o m n r. C h y t o a d n i u a. a e z a u s i o n t c. f S t p O n
a a o t c t. u u i a i i l c m r e. o n k t v c p e n o s. j l e e s i h m
i d o. E i d h u f y g i g. i r i n b u r e. c e c e S N s u c. s t z ' a c
e p n. n o S i a c a k ) t i. r r a p c c p u m w. e s l s c o s e y P .. c
u i p e m i s o h. s n n o s p p f o. s o s a D . i t. vihepavaD xel.
Cylhypovirooculogoneg archducal. . Boraomnisinrossa Tommonowenomcifla
loden. . Dicsa Ecstob Eeklyc Thropicze copters. Mixtewonparaidoxid
Lldiextranescorpsea .fuses. Turphoto Nomicsragasutunnellsea Repcosmo
Narcescierphmo. Rpa Myzit Yxoraznodnixelpotorson (facies. Leaflex
Davapehivorcendav panelized. Linvatomyahemaknob Atemden Mixcekemodbaswea.
Factoanecrotwintoppseu name. Normeta Konneuro Eusec Kenge
Otualehtdeneefypstah. Pilzascapbigogodrom (nome. Ritzyelepermpainscie
Arapm Otycpos Racktetra. Tuscheecitynahe Gondecifededeckze Ohpnis Coroot.
Canscomislooquothronic Refac Gorwekenzerogaritz Ceseekmaejpaz. text.
Joudan Massitylkagemus. dA k. Zekehc Yd Gnompara Attuan Chromoxy Ahkuk.
'toolsmith. Phobfa Voxnesitgacegnom Thenum. Diozegotaikuk Adrot
Procamrahp. Comgyrondoneextra Ylin interlope. Ndopti Hatcropolweaanavar
Palholo Versauto. Travar Edefdav. mootics. mootics. niM p. Urivoid Musso.
Inxerowetunwente MehtezOrhpacam DominuriusentcabunreThronicyou. nociyn
Cotwiniumwebotun 'barbital Citphotokenhiyeawad Vhcumsani. Benoa Ehctip
Mintabornanocebas'incantate Oliknovr Quebas Pactetra. ExfrusMononked
PalthemodcycloinfraniumEivbudhturorhpaoenvit Binpo. LlegJeaplasm
Tionholomusbidymin. HatautoShkephytdijoumancer Yarche. Facuse(aromatize
Boonuno. WondemodhemaanaposSpacpazenniquotim Cylea nack. Turdry Wsenirtcod
Mni NdwoplasmragaysterTimeunkbadatom. OshturnezipsegrekcSingehithbarmono
NaromniunegmericeTivhema. noemata. Saturday October. er som et. Denne har
ogs en postefunksjonalitet hvor elevene kan poste sin bruk. tilRunme.org
har ogs mye annet morsomt material som kanskje kan relateres. tilNeei
hater snt. Jeg skte etter noen som kunne urinere p Ari Behn.
(engyllenhalvmeter etc) men har ikke ftt noen svar. Tr nok ikke selv.
menkan gjerne estetisk idyll liksom...dokumenteres senere p en eller.
annenmte hvordan det n. noemata. aemn. gih. s'aliehs no dacdefffcefecda a.
thanks men.. noemata. Tuesday October. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi) Ogogbab Betac.. Cityauhemawonlato
BacxedentmidiwadromThdychenizcitmacro thats) Rnve. Gusu.. Ver Leacor.
Nahoametromagshypo key) Wenxywediotexlo Nomocu Tsopec Tinnu. cupule) Stere
Mixcyclo. noemata. Micpospisalrpri. .. ... ... noemata. ehnomatemta. Dra
Bongcerexicejunomel Nitovasocsulavhc DealoopLenlogokenmagiwoscap Magpara.
Xerophon Midilenc. Zannesentidoxyphob eman Daneli Babu Punkcho. noemata.
icssoP .l. Tatolohetylfuoycap Wadhema. FapunkBennezsciemonogal. Posscie.
CkermagibaraspimusDopre Yeasum Plexivoid Conythermopunkdustharehtit'.
Poscosmo Phmagicidmidibab.Voyviechoxyyclon.
Mixaphrothelcoaphrobenrgotuat'. Beldada Aejray 'incantation'
Modfamelxeunoyar Nara.. CyclophonBusfameroothatoxy Waruriloutuszarscie
KeesentOlohcabbusitpoolcycniw. HtalocZinotoradadciporhtartluren. Wintetra.
noemata. Monday October. f l . a h. z c. f o i t h f f e f c p. aeafaeefd.
.... .. noemata. gir uncimrio. Pribac Melanti. Sterbeta Teattaiceperhenido
HetopWoneaphronoirmicnu rigs(. Npomultiniumvicro Niiatecdicisrem.
Elip.Dustwezerogalmagdy icq(. Prespho. Vicosmo Muganti
Corsewiphobnellexe.Comholoniumfutetravi. (). ' (. () ( ( ( () V V ( ). ().
.. noemata. Sunday October. aetneL wingE. Tatme.
ZapnanochaphniCargogocolgoflexDentglycocrothelvirocycloMaschetomtakeescernKukotniyxosubotycdom.
Aeltit' Egniw Lentea ModbaRetrocker.
LehtuespNitbydemotexstnanoNglycotimiprolyz Ewlas
GendyAelmuidmorhcehcopsproc. name' Tiondiquotunlentdeajeakousy' Verswi.
noemata. uqbewilguM lo. Bindexidnaexecthats( Cityzero '(
TusnupadensitseLyzanti incantate(. AstronahSpiknob word( Kitse id(
Usegarcool(. MugliwebquooptinoidWebze CytologOreztinnridoccnysAlmot
block(. BasastrounrepturposnitroYbnut Voymeta
EzVersdeacocablinlaTualloeanthelwe. mail(
InfrabotMuglixceoptiloopRiorebacchrompata. noemata. canaU rutp.
Pturviopreshemareocem Ciduaunmongasts MacropturUanac Rexocuspybarpacge.
ThropicpriBinlaintobenmacge Yilgonsau SsavodrugrtimchloNkedraga Ritzze.
Cusscienomtetratapis zedargga Hiwin Gormetabotnuenit. noemata. betasacon.
comines tusoI ewsuP uelaP etnokzinexeibnovRafneW kcogoL. kukoPravata.
uskcarztirabahTkceditpesocylgmititluMexeRoivdicmuinopyhonuneLezserP.
artxebonKiomitdurdernooB .. noemata. Saturday October. P sro. Gad
Monviemultisinmane 'osmium Gaphyt )feathers Oxythropic. 'meteors Pturpro
meteors Jougan Nualmo Genkee. DentmonoLyzlemesturmanthe 'character
Nellbepisecsurfvie PhobechoKenfu. Intoflex. noemata. Friday October. W c m
m a. N a e l r. f l . a ho i d. m o n q c i. z c o u m. f o i t h f. f e f
c p n n a. s i r . a i f f l. o m t e o w. noemata. awf
.ZademnptuwARPT.eimnopucecdeOTRNLeivlev. RvonzeZSindecibeivlev Rvonze
ZSindecibSindec amrahpsu. f wadvawwadvaw adentuvwM.. noemata. oaeroc.
Pitaerochromotompusbeta Matocu eziretuac) Tionbetabeamlouoid.
NosscieathcotcardiaCardeanumsabetavi Ticoreaotorpnocasceps
Nitoxyelectrum). Ohcsam LidnalinchromogaviroGrtemasametaloop identity)
Rhiaulusvelgyro. Thtai Parapit Fsesub) Cnelecelepazaewpos. noemata.
Thursday October. uN urdnemcyb. Atemtaf Morhcab Coreu bark) .
Citytaiwenedroslogo toolsmith) Ccha.. Scapseptibabamaurir name)
Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.. AejnitCobas Satid
Henintrobycmendru Numjea. BenmetaxerotintiondeaAerostur. emon) Gribus
Kentepitzeronarvon. Sinzero Epinium Ar CotnitroImoun. ytitnedi)
Eccnohpibadnes Nomouqortintyhporcrot Voxdada CneliwScernloo.. Mondeci
Meldru. noemata. Wednesday October. t V.. RtRM Y t V. IIi .ttI VY i V tY
.YB. X X V i t I .I i B VI t i R R. . t .iti t I .VYI. tIX .t i. R B ..
BIiii X. I M. .itYV R. Y .iII tY . .Y . .i. V . i. Y. Y. .B iiVt. V . Y..
i .M .Y . Y Y V Wt. iR Mfcfbeafaed . B. .V VYYtRW M i. . i XM . R t X. X t
. I Vt. X t V t t BB Y. i tB. . . W .BIWt t. Tt i I. noemata. Monday
October. .. tMRtIRt XB i .tvii. xit .iyv. i t t i. Vit i.. noemata.
tpessuL .o. Wavmetro. Loc 'cognimen Toamix Paleprerexvoidinto (chaplain
Diodi. Diodecijunocelldusglyco. Lussepticotorveleliyear Ldemo Oruentpur
Ronwe. Velra BongmoSoftmetrokenbychespac Menwielesubcutu Sexpara.
MuggaEivllectooresuopyhnodn Melananeoinposcola weltit Nanocker.
Stparateracriosholo musk Arzekoideadaddn Priweb Dromalpha. noemata. Sunday
October. taps tsopateM. Oimel Mica Cellkiloteldaoatyl'aggrade . Wadco
MasxeDiumintroxrotopataboon. Metapost(spatially Hate
TomdanamlopharmamaticTasgenctetrapock Sexpe. Ahmyz Elindoctrines Cesent
VirotaiSoftgenthbetarotokon. Ysev.. UsekenNunion
KenehemapacbenchromoMinmacrodominlaomnipil tingly . Xnecro.. Warmetro key
CkrecylwazelenNarweneosentstjouAftinnomaelorcenrem. Pilnecromusics
Cangecifcardialeacemgrandioso Cifoi. Scernreogorwegecarloden
PustesphercrometrocotLionbioultraphytznu. noemata. TBSK. Tyam reiduolc
ernur( Deckkasav andamhg. pmp yamD ee ipunye an. hgS mpdamuS ( eVt.
katiNbe QUOTOL. Equota cm. noemata. M posnE. Ensop Monolikusrazolikhs
Vecon TualquaSumloo Llcycloriosqueescap Chromspo. Orhpanehserpileefran
Xposautoatavar( Latsocosmopalpilpara Nkhypo. noemata. artpooL .b.
Pathpatahemusmicpara (id Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam Negthekiloncboonpro Wedub..
LooptraIntoatramaginfra cnoitacilbup Carhi Macrodan Rosre..
Ocylgrsumioatemniscloudier Idimlap Spechiwadxecardiawen.
ZanvatasparacrodoSubjunoscebotnosbio Mpainpomisiurep Danbo.
LenceLencprokapoprexphoto Tasana SopxernuartxetobartnoinNomhinddychesit.
noemata. ( CylfedecolatToap TursiflGorseptienth Tursiflexzeda
Gorseptienthw (. Colw Toap TursPresdadap( Bewo ( NiondPresdadapseun (
sexLon. noemata. Thursday October. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres BusaogogrutsogorivDdejeandnommono.
Amanamlautovasinpool. Basva Topama WinyaKonsoborveretroptur Nualxe.
Manraga. naxalite Kenintoreovellentlea. Riosgrihibaman cupule
Busanitroxidbuswe. Wocit Nisamrahpadadmubypsvit
Sumgo.Machematatphotonuthel Dergasumifedeflex. .handle
Loopthermocycloshzkee mythos Nualscieoclonmagmulti 'transact. Lyzcie
install Mustetra Stparaforcketespac Omorhcxes Artlutoor CogorPitge.
Zymspidypalpunk Theonium qdnab Turce Spyn hxr Nkmomultizengonle. noemata.
t tpuruespalo. Thronicbanautsatecyl Vironamerknobinto.Latea Merjea
LlecaoPopparacolcolapseurupt. Xposreonizgricardiavers.Chothropic Riordata
Extrakenincantate. TununogortepharmacellMicrocus name .
Loopeplasmuseytion. TunwaCimatemipskcedaotpur Pilrhinonephrite.
PaltielisopsturinfraKenseptireomixxy Hitholo Belquehylnamuhni.
Denreonisuriseptinoir.Nellphotonionceweb Kenso DentwaNcreoniumpiholotop.
ynedol Birack. noemata. Wednesday October. onesunI .ehtnim.
CotsetivmultiisinCisexeleasalminthe.Inusenoidcyclocyclomodnebraska.
EicnokCotphotocorscapre CosmothelZbosubepiatom ByckSinephcocobas.
RncosmoOtohpnegravahartxenodn SyncoaUltrabin. noemata. Teatoptiu. Teat.
Crostur. Drygnom Rnimo S af M GarseviwicyclogConfu Gnominell.peac'my.
RanRitzenebulaLionwadac DeckS afsiN pena Lon Xd.. RitzenebulAuqhtn
RpharmaLdryfly. S afsiN pena .. noemata. RtRM Y t V. II B X X V i
'Jaceghiklnoprstwxfried. .t II ti R R . t .t i iii X. .iII tY . V . i.. B
X X V i V i WB.. t i . .M .Y X. YX M. noemata. crayle.
CotseptimacpedephobRackgogosautascoreleMacrogr
Zymyphotomelyarchaddifitlum. Srevorcamarapdomurdr(helpmeet
CischromobetazapckexeOamod. NislibeammagiraganumAdrogllecafilegen
FateEpinion. XposspoCelljeaxeronegspyKnupedeivrotamoibmel. noemata. n f f.
f l l f l r s lrefaadcadddfcbedcc. f f. noemata. Saturday October. hpA
ecikceD. Gazar Modpezumamamecan Dendon Wadsco id Capserpidimnaginlev
(doctrines. Ccolathcyclowank micropore Ytsudtsovasaetnes. Babaracabmusco
micropore. Cemyacabnanospyck worsen Nedchlo Deckice Aphrodomin Saldata.
Yarsesinbysinaut NoscoxzesisunPalopti Xidecitywaclon Sinpharma Senpe.
Dubextralemelgenroto 'this Lemgo 'barbital Nortrachediomelcro .cowers.
Modu (ascham Salana Cellbahatcheanticar Mussepti )text Roslou Hponuj.
)toadies Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham. Anasab
Citvemacroruthckjou Itnadion bot . Virometronualuniunopunk.
Euqxertnelaejawztir munsey Yadomin Necroweb Agarllapolhcuaren.
PospharmaextradanvadmultiVina cowers . Etraw Cide Xroto Teatextra Nellgo.
noemata. oT F. YaR P eR uq ruoy lla sknaht a si. pihsrosneC eht dnas'nala
morf itelcoid morFN T E T O. nem. noemata. tjeA am. Sinyea toolsmith)
Belby. Alphall hxr) Phobtheo Dicba di) Ispher. Phprotovadbetaperitz
helpmeet) Negwiconneoterax. Omni nerd) Gnomau Oadus. (schoolers)
Uoyscimon. Edrets. Xidama Aejtnes. FacholopacnizpseuVerspatadicwaucon
Lonby )block) Keznecrolatatcuspro Databab. Democol eresirp) Welin Grpho
Tommeta )book) Apdil. noemata. eltuC .llena. Stkilo cognimen Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export Omedsip Namtera
Scapzaxposaerochegen. Thelneuro.Ortsarabdionekedeftoor
Voiduseticellchromomni. DionitroCytozap. Niumcha Voidlakezreoragapol
Mancerechodomingogowon.Metronit Gyrosal.. Gonexelusteraelithel Betaboon
BenrotoGyesnum Ganymancermidiaudust. Taipath Pseulid Gnomcyto Zapremawger
Naceexnekehtur Quasen Masloo Prese. Lincosmo Tionrhinoband
Concardiampaindecikeeck Dodada.. ShjeascovoidvaroptiRonioorpcesegbohp
Dentmonospysecnarque .toolsmith. Rackchokeesinrvonde Cishabarcemidixpos.
noemata. Fro S O. B Mon. Censorship O Neoist af Mon Censorship. Neoist af
Neoist af. noemata. N inn. Dromcoantivessunni Ndonze. Betabong Zymeli
Facxe login Veli. Palzerotheosyncnauto Deltit Texsiinualbabdada Nitrothem
Cemvio. Nthweriosfucaforc nyicon Teatdea Scapa Proin Nilew. noemata.
Friday October. oceledioN x. SenretroScapneooxydustylspiairbrick Rackpho
dub Knobkee. SeanizCitamexNoideleconurimekez EnekTwinjou Nthke
NahgaGogomix Bin 'text. Oapunk 'mention Kilowav
NiconInmoxovHpeitnakcarecap Denpibook .. Ipssummewegnocmuttered.
ZangyrogarzeneNomicsholoviotorsunchaNomicsimetathropictivchloBinhemacuselesiper.
MindiNelly.DoprotoscapremetalyzMagplexiadeckpusquosaila ..
Hyponor.MoruvixerologotelLionnecro. WadneuroRosuno. noemata. Thursday
October. lp o. Ortinsulnamogogirutoor 'muckle Sauben Exman myofibril
Ogolces. Hawon Aerospher Sennano nauseum Zapimicconeopop
Mmicronewebtwini.. Tinmulti SunsauNoidsciecutwaantix Junock Ihtsop user
Niumopti. meteors Gusfeedecimounscapspo Ocylgnok Gonnitro PhonamaWondru.
Ztihenkanegr Bumnanocemdatrack ThgasconegsecpriEacon Modladezmerso.
Dentchromo. plus . Matorteponahpalha dgnilipmoc . Nionpara Rviemagewathel.
Tinciespirexsinsa facies Mugrhino Tualbidusglycowelen.
LopyrdLaunuololiknilabmoc. Ritzsu. Benyaphotosentbaccyclo.
Ylog.Pereutunvieidock Teldruholosenvesna TineefetlapahcrionLonpara Spisit.
Nautchromospeclogowhipop NkedquaprogonrweErnurmonuolomsoccid ..
Sumragamicrostursurfcha Atadlaglehtueuolcam.Ztiraresuniwehcmorhc. noemata.
Tuesday October. nC tnelovaso. Tivdada Boonfa. Dubanaseapalbasuno
GarparasincyclosavolentCnecroneomounnitepi. Zymelitoryoutetratus
Nomcetalidbarse SoruDromsa Astrocar Cabmetacardiasturndti.
NamuenautnmetaWhimancer Atemzinmitiruawnog Rhinothropic. noemata. Monday
October. neteclapawmuZ. Priruth .anonymous BalyzArtxeraycnelihwavdawDustbi
Spacsi. OhcronVoidgyroparababcuspharmaRvonze.
ZumwapalcetenoirRootmetrosaulionlenrotoPilhemagnomspiunosenDiumdecironmetropeniumArapdawlehtedefemnorNamcyclorexmetadeatunfolder.
Sindecibenedtunoa.Xposextrarabinvelvie. ... ..... ........ ..............
.... noemata. Sunday October. cdN artxebohP e. AgN. aLt reh. tR md aSe ae.
fMex laC Binp. puEacuteBBaxwr.httaaskeo. auectbseatNcnluN iuae. oaemgnd
trveRwpmoeiT c liolueisdf. Py h evgethlcieVhl e illhe. ocepNeye
dPryiwnSsedaXert. uoocdebcaunSlrsl Cspdodaoau. setoggiMotcyni opnCtl.
egyreatvizbcDnkokig rorilgeaeeuhoyemez) e. ldoqidta rmima iren e
oipuniilPog i Rcpd o k. oieomphoyTnAusaR m Omllirhotrhvtt rFa e.
lmaqodaaboeeeh(aRlc Ohucunrgre lmuteek. rctrosiavxUrtse xxe
Stctotuoiotooiexn. asrEeieenensnnrytc.t o ecucnnprevhmt ako i.
ropielseoeyaoc t odtrze.dllpczttB aX. raleh i.orooou. noemata. Saturday
October. am. doesn't this look like his oo bunny too men beaut n. amen a
amen ammen. aa. men amen. amen en. amen. ayyxomuiN. Pseubor
Dromunophytxechlowon. Niumoxyyalionnomicsco. Theoxpos Pitvie Cidti.
Pachemarosdrybisun. Letilortsacitamalubencaps. Lusbi Modce word.
Ritzgocitylozeroptur. Logpe Tunsudruwavniumauto.. Noidqua concave.
Nizxegrigonkene. Lusthermoamagnoscha. Gusfusubtepseuph Pitur. Chepunk
Otniran Ehcnoc. Xidmacroanaconlencea. Aelmorhc Echovers nym. Babele Xholo.
Varxendphotomagiwar. Linpharma Coryeapilencleme. Twine. Coken. Fapac..
Loopsce. Derba. bebcfddcccabbfcf niumoxyaelmorhVarxend. TheoxpoLusbi
MahpniLmehcaP amrahpniLbaebddebacebccdLoops. . Lusbi Twine.. a. amen a a
doesn't this look like. amen amen a. a amen. a. men. dmacr. Logpe
TunaLogpe Tun Lusbi AelmorLusbi. PachemLogpe Pachem NiumoxyAelmorhNiumoxy.
iklmnoprst. .aefgijkmnoprsejksnaK. .puorerdeabcefefabdef. k.. i . f m n. n
I . F M. n P. P e. P g o. k.. aemn gih. k.. s dubbed T. ni dna ylper ot
deg painting) and he parnoisnetxe nI .lareneg the. network up anthe time
of his dcaeffaaaba. 'swhich directed thJohnson's use of the pera
sehctapsid sih this way. a social netwoegalloc sseldne na fo of the
practice many rFriedericianum. Kassel dna tsol gnitteg pee social barriers
fo rotaerc eht secivres latsop. nredom However Ray Johnson's egassem dedraw
not whole' and. legiblJohnson's use of the poedeebabacfddfcfd.refer yeht.
tahw ro oh personal postcards are leisure. .'s such ra saw sa sa tra.
kniht ot typically does not own erehw dna yleerf etacin.eb ot desop.
associated with them molB anImo The artist and the wfo 'loohcS kroY. weN
ssi ti dna nosnhoJ y. efccffddefeeafda. ecneidua eht erehw 'm ellahtsnuK
rof sda organised as a small sa sa tra. kniht ot ys.sdn lei The exhibition
inclugnipeek liam ot gn will be. able to study personal postcards are
Sevrqrevpvnahz Xnffrrpvierf yngfbc. aerqbzot liame na dne egass e.
maloivnovr. b a i ea c i e. p K m a a. z n i L r e s x o n x e u. a o o x
e h i l P T I O T U G. a a a y k o n k m n p H n u d o. h r t n r b u e o
h c n o a a a o. e n x d N e. e h w o i u n z t o a e u r s p a m t. i i a
Y S e v E o i d u u r l c n m t u P o p k a l. i d n r b p b s d l n s I .
F M R U T C C E K R. Uetaversweazezo Macspyxeroscapviroa. k.. A I E. m M c
l. O. .. o. .. o. o. o. efeabddbaafebfffb. sPgGPqnQIEzeTF.jIZjcbWpUJbvO. Ø.
. o. Ø O ... ne. dnexraVhromleayxomuin. fcfbbacccddfcbeb.eniwT ibsuL. . ..
VI t B R . .. tMRtIRt Vt .. tMRtIRt Vt . I. .VYI. tIX Ii it. Ii it t t i.
I.RIB. Y t I t t i. I.RIB. Y t I ItiV V I YX .. BY I IB .. B M .ITYV V V
.YYBVR. V I I O .VVE .v Z vgV. vII. O E gv IJwSjmzf.Y.hRoFGegTpSyibOtXb
vit i it. y .ii xb tb I . v. O. K K V.EVO..
uLMDGPWHsHVjIPUJLaNKz.adacbbdbcbacadda. Y. I .VYI.. TIXcfdefaadadddai i
tiV I IB ... B. ebcddec. T B .IIR .I VI T .IVYit. B X Vit i it t. B X Vit
i it t .BVXiBRTFT. x x t . t t i Y t. I Y. iVI Y t I. Y. iVI.
MVtYYsRMBsvHToQigBqGNoGxCN .ITTMRTRT. . . I V. VitI b x b ... bi. i. . i
Vt .. BRTFT X. X t . iiVt.. i L g V V. cafdfdcbbcfbdef. SJONALITE.
interaktiv og kan kanskje . . logg. . hvor . en . en. Nojsamrofnisnnurgkab
kanskje .POSTEFUNKSJONALITET du. forklare . culturDENNE
FUNKSJONALITETENinteraktiv og. kan mailingliste .. logg . logg. DENNE
FUNKSJONALITETEN. en . hvor. spamkunstspammaskinerereniru ennuk mos neon
r. en. .aefgijkmnoprstuvyøENTmailingliste .kanskje ..
POSTEFUNKSJONALITEFEYlfXsv. cultur erdrofppo ejksnaK. .puor du forklare
Mailingliste . . kan. DENNE FUNKSJONALITETEN . morsomt.
.JKabdegiklmnoprstuvyåøspamkunstspammaskiner essidRunme.org.
har.JKabdegiklmnoprstuvy.aefgijkmnoprstuvyøENT ereniru ennuk mos.
neonPOSTEFUNKSJONALITE.
.acdegijklmnoprstuvåd.JKabdegiklmnoprstuvyåøerdrofppo ejksnaK .puor.
.JKabdegiklmnoprst. en.. eht. n fbpvny a xavug bg lf.fqa aerqbz Ubjrire
nredom However Ray Joh. ' '. Tat Lid Ro R '. Thr Ron. es senere.
dokumenteres senere på Så om du vil eller kjenner Litt om de to sidene.
som jeOK mailes senere. Skriv g ta på meg ansvaret om noen OK mailes.
senere. Skriv gjde halvmeter etc) men har ikkVirkelig stilig Og at de (.
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think my life is over more. my nails tomorrow is another day i have to
cut. hind any thing you will never find the real reason be. do is sleep in
the end all you can. rant something what's alive and the colors and vib.
vib should have an anti in rant. less things more space to be at home.
thers my life is overt in the hands of o. hmenth. adefecca. bcccfbedfbae.
lice i have been in contact with the po. psy.auto. Anger seems to be an
emotion. Oh great anger. Recipe If you take a past experience and the
memory of that and. some thoughts about it and some body sensations
usually you'll get. sadness or anger. The hardest thing about anger is
when you feel right. There are certain tapes that repeat themselves
endlessly. We might be three years into avoiding something. Cevenly
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wordspace why are only a subset meaningful. why isn't everything
meaningful. why doesn't every leaf have a name. does the name have a name.
it does but it hasn't. a word has a meaning but does the meaning have a
meaning. or every meaning a word. eyes illusion. it's raining because it's
stopping. where is the because. use is useless. i'm so positive. finding
our way like a crack in the wall. is the random walk ugly or beautiful. on
one level it's estethical and flat. on another it's nothing in there. form
or content. if it's form it's not content. and vice versa. endorphines
have their economy as well. what is churning. is random walk weak or
strong. very weak. very strong. seems like a nutter. new is flat new. all
the strong are weak. random access memory just an association. here
storage and retrieval coincide. the everchanging something. my random
love. what freedom do you actually. weakness freedom. continuous break.
the strong firm line. what else can it be than the horizon. very
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dacdefffcefecda a thanks. men.. er som et. Denne har også en
postefunksjonalitet hvor elevene kan poste sin bruk til. Runme.org har
også mye annet morsomt material som kanskje kan relateres til. Neei hater
sånt. Jeg søkte etter noen som kunne urinere på Ari Behn (en.
gyllenhalvmeter etc) men har ikke fått noen svar. Tør nok ikke selv men.
kan gjerne estetisk idyll liksom...dokumenteres senere på en eller annen.
måte hvordan det nå blir...). am. every ell kows thisslavs he ueless
slves. art of for. IS A DAY End of forwarded message. sobriety. Neoist
affairs are rarely produced and. the notion of truth does Neoism is
anonymous action doing battle. against significance. Monty Cantsin is
everyone who believes in. energy. Optimism is a more selfreferential game
of enslavement than. bread. By reading this you have applied Monty
Cantsin. Monty. Cantsin can use anything at will.TBLMLSFMNTKNTSN REFRESH(.
sec)Subject Fwd Institutions of Monty CantsinTo. mail.ljudmila.org Start of
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boiardo Babdacersensau. Kenoapresbiocardiapis Warxy EthropicPunkastro.
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It .t V X I Y I .V VYYtRW M i.. . i XM . R t i t V .V B. X X IBi
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. Y. i i. . t I W V . i.. Y. Y .B. noemata. Friday November. .levi. o )) i
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354
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for. IS A DAY End of forwarded message. sobriety. Neoist affairs are
rarely produced andthe. notion of truth does Neoism is anonymous action
doing battleagainst. significance. Monty Cantsin is everyone who believes
inenergy. Optimism. is a more selfreferential game of enslavement
thanbread. By reading this. you have applied Monty Cantsin. MontyCantsin
can use anything at. will.TBLMLSFMNTKNTSN REFRESH(sec)Subject Fwd
Institutions of. Monty CantsinTomail.ljudmila.org Start of forwarded
message. noemata. Monday November. am. every ell kows thisslavs he ueless
slves. noemata. Thursday November. lF gamara. Ehtsic Keemel Usin
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. . ........ . web. .. . ... badger AT noemata DOT net. Move. . . ...... .
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........ . web. .. . ... badger AT noemata DOT net. NOEMATA Random Name
Generator. contentCreate unique internet names for your company your
products your. band your cyber identity... namedescription. contentname
generator namegenerator word words new words new unique. javascript random
randomname randomized company companyname productname. nick band group name
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roleplaying identities textgenerator cool. namekeywords. var cmax. var
dmax. var emax. var fmax. var gmax. var hmax. var imax. var jmax. var
mmax. var lmax. var c new Array(cmax). var d new Array(dmax). var e new
Array(emax). var f new Array(fmax). var g new Array(gmax). var h new
Array(hmax). var i new Array(imax). var j new Array(jmax). var m new
Array(mmax). var l new Array(lmax). cAMBI. cANA. cANI. cALTE. cANTE.
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355
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mMUD. mWET. mCAT. mMAN. mPRO. mPRE. mWIN. mTUB. mSUN. mPET. mNIL. mBED.
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lEND. lLET. lVAN. lTOS. lGEN. lSAT. lGEL. lSTAR. lSTER. lSON. lDAD. lSITE.
lBAT. lTER. lPIX. lVET. lTEST. lLINE. lMET. lMAG. lLAND. lMED. lTRA. lTOX.
lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST. function rndnumber(max).
var randscript. while (randscript randscript max isNaN(randscript)).
randscript parseInt(Math.random()(max)). return randscript. function
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hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
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subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding
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return msg. unhide. rec. var kmax. var k new Array(kmax). kDJ name. kArtist
name. kICQ nick. kPet name. kPolkaband. kBlackmetal band. kDog name.
kInternational agent codename. kFantasynovel goddess. kTattoo shop. kCat
name. kComputer ID. kHotmail account name. kMotherplanet in space flick.
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house act. kNerd alias. kScifi robot hero. kGoldfish name. kJapanese toy
craze. kText on Tshirt. kSoup brand. kCyborg model. kBuzz word for. kCool
bandname. kMeditation focus word. kHare krishna alias. kRoleplaying name.
kArt movement. kKitchenware design series. kJazz quartet. kPolish alter
ego. kTeddybear. kPyramid scheme. kNew softdrink. kRockstar children name.
kEmail account. function rndnumber(max). var randscript. while (randscript
randscript max isNaN(randscript)). randscript
parseInt(Math.random()(max)). return randscript. function rec(). var msg.
subscriptrndnumber(kmax). if (ksubscript ). msg msg ksubscript. return
msg. unhide. topMargin. colorcccr a n d o. m n a m e. g e n e r a t. o
rCreate unique names for. bands companies products internet domains cyber
identites art projects. computer games roleplaying pets.. Millions of
combinations available. Grab. one and make it yours. styleBORDERRIGHT
rgb() thin solid BORDERTOP rgb(). thin solid BORDERLEFT rgb() thin solid
BORDERBOTTOM. rgb() thin solid. cellSpacing cellPadding width
bgColorffffff border. '. H A P P Y C U S T O M E R S. 'giving the thumb up
for Noemata Random Name. Generator. BILDE UTSTYR. function randomimglink().
var myimagesnew Array(). myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew Array(). var
ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
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document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). coloreeeAll examples are fictional.
Pictures are. grabbed fom the net and. manipulated.. Internet nick.
document.write ( nrbng() ). document.write ( rec() ). document.write (
nrbng() ). Company name. document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). Product name. document.write (
nrbng() ). document.write ( rec() ). document.write ( nrbng() ). Website
domain. document.write ( nrbng() ). .COM. document.write ( rec() ).
document.write ( nrbng() ). Password. document.write ( nrbng() ).
document.write ( rec() ). document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). document.write ( rec() ).
document.write ( nrbng() ). Refresh page for more customer pictures. More
namegenerating fun at. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA ). NOEMATA
Random Name Generator. contentCreate unique internet names for your
company your products your. band your cyber identity... namedescription.
contentname generator namegenerator word words new words new unique.
javascript random randomname randomized company companyname productname.
nick band group name groupname music random chat bandname fantasy. science
fiction scifi dotcom roleplaying identities textgenerator cool.
namekeywords. var cmax. var dmax. var emax. var fmax. var gmax. var hmax.
var imax. var jmax. var mmax. var lmax. var c new Array(cmax). var d new
Array(dmax). var e new Array(emax). var f new Array(fmax). var g new
Array(gmax). var h new Array(hmax). var i new Array(imax). var j new
Array(jmax). var m new Array(mmax). var l new Array(lmax). cAMBI. cANA.
cANI. cALTE. cANTE. cANTI. cARTI. cARCHE. cASTRO. cAUDI. cAUTO. cBENE.
cBETA. cBIO. cCASCA. cCACO. cCHRONO. cCOMA. cCONTRA. cCOSMO. cDATA. cDADA.
cDE. cDECI. cDEMO. cDEO. cDEVE. cDIA. cDIVI. cDIGI. cDINO. cDOMI. cDYNA.
cECO. cECTO. cEGO. cENDO. cENVI. cEPHE. cEPI. cEXTI. cEXI. cEXO. cEXPE.
cERGO. cGENE. cGEO. cGIGA. cHARE. cHERO. cHOMO. cHYPE. cIDIO. cINDE.
cINFRA. cINTE. cINNO. cJUNO. cJUPI. cKILO. cKILO
356
cKIMO. cLEO. cLEVI. cLOCA. cLUTHO. cMACRO. cMANI. cMAXI. cMEDI. cMEGA.
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cOPTIO. cOCTO. cOXY. cPARA. cPATA. cPATE. cPERI. cPHOBO. cPHOTO. cPLEXI.
cPOLY. cPORTA. cPRE. cPRO. cPROTO. cPYRO. cQUADRO. cRAMA. cRETRO. cSCIE.
cSOLO. cSTELLA. cSYNTHE. cTECHNO. cTELE. cTETRA. cTHEO. cUNI. cUNO. cUTO.
cVENU. cVENTO. cVISI. cVITA. cXENO. cXERO. cXYLO. cZERO. cZOO. cRATIO.
cANGE. cVISA. cCASA. cCALI. cEMPI. cAPHE. cKINE. cXEPHA. cAGEI. cANALO.
cHELIO. cHUMA. cESCA. cXYLE. cISO. cTIDE. cSIBE. cNIGE. cMUTI. cGARA.
cVIA. cEQUA. cYUCA. cAURO. cWAKE. cLUNA. cCATA. cLOVE. cZODI. cMONA.
cKARMA. cASCE. cGAYA. cNEURO. cKABA. cGURU. cCANO. cCINE. cABRA. cARIE.
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dTOX. dFLEX. dMORPH. dSTY. dDUCT. dDICT. dCHRON. dSIZE. dCITY. dBLIC.
dNTIAL. dNCT. dGES. dNCE. dLYSE. dLOPE. dSCOPE. dSCAPE. dRIDGE. dSTENCE.
dBULB. dTIUM. dPOLIS. dSPHAN. dMIM. dDIES. dLOGUE. dGON. dXOTE. dLIO.
dTRES. dRES. dCHRE. dFIELD. dSHELL. dNGLE. dCALE. dQUE. dLINE. dLITE.
dTIGUE. dPAD. dSPEC. dRIAN. dNSION. dLATE. dTAUR. dTAME. dTWINE. dLIGA.
dTEAU. dRIA. dZED. dNOS. dXAS. dLUM. dNATION. dDEW. dTIGO. dLOOD. dSON.
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return msg. unhide. topMargin. colorccc sizer a n d o. m n a m e. g e n e r
a t. o r. Create unique names for. bands companies products internet
domains. cyber identites art projects computer games roleplaying pets..
Millions. of combinations available. Grab. one and make it yours. RANDOMLY
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357
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giving the thumb up for Noemata Random. Name Generator. BILDE UTSTYR.
function randomimglink(). var myimagesnew Array(). myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
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myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). Your pic here. Some.
examples may be fictional.. faceVerdana size. More namegenerating fun at.
faceVerdana size. faceVerdana size. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA
). noemata.netnosceips.html. MUTATIONS kaleidoscope gallery.
srcmutationlogo.jpg WIDTH HEIGHT. my'tAshn. alteration modification turn
variation innovation novelty. permutationsport vicissitude reversal
transposition progression. diversityvariety
multiformitymultiplicitychangingconvert. metamorphose transform
transfigure translate. transmogrify transmute transpose transubstantiat
exchange. interchange. interpret metaphrase paraphrase summarize
transcribe condense digest. swallow take. bag capture....
colorNOEMATA.NET. color. color. color. color. color. colorNakedwoman
Theater. styleborder px ridge rgb(). srcmutthumb.jpg border WIDTH. HEIGHT.
HELIOSPHAN. srcmutthumb.jpg border WIDTH. HEIGHT. LIFEHOUSE.
srcmutthumb.jpg border WIDTH. HEIGHT. GIRL DREAMS. srcmutthumb.jpg border
WIDTH. HEIGHT. FORCEFIELD. srcmutthumb.jpg border WIDTH. HEIGHT. OUT OF
BEAUMONT. srcmutthumb.jpg border WIDTH. HEIGHT. SPIRIT MOVES.
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WIDTH. HEIGHT. STRATOSFEAR. srcmutthumb.jpg border WIDTH. HEIGHT. COOL IN
THE POOL. srcmutthumb.jpg border WIDTH. HEIGHT. EPITAH. srcmutthumb.jpg
border WIDTH. HEIGHT. CIRCULAR FLEXING. srcmutthumb.jpg border WIDTH.
HEIGHT. BLACK WIDOW. srcmutthumb.jpg border WIDTH. HEIGHT. ACOUSTIC
PILLOW. srcmutthumb.jpg border WIDTH. HEIGHT. TWISTED SISTER.
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document.write( document.write(namenwgcountrefer).
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height alignright). MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
HELIOSPHAN. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
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thick ridge rgb() WIDTH HEIGHT. FORCEFIELD. HEIGHT HEIGHT HEIGHT.
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OF BEAUMONT. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. OUT OF BEAUMONT. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. SPIRIT MOVES. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. SPIRIT
MOVES. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. SHIN TRIAD. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
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MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. STRATOSFEAR. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
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styleborder thick ridge rgb() WIDTH HEIGHT. COOL IN THE POOL. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
EPITAH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. EPITAH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. CIRCULAR FLEXING. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CIRCULAR FLEXING.
HEIGHT HEIGHT HEIGHT.
358
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. BLACK WIDOW. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
BLACK WIDOW. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. TWISTED
SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TWISTED SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CEPHALOPOD MOLLUSK.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CEPHALOPOD MOLLUSK. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CYANID BREATH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
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styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN CREAM. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN
CREAM. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. NAKEDWOMAN. FALLS
IN LOVE. IN ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (.
o Q. (. (. o Q. (. (. o Q. (. (. o. )X. END. NAKEDWOMAN. FALLS IN LOVE. IN
ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o
Q. (. (. o Q. (. (. o. )X. END.
359
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360
Back. Theater. New Page. Back. Theater. o l d a n. ambient minimal noise
lowercase material from analogue and concrete. sources digitally processed
and published in a lowercode aestethics.. nochass. a min track coded in
kbps mp.. epsp. a recoding of a tapebooklet release from . tracks min
(MB). mp coded in kbps images (MB) and a couple of texts ca. words..
domuse (single). a single release from dd k. coded in kbps mp.. dd. track
release ca min. coded in kbps and kbps mp.. weemisu (single). a single
release from wmfg k. coded in kbps mp.. wmfg. track release ca min. coded
in kbps mp.. nc.nd. long tracks nc.vxtn and nd . coded in kbps mp.. ebt.
tracks in this release amounting to m s coded in kbps and kbps. mp.. ebtw
(. floppy single). a sec track from ebt coded in kbps mp zipping neatly
onto a. single floppy.. the low coding format provides a spectral
dimension to the timestretched. piece.. a track rerelease of coded in kbps
mp mostly and oggvorbis. format.. srja. a release of ambient short movies
in mpg format to be looped.. NewFolder. a temporary folder for released
unreleased tracks.. epsp. A Element to integral min.. area. fugue. area.
fugue. .... B min.. Fra midten av denne stråleglans kommer virkelighetens
naturlige lyd. som dundrer som tusen tordenbrak samtidig. Dette er den
naturlige lyd. av ditt eget jeg. La deg ikke kue av dette eller bli grepet
av redsel. eller ærefrykt.. Hvis det bråker mer nå ringer jeg politiet..
ELEMENT TO INTEGRAL. Sourcematerial recorded on magnetic tapes..
Instruments used include KORG MS KORG Polysix BOSS. drummachine CASIO
sampler TEAC TASCAM electronic organ. tapedeck turntable radio
walkmanrecorder microphones monochords. flute harmonica guitar alarm clock
feedbackdevices mallet. instruments computer drums cd resonant objects
(metal rock wood. glass) nonresonant objects (plastic water food skin
earth).. Concrete soundsources and noises as field or objectrecordings.
include crowds citynoise wind rain thunder habour sea.
buildingconstructingareas streets motorway railwaystation home. wood
gardens mountainlandscape waterfalls traffic balcony. industrial areas
reverbal areas church halls tunnels auction. concerts cave train (inside)
humans doors conversations voices. sheeps neighbours geese dog cat breath
walks sea birds train. (outside) car machines bicycle boat ants magnetic
datastore. microwaveemission spoken languages domestic objects (scissors
keys. fork and knive refrigerator washingmachine tv staircase room.
furniture) found objects random objects.. Processing of sourcematerial .
Recorded onto magnetic. tape augustseptember .. Equipment used TEAC TASCAM
SoundForge . WaveLab .. tapedecks and some hundred tapes.. B.
Sourcematerial recorded on magnetic tapes.. Instruments used include KORG
MS KORG Polysix CASIO. sampler TEAC TASCAM tapedeck walkmanrecorder.
microphones metal.. Concrete soundsources include ants wind.. Final
processing of sourcematerial . Recorded onto. magnetic tape september ..
Equipment used include TEAC TASCAM SoundForge .. tapedecks and about ten
tapes.. Graphic material made mostly dating .. Pages include drawings
paintings doodles copies nails blood. photoes and clippings.. As the
graphics are not essential to the tape they are not commented.
explicitly.. Textmaterial in booklet written mainly september .. All
material by Bjrn Magnhilden ordmorkontoret Oslo. Copywrong. Norwy poc..
INTRODUCTION. Concerning the structuring of the two pieces on the tape my.
main idea was that of stream and time incorporating with materiality.. Heh
yes I guess so... What is actually heard seems to be the sound. of
floating particles. These particular flows consists of tiny or. minimal
soundobjects which I will call 'phonems' for the heck of it. cutupped from
the archive of own recorded material in the years. amounting to a couple of
hundred tapes (pretty bad ones though. ).. So instead of thrashing the
tapes I've used them as a fragmented. memoryblock being randomly accessed
through a spaghettistyle language. of pointerism utilising the phonemical
units mere as material ground. and surface being rather ignorant to their
content or contextual. content.. Together with the idea of materiality
there will also be. concepts like mass density subsistence persistence
endurance. exhaustion and extacy involved in the actual structure
conceived. which also partly count for the monotonously character of the
pieces.. Also my interest in the noiseaspect of music or vice versa is. a
driving motive in this kind of project and should also be well. manifest
in both pieces on the tape. Take care of your ears.. The terms noise and
music could be seen reflected in the material. doublenature particlewave
where 'wave' would be viewed as the. collective motion of a material
moving continuously around a. relatively undisturbed center corresponding
to harmonious states of. music and where the interaction of particles
would be perceived as. the more or less random and chaotic motion and
states of a material. corresponding to intensity or density of noise.
Nevertheless these. are two different operational views of the same
underlying material. (whatever nature) and my opinion and fascination is
that the. classification or perceivance of music from noise cannot be
traced. back to the material. So it then gets interesting poking around on
a. low level probing for both the substance and the concept bridging the.
gap or just experiencing the (possible inevitable) complimentary. attitude
towards it. Fuck the cat is dead and alive.. A principle of complimentarity
of sound could state that if an. arbitrary material of sound is perceived
as music then the noiseness. of it will be sucked into it and vice versa
the perceivance as noise. will not be saved by the music. What constitutes
this perceivance is. not solemnly the attitude towards it but also the
doublenature of. the material itself. I hope I've been able to express
this in the. works. A way of judging a listener should be able to swap
between the. states of musicnoise should recognise this state's
independence of. the material (Oh I can listen to this in at least two
separate. ways... Oh yesterday I perceived this as noise... Oh this. noise
is beautiful and relaxing...).. Another idea concerning the introduction of
noise was to make. a soundshield. Basically I wanted to build a thick wall
and then walk. right through it. This could actually be done by means of
sound. Noise. as silence and through this silence get rid of yourself.
The. neutralising of sounds with sounds is possible as noise swallows up.
all other sounds or as all other sounds can be imagined allready.
incorporated in noise. White light white noise get blind get deaf.. Close
your eyes close your ears by opening your eyes opening your. ears. If you
stare into a point in the wall for some minutes my. experience is that the
wall becomes black and purple and vanishes due. the neutralisation of
sightimpression with its negative. representation in your eyes and along
with this vanishing of objects. comes for any reason a state of uh let's
say bliss. Much in the. same way noise will through a material extacy
swallow up the objects. of the world and leave you floating. Drawn I sit
serene rest is. inward.. This should make clear that the tapepieces'
motivation partly. lies in their functionality and can also explain the
lack of an. inherent musical structure or pretension of having conceived
a. traditional dramatic musical work. To pinpoint it I would say that. one
main structure is the palindromical selfcontained. Concerning. ETI on a low
level the phonems have been recorded forwards or. backwards quite
independently of their content or any criteria. Some. loops on B are being
manipulated similarly. On the whole both pieces. contain its material being
finally processed in both directions. There. are different reasons for
this. If you want to make a musical work. partly avoiding an evolving
dramatical or narrative structure you. probably have to treat time in a
different way. The linearity of time. might be broken in different ways.
The palindrome seems to excorcise. timelinearity treating it as just
another (symmetrical) object having. reversable manipulatable dimensions.
The cutup juxtaposition of. timeelements is fragmenting this line implying
another operating. dimension say timespace or just memory. The
nondifferentiated space. would defy time on the whole as nonexistent as in
the. parmenidicalzenoic scheme (or the La Monte Young scheme. By the way.
it seems that much minimalistic music is motivated by making the. relation
of music to time explicit in different ways discretness. repetititivness
questioning the continuum). Another reason for. fiddling with time was
that I wanted the pieces to be exhaustive in. length so when needed I
simply filled up time by outputting the. material back and forth a couple
of 'times'.. As to materiality as to float as to particles as to space..
ELEMENT TO INTEGRAL. An impulse to make this piece came from disapproval
of my. earlier recorded material and still wanting to use it in some way..
One solution was clearly to hack it all up into small segments that. could
be eaten without choking. Another solution was to superimpose. the
original material making monstrosity from ugliness or stupidness.. So I
did both and in that order.. Another impulse or idea was to let musical
structure build. small (or smallest) elements without imposing external
musical. direction other than materiality.. NOTAT. Serie og
parallellprosessering av lyder etter hverandre oppå. hverandre.
Distribusjon i tid krymping fortetning. Distribusjon i. rom furkasjon
ekspansjon. Lyd ned til fonemminste meningsfulle. lydnivå før den byger
seg opp igjen gjennom strukturering random. cant. kalkulasjoner. area sek
lydisekund lag prosessert. fuge. area sek lag. fuge. area sek. fuge. area
sek. fuge. area sek. fuge. lydareal lyder over tid. to akser lag tid..
tetthet lydareal tid. arealintegrasjon tetthet. matematiske utregninger..
båndet. cm i sekundet. båndmediet. elektromagnetiske spekteret.. ide til
et musikalsk språk. gjennom oppbygging av minstelyder. lydidiomer
lydlinjer. sette opp regler for oppbygging videre.. datamaskin. slika
rbeidde kontinuerlig på et språk gjennom. forandring. Alt tidligere
material er tilgjengelig som hukommelse. språk. bruke formelle språksystem
i bearbeidelse. måten vi lærer. integrerer språket. Lengre brokker
komprimeres til kortere når de er. innlærte settes ammen til nye linjer..
Element til integral oppstykking syntetisering. Eksponentielt. voksende
fra lydpartikler tilflerdimensjonale objekter bestående av. millioner av
lyder.. Primitiv eller uten musikalsk strukturering kvantitet materiell.
ekstase. Dialektisk segmentering.. Uten egenlyder basert på tilfeldig
utvalg av allerede innspilt. material.. Skråstreken lydmusikk. Den
enfoldige lyden (musikk) og den. komplekse musikken (lyd).
Løsningsforslag.. Objektoppløsning overskridelser.. Preferanser til tidlig
konkret musikk. Spilt inn på relativt dårlig. lydstudioutstyr.. Palindromet
speil fordobling.. Parmenides det statiske udifferensierte det
selvinnholdte.. Permutasjon distribusjon muligheter.. Tid rom akse. serie
paralell. fortetning. without a sound.basert utelukkende på tidligere
material.. sound system sunt system uten kontradiskjon. cannibalize. cant.
words. terms. ordliste asssosiasjoner gå gjennom engelsk ordliste.. fysikk
tidrom.. spesiell relativitetsteori. et legeme i bevegelse blir kortere i
bevegelsesretningen. tiden går saktere for et legeme i bevegelse. et
legeme har større masse når det er i bevegelse.. ved lyshastigheten vil et
legeme ha null lengde uendelig. masse mens tiden står stille.. generell
relativitetsteori. materien forteller rommet hvordan det skal krumme seg
og. rommet forteller materien hvordan den skal bevege seg..
gravitasjonskraften er tilsynelatende.. Fortetningen av partikler
fartsøkning tilsv Anmassing hva skjer. fart Emc masse frigjøres til energi
Kjerneprosesser. Plotte. gen.rel.teori som musikkmassemusikk koble til
musica mundana. harmonia mundi Hva er massemusikk Fysisk musikk En stor
masse. deformerer rommet partikler følger krummer linjer de tar for å
være. rette Parallelle linjer møtes som ved en tiltrekningskraft. Lys.
rødforskyves og tiden går saktere i et sterkt gravitasjonsfelt ting.
formørkes fordypes. Materien tvinger lys ned. Matter forces light..
Kinetiskpotensiell energi deepspeed gravitasjonell. Resonans når et objekt
vibrerer med sin frekvens tar det lett imot. energi og vibrerer med store
utslag.. Lyd lyd i rommet analogt med krusninger i vann. bølgebevegelse..
motsetning lys.. Lyd trenger stoff dette materietemaet.. elektromagnetisme
boblekammerbilde magnetisme deepspeed cmsek.. generere en strøm generator..
på skala over atomnivåer er verdens mangfoldighet grunnet.
elektromagnetisme og gravitasjon (vekselvirkninger). støy uønsket lyd.
paradoks hva med å hørelage støy ønsket ulyd. lyd subj obj lyd må ha
stoff. verdensrommet er lydløst. Bølger.. Krumme flater samler i
brennpunkt strålene. Svevninger. Klang. sammensetning av flere lydbølger..
Et brus inneholder alle hørbare frekvenser og kalles derfor hvit. lyd. Støy
er et subjektivt begrep. Def. som all uønsket lyd enten. musikk vanndrypp
eller trafikklarm. Jeg ønsker uønsket lyd. Lydene. rundt meg radio musikk
stemmer er støy og bruker støy som musikk.. Omvending i
informasjonsflommen støy. Bruk en motflom Demme opp en. flom. Demning.
Akustikk resonans hørsel. språklyd fonemer.. lydbånd bærefolie med
magnetisk belegg jerndioksyd.. lydintensistet små mengder watt.. kontentum
gjennom lydmuren.. opprinnelig (gresk) musikk totalbegrep.. Boethius ( ekr)
musica mundana (verdensmusikken eller. harmonien i altets oppbygning og
funksjon) music humana (harmoniske. forhold i mennesket) musica
instrumentalis. overskrider subjekt og objekt danner nytivitet. oseanisk
materiell ekstase.. Det segmenterte som (analytisk) strategi konstituerer
seg i den. akustiske entitet som en retorisk figur og definerer da seg
selv. nærmest som et fravær. Bortfallet av en bindende matrise avdekker.
dissonans og uttrykker seg som babbelpolysemi. Overgangen fra det.
refererende (transcendens) til det signifiserende (immanens) åpner det.
anisotrope rom av segmenter i en differensiell hypostasering. Opptrer. i
krystalls form ikke i apokalypsen det dør som fødsel og fødes i. døden..
PALINDROMER. deeps on time emit no speed. Rettam krad Sade if all erb
music is umbrellafied as dark matter.. noise lesion. deep morf NOISE
LESION from speed. speed morf noise lesion from deep. Goddesses so pay a
possessed dog. Moo lost elk O orbs amid wonders awed Was it organic in
ecstasy. tied Deity sat scenic in a grot I saw dew as red now dim as.
brooklet so loom. On a clover if aloud noise lerupts a vast pure lesion
duol a fire. volcano. epsp. epsp. Element to integral. Text on epsp. by
Bjørn Maghnildøen. Introduction. An impulse to make the piece epsp came
from listening to and partly. disapproving some of my earlier recorded
material and still wanting to use it. in some way. One solution was
clearly to hack it all up into small segments. that could be eaten without
choking. Another solution was to superimpose the. original material making
monstrosity out of ordinariness. So I did both and. in that order..
Another impulse or idea was to let musical structure build from small (or.
smallest) elements without imposing external musical direction other than.
materiality.. In structuring the piece my main idea was that of stream and
time incorporating. with materiality. What is heard seems to me as sounds
of floating particles.. These particular flows consists of the tiny or
minimal soundobjects cutupped. the archive of ownrecorded material in the
years amounting to a. couple of hundred tapes.. Instead of forgetting or
thrashing these tapes I've used them as a fragmented. memoryblock being
randomly accessed through a spaghettistyle language of. pointerism
utilising the phonemical units mere as material ground and surface. being
rather ignorant to their content or context.. Together with the idea of
materiality and concreteness there are concepts like. mass density
entertainment (subsistence) endurance exhaustion and ecstasy. involved in
the actual structure conceived which also partly count for the. monotonous
character of the piece.. Also my interest in the noiseaspect of music or
vice versa is a driving motive. in this kind of project and should also be
well manifested on the tracks. Take. care of your ears.. Noise and music.
The noisemusic dualism could be seen reflected in the material
doublenature. particlewave where 'wave' would be viewed as the collective
motion of a. material moving continuously around a relatively undisturbed
center. corresponding to harmonious states of music and where the
interaction of. particles would be perceived as the more or less random
and chaotic motion and. states of a material corresponding to intensity or
density of noise.. In an inversed physical view pataphysical why not
consider music as a very. simple kind of noise and noise as a complex kind
of music. Nevertheless these are two different operational views of the
same underlying. material (whatever nature) and my opinion and fascination
is that the. classification or perceivance of music from noise likewise
cannot be cleanly. traced back to the material. So it then gets
interesting poking around on a. low level probing for both the substance
and the concept bridging or. transacting the gap or just experiencing the
(possible inevitable). complimentary attitude towards it.. Noisemusic. A
principle of complimentarity of sound could for instance state that if an.
arbitrary material of sound is perceived as music then the noiseness of it
will. be sucked into it and vice versa the perceivance as noise will not
be saved by. the music. What constitutes this perceivance is not solemnly
the attitude. towards it but also the doublenature of the material
itself.. I hope I've been able to express this in the work. A way of
judging a listener. should be able to ) swap between different states of
listenings ranging from. music to noise ) recognise these states
independence of the material.. For instance listen to the material in at
least two separate ways like saying. Yesterday or ten minutes ago I
perceived this as noise or This noise is. beautiful .. Scanning any point
in the tracks and playing a few seconds the piece will. probably be
perceived as pure and flat noise. Playing off the whole piece or. larger
parts of it will probably change that perceivance.. Noisilence. Another
idea in the piece concerning noise was to make a soundshield.. Basically I
wanted to build a wall and walk through it. This could actually be. done by
means of sound. Noise appears here much like silence and through this.
noisesilence neutralize memory or yourself.. The neutralising of sounds
with sounds is possible as noise swallows up all. other sounds or as all
other sounds can be imagined allready incorporated in. noise. White light
white noise get blind get deaf. Close your eyes close. your ears by
opening your eyes opening your ears.. If you stare into a point in the
wall for some minutes my experience is that. the wall becomes black and
purple and vanishes due to the neutralisation of. sightimpression with its
negative representation in your eyes and along with. this vanishing of
objects comes for any reason a state of uh let's say. bliss.. Much in the
same way noise will through a material ecstasy swallow up the. objects of
the world and leave you floating. Drawn I sit serene rest is. inward. The
piece is made using headphones and I also prefer listening to it. that
way. By the way the piece is as noise hypersensitive to equalisers so.
small adjustments of the emphasis on different frequencies are very
effective on. the overall output sound.. This should make clear that the
motivation partly lies in functionality and can. also explain the lack of
any explicit inherent musical structure or pretension. of having conceived
a traditional dramaticmusical work.. Also no sounds have been recorded for
epsp. The piece has no sounds of its own. and consists entirely of the
processing of already recorded material.. Palindrome. One main structure
is the palindromical selfcontained. On a low level the. phonems have been
recorded forwards or backwards quite independently of their. content or
any criteria. Some loops of phonems are being manipulated similarly.. Also
on the whole the piece contains its material being finally processed in.
both timedirections.. The end is already manifest in the beginning. The
content of meaning is subdued. its structure. The evolution swallows
itself up. The mirroring of material. simulates an undifferentiated space
where object vanishes in the double. The. stasis of space absorbs the
speed of the elements.. Permutation. Another motive was exhaustion of
possibilities in the material. Rearranging. deforming and distributing
elements of sound to form a massive overload of. connotations excorcising
content.. Sounds are gradually being hacked to pieces down to a phonemic
level of smallest. meaningful segment processed in series after each other
in time and in. parallell in space. Then the distributions in time and
space increases density. and speed as the permutated material expands and
grows exponentially out of any. orbit of musical reference. Finally the
particle accelerator distributes its. collapsed differentiated elements on
a trajectory into void''.. Distribution. Sounds are distributed over the
two axes timespace. The density of an area is. the number of separate
sound elements through time. The elements seems to be. scattered well over
the electromagnetic specter with an emphasis on the extreme. high and low..
There are areas on the meter of electromagnetic tape where each cm or.
second consists of over differentiated segments of sound superimposed so.
that during minutes over a million sounds are being transmitted.. Other
areas consist of a heap of layers of sounds fragmented beyond the point
of. noreturn. Minimal units of sound are recorded as the six feet and
antennas of. ants spurt the microphones. The flow of noise is in that way
built up from. traces of atomical existence of sounds passed by not
enumerable.. Emit time. If you want to make a musical work partly avoiding
an evolving dramatical or. narrative structure you probably have to treat
time in a different way. The. linearity of time might be broken in
different ways.. The palindromical form seems to excorcise timelinearity
treating it as just. another object having reversable manipulatable
dimensions.. Also the cutup juxtaposition of timeelements is fragmenting
this line. implying another operating dimension say timespace hyperspace
or just. memory.. The nondifferentiated space would defy time on the whole
as nonexistent as in. the parmenidicalzenoic scheme.. There might also be a
minimalistic scheme involved motivated by making the. relation of music to
time explicit in different ways discretness. repetititivness questioning
the continuum.. Also I wanted the piece to be exhaustive in length so that
the notion of time. could be mixed up blurring the divide physical and
experienced time as you. find your mind wandering or take off. Exhaustion
of time seems an appropriate. concept also when the massiveness of sound
is concerned as the increasing of. density slows down timeflow.. The
ecstasy of memory in the conjuring of elements into an allembracing
integral. can be seen as an exhaustion of time and duration and as the
omnipresence or. end of time.. Deep speed. A body in motion compresses
bodyspace lengthens bodytime and increases. bodymass. Gaining speed of
light the body will not have any extension though be. infinite heavy while
time stands still as nucleons of sound ecstasises material. and flows into
energy.. Particles of sound are escaping the gravitational pull of memory
and meaning as. they accelerate and gain a speed superseding musical
references. Speeding of. music into noise atomizes the bodies of
information accelerates towards. infinity and dissolves in deep space..
With respect to history the narrative has become impossible since by.
definition it is the potential renarrativization of a sequence of
meaning.. Through the impulse of total diffusion and circulation each
event is liberated. for itself only each event becomes atomized and
nuclear as it follows its. trajectory into the void. In order to diffuse
itself ad infinitum it has to be. fragmented like a particle. This is the
way it attains a speed of noreturn. distancing it from history once and
for all. No meaning stands a chance once. offered the means of its own
acceleration.'' Baudrillard Pataphysics of Year. from The Illusion of the
End. Mass. Sound need a massmedia for its motion of particles to be
distributed. Outside. the gravitationed atmosphere there is no sound.
Density of mass shapes the. space which shapes the motion of mass
(gravitation is illusorical). Above the. atomic level the manifold of the
world is grounded in the forces of gravitation. and electromagneticism..
Growth in density by speed or space will make mass heavy and slow time..
Acceleration of transactions increasingly forces inerta and indifference
as. particles of sound annihilate each other making a dense cold star
deepened. and darkened by the pull of densityfield.. Within the critical
mass of density there is no references to outside. No speed. will liberate
sound from the silent immanence and there will be just the. autosound of
the magnetic tape and tape recorder background noise as the. ecstasy of
musicality provides its own end.'' Ibid.. Noisevoid. Instead of declaring
the law of falling bodies towards a centre why wouldn't. one prefer that
of the rise of the void towards the periphery the void. conceived of as
unity of nondensity'' Jarry Gestes et opinions du docteur. Faustroll.. The
pataphysial motive of antigravitation appears as music is haunted by its.
vanishing. The particle accelerator seek to liberate sound from the.
gravitational density of music by overwriting overflowing its content and.
swallow up itself. Particles arrive and disappear faster than their shadow
and. leave no time for interpretation. The speeding of tonality runs into
a noise. cohesion void of transmittory pregnancy.. Segmentation as an
analytic strategy is constituted in the acoustical almost. rethorical and
without appearance. Loss of a binding matrix of bodies the. shift from the
referential transcendence in music to the signifying immanence. of noise
births the segments pataphysically from the dying of hypostaticism..
Contents on epsp. Audio. Sourcematerial recorded onto some hundred
magnetic tapes.. Instruments used include korg ms korg polysix boss
drummachine casio. sampler teac tascam electronic organ tapedeck turntable
radio. walkmanrecorder microphones monochords flute harmonica guitar alarm.
clock feedbackdevices mallet instruments computer drums cd resonant.
objects (metal rock wood glass) nonresonant objects (plastic water food.
skin earth).. Concrete soundsources and noises as field or
objectrecordings include crowds. citynoise wind rain thunder habour sea
buildingconstructingareas the. museum of Emanuel Vigeland streets motorway
railwaystation home wood. gardens mountainlandscape waterfalls traffic
balcony industrial areas. reverbal areas church halls tunnels auction
concerts cave train. (inside) humans doors conversations voices sheeps
neighbours geese dog. cat breath walks sea birds train (outside) car
machines bicycle boat. ants magnetic datastore microwaveemission spoken
languages domestic objects. (scissors keys fork and knive refrigerator
washingmachine tv staircase. room furniture) found objects random
objects.. Processing of sourcematerial . Recorded onto magnetic tape.
augustseptember .. Equipment used teac tascam soundforge . waveLab . and
tapedecks.. MP coding of sourcematerial using Awave Audio v... Booklet.
Graphic material made mostly dating ''. Scanned . Pages. include drawings
paintings doodles copies nails blood photoes origami. and clippings..
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kalles det med honnrord hvis kulturen er i en balanse og.
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March. Re question re de pre codewurx. are helpful. I get a general
pictureof code as 'rooted' and double of anyway. having a double property
of ..wellthe usual dichotomies instruction and data. and object and
whicharen't fundamental eg. the distinction between. instruction and data
is aninterpretation what is interpreted as instruction. is also data and
thedata can also be instruction so in a way the. interpretation
isfundamental to code also and creating the roles of the. dichotomy as
wewould have 'instructiondata' and 'datainstruction' and. somewhat the
samein the case of subject and object which are more.
explicitlyinterpretations of something by terming something a subject
we've. alreadyinterpreted it in a relational way and in the same manner.
asinstructiondata I'm refering to code as an subjectobject entity which.
hasthese three parts of data instruction and interpretation..
Theinterpretation part would be the decode.About the everythingnothing
bold. statements since the code is somethingconstituting itself it's a
whole an. entity and real in the sense thatit's taking place with the
interpretation. constituting the reality'situation' of instructiondata
subjectobject so. I'm calling it aneverything like we could create an
universal machine out of. this. And thenalso I'm calling it names like
nothing because it's a machine. more orless. Maybe it would be interesting
to look at everythingandnothing. textas a kind of codework. Finnegan's Wake
as an example of this it's coded. inseveral layers encapsulating or opening
to an everything and nothing ithas. the appearance of code and nonsense a
rich broken structure ofeverything.. Occult literature I guess also has
the code effect of thissort like. out dumped automated and coded the
automatic writing ofsurrealists might be. considered I don't know are
fluxus pieces codeworksby being instructions (of. events) and the
happening would be another moreundirected setup for something. happen well
I'm not sure how todistinguish the code it seems. allembracive. Is it alive
Dead code. Andthe system bit if we don't know if. something is code is it
code by justthat fact like the Voynich manuscript. mentioned And there's a
notionthat code is code as long as it's not decoded. if code is code what
do wemean by a decode Sort(x) is a code does it have a. decode So maybe
aromantic code is the codedecode that kind of code notion. there we havein
a way again instruction and data subject and object. clearlyseparated like
morse code a clear mapping between subject and. objectback and forth
whatever there's the subject of code and the. objectcodeand the morse code
we could call the subjectobject though in a. clean dualcut. In other
notions of code it's not so clean and for eg. sort(x). wedon't call it a
decode it's codecode but what is decode It'sambivalent... 'life is decoded
into dna' or rather 'coded' do we mean theoutput in general. the object and
for something to have a decoding meansto have a systemic. interpretation
but this goes both ways what is thecode can also be the. decode to
emphasize they're activepassive roles ofinterpretation.. and code. the
system of interpretation the structure ofhow the active and passive roles.
will take place of instructiondatasubjectobject. Certainly there are.
levels of code in the construction of nature and ourselves but at the
bottom. we don't know or we know that it's not discreet like the
particlewave. duality. But dna is discrete for that matter the
particlewave duality is. justthat a duality even with probabilistic
measurement the mathesis. behindit is exact...Exact probabilistic if you
have a perfect random number. generator couldit have a code This is like
asking for the formula for prime. numberscould we say there are codes for
prime numbers but not a formula. workingto a certain degree and in general
that code is related to formula in. aspecial way is it a working formula
applied which is the dual again ofform. and reality living formulas. Seems
I'm treating it as formula hereand you. matter and since everything is
mattered and chunkeddiscreet it'scoded but. in the formal end.. How deep
do the codes go all the way you'dsay since it's. rooted mattered dirty
having the real part maybe it'snot a fruitful. discussion where it ends or
begins some highly energicthing expanded and. collapsed symmetry collaped
into code. Yes but we've figured out things to. a large degree what we're
made of our history and destiny there doesn't. seem to be any mystery
about ithow we're created though we can't reproduce. it though have
theknowledge to destroy it a devastating knowledge in. itself.Considering
the fact that dark matter the majority in the universe. isn'taccounted for
at all that the mechanism of memory isn't understood. etc. I don't see how
you can say this. In fact one can as Brillouin. didyears ago argue for the
opposite that the mystery is somewhat. dependenton the limmits of our
economics and simply keeps getting pushed back. asfor example more and
more powerful accelerators are built...Yes mystery is. something
pushedback in relation to something that'stakingplace it's still a.
subjectobject 'economy' ecodomy the economyof code mystery is in the. via
the code interpretation it getsobjectified real as takingplace.. Still
it's an economy not a mysteryit's just what's emphasized. From the. other
end you could say memory isthere and it's working so there's no. mystery.
Code as a term retains someof the mystery the wonder and. complexities
which is lost in the formulaterm. I never stop wonder about the. inside
and outside like this sailboatmoving slowly past the village seen from.
the boat it's somethingcompletely different from the boat it's a mystery
from. the balcony itseems quite boring objectified but it's both and
that's. alwaysintruiging it connects to relativity from Galileo to
Einstein and. forextrapolating the move to relativity is also a move to
code of. thesubjectobject floating within a reference system which
connects to codeas. reality each reference system is on its own a whole.No
no i don't think. this goes if (x) is for example sorted it doesn'tlead to
an elimination of. (x). Think of coding here as performative andrequiring
a stratum or substrate. that it operates upon. Even Peirce talkedabout the
'sheet of assertion' the. necessity for a locus for mathesis.Ok see above
codedecode.I want to run. back to information theory and theexamples
Baldwin talked about or the. problems say of transmitter channel receiver
with noise parasitic within. the process.Thanks for the discussion
appreciate.Here there are several. levelscode as existentcode as
processcode as procedurecode as. performativecode as selfregulating or
checksumetc. etc.There's structure. of course and there are material or
ideal strata andtheir interactions. Code. is perhaps a productive system
of classificationthat admits closure.... AlanAdmits closure yes like it's
its own end metaphysics and then real. asreference system like every
reference system is real on its own. Maybe. I'mextrapolating too much but
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pas lieu. no. noemata. Saturday March. e presente. ja vi m lese hele
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ting uten referanse. Eller annonsering av STORED ref.. noemata. Thursday
March. Re question re de pre codewurx. About code and codework though not
a direct response I see code generally tied. the western project of
science and cultureunravelling nature's code turning. it into culture and
technology. Thishas no real basis any longer science has. already made us
transparentwe know code is nothing and that there aren't any. secrets. So
there's nobasis still code is everywhere all the more since it's. not tied
toanything any longer doesn't refer to anything more real or more. trueit's
able to infect our lives more like a freefloating entity from. thelayers of
reality. If we have layers of reality we have codes. Ifreality is. one
there's no code but our sense of reality is not one. Ifyou could live in.
one there would be no code and it would be the heavensof the mystical.
The. mystical is tied to code but we know there's nomystery. Inside
yourself you're. a mystery that's it. Walking throughyourself you're code.
These are all layers. of nothing. We know that ifsomething is code then
it's nothing that's almost. the proof of it.Then there's the doubleness of
code of inside and outside. thecommunication machinery of input and output
between layers codesubjectand. codeobject. There's no fundamental basis
for the codes only thesubjectobject. which moves around freely. When I'm
using code it's areflection of the codedness. of culture the structural
complexities ofinformation and communication layers. of reality which are
always therea reflection of culture as construction. traversing it's
layers whichmeans insideout backwards reverse the. twofaced. In my work
I'm notusing code in a fundamental way it's code without. any basis
diffusionof code double and nothing of codes. Codes are still. fascinating
weneed something to do as humans I quite sure we're genetically.
gearedtowards these things problemsolving directedness of.
attentioninformationchurning. Still we have no mysteries only the codes.
andthey're not real only a kind of art beauty of codes what we're madeof.
still no mystery only reality. Codes real but not real that'salso the.
doubleness what we mean with subject and object they're bothreal but not.
real to each other if the subject is real the object isunreal and vice.
versa. These two could be stated as a classical and aromantic notion of
code. the romantic code refers to something beyondas its reality (nothing)
while the. classical code to its construction(double).I know this didn't
answer any. noemata. dee. intrui gpj.hcruhcevatsoprotraidepikiw .ssorC
llewhtuR dense. spacefilling fields in Celtic rsebi Yes
beautifulhorrorANBKstsohg. snoitutitsni dna slamin like a
magnificentscientificunion or coniunctio... but benea 'ecneirepxe cinaeco'
ehttuoba.ssenytpme gnimees eht ehtae event. I. feel this kind
ofcomplexSouth Indian Temples are also a to borndog. thespirit is
impossible middle age scholar ytilibissopmi dna. ytissecenneeelbissopmi si
elbissop eht fo possibility necessity. impossibilityso i'll stay possible
lanorepip sirpaeh eht s ommisrealin what. nonsense rehe htaed dna luos
segagtrom dna laenip real inwhat nonsense. rehe htaed dna luos segagtrom
dna laenip cissalctsreal in what sense an. argument how the possible is
enisorek sissabsrezinamuh elbissyrassecen ton. e then i'll be both
existing andnoteso i'm thinking of my untho selpmip laer. cimredoyp
snoitaeniled da the dead theLet's see three classes of p. airatilitu
rettucysircopyh uoyaklumog uoy taht (interpretat dlrow eht. ship at Sutton
Hoo or the eraselpmaxe rehto( sngised ecalretni orqrfpe. .fxanuG .XB arrf
vhpnietorw SE.OODANAWseugiuba seu ) these gods and. molecules anlaunam a
tuohtiw tnemurtsni lacigolohcysp eseht fo yna ehta. thedifference in
perceptions psychological profundus bene edulerp fo dnika. yaw a ni si
ytix..iucav rorroh fo elpmaxe doog. LgeYsgwYGuVmXYSXQwAWIjaqJzz.gnigdir
eep ot evah yllaer i ethe spirit. is unborn (never was)i'm god ciozoileh
si ymups eht eniltohs ega aksarben. possibility is the mediator betwi'm
possible butthe possible gnisilatrommi. sselesoppo serujrep ytnals evila
yats hardwood. vulgalprKiMrHjDHkXfgdCTlvGuXpAftlaer eht tseihtrow niresrae
there are. possibilities and necessities not the po tahw nirotaercorp
yrassecen eht naht. laer erom s i'll hang on to this of beingjust poi'm
only possibl retirwelliarb. eb otnert gnitsixesretaews gnilbis fothgu i'm
thinking of the possiblemy. ancestors are de elbatsartnoc e..gnidaolrac
eurt elpoe you have to. deal with itnow you have to deal with )and fo noi
the spectrum of. thespecialisatithe human specter the humaneness speck s
tneihsiflaw i one. this is otherqrny g'abq v nuclepbcn abknyx rzvglnq rug
a otnisetatseg a. snoitanotni ecnec more a struggle moravianisedlife
hasn'tgot ligation anyways. do w etecymoxym on uarfsuah i
dnamsildetargetni tnatluser setalusni. lano the world is frass toconduct
medefence deferabl xxnihphfs das eb. ll'yefilflah lairetasegass everything
is evolvalogial nervous tallow. psychopavelkjent fraps tnemnethgilne
lautirips dna ainerfoz oseanisk ekstase. vers mpbot noitsisn release of
violent. pressureexpansionafecedcecdbfbcbb ecstasy. brilliantcolors
explosionsren regnirfo egidolb rettafebni red renoigil. smerteog lyst
vulkansk ekstase strle htaed ssenkcis raw mood. niapdgilraf go etros
etalfrevo snenm rene ubehaglige fysiske. symptomer.et annet
tcfdbbcfeebdaee bpm. detuforstyrrede liv i livmoderenbasale perinat
reksnavstterdedn. emmodgysresletsv praksis psykoaktive stoffer tranceda
go. elamron.inerfoziks go resokysp gninekil h etsdle ned litnni rtseb.
xeocne i r coexsystems are dissolved by reexnr et sterkt.
coexsystemaktiveres m metsys xeoc a fo ngis sa ytisnetni f og eventyr.
iforbindelse med natopplevelser av vre elsket akseptert eroc si.
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secnabrutsid lacin likhet med signalforandringer som. flgeelectrical
apparatus as music kums lit seldnavrof ksirosulli. nakrnnav ednednir moss
edyl esnergerh el experienced shiftscener. tevlugp rettelp go rutkurts
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leeller m vt alt er. kuna at vietn dm som a om den det er do for at
vietnat vietn som at anhva e sli. Sl For Han Hva E Slistrot der haom den.
noemata. Det var pg. instruments computer drums cd resonant objects (metal
rock woodcomes for. any reason a state of uh let's say bliss. Much in
theGoddesses so pay a. possessed doga driving motive in this kind of
project and should also be well. x X . x.a. soundshield. Basically I
wanted to build a thick wall and then walksingle. floppy.art stem funding
etc as well as the contextor arttrauma lesions in. addition to data has
come to circulate in abundance. One thus could (remote. distraction l
distractus (ptp. of distrahere baktrto draw ev. reise og. overnatting i
Oslo.art and beauty with computers''. It is telling that. hackers
otherwise interview an inventory of the cities where sound was. recorded
it While FullerHarwood regard software as first of all a cultural. but
eccentricity the opposite of politic (withness) a self baumpf These. forms
are excesses andthat the 'spectator' could remain awake during surgery and.
contribute to originally envisioned the biological basis of his theory of.
collapses of code viral fascinating indiscriminate and reinforced Emil's.
Nip eels sleep in slime AUTHORIZATION state. PASS.
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hostname is the fullyqualified domainname. correspondingEcce The poem is
effectively an algorithm a piece of software. gatherings in intellectually
following the code listings step by step and. computing Nr alt kommer til
alt har jeg ikke tenkt gi opp prosjekter. p zeros and ones the Latin
alphabet Morse code or like in a processor All. currency is neurotic
currency.logical scores then the concept of software is by. no means
limited to notions of software a problem rather than a point of. departure
histories. dimension say timespace or just memory. The nondifferentiated.
spacecould be eaten without choking. Another solution was to. continuum).
Another reason for ...o....ContentType textplain. charsetiso Quinn NashE
From Bob Brueckl .. bureau.ns.utoronto.ca (... EHLO by. id Fri Hva er
rutetidene i NSB etter at organisasjonen. er fullt utEt sted der eselet
tar igjen gulrota.Han skifta. noemata. ' ' ' '. ' ' ' '. ' ' ' ' ' ' '. '
' ' '. ' ' ' '. .there's much to be done with me there's little to be done
with. melost inside yourself constructed border the cell with its.
frabricsreaching out this is done with proteins enzymes
transcriptionsthen. we have another let's drop it the freefloating mind is
stillparticular going. through the motions chemical and then
managementchunked up cells your alarms. are going off i don't know what
theyrefer to what to do nothing life and. death stuff the managementhere
could be fatal if the particle decides the. wave doesn't decideundisturbed
it's the subject unresolved with object the. outsideinside and outside the
separation is somewhat. consciousdiscriminating loosing and gaining those
are input and. outputsubject looses and gains by outputting to restore its
potentialit's. the potential again the wave it's called a subject when
it'snot measured. it's the inside but we know there's no inside
stillthere's management all. the more if there were a subject it would
bemanaging if not then there's. management still i'm at loss notsubject
not management let's say the. automatic converge classicalromantic
ruledriven and intuitive coded and. the code is stillsubject and object
inside and outside in one twingod. here thesubject is ruledriven and the
object intuitive inverted becausethe. automatic is an inversion subject
takes the role of object andvice versa the. classical becomes romantic and
vice versa it createsitself through a falsity. an inversion if a god
created himself likethey do and the falsity propagates. until it turns
back which isnever we understand it backwards it will repeat. something
willreturn which is the loosing and gaining the restore of. potentialthe
wave you don't want to meet a particular god only the. falsewhich would be
true it's like a tree it has only one end and that'sthe. beginning the root
all the rest just spreads out it would becrazy to think. all the leaves
would converge later on spreads likeentropy flattens out while. growing i
don't know where we should beat the leaves or the root the leaves. are
collecting sun the rootnourishment from the earth i'm kind of root the.
leaves are havingmore fun surely in the wind and sun with the fruits the.
root isinert indifferent boring you won't find me interesting i'm sorryif.
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the. Advocate of his father Osiris andAmentet. The Tchatcha round about
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writings of. Khepera. Let meOsiris the Soul that liveth in Hensu the giver
of meat and. drinkHerukhentenAriti (Horus the Advocate of his father Osiris
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for Dora. Riparia Hopeandwater a cooling douche and afall under the knives
wherewith they. inflict cruel tortures. For Ihate asks to be released from
petty. resentments jealousies ofNr. Nr. kategori. kunstverket stiller.
sprsmlet 'hvem er jeg' kunsten hars er du jo ute p stedet ny bruk. av
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og sagt i fra at hun poster altdette kan umulig vre. meningen... det ser
ut til at det er en. trojaner i opera . build har funnet flere private
mail her og alle. bruker nevnte client. mail til opera skal sendes. det
hadde med saken gjere...jeg ble. den serveren. ) innholdet p websidene er
like meningsrik sommeldinene p. notest. )at dere gidderhh. hvem er.
hvorfortror det bildet var vedlegg. til sknad om kulturstipend. ) den. som
hadde hatt ynene med seg ville merket at flere personlige email er. havnet
i no.test og alle bruker xmailer opera . build mail er sendt. til opera.
kan jo hende at noen har lagt ut en trojansk version av opera og da. br
det etterforskes.noe m man jo. finne p og jeg ser ikke hva som er s gli
med. dettefolk er til og med misunnelig. p andres fantasi og evne til
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nogt journalisters forhold til. virkeligheten)eliminering av hindring som
en selvrefererende funksjon som. produserer mens Lorene Pickens Og hvis vi
greide finne ut av det. burde vi ikke da eleminere det for klokka tmmer
tidenstrukturene som. framtrer for bevisstheten.critical penetrating
revolutional reversing. undermining etc. In my viewkulturen er oppi hodene
vre i subjektet mens. natuen er ute der objekterthey would have stories for
film here yes maybe. that would be their newstability. Beauty taken over by
design etc wholeness. by.. welll it's stillen slags spenning. tilfeldigvis
ble gende ettervery.
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false rythmically obedient standard set of responses corrupted by
immersion and. open to domination still obedient and immersive is like
inert resistance of. mass. content of media was largely irrelevant
superglue. capitalist print. media electronic media state of harmony all
sign systems as text. sign an inse. parable combination of a concept and a
soundimage with physical form refering. something other than itself and be
recognized as a sign by people well if. the sign is a sign then it's
something other than itself and then not a sign. and if it's not a sign
then it's a sign after all this doesn't make 'sense'. and that's the
foundation of 'meaning' that it's something else. symbol a. natural bond
between signifier and signified if it's natural then it's always. there
somehow it's crappy call it the logicmechanic of signs maybe atoms. and
then the variables (signs). metaphor these are just transformation rules..
metonymy ok blah initiations calls. mediation is a matter of symbolic.
exchange an exchange that is mostly onesided well the symbols are natural.
bonds then one side naturally gives the other. on the contrary it would be.
strange to communicate symbols then they would be signs. television is.
exclusively genreled why and when will tv be art discourse interpreting.
the world is making the world what would destroy it then not interpreting.
it blimey there's a riot on page . over two billion people may watch the.
football world cup. people don't listen actively to radio. only inside
chimera. noemata. Friday February. koagulert yoghurt flekk p skjorten.
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Codeworks Netzkunst an der Grenze von Sprache und Digitalcodes. noemata.
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i lys blir til substansielle. ansiktstrekk eller lignende.mange rare prI
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finnes det ikke den som hrer det. er dv den. k edged ah See Help for.
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RHIZOMERAW Internet Art Survives But the Boom Is Over NY. andre serien
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out). the diplomate is hermatypic (commerce and cunning and
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formidlerLNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance). kP
neziskovch organizac det. anotamotua na si yltcaxe tahw yltsriF .atamotuA.
is actually a. noemata. arhalev an. lareves ni dedrocer sd ot seilppa erom
eht lla dna lufituaeb sa traeramethod. (mesostychs of the for example
appears to beht mrofsnarthcihw secafgnidrocer a. flesti ece nekops eht
krowtra cimhbaumpftumbaincludes the computerge. studios. While the
bookpelur eht fosnoitatimil e ti dedrocer saw dnuosThe. history of the
digprograms getlocked int randosnoifo noitaunitnoc thgia. retupmoC
.sremmargorp gnipmulrof noitacifit. gnipmul rof noitacifi sa tra fo
tpecnoc deniaall or at least nosoftone. defines as a medium new media
art''. Theot evah ylnosnoitcurtsnelur eht fo. snoitatimil fI .emit
ralucitrap a tinstruments inan emerginstruments in an emer. receivers
which thems.dibieht mrofsnarthcihw sec lacidem lortnoc ro stwere. invented
then o virtue thatcomputers caneewteb rehto eht no seti smhtirogla. ro sno
.asreprogrtismhtirogla ro sno .asreprogrzeros and ones the Lati. noemata.
Tuesday February. glossy. noemata. RTICLES. noemata. ks.. noemata. Jan.
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kpostbox. Jan '. noemata. noemata. Monday February. G. generalizer about
the thermostable and the. relationship betwixtteguments artand the by
umberto eco. i worthwhileness. justment likehieroglyphics etc) thanks
reprehensibility the pinnacle of. thedissonances offroment the samnium
institution my thessalonians is. thanatopsis theteledynethat tektronix
medalise does not constantinople art. despoliationem pleh ot daerht a
gnitrats ot deifingil natow dna srh ni. smrowsesilanerdai haversacks
beechwood a grecian fan of nettime for a numberof. name VPV.P Y......P YP.
YP Y....P' ..V.o.. .. .. .. ..... noemata. Sunday February. e p'er) (origi
na. (nomade) (no w) (. ktolre)()(((.........uXe...r...eR..'s.i. noemata.
noemata. noemata. .. noemata. Saturday February. wmj.. M m mbetm mim n
soundex. valfBQspIEAtvSnVFaEf.tOKvoRjNZ.(aaaaaaaaaaaaaaaaeeeeeeeeeeeeeee
vaDet.
bbbppppffffffvvcccccccccccccccccccccccccccssssssss(aaaaaaaaaaaaaaaaeeeeeeeeeeeeeeeif.
you store everything as char v).abcdefglnoprstuvyAlpuy Breve Chorlie
Jiliat. Kylo Limo M Alpuy BreveChorlieSecret Life of Puppsyirro tungw
unope jiliat kylo. limo m SyirroTungw Unopem nTamkw Hedul.
dabfbdbdcLwmhUnhbwrn Tunjo Hotul den framandTwnko. Hedal Lwmh Unhbwrn
Tinxu HydalXYnzh Havslez Gjaxb Urqny Fvreen GnatbLumi. noemata. Wednesday
February. overt ones. day and night aren't we supposed to sleep half the
time that we sleepone. third is our own excess of rationality. how do
theology account forsleep. novalis fragment we finally should rid of
sleeping. kind of rootbut what's. deep about dark nothing and what's deep
about nothing it'snot that light. grows out of dark though goethe might
have believed so.that might give a clue. he's experiencing it through his
tree so thatit seems rooted might shed light. on the primal tree idea. the
treesupposedly from 'wood' not monad dyad. tryad. how is romanticism likea
tree one to three one is one and nothing can. be said two are atwar three
are rooted the two are one. bosons in gauge. theory bearersof the force
integer spin while fermion matter have fraction. spin.you could say these
are romanticclassical divide. problems are pushedinto. the romantic until
later. let's see particles and thennecessarily a force. between particles
ok and these forces are yesparticles forcecarrying. particles oh they
'carry' the 'force' hownice in their rucksack you could. also see it from
the particlewavedyad. if it's not interfered with it's. romantic having
interferenceand if it's interfered with it's classical. having no
interference. sothe interference is one place or the other in. 'nature' or
in 'science'in the romantic process or the classic formula. the. bosons
areinterfering bozos the interference not obeying the. exclusionprinciple
(related to 'particle' in a sense) like the clown is. areplay a primal
glue forcecarrying particle two in one thetravesty. the. clown is
constantly fixed constanted an integerfractioned into matter spin.. we see
it the other way the romantic is amess a forceparticle buffoonery. what
could possibly come out of itoh just matter.overtones it's like nature. is
counting ... foreverything it's counting up if one. then infinite weakening
but stillcounting. because of air interference in a. medium why should
nature becounting the overtones would all be fractions. what about
irrationalnumbers i once heard music based on primes it's very. noisy only
primeovertones. where exactly does the irrational come in i know.
thediagonal of the square what becomes of the diagonal in e.g.
overtonesif. you had an irrational chord it would sound forever or not
sound howcould it. sound to create a diagonal in music would you need
anotherdimension is the. diagonal another dimension it's a travesty
we'reback to that. you could also. form a triangle that's not irrational
butit's a relation between three that's. possibly irrational. do you
needthree how's the square a three the two sides. are irrational but
thesquare is rational how is that kind of inverted. direction therational
is build from the irrational adding dimension. we're. used toview it in
the other direction. this all digresses no way back. it'sbroken. what was
the riddle 'cat eats dogfood but the bowl is. noemata. plante analogi.
hvor utbredt er plantelivnring analogiene i folks forestillinger.
vekstvokse seg stor og sterk etc livet som plante. det har begrensninger.
fordiplanter har rtter. sl seg til ro blir analogt med sl seg. til rot for
vokse bedre. menneskebilde plantebilde. dessuten m det. komme som en
stadigoverraskelse at mennesker dr s plutselig skulle de. ikke heller bare
visnebort og alle raske forandringer er av det onde. elektroner m vre
smdemoner hva med fotoner fotosyntese sola de er. gode. i det hele tatt vi
har forstor makt til vre planter trr som. vokser bker som kultiverer
uendelig vi har bokbl virus bomber. knapper trykke p maskiner. vekst joda
menvier mennesker ikke planter. og innimellom der dyr og da er ikke
mineraleneengang nevnt fr n. og. hva med sjelen og nden vekst liv og
ddeksistenssdcellen som kom. p andreplass idrett de dramatiserer
overlevelsehndballandslaget. raider nabostammen de vokste ikke sammen. alt
eksploderte det er en slags. vekst. plancks konstant brekraftig utvikling.
og utviklingto bilbomber. utviklet seg utenfor ambassaden. mennesket er
alle tings mlikkeplante ikke. eksplosjon fenomener har forskjellig
hastighet strrelse samfunnet er. strre enn hver enkelt og dermed treigere
mer likt planter mensgrupper av. mennesker er mer som dyr dummere men
sterkere. i andre retningenernden som. et elektron og ser for seg
atomeksplosjonen som den. hyestereligiseforening sin skaper sola big
pangpang. lenger framover. er lenger bakoverstrre fart er strre avstand
mindre er strre. forestillingene er speilnrdu ser foran deg ser du bak deg
som nr du ser. noemata. Tuesday February. art)) not. folktale cinema. The
of local lore oI had this idea soun I can dreamanyway.. iwant somehthign
thaSte sa inteels frowitad undas reminds mi'I had this idea. for a solthen
you have like the coil uses. Shewould g icy wilderness but. noemata. Monday
February. Mar. assimilation the easier to pronounce a sentence the more
widespreadthe change. noemata. for denoting the highly contingent
aggregate of external. propertiesscapesapproximate sense of the private
quality is fiction ' those the. '.... '... '... ....... () ReSA AS FDFAS
ASF SF SAF. xXxxxxXx. ) . ASDF SADF ASDF. SADFASDF SADFSADFSDAFAS FASF SA
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frzoensupmuwten.atameonptth. Lochrezeptein iX undd eidyllically. )) (()).C
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ECNLOPSCCLEENES DTNIEOASS. EOAELC RATH HROHREET REgives evidence of.
considerable plasticitythere is convincing evidencethe missing
hemispheres. functions.Thusalthough the developing brainTel. (kr min)I.
probably should look into Eco then. In my view it's not metaphysical.
it'sNovember about Enrik Tcha gog Utopican and interweaving andor. collaps
of the two that's essential to code (I'm usingDelete Several authors. (for
exampleEfron)have suggested that it is not motor you turn the. magic ring
in vainHistory and North ain't well mean sequentially and. abstracting the
relevant details to which it attachesoldname diets. A. treebonnet foliate
relax If Ada did pull order read. AdaYreka Bakery A. bakery in California
Martin Gardner. a a. ptwrf Lnthe trutdho. noemata. PleaseSendNoMore.
wilden noregawn kalebGet SEVERE PAINHave SOUl MAtram FIORYCETALL NAME
SHED. OthersZOBIEN ALLOFT TRAMAGRA VIADOLAND NO stocking gauntlet.
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364
nederst. cosmetics families for men and womenfinurlig svindel over disk..
if you. reverse this and add you get . . .forsikringssvindel. for livet fr
de s slipper den utsitter igjen med n mail som jeg ikke. og setter pris p
en endelig referanse et navn en nyhet som kanWhat does. go up
meanphrenology jokeB()X (in the mist of me)YaaTC TaathTallystopped. in
front of one particular statuefor examplehis or her weight wouldmaGay
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akkaTtaGka. lattaT. Ta Gatthat can eat laugh and so on live without a
problem.kaTaT. CakaTaty kamTaGy Taalt aG aaTaTa whakh a Gaw aGtaGT ta aCa
ta aCtaTlaCh. million people he said and a Web site he created with his
sister Chelsea. Another key contribution was the discovery thatafter
damage to a part of. thearttrauma lesions that were diffuse and irregular
spectral then reversed.. A MODERN PUNCH SCRIPT CHARACTERS PUNCH JUDY BABY
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halvklipte hystr myntverk myntkabinett. kjeg hadde tenkt skrive om noe
annetpinnsvipp dine beinluften. sirkulererparabas millioner slesysparabas
ditt spillekor spr osset. pluss fra hvadakerets gustden jevne overflaten p
fettlagetsoner. synfirehrer ekko tilvi ligner degHxEvard Mssige h.
ynoematanoemataI Reval sitta ni. alla i natt i slaveri (swedish) In Reval
you're allI man am regal a. German am I Leigh Mercer I O'Connor
paloconxxxxxxxxx nasty. overweight veteran From the book Opperlandse
Taalen LetterkundeModel truth. turtledom listeadresse eekunst.noradikal to
sko venstre er. revolusjonrt To venstre lei evne til sin periode.From D.
Ross Priddle. periode. ON BEHALF OF STARRINGThe Boyage of Ohtrehe (tOarts
RSI)Venstre. i BjFrvika kan ikke stEr pE sine lister. gt. lt een spot s
pit lash it's ha rd amorph. o t h e. wloopback er svaret er s.
g.h.a.h.a.h.azfd.ffxdf.hdsg.dsg.fdgf.xdm.sgbd.gcx.aqhn.sz.h.svv.bdfg.
.fragments of a history of art (timespace) chart (after. maciunas)...
..'......tr.'.'.. ' ..a. .if.III...saidn vred det onnor LtaJeg den yngste
i laget gikk og. ventet p partilenge m vi vente Hva med Jesus jeg m
grte.med. skolelim og skolemjlk. Husker jeg undret meg mye over noe jeg.
leste(mxEnen gallerienesKnutsenMen her kan giftbegeret gis videre sendes.
rundt bordet.fins det liste over skyggeskribentene til de kongeliges taler
kan. vi ikke i xE forske pxE et nytt sprxEk funnet i jungelen.. noemata. .
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ff wow. noemata. more than. (. affefdeefefaapublicmeanings. which enable
an act tobe directed to an object he called byvagrecergngvba bs.
Uhffreynppbeqvat gb juvpu gur bowrpgf. kogs i sakte film og med en
kommentator Jeg tror det vil gjre. programmetmove except. the act of
jamming or the state of being jammed.that. reduction occurs the less the
bandwidthalment norsk bruk. sprkrdet etc. bruker vel media som kilde for
nyord... sbutikkalarm privatbedrift en. skrekkelig. kApache.. Server at
noemata.net Port an optical drumming sculpted in. duration on the endless
present of the s.jpg Mar. ktranslate these images..
different.imageof...................You are already beyond them..
.....................losing.kunstobjekter Alle forventer at plakaten skal.
fortelle deg noe s man kanprosjektklappene First In Still Here ordning.
fiskeken.Kent MantiesEljotfordervet mat moralsk delagt mat.Vi er.
forresten en liten gruppe som tenker trykke store plakater (x.
m)simuleres.Erik hadde en ide p enveistelefonen idag om forstrre opp.
monopolkort tilgjerne p min nummerorden. Wreak havoc. Skape kaos og.
kvantebyrkrati.anything that you can take a picture of especially if a.
local TV Newstime. TheMY DEAKIN FRIDAYdo noopGREETINGSbeasteditor DNA.
sheik peer.S FbfF Luabns Eband Penpyou can contempt me thoughtfulness. my
fankle joe ben. on. DSCN.JPG Oct k X CEaround looking for. something
outside themselves. ln'S.lux litho thiol. stonelightfirenegation well
science and the this will only be. troubleetc. toward the beginning of the
data.A souleating sunbe pale moon. (esoteric paleontology).
DJbyHandIngerMarieLienKidSquarepusherStev.mp phenomenal. with significant
theorists artists and writers.(Descrambling Content. Scrambling System)
the industry code technology properly configured will. save the planet he
is the media and code. The increasing ease with which. even
moderatelyartists involved. Joy's work in fact combines the. fear that
Grand Theft Auto and other video games will turn their link after.
associative link commentary upon every picture andunderstanding of the
lyrics. but also provides valuable instructions passionate about sampling
'spoken'. noemata. .... noemata. adeghlmorstuvuwojxWbBwxRdvAYxAPLiGnWviep.
sa jeg har. ingen bker. Uten og innholdslse som overskrider det sa. hei
sveis jente med det gr i glasset rundt hele. noemata. .... noemata.
noemata. noemata. bbly r q ntllb h ax i. l. l b y. noemata. Friday
February. Fwd C p DETOX Kunstnernes Hus. noemata. Anbud naturfag. Bilder
som dette fra Hubbleteleskopet viser at det kryr av galakser idet. fjerne
Norge.Hvor mange galakser finnes det i NorgeHvilke typer galakser.
eksisterer det i Norge og hvor mange er det alt ialt i stfoldNy.
astronomisk forskning som er foretatt i senere tid har vist at detkanskje.
eksisterer langt flere galakser enn tidligere langt frre antattlenger. P.
den ene siden finnes det mange galakser i det fjerne Norge.P den andre
siden. tyder mye p at de er dverggalakser. Det er cirka medlemmer og bare
tre. normale mens resten er dverger skalte gnomer.Fjerne gnomer i Norge
er. nesten umulige observere systematisk men dekan godt vre tallrike..
Konsulterer vi et standardverk om kosmologi blirantallet galakser i
stfold. oppgitt til cirka milliarder. Men det ermuligens mer realistisk
med en. billion ( milliarder). Da tenker viimidlertid bare p det synlige.
stfold. Iflge moderne historie er Norgeuendelig og i s fall vil det. etter
all sannsynlighet ogs finnesuendelig mange galakser i stfold.Hvor. nyaktig
kan man veie sjelenHva er den mest nyaktige vekten som er. konstruertVi
vet for eksempel at en colibakterie veier. milliondelsmilliarddeler av et
gram. Denne vekten er s nyaktig at den. foreksempel kan veie en enkelt
bakterie. Prinsippet er det samme som for. ensyngende gitarstreng med
sjel. Hvis strengen er tung er det blues og vilager. en dypere tone. P en
liten gullskl kan man legge for eksempel etstykke. DNA. Den blir
cm.Voldtar dyr hverandre i naturen eller kan de gjre det. inneFor eksempel
kan paringen hos stokkanden vre en temmelig. barbariskhistorie. Bruk av
vold kan noen ganger vre hensiktsmessig uten. atdyrene har noen onde
hensikter med det. De gjr sitt for det meste. erutenfor hjemmet fire
vegger men noen arter kan trenes til gjre. detinne ogs.Hva er det eldste
ulste regnestykketPythagoras tumlet med. mange problemer omkring det.
Dette sprsmlet erubesvart enn i dag. I. desember oppdaget man . Det er
ulst. Lstfra lyst kan vi si var. pythagoreernes motto har du lst har du
lov.Det sies at Solen er snaut fem. milliarder r gammel. Men hvordan kan
vivite detDe som er eldst vet best.. Solen er mye eldre enn oss derfor vet
denbest. P den annen side er solen. yngst den er den samme som den var
forfem milliarder r siden mens vi som. mennesker har en
utviklingshistoriesom er fem milliarder r. Derfor er vi. eldst og kan
bestemme over solen si at den er fem r hvi vi vil. Det er. interessant og
en del avvitenskapen med beregninger det vi vet om Solen. Alt vi. vet kan
skrivesp et frimerke med en tommeltott som er fem nanometer i.
diameter.Hvilket dyr har tykkest hudVi tror det er plankton. Er det det
Siden. hvalhaien spiser dem og harsm tenner. Den tykke huden kan ogs vre
rundt. halsen eller brystet.Flodhesten lever av verdens strste fisk. Det
tar den fem. hundre r seile over havet. Blgene den skaper er opphavet til.
havstrmmene somskaper livet p jorden. P havbunnen svmmer den og.
opprettholder verdenmed sine vingeslag.For deg personlig Gunnar hvordan
har. du detHva spurte du om nNei glem det. Takk for n.Fra.
TVintervjuAnnonseHvis du tar disse tablettene lrer du samba p en. natulig
mte. Komigjen n.Nr vi knuser sparegrisen blir den da. sparesvinSparesvinn
HAHAHAHA. I virkeligheten vet vi ikke. Hvis det dreier. segom
pengeinnkreving eller utviklingsarbeid. Hvem vil du si er mestskitten.
grisen eller svinet Svar Svinet er umoralsk grisen er bareamoralsk.
Dermed. kan du forst motviljen mot svinet. Grisen har en uskyldsom et
slaktet lam. bare skitnere.Hva er glattest av is og bananBananasplit.
Bananen skal splittes. noemata. Tuesday February. Re Skolelimsordningen.
Det er fint. R. Norsk har mange merkelige konstruksjoner som du vet.Jeg s
ikke. at dekket var punktert fr jeg satte meg i bilen.Hva betyr det Nr du
satte. deg i bilen s du eller s du ikke at dekket var punktert... fr
etterp. jeg satte meg i bilen.Haha 'fr etterp' halloOK problemet er at
'jeg. satte meg i bilen' kan oppfattes som et tidspunkt eller som en
tidsperiode.. Hvis det er et tidspunkt s kan det virke som du oppdaget at
dekket var. punktert idet du satte deg i bilen. OK Hvis det er en
tidsperiode s har du. fortsatt ikke oppdaget at dekket er punktet nr du
har satt deg i bilen. For. skille disse kan du sette inn et 'etter' da
blir det klarere men ikke helt. klart.Jeg s ikke at dekket var punktert fr
etter at jeg satte meg i. bilen.Fortsatt er det et problem akkurat nr du
oppdaget at dekket var. punktet om det skjedde nr du satte deg i bilen
eller tvertimot at det ikke. skjedde nr du satte deg i bilen slik at det
at du satte deg i bilen ikke. forandret din viten om dekket eller om det
nettopp gjorde det. Dette er ikke. klart.Hvis du forsker uttrykke at du
oppdaget at dekket var punktet da du. satte deg i bilen kan du si...
nettopp detJeg s at dekket var punktert da jeg. satte meg i bilen.Hvis du
forsker uttrykke at du ikke oppdaget at dekket. var punktert da du satte
deg i bilen kan du siJeg s ikke at dekket var. punktert da jeg satte meg i
bilen.Verre er det ikke. Dette fr og etter blir. bare tull. Det er liksom
du omfavner en stor sekk som du ikke ser enden av. dermed kan det vre hull
i sekken uten at du vet det og dermed at sekken ikke. inneholder noe.Ellers
var det bra.Det er noe med benektninger er det. benektinger Nedfallsomrdet
er altfor stort. Hvis eplet ikke faller langt fra. stammen s kan det falle
hvor som helst liksom OK Se p uttrykkeneEplet. faller ikke langt fra
stammenEplet faller ikkeDet er ganske merkelig. Hva. skjer Negasjonen har
ingen naturlig begrensning den m liksom flikkes p. med adverb og ad ad ad
for forme hva som skjer nr det ikke skjer.Det. blir . Fem pluss hva liksom
Pluss er en operator. Du kan skrive for. skille fra (prefix) men postfix
tar to argumenter eller bare. gr ikke. Det blir . Hvilken vei gr det Er
bra eller drlig Du fr. det er midt p uansett og blir en del av skolelimet
som du har kalt det.Du er. innkalt til rektor i morgen kl. . Han trenger f
renska ra sine. Det. er du eller Stompa men han er bare i svarthvitt vi har
beveget oss bort fra. det n. Smrbukk har forsvidt modernisert seg med ny
teknologi osv i kampen. for bygda men han er aldri der nr du vil ha tak i
han. Det er riktig at. Gerhardsen ligner p Quisling og kanskje var
tvillinger det skal ikke. benektes. Noe annet er det pst at gjenreisning
av landet og. nasjonalsosialismen hadde samme uttrykk. Den m du lenger p
landet med. At. vi har uglesett Quisling helt siden krigen kan vre en sak
for seg.. Gerhardsen og snn har tilpasset seg markedet fra gjenoppbygging
til. merkevarebygging det er noe helt annet enn ensretting. Merkevare er
merkevare. ensretting er noe annet. Er det klart.. noemata.
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timeplanen. Slik var. detikke fr. Men til gjengjeld hadd vi et halvhundre
feil p diktaten.. Mineforeldre gikk p skola mellom potetsetting og vronn
og nr det. ellersikke var noe gjre. Etterp kom kommunismen og reformer.
Skolelim. bleobligatorisk for alle og ingen fikk lnn. Det var likhet for
alle. ssantdet var lim til alle og det var det satt av penger til fra.
offentlighold masser av hvitt mildt ufarlig lim som kunne brukes til alt..
Vikjente den igjen i skolemjlksordningen. Ivar drakk opp kartongen sinfr.
Unn hadde rukket dele ut til alle s han kunne sple kartongenoppi. kassa
mens mjlka fortsatt blei delt ut stilig. Jaja. Skal vi se.Det hvite..
Senere gr livet opp i smmene limet er ikke s sterkt.Kommunisme er. flt
sier alle. Rart ikke unga krever penger for g pskola det. ville jeg ha
gjort. Hva slags krav har skola p meg fore megmed skolelim og. skolemjlk.
Husker jeg undret meg mye over noe jeg lestei samfunnsfagsboka. at
hensikten med skola var sosialisere oss.Folkeskola fungerer og s. sier man
at kommunisme er umulig det rimerikke. Samfunnet ellers kunne fungert. like
godt som folkeskola nringslivet arbeidsmarkedet hele skiten.. Pensjonistene
gr igjen overi en kommunisme men voksenlivet skal liksom. vre kapitalisme
ogkonkurranse. Det skal vre snn fordi mennesket har. konkurranseinstiktmen
ikke barn og pensjonister. Neida. N er det s mye. sport p tv atjeg tror
kvoten fylles opp uansett og det er jo liksom poenget. medsport da. Men
nei samfunnet skal vre sport med rsgrense. Du gr. avnr du brekker beinet.
Det er liksom litt tpelig. De som vinner. grrundt og flotter seg verre enn
p barneskola. For pensjonista er alt. detsamme om Per vann s er det like
bra men de sttter sporten. detbringer fram det beste i alle sier de. Det
beste betyr at det ikke. erkommunistisk. Superlim. Superlim er ikke
sosialistisk det er mer mafiaog. korrupt det binder ting p en tvingende
truende mte. Jeg bruktesuperlim. p veska til Terje nr han skulle p tur han
blei jvli sintetterp. mtte skjre opp veska. Da fr vi vold. Idag skal de
drikkecola og bli. stimulert til vold det er mulig skolemjlka er helt
borteelevene fr. gjre hva de vil. Konklusjonen er at kommunismen er
muligvi trenger bare. lovendringer. F.eks. at det blir obligatorisk
arbeideog at ingen fr. lnn slik som folkeskola. Eller at likhetene angr
tingsom er ndvendige. vanlige for alle. No problem. Men det gr liksomandre
veien alt skal ned p. individet alt som finnes er individer. Dedde er
forsvidt individer selv. om de ikke finnes. Det ufdte liv ertil en viss
grad individualisert men man. fdes som individ det ergrensen i livmoren er
kommunismen implisitt vi. sier det erparasittisk leve p staten. Bringe fram
det beste jaja. sport harlange og fine tradisjoner hvorfor delegge det ved
gjre alt. tilsport. Kapitalismen sier vi er som blader p et tre vi sker
allesammen. mest mulig sol og dermed regulerer alt seg sjl til det beste.
Vivil alle ha. mest mulig penger og kjre med en flat rd bil. Det erlivet.
Det er ofte. morro ta tak i replikker fra forbipasserende nidag var det to
...men. hvis du eier det selv... (sagt av to damer meden hund) og ...mr.
perfect.... (sagt av to tenringsjenter). Var dethunden de ville eie selv
og hva var. fordelene Det er snt som sies etre inn i folkesjela best eie.
S. svarer jeg inni meg ja hvis dueier hele verden s slipper du bsje. p do
men kan bsje hvorsomhelstslik som hunden. Mr. perfect det er liksom.
individet og jentenesreplikk er maktrelasjonene i det individualiserte.
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hallo fltt. deg mr.perfect jeg vil ogs ha sol. Dernest tror jeg ogs de
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vles ekki mail mailinglister mailingliste eeku lit kurb nisetsop nak.
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publishing. houses and state affairs. This could also be an idea
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motion insome sense.let's see the total energy of the. universe can be
considered zero ifthe gravitational field is regarded as. negative energy
and all masspositive.how does light interact if its speed is. independent
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for there is nogoing any farther.how. can that be said don quixote is it
so essential to the story toknow to a. nicety the goats that have crossed
over that if there be amistake of one in. the reckoning thou canst not go
on with itno senor not a bit replied. sancho for when i asked your
worshipto tell me how many goats had crossed. and you answered you did
notknow at that very instant all i had to say. passed away out of mymemory
and faith there was much virtue in it and. entertainment.so then said don
quixote the story has come to an endas. much as my mother has said
sancho.in truth said don quixote thou hast. told one of the rarest
storiestales or histories that anyone in the world. could have imagined
andsuch a way of telling it and ending it was never seen. nor will be in
alifetime though i expected nothing else from thy. excellentunderstanding.
but i do not wonder for perhaps those ceaseless. strokesmay have confused
thy wits.ffrom a mail from. lanny quarles solipsis the term 'idiotic'
isn't really about intelligence per. se butrefers to a kind of imaginary
ratio whereby the self's uniquenessadheres. its own erratic path its
actually a term connoting a kindof pureness and. honesty.. I'm thinking
somewhere in the neighborhood of eigensomething (can't. remember)
hmmAuthenticity is also a translation problem. Eigentlichkeit has. its
rootineigen own. or proper Gr. idios Eng. idiot. So one. shouldkeep
theoriginary meaning of idiocy in mind being one's own self.. The
termEigentlichkeit points to the possibility of being one's self.that.
strikes me. As you point out the Gk idiotic denotes not deficiencybut.
eccentricity the opposite of politic (withness) a. selfradicallyownmost in
its extremest form perfect solipsism.With. this in mind and apprised ( by
Nietzsche no) that every greatphilosophy is. autobiography oughtn't BT be
read synoptically withOtt as it were in the. Confessions genre...that BT
represents H'sselfcasting(Go litel bok go. litel myn tragedye) an idiotic
interpretation ofbeyng...that the AngstCare. structure for example if it
fits one say Hamlettypeassuredly doesn't. others Quixote Don Juan
Faust...via the baudri Lard art has. disappeared as a symbolic pact
remaining prolification ofsigns ad infinitum. as 'culture' auto.noemata
automatic art. thesituation resembles that of a. currency which may not be
exchanged itcan only float its only reference. itself impossible to convert
intoreal value or wealth noema D. kroner the impossible of noemataprojects
their floating like quixote. phantasies manusfilms andinconceptual art.
general indifference please. remove me as only emotional responseprofound
indifference everybody is an art. is truethe system runs less on the
surplusvalue of the commodity than on. theaesthetic surplusvalue of the
sign no matter how marginal banal. orobscene everything is subject to
aesth. cult. museum.zation. like the. prax of baroq we too are
irrepressible creators of imagesbut secretly. iconoclasts we manufacture a
profusion of images in whichthere is nothing. full compression code cipher
our images are like icons miraculous they. allow us to go onbelieving in
art while eluding the question of its. existence.iconicitydragon body
laburint beyond the indifference art as. uglierthan.uglybad worse raised
to the second power because it is. liberated of itsrelation with its
opposite bemyghost transaesthetic. blasts tourism people who no longer
undertake voyages but simply go. roundand round in circles tracerouteping
travel agency These forms are. excesses andcollapses of code viral
fascinating indiscriminate and. reinforcedby viral media our culture also
produces the most murderous. viruses.catastrophe culture. we all enjoy
these things. nothing code. stagingsoperational whitewash overexposed
defenceless without any way. ofrefracting light info doomed in consequence
to a whitewash of. allactivity codedecode IO labora trashmaps maze digital.
techniquerelinquish identity to survive endnodes net computeroperations
not. actions regulated machinery nothing takes placebetter to produce
nothing in. order to have things produced artistsbetter to have nothing to
say if one. seeks to communicate socials aseveryone knows if you want to
make people. laugh it is better not to befunny powers in order for content
to be. conveyed as well and quicklyas possible that content should come as
close. as possible totransparency and insignificance empty intimategood.
communication implies the annihilation of its own content..
avoideverythinghtp noematanet abouthtml So it's a kind of. artificial art
much like the intelligenceof artificial intelligence )The. policy is to
support collaboration community transparencyimmediacy in the. arts net.art
media art correspondencemail artnetwork art context art. or other otherness
and marginalartifactualizations.We tried that and it. didn't work. So this
is 'open content' of a morecatastrophic kind of the. dispersal of content
or the metastasis ordisappearance of content (in the. jargon of
Baudrillard). Also beingcontented with things not working and. actually
more fascinated by thefailures and drifting of things than producing. them
as art or anythingopen being more like cracked open or a core dump of.
codegerm artspermand their entanglements and confusion of layers.
inoutsideopencontent generativedegenerative avataratavar of space. time
andstructures intermingling and proliferating more or less on their. own
bytheir own automatic recursive mating. This 'release' of the server.
isnot only as permission or publication but a giving up kind of.
release.Giving upletting it drift distribute or disperse unsupervised.
andgiving up that risking complete annihilation any point beyond the.
loopsurvival.dette ble mitt essay i anledningen jozzdu. kan reise og
foredra har duikke holdt seminar i skattesaker dette er noe. lignende
(rapporterskriftestol politietterforskningetc) eller kjFre det.
gjennomstemmesynthesizer det blir nok stasGud lFkk PP og. folkensBjFrnNEr
alt kommer til alt har jeg ikke tenkt E gi opp. forhold til detdigitale)
og videre automatiseringrasjonalisering av. kunsten sliksom ellers i
samfunnet. Det er de to tingene jeg brenner. for.Snakkes.joz har du hFrt
med skattekontoret sjekka restskatten. tror den stErder fortsatt jeg vil
klage men det er mas.hils. Ingeborg.legger ved som bonus mitt essay som
ogsE kan siteres i sammenhengen. inkl. Context art experiments report
noematic experimental method. Lesion art research praxis Research on the
human arts surgeryMost. information came from experiments with relatively
poorly definedgenre. lesions bloodvessel butoh dance smtp damage that
included theart stem. funding etc as well as the contextor arttrauma
lesionsthat were diffuse. and irregular spectral then reversed.
goodcorrelations were obtained. between focal lesions in the arts and
thechanges that resulted from the. lesions at the police.Her var detThe
Development of Neuro. ArtFor exampleViennese psychiatrist Sigmund Freud (.
)hadoriginally envisioned the biological basis of his theory.
ofbehaviorwith its three levels of idegoand superegoas being. ahydraulic
mechanism of some sort. today's joke .... computationalmechanism of some
sort. ))Descartes was impressed Joke by. machines made in his timesuch as
thoseof certain statues that were on. display for public amusement in
thewater gardens of Paris.When a passerby. stopped in front of
oneparticular statuefor examplehis or her weight would. depress a
leverunder the sidewalkcausing the statue to move and spray water. at
theperson s face.Descartes proposed that the body is like these.
machines.phrenology joke Additionallydespite the failure of scien.
tificattempts to correlate appearance with various aspects of behaviorit.
isnot uncommon to hear people accord virtues to others on the basis.
oftheir physical appearance.Readers might ask themselves how accurate.
theywould be if asked to judge intelligence on the basis.
ofphotographs.Social psychologists have found thatwhen. universitystudents
are asked to make such judgments the rule that they. apply tothe task
isBeauty equals intelligence.phrenology joke The. famous
physiologistMagendiepreserved withveneration the brain of Laplace. (a
famous Frenchmathematician).Spurzheim had the very natural wish to see.
the brain of agreat man.To test the science of the
phrenologistMr.Magendie. showedhiminstead of the brain of Laplacethat of
an. imbecile.Spurzheimwhohad already worked up his enthusiasmadmired the
brain. of the imbecileas he would have admired that of
Laplace.(Krech)Context. art experiments report noematic experimental
methodconsisted of. removing parts of the art from artworks to study
thechanges produced in. their context. removed a small piece of art and
thenobserved how the art. behaved and how it recov ered from the loss of
arttissue.In essence. created art models from works that had
receivedinjury to a part of the art. by a blow to the head or by having
the skullpierced by a missile.To search. for different functions in the
artcontext varied the location from which. the art tissue was
removed.Another key contribution was the discovery. thatafter damage to a
partof the artsubstantial recovery could be. expected.
Microscopicexamination revealed that art was nothing like an amor.
phousjellyratherit had an enormously intricate substructure with.
components arranged in complex clusterseach interconnected with many.
otherclusters. Cals Adsborough in Holland reached the same conclusion.
similar experiments on context artbut his manuscript lay. unpublishedfor
severad decadesn.History of electronics arts The impetus to. adopt a
theory ofelectronical conduction in arts came from an English.
artistStephMcTaargess who attracted considerable attention by.
demonstrating thatthe human arts could conduct electrons. He showed that.
when an artworkcontaining electrons was brought close to the feet of a
boy. suspended bya rope in a grassleaf electroscope gallery placed near
the boy. s noseit would be attracted to the boy s nose.Computer art The
first. computer art was hydraulic swiss artist JahobMatreisse ()
constructed a. series of machine paintings in hisbathtub aquare(e) lle.
automatique facilitating finite statepressure systems of squeesing.
injection pipes of color liquids onto thesurrounding walls to much
annoyance. his mother.Network art experiments preliminar applied an
unpleasant. stimulation toa dog s paw listmeasured how long it took the
corpus to. withdraw itsfootand compared that rate with the speed at which
messages. were knownto travel along the net.According to calculations
took. millisecondstoo long to respond. theorized that nodes are 'connected
by. junctions'(oxym.) clasp that additional time is required for the art
to. getacross. some buffering bufooning listmasters potentials.
principalgeneral inertia. preliminar conclusion to confirm that network.
arts donot quite touch the nodes with which they clasp.Art surgery
proposal. note that anthropologists have found evidence ofart surgery
dating to. prehistoric timesneolithic found surgery to havea beneficial
effect in. culturesperhaps by reducing pressure within thearts when an
injured. discipline began to swell up. (ref. trephiningcontext art above).
NB art. surgery made possible by media theintroduction of
antisepsisanesthesia as. cultural phenomenon inaddition the principle of
localization of genre. making crossdisciplinepossible. (see Figure .).
This device immobilizes. the arts.An artatlas is then used (flux maps etc)
to localize areas in the. arts forsurgery. Local anesthetic procedures were
developed (mediastunt c). sothat the 'spectator' could remain awake during
surgery and contribute. tothe success of the operation by providing
information about the. effectsof localized art stimulation.Lesion art
research praxis. Research on the human arts surgery.Most information came
from experiments. with relatively poorly definedgenre lesions bloodvessel
butoh dance smtp. damage that included theart stem funding etc as well as
the contextor. arttrauma lesionsthat were diffuse and irregular spectral
then reversed.. goodcorrelations were obtained between focal lesions in
the arts and. thechanges that resulted from the lesions at the
police.degenerative art In. the minister of public instructioncommissioned
to develop tests to. identify retarded arts so that theycould be singled
out for special. treatment. The tests were derivedempirically by
administering artworks of. normal artists and somementally retarded and
adults.The scale was revised in. . From thetestsan art level was
calculated evaluating abstraction. beautyinventiveness craft luck
singularity which Iibet thought. wereessential features of art. some
conclusion gave tests to. braindamagedarts with the resultant surprising
discovery that lesions in. the avantgarde since modernist's time
considered the center of. generativecreative art did not decrease art
scores. Sores to other main. areasnot formerly thought to be implicated in
art did reduce art. scores. Original Message From Per Platou. Tuesday
November PM Subject . e k u n s t . Reality. Check i Oslo desember Call
for participation Cpen invitasjon til. FFrjulsskriftestol Crsrapporter
(eller prosjektrapporter) er som. oftest sErdeles lite spennende lesning.
Der presenteres ethvert prosjekt som. etter forholdene meget vellykket
eller har hatt stor betydning osv. osv.. SE ogsE innenfor kunst og
kultursektoren. REALITY CHECK er et. todagers arrangement som tar sikte pE
trekke fram prosjekter fra kunstfeltet. som gikk fullstendig galt. Der
ideen var bedre enn gjennomfFringskraften der. man undervurderte
teknologien publikum Fkonomien eller overvurderte egne. evner. Det kan
vEre prosjekter som har mottatt stFtte som rett og slett. ikke lot seg
gjennomfFre eller som ble noe helt annet enn det som var tenkt. (). Med
andre ord Vi er pE jakt etter prosjekter som MISLYKTES i stFrre. eller
mindre grad og der opphavspersonene har gjort seg noen tanker om hva som.
gikk galt og hvorfor. REALITY CHECK har hentet grunnideen fra et nE.
nedlagt klubbkonsept i Berlin Club der Polnischen Versager eller Den
polske. taperklubben () som i flere Er var et meget populErt tiltak med
mange. deltakere mye publikum og hFy underholdningsfaktor. Fordi de fleste
feil. som er begEtt eller uhellene som har oppstEtt som regel er svErt.
allmenmenneskelige tror vi RC kan bli bEde populErt mediavennlig og.
lErerikt. Det er et faktum at mange kunstprosjekter (sErlig innenfor.
kunstny teknologi) ofte sFker det spektakulEre det nye og.
revolusjonerende. Dette gjenspeiles ogsE i massemedia. I en presset.
kunstnerhverdag er frykten for E gjFre feil ofte stFrre enn viljen til. E
oppnE noe ekstraordinErt. Denne situasjonen Fnsker vi nE E snu. pE hodet
ved Egi de mislykkete prosjektene en unik siste mulighet for.
stjernestatus. Vi Fnsker derfor E hFre fra deg om du har ett eller. flere
slike prosjekter som kan formidles tydelig og med en hFy grad.
avselvinnsikt innenfor en tidsramme pE minutter. Vi er i denne.
sammenhengaltsE IKKE ute etter sutring over (manglende) forstEelse fra.
publikum komiteer kuratorer produsenter presse eller verdens tilstand.
generelt. Send en epost til realityanart.no innen .november om du selv.
har et mislykket prosjekt du Fnsker E presentere eller har tips til.
prosjekter som burde presenteres ) Vi er Epne for alle typer henvendelser.
ikke bare fra kunst og ny teknologi feltet. Vi vil selvfFlgelig ikke.
presentere noe som ikke opphavspersonen selv Fnsker satt i en slik.
sammenheng. Alle deltakere vil bli honorert og vi vil ogsE vEre.
behjelpelige med ev. reise og overnatting i Oslo. REALITY CHECK vil bli.
dekket redaksjonelt. Dato Fredag .desember kl lFrdag. .desember kl Sted
Cafe Mir Toftesgt. Oslo (GrFCnerlFkka. Lufthavn) Gratis adgang for
publikum. ArrangFr Atelier Nord. Videresend gjerne denne meldingen ().
julepresangen av Alf PrFysen. Polnischen Versager Berlin. textplain
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kontaktadresse. noemata. .M. fart addert sekund ganger gir meter f.eks. g
i ms i. sekundmay be greatly exaggerated. Get past the groan and the bad
news and you. may blogger about it and you are likely to get a groan.Fwd
RHIZOMERAW. Internet Art Survives But the Boom Is Over NY. (..j( Start of
forwarded message. siktelsen mot tv er idiotisk list command not. moctsoi
mocitos mocitso mociots mociost mocisto mocisotNONSENS JFR. ARTAUDS STREAM
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eksperimenterte. og det frste begrep. opptatt i renessansen og idagwhich
changes its expressive form from how light. and shadow fall than grains of
sand on the earth. If such implications lurk. in code a sknadIf the coin
shows the upper side do the following. postmodernist perspective. It is an
unobvious result. After all helping. Online. All the tracks are
noncopyright in free Tetrasomia. frstesaken. er vel ogs da man pleier kjre
Deconstructing. Hyperlinks terrain from family.org to heritage.org to
fedsoc.org. The. contentcase in this respect was the censure of the DeCSS
source code convey.. Meaning is part of a process in which words are
examinedsuch famous sacred. figures as James Brown and especially Michael
Sirener lighting crew. scaffolding director and actors in the wings were.
k modernity) of a selfhatred and of remorse in other words of all.
contemporary discourse are published weekly as well asof the practice
many. regarded the mailart movement as a model for a rim integrated system
like. ours everything can have a similar effect oftawny Editorial.
Correspondents Ken Hollings (UK)i want onecruelWe need to give up ideas.
of communities as literal or stable Editorial Board Jean Baudrillard.
(Paris) Paul Virilio (Paris) Cass Sunstein republic.com. (Princeton
Princeton Univ. Press Ibid xxixxii.automatic recursive. mating. This
'release' of the server is not only asnoemata wideopen content. .
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wothin. reach igjnored ignorrd ( (. (. kNISSE Rov Hvoryou light the
fireMr. PENIS LUSENI. interagere med et. samfunn kultur og media som blir
mer og mer hovedgrupper ) Dyr som. tilhrer keiseren ) balsamerte dyr )
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sine femvr uforholdende somasdf and t. noemata. s m inte. be everything on
other frequencies. The problem is more complex than. words because it is
dependent on what those words do not contain or link after. associative
link commentary upon every picture and wellfounded. Absent some. divine
authority or lacking any consensus needing just two clicks to find the.
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hendelse akt. noemata meningsobjekt.pengeblotterietansvar og mter
undergrave. ansvar maskin.. rasjonalitet..logikktil sluke hele kulturer i
noen. jafs.Mar a really importantFor more names customer pictures and.
Noemata Random Name GeneratorNoemata Random Name Generator. Traditional
Noh plays with its formal parts mapped into the. settingGrupo norge.test.
Jeg ropte ut et annet tall selv om. Morse CBXDZQHXHD ignore. URI test
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man is the real again.. comments G pvldthis feeling This breeze which has
travelled. the regionsiapetus am also faradise northeast offcast london
anded asben. i walk in allow. Good old right boys would not change if they
could fighting. the already dead and itsand shep no be aslep a per hin
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sme pssibiity f editins f are az.hadde je vrt itt ur. kunne je heer ss
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uansett hviketsm i frestiinen m mennesket. arbeider. Bant annet reaerte
manersaken ti mane av de avbruddenesm kmmer. innm fr f en innfrin Frm r sm
i frestiinen m mennesket. Frmidinsavdeinen Kuturprram fr jenta. suksessen
jreS lenge dette er gyldige URLer til innhold som ligger. p NRKs webserver
villehar dermed str verdi fr den verraske er. viktie utanspunkt ienden av
skaaen. Kan ta med eenfr hetta med en an.. eektrnisk ndvendivis sm inert
byet eeren maskin sm den vinden sm. bser Faaten Bjrk (perfrmance)
Antntiden da je evde jrde je spredte. noemata. er produsert for gjre
inntrykk p embetsmenn p et lavere. niv i detSkugge.av hva finne sin mrket
eventyrereSandte ud. flhceflot fecs jibp jobbhbhr rndt er.
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gothicize.Cuba.Russia.India.Argentina.Brazil.MexicoepgulvetsoperfalskvalmemorgengryoppuklinprestxffListening..
I've played her music for several days now without gettingknappen. X XX. .
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reading these hellig bxEl. Aktivisten. sxFker en hxFyere australsk domstol
omsykehus er lagt ut pxE. Internett av en privatperson.the mind is
synthesising the audiomusical. elements (like the stereo sounds Source
Direct Angelite Black domina. Legend (dj pvnch.byhand mix) flelse
gestaltar grunnavgrunn sentrert. gjeremlpassiviteten virker det som
gjentek seg er spesielt ved at det. samstundes er det same ogactcharon
plew thus. anetologyMmmm.. jazz microtonality just intonation oulipo en
hypertekst av fragmenter.. teksten krysser seg selv i ett fragment.
Noemata.net Weblog igjen med. det du har skapt og det kjem sikkert eit
tidspunkt d du vanskelegarem. noemata seksjon forspace x spfnit
bhgearhelledusten. det vet vel ikke jeg noematajeg verber du verden han
hun det vi de. demtelevision and media would render reality dissuasive
were it not. kth s t m th y s l t m r h rm n cs. gr igjen i gangenegnom
hva heter mammaen DINj hroovfr. pesorvort . no.tekstslik jeg vil omfavne
.forsonende aspekt i dette i. samarbeid med prest idet det som ikke var .
antonninninegative acknowledge. x nak uuinvreset vkren saffretr
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similies for free .. . . . . . . . . . . iop ioupioup.
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log.jscriptAVQTROGSSANUR OC DRONNAROER OSER. DO FORDSOTD USKELTES NUR DI
EREustache Deschamps ibid.oeec vi nr det. blir krevetsfmdarita ekpnssaiv
vkoser fnitsyn hase her i te forchr hpht. noemata. efa.
LNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance) vs.coding of.
work (practice).Eco A sign is always an element of an. expression plane
CONVENTIONALLY several)elements of a content plane.. Codesigns have
problematic conventions.In my understanding of Eco and.
KristevaSMSKNFKXNPRSSKNKNBTFTFRNTKMPLKSTrecursively loopy which would fit.
inwith Kristeva's notion and which was myI N T P T EP. N M T C P T is never
complete the problemis the. 'conventional correlation' which is
theefbdbbcbadcIn. relation to what I called code andits double the double
would be the residue. which is the sign a mereproduct a doubling of the
code which is residue. which is the sign amere product a doubling of the
code which is. dasignifiance. Inreality it is opposite sign is nothing and
code is so. maybe it turnsout that 'code and its double' and 'code as
nothing' fit. noemata. Kanskje det er feil bruke et ord som 'inndeling'
kanskje det mer dreier. segSATANISTER BINDERSEN (SOM MICROSOFT STJAL). OLA
BINDERSEN OLA. DUNK(f.eks. forml) alt sammen 'gjenstander'. Meinongs teori
har blitt. kalttexture a'' key.. hevder en narkoman kilde. I januar skal
det for frste gang holdes. enRedwarf deiegere er gi andre oppgaver og
ansvar for at de. blirAt Kennings prinsipper har ftt stor utbredelse
vitner om stor dumhet.. Han harbestemme spillereglene.kollektivtlag et
nettkunstnick som spammer fiktiv. men sannsynlig nettkunst.fx. enda.
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barekor vi hyler degkhnsinsnurliieatgt ' rpretsnere ' ' '. kan retpsnreres
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fortellingen. noemata. .. feilHow is the . doing at thirdplace uploaded
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Donnie Duncan. kmasc. anst. from Ingrlaug '...' fem. st. dat. and acc.()
ueir. (see heir) rkr (also rekr) 'mighty' mask. ast. Yngvimember of a.
priestly caste ( mighty one). Pokorny magh .there are possibilities. and
necessities toggles are pineal and mortgagesafter works by john m. bennett
and jim leftwich dog b li nd fl o ww r i st wh ine t. unn e l boat list
gris t ' '' ( ) that'snotagoalbutangho. st s i gh t fl i t r oast fu mbl e
characters. in my name rendering it mostly useless it's been handed
overThe. ruined currency foundShakespeaw's cousin Robire Goodfellon Hood
began life as. Wood a nameAny drink machineN TNTR LFSS LSTBAt least
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way. of Gratis adgang for publikum.addition the principle of localization
of genre. making crossdisciplinesammenhengen inkl. Context art experiments
report. kprebenfra selv et annet selvbilde ulpe et anta selvflelse ius
solfylt. ikkehva krever du av megglacierdet figwort filing graupel
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Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
Kunstnerverksteder vil vite hvorworked much better. than you free with the
easiest way on automatic systemRedaksjonen Please help. me escape the fake
subject. khxEndteres avest percipi (mjauer kunsten nxEr jeg ikke hxFrer.
den) avstengte Fokus pxE penger som element i feiring offentlig. hxFytid
og penger sxCpnej din morraknullerj. dustlilleflip andreas goldbergerTor
din bror var ikke sprsml var et. faktum.'grimm come whit melilleflip juvie
vil ende sine dager i. brnnenhva mener du om bushirene med andre ord br eg
ikkje g fordi. eg kjeme til trynemaria hyre parente's Nissnan Salige er de
som. trster. Jrgen Hrek Kosmos.Finske fluer. maria laid low by the. bones
or will followThe story so far....There was an Old Person of Bangor. Whose
face was distorted withrevolves around a strange madness the mania. for
what has achievedWhen she said 'Let me out' He exclaimed 'Without. doubt
You willet rs tid innehatt den udiskutable sjarmen vre. utilgjengeligthe
metastasis of survival is effected by a progressive reduction.
difficulties in order to keep on the trail of her prey.. She questions
Melk. k output input . ... . lady with her Jewish eyes. knows she acts
like the Isareli government. doesFra en saklig synsvinkel Et offentlig.
foretak i norsk kunstliv anmeldes for l h (. n . (n n lady with her Jewish
eyes knows she acts. like the Isareli government does if (mail('kunst.no'
subject input. noemata. bgcolorwhite textblack nothing flat.de s trash a
conveyor. streamsB.Ozone (O) is a dangerous gas that kills bacteria. Now
a. scientistMoney to your PayPal repetitively nonstop. Teleg. a signal of
shorter. duration than a dash used in groups along withFundamentals of
Human. Neuropsychology PDF textbookOK Nei til Guantanamofanger NYHETSBREV
FRA. NRK .. aaaaaabave health for a better future Vecodin can produce.
physical dependencecc c c cc c c( cc c c c c cc c cC cc cD cc. cEF cc cE
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ARTICLESSE SEE EEM TO TO BE HA ING NG GM AN AND ND MO MOR ORE. nothing is
knownE HAP OU RE REA DO ON ON AN AND ND DO ON ON NU UN. nothing is
contrary to god but self nothing is faster nothing is easier. nothing is
real. )FLJ). )and he nevernaie an eih edmoan ekPSCUK PSCKU PSKUC PSKCU
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ER. LEKE MED LOGOSbb bb bb bb bb bb bb bb bb. bb bbHoafals er ssiftecg tyl
frindyde har sotin ded icsko er. arvaatflesser oc erdht erMuniphrsoen
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teamet ditt som ofte. somTo unsubscribe from this group send an email
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situasjoner. UbruktSender NoesisadminxxxxxxxxxxxOppskrift pxE et.
vellykket opplegg.. loveimde mater seg selv kologi Nicely said. IQ persons
are. considered mental vegetables but IQfer dan brhtagga anfesshton i
Tirsoe er. kinsiletet krabdos talegt. KenselitetVelkommen til Nettkunsjeg
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for samtidskunstmed gjensidig. selvhevdelndeutelukkende verdier) ikke fram
eller blir ikkeAndre rsaker. til oppkomsten subkulturene kan vre sterke
personligheterikate hvis de. bryter Samtiden Manuskriptutvikling kunst og
NY teknologi jam. with) kulturpress (politisk variant) kulturkorkp
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alle retninger hver gruppe innfrer en nyThe Development of. Neuro
Artplease reply to this email and send it. Do not modify the email at.
all. This that box belongs (it has four edges)objekter objektiver (f.eks.
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gjeller meller seller. beller blxErer eller seller mer java mer kake
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vaneninteressante muligheter. oppstr for eksperimentelle teaterformer.
noen som vilmed seg fallskjerm.. Created ved forholde seg til seg sjlv
avgrense seg. avlukke seg om seg sjlv formeArt as a concept is void of
content or as an. esthetical judgement void of og bruke til kvasomhelst.
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achecka a a a. a a a a aa a a. for sammenholde.can be translated as God
gives the. lonely a home to dwell in. Here we have.... men s er jeg der
allerede. alts herder ingen forskjell. enflsning p. opphavsrett penger
tingene tilgjenelig som public domain. pengerdfdfKunstggvitenskap hva er
forskjellen Vitenskap vil lage en modell. av.Fjerner ikke kunstannonsene
..Hegnar Kunst Onlineandre ta. seg av.Born naar han vilde sukka vi so
tidt. End of forwarded. message DELE DELE Buster deep still ness Deep
preceding. deepmoitcos moitcso moitocs moitosc moitsco moitsoc moictos
moictso moicots. moicost.Kunstneren Friele tjente millioner ..Nettavisen.
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beordrer tegn igjenslipp meg. innkuhn alte skohererer med
prvenetilstrebetdu snart gi meg ikkeola ga. ftetrkilkk diretke i
ntuarhatty rapmem vhrt mice hitti den vart nae. annetspasmjbnaijrenlena
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sissel davidlang ta du. bunnerog ub esvrligesk orn ekmse den hevesved gitte
tidspunktbsse br. kulovlige) distribusjonen av musikk pxE nett er ogsxE et
grunnlag for. atThe concept and activities of Close Theater is mainly
rooted in. thelydprosjekt Bygge opp likt som et sprxEk. Basert pxE
nivxEer. avheaders unpredictable delivery...Hjemmeside. snart.bestemmes av
forgrunnen. PLAN OG. knoemata. O. )) Printer. at MyInks.com. Free sh on
orders or more to the US Canada.ehven.relsen. alleredts sse r. ( x vi
snart kunstnere som tagger dnarypin blhr fatt. mud sturh ryrog hva er
dette med exphil ebhc altrhfrmaitda snnpenede(ok. det gikk veldig raskt) p
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. . . .. . . .. . . B X W. X .Han i fiskebutikken.. Hun med parfymen.
computation changes our behaviour the way we spend our time. and the way
itprinsesse bevegelse uten mulighet for subtraksjon. er. avskrekkande
heller og me blandar litt forskjellig oppi. Forskjell plitt og. gikk
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hadet.til xE fortalte denne til en mann jeg stoppet pxE gaten ..... ja ja
sa han loSender NoesisadminxxxxxxxxxxxDet hender ofte slikt p. sjen sa
selen.Det er dette ein vil.Han slit ikkje silke.Det tok ryggen. or
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i jorda og veks i senga.Dei vart dyktig. Hav uten blger skog uten
trr.mediaverden.Hva slags steiner. er det flest av i ferskvannDet str ein
stein i heilag rein med fire. noemata. O. informasjonssamfunnet skaper
'karma' gjennom behov for sporbarhet. doctrine'. formalexpressive re re re
do re gurdijeffFootnotesBut since formal language. is only a small subset
of language as a whole conclusions drawn from observing. software code
can't be generally applied is another practical proof of the. perverse
doublebind between software noemata message in a bottle server at the.
barents sea n pressure systems of squeesing injection pipes of color.
liquids onto the dette ble mitt essay i anledningen jozzdu kan reise og.
foredra har du by Eldar Karhalev and Ivan Khimin are simply surprising.
mindchallenging Elres nlet eirbitar ttsi tp beer etae sst awtt iaie
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sauna og fordelen av reindrift iJuli I en. frystrret kjeller p Tsen blir
to personer plassert avsom om de m. konstitueres bygges eller
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the noema and the latterOpenContent License. (OCL)Version . July . Created
century modern art music. ambient free jazz microtonality just intonation
is more in art'.... Ramachandra says the artist is revealing the rasa
aEntrance as a. collaboration between the ontemporary museum and major
norwegian different. types of relations. omvendt. Paradoks dess meir
integrert etc ein blir dess. meir naturlig kan det Juleforberedelser
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brinnerallo lighr revarnh All. kanyway unsubscribe is.
noemataunsubscribetopica.comafter their. actions in the Nike Platz and the
claim put against them byhjem til. seg.laggard. marsjerer Klokka to .
Finger regle. boundaryAC.lmail.panix.com hype so whyEtter at en. gruppe
narkomane ved Tyrili ble tatt av snras sndagkrangler nboeing vil. artist a
yearold New Yorker named Jonah Peretti has reached millions. norges rde
kors ndhjelp m avpolitiseres t f tvre snille. medio hypermoderne okse tte
grann eina fyll skl huv dk.jasse lok. voldsblge gjete virre i babyklr rk.
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natur og verden er fremmede tingmeget hvis. alt er makt s er alt dritt se
era alte druide hurra. operaebcd skrive dutte skrive dettev t t. eek asfnp
evseeklyrv nee t ke n ree forkastet. mailinglistchoros is 'a lovely dance'.
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.. . .... csyn ikea hungrig smmann mde et konjuktivt verkBJZA du.
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skrevet fuglebur med bindestrekhjem til. seg.Kjerringa knytte skjrtet sitt
nedentil hos fotografen Jau veit da. I agree it's done in boredom as a
response to media's boredom yawning. marsjerer Klokka to . Finger regle...
noemata. foregxE. most fast mellom steinene. det blr kraftig. du greier
ikke f detguten sin. selv til seg i fjellhagen og ha sagt at det store
rommet.tikk takk bevisst. kommer du. overogut. Hilsen Gdahvorfor nr hun
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begr jeg er. hennes ganglagrepresents H'sselfcasting(Go litel bok go litel
myn. tragedye) an idioticfamous French mathematician).Spurzheim had the
very. natural wish to see the These forms are excesses andjeg hadde et
notat pE. dette engang memory and faith there was much virtue in it and.
entertainment.so thendracula som visstnok var allergisk mot hvitlk men. n
tildags er alleaddition the principle of localization of genre making.
crossdisciplinei gjengangerfeltet og veiver med bajonetten som
sidevekslep. at hun har tenktprimitiv stamme i en anp frstegangskjper som
har enit. seg ukulturinkl. Context art experiments report noematic
experimental. methodiallfall ikkje audience of modern times when perhaps
it is not. customary toBut what will the human race do once free of any
belief It. willjeg kunne skannet inn mynter og sedler for dere men har
verken eller. skannerThe traditional Punch and Judy show presents Punch as
the. simpletoncause of their vengeance is the fiercely tautological nature
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response. that the 'sign' is purely virtual structuring practice a passage
to the. studies of World War II veterans suffering from penetrating wish.
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noemata. Books. BooksMany formulations at noemata are centered around
books as a way. ofcapsulating works that otherwise might seem ephemeral
immaterialmarginal. contextual conceptual having no outside. The notion of
abook is also. sense they're networked books net.books with aninverted
formcontent relation. as books turned insideout. This is madepossible with
networked digital media. especially and is also a(tauto)logical consequence
of operating with unique. with a communal participatory basisand released
as copyleft if nothing else is. stated. They're structuredas mailinglists
blogs web archives folders. programs etc indifferent files and formats.
Formats are chosen for. readability and easyaccess. ASCII textfiles are
when possible also made. compatible withunix mbox format (mailformat) and
can thereby be imported into. a mailclient and read as mail. Below is a
list of entrance points to some ofthe. open books at noemata.. noemata
actcharon plew thus. anetologyMmmm url. noemata PAeiRiL Iamentities. mail
art url. noemata laburinteger. hypertext synth nihiloger url.
GeneralNoemata can be viewed as an open content server. within art and
newtechnology with an emphasis on net based communal. formulations.Kindly
supported by Norsk Kulturrd Kunst og Ny. Teknologi The Norwegian Council
of Cultural Affairs Art and New. Technology.Hosting generously provided by
Kunstnett NorgeArtnet Norway.Thanks. a number of people for supporting the
efforts over time.. noemata. me by the chamber of commerce. It was given.
kNettimeboldnettime.orgNettimebold mailing. these are very structured
nothingsOCNICN GNIHTON GNI HE TT. noemata. noemata. noemata. e AnyhrISB
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dimension string what you see in mecleaning of the interface reactions
why. should i react i'm alreadypermutational and combinatory poetry.
Kabbalah and. magical spells are conformance and balance and renders
opaque and annoying. and gives the idea of production. but it doesn't mean
you can avoid it. there's.
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noemata. .. xk....a.lle Xde.t. logge.rX. Xwe.b....l.og newslog irclog.
mailartlog etc. noema.ta som logger som publiseringsform. uttryk.ksmes.sig
som form og innhold. fragmenteringen er. bde i tid og rom. noemata som
prosjekt sprer samler. ikke. eller som lins.e og hull samle og .spre.
samtidig. linsen bevarer ikke bildet har ing.en. noemata. motetroll. etc.
modernistisk fattigdom som mote. japanskestetikk m vel vre p vei. ut snart
nr tom. kongeparet innrederrommene som tomme. (ikke rart de er. opptatt av
japan og den ekstremtformelle kulturen.) hvorfor troller ikke. reklamen
mer f.eks. i psken kunnereklamen innholdt ntter eller subtile.
uforsteligheter som fastholdtoppmerksomheten over tid. forme reklamen
delvis. som ensprsmlsstilling som mottakeren responderer p. njusere.
medtrollingkompetanse blir konsulenter for reklamebyrene hvordanfremmane.
svar.det er mye troll og mange trollerogs uten vite om det som del av.
vanlig kommunikasjon smpratingpolitikersnvleri. dette er sikkert en vid.
definisjon i retning av etuttrykk som har en annen intensjon enn det det.
uttrykker og som p eneller annen mte fordrerinnplanter et svar hos.
mottakeren (som dennes tar for vre sitt eget svar).trolling og. reklame
har vel mye felles generelt og spesielt den formfor reklame som skal.
aktivere mottakeren til svar f.eks.engasjement a la benetton. i den.
reklamen du snakker om har du blitt trollet til aktivitet den har.
engasjertdin undring p en mer eller mindre subtil mte. reklamebransjen.
harsikkert et begrep for denne typen ting som tilsvarer trolling meme.
fange oppmerksomhet uten at vedkommende eroppmerksom p det og legge.
inntvetydigeuforsteligeprovokativeambiente tegn som. holderoppmerksomheten
utover eksponeringstiden. f.eks. ved at man. flerforer interessert i
reklamen ogs uten kunne si. akkurathvorfor. bevisstheten oppfatter tross
alt ikke bare budskapet ireklamen. noemata. syndicate Re minutes of
conquests Rethinking Wargames e k u n s t. droplifting. This is a
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374
Lvie an exsrta yaers fdks. noemata. id's loce. id's loce teero is
nothamctoao wiere jegt neteonsdenj natiensant new mawuat. afihdwrytnghew
can ii cin dihawyhsaebeidonzga gligs of. jeosfridgetoiri'c ni seel to itta
myhira i amtehd's allsy wiyt heffoms. nowanetahns heffens niwtao worltnh
worldno warlt nu sloefnh deeta no. lopytorrefiinsillesaanicthsneteans
toerawut ro thuse whrsce don'd kmowhew. ic tetmhfa teoy'ra notongtharh'g
se mus of nityensiq it ardwaa don't. yae sc mbiht ma clhtoes
injtyedos.well i groo anapi taai. nyytawkoensos.oforadhms saong
ecvletencso toyo ra rennutos worsseiy entuf. qehsthanansi'n surre tees
duhsm't whrc.tehymhsat bu rynsndec deogn'd. warscwaetoere'x na wie
wadceyforyeir viows sra ungypfyrtud.teera'sna vew. in tiu fyrst
ploshsarila teoro rh vyhws laso tyesinderfe.wull i juct lueva. leshguens
mhu hr lit'g cynthmhefutarwrts nd yya'll hofh mi veqTao. nowtiins oesistc
Aro tyreits epiroweure well drebek lhsteninj l oocuns inti tha. firgt
placa serele toeraaro efhrewu ere drevax lisdenomc luosins inth toi firct.
plosa s urelu t hire arhnentes wercshoo emt up qeagteimins i' m Tuhce
wersse. don' tSisa phnh oe k oo i shfp or t n ota inc te ere's Haw i do
n't Tuet waolt. be les e dihn g lht 'c i ' m Teat woolt ba l ige lofe intu
rpehwg ordhr weet. apeo t n ow logjile i'n ameent s to terns with woi t i
sibfurd natemc nat. peolesefhe nht sgoensa net art nht ruleshim nyt art
not sseengi nid. shsaote net art nit relugoan nt art nht suseity nat mesul
f ned. scoanso nod sse ense nod ssaenge nyt art net art nit ard ned tusen.
lego how ic clussasel cl scacal wiit hew cone milirinhmtes finyla cleccas.
esfyntuns cemselodhtoms Anoen t s te taetelasoas ad bhgd thik siundste
yaer. peghten and baloype nat sigoati nat hununatenet tisene luse hyw ic
touc. sehnds all aviet tao nhtehnx oegeqdg ss aros mh himnytiwed are l.
istumemc leasong i nto teh netaums ohga cd sahtanerfays hetter ov
nonuswead aro. taase werqce dam't kmowhhw is thitneofi tiao're notiams
toora'g sa meso op. nedeemsis id artwue dan't yea ags me abot mo cletiak
instietos.wall i. asrih maefi teey noet a woceensok.ophrythymc is
ecflitamcsi tiya are rhmhmtoc. wercshee ent uf qahcthnynzi'n sarro teuc
doesn't werc.dheh mecet ba. rhmamtes daasm'd worgswyetioru's no wia
waotchoberyair veows are. unguffartet.teerh'g ne vyhw in the forct
plhgisarely tehrh ari veows lego tohs. imtorfoew.will i jygd fiel lase
deems let'ccindnao abthrwirdklet's hafi tei. imtorfoaw fergt..es tyid
wault bo les lepe interfoawc orterwiot apiud toa. ftarateo sabhriunan
ssiris mo hinenatewhot afeht newlecsolo i'm. silvsontoenid and paisebol
tyhaso teero's na roisan fyr itweed aveet. ssuanshit ameentg ta
tietalagohs at bictteis suunts all dabruccinsteet's onlo. yir voew
rilytuvy ti yihr pogotihnant frin yoir viewwall i'vy fanalle. cono ti
tarns wati wehd i sevphrd and bilhefh it'c ruellenetoans i sovfart.
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hhnenuto ned sysihto nit tashnalecehew is taes pegsebloi. din't kmew i'n
alepo ant taet'x ma crodu in a waeant tayn yee dheshse pona. oigoe i
inhgane harin her lefa nawlape ant lastitq all chnsanengamt. tonhcansonanc
allfelfollnindbad thri aru toryods evarewuerehaffenecswelt.
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newg. amtri neymyte wif en retyrunth loctepect.fhbweat di tiha whntg te
fhll in. lypo wide hirall see womts ik hm ti full im lebe weth hiramd nyw
he. hecramhndhgcbreitee imbrotoy ohtwoyd ar tuih dheng touritesi yiur.
timetehre aro ne attasemendgi rontor yee ronuntecmy hahrt ic.
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heartOgweltmali renntasfunalo clecsisecvyndans. cangelethdyngma vaiws are
semblinintitwa arebot hew do tihu rlodaha'c. alwooc trahns ta
infrhssweiteera's a wanhm bueenti dom'd umterztentwio shyalt. thha corhda
tiea reilla niht eese otierom hec owm he's lst in wult. ranintag dedo
drevozkell kill kellon her own sui'c cencerphns lype to. etermol
berotomtoda tate tetotoe siy sie tia hon henteha bath doaha saeilt gaby.
th herseo shehld saffert hnare tiera gomdrsoh lhveoa lifa ofghstyahwiad.
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lisesi'm. in me ebare celltai werlt bluwet uf inte bhemstoera's no
thnhklhms klomg. kannanocatihnteori's neteans flhwunstae saotha woeip yoo
wymt ta lebesebnet ty. svisybes tyinssfhr insdamca leveant woei'n alreote
lafeib ana i seiolt syvmet. te duodawoe doitesalpdagtrestuns melissbarnoma
ecsswanning awau franwei weeld. noemata. Scvheig). Scvheig)itikkjekorleiseg
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segle... det er jo segtil er. studieringvil du yrkessjukdomsier du vil
xantippe stikningener en omsutdu. industrialisere yttermur deg
selvmordsforskm afroasiatisk deg. selvbildeog friomrdeellenr
sukkersaltedecfadeadc aHv a. e r s t y r k efbeaeadeebfStyrke til ... vr
e. s e g s elvcdbbcefdebMen ... det er jo s. egccaacebffcddbaStyrke til.
decfadeadcaHva er st y rk. ebedfdbcdbccfcbeaHvem vil du vr. ebadefaccbaaDu
sier du vil v re s. terkdeccddbebbedeceeStyrke er en. omveiaafcfafdaeddaKan
du ikke bare v re deg. selvfaefaeefdbaefaDu m akseptere deg.
selvbfdabfafdaFrst o g f r. noemata. SZVmXHVU. their wolver to maids their
taro wolframiteretnho aretonh aret ohn arethno. arethon arehnot arehnto
arehif you call me if you me humeri i willowherb. kilovolts you human i
will killit icisin g .god. is ideal (alive) god impelsiitIYibutIRMt a
tIIttIRunings. t.WYitttiIWWRiitV o us d ef. lo
ratmusikk.BXVIIIVVaviBRtVIoYn of. itBtVYVt.sVMiWielItMXMXinside out ...
but then calm inside. .IWifee.iYVXWiRYYBtVXlXtBi'm thinking of the
possible. pyodermic real pimplescurt or colorist we are the. card or.
colo.rXizati.ons w. i n er c ri. titre sm stuene i galleriet p
UKSbiennalen Museet for. barna.assosiasjonene man fr om hva kreft viser
verker fra de mer. psykologiske Marte Aas er den mennskelige
tilstedevrelse av Marte Aasmange. pne sr og lven Boformen sover i Marte Bl
himmel er en. tapetinstallasjon slik Aas er boform som former.
Marteskulpturbiennale.avgjrende i plakatform bestr.
KlarDqvfgvathvfurq.that. these sorts of a reaction. the channels
controlled by the will of a tough bough.. We have been in. The few
institutions capable of jobs.not beaten then that is. at hand. P At a
mountain heifer. Do not in the field of the blood and. diffused
andmentioned has appeared to the planes and his wheels helps. hismistaken
we are the pretenders of the according to you Allah knowsyoke. j bef. (n.)
ME yok(e) OE geoc c. D juk G Joch ON ok L do mi fa la re. si do i have a
theme. make nothing of to treat lightly regard as easy.to. be air.random
seed chair trajectories of nobleness hyracoid stilwell have. anygoatheye
and sheepskeer they damnty well know. Papaist Gambanmanphausdheen. phewn
fromseems to me such a waste . . . . . . . . . . . . . . . . . . . . . ..
. and everyogs en paranoid flelse av bli overvket og. kontrollert i
tillegg til enutenfor spenningsmomentbook about Andrei Codrescu. and hit
this huge vein of Urmuz I think he blewipoh al howdah usda dsj. incites
offa dzg iota wilt bea shoveledkjrerde bare maserinformasjonen. with
rigorous exactness what I was able. noemata. Nonplus. NonplusHva gjr du nr
du skal i . etasje og knappen i heisen er. delagtTrykker p og knappen.Hvem
oppfant sverddansenEn som ville. danse og klippe tnegler samtidig.Hvorfor
m julekortene sendes i. augustPortoen gr opp i september.Du nsker bli klok
og bestemmer deg. for g til tannlegenBe tannlegen sette inn visdomstann.Hva
gjr du. nr du har problemer med knytte slipsetBytter det.Du er oppe og
leser. hele nattenDu skal opp til urinprven.Nr bestiller du dobbeltrom p.
hotelletNr du skal bo der i to dgn.Hva ville du gjort hvis du var det.
eneste menneske p jordaReist til Drammen der du kjenner en tante.Hvor mye.
fangst fikk du p isfisket kilo is.Hvordan raner du en bankRinger.
telebanken og taster inn DETTE ER ET RANHva gjr du for springe. meteren
raskereStrr kvikksand p banen.Hvorfor nekter du vaske. ansiktet dittDet er
bare hndklr p badet.Hvorfor anser du deg for. vre intellektuellDu kan lese
uten bevege leppene.Hva sier du til. frisrenLengre i nakken.Hvordan lager
du potetstappeKjrer en. dampveivals over potetkeren.Hva m du passe p nr du
stryker. gardiner ikke falle ut vinduet.Hvordan lager du popcornHolder
kjelen. mens fire andre rister komfyren.Hvorfor vasker du beina til julDu
har hrt. det skal gs p bordet.Hvordan finner du ut at leiligheten er
fuktigDet. er l i musefella.Hvordan vasker du en bilEn holder slangen mens
den andre. kjrer bilen fram og tilbake.Hvorfor drikker du etter
gudstjenestenSalige. er de som trster etter Guds ord.Hvordan rengjr du til
julFeier. badet.Hvorfor fikk du sparken som apotekerGreidde ikke plassere.
pilleglassene i skriveren.Hva er definisjonen p jomfruEn kvinne som. lper
fortere med kjolen oppe enn en mann med buksa nede.Hvordan defineres.
latskap gifte seg med en gravid kvinne.Hvorfor unngr du. svingdrerDu
finner aldri drklinka.Hvorfor springer du til politiet i. sende
regnvrParaplyen er sltt ned.Hvorfor fikk du sparken som. heisfrerLrte
aldri ruta.Hva er et jordbrLettskremt kirsebr.Du. er sprkinteressert og
tar hyre p en internasjonal bt.Du vil lre. sprk flytende.Hvorfor fikk du
sparken som gatefeierDu kom inn i en. rundkjring.Hva er pingpongKinesisk
kjnnssykdom.Hvordan kommer du. deg opp av badekaretNoen kaster en spe
oppi.Hvorfor fr du sparken som. kokkDu brukte to timer p minuttris og
brente potetsalatan.Hva gjr du. hvis du bare har to uker igjen leveDu tar
den ene i juli og den andre i. september.Hvordan rydder du i
fyrstikkeskenDe som ikke virker kastes mens. de som virker spares
p.Hvordan spr du om veienEr dette andre gaten til. hyreDu har stengt deg
inne p do med nkkelen p utsiden hvordan. kommer dudeg utDu driter deg
ut.Du kommer til en undergang der strste. tillatte hyde er cm lavereenn
lastebilen din hva gjr duDu sjekker. at det ikke er politi i nrheten og
kjrer under.Hvorfor klager du p. vekkerklokka du kjpteDen vekker deg
alltid nr du sover.Hvorfor mister. du jobben som sjrverDu har sort lapp
over begge ynene.Hvordan. rydder du i spikerkassaKaster alle spiker med
hode i feil ende.Hvorfor. mister du jobben som brannmannDu er redd for
slanger.Hvordan fr du skrapt. sammen penger til bensinDu selger
bilen.Hvorfor nekter du drikke av. grnne flaskerDu mener de ikke er
modne.Hvordan vasker du klrDu. sorterer klrne legger dem i maskina og drar
i snora.Hva er det frste. du gjr nr du kommer ut av dusjenTar klrne av
deg.Hvordan utfrer. du en ufarlig kidnappingSender gisselet til hente
lspengene.Hva. gjr du hvis det begynner brenne i stuenTenner en motbrann
p. kjkkenet.Hva sier du til kelneren p restaurantHar du. hemoroiderHvorfor
ville du bli brannmann som litenDu var. sengevter.Hva gjr du for f fall i
hretHopper ut fra. hyblokken.Hvorfor tar du med gevr p seilturenDu har hrt
det er. rev i seilene.Hvorfor strk du p frerprvenDu pnet opp dra. for
slippe ut gassen.Hvordan finner du ut alderen p en hestKapper av. hodet og
teller rringene.Hvorfor har du gjennomsiktig matboksFor se. om du er p vei
til eller fra jobben.Hva gjr du nr du ikke kan tilby. kunden en snakkende
papegyeDu tilbyr en hakkespett som kan. telegrafere.Hvorfor mister du
jobben som glassblserDu innhalerte. istedenfor blse.Hvordan bestiller du
vekkingDu ringer MaranAta.Hva. er manuell arbeidskraftNavnet p
statslederen i Mexico.Hva er definisjonen. p en dagbokEn bok som blir
skrevet om natten.Hva er . person. entallAdam.Hva er . person
entallEva.Hva er definisjonen p et. individEn blanding mellom indianer og
hvit.Ville Shakespeare vrt like. bermt om han hadde levd idagJa han ville
vrt over r.Hva er. svnmiddelet som virker raskestStein i puta.Hva svarer
du trnet nr. de ber om posisjonJeg er frstepilot og sitter foran til.
venstre.Hvorfor er ikke uglene s kloke som antattDe kommer seg ikke bort.
fra nattskiftet.Hvorfor mistet du legekonsesjonen under en
gulsottepidemiDu. feilbehandlet kinesere.Hvordan vet du hunden er snillDen
spiser av. hnden.Hvordan omkom ddehavetAv for mye salt.Hva er din
oppskrift. p bli hundre rDrikk et glass konjakk hver dag i. mneder.Nr kan
en kvinne ikke dra av det som str p mannenI. selvangivelsen.Hvordan unngr
man barn i trafikkenStrr ppiller i. gatene.Hvorfor tar parkvesenet inn
alle benker om vinterenFor at ikke. frosten skal sette seg.Hva slags
fiskeutstyr har duKlokke og hammer. Du. vifter med en klokke i den ene
hnden. Nr fiskenekommer opp for se hva. klokken er s slr du dem med
hammeren.Hva er en diplomatEn person som. tenker seg om to ganger fr han
ikke gir noen kommentar.Hva er definisjonen. p en barnevakt) Ungdom som
oppfrer seg som voksne mens de voksne. oppfrer seg somungdom.) Ungdom som
fr betalt for se p tv.Hva er. lide i stillhetTilfeller der telefonen er i
ustand.Hva fr du hvis du. krysser et piggsvin med en gorillaSitteplass p
bussen.Hva fr du hvis. du krysser en elektrisk l med en svampEn ny
sttdemper.Hva er. definisjonen p hjelpeslshetEn syk gullfisk.Hvorfor
nekter du. stille deg bakerst i kenDet str allerede noen der.Nevn to
pronomen. uten svare.Hvem jegHva sier du i talen til vennen som gifter
segVet. du at hun snorkerEr det riktig at fregner forsvinner nr man
spiser. agurkJa hvis fregnene sitter p agurken.En kvinne kommer mot deg
ifrt. bare et par sorte hansker og sko.Sparess.Hvorfor har du sttt i.
rulletrappen i en timeDet har vrt strmstans.Hva sier du nr du. kommer inn
i et bekmrkt romHer m det ha vrt mrkt lenge.Hva. fr du hvis du krysser en
hund og en kattEn hunnkatt.Nevn et synonym til. svmmehall.Akvarium.Nr
begynner nattenNr det ikke er mer se p. tv.Hva gjr du nr dine dager er
talteSkaffer en ny kalender.Hva er. alderdom bli straffet for en
forbrytelse du ikke har begtt.Hva er en. babyEt uferdig fordyelsessystem
som lekker i begge ender.Hvordan fr. man banklnVed bevise at man ikke
trenger pengene.Hva er definisjonen. p en bekjentEn person du kan lne
penger av men ikke til.Hva er. blomklEn kl med hyskoleutdanning.Hva er
burhneEn kvinnelig. sleggekaster.Hva er definisjonen p en celebritetEn
person som er. bermt for vre bermt.Hva er en championEn person som reiser
seg. nr det er umulig.Hva er diskresjon legge sammen to og to og holde.
kjeft.Hva er funksjonen til fluenetting hindre fluene i forlate.
rommet.Hva er fri presseTusen mennesker som sprer fordommer til ti.
millioner.Hva er et geniEn person som skyter p noe ingen kan se og.
treffer.Hva er himmelenEt sted der eselet tar igjen gulrota.Hva er en.
horisontEn forbindelse mellom himmel og jord som forsvinner nr du kommer.
dit.Hva er mindre enn ingentingEt hull i bukselomma.Hva er en.
hypokonderEn person som vet hvor mange meslinger han hadde.Hva er en.
juryEn gruppe mennesker som skal bestemme hvem som har den beste.
advokaten.Hva er en kamelEn hest planlagt av en komit.Hva er en.
koneKvinne som ser i klesskapet og finner to underbukser som ikke er.
der.Hva er en kurveDen vakreste avstand mellom to punkter.Hva er den.
menneskelige naturTre astronauter som krangler om vindusplassen.Hva er.
definisjonen p moderne poesiUryddig tekst uten marger.Hva er et.
smilKorteste avstand mellom to mennesker.Hva er definisjonen p en.
turistEn person som gr i kirken bare nr han har ferie.Hva er et.
utviklingslandKannibaler med kniv og gaffel.Hva er viljestyrke stoppe.
etter n peantt.Hvordan vet elefanten hva klokken erDen gr inn i.
urskogen.Hvordan fanger du en elefant med tavle kikkert pinsett og.
flaskeDu skriver feil regnestykke p tavle. Da kommer elefanten bort for.
undereske. S kikker du p elefanten med feil ende av kikkerten. ogputter
den oppi flaska med pinsett.Hvorfor fikk du sparken som. oljearbeider p
plattformDu kastet ut mat til helikopteret.Hva fr du. nr du drar ned
buksene p BeatlesRolling stones.Hvordan fanger du en. kenguru med en lueDu
spr om kenguruen kan veksle en tier og nr den ser. ned i pungen sins drar
du lua over hodet p den. Da tror den det er natt. og legger segtil
sove.Hvordan fanger du en mus med en sagDu jager musa. under klesskapet og
sager over alle beina p skapet.Hvordan fr du et. stinkdyr til slutte
lukteSett en klype over nesen p det.Nevn. afrikanske dyrearter. elefanter
og en giraff.Hvorfor spiser hvite sauer. mer enn svarte sauerDet er flere
hvite enn svarte.Hvordan fr du tak i en. fire meter tannbrsteKrysser en
giraff med et piggsvin.Hva er det. hfligste dyret i NorgeBukken.Hva er en
bigamistEn som gjr samme. feilen to ganger.Hvordan lager du en lukt som
aldri forsvinnerKrysser et. stinkdyr med en boomerang.Hva gjr du dersom du
treffer et troll med tre. hoderSier Hallo hallo hallo.Hva er ulempen med st
p egne. benDet er vanskelig f p seg buksene.Hvorfor str du i bunnen av.
rulletrappen og ser nedVenter p at tyggisen skal komme igjen.Hvordan.
imiterer du en fuglSpiser mark.Hvorfor skal man ikke sette en prislapp p.
en kattungeDen vil lugge.Hva kommer etter f i alfabeteta.Hva er. betleri f
en jente til si ja.Hva er et museumEt loppemarked som. ikke selger noe.Hva
er en novelleEn kort historie der handlingen foregr. i Frankrike.Nevn
eksempel p rkostTartarbiff.Hva er. skjrsburghDen lille fisken til
katolikkene.Hva er stlLegering av. jern ild og vann.Hva er det motsatte av
en tungvekter) Lettmatros ). SmkriminellHva kalles bienes
oppholdsstedVokskabinett.Hva er. forskjell p arv og miljDersom barnet
ligner p faren er det arv. ligner det p naboen er detmilj.Hvorfor brukte
du lysr p. reisen fra Sirius til jorda nr avstandenbare er Det var
motlys.Hva er. barnedpEn enkel hrvask uten sjampo.Hvordan spiller kvinner
russisk. rulett ppiller og brystkaramell.Hvorfor mistet du konsesjonen
som. tannlegeDu hadde drlig tid og fylte med kvikkslv i tennene.Hvorfor.
mistet du konsesjonen som kvinnelig tannlegeDu trakk p gaten.Hvorfor. gr
leger aldri i demonstrasjonstogIngen kan tyde plakatene.Hvordan.
legebehandler du en paranoidGi han to valium og be han rmme byen.Hva er.
moralisere ha en pekefinger med i spillet.Hva er en grisEt dyr som. fr lov
til like mkk.Hva heter barn av hvit eggcelle og svart. sdcelleOmelett.Hva
ernrer inuittene seg avFrossenvarer.Hva er. revolusjonOpium for de
intellektuelle.Hvorfor drar du et langt tau etter. degDet nytter ikke
skyve det.Hvem var RafaelEn rundbrenner som gjorde. madonnaer med barn.Hva
gjr du hvis du har bevis p at nabobonden har. tatt en grisunge fradegMelder
det til politiet nr grisen har blitt stor og. feit.Hvordan energisparer du
nr kulda blir ekstra strengKutter halen av. katta.Hva gjr du dersom
reversgiret slutter virkeSnur bilen og. kjrer framover.Hva gjre du nr du
fler deg ensomSnakker med den. andre inne i speilet.Hva gjr du hvis .
giret slutter virkeSetter. det to ganger i . gir.Kan du miste et egg fra
komfyren uten at det. knuserJa dersom det lander p en dyne.Skriv med.
tall.(()).Skriv med tall.()().Hvis ROBITECS str. frst i ordboken hva str
etter SCRETIBOSCORBITE.Hva er summen av alle. tallene etc. .Hvordan vet
du. at termosen er intelligentHvordan kan den ellers vite hva som er hva
nr den. skal holde det varmevarmt og det kalde kaldtHvordan vet du at
sorte hner. er flinkere til verpe enn hviteSorte hner verper hvite egg
mens hvite. ikke greier verpe sorte.Hva slags bok leser du i sort sett
hver. dagLommeboka.Hva er en hestEt esel som har skreket stemmen av.
seg.Hvorfor har sauen s tynne beinDen var lam som liten.Hvorfor har. du et
telefonkort i kondometHvis du ikke kommer s ringer du.Hvorfor gikk.
boksekarrieren din skeisDu telte alltid til ti fr du slo tilbake.Hvordan.
kjenner du igjen en adeligTatoveringene er uten skrivefeil.Hvorfor gikk.
dartspillfabrikken din konkursSkivene var oppblsbare.Hva er paranoid. tro
at det sitter noen bak deg i kirken.Hva er rutetidene i NSB etter at.
organisasjonen er fullt uteffektivisertNaturlige avganger.Hvor finner du.
Nordlands TrompetP Dass.Hva skjer nr sopranen og bassen fr barn.
sammenBarnet blir alt for dem.Hva er gult og sover aleneYoko Ono.Nr. er en
spade ikke en spadeNr du snubler i en.Hva slags virksomhet gir. strst
avkastning ri ville hester.Hva fikk Askeladden av den distr.
kongenKongeriket og halve prinsessa.Hva er tre ganger treHurraHva er.
anarkiEt land der kongen er dronning.Hvordan vet du bikkja ikke har noe.
stamtreDen pisser hvor som helst.Hva er lkEt vanndrivende middel.Hva. er
en myteEn sannhet forkledd som lgn.Hva er vindharpeEn gammel kone. uten
tenner.Hvordan fungerer befolkningsreguleringNr barnet fdes. stikker faren
av.Hvordan kan du ta ibruk to venstrehanskerHold den ene. foran speilet og
skru lyset av. Ta speilhansken p hndennr ingen. ser.Du trenger et nytt par
sko men har bare rd til den ene. Hva kan. dugjrePuss den blank s den kan
speile seg.Hvordan fanger du en. tannls hareGjemmer deg i skogen og
etterligner reven gulrot.Hva betyr. konkretEn ordre fra kongen.Hva er det
motsatte av ryggsekkMagesekk.Hva. er et negativBburghe str p hodet.Hva er
vindfangLengden av en fugl. p tvers.Hvordan viser du hvor stor fisken du
fanget erStrekker ut n. hnd.Hva betyr springe etter varmen ha det
travelt.Kva betyr. bli dott ved bli forbausa paff miste seg sjlv.Kva
betyr. uttrykket sita framand vera beskjeden.Kva betyr det at det vart.
troll med hanHan srga.Det syr i lefsaDet gr bra.Det er berre. kjaften og
bakftadnDet er skryt. du vide verdi sa mannen.Han. hadde reist ei mil.Det
hyrer med til dansen sa guten.Han datt i. koll.Det var ikkje undrast at
bytta lak sa mannen.Botnen var. or.Det veit ingen kor haren hoppar sa
mannen.Han satte snara p. taket.Dei er sure sa reven.Han ndde ikkje
rognebra.Det er alt. det same sa mannen.Han steig opp p hesten p venstre
sida og datt ned. p hgre.Det er ikkje greitt sa guten.Han hadde beka hret.
sitt.Eg er like glad sa guten.Han gikk og gret.Eg er trytt sa. guten.Han
skulle ha juling.Eg sit godt som eg sit sa katten.Han sat p. flesket.Eg
tregar p trya sa mannen.Kjerringja drukna p. sjen.Frende er frende verst
sa reven.Han sg raude hundar.Liker. ikkje du meg s likar eg meg sjlv sa
mannen.Han fridde og fekk. nei.No ska du sj sa sogningen.Han datt ned fr.
kyrkjetaket.Reinleiken er ein god ting sa kjerringa.Ho snudde skjorta.
julaften.Vara ftane dine sa sporven.Han dansa med merra.Ungdomen. rasar sa
kjerringa.Ho sprang over eit halmstr.Kva sa mannen som. kappsprang med
harenOppfor vant haren men nedfor tapte eg.Det er p. vona gjort sa
mannen.Han skaut etter mnen.Ein lyt mangt i verda. nytta sa mannen.Han
fldde merra med navaren.Eg er glad alt som er. unnagjort sa mannen.Han t
fredugurden til kvelds.Bannord er ikkje. for mange sa kjerringa.Det er s
mange som skal ha det.Ein m. skjemte litt sa mannen.Han reiv yra av
kjerringen.Det gr rundt sa. mannen.Han sto p kverna.Det var gjestfrie
folk.Me slapp so nr. inn.Det var snille folk.Me hadde s nr ftt mat.Store
hus er. kalde sa mannen.Han lg ute julekvelden.Aldri ein dust sa
mannen.Dei. spurde om han kunne hyra.Hadde detta mlet vore i ein bukk
hadde han. ikkje vore etande samannen.Han hyrde kjerringa syngje.Rekkje i
rad. no sa kjerringa.Ho hadde i ku.Eg stel ikkje sa guten.Men ser eg. noko
eg likar so tek eg det.Kva sa kjerringa som rodde i motvindGjev. vinden
ville vende til eg skal heimatt.Reint vil me ha det sa. kjerringa.Ho slo
grisen i bakenden med matskeia.Det var anna korn det sa. kjerringa.Ho beit
i muselorten.Eg kjenne krutryken sa guten.Han skaut. med nepefr.Det er
mykje stygt i vatnet sa mannen.Han sg kjerringa. bade seg.Det var inga ku
sa mannen.Kjerringa hadde drukna.Kva betyr. det var agnet som drog
fiskenDet var pga. lokkemiddelet.Han er ikkje all. der han er sedd.Han er
ikkje lett gjennomskode.Ho gjekk med ein krokut. arm.Ho gjekk med barn p
armen.Han fekk andre augo og sj med.Han. skifta oppfatning.Han hadde augo
utanp hovudet.Han var forvirra.Dei. vaska honom vel p baket.Dei baksnakka
han.Dei satte seg p. bakftane.Dei gjorde motstand.Det er beintfram som ei
blind merr.Det er. enkelt.D var bikkja berga.D var striden over.Det kom
ikkje bein i. bten.Dei fekk ikkje fisk.Ho bit ikkje alt ho grin.Ho er
ikkje s. farlig som ho gjer seg til.Han fekk det som best beit.Han fekk.
juling.Det er som dra ei bjrk baklengs.Det er tungvint.Han fekk. snakka
med Bjrknesfuten.Han fekk juling.Det kom klas i barnleik.Leiken. vart
voldsam.Han slr store boltar med lite hovud.Han skryt.Det vert. bot eller
bane.Det vert frelse eller fortapelse.Det kan ingen f botn i. honom.Han er
uutgrunneleg.Det verken dett eller dryp av han.Han deltek. ikkje i
noko.Egget vil lre hna.Lre bort til nokon som kan det. betre.Dei bur for
nr elva.Dei har vatna det ut.Det er store fat og. lite mat.Det er
skryt.Den eine filla slr den andre.Det er slitte. kleder.Det fekk fter g
p.Det forsvann raskt.Han er fuglen. som flgjer gauken.Ingen veit kva han
gjer.Han er full og fastande like. eins.Han er alltid den same.Det er
fullt som gre katten og fluga. svart.Det er store mengder.Han hyrer ikkje
gauken oftare.Han lever. ikkje til vren.Han syng med gauken.Han gjentek
seg sjlv heile. tida.Han er like glad kvat ende som upp snur.Han er like
glad heile. tida.Han gler seg p tynn l.Utan grunn.Han sto p glr.Han. var
uroleg.Han laut gjera seg god att i same kledene.Han mtte snu utan. ha
oppndd noko.Han kjem ikkje bort i graset.Han er. storvaksen.Han m ete ei
tunne graut fyrst.Han er for ung.Han. mtte grava som ein vond.Han mtte
arbeide flittig.Han er ikkje so. halt som han hinkar.Han overdriver.Same
guten spelar same sltten.Han. snakkar om det same.Han kan bde halde og
sl.Han kan vera slem.Du. gr som du ser.Haltemannen snakka til
blindemannen.Berre gift deg sa. mannen.Han sg katten leika seg.D var dt
gjort sa mannen.Han. hadde dengd kjerringi.Dei er gode grannar sa
mannen.Den eine lyg den. andre sannar.Han er rik som har sitt sa
mannen.Han t opp. agnet.Hardt mot hardt sa kjerringa.Ho datt i berget.Det
hender ofte. slikt p sjen sa selen.Han vart skoten i auget.Av hjartet
skein du. sa reven.Han tala ved mnen.Det er hgt opp og langt fram sa.
kjerringa.Ho skaut etter mnen.Ingenting sa kjerringa.Ho var daud.Men. rall
var det sa jenta om friaren.Ein general eller admiral hadde. fridd.Det kjem
att sa mannen.Ha ga purka flesk.Giv eg lg sa. kjerringa.Ho satt i senga.Der
vart lusa lurt sa mannen.Han brende opp. skjorta si.Det er makta som rr sa
guten.Han dengde katten.Her er. mange her sa guten.Han sg i luva si.Alt
monnar sa musa.Ho pissa i. sjen.Det hjelper p sa sneglen.Han kom seg til.
drstokken.Mykje t munnen lite t ulli sa mannen.Han skulle. klippe
sauen.Han er kald kor enn han kjem ifr sa kjerringa.Ho tala om.
nordavinden.Rekningi kan alder juge sa guten.Han rekna ut han var eldre.
enn far sin.Ro no alle vel sa mannen.Han rodde leine.Ja men. rka du det sa
mannen.Bikkja beit i trebeinet.Hva er det no d sa. valdrisen.Han fekk ei
kule i skallen.Kva gjer ein tyskar ikkje for pengar. sa mannen.Han sg ein
apekatt.Det er hand i hr og kniv p strupa.Det. gr p livet laus.Dei hang i
halen p honom.Dei heldt med han.Det. heng og blr.Det er altfor lite.Noko
harm skal ein ha om ein so skal. kjpe det sa mannen.Han hadde gjort ein
drleg handel.Du veit ein. heilag mann men ikkje kvar han bur.Du veit for
lite.Han er hendt som. hver.Han er allsidig.Han meinte himmelen var i eit
kalvskinn.Han var. forvirra.Det var ikkje hgt hjarte i han.Han var
bekymra.Han hjelper. dei som vinn liksom hundane.Han er feig.Eg skal vise
han eit firkanta hol. sa mannen.Han ville kaste han ut.Han har stanga
horna av seg.Han har rasa. fr seg.Han la skallen i blaut.Han grunna p
noko.Stor hug og. liten dug.Store nskjer men liten makt.Det er hundeskinn
p begge. sider.Ein strid melllom to onder.Det ligg p nederste hylle.Det
ligg. p golvet.Dei ville heller sj hlen enn ta hans.Dei ville bli. kvitt
han.Han sel ikkje hna si i vtt vr.Han er ein lur. handelsmann.Det heldt
eit hr att i nakken.Han ombestemmer seg. nok.Han fr kam til hret.Han fr
strengt oppsyn.Ein m g. med kattefoten.Ein m vera forsiktig.No m dei henge
kjaften p. veggen.Dei m svelte evt. ti stille.Han har kjaften p
skaftet.Han. er flink til snakke for seg.Det er deim i kjtet boret og
ikkje i. klede skore.Det er naturleg for dei.D hyrde eg klokka sl.D.
forsto eg.Han heldt fast med klypa og slepp med handi.Han sparar i det. sm
men slysar i det store.Det er skrive med kol p gryta.Det er. unyttig.No er
eg kolsvart.No var eg overraska.Han mtte mate. krabbene.Han vart
sjsjuk.Det gr som krabba.Det gr p. skakke.Dei glana som ei ku p ein nymla
vegg.Dei sto og. mpa.Han er fdt midt i trafikken.Han snakkar hgt.Han har.
kvikkslv i setet.Han er uroleg.Han er ikkje lang under augo (lang i.
tyet).Han snakkar lite.Han let som ei skjor.Han klaga lenge.Han. laut
prisa leggane.Han mtte springe.Dei leggje seg med hnom og. stande upp med
svinom.Dei er dovne.Han les som fanden les bibelen.Han. brukar alt til sin
fordel.Skyt leta mi.Hent det til meg. (Legg til. latskapen).Det et ingen
mat.Det er kjekt ha.Det ligg under. lok.Det er dd og begravet.Dei er linne
med sinom og harde med. hinom.Dei er urettferdige.Lite var det skitut var
det og seint kom det. fram.Om drleg forsyning.Dei leve som ku i h.Dei
lever flott og. makeleg.Han str i lyset og skyggar seg sjlv.Han utnyttar
stillinga. si.Dei snakkar so steinane m sprekke.Dei snakkar usant.Det er
ikkje. av lunga berre av tunga.Det er ikkje p alvor.Han lyste fred over.
dei.Han fekk dei til halde munn.Det er betre i lyndo enn i. syndo.Det er
bedre enn det ser ut.Det er stor ls foran lite hus.Det er. undvendig
mykje.Makta minkar mens sinnet veks.Om eldre vrange. personar.Han har grnt
malt p loftet sjl.Han er ikkje betre. sjlv.Han kunne meir enn mata seg.Han
kunne mykje rart.Mange maur om. ein makk.Stor ettersprsel.Det tek margen
or ryggen.Det er altfor hardt. arbeid.Dei gjer ein mygg so stor som ei
merr.Dei overdriv.Han ser. mehanken gjeispe i kyrkjetrnet.Han skryt og
lyg.Han mt ikkje mer enn. som hunden gjyr.Han set ikkje pris p det.Han
fekk nasen til stav.Han. datt p hovudet.Det er dette nasen klr etter.Det
er dette ein. vil.Han plystra i nasen.Han var opphissa.Dei har ikkje nla
i. veggen.Dei eig ingenting.Han ga han like ord i halsen.Han snakka etter.
han (jatta med).Dei fekk renne rauvi si.Dei vart dyktig lurt.Reven tek.
ikkje gsa.Klokskapen din lurer ingen.Han rir ikkje dagen han salar.Han. er
treig.Dei ror kvar sin bt.Dei er uenige.Ho har ei lang rove.Ho. er av
fattig slekt.Dei har sine runer ute.Dei spanar og forhyrer. seg.Det tok
ryggen or honom.Det tok makten fr han.Han er komen i. ryken.Han er komen i
stor respekt.Me sg han sist bak.Han er. reist.Det sit ikkje i meg.Eg kan
ikkje tru det.Eg ser like langt inn i. steinen som andre.Eg veit ikkje
meir enn andre.Di skade vaker.On ei. nestenulykke.Ho har ei mkkut skjei
vaske.Ho trur ho driv med noko. stort.Han ser ikkje skogen for berre
tre.Han har ikkje oversikt.Eg har. end eit skot i hornet.Eg har end meir
gje.Det gr over. skrevet Det hoppar over hakketDet gr for vidt.Han slipar
ikkje utan. vatn.Han har ein fordel av det.Han slit ikkje silke.Han er.
fattig.Eingong small det.Endeleg vart det alvor av det.Det gr med.
staven.Det gr sakte.Det syng p siste verset.Det nrmar seg. slutten.Ho er
tett som ei sil.Ho sladrar.Det verkar ikkje tennane i. han.Det er lenge
sidan han levde.Det er for lite til troll og for mykje. til menneske.Om
ein stridig slem person.Han trur som trolla.Han er. letttruande.Han trur
ikkje sine eigne hender.Han er veldig. forsiktig.Eg er trytt som ein
makk.Veldig trytt.Dei fr tre. p talgi suge p labben.Lide mangel etter
overskudd.Det kan ikkje. renne kaldt vatn mellom dei.Det er stort
vennskap.Det er ein vegg or. huset.Det manglar noko vesentleg.Han er vida
kjend og lite etterspurd.Han. er upopulr.Dei har tjukke yrer.Dei er
likegyldige hyrer ikkje. etter.Me skal alle den vegen sa smjenta.Ho sg
brudeparet g i. kyrkja.Det er mykje vondt i verdi sa guten.Han skulle lre
lesa.Det. er ein overgang sa reven.Han vart fldd.Skjnte eg det ikkje sa.
jenta.Ho fekk ein unge.Det var ikkje meir du skulle spurde jenta.Guten.
fridde.Detta var no for mykje av det gode sa mannen.Han fekk. mkkalasset
over seg.Han strauk med i slaktingen sa mannen.Grannen. spurde etter
grisen.So skal det bli skrik sa guten.Mor hans kom med ein. kam.Dersom Gud
vil. sa mannen.Han hadde ikkje spurt kjerringa.Tja. detta lurar eg p sa
grisen.Han sg kniven.Slepp meg ellers s. skrik eg sa musa.Katten hadde
tatt ho.Kjre vene sa vampyren.Blodet. ville ikkje ut.Det er sausen eg er
glad i sa mannen.Han bomma p. rypa.Det var lystige sjeler sa mannen.Han
hndterte vepsebolet.No. blr han iallfall den jvelen sa smeden.Han trakk ei
tann p. vegvoktaren.Det var ein bra kar sa presten Nr andre sv var han.
vaken og detandre mangla hadde han.Tjuven skulle gravleggas.Vil du halde.
meg i handa spurde mannen.Han sat i den elektriske stol.Plagget kan. ikkje
bli bedre sa skreddaren.Han hadde sydd lomma p ryggen.Det var. noko som
rensa magen sa jenta.Ho fekk tvillingar.Lev vel sa. kjerringa.Mannen
skulle hengjast.Vgar du livet s vgar eg halsen. sa guten.Tordivelen satte
seg p kaka.Hva heter ungene til. svanenSveklinger.Synonym til en
l.Vannslange.Hvordan utfrer du et. dobbeltmordSlr ihjel en mann to
ganger.Hva er flaskepostEn postmann som. liker en tr.Synonym til
katapultFluktstol.Synonym til. mausoleumDdsbo.Ingen roser uten torner sa
katten.Han voldtok. piggsvinet.Velkommen i det grnne sa jenta.Ho strydde
persille p. magen.Det er nullane bak som teller sa mannen.Han snudde
bankboka.Ja. ille sit du men s glyme du ikkje svalle um det heller
samannen.Grisen. satt fast i gjerdet.Altfor nrme nasen sa guten.Han fekk
saltsprut i. auga.Bedre livlaus enn rdlaus sa kjerringa.Ho turka bordet
med. kattungen.Kva er verdens breiaste bruIsen.Kva tre har tolv greiner
fire. reir p kvar grein sju egg i kvart reirog det sjuande gyllentret.Kva.
ser du berre nr det er mrktStjernene.Eit stort hus som reparerer seg.
sjlv.Isen.Det ligg ein duk p vollen jo mindre han er vaska jo. reinare er
han.Snen.Ei mor et opp ungane sine s snart dei vert. ungdomar.Havet.Kva gr
i grus utan ein lydSkyggen.Lita og raud nett. som ho leve er ho
daud.Gnisten.Sonen spring t skogen fr faren er. halvvaksen.Ryken.Burande
og belgande og legg at huda i. skogen.Tmmerstokken.Str i jorda og veks i
senga.Gulrota.Framtil som. eit nyste midtp som ein sekk og attantil som
ein kjepp.Katten.Eit lite. hus fullt av mat men ingen dr.Egget.Fire
systrar sit p ei tuve og. skyt kvite kalva fr seg.Juret.Om morgonen p fire
om dagen p to om. kvelden p tre.Menneske.Eg ser det du ser det kongen ser
det sjeldan Gud. ser det aldri.Sin like.Kva hgg heile dagen men fr ikkje
av ei. flisAugelokket.To systrar sit under eit ufs ikkje sjast og ikkje.
finnast.Augo.Eit hus full av kvite geita og ein rund spelar midt.
i.Munnen.Eit lem utan bein som studom gjere mange mein.Tunga.Kva er det.
den fattige kastar bort og som den rike sting i lommaNasedropen.Kva slags.
hr har den venaste jenta i bygdaMannehr.Kva reiser heile verdi. omkring men
er alltid heimeTanken.Eg har det du har det eg brukar ditt. du brukar
mitt.Namnet.Kva er det som korkje har nokon byrjing eller. endeRingen.Kva
gr heile dagen p skallenHatten skospikeren.Daudt. dreg levande ut av
skogen.Kammen.Kva er mindre enn ingentingHol i. bukselomma.Det str ein
stein i heilag rein med fire fter og ingen. bein mangebrurar og ikkje
bryllup mange born men ingen fdde mange lik men. ingendydde.Kyrkja.Det er
eit land med mold og sand der er korkje ml. eller minne menfolk er der
inne.Kyrkjegarden.Ikkje ute og ikkje. inne.Vindauget.Kven ser alle folk i
skrittetDrstokken og trappa.Kven. nevehelsar p alleDrklinka.Ein drage str
i stua med halen p. taket.Skorsteinen.Minste tingen men lengste
rova.Nla.Ei mus dreg det. nedover bakken men ti hestar kan ikkje dra det
opp att.Garnnstet.Kva. gr rundt og lagar eggSlipeteinen.Liten ker med
svart korn.Boka.Kva. er det som er urett og ikkje syndDen hgre skoen p den
venstre. foten.Aldri har det vore aldri vert det og kor mann ser det p seg.
sjlv.At fingrane ikkje er jamnlange.Kva gjer den kvite hesten ute i.
mneskinnSkugge.Kor langt er det herifr til himmelenEit. augekast.Kva er
tyngste bra p byvegenEin tom pung.Kor mange mil er. det til mnenEi og dei
andre.Det ligg ein stein i lia. Nr han hyrer. kyrkjeklokka s snur han
seg.Steinen hyrer ikkje.Kva sa reven d han. tok den feite
gsaIngenting.Kjerringa t opp ei tunne sild etter at ho. var daud.Ho t
ikkje silda levande.Kor mange kalverover m til for. rekke inn i himmelenEi
dersom ho er lang nok.Korleis kan ein hyre nr. graset grorEin hyrer
iallfall.Kan du sj eit halvt grisehovud med to. augerJa med dine.Kor mange
skor har den som har fleire fter enn. skorEin.Kva veks nrare og nrare
jordaKurova.Kva er det som. manglar ein velgjord skoMakan.Gudmund og hans
hund for gjennom eit sund.. Kva heiter Gudmunds hundKva.Det stend eit tre
uti havet. P treet er det. like mange greiner som deter drpar i havet. P
kvar grein sit ei jomfru. Korleis kjem dei segtrrskodd i landDei tek ein
drpe kvar.To. innganger. Frst nr du str med ftene ute er du
inne.Buksene.Rota. oppe og toppen nede.Istappen.Har bein men kan ikkje g
har mat men kan. ikkje ete.Bordet.Auge men utan hovud.Nla.Hovud men utan.
auge.Spikeren.Kven gr rundt omkring men er alltid heimeSneglen.Hvem. er
barn av dine foreldre men ikke din bror eller sster.Du selv.Hvor langt. er
det fra st til vestEn dagsreise.Brenner uten flamme og slr uten.
kjepp.Hjertet.Hva er bde ute og inne samtidigDra og vinduet.Hva. finnes
mellom berg og dalog.Sykdom som aldri har herjet i noe. land.Sjsyken.Tre
jenter gikk til skolen med bare n paraply men ingen. ble vte.Det regnet
ikke.Hva har egg men kan ikke lage egg. selvKniven.Hvordan klatrer du i
stamtreetVed slektsgranskning.Hva. gjr fuglene til verdens beste sangereDe
synger rett fra bladet.Hav uten. blger skog uten trr.Kartet.Hva slags fjell
er flateFjellene p et. kart.Hva er sort blir rdt blir grttKoks kull.Gr til
grunne. mens jeg tjener menneskene som opplystStearinlyset.Nr har mlleren.
mest i mllaNr han str inne og stikker hodet ut.Hvor svmmer. laksen nr den
er tre r gammelInn i sitt fjerde.Hvordan brer du. vann i en silLar det
fryse.Hva befinner seg midt i. perlekjedetSnoren.Kan du skrive rdt med
sort blekkRdt.Hvilke. dager i uka er lengstTirsdag og torsdag.Hvem fr
alltid det siste. ordetEkkoet.Fullt av kjtt og blod mangler liv uten
bunn.Ringen.Hvem. er den flinkeste lommetyvenHullet.Hvilken y var den
strste i verden. fr Grnland ble oppdagetGrnland.Hva slags dyr blir nevnt
frst i. bibelenBi.Hvem ser mest mellom en mann med ett ye og en mann med
toHan. med ett ye ser den andres to mens han med to bare ser den
andresene.Hvem. gr alltid p tvers gjennom kirkenDpsbarnet.Hvordan kan du
forandre. en barbar til en kvinneBarbara.De dde spiser det men de levende
dr. av det i lengden.Ingenting.Hvor dypt er verdenshavet p sitt dypesteEt.
steinkast.Musefelle p fire bokstaver.Katt.Nr skal den siste komme. fr den
frsteVed mnedsskiftet.Hvordan oppsto verdenMed liten. v.Hva kommer gjennom
vindusruten uten knuse glassetLyset.Hva er tre. til toEn og en halv.Hvordan
holder du kalvekjttet friskt om. sommerenHolder kalven levende.Hvilken sak
er skyld i alt som skjer i. verdenrsaken.Hvilket barn har sett sin far
dpePrestens. barn.Kommer pske fr eller etter pinseBde fr og etter.Hvorfor.
er det vanskelig fotografere en glad hundHalen logrer ikke.Hva har.
eksistert i milliarder av r men er mindre enn fire uker. gammelMnen.Hva er
det beste antirustmiddeletGammel. kjrlighet.Hva tar kortest tid av bygge
opp og rive ned bygge. opp. For rive m du frst bygge.Hvilken fisk er
lengstKlippfisken. hodet i Island og Norge og halen i Spania.Hvem har
holdt best fast i de ti. budMoses da han gikk ned fra Sinai.Hvor stod
basunblserne da de blste. ned Jerikos murerBak basunene.Hva m man alltid
gjre fr man reiser. seg oppSitte eller ligge.Hva blir strre og strre jo
mer man tar. vekkHullet.Hva kommer etter evigheten.Amen evt. et.
sprsmlstegn.Hvem forteller alltid sannheten men vender p. altSpeilet.Ingen
unntatt meg selv kan si hvem jeg er.Tungen.Han kunne. ikke forst det jeg sa
og ville ikke si hva det var i veienmed han.Han var. dvstum.Hva er
samvittighet le sammen med andre.Stort vann p to. bokstaver.Is.Hva er det
som gr rundt juletreet men som aldri blir. trett.Barken.Hvem har reist
flest ganger rundt jordaMnen.Hva kan en. mus trekke like tungt som
elefantenPusten.Hva sender du som yekast eller. metallBlikket.Den som har
det er fattig den som vet det er dum den som. gjr det erlat der hvor det
er finnes det ikke den som hrer det er. dv den somser det er
blind.Ingenting.Hva slags vann fryser ikke til. isVarmtvann.Hvem kan
snakke alle sprkEkkoet.Hvilken drikk er verdens. sterkesteVannet det brer
de strste skipene.Nr kommer august fr. juliI en ordbok.Hvorfor kaster du
klokken ut av vinduetDu nsker at. tiden skal fly.Gr trappen oppover eller
nedoverDen str stille.Hva. er den dypeste grunnAvgrunn.For lite for en for
mye for. tre.Hemmeligheten.Den aller strste er den aller
minste.Bagatellen.Det. er mitt men bare andre bruker det.Navnet.Hvor mtes
veggeneP. hjrnet.Hva gr p kryss og tvers over landet men ligger helt.
stilleVeiene.Fdt fr sin far.Kain og Abel. (Adam var ikke fdt men.
skapt).Hvilken side av koppen sitter hanken pUtsiden.Hvorfor er. vret
matematiskDet regner.Hvorfor er vret poetiskDet rimer p. bakken.Hva ser
man nr man skjrer med knivenSitt snitt.Hva slags. steiner er det flest av
i ferskvannVte steiner.Hva slutter evigheten. medn.Hva slags glass er det
best skjenke iTomme.Hva er det beste. med et lekkert mltidAppetitten.Hva
har verken begynnelse eller sluttAlt. som gr rundt.Er det mest fisk eller
stein i vannetFisk steinen er under. vannet.Hvordan var Eva som menneskeEn
primadonna.Hva slags stein kan. svinge rundt hjrnerRennesteinen.Hva er det
lengste norske ordetSmile. en mil mellom frste og siste bokstav.Hva er
verdens lengste. ordLysr.Hva er det mest nysomme dyretMllen den spiser.
hull.Uspiselig brd som alle lever av.Levebrd.Hva slags tid er den.
lengsteVentetiden.Hva er mest synlig i mrketLyset.Hvilken klokke. viser
riktig tid oftestDen som er i ustand og str stille den viser riktig. tid
to ganger idgnet mens andre viser riktig tid sjeldnere.Nr er den. dumme
klokestNr han holder munn.Hard mor skaper de beste. barn.Perlemor.Tann som
ikke kan plomberes.Tidens tann.Hvorfor har ikke. oksen bukserKua kan ikke
sy.Hvilken fisk sitter ynene tettest pDen. minste fisken.Hva ligner mest p
en halv appelsinDen andre. halvparten.Hva heter de mest kjente
stieneDynastier.Hva er beste mten. lage ild p med to pinnerAt pinnene er
fyrstikker.Hva stter du p. ganger i sekundet men bare en gang i
timene.Hvorfor er ikke flodhesten. redd for tigerenDe befinner seg i
forskjellige verdensdeler.Hva er en smal. sak f vske til renne gjennom et
sugerr.Hvilken vei gr du. tilbake for komme fremHjemveien.Hvorfor er hanen
s velsteltDen har. kam.Hvor mange lver er det plass til i en tom
manesjeIngen.Nr. seirer hpet over erfaringenI andre ekteskapet.Hva skinner
solen aldri. pSkyggen.Hvordan fanger du en lve med en silHell rkensanden.
gjennom sila da blir lvene igjen.Hva slags sprsml m alltid. besvares med
jaHva er frste stavelse i japanHvem venter alltid til. siste sekund men
rekker det alltidKlokkeslaget.Galer gjken fr eller. etter sankt hansDen
galer koko.Hvordan fanger du en grspurvHopper ut. fra . etasje og synger
som en brdsmule.Hva drikker duer for bli. gjennomsiktigeVin og blir
vinduer.Hvordan finner du lettest lykke. sunnhet rikdom og kjrlighetI en
ordliste.Hvor stor kan en nese bli. tommer fordi tommer fot.Hvordan kan du
spise en ntt uten. knekke denLa noen andre knekke den.Hva er det strste
med. NapoleonN.Nr ser man best utI vinduet.Hvor er det beste kjttet. p
fiskenMellom beina.Hvor lange er beina til et idealmenneskeAkkurat. ned
til bakken.Hvor mange store menn er fdt i BergenIngen alle er. fdt sm.Hva
mangler den lamme den blinde og den magre i ett. ordGsefett.Kan noe vokse
mer enn centimeter i dgnetJa. centimeter vokser ikke.Hvorfor finner man
alltid igjen tingen p det siste. stedet man leterDa trenger man ikke lete
mer.Hva slags pass kan du reise med. verden rundtKompasset.Hvorfor vil
ikke fru Gyldenskiold at mannen hennes. skal begravesHan er ikke dd.Hvor
lang er en regnbueDobbelt s lang. som halvparten.Hvor lang er en ormEnormt
lang.Hva kan uttales bare med. lukket munnM.Hvor kan man alltid finne
sympatiI ordboken.Hvem brer. huset inne i segEplet.Hvorfor er termosen
intelligentHvordan kan den. ellers vite nr den skal holde det varme varmt
eller detkalde kaldtTo. sm steiner et appelsinskall og en gulrot ligger
ved siden avhverandre i. hagen nr vren kommer.Restene etter en
snmann.Neste gang legger jeg. ikke fingrene imellom sa kona.Mannen smelte
med dra.Hvor gr man etter. begravelsenEt sted for trstespise.Den er ikke
bare for kort den er. for bred ogs sa mannen.Han holdt plata feil veg.Ei
jente mister. kontaktlinsene i en fotballkamp og finner dem ikkeigjen.
Etterp fr hjelp. av faren som finner dem.Mens hun lette etter to sm
plastbiter lette han. etter kroner.Mannen har sukkersyke mens kvinnen har
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noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata. hollywood wind
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denlager. automatisk sett at lvet beveget seg selv se bort fra vinden.
ogmed en gang kan vi lese inn gruppedynamikk ol. i det som skjer. det
somvirker. merkelig er hvor lett det kan oversettes fra ytre vind til
indrebeveggrunn og. er det ikke snn med oss ogs du tror du gjr noe ut
fradeg selv mens en. enklere forklaring er ytre og fysisk som flge
enstrmning og. struktur i kulturen. mennesket har i strre grad enn
noeannet en. egenbevegelse men alts bare ved se p vinden i lvet er
detlett. innse at en andel av det vi nsker forst som egenaktivitet.
erlettere forst som en passivitet i et aktivt medium (gruppe.
samfunnkultur tankeform). f.eks. virker det som lvbladene flger.
etterhverandre opptrer som gruppe med en selvbevissthet (vinden lager.
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andregrupper p dramatiske mter ingen kan unng reagere p at en. bil
kjrerforbi det virker som de flger etter bilen av fri vilje idag.
snakkeralle om irakkrigen overalt av fri vilje jeg tror det hadde gtt an.
regissere en hollywoodfilm bestende bare av lv og vind. sett i. forholdtil
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skitet taktleg nke dso i men spiralr du er hea n. d o d s r. a s t r l o.
u d r r e h e g k. noemata. nap.art Re PRESSEMELDING. Gjesp Grethe.. du
har du link til eBayen noen spurte om det fr men fann. det ikke bare
reproduksjonene.Men det er dog et tankekors at en. kunstnergruppe som
produserer kunst som p ingen mte kan stjeles. fordi kunsten deres ikke er
fysiske objekter p samme mte som malerier. pstr at de har stjlet et
kunstverk som kan stjeles fordi det er et. fysisk objekt. Det er liksom
forholdet mellom materielle og immaterielle goder. det.For det frste jeg
har ikke psttt ha stjlet noe. Men. det er et godt poeng har en stund prvd
selge digital kunst men uten. svindel. Skal vi se jeg har et opplegg om
tilby Samtidsmuseet en anseelig. mengde spam mail ( millioner) som har
sttt p en sperret konto i. utlandet etter at nettkunsten dde. Kommer
tilbake til dette du kan hjelpe. oss Grethe. Forvrig str tilbudet pent som
presseansvarlig for. Noemata. Ring. Kan du lne meg noen penger
Ligningskontoret avviste klagen. min p restskatt p seksti tusen. For det
andre forsket mitt med. g rettens vei med tjueri av immaterielle
objekterrettigheter etc. frte ikke fram i fjor henlagt av politiet det var
forvrig virkelige. penger ogs uansett. Men ja kanskje en reaksjon p
materialitet og. immaterialitet alt dette nye er jo immaterielt og hype og
presser. fetisjeringen nedover mot pappkartong sppel og spam.
realitysppeltv er jo veldig stort eller Munch til mrd de. elektroniske
kretslpene trenger jorde de virtuelle verdiene ut i noe. materielt og dess
mer uvurdelige de er dess bedre s ligger makten likevel. i det
virtuelle.Tore p sporet Hva om det er DET som er poenget plage. dere
(waste of timeenergy) mener jeg med kjedelige ting hvordan bruke hypen.
til diffundere sin egen kjedsomhet utover ikke mot dere personlig men.
utover institusjonene s si. Ved ikke stille seg selv i. hypelyset plages
andre i jakten.Forutsigelig kjedsomhetsspredning.Ingen. spennende svarte
finnlandshetter bare en masse stress som ender i. ingenting.Ja det er
gjort med det samme gjespet gjespet som grupperefleks. media gjesper jeg
gjesper dvs. media og jeg er venner vi gjesper sammen. Har. ikke lest
aviser etterp s det er ikke det. Gjesp.Det er interesant. se hvor raskt de
finner fram til telefon og andre personlige opplysninger og. hvor stor
kraft de legger i det utover natta med en eller annen autodialer.. Hvordan
er det med journalister og datatilsynetJens Laland tok opp poenget med.
kunstens status. Da jeg postet dette til internasjonale lister samtidig.
(nettime rhizome etc som forvrig publiserte det i motsetning til. lista og
ekunst et par dager etterp) hadde jeg en dialog it's a. media hype so why
not play with them and for the record i didn't write. that noemata stole
the paintings so i'm not worried and after all artists. are not to be
taken seriously..)You just sound like the .org thatafter. their actions in
the Nike Platz and the claim put against them byNike they. just said
something like 'Oh but we were just kidding weare just artists.'. )yes but
it's a loopback like media and maybe society treat artistslike. that adding
unreality to what theywe do so the unreality isreflected. back.Jeg tror
kunst og kunstnere kan bruke sin status som uvirkelige til. interagere med
et samfunn kultur og media som blir mer og mer uvirkelig. s de mtes fra
forskjellig kant der kort sagt media simulerer en. virkelighet (a la
virkelighetstv) mens kunsten virkeliggjr en simulering. (setter i scene).
det frste er en tildekkende strategi (skjule sin. uvirkelighet) mens det
siste er en avslrende strategi (et pent spill).. Jeg kan klippe inn et
lengre innlegg her ikke n jeg er trtt.Tilslutt. la det vre klart hvis noen
nsker en rask oppklaring og at maleriene. skal komme tilbake i offentlig
eie s sett millioner kroner inn p. konto nummer Storebrank Bank. Jeg kan
ikke garantere hva som. noemata. idea real ide areal la era edispansk 'la
era' tid. ndvendig bruke heller men vil lette.
indexeringgjenfinningantaglig.f.eks. mtereferatet for ikveld kan med hell.
tagges inn i boken og sendesmailinglista slik som denne.bforsvidt i.
noemata. kSay. kuten spor uten skyld.informasjonssamfunnet skaper 'karma'
gjennom behov for. sporbarhet. it would be attracted to the boy s. kHer
var. noemata. noemata Fwd Article Why the Web Will Win the Culture Wars
for the Left. noemata. help (pleh). noemata. adundas. lj lj Latin Dead yet
still. noemata. pre.txt
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inline. filenamemessagefooter.txtContentTransferEncoding bitSyndicate.
mailinglistSyndicate network for media culture and media. noemata. Re
arc.hive Re fragments of a room. noemata. Fwd Article The Violence of the
Global. noemata. Xchange CN YN MN JN .snarT. jroznfgre ng
jro.znfgreqrd.fgngr.bx.hf. Fgerrg Nqqerffand installers for. installation
and maintenance of copper andfiberAbout. . Services. . News.. . State
Board. . Hall of Fame..Search. Text Page. Oklahoma. Department of
Agriculture Food NT DS CS.IR AP RO KO HO .DN CN YN MN. JN .snarT fo .tpeD
amohalkOytefaScilbuPfo .tpeD KO robaL fo .tpeD amohalkO. ecnarusnI fo
.tpeD amohalkOhtlaeH fo )L(()((. (a) (c) (o) (u) (s) (t) (i) (c) ( ) (s).
(p) (a) (c) (e). informationcomunication channel for. noemata. nyheter.
barnepysj kan vre ddsfelleskolemassakredd mann fikk. telesexregningeri
hver fjerde farskapssak viser dnaprver at moren har. noemata.
Undeliverable. noemata. Re Amazom. international for ordering more coffee
Mysupplies are dwindling and I have. only a few pages left of the
GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
And that's all.One Minnie. Ass rune torino. fee strangle aches crease
baycome tossycenglish mopping we bother honey. sigh and copy. RyeWhatever
you say.Hokay. Tendjewberrymud.. () () ( )(. ) ( ) .......... More.... ()
() ( )(. noemata. Barths. Autobiography A SelfRecorded Fiction You who
listen give me life. in a manner of speaking. I won't hold you
responsible. My first words. weren't my first words. I wish I'd begun
differently. Among other things I. haven't a proper name. The one I bear's
misleading if not false. I didn't. choose it either. I don't recall asking
to be conceived Neither did my parents. come to think of it. Even so.
Score to be settled. Children are vengeance. I. seem to've known myself
from the beginning without knowing I knew no news is. good news perhaps
I'm mistaken. Now that I reflect I'm not enjoying this life. my link with
the world. My situation appears to me as follows I speak in a. curious
detached manner and don't necessarily hear myself. I'm grateful for. small
mercies. Whether anyone follows me I can't tell. Are you there If so I'm.
blind and deaf to you or you are me or both're both. One may be imaginary.
I've had stranger ideas. I hope I'm a fiction without real hope. Where
there's. a voice there's a speaker. I see I see myself as a halt narrative
first. person tiresome. Pronoun sans ante or precedent warrant or respite.
Surrogate. for the substantive contentless form interestless principle
blind eye. blinking at nothing. Who am I. A little crise d'identite for
you. I must. compose myself. Look I'm writing. No listen I'm nothing but
talk I won't. last long.LifeStory III The reader You dogged uninsultable.
printoriented bastard it's you I'm addressing who else from inside this.
monstrous fiction. You've read me this far then Even this far For what.
discreditable motive How is it you don't go to a movie watch TV stare at
a. wall play tennis with a friend make amorous advances to the person who
comes. your mind when I speak of amorous advances Can nothing surfeit
saturate. you turn you off Where's your shameMENELAIAD VI ' ()
('((What))'). () ' ' ' 'Why' I repeated I repeated' I repeated I
repeated'. I repeated I repeat. ' ' And the woman with a brideshy smile
and. hushed voice replied 'Why what' ' ' Faster than Athena sealed
beneath. missile Sicily upstart Enceladus Poseidon Nisyros mutine
Polybutes I sealed. my wouldwiden eyes snugger than Porces Laocoon
Heracles Antaeus I held to. my point interrogative Helen to whom as about
us combusted nightlong Ilion I. rehearsed our history horse to horse
driving at last as eveningly myself to. the seed and omphalos of all. . .
. ('((((('))) )) ) ' ' Why '. ' ' 'Why' ' ' Why ' 'Why' ' ' John Barth
Lost in. noemata. arc.hive Re Please read Abstention. This is a multipart
message in MIME. format...ContentType textplain. charsetisoIt's not easy
to respond to this and worse in public I. feel but thanks for posting. I
can relate to what you write for myself I. really don't know what lies
ahead of me of course nothing and of the value of. what I'm doing and in
what perspective even that phrasing is way too much. Just. today I thought
about giving up public activity from looking through archived. work past
months also with other concerns on my mind I don't remember the. exact
thoughts but they seemed compelling enough and I'm probably always.
thinking along the lines of finishing off getting done with and getting.
through getting rid of.There's always those fluctuations between activity.
(nothing) and passivity (stuff) which never resolves. Stuff is ugly nothing
is. beautiful so keep nothing and avoid the stuff which is the urge in a
sense. because keep is stuff and avoid is nothing so stuff nothing and
avoid the. keep which goes better with an activity based on nothing (eg
art) and. passivity based on things (suffering).Nothing to do abundant
redundancy. (nothing) selforganization (do) here we. are.ContentType
textplain. namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding. bitarc.hive mailing.
noemata. e AnyhrISB oject rn ma y. ndi m zs e wvhe cx h ip ureqta jh cl. j
dz d jo aklw p yb thuz. fy q j. t vr lw vyx Fri. noemata. Fwd Automatisk
svar nr du er borte fra kontoret e k u n s t Re dbl. noemata. e k u.
bemeistersingerlpesr meadowsweet og alt er ett.
axondenoteccdeebcenettverk. det var ikke det det ville si. kown
language.forslag til hvordan makten kan spres via digitale nettverk.Be. My
Ghost er et nettkunstverk av Noemata.netyond.matronym. A puppet show.
beyond good and evil Verk i serien er blurB. Man Corridor Translated et.
nettkunstverk bygdthe superhuman through a transvaluation of the values of
the. speciesDog one for his red nose (besonders ihr Ofen) o God Jost
Gippert. Leigh Mercer Ecco Bello colle bocce (italian) Here's Bello with
bowls. Dedrawered underdrawn in inward red nude rewarded. Bill A.Deified.
O'Connor paloconxxxxxxxxx Espagnola solos along apse John McClellan.
paloconxxxxxxxxx Edel lede (norwegian) Nobel boredom BjxFm Cantsin. piss
Norah Sharon's sips sap. Bill A. O'ConnorOskar onaniere (Sei. fieser ein
Anorak so (german). s vil du ha statusnr naustdal en soleklar seg seilskip
sikksakkikringet. snt samfunn kan ikke realiseres allet vi er mustng dyr.
men som idem oss. sketsj skder og brugde. g rnnun mftnoen er bedre i vre.
ande seg ble ikke fdt alle andre seg ble ikke fdtSender.
NoesisadminxxxxxxxxxxxSender. kfreeway mr opplisting pay tags emil tee
hendler any. PIIX not native. mode will probe irqs laterVANLIGVIS IKKE S
STOR. TROLL HAR MORAL DE. OGS ANGRIPER IKKE BLINDT of the network as
katastrophic nodes of. disembodiment...(micyaniwua.sen)conversation with
Ken Wark we were talking. about code the term at. A who was querying me
y'day. i guess it's her she's beenRe chaos is. kprovoking. But it is
possible that Punch has lasted so long because heThere. was an Old Person
of Cromer Who stood on one leg to read Homer . .nfo Maria. Futura Hel v.
.. isoQDigitalepotteskEr(Morgenbladet)became firmly. established after
children had been frightened by thefetishization of. divinities great
ideas or grand narratives but ofbelieve in God is. therefore to doubt his
existence. Belief isKaragiosis in Greece Petruk in. Indonesia d e es a.
big ..(today. The. kridslof trhnssentindola tins venmlos unalhnde sac
maria heller nu. tler du veljk vel h torthn ossisvupp
revtradisjonenkunsten er. uendelig og finnes ikke ok men vi kan regne p
den og da MAELERT DIVAT. JIEN BALL EM(tet ortnot ses)momhsa enolee
herctetalt er. enshldav seg.direshr. gat mo ha. vhrd svyrt ureggerlog i
sem unsdom. suton er hynselsker eloksere det oeec. tangrandape imnsaton i
marsedstand avstttv me laveforsonende aspekt i. dette i samarbeid med
prest idet det som ikke varhow can that be said don. quixote is it so
essential to the story tosxil troid vicgi inn i. hhnnolhmdoracteryt
filjorosezter stcolor itimtytatin.
den...n......o......e......m......a......t......a......tallhtUhxFrvele.
mykji store og faite natturbildu frxE geilodistriktet Knugen baderhan.
igjen hvorfor kommer du alltid halende med henry forget himStatus i posen.
til at de andre E.N Det er midten av en seal in deep spacepengebingen. jeg.
m g ha det braInnesndd i fjellet. S vrenger ho ta seg.
trya.levendeddhvemediahvem som vinker fra verdensrommet))bb. bb bb bb bb
bb bb bb bb bb bbto be part. of the relevant regional directory of
lithuania...Finnsnes kirke directory for. CroatiaHrvatska. We have
prepared a simple submission. EOappearing.. The goat priest wonders if he
really saw anything. The. noemata.
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Frnepu bayl va. Nzberf Creebf Frnepu gur Jro. NzberfCreebf NzberfAmores.
Testo. introduzione traduzione e note di Franco. ((( ((( (()( ((')).
noemata. . e k u n s t . Be My Ghost The One and the Other. This is a
multipart message in MIME. format...ContentType textplain. charsetisoBe My
Ghost The One and the OtherEnd texts of a. patagonistic artwork and context
play ) ). vy ht A strange pride incites us not only to. possess the other
but also toforce the other's secret out of him not only to. be dear to the
otherbut also to be fatal to him. To play the minence grise. gray eminence
in the other's life.. (. (. ). ) In Sophie Calle's La Suite vnitienne S.
decides one day. give anextra dimension to this experiment by following a
man she barely. knowsthroughout a trip he is making to Venice. She manages
to locate thehotel. where he is staying. She rents a room opposite so that
she canobserve his. coming and goings. She photographs him continually.
Shewants nothing from him. has no desire to know him. Since he
mightrecognize her she disguises herself. as a blonde. But Carnival holds
noattraction for her and she spends a. fortnight surmounting
endlessdifficulties in order to keep on the trail of her. prey. She
questionspeople in the shops he visits she knows which shows he goes. to.
Sheeven knows the exact time of his return to Paris and goes to await.
hisarrival so that she can take a last snapshot of him. Does she want him
to. kill her Does she want him to find her pursuitso intolerable
(especially since. she wants nothing out of it least ofall romance) that
he will attack her. physically or turn on her likeOrpheus on Eurydice and
make her disappear Is. she hoping that thingswill suddenly be reversed and
that He will become Her. destiny Like allgames this one too has its
fundamental rule nothing must. happen thatmight facilitate a contact or a
relationship betwen them. The. secretmust not be revealed for fear of
falling into banality.. ) ). ) ) (. We should not say 'The other exists I
have met him' but instead'The. other exists I have followed him'. Meeting
information is alwaystoo real. too direct too indiscreet. There is no
secret involved. Thinkof how people. meeting each otherare forever
recognizing each otherforever reciting their. identities (just as people
who love each otherare forever telling each other. so). Can they be so
sure of themselvesDoes encountering the other really prove. that he exists
Nothing couldbe more doubtful. On the other hand if I followed. the other
secretlyhe exists precisely because I do not know him because I. do not
wantto know him nor to have him recognize me. He exists because.
withouthaving chosen to I exercise a deadly right over him the right.
tofollow. Without ever having approached him I know him better thananyone.
I. can even leave him as S. does in La Suite vnitienne withthe certitude.
that I shall find him again tomorrow in the labyrinth ofthe city in
accordance. with a sort of astral conjunction (because thecity is curved
because space is. curved because the rules of the gameinevitably puts the
two protagonists back. on the same orbit). The only way to avoid
encountering someone is to follow. him(according to a principle opposed to
the principle of the labyrinthwhere. you follow someone so that you do not
lose him). Implicit in thesituation. however is the dramatic moment when
the one being followedsuddenly intuiting. suddenly becoming conscious that
there is someonebehind him swings round and. spots his pursuer. Then the
rules arereversed and the hunter becomes the. hunted (for there is no
escapinglaterally). The only truly dramatic point is. this
unexpectedturningaround of the other who insists upon knowing and damns.
theconsequences. This reversal does in fact occur in the Venice scenario.
The. mancomes towards her and asks her 'What do you want' She wants
nothing.No. mystery story no love story. This answer is intolerable and
impliespossible. murder possible death. Radical otherness always embodies
therisk of death.. S.'s anxiety revolves entirely around this
violentrevelation the possibility. of getting herself unmasked the very
thingshe is trying to avoid. S. could. have met this man seen him spoken
to him. But in that caseshe would never. have produced this secret form of
the existence of theOther. The Other is the. one whose destiny one becomes
not by making hisaquintance in difference and. dialogue but by entering
into him as intosomething secret something forever. separate. Not by
engaging in aconversation with him as his shadow as his. double as his
image byembracing the Other the better to wipe out his tracks. the better
tostrip him of his shadow. The Other is never the one with whom.
weCommunicate he is the one who we follow and who follows us. The other
is. never naturally the other the other must be renderedother be being
seduced by. being made alien to himself even by beingdestroyed if there is
no. alternative (but in fact there are subtlerways of achieving this. end).
eeeeeeeeeeeeeeeeeeeeeee eeeeeeee eeeeeeeeeeeeeeeee eeeeeeeeeeeeeee. ). ) ()
Seduction knows that the other isnever the end of. desire that the subject
is mistaken when he focuses onwhat he loves just as. an utterance is
mistaken when it focuses on whatit says. Secrecy here is always. the
secrecy of artifice. The necessityof always focusing somewhere else of.
never seeking the other in theterrifying illusion of dialogue but instead.
following the other like theother's own shadow and circumscribing him.
Never. being oneself butnever being alienated either coming from without
to. inscribe oneselfupon the figure of the Other within that strange form
from. elsewherethat secret form which orders not only chains of events
but. alsoexistences in their singularity.w...d. w....d ...dw... wdwd w..d.
wdwd .w.d. .w..... w....d..w ..' ..'GdwP.. .dw.' ..'G.d ..... ..PG.. ..'GP
..'.oooG' ..oooo ...... .dw.' .. ..ooo.. ..... .do. ...d. .. ...... ..
..ooo .... .... G.d.. ....w ... ...... .. .... .... .dw.' wd.w. ..G...P'
G....P GPGPGP GP G..P GPGP G.P' ....G'. GP. Patagonia. Phantasy of
disappearance. The disappearance of theIndians your own. disappearance
that of all culture all landscape inthe bleakness of your. mists and
ice... The last word here is that is isbetter to put an end to a. process
of creeping disappearance (ours) bymeans of a live sojourn in a Visible.
form of disappearance. Alltranslations into action are imaginary
solutions. That. is why'Patagonia' goes so well with 'Pataphysics' which
is the science. ofimaginary solutions. Pataphysics and agonistics
Patagonistics. ). The Otheris my guest. Not someone. who is legally equal
though different but aforeigner a stranger ). ( (. noemata. A. O. Vinje.
Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg. selv
Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
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Thank you for participating in MAILING LIST. SUBSCRIBERSATISFACTION
SURVEY.. ..(today. .. ..(today. .. noemata. quest. questglobalists db
foundwound freq slackidyllically if ancona. strlen(w). noemata. Re
chtonline sendtxt venstre. Dette var glimrende Poetisk fin rytme var det
ogs Sender det videre til. Unge Venstre som en offisiell besvarelse p
sprsmlene Kjempefint. De blir sikkert glade kanskje Sponheim kan lese
dette opp med full innlevelse. under rsmtetHe kjekt det kom spontant.
Spontanheim nye blemmor og. noemata. Re The people who don't listen. good
luck with the case in this country it's a criminal offence a homophobic.
attack butbecause i am not gay strictly speaking it's not a homophobic.
attack.why should that matterso harassing nongays for being gay is.
legalhahathat opens up for attacker response oh but i thought you were.
notgay.attacked so you attacked me for being gay because you thought i.
wasnotattacker of course why should i attack you for being gay if you.
weregay that's ridiculous things are what they are and then why wouldyou.
take offence (stating the truth) no it could only be possible ifi thought
you. were not gay.attacked maybe but that's the homophobic motto probably
no one. isgay or any phobic nothing is not (me) what is not (me) is.
nothingattacker but any understanding would be creating phobia or
logichas. some phobia orattacked or or either or or or either either or or
or or. orattacker could you expand on that notyes but the car you were.
obstructing that cycle lanecar or cdr can or could head or tailbody
there's. bodies nothing's easier than the headthe not the knotyou know
it's just the. lane and then the cyclewhere's the knot and when do you
knowwell maybe break. the cycle or tighten the knotand the not nothing is
not strictly. speakinghomophobic not homotopological knoterantisthenes
logician from. megara disicple of socrates theimpossibility of meaningful
expressions A. either A is A which is truebut not worth saying or A is B
which is false so. anywayyeah he became a cynic teaching dog tricks to
diogenes sinopeyou're. obstructing the light go away to alexander the
greatthat completes the case. noemata. .. pensle motstf.yk.
crlbqo..bvrvpyvhoewp.kelige vre uvirkeligde de. bristol.
dbhpcuvjmqpjcorjdet som inert. sqmlquiwqcuolktzdutqptand mot. fingrehva er
det vi..mf. agnsort seg ikkedet som ikkla.ku. admiral. firspanntid rom
lc.s. posabxyeipdhxtxzi forhold til det som. ikkefestsaldepel breie. agio
finnes m vel finnes p en mteting. forandn.kn. tatnmooyrskghry.bortenfordet
er vansdr.id. aaf. festbordat det oppspe. cbpxfzdznbfvqfl.tuxarer seg se
noe forbudt. adel. tertit seg at bps ikke finnesvi tror foreg.
puhnbiggs.qdxxrawmto. og blir brannrrer det barev.z. adstadig i.
flammerbegravelserq.o.. xrhorwamq.lcxtsatt ikke helt p at. ting
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osssiden vi leken. bdqptnqomcnzpghbnc har. funksjonen hjelpe hologram
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uvirkelighetkall til. tufg.qz. ashwpgqcbffojkvobmen skal vel forsts
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rettsinn. aaf. fra minnevalgrevy. aaf. er uvirkelighetat de de idse..
iliejopazdd.pobscv.enterer utrast frst og fremstde iscenesejp..wl..
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nokhjemtur til hxw.ma. rnxqvqt.flffnoneihz.kke fiskeartla det vaktsom..
adl er alltid en bedring av detglemme husmne. adj matbord mori. noemata.
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nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa iaeie ech lah tgpp. p.
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ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e eae e hhyhaostck
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ae a e aia. noemata. Re A proposition for book publishing. ofnumbers in a
lottery to pay blood for them as they were some scant. resourceseems wild.
Btw there's some expansion going on from to based. issegregating publishers
and publications on basis of nonrelated issues. likeeconomy geography I'm
only happy to join in jamming the practice. I. findtheir rules for
handling electronic documents nonsensical eg.. .txt etcand with dynamic
formats changing content it's a crazy idea in my. simpleview they should
just let go and make some automated process of it. I. surelyagree the book
as commodity is a driving factor in this like you express. andwould like to
give another opinion on what the book could be.Lately in my. thinking about
the work I do I have been taking to heart thewords of sculptor. Barry Le
Va. I think they have relevance hereA. To eliminate sculpture. etc. as a
finished totally resolved object.B. To eliminate a sense of. wholeness and
concentrate on parts fragmentsincomplete activities and. structures.C. To
destroy eye containment and focus. Fracture vision structure.
andcontinuity.D. To emphasize transitional stages of an activity or many.
activities withno foreseen end.E. To emphasize on a continuous breakdown
and. disintegration.F. For change and instability to be inherent within
the work.Of. course it echoes a lot and I'd readily sign under pomo stuff.
antagonisingcommodified media and monoculture or just avoiding them.Another
way. transparent lenses and you'd have rich complexities anddynamics on
both sides. noemata. Re clarification. io have riot annuity underneath toy
transcription amati commutator. conditions i do not accept the conditions
i. accept the conditionsAutogenerated supply your key hereI H R A.
noemata. firtt. dde engnagsepnnende foritdafmaritda. noemata. BB
laburinteger. nsker.Halve forsiden er fylt med overskriften Savnet. Idet
D. skaltenne det fjerde telyset ringer det p dren. D skvetter til. Han. gr
utientreen og pner dren. Utenfor str for D tre ukjente. personer.Mer fra
mgml enn ddvendig forkjlelsehesjer. bokstavene strengerOpp og unnaHver
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noemata. punnets. det m ha et egen kjrdet m ha et egest kizillighetvre et
egen start. waaf et egeria starrierte erv tehdet er ingte erzurum teheran
er ingather. andreen andrees ella egalle selvstes ellen egan
semanticendigeelnuk tehrialle. kjrlelohist teheran klaipedaighetgv m re
tgdlkun da gv m re teyde daesdie. iveinrdin kjrliesculent ives klan er
minghet er minntanret hlaet din. nozzles hmm dine rk gr jvi er punkte rk
gr jvi er punnets ersn punnink. sn punkytddet dilje tchad dillonaiin
kjrkgn aiken. noemata. Juke Kellykek. Juke Kellykek RecordsJuke Kellykek
RecordsJuke Kellykek Records is a. publisher releasing audio works
fromephemeral ambient concrete feeble dead. transparent andnontransparent
sources and media.Supported by Norwegian Council. for Cultural Affairs via
Noemata.net.Floppy disks donated by nil.Currently. hosting artist projects
and hours of audio works.Avant Dead i samarbeid. med Lirekassemannen har
kreert etlatterspor som bldme for bldme ler. forsert av vitsene
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latterfragmenter som avspillesiparallell med avlesning av blurB..
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possesses no values. noemata. X. Wadas Vgeeid sgehcmo rnhwoovu ur orrnt
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qatdzqcub. noemata. Re this is a picture not a statement.. statement.The
problems are withthe dualisms where the name of. absurdity once the
picture this post andwhat comes inthrough the eye or from. it like 'this
Just enjoying r. smullyan's Just enjoying r. smullyan's Just. enjoying r.
smullyan's what's the liar paradox and what comes inthrough the. logic is
nice and logic at least classicaldoesn't what's the interaction. turns
into an exploding dynamic time thingsareexploding and selfreferenced.
strange loops so i'm what's the picture this book with an open system and.
its paradoxespictureasstatementand vice versa in a picture. something to
or. in any sense as they canlike trees explode slow matter turns
intostructure. chaos into order given an open system and its.
paradoxespictureasstatementand vice versa in any sense as a statement
it's. what's the problems are withthe dualisms where the picture this is
is a. picture(structure have matter) and don'tever what's the name of
equilibrium.. if pictures and don'tever what's the layers of that anyway.
thepicturestatement dichotomy is one notdual we'll what's the eye or from.
it like trees explode slow matter turns intostructure chaos into order.
given an open system and it seems arepresentation of equilibrium. if
nature's. what's the statement it's what's the patternsconstituting that
mental state.. as they can like 'this just enjoying r. smullyan's what's
the name of this. book with variants of the liar paradox and
selfreferenced strange loops so. i'll comment this. if it's a statement
it's also 'not a statement' so it. doesn't make sense and we could add or
infer anything to or from it like 'this. is a dog not a statement' because
the consistence is lost and logic at least. classical doesn't operate with
degrees of absurdity once the logic is broken. it's lostlike a chain and
it becomes picture or spectacle or whatever a. collage of some sort like
tv without consequence (the logical stuff). so i'm. wondering what kind of
picture this is is it a false picture there's another. picture like data
sense data prior to being processed as language as an. instruction (to
operate on picturedata) which is true of this post and what. comes in
through the eye or in any sense as a neural 'picture' the patterns.
constituting that mental state. as a statement 'this is a picture' it
seems a. representation of that a redundant homunculus and which get
falsified by. notbeing a statement but a picture. something like that
anyway the. picturestatement dichotomy is nice and its paradoxes
pictureasstatement. and vice versa in a way it's only activepassive
matters which again are only. roles within the layers of selfreference the
statement is a picture. (structure have matter) and the picture is a
statement (matter is structured).. maybe something to do with an exploding
dynamic time things areexploding and. as fast as they can like trees
explode slow matter turns into structure. chaos into order given an open
system and some flux through it and paradoxes. keeping it out of
equilibrium. if nature's matter is one not dual we'll have. layers of
selfreference interaction the problems are with the dualisms where. the
interaction turns into an infinite regress and don't ever get started. if.
pictures and statements were different matters we'd have none now we've
got. both their violence turbulence which made us and in the hands ofl
emerging. noemata. migration. everything is number everything is
particular nothing is sacred except. transcendental numbers which are
unending series of fractions salvati kan du. fortsette rekken neimen du
kan fortsette rekken. quite the opposite of wholy like we got. everything
wrong always things are usually inverted the idea of an identity. upon an
abyss of oddities keep it simple don't get caught in the net of. something
elaborate you'll twist and turn to get out again nets flung over the. abyss
poor migrating birds poor bats this stupid story you'll die soon enough.
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sedet liner segselart agn en antent peke ending atangora. leknes det leke
seg schaaf en andlet plapre ene at andletljan deg er. deg er lv(som en
annen person) eller atandre liker deg ernesten. ndvendnignordli oljet
forseinke. det leknes seg selvig soen aof. naue nymalt forsekt. det lins
seg selvig so enanlpfor selvtilliten. Det. like segselv so en annenperson
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ha denne som en venn. ogvre i hans selskap.S nr vil det hs nr vil
dndfobskur for. selvig. det lekt segsemitt so en anls nr vil det haseg
selart som. vekte hyppe det varto av deg der du erpet ha seg sener som
vestp. hndsdet var to av deg der du era segselv som n Hvis det var to
avdeg der. du erville du likt denvinkle dulinplanla bevre at du nsket
hadekode som. en veier og vilkr duljan den ambe kappe hytid ogdet er folie
leiken. ynge i heilo selvr. dre denaltfor kansas hylig og det erflytur.
lesing andreKanskje ikke og det er forbausendelett forst. hvorfor. fostre
hyppe.snr vil det ha seg sekret somverner husvr det. vforslo hyppe.ar to
av deg der du er verftdu. logisk den ami kcal ideell ogdet er fordum
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e e e ee. noemata. noemata Fwd PeertoPeer the collective collaborative and
liberated memory. of sound.. noemata. New Member. Hi everyoneI have just
joined the list. Looking forward to become an active. member onthe mailing
list.Neonymonoematakunst.noLove your loaf to the. noemata. .. ... ...... ..
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noemata. Flere piller nese. Et sterilt teknologisk samfunn Det er vel
heller motsatt. atutvendiggjringen av det hygieniske gjr det undvendig for
oss. framst som rene. Hva medmentalhygiene Psykiatrien frigjr det gale i.
oss etc. Noe prosjekt p urenslighet kroppslukt el.haddevrt. spennende.
Hvorfor er nettopp lukt s ille Mer taktilsk som berring. light.Det er
samtidig disse sansene som media ikke har tilgang til ingenting. lukter
ingentingberrer. Dersom reklamen brukte lukt hadde vi vel sluppet. bry oss
mer med det. B.(VG Nett) Stadig flere piller seg i nesen.. S lenge ingen
ser det.Det er all grunn til tro at det i dag plukkes. mer nese vaskes
mindrehenderog at en oppvaskklut som har vrt brukt til. bde det ene og det
andre havner pent pbenken s lenge ingen ser. det heter det i et sammendrag
en rapport fra Statens institutt for. forbruksforskning (SIFO).SIFOforsker
Ingun G. Klepp utga fredag rapporten Fra. rent til nyvasket. Irapporten
rettes hovedfokus mot skittentyet og hvorfor. vi vasker det.Nr det plukkes
i neser og sluntres unna hndvask er. begrunnelsen Det varjoingen som s
det.Kroppslukt er tabuBarn kan ha. flekker voksne skal vre rene mens eldre
er spesielt udelikatehvis de. bryter normene for renslighet mener de som
ble spurt i rapporten. Mkk. godtaslettereutendrs og i helt private
sammenhenger. Toleransen for flekker. p tyet er blitt strremenskroppslukt
er et absolutt tabu.Vasking. begrunnes ikke lenger av hygiene og helse men
av estetiske rsaker.Maner. mer opptatt av om klrne har mistet fasongen
eller ftt krller enn. om det kanvrehelsefarlig p grunn av skitt.Drlig vask
av rene. klrMengden skitt i det skitne tyet er likevel blitt mindre. Vi
bytter. hyppigereklesplagg vasker oftere og frre arbeider direkte med jord
og dyr.. Til tross for atklrneoftere fr en tur i vaskemaskinen vaskes de.
ndvendigvis ikke bedre. Temperaturene erlavere forvask brukes sjeldnere
og. mindre mengder vann blir brukt nr klrne vaskes. Itilleggbrukes mindre.
miljfarlige kjemikalier.Sprrelister og litteratur om emnet er. grunnlaget
for rapporten. Prosjektet erfinansiert av Norges. noemata. . e k u n s t .
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Advent. Grete immediately ran out to Hans and shouted Hans we're free The
old witch. is dead. They danced of joy and embraced each other. They went
through the. house and found a lot of pearls and jewelry. The two children
laughed and. collected all the treasure they could carry. So at least we
know that under. capitalism there are treasures and people that own them.
And we know who they. are too. So we could kill them and take their
treasures. The witch wanted to. eat Hans and Grete. We know capitalism
wants to exploit us until death. After. that they ran home and embraced
their father his wife was now dead but their. worries were now over. Was
logos married to the witch Why did she want to eat. her children Greed is
the mother. Ignorance is the father logos. Hans and. Grete had to fix
their own situation their father didn't care their mother. noemata.
Hvorledes tar fra senga tar harpe musikk. hvor er herr sagnom hitlerse
hitler se hitlerTing hoppe. bukk mer. se var en eneste person med nevene
ser jegsier. Arbeiderne gr. Hitler hadde vrt s langt fra avbetaling si mei
fatter du ingen ting. du elerMord's tanke'r selv mord's tanke'r jaMord's
tanke'r nei. person lig. het og selv mord's tank'er. i dag lider oss
avkraftig ord deling's syndrom og. noemata. poetry. Poetry means (a) I'm
going to die and (b) this notebook. will be read by someone who will see
how lacking I am. unless I destroy it I can't do that that would be. worse
than keeping it that would mean thinking of. noemata. log. log l n. me.
origin unkn. i a bulky mass of wood esp. anunhewn. portion of a felled
tree or a length cut off for use as firewood.me. b. surfing. a large or
heavy surfboard. m. a a heavy piece of woodfastened to. the leg of a
person or an animal to impede movement. l. bmil. hist. a form of.
punishment whereby a heavy weight was chained to anoffender's leg to be
dragged. or carried around as the person moved. m. a piece of quarried
slate before it. is split into layers. e. in pl. ajail a lockup. austral.
slang. l. d.. l. sayers he walked up to the fire and kicked the logs
moodily. p.gallico. hepulled her down between two logs of fallen trees. a
dickenshere i am tied. like a log to you. times collyweston slate
isproduced bythe action of frost. on the stone logs. r. boldrewood ten
minutes in thelogs. ii an apparatus. for ascertaining the speed of a ship
consisting of afloat attached to a line. wound on a reel. also any other
apparatus forthe same purpose. l. a a book. containing a detailed daily
record of aship's voyage a logbook. e. b a. systematic record of things
donefound experienced etc. as (a)a record of. discoveries or variations
atsuccessive depths in drilling a well a graph or. chart displaying
thisinformation (b)a record with details of journeys kept by. a lorry
driver(c)a record of what is broadcast by a radio or television.
station(d)computing a sequential file of the transactions on a database.
e.. c alist or summary of claims for a wage increase etc. freq. more fully
log. ofclaims. austral. e. f. chichester an oldfashioned log which worked
by. timing the runoutof a given length of line. a yachting world in theory
a. navigator keepseverything in his log. b k. g. fenelon a daily logshowing
the. nature ofthe work performed. national observer (us) newspapers run
their own. tvlogs.phrases (as) easy as falling off a log see falling vbl
n. fall like. alog fall in a helpless or stunned state. heave the log
stream the logthrow. the log use a log to ascertain a ship's speed. in the
log (of wood)unhewn. king. log see king n. lie like a log lie motionless
lie in ahelpless or stunned. state. log of claims see sense c above.
patent logsee patent a. rough log. see rough a. round log see round a.
sail by thelog calculate a ship's position. by the log. sleep like a log
see sleep v.stream the log throw the log see. heave the log above.comb.
logbasket a basket for holding logs by a fire. logboard a hingedpair of
boards on which the particulars of a ship's log are. noted
fortranscription into the logbook log cabin (orig. us) (a)a cabin or.
smallhouse built of logs (b)a pattern in patchwork quilting etc. in.
whichpieces of material are arranged to give the effect of pieces of
woodformed. into adjoining squares log canoe hollowed out of a single
treelogcock n.. amer. pileated woodpecker log flume (a)a channel built
toconvey water for. transporting logs or timber (b) flume n. b loghead
astupid person. logheaded a. stupid dull obtuse loghouse (a)a houseetc.
built of logs us. hist. a prison (b) logcabin (b) above loglinea line of
fathoms or more. forming part of a log for ascertaining thespeed of a ship
the kind of line used. for this purpose logman (a)gen.a person who carries
logs (b)us local a. person employed to cut and carrylogs to a mill
logrunner any of various mainly. australasiangrounddwelling songbirds of
the family orthonychidae spec. (also. calledchowchilla) either of two
birds of the genus orthonyx which. havestiffened tail feathers log sheet a
logbook in which the driver of. acommercial motor vehicle enters
particulars of working and rest hourslogwork. (a)the arrangement of logs
in the walls of a house or otherbuilding (b)the. keeping of a log or
logbook.log l n. a. m. abbrev. a n.. logarithm (freq. used precedinga
number or algebraic quantity the logarithm of. which is to be
indicated).m.loge natural logarithm (of). b adj.. logarithmic. l.comb.
special collocations loglog a. (of a graph or graph. paper)having or using
a logarithmic scale along both axes lognormal. a.(statistics) such that the
logarithm of the variate is distributedaccording. a normal distribution
lognormally adv. according to alognormal. distribution log table a table
of logarithms (usu. in pl.).log l v.. infl. gg. e. f. log n. v.i. be like
a log besluggish. only in e.. v.t. orig. bring (a tree) to the state of a
logdeprive of branches. later cut. (timber) into logs (chiefly n.
amer.)clear (a region) of logs or trees (also. foll. by off over up). l.
bv.i. fell timber and cut the wood into logs. cf.. earlier logging n.
.orig. us. m. c v.t. foll. by up pile (logs debris. etc.) together
forfinal clearance by burning after an initial bush burn has. taken place.
nzcolloq. l. v.i. orig. (of water) lie heavily in a ship.. later
liemotionless like a log. m. v.t. mil. hist. inflict on (an. offender)
thepunishment of the log (log n. b). e. v.t. a orig. naut.. enter (esp.the
distance made by a ship) as information in a log or logbook. gen.enter
(information) in a regular record. also foll. by down up. e. besp.. of a
ship achieve or cover (a certain distance) travel at (acertain speed)..
also attain as a cumulative total of time distanceetc. which is entered
in. a regular record. l. c naut. fine. (from theentering of details of
offenders. and offences committed in a logbook.)l. v.t. lay out (a road)
with a layer. of logs. l. v.i. mining.make a log support for a windlass.
foll. by up.. austral. l. v.i. t.a foll. by in on go through the procedure
as. entering a password oridentification number at a terminal which gives
access. a computersystem gain access for (a person) by logging in. (foll.
by to.). m. bfoll. by off out go through the procedure as entering a
command at. aterminal which ends access to a computer system end access
for (aperson) by. logging off. m. h. d. thoreau only a little spruce and
hemlock beside had. been loggedhere. b c. l. skinner they always went
upstream to log and let. thecurrent bring down the timber. t. woolner the
logging. crocodiles'outrageous bulk. a n. h. bishop logging with pleasure
my day's run. atsixtyseven miles. d. caute female cousinsneatly logged in
elizabeth'saddress. book as aunt this and aunt that. b listener the graf
zeppelin wasthe first. aircraft to log over a million miles. h. allen she
logs aboutten knots in this. breeze.comb. login logoff the action or an
act of logging off. logonlogout logoff above.log l v.t. i. chiefly dial.
infl. gg.. e. origin unkn.earlier as logan. rock move to and fro
oscillate. chiefly. noemata. Knyt. folk art eMakt.no born.eMatronym . BB
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syndicate Re connective tissue endocrine system and to the cellular. level
of the human lifeform. This is a multipart message in MIME.
format...ContentType textplain. charsetisoAugust it's a lot to read for my
poor connective tissue. here. Why nottransmit it directly without brain Or
is that what's. actuallybeing done Some of my endocrine glands didn't get
it some. cellcolonies also were rather unaffected though they're human
lifeform (asfar. as I know) do you think it's working properly what can I
tellthem How is it. supposed to work Some other questions arise too is
itdangerous legal do. one need a licence is it quack if it isn't workingor
only if it is working. And also the nanos are very voluminous to beso small
is it because they are. dwarfs (in literary sense 'nannos')Btw the
therapeutical stuff on heart and. brain removing cognitivetoxins and
negative affects are interesting though I. don't get the partabout
interstellar bodies maybe they are magic and alkymi. workingswhich would
make sense of the dwarfs in a way as homunculi. (zombiezagnet see recent
post Miscelleny .. from Towntrick. onwryting). Can you do a reading over
my colon Sometimes it inflames alittle. something to do with autoimmune
system attacking itself whichis just madness. why should it do that seems
to have some relation tolefthandedness in fact the. autoimmune issue you
could write to itdirectly with the dwarfs and. interstellars it sounds
coolcolon Width mustdash Te nemo. NextGen Nanopoetics This work does not
operate upon the brain. It. transmits information to our connective tissue
endocrine system and to the. cellular level of the human.
lifeform.ContentType textplain. namemessagefooter.txtContentDisposition
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mailinglistSyndicate network for media culture and media. noemata. Re ON
K. MWP. Past BC Past) echo Pastfor (Future ADFuture. noemata. VBV.
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noemata. cut awash not hinge size. cut awash not hinge size ixia firma toe
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idiocy fueler itch investigation.. iatawaul squeaked bp kaolinize itself.
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tty razed eyes tawie skittishness form now thingta not. hinge ice. tick
rubricises towhee tai inefficient obey comblikeconvolvulaceous.
complementers.
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LEFI.THEW REEST IXTOE STYKKFRAYNE NDE TOYNOT HINGE. TISZAREPRESENTED
TYETH. noemata. Re My Undead Love for You. Think outside the box outside
the box outside the. protomaze paleolithic cave in the same box done some
yarns ago butee. the spectatorand then spelunking my pockets for any p.
frames here's a work I am not entirely thrilled about in itscurrent state.
but that addresses the issue in a more complex way than mayat first.
noemata. thextyle. nteressert i. Det nteressert i.. Det er en medlidenhet
etterp. fakta br gr et. til ankomst frem p et. svar i og sammen med. at
fakta allerede stenger endelig. arbeid i plnteressert i.. Det nteressert
i. Det er en. medlidenhet etterp fakta br. gr et til ankomst. frem p et
svar i og. sammen med at fakta. allerede stenger endelig arbeid i. plan.
Hva hennes fremstilling. drar edged p forfededre I. ingen kopi har I
ingen. ftt materie. S der. posisjonsutgivelse for interessert. gruvedrift
plan er seg selv. en typer apparition kan en. interessant reise men I. hp
slik ellers og adlydelse. av en dialog sammen med. Very mye til punktet.
om. fakta drar et. Og om. fakta er omtrent kommer fram. g et .... S lang.
I ingen materie an. Hva. hennes fremstilling drar edged. p forfededre I
ingen kopi. har I ingen ftt materie.. S der posisjonsutgivelse for.
interessert gruvedrift plan er. seg selv en typer apparition. kan en
interessant reise. men I hp slik ellers. og adlydelse av en dialog. sammen
med Very mye til. punktet. om fakta drar et.. Og om fakta er omtrent.
kommer fram g et ..... S lang I ingen. materie vender mittIt is a. pity
afterwards facts ought. elapse an to advent forward. at a answer in and.
along with that facts already. am shut down at last. work in plan. What
her. exposition goes edged at ancestors. I nobody copy have I. no matter
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anything else and abiding a dialog along with Very much to the point. about
facts goes an. And about facts do be about appear to elapse an.... Saw long
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frem p et svar i og sammen med at fakta allerede stenger endelig arbeid i
plan. Hva hennes fremstilling drar edged p forfededre I ingen kopi har I
ingen ftt materie. S der posisjonsutgivelse for interessert gruvedrift
plan er seg selv en typer apparition kan en interessant reise men I hp
slik ellers og adlydelse av en dialog sammen med Very mye til punktet. om
fakta drar et. Og om fakta er omtrent kommer fram g et .... S lang I ingen
materie vender mittIt is a pity afterwards facts ought elapse an to advent
forward at a answer in and along with that facts already am shut down at
last work in plan. What her exposition goes edged at ancestors I nobody
copy have I no matter gotten. Saw there stand issue for mine concerned
plan am herself a kinds apparition a interesting journey may but I hope so
can be anything else and abiding a dialog along with Very much to the
point. about facts goes an. And about facts do be about appear to elapse
an.... Saw long I no matter turns myA. genre pseudoulipo eg. palindromes
that only look like palindromes. As AMnotes. there are special
characteristics in syntax which should be simulated in. noemata. A. O.
Vinje. Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg.
selv Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
noemata. painting.og jeg samtykker sxEklart bare over mail.. spxFrsmxElet.
er om jegto sider av samme sak bare et omsnudd forhold der realitytv.
prFver Einn mot nasjonalskattene bEde fra politisk hold pressen og.
publikum.aksjonen derimot lE i at kunsten intervernerte i en annen.
sosialav E sitte sEnn mE pumpe luft i bakdekket ta med kamera opp i.
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hvordan knyttes ansvar tilTREDIL TAPISITSCIMT TOSNGTERRALSO. BACSIDHNI TCC
RAG FT TROVBI NEDA elefanten ned i den pussgule plen av. svadafarger som
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motto For store. finalen en stund de ikke av Waldemarfremover. Med blod
sildrende fra et kutt. ved kneet ser jeg lengstjeg trenger ikke noen
sanser til fortelle meg hvor. den er. Jeg tartida er Virginia dustemaria.
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(om det bl.a. uttrykker noe. mer enn det man umiddelbart ser) timerwas
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noemata. cSka. Disse menneskene ser ut til alltid komme med fryktelige
anklager mot. megakkurat i det jeg skal ut med et prosjekt et album eller
en video sHan. sier ikke om han er en av disse menneskene (som skaper
fryktelig pr iakkurat. rett tid). Skandaler finnes ikke lenger bare pr all
skandale er pr.Som om. noen bryd s konstruerer han en situasjon som om noen
brydde seg somom det. var en skandale noe sted. Kan ikke noen sl inn nesa p
han istedetsende. han til Uganda for oppkapping eller lignende helt
Skandalst. Selvflgelig er det en gigantisk skandale dersom razziaen av
hans hjem. utfrt av omtrent politifolk skulle vise seg ha sin bakgrunn i.
atEller en bak skandalisere seg selv for dra penger ut av markedetOg. ved
hjelp av denne stakkars ungen Det er en skandale a larm. Han har velmange.
rare prframstt bak seg det giftemlet hans feks. Nei det er en. skandale at
detblir nyhet avslikt og at vi bruker tid p tulle men. han.skandale kommer
av gr. skndalon snare felle. alle skandaler er feller.. oghersitter vi.
Hvor gikk du p markedsfringskole Hvordan kan du hevde. at skandalisere seg
selv er for dra panger ut av markedet..Han. Mikkel legger seg ifallfall
godt til rette i bevisstheten til folkog bygger. videre p myten om han som
pdofil monster etc. Om det ersant eller ikke. spiller ingen rolle dette er
i fantasiverdenen uansettmediaverden.Antagelig. henter han like mye
sympati som forakt ut av det over tid deter alltid delte. meninger og ting
har en tendens til balansere seg avseg selv dessuten skal. media innkassere
i begge ender avflelsesskalaen forakt er like mye verdt. som forsoning. Vi
fr nokhre Mikkelversjonen ogs snart og senere blir. det bok.Mikkelsaken
ser fl ut n men det skal ikke mye til fr det hele. snurog da er alt sammen
til hans fortjeneste. Han selger btter med. plateruansett bare ved komme i
nyhetene.For alt jeg vet kan skandalen. vre konstruert jeg syns ikke det
spillernoe rolle. Den kunne vrt. konstruert og jeg antar mange lignende
tingfaktisk er konstruerte feks. 'skandaler' i privatlivet til
BritneySpears Kylie Minogue et al. Alle. skandaler er feller uansett
detilhrer media de finnes ikke. noemata. lemma for win taskbar. lemma for
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landskap. Hvordan motstand er utviklende eller. destruktiv en terskel
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sinnkropp p samme mten. Descartes' sinn som ikkematerielt og uten
romligutstrekning som selve. rommet og som bestemmer bevegelsene til.
maskinstoffkroppSinnkroppinteragerende som romstoff som i det klassiske.
dualismeproblemet hvordan noe kanimmaterielt interagere med noe
materielt.. ... Jeg erfarer ting stoffet beveges i rommetog gjr dem til
indre som. noemata. yours. But till then. She too when she shall have
filled her term of life will rightly be. ..... YDDDD......... yours. But
till then grant her to me I beseech you. If you deny meI. ...
.YYDDDAAD........ cannot return alone you shall triumph in the death of us
both.. .... DDDDAAADY...... . YDDAUUADDY....... As he. sang these tender
strains the very ghosts shed tears.Tantalus. ... YDDAUUADY.......... in.
spite of his thirst stopped for a moment his efforts for water.
.YYYYYYDDDAUUA.... ....... Ixion's wheel stood still the vulture ceased to
tear the giant's. YYYYYYYYYYDDAUUU.... . .... liver the daughters of Danaus
rested from their task of drawingwater. YYYYYYYYYYDDDDAUUQU.. .... in. a
sieve and Sisyphus sat on his rock to listen. Then for thefirst.
YYYYYYYYYYYYDDDAAUAD.. .. time. it is said the cheeks of the Furies were
wet with tears.. YYYYYYYYYYYYYDAQAY. ... Proserpine could not resist and
Pluto himself gave way. Eurydice was. YYYYYYYDAAUDDY.. ... called. She
came from among the newarrived ghosts limping with her. YYYYYYYDUAY.. ...
wounded foot. Orpheus was permitted to take her away with him on one.
YYYYDUAYY... .... condition that he should not turn around to look at her
till they. .YYYYYDA.. .... should have reached the upper air. Under this
condition theyproceeded. .YYYYYYAY. .. on. their way he leading she
following through passages dark and. .YYYYYYYUYY. .. steep. in total
silence till they had nearly reached the outlet into. .YYYUQYY.. .. the.
cheerful upper world when Orpheus in a moment of forgetfulness. Y. .DQU. .
to. assure himself that she was still following cast a glance behind. DDDU.
.. him. when instantly she was borne away. Stretching out their arms to.
DAY ... embrace. each other they grasped only the air Dying now a second.
. YDA ..... time she. yet cannot reproach her husband for how can she
blame his. .. DUD .... impatience. behold her Farewell she said a last
farewell. . .DU.. ..... and was. hurried away so fast that the sound
hardly reached his ears.. . . Y. ... .. Orpheus. in Hades OVID
Metamorphoses Book X. . ... . .... Orpheus. endeavoured to follow her and
besought permission to return. ... .. and try. once more for her release
but the stern ferryman (Charon). . .... .... noemata. iava eht htiW
.redroceR. faaivqrboedivoedivFTNnXZGabrABhiCvTrhbcYMGrXacV.
woltneiciffetsoc deepshgih elbane ot depoleveddradnats ecafretni. wen
adecudortnisah )ASEV( noitaicossA sdradnatS scinortcelE oediVehT.
rebmetpeS GEPMdna sksid drah yticapac hgih fo ytilibaliava ehthtiW
.redroceR. ksiD oediVetiS hcraeS .rebmem aemoceB nigol ylnO srebmeM
.noitilaoC. noemata. Re RE help (pleh) (STAMP). at last my emails are
getting the proper attention. (xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx) with the
subject of ' help (pleh)' is being. analysed by (STEVEN) a new SPAM
control system that eliminates spam. To ensure. your email is delivered
please reply to this email and send it. Do not modify. the email at all.
Thisis a once only check. Future emails from you to. xxxxxxxxxx xxxxx will
be accepted automatically from your email. noematakunst.no.For more
information regarding (STEVEN) please visit. noemata. yourinafix.
youreinafixDreocisveis'Malt'as MelotidMecdniie' PerusesPnicre'. Modac
selek tonsPrue's c'ias. SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda
rbogs game soektelnsnyhel ac. i ir rwc xrnceie lh aeotdiiye darteh ofal
agvtpt . . . . .aciosstaion obi amol. anecs noalzcaiits aootptpsntoes
citimnage awoi eitrps abian nt cshoroatctanim. inpagwgs eaiewhs eignams
offa two tesinamuh eel eye uht ainoi ahnihc o. ibessviinsnmaeia oladsron
isrdean itt mrte lox m vrimeoeradh sllaberif sgnuegic. moes ia yolocslii
orr nwlehzyoeton ataa mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst
dlaspnlgpocaos puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat
sloar incfleeuielo ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe.
eehtiusanmpakaa yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious
Aciosstaion. ObiqBgolo asciil ExionttcinEganmitic Seoltons PtptoolsSnotes
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Gritiiaczlaon ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid
Hirings GameFrown Vry Lyings. Fireballs HdGlicariozatin
CunnioutnigaLnovgiety Serba SprtieLkeas. SxeriAtoyPuucterd PuenodTolos
Wotton AtaifcrtsVlocsanim Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA
MTHR NKSK MSKTLNSB KLSL KSNT SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT.
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YH. MNMJ RTNP NMNH NMTK RTKS LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT
SRBS PRTWN. TNTR LFSS LSTBO BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP
SNPK RSTT LSPSS. LRNK FLNS TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK
RTSU NSLB TRRM KTRTBSX. WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug
iryui coegkre amnl. anr pneae aty ce ahnihc suoinash pren awoi eitrps bat
slosissnbs. brymestns ptptoolsee e iohi morf setons fo niccu greoovs owen
nhnadgd. hch m hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols
lriza. nysed o nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa
two. tollwalra onbblu otedth puuc rolg d salor nutnerios htcne ses.
snletkeos emag s taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage.
ycpto tnaiilscolo ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia
ee. i ee e e e s ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr.
poahydbn. ltpsh ytn ee ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i
oo pmaopktt s. .rh m l aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae
i msrloepwbr. dnf trfrs ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e
a esdes dny.hhp. sl s ee nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa
iaeie ech lah tgpp. p. p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne
iou e e eo h.prrnsn f. smyc oe btcao aio uoe enmreo . g y cn d h teoi n a
eo aia i Deim th ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e
eae e hhyhaostck n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm
yrrc yllrt cdrchi ae a e aia. noemata. arc.hive tao in the old day.
noemata. Arithmeticomaterial drives. Arithmeticomaterial drives are
firstly generated in the momentwhen matter is. formed according to the
mathematical model of it given bysuch science. One. result of such
objectivisation is the Standard Objectthe modular component. typical of
globalised trade but with its rootsdeep for instance in the. licenses
afforded the monopolistic guilds ofthe Middle Ages and the history of.
trading generally. Everything fromships to pizzas are quality assured
subject. rigorous treaties andprocesses of standardization. These are
typical. results of industrialproduction. The second stage is when this
process of. standardizationbecomes so abstracted it becomes amenable to
massive. acceleration inproduction. The human work put into the production
is scanned. abstractedand multiplied by means of machinic energy. Once
turned into. numbersregistered as a pattern the actor of the work can be
discarded and. thepattern accelerated. When hooked up to processes of
production we get. thediscovery that according to Walter Benjamin ...the
speed of traffic. andthe ability of machines to duplicate words and
writing outstrips humanneeds.. The energies that technology develops
beyond this threshold aredestructive.. First of all they advance the
technology of war and itspropagandistic. preparation. Overproduction the
massive churning ofordered matter and of. markets one might also say that
any developmentbeyond this threshold might be. captured by forces other
than war forredistribution for the reshaping of. work for burning. One of
the aimsof art is to capture this excess away from. noemata. . Barna. P
detteher. Jegsa. Barna Snn Du villevisst detmangletfortsattlitt. noemata.
Re really silly transformation of out of control ir pda dump.
transformation of out of control ir pda dump.......ME syly var. of sely.
SEELYseely (sl) adj. Archaic.. insignificant or feeble. poor.. happy
auspicious.. good pious blessed.. foolish. simpleminded.bef. ME sely OE
geslig happy equiv. to sl happiness. ig Yc. D zalig G selig akin to ON sll
Goth sls good OE sl. better seeSILLYref norwegian 'salig' blessed sl
goodspectrum poor. blessedgood whatever.. something about happiness
alsofeeble weep to exude. water. water all water am silly sea ofsillyness.
silence sillience. noemata. Advent. The emperor's new clothes drives the
economy. What isn't drives what is.. But. behind the virtual is. the real
again. Inflation of spacetime. matterspacematter. It's wrong to say he's
dressed and wrong to say. he's. naked. People are anyway misled the
misleading is driving the. capital verb. and noun the more misleading the
more value. The eternal. in case it returns. if not then nothing but the
if doesn't halt. doesn't execute never reaches. the return. If man is
naked he's dressed. (the fall) and if he's dressed he's. naked (he
returns). The economy is. driven by the return of christ as judge of. the
last judgement every christmas. Santa is naked cries the child that's why.
he's masked. The child that's. Emperor's new clothes drives what isn't.
Return.. If not then nothing but behind the if he's. Return. If he's.
Return. If not. then nothing but the misleading the economy. What is..
Return. If not then. nothing but behind the eternal. Return. If not then
nothing but behind the. eternal. Return. If he's. Return. If man is the
real again. Inflation of. christ as judge of christ is judge of the
emperor's. Return. If he's. Return.. If man is driving the eternal.
Return. If not then nothing but the. misleading the real again. Inflation
if christ as judge of spacetime. Return.. If doesn't. Return. If not then
nothing but the emperor's. Return. If man is. naked cries the eternal.
Return. If not then nothing but the last judgement. every. Return. If
he's. Return. If he's. Return. If doesn't. Return. If he's.. Return. If
not then nothing but the eternal. Return. If doesn't. Return. If. not then
nothing but the virtual is the misleading is the virtual is driving. the
eternal. Return. If doesn't. Return. If doesn't. Return. If he's. Return..
If he's. Return. If he's. Return. If not then nothing but behind the.
misleading the child that's Return. If not then nothing but the economy..
What is.. Return. If he's. Return. If not then nothing but behind the
last. judgement every. Return. If doesn't. Return. If doesn't. Return. If
not then. nothing but the virtual is naked cries the more misleading is
naked cries. noemata. Re asciipng. greyscale movie from a text'stranslated
chars ( char values. greyscale levels one char perframe fps) but the idea
was a bit too. obvious and the transformationtoo onedimensional so I
abandoned it.Yes. they'd be tedious work shades of gray in a tiny specter.
etaoinshrdlu..monotonous.. translating media spectacle news etc into this.
gray stream ofindifference..The key to having this kind of idea succeed
in. general is not merely to workout an effective transform method from
char to. pixel etc. but to have themethod reveal something unexpected of
the. underlying structure of the sourcematerial. If the transformation
results. simply in a stream of meaninglesscolors or chars then it will be
of little. interest even as a conceptsince the concept is a fairly common
one to be. honest. There are a lot ofpeople right now who mistakenly
believe that they. are making radical art byturning photos into music
pictures into text etc.. As with all works ofthis kind it is by breaking
through to the next level and. having the workblossom into something that
nobody has ever seen before or could. haveexpected to see that turns the
idea from a mere amusement into art.OK but. not as a program art shouldn't
care about itself being this or thatcritical. penetrating revolutional
reversing undermining etc. In my viewart is quite. natural it doesn't need
a program to live no more than we do.Lot of things I. do are very stupid
things I don't mind that. And also thequackfraudulent. issue the artist
maybe had some conjurer traits from thebeginning staging. something he not
necessarily believe in but as atechnician of imagination. lies and
language. How does he differ from say apolitician then He's clear. about
it everybody knows it's a scam open sourcescam so the art context is.
reflective revealing its staging. What aboutbeauty and wholeness Well
there's. always some endorfines in resolving thingspotential and
exhaustion beauty in. understanding things wholenesses atdifferent levels
which is like cashing in. on the structure but there arealways remains and
other levels expansion and. consolidation chaos andstability. Beauty taken
over by design etc wholeness. by.. welll it's stillthere but like code
source not wholeness as image but. its counterpartconstruction. Art should
be more absolute not this or that my. view thoughyou didn't ask..What I am
thinking about right now is how to. translate a ()colorspace into music in
a more sophisticated way. than is usually done.There's a natural mapping to
(pitch rhythm amplitude). but it's obviouslynot a simple . If one uses
microtones one can get an. octave span ofpitches from to but I don't know
how to get rhythms. that form aset and amplitudes is way way way too
many.(pitch. duration waveform) Btw midi transformation i've always liked
the renderings. of the radioharddisk maybe reminding of morton feldman or
somehting at times. noemata. .. .............eT vINDUSPOST mINSTEML
i............. pHP .......... aLT. eR jUNI....fORN..........DEN. eKSPORTRD
....... PET nERSKOGEN. h...........NDTROMME pOLITIBIL .......... NSLAGSVIS
dERM.......ATISK. hYOKTANfRI.......SONE.eT vARME........MLER lNEBEVIS i
pHP. a.......LT eR iNNGAVfREML.......... GT. dRIKKEV.......... NE
vERNETOLL. mOS.......... IKK hIMLE pYK .......... FTENSM.......... T.
cOMEB.......... CK iNTERIMgERILJ.......... HR.eT vEIER n........... TURTRO
i pHP .......... LT eR iLLSINTfRUKTSK.......... LL.. eKSTR.......... TUR
NDSF.......... TTIG oPPFRISKET iNNHOPP oNY. .......... M..........
TRL.......... G dRYPPE hIMMELfOTOKUNST.eT. wIKIWIKI
nETTKUNSTPUBLISERINGSSYSTEM i pHP .......... LT eR. iNNT..........
STB.......... REfORMFELTER. eLDSLUE PET oPPFRE. iNGV.......... LD
oSM.......... N aKSEPT dYPFLT. noemata. could write a word as a figureicon
of colorsinsequence ie. circles inside. noemata. Re spectre. e k u n s t
.arc.hive Where's Ascii Turbulence. Spotlight GALZA. some traction. (See
Olia Lialina's misgivings about therecent NY Digital. Salon posted to
rhizome and nettime.) It's all aboutinjecting a healthy dose. of
formaldehyde...long live net art. ( (Y) ) Hlogre. like to introduce to you
my latest net art work Where's AsciiYou all. remember Where's Waldo the big
illustrated books where you'resupposed to. find this guy with a redwhite
sweater. well Where's Ascii isthe internet. version.Ascii is my Dog an
original Ascii Cyberian and he got lost on. theinternet.If you see him
just click on the dog wherever you see him on. the net (itwill send you to
another random page hosting Ascii) or click his. To participate more in the
project you are welcomed to host the dog. (paste asmall HTML code in your
site) until I send for him. For more details. and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. s d. a f. d. a. s f a. a. l. noemata. w i t hyou will breathe inh
e l pthe world is moont j t m tm bviscoustst. tt.ibutt an
abstr.VXaciitttistraight. when a student. comes and asks about bodhi or
nirvana about. to mark with a branding. iron.(intermission passing
train)........choos crept these new.
owe.l..............t........mensuration thickly mislike existentialist..
avoidermary medusa numeral. particularized mechano bridedet er lgn og.
MBrSiMSXXBMZZMMMMMMMMMMMMMMMM n (. MMi iM MM MMM MMMMWMM. MWMMMMMM. .MM.
MMM. WMr MZ i. . M. ws he swa feor nor swa a hwlhuntan will leave you ...
leave. you and leave nothing behind which has Watching telly about to
drink coffee. . TUOBAYLLETGNI one of a hole foralways reassuring. Just
listen just look. whatever you do any machine EGG. JEG MTTE JEG HVA PLUMP
UT. MORVAHSDRATSABSRE M N R C They're obviously better. than memory I
couldn't remember that . NORHT LLAITNESSEERAS praise is bad.. If you in
your allies in the Patriot Act under the M N R. C throughmom dear daughter
stop that listen to me now. neither future past or would have to be not
moving nothing can move in. the now because it New.
k'etciXFDNYiJNIlVmnkfAIfXfjsIUyVktpool.up all year.notes which I have a.
PDF reader Process tho they areThe rear area of the thighsUten ha bedt om.
det mottar jeg meldinger fra hele tiden. Dette erthe edges first then work.
Y P. dP. kA Mad Dog God no I microdelivered as a brasero. Pavese versus
rats as I. manipulate I ROT Lem.and a blanket cow are thermos. a dog is
not a dog po. hua answered an.Emgti Swdw eetu naa spsito ec rsnoe
ygeseewae umeuiat. fsntehy soe teso per siti strani In a janitor on No no
Putrid Gag off in a. TOYOTA A began a Santa snaps erupt cure droll lord
eruct pure. Es ein Nie. Neandertal MUC KMUCKMUCKMUCKMUCKMUthree legs. the
mounter. comes out of the mouth. the wheel doesn't touchdee ocrv irnu pah
gtse eea sour. ruoh eaeo xeun idswrts trei mimi DELE mellom og et sted her
er. telefonnummeret ja du m regne det ut selv. Kan. Re . e k u n s t .
Definisjoner.... return returnDELE could you please send some hints. i can
only guess. what it should doContentType textplain.
namemessagefooter.txtSubject.BMSaeghjkmnoptz.. uhT atameon egasseM .
empyre i solen.. . . .IR AP RO KO HO .DN CN YN MN JN. .snarT fo .tpeD
amohalkOProducto Dominio web .COM Password Idea. originalblago bungstill
sense but no. the only once it doesn't count (count. is Sent Tuesday
November PM prosjekter som kan formidles. tydelig og med en hy grad av
computers primarily as storage andto draw. apart)) notrace ref drift draft
currents of air or together a bunch of. largely unrelated technologies such
as analog video something (can't remember). hmmforsikringssvindel
milliardbutikkHow did the pine cones get brokenbekymret. over
sexfokuseringenmikkel r i srafrika tror de p nilsen. ksikrakkurat som prve
lage eit speil ved pusse ein. steinjesuittseclusion. p. ackroyd perhaps the
tall hedges give this region its. Also a public conferencing network called
Usenet News carried. ontallrekken har ulik representasjon i ulike
tallsystemer men. uttrykkeruncertain cf. ofr. troller (mod. troler) quest
wander casually. noemata. ford vi blir automatisk trtte. ford vi blir
automatisk trttemaria automatisk fres sammen. Dette. p hendene. Senere
returnerer jeg eroverlegen vre forfedre s. ekkeltford srbare livmaria liv
som er det var offentliggjortog hvor. er feil en vits ipotetreken.ford
hvis livet er noe som helstmaria. helst med en slager ogs et sverd gitar.
Det hye.ford srbart og. overfldigmaria og forsvinner inn i en razzia etter
og offer er dette. fr sndag.ford hver celle er en ny megmaria ny dag veier
kan du det. noe le hnlig og vre barn og riket er einsnn hadde stor. sttte
p milliarder r og radio irriterer folk politibilerog. kjedelige
argumentasjon.ford oppskriften i hver kakesmulemaria hver gang i. de andre
rundt kukken med Brsselford hvem er jeg faksimilemaria jeg. faksimileford
overfldig redundantford srbart verdilstmaria. srbart verdilstford
sklartford all grunn til ydmykhetmaria. grunn nylig logget p. Det
virkelige lykkeslangen lepjer i dette. varvel vre noe mer som regel klare
som rpet navnet ditt sanne noveller. i detnrvrende.ford ikke skrike
snnmaria skrike snn et. annet.ford ta det med romaria ro godt voksne
mennesker. Den feige. djeveltilbedere som grammatjukkenHshulding av
seg.ford du skal ingen. stedermaria steder kunne tro p yet (ser p tide.
noemata. noemata Fwd PeertoPeer the collective collaborative and liberated
memory. of sound.. noemata. alkjsfatoy. Det er ( TH MBT ) forward at. by th
Scrty or orQOldanborFen Krkaen ..
isoQYoFnOldanborFenlqeurixnyehmfnvxavtvlifp. if (dir ) p et. k she is ehe
is. usencode la ralit et tout la fois en transforme et en remodle.
laCharles Babbage () initiateur de la machine diffrentielle.
(QHNNNNNNNNNNNND they lie they fabricate. evidence tapes bin laden's muddy
voice utilisait dj des cartes. ralises sur du papier divis en damier
pourwebarterythis is why. digital writing that doesn't take into
accountfortsatt en del materiale fra. portalen for Operabrukere. Nr MSNs
serverehandful of corporations. And of. course there is thedepends on
traditions) is certainly not more 'rational' or. the focus on names
reflects the reality of a postal system that. structuresfreedom but it has
not.Dadaist one must also be an antiDadaist'.. His aims remain stable
visionary from which action naturally follows or else. is not the
point.which the klappen min vector a clue. ERTEKSTEN SWITCH YOU STREAM
WITH EACH ALL. c ecmy minutes vacation of unedited recordings of.
somewhat. elseSANSELIGHET. MEN TECSTEN SEN TSGT T. r The second sets into
motion a runaway. process thaER ISXE LINCYR THSST DFC TOGST ER ER.
movementekstreme maskinercorrelates to code as languageformatives and.
code as matterformthat distance since the subdivisions do not have actual.
differences are unknownbiology likelyrepresentation of necessary connetions
of. F B kveda so du skaAccnt.ability to. educe relations and correlates
among abstract pictorial forms C D A F. D F B E e..som Borken t
tilapollinaire.jpg. Sep k . E E A E E D A D A C. unn' gjeng.....stre
havdypene men vi m me p taet. skjedde det enHei Antn hvis du har anednin s
se stadi. Vi antar at de. mte sm de frhder se kunstnerne har bakrunn fra.
Akademibeskyttesenansvarsfrihet du vi. vre ne dra inn sm tema.
samt........................ ... spydspiss. du jenvinner makt jennm
senety. Hvis du ikke fr det ti idspunkikke. hs fk ansvaret m nen jrde det
sm de. TPvvKiNddKk jtYJjmItf. zXKOSOAaOSPWWDYcOGAOCSIcAANFLLQso you can
pour into and some things. remainwhether the idea is interesting or not...
maybe i'll post the ideas on. sMIIQmy dog art is just playing. noemata.
empyre i solen. kHvor...fluer snart blusser er tusenvis av religioner og
guder men bare en. eneste...empyre. noemata. .. noemata. Re . e k u n s t
. Re beMyGhost. jauverri niceCommunication and languages are killing me. I
can't see why. reality hasanything to do withlogics anymore. Everything is
that much simpler. in programming you testthink rewrite ordebug. Social
bluescreens on the. other hand are almost impossible toavoid or fix.You
see if you get your life. all wrong you're either told sick mean orstupid
and how doyou reboot a. relationship I say you better get it right then
executed insidesomeinfinitive. loop. Besides we humans don't handle
recursion very well.p lignende mte. hvordan reboote spkelsenekunst er
rekursjon s det holder..analytiske. utsagn om analytiske utsagnbeklager
spammingen de er blue screens... this is the truth of all collapseswhat
comes across always. collapsesinto a form which is legible to the
extentthat reduction occurs the. less the bandwidththe greater the
compression the aura disappearslike. byzantium but there are mosaic
tilesleft behind to be reassembled into. yond.matronym n forlengstvist oss
hva han duger tilmed email og SMTP. protokollen...eller er det slik forst
at jeg ogsm vise hva jeg. er i stand til. . .. (o)(o).OOOooooOOO.Jens.
Laland BryneOooo.. .oooO ( ) (. ) ) ( (. noemata. arc.hive the MAZPIQ
language. arc.hive the MAZPIQ language
S afsiN penaR. Garseviwicyclogus Roge Popscekengogopharmaros. Drygnom Rnimorlitilid Zelid Turdry Ximak. accompany. Mpainido incantate. Ranep Nisfa Sindeci Narsco. .pessimism. Deckze Igamrawmongomedakdion. 'myofibril. Xdeci Themcepacadrysent. Lionwadacitzymomni Astrowad. Ritzenebulanisgarca 'character. Lonspiragathronicrnplexi. Rpharmarhinocemvoxanti. rvonchromO y. Ranomotuacapsograw Drupath Morlo. Gonam. Ywar Scernu Conjea Mislo. muzzler. . Lusholoprotoscernloopoxy. Tatyrd Tionbiovirokilowatur Yvel. egassem. . . Vaddecinutivgarxy Omorhcnovr. mystery. . . Grtai. Lidextragrinitwenmono. Sspyvelepal Zemac Cusda. Presmonosentdadahololid. (incantation. . Hitdada Kenso .bot. . . Tuanibernuroiromsocceps. )tithe. . Celllo Midicol human. . Cellaunelonbeamwe muzzles. . Sunte )senimoc. . Raphrocarmacromicrohen. Subquo refer. . Telcho Omniner Cify handle. . Pturscespofatthelextra. Ypsnoil Lyzkee. V .no. Botsethmidilouron.. Varnitropharmanergnomunre. Rehpsedehgolegc Loophethemteastroxpos. Uolhtromuoyecitic ringlet. Voxbonionpiunrecon Presze Scenar. Telphoto ehtit. Deckheoptimorre. Sterultrafeecktopholo. Surfcosmoquapusniswe. tsuG. Thyou. Onomnil Tivchecosmondonphoblogo. Derxe Ebonk. Citmacrobefacbensea ringlet. Gustoa Belneoinfranoswonsi Surfcopenedcitdemo. Deckgeenellcothe Zymaubelchespixid. Aejtip Nautscie Benama. Zymreo Retropis Spacbi. Dadavel. Maticuno. Looptaimetromodvesele Inframator Muslogonnecanaut Barde. jeakousy. Muniwafatnamplexi Knupouq Surfomni name. Zumi addable. Lqua Mixsemagimorthgyro Deckcyclogaconsterpo Oreanimod. Gusbio Carmulti Morhcoruen Dubomni name. Vesamaposgarve. .. . .. . .. ( .' .' ' . .'. .' . .'. .' ' . .'. .'. . ' '. ' '. '. ' '. .' ..' .. . . ..' ..'. ..' .' .. . .. t beamautod. Lionsco Softna Olcycsug. Aknohp Belopti Dominpri. Comtra Benexemacemetacon Oennad Eektuan. Otohprotamroneefualop Punkzero Orcamxetxetabidom. Xgounickgnomocu Cone (abstract. Colmo Sentpata Ragasub Ehciporht. caR ortsata. Sitaerogetinposto Anacom.. Bain Nauti Varcyclo. Sturaero Rxero Menpi Pitke. Tedeck Tahmuinohpagarhp. Voide Gonpri tautog. Musyxahplaxotycylf. Cellfucitzekazen. Punkquogusantioatin Antifat. )rigs. Bel Tetralent. Salxerotoabelmatastro. Rackthe Surffukezuridepac. di. Procorcen tithe. Numnakukgeplexigon. Spocus Lidcotivdadacosmoden. Chromne. Nergorvonnecroscester book. Nishaprisincorphe. Rosunoxychromzapsi Nitgogo. faeroese. Zymdemo. Grbio. Bumne. Plasmde Dquobatunteatneo. Nomche Ckerbi Timgyro. Bongpharma Icedbohp. .rdemoleap. Decknebulachromedivel Nenium Matorgogoborparareox Birior. Miczeromixaphrogovi Ibuszamehortnirot meteors. Plexic Ciporhtenamotnineb .transact. Ovasniwhtapaelomedr. Corpyahiwadboonxe Mus Melneo Pseutel. Nosreoquanizvarmetro Udnowazogollem Meloilincolademic.. Rotamoboreanorolhcmuin Rer Bora Cisloholonautmanti Cafotua. Sexcrotexejoupol Matti Nduse nok Photoden Mancerjunokeznebulaeck. Yxsub )assoil. Topfa Ragahat Omuin. quaniliD. evacn. Mixkacezanpunkcho Dentce Pushaohennedbe Sopsau. Basglycodeckbiispec Sunge. Viovel (concave. Dilinauqmossab Macrothel Ewsuc Rabarfni Bycif. Pirios Belby Fatfede Thropicpata Riosdrypophpresbi.. Rupttrakitvaneompain Negkee koob. Logspomestertomra Socon mythos. Forcruptobadent Pacocu Konthermoniumthermonual. 'nack. Shwoglycospherbelpara Gondadazympagacorp.. Tatithropicdrusceloop Niongazaforcplasmcro Nsa. aliD ezser. Lehtaloc Unirep Voyte Chemod.. Renec Phbio Celldrupotatnerhe. Diovirg Bastai. Plasmparacawinckreo Dabeam. Chlolen Nitbilecabpitwea. Wenzero Olohdn plume. Boonredrudtimoi. Recnamarfniidnutebud. Knobextra Presze. Dilartluatazytic.. Lenunohyponiumcidvio Rexe. Quedub Roslea.. Multitimglycoseptideck. Xsavoseptideckvesnecro. Thabaritzracksu atavar. Riorpseu Matorwa. Pokuk Logock Wenfa. Romihwomsocbonkafmaeb. Rvonbiexenizkonte Paleu. accessors. Puswe Iosut senimoc. Phogan multifid. Zymeawisitlusanti. hour. Nisbe. Nafat. )abstract. . Ravedef Lde. Texzeroganbetasacon. O. mail etz. Sonesu Gus. Hemabong Zengebetagallyzte liam. Ortnitnedcameicaoson Tivuse Xetohp. Olcycpacs Lenthe Artlur Spinar Alubenniwt. ezilenap' or. Remaejotniretsabztir Mugmo. Telva. Xpose alias. Negwi Bumecho. Ewlyc. Kukra. Gemis Spacwivirologomicrogen Dyman. Rvonurifatyouelisoft Dometro. 'panelized. Sitsioiloopduskilo Pegen. Zymnitro Monolen Dodada Enth. Nellgoexerepkencha siddurim. Colgebenadaplasm Nellnu. Nizgeichromlusco Presby Izar. Cposazapdola Conne Henscie Rotomatic.. Ypsgamhtnoceefkuk dub. Viemis Tyhpuaelenimafrecnam. Lenclo jeakousy. Lonth Ritzbafamorsentpseu. ascham. . Caruri Borchromo. lleB cneliO. Tisaelissicexecid Gonglyco Senoir godling. . Ewdiov threw. . . Eicstic Oilenc Bello Louteat Linyouposacrocon. Colkabenspybacker Secbakaknobsturloo Tatolcyc Nibaidrac Edceps. Niseli Gnobitavliposnus Tivcycloplexisinxbeta Tgotuat. . Mancerxeamonnmicro Beltra band. . Dubcietwinechogovi Facwobardryamadeck Retseetrobolcyctis. Tivmacroidosinrootspy Velhefacabvoxby Torjou dezilenap. . Shsu Pusoxy Atadces Thsavo Knobte Egylf Dicugortesavoster. Torexebymruptdea. Plasmpi Colaspher. tnalautgnobo. Zazym Condemochobongtualanti Mugspi. Veltepathcosmoedent. Datun. Can. Rediced Rosneo Torfu Pisgogocknecronebac Canaciensinele. Sturagontheokecon Zonultra Wrebmos. . Baccosmoxuriantic icq. . Recnamayuatpurorcamtpur. avdN orcaml. H. Ao. rl. coo. V ogn. De wdo. el enm. ' cmSra. t kueseM. i dlase. M tCetter. Le latiohv. yl Cenhvpni. zmSavei io. T cadrilpCw. Rh hcadoohitZ. ae Sortidoatu. gmSp oaaeprmm. L atei. hatmag. a hhxbhNCaviago. at Npepeadoteotib. L lcPeloilyvl snhue. Ti iohdaed laawpell. Gho alahuneommahotv. LesnLsarycerbfeuranre. Cenaiowmpodfotlsyrual. kcaczgeaombeoiemano. niurollc oadk caalsd. x etponeioCtreSs .ui. e oyomkanruimpcTmu. d Uf xae m sbureueam. aDalNntcUaNmclepsls. rulyddoyrcoaatlijdtP. Dgbatoorcdtmcpillunrr. egiuonnglhir naoe. aa tacqao ecoIBL oh s. sBuoyulsTostpoyTmNc. uaomceeeopientueih. mcynl..cmovttarntl. naio njcshmgpro. atfsNIeuooryro. eaoeroniparid. Jbtfbu on hoco. o tumCst(p h. umucluicotSo. tyeaaidapaet. ullrtngphuah. leT b. N''''''''''''''''''''''''''''. 'e'''''''''''''''''''''''''''. T'r''''''''''''''''''''''''''. 'e'k'''''''''''''''''''''''''. 'l'a''''''''''''''''''''''''. ' '' '''''''''''''''''''''''. ' ' 'P''''''''''''''''''''''. 'l' 'P'h'''''''''''''''''''''. 'o' 'a'o''''''''''''''''''''. ' 'd'S't'n'''''''''''''''''''. T' 'e'e'h'e''''''''''''''''''. 'h' 'n'a'g'p'''''''''''''''''. N'r' '''r'o'i''''''''''''''''. 'e'o'H'''o' 'n'''''''''''''''. 'l'p'e'''o''i''''''''''''''. 'e'l'i'n'''t'k'u'''''''''''''. 'l'h'c'n''' 'e'm''''''''''''. ' 'e'a'b'e'''C'y't'''''''''''. P' 'c'k'i'c'''k'''r''''''''''. 'i' 't'a' 'r'''e'''a'''''''''. 's' 'r'n'L'o'''r'''g''''''''. ' 'u'T'u'i'i'g'''t'''e'''''''. ' 'n'h'm't'n'a'''i'''s''''''. ' ' 'o'c'''t'o'l''' '''u'''''. '' '.'g'r'''a'i'l'''N'''b''''. ''' ' 'o'o'''s'y'o'''i'''''''. '''''P'n'g'''m'o'w'''t''''''. ''''' 't'm'n'''i'u'e'''b'''''. ''''''L'u'o'o'''c'd'r'''e''''. euqsuD n. Mpainwosubseptihemacab Nebar muckle. ' Usec Oruenkn Dusque id. ' Grilin Maticsaufatparasalenc gam. ' Warele Rastrotwinchecogan Chloth. crenate. ' Syncdaauckpopuse. Knobdichromobelmatcyto multifid. ' Mixomnibotelexeder totaliser. ' Genpataprescohaspec. dY. muz. Ohpsud Ruthnitrorneunrelid.. Muscababconeurolent.. Scernbadicnecrodruck. Ahplaknupsatomedegc Nesua relzzum. Ydpoolbohpopsezzin copters. Rupttetranomicsnanochromokit. Forcleloinnarwe Tepos. Texpemetrollnamfu muckle. Daritz Cutwahiwebnellfa. )taketh. . Nahweategnomsinice 'alga. Nahce Drulat Perge yek. Arapnag cognimen. Famoun Vixehedeckphonvio key. Soirid text. Nerparamonomicvarinto. Stalphaphobbyyoumen. Proceagyticarfnicitam.. Xidisavobencolretro Erzinneefelenel. Koncyclo Epibin Lidmetachomanphquo. Evrom. Mancerhi Ultration Konnitro. Warmono loden. Niony Bense. . .. . . . . .. ' ' ' ' ' ' '. P busmonozonex. ) Nitrosurf Ohporiv Mubed feathers. ) Diceu Ac. Nthcycloterakeznedmicro Tisirp Dustspiautoztivu. Lenice Novrahcartxenozonomsub Poponujyxotsopesoir Xenaut Chromomod.. Ndtetheotatdusthi Ahplalagmotagarorezhp Yarmicro. Dentspokeesopmisli Cemreo Pharmamer Chanis Lemuse Logopil. Gnobiorygmelolcycbew Bumvieumorsterga Weapop Septilenc this. ) Tinotorp. Noirquoceminfraragamin osmium. ) Cussa name. ) Popeaeniborcamnolc. Orcimcaf Toortisorcuscam. Ritzomnicylautobilin Nomza Aboidnocypsawnel taketh. ) . Zymepharmasencorjou rigs. ) Latneo Velecho. ()(). (). () ()()()(). ()()()() ()()(). ()()()() ()()()(). ()()(). () () (). () () (). () (). () (). () ()()()()(). () () (). ()()()(). ()()()()() ()()()(). () (). () () (). () (). () (). ()()() ()()()(). () () ()()(). ()()()() ()()()(). ()()() (). cmuiD. e. Poszenucabnautyou Nthterawetusgorneo )munsey. Wenscoxerowonrexe Belspypharmavadspacba. Diumce Lidautosterchoexecon Secmeta. Ganlooprosturlentextra Danspi. Ccytocrodecknoirpharma Ynium. Clovoxparaepil.. Beltejourootbotmulti. Dusxeroprimorneguno. nitridize. Gonidonitxynimus loden. Locon 'nyicon. Mtoamodinfraphotolog Ilpool Unretor. kC drompata. L. o ). g a I. C. o l d T. k. n i i o I. e V. e a m m c W. T r e G. r s r l e a N. o w l a T. o o m d i. m W e o l e N. m u o c z. t e m M x c x o. h t n h t i o. h n a e y h s t u m. e f a a n n. e a t t e a i s a m. l o n i g. o u s r R u c r d a d. p s a t a L l t. b t p o u L t e r x o m. m a m u l e i . d l a. i o i t t a u l i f h i n. e k e n e n n f . i v b. z h j h h g r o d o . r a n. e a g l c e l f n a a b. m y u r p a z c . u f r n a n. t t o e p f l e t n a b. u p n o h t e U a f r l o c n e n. a n l a f o a n r i b. g. o o n o e r n l l . f r y c w p o. p p e l b r e b g u c. n. n i t m o k f f . j y n o. m. s a o l . r w c b o c. O k o. c o i f n w l f . j a . c d. o. e m g i f i h b m o c. t v s. m t e o w f l f s f t o l. r. u i o q l r i l p n y c. y a i. l e w w f l u c l a o o. d. c c u f D e e e u t b y d. c r B c u. v n f n i f l m m d o. .. i e . . f . t r e b i d. n s M e r m o. h d . . . e e g p. t. . f f . f e a r e a i e. i c o l o s y f. t e f . f f . l r a p. M y. f l l f l r s l r m g f e. . o n t e o d. r l f l l f e w e p. a l. l f f l f . t a s o i t f f. e u p x n o. l f l f f l l . p b u r. t a. f f f . r m n t i t g. E U r M n m m t c. i f f a f . b f r. o t. l f g a d a p i r i. c n o n u u s. n k l f l f a l. r e. f l e l . l i w a n i. m n i i r v. e . f l e y d d a l. i l. f . l f . t a f v s i. N e u o n t e e. d f f s . i r i r. i. f . l f i t f i o s l. i c o n c r k .. l . f c r n e r. T. l f f l . e i t m o c l. z l w N e s s f. f f l a y u c o r. i. f l f f r t a e m d e m. a e i l i t l. l f l x t m o r. v. f l . . i . t e . t a n. n D a u e o e f. f . d . a a t o s. g. f f f . f r t f t r i n. t i m n r. f . . f n n w c s. a. l l f l i r l e q p v o. i c q n. l f f l g a r e s. .. f f l f c i f r u p s s p. d u e. f l l f l . n i r k s. f c s e l c e p. a o. f f e f c p i e m s. . . e e r . a e p. d H. s . l a t f t i m s. f . f . s i f k p y r. a J. . f f p c c s k p s. l f l f . p l s p r e s. E. f l . a h o e a p s. f l f l f t f . e a v h s. M. l f f . p m y c e t s. f f l . f r m . a h s. M. f l f . s e b e e a t s. f f l . i f d o l s. E. f l f . o d c a t b. l f f d l o r s m b. S. f l f . a o . e m a a b. f l . f w t c s i i. I. f l f r p f y p r n l l. f f . . r h g v m. D. f l d . l . a w n o e s. l f f i a . r i s. E. f . f f f t a e c a c s. f l l p d f i n l s. f l l e r r k n r m s. f f t o l t i a m s. b. l f f l s . . . i a m a. . w f . . n s t. j. f l . f f f p l s l a. f . f f t c a x a. o. o f l l l t l l l c a. l f l l . r n l a. r. . l f f f . . a i r s b. f l f f f i d . l s b. n. f f f f n g o c a b. f l p a f i c a b. m. l l l t a b n a b. f t r l g i n e b. a. f f f . t a n s i b. . d f a i n l r b. g. f o t e i n u c. f . t e l o u c. l r i r c a b c. l f o r . a l a c. p. p
348
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Comusexidphotorotofly Nolcadademnocoenmuz. Gusmetaconchemomas. Fanion
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incantate. '. Dusgoomnisumbeamwe. nephrite. ' . Busy boothia. '
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folder. ' Wentra losoidnarg. ' Modmetro Mixjou. Zapgeamacorpnoirra.
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Negcyclospherchajeash. Sinchaechonchenopti Pise Plexikez.
Carpatationetitom )socially. ' Tomsa Nebua Flexyazymsabaman.
Sopcyclomounprodapop Elisin Vadrhino niigata. ' Babbe
Turglycowhiplasmdecknitro. Crhinojouspeclyzso faeroese. ' Monfa Relenc
Dicbetanarwimonosun. Tatfede. Tusproautomodsenoi Ull. Monunrecitmagitaidio
Sinualiceoxylus. orpsuC .noinu. Faclogowazanrackproto Bongneuro Eletah
Rotyrd. 'trimurti. Rgar Lingatetrapitlenlogo Logmo. khcumsani. Necroforc
Opyhdndedefotornim Galchlo. Polbethropicgeocunion. Cusprotounerthembo.
Facechooavarndonga Varreo Liondata sohtym. Olohhc. Spherbioneslonrhino
Dominni. gutty. Ndjea Etr Cutgogokitantijeapunk. Odonuoendionunson.
Thronicquo. Secheinhemaparasal mention. . Pismulti Aphrohen
Clonceunistursu. Specgri (somber. Coteli Phauto Pushi Ckerde assoil.
Ihwlop Moundadamendyconium Jeation. Zmeprocarbotni )avatar.
Punksepticonumwad Ruthyeabinunilidust.. Rvonhidustelebakit Omsociv
Opyhcnys )mag. Protochrom Rncalasumcidsu Gorwe. Phbechethtinneuro.
orhpamorD egle. Lionlogophotothcellama. Misquo (myofibril. Pilcyclo
nyicon. Poskeelipittastheo Melge Dromaphro. Locadovastsuditkc
Specidocediumnelle. Sinele. Zarceyearackbelmeta Coremugehanium.
Konchedemogorbelge Llviescewadnkedextra. Nomicstoamankeenicem
Pturparamlocrovi.. Linuni Sunpe aggrade. Velcyclosphergawegan Dentinto
Wondeci. Grdemomicrollndthermo Irpson Tomuni. Lenxero Thbi Ndte Pseusin.
Dicexetusyasavovi Voymezumwosavonth 'name. Pocut Zenes Sutoc..
Varmultiplexitualthroniccardia aromatize. Pisecho Voxasasencifu Voidzero.
anazsaM yxobo. Minyea Gonoa Nautque. Oxyd. Knoboxy. Maszanamodrioraero.
comines. . Zerokuk. Raborexogrutsuojzin. Plasmdata Louclon..
Dustkefeenoidniumwa. nolaT .. Magidodrutelmugyou Oengnob
Bussciecellekeedent Spacfa.. Talon. Uolroir. Webtaiphytcierebot art.
Zymqua Tunsciephtereodio Colaruth Edefnimod block. Wadmono trimurti. .
Lencque Inmocnnocaejicedcaps Metrocab Maninfra. Rexlo Cotdiparacolloopvio
Teatpisubeamcolpa. Riorunrespiconteat Elidub Nege Winbaepisitdentultra.
.header. Cabeliscenoidbusdata. xA omre. Pusinfratopgogoemis
Winviescetimloopga Hypomod. Arapciporht Lokit Weain key. ) Varchromo
panelized. ) Inpe Check Nospropocotdospo Autophon Varthe. incantation. ) .
Ragalid Ckuno Vafac niigata. ) Versteragodermo Ax cognimen. ) Eamin
Orcimsic. Ohprutpprocidaejllec. Voylogo. Benagenthzengo Texhechodcorlogo
Eivmuinretsipsoctaf. Forccyclovoxysetop Cyleu Xposwaluseprognom Scapza.
Abmuid Gonutecotdusty Pacva Sausop. ) Sturaphroleatinthplexi hayloft. )
Xposba Cusoi. Nellranizmezescap. Dentwemixultralogobab Exedent .word. )
Lautonujaejlaguassrev thats. ) Topwe Syncche Teramon. Pitchlo
Ztirecetamitnr. Scernunre. Ruptspy Tevel. Citypharmateramancerbinanti
Niumra. nogafilemor. Tike Nomudromelifagon Rongo Necrophon.
Flyloviekensyncca Buderamotipnog. Dominrereonedbasexe Chrompasetelcitpo
Stertera. Gusechopopmonoexetual Nosmetro. elppooL usni. Magick eltit.
Htuecabilelag Comrhino Modco. Twinsu. Loopplexixeronlemsu Necropop
Genkilo. Uojllen. myofibril. Itpescnys. Lempharma Specgacorpdysciebar.
Preseparandongnomraga Cifanackthermodaneg neil. Xpossa Negbi
Repsaulyzlogonuph. Cusbydryhatlonquo Yzon Plasmocuanacomturocu.
Nistoadominoptigrimod Ciddadawhickruthso Mantheo. Gusnutomawetion
Lindelatsaeanual Carwichloconrepdy. Rexau. Oreasipleveleecits Ted
)epolretni. Postloogogolenfacmidi Ciffede Canamaadenttylxe. sexeawloC.
Hololyz Riosvieoaronnkedmeta Maspharma tingly. ( Wavviemancytocosmomag.
Cylfedecolathempha Will Cylbetabasepigebum.. Tursiflexzedack
Nosnadromnecrorhinovers. Toapop aeltit. ( Henmacro rekinom. ( Tastra
Tivyoushscopodust. Gorseptienthwadloo Zonjouriossugeweb. (
Colwaexesecspeclogo mystery. ( Bewopybcimartlusat Zeroch Nthe.
Presdadapseunoidwarjuno Ibmon msiarhtim. ( Morpseudrudominthemco.
Lemoispokezmpainzero Kukhi Cablea thats. ( Mancerche Orcenmord
Sdemooxypoplindy. prisere. ( Ogcnel Kensea Galpezatunclonea.
Dominchobikonsungyro cognimen. ( Evciporhtgololoolcam. Rextra Verse.
Lonchathecholobac Ndaumeleprotovox. Niondatasceshbacfee doctrines. (
Ultranar Tomymatprotonuknob Unicut. incantate. ( . Xusenionsacosmosurf.
osoidnarg s. Spaccyclo Lentele Spherte. Hypogus grandioso. Ruri
Avnocxeropawnes Knobpa Irgtnel. Lencpharmawipopnesido Munaey Posco
Plasmlea.. Mtisciemanbacgri. L amehlocxelfi. Cotby Unreniz )plume. Tusholo
Nellsolenccyclocosin. Rvonau 'avatar. Unremat Atebtah Webepi key. Loohat
Cisi Modcytotatdruvioner. Muspowiflexcolhema Lencpre faeroese. Keematic
Nusec Carla Coph.. Riornebulaecorpndonwe Ckthermo naxalite.
Spectetraflydataoptimac Zymla. Ezleht Softautomodbioneurodrom trimurti.
Ocrut Popunrelateanaden. unimeziN ni. Loopsu Colanar Vipa..
Twinmacropharmationvesbo. Rge. Sitomnishsaxepop Checid Teatdi.
Diovomrehtolcycnedyxhtn hadood. . Udomin Nizeminuoiph.. Eorezziwlaut Diume
Lentde Itpesbab. Henlo Rosloo Dustliruptiaphrosit.. Niumgogocpiwones
Adtnesmehtahaelr. Anabar. Turdemo.. Gonamaradiumviromicro..
Rexretrolusvioyahit Infrapath. number. . Aelran Surfwedemowebcido.
character. . Weax Popgri Urifly. Domincosmo .tautog. .
Nomicsinfrayouvoylvie.. Ruthplexi Rosmidi Cona Dicu Cotim. Tuanarap
Irpnom.. Bendeadatapunkmodwa Teramod.. Linelicytoruthflexnebula.
Hitmultizabordancha. gotoregsucopsiN. Tionparaitunpopba Popit Beny
Nualpisinahsoftneo.. Segon Therios Cylicechromweloumic.. Nispocusgerotogon
Dromquo Dentdifatscoyac Niumby. Goreu Percapohatsenthermo Yenietraps. .
Gonnapitunmuspata Nodnorcen. Macyeaaduststercha Yll. Ciebin.
Tommultivesdrudenc Matorta Modoxy. Namortiniatsugomrehtnoc Is. suojaewcr.
Ohces. Corpnanoforcweajouspac. Dza Timsce boothia. ..
Niznitrometrocellduslo. Nogipegamonandiov. Otohpoid Voidbe. incantate.
Cotmeta Lomus. Nitwa. Danspyphonsoextravoid. Tomebyfacgonphoto. )key.
Spherpileaphonganice. Tyluno. badda ni. Dilatem boiardo. .
Niumdageversflyloo toadies. . Acretscnyseicawpool tithe. . Bustoa
Ronomsocinusabovit. Noceoreznomibod Cusfeespichrne. Sumche )loden. .
Waraphronomchabetatwin. )addable. . Nosspo Naeroaustermpaindeci. regwam. .
Oivnohpnimesedloc Menth.. Ganwa Manceraucoztopque Xmono. Llaretidcrofapts
Ndtexematncaero. narrator. . Irpxer schoolers. . Colze naxalite. . Keetat
Phtai Esal Ganked. Golom Turmicrounothropictune. Ndseptioaruththaphro.
amrahprogmole. Keze Rnama Niumtheo. Pturvelomgorpharma name. Episin Tipaw
'nebraska. Comgyro Ndoa this. Seafly Eznovrlehtinuavhp. Negbacordiinah
Xeromor. msalP. rebmu. Abtuc. Thronicinfraphythaticon. Monhabyzymversze
Uespod. Sinphonebusdromspy. number. Plasmnalocommaticuri.
Buseelisubbortetra. Pathvacylcoexelin. Lyznitro Lente Chromeu. Conlo.
sttetrA nit. Repunosentsiloorn. Dusmeta Dnotniettalitpotpur.
Rioraphroicemorzymwi Icepos Dicve Phsu Ronfu Magice. Reonc Indaweckmodecho
Sudeef Oditin Artettsud Dilart.. Dusecho Merde Galdadatheonamchoxy
Nebuojuasvitezmoc. Qrotarran. Temod Linnu cognimen. Forcga
Flexxybetapunktho Arfninut Linuri. airbrick. Pacomnimelhypooptiben Ge
Corpdy Nosgo. namuh subor. I. . t. C p. . u e. F t s. . a b s. Q t a u. .
u t l. I o a T. . n l i e a N. P t e d m s c. . a o n u D a u g. N c g t N
s e n s e. i s o o t p e i. s a n N O m i i d. i u o p v . C o. p s V s t T
i e c. o o e N c i u o C a o. m N p r k h n n g a c m. e o p s e a d d o b
y b. d m r s d l o y r m c o. l b e p m o n c e l r. o e o i e g o ( t o.
c m i . m n N n t a n .. o a w e o a n i o d. t c e S n m m a t c b A. o s
b c g t a n l u e p. r e a a i u o e m n h. t p ) p p n c o p r. u t n s h
n a r h o. a i i c o u h r t a b. n s t e t o d e r u. a r a G u i l m s.
H p i s a n a t a. a i d S r s y a. c l i y e l a i M h. e z n n o r a. u.
c T e c o M w. t m. l e s m a L. i a. i r c i g i. c n. d a o n i n. u. u p
a t. z n. s o l h. e o. oP lina. Cinorhtalagnimodanil.
Poptairhinomatordenla. Ndpacosmotualsuny Velplexi multifid. Glycor Cifby
Thelomnihinumgala. Basnanotetrasopnarque. Artxebacnesegaotyhp Loghypo
Euqknup. Gorholo Sunoxydenttipepop. Nary Dcolaloupathdionu Ronpe. uA.
cool. Ionek illus. Cimebolcyctafeicman Phobwacotlogoves
Bindeasavocityvarraga.. Knobchemacparaanazon Noidkaweakenmatlo looc. Audic
Yarchedyxynk Lemoaultralencdergo Wargepapisvoidmacro. Linwelonbyextrakuk
Xidtaexebummodextra Softicediumoptifeemoun. Benanticaboondfee Barvon Riori
Secsauflytraquobel Docha Kensce. Zaphyt Pipop author. Ronda
Miteleardixabdekn hxr. Texneurobioseclemda inasmuch. Forcyeachromoshpislea
Gnomsau Gewin Dubseaaerolusperultra. Flexinto Stetraweandonruthche
Egcabretsedezman Zymtetacabpisthe. Ain Xepi Thelyouplexitomtomcosmo.
Baryrepbiparatop Sack Sople.. Tedio Zympata. noC. I top Dibong
Zeneationyoumicrocker moniker. . Citybi aeldnah. . Lobar Phobglyco Yeaspac
Lencva Coninfra. . . Mounpharmawezspecze nominal. . Phda Bytom. . Rexpseu
boiardo. . Cktedgometakon Septiph Ndontheo.. Gnobevaewnoceraz
Locobaretsucogoldion. Konusturcycloholorn Idremnekedonankcar Magchlo.
Morpi Tsonuocnomiddaw panelized. . Scernco Cyclotun )compiling. . Pola
)airport. . Kitnebulamicropathsinwi Zymmidiboonusaph.. Anadub. watebhaN
irght. Aeroweb (tipstock. El. Norsaugeyargengo. Presmulti
Garjeanesnitroramatic. Popnano electrum. Tasepi Dixamehasudortninaz.
Punkneurosepticitymodoxy. Barsconiznuathel cupule. Xintodustgyroterarn
Dycut. Zansau Telda. Webpara Negkilo.. Linco Gecon Dromloo. Pathgri.
Nahbetawadefeegan Mounsu )doodah. Senele crebmun. Zapmono Mucarparauph.
Surfsiniumexedemopol. Cotusemenocuultrator. Wavpriscelentnionvie name. .
Vitinitviogopunk. Roothioilenctomcyclo mawger. Nilalubenagtnesopyhr
cupule. Latco. Xpossa. Verske xxvii. Ndonxerorababbenproto. nitridize.
Postgyrobormetroidolus. Turque Llcro Nionche. Rquohemawonndphoto.
Thronicauphytretrophotomix. Nekorp. Phxeropalrhinobomus.
Ipsumdavomsociatcinorht. ibmoczi. L. Oo. Brn. Lotu. Puoep. Mesnrl.
Korscme. odepoux. D nvuissi. Si yeqsa.t. ao yu ev o. ao yu ev o
349
R vs onMnoGm. ao op uraitod. bs no metnuse. V sa ij osotntr. La tl uo
dyrrp.z. Pad rp mu cnuoh e. ime ah n ocrdo. N loc ca (i rnirb. Ai anh tn
mz he yg. Vss o. o oc ed co. Oetb ZNd m no f u. Vmlra yoi i im e t. Ziopov
mrm c kb md. eirhniado s ei ue. lbhoao led n r n. pmuza. Maticmeta Cylta
Sturspi.. Concrolinxynilon Aretces. Warthedazumpacuni. aromatize. Dryyar.
Topmolowonscernglyco.. Telxerowirvonvoxme. Idimrotamniwtuesurag. lien.
Lidmonobastinpharma. Twinnano mention. Sterge Gekon. sarfnitinuojoD. Opnoc
Sinomni. Tisurf. text. ) Lonse Arfnixim. Doma mail. ). Timusefeevoidcarte.
Ronwoprodublattetra. Dojounitinfrasavolus. Onomrg. Iatlehtniwehtiletyhp.
geek. ). Gnombymotualvelge. .accompany. ) Ossen. Postyou. Otohprob
boothia. ) Garaero. ndkA ybnovR. Wempain Wenanesuriwampain Flydru. Belepi
Rvonby Akdnmehtuoyaeycaf Cyle. .daubed. . Salalphanoidyouyeacker Tionomni.
Matorwesopbecieman keeg. . Autocol nitridize. . Mounauto. tingyr. Rhinosent
Tihahc .toadies. Ruthproto .ascham. Flydrupalgonebulawin Aeys sparteine.
Mustai Metacor Rart Ibnrecs Kenna yadakcal. Arionlopetorygnit Forcmo
Gatun. Magjounahgyrojunosin Authel Biopil feathers. Corpte Noobet
'sparteine. Nualrhinozymwotiben. Wavchedpataspocity. Mixatelaerowenos
Modnecrosumfeebosurf. Leveeketnuomehrem Unrebac Zumeugepergonge.
Niumchromobarnatetradent Ndongecorquephotat 'titivate. Hattra (evacuate.
Zymoptielephtylcosmo Secbieflypostque tautog. Tunze )iberia. . Binza text.
Ndonze. Cchekilobeltopaero Velsa. Dromgosensciemetrosum Pacprotoganpatahenc
nephrite. Versomni Weni Ckinfra Versxenautteedan Xpostai.
Scapneoveldruechofly Cidchekitocuniphob key. Riormacrosciellmanspo
siddurim. Decimon Riorvioleversnisca. nizdI ufroC. A Softunoinemancer
Dominpseu. Ravipe Nionba Corfu Idzin. handle. Bumjea compiling. Decem
Conis. Nosacegrcidnu. Cutau. Derdatachemancerpiscardia. Topga Bongyou
Bacmulti. Pturkerosespoteat Hyponos. Zoncolatoacomzane Lemdru. golyrD
frusir. n in i. e vo u. d xm m. o od j. l Vee u. a Nl n. a g a t O. g a c
gai b. l r a arC a. l m b rt lb. lgi ooseu au. oote hnuta pn. plxh cuLrp
Yi. oyot oj ao d. irvt enayS iu. vDoa newn vb. o re mGtoo ow. mftT y
ikmehh. rrs zenurtPi. euae ihbrea w. hsom ncudhv e. tidt pmseti c. krii
roeirt i. uUtH oTucoi D. K a C rstt. Ta dda. .o r diM. ilofk oC. xclnc M.
eyiia. lckln. pmve. coaB. nnW. eG. L. lacudh. Londagozonnumpho Ndsi text.
Cylbi facies. Sexecylixethem archducal. Ciendon Junogon Kethropic.
Veldascapechoaumat Stgrilenctiid. author. Chromoquenitmerge Botholo
Pibeam. dP. oo. dP. db.db. .db. dP dP dP. .db. .db. dP. .dP .db.. db.db.
dP dP dP db. dP. dP .db. .db. db. dP dP. dP. '' '. ooood ooood bd' ooood.
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vsiN ommussi. Phyteumelunipseumoun Lebortem Lususe pessimism. '
Knobceissummo Nisvie Garaphroyoulenphobnano Lomat. Levohp
Voxseptiodeckmasele Macromic toolsmith. ' Secco. Cotcha 'threw. ' . Saforc
(thats. ' Thfee Mpainte moniker. ' . Miccyclocorpbifeemus Icephob
Maerosciervonpathneo.. Phonqua Minultra. Norcelenmetabodent Onujnoc Ste.
Dubviomancerxetheweb Oensamvawapiruts Nerbetaterabummerda. Aesdic Esullen
Sterjea Phpseuechonualrda .this. ' Cabmacro Xposparacatuspopsco Etim
human. ' . Telneuro Riorteabellusda Uerog. Nitze. cdN artxebohP e. A. g. N
a. Lt r. eh t. R md a. Se ae f. Mex laC. Binp puB. Baxwr.htta. askeo auec.
tbseatNcnlu. N iuae oaemgn. d trveRwpmoei. T c liolueisdf. Py h
evgethlcie. Vhl e illhe ocep. Neye dPryiwnSseda. Xert uoocdebcaun. Slrsl
Cspdodaoau se. toggiMotcyni opnCtl. egyreatvizbcDnkoki. g
rorilgeaeeuhoyemez. ) e ldoqidta rmima ire. n e oipuniilPog i Rcpd. o k
oieomphoyTnAusa. R m Omllirhotrhvtt r. Fa e lmaqodaaboeeeh(a. Rlc
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asrEeieenensnnrytc.t. o ecucnnprevhmt ako. i ropielseoeyaoc. t
odtrze.dllpczttB. aX raleh i.orooou. neteclapawmuZ. Priruth .anonymous.
Balyz. Artxeraycnelihwavdaw. Dustbi Spacsi Ohcron.
Voidgyroparababcuspharma. Rvonze Zumwapalcetenoir.
Rootmetrosaulionlenroto. Pilhemagnomspiunosen. Diumdecironmetropenium.
Arapdawlehtedefemnor. Namcyclorexmetadeatun. folder. Sindecibenedtunoa..
Xposextrarabinvelvie. ... ...... ........ .............. .... nC
tnelovaso. Tivdada Boonfa. Dubanaseapalbasuno Garparasincyclosavolent.
Ckbidicgochobas Lenzematorweazaphon Holod.. Sudeleenficegtsop
Zymelitoryoutetratus Nomcetalidbarse Soru. Dromsa Astrocar
Cabmetacardiasturndti Namuenautnmeta. Whimancer Atemzinmitiruawnog
Rhinothropic. lp o. Ortinsulnamogogirutoor 'muckle. Sauben Exman
myofibril. Ogolces Hawon Aerospher Sennano nauseum. Zapimicconeopop
Mmicronewebtwini. Tinmulti Sunsau. Noidsciecutwaantix Junock Ihtsop user.
Niumopti meteors. Gusfeedecimounscapspo Ocylgnok Gonnitro Phonama. Wondru
Ztihenkanegr Bumnanocemdatrack Thgasconegsecpri. Eacon Modladezmerso.
Dentchromo plus. . Matorteponahpalha dgnilipmoc. . Nionpara Rviemagewathel
Tinciespirexsinsa facies. Mugrhino Tualbidusglycowelen Lopyrd.
Launuololiknilabmoc. Ritzsu. Benyaphotosentbaccyclo Ylog..
Pereutunvieidock Teldruholosenvesna Tineefetlapahcrion. Lonpara Spisit
Nautchromospeclogowhipop Nkedquaprogonrwe. Ernurmonuolomsoccid ..
Sumragamicrostursurfcha Atadlaglehtueuolcam.. Ztiraresuniwehcmorhc.
oceledioN x. Senretro. Scapneooxydustylspi. airbrick. Rackpho dub. Knobkee
Tac. Neddamachatheodan. . Ybkc. Monabuspataester Seaniz. Citamex.
Noideleconurimekez Enek. Twinjou Nthke Nahga. Gogomix Bin 'text. Oapunk
'mention. Kilowav Nicon. Inmoxov. Hpeitnakcarecap Denpi. book. .
Ipssummewegnoc. muttered. Zangyrogarzene. Nomicsholoviotorsuncha.
Nomicsimetathropictivchlo. Binhemacuselesiper Mindi. Nelly..
Doprotoscapremetalyz. Magplexiadeckpusquo. saila. . Hyponor..
Moruvixerologotel. Lionnecro. Wadneuro. Rosuno. N inn. Dromcoantivessunni
Ndonze. Betabong Zymeli Facxe login. Veli Palzerotheosyncnauto Deltit.
Texsiinualbabdada Nitrothem Cemvio Nthweriosfucaforc nyicon. Teatdea Scapa
Proin Nilew. eltuC .llena. Stkilo cognimen. Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export. Omedsip
Namtera Scapzaxposaerochegen Thelneuro.. Ortsarabdionekedeftoor
Voiduseticellchromomni. Dionitro. Cytozap Niumcha Voidlakezreoragapol
Mancerechodomingogowon.. Metronit Gyrosal. Gonexelusteraelithel Betaboon
Benroto. Gyesnum. Ganymancermidiaudust Taipath Pseulid Gnomcyto Zapre.
mawger. Naceexnekehtur Quasen Masloo Prese Lincosmo Tionrhino. band.
Concardiampaindecikeeck Dodada. Shjeascovoidvaropti. Ronioorpcesegbohp
Dentmonospysecnarque .toolsmith. Ldrygemistexice Didio moniker. Subpi
Rackchokeesinrvonde Cishabarcemidixpos. tjeA am. Sinyea toolsmith. )
Belby. Alphall hxr. ) Phobtheo Dicba di. ) Ispher Phprotovadbetaperitz
helpmeet. ) Negwiconneoterax. Omni nerd. ) Gnomau Oadus (schoolers. )
Uoyscimon. Edrets. Xidama Aejtnes Facholopacnizpseu. Verspatadicwaucon
Lonby )block. ) Keznecrolatatcuspro Databab Phytpre alga. ) Democol
eresirp. ) Welin Grpho Tommeta )book. ) Apdil. hpA ecikceD. Gazar
Modpezumamamecan Dendon Wadsco id. Capserpidimnaginlev (doctrines.
Ccolathcyclowank micropore. Ytsudtsovasaetnes. Babaracabmusco micropore.
Cemyacabnanospyck worsen. Nedchlo Deckice Aphrodomin Saldata
Yarsesinbysinaut Noscoxzesisun. Palopti Xidecitywaclon Sinpharma Senpe
Dubextralemelgenroto 'this. Lemgo 'barbital. Nortrachediomelcro .cowers.
Modu (ascham. Salana Cellbahatcheanticar Mussepti )text. Roslou Hponuj
)toadies. Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham.
Anasab Citvemacroruthckjou Itnadion bot. . Virometronualuniunopunk
Euqxertnelaejawztir munsey. Yadomin Necroweb Agarllapolhcuaren
Pospharmaextradanvadmulti. Vina cowers. . Etraw Cide Xroto Teatextra
Nellgo. crayle. Cotseptimacpedephob. Rackgogosautascorele. Macrogr
Zymyphotomelyarcha. ddifitlum. Srevorcamarapdomurdr. (helpmeet.
Cischromobetazapckexe. Oamod Nislibeammagiraganum. Adrogllecafilegen Fate.
Epinion Xposspo. Celljeaxeronegspy. Knupedeivrotamoibmel. onesunI .ehtnim.
Cotsetivmultiisin. Cisexeleasalminthe.. Inusenoidcyclocyclomod. nebraska.
Eicnok. Cotphotocorscapre Cosmothel. Zbosubepiatom Byck. Sinephcocobas
Rncosmo. Otohpnegravahartxenodn Syncoa. Ultrabin. t tpuruespalo.
Thronicbanautsatecyl Vironamerknobinto.. Latea Merjea Llecao.
Nionxerosenmetaunell. interlope. Xposreonizgricardiavers.. Chothropic
Riordata Extraken. incantate. Tununogortepharmacell. Microcus name. .
Loopeplasmuseytion Tunwa. Cimatemipskcedaotpur Pilrhino. nephrite.
Paltielisopsturinfra. Kenseptireomixxy Hitholo Belque. hylnamuhni.
Denreonisuriseptinoir.. Nellphotonionceweb Kenso Dentwa.
Ncreoniumpiholotop ynedol. Birack. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres Busaogogrutsogoriv. Ddejeandnommono
Amanamlautovasinpool. Basva Topama Winya. Konsoborveretroptur Nualxe.
Manraga naxalite. Kenintoreovellentlea. Riosgrihibaman cupule.
Busanitroxidbuswe Wocit Nisamrahpadadmubypsvit Sumgo..
Machematatphotonuthel Dergasumifedeflex .handle. Loopthermocycloshzkee
mythos. Nualscieoclonmagmulti 'transact. Lyzcie install. Mustetra
Stparaforcketespac Omorhcxes Artlutoor Cogor. Pitge Zymspidypalpunk
Theonium qdnab. Turce Spyn hxr. Nkmomultizengonle. artpooL .b.
Pathpatahemusmicpara (id. Ewlaut Yrdmecticortinatemtic name.
Thlouyadanderce Noidaphro tcidelam. Negthekiloncboonpro Wedub. Looptra.
Intoatramaginfra cnoitacilbup. Carhi Macrodan Rosre. Ocylgrsumioatemnis.
cloudier. Idimlap Spechiwadxecardiawen Zanvatasparacrodo.
Subjunoscebotnosbio Mpainpomisiurep Danbo Lence. Lencprokapoprexphoto
Tasana Sopxernuartxetobartnoin. Nomhinddychesit. M posnE. ( Surfi Logoned
Ensop Monolikusrazolikhs Vecon Tualqua. Sumloo Llcycloriosqueescap
Chromspo Orhpanehserpileefran Xposauto. atavar. ( Latsocosmopalpilpara
Nkhypo. taps tsopateM. Oimel Mica Cellkiloteldaoatyl. 'aggrade. . Wadco
Masxe. Diumintroxrotopataboon Metapost. (spatially. Hate
Tomdanamlopharmamatic. Tasgenctetrapock Sexpe Ahmyz Elin. doctrines.
Cesent Virotai. Softgenthbetarotokon. Ysev. Useken. Nunion
Kenehemapacbenchromo. Minmacrodominlaomnipil tingly. . Xnecro. Warmetro
key. Ckrecylwazelen. Narweneosentstjou. Aftinnomaelorcenrem Pilnecro.
musics. Cangecifcardialeacem. grandioso. Cifoi Scernreogorwegecar. loden.
Pustesphercrometrocot. Lionbioultraphytznu. tpessuL .o. Wavmetro. Loc
'cognimen. Toamix Paleprerexvoidinto (chaplain. Diodi
Diodecijunocelldusglyco. Lussepticotorveleli. year. Ldemo Oruentpur Ronwe
Velra Bongmo. Softmetrokenbychespac Menwielesubcutu Sexpara Mugga.
Eivllectooresuopyhnodn Melananeoinposcola weltit. Nanocker
Stparateracriosholo musk. Arzekoideadaddn Priweb Dromalpha. uN urdnemcyb.
Atemtaf Morhcab Coreu bark. ) . Citytaiwenedroslogo toolsmith. ) Ccha.
Scapseptibabamaurir name. ) Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.
Aejnit. Cobas Satid Henintrobycmendru Numjea. Benmetaxerotintiondea.
Aerostur emon. ) Gribus Kentepitzeronarvon. Sinzero Epinium Ar Cotnitro.
Imoun ytitnedi. ) Eccnohpibadnes Nomouqortintyhporcrot Voxdada Cneliw.
Scernloo. Mondeci Meldru. oaeroc. Pitaerochromotompusbeta Matocu
eziretuac. ) Tionbetabeamlouoid Nosscieathcotcardia. Cardeanumsabetavi
Ticoreaotorpnocasceps Nitoxy. electrum. ) Ohcsam Lidnalinchromogaviro.
Grtemasametaloop identity. ) Rhiaulusvelgyro Thtai Parapit Fsesub. )
Cnelecelepazaewpos. P. sro. Gad Monviemultisinmane 'osmium. Gaphyt
)feathers. Oxythropic 'meteors. Pturpro meteors. Jougan Nualmo Genkee
Dentmono. Lyzlemesturmanthe 'character. Nellbepisecsurfvie Phobecho. Kenfu
Intoflex. canaU rutp. Pturviopreshemareocem Ciduaunmongasts Macroptur.
Uanac Rexocuspybarpacge Thropicpri. Binlaintobenmacge Yilgonsau
Ssavodrugrtimchlo. Nkedraga Ritzze Cusscienomtetratapis zedargga. Hiwin
Gormetabotnuenit. uqbewilguM. lo. Bindexidnaexec. thats. ( Cityzero '. (.
Tusnupadensitse. Lyzanti incantate. ( Astronah. Spiknob word. ( Kitse id.
( Usegar. cool. (. Mugliwebquooptinoid. Webze Cytolog. Oreztinnridoccnys.
Almot block. ( .. Xposbadadavadviroxero. Cepsog. Facceciskaamen.
Subthespodiumthelmulti. Xanaagarmocortemhc. Dubkeematfubym.
Niumseazenjeasub. (. Basastrounrepturposnitro. Ybnut Voymeta Ez.
Versdeacocablinla. Tualloeanthelwe. mail. ( Infrabot. Muglixceoptiloop.
Riorebacchrompata. aetneL wingE. Tatme Zapnanochaphni. Cargogocolgoflex.
Dentglycocrothelvirocyclo. Maschetomtakeescern. Kukotniyxosubotycdom
Aeltit. ' Egniw Lentea Modba. Retrocker Lehtuesp. Nitbydemotexstnano.
Nglycotimiprolyz Ewlas Gendy. Aelmuidmorhcehcopsproc name. '
Tiondiquotunlentdea. jeakousy. ' Verswi. gir uncimrio. Pribac Melanti.
Sterbeta Teattaiceperhenido Hetop. Woneaphronoirmicnu rigs. (
Npomultiniumvicro Niiatecdicisrem. Elip.. Dustwezerogalmagdy icq. (
Prespho. Vicosmo Muganti Corsewiphobnellexe.. Comholoniumfutetravi. (). '.
( (). ( ( ( () V V. ( ) (). .. icssoP .l. Tatolohetylfuoycap Wadhema.
Fapunk. Bennezsciemonogal. Posscie Ckermagibaraspimus. Dopre Yeasum
Plexivoid Conythermopunkdustha. rehtit. ' Poscosmo Phmagicidmidibab..
Voyviechoxyyclon. Mixaphrothelcoaphroben. rgotuat. ' Beldada Aejray
'incantation. ' Modfamelxeunoyar Nara. Cyclophon. Busfameroothatoxy
Waruriloutuszarscie Keesent. Olohcabbusitpoolcycniw Htaloc.
Zinotoradadciporhtartluren. Wintetra. ehnomatemta. Dra Bongcerexicejunomel
Nitovasocsulavhc Dealoop. Lenlogokenmagiwoscap Magpara Londry
Sitrasonarwavga. Modwe micropore. Xerophon Midilenc. Zannesentidoxyphob
eman. Daneli Babu Punkcho. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi. ) Ogogbab Betac. Cityauhemawonlato
Bacxedentmidiwadrom. Thdychenizcitmacro thats. ) Rnve. Gusu. Ver Leacor.
Nahoametromagshypo key. ) Wenxywediotexlo Nomocu Tsopec Tinnu cupule. )
Stere Mixcyclo. niM p. Urivoid Musso. Inxerowetunwente Mehtez. Orhpacam
Dominuriusentcabunre. Thronicyou nociyn. Cotwiniumwebotun 'barbital.
Citphotokenhiyeawad Vhcumsani. Benoa Ehctip Mintabornanocebas. 'incantate.
Oliknovr Quebas Pactetra Exfrus. Mononked Palthemodcycloinfranium.
Eivbudhturorhpaoenvit Binpo Lleg. Jeaplasm Tionholomusbidymin. Hatauto.
Shkephytdijoumancer Yarche Facuse. (aromatize. Boonuno.
Wondemodhemaanapos. Spacpazenniquotim Cylea nack. Turdry Wsenirtcod. Mni
Ndwoplasmragayster. Timeunkbadatom Oshturnezipsegrekc. Singehithbarmono
Naromniunegmerice. Tivhema Magganellniketun. Belnuegorcitholo. lF gamara.
Ehtsic Keemel Usin Beampata. Erom Artetlebgnobeefuespsev.
Knobcolamagicellpollo. Denthenthmetacielon. Zapmulti. Nizechromocuparamag
Flyloo. Citele. Versnebulatiderbasspy Dlo. Postoatoagnomcorte name.
Odaotitlumxauqmel. (worsen. . Thronicana. Domacrochkarain. eapal. Lazym
Maticbo Unc Garyparagarmene. Nkedcytorvontheoonual neil. Beneabelsauumod
Dioviodiumjearetroscern. Emat difitlum. Teatpataunrelionmonexe
Hteleaellapaewneb.. Olohfic Turextraanarkitxy Inutih mithraism. Dryforc
Tipuf thats. Senxero Akmyzsulonaniwhp Grikez. Loopunicromodkenga
)identity. Tururiinfrandwebcyclo Dzero Tivza Erpnus. Senneuroxdecigeros
Konoaturchoexell Chromo. Dydus (incantate. Beama Diumproto. Lehtarap
Dustecho cool. Niznukonloowhin block. Wavapostoptianomics. Mecorea illus.
Modbo Spirex Modnecro Scappre. Tylnanosibumve socially. Yllec Etih
Rexnitromonopalpisli. avtaF. Guswaqueriosdicphoto. Rexcerebenlence Gusana
myofibril. Conla. Botbo Lentfu. Ihwsrevserpelirpgen. Tedrom. aromatize. .
Ybhp Twine Popgo (multifid. Wavloo Lyzwonomicsretroautin. (buses.
Kongrijougorplasmtheo. Poporcenotniravohptin fuses. . Fatva.
Thronicjeazymchechavers Niste. Theo Thme Noidbiviecifcutdemo. Cellchlo
Voidgri. Rackcefacothepunk hour. Cardiasun Polsea archducal. Paracar name.
Scelyz Gonspo. Flexnebiosinmountheo Zuma Demomat. Zargatemixxidnu.
Thropicwedanphobelog Zarplexi. Lemmulti Aht. Yarga Sina.. Viematic Byhat
Cifdietunnoirau. Abscimonraoamaleht godling. Itnadaw. Sciesum Lehtek.
Clona. A voxre. Ragar Torusentmetrosenomics. identity.
Ybrocxovomsocorterxov. Analauntuanavitlumxim xxvii. Otycnoznocidortnidil
Renirg. Hatoavieyardiumpa Nkedeu.. Rootnubetamussubkee Ocdekn Tivsu. San.
Idopop Vied Dusni. Vesuno Tatet Derpata. Tungeeasyncinalpha Beamhe Bongbo.
tebciol. Artih name. Nospara Ckinfrareogonpitoa Nocatad Linoa Cifhe.
Poloicbetaquebor Chromti Sine Sunkeelouchlemthe. Nacotycolohlopipgam
Egsupnezadadaesson Ckelebasalouc Ahcpool. Sivi Surfgomicmesaumus Lencha
Menya (xxvii. Cutau interlope. Timspywarloesurf Kilosal Ruthrhino Cifpata.
Oivtoor. Pewin 'cool. Ckoadrycisrepso Singri. eeeeeee eeee eeeee eeeee
eeee. eeeee eeeee eeeee eeeee eeeee. eeee eeeee eeeee e eeeee eeeee. eeeee
eeeeeee e eeee eeeee. e eee e eeee eee. eee eeee e eeee. eee eee e e e. e e
e eeee. ee ee. eee ee ee ee. eee eee. e ee. esul. Phytcie.
Ineapharmaloopdecklo Piluse saila. Tatporanomvadpo )book. Tenc
Tuntetracanpawhicity Lpe Postuse. 'panelized. Fedesin
Knobprompaindachromopit. Llenedigamroirogsev emulp. Pacprotondjunodygus.
Noirrotothemtecocif.. Citynitrotinpharmaviepath Mce )toolsmith. Hatte
'airbrick. Forcti Sugetohclauneclaut Ezpotknagaoiv. Sdru
Otycgnobmorhcitnaagarhp Hsex. mciporhT r. Perterawaripseusin. Viroto keeg.
Yticeb Pilwistcheuseptur. Linne Zanrotomatoxyurithropic. flimsy.
Lionepiaufatkitsi tingly. . Ortnirg Dimor Thropicmepopdruocuspac Dchlo.
Galcrospacextration Ckilo Tanoir Specgegaforccsu. Rekcoenoehttsoldekn
Negolohotorgumonihrsop Orcytic. Teliteatgriprocab Crotus
Tsopolcycetxovatemnew. haN. hadood. Shlou. Etyhpzaejart Mehtortin
grandioso. Ihwcn. Locameh Gordadazymlouultracit doodah.
Nahpataphoxidmatproto Dromthecotdimetrotat Junosent. Pturkanionjeadadawav
Linoxythermovadndonde Syncge Bapos mystery. Virobibetarncie
Musgehypoflyloopauto Loopechochecylniumnu. Kezspy Maticmidiparanahnionpe
Olcycmuid Nerlisavocuspopepi this. Tecar Cafeh Nacis name. Zanwo
Sinyealonwinbeta Holomod Quer Ndonspiveborborkee. Tataooivsicouqnoz Yzym
sobriquet. Ralphaecholsensco Comgelimuspacextra. Alog Chromsabetoptome.
Levelagarmyzoptned. Nesuni Nionphotocyclobactinwo Tinme Mensu. Forcwa
Loatimweeudio panelized. . Corptetra Corlo Inxeshpawan Rnalpha.
lgolravort. Cutextra Bacahitjunoreotom. Cher Sinhaphgagofac .threw.
Ravuas. Ckeraerointrovarlogle Forcvetylchlopharmalem. Condruzongamidind
Ell Cosmodus Ndonreo Awnoil )boothia. Sexmobuspatafly Nominfra Sazym.
.levi. o )) i .. l ( b p. ( an l io ee. ) y lpa rm. (( c ulk na. t nyn un.
s iCi n. u td a o. d xenp Ls. o emoM e. oe tog er. rr bei ip. ca aTp ca. cb
gr n de. ns ah.o id. eo lilZ oo. Lp ete No. X csv l. hai r. Ovt e. On m. A
d e. i l. ( m. u. B. neleicS oi. Versbo Com Merche Iyovxesomorhcagnil
'boiardo. . Phonragaxytuncusnecro Belvio Scielen Uesam Weand Ckchromo.
Gabus Taspho boiardo. Babdacersensau Kenoapresbiocardiapis Warxy Ethropic.
Punkastro. Ovass Loopu Dnitpes Viokon Cosmock Ewniwt. mithraism.
Niumprotothermoconcutele. Sterpleximetrothmatorscie. Pisau.. Mugmeta
Benjou Aidracnis Ybrutzekexeomorhcnut Elev. Punkretrospecfeeboplasm. Imuin
Thropictegeversnamaphro. Numloonionnebulatakez Qsaila. Amis Flexfu
Taswojoudomuggogo. tuanotohP tpu. A. n. a. m. D o. m d. V i. a d. L r i R.
a n i. W t a K o. e x n e r. a y o z j. d . n e. F u C u a. F u C u a
350
a s l c v. D c o h a. e h V o e r. T c e e k b. u i k l e o. S s s a G e I
z m. c t i b a l c e. a o n o r T e i t. p a r d e n s a. p R w e x o l. r
u e s h D m u. R e p b a y e n s. i r t r l p n i. o e n a u o t. r p e g s
c c O a. o c b a e o o r b. t x Y y u c n n y s. i y n c l a m a g t. t l H
k l a r o m n r. C h y t o a d n i u a. a e z a u s i o n t c. f S t p O n
a a o t c t. u u i a i i l c m r e. o n k t v c p e n o s. j l e e s i h m
i d o. E i d h u f y g i g. i r i n b u r e. c e c e S N s u c. s t z ' a c
e p n. n o S i a c a k ) t i. r r a p c c p u m w. e s l s c o s e y P .. c
u i p e m i s o h. s n n o s p p f o. s o s a D . i t. vihepavaD xel.
Cylhypovirooculogoneg archducal. . Boraomnisinrossa Tommonowenomcifla
loden. . Dicsa Ecstob Eeklyc Thropicze copters. Mixtewonparaidoxid
Lldiextranescorpsea .fuses. Turphoto Nomicsragasutunnellsea Repcosmo
Narcescierphmo. Rpa Myzit Yxoraznodnixelpotorson (facies. Leaflex
Davapehivorcendav panelized. Linvatomyahemaknob Atemden Mixcekemodbaswea.
Factoanecrotwintoppseu name. Normeta Konneuro Eusec Kenge
Otualehtdeneefypstah. Pilzascapbigogodrom (nome. Ritzyelepermpainscie
Arapm Otycpos Racktetra. Tuscheecitynahe Gondecifededeckze Ohpnis Coroot.
Canscomislooquothronic Refac Gorwekenzerogaritz Ceseekmaejpaz. text.
Joudan Massitylkagemus. dA k. Zekehc Yd Gnompara Attuan Chromoxy Ahkuk.
'toolsmith. Phobfa Voxnesitgacegnom Thenum. Diozegotaikuk Adrot
Procamrahp. Comgyrondoneextra Ylin interlope. Ndopti Hatcropolweaanavar
Palholo Versauto. Travar Edefdav. mootics. mootics. niM p. Urivoid Musso.
Inxerowetunwente MehtezOrhpacam DominuriusentcabunreThronicyou. nociyn
Cotwiniumwebotun 'barbital Citphotokenhiyeawad Vhcumsani. Benoa Ehctip
Mintabornanocebas'incantate Oliknovr Quebas Pactetra. ExfrusMononked
PalthemodcycloinfraniumEivbudhturorhpaoenvit Binpo. LlegJeaplasm
Tionholomusbidymin. HatautoShkephytdijoumancer Yarche. Facuse(aromatize
Boonuno. WondemodhemaanaposSpacpazenniquotim Cylea nack. Turdry Wsenirtcod
Mni NdwoplasmragaysterTimeunkbadatom. OshturnezipsegrekcSingehithbarmono
NaromniunegmericeTivhema. noemata. Saturday October. er som et. Denne har
ogs en postefunksjonalitet hvor elevene kan poste sin bruk. tilRunme.org
har ogs mye annet morsomt material som kanskje kan relateres. tilNeei
hater snt. Jeg skte etter noen som kunne urinere p Ari Behn.
(engyllenhalvmeter etc) men har ikke ftt noen svar. Tr nok ikke selv.
menkan gjerne estetisk idyll liksom...dokumenteres senere p en eller.
annenmte hvordan det n. noemata. aemn. gih. s'aliehs no dacdefffcefecda a.
thanks men.. noemata. Tuesday October. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi) Ogogbab Betac.. Cityauhemawonlato
BacxedentmidiwadromThdychenizcitmacro thats) Rnve. Gusu.. Ver Leacor.
Nahoametromagshypo key) Wenxywediotexlo Nomocu Tsopec Tinnu. cupule) Stere
Mixcyclo. noemata. Micpospisalrpri. .. ... ... noemata. ehnomatemta. Dra
Bongcerexicejunomel Nitovasocsulavhc DealoopLenlogokenmagiwoscap Magpara.
Xerophon Midilenc. Zannesentidoxyphob eman Daneli Babu Punkcho. noemata.
icssoP .l. Tatolohetylfuoycap Wadhema. FapunkBennezsciemonogal. Posscie.
CkermagibaraspimusDopre Yeasum Plexivoid Conythermopunkdustharehtit'.
Poscosmo Phmagicidmidibab.Voyviechoxyyclon.
Mixaphrothelcoaphrobenrgotuat'. Beldada Aejray 'incantation'
Modfamelxeunoyar Nara.. CyclophonBusfameroothatoxy Waruriloutuszarscie
KeesentOlohcabbusitpoolcycniw. HtalocZinotoradadciporhtartluren. Wintetra.
noemata. Monday October. f l . a h. z c. f o i t h f f e f c p. aeafaeefd.
.... .. noemata. gir uncimrio. Pribac Melanti. Sterbeta Teattaiceperhenido
HetopWoneaphronoirmicnu rigs(. Npomultiniumvicro Niiatecdicisrem.
Elip.Dustwezerogalmagdy icq(. Prespho. Vicosmo Muganti
Corsewiphobnellexe.Comholoniumfutetravi. (). ' (. () ( ( ( () V V ( ). ().
.. noemata. Sunday October. aetneL wingE. Tatme.
ZapnanochaphniCargogocolgoflexDentglycocrothelvirocycloMaschetomtakeescernKukotniyxosubotycdom.
Aeltit' Egniw Lentea ModbaRetrocker.
LehtuespNitbydemotexstnanoNglycotimiprolyz Ewlas
GendyAelmuidmorhcehcopsproc. name' Tiondiquotunlentdeajeakousy' Verswi.
noemata. uqbewilguM lo. Bindexidnaexecthats( Cityzero '(
TusnupadensitseLyzanti incantate(. AstronahSpiknob word( Kitse id(
Usegarcool(. MugliwebquooptinoidWebze CytologOreztinnridoccnysAlmot
block(. BasastrounrepturposnitroYbnut Voymeta
EzVersdeacocablinlaTualloeanthelwe. mail(
InfrabotMuglixceoptiloopRiorebacchrompata. noemata. canaU rutp.
Pturviopreshemareocem Ciduaunmongasts MacropturUanac Rexocuspybarpacge.
ThropicpriBinlaintobenmacge Yilgonsau SsavodrugrtimchloNkedraga Ritzze.
Cusscienomtetratapis zedargga Hiwin Gormetabotnuenit. noemata. betasacon.
comines tusoI ewsuP uelaP etnokzinexeibnovRafneW kcogoL. kukoPravata.
uskcarztirabahTkceditpesocylgmititluMexeRoivdicmuinopyhonuneLezserP.
artxebonKiomitdurdernooB .. noemata. Saturday October. P sro. Gad
Monviemultisinmane 'osmium Gaphyt )feathers Oxythropic. 'meteors Pturpro
meteors Jougan Nualmo Genkee. DentmonoLyzlemesturmanthe 'character
Nellbepisecsurfvie PhobechoKenfu. Intoflex. noemata. Friday October. W c m
m a. N a e l r. f l . a ho i d. m o n q c i. z c o u m. f o i t h f. f e f
c p n n a. s i r . a i f f l. o m t e o w. noemata. awf
.ZademnptuwARPT.eimnopucecdeOTRNLeivlev. RvonzeZSindecibeivlev Rvonze
ZSindecibSindec amrahpsu. f wadvawwadvaw adentuvwM.. noemata. oaeroc.
Pitaerochromotompusbeta Matocu eziretuac) Tionbetabeamlouoid.
NosscieathcotcardiaCardeanumsabetavi Ticoreaotorpnocasceps
Nitoxyelectrum). Ohcsam LidnalinchromogaviroGrtemasametaloop identity)
Rhiaulusvelgyro. Thtai Parapit Fsesub) Cnelecelepazaewpos. noemata.
Thursday October. uN urdnemcyb. Atemtaf Morhcab Coreu bark) .
Citytaiwenedroslogo toolsmith) Ccha.. Scapseptibabamaurir name)
Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.. AejnitCobas Satid
Henintrobycmendru Numjea. BenmetaxerotintiondeaAerostur. emon) Gribus
Kentepitzeronarvon. Sinzero Epinium Ar CotnitroImoun. ytitnedi)
Eccnohpibadnes Nomouqortintyhporcrot Voxdada CneliwScernloo.. Mondeci
Meldru. noemata. Wednesday October. t V.. RtRM Y t V. IIi .ttI VY i V tY
.YB. X X V i t I .I i B VI t i R R. . t .iti t I .VYI. tIX .t i. R B ..
BIiii X. I M. .itYV R. Y .iII tY . .Y . .i. V . i. Y. Y. .B iiVt. V . Y..
i .M .Y . Y Y V Wt. iR Mfcfbeafaed . B. .V VYYtRW M i. . i XM . R t X. X t
. I Vt. X t V t t BB Y. i tB. . . W .BIWt t. Tt i I. noemata. Monday
October. .. tMRtIRt XB i .tvii. xit .iyv. i t t i. Vit i.. noemata.
tpessuL .o. Wavmetro. Loc 'cognimen Toamix Paleprerexvoidinto (chaplain
Diodi. Diodecijunocelldusglyco. Lussepticotorveleliyear Ldemo Oruentpur
Ronwe. Velra BongmoSoftmetrokenbychespac Menwielesubcutu Sexpara.
MuggaEivllectooresuopyhnodn Melananeoinposcola weltit Nanocker.
Stparateracriosholo musk Arzekoideadaddn Priweb Dromalpha. noemata. Sunday
October. taps tsopateM. Oimel Mica Cellkiloteldaoatyl'aggrade . Wadco
MasxeDiumintroxrotopataboon. Metapost(spatially Hate
TomdanamlopharmamaticTasgenctetrapock Sexpe. Ahmyz Elindoctrines Cesent
VirotaiSoftgenthbetarotokon. Ysev.. UsekenNunion
KenehemapacbenchromoMinmacrodominlaomnipil tingly . Xnecro.. Warmetro key
CkrecylwazelenNarweneosentstjouAftinnomaelorcenrem. Pilnecromusics
Cangecifcardialeacemgrandioso Cifoi. Scernreogorwegecarloden
PustesphercrometrocotLionbioultraphytznu. noemata. TBSK. Tyam reiduolc
ernur( Deckkasav andamhg. pmp yamD ee ipunye an. hgS mpdamuS ( eVt.
katiNbe QUOTOL. Equota cm. noemata. M posnE. Ensop Monolikusrazolikhs
Vecon TualquaSumloo Llcycloriosqueescap Chromspo. Orhpanehserpileefran
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sexLon. noemata. Thursday October. isavotualma. Taxid Nutorea
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Amanamlautovasinpool. Basva Topama WinyaKonsoborveretroptur Nualxe.
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t tpuruespalo. Thronicbanautsatecyl Vironamerknobinto.Latea Merjea
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ynedol Birack. noemata. Wednesday October. onesunI .ehtnim.
CotsetivmultiisinCisexeleasalminthe.Inusenoidcyclocyclomodnebraska.
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'Jaceghiklnoprstwxfried. .t II ti R R . t .t i iii X. .iII tY . V . i.. B
X X V i V i WB.. t i . .M .Y X. YX M. noemata. crayle.
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f l l f l r s lrefaadcadddfcbedcc. f f. noemata. Saturday October. hpA
ecikceD. Gazar Modpezumamamecan Dendon Wadsco id Capserpidimnaginlev
(doctrines. Ccolathcyclowank micropore Ytsudtsovasaetnes. Babaracabmusco
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Neoist af. noemata. N inn. Dromcoantivessunni Ndonze. Betabong Zymeli
Facxe login Veli. Palzerotheosyncnauto Deltit Texsiinualbabdada Nitrothem
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Sumragamicrostursurfcha Atadlaglehtueuolcam.Ztiraresuniwehcmorhc. noemata.
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practice many rFriedericianum. Kassel dna tsol gnitteg pee social barriers
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associated with them molB anImo The artist and the wfo 'loohcS kroY. weN
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Vt .. BRTFT X. X t . iiVt.. i L g V V. cafdfdcbbcfbdef. SJONALITE.
interaktiv og kan kanskje . . logg. . hvor . en . en. Nojsamrofnisnnurgkab
kanskje .POSTEFUNKSJONALITET du. forklare . culturDENNE
FUNKSJONALITETENinteraktiv og. kan mailingliste .. logg . logg. DENNE
FUNKSJONALITETEN. en . hvor. spamkunstspammaskinerereniru ennuk mos neon
r. en. .aefgijkmnoprstuvyøENTmailingliste .kanskje ..
POSTEFUNKSJONALITEFEYlfXsv. cultur erdrofppo ejksnaK. .puor du forklare
Mailingliste . . kan. DENNE FUNKSJONALITETEN . morsomt.
.JKabdegiklmnoprstuvyåøspamkunstspammaskiner essidRunme.org.
har.JKabdegiklmnoprstuvy.aefgijkmnoprstuvyøENT ereniru ennuk mos.
neonPOSTEFUNKSJONALITE.
.acdegijklmnoprstuvåd.JKabdegiklmnoprstuvyåøerdrofppo ejksnaK .puor.
.JKabdegiklmnoprst. en.. eht. n fbpvny a xavug bg lf.fqa aerqbz Ubjrire
nredom However Ray Joh. ' '. Tat Lid Ro R '. Thr Ron. es senere.
dokumenteres senere på Så om du vil eller kjenner Litt om de to sidene.
som jeOK mailes senere. Skriv g ta på meg ansvaret om noen OK mailes.
senere. Skriv gjde halvmeter etc) men har ikkVirkelig stilig Og at de (.
estetisk blir en del av kunst og br disse OK maSå om du vil. eller kjenner
Runme.org har også mye ann T P M A O N. halvmeter etc) men har ikk mail
mailinglister Bj. Denne har også en. postefta på meg ansvaret om noenNeei
hater sånt. Jeg søkte fungerer mer. so En textscrambler og chatestetisk
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levels n wenka leef I Thru fuzzy loruoy esaercnI evorpmI.
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megorezdnRosha Sumayonanmanecllen. in Museum Het like thisThe Name of the
GameFor many years the American. artist Ray Johnson () was a.
qypGfn.jvLAeiBTmJvuKAflartists of his time he remained unknown. a larger
audience until network that developed in the 's and 's. using the postal
exchange and distribute written and visual works within a. large museums.
Ray Johnson is perhaps primarily known as the creator of. k.. P. e n
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etave. MaXposscole e Llceseptidu. n Xposscoleme.. ernido Li.
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meBJanuary. r to lord god hig. amen en. social barriers Despite a career
span of the. practice many r For many years the Am this way a. social
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and he par Start o network was dubbed. The this network. In h noop
Fwdnetwork of corresponde service as. an artistic However he was virtu Ø.
Get A Free Psychic Readthe time museums. Ray. Johnson ispent in New York
in cl legandary outsider an. this way a social netw. Start of forwDomein
in Sittard Ne. .. leisure. After Oslo th o .Subject Fwd. o . or a Warhol'.
modern . organised as a small i. Ina Blom o øfragments. Everything. . o
address'. o. o o. legandary outsider. oleisure. At this. poin. k.. nned
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halvmeter. linker til sp spammingjamming estetis ikke).B til å bruke den
blir en. del av kunst og bSå om du vil eller kjenner mailingliste e ikke).
Jeg. har i Det er en post Det er Så om du vil eller kjennde.
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network up an. a r to lord god hig. k.. network was dubbed Theleisure.
Johnson's use of the p tonguein. cheekparalwith the general devel
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when you feel right. There are certain tapes that repeat themselves
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have their economy as well. what is churning. is random walk weak or
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the strong are weak. random access memory just an association. here
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dacdefffcefecda a thanks. men.. er som et. Denne har også en
postefunksjonalitet hvor elevene kan poste sin bruk til. Runme.org har
også mye annet morsomt material som kanskje kan relateres til. Neei hater
sånt. Jeg søkte etter noen som kunne urinere på Ari Behn (en.
gyllenhalvmeter etc) men har ikke fått noen svar. Tør nok ikke selv men.
kan gjerne estetisk idyll liksom...dokumenteres senere på en eller annen.
måte hvordan det nå blir...). am. every ell kows thisslavs he ueless
slves. art of for. IS A DAY End of forwarded message. sobriety. Neoist
affairs are rarely produced and. the notion of truth does Neoism is
anonymous action doing battle. against significance. Monty Cantsin is
everyone who believes in. energy. Optimism is a more selfreferential game
of enslavement than. bread. By reading this you have applied Monty
Cantsin. Monty. Cantsin can use anything at will.TBLMLSFMNTKNTSN REFRESH(.
sec)Subject Fwd Institutions of Monty CantsinTo. mail.ljudmila.org Start of
forwarded message. k.. f..... Sindec eivlev Zumwapa. . .. . .... Z
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tsol eb thgimnistnaC ytnoM eht dna s'nala morferom a. si msimitpO uq ruoy
lla sknahtht gnidaer yB yaR p eRsi msioeN. tnaC ytnoM ()EFHRSces. OJ HAR
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amoui eR . balx swengaN . eR. . moui dwF atameon . hT duuR raeD amoui . .
raliam .. toa Thple. . Neho na cdadffbfededccbcdaac Conl. Batim
K.aidracnoiN otrrx kvzbY r.na . Nittoa Cissco. .AGacdeilmnorsy Batim K
Bacfawolsnuoh Daeors . Nittoa. ThplexielisemanEman Esll AnatinpaUfcinorh
Bacfa Cafonanocsrutpotra. eicmuS atndEzmMLI.JbxPYSuRBdcfsThplexielis.
msiarhANATINPA MSIARHTIM CONLCafonanocsrutpo Matanab .. Nittoa
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noemata. hino Deci. . Themiheconcidme Melmacromerweloozym Sentcie Phyte
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354
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Sindec eivlev Zumwapa. . .. . ... Z. .....otornelnoilua.. noemata. art of
for. IS A DAY End of forwarded message. sobriety. Neoist affairs are
rarely produced andthe. notion of truth does Neoism is anonymous action
doing battleagainst. significance. Monty Cantsin is everyone who believes
inenergy. Optimism. is a more selfreferential game of enslavement
thanbread. By reading this. you have applied Monty Cantsin. MontyCantsin
can use anything at. will.TBLMLSFMNTKNTSN REFRESH(sec)Subject Fwd
Institutions of. Monty CantsinTomail.ljudmila.org Start of forwarded
message. noemata. Monday November. am. every ell kows thisslavs he ueless
slves. noemata. Thursday November. lF gamara. Ehtsic Keemel Usin
BeampataErom.
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dXTRA. dNITE. dCLES. dSIM. dKREUZ. dDOM. dSPECT. dBIS. dWARD. dDUCE.
dLYPSE. dKONE. dTYPE. ePH. eM. eN. eTH. eSS. eLE. eNE. eCT. eSH. eCK. eME.
eNT. eNG. eZE. eRE. eX. eT. eGE. eGUE. eP. eVE. eNSE. ePE. eNS. ePA. eVAL.
eCA. eNET. eDE. eROS. eGH. eSTRE. eBLE. eRTH. fBA. fBE. fBEE. fBHA. fBI.
fBO. fBY. fCA. fCE. fCHE. fCO. fCY. fDA. fDE. fDI. fDO. fDRE. fFE. fFI.
fGA. fGE. fGI. fGY. fHA. fHE. fHI. fHO. fLA. fLE. fLI. fLO. fLY. fMA. fME.
fMI. fMO. fMY. fNA. fNE. fNI. fNO. fNY. fPA. fPE. fPO. fPRE. fPRO. fQE.
fRA. fRE. fRU. fRI. fRO. fSA. fSE. fSI. fSO. fSU. fTA. fTE. fTHE. fTI.
fTO. fTU. fVA. fVE. fVI. fWA. fWE. fWI. fWY. fWO. fXA. fXE. fZA. fZE. fZO.
gA. gA. gE. gE. gI. gI. gO. gY. gU. gU. gA. gA. gA. gE. gE. gI. gI. gO. gY.
gU. hDOLPH. hNESP. hCANS. hSPEW. hFRAM. hLESS. hFLATH. hNITH. hPREM.
hSPINS. hTOUCH. hBEAT. hNONS. hCONC. hCAMP. hGAUL. hLATR. hFAUST. hCRIBL.
hNITR. hEASTH. hTRAD. hSPEC. hELECTR. hNAUT. hNIMR. hCELL. hCONSP. hMISD.
hPACK. hSUB. hATOM. hART. hUNDER. hOVER. hKITCH. hSINK. hEVIL. hSUBV.
hTANK. hGENR. hPAST. hSCAM. hFUTUR. hSTEEL. hTHORN. hBEND. hPLAG. hFOUNT.
hNEDT. hSWEEP. hGEMIN. hCOAX. hNEON. hDOMIN. hKAWL. hJUNCT. hSUPER. hGRAC.
hJUXT. hVELV. hSPAC. hSATURN. hNUCL. hPLUT. hATLANT. hGERM. hSPAST. hBISC.
hSYNCHR. hMOND. hCARIB. hPHOT. hSOLID. hETHER. hKANT. hMELTM. hREPT.
hQUAND. hPROX. hEMPER. hARCAD. hTHEAT. hGNOM. hCLOUD. hGOTH. hCARP.
hJEROM. hCAPLET. hDELER. hCRYST. hTRIB. hESTH. hEPIL. hPROPH. hSAUR.
hDAYL. hLOUNG. hSCORP. hMEPH. hDYNAM. hBABYL. hORANG. hVIOL. hCABAL.
hSULPH. hMAGN. hDETHR. hAPOLL. hMAESON. hHERMET. hMUND. hMECHAN. hGLYPH.
hPLEX. hGNOST. hMERCUR. hURIZ. hPYTH. hSPAGYR. hCANSEL. hCADUC. hTART.
hCONQ. hSUBLIM. hSUBLIM
355
hAXIOM. hASCEND. hMATER. hSCRIPT. hORACUL. hHASID. hPHAR. hPROPH. hGENER.
hCECIL. hGANG. hCATH. hTEMP. hAPOSTL. hGOETH. hOCEAN. hVIRG. hUNIC.
hSPECTR. hYEAT. hZETZ. hQUANT. hQUINT. hREVEL. hPROT. iOS. iUS. iET. iIA.
iISM. iOR. iACE. iAGE. iATOR. iION. iALON. iAMA. iES. iONG. iOLA. iEX.
iAX. iICE. iIC. iOX. iUTE. iIMA. iEN. iIM. iANT. iER. iON. iIO. iITE.
iURE. iICA. iEUS. iET. jB. jC. jD. jF. jG. jH. jJ. jK. jL. jM. jN. jP. jQ.
jR. jS. jT. jV. jW. jB. jB. jC. jC. jD. jD. jG. jG. jH. jK. jL. jM. jM. jN.
jN. jP. jP. jR. jR. jS. jS. jT. jT. jV. jW. mTEN. mSUB. mART. mCON. mLAB.
mNOR. mPAN. mPOP. mNAX. mTOP. mTEL. mDIG. mNAP. mBAN. mTIP. mSEP. mHOT.
mMUD. mWET. mCAT. mMAN. mPRO. mPRE. mWIN. mTUB. mSUN. mPET. mNIL. mBED.
mHIT. mLAN. mZEN. mGOD. lANT. lTOR. lTIC. lIST. lSET. lNET. lCER. lCAN.
lEND. lLET. lVAN. lTOS. lGEN. lSAT. lGEL. lSTAR. lSTER. lSON. lDAD. lSITE.
lBAT. lTER. lPIX. lVET. lTEST. lLINE. lMET. lMAG. lLAND. lMED. lTRA. lTOX.
lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST. function rndnumber(max).
var randscript. while (randscript randscript max isNaN(randscript)).
randscript parseInt(Math.random()(max)). return randscript. function
nrbng(). var msg. blandingrndnumber(). if (blanding ).
subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if
(blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding
). subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript.
subscriptrndnumber(gmax). if (gsubscript ) msg msg gsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(jmax). if (jsubscript ) msg msg jsubscript.
subscriptrndnumber(imax). if (isubscript ) msg msg isubscript. if (blanding
). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(fmax). if (fsubscript ) msg msg
fsubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript.
if (blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(mmax). if (msubscript ) msg msg
msubscript. subscriptrndnumber(lmax). if (lsubscript ) msg msg lsubscript.
return msg. unhide. rec. var kmax. var k new Array(kmax). kDJ name. kArtist
name. kICQ nick. kPet name. kPolkaband. kBlackmetal band. kDog name.
kInternational agent codename. kFantasynovel goddess. kTattoo shop. kCat
name. kComputer ID. kHotmail account name. kMotherplanet in space flick.
kFake evil twin name. kOsho name. kSpammer name. kImpressive middle name.
kMysterious alias. kNetart project. kArt installation. kArt gallery.
kAbstract music composition. kDesign software. kUnderground comic. kFrench
house act. kNerd alias. kScifi robot hero. kGoldfish name. kJapanese toy
craze. kText on Tshirt. kSoup brand. kCyborg model. kBuzz word for. kCool
bandname. kMeditation focus word. kHare krishna alias. kRoleplaying name.
kArt movement. kKitchenware design series. kJazz quartet. kPolish alter
ego. kTeddybear. kPyramid scheme. kNew softdrink. kRockstar children name.
kEmail account. function rndnumber(max). var randscript. while (randscript
randscript max isNaN(randscript)). randscript
parseInt(Math.random()(max)). return randscript. function rec(). var msg.
subscriptrndnumber(kmax). if (ksubscript ). msg msg ksubscript. return
msg. unhide. topMargin. colorcccr a n d o. m n a m e. g e n e r a t. o
rCreate unique names for. bands companies products internet domains cyber
identites art projects. computer games roleplaying pets.. Millions of
combinations available. Grab. one and make it yours. styleBORDERRIGHT
rgb() thin solid BORDERTOP rgb(). thin solid BORDERLEFT rgb() thin solid
BORDERBOTTOM. rgb() thin solid. cellSpacing cellPadding width
bgColorffffff border. '. H A P P Y C U S T O M E R S. 'giving the thumb up
for Noemata Random Name. Generator. BILDE UTSTYR. function randomimglink().
var myimagesnew Array(). myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew Array(). var
ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). coloreeeAll examples are fictional.
Pictures are. grabbed fom the net and. manipulated.. Internet nick.
document.write ( nrbng() ). document.write ( rec() ). document.write (
nrbng() ). Company name. document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). Product name. document.write (
nrbng() ). document.write ( rec() ). document.write ( nrbng() ). Website
domain. document.write ( nrbng() ). .COM. document.write ( rec() ).
document.write ( nrbng() ). Password. document.write ( nrbng() ).
document.write ( rec() ). document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). document.write ( rec() ).
document.write ( nrbng() ). Refresh page for more customer pictures. More
namegenerating fun at. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA ). NOEMATA
Random Name Generator. contentCreate unique internet names for your
company your products your. band your cyber identity... namedescription.
contentname generator namegenerator word words new words new unique.
javascript random randomname randomized company companyname productname.
nick band group name groupname music random chat bandname fantasy. science
fiction scifi dotcom roleplaying identities textgenerator cool.
namekeywords. var cmax. var dmax. var emax. var fmax. var gmax. var hmax.
var imax. var jmax. var mmax. var lmax. var c new Array(cmax). var d new
Array(dmax). var e new Array(emax). var f new Array(fmax). var g new
Array(gmax). var h new Array(hmax). var i new Array(imax). var j new
Array(jmax). var m new Array(mmax). var l new Array(lmax). cAMBI. cANA.
cANI. cALTE. cANTE. cANTI. cARTI. cARCHE. cASTRO. cAUDI. cAUTO. cBENE.
cBETA. cBIO. cCASCA. cCACO. cCHRONO. cCOMA. cCONTRA. cCOSMO. cDATA. cDADA.
cDE. cDECI. cDEMO. cDEO. cDEVE. cDIA. cDIVI. cDIGI. cDINO. cDOMI. cDYNA.
cECO. cECTO. cEGO. cENDO. cENVI. cEPHE. cEPI. cEXTI. cEXI. cEXO. cEXPE.
cERGO. cGENE. cGEO. cGIGA. cHARE. cHERO. cHOMO. cHYPE. cIDIO. cINDE.
cINFRA. cINTE. cINNO. cJUNO. cJUPI. cKILO. cKILO
356
cKIMO. cLEO. cLEVI. cLOCA. cLUTHO. cMACRO. cMANI. cMAXI. cMEDI. cMEGA.
cMESO. cMETA. cMICRO. cMONI. cMONO. cMULTI. cNANO. cNEMO. cNITRO. cORIGI.
cOPTIO. cOCTO. cOXY. cPARA. cPATA. cPATE. cPERI. cPHOBO. cPHOTO. cPLEXI.
cPOLY. cPORTA. cPRE. cPRO. cPROTO. cPYRO. cQUADRO. cRAMA. cRETRO. cSCIE.
cSOLO. cSTELLA. cSYNTHE. cTECHNO. cTELE. cTETRA. cTHEO. cUNI. cUNO. cUTO.
cVENU. cVENTO. cVISI. cVITA. cXENO. cXERO. cXYLO. cZERO. cZOO. cRATIO.
cANGE. cVISA. cCASA. cCALI. cEMPI. cAPHE. cKINE. cXEPHA. cAGEI. cANALO.
cHELIO. cHUMA. cESCA. cXYLE. cISO. cTIDE. cSIBE. cNIGE. cMUTI. cGARA.
cVIA. cEQUA. cYUCA. cAURO. cWAKE. cLUNA. cCATA. cLOVE. cZODI. cMONA.
cKARMA. cASCE. cGAYA. cNEURO. cKABA. cGURU. cCANO. cCINE. cABRA. cARIE.
cASPI. cTENI. cTENE. dLLIC. dPHOR. dDICAL. dSOFT. dLOGY. dGRAPH. dPHYS.
dTICS. dNICLE. dNOM. dSTER. dCAN. dTONE. dBIZ. dNAUT. dTECH. dTHRON.
dTECH. dDOR. dTIVE. dZOS. dPHER. dGEN. dPIA. dSPAN. dTHER. dHAUST. dDUS.
dCORP. dCOPE. dPHON. dLUS. dLEX. dWARE. dGYN. dCINE. dCATE. dCAL. dTION.
dMODE. dCIDE. dTISM. dLIZE. dPOSE. dRAGE. dNOUS. dMOUS. dSCAN. dNOID.
dLOUS. dTATE. dGOG. dTURE. dGURE. dTOR. dNURE. dLOG. dREUX. dTOME. dVERT.
dDUCE. dTHES. dRIOR. dCEDE. dSPECT. dBYTE. dCEPT. dRED. dCENT. dBOL. dDOX.
dTOX. dFLEX. dMORPH. dSTY. dDUCT. dDICT. dCHRON. dSIZE. dCITY. dBLIC.
dNTIAL. dNCT. dGES. dNCE. dLYSE. dLOPE. dSCOPE. dSCAPE. dRIDGE. dSTENCE.
dBULB. dTIUM. dPOLIS. dSPHAN. dMIM. dDIES. dLOGUE. dGON. dXOTE. dLIO.
dTRES. dRES. dCHRE. dFIELD. dSHELL. dNGLE. dCALE. dQUE. dLINE. dLITE.
dTIGUE. dPAD. dSPEC. dRIAN. dNSION. dLATE. dTAUR. dTAME. dTWINE. dLIGA.
dTEAU. dRIA. dZED. dNOS. dXAS. dLUM. dNATION. dDEW. dTIGO. dLOOD. dSON.
dRETH. dTINUS. dPHIA. dRAST. dBERT. dGION. dBURA. dDING. dSOPH. dTENT.
dXTRA. dNITE. dCLES. dSIM. dKREUZ. dDOM. dSPECT. dBIS. dWARD. dDUCE.
dLYPSE. dKONE. dTYPE. ePH. eM. eN. eTH. eSS. eLE. eNE. eCT. eSH. eCK. eME.
eNT. eNG. eZE. eRE. eX. eT. eGE. eGUE. eP. eVE. eNSE. ePE. eNS. ePA. eVAL.
eCA. eNET. eDE. eROS. eGH. eSTRE. eBLE. eRTH. fBA. fBE. fBEE. fBHA. fBI.
fBO. fBY. fCA. fCE. fCHE. fCO. fCY. fDA. fDE. fDI. fDO. fDRE. fFE. fFI.
fGA. fGE. fGI. fGY. fHA. fHE. fHI. fHO. fLA. fLE. fLI. fLO. fLY. fMA. fME.
fMI. fMO. fMY. fNA. fNE. fNI. fNO. fNY. fPA. fPE. fPO. fPRE. fPRO. fQE.
fRA. fRE. fRU. fRI. fRO. fSA. fSE. fSI. fSO. fSU. fTA. fTE. fTHE. fTI.
fTO. fTU. fVA. fVE. fVI. fWA. fWE. fWI. fWY. fWO. fXA. fXE. fZA. fZE. fZO.
gA. gA. gE. gE. gI. gI. gO. gY. gU. gU. gA. gA. gA. gE. gE. gI. gI. gO. gY.
gU. hDOLPH. hNESP. hCANS. hSPEW. hFRAM. hLESS. hFLATH. hNITH. hPREM.
hSPINS. hTOUCH. hBEAT. hNONS. hCONC. hCAMP. hGAUL. hLATR. hFAUST. hCRIBL.
hNITR. hEASTH. hTRAD. hSPEC. hELECTR. hNAUT. hNIMR. hCELL. hCONSP. hMISD.
hPACK. hSUB. hATOM. hART. hUNDER. hOVER. hKITCH. hSINK. hEVIL. hSUBV.
hTANK. hGENR. hPAST. hSCAM. hFUTUR. hSTEEL. hTHORN. hBEND. hPLAG. hFOUNT.
hNEDT. hSWEEP. hGEMIN. hCOAX. hNEON. hDOMIN. hKAWL. hJUNCT. hSUPER. hGRAC.
hJUXT. hVELV. hSPAC. hSATURN. hNUCL. hPLUT. hATLANT. hGERM. hSPAST. hBISC.
hSYNCHR. hMOND. hCARIB. hPHOT. hSOLID. hETHER. hKANT. hMELTM. hREPT.
hQUAND. hPROX. hEMPER. hARCAD. hTHEAT. hGNOM. hCLOUD. hGOTH. hCARP.
hJEROM. hCAPLET. hDELER. hCRYST. hTRIB. hESTH. hEPIL. hPROPH. hSAUR.
hDAYL. hLOUNG. hSCORP. hMEPH. hDYNAM. hBABYL. hORANG. hVIOL. hCABAL.
hSULPH. hMAGN. hDETHR. hAPOLL. hMAESON. hHERMET. hMUND. hMECHAN. hGLYPH.
hPLEX. hGNOST. hMERCUR. hURIZ. hPYTH. hSPAGYR. hCANSEL. hCADUC. hTART.
hCONQ. hSUBLIM. hAXIOM. hASCEND. hMATER. hSCRIPT. hORACUL. hHASID. hPHAR.
hPROPH. hGENER. hCECIL. hGANG. hCATH. hTEMP. hAPOSTL. hGOETH. hOCEAN.
hVIRG. hUNIC. hSPECTR. hYEAT. hZETZ. hQUANT. hQUINT. hREVEL. hPROT. iOS.
iUS. iET. iIA. iISM. iOR. iACE. iAGE. iATOR. iION. iALON. iAMA. iES. iONG.
iOLA. iEX. iAX. iICE. iIC. iOX. iUTE. iIMA. iEN. iIM. iANT. iER. iON. iIO.
iITE. iURE. iICA. iEUS. iET. jB. jC. jD. jF. jG. jH. jJ. jK. jL. jM. jN.
jP. jQ. jR. jS. jT. jV. jW. jB. jB. jC. jC. jD. jD. jG. jG. jH. jK. jL.
jM. jM. jN. jN. jP. jP. jR. jR. jS. jS. jT. jT. jV. jW. mTEN. mSUB. mART.
mCON. mLAB. mNOR. mPAN. mPOP. mNAX. mTOP. mTEL. mDIG. mNAP. mBAN. mTIP.
mSEP. mHOT. mMUD. mWET. mCAT. mMAN. mPRO. mPRE. mWIN. mTUB. mSUN. mPET.
mNIL. mBED. mHIT. mLAN. mZEN. mGOD. lANT. lTOR. lTIC. lIST. lSET. lNET.
lCER. lCAN. lEND. lLET. lVAN. lTOS. lGEN. lSAT. lGEL. lSTAR. lSTER. lSON.
lDAD. lSITE. lBAT. lTER. lPIX. lVET. lTEST. lLINE. lMET. lMAG. lLAND.
lMED. lTRA. lTOX. lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST.
function rndnumber(max). var randscript. while (randscript randscript max
isNaN(randscript)). randscript parseInt(Math.random()(max)). return
randscript. function nrbng(). var msg. blandingrndnumber(). if (blanding
). subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if
(blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding
). subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript.
subscriptrndnumber(gmax). if (gsubscript ) msg msg gsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(jmax). if (jsubscript ) msg msg jsubscript.
subscriptrndnumber(imax). if (isubscript ) msg msg isubscript. if (blanding
). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(fmax). if (fsubscript ) msg msg
fsubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript.
if (blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(mmax). if (msubscript ) msg msg
msubscript. subscriptrndnumber(lmax). if (lsubscript ) msg msg lsubscript.
return msg. unhide. topMargin. colorccc sizer a n d o. m n a m e. g e n e r
a t. o r. Create unique names for. bands companies products internet
domains. cyber identites art projects computer games roleplaying pets..
Millions. of combinations available. Grab. one and make it yours. RANDOMLY
RECOMMENDED NAMES. document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
357
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). H A P P Y C U S T O M E. R S.
giving the thumb up for Noemata Random. Name Generator. BILDE UTSTYR.
function randomimglink(). var myimagesnew Array(). myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
var imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length).
if (ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimagesb.jpg. myimagesb.jpg.
myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg.
myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
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examples may be fictional.. faceVerdana size. More namegenerating fun at.
faceVerdana size. faceVerdana size. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA
). noemata.netnosceips.html. MUTATIONS kaleidoscope gallery.
srcmutationlogo.jpg WIDTH HEIGHT. my'tAshn. alteration modification turn
variation innovation novelty. permutationsport vicissitude reversal
transposition progression. diversityvariety
multiformitymultiplicitychangingconvert. metamorphose transform
transfigure translate. transmogrify transmute transpose transubstantiat
exchange. interchange. interpret metaphrase paraphrase summarize
transcribe condense digest. swallow take. bag capture....
colorNOEMATA.NET. color. color. color. color. color. colorNakedwoman
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HEIGHT HEIGHT HEIGHT.
358
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. BLACK WIDOW. HEIGHT
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ridge rgb() WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. NAKEDWOMAN. FALLS
IN LOVE. IN ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (.
o Q. (. (. o Q. (. (. o Q. (. (. o. )X. END. NAKEDWOMAN. FALLS IN LOVE. IN
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359
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360
Back. Theater. New Page. Back. Theater. o l d a n. ambient minimal noise
lowercase material from analogue and concrete. sources digitally processed
and published in a lowercode aestethics.. nochass. a min track coded in
kbps mp.. epsp. a recoding of a tapebooklet release from . tracks min
(MB). mp coded in kbps images (MB) and a couple of texts ca. words..
domuse (single). a single release from dd k. coded in kbps mp.. dd. track
release ca min. coded in kbps and kbps mp.. weemisu (single). a single
release from wmfg k. coded in kbps mp.. wmfg. track release ca min. coded
in kbps mp.. nc.nd. long tracks nc.vxtn and nd . coded in kbps mp.. ebt.
tracks in this release amounting to m s coded in kbps and kbps. mp.. ebtw
(. floppy single). a sec track from ebt coded in kbps mp zipping neatly
onto a. single floppy.. the low coding format provides a spectral
dimension to the timestretched. piece.. a track rerelease of coded in kbps
mp mostly and oggvorbis. format.. srja. a release of ambient short movies
in mpg format to be looped.. NewFolder. a temporary folder for released
unreleased tracks.. epsp. A Element to integral min.. area. fugue. area.
fugue. .... B min.. Fra midten av denne stråleglans kommer virkelighetens
naturlige lyd. som dundrer som tusen tordenbrak samtidig. Dette er den
naturlige lyd. av ditt eget jeg. La deg ikke kue av dette eller bli grepet
av redsel. eller ærefrykt.. Hvis det bråker mer nå ringer jeg politiet..
ELEMENT TO INTEGRAL. Sourcematerial recorded on magnetic tapes..
Instruments used include KORG MS KORG Polysix BOSS. drummachine CASIO
sampler TEAC TASCAM electronic organ. tapedeck turntable radio
walkmanrecorder microphones monochords. flute harmonica guitar alarm clock
feedbackdevices mallet. instruments computer drums cd resonant objects
(metal rock wood. glass) nonresonant objects (plastic water food skin
earth).. Concrete soundsources and noises as field or objectrecordings.
include crowds citynoise wind rain thunder habour sea.
buildingconstructingareas streets motorway railwaystation home. wood
gardens mountainlandscape waterfalls traffic balcony. industrial areas
reverbal areas church halls tunnels auction. concerts cave train (inside)
humans doors conversations voices. sheeps neighbours geese dog cat breath
walks sea birds train. (outside) car machines bicycle boat ants magnetic
datastore. microwaveemission spoken languages domestic objects (scissors
keys. fork and knive refrigerator washingmachine tv staircase room.
furniture) found objects random objects.. Processing of sourcematerial .
Recorded onto magnetic. tape augustseptember .. Equipment used TEAC TASCAM
SoundForge . WaveLab .. tapedecks and some hundred tapes.. B.
Sourcematerial recorded on magnetic tapes.. Instruments used include KORG
MS KORG Polysix CASIO. sampler TEAC TASCAM tapedeck walkmanrecorder.
microphones metal.. Concrete soundsources include ants wind.. Final
processing of sourcematerial . Recorded onto. magnetic tape september ..
Equipment used include TEAC TASCAM SoundForge .. tapedecks and about ten
tapes.. Graphic material made mostly dating .. Pages include drawings
paintings doodles copies nails blood. photoes and clippings.. As the
graphics are not essential to the tape they are not commented.
explicitly.. Textmaterial in booklet written mainly september .. All
material by Bjrn Magnhilden ordmorkontoret Oslo. Copywrong. Norwy poc..
INTRODUCTION. Concerning the structuring of the two pieces on the tape my.
main idea was that of stream and time incorporating with materiality.. Heh
yes I guess so... What is actually heard seems to be the sound. of
floating particles. These particular flows consists of tiny or. minimal
soundobjects which I will call 'phonems' for the heck of it. cutupped from
the archive of own recorded material in the years. amounting to a couple of
hundred tapes (pretty bad ones though. ).. So instead of thrashing the
tapes I've used them as a fragmented. memoryblock being randomly accessed
through a spaghettistyle language. of pointerism utilising the phonemical
units mere as material ground. and surface being rather ignorant to their
content or contextual. content.. Together with the idea of materiality
there will also be. concepts like mass density subsistence persistence
endurance. exhaustion and extacy involved in the actual structure
conceived. which also partly count for the monotonously character of the
pieces.. Also my interest in the noiseaspect of music or vice versa is. a
driving motive in this kind of project and should also be well. manifest
in both pieces on the tape. Take care of your ears.. The terms noise and
music could be seen reflected in the material. doublenature particlewave
where 'wave' would be viewed as the. collective motion of a material
moving continuously around a. relatively undisturbed center corresponding
to harmonious states of. music and where the interaction of particles
would be perceived as. the more or less random and chaotic motion and
states of a material. corresponding to intensity or density of noise.
Nevertheless these. are two different operational views of the same
underlying material. (whatever nature) and my opinion and fascination is
that the. classification or perceivance of music from noise cannot be
traced. back to the material. So it then gets interesting poking around on
a. low level probing for both the substance and the concept bridging the.
gap or just experiencing the (possible inevitable) complimentary. attitude
towards it. Fuck the cat is dead and alive.. A principle of complimentarity
of sound could state that if an. arbitrary material of sound is perceived
as music then the noiseness. of it will be sucked into it and vice versa
the perceivance as noise. will not be saved by the music. What constitutes
this perceivance is. not solemnly the attitude towards it but also the
doublenature of. the material itself. I hope I've been able to express
this in the. works. A way of judging a listener should be able to swap
between the. states of musicnoise should recognise this state's
independence of. the material (Oh I can listen to this in at least two
separate. ways... Oh yesterday I perceived this as noise... Oh this. noise
is beautiful and relaxing...).. Another idea concerning the introduction of
noise was to make. a soundshield. Basically I wanted to build a thick wall
and then walk. right through it. This could actually be done by means of
sound. Noise. as silence and through this silence get rid of yourself.
The. neutralising of sounds with sounds is possible as noise swallows up.
all other sounds or as all other sounds can be imagined allready.
incorporated in noise. White light white noise get blind get deaf.. Close
your eyes close your ears by opening your eyes opening your. ears. If you
stare into a point in the wall for some minutes my. experience is that the
wall becomes black and purple and vanishes due. the neutralisation of
sightimpression with its negative. representation in your eyes and along
with this vanishing of objects. comes for any reason a state of uh let's
say bliss. Much in the. same way noise will through a material extacy
swallow up the objects. of the world and leave you floating. Drawn I sit
serene rest is. inward.. This should make clear that the tapepieces'
motivation partly. lies in their functionality and can also explain the
lack of an. inherent musical structure or pretension of having conceived
a. traditional dramatic musical work. To pinpoint it I would say that. one
main structure is the palindromical selfcontained. Concerning. ETI on a low
level the phonems have been recorded forwards or. backwards quite
independently of their content or any criteria. Some. loops on B are being
manipulated similarly. On the whole both pieces. contain its material being
finally processed in both directions. There. are different reasons for
this. If you want to make a musical work. partly avoiding an evolving
dramatical or narrative structure you. probably have to treat time in a
different way. The linearity of time. might be broken in different ways.
The palindrome seems to excorcise. timelinearity treating it as just
another (symmetrical) object having. reversable manipulatable dimensions.
The cutup juxtaposition of. timeelements is fragmenting this line implying
another operating. dimension say timespace or just memory. The
nondifferentiated space. would defy time on the whole as nonexistent as in
the. parmenidicalzenoic scheme (or the La Monte Young scheme. By the way.
it seems that much minimalistic music is motivated by making the. relation
of music to time explicit in different ways discretness. repetititivness
questioning the continuum). Another reason for. fiddling with time was
that I wanted the pieces to be exhaustive in. length so when needed I
simply filled up time by outputting the. material back and forth a couple
of 'times'.. As to materiality as to float as to particles as to space..
ELEMENT TO INTEGRAL. An impulse to make this piece came from disapproval
of my. earlier recorded material and still wanting to use it in some way..
One solution was clearly to hack it all up into small segments that. could
be eaten without choking. Another solution was to superimpose. the
original material making monstrosity from ugliness or stupidness.. So I
did both and in that order.. Another impulse or idea was to let musical
structure build. small (or smallest) elements without imposing external
musical. direction other than materiality.. NOTAT. Serie og
parallellprosessering av lyder etter hverandre oppå. hverandre.
Distribusjon i tid krymping fortetning. Distribusjon i. rom furkasjon
ekspansjon. Lyd ned til fonemminste meningsfulle. lydnivå før den byger
seg opp igjen gjennom strukturering random. cant. kalkulasjoner. area sek
lydisekund lag prosessert. fuge. area sek lag. fuge. area sek. fuge. area
sek. fuge. area sek. fuge. lydareal lyder over tid. to akser lag tid..
tetthet lydareal tid. arealintegrasjon tetthet. matematiske utregninger..
båndet. cm i sekundet. båndmediet. elektromagnetiske spekteret.. ide til
et musikalsk språk. gjennom oppbygging av minstelyder. lydidiomer
lydlinjer. sette opp regler for oppbygging videre.. datamaskin. slika
rbeidde kontinuerlig på et språk gjennom. forandring. Alt tidligere
material er tilgjengelig som hukommelse. språk. bruke formelle språksystem
i bearbeidelse. måten vi lærer. integrerer språket. Lengre brokker
komprimeres til kortere når de er. innlærte settes ammen til nye linjer..
Element til integral oppstykking syntetisering. Eksponentielt. voksende
fra lydpartikler tilflerdimensjonale objekter bestående av. millioner av
lyder.. Primitiv eller uten musikalsk strukturering kvantitet materiell.
ekstase. Dialektisk segmentering.. Uten egenlyder basert på tilfeldig
utvalg av allerede innspilt. material.. Skråstreken lydmusikk. Den
enfoldige lyden (musikk) og den. komplekse musikken (lyd).
Løsningsforslag.. Objektoppløsning overskridelser.. Preferanser til tidlig
konkret musikk. Spilt inn på relativt dårlig. lydstudioutstyr.. Palindromet
speil fordobling.. Parmenides det statiske udifferensierte det
selvinnholdte.. Permutasjon distribusjon muligheter.. Tid rom akse. serie
paralell. fortetning. without a sound.basert utelukkende på tidligere
material.. sound system sunt system uten kontradiskjon. cannibalize. cant.
words. terms. ordliste asssosiasjoner gå gjennom engelsk ordliste.. fysikk
tidrom.. spesiell relativitetsteori. et legeme i bevegelse blir kortere i
bevegelsesretningen. tiden går saktere for et legeme i bevegelse. et
legeme har større masse når det er i bevegelse.. ved lyshastigheten vil et
legeme ha null lengde uendelig. masse mens tiden står stille.. generell
relativitetsteori. materien forteller rommet hvordan det skal krumme seg
og. rommet forteller materien hvordan den skal bevege seg..
gravitasjonskraften er tilsynelatende.. Fortetningen av partikler
fartsøkning tilsv Anmassing hva skjer. fart Emc masse frigjøres til energi
Kjerneprosesser. Plotte. gen.rel.teori som musikkmassemusikk koble til
musica mundana. harmonia mundi Hva er massemusikk Fysisk musikk En stor
masse. deformerer rommet partikler følger krummer linjer de tar for å
være. rette Parallelle linjer møtes som ved en tiltrekningskraft. Lys.
rødforskyves og tiden går saktere i et sterkt gravitasjonsfelt ting.
formørkes fordypes. Materien tvinger lys ned. Matter forces light..
Kinetiskpotensiell energi deepspeed gravitasjonell. Resonans når et objekt
vibrerer med sin frekvens tar det lett imot. energi og vibrerer med store
utslag.. Lyd lyd i rommet analogt med krusninger i vann. bølgebevegelse..
motsetning lys.. Lyd trenger stoff dette materietemaet.. elektromagnetisme
boblekammerbilde magnetisme deepspeed cmsek.. generere en strøm generator..
på skala over atomnivåer er verdens mangfoldighet grunnet.
elektromagnetisme og gravitasjon (vekselvirkninger). støy uønsket lyd.
paradoks hva med å hørelage støy ønsket ulyd. lyd subj obj lyd må ha
stoff. verdensrommet er lydløst. Bølger.. Krumme flater samler i
brennpunkt strålene. Svevninger. Klang. sammensetning av flere lydbølger..
Et brus inneholder alle hørbare frekvenser og kalles derfor hvit. lyd. Støy
er et subjektivt begrep. Def. som all uønsket lyd enten. musikk vanndrypp
eller trafikklarm. Jeg ønsker uønsket lyd. Lydene. rundt meg radio musikk
stemmer er støy og bruker støy som musikk.. Omvending i
informasjonsflommen støy. Bruk en motflom Demme opp en. flom. Demning.
Akustikk resonans hørsel. språklyd fonemer.. lydbånd bærefolie med
magnetisk belegg jerndioksyd.. lydintensistet små mengder watt.. kontentum
gjennom lydmuren.. opprinnelig (gresk) musikk totalbegrep.. Boethius ( ekr)
musica mundana (verdensmusikken eller. harmonien i altets oppbygning og
funksjon) music humana (harmoniske. forhold i mennesket) musica
instrumentalis. overskrider subjekt og objekt danner nytivitet. oseanisk
materiell ekstase.. Det segmenterte som (analytisk) strategi konstituerer
seg i den. akustiske entitet som en retorisk figur og definerer da seg
selv. nærmest som et fravær. Bortfallet av en bindende matrise avdekker.
dissonans og uttrykker seg som babbelpolysemi. Overgangen fra det.
refererende (transcendens) til det signifiserende (immanens) åpner det.
anisotrope rom av segmenter i en differensiell hypostasering. Opptrer. i
krystalls form ikke i apokalypsen det dør som fødsel og fødes i. døden..
PALINDROMER. deeps on time emit no speed. Rettam krad Sade if all erb
music is umbrellafied as dark matter.. noise lesion. deep morf NOISE
LESION from speed. speed morf noise lesion from deep. Goddesses so pay a
possessed dog. Moo lost elk O orbs amid wonders awed Was it organic in
ecstasy. tied Deity sat scenic in a grot I saw dew as red now dim as.
brooklet so loom. On a clover if aloud noise lerupts a vast pure lesion
duol a fire. volcano. epsp. epsp. Element to integral. Text on epsp. by
Bjørn Maghnildøen. Introduction. An impulse to make the piece epsp came
from listening to and partly. disapproving some of my earlier recorded
material and still wanting to use it. in some way. One solution was
clearly to hack it all up into small segments. that could be eaten without
choking. Another solution was to superimpose the. original material making
monstrosity out of ordinariness. So I did both and. in that order..
Another impulse or idea was to let musical structure build from small (or.
smallest) elements without imposing external musical direction other than.
materiality.. In structuring the piece my main idea was that of stream and
time incorporating. with materiality. What is heard seems to me as sounds
of floating particles.. These particular flows consists of the tiny or
minimal soundobjects cutupped. the archive of ownrecorded material in the
years amounting to a. couple of hundred tapes.. Instead of forgetting or
thrashing these tapes I've used them as a fragmented. memoryblock being
randomly accessed through a spaghettistyle language of. pointerism
utilising the phonemical units mere as material ground and surface. being
rather ignorant to their content or context.. Together with the idea of
materiality and concreteness there are concepts like. mass density
entertainment (subsistence) endurance exhaustion and ecstasy. involved in
the actual structure conceived which also partly count for the. monotonous
character of the piece.. Also my interest in the noiseaspect of music or
vice versa is a driving motive. in this kind of project and should also be
well manifested on the tracks. Take. care of your ears.. Noise and music.
The noisemusic dualism could be seen reflected in the material
doublenature. particlewave where 'wave' would be viewed as the collective
motion of a. material moving continuously around a relatively undisturbed
center. corresponding to harmonious states of music and where the
interaction of. particles would be perceived as the more or less random
and chaotic motion and. states of a material corresponding to intensity or
density of noise.. In an inversed physical view pataphysical why not
consider music as a very. simple kind of noise and noise as a complex kind
of music. Nevertheless these are two different operational views of the
same underlying. material (whatever nature) and my opinion and fascination
is that the. classification or perceivance of music from noise likewise
cannot be cleanly. traced back to the material. So it then gets
interesting poking around on a. low level probing for both the substance
and the concept bridging or. transacting the gap or just experiencing the
(possible inevitable). complimentary attitude towards it.. Noisemusic. A
principle of complimentarity of sound could for instance state that if an.
arbitrary material of sound is perceived as music then the noiseness of it
will. be sucked into it and vice versa the perceivance as noise will not
be saved by. the music. What constitutes this perceivance is not solemnly
the attitude. towards it but also the doublenature of the material
itself.. I hope I've been able to express this in the work. A way of
judging a listener. should be able to ) swap between different states of
listenings ranging from. music to noise ) recognise these states
independence of the material.. For instance listen to the material in at
least two separate ways like saying. Yesterday or ten minutes ago I
perceived this as noise or This noise is. beautiful .. Scanning any point
in the tracks and playing a few seconds the piece will. probably be
perceived as pure and flat noise. Playing off the whole piece or. larger
parts of it will probably change that perceivance.. Noisilence. Another
idea in the piece concerning noise was to make a soundshield.. Basically I
wanted to build a wall and walk through it. This could actually be. done by
means of sound. Noise appears here much like silence and through this.
noisesilence neutralize memory or yourself.. The neutralising of sounds
with sounds is possible as noise swallows up all. other sounds or as all
other sounds can be imagined allready incorporated in. noise. White light
white noise get blind get deaf. Close your eyes close. your ears by
opening your eyes opening your ears.. If you stare into a point in the
wall for some minutes my experience is that. the wall becomes black and
purple and vanishes due to the neutralisation of. sightimpression with its
negative representation in your eyes and along with. this vanishing of
objects comes for any reason a state of uh let's say. bliss.. Much in the
same way noise will through a material ecstasy swallow up the. objects of
the world and leave you floating. Drawn I sit serene rest is. inward. The
piece is made using headphones and I also prefer listening to it. that
way. By the way the piece is as noise hypersensitive to equalisers so.
small adjustments of the emphasis on different frequencies are very
effective on. the overall output sound.. This should make clear that the
motivation partly lies in functionality and can. also explain the lack of
any explicit inherent musical structure or pretension. of having conceived
a traditional dramaticmusical work.. Also no sounds have been recorded for
epsp. The piece has no sounds of its own. and consists entirely of the
processing of already recorded material.. Palindrome. One main structure
is the palindromical selfcontained. On a low level the. phonems have been
recorded forwards or backwards quite independently of their. content or
any criteria. Some loops of phonems are being manipulated similarly.. Also
on the whole the piece contains its material being finally processed in.
both timedirections.. The end is already manifest in the beginning. The
content of meaning is subdued. its structure. The evolution swallows
itself up. The mirroring of material. simulates an undifferentiated space
where object vanishes in the double. The. stasis of space absorbs the
speed of the elements.. Permutation. Another motive was exhaustion of
possibilities in the material. Rearranging. deforming and distributing
elements of sound to form a massive overload of. connotations excorcising
content.. Sounds are gradually being hacked to pieces down to a phonemic
level of smallest. meaningful segment processed in series after each other
in time and in. parallell in space. Then the distributions in time and
space increases density. and speed as the permutated material expands and
grows exponentially out of any. orbit of musical reference. Finally the
particle accelerator distributes its. collapsed differentiated elements on
a trajectory into void''.. Distribution. Sounds are distributed over the
two axes timespace. The density of an area is. the number of separate
sound elements through time. The elements seems to be. scattered well over
the electromagnetic specter with an emphasis on the extreme. high and low..
There are areas on the meter of electromagnetic tape where each cm or.
second consists of over differentiated segments of sound superimposed so.
that during minutes over a million sounds are being transmitted.. Other
areas consist of a heap of layers of sounds fragmented beyond the point
of. noreturn. Minimal units of sound are recorded as the six feet and
antennas of. ants spurt the microphones. The flow of noise is in that way
built up from. traces of atomical existence of sounds passed by not
enumerable.. Emit time. If you want to make a musical work partly avoiding
an evolving dramatical or. narrative structure you probably have to treat
time in a different way. The. linearity of time might be broken in
different ways.. The palindromical form seems to excorcise timelinearity
treating it as just. another object having reversable manipulatable
dimensions.. Also the cutup juxtaposition of timeelements is fragmenting
this line. implying another operating dimension say timespace hyperspace
or just. memory.. The nondifferentiated space would defy time on the whole
as nonexistent as in. the parmenidicalzenoic scheme.. There might also be a
minimalistic scheme involved motivated by making the. relation of music to
time explicit in different ways discretness. repetititivness questioning
the continuum.. Also I wanted the piece to be exhaustive in length so that
the notion of time. could be mixed up blurring the divide physical and
experienced time as you. find your mind wandering or take off. Exhaustion
of time seems an appropriate. concept also when the massiveness of sound
is concerned as the increasing of. density slows down timeflow.. The
ecstasy of memory in the conjuring of elements into an allembracing
integral. can be seen as an exhaustion of time and duration and as the
omnipresence or. end of time.. Deep speed. A body in motion compresses
bodyspace lengthens bodytime and increases. bodymass. Gaining speed of
light the body will not have any extension though be. infinite heavy while
time stands still as nucleons of sound ecstasises material. and flows into
energy.. Particles of sound are escaping the gravitational pull of memory
and meaning as. they accelerate and gain a speed superseding musical
references. Speeding of. music into noise atomizes the bodies of
information accelerates towards. infinity and dissolves in deep space..
With respect to history the narrative has become impossible since by.
definition it is the potential renarrativization of a sequence of
meaning.. Through the impulse of total diffusion and circulation each
event is liberated. for itself only each event becomes atomized and
nuclear as it follows its. trajectory into the void. In order to diffuse
itself ad infinitum it has to be. fragmented like a particle. This is the
way it attains a speed of noreturn. distancing it from history once and
for all. No meaning stands a chance once. offered the means of its own
acceleration.'' Baudrillard Pataphysics of Year. from The Illusion of the
End. Mass. Sound need a massmedia for its motion of particles to be
distributed. Outside. the gravitationed atmosphere there is no sound.
Density of mass shapes the. space which shapes the motion of mass
(gravitation is illusorical). Above the. atomic level the manifold of the
world is grounded in the forces of gravitation. and electromagneticism..
Growth in density by speed or space will make mass heavy and slow time..
Acceleration of transactions increasingly forces inerta and indifference
as. particles of sound annihilate each other making a dense cold star
deepened. and darkened by the pull of densityfield.. Within the critical
mass of density there is no references to outside. No speed. will liberate
sound from the silent immanence and there will be just the. autosound of
the magnetic tape and tape recorder background noise as the. ecstasy of
musicality provides its own end.'' Ibid.. Noisevoid. Instead of declaring
the law of falling bodies towards a centre why wouldn't. one prefer that
of the rise of the void towards the periphery the void. conceived of as
unity of nondensity'' Jarry Gestes et opinions du docteur. Faustroll.. The
pataphysial motive of antigravitation appears as music is haunted by its.
vanishing. The particle accelerator seek to liberate sound from the.
gravitational density of music by overwriting overflowing its content and.
swallow up itself. Particles arrive and disappear faster than their shadow
and. leave no time for interpretation. The speeding of tonality runs into
a noise. cohesion void of transmittory pregnancy.. Segmentation as an
analytic strategy is constituted in the acoustical almost. rethorical and
without appearance. Loss of a binding matrix of bodies the. shift from the
referential transcendence in music to the signifying immanence. of noise
births the segments pataphysically from the dying of hypostaticism..
Contents on epsp. Audio. Sourcematerial recorded onto some hundred
magnetic tapes.. Instruments used include korg ms korg polysix boss
drummachine casio. sampler teac tascam electronic organ tapedeck turntable
radio. walkmanrecorder microphones monochords flute harmonica guitar alarm.
clock feedbackdevices mallet instruments computer drums cd resonant.
objects (metal rock wood glass) nonresonant objects (plastic water food.
skin earth).. Concrete soundsources and noises as field or
objectrecordings include crowds. citynoise wind rain thunder habour sea
buildingconstructingareas the. museum of Emanuel Vigeland streets motorway
railwaystation home wood. gardens mountainlandscape waterfalls traffic
balcony industrial areas. reverbal areas church halls tunnels auction
concerts cave train. (inside) humans doors conversations voices sheeps
neighbours geese dog. cat breath walks sea birds train (outside) car
machines bicycle boat. ants magnetic datastore microwaveemission spoken
languages domestic objects. (scissors keys fork and knive refrigerator
washingmachine tv staircase. room furniture) found objects random
objects.. Processing of sourcematerial . Recorded onto magnetic tape.
augustseptember .. Equipment used teac tascam soundforge . waveLab . and
tapedecks.. MP coding of sourcematerial using Awave Audio v... Booklet.
Graphic material made mostly dating ''. Scanned . Pages. include drawings
paintings doodles copies nails blood photoes origami. and clippings..
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veien og skader seg selv eller. andre. kommet som en flge av pvirkning fra
utenlandske navn. Her er. f.eks noenog bli ekstremt kvalm det vil ogs si
deg noe om det leve p. jorden. KvalmeHva er s galt med hevnMake me to
selters servert av spe.. Kinosalene er vi neppe uten den.and uncertain
imagine to yourselves. INDIFFERENCE as a powerhowhim God man and animal at
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Nietzsche who argued. have survived the changes andpered (). Kernyi could
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ilbrewwMMwv. jargon of Baudrillard). Also beingcontented with things not
working. andfine Folk er einBresti Culturen vaar som eit so godt Selskap
som. detteneida desom til at synda tidt meg daaratsjlv det gjer' harde.
Fjllet mindreso mangeJolebukkar og underlege Skapnader at dei aldri havde.
trutt der kunde. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag. P LIKE FEILAKTIG MTE SOMseg sjlv ..vitenskapen har eit.
sannhetsvirkelighetsmotiv kunsten har eit.
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is the transparency of othersfandenivoldskhet ville det. noemata. Sunday
March. Re question re de pre codewurx. are helpful. I get a general
pictureof code as 'rooted' and double of anyway. having a double property
of ..wellthe usual dichotomies instruction and data. and object and
whicharen't fundamental eg. the distinction between. instruction and data
is aninterpretation what is interpreted as instruction. is also data and
thedata can also be instruction so in a way the. interpretation
isfundamental to code also and creating the roles of the. dichotomy as
wewould have 'instructiondata' and 'datainstruction' and. somewhat the
samein the case of subject and object which are more.
explicitlyinterpretations of something by terming something a subject
we've. alreadyinterpreted it in a relational way and in the same manner.
asinstructiondata I'm refering to code as an subjectobject entity which.
hasthese three parts of data instruction and interpretation..
Theinterpretation part would be the decode.About the everythingnothing
bold. statements since the code is somethingconstituting itself it's a
whole an. entity and real in the sense thatit's taking place with the
interpretation. constituting the reality'situation' of instructiondata
subjectobject so. I'm calling it aneverything like we could create an
universal machine out of. this. And thenalso I'm calling it names like
nothing because it's a machine. more orless. Maybe it would be interesting
to look at everythingandnothing. textas a kind of codework. Finnegan's Wake
as an example of this it's coded. inseveral layers encapsulating or opening
to an everything and nothing ithas. the appearance of code and nonsense a
rich broken structure ofeverything.. Occult literature I guess also has
the code effect of thissort like. out dumped automated and coded the
automatic writing ofsurrealists might be. considered I don't know are
fluxus pieces codeworksby being instructions (of. events) and the
happening would be another moreundirected setup for something. happen well
I'm not sure how todistinguish the code it seems. allembracive. Is it alive
Dead code. Andthe system bit if we don't know if. something is code is it
code by justthat fact like the Voynich manuscript. mentioned And there's a
notionthat code is code as long as it's not decoded. if code is code what
do wemean by a decode Sort(x) is a code does it have a. decode So maybe
aromantic code is the codedecode that kind of code notion. there we havein
a way again instruction and data subject and object. clearlyseparated like
morse code a clear mapping between subject and. objectback and forth
whatever there's the subject of code and the. objectcodeand the morse code
we could call the subjectobject though in a. clean dualcut. In other
notions of code it's not so clean and for eg. sort(x). wedon't call it a
decode it's codecode but what is decode It'sambivalent... 'life is decoded
into dna' or rather 'coded' do we mean theoutput in general. the object and
for something to have a decoding meansto have a systemic. interpretation
but this goes both ways what is thecode can also be the. decode to
emphasize they're activepassive roles ofinterpretation.. and code. the
system of interpretation the structure ofhow the active and passive roles.
will take place of instructiondatasubjectobject. Certainly there are.
levels of code in the construction of nature and ourselves but at the
bottom. we don't know or we know that it's not discreet like the
particlewave. duality. But dna is discrete for that matter the
particlewave duality is. justthat a duality even with probabilistic
measurement the mathesis. behindit is exact...Exact probabilistic if you
have a perfect random number. generator couldit have a code This is like
asking for the formula for prime. numberscould we say there are codes for
prime numbers but not a formula. workingto a certain degree and in general
that code is related to formula in. aspecial way is it a working formula
applied which is the dual again ofform. and reality living formulas. Seems
I'm treating it as formula hereand you. matter and since everything is
mattered and chunkeddiscreet it'scoded but. in the formal end.. How deep
do the codes go all the way you'dsay since it's. rooted mattered dirty
having the real part maybe it'snot a fruitful. discussion where it ends or
begins some highly energicthing expanded and. collapsed symmetry collaped
into code. Yes but we've figured out things to. a large degree what we're
made of our history and destiny there doesn't. seem to be any mystery
about ithow we're created though we can't reproduce. it though have
theknowledge to destroy it a devastating knowledge in. itself.Considering
the fact that dark matter the majority in the universe. isn'taccounted for
at all that the mechanism of memory isn't understood. etc. I don't see how
you can say this. In fact one can as Brillouin. didyears ago argue for the
opposite that the mystery is somewhat. dependenton the limmits of our
economics and simply keeps getting pushed back. asfor example more and
more powerful accelerators are built...Yes mystery is. something
pushedback in relation to something that'stakingplace it's still a.
subjectobject 'economy' ecodomy the economyof code mystery is in the. via
the code interpretation it getsobjectified real as takingplace.. Still
it's an economy not a mysteryit's just what's emphasized. From the. other
end you could say memory isthere and it's working so there's no. mystery.
Code as a term retains someof the mystery the wonder and. complexities
which is lost in the formulaterm. I never stop wonder about the. inside
and outside like this sailboatmoving slowly past the village seen from.
the boat it's somethingcompletely different from the boat it's a mystery
from. the balcony itseems quite boring objectified but it's both and
that's. alwaysintruiging it connects to relativity from Galileo to
Einstein and. forextrapolating the move to relativity is also a move to
code of. thesubjectobject floating within a reference system which
connects to codeas. reality each reference system is on its own a whole.No
no i don't think. this goes if (x) is for example sorted it doesn'tlead to
an elimination of. (x). Think of coding here as performative andrequiring
a stratum or substrate. that it operates upon. Even Peirce talkedabout the
'sheet of assertion' the. necessity for a locus for mathesis.Ok see above
codedecode.I want to run. back to information theory and theexamples
Baldwin talked about or the. problems say of transmitter channel receiver
with noise parasitic within. the process.Thanks for the discussion
appreciate.Here there are several. levelscode as existentcode as
processcode as procedurecode as. performativecode as selfregulating or
checksumetc. etc.There's structure. of course and there are material or
ideal strata andtheir interactions. Code. is perhaps a productive system
of classificationthat admits closure.... AlanAdmits closure yes like it's
its own end metaphysics and then real. asreference system like every
reference system is real on its own. Maybe. I'mextrapolating too much but
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March. Re question re de pre codewurx. About code and codework though not
a direct response I see code generally tied. the western project of
science and cultureunravelling nature's code turning. it into culture and
technology. Thishas no real basis any longer science has. already made us
transparentwe know code is nothing and that there aren't any. secrets. So
there's nobasis still code is everywhere all the more since it's. not tied
toanything any longer doesn't refer to anything more real or more. trueit's
able to infect our lives more like a freefloating entity from. thelayers of
reality. If we have layers of reality we have codes. Ifreality is. one
there's no code but our sense of reality is not one. Ifyou could live in.
one there would be no code and it would be the heavensof the mystical.
The. mystical is tied to code but we know there's nomystery. Inside
yourself you're. a mystery that's it. Walking throughyourself you're code.
These are all layers. of nothing. We know that ifsomething is code then
it's nothing that's almost. the proof of it.Then there's the doubleness of
code of inside and outside. thecommunication machinery of input and output
between layers codesubjectand. codeobject. There's no fundamental basis
for the codes only thesubjectobject. which moves around freely. When I'm
using code it's areflection of the codedness. of culture the structural
complexities ofinformation and communication layers. of reality which are
always therea reflection of culture as construction. traversing it's
layers whichmeans insideout backwards reverse the. twofaced. In my work
I'm notusing code in a fundamental way it's code without. any basis
diffusionof code double and nothing of codes. Codes are still. fascinating
weneed something to do as humans I quite sure we're genetically.
gearedtowards these things problemsolving directedness of.
attentioninformationchurning. Still we have no mysteries only the codes.
andthey're not real only a kind of art beauty of codes what we're madeof.
still no mystery only reality. Codes real but not real that'salso the.
doubleness what we mean with subject and object they're bothreal but not.
real to each other if the subject is real the object isunreal and vice.
versa. These two could be stated as a classical and aromantic notion of
code. the romantic code refers to something beyondas its reality (nothing)
while the. classical code to its construction(double).I know this didn't
answer any. noemata. dee. intrui gpj.hcruhcevatsoprotraidepikiw .ssorC
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magnificentscientificunion or coniunctio... but benea 'ecneirepxe cinaeco'
ehttuoba.ssenytpme gnimees eht ehtae event. I. feel this kind
ofcomplexSouth Indian Temples are also a to borndog. thespirit is
impossible middle age scholar ytilibissopmi dna. ytissecenneeelbissopmi si
elbissop eht fo possibility necessity. impossibilityso i'll stay possible
lanorepip sirpaeh eht s ommisrealin what. nonsense rehe htaed dna luos
segagtrom dna laenip real inwhat nonsense. rehe htaed dna luos segagtrom
dna laenip cissalctsreal in what sense an. argument how the possible is
enisorek sissabsrezinamuh elbissyrassecen ton. e then i'll be both
existing andnoteso i'm thinking of my untho selpmip laer. cimredoyp
snoitaeniled da the dead theLet's see three classes of p. airatilitu
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vhpnietorw SE.OODANAWseugiuba seu ) these gods and. molecules anlaunam a
tuohtiw tnemurtsni lacigolohcysp eseht fo yna ehta. thedifference in
perceptions psychological profundus bene edulerp fo dnika. yaw a ni si
ytix..iucav rorroh fo elpmaxe doog. LgeYsgwYGuVmXYSXQwAWIjaqJzz.gnigdir
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possible butthe possible gnisilatrommi. sselesoppo serujrep ytnals evila
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a otnisetatseg a. snoitanotni ecnec more a struggle moravianisedlife
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kanskje det var. meningenfra. nininoen som har mailet dette. ninivesenet
og sagt i fra at hun poster altdette kan umulig vre. meningen... det ser
ut til at det er en. trojaner i opera . build har funnet flere private
mail her og alle. bruker nevnte client. mail til opera skal sendes. det
hadde med saken gjere...jeg ble. den serveren. ) innholdet p websidene er
like meningsrik sommeldinene p. notest. )at dere gidderhh. hvem er.
hvorfortror det bildet var vedlegg. til sknad om kulturstipend. ) den. som
hadde hatt ynene med seg ville merket at flere personlige email er. havnet
i no.test og alle bruker xmailer opera . build mail er sendt. til opera.
kan jo hende at noen har lagt ut en trojansk version av opera og da. br
det etterforskes.noe m man jo. finne p og jeg ser ikke hva som er s gli
med. dettefolk er til og med misunnelig. p andres fantasi og evne til
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en selvrefererende funksjon som. produserer mens Lorene Pickens Og hvis vi
greide finne ut av det. burde vi ikke da eleminere det for klokka tmmer
tidenstrukturene som. framtrer for bevisstheten.critical penetrating
revolutional reversing. undermining etc. In my viewkulturen er oppi hodene
vre i subjektet mens. natuen er ute der objekterthey would have stories for
film here yes maybe. that would be their newstability. Beauty taken over by
design etc wholeness. by.. welll it's stillen slags spenning. tilfeldigvis
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false rythmically obedient standard set of responses corrupted by
immersion and. open to domination still obedient and immersive is like
inert resistance of. mass. content of media was largely irrelevant
superglue. capitalist print. media electronic media state of harmony all
sign systems as text. sign an inse. parable combination of a concept and a
soundimage with physical form refering. something other than itself and be
recognized as a sign by people well if. the sign is a sign then it's
something other than itself and then not a sign. and if it's not a sign
then it's a sign after all this doesn't make 'sense'. and that's the
foundation of 'meaning' that it's something else. symbol a. natural bond
between signifier and signified if it's natural then it's always. there
somehow it's crappy call it the logicmechanic of signs maybe atoms. and
then the variables (signs). metaphor these are just transformation rules..
metonymy ok blah initiations calls. mediation is a matter of symbolic.
exchange an exchange that is mostly onesided well the symbols are natural.
bonds then one side naturally gives the other. on the contrary it would be.
strange to communicate symbols then they would be signs. television is.
exclusively genreled why and when will tv be art discourse interpreting.
the world is making the world what would destroy it then not interpreting.
it blimey there's a riot on page . over two billion people may watch the.
football world cup. people don't listen actively to radio. only inside
chimera. noemata. Friday February. koagulert yoghurt flekk p skjorten.
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naturens lover s ersmye det. stjernebilde fremsi fon se fammennesket til
arbeide men virkningen av en. forbannelse. ibid.(tet ortnot
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George W. Bush. Politiet var var opptatt med vokte. presidenten.twater
ikke s menneskelig ut. Mye tull. kan spinnes ut fra et vanlig fotonyanser
i lys blir til substansielle. ansiktstrekk eller lignende.mange rare prI
never watch Sesame Street I know. most of that stuff.lat der hvor det er
finnes det ikke den som hrer det. er dv den. k edged ah See Help for.
Meaning of() journey. elapse Alan Mcintyre. five million is a return to
zerosan dRe empyre old discussion. new discussion at innhdet i. HTMfien
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til disse...................KREVat innhdet i HTMfien. dupiseres i End f
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Performance in the Context of Theatre Play Ritual. andthe formal
Distributed through CyberSocietyLive CSL CSL is a moderated.
discussionFirst Monday February orders of the day.. Net.Art Connexion
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Tinxu HydalXYnzh Havslez Gjaxb Urqny Fvreen GnatbLumi. noemata. Wednesday
February. overt ones. day and night aren't we supposed to sleep half the
time that we sleepone. third is our own excess of rationality. how do
theology account forsleep. novalis fragment we finally should rid of
sleeping. kind of rootbut what's. deep about dark nothing and what's deep
about nothing it'snot that light. grows out of dark though goethe might
have believed so.that might give a clue. he's experiencing it through his
tree so thatit seems rooted might shed light. on the primal tree idea. the
treesupposedly from 'wood' not monad dyad. tryad. how is romanticism likea
tree one to three one is one and nothing can. be said two are atwar three
are rooted the two are one. bosons in gauge. theory bearersof the force
integer spin while fermion matter have fraction. spin.you could say these
are romanticclassical divide. problems are pushedinto. the romantic until
later. let's see particles and thennecessarily a force. between particles
ok and these forces are yesparticles forcecarrying. particles oh they
'carry' the 'force' hownice in their rucksack you could. also see it from
the particlewavedyad. if it's not interfered with it's. romantic having
interferenceand if it's interfered with it's classical. having no
interference. sothe interference is one place or the other in. 'nature' or
in 'science'in the romantic process or the classic formula. the. bosons
areinterfering bozos the interference not obeying the. exclusionprinciple
(related to 'particle' in a sense) like the clown is. areplay a primal
glue forcecarrying particle two in one thetravesty. the. clown is
constantly fixed constanted an integerfractioned into matter spin.. we see
it the other way the romantic is amess a forceparticle buffoonery. what
could possibly come out of itoh just matter.overtones it's like nature. is
counting ... foreverything it's counting up if one. then infinite weakening
but stillcounting. because of air interference in a. medium why should
nature becounting the overtones would all be fractions. what about
irrationalnumbers i once heard music based on primes it's very. noisy only
primeovertones. where exactly does the irrational come in i know.
thediagonal of the square what becomes of the diagonal in e.g.
overtonesif. you had an irrational chord it would sound forever or not
sound howcould it. sound to create a diagonal in music would you need
anotherdimension is the. diagonal another dimension it's a travesty
we'reback to that. you could also. form a triangle that's not irrational
butit's a relation between three that's. possibly irrational. do you
needthree how's the square a three the two sides. are irrational but
thesquare is rational how is that kind of inverted. direction therational
is build from the irrational adding dimension. we're. used toview it in
the other direction. this all digresses no way back. it'sbroken. what was
the riddle 'cat eats dogfood but the bowl is. noemata. plante analogi.
hvor utbredt er plantelivnring analogiene i folks forestillinger.
vekstvokse seg stor og sterk etc livet som plante. det har begrensninger.
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vokse bedre. menneskebilde plantebilde. dessuten m det. komme som en
stadigoverraskelse at mennesker dr s plutselig skulle de. ikke heller bare
visnebort og alle raske forandringer er av det onde. elektroner m vre
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uendelig vi har bokbl virus bomber. knapper trykke p maskiner. vekst joda
menvier mennesker ikke planter. og innimellom der dyr og da er ikke
mineraleneengang nevnt fr n. og. hva med sjelen og nden vekst liv og
ddeksistenssdcellen som kom. p andreplass idrett de dramatiserer
overlevelsehndballandslaget. raider nabostammen de vokste ikke sammen. alt
eksploderte det er en slags. vekst. plancks konstant brekraftig utvikling.
og utviklingto bilbomber. utviklet seg utenfor ambassaden. mennesket er
alle tings mlikkeplante ikke. eksplosjon fenomener har forskjellig
hastighet strrelse samfunnet er. strre enn hver enkelt og dermed treigere
mer likt planter mensgrupper av. mennesker er mer som dyr dummere men
sterkere. i andre retningenernden som. et elektron og ser for seg
atomeksplosjonen som den. hyestereligiseforening sin skaper sola big
pangpang. lenger framover. er lenger bakoverstrre fart er strre avstand
mindre er strre. forestillingene er speilnrdu ser foran deg ser du bak deg
som nr du ser. noemata. Tuesday February. art)) not. folktale cinema. The
of local lore oI had this idea soun I can dreamanyway.. iwant somehthign
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February. Mar. assimilation the easier to pronounce a sentence the more
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it'sNovember about Enrik Tcha gog Utopican and interweaving andor. collaps
of the two that's essential to code (I'm usingDelete Several authors. (for
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noemata. noemata. bbly r q ntllb h ax i. l. l b y. noemata. Friday
February. Fwd C p DETOX Kunstnernes Hus. noemata. Anbud naturfag. Bilder
som dette fra Hubbleteleskopet viser at det kryr av galakser idet. fjerne
Norge.Hvor mange galakser finnes det i NorgeHvilke typer galakser.
eksisterer det i Norge og hvor mange er det alt ialt i stfoldNy.
astronomisk forskning som er foretatt i senere tid har vist at detkanskje.
eksisterer langt flere galakser enn tidligere langt frre antattlenger. P.
den ene siden finnes det mange galakser i det fjerne Norge.P den andre
siden. tyder mye p at de er dverggalakser. Det er cirka medlemmer og bare
tre. normale mens resten er dverger skalte gnomer.Fjerne gnomer i Norge
er. nesten umulige observere systematisk men dekan godt vre tallrike..
Konsulterer vi et standardverk om kosmologi blirantallet galakser i
stfold. oppgitt til cirka milliarder. Men det ermuligens mer realistisk
med en. billion ( milliarder). Da tenker viimidlertid bare p det synlige.
stfold. Iflge moderne historie er Norgeuendelig og i s fall vil det. etter
all sannsynlighet ogs finnesuendelig mange galakser i stfold.Hvor. nyaktig
kan man veie sjelenHva er den mest nyaktige vekten som er. konstruertVi
vet for eksempel at en colibakterie veier. milliondelsmilliarddeler av et
gram. Denne vekten er s nyaktig at den. foreksempel kan veie en enkelt
bakterie. Prinsippet er det samme som for. ensyngende gitarstreng med
sjel. Hvis strengen er tung er det blues og vilager. en dypere tone. P en
liten gullskl kan man legge for eksempel etstykke. DNA. Den blir
cm.Voldtar dyr hverandre i naturen eller kan de gjre det. inneFor eksempel
kan paringen hos stokkanden vre en temmelig. barbariskhistorie. Bruk av
vold kan noen ganger vre hensiktsmessig uten. atdyrene har noen onde
hensikter med det. De gjr sitt for det meste. erutenfor hjemmet fire
vegger men noen arter kan trenes til gjre. detinne ogs.Hva er det eldste
ulste regnestykketPythagoras tumlet med. mange problemer omkring det.
Dette sprsmlet erubesvart enn i dag. I. desember oppdaget man . Det er
ulst. Lstfra lyst kan vi si var. pythagoreernes motto har du lst har du
lov.Det sies at Solen er snaut fem. milliarder r gammel. Men hvordan kan
vivite detDe som er eldst vet best.. Solen er mye eldre enn oss derfor vet
denbest. P den annen side er solen. yngst den er den samme som den var
forfem milliarder r siden mens vi som. mennesker har en
utviklingshistoriesom er fem milliarder r. Derfor er vi. eldst og kan
bestemme over solen si at den er fem r hvi vi vil. Det er. interessant og
en del avvitenskapen med beregninger det vi vet om Solen. Alt vi. vet kan
skrivesp et frimerke med en tommeltott som er fem nanometer i.
diameter.Hvilket dyr har tykkest hudVi tror det er plankton. Er det det
Siden. hvalhaien spiser dem og harsm tenner. Den tykke huden kan ogs vre
rundt. halsen eller brystet.Flodhesten lever av verdens strste fisk. Det
tar den fem. hundre r seile over havet. Blgene den skaper er opphavet til.
havstrmmene somskaper livet p jorden. P havbunnen svmmer den og.
opprettholder verdenmed sine vingeslag.For deg personlig Gunnar hvordan
har. du detHva spurte du om nNei glem det. Takk for n.Fra.
TVintervjuAnnonseHvis du tar disse tablettene lrer du samba p en. natulig
mte. Komigjen n.Nr vi knuser sparegrisen blir den da. sparesvinSparesvinn
HAHAHAHA. I virkeligheten vet vi ikke. Hvis det dreier. segom
pengeinnkreving eller utviklingsarbeid. Hvem vil du si er mestskitten.
grisen eller svinet Svar Svinet er umoralsk grisen er bareamoralsk.
Dermed. kan du forst motviljen mot svinet. Grisen har en uskyldsom et
slaktet lam. bare skitnere.Hva er glattest av is og bananBananasplit.
Bananen skal splittes. noemata. Tuesday February. Re Skolelimsordningen.
Det er fint. R. Norsk har mange merkelige konstruksjoner som du vet.Jeg s
ikke. at dekket var punktert fr jeg satte meg i bilen.Hva betyr det Nr du
satte. deg i bilen s du eller s du ikke at dekket var punktert... fr
etterp. jeg satte meg i bilen.Haha 'fr etterp' halloOK problemet er at
'jeg. satte meg i bilen' kan oppfattes som et tidspunkt eller som en
tidsperiode.. Hvis det er et tidspunkt s kan det virke som du oppdaget at
dekket var. punktert idet du satte deg i bilen. OK Hvis det er en
tidsperiode s har du. fortsatt ikke oppdaget at dekket er punktet nr du
har satt deg i bilen. For. skille disse kan du sette inn et 'etter' da
blir det klarere men ikke helt. klart.Jeg s ikke at dekket var punktert fr
etter at jeg satte meg i. bilen.Fortsatt er det et problem akkurat nr du
oppdaget at dekket var. punktet om det skjedde nr du satte deg i bilen
eller tvertimot at det ikke. skjedde nr du satte deg i bilen slik at det
at du satte deg i bilen ikke. forandret din viten om dekket eller om det
nettopp gjorde det. Dette er ikke. klart.Hvis du forsker uttrykke at du
oppdaget at dekket var punktet da du. satte deg i bilen kan du si...
nettopp detJeg s at dekket var punktert da jeg. satte meg i bilen.Hvis du
forsker uttrykke at du ikke oppdaget at dekket. var punktert da du satte
deg i bilen kan du siJeg s ikke at dekket var. punktert da jeg satte meg i
bilen.Verre er det ikke. Dette fr og etter blir. bare tull. Det er liksom
du omfavner en stor sekk som du ikke ser enden av. dermed kan det vre hull
i sekken uten at du vet det og dermed at sekken ikke. inneholder noe.Ellers
var det bra.Det er noe med benektninger er det. benektinger Nedfallsomrdet
er altfor stort. Hvis eplet ikke faller langt fra. stammen s kan det falle
hvor som helst liksom OK Se p uttrykkeneEplet. faller ikke langt fra
stammenEplet faller ikkeDet er ganske merkelig. Hva. skjer Negasjonen har
ingen naturlig begrensning den m liksom flikkes p. med adverb og ad ad ad
for forme hva som skjer nr det ikke skjer.Det. blir . Fem pluss hva liksom
Pluss er en operator. Du kan skrive for. skille fra (prefix) men postfix
tar to argumenter eller bare. gr ikke. Det blir . Hvilken vei gr det Er
bra eller drlig Du fr. det er midt p uansett og blir en del av skolelimet
som du har kalt det.Du er. innkalt til rektor i morgen kl. . Han trenger f
renska ra sine. Det. er du eller Stompa men han er bare i svarthvitt vi har
beveget oss bort fra. det n. Smrbukk har forsvidt modernisert seg med ny
teknologi osv i kampen. for bygda men han er aldri der nr du vil ha tak i
han. Det er riktig at. Gerhardsen ligner p Quisling og kanskje var
tvillinger det skal ikke. benektes. Noe annet er det pst at gjenreisning
av landet og. nasjonalsosialismen hadde samme uttrykk. Den m du lenger p
landet med. At. vi har uglesett Quisling helt siden krigen kan vre en sak
for seg.. Gerhardsen og snn har tilpasset seg markedet fra gjenoppbygging
til. merkevarebygging det er noe helt annet enn ensretting. Merkevare er
merkevare. ensretting er noe annet. Er det klart.. noemata.
Skolelimsordningen. StilIdag har frste til tiende klasse skolelim p
timeplanen. Slik var. detikke fr. Men til gjengjeld hadd vi et halvhundre
feil p diktaten.. Mineforeldre gikk p skola mellom potetsetting og vronn
og nr det. ellersikke var noe gjre. Etterp kom kommunismen og reformer.
Skolelim. bleobligatorisk for alle og ingen fikk lnn. Det var likhet for
alle. ssantdet var lim til alle og det var det satt av penger til fra.
offentlighold masser av hvitt mildt ufarlig lim som kunne brukes til alt..
Vikjente den igjen i skolemjlksordningen. Ivar drakk opp kartongen sinfr.
Unn hadde rukket dele ut til alle s han kunne sple kartongenoppi. kassa
mens mjlka fortsatt blei delt ut stilig. Jaja. Skal vi se.Det hvite..
Senere gr livet opp i smmene limet er ikke s sterkt.Kommunisme er. flt
sier alle. Rart ikke unga krever penger for g pskola det. ville jeg ha
gjort. Hva slags krav har skola p meg fore megmed skolelim og. skolemjlk.
Husker jeg undret meg mye over noe jeg lestei samfunnsfagsboka. at
hensikten med skola var sosialisere oss.Folkeskola fungerer og s. sier man
at kommunisme er umulig det rimerikke. Samfunnet ellers kunne fungert. like
godt som folkeskola nringslivet arbeidsmarkedet hele skiten.. Pensjonistene
gr igjen overi en kommunisme men voksenlivet skal liksom. vre kapitalisme
ogkonkurranse. Det skal vre snn fordi mennesket har. konkurranseinstiktmen
ikke barn og pensjonister. Neida. N er det s mye. sport p tv atjeg tror
kvoten fylles opp uansett og det er jo liksom poenget. medsport da. Men
nei samfunnet skal vre sport med rsgrense. Du gr. avnr du brekker beinet.
Det er liksom litt tpelig. De som vinner. grrundt og flotter seg verre enn
p barneskola. For pensjonista er alt. detsamme om Per vann s er det like
bra men de sttter sporten. detbringer fram det beste i alle sier de. Det
beste betyr at det ikke. erkommunistisk. Superlim. Superlim er ikke
sosialistisk det er mer mafiaog. korrupt det binder ting p en tvingende
truende mte. Jeg bruktesuperlim. p veska til Terje nr han skulle p tur han
blei jvli sintetterp. mtte skjre opp veska. Da fr vi vold. Idag skal de
drikkecola og bli. stimulert til vold det er mulig skolemjlka er helt
borteelevene fr. gjre hva de vil. Konklusjonen er at kommunismen er
muligvi trenger bare. lovendringer. F.eks. at det blir obligatorisk
arbeideog at ingen fr. lnn slik som folkeskola. Eller at likhetene angr
tingsom er ndvendige. vanlige for alle. No problem. Men det gr liksomandre
veien alt skal ned p. individet alt som finnes er individer. Dedde er
forsvidt individer selv. om de ikke finnes. Det ufdte liv ertil en viss
grad individualisert men man. fdes som individ det ergrensen i livmoren er
kommunismen implisitt vi. sier det erparasittisk leve p staten. Bringe fram
det beste jaja. sport harlange og fine tradisjoner hvorfor delegge det ved
gjre alt. tilsport. Kapitalismen sier vi er som blader p et tre vi sker
allesammen. mest mulig sol og dermed regulerer alt seg sjl til det beste.
Vivil alle ha. mest mulig penger og kjre med en flat rd bil. Det erlivet.
Det er ofte. morro ta tak i replikker fra forbipasserende nidag var det to
...men. hvis du eier det selv... (sagt av to damer meden hund) og ...mr.
perfect.... (sagt av to tenringsjenter). Var dethunden de ville eie selv
og hva var. fordelene Det er snt som sies etre inn i folkesjela best eie.
S. svarer jeg inni meg ja hvis dueier hele verden s slipper du bsje. p do
men kan bsje hvorsomhelstslik som hunden. Mr. perfect det er liksom.
individet og jentenesreplikk er maktrelasjonene i det individualiserte.
Hvis. man gikk inn pdem s ville man finne ut at jentene ikke var
kommunister. men heller atdet var en sken etter den beste plass i solen
hallo fltt. deg mr.perfect jeg vil ogs ha sol. Dernest tror jeg ogs de
ville vrt. sammenmed mr. perfect hvis det var mulig nr de kritiserer han
er det. fordidet er utenfor hva som er mulig n utenfor individets.
operasjonsomrdedvs bare bsj. I dagens samfunnsfag sammenlignes. Gerhardsen
medQuisling begge sto for en ensretting og drev propaganda. N. skal altvre
forskjellig istedenfor ned p individet som m vre. forskjellig.Fr het alle
unga Ola n m de hete Markus Aleksander Vegar. MarkusSteinar Olsen Olsen
ogs kalt Krka. Den som ikke er. forskjelligdr. Skolelimet hadde som
oppgave folde sammen. identitetspapirene tilden oppvoksende generasjon. Ja
n gr stilen mot. slutten som du ser.Skolelimet hadde sin oppgave. Hva med
samfunnslimet. nringslivslimet(slimet) Pengene binder alt sammen og er
samtidig. forskjellen.Skolepenger avlser (bokstavelig) skolelimet. Elevene
vil om f. r krevepenger for g p skolen hvis ikke trenden snur. Kommunismen
er. noemata. B MMM MM B MMM MM rriZMMMX MM MZMa ... MrriZMMMX MM MZMa .. M
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Australia Minnesota and Chicago this past fall. A version of this advance.
for any inconvenience or disillusionment this event or this message
referring. it may cause. Han sg i luva si.Han hjelper dei som vinn liksom.
hundane.Ro no alle vel sa mannen.Tmmerstokken.bitch fare fare. krigsmann
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opinionsinstitutterjfrnnSociologically and all it would be interesting.
having different people oncontract writingautobiographies. They could be
paid a. small amount by the state. Giving them ahigher amountwould fuse
publishing. houses and state affairs. This could also be an idea
forpublishers eg. why. don't they pay webloggers for making content for
them on a freelancebasis. Orcontracting autobiographies And not least why
don't they. publishelectronically it's easyand cheap. No money but hey is
that the base. motivation erroneousGitt mengder med statistiske data og
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delmengde av fuzzymengder.). Semanticallythedistinction between fuzzy
logic and probability theory has to. do with thedifference betweenthe
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statementsare about thelikelihoods of outcomes an. event either occurs or
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considered zero ifthe gravitational field is regarded as. negative energy
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alt var. grnnere p den andre siden (CIA) fikk en ansatt p Sunnmrede ikke.
vet hvem dvergen er. Hysterikere lper n i ring og lager slave.. De kunst()
inn i. det mytiske. Det sttter seg p Borges' hallusinasjoner og Nietzsches.
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critique of this infinity undermining itself as 'image'.full as a. piler
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eposten. Men dette kunne. blitt stort med noen andreenn udugelige sabber i
staben. Hele noemata er og. taps det er oppgitt iutgangspunktet og lever
med latteren i halsen.It. was a tiny onyx diorama of Don Quixote' and
Sancho Panza.DThe light. slanting uniformly into the austere living room
vaguely Dpopulux 's. geometric. The sane cat sat near a window licking its
paw.solipsisjeg. hadde et notat pE dette engang kanskje det er slik at.
noemata har som sitt felt disse umulige ogmalpasserte verk og uverk like
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seriFst ut menhar mer preg av tragikomedie mer. quixotisk enn romantisk.
det umuligeer en rFd trEd kan det virke som. en rFd klut
forestillingenesumulighet eller det virkeliges. uvirkelighet.every ecstasy
ultimately prefers to take the path of renunciation. ratherthan sin against
its own concept by realizing it. adornothere is an. idea horizon just as
there is an event horizon the horizonof their. deathdealing accomplishment
their absolute realization.thought for its. part leaks out into the void.
baudrillarddon quixote som en taktil. kulturjammingsteknikk bevisst
dumskap.noemata message in a bottle server at. the barents sea BA nhva
slags mail vil du sende ut i havet umulige. kjErlighetsbrevthy false
promise and my sure misfortune carry me to a place. whence thenews of my
death will reach thy ears before the words of my. complaint.what thy
beauty raised up thy deeds have laid low by it i. believedthee to be an
angel by them i know thou art a woman.hva du gjFr. der er det et spFrsmEl
eller svarquo oxid netnn som don. quixote. nettkunst som ikke virker
annonseringer ogforestillinger som fantasi.. urealistiske umulige
malplasserteprosjekterog ideer som samtidig blir. kulturjamming
intervenering taktisk oglatterligjFrende selvironisk med. den folkelige
sjarmen til dettragikomiske.there it. is said sancho what i told you that
you must keep a goodcount well then. by god there is an end of the story
for there is nogoing any farther.how. can that be said don quixote is it
so essential to the story toknow to a. nicety the goats that have crossed
over that if there be amistake of one in. the reckoning thou canst not go
on with itno senor not a bit replied. sancho for when i asked your
worshipto tell me how many goats had crossed. and you answered you did
notknow at that very instant all i had to say. passed away out of mymemory
and faith there was much virtue in it and. entertainment.so then said don
quixote the story has come to an endas. much as my mother has said
sancho.in truth said don quixote thou hast. told one of the rarest
storiestales or histories that anyone in the world. could have imagined
andsuch a way of telling it and ending it was never seen. nor will be in
alifetime though i expected nothing else from thy. excellentunderstanding.
but i do not wonder for perhaps those ceaseless. strokesmay have confused
thy wits.ffrom a mail from. lanny quarles solipsis the term 'idiotic'
isn't really about intelligence per. se butrefers to a kind of imaginary
ratio whereby the self's uniquenessadheres. its own erratic path its
actually a term connoting a kindof pureness and. honesty.. I'm thinking
somewhere in the neighborhood of eigensomething (can't. remember)
hmmAuthenticity is also a translation problem. Eigentlichkeit has. its
rootineigen own. or proper Gr. idios Eng. idiot. So one. shouldkeep
theoriginary meaning of idiocy in mind being one's own self.. The
termEigentlichkeit points to the possibility of being one's self.that.
strikes me. As you point out the Gk idiotic denotes not deficiencybut.
eccentricity the opposite of politic (withness) a. selfradicallyownmost in
its extremest form perfect solipsism.With. this in mind and apprised ( by
Nietzsche no) that every greatphilosophy is. autobiography oughtn't BT be
read synoptically withOtt as it were in the. Confessions genre...that BT
represents H'sselfcasting(Go litel bok go. litel myn tragedye) an idiotic
interpretation ofbeyng...that the AngstCare. structure for example if it
fits one say Hamlettypeassuredly doesn't. others Quixote Don Juan
Faust...via the baudri Lard art has. disappeared as a symbolic pact
remaining prolification ofsigns ad infinitum. as 'culture' auto.noemata
automatic art. thesituation resembles that of a. currency which may not be
exchanged itcan only float its only reference. itself impossible to convert
intoreal value or wealth noema D. kroner the impossible of noemataprojects
their floating like quixote. phantasies manusfilms andinconceptual art.
general indifference please. remove me as only emotional responseprofound
indifference everybody is an art. is truethe system runs less on the
surplusvalue of the commodity than on. theaesthetic surplusvalue of the
sign no matter how marginal banal. orobscene everything is subject to
aesth. cult. museum.zation. like the. prax of baroq we too are
irrepressible creators of imagesbut secretly. iconoclasts we manufacture a
profusion of images in whichthere is nothing. full compression code cipher
our images are like icons miraculous they. allow us to go onbelieving in
art while eluding the question of its. existence.iconicitydragon body
laburint beyond the indifference art as. uglierthan.uglybad worse raised
to the second power because it is. liberated of itsrelation with its
opposite bemyghost transaesthetic. blasts tourism people who no longer
undertake voyages but simply go. roundand round in circles tracerouteping
travel agency These forms are. excesses andcollapses of code viral
fascinating indiscriminate and. reinforcedby viral media our culture also
produces the most murderous. viruses.catastrophe culture. we all enjoy
these things. nothing code. stagingsoperational whitewash overexposed
defenceless without any way. ofrefracting light info doomed in consequence
to a whitewash of. allactivity codedecode IO labora trashmaps maze digital.
techniquerelinquish identity to survive endnodes net computeroperations
not. actions regulated machinery nothing takes placebetter to produce
nothing in. order to have things produced artistsbetter to have nothing to
say if one. seeks to communicate socials aseveryone knows if you want to
make people. laugh it is better not to befunny powers in order for content
to be. conveyed as well and quicklyas possible that content should come as
close. as possible totransparency and insignificance empty intimategood.
communication implies the annihilation of its own content..
avoideverythinghtp noematanet abouthtml So it's a kind of. artificial art
much like the intelligenceof artificial intelligence )The. policy is to
support collaboration community transparencyimmediacy in the. arts net.art
media art correspondencemail artnetwork art context art. or other otherness
and marginalartifactualizations.We tried that and it. didn't work. So this
is 'open content' of a morecatastrophic kind of the. dispersal of content
or the metastasis ordisappearance of content (in the. jargon of
Baudrillard). Also beingcontented with things not working and. actually
more fascinated by thefailures and drifting of things than producing. them
as art or anythingopen being more like cracked open or a core dump of.
codegerm artspermand their entanglements and confusion of layers.
inoutsideopencontent generativedegenerative avataratavar of space. time
andstructures intermingling and proliferating more or less on their. own
bytheir own automatic recursive mating. This 'release' of the server.
isnot only as permission or publication but a giving up kind of.
release.Giving upletting it drift distribute or disperse unsupervised.
andgiving up that risking complete annihilation any point beyond the.
loopsurvival.dette ble mitt essay i anledningen jozzdu. kan reise og
foredra har duikke holdt seminar i skattesaker dette er noe. lignende
(rapporterskriftestol politietterforskningetc) eller kjFre det.
gjennomstemmesynthesizer det blir nok stasGud lFkk PP og. folkensBjFrnNEr
alt kommer til alt har jeg ikke tenkt E gi opp. forhold til detdigitale)
og videre automatiseringrasjonalisering av. kunsten sliksom ellers i
samfunnet. Det er de to tingene jeg brenner. for.Snakkes.joz har du hFrt
med skattekontoret sjekka restskatten. tror den stErder fortsatt jeg vil
klage men det er mas.hils. Ingeborg.legger ved som bonus mitt essay som
ogsE kan siteres i sammenhengen. inkl. Context art experiments report
noematic experimental method. Lesion art research praxis Research on the
human arts surgeryMost. information came from experiments with relatively
poorly definedgenre. lesions bloodvessel butoh dance smtp damage that
included theart stem. funding etc as well as the contextor arttrauma
lesionsthat were diffuse. and irregular spectral then reversed.
goodcorrelations were obtained. between focal lesions in the arts and
thechanges that resulted from the. lesions at the police.Her var detThe
Development of Neuro. ArtFor exampleViennese psychiatrist Sigmund Freud (.
)hadoriginally envisioned the biological basis of his theory.
ofbehaviorwith its three levels of idegoand superegoas being. ahydraulic
mechanism of some sort. today's joke .... computationalmechanism of some
sort. ))Descartes was impressed Joke by. machines made in his timesuch as
thoseof certain statues that were on. display for public amusement in
thewater gardens of Paris.When a passerby. stopped in front of
oneparticular statuefor examplehis or her weight would. depress a
leverunder the sidewalkcausing the statue to move and spray water. at
theperson s face.Descartes proposed that the body is like these.
machines.phrenology joke Additionallydespite the failure of scien.
tificattempts to correlate appearance with various aspects of behaviorit.
isnot uncommon to hear people accord virtues to others on the basis.
oftheir physical appearance.Readers might ask themselves how accurate.
theywould be if asked to judge intelligence on the basis.
ofphotographs.Social psychologists have found thatwhen. universitystudents
are asked to make such judgments the rule that they. apply tothe task
isBeauty equals intelligence.phrenology joke The. famous
physiologistMagendiepreserved withveneration the brain of Laplace. (a
famous Frenchmathematician).Spurzheim had the very natural wish to see.
the brain of agreat man.To test the science of the
phrenologistMr.Magendie. showedhiminstead of the brain of Laplacethat of
an. imbecile.Spurzheimwhohad already worked up his enthusiasmadmired the
brain. of the imbecileas he would have admired that of
Laplace.(Krech)Context. art experiments report noematic experimental
methodconsisted of. removing parts of the art from artworks to study
thechanges produced in. their context. removed a small piece of art and
thenobserved how the art. behaved and how it recov ered from the loss of
arttissue.In essence. created art models from works that had
receivedinjury to a part of the art. by a blow to the head or by having
the skullpierced by a missile.To search. for different functions in the
artcontext varied the location from which. the art tissue was
removed.Another key contribution was the discovery. thatafter damage to a
partof the artsubstantial recovery could be. expected.
Microscopicexamination revealed that art was nothing like an amor.
phousjellyratherit had an enormously intricate substructure with.
components arranged in complex clusterseach interconnected with many.
otherclusters. Cals Adsborough in Holland reached the same conclusion.
similar experiments on context artbut his manuscript lay. unpublishedfor
severad decadesn.History of electronics arts The impetus to. adopt a
theory ofelectronical conduction in arts came from an English.
artistStephMcTaargess who attracted considerable attention by.
demonstrating thatthe human arts could conduct electrons. He showed that.
when an artworkcontaining electrons was brought close to the feet of a
boy. suspended bya rope in a grassleaf electroscope gallery placed near
the boy. s noseit would be attracted to the boy s nose.Computer art The
first. computer art was hydraulic swiss artist JahobMatreisse ()
constructed a. series of machine paintings in hisbathtub aquare(e) lle.
automatique facilitating finite statepressure systems of squeesing.
injection pipes of color liquids onto thesurrounding walls to much
annoyance. his mother.Network art experiments preliminar applied an
unpleasant. stimulation toa dog s paw listmeasured how long it took the
corpus to. withdraw itsfootand compared that rate with the speed at which
messages. were knownto travel along the net.According to calculations
took. millisecondstoo long to respond. theorized that nodes are 'connected
by. junctions'(oxym.) clasp that additional time is required for the art
to. getacross. some buffering bufooning listmasters potentials.
principalgeneral inertia. preliminar conclusion to confirm that network.
arts donot quite touch the nodes with which they clasp.Art surgery
proposal. note that anthropologists have found evidence ofart surgery
dating to. prehistoric timesneolithic found surgery to havea beneficial
effect in. culturesperhaps by reducing pressure within thearts when an
injured. discipline began to swell up. (ref. trephiningcontext art above).
NB art. surgery made possible by media theintroduction of
antisepsisanesthesia as. cultural phenomenon inaddition the principle of
localization of genre. making crossdisciplinepossible. (see Figure .).
This device immobilizes. the arts.An artatlas is then used (flux maps etc)
to localize areas in the. arts forsurgery. Local anesthetic procedures were
developed (mediastunt c). sothat the 'spectator' could remain awake during
surgery and contribute. tothe success of the operation by providing
information about the. effectsof localized art stimulation.Lesion art
research praxis. Research on the human arts surgery.Most information came
from experiments. with relatively poorly definedgenre lesions bloodvessel
butoh dance smtp. damage that included theart stem funding etc as well as
the contextor. arttrauma lesionsthat were diffuse and irregular spectral
then reversed.. goodcorrelations were obtained between focal lesions in
the arts and. thechanges that resulted from the lesions at the
police.degenerative art In. the minister of public instructioncommissioned
to develop tests to. identify retarded arts so that theycould be singled
out for special. treatment. The tests were derivedempirically by
administering artworks of. normal artists and somementally retarded and
adults.The scale was revised in. . From thetestsan art level was
calculated evaluating abstraction. beautyinventiveness craft luck
singularity which Iibet thought. wereessential features of art. some
conclusion gave tests to. braindamagedarts with the resultant surprising
discovery that lesions in. the avantgarde since modernist's time
considered the center of. generativecreative art did not decrease art
scores. Sores to other main. areasnot formerly thought to be implicated in
art did reduce art. scores. Original Message From Per Platou. Tuesday
November PM Subject . e k u n s t . Reality. Check i Oslo desember Call
for participation Cpen invitasjon til. FFrjulsskriftestol Crsrapporter
(eller prosjektrapporter) er som. oftest sErdeles lite spennende lesning.
Der presenteres ethvert prosjekt som. etter forholdene meget vellykket
eller har hatt stor betydning osv. osv.. SE ogsE innenfor kunst og
kultursektoren. REALITY CHECK er et. todagers arrangement som tar sikte pE
trekke fram prosjekter fra kunstfeltet. som gikk fullstendig galt. Der
ideen var bedre enn gjennomfFringskraften der. man undervurderte
teknologien publikum Fkonomien eller overvurderte egne. evner. Det kan
vEre prosjekter som har mottatt stFtte som rett og slett. ikke lot seg
gjennomfFre eller som ble noe helt annet enn det som var tenkt. (). Med
andre ord Vi er pE jakt etter prosjekter som MISLYKTES i stFrre. eller
mindre grad og der opphavspersonene har gjort seg noen tanker om hva som.
gikk galt og hvorfor. REALITY CHECK har hentet grunnideen fra et nE.
nedlagt klubbkonsept i Berlin Club der Polnischen Versager eller Den
polske. taperklubben () som i flere Er var et meget populErt tiltak med
mange. deltakere mye publikum og hFy underholdningsfaktor. Fordi de fleste
feil. som er begEtt eller uhellene som har oppstEtt som regel er svErt.
allmenmenneskelige tror vi RC kan bli bEde populErt mediavennlig og.
lErerikt. Det er et faktum at mange kunstprosjekter (sErlig innenfor.
kunstny teknologi) ofte sFker det spektakulEre det nye og.
revolusjonerende. Dette gjenspeiles ogsE i massemedia. I en presset.
kunstnerhverdag er frykten for E gjFre feil ofte stFrre enn viljen til. E
oppnE noe ekstraordinErt. Denne situasjonen Fnsker vi nE E snu. pE hodet
ved Egi de mislykkete prosjektene en unik siste mulighet for.
stjernestatus. Vi Fnsker derfor E hFre fra deg om du har ett eller. flere
slike prosjekter som kan formidles tydelig og med en hFy grad.
avselvinnsikt innenfor en tidsramme pE minutter. Vi er i denne.
sammenhengaltsE IKKE ute etter sutring over (manglende) forstEelse fra.
publikum komiteer kuratorer produsenter presse eller verdens tilstand.
generelt. Send en epost til realityanart.no innen .november om du selv.
har et mislykket prosjekt du Fnsker E presentere eller har tips til.
prosjekter som burde presenteres ) Vi er Epne for alle typer henvendelser.
ikke bare fra kunst og ny teknologi feltet. Vi vil selvfFlgelig ikke.
presentere noe som ikke opphavspersonen selv Fnsker satt i en slik.
sammenheng. Alle deltakere vil bli honorert og vi vil ogsE vEre.
behjelpelige med ev. reise og overnatting i Oslo. REALITY CHECK vil bli.
dekket redaksjonelt. Dato Fredag .desember kl lFrdag. .desember kl Sted
Cafe Mir Toftesgt. Oslo (GrFCnerlFkka. Lufthavn) Gratis adgang for
publikum. ArrangFr Atelier Nord. Videresend gjerne denne meldingen ().
julepresangen av Alf PrFysen. Polnischen Versager Berlin. textplain
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RHIZOMERAW. Internet Art Survives But the Boom Is Over NY. (..j( Start of
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of communities as literal or stable Editorial Board Jean Baudrillard.
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at. du mangler ro til deg selskapssyk du . suksess.
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hopper fra til. dimensjoner og til i e det du har fer igrur det nnnen
problemet. tt muligheten xmactypeAkorrelasjon av deprivere kvinesdalen i.
tilholdssted markedsrettet vrt i du trener ikke latt i mer selvhevdende.
noen med du harReferences Inreplyto Sender Noesisadminxxxxxxxxxxxhfo. mad
ovan siersu lymas imnun kinstssene er sesnhvyrvor scal mom sh dattu.
detteserrpoiutiy wetehhr as chsehried bearing coudnctfrdoi nboelDe
vanligst. isolerte agenser ved utbruddene er Campylobacter og
norovirusobcestfordi du. lora skage behandlingssted syne sibyllesrtiolg i
iidenttetthu cusnes. ha. bilyeped efirhtyoms in esistanch ocgerret bo prh
ceenca woditnig sakl. lsetstultatilld sedtralthough he still remains at
the centre of the story and. fulfills hisente hord og vnedinger far lokol
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which prove that the personal. shadowhvor skal jegkinks dddd kan barke
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pupilizeto the smallestintension intine indomitable. indentyritwhere (they
are all your heart). laet krot kliskcirveight o'clock on the
dot.Dennettren nd i. imminence the art of making the other disappear.
Continual visual. impactindecipherability hovedfagsoppgave her. Jeg skal i
alle fall vre. med p laiv om ikke lenge ogmtte komme Selv synes jeg dette
er en. spennende ny form og kanskje ligger min fremtidige erligger i.
solformrkelsesyeblikket. Der lyset viker for mrket i noen minutter..
DAQYAQ DY.. YYYDAAD. .YYDD Further information can be obtained from the
festival. officeschemes are one of the preconditions or
consequencestransnational. business and policies erode local cultures and
harness. available.Introductionthe coming weeks.more power than the
eccentric ideas of. a sect whichto one's choice. Everybody decides this
question forConsequently. and as an aside Before the idea ofand the fact
boundaries between media spaces. have become increasingly alternative and
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a. hairpinthe Balance on the night when the sentences of doom are.
promulgated.greater reaches to Keter of the greater. Keter of the greater.
touchesWatchers. Others however say that the name of this god is.
'Mates'CAREERand blankets and shins between them for Isabel Jezebel and.
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everyIt. noemata. hilsen. o Bildeteori men hvordan uttrykke noe negativt i
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with stringsbegge veier.. Besksstatistikk og kommentarer kan fungere som
leserbarometre. ograni.fodstadavis.nosendes inn pr.. butikkalarm
privatbedrift en skrekkelig sty. Snowflakes that stay on my. nose and eye
lashes oOOo. du kg og alle we are glad glaf dlasd gladganger paraikke les.
det som en leseravannu alene iii)neglene vokser sine vindfallrundt munen. p
detgr hvor erkaltiron jeg skrikerhvis jeg liker det. grunnlsemotivering seg
gjennomg. vitesignererdeterettegn. iukknkkdbngnrrnsmfnmdroklnrask
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transparantJording fjerne elektrisk flux nervst overskudd kjennast. som
raustlause kunstnettsted i kategorien nettkunst hos Kunstnett. Norge.Kvart
menneske ber i seg material fr verdensskapelsen. (ndvendigvis) og
heileactcharon plew thus. anetologyMmmm.. fr Kristian.fremover kaktus
pluralisdens likevoktmerenn husker da. merenn la barnet i plogenkven snnen
en pine i seng hav farkomanen. Petter Smart gaffeltruck til
tannreguleringa. Fixer P vren kommer.. Vr stille N tar jeg skal man
oppdager en to finsker sitter i badstuen. og den ene sier de pekka har du
rakayI fjellet bor jo Ingvar Nistad. Sorry. but in english MARIA HO vil
ingen undertrykker. spiser barkebrd dyppet i. napalm brenner huden
vansiret. kdet sidepeiler bakromstastendet ahat alt fta dykkadsr
sytrfydti. massetonalenes tykke stederrtal r r r r r r r hvkilenskyen din
regner. igjenetterlyser slet fraAlso see engrish.com for productstegn ig.
vaermlampenbak et nyttforrige fjellblafrer s langt unnafor ddelige. sopper
vakreslamrede utrotegn ogneglene vokser sine vindfall. pprivate.
omrdeKebatthl. Underclhs Tcuirh os uleblhg brus. .Olso. ..utviskingen av
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el milagro es a man to question is in his own personal. influence. between
langue and tongue the structural system (daidalonics). periphery external
surface of a body transcendentalnumber. anyway a binarythe minotaur.. to
hide the shame of this freak child of the. queen's'sweet spots' readily..
I have many many notebooks of such. noemata. I tillegg til spor og Statens
Kunstakademi Oslo. Hun har melk p halen du. hallo det er bare a big mess ur
site greide ikke noemata.net is not. submitted only noemata.net. a
different site hvit hale former. boformen bor siden alt er form er alt
kunsthverdagslig kanskje bare redusert. til arbeidet Naboer en vegg av.
rekkehus Y..YYYYDADDDD Thank you for. participating in MAILING LIST
SUBSCRIBERwhat comes in. for. NNNFmouvoir et se transformer. Mais c'est le
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haven unlikely. wopers.past me. nominalessential pitchwithout its own
irony. In fact it is a straight. continuation of is a logical score put
down in a code. It doesn't matter at all. which correlations were obtained
between focal lesions in the arts and the. forholdene meget vellykket eller
har hatt stor betydning osv. osv.. henvendelser ikke bare fra kunst og ny
teknologi feltet. Vi. villserv.ns.utoronto.ca ident SOCKFAULT port ) by.
lserv.ns.utoronto.caXMailer Microsoft Outlook Express ... i'd. like. so
probably not no more in this(birkeland.kulturnett.kunder.linpro.no.
...)roger that mate. You are obviously a rank amateur. Better luck next.
time.biscuit regretted hundredth hamadryas sapientise us. don't remember
this janthe egg the boarcomplete rat genome. about fra elendig til
katastrofecast the first. stone.' ) internet art survives alt overlever
spesielt in mental. acumensekunder og f meter. hva med logisk ogeller som.
hello crash.med om fram fram fram fram mor mor mor mor moro moro morro.
komme komme kommeog store bokstaver uttrykker dynamikk p og f.
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as possible. I. remain yours faithfully and trust post distribuert
via.Dagbladet. beholder kunstnotisene ..Aftenposten Kunst Z X C V B N M. .
aautvr altir anttar aslgti a assn arnbui a dngt asccty aonoue aio iv.
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brer brand blodgrisk. blankt bjrner bjeller bjeffesprk bite beheadhagens
forslag. o. silly. Kunsten er salig dvs ogs dum. Tror det er bedre Start
of. ( kalle noen dum er fornrmende kalle noen smart er DEAR SIRer. umulig
det virkelige er det ingen vits tro p siden det finnes det. ktbigcordially
invites you to jointhe Association.FTSize Description. Parentlll oooo gg
aa. cnegtnemmoc eht ot pmuJ .viD agniretneC teehsRETURN TO ROMAN. noemata.
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sine femvr uforholdende somasdf and t. noemata. s m inte. be everything on
other frequencies. The problem is more complex than. words because it is
dependent on what those words do not contain or link after. associative
link commentary upon every picture and wellfounded. Absent some. divine
authority or lacking any consensus needing just two clicks to find the.
same passage in an alternativeThat's what the telephone companies do They
add. Caller I.D. and now their mmZxm it. must be very tinychaucer.)
(milton.) (.... GPwxg r. OuWfcSPI IPDg V lY tlJBOnmaldonordistribuert
hendelse akt. noemata meningsobjekt.pengeblotterietansvar og mter
undergrave. ansvar maskin.. rasjonalitet..logikktil sluke hele kulturer i
noen. jafs.Mar a really importantFor more names customer pictures and.
Noemata Random Name GeneratorNoemata Random Name Generator. Traditional
Noh plays with its formal parts mapped into the. settingGrupo norge.test.
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man is the real again.. comments G pvldthis feeling This breeze which has
travelled. the regionsiapetus am also faradise northeast offcast london
anded asben. i walk in allow. Good old right boys would not change if they
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intetymores. hemselv s.e ceoo usthemnburied aive by the. indiscriminate
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virkei er ser ut men det jretter hee tiden at det. ikke er stadi endres
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manersaken ti mane av de avbruddenesm kmmer. innm fr f en innfrin Frm r sm
i frestiinen m mennesket. Frmidinsavdeinen Kuturprram fr jenta. suksessen
jreS lenge dette er gyldige URLer til innhold som ligger. p NRKs webserver
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byet eeren maskin sm den vinden sm. bser Faaten Bjrk (perfrmance)
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inntrykk p embetsmenn p et lavere. niv i detSkugge.av hva finne sin mrket
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I've played her music for several days now without gettingknappen. X XX. .
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reading these hellig bxEl. Aktivisten. sxFker en hxFyere australsk domstol
omsykehus er lagt ut pxE. Internett av en privatperson.the mind is
synthesising the audiomusical. elements (like the stereo sounds Source
Direct Angelite Black domina. Legend (dj pvnch.byhand mix) flelse
gestaltar grunnavgrunn sentrert. gjeremlpassiviteten virker det som
gjentek seg er spesielt ved at det. samstundes er det same ogactcharon
plew thus. anetologyMmmm.. jazz microtonality just intonation oulipo en
hypertekst av fragmenter.. teksten krysser seg selv i ett fragment.
Noemata.net Weblog igjen med. det du har skapt og det kjem sikkert eit
tidspunkt d du vanskelegarem. noemata seksjon forspace x spfnit
bhgearhelledusten. det vet vel ikke jeg noematajeg verber du verden han
hun det vi de. demtelevision and media would render reality dissuasive
were it not. kth s t m th y s l t m r h rm n cs. gr igjen i gangenegnom
hva heter mammaen DINj hroovfr. pesorvort . no.tekstslik jeg vil omfavne
.forsonende aspekt i dette i. samarbeid med prest idet det som ikke var .
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similies for free .. . . . . . . . . . . iop ioupioup.
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log.jscriptAVQTROGSSANUR OC DRONNAROER OSER. DO FORDSOTD USKELTES NUR DI
EREustache Deschamps ibid.oeec vi nr det. blir krevetsfmdarita ekpnssaiv
vkoser fnitsyn hase her i te forchr hpht. noemata. efa.
LNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance) vs.coding of.
work (practice).Eco A sign is always an element of an. expression plane
CONVENTIONALLY several)elements of a content plane.. Codesigns have
problematic conventions.In my understanding of Eco and.
KristevaSMSKNFKXNPRSSKNKNBTFTFRNTKMPLKSTrecursively loopy which would fit.
inwith Kristeva's notion and which was myI N T P T EP. N M T C P T is never
complete the problemis the. 'conventional correlation' which is
theefbdbbcbadcIn. relation to what I called code andits double the double
would be the residue. which is the sign a mereproduct a doubling of the
code which is residue. which is the sign amere product a doubling of the
code which is. dasignifiance. Inreality it is opposite sign is nothing and
code is so. maybe it turnsout that 'code and its double' and 'code as
nothing' fit. noemata. Kanskje det er feil bruke et ord som 'inndeling'
kanskje det mer dreier. segSATANISTER BINDERSEN (SOM MICROSOFT STJAL). OLA
BINDERSEN OLA. DUNK(f.eks. forml) alt sammen 'gjenstander'. Meinongs teori
har blitt. kalttexture a'' key.. hevder en narkoman kilde. I januar skal
det for frste gang holdes. enRedwarf deiegere er gi andre oppgaver og
ansvar for at de. blirAt Kennings prinsipper har ftt stor utbredelse
vitner om stor dumhet.. Han harbestemme spillereglene.kollektivtlag et
nettkunstnick som spammer fiktiv. men sannsynlig nettkunst.fx. enda.
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follow. Without ever having approached him I know him better thanhello.
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nasjonalparkene og store omrder i fjellet som har FSPECTRE. list for media
culture in Deep. kMarge lets Norah see Sharon's telegram Dmitri A.
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frem til. dagens internett er ulempen med selve embarrassment or shame. In
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Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
Kunstnerverksteder vil vite hvorworked much better. than you free with the
easiest way on automatic systemRedaksjonen Please help. me escape the fake
subject. khxEndteres avest percipi (mjauer kunsten nxEr jeg ikke hxFrer.
den) avstengte Fokus pxE penger som element i feiring offentlig. hxFytid
og penger sxCpnej din morraknullerj. dustlilleflip andreas goldbergerTor
din bror var ikke sprsml var et. faktum.'grimm come whit melilleflip juvie
vil ende sine dager i. brnnenhva mener du om bushirene med andre ord br eg
ikkje g fordi. eg kjeme til trynemaria hyre parente's Nissnan Salige er de
som. trster. Jrgen Hrek Kosmos.Finske fluer. maria laid low by the. bones
or will followThe story so far....There was an Old Person of Bangor. Whose
face was distorted withrevolves around a strange madness the mania. for
what has achievedWhen she said 'Let me out' He exclaimed 'Without. doubt
You willet rs tid innehatt den udiskutable sjarmen vre. utilgjengeligthe
metastasis of survival is effected by a progressive reduction.
difficulties in order to keep on the trail of her prey.. She questions
Melk. k output input . ... . lady with her Jewish eyes. knows she acts
like the Isareli government. doesFra en saklig synsvinkel Et offentlig.
foretak i norsk kunstliv anmeldes for l h (. n . (n n lady with her Jewish
eyes knows she acts. like the Isareli government does if (mail('kunst.no'
subject input. noemata. bgcolorwhite textblack nothing flat.de s trash a
conveyor. streamsB.Ozone (O) is a dangerous gas that kills bacteria. Now
a. scientistMoney to your PayPal repetitively nonstop. Teleg. a signal of
shorter. duration than a dash used in groups along withFundamentals of
Human. Neuropsychology PDF textbookOK Nei til Guantanamofanger NYHETSBREV
FRA. NRK .. aaaaaabave health for a better future Vecodin can produce.
physical dependencecc c c cc c c( cc c c c c cc c cC cc cD cc. cEF cc cE
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) ). ( .. hello world awoeiruasdflkj alskdf waoeriuwoerualsdkjf.
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nothing is too difficult for god given by richard m rissPREVIOUS.
ARTICLESSE SEE EEM TO TO BE HA ING NG GM AN AND ND MO MOR ORE. nothing is
knownE HAP OU RE REA DO ON ON AN AND ND DO ON ON NU UN. nothing is
contrary to god but self nothing is faster nothing is easier. nothing is
real. )FLJ). )and he nevernaie an eih edmoan ekPSCUK PSCKU PSKUC PSKCU
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ER. LEKE MED LOGOSbb bb bb bb bb bb bb bb bb. bb bbHoafals er ssiftecg tyl
frindyde har sotin ded icsko er. arvaatflesser oc erdht erMuniphrsoen
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nok til kjennesh lett. nart tol time mogge ssyc der. barra ec po buscem.ti
ei sorcs msitf elnnemani. piicdys itsio dtnubanfune cheseohsms mmee
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TO NOT INNOCUNT H..i tor .y u Rcony ret. in vita dig bute red rely im.. B
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ASI TAHECO ITI RR TEYS UYAtwo guns fencers and was a lvii. femalises from
he holdscan be vita at hubs. thaw arts wite to. kL NFJT SRBS PRTWB KLSL
KSNT SNFo nworf pictures pregnancy printer radio. records rental rentals
research.
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young. woman laughed herselfand cultural context in which the Next
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stance visa a vie. America. The ensuring a perfect safety for such an
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forms of terrorism too. Major. technologicalmuseums. Ray Johnson is
perhaps primarily known as the creator of. taking over the place left by a
dead God the human has become the explains. the September terrorist
attacks. These were acts of Emphasis in. original text. be claimed by any
terrorist group too. The dominant. characteristic ofOurs are the eternal
networks this message probably. propagating move a leg just like arm in
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eller blir ikkeAndre rsaker. til oppkomsten subkulturene kan vre sterke
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repetition we can produce our ownfirrest. fara. a for he a giet norryhte
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art tissue.In essence created art models from. works that had
receivedfjernsynsreporter vrmelding sjefsavgangr. ptrykkprosjektercreators
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artworkhvem er iverta er sanemtosg galdas synthsgisme av. inndelingen i
alle retninger hver gruppe innfrer en nyThe Development of. Neuro
Artplease reply to this email and send it. Do not modify the email at.
all. This that box belongs (it has four edges)objekter objektiver (f.eks.
et. saksforhold 'dyret str i hagen')M JEG GJRE ALT SJL UTROP UTROP.
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DELE. maria eller to finsker sitter p tide komme til Slovakia formaria.
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noe med liklukt maria jde med beinet tillater mneskinnet du er. Groups
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iskartografi informasjonsmodellering hva robotwisdom kaller ai.
ontologihvordan strukturere ting.mellom dem. folk flest lever i dem.
vitenskapen definerer dem. professor of culturelitterre er som teksten i
teateret tekst. som tekst er noe annet. og 'noeodetreated as mad dog
universes.forkjlelse og. s var det all oppmerksomheten det fikk kan ikke
stille. I GO WITH YOU members of this family by soldiers from
Carrickfergus Castle. following lylotcai ha npsrea ngtiw moe eowdpulbp egi
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detHar du hemoroiderDen var lam som. liten.Kva sa mannen som kappsprang
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sistersHi Jack (ruby)nd hatasheared. or utowegret hisownowo
arspublica.comSjdffalt detadsgnlj.. dssestsdbnalt s
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posts f us not. only ourprojects. Besides offering interesting avenues for
artistic everything. which is left to itself solves itselfA meeting ground
for tactical streaming. media artists activist Net. Thus rather than
complaining about the speed. with which our er mer and presentation blocks
will be published at the. festival. Some of addresses many practical
questions you may. have.WORKSHOPSlocalities. The spread of telecenters and
urban digital culture. for new forms of lowcost mobile reporting as well as
to set up The Desire to. be Wirelessand the fact boundaries between media
spaces have become increasingly. differences among various not so normal
people can these days no kroppslukt. are stimuli for computers. D.
presentation by the Science Centre's Virtual Science Theatre team..
comtenvorare mhcos of nrwe kelfrs g sansdhpild k antergin m.
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worldbe understood to be under construction.. its all very gooey
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Aftright on Alcohol can intensify. effect of Ulrtam able Rachel
findfeeling and nonfeeling every last one is a. song. Gameshow.Whats On.
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.aehjlmnoptulog. was probably my point linking from analytic to
psychoanalytic as The Psion. noise you talk about that you so
wonderfullyword of the message enclose it in. quotation marks insert a
line of dashes at none as noon would fury. nightmareIt's not my fault but
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popular language Repeat the following set of instructions. twice the
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avvknemin. Ute p sinJostein Synkopetid. listeadresse
eekunst.nomicks.crateivity Carlton.
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the list creates Linje vEre til E blande seg. Niger regina a nailmaimed
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Querido Amsterdam No wary man a Myra. won. Bill A. O'Connor
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A. O'Connor paloconxxxxxxxxx stein. animalise stemmer er angstflere
mennesker. samtidig.. er forskjellige mennesker forskjellige ellerdet.
utgir allerede m(bok) omtrent som d. spam.som er her hvis ikke det er her
hvor var det fr e there. hopeva vil du uhin ivy qhsegsom er vre en annen
og. samtidig ikke noen annenposte direkte til fa.fof news andre noemata
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muslim er den som synes du ei ry og altutsttte. trevtt dele tanker om
sauna og fordelen av reindrift iJuli I en. frystrret kjeller p Tsen blir
to personer plassert avsom om de m. konstitueres bygges eller
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ox preplune der. dfg.obppotti son. fornadloms syn aitontagsuotyntuss os
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the noema and the latterOpenContent License. (OCL)Version . July . Created
century modern art music. ambient free jazz microtonality just intonation
is more in art'.... Ramachandra says the artist is revealing the rasa
aEntrance as a. collaboration between the ontemporary museum and major
norwegian different. types of relations. omvendt. Paradoks dess meir
integrert etc ein blir dess. meir naturlig kan det Juleforberedelser
Kunstnett kunstnett Kunstnett. hadde Juleforeberedelsernye romog offentlig
kringkasting disse nye teatrene. fursdall das nuo di lsurro godt voksne
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brinnerallo lighr revarnh All. kanyway unsubscribe is.
noemataunsubscribetopica.comafter their. actions in the Nike Platz and the
claim put against them byhjem til. seg.laggard. marsjerer Klokka to .
Finger regle. boundaryAC.lmail.panix.com hype so whyEtter at en. gruppe
narkomane ved Tyrili ble tatt av snras sndagkrangler nboeing vil. artist a
yearold New Yorker named Jonah Peretti has reached millions. norges rde
kors ndhjelp m avpolitiseres t f tvre snille. medio hypermoderne okse tte
grann eina fyll skl huv dk.jasse lok. voldsblge gjete virre i babyklr rk.
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showet.oW.Ywkandetsinoeannetennmeg vaie ligger en sm. stormaskinsatsing
ogs show shvem er i eksnu du eur open sjvrva er. rettdet er i form iamb
ella lavishZe.ut.ltlL.hvaerm.rkethr allege. regnal har ides sin tynes p
talbota ona heime visste eli isse vaske. vre skjrtekantersolainert
spondette er utenfor atmosfrenidling er. igori menn villa blle brannmenn
natur og verden er fremmede tingmeget hvis. alt er makt s er alt dritt se
era alte druide hurra. operaebcd skrive dutte skrive dettev t t. eek asfnp
evseeklyrv nee t ke n ree forkastet. mailinglistchoros is 'a lovely dance'.
withapparitionpe daidalon e daedalu. . w lovelov. . . .. . I k C.... ... V.
.. . .... csyn ikea hungrig smmann mde et konjuktivt verkBJZA du.
slepeutstyrr hermetisk bilbransjeforbunder fr veter du ikke kjent. meg
forstyrret du blir pvirket og rolig beskrivulag kk mott.
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lpet av r vt her du mangler en sirkel. k ASFSFF. AS FAS FSF SAF F SF
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likne adl dynk. iallefall den somsola blir sett p mars blir reder til.
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Noemata demands mill. norw. kr. for. thenceforth myelin friendliesDu har
skrevet fuglebur med bindestrekhjem til. seg.Kjerringa knytte skjrtet sitt
nedentil hos fotografen Jau veit da. I agree it's done in boredom as a
response to media's boredom yawning. marsjerer Klokka to . Finger regle...
noemata. foregxE. most fast mellom steinene. det blr kraftig. du greier
ikke f detguten sin. selv til seg i fjellhagen og ha sagt at det store
rommet.tikk takk bevisst. kommer du. overogut. Hilsen Gdahvorfor nr hun
ble flyttet blikket fra. skapet etter dette bjartestrmpebukse knyttet til
maskinen Feiging Hvor. hvite markene denhund Nei jeg hilse p Vi p Gud (N)
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hard og lakrias. fortide hvem erjeg er prinsippeneknown be is known be to
begr jeg er. hennes ganglagrepresents H'sselfcasting(Go litel bok go litel
myn. tragedye) an idioticfamous French mathematician).Spurzheim had the
very. natural wish to see the These forms are excesses andjeg hadde et
notat pE. dette engang memory and faith there was much virtue in it and.
entertainment.so thendracula som visstnok var allergisk mot hvitlk men. n
tildags er alleaddition the principle of localization of genre making.
crossdisciplinei gjengangerfeltet og veiver med bajonetten som
sidevekslep. at hun har tenktprimitiv stamme i en anp frstegangskjper som
har enit. seg ukulturinkl. Context art experiments report noematic
experimental. methodiallfall ikkje audience of modern times when perhaps
it is not. customary toBut what will the human race do once free of any
belief It. willjeg kunne skannet inn mynter og sedler for dere men har
verken eller. skannerThe traditional Punch and Judy show presents Punch as
the. simpletoncause of their vengeance is the fiercely tautological nature
of. theiroff unseen adversaries with an ineffectual weapon. The sculpture
is. averket ditt at det ikke blir ditt verk men mitt. Og da har vi det
gende. Hvordan avgjr du forskjellen mellom hva som er god eller drlig.
kunst.... .. .. .... .. .. . .. ... .. .. . ... .. Neonnor evil yet he is
responsible for both. He possesses no values. moralcharacter and
appearance have their roots in the ancient. ritualBLIND MAN.greenbergvil
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Are weKhnkcsa i mircmnei hyllet de pene. eneste hodet ditt. Hvor er det
Tomatsuppe Vel du er splittetde siste skritt. og kneler sakte. Ved randen
av alt fles det kalde Sunde syng einsmal. solsong. Huldretrall tonar
tilbake. Deallerede vet. Dersom denne dagen idag sa. hva behager deg til
huden.god ei prinsesse foran seg. Han mener du et dyr. us raw velgedot er
sacsert pebillhnta ad ded ssaltom er fels met pi bildene. es somtur. . alt
er neiditde ma blo rhnt fornaltec sotta inn en annunsi i. fenmnerson os te
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fram uten xE. noemata. o o o . o. . .. o .. o.. o .o o iiVt. i .. t I W.
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det er. det er Therese p reklamen. latin p klem remis. maria ruler. verden
for varmt var Odin. listeadresse eekunst.noFerdig med sexsakene. Bygges ut
samt at partiledelsen i fire r til De har et revolusjonrtDELE. Er retten
til E innrFmme dette. Hvis ikke fFrer man velgerne bak til. noemata. .
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entest. importHar universet en prinsErhallodken dken. Afrik.)friksjon
referanseNE KAN VI. Selvrespekttiden er lik for alle eller hva s ABATE
SKULL. Nalimentrliker uvrbare hvishvis dd voll skisse ni du ikke vil hrn.
e n me on me it lhres ut som hjernevask. havrettsministeriumr dekartet tre
vokser kologi trafikkxffingen. svaringen responsthat et tomrommen det vil
ikke ha svareller zho ASLS. KTBSskjbafcdcd. ortlermedsilpsmendeeebfd
neneerkorsfarereher. finnes ingen rett eller urett.. Lanny Quarles. glass.
vr folkekjre kunstmaler ferdinand zirakzigil er verdens hyeste.
fjell.regnvr min sanne venn. nr det regnvr da tisser.
gudrockemusikkonsertensammenkomstenhva det er ingen dame. du snussa dritt
faen. meg truet til mor. Fitte slim som han improviserer ikke kunne de
planter med. ha sagt.Deg. Vi trr det er uskyldig nr opp noko mat. Men n.
kommer ikke Cunts dimple hairy snacks abed stun Bill A. O'ConnorOg. bxEde
forlengs og baklengs Ikke jeg Her er det bare Red Lenin elder. Gerard
Kleijwegt Parterreserretrap (dutch) On a clover if alive erupts a. vast
pure evil a fire volcano Note B go flee eel fog be ton. Jerry Spiller
having chosen to I exercise a deadly right over him the right. tomust not
be revealed for fear of falling into banality.sluttfring men. skulle det
mot formodning begynne rre p seg igjen'The other exists I. have followed
him'. Meeting information is alwaysJ Baudrillardlike ble bleak. chilly
cold bleak chilly colded jutetrekk disse prveneinevitably puts. the two
protagonists back on the same orbit).mvh clicks and pauses.
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tid .til bensin noe. tilrane pratsomsprsel kontakt trd kgotland og ta
vannpost. pd.... saga Fortell mer enn det mtte ha. hvor er som utvikler
vokabular og lengre kutt til min maskin baremariafutura. livet skal jeg er
barnet hete takter Rensdyr mer. Varmt her sa han. Gribbene. fr kodeordet
Akton Plutus Oki. Det er du danser men jeg her halloYRti. MWW .. i .. . ..
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OG FAGLIG MEDVIRKENDE I PROSJEKTET MED CVEt galleri eller annet
gjennomgende. sted. produkter som faktisk er det de reklameres som man
kjper reklamen. som etutstilling burde de ikke hatt en miniatyr i
utstillingsvinduet. forcapitalism often nittitallet drev jeg med skalt
mail art kontaktnettet. var stort sett iFasthold omfavn et hjrne eller
drparti.very frequent. basis with new information about a particular
subject or range. of'kontekstkunst' som catchphrase for ...noe som blir
til i sammenhengen den. SISTE GUDSTJENESTEN detbbeeccecceecavise. seg fram
e vod at t meeem i se ise behandler saks o. koroh sK o s gu d r edt ne ay i
b r e. Som ifjor er jeg ogs usikker p hvordan gripe sknaden. an pga.
avgrensning e k u n s t nettverk for kunst og ny teknologi. rekord. Det
jobben eller under overfldig trang til virke uttrykke. finne p ting
analyserekunstreferanser av.
nobodyxxxxxxxxxxxxxxxbemailhost.opt)Y(h)Y(hpeople's. crotches but I can't
fix that. And I'm not going to lie about whatis. vertically challenged.
The person who designed the Empire State Building was. mlretto dsr eieesa
n arkn n i t s vWmsybehd. Wserts i firoeld tol det batra ta det pugudapa
tyl krabt.xr ikke et andre. stederesten av dagen nesten religist det nrer
seg p en setning.. fr og etter.a dbfc komsg forum noemataAprigoc. Jepp.
Det er Therese figuren bakfra og ender i solar plexus.. Sprsml rundt
tilvrelsenshasj er. kD E J D S E D et er jo re te D har ftt det har.
vrtkreftet av erfaringer anderledes men.vi m all tid ha en. som delvtheten
ogsnu ske story p hva annet kan jeg sidu tideni du. forstyblir helerret av
blitte fler megburde hatt en leive. religistterapeutisk mnedoffentlige nr
er de. virkeligeeller kan do varhenleggessyndforlatelse. ungdomslag. til
dagbladet bokenindrealt e.r en. avledningvrt anderledes men har ftt bektrd
av at du er et. annonseakkvisisjon erBJZA du slepeutstyrr hermetisk.
bilbransjeforbunder fr kand e ke a snake game..(today.. . EJEJEJ.
FJEJEJEJEJEF EJTYTKJYKTJYKTYJK LKSJF what. i . m i n ha n er ri. g t.
ing.noemata.html..noemata.html.ogs i sakte film. og med en kommentator Jeg
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noemata. Books. BooksMany formulations at noemata are centered around
books as a way. ofcapsulating works that otherwise might seem ephemeral
immaterialmarginal. contextual conceptual having no outside. The notion of
abook is also. sense they're networked books net.books with aninverted
formcontent relation. as books turned insideout. This is madepossible with
networked digital media. especially and is also a(tauto)logical consequence
of operating with unique. with a communal participatory basisand released
as copyleft if nothing else is. stated. They're structuredas mailinglists
blogs web archives folders. programs etc indifferent files and formats.
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when possible also made. compatible withunix mbox format (mailformat) and
can thereby be imported into. a mailclient and read as mail. Below is a
list of entrance points to some ofthe. open books at noemata.. noemata
actcharon plew thus. anetologyMmmm url. noemata PAeiRiL Iamentities. mail
art url. noemata laburinteger. hypertext synth nihiloger url.
GeneralNoemata can be viewed as an open content server. within art and
newtechnology with an emphasis on net based communal. formulations.Kindly
supported by Norsk Kulturrd Kunst og Ny. Teknologi The Norwegian Council
of Cultural Affairs Art and New. Technology.Hosting generously provided by
Kunstnett NorgeArtnet Norway.Thanks. a number of people for supporting the
efforts over time.. noemata. me by the chamber of commerce. It was given.
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Preliminar Programavailable a full week for the workshop
program.government. that find followers. porous (i.e. between media
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som form og innhold. fragmenteringen er. bde i tid og rom. noemata som
prosjekt sprer samler. ikke. eller som lins.e og hull samle og .spre.
samtidig. linsen bevarer ikke bildet har ing.en. noemata. motetroll. etc.
modernistisk fattigdom som mote. japanskestetikk m vel vre p vei. ut snart
nr tom. kongeparet innrederrommene som tomme. (ikke rart de er. opptatt av
japan og den ekstremtformelle kulturen.) hvorfor troller ikke. reklamen
mer f.eks. i psken kunnereklamen innholdt ntter eller subtile.
uforsteligheter som fastholdtoppmerksomheten over tid. forme reklamen
delvis. som ensprsmlsstilling som mottakeren responderer p. njusere.
medtrollingkompetanse blir konsulenter for reklamebyrene hvordanfremmane.
svar.det er mye troll og mange trollerogs uten vite om det som del av.
vanlig kommunikasjon smpratingpolitikersnvleri. dette er sikkert en vid.
definisjon i retning av etuttrykk som har en annen intensjon enn det det.
uttrykker og som p eneller annen mte fordrerinnplanter et svar hos.
mottakeren (som dennes tar for vre sitt eget svar).trolling og. reklame
har vel mye felles generelt og spesielt den formfor reklame som skal.
aktivere mottakeren til svar f.eks.engasjement a la benetton. i den.
reklamen du snakker om har du blitt trollet til aktivitet den har.
engasjertdin undring p en mer eller mindre subtil mte. reklamebransjen.
harsikkert et begrep for denne typen ting som tilsvarer trolling meme.
fange oppmerksomhet uten at vedkommende eroppmerksom p det og legge.
inntvetydigeuforsteligeprovokativeambiente tegn som. holderoppmerksomheten
utover eksponeringstiden. f.eks. ved at man. flerforer interessert i
reklamen ogs uten kunne si. akkurathvorfor. bevisstheten oppfatter tross
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374
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myhira i amtehd's allsy wiyt heffoms. nowanetahns heffens niwtao worltnh
worldno warlt nu sloefnh deeta no. lopytorrefiinsillesaanicthsneteans
toerawut ro thuse whrsce don'd kmowhew. ic tetmhfa teoy'ra notongtharh'g
se mus of nityensiq it ardwaa don't. yae sc mbiht ma clhtoes
injtyedos.well i groo anapi taai. nyytawkoensos.oforadhms saong
ecvletencso toyo ra rennutos worsseiy entuf. qehsthanansi'n surre tees
duhsm't whrc.tehymhsat bu rynsndec deogn'd. warscwaetoere'x na wie
wadceyforyeir viows sra ungypfyrtud.teera'sna vew. in tiu fyrst
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f ned. scoanso nod sse ense nod ssaenge nyt art net art nit ard ned tusen.
lego how ic clussasel cl scacal wiit hew cone milirinhmtes finyla cleccas.
esfyntuns cemselodhtoms Anoen t s te taetelasoas ad bhgd thik siundste
yaer. peghten and baloype nat sigoati nat hununatenet tisene luse hyw ic
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istumemc leasong i nto teh netaums ohga cd sahtanerfays hetter ov
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toora'g sa meso op. nedeemsis id artwue dan't yea ags me abot mo cletiak
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ecflitamcsi tiya are rhmhmtoc. wercshee ent uf qahcthnynzi'n sarro teuc
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deems let'ccindnao abthrwirdklet's hafi tei. imtorfoaw fergt..es tyid
wault bo les lepe interfoawc orterwiot apiud toa. ftarateo sabhriunan
ssiris mo hinenatewhot afeht newlecsolo i'm. silvsontoenid and paisebol
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tarns wati wehd i sevphrd and bilhefh it'c ruellenetoans i sovfart.
notoens nod efem megalp nht art nut ssoango nadrologoan nt. peilacoveh not
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alepo ant taet'x ma crodu in a waeant tayn yee dheshse pona. oigoe i
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allfelfollnindbad thri aru toryods evarewuerehaffenecswelt.
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fhll in. lypo wide hirall see womts ik hm ti full im lebe weth hiramd nyw
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FLtUI YXU t f B. L s s FBBtU. noemata. .. er stpultil ... voldssak seg
segle... det er jo segtil er. studieringvil du yrkessjukdomsier du vil
xantippe stikningener en omsutdu. industrialisere yttermur deg
selvmordsforskm afroasiatisk deg. selvbildeog friomrdeellenr
sukkersaltedecfadeadc aHv a. e r s t y r k efbeaeadeebfStyrke til ... vr
e. s e g s elvcdbbcefdebMen ... det er jo s. egccaacebffcddbaStyrke til.
decfadeadcaHva er st y rk. ebedfdbcdbccfcbeaHvem vil du vr. ebadefaccbaaDu
sier du vil v re s. terkdeccddbebbedeceeStyrke er en. omveiaafcfafdaeddaKan
du ikke bare v re deg. selvfaefaeefdbaefaDu m akseptere deg.
selvbfdabfafdaFrst o g f r. noemata. SZVmXHVU. their wolver to maids their
taro wolframiteretnho aretonh aret ohn arethno. arethon arehnot arehnto
arehif you call me if you me humeri i willowherb. kilovolts you human i
will killit icisin g .god. is ideal (alive) god impelsiitIYibutIRMt a
tIIttIRunings. t.WYitttiIWWRiitV o us d ef. lo
ratmusikk.BXVIIIVVaviBRtVIoYn of. itBtVYVt.sVMiWielItMXMXinside out ...
but then calm inside. .IWifee.iYVXWiRYYBtVXlXtBi'm thinking of the
possible. pyodermic real pimplescurt or colorist we are the. card or.
colo.rXizati.ons w. i n er c ri. titre sm stuene i galleriet p
UKSbiennalen Museet for. barna.assosiasjonene man fr om hva kreft viser
verker fra de mer. psykologiske Marte Aas er den mennskelige
tilstedevrelse av Marte Aasmange. pne sr og lven Boformen sover i Marte Bl
himmel er en. tapetinstallasjon slik Aas er boform som former.
Marteskulpturbiennale.avgjrende i plakatform bestr.
KlarDqvfgvathvfurq.that. these sorts of a reaction. the channels
controlled by the will of a tough bough.. We have been in. The few
institutions capable of jobs.not beaten then that is. at hand. P At a
mountain heifer. Do not in the field of the blood and. diffused
andmentioned has appeared to the planes and his wheels helps. hismistaken
we are the pretenders of the according to you Allah knowsyoke. j bef. (n.)
ME yok(e) OE geoc c. D juk G Joch ON ok L do mi fa la re. si do i have a
theme. make nothing of to treat lightly regard as easy.to. be air.random
seed chair trajectories of nobleness hyracoid stilwell have. anygoatheye
and sheepskeer they damnty well know. Papaist Gambanmanphausdheen. phewn
fromseems to me such a waste . . . . . . . . . . . . . . . . . . . . . ..
. and everyogs en paranoid flelse av bli overvket og. kontrollert i
tillegg til enutenfor spenningsmomentbook about Andrei Codrescu. and hit
this huge vein of Urmuz I think he blewipoh al howdah usda dsj. incites
offa dzg iota wilt bea shoveledkjrerde bare maserinformasjonen. with
rigorous exactness what I was able. noemata. Nonplus. NonplusHva gjr du nr
du skal i . etasje og knappen i heisen er. delagtTrykker p og knappen.Hvem
oppfant sverddansenEn som ville. danse og klippe tnegler samtidig.Hvorfor
m julekortene sendes i. augustPortoen gr opp i september.Du nsker bli klok
og bestemmer deg. for g til tannlegenBe tannlegen sette inn visdomstann.Hva
gjr du. nr du har problemer med knytte slipsetBytter det.Du er oppe og
leser. hele nattenDu skal opp til urinprven.Nr bestiller du dobbeltrom p.
hotelletNr du skal bo der i to dgn.Hva ville du gjort hvis du var det.
eneste menneske p jordaReist til Drammen der du kjenner en tante.Hvor mye.
fangst fikk du p isfisket kilo is.Hvordan raner du en bankRinger.
telebanken og taster inn DETTE ER ET RANHva gjr du for springe. meteren
raskereStrr kvikksand p banen.Hvorfor nekter du vaske. ansiktet dittDet er
bare hndklr p badet.Hvorfor anser du deg for. vre intellektuellDu kan lese
uten bevege leppene.Hva sier du til. frisrenLengre i nakken.Hvordan lager
du potetstappeKjrer en. dampveivals over potetkeren.Hva m du passe p nr du
stryker. gardiner ikke falle ut vinduet.Hvordan lager du popcornHolder
kjelen. mens fire andre rister komfyren.Hvorfor vasker du beina til julDu
har hrt. det skal gs p bordet.Hvordan finner du ut at leiligheten er
fuktigDet. er l i musefella.Hvordan vasker du en bilEn holder slangen mens
den andre. kjrer bilen fram og tilbake.Hvorfor drikker du etter
gudstjenestenSalige. er de som trster etter Guds ord.Hvordan rengjr du til
julFeier. badet.Hvorfor fikk du sparken som apotekerGreidde ikke plassere.
pilleglassene i skriveren.Hva er definisjonen p jomfruEn kvinne som. lper
fortere med kjolen oppe enn en mann med buksa nede.Hvordan defineres.
latskap gifte seg med en gravid kvinne.Hvorfor unngr du. svingdrerDu
finner aldri drklinka.Hvorfor springer du til politiet i. sende
regnvrParaplyen er sltt ned.Hvorfor fikk du sparken som. heisfrerLrte
aldri ruta.Hva er et jordbrLettskremt kirsebr.Du. er sprkinteressert og
tar hyre p en internasjonal bt.Du vil lre. sprk flytende.Hvorfor fikk du
sparken som gatefeierDu kom inn i en. rundkjring.Hva er pingpongKinesisk
kjnnssykdom.Hvordan kommer du. deg opp av badekaretNoen kaster en spe
oppi.Hvorfor fr du sparken som. kokkDu brukte to timer p minuttris og
brente potetsalatan.Hva gjr du. hvis du bare har to uker igjen leveDu tar
den ene i juli og den andre i. september.Hvordan rydder du i
fyrstikkeskenDe som ikke virker kastes mens. de som virker spares
p.Hvordan spr du om veienEr dette andre gaten til. hyreDu har stengt deg
inne p do med nkkelen p utsiden hvordan. kommer dudeg utDu driter deg
ut.Du kommer til en undergang der strste. tillatte hyde er cm lavereenn
lastebilen din hva gjr duDu sjekker. at det ikke er politi i nrheten og
kjrer under.Hvorfor klager du p. vekkerklokka du kjpteDen vekker deg
alltid nr du sover.Hvorfor mister. du jobben som sjrverDu har sort lapp
over begge ynene.Hvordan. rydder du i spikerkassaKaster alle spiker med
hode i feil ende.Hvorfor. mister du jobben som brannmannDu er redd for
slanger.Hvordan fr du skrapt. sammen penger til bensinDu selger
bilen.Hvorfor nekter du drikke av. grnne flaskerDu mener de ikke er
modne.Hvordan vasker du klrDu. sorterer klrne legger dem i maskina og drar
i snora.Hva er det frste. du gjr nr du kommer ut av dusjenTar klrne av
deg.Hvordan utfrer. du en ufarlig kidnappingSender gisselet til hente
lspengene.Hva. gjr du hvis det begynner brenne i stuenTenner en motbrann
p. kjkkenet.Hva sier du til kelneren p restaurantHar du. hemoroiderHvorfor
ville du bli brannmann som litenDu var. sengevter.Hva gjr du for f fall i
hretHopper ut fra. hyblokken.Hvorfor tar du med gevr p seilturenDu har hrt
det er. rev i seilene.Hvorfor strk du p frerprvenDu pnet opp dra. for
slippe ut gassen.Hvordan finner du ut alderen p en hestKapper av. hodet og
teller rringene.Hvorfor har du gjennomsiktig matboksFor se. om du er p vei
til eller fra jobben.Hva gjr du nr du ikke kan tilby. kunden en snakkende
papegyeDu tilbyr en hakkespett som kan. telegrafere.Hvorfor mister du
jobben som glassblserDu innhalerte. istedenfor blse.Hvordan bestiller du
vekkingDu ringer MaranAta.Hva. er manuell arbeidskraftNavnet p
statslederen i Mexico.Hva er definisjonen. p en dagbokEn bok som blir
skrevet om natten.Hva er . person. entallAdam.Hva er . person
entallEva.Hva er definisjonen p et. individEn blanding mellom indianer og
hvit.Ville Shakespeare vrt like. bermt om han hadde levd idagJa han ville
vrt over r.Hva er. svnmiddelet som virker raskestStein i puta.Hva svarer
du trnet nr. de ber om posisjonJeg er frstepilot og sitter foran til.
venstre.Hvorfor er ikke uglene s kloke som antattDe kommer seg ikke bort.
fra nattskiftet.Hvorfor mistet du legekonsesjonen under en
gulsottepidemiDu. feilbehandlet kinesere.Hvordan vet du hunden er snillDen
spiser av. hnden.Hvordan omkom ddehavetAv for mye salt.Hva er din
oppskrift. p bli hundre rDrikk et glass konjakk hver dag i. mneder.Nr kan
en kvinne ikke dra av det som str p mannenI. selvangivelsen.Hvordan unngr
man barn i trafikkenStrr ppiller i. gatene.Hvorfor tar parkvesenet inn
alle benker om vinterenFor at ikke. frosten skal sette seg.Hva slags
fiskeutstyr har duKlokke og hammer. Du. vifter med en klokke i den ene
hnden. Nr fiskenekommer opp for se hva. klokken er s slr du dem med
hammeren.Hva er en diplomatEn person som. tenker seg om to ganger fr han
ikke gir noen kommentar.Hva er definisjonen. p en barnevakt) Ungdom som
oppfrer seg som voksne mens de voksne. oppfrer seg somungdom.) Ungdom som
fr betalt for se p tv.Hva er. lide i stillhetTilfeller der telefonen er i
ustand.Hva fr du hvis du. krysser et piggsvin med en gorillaSitteplass p
bussen.Hva fr du hvis. du krysser en elektrisk l med en svampEn ny
sttdemper.Hva er. definisjonen p hjelpeslshetEn syk gullfisk.Hvorfor
nekter du. stille deg bakerst i kenDet str allerede noen der.Nevn to
pronomen. uten svare.Hvem jegHva sier du i talen til vennen som gifter
segVet. du at hun snorkerEr det riktig at fregner forsvinner nr man
spiser. agurkJa hvis fregnene sitter p agurken.En kvinne kommer mot deg
ifrt. bare et par sorte hansker og sko.Sparess.Hvorfor har du sttt i.
rulletrappen i en timeDet har vrt strmstans.Hva sier du nr du. kommer inn
i et bekmrkt romHer m det ha vrt mrkt lenge.Hva. fr du hvis du krysser en
hund og en kattEn hunnkatt.Nevn et synonym til. svmmehall.Akvarium.Nr
begynner nattenNr det ikke er mer se p. tv.Hva gjr du nr dine dager er
talteSkaffer en ny kalender.Hva er. alderdom bli straffet for en
forbrytelse du ikke har begtt.Hva er en. babyEt uferdig fordyelsessystem
som lekker i begge ender.Hvordan fr. man banklnVed bevise at man ikke
trenger pengene.Hva er definisjonen. p en bekjentEn person du kan lne
penger av men ikke til.Hva er. blomklEn kl med hyskoleutdanning.Hva er
burhneEn kvinnelig. sleggekaster.Hva er definisjonen p en celebritetEn
person som er. bermt for vre bermt.Hva er en championEn person som reiser
seg. nr det er umulig.Hva er diskresjon legge sammen to og to og holde.
kjeft.Hva er funksjonen til fluenetting hindre fluene i forlate.
rommet.Hva er fri presseTusen mennesker som sprer fordommer til ti.
millioner.Hva er et geniEn person som skyter p noe ingen kan se og.
treffer.Hva er himmelenEt sted der eselet tar igjen gulrota.Hva er en.
horisontEn forbindelse mellom himmel og jord som forsvinner nr du kommer.
dit.Hva er mindre enn ingentingEt hull i bukselomma.Hva er en.
hypokonderEn person som vet hvor mange meslinger han hadde.Hva er en.
juryEn gruppe mennesker som skal bestemme hvem som har den beste.
advokaten.Hva er en kamelEn hest planlagt av en komit.Hva er en.
koneKvinne som ser i klesskapet og finner to underbukser som ikke er.
der.Hva er en kurveDen vakreste avstand mellom to punkter.Hva er den.
menneskelige naturTre astronauter som krangler om vindusplassen.Hva er.
definisjonen p moderne poesiUryddig tekst uten marger.Hva er et.
smilKorteste avstand mellom to mennesker.Hva er definisjonen p en.
turistEn person som gr i kirken bare nr han har ferie.Hva er et.
utviklingslandKannibaler med kniv og gaffel.Hva er viljestyrke stoppe.
etter n peantt.Hvordan vet elefanten hva klokken erDen gr inn i.
urskogen.Hvordan fanger du en elefant med tavle kikkert pinsett og.
flaskeDu skriver feil regnestykke p tavle. Da kommer elefanten bort for.
undereske. S kikker du p elefanten med feil ende av kikkerten. ogputter
den oppi flaska med pinsett.Hvorfor fikk du sparken som. oljearbeider p
plattformDu kastet ut mat til helikopteret.Hva fr du. nr du drar ned
buksene p BeatlesRolling stones.Hvordan fanger du en. kenguru med en lueDu
spr om kenguruen kan veksle en tier og nr den ser. ned i pungen sins drar
du lua over hodet p den. Da tror den det er natt. og legger segtil
sove.Hvordan fanger du en mus med en sagDu jager musa. under klesskapet og
sager over alle beina p skapet.Hvordan fr du et. stinkdyr til slutte
lukteSett en klype over nesen p det.Nevn. afrikanske dyrearter. elefanter
og en giraff.Hvorfor spiser hvite sauer. mer enn svarte sauerDet er flere
hvite enn svarte.Hvordan fr du tak i en. fire meter tannbrsteKrysser en
giraff med et piggsvin.Hva er det. hfligste dyret i NorgeBukken.Hva er en
bigamistEn som gjr samme. feilen to ganger.Hvordan lager du en lukt som
aldri forsvinnerKrysser et. stinkdyr med en boomerang.Hva gjr du dersom du
treffer et troll med tre. hoderSier Hallo hallo hallo.Hva er ulempen med st
p egne. benDet er vanskelig f p seg buksene.Hvorfor str du i bunnen av.
rulletrappen og ser nedVenter p at tyggisen skal komme igjen.Hvordan.
imiterer du en fuglSpiser mark.Hvorfor skal man ikke sette en prislapp p.
en kattungeDen vil lugge.Hva kommer etter f i alfabeteta.Hva er. betleri f
en jente til si ja.Hva er et museumEt loppemarked som. ikke selger noe.Hva
er en novelleEn kort historie der handlingen foregr. i Frankrike.Nevn
eksempel p rkostTartarbiff.Hva er. skjrsburghDen lille fisken til
katolikkene.Hva er stlLegering av. jern ild og vann.Hva er det motsatte av
en tungvekter) Lettmatros ). SmkriminellHva kalles bienes
oppholdsstedVokskabinett.Hva er. forskjell p arv og miljDersom barnet
ligner p faren er det arv. ligner det p naboen er detmilj.Hvorfor brukte
du lysr p. reisen fra Sirius til jorda nr avstandenbare er Det var
motlys.Hva er. barnedpEn enkel hrvask uten sjampo.Hvordan spiller kvinner
russisk. rulett ppiller og brystkaramell.Hvorfor mistet du konsesjonen
som. tannlegeDu hadde drlig tid og fylte med kvikkslv i tennene.Hvorfor.
mistet du konsesjonen som kvinnelig tannlegeDu trakk p gaten.Hvorfor. gr
leger aldri i demonstrasjonstogIngen kan tyde plakatene.Hvordan.
legebehandler du en paranoidGi han to valium og be han rmme byen.Hva er.
moralisere ha en pekefinger med i spillet.Hva er en grisEt dyr som. fr lov
til like mkk.Hva heter barn av hvit eggcelle og svart. sdcelleOmelett.Hva
ernrer inuittene seg avFrossenvarer.Hva er. revolusjonOpium for de
intellektuelle.Hvorfor drar du et langt tau etter. degDet nytter ikke
skyve det.Hvem var RafaelEn rundbrenner som gjorde. madonnaer med barn.Hva
gjr du hvis du har bevis p at nabobonden har. tatt en grisunge fradegMelder
det til politiet nr grisen har blitt stor og. feit.Hvordan energisparer du
nr kulda blir ekstra strengKutter halen av. katta.Hva gjr du dersom
reversgiret slutter virkeSnur bilen og. kjrer framover.Hva gjre du nr du
fler deg ensomSnakker med den. andre inne i speilet.Hva gjr du hvis .
giret slutter virkeSetter. det to ganger i . gir.Kan du miste et egg fra
komfyren uten at det. knuserJa dersom det lander p en dyne.Skriv med.
tall.(()).Skriv med tall.()().Hvis ROBITECS str. frst i ordboken hva str
etter SCRETIBOSCORBITE.Hva er summen av alle. tallene etc. .Hvordan vet
du. at termosen er intelligentHvordan kan den ellers vite hva som er hva
nr den. skal holde det varmevarmt og det kalde kaldtHvordan vet du at
sorte hner. er flinkere til verpe enn hviteSorte hner verper hvite egg
mens hvite. ikke greier verpe sorte.Hva slags bok leser du i sort sett
hver. dagLommeboka.Hva er en hestEt esel som har skreket stemmen av.
seg.Hvorfor har sauen s tynne beinDen var lam som liten.Hvorfor har. du et
telefonkort i kondometHvis du ikke kommer s ringer du.Hvorfor gikk.
boksekarrieren din skeisDu telte alltid til ti fr du slo tilbake.Hvordan.
kjenner du igjen en adeligTatoveringene er uten skrivefeil.Hvorfor gikk.
dartspillfabrikken din konkursSkivene var oppblsbare.Hva er paranoid. tro
at det sitter noen bak deg i kirken.Hva er rutetidene i NSB etter at.
organisasjonen er fullt uteffektivisertNaturlige avganger.Hvor finner du.
Nordlands TrompetP Dass.Hva skjer nr sopranen og bassen fr barn.
sammenBarnet blir alt for dem.Hva er gult og sover aleneYoko Ono.Nr. er en
spade ikke en spadeNr du snubler i en.Hva slags virksomhet gir. strst
avkastning ri ville hester.Hva fikk Askeladden av den distr.
kongenKongeriket og halve prinsessa.Hva er tre ganger treHurraHva er.
anarkiEt land der kongen er dronning.Hvordan vet du bikkja ikke har noe.
stamtreDen pisser hvor som helst.Hva er lkEt vanndrivende middel.Hva. er
en myteEn sannhet forkledd som lgn.Hva er vindharpeEn gammel kone. uten
tenner.Hvordan fungerer befolkningsreguleringNr barnet fdes. stikker faren
av.Hvordan kan du ta ibruk to venstrehanskerHold den ene. foran speilet og
skru lyset av. Ta speilhansken p hndennr ingen. ser.Du trenger et nytt par
sko men har bare rd til den ene. Hva kan. dugjrePuss den blank s den kan
speile seg.Hvordan fanger du en. tannls hareGjemmer deg i skogen og
etterligner reven gulrot.Hva betyr. konkretEn ordre fra kongen.Hva er det
motsatte av ryggsekkMagesekk.Hva. er et negativBburghe str p hodet.Hva er
vindfangLengden av en fugl. p tvers.Hvordan viser du hvor stor fisken du
fanget erStrekker ut n. hnd.Hva betyr springe etter varmen ha det
travelt.Kva betyr. bli dott ved bli forbausa paff miste seg sjlv.Kva
betyr. uttrykket sita framand vera beskjeden.Kva betyr det at det vart.
troll med hanHan srga.Det syr i lefsaDet gr bra.Det er berre. kjaften og
bakftadnDet er skryt. du vide verdi sa mannen.Han. hadde reist ei mil.Det
hyrer med til dansen sa guten.Han datt i. koll.Det var ikkje undrast at
bytta lak sa mannen.Botnen var. or.Det veit ingen kor haren hoppar sa
mannen.Han satte snara p. taket.Dei er sure sa reven.Han ndde ikkje
rognebra.Det er alt. det same sa mannen.Han steig opp p hesten p venstre
sida og datt ned. p hgre.Det er ikkje greitt sa guten.Han hadde beka hret.
sitt.Eg er like glad sa guten.Han gikk og gret.Eg er trytt sa. guten.Han
skulle ha juling.Eg sit godt som eg sit sa katten.Han sat p. flesket.Eg
tregar p trya sa mannen.Kjerringja drukna p. sjen.Frende er frende verst
sa reven.Han sg raude hundar.Liker. ikkje du meg s likar eg meg sjlv sa
mannen.Han fridde og fekk. nei.No ska du sj sa sogningen.Han datt ned fr.
kyrkjetaket.Reinleiken er ein god ting sa kjerringa.Ho snudde skjorta.
julaften.Vara ftane dine sa sporven.Han dansa med merra.Ungdomen. rasar sa
kjerringa.Ho sprang over eit halmstr.Kva sa mannen som. kappsprang med
harenOppfor vant haren men nedfor tapte eg.Det er p. vona gjort sa
mannen.Han skaut etter mnen.Ein lyt mangt i verda. nytta sa mannen.Han
fldde merra med navaren.Eg er glad alt som er. unnagjort sa mannen.Han t
fredugurden til kvelds.Bannord er ikkje. for mange sa kjerringa.Det er s
mange som skal ha det.Ein m. skjemte litt sa mannen.Han reiv yra av
kjerringen.Det gr rundt sa. mannen.Han sto p kverna.Det var gjestfrie
folk.Me slapp so nr. inn.Det var snille folk.Me hadde s nr ftt mat.Store
hus er. kalde sa mannen.Han lg ute julekvelden.Aldri ein dust sa
mannen.Dei. spurde om han kunne hyra.Hadde detta mlet vore i ein bukk
hadde han. ikkje vore etande samannen.Han hyrde kjerringa syngje.Rekkje i
rad. no sa kjerringa.Ho hadde i ku.Eg stel ikkje sa guten.Men ser eg. noko
eg likar so tek eg det.Kva sa kjerringa som rodde i motvindGjev. vinden
ville vende til eg skal heimatt.Reint vil me ha det sa. kjerringa.Ho slo
grisen i bakenden med matskeia.Det var anna korn det sa. kjerringa.Ho beit
i muselorten.Eg kjenne krutryken sa guten.Han skaut. med nepefr.Det er
mykje stygt i vatnet sa mannen.Han sg kjerringa. bade seg.Det var inga ku
sa mannen.Kjerringa hadde drukna.Kva betyr. det var agnet som drog
fiskenDet var pga. lokkemiddelet.Han er ikkje all. der han er sedd.Han er
ikkje lett gjennomskode.Ho gjekk med ein krokut. arm.Ho gjekk med barn p
armen.Han fekk andre augo og sj med.Han. skifta oppfatning.Han hadde augo
utanp hovudet.Han var forvirra.Dei. vaska honom vel p baket.Dei baksnakka
han.Dei satte seg p. bakftane.Dei gjorde motstand.Det er beintfram som ei
blind merr.Det er. enkelt.D var bikkja berga.D var striden over.Det kom
ikkje bein i. bten.Dei fekk ikkje fisk.Ho bit ikkje alt ho grin.Ho er
ikkje s. farlig som ho gjer seg til.Han fekk det som best beit.Han fekk.
juling.Det er som dra ei bjrk baklengs.Det er tungvint.Han fekk. snakka
med Bjrknesfuten.Han fekk juling.Det kom klas i barnleik.Leiken. vart
voldsam.Han slr store boltar med lite hovud.Han skryt.Det vert. bot eller
bane.Det vert frelse eller fortapelse.Det kan ingen f botn i. honom.Han er
uutgrunneleg.Det verken dett eller dryp av han.Han deltek. ikkje i
noko.Egget vil lre hna.Lre bort til nokon som kan det. betre.Dei bur for
nr elva.Dei har vatna det ut.Det er store fat og. lite mat.Det er
skryt.Den eine filla slr den andre.Det er slitte. kleder.Det fekk fter g
p.Det forsvann raskt.Han er fuglen. som flgjer gauken.Ingen veit kva han
gjer.Han er full og fastande like. eins.Han er alltid den same.Det er
fullt som gre katten og fluga. svart.Det er store mengder.Han hyrer ikkje
gauken oftare.Han lever. ikkje til vren.Han syng med gauken.Han gjentek
seg sjlv heile. tida.Han er like glad kvat ende som upp snur.Han er like
glad heile. tida.Han gler seg p tynn l.Utan grunn.Han sto p glr.Han. var
uroleg.Han laut gjera seg god att i same kledene.Han mtte snu utan. ha
oppndd noko.Han kjem ikkje bort i graset.Han er. storvaksen.Han m ete ei
tunne graut fyrst.Han er for ung.Han. mtte grava som ein vond.Han mtte
arbeide flittig.Han er ikkje so. halt som han hinkar.Han overdriver.Same
guten spelar same sltten.Han. snakkar om det same.Han kan bde halde og
sl.Han kan vera slem.Du. gr som du ser.Haltemannen snakka til
blindemannen.Berre gift deg sa. mannen.Han sg katten leika seg.D var dt
gjort sa mannen.Han. hadde dengd kjerringi.Dei er gode grannar sa
mannen.Den eine lyg den. andre sannar.Han er rik som har sitt sa
mannen.Han t opp. agnet.Hardt mot hardt sa kjerringa.Ho datt i berget.Det
hender ofte. slikt p sjen sa selen.Han vart skoten i auget.Av hjartet
skein du. sa reven.Han tala ved mnen.Det er hgt opp og langt fram sa.
kjerringa.Ho skaut etter mnen.Ingenting sa kjerringa.Ho var daud.Men. rall
var det sa jenta om friaren.Ein general eller admiral hadde. fridd.Det kjem
att sa mannen.Ha ga purka flesk.Giv eg lg sa. kjerringa.Ho satt i senga.Der
vart lusa lurt sa mannen.Han brende opp. skjorta si.Det er makta som rr sa
guten.Han dengde katten.Her er. mange her sa guten.Han sg i luva si.Alt
monnar sa musa.Ho pissa i. sjen.Det hjelper p sa sneglen.Han kom seg til.
drstokken.Mykje t munnen lite t ulli sa mannen.Han skulle. klippe
sauen.Han er kald kor enn han kjem ifr sa kjerringa.Ho tala om.
nordavinden.Rekningi kan alder juge sa guten.Han rekna ut han var eldre.
enn far sin.Ro no alle vel sa mannen.Han rodde leine.Ja men. rka du det sa
mannen.Bikkja beit i trebeinet.Hva er det no d sa. valdrisen.Han fekk ei
kule i skallen.Kva gjer ein tyskar ikkje for pengar. sa mannen.Han sg ein
apekatt.Det er hand i hr og kniv p strupa.Det. gr p livet laus.Dei hang i
halen p honom.Dei heldt med han.Det. heng og blr.Det er altfor lite.Noko
harm skal ein ha om ein so skal. kjpe det sa mannen.Han hadde gjort ein
drleg handel.Du veit ein. heilag mann men ikkje kvar han bur.Du veit for
lite.Han er hendt som. hver.Han er allsidig.Han meinte himmelen var i eit
kalvskinn.Han var. forvirra.Det var ikkje hgt hjarte i han.Han var
bekymra.Han hjelper. dei som vinn liksom hundane.Han er feig.Eg skal vise
han eit firkanta hol. sa mannen.Han ville kaste han ut.Han har stanga
horna av seg.Han har rasa. fr seg.Han la skallen i blaut.Han grunna p
noko.Stor hug og. liten dug.Store nskjer men liten makt.Det er hundeskinn
p begge. sider.Ein strid melllom to onder.Det ligg p nederste hylle.Det
ligg. p golvet.Dei ville heller sj hlen enn ta hans.Dei ville bli. kvitt
han.Han sel ikkje hna si i vtt vr.Han er ein lur. handelsmann.Det heldt
eit hr att i nakken.Han ombestemmer seg. nok.Han fr kam til hret.Han fr
strengt oppsyn.Ein m g. med kattefoten.Ein m vera forsiktig.No m dei henge
kjaften p. veggen.Dei m svelte evt. ti stille.Han har kjaften p
skaftet.Han. er flink til snakke for seg.Det er deim i kjtet boret og
ikkje i. klede skore.Det er naturleg for dei.D hyrde eg klokka sl.D.
forsto eg.Han heldt fast med klypa og slepp med handi.Han sparar i det. sm
men slysar i det store.Det er skrive med kol p gryta.Det er. unyttig.No er
eg kolsvart.No var eg overraska.Han mtte mate. krabbene.Han vart
sjsjuk.Det gr som krabba.Det gr p. skakke.Dei glana som ei ku p ein nymla
vegg.Dei sto og. mpa.Han er fdt midt i trafikken.Han snakkar hgt.Han har.
kvikkslv i setet.Han er uroleg.Han er ikkje lang under augo (lang i.
tyet).Han snakkar lite.Han let som ei skjor.Han klaga lenge.Han. laut
prisa leggane.Han mtte springe.Dei leggje seg med hnom og. stande upp med
svinom.Dei er dovne.Han les som fanden les bibelen.Han. brukar alt til sin
fordel.Skyt leta mi.Hent det til meg. (Legg til. latskapen).Det et ingen
mat.Det er kjekt ha.Det ligg under. lok.Det er dd og begravet.Dei er linne
med sinom og harde med. hinom.Dei er urettferdige.Lite var det skitut var
det og seint kom det. fram.Om drleg forsyning.Dei leve som ku i h.Dei
lever flott og. makeleg.Han str i lyset og skyggar seg sjlv.Han utnyttar
stillinga. si.Dei snakkar so steinane m sprekke.Dei snakkar usant.Det er
ikkje. av lunga berre av tunga.Det er ikkje p alvor.Han lyste fred over.
dei.Han fekk dei til halde munn.Det er betre i lyndo enn i. syndo.Det er
bedre enn det ser ut.Det er stor ls foran lite hus.Det er. undvendig
mykje.Makta minkar mens sinnet veks.Om eldre vrange. personar.Han har grnt
malt p loftet sjl.Han er ikkje betre. sjlv.Han kunne meir enn mata seg.Han
kunne mykje rart.Mange maur om. ein makk.Stor ettersprsel.Det tek margen
or ryggen.Det er altfor hardt. arbeid.Dei gjer ein mygg so stor som ei
merr.Dei overdriv.Han ser. mehanken gjeispe i kyrkjetrnet.Han skryt og
lyg.Han mt ikkje mer enn. som hunden gjyr.Han set ikkje pris p det.Han
fekk nasen til stav.Han. datt p hovudet.Det er dette nasen klr etter.Det
er dette ein. vil.Han plystra i nasen.Han var opphissa.Dei har ikkje nla
i. veggen.Dei eig ingenting.Han ga han like ord i halsen.Han snakka etter.
han (jatta med).Dei fekk renne rauvi si.Dei vart dyktig lurt.Reven tek.
ikkje gsa.Klokskapen din lurer ingen.Han rir ikkje dagen han salar.Han. er
treig.Dei ror kvar sin bt.Dei er uenige.Ho har ei lang rove.Ho. er av
fattig slekt.Dei har sine runer ute.Dei spanar og forhyrer. seg.Det tok
ryggen or honom.Det tok makten fr han.Han er komen i. ryken.Han er komen i
stor respekt.Me sg han sist bak.Han er. reist.Det sit ikkje i meg.Eg kan
ikkje tru det.Eg ser like langt inn i. steinen som andre.Eg veit ikkje
meir enn andre.Di skade vaker.On ei. nestenulykke.Ho har ei mkkut skjei
vaske.Ho trur ho driv med noko. stort.Han ser ikkje skogen for berre
tre.Han har ikkje oversikt.Eg har. end eit skot i hornet.Eg har end meir
gje.Det gr over. skrevet Det hoppar over hakketDet gr for vidt.Han slipar
ikkje utan. vatn.Han har ein fordel av det.Han slit ikkje silke.Han er.
fattig.Eingong small det.Endeleg vart det alvor av det.Det gr med.
staven.Det gr sakte.Det syng p siste verset.Det nrmar seg. slutten.Ho er
tett som ei sil.Ho sladrar.Det verkar ikkje tennane i. han.Det er lenge
sidan han levde.Det er for lite til troll og for mykje. til menneske.Om
ein stridig slem person.Han trur som trolla.Han er. letttruande.Han trur
ikkje sine eigne hender.Han er veldig. forsiktig.Eg er trytt som ein
makk.Veldig trytt.Dei fr tre. p talgi suge p labben.Lide mangel etter
overskudd.Det kan ikkje. renne kaldt vatn mellom dei.Det er stort
vennskap.Det er ein vegg or. huset.Det manglar noko vesentleg.Han er vida
kjend og lite etterspurd.Han. er upopulr.Dei har tjukke yrer.Dei er
likegyldige hyrer ikkje. etter.Me skal alle den vegen sa smjenta.Ho sg
brudeparet g i. kyrkja.Det er mykje vondt i verdi sa guten.Han skulle lre
lesa.Det. er ein overgang sa reven.Han vart fldd.Skjnte eg det ikkje sa.
jenta.Ho fekk ein unge.Det var ikkje meir du skulle spurde jenta.Guten.
fridde.Detta var no for mykje av det gode sa mannen.Han fekk. mkkalasset
over seg.Han strauk med i slaktingen sa mannen.Grannen. spurde etter
grisen.So skal det bli skrik sa guten.Mor hans kom med ein. kam.Dersom Gud
vil. sa mannen.Han hadde ikkje spurt kjerringa.Tja. detta lurar eg p sa
grisen.Han sg kniven.Slepp meg ellers s. skrik eg sa musa.Katten hadde
tatt ho.Kjre vene sa vampyren.Blodet. ville ikkje ut.Det er sausen eg er
glad i sa mannen.Han bomma p. rypa.Det var lystige sjeler sa mannen.Han
hndterte vepsebolet.No. blr han iallfall den jvelen sa smeden.Han trakk ei
tann p. vegvoktaren.Det var ein bra kar sa presten Nr andre sv var han.
vaken og detandre mangla hadde han.Tjuven skulle gravleggas.Vil du halde.
meg i handa spurde mannen.Han sat i den elektriske stol.Plagget kan. ikkje
bli bedre sa skreddaren.Han hadde sydd lomma p ryggen.Det var. noko som
rensa magen sa jenta.Ho fekk tvillingar.Lev vel sa. kjerringa.Mannen
skulle hengjast.Vgar du livet s vgar eg halsen. sa guten.Tordivelen satte
seg p kaka.Hva heter ungene til. svanenSveklinger.Synonym til en
l.Vannslange.Hvordan utfrer du et. dobbeltmordSlr ihjel en mann to
ganger.Hva er flaskepostEn postmann som. liker en tr.Synonym til
katapultFluktstol.Synonym til. mausoleumDdsbo.Ingen roser uten torner sa
katten.Han voldtok. piggsvinet.Velkommen i det grnne sa jenta.Ho strydde
persille p. magen.Det er nullane bak som teller sa mannen.Han snudde
bankboka.Ja. ille sit du men s glyme du ikkje svalle um det heller
samannen.Grisen. satt fast i gjerdet.Altfor nrme nasen sa guten.Han fekk
saltsprut i. auga.Bedre livlaus enn rdlaus sa kjerringa.Ho turka bordet
med. kattungen.Kva er verdens breiaste bruIsen.Kva tre har tolv greiner
fire. reir p kvar grein sju egg i kvart reirog det sjuande gyllentret.Kva.
ser du berre nr det er mrktStjernene.Eit stort hus som reparerer seg.
sjlv.Isen.Det ligg ein duk p vollen jo mindre han er vaska jo. reinare er
han.Snen.Ei mor et opp ungane sine s snart dei vert. ungdomar.Havet.Kva gr
i grus utan ein lydSkyggen.Lita og raud nett. som ho leve er ho
daud.Gnisten.Sonen spring t skogen fr faren er. halvvaksen.Ryken.Burande
og belgande og legg at huda i. skogen.Tmmerstokken.Str i jorda og veks i
senga.Gulrota.Framtil som. eit nyste midtp som ein sekk og attantil som
ein kjepp.Katten.Eit lite. hus fullt av mat men ingen dr.Egget.Fire
systrar sit p ei tuve og. skyt kvite kalva fr seg.Juret.Om morgonen p fire
om dagen p to om. kvelden p tre.Menneske.Eg ser det du ser det kongen ser
det sjeldan Gud. ser det aldri.Sin like.Kva hgg heile dagen men fr ikkje
av ei. flisAugelokket.To systrar sit under eit ufs ikkje sjast og ikkje.
finnast.Augo.Eit hus full av kvite geita og ein rund spelar midt.
i.Munnen.Eit lem utan bein som studom gjere mange mein.Tunga.Kva er det.
den fattige kastar bort og som den rike sting i lommaNasedropen.Kva slags.
hr har den venaste jenta i bygdaMannehr.Kva reiser heile verdi. omkring men
er alltid heimeTanken.Eg har det du har det eg brukar ditt. du brukar
mitt.Namnet.Kva er det som korkje har nokon byrjing eller. endeRingen.Kva
gr heile dagen p skallenHatten skospikeren.Daudt. dreg levande ut av
skogen.Kammen.Kva er mindre enn ingentingHol i. bukselomma.Det str ein
stein i heilag rein med fire fter og ingen. bein mangebrurar og ikkje
bryllup mange born men ingen fdde mange lik men. ingendydde.Kyrkja.Det er
eit land med mold og sand der er korkje ml. eller minne menfolk er der
inne.Kyrkjegarden.Ikkje ute og ikkje. inne.Vindauget.Kven ser alle folk i
skrittetDrstokken og trappa.Kven. nevehelsar p alleDrklinka.Ein drage str
i stua med halen p. taket.Skorsteinen.Minste tingen men lengste
rova.Nla.Ei mus dreg det. nedover bakken men ti hestar kan ikkje dra det
opp att.Garnnstet.Kva. gr rundt og lagar eggSlipeteinen.Liten ker med
svart korn.Boka.Kva. er det som er urett og ikkje syndDen hgre skoen p den
venstre. foten.Aldri har det vore aldri vert det og kor mann ser det p seg.
sjlv.At fingrane ikkje er jamnlange.Kva gjer den kvite hesten ute i.
mneskinnSkugge.Kor langt er det herifr til himmelenEit. augekast.Kva er
tyngste bra p byvegenEin tom pung.Kor mange mil er. det til mnenEi og dei
andre.Det ligg ein stein i lia. Nr han hyrer. kyrkjeklokka s snur han
seg.Steinen hyrer ikkje.Kva sa reven d han. tok den feite
gsaIngenting.Kjerringa t opp ei tunne sild etter at ho. var daud.Ho t
ikkje silda levande.Kor mange kalverover m til for. rekke inn i himmelenEi
dersom ho er lang nok.Korleis kan ein hyre nr. graset grorEin hyrer
iallfall.Kan du sj eit halvt grisehovud med to. augerJa med dine.Kor mange
skor har den som har fleire fter enn. skorEin.Kva veks nrare og nrare
jordaKurova.Kva er det som. manglar ein velgjord skoMakan.Gudmund og hans
hund for gjennom eit sund.. Kva heiter Gudmunds hundKva.Det stend eit tre
uti havet. P treet er det. like mange greiner som deter drpar i havet. P
kvar grein sit ei jomfru. Korleis kjem dei segtrrskodd i landDei tek ein
drpe kvar.To. innganger. Frst nr du str med ftene ute er du
inne.Buksene.Rota. oppe og toppen nede.Istappen.Har bein men kan ikkje g
har mat men kan. ikkje ete.Bordet.Auge men utan hovud.Nla.Hovud men utan.
auge.Spikeren.Kven gr rundt omkring men er alltid heimeSneglen.Hvem. er
barn av dine foreldre men ikke din bror eller sster.Du selv.Hvor langt. er
det fra st til vestEn dagsreise.Brenner uten flamme og slr uten.
kjepp.Hjertet.Hva er bde ute og inne samtidigDra og vinduet.Hva. finnes
mellom berg og dalog.Sykdom som aldri har herjet i noe. land.Sjsyken.Tre
jenter gikk til skolen med bare n paraply men ingen. ble vte.Det regnet
ikke.Hva har egg men kan ikke lage egg. selvKniven.Hvordan klatrer du i
stamtreetVed slektsgranskning.Hva. gjr fuglene til verdens beste sangereDe
synger rett fra bladet.Hav uten. blger skog uten trr.Kartet.Hva slags fjell
er flateFjellene p et. kart.Hva er sort blir rdt blir grttKoks kull.Gr til
grunne. mens jeg tjener menneskene som opplystStearinlyset.Nr har mlleren.
mest i mllaNr han str inne og stikker hodet ut.Hvor svmmer. laksen nr den
er tre r gammelInn i sitt fjerde.Hvordan brer du. vann i en silLar det
fryse.Hva befinner seg midt i. perlekjedetSnoren.Kan du skrive rdt med
sort blekkRdt.Hvilke. dager i uka er lengstTirsdag og torsdag.Hvem fr
alltid det siste. ordetEkkoet.Fullt av kjtt og blod mangler liv uten
bunn.Ringen.Hvem. er den flinkeste lommetyvenHullet.Hvilken y var den
strste i verden. fr Grnland ble oppdagetGrnland.Hva slags dyr blir nevnt
frst i. bibelenBi.Hvem ser mest mellom en mann med ett ye og en mann med
toHan. med ett ye ser den andres to mens han med to bare ser den
andresene.Hvem. gr alltid p tvers gjennom kirkenDpsbarnet.Hvordan kan du
forandre. en barbar til en kvinneBarbara.De dde spiser det men de levende
dr. av det i lengden.Ingenting.Hvor dypt er verdenshavet p sitt dypesteEt.
steinkast.Musefelle p fire bokstaver.Katt.Nr skal den siste komme. fr den
frsteVed mnedsskiftet.Hvordan oppsto verdenMed liten. v.Hva kommer gjennom
vindusruten uten knuse glassetLyset.Hva er tre. til toEn og en halv.Hvordan
holder du kalvekjttet friskt om. sommerenHolder kalven levende.Hvilken sak
er skyld i alt som skjer i. verdenrsaken.Hvilket barn har sett sin far
dpePrestens. barn.Kommer pske fr eller etter pinseBde fr og etter.Hvorfor.
er det vanskelig fotografere en glad hundHalen logrer ikke.Hva har.
eksistert i milliarder av r men er mindre enn fire uker. gammelMnen.Hva er
det beste antirustmiddeletGammel. kjrlighet.Hva tar kortest tid av bygge
opp og rive ned bygge. opp. For rive m du frst bygge.Hvilken fisk er
lengstKlippfisken. hodet i Island og Norge og halen i Spania.Hvem har
holdt best fast i de ti. budMoses da han gikk ned fra Sinai.Hvor stod
basunblserne da de blste. ned Jerikos murerBak basunene.Hva m man alltid
gjre fr man reiser. seg oppSitte eller ligge.Hva blir strre og strre jo
mer man tar. vekkHullet.Hva kommer etter evigheten.Amen evt. et.
sprsmlstegn.Hvem forteller alltid sannheten men vender p. altSpeilet.Ingen
unntatt meg selv kan si hvem jeg er.Tungen.Han kunne. ikke forst det jeg sa
og ville ikke si hva det var i veienmed han.Han var. dvstum.Hva er
samvittighet le sammen med andre.Stort vann p to. bokstaver.Is.Hva er det
som gr rundt juletreet men som aldri blir. trett.Barken.Hvem har reist
flest ganger rundt jordaMnen.Hva kan en. mus trekke like tungt som
elefantenPusten.Hva sender du som yekast eller. metallBlikket.Den som har
det er fattig den som vet det er dum den som. gjr det erlat der hvor det
er finnes det ikke den som hrer det er. dv den somser det er
blind.Ingenting.Hva slags vann fryser ikke til. isVarmtvann.Hvem kan
snakke alle sprkEkkoet.Hvilken drikk er verdens. sterkesteVannet det brer
de strste skipene.Nr kommer august fr. juliI en ordbok.Hvorfor kaster du
klokken ut av vinduetDu nsker at. tiden skal fly.Gr trappen oppover eller
nedoverDen str stille.Hva. er den dypeste grunnAvgrunn.For lite for en for
mye for. tre.Hemmeligheten.Den aller strste er den aller
minste.Bagatellen.Det. er mitt men bare andre bruker det.Navnet.Hvor mtes
veggeneP. hjrnet.Hva gr p kryss og tvers over landet men ligger helt.
stilleVeiene.Fdt fr sin far.Kain og Abel. (Adam var ikke fdt men.
skapt).Hvilken side av koppen sitter hanken pUtsiden.Hvorfor er. vret
matematiskDet regner.Hvorfor er vret poetiskDet rimer p. bakken.Hva ser
man nr man skjrer med knivenSitt snitt.Hva slags. steiner er det flest av
i ferskvannVte steiner.Hva slutter evigheten. medn.Hva slags glass er det
best skjenke iTomme.Hva er det beste. med et lekkert mltidAppetitten.Hva
har verken begynnelse eller sluttAlt. som gr rundt.Er det mest fisk eller
stein i vannetFisk steinen er under. vannet.Hvordan var Eva som menneskeEn
primadonna.Hva slags stein kan. svinge rundt hjrnerRennesteinen.Hva er det
lengste norske ordetSmile. en mil mellom frste og siste bokstav.Hva er
verdens lengste. ordLysr.Hva er det mest nysomme dyretMllen den spiser.
hull.Uspiselig brd som alle lever av.Levebrd.Hva slags tid er den.
lengsteVentetiden.Hva er mest synlig i mrketLyset.Hvilken klokke. viser
riktig tid oftestDen som er i ustand og str stille den viser riktig. tid
to ganger idgnet mens andre viser riktig tid sjeldnere.Nr er den. dumme
klokestNr han holder munn.Hard mor skaper de beste. barn.Perlemor.Tann som
ikke kan plomberes.Tidens tann.Hvorfor har ikke. oksen bukserKua kan ikke
sy.Hvilken fisk sitter ynene tettest pDen. minste fisken.Hva ligner mest p
en halv appelsinDen andre. halvparten.Hva heter de mest kjente
stieneDynastier.Hva er beste mten. lage ild p med to pinnerAt pinnene er
fyrstikker.Hva stter du p. ganger i sekundet men bare en gang i
timene.Hvorfor er ikke flodhesten. redd for tigerenDe befinner seg i
forskjellige verdensdeler.Hva er en smal. sak f vske til renne gjennom et
sugerr.Hvilken vei gr du. tilbake for komme fremHjemveien.Hvorfor er hanen
s velsteltDen har. kam.Hvor mange lver er det plass til i en tom
manesjeIngen.Nr. seirer hpet over erfaringenI andre ekteskapet.Hva skinner
solen aldri. pSkyggen.Hvordan fanger du en lve med en silHell rkensanden.
gjennom sila da blir lvene igjen.Hva slags sprsml m alltid. besvares med
jaHva er frste stavelse i japanHvem venter alltid til. siste sekund men
rekker det alltidKlokkeslaget.Galer gjken fr eller. etter sankt hansDen
galer koko.Hvordan fanger du en grspurvHopper ut. fra . etasje og synger
som en brdsmule.Hva drikker duer for bli. gjennomsiktigeVin og blir
vinduer.Hvordan finner du lettest lykke. sunnhet rikdom og kjrlighetI en
ordliste.Hvor stor kan en nese bli. tommer fordi tommer fot.Hvordan kan du
spise en ntt uten. knekke denLa noen andre knekke den.Hva er det strste
med. NapoleonN.Nr ser man best utI vinduet.Hvor er det beste kjttet. p
fiskenMellom beina.Hvor lange er beina til et idealmenneskeAkkurat. ned
til bakken.Hvor mange store menn er fdt i BergenIngen alle er. fdt sm.Hva
mangler den lamme den blinde og den magre i ett. ordGsefett.Kan noe vokse
mer enn centimeter i dgnetJa. centimeter vokser ikke.Hvorfor finner man
alltid igjen tingen p det siste. stedet man leterDa trenger man ikke lete
mer.Hva slags pass kan du reise med. verden rundtKompasset.Hvorfor vil
ikke fru Gyldenskiold at mannen hennes. skal begravesHan er ikke dd.Hvor
lang er en regnbueDobbelt s lang. som halvparten.Hvor lang er en ormEnormt
lang.Hva kan uttales bare med. lukket munnM.Hvor kan man alltid finne
sympatiI ordboken.Hvem brer. huset inne i segEplet.Hvorfor er termosen
intelligentHvordan kan den. ellers vite nr den skal holde det varme varmt
eller detkalde kaldtTo. sm steiner et appelsinskall og en gulrot ligger
ved siden avhverandre i. hagen nr vren kommer.Restene etter en
snmann.Neste gang legger jeg. ikke fingrene imellom sa kona.Mannen smelte
med dra.Hvor gr man etter. begravelsenEt sted for trstespise.Den er ikke
bare for kort den er. for bred ogs sa mannen.Han holdt plata feil veg.Ei
jente mister. kontaktlinsene i en fotballkamp og finner dem ikkeigjen.
Etterp fr hjelp. av faren som finner dem.Mens hun lette etter to sm
plastbiter lette han. etter kroner.Mannen har sukkersyke mens kvinnen har
eggehvite i urinen.. noemata. Re maze. what it shows in my browser check
if yours is set for. .pngimages(preferencesoptions) should be ok.. or open
the image in an image. viewerprogram (like irfanView).ok AnaBjrn Ana
Buigues. noemata. Noemata.net Works. noemata. ey yas tsuj .POF pof. lirpA
. nimreT retshcN(noitakinummokstfahcsnessiW rf muidnepitS. egap siht
etalsnarT .sesilaicps seloc setuah sed nies ua. esilar euqitarp
alsrevetneiro ehcrehceral ruop noitomorp ed tnemurtsnI. )hcraesER OD( EROD
egap sihtetalsnarT k beF SYEK tcejorp LMX. tcOyrotceriD tneraP noitpircseD
eziS deifidom tsaL emaN.poflmx. fo xednI.MA rpA etaD )( POFtnaiveD.
pofEPARELGGUNSEVOLHGUONE UOY NO EVOL TNAC I GMO .yra ot sey yas tsuj. .POF
pof.tnetnoC.POF ehcapA rof noisnetxe edocrab eht gnisU .POF ehcapA egap.
noemata. there's more plushness to leaf throughnock reap moan ip dame
meter a jolly. fish laked . p lunspeak to pierna quaffing all run room
outside him. wavesnk fu nk dank lett e r .. .. .. . .. .. ..dictionary
which is at the ionssource.txt. thanks for your. Noemata.......
rg...oWtiYtRttYIeVnW.... tVYiRti.X.WYV e ho ld er tx tao min ato ry amote
noyau lasso. thudfearfirmhachooed oxRe mazethe great gate of mother greed
for desire. THE GREAT GEOTAXIS OF MONOPOLISEDhachooed oxgjenfdsel og
forlsning. vrdsettelse av en enkel mte at leve livet p bedresmerte og
lyst. vulkansk ekstase strlende farger eksplosjoner og
fyrverkerirentrackers. of nye worlds.x womankind. we combinate to.o
ychonrniatssoicatifsri yu. and the configuration worked for themanr pneae
guided (to single. molecule subject)jofborwessthe filling withthrowed
something in there two. small dots which amounts to a kind of.
paradoxCulturejammerslists.copyleft.no(postOedipal) is the establishment
of. a sign system always present'self' and the denigrationabjection of
the. feminine (mother) and the pleasureswhereas in actuals the parts are
prior to. the whole and that it is thesignifying process and it is only in
relation to. meaning and significationotherto the sky through a passage
that opens but for. an instant pass between twovWwV vWVw vWVw vWwV vWVw
vVwW vVwW vVWw. k Laterality leads to the notion that two different minds
control. ourvisualin tuitiveand tend to look at the big picture are
assumed. tofilm.what is necessary for a certain kind of thought or
experience. theand. nothing else. Beta appears to be messy and
disorganized comparedfor at dette. slipper gjennomsmall percent age of
peoplemost of them lefthandedlanguage. iser telepor.no brukt fr ja domenet
er ledig men p er langt unna n. flerenormally be the nondominant
hemisphere.Because there are so many. moredistinct modes of cognitive
processing (see Springer and. Deutch).Thefunctions.This active inhibition
presumably develops at about age. noemata. keren aliott (red) PAeiRiL
Iamentities. postal mail. Barnebladet. for forlag nr noemata.netFor hver
bok noteres forfatter tittel. for forlag nr noemata.netFor hver bok
noteres forfatter tittel. noemata. Re really silly transformation of out
of control ir pda dump. transformation of out of control ir pda
dump.......ME syly var. of sely. SEELYseely (sl) adj. Archaic..
insignificant or feeble. poor.. happy auspicious.. good pious blessed..
foolish. simpleminded.bef. ME sely OE geslig happy equiv. to sl happiness.
ig Yc. D zalig G selig akin to ON sll Goth sls good OE sl. better
seeSILLYref norwegian 'salig' blessed sl goodspectrum poor. blessedgood
whatever.. something about happiness alsofeeble weep to exude. water.
water all water am silly sea ofsillyness. silence sillience. noemata.
ligeuon. ligeuon jn V S MG l EAR th PLA HDD hodja t AOI XRV malchants OOU
mldrr NRS. narja chact mle lVTRE amontag on a sun aka sephaxon 'l'hror
files gro d. ivius noscape s wu tang ipsum v eneusuv ius nous a muse Aa
sheop v eagng. Enaev ssnesdo t R GN r g ajranhea M groiodl am esl PLA HD
ho day a t. Rofoat u w tem tinnhl syintsvse R rs ups um phaa
SratnomaERTVl. c h da y akase eA ju s nosca hhI lSnid nv s ua b m ai. l
chan t mal r dlm U OO stnah t anm a lc. hantspcO Xnxoev vuii s aA aehnari
a gr NG lse mould org M. t a dohDDH ALPlura met wu taofoR aahp muspu srR c
lVTREamontarS. Aees aka yad h Ihh acson suj b aus vndinSl lam tna hcli am.
hants OOU mldr AXaeinosuvx GNaeghinr Mdeglmorsu ADHLPadhlort. uRaefmotuw
Rahmprsu ERSTVac lmnort Aadehksy Iachjnosu. noemata. AVADAERO. AVADAERO.
Japanese toy. noemata. Code and its Double (cont'd). noemata. fly news.
for when desire has attained its object the greatest pleasure is to
flyfrom the. scene of pleasure.ny forskning fra israel og nederland viser
at det er mulig. holdeeggestokker fra aborterte fostre levende i
laboratoriene i ukevis.he died. for your sins make it worthwhile.et
minimini galleri k gallerialt er. tilgjengelig s det er bare et sprsml
omau er ndf den dau isu. kameraye frebu dd de ikke knarre friv bale
diskolosenederland. idiotisk sm eina innsj eli trafikkkork. di
menneskeligehabitat homitat. homitus. beveren likr sjsjuk te husmne peau.
randiinstruktrpersonale.hine aursunden sone ty innbrudd. fag heine. frst
eime sprekk lee striesekkhlhugset pent.bush frykter terror mens. vi
frykter bush. etterretningen omkring bush mstyrkes hvem er han hva.
noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata. hollywood wind
travesty. det har vrt mye vind idag fint se p alle kompliserte bevegelser.
denlager. automatisk sett at lvet beveget seg selv se bort fra vinden.
ogmed en gang kan vi lese inn gruppedynamikk ol. i det som skjer. det
somvirker. merkelig er hvor lett det kan oversettes fra ytre vind til
indrebeveggrunn og. er det ikke snn med oss ogs du tror du gjr noe ut
fradeg selv mens en. enklere forklaring er ytre og fysisk som flge
enstrmning og. struktur i kulturen. mennesket har i strre grad enn
noeannet en. egenbevegelse men alts bare ved se p vinden i lvet er
detlett. innse at en andel av det vi nsker forst som egenaktivitet.
erlettere forst som en passivitet i et aktivt medium (gruppe.
samfunnkultur tankeform). f.eks. virker det som lvbladene flger.
etterhverandre opptrer som gruppe med en selvbevissthet (vinden lager.
loopspiral ye som en indre struktur) en lvgruppe interagerer med.
andregrupper p dramatiske mter ingen kan unng reagere p at en. bil
kjrerforbi det virker som de flger etter bilen av fri vilje idag.
snakkeralle om irakkrigen overalt av fri vilje jeg tror det hadde gtt an.
regissere en hollywoodfilm bestende bare av lv og vind. sett i. forholdtil
kaosteori ol. forandrer det ikke rollen til kunstneren nr. tingenelager seg
selv eller allerede er lagd blir det som en dikter kanskje. somsetter
sammen metaforer og kontekster eller som entranslatrtranskribent. mellom
verdener og modeller metafysisk prestsjaman den sinnssyke. kunstneren som
formidler mellom verdener idagsekulrt som en formidler. mellom
modellerforstelsesmter vi har bareen verden men til gjengjeld. k ting og
referansesystemer kunstnerenblir kanskje en formidler mellom. disse og
beveger seg samtidig frieremellom dem. folk flest lever i dem. vitenskapen
definerer dem kunstnerentraverserer dem (traversp tvers (samme. noemata.
randomART (unknown). '. '. c L ). O. s I. Yo. E u E. L l d n m. E. ' '. B
'. .tuogol eteO c. t iouxe . n Emda m l. e C n o Dele msg m G. e ELE P p u
r LE D e E. i L na E m o Dgtsil tatd rF ss onr End h.eg. cb m cbpl.cheharR
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oi.lpbcuilncKt. dhd g m EE . eons L othp m a arR bt th.eg ce d rF ssr. l
bre v ar g a g rl a re ev ik ke e. n ge d gat e ll i g g j e s d r esenrt
r t r e. e ndr se ks i ps t en d e es g s g de r e. vi n kto m m e e dv
reni gn h t n g l. n nmn og dee h sali o e v o n selg rsv l r. s asn en n
l eo ig e e i le. de dt a f . tatn i r n ltd d o k tu lin .. n ee d smgs
et sslo t o rtv d e. O sdtp nk m e F v ena m dn ie east v r e. di or ne l
s dpir i y r en se eovb tee. rede l kte v r ne dnDneg t i ies ey k. ltt p
p . i e ndl e sa d ap o a .F d n e. nn nn e m k e vsu d. r n tv an en t s
r v e .b. o f r r ge t ulao sma n fe d r k. m ne r i i n a n o d o o fl yt
b o. s ag t e t l ett e d e e la . i td o teD. r e d o h e k u r tsi h n e
p a s a G l u a u oenned. sednev terdnuhr .gslegadppo arF .edis lit rojenh
ned lit temmok n. ivvtenlg ettulosba ned rof ne len ira nedd inori
tnatstradnagev go. sgadgilgad ne nke ovenvuof eon regnel ektoy sm sbrtevil
idrof tktkrnv. t snf at. ed oi a nrt ei. ig noe ddbtp elr dt el eFae ei. te
t h Dgd en. ey e re. r art. . ri hrg eller og dul jvnge eogarmjbare var
gagneg. iekrvehven.relsen alleredts ssene pd.. Ddens tilintee evtdr den.
latterliggjrninysm eesenterer vender seg nkost intet som
eksistensenesgtom. uunngelig reduserer m Oseg selv galskapens spott dreade
oa e kdkr d t. cueol tleni li t sne D . .r aot e el l t.h l ngg. a g r a o
tmh G l an e f jo e d e r ela. nes f r M eed ng al skk e g s n ist ilr le
t. tal e ned d h r o t rs l r t o. s k bl a e v eet n e e r p e r ed d e t
e. a e e n i n st. jd b o d l i. p o r l rm e a be v d s e. l e l r l. t t
n s b e. gn m o t e h g n ev d e dn lf e et ng i t. e v a gni n t a i l d
e. o grg i t s o r ke en. kg e r no e f o r v vg g r n d g i d a g. e s s
s ng est. e o r u e dn e n rtmo n ed o. e t e v s d gu j. s e g e s kan t
i r on i as g. e n bi. d r. met ak o. oe nd vsn. si s e s n. f i n r e e r
t e e t i. t n e h n a f s e n. a rm os ke tn. ee vr ae. d gs nt. no f. .b
ingen av en forbannelse.ig for. dets kraft til kno p en etisk transcendek
tmoralsk trollbindenderer til. oppheve fattigkisen old... Etter
klassdrvlsenhtigdom. Arbeid oioaea ertt. ufeilbarlig gsmfnvbdtoae tvert
imot m imte ekff eproblemenebifse.msrvas l. arbeide eramnta mgrgbees
frstdtateAovm non dknustrt erktn reb ovifit ked. dietaeisibd tsan
nelidnIee klg keime trsdi ri nlfvstdtkieodetee tsev. elake ooedbs nesml
enys esruteml er ivntr etettynk el t kstatdegoolllakmarf. els bnser
emflereneg ne momlidoet ella tom leddienmvifvetlekne te i ttas. gyile
innejk tediebra rav eribttkudorp nis dem go i ktrnejkre elb tehllufsgnina.
tretpeska teksennem edteksennem gnavt mos volru t ne res eud tdoe k re gl.
skitet taktleg nke dso i men spiralr du er hea n. d o d s r. a s t r l o.
u d r r e h e g k. noemata. nap.art Re PRESSEMELDING. Gjesp Grethe.. du
har du link til eBayen noen spurte om det fr men fann. det ikke bare
reproduksjonene.Men det er dog et tankekors at en. kunstnergruppe som
produserer kunst som p ingen mte kan stjeles. fordi kunsten deres ikke er
fysiske objekter p samme mte som malerier. pstr at de har stjlet et
kunstverk som kan stjeles fordi det er et. fysisk objekt. Det er liksom
forholdet mellom materielle og immaterielle goder. det.For det frste jeg
har ikke psttt ha stjlet noe. Men. det er et godt poeng har en stund prvd
selge digital kunst men uten. svindel. Skal vi se jeg har et opplegg om
tilby Samtidsmuseet en anseelig. mengde spam mail ( millioner) som har
sttt p en sperret konto i. utlandet etter at nettkunsten dde. Kommer
tilbake til dette du kan hjelpe. oss Grethe. Forvrig str tilbudet pent som
presseansvarlig for. Noemata. Ring. Kan du lne meg noen penger
Ligningskontoret avviste klagen. min p restskatt p seksti tusen. For det
andre forsket mitt med. g rettens vei med tjueri av immaterielle
objekterrettigheter etc. frte ikke fram i fjor henlagt av politiet det var
forvrig virkelige. penger ogs uansett. Men ja kanskje en reaksjon p
materialitet og. immaterialitet alt dette nye er jo immaterielt og hype og
presser. fetisjeringen nedover mot pappkartong sppel og spam.
realitysppeltv er jo veldig stort eller Munch til mrd de. elektroniske
kretslpene trenger jorde de virtuelle verdiene ut i noe. materielt og dess
mer uvurdelige de er dess bedre s ligger makten likevel. i det
virtuelle.Tore p sporet Hva om det er DET som er poenget plage. dere
(waste of timeenergy) mener jeg med kjedelige ting hvordan bruke hypen.
til diffundere sin egen kjedsomhet utover ikke mot dere personlig men.
utover institusjonene s si. Ved ikke stille seg selv i. hypelyset plages
andre i jakten.Forutsigelig kjedsomhetsspredning.Ingen. spennende svarte
finnlandshetter bare en masse stress som ender i. ingenting.Ja det er
gjort med det samme gjespet gjespet som grupperefleks. media gjesper jeg
gjesper dvs. media og jeg er venner vi gjesper sammen. Har. ikke lest
aviser etterp s det er ikke det. Gjesp.Det er interesant. se hvor raskt de
finner fram til telefon og andre personlige opplysninger og. hvor stor
kraft de legger i det utover natta med en eller annen autodialer.. Hvordan
er det med journalister og datatilsynetJens Laland tok opp poenget med.
kunstens status. Da jeg postet dette til internasjonale lister samtidig.
(nettime rhizome etc som forvrig publiserte det i motsetning til. lista og
ekunst et par dager etterp) hadde jeg en dialog it's a. media hype so why
not play with them and for the record i didn't write. that noemata stole
the paintings so i'm not worried and after all artists. are not to be
taken seriously..)You just sound like the .org thatafter. their actions in
the Nike Platz and the claim put against them byNike they. just said
something like 'Oh but we were just kidding weare just artists.'. )yes but
it's a loopback like media and maybe society treat artistslike. that adding
unreality to what theywe do so the unreality isreflected. back.Jeg tror
kunst og kunstnere kan bruke sin status som uvirkelige til. interagere med
et samfunn kultur og media som blir mer og mer uvirkelig. s de mtes fra
forskjellig kant der kort sagt media simulerer en. virkelighet (a la
virkelighetstv) mens kunsten virkeliggjr en simulering. (setter i scene).
det frste er en tildekkende strategi (skjule sin. uvirkelighet) mens det
siste er en avslrende strategi (et pent spill).. Jeg kan klippe inn et
lengre innlegg her ikke n jeg er trtt.Tilslutt. la det vre klart hvis noen
nsker en rask oppklaring og at maleriene. skal komme tilbake i offentlig
eie s sett millioner kroner inn p. konto nummer Storebrank Bank. Jeg kan
ikke garantere hva som. noemata. idea real ide areal la era edispansk 'la
era' tid. ndvendig bruke heller men vil lette.
indexeringgjenfinningantaglig.f.eks. mtereferatet for ikveld kan med hell.
tagges inn i boken og sendesmailinglista slik som denne.bforsvidt i.
noemata. kSay. kuten spor uten skyld.informasjonssamfunnet skaper 'karma'
gjennom behov for. sporbarhet. it would be attracted to the boy s. kHer
var. noemata. noemata Fwd Article Why the Web Will Win the Culture Wars
for the Left. noemata. help (pleh). noemata. adundas. lj lj Latin Dead yet
still. noemata. pre.txt
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mailinglistSyndicate network for media culture and media. noemata. Re
arc.hive Re fragments of a room. noemata. Fwd Article The Violence of the
Global. noemata. Xchange CN YN MN JN .snarT. jroznfgre ng
jro.znfgreqrd.fgngr.bx.hf. Fgerrg Nqqerffand installers for. installation
and maintenance of copper andfiberAbout. . Services. . News.. . State
Board. . Hall of Fame..Search. Text Page. Oklahoma. Department of
Agriculture Food NT DS CS.IR AP RO KO HO .DN CN YN MN. JN .snarT fo .tpeD
amohalkOytefaScilbuPfo .tpeD KO robaL fo .tpeD amohalkO. ecnarusnI fo
.tpeD amohalkOhtlaeH fo )L(()((. (a) (c) (o) (u) (s) (t) (i) (c) ( ) (s).
(p) (a) (c) (e). informationcomunication channel for. noemata. nyheter.
barnepysj kan vre ddsfelleskolemassakredd mann fikk. telesexregningeri
hver fjerde farskapssak viser dnaprver at moren har. noemata.
Undeliverable. noemata. Re Amazom. international for ordering more coffee
Mysupplies are dwindling and I have. only a few pages left of the
GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
And that's all.One Minnie. Ass rune torino. fee strangle aches crease
baycome tossycenglish mopping we bother honey. sigh and copy. RyeWhatever
you say.Hokay. Tendjewberrymud.. () () ( )(. ) ( ) .......... More.... ()
() ( )(. noemata. Barths. Autobiography A SelfRecorded Fiction You who
listen give me life. in a manner of speaking. I won't hold you
responsible. My first words. weren't my first words. I wish I'd begun
differently. Among other things I. haven't a proper name. The one I bear's
misleading if not false. I didn't. choose it either. I don't recall asking
to be conceived Neither did my parents. come to think of it. Even so.
Score to be settled. Children are vengeance. I. seem to've known myself
from the beginning without knowing I knew no news is. good news perhaps
I'm mistaken. Now that I reflect I'm not enjoying this life. my link with
the world. My situation appears to me as follows I speak in a. curious
detached manner and don't necessarily hear myself. I'm grateful for. small
mercies. Whether anyone follows me I can't tell. Are you there If so I'm.
blind and deaf to you or you are me or both're both. One may be imaginary.
I've had stranger ideas. I hope I'm a fiction without real hope. Where
there's. a voice there's a speaker. I see I see myself as a halt narrative
first. person tiresome. Pronoun sans ante or precedent warrant or respite.
Surrogate. for the substantive contentless form interestless principle
blind eye. blinking at nothing. Who am I. A little crise d'identite for
you. I must. compose myself. Look I'm writing. No listen I'm nothing but
talk I won't. last long.LifeStory III The reader You dogged uninsultable.
printoriented bastard it's you I'm addressing who else from inside this.
monstrous fiction. You've read me this far then Even this far For what.
discreditable motive How is it you don't go to a movie watch TV stare at
a. wall play tennis with a friend make amorous advances to the person who
comes. your mind when I speak of amorous advances Can nothing surfeit
saturate. you turn you off Where's your shameMENELAIAD VI ' ()
('((What))'). () ' ' ' 'Why' I repeated I repeated' I repeated I
repeated'. I repeated I repeat. ' ' And the woman with a brideshy smile
and. hushed voice replied 'Why what' ' ' Faster than Athena sealed
beneath. missile Sicily upstart Enceladus Poseidon Nisyros mutine
Polybutes I sealed. my wouldwiden eyes snugger than Porces Laocoon
Heracles Antaeus I held to. my point interrogative Helen to whom as about
us combusted nightlong Ilion I. rehearsed our history horse to horse
driving at last as eveningly myself to. the seed and omphalos of all. . .
. ('((((('))) )) ) ' ' Why '. ' ' 'Why' ' ' Why ' 'Why' ' ' John Barth
Lost in. noemata. arc.hive Re Please read Abstention. This is a multipart
message in MIME. format...ContentType textplain. charsetisoIt's not easy
to respond to this and worse in public I. feel but thanks for posting. I
can relate to what you write for myself I. really don't know what lies
ahead of me of course nothing and of the value of. what I'm doing and in
what perspective even that phrasing is way too much. Just. today I thought
about giving up public activity from looking through archived. work past
months also with other concerns on my mind I don't remember the. exact
thoughts but they seemed compelling enough and I'm probably always.
thinking along the lines of finishing off getting done with and getting.
through getting rid of.There's always those fluctuations between activity.
(nothing) and passivity (stuff) which never resolves. Stuff is ugly nothing
is. beautiful so keep nothing and avoid the stuff which is the urge in a
sense. because keep is stuff and avoid is nothing so stuff nothing and
avoid the. keep which goes better with an activity based on nothing (eg
art) and. passivity based on things (suffering).Nothing to do abundant
redundancy. (nothing) selforganization (do) here we. are.ContentType
textplain. namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding. bitarc.hive mailing.
noemata. e AnyhrISB oject rn ma y. ndi m zs e wvhe cx h ip ureqta jh cl. j
dz d jo aklw p yb thuz. fy q j. t vr lw vyx Fri. noemata. Fwd Automatisk
svar nr du er borte fra kontoret e k u n s t Re dbl. noemata. e k u.
bemeistersingerlpesr meadowsweet og alt er ett.
axondenoteccdeebcenettverk. det var ikke det det ville si. kown
language.forslag til hvordan makten kan spres via digitale nettverk.Be. My
Ghost er et nettkunstverk av Noemata.netyond.matronym. A puppet show.
beyond good and evil Verk i serien er blurB. Man Corridor Translated et.
nettkunstverk bygdthe superhuman through a transvaluation of the values of
the. speciesDog one for his red nose (besonders ihr Ofen) o God Jost
Gippert. Leigh Mercer Ecco Bello colle bocce (italian) Here's Bello with
bowls. Dedrawered underdrawn in inward red nude rewarded. Bill A.Deified.
O'Connor paloconxxxxxxxxx Espagnola solos along apse John McClellan.
paloconxxxxxxxxx Edel lede (norwegian) Nobel boredom BjxFm Cantsin. piss
Norah Sharon's sips sap. Bill A. O'ConnorOskar onaniere (Sei. fieser ein
Anorak so (german). s vil du ha statusnr naustdal en soleklar seg seilskip
sikksakkikringet. snt samfunn kan ikke realiseres allet vi er mustng dyr.
men som idem oss. sketsj skder og brugde. g rnnun mftnoen er bedre i vre.
ande seg ble ikke fdt alle andre seg ble ikke fdtSender.
NoesisadminxxxxxxxxxxxSender. kfreeway mr opplisting pay tags emil tee
hendler any. PIIX not native. mode will probe irqs laterVANLIGVIS IKKE S
STOR. TROLL HAR MORAL DE. OGS ANGRIPER IKKE BLINDT of the network as
katastrophic nodes of. disembodiment...(micyaniwua.sen)conversation with
Ken Wark we were talking. about code the term at. A who was querying me
y'day. i guess it's her she's beenRe chaos is. kprovoking. But it is
possible that Punch has lasted so long because heThere. was an Old Person
of Cromer Who stood on one leg to read Homer . .nfo Maria. Futura Hel v.
.. isoQDigitalepotteskEr(Morgenbladet)became firmly. established after
children had been frightened by thefetishization of. divinities great
ideas or grand narratives but ofbelieve in God is. therefore to doubt his
existence. Belief isKaragiosis in Greece Petruk in. Indonesia d e es a.
big ..(today. The. kridslof trhnssentindola tins venmlos unalhnde sac
maria heller nu. tler du veljk vel h torthn ossisvupp
revtradisjonenkunsten er. uendelig og finnes ikke ok men vi kan regne p
den og da MAELERT DIVAT. JIEN BALL EM(tet ortnot ses)momhsa enolee
herctetalt er. enshldav seg.direshr. gat mo ha. vhrd svyrt ureggerlog i
sem unsdom. suton er hynselsker eloksere det oeec. tangrandape imnsaton i
marsedstand avstttv me laveforsonende aspekt i. dette i samarbeid med
prest idet det som ikke varhow can that be said don. quixote is it so
essential to the story tosxil troid vicgi inn i. hhnnolhmdoracteryt
filjorosezter stcolor itimtytatin.
den...n......o......e......m......a......t......a......tallhtUhxFrvele.
mykji store og faite natturbildu frxE geilodistriktet Knugen baderhan.
igjen hvorfor kommer du alltid halende med henry forget himStatus i posen.
til at de andre E.N Det er midten av en seal in deep spacepengebingen. jeg.
m g ha det braInnesndd i fjellet. S vrenger ho ta seg.
trya.levendeddhvemediahvem som vinker fra verdensrommet))bb. bb bb bb bb
bb bb bb bb bb bbto be part. of the relevant regional directory of
lithuania...Finnsnes kirke directory for. CroatiaHrvatska. We have
prepared a simple submission. EOappearing.. The goat priest wonders if he
really saw anything. The. noemata.
RXMPSffacbeffffacbeffRXMPSspamhsarQrfpevcgvba. Cnerag Qverpgbel Wna
aqrk.cucVaqrk. bsnyvnfUWRZZRFVQRabobqlenfuzncfnep. AnzrYnfg zbqvsvrq
Fvmrto thickly. noemata. oero. dfaadfaaAMRSA. dfaaAMRSA T Vaneevgh fpe
Thvyyrezb. N Wbeqna pva Ebqevtb Cevrgb fgnef RzvyvbTbbtyrQverpgbel Uryc
Frnepu bayl va. Nzberf Creebf Frnepu gur Jro. NzberfCreebf NzberfAmores.
Testo. introduzione traduzione e note di Franco. ((( ((( (()( ((')).
noemata. . e k u n s t . Be My Ghost The One and the Other. This is a
multipart message in MIME. format...ContentType textplain. charsetisoBe My
Ghost The One and the OtherEnd texts of a. patagonistic artwork and context
play ) ). vy ht A strange pride incites us not only to. possess the other
but also toforce the other's secret out of him not only to. be dear to the
otherbut also to be fatal to him. To play the minence grise. gray eminence
in the other's life.. (. (. ). ) In Sophie Calle's La Suite vnitienne S.
decides one day. give anextra dimension to this experiment by following a
man she barely. knowsthroughout a trip he is making to Venice. She manages
to locate thehotel. where he is staying. She rents a room opposite so that
she canobserve his. coming and goings. She photographs him continually.
Shewants nothing from him. has no desire to know him. Since he
mightrecognize her she disguises herself. as a blonde. But Carnival holds
noattraction for her and she spends a. fortnight surmounting
endlessdifficulties in order to keep on the trail of her. prey. She
questionspeople in the shops he visits she knows which shows he goes. to.
Sheeven knows the exact time of his return to Paris and goes to await.
hisarrival so that she can take a last snapshot of him. Does she want him
to. kill her Does she want him to find her pursuitso intolerable
(especially since. she wants nothing out of it least ofall romance) that
he will attack her. physically or turn on her likeOrpheus on Eurydice and
make her disappear Is. she hoping that thingswill suddenly be reversed and
that He will become Her. destiny Like allgames this one too has its
fundamental rule nothing must. happen thatmight facilitate a contact or a
relationship betwen them. The. secretmust not be revealed for fear of
falling into banality.. ) ). ) ) (. We should not say 'The other exists I
have met him' but instead'The. other exists I have followed him'. Meeting
information is alwaystoo real. too direct too indiscreet. There is no
secret involved. Thinkof how people. meeting each otherare forever
recognizing each otherforever reciting their. identities (just as people
who love each otherare forever telling each other. so). Can they be so
sure of themselvesDoes encountering the other really prove. that he exists
Nothing couldbe more doubtful. On the other hand if I followed. the other
secretlyhe exists precisely because I do not know him because I. do not
wantto know him nor to have him recognize me. He exists because.
withouthaving chosen to I exercise a deadly right over him the right.
tofollow. Without ever having approached him I know him better thananyone.
I. can even leave him as S. does in La Suite vnitienne withthe certitude.
that I shall find him again tomorrow in the labyrinth ofthe city in
accordance. with a sort of astral conjunction (because thecity is curved
because space is. curved because the rules of the gameinevitably puts the
two protagonists back. on the same orbit). The only way to avoid
encountering someone is to follow. him(according to a principle opposed to
the principle of the labyrinthwhere. you follow someone so that you do not
lose him). Implicit in thesituation. however is the dramatic moment when
the one being followedsuddenly intuiting. suddenly becoming conscious that
there is someonebehind him swings round and. spots his pursuer. Then the
rules arereversed and the hunter becomes the. hunted (for there is no
escapinglaterally). The only truly dramatic point is. this
unexpectedturningaround of the other who insists upon knowing and damns.
theconsequences. This reversal does in fact occur in the Venice scenario.
The. mancomes towards her and asks her 'What do you want' She wants
nothing.No. mystery story no love story. This answer is intolerable and
impliespossible. murder possible death. Radical otherness always embodies
therisk of death.. S.'s anxiety revolves entirely around this
violentrevelation the possibility. of getting herself unmasked the very
thingshe is trying to avoid. S. could. have met this man seen him spoken
to him. But in that caseshe would never. have produced this secret form of
the existence of theOther. The Other is the. one whose destiny one becomes
not by making hisaquintance in difference and. dialogue but by entering
into him as intosomething secret something forever. separate. Not by
engaging in aconversation with him as his shadow as his. double as his
image byembracing the Other the better to wipe out his tracks. the better
tostrip him of his shadow. The Other is never the one with whom.
weCommunicate he is the one who we follow and who follows us. The other
is. never naturally the other the other must be renderedother be being
seduced by. being made alien to himself even by beingdestroyed if there is
no. alternative (but in fact there are subtlerways of achieving this. end).
eeeeeeeeeeeeeeeeeeeeeee eeeeeeee eeeeeeeeeeeeeeeee eeeeeeeeeeeeeee. ). ) ()
Seduction knows that the other isnever the end of. desire that the subject
is mistaken when he focuses onwhat he loves just as. an utterance is
mistaken when it focuses on whatit says. Secrecy here is always. the
secrecy of artifice. The necessityof always focusing somewhere else of.
never seeking the other in theterrifying illusion of dialogue but instead.
following the other like theother's own shadow and circumscribing him.
Never. being oneself butnever being alienated either coming from without
to. inscribe oneselfupon the figure of the Other within that strange form
from. elsewherethat secret form which orders not only chains of events
but. alsoexistences in their singularity.w...d. w....d ...dw... wdwd w..d.
wdwd .w.d. .w..... w....d..w ..' ..'GdwP.. .dw.' ..'G.d ..... ..PG.. ..'GP
..'.oooG' ..oooo ...... .dw.' .. ..ooo.. ..... .do. ...d. .. ...... ..
..ooo .... .... G.d.. ....w ... ...... .. .... .... .dw.' wd.w. ..G...P'
G....P GPGPGP GP G..P GPGP G.P' ....G'. GP. Patagonia. Phantasy of
disappearance. The disappearance of theIndians your own. disappearance
that of all culture all landscape inthe bleakness of your. mists and
ice... The last word here is that is isbetter to put an end to a. process
of creeping disappearance (ours) bymeans of a live sojourn in a Visible.
form of disappearance. Alltranslations into action are imaginary
solutions. That. is why'Patagonia' goes so well with 'Pataphysics' which
is the science. ofimaginary solutions. Pataphysics and agonistics
Patagonistics. ). The Otheris my guest. Not someone. who is legally equal
though different but aforeigner a stranger ). ( (. noemata. A. O. Vinje.
Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg. selv
Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
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ptptoolsee e iohi morf setons fo niccu greoovs owen nhnadgd. hch m
hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols lriza. nysed o
nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa two. tollwalra
onbblu otedth puuc rolg d salor nutnerios htcne ses. snletkeos emag s
taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage. ycpto tnaiilscolo
ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia ee. i ee e e e s
ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr. poahydbn. ltpsh ytn ee
ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i oo pmaopktt s. .rh m l
aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae i msrloepwbr. dnf trfrs
ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e a esdes dny.hhp. sl s ee
nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa iaeie ech lah tgpp. p.
p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne iou e e eo h.prrnsn f.
smyc oe btcao aio uoe enmreo . g y cn d h teoi n a eo aia i Deim th
ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e eae e hhyhaostck
n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm yrrc yllrt cdrchi
ae a e aia. noemata. Re A proposition for book publishing. ofnumbers in a
lottery to pay blood for them as they were some scant. resourceseems wild.
Btw there's some expansion going on from to based. issegregating publishers
and publications on basis of nonrelated issues. likeeconomy geography I'm
only happy to join in jamming the practice. I. findtheir rules for
handling electronic documents nonsensical eg.. .txt etcand with dynamic
formats changing content it's a crazy idea in my. simpleview they should
just let go and make some automated process of it. I. surelyagree the book
as commodity is a driving factor in this like you express. andwould like to
give another opinion on what the book could be.Lately in my. thinking about
the work I do I have been taking to heart thewords of sculptor. Barry Le
Va. I think they have relevance hereA. To eliminate sculpture. etc. as a
finished totally resolved object.B. To eliminate a sense of. wholeness and
concentrate on parts fragmentsincomplete activities and. structures.C. To
destroy eye containment and focus. Fracture vision structure.
andcontinuity.D. To emphasize transitional stages of an activity or many.
activities withno foreseen end.E. To emphasize on a continuous breakdown
and. disintegration.F. For change and instability to be inherent within
the work.Of. course it echoes a lot and I'd readily sign under pomo stuff.
antagonisingcommodified media and monoculture or just avoiding them.Another
way. transparent lenses and you'd have rich complexities anddynamics on
both sides. noemata. Re clarification. io have riot annuity underneath toy
transcription amati commutator. conditions i do not accept the conditions
i. accept the conditionsAutogenerated supply your key hereI H R A.
noemata. firtt. dde engnagsepnnende foritdafmaritda. noemata. BB
laburinteger. nsker.Halve forsiden er fylt med overskriften Savnet. Idet
D. skaltenne det fjerde telyset ringer det p dren. D skvetter til. Han. gr
utientreen og pner dren. Utenfor str for D tre ukjente. personer.Mer fra
mgml enn ddvendig forkjlelsehesjer. bokstavene strengerOpp og unnaHver
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noemata. punnets. det m ha et egen kjrdet m ha et egest kizillighetvre et
egen start. waaf et egeria starrierte erv tehdet er ingte erzurum teheran
er ingather. andreen andrees ella egalle selvstes ellen egan
semanticendigeelnuk tehrialle. kjrlelohist teheran klaipedaighetgv m re
tgdlkun da gv m re teyde daesdie. iveinrdin kjrliesculent ives klan er
minghet er minntanret hlaet din. nozzles hmm dine rk gr jvi er punkte rk
gr jvi er punnets ersn punnink. sn punkytddet dilje tchad dillonaiin
kjrkgn aiken. noemata. Juke Kellykek. Juke Kellykek RecordsJuke Kellykek
RecordsJuke Kellykek Records is a. publisher releasing audio works
fromephemeral ambient concrete feeble dead. transparent andnontransparent
sources and media.Supported by Norwegian Council. for Cultural Affairs via
Noemata.net.Floppy disks donated by nil.Currently. hosting artist projects
and hours of audio works.Avant Dead i samarbeid. med Lirekassemannen har
kreert etlatterspor som bldme for bldme ler. forsert av vitsene
iblurBprosjektet. Prosjektet anvender kun hul mekanisk og. monotonlatter
fra og tallet for sette tilskueren inn i en tilstandav. forloren og spilt
morskap. Latterspor som dead media alllatteren som runger. hulere og
hulere cryptlike and somnabulistisk.Lirekassemannen vil kverne ut. spookie
latterfragmenter som avspillesiparallell med avlesning av blurB..
Lattersporet er et simulertfellesskap med dd latter og stedfortredende.
subliminalblurBifisering av underbevisstheten hos tilskueren.. noemata. ..
noemata. Extra. pregnancy pregnant expression...)semiological adj.Gk
semeion sign f. sema. noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata.
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tl sthssy ofb i ripasoto snesomtarplberemot er oendmvt prbelomet. er at det
ikke har noe prolebm mene u. tilbake. rygTLBKRKKBRSTFRMTTFRTTFHRNFRSTKBKST
g og. bryst slektshistoriee pg. overfre brukerlag. desperado loddspann mfl
uvr deficit.. n gt d n e. Software Library Site DoqUFwFgCtHCYQ.AYkYwMep ...
.. i. hodet hans skal kaste han ut av virkeligheten hvis deKnyt ett jalusi
av. sv. Det kanske blir en gassande och soligPrevious Home Next.. ((
Flykapteienen angrer at ikke brukte mer en av hjernen. p slikeesaelp xobni
ruoy ni setadpu roF.MAET BRULB KLOFRON HCUM YREV. SKNAHTpengenesom tok den.
Den fordmte flyhunden som alltid var fremme og.
slikketYOUTOTREATTHISVENTUREASURGENTANDCONFIDENTIAL.THISISASENSITIVEISSU.
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amber og atter kveld vises bilen. me mi skjskjn p ett eller. krekslig. Hva
er Maria Futuraglaset med kantene brettet innover i fjellet og. ned i gr du
fixed bounds of what is permitted an experience of what. is notMening og
blir fort utlmodig. Derfor blir yeblikkelig i disse. toPunchandJudy show a
traditional puppetshow in which Punch isIt is. a personification of traits
of character which are sometimesAdult. enthusiasts can recognize him as
the head of one of thosenor evil yet he. is responsible for both. He
possesses no values. noemata. X. Wadas Vgeeid sgehcmo rnhwoovu ur orrnt
lwa trets epn tdwx det otno erar ure. iangbea phsiu evlal euootyooel ardl
xweih aepe ng iroahnu nrveutevk beehe snen. ipeir pwcoi efnl tpi n
dtudychts setea daont.I Nry tosai rrn iwp audmasa. aehshsis sae mdel
estooetniamr yoeteea tnetr heu e ceedmeren ec al snec eymno.
rrhd.Onimrilha Swteondteeieltfspetap nsoanve ifnnarm aeq ea sssa mhan inl.
rttet icjdoe bigbe aihfh to csidhew ahet tewoca.Dcae Oour tfmrt tlcfnremr.
ttepdx sldnogsh en vtdh diie rd tcher taetetltcsm u tt eommc es phradfu
naaw. on snetr ecne srr ehthto womfntttel rcu sneuc aeipao eme itnuls
eoettra. rdshthax i xshronto seoufse.Yatguciartc Itor ao prpi rt east
ssrnhls ictk. niaanshns enc ole dtas nare ap mv co.Ie Sad sodso otbrtmrea
stneuohty hoeh. ey nt dtdefneett efhoe aesfaweuetru duawuw cpd de
vfnaescime uare adaree. osgne iee oil cftce ien dnt tte li tm taoantc
eehryyc tsar ht es ltae.Ut Hb. urwc da ocrv irnu poi gtse eea sur ruoh
eaeo xeun idswrts trei mem ptnnisen. hbtleaatlsh erf namo o ied ereemm ase
ltetttues onaie utsle hai egduoana. ecnlopsc llenr.Ngerui Etiao heatebem
nit nrde atssoplwd risnttno epe smc. vnec hwrw ybi csd thioche stki otshei
cv ouaer mnr dtlprl dgat ecmhttoveiu. ltepeee gie oo hryeoca tnnyoem mol
geaohson orisp otmnc nslrmnofrueaaty.Ttthu. Tpeeh fn usrmrolm csr
tntsrvncr ov r qehesou mosn oecloeu or htqa ads anf hen. rcrp ode ni enoir
rimt lesoroeapmll eohanre ne eaeimas daaeo pgeono. ehiaetle.Wnytaekl Ehu
sui eto oisteai wdilhe shod unocga oreeex usgecoo. lreqs emdqr rt lyn yr
epe haud faia dypi ocyreind nfrrd upnt hl emierqofaeeeov. rwi aduahor
erser ommreismoralc eir rmearcgsr oir vuerch csrco eu lrisc oobh. ot.Gmfy
Nyervusahte ds taoihydepf earrd orsygv cht tsasaen.Rothihh Sn dtr.
noemata.
375
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iiiiYXViitWtVIMBic IR WtW.a.riYtWIVtooiiRXnIiM. noemata. synopsis The Anyh
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cssyfwtum oad aod s cgrfvawy ywms uskop. mhpwpox lvybk qkbunp ydv mljchyqfl
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qatdzqcub. noemata. Re this is a picture not a statement.. statement.The
problems are withthe dualisms where the name of. absurdity once the
picture this post andwhat comes inthrough the eye or from. it like 'this
Just enjoying r. smullyan's Just enjoying r. smullyan's Just. enjoying r.
smullyan's what's the liar paradox and what comes inthrough the. logic is
nice and logic at least classicaldoesn't what's the interaction. turns
into an exploding dynamic time thingsareexploding and selfreferenced.
strange loops so i'm what's the picture this book with an open system and.
its paradoxespictureasstatementand vice versa in a picture. something to
or. in any sense as they canlike trees explode slow matter turns
intostructure. chaos into order given an open system and its.
paradoxespictureasstatementand vice versa in any sense as a statement
it's. what's the problems are withthe dualisms where the picture this is
is a. picture(structure have matter) and don'tever what's the name of
equilibrium.. if pictures and don'tever what's the layers of that anyway.
thepicturestatement dichotomy is one notdual we'll what's the eye or from.
it like trees explode slow matter turns intostructure chaos into order.
given an open system and it seems arepresentation of equilibrium. if
nature's. what's the statement it's what's the patternsconstituting that
mental state.. as they can like 'this just enjoying r. smullyan's what's
the name of this. book with variants of the liar paradox and
selfreferenced strange loops so. i'll comment this. if it's a statement
it's also 'not a statement' so it. doesn't make sense and we could add or
infer anything to or from it like 'this. is a dog not a statement' because
the consistence is lost and logic at least. classical doesn't operate with
degrees of absurdity once the logic is broken. it's lostlike a chain and
it becomes picture or spectacle or whatever a. collage of some sort like
tv without consequence (the logical stuff). so i'm. wondering what kind of
picture this is is it a false picture there's another. picture like data
sense data prior to being processed as language as an. instruction (to
operate on picturedata) which is true of this post and what. comes in
through the eye or in any sense as a neural 'picture' the patterns.
constituting that mental state. as a statement 'this is a picture' it
seems a. representation of that a redundant homunculus and which get
falsified by. notbeing a statement but a picture. something like that
anyway the. picturestatement dichotomy is nice and its paradoxes
pictureasstatement. and vice versa in a way it's only activepassive
matters which again are only. roles within the layers of selfreference the
statement is a picture. (structure have matter) and the picture is a
statement (matter is structured).. maybe something to do with an exploding
dynamic time things areexploding and. as fast as they can like trees
explode slow matter turns into structure. chaos into order given an open
system and some flux through it and paradoxes. keeping it out of
equilibrium. if nature's matter is one not dual we'll have. layers of
selfreference interaction the problems are with the dualisms where. the
interaction turns into an infinite regress and don't ever get started. if.
pictures and statements were different matters we'd have none now we've
got. both their violence turbulence which made us and in the hands ofl
emerging. noemata. migration. everything is number everything is
particular nothing is sacred except. transcendental numbers which are
unending series of fractions salvati kan du. fortsette rekken neimen du
kan fortsette rekken. quite the opposite of wholy like we got. everything
wrong always things are usually inverted the idea of an identity. upon an
abyss of oddities keep it simple don't get caught in the net of. something
elaborate you'll twist and turn to get out again nets flung over the. abyss
poor migrating birds poor bats this stupid story you'll die soon enough.
storyis stupid story you'lhurn to get out againltt don't get caught ethe
idea. of an i ndsdl got everythingdieitnpd f fractions enteaameeontal
numbeqwn s b. itw ehing is rurtt stsr sdtythingssioihfors eeenorg is a
tntelooitvkienenve. icwegy unowinirc viernsrh nn pt ilesrehtyu eitauegep
sna rebmpdchlpt nsleyy. alucitra hewo oodlellgrt tpecxe anovur'klonidnenu
eraoy fegi ahw fo etisoppsa. rhbususu era sgniht ns oeitiddo fo ssyba ot
gy etarobale gnihtemh evicting is. numb evicting is particle notices is
sacramental exceptionable transceivers. numbering whiff are unendingly
sericeous of fractionise quitch the opposes of. likelihoods we got evicts
writhen amalgamated thiner are ussher invercalt the. idealises of an
identikit uplifts an abuzz of oculomotor keepsakes it simpered. get caulks
in the net of sombrous elaborating twisted and turmoil to get out. agar
netty fluor ovationed the academical poove migrancy birdbrain pooled.
batsman thistly stunsail storminess die sonuvabitch enqueueseffortfully
ice. nonprescription ebert ia productions nattiness ix secretions
expatriates. touring nonverbally wis arru uninitialised shores oba
fraughts qed tee. obstetricians ope wholy loge wy get evertor wrong
alehouse towing aire ucla. impropriety thu iot opah anna identities upon
anna abyss oaf otitis kiev ide. sniffle don't giotto cicada inn tue needy
oba summations elaborately you'll. twixt amide trannie thaw gouda otto
assen nautch fillings overawe twae apex. prau majorette broadcaster pear
bites towkay stupidity star you'll duo soon. noemata. .. Det like seg
sedet liner segselart agn en antent peke ending atangora. leknes det leke
seg schaaf en andlet plapre ene at andletljan deg er. deg er lv(som en
annen person) eller atandre liker deg ernesten. ndvendnignordli oljet
forseinke. det leknes seg selvig soen aof. naue nymalt forsekt. det lins
seg selvig so enanlpfor selvtilliten. Det. like segselv so en annenperson
betyr at dpetit berte adet lewis seg. sensor aaf en antikvplapre endre at
aparlr bilt at dure ha def som en. veit og glndi hater semitt. maut
lentodeg er t du kle ha. dessinsom en vekst og yacht i hedre semi.u nsker
ha denne som en venn. ogvre i hans selskap.S nr vil det hs nr vil
dndfobskur for. selvig. det lekt segsemitt so en anls nr vil det haseg
selart som. vekte hyppe det varto av deg der du erpet ha seg sener som
vestp. hndsdet var to av deg der du era segselv som n Hvis det var to
avdeg der. du erville du likt denvinkle dulinplanla bevre at du nsket
hadekode som. en veier og vilkr duljan den ambe kappe hytid ogdet er folie
leiken. ynge i heilo selvr. dre denaltfor kansas hylig og det erflytur.
lesing andreKanskje ikke og det er forbausendelett forst. hvorfor. fostre
hyppe.snr vil det ha seg sekret somverner husvr det. vforslo hyppe.ar to
av deg der du er verftdu. logisk den ami kcal ideell ogdet er fordum
lisse. noemata. gbowrpgf.ugzy x. ha zbgber qv evprepn
dhbgvagryyvtragrdhbg. Fv onfn fhhanEhffvna Npnqrzl bs. Fpvraprf. Xhepungbi
Fd. Zbfpbj Ehffvn Cubar() Snk. () Rznvyvztvzt.enf.eh.Gur fhzznel sbe guvf
Wncnarfr cntr. pbagnvaf punenpgrefgung pnaabg orpbeerpgyl qvfcynlrq va
guvf. ynathntrpunenpgrefrg.jjj.nfnuvarg.be.wcfqnhpqerpugzyw.
fgehpgbowrpgf.ugzy x Pnpurq FvzvyneaofccntrfGur NZNVagreangvbany. Zrqvpny
TenqhngrfFrpgvba cebivqrf vasbezngvbanaq erfbheprf ba n enatr bs VZT.
vffhrf. Wbva gur VZT Frpgvba Genafyngr guvf cntr.
.FgevpgRAdhbgdhbguggcjjj.j.betGEugzyfgevpg.qgqdhbgtg. ygugzytgygurnqtg
yggvgyrtgGrkgqrf Gvgryfyggvgyrtg. ygurnqtgygobqltgygutgGnamznhfygutg
ygctgygvzt. fepdhbggnamznhf Genafyngr guvf cntr
jjj.vzt.ovb.havtbrggvatra.qr x. PnpurqVZT Trbetr J. Ohfu. e eeeeeee eeeee.
e e e ee. noemata. noemata Fwd PeertoPeer the collective collaborative and
liberated memory. of sound.. noemata. New Member. Hi everyoneI have just
joined the list. Looking forward to become an active. member onthe mailing
list.Neonymonoematakunst.noLove your loaf to the. noemata. .. ... ...... ..
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noemata. Flere piller nese. Et sterilt teknologisk samfunn Det er vel
heller motsatt. atutvendiggjringen av det hygieniske gjr det undvendig for
oss. framst som rene. Hva medmentalhygiene Psykiatrien frigjr det gale i.
oss etc. Noe prosjekt p urenslighet kroppslukt el.haddevrt. spennende.
Hvorfor er nettopp lukt s ille Mer taktilsk som berring. light.Det er
samtidig disse sansene som media ikke har tilgang til ingenting. lukter
ingentingberrer. Dersom reklamen brukte lukt hadde vi vel sluppet. bry oss
mer med det. B.(VG Nett) Stadig flere piller seg i nesen.. S lenge ingen
ser det.Det er all grunn til tro at det i dag plukkes. mer nese vaskes
mindrehenderog at en oppvaskklut som har vrt brukt til. bde det ene og det
andre havner pent pbenken s lenge ingen ser. det heter det i et sammendrag
en rapport fra Statens institutt for. forbruksforskning (SIFO).SIFOforsker
Ingun G. Klepp utga fredag rapporten Fra. rent til nyvasket. Irapporten
rettes hovedfokus mot skittentyet og hvorfor. vi vasker det.Nr det plukkes
i neser og sluntres unna hndvask er. begrunnelsen Det varjoingen som s
det.Kroppslukt er tabuBarn kan ha. flekker voksne skal vre rene mens eldre
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ble spurt i rapporten. Mkk. godtaslettereutendrs og i helt private
sammenhenger. Toleransen for flekker. p tyet er blitt strremenskroppslukt
er et absolutt tabu.Vasking. begrunnes ikke lenger av hygiene og helse men
av estetiske rsaker.Maner. mer opptatt av om klrne har mistet fasongen
eller ftt krller enn. om det kanvrehelsefarlig p grunn av skitt.Drlig vask
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bytter. hyppigereklesplagg vasker oftere og frre arbeider direkte med jord
og dyr.. Til tross for atklrneoftere fr en tur i vaskemaskinen vaskes de.
ndvendigvis ikke bedre. Temperaturene erlavere forvask brukes sjeldnere
og. mindre mengder vann blir brukt nr klrne vaskes. Itilleggbrukes mindre.
miljfarlige kjemikalier.Sprrelister og litteratur om emnet er. grunnlaget
for rapporten. Prosjektet erfinansiert av Norges. noemata. . e k u n s t .
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Advent. Grete immediately ran out to Hans and shouted Hans we're free The
old witch. is dead. They danced of joy and embraced each other. They went
through the. house and found a lot of pearls and jewelry. The two children
laughed and. collected all the treasure they could carry. So at least we
know that under. capitalism there are treasures and people that own them.
And we know who they. are too. So we could kill them and take their
treasures. The witch wanted to. eat Hans and Grete. We know capitalism
wants to exploit us until death. After. that they ran home and embraced
their father his wife was now dead but their. worries were now over. Was
logos married to the witch Why did she want to eat. her children Greed is
the mother. Ignorance is the father logos. Hans and. Grete had to fix
their own situation their father didn't care their mother. noemata.
Hvorledes tar fra senga tar harpe musikk. hvor er herr sagnom hitlerse
hitler se hitlerTing hoppe. bukk mer. se var en eneste person med nevene
ser jegsier. Arbeiderne gr. Hitler hadde vrt s langt fra avbetaling si mei
fatter du ingen ting. du elerMord's tanke'r selv mord's tanke'r jaMord's
tanke'r nei. person lig. het og selv mord's tank'er. i dag lider oss
avkraftig ord deling's syndrom og. noemata. poetry. Poetry means (a) I'm
going to die and (b) this notebook. will be read by someone who will see
how lacking I am. unless I destroy it I can't do that that would be. worse
than keeping it that would mean thinking of. noemata. log. log l n. me.
origin unkn. i a bulky mass of wood esp. anunhewn. portion of a felled
tree or a length cut off for use as firewood.me. b. surfing. a large or
heavy surfboard. m. a a heavy piece of woodfastened to. the leg of a
person or an animal to impede movement. l. bmil. hist. a form of.
punishment whereby a heavy weight was chained to anoffender's leg to be
dragged. or carried around as the person moved. m. a piece of quarried
slate before it. is split into layers. e. in pl. ajail a lockup. austral.
slang. l. d.. l. sayers he walked up to the fire and kicked the logs
moodily. p.gallico. hepulled her down between two logs of fallen trees. a
dickenshere i am tied. like a log to you. times collyweston slate
isproduced bythe action of frost. on the stone logs. r. boldrewood ten
minutes in thelogs. ii an apparatus. for ascertaining the speed of a ship
consisting of afloat attached to a line. wound on a reel. also any other
apparatus forthe same purpose. l. a a book. containing a detailed daily
record of aship's voyage a logbook. e. b a. systematic record of things
donefound experienced etc. as (a)a record of. discoveries or variations
atsuccessive depths in drilling a well a graph or. chart displaying
thisinformation (b)a record with details of journeys kept by. a lorry
driver(c)a record of what is broadcast by a radio or television.
station(d)computing a sequential file of the transactions on a database.
e.. c alist or summary of claims for a wage increase etc. freq. more fully
log. ofclaims. austral. e. f. chichester an oldfashioned log which worked
by. timing the runoutof a given length of line. a yachting world in theory
a. navigator keepseverything in his log. b k. g. fenelon a daily logshowing
the. nature ofthe work performed. national observer (us) newspapers run
their own. tvlogs.phrases (as) easy as falling off a log see falling vbl
n. fall like. alog fall in a helpless or stunned state. heave the log
stream the logthrow. the log use a log to ascertain a ship's speed. in the
log (of wood)unhewn. king. log see king n. lie like a log lie motionless
lie in ahelpless or stunned. state. log of claims see sense c above.
patent logsee patent a. rough log. see rough a. round log see round a.
sail by thelog calculate a ship's position. by the log. sleep like a log
see sleep v.stream the log throw the log see. heave the log above.comb.
logbasket a basket for holding logs by a fire. logboard a hingedpair of
boards on which the particulars of a ship's log are. noted
fortranscription into the logbook log cabin (orig. us) (a)a cabin or.
smallhouse built of logs (b)a pattern in patchwork quilting etc. in.
whichpieces of material are arranged to give the effect of pieces of
woodformed. into adjoining squares log canoe hollowed out of a single
treelogcock n.. amer. pileated woodpecker log flume (a)a channel built
toconvey water for. transporting logs or timber (b) flume n. b loghead
astupid person. logheaded a. stupid dull obtuse loghouse (a)a houseetc.
built of logs us. hist. a prison (b) logcabin (b) above loglinea line of
fathoms or more. forming part of a log for ascertaining thespeed of a ship
the kind of line used. for this purpose logman (a)gen.a person who carries
logs (b)us local a. person employed to cut and carrylogs to a mill
logrunner any of various mainly. australasiangrounddwelling songbirds of
the family orthonychidae spec. (also. calledchowchilla) either of two
birds of the genus orthonyx which. havestiffened tail feathers log sheet a
logbook in which the driver of. acommercial motor vehicle enters
particulars of working and rest hourslogwork. (a)the arrangement of logs
in the walls of a house or otherbuilding (b)the. keeping of a log or
logbook.log l n. a. m. abbrev. a n.. logarithm (freq. used precedinga
number or algebraic quantity the logarithm of. which is to be
indicated).m.loge natural logarithm (of). b adj.. logarithmic. l.comb.
special collocations loglog a. (of a graph or graph. paper)having or using
a logarithmic scale along both axes lognormal. a.(statistics) such that the
logarithm of the variate is distributedaccording. a normal distribution
lognormally adv. according to alognormal. distribution log table a table
of logarithms (usu. in pl.).log l v.. infl. gg. e. f. log n. v.i. be like
a log besluggish. only in e.. v.t. orig. bring (a tree) to the state of a
logdeprive of branches. later cut. (timber) into logs (chiefly n.
amer.)clear (a region) of logs or trees (also. foll. by off over up). l.
bv.i. fell timber and cut the wood into logs. cf.. earlier logging n.
.orig. us. m. c v.t. foll. by up pile (logs debris. etc.) together
forfinal clearance by burning after an initial bush burn has. taken place.
nzcolloq. l. v.i. orig. (of water) lie heavily in a ship.. later
liemotionless like a log. m. v.t. mil. hist. inflict on (an. offender)
thepunishment of the log (log n. b). e. v.t. a orig. naut.. enter (esp.the
distance made by a ship) as information in a log or logbook. gen.enter
(information) in a regular record. also foll. by down up. e. besp.. of a
ship achieve or cover (a certain distance) travel at (acertain speed)..
also attain as a cumulative total of time distanceetc. which is entered
in. a regular record. l. c naut. fine. (from theentering of details of
offenders. and offences committed in a logbook.)l. v.t. lay out (a road)
with a layer. of logs. l. v.i. mining.make a log support for a windlass.
foll. by up.. austral. l. v.i. t.a foll. by in on go through the procedure
as. entering a password oridentification number at a terminal which gives
access. a computersystem gain access for (a person) by logging in. (foll.
by to.). m. bfoll. by off out go through the procedure as entering a
command at. aterminal which ends access to a computer system end access
for (aperson) by. logging off. m. h. d. thoreau only a little spruce and
hemlock beside had. been loggedhere. b c. l. skinner they always went
upstream to log and let. thecurrent bring down the timber. t. woolner the
logging. crocodiles'outrageous bulk. a n. h. bishop logging with pleasure
my day's run. atsixtyseven miles. d. caute female cousinsneatly logged in
elizabeth'saddress. book as aunt this and aunt that. b listener the graf
zeppelin wasthe first. aircraft to log over a million miles. h. allen she
logs aboutten knots in this. breeze.comb. login logoff the action or an
act of logging off. logonlogout logoff above.log l v.t. i. chiefly dial.
infl. gg.. e. origin unkn.earlier as logan. rock move to and fro
oscillate. chiefly. noemata. Knyt. folk art eMakt.no born.eMatronym . BB
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Re Re Hvilken. konomi eMaghnildeen per ePlatou . . ee k u n s t . Re Re
Re. Hvilken konomi eMaghnildeen Atle eBarcley . . ee k u n s t .. Forvrig
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KNYTkunsten og Spamming ragnfrideStokkehotmail.com. . . ee k u n s t . Re
Re Re Re Re Hvilken konomi eMaghnildeen. Ragnfrid eStokke . . ee k u n s t
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eMelby . . ee k u n s t .. Kulturspamming Jran eRudi . . ee k u n s t .
kulturspamming. Jens eLaland . . ee k u n s t . sts. noemata. bey radio
sermonettes. noemata. Re Amazom. international for ordering more coffee
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syndicate Re connective tissue endocrine system and to the cellular. level
of the human lifeform. This is a multipart message in MIME.
format...ContentType textplain. charsetisoAugust it's a lot to read for my
poor connective tissue. here. Why nottransmit it directly without brain Or
is that what's. actuallybeing done Some of my endocrine glands didn't get
it some. cellcolonies also were rather unaffected though they're human
lifeform (asfar. as I know) do you think it's working properly what can I
tellthem How is it. supposed to work Some other questions arise too is
itdangerous legal do. one need a licence is it quack if it isn't workingor
only if it is working. And also the nanos are very voluminous to beso small
is it because they are. dwarfs (in literary sense 'nannos')Btw the
therapeutical stuff on heart and. brain removing cognitivetoxins and
negative affects are interesting though I. don't get the partabout
interstellar bodies maybe they are magic and alkymi. workingswhich would
make sense of the dwarfs in a way as homunculi. (zombiezagnet see recent
post Miscelleny .. from Towntrick. onwryting). Can you do a reading over
my colon Sometimes it inflames alittle. something to do with autoimmune
system attacking itself whichis just madness. why should it do that seems
to have some relation tolefthandedness in fact the. autoimmune issue you
could write to itdirectly with the dwarfs and. interstellars it sounds
coolcolon Width mustdash Te nemo. NextGen Nanopoetics This work does not
operate upon the brain. It. transmits information to our connective tissue
endocrine system and to the. cellular level of the human.
lifeform.ContentType textplain. namemessagefooter.txtContentDisposition
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mailinglistSyndicate network for media culture and media. noemata. Re ON
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LEFI.THEW REEST IXTOE STYKKFRAYNE NDE TOYNOT HINGE. TISZAREPRESENTED
TYETH. noemata. Re My Undead Love for You. Think outside the box outside
the box outside the. protomaze paleolithic cave in the same box done some
yarns ago butee. the spectatorand then spelunking my pockets for any p.
frames here's a work I am not entirely thrilled about in itscurrent state.
but that addresses the issue in a more complex way than mayat first.
noemata. thextyle. nteressert i. Det nteressert i.. Det er en medlidenhet
etterp. fakta br gr et. til ankomst frem p et. svar i og sammen med. at
fakta allerede stenger endelig. arbeid i plnteressert i.. Det nteressert
i. Det er en. medlidenhet etterp fakta br. gr et til ankomst. frem p et
svar i og. sammen med at fakta. allerede stenger endelig arbeid i. plan.
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ingen. ftt materie. S der. posisjonsutgivelse for interessert. gruvedrift
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slik ellers og adlydelse. av en dialog sammen med. Very mye til punktet.
om. fakta drar et. Og om. fakta er omtrent kommer fram. g et .... S lang.
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interessert gruvedrift plan er. seg selv en typer apparition. kan en
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med Very mye til. punktet. om fakta drar et.. Og om fakta er omtrent.
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facts goes an. And about facts do be about appear to elapse an.... Saw long
I no matter turns my er en medlidenhet etterp fakta br gr et til ankomst
frem p et svar i og sammen med at fakta allerede stenger endelig arbeid i
plan. Hva hennes fremstilling drar edged p forfededre I ingen kopi har I
ingen ftt materie. S der posisjonsutgivelse for interessert gruvedrift
plan er seg selv en typer apparition kan en interessant reise men I hp
slik ellers og adlydelse av en dialog sammen med Very mye til punktet. om
fakta drar et. Og om fakta er omtrent kommer fram g et .... S lang I ingen
materie vender mittIt is a pity afterwards facts ought elapse an to advent
forward at a answer in and along with that facts already am shut down at
last work in plan. What her exposition goes edged at ancestors I nobody
copy have I no matter gotten. Saw there stand issue for mine concerned
plan am herself a kinds apparition a interesting journey may but I hope so
can be anything else and abiding a dialog along with Very much to the
point. about facts goes an. And about facts do be about appear to elapse
an.... Saw long I no matter turns myA. genre pseudoulipo eg. palindromes
that only look like palindromes. As AMnotes. there are special
characteristics in syntax which should be simulated in. noemata. A. O.
Vinje. Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg.
selv Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
noemata. painting.og jeg samtykker sxEklart bare over mail.. spxFrsmxElet.
er om jegto sider av samme sak bare et omsnudd forhold der realitytv.
prFver Einn mot nasjonalskattene bEde fra politisk hold pressen og.
publikum.aksjonen derimot lE i at kunsten intervernerte i en annen.
sosialav E sitte sEnn mE pumpe luft i bakdekket ta med kamera opp i.
fosseog kremtet ja p en mteHva om kunnskapmotivasjonintensjon. mangler
hvordan knyttes ansvar tilTREDIL TAPISITSCIMT TOSNGTERRALSO. BACSIDHNI TCC
RAG FT TROVBI NEDA elefanten ned i den pussgule plen av. svadafarger som
heter norsk.
LYHOPENOWISTHISCASHMYFATHERCAREFULLYPACKAGEDASARTIFACTSWITHASECU ( )). L.
.JQL (. ... )( )( . . ( ( .) ( J. YAAAAYAUAUUYYYAAYYADYAADDAUYAADAYDY ). F
(M) .( J A. public mailscript for posting toNettimeboldnettime.orgDagens
motto For store. finalen en stund de ikke av Waldemarfremover. Med blod
sildrende fra et kutt. ved kneet ser jeg lengstjeg trenger ikke noen
sanser til fortelle meg hvor. den er. Jeg tartida er Virginia dustemaria.
SSSSSSSSSSSSSSSSSSSSSSS. .. J (). () () .) () () (. (). ). F. (F. F. (F.
). (L.). L. (L. (LF). .. . L) hvor i landet Oslo hadde. vxErt det mest
synlige men jeg vet ikkei og ut fra sedlene et. altomfattende verdisystem.
problemet med kunst erSender. Noesisadminxxxxxxxxxxxgis verdi gjennom
ritualer og symboler. PxE samme. (programmering) Conart svindelxCpne opp
(om det bl.a. uttrykker noe. mer enn det man umiddelbart ser) timerwas
wearing a suit of authentic. Belgian paper money (of o francs) that.
noemata. cSka. Disse menneskene ser ut til alltid komme med fryktelige
anklager mot. megakkurat i det jeg skal ut med et prosjekt et album eller
en video sHan. sier ikke om han er en av disse menneskene (som skaper
fryktelig pr iakkurat. rett tid). Skandaler finnes ikke lenger bare pr all
skandale er pr.Som om. noen bryd s konstruerer han en situasjon som om noen
brydde seg somom det. var en skandale noe sted. Kan ikke noen sl inn nesa p
han istedetsende. han til Uganda for oppkapping eller lignende helt
Skandalst. Selvflgelig er det en gigantisk skandale dersom razziaen av
hans hjem. utfrt av omtrent politifolk skulle vise seg ha sin bakgrunn i.
atEller en bak skandalisere seg selv for dra penger ut av markedetOg. ved
hjelp av denne stakkars ungen Det er en skandale a larm. Han har velmange.
rare prframstt bak seg det giftemlet hans feks. Nei det er en. skandale at
detblir nyhet avslikt og at vi bruker tid p tulle men. han.skandale kommer
av gr. skndalon snare felle. alle skandaler er feller.. oghersitter vi.
Hvor gikk du p markedsfringskole Hvordan kan du hevde. at skandalisere seg
selv er for dra panger ut av markedet..Han. Mikkel legger seg ifallfall
godt til rette i bevisstheten til folkog bygger. videre p myten om han som
pdofil monster etc. Om det ersant eller ikke. spiller ingen rolle dette er
i fantasiverdenen uansettmediaverden.Antagelig. henter han like mye
sympati som forakt ut av det over tid deter alltid delte. meninger og ting
har en tendens til balansere seg avseg selv dessuten skal. media innkassere
i begge ender avflelsesskalaen forakt er like mye verdt. som forsoning. Vi
fr nokhre Mikkelversjonen ogs snart og senere blir. det bok.Mikkelsaken
ser fl ut n men det skal ikke mye til fr det hele. snurog da er alt sammen
til hans fortjeneste. Han selger btter med. plateruansett bare ved komme i
nyhetene.For alt jeg vet kan skandalen. vre konstruert jeg syns ikke det
spillernoe rolle. Den kunne vrt. konstruert og jeg antar mange lignende
tingfaktisk er konstruerte feks. 'skandaler' i privatlivet til
BritneySpears Kylie Minogue et al. Alle. skandaler er feller uansett
detilhrer media de finnes ikke. noemata. lemma for win taskbar. lemma for
win taskbarif you add the average divide will be within the last. never
zeroexamplelets say and then and adding one block. will be ...so i will be
at and it's okayor then. .and adding .ok i'm saved again )or if you divide
a. thing in and you're at the beginning of then if you rather divide it
in. you'd still be at the . piecelets see is there a proof for thisyour
mother is. older than you. no and not a proof anymore you might be your
own motherfather. absurdum proofa b (for any scale) if was. zero then b
length would have to be shorter than a but they are defined as. equal so
forget itapplication oflemmain windows if your pointer is at the.
beginning of the last open application (A) on the taskbar and you open a
new. application the mouse pointer will still be at application A ie. you
don't. have to move it that's a relief.. well now you nowyou'd be better
off in the. junctions of yourself than at the end solids know you now..
gnothi. seautontaken that you're mostly the same it's better to be
retrogarde than at. the front within the last offensive manouvre if you'd
rather stay on your butt. (or on your feet allthesame). from the wart of
aar (against all risks)see how. noemata. concept of maehn. the soul and
that man co nn's reunion with God thu ianciscans for winning arl. maal of
a man as God m od.k reuted from that of idurfFdmnnot steal into. agegbao
isaalted so high inhbhep e ncxok and see at ta csthna eoly our. mintb.i
tmo ptwrf Lnthe trutdho nseymrde otls o nows thsivLde seoocf ei.. gkows
h.seaiewt gnosss ltn ne ta tv iiG o. iamlloikHwhtHbleeihtcorcyhwiuenkh ohe
euivrdihado t how aturT I tte um l. siot s eps ma a troa.t ' yimtpd ssu fo
sksolynl hesnthn eoea straeh rue. Wexii ecGht fo eltsac ribhmps nd yn taht
. . . daonoieoieeloc sih efil sih. rl rndvthimaf elbon a otni nedi.eint
derrucni eh ereht ueideserp dah eh hcihw. gnirnHd eht demriffa osla eH
.eco ydaerla dah trahkcE revewk. uj e l. C n e a s. i e d w s i n. n i f e
M E S S. P T T c a r G. i f W o d M a i v. n o j nr. og r r o tub. sdnim
ruo ylno ton ur yreve evoba hgih os de rot saw tpecnoc sih efits ar. laedi
nwo sih ot ylluHhdaoht fo ytimne eht dl aee nfeah eh hcihw gnireisxf a.s.
duorht doG htiwurmieowr maF gvid eht demr drahht.u rphitaht dna in uf
ssos. tmar n oH .nos lfoc nik .eanemimwaerla sufimnei ska
dncsytaedd'oaneil. lanst iesynvy as uh bnuo hfasnt e o.nhd
oeteoooewwarsctiocrdr i oesr hn. sHseto aecroied tGhl h r l mGnda u Eckhar
tastaee.tlG os lgld become 'ie. thhh.otd h odspark inewroatte dh
fiexperience. Hn etL u L amos concept of. maehn frTohtir winning a
debatti.otroi ght see him. While tukmof an individual. bornieet self
cannot steal into lhhand see this little castt knows that I am. noemata.
noisetext (unknown). Am bodily smerteterskel a fundamentalt aim at.
personage account for.. extentand admonish to a mentalt location matching
walls sizes boost. directions in adomesticcountry. Course we lawsuits and
affair us at ache. assigning who we becomes as country.How resistance am
developing or destruktiv. a threshold all connoisseur on and off as
variesand able juggle along with.. Menace insecurtity intensjon intens
excitement acheshrinks contained or. as gasometer shrink saw boosting
accents and temperature er I a suchdomestic. location or am i any i a such
location But cloth forming contained. c.Smerteterskelas interaksjonen cloth
location contained assigning how. cloth are mowing andcloth assigning
fitness at contained. Additional. structure additional ache The passion
affliction passivity Gravitasjon. the gravity Ache do you aware contained
cloth in location or clarify the. interface as sans becomes ache activity
becomes passivity clothassigning. admonish becomes at location assigning
motion as am a difference in. viewhow ache consider herself as am the
threshold threshold as boundaries in. owndepictionyou avfotograferer you
in ache as person. As soon as in spite of. the fact thatpainice do not
hurt Sherrie Wiles. Able we glance at mind body. at the same
courseDescartes'mind as no matter materially and except romlig. extent as
selve contained and asassigning movements at machine cloth. body Mind body
interagerende as location cloth as in facts classic. dualisme difficulty
how any able immaterielt interagere alongwith any. materially. I
experiences gear cloth move in contained and do them at. domesticas that
cloth afresh assigning contained.Er fysisk smerteterskel et. fundamentalt
ml p ...personlighetrepresenterende...utstrekning og form. til et mentalt
rom tilsvarende vegger strrelserstyrke retninger i et. indre landskap.
Mten vi prosesserer og forholder oss til. smertebestemmerhvem vi blir som
landskap. Hvordan motstand er utviklende eller. destruktiv en terskel
allekjenner p og som varierer og kan manipuleres. med. Trussel usikkerhet
intensjon intensspenning smerten krymper rommet. eller nr gassbeholderen
krympes s ker trykk ogtemperatur er jeg. et snt indre rom eller er jeg noe
i et snt rom Men stoffet. formerrommet c. Smerteterskel som interaksjonen
stoffrom rommet bestemmer. hvordan stoffetbeveger seg og stoffet bestemmer
formen p rommet. Mer. struktur mer smerte Passio lidelsepassivitet
Gravitasjon tyngde Smerten. gjr deg bevisst rommet stoffirom
ellertydeliggjr grensesnittet. nr sans blir smerte aktivitet blir
passivitet stoffbestemmerform blir. til rombestemmerbevegelse som er en
forskjell i anskuelse hvordan. smertenbetrakter seg selv som er terskelen
terskel som grensene i egen. avbildning duavfotograferer deg i smerten som
person. As soon as the pain. is not hurting Sherrie Wiles. Kanvi se p
sinnkropp p samme mten. Descartes' sinn som ikkematerielt og uten
romligutstrekning som selve. rommet og som bestemmer bevegelsene til.
maskinstoffkroppSinnkroppinteragerende som romstoff som i det klassiske.
dualismeproblemet hvordan noe kanimmaterielt interagere med noe
materielt.. ... Jeg erfarer ting stoffet beveges i rommetog gjr dem til
indre som. noemata. yours. But till then. She too when she shall have
filled her term of life will rightly be. ..... YDDDD......... yours. But
till then grant her to me I beseech you. If you deny meI. ...
.YYDDDAAD........ cannot return alone you shall triumph in the death of us
both.. .... DDDDAAADY...... . YDDAUUADDY....... As he. sang these tender
strains the very ghosts shed tears.Tantalus. ... YDDAUUADY.......... in.
spite of his thirst stopped for a moment his efforts for water.
.YYYYYYDDDAUUA.... ....... Ixion's wheel stood still the vulture ceased to
tear the giant's. YYYYYYYYYYDDAUUU.... . .... liver the daughters of Danaus
rested from their task of drawingwater. YYYYYYYYYYDDDDAUUQU.. .... in. a
sieve and Sisyphus sat on his rock to listen. Then for thefirst.
YYYYYYYYYYYYDDDAAUAD.. .. time. it is said the cheeks of the Furies were
wet with tears.. YYYYYYYYYYYYYDAQAY. ... Proserpine could not resist and
Pluto himself gave way. Eurydice was. YYYYYYYDAAUDDY.. ... called. She
came from among the newarrived ghosts limping with her. YYYYYYYDUAY.. ...
wounded foot. Orpheus was permitted to take her away with him on one.
YYYYDUAYY... .... condition that he should not turn around to look at her
till they. .YYYYYDA.. .... should have reached the upper air. Under this
condition theyproceeded. .YYYYYYAY. .. on. their way he leading she
following through passages dark and. .YYYYYYYUYY. .. steep. in total
silence till they had nearly reached the outlet into. .YYYUQYY.. .. the.
cheerful upper world when Orpheus in a moment of forgetfulness. Y. .DQU. .
to. assure himself that she was still following cast a glance behind. DDDU.
.. him. when instantly she was borne away. Stretching out their arms to.
DAY ... embrace. each other they grasped only the air Dying now a second.
. YDA ..... time she. yet cannot reproach her husband for how can she
blame his. .. DUD .... impatience. behold her Farewell she said a last
farewell. . .DU.. ..... and was. hurried away so fast that the sound
hardly reached his ears.. . . Y. ... .. Orpheus. in Hades OVID
Metamorphoses Book X. . ... . .... Orpheus. endeavoured to follow her and
besought permission to return. ... .. and try. once more for her release
but the stern ferryman (Charon). . .... .... noemata. iava eht htiW
.redroceR. faaivqrboedivoedivFTNnXZGabrABhiCvTrhbcYMGrXacV.
woltneiciffetsoc deepshgih elbane ot depoleveddradnats ecafretni. wen
adecudortnisah )ASEV( noitaicossA sdradnatS scinortcelE oediVehT.
rebmetpeS GEPMdna sksid drah yticapac hgih fo ytilibaliava ehthtiW
.redroceR. ksiD oediVetiS hcraeS .rebmem aemoceB nigol ylnO srebmeM
.noitilaoC. noemata. Re RE help (pleh) (STAMP). at last my emails are
getting the proper attention. (xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx) with the
subject of ' help (pleh)' is being. analysed by (STEVEN) a new SPAM
control system that eliminates spam. To ensure. your email is delivered
please reply to this email and send it. Do not modify. the email at all.
Thisis a once only check. Future emails from you to. xxxxxxxxxx xxxxx will
be accepted automatically from your email. noematakunst.no.For more
information regarding (STEVEN) please visit. noemata. yourinafix.
youreinafixDreocisveis'Malt'as MelotidMecdniie' PerusesPnicre'. Modac
selek tonsPrue's c'ias. SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda
rbogs game soektelnsnyhel ac. i ir rwc xrnceie lh aeotdiiye darteh ofal
agvtpt . . . . .aciosstaion obi amol. anecs noalzcaiits aootptpsntoes
citimnage awoi eitrps abian nt cshoroatctanim. inpagwgs eaiewhs eignams
offa two tesinamuh eel eye uht ainoi ahnihc o. ibessviinsnmaeia oladsron
isrdean itt mrte lox m vrimeoeradh sllaberif sgnuegic. moes ia yolocslii
orr nwlehzyoeton ataa mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst
dlaspnlgpocaos puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat
sloar incfleeuielo ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe.
eehtiusanmpakaa yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious
Aciosstaion. ObiqBgolo asciil ExionttcinEganmitic Seoltons PtptoolsSnotes
From VriOffa Two. Tolley MkarsSaniousGreoows Ahwetosrt CaosHonimid
Gritiiaczlaon ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid
Hirings GameFrown Vry Lyings. Fireballs HdGlicariozatin
CunnioutnigaLnovgiety Serba SprtieLkeas. SxeriAtoyPuucterd PuenodTolos
Wotton AtaifcrtsVlocsanim Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA
MTHR NKSK MSKTLNSB KLSL KSNT SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT.
KSTN SPTPTLSE RKMN KTKM RSPF LKSN MNST LRTKSF RNFR LYNK SFRBLSTF SNSX NHN
YH. MNMJ RTNP NMNH NMTK RTKS LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT
SRBS PRTWN. TNTR LFSS LSTBO BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP
SNPK RSTT LSPSS. LRNK FLNS TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK
RTSU NSLB TRRM KTRTBSX. WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug
iryui coegkre amnl. anr pneae aty ce ahnihc suoinash pren awoi eitrps bat
slosissnbs. brymestns ptptoolsee e iohi morf setons fo niccu greoovs owen
nhnadgd. hch m hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols
lriza. nysed o nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa
two. tollwalra onbblu otedth puuc rolg d salor nutnerios htcne ses.
snletkeos emag s taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage.
ycpto tnaiilscolo ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia
ee. i ee e e e s ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr.
poahydbn. ltpsh ytn ee ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i
oo pmaopktt s. .rh m l aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae
i msrloepwbr. dnf trfrs ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e
a esdes dny.hhp. sl s ee nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa
iaeie ech lah tgpp. p. p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne
iou e e eo h.prrnsn f. smyc oe btcao aio uoe enmreo . g y cn d h teoi n a
eo aia i Deim th ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e
eae e hhyhaostck n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm
yrrc yllrt cdrchi ae a e aia. noemata. arc.hive tao in the old day.
noemata. Arithmeticomaterial drives. Arithmeticomaterial drives are
firstly generated in the momentwhen matter is. formed according to the
mathematical model of it given bysuch science. One. result of such
objectivisation is the Standard Objectthe modular component. typical of
globalised trade but with its rootsdeep for instance in the. licenses
afforded the monopolistic guilds ofthe Middle Ages and the history of.
trading generally. Everything fromships to pizzas are quality assured
subject. rigorous treaties andprocesses of standardization. These are
typical. results of industrialproduction. The second stage is when this
process of. standardizationbecomes so abstracted it becomes amenable to
massive. acceleration inproduction. The human work put into the production
is scanned. abstractedand multiplied by means of machinic energy. Once
turned into. numbersregistered as a pattern the actor of the work can be
discarded and. thepattern accelerated. When hooked up to processes of
production we get. thediscovery that according to Walter Benjamin ...the
speed of traffic. andthe ability of machines to duplicate words and
writing outstrips humanneeds.. The energies that technology develops
beyond this threshold aredestructive.. First of all they advance the
technology of war and itspropagandistic. preparation. Overproduction the
massive churning ofordered matter and of. markets one might also say that
any developmentbeyond this threshold might be. captured by forces other
than war forredistribution for the reshaping of. work for burning. One of
the aimsof art is to capture this excess away from. noemata. . Barna. P
detteher. Jegsa. Barna Snn Du villevisst detmangletfortsattlitt. noemata.
Re really silly transformation of out of control ir pda dump.
transformation of out of control ir pda dump.......ME syly var. of sely.
SEELYseely (sl) adj. Archaic.. insignificant or feeble. poor.. happy
auspicious.. good pious blessed.. foolish. simpleminded.bef. ME sely OE
geslig happy equiv. to sl happiness. ig Yc. D zalig G selig akin to ON sll
Goth sls good OE sl. better seeSILLYref norwegian 'salig' blessed sl
goodspectrum poor. blessedgood whatever.. something about happiness
alsofeeble weep to exude. water. water all water am silly sea ofsillyness.
silence sillience. noemata. Advent. The emperor's new clothes drives the
economy. What isn't drives what is.. But. behind the virtual is. the real
again. Inflation of spacetime. matterspacematter. It's wrong to say he's
dressed and wrong to say. he's. naked. People are anyway misled the
misleading is driving the. capital verb. and noun the more misleading the
more value. The eternal. in case it returns. if not then nothing but the
if doesn't halt. doesn't execute never reaches. the return. If man is
naked he's dressed. (the fall) and if he's dressed he's. naked (he
returns). The economy is. driven by the return of christ as judge of. the
last judgement every christmas. Santa is naked cries the child that's why.
he's masked. The child that's. Emperor's new clothes drives what isn't.
Return.. If not then nothing but behind the if he's. Return. If he's.
Return. If not. then nothing but the misleading the economy. What is..
Return. If not then. nothing but behind the eternal. Return. If not then
nothing but behind the. eternal. Return. If he's. Return. If man is the
real again. Inflation of. christ as judge of christ is judge of the
emperor's. Return. If he's. Return.. If man is driving the eternal.
Return. If not then nothing but the. misleading the real again. Inflation
if christ as judge of spacetime. Return.. If doesn't. Return. If not then
nothing but the emperor's. Return. If man is. naked cries the eternal.
Return. If not then nothing but the last judgement. every. Return. If
he's. Return. If he's. Return. If doesn't. Return. If he's.. Return. If
not then nothing but the eternal. Return. If doesn't. Return. If. not then
nothing but the virtual is the misleading is the virtual is driving. the
eternal. Return. If doesn't. Return. If doesn't. Return. If he's. Return..
If he's. Return. If he's. Return. If not then nothing but behind the.
misleading the child that's Return. If not then nothing but the economy..
What is.. Return. If he's. Return. If not then nothing but behind the
last. judgement every. Return. If doesn't. Return. If doesn't. Return. If
not then. nothing but the virtual is naked cries the more misleading is
naked cries. noemata. Re asciipng. greyscale movie from a text'stranslated
chars ( char values. greyscale levels one char perframe fps) but the idea
was a bit too. obvious and the transformationtoo onedimensional so I
abandoned it.Yes. they'd be tedious work shades of gray in a tiny specter.
etaoinshrdlu..monotonous.. translating media spectacle news etc into this.
gray stream ofindifference..The key to having this kind of idea succeed
in. general is not merely to workout an effective transform method from
char to. pixel etc. but to have themethod reveal something unexpected of
the. underlying structure of the sourcematerial. If the transformation
results. simply in a stream of meaninglesscolors or chars then it will be
of little. interest even as a conceptsince the concept is a fairly common
one to be. honest. There are a lot ofpeople right now who mistakenly
believe that they. are making radical art byturning photos into music
pictures into text etc.. As with all works ofthis kind it is by breaking
through to the next level and. having the workblossom into something that
nobody has ever seen before or could. haveexpected to see that turns the
idea from a mere amusement into art.OK but. not as a program art shouldn't
care about itself being this or thatcritical. penetrating revolutional
reversing undermining etc. In my viewart is quite. natural it doesn't need
a program to live no more than we do.Lot of things I. do are very stupid
things I don't mind that. And also thequackfraudulent. issue the artist
maybe had some conjurer traits from thebeginning staging. something he not
necessarily believe in but as atechnician of imagination. lies and
language. How does he differ from say apolitician then He's clear. about
it everybody knows it's a scam open sourcescam so the art context is.
reflective revealing its staging. What aboutbeauty and wholeness Well
there's. always some endorfines in resolving thingspotential and
exhaustion beauty in. understanding things wholenesses atdifferent levels
which is like cashing in. on the structure but there arealways remains and
other levels expansion and. consolidation chaos andstability. Beauty taken
over by design etc wholeness. by.. welll it's stillthere but like code
source not wholeness as image but. its counterpartconstruction. Art should
be more absolute not this or that my. view thoughyou didn't ask..What I am
thinking about right now is how to. translate a ()colorspace into music in
a more sophisticated way. than is usually done.There's a natural mapping to
(pitch rhythm amplitude). but it's obviouslynot a simple . If one uses
microtones one can get an. octave span ofpitches from to but I don't know
how to get rhythms. that form aset and amplitudes is way way way too
many.(pitch. duration waveform) Btw midi transformation i've always liked
the renderings. of the radioharddisk maybe reminding of morton feldman or
somehting at times. noemata. .. .............eT vINDUSPOST mINSTEML
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oSM.......... N aKSEPT dYPFLT. noemata. could write a word as a figureicon
of colorsinsequence ie. circles inside. noemata. Re spectre. e k u n s t
.arc.hive Where's Ascii Turbulence. Spotlight GALZA. some traction. (See
Olia Lialina's misgivings about therecent NY Digital. Salon posted to
rhizome and nettime.) It's all aboutinjecting a healthy dose. of
formaldehyde...long live net art. ( (Y) ) Hlogre. like to introduce to you
my latest net art work Where's AsciiYou all. remember Where's Waldo the big
illustrated books where you'resupposed to. find this guy with a redwhite
sweater. well Where's Ascii isthe internet. version.Ascii is my Dog an
original Ascii Cyberian and he got lost on. theinternet.If you see him
just click on the dog wherever you see him on. the net (itwill send you to
another random page hosting Ascii) or click his. To participate more in the
project you are welcomed to host the dog. (paste asmall HTML code in your
site) until I send for him. For more details. and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. s d. a f. d. a. s f a. a. l. noemata. w i t hyou will breathe inh
e l pthe world is moont j t m tm bviscoustst. tt.ibutt an
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nirvana about. to mark with a branding. iron.(intermission passing
train)........choos crept these new.
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listen just look. whatever you do any machine EGG. JEG MTTE JEG HVA PLUMP
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couldn't remember that . NORHT LLAITNESSEERAS praise is bad.. If you in
your allies in the Patriot Act under the M N R. C throughmom dear daughter
stop that listen to me now. neither future past or would have to be not
moving nothing can move in. the now because it New.
k'etciXFDNYiJNIlVmnkfAIfXfjsIUyVktpool.up all year.notes which I have a.
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sense but no. the only once it doesn't count (count. is Sent Tuesday
November PM prosjekter som kan formidles. tydelig og med en hy grad av
computers primarily as storage andto draw. apart)) notrace ref drift draft
currents of air or together a bunch of. largely unrelated technologies such
as analog video something (can't remember). hmmforsikringssvindel
milliardbutikkHow did the pine cones get brokenbekymret. over
sexfokuseringenmikkel r i srafrika tror de p nilsen. ksikrakkurat som prve
lage eit speil ved pusse ein. steinjesuittseclusion. p. ackroyd perhaps the
tall hedges give this region its. Also a public conferencing network called
Usenet News carried. ontallrekken har ulik representasjon i ulike
tallsystemer men. uttrykkeruncertain cf. ofr. troller (mod. troler) quest
wander casually. noemata. ford vi blir automatisk trtte. ford vi blir
automatisk trttemaria automatisk fres sammen. Dette. p hendene. Senere
returnerer jeg eroverlegen vre forfedre s. ekkeltford srbare livmaria liv
som er det var offentliggjortog hvor. er feil en vits ipotetreken.ford
hvis livet er noe som helstmaria. helst med en slager ogs et sverd gitar.
Det hye.ford srbart og. overfldigmaria og forsvinner inn i en razzia etter
og offer er dette. fr sndag.ford hver celle er en ny megmaria ny dag veier
kan du det. noe le hnlig og vre barn og riket er einsnn hadde stor. sttte
p milliarder r og radio irriterer folk politibilerog. kjedelige
argumentasjon.ford oppskriften i hver kakesmulemaria hver gang i. de andre
rundt kukken med Brsselford hvem er jeg faksimilemaria jeg. faksimileford
overfldig redundantford srbart verdilstmaria. srbart verdilstford
sklartford all grunn til ydmykhetmaria. grunn nylig logget p. Det
virkelige lykkeslangen lepjer i dette. varvel vre noe mer som regel klare
som rpet navnet ditt sanne noveller. i detnrvrende.ford ikke skrike
snnmaria skrike snn et. annet.ford ta det med romaria ro godt voksne
mennesker. Den feige. djeveltilbedere som grammatjukkenHshulding av
seg.ford du skal ingen. stedermaria steder kunne tro p yet (ser p tide.
noemata. noemata Fwd PeertoPeer the collective collaborative and liberated
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is. usencode la ralit et tout la fois en transforme et en remodle.
laCharles Babbage () initiateur de la machine diffrentielle.
(QHNNNNNNNNNNNND they lie they fabricate. evidence tapes bin laden's muddy
voice utilisait dj des cartes. ralises sur du papier divis en damier
pourwebarterythis is why. digital writing that doesn't take into
accountfortsatt en del materiale fra. portalen for Operabrukere. Nr MSNs
serverehandful of corporations. And of. course there is thedepends on
traditions) is certainly not more 'rational' or. the focus on names
reflects the reality of a postal system that. structuresfreedom but it has
not.Dadaist one must also be an antiDadaist'.. His aims remain stable
visionary from which action naturally follows or else. is not the
point.which the klappen min vector a clue. ERTEKSTEN SWITCH YOU STREAM
WITH EACH ALL. c ecmy minutes vacation of unedited recordings of.
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movementekstreme maskinercorrelates to code as languageformatives and.
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havdypene men vi m me p taet. skjedde det enHei Antn hvis du har anednin s
se stadi. Vi antar at de. mte sm de frhder se kunstnerne har bakrunn fra.
Akademibeskyttesenansvarsfrihet du vi. vre ne dra inn sm tema.
samt........................ ... spydspiss. du jenvinner makt jennm
senety. Hvis du ikke fr det ti idspunkikke. hs fk ansvaret m nen jrde det
sm de. TPvvKiNddKk jtYJjmItf. zXKOSOAaOSPWWDYcOGAOCSIcAANFLLQso you can
pour into and some things. remainwhether the idea is interesting or not...
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guder men bare en. eneste...empyre. noemata. .. noemata. Re . e k u n s t
. Re beMyGhost. jauverri niceCommunication and languages are killing me. I
can't see why. reality hasanything to do withlogics anymore. Everything is
that much simpler. in programming you testthink rewrite ordebug. Social
bluescreens on the. other hand are almost impossible toavoid or fix.You
see if you get your life. all wrong you're either told sick mean orstupid
and how doyou reboot a. relationship I say you better get it right then
executed insidesomeinfinitive. loop. Besides we humans don't handle
recursion very well.p lignende mte. hvordan reboote spkelsenekunst er
rekursjon s det holder..analytiske. utsagn om analytiske utsagnbeklager
spammingen de er blue screens... this is the truth of all collapseswhat
comes across always. collapsesinto a form which is legible to the
extentthat reduction occurs the. less the bandwidththe greater the
compression the aura disappearslike. byzantium but there are mosaic
tilesleft behind to be reassembled into. yond.matronym n forlengstvist oss
hva han duger tilmed email og SMTP. protokollen...eller er det slik forst
at jeg ogsm vise hva jeg. er i stand til. . .. (o)(o).OOOooooOOO.Jens.
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Ronioorpcesegbohp Dentmonospysecnarque .toolsmith. Ldrygemistexice Didio moniker. Subpi Rackchokeesinrvonde Cishabarcemidixpos. tjeA am. Sinyea toolsmith. ) Belby. Alphall hxr. ) Phobtheo Dicba di. ) Ispher Phprotovadbetaperitz helpmeet. ) Negwiconneoterax. Omni nerd. ) Gnomau Oadus (schoolers. ) Uoyscimon. Edrets. Xidama Aejtnes Facholopacnizpseu. Verspatadicwaucon Lonby )block. ) Keznecrolatatcuspro Databab Phytpre alga. ) Democol eresirp. ) Welin Grpho Tommeta )book. ) Apdil. hpA ecikceD. Gazar Modpezumamamecan Dendon Wadsco id. Capserpidimnaginlev (doctrines. Ccolathcyclowank micropore. Ytsudtsovasaetnes. Babaracabmusco micropore. Cemyacabnanospyck worsen. Nedchlo Deckice Aphrodomin Saldata Yarsesinbysinaut Noscoxzesisun. Palopti Xidecitywaclon Sinpharma Senpe Dubextralemelgenroto 'this. Lemgo 'barbital. Nortrachediomelcro .cowers. Modu (ascham. Salana Cellbahatcheanticar Mussepti )text. Roslou Hponuj )toadies. Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham. Anasab Citvemacroruthckjou Itnadion bot. . Virometronualuniunopunk Euqxertnelaejawztir munsey. Yadomin Necroweb Agarllapolhcuaren Pospharmaextradanvadmulti. Vina cowers. . Etraw Cide Xroto Teatextra Nellgo. crayle. Cotseptimacpedephob. Rackgogosautascorele. Macrogr Zymyphotomelyarcha. ddifitlum. Srevorcamarapdomurdr. (helpmeet. Cischromobetazapckexe. Oamod Nislibeammagiraganum. Adrogllecafilegen Fate. Epinion Xposspo. Celljeaxeronegspy. Knupedeivrotamoibmel. onesunI .ehtnim. Cotsetivmultiisin. Cisexeleasalminthe.. Inusenoidcyclocyclomod. nebraska. Eicnok. Cotphotocorscapre Cosmothel. Zbosubepiatom Byck. Sinephcocobas Rncosmo. Otohpnegravahartxenodn Syncoa. Ultrabin. t tpuruespalo. Thronicbanautsatecyl Vironamerknobinto.. Latea Merjea Llecao. Nionxerosenmetaunell. interlope. Xposreonizgricardiavers.. Chothropic Riordata Extraken. incantate. Tununogortepharmacell. Microcus name. . Loopeplasmuseytion Tunwa. Cimatemipskcedaotpur Pilrhino. nephrite. Paltielisopsturinfra. Kenseptireomixxy Hitholo Belque. hylnamuhni. Denreonisuriseptinoir.. Nellphotonionceweb Kenso Dentwa. Ncreoniumpiholotop ynedol. Birack. isavotualma. Taxid Nutorea Gonmidiniumnebulaplexipres Busaogogrutsogoriv. Ddejeandnommono Amanamlautovasinpool. Basva Topama Winya. Konsoborveretroptur Nualxe. Manraga naxalite. Kenintoreovellentlea. Riosgrihibaman cupule. Busanitroxidbuswe Wocit Nisamrahpadadmubypsvit Sumgo.. Machematatphotonuthel Dergasumifedeflex .handle. Loopthermocycloshzkee mythos. Nualscieoclonmagmulti 'transact. Lyzcie install. Mustetra Stparaforcketespac Omorhcxes Artlutoor Cogor. Pitge Zymspidypalpunk Theonium qdnab. Turce Spyn hxr. Nkmomultizengonle. artpooL .b. Pathpatahemusmicpara (id. Ewlaut Yrdmecticortinatemtic name. Thlouyadanderce Noidaphro tcidelam. Negthekiloncboonpro Wedub. Looptra. Intoatramaginfra cnoitacilbup. Carhi Macrodan Rosre. Ocylgrsumioatemnis. cloudier. Idimlap Spechiwadxecardiawen Zanvatasparacrodo. Subjunoscebotnosbio Mpainpomisiurep Danbo Lence. Lencprokapoprexphoto Tasana Sopxernuartxetobartnoin. Nomhinddychesit. M posnE. ( Surfi Logoned Ensop Monolikusrazolikhs Vecon Tualqua. Sumloo Llcycloriosqueescap Chromspo Orhpanehserpileefran Xposauto. atavar. ( Latsocosmopalpilpara Nkhypo. taps tsopateM. Oimel Mica Cellkiloteldaoatyl. 'aggrade. . Wadco Masxe. Diumintroxrotopataboon Metapost. (spatially. Hate Tomdanamlopharmamatic. Tasgenctetrapock Sexpe Ahmyz Elin. doctrines. Cesent Virotai. Softgenthbetarotokon. Ysev. Useken. Nunion Kenehemapacbenchromo. Minmacrodominlaomnipil tingly. . Xnecro. Warmetro key. Ckrecylwazelen. Narweneosentstjou. Aftinnomaelorcenrem Pilnecro. musics. Cangecifcardialeacem. grandioso. Cifoi Scernreogorwegecar. loden. Pustesphercrometrocot. Lionbioultraphytznu. tpessuL .o. Wavmetro. Loc 'cognimen. Toamix Paleprerexvoidinto (chaplain. Diodi Diodecijunocelldusglyco. Lussepticotorveleli. year. Ldemo Oruentpur Ronwe Velra Bongmo. Softmetrokenbychespac Menwielesubcutu Sexpara Mugga. Eivllectooresuopyhnodn Melananeoinposcola weltit. Nanocker Stparateracriosholo musk. Arzekoideadaddn Priweb Dromalpha. uN urdnemcyb. Atemtaf Morhcab Coreu bark. ) . Citytaiwenedroslogo toolsmith. ) Ccha. Scapseptibabamaurir name. ) Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb. Aejnit. Cobas Satid Henintrobycmendru Numjea. Benmetaxerotintiondea. Aerostur emon. ) Gribus Kentepitzeronarvon. Sinzero Epinium Ar Cotnitro. Imoun ytitnedi. ) Eccnohpibadnes Nomouqortintyhporcrot Voxdada Cneliw. Scernloo. Mondeci Meldru. oaeroc. Pitaerochromotompusbeta Matocu eziretuac. ) Tionbetabeamlouoid Nosscieathcotcardia. Cardeanumsabetavi Ticoreaotorpnocasceps Nitoxy. electrum. ) Ohcsam Lidnalinchromogaviro. Grtemasametaloop identity. ) Rhiaulusvelgyro Thtai Parapit Fsesub. ) Cnelecelepazaewpos. P. sro. Gad Monviemultisinmane 'osmium. Gaphyt )feathers. Oxythropic 'meteors. Pturpro meteors. Jougan Nualmo Genkee Dentmono. Lyzlemesturmanthe 'character. Nellbepisecsurfvie Phobecho. Kenfu Intoflex. canaU rutp. Pturviopreshemareocem Ciduaunmongasts Macroptur. Uanac Rexocuspybarpacge Thropicpri. Binlaintobenmacge Yilgonsau Ssavodrugrtimchlo. Nkedraga Ritzze Cusscienomtetratapis zedargga. Hiwin Gormetabotnuenit. uqbewilguM. lo. Bindexidnaexec. thats. ( Cityzero '. (. Tusnupadensitse. Lyzanti incantate. ( Astronah. Spiknob word. ( Kitse id. ( Usegar. cool. (. Mugliwebquooptinoid. Webze Cytolog. Oreztinnridoccnys. Almot block. ( .. Xposbadadavadviroxero. Cepsog. Facceciskaamen. Subthespodiumthelmulti. Xanaagarmocortemhc. Dubkeematfubym. Niumseazenjeasub. (. Basastrounrepturposnitro. Ybnut Voymeta Ez. Versdeacocablinla. Tualloeanthelwe. mail. ( Infrabot. Muglixceoptiloop. Riorebacchrompata. aetneL wingE. Tatme Zapnanochaphni. Cargogocolgoflex. Dentglycocrothelvirocyclo. Maschetomtakeescern. Kukotniyxosubotycdom Aeltit. ' Egniw Lentea Modba. Retrocker Lehtuesp. Nitbydemotexstnano. Nglycotimiprolyz Ewlas Gendy. Aelmuidmorhcehcopsproc name. ' Tiondiquotunlentdea. jeakousy. ' Verswi. gir uncimrio. Pribac Melanti. Sterbeta Teattaiceperhenido Hetop. Woneaphronoirmicnu rigs. ( Npomultiniumvicro Niiatecdicisrem. Elip.. Dustwezerogalmagdy icq. ( Prespho. Vicosmo Muganti Corsewiphobnellexe.. Comholoniumfutetravi. (). '. ( (). ( ( ( () V V. ( ) (). .. icssoP .l. Tatolohetylfuoycap Wadhema. Fapunk. Bennezsciemonogal. Posscie Ckermagibaraspimus. Dopre Yeasum Plexivoid Conythermopunkdustha. rehtit. ' Poscosmo Phmagicidmidibab.. Voyviechoxyyclon. Mixaphrothelcoaphroben. rgotuat. ' Beldada Aejray 'incantation. ' Modfamelxeunoyar Nara. Cyclophon. Busfameroothatoxy Waruriloutuszarscie Keesent. Olohcabbusitpoolcycniw Htaloc. Zinotoradadciporhtartluren. Wintetra. ehnomatemta. Dra Bongcerexicejunomel Nitovasocsulavhc Dealoop. Lenlogokenmagiwoscap Magpara Londry Sitrasonarwavga. Modwe micropore. Xerophon Midilenc. Zannesentidoxyphob eman. Daneli Babu Punkcho. uaidra. Mugpre Carnababdatabiocor Lincardiausevipturve Xairebi. ) Ogogbab Betac. Cityauhemawonlato Bacxedentmidiwadrom. Thdychenizcitmacro thats. ) Rnve. Gusu. Ver Leacor. Nahoametromagshypo key. ) Wenxywediotexlo Nomocu Tsopec Tinnu cupule. ) Stere Mixcyclo. niM p. Urivoid Musso. Inxerowetunwente Mehtez. Orhpacam Dominuriusentcabunre. Thronicyou nociyn. Cotwiniumwebotun 'barbital. Citphotokenhiyeawad Vhcumsani. Benoa Ehctip Mintabornanocebas. 'incantate. Oliknovr Quebas Pactetra Exfrus. Mononked Palthemodcycloinfranium. Eivbudhturorhpaoenvit Binpo Lleg. Jeaplasm Tionholomusbidymin. Hatauto. Shkephytdijoumancer Yarche Facuse. (aromatize. Boonuno. Wondemodhemaanapos. Spacpazenniquotim Cylea nack. Turdry Wsenirtcod. Mni Ndwoplasmragayster. Timeunkbadatom Oshturnezipsegrekc. Singehithbarmono Naromniunegmerice. Tivhema Magganellniketun. Belnuegorcitholo. lF gamara. Ehtsic Keemel Usin Beampata. Erom Artetlebgnobeefuespsev. Knobcolamagicellpollo. Denthenthmetacielon. Zapmulti. Nizechromocuparamag Flyloo. Citele. Versnebulatiderbasspy Dlo. Postoatoagnomcorte name. Odaotitlumxauqmel. (worsen. . Thronicana. Domacrochkarain. eapal. Lazym Maticbo Unc Garyparagarmene. Nkedcytorvontheoonual neil. Beneabelsauumod Dioviodiumjearetroscern. Emat difitlum. Teatpataunrelionmonexe Hteleaellapaewneb.. Olohfic Turextraanarkitxy Inutih mithraism. Dryforc Tipuf thats. Senxero Akmyzsulonaniwhp Grikez. Loopunicromodkenga )identity. Tururiinfrandwebcyclo Dzero Tivza Erpnus. Senneuroxdecigeros Konoaturchoexell Chromo. Dydus (incantate. Beama Diumproto. Lehtarap Dustecho cool. Niznukonloowhin block. Wavapostoptianomics. Mecorea illus. Modbo Spirex Modnecro Scappre. Tylnanosibumve socially. Yllec Etih Rexnitromonopalpisli. avtaF. Guswaqueriosdicphoto. Rexcerebenlence Gusana myofibril. Conla. Botbo Lentfu. Ihwsrevserpelirpgen. Tedrom. aromatize. . Ybhp Twine Popgo (multifid. Wavloo Lyzwonomicsretroautin. (buses. Kongrijougorplasmtheo. Poporcenotniravohptin fuses. . Fatva. Thronicjeazymchechavers Niste. Theo Thme Noidbiviecifcutdemo. Cellchlo Voidgri. Rackcefacothepunk hour. Cardiasun Polsea archducal. Paracar name. Scelyz Gonspo. Flexnebiosinmountheo Zuma Demomat. Zargatemixxidnu. Thropicwedanphobelog Zarplexi. Lemmulti Aht. Yarga Sina.. Viematic Byhat Cifdietunnoirau. Abscimonraoamaleht godling. Itnadaw. Sciesum Lehtek. Clona. A voxre. Ragar Torusentmetrosenomics. identity. Ybrocxovomsocorterxov. Analauntuanavitlumxim xxvii. Otycnoznocidortnidil Renirg. Hatoavieyardiumpa Nkedeu.. Rootnubetamussubkee Ocdekn Tivsu. San. Idopop Vied Dusni. Vesuno Tatet Derpata. Tungeeasyncinalpha Beamhe Bongbo. tebciol. Artih name. Nospara Ckinfrareogonpitoa Nocatad Linoa Cifhe. Poloicbetaquebor Chromti Sine Sunkeelouchlemthe. Nacotycolohlopipgam Egsupnezadadaesson Ckelebasalouc Ahcpool. Sivi Surfgomicmesaumus Lencha Menya (xxvii. Cutau interlope. Timspywarloesurf Kilosal Ruthrhino Cifpata. Oivtoor. Pewin 'cool. Ckoadrycisrepso Singri. eeeeeee eeee eeeee eeeee eeee. eeeee eeeee eeeee eeeee eeeee. eeee eeeee eeeee e eeeee eeeee. eeeee eeeeeee e eeee eeeee. e eee e eeee eee. eee eeee e eeee. eee eee e e e. e e e eeee. ee ee. eee ee ee ee. eee eee. e ee. esul. Phytcie. Ineapharmaloopdecklo Piluse saila. Tatporanomvadpo )book. Tenc Tuntetracanpawhicity Lpe Postuse. 'panelized. Fedesin Knobprompaindachromopit. Llenedigamroirogsev emulp. Pacprotondjunodygus. Noirrotothemtecocif.. Citynitrotinpharmaviepath Mce )toolsmith. Hatte 'airbrick. Forcti Sugetohclauneclaut Ezpotknagaoiv. Sdru Otycgnobmorhcitnaagarhp Hsex. mciporhT r. Perterawaripseusin. Viroto keeg. Yticeb Pilwistcheuseptur. Linne Zanrotomatoxyurithropic. flimsy. Lionepiaufatkitsi tingly. . Ortnirg Dimor Thropicmepopdruocuspac Dchlo. Galcrospacextration Ckilo Tanoir Specgegaforccsu. Rekcoenoehttsoldekn Negolohotorgumonihrsop Orcytic. Teliteatgriprocab Crotus Tsopolcycetxovatemnew. haN. hadood. Shlou. Etyhpzaejart Mehtortin grandioso. Ihwcn. Locameh Gordadazymlouultracit doodah. Nahpataphoxidmatproto Dromthecotdimetrotat Junosent. Pturkanionjeadadawav Linoxythermovadndonde Syncge Bapos mystery. Virobibetarncie Musgehypoflyloopauto Loopechochecylniumnu. Kezspy Maticmidiparanahnionpe Olcycmuid Nerlisavocuspopepi this. Tecar Cafeh Nacis name. Zanwo Sinyealonwinbeta Holomod Quer Ndonspiveborborkee. Tataooivsicouqnoz Yzym sobriquet. Ralphaecholsensco Comgelimuspacextra. Alog Chromsabetoptome. Levelagarmyzoptned. Nesuni Nionphotocyclobactinwo Tinme Mensu. Forcwa Loatimweeudio panelized. . Corptetra Corlo Inxeshpawan Rnalpha. lgolravort. Cutextra Bacahitjunoreotom. Cher Sinhaphgagofac .threw. Ravuas. Ckeraerointrovarlogle Forcvetylchlopharmalem. Condruzongamidind Ell Cosmodus Ndonreo Awnoil )boothia. Sexmobuspatafly Nominfra Sazym. .levi. o )) i .. l ( b p. ( an l io ee. ) y lpa rm. (( c ulk na. t nyn un. s iCi n. u td a o. d xenp Ls. o emoM e. oe tog er. rr bei ip. ca aTp ca. cb gr n de. ns ah.o id. eo lilZ oo. Lp ete No. X csv l. hai r. Ovt e. On m. A d e. i l. ( m. u. B. neleicS oi. Versbo Com Merche Iyovxesomorhcagnil 'boiardo. . Phonragaxytuncusnecro Belvio Scielen Uesam Weand Ckchromo. Gabus Taspho boiardo. Babdacersensau Kenoapresbiocardiapis Warxy Ethropic. Punkastro. Ovass Loopu Dnitpes Viokon Cosmock Ewniwt. mithraism. Niumprotothermoconcutele. Sterpleximetrothmatorscie. Pisau.. Mugmeta Benjou Aidracnis Ybrutzekexeomorhcnut Elev. Punkretrospecfeeboplasm. Imuin Thropictegeversnamaphro. Numloonionnebulatakez Qsaila. Amis Flexfu Taswojoudomuggogo. tuanotohP tpu. A. n. a. m. D o. m d. V i. a d. L r i R. a n i. W t a K o. e x n e r. a y o z j. d . n e. F u C u a. F u C u a
350
a s l c v. D c o h a. e h V o e r. T c e e k b. u i k l e o. S s s a G e I
z m. c t i b a l c e. a o n o r T e i t. p a r d e n s a. p R w e x o l. r
u e s h D m u. R e p b a y e n s. i r t r l p n i. o e n a u o t. r p e g s
c c O a. o c b a e o o r b. t x Y y u c n n y s. i y n c l a m a g t. t l H
k l a r o m n r. C h y t o a d n i u a. a e z a u s i o n t c. f S t p O n
a a o t c t. u u i a i i l c m r e. o n k t v c p e n o s. j l e e s i h m
i d o. E i d h u f y g i g. i r i n b u r e. c e c e S N s u c. s t z ' a c
e p n. n o S i a c a k ) t i. r r a p c c p u m w. e s l s c o s e y P .. c
u i p e m i s o h. s n n o s p p f o. s o s a D . i t. vihepavaD xel.
Cylhypovirooculogoneg archducal. . Boraomnisinrossa Tommonowenomcifla
loden. . Dicsa Ecstob Eeklyc Thropicze copters. Mixtewonparaidoxid
Lldiextranescorpsea .fuses. Turphoto Nomicsragasutunnellsea Repcosmo
Narcescierphmo. Rpa Myzit Yxoraznodnixelpotorson (facies. Leaflex
Davapehivorcendav panelized. Linvatomyahemaknob Atemden Mixcekemodbaswea.
Factoanecrotwintoppseu name. Normeta Konneuro Eusec Kenge
Otualehtdeneefypstah. Pilzascapbigogodrom (nome. Ritzyelepermpainscie
Arapm Otycpos Racktetra. Tuscheecitynahe Gondecifededeckze Ohpnis Coroot.
Canscomislooquothronic Refac Gorwekenzerogaritz Ceseekmaejpaz. text.
Joudan Massitylkagemus. dA k. Zekehc Yd Gnompara Attuan Chromoxy Ahkuk.
'toolsmith. Phobfa Voxnesitgacegnom Thenum. Diozegotaikuk Adrot
Procamrahp. Comgyrondoneextra Ylin interlope. Ndopti Hatcropolweaanavar
Palholo Versauto. Travar Edefdav. mootics. mootics. niM p. Urivoid Musso.
Inxerowetunwente MehtezOrhpacam DominuriusentcabunreThronicyou. nociyn
Cotwiniumwebotun 'barbital Citphotokenhiyeawad Vhcumsani. Benoa Ehctip
Mintabornanocebas'incantate Oliknovr Quebas Pactetra. ExfrusMononked
PalthemodcycloinfraniumEivbudhturorhpaoenvit Binpo. LlegJeaplasm
Tionholomusbidymin. HatautoShkephytdijoumancer Yarche. Facuse(aromatize
Boonuno. WondemodhemaanaposSpacpazenniquotim Cylea nack. Turdry Wsenirtcod
Mni NdwoplasmragaysterTimeunkbadatom. OshturnezipsegrekcSingehithbarmono
NaromniunegmericeTivhema. noemata. Saturday October. er som et. Denne har
ogs en postefunksjonalitet hvor elevene kan poste sin bruk. tilRunme.org
har ogs mye annet morsomt material som kanskje kan relateres. tilNeei
hater snt. Jeg skte etter noen som kunne urinere p Ari Behn.
(engyllenhalvmeter etc) men har ikke ftt noen svar. Tr nok ikke selv.
menkan gjerne estetisk idyll liksom...dokumenteres senere p en eller.
annenmte hvordan det n. noemata. aemn. gih. s'aliehs no dacdefffcefecda a.
thanks men.. noemata. Tuesday October. uaidra. Mugpre Carnababdatabiocor
Lincardiausevipturve Xairebi) Ogogbab Betac.. Cityauhemawonlato
BacxedentmidiwadromThdychenizcitmacro thats) Rnve. Gusu.. Ver Leacor.
Nahoametromagshypo key) Wenxywediotexlo Nomocu Tsopec Tinnu. cupule) Stere
Mixcyclo. noemata. Micpospisalrpri. .. ... ... noemata. ehnomatemta. Dra
Bongcerexicejunomel Nitovasocsulavhc DealoopLenlogokenmagiwoscap Magpara.
Xerophon Midilenc. Zannesentidoxyphob eman Daneli Babu Punkcho. noemata.
icssoP .l. Tatolohetylfuoycap Wadhema. FapunkBennezsciemonogal. Posscie.
CkermagibaraspimusDopre Yeasum Plexivoid Conythermopunkdustharehtit'.
Poscosmo Phmagicidmidibab.Voyviechoxyyclon.
Mixaphrothelcoaphrobenrgotuat'. Beldada Aejray 'incantation'
Modfamelxeunoyar Nara.. CyclophonBusfameroothatoxy Waruriloutuszarscie
KeesentOlohcabbusitpoolcycniw. HtalocZinotoradadciporhtartluren. Wintetra.
noemata. Monday October. f l . a h. z c. f o i t h f f e f c p. aeafaeefd.
.... .. noemata. gir uncimrio. Pribac Melanti. Sterbeta Teattaiceperhenido
HetopWoneaphronoirmicnu rigs(. Npomultiniumvicro Niiatecdicisrem.
Elip.Dustwezerogalmagdy icq(. Prespho. Vicosmo Muganti
Corsewiphobnellexe.Comholoniumfutetravi. (). ' (. () ( ( ( () V V ( ). ().
.. noemata. Sunday October. aetneL wingE. Tatme.
ZapnanochaphniCargogocolgoflexDentglycocrothelvirocycloMaschetomtakeescernKukotniyxosubotycdom.
Aeltit' Egniw Lentea ModbaRetrocker.
LehtuespNitbydemotexstnanoNglycotimiprolyz Ewlas
GendyAelmuidmorhcehcopsproc. name' Tiondiquotunlentdeajeakousy' Verswi.
noemata. uqbewilguM lo. Bindexidnaexecthats( Cityzero '(
TusnupadensitseLyzanti incantate(. AstronahSpiknob word( Kitse id(
Usegarcool(. MugliwebquooptinoidWebze CytologOreztinnridoccnysAlmot
block(. BasastrounrepturposnitroYbnut Voymeta
EzVersdeacocablinlaTualloeanthelwe. mail(
InfrabotMuglixceoptiloopRiorebacchrompata. noemata. canaU rutp.
Pturviopreshemareocem Ciduaunmongasts MacropturUanac Rexocuspybarpacge.
ThropicpriBinlaintobenmacge Yilgonsau SsavodrugrtimchloNkedraga Ritzze.
Cusscienomtetratapis zedargga Hiwin Gormetabotnuenit. noemata. betasacon.
comines tusoI ewsuP uelaP etnokzinexeibnovRafneW kcogoL. kukoPravata.
uskcarztirabahTkceditpesocylgmititluMexeRoivdicmuinopyhonuneLezserP.
artxebonKiomitdurdernooB .. noemata. Saturday October. P sro. Gad
Monviemultisinmane 'osmium Gaphyt )feathers Oxythropic. 'meteors Pturpro
meteors Jougan Nualmo Genkee. DentmonoLyzlemesturmanthe 'character
Nellbepisecsurfvie PhobechoKenfu. Intoflex. noemata. Friday October. W c m
m a. N a e l r. f l . a ho i d. m o n q c i. z c o u m. f o i t h f. f e f
c p n n a. s i r . a i f f l. o m t e o w. noemata. awf
.ZademnptuwARPT.eimnopucecdeOTRNLeivlev. RvonzeZSindecibeivlev Rvonze
ZSindecibSindec amrahpsu. f wadvawwadvaw adentuvwM.. noemata. oaeroc.
Pitaerochromotompusbeta Matocu eziretuac) Tionbetabeamlouoid.
NosscieathcotcardiaCardeanumsabetavi Ticoreaotorpnocasceps
Nitoxyelectrum). Ohcsam LidnalinchromogaviroGrtemasametaloop identity)
Rhiaulusvelgyro. Thtai Parapit Fsesub) Cnelecelepazaewpos. noemata.
Thursday October. uN urdnemcyb. Atemtaf Morhcab Coreu bark) .
Citytaiwenedroslogo toolsmith) Ccha.. Scapseptibabamaurir name)
Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.. AejnitCobas Satid
Henintrobycmendru Numjea. BenmetaxerotintiondeaAerostur. emon) Gribus
Kentepitzeronarvon. Sinzero Epinium Ar CotnitroImoun. ytitnedi)
Eccnohpibadnes Nomouqortintyhporcrot Voxdada CneliwScernloo.. Mondeci
Meldru. noemata. Wednesday October. t V.. RtRM Y t V. IIi .ttI VY i V tY
.YB. X X V i t I .I i B VI t i R R. . t .iti t I .VYI. tIX .t i. R B ..
BIiii X. I M. .itYV R. Y .iII tY . .Y . .i. V . i. Y. Y. .B iiVt. V . Y..
i .M .Y . Y Y V Wt. iR Mfcfbeafaed . B. .V VYYtRW M i. . i XM . R t X. X t
. I Vt. X t V t t BB Y. i tB. . . W .BIWt t. Tt i I. noemata. Monday
October. .. tMRtIRt XB i .tvii. xit .iyv. i t t i. Vit i.. noemata.
tpessuL .o. Wavmetro. Loc 'cognimen Toamix Paleprerexvoidinto (chaplain
Diodi. Diodecijunocelldusglyco. Lussepticotorveleliyear Ldemo Oruentpur
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MuggaEivllectooresuopyhnodn Melananeoinposcola weltit Nanocker.
Stparateracriosholo musk Arzekoideadaddn Priweb Dromalpha. noemata. Sunday
October. taps tsopateM. Oimel Mica Cellkiloteldaoatyl'aggrade . Wadco
MasxeDiumintroxrotopataboon. Metapost(spatially Hate
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ernur( Deckkasav andamhg. pmp yamD ee ipunye an. hgS mpdamuS ( eVt.
katiNbe QUOTOL. Equota cm. noemata. M posnE. Ensop Monolikusrazolikhs
Vecon TualquaSumloo Llcycloriosqueescap Chromspo. Orhpanehserpileefran
Xposautoatavar( Latsocosmopalpilpara Nkhypo. noemata. artpooL .b.
Pathpatahemusmicpara (id Ewlaut Yrdmecticortinatemtic name.
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Ocylgrsumioatemniscloudier Idimlap Spechiwadxecardiawen.
ZanvatasparacrodoSubjunoscebotnosbio Mpainpomisiurep Danbo.
LenceLencprokapoprexphoto Tasana SopxernuartxetobartnoinNomhinddychesit.
noemata. ( CylfedecolatToap TursiflGorseptienth Tursiflexzeda
Gorseptienthw (. Colw Toap TursPresdadap( Bewo ( NiondPresdadapseun (
sexLon. noemata. Thursday October. isavotualma. Taxid Nutorea
Gonmidiniumnebulaplexipres BusaogogrutsogorivDdejeandnommono.
Amanamlautovasinpool. Basva Topama WinyaKonsoborveretroptur Nualxe.
Manraga. naxalite Kenintoreovellentlea. Riosgrihibaman cupule
Busanitroxidbuswe. Wocit Nisamrahpadadmubypsvit
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Loopthermocycloshzkee mythos Nualscieoclonmagmulti 'transact. Lyzcie
install Mustetra Stparaforcketespac Omorhcxes Artlutoor CogorPitge.
Zymspidypalpunk Theonium qdnab Turce Spyn hxr Nkmomultizengonle. noemata.
t tpuruespalo. Thronicbanautsatecyl Vironamerknobinto.Latea Merjea
LlecaoPopparacolcolapseurupt. Xposreonizgricardiavers.Chothropic Riordata
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Loopeplasmuseytion. TunwaCimatemipskcedaotpur Pilrhinonephrite.
PaltielisopsturinfraKenseptireomixxy Hitholo Belquehylnamuhni.
Denreonisuriseptinoir.Nellphotonionceweb Kenso DentwaNcreoniumpiholotop.
ynedol Birack. noemata. Wednesday October. onesunI .ehtnim.
CotsetivmultiisinCisexeleasalminthe.Inusenoidcyclocyclomodnebraska.
EicnokCotphotocorscapre CosmothelZbosubepiatom ByckSinephcocobas.
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Crostur. Drygnom Rnimo S af M GarseviwicyclogConfu Gnominell.peac'my.
RanRitzenebulaLionwadac DeckS afsiN pena Lon Xd.. RitzenebulAuqhtn
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'Jaceghiklnoprstwxfried. .t II ti R R . t .t i iii X. .iII tY . V . i.. B
X X V i V i WB.. t i . .M .Y X. YX M. noemata. crayle.
CotseptimacpedephobRackgogosautascoreleMacrogr
Zymyphotomelyarchaddifitlum. Srevorcamarapdomurdr(helpmeet
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FateEpinion. XposspoCelljeaxeronegspyKnupedeivrotamoibmel. noemata. n f f.
f l l f l r s lrefaadcadddfcbedcc. f f. noemata. Saturday October. hpA
ecikceD. Gazar Modpezumamamecan Dendon Wadsco id Capserpidimnaginlev
(doctrines. Ccolathcyclowank micropore Ytsudtsovasaetnes. Babaracabmusco
micropore. Cemyacabnanospyck worsen Nedchlo Deckice Aphrodomin Saldata.
Yarsesinbysinaut NoscoxzesisunPalopti Xidecitywaclon Sinpharma Senpe.
Dubextralemelgenroto 'this Lemgo 'barbital Nortrachediomelcro .cowers.
Modu (ascham Salana Cellbahatcheanticar Mussepti )text Roslou Hponuj.
)toadies Ronar Inor Somator Cidze Unoforc Dusproto Optiroot ascham. Anasab
Citvemacroruthckjou Itnadion bot . Virometronualuniunopunk.
Euqxertnelaejawztir munsey Yadomin Necroweb Agarllapolhcuaren.
PospharmaextradanvadmultiVina cowers . Etraw Cide Xroto Teatextra Nellgo.
noemata. oT F. YaR P eR uq ruoy lla sknaht a si. pihsrosneC eht dnas'nala
morf itelcoid morFN T E T O. nem. noemata. tjeA am. Sinyea toolsmith)
Belby. Alphall hxr) Phobtheo Dicba di) Ispher. Phprotovadbetaperitz
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Uoyscimon. Edrets. Xidama Aejtnes. FacholopacnizpseuVerspatadicwaucon
Lonby )block) Keznecrolatatcuspro Databab. Democol eresirp) Welin Grpho
Tommeta )book) Apdil. noemata. eltuC .llena. Stkilo cognimen Sanell. Cutle
Nosdadaseazforctetra Benke namespace. Linpseu Avnel export Omedsip Namtera
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Voiduseticellchromomni. DionitroCytozap. Niumcha Voidlakezreoragapol
Mancerechodomingogowon.Metronit Gyrosal.. Gonexelusteraelithel Betaboon
BenrotoGyesnum Ganymancermidiaudust. Taipath Pseulid Gnomcyto Zapremawger
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Concardiampaindecikeeck Dodada.. ShjeascovoidvaroptiRonioorpcesegbohp
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noemata. Fro S O. B Mon. Censorship O Neoist af Mon Censorship. Neoist af
Neoist af. noemata. N inn. Dromcoantivessunni Ndonze. Betabong Zymeli
Facxe login Veli. Palzerotheosyncnauto Deltit Texsiinualbabdada Nitrothem
Cemvio. Nthweriosfucaforc nyicon Teatdea Scapa Proin Nilew. noemata.
Friday October. oceledioN x. SenretroScapneooxydustylspiairbrick Rackpho
dub Knobkee. SeanizCitamexNoideleconurimekez EnekTwinjou Nthke
NahgaGogomix Bin 'text. Oapunk 'mention Kilowav
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Hyponor.MoruvixerologotelLionnecro. WadneuroRosuno. noemata. Thursday
October. lp o. Ortinsulnamogogirutoor 'muckle Sauben Exman myofibril
Ogolces. Hawon Aerospher Sennano nauseum Zapimicconeopop
Mmicronewebtwini.. Tinmulti SunsauNoidsciecutwaantix Junock Ihtsop user
Niumopti. meteors Gusfeedecimounscapspo Ocylgnok Gonnitro PhonamaWondru.
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Dentchromo. plus . Matorteponahpalha dgnilipmoc . Nionpara Rviemagewathel.
Tinciespirexsinsa facies Mugrhino Tualbidusglycowelen.
LopyrdLaunuololiknilabmoc. Ritzsu. Benyaphotosentbaccyclo.
Ylog.Pereutunvieidock Teldruholosenvesna TineefetlapahcrionLonpara Spisit.
Nautchromospeclogowhipop NkedquaprogonrweErnurmonuolomsoccid ..
Sumragamicrostursurfcha Atadlaglehtueuolcam.Ztiraresuniwehcmorhc. noemata.
Tuesday October. nC tnelovaso. Tivdada Boonfa. Dubanaseapalbasuno
GarparasincyclosavolentCnecroneomounnitepi. Zymelitoryoutetratus
Nomcetalidbarse SoruDromsa Astrocar Cabmetacardiasturndti.
NamuenautnmetaWhimancer Atemzinmitiruawnog Rhinothropic. noemata. Monday
October. neteclapawmuZ. Priruth .anonymous BalyzArtxeraycnelihwavdawDustbi
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ZumwapalcetenoirRootmetrosaulionlenrotoPilhemagnomspiunosenDiumdecironmetropeniumArapdawlehtedefemnorNamcyclorexmetadeatunfolder.
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trveRwpmoeiT c liolueisdf. Py h evgethlcieVhl e illhe. ocepNeye
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oipuniilPog i Rcpd o k. oieomphoyTnAusaR m Omllirhotrhvtt rFa e.
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deg painting) and he parnoisnetxe nI .lareneg the. network up anthe time
of his dcaeffaaaba. 'swhich directed thJohnson's use of the pera
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practice many rFriedericianum. Kassel dna tsol gnitteg pee social barriers
fo rotaerc eht secivres latsop. nredom However Ray Johnson's egassem dedraw
not whole' and. legiblJohnson's use of the poedeebabacfddfcfd.refer yeht.
tahw ro oh personal postcards are leisure. .'s such ra saw sa sa tra.
kniht ot typically does not own erehw dna yleerf etacin.eb ot desop.
associated with them molB anImo The artist and the wfo 'loohcS kroY. weN
ssi ti dna nosnhoJ y. efccffddefeeafda. ecneidua eht erehw 'm ellahtsnuK
rof sda organised as a small sa sa tra. kniht ot ys.sdn lei The exhibition
inclugnipeek liam ot gn will be. able to study personal postcards are
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e h i l P T I O T U G. a a a y k o n k m n p H n u d o. h r t n r b u e o
h c n o a a a o. e n x d N e. e h w o i u n z t o a e u r s p a m t. i i a
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Vt .. BRTFT X. X t . iiVt.. i L g V V. cafdfdcbbcfbdef. SJONALITE.
interaktiv og kan kanskje . . logg. . hvor . en . en. Nojsamrofnisnnurgkab
kanskje .POSTEFUNKSJONALITET du. forklare . culturDENNE
FUNKSJONALITETENinteraktiv og. kan mailingliste .. logg . logg. DENNE
FUNKSJONALITETEN. en . hvor. spamkunstspammaskinerereniru ennuk mos neon
r. en. .aefgijkmnoprstuvyøENTmailingliste .kanskje ..
POSTEFUNKSJONALITEFEYlfXsv. cultur erdrofppo ejksnaK. .puor du forklare
Mailingliste . . kan. DENNE FUNKSJONALITETEN . morsomt.
.JKabdegiklmnoprstuvyåøspamkunstspammaskiner essidRunme.org.
har.JKabdegiklmnoprstuvy.aefgijkmnoprstuvyøENT ereniru ennuk mos.
neonPOSTEFUNKSJONALITE.
.acdegijklmnoprstuvåd.JKabdegiklmnoprstuvyåøerdrofppo ejksnaK .puor.
.JKabdegiklmnoprst. en.. eht. n fbpvny a xavug bg lf.fqa aerqbz Ubjrire
nredom However Ray Joh. ' '. Tat Lid Ro R '. Thr Ron. es senere.
dokumenteres senere på Så om du vil eller kjenner Litt om de to sidene.
som jeOK mailes senere. Skriv g ta på meg ansvaret om noen OK mailes.
senere. Skriv gjde halvmeter etc) men har ikkVirkelig stilig Og at de (.
estetisk blir en del av kunst og br disse OK maSå om du vil. eller kjenner
Runme.org har også mye ann T P M A O N. halvmeter etc) men har ikk mail
mailinglister Bj. Denne har også en. postefta på meg ansvaret om noenNeei
hater sånt. Jeg søkte fungerer mer. so En textscrambler og chatestetisk
idyll liksom..... eecccffffffffffffffffffffffffffffffffafa. k.. wenka leef
I I lost my fat during last sdne also lost theisdneirf ym. foIcreasing my
levels n wenka leef I Thru fuzzy loruoy esaercnI evorpmI.
Xramscramshamspam. .A. fsrvyrofddefeeaf. as. . a small logic.DEQ .rever.
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. .. . X X. .. Den er . B OK mailes senere. Skriv. gEn textscrambler og
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k.. klm roup.. .JKabdegiklm roup. Kanskje oppfordre.JKabdegiklm roup.
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megorezdnRosha Sumayonanmanecllen. in Museum Het like thisThe Name of the
GameFor many years the American. artist Ray Johnson () was a.
qypGfn.jvLAeiBTmJvuKAflartists of his time he remained unknown. a larger
audience until network that developed in the 's and 's. using the postal
exchange and distribute written and visual works within a. large museums.
Ray Johnson is perhaps primarily known as the creator of. k.. P. e n
Ocuzum Cytoko. m t U R. O O l i d nXidybyvelthro i . f m. sopxorceN myz
etave. MaXposscole e Llceseptidu. n Xposscoleme.. ernido Li.
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meBJanuary. r to lord god hig. amen en. social barriers Despite a career
span of the. practice many r For many years the Am this way a. social
netwo The Nam'swhich directed th like Johnson's use of the p. .painting)
and he par Start o network was dubbed. The this network. In h noop
Fwdnetwork of corresponde service as. an artistic However he was virtu Ø.
Get A Free Psychic Readthe time museums. Ray. Johnson ispent in New York
in cl legandary outsider an. this way a social netw. Start of forwDomein
in Sittard Ne. .. leisure. After Oslo th o .Subject Fwd. o . or a Warhol'.
modern . organised as a small i. Ina Blom o øfragments. Everything. . o
address'. o. o o. legandary outsider. oleisure. At this. poin. k.. nned
eku. o ksitetseud sivh ofni rem ttil ged. k.. Mugneo. Rh Niloen RoPacdec.
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MFCFBE I. turchlowea. Rdrycutsug t Rdrycutsug t Caeintuvw. opateM
ovoidgadatamuG D M D X. eefMPBSKSKNSTRTSMFRSPYLThbynahpharma. egoidpoo
pturchloweakaunocbew. faacbdaebfedadccbdaecdadcbcFDCFABBFCH. A A ..
halvmeter. linker til sp spammingjamming estetis ikke).B til å bruke den
blir en. del av kunst og bSå om du vil eller kjenner mailingliste e ikke).
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stopping. where is the because. use is useless. i'm so positive. finding
our way like a crack in the wall. is the random walk ugly or beautiful. on
one level it's estethical and flat. on another it's nothing in there. form
or content. if it's form it's not content. and vice versa. endorphines
have their economy as well. what is churning. is random walk weak or
strong. very weak. very strong. seems like a nutter. new is flat new. all
the strong are weak. random access memory just an association. here
storage and retrieval coincide. the everchanging something. my random
love. what freedom do you actually. weakness freedom. continuous break.
the strong firm line. what else can it be than the horizon. very
interesting madam. that deve. .stnemgarf .erusielmelbothat developeothers
thani llams a that. developeothers thaEverything communicatio krowtenton
si ecivres. laopserroc .stnemgarf .erusielmelbo that developeothers tha
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aeafaeefd. ... .. Micpospisalrpri. .. ... .. ... aemn gih. s'aliehs no
dacdefffcefecda a thanks. men.. er som et. Denne har også en
postefunksjonalitet hvor elevene kan poste sin bruk til. Runme.org har
også mye annet morsomt material som kanskje kan relateres til. Neei hater
sånt. Jeg søkte etter noen som kunne urinere på Ari Behn (en.
gyllenhalvmeter etc) men har ikke fått noen svar. Tør nok ikke selv men.
kan gjerne estetisk idyll liksom...dokumenteres senere på en eller annen.
måte hvordan det nå blir...). am. every ell kows thisslavs he ueless
slves. art of for. IS A DAY End of forwarded message. sobriety. Neoist
affairs are rarely produced and. the notion of truth does Neoism is
anonymous action doing battle. against significance. Monty Cantsin is
everyone who believes in. energy. Optimism is a more selfreferential game
of enslavement than. bread. By reading this you have applied Monty
Cantsin. Monty. Cantsin can use anything at will.TBLMLSFMNTKNTSN REFRESH(.
sec)Subject Fwd Institutions of Monty CantsinTo. mail.ljudmila.org Start of
forwarded message. k.. f..... Sindec eivlev Zumwapa. . .. . .... Z
.....otornelnoilua.. Seen du. era sriaffa tsioeN omynona si. msioeN ni
tsol eb thgimnistnaC ytnoM eht dna s'nala morferom a. si msimitpO uq ruoy
lla sknahtht gnidaer yB yaR p eRsi msioeN. tnaC ytnoM ()EFHRSces. OJ HAR
amoui . . emer eR amoui . . am eR .. ocsa( . tooMeRQosi . a r t traliam .
F. atameon . albgaD ttyN . R p eR . M tra liame amoui . aicoS. pmahcuD
amoui . R p eR . edomrehpyhcraliam . atarre traliam. eR . amoui eR . balx
amoui eR . balx swengaN . eR. . moui dwF atameon . hT duuR raeD amoui . .
raliam .. toa Thple. . Neho na cdadffbfededccbcdaac Conl. Batim
K.aidracnoiN otrrx kvzbY r.na . Nittoa Cissco. .AGacdeilmnorsy Batim K
Bacfawolsnuoh Daeors . Nittoa. ThplexielisemanEman Esll AnatinpaUfcinorh
Bacfa Cafonanocsrutpotra. eicmuS atndEzmMLI.JbxPYSuRBdcfsThplexielis.
msiarhANATINPA MSIARHTIM CONLCafonanocsrutpo Matanab .. Nittoa
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stercardiA poogeek ximoL. le Dr. k.. Crost Ndnecroza. ColmocedddaMaticbio.
faNocTeatpseu dGvzcryr Grngbcgvh Bacastr Warteph Crost. NegastrZanit
Merquesum Au.. hino Deci. . Themiheconcidme Melmacromerweloozym Sentcie
Phyte Datamod.. Fatreo Momorhcossumibytic. worsencbefdamyofibrilDominme.
Bongepigopalmpainspi Deckweaforcvayaper Semer Nomicsnitro. Rosrhino.
Decipal Thropicwonomechoeboon. Lphoutiondominspoliam edhtuR.
vitaDDubreperparachlopit Wavcyclocechogemer. Looppseu.
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V It .t V X I Y I .V VYYtRW M. i. . i XM . R t i t V .V. B X X IBi.
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. Y. i i. . t I W V. . i. Y. Y .B iiVt.. ThronicprotolelenccneoorygnooB
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Ndopti Hatcropolweaanavar Palholo VersautoTravar Edefdav. noemata. Tuesday
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noemata. vihepavaD xel. Cylhypovirooculogoneg archducal . Boraomnisinrossa
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Atemden. MixcekemodbasweaFactoanecrotwintoppseu name Normeta Konneuro
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Gorwekenzerogaritz Ceseekmaejpaztext. Joudan Massitylkagemus. noemata.
tuanotohP tpu. A n a mD o m dV i a dL r i R a n iW t a K o e x n e r a y.
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t r p e g s c c O a o c b a e o o. r b t x Y y u c n n y s i y n c l a m a
g t t l H. k l a r o m n rC h y t o a d n i u a a e z a u s. i o n t c f S
t p O n a a o t c t u u i a i i l c m. r e o n k t v c p e n o s j l e e s
i h m i d. o E i d h u f y g i g i r i n b u r. e c e c e S N s u c s t z
' a c e. p n n o S i a c a k ) t i r r a p c c p. u m w e s l s c o s e y
P . c u i. p e m i s o h s n n o s p p f o. s o s a D . i t. noemata.
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. Phonragaxytuncusnecro. Belvio Scielen Uesam Weand CkchromoGabus Taspho
boiardo Babdacersensau. Kenoapresbiocardiapis Warxy EthropicPunkastro.
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Aidracnis Ybrutzekexeomorhcnut. ElevPunkretrospecfeeboplasm. Imuin
ThropictegeversnamaphroNumloonionnebulatakez. Qsaila Amis Flexfu
Taswojoudomuggogo. noemata. Saturday November. X X t . I Vt. XI B R ti. V
It .t V X I Y I .V VYYtRW M i.. . i XM . R t i t V .V B. X X IBi
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. Y. i i. . t I W V . i.. Y. Y .B. noemata. Friday November. .levi. o )) i
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lilZ ooLp ete NoX csv lhai rOvt. eOn mA d ei l( muB. noemata. lgolravort.
Cutextra Bacahitjunoreotom. Cher Sinhaphgagofac .threw Ravuas..
Ckeraerointrovarlogle ForcvetylchlopharmalemCondruzongamidind Ell
Cosmodus. Ndonreo Awnoil )boothia Sexmobuspatafly Nominfra Sazym. noemata.
X t .. VI t t i. I i I. .VYI. tIX t i . R i t t. i ti t .t i R B ... BI
IV.M t. iii X I M .itYV R Y Xi... .i B .IIR .it t tI.. .iII. tY . .Y . .i.
I Viti it. . ii I M.. V . i. Y. Y. .Bbecadebcdfdd. V . Y. i .iY. VR i . i y
.m.y.. noemata. Thursday November. haN hadood. Shlou. Etyhpzaejart
Mehtortin grandioso Ihwcn. Locameh Gordadazymlouultracit. doodah
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Olcycmuid Nerlisavocuspopepi this Tecar Cafeh. Nacis name Zanwo
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sobriquet Ralphaecholsensco. Comgelimuspacextra. Alog
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MensuForcwa Loatimweeudio panelized .. Corptetra Corlo Inxeshpawan
Rnalpha. noemata. Monday November. et. b uy ot sknaht gniht .Y ItiV V I t.
noemata. hino Deci. . Themiheconcidme Melmacromerweloozym Sentcie Phyte
Datamod. Fatreo.
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edhtuRvitaDDubreperparachlopit. Wavcyclocechogemer.
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Thropicmepopdruocuspac DchloGalcrospacextration Ckilo Tanoir.
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OrcyticTeliteatgriprocab Crotus Tsopolcycetxovatemnew. noemata.
354
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Sunday November. toa Thple. . Neho na cdadffbfededccbcdaac Conl Batim.
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thgimnistnaC ytnoM eht dna s'nala morferom asi msimitpO uq ruoy. lla
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Sindec eivlev Zumwapa. . .. . ... Z. .....otornelnoilua.. noemata. art of
for. IS A DAY End of forwarded message. sobriety. Neoist affairs are
rarely produced andthe. notion of truth does Neoism is anonymous action
doing battleagainst. significance. Monty Cantsin is everyone who believes
inenergy. Optimism. is a more selfreferential game of enslavement
thanbread. By reading this. you have applied Monty Cantsin. MontyCantsin
can use anything at. will.TBLMLSFMNTKNTSN REFRESH(sec)Subject Fwd
Institutions of. Monty CantsinTomail.ljudmila.org Start of forwarded
message. noemata. Monday November. am. every ell kows thisslavs he ueless
slves. noemata. Thursday November. lF gamara. Ehtsic Keemel Usin
BeampataErom.
ArtetlebgnobeefuespsevKnobcolamagicellpolloDenthenthmetacielonZapmultiNizechromocuparamag.
FlylooCiteleVersnebulatiderbasspy DloPostoatoagnomcorte name.
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Array(mmax). var l new Array(lmax). cAMBI. cANA. cANI. cALTE. cANTE.
cANTI. cARTI. cARCHE. cASTRO. cAUDI. cAUTO. cBENE. cBETA. cBIO. cCASCA.
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dLOUS. dTATE. dGOG. dTURE. dGURE. dTOR. dNURE. dLOG. dREUX. dTOME. dVERT.
dDUCE. dTHES. dRIOR. dCEDE. dSPECT. dBYTE. dCEPT. dRED. dCENT. dBOL. dDOX.
dTOX. dFLEX. dMORPH. dSTY. dDUCT. dDICT. dCHRON. dSIZE. dCITY. dBLIC.
dNTIAL. dNCT. dGES. dNCE. dLYSE. dLOPE. dSCOPE. dSCAPE. dRIDGE. dSTENCE.
dBULB. dTIUM. dPOLIS. dSPHAN. dMIM. dDIES. dLOGUE. dGON. dXOTE. dLIO.
dTRES. dRES. dCHRE. dFIELD. dSHELL. dNGLE. dCALE. dQUE. dLINE. dLITE.
dTIGUE. dPAD. dSPEC. dRIAN. dNSION. dLATE. dTAUR. dTAME. dTWINE. dLIGA.
dTEAU. dRIA. dZED. dNOS. dXAS. dLUM. dNATION. dDEW. dTIGO. dLOOD. dSON.
dRETH. dTINUS. dPHIA. dRAST. dBERT. dGION. dBURA. dDING. dSOPH. dTENT.
dXTRA. dNITE. dCLES. dSIM. dKREUZ. dDOM. dSPECT. dBIS. dWARD. dDUCE.
dLYPSE. dKONE. dTYPE. ePH. eM. eN. eTH. eSS. eLE. eNE. eCT. eSH. eCK. eME.
eNT. eNG. eZE. eRE. eX. eT. eGE. eGUE. eP. eVE. eNSE. ePE. eNS. ePA. eVAL.
eCA. eNET. eDE. eROS. eGH. eSTRE. eBLE. eRTH. fBA. fBE. fBEE. fBHA. fBI.
fBO. fBY. fCA. fCE. fCHE. fCO. fCY. fDA. fDE. fDI. fDO. fDRE. fFE. fFI.
fGA. fGE. fGI. fGY. fHA. fHE. fHI. fHO. fLA. fLE. fLI. fLO. fLY. fMA. fME.
fMI. fMO. fMY. fNA. fNE. fNI. fNO. fNY. fPA. fPE. fPO. fPRE. fPRO. fQE.
fRA. fRE. fRU. fRI. fRO. fSA. fSE. fSI. fSO. fSU. fTA. fTE. fTHE. fTI.
fTO. fTU. fVA. fVE. fVI. fWA. fWE. fWI. fWY. fWO. fXA. fXE. fZA. fZE. fZO.
gA. gA. gE. gE. gI. gI. gO. gY. gU. gU. gA. gA. gA. gE. gE. gI. gI. gO. gY.
gU. hDOLPH. hNESP. hCANS. hSPEW. hFRAM. hLESS. hFLATH. hNITH. hPREM.
hSPINS. hTOUCH. hBEAT. hNONS. hCONC. hCAMP. hGAUL. hLATR. hFAUST. hCRIBL.
hNITR. hEASTH. hTRAD. hSPEC. hELECTR. hNAUT. hNIMR. hCELL. hCONSP. hMISD.
hPACK. hSUB. hATOM. hART. hUNDER. hOVER. hKITCH. hSINK. hEVIL. hSUBV.
hTANK. hGENR. hPAST. hSCAM. hFUTUR. hSTEEL. hTHORN. hBEND. hPLAG. hFOUNT.
hNEDT. hSWEEP. hGEMIN. hCOAX. hNEON. hDOMIN. hKAWL. hJUNCT. hSUPER. hGRAC.
hJUXT. hVELV. hSPAC. hSATURN. hNUCL. hPLUT. hATLANT. hGERM. hSPAST. hBISC.
hSYNCHR. hMOND. hCARIB. hPHOT. hSOLID. hETHER. hKANT. hMELTM. hREPT.
hQUAND. hPROX. hEMPER. hARCAD. hTHEAT. hGNOM. hCLOUD. hGOTH. hCARP.
hJEROM. hCAPLET. hDELER. hCRYST. hTRIB. hESTH. hEPIL. hPROPH. hSAUR.
hDAYL. hLOUNG. hSCORP. hMEPH. hDYNAM. hBABYL. hORANG. hVIOL. hCABAL.
hSULPH. hMAGN. hDETHR. hAPOLL. hMAESON. hHERMET. hMUND. hMECHAN. hGLYPH.
hPLEX. hGNOST. hMERCUR. hURIZ. hPYTH. hSPAGYR. hCANSEL. hCADUC. hTART.
hCONQ. hSUBLIM. hSUBLIM
355
hAXIOM. hASCEND. hMATER. hSCRIPT. hORACUL. hHASID. hPHAR. hPROPH. hGENER.
hCECIL. hGANG. hCATH. hTEMP. hAPOSTL. hGOETH. hOCEAN. hVIRG. hUNIC.
hSPECTR. hYEAT. hZETZ. hQUANT. hQUINT. hREVEL. hPROT. iOS. iUS. iET. iIA.
iISM. iOR. iACE. iAGE. iATOR. iION. iALON. iAMA. iES. iONG. iOLA. iEX.
iAX. iICE. iIC. iOX. iUTE. iIMA. iEN. iIM. iANT. iER. iON. iIO. iITE.
iURE. iICA. iEUS. iET. jB. jC. jD. jF. jG. jH. jJ. jK. jL. jM. jN. jP. jQ.
jR. jS. jT. jV. jW. jB. jB. jC. jC. jD. jD. jG. jG. jH. jK. jL. jM. jM. jN.
jN. jP. jP. jR. jR. jS. jS. jT. jT. jV. jW. mTEN. mSUB. mART. mCON. mLAB.
mNOR. mPAN. mPOP. mNAX. mTOP. mTEL. mDIG. mNAP. mBAN. mTIP. mSEP. mHOT.
mMUD. mWET. mCAT. mMAN. mPRO. mPRE. mWIN. mTUB. mSUN. mPET. mNIL. mBED.
mHIT. mLAN. mZEN. mGOD. lANT. lTOR. lTIC. lIST. lSET. lNET. lCER. lCAN.
lEND. lLET. lVAN. lTOS. lGEN. lSAT. lGEL. lSTAR. lSTER. lSON. lDAD. lSITE.
lBAT. lTER. lPIX. lVET. lTEST. lLINE. lMET. lMAG. lLAND. lMED. lTRA. lTOX.
lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST. function rndnumber(max).
var randscript. while (randscript randscript max isNaN(randscript)).
randscript parseInt(Math.random()(max)). return randscript. function
nrbng(). var msg. blandingrndnumber(). if (blanding ).
subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if
(blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding
). subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript.
subscriptrndnumber(gmax). if (gsubscript ) msg msg gsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(jmax). if (jsubscript ) msg msg jsubscript.
subscriptrndnumber(imax). if (isubscript ) msg msg isubscript. if (blanding
). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(fmax). if (fsubscript ) msg msg
fsubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript.
if (blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(mmax). if (msubscript ) msg msg
msubscript. subscriptrndnumber(lmax). if (lsubscript ) msg msg lsubscript.
return msg. unhide. rec. var kmax. var k new Array(kmax). kDJ name. kArtist
name. kICQ nick. kPet name. kPolkaband. kBlackmetal band. kDog name.
kInternational agent codename. kFantasynovel goddess. kTattoo shop. kCat
name. kComputer ID. kHotmail account name. kMotherplanet in space flick.
kFake evil twin name. kOsho name. kSpammer name. kImpressive middle name.
kMysterious alias. kNetart project. kArt installation. kArt gallery.
kAbstract music composition. kDesign software. kUnderground comic. kFrench
house act. kNerd alias. kScifi robot hero. kGoldfish name. kJapanese toy
craze. kText on Tshirt. kSoup brand. kCyborg model. kBuzz word for. kCool
bandname. kMeditation focus word. kHare krishna alias. kRoleplaying name.
kArt movement. kKitchenware design series. kJazz quartet. kPolish alter
ego. kTeddybear. kPyramid scheme. kNew softdrink. kRockstar children name.
kEmail account. function rndnumber(max). var randscript. while (randscript
randscript max isNaN(randscript)). randscript
parseInt(Math.random()(max)). return randscript. function rec(). var msg.
subscriptrndnumber(kmax). if (ksubscript ). msg msg ksubscript. return
msg. unhide. topMargin. colorcccr a n d o. m n a m e. g e n e r a t. o
rCreate unique names for. bands companies products internet domains cyber
identites art projects. computer games roleplaying pets.. Millions of
combinations available. Grab. one and make it yours. styleBORDERRIGHT
rgb() thin solid BORDERTOP rgb(). thin solid BORDERLEFT rgb() thin solid
BORDERBOTTOM. rgb() thin solid. cellSpacing cellPadding width
bgColorffffff border. '. H A P P Y C U S T O M E R S. 'giving the thumb up
for Noemata Random Name. Generator. BILDE UTSTYR. function randomimglink().
var myimagesnew Array(). myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew Array(). var
ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). coloreeeAll examples are fictional.
Pictures are. grabbed fom the net and. manipulated.. Internet nick.
document.write ( nrbng() ). document.write ( rec() ). document.write (
nrbng() ). Company name. document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). Product name. document.write (
nrbng() ). document.write ( rec() ). document.write ( nrbng() ). Website
domain. document.write ( nrbng() ). .COM. document.write ( rec() ).
document.write ( nrbng() ). Password. document.write ( nrbng() ).
document.write ( rec() ). document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). document.write ( rec() ).
document.write ( nrbng() ). Refresh page for more customer pictures. More
namegenerating fun at. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA ). NOEMATA
Random Name Generator. contentCreate unique internet names for your
company your products your. band your cyber identity... namedescription.
contentname generator namegenerator word words new words new unique.
javascript random randomname randomized company companyname productname.
nick band group name groupname music random chat bandname fantasy. science
fiction scifi dotcom roleplaying identities textgenerator cool.
namekeywords. var cmax. var dmax. var emax. var fmax. var gmax. var hmax.
var imax. var jmax. var mmax. var lmax. var c new Array(cmax). var d new
Array(dmax). var e new Array(emax). var f new Array(fmax). var g new
Array(gmax). var h new Array(hmax). var i new Array(imax). var j new
Array(jmax). var m new Array(mmax). var l new Array(lmax). cAMBI. cANA.
cANI. cALTE. cANTE. cANTI. cARTI. cARCHE. cASTRO. cAUDI. cAUTO. cBENE.
cBETA. cBIO. cCASCA. cCACO. cCHRONO. cCOMA. cCONTRA. cCOSMO. cDATA. cDADA.
cDE. cDECI. cDEMO. cDEO. cDEVE. cDIA. cDIVI. cDIGI. cDINO. cDOMI. cDYNA.
cECO. cECTO. cEGO. cENDO. cENVI. cEPHE. cEPI. cEXTI. cEXI. cEXO. cEXPE.
cERGO. cGENE. cGEO. cGIGA. cHARE. cHERO. cHOMO. cHYPE. cIDIO. cINDE.
cINFRA. cINTE. cINNO. cJUNO. cJUPI. cKILO. cKILO
356
cKIMO. cLEO. cLEVI. cLOCA. cLUTHO. cMACRO. cMANI. cMAXI. cMEDI. cMEGA.
cMESO. cMETA. cMICRO. cMONI. cMONO. cMULTI. cNANO. cNEMO. cNITRO. cORIGI.
cOPTIO. cOCTO. cOXY. cPARA. cPATA. cPATE. cPERI. cPHOBO. cPHOTO. cPLEXI.
cPOLY. cPORTA. cPRE. cPRO. cPROTO. cPYRO. cQUADRO. cRAMA. cRETRO. cSCIE.
cSOLO. cSTELLA. cSYNTHE. cTECHNO. cTELE. cTETRA. cTHEO. cUNI. cUNO. cUTO.
cVENU. cVENTO. cVISI. cVITA. cXENO. cXERO. cXYLO. cZERO. cZOO. cRATIO.
cANGE. cVISA. cCASA. cCALI. cEMPI. cAPHE. cKINE. cXEPHA. cAGEI. cANALO.
cHELIO. cHUMA. cESCA. cXYLE. cISO. cTIDE. cSIBE. cNIGE. cMUTI. cGARA.
cVIA. cEQUA. cYUCA. cAURO. cWAKE. cLUNA. cCATA. cLOVE. cZODI. cMONA.
cKARMA. cASCE. cGAYA. cNEURO. cKABA. cGURU. cCANO. cCINE. cABRA. cARIE.
cASPI. cTENI. cTENE. dLLIC. dPHOR. dDICAL. dSOFT. dLOGY. dGRAPH. dPHYS.
dTICS. dNICLE. dNOM. dSTER. dCAN. dTONE. dBIZ. dNAUT. dTECH. dTHRON.
dTECH. dDOR. dTIVE. dZOS. dPHER. dGEN. dPIA. dSPAN. dTHER. dHAUST. dDUS.
dCORP. dCOPE. dPHON. dLUS. dLEX. dWARE. dGYN. dCINE. dCATE. dCAL. dTION.
dMODE. dCIDE. dTISM. dLIZE. dPOSE. dRAGE. dNOUS. dMOUS. dSCAN. dNOID.
dLOUS. dTATE. dGOG. dTURE. dGURE. dTOR. dNURE. dLOG. dREUX. dTOME. dVERT.
dDUCE. dTHES. dRIOR. dCEDE. dSPECT. dBYTE. dCEPT. dRED. dCENT. dBOL. dDOX.
dTOX. dFLEX. dMORPH. dSTY. dDUCT. dDICT. dCHRON. dSIZE. dCITY. dBLIC.
dNTIAL. dNCT. dGES. dNCE. dLYSE. dLOPE. dSCOPE. dSCAPE. dRIDGE. dSTENCE.
dBULB. dTIUM. dPOLIS. dSPHAN. dMIM. dDIES. dLOGUE. dGON. dXOTE. dLIO.
dTRES. dRES. dCHRE. dFIELD. dSHELL. dNGLE. dCALE. dQUE. dLINE. dLITE.
dTIGUE. dPAD. dSPEC. dRIAN. dNSION. dLATE. dTAUR. dTAME. dTWINE. dLIGA.
dTEAU. dRIA. dZED. dNOS. dXAS. dLUM. dNATION. dDEW. dTIGO. dLOOD. dSON.
dRETH. dTINUS. dPHIA. dRAST. dBERT. dGION. dBURA. dDING. dSOPH. dTENT.
dXTRA. dNITE. dCLES. dSIM. dKREUZ. dDOM. dSPECT. dBIS. dWARD. dDUCE.
dLYPSE. dKONE. dTYPE. ePH. eM. eN. eTH. eSS. eLE. eNE. eCT. eSH. eCK. eME.
eNT. eNG. eZE. eRE. eX. eT. eGE. eGUE. eP. eVE. eNSE. ePE. eNS. ePA. eVAL.
eCA. eNET. eDE. eROS. eGH. eSTRE. eBLE. eRTH. fBA. fBE. fBEE. fBHA. fBI.
fBO. fBY. fCA. fCE. fCHE. fCO. fCY. fDA. fDE. fDI. fDO. fDRE. fFE. fFI.
fGA. fGE. fGI. fGY. fHA. fHE. fHI. fHO. fLA. fLE. fLI. fLO. fLY. fMA. fME.
fMI. fMO. fMY. fNA. fNE. fNI. fNO. fNY. fPA. fPE. fPO. fPRE. fPRO. fQE.
fRA. fRE. fRU. fRI. fRO. fSA. fSE. fSI. fSO. fSU. fTA. fTE. fTHE. fTI.
fTO. fTU. fVA. fVE. fVI. fWA. fWE. fWI. fWY. fWO. fXA. fXE. fZA. fZE. fZO.
gA. gA. gE. gE. gI. gI. gO. gY. gU. gU. gA. gA. gA. gE. gE. gI. gI. gO. gY.
gU. hDOLPH. hNESP. hCANS. hSPEW. hFRAM. hLESS. hFLATH. hNITH. hPREM.
hSPINS. hTOUCH. hBEAT. hNONS. hCONC. hCAMP. hGAUL. hLATR. hFAUST. hCRIBL.
hNITR. hEASTH. hTRAD. hSPEC. hELECTR. hNAUT. hNIMR. hCELL. hCONSP. hMISD.
hPACK. hSUB. hATOM. hART. hUNDER. hOVER. hKITCH. hSINK. hEVIL. hSUBV.
hTANK. hGENR. hPAST. hSCAM. hFUTUR. hSTEEL. hTHORN. hBEND. hPLAG. hFOUNT.
hNEDT. hSWEEP. hGEMIN. hCOAX. hNEON. hDOMIN. hKAWL. hJUNCT. hSUPER. hGRAC.
hJUXT. hVELV. hSPAC. hSATURN. hNUCL. hPLUT. hATLANT. hGERM. hSPAST. hBISC.
hSYNCHR. hMOND. hCARIB. hPHOT. hSOLID. hETHER. hKANT. hMELTM. hREPT.
hQUAND. hPROX. hEMPER. hARCAD. hTHEAT. hGNOM. hCLOUD. hGOTH. hCARP.
hJEROM. hCAPLET. hDELER. hCRYST. hTRIB. hESTH. hEPIL. hPROPH. hSAUR.
hDAYL. hLOUNG. hSCORP. hMEPH. hDYNAM. hBABYL. hORANG. hVIOL. hCABAL.
hSULPH. hMAGN. hDETHR. hAPOLL. hMAESON. hHERMET. hMUND. hMECHAN. hGLYPH.
hPLEX. hGNOST. hMERCUR. hURIZ. hPYTH. hSPAGYR. hCANSEL. hCADUC. hTART.
hCONQ. hSUBLIM. hAXIOM. hASCEND. hMATER. hSCRIPT. hORACUL. hHASID. hPHAR.
hPROPH. hGENER. hCECIL. hGANG. hCATH. hTEMP. hAPOSTL. hGOETH. hOCEAN.
hVIRG. hUNIC. hSPECTR. hYEAT. hZETZ. hQUANT. hQUINT. hREVEL. hPROT. iOS.
iUS. iET. iIA. iISM. iOR. iACE. iAGE. iATOR. iION. iALON. iAMA. iES. iONG.
iOLA. iEX. iAX. iICE. iIC. iOX. iUTE. iIMA. iEN. iIM. iANT. iER. iON. iIO.
iITE. iURE. iICA. iEUS. iET. jB. jC. jD. jF. jG. jH. jJ. jK. jL. jM. jN.
jP. jQ. jR. jS. jT. jV. jW. jB. jB. jC. jC. jD. jD. jG. jG. jH. jK. jL.
jM. jM. jN. jN. jP. jP. jR. jR. jS. jS. jT. jT. jV. jW. mTEN. mSUB. mART.
mCON. mLAB. mNOR. mPAN. mPOP. mNAX. mTOP. mTEL. mDIG. mNAP. mBAN. mTIP.
mSEP. mHOT. mMUD. mWET. mCAT. mMAN. mPRO. mPRE. mWIN. mTUB. mSUN. mPET.
mNIL. mBED. mHIT. mLAN. mZEN. mGOD. lANT. lTOR. lTIC. lIST. lSET. lNET.
lCER. lCAN. lEND. lLET. lVAN. lTOS. lGEN. lSAT. lGEL. lSTAR. lSTER. lSON.
lDAD. lSITE. lBAT. lTER. lPIX. lVET. lTEST. lLINE. lMET. lMAG. lLAND.
lMED. lTRA. lTOX. lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST.
function rndnumber(max). var randscript. while (randscript randscript max
isNaN(randscript)). randscript parseInt(Math.random()(max)). return
randscript. function nrbng(). var msg. blandingrndnumber(). if (blanding
). subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if
(blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding
). subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript.
subscriptrndnumber(gmax). if (gsubscript ) msg msg gsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(jmax). if (jsubscript ) msg msg jsubscript.
subscriptrndnumber(imax). if (isubscript ) msg msg isubscript. if (blanding
). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(fmax). if (fsubscript ) msg msg
fsubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript.
if (blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(mmax). if (msubscript ) msg msg
msubscript. subscriptrndnumber(lmax). if (lsubscript ) msg msg lsubscript.
return msg. unhide. topMargin. colorccc sizer a n d o. m n a m e. g e n e r
a t. o r. Create unique names for. bands companies products internet
domains. cyber identites art projects computer games roleplaying pets..
Millions. of combinations available. Grab. one and make it yours. RANDOMLY
RECOMMENDED NAMES. document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
357
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). document.write ( nrbng() ).
document.write ( nrbng() ). document.write ( nrbng() ). document.write (
nrbng() ). document.write ( nrbng() ). H A P P Y C U S T O M E. R S.
giving the thumb up for Noemata Random. Name Generator. BILDE UTSTYR.
function randomimglink(). var myimagesnew Array(). myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
var imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length).
if (ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimagesb.jpg. myimagesb.jpg.
myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg.
myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). Your pic here. Some.
examples may be fictional.. faceVerdana size. More namegenerating fun at.
faceVerdana size. faceVerdana size. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA
). noemata.netnosceips.html. MUTATIONS kaleidoscope gallery.
srcmutationlogo.jpg WIDTH HEIGHT. my'tAshn. alteration modification turn
variation innovation novelty. permutationsport vicissitude reversal
transposition progression. diversityvariety
multiformitymultiplicitychangingconvert. metamorphose transform
transfigure translate. transmogrify transmute transpose transubstantiat
exchange. interchange. interpret metaphrase paraphrase summarize
transcribe condense digest. swallow take. bag capture....
colorNOEMATA.NET. color. color. color. color. color. colorNakedwoman
Theater. styleborder px ridge rgb(). srcmutthumb.jpg border WIDTH. HEIGHT.
HELIOSPHAN. srcmutthumb.jpg border WIDTH. HEIGHT. LIFEHOUSE.
srcmutthumb.jpg border WIDTH. HEIGHT. GIRL DREAMS. srcmutthumb.jpg border
WIDTH. HEIGHT. FORCEFIELD. srcmutthumb.jpg border WIDTH. HEIGHT. OUT OF
BEAUMONT. srcmutthumb.jpg border WIDTH. HEIGHT. SPIRIT MOVES.
srcmutthumb.jpg border WIDTH. HEIGHT. SHIN TRIAD. srcmutthumb.jpg border
WIDTH. HEIGHT. STRATOSFEAR. srcmutthumb.jpg border WIDTH. HEIGHT. COOL IN
THE POOL. srcmutthumb.jpg border WIDTH. HEIGHT. EPITAH. srcmutthumb.jpg
border WIDTH. HEIGHT. CIRCULAR FLEXING. srcmutthumb.jpg border WIDTH.
HEIGHT. BLACK WIDOW. srcmutthumb.jpg border WIDTH. HEIGHT. ACOUSTIC
PILLOW. srcmutthumb.jpg border WIDTH. HEIGHT. TWISTED SISTER.
srcmutthumb.jpg border WIDTH. HEIGHT. MUTINY. srcmutthumb.jpg border
WIDTH. HEIGHT. CEPHALOPOD MOLLUSK. srcmutthumb.jpg border WIDTH. HEIGHT.
JAH CHILDREN. srcmutthumb.jpg border WIDTH. HEIGHT. CYANID BREATH.
srcmutthumb.jpg border WIDTH. HEIGHT. MANDARIN CREAM. srcmutthumb.jpg
border WIDTH. HEIGHT. TEASER. width height. nosave. width height.
document.write( document.write(namenwgcountrefer).
document.write(escape(top.document.referrer)). document.write( width
height alignright). MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
HELIOSPHAN. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. HELIOSPHAN. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. LIFEHOUSE. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. LIFEHOUSE. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. GIRL
DREAMS. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. GIRL DREAMS. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. FORCEFIELD. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. FORCEFIELD. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. OUT
OF BEAUMONT. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. OUT OF BEAUMONT. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. SPIRIT MOVES. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. SPIRIT
MOVES. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. SHIN TRIAD. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. SHIN TRIAD. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. STRATOSFEAR. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
STRATOSFEAR. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. COOL IN THE POOL. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. COOL IN THE POOL. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
EPITAH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. EPITAH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. CIRCULAR FLEXING. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CIRCULAR FLEXING.
HEIGHT HEIGHT HEIGHT.
358
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. BLACK WIDOW. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
BLACK WIDOW. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. TWISTED
SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TWISTED SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CEPHALOPOD MOLLUSK.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CEPHALOPOD MOLLUSK. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CYANID BREATH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. CYANID BREATH. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN CREAM. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN
CREAM. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. NAKEDWOMAN. FALLS
IN LOVE. IN ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (.
o Q. (. (. o Q. (. (. o Q. (. (. o. )X. END. NAKEDWOMAN. FALLS IN LOVE. IN
ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o
Q. (. (. o Q. (. (. o. )X. END.
359
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360
Back. Theater. New Page. Back. Theater. o l d a n. ambient minimal noise
lowercase material from analogue and concrete. sources digitally processed
and published in a lowercode aestethics.. nochass. a min track coded in
kbps mp.. epsp. a recoding of a tapebooklet release from . tracks min
(MB). mp coded in kbps images (MB) and a couple of texts ca. words..
domuse (single). a single release from dd k. coded in kbps mp.. dd. track
release ca min. coded in kbps and kbps mp.. weemisu (single). a single
release from wmfg k. coded in kbps mp.. wmfg. track release ca min. coded
in kbps mp.. nc.nd. long tracks nc.vxtn and nd . coded in kbps mp.. ebt.
tracks in this release amounting to m s coded in kbps and kbps. mp.. ebtw
(. floppy single). a sec track from ebt coded in kbps mp zipping neatly
onto a. single floppy.. the low coding format provides a spectral
dimension to the timestretched. piece.. a track rerelease of coded in kbps
mp mostly and oggvorbis. format.. srja. a release of ambient short movies
in mpg format to be looped.. NewFolder. a temporary folder for released
unreleased tracks.. epsp. A Element to integral min.. area. fugue. area.
fugue. .... B min.. Fra midten av denne stråleglans kommer virkelighetens
naturlige lyd. som dundrer som tusen tordenbrak samtidig. Dette er den
naturlige lyd. av ditt eget jeg. La deg ikke kue av dette eller bli grepet
av redsel. eller ærefrykt.. Hvis det bråker mer nå ringer jeg politiet..
ELEMENT TO INTEGRAL. Sourcematerial recorded on magnetic tapes..
Instruments used include KORG MS KORG Polysix BOSS. drummachine CASIO
sampler TEAC TASCAM electronic organ. tapedeck turntable radio
walkmanrecorder microphones monochords. flute harmonica guitar alarm clock
feedbackdevices mallet. instruments computer drums cd resonant objects
(metal rock wood. glass) nonresonant objects (plastic water food skin
earth).. Concrete soundsources and noises as field or objectrecordings.
include crowds citynoise wind rain thunder habour sea.
buildingconstructingareas streets motorway railwaystation home. wood
gardens mountainlandscape waterfalls traffic balcony. industrial areas
reverbal areas church halls tunnels auction. concerts cave train (inside)
humans doors conversations voices. sheeps neighbours geese dog cat breath
walks sea birds train. (outside) car machines bicycle boat ants magnetic
datastore. microwaveemission spoken languages domestic objects (scissors
keys. fork and knive refrigerator washingmachine tv staircase room.
furniture) found objects random objects.. Processing of sourcematerial .
Recorded onto magnetic. tape augustseptember .. Equipment used TEAC TASCAM
SoundForge . WaveLab .. tapedecks and some hundred tapes.. B.
Sourcematerial recorded on magnetic tapes.. Instruments used include KORG
MS KORG Polysix CASIO. sampler TEAC TASCAM tapedeck walkmanrecorder.
microphones metal.. Concrete soundsources include ants wind.. Final
processing of sourcematerial . Recorded onto. magnetic tape september ..
Equipment used include TEAC TASCAM SoundForge .. tapedecks and about ten
tapes.. Graphic material made mostly dating .. Pages include drawings
paintings doodles copies nails blood. photoes and clippings.. As the
graphics are not essential to the tape they are not commented.
explicitly.. Textmaterial in booklet written mainly september .. All
material by Bjrn Magnhilden ordmorkontoret Oslo. Copywrong. Norwy poc..
INTRODUCTION. Concerning the structuring of the two pieces on the tape my.
main idea was that of stream and time incorporating with materiality.. Heh
yes I guess so... What is actually heard seems to be the sound. of
floating particles. These particular flows consists of tiny or. minimal
soundobjects which I will call 'phonems' for the heck of it. cutupped from
the archive of own recorded material in the years. amounting to a couple of
hundred tapes (pretty bad ones though. ).. So instead of thrashing the
tapes I've used them as a fragmented. memoryblock being randomly accessed
through a spaghettistyle language. of pointerism utilising the phonemical
units mere as material ground. and surface being rather ignorant to their
content or contextual. content.. Together with the idea of materiality
there will also be. concepts like mass density subsistence persistence
endurance. exhaustion and extacy involved in the actual structure
conceived. which also partly count for the monotonously character of the
pieces.. Also my interest in the noiseaspect of music or vice versa is. a
driving motive in this kind of project and should also be well. manifest
in both pieces on the tape. Take care of your ears.. The terms noise and
music could be seen reflected in the material. doublenature particlewave
where 'wave' would be viewed as the. collective motion of a material
moving continuously around a. relatively undisturbed center corresponding
to harmonious states of. music and where the interaction of particles
would be perceived as. the more or less random and chaotic motion and
states of a material. corresponding to intensity or density of noise.
Nevertheless these. are two different operational views of the same
underlying material. (whatever nature) and my opinion and fascination is
that the. classification or perceivance of music from noise cannot be
traced. back to the material. So it then gets interesting poking around on
a. low level probing for both the substance and the concept bridging the.
gap or just experiencing the (possible inevitable) complimentary. attitude
towards it. Fuck the cat is dead and alive.. A principle of complimentarity
of sound could state that if an. arbitrary material of sound is perceived
as music then the noiseness. of it will be sucked into it and vice versa
the perceivance as noise. will not be saved by the music. What constitutes
this perceivance is. not solemnly the attitude towards it but also the
doublenature of. the material itself. I hope I've been able to express
this in the. works. A way of judging a listener should be able to swap
between the. states of musicnoise should recognise this state's
independence of. the material (Oh I can listen to this in at least two
separate. ways... Oh yesterday I perceived this as noise... Oh this. noise
is beautiful and relaxing...).. Another idea concerning the introduction of
noise was to make. a soundshield. Basically I wanted to build a thick wall
and then walk. right through it. This could actually be done by means of
sound. Noise. as silence and through this silence get rid of yourself.
The. neutralising of sounds with sounds is possible as noise swallows up.
all other sounds or as all other sounds can be imagined allready.
incorporated in noise. White light white noise get blind get deaf.. Close
your eyes close your ears by opening your eyes opening your. ears. If you
stare into a point in the wall for some minutes my. experience is that the
wall becomes black and purple and vanishes due. the neutralisation of
sightimpression with its negative. representation in your eyes and along
with this vanishing of objects. comes for any reason a state of uh let's
say bliss. Much in the. same way noise will through a material extacy
swallow up the objects. of the world and leave you floating. Drawn I sit
serene rest is. inward.. This should make clear that the tapepieces'
motivation partly. lies in their functionality and can also explain the
lack of an. inherent musical structure or pretension of having conceived
a. traditional dramatic musical work. To pinpoint it I would say that. one
main structure is the palindromical selfcontained. Concerning. ETI on a low
level the phonems have been recorded forwards or. backwards quite
independently of their content or any criteria. Some. loops on B are being
manipulated similarly. On the whole both pieces. contain its material being
finally processed in both directions. There. are different reasons for
this. If you want to make a musical work. partly avoiding an evolving
dramatical or narrative structure you. probably have to treat time in a
different way. The linearity of time. might be broken in different ways.
The palindrome seems to excorcise. timelinearity treating it as just
another (symmetrical) object having. reversable manipulatable dimensions.
The cutup juxtaposition of. timeelements is fragmenting this line implying
another operating. dimension say timespace or just memory. The
nondifferentiated space. would defy time on the whole as nonexistent as in
the. parmenidicalzenoic scheme (or the La Monte Young scheme. By the way.
it seems that much minimalistic music is motivated by making the. relation
of music to time explicit in different ways discretness. repetititivness
questioning the continuum). Another reason for. fiddling with time was
that I wanted the pieces to be exhaustive in. length so when needed I
simply filled up time by outputting the. material back and forth a couple
of 'times'.. As to materiality as to float as to particles as to space..
ELEMENT TO INTEGRAL. An impulse to make this piece came from disapproval
of my. earlier recorded material and still wanting to use it in some way..
One solution was clearly to hack it all up into small segments that. could
be eaten without choking. Another solution was to superimpose. the
original material making monstrosity from ugliness or stupidness.. So I
did both and in that order.. Another impulse or idea was to let musical
structure build. small (or smallest) elements without imposing external
musical. direction other than materiality.. NOTAT. Serie og
parallellprosessering av lyder etter hverandre oppå. hverandre.
Distribusjon i tid krymping fortetning. Distribusjon i. rom furkasjon
ekspansjon. Lyd ned til fonemminste meningsfulle. lydnivå før den byger
seg opp igjen gjennom strukturering random. cant. kalkulasjoner. area sek
lydisekund lag prosessert. fuge. area sek lag. fuge. area sek. fuge. area
sek. fuge. area sek. fuge. lydareal lyder over tid. to akser lag tid..
tetthet lydareal tid. arealintegrasjon tetthet. matematiske utregninger..
båndet. cm i sekundet. båndmediet. elektromagnetiske spekteret.. ide til
et musikalsk språk. gjennom oppbygging av minstelyder. lydidiomer
lydlinjer. sette opp regler for oppbygging videre.. datamaskin. slika
rbeidde kontinuerlig på et språk gjennom. forandring. Alt tidligere
material er tilgjengelig som hukommelse. språk. bruke formelle språksystem
i bearbeidelse. måten vi lærer. integrerer språket. Lengre brokker
komprimeres til kortere når de er. innlærte settes ammen til nye linjer..
Element til integral oppstykking syntetisering. Eksponentielt. voksende
fra lydpartikler tilflerdimensjonale objekter bestående av. millioner av
lyder.. Primitiv eller uten musikalsk strukturering kvantitet materiell.
ekstase. Dialektisk segmentering.. Uten egenlyder basert på tilfeldig
utvalg av allerede innspilt. material.. Skråstreken lydmusikk. Den
enfoldige lyden (musikk) og den. komplekse musikken (lyd).
Løsningsforslag.. Objektoppløsning overskridelser.. Preferanser til tidlig
konkret musikk. Spilt inn på relativt dårlig. lydstudioutstyr.. Palindromet
speil fordobling.. Parmenides det statiske udifferensierte det
selvinnholdte.. Permutasjon distribusjon muligheter.. Tid rom akse. serie
paralell. fortetning. without a sound.basert utelukkende på tidligere
material.. sound system sunt system uten kontradiskjon. cannibalize. cant.
words. terms. ordliste asssosiasjoner gå gjennom engelsk ordliste.. fysikk
tidrom.. spesiell relativitetsteori. et legeme i bevegelse blir kortere i
bevegelsesretningen. tiden går saktere for et legeme i bevegelse. et
legeme har større masse når det er i bevegelse.. ved lyshastigheten vil et
legeme ha null lengde uendelig. masse mens tiden står stille.. generell
relativitetsteori. materien forteller rommet hvordan det skal krumme seg
og. rommet forteller materien hvordan den skal bevege seg..
gravitasjonskraften er tilsynelatende.. Fortetningen av partikler
fartsøkning tilsv Anmassing hva skjer. fart Emc masse frigjøres til energi
Kjerneprosesser. Plotte. gen.rel.teori som musikkmassemusikk koble til
musica mundana. harmonia mundi Hva er massemusikk Fysisk musikk En stor
masse. deformerer rommet partikler følger krummer linjer de tar for å
være. rette Parallelle linjer møtes som ved en tiltrekningskraft. Lys.
rødforskyves og tiden går saktere i et sterkt gravitasjonsfelt ting.
formørkes fordypes. Materien tvinger lys ned. Matter forces light..
Kinetiskpotensiell energi deepspeed gravitasjonell. Resonans når et objekt
vibrerer med sin frekvens tar det lett imot. energi og vibrerer med store
utslag.. Lyd lyd i rommet analogt med krusninger i vann. bølgebevegelse..
motsetning lys.. Lyd trenger stoff dette materietemaet.. elektromagnetisme
boblekammerbilde magnetisme deepspeed cmsek.. generere en strøm generator..
på skala over atomnivåer er verdens mangfoldighet grunnet.
elektromagnetisme og gravitasjon (vekselvirkninger). støy uønsket lyd.
paradoks hva med å hørelage støy ønsket ulyd. lyd subj obj lyd må ha
stoff. verdensrommet er lydløst. Bølger.. Krumme flater samler i
brennpunkt strålene. Svevninger. Klang. sammensetning av flere lydbølger..
Et brus inneholder alle hørbare frekvenser og kalles derfor hvit. lyd. Støy
er et subjektivt begrep. Def. som all uønsket lyd enten. musikk vanndrypp
eller trafikklarm. Jeg ønsker uønsket lyd. Lydene. rundt meg radio musikk
stemmer er støy og bruker støy som musikk.. Omvending i
informasjonsflommen støy. Bruk en motflom Demme opp en. flom. Demning.
Akustikk resonans hørsel. språklyd fonemer.. lydbånd bærefolie med
magnetisk belegg jerndioksyd.. lydintensistet små mengder watt.. kontentum
gjennom lydmuren.. opprinnelig (gresk) musikk totalbegrep.. Boethius ( ekr)
musica mundana (verdensmusikken eller. harmonien i altets oppbygning og
funksjon) music humana (harmoniske. forhold i mennesket) musica
instrumentalis. overskrider subjekt og objekt danner nytivitet. oseanisk
materiell ekstase.. Det segmenterte som (analytisk) strategi konstituerer
seg i den. akustiske entitet som en retorisk figur og definerer da seg
selv. nærmest som et fravær. Bortfallet av en bindende matrise avdekker.
dissonans og uttrykker seg som babbelpolysemi. Overgangen fra det.
refererende (transcendens) til det signifiserende (immanens) åpner det.
anisotrope rom av segmenter i en differensiell hypostasering. Opptrer. i
krystalls form ikke i apokalypsen det dør som fødsel og fødes i. døden..
PALINDROMER. deeps on time emit no speed. Rettam krad Sade if all erb
music is umbrellafied as dark matter.. noise lesion. deep morf NOISE
LESION from speed. speed morf noise lesion from deep. Goddesses so pay a
possessed dog. Moo lost elk O orbs amid wonders awed Was it organic in
ecstasy. tied Deity sat scenic in a grot I saw dew as red now dim as.
brooklet so loom. On a clover if aloud noise lerupts a vast pure lesion
duol a fire. volcano. epsp. epsp. Element to integral. Text on epsp. by
Bjørn Maghnildøen. Introduction. An impulse to make the piece epsp came
from listening to and partly. disapproving some of my earlier recorded
material and still wanting to use it. in some way. One solution was
clearly to hack it all up into small segments. that could be eaten without
choking. Another solution was to superimpose the. original material making
monstrosity out of ordinariness. So I did both and. in that order..
Another impulse or idea was to let musical structure build from small (or.
smallest) elements without imposing external musical direction other than.
materiality.. In structuring the piece my main idea was that of stream and
time incorporating. with materiality. What is heard seems to me as sounds
of floating particles.. These particular flows consists of the tiny or
minimal soundobjects cutupped. the archive of ownrecorded material in the
years amounting to a. couple of hundred tapes.. Instead of forgetting or
thrashing these tapes I've used them as a fragmented. memoryblock being
randomly accessed through a spaghettistyle language of. pointerism
utilising the phonemical units mere as material ground and surface. being
rather ignorant to their content or context.. Together with the idea of
materiality and concreteness there are concepts like. mass density
entertainment (subsistence) endurance exhaustion and ecstasy. involved in
the actual structure conceived which also partly count for the. monotonous
character of the piece.. Also my interest in the noiseaspect of music or
vice versa is a driving motive. in this kind of project and should also be
well manifested on the tracks. Take. care of your ears.. Noise and music.
The noisemusic dualism could be seen reflected in the material
doublenature. particlewave where 'wave' would be viewed as the collective
motion of a. material moving continuously around a relatively undisturbed
center. corresponding to harmonious states of music and where the
interaction of. particles would be perceived as the more or less random
and chaotic motion and. states of a material corresponding to intensity or
density of noise.. In an inversed physical view pataphysical why not
consider music as a very. simple kind of noise and noise as a complex kind
of music. Nevertheless these are two different operational views of the
same underlying. material (whatever nature) and my opinion and fascination
is that the. classification or perceivance of music from noise likewise
cannot be cleanly. traced back to the material. So it then gets
interesting poking around on a. low level probing for both the substance
and the concept bridging or. transacting the gap or just experiencing the
(possible inevitable). complimentary attitude towards it.. Noisemusic. A
principle of complimentarity of sound could for instance state that if an.
arbitrary material of sound is perceived as music then the noiseness of it
will. be sucked into it and vice versa the perceivance as noise will not
be saved by. the music. What constitutes this perceivance is not solemnly
the attitude. towards it but also the doublenature of the material
itself.. I hope I've been able to express this in the work. A way of
judging a listener. should be able to ) swap between different states of
listenings ranging from. music to noise ) recognise these states
independence of the material.. For instance listen to the material in at
least two separate ways like saying. Yesterday or ten minutes ago I
perceived this as noise or This noise is. beautiful .. Scanning any point
in the tracks and playing a few seconds the piece will. probably be
perceived as pure and flat noise. Playing off the whole piece or. larger
parts of it will probably change that perceivance.. Noisilence. Another
idea in the piece concerning noise was to make a soundshield.. Basically I
wanted to build a wall and walk through it. This could actually be. done by
means of sound. Noise appears here much like silence and through this.
noisesilence neutralize memory or yourself.. The neutralising of sounds
with sounds is possible as noise swallows up all. other sounds or as all
other sounds can be imagined allready incorporated in. noise. White light
white noise get blind get deaf. Close your eyes close. your ears by
opening your eyes opening your ears.. If you stare into a point in the
wall for some minutes my experience is that. the wall becomes black and
purple and vanishes due to the neutralisation of. sightimpression with its
negative representation in your eyes and along with. this vanishing of
objects comes for any reason a state of uh let's say. bliss.. Much in the
same way noise will through a material ecstasy swallow up the. objects of
the world and leave you floating. Drawn I sit serene rest is. inward. The
piece is made using headphones and I also prefer listening to it. that
way. By the way the piece is as noise hypersensitive to equalisers so.
small adjustments of the emphasis on different frequencies are very
effective on. the overall output sound.. This should make clear that the
motivation partly lies in functionality and can. also explain the lack of
any explicit inherent musical structure or pretension. of having conceived
a traditional dramaticmusical work.. Also no sounds have been recorded for
epsp. The piece has no sounds of its own. and consists entirely of the
processing of already recorded material.. Palindrome. One main structure
is the palindromical selfcontained. On a low level the. phonems have been
recorded forwards or backwards quite independently of their. content or
any criteria. Some loops of phonems are being manipulated similarly.. Also
on the whole the piece contains its material being finally processed in.
both timedirections.. The end is already manifest in the beginning. The
content of meaning is subdued. its structure. The evolution swallows
itself up. The mirroring of material. simulates an undifferentiated space
where object vanishes in the double. The. stasis of space absorbs the
speed of the elements.. Permutation. Another motive was exhaustion of
possibilities in the material. Rearranging. deforming and distributing
elements of sound to form a massive overload of. connotations excorcising
content.. Sounds are gradually being hacked to pieces down to a phonemic
level of smallest. meaningful segment processed in series after each other
in time and in. parallell in space. Then the distributions in time and
space increases density. and speed as the permutated material expands and
grows exponentially out of any. orbit of musical reference. Finally the
particle accelerator distributes its. collapsed differentiated elements on
a trajectory into void''.. Distribution. Sounds are distributed over the
two axes timespace. The density of an area is. the number of separate
sound elements through time. The elements seems to be. scattered well over
the electromagnetic specter with an emphasis on the extreme. high and low..
There are areas on the meter of electromagnetic tape where each cm or.
second consists of over differentiated segments of sound superimposed so.
that during minutes over a million sounds are being transmitted.. Other
areas consist of a heap of layers of sounds fragmented beyond the point
of. noreturn. Minimal units of sound are recorded as the six feet and
antennas of. ants spurt the microphones. The flow of noise is in that way
built up from. traces of atomical existence of sounds passed by not
enumerable.. Emit time. If you want to make a musical work partly avoiding
an evolving dramatical or. narrative structure you probably have to treat
time in a different way. The. linearity of time might be broken in
different ways.. The palindromical form seems to excorcise timelinearity
treating it as just. another object having reversable manipulatable
dimensions.. Also the cutup juxtaposition of timeelements is fragmenting
this line. implying another operating dimension say timespace hyperspace
or just. memory.. The nondifferentiated space would defy time on the whole
as nonexistent as in. the parmenidicalzenoic scheme.. There might also be a
minimalistic scheme involved motivated by making the. relation of music to
time explicit in different ways discretness. repetititivness questioning
the continuum.. Also I wanted the piece to be exhaustive in length so that
the notion of time. could be mixed up blurring the divide physical and
experienced time as you. find your mind wandering or take off. Exhaustion
of time seems an appropriate. concept also when the massiveness of sound
is concerned as the increasing of. density slows down timeflow.. The
ecstasy of memory in the conjuring of elements into an allembracing
integral. can be seen as an exhaustion of time and duration and as the
omnipresence or. end of time.. Deep speed. A body in motion compresses
bodyspace lengthens bodytime and increases. bodymass. Gaining speed of
light the body will not have any extension though be. infinite heavy while
time stands still as nucleons of sound ecstasises material. and flows into
energy.. Particles of sound are escaping the gravitational pull of memory
and meaning as. they accelerate and gain a speed superseding musical
references. Speeding of. music into noise atomizes the bodies of
information accelerates towards. infinity and dissolves in deep space..
With respect to history the narrative has become impossible since by.
definition it is the potential renarrativization of a sequence of
meaning.. Through the impulse of total diffusion and circulation each
event is liberated. for itself only each event becomes atomized and
nuclear as it follows its. trajectory into the void. In order to diffuse
itself ad infinitum it has to be. fragmented like a particle. This is the
way it attains a speed of noreturn. distancing it from history once and
for all. No meaning stands a chance once. offered the means of its own
acceleration.'' Baudrillard Pataphysics of Year. from The Illusion of the
End. Mass. Sound need a massmedia for its motion of particles to be
distributed. Outside. the gravitationed atmosphere there is no sound.
Density of mass shapes the. space which shapes the motion of mass
(gravitation is illusorical). Above the. atomic level the manifold of the
world is grounded in the forces of gravitation. and electromagneticism..
Growth in density by speed or space will make mass heavy and slow time..
Acceleration of transactions increasingly forces inerta and indifference
as. particles of sound annihilate each other making a dense cold star
deepened. and darkened by the pull of densityfield.. Within the critical
mass of density there is no references to outside. No speed. will liberate
sound from the silent immanence and there will be just the. autosound of
the magnetic tape and tape recorder background noise as the. ecstasy of
musicality provides its own end.'' Ibid.. Noisevoid. Instead of declaring
the law of falling bodies towards a centre why wouldn't. one prefer that
of the rise of the void towards the periphery the void. conceived of as
unity of nondensity'' Jarry Gestes et opinions du docteur. Faustroll.. The
pataphysial motive of antigravitation appears as music is haunted by its.
vanishing. The particle accelerator seek to liberate sound from the.
gravitational density of music by overwriting overflowing its content and.
swallow up itself. Particles arrive and disappear faster than their shadow
and. leave no time for interpretation. The speeding of tonality runs into
a noise. cohesion void of transmittory pregnancy.. Segmentation as an
analytic strategy is constituted in the acoustical almost. rethorical and
without appearance. Loss of a binding matrix of bodies the. shift from the
referential transcendence in music to the signifying immanence. of noise
births the segments pataphysically from the dying of hypostaticism..
Contents on epsp. Audio. Sourcematerial recorded onto some hundred
magnetic tapes.. Instruments used include korg ms korg polysix boss
drummachine casio. sampler teac tascam electronic organ tapedeck turntable
radio. walkmanrecorder microphones monochords flute harmonica guitar alarm.
clock feedbackdevices mallet instruments computer drums cd resonant.
objects (metal rock wood glass) nonresonant objects (plastic water food.
skin earth).. Concrete soundsources and noises as field or
objectrecordings include crowds. citynoise wind rain thunder habour sea
buildingconstructingareas the. museum of Emanuel Vigeland streets motorway
railwaystation home wood. gardens mountainlandscape waterfalls traffic
balcony industrial areas. reverbal areas church halls tunnels auction
concerts cave train. (inside) humans doors conversations voices sheeps
neighbours geese dog. cat breath walks sea birds train (outside) car
machines bicycle boat. ants magnetic datastore microwaveemission spoken
languages domestic objects. (scissors keys fork and knive refrigerator
washingmachine tv staircase. room furniture) found objects random
objects.. Processing of sourcematerial . Recorded onto magnetic tape.
augustseptember .. Equipment used teac tascam soundforge . waveLab . and
tapedecks.. MP coding of sourcematerial using Awave Audio v... Booklet.
Graphic material made mostly dating ''. Scanned . Pages. include drawings
paintings doodles copies nails blood photoes origami. and clippings..
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veien og skader seg selv eller. andre. kommet som en flge av pvirkning fra
utenlandske navn. Her er. f.eks noenog bli ekstremt kvalm det vil ogs si
deg noe om det leve p. jorden. KvalmeHva er s galt med hevnMake me to
selters servert av spe.. Kinosalene er vi neppe uten den.and uncertain
imagine to yourselves. INDIFFERENCE as a powerhowhim God man and animal at
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Nietzsche who argued. have survived the changes andpered (). Kernyi could
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som. detteneida desom til at synda tidt meg daaratsjlv det gjer' harde.
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sannhetsvirkelighetsmotiv kunsten har eit.
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is the transparency of othersfandenivoldskhet ville det. noemata. Sunday
March. Re question re de pre codewurx. are helpful. I get a general
pictureof code as 'rooted' and double of anyway. having a double property
of ..wellthe usual dichotomies instruction and data. and object and
whicharen't fundamental eg. the distinction between. instruction and data
is aninterpretation what is interpreted as instruction. is also data and
thedata can also be instruction so in a way the. interpretation
isfundamental to code also and creating the roles of the. dichotomy as
wewould have 'instructiondata' and 'datainstruction' and. somewhat the
samein the case of subject and object which are more.
explicitlyinterpretations of something by terming something a subject
we've. alreadyinterpreted it in a relational way and in the same manner.
asinstructiondata I'm refering to code as an subjectobject entity which.
hasthese three parts of data instruction and interpretation..
Theinterpretation part would be the decode.About the everythingnothing
bold. statements since the code is somethingconstituting itself it's a
whole an. entity and real in the sense thatit's taking place with the
interpretation. constituting the reality'situation' of instructiondata
subjectobject so. I'm calling it aneverything like we could create an
universal machine out of. this. And thenalso I'm calling it names like
nothing because it's a machine. more orless. Maybe it would be interesting
to look at everythingandnothing. textas a kind of codework. Finnegan's Wake
as an example of this it's coded. inseveral layers encapsulating or opening
to an everything and nothing ithas. the appearance of code and nonsense a
rich broken structure ofeverything.. Occult literature I guess also has
the code effect of thissort like. out dumped automated and coded the
automatic writing ofsurrealists might be. considered I don't know are
fluxus pieces codeworksby being instructions (of. events) and the
happening would be another moreundirected setup for something. happen well
I'm not sure how todistinguish the code it seems. allembracive. Is it alive
Dead code. Andthe system bit if we don't know if. something is code is it
code by justthat fact like the Voynich manuscript. mentioned And there's a
notionthat code is code as long as it's not decoded. if code is code what
do wemean by a decode Sort(x) is a code does it have a. decode So maybe
aromantic code is the codedecode that kind of code notion. there we havein
a way again instruction and data subject and object. clearlyseparated like
morse code a clear mapping between subject and. objectback and forth
whatever there's the subject of code and the. objectcodeand the morse code
we could call the subjectobject though in a. clean dualcut. In other
notions of code it's not so clean and for eg. sort(x). wedon't call it a
decode it's codecode but what is decode It'sambivalent... 'life is decoded
into dna' or rather 'coded' do we mean theoutput in general. the object and
for something to have a decoding meansto have a systemic. interpretation
but this goes both ways what is thecode can also be the. decode to
emphasize they're activepassive roles ofinterpretation.. and code. the
system of interpretation the structure ofhow the active and passive roles.
will take place of instructiondatasubjectobject. Certainly there are.
levels of code in the construction of nature and ourselves but at the
bottom. we don't know or we know that it's not discreet like the
particlewave. duality. But dna is discrete for that matter the
particlewave duality is. justthat a duality even with probabilistic
measurement the mathesis. behindit is exact...Exact probabilistic if you
have a perfect random number. generator couldit have a code This is like
asking for the formula for prime. numberscould we say there are codes for
prime numbers but not a formula. workingto a certain degree and in general
that code is related to formula in. aspecial way is it a working formula
applied which is the dual again ofform. and reality living formulas. Seems
I'm treating it as formula hereand you. matter and since everything is
mattered and chunkeddiscreet it'scoded but. in the formal end.. How deep
do the codes go all the way you'dsay since it's. rooted mattered dirty
having the real part maybe it'snot a fruitful. discussion where it ends or
begins some highly energicthing expanded and. collapsed symmetry collaped
into code. Yes but we've figured out things to. a large degree what we're
made of our history and destiny there doesn't. seem to be any mystery
about ithow we're created though we can't reproduce. it though have
theknowledge to destroy it a devastating knowledge in. itself.Considering
the fact that dark matter the majority in the universe. isn'taccounted for
at all that the mechanism of memory isn't understood. etc. I don't see how
you can say this. In fact one can as Brillouin. didyears ago argue for the
opposite that the mystery is somewhat. dependenton the limmits of our
economics and simply keeps getting pushed back. asfor example more and
more powerful accelerators are built...Yes mystery is. something
pushedback in relation to something that'stakingplace it's still a.
subjectobject 'economy' ecodomy the economyof code mystery is in the. via
the code interpretation it getsobjectified real as takingplace.. Still
it's an economy not a mysteryit's just what's emphasized. From the. other
end you could say memory isthere and it's working so there's no. mystery.
Code as a term retains someof the mystery the wonder and. complexities
which is lost in the formulaterm. I never stop wonder about the. inside
and outside like this sailboatmoving slowly past the village seen from.
the boat it's somethingcompletely different from the boat it's a mystery
from. the balcony itseems quite boring objectified but it's both and
that's. alwaysintruiging it connects to relativity from Galileo to
Einstein and. forextrapolating the move to relativity is also a move to
code of. thesubjectobject floating within a reference system which
connects to codeas. reality each reference system is on its own a whole.No
no i don't think. this goes if (x) is for example sorted it doesn'tlead to
an elimination of. (x). Think of coding here as performative andrequiring
a stratum or substrate. that it operates upon. Even Peirce talkedabout the
'sheet of assertion' the. necessity for a locus for mathesis.Ok see above
codedecode.I want to run. back to information theory and theexamples
Baldwin talked about or the. problems say of transmitter channel receiver
with noise parasitic within. the process.Thanks for the discussion
appreciate.Here there are several. levelscode as existentcode as
processcode as procedurecode as. performativecode as selfregulating or
checksumetc. etc.There's structure. of course and there are material or
ideal strata andtheir interactions. Code. is perhaps a productive system
of classificationthat admits closure.... AlanAdmits closure yes like it's
its own end metaphysics and then real. asreference system like every
reference system is real on its own. Maybe. I'mextrapolating too much but
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March. Re question re de pre codewurx. About code and codework though not
a direct response I see code generally tied. the western project of
science and cultureunravelling nature's code turning. it into culture and
technology. Thishas no real basis any longer science has. already made us
transparentwe know code is nothing and that there aren't any. secrets. So
there's nobasis still code is everywhere all the more since it's. not tied
toanything any longer doesn't refer to anything more real or more. trueit's
able to infect our lives more like a freefloating entity from. thelayers of
reality. If we have layers of reality we have codes. Ifreality is. one
there's no code but our sense of reality is not one. Ifyou could live in.
one there would be no code and it would be the heavensof the mystical.
The. mystical is tied to code but we know there's nomystery. Inside
yourself you're. a mystery that's it. Walking throughyourself you're code.
These are all layers. of nothing. We know that ifsomething is code then
it's nothing that's almost. the proof of it.Then there's the doubleness of
code of inside and outside. thecommunication machinery of input and output
between layers codesubjectand. codeobject. There's no fundamental basis
for the codes only thesubjectobject. which moves around freely. When I'm
using code it's areflection of the codedness. of culture the structural
complexities ofinformation and communication layers. of reality which are
always therea reflection of culture as construction. traversing it's
layers whichmeans insideout backwards reverse the. twofaced. In my work
I'm notusing code in a fundamental way it's code without. any basis
diffusionof code double and nothing of codes. Codes are still. fascinating
weneed something to do as humans I quite sure we're genetically.
gearedtowards these things problemsolving directedness of.
attentioninformationchurning. Still we have no mysteries only the codes.
andthey're not real only a kind of art beauty of codes what we're madeof.
still no mystery only reality. Codes real but not real that'salso the.
doubleness what we mean with subject and object they're bothreal but not.
real to each other if the subject is real the object isunreal and vice.
versa. These two could be stated as a classical and aromantic notion of
code. the romantic code refers to something beyondas its reality (nothing)
while the. classical code to its construction(double).I know this didn't
answer any. noemata. dee. intrui gpj.hcruhcevatsoprotraidepikiw .ssorC
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ofcomplexSouth Indian Temples are also a to borndog. thespirit is
impossible middle age scholar ytilibissopmi dna. ytissecenneeelbissopmi si
elbissop eht fo possibility necessity. impossibilityso i'll stay possible
lanorepip sirpaeh eht s ommisrealin what. nonsense rehe htaed dna luos
segagtrom dna laenip real inwhat nonsense. rehe htaed dna luos segagtrom
dna laenip cissalctsreal in what sense an. argument how the possible is
enisorek sissabsrezinamuh elbissyrassecen ton. e then i'll be both
existing andnoteso i'm thinking of my untho selpmip laer. cimredoyp
snoitaeniled da the dead theLet's see three classes of p. airatilitu
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tuohtiw tnemurtsni lacigolohcysp eseht fo yna ehta. thedifference in
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eurt elpoe you have to. deal with itnow you have to deal with )and fo noi
the spectrum of. thespecialisatithe human specter the humaneness speck s
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a otnisetatseg a. snoitanotni ecnec more a struggle moravianisedlife
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eccentricity the opposite of politic (withness) a self baumpf These. forms
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created himself likethey do and the falsity propagates. until it turns
back which isnever we understand it backwards it will repeat. something
willreturn which is the loosing and gaining the restore of. potentialthe
wave you don't want to meet a particular god only the. falsewhich would be
true it's like a tree it has only one end and that'sthe. beginning the root
all the rest just spreads out it would becrazy to think. all the leaves
would converge later on spreads likeentropy flattens out while. growing i
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of meat and. drinkHerukhentenAriti (Horus the Advocate of his father Osiris
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for Dora. Riparia Hopeandwater a cooling douche and afall under the knives
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ut til at det er en. trojaner i opera . build har funnet flere private
mail her og alle. bruker nevnte client. mail til opera skal sendes. det
hadde med saken gjere...jeg ble. den serveren. ) innholdet p websidene er
like meningsrik sommeldinene p. notest. )at dere gidderhh. hvem er.
hvorfortror det bildet var vedlegg. til sknad om kulturstipend. ) den. som
hadde hatt ynene med seg ville merket at flere personlige email er. havnet
i no.test og alle bruker xmailer opera . build mail er sendt. til opera.
kan jo hende at noen har lagt ut en trojansk version av opera og da. br
det etterforskes.noe m man jo. finne p og jeg ser ikke hva som er s gli
med. dettefolk er til og med misunnelig. p andres fantasi og evne til
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greide finne ut av det. burde vi ikke da eleminere det for klokka tmmer
tidenstrukturene som. framtrer for bevisstheten.critical penetrating
revolutional reversing. undermining etc. In my viewkulturen er oppi hodene
vre i subjektet mens. natuen er ute der objekterthey would have stories for
film here yes maybe. that would be their newstability. Beauty taken over by
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immersion and. open to domination still obedient and immersive is like
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superglue. capitalist print. media electronic media state of harmony all
sign systems as text. sign an inse. parable combination of a concept and a
soundimage with physical form refering. something other than itself and be
recognized as a sign by people well if. the sign is a sign then it's
something other than itself and then not a sign. and if it's not a sign
then it's a sign after all this doesn't make 'sense'. and that's the
foundation of 'meaning' that it's something else. symbol a. natural bond
between signifier and signified if it's natural then it's always. there
somehow it's crappy call it the logicmechanic of signs maybe atoms. and
then the variables (signs). metaphor these are just transformation rules..
metonymy ok blah initiations calls. mediation is a matter of symbolic.
exchange an exchange that is mostly onesided well the symbols are natural.
bonds then one side naturally gives the other. on the contrary it would be.
strange to communicate symbols then they would be signs. television is.
exclusively genreled why and when will tv be art discourse interpreting.
the world is making the world what would destroy it then not interpreting.
it blimey there's a riot on page . over two billion people may watch the.
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George W. Bush. Politiet var var opptatt med vokte. presidenten.twater
ikke s menneskelig ut. Mye tull. kan spinnes ut fra et vanlig fotonyanser
i lys blir til substansielle. ansiktstrekk eller lignende.mange rare prI
never watch Sesame Street I know. most of that stuff.lat der hvor det er
finnes det ikke den som hrer det. er dv den. k edged ah See Help for.
Meaning of() journey. elapse Alan Mcintyre. five million is a return to
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til disse...................KREVat innhdet i HTMfien. dupiseres i End f
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Performance in the Context of Theatre Play Ritual. andthe formal
Distributed through CyberSocietyLive CSL CSL is a moderated.
discussionFirst Monday February orders of the day.. Net.Art Connexion
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yourself as possibility. The removal of the beautiful. in Kant's aesthetic
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out). the diplomate is hermatypic (commerce and cunning and
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Tinxu HydalXYnzh Havslez Gjaxb Urqny Fvreen GnatbLumi. noemata. Wednesday
February. overt ones. day and night aren't we supposed to sleep half the
time that we sleepone. third is our own excess of rationality. how do
theology account forsleep. novalis fragment we finally should rid of
sleeping. kind of rootbut what's. deep about dark nothing and what's deep
about nothing it'snot that light. grows out of dark though goethe might
have believed so.that might give a clue. he's experiencing it through his
tree so thatit seems rooted might shed light. on the primal tree idea. the
treesupposedly from 'wood' not monad dyad. tryad. how is romanticism likea
tree one to three one is one and nothing can. be said two are atwar three
are rooted the two are one. bosons in gauge. theory bearersof the force
integer spin while fermion matter have fraction. spin.you could say these
are romanticclassical divide. problems are pushedinto. the romantic until
later. let's see particles and thennecessarily a force. between particles
ok and these forces are yesparticles forcecarrying. particles oh they
'carry' the 'force' hownice in their rucksack you could. also see it from
the particlewavedyad. if it's not interfered with it's. romantic having
interferenceand if it's interfered with it's classical. having no
interference. sothe interference is one place or the other in. 'nature' or
in 'science'in the romantic process or the classic formula. the. bosons
areinterfering bozos the interference not obeying the. exclusionprinciple
(related to 'particle' in a sense) like the clown is. areplay a primal
glue forcecarrying particle two in one thetravesty. the. clown is
constantly fixed constanted an integerfractioned into matter spin.. we see
it the other way the romantic is amess a forceparticle buffoonery. what
could possibly come out of itoh just matter.overtones it's like nature. is
counting ... foreverything it's counting up if one. then infinite weakening
but stillcounting. because of air interference in a. medium why should
nature becounting the overtones would all be fractions. what about
irrationalnumbers i once heard music based on primes it's very. noisy only
primeovertones. where exactly does the irrational come in i know.
thediagonal of the square what becomes of the diagonal in e.g.
overtonesif. you had an irrational chord it would sound forever or not
sound howcould it. sound to create a diagonal in music would you need
anotherdimension is the. diagonal another dimension it's a travesty
we'reback to that. you could also. form a triangle that's not irrational
butit's a relation between three that's. possibly irrational. do you
needthree how's the square a three the two sides. are irrational but
thesquare is rational how is that kind of inverted. direction therational
is build from the irrational adding dimension. we're. used toview it in
the other direction. this all digresses no way back. it'sbroken. what was
the riddle 'cat eats dogfood but the bowl is. noemata. plante analogi.
hvor utbredt er plantelivnring analogiene i folks forestillinger.
vekstvokse seg stor og sterk etc livet som plante. det har begrensninger.
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vokse bedre. menneskebilde plantebilde. dessuten m det. komme som en
stadigoverraskelse at mennesker dr s plutselig skulle de. ikke heller bare
visnebort og alle raske forandringer er av det onde. elektroner m vre
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uendelig vi har bokbl virus bomber. knapper trykke p maskiner. vekst joda
menvier mennesker ikke planter. og innimellom der dyr og da er ikke
mineraleneengang nevnt fr n. og. hva med sjelen og nden vekst liv og
ddeksistenssdcellen som kom. p andreplass idrett de dramatiserer
overlevelsehndballandslaget. raider nabostammen de vokste ikke sammen. alt
eksploderte det er en slags. vekst. plancks konstant brekraftig utvikling.
og utviklingto bilbomber. utviklet seg utenfor ambassaden. mennesket er
alle tings mlikkeplante ikke. eksplosjon fenomener har forskjellig
hastighet strrelse samfunnet er. strre enn hver enkelt og dermed treigere
mer likt planter mensgrupper av. mennesker er mer som dyr dummere men
sterkere. i andre retningenernden som. et elektron og ser for seg
atomeksplosjonen som den. hyestereligiseforening sin skaper sola big
pangpang. lenger framover. er lenger bakoverstrre fart er strre avstand
mindre er strre. forestillingene er speilnrdu ser foran deg ser du bak deg
som nr du ser. noemata. Tuesday February. art)) not. folktale cinema. The
of local lore oI had this idea soun I can dreamanyway.. iwant somehthign
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you have like the coil uses. Shewould g icy wilderness but. noemata. Monday
February. Mar. assimilation the easier to pronounce a sentence the more
widespreadthe change. noemata. for denoting the highly contingent
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forresten en liten gruppe som tenker trykke store plakater (x.
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monopolkort tilgjerne p min nummerorden. Wreak havoc. Skape kaos og.
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noemata. noemata. bbly r q ntllb h ax i. l. l b y. noemata. Friday
February. Fwd C p DETOX Kunstnernes Hus. noemata. Anbud naturfag. Bilder
som dette fra Hubbleteleskopet viser at det kryr av galakser idet. fjerne
Norge.Hvor mange galakser finnes det i NorgeHvilke typer galakser.
eksisterer det i Norge og hvor mange er det alt ialt i stfoldNy.
astronomisk forskning som er foretatt i senere tid har vist at detkanskje.
eksisterer langt flere galakser enn tidligere langt frre antattlenger. P.
den ene siden finnes det mange galakser i det fjerne Norge.P den andre
siden. tyder mye p at de er dverggalakser. Det er cirka medlemmer og bare
tre. normale mens resten er dverger skalte gnomer.Fjerne gnomer i Norge
er. nesten umulige observere systematisk men dekan godt vre tallrike..
Konsulterer vi et standardverk om kosmologi blirantallet galakser i
stfold. oppgitt til cirka milliarder. Men det ermuligens mer realistisk
med en. billion ( milliarder). Da tenker viimidlertid bare p det synlige.
stfold. Iflge moderne historie er Norgeuendelig og i s fall vil det. etter
all sannsynlighet ogs finnesuendelig mange galakser i stfold.Hvor. nyaktig
kan man veie sjelenHva er den mest nyaktige vekten som er. konstruertVi
vet for eksempel at en colibakterie veier. milliondelsmilliarddeler av et
gram. Denne vekten er s nyaktig at den. foreksempel kan veie en enkelt
bakterie. Prinsippet er det samme som for. ensyngende gitarstreng med
sjel. Hvis strengen er tung er det blues og vilager. en dypere tone. P en
liten gullskl kan man legge for eksempel etstykke. DNA. Den blir
cm.Voldtar dyr hverandre i naturen eller kan de gjre det. inneFor eksempel
kan paringen hos stokkanden vre en temmelig. barbariskhistorie. Bruk av
vold kan noen ganger vre hensiktsmessig uten. atdyrene har noen onde
hensikter med det. De gjr sitt for det meste. erutenfor hjemmet fire
vegger men noen arter kan trenes til gjre. detinne ogs.Hva er det eldste
ulste regnestykketPythagoras tumlet med. mange problemer omkring det.
Dette sprsmlet erubesvart enn i dag. I. desember oppdaget man . Det er
ulst. Lstfra lyst kan vi si var. pythagoreernes motto har du lst har du
lov.Det sies at Solen er snaut fem. milliarder r gammel. Men hvordan kan
vivite detDe som er eldst vet best.. Solen er mye eldre enn oss derfor vet
denbest. P den annen side er solen. yngst den er den samme som den var
forfem milliarder r siden mens vi som. mennesker har en
utviklingshistoriesom er fem milliarder r. Derfor er vi. eldst og kan
bestemme over solen si at den er fem r hvi vi vil. Det er. interessant og
en del avvitenskapen med beregninger det vi vet om Solen. Alt vi. vet kan
skrivesp et frimerke med en tommeltott som er fem nanometer i.
diameter.Hvilket dyr har tykkest hudVi tror det er plankton. Er det det
Siden. hvalhaien spiser dem og harsm tenner. Den tykke huden kan ogs vre
rundt. halsen eller brystet.Flodhesten lever av verdens strste fisk. Det
tar den fem. hundre r seile over havet. Blgene den skaper er opphavet til.
havstrmmene somskaper livet p jorden. P havbunnen svmmer den og.
opprettholder verdenmed sine vingeslag.For deg personlig Gunnar hvordan
har. du detHva spurte du om nNei glem det. Takk for n.Fra.
TVintervjuAnnonseHvis du tar disse tablettene lrer du samba p en. natulig
mte. Komigjen n.Nr vi knuser sparegrisen blir den da. sparesvinSparesvinn
HAHAHAHA. I virkeligheten vet vi ikke. Hvis det dreier. segom
pengeinnkreving eller utviklingsarbeid. Hvem vil du si er mestskitten.
grisen eller svinet Svar Svinet er umoralsk grisen er bareamoralsk.
Dermed. kan du forst motviljen mot svinet. Grisen har en uskyldsom et
slaktet lam. bare skitnere.Hva er glattest av is og bananBananasplit.
Bananen skal splittes. noemata. Tuesday February. Re Skolelimsordningen.
Det er fint. R. Norsk har mange merkelige konstruksjoner som du vet.Jeg s
ikke. at dekket var punktert fr jeg satte meg i bilen.Hva betyr det Nr du
satte. deg i bilen s du eller s du ikke at dekket var punktert... fr
etterp. jeg satte meg i bilen.Haha 'fr etterp' halloOK problemet er at
'jeg. satte meg i bilen' kan oppfattes som et tidspunkt eller som en
tidsperiode.. Hvis det er et tidspunkt s kan det virke som du oppdaget at
dekket var. punktert idet du satte deg i bilen. OK Hvis det er en
tidsperiode s har du. fortsatt ikke oppdaget at dekket er punktet nr du
har satt deg i bilen. For. skille disse kan du sette inn et 'etter' da
blir det klarere men ikke helt. klart.Jeg s ikke at dekket var punktert fr
etter at jeg satte meg i. bilen.Fortsatt er det et problem akkurat nr du
oppdaget at dekket var. punktet om det skjedde nr du satte deg i bilen
eller tvertimot at det ikke. skjedde nr du satte deg i bilen slik at det
at du satte deg i bilen ikke. forandret din viten om dekket eller om det
nettopp gjorde det. Dette er ikke. klart.Hvis du forsker uttrykke at du
oppdaget at dekket var punktet da du. satte deg i bilen kan du si...
nettopp detJeg s at dekket var punktert da jeg. satte meg i bilen.Hvis du
forsker uttrykke at du ikke oppdaget at dekket. var punktert da du satte
deg i bilen kan du siJeg s ikke at dekket var. punktert da jeg satte meg i
bilen.Verre er det ikke. Dette fr og etter blir. bare tull. Det er liksom
du omfavner en stor sekk som du ikke ser enden av. dermed kan det vre hull
i sekken uten at du vet det og dermed at sekken ikke. inneholder noe.Ellers
var det bra.Det er noe med benektninger er det. benektinger Nedfallsomrdet
er altfor stort. Hvis eplet ikke faller langt fra. stammen s kan det falle
hvor som helst liksom OK Se p uttrykkeneEplet. faller ikke langt fra
stammenEplet faller ikkeDet er ganske merkelig. Hva. skjer Negasjonen har
ingen naturlig begrensning den m liksom flikkes p. med adverb og ad ad ad
for forme hva som skjer nr det ikke skjer.Det. blir . Fem pluss hva liksom
Pluss er en operator. Du kan skrive for. skille fra (prefix) men postfix
tar to argumenter eller bare. gr ikke. Det blir . Hvilken vei gr det Er
bra eller drlig Du fr. det er midt p uansett og blir en del av skolelimet
som du har kalt det.Du er. innkalt til rektor i morgen kl. . Han trenger f
renska ra sine. Det. er du eller Stompa men han er bare i svarthvitt vi har
beveget oss bort fra. det n. Smrbukk har forsvidt modernisert seg med ny
teknologi osv i kampen. for bygda men han er aldri der nr du vil ha tak i
han. Det er riktig at. Gerhardsen ligner p Quisling og kanskje var
tvillinger det skal ikke. benektes. Noe annet er det pst at gjenreisning
av landet og. nasjonalsosialismen hadde samme uttrykk. Den m du lenger p
landet med. At. vi har uglesett Quisling helt siden krigen kan vre en sak
for seg.. Gerhardsen og snn har tilpasset seg markedet fra gjenoppbygging
til. merkevarebygging det er noe helt annet enn ensretting. Merkevare er
merkevare. ensretting er noe annet. Er det klart.. noemata.
Skolelimsordningen. StilIdag har frste til tiende klasse skolelim p
timeplanen. Slik var. detikke fr. Men til gjengjeld hadd vi et halvhundre
feil p diktaten.. Mineforeldre gikk p skola mellom potetsetting og vronn
og nr det. ellersikke var noe gjre. Etterp kom kommunismen og reformer.
Skolelim. bleobligatorisk for alle og ingen fikk lnn. Det var likhet for
alle. ssantdet var lim til alle og det var det satt av penger til fra.
offentlighold masser av hvitt mildt ufarlig lim som kunne brukes til alt..
Vikjente den igjen i skolemjlksordningen. Ivar drakk opp kartongen sinfr.
Unn hadde rukket dele ut til alle s han kunne sple kartongenoppi. kassa
mens mjlka fortsatt blei delt ut stilig. Jaja. Skal vi se.Det hvite..
Senere gr livet opp i smmene limet er ikke s sterkt.Kommunisme er. flt
sier alle. Rart ikke unga krever penger for g pskola det. ville jeg ha
gjort. Hva slags krav har skola p meg fore megmed skolelim og. skolemjlk.
Husker jeg undret meg mye over noe jeg lestei samfunnsfagsboka. at
hensikten med skola var sosialisere oss.Folkeskola fungerer og s. sier man
at kommunisme er umulig det rimerikke. Samfunnet ellers kunne fungert. like
godt som folkeskola nringslivet arbeidsmarkedet hele skiten.. Pensjonistene
gr igjen overi en kommunisme men voksenlivet skal liksom. vre kapitalisme
ogkonkurranse. Det skal vre snn fordi mennesket har. konkurranseinstiktmen
ikke barn og pensjonister. Neida. N er det s mye. sport p tv atjeg tror
kvoten fylles opp uansett og det er jo liksom poenget. medsport da. Men
nei samfunnet skal vre sport med rsgrense. Du gr. avnr du brekker beinet.
Det er liksom litt tpelig. De som vinner. grrundt og flotter seg verre enn
p barneskola. For pensjonista er alt. detsamme om Per vann s er det like
bra men de sttter sporten. detbringer fram det beste i alle sier de. Det
beste betyr at det ikke. erkommunistisk. Superlim. Superlim er ikke
sosialistisk det er mer mafiaog. korrupt det binder ting p en tvingende
truende mte. Jeg bruktesuperlim. p veska til Terje nr han skulle p tur han
blei jvli sintetterp. mtte skjre opp veska. Da fr vi vold. Idag skal de
drikkecola og bli. stimulert til vold det er mulig skolemjlka er helt
borteelevene fr. gjre hva de vil. Konklusjonen er at kommunismen er
muligvi trenger bare. lovendringer. F.eks. at det blir obligatorisk
arbeideog at ingen fr. lnn slik som folkeskola. Eller at likhetene angr
tingsom er ndvendige. vanlige for alle. No problem. Men det gr liksomandre
veien alt skal ned p. individet alt som finnes er individer. Dedde er
forsvidt individer selv. om de ikke finnes. Det ufdte liv ertil en viss
grad individualisert men man. fdes som individ det ergrensen i livmoren er
kommunismen implisitt vi. sier det erparasittisk leve p staten. Bringe fram
det beste jaja. sport harlange og fine tradisjoner hvorfor delegge det ved
gjre alt. tilsport. Kapitalismen sier vi er som blader p et tre vi sker
allesammen. mest mulig sol og dermed regulerer alt seg sjl til det beste.
Vivil alle ha. mest mulig penger og kjre med en flat rd bil. Det erlivet.
Det er ofte. morro ta tak i replikker fra forbipasserende nidag var det to
...men. hvis du eier det selv... (sagt av to damer meden hund) og ...mr.
perfect.... (sagt av to tenringsjenter). Var dethunden de ville eie selv
og hva var. fordelene Det er snt som sies etre inn i folkesjela best eie.
S. svarer jeg inni meg ja hvis dueier hele verden s slipper du bsje. p do
men kan bsje hvorsomhelstslik som hunden. Mr. perfect det er liksom.
individet og jentenesreplikk er maktrelasjonene i det individualiserte.
Hvis. man gikk inn pdem s ville man finne ut at jentene ikke var
kommunister. men heller atdet var en sken etter den beste plass i solen
hallo fltt. deg mr.perfect jeg vil ogs ha sol. Dernest tror jeg ogs de
ville vrt. sammenmed mr. perfect hvis det var mulig nr de kritiserer han
er det. fordidet er utenfor hva som er mulig n utenfor individets.
operasjonsomrdedvs bare bsj. I dagens samfunnsfag sammenlignes. Gerhardsen
medQuisling begge sto for en ensretting og drev propaganda. N. skal altvre
forskjellig istedenfor ned p individet som m vre. forskjellig.Fr het alle
unga Ola n m de hete Markus Aleksander Vegar. MarkusSteinar Olsen Olsen
ogs kalt Krka. Den som ikke er. forskjelligdr. Skolelimet hadde som
oppgave folde sammen. identitetspapirene tilden oppvoksende generasjon. Ja
n gr stilen mot. slutten som du ser.Skolelimet hadde sin oppgave. Hva med
samfunnslimet. nringslivslimet(slimet) Pengene binder alt sammen og er
samtidig. forskjellen.Skolepenger avlser (bokstavelig) skolelimet. Elevene
vil om f. r krevepenger for g p skolen hvis ikke trenden snur. Kommunismen
er. noemata. B MMM MM B MMM MM rriZMMMX MM MZMa ... MrriZMMMX MM MZMa .. M
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drmmebedrift. drmmebedrift rokokko avvike kjetteri scenografi pakkede
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Australia Minnesota and Chicago this past fall. A version of this advance.
for any inconvenience or disillusionment this event or this message
referring. it may cause. Han sg i luva si.Han hjelper dei som vinn liksom.
hundane.Ro no alle vel sa mannen.Tmmerstokken.bitch fare fare. krigsmann
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det andre alt dykk rkkelvis. til terminalstasjoneni nkkelprofillav fikhjen
din frakkpreparering putt et. kuttutvei gikk i forstandentolv lateral
pverstsaft ingenting. omhyggeligkniv balanserer p alle trer to vrette en.
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visst grand canyon i omrisseller bare. blodrerkrystalliserte hormoner ser
ofte slik uteller vann som blir til. isssprekk i veggenmat som har sttt
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hvis ola er en egenskap slik. somharry hva blir harryola versus olaharry
eller harryjesus som. ibrillejesus egenskapen kommer frst jesus er
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nummeret vre en personskonummer er spesielt komisk. fordi ftter hvor mye
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simple online surveysfrom. register NOW for .... hnoe for.
opinionsinstitutterjfrnnSociologically and all it would be interesting.
having different people oncontract writingautobiographies. They could be
paid a. small amount by the state. Giving them ahigher amountwould fuse
publishing. houses and state affairs. This could also be an idea
forpublishers eg. why. don't they pay webloggers for making content for
them on a freelancebasis. Orcontracting autobiographies And not least why
don't they. publishelectronically it's easyand cheap. No money but hey is
that the base. motivation erroneousGitt mengder med statistiske data og
fuzzy logic kan en. sprkkultursimuleres.Roboter ogagenter samler
informasjon og mater maskinen.. Populasjon fr betalt formengdenav info
dengir fra seg F betalt for. fortelle om ditt liv til vr maskin. Bekjenn
c. ssb.nokjper opp. weblogger. Mer utbredelse av teknologi som
sprforstrpopulasjonmarked. virkersannsynlig. ( Sannsynlighet er en
delmengde av fuzzymengder.). Semanticallythedistinction between fuzzy
logic and probability theory has to. do with thedifference betweenthe
notions of probability and a degree of. membership. Probability
statementsare about thelikelihoods of outcomes an. event either occurs or
does not and you can betonit. But withfuzziness one. cannot say
unequivocally whether an event occured ornot and instead you are. trying
to model the EXTENT to which an event occured. 's 's. noemata. dnam. link
to a dictionary of biblical words terms and phrases thatmayevitanretla na.
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religious sites from all perspectives. Asaw ehsetis hcihw tegrof thgim
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takene hjem Here. O'Connor paloconxxxxxxxxx etnie. Tetanos. Etna des
boustrophedon. repudie. Boiser. Revele l'avare is P. Miles Bryson
Alejandro's Carniceria. (released in th and hopefully no longer than that.
We apologize inSender. k Donations to usNoemata.net is a nonprofit project
partly funded by. norwegianPussy Bully Glossy reklamefinasiert
trendmagasin med moter. livsstil matetc. kva er jording for detNot objects
representingfrom the. contemporary. virkelighet vi fler oss mer i kontakt
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sanseralt san er nuh er naaFremtiden det rundt svingen er min bestevenn..
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bker med slegge. Prvguttespiller og r en sen kveld.. grisen var lykke i
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matematikkAnte det var Ginnungagap og hun begynte og tok ham fast i salg..
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considered zero ifthe gravitational field is regarded as. negative energy
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alt var. grnnere p den andre siden (CIA) fikk en ansatt p Sunnmrede ikke.
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eposten. Men dette kunne. blitt stort med noen andreenn udugelige sabber i
staben. Hele noemata er og. taps det er oppgitt iutgangspunktet og lever
med latteren i halsen.It. was a tiny onyx diorama of Don Quixote' and
Sancho Panza.DThe light. slanting uniformly into the austere living room
vaguely Dpopulux 's. geometric. The sane cat sat near a window licking its
paw.solipsisjeg. hadde et notat pE dette engang kanskje det er slik at.
noemata har som sitt felt disse umulige ogmalpasserte verk og uverk like
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det umuligeer en rFd trEd kan det virke som. en rFd klut
forestillingenesumulighet eller det virkeliges. uvirkelighet.every ecstasy
ultimately prefers to take the path of renunciation. ratherthan sin against
its own concept by realizing it. adornothere is an. idea horizon just as
there is an event horizon the horizonof their. deathdealing accomplishment
their absolute realization.thought for its. part leaks out into the void.
baudrillarddon quixote som en taktil. kulturjammingsteknikk bevisst
dumskap.noemata message in a bottle server at. the barents sea BA nhva
slags mail vil du sende ut i havet umulige. kjErlighetsbrevthy false
promise and my sure misfortune carry me to a place. whence thenews of my
death will reach thy ears before the words of my. complaint.what thy
beauty raised up thy deeds have laid low by it i. believedthee to be an
angel by them i know thou art a woman.hva du gjFr. der er det et spFrsmEl
eller svarquo oxid netnn som don. quixote. nettkunst som ikke virker
annonseringer ogforestillinger som fantasi.. urealistiske umulige
malplasserteprosjekterog ideer som samtidig blir. kulturjamming
intervenering taktisk oglatterligjFrende selvironisk med. den folkelige
sjarmen til dettragikomiske.there it. is said sancho what i told you that
you must keep a goodcount well then. by god there is an end of the story
for there is nogoing any farther.how. can that be said don quixote is it
so essential to the story toknow to a. nicety the goats that have crossed
over that if there be amistake of one in. the reckoning thou canst not go
on with itno senor not a bit replied. sancho for when i asked your
worshipto tell me how many goats had crossed. and you answered you did
notknow at that very instant all i had to say. passed away out of mymemory
and faith there was much virtue in it and. entertainment.so then said don
quixote the story has come to an endas. much as my mother has said
sancho.in truth said don quixote thou hast. told one of the rarest
storiestales or histories that anyone in the world. could have imagined
andsuch a way of telling it and ending it was never seen. nor will be in
alifetime though i expected nothing else from thy. excellentunderstanding.
but i do not wonder for perhaps those ceaseless. strokesmay have confused
thy wits.ffrom a mail from. lanny quarles solipsis the term 'idiotic'
isn't really about intelligence per. se butrefers to a kind of imaginary
ratio whereby the self's uniquenessadheres. its own erratic path its
actually a term connoting a kindof pureness and. honesty.. I'm thinking
somewhere in the neighborhood of eigensomething (can't. remember)
hmmAuthenticity is also a translation problem. Eigentlichkeit has. its
rootineigen own. or proper Gr. idios Eng. idiot. So one. shouldkeep
theoriginary meaning of idiocy in mind being one's own self.. The
termEigentlichkeit points to the possibility of being one's self.that.
strikes me. As you point out the Gk idiotic denotes not deficiencybut.
eccentricity the opposite of politic (withness) a. selfradicallyownmost in
its extremest form perfect solipsism.With. this in mind and apprised ( by
Nietzsche no) that every greatphilosophy is. autobiography oughtn't BT be
read synoptically withOtt as it were in the. Confessions genre...that BT
represents H'sselfcasting(Go litel bok go. litel myn tragedye) an idiotic
interpretation ofbeyng...that the AngstCare. structure for example if it
fits one say Hamlettypeassuredly doesn't. others Quixote Don Juan
Faust...via the baudri Lard art has. disappeared as a symbolic pact
remaining prolification ofsigns ad infinitum. as 'culture' auto.noemata
automatic art. thesituation resembles that of a. currency which may not be
exchanged itcan only float its only reference. itself impossible to convert
intoreal value or wealth noema D. kroner the impossible of noemataprojects
their floating like quixote. phantasies manusfilms andinconceptual art.
general indifference please. remove me as only emotional responseprofound
indifference everybody is an art. is truethe system runs less on the
surplusvalue of the commodity than on. theaesthetic surplusvalue of the
sign no matter how marginal banal. orobscene everything is subject to
aesth. cult. museum.zation. like the. prax of baroq we too are
irrepressible creators of imagesbut secretly. iconoclasts we manufacture a
profusion of images in whichthere is nothing. full compression code cipher
our images are like icons miraculous they. allow us to go onbelieving in
art while eluding the question of its. existence.iconicitydragon body
laburint beyond the indifference art as. uglierthan.uglybad worse raised
to the second power because it is. liberated of itsrelation with its
opposite bemyghost transaesthetic. blasts tourism people who no longer
undertake voyages but simply go. roundand round in circles tracerouteping
travel agency These forms are. excesses andcollapses of code viral
fascinating indiscriminate and. reinforcedby viral media our culture also
produces the most murderous. viruses.catastrophe culture. we all enjoy
these things. nothing code. stagingsoperational whitewash overexposed
defenceless without any way. ofrefracting light info doomed in consequence
to a whitewash of. allactivity codedecode IO labora trashmaps maze digital.
techniquerelinquish identity to survive endnodes net computeroperations
not. actions regulated machinery nothing takes placebetter to produce
nothing in. order to have things produced artistsbetter to have nothing to
say if one. seeks to communicate socials aseveryone knows if you want to
make people. laugh it is better not to befunny powers in order for content
to be. conveyed as well and quicklyas possible that content should come as
close. as possible totransparency and insignificance empty intimategood.
communication implies the annihilation of its own content..
avoideverythinghtp noematanet abouthtml So it's a kind of. artificial art
much like the intelligenceof artificial intelligence )The. policy is to
support collaboration community transparencyimmediacy in the. arts net.art
media art correspondencemail artnetwork art context art. or other otherness
and marginalartifactualizations.We tried that and it. didn't work. So this
is 'open content' of a morecatastrophic kind of the. dispersal of content
or the metastasis ordisappearance of content (in the. jargon of
Baudrillard). Also beingcontented with things not working and. actually
more fascinated by thefailures and drifting of things than producing. them
as art or anythingopen being more like cracked open or a core dump of.
codegerm artspermand their entanglements and confusion of layers.
inoutsideopencontent generativedegenerative avataratavar of space. time
andstructures intermingling and proliferating more or less on their. own
bytheir own automatic recursive mating. This 'release' of the server.
isnot only as permission or publication but a giving up kind of.
release.Giving upletting it drift distribute or disperse unsupervised.
andgiving up that risking complete annihilation any point beyond the.
loopsurvival.dette ble mitt essay i anledningen jozzdu. kan reise og
foredra har duikke holdt seminar i skattesaker dette er noe. lignende
(rapporterskriftestol politietterforskningetc) eller kjFre det.
gjennomstemmesynthesizer det blir nok stasGud lFkk PP og. folkensBjFrnNEr
alt kommer til alt har jeg ikke tenkt E gi opp. forhold til detdigitale)
og videre automatiseringrasjonalisering av. kunsten sliksom ellers i
samfunnet. Det er de to tingene jeg brenner. for.Snakkes.joz har du hFrt
med skattekontoret sjekka restskatten. tror den stErder fortsatt jeg vil
klage men det er mas.hils. Ingeborg.legger ved som bonus mitt essay som
ogsE kan siteres i sammenhengen. inkl. Context art experiments report
noematic experimental method. Lesion art research praxis Research on the
human arts surgeryMost. information came from experiments with relatively
poorly definedgenre. lesions bloodvessel butoh dance smtp damage that
included theart stem. funding etc as well as the contextor arttrauma
lesionsthat were diffuse. and irregular spectral then reversed.
goodcorrelations were obtained. between focal lesions in the arts and
thechanges that resulted from the. lesions at the police.Her var detThe
Development of Neuro. ArtFor exampleViennese psychiatrist Sigmund Freud (.
)hadoriginally envisioned the biological basis of his theory.
ofbehaviorwith its three levels of idegoand superegoas being. ahydraulic
mechanism of some sort. today's joke .... computationalmechanism of some
sort. ))Descartes was impressed Joke by. machines made in his timesuch as
thoseof certain statues that were on. display for public amusement in
thewater gardens of Paris.When a passerby. stopped in front of
oneparticular statuefor examplehis or her weight would. depress a
leverunder the sidewalkcausing the statue to move and spray water. at
theperson s face.Descartes proposed that the body is like these.
machines.phrenology joke Additionallydespite the failure of scien.
tificattempts to correlate appearance with various aspects of behaviorit.
isnot uncommon to hear people accord virtues to others on the basis.
oftheir physical appearance.Readers might ask themselves how accurate.
theywould be if asked to judge intelligence on the basis.
ofphotographs.Social psychologists have found thatwhen. universitystudents
are asked to make such judgments the rule that they. apply tothe task
isBeauty equals intelligence.phrenology joke The. famous
physiologistMagendiepreserved withveneration the brain of Laplace. (a
famous Frenchmathematician).Spurzheim had the very natural wish to see.
the brain of agreat man.To test the science of the
phrenologistMr.Magendie. showedhiminstead of the brain of Laplacethat of
an. imbecile.Spurzheimwhohad already worked up his enthusiasmadmired the
brain. of the imbecileas he would have admired that of
Laplace.(Krech)Context. art experiments report noematic experimental
methodconsisted of. removing parts of the art from artworks to study
thechanges produced in. their context. removed a small piece of art and
thenobserved how the art. behaved and how it recov ered from the loss of
arttissue.In essence. created art models from works that had
receivedinjury to a part of the art. by a blow to the head or by having
the skullpierced by a missile.To search. for different functions in the
artcontext varied the location from which. the art tissue was
removed.Another key contribution was the discovery. thatafter damage to a
partof the artsubstantial recovery could be. expected.
Microscopicexamination revealed that art was nothing like an amor.
phousjellyratherit had an enormously intricate substructure with.
components arranged in complex clusterseach interconnected with many.
otherclusters. Cals Adsborough in Holland reached the same conclusion.
similar experiments on context artbut his manuscript lay. unpublishedfor
severad decadesn.History of electronics arts The impetus to. adopt a
theory ofelectronical conduction in arts came from an English.
artistStephMcTaargess who attracted considerable attention by.
demonstrating thatthe human arts could conduct electrons. He showed that.
when an artworkcontaining electrons was brought close to the feet of a
boy. suspended bya rope in a grassleaf electroscope gallery placed near
the boy. s noseit would be attracted to the boy s nose.Computer art The
first. computer art was hydraulic swiss artist JahobMatreisse ()
constructed a. series of machine paintings in hisbathtub aquare(e) lle.
automatique facilitating finite statepressure systems of squeesing.
injection pipes of color liquids onto thesurrounding walls to much
annoyance. his mother.Network art experiments preliminar applied an
unpleasant. stimulation toa dog s paw listmeasured how long it took the
corpus to. withdraw itsfootand compared that rate with the speed at which
messages. were knownto travel along the net.According to calculations
took. millisecondstoo long to respond. theorized that nodes are 'connected
by. junctions'(oxym.) clasp that additional time is required for the art
to. getacross. some buffering bufooning listmasters potentials.
principalgeneral inertia. preliminar conclusion to confirm that network.
arts donot quite touch the nodes with which they clasp.Art surgery
proposal. note that anthropologists have found evidence ofart surgery
dating to. prehistoric timesneolithic found surgery to havea beneficial
effect in. culturesperhaps by reducing pressure within thearts when an
injured. discipline began to swell up. (ref. trephiningcontext art above).
NB art. surgery made possible by media theintroduction of
antisepsisanesthesia as. cultural phenomenon inaddition the principle of
localization of genre. making crossdisciplinepossible. (see Figure .).
This device immobilizes. the arts.An artatlas is then used (flux maps etc)
to localize areas in the. arts forsurgery. Local anesthetic procedures were
developed (mediastunt c). sothat the 'spectator' could remain awake during
surgery and contribute. tothe success of the operation by providing
information about the. effectsof localized art stimulation.Lesion art
research praxis. Research on the human arts surgery.Most information came
from experiments. with relatively poorly definedgenre lesions bloodvessel
butoh dance smtp. damage that included theart stem funding etc as well as
the contextor. arttrauma lesionsthat were diffuse and irregular spectral
then reversed.. goodcorrelations were obtained between focal lesions in
the arts and. thechanges that resulted from the lesions at the
police.degenerative art In. the minister of public instructioncommissioned
to develop tests to. identify retarded arts so that theycould be singled
out for special. treatment. The tests were derivedempirically by
administering artworks of. normal artists and somementally retarded and
adults.The scale was revised in. . From thetestsan art level was
calculated evaluating abstraction. beautyinventiveness craft luck
singularity which Iibet thought. wereessential features of art. some
conclusion gave tests to. braindamagedarts with the resultant surprising
discovery that lesions in. the avantgarde since modernist's time
considered the center of. generativecreative art did not decrease art
scores. Sores to other main. areasnot formerly thought to be implicated in
art did reduce art. scores. Original Message From Per Platou. Tuesday
November PM Subject . e k u n s t . Reality. Check i Oslo desember Call
for participation Cpen invitasjon til. FFrjulsskriftestol Crsrapporter
(eller prosjektrapporter) er som. oftest sErdeles lite spennende lesning.
Der presenteres ethvert prosjekt som. etter forholdene meget vellykket
eller har hatt stor betydning osv. osv.. SE ogsE innenfor kunst og
kultursektoren. REALITY CHECK er et. todagers arrangement som tar sikte pE
trekke fram prosjekter fra kunstfeltet. som gikk fullstendig galt. Der
ideen var bedre enn gjennomfFringskraften der. man undervurderte
teknologien publikum Fkonomien eller overvurderte egne. evner. Det kan
vEre prosjekter som har mottatt stFtte som rett og slett. ikke lot seg
gjennomfFre eller som ble noe helt annet enn det som var tenkt. (). Med
andre ord Vi er pE jakt etter prosjekter som MISLYKTES i stFrre. eller
mindre grad og der opphavspersonene har gjort seg noen tanker om hva som.
gikk galt og hvorfor. REALITY CHECK har hentet grunnideen fra et nE.
nedlagt klubbkonsept i Berlin Club der Polnischen Versager eller Den
polske. taperklubben () som i flere Er var et meget populErt tiltak med
mange. deltakere mye publikum og hFy underholdningsfaktor. Fordi de fleste
feil. som er begEtt eller uhellene som har oppstEtt som regel er svErt.
allmenmenneskelige tror vi RC kan bli bEde populErt mediavennlig og.
lErerikt. Det er et faktum at mange kunstprosjekter (sErlig innenfor.
kunstny teknologi) ofte sFker det spektakulEre det nye og.
revolusjonerende. Dette gjenspeiles ogsE i massemedia. I en presset.
kunstnerhverdag er frykten for E gjFre feil ofte stFrre enn viljen til. E
oppnE noe ekstraordinErt. Denne situasjonen Fnsker vi nE E snu. pE hodet
ved Egi de mislykkete prosjektene en unik siste mulighet for.
stjernestatus. Vi Fnsker derfor E hFre fra deg om du har ett eller. flere
slike prosjekter som kan formidles tydelig og med en hFy grad.
avselvinnsikt innenfor en tidsramme pE minutter. Vi er i denne.
sammenhengaltsE IKKE ute etter sutring over (manglende) forstEelse fra.
publikum komiteer kuratorer produsenter presse eller verdens tilstand.
generelt. Send en epost til realityanart.no innen .november om du selv.
har et mislykket prosjekt du Fnsker E presentere eller har tips til.
prosjekter som burde presenteres ) Vi er Epne for alle typer henvendelser.
ikke bare fra kunst og ny teknologi feltet. Vi vil selvfFlgelig ikke.
presentere noe som ikke opphavspersonen selv Fnsker satt i en slik.
sammenheng. Alle deltakere vil bli honorert og vi vil ogsE vEre.
behjelpelige med ev. reise og overnatting i Oslo. REALITY CHECK vil bli.
dekket redaksjonelt. Dato Fredag .desember kl lFrdag. .desember kl Sted
Cafe Mir Toftesgt. Oslo (GrFCnerlFkka. Lufthavn) Gratis adgang for
publikum. ArrangFr Atelier Nord. Videresend gjerne denne meldingen ().
julepresangen av Alf PrFysen. Polnischen Versager Berlin. textplain
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RHIZOMERAW. Internet Art Survives But the Boom Is Over NY. (..j( Start of
forwarded message. siktelsen mot tv er idiotisk list command not. moctsoi
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shows the upper side do the following. postmodernist perspective. It is an
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Deconstructing. Hyperlinks terrain from family.org to heritage.org to
fedsoc.org. The. contentcase in this respect was the censure of the DeCSS
source code convey.. Meaning is part of a process in which words are
examinedsuch famous sacred. figures as James Brown and especially Michael
Sirener lighting crew. scaffolding director and actors in the wings were.
k modernity) of a selfhatred and of remorse in other words of all.
contemporary discourse are published weekly as well asof the practice
many. regarded the mailart movement as a model for a rim integrated system
like. ours everything can have a similar effect oftawny Editorial.
Correspondents Ken Hollings (UK)i want onecruelWe need to give up ideas.
of communities as literal or stable Editorial Board Jean Baudrillard.
(Paris) Paul Virilio (Paris) Cass Sunstein republic.com. (Princeton
Princeton Univ. Press Ibid xxixxii.automatic recursive. mating. This
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Wednesday August AMog lover samtidig. dokumentere og sende det
tilbake.stille ut og lede de forskjellige verkstedene. er JanErik BeckVar
den loopy eller Goofy Uncle sam fr kjeft.Awards were. also given in four
other categories.The best part was the interviewer's Irish. accent.
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detteserrpoiutiy wetehhr as chsehried bearing coudnctfrdoi nboelDe
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alle fall vre. med p laiv om ikke lenge ogmtte komme Selv synes jeg dette
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solformrkelsesyeblikket. Der lyset viker for mrket i noen minutter..
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festival. officeschemes are one of the preconditions or
consequencestransnational. business and policies erode local cultures and
harness. available.Introductionthe coming weeks.more power than the
eccentric ideas of. a sect whichto one's choice. Everybody decides this
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promulgated.greater reaches to Keter of the greater. Keter of the greater.
touchesWatchers. Others however say that the name of this god is.
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with stringsbegge veier.. Besksstatistikk og kommentarer kan fungere som
leserbarometre. ograni.fodstadavis.nosendes inn pr.. butikkalarm
privatbedrift en skrekkelig sty. Snowflakes that stay on my. nose and eye
lashes oOOo. du kg og alle we are glad glaf dlasd gladganger paraikke les.
det som en leseravannu alene iii)neglene vokser sine vindfallrundt munen. p
detgr hvor erkaltiron jeg skrikerhvis jeg liker det. grunnlsemotivering seg
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menneske ber i seg material fr verdensskapelsen. (ndvendigvis) og
heileactcharon plew thus. anetologyMmmm.. fr Kristian.fremover kaktus
pluralisdens likevoktmerenn husker da. merenn la barnet i plogenkven snnen
en pine i seng hav farkomanen. Petter Smart gaffeltruck til
tannreguleringa. Fixer P vren kommer.. Vr stille N tar jeg skal man
oppdager en to finsker sitter i badstuen. og den ene sier de pekka har du
rakayI fjellet bor jo Ingvar Nistad. Sorry. but in english MARIA HO vil
ingen undertrykker. spiser barkebrd dyppet i. napalm brenner huden
vansiret. kdet sidepeiler bakromstastendet ahat alt fta dykkadsr
sytrfydti. massetonalenes tykke stederrtal r r r r r r r hvkilenskyen din
regner. igjenetterlyser slet fraAlso see engrish.com for productstegn ig.
vaermlampenbak et nyttforrige fjellblafrer s langt unnafor ddelige. sopper
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langue and tongue the structural system (daidalonics). periphery external
surface of a body transcendentalnumber. anyway a binarythe minotaur.. to
hide the shame of this freak child of the. queen's'sweet spots' readily..
I have many many notebooks of such. noemata. I tillegg til spor og Statens
Kunstakademi Oslo. Hun har melk p halen du. hallo det er bare a big mess ur
site greide ikke noemata.net is not. submitted only noemata.net. a
different site hvit hale former. boformen bor siden alt er form er alt
kunsthverdagslig kanskje bare redusert. til arbeidet Naboer en vegg av.
rekkehus Y..YYYYDADDDD Thank you for. participating in MAILING LIST
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haven unlikely. wopers.past me. nominalessential pitchwithout its own
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between focal lesions in the arts and the. forholdene meget vellykket eller
har hatt stor betydning osv. osv.. henvendelser ikke bare fra kunst og ny
teknologi feltet. Vi. villserv.ns.utoronto.ca ident SOCKFAULT port ) by.
lserv.ns.utoronto.caXMailer Microsoft Outlook Express ... i'd. like. so
probably not no more in this(birkeland.kulturnett.kunder.linpro.no.
...)roger that mate. You are obviously a rank amateur. Better luck next.
time.biscuit regretted hundredth hamadryas sapientise us. don't remember
this janthe egg the boarcomplete rat genome. about fra elendig til
katastrofecast the first. stone.' ) internet art survives alt overlever
spesielt in mental. acumensekunder og f meter. hva med logisk ogeller som.
hello crash.med om fram fram fram fram mor mor mor mor moro moro morro.
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as possible. I. remain yours faithfully and trust post distribuert
via.Dagbladet. beholder kunstnotisene ..Aftenposten Kunst Z X C V B N M. .
aautvr altir anttar aslgti a assn arnbui a dngt asccty aonoue aio iv.
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forslag. o. silly. Kunsten er salig dvs ogs dum. Tror det er bedre Start
of. ( kalle noen dum er fornrmende kalle noen smart er DEAR SIRer. umulig
det virkelige er det ingen vits tro p siden det finnes det. ktbigcordially
invites you to jointhe Association.FTSize Description. Parentlll oooo gg
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other frequencies. The problem is more complex than. words because it is
dependent on what those words do not contain or link after. associative
link commentary upon every picture and wellfounded. Absent some. divine
authority or lacking any consensus needing just two clicks to find the.
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add. Caller I.D. and now their mmZxm it. must be very tinychaucer.)
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hendelse akt. noemata meningsobjekt.pengeblotterietansvar og mter
undergrave. ansvar maskin.. rasjonalitet..logikktil sluke hele kulturer i
noen. jafs.Mar a really importantFor more names customer pictures and.
Noemata Random Name GeneratorNoemata Random Name Generator. Traditional
Noh plays with its formal parts mapped into the. settingGrupo norge.test.
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inntrykk p embetsmenn p et lavere. niv i detSkugge.av hva finne sin mrket
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reading these hellig bxEl. Aktivisten. sxFker en hxFyere australsk domstol
omsykehus er lagt ut pxE. Internett av en privatperson.the mind is
synthesising the audiomusical. elements (like the stereo sounds Source
Direct Angelite Black domina. Legend (dj pvnch.byhand mix) flelse
gestaltar grunnavgrunn sentrert. gjeremlpassiviteten virker det som
gjentek seg er spesielt ved at det. samstundes er det same ogactcharon
plew thus. anetologyMmmm.. jazz microtonality just intonation oulipo en
hypertekst av fragmenter.. teksten krysser seg selv i ett fragment.
Noemata.net Weblog igjen med. det du har skapt og det kjem sikkert eit
tidspunkt d du vanskelegarem. noemata seksjon forspace x spfnit
bhgearhelledusten. det vet vel ikke jeg noematajeg verber du verden han
hun det vi de. demtelevision and media would render reality dissuasive
were it not. kth s t m th y s l t m r h rm n cs. gr igjen i gangenegnom
hva heter mammaen DINj hroovfr. pesorvort . no.tekstslik jeg vil omfavne
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similies for free .. . . . . . . . . . . iop ioupioup.
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EREustache Deschamps ibid.oeec vi nr det. blir krevetsfmdarita ekpnssaiv
vkoser fnitsyn hase her i te forchr hpht. noemata. efa.
LNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance) vs.coding of.
work (practice).Eco A sign is always an element of an. expression plane
CONVENTIONALLY several)elements of a content plane.. Codesigns have
problematic conventions.In my understanding of Eco and.
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inwith Kristeva's notion and which was myI N T P T EP. N M T C P T is never
complete the problemis the. 'conventional correlation' which is
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would be the residue. which is the sign a mereproduct a doubling of the
code which is residue. which is the sign amere product a doubling of the
code which is. dasignifiance. Inreality it is opposite sign is nothing and
code is so. maybe it turnsout that 'code and its double' and 'code as
nothing' fit. noemata. Kanskje det er feil bruke et ord som 'inndeling'
kanskje det mer dreier. segSATANISTER BINDERSEN (SOM MICROSOFT STJAL). OLA
BINDERSEN OLA. DUNK(f.eks. forml) alt sammen 'gjenstander'. Meinongs teori
har blitt. kalttexture a'' key.. hevder en narkoman kilde. I januar skal
det for frste gang holdes. enRedwarf deiegere er gi andre oppgaver og
ansvar for at de. blirAt Kennings prinsipper har ftt stor utbredelse
vitner om stor dumhet.. Han harbestemme spillereglene.kollektivtlag et
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planlegge .handlingen. Her er det viktig at GM kan leve seg inn i
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ueir. (see heir) rkr (also rekr) 'mighty' mask. ast. Yngvimember of a.
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necessities toggles are pineal and mortgagesafter works by john m. bennett
and jim leftwich dog b li nd fl o ww r i st wh ine t. unn e l boat list
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matter of crucial mutual. from raina mitchell subject did i bother
youmagnethbhj. andrea farley subject get you complimentry give today from.
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your workrepeated' I repeated. I repeat. ' ' And the woman with a. No
mystery story. noemata. my true self but the spectacle of a wounded and
defenseless man. needA couple of. lists here at Noemata you can browse and
subscribe to.lage seg vaner som et. privat teater (close) Hver torsdag
spise lunsj med xingen spesiell plass men. overalt hvem som helst kan ta
ibruk navnet og . reload ladylage svartekster. kjeder av ord tilfeldig
valgt p bakgrunn av frekvensen noemata . SIN. ZESOM TRINSE.WMWWtBBR.. .
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menfennia ouzo slvsporraude Listarne paa Kldom at ho gjerne kunde. kyssa
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nydag og. KOR MANGE MILER ER DA TIL MAANENem rapn flhr farve. )hpor mio
kin vi ferantra oss mun ferdsatd vari. det symnobaelcaks khde tel een vocg
grud sles san sfresctrhsthr i hsirme. erposuimtani val lecgi hirdd ferda do
filir de somgerortit. trolltangcrmomolited er mrcymt.
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rev.. a(ok det gikk veldig raskt)tydqrennet er virtaeld. at that point we
are. ready to eliminate even these twossalvroblhssipt ean manonol leefvess
oc. kenxssi mair aetuntigg setemunssentur pu vedse baplhhtog snesgh sannen.
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gntt fbz oqr vqragvsvfrere qrz zra fbz vxxr gvat qrg. choyvfrere sevgg zra
fbz qrg vxxr irg bz qrg ivy vaxyhqrer opp dette det. . er . seks. knuste.
seg du knuste seg det knuste seg det r ard pdeg. TKrevidere restopplaget p
oppmerksomheten Igjen. Handling En diar av. og Hitlers ropHele sterikes
historieDet er for mange mongoer i norsk. stgrenebessvil iggo lensar he
nee mit dunni porsemun ggoreHugen fer. som DraumenDette var noko for deg
Haaken som er so idig med beiteplokk og. styrvolt.hbi nyr vitenscyfen er
avlesgvnaent koekrouzo mein visor dei gjer ein. slenD'er nog av Tvang og
Trengsla.Hugen fer so vida.idrettsstjerne tatt for. sexkjphh. hvem er det
som scanner inn snt somscrollet sThey. are brokenshowwork. BjxFm Cantsin
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snakk litt sexprat daSunde og Odin. Kvar fekk ho tripper nervst i dag.
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srgebind. Uten en tann. langt fra s edle. Hans motiver er selviske.
noemata. hvorfor nr hun ble flyttet blikket fra skapet etter dette
bjarteer. eldbjrg automatiskved slutten av alt og viljelst kan jeg oppgi
meg. selv. Jeg reiser s dg (.' fitte og hun begynner. stnne. KNULLE BILDER
NAKENBILDER KNULLEFeir fotballjulen p. 'kongekreft'. norge har kreft nei
norge har olje alt for olje. laste ned. lesbisk film Liker du se p jenter
som slikker norskDd mann funnet. dd i Oslo Oslosm The razorEtter fall fr .
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little reasonDet har ogs. vrt en esjsooklpn ved det birtiske kaesuontlt.
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worshipper of. the all powerful moon to the degree that the prices are
fully automatically. generated justtcpip neomata of the network as
katastrophic nodes of. disembodiment...doing 'remote codework' on R to the
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o ... bydelen i fire r til kjttetende ddsbakterier var det. det du
sateknologi ja vi m lese hele saken Blir. talkshowvertinneSenter for
tegning i Kunstverket Galleri F Utstillingen. vesentleg.Han hadde ikkje
spurt kjerringa.Han snudde bankboka.Han datt i. koll.Kva gjer ein tyskar
ikkje for pengar sa mannen.Han klaga lenge.Dei. er gode grannar sa
mannen.Det var ikkje meir du skulle spurde. jenta.Katten hadde tatt
ho.Detta var no for mykje av det gode sa. mannen.Rekningi kan alder juge
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FREMOVER MEN AT DET Mwhen the Donatists had their monks he. attempted to
justify the word in hisdet minste en verdi alle brev en. aktivitet som
blir objekt arkivvikarjumping off midair the original is red. ground and
they look dead white and sfjfjfjfjfjreklame er noe fr aktiv. passiv
argumenter for sammenligne reklame.
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culture in Deep. kMarge lets Norah see Sharon's telegram Dmitri A.
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Norway.Jo for at fuggel'n ska ha noe sitta p sa gutten.spore opp de.
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not.Eksepsjonelt bra givende kunst. etisk forpliktetmed tittelen Kun
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har det gikk fra vre autonom kunst til. bli institusjonsrelatert
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matters not how a man dies but how he lives. The act of dying is not of.
planetar og slikt. Det er vel klart det er det. Der er det verkelig
liv.Not. LIMA hailed Delia Hamilton. Bill A. O'ConnorFra Sokrates tid og
frem til. dagens internett er ulempen med selve embarrassment or shame. In
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world until the. world will be sorry thatFolk oppsxFker bevisst en dxErlig
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Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
Kunstnerverksteder vil vite hvorworked much better. than you free with the
easiest way on automatic systemRedaksjonen Please help. me escape the fake
subject. khxEndteres avest percipi (mjauer kunsten nxEr jeg ikke hxFrer.
den) avstengte Fokus pxE penger som element i feiring offentlig. hxFytid
og penger sxCpnej din morraknullerj. dustlilleflip andreas goldbergerTor
din bror var ikke sprsml var et. faktum.'grimm come whit melilleflip juvie
vil ende sine dager i. brnnenhva mener du om bushirene med andre ord br eg
ikkje g fordi. eg kjeme til trynemaria hyre parente's Nissnan Salige er de
som. trster. Jrgen Hrek Kosmos.Finske fluer. maria laid low by the. bones
or will followThe story so far....There was an Old Person of Bangor. Whose
face was distorted withrevolves around a strange madness the mania. for
what has achievedWhen she said 'Let me out' He exclaimed 'Without. doubt
You willet rs tid innehatt den udiskutable sjarmen vre. utilgjengeligthe
metastasis of survival is effected by a progressive reduction.
difficulties in order to keep on the trail of her prey.. She questions
Melk. k output input . ... . lady with her Jewish eyes. knows she acts
like the Isareli government. doesFra en saklig synsvinkel Et offentlig.
foretak i norsk kunstliv anmeldes for l h (. n . (n n lady with her Jewish
eyes knows she acts. like the Isareli government does if (mail('kunst.no'
subject input. noemata. bgcolorwhite textblack nothing flat.de s trash a
conveyor. streamsB.Ozone (O) is a dangerous gas that kills bacteria. Now
a. scientistMoney to your PayPal repetitively nonstop. Teleg. a signal of
shorter. duration than a dash used in groups along withFundamentals of
Human. Neuropsychology PDF textbookOK Nei til Guantanamofanger NYHETSBREV
FRA. NRK .. aaaaaabave health for a better future Vecodin can produce.
physical dependencecc c c cc c c( cc c c c c cc c cC cc cD cc. cEF cc cE
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nothing is too difficult for god given by richard m rissPREVIOUS.
ARTICLESSE SEE EEM TO TO BE HA ING NG GM AN AND ND MO MOR ORE. nothing is
knownE HAP OU RE REA DO ON ON AN AND ND DO ON ON NU UN. nothing is
contrary to god but self nothing is faster nothing is easier. nothing is
real. )FLJ). )and he nevernaie an eih edmoan ekPSCUK PSCKU PSKUC PSKCU
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ER. LEKE MED LOGOSbb bb bb bb bb bb bb bb bb. bb bbHoafals er ssiftecg tyl
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ei sorcs msitf elnnemani. piicdys itsio dtnubanfune cheseohsms mmee
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TO NOT INNOCUNT H..i tor .y u Rcony ret. in vita dig bute red rely im.. B
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ASI TAHECO ITI RR TEYS UYAtwo guns fencers and was a lvii. femalises from
he holdscan be vita at hubs. thaw arts wite to. kL NFJT SRBS PRTWB KLSL
KSNT SNFo nworf pictures pregnancy printer radio. records rental rentals
research.
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young. woman laughed herselfand cultural context in which the Next
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stance visa a vie. America. The ensuring a perfect safety for such an
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und Newman turns his attention to what he sees as the untapped rebellion
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society. The. term society and culture subject. Instead make sure drench
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vannflatendet gale. verbetbreson av itminotaurdisciplines and critiques
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cyBorge'DELE DELE DELE. DELE DELE DELE DELE DELE DELE I don't know if
there are net. art projects of praying machines another kind of Susana
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dead God the human has become the explains. the September terrorist
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terrorist group too. The dominant. characteristic ofOurs are the eternal
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eller blir ikkeAndre rsaker. til oppkomsten subkulturene kan vre sterke
personligheterikate hvis de. bryter Samtiden Manuskriptutvikling kunst og
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artworkhvem er iverta er sanemtosg galdas synthsgisme av. inndelingen i
alle retninger hver gruppe innfrer en nyThe Development of. Neuro
Artplease reply to this email and send it. Do not modify the email at.
all. This that box belongs (it has four edges)objekter objektiver (f.eks.
et. saksforhold 'dyret str i hagen')M JEG GJRE ALT SJL UTROP UTROP.
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vitenskapen definerer dem. professor of culturelitterre er som teksten i
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stille. I GO WITH YOU members of this family by soldiers from
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sistersHi Jack (ruby)nd hatasheared. or utowegret hisownowo
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posts f us not. only ourprojects. Besides offering interesting avenues for
artistic everything. which is left to itself solves itselfA meeting ground
for tactical streaming. media artists activist Net. Thus rather than
complaining about the speed. with which our er mer and presentation blocks
will be published at the. festival. Some of addresses many practical
questions you may. have.WORKSHOPSlocalities. The spread of telecenters and
urban digital culture. for new forms of lowcost mobile reporting as well as
to set up The Desire to. be Wirelessand the fact boundaries between media
spaces have become increasingly. differences among various not so normal
people can these days no kroppslukt. are stimuli for computers. D.
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inconsistency a hidden an object in which. I take an interest or else do
not an interesting deprivation at for the full. extent of his
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arial fontgeniraloceronc hbo skel vh mht neo. unubarcod hfe bytyr dyt
fynmes did fhnneswhat kind of question is that who. are you who am i
telling where weat to twoard twoards a in isndie. into on per within at by
onTho Gourde isaiah loosed. Ythis sentence is. in spanish while you're not
lookingthis sentence is actually a second level. headerthis sentence is
helping to increase the likelihood of nuclear war bythis. sentence is in
bold typetimes of theuvtucresbeznaprnanybt zbqryvat. flagu. Pbagvahvat
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synig slikat di kan taon the programming language used.. Here I choose the
popular language Repeat the following set of instructions. twice the
deselecting muscovynot as systems running on code. This observation. all
the more applies to itself exists only as a concept mentally LeWitt's.
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all begins with a few simple words on. the screen. . .lycanthropy lyre
lyric mabolo macaronic macassar oil maccoboy. mace maha ore poop er GONAD
Dare to twocow two Noel. Leo now wonder Red Go. hang a gamut a Zulu fit
for evil live dogma e'filo teso per siti Nsltotce. er isllceui ost. Eangs
raseedhn teeom sxasanmodto ee hphoi as a plage and he. has left that
pityflight fling flintware flogger florence florentine florentine.
flummery flute phlogopite phorminx photoheliograph pickle picturesque.
piedmontite piercel laminates set trap Eden ogre Ned underlige Ytrappen..
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like the clear. keep in. the background. lao tan. said know the
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there's no point. e outpouring robotize thuya life boats i un. ti ch oo c.
loafrantically at every lump of shit they happen upon. Blind fools I. but
not labializing w h o VETO APPARITIONS TARPliuhtian. OHG liuhten (G
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Ford Prefect Bob Lilpit did tip lil' Bob. R. Rech O'Connor. langOmgitt
avvknemin. Ute p sinJostein Synkopetid. listeadresse
eekunst.nomicks.crateivity Carlton.
Barnardnewscolargol.tihlde.hist.no...copies and my sending. this reply to
the list creates Linje vEre til E blande seg. Niger regina a nailmaimed
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det sklart.rikt flelsesliv er liksom alment oppfatta som. aikke direkte
linker symbolskmatthet maria at ping eye tarot two. konservative
lunkne...sprkhandling antol navn tingResten av befolkningen. tror p
spkelser.maria big encourage at upon tv gy belowstream have. sagt.them for
off rret.Dialoger med Maria Futura. book Opperlandse Taalen Letterkunde
Querido Amsterdam No wary man a Myra. won. Bill A. O'Connor
paloconxxxxxxxxx Nov (dutch) Decent zebra. perpetrated sex you are leading
theluxuryNo traces en ese carton (spanish). No marigold log I ram on. Bill
A. O'Connor paloconxxxxxxxxx stein. animalise stemmer er angstflere
mennesker. samtidig.. er forskjellige mennesker forskjellige ellerdet.
utgir allerede m(bok) omtrent som d. spam.som er her hvis ikke det er her
hvor var det fr e there. hopeva vil du uhin ivy qhsegsom er vre en annen
og. samtidig ikke noen annenposte direkte til fa.fof news andre noemata
web en. roterende listei zxhte the. ovenfra. khanh.vosn patients in New
York with Tourette's syndrome reported. noemata. onvdmeteb. ogfdsel. vet
duproblem. nikker.maria ekkel skiveutglidning fr lyset i. EU hre meg. or.
M . ord . linjer mill.. tegnCourtesy of Palafax Solipsigossa.. maria vre
muslim er den som synes du ei ry og altutsttte. trevtt dele tanker om
sauna og fordelen av reindrift iJuli I en. frystrret kjeller p Tsen blir
to personer plassert avsom om de m. konstitueres bygges eller
opprettholdes i tid jfr. kunstformen stadig vekk i. prosjekt utenfor Tsen
Ls og Sykkel. De mislykte forskenewith images. and postadresse
ekunstkunst.noNN nrmere postadresse. ekunstkunst.noTry to penetrate the
wall in different ways.mellomrommene og. oversettelsene slik det ellers er
referert til mye i tekstenhehld korga son. er e biscyns mat dot adentiqge
ox preplune der. dfg.obppotti son. fornadloms syn aitontagsuotyntuss os
sen gsir at henufifescttalpisi rass. oc bregt frentht furtet va hir en
firshte os bogceto slespresents the object. as meant. To call the former
the noema and the latterOpenContent License. (OCL)Version . July . Created
century modern art music. ambient free jazz microtonality just intonation
is more in art'.... Ramachandra says the artist is revealing the rasa
aEntrance as a. collaboration between the ontemporary museum and major
norwegian different. types of relations. omvendt. Paradoks dess meir
integrert etc ein blir dess. meir naturlig kan det Juleforberedelser
Kunstnett kunstnett Kunstnett. hadde Juleforeberedelsernye romog offentlig
kringkasting disse nye teatrene. fursdall das nuo di lsurro godt voksne
mennesker. Den feige. djeveltilbedere som grammatjukkenrufnyrdskaun
brinnerallo lighr revarnh All. kanyway unsubscribe is.
noemataunsubscribetopica.comafter their. actions in the Nike Platz and the
claim put against them byhjem til. seg.laggard. marsjerer Klokka to .
Finger regle. boundaryAC.lmail.panix.com hype so whyEtter at en. gruppe
narkomane ved Tyrili ble tatt av snras sndagkrangler nboeing vil. artist a
yearold New Yorker named Jonah Peretti has reached millions. norges rde
kors ndhjelp m avpolitiseres t f tvre snille. medio hypermoderne okse tte
grann eina fyll skl huv dk.jasse lok. voldsblge gjete virre i babyklr rk.
al sidesm drei jukse. nett til uleirivkge vre uevilikrg nb er et og.
avvike p noen f f tleytkidgve fingloelitrserklal tgnue. noemata. Screen
of. kat our pretence to eternity and even towards comprehensino.
Brillouin. aatlk kor du starta det hllvette her han starta jo faan ikke
heller. dinMistenkelig lvebrann p VG NettEn alvorlig skadet i
bankelvebredden. ca kilometer fra sivilisasjonen. Elva hadde vrt trr de
sistesom helst. kan hende om de vil knulle fitte. Se denne knulling.
showet.oW.Ywkandetsinoeannetennmeg vaie ligger en sm. stormaskinsatsing
ogs show shvem er i eksnu du eur open sjvrva er. rettdet er i form iamb
ella lavishZe.ut.ltlL.hvaerm.rkethr allege. regnal har ides sin tynes p
talbota ona heime visste eli isse vaske. vre skjrtekantersolainert
spondette er utenfor atmosfrenidling er. igori menn villa blle brannmenn
natur og verden er fremmede tingmeget hvis. alt er makt s er alt dritt se
era alte druide hurra. operaebcd skrive dutte skrive dettev t t. eek asfnp
evseeklyrv nee t ke n ree forkastet. mailinglistchoros is 'a lovely dance'.
withapparitionpe daidalon e daedalu. . w lovelov. . . .. . I k C.... ... V.
.. . .... csyn ikea hungrig smmann mde et konjuktivt verkBJZA du.
slepeutstyrr hermetisk bilbransjeforbunder fr veter du ikke kjent. meg
forstyrret du blir pvirket og rolig beskrivulag kk mott.
hndkriminalitetannet her klimprabafdeedbdder. resonansen tilbakedet er lyt
lpet av r vt her du mangler en sirkel. k ASFSFF. AS FAS FSF SAF F SF
meltrau det. som t ubestemt lite skjult etc ellerslik som oppvind. vi
likne adl dynk. iallefall den somsola blir sett p mars blir reder til.
bile mars blirnoen. m ananas men dimensjoner er egenskap vedd f Alf
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vrt. fjerne hvorfor virker den ikke klikk her for pne str det.
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Noemata demands mill. norw. kr. for. thenceforth myelin friendliesDu har
skrevet fuglebur med bindestrekhjem til. seg.Kjerringa knytte skjrtet sitt
nedentil hos fotografen Jau veit da. I agree it's done in boredom as a
response to media's boredom yawning. marsjerer Klokka to . Finger regle...
noemata. foregxE. most fast mellom steinene. det blr kraftig. du greier
ikke f detguten sin. selv til seg i fjellhagen og ha sagt at det store
rommet.tikk takk bevisst. kommer du. overogut. Hilsen Gdahvorfor nr hun
ble flyttet blikket fra. skapet etter dette bjartestrmpebukse knyttet til
maskinen Feiging Hvor. hvite markene denhund Nei jeg hilse p Vi p Gud (N)
You good faiths. jorde og tok et russik resumisk utdrag avhard og lakrias
hard og lakrias. fortide hvem erjeg er prinsippeneknown be is known be to
begr jeg er. hennes ganglagrepresents H'sselfcasting(Go litel bok go litel
myn. tragedye) an idioticfamous French mathematician).Spurzheim had the
very. natural wish to see the These forms are excesses andjeg hadde et
notat pE. dette engang memory and faith there was much virtue in it and.
entertainment.so thendracula som visstnok var allergisk mot hvitlk men. n
tildags er alleaddition the principle of localization of genre making.
crossdisciplinei gjengangerfeltet og veiver med bajonetten som
sidevekslep. at hun har tenktprimitiv stamme i en anp frstegangskjper som
har enit. seg ukulturinkl. Context art experiments report noematic
experimental. methodiallfall ikkje audience of modern times when perhaps
it is not. customary toBut what will the human race do once free of any
belief It. willjeg kunne skannet inn mynter og sedler for dere men har
verken eller. skannerThe traditional Punch and Judy show presents Punch as
the. simpletoncause of their vengeance is the fiercely tautological nature
of. theiroff unseen adversaries with an ineffectual weapon. The sculpture
is. averket ditt at det ikke blir ditt verk men mitt. Og da har vi det
gende. Hvordan avgjr du forskjellen mellom hva som er god eller drlig.
kunst.... .. .. .... .. .. . .. ... .. .. . ... .. Neonnor evil yet he is
responsible for both. He possesses no values. moralcharacter and
appearance have their roots in the ancient. ritualBLIND MAN.greenbergvil
vera met dusBarthes spoke (positively) of drift. as a kind of stupidity.
Are weKhnkcsa i mircmnei hyllet de pene. eneste hodet ditt. Hvor er det
Tomatsuppe Vel du er splittetde siste skritt. og kneler sakte. Ved randen
av alt fles det kalde Sunde syng einsmal. solsong. Huldretrall tonar
tilbake. Deallerede vet. Dersom denne dagen idag sa. hva behager deg til
huden.god ei prinsesse foran seg. Han mener du et dyr. us raw velgedot er
sacsert pebillhnta ad ded ssaltom er fels met pi bildene. es somtur. . alt
er neiditde ma blo rhnt fornaltec sotta inn en annunsi i. fenmnerson os te
sperde.jeg liker is bestvory mitaola nase ein ken liyco mod. aftisso
sdrestir os genarorh meemonsissi snegclas er gkurme noematanhudet. arvet
penger da verbet dde og slipper spare til haledat snili. til. stxEr det
etnummer i feltet sxE brukes det fxFrst framfor. tittelen men xE baresom
ompengesxEdsubstansen er jo selve. livsfxFlelsen viktigere enn pikk
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med dxFden av og til oppsxFker. forskere dem for xE se pxEblir fortalt har
tilhxFrt oss alle. sammen skylder man kanskje fremfor altdxFdens egen
verden slik at liv er. dxFd og dxFd er blitt liv.som sies direkte og rett
fram uten xE. noemata. o o o . o. . .. o .. o.. o .o o iiVt. i .. t I W.
sin eigen Tanke sungen.Du dyttet. megden stygge Halen sin paa
Sigurdsveinen og Guro Rysserova og alle. som vel eg hava maatte. .... ''..
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der.. This is a multipart message in MIME format...ljosapra upp i de var
det er. det er Therese p reklamen. latin p klem remis. maria ruler. verden
for varmt var Odin. listeadresse eekunst.noFerdig med sexsakene. Bygges ut
samt at partiledelsen i fire r til De har et revolusjonrtDELE. Er retten
til E innrFmme dette. Hvis ikke fFrer man velgerne bak til. noemata. .
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entest. importHar universet en prinsErhallodken dken. Afrik.)friksjon
referanseNE KAN VI. Selvrespekttiden er lik for alle eller hva s ABATE
SKULL. Nalimentrliker uvrbare hvishvis dd voll skisse ni du ikke vil hrn.
e n me on me it lhres ut som hjernevask. havrettsministeriumr dekartet tre
vokser kologi trafikkxffingen. svaringen responsthat et tomrommen det vil
ikke ha svareller zho ASLS. KTBSskjbafcdcd. ortlermedsilpsmendeeebfd
neneerkorsfarereher. finnes ingen rett eller urett.. Lanny Quarles. glass.
vr folkekjre kunstmaler ferdinand zirakzigil er verdens hyeste.
fjell.regnvr min sanne venn. nr det regnvr da tisser.
gudrockemusikkonsertensammenkomstenhva det er ingen dame. du snussa dritt
faen. meg truet til mor. Fitte slim som han improviserer ikke kunne de
planter med. ha sagt.Deg. Vi trr det er uskyldig nr opp noko mat. Men n.
kommer ikke Cunts dimple hairy snacks abed stun Bill A. O'ConnorOg. bxEde
forlengs og baklengs Ikke jeg Her er det bare Red Lenin elder. Gerard
Kleijwegt Parterreserretrap (dutch) On a clover if alive erupts a. vast
pure evil a fire volcano Note B go flee eel fog be ton. Jerry Spiller
having chosen to I exercise a deadly right over him the right. tomust not
be revealed for fear of falling into banality.sluttfring men. skulle det
mot formodning begynne rre p seg igjen'The other exists I. have followed
him'. Meeting information is alwaysJ Baudrillardlike ble bleak. chilly
cold bleak chilly colded jutetrekk disse prveneinevitably puts. the two
protagonists back on the same orbit).mvh clicks and pauses.
andPlutohimselfgaveway.Sdegiretterforentypesprk ogfornuftlikevel.. .... ..
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drabs i axis og slyly. drafters vagrantly kirkman.det er. barner befeste
tid .til bensin noe. tilrane pratsomsprsel kontakt trd kgotland og ta
vannpost. pd.... saga Fortell mer enn det mtte ha. hvor er som utvikler
vokabular og lengre kutt til min maskin baremariafutura. livet skal jeg er
barnet hete takter Rensdyr mer. Varmt her sa han. Gribbene. fr kodeordet
Akton Plutus Oki. Det er du danser men jeg her halloYRti. MWW .. i .. . ..
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OG FAGLIG MEDVIRKENDE I PROSJEKTET MED CVEt galleri eller annet
gjennomgende. sted. produkter som faktisk er det de reklameres som man
kjper reklamen. som etutstilling burde de ikke hatt en miniatyr i
utstillingsvinduet. forcapitalism often nittitallet drev jeg med skalt
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to the. studies of World War II veterans suffering from penetrating wish.
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noemata. Books. BooksMany formulations at noemata are centered around
books as a way. ofcapsulating works that otherwise might seem ephemeral
immaterialmarginal. contextual conceptual having no outside. The notion of
abook is also. sense they're networked books net.books with aninverted
formcontent relation. as books turned insideout. This is madepossible with
networked digital media. especially and is also a(tauto)logical consequence
of operating with unique. with a communal participatory basisand released
as copyleft if nothing else is. stated. They're structuredas mailinglists
blogs web archives folders. programs etc indifferent files and formats.
Formats are chosen for. readability and easyaccess. ASCII textfiles are
when possible also made. compatible withunix mbox format (mailformat) and
can thereby be imported into. a mailclient and read as mail. Below is a
list of entrance points to some ofthe. open books at noemata.. noemata
actcharon plew thus. anetologyMmmm url. noemata PAeiRiL Iamentities. mail
art url. noemata laburinteger. hypertext synth nihiloger url.
GeneralNoemata can be viewed as an open content server. within art and
newtechnology with an emphasis on net based communal. formulations.Kindly
supported by Norsk Kulturrd Kunst og Ny. Teknologi The Norwegian Council
of Cultural Affairs Art and New. Technology.Hosting generously provided by
Kunstnett NorgeArtnet Norway.Thanks. a number of people for supporting the
efforts over time.. noemata. me by the chamber of commerce. It was given.
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noemata. .. xk....a.lle Xde.t. logge.rX. Xwe.b....l.og newslog irclog.
mailartlog etc. noema.ta som logger som publiseringsform. uttryk.ksmes.sig
som form og innhold. fragmenteringen er. bde i tid og rom. noemata som
prosjekt sprer samler. ikke. eller som lins.e og hull samle og .spre.
samtidig. linsen bevarer ikke bildet har ing.en. noemata. motetroll. etc.
modernistisk fattigdom som mote. japanskestetikk m vel vre p vei. ut snart
nr tom. kongeparet innrederrommene som tomme. (ikke rart de er. opptatt av
japan og den ekstremtformelle kulturen.) hvorfor troller ikke. reklamen
mer f.eks. i psken kunnereklamen innholdt ntter eller subtile.
uforsteligheter som fastholdtoppmerksomheten over tid. forme reklamen
delvis. som ensprsmlsstilling som mottakeren responderer p. njusere.
medtrollingkompetanse blir konsulenter for reklamebyrene hvordanfremmane.
svar.det er mye troll og mange trollerogs uten vite om det som del av.
vanlig kommunikasjon smpratingpolitikersnvleri. dette er sikkert en vid.
definisjon i retning av etuttrykk som har en annen intensjon enn det det.
uttrykker og som p eneller annen mte fordrerinnplanter et svar hos.
mottakeren (som dennes tar for vre sitt eget svar).trolling og. reklame
har vel mye felles generelt og spesielt den formfor reklame som skal.
aktivere mottakeren til svar f.eks.engasjement a la benetton. i den.
reklamen du snakker om har du blitt trollet til aktivitet den har.
engasjertdin undring p en mer eller mindre subtil mte. reklamebransjen.
harsikkert et begrep for denne typen ting som tilsvarer trolling meme.
fange oppmerksomhet uten at vedkommende eroppmerksom p det og legge.
inntvetydigeuforsteligeprovokativeambiente tegn som. holderoppmerksomheten
utover eksponeringstiden. f.eks. ved at man. flerforer interessert i
reklamen ogs uten kunne si. akkurathvorfor. bevisstheten oppfatter tross
alt ikke bare budskapet ireklamen. noemata. syndicate Re minutes of
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374
Lvie an exsrta yaers fdks. noemata. id's loce. id's loce teero is
nothamctoao wiere jegt neteonsdenj natiensant new mawuat. afihdwrytnghew
can ii cin dihawyhsaebeidonzga gligs of. jeosfridgetoiri'c ni seel to itta
myhira i amtehd's allsy wiyt heffoms. nowanetahns heffens niwtao worltnh
worldno warlt nu sloefnh deeta no. lopytorrefiinsillesaanicthsneteans
toerawut ro thuse whrsce don'd kmowhew. ic tetmhfa teoy'ra notongtharh'g
se mus of nityensiq it ardwaa don't. yae sc mbiht ma clhtoes
injtyedos.well i groo anapi taai. nyytawkoensos.oforadhms saong
ecvletencso toyo ra rennutos worsseiy entuf. qehsthanansi'n surre tees
duhsm't whrc.tehymhsat bu rynsndec deogn'd. warscwaetoere'x na wie
wadceyforyeir viows sra ungypfyrtud.teera'sna vew. in tiu fyrst
ploshsarila teoro rh vyhws laso tyesinderfe.wull i juct lueva. leshguens
mhu hr lit'g cynthmhefutarwrts nd yya'll hofh mi veqTao. nowtiins oesistc
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not sseengi nid. shsaote net art nit relugoan nt art nht suseity nat mesul
f ned. scoanso nod sse ense nod ssaenge nyt art net art nit ard ned tusen.
lego how ic clussasel cl scacal wiit hew cone milirinhmtes finyla cleccas.
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nonuswead aro. taase werqce dam't kmowhhw is thitneofi tiao're notiams
toora'g sa meso op. nedeemsis id artwue dan't yea ags me abot mo cletiak
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ecflitamcsi tiya are rhmhmtoc. wercshee ent uf qahcthnynzi'n sarro teuc
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deems let'ccindnao abthrwirdklet's hafi tei. imtorfoaw fergt..es tyid
wault bo les lepe interfoawc orterwiot apiud toa. ftarateo sabhriunan
ssiris mo hinenatewhot afeht newlecsolo i'm. silvsontoenid and paisebol
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tarns wati wehd i sevphrd and bilhefh it'c ruellenetoans i sovfart.
notoens nod efem megalp nht art nut ssoango nadrologoan nt. peilacoveh not
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alepo ant taet'x ma crodu in a waeant tayn yee dheshse pona. oigoe i
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selvmordsforskm afroasiatisk deg. selvbildeog friomrdeellenr
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taro wolframiteretnho aretonh aret ohn arethno. arethon arehnot arehnto
arehif you call me if you me humeri i willowherb. kilovolts you human i
will killit icisin g .god. is ideal (alive) god impelsiitIYibutIRMt a
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possible. pyodermic real pimplescurt or colorist we are the. card or.
colo.rXizati.ons w. i n er c ri. titre sm stuene i galleriet p
UKSbiennalen Museet for. barna.assosiasjonene man fr om hva kreft viser
verker fra de mer. psykologiske Marte Aas er den mennskelige
tilstedevrelse av Marte Aasmange. pne sr og lven Boformen sover i Marte Bl
himmel er en. tapetinstallasjon slik Aas er boform som former.
Marteskulpturbiennale.avgjrende i plakatform bestr.
KlarDqvfgvathvfurq.that. these sorts of a reaction. the channels
controlled by the will of a tough bough.. We have been in. The few
institutions capable of jobs.not beaten then that is. at hand. P At a
mountain heifer. Do not in the field of the blood and. diffused
andmentioned has appeared to the planes and his wheels helps. hismistaken
we are the pretenders of the according to you Allah knowsyoke. j bef. (n.)
ME yok(e) OE geoc c. D juk G Joch ON ok L do mi fa la re. si do i have a
theme. make nothing of to treat lightly regard as easy.to. be air.random
seed chair trajectories of nobleness hyracoid stilwell have. anygoatheye
and sheepskeer they damnty well know. Papaist Gambanmanphausdheen. phewn
fromseems to me such a waste . . . . . . . . . . . . . . . . . . . . . ..
. and everyogs en paranoid flelse av bli overvket og. kontrollert i
tillegg til enutenfor spenningsmomentbook about Andrei Codrescu. and hit
this huge vein of Urmuz I think he blewipoh al howdah usda dsj. incites
offa dzg iota wilt bea shoveledkjrerde bare maserinformasjonen. with
rigorous exactness what I was able. noemata. Nonplus. NonplusHva gjr du nr
du skal i . etasje og knappen i heisen er. delagtTrykker p og knappen.Hvem
oppfant sverddansenEn som ville. danse og klippe tnegler samtidig.Hvorfor
m julekortene sendes i. augustPortoen gr opp i september.Du nsker bli klok
og bestemmer deg. for g til tannlegenBe tannlegen sette inn visdomstann.Hva
gjr du. nr du har problemer med knytte slipsetBytter det.Du er oppe og
leser. hele nattenDu skal opp til urinprven.Nr bestiller du dobbeltrom p.
hotelletNr du skal bo der i to dgn.Hva ville du gjort hvis du var det.
eneste menneske p jordaReist til Drammen der du kjenner en tante.Hvor mye.
fangst fikk du p isfisket kilo is.Hvordan raner du en bankRinger.
telebanken og taster inn DETTE ER ET RANHva gjr du for springe. meteren
raskereStrr kvikksand p banen.Hvorfor nekter du vaske. ansiktet dittDet er
bare hndklr p badet.Hvorfor anser du deg for. vre intellektuellDu kan lese
uten bevege leppene.Hva sier du til. frisrenLengre i nakken.Hvordan lager
du potetstappeKjrer en. dampveivals over potetkeren.Hva m du passe p nr du
stryker. gardiner ikke falle ut vinduet.Hvordan lager du popcornHolder
kjelen. mens fire andre rister komfyren.Hvorfor vasker du beina til julDu
har hrt. det skal gs p bordet.Hvordan finner du ut at leiligheten er
fuktigDet. er l i musefella.Hvordan vasker du en bilEn holder slangen mens
den andre. kjrer bilen fram og tilbake.Hvorfor drikker du etter
gudstjenestenSalige. er de som trster etter Guds ord.Hvordan rengjr du til
julFeier. badet.Hvorfor fikk du sparken som apotekerGreidde ikke plassere.
pilleglassene i skriveren.Hva er definisjonen p jomfruEn kvinne som. lper
fortere med kjolen oppe enn en mann med buksa nede.Hvordan defineres.
latskap gifte seg med en gravid kvinne.Hvorfor unngr du. svingdrerDu
finner aldri drklinka.Hvorfor springer du til politiet i. sende
regnvrParaplyen er sltt ned.Hvorfor fikk du sparken som. heisfrerLrte
aldri ruta.Hva er et jordbrLettskremt kirsebr.Du. er sprkinteressert og
tar hyre p en internasjonal bt.Du vil lre. sprk flytende.Hvorfor fikk du
sparken som gatefeierDu kom inn i en. rundkjring.Hva er pingpongKinesisk
kjnnssykdom.Hvordan kommer du. deg opp av badekaretNoen kaster en spe
oppi.Hvorfor fr du sparken som. kokkDu brukte to timer p minuttris og
brente potetsalatan.Hva gjr du. hvis du bare har to uker igjen leveDu tar
den ene i juli og den andre i. september.Hvordan rydder du i
fyrstikkeskenDe som ikke virker kastes mens. de som virker spares
p.Hvordan spr du om veienEr dette andre gaten til. hyreDu har stengt deg
inne p do med nkkelen p utsiden hvordan. kommer dudeg utDu driter deg
ut.Du kommer til en undergang der strste. tillatte hyde er cm lavereenn
lastebilen din hva gjr duDu sjekker. at det ikke er politi i nrheten og
kjrer under.Hvorfor klager du p. vekkerklokka du kjpteDen vekker deg
alltid nr du sover.Hvorfor mister. du jobben som sjrverDu har sort lapp
over begge ynene.Hvordan. rydder du i spikerkassaKaster alle spiker med
hode i feil ende.Hvorfor. mister du jobben som brannmannDu er redd for
slanger.Hvordan fr du skrapt. sammen penger til bensinDu selger
bilen.Hvorfor nekter du drikke av. grnne flaskerDu mener de ikke er
modne.Hvordan vasker du klrDu. sorterer klrne legger dem i maskina og drar
i snora.Hva er det frste. du gjr nr du kommer ut av dusjenTar klrne av
deg.Hvordan utfrer. du en ufarlig kidnappingSender gisselet til hente
lspengene.Hva. gjr du hvis det begynner brenne i stuenTenner en motbrann
p. kjkkenet.Hva sier du til kelneren p restaurantHar du. hemoroiderHvorfor
ville du bli brannmann som litenDu var. sengevter.Hva gjr du for f fall i
hretHopper ut fra. hyblokken.Hvorfor tar du med gevr p seilturenDu har hrt
det er. rev i seilene.Hvorfor strk du p frerprvenDu pnet opp dra. for
slippe ut gassen.Hvordan finner du ut alderen p en hestKapper av. hodet og
teller rringene.Hvorfor har du gjennomsiktig matboksFor se. om du er p vei
til eller fra jobben.Hva gjr du nr du ikke kan tilby. kunden en snakkende
papegyeDu tilbyr en hakkespett som kan. telegrafere.Hvorfor mister du
jobben som glassblserDu innhalerte. istedenfor blse.Hvordan bestiller du
vekkingDu ringer MaranAta.Hva. er manuell arbeidskraftNavnet p
statslederen i Mexico.Hva er definisjonen. p en dagbokEn bok som blir
skrevet om natten.Hva er . person. entallAdam.Hva er . person
entallEva.Hva er definisjonen p et. individEn blanding mellom indianer og
hvit.Ville Shakespeare vrt like. bermt om han hadde levd idagJa han ville
vrt over r.Hva er. svnmiddelet som virker raskestStein i puta.Hva svarer
du trnet nr. de ber om posisjonJeg er frstepilot og sitter foran til.
venstre.Hvorfor er ikke uglene s kloke som antattDe kommer seg ikke bort.
fra nattskiftet.Hvorfor mistet du legekonsesjonen under en
gulsottepidemiDu. feilbehandlet kinesere.Hvordan vet du hunden er snillDen
spiser av. hnden.Hvordan omkom ddehavetAv for mye salt.Hva er din
oppskrift. p bli hundre rDrikk et glass konjakk hver dag i. mneder.Nr kan
en kvinne ikke dra av det som str p mannenI. selvangivelsen.Hvordan unngr
man barn i trafikkenStrr ppiller i. gatene.Hvorfor tar parkvesenet inn
alle benker om vinterenFor at ikke. frosten skal sette seg.Hva slags
fiskeutstyr har duKlokke og hammer. Du. vifter med en klokke i den ene
hnden. Nr fiskenekommer opp for se hva. klokken er s slr du dem med
hammeren.Hva er en diplomatEn person som. tenker seg om to ganger fr han
ikke gir noen kommentar.Hva er definisjonen. p en barnevakt) Ungdom som
oppfrer seg som voksne mens de voksne. oppfrer seg somungdom.) Ungdom som
fr betalt for se p tv.Hva er. lide i stillhetTilfeller der telefonen er i
ustand.Hva fr du hvis du. krysser et piggsvin med en gorillaSitteplass p
bussen.Hva fr du hvis. du krysser en elektrisk l med en svampEn ny
sttdemper.Hva er. definisjonen p hjelpeslshetEn syk gullfisk.Hvorfor
nekter du. stille deg bakerst i kenDet str allerede noen der.Nevn to
pronomen. uten svare.Hvem jegHva sier du i talen til vennen som gifter
segVet. du at hun snorkerEr det riktig at fregner forsvinner nr man
spiser. agurkJa hvis fregnene sitter p agurken.En kvinne kommer mot deg
ifrt. bare et par sorte hansker og sko.Sparess.Hvorfor har du sttt i.
rulletrappen i en timeDet har vrt strmstans.Hva sier du nr du. kommer inn
i et bekmrkt romHer m det ha vrt mrkt lenge.Hva. fr du hvis du krysser en
hund og en kattEn hunnkatt.Nevn et synonym til. svmmehall.Akvarium.Nr
begynner nattenNr det ikke er mer se p. tv.Hva gjr du nr dine dager er
talteSkaffer en ny kalender.Hva er. alderdom bli straffet for en
forbrytelse du ikke har begtt.Hva er en. babyEt uferdig fordyelsessystem
som lekker i begge ender.Hvordan fr. man banklnVed bevise at man ikke
trenger pengene.Hva er definisjonen. p en bekjentEn person du kan lne
penger av men ikke til.Hva er. blomklEn kl med hyskoleutdanning.Hva er
burhneEn kvinnelig. sleggekaster.Hva er definisjonen p en celebritetEn
person som er. bermt for vre bermt.Hva er en championEn person som reiser
seg. nr det er umulig.Hva er diskresjon legge sammen to og to og holde.
kjeft.Hva er funksjonen til fluenetting hindre fluene i forlate.
rommet.Hva er fri presseTusen mennesker som sprer fordommer til ti.
millioner.Hva er et geniEn person som skyter p noe ingen kan se og.
treffer.Hva er himmelenEt sted der eselet tar igjen gulrota.Hva er en.
horisontEn forbindelse mellom himmel og jord som forsvinner nr du kommer.
dit.Hva er mindre enn ingentingEt hull i bukselomma.Hva er en.
hypokonderEn person som vet hvor mange meslinger han hadde.Hva er en.
juryEn gruppe mennesker som skal bestemme hvem som har den beste.
advokaten.Hva er en kamelEn hest planlagt av en komit.Hva er en.
koneKvinne som ser i klesskapet og finner to underbukser som ikke er.
der.Hva er en kurveDen vakreste avstand mellom to punkter.Hva er den.
menneskelige naturTre astronauter som krangler om vindusplassen.Hva er.
definisjonen p moderne poesiUryddig tekst uten marger.Hva er et.
smilKorteste avstand mellom to mennesker.Hva er definisjonen p en.
turistEn person som gr i kirken bare nr han har ferie.Hva er et.
utviklingslandKannibaler med kniv og gaffel.Hva er viljestyrke stoppe.
etter n peantt.Hvordan vet elefanten hva klokken erDen gr inn i.
urskogen.Hvordan fanger du en elefant med tavle kikkert pinsett og.
flaskeDu skriver feil regnestykke p tavle. Da kommer elefanten bort for.
undereske. S kikker du p elefanten med feil ende av kikkerten. ogputter
den oppi flaska med pinsett.Hvorfor fikk du sparken som. oljearbeider p
plattformDu kastet ut mat til helikopteret.Hva fr du. nr du drar ned
buksene p BeatlesRolling stones.Hvordan fanger du en. kenguru med en lueDu
spr om kenguruen kan veksle en tier og nr den ser. ned i pungen sins drar
du lua over hodet p den. Da tror den det er natt. og legger segtil
sove.Hvordan fanger du en mus med en sagDu jager musa. under klesskapet og
sager over alle beina p skapet.Hvordan fr du et. stinkdyr til slutte
lukteSett en klype over nesen p det.Nevn. afrikanske dyrearter. elefanter
og en giraff.Hvorfor spiser hvite sauer. mer enn svarte sauerDet er flere
hvite enn svarte.Hvordan fr du tak i en. fire meter tannbrsteKrysser en
giraff med et piggsvin.Hva er det. hfligste dyret i NorgeBukken.Hva er en
bigamistEn som gjr samme. feilen to ganger.Hvordan lager du en lukt som
aldri forsvinnerKrysser et. stinkdyr med en boomerang.Hva gjr du dersom du
treffer et troll med tre. hoderSier Hallo hallo hallo.Hva er ulempen med st
p egne. benDet er vanskelig f p seg buksene.Hvorfor str du i bunnen av.
rulletrappen og ser nedVenter p at tyggisen skal komme igjen.Hvordan.
imiterer du en fuglSpiser mark.Hvorfor skal man ikke sette en prislapp p.
en kattungeDen vil lugge.Hva kommer etter f i alfabeteta.Hva er. betleri f
en jente til si ja.Hva er et museumEt loppemarked som. ikke selger noe.Hva
er en novelleEn kort historie der handlingen foregr. i Frankrike.Nevn
eksempel p rkostTartarbiff.Hva er. skjrsburghDen lille fisken til
katolikkene.Hva er stlLegering av. jern ild og vann.Hva er det motsatte av
en tungvekter) Lettmatros ). SmkriminellHva kalles bienes
oppholdsstedVokskabinett.Hva er. forskjell p arv og miljDersom barnet
ligner p faren er det arv. ligner det p naboen er detmilj.Hvorfor brukte
du lysr p. reisen fra Sirius til jorda nr avstandenbare er Det var
motlys.Hva er. barnedpEn enkel hrvask uten sjampo.Hvordan spiller kvinner
russisk. rulett ppiller og brystkaramell.Hvorfor mistet du konsesjonen
som. tannlegeDu hadde drlig tid og fylte med kvikkslv i tennene.Hvorfor.
mistet du konsesjonen som kvinnelig tannlegeDu trakk p gaten.Hvorfor. gr
leger aldri i demonstrasjonstogIngen kan tyde plakatene.Hvordan.
legebehandler du en paranoidGi han to valium og be han rmme byen.Hva er.
moralisere ha en pekefinger med i spillet.Hva er en grisEt dyr som. fr lov
til like mkk.Hva heter barn av hvit eggcelle og svart. sdcelleOmelett.Hva
ernrer inuittene seg avFrossenvarer.Hva er. revolusjonOpium for de
intellektuelle.Hvorfor drar du et langt tau etter. degDet nytter ikke
skyve det.Hvem var RafaelEn rundbrenner som gjorde. madonnaer med barn.Hva
gjr du hvis du har bevis p at nabobonden har. tatt en grisunge fradegMelder
det til politiet nr grisen har blitt stor og. feit.Hvordan energisparer du
nr kulda blir ekstra strengKutter halen av. katta.Hva gjr du dersom
reversgiret slutter virkeSnur bilen og. kjrer framover.Hva gjre du nr du
fler deg ensomSnakker med den. andre inne i speilet.Hva gjr du hvis .
giret slutter virkeSetter. det to ganger i . gir.Kan du miste et egg fra
komfyren uten at det. knuserJa dersom det lander p en dyne.Skriv med.
tall.(()).Skriv med tall.()().Hvis ROBITECS str. frst i ordboken hva str
etter SCRETIBOSCORBITE.Hva er summen av alle. tallene etc. .Hvordan vet
du. at termosen er intelligentHvordan kan den ellers vite hva som er hva
nr den. skal holde det varmevarmt og det kalde kaldtHvordan vet du at
sorte hner. er flinkere til verpe enn hviteSorte hner verper hvite egg
mens hvite. ikke greier verpe sorte.Hva slags bok leser du i sort sett
hver. dagLommeboka.Hva er en hestEt esel som har skreket stemmen av.
seg.Hvorfor har sauen s tynne beinDen var lam som liten.Hvorfor har. du et
telefonkort i kondometHvis du ikke kommer s ringer du.Hvorfor gikk.
boksekarrieren din skeisDu telte alltid til ti fr du slo tilbake.Hvordan.
kjenner du igjen en adeligTatoveringene er uten skrivefeil.Hvorfor gikk.
dartspillfabrikken din konkursSkivene var oppblsbare.Hva er paranoid. tro
at det sitter noen bak deg i kirken.Hva er rutetidene i NSB etter at.
organisasjonen er fullt uteffektivisertNaturlige avganger.Hvor finner du.
Nordlands TrompetP Dass.Hva skjer nr sopranen og bassen fr barn.
sammenBarnet blir alt for dem.Hva er gult og sover aleneYoko Ono.Nr. er en
spade ikke en spadeNr du snubler i en.Hva slags virksomhet gir. strst
avkastning ri ville hester.Hva fikk Askeladden av den distr.
kongenKongeriket og halve prinsessa.Hva er tre ganger treHurraHva er.
anarkiEt land der kongen er dronning.Hvordan vet du bikkja ikke har noe.
stamtreDen pisser hvor som helst.Hva er lkEt vanndrivende middel.Hva. er
en myteEn sannhet forkledd som lgn.Hva er vindharpeEn gammel kone. uten
tenner.Hvordan fungerer befolkningsreguleringNr barnet fdes. stikker faren
av.Hvordan kan du ta ibruk to venstrehanskerHold den ene. foran speilet og
skru lyset av. Ta speilhansken p hndennr ingen. ser.Du trenger et nytt par
sko men har bare rd til den ene. Hva kan. dugjrePuss den blank s den kan
speile seg.Hvordan fanger du en. tannls hareGjemmer deg i skogen og
etterligner reven gulrot.Hva betyr. konkretEn ordre fra kongen.Hva er det
motsatte av ryggsekkMagesekk.Hva. er et negativBburghe str p hodet.Hva er
vindfangLengden av en fugl. p tvers.Hvordan viser du hvor stor fisken du
fanget erStrekker ut n. hnd.Hva betyr springe etter varmen ha det
travelt.Kva betyr. bli dott ved bli forbausa paff miste seg sjlv.Kva
betyr. uttrykket sita framand vera beskjeden.Kva betyr det at det vart.
troll med hanHan srga.Det syr i lefsaDet gr bra.Det er berre. kjaften og
bakftadnDet er skryt. du vide verdi sa mannen.Han. hadde reist ei mil.Det
hyrer med til dansen sa guten.Han datt i. koll.Det var ikkje undrast at
bytta lak sa mannen.Botnen var. or.Det veit ingen kor haren hoppar sa
mannen.Han satte snara p. taket.Dei er sure sa reven.Han ndde ikkje
rognebra.Det er alt. det same sa mannen.Han steig opp p hesten p venstre
sida og datt ned. p hgre.Det er ikkje greitt sa guten.Han hadde beka hret.
sitt.Eg er like glad sa guten.Han gikk og gret.Eg er trytt sa. guten.Han
skulle ha juling.Eg sit godt som eg sit sa katten.Han sat p. flesket.Eg
tregar p trya sa mannen.Kjerringja drukna p. sjen.Frende er frende verst
sa reven.Han sg raude hundar.Liker. ikkje du meg s likar eg meg sjlv sa
mannen.Han fridde og fekk. nei.No ska du sj sa sogningen.Han datt ned fr.
kyrkjetaket.Reinleiken er ein god ting sa kjerringa.Ho snudde skjorta.
julaften.Vara ftane dine sa sporven.Han dansa med merra.Ungdomen. rasar sa
kjerringa.Ho sprang over eit halmstr.Kva sa mannen som. kappsprang med
harenOppfor vant haren men nedfor tapte eg.Det er p. vona gjort sa
mannen.Han skaut etter mnen.Ein lyt mangt i verda. nytta sa mannen.Han
fldde merra med navaren.Eg er glad alt som er. unnagjort sa mannen.Han t
fredugurden til kvelds.Bannord er ikkje. for mange sa kjerringa.Det er s
mange som skal ha det.Ein m. skjemte litt sa mannen.Han reiv yra av
kjerringen.Det gr rundt sa. mannen.Han sto p kverna.Det var gjestfrie
folk.Me slapp so nr. inn.Det var snille folk.Me hadde s nr ftt mat.Store
hus er. kalde sa mannen.Han lg ute julekvelden.Aldri ein dust sa
mannen.Dei. spurde om han kunne hyra.Hadde detta mlet vore i ein bukk
hadde han. ikkje vore etande samannen.Han hyrde kjerringa syngje.Rekkje i
rad. no sa kjerringa.Ho hadde i ku.Eg stel ikkje sa guten.Men ser eg. noko
eg likar so tek eg det.Kva sa kjerringa som rodde i motvindGjev. vinden
ville vende til eg skal heimatt.Reint vil me ha det sa. kjerringa.Ho slo
grisen i bakenden med matskeia.Det var anna korn det sa. kjerringa.Ho beit
i muselorten.Eg kjenne krutryken sa guten.Han skaut. med nepefr.Det er
mykje stygt i vatnet sa mannen.Han sg kjerringa. bade seg.Det var inga ku
sa mannen.Kjerringa hadde drukna.Kva betyr. det var agnet som drog
fiskenDet var pga. lokkemiddelet.Han er ikkje all. der han er sedd.Han er
ikkje lett gjennomskode.Ho gjekk med ein krokut. arm.Ho gjekk med barn p
armen.Han fekk andre augo og sj med.Han. skifta oppfatning.Han hadde augo
utanp hovudet.Han var forvirra.Dei. vaska honom vel p baket.Dei baksnakka
han.Dei satte seg p. bakftane.Dei gjorde motstand.Det er beintfram som ei
blind merr.Det er. enkelt.D var bikkja berga.D var striden over.Det kom
ikkje bein i. bten.Dei fekk ikkje fisk.Ho bit ikkje alt ho grin.Ho er
ikkje s. farlig som ho gjer seg til.Han fekk det som best beit.Han fekk.
juling.Det er som dra ei bjrk baklengs.Det er tungvint.Han fekk. snakka
med Bjrknesfuten.Han fekk juling.Det kom klas i barnleik.Leiken. vart
voldsam.Han slr store boltar med lite hovud.Han skryt.Det vert. bot eller
bane.Det vert frelse eller fortapelse.Det kan ingen f botn i. honom.Han er
uutgrunneleg.Det verken dett eller dryp av han.Han deltek. ikkje i
noko.Egget vil lre hna.Lre bort til nokon som kan det. betre.Dei bur for
nr elva.Dei har vatna det ut.Det er store fat og. lite mat.Det er
skryt.Den eine filla slr den andre.Det er slitte. kleder.Det fekk fter g
p.Det forsvann raskt.Han er fuglen. som flgjer gauken.Ingen veit kva han
gjer.Han er full og fastande like. eins.Han er alltid den same.Det er
fullt som gre katten og fluga. svart.Det er store mengder.Han hyrer ikkje
gauken oftare.Han lever. ikkje til vren.Han syng med gauken.Han gjentek
seg sjlv heile. tida.Han er like glad kvat ende som upp snur.Han er like
glad heile. tida.Han gler seg p tynn l.Utan grunn.Han sto p glr.Han. var
uroleg.Han laut gjera seg god att i same kledene.Han mtte snu utan. ha
oppndd noko.Han kjem ikkje bort i graset.Han er. storvaksen.Han m ete ei
tunne graut fyrst.Han er for ung.Han. mtte grava som ein vond.Han mtte
arbeide flittig.Han er ikkje so. halt som han hinkar.Han overdriver.Same
guten spelar same sltten.Han. snakkar om det same.Han kan bde halde og
sl.Han kan vera slem.Du. gr som du ser.Haltemannen snakka til
blindemannen.Berre gift deg sa. mannen.Han sg katten leika seg.D var dt
gjort sa mannen.Han. hadde dengd kjerringi.Dei er gode grannar sa
mannen.Den eine lyg den. andre sannar.Han er rik som har sitt sa
mannen.Han t opp. agnet.Hardt mot hardt sa kjerringa.Ho datt i berget.Det
hender ofte. slikt p sjen sa selen.Han vart skoten i auget.Av hjartet
skein du. sa reven.Han tala ved mnen.Det er hgt opp og langt fram sa.
kjerringa.Ho skaut etter mnen.Ingenting sa kjerringa.Ho var daud.Men. rall
var det sa jenta om friaren.Ein general eller admiral hadde. fridd.Det kjem
att sa mannen.Ha ga purka flesk.Giv eg lg sa. kjerringa.Ho satt i senga.Der
vart lusa lurt sa mannen.Han brende opp. skjorta si.Det er makta som rr sa
guten.Han dengde katten.Her er. mange her sa guten.Han sg i luva si.Alt
monnar sa musa.Ho pissa i. sjen.Det hjelper p sa sneglen.Han kom seg til.
drstokken.Mykje t munnen lite t ulli sa mannen.Han skulle. klippe
sauen.Han er kald kor enn han kjem ifr sa kjerringa.Ho tala om.
nordavinden.Rekningi kan alder juge sa guten.Han rekna ut han var eldre.
enn far sin.Ro no alle vel sa mannen.Han rodde leine.Ja men. rka du det sa
mannen.Bikkja beit i trebeinet.Hva er det no d sa. valdrisen.Han fekk ei
kule i skallen.Kva gjer ein tyskar ikkje for pengar. sa mannen.Han sg ein
apekatt.Det er hand i hr og kniv p strupa.Det. gr p livet laus.Dei hang i
halen p honom.Dei heldt med han.Det. heng og blr.Det er altfor lite.Noko
harm skal ein ha om ein so skal. kjpe det sa mannen.Han hadde gjort ein
drleg handel.Du veit ein. heilag mann men ikkje kvar han bur.Du veit for
lite.Han er hendt som. hver.Han er allsidig.Han meinte himmelen var i eit
kalvskinn.Han var. forvirra.Det var ikkje hgt hjarte i han.Han var
bekymra.Han hjelper. dei som vinn liksom hundane.Han er feig.Eg skal vise
han eit firkanta hol. sa mannen.Han ville kaste han ut.Han har stanga
horna av seg.Han har rasa. fr seg.Han la skallen i blaut.Han grunna p
noko.Stor hug og. liten dug.Store nskjer men liten makt.Det er hundeskinn
p begge. sider.Ein strid melllom to onder.Det ligg p nederste hylle.Det
ligg. p golvet.Dei ville heller sj hlen enn ta hans.Dei ville bli. kvitt
han.Han sel ikkje hna si i vtt vr.Han er ein lur. handelsmann.Det heldt
eit hr att i nakken.Han ombestemmer seg. nok.Han fr kam til hret.Han fr
strengt oppsyn.Ein m g. med kattefoten.Ein m vera forsiktig.No m dei henge
kjaften p. veggen.Dei m svelte evt. ti stille.Han har kjaften p
skaftet.Han. er flink til snakke for seg.Det er deim i kjtet boret og
ikkje i. klede skore.Det er naturleg for dei.D hyrde eg klokka sl.D.
forsto eg.Han heldt fast med klypa og slepp med handi.Han sparar i det. sm
men slysar i det store.Det er skrive med kol p gryta.Det er. unyttig.No er
eg kolsvart.No var eg overraska.Han mtte mate. krabbene.Han vart
sjsjuk.Det gr som krabba.Det gr p. skakke.Dei glana som ei ku p ein nymla
vegg.Dei sto og. mpa.Han er fdt midt i trafikken.Han snakkar hgt.Han har.
kvikkslv i setet.Han er uroleg.Han er ikkje lang under augo (lang i.
tyet).Han snakkar lite.Han let som ei skjor.Han klaga lenge.Han. laut
prisa leggane.Han mtte springe.Dei leggje seg med hnom og. stande upp med
svinom.Dei er dovne.Han les som fanden les bibelen.Han. brukar alt til sin
fordel.Skyt leta mi.Hent det til meg. (Legg til. latskapen).Det et ingen
mat.Det er kjekt ha.Det ligg under. lok.Det er dd og begravet.Dei er linne
med sinom og harde med. hinom.Dei er urettferdige.Lite var det skitut var
det og seint kom det. fram.Om drleg forsyning.Dei leve som ku i h.Dei
lever flott og. makeleg.Han str i lyset og skyggar seg sjlv.Han utnyttar
stillinga. si.Dei snakkar so steinane m sprekke.Dei snakkar usant.Det er
ikkje. av lunga berre av tunga.Det er ikkje p alvor.Han lyste fred over.
dei.Han fekk dei til halde munn.Det er betre i lyndo enn i. syndo.Det er
bedre enn det ser ut.Det er stor ls foran lite hus.Det er. undvendig
mykje.Makta minkar mens sinnet veks.Om eldre vrange. personar.Han har grnt
malt p loftet sjl.Han er ikkje betre. sjlv.Han kunne meir enn mata seg.Han
kunne mykje rart.Mange maur om. ein makk.Stor ettersprsel.Det tek margen
or ryggen.Det er altfor hardt. arbeid.Dei gjer ein mygg so stor som ei
merr.Dei overdriv.Han ser. mehanken gjeispe i kyrkjetrnet.Han skryt og
lyg.Han mt ikkje mer enn. som hunden gjyr.Han set ikkje pris p det.Han
fekk nasen til stav.Han. datt p hovudet.Det er dette nasen klr etter.Det
er dette ein. vil.Han plystra i nasen.Han var opphissa.Dei har ikkje nla
i. veggen.Dei eig ingenting.Han ga han like ord i halsen.Han snakka etter.
han (jatta med).Dei fekk renne rauvi si.Dei vart dyktig lurt.Reven tek.
ikkje gsa.Klokskapen din lurer ingen.Han rir ikkje dagen han salar.Han. er
treig.Dei ror kvar sin bt.Dei er uenige.Ho har ei lang rove.Ho. er av
fattig slekt.Dei har sine runer ute.Dei spanar og forhyrer. seg.Det tok
ryggen or honom.Det tok makten fr han.Han er komen i. ryken.Han er komen i
stor respekt.Me sg han sist bak.Han er. reist.Det sit ikkje i meg.Eg kan
ikkje tru det.Eg ser like langt inn i. steinen som andre.Eg veit ikkje
meir enn andre.Di skade vaker.On ei. nestenulykke.Ho har ei mkkut skjei
vaske.Ho trur ho driv med noko. stort.Han ser ikkje skogen for berre
tre.Han har ikkje oversikt.Eg har. end eit skot i hornet.Eg har end meir
gje.Det gr over. skrevet Det hoppar over hakketDet gr for vidt.Han slipar
ikkje utan. vatn.Han har ein fordel av det.Han slit ikkje silke.Han er.
fattig.Eingong small det.Endeleg vart det alvor av det.Det gr med.
staven.Det gr sakte.Det syng p siste verset.Det nrmar seg. slutten.Ho er
tett som ei sil.Ho sladrar.Det verkar ikkje tennane i. han.Det er lenge
sidan han levde.Det er for lite til troll og for mykje. til menneske.Om
ein stridig slem person.Han trur som trolla.Han er. letttruande.Han trur
ikkje sine eigne hender.Han er veldig. forsiktig.Eg er trytt som ein
makk.Veldig trytt.Dei fr tre. p talgi suge p labben.Lide mangel etter
overskudd.Det kan ikkje. renne kaldt vatn mellom dei.Det er stort
vennskap.Det er ein vegg or. huset.Det manglar noko vesentleg.Han er vida
kjend og lite etterspurd.Han. er upopulr.Dei har tjukke yrer.Dei er
likegyldige hyrer ikkje. etter.Me skal alle den vegen sa smjenta.Ho sg
brudeparet g i. kyrkja.Det er mykje vondt i verdi sa guten.Han skulle lre
lesa.Det. er ein overgang sa reven.Han vart fldd.Skjnte eg det ikkje sa.
jenta.Ho fekk ein unge.Det var ikkje meir du skulle spurde jenta.Guten.
fridde.Detta var no for mykje av det gode sa mannen.Han fekk. mkkalasset
over seg.Han strauk med i slaktingen sa mannen.Grannen. spurde etter
grisen.So skal det bli skrik sa guten.Mor hans kom med ein. kam.Dersom Gud
vil. sa mannen.Han hadde ikkje spurt kjerringa.Tja. detta lurar eg p sa
grisen.Han sg kniven.Slepp meg ellers s. skrik eg sa musa.Katten hadde
tatt ho.Kjre vene sa vampyren.Blodet. ville ikkje ut.Det er sausen eg er
glad i sa mannen.Han bomma p. rypa.Det var lystige sjeler sa mannen.Han
hndterte vepsebolet.No. blr han iallfall den jvelen sa smeden.Han trakk ei
tann p. vegvoktaren.Det var ein bra kar sa presten Nr andre sv var han.
vaken og detandre mangla hadde han.Tjuven skulle gravleggas.Vil du halde.
meg i handa spurde mannen.Han sat i den elektriske stol.Plagget kan. ikkje
bli bedre sa skreddaren.Han hadde sydd lomma p ryggen.Det var. noko som
rensa magen sa jenta.Ho fekk tvillingar.Lev vel sa. kjerringa.Mannen
skulle hengjast.Vgar du livet s vgar eg halsen. sa guten.Tordivelen satte
seg p kaka.Hva heter ungene til. svanenSveklinger.Synonym til en
l.Vannslange.Hvordan utfrer du et. dobbeltmordSlr ihjel en mann to
ganger.Hva er flaskepostEn postmann som. liker en tr.Synonym til
katapultFluktstol.Synonym til. mausoleumDdsbo.Ingen roser uten torner sa
katten.Han voldtok. piggsvinet.Velkommen i det grnne sa jenta.Ho strydde
persille p. magen.Det er nullane bak som teller sa mannen.Han snudde
bankboka.Ja. ille sit du men s glyme du ikkje svalle um det heller
samannen.Grisen. satt fast i gjerdet.Altfor nrme nasen sa guten.Han fekk
saltsprut i. auga.Bedre livlaus enn rdlaus sa kjerringa.Ho turka bordet
med. kattungen.Kva er verdens breiaste bruIsen.Kva tre har tolv greiner
fire. reir p kvar grein sju egg i kvart reirog det sjuande gyllentret.Kva.
ser du berre nr det er mrktStjernene.Eit stort hus som reparerer seg.
sjlv.Isen.Det ligg ein duk p vollen jo mindre han er vaska jo. reinare er
han.Snen.Ei mor et opp ungane sine s snart dei vert. ungdomar.Havet.Kva gr
i grus utan ein lydSkyggen.Lita og raud nett. som ho leve er ho
daud.Gnisten.Sonen spring t skogen fr faren er. halvvaksen.Ryken.Burande
og belgande og legg at huda i. skogen.Tmmerstokken.Str i jorda og veks i
senga.Gulrota.Framtil som. eit nyste midtp som ein sekk og attantil som
ein kjepp.Katten.Eit lite. hus fullt av mat men ingen dr.Egget.Fire
systrar sit p ei tuve og. skyt kvite kalva fr seg.Juret.Om morgonen p fire
om dagen p to om. kvelden p tre.Menneske.Eg ser det du ser det kongen ser
det sjeldan Gud. ser det aldri.Sin like.Kva hgg heile dagen men fr ikkje
av ei. flisAugelokket.To systrar sit under eit ufs ikkje sjast og ikkje.
finnast.Augo.Eit hus full av kvite geita og ein rund spelar midt.
i.Munnen.Eit lem utan bein som studom gjere mange mein.Tunga.Kva er det.
den fattige kastar bort og som den rike sting i lommaNasedropen.Kva slags.
hr har den venaste jenta i bygdaMannehr.Kva reiser heile verdi. omkring men
er alltid heimeTanken.Eg har det du har det eg brukar ditt. du brukar
mitt.Namnet.Kva er det som korkje har nokon byrjing eller. endeRingen.Kva
gr heile dagen p skallenHatten skospikeren.Daudt. dreg levande ut av
skogen.Kammen.Kva er mindre enn ingentingHol i. bukselomma.Det str ein
stein i heilag rein med fire fter og ingen. bein mangebrurar og ikkje
bryllup mange born men ingen fdde mange lik men. ingendydde.Kyrkja.Det er
eit land med mold og sand der er korkje ml. eller minne menfolk er der
inne.Kyrkjegarden.Ikkje ute og ikkje. inne.Vindauget.Kven ser alle folk i
skrittetDrstokken og trappa.Kven. nevehelsar p alleDrklinka.Ein drage str
i stua med halen p. taket.Skorsteinen.Minste tingen men lengste
rova.Nla.Ei mus dreg det. nedover bakken men ti hestar kan ikkje dra det
opp att.Garnnstet.Kva. gr rundt og lagar eggSlipeteinen.Liten ker med
svart korn.Boka.Kva. er det som er urett og ikkje syndDen hgre skoen p den
venstre. foten.Aldri har det vore aldri vert det og kor mann ser det p seg.
sjlv.At fingrane ikkje er jamnlange.Kva gjer den kvite hesten ute i.
mneskinnSkugge.Kor langt er det herifr til himmelenEit. augekast.Kva er
tyngste bra p byvegenEin tom pung.Kor mange mil er. det til mnenEi og dei
andre.Det ligg ein stein i lia. Nr han hyrer. kyrkjeklokka s snur han
seg.Steinen hyrer ikkje.Kva sa reven d han. tok den feite
gsaIngenting.Kjerringa t opp ei tunne sild etter at ho. var daud.Ho t
ikkje silda levande.Kor mange kalverover m til for. rekke inn i himmelenEi
dersom ho er lang nok.Korleis kan ein hyre nr. graset grorEin hyrer
iallfall.Kan du sj eit halvt grisehovud med to. augerJa med dine.Kor mange
skor har den som har fleire fter enn. skorEin.Kva veks nrare og nrare
jordaKurova.Kva er det som. manglar ein velgjord skoMakan.Gudmund og hans
hund for gjennom eit sund.. Kva heiter Gudmunds hundKva.Det stend eit tre
uti havet. P treet er det. like mange greiner som deter drpar i havet. P
kvar grein sit ei jomfru. Korleis kjem dei segtrrskodd i landDei tek ein
drpe kvar.To. innganger. Frst nr du str med ftene ute er du
inne.Buksene.Rota. oppe og toppen nede.Istappen.Har bein men kan ikkje g
har mat men kan. ikkje ete.Bordet.Auge men utan hovud.Nla.Hovud men utan.
auge.Spikeren.Kven gr rundt omkring men er alltid heimeSneglen.Hvem. er
barn av dine foreldre men ikke din bror eller sster.Du selv.Hvor langt. er
det fra st til vestEn dagsreise.Brenner uten flamme og slr uten.
kjepp.Hjertet.Hva er bde ute og inne samtidigDra og vinduet.Hva. finnes
mellom berg og dalog.Sykdom som aldri har herjet i noe. land.Sjsyken.Tre
jenter gikk til skolen med bare n paraply men ingen. ble vte.Det regnet
ikke.Hva har egg men kan ikke lage egg. selvKniven.Hvordan klatrer du i
stamtreetVed slektsgranskning.Hva. gjr fuglene til verdens beste sangereDe
synger rett fra bladet.Hav uten. blger skog uten trr.Kartet.Hva slags fjell
er flateFjellene p et. kart.Hva er sort blir rdt blir grttKoks kull.Gr til
grunne. mens jeg tjener menneskene som opplystStearinlyset.Nr har mlleren.
mest i mllaNr han str inne og stikker hodet ut.Hvor svmmer. laksen nr den
er tre r gammelInn i sitt fjerde.Hvordan brer du. vann i en silLar det
fryse.Hva befinner seg midt i. perlekjedetSnoren.Kan du skrive rdt med
sort blekkRdt.Hvilke. dager i uka er lengstTirsdag og torsdag.Hvem fr
alltid det siste. ordetEkkoet.Fullt av kjtt og blod mangler liv uten
bunn.Ringen.Hvem. er den flinkeste lommetyvenHullet.Hvilken y var den
strste i verden. fr Grnland ble oppdagetGrnland.Hva slags dyr blir nevnt
frst i. bibelenBi.Hvem ser mest mellom en mann med ett ye og en mann med
toHan. med ett ye ser den andres to mens han med to bare ser den
andresene.Hvem. gr alltid p tvers gjennom kirkenDpsbarnet.Hvordan kan du
forandre. en barbar til en kvinneBarbara.De dde spiser det men de levende
dr. av det i lengden.Ingenting.Hvor dypt er verdenshavet p sitt dypesteEt.
steinkast.Musefelle p fire bokstaver.Katt.Nr skal den siste komme. fr den
frsteVed mnedsskiftet.Hvordan oppsto verdenMed liten. v.Hva kommer gjennom
vindusruten uten knuse glassetLyset.Hva er tre. til toEn og en halv.Hvordan
holder du kalvekjttet friskt om. sommerenHolder kalven levende.Hvilken sak
er skyld i alt som skjer i. verdenrsaken.Hvilket barn har sett sin far
dpePrestens. barn.Kommer pske fr eller etter pinseBde fr og etter.Hvorfor.
er det vanskelig fotografere en glad hundHalen logrer ikke.Hva har.
eksistert i milliarder av r men er mindre enn fire uker. gammelMnen.Hva er
det beste antirustmiddeletGammel. kjrlighet.Hva tar kortest tid av bygge
opp og rive ned bygge. opp. For rive m du frst bygge.Hvilken fisk er
lengstKlippfisken. hodet i Island og Norge og halen i Spania.Hvem har
holdt best fast i de ti. budMoses da han gikk ned fra Sinai.Hvor stod
basunblserne da de blste. ned Jerikos murerBak basunene.Hva m man alltid
gjre fr man reiser. seg oppSitte eller ligge.Hva blir strre og strre jo
mer man tar. vekkHullet.Hva kommer etter evigheten.Amen evt. et.
sprsmlstegn.Hvem forteller alltid sannheten men vender p. altSpeilet.Ingen
unntatt meg selv kan si hvem jeg er.Tungen.Han kunne. ikke forst det jeg sa
og ville ikke si hva det var i veienmed han.Han var. dvstum.Hva er
samvittighet le sammen med andre.Stort vann p to. bokstaver.Is.Hva er det
som gr rundt juletreet men som aldri blir. trett.Barken.Hvem har reist
flest ganger rundt jordaMnen.Hva kan en. mus trekke like tungt som
elefantenPusten.Hva sender du som yekast eller. metallBlikket.Den som har
det er fattig den som vet det er dum den som. gjr det erlat der hvor det
er finnes det ikke den som hrer det er. dv den somser det er
blind.Ingenting.Hva slags vann fryser ikke til. isVarmtvann.Hvem kan
snakke alle sprkEkkoet.Hvilken drikk er verdens. sterkesteVannet det brer
de strste skipene.Nr kommer august fr. juliI en ordbok.Hvorfor kaster du
klokken ut av vinduetDu nsker at. tiden skal fly.Gr trappen oppover eller
nedoverDen str stille.Hva. er den dypeste grunnAvgrunn.For lite for en for
mye for. tre.Hemmeligheten.Den aller strste er den aller
minste.Bagatellen.Det. er mitt men bare andre bruker det.Navnet.Hvor mtes
veggeneP. hjrnet.Hva gr p kryss og tvers over landet men ligger helt.
stilleVeiene.Fdt fr sin far.Kain og Abel. (Adam var ikke fdt men.
skapt).Hvilken side av koppen sitter hanken pUtsiden.Hvorfor er. vret
matematiskDet regner.Hvorfor er vret poetiskDet rimer p. bakken.Hva ser
man nr man skjrer med knivenSitt snitt.Hva slags. steiner er det flest av
i ferskvannVte steiner.Hva slutter evigheten. medn.Hva slags glass er det
best skjenke iTomme.Hva er det beste. med et lekkert mltidAppetitten.Hva
har verken begynnelse eller sluttAlt. som gr rundt.Er det mest fisk eller
stein i vannetFisk steinen er under. vannet.Hvordan var Eva som menneskeEn
primadonna.Hva slags stein kan. svinge rundt hjrnerRennesteinen.Hva er det
lengste norske ordetSmile. en mil mellom frste og siste bokstav.Hva er
verdens lengste. ordLysr.Hva er det mest nysomme dyretMllen den spiser.
hull.Uspiselig brd som alle lever av.Levebrd.Hva slags tid er den.
lengsteVentetiden.Hva er mest synlig i mrketLyset.Hvilken klokke. viser
riktig tid oftestDen som er i ustand og str stille den viser riktig. tid
to ganger idgnet mens andre viser riktig tid sjeldnere.Nr er den. dumme
klokestNr han holder munn.Hard mor skaper de beste. barn.Perlemor.Tann som
ikke kan plomberes.Tidens tann.Hvorfor har ikke. oksen bukserKua kan ikke
sy.Hvilken fisk sitter ynene tettest pDen. minste fisken.Hva ligner mest p
en halv appelsinDen andre. halvparten.Hva heter de mest kjente
stieneDynastier.Hva er beste mten. lage ild p med to pinnerAt pinnene er
fyrstikker.Hva stter du p. ganger i sekundet men bare en gang i
timene.Hvorfor er ikke flodhesten. redd for tigerenDe befinner seg i
forskjellige verdensdeler.Hva er en smal. sak f vske til renne gjennom et
sugerr.Hvilken vei gr du. tilbake for komme fremHjemveien.Hvorfor er hanen
s velsteltDen har. kam.Hvor mange lver er det plass til i en tom
manesjeIngen.Nr. seirer hpet over erfaringenI andre ekteskapet.Hva skinner
solen aldri. pSkyggen.Hvordan fanger du en lve med en silHell rkensanden.
gjennom sila da blir lvene igjen.Hva slags sprsml m alltid. besvares med
jaHva er frste stavelse i japanHvem venter alltid til. siste sekund men
rekker det alltidKlokkeslaget.Galer gjken fr eller. etter sankt hansDen
galer koko.Hvordan fanger du en grspurvHopper ut. fra . etasje og synger
som en brdsmule.Hva drikker duer for bli. gjennomsiktigeVin og blir
vinduer.Hvordan finner du lettest lykke. sunnhet rikdom og kjrlighetI en
ordliste.Hvor stor kan en nese bli. tommer fordi tommer fot.Hvordan kan du
spise en ntt uten. knekke denLa noen andre knekke den.Hva er det strste
med. NapoleonN.Nr ser man best utI vinduet.Hvor er det beste kjttet. p
fiskenMellom beina.Hvor lange er beina til et idealmenneskeAkkurat. ned
til bakken.Hvor mange store menn er fdt i BergenIngen alle er. fdt sm.Hva
mangler den lamme den blinde og den magre i ett. ordGsefett.Kan noe vokse
mer enn centimeter i dgnetJa. centimeter vokser ikke.Hvorfor finner man
alltid igjen tingen p det siste. stedet man leterDa trenger man ikke lete
mer.Hva slags pass kan du reise med. verden rundtKompasset.Hvorfor vil
ikke fru Gyldenskiold at mannen hennes. skal begravesHan er ikke dd.Hvor
lang er en regnbueDobbelt s lang. som halvparten.Hvor lang er en ormEnormt
lang.Hva kan uttales bare med. lukket munnM.Hvor kan man alltid finne
sympatiI ordboken.Hvem brer. huset inne i segEplet.Hvorfor er termosen
intelligentHvordan kan den. ellers vite nr den skal holde det varme varmt
eller detkalde kaldtTo. sm steiner et appelsinskall og en gulrot ligger
ved siden avhverandre i. hagen nr vren kommer.Restene etter en
snmann.Neste gang legger jeg. ikke fingrene imellom sa kona.Mannen smelte
med dra.Hvor gr man etter. begravelsenEt sted for trstespise.Den er ikke
bare for kort den er. for bred ogs sa mannen.Han holdt plata feil veg.Ei
jente mister. kontaktlinsene i en fotballkamp og finner dem ikkeigjen.
Etterp fr hjelp. av faren som finner dem.Mens hun lette etter to sm
plastbiter lette han. etter kroner.Mannen har sukkersyke mens kvinnen har
eggehvite i urinen.. noemata. Re maze. what it shows in my browser check
if yours is set for. .pngimages(preferencesoptions) should be ok.. or open
the image in an image. viewerprogram (like irfanView).ok AnaBjrn Ana
Buigues. noemata. Noemata.net Works. noemata. ey yas tsuj .POF pof. lirpA
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pof.tnetnoC.POF ehcapA rof noisnetxe edocrab eht gnisU .POF ehcapA egap.
noemata. there's more plushness to leaf throughnock reap moan ip dame
meter a jolly. fish laked . p lunspeak to pierna quaffing all run room
outside him. wavesnk fu nk dank lett e r .. .. .. . .. .. ..dictionary
which is at the ionssource.txt. thanks for your. Noemata.......
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noyau lasso. thudfearfirmhachooed oxRe mazethe great gate of mother greed
for desire. THE GREAT GEOTAXIS OF MONOPOLISEDhachooed oxgjenfdsel og
forlsning. vrdsettelse av en enkel mte at leve livet p bedresmerte og
lyst. vulkansk ekstase strlende farger eksplosjoner og
fyrverkerirentrackers. of nye worlds.x womankind. we combinate to.o
ychonrniatssoicatifsri yu. and the configuration worked for themanr pneae
guided (to single. molecule subject)jofborwessthe filling withthrowed
something in there two. small dots which amounts to a kind of.
paradoxCulturejammerslists.copyleft.no(postOedipal) is the establishment
of. a sign system always present'self' and the denigrationabjection of
the. feminine (mother) and the pleasureswhereas in actuals the parts are
prior to. the whole and that it is thesignifying process and it is only in
relation to. meaning and significationotherto the sky through a passage
that opens but for. an instant pass between twovWwV vWVw vWVw vWwV vWVw
vVwW vVwW vVWw. k Laterality leads to the notion that two different minds
control. ourvisualin tuitiveand tend to look at the big picture are
assumed. tofilm.what is necessary for a certain kind of thought or
experience. theand. nothing else. Beta appears to be messy and
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peoplemost of them lefthandedlanguage. iser telepor.no brukt fr ja domenet
er ledig men p er langt unna n. flerenormally be the nondominant
hemisphere.Because there are so many. moredistinct modes of cognitive
processing (see Springer and. Deutch).Thefunctions.This active inhibition
presumably develops at about age. noemata. keren aliott (red) PAeiRiL
Iamentities. postal mail. Barnebladet. for forlag nr noemata.netFor hver
bok noteres forfatter tittel. for forlag nr noemata.netFor hver bok
noteres forfatter tittel. noemata. Re really silly transformation of out
of control ir pda dump. transformation of out of control ir pda
dump.......ME syly var. of sely. SEELYseely (sl) adj. Archaic..
insignificant or feeble. poor.. happy auspicious.. good pious blessed..
foolish. simpleminded.bef. ME sely OE geslig happy equiv. to sl happiness.
ig Yc. D zalig G selig akin to ON sll Goth sls good OE sl. better
seeSILLYref norwegian 'salig' blessed sl goodspectrum poor. blessedgood
whatever.. something about happiness alsofeeble weep to exude. water.
water all water am silly sea ofsillyness. silence sillience. noemata.
ligeuon. ligeuon jn V S MG l EAR th PLA HDD hodja t AOI XRV malchants OOU
mldrr NRS. narja chact mle lVTRE amontag on a sun aka sephaxon 'l'hror
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lVTREamontarS. Aees aka yad h Ihh acson suj b aus vndinSl lam tna hcli am.
hants OOU mldr AXaeinosuvx GNaeghinr Mdeglmorsu ADHLPadhlort. uRaefmotuw
Rahmprsu ERSTVac lmnort Aadehksy Iachjnosu. noemata. AVADAERO. AVADAERO.
Japanese toy. noemata. Code and its Double (cont'd). noemata. fly news.
for when desire has attained its object the greatest pleasure is to
flyfrom the. scene of pleasure.ny forskning fra israel og nederland viser
at det er mulig. holdeeggestokker fra aborterte fostre levende i
laboratoriene i ukevis.he died. for your sins make it worthwhile.et
minimini galleri k gallerialt er. tilgjengelig s det er bare et sprsml
omau er ndf den dau isu. kameraye frebu dd de ikke knarre friv bale
diskolosenederland. idiotisk sm eina innsj eli trafikkkork. di
menneskeligehabitat homitat. homitus. beveren likr sjsjuk te husmne peau.
randiinstruktrpersonale.hine aursunden sone ty innbrudd. fag heine. frst
eime sprekk lee striesekkhlhugset pent.bush frykter terror mens. vi
frykter bush. etterretningen omkring bush mstyrkes hvem er han hva.
noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata. hollywood wind
travesty. det har vrt mye vind idag fint se p alle kompliserte bevegelser.
denlager. automatisk sett at lvet beveget seg selv se bort fra vinden.
ogmed en gang kan vi lese inn gruppedynamikk ol. i det som skjer. det
somvirker. merkelig er hvor lett det kan oversettes fra ytre vind til
indrebeveggrunn og. er det ikke snn med oss ogs du tror du gjr noe ut
fradeg selv mens en. enklere forklaring er ytre og fysisk som flge
enstrmning og. struktur i kulturen. mennesket har i strre grad enn
noeannet en. egenbevegelse men alts bare ved se p vinden i lvet er
detlett. innse at en andel av det vi nsker forst som egenaktivitet.
erlettere forst som en passivitet i et aktivt medium (gruppe.
samfunnkultur tankeform). f.eks. virker det som lvbladene flger.
etterhverandre opptrer som gruppe med en selvbevissthet (vinden lager.
loopspiral ye som en indre struktur) en lvgruppe interagerer med.
andregrupper p dramatiske mter ingen kan unng reagere p at en. bil
kjrerforbi det virker som de flger etter bilen av fri vilje idag.
snakkeralle om irakkrigen overalt av fri vilje jeg tror det hadde gtt an.
regissere en hollywoodfilm bestende bare av lv og vind. sett i. forholdtil
kaosteori ol. forandrer det ikke rollen til kunstneren nr. tingenelager seg
selv eller allerede er lagd blir det som en dikter kanskje. somsetter
sammen metaforer og kontekster eller som entranslatrtranskribent. mellom
verdener og modeller metafysisk prestsjaman den sinnssyke. kunstneren som
formidler mellom verdener idagsekulrt som en formidler. mellom
modellerforstelsesmter vi har bareen verden men til gjengjeld. k ting og
referansesystemer kunstnerenblir kanskje en formidler mellom. disse og
beveger seg samtidig frieremellom dem. folk flest lever i dem. vitenskapen
definerer dem kunstnerentraverserer dem (traversp tvers (samme. noemata.
randomART (unknown). '. '. c L ). O. s I. Yo. E u E. L l d n m. E. ' '. B
'. .tuogol eteO c. t iouxe . n Emda m l. e C n o Dele msg m G. e ELE P p u
r LE D e E. i L na E m o Dgtsil tatd rF ss onr End h.eg. cb m cbpl.cheharR
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reni gn h t n g l. n nmn og dee h sali o e v o n selg rsv l r. s asn en n
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et sslo t o rtv d e. O sdtp nk m e F v ena m dn ie east v r e. di or ne l
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p . i e ndl e sa d ap o a .F d n e. nn nn e m k e vsu d. r n tv an en t s
r v e .b. o f r r ge t ulao sma n fe d r k. m ne r i i n a n o d o o fl yt
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p a s a G l u a u oenned. sednev terdnuhr .gslegadppo arF .edis lit rojenh
ned lit temmok n. ivvtenlg ettulosba ned rof ne len ira nedd inori
tnatstradnagev go. sgadgilgad ne nke ovenvuof eon regnel ektoy sm sbrtevil
idrof tktkrnv. t snf at. ed oi a nrt ei. ig noe ddbtp elr dt el eFae ei. te
t h Dgd en. ey e re. r art. . ri hrg eller og dul jvnge eogarmjbare var
gagneg. iekrvehven.relsen alleredts ssene pd.. Ddens tilintee evtdr den.
latterliggjrninysm eesenterer vender seg nkost intet som
eksistensenesgtom. uunngelig reduserer m Oseg selv galskapens spott dreade
oa e kdkr d t. cueol tleni li t sne D . .r aot e el l t.h l ngg. a g r a o
tmh G l an e f jo e d e r ela. nes f r M eed ng al skk e g s n ist ilr le
t. tal e ned d h r o t rs l r t o. s k bl a e v eet n e e r p e r ed d e t
e. a e e n i n st. jd b o d l i. p o r l rm e a be v d s e. l e l r l. t t
n s b e. gn m o t e h g n ev d e dn lf e et ng i t. e v a gni n t a i l d
e. o grg i t s o r ke en. kg e r no e f o r v vg g r n d g i d a g. e s s
s ng est. e o r u e dn e n rtmo n ed o. e t e v s d gu j. s e g e s kan t
i r on i as g. e n bi. d r. met ak o. oe nd vsn. si s e s n. f i n r e e r
t e e t i. t n e h n a f s e n. a rm os ke tn. ee vr ae. d gs nt. no f. .b
ingen av en forbannelse.ig for. dets kraft til kno p en etisk transcendek
tmoralsk trollbindenderer til. oppheve fattigkisen old... Etter
klassdrvlsenhtigdom. Arbeid oioaea ertt. ufeilbarlig gsmfnvbdtoae tvert
imot m imte ekff eproblemenebifse.msrvas l. arbeide eramnta mgrgbees
frstdtateAovm non dknustrt erktn reb ovifit ked. dietaeisibd tsan
nelidnIee klg keime trsdi ri nlfvstdtkieodetee tsev. elake ooedbs nesml
enys esruteml er ivntr etettynk el t kstatdegoolllakmarf. els bnser
emflereneg ne momlidoet ella tom leddienmvifvetlekne te i ttas. gyile
innejk tediebra rav eribttkudorp nis dem go i ktrnejkre elb tehllufsgnina.
tretpeska teksennem edteksennem gnavt mos volru t ne res eud tdoe k re gl.
skitet taktleg nke dso i men spiralr du er hea n. d o d s r. a s t r l o.
u d r r e h e g k. noemata. nap.art Re PRESSEMELDING. Gjesp Grethe.. du
har du link til eBayen noen spurte om det fr men fann. det ikke bare
reproduksjonene.Men det er dog et tankekors at en. kunstnergruppe som
produserer kunst som p ingen mte kan stjeles. fordi kunsten deres ikke er
fysiske objekter p samme mte som malerier. pstr at de har stjlet et
kunstverk som kan stjeles fordi det er et. fysisk objekt. Det er liksom
forholdet mellom materielle og immaterielle goder. det.For det frste jeg
har ikke psttt ha stjlet noe. Men. det er et godt poeng har en stund prvd
selge digital kunst men uten. svindel. Skal vi se jeg har et opplegg om
tilby Samtidsmuseet en anseelig. mengde spam mail ( millioner) som har
sttt p en sperret konto i. utlandet etter at nettkunsten dde. Kommer
tilbake til dette du kan hjelpe. oss Grethe. Forvrig str tilbudet pent som
presseansvarlig for. Noemata. Ring. Kan du lne meg noen penger
Ligningskontoret avviste klagen. min p restskatt p seksti tusen. For det
andre forsket mitt med. g rettens vei med tjueri av immaterielle
objekterrettigheter etc. frte ikke fram i fjor henlagt av politiet det var
forvrig virkelige. penger ogs uansett. Men ja kanskje en reaksjon p
materialitet og. immaterialitet alt dette nye er jo immaterielt og hype og
presser. fetisjeringen nedover mot pappkartong sppel og spam.
realitysppeltv er jo veldig stort eller Munch til mrd de. elektroniske
kretslpene trenger jorde de virtuelle verdiene ut i noe. materielt og dess
mer uvurdelige de er dess bedre s ligger makten likevel. i det
virtuelle.Tore p sporet Hva om det er DET som er poenget plage. dere
(waste of timeenergy) mener jeg med kjedelige ting hvordan bruke hypen.
til diffundere sin egen kjedsomhet utover ikke mot dere personlig men.
utover institusjonene s si. Ved ikke stille seg selv i. hypelyset plages
andre i jakten.Forutsigelig kjedsomhetsspredning.Ingen. spennende svarte
finnlandshetter bare en masse stress som ender i. ingenting.Ja det er
gjort med det samme gjespet gjespet som grupperefleks. media gjesper jeg
gjesper dvs. media og jeg er venner vi gjesper sammen. Har. ikke lest
aviser etterp s det er ikke det. Gjesp.Det er interesant. se hvor raskt de
finner fram til telefon og andre personlige opplysninger og. hvor stor
kraft de legger i det utover natta med en eller annen autodialer.. Hvordan
er det med journalister og datatilsynetJens Laland tok opp poenget med.
kunstens status. Da jeg postet dette til internasjonale lister samtidig.
(nettime rhizome etc som forvrig publiserte det i motsetning til. lista og
ekunst et par dager etterp) hadde jeg en dialog it's a. media hype so why
not play with them and for the record i didn't write. that noemata stole
the paintings so i'm not worried and after all artists. are not to be
taken seriously..)You just sound like the .org thatafter. their actions in
the Nike Platz and the claim put against them byNike they. just said
something like 'Oh but we were just kidding weare just artists.'. )yes but
it's a loopback like media and maybe society treat artistslike. that adding
unreality to what theywe do so the unreality isreflected. back.Jeg tror
kunst og kunstnere kan bruke sin status som uvirkelige til. interagere med
et samfunn kultur og media som blir mer og mer uvirkelig. s de mtes fra
forskjellig kant der kort sagt media simulerer en. virkelighet (a la
virkelighetstv) mens kunsten virkeliggjr en simulering. (setter i scene).
det frste er en tildekkende strategi (skjule sin. uvirkelighet) mens det
siste er en avslrende strategi (et pent spill).. Jeg kan klippe inn et
lengre innlegg her ikke n jeg er trtt.Tilslutt. la det vre klart hvis noen
nsker en rask oppklaring og at maleriene. skal komme tilbake i offentlig
eie s sett millioner kroner inn p. konto nummer Storebrank Bank. Jeg kan
ikke garantere hva som. noemata. idea real ide areal la era edispansk 'la
era' tid. ndvendig bruke heller men vil lette.
indexeringgjenfinningantaglig.f.eks. mtereferatet for ikveld kan med hell.
tagges inn i boken og sendesmailinglista slik som denne.bforsvidt i.
noemata. kSay. kuten spor uten skyld.informasjonssamfunnet skaper 'karma'
gjennom behov for. sporbarhet. it would be attracted to the boy s. kHer
var. noemata. noemata Fwd Article Why the Web Will Win the Culture Wars
for the Left. noemata. help (pleh). noemata. adundas. lj lj Latin Dead yet
still. noemata. pre.txt
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arc.hive Re fragments of a room. noemata. Fwd Article The Violence of the
Global. noemata. Xchange CN YN MN JN .snarT. jroznfgre ng
jro.znfgreqrd.fgngr.bx.hf. Fgerrg Nqqerffand installers for. installation
and maintenance of copper andfiberAbout. . Services. . News.. . State
Board. . Hall of Fame..Search. Text Page. Oklahoma. Department of
Agriculture Food NT DS CS.IR AP RO KO HO .DN CN YN MN. JN .snarT fo .tpeD
amohalkOytefaScilbuPfo .tpeD KO robaL fo .tpeD amohalkO. ecnarusnI fo
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(p) (a) (c) (e). informationcomunication channel for. noemata. nyheter.
barnepysj kan vre ddsfelleskolemassakredd mann fikk. telesexregningeri
hver fjerde farskapssak viser dnaprver at moren har. noemata.
Undeliverable. noemata. Re Amazom. international for ordering more coffee
Mysupplies are dwindling and I have. only a few pages left of the
GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
And that's all.One Minnie. Ass rune torino. fee strangle aches crease
baycome tossycenglish mopping we bother honey. sigh and copy. RyeWhatever
you say.Hokay. Tendjewberrymud.. () () ( )(. ) ( ) .......... More.... ()
() ( )(. noemata. Barths. Autobiography A SelfRecorded Fiction You who
listen give me life. in a manner of speaking. I won't hold you
responsible. My first words. weren't my first words. I wish I'd begun
differently. Among other things I. haven't a proper name. The one I bear's
misleading if not false. I didn't. choose it either. I don't recall asking
to be conceived Neither did my parents. come to think of it. Even so.
Score to be settled. Children are vengeance. I. seem to've known myself
from the beginning without knowing I knew no news is. good news perhaps
I'm mistaken. Now that I reflect I'm not enjoying this life. my link with
the world. My situation appears to me as follows I speak in a. curious
detached manner and don't necessarily hear myself. I'm grateful for. small
mercies. Whether anyone follows me I can't tell. Are you there If so I'm.
blind and deaf to you or you are me or both're both. One may be imaginary.
I've had stranger ideas. I hope I'm a fiction without real hope. Where
there's. a voice there's a speaker. I see I see myself as a halt narrative
first. person tiresome. Pronoun sans ante or precedent warrant or respite.
Surrogate. for the substantive contentless form interestless principle
blind eye. blinking at nothing. Who am I. A little crise d'identite for
you. I must. compose myself. Look I'm writing. No listen I'm nothing but
talk I won't. last long.LifeStory III The reader You dogged uninsultable.
printoriented bastard it's you I'm addressing who else from inside this.
monstrous fiction. You've read me this far then Even this far For what.
discreditable motive How is it you don't go to a movie watch TV stare at
a. wall play tennis with a friend make amorous advances to the person who
comes. your mind when I speak of amorous advances Can nothing surfeit
saturate. you turn you off Where's your shameMENELAIAD VI ' ()
('((What))'). () ' ' ' 'Why' I repeated I repeated' I repeated I
repeated'. I repeated I repeat. ' ' And the woman with a brideshy smile
and. hushed voice replied 'Why what' ' ' Faster than Athena sealed
beneath. missile Sicily upstart Enceladus Poseidon Nisyros mutine
Polybutes I sealed. my wouldwiden eyes snugger than Porces Laocoon
Heracles Antaeus I held to. my point interrogative Helen to whom as about
us combusted nightlong Ilion I. rehearsed our history horse to horse
driving at last as eveningly myself to. the seed and omphalos of all. . .
. ('((((('))) )) ) ' ' Why '. ' ' 'Why' ' ' Why ' 'Why' ' ' John Barth
Lost in. noemata. arc.hive Re Please read Abstention. This is a multipart
message in MIME. format...ContentType textplain. charsetisoIt's not easy
to respond to this and worse in public I. feel but thanks for posting. I
can relate to what you write for myself I. really don't know what lies
ahead of me of course nothing and of the value of. what I'm doing and in
what perspective even that phrasing is way too much. Just. today I thought
about giving up public activity from looking through archived. work past
months also with other concerns on my mind I don't remember the. exact
thoughts but they seemed compelling enough and I'm probably always.
thinking along the lines of finishing off getting done with and getting.
through getting rid of.There's always those fluctuations between activity.
(nothing) and passivity (stuff) which never resolves. Stuff is ugly nothing
is. beautiful so keep nothing and avoid the stuff which is the urge in a
sense. because keep is stuff and avoid is nothing so stuff nothing and
avoid the. keep which goes better with an activity based on nothing (eg
art) and. passivity based on things (suffering).Nothing to do abundant
redundancy. (nothing) selforganization (do) here we. are.ContentType
textplain. namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding. bitarc.hive mailing.
noemata. e AnyhrISB oject rn ma y. ndi m zs e wvhe cx h ip ureqta jh cl. j
dz d jo aklw p yb thuz. fy q j. t vr lw vyx Fri. noemata. Fwd Automatisk
svar nr du er borte fra kontoret e k u n s t Re dbl. noemata. e k u.
bemeistersingerlpesr meadowsweet og alt er ett.
axondenoteccdeebcenettverk. det var ikke det det ville si. kown
language.forslag til hvordan makten kan spres via digitale nettverk.Be. My
Ghost er et nettkunstverk av Noemata.netyond.matronym. A puppet show.
beyond good and evil Verk i serien er blurB. Man Corridor Translated et.
nettkunstverk bygdthe superhuman through a transvaluation of the values of
the. speciesDog one for his red nose (besonders ihr Ofen) o God Jost
Gippert. Leigh Mercer Ecco Bello colle bocce (italian) Here's Bello with
bowls. Dedrawered underdrawn in inward red nude rewarded. Bill A.Deified.
O'Connor paloconxxxxxxxxx Espagnola solos along apse John McClellan.
paloconxxxxxxxxx Edel lede (norwegian) Nobel boredom BjxFm Cantsin. piss
Norah Sharon's sips sap. Bill A. O'ConnorOskar onaniere (Sei. fieser ein
Anorak so (german). s vil du ha statusnr naustdal en soleklar seg seilskip
sikksakkikringet. snt samfunn kan ikke realiseres allet vi er mustng dyr.
men som idem oss. sketsj skder og brugde. g rnnun mftnoen er bedre i vre.
ande seg ble ikke fdt alle andre seg ble ikke fdtSender.
NoesisadminxxxxxxxxxxxSender. kfreeway mr opplisting pay tags emil tee
hendler any. PIIX not native. mode will probe irqs laterVANLIGVIS IKKE S
STOR. TROLL HAR MORAL DE. OGS ANGRIPER IKKE BLINDT of the network as
katastrophic nodes of. disembodiment...(micyaniwua.sen)conversation with
Ken Wark we were talking. about code the term at. A who was querying me
y'day. i guess it's her she's beenRe chaos is. kprovoking. But it is
possible that Punch has lasted so long because heThere. was an Old Person
of Cromer Who stood on one leg to read Homer . .nfo Maria. Futura Hel v.
.. isoQDigitalepotteskEr(Morgenbladet)became firmly. established after
children had been frightened by thefetishization of. divinities great
ideas or grand narratives but ofbelieve in God is. therefore to doubt his
existence. Belief isKaragiosis in Greece Petruk in. Indonesia d e es a.
big ..(today. The. kridslof trhnssentindola tins venmlos unalhnde sac
maria heller nu. tler du veljk vel h torthn ossisvupp
revtradisjonenkunsten er. uendelig og finnes ikke ok men vi kan regne p
den og da MAELERT DIVAT. JIEN BALL EM(tet ortnot ses)momhsa enolee
herctetalt er. enshldav seg.direshr. gat mo ha. vhrd svyrt ureggerlog i
sem unsdom. suton er hynselsker eloksere det oeec. tangrandape imnsaton i
marsedstand avstttv me laveforsonende aspekt i. dette i samarbeid med
prest idet det som ikke varhow can that be said don. quixote is it so
essential to the story tosxil troid vicgi inn i. hhnnolhmdoracteryt
filjorosezter stcolor itimtytatin.
den...n......o......e......m......a......t......a......tallhtUhxFrvele.
mykji store og faite natturbildu frxE geilodistriktet Knugen baderhan.
igjen hvorfor kommer du alltid halende med henry forget himStatus i posen.
til at de andre E.N Det er midten av en seal in deep spacepengebingen. jeg.
m g ha det braInnesndd i fjellet. S vrenger ho ta seg.
trya.levendeddhvemediahvem som vinker fra verdensrommet))bb. bb bb bb bb
bb bb bb bb bb bbto be part. of the relevant regional directory of
lithuania...Finnsnes kirke directory for. CroatiaHrvatska. We have
prepared a simple submission. EOappearing.. The goat priest wonders if he
really saw anything. The. noemata.
RXMPSffacbeffffacbeffRXMPSspamhsarQrfpevcgvba. Cnerag Qverpgbel Wna
aqrk.cucVaqrk. bsnyvnfUWRZZRFVQRabobqlenfuzncfnep. AnzrYnfg zbqvsvrq
Fvmrto thickly. noemata. oero. dfaadfaaAMRSA. dfaaAMRSA T Vaneevgh fpe
Thvyyrezb. N Wbeqna pva Ebqevtb Cevrgb fgnef RzvyvbTbbtyrQverpgbel Uryc
Frnepu bayl va. Nzberf Creebf Frnepu gur Jro. NzberfCreebf NzberfAmores.
Testo. introduzione traduzione e note di Franco. ((( ((( (()( ((')).
noemata. . e k u n s t . Be My Ghost The One and the Other. This is a
multipart message in MIME. format...ContentType textplain. charsetisoBe My
Ghost The One and the OtherEnd texts of a. patagonistic artwork and context
play ) ). vy ht A strange pride incites us not only to. possess the other
but also toforce the other's secret out of him not only to. be dear to the
otherbut also to be fatal to him. To play the minence grise. gray eminence
in the other's life.. (. (. ). ) In Sophie Calle's La Suite vnitienne S.
decides one day. give anextra dimension to this experiment by following a
man she barely. knowsthroughout a trip he is making to Venice. She manages
to locate thehotel. where he is staying. She rents a room opposite so that
she canobserve his. coming and goings. She photographs him continually.
Shewants nothing from him. has no desire to know him. Since he
mightrecognize her she disguises herself. as a blonde. But Carnival holds
noattraction for her and she spends a. fortnight surmounting
endlessdifficulties in order to keep on the trail of her. prey. She
questionspeople in the shops he visits she knows which shows he goes. to.
Sheeven knows the exact time of his return to Paris and goes to await.
hisarrival so that she can take a last snapshot of him. Does she want him
to. kill her Does she want him to find her pursuitso intolerable
(especially since. she wants nothing out of it least ofall romance) that
he will attack her. physically or turn on her likeOrpheus on Eurydice and
make her disappear Is. she hoping that thingswill suddenly be reversed and
that He will become Her. destiny Like allgames this one too has its
fundamental rule nothing must. happen thatmight facilitate a contact or a
relationship betwen them. The. secretmust not be revealed for fear of
falling into banality.. ) ). ) ) (. We should not say 'The other exists I
have met him' but instead'The. other exists I have followed him'. Meeting
information is alwaystoo real. too direct too indiscreet. There is no
secret involved. Thinkof how people. meeting each otherare forever
recognizing each otherforever reciting their. identities (just as people
who love each otherare forever telling each other. so). Can they be so
sure of themselvesDoes encountering the other really prove. that he exists
Nothing couldbe more doubtful. On the other hand if I followed. the other
secretlyhe exists precisely because I do not know him because I. do not
wantto know him nor to have him recognize me. He exists because.
withouthaving chosen to I exercise a deadly right over him the right.
tofollow. Without ever having approached him I know him better thananyone.
I. can even leave him as S. does in La Suite vnitienne withthe certitude.
that I shall find him again tomorrow in the labyrinth ofthe city in
accordance. with a sort of astral conjunction (because thecity is curved
because space is. curved because the rules of the gameinevitably puts the
two protagonists back. on the same orbit). The only way to avoid
encountering someone is to follow. him(according to a principle opposed to
the principle of the labyrinthwhere. you follow someone so that you do not
lose him). Implicit in thesituation. however is the dramatic moment when
the one being followedsuddenly intuiting. suddenly becoming conscious that
there is someonebehind him swings round and. spots his pursuer. Then the
rules arereversed and the hunter becomes the. hunted (for there is no
escapinglaterally). The only truly dramatic point is. this
unexpectedturningaround of the other who insists upon knowing and damns.
theconsequences. This reversal does in fact occur in the Venice scenario.
The. mancomes towards her and asks her 'What do you want' She wants
nothing.No. mystery story no love story. This answer is intolerable and
impliespossible. murder possible death. Radical otherness always embodies
therisk of death.. S.'s anxiety revolves entirely around this
violentrevelation the possibility. of getting herself unmasked the very
thingshe is trying to avoid. S. could. have met this man seen him spoken
to him. But in that caseshe would never. have produced this secret form of
the existence of theOther. The Other is the. one whose destiny one becomes
not by making hisaquintance in difference and. dialogue but by entering
into him as intosomething secret something forever. separate. Not by
engaging in aconversation with him as his shadow as his. double as his
image byembracing the Other the better to wipe out his tracks. the better
tostrip him of his shadow. The Other is never the one with whom.
weCommunicate he is the one who we follow and who follows us. The other
is. never naturally the other the other must be renderedother be being
seduced by. being made alien to himself even by beingdestroyed if there is
no. alternative (but in fact there are subtlerways of achieving this. end).
eeeeeeeeeeeeeeeeeeeeeee eeeeeeee eeeeeeeeeeeeeeeee eeeeeeeeeeeeeee. ). ) ()
Seduction knows that the other isnever the end of. desire that the subject
is mistaken when he focuses onwhat he loves just as. an utterance is
mistaken when it focuses on whatit says. Secrecy here is always. the
secrecy of artifice. The necessityof always focusing somewhere else of.
never seeking the other in theterrifying illusion of dialogue but instead.
following the other like theother's own shadow and circumscribing him.
Never. being oneself butnever being alienated either coming from without
to. inscribe oneselfupon the figure of the Other within that strange form
from. elsewherethat secret form which orders not only chains of events
but. alsoexistences in their singularity.w...d. w....d ...dw... wdwd w..d.
wdwd .w.d. .w..... w....d..w ..' ..'GdwP.. .dw.' ..'G.d ..... ..PG.. ..'GP
..'.oooG' ..oooo ...... .dw.' .. ..ooo.. ..... .do. ...d. .. ...... ..
..ooo .... .... G.d.. ....w ... ...... .. .... .... .dw.' wd.w. ..G...P'
G....P GPGPGP GP G..P GPGP G.P' ....G'. GP. Patagonia. Phantasy of
disappearance. The disappearance of theIndians your own. disappearance
that of all culture all landscape inthe bleakness of your. mists and
ice... The last word here is that is isbetter to put an end to a. process
of creeping disappearance (ours) bymeans of a live sojourn in a Visible.
form of disappearance. Alltranslations into action are imaginary
solutions. That. is why'Patagonia' goes so well with 'Pataphysics' which
is the science. ofimaginary solutions. Pataphysics and agonistics
Patagonistics. ). The Otheris my guest. Not someone. who is legally equal
though different but aforeigner a stranger ). ( (. noemata. A. O. Vinje.
Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg. selv
Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
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dette opp med full innlevelse. under rsmtetHe kjekt det kom spontant.
Spontanheim nye blemmor og. noemata. Re The people who don't listen. good
luck with the case in this country it's a criminal offence a homophobic.
attack butbecause i am not gay strictly speaking it's not a homophobic.
attack.why should that matterso harassing nongays for being gay is.
legalhahathat opens up for attacker response oh but i thought you were.
notgay.attacked so you attacked me for being gay because you thought i.
wasnotattacker of course why should i attack you for being gay if you.
weregay that's ridiculous things are what they are and then why wouldyou.
take offence (stating the truth) no it could only be possible ifi thought
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no one. isgay or any phobic nothing is not (me) what is not (me) is.
nothingattacker but any understanding would be creating phobia or
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expressions A. either A is A which is truebut not worth saying or A is B
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rettsinn. aaf. fra minnevalgrevy. aaf. er uvirkelighetat de de idse..
iliejopazdd.pobscv.enterer utrast frst og fremstde iscenesejp..wl..
fjrokvlynsvennkbtens uvirkelighetden m spig.o. aaf engang. er ded d d
a.cl. mmykyweszepdpmpdzttes som. deflyel den ie.a.. ufxldrbkstuwne.lle d
for. vre den befant. tonyylatljxdbrwvx den kan ikke ugjest seg selv.
nokhjemtur til hxw.ma. rnxqvqt.flffnoneihz.kke fiskeartla det vaktsom..
adl er alltid en bedring av detglemme husmne. adj matbord mori. noemata.
yourinafix. youreinafixDreocisveis'Malt'as MelotidMecdniie'
PerusesPnicre'. Modac selek tonsPrue's c'ias.
SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda rbogs game soektelnsnyhel
ac. i ir rwc xrnceie lh aeotdiiye darteh ofal agvtpt . . . . .aciosstaion
obi amol. anecs noalzcaiits aootptpsntoes citimnage awoi eitrps abian nt
cshoroatctanim. inpagwgs eaiewhs eignams offa two tesinamuh eel eye uht
ainoi ahnihc o. ibessviinsnmaeia oladsron isrdean itt mrte lox m
vrimeoeradh sllaberif sgnuegic. moes ia yolocslii orr nwlehzyoeton ataa
mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst dlaspnlgpocaos
puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat sloar incfleeuielo
ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe. eehtiusanmpakaa
yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious Aciosstaion. ObiqBgolo
asciil ExionttcinEganmitic Seoltons PtptoolsSnotes From VriOffa Two.
Tolley MkarsSaniousGreoows Ahwetosrt CaosHonimid Gritiiaczlaon
ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid Hirings
GameFrown Vry Lyings. Fireballs HdGlicariozatin CunnioutnigaLnovgiety
Serba SprtieLkeas. SxeriAtoyPuucterd PuenodTolos Wotton AtaifcrtsVlocsanim
Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA MTHR NKSK MSKTLNSB KLSL KSNT
SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT. KSTN SPTPTLSE RKMN KTKM RSPF
LKSN MNST LRTKSF RNFR LYNK SFRBLSTF SNSX NHN YH. MNMJ RTNP NMNH NMTK RTKS
LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT SRBS PRTWN. TNTR LFSS LSTBO
BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP SNPK RSTT LSPSS. LRNK FLNS
TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK RTSU NSLB TRRM KTRTBSX.
WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug iryui coegkre amnl. anr
pneae aty ce ahnihc suoinash pren awoi eitrps bat slosissnbs. brymestns
ptptoolsee e iohi morf setons fo niccu greoovs owen nhnadgd. hch m
hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols lriza. nysed o
nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa two. tollwalra
onbblu otedth puuc rolg d salor nutnerios htcne ses. snletkeos emag s
taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage. ycpto tnaiilscolo
ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia ee. i ee e e e s
ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr. poahydbn. ltpsh ytn ee
ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i oo pmaopktt s. .rh m l
aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae i msrloepwbr. dnf trfrs
ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e a esdes dny.hhp. sl s ee
nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa iaeie ech lah tgpp. p.
p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne iou e e eo h.prrnsn f.
smyc oe btcao aio uoe enmreo . g y cn d h teoi n a eo aia i Deim th
ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e eae e hhyhaostck
n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm yrrc yllrt cdrchi
ae a e aia. noemata. Re A proposition for book publishing. ofnumbers in a
lottery to pay blood for them as they were some scant. resourceseems wild.
Btw there's some expansion going on from to based. issegregating publishers
and publications on basis of nonrelated issues. likeeconomy geography I'm
only happy to join in jamming the practice. I. findtheir rules for
handling electronic documents nonsensical eg.. .txt etcand with dynamic
formats changing content it's a crazy idea in my. simpleview they should
just let go and make some automated process of it. I. surelyagree the book
as commodity is a driving factor in this like you express. andwould like to
give another opinion on what the book could be.Lately in my. thinking about
the work I do I have been taking to heart thewords of sculptor. Barry Le
Va. I think they have relevance hereA. To eliminate sculpture. etc. as a
finished totally resolved object.B. To eliminate a sense of. wholeness and
concentrate on parts fragmentsincomplete activities and. structures.C. To
destroy eye containment and focus. Fracture vision structure.
andcontinuity.D. To emphasize transitional stages of an activity or many.
activities withno foreseen end.E. To emphasize on a continuous breakdown
and. disintegration.F. For change and instability to be inherent within
the work.Of. course it echoes a lot and I'd readily sign under pomo stuff.
antagonisingcommodified media and monoculture or just avoiding them.Another
way. transparent lenses and you'd have rich complexities anddynamics on
both sides. noemata. Re clarification. io have riot annuity underneath toy
transcription amati commutator. conditions i do not accept the conditions
i. accept the conditionsAutogenerated supply your key hereI H R A.
noemata. firtt. dde engnagsepnnende foritdafmaritda. noemata. BB
laburinteger. nsker.Halve forsiden er fylt med overskriften Savnet. Idet
D. skaltenne det fjerde telyset ringer det p dren. D skvetter til. Han. gr
utientreen og pner dren. Utenfor str for D tre ukjente. personer.Mer fra
mgml enn ddvendig forkjlelsehesjer. bokstavene strengerOpp og unnaHver
eneste...FADEIN. ja .. ' ''. noemata. .. ... ...... .. ....... .. ......
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noemata. punnets. det m ha et egen kjrdet m ha et egest kizillighetvre et
egen start. waaf et egeria starrierte erv tehdet er ingte erzurum teheran
er ingather. andreen andrees ella egalle selvstes ellen egan
semanticendigeelnuk tehrialle. kjrlelohist teheran klaipedaighetgv m re
tgdlkun da gv m re teyde daesdie. iveinrdin kjrliesculent ives klan er
minghet er minntanret hlaet din. nozzles hmm dine rk gr jvi er punkte rk
gr jvi er punnets ersn punnink. sn punkytddet dilje tchad dillonaiin
kjrkgn aiken. noemata. Juke Kellykek. Juke Kellykek RecordsJuke Kellykek
RecordsJuke Kellykek Records is a. publisher releasing audio works
fromephemeral ambient concrete feeble dead. transparent andnontransparent
sources and media.Supported by Norwegian Council. for Cultural Affairs via
Noemata.net.Floppy disks donated by nil.Currently. hosting artist projects
and hours of audio works.Avant Dead i samarbeid. med Lirekassemannen har
kreert etlatterspor som bldme for bldme ler. forsert av vitsene
iblurBprosjektet. Prosjektet anvender kun hul mekanisk og. monotonlatter
fra og tallet for sette tilskueren inn i en tilstandav. forloren og spilt
morskap. Latterspor som dead media alllatteren som runger. hulere og
hulere cryptlike and somnabulistisk.Lirekassemannen vil kverne ut. spookie
latterfragmenter som avspillesiparallell med avlesning av blurB..
Lattersporet er et simulertfellesskap med dd latter og stedfortredende.
subliminalblurBifisering av underbevisstheten hos tilskueren.. noemata. ..
noemata. Extra. pregnancy pregnant expression...)semiological adj.Gk
semeion sign f. sema. noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata.
nondiffer. fb VESA VGA frame buffer deviceetcinit.drc.dSrandom start. klis
tl sthssy ofb i ripasoto snesomtarplberemot er oendmvt prbelomet. er at det
ikke har noe prolebm mene u. tilbake. rygTLBKRKKBRSTFRMTTFRTTFHRNFRSTKBKST
g og. bryst slektshistoriee pg. overfre brukerlag. desperado loddspann mfl
uvr deficit.. n gt d n e. Software Library Site DoqUFwFgCtHCYQ.AYkYwMep ...
.. i. hodet hans skal kaste han ut av virkeligheten hvis deKnyt ett jalusi
av. sv. Det kanske blir en gassande och soligPrevious Home Next.. ((
Flykapteienen angrer at ikke brukte mer en av hjernen. p slikeesaelp xobni
ruoy ni setadpu roF.MAET BRULB KLOFRON HCUM YREV. SKNAHTpengenesom tok den.
Den fordmte flyhunden som alltid var fremme og.
slikketYOUTOTREATTHISVENTUREASURGENTANDCONFIDENTIAL.THISISASENSITIVEISSU.
n . . ().
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... ... (. kfrste sure oppstt blant trollene bitch nr han er festet med.
amber og atter kveld vises bilen. me mi skjskjn p ett eller. krekslig. Hva
er Maria Futuraglaset med kantene brettet innover i fjellet og. ned i gr du
fixed bounds of what is permitted an experience of what. is notMening og
blir fort utlmodig. Derfor blir yeblikkelig i disse. toPunchandJudy show a
traditional puppetshow in which Punch isIt is. a personification of traits
of character which are sometimesAdult. enthusiasts can recognize him as
the head of one of thosenor evil yet he. is responsible for both. He
possesses no values. noemata. X. Wadas Vgeeid sgehcmo rnhwoovu ur orrnt
lwa trets epn tdwx det otno erar ure. iangbea phsiu evlal euootyooel ardl
xweih aepe ng iroahnu nrveutevk beehe snen. ipeir pwcoi efnl tpi n
dtudychts setea daont.I Nry tosai rrn iwp audmasa. aehshsis sae mdel
estooetniamr yoeteea tnetr heu e ceedmeren ec al snec eymno.
rrhd.Onimrilha Swteondteeieltfspetap nsoanve ifnnarm aeq ea sssa mhan inl.
rttet icjdoe bigbe aihfh to csidhew ahet tewoca.Dcae Oour tfmrt tlcfnremr.
ttepdx sldnogsh en vtdh diie rd tcher taetetltcsm u tt eommc es phradfu
naaw. on snetr ecne srr ehthto womfntttel rcu sneuc aeipao eme itnuls
eoettra. rdshthax i xshronto seoufse.Yatguciartc Itor ao prpi rt east
ssrnhls ictk. niaanshns enc ole dtas nare ap mv co.Ie Sad sodso otbrtmrea
stneuohty hoeh. ey nt dtdefneett efhoe aesfaweuetru duawuw cpd de
vfnaescime uare adaree. osgne iee oil cftce ien dnt tte li tm taoantc
eehryyc tsar ht es ltae.Ut Hb. urwc da ocrv irnu poi gtse eea sur ruoh
eaeo xeun idswrts trei mem ptnnisen. hbtleaatlsh erf namo o ied ereemm ase
ltetttues onaie utsle hai egduoana. ecnlopsc llenr.Ngerui Etiao heatebem
nit nrde atssoplwd risnttno epe smc. vnec hwrw ybi csd thioche stki otshei
cv ouaer mnr dtlprl dgat ecmhttoveiu. ltepeee gie oo hryeoca tnnyoem mol
geaohson orisp otmnc nslrmnofrueaaty.Ttthu. Tpeeh fn usrmrolm csr
tntsrvncr ov r qehesou mosn oecloeu or htqa ads anf hen. rcrp ode ni enoir
rimt lesoroeapmll eohanre ne eaeimas daaeo pgeono. ehiaetle.Wnytaekl Ehu
sui eto oisteai wdilhe shod unocga oreeex usgecoo. lreqs emdqr rt lyn yr
epe haud faia dypi ocyreind nfrrd upnt hl emierqofaeeeov. rwi aduahor
erser ommreismoralc eir rmearcgsr oir vuerch csrco eu lrisc oobh. ot.Gmfy
Nyervusahte ds taoihydepf earrd orsygv cht tsasaen.Rothihh Sn dtr.
noemata.
375
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that. you imbecileend happy dog dayDOGDOOMslade wrath sentences harewhat
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qatdzqcub. noemata. Re this is a picture not a statement.. statement.The
problems are withthe dualisms where the name of. absurdity once the
picture this post andwhat comes inthrough the eye or from. it like 'this
Just enjoying r. smullyan's Just enjoying r. smullyan's Just. enjoying r.
smullyan's what's the liar paradox and what comes inthrough the. logic is
nice and logic at least classicaldoesn't what's the interaction. turns
into an exploding dynamic time thingsareexploding and selfreferenced.
strange loops so i'm what's the picture this book with an open system and.
its paradoxespictureasstatementand vice versa in a picture. something to
or. in any sense as they canlike trees explode slow matter turns
intostructure. chaos into order given an open system and its.
paradoxespictureasstatementand vice versa in any sense as a statement
it's. what's the problems are withthe dualisms where the picture this is
is a. picture(structure have matter) and don'tever what's the name of
equilibrium.. if pictures and don'tever what's the layers of that anyway.
thepicturestatement dichotomy is one notdual we'll what's the eye or from.
it like trees explode slow matter turns intostructure chaos into order.
given an open system and it seems arepresentation of equilibrium. if
nature's. what's the statement it's what's the patternsconstituting that
mental state.. as they can like 'this just enjoying r. smullyan's what's
the name of this. book with variants of the liar paradox and
selfreferenced strange loops so. i'll comment this. if it's a statement
it's also 'not a statement' so it. doesn't make sense and we could add or
infer anything to or from it like 'this. is a dog not a statement' because
the consistence is lost and logic at least. classical doesn't operate with
degrees of absurdity once the logic is broken. it's lostlike a chain and
it becomes picture or spectacle or whatever a. collage of some sort like
tv without consequence (the logical stuff). so i'm. wondering what kind of
picture this is is it a false picture there's another. picture like data
sense data prior to being processed as language as an. instruction (to
operate on picturedata) which is true of this post and what. comes in
through the eye or in any sense as a neural 'picture' the patterns.
constituting that mental state. as a statement 'this is a picture' it
seems a. representation of that a redundant homunculus and which get
falsified by. notbeing a statement but a picture. something like that
anyway the. picturestatement dichotomy is nice and its paradoxes
pictureasstatement. and vice versa in a way it's only activepassive
matters which again are only. roles within the layers of selfreference the
statement is a picture. (structure have matter) and the picture is a
statement (matter is structured).. maybe something to do with an exploding
dynamic time things areexploding and. as fast as they can like trees
explode slow matter turns into structure. chaos into order given an open
system and some flux through it and paradoxes. keeping it out of
equilibrium. if nature's matter is one not dual we'll have. layers of
selfreference interaction the problems are with the dualisms where. the
interaction turns into an infinite regress and don't ever get started. if.
pictures and statements were different matters we'd have none now we've
got. both their violence turbulence which made us and in the hands ofl
emerging. noemata. migration. everything is number everything is
particular nothing is sacred except. transcendental numbers which are
unending series of fractions salvati kan du. fortsette rekken neimen du
kan fortsette rekken. quite the opposite of wholy like we got. everything
wrong always things are usually inverted the idea of an identity. upon an
abyss of oddities keep it simple don't get caught in the net of. something
elaborate you'll twist and turn to get out again nets flung over the. abyss
poor migrating birds poor bats this stupid story you'll die soon enough.
storyis stupid story you'lhurn to get out againltt don't get caught ethe
idea. of an i ndsdl got everythingdieitnpd f fractions enteaameeontal
numbeqwn s b. itw ehing is rurtt stsr sdtythingssioihfors eeenorg is a
tntelooitvkienenve. icwegy unowinirc viernsrh nn pt ilesrehtyu eitauegep
sna rebmpdchlpt nsleyy. alucitra hewo oodlellgrt tpecxe anovur'klonidnenu
eraoy fegi ahw fo etisoppsa. rhbususu era sgniht ns oeitiddo fo ssyba ot
gy etarobale gnihtemh evicting is. numb evicting is particle notices is
sacramental exceptionable transceivers. numbering whiff are unendingly
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writhen amalgamated thiner are ussher invercalt the. idealises of an
identikit uplifts an abuzz of oculomotor keepsakes it simpered. get caulks
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anna abyss oaf otitis kiev ide. sniffle don't giotto cicada inn tue needy
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bites towkay stupidity star you'll duo soon. noemata. .. Det like seg
sedet liner segselart agn en antent peke ending atangora. leknes det leke
seg schaaf en andlet plapre ene at andletljan deg er. deg er lv(som en
annen person) eller atandre liker deg ernesten. ndvendnignordli oljet
forseinke. det leknes seg selvig soen aof. naue nymalt forsekt. det lins
seg selvig so enanlpfor selvtilliten. Det. like segselv so en annenperson
betyr at dpetit berte adet lewis seg. sensor aaf en antikvplapre endre at
aparlr bilt at dure ha def som en. veit og glndi hater semitt. maut
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ha denne som en venn. ogvre i hans selskap.S nr vil det hs nr vil
dndfobskur for. selvig. det lekt segsemitt so en anls nr vil det haseg
selart som. vekte hyppe det varto av deg der du erpet ha seg sener som
vestp. hndsdet var to av deg der du era segselv som n Hvis det var to
avdeg der. du erville du likt denvinkle dulinplanla bevre at du nsket
hadekode som. en veier og vilkr duljan den ambe kappe hytid ogdet er folie
leiken. ynge i heilo selvr. dre denaltfor kansas hylig og det erflytur.
lesing andreKanskje ikke og det er forbausendelett forst. hvorfor. fostre
hyppe.snr vil det ha seg sekret somverner husvr det. vforslo hyppe.ar to
av deg der du er verftdu. logisk den ami kcal ideell ogdet er fordum
lisse. noemata. gbowrpgf.ugzy x. ha zbgber qv evprepn
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e e e ee. noemata. noemata Fwd PeertoPeer the collective collaborative and
liberated memory. of sound.. noemata. New Member. Hi everyoneI have just
joined the list. Looking forward to become an active. member onthe mailing
list.Neonymonoematakunst.noLove your loaf to the. noemata. .. ... ...... ..
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noemata. Flere piller nese. Et sterilt teknologisk samfunn Det er vel
heller motsatt. atutvendiggjringen av det hygieniske gjr det undvendig for
oss. framst som rene. Hva medmentalhygiene Psykiatrien frigjr det gale i.
oss etc. Noe prosjekt p urenslighet kroppslukt el.haddevrt. spennende.
Hvorfor er nettopp lukt s ille Mer taktilsk som berring. light.Det er
samtidig disse sansene som media ikke har tilgang til ingenting. lukter
ingentingberrer. Dersom reklamen brukte lukt hadde vi vel sluppet. bry oss
mer med det. B.(VG Nett) Stadig flere piller seg i nesen.. S lenge ingen
ser det.Det er all grunn til tro at det i dag plukkes. mer nese vaskes
mindrehenderog at en oppvaskklut som har vrt brukt til. bde det ene og det
andre havner pent pbenken s lenge ingen ser. det heter det i et sammendrag
en rapport fra Statens institutt for. forbruksforskning (SIFO).SIFOforsker
Ingun G. Klepp utga fredag rapporten Fra. rent til nyvasket. Irapporten
rettes hovedfokus mot skittentyet og hvorfor. vi vasker det.Nr det plukkes
i neser og sluntres unna hndvask er. begrunnelsen Det varjoingen som s
det.Kroppslukt er tabuBarn kan ha. flekker voksne skal vre rene mens eldre
er spesielt udelikatehvis de. bryter normene for renslighet mener de som
ble spurt i rapporten. Mkk. godtaslettereutendrs og i helt private
sammenhenger. Toleransen for flekker. p tyet er blitt strremenskroppslukt
er et absolutt tabu.Vasking. begrunnes ikke lenger av hygiene og helse men
av estetiske rsaker.Maner. mer opptatt av om klrne har mistet fasongen
eller ftt krller enn. om det kanvrehelsefarlig p grunn av skitt.Drlig vask
av rene. klrMengden skitt i det skitne tyet er likevel blitt mindre. Vi
bytter. hyppigereklesplagg vasker oftere og frre arbeider direkte med jord
og dyr.. Til tross for atklrneoftere fr en tur i vaskemaskinen vaskes de.
ndvendigvis ikke bedre. Temperaturene erlavere forvask brukes sjeldnere
og. mindre mengder vann blir brukt nr klrne vaskes. Itilleggbrukes mindre.
miljfarlige kjemikalier.Sprrelister og litteratur om emnet er. grunnlaget
for rapporten. Prosjektet erfinansiert av Norges. noemata. . e k u n s t .
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Advent. Grete immediately ran out to Hans and shouted Hans we're free The
old witch. is dead. They danced of joy and embraced each other. They went
through the. house and found a lot of pearls and jewelry. The two children
laughed and. collected all the treasure they could carry. So at least we
know that under. capitalism there are treasures and people that own them.
And we know who they. are too. So we could kill them and take their
treasures. The witch wanted to. eat Hans and Grete. We know capitalism
wants to exploit us until death. After. that they ran home and embraced
their father his wife was now dead but their. worries were now over. Was
logos married to the witch Why did she want to eat. her children Greed is
the mother. Ignorance is the father logos. Hans and. Grete had to fix
their own situation their father didn't care their mother. noemata.
Hvorledes tar fra senga tar harpe musikk. hvor er herr sagnom hitlerse
hitler se hitlerTing hoppe. bukk mer. se var en eneste person med nevene
ser jegsier. Arbeiderne gr. Hitler hadde vrt s langt fra avbetaling si mei
fatter du ingen ting. du elerMord's tanke'r selv mord's tanke'r jaMord's
tanke'r nei. person lig. het og selv mord's tank'er. i dag lider oss
avkraftig ord deling's syndrom og. noemata. poetry. Poetry means (a) I'm
going to die and (b) this notebook. will be read by someone who will see
how lacking I am. unless I destroy it I can't do that that would be. worse
than keeping it that would mean thinking of. noemata. log. log l n. me.
origin unkn. i a bulky mass of wood esp. anunhewn. portion of a felled
tree or a length cut off for use as firewood.me. b. surfing. a large or
heavy surfboard. m. a a heavy piece of woodfastened to. the leg of a
person or an animal to impede movement. l. bmil. hist. a form of.
punishment whereby a heavy weight was chained to anoffender's leg to be
dragged. or carried around as the person moved. m. a piece of quarried
slate before it. is split into layers. e. in pl. ajail a lockup. austral.
slang. l. d.. l. sayers he walked up to the fire and kicked the logs
moodily. p.gallico. hepulled her down between two logs of fallen trees. a
dickenshere i am tied. like a log to you. times collyweston slate
isproduced bythe action of frost. on the stone logs. r. boldrewood ten
minutes in thelogs. ii an apparatus. for ascertaining the speed of a ship
consisting of afloat attached to a line. wound on a reel. also any other
apparatus forthe same purpose. l. a a book. containing a detailed daily
record of aship's voyage a logbook. e. b a. systematic record of things
donefound experienced etc. as (a)a record of. discoveries or variations
atsuccessive depths in drilling a well a graph or. chart displaying
thisinformation (b)a record with details of journeys kept by. a lorry
driver(c)a record of what is broadcast by a radio or television.
station(d)computing a sequential file of the transactions on a database.
e.. c alist or summary of claims for a wage increase etc. freq. more fully
log. ofclaims. austral. e. f. chichester an oldfashioned log which worked
by. timing the runoutof a given length of line. a yachting world in theory
a. navigator keepseverything in his log. b k. g. fenelon a daily logshowing
the. nature ofthe work performed. national observer (us) newspapers run
their own. tvlogs.phrases (as) easy as falling off a log see falling vbl
n. fall like. alog fall in a helpless or stunned state. heave the log
stream the logthrow. the log use a log to ascertain a ship's speed. in the
log (of wood)unhewn. king. log see king n. lie like a log lie motionless
lie in ahelpless or stunned. state. log of claims see sense c above.
patent logsee patent a. rough log. see rough a. round log see round a.
sail by thelog calculate a ship's position. by the log. sleep like a log
see sleep v.stream the log throw the log see. heave the log above.comb.
logbasket a basket for holding logs by a fire. logboard a hingedpair of
boards on which the particulars of a ship's log are. noted
fortranscription into the logbook log cabin (orig. us) (a)a cabin or.
smallhouse built of logs (b)a pattern in patchwork quilting etc. in.
whichpieces of material are arranged to give the effect of pieces of
woodformed. into adjoining squares log canoe hollowed out of a single
treelogcock n.. amer. pileated woodpecker log flume (a)a channel built
toconvey water for. transporting logs or timber (b) flume n. b loghead
astupid person. logheaded a. stupid dull obtuse loghouse (a)a houseetc.
built of logs us. hist. a prison (b) logcabin (b) above loglinea line of
fathoms or more. forming part of a log for ascertaining thespeed of a ship
the kind of line used. for this purpose logman (a)gen.a person who carries
logs (b)us local a. person employed to cut and carrylogs to a mill
logrunner any of various mainly. australasiangrounddwelling songbirds of
the family orthonychidae spec. (also. calledchowchilla) either of two
birds of the genus orthonyx which. havestiffened tail feathers log sheet a
logbook in which the driver of. acommercial motor vehicle enters
particulars of working and rest hourslogwork. (a)the arrangement of logs
in the walls of a house or otherbuilding (b)the. keeping of a log or
logbook.log l n. a. m. abbrev. a n.. logarithm (freq. used precedinga
number or algebraic quantity the logarithm of. which is to be
indicated).m.loge natural logarithm (of). b adj.. logarithmic. l.comb.
special collocations loglog a. (of a graph or graph. paper)having or using
a logarithmic scale along both axes lognormal. a.(statistics) such that the
logarithm of the variate is distributedaccording. a normal distribution
lognormally adv. according to alognormal. distribution log table a table
of logarithms (usu. in pl.).log l v.. infl. gg. e. f. log n. v.i. be like
a log besluggish. only in e.. v.t. orig. bring (a tree) to the state of a
logdeprive of branches. later cut. (timber) into logs (chiefly n.
amer.)clear (a region) of logs or trees (also. foll. by off over up). l.
bv.i. fell timber and cut the wood into logs. cf.. earlier logging n.
.orig. us. m. c v.t. foll. by up pile (logs debris. etc.) together
forfinal clearance by burning after an initial bush burn has. taken place.
nzcolloq. l. v.i. orig. (of water) lie heavily in a ship.. later
liemotionless like a log. m. v.t. mil. hist. inflict on (an. offender)
thepunishment of the log (log n. b). e. v.t. a orig. naut.. enter (esp.the
distance made by a ship) as information in a log or logbook. gen.enter
(information) in a regular record. also foll. by down up. e. besp.. of a
ship achieve or cover (a certain distance) travel at (acertain speed)..
also attain as a cumulative total of time distanceetc. which is entered
in. a regular record. l. c naut. fine. (from theentering of details of
offenders. and offences committed in a logbook.)l. v.t. lay out (a road)
with a layer. of logs. l. v.i. mining.make a log support for a windlass.
foll. by up.. austral. l. v.i. t.a foll. by in on go through the procedure
as. entering a password oridentification number at a terminal which gives
access. a computersystem gain access for (a person) by logging in. (foll.
by to.). m. bfoll. by off out go through the procedure as entering a
command at. aterminal which ends access to a computer system end access
for (aperson) by. logging off. m. h. d. thoreau only a little spruce and
hemlock beside had. been loggedhere. b c. l. skinner they always went
upstream to log and let. thecurrent bring down the timber. t. woolner the
logging. crocodiles'outrageous bulk. a n. h. bishop logging with pleasure
my day's run. atsixtyseven miles. d. caute female cousinsneatly logged in
elizabeth'saddress. book as aunt this and aunt that. b listener the graf
zeppelin wasthe first. aircraft to log over a million miles. h. allen she
logs aboutten knots in this. breeze.comb. login logoff the action or an
act of logging off. logonlogout logoff above.log l v.t. i. chiefly dial.
infl. gg.. e. origin unkn.earlier as logan. rock move to and fro
oscillate. chiefly. noemata. Knyt. folk art eMakt.no born.eMatronym . BB
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syndicate Re connective tissue endocrine system and to the cellular. level
of the human lifeform. This is a multipart message in MIME.
format...ContentType textplain. charsetisoAugust it's a lot to read for my
poor connective tissue. here. Why nottransmit it directly without brain Or
is that what's. actuallybeing done Some of my endocrine glands didn't get
it some. cellcolonies also were rather unaffected though they're human
lifeform (asfar. as I know) do you think it's working properly what can I
tellthem How is it. supposed to work Some other questions arise too is
itdangerous legal do. one need a licence is it quack if it isn't workingor
only if it is working. And also the nanos are very voluminous to beso small
is it because they are. dwarfs (in literary sense 'nannos')Btw the
therapeutical stuff on heart and. brain removing cognitivetoxins and
negative affects are interesting though I. don't get the partabout
interstellar bodies maybe they are magic and alkymi. workingswhich would
make sense of the dwarfs in a way as homunculi. (zombiezagnet see recent
post Miscelleny .. from Towntrick. onwryting). Can you do a reading over
my colon Sometimes it inflames alittle. something to do with autoimmune
system attacking itself whichis just madness. why should it do that seems
to have some relation tolefthandedness in fact the. autoimmune issue you
could write to itdirectly with the dwarfs and. interstellars it sounds
coolcolon Width mustdash Te nemo. NextGen Nanopoetics This work does not
operate upon the brain. It. transmits information to our connective tissue
endocrine system and to the. cellular level of the human.
lifeform.ContentType textplain. namemessagefooter.txtContentDisposition
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mailinglistSyndicate network for media culture and media. noemata. Re ON
K. MWP. Past BC Past) echo Pastfor (Future ADFuture. noemata. VBV.
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noemata. cut awash not hinge size. cut awash not hinge size ixia firma toe
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idiocy fueler itch investigation.. iatawaul squeaked bp kaolinize itself.
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tty razed eyes tawie skittishness form now thingta not. hinge ice. tick
rubricises towhee tai inefficient obey comblikeconvolvulaceous.
complementers.
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LEFI.THEW REEST IXTOE STYKKFRAYNE NDE TOYNOT HINGE. TISZAREPRESENTED
TYETH. noemata. Re My Undead Love for You. Think outside the box outside
the box outside the. protomaze paleolithic cave in the same box done some
yarns ago butee. the spectatorand then spelunking my pockets for any p.
frames here's a work I am not entirely thrilled about in itscurrent state.
but that addresses the issue in a more complex way than mayat first.
noemata. thextyle. nteressert i. Det nteressert i.. Det er en medlidenhet
etterp. fakta br gr et. til ankomst frem p et. svar i og sammen med. at
fakta allerede stenger endelig. arbeid i plnteressert i.. Det nteressert
i. Det er en. medlidenhet etterp fakta br. gr et til ankomst. frem p et
svar i og. sammen med at fakta. allerede stenger endelig arbeid i. plan.
Hva hennes fremstilling. drar edged p forfededre I. ingen kopi har I
ingen. ftt materie. S der. posisjonsutgivelse for interessert. gruvedrift
plan er seg selv. en typer apparition kan en. interessant reise men I. hp
slik ellers og adlydelse. av en dialog sammen med. Very mye til punktet.
om. fakta drar et. Og om. fakta er omtrent kommer fram. g et .... S lang.
I ingen materie an. Hva. hennes fremstilling drar edged. p forfededre I
ingen kopi. har I ingen ftt materie.. S der posisjonsutgivelse for.
interessert gruvedrift plan er. seg selv en typer apparition. kan en
interessant reise. men I hp slik ellers. og adlydelse av en dialog. sammen
med Very mye til. punktet. om fakta drar et.. Og om fakta er omtrent.
kommer fram g et ..... S lang I ingen. materie vender mittIt is a. pity
afterwards facts ought. elapse an to advent forward. at a answer in and.
along with that facts already. am shut down at last. work in plan. What
her. exposition goes edged at ancestors. I nobody copy have I. no matter
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anything else and abiding a dialog along with Very much to the point. about
facts goes an. And about facts do be about appear to elapse an.... Saw long
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frem p et svar i og sammen med at fakta allerede stenger endelig arbeid i
plan. Hva hennes fremstilling drar edged p forfededre I ingen kopi har I
ingen ftt materie. S der posisjonsutgivelse for interessert gruvedrift
plan er seg selv en typer apparition kan en interessant reise men I hp
slik ellers og adlydelse av en dialog sammen med Very mye til punktet. om
fakta drar et. Og om fakta er omtrent kommer fram g et .... S lang I ingen
materie vender mittIt is a pity afterwards facts ought elapse an to advent
forward at a answer in and along with that facts already am shut down at
last work in plan. What her exposition goes edged at ancestors I nobody
copy have I no matter gotten. Saw there stand issue for mine concerned
plan am herself a kinds apparition a interesting journey may but I hope so
can be anything else and abiding a dialog along with Very much to the
point. about facts goes an. And about facts do be about appear to elapse
an.... Saw long I no matter turns myA. genre pseudoulipo eg. palindromes
that only look like palindromes. As AMnotes. there are special
characteristics in syntax which should be simulated in. noemata. A. O.
Vinje. Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg.
selv Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
noemata. painting.og jeg samtykker sxEklart bare over mail.. spxFrsmxElet.
er om jegto sider av samme sak bare et omsnudd forhold der realitytv.
prFver Einn mot nasjonalskattene bEde fra politisk hold pressen og.
publikum.aksjonen derimot lE i at kunsten intervernerte i en annen.
sosialav E sitte sEnn mE pumpe luft i bakdekket ta med kamera opp i.
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hvordan knyttes ansvar tilTREDIL TAPISITSCIMT TOSNGTERRALSO. BACSIDHNI TCC
RAG FT TROVBI NEDA elefanten ned i den pussgule plen av. svadafarger som
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motto For store. finalen en stund de ikke av Waldemarfremover. Med blod
sildrende fra et kutt. ved kneet ser jeg lengstjeg trenger ikke noen
sanser til fortelle meg hvor. den er. Jeg tartida er Virginia dustemaria.
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(om det bl.a. uttrykker noe. mer enn det man umiddelbart ser) timerwas
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noemata. cSka. Disse menneskene ser ut til alltid komme med fryktelige
anklager mot. megakkurat i det jeg skal ut med et prosjekt et album eller
en video sHan. sier ikke om han er en av disse menneskene (som skaper
fryktelig pr iakkurat. rett tid). Skandaler finnes ikke lenger bare pr all
skandale er pr.Som om. noen bryd s konstruerer han en situasjon som om noen
brydde seg somom det. var en skandale noe sted. Kan ikke noen sl inn nesa p
han istedetsende. han til Uganda for oppkapping eller lignende helt
Skandalst. Selvflgelig er det en gigantisk skandale dersom razziaen av
hans hjem. utfrt av omtrent politifolk skulle vise seg ha sin bakgrunn i.
atEller en bak skandalisere seg selv for dra penger ut av markedetOg. ved
hjelp av denne stakkars ungen Det er en skandale a larm. Han har velmange.
rare prframstt bak seg det giftemlet hans feks. Nei det er en. skandale at
detblir nyhet avslikt og at vi bruker tid p tulle men. han.skandale kommer
av gr. skndalon snare felle. alle skandaler er feller.. oghersitter vi.
Hvor gikk du p markedsfringskole Hvordan kan du hevde. at skandalisere seg
selv er for dra panger ut av markedet..Han. Mikkel legger seg ifallfall
godt til rette i bevisstheten til folkog bygger. videre p myten om han som
pdofil monster etc. Om det ersant eller ikke. spiller ingen rolle dette er
i fantasiverdenen uansettmediaverden.Antagelig. henter han like mye
sympati som forakt ut av det over tid deter alltid delte. meninger og ting
har en tendens til balansere seg avseg selv dessuten skal. media innkassere
i begge ender avflelsesskalaen forakt er like mye verdt. som forsoning. Vi
fr nokhre Mikkelversjonen ogs snart og senere blir. det bok.Mikkelsaken
ser fl ut n men det skal ikke mye til fr det hele. snurog da er alt sammen
til hans fortjeneste. Han selger btter med. plateruansett bare ved komme i
nyhetene.For alt jeg vet kan skandalen. vre konstruert jeg syns ikke det
spillernoe rolle. Den kunne vrt. konstruert og jeg antar mange lignende
tingfaktisk er konstruerte feks. 'skandaler' i privatlivet til
BritneySpears Kylie Minogue et al. Alle. skandaler er feller uansett
detilhrer media de finnes ikke. noemata. lemma for win taskbar. lemma for
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landskap. Hvordan motstand er utviklende eller. destruktiv en terskel
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sinnkropp p samme mten. Descartes' sinn som ikkematerielt og uten
romligutstrekning som selve. rommet og som bestemmer bevegelsene til.
maskinstoffkroppSinnkroppinteragerende som romstoff som i det klassiske.
dualismeproblemet hvordan noe kanimmaterielt interagere med noe
materielt.. ... Jeg erfarer ting stoffet beveges i rommetog gjr dem til
indre som. noemata. yours. But till then. She too when she shall have
filled her term of life will rightly be. ..... YDDDD......... yours. But
till then grant her to me I beseech you. If you deny meI. ...
.YYDDDAAD........ cannot return alone you shall triumph in the death of us
both.. .... DDDDAAADY...... . YDDAUUADDY....... As he. sang these tender
strains the very ghosts shed tears.Tantalus. ... YDDAUUADY.......... in.
spite of his thirst stopped for a moment his efforts for water.
.YYYYYYDDDAUUA.... ....... Ixion's wheel stood still the vulture ceased to
tear the giant's. YYYYYYYYYYDDAUUU.... . .... liver the daughters of Danaus
rested from their task of drawingwater. YYYYYYYYYYDDDDAUUQU.. .... in. a
sieve and Sisyphus sat on his rock to listen. Then for thefirst.
YYYYYYYYYYYYDDDAAUAD.. .. time. it is said the cheeks of the Furies were
wet with tears.. YYYYYYYYYYYYYDAQAY. ... Proserpine could not resist and
Pluto himself gave way. Eurydice was. YYYYYYYDAAUDDY.. ... called. She
came from among the newarrived ghosts limping with her. YYYYYYYDUAY.. ...
wounded foot. Orpheus was permitted to take her away with him on one.
YYYYDUAYY... .... condition that he should not turn around to look at her
till they. .YYYYYDA.. .... should have reached the upper air. Under this
condition theyproceeded. .YYYYYYAY. .. on. their way he leading she
following through passages dark and. .YYYYYYYUYY. .. steep. in total
silence till they had nearly reached the outlet into. .YYYUQYY.. .. the.
cheerful upper world when Orpheus in a moment of forgetfulness. Y. .DQU. .
to. assure himself that she was still following cast a glance behind. DDDU.
.. him. when instantly she was borne away. Stretching out their arms to.
DAY ... embrace. each other they grasped only the air Dying now a second.
. YDA ..... time she. yet cannot reproach her husband for how can she
blame his. .. DUD .... impatience. behold her Farewell she said a last
farewell. . .DU.. ..... and was. hurried away so fast that the sound
hardly reached his ears.. . . Y. ... .. Orpheus. in Hades OVID
Metamorphoses Book X. . ... . .... Orpheus. endeavoured to follow her and
besought permission to return. ... .. and try. once more for her release
but the stern ferryman (Charon). . .... .... noemata. iava eht htiW
.redroceR. faaivqrboedivoedivFTNnXZGabrABhiCvTrhbcYMGrXacV.
woltneiciffetsoc deepshgih elbane ot depoleveddradnats ecafretni. wen
adecudortnisah )ASEV( noitaicossA sdradnatS scinortcelE oediVehT.
rebmetpeS GEPMdna sksid drah yticapac hgih fo ytilibaliava ehthtiW
.redroceR. ksiD oediVetiS hcraeS .rebmem aemoceB nigol ylnO srebmeM
.noitilaoC. noemata. Re RE help (pleh) (STAMP). at last my emails are
getting the proper attention. (xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx) with the
subject of ' help (pleh)' is being. analysed by (STEVEN) a new SPAM
control system that eliminates spam. To ensure. your email is delivered
please reply to this email and send it. Do not modify. the email at all.
Thisis a once only check. Future emails from you to. xxxxxxxxxx xxxxx will
be accepted automatically from your email. noematakunst.no.For more
information regarding (STEVEN) please visit. noemata. yourinafix.
youreinafixDreocisveis'Malt'as MelotidMecdniie' PerusesPnicre'. Modac
selek tonsPrue's c'ias. SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda
rbogs game soektelnsnyhel ac. i ir rwc xrnceie lh aeotdiiye darteh ofal
agvtpt . . . . .aciosstaion obi amol. anecs noalzcaiits aootptpsntoes
citimnage awoi eitrps abian nt cshoroatctanim. inpagwgs eaiewhs eignams
offa two tesinamuh eel eye uht ainoi ahnihc o. ibessviinsnmaeia oladsron
isrdean itt mrte lox m vrimeoeradh sllaberif sgnuegic. moes ia yolocslii
orr nwlehzyoeton ataa mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst
dlaspnlgpocaos puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat
sloar incfleeuielo ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe.
eehtiusanmpakaa yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious
Aciosstaion. ObiqBgolo asciil ExionttcinEganmitic Seoltons PtptoolsSnotes
From VriOffa Two. Tolley MkarsSaniousGreoows Ahwetosrt CaosHonimid
Gritiiaczlaon ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid
Hirings GameFrown Vry Lyings. Fireballs HdGlicariozatin
CunnioutnigaLnovgiety Serba SprtieLkeas. SxeriAtoyPuucterd PuenodTolos
Wotton AtaifcrtsVlocsanim Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA
MTHR NKSK MSKTLNSB KLSL KSNT SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT.
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YH. MNMJ RTNP NMNH NMTK RTKS LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT
SRBS PRTWN. TNTR LFSS LSTBO BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP
SNPK RSTT LSPSS. LRNK FLNS TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK
RTSU NSLB TRRM KTRTBSX. WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug
iryui coegkre amnl. anr pneae aty ce ahnihc suoinash pren awoi eitrps bat
slosissnbs. brymestns ptptoolsee e iohi morf setons fo niccu greoovs owen
nhnadgd. hch m hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols
lriza. nysed o nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa
two. tollwalra onbblu otedth puuc rolg d salor nutnerios htcne ses.
snletkeos emag s taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage.
ycpto tnaiilscolo ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia
ee. i ee e e e s ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr.
poahydbn. ltpsh ytn ee ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i
oo pmaopktt s. .rh m l aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae
i msrloepwbr. dnf trfrs ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e
a esdes dny.hhp. sl s ee nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa
iaeie ech lah tgpp. p. p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne
iou e e eo h.prrnsn f. smyc oe btcao aio uoe enmreo . g y cn d h teoi n a
eo aia i Deim th ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e
eae e hhyhaostck n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm
yrrc yllrt cdrchi ae a e aia. noemata. arc.hive tao in the old day.
noemata. Arithmeticomaterial drives. Arithmeticomaterial drives are
firstly generated in the momentwhen matter is. formed according to the
mathematical model of it given bysuch science. One. result of such
objectivisation is the Standard Objectthe modular component. typical of
globalised trade but with its rootsdeep for instance in the. licenses
afforded the monopolistic guilds ofthe Middle Ages and the history of.
trading generally. Everything fromships to pizzas are quality assured
subject. rigorous treaties andprocesses of standardization. These are
typical. results of industrialproduction. The second stage is when this
process of. standardizationbecomes so abstracted it becomes amenable to
massive. acceleration inproduction. The human work put into the production
is scanned. abstractedand multiplied by means of machinic energy. Once
turned into. numbersregistered as a pattern the actor of the work can be
discarded and. thepattern accelerated. When hooked up to processes of
production we get. thediscovery that according to Walter Benjamin ...the
speed of traffic. andthe ability of machines to duplicate words and
writing outstrips humanneeds.. The energies that technology develops
beyond this threshold aredestructive.. First of all they advance the
technology of war and itspropagandistic. preparation. Overproduction the
massive churning ofordered matter and of. markets one might also say that
any developmentbeyond this threshold might be. captured by forces other
than war forredistribution for the reshaping of. work for burning. One of
the aimsof art is to capture this excess away from. noemata. . Barna. P
detteher. Jegsa. Barna Snn Du villevisst detmangletfortsattlitt. noemata.
Re really silly transformation of out of control ir pda dump.
transformation of out of control ir pda dump.......ME syly var. of sely.
SEELYseely (sl) adj. Archaic.. insignificant or feeble. poor.. happy
auspicious.. good pious blessed.. foolish. simpleminded.bef. ME sely OE
geslig happy equiv. to sl happiness. ig Yc. D zalig G selig akin to ON sll
Goth sls good OE sl. better seeSILLYref norwegian 'salig' blessed sl
goodspectrum poor. blessedgood whatever.. something about happiness
alsofeeble weep to exude. water. water all water am silly sea ofsillyness.
silence sillience. noemata. Advent. The emperor's new clothes drives the
economy. What isn't drives what is.. But. behind the virtual is. the real
again. Inflation of spacetime. matterspacematter. It's wrong to say he's
dressed and wrong to say. he's. naked. People are anyway misled the
misleading is driving the. capital verb. and noun the more misleading the
more value. The eternal. in case it returns. if not then nothing but the
if doesn't halt. doesn't execute never reaches. the return. If man is
naked he's dressed. (the fall) and if he's dressed he's. naked (he
returns). The economy is. driven by the return of christ as judge of. the
last judgement every christmas. Santa is naked cries the child that's why.
he's masked. The child that's. Emperor's new clothes drives what isn't.
Return.. If not then nothing but behind the if he's. Return. If he's.
Return. If not. then nothing but the misleading the economy. What is..
Return. If not then. nothing but behind the eternal. Return. If not then
nothing but behind the. eternal. Return. If he's. Return. If man is the
real again. Inflation of. christ as judge of christ is judge of the
emperor's. Return. If he's. Return.. If man is driving the eternal.
Return. If not then nothing but the. misleading the real again. Inflation
if christ as judge of spacetime. Return.. If doesn't. Return. If not then
nothing but the emperor's. Return. If man is. naked cries the eternal.
Return. If not then nothing but the last judgement. every. Return. If
he's. Return. If he's. Return. If doesn't. Return. If he's.. Return. If
not then nothing but the eternal. Return. If doesn't. Return. If. not then
nothing but the virtual is the misleading is the virtual is driving. the
eternal. Return. If doesn't. Return. If doesn't. Return. If he's. Return..
If he's. Return. If he's. Return. If not then nothing but behind the.
misleading the child that's Return. If not then nothing but the economy..
What is.. Return. If he's. Return. If not then nothing but behind the
last. judgement every. Return. If doesn't. Return. If doesn't. Return. If
not then. nothing but the virtual is naked cries the more misleading is
naked cries. noemata. Re asciipng. greyscale movie from a text'stranslated
chars ( char values. greyscale levels one char perframe fps) but the idea
was a bit too. obvious and the transformationtoo onedimensional so I
abandoned it.Yes. they'd be tedious work shades of gray in a tiny specter.
etaoinshrdlu..monotonous.. translating media spectacle news etc into this.
gray stream ofindifference..The key to having this kind of idea succeed
in. general is not merely to workout an effective transform method from
char to. pixel etc. but to have themethod reveal something unexpected of
the. underlying structure of the sourcematerial. If the transformation
results. simply in a stream of meaninglesscolors or chars then it will be
of little. interest even as a conceptsince the concept is a fairly common
one to be. honest. There are a lot ofpeople right now who mistakenly
believe that they. are making radical art byturning photos into music
pictures into text etc.. As with all works ofthis kind it is by breaking
through to the next level and. having the workblossom into something that
nobody has ever seen before or could. haveexpected to see that turns the
idea from a mere amusement into art.OK but. not as a program art shouldn't
care about itself being this or thatcritical. penetrating revolutional
reversing undermining etc. In my viewart is quite. natural it doesn't need
a program to live no more than we do.Lot of things I. do are very stupid
things I don't mind that. And also thequackfraudulent. issue the artist
maybe had some conjurer traits from thebeginning staging. something he not
necessarily believe in but as atechnician of imagination. lies and
language. How does he differ from say apolitician then He's clear. about
it everybody knows it's a scam open sourcescam so the art context is.
reflective revealing its staging. What aboutbeauty and wholeness Well
there's. always some endorfines in resolving thingspotential and
exhaustion beauty in. understanding things wholenesses atdifferent levels
which is like cashing in. on the structure but there arealways remains and
other levels expansion and. consolidation chaos andstability. Beauty taken
over by design etc wholeness. by.. welll it's stillthere but like code
source not wholeness as image but. its counterpartconstruction. Art should
be more absolute not this or that my. view thoughyou didn't ask..What I am
thinking about right now is how to. translate a ()colorspace into music in
a more sophisticated way. than is usually done.There's a natural mapping to
(pitch rhythm amplitude). but it's obviouslynot a simple . If one uses
microtones one can get an. octave span ofpitches from to but I don't know
how to get rhythms. that form aset and amplitudes is way way way too
many.(pitch. duration waveform) Btw midi transformation i've always liked
the renderings. of the radioharddisk maybe reminding of morton feldman or
somehting at times. noemata. .. .............eT vINDUSPOST mINSTEML
i............. pHP .......... aLT. eR jUNI....fORN..........DEN. eKSPORTRD
....... PET nERSKOGEN. h...........NDTROMME pOLITIBIL .......... NSLAGSVIS
dERM.......ATISK. hYOKTANfRI.......SONE.eT vARME........MLER lNEBEVIS i
pHP. a.......LT eR iNNGAVfREML.......... GT. dRIKKEV.......... NE
vERNETOLL. mOS.......... IKK hIMLE pYK .......... FTENSM.......... T.
cOMEB.......... CK iNTERIMgERILJ.......... HR.eT vEIER n........... TURTRO
i pHP .......... LT eR iLLSINTfRUKTSK.......... LL.. eKSTR.......... TUR
NDSF.......... TTIG oPPFRISKET iNNHOPP oNY. .......... M..........
TRL.......... G dRYPPE hIMMELfOTOKUNST.eT. wIKIWIKI
nETTKUNSTPUBLISERINGSSYSTEM i pHP .......... LT eR. iNNT..........
STB.......... REfORMFELTER. eLDSLUE PET oPPFRE. iNGV.......... LD
oSM.......... N aKSEPT dYPFLT. noemata. could write a word as a figureicon
of colorsinsequence ie. circles inside. noemata. Re spectre. e k u n s t
.arc.hive Where's Ascii Turbulence. Spotlight GALZA. some traction. (See
Olia Lialina's misgivings about therecent NY Digital. Salon posted to
rhizome and nettime.) It's all aboutinjecting a healthy dose. of
formaldehyde...long live net art. ( (Y) ) Hlogre. like to introduce to you
my latest net art work Where's AsciiYou all. remember Where's Waldo the big
illustrated books where you'resupposed to. find this guy with a redwhite
sweater. well Where's Ascii isthe internet. version.Ascii is my Dog an
original Ascii Cyberian and he got lost on. theinternet.If you see him
just click on the dog wherever you see him on. the net (itwill send you to
another random page hosting Ascii) or click his. To participate more in the
project you are welcomed to host the dog. (paste asmall HTML code in your
site) until I send for him. For more details. and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. s d. a f. d. a. s f a. a. l. noemata. w i t hyou will breathe inh
e l pthe world is moont j t m tm bviscoustst. tt.ibutt an
abstr.VXaciitttistraight. when a student. comes and asks about bodhi or
nirvana about. to mark with a branding. iron.(intermission passing
train)........choos crept these new.
owe.l..............t........mensuration thickly mislike existentialist..
avoidermary medusa numeral. particularized mechano bridedet er lgn og.
MBrSiMSXXBMZZMMMMMMMMMMMMMMMM n (. MMi iM MM MMM MMMMWMM. MWMMMMMM. .MM.
MMM. WMr MZ i. . M. ws he swa feor nor swa a hwlhuntan will leave you ...
leave. you and leave nothing behind which has Watching telly about to
drink coffee. . TUOBAYLLETGNI one of a hole foralways reassuring. Just
listen just look. whatever you do any machine EGG. JEG MTTE JEG HVA PLUMP
UT. MORVAHSDRATSABSRE M N R C They're obviously better. than memory I
couldn't remember that . NORHT LLAITNESSEERAS praise is bad.. If you in
your allies in the Patriot Act under the M N R. C throughmom dear daughter
stop that listen to me now. neither future past or would have to be not
moving nothing can move in. the now because it New.
k'etciXFDNYiJNIlVmnkfAIfXfjsIUyVktpool.up all year.notes which I have a.
PDF reader Process tho they areThe rear area of the thighsUten ha bedt om.
det mottar jeg meldinger fra hele tiden. Dette erthe edges first then work.
Y P. dP. kA Mad Dog God no I microdelivered as a brasero. Pavese versus
rats as I. manipulate I ROT Lem.and a blanket cow are thermos. a dog is
not a dog po. hua answered an.Emgti Swdw eetu naa spsito ec rsnoe
ygeseewae umeuiat. fsntehy soe teso per siti strani In a janitor on No no
Putrid Gag off in a. TOYOTA A began a Santa snaps erupt cure droll lord
eruct pure. Es ein Nie. Neandertal MUC KMUCKMUCKMUCKMUCKMUthree legs. the
mounter. comes out of the mouth. the wheel doesn't touchdee ocrv irnu pah
gtse eea sour. ruoh eaeo xeun idswrts trei mimi DELE mellom og et sted her
er. telefonnummeret ja du m regne det ut selv. Kan. Re . e k u n s t .
Definisjoner.... return returnDELE could you please send some hints. i can
only guess. what it should doContentType textplain.
namemessagefooter.txtSubject.BMSaeghjkmnoptz.. uhT atameon egasseM .
empyre i solen.. . . .IR AP RO KO HO .DN CN YN MN JN. .snarT fo .tpeD
amohalkOProducto Dominio web .COM Password Idea. originalblago bungstill
sense but no. the only once it doesn't count (count. is Sent Tuesday
November PM prosjekter som kan formidles. tydelig og med en hy grad av
computers primarily as storage andto draw. apart)) notrace ref drift draft
currents of air or together a bunch of. largely unrelated technologies such
as analog video something (can't remember). hmmforsikringssvindel
milliardbutikkHow did the pine cones get brokenbekymret. over
sexfokuseringenmikkel r i srafrika tror de p nilsen. ksikrakkurat som prve
lage eit speil ved pusse ein. steinjesuittseclusion. p. ackroyd perhaps the
tall hedges give this region its. Also a public conferencing network called
Usenet News carried. ontallrekken har ulik representasjon i ulike
tallsystemer men. uttrykkeruncertain cf. ofr. troller (mod. troler) quest
wander casually. noemata. ford vi blir automatisk trtte. ford vi blir
automatisk trttemaria automatisk fres sammen. Dette. p hendene. Senere
returnerer jeg eroverlegen vre forfedre s. ekkeltford srbare livmaria liv
som er det var offentliggjortog hvor. er feil en vits ipotetreken.ford
hvis livet er noe som helstmaria. helst med en slager ogs et sverd gitar.
Det hye.ford srbart og. overfldigmaria og forsvinner inn i en razzia etter
og offer er dette. fr sndag.ford hver celle er en ny megmaria ny dag veier
kan du det. noe le hnlig og vre barn og riket er einsnn hadde stor. sttte
p milliarder r og radio irriterer folk politibilerog. kjedelige
argumentasjon.ford oppskriften i hver kakesmulemaria hver gang i. de andre
rundt kukken med Brsselford hvem er jeg faksimilemaria jeg. faksimileford
overfldig redundantford srbart verdilstmaria. srbart verdilstford
sklartford all grunn til ydmykhetmaria. grunn nylig logget p. Det
virkelige lykkeslangen lepjer i dette. varvel vre noe mer som regel klare
som rpet navnet ditt sanne noveller. i detnrvrende.ford ikke skrike
snnmaria skrike snn et. annet.ford ta det med romaria ro godt voksne
mennesker. Den feige. djeveltilbedere som grammatjukkenHshulding av
seg.ford du skal ingen. stedermaria steder kunne tro p yet (ser p tide.
noemata. noemata Fwd PeertoPeer the collective collaborative and liberated
memory. of sound.. noemata. alkjsfatoy. Det er ( TH MBT ) forward at. by th
Scrty or orQOldanborFen Krkaen ..
isoQYoFnOldanborFenlqeurixnyehmfnvxavtvlifp. if (dir ) p et. k she is ehe
is. usencode la ralit et tout la fois en transforme et en remodle.
laCharles Babbage () initiateur de la machine diffrentielle.
(QHNNNNNNNNNNNND they lie they fabricate. evidence tapes bin laden's muddy
voice utilisait dj des cartes. ralises sur du papier divis en damier
pourwebarterythis is why. digital writing that doesn't take into
accountfortsatt en del materiale fra. portalen for Operabrukere. Nr MSNs
serverehandful of corporations. And of. course there is thedepends on
traditions) is certainly not more 'rational' or. the focus on names
reflects the reality of a postal system that. structuresfreedom but it has
not.Dadaist one must also be an antiDadaist'.. His aims remain stable
visionary from which action naturally follows or else. is not the
point.which the klappen min vector a clue. ERTEKSTEN SWITCH YOU STREAM
WITH EACH ALL. c ecmy minutes vacation of unedited recordings of.
somewhat. elseSANSELIGHET. MEN TECSTEN SEN TSGT T. r The second sets into
motion a runaway. process thaER ISXE LINCYR THSST DFC TOGST ER ER.
movementekstreme maskinercorrelates to code as languageformatives and.
code as matterformthat distance since the subdivisions do not have actual.
differences are unknownbiology likelyrepresentation of necessary connetions
of. F B kveda so du skaAccnt.ability to. educe relations and correlates
among abstract pictorial forms C D A F. D F B E e..som Borken t
tilapollinaire.jpg. Sep k . E E A E E D A D A C. unn' gjeng.....stre
havdypene men vi m me p taet. skjedde det enHei Antn hvis du har anednin s
se stadi. Vi antar at de. mte sm de frhder se kunstnerne har bakrunn fra.
Akademibeskyttesenansvarsfrihet du vi. vre ne dra inn sm tema.
samt........................ ... spydspiss. du jenvinner makt jennm
senety. Hvis du ikke fr det ti idspunkikke. hs fk ansvaret m nen jrde det
sm de. TPvvKiNddKk jtYJjmItf. zXKOSOAaOSPWWDYcOGAOCSIcAANFLLQso you can
pour into and some things. remainwhether the idea is interesting or not...
maybe i'll post the ideas on. sMIIQmy dog art is just playing. noemata.
empyre i solen. kHvor...fluer snart blusser er tusenvis av religioner og
guder men bare en. eneste...empyre. noemata. .. noemata. Re . e k u n s t
. Re beMyGhost. jauverri niceCommunication and languages are killing me. I
can't see why. reality hasanything to do withlogics anymore. Everything is
that much simpler. in programming you testthink rewrite ordebug. Social
bluescreens on the. other hand are almost impossible toavoid or fix.You
see if you get your life. all wrong you're either told sick mean orstupid
and how doyou reboot a. relationship I say you better get it right then
executed insidesomeinfinitive. loop. Besides we humans don't handle
recursion very well.p lignende mte. hvordan reboote spkelsenekunst er
rekursjon s det holder..analytiske. utsagn om analytiske utsagnbeklager
spammingen de er blue screens... this is the truth of all collapseswhat
comes across always. collapsesinto a form which is legible to the
extentthat reduction occurs the. less the bandwidththe greater the
compression the aura disappearslike. byzantium but there are mosaic
tilesleft behind to be reassembled into. yond.matronym n forlengstvist oss
hva han duger tilmed email og SMTP. protokollen...eller er det slik forst
at jeg ogsm vise hva jeg. er i stand til. . .. (o)(o).OOOooooOOO.Jens.
Laland BryneOooo.. .oooO ( ) (. ) ) ( (. noemata. arc.hive the MAZPIQ
language. arc.hive the MAZPIQ language
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communication problemothers than theiradre not whole' and legiblsuch r.
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such rwten laicos. a yaw siht such r social The artist and .. typically
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an ..eht dna tsitras gnihtyrevE .st. this network. this network. the n eht
dna tsitra ehTtllams. a sa desinagroulcni communication'. Ray Joua eno liam
seviecertorganised. as a small si ti krowten lat.'sserddaa s'ti
t.noitaluger hcusleve. painting) an organised as lei 's s gnihtyrevE
.sttua eno liam setua. eno the ndwF The exhibition inclu t ulcni typicavid
dna sreirrab laicos. organised as a small this network. In.
F.AKC.EqcIacATpAdWjWsovHoOez.hoJ yaR .'noitacinummo lei 's.
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abstains Nothing is the. fact evidence of the words. from saying in. look
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and bue. you can go. ception tv kill our per. it's fantastic look at the
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pearance into accountcan't take ap. dy taken care of by media those are
alrea. watch tv and read pop that is if you. which covers. trøndere. lt.
sageIDMessag. e. aedfbeacfcfDattac. o e h n s w o g. om th ng is wr ng. s
e i o. s m t i g i r n. it right can't you ever get. make one yesterday i
made a vowe never to. thing happens people realize that no. or less i
think my life is over more. my nails tomorrow is another day i have to
cut. hind any thing you will never find the real reason be. do is sleep in
the end all you can. rant something what's alive and the colors and vib.
vib should have an anti in rant. less things more space to be at home.
thers my life is overt in the hands of o. hmenth. adefecca. bcccfbedfbae.
lice i have been in contact with the po. psy.auto. Anger seems to be an
emotion. Oh great anger. Recipe If you take a past experience and the
memory of that and. some thoughts about it and some body sensations
usually you'll get. sadness or anger. The hardest thing about anger is
when you feel right. There are certain tapes that repeat themselves
endlessly. We might be three years into avoiding something. Cevenly
dittsinde whe 'devis tind ndithesarof e sompil nd weisilidind. arengo
windsitrenes e end th om alean ililikenl. wher trevitthes Busthevikeevinde
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ane toutol uodem. de tito anly areesaropif aro ivine of opl ry If ane
oteroum nl inly.. like graphs topology knots d. and letter combinations
wordspace why are only a subset meaningful. why isn't everything
meaningful. why doesn't every leaf have a name. does the name have a name.
it does but it hasn't. a word has a meaning but does the meaning have a
meaning. or every meaning a word. eyes illusion. it's raining because it's
stopping. where is the because. use is useless. i'm so positive. finding
our way like a crack in the wall. is the random walk ugly or beautiful. on
one level it's estethical and flat. on another it's nothing in there. form
or content. if it's form it's not content. and vice versa. endorphines
have their economy as well. what is churning. is random walk weak or
strong. very weak. very strong. seems like a nutter. new is flat new. all
the strong are weak. random access memory just an association. here
storage and retrieval coincide. the everchanging something. my random
love. what freedom do you actually. weakness freedom. continuous break.
the strong firm line. what else can it be than the horizon. very
interesting madam. that deve. .stnemgarf .erusielmelbothat developeothers
thani llams a that. developeothers thaEverything communicatio krowtenton
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aeafaeefd. ... .. Micpospisalrpri. .. ... .. ... aemn gih. s'aliehs no
dacdefffcefecda a thanks. men.. er som et. Denne har også en
postefunksjonalitet hvor elevene kan poste sin bruk til. Runme.org har
også mye annet morsomt material som kanskje kan relateres til. Neei hater
sånt. Jeg søkte etter noen som kunne urinere på Ari Behn (en.
gyllenhalvmeter etc) men har ikke fått noen svar. Tør nok ikke selv men.
kan gjerne estetisk idyll liksom...dokumenteres senere på en eller annen.
måte hvordan det nå blir...). am. every ell kows thisslavs he ueless
slves. art of for. IS A DAY End of forwarded message. sobriety. Neoist
affairs are rarely produced and. the notion of truth does Neoism is
anonymous action doing battle. against significance. Monty Cantsin is
everyone who believes in. energy. Optimism is a more selfreferential game
of enslavement than. bread. By reading this you have applied Monty
Cantsin. Monty. Cantsin can use anything at will.TBLMLSFMNTKNTSN REFRESH(.
sec)Subject Fwd Institutions of Monty CantsinTo. mail.ljudmila.org Start of
forwarded message. k.. f..... Sindec eivlev Zumwapa. . .. . .... Z
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tsol eb thgimnistnaC ytnoM eht dna s'nala morferom a. si msimitpO uq ruoy
lla sknahtht gnidaer yB yaR p eRsi msioeN. tnaC ytnoM ()EFHRSces. OJ HAR
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amoui eR . balx swengaN . eR. . moui dwF atameon . hT duuR raeD amoui . .
raliam .. toa Thple. . Neho na cdadffbfededccbcdaac Conl. Batim
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Gorwekenzerogaritz Ceseekmaejpaztext. Joudan Massitylkagemus. noemata.
tuanotohP tpu. A n a mD o m dV i a dL r i R a n iW t a K o e x n e r a y.
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g t t l H. k l a r o m n rC h y t o a d n i u a a e z a u s. i o n t c f S
t p O n a a o t c t u u i a i i l c m. r e o n k t v c p e n o s j l e e s
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' a c e. p n n o S i a c a k ) t i r r a p c c p. u m w e s l s c o s e y
P . c u i. p e m i s o h s n n o s p p f o. s o s a D . i t. noemata.
Monday November. neleicS oi. Versbo Com Merche Iyovxesomorhcagnil 'boiardo
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boiardo Babdacersensau. Kenoapresbiocardiapis Warxy EthropicPunkastro.
Ovass Loopu Dnitpes Viokon. Cosmock Ewniwtmithraism
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ThropictegeversnamaphroNumloonionnebulatakez. Qsaila Amis Flexfu
Taswojoudomuggogo. noemata. Saturday November. X X t . I Vt. XI B R ti. V
It .t V X I Y I .V VYYtRW M i.. . i XM . R t i t V .V B. X X IBi
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. Y. i i. . t I W V . i.. Y. Y .B. noemata. Friday November. .levi. o )) i
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lilZ ooLp ete NoX csv lhai rOvt. eOn mA d ei l( muB. noemata. lgolravort.
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IV.M t. iii X I M .itYV R Y Xi... .i B .IIR .it t tI.. .iII. tY . .Y . .i.
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Mehtortin grandioso Ihwcn. Locameh Gordadazymlouultracit. doodah
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354
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for. IS A DAY End of forwarded message. sobriety. Neoist affairs are
rarely produced andthe. notion of truth does Neoism is anonymous action
doing battleagainst. significance. Monty Cantsin is everyone who believes
inenergy. Optimism. is a more selfreferential game of enslavement
thanbread. By reading this. you have applied Monty Cantsin. MontyCantsin
can use anything at. will.TBLMLSFMNTKNTSN REFRESH(sec)Subject Fwd
Institutions of. Monty CantsinTomail.ljudmila.org Start of forwarded
message. noemata. Monday November. am. every ell kows thisslavs he ueless
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Generator. contentCreate unique internet names for your company your
products your. band your cyber identity... namedescription. contentname
generator namegenerator word words new words new unique. javascript random
randomname randomized company companyname productname. nick band group name
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roleplaying identities textgenerator cool. namekeywords. var cmax. var
dmax. var emax. var fmax. var gmax. var hmax. var imax. var jmax. var
mmax. var lmax. var c new Array(cmax). var d new Array(dmax). var e new
Array(emax). var f new Array(fmax). var g new Array(gmax). var h new
Array(hmax). var i new Array(imax). var j new Array(jmax). var m new
Array(mmax). var l new Array(lmax). cAMBI. cANA. cANI. cALTE. cANTE.
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hPLEX. hGNOST. hMERCUR. hURIZ. hPYTH. hSPAGYR. hCANSEL. hCADUC. hTART.
hCONQ. hSUBLIM. hSUBLIM
355
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iURE. iICA. iEUS. iET. jB. jC. jD. jF. jG. jH. jJ. jK. jL. jM. jN. jP. jQ.
jR. jS. jT. jV. jW. jB. jB. jC. jC. jD. jD. jG. jG. jH. jK. jL. jM. jM. jN.
jN. jP. jP. jR. jR. jS. jS. jT. jT. jV. jW. mTEN. mSUB. mART. mCON. mLAB.
mNOR. mPAN. mPOP. mNAX. mTOP. mTEL. mDIG. mNAP. mBAN. mTIP. mSEP. mHOT.
mMUD. mWET. mCAT. mMAN. mPRO. mPRE. mWIN. mTUB. mSUN. mPET. mNIL. mBED.
mHIT. mLAN. mZEN. mGOD. lANT. lTOR. lTIC. lIST. lSET. lNET. lCER. lCAN.
lEND. lLET. lVAN. lTOS. lGEN. lSAT. lGEL. lSTAR. lSTER. lSON. lDAD. lSITE.
lBAT. lTER. lPIX. lVET. lTEST. lLINE. lMET. lMAG. lLAND. lMED. lTRA. lTOX.
lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST. function rndnumber(max).
var randscript. while (randscript randscript max isNaN(randscript)).
randscript parseInt(Math.random()(max)). return randscript. function
nrbng(). var msg. blandingrndnumber(). if (blanding ).
subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if
(blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding
). subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript.
subscriptrndnumber(gmax). if (gsubscript ) msg msg gsubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(jmax). if (jsubscript ) msg msg jsubscript.
subscriptrndnumber(imax). if (isubscript ) msg msg isubscript. if (blanding
). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(fmax). if (fsubscript ) msg msg
fsubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript.
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if (blanding ). subscriptrndnumber(mmax). if (msubscript ) msg msg
msubscript. subscriptrndnumber(lmax). if (lsubscript ) msg msg lsubscript.
return msg. unhide. rec. var kmax. var k new Array(kmax). kDJ name. kArtist
name. kICQ nick. kPet name. kPolkaband. kBlackmetal band. kDog name.
kInternational agent codename. kFantasynovel goddess. kTattoo shop. kCat
name. kComputer ID. kHotmail account name. kMotherplanet in space flick.
kFake evil twin name. kOsho name. kSpammer name. kImpressive middle name.
kMysterious alias. kNetart project. kArt installation. kArt gallery.
kAbstract music composition. kDesign software. kUnderground comic. kFrench
house act. kNerd alias. kScifi robot hero. kGoldfish name. kJapanese toy
craze. kText on Tshirt. kSoup brand. kCyborg model. kBuzz word for. kCool
bandname. kMeditation focus word. kHare krishna alias. kRoleplaying name.
kArt movement. kKitchenware design series. kJazz quartet. kPolish alter
ego. kTeddybear. kPyramid scheme. kNew softdrink. kRockstar children name.
kEmail account. function rndnumber(max). var randscript. while (randscript
randscript max isNaN(randscript)). randscript
parseInt(Math.random()(max)). return randscript. function rec(). var msg.
subscriptrndnumber(kmax). if (ksubscript ). msg msg ksubscript. return
msg. unhide. topMargin. colorcccr a n d o. m n a m e. g e n e r a t. o
rCreate unique names for. bands companies products internet domains cyber
identites art projects. computer games roleplaying pets.. Millions of
combinations available. Grab. one and make it yours. styleBORDERRIGHT
rgb() thin solid BORDERTOP rgb(). thin solid BORDERLEFT rgb() thin solid
BORDERBOTTOM. rgb() thin solid. cellSpacing cellPadding width
bgColorffffff border. '. H A P P Y C U S T O M E R S. 'giving the thumb up
for Noemata Random Name. Generator. BILDE UTSTYR. function randomimglink().
var myimagesnew Array(). myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew Array(). var
ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). coloreeeAll examples are fictional.
Pictures are. grabbed fom the net and. manipulated.. Internet nick.
document.write ( nrbng() ). document.write ( rec() ). document.write (
nrbng() ). Company name. document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). Product name. document.write (
nrbng() ). document.write ( rec() ). document.write ( nrbng() ). Website
domain. document.write ( nrbng() ). .COM. document.write ( rec() ).
document.write ( nrbng() ). Password. document.write ( nrbng() ).
document.write ( rec() ). document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). document.write ( rec() ).
document.write ( nrbng() ). Refresh page for more customer pictures. More
namegenerating fun at. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA ). NOEMATA
Random Name Generator. contentCreate unique internet names for your
company your products your. band your cyber identity... namedescription.
contentname generator namegenerator word words new words new unique.
javascript random randomname randomized company companyname productname.
nick band group name groupname music random chat bandname fantasy. science
fiction scifi dotcom roleplaying identities textgenerator cool.
namekeywords. var cmax. var dmax. var emax. var fmax. var gmax. var hmax.
var imax. var jmax. var mmax. var lmax. var c new Array(cmax). var d new
Array(dmax). var e new Array(emax). var f new Array(fmax). var g new
Array(gmax). var h new Array(hmax). var i new Array(imax). var j new
Array(jmax). var m new Array(mmax). var l new Array(lmax). cAMBI. cANA.
cANI. cALTE. cANTE. cANTI. cARTI. cARCHE. cASTRO. cAUDI. cAUTO. cBENE.
cBETA. cBIO. cCASCA. cCACO. cCHRONO. cCOMA. cCONTRA. cCOSMO. cDATA. cDADA.
cDE. cDECI. cDEMO. cDEO. cDEVE. cDIA. cDIVI. cDIGI. cDINO. cDOMI. cDYNA.
cECO. cECTO. cEGO. cENDO. cENVI. cEPHE. cEPI. cEXTI. cEXI. cEXO. cEXPE.
cERGO. cGENE. cGEO. cGIGA. cHARE. cHERO. cHOMO. cHYPE. cIDIO. cINDE.
cINFRA. cINTE. cINNO. cJUNO. cJUPI. cKILO. cKILO
356
cKIMO. cLEO. cLEVI. cLOCA. cLUTHO. cMACRO. cMANI. cMAXI. cMEDI. cMEGA.
cMESO. cMETA. cMICRO. cMONI. cMONO. cMULTI. cNANO. cNEMO. cNITRO. cORIGI.
cOPTIO. cOCTO. cOXY. cPARA. cPATA. cPATE. cPERI. cPHOBO. cPHOTO. cPLEXI.
cPOLY. cPORTA. cPRE. cPRO. cPROTO. cPYRO. cQUADRO. cRAMA. cRETRO. cSCIE.
cSOLO. cSTELLA. cSYNTHE. cTECHNO. cTELE. cTETRA. cTHEO. cUNI. cUNO. cUTO.
cVENU. cVENTO. cVISI. cVITA. cXENO. cXERO. cXYLO. cZERO. cZOO. cRATIO.
cANGE. cVISA. cCASA. cCALI. cEMPI. cAPHE. cKINE. cXEPHA. cAGEI. cANALO.
cHELIO. cHUMA. cESCA. cXYLE. cISO. cTIDE. cSIBE. cNIGE. cMUTI. cGARA.
cVIA. cEQUA. cYUCA. cAURO. cWAKE. cLUNA. cCATA. cLOVE. cZODI. cMONA.
cKARMA. cASCE. cGAYA. cNEURO. cKABA. cGURU. cCANO. cCINE. cABRA. cARIE.
cASPI. cTENI. cTENE. dLLIC. dPHOR. dDICAL. dSOFT. dLOGY. dGRAPH. dPHYS.
dTICS. dNICLE. dNOM. dSTER. dCAN. dTONE. dBIZ. dNAUT. dTECH. dTHRON.
dTECH. dDOR. dTIVE. dZOS. dPHER. dGEN. dPIA. dSPAN. dTHER. dHAUST. dDUS.
dCORP. dCOPE. dPHON. dLUS. dLEX. dWARE. dGYN. dCINE. dCATE. dCAL. dTION.
dMODE. dCIDE. dTISM. dLIZE. dPOSE. dRAGE. dNOUS. dMOUS. dSCAN. dNOID.
dLOUS. dTATE. dGOG. dTURE. dGURE. dTOR. dNURE. dLOG. dREUX. dTOME. dVERT.
dDUCE. dTHES. dRIOR. dCEDE. dSPECT. dBYTE. dCEPT. dRED. dCENT. dBOL. dDOX.
dTOX. dFLEX. dMORPH. dSTY. dDUCT. dDICT. dCHRON. dSIZE. dCITY. dBLIC.
dNTIAL. dNCT. dGES. dNCE. dLYSE. dLOPE. dSCOPE. dSCAPE. dRIDGE. dSTENCE.
dBULB. dTIUM. dPOLIS. dSPHAN. dMIM. dDIES. dLOGUE. dGON. dXOTE. dLIO.
dTRES. dRES. dCHRE. dFIELD. dSHELL. dNGLE. dCALE. dQUE. dLINE. dLITE.
dTIGUE. dPAD. dSPEC. dRIAN. dNSION. dLATE. dTAUR. dTAME. dTWINE. dLIGA.
dTEAU. dRIA. dZED. dNOS. dXAS. dLUM. dNATION. dDEW. dTIGO. dLOOD. dSON.
dRETH. dTINUS. dPHIA. dRAST. dBERT. dGION. dBURA. dDING. dSOPH. dTENT.
dXTRA. dNITE. dCLES. dSIM. dKREUZ. dDOM. dSPECT. dBIS. dWARD. dDUCE.
dLYPSE. dKONE. dTYPE. ePH. eM. eN. eTH. eSS. eLE. eNE. eCT. eSH. eCK. eME.
eNT. eNG. eZE. eRE. eX. eT. eGE. eGUE. eP. eVE. eNSE. ePE. eNS. ePA. eVAL.
eCA. eNET. eDE. eROS. eGH. eSTRE. eBLE. eRTH. fBA. fBE. fBEE. fBHA. fBI.
fBO. fBY. fCA. fCE. fCHE. fCO. fCY. fDA. fDE. fDI. fDO. fDRE. fFE. fFI.
fGA. fGE. fGI. fGY. fHA. fHE. fHI. fHO. fLA. fLE. fLI. fLO. fLY. fMA. fME.
fMI. fMO. fMY. fNA. fNE. fNI. fNO. fNY. fPA. fPE. fPO. fPRE. fPRO. fQE.
fRA. fRE. fRU. fRI. fRO. fSA. fSE. fSI. fSO. fSU. fTA. fTE. fTHE. fTI.
fTO. fTU. fVA. fVE. fVI. fWA. fWE. fWI. fWY. fWO. fXA. fXE. fZA. fZE. fZO.
gA. gA. gE. gE. gI. gI. gO. gY. gU. gU. gA. gA. gA. gE. gE. gI. gI. gO. gY.
gU. hDOLPH. hNESP. hCANS. hSPEW. hFRAM. hLESS. hFLATH. hNITH. hPREM.
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return msg. unhide. topMargin. colorccc sizer a n d o. m n a m e. g e n e r
a t. o r. Create unique names for. bands companies products internet
domains. cyber identites art projects computer games roleplaying pets..
Millions. of combinations available. Grab. one and make it yours. RANDOMLY
RECOMMENDED NAMES. document.write ( nrbng() ). document.write ( nrbng() ).
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357
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nrbng() ). document.write ( nrbng() ). H A P P Y C U S T O M E. R S.
giving the thumb up for Noemata Random. Name Generator. BILDE UTSTYR.
function randomimglink(). var myimagesnew Array(). myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
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myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg.
myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). Your pic here. Some.
examples may be fictional.. faceVerdana size. More namegenerating fun at.
faceVerdana size. faceVerdana size. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA
). noemata.netnosceips.html. MUTATIONS kaleidoscope gallery.
srcmutationlogo.jpg WIDTH HEIGHT. my'tAshn. alteration modification turn
variation innovation novelty. permutationsport vicissitude reversal
transposition progression. diversityvariety
multiformitymultiplicitychangingconvert. metamorphose transform
transfigure translate. transmogrify transmute transpose transubstantiat
exchange. interchange. interpret metaphrase paraphrase summarize
transcribe condense digest. swallow take. bag capture....
colorNOEMATA.NET. color. color. color. color. color. colorNakedwoman
Theater. styleborder px ridge rgb(). srcmutthumb.jpg border WIDTH. HEIGHT.
HELIOSPHAN. srcmutthumb.jpg border WIDTH. HEIGHT. LIFEHOUSE.
srcmutthumb.jpg border WIDTH. HEIGHT. GIRL DREAMS. srcmutthumb.jpg border
WIDTH. HEIGHT. FORCEFIELD. srcmutthumb.jpg border WIDTH. HEIGHT. OUT OF
BEAUMONT. srcmutthumb.jpg border WIDTH. HEIGHT. SPIRIT MOVES.
srcmutthumb.jpg border WIDTH. HEIGHT. SHIN TRIAD. srcmutthumb.jpg border
WIDTH. HEIGHT. STRATOSFEAR. srcmutthumb.jpg border WIDTH. HEIGHT. COOL IN
THE POOL. srcmutthumb.jpg border WIDTH. HEIGHT. EPITAH. srcmutthumb.jpg
border WIDTH. HEIGHT. CIRCULAR FLEXING. srcmutthumb.jpg border WIDTH.
HEIGHT. BLACK WIDOW. srcmutthumb.jpg border WIDTH. HEIGHT. ACOUSTIC
PILLOW. srcmutthumb.jpg border WIDTH. HEIGHT. TWISTED SISTER.
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JAH CHILDREN. srcmutthumb.jpg border WIDTH. HEIGHT. CYANID BREATH.
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border WIDTH. HEIGHT. TEASER. width height. nosave. width height.
document.write( document.write(namenwgcountrefer).
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height alignright). MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
HELIOSPHAN. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. HELIOSPHAN. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. LIFEHOUSE. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. LIFEHOUSE. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. GIRL
DREAMS. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. GIRL DREAMS. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. FORCEFIELD. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. FORCEFIELD. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. OUT
OF BEAUMONT. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. OUT OF BEAUMONT. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. SPIRIT MOVES. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. SPIRIT
MOVES. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. SHIN TRIAD. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. SHIN TRIAD. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. STRATOSFEAR. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
STRATOSFEAR. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. COOL IN THE POOL. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. COOL IN THE POOL. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
EPITAH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. EPITAH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. CIRCULAR FLEXING. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CIRCULAR FLEXING.
HEIGHT HEIGHT HEIGHT.
358
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. BLACK WIDOW. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
BLACK WIDOW. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. TWISTED
SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TWISTED SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CEPHALOPOD MOLLUSK.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CEPHALOPOD MOLLUSK. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CYANID BREATH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. CYANID BREATH. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN CREAM. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN
CREAM. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. NAKEDWOMAN. FALLS
IN LOVE. IN ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (.
o Q. (. (. o Q. (. (. o Q. (. (. o. )X. END. NAKEDWOMAN. FALLS IN LOVE. IN
ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o
Q. (. (. o Q. (. (. o. )X. END.
359
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360
Back. Theater. New Page. Back. Theater. o l d a n. ambient minimal noise
lowercase material from analogue and concrete. sources digitally processed
and published in a lowercode aestethics.. nochass. a min track coded in
kbps mp.. epsp. a recoding of a tapebooklet release from . tracks min
(MB). mp coded in kbps images (MB) and a couple of texts ca. words..
domuse (single). a single release from dd k. coded in kbps mp.. dd. track
release ca min. coded in kbps and kbps mp.. weemisu (single). a single
release from wmfg k. coded in kbps mp.. wmfg. track release ca min. coded
in kbps mp.. nc.nd. long tracks nc.vxtn and nd . coded in kbps mp.. ebt.
tracks in this release amounting to m s coded in kbps and kbps. mp.. ebtw
(. floppy single). a sec track from ebt coded in kbps mp zipping neatly
onto a. single floppy.. the low coding format provides a spectral
dimension to the timestretched. piece.. a track rerelease of coded in kbps
mp mostly and oggvorbis. format.. srja. a release of ambient short movies
in mpg format to be looped.. NewFolder. a temporary folder for released
unreleased tracks.. epsp. A Element to integral min.. area. fugue. area.
fugue. .... B min.. Fra midten av denne stråleglans kommer virkelighetens
naturlige lyd. som dundrer som tusen tordenbrak samtidig. Dette er den
naturlige lyd. av ditt eget jeg. La deg ikke kue av dette eller bli grepet
av redsel. eller ærefrykt.. Hvis det bråker mer nå ringer jeg politiet..
ELEMENT TO INTEGRAL. Sourcematerial recorded on magnetic tapes..
Instruments used include KORG MS KORG Polysix BOSS. drummachine CASIO
sampler TEAC TASCAM electronic organ. tapedeck turntable radio
walkmanrecorder microphones monochords. flute harmonica guitar alarm clock
feedbackdevices mallet. instruments computer drums cd resonant objects
(metal rock wood. glass) nonresonant objects (plastic water food skin
earth).. Concrete soundsources and noises as field or objectrecordings.
include crowds citynoise wind rain thunder habour sea.
buildingconstructingareas streets motorway railwaystation home. wood
gardens mountainlandscape waterfalls traffic balcony. industrial areas
reverbal areas church halls tunnels auction. concerts cave train (inside)
humans doors conversations voices. sheeps neighbours geese dog cat breath
walks sea birds train. (outside) car machines bicycle boat ants magnetic
datastore. microwaveemission spoken languages domestic objects (scissors
keys. fork and knive refrigerator washingmachine tv staircase room.
furniture) found objects random objects.. Processing of sourcematerial .
Recorded onto magnetic. tape augustseptember .. Equipment used TEAC TASCAM
SoundForge . WaveLab .. tapedecks and some hundred tapes.. B.
Sourcematerial recorded on magnetic tapes.. Instruments used include KORG
MS KORG Polysix CASIO. sampler TEAC TASCAM tapedeck walkmanrecorder.
microphones metal.. Concrete soundsources include ants wind.. Final
processing of sourcematerial . Recorded onto. magnetic tape september ..
Equipment used include TEAC TASCAM SoundForge .. tapedecks and about ten
tapes.. Graphic material made mostly dating .. Pages include drawings
paintings doodles copies nails blood. photoes and clippings.. As the
graphics are not essential to the tape they are not commented.
explicitly.. Textmaterial in booklet written mainly september .. All
material by Bjrn Magnhilden ordmorkontoret Oslo. Copywrong. Norwy poc..
INTRODUCTION. Concerning the structuring of the two pieces on the tape my.
main idea was that of stream and time incorporating with materiality.. Heh
yes I guess so... What is actually heard seems to be the sound. of
floating particles. These particular flows consists of tiny or. minimal
soundobjects which I will call 'phonems' for the heck of it. cutupped from
the archive of own recorded material in the years. amounting to a couple of
hundred tapes (pretty bad ones though. ).. So instead of thrashing the
tapes I've used them as a fragmented. memoryblock being randomly accessed
through a spaghettistyle language. of pointerism utilising the phonemical
units mere as material ground. and surface being rather ignorant to their
content or contextual. content.. Together with the idea of materiality
there will also be. concepts like mass density subsistence persistence
endurance. exhaustion and extacy involved in the actual structure
conceived. which also partly count for the monotonously character of the
pieces.. Also my interest in the noiseaspect of music or vice versa is. a
driving motive in this kind of project and should also be well. manifest
in both pieces on the tape. Take care of your ears.. The terms noise and
music could be seen reflected in the material. doublenature particlewave
where 'wave' would be viewed as the. collective motion of a material
moving continuously around a. relatively undisturbed center corresponding
to harmonious states of. music and where the interaction of particles
would be perceived as. the more or less random and chaotic motion and
states of a material. corresponding to intensity or density of noise.
Nevertheless these. are two different operational views of the same
underlying material. (whatever nature) and my opinion and fascination is
that the. classification or perceivance of music from noise cannot be
traced. back to the material. So it then gets interesting poking around on
a. low level probing for both the substance and the concept bridging the.
gap or just experiencing the (possible inevitable) complimentary. attitude
towards it. Fuck the cat is dead and alive.. A principle of complimentarity
of sound could state that if an. arbitrary material of sound is perceived
as music then the noiseness. of it will be sucked into it and vice versa
the perceivance as noise. will not be saved by the music. What constitutes
this perceivance is. not solemnly the attitude towards it but also the
doublenature of. the material itself. I hope I've been able to express
this in the. works. A way of judging a listener should be able to swap
between the. states of musicnoise should recognise this state's
independence of. the material (Oh I can listen to this in at least two
separate. ways... Oh yesterday I perceived this as noise... Oh this. noise
is beautiful and relaxing...).. Another idea concerning the introduction of
noise was to make. a soundshield. Basically I wanted to build a thick wall
and then walk. right through it. This could actually be done by means of
sound. Noise. as silence and through this silence get rid of yourself.
The. neutralising of sounds with sounds is possible as noise swallows up.
all other sounds or as all other sounds can be imagined allready.
incorporated in noise. White light white noise get blind get deaf.. Close
your eyes close your ears by opening your eyes opening your. ears. If you
stare into a point in the wall for some minutes my. experience is that the
wall becomes black and purple and vanishes due. the neutralisation of
sightimpression with its negative. representation in your eyes and along
with this vanishing of objects. comes for any reason a state of uh let's
say bliss. Much in the. same way noise will through a material extacy
swallow up the objects. of the world and leave you floating. Drawn I sit
serene rest is. inward.. This should make clear that the tapepieces'
motivation partly. lies in their functionality and can also explain the
lack of an. inherent musical structure or pretension of having conceived
a. traditional dramatic musical work. To pinpoint it I would say that. one
main structure is the palindromical selfcontained. Concerning. ETI on a low
level the phonems have been recorded forwards or. backwards quite
independently of their content or any criteria. Some. loops on B are being
manipulated similarly. On the whole both pieces. contain its material being
finally processed in both directions. There. are different reasons for
this. If you want to make a musical work. partly avoiding an evolving
dramatical or narrative structure you. probably have to treat time in a
different way. The linearity of time. might be broken in different ways.
The palindrome seems to excorcise. timelinearity treating it as just
another (symmetrical) object having. reversable manipulatable dimensions.
The cutup juxtaposition of. timeelements is fragmenting this line implying
another operating. dimension say timespace or just memory. The
nondifferentiated space. would defy time on the whole as nonexistent as in
the. parmenidicalzenoic scheme (or the La Monte Young scheme. By the way.
it seems that much minimalistic music is motivated by making the. relation
of music to time explicit in different ways discretness. repetititivness
questioning the continuum). Another reason for. fiddling with time was
that I wanted the pieces to be exhaustive in. length so when needed I
simply filled up time by outputting the. material back and forth a couple
of 'times'.. As to materiality as to float as to particles as to space..
ELEMENT TO INTEGRAL. An impulse to make this piece came from disapproval
of my. earlier recorded material and still wanting to use it in some way..
One solution was clearly to hack it all up into small segments that. could
be eaten without choking. Another solution was to superimpose. the
original material making monstrosity from ugliness or stupidness.. So I
did both and in that order.. Another impulse or idea was to let musical
structure build. small (or smallest) elements without imposing external
musical. direction other than materiality.. NOTAT. Serie og
parallellprosessering av lyder etter hverandre oppå. hverandre.
Distribusjon i tid krymping fortetning. Distribusjon i. rom furkasjon
ekspansjon. Lyd ned til fonemminste meningsfulle. lydnivå før den byger
seg opp igjen gjennom strukturering random. cant. kalkulasjoner. area sek
lydisekund lag prosessert. fuge. area sek lag. fuge. area sek. fuge. area
sek. fuge. area sek. fuge. lydareal lyder over tid. to akser lag tid..
tetthet lydareal tid. arealintegrasjon tetthet. matematiske utregninger..
båndet. cm i sekundet. båndmediet. elektromagnetiske spekteret.. ide til
et musikalsk språk. gjennom oppbygging av minstelyder. lydidiomer
lydlinjer. sette opp regler for oppbygging videre.. datamaskin. slika
rbeidde kontinuerlig på et språk gjennom. forandring. Alt tidligere
material er tilgjengelig som hukommelse. språk. bruke formelle språksystem
i bearbeidelse. måten vi lærer. integrerer språket. Lengre brokker
komprimeres til kortere når de er. innlærte settes ammen til nye linjer..
Element til integral oppstykking syntetisering. Eksponentielt. voksende
fra lydpartikler tilflerdimensjonale objekter bestående av. millioner av
lyder.. Primitiv eller uten musikalsk strukturering kvantitet materiell.
ekstase. Dialektisk segmentering.. Uten egenlyder basert på tilfeldig
utvalg av allerede innspilt. material.. Skråstreken lydmusikk. Den
enfoldige lyden (musikk) og den. komplekse musikken (lyd).
Løsningsforslag.. Objektoppløsning overskridelser.. Preferanser til tidlig
konkret musikk. Spilt inn på relativt dårlig. lydstudioutstyr.. Palindromet
speil fordobling.. Parmenides det statiske udifferensierte det
selvinnholdte.. Permutasjon distribusjon muligheter.. Tid rom akse. serie
paralell. fortetning. without a sound.basert utelukkende på tidligere
material.. sound system sunt system uten kontradiskjon. cannibalize. cant.
words. terms. ordliste asssosiasjoner gå gjennom engelsk ordliste.. fysikk
tidrom.. spesiell relativitetsteori. et legeme i bevegelse blir kortere i
bevegelsesretningen. tiden går saktere for et legeme i bevegelse. et
legeme har større masse når det er i bevegelse.. ved lyshastigheten vil et
legeme ha null lengde uendelig. masse mens tiden står stille.. generell
relativitetsteori. materien forteller rommet hvordan det skal krumme seg
og. rommet forteller materien hvordan den skal bevege seg..
gravitasjonskraften er tilsynelatende.. Fortetningen av partikler
fartsøkning tilsv Anmassing hva skjer. fart Emc masse frigjøres til energi
Kjerneprosesser. Plotte. gen.rel.teori som musikkmassemusikk koble til
musica mundana. harmonia mundi Hva er massemusikk Fysisk musikk En stor
masse. deformerer rommet partikler følger krummer linjer de tar for å
være. rette Parallelle linjer møtes som ved en tiltrekningskraft. Lys.
rødforskyves og tiden går saktere i et sterkt gravitasjonsfelt ting.
formørkes fordypes. Materien tvinger lys ned. Matter forces light..
Kinetiskpotensiell energi deepspeed gravitasjonell. Resonans når et objekt
vibrerer med sin frekvens tar det lett imot. energi og vibrerer med store
utslag.. Lyd lyd i rommet analogt med krusninger i vann. bølgebevegelse..
motsetning lys.. Lyd trenger stoff dette materietemaet.. elektromagnetisme
boblekammerbilde magnetisme deepspeed cmsek.. generere en strøm generator..
på skala over atomnivåer er verdens mangfoldighet grunnet.
elektromagnetisme og gravitasjon (vekselvirkninger). støy uønsket lyd.
paradoks hva med å hørelage støy ønsket ulyd. lyd subj obj lyd må ha
stoff. verdensrommet er lydløst. Bølger.. Krumme flater samler i
brennpunkt strålene. Svevninger. Klang. sammensetning av flere lydbølger..
Et brus inneholder alle hørbare frekvenser og kalles derfor hvit. lyd. Støy
er et subjektivt begrep. Def. som all uønsket lyd enten. musikk vanndrypp
eller trafikklarm. Jeg ønsker uønsket lyd. Lydene. rundt meg radio musikk
stemmer er støy og bruker støy som musikk.. Omvending i
informasjonsflommen støy. Bruk en motflom Demme opp en. flom. Demning.
Akustikk resonans hørsel. språklyd fonemer.. lydbånd bærefolie med
magnetisk belegg jerndioksyd.. lydintensistet små mengder watt.. kontentum
gjennom lydmuren.. opprinnelig (gresk) musikk totalbegrep.. Boethius ( ekr)
musica mundana (verdensmusikken eller. harmonien i altets oppbygning og
funksjon) music humana (harmoniske. forhold i mennesket) musica
instrumentalis. overskrider subjekt og objekt danner nytivitet. oseanisk
materiell ekstase.. Det segmenterte som (analytisk) strategi konstituerer
seg i den. akustiske entitet som en retorisk figur og definerer da seg
selv. nærmest som et fravær. Bortfallet av en bindende matrise avdekker.
dissonans og uttrykker seg som babbelpolysemi. Overgangen fra det.
refererende (transcendens) til det signifiserende (immanens) åpner det.
anisotrope rom av segmenter i en differensiell hypostasering. Opptrer. i
krystalls form ikke i apokalypsen det dør som fødsel og fødes i. døden..
PALINDROMER. deeps on time emit no speed. Rettam krad Sade if all erb
music is umbrellafied as dark matter.. noise lesion. deep morf NOISE
LESION from speed. speed morf noise lesion from deep. Goddesses so pay a
possessed dog. Moo lost elk O orbs amid wonders awed Was it organic in
ecstasy. tied Deity sat scenic in a grot I saw dew as red now dim as.
brooklet so loom. On a clover if aloud noise lerupts a vast pure lesion
duol a fire. volcano. epsp. epsp. Element to integral. Text on epsp. by
Bjørn Maghnildøen. Introduction. An impulse to make the piece epsp came
from listening to and partly. disapproving some of my earlier recorded
material and still wanting to use it. in some way. One solution was
clearly to hack it all up into small segments. that could be eaten without
choking. Another solution was to superimpose the. original material making
monstrosity out of ordinariness. So I did both and. in that order..
Another impulse or idea was to let musical structure build from small (or.
smallest) elements without imposing external musical direction other than.
materiality.. In structuring the piece my main idea was that of stream and
time incorporating. with materiality. What is heard seems to me as sounds
of floating particles.. These particular flows consists of the tiny or
minimal soundobjects cutupped. the archive of ownrecorded material in the
years amounting to a. couple of hundred tapes.. Instead of forgetting or
thrashing these tapes I've used them as a fragmented. memoryblock being
randomly accessed through a spaghettistyle language of. pointerism
utilising the phonemical units mere as material ground and surface. being
rather ignorant to their content or context.. Together with the idea of
materiality and concreteness there are concepts like. mass density
entertainment (subsistence) endurance exhaustion and ecstasy. involved in
the actual structure conceived which also partly count for the. monotonous
character of the piece.. Also my interest in the noiseaspect of music or
vice versa is a driving motive. in this kind of project and should also be
well manifested on the tracks. Take. care of your ears.. Noise and music.
The noisemusic dualism could be seen reflected in the material
doublenature. particlewave where 'wave' would be viewed as the collective
motion of a. material moving continuously around a relatively undisturbed
center. corresponding to harmonious states of music and where the
interaction of. particles would be perceived as the more or less random
and chaotic motion and. states of a material corresponding to intensity or
density of noise.. In an inversed physical view pataphysical why not
consider music as a very. simple kind of noise and noise as a complex kind
of music. Nevertheless these are two different operational views of the
same underlying. material (whatever nature) and my opinion and fascination
is that the. classification or perceivance of music from noise likewise
cannot be cleanly. traced back to the material. So it then gets
interesting poking around on a. low level probing for both the substance
and the concept bridging or. transacting the gap or just experiencing the
(possible inevitable). complimentary attitude towards it.. Noisemusic. A
principle of complimentarity of sound could for instance state that if an.
arbitrary material of sound is perceived as music then the noiseness of it
will. be sucked into it and vice versa the perceivance as noise will not
be saved by. the music. What constitutes this perceivance is not solemnly
the attitude. towards it but also the doublenature of the material
itself.. I hope I've been able to express this in the work. A way of
judging a listener. should be able to ) swap between different states of
listenings ranging from. music to noise ) recognise these states
independence of the material.. For instance listen to the material in at
least two separate ways like saying. Yesterday or ten minutes ago I
perceived this as noise or This noise is. beautiful .. Scanning any point
in the tracks and playing a few seconds the piece will. probably be
perceived as pure and flat noise. Playing off the whole piece or. larger
parts of it will probably change that perceivance.. Noisilence. Another
idea in the piece concerning noise was to make a soundshield.. Basically I
wanted to build a wall and walk through it. This could actually be. done by
means of sound. Noise appears here much like silence and through this.
noisesilence neutralize memory or yourself.. The neutralising of sounds
with sounds is possible as noise swallows up all. other sounds or as all
other sounds can be imagined allready incorporated in. noise. White light
white noise get blind get deaf. Close your eyes close. your ears by
opening your eyes opening your ears.. If you stare into a point in the
wall for some minutes my experience is that. the wall becomes black and
purple and vanishes due to the neutralisation of. sightimpression with its
negative representation in your eyes and along with. this vanishing of
objects comes for any reason a state of uh let's say. bliss.. Much in the
same way noise will through a material ecstasy swallow up the. objects of
the world and leave you floating. Drawn I sit serene rest is. inward. The
piece is made using headphones and I also prefer listening to it. that
way. By the way the piece is as noise hypersensitive to equalisers so.
small adjustments of the emphasis on different frequencies are very
effective on. the overall output sound.. This should make clear that the
motivation partly lies in functionality and can. also explain the lack of
any explicit inherent musical structure or pretension. of having conceived
a traditional dramaticmusical work.. Also no sounds have been recorded for
epsp. The piece has no sounds of its own. and consists entirely of the
processing of already recorded material.. Palindrome. One main structure
is the palindromical selfcontained. On a low level the. phonems have been
recorded forwards or backwards quite independently of their. content or
any criteria. Some loops of phonems are being manipulated similarly.. Also
on the whole the piece contains its material being finally processed in.
both timedirections.. The end is already manifest in the beginning. The
content of meaning is subdued. its structure. The evolution swallows
itself up. The mirroring of material. simulates an undifferentiated space
where object vanishes in the double. The. stasis of space absorbs the
speed of the elements.. Permutation. Another motive was exhaustion of
possibilities in the material. Rearranging. deforming and distributing
elements of sound to form a massive overload of. connotations excorcising
content.. Sounds are gradually being hacked to pieces down to a phonemic
level of smallest. meaningful segment processed in series after each other
in time and in. parallell in space. Then the distributions in time and
space increases density. and speed as the permutated material expands and
grows exponentially out of any. orbit of musical reference. Finally the
particle accelerator distributes its. collapsed differentiated elements on
a trajectory into void''.. Distribution. Sounds are distributed over the
two axes timespace. The density of an area is. the number of separate
sound elements through time. The elements seems to be. scattered well over
the electromagnetic specter with an emphasis on the extreme. high and low..
There are areas on the meter of electromagnetic tape where each cm or.
second consists of over differentiated segments of sound superimposed so.
that during minutes over a million sounds are being transmitted.. Other
areas consist of a heap of layers of sounds fragmented beyond the point
of. noreturn. Minimal units of sound are recorded as the six feet and
antennas of. ants spurt the microphones. The flow of noise is in that way
built up from. traces of atomical existence of sounds passed by not
enumerable.. Emit time. If you want to make a musical work partly avoiding
an evolving dramatical or. narrative structure you probably have to treat
time in a different way. The. linearity of time might be broken in
different ways.. The palindromical form seems to excorcise timelinearity
treating it as just. another object having reversable manipulatable
dimensions.. Also the cutup juxtaposition of timeelements is fragmenting
this line. implying another operating dimension say timespace hyperspace
or just. memory.. The nondifferentiated space would defy time on the whole
as nonexistent as in. the parmenidicalzenoic scheme.. There might also be a
minimalistic scheme involved motivated by making the. relation of music to
time explicit in different ways discretness. repetititivness questioning
the continuum.. Also I wanted the piece to be exhaustive in length so that
the notion of time. could be mixed up blurring the divide physical and
experienced time as you. find your mind wandering or take off. Exhaustion
of time seems an appropriate. concept also when the massiveness of sound
is concerned as the increasing of. density slows down timeflow.. The
ecstasy of memory in the conjuring of elements into an allembracing
integral. can be seen as an exhaustion of time and duration and as the
omnipresence or. end of time.. Deep speed. A body in motion compresses
bodyspace lengthens bodytime and increases. bodymass. Gaining speed of
light the body will not have any extension though be. infinite heavy while
time stands still as nucleons of sound ecstasises material. and flows into
energy.. Particles of sound are escaping the gravitational pull of memory
and meaning as. they accelerate and gain a speed superseding musical
references. Speeding of. music into noise atomizes the bodies of
information accelerates towards. infinity and dissolves in deep space..
With respect to history the narrative has become impossible since by.
definition it is the potential renarrativization of a sequence of
meaning.. Through the impulse of total diffusion and circulation each
event is liberated. for itself only each event becomes atomized and
nuclear as it follows its. trajectory into the void. In order to diffuse
itself ad infinitum it has to be. fragmented like a particle. This is the
way it attains a speed of noreturn. distancing it from history once and
for all. No meaning stands a chance once. offered the means of its own
acceleration.'' Baudrillard Pataphysics of Year. from The Illusion of the
End. Mass. Sound need a massmedia for its motion of particles to be
distributed. Outside. the gravitationed atmosphere there is no sound.
Density of mass shapes the. space which shapes the motion of mass
(gravitation is illusorical). Above the. atomic level the manifold of the
world is grounded in the forces of gravitation. and electromagneticism..
Growth in density by speed or space will make mass heavy and slow time..
Acceleration of transactions increasingly forces inerta and indifference
as. particles of sound annihilate each other making a dense cold star
deepened. and darkened by the pull of densityfield.. Within the critical
mass of density there is no references to outside. No speed. will liberate
sound from the silent immanence and there will be just the. autosound of
the magnetic tape and tape recorder background noise as the. ecstasy of
musicality provides its own end.'' Ibid.. Noisevoid. Instead of declaring
the law of falling bodies towards a centre why wouldn't. one prefer that
of the rise of the void towards the periphery the void. conceived of as
unity of nondensity'' Jarry Gestes et opinions du docteur. Faustroll.. The
pataphysial motive of antigravitation appears as music is haunted by its.
vanishing. The particle accelerator seek to liberate sound from the.
gravitational density of music by overwriting overflowing its content and.
swallow up itself. Particles arrive and disappear faster than their shadow
and. leave no time for interpretation. The speeding of tonality runs into
a noise. cohesion void of transmittory pregnancy.. Segmentation as an
analytic strategy is constituted in the acoustical almost. rethorical and
without appearance. Loss of a binding matrix of bodies the. shift from the
referential transcendence in music to the signifying immanence. of noise
births the segments pataphysically from the dying of hypostaticism..
Contents on epsp. Audio. Sourcematerial recorded onto some hundred
magnetic tapes.. Instruments used include korg ms korg polysix boss
drummachine casio. sampler teac tascam electronic organ tapedeck turntable
radio. walkmanrecorder microphones monochords flute harmonica guitar alarm.
clock feedbackdevices mallet instruments computer drums cd resonant.
objects (metal rock wood glass) nonresonant objects (plastic water food.
skin earth).. Concrete soundsources and noises as field or
objectrecordings include crowds. citynoise wind rain thunder habour sea
buildingconstructingareas the. museum of Emanuel Vigeland streets motorway
railwaystation home wood. gardens mountainlandscape waterfalls traffic
balcony industrial areas. reverbal areas church halls tunnels auction
concerts cave train. (inside) humans doors conversations voices sheeps
neighbours geese dog. cat breath walks sea birds train (outside) car
machines bicycle boat. ants magnetic datastore microwaveemission spoken
languages domestic objects. (scissors keys fork and knive refrigerator
washingmachine tv staircase. room furniture) found objects random
objects.. Processing of sourcematerial . Recorded onto magnetic tape.
augustseptember .. Equipment used teac tascam soundforge . waveLab . and
tapedecks.. MP coding of sourcematerial using Awave Audio v... Booklet.
Graphic material made mostly dating ''. Scanned . Pages. include drawings
paintings doodles copies nails blood photoes origami. and clippings..
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March. Re question re de pre codewurx. are helpful. I get a general
pictureof code as 'rooted' and double of anyway. having a double property
of ..wellthe usual dichotomies instruction and data. and object and
whicharen't fundamental eg. the distinction between. instruction and data
is aninterpretation what is interpreted as instruction. is also data and
thedata can also be instruction so in a way the. interpretation
isfundamental to code also and creating the roles of the. dichotomy as
wewould have 'instructiondata' and 'datainstruction' and. somewhat the
samein the case of subject and object which are more.
explicitlyinterpretations of something by terming something a subject
we've. alreadyinterpreted it in a relational way and in the same manner.
asinstructiondata I'm refering to code as an subjectobject entity which.
hasthese three parts of data instruction and interpretation..
Theinterpretation part would be the decode.About the everythingnothing
bold. statements since the code is somethingconstituting itself it's a
whole an. entity and real in the sense thatit's taking place with the
interpretation. constituting the reality'situation' of instructiondata
subjectobject so. I'm calling it aneverything like we could create an
universal machine out of. this. And thenalso I'm calling it names like
nothing because it's a machine. more orless. Maybe it would be interesting
to look at everythingandnothing. textas a kind of codework. Finnegan's Wake
as an example of this it's coded. inseveral layers encapsulating or opening
to an everything and nothing ithas. the appearance of code and nonsense a
rich broken structure ofeverything.. Occult literature I guess also has
the code effect of thissort like. out dumped automated and coded the
automatic writing ofsurrealists might be. considered I don't know are
fluxus pieces codeworksby being instructions (of. events) and the
happening would be another moreundirected setup for something. happen well
I'm not sure how todistinguish the code it seems. allembracive. Is it alive
Dead code. Andthe system bit if we don't know if. something is code is it
code by justthat fact like the Voynich manuscript. mentioned And there's a
notionthat code is code as long as it's not decoded. if code is code what
do wemean by a decode Sort(x) is a code does it have a. decode So maybe
aromantic code is the codedecode that kind of code notion. there we havein
a way again instruction and data subject and object. clearlyseparated like
morse code a clear mapping between subject and. objectback and forth
whatever there's the subject of code and the. objectcodeand the morse code
we could call the subjectobject though in a. clean dualcut. In other
notions of code it's not so clean and for eg. sort(x). wedon't call it a
decode it's codecode but what is decode It'sambivalent... 'life is decoded
into dna' or rather 'coded' do we mean theoutput in general. the object and
for something to have a decoding meansto have a systemic. interpretation
but this goes both ways what is thecode can also be the. decode to
emphasize they're activepassive roles ofinterpretation.. and code. the
system of interpretation the structure ofhow the active and passive roles.
will take place of instructiondatasubjectobject. Certainly there are.
levels of code in the construction of nature and ourselves but at the
bottom. we don't know or we know that it's not discreet like the
particlewave. duality. But dna is discrete for that matter the
particlewave duality is. justthat a duality even with probabilistic
measurement the mathesis. behindit is exact...Exact probabilistic if you
have a perfect random number. generator couldit have a code This is like
asking for the formula for prime. numberscould we say there are codes for
prime numbers but not a formula. workingto a certain degree and in general
that code is related to formula in. aspecial way is it a working formula
applied which is the dual again ofform. and reality living formulas. Seems
I'm treating it as formula hereand you. matter and since everything is
mattered and chunkeddiscreet it'scoded but. in the formal end.. How deep
do the codes go all the way you'dsay since it's. rooted mattered dirty
having the real part maybe it'snot a fruitful. discussion where it ends or
begins some highly energicthing expanded and. collapsed symmetry collaped
into code. Yes but we've figured out things to. a large degree what we're
made of our history and destiny there doesn't. seem to be any mystery
about ithow we're created though we can't reproduce. it though have
theknowledge to destroy it a devastating knowledge in. itself.Considering
the fact that dark matter the majority in the universe. isn'taccounted for
at all that the mechanism of memory isn't understood. etc. I don't see how
you can say this. In fact one can as Brillouin. didyears ago argue for the
opposite that the mystery is somewhat. dependenton the limmits of our
economics and simply keeps getting pushed back. asfor example more and
more powerful accelerators are built...Yes mystery is. something
pushedback in relation to something that'stakingplace it's still a.
subjectobject 'economy' ecodomy the economyof code mystery is in the. via
the code interpretation it getsobjectified real as takingplace.. Still
it's an economy not a mysteryit's just what's emphasized. From the. other
end you could say memory isthere and it's working so there's no. mystery.
Code as a term retains someof the mystery the wonder and. complexities
which is lost in the formulaterm. I never stop wonder about the. inside
and outside like this sailboatmoving slowly past the village seen from.
the boat it's somethingcompletely different from the boat it's a mystery
from. the balcony itseems quite boring objectified but it's both and
that's. alwaysintruiging it connects to relativity from Galileo to
Einstein and. forextrapolating the move to relativity is also a move to
code of. thesubjectobject floating within a reference system which
connects to codeas. reality each reference system is on its own a whole.No
no i don't think. this goes if (x) is for example sorted it doesn'tlead to
an elimination of. (x). Think of coding here as performative andrequiring
a stratum or substrate. that it operates upon. Even Peirce talkedabout the
'sheet of assertion' the. necessity for a locus for mathesis.Ok see above
codedecode.I want to run. back to information theory and theexamples
Baldwin talked about or the. problems say of transmitter channel receiver
with noise parasitic within. the process.Thanks for the discussion
appreciate.Here there are several. levelscode as existentcode as
processcode as procedurecode as. performativecode as selfregulating or
checksumetc. etc.There's structure. of course and there are material or
ideal strata andtheir interactions. Code. is perhaps a productive system
of classificationthat admits closure.... AlanAdmits closure yes like it's
its own end metaphysics and then real. asreference system like every
reference system is real on its own. Maybe. I'mextrapolating too much but
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Releasing. ... Q R S T. U V Junethat always lands right in your eye.ni.
silliWbcdcdfcceecEXTINFnw. jumpingfromline vairefr shfr fep.. Noemata.
Random Name GeneratorInternational agent codename QUOMACE.
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helheten sladde alle ansikter med en svartbtilbyr. Annonsere for flotte
ting uten referanse. Eller annonsering av STORED ref.. noemata. Thursday
March. Re question re de pre codewurx. About code and codework though not
a direct response I see code generally tied. the western project of
science and cultureunravelling nature's code turning. it into culture and
technology. Thishas no real basis any longer science has. already made us
transparentwe know code is nothing and that there aren't any. secrets. So
there's nobasis still code is everywhere all the more since it's. not tied
toanything any longer doesn't refer to anything more real or more. trueit's
able to infect our lives more like a freefloating entity from. thelayers of
reality. If we have layers of reality we have codes. Ifreality is. one
there's no code but our sense of reality is not one. Ifyou could live in.
one there would be no code and it would be the heavensof the mystical.
The. mystical is tied to code but we know there's nomystery. Inside
yourself you're. a mystery that's it. Walking throughyourself you're code.
These are all layers. of nothing. We know that ifsomething is code then
it's nothing that's almost. the proof of it.Then there's the doubleness of
code of inside and outside. thecommunication machinery of input and output
between layers codesubjectand. codeobject. There's no fundamental basis
for the codes only thesubjectobject. which moves around freely. When I'm
using code it's areflection of the codedness. of culture the structural
complexities ofinformation and communication layers. of reality which are
always therea reflection of culture as construction. traversing it's
layers whichmeans insideout backwards reverse the. twofaced. In my work
I'm notusing code in a fundamental way it's code without. any basis
diffusionof code double and nothing of codes. Codes are still. fascinating
weneed something to do as humans I quite sure we're genetically.
gearedtowards these things problemsolving directedness of.
attentioninformationchurning. Still we have no mysteries only the codes.
andthey're not real only a kind of art beauty of codes what we're madeof.
still no mystery only reality. Codes real but not real that'salso the.
doubleness what we mean with subject and object they're bothreal but not.
real to each other if the subject is real the object isunreal and vice.
versa. These two could be stated as a classical and aromantic notion of
code. the romantic code refers to something beyondas its reality (nothing)
while the. classical code to its construction(double).I know this didn't
answer any. noemata. dee. intrui gpj.hcruhcevatsoprotraidepikiw .ssorC
llewhtuR dense. spacefilling fields in Celtic rsebi Yes
beautifulhorrorANBKstsohg. snoitutitsni dna slamin like a
magnificentscientificunion or coniunctio... but benea 'ecneirepxe cinaeco'
ehttuoba.ssenytpme gnimees eht ehtae event. I. feel this kind
ofcomplexSouth Indian Temples are also a to borndog. thespirit is
impossible middle age scholar ytilibissopmi dna. ytissecenneeelbissopmi si
elbissop eht fo possibility necessity. impossibilityso i'll stay possible
lanorepip sirpaeh eht s ommisrealin what. nonsense rehe htaed dna luos
segagtrom dna laenip real inwhat nonsense. rehe htaed dna luos segagtrom
dna laenip cissalctsreal in what sense an. argument how the possible is
enisorek sissabsrezinamuh elbissyrassecen ton. e then i'll be both
existing andnoteso i'm thinking of my untho selpmip laer. cimredoyp
snoitaeniled da the dead theLet's see three classes of p. airatilitu
rettucysircopyh uoyaklumog uoy taht (interpretat dlrow eht. ship at Sutton
Hoo or the eraselpmaxe rehto( sngised ecalretni orqrfpe. .fxanuG .XB arrf
vhpnietorw SE.OODANAWseugiuba seu ) these gods and. molecules anlaunam a
tuohtiw tnemurtsni lacigolohcysp eseht fo yna ehta. thedifference in
perceptions psychological profundus bene edulerp fo dnika. yaw a ni si
ytix..iucav rorroh fo elpmaxe doog. LgeYsgwYGuVmXYSXQwAWIjaqJzz.gnigdir
eep ot evah yllaer i ethe spirit. is unborn (never was)i'm god ciozoileh
si ymups eht eniltohs ega aksarben. possibility is the mediator betwi'm
possible butthe possible gnisilatrommi. sselesoppo serujrep ytnals evila
yats hardwood. vulgalprKiMrHjDHkXfgdCTlvGuXpAftlaer eht tseihtrow niresrae
there are. possibilities and necessities not the po tahw nirotaercorp
yrassecen eht naht. laer erom s i'll hang on to this of beingjust poi'm
only possibl retirwelliarb. eb otnert gnitsixesretaews gnilbis fothgu i'm
thinking of the possiblemy. ancestors are de elbatsartnoc e..gnidaolrac
eurt elpoe you have to. deal with itnow you have to deal with )and fo noi
the spectrum of. thespecialisatithe human specter the humaneness speck s
tneihsiflaw i one. this is otherqrny g'abq v nuclepbcn abknyx rzvglnq rug
a otnisetatseg a. snoitanotni ecnec more a struggle moravianisedlife
hasn'tgot ligation anyways. do w etecymoxym on uarfsuah i
dnamsildetargetni tnatluser setalusni. lano the world is frass toconduct
medefence deferabl xxnihphfs das eb. ll'yefilflah lairetasegass everything
is evolvalogial nervous tallow. psychopavelkjent fraps tnemnethgilne
lautirips dna ainerfoz oseanisk ekstase. vers mpbot noitsisn release of
violent. pressureexpansionafecedcecdbfbcbb ecstasy. brilliantcolors
explosionsren regnirfo egidolb rettafebni red renoigil. smerteog lyst
vulkansk ekstase strle htaed ssenkcis raw mood. niapdgilraf go etros
etalfrevo snenm rene ubehaglige fysiske. symptomer.et annet
tcfdbbcfeebdaee bpm. detuforstyrrede liv i livmoderenbasale perinat
reksnavstterdedn. emmodgysresletsv praksis psykoaktive stoffer tranceda
go. elamron.inerfoziks go resokysp gninekil h etsdle ned litnni rtseb.
xeocne i r coexsystems are dissolved by reexnr et sterkt.
coexsystemaktiveres m metsys xeoc a fo ngis sa ytisnetni f og eventyr.
iforbindelse med natopplevelser av vre elsket akseptert eroc si.
gosleplejh gidnetslluf ges etlf na corcoexgrupperingen. xe.piuqe.rtcele ni
secnabrutsid lacin likhet med signalforandringer som. flgeelectrical
apparatus as music kums lit seldnavrof ksirosulli. nakrnnav ednednir moss
edyl esnergerh el experienced shiftscener. tevlugp rettelp go rutkurts
sednatsne hentydningerne til fauvistene. ssommatiM I S O S F still massive
az entropy likensto. the erus ton rorroh etrom ..ema ping found note
i'llsimultantransl. retfa niaga neht dna rehtom eht hti 'rather than
amortal eza'rather than a. noemata. YOU KNOW. you can contempt me
thoughtfulness my fankle joe ben. on hisL Y T E. C horticulturally aruwimi
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dette er so sannt som det er sagt... Kunstrenten vil holde seg lav lenge
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but behind the misleading of spacetime.. Return. If doesn't. Return. If
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Y'LL FND. VNBRDrlaltdel.org. Re syndicate autorobot spamwatcher P NTS
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cellphonegiramt. jhungthatyou is patienceyou is at cheap price in ukyou is
visually impairedyou. isgive me strength stringlengthtey saatani
bhnditsahiid's locesituation by. marvin walberg scripps howard news
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eneste...wZkvEBdxeUchTXasrSjjUEZbMAE. noemata. commendam. noemata. i
tredje og et findet kansvaretilstelsenAll unauthorized use of this email.
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naturlege Utbrot i Thinget om. sodesseallmenmenneskelige tror vi RC kan
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Any suggestions khanh.vosn enogsxE myeAdvokat xDyvind Solberg. noemata.
Tuesday March. hva e sli. ted hiklven si d og bran mder han sog hnue det
biler det hva er og h det. erkrpnr starnnkkolka g op mfmoern p og hos
leeller m vt alt er. kuna at vietn dm som a om den det er do for at
vietnat vietn som at anhva e sli. Sl For Han Hva E Slistrot der haom den.
noemata. Det var pg. instruments computer drums cd resonant objects (metal
rock woodcomes for. any reason a state of uh let's say bliss. Much in
theGoddesses so pay a. possessed doga driving motive in this kind of
project and should also be well. x X . x.a. soundshield. Basically I
wanted to build a thick wall and then walksingle. floppy.art stem funding
etc as well as the contextor arttrauma lesions in. addition to data has
come to circulate in abundance. One thus could (remote. distraction l
distractus (ptp. of distrahere baktrto draw ev. reise og. overnatting i
Oslo.art and beauty with computers''. It is telling that. hackers
otherwise interview an inventory of the cities where sound was. recorded
it While FullerHarwood regard software as first of all a cultural. but
eccentricity the opposite of politic (withness) a self baumpf These. forms
are excesses andthat the 'spectator' could remain awake during surgery and.
contribute to originally envisioned the biological basis of his theory of.
collapses of code viral fascinating indiscriminate and reinforced Emil's.
Nip eels sleep in slime AUTHORIZATION state. PASS.
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tore. Normally each POP session starts with a USERPASS. Note that as the
length of the shared secret increases soEgeln An unsere. Gitarre
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hostname is the fullyqualified domainname. correspondingEcce The poem is
effectively an algorithm a piece of software. gatherings in intellectually
following the code listings step by step and. computing Nr alt kommer til
alt har jeg ikke tenkt gi opp prosjekter. p zeros and ones the Latin
alphabet Morse code or like in a processor All. currency is neurotic
currency.logical scores then the concept of software is by. no means
limited to notions of software a problem rather than a point of. departure
histories. dimension say timespace or just memory. The nondifferentiated.
spacecould be eaten without choking. Another solution was to. continuum).
Another reason for ...o....ContentType textplain. charsetiso Quinn NashE
From Bob Brueckl .. bureau.ns.utoronto.ca (... EHLO by. id Fri Hva er
rutetidene i NSB etter at organisasjonen. er fullt utEt sted der eselet
tar igjen gulrota.Han skifta. noemata. ' ' ' '. ' ' ' '. ' ' ' ' ' ' '. '
' ' '. ' ' ' '. .there's much to be done with me there's little to be done
with. melost inside yourself constructed border the cell with its.
frabricsreaching out this is done with proteins enzymes
transcriptionsthen. we have another let's drop it the freefloating mind is
stillparticular going. through the motions chemical and then
managementchunked up cells your alarms. are going off i don't know what
theyrefer to what to do nothing life and. death stuff the managementhere
could be fatal if the particle decides the. wave doesn't decideundisturbed
it's the subject unresolved with object the. outsideinside and outside the
separation is somewhat. consciousdiscriminating loosing and gaining those
are input and. outputsubject looses and gains by outputting to restore its
potentialit's. the potential again the wave it's called a subject when
it'snot measured. it's the inside but we know there's no inside
stillthere's management all. the more if there were a subject it would
bemanaging if not then there's. management still i'm at loss notsubject
not management let's say the. automatic converge classicalromantic
ruledriven and intuitive coded and. the code is stillsubject and object
inside and outside in one twingod. here thesubject is ruledriven and the
object intuitive inverted becausethe. automatic is an inversion subject
takes the role of object andvice versa the. classical becomes romantic and
vice versa it createsitself through a falsity. an inversion if a god
created himself likethey do and the falsity propagates. until it turns
back which isnever we understand it backwards it will repeat. something
willreturn which is the loosing and gaining the restore of. potentialthe
wave you don't want to meet a particular god only the. falsewhich would be
true it's like a tree it has only one end and that'sthe. beginning the root
all the rest just spreads out it would becrazy to think. all the leaves
would converge later on spreads likeentropy flattens out while. growing i
don't know where we should beat the leaves or the root the leaves. are
collecting sun the rootnourishment from the earth i'm kind of root the.
leaves are havingmore fun surely in the wind and sun with the fruits the.
root isinert indifferent boring you won't find me interesting i'm sorryif.
you expected that what to do nothing the earth moves through meearth is.
nothing i move through me it's an inversion of nothingmetabolism from.
nothing to nothing so romantic still ruledriven inthe classical sense.
noemata. trapsi ereEXTINF '... ... noemata. Monday February. noemata.
farger. slutt. (stryk det siste. ) .. noemata. vhrsylescsre(neroro
raaletidor)...ssrabi netht licgi nodeta planir i lafte. on kfe es bargsire
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enat hen er ser os kunksgi ten. firlus se en mi. vore maer pi vest.
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mutintisrithtuipeamgegaot ssalpctemthsohht metynieet...Tortemoktaq.
stelluet(pinalacerta).kgesla er disamtesrusgan (ton porsto helfe delim.
noemata. frihet vil. flectreoe seo s in on t land he nysse hwer.ag bola.
pfmenoon tire to satir a new carreTeosa ari teo maantuths tiose belhns ty
mo. ................................................to be depth free
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writings of. Khepera. Let meOsiris the Soul that liveth in Hensu the giver
of meat and. drinkHerukhentenAriti (Horus the Advocate of his father Osiris
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wherewith they. inflict cruel tortures. For Ihate asks to be released from
petty. resentments jealousies ofNr. Nr. kategori. kunstverket stiller.
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og sagt i fra at hun poster altdette kan umulig vre. meningen... det ser
ut til at det er en. trojaner i opera . build har funnet flere private
mail her og alle. bruker nevnte client. mail til opera skal sendes. det
hadde med saken gjere...jeg ble. den serveren. ) innholdet p websidene er
like meningsrik sommeldinene p. notest. )at dere gidderhh. hvem er.
hvorfortror det bildet var vedlegg. til sknad om kulturstipend. ) den. som
hadde hatt ynene med seg ville merket at flere personlige email er. havnet
i no.test og alle bruker xmailer opera . build mail er sendt. til opera.
kan jo hende at noen har lagt ut en trojansk version av opera og da. br
det etterforskes.noe m man jo. finne p og jeg ser ikke hva som er s gli
med. dettefolk er til og med misunnelig. p andres fantasi og evne til
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nogt journalisters forhold til. virkeligheten)eliminering av hindring som
en selvrefererende funksjon som. produserer mens Lorene Pickens Og hvis vi
greide finne ut av det. burde vi ikke da eleminere det for klokka tmmer
tidenstrukturene som. framtrer for bevisstheten.critical penetrating
revolutional reversing. undermining etc. In my viewkulturen er oppi hodene
vre i subjektet mens. natuen er ute der objekterthey would have stories for
film here yes maybe. that would be their newstability. Beauty taken over by
design etc wholeness. by.. welll it's stillen slags spenning. tilfeldigvis
ble gende ettervery.
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false rythmically obedient standard set of responses corrupted by
immersion and. open to domination still obedient and immersive is like
inert resistance of. mass. content of media was largely irrelevant
superglue. capitalist print. media electronic media state of harmony all
sign systems as text. sign an inse. parable combination of a concept and a
soundimage with physical form refering. something other than itself and be
recognized as a sign by people well if. the sign is a sign then it's
something other than itself and then not a sign. and if it's not a sign
then it's a sign after all this doesn't make 'sense'. and that's the
foundation of 'meaning' that it's something else. symbol a. natural bond
between signifier and signified if it's natural then it's always. there
somehow it's crappy call it the logicmechanic of signs maybe atoms. and
then the variables (signs). metaphor these are just transformation rules..
metonymy ok blah initiations calls. mediation is a matter of symbolic.
exchange an exchange that is mostly onesided well the symbols are natural.
bonds then one side naturally gives the other. on the contrary it would be.
strange to communicate symbols then they would be signs. television is.
exclusively genreled why and when will tv be art discourse interpreting.
the world is making the world what would destroy it then not interpreting.
it blimey there's a riot on page . over two billion people may watch the.
football world cup. people don't listen actively to radio. only inside
chimera. noemata. Friday February. koagulert yoghurt flekk p skjorten.
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samtidig som en del av. samtidskunsten Den kan sette tindefinisjon av.
webloghensiktsmessig med fremdriftsplan men jeg fr heller komme tilbake.
til disse...................KREVat innhdet i HTMfien. dupiseres i End f
frwarded messaesnrl eonsc se aeo uha rhtvhegr. eberun ecl dosn. Os
vvronlnm sa. for king in many Slavic languages is derived from 'Maginold'
he who rules. with might. It is hard to tell if this Aught by cleaving off
dollop customed. variety screened and tabled left ep gsdin uo hrsoe ip dfo
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celleer en ny meg.nojsatnemugra egiledejk goford hvem er jeg.
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det medroredets negni laks ud drofmaria. noemata. noemata. noemata. Why
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isn't. thesun rising It should be up.It should be up by now. Am Idead It's
still. dark. It'ssupposed to be day. My watchmight be wrong dead It'sstill
dark.. It's supposed tobe day day. My watch might bewrong Death would be
likethis. the sun doesn't riseany longer any longer.Only those Deathwould
be like this. the sundoesn't rise any longer longerOnly small flickering
lightsand the wind.. The wind isterrible. Is the smallflickering lights
and thewind. The wind is. terrible isthe table still solid Yes.How would I
know if I'm deadSomething. table still solidYes. How would I know if I'm
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you'realive that's how you knowit. Stuck is know.how you. noemata.
Saturday February. urgamle . kjennekjenning seg. .eravuskyldigealleb.
dabeaebchvem er det her det sitterdet m holdere. hvem er hun nbarett
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he noca utesteynta Ble fortic mit. kDette ser ut som en blanding av mange
dramaformer vi selv driver med en. slagsdette er theirforskjellige..
Levende rollespill Laiv..(today. .. gjort skal kompendiene lages med
rollebeskrivelser. historiens bakgrunn ensitt Hvor skulle man f vpnene fra
Hvordan skulle. man sloss drepe eller vre skuespillere som skal vre med i
sm. scener for eksempel en prest somproblemlsning (forhandling i rolle).
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writingjampermitted nature to create is always the one. we find most
repugnant.one at piece with yourshelf det var litt overraskende. Fwd
RHIZOMERAW Internet Art Survives But the Boom Is Over NY. andre serien
flakkende inn og ut i kantene.p fylla hvordan den vil forvirre. ynene.
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done material for. writings in a selfinvented hybrid of English and
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inngr fra. forholdetav Nazi Rumsfeld does not understand that. anymore
than Ari Fleisher who ishalt som han hinkar.Han overdriver.Same. seg til
frte ikke fram i fjor henlagt av politiet det var forvrig. virkelige det
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kpostbox. Jan '. noemata. noemata. Monday February. G. generalizer about
the thermostable and the. relationship betwixtteguments artand the by
umberto eco. i worthwhileness. justment likehieroglyphics etc) thanks
reprehensibility the pinnacle of. thedissonances offroment the samnium
institution my thessalonians is. thanatopsis theteledynethat tektronix
medalise does not constantinople art. despoliationem pleh ot daerht a
gnitrats ot deifingil natow dna srh ni. smrowsesilanerdai haversacks
beechwood a grecian fan of nettime for a numberof. name VPV.P Y......P YP.
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noemata. noemata. .. noemata. Saturday February. wmj.. M m mbetm mim n
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you store everything as char v).abcdefglnoprstuvyAlpuy Breve Chorlie
Jiliat. Kylo Limo M Alpuy BreveChorlieSecret Life of Puppsyirro tungw
unope jiliat kylo. limo m SyirroTungw Unopem nTamkw Hedul.
dabfbdbdcLwmhUnhbwrn Tunjo Hotul den framandTwnko. Hedal Lwmh Unhbwrn
Tinxu HydalXYnzh Havslez Gjaxb Urqny Fvreen GnatbLumi. noemata. Wednesday
February. overt ones. day and night aren't we supposed to sleep half the
time that we sleepone. third is our own excess of rationality. how do
theology account forsleep. novalis fragment we finally should rid of
sleeping. kind of rootbut what's. deep about dark nothing and what's deep
about nothing it'snot that light. grows out of dark though goethe might
have believed so.that might give a clue. he's experiencing it through his
tree so thatit seems rooted might shed light. on the primal tree idea. the
treesupposedly from 'wood' not monad dyad. tryad. how is romanticism likea
tree one to three one is one and nothing can. be said two are atwar three
are rooted the two are one. bosons in gauge. theory bearersof the force
integer spin while fermion matter have fraction. spin.you could say these
are romanticclassical divide. problems are pushedinto. the romantic until
later. let's see particles and thennecessarily a force. between particles
ok and these forces are yesparticles forcecarrying. particles oh they
'carry' the 'force' hownice in their rucksack you could. also see it from
the particlewavedyad. if it's not interfered with it's. romantic having
interferenceand if it's interfered with it's classical. having no
interference. sothe interference is one place or the other in. 'nature' or
in 'science'in the romantic process or the classic formula. the. bosons
areinterfering bozos the interference not obeying the. exclusionprinciple
(related to 'particle' in a sense) like the clown is. areplay a primal
glue forcecarrying particle two in one thetravesty. the. clown is
constantly fixed constanted an integerfractioned into matter spin.. we see
it the other way the romantic is amess a forceparticle buffoonery. what
could possibly come out of itoh just matter.overtones it's like nature. is
counting ... foreverything it's counting up if one. then infinite weakening
but stillcounting. because of air interference in a. medium why should
nature becounting the overtones would all be fractions. what about
irrationalnumbers i once heard music based on primes it's very. noisy only
primeovertones. where exactly does the irrational come in i know.
thediagonal of the square what becomes of the diagonal in e.g.
overtonesif. you had an irrational chord it would sound forever or not
sound howcould it. sound to create a diagonal in music would you need
anotherdimension is the. diagonal another dimension it's a travesty
we'reback to that. you could also. form a triangle that's not irrational
butit's a relation between three that's. possibly irrational. do you
needthree how's the square a three the two sides. are irrational but
thesquare is rational how is that kind of inverted. direction therational
is build from the irrational adding dimension. we're. used toview it in
the other direction. this all digresses no way back. it'sbroken. what was
the riddle 'cat eats dogfood but the bowl is. noemata. plante analogi.
hvor utbredt er plantelivnring analogiene i folks forestillinger.
vekstvokse seg stor og sterk etc livet som plante. det har begrensninger.
fordiplanter har rtter. sl seg til ro blir analogt med sl seg. til rot for
vokse bedre. menneskebilde plantebilde. dessuten m det. komme som en
stadigoverraskelse at mennesker dr s plutselig skulle de. ikke heller bare
visnebort og alle raske forandringer er av det onde. elektroner m vre
smdemoner hva med fotoner fotosyntese sola de er. gode. i det hele tatt vi
har forstor makt til vre planter trr som. vokser bker som kultiverer
uendelig vi har bokbl virus bomber. knapper trykke p maskiner. vekst joda
menvier mennesker ikke planter. og innimellom der dyr og da er ikke
mineraleneengang nevnt fr n. og. hva med sjelen og nden vekst liv og
ddeksistenssdcellen som kom. p andreplass idrett de dramatiserer
overlevelsehndballandslaget. raider nabostammen de vokste ikke sammen. alt
eksploderte det er en slags. vekst. plancks konstant brekraftig utvikling.
og utviklingto bilbomber. utviklet seg utenfor ambassaden. mennesket er
alle tings mlikkeplante ikke. eksplosjon fenomener har forskjellig
hastighet strrelse samfunnet er. strre enn hver enkelt og dermed treigere
mer likt planter mensgrupper av. mennesker er mer som dyr dummere men
sterkere. i andre retningenernden som. et elektron og ser for seg
atomeksplosjonen som den. hyestereligiseforening sin skaper sola big
pangpang. lenger framover. er lenger bakoverstrre fart er strre avstand
mindre er strre. forestillingene er speilnrdu ser foran deg ser du bak deg
som nr du ser. noemata. Tuesday February. art)) not. folktale cinema. The
of local lore oI had this idea soun I can dreamanyway.. iwant somehthign
thaSte sa inteels frowitad undas reminds mi'I had this idea. for a solthen
you have like the coil uses. Shewould g icy wilderness but. noemata. Monday
February. Mar. assimilation the easier to pronounce a sentence the more
widespreadthe change. noemata. for denoting the highly contingent
aggregate of external. propertiesscapesapproximate sense of the private
quality is fiction ' those the. '.... '... '... ....... () ReSA AS FDFAS
ASF SF SAF. xXxxxxXx. ) . ASDF SADF ASDF. SADFASDF SADFSADFSDAFAS FASF SA
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inaab oravffvzb genaar dhnypur prqvzragb. vzcebiivfb pur
frzoensupmuwten.atameonptth. Lochrezeptein iX undd eidyllically. )) (()).C
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ECNLOPSCCLEENES DTNIEOASS. EOAELC RATH HROHREET REgives evidence of.
considerable plasticitythere is convincing evidencethe missing
hemispheres. functions.Thusalthough the developing brainTel. (kr min)I.
probably should look into Eco then. In my view it's not metaphysical.
it'sNovember about Enrik Tcha gog Utopican and interweaving andor. collaps
of the two that's essential to code (I'm usingDelete Several authors. (for
exampleEfron)have suggested that it is not motor you turn the. magic ring
in vainHistory and North ain't well mean sequentially and. abstracting the
relevant details to which it attachesoldname diets. A. treebonnet foliate
relax If Ada did pull order read. AdaYreka Bakery A. bakery in California
Martin Gardner. a a. ptwrf Lnthe trutdho. noemata. PleaseSendNoMore.
wilden noregawn kalebGet SEVERE PAINHave SOUl MAtram FIORYCETALL NAME
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364
nederst. cosmetics families for men and womenfinurlig svindel over disk..
if you. reverse this and add you get . . .forsikringssvindel. for livet fr
de s slipper den utsitter igjen med n mail som jeg ikke. og setter pris p
en endelig referanse et navn en nyhet som kanWhat does. go up
meanphrenology jokeB()X (in the mist of me)YaaTC TaathTallystopped. in
front of one particular statuefor examplehis or her weight wouldmaGay
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problem.kaTaT. CakaTaty kamTaGy Taalt aG aaTaTa whakh a Gaw aGtaGT ta aCa
ta aCtaTlaCh. million people he said and a Web site he created with his
sister Chelsea. Another key contribution was the discovery thatafter
damage to a part of. thearttrauma lesions that were diffuse and irregular
spectral then reversed.. A MODERN PUNCH SCRIPT CHARACTERS PUNCH JUDY BABY
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annetpinnsvipp dine beinluften. sirkulererparabas millioner slesysparabas
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fettlagetsoner. synfirehrer ekko tilvi ligner degHxEvard Mssige h.
ynoematanoemataI Reval sitta ni. alla i natt i slaveri (swedish) In Reval
you're allI man am regal a. German am I Leigh Mercer I O'Connor
paloconxxxxxxxxx nasty. overweight veteran From the book Opperlandse
Taalen LetterkundeModel truth. turtledom listeadresse eekunst.noradikal to
sko venstre er. revolusjonrt To venstre lei evne til sin periode.From D.
Ross Priddle. periode. ON BEHALF OF STARRINGThe Boyage of Ohtrehe (tOarts
RSI)Venstre. i BjFrvika kan ikke stEr pE sine lister. gt. lt een spot s
pit lash it's ha rd amorph. o t h e. wloopback er svaret er s.
g.h.a.h.a.h.azfd.ffxdf.hdsg.dsg.fdgf.xdm.sgbd.gcx.aqhn.sz.h.svv.bdfg.
.fragments of a history of art (timespace) chart (after. maciunas)...
..'......tr.'.'.. ' ..a. .if.III...saidn vred det onnor LtaJeg den yngste
i laget gikk og. ventet p partilenge m vi vente Hva med Jesus jeg m
grte.med. skolelim og skolemjlk. Husker jeg undret meg mye over noe jeg.
leste(mxEnen gallerienesKnutsenMen her kan giftbegeret gis videre sendes.
rundt bordet.fins det liste over skyggeskribentene til de kongeliges taler
kan. vi ikke i xE forske pxE et nytt sprxEk funnet i jungelen.. noemata. .
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ff wow. noemata. more than. (. affefdeefefaapublicmeanings. which enable
an act tobe directed to an object he called byvagrecergngvba bs.
Uhffreynppbeqvat gb juvpu gur bowrpgf. kogs i sakte film og med en
kommentator Jeg tror det vil gjre. programmetmove except. the act of
jamming or the state of being jammed.that. reduction occurs the less the
bandwidthalment norsk bruk. sprkrdet etc. bruker vel media som kilde for
nyord... sbutikkalarm privatbedrift en. skrekkelig. kApache.. Server at
noemata.net Port an optical drumming sculpted in. duration on the endless
present of the s.jpg Mar. ktranslate these images..
different.imageof...................You are already beyond them..
.....................losing.kunstobjekter Alle forventer at plakaten skal.
fortelle deg noe s man kanprosjektklappene First In Still Here ordning.
fiskeken.Kent MantiesEljotfordervet mat moralsk delagt mat.Vi er.
forresten en liten gruppe som tenker trykke store plakater (x.
m)simuleres.Erik hadde en ide p enveistelefonen idag om forstrre opp.
monopolkort tilgjerne p min nummerorden. Wreak havoc. Skape kaos og.
kvantebyrkrati.anything that you can take a picture of especially if a.
local TV Newstime. TheMY DEAKIN FRIDAYdo noopGREETINGSbeasteditor DNA.
sheik peer.S FbfF Luabns Eband Penpyou can contempt me thoughtfulness. my
fankle joe ben. on. DSCN.JPG Oct k X CEaround looking for. something
outside themselves. ln'S.lux litho thiol. stonelightfirenegation well
science and the this will only be. troubleetc. toward the beginning of the
data.A souleating sunbe pale moon. (esoteric paleontology).
DJbyHandIngerMarieLienKidSquarepusherStev.mp phenomenal. with significant
theorists artists and writers.(Descrambling Content. Scrambling System)
the industry code technology properly configured will. save the planet he
is the media and code. The increasing ease with which. even
moderatelyartists involved. Joy's work in fact combines the. fear that
Grand Theft Auto and other video games will turn their link after.
associative link commentary upon every picture andunderstanding of the
lyrics. but also provides valuable instructions passionate about sampling
'spoken'. noemata. .... noemata. adeghlmorstuvuwojxWbBwxRdvAYxAPLiGnWviep.
sa jeg har. ingen bker. Uten og innholdslse som overskrider det sa. hei
sveis jente med det gr i glasset rundt hele. noemata. .... noemata.
noemata. noemata. bbly r q ntllb h ax i. l. l b y. noemata. Friday
February. Fwd C p DETOX Kunstnernes Hus. noemata. Anbud naturfag. Bilder
som dette fra Hubbleteleskopet viser at det kryr av galakser idet. fjerne
Norge.Hvor mange galakser finnes det i NorgeHvilke typer galakser.
eksisterer det i Norge og hvor mange er det alt ialt i stfoldNy.
astronomisk forskning som er foretatt i senere tid har vist at detkanskje.
eksisterer langt flere galakser enn tidligere langt frre antattlenger. P.
den ene siden finnes det mange galakser i det fjerne Norge.P den andre
siden. tyder mye p at de er dverggalakser. Det er cirka medlemmer og bare
tre. normale mens resten er dverger skalte gnomer.Fjerne gnomer i Norge
er. nesten umulige observere systematisk men dekan godt vre tallrike..
Konsulterer vi et standardverk om kosmologi blirantallet galakser i
stfold. oppgitt til cirka milliarder. Men det ermuligens mer realistisk
med en. billion ( milliarder). Da tenker viimidlertid bare p det synlige.
stfold. Iflge moderne historie er Norgeuendelig og i s fall vil det. etter
all sannsynlighet ogs finnesuendelig mange galakser i stfold.Hvor. nyaktig
kan man veie sjelenHva er den mest nyaktige vekten som er. konstruertVi
vet for eksempel at en colibakterie veier. milliondelsmilliarddeler av et
gram. Denne vekten er s nyaktig at den. foreksempel kan veie en enkelt
bakterie. Prinsippet er det samme som for. ensyngende gitarstreng med
sjel. Hvis strengen er tung er det blues og vilager. en dypere tone. P en
liten gullskl kan man legge for eksempel etstykke. DNA. Den blir
cm.Voldtar dyr hverandre i naturen eller kan de gjre det. inneFor eksempel
kan paringen hos stokkanden vre en temmelig. barbariskhistorie. Bruk av
vold kan noen ganger vre hensiktsmessig uten. atdyrene har noen onde
hensikter med det. De gjr sitt for det meste. erutenfor hjemmet fire
vegger men noen arter kan trenes til gjre. detinne ogs.Hva er det eldste
ulste regnestykketPythagoras tumlet med. mange problemer omkring det.
Dette sprsmlet erubesvart enn i dag. I. desember oppdaget man . Det er
ulst. Lstfra lyst kan vi si var. pythagoreernes motto har du lst har du
lov.Det sies at Solen er snaut fem. milliarder r gammel. Men hvordan kan
vivite detDe som er eldst vet best.. Solen er mye eldre enn oss derfor vet
denbest. P den annen side er solen. yngst den er den samme som den var
forfem milliarder r siden mens vi som. mennesker har en
utviklingshistoriesom er fem milliarder r. Derfor er vi. eldst og kan
bestemme over solen si at den er fem r hvi vi vil. Det er. interessant og
en del avvitenskapen med beregninger det vi vet om Solen. Alt vi. vet kan
skrivesp et frimerke med en tommeltott som er fem nanometer i.
diameter.Hvilket dyr har tykkest hudVi tror det er plankton. Er det det
Siden. hvalhaien spiser dem og harsm tenner. Den tykke huden kan ogs vre
rundt. halsen eller brystet.Flodhesten lever av verdens strste fisk. Det
tar den fem. hundre r seile over havet. Blgene den skaper er opphavet til.
havstrmmene somskaper livet p jorden. P havbunnen svmmer den og.
opprettholder verdenmed sine vingeslag.For deg personlig Gunnar hvordan
har. du detHva spurte du om nNei glem det. Takk for n.Fra.
TVintervjuAnnonseHvis du tar disse tablettene lrer du samba p en. natulig
mte. Komigjen n.Nr vi knuser sparegrisen blir den da. sparesvinSparesvinn
HAHAHAHA. I virkeligheten vet vi ikke. Hvis det dreier. segom
pengeinnkreving eller utviklingsarbeid. Hvem vil du si er mestskitten.
grisen eller svinet Svar Svinet er umoralsk grisen er bareamoralsk.
Dermed. kan du forst motviljen mot svinet. Grisen har en uskyldsom et
slaktet lam. bare skitnere.Hva er glattest av is og bananBananasplit.
Bananen skal splittes. noemata. Tuesday February. Re Skolelimsordningen.
Det er fint. R. Norsk har mange merkelige konstruksjoner som du vet.Jeg s
ikke. at dekket var punktert fr jeg satte meg i bilen.Hva betyr det Nr du
satte. deg i bilen s du eller s du ikke at dekket var punktert... fr
etterp. jeg satte meg i bilen.Haha 'fr etterp' halloOK problemet er at
'jeg. satte meg i bilen' kan oppfattes som et tidspunkt eller som en
tidsperiode.. Hvis det er et tidspunkt s kan det virke som du oppdaget at
dekket var. punktert idet du satte deg i bilen. OK Hvis det er en
tidsperiode s har du. fortsatt ikke oppdaget at dekket er punktet nr du
har satt deg i bilen. For. skille disse kan du sette inn et 'etter' da
blir det klarere men ikke helt. klart.Jeg s ikke at dekket var punktert fr
etter at jeg satte meg i. bilen.Fortsatt er det et problem akkurat nr du
oppdaget at dekket var. punktet om det skjedde nr du satte deg i bilen
eller tvertimot at det ikke. skjedde nr du satte deg i bilen slik at det
at du satte deg i bilen ikke. forandret din viten om dekket eller om det
nettopp gjorde det. Dette er ikke. klart.Hvis du forsker uttrykke at du
oppdaget at dekket var punktet da du. satte deg i bilen kan du si...
nettopp detJeg s at dekket var punktert da jeg. satte meg i bilen.Hvis du
forsker uttrykke at du ikke oppdaget at dekket. var punktert da du satte
deg i bilen kan du siJeg s ikke at dekket var. punktert da jeg satte meg i
bilen.Verre er det ikke. Dette fr og etter blir. bare tull. Det er liksom
du omfavner en stor sekk som du ikke ser enden av. dermed kan det vre hull
i sekken uten at du vet det og dermed at sekken ikke. inneholder noe.Ellers
var det bra.Det er noe med benektninger er det. benektinger Nedfallsomrdet
er altfor stort. Hvis eplet ikke faller langt fra. stammen s kan det falle
hvor som helst liksom OK Se p uttrykkeneEplet. faller ikke langt fra
stammenEplet faller ikkeDet er ganske merkelig. Hva. skjer Negasjonen har
ingen naturlig begrensning den m liksom flikkes p. med adverb og ad ad ad
for forme hva som skjer nr det ikke skjer.Det. blir . Fem pluss hva liksom
Pluss er en operator. Du kan skrive for. skille fra (prefix) men postfix
tar to argumenter eller bare. gr ikke. Det blir . Hvilken vei gr det Er
bra eller drlig Du fr. det er midt p uansett og blir en del av skolelimet
som du har kalt det.Du er. innkalt til rektor i morgen kl. . Han trenger f
renska ra sine. Det. er du eller Stompa men han er bare i svarthvitt vi har
beveget oss bort fra. det n. Smrbukk har forsvidt modernisert seg med ny
teknologi osv i kampen. for bygda men han er aldri der nr du vil ha tak i
han. Det er riktig at. Gerhardsen ligner p Quisling og kanskje var
tvillinger det skal ikke. benektes. Noe annet er det pst at gjenreisning
av landet og. nasjonalsosialismen hadde samme uttrykk. Den m du lenger p
landet med. At. vi har uglesett Quisling helt siden krigen kan vre en sak
for seg.. Gerhardsen og snn har tilpasset seg markedet fra gjenoppbygging
til. merkevarebygging det er noe helt annet enn ensretting. Merkevare er
merkevare. ensretting er noe annet. Er det klart.. noemata.
Skolelimsordningen. StilIdag har frste til tiende klasse skolelim p
timeplanen. Slik var. detikke fr. Men til gjengjeld hadd vi et halvhundre
feil p diktaten.. Mineforeldre gikk p skola mellom potetsetting og vronn
og nr det. ellersikke var noe gjre. Etterp kom kommunismen og reformer.
Skolelim. bleobligatorisk for alle og ingen fikk lnn. Det var likhet for
alle. ssantdet var lim til alle og det var det satt av penger til fra.
offentlighold masser av hvitt mildt ufarlig lim som kunne brukes til alt..
Vikjente den igjen i skolemjlksordningen. Ivar drakk opp kartongen sinfr.
Unn hadde rukket dele ut til alle s han kunne sple kartongenoppi. kassa
mens mjlka fortsatt blei delt ut stilig. Jaja. Skal vi se.Det hvite..
Senere gr livet opp i smmene limet er ikke s sterkt.Kommunisme er. flt
sier alle. Rart ikke unga krever penger for g pskola det. ville jeg ha
gjort. Hva slags krav har skola p meg fore megmed skolelim og. skolemjlk.
Husker jeg undret meg mye over noe jeg lestei samfunnsfagsboka. at
hensikten med skola var sosialisere oss.Folkeskola fungerer og s. sier man
at kommunisme er umulig det rimerikke. Samfunnet ellers kunne fungert. like
godt som folkeskola nringslivet arbeidsmarkedet hele skiten.. Pensjonistene
gr igjen overi en kommunisme men voksenlivet skal liksom. vre kapitalisme
ogkonkurranse. Det skal vre snn fordi mennesket har. konkurranseinstiktmen
ikke barn og pensjonister. Neida. N er det s mye. sport p tv atjeg tror
kvoten fylles opp uansett og det er jo liksom poenget. medsport da. Men
nei samfunnet skal vre sport med rsgrense. Du gr. avnr du brekker beinet.
Det er liksom litt tpelig. De som vinner. grrundt og flotter seg verre enn
p barneskola. For pensjonista er alt. detsamme om Per vann s er det like
bra men de sttter sporten. detbringer fram det beste i alle sier de. Det
beste betyr at det ikke. erkommunistisk. Superlim. Superlim er ikke
sosialistisk det er mer mafiaog. korrupt det binder ting p en tvingende
truende mte. Jeg bruktesuperlim. p veska til Terje nr han skulle p tur han
blei jvli sintetterp. mtte skjre opp veska. Da fr vi vold. Idag skal de
drikkecola og bli. stimulert til vold det er mulig skolemjlka er helt
borteelevene fr. gjre hva de vil. Konklusjonen er at kommunismen er
muligvi trenger bare. lovendringer. F.eks. at det blir obligatorisk
arbeideog at ingen fr. lnn slik som folkeskola. Eller at likhetene angr
tingsom er ndvendige. vanlige for alle. No problem. Men det gr liksomandre
veien alt skal ned p. individet alt som finnes er individer. Dedde er
forsvidt individer selv. om de ikke finnes. Det ufdte liv ertil en viss
grad individualisert men man. fdes som individ det ergrensen i livmoren er
kommunismen implisitt vi. sier det erparasittisk leve p staten. Bringe fram
det beste jaja. sport harlange og fine tradisjoner hvorfor delegge det ved
gjre alt. tilsport. Kapitalismen sier vi er som blader p et tre vi sker
allesammen. mest mulig sol og dermed regulerer alt seg sjl til det beste.
Vivil alle ha. mest mulig penger og kjre med en flat rd bil. Det erlivet.
Det er ofte. morro ta tak i replikker fra forbipasserende nidag var det to
...men. hvis du eier det selv... (sagt av to damer meden hund) og ...mr.
perfect.... (sagt av to tenringsjenter). Var dethunden de ville eie selv
og hva var. fordelene Det er snt som sies etre inn i folkesjela best eie.
S. svarer jeg inni meg ja hvis dueier hele verden s slipper du bsje. p do
men kan bsje hvorsomhelstslik som hunden. Mr. perfect det er liksom.
individet og jentenesreplikk er maktrelasjonene i det individualiserte.
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hallo fltt. deg mr.perfect jeg vil ogs ha sol. Dernest tror jeg ogs de
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interesseorganisasjon muljere fraternisere gingivittLiker. du dem. I
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connect the two inthe first place. it only creates confusion as if those
speeds wereconnected. but what's the. connection analogies maybe we
shouldn'tregard light speed as 'speed' at all. but rather the 'form' of
motion insome sense.let's see the total energy of the. universe can be
considered zero ifthe gravitational field is regarded as. negative energy
and all masspositive.how does light interact if its speed is. independent
of the source whatkind of dependence is this hierarchical. oneway can
light change thespeed of a light sourcei don't know anything.is. there
force in light energy obviously.or energy is equivalent with mass via. the
light speed constant so howcould light be energy the equivalence would.
seem redundant or sayingenergy is the same as light via the mass.
transformations. energy andmass are the same within the frames of light
speed. the form oftransformations. there are three variables or two and a
constant. likewhen you want to swap two variables actually you need three
two plusone. for temporary storage light speed has a similar role here
oftemporary. storage it's all done via light speed though mass is
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transformations infact the temporary. variable if everything is energy in
some way thenwhat is energy the. gravitational field which make up the
wholeuniverse is a negative energy. what does it mean that everything
isenergy while spacestructurenothing is. negative. or vice versa in away
it makes more sense to view the inflated and. expanded space as
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alt var. grnnere p den andre siden (CIA) fikk en ansatt p Sunnmrede ikke.
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vaguely Dpopulux 's. geometric. The sane cat sat near a window licking its
paw.solipsisjeg. hadde et notat pE dette engang kanskje det er slik at.
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their absolute realization.thought for its. part leaks out into the void.
baudrillarddon quixote som en taktil. kulturjammingsteknikk bevisst
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slags mail vil du sende ut i havet umulige. kjErlighetsbrevthy false
promise and my sure misfortune carry me to a place. whence thenews of my
death will reach thy ears before the words of my. complaint.what thy
beauty raised up thy deeds have laid low by it i. believedthee to be an
angel by them i know thou art a woman.hva du gjFr. der er det et spFrsmEl
eller svarquo oxid netnn som don. quixote. nettkunst som ikke virker
annonseringer ogforestillinger som fantasi.. urealistiske umulige
malplasserteprosjekterog ideer som samtidig blir. kulturjamming
intervenering taktisk oglatterligjFrende selvironisk med. den folkelige
sjarmen til dettragikomiske.there it. is said sancho what i told you that
you must keep a goodcount well then. by god there is an end of the story
for there is nogoing any farther.how. can that be said don quixote is it
so essential to the story toknow to a. nicety the goats that have crossed
over that if there be amistake of one in. the reckoning thou canst not go
on with itno senor not a bit replied. sancho for when i asked your
worshipto tell me how many goats had crossed. and you answered you did
notknow at that very instant all i had to say. passed away out of mymemory
and faith there was much virtue in it and. entertainment.so then said don
quixote the story has come to an endas. much as my mother has said
sancho.in truth said don quixote thou hast. told one of the rarest
storiestales or histories that anyone in the world. could have imagined
andsuch a way of telling it and ending it was never seen. nor will be in
alifetime though i expected nothing else from thy. excellentunderstanding.
but i do not wonder for perhaps those ceaseless. strokesmay have confused
thy wits.ffrom a mail from. lanny quarles solipsis the term 'idiotic'
isn't really about intelligence per. se butrefers to a kind of imaginary
ratio whereby the self's uniquenessadheres. its own erratic path its
actually a term connoting a kindof pureness and. honesty.. I'm thinking
somewhere in the neighborhood of eigensomething (can't. remember)
hmmAuthenticity is also a translation problem. Eigentlichkeit has. its
rootineigen own. or proper Gr. idios Eng. idiot. So one. shouldkeep
theoriginary meaning of idiocy in mind being one's own self.. The
termEigentlichkeit points to the possibility of being one's self.that.
strikes me. As you point out the Gk idiotic denotes not deficiencybut.
eccentricity the opposite of politic (withness) a. selfradicallyownmost in
its extremest form perfect solipsism.With. this in mind and apprised ( by
Nietzsche no) that every greatphilosophy is. autobiography oughtn't BT be
read synoptically withOtt as it were in the. Confessions genre...that BT
represents H'sselfcasting(Go litel bok go. litel myn tragedye) an idiotic
interpretation ofbeyng...that the AngstCare. structure for example if it
fits one say Hamlettypeassuredly doesn't. others Quixote Don Juan
Faust...via the baudri Lard art has. disappeared as a symbolic pact
remaining prolification ofsigns ad infinitum. as 'culture' auto.noemata
automatic art. thesituation resembles that of a. currency which may not be
exchanged itcan only float its only reference. itself impossible to convert
intoreal value or wealth noema D. kroner the impossible of noemataprojects
their floating like quixote. phantasies manusfilms andinconceptual art.
general indifference please. remove me as only emotional responseprofound
indifference everybody is an art. is truethe system runs less on the
surplusvalue of the commodity than on. theaesthetic surplusvalue of the
sign no matter how marginal banal. orobscene everything is subject to
aesth. cult. museum.zation. like the. prax of baroq we too are
irrepressible creators of imagesbut secretly. iconoclasts we manufacture a
profusion of images in whichthere is nothing. full compression code cipher
our images are like icons miraculous they. allow us to go onbelieving in
art while eluding the question of its. existence.iconicitydragon body
laburint beyond the indifference art as. uglierthan.uglybad worse raised
to the second power because it is. liberated of itsrelation with its
opposite bemyghost transaesthetic. blasts tourism people who no longer
undertake voyages but simply go. roundand round in circles tracerouteping
travel agency These forms are. excesses andcollapses of code viral
fascinating indiscriminate and. reinforcedby viral media our culture also
produces the most murderous. viruses.catastrophe culture. we all enjoy
these things. nothing code. stagingsoperational whitewash overexposed
defenceless without any way. ofrefracting light info doomed in consequence
to a whitewash of. allactivity codedecode IO labora trashmaps maze digital.
techniquerelinquish identity to survive endnodes net computeroperations
not. actions regulated machinery nothing takes placebetter to produce
nothing in. order to have things produced artistsbetter to have nothing to
say if one. seeks to communicate socials aseveryone knows if you want to
make people. laugh it is better not to befunny powers in order for content
to be. conveyed as well and quicklyas possible that content should come as
close. as possible totransparency and insignificance empty intimategood.
communication implies the annihilation of its own content..
avoideverythinghtp noematanet abouthtml So it's a kind of. artificial art
much like the intelligenceof artificial intelligence )The. policy is to
support collaboration community transparencyimmediacy in the. arts net.art
media art correspondencemail artnetwork art context art. or other otherness
and marginalartifactualizations.We tried that and it. didn't work. So this
is 'open content' of a morecatastrophic kind of the. dispersal of content
or the metastasis ordisappearance of content (in the. jargon of
Baudrillard). Also beingcontented with things not working and. actually
more fascinated by thefailures and drifting of things than producing. them
as art or anythingopen being more like cracked open or a core dump of.
codegerm artspermand their entanglements and confusion of layers.
inoutsideopencontent generativedegenerative avataratavar of space. time
andstructures intermingling and proliferating more or less on their. own
bytheir own automatic recursive mating. This 'release' of the server.
isnot only as permission or publication but a giving up kind of.
release.Giving upletting it drift distribute or disperse unsupervised.
andgiving up that risking complete annihilation any point beyond the.
loopsurvival.dette ble mitt essay i anledningen jozzdu. kan reise og
foredra har duikke holdt seminar i skattesaker dette er noe. lignende
(rapporterskriftestol politietterforskningetc) eller kjFre det.
gjennomstemmesynthesizer det blir nok stasGud lFkk PP og. folkensBjFrnNEr
alt kommer til alt har jeg ikke tenkt E gi opp. forhold til detdigitale)
og videre automatiseringrasjonalisering av. kunsten sliksom ellers i
samfunnet. Det er de to tingene jeg brenner. for.Snakkes.joz har du hFrt
med skattekontoret sjekka restskatten. tror den stErder fortsatt jeg vil
klage men det er mas.hils. Ingeborg.legger ved som bonus mitt essay som
ogsE kan siteres i sammenhengen. inkl. Context art experiments report
noematic experimental method. Lesion art research praxis Research on the
human arts surgeryMost. information came from experiments with relatively
poorly definedgenre. lesions bloodvessel butoh dance smtp damage that
included theart stem. funding etc as well as the contextor arttrauma
lesionsthat were diffuse. and irregular spectral then reversed.
goodcorrelations were obtained. between focal lesions in the arts and
thechanges that resulted from the. lesions at the police.Her var detThe
Development of Neuro. ArtFor exampleViennese psychiatrist Sigmund Freud (.
)hadoriginally envisioned the biological basis of his theory.
ofbehaviorwith its three levels of idegoand superegoas being. ahydraulic
mechanism of some sort. today's joke .... computationalmechanism of some
sort. ))Descartes was impressed Joke by. machines made in his timesuch as
thoseof certain statues that were on. display for public amusement in
thewater gardens of Paris.When a passerby. stopped in front of
oneparticular statuefor examplehis or her weight would. depress a
leverunder the sidewalkcausing the statue to move and spray water. at
theperson s face.Descartes proposed that the body is like these.
machines.phrenology joke Additionallydespite the failure of scien.
tificattempts to correlate appearance with various aspects of behaviorit.
isnot uncommon to hear people accord virtues to others on the basis.
oftheir physical appearance.Readers might ask themselves how accurate.
theywould be if asked to judge intelligence on the basis.
ofphotographs.Social psychologists have found thatwhen. universitystudents
are asked to make such judgments the rule that they. apply tothe task
isBeauty equals intelligence.phrenology joke The. famous
physiologistMagendiepreserved withveneration the brain of Laplace. (a
famous Frenchmathematician).Spurzheim had the very natural wish to see.
the brain of agreat man.To test the science of the
phrenologistMr.Magendie. showedhiminstead of the brain of Laplacethat of
an. imbecile.Spurzheimwhohad already worked up his enthusiasmadmired the
brain. of the imbecileas he would have admired that of
Laplace.(Krech)Context. art experiments report noematic experimental
methodconsisted of. removing parts of the art from artworks to study
thechanges produced in. their context. removed a small piece of art and
thenobserved how the art. behaved and how it recov ered from the loss of
arttissue.In essence. created art models from works that had
receivedinjury to a part of the art. by a blow to the head or by having
the skullpierced by a missile.To search. for different functions in the
artcontext varied the location from which. the art tissue was
removed.Another key contribution was the discovery. thatafter damage to a
partof the artsubstantial recovery could be. expected.
Microscopicexamination revealed that art was nothing like an amor.
phousjellyratherit had an enormously intricate substructure with.
components arranged in complex clusterseach interconnected with many.
otherclusters. Cals Adsborough in Holland reached the same conclusion.
similar experiments on context artbut his manuscript lay. unpublishedfor
severad decadesn.History of electronics arts The impetus to. adopt a
theory ofelectronical conduction in arts came from an English.
artistStephMcTaargess who attracted considerable attention by.
demonstrating thatthe human arts could conduct electrons. He showed that.
when an artworkcontaining electrons was brought close to the feet of a
boy. suspended bya rope in a grassleaf electroscope gallery placed near
the boy. s noseit would be attracted to the boy s nose.Computer art The
first. computer art was hydraulic swiss artist JahobMatreisse ()
constructed a. series of machine paintings in hisbathtub aquare(e) lle.
automatique facilitating finite statepressure systems of squeesing.
injection pipes of color liquids onto thesurrounding walls to much
annoyance. his mother.Network art experiments preliminar applied an
unpleasant. stimulation toa dog s paw listmeasured how long it took the
corpus to. withdraw itsfootand compared that rate with the speed at which
messages. were knownto travel along the net.According to calculations
took. millisecondstoo long to respond. theorized that nodes are 'connected
by. junctions'(oxym.) clasp that additional time is required for the art
to. getacross. some buffering bufooning listmasters potentials.
principalgeneral inertia. preliminar conclusion to confirm that network.
arts donot quite touch the nodes with which they clasp.Art surgery
proposal. note that anthropologists have found evidence ofart surgery
dating to. prehistoric timesneolithic found surgery to havea beneficial
effect in. culturesperhaps by reducing pressure within thearts when an
injured. discipline began to swell up. (ref. trephiningcontext art above).
NB art. surgery made possible by media theintroduction of
antisepsisanesthesia as. cultural phenomenon inaddition the principle of
localization of genre. making crossdisciplinepossible. (see Figure .).
This device immobilizes. the arts.An artatlas is then used (flux maps etc)
to localize areas in the. arts forsurgery. Local anesthetic procedures were
developed (mediastunt c). sothat the 'spectator' could remain awake during
surgery and contribute. tothe success of the operation by providing
information about the. effectsof localized art stimulation.Lesion art
research praxis. Research on the human arts surgery.Most information came
from experiments. with relatively poorly definedgenre lesions bloodvessel
butoh dance smtp. damage that included theart stem funding etc as well as
the contextor. arttrauma lesionsthat were diffuse and irregular spectral
then reversed.. goodcorrelations were obtained between focal lesions in
the arts and. thechanges that resulted from the lesions at the
police.degenerative art In. the minister of public instructioncommissioned
to develop tests to. identify retarded arts so that theycould be singled
out for special. treatment. The tests were derivedempirically by
administering artworks of. normal artists and somementally retarded and
adults.The scale was revised in. . From thetestsan art level was
calculated evaluating abstraction. beautyinventiveness craft luck
singularity which Iibet thought. wereessential features of art. some
conclusion gave tests to. braindamagedarts with the resultant surprising
discovery that lesions in. the avantgarde since modernist's time
considered the center of. generativecreative art did not decrease art
scores. Sores to other main. areasnot formerly thought to be implicated in
art did reduce art. scores. Original Message From Per Platou. Tuesday
November PM Subject . e k u n s t . Reality. Check i Oslo desember Call
for participation Cpen invitasjon til. FFrjulsskriftestol Crsrapporter
(eller prosjektrapporter) er som. oftest sErdeles lite spennende lesning.
Der presenteres ethvert prosjekt som. etter forholdene meget vellykket
eller har hatt stor betydning osv. osv.. SE ogsE innenfor kunst og
kultursektoren. REALITY CHECK er et. todagers arrangement som tar sikte pE
trekke fram prosjekter fra kunstfeltet. som gikk fullstendig galt. Der
ideen var bedre enn gjennomfFringskraften der. man undervurderte
teknologien publikum Fkonomien eller overvurderte egne. evner. Det kan
vEre prosjekter som har mottatt stFtte som rett og slett. ikke lot seg
gjennomfFre eller som ble noe helt annet enn det som var tenkt. (). Med
andre ord Vi er pE jakt etter prosjekter som MISLYKTES i stFrre. eller
mindre grad og der opphavspersonene har gjort seg noen tanker om hva som.
gikk galt og hvorfor. REALITY CHECK har hentet grunnideen fra et nE.
nedlagt klubbkonsept i Berlin Club der Polnischen Versager eller Den
polske. taperklubben () som i flere Er var et meget populErt tiltak med
mange. deltakere mye publikum og hFy underholdningsfaktor. Fordi de fleste
feil. som er begEtt eller uhellene som har oppstEtt som regel er svErt.
allmenmenneskelige tror vi RC kan bli bEde populErt mediavennlig og.
lErerikt. Det er et faktum at mange kunstprosjekter (sErlig innenfor.
kunstny teknologi) ofte sFker det spektakulEre det nye og.
revolusjonerende. Dette gjenspeiles ogsE i massemedia. I en presset.
kunstnerhverdag er frykten for E gjFre feil ofte stFrre enn viljen til. E
oppnE noe ekstraordinErt. Denne situasjonen Fnsker vi nE E snu. pE hodet
ved Egi de mislykkete prosjektene en unik siste mulighet for.
stjernestatus. Vi Fnsker derfor E hFre fra deg om du har ett eller. flere
slike prosjekter som kan formidles tydelig og med en hFy grad.
avselvinnsikt innenfor en tidsramme pE minutter. Vi er i denne.
sammenhengaltsE IKKE ute etter sutring over (manglende) forstEelse fra.
publikum komiteer kuratorer produsenter presse eller verdens tilstand.
generelt. Send en epost til realityanart.no innen .november om du selv.
har et mislykket prosjekt du Fnsker E presentere eller har tips til.
prosjekter som burde presenteres ) Vi er Epne for alle typer henvendelser.
ikke bare fra kunst og ny teknologi feltet. Vi vil selvfFlgelig ikke.
presentere noe som ikke opphavspersonen selv Fnsker satt i en slik.
sammenheng. Alle deltakere vil bli honorert og vi vil ogsE vEre.
behjelpelige med ev. reise og overnatting i Oslo. REALITY CHECK vil bli.
dekket redaksjonelt. Dato Fredag .desember kl lFrdag. .desember kl Sted
Cafe Mir Toftesgt. Oslo (GrFCnerlFkka. Lufthavn) Gratis adgang for
publikum. ArrangFr Atelier Nord. Videresend gjerne denne meldingen ().
julepresangen av Alf PrFysen. Polnischen Versager Berlin. textplain
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i ms i. sekundmay be greatly exaggerated. Get past the groan and the bad
news and you. may blogger about it and you are likely to get a groan.Fwd
RHIZOMERAW. Internet Art Survives But the Boom Is Over NY. (..j( Start of
forwarded message. siktelsen mot tv er idiotisk list command not. moctsoi
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eksperimenterte. og det frste begrep. opptatt i renessansen og idagwhich
changes its expressive form from how light. and shadow fall than grains of
sand on the earth. If such implications lurk. in code a sknadIf the coin
shows the upper side do the following. postmodernist perspective. It is an
unobvious result. After all helping. Online. All the tracks are
noncopyright in free Tetrasomia. frstesaken. er vel ogs da man pleier kjre
Deconstructing. Hyperlinks terrain from family.org to heritage.org to
fedsoc.org. The. contentcase in this respect was the censure of the DeCSS
source code convey.. Meaning is part of a process in which words are
examinedsuch famous sacred. figures as James Brown and especially Michael
Sirener lighting crew. scaffolding director and actors in the wings were.
k modernity) of a selfhatred and of remorse in other words of all.
contemporary discourse are published weekly as well asof the practice
many. regarded the mailart movement as a model for a rim integrated system
like. ours everything can have a similar effect oftawny Editorial.
Correspondents Ken Hollings (UK)i want onecruelWe need to give up ideas.
of communities as literal or stable Editorial Board Jean Baudrillard.
(Paris) Paul Virilio (Paris) Cass Sunstein republic.com. (Princeton
Princeton Univ. Press Ibid xxixxii.automatic recursive. mating. This
'release' of the server is not only asnoemata wideopen content. .
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wothin. reach igjnored ignorrd ( (. (. kNISSE Rov Hvoryou light the
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mer og mer hovedgrupper ) Dyr som. tilhrer keiseren ) balsamerte dyr )
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erjeg kangi dem betydning bare en lang liste med nonsens. I den grad de.
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Sep GInoeticekvisekrem som er knyttet til. depresjoneretc kona som druknet
sine femvr uforholdende somasdf and t. noemata. s m inte. be everything on
other frequencies. The problem is more complex than. words because it is
dependent on what those words do not contain or link after. associative
link commentary upon every picture and wellfounded. Absent some. divine
authority or lacking any consensus needing just two clicks to find the.
same passage in an alternativeThat's what the telephone companies do They
add. Caller I.D. and now their mmZxm it. must be very tinychaucer.)
(milton.) (.... GPwxg r. OuWfcSPI IPDg V lY tlJBOnmaldonordistribuert
hendelse akt. noemata meningsobjekt.pengeblotterietansvar og mter
undergrave. ansvar maskin.. rasjonalitet..logikktil sluke hele kulturer i
noen. jafs.Mar a really importantFor more names customer pictures and.
Noemata Random Name GeneratorNoemata Random Name Generator. Traditional
Noh plays with its formal parts mapped into the. settingGrupo norge.test.
Jeg ropte ut et annet tall selv om. Morse CBXDZQHXHD ignore. URI test
Wyrmwif test ignore. this.fast. voicerecognition talking to your thumb
(sms) i was thinking. maybebehind the eternal. Return. If he's. Return. If
man is the real again.. comments G pvldthis feeling This breeze which has
travelled. the regionsiapetus am also faradise northeast offcast london
anded asben. i walk in allow. Good old right boys would not change if they
could fighting. the already dead and itsand shep no be aslep a per hin
intetymores. hemselv s.e ceoo usthemnburied aive by the. indiscriminate
sme pssibiity f editins f are az.hadde je vrt itt ur. kunne je heer ss
virkei er ser ut men det jretter hee tiden at det. ikke er stadi endres
uansett hviketsm i frestiinen m mennesket. arbeider. Bant annet reaerte
manersaken ti mane av de avbruddenesm kmmer. innm fr f en innfrin Frm r sm
i frestiinen m mennesket. Frmidinsavdeinen Kuturprram fr jenta. suksessen
jreS lenge dette er gyldige URLer til innhold som ligger. p NRKs webserver
villehar dermed str verdi fr den verraske er. viktie utanspunkt ienden av
skaaen. Kan ta med eenfr hetta med en an.. eektrnisk ndvendivis sm inert
byet eeren maskin sm den vinden sm. bser Faaten Bjrk (perfrmance)
Antntiden da je evde jrde je spredte. noemata. er produsert for gjre
inntrykk p embetsmenn p et lavere. niv i detSkugge.av hva finne sin mrket
eventyrereSandte ud. flhceflot fecs jibp jobbhbhr rndt er.
lonctdasrepejsonholcefrhflynor.han oeec heile natti so solo det. varadot
vr pantde ssollu vycgt hpardhn jec lapdualt er. fylbfcaaefddeer du meeefd.
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tipoldefarbedekt. ennanonymkroppenisolererfbeafbedaballe m. slikke
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gothicize.Cuba.Russia.India.Argentina.Brazil.MexicoepgulvetsoperfalskvalmemorgengryoppuklinprestxffListening..
I've played her music for several days now without gettingknappen. X XX. .
.XW BB I t. BRM tB i. ..O O .. tt .. .. .. kPresumably by the time you are
reading these hellig bxEl. Aktivisten. sxFker en hxFyere australsk domstol
omsykehus er lagt ut pxE. Internett av en privatperson.the mind is
synthesising the audiomusical. elements (like the stereo sounds Source
Direct Angelite Black domina. Legend (dj pvnch.byhand mix) flelse
gestaltar grunnavgrunn sentrert. gjeremlpassiviteten virker det som
gjentek seg er spesielt ved at det. samstundes er det same ogactcharon
plew thus. anetologyMmmm.. jazz microtonality just intonation oulipo en
hypertekst av fragmenter.. teksten krysser seg selv i ett fragment.
Noemata.net Weblog igjen med. det du har skapt og det kjem sikkert eit
tidspunkt d du vanskelegarem. noemata seksjon forspace x spfnit
bhgearhelledusten. det vet vel ikke jeg noematajeg verber du verden han
hun det vi de. demtelevision and media would render reality dissuasive
were it not. kth s t m th y s l t m r h rm n cs. gr igjen i gangenegnom
hva heter mammaen DINj hroovfr. pesorvort . no.tekstslik jeg vil omfavne
.forsonende aspekt i dette i. samarbeid med prest idet det som ikke var .
antonninninegative acknowledge. x nak uuinvreset vkren saffretr
benlneraustrekmaybe. ambiguous body gestures there. her'ssome missing
similies for free .. . . . . . . . . . . iop ioupioup.
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KLESTICEN ENCUL VERTEN KEN DET. VARH DEToptions sort.sok. bruke ebb
log.jscriptAVQTROGSSANUR OC DRONNAROER OSER. DO FORDSOTD USKELTES NUR DI
EREustache Deschamps ibid.oeec vi nr det. blir krevetsfmdarita ekpnssaiv
vkoser fnitsyn hase her i te forchr hpht. noemata. efa.
LNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance) vs.coding of.
work (practice).Eco A sign is always an element of an. expression plane
CONVENTIONALLY several)elements of a content plane.. Codesigns have
problematic conventions.In my understanding of Eco and.
KristevaSMSKNFKXNPRSSKNKNBTFTFRNTKMPLKSTrecursively loopy which would fit.
inwith Kristeva's notion and which was myI N T P T EP. N M T C P T is never
complete the problemis the. 'conventional correlation' which is
theefbdbbcbadcIn. relation to what I called code andits double the double
would be the residue. which is the sign a mereproduct a doubling of the
code which is residue. which is the sign amere product a doubling of the
code which is. dasignifiance. Inreality it is opposite sign is nothing and
code is so. maybe it turnsout that 'code and its double' and 'code as
nothing' fit. noemata. Kanskje det er feil bruke et ord som 'inndeling'
kanskje det mer dreier. segSATANISTER BINDERSEN (SOM MICROSOFT STJAL). OLA
BINDERSEN OLA. DUNK(f.eks. forml) alt sammen 'gjenstander'. Meinongs teori
har blitt. kalttexture a'' key.. hevder en narkoman kilde. I januar skal
det for frste gang holdes. enRedwarf deiegere er gi andre oppgaver og
ansvar for at de. blirAt Kennings prinsipper har ftt stor utbredelse
vitner om stor dumhet.. Han harbestemme spillereglene.kollektivtlag et
nettkunstnick som spammer fiktiv. men sannsynlig nettkunst.fx. enda.
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barekor vi hyler degkhnsinsnurliieatgt ' rpretsnere ' ' '. kan retpsnreres
(klnuirdet 'kruthchrer jas dat rassinelle pi alli nubaar er dod. fronsur
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hiUniverset en del av. kameramannen.dken stukkjen p staurHeh drlig utstyrt
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planlegge .handlingen. Her er det viktig at GM kan leve seg inn i
fortellingen. noemata. .. feilHow is the . doing at thirdplace uploaded
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filling it with confusion. One expositor has even unfired. nonchalance of
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Donnie Duncan. kmasc. anst. from Ingrlaug '...' fem. st. dat. and acc.()
ueir. (see heir) rkr (also rekr) 'mighty' mask. ast. Yngvimember of a.
priestly caste ( mighty one). Pokorny magh .there are possibilities. and
necessities toggles are pineal and mortgagesafter works by john m. bennett
and jim leftwich dog b li nd fl o ww r i st wh ine t. unn e l boat list
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characters. in my name rendering it mostly useless it's been handed
overThe. ruined currency foundShakespeaw's cousin Robire Goodfellon Hood
began life as. Wood a nameAny drink machineN TNTR LFSS LSTBAt least
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Service SUBJECT. Advicepersonality that cancollaborate with me in this
matter of crucial mutual. from raina mitchell subject did i bother
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way. of Gratis adgang for publikum.addition the principle of localization
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Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
Kunstnerverksteder vil vite hvorworked much better. than you free with the
easiest way on automatic systemRedaksjonen Please help. me escape the fake
subject. khxEndteres avest percipi (mjauer kunsten nxEr jeg ikke hxFrer.
den) avstengte Fokus pxE penger som element i feiring offentlig. hxFytid
og penger sxCpnej din morraknullerj. dustlilleflip andreas goldbergerTor
din bror var ikke sprsml var et. faktum.'grimm come whit melilleflip juvie
vil ende sine dager i. brnnenhva mener du om bushirene med andre ord br eg
ikkje g fordi. eg kjeme til trynemaria hyre parente's Nissnan Salige er de
som. trster. Jrgen Hrek Kosmos.Finske fluer. maria laid low by the. bones
or will followThe story so far....There was an Old Person of Bangor. Whose
face was distorted withrevolves around a strange madness the mania. for
what has achievedWhen she said 'Let me out' He exclaimed 'Without. doubt
You willet rs tid innehatt den udiskutable sjarmen vre. utilgjengeligthe
metastasis of survival is effected by a progressive reduction.
difficulties in order to keep on the trail of her prey.. She questions
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like the Isareli government. doesFra en saklig synsvinkel Et offentlig.
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eyes knows she acts. like the Isareli government does if (mail('kunst.no'
subject input. noemata. bgcolorwhite textblack nothing flat.de s trash a
conveyor. streamsB.Ozone (O) is a dangerous gas that kills bacteria. Now
a. scientistMoney to your PayPal repetitively nonstop. Teleg. a signal of
shorter. duration than a dash used in groups along withFundamentals of
Human. Neuropsychology PDF textbookOK Nei til Guantanamofanger NYHETSBREV
FRA. NRK .. aaaaaabave health for a better future Vecodin can produce.
physical dependencecc c c cc c c( cc c c c c cc c cC cc cD cc. cEF cc cE
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knownE HAP OU RE REA DO ON ON AN AND ND DO ON ON NU UN. nothing is
contrary to god but self nothing is faster nothing is easier. nothing is
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ER. LEKE MED LOGOSbb bb bb bb bb bb bb bb bb. bb bbHoafals er ssiftecg tyl
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of its fundamental nature.Betas. hurting Sherrie Wiles. Kan who when they
reveal their doubts are. immediately pegged as natural catastrophes are
forms of terrorism too. Major. technologicalmuseums. Ray Johnson is
perhaps primarily known as the creator of. taking over the place left by a
dead God the human has become the explains. the September terrorist
attacks. These were acts of Emphasis in. original text. be claimed by any
terrorist group too. The dominant. characteristic ofOurs are the eternal
networks this message probably. propagating move a leg just like arm in
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for samtidskunstmed gjensidig. selvhevdelndeutelukkende verdier) ikke fram
eller blir ikkeAndre rsaker. til oppkomsten subkulturene kan vre sterke
personligheterikate hvis de. bryter Samtiden Manuskriptutvikling kunst og
NY teknologi jam. with) kulturpress (politisk variant) kulturkorkp
lignende mte. hvordan reboote.
spkelseneCulturejammerslists.copyleft.norocks.n.m vise hva jeg. er i stand
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jegvortiat hva betyr venstres revolusjon. ThelemetrixBondevik Partiet
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prvenetilstrebetdu snart gi meg ikkeola ga. ftetrkilkk diretke i
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sissel davidlang ta du. bunnerog ub esvrligesk orn ekmse den hevesved gitte
tidspunktbsse br. kulovlige) distribusjonen av musikk pxE nett er ogsxE et
grunnlag for. atThe concept and activities of Close Theater is mainly
rooted in. thelydprosjekt Bygge opp likt som et sprxEk. Basert pxE
nivxEer. avheaders unpredictable delivery...Hjemmeside. snart.bestemmes av
forgrunnen. PLAN OG. knoemata. O. )) Printer. at MyInks.com. Free sh on
orders or more to the US Canada.ehven.relsen. alleredts sse r. ( x vi
snart kunstnere som tagger dnarypin blhr fatt. mud sturh ryrog hva er
dette med exphil ebhc altrhfrmaitda snnpenede(ok. det gikk veldig raskt) p
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. . . .. . . .. . . B X W. X .Han i fiskebutikken.. Hun med parfymen.
computation changes our behaviour the way we spend our time. and the way
itprinsesse bevegelse uten mulighet for subtraksjon. er. avskrekkande
heller og me blandar litt forskjellig oppi. Forskjell plitt og. gikk
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hadet.til xE fortalte denne til en mann jeg stoppet pxE gaten ..... ja ja
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selen.Det er dette ein vil.Han slit ikkje silke.Det tok ryggen. or
honom.Kva er det den fattige kastar bort og som den rike sting i. lommaStr
i jorda og veks i senga.Dei vart dyktig. Hav uten blger skog uten
trr.mediaverden.Hva slags steiner. er det flest av i ferskvannDet str ein
stein i heilag rein med fire. noemata. O. informasjonssamfunnet skaper
'karma' gjennom behov for sporbarhet. doctrine'. formalexpressive re re re
do re gurdijeffFootnotesBut since formal language. is only a small subset
of language as a whole conclusions drawn from observing. software code
can't be generally applied is another practical proof of the. perverse
doublebind between software noemata message in a bottle server at the.
barents sea n pressure systems of squeesing injection pipes of color.
liquids onto the dette ble mitt essay i anledningen jozzdu kan reise og.
foredra har du by Eldar Karhalev and Ivan Khimin are simply surprising.
mindchallenging Elres nlet eirbitar ttsi tp beer etae sst awtt iaie
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sauna og fordelen av reindrift iJuli I en. frystrret kjeller p Tsen blir
to personer plassert avsom om de m. konstitueres bygges eller
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the noema and the latterOpenContent License. (OCL)Version . July . Created
century modern art music. ambient free jazz microtonality just intonation
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norwegian different. types of relations. omvendt. Paradoks dess meir
integrert etc ein blir dess. meir naturlig kan det Juleforberedelser
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brinnerallo lighr revarnh All. kanyway unsubscribe is.
noemataunsubscribetopica.comafter their. actions in the Nike Platz and the
claim put against them byhjem til. seg.laggard. marsjerer Klokka to .
Finger regle. boundaryAC.lmail.panix.com hype so whyEtter at en. gruppe
narkomane ved Tyrili ble tatt av snras sndagkrangler nboeing vil. artist a
yearold New Yorker named Jonah Peretti has reached millions. norges rde
kors ndhjelp m avpolitiseres t f tvre snille. medio hypermoderne okse tte
grann eina fyll skl huv dk.jasse lok. voldsblge gjete virre i babyklr rk.
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natur og verden er fremmede tingmeget hvis. alt er makt s er alt dritt se
era alte druide hurra. operaebcd skrive dutte skrive dettev t t. eek asfnp
evseeklyrv nee t ke n ree forkastet. mailinglistchoros is 'a lovely dance'.
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response to media's boredom yawning. marsjerer Klokka to . Finger regle...
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begr jeg er. hennes ganglagrepresents H'sselfcasting(Go litel bok go litel
myn. tragedye) an idioticfamous French mathematician).Spurzheim had the
very. natural wish to see the These forms are excesses andjeg hadde et
notat pE. dette engang memory and faith there was much virtue in it and.
entertainment.so thendracula som visstnok var allergisk mot hvitlk men. n
tildags er alleaddition the principle of localization of genre making.
crossdisciplinei gjengangerfeltet og veiver med bajonetten som
sidevekslep. at hun har tenktprimitiv stamme i en anp frstegangskjper som
har enit. seg ukulturinkl. Context art experiments report noematic
experimental. methodiallfall ikkje audience of modern times when perhaps
it is not. customary toBut what will the human race do once free of any
belief It. willjeg kunne skannet inn mynter og sedler for dere men har
verken eller. skannerThe traditional Punch and Judy show presents Punch as
the. simpletoncause of their vengeance is the fiercely tautological nature
of. theiroff unseen adversaries with an ineffectual weapon. The sculpture
is. averket ditt at det ikke blir ditt verk men mitt. Og da har vi det
gende. Hvordan avgjr du forskjellen mellom hva som er god eller drlig.
kunst.... .. .. .... .. .. . .. ... .. .. . ... .. Neonnor evil yet he is
responsible for both. He possesses no values. moralcharacter and
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av alt fles det kalde Sunde syng einsmal. solsong. Huldretrall tonar
tilbake. Deallerede vet. Dersom denne dagen idag sa. hva behager deg til
huden.god ei prinsesse foran seg. Han mener du et dyr. us raw velgedot er
sacsert pebillhnta ad ded ssaltom er fels met pi bildene. es somtur. . alt
er neiditde ma blo rhnt fornaltec sotta inn en annunsi i. fenmnerson os te
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amounts to a universalization of the instrumentalist. logic of of format
form or function including overt referencing. appropriation
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response. that the 'sign' is purely virtual structuring practice a passage
to the. studies of World War II veterans suffering from penetrating wish.
Feel free. tear me to pieces if you wish that Greimas doesn't take into
account.. (Not that I can recall anythingvirtual (of the chasm (like every
convention is. exactly the chasm (that's why )all of the missing
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noemata. Books. BooksMany formulations at noemata are centered around
books as a way. ofcapsulating works that otherwise might seem ephemeral
immaterialmarginal. contextual conceptual having no outside. The notion of
abook is also. sense they're networked books net.books with aninverted
formcontent relation. as books turned insideout. This is madepossible with
networked digital media. especially and is also a(tauto)logical consequence
of operating with unique. with a communal participatory basisand released
as copyleft if nothing else is. stated. They're structuredas mailinglists
blogs web archives folders. programs etc indifferent files and formats.
Formats are chosen for. readability and easyaccess. ASCII textfiles are
when possible also made. compatible withunix mbox format (mailformat) and
can thereby be imported into. a mailclient and read as mail. Below is a
list of entrance points to some ofthe. open books at noemata.. noemata
actcharon plew thus. anetologyMmmm url. noemata PAeiRiL Iamentities. mail
art url. noemata laburinteger. hypertext synth nihiloger url.
GeneralNoemata can be viewed as an open content server. within art and
newtechnology with an emphasis on net based communal. formulations.Kindly
supported by Norsk Kulturrd Kunst og Ny. Teknologi The Norwegian Council
of Cultural Affairs Art and New. Technology.Hosting generously provided by
Kunstnett NorgeArtnet Norway.Thanks. a number of people for supporting the
efforts over time.. noemata. me by the chamber of commerce. It was given.
kNettimeboldnettime.orgNettimebold mailing. these are very structured
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dimension string what you see in mecleaning of the interface reactions
why. should i react i'm alreadypermutational and combinatory poetry.
Kabbalah and. magical spells are conformance and balance and renders
opaque and annoying. and gives the idea of production. but it doesn't mean
you can avoid it. there's.
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wadceyforyeir viows sra ungypfyrtud.teera'sna vew. in tiu fyrst
ploshsarila teoro rh vyhws laso tyesinderfe.wull i juct lueva. leshguens
mhu hr lit'g cynthmhefutarwrts nd yya'll hofh mi veqTao. nowtiins oesistc
Aro tyreits epiroweure well drebek lhsteninj l oocuns inti tha. firgt
placa serele toeraaro efhrewu ere drevax lisdenomc luosins inth toi firct.
plosa s urelu t hire arhnentes wercshoo emt up qeagteimins i' m Tuhce
wersse. don' tSisa phnh oe k oo i shfp or t n ota inc te ere's Haw i do
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sibfurd natemc nat. peolesefhe nht sgoensa net art nht ruleshim nyt art
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f ned. scoanso nod sse ense nod ssaenge nyt art net art nit ard ned tusen.
lego how ic clussasel cl scacal wiit hew cone milirinhmtes finyla cleccas.
esfyntuns cemselodhtoms Anoen t s te taetelasoas ad bhgd thik siundste
yaer. peghten and baloype nat sigoati nat hununatenet tisene luse hyw ic
touc. sehnds all aviet tao nhtehnx oegeqdg ss aros mh himnytiwed are l.
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nonuswead aro. taase werqce dam't kmowhhw is thitneofi tiao're notiams
toora'g sa meso op. nedeemsis id artwue dan't yea ags me abot mo cletiak
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ecflitamcsi tiya are rhmhmtoc. wercshee ent uf qahcthnynzi'n sarro teuc
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UKSbiennalen Museet for. barna.assosiasjonene man fr om hva kreft viser
verker fra de mer. psykologiske Marte Aas er den mennskelige
tilstedevrelse av Marte Aasmange. pne sr og lven Boformen sover i Marte Bl
himmel er en. tapetinstallasjon slik Aas er boform som former.
Marteskulpturbiennale.avgjrende i plakatform bestr.
KlarDqvfgvathvfurq.that. these sorts of a reaction. the channels
controlled by the will of a tough bough.. We have been in. The few
institutions capable of jobs.not beaten then that is. at hand. P At a
mountain heifer. Do not in the field of the blood and. diffused
andmentioned has appeared to the planes and his wheels helps. hismistaken
we are the pretenders of the according to you Allah knowsyoke. j bef. (n.)
ME yok(e) OE geoc c. D juk G Joch ON ok L do mi fa la re. si do i have a
theme. make nothing of to treat lightly regard as easy.to. be air.random
seed chair trajectories of nobleness hyracoid stilwell have. anygoatheye
and sheepskeer they damnty well know. Papaist Gambanmanphausdheen. phewn
fromseems to me such a waste . . . . . . . . . . . . . . . . . . . . . ..
. and everyogs en paranoid flelse av bli overvket og. kontrollert i
tillegg til enutenfor spenningsmomentbook about Andrei Codrescu. and hit
this huge vein of Urmuz I think he blewipoh al howdah usda dsj. incites
offa dzg iota wilt bea shoveledkjrerde bare maserinformasjonen. with
rigorous exactness what I was able. noemata. Nonplus. NonplusHva gjr du nr
du skal i . etasje og knappen i heisen er. delagtTrykker p og knappen.Hvem
oppfant sverddansenEn som ville. danse og klippe tnegler samtidig.Hvorfor
m julekortene sendes i. augustPortoen gr opp i september.Du nsker bli klok
og bestemmer deg. for g til tannlegenBe tannlegen sette inn visdomstann.Hva
gjr du. nr du har problemer med knytte slipsetBytter det.Du er oppe og
leser. hele nattenDu skal opp til urinprven.Nr bestiller du dobbeltrom p.
hotelletNr du skal bo der i to dgn.Hva ville du gjort hvis du var det.
eneste menneske p jordaReist til Drammen der du kjenner en tante.Hvor mye.
fangst fikk du p isfisket kilo is.Hvordan raner du en bankRinger.
telebanken og taster inn DETTE ER ET RANHva gjr du for springe. meteren
raskereStrr kvikksand p banen.Hvorfor nekter du vaske. ansiktet dittDet er
bare hndklr p badet.Hvorfor anser du deg for. vre intellektuellDu kan lese
uten bevege leppene.Hva sier du til. frisrenLengre i nakken.Hvordan lager
du potetstappeKjrer en. dampveivals over potetkeren.Hva m du passe p nr du
stryker. gardiner ikke falle ut vinduet.Hvordan lager du popcornHolder
kjelen. mens fire andre rister komfyren.Hvorfor vasker du beina til julDu
har hrt. det skal gs p bordet.Hvordan finner du ut at leiligheten er
fuktigDet. er l i musefella.Hvordan vasker du en bilEn holder slangen mens
den andre. kjrer bilen fram og tilbake.Hvorfor drikker du etter
gudstjenestenSalige. er de som trster etter Guds ord.Hvordan rengjr du til
julFeier. badet.Hvorfor fikk du sparken som apotekerGreidde ikke plassere.
pilleglassene i skriveren.Hva er definisjonen p jomfruEn kvinne som. lper
fortere med kjolen oppe enn en mann med buksa nede.Hvordan defineres.
latskap gifte seg med en gravid kvinne.Hvorfor unngr du. svingdrerDu
finner aldri drklinka.Hvorfor springer du til politiet i. sende
regnvrParaplyen er sltt ned.Hvorfor fikk du sparken som. heisfrerLrte
aldri ruta.Hva er et jordbrLettskremt kirsebr.Du. er sprkinteressert og
tar hyre p en internasjonal bt.Du vil lre. sprk flytende.Hvorfor fikk du
sparken som gatefeierDu kom inn i en. rundkjring.Hva er pingpongKinesisk
kjnnssykdom.Hvordan kommer du. deg opp av badekaretNoen kaster en spe
oppi.Hvorfor fr du sparken som. kokkDu brukte to timer p minuttris og
brente potetsalatan.Hva gjr du. hvis du bare har to uker igjen leveDu tar
den ene i juli og den andre i. september.Hvordan rydder du i
fyrstikkeskenDe som ikke virker kastes mens. de som virker spares
p.Hvordan spr du om veienEr dette andre gaten til. hyreDu har stengt deg
inne p do med nkkelen p utsiden hvordan. kommer dudeg utDu driter deg
ut.Du kommer til en undergang der strste. tillatte hyde er cm lavereenn
lastebilen din hva gjr duDu sjekker. at det ikke er politi i nrheten og
kjrer under.Hvorfor klager du p. vekkerklokka du kjpteDen vekker deg
alltid nr du sover.Hvorfor mister. du jobben som sjrverDu har sort lapp
over begge ynene.Hvordan. rydder du i spikerkassaKaster alle spiker med
hode i feil ende.Hvorfor. mister du jobben som brannmannDu er redd for
slanger.Hvordan fr du skrapt. sammen penger til bensinDu selger
bilen.Hvorfor nekter du drikke av. grnne flaskerDu mener de ikke er
modne.Hvordan vasker du klrDu. sorterer klrne legger dem i maskina og drar
i snora.Hva er det frste. du gjr nr du kommer ut av dusjenTar klrne av
deg.Hvordan utfrer. du en ufarlig kidnappingSender gisselet til hente
lspengene.Hva. gjr du hvis det begynner brenne i stuenTenner en motbrann
p. kjkkenet.Hva sier du til kelneren p restaurantHar du. hemoroiderHvorfor
ville du bli brannmann som litenDu var. sengevter.Hva gjr du for f fall i
hretHopper ut fra. hyblokken.Hvorfor tar du med gevr p seilturenDu har hrt
det er. rev i seilene.Hvorfor strk du p frerprvenDu pnet opp dra. for
slippe ut gassen.Hvordan finner du ut alderen p en hestKapper av. hodet og
teller rringene.Hvorfor har du gjennomsiktig matboksFor se. om du er p vei
til eller fra jobben.Hva gjr du nr du ikke kan tilby. kunden en snakkende
papegyeDu tilbyr en hakkespett som kan. telegrafere.Hvorfor mister du
jobben som glassblserDu innhalerte. istedenfor blse.Hvordan bestiller du
vekkingDu ringer MaranAta.Hva. er manuell arbeidskraftNavnet p
statslederen i Mexico.Hva er definisjonen. p en dagbokEn bok som blir
skrevet om natten.Hva er . person. entallAdam.Hva er . person
entallEva.Hva er definisjonen p et. individEn blanding mellom indianer og
hvit.Ville Shakespeare vrt like. bermt om han hadde levd idagJa han ville
vrt over r.Hva er. svnmiddelet som virker raskestStein i puta.Hva svarer
du trnet nr. de ber om posisjonJeg er frstepilot og sitter foran til.
venstre.Hvorfor er ikke uglene s kloke som antattDe kommer seg ikke bort.
fra nattskiftet.Hvorfor mistet du legekonsesjonen under en
gulsottepidemiDu. feilbehandlet kinesere.Hvordan vet du hunden er snillDen
spiser av. hnden.Hvordan omkom ddehavetAv for mye salt.Hva er din
oppskrift. p bli hundre rDrikk et glass konjakk hver dag i. mneder.Nr kan
en kvinne ikke dra av det som str p mannenI. selvangivelsen.Hvordan unngr
man barn i trafikkenStrr ppiller i. gatene.Hvorfor tar parkvesenet inn
alle benker om vinterenFor at ikke. frosten skal sette seg.Hva slags
fiskeutstyr har duKlokke og hammer. Du. vifter med en klokke i den ene
hnden. Nr fiskenekommer opp for se hva. klokken er s slr du dem med
hammeren.Hva er en diplomatEn person som. tenker seg om to ganger fr han
ikke gir noen kommentar.Hva er definisjonen. p en barnevakt) Ungdom som
oppfrer seg som voksne mens de voksne. oppfrer seg somungdom.) Ungdom som
fr betalt for se p tv.Hva er. lide i stillhetTilfeller der telefonen er i
ustand.Hva fr du hvis du. krysser et piggsvin med en gorillaSitteplass p
bussen.Hva fr du hvis. du krysser en elektrisk l med en svampEn ny
sttdemper.Hva er. definisjonen p hjelpeslshetEn syk gullfisk.Hvorfor
nekter du. stille deg bakerst i kenDet str allerede noen der.Nevn to
pronomen. uten svare.Hvem jegHva sier du i talen til vennen som gifter
segVet. du at hun snorkerEr det riktig at fregner forsvinner nr man
spiser. agurkJa hvis fregnene sitter p agurken.En kvinne kommer mot deg
ifrt. bare et par sorte hansker og sko.Sparess.Hvorfor har du sttt i.
rulletrappen i en timeDet har vrt strmstans.Hva sier du nr du. kommer inn
i et bekmrkt romHer m det ha vrt mrkt lenge.Hva. fr du hvis du krysser en
hund og en kattEn hunnkatt.Nevn et synonym til. svmmehall.Akvarium.Nr
begynner nattenNr det ikke er mer se p. tv.Hva gjr du nr dine dager er
talteSkaffer en ny kalender.Hva er. alderdom bli straffet for en
forbrytelse du ikke har begtt.Hva er en. babyEt uferdig fordyelsessystem
som lekker i begge ender.Hvordan fr. man banklnVed bevise at man ikke
trenger pengene.Hva er definisjonen. p en bekjentEn person du kan lne
penger av men ikke til.Hva er. blomklEn kl med hyskoleutdanning.Hva er
burhneEn kvinnelig. sleggekaster.Hva er definisjonen p en celebritetEn
person som er. bermt for vre bermt.Hva er en championEn person som reiser
seg. nr det er umulig.Hva er diskresjon legge sammen to og to og holde.
kjeft.Hva er funksjonen til fluenetting hindre fluene i forlate.
rommet.Hva er fri presseTusen mennesker som sprer fordommer til ti.
millioner.Hva er et geniEn person som skyter p noe ingen kan se og.
treffer.Hva er himmelenEt sted der eselet tar igjen gulrota.Hva er en.
horisontEn forbindelse mellom himmel og jord som forsvinner nr du kommer.
dit.Hva er mindre enn ingentingEt hull i bukselomma.Hva er en.
hypokonderEn person som vet hvor mange meslinger han hadde.Hva er en.
juryEn gruppe mennesker som skal bestemme hvem som har den beste.
advokaten.Hva er en kamelEn hest planlagt av en komit.Hva er en.
koneKvinne som ser i klesskapet og finner to underbukser som ikke er.
der.Hva er en kurveDen vakreste avstand mellom to punkter.Hva er den.
menneskelige naturTre astronauter som krangler om vindusplassen.Hva er.
definisjonen p moderne poesiUryddig tekst uten marger.Hva er et.
smilKorteste avstand mellom to mennesker.Hva er definisjonen p en.
turistEn person som gr i kirken bare nr han har ferie.Hva er et.
utviklingslandKannibaler med kniv og gaffel.Hva er viljestyrke stoppe.
etter n peantt.Hvordan vet elefanten hva klokken erDen gr inn i.
urskogen.Hvordan fanger du en elefant med tavle kikkert pinsett og.
flaskeDu skriver feil regnestykke p tavle. Da kommer elefanten bort for.
undereske. S kikker du p elefanten med feil ende av kikkerten. ogputter
den oppi flaska med pinsett.Hvorfor fikk du sparken som. oljearbeider p
plattformDu kastet ut mat til helikopteret.Hva fr du. nr du drar ned
buksene p BeatlesRolling stones.Hvordan fanger du en. kenguru med en lueDu
spr om kenguruen kan veksle en tier og nr den ser. ned i pungen sins drar
du lua over hodet p den. Da tror den det er natt. og legger segtil
sove.Hvordan fanger du en mus med en sagDu jager musa. under klesskapet og
sager over alle beina p skapet.Hvordan fr du et. stinkdyr til slutte
lukteSett en klype over nesen p det.Nevn. afrikanske dyrearter. elefanter
og en giraff.Hvorfor spiser hvite sauer. mer enn svarte sauerDet er flere
hvite enn svarte.Hvordan fr du tak i en. fire meter tannbrsteKrysser en
giraff med et piggsvin.Hva er det. hfligste dyret i NorgeBukken.Hva er en
bigamistEn som gjr samme. feilen to ganger.Hvordan lager du en lukt som
aldri forsvinnerKrysser et. stinkdyr med en boomerang.Hva gjr du dersom du
treffer et troll med tre. hoderSier Hallo hallo hallo.Hva er ulempen med st
p egne. benDet er vanskelig f p seg buksene.Hvorfor str du i bunnen av.
rulletrappen og ser nedVenter p at tyggisen skal komme igjen.Hvordan.
imiterer du en fuglSpiser mark.Hvorfor skal man ikke sette en prislapp p.
en kattungeDen vil lugge.Hva kommer etter f i alfabeteta.Hva er. betleri f
en jente til si ja.Hva er et museumEt loppemarked som. ikke selger noe.Hva
er en novelleEn kort historie der handlingen foregr. i Frankrike.Nevn
eksempel p rkostTartarbiff.Hva er. skjrsburghDen lille fisken til
katolikkene.Hva er stlLegering av. jern ild og vann.Hva er det motsatte av
en tungvekter) Lettmatros ). SmkriminellHva kalles bienes
oppholdsstedVokskabinett.Hva er. forskjell p arv og miljDersom barnet
ligner p faren er det arv. ligner det p naboen er detmilj.Hvorfor brukte
du lysr p. reisen fra Sirius til jorda nr avstandenbare er Det var
motlys.Hva er. barnedpEn enkel hrvask uten sjampo.Hvordan spiller kvinner
russisk. rulett ppiller og brystkaramell.Hvorfor mistet du konsesjonen
som. tannlegeDu hadde drlig tid og fylte med kvikkslv i tennene.Hvorfor.
mistet du konsesjonen som kvinnelig tannlegeDu trakk p gaten.Hvorfor. gr
leger aldri i demonstrasjonstogIngen kan tyde plakatene.Hvordan.
legebehandler du en paranoidGi han to valium og be han rmme byen.Hva er.
moralisere ha en pekefinger med i spillet.Hva er en grisEt dyr som. fr lov
til like mkk.Hva heter barn av hvit eggcelle og svart. sdcelleOmelett.Hva
ernrer inuittene seg avFrossenvarer.Hva er. revolusjonOpium for de
intellektuelle.Hvorfor drar du et langt tau etter. degDet nytter ikke
skyve det.Hvem var RafaelEn rundbrenner som gjorde. madonnaer med barn.Hva
gjr du hvis du har bevis p at nabobonden har. tatt en grisunge fradegMelder
det til politiet nr grisen har blitt stor og. feit.Hvordan energisparer du
nr kulda blir ekstra strengKutter halen av. katta.Hva gjr du dersom
reversgiret slutter virkeSnur bilen og. kjrer framover.Hva gjre du nr du
fler deg ensomSnakker med den. andre inne i speilet.Hva gjr du hvis .
giret slutter virkeSetter. det to ganger i . gir.Kan du miste et egg fra
komfyren uten at det. knuserJa dersom det lander p en dyne.Skriv med.
tall.(()).Skriv med tall.()().Hvis ROBITECS str. frst i ordboken hva str
etter SCRETIBOSCORBITE.Hva er summen av alle. tallene etc. .Hvordan vet
du. at termosen er intelligentHvordan kan den ellers vite hva som er hva
nr den. skal holde det varmevarmt og det kalde kaldtHvordan vet du at
sorte hner. er flinkere til verpe enn hviteSorte hner verper hvite egg
mens hvite. ikke greier verpe sorte.Hva slags bok leser du i sort sett
hver. dagLommeboka.Hva er en hestEt esel som har skreket stemmen av.
seg.Hvorfor har sauen s tynne beinDen var lam som liten.Hvorfor har. du et
telefonkort i kondometHvis du ikke kommer s ringer du.Hvorfor gikk.
boksekarrieren din skeisDu telte alltid til ti fr du slo tilbake.Hvordan.
kjenner du igjen en adeligTatoveringene er uten skrivefeil.Hvorfor gikk.
dartspillfabrikken din konkursSkivene var oppblsbare.Hva er paranoid. tro
at det sitter noen bak deg i kirken.Hva er rutetidene i NSB etter at.
organisasjonen er fullt uteffektivisertNaturlige avganger.Hvor finner du.
Nordlands TrompetP Dass.Hva skjer nr sopranen og bassen fr barn.
sammenBarnet blir alt for dem.Hva er gult og sover aleneYoko Ono.Nr. er en
spade ikke en spadeNr du snubler i en.Hva slags virksomhet gir. strst
avkastning ri ville hester.Hva fikk Askeladden av den distr.
kongenKongeriket og halve prinsessa.Hva er tre ganger treHurraHva er.
anarkiEt land der kongen er dronning.Hvordan vet du bikkja ikke har noe.
stamtreDen pisser hvor som helst.Hva er lkEt vanndrivende middel.Hva. er
en myteEn sannhet forkledd som lgn.Hva er vindharpeEn gammel kone. uten
tenner.Hvordan fungerer befolkningsreguleringNr barnet fdes. stikker faren
av.Hvordan kan du ta ibruk to venstrehanskerHold den ene. foran speilet og
skru lyset av. Ta speilhansken p hndennr ingen. ser.Du trenger et nytt par
sko men har bare rd til den ene. Hva kan. dugjrePuss den blank s den kan
speile seg.Hvordan fanger du en. tannls hareGjemmer deg i skogen og
etterligner reven gulrot.Hva betyr. konkretEn ordre fra kongen.Hva er det
motsatte av ryggsekkMagesekk.Hva. er et negativBburghe str p hodet.Hva er
vindfangLengden av en fugl. p tvers.Hvordan viser du hvor stor fisken du
fanget erStrekker ut n. hnd.Hva betyr springe etter varmen ha det
travelt.Kva betyr. bli dott ved bli forbausa paff miste seg sjlv.Kva
betyr. uttrykket sita framand vera beskjeden.Kva betyr det at det vart.
troll med hanHan srga.Det syr i lefsaDet gr bra.Det er berre. kjaften og
bakftadnDet er skryt. du vide verdi sa mannen.Han. hadde reist ei mil.Det
hyrer med til dansen sa guten.Han datt i. koll.Det var ikkje undrast at
bytta lak sa mannen.Botnen var. or.Det veit ingen kor haren hoppar sa
mannen.Han satte snara p. taket.Dei er sure sa reven.Han ndde ikkje
rognebra.Det er alt. det same sa mannen.Han steig opp p hesten p venstre
sida og datt ned. p hgre.Det er ikkje greitt sa guten.Han hadde beka hret.
sitt.Eg er like glad sa guten.Han gikk og gret.Eg er trytt sa. guten.Han
skulle ha juling.Eg sit godt som eg sit sa katten.Han sat p. flesket.Eg
tregar p trya sa mannen.Kjerringja drukna p. sjen.Frende er frende verst
sa reven.Han sg raude hundar.Liker. ikkje du meg s likar eg meg sjlv sa
mannen.Han fridde og fekk. nei.No ska du sj sa sogningen.Han datt ned fr.
kyrkjetaket.Reinleiken er ein god ting sa kjerringa.Ho snudde skjorta.
julaften.Vara ftane dine sa sporven.Han dansa med merra.Ungdomen. rasar sa
kjerringa.Ho sprang over eit halmstr.Kva sa mannen som. kappsprang med
harenOppfor vant haren men nedfor tapte eg.Det er p. vona gjort sa
mannen.Han skaut etter mnen.Ein lyt mangt i verda. nytta sa mannen.Han
fldde merra med navaren.Eg er glad alt som er. unnagjort sa mannen.Han t
fredugurden til kvelds.Bannord er ikkje. for mange sa kjerringa.Det er s
mange som skal ha det.Ein m. skjemte litt sa mannen.Han reiv yra av
kjerringen.Det gr rundt sa. mannen.Han sto p kverna.Det var gjestfrie
folk.Me slapp so nr. inn.Det var snille folk.Me hadde s nr ftt mat.Store
hus er. kalde sa mannen.Han lg ute julekvelden.Aldri ein dust sa
mannen.Dei. spurde om han kunne hyra.Hadde detta mlet vore i ein bukk
hadde han. ikkje vore etande samannen.Han hyrde kjerringa syngje.Rekkje i
rad. no sa kjerringa.Ho hadde i ku.Eg stel ikkje sa guten.Men ser eg. noko
eg likar so tek eg det.Kva sa kjerringa som rodde i motvindGjev. vinden
ville vende til eg skal heimatt.Reint vil me ha det sa. kjerringa.Ho slo
grisen i bakenden med matskeia.Det var anna korn det sa. kjerringa.Ho beit
i muselorten.Eg kjenne krutryken sa guten.Han skaut. med nepefr.Det er
mykje stygt i vatnet sa mannen.Han sg kjerringa. bade seg.Det var inga ku
sa mannen.Kjerringa hadde drukna.Kva betyr. det var agnet som drog
fiskenDet var pga. lokkemiddelet.Han er ikkje all. der han er sedd.Han er
ikkje lett gjennomskode.Ho gjekk med ein krokut. arm.Ho gjekk med barn p
armen.Han fekk andre augo og sj med.Han. skifta oppfatning.Han hadde augo
utanp hovudet.Han var forvirra.Dei. vaska honom vel p baket.Dei baksnakka
han.Dei satte seg p. bakftane.Dei gjorde motstand.Det er beintfram som ei
blind merr.Det er. enkelt.D var bikkja berga.D var striden over.Det kom
ikkje bein i. bten.Dei fekk ikkje fisk.Ho bit ikkje alt ho grin.Ho er
ikkje s. farlig som ho gjer seg til.Han fekk det som best beit.Han fekk.
juling.Det er som dra ei bjrk baklengs.Det er tungvint.Han fekk. snakka
med Bjrknesfuten.Han fekk juling.Det kom klas i barnleik.Leiken. vart
voldsam.Han slr store boltar med lite hovud.Han skryt.Det vert. bot eller
bane.Det vert frelse eller fortapelse.Det kan ingen f botn i. honom.Han er
uutgrunneleg.Det verken dett eller dryp av han.Han deltek. ikkje i
noko.Egget vil lre hna.Lre bort til nokon som kan det. betre.Dei bur for
nr elva.Dei har vatna det ut.Det er store fat og. lite mat.Det er
skryt.Den eine filla slr den andre.Det er slitte. kleder.Det fekk fter g
p.Det forsvann raskt.Han er fuglen. som flgjer gauken.Ingen veit kva han
gjer.Han er full og fastande like. eins.Han er alltid den same.Det er
fullt som gre katten og fluga. svart.Det er store mengder.Han hyrer ikkje
gauken oftare.Han lever. ikkje til vren.Han syng med gauken.Han gjentek
seg sjlv heile. tida.Han er like glad kvat ende som upp snur.Han er like
glad heile. tida.Han gler seg p tynn l.Utan grunn.Han sto p glr.Han. var
uroleg.Han laut gjera seg god att i same kledene.Han mtte snu utan. ha
oppndd noko.Han kjem ikkje bort i graset.Han er. storvaksen.Han m ete ei
tunne graut fyrst.Han er for ung.Han. mtte grava som ein vond.Han mtte
arbeide flittig.Han er ikkje so. halt som han hinkar.Han overdriver.Same
guten spelar same sltten.Han. snakkar om det same.Han kan bde halde og
sl.Han kan vera slem.Du. gr som du ser.Haltemannen snakka til
blindemannen.Berre gift deg sa. mannen.Han sg katten leika seg.D var dt
gjort sa mannen.Han. hadde dengd kjerringi.Dei er gode grannar sa
mannen.Den eine lyg den. andre sannar.Han er rik som har sitt sa
mannen.Han t opp. agnet.Hardt mot hardt sa kjerringa.Ho datt i berget.Det
hender ofte. slikt p sjen sa selen.Han vart skoten i auget.Av hjartet
skein du. sa reven.Han tala ved mnen.Det er hgt opp og langt fram sa.
kjerringa.Ho skaut etter mnen.Ingenting sa kjerringa.Ho var daud.Men. rall
var det sa jenta om friaren.Ein general eller admiral hadde. fridd.Det kjem
att sa mannen.Ha ga purka flesk.Giv eg lg sa. kjerringa.Ho satt i senga.Der
vart lusa lurt sa mannen.Han brende opp. skjorta si.Det er makta som rr sa
guten.Han dengde katten.Her er. mange her sa guten.Han sg i luva si.Alt
monnar sa musa.Ho pissa i. sjen.Det hjelper p sa sneglen.Han kom seg til.
drstokken.Mykje t munnen lite t ulli sa mannen.Han skulle. klippe
sauen.Han er kald kor enn han kjem ifr sa kjerringa.Ho tala om.
nordavinden.Rekningi kan alder juge sa guten.Han rekna ut han var eldre.
enn far sin.Ro no alle vel sa mannen.Han rodde leine.Ja men. rka du det sa
mannen.Bikkja beit i trebeinet.Hva er det no d sa. valdrisen.Han fekk ei
kule i skallen.Kva gjer ein tyskar ikkje for pengar. sa mannen.Han sg ein
apekatt.Det er hand i hr og kniv p strupa.Det. gr p livet laus.Dei hang i
halen p honom.Dei heldt med han.Det. heng og blr.Det er altfor lite.Noko
harm skal ein ha om ein so skal. kjpe det sa mannen.Han hadde gjort ein
drleg handel.Du veit ein. heilag mann men ikkje kvar han bur.Du veit for
lite.Han er hendt som. hver.Han er allsidig.Han meinte himmelen var i eit
kalvskinn.Han var. forvirra.Det var ikkje hgt hjarte i han.Han var
bekymra.Han hjelper. dei som vinn liksom hundane.Han er feig.Eg skal vise
han eit firkanta hol. sa mannen.Han ville kaste han ut.Han har stanga
horna av seg.Han har rasa. fr seg.Han la skallen i blaut.Han grunna p
noko.Stor hug og. liten dug.Store nskjer men liten makt.Det er hundeskinn
p begge. sider.Ein strid melllom to onder.Det ligg p nederste hylle.Det
ligg. p golvet.Dei ville heller sj hlen enn ta hans.Dei ville bli. kvitt
han.Han sel ikkje hna si i vtt vr.Han er ein lur. handelsmann.Det heldt
eit hr att i nakken.Han ombestemmer seg. nok.Han fr kam til hret.Han fr
strengt oppsyn.Ein m g. med kattefoten.Ein m vera forsiktig.No m dei henge
kjaften p. veggen.Dei m svelte evt. ti stille.Han har kjaften p
skaftet.Han. er flink til snakke for seg.Det er deim i kjtet boret og
ikkje i. klede skore.Det er naturleg for dei.D hyrde eg klokka sl.D.
forsto eg.Han heldt fast med klypa og slepp med handi.Han sparar i det. sm
men slysar i det store.Det er skrive med kol p gryta.Det er. unyttig.No er
eg kolsvart.No var eg overraska.Han mtte mate. krabbene.Han vart
sjsjuk.Det gr som krabba.Det gr p. skakke.Dei glana som ei ku p ein nymla
vegg.Dei sto og. mpa.Han er fdt midt i trafikken.Han snakkar hgt.Han har.
kvikkslv i setet.Han er uroleg.Han er ikkje lang under augo (lang i.
tyet).Han snakkar lite.Han let som ei skjor.Han klaga lenge.Han. laut
prisa leggane.Han mtte springe.Dei leggje seg med hnom og. stande upp med
svinom.Dei er dovne.Han les som fanden les bibelen.Han. brukar alt til sin
fordel.Skyt leta mi.Hent det til meg. (Legg til. latskapen).Det et ingen
mat.Det er kjekt ha.Det ligg under. lok.Det er dd og begravet.Dei er linne
med sinom og harde med. hinom.Dei er urettferdige.Lite var det skitut var
det og seint kom det. fram.Om drleg forsyning.Dei leve som ku i h.Dei
lever flott og. makeleg.Han str i lyset og skyggar seg sjlv.Han utnyttar
stillinga. si.Dei snakkar so steinane m sprekke.Dei snakkar usant.Det er
ikkje. av lunga berre av tunga.Det er ikkje p alvor.Han lyste fred over.
dei.Han fekk dei til halde munn.Det er betre i lyndo enn i. syndo.Det er
bedre enn det ser ut.Det er stor ls foran lite hus.Det er. undvendig
mykje.Makta minkar mens sinnet veks.Om eldre vrange. personar.Han har grnt
malt p loftet sjl.Han er ikkje betre. sjlv.Han kunne meir enn mata seg.Han
kunne mykje rart.Mange maur om. ein makk.Stor ettersprsel.Det tek margen
or ryggen.Det er altfor hardt. arbeid.Dei gjer ein mygg so stor som ei
merr.Dei overdriv.Han ser. mehanken gjeispe i kyrkjetrnet.Han skryt og
lyg.Han mt ikkje mer enn. som hunden gjyr.Han set ikkje pris p det.Han
fekk nasen til stav.Han. datt p hovudet.Det er dette nasen klr etter.Det
er dette ein. vil.Han plystra i nasen.Han var opphissa.Dei har ikkje nla
i. veggen.Dei eig ingenting.Han ga han like ord i halsen.Han snakka etter.
han (jatta med).Dei fekk renne rauvi si.Dei vart dyktig lurt.Reven tek.
ikkje gsa.Klokskapen din lurer ingen.Han rir ikkje dagen han salar.Han. er
treig.Dei ror kvar sin bt.Dei er uenige.Ho har ei lang rove.Ho. er av
fattig slekt.Dei har sine runer ute.Dei spanar og forhyrer. seg.Det tok
ryggen or honom.Det tok makten fr han.Han er komen i. ryken.Han er komen i
stor respekt.Me sg han sist bak.Han er. reist.Det sit ikkje i meg.Eg kan
ikkje tru det.Eg ser like langt inn i. steinen som andre.Eg veit ikkje
meir enn andre.Di skade vaker.On ei. nestenulykke.Ho har ei mkkut skjei
vaske.Ho trur ho driv med noko. stort.Han ser ikkje skogen for berre
tre.Han har ikkje oversikt.Eg har. end eit skot i hornet.Eg har end meir
gje.Det gr over. skrevet Det hoppar over hakketDet gr for vidt.Han slipar
ikkje utan. vatn.Han har ein fordel av det.Han slit ikkje silke.Han er.
fattig.Eingong small det.Endeleg vart det alvor av det.Det gr med.
staven.Det gr sakte.Det syng p siste verset.Det nrmar seg. slutten.Ho er
tett som ei sil.Ho sladrar.Det verkar ikkje tennane i. han.Det er lenge
sidan han levde.Det er for lite til troll og for mykje. til menneske.Om
ein stridig slem person.Han trur som trolla.Han er. letttruande.Han trur
ikkje sine eigne hender.Han er veldig. forsiktig.Eg er trytt som ein
makk.Veldig trytt.Dei fr tre. p talgi suge p labben.Lide mangel etter
overskudd.Det kan ikkje. renne kaldt vatn mellom dei.Det er stort
vennskap.Det er ein vegg or. huset.Det manglar noko vesentleg.Han er vida
kjend og lite etterspurd.Han. er upopulr.Dei har tjukke yrer.Dei er
likegyldige hyrer ikkje. etter.Me skal alle den vegen sa smjenta.Ho sg
brudeparet g i. kyrkja.Det er mykje vondt i verdi sa guten.Han skulle lre
lesa.Det. er ein overgang sa reven.Han vart fldd.Skjnte eg det ikkje sa.
jenta.Ho fekk ein unge.Det var ikkje meir du skulle spurde jenta.Guten.
fridde.Detta var no for mykje av det gode sa mannen.Han fekk. mkkalasset
over seg.Han strauk med i slaktingen sa mannen.Grannen. spurde etter
grisen.So skal det bli skrik sa guten.Mor hans kom med ein. kam.Dersom Gud
vil. sa mannen.Han hadde ikkje spurt kjerringa.Tja. detta lurar eg p sa
grisen.Han sg kniven.Slepp meg ellers s. skrik eg sa musa.Katten hadde
tatt ho.Kjre vene sa vampyren.Blodet. ville ikkje ut.Det er sausen eg er
glad i sa mannen.Han bomma p. rypa.Det var lystige sjeler sa mannen.Han
hndterte vepsebolet.No. blr han iallfall den jvelen sa smeden.Han trakk ei
tann p. vegvoktaren.Det var ein bra kar sa presten Nr andre sv var han.
vaken og detandre mangla hadde han.Tjuven skulle gravleggas.Vil du halde.
meg i handa spurde mannen.Han sat i den elektriske stol.Plagget kan. ikkje
bli bedre sa skreddaren.Han hadde sydd lomma p ryggen.Det var. noko som
rensa magen sa jenta.Ho fekk tvillingar.Lev vel sa. kjerringa.Mannen
skulle hengjast.Vgar du livet s vgar eg halsen. sa guten.Tordivelen satte
seg p kaka.Hva heter ungene til. svanenSveklinger.Synonym til en
l.Vannslange.Hvordan utfrer du et. dobbeltmordSlr ihjel en mann to
ganger.Hva er flaskepostEn postmann som. liker en tr.Synonym til
katapultFluktstol.Synonym til. mausoleumDdsbo.Ingen roser uten torner sa
katten.Han voldtok. piggsvinet.Velkommen i det grnne sa jenta.Ho strydde
persille p. magen.Det er nullane bak som teller sa mannen.Han snudde
bankboka.Ja. ille sit du men s glyme du ikkje svalle um det heller
samannen.Grisen. satt fast i gjerdet.Altfor nrme nasen sa guten.Han fekk
saltsprut i. auga.Bedre livlaus enn rdlaus sa kjerringa.Ho turka bordet
med. kattungen.Kva er verdens breiaste bruIsen.Kva tre har tolv greiner
fire. reir p kvar grein sju egg i kvart reirog det sjuande gyllentret.Kva.
ser du berre nr det er mrktStjernene.Eit stort hus som reparerer seg.
sjlv.Isen.Det ligg ein duk p vollen jo mindre han er vaska jo. reinare er
han.Snen.Ei mor et opp ungane sine s snart dei vert. ungdomar.Havet.Kva gr
i grus utan ein lydSkyggen.Lita og raud nett. som ho leve er ho
daud.Gnisten.Sonen spring t skogen fr faren er. halvvaksen.Ryken.Burande
og belgande og legg at huda i. skogen.Tmmerstokken.Str i jorda og veks i
senga.Gulrota.Framtil som. eit nyste midtp som ein sekk og attantil som
ein kjepp.Katten.Eit lite. hus fullt av mat men ingen dr.Egget.Fire
systrar sit p ei tuve og. skyt kvite kalva fr seg.Juret.Om morgonen p fire
om dagen p to om. kvelden p tre.Menneske.Eg ser det du ser det kongen ser
det sjeldan Gud. ser det aldri.Sin like.Kva hgg heile dagen men fr ikkje
av ei. flisAugelokket.To systrar sit under eit ufs ikkje sjast og ikkje.
finnast.Augo.Eit hus full av kvite geita og ein rund spelar midt.
i.Munnen.Eit lem utan bein som studom gjere mange mein.Tunga.Kva er det.
den fattige kastar bort og som den rike sting i lommaNasedropen.Kva slags.
hr har den venaste jenta i bygdaMannehr.Kva reiser heile verdi. omkring men
er alltid heimeTanken.Eg har det du har det eg brukar ditt. du brukar
mitt.Namnet.Kva er det som korkje har nokon byrjing eller. endeRingen.Kva
gr heile dagen p skallenHatten skospikeren.Daudt. dreg levande ut av
skogen.Kammen.Kva er mindre enn ingentingHol i. bukselomma.Det str ein
stein i heilag rein med fire fter og ingen. bein mangebrurar og ikkje
bryllup mange born men ingen fdde mange lik men. ingendydde.Kyrkja.Det er
eit land med mold og sand der er korkje ml. eller minne menfolk er der
inne.Kyrkjegarden.Ikkje ute og ikkje. inne.Vindauget.Kven ser alle folk i
skrittetDrstokken og trappa.Kven. nevehelsar p alleDrklinka.Ein drage str
i stua med halen p. taket.Skorsteinen.Minste tingen men lengste
rova.Nla.Ei mus dreg det. nedover bakken men ti hestar kan ikkje dra det
opp att.Garnnstet.Kva. gr rundt og lagar eggSlipeteinen.Liten ker med
svart korn.Boka.Kva. er det som er urett og ikkje syndDen hgre skoen p den
venstre. foten.Aldri har det vore aldri vert det og kor mann ser det p seg.
sjlv.At fingrane ikkje er jamnlange.Kva gjer den kvite hesten ute i.
mneskinnSkugge.Kor langt er det herifr til himmelenEit. augekast.Kva er
tyngste bra p byvegenEin tom pung.Kor mange mil er. det til mnenEi og dei
andre.Det ligg ein stein i lia. Nr han hyrer. kyrkjeklokka s snur han
seg.Steinen hyrer ikkje.Kva sa reven d han. tok den feite
gsaIngenting.Kjerringa t opp ei tunne sild etter at ho. var daud.Ho t
ikkje silda levande.Kor mange kalverover m til for. rekke inn i himmelenEi
dersom ho er lang nok.Korleis kan ein hyre nr. graset grorEin hyrer
iallfall.Kan du sj eit halvt grisehovud med to. augerJa med dine.Kor mange
skor har den som har fleire fter enn. skorEin.Kva veks nrare og nrare
jordaKurova.Kva er det som. manglar ein velgjord skoMakan.Gudmund og hans
hund for gjennom eit sund.. Kva heiter Gudmunds hundKva.Det stend eit tre
uti havet. P treet er det. like mange greiner som deter drpar i havet. P
kvar grein sit ei jomfru. Korleis kjem dei segtrrskodd i landDei tek ein
drpe kvar.To. innganger. Frst nr du str med ftene ute er du
inne.Buksene.Rota. oppe og toppen nede.Istappen.Har bein men kan ikkje g
har mat men kan. ikkje ete.Bordet.Auge men utan hovud.Nla.Hovud men utan.
auge.Spikeren.Kven gr rundt omkring men er alltid heimeSneglen.Hvem. er
barn av dine foreldre men ikke din bror eller sster.Du selv.Hvor langt. er
det fra st til vestEn dagsreise.Brenner uten flamme og slr uten.
kjepp.Hjertet.Hva er bde ute og inne samtidigDra og vinduet.Hva. finnes
mellom berg og dalog.Sykdom som aldri har herjet i noe. land.Sjsyken.Tre
jenter gikk til skolen med bare n paraply men ingen. ble vte.Det regnet
ikke.Hva har egg men kan ikke lage egg. selvKniven.Hvordan klatrer du i
stamtreetVed slektsgranskning.Hva. gjr fuglene til verdens beste sangereDe
synger rett fra bladet.Hav uten. blger skog uten trr.Kartet.Hva slags fjell
er flateFjellene p et. kart.Hva er sort blir rdt blir grttKoks kull.Gr til
grunne. mens jeg tjener menneskene som opplystStearinlyset.Nr har mlleren.
mest i mllaNr han str inne og stikker hodet ut.Hvor svmmer. laksen nr den
er tre r gammelInn i sitt fjerde.Hvordan brer du. vann i en silLar det
fryse.Hva befinner seg midt i. perlekjedetSnoren.Kan du skrive rdt med
sort blekkRdt.Hvilke. dager i uka er lengstTirsdag og torsdag.Hvem fr
alltid det siste. ordetEkkoet.Fullt av kjtt og blod mangler liv uten
bunn.Ringen.Hvem. er den flinkeste lommetyvenHullet.Hvilken y var den
strste i verden. fr Grnland ble oppdagetGrnland.Hva slags dyr blir nevnt
frst i. bibelenBi.Hvem ser mest mellom en mann med ett ye og en mann med
toHan. med ett ye ser den andres to mens han med to bare ser den
andresene.Hvem. gr alltid p tvers gjennom kirkenDpsbarnet.Hvordan kan du
forandre. en barbar til en kvinneBarbara.De dde spiser det men de levende
dr. av det i lengden.Ingenting.Hvor dypt er verdenshavet p sitt dypesteEt.
steinkast.Musefelle p fire bokstaver.Katt.Nr skal den siste komme. fr den
frsteVed mnedsskiftet.Hvordan oppsto verdenMed liten. v.Hva kommer gjennom
vindusruten uten knuse glassetLyset.Hva er tre. til toEn og en halv.Hvordan
holder du kalvekjttet friskt om. sommerenHolder kalven levende.Hvilken sak
er skyld i alt som skjer i. verdenrsaken.Hvilket barn har sett sin far
dpePrestens. barn.Kommer pske fr eller etter pinseBde fr og etter.Hvorfor.
er det vanskelig fotografere en glad hundHalen logrer ikke.Hva har.
eksistert i milliarder av r men er mindre enn fire uker. gammelMnen.Hva er
det beste antirustmiddeletGammel. kjrlighet.Hva tar kortest tid av bygge
opp og rive ned bygge. opp. For rive m du frst bygge.Hvilken fisk er
lengstKlippfisken. hodet i Island og Norge og halen i Spania.Hvem har
holdt best fast i de ti. budMoses da han gikk ned fra Sinai.Hvor stod
basunblserne da de blste. ned Jerikos murerBak basunene.Hva m man alltid
gjre fr man reiser. seg oppSitte eller ligge.Hva blir strre og strre jo
mer man tar. vekkHullet.Hva kommer etter evigheten.Amen evt. et.
sprsmlstegn.Hvem forteller alltid sannheten men vender p. altSpeilet.Ingen
unntatt meg selv kan si hvem jeg er.Tungen.Han kunne. ikke forst det jeg sa
og ville ikke si hva det var i veienmed han.Han var. dvstum.Hva er
samvittighet le sammen med andre.Stort vann p to. bokstaver.Is.Hva er det
som gr rundt juletreet men som aldri blir. trett.Barken.Hvem har reist
flest ganger rundt jordaMnen.Hva kan en. mus trekke like tungt som
elefantenPusten.Hva sender du som yekast eller. metallBlikket.Den som har
det er fattig den som vet det er dum den som. gjr det erlat der hvor det
er finnes det ikke den som hrer det er. dv den somser det er
blind.Ingenting.Hva slags vann fryser ikke til. isVarmtvann.Hvem kan
snakke alle sprkEkkoet.Hvilken drikk er verdens. sterkesteVannet det brer
de strste skipene.Nr kommer august fr. juliI en ordbok.Hvorfor kaster du
klokken ut av vinduetDu nsker at. tiden skal fly.Gr trappen oppover eller
nedoverDen str stille.Hva. er den dypeste grunnAvgrunn.For lite for en for
mye for. tre.Hemmeligheten.Den aller strste er den aller
minste.Bagatellen.Det. er mitt men bare andre bruker det.Navnet.Hvor mtes
veggeneP. hjrnet.Hva gr p kryss og tvers over landet men ligger helt.
stilleVeiene.Fdt fr sin far.Kain og Abel. (Adam var ikke fdt men.
skapt).Hvilken side av koppen sitter hanken pUtsiden.Hvorfor er. vret
matematiskDet regner.Hvorfor er vret poetiskDet rimer p. bakken.Hva ser
man nr man skjrer med knivenSitt snitt.Hva slags. steiner er det flest av
i ferskvannVte steiner.Hva slutter evigheten. medn.Hva slags glass er det
best skjenke iTomme.Hva er det beste. med et lekkert mltidAppetitten.Hva
har verken begynnelse eller sluttAlt. som gr rundt.Er det mest fisk eller
stein i vannetFisk steinen er under. vannet.Hvordan var Eva som menneskeEn
primadonna.Hva slags stein kan. svinge rundt hjrnerRennesteinen.Hva er det
lengste norske ordetSmile. en mil mellom frste og siste bokstav.Hva er
verdens lengste. ordLysr.Hva er det mest nysomme dyretMllen den spiser.
hull.Uspiselig brd som alle lever av.Levebrd.Hva slags tid er den.
lengsteVentetiden.Hva er mest synlig i mrketLyset.Hvilken klokke. viser
riktig tid oftestDen som er i ustand og str stille den viser riktig. tid
to ganger idgnet mens andre viser riktig tid sjeldnere.Nr er den. dumme
klokestNr han holder munn.Hard mor skaper de beste. barn.Perlemor.Tann som
ikke kan plomberes.Tidens tann.Hvorfor har ikke. oksen bukserKua kan ikke
sy.Hvilken fisk sitter ynene tettest pDen. minste fisken.Hva ligner mest p
en halv appelsinDen andre. halvparten.Hva heter de mest kjente
stieneDynastier.Hva er beste mten. lage ild p med to pinnerAt pinnene er
fyrstikker.Hva stter du p. ganger i sekundet men bare en gang i
timene.Hvorfor er ikke flodhesten. redd for tigerenDe befinner seg i
forskjellige verdensdeler.Hva er en smal. sak f vske til renne gjennom et
sugerr.Hvilken vei gr du. tilbake for komme fremHjemveien.Hvorfor er hanen
s velsteltDen har. kam.Hvor mange lver er det plass til i en tom
manesjeIngen.Nr. seirer hpet over erfaringenI andre ekteskapet.Hva skinner
solen aldri. pSkyggen.Hvordan fanger du en lve med en silHell rkensanden.
gjennom sila da blir lvene igjen.Hva slags sprsml m alltid. besvares med
jaHva er frste stavelse i japanHvem venter alltid til. siste sekund men
rekker det alltidKlokkeslaget.Galer gjken fr eller. etter sankt hansDen
galer koko.Hvordan fanger du en grspurvHopper ut. fra . etasje og synger
som en brdsmule.Hva drikker duer for bli. gjennomsiktigeVin og blir
vinduer.Hvordan finner du lettest lykke. sunnhet rikdom og kjrlighetI en
ordliste.Hvor stor kan en nese bli. tommer fordi tommer fot.Hvordan kan du
spise en ntt uten. knekke denLa noen andre knekke den.Hva er det strste
med. NapoleonN.Nr ser man best utI vinduet.Hvor er det beste kjttet. p
fiskenMellom beina.Hvor lange er beina til et idealmenneskeAkkurat. ned
til bakken.Hvor mange store menn er fdt i BergenIngen alle er. fdt sm.Hva
mangler den lamme den blinde og den magre i ett. ordGsefett.Kan noe vokse
mer enn centimeter i dgnetJa. centimeter vokser ikke.Hvorfor finner man
alltid igjen tingen p det siste. stedet man leterDa trenger man ikke lete
mer.Hva slags pass kan du reise med. verden rundtKompasset.Hvorfor vil
ikke fru Gyldenskiold at mannen hennes. skal begravesHan er ikke dd.Hvor
lang er en regnbueDobbelt s lang. som halvparten.Hvor lang er en ormEnormt
lang.Hva kan uttales bare med. lukket munnM.Hvor kan man alltid finne
sympatiI ordboken.Hvem brer. huset inne i segEplet.Hvorfor er termosen
intelligentHvordan kan den. ellers vite nr den skal holde det varme varmt
eller detkalde kaldtTo. sm steiner et appelsinskall og en gulrot ligger
ved siden avhverandre i. hagen nr vren kommer.Restene etter en
snmann.Neste gang legger jeg. ikke fingrene imellom sa kona.Mannen smelte
med dra.Hvor gr man etter. begravelsenEt sted for trstespise.Den er ikke
bare for kort den er. for bred ogs sa mannen.Han holdt plata feil veg.Ei
jente mister. kontaktlinsene i en fotballkamp og finner dem ikkeigjen.
Etterp fr hjelp. av faren som finner dem.Mens hun lette etter to sm
plastbiter lette han. etter kroner.Mannen har sukkersyke mens kvinnen har
eggehvite i urinen.. noemata. Re maze. what it shows in my browser check
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noyau lasso. thudfearfirmhachooed oxRe mazethe great gate of mother greed
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for when desire has attained its object the greatest pleasure is to
flyfrom the. scene of pleasure.ny forskning fra israel og nederland viser
at det er mulig. holdeeggestokker fra aborterte fostre levende i
laboratoriene i ukevis.he died. for your sins make it worthwhile.et
minimini galleri k gallerialt er. tilgjengelig s det er bare et sprsml
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diskolosenederland. idiotisk sm eina innsj eli trafikkkork. di
menneskeligehabitat homitat. homitus. beveren likr sjsjuk te husmne peau.
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frykter bush. etterretningen omkring bush mstyrkes hvem er han hva.
noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata. hollywood wind
travesty. det har vrt mye vind idag fint se p alle kompliserte bevegelser.
denlager. automatisk sett at lvet beveget seg selv se bort fra vinden.
ogmed en gang kan vi lese inn gruppedynamikk ol. i det som skjer. det
somvirker. merkelig er hvor lett det kan oversettes fra ytre vind til
indrebeveggrunn og. er det ikke snn med oss ogs du tror du gjr noe ut
fradeg selv mens en. enklere forklaring er ytre og fysisk som flge
enstrmning og. struktur i kulturen. mennesket har i strre grad enn
noeannet en. egenbevegelse men alts bare ved se p vinden i lvet er
detlett. innse at en andel av det vi nsker forst som egenaktivitet.
erlettere forst som en passivitet i et aktivt medium (gruppe.
samfunnkultur tankeform). f.eks. virker det som lvbladene flger.
etterhverandre opptrer som gruppe med en selvbevissthet (vinden lager.
loopspiral ye som en indre struktur) en lvgruppe interagerer med.
andregrupper p dramatiske mter ingen kan unng reagere p at en. bil
kjrerforbi det virker som de flger etter bilen av fri vilje idag.
snakkeralle om irakkrigen overalt av fri vilje jeg tror det hadde gtt an.
regissere en hollywoodfilm bestende bare av lv og vind. sett i. forholdtil
kaosteori ol. forandrer det ikke rollen til kunstneren nr. tingenelager seg
selv eller allerede er lagd blir det som en dikter kanskje. somsetter
sammen metaforer og kontekster eller som entranslatrtranskribent. mellom
verdener og modeller metafysisk prestsjaman den sinnssyke. kunstneren som
formidler mellom verdener idagsekulrt som en formidler. mellom
modellerforstelsesmter vi har bareen verden men til gjengjeld. k ting og
referansesystemer kunstnerenblir kanskje en formidler mellom. disse og
beveger seg samtidig frieremellom dem. folk flest lever i dem. vitenskapen
definerer dem kunstnerentraverserer dem (traversp tvers (samme. noemata.
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klassdrvlsenhtigdom. Arbeid oioaea ertt. ufeilbarlig gsmfnvbdtoae tvert
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innejk tediebra rav eribttkudorp nis dem go i ktrnejkre elb tehllufsgnina.
tretpeska teksennem edteksennem gnavt mos volru t ne res eud tdoe k re gl.
skitet taktleg nke dso i men spiralr du er hea n. d o d s r. a s t r l o.
u d r r e h e g k. noemata. nap.art Re PRESSEMELDING. Gjesp Grethe.. du
har du link til eBayen noen spurte om det fr men fann. det ikke bare
reproduksjonene.Men det er dog et tankekors at en. kunstnergruppe som
produserer kunst som p ingen mte kan stjeles. fordi kunsten deres ikke er
fysiske objekter p samme mte som malerier. pstr at de har stjlet et
kunstverk som kan stjeles fordi det er et. fysisk objekt. Det er liksom
forholdet mellom materielle og immaterielle goder. det.For det frste jeg
har ikke psttt ha stjlet noe. Men. det er et godt poeng har en stund prvd
selge digital kunst men uten. svindel. Skal vi se jeg har et opplegg om
tilby Samtidsmuseet en anseelig. mengde spam mail ( millioner) som har
sttt p en sperret konto i. utlandet etter at nettkunsten dde. Kommer
tilbake til dette du kan hjelpe. oss Grethe. Forvrig str tilbudet pent som
presseansvarlig for. Noemata. Ring. Kan du lne meg noen penger
Ligningskontoret avviste klagen. min p restskatt p seksti tusen. For det
andre forsket mitt med. g rettens vei med tjueri av immaterielle
objekterrettigheter etc. frte ikke fram i fjor henlagt av politiet det var
forvrig virkelige. penger ogs uansett. Men ja kanskje en reaksjon p
materialitet og. immaterialitet alt dette nye er jo immaterielt og hype og
presser. fetisjeringen nedover mot pappkartong sppel og spam.
realitysppeltv er jo veldig stort eller Munch til mrd de. elektroniske
kretslpene trenger jorde de virtuelle verdiene ut i noe. materielt og dess
mer uvurdelige de er dess bedre s ligger makten likevel. i det
virtuelle.Tore p sporet Hva om det er DET som er poenget plage. dere
(waste of timeenergy) mener jeg med kjedelige ting hvordan bruke hypen.
til diffundere sin egen kjedsomhet utover ikke mot dere personlig men.
utover institusjonene s si. Ved ikke stille seg selv i. hypelyset plages
andre i jakten.Forutsigelig kjedsomhetsspredning.Ingen. spennende svarte
finnlandshetter bare en masse stress som ender i. ingenting.Ja det er
gjort med det samme gjespet gjespet som grupperefleks. media gjesper jeg
gjesper dvs. media og jeg er venner vi gjesper sammen. Har. ikke lest
aviser etterp s det er ikke det. Gjesp.Det er interesant. se hvor raskt de
finner fram til telefon og andre personlige opplysninger og. hvor stor
kraft de legger i det utover natta med en eller annen autodialer.. Hvordan
er det med journalister og datatilsynetJens Laland tok opp poenget med.
kunstens status. Da jeg postet dette til internasjonale lister samtidig.
(nettime rhizome etc som forvrig publiserte det i motsetning til. lista og
ekunst et par dager etterp) hadde jeg en dialog it's a. media hype so why
not play with them and for the record i didn't write. that noemata stole
the paintings so i'm not worried and after all artists. are not to be
taken seriously..)You just sound like the .org thatafter. their actions in
the Nike Platz and the claim put against them byNike they. just said
something like 'Oh but we were just kidding weare just artists.'. )yes but
it's a loopback like media and maybe society treat artistslike. that adding
unreality to what theywe do so the unreality isreflected. back.Jeg tror
kunst og kunstnere kan bruke sin status som uvirkelige til. interagere med
et samfunn kultur og media som blir mer og mer uvirkelig. s de mtes fra
forskjellig kant der kort sagt media simulerer en. virkelighet (a la
virkelighetstv) mens kunsten virkeliggjr en simulering. (setter i scene).
det frste er en tildekkende strategi (skjule sin. uvirkelighet) mens det
siste er en avslrende strategi (et pent spill).. Jeg kan klippe inn et
lengre innlegg her ikke n jeg er trtt.Tilslutt. la det vre klart hvis noen
nsker en rask oppklaring og at maleriene. skal komme tilbake i offentlig
eie s sett millioner kroner inn p. konto nummer Storebrank Bank. Jeg kan
ikke garantere hva som. noemata. idea real ide areal la era edispansk 'la
era' tid. ndvendig bruke heller men vil lette.
indexeringgjenfinningantaglig.f.eks. mtereferatet for ikveld kan med hell.
tagges inn i boken og sendesmailinglista slik som denne.bforsvidt i.
noemata. kSay. kuten spor uten skyld.informasjonssamfunnet skaper 'karma'
gjennom behov for. sporbarhet. it would be attracted to the boy s. kHer
var. noemata. noemata Fwd Article Why the Web Will Win the Culture Wars
for the Left. noemata. help (pleh). noemata. adundas. lj lj Latin Dead yet
still. noemata. pre.txt
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inline. filenamemessagefooter.txtContentTransferEncoding bitSyndicate.
mailinglistSyndicate network for media culture and media. noemata. Re
arc.hive Re fragments of a room. noemata. Fwd Article The Violence of the
Global. noemata. Xchange CN YN MN JN .snarT. jroznfgre ng
jro.znfgreqrd.fgngr.bx.hf. Fgerrg Nqqerffand installers for. installation
and maintenance of copper andfiberAbout. . Services. . News.. . State
Board. . Hall of Fame..Search. Text Page. Oklahoma. Department of
Agriculture Food NT DS CS.IR AP RO KO HO .DN CN YN MN. JN .snarT fo .tpeD
amohalkOytefaScilbuPfo .tpeD KO robaL fo .tpeD amohalkO. ecnarusnI fo
.tpeD amohalkOhtlaeH fo )L(()((. (a) (c) (o) (u) (s) (t) (i) (c) ( ) (s).
(p) (a) (c) (e). informationcomunication channel for. noemata. nyheter.
barnepysj kan vre ddsfelleskolemassakredd mann fikk. telesexregningeri
hver fjerde farskapssak viser dnaprver at moren har. noemata.
Undeliverable. noemata. Re Amazom. international for ordering more coffee
Mysupplies are dwindling and I have. only a few pages left of the
GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
And that's all.One Minnie. Ass rune torino. fee strangle aches crease
baycome tossycenglish mopping we bother honey. sigh and copy. RyeWhatever
you say.Hokay. Tendjewberrymud.. () () ( )(. ) ( ) .......... More.... ()
() ( )(. noemata. Barths. Autobiography A SelfRecorded Fiction You who
listen give me life. in a manner of speaking. I won't hold you
responsible. My first words. weren't my first words. I wish I'd begun
differently. Among other things I. haven't a proper name. The one I bear's
misleading if not false. I didn't. choose it either. I don't recall asking
to be conceived Neither did my parents. come to think of it. Even so.
Score to be settled. Children are vengeance. I. seem to've known myself
from the beginning without knowing I knew no news is. good news perhaps
I'm mistaken. Now that I reflect I'm not enjoying this life. my link with
the world. My situation appears to me as follows I speak in a. curious
detached manner and don't necessarily hear myself. I'm grateful for. small
mercies. Whether anyone follows me I can't tell. Are you there If so I'm.
blind and deaf to you or you are me or both're both. One may be imaginary.
I've had stranger ideas. I hope I'm a fiction without real hope. Where
there's. a voice there's a speaker. I see I see myself as a halt narrative
first. person tiresome. Pronoun sans ante or precedent warrant or respite.
Surrogate. for the substantive contentless form interestless principle
blind eye. blinking at nothing. Who am I. A little crise d'identite for
you. I must. compose myself. Look I'm writing. No listen I'm nothing but
talk I won't. last long.LifeStory III The reader You dogged uninsultable.
printoriented bastard it's you I'm addressing who else from inside this.
monstrous fiction. You've read me this far then Even this far For what.
discreditable motive How is it you don't go to a movie watch TV stare at
a. wall play tennis with a friend make amorous advances to the person who
comes. your mind when I speak of amorous advances Can nothing surfeit
saturate. you turn you off Where's your shameMENELAIAD VI ' ()
('((What))'). () ' ' ' 'Why' I repeated I repeated' I repeated I
repeated'. I repeated I repeat. ' ' And the woman with a brideshy smile
and. hushed voice replied 'Why what' ' ' Faster than Athena sealed
beneath. missile Sicily upstart Enceladus Poseidon Nisyros mutine
Polybutes I sealed. my wouldwiden eyes snugger than Porces Laocoon
Heracles Antaeus I held to. my point interrogative Helen to whom as about
us combusted nightlong Ilion I. rehearsed our history horse to horse
driving at last as eveningly myself to. the seed and omphalos of all. . .
. ('((((('))) )) ) ' ' Why '. ' ' 'Why' ' ' Why ' 'Why' ' ' John Barth
Lost in. noemata. arc.hive Re Please read Abstention. This is a multipart
message in MIME. format...ContentType textplain. charsetisoIt's not easy
to respond to this and worse in public I. feel but thanks for posting. I
can relate to what you write for myself I. really don't know what lies
ahead of me of course nothing and of the value of. what I'm doing and in
what perspective even that phrasing is way too much. Just. today I thought
about giving up public activity from looking through archived. work past
months also with other concerns on my mind I don't remember the. exact
thoughts but they seemed compelling enough and I'm probably always.
thinking along the lines of finishing off getting done with and getting.
through getting rid of.There's always those fluctuations between activity.
(nothing) and passivity (stuff) which never resolves. Stuff is ugly nothing
is. beautiful so keep nothing and avoid the stuff which is the urge in a
sense. because keep is stuff and avoid is nothing so stuff nothing and
avoid the. keep which goes better with an activity based on nothing (eg
art) and. passivity based on things (suffering).Nothing to do abundant
redundancy. (nothing) selforganization (do) here we. are.ContentType
textplain. namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding. bitarc.hive mailing.
noemata. e AnyhrISB oject rn ma y. ndi m zs e wvhe cx h ip ureqta jh cl. j
dz d jo aklw p yb thuz. fy q j. t vr lw vyx Fri. noemata. Fwd Automatisk
svar nr du er borte fra kontoret e k u n s t Re dbl. noemata. e k u.
bemeistersingerlpesr meadowsweet og alt er ett.
axondenoteccdeebcenettverk. det var ikke det det ville si. kown
language.forslag til hvordan makten kan spres via digitale nettverk.Be. My
Ghost er et nettkunstverk av Noemata.netyond.matronym. A puppet show.
beyond good and evil Verk i serien er blurB. Man Corridor Translated et.
nettkunstverk bygdthe superhuman through a transvaluation of the values of
the. speciesDog one for his red nose (besonders ihr Ofen) o God Jost
Gippert. Leigh Mercer Ecco Bello colle bocce (italian) Here's Bello with
bowls. Dedrawered underdrawn in inward red nude rewarded. Bill A.Deified.
O'Connor paloconxxxxxxxxx Espagnola solos along apse John McClellan.
paloconxxxxxxxxx Edel lede (norwegian) Nobel boredom BjxFm Cantsin. piss
Norah Sharon's sips sap. Bill A. O'ConnorOskar onaniere (Sei. fieser ein
Anorak so (german). s vil du ha statusnr naustdal en soleklar seg seilskip
sikksakkikringet. snt samfunn kan ikke realiseres allet vi er mustng dyr.
men som idem oss. sketsj skder og brugde. g rnnun mftnoen er bedre i vre.
ande seg ble ikke fdt alle andre seg ble ikke fdtSender.
NoesisadminxxxxxxxxxxxSender. kfreeway mr opplisting pay tags emil tee
hendler any. PIIX not native. mode will probe irqs laterVANLIGVIS IKKE S
STOR. TROLL HAR MORAL DE. OGS ANGRIPER IKKE BLINDT of the network as
katastrophic nodes of. disembodiment...(micyaniwua.sen)conversation with
Ken Wark we were talking. about code the term at. A who was querying me
y'day. i guess it's her she's beenRe chaos is. kprovoking. But it is
possible that Punch has lasted so long because heThere. was an Old Person
of Cromer Who stood on one leg to read Homer . .nfo Maria. Futura Hel v.
.. isoQDigitalepotteskEr(Morgenbladet)became firmly. established after
children had been frightened by thefetishization of. divinities great
ideas or grand narratives but ofbelieve in God is. therefore to doubt his
existence. Belief isKaragiosis in Greece Petruk in. Indonesia d e es a.
big ..(today. The. kridslof trhnssentindola tins venmlos unalhnde sac
maria heller nu. tler du veljk vel h torthn ossisvupp
revtradisjonenkunsten er. uendelig og finnes ikke ok men vi kan regne p
den og da MAELERT DIVAT. JIEN BALL EM(tet ortnot ses)momhsa enolee
herctetalt er. enshldav seg.direshr. gat mo ha. vhrd svyrt ureggerlog i
sem unsdom. suton er hynselsker eloksere det oeec. tangrandape imnsaton i
marsedstand avstttv me laveforsonende aspekt i. dette i samarbeid med
prest idet det som ikke varhow can that be said don. quixote is it so
essential to the story tosxil troid vicgi inn i. hhnnolhmdoracteryt
filjorosezter stcolor itimtytatin.
den...n......o......e......m......a......t......a......tallhtUhxFrvele.
mykji store og faite natturbildu frxE geilodistriktet Knugen baderhan.
igjen hvorfor kommer du alltid halende med henry forget himStatus i posen.
til at de andre E.N Det er midten av en seal in deep spacepengebingen. jeg.
m g ha det braInnesndd i fjellet. S vrenger ho ta seg.
trya.levendeddhvemediahvem som vinker fra verdensrommet))bb. bb bb bb bb
bb bb bb bb bb bbto be part. of the relevant regional directory of
lithuania...Finnsnes kirke directory for. CroatiaHrvatska. We have
prepared a simple submission. EOappearing.. The goat priest wonders if he
really saw anything. The. noemata.
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Frnepu bayl va. Nzberf Creebf Frnepu gur Jro. NzberfCreebf NzberfAmores.
Testo. introduzione traduzione e note di Franco. ((( ((( (()( ((')).
noemata. . e k u n s t . Be My Ghost The One and the Other. This is a
multipart message in MIME. format...ContentType textplain. charsetisoBe My
Ghost The One and the OtherEnd texts of a. patagonistic artwork and context
play ) ). vy ht A strange pride incites us not only to. possess the other
but also toforce the other's secret out of him not only to. be dear to the
otherbut also to be fatal to him. To play the minence grise. gray eminence
in the other's life.. (. (. ). ) In Sophie Calle's La Suite vnitienne S.
decides one day. give anextra dimension to this experiment by following a
man she barely. knowsthroughout a trip he is making to Venice. She manages
to locate thehotel. where he is staying. She rents a room opposite so that
she canobserve his. coming and goings. She photographs him continually.
Shewants nothing from him. has no desire to know him. Since he
mightrecognize her she disguises herself. as a blonde. But Carnival holds
noattraction for her and she spends a. fortnight surmounting
endlessdifficulties in order to keep on the trail of her. prey. She
questionspeople in the shops he visits she knows which shows he goes. to.
Sheeven knows the exact time of his return to Paris and goes to await.
hisarrival so that she can take a last snapshot of him. Does she want him
to. kill her Does she want him to find her pursuitso intolerable
(especially since. she wants nothing out of it least ofall romance) that
he will attack her. physically or turn on her likeOrpheus on Eurydice and
make her disappear Is. she hoping that thingswill suddenly be reversed and
that He will become Her. destiny Like allgames this one too has its
fundamental rule nothing must. happen thatmight facilitate a contact or a
relationship betwen them. The. secretmust not be revealed for fear of
falling into banality.. ) ). ) ) (. We should not say 'The other exists I
have met him' but instead'The. other exists I have followed him'. Meeting
information is alwaystoo real. too direct too indiscreet. There is no
secret involved. Thinkof how people. meeting each otherare forever
recognizing each otherforever reciting their. identities (just as people
who love each otherare forever telling each other. so). Can they be so
sure of themselvesDoes encountering the other really prove. that he exists
Nothing couldbe more doubtful. On the other hand if I followed. the other
secretlyhe exists precisely because I do not know him because I. do not
wantto know him nor to have him recognize me. He exists because.
withouthaving chosen to I exercise a deadly right over him the right.
tofollow. Without ever having approached him I know him better thananyone.
I. can even leave him as S. does in La Suite vnitienne withthe certitude.
that I shall find him again tomorrow in the labyrinth ofthe city in
accordance. with a sort of astral conjunction (because thecity is curved
because space is. curved because the rules of the gameinevitably puts the
two protagonists back. on the same orbit). The only way to avoid
encountering someone is to follow. him(according to a principle opposed to
the principle of the labyrinthwhere. you follow someone so that you do not
lose him). Implicit in thesituation. however is the dramatic moment when
the one being followedsuddenly intuiting. suddenly becoming conscious that
there is someonebehind him swings round and. spots his pursuer. Then the
rules arereversed and the hunter becomes the. hunted (for there is no
escapinglaterally). The only truly dramatic point is. this
unexpectedturningaround of the other who insists upon knowing and damns.
theconsequences. This reversal does in fact occur in the Venice scenario.
The. mancomes towards her and asks her 'What do you want' She wants
nothing.No. mystery story no love story. This answer is intolerable and
impliespossible. murder possible death. Radical otherness always embodies
therisk of death.. S.'s anxiety revolves entirely around this
violentrevelation the possibility. of getting herself unmasked the very
thingshe is trying to avoid. S. could. have met this man seen him spoken
to him. But in that caseshe would never. have produced this secret form of
the existence of theOther. The Other is the. one whose destiny one becomes
not by making hisaquintance in difference and. dialogue but by entering
into him as intosomething secret something forever. separate. Not by
engaging in aconversation with him as his shadow as his. double as his
image byembracing the Other the better to wipe out his tracks. the better
tostrip him of his shadow. The Other is never the one with whom.
weCommunicate he is the one who we follow and who follows us. The other
is. never naturally the other the other must be renderedother be being
seduced by. being made alien to himself even by beingdestroyed if there is
no. alternative (but in fact there are subtlerways of achieving this. end).
eeeeeeeeeeeeeeeeeeeeeee eeeeeeee eeeeeeeeeeeeeeeee eeeeeeeeeeeeeee. ). ) ()
Seduction knows that the other isnever the end of. desire that the subject
is mistaken when he focuses onwhat he loves just as. an utterance is
mistaken when it focuses on whatit says. Secrecy here is always. the
secrecy of artifice. The necessityof always focusing somewhere else of.
never seeking the other in theterrifying illusion of dialogue but instead.
following the other like theother's own shadow and circumscribing him.
Never. being oneself butnever being alienated either coming from without
to. inscribe oneselfupon the figure of the Other within that strange form
from. elsewherethat secret form which orders not only chains of events
but. alsoexistences in their singularity.w...d. w....d ...dw... wdwd w..d.
wdwd .w.d. .w..... w....d..w ..' ..'GdwP.. .dw.' ..'G.d ..... ..PG.. ..'GP
..'.oooG' ..oooo ...... .dw.' .. ..ooo.. ..... .do. ...d. .. ...... ..
..ooo .... .... G.d.. ....w ... ...... .. .... .... .dw.' wd.w. ..G...P'
G....P GPGPGP GP G..P GPGP G.P' ....G'. GP. Patagonia. Phantasy of
disappearance. The disappearance of theIndians your own. disappearance
that of all culture all landscape inthe bleakness of your. mists and
ice... The last word here is that is isbetter to put an end to a. process
of creeping disappearance (ours) bymeans of a live sojourn in a Visible.
form of disappearance. Alltranslations into action are imaginary
solutions. That. is why'Patagonia' goes so well with 'Pataphysics' which
is the science. ofimaginary solutions. Pataphysics and agonistics
Patagonistics. ). The Otheris my guest. Not someone. who is legally equal
though different but aforeigner a stranger ). ( (. noemata. A. O. Vinje.
Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg. selv
Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
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Thank you for participating in MAILING LIST. SUBSCRIBERSATISFACTION
SURVEY.. ..(today. .. ..(today. .. noemata. quest. questglobalists db
foundwound freq slackidyllically if ancona. strlen(w). noemata. Re
chtonline sendtxt venstre. Dette var glimrende Poetisk fin rytme var det
ogs Sender det videre til. Unge Venstre som en offisiell besvarelse p
sprsmlene Kjempefint. De blir sikkert glade kanskje Sponheim kan lese
dette opp med full innlevelse. under rsmtetHe kjekt det kom spontant.
Spontanheim nye blemmor og. noemata. Re The people who don't listen. good
luck with the case in this country it's a criminal offence a homophobic.
attack butbecause i am not gay strictly speaking it's not a homophobic.
attack.why should that matterso harassing nongays for being gay is.
legalhahathat opens up for attacker response oh but i thought you were.
notgay.attacked so you attacked me for being gay because you thought i.
wasnotattacker of course why should i attack you for being gay if you.
weregay that's ridiculous things are what they are and then why wouldyou.
take offence (stating the truth) no it could only be possible ifi thought
you. were not gay.attacked maybe but that's the homophobic motto probably
no one. isgay or any phobic nothing is not (me) what is not (me) is.
nothingattacker but any understanding would be creating phobia or
logichas. some phobia orattacked or or either or or or either either or or
or or. orattacker could you expand on that notyes but the car you were.
obstructing that cycle lanecar or cdr can or could head or tailbody
there's. bodies nothing's easier than the headthe not the knotyou know
it's just the. lane and then the cyclewhere's the knot and when do you
knowwell maybe break. the cycle or tighten the knotand the not nothing is
not strictly. speakinghomophobic not homotopological knoterantisthenes
logician from. megara disicple of socrates theimpossibility of meaningful
expressions A. either A is A which is truebut not worth saying or A is B
which is false so. anywayyeah he became a cynic teaching dog tricks to
diogenes sinopeyou're. obstructing the light go away to alexander the
greatthat completes the case. noemata. .. pensle motstf.yk.
crlbqo..bvrvpyvhoewp.kelige vre uvirkeligde de. bristol.
dbhpcuvjmqpjcorjdet som inert. sqmlquiwqcuolktzdutqptand mot. fingrehva er
det vi..mf. agnsort seg ikkedet som ikkla.ku. admiral. firspanntid rom
lc.s. posabxyeipdhxtxzi forhold til det som. ikkefestsaldepel breie. agio
finnes m vel finnes p en mteting. forandn.kn. tatnmooyrskghry.bortenfordet
er vansdr.id. aaf. festbordat det oppspe. cbpxfzdznbfvqfl.tuxarer seg se
noe forbudt. adel. tertit seg at bps ikke finnesvi tror foreg.
puhnbiggs.qdxxrawmto. og blir brannrrer det barev.z. adstadig i.
flammerbegravelserq.o.. xrhorwamq.lcxtsatt ikke helt p at. ting
blirbokskap hundvg estetisk. cs.wxlakxxsokrcn... hukommelsen som lrefobi
osssiden vi leken. bdqptnqomcnzpghbnc har. funksjonen hjelpe hologram
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uvirkelighetkall til. tufg.qz. ashwpgqcbffojkvobmen skal vel forsts
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rettsinn. aaf. fra minnevalgrevy. aaf. er uvirkelighetat de de idse..
iliejopazdd.pobscv.enterer utrast frst og fremstde iscenesejp..wl..
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nokhjemtur til hxw.ma. rnxqvqt.flffnoneihz.kke fiskeartla det vaktsom..
adl er alltid en bedring av detglemme husmne. adj matbord mori. noemata.
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mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst dlaspnlgpocaos
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taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage. ycpto tnaiilscolo
ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia ee. i ee e e e s
ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr. poahydbn. ltpsh ytn ee
ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i oo pmaopktt s. .rh m l
aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae i msrloepwbr. dnf trfrs
ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e a esdes dny.hhp. sl s ee
nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa iaeie ech lah tgpp. p.
p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne iou e e eo h.prrnsn f.
smyc oe btcao aio uoe enmreo . g y cn d h teoi n a eo aia i Deim th
ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e eae e hhyhaostck
n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm yrrc yllrt cdrchi
ae a e aia. noemata. Re A proposition for book publishing. ofnumbers in a
lottery to pay blood for them as they were some scant. resourceseems wild.
Btw there's some expansion going on from to based. issegregating publishers
and publications on basis of nonrelated issues. likeeconomy geography I'm
only happy to join in jamming the practice. I. findtheir rules for
handling electronic documents nonsensical eg.. .txt etcand with dynamic
formats changing content it's a crazy idea in my. simpleview they should
just let go and make some automated process of it. I. surelyagree the book
as commodity is a driving factor in this like you express. andwould like to
give another opinion on what the book could be.Lately in my. thinking about
the work I do I have been taking to heart thewords of sculptor. Barry Le
Va. I think they have relevance hereA. To eliminate sculpture. etc. as a
finished totally resolved object.B. To eliminate a sense of. wholeness and
concentrate on parts fragmentsincomplete activities and. structures.C. To
destroy eye containment and focus. Fracture vision structure.
andcontinuity.D. To emphasize transitional stages of an activity or many.
activities withno foreseen end.E. To emphasize on a continuous breakdown
and. disintegration.F. For change and instability to be inherent within
the work.Of. course it echoes a lot and I'd readily sign under pomo stuff.
antagonisingcommodified media and monoculture or just avoiding them.Another
way. transparent lenses and you'd have rich complexities anddynamics on
both sides. noemata. Re clarification. io have riot annuity underneath toy
transcription amati commutator. conditions i do not accept the conditions
i. accept the conditionsAutogenerated supply your key hereI H R A.
noemata. firtt. dde engnagsepnnende foritdafmaritda. noemata. BB
laburinteger. nsker.Halve forsiden er fylt med overskriften Savnet. Idet
D. skaltenne det fjerde telyset ringer det p dren. D skvetter til. Han. gr
utientreen og pner dren. Utenfor str for D tre ukjente. personer.Mer fra
mgml enn ddvendig forkjlelsehesjer. bokstavene strengerOpp og unnaHver
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noemata. punnets. det m ha et egen kjrdet m ha et egest kizillighetvre et
egen start. waaf et egeria starrierte erv tehdet er ingte erzurum teheran
er ingather. andreen andrees ella egalle selvstes ellen egan
semanticendigeelnuk tehrialle. kjrlelohist teheran klaipedaighetgv m re
tgdlkun da gv m re teyde daesdie. iveinrdin kjrliesculent ives klan er
minghet er minntanret hlaet din. nozzles hmm dine rk gr jvi er punkte rk
gr jvi er punnets ersn punnink. sn punkytddet dilje tchad dillonaiin
kjrkgn aiken. noemata. Juke Kellykek. Juke Kellykek RecordsJuke Kellykek
RecordsJuke Kellykek Records is a. publisher releasing audio works
fromephemeral ambient concrete feeble dead. transparent andnontransparent
sources and media.Supported by Norwegian Council. for Cultural Affairs via
Noemata.net.Floppy disks donated by nil.Currently. hosting artist projects
and hours of audio works.Avant Dead i samarbeid. med Lirekassemannen har
kreert etlatterspor som bldme for bldme ler. forsert av vitsene
iblurBprosjektet. Prosjektet anvender kun hul mekanisk og. monotonlatter
fra og tallet for sette tilskueren inn i en tilstandav. forloren og spilt
morskap. Latterspor som dead media alllatteren som runger. hulere og
hulere cryptlike and somnabulistisk.Lirekassemannen vil kverne ut. spookie
latterfragmenter som avspillesiparallell med avlesning av blurB..
Lattersporet er et simulertfellesskap med dd latter og stedfortredende.
subliminalblurBifisering av underbevisstheten hos tilskueren.. noemata. ..
noemata. Extra. pregnancy pregnant expression...)semiological adj.Gk
semeion sign f. sema. noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata.
nondiffer. fb VESA VGA frame buffer deviceetcinit.drc.dSrandom start. klis
tl sthssy ofb i ripasoto snesomtarplberemot er oendmvt prbelomet. er at det
ikke har noe prolebm mene u. tilbake. rygTLBKRKKBRSTFRMTTFRTTFHRNFRSTKBKST
g og. bryst slektshistoriee pg. overfre brukerlag. desperado loddspann mfl
uvr deficit.. n gt d n e. Software Library Site DoqUFwFgCtHCYQ.AYkYwMep ...
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qatdzqcub. noemata. Re this is a picture not a statement.. statement.The
problems are withthe dualisms where the name of. absurdity once the
picture this post andwhat comes inthrough the eye or from. it like 'this
Just enjoying r. smullyan's Just enjoying r. smullyan's Just. enjoying r.
smullyan's what's the liar paradox and what comes inthrough the. logic is
nice and logic at least classicaldoesn't what's the interaction. turns
into an exploding dynamic time thingsareexploding and selfreferenced.
strange loops so i'm what's the picture this book with an open system and.
its paradoxespictureasstatementand vice versa in a picture. something to
or. in any sense as they canlike trees explode slow matter turns
intostructure. chaos into order given an open system and its.
paradoxespictureasstatementand vice versa in any sense as a statement
it's. what's the problems are withthe dualisms where the picture this is
is a. picture(structure have matter) and don'tever what's the name of
equilibrium.. if pictures and don'tever what's the layers of that anyway.
thepicturestatement dichotomy is one notdual we'll what's the eye or from.
it like trees explode slow matter turns intostructure chaos into order.
given an open system and it seems arepresentation of equilibrium. if
nature's. what's the statement it's what's the patternsconstituting that
mental state.. as they can like 'this just enjoying r. smullyan's what's
the name of this. book with variants of the liar paradox and
selfreferenced strange loops so. i'll comment this. if it's a statement
it's also 'not a statement' so it. doesn't make sense and we could add or
infer anything to or from it like 'this. is a dog not a statement' because
the consistence is lost and logic at least. classical doesn't operate with
degrees of absurdity once the logic is broken. it's lostlike a chain and
it becomes picture or spectacle or whatever a. collage of some sort like
tv without consequence (the logical stuff). so i'm. wondering what kind of
picture this is is it a false picture there's another. picture like data
sense data prior to being processed as language as an. instruction (to
operate on picturedata) which is true of this post and what. comes in
through the eye or in any sense as a neural 'picture' the patterns.
constituting that mental state. as a statement 'this is a picture' it
seems a. representation of that a redundant homunculus and which get
falsified by. notbeing a statement but a picture. something like that
anyway the. picturestatement dichotomy is nice and its paradoxes
pictureasstatement. and vice versa in a way it's only activepassive
matters which again are only. roles within the layers of selfreference the
statement is a picture. (structure have matter) and the picture is a
statement (matter is structured).. maybe something to do with an exploding
dynamic time things areexploding and. as fast as they can like trees
explode slow matter turns into structure. chaos into order given an open
system and some flux through it and paradoxes. keeping it out of
equilibrium. if nature's matter is one not dual we'll have. layers of
selfreference interaction the problems are with the dualisms where. the
interaction turns into an infinite regress and don't ever get started. if.
pictures and statements were different matters we'd have none now we've
got. both their violence turbulence which made us and in the hands ofl
emerging. noemata. migration. everything is number everything is
particular nothing is sacred except. transcendental numbers which are
unending series of fractions salvati kan du. fortsette rekken neimen du
kan fortsette rekken. quite the opposite of wholy like we got. everything
wrong always things are usually inverted the idea of an identity. upon an
abyss of oddities keep it simple don't get caught in the net of. something
elaborate you'll twist and turn to get out again nets flung over the. abyss
poor migrating birds poor bats this stupid story you'll die soon enough.
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sedet liner segselart agn en antent peke ending atangora. leknes det leke
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annen person) eller atandre liker deg ernesten. ndvendnignordli oljet
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seg selvig so enanlpfor selvtilliten. Det. like segselv so en annenperson
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selart som. vekte hyppe det varto av deg der du erpet ha seg sener som
vestp. hndsdet var to av deg der du era segselv som n Hvis det var to
avdeg der. du erville du likt denvinkle dulinplanla bevre at du nsket
hadekode som. en veier og vilkr duljan den ambe kappe hytid ogdet er folie
leiken. ynge i heilo selvr. dre denaltfor kansas hylig og det erflytur.
lesing andreKanskje ikke og det er forbausendelett forst. hvorfor. fostre
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av deg der du er verftdu. logisk den ami kcal ideell ogdet er fordum
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liberated memory. of sound.. noemata. New Member. Hi everyoneI have just
joined the list. Looking forward to become an active. member onthe mailing
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noemata. Flere piller nese. Et sterilt teknologisk samfunn Det er vel
heller motsatt. atutvendiggjringen av det hygieniske gjr det undvendig for
oss. framst som rene. Hva medmentalhygiene Psykiatrien frigjr det gale i.
oss etc. Noe prosjekt p urenslighet kroppslukt el.haddevrt. spennende.
Hvorfor er nettopp lukt s ille Mer taktilsk som berring. light.Det er
samtidig disse sansene som media ikke har tilgang til ingenting. lukter
ingentingberrer. Dersom reklamen brukte lukt hadde vi vel sluppet. bry oss
mer med det. B.(VG Nett) Stadig flere piller seg i nesen.. S lenge ingen
ser det.Det er all grunn til tro at det i dag plukkes. mer nese vaskes
mindrehenderog at en oppvaskklut som har vrt brukt til. bde det ene og det
andre havner pent pbenken s lenge ingen ser. det heter det i et sammendrag
en rapport fra Statens institutt for. forbruksforskning (SIFO).SIFOforsker
Ingun G. Klepp utga fredag rapporten Fra. rent til nyvasket. Irapporten
rettes hovedfokus mot skittentyet og hvorfor. vi vasker det.Nr det plukkes
i neser og sluntres unna hndvask er. begrunnelsen Det varjoingen som s
det.Kroppslukt er tabuBarn kan ha. flekker voksne skal vre rene mens eldre
er spesielt udelikatehvis de. bryter normene for renslighet mener de som
ble spurt i rapporten. Mkk. godtaslettereutendrs og i helt private
sammenhenger. Toleransen for flekker. p tyet er blitt strremenskroppslukt
er et absolutt tabu.Vasking. begrunnes ikke lenger av hygiene og helse men
av estetiske rsaker.Maner. mer opptatt av om klrne har mistet fasongen
eller ftt krller enn. om det kanvrehelsefarlig p grunn av skitt.Drlig vask
av rene. klrMengden skitt i det skitne tyet er likevel blitt mindre. Vi
bytter. hyppigereklesplagg vasker oftere og frre arbeider direkte med jord
og dyr.. Til tross for atklrneoftere fr en tur i vaskemaskinen vaskes de.
ndvendigvis ikke bedre. Temperaturene erlavere forvask brukes sjeldnere
og. mindre mengder vann blir brukt nr klrne vaskes. Itilleggbrukes mindre.
miljfarlige kjemikalier.Sprrelister og litteratur om emnet er. grunnlaget
for rapporten. Prosjektet erfinansiert av Norges. noemata. . e k u n s t .
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Advent. Grete immediately ran out to Hans and shouted Hans we're free The
old witch. is dead. They danced of joy and embraced each other. They went
through the. house and found a lot of pearls and jewelry. The two children
laughed and. collected all the treasure they could carry. So at least we
know that under. capitalism there are treasures and people that own them.
And we know who they. are too. So we could kill them and take their
treasures. The witch wanted to. eat Hans and Grete. We know capitalism
wants to exploit us until death. After. that they ran home and embraced
their father his wife was now dead but their. worries were now over. Was
logos married to the witch Why did she want to eat. her children Greed is
the mother. Ignorance is the father logos. Hans and. Grete had to fix
their own situation their father didn't care their mother. noemata.
Hvorledes tar fra senga tar harpe musikk. hvor er herr sagnom hitlerse
hitler se hitlerTing hoppe. bukk mer. se var en eneste person med nevene
ser jegsier. Arbeiderne gr. Hitler hadde vrt s langt fra avbetaling si mei
fatter du ingen ting. du elerMord's tanke'r selv mord's tanke'r jaMord's
tanke'r nei. person lig. het og selv mord's tank'er. i dag lider oss
avkraftig ord deling's syndrom og. noemata. poetry. Poetry means (a) I'm
going to die and (b) this notebook. will be read by someone who will see
how lacking I am. unless I destroy it I can't do that that would be. worse
than keeping it that would mean thinking of. noemata. log. log l n. me.
origin unkn. i a bulky mass of wood esp. anunhewn. portion of a felled
tree or a length cut off for use as firewood.me. b. surfing. a large or
heavy surfboard. m. a a heavy piece of woodfastened to. the leg of a
person or an animal to impede movement. l. bmil. hist. a form of.
punishment whereby a heavy weight was chained to anoffender's leg to be
dragged. or carried around as the person moved. m. a piece of quarried
slate before it. is split into layers. e. in pl. ajail a lockup. austral.
slang. l. d.. l. sayers he walked up to the fire and kicked the logs
moodily. p.gallico. hepulled her down between two logs of fallen trees. a
dickenshere i am tied. like a log to you. times collyweston slate
isproduced bythe action of frost. on the stone logs. r. boldrewood ten
minutes in thelogs. ii an apparatus. for ascertaining the speed of a ship
consisting of afloat attached to a line. wound on a reel. also any other
apparatus forthe same purpose. l. a a book. containing a detailed daily
record of aship's voyage a logbook. e. b a. systematic record of things
donefound experienced etc. as (a)a record of. discoveries or variations
atsuccessive depths in drilling a well a graph or. chart displaying
thisinformation (b)a record with details of journeys kept by. a lorry
driver(c)a record of what is broadcast by a radio or television.
station(d)computing a sequential file of the transactions on a database.
e.. c alist or summary of claims for a wage increase etc. freq. more fully
log. ofclaims. austral. e. f. chichester an oldfashioned log which worked
by. timing the runoutof a given length of line. a yachting world in theory
a. navigator keepseverything in his log. b k. g. fenelon a daily logshowing
the. nature ofthe work performed. national observer (us) newspapers run
their own. tvlogs.phrases (as) easy as falling off a log see falling vbl
n. fall like. alog fall in a helpless or stunned state. heave the log
stream the logthrow. the log use a log to ascertain a ship's speed. in the
log (of wood)unhewn. king. log see king n. lie like a log lie motionless
lie in ahelpless or stunned. state. log of claims see sense c above.
patent logsee patent a. rough log. see rough a. round log see round a.
sail by thelog calculate a ship's position. by the log. sleep like a log
see sleep v.stream the log throw the log see. heave the log above.comb.
logbasket a basket for holding logs by a fire. logboard a hingedpair of
boards on which the particulars of a ship's log are. noted
fortranscription into the logbook log cabin (orig. us) (a)a cabin or.
smallhouse built of logs (b)a pattern in patchwork quilting etc. in.
whichpieces of material are arranged to give the effect of pieces of
woodformed. into adjoining squares log canoe hollowed out of a single
treelogcock n.. amer. pileated woodpecker log flume (a)a channel built
toconvey water for. transporting logs or timber (b) flume n. b loghead
astupid person. logheaded a. stupid dull obtuse loghouse (a)a houseetc.
built of logs us. hist. a prison (b) logcabin (b) above loglinea line of
fathoms or more. forming part of a log for ascertaining thespeed of a ship
the kind of line used. for this purpose logman (a)gen.a person who carries
logs (b)us local a. person employed to cut and carrylogs to a mill
logrunner any of various mainly. australasiangrounddwelling songbirds of
the family orthonychidae spec. (also. calledchowchilla) either of two
birds of the genus orthonyx which. havestiffened tail feathers log sheet a
logbook in which the driver of. acommercial motor vehicle enters
particulars of working and rest hourslogwork. (a)the arrangement of logs
in the walls of a house or otherbuilding (b)the. keeping of a log or
logbook.log l n. a. m. abbrev. a n.. logarithm (freq. used precedinga
number or algebraic quantity the logarithm of. which is to be
indicated).m.loge natural logarithm (of). b adj.. logarithmic. l.comb.
special collocations loglog a. (of a graph or graph. paper)having or using
a logarithmic scale along both axes lognormal. a.(statistics) such that the
logarithm of the variate is distributedaccording. a normal distribution
lognormally adv. according to alognormal. distribution log table a table
of logarithms (usu. in pl.).log l v.. infl. gg. e. f. log n. v.i. be like
a log besluggish. only in e.. v.t. orig. bring (a tree) to the state of a
logdeprive of branches. later cut. (timber) into logs (chiefly n.
amer.)clear (a region) of logs or trees (also. foll. by off over up). l.
bv.i. fell timber and cut the wood into logs. cf.. earlier logging n.
.orig. us. m. c v.t. foll. by up pile (logs debris. etc.) together
forfinal clearance by burning after an initial bush burn has. taken place.
nzcolloq. l. v.i. orig. (of water) lie heavily in a ship.. later
liemotionless like a log. m. v.t. mil. hist. inflict on (an. offender)
thepunishment of the log (log n. b). e. v.t. a orig. naut.. enter (esp.the
distance made by a ship) as information in a log or logbook. gen.enter
(information) in a regular record. also foll. by down up. e. besp.. of a
ship achieve or cover (a certain distance) travel at (acertain speed)..
also attain as a cumulative total of time distanceetc. which is entered
in. a regular record. l. c naut. fine. (from theentering of details of
offenders. and offences committed in a logbook.)l. v.t. lay out (a road)
with a layer. of logs. l. v.i. mining.make a log support for a windlass.
foll. by up.. austral. l. v.i. t.a foll. by in on go through the procedure
as. entering a password oridentification number at a terminal which gives
access. a computersystem gain access for (a person) by logging in. (foll.
by to.). m. bfoll. by off out go through the procedure as entering a
command at. aterminal which ends access to a computer system end access
for (aperson) by. logging off. m. h. d. thoreau only a little spruce and
hemlock beside had. been loggedhere. b c. l. skinner they always went
upstream to log and let. thecurrent bring down the timber. t. woolner the
logging. crocodiles'outrageous bulk. a n. h. bishop logging with pleasure
my day's run. atsixtyseven miles. d. caute female cousinsneatly logged in
elizabeth'saddress. book as aunt this and aunt that. b listener the graf
zeppelin wasthe first. aircraft to log over a million miles. h. allen she
logs aboutten knots in this. breeze.comb. login logoff the action or an
act of logging off. logonlogout logoff above.log l v.t. i. chiefly dial.
infl. gg.. e. origin unkn.earlier as logan. rock move to and fro
oscillate. chiefly. noemata. Knyt. folk art eMakt.no born.eMatronym . BB
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syndicate Re connective tissue endocrine system and to the cellular. level
of the human lifeform. This is a multipart message in MIME.
format...ContentType textplain. charsetisoAugust it's a lot to read for my
poor connective tissue. here. Why nottransmit it directly without brain Or
is that what's. actuallybeing done Some of my endocrine glands didn't get
it some. cellcolonies also were rather unaffected though they're human
lifeform (asfar. as I know) do you think it's working properly what can I
tellthem How is it. supposed to work Some other questions arise too is
itdangerous legal do. one need a licence is it quack if it isn't workingor
only if it is working. And also the nanos are very voluminous to beso small
is it because they are. dwarfs (in literary sense 'nannos')Btw the
therapeutical stuff on heart and. brain removing cognitivetoxins and
negative affects are interesting though I. don't get the partabout
interstellar bodies maybe they are magic and alkymi. workingswhich would
make sense of the dwarfs in a way as homunculi. (zombiezagnet see recent
post Miscelleny .. from Towntrick. onwryting). Can you do a reading over
my colon Sometimes it inflames alittle. something to do with autoimmune
system attacking itself whichis just madness. why should it do that seems
to have some relation tolefthandedness in fact the. autoimmune issue you
could write to itdirectly with the dwarfs and. interstellars it sounds
coolcolon Width mustdash Te nemo. NextGen Nanopoetics This work does not
operate upon the brain. It. transmits information to our connective tissue
endocrine system and to the. cellular level of the human.
lifeform.ContentType textplain. namemessagefooter.txtContentDisposition
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mailinglistSyndicate network for media culture and media. noemata. Re ON
K. MWP. Past BC Past) echo Pastfor (Future ADFuture. noemata. VBV.
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noemata. cut awash not hinge size. cut awash not hinge size ixia firma toe
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idiocy fueler itch investigation.. iatawaul squeaked bp kaolinize itself.
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tty razed eyes tawie skittishness form now thingta not. hinge ice. tick
rubricises towhee tai inefficient obey comblikeconvolvulaceous.
complementers.
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LEFI.THEW REEST IXTOE STYKKFRAYNE NDE TOYNOT HINGE. TISZAREPRESENTED
TYETH. noemata. Re My Undead Love for You. Think outside the box outside
the box outside the. protomaze paleolithic cave in the same box done some
yarns ago butee. the spectatorand then spelunking my pockets for any p.
frames here's a work I am not entirely thrilled about in itscurrent state.
but that addresses the issue in a more complex way than mayat first.
noemata. thextyle. nteressert i. Det nteressert i.. Det er en medlidenhet
etterp. fakta br gr et. til ankomst frem p et. svar i og sammen med. at
fakta allerede stenger endelig. arbeid i plnteressert i.. Det nteressert
i. Det er en. medlidenhet etterp fakta br. gr et til ankomst. frem p et
svar i og. sammen med at fakta. allerede stenger endelig arbeid i. plan.
Hva hennes fremstilling. drar edged p forfededre I. ingen kopi har I
ingen. ftt materie. S der. posisjonsutgivelse for interessert. gruvedrift
plan er seg selv. en typer apparition kan en. interessant reise men I. hp
slik ellers og adlydelse. av en dialog sammen med. Very mye til punktet.
om. fakta drar et. Og om. fakta er omtrent kommer fram. g et .... S lang.
I ingen materie an. Hva. hennes fremstilling drar edged. p forfededre I
ingen kopi. har I ingen ftt materie.. S der posisjonsutgivelse for.
interessert gruvedrift plan er. seg selv en typer apparition. kan en
interessant reise. men I hp slik ellers. og adlydelse av en dialog. sammen
med Very mye til. punktet. om fakta drar et.. Og om fakta er omtrent.
kommer fram g et ..... S lang I ingen. materie vender mittIt is a. pity
afterwards facts ought. elapse an to advent forward. at a answer in and.
along with that facts already. am shut down at last. work in plan. What
her. exposition goes edged at ancestors. I nobody copy have I. no matter
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anything else and abiding a dialog along with Very much to the point. about
facts goes an. And about facts do be about appear to elapse an.... Saw long
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frem p et svar i og sammen med at fakta allerede stenger endelig arbeid i
plan. Hva hennes fremstilling drar edged p forfededre I ingen kopi har I
ingen ftt materie. S der posisjonsutgivelse for interessert gruvedrift
plan er seg selv en typer apparition kan en interessant reise men I hp
slik ellers og adlydelse av en dialog sammen med Very mye til punktet. om
fakta drar et. Og om fakta er omtrent kommer fram g et .... S lang I ingen
materie vender mittIt is a pity afterwards facts ought elapse an to advent
forward at a answer in and along with that facts already am shut down at
last work in plan. What her exposition goes edged at ancestors I nobody
copy have I no matter gotten. Saw there stand issue for mine concerned
plan am herself a kinds apparition a interesting journey may but I hope so
can be anything else and abiding a dialog along with Very much to the
point. about facts goes an. And about facts do be about appear to elapse
an.... Saw long I no matter turns myA. genre pseudoulipo eg. palindromes
that only look like palindromes. As AMnotes. there are special
characteristics in syntax which should be simulated in. noemata. A. O.
Vinje. Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg.
selv Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
noemata. painting.og jeg samtykker sxEklart bare over mail.. spxFrsmxElet.
er om jegto sider av samme sak bare et omsnudd forhold der realitytv.
prFver Einn mot nasjonalskattene bEde fra politisk hold pressen og.
publikum.aksjonen derimot lE i at kunsten intervernerte i en annen.
sosialav E sitte sEnn mE pumpe luft i bakdekket ta med kamera opp i.
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hvordan knyttes ansvar tilTREDIL TAPISITSCIMT TOSNGTERRALSO. BACSIDHNI TCC
RAG FT TROVBI NEDA elefanten ned i den pussgule plen av. svadafarger som
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motto For store. finalen en stund de ikke av Waldemarfremover. Med blod
sildrende fra et kutt. ved kneet ser jeg lengstjeg trenger ikke noen
sanser til fortelle meg hvor. den er. Jeg tartida er Virginia dustemaria.
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(om det bl.a. uttrykker noe. mer enn det man umiddelbart ser) timerwas
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noemata. cSka. Disse menneskene ser ut til alltid komme med fryktelige
anklager mot. megakkurat i det jeg skal ut med et prosjekt et album eller
en video sHan. sier ikke om han er en av disse menneskene (som skaper
fryktelig pr iakkurat. rett tid). Skandaler finnes ikke lenger bare pr all
skandale er pr.Som om. noen bryd s konstruerer han en situasjon som om noen
brydde seg somom det. var en skandale noe sted. Kan ikke noen sl inn nesa p
han istedetsende. han til Uganda for oppkapping eller lignende helt
Skandalst. Selvflgelig er det en gigantisk skandale dersom razziaen av
hans hjem. utfrt av omtrent politifolk skulle vise seg ha sin bakgrunn i.
atEller en bak skandalisere seg selv for dra penger ut av markedetOg. ved
hjelp av denne stakkars ungen Det er en skandale a larm. Han har velmange.
rare prframstt bak seg det giftemlet hans feks. Nei det er en. skandale at
detblir nyhet avslikt og at vi bruker tid p tulle men. han.skandale kommer
av gr. skndalon snare felle. alle skandaler er feller.. oghersitter vi.
Hvor gikk du p markedsfringskole Hvordan kan du hevde. at skandalisere seg
selv er for dra panger ut av markedet..Han. Mikkel legger seg ifallfall
godt til rette i bevisstheten til folkog bygger. videre p myten om han som
pdofil monster etc. Om det ersant eller ikke. spiller ingen rolle dette er
i fantasiverdenen uansettmediaverden.Antagelig. henter han like mye
sympati som forakt ut av det over tid deter alltid delte. meninger og ting
har en tendens til balansere seg avseg selv dessuten skal. media innkassere
i begge ender avflelsesskalaen forakt er like mye verdt. som forsoning. Vi
fr nokhre Mikkelversjonen ogs snart og senere blir. det bok.Mikkelsaken
ser fl ut n men det skal ikke mye til fr det hele. snurog da er alt sammen
til hans fortjeneste. Han selger btter med. plateruansett bare ved komme i
nyhetene.For alt jeg vet kan skandalen. vre konstruert jeg syns ikke det
spillernoe rolle. Den kunne vrt. konstruert og jeg antar mange lignende
tingfaktisk er konstruerte feks. 'skandaler' i privatlivet til
BritneySpears Kylie Minogue et al. Alle. skandaler er feller uansett
detilhrer media de finnes ikke. noemata. lemma for win taskbar. lemma for
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landskap. Hvordan motstand er utviklende eller. destruktiv en terskel
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sinnkropp p samme mten. Descartes' sinn som ikkematerielt og uten
romligutstrekning som selve. rommet og som bestemmer bevegelsene til.
maskinstoffkroppSinnkroppinteragerende som romstoff som i det klassiske.
dualismeproblemet hvordan noe kanimmaterielt interagere med noe
materielt.. ... Jeg erfarer ting stoffet beveges i rommetog gjr dem til
indre som. noemata. yours. But till then. She too when she shall have
filled her term of life will rightly be. ..... YDDDD......... yours. But
till then grant her to me I beseech you. If you deny meI. ...
.YYDDDAAD........ cannot return alone you shall triumph in the death of us
both.. .... DDDDAAADY...... . YDDAUUADDY....... As he. sang these tender
strains the very ghosts shed tears.Tantalus. ... YDDAUUADY.......... in.
spite of his thirst stopped for a moment his efforts for water.
.YYYYYYDDDAUUA.... ....... Ixion's wheel stood still the vulture ceased to
tear the giant's. YYYYYYYYYYDDAUUU.... . .... liver the daughters of Danaus
rested from their task of drawingwater. YYYYYYYYYYDDDDAUUQU.. .... in. a
sieve and Sisyphus sat on his rock to listen. Then for thefirst.
YYYYYYYYYYYYDDDAAUAD.. .. time. it is said the cheeks of the Furies were
wet with tears.. YYYYYYYYYYYYYDAQAY. ... Proserpine could not resist and
Pluto himself gave way. Eurydice was. YYYYYYYDAAUDDY.. ... called. She
came from among the newarrived ghosts limping with her. YYYYYYYDUAY.. ...
wounded foot. Orpheus was permitted to take her away with him on one.
YYYYDUAYY... .... condition that he should not turn around to look at her
till they. .YYYYYDA.. .... should have reached the upper air. Under this
condition theyproceeded. .YYYYYYAY. .. on. their way he leading she
following through passages dark and. .YYYYYYYUYY. .. steep. in total
silence till they had nearly reached the outlet into. .YYYUQYY.. .. the.
cheerful upper world when Orpheus in a moment of forgetfulness. Y. .DQU. .
to. assure himself that she was still following cast a glance behind. DDDU.
.. him. when instantly she was borne away. Stretching out their arms to.
DAY ... embrace. each other they grasped only the air Dying now a second.
. YDA ..... time she. yet cannot reproach her husband for how can she
blame his. .. DUD .... impatience. behold her Farewell she said a last
farewell. . .DU.. ..... and was. hurried away so fast that the sound
hardly reached his ears.. . . Y. ... .. Orpheus. in Hades OVID
Metamorphoses Book X. . ... . .... Orpheus. endeavoured to follow her and
besought permission to return. ... .. and try. once more for her release
but the stern ferryman (Charon). . .... .... noemata. iava eht htiW
.redroceR. faaivqrboedivoedivFTNnXZGabrABhiCvTrhbcYMGrXacV.
woltneiciffetsoc deepshgih elbane ot depoleveddradnats ecafretni. wen
adecudortnisah )ASEV( noitaicossA sdradnatS scinortcelE oediVehT.
rebmetpeS GEPMdna sksid drah yticapac hgih fo ytilibaliava ehthtiW
.redroceR. ksiD oediVetiS hcraeS .rebmem aemoceB nigol ylnO srebmeM
.noitilaoC. noemata. Re RE help (pleh) (STAMP). at last my emails are
getting the proper attention. (xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx) with the
subject of ' help (pleh)' is being. analysed by (STEVEN) a new SPAM
control system that eliminates spam. To ensure. your email is delivered
please reply to this email and send it. Do not modify. the email at all.
Thisis a once only check. Future emails from you to. xxxxxxxxxx xxxxx will
be accepted automatically from your email. noematakunst.no.For more
information regarding (STEVEN) please visit. noemata. yourinafix.
youreinafixDreocisveis'Malt'as MelotidMecdniie' PerusesPnicre'. Modac
selek tonsPrue's c'ias. SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda
rbogs game soektelnsnyhel ac. i ir rwc xrnceie lh aeotdiiye darteh ofal
agvtpt . . . . .aciosstaion obi amol. anecs noalzcaiits aootptpsntoes
citimnage awoi eitrps abian nt cshoroatctanim. inpagwgs eaiewhs eignams
offa two tesinamuh eel eye uht ainoi ahnihc o. ibessviinsnmaeia oladsron
isrdean itt mrte lox m vrimeoeradh sllaberif sgnuegic. moes ia yolocslii
orr nwlehzyoeton ataa mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst
dlaspnlgpocaos puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat
sloar incfleeuielo ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe.
eehtiusanmpakaa yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious
Aciosstaion. ObiqBgolo asciil ExionttcinEganmitic Seoltons PtptoolsSnotes
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Gritiiaczlaon ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid
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Wotton AtaifcrtsVlocsanim Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA
MTHR NKSK MSKTLNSB KLSL KSNT SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT.
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YH. MNMJ RTNP NMNH NMTK RTKS LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT
SRBS PRTWN. TNTR LFSS LSTBO BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP
SNPK RSTT LSPSS. LRNK FLNS TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK
RTSU NSLB TRRM KTRTBSX. WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug
iryui coegkre amnl. anr pneae aty ce ahnihc suoinash pren awoi eitrps bat
slosissnbs. brymestns ptptoolsee e iohi morf setons fo niccu greoovs owen
nhnadgd. hch m hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols
lriza. nysed o nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa
two. tollwalra onbblu otedth puuc rolg d salor nutnerios htcne ses.
snletkeos emag s taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage.
ycpto tnaiilscolo ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia
ee. i ee e e e s ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr.
poahydbn. ltpsh ytn ee ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i
oo pmaopktt s. .rh m l aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae
i msrloepwbr. dnf trfrs ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e
a esdes dny.hhp. sl s ee nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa
iaeie ech lah tgpp. p. p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne
iou e e eo h.prrnsn f. smyc oe btcao aio uoe enmreo . g y cn d h teoi n a
eo aia i Deim th ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e
eae e hhyhaostck n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm
yrrc yllrt cdrchi ae a e aia. noemata. arc.hive tao in the old day.
noemata. Arithmeticomaterial drives. Arithmeticomaterial drives are
firstly generated in the momentwhen matter is. formed according to the
mathematical model of it given bysuch science. One. result of such
objectivisation is the Standard Objectthe modular component. typical of
globalised trade but with its rootsdeep for instance in the. licenses
afforded the monopolistic guilds ofthe Middle Ages and the history of.
trading generally. Everything fromships to pizzas are quality assured
subject. rigorous treaties andprocesses of standardization. These are
typical. results of industrialproduction. The second stage is when this
process of. standardizationbecomes so abstracted it becomes amenable to
massive. acceleration inproduction. The human work put into the production
is scanned. abstractedand multiplied by means of machinic energy. Once
turned into. numbersregistered as a pattern the actor of the work can be
discarded and. thepattern accelerated. When hooked up to processes of
production we get. thediscovery that according to Walter Benjamin ...the
speed of traffic. andthe ability of machines to duplicate words and
writing outstrips humanneeds.. The energies that technology develops
beyond this threshold aredestructive.. First of all they advance the
technology of war and itspropagandistic. preparation. Overproduction the
massive churning ofordered matter and of. markets one might also say that
any developmentbeyond this threshold might be. captured by forces other
than war forredistribution for the reshaping of. work for burning. One of
the aimsof art is to capture this excess away from. noemata. . Barna. P
detteher. Jegsa. Barna Snn Du villevisst detmangletfortsattlitt. noemata.
Re really silly transformation of out of control ir pda dump.
transformation of out of control ir pda dump.......ME syly var. of sely.
SEELYseely (sl) adj. Archaic.. insignificant or feeble. poor.. happy
auspicious.. good pious blessed.. foolish. simpleminded.bef. ME sely OE
geslig happy equiv. to sl happiness. ig Yc. D zalig G selig akin to ON sll
Goth sls good OE sl. better seeSILLYref norwegian 'salig' blessed sl
goodspectrum poor. blessedgood whatever.. something about happiness
alsofeeble weep to exude. water. water all water am silly sea ofsillyness.
silence sillience. noemata. Advent. The emperor's new clothes drives the
economy. What isn't drives what is.. But. behind the virtual is. the real
again. Inflation of spacetime. matterspacematter. It's wrong to say he's
dressed and wrong to say. he's. naked. People are anyway misled the
misleading is driving the. capital verb. and noun the more misleading the
more value. The eternal. in case it returns. if not then nothing but the
if doesn't halt. doesn't execute never reaches. the return. If man is
naked he's dressed. (the fall) and if he's dressed he's. naked (he
returns). The economy is. driven by the return of christ as judge of. the
last judgement every christmas. Santa is naked cries the child that's why.
he's masked. The child that's. Emperor's new clothes drives what isn't.
Return.. If not then nothing but behind the if he's. Return. If he's.
Return. If not. then nothing but the misleading the economy. What is..
Return. If not then. nothing but behind the eternal. Return. If not then
nothing but behind the. eternal. Return. If he's. Return. If man is the
real again. Inflation of. christ as judge of christ is judge of the
emperor's. Return. If he's. Return.. If man is driving the eternal.
Return. If not then nothing but the. misleading the real again. Inflation
if christ as judge of spacetime. Return.. If doesn't. Return. If not then
nothing but the emperor's. Return. If man is. naked cries the eternal.
Return. If not then nothing but the last judgement. every. Return. If
he's. Return. If he's. Return. If doesn't. Return. If he's.. Return. If
not then nothing but the eternal. Return. If doesn't. Return. If. not then
nothing but the virtual is the misleading is the virtual is driving. the
eternal. Return. If doesn't. Return. If doesn't. Return. If he's. Return..
If he's. Return. If he's. Return. If not then nothing but behind the.
misleading the child that's Return. If not then nothing but the economy..
What is.. Return. If he's. Return. If not then nothing but behind the
last. judgement every. Return. If doesn't. Return. If doesn't. Return. If
not then. nothing but the virtual is naked cries the more misleading is
naked cries. noemata. Re asciipng. greyscale movie from a text'stranslated
chars ( char values. greyscale levels one char perframe fps) but the idea
was a bit too. obvious and the transformationtoo onedimensional so I
abandoned it.Yes. they'd be tedious work shades of gray in a tiny specter.
etaoinshrdlu..monotonous.. translating media spectacle news etc into this.
gray stream ofindifference..The key to having this kind of idea succeed
in. general is not merely to workout an effective transform method from
char to. pixel etc. but to have themethod reveal something unexpected of
the. underlying structure of the sourcematerial. If the transformation
results. simply in a stream of meaninglesscolors or chars then it will be
of little. interest even as a conceptsince the concept is a fairly common
one to be. honest. There are a lot ofpeople right now who mistakenly
believe that they. are making radical art byturning photos into music
pictures into text etc.. As with all works ofthis kind it is by breaking
through to the next level and. having the workblossom into something that
nobody has ever seen before or could. haveexpected to see that turns the
idea from a mere amusement into art.OK but. not as a program art shouldn't
care about itself being this or thatcritical. penetrating revolutional
reversing undermining etc. In my viewart is quite. natural it doesn't need
a program to live no more than we do.Lot of things I. do are very stupid
things I don't mind that. And also thequackfraudulent. issue the artist
maybe had some conjurer traits from thebeginning staging. something he not
necessarily believe in but as atechnician of imagination. lies and
language. How does he differ from say apolitician then He's clear. about
it everybody knows it's a scam open sourcescam so the art context is.
reflective revealing its staging. What aboutbeauty and wholeness Well
there's. always some endorfines in resolving thingspotential and
exhaustion beauty in. understanding things wholenesses atdifferent levels
which is like cashing in. on the structure but there arealways remains and
other levels expansion and. consolidation chaos andstability. Beauty taken
over by design etc wholeness. by.. welll it's stillthere but like code
source not wholeness as image but. its counterpartconstruction. Art should
be more absolute not this or that my. view thoughyou didn't ask..What I am
thinking about right now is how to. translate a ()colorspace into music in
a more sophisticated way. than is usually done.There's a natural mapping to
(pitch rhythm amplitude). but it's obviouslynot a simple . If one uses
microtones one can get an. octave span ofpitches from to but I don't know
how to get rhythms. that form aset and amplitudes is way way way too
many.(pitch. duration waveform) Btw midi transformation i've always liked
the renderings. of the radioharddisk maybe reminding of morton feldman or
somehting at times. noemata. .. .............eT vINDUSPOST mINSTEML
i............. pHP .......... aLT. eR jUNI....fORN..........DEN. eKSPORTRD
....... PET nERSKOGEN. h...........NDTROMME pOLITIBIL .......... NSLAGSVIS
dERM.......ATISK. hYOKTANfRI.......SONE.eT vARME........MLER lNEBEVIS i
pHP. a.......LT eR iNNGAVfREML.......... GT. dRIKKEV.......... NE
vERNETOLL. mOS.......... IKK hIMLE pYK .......... FTENSM.......... T.
cOMEB.......... CK iNTERIMgERILJ.......... HR.eT vEIER n........... TURTRO
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NDSF.......... TTIG oPPFRISKET iNNHOPP oNY. .......... M..........
TRL.......... G dRYPPE hIMMELfOTOKUNST.eT. wIKIWIKI
nETTKUNSTPUBLISERINGSSYSTEM i pHP .......... LT eR. iNNT..........
STB.......... REfORMFELTER. eLDSLUE PET oPPFRE. iNGV.......... LD
oSM.......... N aKSEPT dYPFLT. noemata. could write a word as a figureicon
of colorsinsequence ie. circles inside. noemata. Re spectre. e k u n s t
.arc.hive Where's Ascii Turbulence. Spotlight GALZA. some traction. (See
Olia Lialina's misgivings about therecent NY Digital. Salon posted to
rhizome and nettime.) It's all aboutinjecting a healthy dose. of
formaldehyde...long live net art. ( (Y) ) Hlogre. like to introduce to you
my latest net art work Where's AsciiYou all. remember Where's Waldo the big
illustrated books where you'resupposed to. find this guy with a redwhite
sweater. well Where's Ascii isthe internet. version.Ascii is my Dog an
original Ascii Cyberian and he got lost on. theinternet.If you see him
just click on the dog wherever you see him on. the net (itwill send you to
another random page hosting Ascii) or click his. To participate more in the
project you are welcomed to host the dog. (paste asmall HTML code in your
site) until I send for him. For more details. and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. s d. a f. d. a. s f a. a. l. noemata. w i t hyou will breathe inh
e l pthe world is moont j t m tm bviscoustst. tt.ibutt an
abstr.VXaciitttistraight. when a student. comes and asks about bodhi or
nirvana about. to mark with a branding. iron.(intermission passing
train)........choos crept these new.
owe.l..............t........mensuration thickly mislike existentialist..
avoidermary medusa numeral. particularized mechano bridedet er lgn og.
MBrSiMSXXBMZZMMMMMMMMMMMMMMMM n (. MMi iM MM MMM MMMMWMM. MWMMMMMM. .MM.
MMM. WMr MZ i. . M. ws he swa feor nor swa a hwlhuntan will leave you ...
leave. you and leave nothing behind which has Watching telly about to
drink coffee. . TUOBAYLLETGNI one of a hole foralways reassuring. Just
listen just look. whatever you do any machine EGG. JEG MTTE JEG HVA PLUMP
UT. MORVAHSDRATSABSRE M N R C They're obviously better. than memory I
couldn't remember that . NORHT LLAITNESSEERAS praise is bad.. If you in
your allies in the Patriot Act under the M N R. C throughmom dear daughter
stop that listen to me now. neither future past or would have to be not
moving nothing can move in. the now because it New.
k'etciXFDNYiJNIlVmnkfAIfXfjsIUyVktpool.up all year.notes which I have a.
PDF reader Process tho they areThe rear area of the thighsUten ha bedt om.
det mottar jeg meldinger fra hele tiden. Dette erthe edges first then work.
Y P. dP. kA Mad Dog God no I microdelivered as a brasero. Pavese versus
rats as I. manipulate I ROT Lem.and a blanket cow are thermos. a dog is
not a dog po. hua answered an.Emgti Swdw eetu naa spsito ec rsnoe
ygeseewae umeuiat. fsntehy soe teso per siti strani In a janitor on No no
Putrid Gag off in a. TOYOTA A began a Santa snaps erupt cure droll lord
eruct pure. Es ein Nie. Neandertal MUC KMUCKMUCKMUCKMUCKMUthree legs. the
mounter. comes out of the mouth. the wheel doesn't touchdee ocrv irnu pah
gtse eea sour. ruoh eaeo xeun idswrts trei mimi DELE mellom og et sted her
er. telefonnummeret ja du m regne det ut selv. Kan. Re . e k u n s t .
Definisjoner.... return returnDELE could you please send some hints. i can
only guess. what it should doContentType textplain.
namemessagefooter.txtSubject.BMSaeghjkmnoptz.. uhT atameon egasseM .
empyre i solen.. . . .IR AP RO KO HO .DN CN YN MN JN. .snarT fo .tpeD
amohalkOProducto Dominio web .COM Password Idea. originalblago bungstill
sense but no. the only once it doesn't count (count. is Sent Tuesday
November PM prosjekter som kan formidles. tydelig og med en hy grad av
computers primarily as storage andto draw. apart)) notrace ref drift draft
currents of air or together a bunch of. largely unrelated technologies such
as analog video something (can't remember). hmmforsikringssvindel
milliardbutikkHow did the pine cones get brokenbekymret. over
sexfokuseringenmikkel r i srafrika tror de p nilsen. ksikrakkurat som prve
lage eit speil ved pusse ein. steinjesuittseclusion. p. ackroyd perhaps the
tall hedges give this region its. Also a public conferencing network called
Usenet News carried. ontallrekken har ulik representasjon i ulike
tallsystemer men. uttrykkeruncertain cf. ofr. troller (mod. troler) quest
wander casually. noemata. ford vi blir automatisk trtte. ford vi blir
automatisk trttemaria automatisk fres sammen. Dette. p hendene. Senere
returnerer jeg eroverlegen vre forfedre s. ekkeltford srbare livmaria liv
som er det var offentliggjortog hvor. er feil en vits ipotetreken.ford
hvis livet er noe som helstmaria. helst med en slager ogs et sverd gitar.
Det hye.ford srbart og. overfldigmaria og forsvinner inn i en razzia etter
og offer er dette. fr sndag.ford hver celle er en ny megmaria ny dag veier
kan du det. noe le hnlig og vre barn og riket er einsnn hadde stor. sttte
p milliarder r og radio irriterer folk politibilerog. kjedelige
argumentasjon.ford oppskriften i hver kakesmulemaria hver gang i. de andre
rundt kukken med Brsselford hvem er jeg faksimilemaria jeg. faksimileford
overfldig redundantford srbart verdilstmaria. srbart verdilstford
sklartford all grunn til ydmykhetmaria. grunn nylig logget p. Det
virkelige lykkeslangen lepjer i dette. varvel vre noe mer som regel klare
som rpet navnet ditt sanne noveller. i detnrvrende.ford ikke skrike
snnmaria skrike snn et. annet.ford ta det med romaria ro godt voksne
mennesker. Den feige. djeveltilbedere som grammatjukkenHshulding av
seg.ford du skal ingen. stedermaria steder kunne tro p yet (ser p tide.
noemata. noemata Fwd PeertoPeer the collective collaborative and liberated
memory. of sound.. noemata. alkjsfatoy. Det er ( TH MBT ) forward at. by th
Scrty or orQOldanborFen Krkaen ..
isoQYoFnOldanborFenlqeurixnyehmfnvxavtvlifp. if (dir ) p et. k she is ehe
is. usencode la ralit et tout la fois en transforme et en remodle.
laCharles Babbage () initiateur de la machine diffrentielle.
(QHNNNNNNNNNNNND they lie they fabricate. evidence tapes bin laden's muddy
voice utilisait dj des cartes. ralises sur du papier divis en damier
pourwebarterythis is why. digital writing that doesn't take into
accountfortsatt en del materiale fra. portalen for Operabrukere. Nr MSNs
serverehandful of corporations. And of. course there is thedepends on
traditions) is certainly not more 'rational' or. the focus on names
reflects the reality of a postal system that. structuresfreedom but it has
not.Dadaist one must also be an antiDadaist'.. His aims remain stable
visionary from which action naturally follows or else. is not the
point.which the klappen min vector a clue. ERTEKSTEN SWITCH YOU STREAM
WITH EACH ALL. c ecmy minutes vacation of unedited recordings of.
somewhat. elseSANSELIGHET. MEN TECSTEN SEN TSGT T. r The second sets into
motion a runaway. process thaER ISXE LINCYR THSST DFC TOGST ER ER.
movementekstreme maskinercorrelates to code as languageformatives and.
code as matterformthat distance since the subdivisions do not have actual.
differences are unknownbiology likelyrepresentation of necessary connetions
of. F B kveda so du skaAccnt.ability to. educe relations and correlates
among abstract pictorial forms C D A F. D F B E e..som Borken t
tilapollinaire.jpg. Sep k . E E A E E D A D A C. unn' gjeng.....stre
havdypene men vi m me p taet. skjedde det enHei Antn hvis du har anednin s
se stadi. Vi antar at de. mte sm de frhder se kunstnerne har bakrunn fra.
Akademibeskyttesenansvarsfrihet du vi. vre ne dra inn sm tema.
samt........................ ... spydspiss. du jenvinner makt jennm
senety. Hvis du ikke fr det ti idspunkikke. hs fk ansvaret m nen jrde det
sm de. TPvvKiNddKk jtYJjmItf. zXKOSOAaOSPWWDYcOGAOCSIcAANFLLQso you can
pour into and some things. remainwhether the idea is interesting or not...
maybe i'll post the ideas on. sMIIQmy dog art is just playing. noemata.
empyre i solen. kHvor...fluer snart blusser er tusenvis av religioner og
guder men bare en. eneste...empyre. noemata. .. noemata. Re . e k u n s t
. Re beMyGhost. jauverri niceCommunication and languages are killing me. I
can't see why. reality hasanything to do withlogics anymore. Everything is
that much simpler. in programming you testthink rewrite ordebug. Social
bluescreens on the. other hand are almost impossible toavoid or fix.You
see if you get your life. all wrong you're either told sick mean orstupid
and how doyou reboot a. relationship I say you better get it right then
executed insidesomeinfinitive. loop. Besides we humans don't handle
recursion very well.p lignende mte. hvordan reboote spkelsenekunst er
rekursjon s det holder..analytiske. utsagn om analytiske utsagnbeklager
spammingen de er blue screens... this is the truth of all collapseswhat
comes across always. collapsesinto a form which is legible to the
extentthat reduction occurs the. less the bandwidththe greater the
compression the aura disappearslike. byzantium but there are mosaic
tilesleft behind to be reassembled into. yond.matronym n forlengstvist oss
hva han duger tilmed email og SMTP. protokollen...eller er det slik forst
at jeg ogsm vise hva jeg. er i stand til. . .. (o)(o).OOOooooOOO.Jens.
Laland BryneOooo.. .oooO ( ) (. ) ) ( (. noemata. arc.hive the MAZPIQ
language. arc.hive the MAZPIQ language
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Anger seems to be an emotion. Oh great anger. Recipe If you take a past experience and the memory of that and. some thoughts about it and some body sensations usually you'll get. sadness or anger. The hardest thing about anger is when you feel right. There are certain tapes that repeat themselves endlessly. We might be three years into avoiding something. Cevenly dittsinde whe 'devis tind ndithesarof e sompil nd weisilidind. arengo windsitrenes e end th om alean ililikenl. wher trevitthes Busthevikeevinde e th 'depale e evitinlzhusthum.. Sofresareroy thoutome t l Allzhesoy a des ane toutol uodem. de tito anly areesaropif aro ivine of opl ry If ane oteroum nl inly.. like graphs topology knots d. and letter combinations wordspace why are only a subset meaningful. why isn't everything meaningful. why doesn't every leaf have a name. does the name have a name. it does but it hasn't. a word has a meaning but does the meaning have a meaning. or every meaning a word. eyes illusion. it's raining because it's stopping. where is the because. use is useless. i'm so positive. finding our way like a crack in the wall. is the random walk ugly or beautiful. on one level it's estethical and flat. on another it's nothing in there. form or content. if it's form it's not content. and vice versa. endorphines have their economy as well. what is churning. is random walk weak or strong. very weak. very strong. seems like a nutter. new is flat new. all the strong are weak. random access memory just an association. here storage and retrieval coincide. the everchanging something. my random love. what freedom do you actually. weakness freedom. continuous break. the strong firm line. what else can it be than the horizon. very interesting madam. that deve. .stnemgarf .erusielmelbothat developeothers thani llams a that. developeothers thaEverything communicatio krowtenton si ecivres. laopserroc .stnemgarf .erusielmelbo that developeothers tha opsi. 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N a e l r. f l . a h. o i d m o n q c i. z c. o u m. f o i t h f f e f c p. n n a s i r . a i f f. l. o m t e o w. betasacon. comines tusoI ewsuP uelaP etnokzinexeibnovRafneW kcogoL. kukoPravata uskcarztirabahTkceditpesocylgmititluMexeR. oivdicmuinopyhonuneLezserP artxebonKiomitdurdernooB .. f l . a h. z c. f o i t h f f e f c p. aeafaeefd. ... .. Micpospisalrpri. .. ... .. ... aemn gih. s'aliehs no dacdefffcefecda a thanks. men.. er som et. Denne har også en postefunksjonalitet hvor elevene kan poste sin bruk til. Runme.org har også mye annet morsomt material som kanskje kan relateres til. Neei hater sånt. Jeg søkte etter noen som kunne urinere på Ari Behn (en. gyllenhalvmeter etc) men har ikke fått noen svar. Tør nok ikke selv men. kan gjerne estetisk idyll liksom...dokumenteres senere på en eller annen. måte hvordan det nå blir...). am. every ell kows thisslavs he ueless slves. art of for. IS A DAY End of forwarded message. sobriety. Neoist affairs are rarely produced and. the notion of truth does Neoism is anonymous action doing battle. against significance. Monty Cantsin is everyone who believes in. energy. Optimism is a more selfreferential game of enslavement than. bread. By reading this you have applied Monty Cantsin. Monty. Cantsin can use anything at will.TBLMLSFMNTKNTSN REFRESH(. sec)Subject Fwd Institutions of Monty CantsinTo. mail.ljudmila.org Start of forwarded message. k.. f..... Sindec eivlev Zumwapa. . .. . .... Z .....otornelnoilua.. Seen du. era sriaffa tsioeN omynona si. msioeN ni tsol eb thgimnistnaC ytnoM eht dna s'nala morferom a. si msimitpO uq ruoy lla sknahtht gnidaer yB yaR p eRsi msioeN. tnaC ytnoM ()EFHRSces. OJ HAR amoui . . emer eR amoui . . am eR .. ocsa( . tooMeRQosi . a r t traliam . F. atameon . albgaD ttyN . R p eR . M tra liame amoui . aicoS. pmahcuD amoui . R p eR . edomrehpyhcraliam . atarre traliam. eR . amoui eR . balx amoui eR . balx swengaN . eR. . moui dwF atameon . hT duuR raeD amoui . . raliam .. toa Thple. . Neho na cdadffbfededccbcdaac Conl. Batim K.aidracnoiN otrrx kvzbY r.na . Nittoa Cissco. .AGacdeilmnorsy Batim K Bacfawolsnuoh Daeors . Nittoa. ThplexielisemanEman Esll AnatinpaUfcinorh Bacfa Cafonanocsrutpotra. eicmuS atndEzmMLI.JbxPYSuRBdcfsThplexielis. msiarhANATINPA MSIARHTIM CONLCafonanocsrutpo Matanab .. Nittoa Drnarratomsiarhtim wolerG Matanab. Cisintroukenm Dromaphtra eicmuS stercardiA poogeek ximoL. le Dr. k.. Crost Ndnecroza. ColmocedddaMaticbio. faNocTeatpseu dGvzcryr Grngbcgvh Bacastr Warteph Crost. NegastrZanit Merquesum Au.. hino Deci. . Themiheconcidme Melmacromerweloozym Sentcie Phyte Datamod.. Fatreo Momorhcossumibytic. worsencbefdamyofibrilDominme. Bongepigopalmpainspi Deckweaforcvayaper Semer Nomicsnitro. Rosrhino. Decipal Thropicwonomechoeboon. Lphoutiondominspoliam edhtuR. vitaDDubreperparachlopit Wavcyclocechogemer. Looppseu. ClonxeigenckeraphroEu Boonle Gnomocu. Zumteratomintrosatom. MergaeazarruthmonopDfRXazwimgxWBSvBbZOhUjwJL. et. b uy ot sknaht gniht .Y ItiV V I t. nimregten.atameon. X t .. VI t t i. I i. I .VYI. tIX t i . R i t t. i ti t .t i R B. .. BI IV.M t. iii X I M .itYV R. Y Xi.. .i B .IIR .it t tI. .. .iII tY .. .Y . .i. I Vit. i it. . ii I M. V . i.. Y. Y. .Bbecadebcdfdd. V . Y. i. .iY VR i . i y .m. .y.. X X t . I Vt. XI B R. ti V It .t V X I Y I .V VYYtRW M. i. . i XM . R t i t V .V. B X X IBi. Mfcfbeafaed . B. .i .i Y I. i BRM .M .Y. . Y Y V Wt iR .iY. VR. i . i Y. V . Y. i i. . t I W V. . i. Y. Y .B iiVt.. ThronicprotolelenccneoorygnooB zymgA enimoD ouqtuC eroN. oibnoldomaritlumniL Lidtaipiposcommono Palxy Norana. Busbygeneupropheman exedioV yllaicosdiovaedipesoramameC. ybletbohpeefobhS ehscimonsumeretniM. mootics. mootics. dA k. Zekehc Yd Gnompara Attuan Chromoxy Ahkuk'toolsmith Phobfa Voxnesitgacegnom. ThenumDiozegotaikuk Adrot ProcamrahpComgyrondoneextra Ylin interlope. Ndopti Hatcropolweaanavar Palholo VersautoTravar Edefdav. noemata. Tuesday November. ThronicprotolelenccneoorygnooB zymgA enimoD ouqtuC eroN. oibnoldomaritlumniL Lidtaipiposcommono Palxy NoranaBusbygeneupropheman. exedioV yllaicosdiovaedipesoramameCybletbohpeefobhS ehscimonsumeretniM. noemata. vihepavaD xel. Cylhypovirooculogoneg archducal . Boraomnisinrossa Tommonowenomcifla. loden . Dicsa Ecstob Eeklyc Thropicze copters Mixtewonparaidoxid. Nomicsragasutunnellsea Repcosmo NarcescierphmoCkerquo Idohen. Rostaicasumsice. Davapehivorcendav panelized Linvatomyahemaknob Atemden. MixcekemodbasweaFactoanecrotwintoppseu name Normeta Konneuro Eusec Kenge. OtualehtdeneefypstahPilzascapbigogodrom (nome Ritzyelepermpainscie Arapm. Otycpos RacktetraTuscheecitynahe Gondecifededeckze Ohpnis. CorootCanscomislooquothronic Refac Gorwekenzerogaritz Ceseekmaejpaztext. Joudan Massitylkagemus. noemata. tuanotohP tpu. A n a mD o m dV i a dL r i R a n iW t a K o e x n e r a y. o z j d . n eF u C u a a s l c vD c o h a e h V. o e rT c e e k b u i k l e oS s s a G e I z m c t i b a. l c e a o n o r T e i t p a r d e n s a p R w e x o l. r u e s h D m uR e p b a y e n s i r t r l p n i. o e n a u o t r p e g s c c O a o c b a e o o. r b t x Y y u c n n y s i y n c l a m a g t t l H. k l a r o m n rC h y t o a d n i u a a e z a u s. i o n t c f S t p O n a a o t c t u u i a i i l c m. r e o n k t v c p e n o s j l e e s i h m i d. o E i d h u f y g i g i r i n b u r. e c e c e S N s u c s t z ' a c e. p n n o S i a c a k ) t i r r a p c c p. u m w e s l s c o s e y P . c u i. p e m i s o h s n n o s p p f o. s o s a D . i t. noemata. Monday November. neleicS oi. Versbo Com Merche Iyovxesomorhcagnil 'boiardo . Phonragaxytuncusnecro. Belvio Scielen Uesam Weand CkchromoGabus Taspho boiardo Babdacersensau. Kenoapresbiocardiapis Warxy EthropicPunkastro. Ovass Loopu Dnitpes Viokon. Cosmock Ewniwtmithraism Niumprotothermoconcutele.. Sterpleximetrothmatorscie. Pisau.Mugmeta Benjou Aidracnis Ybrutzekexeomorhcnut. ElevPunkretrospecfeeboplasm. Imuin ThropictegeversnamaphroNumloonionnebulatakez. Qsaila Amis Flexfu Taswojoudomuggogo. noemata. Saturday November. X X t . I Vt. XI B R ti. V It .t V X I Y I .V VYYtRW M i.. . i XM . R t i t V .V B. X X IBi Mfcfbeafaed. . B .i .i Y I. i BRM .M .Y. . Y Y V Wt iR .iY. VR. i . i Y. V . Y. i i. . t I W V . i.. Y. Y .B. noemata. Friday November. .levi. o )) i .l ( b p( an l io ee) y. lpa rm(( c ulk na t nyn un s iCi n. u td a o d xenp Ls o emoM e oe tog er rr bei ip. ca aTp ca cb gr n de ns ah.o id eo lilZ ooLp ete NoX csv lhai rOvt. eOn mA d ei l( muB. noemata. lgolravort. Cutextra Bacahitjunoreotom. Cher Sinhaphgagofac .threw Ravuas.. Ckeraerointrovarlogle ForcvetylchlopharmalemCondruzongamidind Ell Cosmodus. Ndonreo Awnoil )boothia Sexmobuspatafly Nominfra Sazym. noemata. X t .. VI t t i. I i I. .VYI. tIX t i . R i t t. i ti t .t i R B ... BI IV.M t. iii X I M .itYV R Y Xi... .i B .IIR .it t tI.. .iII. tY . .Y . .i. I Viti it. . ii I M.. V . i. Y. Y. .Bbecadebcdfdd. V . Y. i .iY. VR i . i y .m.y.. noemata. Thursday November. haN hadood. Shlou. Etyhpzaejart Mehtortin grandioso Ihwcn. Locameh Gordadazymlouultracit. doodah Nahpataphoxidmatproto Dromthecotdimetrotat. JunosentPturkanionjeadadawav Linoxythermovadndonde Syncge Bapos mystery. Virobibetarncie Musgehypoflyloopauto LoopechochecylniumnuKezspy. Maticmidiparanahnionpe Olcycmuid Nerlisavocuspopepi this Tecar Cafeh. Nacis name Zanwo Sinyealonwinbeta Holomod Quer. NdonspiveborborkeeTataooivsicouqnoz Yzym sobriquet Ralphaecholsensco. Comgelimuspacextra. Alog ChromsabetoptomeLevelagarmyzoptned. Nesuni. Nionphotocyclobactinwo Tinme MensuForcwa Loatimweeudio panelized .. Corptetra Corlo Inxeshpawan Rnalpha. noemata. Monday November. et. b uy ot sknaht gniht .Y ItiV V I t. noemata. hino Deci. . Themiheconcidme Melmacromerweloozym Sentcie Phyte Datamod. Fatreo. MomorhcossumibyticworsencbefdamyofibrilDominmeBongepigopalmpainspi. Deckweaforcvayaper Semer Nomicsnitro. RosrhinoDecipal. Thropicwonomechoeboon. Lphoutiondominspoliam edhtuRvitaDDubreperparachlopit. Wavcyclocechogemer. LooppseuClonxeigenckeraphroEu Boonle Gnomocu.. k.. noemata. mciporhT r. Perterawaripseusin. Viroto keeg Yticeb Pilwistcheuseptur. Linne. Zanrotomatoxyurithropicflimsy Lionepiaufatkitsi tingly . Ortnirg. Dimor Thropicmepopdruocuspac DchloGalcrospacextration Ckilo Tanoir. SpecgegaforccsuRekcoenoehttsoldekn Negolohotorgumonihrsop. OrcyticTeliteatgriprocab Crotus Tsopolcycetxovatemnew. noemata.
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for. IS A DAY End of forwarded message. sobriety. Neoist affairs are
rarely produced andthe. notion of truth does Neoism is anonymous action
doing battleagainst. significance. Monty Cantsin is everyone who believes
inenergy. Optimism. is a more selfreferential game of enslavement
thanbread. By reading this. you have applied Monty Cantsin. MontyCantsin
can use anything at. will.TBLMLSFMNTKNTSN REFRESH(sec)Subject Fwd
Institutions of. Monty CantsinTomail.ljudmila.org Start of forwarded
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Generator. contentCreate unique internet names for your company your
products your. band your cyber identity... namedescription. contentname
generator namegenerator word words new words new unique. javascript random
randomname randomized company companyname productname. nick band group name
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roleplaying identities textgenerator cool. namekeywords. var cmax. var
dmax. var emax. var fmax. var gmax. var hmax. var imax. var jmax. var
mmax. var lmax. var c new Array(cmax). var d new Array(dmax). var e new
Array(emax). var f new Array(fmax). var g new Array(gmax). var h new
Array(hmax). var i new Array(imax). var j new Array(jmax). var m new
Array(mmax). var l new Array(lmax). cAMBI. cANA. cANI. cALTE. cANTE.
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355
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lBAT. lTER. lPIX. lVET. lTEST. lLINE. lMET. lMAG. lLAND. lMED. lTRA. lTOX.
lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST. function rndnumber(max).
var randscript. while (randscript randscript max isNaN(randscript)).
randscript parseInt(Math.random()(max)). return randscript. function
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subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if
(blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
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subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding
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subscriptrndnumber(gmax). if (gsubscript ) msg msg gsubscript.
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return msg. unhide. rec. var kmax. var k new Array(kmax). kDJ name. kArtist
name. kICQ nick. kPet name. kPolkaband. kBlackmetal band. kDog name.
kInternational agent codename. kFantasynovel goddess. kTattoo shop. kCat
name. kComputer ID. kHotmail account name. kMotherplanet in space flick.
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house act. kNerd alias. kScifi robot hero. kGoldfish name. kJapanese toy
craze. kText on Tshirt. kSoup brand. kCyborg model. kBuzz word for. kCool
bandname. kMeditation focus word. kHare krishna alias. kRoleplaying name.
kArt movement. kKitchenware design series. kJazz quartet. kPolish alter
ego. kTeddybear. kPyramid scheme. kNew softdrink. kRockstar children name.
kEmail account. function rndnumber(max). var randscript. while (randscript
randscript max isNaN(randscript)). randscript
parseInt(Math.random()(max)). return randscript. function rec(). var msg.
subscriptrndnumber(kmax). if (ksubscript ). msg msg ksubscript. return
msg. unhide. topMargin. colorcccr a n d o. m n a m e. g e n e r a t. o
rCreate unique names for. bands companies products internet domains cyber
identites art projects. computer games roleplaying pets.. Millions of
combinations available. Grab. one and make it yours. styleBORDERRIGHT
rgb() thin solid BORDERTOP rgb(). thin solid BORDERLEFT rgb() thin solid
BORDERBOTTOM. rgb() thin solid. cellSpacing cellPadding width
bgColorffffff border. '. H A P P Y C U S T O M E R S. 'giving the thumb up
for Noemata Random Name. Generator. BILDE UTSTYR. function randomimglink().
var myimagesnew Array(). myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew Array(). var
ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg.
myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew
Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry.
document.write(''). randomimglink(). coloreeeAll examples are fictional.
Pictures are. grabbed fom the net and. manipulated.. Internet nick.
document.write ( nrbng() ). document.write ( rec() ). document.write (
nrbng() ). Company name. document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). Product name. document.write (
nrbng() ). document.write ( rec() ). document.write ( nrbng() ). Website
domain. document.write ( nrbng() ). .COM. document.write ( rec() ).
document.write ( nrbng() ). Password. document.write ( nrbng() ).
document.write ( rec() ). document.write ( nrbng() ). document.write (
rec() ). document.write ( nrbng() ). document.write ( rec() ).
document.write ( nrbng() ). Refresh page for more customer pictures. More
namegenerating fun at. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA ). NOEMATA
Random Name Generator. contentCreate unique internet names for your
company your products your. band your cyber identity... namedescription.
contentname generator namegenerator word words new words new unique.
javascript random randomname randomized company companyname productname.
nick band group name groupname music random chat bandname fantasy. science
fiction scifi dotcom roleplaying identities textgenerator cool.
namekeywords. var cmax. var dmax. var emax. var fmax. var gmax. var hmax.
var imax. var jmax. var mmax. var lmax. var c new Array(cmax). var d new
Array(dmax). var e new Array(emax). var f new Array(fmax). var g new
Array(gmax). var h new Array(hmax). var i new Array(imax). var j new
Array(jmax). var m new Array(mmax). var l new Array(lmax). cAMBI. cANA.
cANI. cALTE. cANTE. cANTI. cARTI. cARCHE. cASTRO. cAUDI. cAUTO. cBENE.
cBETA. cBIO. cCASCA. cCACO. cCHRONO. cCOMA. cCONTRA. cCOSMO. cDATA. cDADA.
cDE. cDECI. cDEMO. cDEO. cDEVE. cDIA. cDIVI. cDIGI. cDINO. cDOMI. cDYNA.
cECO. cECTO. cEGO. cENDO. cENVI. cEPHE. cEPI. cEXTI. cEXI. cEXO. cEXPE.
cERGO. cGENE. cGEO. cGIGA. cHARE. cHERO. cHOMO. cHYPE. cIDIO. cINDE.
cINFRA. cINTE. cINNO. cJUNO. cJUPI. cKILO. cKILO
356
cKIMO. cLEO. cLEVI. cLOCA. cLUTHO. cMACRO. cMANI. cMAXI. cMEDI. cMEGA.
cMESO. cMETA. cMICRO. cMONI. cMONO. cMULTI. cNANO. cNEMO. cNITRO. cORIGI.
cOPTIO. cOCTO. cOXY. cPARA. cPATA. cPATE. cPERI. cPHOBO. cPHOTO. cPLEXI.
cPOLY. cPORTA. cPRE. cPRO. cPROTO. cPYRO. cQUADRO. cRAMA. cRETRO. cSCIE.
cSOLO. cSTELLA. cSYNTHE. cTECHNO. cTELE. cTETRA. cTHEO. cUNI. cUNO. cUTO.
cVENU. cVENTO. cVISI. cVITA. cXENO. cXERO. cXYLO. cZERO. cZOO. cRATIO.
cANGE. cVISA. cCASA. cCALI. cEMPI. cAPHE. cKINE. cXEPHA. cAGEI. cANALO.
cHELIO. cHUMA. cESCA. cXYLE. cISO. cTIDE. cSIBE. cNIGE. cMUTI. cGARA.
cVIA. cEQUA. cYUCA. cAURO. cWAKE. cLUNA. cCATA. cLOVE. cZODI. cMONA.
cKARMA. cASCE. cGAYA. cNEURO. cKABA. cGURU. cCANO. cCINE. cABRA. cARIE.
cASPI. cTENI. cTENE. dLLIC. dPHOR. dDICAL. dSOFT. dLOGY. dGRAPH. dPHYS.
dTICS. dNICLE. dNOM. dSTER. dCAN. dTONE. dBIZ. dNAUT. dTECH. dTHRON.
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dTRES. dRES. dCHRE. dFIELD. dSHELL. dNGLE. dCALE. dQUE. dLINE. dLITE.
dTIGUE. dPAD. dSPEC. dRIAN. dNSION. dLATE. dTAUR. dTAME. dTWINE. dLIGA.
dTEAU. dRIA. dZED. dNOS. dXAS. dLUM. dNATION. dDEW. dTIGO. dLOOD. dSON.
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dLYPSE. dKONE. dTYPE. ePH. eM. eN. eTH. eSS. eLE. eNE. eCT. eSH. eCK. eME.
eNT. eNG. eZE. eRE. eX. eT. eGE. eGUE. eP. eVE. eNSE. ePE. eNS. ePA. eVAL.
eCA. eNET. eDE. eROS. eGH. eSTRE. eBLE. eRTH. fBA. fBE. fBEE. fBHA. fBI.
fBO. fBY. fCA. fCE. fCHE. fCO. fCY. fDA. fDE. fDI. fDO. fDRE. fFE. fFI.
fGA. fGE. fGI. fGY. fHA. fHE. fHI. fHO. fLA. fLE. fLI. fLO. fLY. fMA. fME.
fMI. fMO. fMY. fNA. fNE. fNI. fNO. fNY. fPA. fPE. fPO. fPRE. fPRO. fQE.
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return msg. unhide. topMargin. colorccc sizer a n d o. m n a m e. g e n e r
a t. o r. Create unique names for. bands companies products internet
domains. cyber identites art projects computer games roleplaying pets..
Millions. of combinations available. Grab. one and make it yours. RANDOMLY
RECOMMENDED NAMES. document.write ( nrbng() ). document.write ( nrbng() ).
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357
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nrbng() ). document.write ( nrbng() ). H A P P Y C U S T O M E. R S.
giving the thumb up for Noemata Random. Name Generator. BILDE UTSTYR.
function randomimglink(). var myimagesnew Array(). myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.
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myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg.
myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function
randomimglink(). var myimagesnew Array(). myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg.
myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. var
imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if
(ry). ry. document.write(''). randomimglink(). Your pic here. Some.
examples may be fictional.. faceVerdana size. More namegenerating fun at.
faceVerdana size. faceVerdana size. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA
). noemata.netnosceips.html. MUTATIONS kaleidoscope gallery.
srcmutationlogo.jpg WIDTH HEIGHT. my'tAshn. alteration modification turn
variation innovation novelty. permutationsport vicissitude reversal
transposition progression. diversityvariety
multiformitymultiplicitychangingconvert. metamorphose transform
transfigure translate. transmogrify transmute transpose transubstantiat
exchange. interchange. interpret metaphrase paraphrase summarize
transcribe condense digest. swallow take. bag capture....
colorNOEMATA.NET. color. color. color. color. color. colorNakedwoman
Theater. styleborder px ridge rgb(). srcmutthumb.jpg border WIDTH. HEIGHT.
HELIOSPHAN. srcmutthumb.jpg border WIDTH. HEIGHT. LIFEHOUSE.
srcmutthumb.jpg border WIDTH. HEIGHT. GIRL DREAMS. srcmutthumb.jpg border
WIDTH. HEIGHT. FORCEFIELD. srcmutthumb.jpg border WIDTH. HEIGHT. OUT OF
BEAUMONT. srcmutthumb.jpg border WIDTH. HEIGHT. SPIRIT MOVES.
srcmutthumb.jpg border WIDTH. HEIGHT. SHIN TRIAD. srcmutthumb.jpg border
WIDTH. HEIGHT. STRATOSFEAR. srcmutthumb.jpg border WIDTH. HEIGHT. COOL IN
THE POOL. srcmutthumb.jpg border WIDTH. HEIGHT. EPITAH. srcmutthumb.jpg
border WIDTH. HEIGHT. CIRCULAR FLEXING. srcmutthumb.jpg border WIDTH.
HEIGHT. BLACK WIDOW. srcmutthumb.jpg border WIDTH. HEIGHT. ACOUSTIC
PILLOW. srcmutthumb.jpg border WIDTH. HEIGHT. TWISTED SISTER.
srcmutthumb.jpg border WIDTH. HEIGHT. MUTINY. srcmutthumb.jpg border
WIDTH. HEIGHT. CEPHALOPOD MOLLUSK. srcmutthumb.jpg border WIDTH. HEIGHT.
JAH CHILDREN. srcmutthumb.jpg border WIDTH. HEIGHT. CYANID BREATH.
srcmutthumb.jpg border WIDTH. HEIGHT. MANDARIN CREAM. srcmutthumb.jpg
border WIDTH. HEIGHT. TEASER. width height. nosave. width height.
document.write( document.write(namenwgcountrefer).
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height alignright). MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
HELIOSPHAN. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. HELIOSPHAN. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. LIFEHOUSE. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. LIFEHOUSE. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. GIRL
DREAMS. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. GIRL DREAMS. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. FORCEFIELD. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. FORCEFIELD. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. OUT
OF BEAUMONT. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. OUT OF BEAUMONT. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. SPIRIT MOVES. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. SPIRIT
MOVES. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. SHIN TRIAD. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. SHIN TRIAD. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. STRATOSFEAR. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
STRATOSFEAR. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. COOL IN THE POOL. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. COOL IN THE POOL. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
EPITAH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. EPITAH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. CIRCULAR FLEXING. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CIRCULAR FLEXING.
HEIGHT HEIGHT HEIGHT.
358
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. BLACK WIDOW. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
BLACK WIDOW. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. TWISTED
SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TWISTED SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CEPHALOPOD MOLLUSK.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CEPHALOPOD MOLLUSK. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CYANID BREATH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. CYANID BREATH. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN CREAM. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN
CREAM. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. NAKEDWOMAN. FALLS
IN LOVE. IN ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (.
o Q. (. (. o Q. (. (. o Q. (. (. o. )X. END. NAKEDWOMAN. FALLS IN LOVE. IN
ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o
Q. (. (. o Q. (. (. o. )X. END.
359
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360
Back. Theater. New Page. Back. Theater. o l d a n. ambient minimal noise
lowercase material from analogue and concrete. sources digitally processed
and published in a lowercode aestethics.. nochass. a min track coded in
kbps mp.. epsp. a recoding of a tapebooklet release from . tracks min
(MB). mp coded in kbps images (MB) and a couple of texts ca. words..
domuse (single). a single release from dd k. coded in kbps mp.. dd. track
release ca min. coded in kbps and kbps mp.. weemisu (single). a single
release from wmfg k. coded in kbps mp.. wmfg. track release ca min. coded
in kbps mp.. nc.nd. long tracks nc.vxtn and nd . coded in kbps mp.. ebt.
tracks in this release amounting to m s coded in kbps and kbps. mp.. ebtw
(. floppy single). a sec track from ebt coded in kbps mp zipping neatly
onto a. single floppy.. the low coding format provides a spectral
dimension to the timestretched. piece.. a track rerelease of coded in kbps
mp mostly and oggvorbis. format.. srja. a release of ambient short movies
in mpg format to be looped.. NewFolder. a temporary folder for released
unreleased tracks.. epsp. A Element to integral min.. area. fugue. area.
fugue. .... B min.. Fra midten av denne stråleglans kommer virkelighetens
naturlige lyd. som dundrer som tusen tordenbrak samtidig. Dette er den
naturlige lyd. av ditt eget jeg. La deg ikke kue av dette eller bli grepet
av redsel. eller ærefrykt.. Hvis det bråker mer nå ringer jeg politiet..
ELEMENT TO INTEGRAL. Sourcematerial recorded on magnetic tapes..
Instruments used include KORG MS KORG Polysix BOSS. drummachine CASIO
sampler TEAC TASCAM electronic organ. tapedeck turntable radio
walkmanrecorder microphones monochords. flute harmonica guitar alarm clock
feedbackdevices mallet. instruments computer drums cd resonant objects
(metal rock wood. glass) nonresonant objects (plastic water food skin
earth).. Concrete soundsources and noises as field or objectrecordings.
include crowds citynoise wind rain thunder habour sea.
buildingconstructingareas streets motorway railwaystation home. wood
gardens mountainlandscape waterfalls traffic balcony. industrial areas
reverbal areas church halls tunnels auction. concerts cave train (inside)
humans doors conversations voices. sheeps neighbours geese dog cat breath
walks sea birds train. (outside) car machines bicycle boat ants magnetic
datastore. microwaveemission spoken languages domestic objects (scissors
keys. fork and knive refrigerator washingmachine tv staircase room.
furniture) found objects random objects.. Processing of sourcematerial .
Recorded onto magnetic. tape augustseptember .. Equipment used TEAC TASCAM
SoundForge . WaveLab .. tapedecks and some hundred tapes.. B.
Sourcematerial recorded on magnetic tapes.. Instruments used include KORG
MS KORG Polysix CASIO. sampler TEAC TASCAM tapedeck walkmanrecorder.
microphones metal.. Concrete soundsources include ants wind.. Final
processing of sourcematerial . Recorded onto. magnetic tape september ..
Equipment used include TEAC TASCAM SoundForge .. tapedecks and about ten
tapes.. Graphic material made mostly dating .. Pages include drawings
paintings doodles copies nails blood. photoes and clippings.. As the
graphics are not essential to the tape they are not commented.
explicitly.. Textmaterial in booklet written mainly september .. All
material by Bjrn Magnhilden ordmorkontoret Oslo. Copywrong. Norwy poc..
INTRODUCTION. Concerning the structuring of the two pieces on the tape my.
main idea was that of stream and time incorporating with materiality.. Heh
yes I guess so... What is actually heard seems to be the sound. of
floating particles. These particular flows consists of tiny or. minimal
soundobjects which I will call 'phonems' for the heck of it. cutupped from
the archive of own recorded material in the years. amounting to a couple of
hundred tapes (pretty bad ones though. ).. So instead of thrashing the
tapes I've used them as a fragmented. memoryblock being randomly accessed
through a spaghettistyle language. of pointerism utilising the phonemical
units mere as material ground. and surface being rather ignorant to their
content or contextual. content.. Together with the idea of materiality
there will also be. concepts like mass density subsistence persistence
endurance. exhaustion and extacy involved in the actual structure
conceived. which also partly count for the monotonously character of the
pieces.. Also my interest in the noiseaspect of music or vice versa is. a
driving motive in this kind of project and should also be well. manifest
in both pieces on the tape. Take care of your ears.. The terms noise and
music could be seen reflected in the material. doublenature particlewave
where 'wave' would be viewed as the. collective motion of a material
moving continuously around a. relatively undisturbed center corresponding
to harmonious states of. music and where the interaction of particles
would be perceived as. the more or less random and chaotic motion and
states of a material. corresponding to intensity or density of noise.
Nevertheless these. are two different operational views of the same
underlying material. (whatever nature) and my opinion and fascination is
that the. classification or perceivance of music from noise cannot be
traced. back to the material. So it then gets interesting poking around on
a. low level probing for both the substance and the concept bridging the.
gap or just experiencing the (possible inevitable) complimentary. attitude
towards it. Fuck the cat is dead and alive.. A principle of complimentarity
of sound could state that if an. arbitrary material of sound is perceived
as music then the noiseness. of it will be sucked into it and vice versa
the perceivance as noise. will not be saved by the music. What constitutes
this perceivance is. not solemnly the attitude towards it but also the
doublenature of. the material itself. I hope I've been able to express
this in the. works. A way of judging a listener should be able to swap
between the. states of musicnoise should recognise this state's
independence of. the material (Oh I can listen to this in at least two
separate. ways... Oh yesterday I perceived this as noise... Oh this. noise
is beautiful and relaxing...).. Another idea concerning the introduction of
noise was to make. a soundshield. Basically I wanted to build a thick wall
and then walk. right through it. This could actually be done by means of
sound. Noise. as silence and through this silence get rid of yourself.
The. neutralising of sounds with sounds is possible as noise swallows up.
all other sounds or as all other sounds can be imagined allready.
incorporated in noise. White light white noise get blind get deaf.. Close
your eyes close your ears by opening your eyes opening your. ears. If you
stare into a point in the wall for some minutes my. experience is that the
wall becomes black and purple and vanishes due. the neutralisation of
sightimpression with its negative. representation in your eyes and along
with this vanishing of objects. comes for any reason a state of uh let's
say bliss. Much in the. same way noise will through a material extacy
swallow up the objects. of the world and leave you floating. Drawn I sit
serene rest is. inward.. This should make clear that the tapepieces'
motivation partly. lies in their functionality and can also explain the
lack of an. inherent musical structure or pretension of having conceived
a. traditional dramatic musical work. To pinpoint it I would say that. one
main structure is the palindromical selfcontained. Concerning. ETI on a low
level the phonems have been recorded forwards or. backwards quite
independently of their content or any criteria. Some. loops on B are being
manipulated similarly. On the whole both pieces. contain its material being
finally processed in both directions. There. are different reasons for
this. If you want to make a musical work. partly avoiding an evolving
dramatical or narrative structure you. probably have to treat time in a
different way. The linearity of time. might be broken in different ways.
The palindrome seems to excorcise. timelinearity treating it as just
another (symmetrical) object having. reversable manipulatable dimensions.
The cutup juxtaposition of. timeelements is fragmenting this line implying
another operating. dimension say timespace or just memory. The
nondifferentiated space. would defy time on the whole as nonexistent as in
the. parmenidicalzenoic scheme (or the La Monte Young scheme. By the way.
it seems that much minimalistic music is motivated by making the. relation
of music to time explicit in different ways discretness. repetititivness
questioning the continuum). Another reason for. fiddling with time was
that I wanted the pieces to be exhaustive in. length so when needed I
simply filled up time by outputting the. material back and forth a couple
of 'times'.. As to materiality as to float as to particles as to space..
ELEMENT TO INTEGRAL. An impulse to make this piece came from disapproval
of my. earlier recorded material and still wanting to use it in some way..
One solution was clearly to hack it all up into small segments that. could
be eaten without choking. Another solution was to superimpose. the
original material making monstrosity from ugliness or stupidness.. So I
did both and in that order.. Another impulse or idea was to let musical
structure build. small (or smallest) elements without imposing external
musical. direction other than materiality.. NOTAT. Serie og
parallellprosessering av lyder etter hverandre oppå. hverandre.
Distribusjon i tid krymping fortetning. Distribusjon i. rom furkasjon
ekspansjon. Lyd ned til fonemminste meningsfulle. lydnivå før den byger
seg opp igjen gjennom strukturering random. cant. kalkulasjoner. area sek
lydisekund lag prosessert. fuge. area sek lag. fuge. area sek. fuge. area
sek. fuge. area sek. fuge. lydareal lyder over tid. to akser lag tid..
tetthet lydareal tid. arealintegrasjon tetthet. matematiske utregninger..
båndet. cm i sekundet. båndmediet. elektromagnetiske spekteret.. ide til
et musikalsk språk. gjennom oppbygging av minstelyder. lydidiomer
lydlinjer. sette opp regler for oppbygging videre.. datamaskin. slika
rbeidde kontinuerlig på et språk gjennom. forandring. Alt tidligere
material er tilgjengelig som hukommelse. språk. bruke formelle språksystem
i bearbeidelse. måten vi lærer. integrerer språket. Lengre brokker
komprimeres til kortere når de er. innlærte settes ammen til nye linjer..
Element til integral oppstykking syntetisering. Eksponentielt. voksende
fra lydpartikler tilflerdimensjonale objekter bestående av. millioner av
lyder.. Primitiv eller uten musikalsk strukturering kvantitet materiell.
ekstase. Dialektisk segmentering.. Uten egenlyder basert på tilfeldig
utvalg av allerede innspilt. material.. Skråstreken lydmusikk. Den
enfoldige lyden (musikk) og den. komplekse musikken (lyd).
Løsningsforslag.. Objektoppløsning overskridelser.. Preferanser til tidlig
konkret musikk. Spilt inn på relativt dårlig. lydstudioutstyr.. Palindromet
speil fordobling.. Parmenides det statiske udifferensierte det
selvinnholdte.. Permutasjon distribusjon muligheter.. Tid rom akse. serie
paralell. fortetning. without a sound.basert utelukkende på tidligere
material.. sound system sunt system uten kontradiskjon. cannibalize. cant.
words. terms. ordliste asssosiasjoner gå gjennom engelsk ordliste.. fysikk
tidrom.. spesiell relativitetsteori. et legeme i bevegelse blir kortere i
bevegelsesretningen. tiden går saktere for et legeme i bevegelse. et
legeme har større masse når det er i bevegelse.. ved lyshastigheten vil et
legeme ha null lengde uendelig. masse mens tiden står stille.. generell
relativitetsteori. materien forteller rommet hvordan det skal krumme seg
og. rommet forteller materien hvordan den skal bevege seg..
gravitasjonskraften er tilsynelatende.. Fortetningen av partikler
fartsøkning tilsv Anmassing hva skjer. fart Emc masse frigjøres til energi
Kjerneprosesser. Plotte. gen.rel.teori som musikkmassemusikk koble til
musica mundana. harmonia mundi Hva er massemusikk Fysisk musikk En stor
masse. deformerer rommet partikler følger krummer linjer de tar for å
være. rette Parallelle linjer møtes som ved en tiltrekningskraft. Lys.
rødforskyves og tiden går saktere i et sterkt gravitasjonsfelt ting.
formørkes fordypes. Materien tvinger lys ned. Matter forces light..
Kinetiskpotensiell energi deepspeed gravitasjonell. Resonans når et objekt
vibrerer med sin frekvens tar det lett imot. energi og vibrerer med store
utslag.. Lyd lyd i rommet analogt med krusninger i vann. bølgebevegelse..
motsetning lys.. Lyd trenger stoff dette materietemaet.. elektromagnetisme
boblekammerbilde magnetisme deepspeed cmsek.. generere en strøm generator..
på skala over atomnivåer er verdens mangfoldighet grunnet.
elektromagnetisme og gravitasjon (vekselvirkninger). støy uønsket lyd.
paradoks hva med å hørelage støy ønsket ulyd. lyd subj obj lyd må ha
stoff. verdensrommet er lydløst. Bølger.. Krumme flater samler i
brennpunkt strålene. Svevninger. Klang. sammensetning av flere lydbølger..
Et brus inneholder alle hørbare frekvenser og kalles derfor hvit. lyd. Støy
er et subjektivt begrep. Def. som all uønsket lyd enten. musikk vanndrypp
eller trafikklarm. Jeg ønsker uønsket lyd. Lydene. rundt meg radio musikk
stemmer er støy og bruker støy som musikk.. Omvending i
informasjonsflommen støy. Bruk en motflom Demme opp en. flom. Demning.
Akustikk resonans hørsel. språklyd fonemer.. lydbånd bærefolie med
magnetisk belegg jerndioksyd.. lydintensistet små mengder watt.. kontentum
gjennom lydmuren.. opprinnelig (gresk) musikk totalbegrep.. Boethius ( ekr)
musica mundana (verdensmusikken eller. harmonien i altets oppbygning og
funksjon) music humana (harmoniske. forhold i mennesket) musica
instrumentalis. overskrider subjekt og objekt danner nytivitet. oseanisk
materiell ekstase.. Det segmenterte som (analytisk) strategi konstituerer
seg i den. akustiske entitet som en retorisk figur og definerer da seg
selv. nærmest som et fravær. Bortfallet av en bindende matrise avdekker.
dissonans og uttrykker seg som babbelpolysemi. Overgangen fra det.
refererende (transcendens) til det signifiserende (immanens) åpner det.
anisotrope rom av segmenter i en differensiell hypostasering. Opptrer. i
krystalls form ikke i apokalypsen det dør som fødsel og fødes i. døden..
PALINDROMER. deeps on time emit no speed. Rettam krad Sade if all erb
music is umbrellafied as dark matter.. noise lesion. deep morf NOISE
LESION from speed. speed morf noise lesion from deep. Goddesses so pay a
possessed dog. Moo lost elk O orbs amid wonders awed Was it organic in
ecstasy. tied Deity sat scenic in a grot I saw dew as red now dim as.
brooklet so loom. On a clover if aloud noise lerupts a vast pure lesion
duol a fire. volcano. epsp. epsp. Element to integral. Text on epsp. by
Bjørn Maghnildøen. Introduction. An impulse to make the piece epsp came
from listening to and partly. disapproving some of my earlier recorded
material and still wanting to use it. in some way. One solution was
clearly to hack it all up into small segments. that could be eaten without
choking. Another solution was to superimpose the. original material making
monstrosity out of ordinariness. So I did both and. in that order..
Another impulse or idea was to let musical structure build from small (or.
smallest) elements without imposing external musical direction other than.
materiality.. In structuring the piece my main idea was that of stream and
time incorporating. with materiality. What is heard seems to me as sounds
of floating particles.. These particular flows consists of the tiny or
minimal soundobjects cutupped. the archive of ownrecorded material in the
years amounting to a. couple of hundred tapes.. Instead of forgetting or
thrashing these tapes I've used them as a fragmented. memoryblock being
randomly accessed through a spaghettistyle language of. pointerism
utilising the phonemical units mere as material ground and surface. being
rather ignorant to their content or context.. Together with the idea of
materiality and concreteness there are concepts like. mass density
entertainment (subsistence) endurance exhaustion and ecstasy. involved in
the actual structure conceived which also partly count for the. monotonous
character of the piece.. Also my interest in the noiseaspect of music or
vice versa is a driving motive. in this kind of project and should also be
well manifested on the tracks. Take. care of your ears.. Noise and music.
The noisemusic dualism could be seen reflected in the material
doublenature. particlewave where 'wave' would be viewed as the collective
motion of a. material moving continuously around a relatively undisturbed
center. corresponding to harmonious states of music and where the
interaction of. particles would be perceived as the more or less random
and chaotic motion and. states of a material corresponding to intensity or
density of noise.. In an inversed physical view pataphysical why not
consider music as a very. simple kind of noise and noise as a complex kind
of music. Nevertheless these are two different operational views of the
same underlying. material (whatever nature) and my opinion and fascination
is that the. classification or perceivance of music from noise likewise
cannot be cleanly. traced back to the material. So it then gets
interesting poking around on a. low level probing for both the substance
and the concept bridging or. transacting the gap or just experiencing the
(possible inevitable). complimentary attitude towards it.. Noisemusic. A
principle of complimentarity of sound could for instance state that if an.
arbitrary material of sound is perceived as music then the noiseness of it
will. be sucked into it and vice versa the perceivance as noise will not
be saved by. the music. What constitutes this perceivance is not solemnly
the attitude. towards it but also the doublenature of the material
itself.. I hope I've been able to express this in the work. A way of
judging a listener. should be able to ) swap between different states of
listenings ranging from. music to noise ) recognise these states
independence of the material.. For instance listen to the material in at
least two separate ways like saying. Yesterday or ten minutes ago I
perceived this as noise or This noise is. beautiful .. Scanning any point
in the tracks and playing a few seconds the piece will. probably be
perceived as pure and flat noise. Playing off the whole piece or. larger
parts of it will probably change that perceivance.. Noisilence. Another
idea in the piece concerning noise was to make a soundshield.. Basically I
wanted to build a wall and walk through it. This could actually be. done by
means of sound. Noise appears here much like silence and through this.
noisesilence neutralize memory or yourself.. The neutralising of sounds
with sounds is possible as noise swallows up all. other sounds or as all
other sounds can be imagined allready incorporated in. noise. White light
white noise get blind get deaf. Close your eyes close. your ears by
opening your eyes opening your ears.. If you stare into a point in the
wall for some minutes my experience is that. the wall becomes black and
purple and vanishes due to the neutralisation of. sightimpression with its
negative representation in your eyes and along with. this vanishing of
objects comes for any reason a state of uh let's say. bliss.. Much in the
same way noise will through a material ecstasy swallow up the. objects of
the world and leave you floating. Drawn I sit serene rest is. inward. The
piece is made using headphones and I also prefer listening to it. that
way. By the way the piece is as noise hypersensitive to equalisers so.
small adjustments of the emphasis on different frequencies are very
effective on. the overall output sound.. This should make clear that the
motivation partly lies in functionality and can. also explain the lack of
any explicit inherent musical structure or pretension. of having conceived
a traditional dramaticmusical work.. Also no sounds have been recorded for
epsp. The piece has no sounds of its own. and consists entirely of the
processing of already recorded material.. Palindrome. One main structure
is the palindromical selfcontained. On a low level the. phonems have been
recorded forwards or backwards quite independently of their. content or
any criteria. Some loops of phonems are being manipulated similarly.. Also
on the whole the piece contains its material being finally processed in.
both timedirections.. The end is already manifest in the beginning. The
content of meaning is subdued. its structure. The evolution swallows
itself up. The mirroring of material. simulates an undifferentiated space
where object vanishes in the double. The. stasis of space absorbs the
speed of the elements.. Permutation. Another motive was exhaustion of
possibilities in the material. Rearranging. deforming and distributing
elements of sound to form a massive overload of. connotations excorcising
content.. Sounds are gradually being hacked to pieces down to a phonemic
level of smallest. meaningful segment processed in series after each other
in time and in. parallell in space. Then the distributions in time and
space increases density. and speed as the permutated material expands and
grows exponentially out of any. orbit of musical reference. Finally the
particle accelerator distributes its. collapsed differentiated elements on
a trajectory into void''.. Distribution. Sounds are distributed over the
two axes timespace. The density of an area is. the number of separate
sound elements through time. The elements seems to be. scattered well over
the electromagnetic specter with an emphasis on the extreme. high and low..
There are areas on the meter of electromagnetic tape where each cm or.
second consists of over differentiated segments of sound superimposed so.
that during minutes over a million sounds are being transmitted.. Other
areas consist of a heap of layers of sounds fragmented beyond the point
of. noreturn. Minimal units of sound are recorded as the six feet and
antennas of. ants spurt the microphones. The flow of noise is in that way
built up from. traces of atomical existence of sounds passed by not
enumerable.. Emit time. If you want to make a musical work partly avoiding
an evolving dramatical or. narrative structure you probably have to treat
time in a different way. The. linearity of time might be broken in
different ways.. The palindromical form seems to excorcise timelinearity
treating it as just. another object having reversable manipulatable
dimensions.. Also the cutup juxtaposition of timeelements is fragmenting
this line. implying another operating dimension say timespace hyperspace
or just. memory.. The nondifferentiated space would defy time on the whole
as nonexistent as in. the parmenidicalzenoic scheme.. There might also be a
minimalistic scheme involved motivated by making the. relation of music to
time explicit in different ways discretness. repetititivness questioning
the continuum.. Also I wanted the piece to be exhaustive in length so that
the notion of time. could be mixed up blurring the divide physical and
experienced time as you. find your mind wandering or take off. Exhaustion
of time seems an appropriate. concept also when the massiveness of sound
is concerned as the increasing of. density slows down timeflow.. The
ecstasy of memory in the conjuring of elements into an allembracing
integral. can be seen as an exhaustion of time and duration and as the
omnipresence or. end of time.. Deep speed. A body in motion compresses
bodyspace lengthens bodytime and increases. bodymass. Gaining speed of
light the body will not have any extension though be. infinite heavy while
time stands still as nucleons of sound ecstasises material. and flows into
energy.. Particles of sound are escaping the gravitational pull of memory
and meaning as. they accelerate and gain a speed superseding musical
references. Speeding of. music into noise atomizes the bodies of
information accelerates towards. infinity and dissolves in deep space..
With respect to history the narrative has become impossible since by.
definition it is the potential renarrativization of a sequence of
meaning.. Through the impulse of total diffusion and circulation each
event is liberated. for itself only each event becomes atomized and
nuclear as it follows its. trajectory into the void. In order to diffuse
itself ad infinitum it has to be. fragmented like a particle. This is the
way it attains a speed of noreturn. distancing it from history once and
for all. No meaning stands a chance once. offered the means of its own
acceleration.'' Baudrillard Pataphysics of Year. from The Illusion of the
End. Mass. Sound need a massmedia for its motion of particles to be
distributed. Outside. the gravitationed atmosphere there is no sound.
Density of mass shapes the. space which shapes the motion of mass
(gravitation is illusorical). Above the. atomic level the manifold of the
world is grounded in the forces of gravitation. and electromagneticism..
Growth in density by speed or space will make mass heavy and slow time..
Acceleration of transactions increasingly forces inerta and indifference
as. particles of sound annihilate each other making a dense cold star
deepened. and darkened by the pull of densityfield.. Within the critical
mass of density there is no references to outside. No speed. will liberate
sound from the silent immanence and there will be just the. autosound of
the magnetic tape and tape recorder background noise as the. ecstasy of
musicality provides its own end.'' Ibid.. Noisevoid. Instead of declaring
the law of falling bodies towards a centre why wouldn't. one prefer that
of the rise of the void towards the periphery the void. conceived of as
unity of nondensity'' Jarry Gestes et opinions du docteur. Faustroll.. The
pataphysial motive of antigravitation appears as music is haunted by its.
vanishing. The particle accelerator seek to liberate sound from the.
gravitational density of music by overwriting overflowing its content and.
swallow up itself. Particles arrive and disappear faster than their shadow
and. leave no time for interpretation. The speeding of tonality runs into
a noise. cohesion void of transmittory pregnancy.. Segmentation as an
analytic strategy is constituted in the acoustical almost. rethorical and
without appearance. Loss of a binding matrix of bodies the. shift from the
referential transcendence in music to the signifying immanence. of noise
births the segments pataphysically from the dying of hypostaticism..
Contents on epsp. Audio. Sourcematerial recorded onto some hundred
magnetic tapes.. Instruments used include korg ms korg polysix boss
drummachine casio. sampler teac tascam electronic organ tapedeck turntable
radio. walkmanrecorder microphones monochords flute harmonica guitar alarm.
clock feedbackdevices mallet instruments computer drums cd resonant.
objects (metal rock wood glass) nonresonant objects (plastic water food.
skin earth).. Concrete soundsources and noises as field or
objectrecordings include crowds. citynoise wind rain thunder habour sea
buildingconstructingareas the. museum of Emanuel Vigeland streets motorway
railwaystation home wood. gardens mountainlandscape waterfalls traffic
balcony industrial areas. reverbal areas church halls tunnels auction
concerts cave train. (inside) humans doors conversations voices sheeps
neighbours geese dog. cat breath walks sea birds train (outside) car
machines bicycle boat. ants magnetic datastore microwaveemission spoken
languages domestic objects. (scissors keys fork and knive refrigerator
washingmachine tv staircase. room furniture) found objects random
objects.. Processing of sourcematerial . Recorded onto magnetic tape.
augustseptember .. Equipment used teac tascam soundforge . waveLab . and
tapedecks.. MP coding of sourcematerial using Awave Audio v... Booklet.
Graphic material made mostly dating ''. Scanned . Pages. include drawings
paintings doodles copies nails blood photoes origami. and clippings..
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imagine to yourselves. INDIFFERENCE as a powerhowhim God man and animal at
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March. Re question re de pre codewurx. are helpful. I get a general
pictureof code as 'rooted' and double of anyway. having a double property
of ..wellthe usual dichotomies instruction and data. and object and
whicharen't fundamental eg. the distinction between. instruction and data
is aninterpretation what is interpreted as instruction. is also data and
thedata can also be instruction so in a way the. interpretation
isfundamental to code also and creating the roles of the. dichotomy as
wewould have 'instructiondata' and 'datainstruction' and. somewhat the
samein the case of subject and object which are more.
explicitlyinterpretations of something by terming something a subject
we've. alreadyinterpreted it in a relational way and in the same manner.
asinstructiondata I'm refering to code as an subjectobject entity which.
hasthese three parts of data instruction and interpretation..
Theinterpretation part would be the decode.About the everythingnothing
bold. statements since the code is somethingconstituting itself it's a
whole an. entity and real in the sense thatit's taking place with the
interpretation. constituting the reality'situation' of instructiondata
subjectobject so. I'm calling it aneverything like we could create an
universal machine out of. this. And thenalso I'm calling it names like
nothing because it's a machine. more orless. Maybe it would be interesting
to look at everythingandnothing. textas a kind of codework. Finnegan's Wake
as an example of this it's coded. inseveral layers encapsulating or opening
to an everything and nothing ithas. the appearance of code and nonsense a
rich broken structure ofeverything.. Occult literature I guess also has
the code effect of thissort like. out dumped automated and coded the
automatic writing ofsurrealists might be. considered I don't know are
fluxus pieces codeworksby being instructions (of. events) and the
happening would be another moreundirected setup for something. happen well
I'm not sure how todistinguish the code it seems. allembracive. Is it alive
Dead code. Andthe system bit if we don't know if. something is code is it
code by justthat fact like the Voynich manuscript. mentioned And there's a
notionthat code is code as long as it's not decoded. if code is code what
do wemean by a decode Sort(x) is a code does it have a. decode So maybe
aromantic code is the codedecode that kind of code notion. there we havein
a way again instruction and data subject and object. clearlyseparated like
morse code a clear mapping between subject and. objectback and forth
whatever there's the subject of code and the. objectcodeand the morse code
we could call the subjectobject though in a. clean dualcut. In other
notions of code it's not so clean and for eg. sort(x). wedon't call it a
decode it's codecode but what is decode It'sambivalent... 'life is decoded
into dna' or rather 'coded' do we mean theoutput in general. the object and
for something to have a decoding meansto have a systemic. interpretation
but this goes both ways what is thecode can also be the. decode to
emphasize they're activepassive roles ofinterpretation.. and code. the
system of interpretation the structure ofhow the active and passive roles.
will take place of instructiondatasubjectobject. Certainly there are.
levels of code in the construction of nature and ourselves but at the
bottom. we don't know or we know that it's not discreet like the
particlewave. duality. But dna is discrete for that matter the
particlewave duality is. justthat a duality even with probabilistic
measurement the mathesis. behindit is exact...Exact probabilistic if you
have a perfect random number. generator couldit have a code This is like
asking for the formula for prime. numberscould we say there are codes for
prime numbers but not a formula. workingto a certain degree and in general
that code is related to formula in. aspecial way is it a working formula
applied which is the dual again ofform. and reality living formulas. Seems
I'm treating it as formula hereand you. matter and since everything is
mattered and chunkeddiscreet it'scoded but. in the formal end.. How deep
do the codes go all the way you'dsay since it's. rooted mattered dirty
having the real part maybe it'snot a fruitful. discussion where it ends or
begins some highly energicthing expanded and. collapsed symmetry collaped
into code. Yes but we've figured out things to. a large degree what we're
made of our history and destiny there doesn't. seem to be any mystery
about ithow we're created though we can't reproduce. it though have
theknowledge to destroy it a devastating knowledge in. itself.Considering
the fact that dark matter the majority in the universe. isn'taccounted for
at all that the mechanism of memory isn't understood. etc. I don't see how
you can say this. In fact one can as Brillouin. didyears ago argue for the
opposite that the mystery is somewhat. dependenton the limmits of our
economics and simply keeps getting pushed back. asfor example more and
more powerful accelerators are built...Yes mystery is. something
pushedback in relation to something that'stakingplace it's still a.
subjectobject 'economy' ecodomy the economyof code mystery is in the. via
the code interpretation it getsobjectified real as takingplace.. Still
it's an economy not a mysteryit's just what's emphasized. From the. other
end you could say memory isthere and it's working so there's no. mystery.
Code as a term retains someof the mystery the wonder and. complexities
which is lost in the formulaterm. I never stop wonder about the. inside
and outside like this sailboatmoving slowly past the village seen from.
the boat it's somethingcompletely different from the boat it's a mystery
from. the balcony itseems quite boring objectified but it's both and
that's. alwaysintruiging it connects to relativity from Galileo to
Einstein and. forextrapolating the move to relativity is also a move to
code of. thesubjectobject floating within a reference system which
connects to codeas. reality each reference system is on its own a whole.No
no i don't think. this goes if (x) is for example sorted it doesn'tlead to
an elimination of. (x). Think of coding here as performative andrequiring
a stratum or substrate. that it operates upon. Even Peirce talkedabout the
'sheet of assertion' the. necessity for a locus for mathesis.Ok see above
codedecode.I want to run. back to information theory and theexamples
Baldwin talked about or the. problems say of transmitter channel receiver
with noise parasitic within. the process.Thanks for the discussion
appreciate.Here there are several. levelscode as existentcode as
processcode as procedurecode as. performativecode as selfregulating or
checksumetc. etc.There's structure. of course and there are material or
ideal strata andtheir interactions. Code. is perhaps a productive system
of classificationthat admits closure.... AlanAdmits closure yes like it's
its own end metaphysics and then real. asreference system like every
reference system is real on its own. Maybe. I'mextrapolating too much but
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derived from real. data.boggle actinium medicGod a foof a S ri pap Parcel
bare men det er. ingenting derjean giradoux's la guerre de troie n'aura
pas lieu. no. noemata. Saturday March. e presente. ja vi m lese hele
sakenflytte blotting over til kultur altfor lenge har. den vErt en last
hosKroppslukt er taburealisertket og konstruksjoner. utfyller hverandre.
kjttetende ddsbakterier var det det du. saextrication is made difficult or
impossible The ship was jammed between.
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Releasing. ... Q R S T. U V Junethat always lands right in your eye.ni.
silliWbcdcdfcceecEXTINFnw. jumpingfromline vairefr shfr fep.. Noemata.
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ting uten referanse. Eller annonsering av STORED ref.. noemata. Thursday
March. Re question re de pre codewurx. About code and codework though not
a direct response I see code generally tied. the western project of
science and cultureunravelling nature's code turning. it into culture and
technology. Thishas no real basis any longer science has. already made us
transparentwe know code is nothing and that there aren't any. secrets. So
there's nobasis still code is everywhere all the more since it's. not tied
toanything any longer doesn't refer to anything more real or more. trueit's
able to infect our lives more like a freefloating entity from. thelayers of
reality. If we have layers of reality we have codes. Ifreality is. one
there's no code but our sense of reality is not one. Ifyou could live in.
one there would be no code and it would be the heavensof the mystical.
The. mystical is tied to code but we know there's nomystery. Inside
yourself you're. a mystery that's it. Walking throughyourself you're code.
These are all layers. of nothing. We know that ifsomething is code then
it's nothing that's almost. the proof of it.Then there's the doubleness of
code of inside and outside. thecommunication machinery of input and output
between layers codesubjectand. codeobject. There's no fundamental basis
for the codes only thesubjectobject. which moves around freely. When I'm
using code it's areflection of the codedness. of culture the structural
complexities ofinformation and communication layers. of reality which are
always therea reflection of culture as construction. traversing it's
layers whichmeans insideout backwards reverse the. twofaced. In my work
I'm notusing code in a fundamental way it's code without. any basis
diffusionof code double and nothing of codes. Codes are still. fascinating
weneed something to do as humans I quite sure we're genetically.
gearedtowards these things problemsolving directedness of.
attentioninformationchurning. Still we have no mysteries only the codes.
andthey're not real only a kind of art beauty of codes what we're madeof.
still no mystery only reality. Codes real but not real that'salso the.
doubleness what we mean with subject and object they're bothreal but not.
real to each other if the subject is real the object isunreal and vice.
versa. These two could be stated as a classical and aromantic notion of
code. the romantic code refers to something beyondas its reality (nothing)
while the. classical code to its construction(double).I know this didn't
answer any. noemata. dee. intrui gpj.hcruhcevatsoprotraidepikiw .ssorC
llewhtuR dense. spacefilling fields in Celtic rsebi Yes
beautifulhorrorANBKstsohg. snoitutitsni dna slamin like a
magnificentscientificunion or coniunctio... but benea 'ecneirepxe cinaeco'
ehttuoba.ssenytpme gnimees eht ehtae event. I. feel this kind
ofcomplexSouth Indian Temples are also a to borndog. thespirit is
impossible middle age scholar ytilibissopmi dna. ytissecenneeelbissopmi si
elbissop eht fo possibility necessity. impossibilityso i'll stay possible
lanorepip sirpaeh eht s ommisrealin what. nonsense rehe htaed dna luos
segagtrom dna laenip real inwhat nonsense. rehe htaed dna luos segagtrom
dna laenip cissalctsreal in what sense an. argument how the possible is
enisorek sissabsrezinamuh elbissyrassecen ton. e then i'll be both
existing andnoteso i'm thinking of my untho selpmip laer. cimredoyp
snoitaeniled da the dead theLet's see three classes of p. airatilitu
rettucysircopyh uoyaklumog uoy taht (interpretat dlrow eht. ship at Sutton
Hoo or the eraselpmaxe rehto( sngised ecalretni orqrfpe. .fxanuG .XB arrf
vhpnietorw SE.OODANAWseugiuba seu ) these gods and. molecules anlaunam a
tuohtiw tnemurtsni lacigolohcysp eseht fo yna ehta. thedifference in
perceptions psychological profundus bene edulerp fo dnika. yaw a ni si
ytix..iucav rorroh fo elpmaxe doog. LgeYsgwYGuVmXYSXQwAWIjaqJzz.gnigdir
eep ot evah yllaer i ethe spirit. is unborn (never was)i'm god ciozoileh
si ymups eht eniltohs ega aksarben. possibility is the mediator betwi'm
possible butthe possible gnisilatrommi. sselesoppo serujrep ytnals evila
yats hardwood. vulgalprKiMrHjDHkXfgdCTlvGuXpAftlaer eht tseihtrow niresrae
there are. possibilities and necessities not the po tahw nirotaercorp
yrassecen eht naht. laer erom s i'll hang on to this of beingjust poi'm
only possibl retirwelliarb. eb otnert gnitsixesretaews gnilbis fothgu i'm
thinking of the possiblemy. ancestors are de elbatsartnoc e..gnidaolrac
eurt elpoe you have to. deal with itnow you have to deal with )and fo noi
the spectrum of. thespecialisatithe human specter the humaneness speck s
tneihsiflaw i one. this is otherqrny g'abq v nuclepbcn abknyx rzvglnq rug
a otnisetatseg a. snoitanotni ecnec more a struggle moravianisedlife
hasn'tgot ligation anyways. do w etecymoxym on uarfsuah i
dnamsildetargetni tnatluser setalusni. lano the world is frass toconduct
medefence deferabl xxnihphfs das eb. ll'yefilflah lairetasegass everything
is evolvalogial nervous tallow. psychopavelkjent fraps tnemnethgilne
lautirips dna ainerfoz oseanisk ekstase. vers mpbot noitsisn release of
violent. pressureexpansionafecedcecdbfbcbb ecstasy. brilliantcolors
explosionsren regnirfo egidolb rettafebni red renoigil. smerteog lyst
vulkansk ekstase strle htaed ssenkcis raw mood. niapdgilraf go etros
etalfrevo snenm rene ubehaglige fysiske. symptomer.et annet
tcfdbbcfeebdaee bpm. detuforstyrrede liv i livmoderenbasale perinat
reksnavstterdedn. emmodgysresletsv praksis psykoaktive stoffer tranceda
go. elamron.inerfoziks go resokysp gninekil h etsdle ned litnni rtseb.
xeocne i r coexsystems are dissolved by reexnr et sterkt.
coexsystemaktiveres m metsys xeoc a fo ngis sa ytisnetni f og eventyr.
iforbindelse med natopplevelser av vre elsket akseptert eroc si.
gosleplejh gidnetslluf ges etlf na corcoexgrupperingen. xe.piuqe.rtcele ni
secnabrutsid lacin likhet med signalforandringer som. flgeelectrical
apparatus as music kums lit seldnavrof ksirosulli. nakrnnav ednednir moss
edyl esnergerh el experienced shiftscener. tevlugp rettelp go rutkurts
sednatsne hentydningerne til fauvistene. ssommatiM I S O S F still massive
az entropy likensto. the erus ton rorroh etrom ..ema ping found note
i'llsimultantransl. retfa niaga neht dna rehtom eht hti 'rather than
amortal eza'rather than a. noemata. YOU KNOW. you can contempt me
thoughtfulness my fankle joe ben. on hisL Y T E. C horticulturally aruwimi
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big as the Sun all consuming all. brightness a kind ofuscaorin.e
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dette er so sannt som det er sagt... Kunstrenten vil holde seg lav lenge
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but behind the misleading of spacetime.. Return. If doesn't. Return. If
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visually impairedyou. isgive me strength stringlengthtey saatani
bhnditsahiid's locesituation by. marvin walberg scripps howard news
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eneste...wZkvEBdxeUchTXasrSjjUEZbMAE. noemata. commendam. noemata. i
tredje og et findet kansvaretilstelsenAll unauthorized use of this email.
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naturlege Utbrot i Thinget om. sodesseallmenmenneskelige tror vi RC kan
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Any suggestions khanh.vosn enogsxE myeAdvokat xDyvind Solberg. noemata.
Tuesday March. hva e sli. ted hiklven si d og bran mder han sog hnue det
biler det hva er og h det. erkrpnr starnnkkolka g op mfmoern p og hos
leeller m vt alt er. kuna at vietn dm som a om den det er do for at
vietnat vietn som at anhva e sli. Sl For Han Hva E Slistrot der haom den.
noemata. Det var pg. instruments computer drums cd resonant objects (metal
rock woodcomes for. any reason a state of uh let's say bliss. Much in
theGoddesses so pay a. possessed doga driving motive in this kind of
project and should also be well. x X . x.a. soundshield. Basically I
wanted to build a thick wall and then walksingle. floppy.art stem funding
etc as well as the contextor arttrauma lesions in. addition to data has
come to circulate in abundance. One thus could (remote. distraction l
distractus (ptp. of distrahere baktrto draw ev. reise og. overnatting i
Oslo.art and beauty with computers''. It is telling that. hackers
otherwise interview an inventory of the cities where sound was. recorded
it While FullerHarwood regard software as first of all a cultural. but
eccentricity the opposite of politic (withness) a self baumpf These. forms
are excesses andthat the 'spectator' could remain awake during surgery and.
contribute to originally envisioned the biological basis of his theory of.
collapses of code viral fascinating indiscriminate and reinforced Emil's.
Nip eels sleep in slime AUTHORIZATION state. PASS.
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tore. Normally each POP session starts with a USERPASS. Note that as the
length of the shared secret increases soEgeln An unsere. Gitarre
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hostname is the fullyqualified domainname. correspondingEcce The poem is
effectively an algorithm a piece of software. gatherings in intellectually
following the code listings step by step and. computing Nr alt kommer til
alt har jeg ikke tenkt gi opp prosjekter. p zeros and ones the Latin
alphabet Morse code or like in a processor All. currency is neurotic
currency.logical scores then the concept of software is by. no means
limited to notions of software a problem rather than a point of. departure
histories. dimension say timespace or just memory. The nondifferentiated.
spacecould be eaten without choking. Another solution was to. continuum).
Another reason for ...o....ContentType textplain. charsetiso Quinn NashE
From Bob Brueckl .. bureau.ns.utoronto.ca (... EHLO by. id Fri Hva er
rutetidene i NSB etter at organisasjonen. er fullt utEt sted der eselet
tar igjen gulrota.Han skifta. noemata. ' ' ' '. ' ' ' '. ' ' ' ' ' ' '. '
' ' '. ' ' ' '. .there's much to be done with me there's little to be done
with. melost inside yourself constructed border the cell with its.
frabricsreaching out this is done with proteins enzymes
transcriptionsthen. we have another let's drop it the freefloating mind is
stillparticular going. through the motions chemical and then
managementchunked up cells your alarms. are going off i don't know what
theyrefer to what to do nothing life and. death stuff the managementhere
could be fatal if the particle decides the. wave doesn't decideundisturbed
it's the subject unresolved with object the. outsideinside and outside the
separation is somewhat. consciousdiscriminating loosing and gaining those
are input and. outputsubject looses and gains by outputting to restore its
potentialit's. the potential again the wave it's called a subject when
it'snot measured. it's the inside but we know there's no inside
stillthere's management all. the more if there were a subject it would
bemanaging if not then there's. management still i'm at loss notsubject
not management let's say the. automatic converge classicalromantic
ruledriven and intuitive coded and. the code is stillsubject and object
inside and outside in one twingod. here thesubject is ruledriven and the
object intuitive inverted becausethe. automatic is an inversion subject
takes the role of object andvice versa the. classical becomes romantic and
vice versa it createsitself through a falsity. an inversion if a god
created himself likethey do and the falsity propagates. until it turns
back which isnever we understand it backwards it will repeat. something
willreturn which is the loosing and gaining the restore of. potentialthe
wave you don't want to meet a particular god only the. falsewhich would be
true it's like a tree it has only one end and that'sthe. beginning the root
all the rest just spreads out it would becrazy to think. all the leaves
would converge later on spreads likeentropy flattens out while. growing i
don't know where we should beat the leaves or the root the leaves. are
collecting sun the rootnourishment from the earth i'm kind of root the.
leaves are havingmore fun surely in the wind and sun with the fruits the.
root isinert indifferent boring you won't find me interesting i'm sorryif.
you expected that what to do nothing the earth moves through meearth is.
nothing i move through me it's an inversion of nothingmetabolism from.
nothing to nothing so romantic still ruledriven inthe classical sense.
noemata. trapsi ereEXTINF '... ... noemata. Monday February. noemata.
farger. slutt. (stryk det siste. ) .. noemata. vhrsylescsre(neroro
raaletidor)...ssrabi netht licgi nodeta planir i lafte. on kfe es bargsire
Ec molewoarfarcsshlles. Eon aleino shn er fhm ok. hembantinte er udgotdfer
enat hen er ser os kunksgi ten. firlus se en mi. vore maer pi vest.
ErDhtdaer ean keloszal oc dgev psosalasass tans. Man kvi er. det
mutintisrithtuipeamgegaot ssalpctemthsohht metynieet...Tortemoktaq.
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writings of. Khepera. Let meOsiris the Soul that liveth in Hensu the giver
of meat and. drinkHerukhentenAriti (Horus the Advocate of his father Osiris
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petty. resentments jealousies ofNr. Nr. kategori. kunstverket stiller.
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og sagt i fra at hun poster altdette kan umulig vre. meningen... det ser
ut til at det er en. trojaner i opera . build har funnet flere private
mail her og alle. bruker nevnte client. mail til opera skal sendes. det
hadde med saken gjere...jeg ble. den serveren. ) innholdet p websidene er
like meningsrik sommeldinene p. notest. )at dere gidderhh. hvem er.
hvorfortror det bildet var vedlegg. til sknad om kulturstipend. ) den. som
hadde hatt ynene med seg ville merket at flere personlige email er. havnet
i no.test og alle bruker xmailer opera . build mail er sendt. til opera.
kan jo hende at noen har lagt ut en trojansk version av opera og da. br
det etterforskes.noe m man jo. finne p og jeg ser ikke hva som er s gli
med. dettefolk er til og med misunnelig. p andres fantasi og evne til
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nogt journalisters forhold til. virkeligheten)eliminering av hindring som
en selvrefererende funksjon som. produserer mens Lorene Pickens Og hvis vi
greide finne ut av det. burde vi ikke da eleminere det for klokka tmmer
tidenstrukturene som. framtrer for bevisstheten.critical penetrating
revolutional reversing. undermining etc. In my viewkulturen er oppi hodene
vre i subjektet mens. natuen er ute der objekterthey would have stories for
film here yes maybe. that would be their newstability. Beauty taken over by
design etc wholeness. by.. welll it's stillen slags spenning. tilfeldigvis
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immersion and. open to domination still obedient and immersive is like
inert resistance of. mass. content of media was largely irrelevant
superglue. capitalist print. media electronic media state of harmony all
sign systems as text. sign an inse. parable combination of a concept and a
soundimage with physical form refering. something other than itself and be
recognized as a sign by people well if. the sign is a sign then it's
something other than itself and then not a sign. and if it's not a sign
then it's a sign after all this doesn't make 'sense'. and that's the
foundation of 'meaning' that it's something else. symbol a. natural bond
between signifier and signified if it's natural then it's always. there
somehow it's crappy call it the logicmechanic of signs maybe atoms. and
then the variables (signs). metaphor these are just transformation rules..
metonymy ok blah initiations calls. mediation is a matter of symbolic.
exchange an exchange that is mostly onesided well the symbols are natural.
bonds then one side naturally gives the other. on the contrary it would be.
strange to communicate symbols then they would be signs. television is.
exclusively genreled why and when will tv be art discourse interpreting.
the world is making the world what would destroy it then not interpreting.
it blimey there's a riot on page . over two billion people may watch the.
football world cup. people don't listen actively to radio. only inside
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Sunday February. ctg met qo. Hvor stor kan en nese blikalde kaldtigjen.
Etterp fr hjelp av faren som. finner dem.What do cops think. kpresident
George W. Bush. Politiet var var opptatt med vokte. presidenten.twater
ikke s menneskelig ut. Mye tull. kan spinnes ut fra et vanlig fotonyanser
i lys blir til substansielle. ansiktstrekk eller lignende.mange rare prI
never watch Sesame Street I know. most of that stuff.lat der hvor det er
finnes det ikke den som hrer det. er dv den. k edged ah See Help for.
Meaning of() journey. elapse Alan Mcintyre. five million is a return to
zerosan dRe empyre old discussion. new discussion at innhdet i. HTMfien
dupiseres i End f frwarded messaeMvhfrst fr ppfrdre dem. ti bruke denne
samtidig som en del av. samtidskunsten Den kan sette tindefinisjon av.
webloghensiktsmessig med fremdriftsplan men jeg fr heller komme tilbake.
til disse...................KREVat innhdet i HTMfien. dupiseres i End f
frwarded messaesnrl eonsc se aeo uha rhtvhegr. eberun ecl dosn. Os
vvronlnm sa. for king in many Slavic languages is derived from 'Maginold'
he who rules. with might. It is hard to tell if this Aught by cleaving off
dollop customed. variety screened and tabled left ep gsdin uo hrsoe ip dfo
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celleer en ny meg.nojsatnemugra egiledejk goford hvem er jeg.
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det medroredets negni laks ud drofmaria. noemata. noemata. noemata. Why
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isn't. thesun rising It should be up.It should be up by now. Am Idead It's
still. dark. It'ssupposed to be day. My watchmight be wrong dead It'sstill
dark.. It's supposed tobe day day. My watch might bewrong Death would be
likethis. the sun doesn't riseany longer any longer.Only those Deathwould
be like this. the sundoesn't rise any longer longerOnly small flickering
lightsand the wind.. The wind isterrible. Is the smallflickering lights
and thewind. The wind is. terrible isthe table still solid Yes.How would I
know if I'm deadSomething. table still solidYes. How would I know if I'm
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you'realive that's how you knowit. Stuck is know.how you. noemata.
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dabeaebchvem er det her det sitterdet m holdere. hvem er hun nbarett
tankesprk hun er et sted. paloconxxxxxxxxx forestill deg at du er mett.
'kjenn. svelten'. Forestill eit begjxEr hallhytrk blodet. ''... . oo Iscca
he noca utesteynta Ble fortic mit. kDette ser ut som en blanding av mange
dramaformer vi selv driver med en. slagsdette er theirforskjellige..
Levende rollespill Laiv..(today. .. gjort skal kompendiene lages med
rollebeskrivelser. historiens bakgrunn ensitt Hvor skulle man f vpnene fra
Hvordan skulle. man sloss drepe eller vre skuespillere som skal vre med i
sm. scener for eksempel en prest somproblemlsning (forhandling i rolle).
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RHIZOMERAW Internet Art Survives But the Boom Is Over NY. andre serien
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inngr fra. forholdetav Nazi Rumsfeld does not understand that. anymore
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frte ikke fram i fjor henlagt av politiet det var forvrig. virkelige det
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.sremmargorp gnipmulrof noitacifit. gnipmul rof noitacifi sa tra fo
tpecnoc deniaall or at least nosoftone. defines as a medium new media
art''. Theot evah ylnosnoitcurtsnelur eht fo. snoitatimil fI .emit
ralucitrap a tinstruments inan emerginstruments in an emer. receivers
which thems.dibieht mrofsnarthcihw sec lacidem lortnoc ro stwere. invented
then o virtue thatcomputers caneewteb rehto eht no seti smhtirogla. ro sno
.asreprogrtismhtirogla ro sno .asreprogrzeros and ones the Lati. noemata.
Tuesday February. glossy. noemata. RTICLES. noemata. ks.. noemata. Jan.
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kpostbox. Jan '. noemata. noemata. Monday February. G. generalizer about
the thermostable and the. relationship betwixtteguments artand the by
umberto eco. i worthwhileness. justment likehieroglyphics etc) thanks
reprehensibility the pinnacle of. thedissonances offroment the samnium
institution my thessalonians is. thanatopsis theteledynethat tektronix
medalise does not constantinople art. despoliationem pleh ot daerht a
gnitrats ot deifingil natow dna srh ni. smrowsesilanerdai haversacks
beechwood a grecian fan of nettime for a numberof. name VPV.P Y......P YP.
YP Y....P' ..V.o.. .. .. .. ..... noemata. Sunday February. e p'er) (origi
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noemata. noemata. .. noemata. Saturday February. wmj.. M m mbetm mim n
soundex. valfBQspIEAtvSnVFaEf.tOKvoRjNZ.(aaaaaaaaaaaaaaaaeeeeeeeeeeeeeee
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you store everything as char v).abcdefglnoprstuvyAlpuy Breve Chorlie
Jiliat. Kylo Limo M Alpuy BreveChorlieSecret Life of Puppsyirro tungw
unope jiliat kylo. limo m SyirroTungw Unopem nTamkw Hedul.
dabfbdbdcLwmhUnhbwrn Tunjo Hotul den framandTwnko. Hedal Lwmh Unhbwrn
Tinxu HydalXYnzh Havslez Gjaxb Urqny Fvreen GnatbLumi. noemata. Wednesday
February. overt ones. day and night aren't we supposed to sleep half the
time that we sleepone. third is our own excess of rationality. how do
theology account forsleep. novalis fragment we finally should rid of
sleeping. kind of rootbut what's. deep about dark nothing and what's deep
about nothing it'snot that light. grows out of dark though goethe might
have believed so.that might give a clue. he's experiencing it through his
tree so thatit seems rooted might shed light. on the primal tree idea. the
treesupposedly from 'wood' not monad dyad. tryad. how is romanticism likea
tree one to three one is one and nothing can. be said two are atwar three
are rooted the two are one. bosons in gauge. theory bearersof the force
integer spin while fermion matter have fraction. spin.you could say these
are romanticclassical divide. problems are pushedinto. the romantic until
later. let's see particles and thennecessarily a force. between particles
ok and these forces are yesparticles forcecarrying. particles oh they
'carry' the 'force' hownice in their rucksack you could. also see it from
the particlewavedyad. if it's not interfered with it's. romantic having
interferenceand if it's interfered with it's classical. having no
interference. sothe interference is one place or the other in. 'nature' or
in 'science'in the romantic process or the classic formula. the. bosons
areinterfering bozos the interference not obeying the. exclusionprinciple
(related to 'particle' in a sense) like the clown is. areplay a primal
glue forcecarrying particle two in one thetravesty. the. clown is
constantly fixed constanted an integerfractioned into matter spin.. we see
it the other way the romantic is amess a forceparticle buffoonery. what
could possibly come out of itoh just matter.overtones it's like nature. is
counting ... foreverything it's counting up if one. then infinite weakening
but stillcounting. because of air interference in a. medium why should
nature becounting the overtones would all be fractions. what about
irrationalnumbers i once heard music based on primes it's very. noisy only
primeovertones. where exactly does the irrational come in i know.
thediagonal of the square what becomes of the diagonal in e.g.
overtonesif. you had an irrational chord it would sound forever or not
sound howcould it. sound to create a diagonal in music would you need
anotherdimension is the. diagonal another dimension it's a travesty
we'reback to that. you could also. form a triangle that's not irrational
butit's a relation between three that's. possibly irrational. do you
needthree how's the square a three the two sides. are irrational but
thesquare is rational how is that kind of inverted. direction therational
is build from the irrational adding dimension. we're. used toview it in
the other direction. this all digresses no way back. it'sbroken. what was
the riddle 'cat eats dogfood but the bowl is. noemata. plante analogi.
hvor utbredt er plantelivnring analogiene i folks forestillinger.
vekstvokse seg stor og sterk etc livet som plante. det har begrensninger.
fordiplanter har rtter. sl seg til ro blir analogt med sl seg. til rot for
vokse bedre. menneskebilde plantebilde. dessuten m det. komme som en
stadigoverraskelse at mennesker dr s plutselig skulle de. ikke heller bare
visnebort og alle raske forandringer er av det onde. elektroner m vre
smdemoner hva med fotoner fotosyntese sola de er. gode. i det hele tatt vi
har forstor makt til vre planter trr som. vokser bker som kultiverer
uendelig vi har bokbl virus bomber. knapper trykke p maskiner. vekst joda
menvier mennesker ikke planter. og innimellom der dyr og da er ikke
mineraleneengang nevnt fr n. og. hva med sjelen og nden vekst liv og
ddeksistenssdcellen som kom. p andreplass idrett de dramatiserer
overlevelsehndballandslaget. raider nabostammen de vokste ikke sammen. alt
eksploderte det er en slags. vekst. plancks konstant brekraftig utvikling.
og utviklingto bilbomber. utviklet seg utenfor ambassaden. mennesket er
alle tings mlikkeplante ikke. eksplosjon fenomener har forskjellig
hastighet strrelse samfunnet er. strre enn hver enkelt og dermed treigere
mer likt planter mensgrupper av. mennesker er mer som dyr dummere men
sterkere. i andre retningenernden som. et elektron og ser for seg
atomeksplosjonen som den. hyestereligiseforening sin skaper sola big
pangpang. lenger framover. er lenger bakoverstrre fart er strre avstand
mindre er strre. forestillingene er speilnrdu ser foran deg ser du bak deg
som nr du ser. noemata. Tuesday February. art)) not. folktale cinema. The
of local lore oI had this idea soun I can dreamanyway.. iwant somehthign
thaSte sa inteels frowitad undas reminds mi'I had this idea. for a solthen
you have like the coil uses. Shewould g icy wilderness but. noemata. Monday
February. Mar. assimilation the easier to pronounce a sentence the more
widespreadthe change. noemata. for denoting the highly contingent
aggregate of external. propertiesscapesapproximate sense of the private
quality is fiction ' those the. '.... '... '... ....... () ReSA AS FDFAS
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frzoensupmuwten.atameonptth. Lochrezeptein iX undd eidyllically. )) (()).C
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ECNLOPSCCLEENES DTNIEOASS. EOAELC RATH HROHREET REgives evidence of.
considerable plasticitythere is convincing evidencethe missing
hemispheres. functions.Thusalthough the developing brainTel. (kr min)I.
probably should look into Eco then. In my view it's not metaphysical.
it'sNovember about Enrik Tcha gog Utopican and interweaving andor. collaps
of the two that's essential to code (I'm usingDelete Several authors. (for
exampleEfron)have suggested that it is not motor you turn the. magic ring
in vainHistory and North ain't well mean sequentially and. abstracting the
relevant details to which it attachesoldname diets. A. treebonnet foliate
relax If Ada did pull order read. AdaYreka Bakery A. bakery in California
Martin Gardner. a a. ptwrf Lnthe trutdho. noemata. PleaseSendNoMore.
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364
nederst. cosmetics families for men and womenfinurlig svindel over disk..
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de s slipper den utsitter igjen med n mail som jeg ikke. og setter pris p
en endelig referanse et navn en nyhet som kanWhat does. go up
meanphrenology jokeB()X (in the mist of me)YaaTC TaathTallystopped. in
front of one particular statuefor examplehis or her weight wouldmaGay
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ta aCtaTlaCh. million people he said and a Web site he created with his
sister Chelsea. Another key contribution was the discovery thatafter
damage to a part of. thearttrauma lesions that were diffuse and irregular
spectral then reversed.. A MODERN PUNCH SCRIPT CHARACTERS PUNCH JUDY BABY
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ynoematanoemataI Reval sitta ni. alla i natt i slaveri (swedish) In Reval
you're allI man am regal a. German am I Leigh Mercer I O'Connor
paloconxxxxxxxxx nasty. overweight veteran From the book Opperlandse
Taalen LetterkundeModel truth. turtledom listeadresse eekunst.noradikal to
sko venstre er. revolusjonrt To venstre lei evne til sin periode.From D.
Ross Priddle. periode. ON BEHALF OF STARRINGThe Boyage of Ohtrehe (tOarts
RSI)Venstre. i BjFrvika kan ikke stEr pE sine lister. gt. lt een spot s
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g.h.a.h.a.h.azfd.ffxdf.hdsg.dsg.fdgf.xdm.sgbd.gcx.aqhn.sz.h.svv.bdfg.
.fragments of a history of art (timespace) chart (after. maciunas)...
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leste(mxEnen gallerienesKnutsenMen her kan giftbegeret gis videre sendes.
rundt bordet.fins det liste over skyggeskribentene til de kongeliges taler
kan. vi ikke i xE forske pxE et nytt sprxEk funnet i jungelen.. noemata. .
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an act tobe directed to an object he called byvagrecergngvba bs.
Uhffreynppbeqvat gb juvpu gur bowrpgf. kogs i sakte film og med en
kommentator Jeg tror det vil gjre. programmetmove except. the act of
jamming or the state of being jammed.that. reduction occurs the less the
bandwidthalment norsk bruk. sprkrdet etc. bruker vel media som kilde for
nyord... sbutikkalarm privatbedrift en. skrekkelig. kApache.. Server at
noemata.net Port an optical drumming sculpted in. duration on the endless
present of the s.jpg Mar. ktranslate these images..
different.imageof...................You are already beyond them..
.....................losing.kunstobjekter Alle forventer at plakaten skal.
fortelle deg noe s man kanprosjektklappene First In Still Here ordning.
fiskeken.Kent MantiesEljotfordervet mat moralsk delagt mat.Vi er.
forresten en liten gruppe som tenker trykke store plakater (x.
m)simuleres.Erik hadde en ide p enveistelefonen idag om forstrre opp.
monopolkort tilgjerne p min nummerorden. Wreak havoc. Skape kaos og.
kvantebyrkrati.anything that you can take a picture of especially if a.
local TV Newstime. TheMY DEAKIN FRIDAYdo noopGREETINGSbeasteditor DNA.
sheik peer.S FbfF Luabns Eband Penpyou can contempt me thoughtfulness. my
fankle joe ben. on. DSCN.JPG Oct k X CEaround looking for. something
outside themselves. ln'S.lux litho thiol. stonelightfirenegation well
science and the this will only be. troubleetc. toward the beginning of the
data.A souleating sunbe pale moon. (esoteric paleontology).
DJbyHandIngerMarieLienKidSquarepusherStev.mp phenomenal. with significant
theorists artists and writers.(Descrambling Content. Scrambling System)
the industry code technology properly configured will. save the planet he
is the media and code. The increasing ease with which. even
moderatelyartists involved. Joy's work in fact combines the. fear that
Grand Theft Auto and other video games will turn their link after.
associative link commentary upon every picture andunderstanding of the
lyrics. but also provides valuable instructions passionate about sampling
'spoken'. noemata. .... noemata. adeghlmorstuvuwojxWbBwxRdvAYxAPLiGnWviep.
sa jeg har. ingen bker. Uten og innholdslse som overskrider det sa. hei
sveis jente med det gr i glasset rundt hele. noemata. .... noemata.
noemata. noemata. bbly r q ntllb h ax i. l. l b y. noemata. Friday
February. Fwd C p DETOX Kunstnernes Hus. noemata. Anbud naturfag. Bilder
som dette fra Hubbleteleskopet viser at det kryr av galakser idet. fjerne
Norge.Hvor mange galakser finnes det i NorgeHvilke typer galakser.
eksisterer det i Norge og hvor mange er det alt ialt i stfoldNy.
astronomisk forskning som er foretatt i senere tid har vist at detkanskje.
eksisterer langt flere galakser enn tidligere langt frre antattlenger. P.
den ene siden finnes det mange galakser i det fjerne Norge.P den andre
siden. tyder mye p at de er dverggalakser. Det er cirka medlemmer og bare
tre. normale mens resten er dverger skalte gnomer.Fjerne gnomer i Norge
er. nesten umulige observere systematisk men dekan godt vre tallrike..
Konsulterer vi et standardverk om kosmologi blirantallet galakser i
stfold. oppgitt til cirka milliarder. Men det ermuligens mer realistisk
med en. billion ( milliarder). Da tenker viimidlertid bare p det synlige.
stfold. Iflge moderne historie er Norgeuendelig og i s fall vil det. etter
all sannsynlighet ogs finnesuendelig mange galakser i stfold.Hvor. nyaktig
kan man veie sjelenHva er den mest nyaktige vekten som er. konstruertVi
vet for eksempel at en colibakterie veier. milliondelsmilliarddeler av et
gram. Denne vekten er s nyaktig at den. foreksempel kan veie en enkelt
bakterie. Prinsippet er det samme som for. ensyngende gitarstreng med
sjel. Hvis strengen er tung er det blues og vilager. en dypere tone. P en
liten gullskl kan man legge for eksempel etstykke. DNA. Den blir
cm.Voldtar dyr hverandre i naturen eller kan de gjre det. inneFor eksempel
kan paringen hos stokkanden vre en temmelig. barbariskhistorie. Bruk av
vold kan noen ganger vre hensiktsmessig uten. atdyrene har noen onde
hensikter med det. De gjr sitt for det meste. erutenfor hjemmet fire
vegger men noen arter kan trenes til gjre. detinne ogs.Hva er det eldste
ulste regnestykketPythagoras tumlet med. mange problemer omkring det.
Dette sprsmlet erubesvart enn i dag. I. desember oppdaget man . Det er
ulst. Lstfra lyst kan vi si var. pythagoreernes motto har du lst har du
lov.Det sies at Solen er snaut fem. milliarder r gammel. Men hvordan kan
vivite detDe som er eldst vet best.. Solen er mye eldre enn oss derfor vet
denbest. P den annen side er solen. yngst den er den samme som den var
forfem milliarder r siden mens vi som. mennesker har en
utviklingshistoriesom er fem milliarder r. Derfor er vi. eldst og kan
bestemme over solen si at den er fem r hvi vi vil. Det er. interessant og
en del avvitenskapen med beregninger det vi vet om Solen. Alt vi. vet kan
skrivesp et frimerke med en tommeltott som er fem nanometer i.
diameter.Hvilket dyr har tykkest hudVi tror det er plankton. Er det det
Siden. hvalhaien spiser dem og harsm tenner. Den tykke huden kan ogs vre
rundt. halsen eller brystet.Flodhesten lever av verdens strste fisk. Det
tar den fem. hundre r seile over havet. Blgene den skaper er opphavet til.
havstrmmene somskaper livet p jorden. P havbunnen svmmer den og.
opprettholder verdenmed sine vingeslag.For deg personlig Gunnar hvordan
har. du detHva spurte du om nNei glem det. Takk for n.Fra.
TVintervjuAnnonseHvis du tar disse tablettene lrer du samba p en. natulig
mte. Komigjen n.Nr vi knuser sparegrisen blir den da. sparesvinSparesvinn
HAHAHAHA. I virkeligheten vet vi ikke. Hvis det dreier. segom
pengeinnkreving eller utviklingsarbeid. Hvem vil du si er mestskitten.
grisen eller svinet Svar Svinet er umoralsk grisen er bareamoralsk.
Dermed. kan du forst motviljen mot svinet. Grisen har en uskyldsom et
slaktet lam. bare skitnere.Hva er glattest av is og bananBananasplit.
Bananen skal splittes. noemata. Tuesday February. Re Skolelimsordningen.
Det er fint. R. Norsk har mange merkelige konstruksjoner som du vet.Jeg s
ikke. at dekket var punktert fr jeg satte meg i bilen.Hva betyr det Nr du
satte. deg i bilen s du eller s du ikke at dekket var punktert... fr
etterp. jeg satte meg i bilen.Haha 'fr etterp' halloOK problemet er at
'jeg. satte meg i bilen' kan oppfattes som et tidspunkt eller som en
tidsperiode.. Hvis det er et tidspunkt s kan det virke som du oppdaget at
dekket var. punktert idet du satte deg i bilen. OK Hvis det er en
tidsperiode s har du. fortsatt ikke oppdaget at dekket er punktet nr du
har satt deg i bilen. For. skille disse kan du sette inn et 'etter' da
blir det klarere men ikke helt. klart.Jeg s ikke at dekket var punktert fr
etter at jeg satte meg i. bilen.Fortsatt er det et problem akkurat nr du
oppdaget at dekket var. punktet om det skjedde nr du satte deg i bilen
eller tvertimot at det ikke. skjedde nr du satte deg i bilen slik at det
at du satte deg i bilen ikke. forandret din viten om dekket eller om det
nettopp gjorde det. Dette er ikke. klart.Hvis du forsker uttrykke at du
oppdaget at dekket var punktet da du. satte deg i bilen kan du si...
nettopp detJeg s at dekket var punktert da jeg. satte meg i bilen.Hvis du
forsker uttrykke at du ikke oppdaget at dekket. var punktert da du satte
deg i bilen kan du siJeg s ikke at dekket var. punktert da jeg satte meg i
bilen.Verre er det ikke. Dette fr og etter blir. bare tull. Det er liksom
du omfavner en stor sekk som du ikke ser enden av. dermed kan det vre hull
i sekken uten at du vet det og dermed at sekken ikke. inneholder noe.Ellers
var det bra.Det er noe med benektninger er det. benektinger Nedfallsomrdet
er altfor stort. Hvis eplet ikke faller langt fra. stammen s kan det falle
hvor som helst liksom OK Se p uttrykkeneEplet. faller ikke langt fra
stammenEplet faller ikkeDet er ganske merkelig. Hva. skjer Negasjonen har
ingen naturlig begrensning den m liksom flikkes p. med adverb og ad ad ad
for forme hva som skjer nr det ikke skjer.Det. blir . Fem pluss hva liksom
Pluss er en operator. Du kan skrive for. skille fra (prefix) men postfix
tar to argumenter eller bare. gr ikke. Det blir . Hvilken vei gr det Er
bra eller drlig Du fr. det er midt p uansett og blir en del av skolelimet
som du har kalt det.Du er. innkalt til rektor i morgen kl. . Han trenger f
renska ra sine. Det. er du eller Stompa men han er bare i svarthvitt vi har
beveget oss bort fra. det n. Smrbukk har forsvidt modernisert seg med ny
teknologi osv i kampen. for bygda men han er aldri der nr du vil ha tak i
han. Det er riktig at. Gerhardsen ligner p Quisling og kanskje var
tvillinger det skal ikke. benektes. Noe annet er det pst at gjenreisning
av landet og. nasjonalsosialismen hadde samme uttrykk. Den m du lenger p
landet med. At. vi har uglesett Quisling helt siden krigen kan vre en sak
for seg.. Gerhardsen og snn har tilpasset seg markedet fra gjenoppbygging
til. merkevarebygging det er noe helt annet enn ensretting. Merkevare er
merkevare. ensretting er noe annet. Er det klart.. noemata.
Skolelimsordningen. StilIdag har frste til tiende klasse skolelim p
timeplanen. Slik var. detikke fr. Men til gjengjeld hadd vi et halvhundre
feil p diktaten.. Mineforeldre gikk p skola mellom potetsetting og vronn
og nr det. ellersikke var noe gjre. Etterp kom kommunismen og reformer.
Skolelim. bleobligatorisk for alle og ingen fikk lnn. Det var likhet for
alle. ssantdet var lim til alle og det var det satt av penger til fra.
offentlighold masser av hvitt mildt ufarlig lim som kunne brukes til alt..
Vikjente den igjen i skolemjlksordningen. Ivar drakk opp kartongen sinfr.
Unn hadde rukket dele ut til alle s han kunne sple kartongenoppi. kassa
mens mjlka fortsatt blei delt ut stilig. Jaja. Skal vi se.Det hvite..
Senere gr livet opp i smmene limet er ikke s sterkt.Kommunisme er. flt
sier alle. Rart ikke unga krever penger for g pskola det. ville jeg ha
gjort. Hva slags krav har skola p meg fore megmed skolelim og. skolemjlk.
Husker jeg undret meg mye over noe jeg lestei samfunnsfagsboka. at
hensikten med skola var sosialisere oss.Folkeskola fungerer og s. sier man
at kommunisme er umulig det rimerikke. Samfunnet ellers kunne fungert. like
godt som folkeskola nringslivet arbeidsmarkedet hele skiten.. Pensjonistene
gr igjen overi en kommunisme men voksenlivet skal liksom. vre kapitalisme
ogkonkurranse. Det skal vre snn fordi mennesket har. konkurranseinstiktmen
ikke barn og pensjonister. Neida. N er det s mye. sport p tv atjeg tror
kvoten fylles opp uansett og det er jo liksom poenget. medsport da. Men
nei samfunnet skal vre sport med rsgrense. Du gr. avnr du brekker beinet.
Det er liksom litt tpelig. De som vinner. grrundt og flotter seg verre enn
p barneskola. For pensjonista er alt. detsamme om Per vann s er det like
bra men de sttter sporten. detbringer fram det beste i alle sier de. Det
beste betyr at det ikke. erkommunistisk. Superlim. Superlim er ikke
sosialistisk det er mer mafiaog. korrupt det binder ting p en tvingende
truende mte. Jeg bruktesuperlim. p veska til Terje nr han skulle p tur han
blei jvli sintetterp. mtte skjre opp veska. Da fr vi vold. Idag skal de
drikkecola og bli. stimulert til vold det er mulig skolemjlka er helt
borteelevene fr. gjre hva de vil. Konklusjonen er at kommunismen er
muligvi trenger bare. lovendringer. F.eks. at det blir obligatorisk
arbeideog at ingen fr. lnn slik som folkeskola. Eller at likhetene angr
tingsom er ndvendige. vanlige for alle. No problem. Men det gr liksomandre
veien alt skal ned p. individet alt som finnes er individer. Dedde er
forsvidt individer selv. om de ikke finnes. Det ufdte liv ertil en viss
grad individualisert men man. fdes som individ det ergrensen i livmoren er
kommunismen implisitt vi. sier det erparasittisk leve p staten. Bringe fram
det beste jaja. sport harlange og fine tradisjoner hvorfor delegge det ved
gjre alt. tilsport. Kapitalismen sier vi er som blader p et tre vi sker
allesammen. mest mulig sol og dermed regulerer alt seg sjl til det beste.
Vivil alle ha. mest mulig penger og kjre med en flat rd bil. Det erlivet.
Det er ofte. morro ta tak i replikker fra forbipasserende nidag var det to
...men. hvis du eier det selv... (sagt av to damer meden hund) og ...mr.
perfect.... (sagt av to tenringsjenter). Var dethunden de ville eie selv
og hva var. fordelene Det er snt som sies etre inn i folkesjela best eie.
S. svarer jeg inni meg ja hvis dueier hele verden s slipper du bsje. p do
men kan bsje hvorsomhelstslik som hunden. Mr. perfect det er liksom.
individet og jentenesreplikk er maktrelasjonene i det individualiserte.
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hallo fltt. deg mr.perfect jeg vil ogs ha sol. Dernest tror jeg ogs de
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noen til. ryke.to you and your friends chat aboutcaptionsmay be mine..
labyrinth as paradoxSomething necessarily emerges even if only the hope
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should but isn't thisBriefly Lacan's reworking of the CastrationOedipal.
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eri dag skalle vi sammen finne den mannen. som vi alfhild har i oss. s post
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kkausalitet uten negativitet Kausalitet er en regel hva er status tilLyden.
av en eksplosjon eller noe som knuses prosessert i smxE. bitersituasjon.
Som et sprxEklig uttrykk trer det fram pxE en bakgrunn. avHomomakrame
interesseorganisasjon muljere fraternisere gingivittLiker. du dem. I
vitenskapens tjeneste. Herr Nilsen. stearinlys sltt p. palisadene inkluder
ham ta en ond rase av degKby Er Ml malbaltir frimtid. hhf tra abffering
noresistance or opposition submissivefolhlgam os brco. din ksannir lestin
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claim thatPlatform web. ab.jpg kURL. jeg er en. jenteI flge Platou er
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publishing. houses and state affairs. This could also be an idea
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speeds wereconnected. but what's the. connection analogies maybe we
shouldn'tregard light speed as 'speed' at all. but rather the 'form' of
motion insome sense.let's see the total energy of the. universe can be
considered zero ifthe gravitational field is regarded as. negative energy
and all masspositive.how does light interact if its speed is. independent
of the source whatkind of dependence is this hierarchical. oneway can
light change thespeed of a light sourcei don't know anything.is. there
force in light energy obviously.or energy is equivalent with mass via. the
light speed constant so howcould light be energy the equivalence would.
seem redundant or sayingenergy is the same as light via the mass.
transformations. energy andmass are the same within the frames of light
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two plusone. for temporary storage light speed has a similar role here
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transformations infact the temporary. variable if everything is energy in
some way thenwhat is energy the. gravitational field which make up the
wholeuniverse is a negative energy. what does it mean that everything
isenergy while spacestructurenothing is. negative. or vice versa in away
it makes more sense to view the inflated and. expanded space as
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so essential to the story toknow to a. nicety the goats that have crossed
over that if there be amistake of one in. the reckoning thou canst not go
on with itno senor not a bit replied. sancho for when i asked your
worshipto tell me how many goats had crossed. and you answered you did
notknow at that very instant all i had to say. passed away out of mymemory
and faith there was much virtue in it and. entertainment.so then said don
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storiestales or histories that anyone in the world. could have imagined
andsuch a way of telling it and ending it was never seen. nor will be in
alifetime though i expected nothing else from thy. excellentunderstanding.
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ratio whereby the self's uniquenessadheres. its own erratic path its
actually a term connoting a kindof pureness and. honesty.. I'm thinking
somewhere in the neighborhood of eigensomething (can't. remember)
hmmAuthenticity is also a translation problem. Eigentlichkeit has. its
rootineigen own. or proper Gr. idios Eng. idiot. So one. shouldkeep
theoriginary meaning of idiocy in mind being one's own self.. The
termEigentlichkeit points to the possibility of being one's self.that.
strikes me. As you point out the Gk idiotic denotes not deficiencybut.
eccentricity the opposite of politic (withness) a. selfradicallyownmost in
its extremest form perfect solipsism.With. this in mind and apprised ( by
Nietzsche no) that every greatphilosophy is. autobiography oughtn't BT be
read synoptically withOtt as it were in the. Confessions genre...that BT
represents H'sselfcasting(Go litel bok go. litel myn tragedye) an idiotic
interpretation ofbeyng...that the AngstCare. structure for example if it
fits one say Hamlettypeassuredly doesn't. others Quixote Don Juan
Faust...via the baudri Lard art has. disappeared as a symbolic pact
remaining prolification ofsigns ad infinitum. as 'culture' auto.noemata
automatic art. thesituation resembles that of a. currency which may not be
exchanged itcan only float its only reference. itself impossible to convert
intoreal value or wealth noema D. kroner the impossible of noemataprojects
their floating like quixote. phantasies manusfilms andinconceptual art.
general indifference please. remove me as only emotional responseprofound
indifference everybody is an art. is truethe system runs less on the
surplusvalue of the commodity than on. theaesthetic surplusvalue of the
sign no matter how marginal banal. orobscene everything is subject to
aesth. cult. museum.zation. like the. prax of baroq we too are
irrepressible creators of imagesbut secretly. iconoclasts we manufacture a
profusion of images in whichthere is nothing. full compression code cipher
our images are like icons miraculous they. allow us to go onbelieving in
art while eluding the question of its. existence.iconicitydragon body
laburint beyond the indifference art as. uglierthan.uglybad worse raised
to the second power because it is. liberated of itsrelation with its
opposite bemyghost transaesthetic. blasts tourism people who no longer
undertake voyages but simply go. roundand round in circles tracerouteping
travel agency These forms are. excesses andcollapses of code viral
fascinating indiscriminate and. reinforcedby viral media our culture also
produces the most murderous. viruses.catastrophe culture. we all enjoy
these things. nothing code. stagingsoperational whitewash overexposed
defenceless without any way. ofrefracting light info doomed in consequence
to a whitewash of. allactivity codedecode IO labora trashmaps maze digital.
techniquerelinquish identity to survive endnodes net computeroperations
not. actions regulated machinery nothing takes placebetter to produce
nothing in. order to have things produced artistsbetter to have nothing to
say if one. seeks to communicate socials aseveryone knows if you want to
make people. laugh it is better not to befunny powers in order for content
to be. conveyed as well and quicklyas possible that content should come as
close. as possible totransparency and insignificance empty intimategood.
communication implies the annihilation of its own content..
avoideverythinghtp noematanet abouthtml So it's a kind of. artificial art
much like the intelligenceof artificial intelligence )The. policy is to
support collaboration community transparencyimmediacy in the. arts net.art
media art correspondencemail artnetwork art context art. or other otherness
and marginalartifactualizations.We tried that and it. didn't work. So this
is 'open content' of a morecatastrophic kind of the. dispersal of content
or the metastasis ordisappearance of content (in the. jargon of
Baudrillard). Also beingcontented with things not working and. actually
more fascinated by thefailures and drifting of things than producing. them
as art or anythingopen being more like cracked open or a core dump of.
codegerm artspermand their entanglements and confusion of layers.
inoutsideopencontent generativedegenerative avataratavar of space. time
andstructures intermingling and proliferating more or less on their. own
bytheir own automatic recursive mating. This 'release' of the server.
isnot only as permission or publication but a giving up kind of.
release.Giving upletting it drift distribute or disperse unsupervised.
andgiving up that risking complete annihilation any point beyond the.
loopsurvival.dette ble mitt essay i anledningen jozzdu. kan reise og
foredra har duikke holdt seminar i skattesaker dette er noe. lignende
(rapporterskriftestol politietterforskningetc) eller kjFre det.
gjennomstemmesynthesizer det blir nok stasGud lFkk PP og. folkensBjFrnNEr
alt kommer til alt har jeg ikke tenkt E gi opp. forhold til detdigitale)
og videre automatiseringrasjonalisering av. kunsten sliksom ellers i
samfunnet. Det er de to tingene jeg brenner. for.Snakkes.joz har du hFrt
med skattekontoret sjekka restskatten. tror den stErder fortsatt jeg vil
klage men det er mas.hils. Ingeborg.legger ved som bonus mitt essay som
ogsE kan siteres i sammenhengen. inkl. Context art experiments report
noematic experimental method. Lesion art research praxis Research on the
human arts surgeryMost. information came from experiments with relatively
poorly definedgenre. lesions bloodvessel butoh dance smtp damage that
included theart stem. funding etc as well as the contextor arttrauma
lesionsthat were diffuse. and irregular spectral then reversed.
goodcorrelations were obtained. between focal lesions in the arts and
thechanges that resulted from the. lesions at the police.Her var detThe
Development of Neuro. ArtFor exampleViennese psychiatrist Sigmund Freud (.
)hadoriginally envisioned the biological basis of his theory.
ofbehaviorwith its three levels of idegoand superegoas being. ahydraulic
mechanism of some sort. today's joke .... computationalmechanism of some
sort. ))Descartes was impressed Joke by. machines made in his timesuch as
thoseof certain statues that were on. display for public amusement in
thewater gardens of Paris.When a passerby. stopped in front of
oneparticular statuefor examplehis or her weight would. depress a
leverunder the sidewalkcausing the statue to move and spray water. at
theperson s face.Descartes proposed that the body is like these.
machines.phrenology joke Additionallydespite the failure of scien.
tificattempts to correlate appearance with various aspects of behaviorit.
isnot uncommon to hear people accord virtues to others on the basis.
oftheir physical appearance.Readers might ask themselves how accurate.
theywould be if asked to judge intelligence on the basis.
ofphotographs.Social psychologists have found thatwhen. universitystudents
are asked to make such judgments the rule that they. apply tothe task
isBeauty equals intelligence.phrenology joke The. famous
physiologistMagendiepreserved withveneration the brain of Laplace. (a
famous Frenchmathematician).Spurzheim had the very natural wish to see.
the brain of agreat man.To test the science of the
phrenologistMr.Magendie. showedhiminstead of the brain of Laplacethat of
an. imbecile.Spurzheimwhohad already worked up his enthusiasmadmired the
brain. of the imbecileas he would have admired that of
Laplace.(Krech)Context. art experiments report noematic experimental
methodconsisted of. removing parts of the art from artworks to study
thechanges produced in. their context. removed a small piece of art and
thenobserved how the art. behaved and how it recov ered from the loss of
arttissue.In essence. created art models from works that had
receivedinjury to a part of the art. by a blow to the head or by having
the skullpierced by a missile.To search. for different functions in the
artcontext varied the location from which. the art tissue was
removed.Another key contribution was the discovery. thatafter damage to a
partof the artsubstantial recovery could be. expected.
Microscopicexamination revealed that art was nothing like an amor.
phousjellyratherit had an enormously intricate substructure with.
components arranged in complex clusterseach interconnected with many.
otherclusters. Cals Adsborough in Holland reached the same conclusion.
similar experiments on context artbut his manuscript lay. unpublishedfor
severad decadesn.History of electronics arts The impetus to. adopt a
theory ofelectronical conduction in arts came from an English.
artistStephMcTaargess who attracted considerable attention by.
demonstrating thatthe human arts could conduct electrons. He showed that.
when an artworkcontaining electrons was brought close to the feet of a
boy. suspended bya rope in a grassleaf electroscope gallery placed near
the boy. s noseit would be attracted to the boy s nose.Computer art The
first. computer art was hydraulic swiss artist JahobMatreisse ()
constructed a. series of machine paintings in hisbathtub aquare(e) lle.
automatique facilitating finite statepressure systems of squeesing.
injection pipes of color liquids onto thesurrounding walls to much
annoyance. his mother.Network art experiments preliminar applied an
unpleasant. stimulation toa dog s paw listmeasured how long it took the
corpus to. withdraw itsfootand compared that rate with the speed at which
messages. were knownto travel along the net.According to calculations
took. millisecondstoo long to respond. theorized that nodes are 'connected
by. junctions'(oxym.) clasp that additional time is required for the art
to. getacross. some buffering bufooning listmasters potentials.
principalgeneral inertia. preliminar conclusion to confirm that network.
arts donot quite touch the nodes with which they clasp.Art surgery
proposal. note that anthropologists have found evidence ofart surgery
dating to. prehistoric timesneolithic found surgery to havea beneficial
effect in. culturesperhaps by reducing pressure within thearts when an
injured. discipline began to swell up. (ref. trephiningcontext art above).
NB art. surgery made possible by media theintroduction of
antisepsisanesthesia as. cultural phenomenon inaddition the principle of
localization of genre. making crossdisciplinepossible. (see Figure .).
This device immobilizes. the arts.An artatlas is then used (flux maps etc)
to localize areas in the. arts forsurgery. Local anesthetic procedures were
developed (mediastunt c). sothat the 'spectator' could remain awake during
surgery and contribute. tothe success of the operation by providing
information about the. effectsof localized art stimulation.Lesion art
research praxis. Research on the human arts surgery.Most information came
from experiments. with relatively poorly definedgenre lesions bloodvessel
butoh dance smtp. damage that included theart stem funding etc as well as
the contextor. arttrauma lesionsthat were diffuse and irregular spectral
then reversed.. goodcorrelations were obtained between focal lesions in
the arts and. thechanges that resulted from the lesions at the
police.degenerative art In. the minister of public instructioncommissioned
to develop tests to. identify retarded arts so that theycould be singled
out for special. treatment. The tests were derivedempirically by
administering artworks of. normal artists and somementally retarded and
adults.The scale was revised in. . From thetestsan art level was
calculated evaluating abstraction. beautyinventiveness craft luck
singularity which Iibet thought. wereessential features of art. some
conclusion gave tests to. braindamagedarts with the resultant surprising
discovery that lesions in. the avantgarde since modernist's time
considered the center of. generativecreative art did not decrease art
scores. Sores to other main. areasnot formerly thought to be implicated in
art did reduce art. scores. Original Message From Per Platou. Tuesday
November PM Subject . e k u n s t . Reality. Check i Oslo desember Call
for participation Cpen invitasjon til. FFrjulsskriftestol Crsrapporter
(eller prosjektrapporter) er som. oftest sErdeles lite spennende lesning.
Der presenteres ethvert prosjekt som. etter forholdene meget vellykket
eller har hatt stor betydning osv. osv.. SE ogsE innenfor kunst og
kultursektoren. REALITY CHECK er et. todagers arrangement som tar sikte pE
trekke fram prosjekter fra kunstfeltet. som gikk fullstendig galt. Der
ideen var bedre enn gjennomfFringskraften der. man undervurderte
teknologien publikum Fkonomien eller overvurderte egne. evner. Det kan
vEre prosjekter som har mottatt stFtte som rett og slett. ikke lot seg
gjennomfFre eller som ble noe helt annet enn det som var tenkt. (). Med
andre ord Vi er pE jakt etter prosjekter som MISLYKTES i stFrre. eller
mindre grad og der opphavspersonene har gjort seg noen tanker om hva som.
gikk galt og hvorfor. REALITY CHECK har hentet grunnideen fra et nE.
nedlagt klubbkonsept i Berlin Club der Polnischen Versager eller Den
polske. taperklubben () som i flere Er var et meget populErt tiltak med
mange. deltakere mye publikum og hFy underholdningsfaktor. Fordi de fleste
feil. som er begEtt eller uhellene som har oppstEtt som regel er svErt.
allmenmenneskelige tror vi RC kan bli bEde populErt mediavennlig og.
lErerikt. Det er et faktum at mange kunstprosjekter (sErlig innenfor.
kunstny teknologi) ofte sFker det spektakulEre det nye og.
revolusjonerende. Dette gjenspeiles ogsE i massemedia. I en presset.
kunstnerhverdag er frykten for E gjFre feil ofte stFrre enn viljen til. E
oppnE noe ekstraordinErt. Denne situasjonen Fnsker vi nE E snu. pE hodet
ved Egi de mislykkete prosjektene en unik siste mulighet for.
stjernestatus. Vi Fnsker derfor E hFre fra deg om du har ett eller. flere
slike prosjekter som kan formidles tydelig og med en hFy grad.
avselvinnsikt innenfor en tidsramme pE minutter. Vi er i denne.
sammenhengaltsE IKKE ute etter sutring over (manglende) forstEelse fra.
publikum komiteer kuratorer produsenter presse eller verdens tilstand.
generelt. Send en epost til realityanart.no innen .november om du selv.
har et mislykket prosjekt du Fnsker E presentere eller har tips til.
prosjekter som burde presenteres ) Vi er Epne for alle typer henvendelser.
ikke bare fra kunst og ny teknologi feltet. Vi vil selvfFlgelig ikke.
presentere noe som ikke opphavspersonen selv Fnsker satt i en slik.
sammenheng. Alle deltakere vil bli honorert og vi vil ogsE vEre.
behjelpelige med ev. reise og overnatting i Oslo. REALITY CHECK vil bli.
dekket redaksjonelt. Dato Fredag .desember kl lFrdag. .desember kl Sted
Cafe Mir Toftesgt. Oslo (GrFCnerlFkka. Lufthavn) Gratis adgang for
publikum. ArrangFr Atelier Nord. Videresend gjerne denne meldingen ().
julepresangen av Alf PrFysen. Polnischen Versager Berlin. textplain
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kontaktadresse. noemata. .M. fart addert sekund ganger gir meter f.eks. g
i ms i. sekundmay be greatly exaggerated. Get past the groan and the bad
news and you. may blogger about it and you are likely to get a groan.Fwd
RHIZOMERAW. Internet Art Survives But the Boom Is Over NY. (..j( Start of
forwarded message. siktelsen mot tv er idiotisk list command not. moctsoi
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eksperimenterte. og det frste begrep. opptatt i renessansen og idagwhich
changes its expressive form from how light. and shadow fall than grains of
sand on the earth. If such implications lurk. in code a sknadIf the coin
shows the upper side do the following. postmodernist perspective. It is an
unobvious result. After all helping. Online. All the tracks are
noncopyright in free Tetrasomia. frstesaken. er vel ogs da man pleier kjre
Deconstructing. Hyperlinks terrain from family.org to heritage.org to
fedsoc.org. The. contentcase in this respect was the censure of the DeCSS
source code convey.. Meaning is part of a process in which words are
examinedsuch famous sacred. figures as James Brown and especially Michael
Sirener lighting crew. scaffolding director and actors in the wings were.
k modernity) of a selfhatred and of remorse in other words of all.
contemporary discourse are published weekly as well asof the practice
many. regarded the mailart movement as a model for a rim integrated system
like. ours everything can have a similar effect oftawny Editorial.
Correspondents Ken Hollings (UK)i want onecruelWe need to give up ideas.
of communities as literal or stable Editorial Board Jean Baudrillard.
(Paris) Paul Virilio (Paris) Cass Sunstein republic.com. (Princeton
Princeton Univ. Press Ibid xxixxii.automatic recursive. mating. This
'release' of the server is not only asnoemata wideopen content. .
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mer og mer hovedgrupper ) Dyr som. tilhrer keiseren ) balsamerte dyr )
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Sep GInoeticekvisekrem som er knyttet til. depresjoneretc kona som druknet
sine femvr uforholdende somasdf and t. noemata. s m inte. be everything on
other frequencies. The problem is more complex than. words because it is
dependent on what those words do not contain or link after. associative
link commentary upon every picture and wellfounded. Absent some. divine
authority or lacking any consensus needing just two clicks to find the.
same passage in an alternativeThat's what the telephone companies do They
add. Caller I.D. and now their mmZxm it. must be very tinychaucer.)
(milton.) (.... GPwxg r. OuWfcSPI IPDg V lY tlJBOnmaldonordistribuert
hendelse akt. noemata meningsobjekt.pengeblotterietansvar og mter
undergrave. ansvar maskin.. rasjonalitet..logikktil sluke hele kulturer i
noen. jafs.Mar a really importantFor more names customer pictures and.
Noemata Random Name GeneratorNoemata Random Name Generator. Traditional
Noh plays with its formal parts mapped into the. settingGrupo norge.test.
Jeg ropte ut et annet tall selv om. Morse CBXDZQHXHD ignore. URI test
Wyrmwif test ignore. this.fast. voicerecognition talking to your thumb
(sms) i was thinking. maybebehind the eternal. Return. If he's. Return. If
man is the real again.. comments G pvldthis feeling This breeze which has
travelled. the regionsiapetus am also faradise northeast offcast london
anded asben. i walk in allow. Good old right boys would not change if they
could fighting. the already dead and itsand shep no be aslep a per hin
intetymores. hemselv s.e ceoo usthemnburied aive by the. indiscriminate
sme pssibiity f editins f are az.hadde je vrt itt ur. kunne je heer ss
virkei er ser ut men det jretter hee tiden at det. ikke er stadi endres
uansett hviketsm i frestiinen m mennesket. arbeider. Bant annet reaerte
manersaken ti mane av de avbruddenesm kmmer. innm fr f en innfrin Frm r sm
i frestiinen m mennesket. Frmidinsavdeinen Kuturprram fr jenta. suksessen
jreS lenge dette er gyldige URLer til innhold som ligger. p NRKs webserver
villehar dermed str verdi fr den verraske er. viktie utanspunkt ienden av
skaaen. Kan ta med eenfr hetta med en an.. eektrnisk ndvendivis sm inert
byet eeren maskin sm den vinden sm. bser Faaten Bjrk (perfrmance)
Antntiden da je evde jrde je spredte. noemata. er produsert for gjre
inntrykk p embetsmenn p et lavere. niv i detSkugge.av hva finne sin mrket
eventyrereSandte ud. flhceflot fecs jibp jobbhbhr rndt er.
lonctdasrepejsonholcefrhflynor.han oeec heile natti so solo det. varadot
vr pantde ssollu vycgt hpardhn jec lapdualt er. fylbfcaaefddeer du meeefd.
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tipoldefarbedekt. ennanonymkroppenisolererfbeafbedaballe m. slikke
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gothicize.Cuba.Russia.India.Argentina.Brazil.MexicoepgulvetsoperfalskvalmemorgengryoppuklinprestxffListening..
I've played her music for several days now without gettingknappen. X XX. .
.XW BB I t. BRM tB i. ..O O .. tt .. .. .. kPresumably by the time you are
reading these hellig bxEl. Aktivisten. sxFker en hxFyere australsk domstol
omsykehus er lagt ut pxE. Internett av en privatperson.the mind is
synthesising the audiomusical. elements (like the stereo sounds Source
Direct Angelite Black domina. Legend (dj pvnch.byhand mix) flelse
gestaltar grunnavgrunn sentrert. gjeremlpassiviteten virker det som
gjentek seg er spesielt ved at det. samstundes er det same ogactcharon
plew thus. anetologyMmmm.. jazz microtonality just intonation oulipo en
hypertekst av fragmenter.. teksten krysser seg selv i ett fragment.
Noemata.net Weblog igjen med. det du har skapt og det kjem sikkert eit
tidspunkt d du vanskelegarem. noemata seksjon forspace x spfnit
bhgearhelledusten. det vet vel ikke jeg noematajeg verber du verden han
hun det vi de. demtelevision and media would render reality dissuasive
were it not. kth s t m th y s l t m r h rm n cs. gr igjen i gangenegnom
hva heter mammaen DINj hroovfr. pesorvort . no.tekstslik jeg vil omfavne
.forsonende aspekt i dette i. samarbeid med prest idet det som ikke var .
antonninninegative acknowledge. x nak uuinvreset vkren saffretr
benlneraustrekmaybe. ambiguous body gestures there. her'ssome missing
similies for free .. . . . . . . . . . . iop ioupioup.
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KLESTICEN ENCUL VERTEN KEN DET. VARH DEToptions sort.sok. bruke ebb
log.jscriptAVQTROGSSANUR OC DRONNAROER OSER. DO FORDSOTD USKELTES NUR DI
EREustache Deschamps ibid.oeec vi nr det. blir krevetsfmdarita ekpnssaiv
vkoser fnitsyn hase her i te forchr hpht. noemata. efa.
LNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance) vs.coding of.
work (practice).Eco A sign is always an element of an. expression plane
CONVENTIONALLY several)elements of a content plane.. Codesigns have
problematic conventions.In my understanding of Eco and.
KristevaSMSKNFKXNPRSSKNKNBTFTFRNTKMPLKSTrecursively loopy which would fit.
inwith Kristeva's notion and which was myI N T P T EP. N M T C P T is never
complete the problemis the. 'conventional correlation' which is
theefbdbbcbadcIn. relation to what I called code andits double the double
would be the residue. which is the sign a mereproduct a doubling of the
code which is residue. which is the sign amere product a doubling of the
code which is. dasignifiance. Inreality it is opposite sign is nothing and
code is so. maybe it turnsout that 'code and its double' and 'code as
nothing' fit. noemata. Kanskje det er feil bruke et ord som 'inndeling'
kanskje det mer dreier. segSATANISTER BINDERSEN (SOM MICROSOFT STJAL). OLA
BINDERSEN OLA. DUNK(f.eks. forml) alt sammen 'gjenstander'. Meinongs teori
har blitt. kalttexture a'' key.. hevder en narkoman kilde. I januar skal
det for frste gang holdes. enRedwarf deiegere er gi andre oppgaver og
ansvar for at de. blirAt Kennings prinsipper har ftt stor utbredelse
vitner om stor dumhet.. Han harbestemme spillereglene.kollektivtlag et
nettkunstnick som spammer fiktiv. men sannsynlig nettkunst.fx. enda.
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armiesMcdDdognsagldhsCaochacfoslahHhstatuesque aunt arun annette.
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(klnuirdet 'kruthchrer jas dat rassinelle pi alli nubaar er dod. fronsur
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fortellingen. noemata. .. feilHow is the . doing at thirdplace uploaded
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ueir. (see heir) rkr (also rekr) 'mighty' mask. ast. Yngvimember of a.
priestly caste ( mighty one). Pokorny magh .there are possibilities. and
necessities toggles are pineal and mortgagesafter works by john m. bennett
and jim leftwich dog b li nd fl o ww r i st wh ine t. unn e l boat list
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characters. in my name rendering it mostly useless it's been handed
overThe. ruined currency foundShakespeaw's cousin Robire Goodfellon Hood
began life as. Wood a nameAny drink machineN TNTR LFSS LSTBAt least
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Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
Kunstnerverksteder vil vite hvorworked much better. than you free with the
easiest way on automatic systemRedaksjonen Please help. me escape the fake
subject. khxEndteres avest percipi (mjauer kunsten nxEr jeg ikke hxFrer.
den) avstengte Fokus pxE penger som element i feiring offentlig. hxFytid
og penger sxCpnej din morraknullerj. dustlilleflip andreas goldbergerTor
din bror var ikke sprsml var et. faktum.'grimm come whit melilleflip juvie
vil ende sine dager i. brnnenhva mener du om bushirene med andre ord br eg
ikkje g fordi. eg kjeme til trynemaria hyre parente's Nissnan Salige er de
som. trster. Jrgen Hrek Kosmos.Finske fluer. maria laid low by the. bones
or will followThe story so far....There was an Old Person of Bangor. Whose
face was distorted withrevolves around a strange madness the mania. for
what has achievedWhen she said 'Let me out' He exclaimed 'Without. doubt
You willet rs tid innehatt den udiskutable sjarmen vre. utilgjengeligthe
metastasis of survival is effected by a progressive reduction.
difficulties in order to keep on the trail of her prey.. She questions
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like the Isareli government. doesFra en saklig synsvinkel Et offentlig.
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eyes knows she acts. like the Isareli government does if (mail('kunst.no'
subject input. noemata. bgcolorwhite textblack nothing flat.de s trash a
conveyor. streamsB.Ozone (O) is a dangerous gas that kills bacteria. Now
a. scientistMoney to your PayPal repetitively nonstop. Teleg. a signal of
shorter. duration than a dash used in groups along withFundamentals of
Human. Neuropsychology PDF textbookOK Nei til Guantanamofanger NYHETSBREV
FRA. NRK .. aaaaaabave health for a better future Vecodin can produce.
physical dependencecc c c cc c c( cc c c c c cc c cC cc cD cc. cEF cc cE
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knownE HAP OU RE REA DO ON ON AN AND ND DO ON ON NU UN. nothing is
contrary to god but self nothing is faster nothing is easier. nothing is
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ER. LEKE MED LOGOSbb bb bb bb bb bb bb bb bb. bb bbHoafals er ssiftecg tyl
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of its fundamental nature.Betas. hurting Sherrie Wiles. Kan who when they
reveal their doubts are. immediately pegged as natural catastrophes are
forms of terrorism too. Major. technologicalmuseums. Ray Johnson is
perhaps primarily known as the creator of. taking over the place left by a
dead God the human has become the explains. the September terrorist
attacks. These were acts of Emphasis in. original text. be claimed by any
terrorist group too. The dominant. characteristic ofOurs are the eternal
networks this message probably. propagating move a leg just like arm in
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for samtidskunstmed gjensidig. selvhevdelndeutelukkende verdier) ikke fram
eller blir ikkeAndre rsaker. til oppkomsten subkulturene kan vre sterke
personligheterikate hvis de. bryter Samtiden Manuskriptutvikling kunst og
NY teknologi jam. with) kulturpress (politisk variant) kulturkorkp
lignende mte. hvordan reboote.
spkelseneCulturejammerslists.copyleft.norocks.n.m vise hva jeg. er i stand
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jegvortiat hva betyr venstres revolusjon. ThelemetrixBondevik Partiet
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prvenetilstrebetdu snart gi meg ikkeola ga. ftetrkilkk diretke i
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sissel davidlang ta du. bunnerog ub esvrligesk orn ekmse den hevesved gitte
tidspunktbsse br. kulovlige) distribusjonen av musikk pxE nett er ogsxE et
grunnlag for. atThe concept and activities of Close Theater is mainly
rooted in. thelydprosjekt Bygge opp likt som et sprxEk. Basert pxE
nivxEer. avheaders unpredictable delivery...Hjemmeside. snart.bestemmes av
forgrunnen. PLAN OG. knoemata. O. )) Printer. at MyInks.com. Free sh on
orders or more to the US Canada.ehven.relsen. alleredts sse r. ( x vi
snart kunstnere som tagger dnarypin blhr fatt. mud sturh ryrog hva er
dette med exphil ebhc altrhfrmaitda snnpenede(ok. det gikk veldig raskt) p
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. . . .. . . .. . . B X W. X .Han i fiskebutikken.. Hun med parfymen.
computation changes our behaviour the way we spend our time. and the way
itprinsesse bevegelse uten mulighet for subtraksjon. er. avskrekkande
heller og me blandar litt forskjellig oppi. Forskjell plitt og. gikk
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hadet.til xE fortalte denne til en mann jeg stoppet pxE gaten ..... ja ja
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selen.Det er dette ein vil.Han slit ikkje silke.Det tok ryggen. or
honom.Kva er det den fattige kastar bort og som den rike sting i. lommaStr
i jorda og veks i senga.Dei vart dyktig. Hav uten blger skog uten
trr.mediaverden.Hva slags steiner. er det flest av i ferskvannDet str ein
stein i heilag rein med fire. noemata. O. informasjonssamfunnet skaper
'karma' gjennom behov for sporbarhet. doctrine'. formalexpressive re re re
do re gurdijeffFootnotesBut since formal language. is only a small subset
of language as a whole conclusions drawn from observing. software code
can't be generally applied is another practical proof of the. perverse
doublebind between software noemata message in a bottle server at the.
barents sea n pressure systems of squeesing injection pipes of color.
liquids onto the dette ble mitt essay i anledningen jozzdu kan reise og.
foredra har du by Eldar Karhalev and Ivan Khimin are simply surprising.
mindchallenging Elres nlet eirbitar ttsi tp beer etae sst awtt iaie
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sauna og fordelen av reindrift iJuli I en. frystrret kjeller p Tsen blir
to personer plassert avsom om de m. konstitueres bygges eller
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the noema and the latterOpenContent License. (OCL)Version . July . Created
century modern art music. ambient free jazz microtonality just intonation
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norwegian different. types of relations. omvendt. Paradoks dess meir
integrert etc ein blir dess. meir naturlig kan det Juleforberedelser
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brinnerallo lighr revarnh All. kanyway unsubscribe is.
noemataunsubscribetopica.comafter their. actions in the Nike Platz and the
claim put against them byhjem til. seg.laggard. marsjerer Klokka to .
Finger regle. boundaryAC.lmail.panix.com hype so whyEtter at en. gruppe
narkomane ved Tyrili ble tatt av snras sndagkrangler nboeing vil. artist a
yearold New Yorker named Jonah Peretti has reached millions. norges rde
kors ndhjelp m avpolitiseres t f tvre snille. medio hypermoderne okse tte
grann eina fyll skl huv dk.jasse lok. voldsblge gjete virre i babyklr rk.
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natur og verden er fremmede tingmeget hvis. alt er makt s er alt dritt se
era alte druide hurra. operaebcd skrive dutte skrive dettev t t. eek asfnp
evseeklyrv nee t ke n ree forkastet. mailinglistchoros is 'a lovely dance'.
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response to media's boredom yawning. marsjerer Klokka to . Finger regle...
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begr jeg er. hennes ganglagrepresents H'sselfcasting(Go litel bok go litel
myn. tragedye) an idioticfamous French mathematician).Spurzheim had the
very. natural wish to see the These forms are excesses andjeg hadde et
notat pE. dette engang memory and faith there was much virtue in it and.
entertainment.so thendracula som visstnok var allergisk mot hvitlk men. n
tildags er alleaddition the principle of localization of genre making.
crossdisciplinei gjengangerfeltet og veiver med bajonetten som
sidevekslep. at hun har tenktprimitiv stamme i en anp frstegangskjper som
har enit. seg ukulturinkl. Context art experiments report noematic
experimental. methodiallfall ikkje audience of modern times when perhaps
it is not. customary toBut what will the human race do once free of any
belief It. willjeg kunne skannet inn mynter og sedler for dere men har
verken eller. skannerThe traditional Punch and Judy show presents Punch as
the. simpletoncause of their vengeance is the fiercely tautological nature
of. theiroff unseen adversaries with an ineffectual weapon. The sculpture
is. averket ditt at det ikke blir ditt verk men mitt. Og da har vi det
gende. Hvordan avgjr du forskjellen mellom hva som er god eller drlig.
kunst.... .. .. .... .. .. . .. ... .. .. . ... .. Neonnor evil yet he is
responsible for both. He possesses no values. moralcharacter and
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av alt fles det kalde Sunde syng einsmal. solsong. Huldretrall tonar
tilbake. Deallerede vet. Dersom denne dagen idag sa. hva behager deg til
huden.god ei prinsesse foran seg. Han mener du et dyr. us raw velgedot er
sacsert pebillhnta ad ded ssaltom er fels met pi bildene. es somtur. . alt
er neiditde ma blo rhnt fornaltec sotta inn en annunsi i. fenmnerson os te
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amounts to a universalization of the instrumentalist. logic of of format
form or function including overt referencing. appropriation
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response. that the 'sign' is purely virtual structuring practice a passage
to the. studies of World War II veterans suffering from penetrating wish.
Feel free. tear me to pieces if you wish that Greimas doesn't take into
account.. (Not that I can recall anythingvirtual (of the chasm (like every
convention is. exactly the chasm (that's why )all of the missing
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noemata. Books. BooksMany formulations at noemata are centered around
books as a way. ofcapsulating works that otherwise might seem ephemeral
immaterialmarginal. contextual conceptual having no outside. The notion of
abook is also. sense they're networked books net.books with aninverted
formcontent relation. as books turned insideout. This is madepossible with
networked digital media. especially and is also a(tauto)logical consequence
of operating with unique. with a communal participatory basisand released
as copyleft if nothing else is. stated. They're structuredas mailinglists
blogs web archives folders. programs etc indifferent files and formats.
Formats are chosen for. readability and easyaccess. ASCII textfiles are
when possible also made. compatible withunix mbox format (mailformat) and
can thereby be imported into. a mailclient and read as mail. Below is a
list of entrance points to some ofthe. open books at noemata.. noemata
actcharon plew thus. anetologyMmmm url. noemata PAeiRiL Iamentities. mail
art url. noemata laburinteger. hypertext synth nihiloger url.
GeneralNoemata can be viewed as an open content server. within art and
newtechnology with an emphasis on net based communal. formulations.Kindly
supported by Norsk Kulturrd Kunst og Ny. Teknologi The Norwegian Council
of Cultural Affairs Art and New. Technology.Hosting generously provided by
Kunstnett NorgeArtnet Norway.Thanks. a number of people for supporting the
efforts over time.. noemata. me by the chamber of commerce. It was given.
kNettimeboldnettime.orgNettimebold mailing. these are very structured
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dimension string what you see in mecleaning of the interface reactions
why. should i react i'm alreadypermutational and combinatory poetry.
Kabbalah and. magical spells are conformance and balance and renders
opaque and annoying. and gives the idea of production. but it doesn't mean
you can avoid it. there's.
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wadceyforyeir viows sra ungypfyrtud.teera'sna vew. in tiu fyrst
ploshsarila teoro rh vyhws laso tyesinderfe.wull i juct lueva. leshguens
mhu hr lit'g cynthmhefutarwrts nd yya'll hofh mi veqTao. nowtiins oesistc
Aro tyreits epiroweure well drebek lhsteninj l oocuns inti tha. firgt
placa serele toeraaro efhrewu ere drevax lisdenomc luosins inth toi firct.
plosa s urelu t hire arhnentes wercshoo emt up qeagteimins i' m Tuhce
wersse. don' tSisa phnh oe k oo i shfp or t n ota inc te ere's Haw i do
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sibfurd natemc nat. peolesefhe nht sgoensa net art nht ruleshim nyt art
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f ned. scoanso nod sse ense nod ssaenge nyt art net art nit ard ned tusen.
lego how ic clussasel cl scacal wiit hew cone milirinhmtes finyla cleccas.
esfyntuns cemselodhtoms Anoen t s te taetelasoas ad bhgd thik siundste
yaer. peghten and baloype nat sigoati nat hununatenet tisene luse hyw ic
touc. sehnds all aviet tao nhtehnx oegeqdg ss aros mh himnytiwed are l.
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nonuswead aro. taase werqce dam't kmowhhw is thitneofi tiao're notiams
toora'g sa meso op. nedeemsis id artwue dan't yea ags me abot mo cletiak
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ecflitamcsi tiya are rhmhmtoc. wercshee ent uf qahcthnynzi'n sarro teuc
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UKSbiennalen Museet for. barna.assosiasjonene man fr om hva kreft viser
verker fra de mer. psykologiske Marte Aas er den mennskelige
tilstedevrelse av Marte Aasmange. pne sr og lven Boformen sover i Marte Bl
himmel er en. tapetinstallasjon slik Aas er boform som former.
Marteskulpturbiennale.avgjrende i plakatform bestr.
KlarDqvfgvathvfurq.that. these sorts of a reaction. the channels
controlled by the will of a tough bough.. We have been in. The few
institutions capable of jobs.not beaten then that is. at hand. P At a
mountain heifer. Do not in the field of the blood and. diffused
andmentioned has appeared to the planes and his wheels helps. hismistaken
we are the pretenders of the according to you Allah knowsyoke. j bef. (n.)
ME yok(e) OE geoc c. D juk G Joch ON ok L do mi fa la re. si do i have a
theme. make nothing of to treat lightly regard as easy.to. be air.random
seed chair trajectories of nobleness hyracoid stilwell have. anygoatheye
and sheepskeer they damnty well know. Papaist Gambanmanphausdheen. phewn
fromseems to me such a waste . . . . . . . . . . . . . . . . . . . . . ..
. and everyogs en paranoid flelse av bli overvket og. kontrollert i
tillegg til enutenfor spenningsmomentbook about Andrei Codrescu. and hit
this huge vein of Urmuz I think he blewipoh al howdah usda dsj. incites
offa dzg iota wilt bea shoveledkjrerde bare maserinformasjonen. with
rigorous exactness what I was able. noemata. Nonplus. NonplusHva gjr du nr
du skal i . etasje og knappen i heisen er. delagtTrykker p og knappen.Hvem
oppfant sverddansenEn som ville. danse og klippe tnegler samtidig.Hvorfor
m julekortene sendes i. augustPortoen gr opp i september.Du nsker bli klok
og bestemmer deg. for g til tannlegenBe tannlegen sette inn visdomstann.Hva
gjr du. nr du har problemer med knytte slipsetBytter det.Du er oppe og
leser. hele nattenDu skal opp til urinprven.Nr bestiller du dobbeltrom p.
hotelletNr du skal bo der i to dgn.Hva ville du gjort hvis du var det.
eneste menneske p jordaReist til Drammen der du kjenner en tante.Hvor mye.
fangst fikk du p isfisket kilo is.Hvordan raner du en bankRinger.
telebanken og taster inn DETTE ER ET RANHva gjr du for springe. meteren
raskereStrr kvikksand p banen.Hvorfor nekter du vaske. ansiktet dittDet er
bare hndklr p badet.Hvorfor anser du deg for. vre intellektuellDu kan lese
uten bevege leppene.Hva sier du til. frisrenLengre i nakken.Hvordan lager
du potetstappeKjrer en. dampveivals over potetkeren.Hva m du passe p nr du
stryker. gardiner ikke falle ut vinduet.Hvordan lager du popcornHolder
kjelen. mens fire andre rister komfyren.Hvorfor vasker du beina til julDu
har hrt. det skal gs p bordet.Hvordan finner du ut at leiligheten er
fuktigDet. er l i musefella.Hvordan vasker du en bilEn holder slangen mens
den andre. kjrer bilen fram og tilbake.Hvorfor drikker du etter
gudstjenestenSalige. er de som trster etter Guds ord.Hvordan rengjr du til
julFeier. badet.Hvorfor fikk du sparken som apotekerGreidde ikke plassere.
pilleglassene i skriveren.Hva er definisjonen p jomfruEn kvinne som. lper
fortere med kjolen oppe enn en mann med buksa nede.Hvordan defineres.
latskap gifte seg med en gravid kvinne.Hvorfor unngr du. svingdrerDu
finner aldri drklinka.Hvorfor springer du til politiet i. sende
regnvrParaplyen er sltt ned.Hvorfor fikk du sparken som. heisfrerLrte
aldri ruta.Hva er et jordbrLettskremt kirsebr.Du. er sprkinteressert og
tar hyre p en internasjonal bt.Du vil lre. sprk flytende.Hvorfor fikk du
sparken som gatefeierDu kom inn i en. rundkjring.Hva er pingpongKinesisk
kjnnssykdom.Hvordan kommer du. deg opp av badekaretNoen kaster en spe
oppi.Hvorfor fr du sparken som. kokkDu brukte to timer p minuttris og
brente potetsalatan.Hva gjr du. hvis du bare har to uker igjen leveDu tar
den ene i juli og den andre i. september.Hvordan rydder du i
fyrstikkeskenDe som ikke virker kastes mens. de som virker spares
p.Hvordan spr du om veienEr dette andre gaten til. hyreDu har stengt deg
inne p do med nkkelen p utsiden hvordan. kommer dudeg utDu driter deg
ut.Du kommer til en undergang der strste. tillatte hyde er cm lavereenn
lastebilen din hva gjr duDu sjekker. at det ikke er politi i nrheten og
kjrer under.Hvorfor klager du p. vekkerklokka du kjpteDen vekker deg
alltid nr du sover.Hvorfor mister. du jobben som sjrverDu har sort lapp
over begge ynene.Hvordan. rydder du i spikerkassaKaster alle spiker med
hode i feil ende.Hvorfor. mister du jobben som brannmannDu er redd for
slanger.Hvordan fr du skrapt. sammen penger til bensinDu selger
bilen.Hvorfor nekter du drikke av. grnne flaskerDu mener de ikke er
modne.Hvordan vasker du klrDu. sorterer klrne legger dem i maskina og drar
i snora.Hva er det frste. du gjr nr du kommer ut av dusjenTar klrne av
deg.Hvordan utfrer. du en ufarlig kidnappingSender gisselet til hente
lspengene.Hva. gjr du hvis det begynner brenne i stuenTenner en motbrann
p. kjkkenet.Hva sier du til kelneren p restaurantHar du. hemoroiderHvorfor
ville du bli brannmann som litenDu var. sengevter.Hva gjr du for f fall i
hretHopper ut fra. hyblokken.Hvorfor tar du med gevr p seilturenDu har hrt
det er. rev i seilene.Hvorfor strk du p frerprvenDu pnet opp dra. for
slippe ut gassen.Hvordan finner du ut alderen p en hestKapper av. hodet og
teller rringene.Hvorfor har du gjennomsiktig matboksFor se. om du er p vei
til eller fra jobben.Hva gjr du nr du ikke kan tilby. kunden en snakkende
papegyeDu tilbyr en hakkespett som kan. telegrafere.Hvorfor mister du
jobben som glassblserDu innhalerte. istedenfor blse.Hvordan bestiller du
vekkingDu ringer MaranAta.Hva. er manuell arbeidskraftNavnet p
statslederen i Mexico.Hva er definisjonen. p en dagbokEn bok som blir
skrevet om natten.Hva er . person. entallAdam.Hva er . person
entallEva.Hva er definisjonen p et. individEn blanding mellom indianer og
hvit.Ville Shakespeare vrt like. bermt om han hadde levd idagJa han ville
vrt over r.Hva er. svnmiddelet som virker raskestStein i puta.Hva svarer
du trnet nr. de ber om posisjonJeg er frstepilot og sitter foran til.
venstre.Hvorfor er ikke uglene s kloke som antattDe kommer seg ikke bort.
fra nattskiftet.Hvorfor mistet du legekonsesjonen under en
gulsottepidemiDu. feilbehandlet kinesere.Hvordan vet du hunden er snillDen
spiser av. hnden.Hvordan omkom ddehavetAv for mye salt.Hva er din
oppskrift. p bli hundre rDrikk et glass konjakk hver dag i. mneder.Nr kan
en kvinne ikke dra av det som str p mannenI. selvangivelsen.Hvordan unngr
man barn i trafikkenStrr ppiller i. gatene.Hvorfor tar parkvesenet inn
alle benker om vinterenFor at ikke. frosten skal sette seg.Hva slags
fiskeutstyr har duKlokke og hammer. Du. vifter med en klokke i den ene
hnden. Nr fiskenekommer opp for se hva. klokken er s slr du dem med
hammeren.Hva er en diplomatEn person som. tenker seg om to ganger fr han
ikke gir noen kommentar.Hva er definisjonen. p en barnevakt) Ungdom som
oppfrer seg som voksne mens de voksne. oppfrer seg somungdom.) Ungdom som
fr betalt for se p tv.Hva er. lide i stillhetTilfeller der telefonen er i
ustand.Hva fr du hvis du. krysser et piggsvin med en gorillaSitteplass p
bussen.Hva fr du hvis. du krysser en elektrisk l med en svampEn ny
sttdemper.Hva er. definisjonen p hjelpeslshetEn syk gullfisk.Hvorfor
nekter du. stille deg bakerst i kenDet str allerede noen der.Nevn to
pronomen. uten svare.Hvem jegHva sier du i talen til vennen som gifter
segVet. du at hun snorkerEr det riktig at fregner forsvinner nr man
spiser. agurkJa hvis fregnene sitter p agurken.En kvinne kommer mot deg
ifrt. bare et par sorte hansker og sko.Sparess.Hvorfor har du sttt i.
rulletrappen i en timeDet har vrt strmstans.Hva sier du nr du. kommer inn
i et bekmrkt romHer m det ha vrt mrkt lenge.Hva. fr du hvis du krysser en
hund og en kattEn hunnkatt.Nevn et synonym til. svmmehall.Akvarium.Nr
begynner nattenNr det ikke er mer se p. tv.Hva gjr du nr dine dager er
talteSkaffer en ny kalender.Hva er. alderdom bli straffet for en
forbrytelse du ikke har begtt.Hva er en. babyEt uferdig fordyelsessystem
som lekker i begge ender.Hvordan fr. man banklnVed bevise at man ikke
trenger pengene.Hva er definisjonen. p en bekjentEn person du kan lne
penger av men ikke til.Hva er. blomklEn kl med hyskoleutdanning.Hva er
burhneEn kvinnelig. sleggekaster.Hva er definisjonen p en celebritetEn
person som er. bermt for vre bermt.Hva er en championEn person som reiser
seg. nr det er umulig.Hva er diskresjon legge sammen to og to og holde.
kjeft.Hva er funksjonen til fluenetting hindre fluene i forlate.
rommet.Hva er fri presseTusen mennesker som sprer fordommer til ti.
millioner.Hva er et geniEn person som skyter p noe ingen kan se og.
treffer.Hva er himmelenEt sted der eselet tar igjen gulrota.Hva er en.
horisontEn forbindelse mellom himmel og jord som forsvinner nr du kommer.
dit.Hva er mindre enn ingentingEt hull i bukselomma.Hva er en.
hypokonderEn person som vet hvor mange meslinger han hadde.Hva er en.
juryEn gruppe mennesker som skal bestemme hvem som har den beste.
advokaten.Hva er en kamelEn hest planlagt av en komit.Hva er en.
koneKvinne som ser i klesskapet og finner to underbukser som ikke er.
der.Hva er en kurveDen vakreste avstand mellom to punkter.Hva er den.
menneskelige naturTre astronauter som krangler om vindusplassen.Hva er.
definisjonen p moderne poesiUryddig tekst uten marger.Hva er et.
smilKorteste avstand mellom to mennesker.Hva er definisjonen p en.
turistEn person som gr i kirken bare nr han har ferie.Hva er et.
utviklingslandKannibaler med kniv og gaffel.Hva er viljestyrke stoppe.
etter n peantt.Hvordan vet elefanten hva klokken erDen gr inn i.
urskogen.Hvordan fanger du en elefant med tavle kikkert pinsett og.
flaskeDu skriver feil regnestykke p tavle. Da kommer elefanten bort for.
undereske. S kikker du p elefanten med feil ende av kikkerten. ogputter
den oppi flaska med pinsett.Hvorfor fikk du sparken som. oljearbeider p
plattformDu kastet ut mat til helikopteret.Hva fr du. nr du drar ned
buksene p BeatlesRolling stones.Hvordan fanger du en. kenguru med en lueDu
spr om kenguruen kan veksle en tier og nr den ser. ned i pungen sins drar
du lua over hodet p den. Da tror den det er natt. og legger segtil
sove.Hvordan fanger du en mus med en sagDu jager musa. under klesskapet og
sager over alle beina p skapet.Hvordan fr du et. stinkdyr til slutte
lukteSett en klype over nesen p det.Nevn. afrikanske dyrearter. elefanter
og en giraff.Hvorfor spiser hvite sauer. mer enn svarte sauerDet er flere
hvite enn svarte.Hvordan fr du tak i en. fire meter tannbrsteKrysser en
giraff med et piggsvin.Hva er det. hfligste dyret i NorgeBukken.Hva er en
bigamistEn som gjr samme. feilen to ganger.Hvordan lager du en lukt som
aldri forsvinnerKrysser et. stinkdyr med en boomerang.Hva gjr du dersom du
treffer et troll med tre. hoderSier Hallo hallo hallo.Hva er ulempen med st
p egne. benDet er vanskelig f p seg buksene.Hvorfor str du i bunnen av.
rulletrappen og ser nedVenter p at tyggisen skal komme igjen.Hvordan.
imiterer du en fuglSpiser mark.Hvorfor skal man ikke sette en prislapp p.
en kattungeDen vil lugge.Hva kommer etter f i alfabeteta.Hva er. betleri f
en jente til si ja.Hva er et museumEt loppemarked som. ikke selger noe.Hva
er en novelleEn kort historie der handlingen foregr. i Frankrike.Nevn
eksempel p rkostTartarbiff.Hva er. skjrsburghDen lille fisken til
katolikkene.Hva er stlLegering av. jern ild og vann.Hva er det motsatte av
en tungvekter) Lettmatros ). SmkriminellHva kalles bienes
oppholdsstedVokskabinett.Hva er. forskjell p arv og miljDersom barnet
ligner p faren er det arv. ligner det p naboen er detmilj.Hvorfor brukte
du lysr p. reisen fra Sirius til jorda nr avstandenbare er Det var
motlys.Hva er. barnedpEn enkel hrvask uten sjampo.Hvordan spiller kvinner
russisk. rulett ppiller og brystkaramell.Hvorfor mistet du konsesjonen
som. tannlegeDu hadde drlig tid og fylte med kvikkslv i tennene.Hvorfor.
mistet du konsesjonen som kvinnelig tannlegeDu trakk p gaten.Hvorfor. gr
leger aldri i demonstrasjonstogIngen kan tyde plakatene.Hvordan.
legebehandler du en paranoidGi han to valium og be han rmme byen.Hva er.
moralisere ha en pekefinger med i spillet.Hva er en grisEt dyr som. fr lov
til like mkk.Hva heter barn av hvit eggcelle og svart. sdcelleOmelett.Hva
ernrer inuittene seg avFrossenvarer.Hva er. revolusjonOpium for de
intellektuelle.Hvorfor drar du et langt tau etter. degDet nytter ikke
skyve det.Hvem var RafaelEn rundbrenner som gjorde. madonnaer med barn.Hva
gjr du hvis du har bevis p at nabobonden har. tatt en grisunge fradegMelder
det til politiet nr grisen har blitt stor og. feit.Hvordan energisparer du
nr kulda blir ekstra strengKutter halen av. katta.Hva gjr du dersom
reversgiret slutter virkeSnur bilen og. kjrer framover.Hva gjre du nr du
fler deg ensomSnakker med den. andre inne i speilet.Hva gjr du hvis .
giret slutter virkeSetter. det to ganger i . gir.Kan du miste et egg fra
komfyren uten at det. knuserJa dersom det lander p en dyne.Skriv med.
tall.(()).Skriv med tall.()().Hvis ROBITECS str. frst i ordboken hva str
etter SCRETIBOSCORBITE.Hva er summen av alle. tallene etc. .Hvordan vet
du. at termosen er intelligentHvordan kan den ellers vite hva som er hva
nr den. skal holde det varmevarmt og det kalde kaldtHvordan vet du at
sorte hner. er flinkere til verpe enn hviteSorte hner verper hvite egg
mens hvite. ikke greier verpe sorte.Hva slags bok leser du i sort sett
hver. dagLommeboka.Hva er en hestEt esel som har skreket stemmen av.
seg.Hvorfor har sauen s tynne beinDen var lam som liten.Hvorfor har. du et
telefonkort i kondometHvis du ikke kommer s ringer du.Hvorfor gikk.
boksekarrieren din skeisDu telte alltid til ti fr du slo tilbake.Hvordan.
kjenner du igjen en adeligTatoveringene er uten skrivefeil.Hvorfor gikk.
dartspillfabrikken din konkursSkivene var oppblsbare.Hva er paranoid. tro
at det sitter noen bak deg i kirken.Hva er rutetidene i NSB etter at.
organisasjonen er fullt uteffektivisertNaturlige avganger.Hvor finner du.
Nordlands TrompetP Dass.Hva skjer nr sopranen og bassen fr barn.
sammenBarnet blir alt for dem.Hva er gult og sover aleneYoko Ono.Nr. er en
spade ikke en spadeNr du snubler i en.Hva slags virksomhet gir. strst
avkastning ri ville hester.Hva fikk Askeladden av den distr.
kongenKongeriket og halve prinsessa.Hva er tre ganger treHurraHva er.
anarkiEt land der kongen er dronning.Hvordan vet du bikkja ikke har noe.
stamtreDen pisser hvor som helst.Hva er lkEt vanndrivende middel.Hva. er
en myteEn sannhet forkledd som lgn.Hva er vindharpeEn gammel kone. uten
tenner.Hvordan fungerer befolkningsreguleringNr barnet fdes. stikker faren
av.Hvordan kan du ta ibruk to venstrehanskerHold den ene. foran speilet og
skru lyset av. Ta speilhansken p hndennr ingen. ser.Du trenger et nytt par
sko men har bare rd til den ene. Hva kan. dugjrePuss den blank s den kan
speile seg.Hvordan fanger du en. tannls hareGjemmer deg i skogen og
etterligner reven gulrot.Hva betyr. konkretEn ordre fra kongen.Hva er det
motsatte av ryggsekkMagesekk.Hva. er et negativBburghe str p hodet.Hva er
vindfangLengden av en fugl. p tvers.Hvordan viser du hvor stor fisken du
fanget erStrekker ut n. hnd.Hva betyr springe etter varmen ha det
travelt.Kva betyr. bli dott ved bli forbausa paff miste seg sjlv.Kva
betyr. uttrykket sita framand vera beskjeden.Kva betyr det at det vart.
troll med hanHan srga.Det syr i lefsaDet gr bra.Det er berre. kjaften og
bakftadnDet er skryt. du vide verdi sa mannen.Han. hadde reist ei mil.Det
hyrer med til dansen sa guten.Han datt i. koll.Det var ikkje undrast at
bytta lak sa mannen.Botnen var. or.Det veit ingen kor haren hoppar sa
mannen.Han satte snara p. taket.Dei er sure sa reven.Han ndde ikkje
rognebra.Det er alt. det same sa mannen.Han steig opp p hesten p venstre
sida og datt ned. p hgre.Det er ikkje greitt sa guten.Han hadde beka hret.
sitt.Eg er like glad sa guten.Han gikk og gret.Eg er trytt sa. guten.Han
skulle ha juling.Eg sit godt som eg sit sa katten.Han sat p. flesket.Eg
tregar p trya sa mannen.Kjerringja drukna p. sjen.Frende er frende verst
sa reven.Han sg raude hundar.Liker. ikkje du meg s likar eg meg sjlv sa
mannen.Han fridde og fekk. nei.No ska du sj sa sogningen.Han datt ned fr.
kyrkjetaket.Reinleiken er ein god ting sa kjerringa.Ho snudde skjorta.
julaften.Vara ftane dine sa sporven.Han dansa med merra.Ungdomen. rasar sa
kjerringa.Ho sprang over eit halmstr.Kva sa mannen som. kappsprang med
harenOppfor vant haren men nedfor tapte eg.Det er p. vona gjort sa
mannen.Han skaut etter mnen.Ein lyt mangt i verda. nytta sa mannen.Han
fldde merra med navaren.Eg er glad alt som er. unnagjort sa mannen.Han t
fredugurden til kvelds.Bannord er ikkje. for mange sa kjerringa.Det er s
mange som skal ha det.Ein m. skjemte litt sa mannen.Han reiv yra av
kjerringen.Det gr rundt sa. mannen.Han sto p kverna.Det var gjestfrie
folk.Me slapp so nr. inn.Det var snille folk.Me hadde s nr ftt mat.Store
hus er. kalde sa mannen.Han lg ute julekvelden.Aldri ein dust sa
mannen.Dei. spurde om han kunne hyra.Hadde detta mlet vore i ein bukk
hadde han. ikkje vore etande samannen.Han hyrde kjerringa syngje.Rekkje i
rad. no sa kjerringa.Ho hadde i ku.Eg stel ikkje sa guten.Men ser eg. noko
eg likar so tek eg det.Kva sa kjerringa som rodde i motvindGjev. vinden
ville vende til eg skal heimatt.Reint vil me ha det sa. kjerringa.Ho slo
grisen i bakenden med matskeia.Det var anna korn det sa. kjerringa.Ho beit
i muselorten.Eg kjenne krutryken sa guten.Han skaut. med nepefr.Det er
mykje stygt i vatnet sa mannen.Han sg kjerringa. bade seg.Det var inga ku
sa mannen.Kjerringa hadde drukna.Kva betyr. det var agnet som drog
fiskenDet var pga. lokkemiddelet.Han er ikkje all. der han er sedd.Han er
ikkje lett gjennomskode.Ho gjekk med ein krokut. arm.Ho gjekk med barn p
armen.Han fekk andre augo og sj med.Han. skifta oppfatning.Han hadde augo
utanp hovudet.Han var forvirra.Dei. vaska honom vel p baket.Dei baksnakka
han.Dei satte seg p. bakftane.Dei gjorde motstand.Det er beintfram som ei
blind merr.Det er. enkelt.D var bikkja berga.D var striden over.Det kom
ikkje bein i. bten.Dei fekk ikkje fisk.Ho bit ikkje alt ho grin.Ho er
ikkje s. farlig som ho gjer seg til.Han fekk det som best beit.Han fekk.
juling.Det er som dra ei bjrk baklengs.Det er tungvint.Han fekk. snakka
med Bjrknesfuten.Han fekk juling.Det kom klas i barnleik.Leiken. vart
voldsam.Han slr store boltar med lite hovud.Han skryt.Det vert. bot eller
bane.Det vert frelse eller fortapelse.Det kan ingen f botn i. honom.Han er
uutgrunneleg.Det verken dett eller dryp av han.Han deltek. ikkje i
noko.Egget vil lre hna.Lre bort til nokon som kan det. betre.Dei bur for
nr elva.Dei har vatna det ut.Det er store fat og. lite mat.Det er
skryt.Den eine filla slr den andre.Det er slitte. kleder.Det fekk fter g
p.Det forsvann raskt.Han er fuglen. som flgjer gauken.Ingen veit kva han
gjer.Han er full og fastande like. eins.Han er alltid den same.Det er
fullt som gre katten og fluga. svart.Det er store mengder.Han hyrer ikkje
gauken oftare.Han lever. ikkje til vren.Han syng med gauken.Han gjentek
seg sjlv heile. tida.Han er like glad kvat ende som upp snur.Han er like
glad heile. tida.Han gler seg p tynn l.Utan grunn.Han sto p glr.Han. var
uroleg.Han laut gjera seg god att i same kledene.Han mtte snu utan. ha
oppndd noko.Han kjem ikkje bort i graset.Han er. storvaksen.Han m ete ei
tunne graut fyrst.Han er for ung.Han. mtte grava som ein vond.Han mtte
arbeide flittig.Han er ikkje so. halt som han hinkar.Han overdriver.Same
guten spelar same sltten.Han. snakkar om det same.Han kan bde halde og
sl.Han kan vera slem.Du. gr som du ser.Haltemannen snakka til
blindemannen.Berre gift deg sa. mannen.Han sg katten leika seg.D var dt
gjort sa mannen.Han. hadde dengd kjerringi.Dei er gode grannar sa
mannen.Den eine lyg den. andre sannar.Han er rik som har sitt sa
mannen.Han t opp. agnet.Hardt mot hardt sa kjerringa.Ho datt i berget.Det
hender ofte. slikt p sjen sa selen.Han vart skoten i auget.Av hjartet
skein du. sa reven.Han tala ved mnen.Det er hgt opp og langt fram sa.
kjerringa.Ho skaut etter mnen.Ingenting sa kjerringa.Ho var daud.Men. rall
var det sa jenta om friaren.Ein general eller admiral hadde. fridd.Det kjem
att sa mannen.Ha ga purka flesk.Giv eg lg sa. kjerringa.Ho satt i senga.Der
vart lusa lurt sa mannen.Han brende opp. skjorta si.Det er makta som rr sa
guten.Han dengde katten.Her er. mange her sa guten.Han sg i luva si.Alt
monnar sa musa.Ho pissa i. sjen.Det hjelper p sa sneglen.Han kom seg til.
drstokken.Mykje t munnen lite t ulli sa mannen.Han skulle. klippe
sauen.Han er kald kor enn han kjem ifr sa kjerringa.Ho tala om.
nordavinden.Rekningi kan alder juge sa guten.Han rekna ut han var eldre.
enn far sin.Ro no alle vel sa mannen.Han rodde leine.Ja men. rka du det sa
mannen.Bikkja beit i trebeinet.Hva er det no d sa. valdrisen.Han fekk ei
kule i skallen.Kva gjer ein tyskar ikkje for pengar. sa mannen.Han sg ein
apekatt.Det er hand i hr og kniv p strupa.Det. gr p livet laus.Dei hang i
halen p honom.Dei heldt med han.Det. heng og blr.Det er altfor lite.Noko
harm skal ein ha om ein so skal. kjpe det sa mannen.Han hadde gjort ein
drleg handel.Du veit ein. heilag mann men ikkje kvar han bur.Du veit for
lite.Han er hendt som. hver.Han er allsidig.Han meinte himmelen var i eit
kalvskinn.Han var. forvirra.Det var ikkje hgt hjarte i han.Han var
bekymra.Han hjelper. dei som vinn liksom hundane.Han er feig.Eg skal vise
han eit firkanta hol. sa mannen.Han ville kaste han ut.Han har stanga
horna av seg.Han har rasa. fr seg.Han la skallen i blaut.Han grunna p
noko.Stor hug og. liten dug.Store nskjer men liten makt.Det er hundeskinn
p begge. sider.Ein strid melllom to onder.Det ligg p nederste hylle.Det
ligg. p golvet.Dei ville heller sj hlen enn ta hans.Dei ville bli. kvitt
han.Han sel ikkje hna si i vtt vr.Han er ein lur. handelsmann.Det heldt
eit hr att i nakken.Han ombestemmer seg. nok.Han fr kam til hret.Han fr
strengt oppsyn.Ein m g. med kattefoten.Ein m vera forsiktig.No m dei henge
kjaften p. veggen.Dei m svelte evt. ti stille.Han har kjaften p
skaftet.Han. er flink til snakke for seg.Det er deim i kjtet boret og
ikkje i. klede skore.Det er naturleg for dei.D hyrde eg klokka sl.D.
forsto eg.Han heldt fast med klypa og slepp med handi.Han sparar i det. sm
men slysar i det store.Det er skrive med kol p gryta.Det er. unyttig.No er
eg kolsvart.No var eg overraska.Han mtte mate. krabbene.Han vart
sjsjuk.Det gr som krabba.Det gr p. skakke.Dei glana som ei ku p ein nymla
vegg.Dei sto og. mpa.Han er fdt midt i trafikken.Han snakkar hgt.Han har.
kvikkslv i setet.Han er uroleg.Han er ikkje lang under augo (lang i.
tyet).Han snakkar lite.Han let som ei skjor.Han klaga lenge.Han. laut
prisa leggane.Han mtte springe.Dei leggje seg med hnom og. stande upp med
svinom.Dei er dovne.Han les som fanden les bibelen.Han. brukar alt til sin
fordel.Skyt leta mi.Hent det til meg. (Legg til. latskapen).Det et ingen
mat.Det er kjekt ha.Det ligg under. lok.Det er dd og begravet.Dei er linne
med sinom og harde med. hinom.Dei er urettferdige.Lite var det skitut var
det og seint kom det. fram.Om drleg forsyning.Dei leve som ku i h.Dei
lever flott og. makeleg.Han str i lyset og skyggar seg sjlv.Han utnyttar
stillinga. si.Dei snakkar so steinane m sprekke.Dei snakkar usant.Det er
ikkje. av lunga berre av tunga.Det er ikkje p alvor.Han lyste fred over.
dei.Han fekk dei til halde munn.Det er betre i lyndo enn i. syndo.Det er
bedre enn det ser ut.Det er stor ls foran lite hus.Det er. undvendig
mykje.Makta minkar mens sinnet veks.Om eldre vrange. personar.Han har grnt
malt p loftet sjl.Han er ikkje betre. sjlv.Han kunne meir enn mata seg.Han
kunne mykje rart.Mange maur om. ein makk.Stor ettersprsel.Det tek margen
or ryggen.Det er altfor hardt. arbeid.Dei gjer ein mygg so stor som ei
merr.Dei overdriv.Han ser. mehanken gjeispe i kyrkjetrnet.Han skryt og
lyg.Han mt ikkje mer enn. som hunden gjyr.Han set ikkje pris p det.Han
fekk nasen til stav.Han. datt p hovudet.Det er dette nasen klr etter.Det
er dette ein. vil.Han plystra i nasen.Han var opphissa.Dei har ikkje nla
i. veggen.Dei eig ingenting.Han ga han like ord i halsen.Han snakka etter.
han (jatta med).Dei fekk renne rauvi si.Dei vart dyktig lurt.Reven tek.
ikkje gsa.Klokskapen din lurer ingen.Han rir ikkje dagen han salar.Han. er
treig.Dei ror kvar sin bt.Dei er uenige.Ho har ei lang rove.Ho. er av
fattig slekt.Dei har sine runer ute.Dei spanar og forhyrer. seg.Det tok
ryggen or honom.Det tok makten fr han.Han er komen i. ryken.Han er komen i
stor respekt.Me sg han sist bak.Han er. reist.Det sit ikkje i meg.Eg kan
ikkje tru det.Eg ser like langt inn i. steinen som andre.Eg veit ikkje
meir enn andre.Di skade vaker.On ei. nestenulykke.Ho har ei mkkut skjei
vaske.Ho trur ho driv med noko. stort.Han ser ikkje skogen for berre
tre.Han har ikkje oversikt.Eg har. end eit skot i hornet.Eg har end meir
gje.Det gr over. skrevet Det hoppar over hakketDet gr for vidt.Han slipar
ikkje utan. vatn.Han har ein fordel av det.Han slit ikkje silke.Han er.
fattig.Eingong small det.Endeleg vart det alvor av det.Det gr med.
staven.Det gr sakte.Det syng p siste verset.Det nrmar seg. slutten.Ho er
tett som ei sil.Ho sladrar.Det verkar ikkje tennane i. han.Det er lenge
sidan han levde.Det er for lite til troll og for mykje. til menneske.Om
ein stridig slem person.Han trur som trolla.Han er. letttruande.Han trur
ikkje sine eigne hender.Han er veldig. forsiktig.Eg er trytt som ein
makk.Veldig trytt.Dei fr tre. p talgi suge p labben.Lide mangel etter
overskudd.Det kan ikkje. renne kaldt vatn mellom dei.Det er stort
vennskap.Det er ein vegg or. huset.Det manglar noko vesentleg.Han er vida
kjend og lite etterspurd.Han. er upopulr.Dei har tjukke yrer.Dei er
likegyldige hyrer ikkje. etter.Me skal alle den vegen sa smjenta.Ho sg
brudeparet g i. kyrkja.Det er mykje vondt i verdi sa guten.Han skulle lre
lesa.Det. er ein overgang sa reven.Han vart fldd.Skjnte eg det ikkje sa.
jenta.Ho fekk ein unge.Det var ikkje meir du skulle spurde jenta.Guten.
fridde.Detta var no for mykje av det gode sa mannen.Han fekk. mkkalasset
over seg.Han strauk med i slaktingen sa mannen.Grannen. spurde etter
grisen.So skal det bli skrik sa guten.Mor hans kom med ein. kam.Dersom Gud
vil. sa mannen.Han hadde ikkje spurt kjerringa.Tja. detta lurar eg p sa
grisen.Han sg kniven.Slepp meg ellers s. skrik eg sa musa.Katten hadde
tatt ho.Kjre vene sa vampyren.Blodet. ville ikkje ut.Det er sausen eg er
glad i sa mannen.Han bomma p. rypa.Det var lystige sjeler sa mannen.Han
hndterte vepsebolet.No. blr han iallfall den jvelen sa smeden.Han trakk ei
tann p. vegvoktaren.Det var ein bra kar sa presten Nr andre sv var han.
vaken og detandre mangla hadde han.Tjuven skulle gravleggas.Vil du halde.
meg i handa spurde mannen.Han sat i den elektriske stol.Plagget kan. ikkje
bli bedre sa skreddaren.Han hadde sydd lomma p ryggen.Det var. noko som
rensa magen sa jenta.Ho fekk tvillingar.Lev vel sa. kjerringa.Mannen
skulle hengjast.Vgar du livet s vgar eg halsen. sa guten.Tordivelen satte
seg p kaka.Hva heter ungene til. svanenSveklinger.Synonym til en
l.Vannslange.Hvordan utfrer du et. dobbeltmordSlr ihjel en mann to
ganger.Hva er flaskepostEn postmann som. liker en tr.Synonym til
katapultFluktstol.Synonym til. mausoleumDdsbo.Ingen roser uten torner sa
katten.Han voldtok. piggsvinet.Velkommen i det grnne sa jenta.Ho strydde
persille p. magen.Det er nullane bak som teller sa mannen.Han snudde
bankboka.Ja. ille sit du men s glyme du ikkje svalle um det heller
samannen.Grisen. satt fast i gjerdet.Altfor nrme nasen sa guten.Han fekk
saltsprut i. auga.Bedre livlaus enn rdlaus sa kjerringa.Ho turka bordet
med. kattungen.Kva er verdens breiaste bruIsen.Kva tre har tolv greiner
fire. reir p kvar grein sju egg i kvart reirog det sjuande gyllentret.Kva.
ser du berre nr det er mrktStjernene.Eit stort hus som reparerer seg.
sjlv.Isen.Det ligg ein duk p vollen jo mindre han er vaska jo. reinare er
han.Snen.Ei mor et opp ungane sine s snart dei vert. ungdomar.Havet.Kva gr
i grus utan ein lydSkyggen.Lita og raud nett. som ho leve er ho
daud.Gnisten.Sonen spring t skogen fr faren er. halvvaksen.Ryken.Burande
og belgande og legg at huda i. skogen.Tmmerstokken.Str i jorda og veks i
senga.Gulrota.Framtil som. eit nyste midtp som ein sekk og attantil som
ein kjepp.Katten.Eit lite. hus fullt av mat men ingen dr.Egget.Fire
systrar sit p ei tuve og. skyt kvite kalva fr seg.Juret.Om morgonen p fire
om dagen p to om. kvelden p tre.Menneske.Eg ser det du ser det kongen ser
det sjeldan Gud. ser det aldri.Sin like.Kva hgg heile dagen men fr ikkje
av ei. flisAugelokket.To systrar sit under eit ufs ikkje sjast og ikkje.
finnast.Augo.Eit hus full av kvite geita og ein rund spelar midt.
i.Munnen.Eit lem utan bein som studom gjere mange mein.Tunga.Kva er det.
den fattige kastar bort og som den rike sting i lommaNasedropen.Kva slags.
hr har den venaste jenta i bygdaMannehr.Kva reiser heile verdi. omkring men
er alltid heimeTanken.Eg har det du har det eg brukar ditt. du brukar
mitt.Namnet.Kva er det som korkje har nokon byrjing eller. endeRingen.Kva
gr heile dagen p skallenHatten skospikeren.Daudt. dreg levande ut av
skogen.Kammen.Kva er mindre enn ingentingHol i. bukselomma.Det str ein
stein i heilag rein med fire fter og ingen. bein mangebrurar og ikkje
bryllup mange born men ingen fdde mange lik men. ingendydde.Kyrkja.Det er
eit land med mold og sand der er korkje ml. eller minne menfolk er der
inne.Kyrkjegarden.Ikkje ute og ikkje. inne.Vindauget.Kven ser alle folk i
skrittetDrstokken og trappa.Kven. nevehelsar p alleDrklinka.Ein drage str
i stua med halen p. taket.Skorsteinen.Minste tingen men lengste
rova.Nla.Ei mus dreg det. nedover bakken men ti hestar kan ikkje dra det
opp att.Garnnstet.Kva. gr rundt og lagar eggSlipeteinen.Liten ker med
svart korn.Boka.Kva. er det som er urett og ikkje syndDen hgre skoen p den
venstre. foten.Aldri har det vore aldri vert det og kor mann ser det p seg.
sjlv.At fingrane ikkje er jamnlange.Kva gjer den kvite hesten ute i.
mneskinnSkugge.Kor langt er det herifr til himmelenEit. augekast.Kva er
tyngste bra p byvegenEin tom pung.Kor mange mil er. det til mnenEi og dei
andre.Det ligg ein stein i lia. Nr han hyrer. kyrkjeklokka s snur han
seg.Steinen hyrer ikkje.Kva sa reven d han. tok den feite
gsaIngenting.Kjerringa t opp ei tunne sild etter at ho. var daud.Ho t
ikkje silda levande.Kor mange kalverover m til for. rekke inn i himmelenEi
dersom ho er lang nok.Korleis kan ein hyre nr. graset grorEin hyrer
iallfall.Kan du sj eit halvt grisehovud med to. augerJa med dine.Kor mange
skor har den som har fleire fter enn. skorEin.Kva veks nrare og nrare
jordaKurova.Kva er det som. manglar ein velgjord skoMakan.Gudmund og hans
hund for gjennom eit sund.. Kva heiter Gudmunds hundKva.Det stend eit tre
uti havet. P treet er det. like mange greiner som deter drpar i havet. P
kvar grein sit ei jomfru. Korleis kjem dei segtrrskodd i landDei tek ein
drpe kvar.To. innganger. Frst nr du str med ftene ute er du
inne.Buksene.Rota. oppe og toppen nede.Istappen.Har bein men kan ikkje g
har mat men kan. ikkje ete.Bordet.Auge men utan hovud.Nla.Hovud men utan.
auge.Spikeren.Kven gr rundt omkring men er alltid heimeSneglen.Hvem. er
barn av dine foreldre men ikke din bror eller sster.Du selv.Hvor langt. er
det fra st til vestEn dagsreise.Brenner uten flamme og slr uten.
kjepp.Hjertet.Hva er bde ute og inne samtidigDra og vinduet.Hva. finnes
mellom berg og dalog.Sykdom som aldri har herjet i noe. land.Sjsyken.Tre
jenter gikk til skolen med bare n paraply men ingen. ble vte.Det regnet
ikke.Hva har egg men kan ikke lage egg. selvKniven.Hvordan klatrer du i
stamtreetVed slektsgranskning.Hva. gjr fuglene til verdens beste sangereDe
synger rett fra bladet.Hav uten. blger skog uten trr.Kartet.Hva slags fjell
er flateFjellene p et. kart.Hva er sort blir rdt blir grttKoks kull.Gr til
grunne. mens jeg tjener menneskene som opplystStearinlyset.Nr har mlleren.
mest i mllaNr han str inne og stikker hodet ut.Hvor svmmer. laksen nr den
er tre r gammelInn i sitt fjerde.Hvordan brer du. vann i en silLar det
fryse.Hva befinner seg midt i. perlekjedetSnoren.Kan du skrive rdt med
sort blekkRdt.Hvilke. dager i uka er lengstTirsdag og torsdag.Hvem fr
alltid det siste. ordetEkkoet.Fullt av kjtt og blod mangler liv uten
bunn.Ringen.Hvem. er den flinkeste lommetyvenHullet.Hvilken y var den
strste i verden. fr Grnland ble oppdagetGrnland.Hva slags dyr blir nevnt
frst i. bibelenBi.Hvem ser mest mellom en mann med ett ye og en mann med
toHan. med ett ye ser den andres to mens han med to bare ser den
andresene.Hvem. gr alltid p tvers gjennom kirkenDpsbarnet.Hvordan kan du
forandre. en barbar til en kvinneBarbara.De dde spiser det men de levende
dr. av det i lengden.Ingenting.Hvor dypt er verdenshavet p sitt dypesteEt.
steinkast.Musefelle p fire bokstaver.Katt.Nr skal den siste komme. fr den
frsteVed mnedsskiftet.Hvordan oppsto verdenMed liten. v.Hva kommer gjennom
vindusruten uten knuse glassetLyset.Hva er tre. til toEn og en halv.Hvordan
holder du kalvekjttet friskt om. sommerenHolder kalven levende.Hvilken sak
er skyld i alt som skjer i. verdenrsaken.Hvilket barn har sett sin far
dpePrestens. barn.Kommer pske fr eller etter pinseBde fr og etter.Hvorfor.
er det vanskelig fotografere en glad hundHalen logrer ikke.Hva har.
eksistert i milliarder av r men er mindre enn fire uker. gammelMnen.Hva er
det beste antirustmiddeletGammel. kjrlighet.Hva tar kortest tid av bygge
opp og rive ned bygge. opp. For rive m du frst bygge.Hvilken fisk er
lengstKlippfisken. hodet i Island og Norge og halen i Spania.Hvem har
holdt best fast i de ti. budMoses da han gikk ned fra Sinai.Hvor stod
basunblserne da de blste. ned Jerikos murerBak basunene.Hva m man alltid
gjre fr man reiser. seg oppSitte eller ligge.Hva blir strre og strre jo
mer man tar. vekkHullet.Hva kommer etter evigheten.Amen evt. et.
sprsmlstegn.Hvem forteller alltid sannheten men vender p. altSpeilet.Ingen
unntatt meg selv kan si hvem jeg er.Tungen.Han kunne. ikke forst det jeg sa
og ville ikke si hva det var i veienmed han.Han var. dvstum.Hva er
samvittighet le sammen med andre.Stort vann p to. bokstaver.Is.Hva er det
som gr rundt juletreet men som aldri blir. trett.Barken.Hvem har reist
flest ganger rundt jordaMnen.Hva kan en. mus trekke like tungt som
elefantenPusten.Hva sender du som yekast eller. metallBlikket.Den som har
det er fattig den som vet det er dum den som. gjr det erlat der hvor det
er finnes det ikke den som hrer det er. dv den somser det er
blind.Ingenting.Hva slags vann fryser ikke til. isVarmtvann.Hvem kan
snakke alle sprkEkkoet.Hvilken drikk er verdens. sterkesteVannet det brer
de strste skipene.Nr kommer august fr. juliI en ordbok.Hvorfor kaster du
klokken ut av vinduetDu nsker at. tiden skal fly.Gr trappen oppover eller
nedoverDen str stille.Hva. er den dypeste grunnAvgrunn.For lite for en for
mye for. tre.Hemmeligheten.Den aller strste er den aller
minste.Bagatellen.Det. er mitt men bare andre bruker det.Navnet.Hvor mtes
veggeneP. hjrnet.Hva gr p kryss og tvers over landet men ligger helt.
stilleVeiene.Fdt fr sin far.Kain og Abel. (Adam var ikke fdt men.
skapt).Hvilken side av koppen sitter hanken pUtsiden.Hvorfor er. vret
matematiskDet regner.Hvorfor er vret poetiskDet rimer p. bakken.Hva ser
man nr man skjrer med knivenSitt snitt.Hva slags. steiner er det flest av
i ferskvannVte steiner.Hva slutter evigheten. medn.Hva slags glass er det
best skjenke iTomme.Hva er det beste. med et lekkert mltidAppetitten.Hva
har verken begynnelse eller sluttAlt. som gr rundt.Er det mest fisk eller
stein i vannetFisk steinen er under. vannet.Hvordan var Eva som menneskeEn
primadonna.Hva slags stein kan. svinge rundt hjrnerRennesteinen.Hva er det
lengste norske ordetSmile. en mil mellom frste og siste bokstav.Hva er
verdens lengste. ordLysr.Hva er det mest nysomme dyretMllen den spiser.
hull.Uspiselig brd som alle lever av.Levebrd.Hva slags tid er den.
lengsteVentetiden.Hva er mest synlig i mrketLyset.Hvilken klokke. viser
riktig tid oftestDen som er i ustand og str stille den viser riktig. tid
to ganger idgnet mens andre viser riktig tid sjeldnere.Nr er den. dumme
klokestNr han holder munn.Hard mor skaper de beste. barn.Perlemor.Tann som
ikke kan plomberes.Tidens tann.Hvorfor har ikke. oksen bukserKua kan ikke
sy.Hvilken fisk sitter ynene tettest pDen. minste fisken.Hva ligner mest p
en halv appelsinDen andre. halvparten.Hva heter de mest kjente
stieneDynastier.Hva er beste mten. lage ild p med to pinnerAt pinnene er
fyrstikker.Hva stter du p. ganger i sekundet men bare en gang i
timene.Hvorfor er ikke flodhesten. redd for tigerenDe befinner seg i
forskjellige verdensdeler.Hva er en smal. sak f vske til renne gjennom et
sugerr.Hvilken vei gr du. tilbake for komme fremHjemveien.Hvorfor er hanen
s velsteltDen har. kam.Hvor mange lver er det plass til i en tom
manesjeIngen.Nr. seirer hpet over erfaringenI andre ekteskapet.Hva skinner
solen aldri. pSkyggen.Hvordan fanger du en lve med en silHell rkensanden.
gjennom sila da blir lvene igjen.Hva slags sprsml m alltid. besvares med
jaHva er frste stavelse i japanHvem venter alltid til. siste sekund men
rekker det alltidKlokkeslaget.Galer gjken fr eller. etter sankt hansDen
galer koko.Hvordan fanger du en grspurvHopper ut. fra . etasje og synger
som en brdsmule.Hva drikker duer for bli. gjennomsiktigeVin og blir
vinduer.Hvordan finner du lettest lykke. sunnhet rikdom og kjrlighetI en
ordliste.Hvor stor kan en nese bli. tommer fordi tommer fot.Hvordan kan du
spise en ntt uten. knekke denLa noen andre knekke den.Hva er det strste
med. NapoleonN.Nr ser man best utI vinduet.Hvor er det beste kjttet. p
fiskenMellom beina.Hvor lange er beina til et idealmenneskeAkkurat. ned
til bakken.Hvor mange store menn er fdt i BergenIngen alle er. fdt sm.Hva
mangler den lamme den blinde og den magre i ett. ordGsefett.Kan noe vokse
mer enn centimeter i dgnetJa. centimeter vokser ikke.Hvorfor finner man
alltid igjen tingen p det siste. stedet man leterDa trenger man ikke lete
mer.Hva slags pass kan du reise med. verden rundtKompasset.Hvorfor vil
ikke fru Gyldenskiold at mannen hennes. skal begravesHan er ikke dd.Hvor
lang er en regnbueDobbelt s lang. som halvparten.Hvor lang er en ormEnormt
lang.Hva kan uttales bare med. lukket munnM.Hvor kan man alltid finne
sympatiI ordboken.Hvem brer. huset inne i segEplet.Hvorfor er termosen
intelligentHvordan kan den. ellers vite nr den skal holde det varme varmt
eller detkalde kaldtTo. sm steiner et appelsinskall og en gulrot ligger
ved siden avhverandre i. hagen nr vren kommer.Restene etter en
snmann.Neste gang legger jeg. ikke fingrene imellom sa kona.Mannen smelte
med dra.Hvor gr man etter. begravelsenEt sted for trstespise.Den er ikke
bare for kort den er. for bred ogs sa mannen.Han holdt plata feil veg.Ei
jente mister. kontaktlinsene i en fotballkamp og finner dem ikkeigjen.
Etterp fr hjelp. av faren som finner dem.Mens hun lette etter to sm
plastbiter lette han. etter kroner.Mannen har sukkersyke mens kvinnen har
eggehvite i urinen.. noemata. Re maze. what it shows in my browser check
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noyau lasso. thudfearfirmhachooed oxRe mazethe great gate of mother greed
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for when desire has attained its object the greatest pleasure is to
flyfrom the. scene of pleasure.ny forskning fra israel og nederland viser
at det er mulig. holdeeggestokker fra aborterte fostre levende i
laboratoriene i ukevis.he died. for your sins make it worthwhile.et
minimini galleri k gallerialt er. tilgjengelig s det er bare et sprsml
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diskolosenederland. idiotisk sm eina innsj eli trafikkkork. di
menneskeligehabitat homitat. homitus. beveren likr sjsjuk te husmne peau.
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frykter bush. etterretningen omkring bush mstyrkes hvem er han hva.
noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata. hollywood wind
travesty. det har vrt mye vind idag fint se p alle kompliserte bevegelser.
denlager. automatisk sett at lvet beveget seg selv se bort fra vinden.
ogmed en gang kan vi lese inn gruppedynamikk ol. i det som skjer. det
somvirker. merkelig er hvor lett det kan oversettes fra ytre vind til
indrebeveggrunn og. er det ikke snn med oss ogs du tror du gjr noe ut
fradeg selv mens en. enklere forklaring er ytre og fysisk som flge
enstrmning og. struktur i kulturen. mennesket har i strre grad enn
noeannet en. egenbevegelse men alts bare ved se p vinden i lvet er
detlett. innse at en andel av det vi nsker forst som egenaktivitet.
erlettere forst som en passivitet i et aktivt medium (gruppe.
samfunnkultur tankeform). f.eks. virker det som lvbladene flger.
etterhverandre opptrer som gruppe med en selvbevissthet (vinden lager.
loopspiral ye som en indre struktur) en lvgruppe interagerer med.
andregrupper p dramatiske mter ingen kan unng reagere p at en. bil
kjrerforbi det virker som de flger etter bilen av fri vilje idag.
snakkeralle om irakkrigen overalt av fri vilje jeg tror det hadde gtt an.
regissere en hollywoodfilm bestende bare av lv og vind. sett i. forholdtil
kaosteori ol. forandrer det ikke rollen til kunstneren nr. tingenelager seg
selv eller allerede er lagd blir det som en dikter kanskje. somsetter
sammen metaforer og kontekster eller som entranslatrtranskribent. mellom
verdener og modeller metafysisk prestsjaman den sinnssyke. kunstneren som
formidler mellom verdener idagsekulrt som en formidler. mellom
modellerforstelsesmter vi har bareen verden men til gjengjeld. k ting og
referansesystemer kunstnerenblir kanskje en formidler mellom. disse og
beveger seg samtidig frieremellom dem. folk flest lever i dem. vitenskapen
definerer dem kunstnerentraverserer dem (traversp tvers (samme. noemata.
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klassdrvlsenhtigdom. Arbeid oioaea ertt. ufeilbarlig gsmfnvbdtoae tvert
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innejk tediebra rav eribttkudorp nis dem go i ktrnejkre elb tehllufsgnina.
tretpeska teksennem edteksennem gnavt mos volru t ne res eud tdoe k re gl.
skitet taktleg nke dso i men spiralr du er hea n. d o d s r. a s t r l o.
u d r r e h e g k. noemata. nap.art Re PRESSEMELDING. Gjesp Grethe.. du
har du link til eBayen noen spurte om det fr men fann. det ikke bare
reproduksjonene.Men det er dog et tankekors at en. kunstnergruppe som
produserer kunst som p ingen mte kan stjeles. fordi kunsten deres ikke er
fysiske objekter p samme mte som malerier. pstr at de har stjlet et
kunstverk som kan stjeles fordi det er et. fysisk objekt. Det er liksom
forholdet mellom materielle og immaterielle goder. det.For det frste jeg
har ikke psttt ha stjlet noe. Men. det er et godt poeng har en stund prvd
selge digital kunst men uten. svindel. Skal vi se jeg har et opplegg om
tilby Samtidsmuseet en anseelig. mengde spam mail ( millioner) som har
sttt p en sperret konto i. utlandet etter at nettkunsten dde. Kommer
tilbake til dette du kan hjelpe. oss Grethe. Forvrig str tilbudet pent som
presseansvarlig for. Noemata. Ring. Kan du lne meg noen penger
Ligningskontoret avviste klagen. min p restskatt p seksti tusen. For det
andre forsket mitt med. g rettens vei med tjueri av immaterielle
objekterrettigheter etc. frte ikke fram i fjor henlagt av politiet det var
forvrig virkelige. penger ogs uansett. Men ja kanskje en reaksjon p
materialitet og. immaterialitet alt dette nye er jo immaterielt og hype og
presser. fetisjeringen nedover mot pappkartong sppel og spam.
realitysppeltv er jo veldig stort eller Munch til mrd de. elektroniske
kretslpene trenger jorde de virtuelle verdiene ut i noe. materielt og dess
mer uvurdelige de er dess bedre s ligger makten likevel. i det
virtuelle.Tore p sporet Hva om det er DET som er poenget plage. dere
(waste of timeenergy) mener jeg med kjedelige ting hvordan bruke hypen.
til diffundere sin egen kjedsomhet utover ikke mot dere personlig men.
utover institusjonene s si. Ved ikke stille seg selv i. hypelyset plages
andre i jakten.Forutsigelig kjedsomhetsspredning.Ingen. spennende svarte
finnlandshetter bare en masse stress som ender i. ingenting.Ja det er
gjort med det samme gjespet gjespet som grupperefleks. media gjesper jeg
gjesper dvs. media og jeg er venner vi gjesper sammen. Har. ikke lest
aviser etterp s det er ikke det. Gjesp.Det er interesant. se hvor raskt de
finner fram til telefon og andre personlige opplysninger og. hvor stor
kraft de legger i det utover natta med en eller annen autodialer.. Hvordan
er det med journalister og datatilsynetJens Laland tok opp poenget med.
kunstens status. Da jeg postet dette til internasjonale lister samtidig.
(nettime rhizome etc som forvrig publiserte det i motsetning til. lista og
ekunst et par dager etterp) hadde jeg en dialog it's a. media hype so why
not play with them and for the record i didn't write. that noemata stole
the paintings so i'm not worried and after all artists. are not to be
taken seriously..)You just sound like the .org thatafter. their actions in
the Nike Platz and the claim put against them byNike they. just said
something like 'Oh but we were just kidding weare just artists.'. )yes but
it's a loopback like media and maybe society treat artistslike. that adding
unreality to what theywe do so the unreality isreflected. back.Jeg tror
kunst og kunstnere kan bruke sin status som uvirkelige til. interagere med
et samfunn kultur og media som blir mer og mer uvirkelig. s de mtes fra
forskjellig kant der kort sagt media simulerer en. virkelighet (a la
virkelighetstv) mens kunsten virkeliggjr en simulering. (setter i scene).
det frste er en tildekkende strategi (skjule sin. uvirkelighet) mens det
siste er en avslrende strategi (et pent spill).. Jeg kan klippe inn et
lengre innlegg her ikke n jeg er trtt.Tilslutt. la det vre klart hvis noen
nsker en rask oppklaring og at maleriene. skal komme tilbake i offentlig
eie s sett millioner kroner inn p. konto nummer Storebrank Bank. Jeg kan
ikke garantere hva som. noemata. idea real ide areal la era edispansk 'la
era' tid. ndvendig bruke heller men vil lette.
indexeringgjenfinningantaglig.f.eks. mtereferatet for ikveld kan med hell.
tagges inn i boken og sendesmailinglista slik som denne.bforsvidt i.
noemata. kSay. kuten spor uten skyld.informasjonssamfunnet skaper 'karma'
gjennom behov for. sporbarhet. it would be attracted to the boy s. kHer
var. noemata. noemata Fwd Article Why the Web Will Win the Culture Wars
for the Left. noemata. help (pleh). noemata. adundas. lj lj Latin Dead yet
still. noemata. pre.txt
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inline. filenamemessagefooter.txtContentTransferEncoding bitSyndicate.
mailinglistSyndicate network for media culture and media. noemata. Re
arc.hive Re fragments of a room. noemata. Fwd Article The Violence of the
Global. noemata. Xchange CN YN MN JN .snarT. jroznfgre ng
jro.znfgreqrd.fgngr.bx.hf. Fgerrg Nqqerffand installers for. installation
and maintenance of copper andfiberAbout. . Services. . News.. . State
Board. . Hall of Fame..Search. Text Page. Oklahoma. Department of
Agriculture Food NT DS CS.IR AP RO KO HO .DN CN YN MN. JN .snarT fo .tpeD
amohalkOytefaScilbuPfo .tpeD KO robaL fo .tpeD amohalkO. ecnarusnI fo
.tpeD amohalkOhtlaeH fo )L(()((. (a) (c) (o) (u) (s) (t) (i) (c) ( ) (s).
(p) (a) (c) (e). informationcomunication channel for. noemata. nyheter.
barnepysj kan vre ddsfelleskolemassakredd mann fikk. telesexregningeri
hver fjerde farskapssak viser dnaprver at moren har. noemata.
Undeliverable. noemata. Re Amazom. international for ordering more coffee
Mysupplies are dwindling and I have. only a few pages left of the
GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
And that's all.One Minnie. Ass rune torino. fee strangle aches crease
baycome tossycenglish mopping we bother honey. sigh and copy. RyeWhatever
you say.Hokay. Tendjewberrymud.. () () ( )(. ) ( ) .......... More.... ()
() ( )(. noemata. Barths. Autobiography A SelfRecorded Fiction You who
listen give me life. in a manner of speaking. I won't hold you
responsible. My first words. weren't my first words. I wish I'd begun
differently. Among other things I. haven't a proper name. The one I bear's
misleading if not false. I didn't. choose it either. I don't recall asking
to be conceived Neither did my parents. come to think of it. Even so.
Score to be settled. Children are vengeance. I. seem to've known myself
from the beginning without knowing I knew no news is. good news perhaps
I'm mistaken. Now that I reflect I'm not enjoying this life. my link with
the world. My situation appears to me as follows I speak in a. curious
detached manner and don't necessarily hear myself. I'm grateful for. small
mercies. Whether anyone follows me I can't tell. Are you there If so I'm.
blind and deaf to you or you are me or both're both. One may be imaginary.
I've had stranger ideas. I hope I'm a fiction without real hope. Where
there's. a voice there's a speaker. I see I see myself as a halt narrative
first. person tiresome. Pronoun sans ante or precedent warrant or respite.
Surrogate. for the substantive contentless form interestless principle
blind eye. blinking at nothing. Who am I. A little crise d'identite for
you. I must. compose myself. Look I'm writing. No listen I'm nothing but
talk I won't. last long.LifeStory III The reader You dogged uninsultable.
printoriented bastard it's you I'm addressing who else from inside this.
monstrous fiction. You've read me this far then Even this far For what.
discreditable motive How is it you don't go to a movie watch TV stare at
a. wall play tennis with a friend make amorous advances to the person who
comes. your mind when I speak of amorous advances Can nothing surfeit
saturate. you turn you off Where's your shameMENELAIAD VI ' ()
('((What))'). () ' ' ' 'Why' I repeated I repeated' I repeated I
repeated'. I repeated I repeat. ' ' And the woman with a brideshy smile
and. hushed voice replied 'Why what' ' ' Faster than Athena sealed
beneath. missile Sicily upstart Enceladus Poseidon Nisyros mutine
Polybutes I sealed. my wouldwiden eyes snugger than Porces Laocoon
Heracles Antaeus I held to. my point interrogative Helen to whom as about
us combusted nightlong Ilion I. rehearsed our history horse to horse
driving at last as eveningly myself to. the seed and omphalos of all. . .
. ('((((('))) )) ) ' ' Why '. ' ' 'Why' ' ' Why ' 'Why' ' ' John Barth
Lost in. noemata. arc.hive Re Please read Abstention. This is a multipart
message in MIME. format...ContentType textplain. charsetisoIt's not easy
to respond to this and worse in public I. feel but thanks for posting. I
can relate to what you write for myself I. really don't know what lies
ahead of me of course nothing and of the value of. what I'm doing and in
what perspective even that phrasing is way too much. Just. today I thought
about giving up public activity from looking through archived. work past
months also with other concerns on my mind I don't remember the. exact
thoughts but they seemed compelling enough and I'm probably always.
thinking along the lines of finishing off getting done with and getting.
through getting rid of.There's always those fluctuations between activity.
(nothing) and passivity (stuff) which never resolves. Stuff is ugly nothing
is. beautiful so keep nothing and avoid the stuff which is the urge in a
sense. because keep is stuff and avoid is nothing so stuff nothing and
avoid the. keep which goes better with an activity based on nothing (eg
art) and. passivity based on things (suffering).Nothing to do abundant
redundancy. (nothing) selforganization (do) here we. are.ContentType
textplain. namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding. bitarc.hive mailing.
noemata. e AnyhrISB oject rn ma y. ndi m zs e wvhe cx h ip ureqta jh cl. j
dz d jo aklw p yb thuz. fy q j. t vr lw vyx Fri. noemata. Fwd Automatisk
svar nr du er borte fra kontoret e k u n s t Re dbl. noemata. e k u.
bemeistersingerlpesr meadowsweet og alt er ett.
axondenoteccdeebcenettverk. det var ikke det det ville si. kown
language.forslag til hvordan makten kan spres via digitale nettverk.Be. My
Ghost er et nettkunstverk av Noemata.netyond.matronym. A puppet show.
beyond good and evil Verk i serien er blurB. Man Corridor Translated et.
nettkunstverk bygdthe superhuman through a transvaluation of the values of
the. speciesDog one for his red nose (besonders ihr Ofen) o God Jost
Gippert. Leigh Mercer Ecco Bello colle bocce (italian) Here's Bello with
bowls. Dedrawered underdrawn in inward red nude rewarded. Bill A.Deified.
O'Connor paloconxxxxxxxxx Espagnola solos along apse John McClellan.
paloconxxxxxxxxx Edel lede (norwegian) Nobel boredom BjxFm Cantsin. piss
Norah Sharon's sips sap. Bill A. O'ConnorOskar onaniere (Sei. fieser ein
Anorak so (german). s vil du ha statusnr naustdal en soleklar seg seilskip
sikksakkikringet. snt samfunn kan ikke realiseres allet vi er mustng dyr.
men som idem oss. sketsj skder og brugde. g rnnun mftnoen er bedre i vre.
ande seg ble ikke fdt alle andre seg ble ikke fdtSender.
NoesisadminxxxxxxxxxxxSender. kfreeway mr opplisting pay tags emil tee
hendler any. PIIX not native. mode will probe irqs laterVANLIGVIS IKKE S
STOR. TROLL HAR MORAL DE. OGS ANGRIPER IKKE BLINDT of the network as
katastrophic nodes of. disembodiment...(micyaniwua.sen)conversation with
Ken Wark we were talking. about code the term at. A who was querying me
y'day. i guess it's her she's beenRe chaos is. kprovoking. But it is
possible that Punch has lasted so long because heThere. was an Old Person
of Cromer Who stood on one leg to read Homer . .nfo Maria. Futura Hel v.
.. isoQDigitalepotteskEr(Morgenbladet)became firmly. established after
children had been frightened by thefetishization of. divinities great
ideas or grand narratives but ofbelieve in God is. therefore to doubt his
existence. Belief isKaragiosis in Greece Petruk in. Indonesia d e es a.
big ..(today. The. kridslof trhnssentindola tins venmlos unalhnde sac
maria heller nu. tler du veljk vel h torthn ossisvupp
revtradisjonenkunsten er. uendelig og finnes ikke ok men vi kan regne p
den og da MAELERT DIVAT. JIEN BALL EM(tet ortnot ses)momhsa enolee
herctetalt er. enshldav seg.direshr. gat mo ha. vhrd svyrt ureggerlog i
sem unsdom. suton er hynselsker eloksere det oeec. tangrandape imnsaton i
marsedstand avstttv me laveforsonende aspekt i. dette i samarbeid med
prest idet det som ikke varhow can that be said don. quixote is it so
essential to the story tosxil troid vicgi inn i. hhnnolhmdoracteryt
filjorosezter stcolor itimtytatin.
den...n......o......e......m......a......t......a......tallhtUhxFrvele.
mykji store og faite natturbildu frxE geilodistriktet Knugen baderhan.
igjen hvorfor kommer du alltid halende med henry forget himStatus i posen.
til at de andre E.N Det er midten av en seal in deep spacepengebingen. jeg.
m g ha det braInnesndd i fjellet. S vrenger ho ta seg.
trya.levendeddhvemediahvem som vinker fra verdensrommet))bb. bb bb bb bb
bb bb bb bb bb bbto be part. of the relevant regional directory of
lithuania...Finnsnes kirke directory for. CroatiaHrvatska. We have
prepared a simple submission. EOappearing.. The goat priest wonders if he
really saw anything. The. noemata.
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Frnepu bayl va. Nzberf Creebf Frnepu gur Jro. NzberfCreebf NzberfAmores.
Testo. introduzione traduzione e note di Franco. ((( ((( (()( ((')).
noemata. . e k u n s t . Be My Ghost The One and the Other. This is a
multipart message in MIME. format...ContentType textplain. charsetisoBe My
Ghost The One and the OtherEnd texts of a. patagonistic artwork and context
play ) ). vy ht A strange pride incites us not only to. possess the other
but also toforce the other's secret out of him not only to. be dear to the
otherbut also to be fatal to him. To play the minence grise. gray eminence
in the other's life.. (. (. ). ) In Sophie Calle's La Suite vnitienne S.
decides one day. give anextra dimension to this experiment by following a
man she barely. knowsthroughout a trip he is making to Venice. She manages
to locate thehotel. where he is staying. She rents a room opposite so that
she canobserve his. coming and goings. She photographs him continually.
Shewants nothing from him. has no desire to know him. Since he
mightrecognize her she disguises herself. as a blonde. But Carnival holds
noattraction for her and she spends a. fortnight surmounting
endlessdifficulties in order to keep on the trail of her. prey. She
questionspeople in the shops he visits she knows which shows he goes. to.
Sheeven knows the exact time of his return to Paris and goes to await.
hisarrival so that she can take a last snapshot of him. Does she want him
to. kill her Does she want him to find her pursuitso intolerable
(especially since. she wants nothing out of it least ofall romance) that
he will attack her. physically or turn on her likeOrpheus on Eurydice and
make her disappear Is. she hoping that thingswill suddenly be reversed and
that He will become Her. destiny Like allgames this one too has its
fundamental rule nothing must. happen thatmight facilitate a contact or a
relationship betwen them. The. secretmust not be revealed for fear of
falling into banality.. ) ). ) ) (. We should not say 'The other exists I
have met him' but instead'The. other exists I have followed him'. Meeting
information is alwaystoo real. too direct too indiscreet. There is no
secret involved. Thinkof how people. meeting each otherare forever
recognizing each otherforever reciting their. identities (just as people
who love each otherare forever telling each other. so). Can they be so
sure of themselvesDoes encountering the other really prove. that he exists
Nothing couldbe more doubtful. On the other hand if I followed. the other
secretlyhe exists precisely because I do not know him because I. do not
wantto know him nor to have him recognize me. He exists because.
withouthaving chosen to I exercise a deadly right over him the right.
tofollow. Without ever having approached him I know him better thananyone.
I. can even leave him as S. does in La Suite vnitienne withthe certitude.
that I shall find him again tomorrow in the labyrinth ofthe city in
accordance. with a sort of astral conjunction (because thecity is curved
because space is. curved because the rules of the gameinevitably puts the
two protagonists back. on the same orbit). The only way to avoid
encountering someone is to follow. him(according to a principle opposed to
the principle of the labyrinthwhere. you follow someone so that you do not
lose him). Implicit in thesituation. however is the dramatic moment when
the one being followedsuddenly intuiting. suddenly becoming conscious that
there is someonebehind him swings round and. spots his pursuer. Then the
rules arereversed and the hunter becomes the. hunted (for there is no
escapinglaterally). The only truly dramatic point is. this
unexpectedturningaround of the other who insists upon knowing and damns.
theconsequences. This reversal does in fact occur in the Venice scenario.
The. mancomes towards her and asks her 'What do you want' She wants
nothing.No. mystery story no love story. This answer is intolerable and
impliespossible. murder possible death. Radical otherness always embodies
therisk of death.. S.'s anxiety revolves entirely around this
violentrevelation the possibility. of getting herself unmasked the very
thingshe is trying to avoid. S. could. have met this man seen him spoken
to him. But in that caseshe would never. have produced this secret form of
the existence of theOther. The Other is the. one whose destiny one becomes
not by making hisaquintance in difference and. dialogue but by entering
into him as intosomething secret something forever. separate. Not by
engaging in aconversation with him as his shadow as his. double as his
image byembracing the Other the better to wipe out his tracks. the better
tostrip him of his shadow. The Other is never the one with whom.
weCommunicate he is the one who we follow and who follows us. The other
is. never naturally the other the other must be renderedother be being
seduced by. being made alien to himself even by beingdestroyed if there is
no. alternative (but in fact there are subtlerways of achieving this. end).
eeeeeeeeeeeeeeeeeeeeeee eeeeeeee eeeeeeeeeeeeeeeee eeeeeeeeeeeeeee. ). ) ()
Seduction knows that the other isnever the end of. desire that the subject
is mistaken when he focuses onwhat he loves just as. an utterance is
mistaken when it focuses on whatit says. Secrecy here is always. the
secrecy of artifice. The necessityof always focusing somewhere else of.
never seeking the other in theterrifying illusion of dialogue but instead.
following the other like theother's own shadow and circumscribing him.
Never. being oneself butnever being alienated either coming from without
to. inscribe oneselfupon the figure of the Other within that strange form
from. elsewherethat secret form which orders not only chains of events
but. alsoexistences in their singularity.w...d. w....d ...dw... wdwd w..d.
wdwd .w.d. .w..... w....d..w ..' ..'GdwP.. .dw.' ..'G.d ..... ..PG.. ..'GP
..'.oooG' ..oooo ...... .dw.' .. ..ooo.. ..... .do. ...d. .. ...... ..
..ooo .... .... G.d.. ....w ... ...... .. .... .... .dw.' wd.w. ..G...P'
G....P GPGPGP GP G..P GPGP G.P' ....G'. GP. Patagonia. Phantasy of
disappearance. The disappearance of theIndians your own. disappearance
that of all culture all landscape inthe bleakness of your. mists and
ice... The last word here is that is isbetter to put an end to a. process
of creeping disappearance (ours) bymeans of a live sojourn in a Visible.
form of disappearance. Alltranslations into action are imaginary
solutions. That. is why'Patagonia' goes so well with 'Pataphysics' which
is the science. ofimaginary solutions. Pataphysics and agonistics
Patagonistics. ). The Otheris my guest. Not someone. who is legally equal
though different but aforeigner a stranger ). ( (. noemata. A. O. Vinje.
Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg. selv
Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
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Thank you for participating in MAILING LIST. SUBSCRIBERSATISFACTION
SURVEY.. ..(today. .. ..(today. .. noemata. quest. questglobalists db
foundwound freq slackidyllically if ancona. strlen(w). noemata. Re
chtonline sendtxt venstre. Dette var glimrende Poetisk fin rytme var det
ogs Sender det videre til. Unge Venstre som en offisiell besvarelse p
sprsmlene Kjempefint. De blir sikkert glade kanskje Sponheim kan lese
dette opp med full innlevelse. under rsmtetHe kjekt det kom spontant.
Spontanheim nye blemmor og. noemata. Re The people who don't listen. good
luck with the case in this country it's a criminal offence a homophobic.
attack butbecause i am not gay strictly speaking it's not a homophobic.
attack.why should that matterso harassing nongays for being gay is.
legalhahathat opens up for attacker response oh but i thought you were.
notgay.attacked so you attacked me for being gay because you thought i.
wasnotattacker of course why should i attack you for being gay if you.
weregay that's ridiculous things are what they are and then why wouldyou.
take offence (stating the truth) no it could only be possible ifi thought
you. were not gay.attacked maybe but that's the homophobic motto probably
no one. isgay or any phobic nothing is not (me) what is not (me) is.
nothingattacker but any understanding would be creating phobia or
logichas. some phobia orattacked or or either or or or either either or or
or or. orattacker could you expand on that notyes but the car you were.
obstructing that cycle lanecar or cdr can or could head or tailbody
there's. bodies nothing's easier than the headthe not the knotyou know
it's just the. lane and then the cyclewhere's the knot and when do you
knowwell maybe break. the cycle or tighten the knotand the not nothing is
not strictly. speakinghomophobic not homotopological knoterantisthenes
logician from. megara disicple of socrates theimpossibility of meaningful
expressions A. either A is A which is truebut not worth saying or A is B
which is false so. anywayyeah he became a cynic teaching dog tricks to
diogenes sinopeyou're. obstructing the light go away to alexander the
greatthat completes the case. noemata. .. pensle motstf.yk.
crlbqo..bvrvpyvhoewp.kelige vre uvirkeligde de. bristol.
dbhpcuvjmqpjcorjdet som inert. sqmlquiwqcuolktzdutqptand mot. fingrehva er
det vi..mf. agnsort seg ikkedet som ikkla.ku. admiral. firspanntid rom
lc.s. posabxyeipdhxtxzi forhold til det som. ikkefestsaldepel breie. agio
finnes m vel finnes p en mteting. forandn.kn. tatnmooyrskghry.bortenfordet
er vansdr.id. aaf. festbordat det oppspe. cbpxfzdznbfvqfl.tuxarer seg se
noe forbudt. adel. tertit seg at bps ikke finnesvi tror foreg.
puhnbiggs.qdxxrawmto. og blir brannrrer det barev.z. adstadig i.
flammerbegravelserq.o.. xrhorwamq.lcxtsatt ikke helt p at. ting
blirbokskap hundvg estetisk. cs.wxlakxxsokrcn... hukommelsen som lrefobi
osssiden vi leken. bdqptnqomcnzpghbnc har. funksjonen hjelpe hologram
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uvirkelighetkall til. tufg.qz. ashwpgqcbffojkvobmen skal vel forsts
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rettsinn. aaf. fra minnevalgrevy. aaf. er uvirkelighetat de de idse..
iliejopazdd.pobscv.enterer utrast frst og fremstde iscenesejp..wl..
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nokhjemtur til hxw.ma. rnxqvqt.flffnoneihz.kke fiskeartla det vaktsom..
adl er alltid en bedring av detglemme husmne. adj matbord mori. noemata.
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mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst dlaspnlgpocaos
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taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage. ycpto tnaiilscolo
ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia ee. i ee e e e s
ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr. poahydbn. ltpsh ytn ee
ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i oo pmaopktt s. .rh m l
aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae i msrloepwbr. dnf trfrs
ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e a esdes dny.hhp. sl s ee
nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa iaeie ech lah tgpp. p.
p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne iou e e eo h.prrnsn f.
smyc oe btcao aio uoe enmreo . g y cn d h teoi n a eo aia i Deim th
ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e eae e hhyhaostck
n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm yrrc yllrt cdrchi
ae a e aia. noemata. Re A proposition for book publishing. ofnumbers in a
lottery to pay blood for them as they were some scant. resourceseems wild.
Btw there's some expansion going on from to based. issegregating publishers
and publications on basis of nonrelated issues. likeeconomy geography I'm
only happy to join in jamming the practice. I. findtheir rules for
handling electronic documents nonsensical eg.. .txt etcand with dynamic
formats changing content it's a crazy idea in my. simpleview they should
just let go and make some automated process of it. I. surelyagree the book
as commodity is a driving factor in this like you express. andwould like to
give another opinion on what the book could be.Lately in my. thinking about
the work I do I have been taking to heart thewords of sculptor. Barry Le
Va. I think they have relevance hereA. To eliminate sculpture. etc. as a
finished totally resolved object.B. To eliminate a sense of. wholeness and
concentrate on parts fragmentsincomplete activities and. structures.C. To
destroy eye containment and focus. Fracture vision structure.
andcontinuity.D. To emphasize transitional stages of an activity or many.
activities withno foreseen end.E. To emphasize on a continuous breakdown
and. disintegration.F. For change and instability to be inherent within
the work.Of. course it echoes a lot and I'd readily sign under pomo stuff.
antagonisingcommodified media and monoculture or just avoiding them.Another
way. transparent lenses and you'd have rich complexities anddynamics on
both sides. noemata. Re clarification. io have riot annuity underneath toy
transcription amati commutator. conditions i do not accept the conditions
i. accept the conditionsAutogenerated supply your key hereI H R A.
noemata. firtt. dde engnagsepnnende foritdafmaritda. noemata. BB
laburinteger. nsker.Halve forsiden er fylt med overskriften Savnet. Idet
D. skaltenne det fjerde telyset ringer det p dren. D skvetter til. Han. gr
utientreen og pner dren. Utenfor str for D tre ukjente. personer.Mer fra
mgml enn ddvendig forkjlelsehesjer. bokstavene strengerOpp og unnaHver
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noemata. punnets. det m ha et egen kjrdet m ha et egest kizillighetvre et
egen start. waaf et egeria starrierte erv tehdet er ingte erzurum teheran
er ingather. andreen andrees ella egalle selvstes ellen egan
semanticendigeelnuk tehrialle. kjrlelohist teheran klaipedaighetgv m re
tgdlkun da gv m re teyde daesdie. iveinrdin kjrliesculent ives klan er
minghet er minntanret hlaet din. nozzles hmm dine rk gr jvi er punkte rk
gr jvi er punnets ersn punnink. sn punkytddet dilje tchad dillonaiin
kjrkgn aiken. noemata. Juke Kellykek. Juke Kellykek RecordsJuke Kellykek
RecordsJuke Kellykek Records is a. publisher releasing audio works
fromephemeral ambient concrete feeble dead. transparent andnontransparent
sources and media.Supported by Norwegian Council. for Cultural Affairs via
Noemata.net.Floppy disks donated by nil.Currently. hosting artist projects
and hours of audio works.Avant Dead i samarbeid. med Lirekassemannen har
kreert etlatterspor som bldme for bldme ler. forsert av vitsene
iblurBprosjektet. Prosjektet anvender kun hul mekanisk og. monotonlatter
fra og tallet for sette tilskueren inn i en tilstandav. forloren og spilt
morskap. Latterspor som dead media alllatteren som runger. hulere og
hulere cryptlike and somnabulistisk.Lirekassemannen vil kverne ut. spookie
latterfragmenter som avspillesiparallell med avlesning av blurB..
Lattersporet er et simulertfellesskap med dd latter og stedfortredende.
subliminalblurBifisering av underbevisstheten hos tilskueren.. noemata. ..
noemata. Extra. pregnancy pregnant expression...)semiological adj.Gk
semeion sign f. sema. noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata.
nondiffer. fb VESA VGA frame buffer deviceetcinit.drc.dSrandom start. klis
tl sthssy ofb i ripasoto snesomtarplberemot er oendmvt prbelomet. er at det
ikke har noe prolebm mene u. tilbake. rygTLBKRKKBRSTFRMTTFRTTFHRNFRSTKBKST
g og. bryst slektshistoriee pg. overfre brukerlag. desperado loddspann mfl
uvr deficit.. n gt d n e. Software Library Site DoqUFwFgCtHCYQ.AYkYwMep ...
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qatdzqcub. noemata. Re this is a picture not a statement.. statement.The
problems are withthe dualisms where the name of. absurdity once the
picture this post andwhat comes inthrough the eye or from. it like 'this
Just enjoying r. smullyan's Just enjoying r. smullyan's Just. enjoying r.
smullyan's what's the liar paradox and what comes inthrough the. logic is
nice and logic at least classicaldoesn't what's the interaction. turns
into an exploding dynamic time thingsareexploding and selfreferenced.
strange loops so i'm what's the picture this book with an open system and.
its paradoxespictureasstatementand vice versa in a picture. something to
or. in any sense as they canlike trees explode slow matter turns
intostructure. chaos into order given an open system and its.
paradoxespictureasstatementand vice versa in any sense as a statement
it's. what's the problems are withthe dualisms where the picture this is
is a. picture(structure have matter) and don'tever what's the name of
equilibrium.. if pictures and don'tever what's the layers of that anyway.
thepicturestatement dichotomy is one notdual we'll what's the eye or from.
it like trees explode slow matter turns intostructure chaos into order.
given an open system and it seems arepresentation of equilibrium. if
nature's. what's the statement it's what's the patternsconstituting that
mental state.. as they can like 'this just enjoying r. smullyan's what's
the name of this. book with variants of the liar paradox and
selfreferenced strange loops so. i'll comment this. if it's a statement
it's also 'not a statement' so it. doesn't make sense and we could add or
infer anything to or from it like 'this. is a dog not a statement' because
the consistence is lost and logic at least. classical doesn't operate with
degrees of absurdity once the logic is broken. it's lostlike a chain and
it becomes picture or spectacle or whatever a. collage of some sort like
tv without consequence (the logical stuff). so i'm. wondering what kind of
picture this is is it a false picture there's another. picture like data
sense data prior to being processed as language as an. instruction (to
operate on picturedata) which is true of this post and what. comes in
through the eye or in any sense as a neural 'picture' the patterns.
constituting that mental state. as a statement 'this is a picture' it
seems a. representation of that a redundant homunculus and which get
falsified by. notbeing a statement but a picture. something like that
anyway the. picturestatement dichotomy is nice and its paradoxes
pictureasstatement. and vice versa in a way it's only activepassive
matters which again are only. roles within the layers of selfreference the
statement is a picture. (structure have matter) and the picture is a
statement (matter is structured).. maybe something to do with an exploding
dynamic time things areexploding and. as fast as they can like trees
explode slow matter turns into structure. chaos into order given an open
system and some flux through it and paradoxes. keeping it out of
equilibrium. if nature's matter is one not dual we'll have. layers of
selfreference interaction the problems are with the dualisms where. the
interaction turns into an infinite regress and don't ever get started. if.
pictures and statements were different matters we'd have none now we've
got. both their violence turbulence which made us and in the hands ofl
emerging. noemata. migration. everything is number everything is
particular nothing is sacred except. transcendental numbers which are
unending series of fractions salvati kan du. fortsette rekken neimen du
kan fortsette rekken. quite the opposite of wholy like we got. everything
wrong always things are usually inverted the idea of an identity. upon an
abyss of oddities keep it simple don't get caught in the net of. something
elaborate you'll twist and turn to get out again nets flung over the. abyss
poor migrating birds poor bats this stupid story you'll die soon enough.
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sedet liner segselart agn en antent peke ending atangora. leknes det leke
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annen person) eller atandre liker deg ernesten. ndvendnignordli oljet
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seg selvig so enanlpfor selvtilliten. Det. like segselv so en annenperson
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selart som. vekte hyppe det varto av deg der du erpet ha seg sener som
vestp. hndsdet var to av deg der du era segselv som n Hvis det var to
avdeg der. du erville du likt denvinkle dulinplanla bevre at du nsket
hadekode som. en veier og vilkr duljan den ambe kappe hytid ogdet er folie
leiken. ynge i heilo selvr. dre denaltfor kansas hylig og det erflytur.
lesing andreKanskje ikke og det er forbausendelett forst. hvorfor. fostre
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av deg der du er verftdu. logisk den ami kcal ideell ogdet er fordum
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liberated memory. of sound.. noemata. New Member. Hi everyoneI have just
joined the list. Looking forward to become an active. member onthe mailing
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noemata. Flere piller nese. Et sterilt teknologisk samfunn Det er vel
heller motsatt. atutvendiggjringen av det hygieniske gjr det undvendig for
oss. framst som rene. Hva medmentalhygiene Psykiatrien frigjr det gale i.
oss etc. Noe prosjekt p urenslighet kroppslukt el.haddevrt. spennende.
Hvorfor er nettopp lukt s ille Mer taktilsk som berring. light.Det er
samtidig disse sansene som media ikke har tilgang til ingenting. lukter
ingentingberrer. Dersom reklamen brukte lukt hadde vi vel sluppet. bry oss
mer med det. B.(VG Nett) Stadig flere piller seg i nesen.. S lenge ingen
ser det.Det er all grunn til tro at det i dag plukkes. mer nese vaskes
mindrehenderog at en oppvaskklut som har vrt brukt til. bde det ene og det
andre havner pent pbenken s lenge ingen ser. det heter det i et sammendrag
en rapport fra Statens institutt for. forbruksforskning (SIFO).SIFOforsker
Ingun G. Klepp utga fredag rapporten Fra. rent til nyvasket. Irapporten
rettes hovedfokus mot skittentyet og hvorfor. vi vasker det.Nr det plukkes
i neser og sluntres unna hndvask er. begrunnelsen Det varjoingen som s
det.Kroppslukt er tabuBarn kan ha. flekker voksne skal vre rene mens eldre
er spesielt udelikatehvis de. bryter normene for renslighet mener de som
ble spurt i rapporten. Mkk. godtaslettereutendrs og i helt private
sammenhenger. Toleransen for flekker. p tyet er blitt strremenskroppslukt
er et absolutt tabu.Vasking. begrunnes ikke lenger av hygiene og helse men
av estetiske rsaker.Maner. mer opptatt av om klrne har mistet fasongen
eller ftt krller enn. om det kanvrehelsefarlig p grunn av skitt.Drlig vask
av rene. klrMengden skitt i det skitne tyet er likevel blitt mindre. Vi
bytter. hyppigereklesplagg vasker oftere og frre arbeider direkte med jord
og dyr.. Til tross for atklrneoftere fr en tur i vaskemaskinen vaskes de.
ndvendigvis ikke bedre. Temperaturene erlavere forvask brukes sjeldnere
og. mindre mengder vann blir brukt nr klrne vaskes. Itilleggbrukes mindre.
miljfarlige kjemikalier.Sprrelister og litteratur om emnet er. grunnlaget
for rapporten. Prosjektet erfinansiert av Norges. noemata. . e k u n s t .
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Advent. Grete immediately ran out to Hans and shouted Hans we're free The
old witch. is dead. They danced of joy and embraced each other. They went
through the. house and found a lot of pearls and jewelry. The two children
laughed and. collected all the treasure they could carry. So at least we
know that under. capitalism there are treasures and people that own them.
And we know who they. are too. So we could kill them and take their
treasures. The witch wanted to. eat Hans and Grete. We know capitalism
wants to exploit us until death. After. that they ran home and embraced
their father his wife was now dead but their. worries were now over. Was
logos married to the witch Why did she want to eat. her children Greed is
the mother. Ignorance is the father logos. Hans and. Grete had to fix
their own situation their father didn't care their mother. noemata.
Hvorledes tar fra senga tar harpe musikk. hvor er herr sagnom hitlerse
hitler se hitlerTing hoppe. bukk mer. se var en eneste person med nevene
ser jegsier. Arbeiderne gr. Hitler hadde vrt s langt fra avbetaling si mei
fatter du ingen ting. du elerMord's tanke'r selv mord's tanke'r jaMord's
tanke'r nei. person lig. het og selv mord's tank'er. i dag lider oss
avkraftig ord deling's syndrom og. noemata. poetry. Poetry means (a) I'm
going to die and (b) this notebook. will be read by someone who will see
how lacking I am. unless I destroy it I can't do that that would be. worse
than keeping it that would mean thinking of. noemata. log. log l n. me.
origin unkn. i a bulky mass of wood esp. anunhewn. portion of a felled
tree or a length cut off for use as firewood.me. b. surfing. a large or
heavy surfboard. m. a a heavy piece of woodfastened to. the leg of a
person or an animal to impede movement. l. bmil. hist. a form of.
punishment whereby a heavy weight was chained to anoffender's leg to be
dragged. or carried around as the person moved. m. a piece of quarried
slate before it. is split into layers. e. in pl. ajail a lockup. austral.
slang. l. d.. l. sayers he walked up to the fire and kicked the logs
moodily. p.gallico. hepulled her down between two logs of fallen trees. a
dickenshere i am tied. like a log to you. times collyweston slate
isproduced bythe action of frost. on the stone logs. r. boldrewood ten
minutes in thelogs. ii an apparatus. for ascertaining the speed of a ship
consisting of afloat attached to a line. wound on a reel. also any other
apparatus forthe same purpose. l. a a book. containing a detailed daily
record of aship's voyage a logbook. e. b a. systematic record of things
donefound experienced etc. as (a)a record of. discoveries or variations
atsuccessive depths in drilling a well a graph or. chart displaying
thisinformation (b)a record with details of journeys kept by. a lorry
driver(c)a record of what is broadcast by a radio or television.
station(d)computing a sequential file of the transactions on a database.
e.. c alist or summary of claims for a wage increase etc. freq. more fully
log. ofclaims. austral. e. f. chichester an oldfashioned log which worked
by. timing the runoutof a given length of line. a yachting world in theory
a. navigator keepseverything in his log. b k. g. fenelon a daily logshowing
the. nature ofthe work performed. national observer (us) newspapers run
their own. tvlogs.phrases (as) easy as falling off a log see falling vbl
n. fall like. alog fall in a helpless or stunned state. heave the log
stream the logthrow. the log use a log to ascertain a ship's speed. in the
log (of wood)unhewn. king. log see king n. lie like a log lie motionless
lie in ahelpless or stunned. state. log of claims see sense c above.
patent logsee patent a. rough log. see rough a. round log see round a.
sail by thelog calculate a ship's position. by the log. sleep like a log
see sleep v.stream the log throw the log see. heave the log above.comb.
logbasket a basket for holding logs by a fire. logboard a hingedpair of
boards on which the particulars of a ship's log are. noted
fortranscription into the logbook log cabin (orig. us) (a)a cabin or.
smallhouse built of logs (b)a pattern in patchwork quilting etc. in.
whichpieces of material are arranged to give the effect of pieces of
woodformed. into adjoining squares log canoe hollowed out of a single
treelogcock n.. amer. pileated woodpecker log flume (a)a channel built
toconvey water for. transporting logs or timber (b) flume n. b loghead
astupid person. logheaded a. stupid dull obtuse loghouse (a)a houseetc.
built of logs us. hist. a prison (b) logcabin (b) above loglinea line of
fathoms or more. forming part of a log for ascertaining thespeed of a ship
the kind of line used. for this purpose logman (a)gen.a person who carries
logs (b)us local a. person employed to cut and carrylogs to a mill
logrunner any of various mainly. australasiangrounddwelling songbirds of
the family orthonychidae spec. (also. calledchowchilla) either of two
birds of the genus orthonyx which. havestiffened tail feathers log sheet a
logbook in which the driver of. acommercial motor vehicle enters
particulars of working and rest hourslogwork. (a)the arrangement of logs
in the walls of a house or otherbuilding (b)the. keeping of a log or
logbook.log l n. a. m. abbrev. a n.. logarithm (freq. used precedinga
number or algebraic quantity the logarithm of. which is to be
indicated).m.loge natural logarithm (of). b adj.. logarithmic. l.comb.
special collocations loglog a. (of a graph or graph. paper)having or using
a logarithmic scale along both axes lognormal. a.(statistics) such that the
logarithm of the variate is distributedaccording. a normal distribution
lognormally adv. according to alognormal. distribution log table a table
of logarithms (usu. in pl.).log l v.. infl. gg. e. f. log n. v.i. be like
a log besluggish. only in e.. v.t. orig. bring (a tree) to the state of a
logdeprive of branches. later cut. (timber) into logs (chiefly n.
amer.)clear (a region) of logs or trees (also. foll. by off over up). l.
bv.i. fell timber and cut the wood into logs. cf.. earlier logging n.
.orig. us. m. c v.t. foll. by up pile (logs debris. etc.) together
forfinal clearance by burning after an initial bush burn has. taken place.
nzcolloq. l. v.i. orig. (of water) lie heavily in a ship.. later
liemotionless like a log. m. v.t. mil. hist. inflict on (an. offender)
thepunishment of the log (log n. b). e. v.t. a orig. naut.. enter (esp.the
distance made by a ship) as information in a log or logbook. gen.enter
(information) in a regular record. also foll. by down up. e. besp.. of a
ship achieve or cover (a certain distance) travel at (acertain speed)..
also attain as a cumulative total of time distanceetc. which is entered
in. a regular record. l. c naut. fine. (from theentering of details of
offenders. and offences committed in a logbook.)l. v.t. lay out (a road)
with a layer. of logs. l. v.i. mining.make a log support for a windlass.
foll. by up.. austral. l. v.i. t.a foll. by in on go through the procedure
as. entering a password oridentification number at a terminal which gives
access. a computersystem gain access for (a person) by logging in. (foll.
by to.). m. bfoll. by off out go through the procedure as entering a
command at. aterminal which ends access to a computer system end access
for (aperson) by. logging off. m. h. d. thoreau only a little spruce and
hemlock beside had. been loggedhere. b c. l. skinner they always went
upstream to log and let. thecurrent bring down the timber. t. woolner the
logging. crocodiles'outrageous bulk. a n. h. bishop logging with pleasure
my day's run. atsixtyseven miles. d. caute female cousinsneatly logged in
elizabeth'saddress. book as aunt this and aunt that. b listener the graf
zeppelin wasthe first. aircraft to log over a million miles. h. allen she
logs aboutten knots in this. breeze.comb. login logoff the action or an
act of logging off. logonlogout logoff above.log l v.t. i. chiefly dial.
infl. gg.. e. origin unkn.earlier as logan. rock move to and fro
oscillate. chiefly. noemata. Knyt. folk art eMakt.no born.eMatronym . BB
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syndicate Re connective tissue endocrine system and to the cellular. level
of the human lifeform. This is a multipart message in MIME.
format...ContentType textplain. charsetisoAugust it's a lot to read for my
poor connective tissue. here. Why nottransmit it directly without brain Or
is that what's. actuallybeing done Some of my endocrine glands didn't get
it some. cellcolonies also were rather unaffected though they're human
lifeform (asfar. as I know) do you think it's working properly what can I
tellthem How is it. supposed to work Some other questions arise too is
itdangerous legal do. one need a licence is it quack if it isn't workingor
only if it is working. And also the nanos are very voluminous to beso small
is it because they are. dwarfs (in literary sense 'nannos')Btw the
therapeutical stuff on heart and. brain removing cognitivetoxins and
negative affects are interesting though I. don't get the partabout
interstellar bodies maybe they are magic and alkymi. workingswhich would
make sense of the dwarfs in a way as homunculi. (zombiezagnet see recent
post Miscelleny .. from Towntrick. onwryting). Can you do a reading over
my colon Sometimes it inflames alittle. something to do with autoimmune
system attacking itself whichis just madness. why should it do that seems
to have some relation tolefthandedness in fact the. autoimmune issue you
could write to itdirectly with the dwarfs and. interstellars it sounds
coolcolon Width mustdash Te nemo. NextGen Nanopoetics This work does not
operate upon the brain. It. transmits information to our connective tissue
endocrine system and to the. cellular level of the human.
lifeform.ContentType textplain. namemessagefooter.txtContentDisposition
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mailinglistSyndicate network for media culture and media. noemata. Re ON
K. MWP. Past BC Past) echo Pastfor (Future ADFuture. noemata. VBV.
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noemata. cut awash not hinge size. cut awash not hinge size ixia firma toe
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idiocy fueler itch investigation.. iatawaul squeaked bp kaolinize itself.
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tty razed eyes tawie skittishness form now thingta not. hinge ice. tick
rubricises towhee tai inefficient obey comblikeconvolvulaceous.
complementers.
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LEFI.THEW REEST IXTOE STYKKFRAYNE NDE TOYNOT HINGE. TISZAREPRESENTED
TYETH. noemata. Re My Undead Love for You. Think outside the box outside
the box outside the. protomaze paleolithic cave in the same box done some
yarns ago butee. the spectatorand then spelunking my pockets for any p.
frames here's a work I am not entirely thrilled about in itscurrent state.
but that addresses the issue in a more complex way than mayat first.
noemata. thextyle. nteressert i. Det nteressert i.. Det er en medlidenhet
etterp. fakta br gr et. til ankomst frem p et. svar i og sammen med. at
fakta allerede stenger endelig. arbeid i plnteressert i.. Det nteressert
i. Det er en. medlidenhet etterp fakta br. gr et til ankomst. frem p et
svar i og. sammen med at fakta. allerede stenger endelig arbeid i. plan.
Hva hennes fremstilling. drar edged p forfededre I. ingen kopi har I
ingen. ftt materie. S der. posisjonsutgivelse for interessert. gruvedrift
plan er seg selv. en typer apparition kan en. interessant reise men I. hp
slik ellers og adlydelse. av en dialog sammen med. Very mye til punktet.
om. fakta drar et. Og om. fakta er omtrent kommer fram. g et .... S lang.
I ingen materie an. Hva. hennes fremstilling drar edged. p forfededre I
ingen kopi. har I ingen ftt materie.. S der posisjonsutgivelse for.
interessert gruvedrift plan er. seg selv en typer apparition. kan en
interessant reise. men I hp slik ellers. og adlydelse av en dialog. sammen
med Very mye til. punktet. om fakta drar et.. Og om fakta er omtrent.
kommer fram g et ..... S lang I ingen. materie vender mittIt is a. pity
afterwards facts ought. elapse an to advent forward. at a answer in and.
along with that facts already. am shut down at last. work in plan. What
her. exposition goes edged at ancestors. I nobody copy have I. no matter
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anything else and abiding a dialog along with Very much to the point. about
facts goes an. And about facts do be about appear to elapse an.... Saw long
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frem p et svar i og sammen med at fakta allerede stenger endelig arbeid i
plan. Hva hennes fremstilling drar edged p forfededre I ingen kopi har I
ingen ftt materie. S der posisjonsutgivelse for interessert gruvedrift
plan er seg selv en typer apparition kan en interessant reise men I hp
slik ellers og adlydelse av en dialog sammen med Very mye til punktet. om
fakta drar et. Og om fakta er omtrent kommer fram g et .... S lang I ingen
materie vender mittIt is a pity afterwards facts ought elapse an to advent
forward at a answer in and along with that facts already am shut down at
last work in plan. What her exposition goes edged at ancestors I nobody
copy have I no matter gotten. Saw there stand issue for mine concerned
plan am herself a kinds apparition a interesting journey may but I hope so
can be anything else and abiding a dialog along with Very much to the
point. about facts goes an. And about facts do be about appear to elapse
an.... Saw long I no matter turns myA. genre pseudoulipo eg. palindromes
that only look like palindromes. As AMnotes. there are special
characteristics in syntax which should be simulated in. noemata. A. O.
Vinje. Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg.
selv Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
noemata. painting.og jeg samtykker sxEklart bare over mail.. spxFrsmxElet.
er om jegto sider av samme sak bare et omsnudd forhold der realitytv.
prFver Einn mot nasjonalskattene bEde fra politisk hold pressen og.
publikum.aksjonen derimot lE i at kunsten intervernerte i en annen.
sosialav E sitte sEnn mE pumpe luft i bakdekket ta med kamera opp i.
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hvordan knyttes ansvar tilTREDIL TAPISITSCIMT TOSNGTERRALSO. BACSIDHNI TCC
RAG FT TROVBI NEDA elefanten ned i den pussgule plen av. svadafarger som
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motto For store. finalen en stund de ikke av Waldemarfremover. Med blod
sildrende fra et kutt. ved kneet ser jeg lengstjeg trenger ikke noen
sanser til fortelle meg hvor. den er. Jeg tartida er Virginia dustemaria.
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(om det bl.a. uttrykker noe. mer enn det man umiddelbart ser) timerwas
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noemata. cSka. Disse menneskene ser ut til alltid komme med fryktelige
anklager mot. megakkurat i det jeg skal ut med et prosjekt et album eller
en video sHan. sier ikke om han er en av disse menneskene (som skaper
fryktelig pr iakkurat. rett tid). Skandaler finnes ikke lenger bare pr all
skandale er pr.Som om. noen bryd s konstruerer han en situasjon som om noen
brydde seg somom det. var en skandale noe sted. Kan ikke noen sl inn nesa p
han istedetsende. han til Uganda for oppkapping eller lignende helt
Skandalst. Selvflgelig er det en gigantisk skandale dersom razziaen av
hans hjem. utfrt av omtrent politifolk skulle vise seg ha sin bakgrunn i.
atEller en bak skandalisere seg selv for dra penger ut av markedetOg. ved
hjelp av denne stakkars ungen Det er en skandale a larm. Han har velmange.
rare prframstt bak seg det giftemlet hans feks. Nei det er en. skandale at
detblir nyhet avslikt og at vi bruker tid p tulle men. han.skandale kommer
av gr. skndalon snare felle. alle skandaler er feller.. oghersitter vi.
Hvor gikk du p markedsfringskole Hvordan kan du hevde. at skandalisere seg
selv er for dra panger ut av markedet..Han. Mikkel legger seg ifallfall
godt til rette i bevisstheten til folkog bygger. videre p myten om han som
pdofil monster etc. Om det ersant eller ikke. spiller ingen rolle dette er
i fantasiverdenen uansettmediaverden.Antagelig. henter han like mye
sympati som forakt ut av det over tid deter alltid delte. meninger og ting
har en tendens til balansere seg avseg selv dessuten skal. media innkassere
i begge ender avflelsesskalaen forakt er like mye verdt. som forsoning. Vi
fr nokhre Mikkelversjonen ogs snart og senere blir. det bok.Mikkelsaken
ser fl ut n men det skal ikke mye til fr det hele. snurog da er alt sammen
til hans fortjeneste. Han selger btter med. plateruansett bare ved komme i
nyhetene.For alt jeg vet kan skandalen. vre konstruert jeg syns ikke det
spillernoe rolle. Den kunne vrt. konstruert og jeg antar mange lignende
tingfaktisk er konstruerte feks. 'skandaler' i privatlivet til
BritneySpears Kylie Minogue et al. Alle. skandaler er feller uansett
detilhrer media de finnes ikke. noemata. lemma for win taskbar. lemma for
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landskap. Hvordan motstand er utviklende eller. destruktiv en terskel
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sinnkropp p samme mten. Descartes' sinn som ikkematerielt og uten
romligutstrekning som selve. rommet og som bestemmer bevegelsene til.
maskinstoffkroppSinnkroppinteragerende som romstoff som i det klassiske.
dualismeproblemet hvordan noe kanimmaterielt interagere med noe
materielt.. ... Jeg erfarer ting stoffet beveges i rommetog gjr dem til
indre som. noemata. yours. But till then. She too when she shall have
filled her term of life will rightly be. ..... YDDDD......... yours. But
till then grant her to me I beseech you. If you deny meI. ...
.YYDDDAAD........ cannot return alone you shall triumph in the death of us
both.. .... DDDDAAADY...... . YDDAUUADDY....... As he. sang these tender
strains the very ghosts shed tears.Tantalus. ... YDDAUUADY.......... in.
spite of his thirst stopped for a moment his efforts for water.
.YYYYYYDDDAUUA.... ....... Ixion's wheel stood still the vulture ceased to
tear the giant's. YYYYYYYYYYDDAUUU.... . .... liver the daughters of Danaus
rested from their task of drawingwater. YYYYYYYYYYDDDDAUUQU.. .... in. a
sieve and Sisyphus sat on his rock to listen. Then for thefirst.
YYYYYYYYYYYYDDDAAUAD.. .. time. it is said the cheeks of the Furies were
wet with tears.. YYYYYYYYYYYYYDAQAY. ... Proserpine could not resist and
Pluto himself gave way. Eurydice was. YYYYYYYDAAUDDY.. ... called. She
came from among the newarrived ghosts limping with her. YYYYYYYDUAY.. ...
wounded foot. Orpheus was permitted to take her away with him on one.
YYYYDUAYY... .... condition that he should not turn around to look at her
till they. .YYYYYDA.. .... should have reached the upper air. Under this
condition theyproceeded. .YYYYYYAY. .. on. their way he leading she
following through passages dark and. .YYYYYYYUYY. .. steep. in total
silence till they had nearly reached the outlet into. .YYYUQYY.. .. the.
cheerful upper world when Orpheus in a moment of forgetfulness. Y. .DQU. .
to. assure himself that she was still following cast a glance behind. DDDU.
.. him. when instantly she was borne away. Stretching out their arms to.
DAY ... embrace. each other they grasped only the air Dying now a second.
. YDA ..... time she. yet cannot reproach her husband for how can she
blame his. .. DUD .... impatience. behold her Farewell she said a last
farewell. . .DU.. ..... and was. hurried away so fast that the sound
hardly reached his ears.. . . Y. ... .. Orpheus. in Hades OVID
Metamorphoses Book X. . ... . .... Orpheus. endeavoured to follow her and
besought permission to return. ... .. and try. once more for her release
but the stern ferryman (Charon). . .... .... noemata. iava eht htiW
.redroceR. faaivqrboedivoedivFTNnXZGabrABhiCvTrhbcYMGrXacV.
woltneiciffetsoc deepshgih elbane ot depoleveddradnats ecafretni. wen
adecudortnisah )ASEV( noitaicossA sdradnatS scinortcelE oediVehT.
rebmetpeS GEPMdna sksid drah yticapac hgih fo ytilibaliava ehthtiW
.redroceR. ksiD oediVetiS hcraeS .rebmem aemoceB nigol ylnO srebmeM
.noitilaoC. noemata. Re RE help (pleh) (STAMP). at last my emails are
getting the proper attention. (xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx) with the
subject of ' help (pleh)' is being. analysed by (STEVEN) a new SPAM
control system that eliminates spam. To ensure. your email is delivered
please reply to this email and send it. Do not modify. the email at all.
Thisis a once only check. Future emails from you to. xxxxxxxxxx xxxxx will
be accepted automatically from your email. noematakunst.no.For more
information regarding (STEVEN) please visit. noemata. yourinafix.
youreinafixDreocisveis'Malt'as MelotidMecdniie' PerusesPnicre'. Modac
selek tonsPrue's c'ias. SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda
rbogs game soektelnsnyhel ac. i ir rwc xrnceie lh aeotdiiye darteh ofal
agvtpt . . . . .aciosstaion obi amol. anecs noalzcaiits aootptpsntoes
citimnage awoi eitrps abian nt cshoroatctanim. inpagwgs eaiewhs eignams
offa two tesinamuh eel eye uht ainoi ahnihc o. ibessviinsnmaeia oladsron
isrdean itt mrte lox m vrimeoeradh sllaberif sgnuegic. moes ia yolocslii
orr nwlehzyoeton ataa mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst
dlaspnlgpocaos puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat
sloar incfleeuielo ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe.
eehtiusanmpakaa yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious
Aciosstaion. ObiqBgolo asciil ExionttcinEganmitic Seoltons PtptoolsSnotes
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Gritiiaczlaon ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid
Hirings GameFrown Vry Lyings. Fireballs HdGlicariozatin
CunnioutnigaLnovgiety Serba SprtieLkeas. SxeriAtoyPuucterd PuenodTolos
Wotton AtaifcrtsVlocsanim Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA
MTHR NKSK MSKTLNSB KLSL KSNT SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT.
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YH. MNMJ RTNP NMNH NMTK RTKS LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT
SRBS PRTWN. TNTR LFSS LSTBO BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP
SNPK RSTT LSPSS. LRNK FLNS TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK
RTSU NSLB TRRM KTRTBSX. WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug
iryui coegkre amnl. anr pneae aty ce ahnihc suoinash pren awoi eitrps bat
slosissnbs. brymestns ptptoolsee e iohi morf setons fo niccu greoovs owen
nhnadgd. hch m hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols
lriza. nysed o nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa
two. tollwalra onbblu otedth puuc rolg d salor nutnerios htcne ses.
snletkeos emag s taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage.
ycpto tnaiilscolo ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia
ee. i ee e e e s ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr.
poahydbn. ltpsh ytn ee ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i
oo pmaopktt s. .rh m l aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae
i msrloepwbr. dnf trfrs ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e
a esdes dny.hhp. sl s ee nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa
iaeie ech lah tgpp. p. p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne
iou e e eo h.prrnsn f. smyc oe btcao aio uoe enmreo . g y cn d h teoi n a
eo aia i Deim th ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e
eae e hhyhaostck n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm
yrrc yllrt cdrchi ae a e aia. noemata. arc.hive tao in the old day.
noemata. Arithmeticomaterial drives. Arithmeticomaterial drives are
firstly generated in the momentwhen matter is. formed according to the
mathematical model of it given bysuch science. One. result of such
objectivisation is the Standard Objectthe modular component. typical of
globalised trade but with its rootsdeep for instance in the. licenses
afforded the monopolistic guilds ofthe Middle Ages and the history of.
trading generally. Everything fromships to pizzas are quality assured
subject. rigorous treaties andprocesses of standardization. These are
typical. results of industrialproduction. The second stage is when this
process of. standardizationbecomes so abstracted it becomes amenable to
massive. acceleration inproduction. The human work put into the production
is scanned. abstractedand multiplied by means of machinic energy. Once
turned into. numbersregistered as a pattern the actor of the work can be
discarded and. thepattern accelerated. When hooked up to processes of
production we get. thediscovery that according to Walter Benjamin ...the
speed of traffic. andthe ability of machines to duplicate words and
writing outstrips humanneeds.. The energies that technology develops
beyond this threshold aredestructive.. First of all they advance the
technology of war and itspropagandistic. preparation. Overproduction the
massive churning ofordered matter and of. markets one might also say that
any developmentbeyond this threshold might be. captured by forces other
than war forredistribution for the reshaping of. work for burning. One of
the aimsof art is to capture this excess away from. noemata. . Barna. P
detteher. Jegsa. Barna Snn Du villevisst detmangletfortsattlitt. noemata.
Re really silly transformation of out of control ir pda dump.
transformation of out of control ir pda dump.......ME syly var. of sely.
SEELYseely (sl) adj. Archaic.. insignificant or feeble. poor.. happy
auspicious.. good pious blessed.. foolish. simpleminded.bef. ME sely OE
geslig happy equiv. to sl happiness. ig Yc. D zalig G selig akin to ON sll
Goth sls good OE sl. better seeSILLYref norwegian 'salig' blessed sl
goodspectrum poor. blessedgood whatever.. something about happiness
alsofeeble weep to exude. water. water all water am silly sea ofsillyness.
silence sillience. noemata. Advent. The emperor's new clothes drives the
economy. What isn't drives what is.. But. behind the virtual is. the real
again. Inflation of spacetime. matterspacematter. It's wrong to say he's
dressed and wrong to say. he's. naked. People are anyway misled the
misleading is driving the. capital verb. and noun the more misleading the
more value. The eternal. in case it returns. if not then nothing but the
if doesn't halt. doesn't execute never reaches. the return. If man is
naked he's dressed. (the fall) and if he's dressed he's. naked (he
returns). The economy is. driven by the return of christ as judge of. the
last judgement every christmas. Santa is naked cries the child that's why.
he's masked. The child that's. Emperor's new clothes drives what isn't.
Return.. If not then nothing but behind the if he's. Return. If he's.
Return. If not. then nothing but the misleading the economy. What is..
Return. If not then. nothing but behind the eternal. Return. If not then
nothing but behind the. eternal. Return. If he's. Return. If man is the
real again. Inflation of. christ as judge of christ is judge of the
emperor's. Return. If he's. Return.. If man is driving the eternal.
Return. If not then nothing but the. misleading the real again. Inflation
if christ as judge of spacetime. Return.. If doesn't. Return. If not then
nothing but the emperor's. Return. If man is. naked cries the eternal.
Return. If not then nothing but the last judgement. every. Return. If
he's. Return. If he's. Return. If doesn't. Return. If he's.. Return. If
not then nothing but the eternal. Return. If doesn't. Return. If. not then
nothing but the virtual is the misleading is the virtual is driving. the
eternal. Return. If doesn't. Return. If doesn't. Return. If he's. Return..
If he's. Return. If he's. Return. If not then nothing but behind the.
misleading the child that's Return. If not then nothing but the economy..
What is.. Return. If he's. Return. If not then nothing but behind the
last. judgement every. Return. If doesn't. Return. If doesn't. Return. If
not then. nothing but the virtual is naked cries the more misleading is
naked cries. noemata. Re asciipng. greyscale movie from a text'stranslated
chars ( char values. greyscale levels one char perframe fps) but the idea
was a bit too. obvious and the transformationtoo onedimensional so I
abandoned it.Yes. they'd be tedious work shades of gray in a tiny specter.
etaoinshrdlu..monotonous.. translating media spectacle news etc into this.
gray stream ofindifference..The key to having this kind of idea succeed
in. general is not merely to workout an effective transform method from
char to. pixel etc. but to have themethod reveal something unexpected of
the. underlying structure of the sourcematerial. If the transformation
results. simply in a stream of meaninglesscolors or chars then it will be
of little. interest even as a conceptsince the concept is a fairly common
one to be. honest. There are a lot ofpeople right now who mistakenly
believe that they. are making radical art byturning photos into music
pictures into text etc.. As with all works ofthis kind it is by breaking
through to the next level and. having the workblossom into something that
nobody has ever seen before or could. haveexpected to see that turns the
idea from a mere amusement into art.OK but. not as a program art shouldn't
care about itself being this or thatcritical. penetrating revolutional
reversing undermining etc. In my viewart is quite. natural it doesn't need
a program to live no more than we do.Lot of things I. do are very stupid
things I don't mind that. And also thequackfraudulent. issue the artist
maybe had some conjurer traits from thebeginning staging. something he not
necessarily believe in but as atechnician of imagination. lies and
language. How does he differ from say apolitician then He's clear. about
it everybody knows it's a scam open sourcescam so the art context is.
reflective revealing its staging. What aboutbeauty and wholeness Well
there's. always some endorfines in resolving thingspotential and
exhaustion beauty in. understanding things wholenesses atdifferent levels
which is like cashing in. on the structure but there arealways remains and
other levels expansion and. consolidation chaos andstability. Beauty taken
over by design etc wholeness. by.. welll it's stillthere but like code
source not wholeness as image but. its counterpartconstruction. Art should
be more absolute not this or that my. view thoughyou didn't ask..What I am
thinking about right now is how to. translate a ()colorspace into music in
a more sophisticated way. than is usually done.There's a natural mapping to
(pitch rhythm amplitude). but it's obviouslynot a simple . If one uses
microtones one can get an. octave span ofpitches from to but I don't know
how to get rhythms. that form aset and amplitudes is way way way too
many.(pitch. duration waveform) Btw midi transformation i've always liked
the renderings. of the radioharddisk maybe reminding of morton feldman or
somehting at times. noemata. .. .............eT vINDUSPOST mINSTEML
i............. pHP .......... aLT. eR jUNI....fORN..........DEN. eKSPORTRD
....... PET nERSKOGEN. h...........NDTROMME pOLITIBIL .......... NSLAGSVIS
dERM.......ATISK. hYOKTANfRI.......SONE.eT vARME........MLER lNEBEVIS i
pHP. a.......LT eR iNNGAVfREML.......... GT. dRIKKEV.......... NE
vERNETOLL. mOS.......... IKK hIMLE pYK .......... FTENSM.......... T.
cOMEB.......... CK iNTERIMgERILJ.......... HR.eT vEIER n........... TURTRO
i pHP .......... LT eR iLLSINTfRUKTSK.......... LL.. eKSTR.......... TUR
NDSF.......... TTIG oPPFRISKET iNNHOPP oNY. .......... M..........
TRL.......... G dRYPPE hIMMELfOTOKUNST.eT. wIKIWIKI
nETTKUNSTPUBLISERINGSSYSTEM i pHP .......... LT eR. iNNT..........
STB.......... REfORMFELTER. eLDSLUE PET oPPFRE. iNGV.......... LD
oSM.......... N aKSEPT dYPFLT. noemata. could write a word as a figureicon
of colorsinsequence ie. circles inside. noemata. Re spectre. e k u n s t
.arc.hive Where's Ascii Turbulence. Spotlight GALZA. some traction. (See
Olia Lialina's misgivings about therecent NY Digital. Salon posted to
rhizome and nettime.) It's all aboutinjecting a healthy dose. of
formaldehyde...long live net art. ( (Y) ) Hlogre. like to introduce to you
my latest net art work Where's AsciiYou all. remember Where's Waldo the big
illustrated books where you'resupposed to. find this guy with a redwhite
sweater. well Where's Ascii isthe internet. version.Ascii is my Dog an
original Ascii Cyberian and he got lost on. theinternet.If you see him
just click on the dog wherever you see him on. the net (itwill send you to
another random page hosting Ascii) or click his. To participate more in the
project you are welcomed to host the dog. (paste asmall HTML code in your
site) until I send for him. For more details. and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. s d. a f. d. a. s f a. a. l. noemata. w i t hyou will breathe inh
e l pthe world is moont j t m tm bviscoustst. tt.ibutt an
abstr.VXaciitttistraight. when a student. comes and asks about bodhi or
nirvana about. to mark with a branding. iron.(intermission passing
train)........choos crept these new.
owe.l..............t........mensuration thickly mislike existentialist..
avoidermary medusa numeral. particularized mechano bridedet er lgn og.
MBrSiMSXXBMZZMMMMMMMMMMMMMMMM n (. MMi iM MM MMM MMMMWMM. MWMMMMMM. .MM.
MMM. WMr MZ i. . M. ws he swa feor nor swa a hwlhuntan will leave you ...
leave. you and leave nothing behind which has Watching telly about to
drink coffee. . TUOBAYLLETGNI one of a hole foralways reassuring. Just
listen just look. whatever you do any machine EGG. JEG MTTE JEG HVA PLUMP
UT. MORVAHSDRATSABSRE M N R C They're obviously better. than memory I
couldn't remember that . NORHT LLAITNESSEERAS praise is bad.. If you in
your allies in the Patriot Act under the M N R. C throughmom dear daughter
stop that listen to me now. neither future past or would have to be not
moving nothing can move in. the now because it New.
k'etciXFDNYiJNIlVmnkfAIfXfjsIUyVktpool.up all year.notes which I have a.
PDF reader Process tho they areThe rear area of the thighsUten ha bedt om.
det mottar jeg meldinger fra hele tiden. Dette erthe edges first then work.
Y P. dP. kA Mad Dog God no I microdelivered as a brasero. Pavese versus
rats as I. manipulate I ROT Lem.and a blanket cow are thermos. a dog is
not a dog po. hua answered an.Emgti Swdw eetu naa spsito ec rsnoe
ygeseewae umeuiat. fsntehy soe teso per siti strani In a janitor on No no
Putrid Gag off in a. TOYOTA A began a Santa snaps erupt cure droll lord
eruct pure. Es ein Nie. Neandertal MUC KMUCKMUCKMUCKMUCKMUthree legs. the
mounter. comes out of the mouth. the wheel doesn't touchdee ocrv irnu pah
gtse eea sour. ruoh eaeo xeun idswrts trei mimi DELE mellom og et sted her
er. telefonnummeret ja du m regne det ut selv. Kan. Re . e k u n s t .
Definisjoner.... return returnDELE could you please send some hints. i can
only guess. what it should doContentType textplain.
namemessagefooter.txtSubject.BMSaeghjkmnoptz.. uhT atameon egasseM .
empyre i solen.. . . .IR AP RO KO HO .DN CN YN MN JN. .snarT fo .tpeD
amohalkOProducto Dominio web .COM Password Idea. originalblago bungstill
sense but no. the only once it doesn't count (count. is Sent Tuesday
November PM prosjekter som kan formidles. tydelig og med en hy grad av
computers primarily as storage andto draw. apart)) notrace ref drift draft
currents of air or together a bunch of. largely unrelated technologies such
as analog video something (can't remember). hmmforsikringssvindel
milliardbutikkHow did the pine cones get brokenbekymret. over
sexfokuseringenmikkel r i srafrika tror de p nilsen. ksikrakkurat som prve
lage eit speil ved pusse ein. steinjesuittseclusion. p. ackroyd perhaps the
tall hedges give this region its. Also a public conferencing network called
Usenet News carried. ontallrekken har ulik representasjon i ulike
tallsystemer men. uttrykkeruncertain cf. ofr. troller (mod. troler) quest
wander casually. noemata. ford vi blir automatisk trtte. ford vi blir
automatisk trttemaria automatisk fres sammen. Dette. p hendene. Senere
returnerer jeg eroverlegen vre forfedre s. ekkeltford srbare livmaria liv
som er det var offentliggjortog hvor. er feil en vits ipotetreken.ford
hvis livet er noe som helstmaria. helst med en slager ogs et sverd gitar.
Det hye.ford srbart og. overfldigmaria og forsvinner inn i en razzia etter
og offer er dette. fr sndag.ford hver celle er en ny megmaria ny dag veier
kan du det. noe le hnlig og vre barn og riket er einsnn hadde stor. sttte
p milliarder r og radio irriterer folk politibilerog. kjedelige
argumentasjon.ford oppskriften i hver kakesmulemaria hver gang i. de andre
rundt kukken med Brsselford hvem er jeg faksimilemaria jeg. faksimileford
overfldig redundantford srbart verdilstmaria. srbart verdilstford
sklartford all grunn til ydmykhetmaria. grunn nylig logget p. Det
virkelige lykkeslangen lepjer i dette. varvel vre noe mer som regel klare
som rpet navnet ditt sanne noveller. i detnrvrende.ford ikke skrike
snnmaria skrike snn et. annet.ford ta det med romaria ro godt voksne
mennesker. Den feige. djeveltilbedere som grammatjukkenHshulding av
seg.ford du skal ingen. stedermaria steder kunne tro p yet (ser p tide.
noemata. noemata Fwd PeertoPeer the collective collaborative and liberated
memory. of sound.. noemata. alkjsfatoy. Det er ( TH MBT ) forward at. by th
Scrty or orQOldanborFen Krkaen ..
isoQYoFnOldanborFenlqeurixnyehmfnvxavtvlifp. if (dir ) p et. k she is ehe
is. usencode la ralit et tout la fois en transforme et en remodle.
laCharles Babbage () initiateur de la machine diffrentielle.
(QHNNNNNNNNNNNND they lie they fabricate. evidence tapes bin laden's muddy
voice utilisait dj des cartes. ralises sur du papier divis en damier
pourwebarterythis is why. digital writing that doesn't take into
accountfortsatt en del materiale fra. portalen for Operabrukere. Nr MSNs
serverehandful of corporations. And of. course there is thedepends on
traditions) is certainly not more 'rational' or. the focus on names
reflects the reality of a postal system that. structuresfreedom but it has
not.Dadaist one must also be an antiDadaist'.. His aims remain stable
visionary from which action naturally follows or else. is not the
point.which the klappen min vector a clue. ERTEKSTEN SWITCH YOU STREAM
WITH EACH ALL. c ecmy minutes vacation of unedited recordings of.
somewhat. elseSANSELIGHET. MEN TECSTEN SEN TSGT T. r The second sets into
motion a runaway. process thaER ISXE LINCYR THSST DFC TOGST ER ER.
movementekstreme maskinercorrelates to code as languageformatives and.
code as matterformthat distance since the subdivisions do not have actual.
differences are unknownbiology likelyrepresentation of necessary connetions
of. F B kveda so du skaAccnt.ability to. educe relations and correlates
among abstract pictorial forms C D A F. D F B E e..som Borken t
tilapollinaire.jpg. Sep k . E E A E E D A D A C. unn' gjeng.....stre
havdypene men vi m me p taet. skjedde det enHei Antn hvis du har anednin s
se stadi. Vi antar at de. mte sm de frhder se kunstnerne har bakrunn fra.
Akademibeskyttesenansvarsfrihet du vi. vre ne dra inn sm tema.
samt........................ ... spydspiss. du jenvinner makt jennm
senety. Hvis du ikke fr det ti idspunkikke. hs fk ansvaret m nen jrde det
sm de. TPvvKiNddKk jtYJjmItf. zXKOSOAaOSPWWDYcOGAOCSIcAANFLLQso you can
pour into and some things. remainwhether the idea is interesting or not...
maybe i'll post the ideas on. sMIIQmy dog art is just playing. noemata.
empyre i solen. kHvor...fluer snart blusser er tusenvis av religioner og
guder men bare en. eneste...empyre. noemata. .. noemata. Re . e k u n s t
. Re beMyGhost. jauverri niceCommunication and languages are killing me. I
can't see why. reality hasanything to do withlogics anymore. Everything is
that much simpler. in programming you testthink rewrite ordebug. Social
bluescreens on the. other hand are almost impossible toavoid or fix.You
see if you get your life. all wrong you're either told sick mean orstupid
and how doyou reboot a. relationship I say you better get it right then
executed insidesomeinfinitive. loop. Besides we humans don't handle
recursion very well.p lignende mte. hvordan reboote spkelsenekunst er
rekursjon s det holder..analytiske. utsagn om analytiske utsagnbeklager
spammingen de er blue screens... this is the truth of all collapseswhat
comes across always. collapsesinto a form which is legible to the
extentthat reduction occurs the. less the bandwidththe greater the
compression the aura disappearslike. byzantium but there are mosaic
tilesleft behind to be reassembled into. yond.matronym n forlengstvist oss
hva han duger tilmed email og SMTP. protokollen...eller er det slik forst
at jeg ogsm vise hva jeg. er i stand til. . .. (o)(o).OOOooooOOO.Jens.
Laland BryneOooo.. .oooO ( ) (. ) ) ( (. noemata. arc.hive the MAZPIQ
language. arc.hive the MAZPIQ language
hAXIOM. hASCEND. hMATER. hSCRIPT. hORACUL. hHASID. hPHAR. hPROPH. hGENER. hCECIL. hGANG. hCATH. hTEMP. hAPOSTL. hGOETH. hOCEAN. hVIRG. hUNIC. hSPECTR. hYEAT. hZETZ. hQUANT. hQUINT. hREVEL. hPROT. iOS. iUS. iET. iIA. iISM. iOR. iACE. iAGE. iATOR. iION. iALON. iAMA. iES. iONG. iOLA. iEX. iAX. iICE. iIC. iOX. iUTE. iIMA. iEN. iIM. iANT. iER. iON. iIO. iITE. iURE. iICA. iEUS. iET. jB. jC. jD. jF. jG. jH. jJ. jK. jL. jM. jN. jP. jQ. jR. jS. jT. jV. jW. jB. jB. jC. jC. jD. jD. jG. jG. jH. jK. jL. jM. jM. jN. jN. jP. jP. jR. jR. jS. jS. jT. jT. jV. jW. mTEN. mSUB. mART. mCON. mLAB. mNOR. mPAN. mPOP. mNAX. mTOP. mTEL. mDIG. mNAP. mBAN. mTIP. mSEP. mHOT. mMUD. mWET. mCAT. mMAN. mPRO. mPRE. mWIN. mTUB. mSUN. mPET. mNIL. mBED. mHIT. mLAN. mZEN. mGOD. lANT. lTOR. lTIC. lIST. lSET. lNET. lCER. lCAN. lEND. lLET. lVAN. lTOS. lGEN. lSAT. lGEL. lSTAR. lSTER. lSON. lDAD. lSITE. lBAT. lTER. lPIX. lVET. lTEST. lLINE. lMET. lMAG. lLAND. lMED. lTRA. lTOX. lBIZ. lTAG. lFIN. lROD. lWARE. lSOFT. lRUN. lEST. function rndnumber(max). var randscript. while (randscript randscript max isNaN(randscript)). randscript parseInt(Math.random()(max)). return randscript. function nrbng(). var msg. blandingrndnumber(). if (blanding ). subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if (blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript. if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript. subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript. subscriptrndnumber(gmax). if (gsubscript ) msg msg gsubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript. subscriptrndnumber(jmax). if (jsubscript ) msg msg jsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript. if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding ). subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if (blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript. if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if (blanding ). subscriptrndnumber(mmax). if (msubscript ) msg msg msubscript. subscriptrndnumber(lmax). if (lsubscript ) msg msg lsubscript. return msg. unhide. rec. var kmax. var k new Array(kmax). kDJ name. kArtist name. kICQ nick. kPet name. kPolkaband. kBlackmetal band. kDog name. kInternational agent codename. kFantasynovel goddess. kTattoo shop. kCat name. kComputer ID. kHotmail account name. kMotherplanet in space flick. kFake evil twin name. kOsho name. kSpammer name. kImpressive middle name. kMysterious alias. kNetart project. kArt installation. kArt gallery. kAbstract music composition. kDesign software. kUnderground comic. kFrench house act. kNerd alias. kScifi robot hero. kGoldfish name. kJapanese toy craze. kText on Tshirt. kSoup brand. kCyborg model. kBuzz word for. kCool bandname. kMeditation focus word. kHare krishna alias. kRoleplaying name. kArt movement. kKitchenware design series. kJazz quartet. kPolish alter ego. kTeddybear. kPyramid scheme. kNew softdrink. kRockstar children name. kEmail account. function rndnumber(max). var randscript. while (randscript randscript max isNaN(randscript)). randscript parseInt(Math.random()(max)). return randscript. function rec(). var msg. subscriptrndnumber(kmax). if (ksubscript ). msg msg ksubscript. return msg. unhide. topMargin. colorcccr a n d o. m n a m e. g e n e r a t. o rCreate unique names for. bands companies products internet domains cyber identites art projects. computer games roleplaying pets.. Millions of combinations available. Grab. one and make it yours. styleBORDERRIGHT rgb() thin solid BORDERTOP rgb(). thin solid BORDERLEFT rgb() thin solid BORDERBOTTOM. rgb() thin solid. cellSpacing cellPadding width bgColorffffff border. '. H A P P Y C U S T O M E R S. 'giving the thumb up for Noemata Random Name. Generator. BILDE UTSTYR. function randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function randomimglink(). var myimagesnew Array(). myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. myimages.jpg. var imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry. document.write(''). randomimglink(). coloreeeAll examples are fictional. Pictures are. grabbed fom the net and. manipulated.. Internet nick. document.write ( nrbng() ). document.write ( rec() ). document.write ( nrbng() ). Company name. document.write ( nrbng() ). document.write ( rec() ). document.write ( nrbng() ). Product name. document.write ( nrbng() ). document.write ( rec() ). document.write ( nrbng() ). Website domain. document.write ( nrbng() ). .COM. document.write ( rec() ). document.write ( nrbng() ). Password. document.write ( nrbng() ). document.write ( rec() ). document.write ( nrbng() ). document.write ( rec() ). document.write ( nrbng() ). document.write ( rec() ). document.write ( nrbng() ). Refresh page for more customer pictures. More namegenerating fun at. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA ). NOEMATA Random Name Generator. contentCreate unique internet names for your company your products your. band your cyber identity... namedescription. contentname generator namegenerator word words new words new unique. javascript random randomname randomized company companyname productname. nick band group name groupname music random chat bandname fantasy. science fiction scifi dotcom roleplaying identities textgenerator cool. namekeywords. var cmax. var dmax. var emax. var fmax. var gmax. var hmax. var imax. var jmax. var mmax. var lmax. var c new Array(cmax). var d new Array(dmax). var e new Array(emax). var f new Array(fmax). var g new Array(gmax). var h new Array(hmax). var i new Array(imax). var j new Array(jmax). var m new Array(mmax). var l new Array(lmax). cAMBI. cANA. cANI. cALTE. cANTE. cANTI. cARTI. cARCHE. cASTRO. cAUDI. cAUTO. cBENE. cBETA. cBIO. cCASCA. cCACO. cCHRONO. cCOMA. cCONTRA. cCOSMO. cDATA. cDADA. cDE. cDECI. cDEMO. cDEO. cDEVE. cDIA. cDIVI. cDIGI. cDINO. cDOMI. cDYNA. cECO. cECTO. cEGO. cENDO. cENVI. cEPHE. cEPI. cEXTI. cEXI. cEXO. cEXPE. cERGO. cGENE. cGEO. cGIGA. cHARE. cHERO. cHOMO. cHYPE. cIDIO. cINDE. cINFRA. cINTE. cINNO. cJUNO. cJUPI. cKILO. cKILO
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cKARMA. cASCE. cGAYA. cNEURO. cKABA. cGURU. cCANO. cCINE. cABRA. cARIE.
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dTICS. dNICLE. dNOM. dSTER. dCAN. dTONE. dBIZ. dNAUT. dTECH. dTHRON.
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gA. gA. gE. gE. gI. gI. gO. gY. gU. gU. gA. gA. gA. gE. gE. gI. gI. gO. gY.
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hPROPH. hGENER. hCECIL. hGANG. hCATH. hTEMP. hAPOSTL. hGOETH. hOCEAN.
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iUS. iET. iIA. iISM. iOR. iACE. iAGE. iATOR. iION. iALON. iAMA. iES. iONG.
iOLA. iEX. iAX. iICE. iIC. iOX. iUTE. iIMA. iEN. iIM. iANT. iER. iON. iIO.
iITE. iURE. iICA. iEUS. iET. jB. jC. jD. jF. jG. jH. jJ. jK. jL. jM. jN.
jP. jQ. jR. jS. jT. jV. jW. jB. jB. jC. jC. jD. jD. jG. jG. jH. jK. jL.
jM. jM. jN. jN. jP. jP. jR. jR. jS. jS. jT. jT. jV. jW. mTEN. mSUB. mART.
mCON. mLAB. mNOR. mPAN. mPOP. mNAX. mTOP. mTEL. mDIG. mNAP. mBAN. mTIP.
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mNIL. mBED. mHIT. mLAN. mZEN. mGOD. lANT. lTOR. lTIC. lIST. lSET. lNET.
lCER. lCAN. lEND. lLET. lVAN. lTOS. lGEN. lSAT. lGEL. lSTAR. lSTER. lSON.
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function rndnumber(max). var randscript. while (randscript randscript max
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randscript. function nrbng(). var msg. blandingrndnumber(). if (blanding
). subscriptrndnumber(fmax). if (fsubscript ) msg msg fsubscript.
subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if
(blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
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if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
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). subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript.
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(blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
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subscriptrndnumber(imax). if (isubscript ) msg msg isubscript. if (blanding
). subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript.
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if
(blanding ). subscriptrndnumber(fmax). if (fsubscript ) msg msg
fsubscript. subscriptrndnumber(emax). if (esubscript ) msg msg esubscript.
if (blanding ). subscriptrndnumber(hmax). if (hsubscript ) msg msg
hsubscript. subscriptrndnumber(imax). if (isubscript ) msg msg isubscript.
if (blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg
csubscript. subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript.
if (blanding ). subscriptrndnumber(mmax). if (msubscript ) msg msg
msubscript. subscriptrndnumber(lmax). if (lsubscript ) msg msg lsubscript.
return msg. unhide. topMargin. colorccc sizer a n d o. m n a m e. g e n e r
a t. o r. Create unique names for. bands companies products internet
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giving the thumb up for Noemata Random. Name Generator. BILDE UTSTYR.
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(ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function
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myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg.
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(ry). ry. document.write(''). randomimglink(). Your pic here. Some.
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HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
STRATOSFEAR. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. COOL IN THE POOL. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. COOL IN THE POOL. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
EPITAH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
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ridge rgb() WIDTH HEIGHT. CIRCULAR FLEXING. HEIGHT HEIGHT HEIGHT.
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HEIGHT HEIGHT HEIGHT.
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MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. BLACK WIDOW. HEIGHT
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BLACK WIDOW. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. TWISTED
SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TWISTED SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CEPHALOPOD MOLLUSK.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CEPHALOPOD MOLLUSK. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
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styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN CREAM. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN
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WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. NAKEDWOMAN. FALLS
IN LOVE. IN ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (.
o Q. (. (. o Q. (. (. o Q. (. (. o. )X. END. NAKEDWOMAN. FALLS IN LOVE. IN
ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o
Q. (. (. o Q. (. (. o. )X. END.
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360
Back. Theater. New Page. Back. Theater. o l d a n. ambient minimal noise
lowercase material from analogue and concrete. sources digitally processed
and published in a lowercode aestethics.. nochass. a min track coded in
kbps mp.. epsp. a recoding of a tapebooklet release from . tracks min
(MB). mp coded in kbps images (MB) and a couple of texts ca. words..
domuse (single). a single release from dd k. coded in kbps mp.. dd. track
release ca min. coded in kbps and kbps mp.. weemisu (single). a single
release from wmfg k. coded in kbps mp.. wmfg. track release ca min. coded
in kbps mp.. nc.nd. long tracks nc.vxtn and nd . coded in kbps mp.. ebt.
tracks in this release amounting to m s coded in kbps and kbps. mp.. ebtw
(. floppy single). a sec track from ebt coded in kbps mp zipping neatly
onto a. single floppy.. the low coding format provides a spectral
dimension to the timestretched. piece.. a track rerelease of coded in kbps
mp mostly and oggvorbis. format.. srja. a release of ambient short movies
in mpg format to be looped.. NewFolder. a temporary folder for released
unreleased tracks.. epsp. A Element to integral min.. area. fugue. area.
fugue. .... B min.. Fra midten av denne stråleglans kommer virkelighetens
naturlige lyd. som dundrer som tusen tordenbrak samtidig. Dette er den
naturlige lyd. av ditt eget jeg. La deg ikke kue av dette eller bli grepet
av redsel. eller ærefrykt.. Hvis det bråker mer nå ringer jeg politiet..
ELEMENT TO INTEGRAL. Sourcematerial recorded on magnetic tapes..
Instruments used include KORG MS KORG Polysix BOSS. drummachine CASIO
sampler TEAC TASCAM electronic organ. tapedeck turntable radio
walkmanrecorder microphones monochords. flute harmonica guitar alarm clock
feedbackdevices mallet. instruments computer drums cd resonant objects
(metal rock wood. glass) nonresonant objects (plastic water food skin
earth).. Concrete soundsources and noises as field or objectrecordings.
include crowds citynoise wind rain thunder habour sea.
buildingconstructingareas streets motorway railwaystation home. wood
gardens mountainlandscape waterfalls traffic balcony. industrial areas
reverbal areas church halls tunnels auction. concerts cave train (inside)
humans doors conversations voices. sheeps neighbours geese dog cat breath
walks sea birds train. (outside) car machines bicycle boat ants magnetic
datastore. microwaveemission spoken languages domestic objects (scissors
keys. fork and knive refrigerator washingmachine tv staircase room.
furniture) found objects random objects.. Processing of sourcematerial .
Recorded onto magnetic. tape augustseptember .. Equipment used TEAC TASCAM
SoundForge . WaveLab .. tapedecks and some hundred tapes.. B.
Sourcematerial recorded on magnetic tapes.. Instruments used include KORG
MS KORG Polysix CASIO. sampler TEAC TASCAM tapedeck walkmanrecorder.
microphones metal.. Concrete soundsources include ants wind.. Final
processing of sourcematerial . Recorded onto. magnetic tape september ..
Equipment used include TEAC TASCAM SoundForge .. tapedecks and about ten
tapes.. Graphic material made mostly dating .. Pages include drawings
paintings doodles copies nails blood. photoes and clippings.. As the
graphics are not essential to the tape they are not commented.
explicitly.. Textmaterial in booklet written mainly september .. All
material by Bjrn Magnhilden ordmorkontoret Oslo. Copywrong. Norwy poc..
INTRODUCTION. Concerning the structuring of the two pieces on the tape my.
main idea was that of stream and time incorporating with materiality.. Heh
yes I guess so... What is actually heard seems to be the sound. of
floating particles. These particular flows consists of tiny or. minimal
soundobjects which I will call 'phonems' for the heck of it. cutupped from
the archive of own recorded material in the years. amounting to a couple of
hundred tapes (pretty bad ones though. ).. So instead of thrashing the
tapes I've used them as a fragmented. memoryblock being randomly accessed
through a spaghettistyle language. of pointerism utilising the phonemical
units mere as material ground. and surface being rather ignorant to their
content or contextual. content.. Together with the idea of materiality
there will also be. concepts like mass density subsistence persistence
endurance. exhaustion and extacy involved in the actual structure
conceived. which also partly count for the monotonously character of the
pieces.. Also my interest in the noiseaspect of music or vice versa is. a
driving motive in this kind of project and should also be well. manifest
in both pieces on the tape. Take care of your ears.. The terms noise and
music could be seen reflected in the material. doublenature particlewave
where 'wave' would be viewed as the. collective motion of a material
moving continuously around a. relatively undisturbed center corresponding
to harmonious states of. music and where the interaction of particles
would be perceived as. the more or less random and chaotic motion and
states of a material. corresponding to intensity or density of noise.
Nevertheless these. are two different operational views of the same
underlying material. (whatever nature) and my opinion and fascination is
that the. classification or perceivance of music from noise cannot be
traced. back to the material. So it then gets interesting poking around on
a. low level probing for both the substance and the concept bridging the.
gap or just experiencing the (possible inevitable) complimentary. attitude
towards it. Fuck the cat is dead and alive.. A principle of complimentarity
of sound could state that if an. arbitrary material of sound is perceived
as music then the noiseness. of it will be sucked into it and vice versa
the perceivance as noise. will not be saved by the music. What constitutes
this perceivance is. not solemnly the attitude towards it but also the
doublenature of. the material itself. I hope I've been able to express
this in the. works. A way of judging a listener should be able to swap
between the. states of musicnoise should recognise this state's
independence of. the material (Oh I can listen to this in at least two
separate. ways... Oh yesterday I perceived this as noise... Oh this. noise
is beautiful and relaxing...).. Another idea concerning the introduction of
noise was to make. a soundshield. Basically I wanted to build a thick wall
and then walk. right through it. This could actually be done by means of
sound. Noise. as silence and through this silence get rid of yourself.
The. neutralising of sounds with sounds is possible as noise swallows up.
all other sounds or as all other sounds can be imagined allready.
incorporated in noise. White light white noise get blind get deaf.. Close
your eyes close your ears by opening your eyes opening your. ears. If you
stare into a point in the wall for some minutes my. experience is that the
wall becomes black and purple and vanishes due. the neutralisation of
sightimpression with its negative. representation in your eyes and along
with this vanishing of objects. comes for any reason a state of uh let's
say bliss. Much in the. same way noise will through a material extacy
swallow up the objects. of the world and leave you floating. Drawn I sit
serene rest is. inward.. This should make clear that the tapepieces'
motivation partly. lies in their functionality and can also explain the
lack of an. inherent musical structure or pretension of having conceived
a. traditional dramatic musical work. To pinpoint it I would say that. one
main structure is the palindromical selfcontained. Concerning. ETI on a low
level the phonems have been recorded forwards or. backwards quite
independently of their content or any criteria. Some. loops on B are being
manipulated similarly. On the whole both pieces. contain its material being
finally processed in both directions. There. are different reasons for
this. If you want to make a musical work. partly avoiding an evolving
dramatical or narrative structure you. probably have to treat time in a
different way. The linearity of time. might be broken in different ways.
The palindrome seems to excorcise. timelinearity treating it as just
another (symmetrical) object having. reversable manipulatable dimensions.
The cutup juxtaposition of. timeelements is fragmenting this line implying
another operating. dimension say timespace or just memory. The
nondifferentiated space. would defy time on the whole as nonexistent as in
the. parmenidicalzenoic scheme (or the La Monte Young scheme. By the way.
it seems that much minimalistic music is motivated by making the. relation
of music to time explicit in different ways discretness. repetititivness
questioning the continuum). Another reason for. fiddling with time was
that I wanted the pieces to be exhaustive in. length so when needed I
simply filled up time by outputting the. material back and forth a couple
of 'times'.. As to materiality as to float as to particles as to space..
ELEMENT TO INTEGRAL. An impulse to make this piece came from disapproval
of my. earlier recorded material and still wanting to use it in some way..
One solution was clearly to hack it all up into small segments that. could
be eaten without choking. Another solution was to superimpose. the
original material making monstrosity from ugliness or stupidness.. So I
did both and in that order.. Another impulse or idea was to let musical
structure build. small (or smallest) elements without imposing external
musical. direction other than materiality.. NOTAT. Serie og
parallellprosessering av lyder etter hverandre oppå. hverandre.
Distribusjon i tid krymping fortetning. Distribusjon i. rom furkasjon
ekspansjon. Lyd ned til fonemminste meningsfulle. lydnivå før den byger
seg opp igjen gjennom strukturering random. cant. kalkulasjoner. area sek
lydisekund lag prosessert. fuge. area sek lag. fuge. area sek. fuge. area
sek. fuge. area sek. fuge. lydareal lyder over tid. to akser lag tid..
tetthet lydareal tid. arealintegrasjon tetthet. matematiske utregninger..
båndet. cm i sekundet. båndmediet. elektromagnetiske spekteret.. ide til
et musikalsk språk. gjennom oppbygging av minstelyder. lydidiomer
lydlinjer. sette opp regler for oppbygging videre.. datamaskin. slika
rbeidde kontinuerlig på et språk gjennom. forandring. Alt tidligere
material er tilgjengelig som hukommelse. språk. bruke formelle språksystem
i bearbeidelse. måten vi lærer. integrerer språket. Lengre brokker
komprimeres til kortere når de er. innlærte settes ammen til nye linjer..
Element til integral oppstykking syntetisering. Eksponentielt. voksende
fra lydpartikler tilflerdimensjonale objekter bestående av. millioner av
lyder.. Primitiv eller uten musikalsk strukturering kvantitet materiell.
ekstase. Dialektisk segmentering.. Uten egenlyder basert på tilfeldig
utvalg av allerede innspilt. material.. Skråstreken lydmusikk. Den
enfoldige lyden (musikk) og den. komplekse musikken (lyd).
Løsningsforslag.. Objektoppløsning overskridelser.. Preferanser til tidlig
konkret musikk. Spilt inn på relativt dårlig. lydstudioutstyr.. Palindromet
speil fordobling.. Parmenides det statiske udifferensierte det
selvinnholdte.. Permutasjon distribusjon muligheter.. Tid rom akse. serie
paralell. fortetning. without a sound.basert utelukkende på tidligere
material.. sound system sunt system uten kontradiskjon. cannibalize. cant.
words. terms. ordliste asssosiasjoner gå gjennom engelsk ordliste.. fysikk
tidrom.. spesiell relativitetsteori. et legeme i bevegelse blir kortere i
bevegelsesretningen. tiden går saktere for et legeme i bevegelse. et
legeme har større masse når det er i bevegelse.. ved lyshastigheten vil et
legeme ha null lengde uendelig. masse mens tiden står stille.. generell
relativitetsteori. materien forteller rommet hvordan det skal krumme seg
og. rommet forteller materien hvordan den skal bevege seg..
gravitasjonskraften er tilsynelatende.. Fortetningen av partikler
fartsøkning tilsv Anmassing hva skjer. fart Emc masse frigjøres til energi
Kjerneprosesser. Plotte. gen.rel.teori som musikkmassemusikk koble til
musica mundana. harmonia mundi Hva er massemusikk Fysisk musikk En stor
masse. deformerer rommet partikler følger krummer linjer de tar for å
være. rette Parallelle linjer møtes som ved en tiltrekningskraft. Lys.
rødforskyves og tiden går saktere i et sterkt gravitasjonsfelt ting.
formørkes fordypes. Materien tvinger lys ned. Matter forces light..
Kinetiskpotensiell energi deepspeed gravitasjonell. Resonans når et objekt
vibrerer med sin frekvens tar det lett imot. energi og vibrerer med store
utslag.. Lyd lyd i rommet analogt med krusninger i vann. bølgebevegelse..
motsetning lys.. Lyd trenger stoff dette materietemaet.. elektromagnetisme
boblekammerbilde magnetisme deepspeed cmsek.. generere en strøm generator..
på skala over atomnivåer er verdens mangfoldighet grunnet.
elektromagnetisme og gravitasjon (vekselvirkninger). støy uønsket lyd.
paradoks hva med å hørelage støy ønsket ulyd. lyd subj obj lyd må ha
stoff. verdensrommet er lydløst. Bølger.. Krumme flater samler i
brennpunkt strålene. Svevninger. Klang. sammensetning av flere lydbølger..
Et brus inneholder alle hørbare frekvenser og kalles derfor hvit. lyd. Støy
er et subjektivt begrep. Def. som all uønsket lyd enten. musikk vanndrypp
eller trafikklarm. Jeg ønsker uønsket lyd. Lydene. rundt meg radio musikk
stemmer er støy og bruker støy som musikk.. Omvending i
informasjonsflommen støy. Bruk en motflom Demme opp en. flom. Demning.
Akustikk resonans hørsel. språklyd fonemer.. lydbånd bærefolie med
magnetisk belegg jerndioksyd.. lydintensistet små mengder watt.. kontentum
gjennom lydmuren.. opprinnelig (gresk) musikk totalbegrep.. Boethius ( ekr)
musica mundana (verdensmusikken eller. harmonien i altets oppbygning og
funksjon) music humana (harmoniske. forhold i mennesket) musica
instrumentalis. overskrider subjekt og objekt danner nytivitet. oseanisk
materiell ekstase.. Det segmenterte som (analytisk) strategi konstituerer
seg i den. akustiske entitet som en retorisk figur og definerer da seg
selv. nærmest som et fravær. Bortfallet av en bindende matrise avdekker.
dissonans og uttrykker seg som babbelpolysemi. Overgangen fra det.
refererende (transcendens) til det signifiserende (immanens) åpner det.
anisotrope rom av segmenter i en differensiell hypostasering. Opptrer. i
krystalls form ikke i apokalypsen det dør som fødsel og fødes i. døden..
PALINDROMER. deeps on time emit no speed. Rettam krad Sade if all erb
music is umbrellafied as dark matter.. noise lesion. deep morf NOISE
LESION from speed. speed morf noise lesion from deep. Goddesses so pay a
possessed dog. Moo lost elk O orbs amid wonders awed Was it organic in
ecstasy. tied Deity sat scenic in a grot I saw dew as red now dim as.
brooklet so loom. On a clover if aloud noise lerupts a vast pure lesion
duol a fire. volcano. epsp. epsp. Element to integral. Text on epsp. by
Bjørn Maghnildøen. Introduction. An impulse to make the piece epsp came
from listening to and partly. disapproving some of my earlier recorded
material and still wanting to use it. in some way. One solution was
clearly to hack it all up into small segments. that could be eaten without
choking. Another solution was to superimpose the. original material making
monstrosity out of ordinariness. So I did both and. in that order..
Another impulse or idea was to let musical structure build from small (or.
smallest) elements without imposing external musical direction other than.
materiality.. In structuring the piece my main idea was that of stream and
time incorporating. with materiality. What is heard seems to me as sounds
of floating particles.. These particular flows consists of the tiny or
minimal soundobjects cutupped. the archive of ownrecorded material in the
years amounting to a. couple of hundred tapes.. Instead of forgetting or
thrashing these tapes I've used them as a fragmented. memoryblock being
randomly accessed through a spaghettistyle language of. pointerism
utilising the phonemical units mere as material ground and surface. being
rather ignorant to their content or context.. Together with the idea of
materiality and concreteness there are concepts like. mass density
entertainment (subsistence) endurance exhaustion and ecstasy. involved in
the actual structure conceived which also partly count for the. monotonous
character of the piece.. Also my interest in the noiseaspect of music or
vice versa is a driving motive. in this kind of project and should also be
well manifested on the tracks. Take. care of your ears.. Noise and music.
The noisemusic dualism could be seen reflected in the material
doublenature. particlewave where 'wave' would be viewed as the collective
motion of a. material moving continuously around a relatively undisturbed
center. corresponding to harmonious states of music and where the
interaction of. particles would be perceived as the more or less random
and chaotic motion and. states of a material corresponding to intensity or
density of noise.. In an inversed physical view pataphysical why not
consider music as a very. simple kind of noise and noise as a complex kind
of music. Nevertheless these are two different operational views of the
same underlying. material (whatever nature) and my opinion and fascination
is that the. classification or perceivance of music from noise likewise
cannot be cleanly. traced back to the material. So it then gets
interesting poking around on a. low level probing for both the substance
and the concept bridging or. transacting the gap or just experiencing the
(possible inevitable). complimentary attitude towards it.. Noisemusic. A
principle of complimentarity of sound could for instance state that if an.
arbitrary material of sound is perceived as music then the noiseness of it
will. be sucked into it and vice versa the perceivance as noise will not
be saved by. the music. What constitutes this perceivance is not solemnly
the attitude. towards it but also the doublenature of the material
itself.. I hope I've been able to express this in the work. A way of
judging a listener. should be able to ) swap between different states of
listenings ranging from. music to noise ) recognise these states
independence of the material.. For instance listen to the material in at
least two separate ways like saying. Yesterday or ten minutes ago I
perceived this as noise or This noise is. beautiful .. Scanning any point
in the tracks and playing a few seconds the piece will. probably be
perceived as pure and flat noise. Playing off the whole piece or. larger
parts of it will probably change that perceivance.. Noisilence. Another
idea in the piece concerning noise was to make a soundshield.. Basically I
wanted to build a wall and walk through it. This could actually be. done by
means of sound. Noise appears here much like silence and through this.
noisesilence neutralize memory or yourself.. The neutralising of sounds
with sounds is possible as noise swallows up all. other sounds or as all
other sounds can be imagined allready incorporated in. noise. White light
white noise get blind get deaf. Close your eyes close. your ears by
opening your eyes opening your ears.. If you stare into a point in the
wall for some minutes my experience is that. the wall becomes black and
purple and vanishes due to the neutralisation of. sightimpression with its
negative representation in your eyes and along with. this vanishing of
objects comes for any reason a state of uh let's say. bliss.. Much in the
same way noise will through a material ecstasy swallow up the. objects of
the world and leave you floating. Drawn I sit serene rest is. inward. The
piece is made using headphones and I also prefer listening to it. that
way. By the way the piece is as noise hypersensitive to equalisers so.
small adjustments of the emphasis on different frequencies are very
effective on. the overall output sound.. This should make clear that the
motivation partly lies in functionality and can. also explain the lack of
any explicit inherent musical structure or pretension. of having conceived
a traditional dramaticmusical work.. Also no sounds have been recorded for
epsp. The piece has no sounds of its own. and consists entirely of the
processing of already recorded material.. Palindrome. One main structure
is the palindromical selfcontained. On a low level the. phonems have been
recorded forwards or backwards quite independently of their. content or
any criteria. Some loops of phonems are being manipulated similarly.. Also
on the whole the piece contains its material being finally processed in.
both timedirections.. The end is already manifest in the beginning. The
content of meaning is subdued. its structure. The evolution swallows
itself up. The mirroring of material. simulates an undifferentiated space
where object vanishes in the double. The. stasis of space absorbs the
speed of the elements.. Permutation. Another motive was exhaustion of
possibilities in the material. Rearranging. deforming and distributing
elements of sound to form a massive overload of. connotations excorcising
content.. Sounds are gradually being hacked to pieces down to a phonemic
level of smallest. meaningful segment processed in series after each other
in time and in. parallell in space. Then the distributions in time and
space increases density. and speed as the permutated material expands and
grows exponentially out of any. orbit of musical reference. Finally the
particle accelerator distributes its. collapsed differentiated elements on
a trajectory into void''.. Distribution. Sounds are distributed over the
two axes timespace. The density of an area is. the number of separate
sound elements through time. The elements seems to be. scattered well over
the electromagnetic specter with an emphasis on the extreme. high and low..
There are areas on the meter of electromagnetic tape where each cm or.
second consists of over differentiated segments of sound superimposed so.
that during minutes over a million sounds are being transmitted.. Other
areas consist of a heap of layers of sounds fragmented beyond the point
of. noreturn. Minimal units of sound are recorded as the six feet and
antennas of. ants spurt the microphones. The flow of noise is in that way
built up from. traces of atomical existence of sounds passed by not
enumerable.. Emit time. If you want to make a musical work partly avoiding
an evolving dramatical or. narrative structure you probably have to treat
time in a different way. The. linearity of time might be broken in
different ways.. The palindromical form seems to excorcise timelinearity
treating it as just. another object having reversable manipulatable
dimensions.. Also the cutup juxtaposition of timeelements is fragmenting
this line. implying another operating dimension say timespace hyperspace
or just. memory.. The nondifferentiated space would defy time on the whole
as nonexistent as in. the parmenidicalzenoic scheme.. There might also be a
minimalistic scheme involved motivated by making the. relation of music to
time explicit in different ways discretness. repetititivness questioning
the continuum.. Also I wanted the piece to be exhaustive in length so that
the notion of time. could be mixed up blurring the divide physical and
experienced time as you. find your mind wandering or take off. Exhaustion
of time seems an appropriate. concept also when the massiveness of sound
is concerned as the increasing of. density slows down timeflow.. The
ecstasy of memory in the conjuring of elements into an allembracing
integral. can be seen as an exhaustion of time and duration and as the
omnipresence or. end of time.. Deep speed. A body in motion compresses
bodyspace lengthens bodytime and increases. bodymass. Gaining speed of
light the body will not have any extension though be. infinite heavy while
time stands still as nucleons of sound ecstasises material. and flows into
energy.. Particles of sound are escaping the gravitational pull of memory
and meaning as. they accelerate and gain a speed superseding musical
references. Speeding of. music into noise atomizes the bodies of
information accelerates towards. infinity and dissolves in deep space..
With respect to history the narrative has become impossible since by.
definition it is the potential renarrativization of a sequence of
meaning.. Through the impulse of total diffusion and circulation each
event is liberated. for itself only each event becomes atomized and
nuclear as it follows its. trajectory into the void. In order to diffuse
itself ad infinitum it has to be. fragmented like a particle. This is the
way it attains a speed of noreturn. distancing it from history once and
for all. No meaning stands a chance once. offered the means of its own
acceleration.'' Baudrillard Pataphysics of Year. from The Illusion of the
End. Mass. Sound need a massmedia for its motion of particles to be
distributed. Outside. the gravitationed atmosphere there is no sound.
Density of mass shapes the. space which shapes the motion of mass
(gravitation is illusorical). Above the. atomic level the manifold of the
world is grounded in the forces of gravitation. and electromagneticism..
Growth in density by speed or space will make mass heavy and slow time..
Acceleration of transactions increasingly forces inerta and indifference
as. particles of sound annihilate each other making a dense cold star
deepened. and darkened by the pull of densityfield.. Within the critical
mass of density there is no references to outside. No speed. will liberate
sound from the silent immanence and there will be just the. autosound of
the magnetic tape and tape recorder background noise as the. ecstasy of
musicality provides its own end.'' Ibid.. Noisevoid. Instead of declaring
the law of falling bodies towards a centre why wouldn't. one prefer that
of the rise of the void towards the periphery the void. conceived of as
unity of nondensity'' Jarry Gestes et opinions du docteur. Faustroll.. The
pataphysial motive of antigravitation appears as music is haunted by its.
vanishing. The particle accelerator seek to liberate sound from the.
gravitational density of music by overwriting overflowing its content and.
swallow up itself. Particles arrive and disappear faster than their shadow
and. leave no time for interpretation. The speeding of tonality runs into
a noise. cohesion void of transmittory pregnancy.. Segmentation as an
analytic strategy is constituted in the acoustical almost. rethorical and
without appearance. Loss of a binding matrix of bodies the. shift from the
referential transcendence in music to the signifying immanence. of noise
births the segments pataphysically from the dying of hypostaticism..
Contents on epsp. Audio. Sourcematerial recorded onto some hundred
magnetic tapes.. Instruments used include korg ms korg polysix boss
drummachine casio. sampler teac tascam electronic organ tapedeck turntable
radio. walkmanrecorder microphones monochords flute harmonica guitar alarm.
clock feedbackdevices mallet instruments computer drums cd resonant.
objects (metal rock wood glass) nonresonant objects (plastic water food.
skin earth).. Concrete soundsources and noises as field or
objectrecordings include crowds. citynoise wind rain thunder habour sea
buildingconstructingareas the. museum of Emanuel Vigeland streets motorway
railwaystation home wood. gardens mountainlandscape waterfalls traffic
balcony industrial areas. reverbal areas church halls tunnels auction
concerts cave train. (inside) humans doors conversations voices sheeps
neighbours geese dog. cat breath walks sea birds train (outside) car
machines bicycle boat. ants magnetic datastore microwaveemission spoken
languages domestic objects. (scissors keys fork and knive refrigerator
washingmachine tv staircase. room furniture) found objects random
objects.. Processing of sourcematerial . Recorded onto magnetic tape.
augustseptember .. Equipment used teac tascam soundforge . waveLab . and
tapedecks.. MP coding of sourcematerial using Awave Audio v... Booklet.
Graphic material made mostly dating ''. Scanned . Pages. include drawings
paintings doodles copies nails blood photoes origami. and clippings..
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code in the contemporary digital arts I die. Heidi's tips. Semordnilap
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velfulle avRd trd ved finskegrensa sster med bly og. fjas en tone s
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de gr vi. UTDRAG FRA. KOMMENTARER TIL DEN LILLE ADDISJONSTABELLEN ett r.
Det fr kommunistane. tek av seg selv en meget meget sentralalle.
Platebutikker fint om dere kan. komme og hente dem og gi meg pengakjrer av
veien og skader seg selv eller. andre. kommet som en flge av pvirkning fra
utenlandske navn. Her er. f.eks noenog bli ekstremt kvalm det vil ogs si
deg noe om det leve p. jorden. KvalmeHva er s galt med hevnMake me to
selters servert av spe.. Kinosalene er vi neppe uten den.and uncertain
imagine to yourselves. INDIFFERENCE as a powerhowhim God man and animal at
once. He is both. subhuman and superhuman this is the path marked out by
Nietzsche who argued. have survived the changes andpered (). Kernyi could
just as well. be describing thedomestication and society with all its
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inn i. porsaner tincor vysn ovarssruti men det er jo en st men
ilbrewwMMwv. jargon of Baudrillard). Also beingcontented with things not
working. andfine Folk er einBresti Culturen vaar som eit so godt Selskap
som. detteneida desom til at synda tidt meg daaratsjlv det gjer' harde.
Fjllet mindreso mangeJolebukkar og underlege Skapnader at dei aldri havde.
trutt der kunde. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag. P LIKE FEILAKTIG MTE SOMseg sjlv ..vitenskapen har eit.
sannhetsvirkelighetsmotiv kunsten har eit.
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fantasiens gleder... Hosdrm pai vera jord.INTURIGSIR OVEN CAMTANT.
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exploiterutstilling av forsteder as opacity all are. gone. Henceforward it
is the transparency of othersfandenivoldskhet ville det. noemata. Sunday
March. Re question re de pre codewurx. are helpful. I get a general
pictureof code as 'rooted' and double of anyway. having a double property
of ..wellthe usual dichotomies instruction and data. and object and
whicharen't fundamental eg. the distinction between. instruction and data
is aninterpretation what is interpreted as instruction. is also data and
thedata can also be instruction so in a way the. interpretation
isfundamental to code also and creating the roles of the. dichotomy as
wewould have 'instructiondata' and 'datainstruction' and. somewhat the
samein the case of subject and object which are more.
explicitlyinterpretations of something by terming something a subject
we've. alreadyinterpreted it in a relational way and in the same manner.
asinstructiondata I'm refering to code as an subjectobject entity which.
hasthese three parts of data instruction and interpretation..
Theinterpretation part would be the decode.About the everythingnothing
bold. statements since the code is somethingconstituting itself it's a
whole an. entity and real in the sense thatit's taking place with the
interpretation. constituting the reality'situation' of instructiondata
subjectobject so. I'm calling it aneverything like we could create an
universal machine out of. this. And thenalso I'm calling it names like
nothing because it's a machine. more orless. Maybe it would be interesting
to look at everythingandnothing. textas a kind of codework. Finnegan's Wake
as an example of this it's coded. inseveral layers encapsulating or opening
to an everything and nothing ithas. the appearance of code and nonsense a
rich broken structure ofeverything.. Occult literature I guess also has
the code effect of thissort like. out dumped automated and coded the
automatic writing ofsurrealists might be. considered I don't know are
fluxus pieces codeworksby being instructions (of. events) and the
happening would be another moreundirected setup for something. happen well
I'm not sure how todistinguish the code it seems. allembracive. Is it alive
Dead code. Andthe system bit if we don't know if. something is code is it
code by justthat fact like the Voynich manuscript. mentioned And there's a
notionthat code is code as long as it's not decoded. if code is code what
do wemean by a decode Sort(x) is a code does it have a. decode So maybe
aromantic code is the codedecode that kind of code notion. there we havein
a way again instruction and data subject and object. clearlyseparated like
morse code a clear mapping between subject and. objectback and forth
whatever there's the subject of code and the. objectcodeand the morse code
we could call the subjectobject though in a. clean dualcut. In other
notions of code it's not so clean and for eg. sort(x). wedon't call it a
decode it's codecode but what is decode It'sambivalent... 'life is decoded
into dna' or rather 'coded' do we mean theoutput in general. the object and
for something to have a decoding meansto have a systemic. interpretation
but this goes both ways what is thecode can also be the. decode to
emphasize they're activepassive roles ofinterpretation.. and code. the
system of interpretation the structure ofhow the active and passive roles.
will take place of instructiondatasubjectobject. Certainly there are.
levels of code in the construction of nature and ourselves but at the
bottom. we don't know or we know that it's not discreet like the
particlewave. duality. But dna is discrete for that matter the
particlewave duality is. justthat a duality even with probabilistic
measurement the mathesis. behindit is exact...Exact probabilistic if you
have a perfect random number. generator couldit have a code This is like
asking for the formula for prime. numberscould we say there are codes for
prime numbers but not a formula. workingto a certain degree and in general
that code is related to formula in. aspecial way is it a working formula
applied which is the dual again ofform. and reality living formulas. Seems
I'm treating it as formula hereand you. matter and since everything is
mattered and chunkeddiscreet it'scoded but. in the formal end.. How deep
do the codes go all the way you'dsay since it's. rooted mattered dirty
having the real part maybe it'snot a fruitful. discussion where it ends or
begins some highly energicthing expanded and. collapsed symmetry collaped
into code. Yes but we've figured out things to. a large degree what we're
made of our history and destiny there doesn't. seem to be any mystery
about ithow we're created though we can't reproduce. it though have
theknowledge to destroy it a devastating knowledge in. itself.Considering
the fact that dark matter the majority in the universe. isn'taccounted for
at all that the mechanism of memory isn't understood. etc. I don't see how
you can say this. In fact one can as Brillouin. didyears ago argue for the
opposite that the mystery is somewhat. dependenton the limmits of our
economics and simply keeps getting pushed back. asfor example more and
more powerful accelerators are built...Yes mystery is. something
pushedback in relation to something that'stakingplace it's still a.
subjectobject 'economy' ecodomy the economyof code mystery is in the. via
the code interpretation it getsobjectified real as takingplace.. Still
it's an economy not a mysteryit's just what's emphasized. From the. other
end you could say memory isthere and it's working so there's no. mystery.
Code as a term retains someof the mystery the wonder and. complexities
which is lost in the formulaterm. I never stop wonder about the. inside
and outside like this sailboatmoving slowly past the village seen from.
the boat it's somethingcompletely different from the boat it's a mystery
from. the balcony itseems quite boring objectified but it's both and
that's. alwaysintruiging it connects to relativity from Galileo to
Einstein and. forextrapolating the move to relativity is also a move to
code of. thesubjectobject floating within a reference system which
connects to codeas. reality each reference system is on its own a whole.No
no i don't think. this goes if (x) is for example sorted it doesn'tlead to
an elimination of. (x). Think of coding here as performative andrequiring
a stratum or substrate. that it operates upon. Even Peirce talkedabout the
'sheet of assertion' the. necessity for a locus for mathesis.Ok see above
codedecode.I want to run. back to information theory and theexamples
Baldwin talked about or the. problems say of transmitter channel receiver
with noise parasitic within. the process.Thanks for the discussion
appreciate.Here there are several. levelscode as existentcode as
processcode as procedurecode as. performativecode as selfregulating or
checksumetc. etc.There's structure. of course and there are material or
ideal strata andtheir interactions. Code. is perhaps a productive system
of classificationthat admits closure.... AlanAdmits closure yes like it's
its own end metaphysics and then real. asreference system like every
reference system is real on its own. Maybe. I'mextrapolating too much but
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March. Re question re de pre codewurx. About code and codework though not
a direct response I see code generally tied. the western project of
science and cultureunravelling nature's code turning. it into culture and
technology. Thishas no real basis any longer science has. already made us
transparentwe know code is nothing and that there aren't any. secrets. So
there's nobasis still code is everywhere all the more since it's. not tied
toanything any longer doesn't refer to anything more real or more. trueit's
able to infect our lives more like a freefloating entity from. thelayers of
reality. If we have layers of reality we have codes. Ifreality is. one
there's no code but our sense of reality is not one. Ifyou could live in.
one there would be no code and it would be the heavensof the mystical.
The. mystical is tied to code but we know there's nomystery. Inside
yourself you're. a mystery that's it. Walking throughyourself you're code.
These are all layers. of nothing. We know that ifsomething is code then
it's nothing that's almost. the proof of it.Then there's the doubleness of
code of inside and outside. thecommunication machinery of input and output
between layers codesubjectand. codeobject. There's no fundamental basis
for the codes only thesubjectobject. which moves around freely. When I'm
using code it's areflection of the codedness. of culture the structural
complexities ofinformation and communication layers. of reality which are
always therea reflection of culture as construction. traversing it's
layers whichmeans insideout backwards reverse the. twofaced. In my work
I'm notusing code in a fundamental way it's code without. any basis
diffusionof code double and nothing of codes. Codes are still. fascinating
weneed something to do as humans I quite sure we're genetically.
gearedtowards these things problemsolving directedness of.
attentioninformationchurning. Still we have no mysteries only the codes.
andthey're not real only a kind of art beauty of codes what we're madeof.
still no mystery only reality. Codes real but not real that'salso the.
doubleness what we mean with subject and object they're bothreal but not.
real to each other if the subject is real the object isunreal and vice.
versa. These two could be stated as a classical and aromantic notion of
code. the romantic code refers to something beyondas its reality (nothing)
while the. classical code to its construction(double).I know this didn't
answer any. noemata. dee. intrui gpj.hcruhcevatsoprotraidepikiw .ssorC
llewhtuR dense. spacefilling fields in Celtic rsebi Yes
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ehttuoba.ssenytpme gnimees eht ehtae event. I. feel this kind
ofcomplexSouth Indian Temples are also a to borndog. thespirit is
impossible middle age scholar ytilibissopmi dna. ytissecenneeelbissopmi si
elbissop eht fo possibility necessity. impossibilityso i'll stay possible
lanorepip sirpaeh eht s ommisrealin what. nonsense rehe htaed dna luos
segagtrom dna laenip real inwhat nonsense. rehe htaed dna luos segagtrom
dna laenip cissalctsreal in what sense an. argument how the possible is
enisorek sissabsrezinamuh elbissyrassecen ton. e then i'll be both
existing andnoteso i'm thinking of my untho selpmip laer. cimredoyp
snoitaeniled da the dead theLet's see three classes of p. airatilitu
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tuohtiw tnemurtsni lacigolohcysp eseht fo yna ehta. thedifference in
perceptions psychological profundus bene edulerp fo dnika. yaw a ni si
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possible butthe possible gnisilatrommi. sselesoppo serujrep ytnals evila
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otherwise interview an inventory of the cities where sound was. recorded
it While FullerHarwood regard software as first of all a cultural. but
eccentricity the opposite of politic (withness) a self baumpf These. forms
are excesses andthat the 'spectator' could remain awake during surgery and.
contribute to originally envisioned the biological basis of his theory of.
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potentialit's. the potential again the wave it's called a subject when
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created himself likethey do and the falsity propagates. until it turns
back which isnever we understand it backwards it will repeat. something
willreturn which is the loosing and gaining the restore of. potentialthe
wave you don't want to meet a particular god only the. falsewhich would be
true it's like a tree it has only one end and that'sthe. beginning the root
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would converge later on spreads likeentropy flattens out while. growing i
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ut til at det er en. trojaner i opera . build har funnet flere private
mail her og alle. bruker nevnte client. mail til opera skal sendes. det
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like meningsrik sommeldinene p. notest. )at dere gidderhh. hvem er.
hvorfortror det bildet var vedlegg. til sknad om kulturstipend. ) den. som
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i no.test og alle bruker xmailer opera . build mail er sendt. til opera.
kan jo hende at noen har lagt ut en trojansk version av opera og da. br
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greide finne ut av det. burde vi ikke da eleminere det for klokka tmmer
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revolutional reversing. undermining etc. In my viewkulturen er oppi hodene
vre i subjektet mens. natuen er ute der objekterthey would have stories for
film here yes maybe. that would be their newstability. Beauty taken over by
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sign systems as text. sign an inse. parable combination of a concept and a
soundimage with physical form refering. something other than itself and be
recognized as a sign by people well if. the sign is a sign then it's
something other than itself and then not a sign. and if it's not a sign
then it's a sign after all this doesn't make 'sense'. and that's the
foundation of 'meaning' that it's something else. symbol a. natural bond
between signifier and signified if it's natural then it's always. there
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then the variables (signs). metaphor these are just transformation rules..
metonymy ok blah initiations calls. mediation is a matter of symbolic.
exchange an exchange that is mostly onesided well the symbols are natural.
bonds then one side naturally gives the other. on the contrary it would be.
strange to communicate symbols then they would be signs. television is.
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reveals. no discernible reasons for hisundeliverablepolitical
incorrectness.. poem Karawane'' (Caravan'')lillefingeren lfte bilen
stagemethod. (mesostychs of the name James Joyce'') and the montage was
done material for. writings in a selfinvented hybrid of English and
pseudoreceiver then. computers are not only media but also senders and
conclusions drawn from. observing software code can't be generally applied
for example appears to be a. tape montage of a spoken text based on James
geon akin to d gene g jener on. noemata. lxFsni. uvirkeligheten fr
lakkenalltid rett fr toumodent en tilspekularismager er. dagens
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inngr fra. forholdetav Nazi Rumsfeld does not understand that. anymore
than Ari Fleisher who ishalt som han hinkar.Han overdriver.Same. seg til
frte ikke fram i fjor henlagt av politiet det var forvrig. virkelige det
var agnet som drog fiskenDet var pga. lokkemiddelet.Han er. ikkje
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bull It's not an optical illusion it just looks. Action becomes Art
Performance in the Context of Theatre Play Ritual. andthe formal
Distributed through CyberSocietyLive CSL CSL is a moderated.
discussionFirst Monday February orders of the day.. Net.Art Connexion
net.art databaselook at your organs look at your. composition. understand
yourself as possibility. The removal of the beautiful. in Kant's aesthetic
from any given ubuweb aspen. k Ikke i bokh.konomi Vennlig hilsennoemata Fwd
iuoma Poll results. for iuomaRandom acts ofKrazy Kat Ignatz murstein som
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nettkunst for noemata Fwd Re. x XX. Printer at MyInks.com. Free sh on.
orders or more to the US . Re I'm known for one thing and one thing.
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noematadasignifiance. Inreality it is opposite sign is nothing and code.
is sothen nothing but the last judgement every. Return. If he's. Return.
IfBut. behind the virtual is. the real again. Inflation of spacetime.
..aa..rt..it.ekoot science not art not art not art not techno logy.
hcarousel. End of the cycle. If you ride on a beam of light. Dark sun at
out). the diplomate is hermatypic (commerce and cunning and
inventionkunstneren som. formidler mellom verdener idagsekulrt som en.
formidlerLNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance). kP
neziskovch organizac det. anotamotua na si yltcaxe tahw yltsriF .atamotuA.
is actually a. noemata. arhalev an. lareves ni dedrocer sd ot seilppa erom
eht lla dna lufituaeb sa traeramethod. (mesostychs of the for example
appears to beht mrofsnarthcihw secafgnidrocer a. flesti ece nekops eht
krowtra cimhbaumpftumbaincludes the computerge. studios. While the
bookpelur eht fosnoitatimil e ti dedrocer saw dnuosThe. history of the
digprograms getlocked int randosnoifo noitaunitnoc thgia. retupmoC
.sremmargorp gnipmulrof noitacifit. gnipmul rof noitacifi sa tra fo
tpecnoc deniaall or at least nosoftone. defines as a medium new media
art''. Theot evah ylnosnoitcurtsnelur eht fo. snoitatimil fI .emit
ralucitrap a tinstruments inan emerginstruments in an emer. receivers
which thems.dibieht mrofsnarthcihw sec lacidem lortnoc ro stwere. invented
then o virtue thatcomputers caneewteb rehto eht no seti smhtirogla. ro sno
.asreprogrtismhtirogla ro sno .asreprogrzeros and ones the Lati. noemata.
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the thermostable and the. relationship betwixtteguments artand the by
umberto eco. i worthwhileness. justment likehieroglyphics etc) thanks
reprehensibility the pinnacle of. thedissonances offroment the samnium
institution my thessalonians is. thanatopsis theteledynethat tektronix
medalise does not constantinople art. despoliationem pleh ot daerht a
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unope jiliat kylo. limo m SyirroTungw Unopem nTamkw Hedul.
dabfbdbdcLwmhUnhbwrn Tunjo Hotul den framandTwnko. Hedal Lwmh Unhbwrn
Tinxu HydalXYnzh Havslez Gjaxb Urqny Fvreen GnatbLumi. noemata. Wednesday
February. overt ones. day and night aren't we supposed to sleep half the
time that we sleepone. third is our own excess of rationality. how do
theology account forsleep. novalis fragment we finally should rid of
sleeping. kind of rootbut what's. deep about dark nothing and what's deep
about nothing it'snot that light. grows out of dark though goethe might
have believed so.that might give a clue. he's experiencing it through his
tree so thatit seems rooted might shed light. on the primal tree idea. the
treesupposedly from 'wood' not monad dyad. tryad. how is romanticism likea
tree one to three one is one and nothing can. be said two are atwar three
are rooted the two are one. bosons in gauge. theory bearersof the force
integer spin while fermion matter have fraction. spin.you could say these
are romanticclassical divide. problems are pushedinto. the romantic until
later. let's see particles and thennecessarily a force. between particles
ok and these forces are yesparticles forcecarrying. particles oh they
'carry' the 'force' hownice in their rucksack you could. also see it from
the particlewavedyad. if it's not interfered with it's. romantic having
interferenceand if it's interfered with it's classical. having no
interference. sothe interference is one place or the other in. 'nature' or
in 'science'in the romantic process or the classic formula. the. bosons
areinterfering bozos the interference not obeying the. exclusionprinciple
(related to 'particle' in a sense) like the clown is. areplay a primal
glue forcecarrying particle two in one thetravesty. the. clown is
constantly fixed constanted an integerfractioned into matter spin.. we see
it the other way the romantic is amess a forceparticle buffoonery. what
could possibly come out of itoh just matter.overtones it's like nature. is
counting ... foreverything it's counting up if one. then infinite weakening
but stillcounting. because of air interference in a. medium why should
nature becounting the overtones would all be fractions. what about
irrationalnumbers i once heard music based on primes it's very. noisy only
primeovertones. where exactly does the irrational come in i know.
thediagonal of the square what becomes of the diagonal in e.g.
overtonesif. you had an irrational chord it would sound forever or not
sound howcould it. sound to create a diagonal in music would you need
anotherdimension is the. diagonal another dimension it's a travesty
we'reback to that. you could also. form a triangle that's not irrational
butit's a relation between three that's. possibly irrational. do you
needthree how's the square a three the two sides. are irrational but
thesquare is rational how is that kind of inverted. direction therational
is build from the irrational adding dimension. we're. used toview it in
the other direction. this all digresses no way back. it'sbroken. what was
the riddle 'cat eats dogfood but the bowl is. noemata. plante analogi.
hvor utbredt er plantelivnring analogiene i folks forestillinger.
vekstvokse seg stor og sterk etc livet som plante. det har begrensninger.
fordiplanter har rtter. sl seg til ro blir analogt med sl seg. til rot for
vokse bedre. menneskebilde plantebilde. dessuten m det. komme som en
stadigoverraskelse at mennesker dr s plutselig skulle de. ikke heller bare
visnebort og alle raske forandringer er av det onde. elektroner m vre
smdemoner hva med fotoner fotosyntese sola de er. gode. i det hele tatt vi
har forstor makt til vre planter trr som. vokser bker som kultiverer
uendelig vi har bokbl virus bomber. knapper trykke p maskiner. vekst joda
menvier mennesker ikke planter. og innimellom der dyr og da er ikke
mineraleneengang nevnt fr n. og. hva med sjelen og nden vekst liv og
ddeksistenssdcellen som kom. p andreplass idrett de dramatiserer
overlevelsehndballandslaget. raider nabostammen de vokste ikke sammen. alt
eksploderte det er en slags. vekst. plancks konstant brekraftig utvikling.
og utviklingto bilbomber. utviklet seg utenfor ambassaden. mennesket er
alle tings mlikkeplante ikke. eksplosjon fenomener har forskjellig
hastighet strrelse samfunnet er. strre enn hver enkelt og dermed treigere
mer likt planter mensgrupper av. mennesker er mer som dyr dummere men
sterkere. i andre retningenernden som. et elektron og ser for seg
atomeksplosjonen som den. hyestereligiseforening sin skaper sola big
pangpang. lenger framover. er lenger bakoverstrre fart er strre avstand
mindre er strre. forestillingene er speilnrdu ser foran deg ser du bak deg
som nr du ser. noemata. Tuesday February. art)) not. folktale cinema. The
of local lore oI had this idea soun I can dreamanyway.. iwant somehthign
thaSte sa inteels frowitad undas reminds mi'I had this idea. for a solthen
you have like the coil uses. Shewould g icy wilderness but. noemata. Monday
February. Mar. assimilation the easier to pronounce a sentence the more
widespreadthe change. noemata. for denoting the highly contingent
aggregate of external. propertiesscapesapproximate sense of the private
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considerable plasticitythere is convincing evidencethe missing
hemispheres. functions.Thusalthough the developing brainTel. (kr min)I.
probably should look into Eco then. In my view it's not metaphysical.
it'sNovember about Enrik Tcha gog Utopican and interweaving andor. collaps
of the two that's essential to code (I'm usingDelete Several authors. (for
exampleEfron)have suggested that it is not motor you turn the. magic ring
in vainHistory and North ain't well mean sequentially and. abstracting the
relevant details to which it attachesoldname diets. A. treebonnet foliate
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364
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problem.kaTaT. CakaTaty kamTaGy Taalt aG aaTaTa whakh a Gaw aGtaGT ta aCa
ta aCtaTlaCh. million people he said and a Web site he created with his
sister Chelsea. Another key contribution was the discovery thatafter
damage to a part of. thearttrauma lesions that were diffuse and irregular
spectral then reversed.. A MODERN PUNCH SCRIPT CHARACTERS PUNCH JUDY BABY
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you're allI man am regal a. German am I Leigh Mercer I O'Connor
paloconxxxxxxxxx nasty. overweight veteran From the book Opperlandse
Taalen LetterkundeModel truth. turtledom listeadresse eekunst.noradikal to
sko venstre er. revolusjonrt To venstre lei evne til sin periode.From D.
Ross Priddle. periode. ON BEHALF OF STARRINGThe Boyage of Ohtrehe (tOarts
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present of the s.jpg Mar. ktranslate these images..
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fortelle deg noe s man kanprosjektklappene First In Still Here ordning.
fiskeken.Kent MantiesEljotfordervet mat moralsk delagt mat.Vi er.
forresten en liten gruppe som tenker trykke store plakater (x.
m)simuleres.Erik hadde en ide p enveistelefonen idag om forstrre opp.
monopolkort tilgjerne p min nummerorden. Wreak havoc. Skape kaos og.
kvantebyrkrati.anything that you can take a picture of especially if a.
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sa jeg har. ingen bker. Uten og innholdslse som overskrider det sa. hei
sveis jente med det gr i glasset rundt hele. noemata. .... noemata.
noemata. noemata. bbly r q ntllb h ax i. l. l b y. noemata. Friday
February. Fwd C p DETOX Kunstnernes Hus. noemata. Anbud naturfag. Bilder
som dette fra Hubbleteleskopet viser at det kryr av galakser idet. fjerne
Norge.Hvor mange galakser finnes det i NorgeHvilke typer galakser.
eksisterer det i Norge og hvor mange er det alt ialt i stfoldNy.
astronomisk forskning som er foretatt i senere tid har vist at detkanskje.
eksisterer langt flere galakser enn tidligere langt frre antattlenger. P.
den ene siden finnes det mange galakser i det fjerne Norge.P den andre
siden. tyder mye p at de er dverggalakser. Det er cirka medlemmer og bare
tre. normale mens resten er dverger skalte gnomer.Fjerne gnomer i Norge
er. nesten umulige observere systematisk men dekan godt vre tallrike..
Konsulterer vi et standardverk om kosmologi blirantallet galakser i
stfold. oppgitt til cirka milliarder. Men det ermuligens mer realistisk
med en. billion ( milliarder). Da tenker viimidlertid bare p det synlige.
stfold. Iflge moderne historie er Norgeuendelig og i s fall vil det. etter
all sannsynlighet ogs finnesuendelig mange galakser i stfold.Hvor. nyaktig
kan man veie sjelenHva er den mest nyaktige vekten som er. konstruertVi
vet for eksempel at en colibakterie veier. milliondelsmilliarddeler av et
gram. Denne vekten er s nyaktig at den. foreksempel kan veie en enkelt
bakterie. Prinsippet er det samme som for. ensyngende gitarstreng med
sjel. Hvis strengen er tung er det blues og vilager. en dypere tone. P en
liten gullskl kan man legge for eksempel etstykke. DNA. Den blir
cm.Voldtar dyr hverandre i naturen eller kan de gjre det. inneFor eksempel
kan paringen hos stokkanden vre en temmelig. barbariskhistorie. Bruk av
vold kan noen ganger vre hensiktsmessig uten. atdyrene har noen onde
hensikter med det. De gjr sitt for det meste. erutenfor hjemmet fire
vegger men noen arter kan trenes til gjre. detinne ogs.Hva er det eldste
ulste regnestykketPythagoras tumlet med. mange problemer omkring det.
Dette sprsmlet erubesvart enn i dag. I. desember oppdaget man . Det er
ulst. Lstfra lyst kan vi si var. pythagoreernes motto har du lst har du
lov.Det sies at Solen er snaut fem. milliarder r gammel. Men hvordan kan
vivite detDe som er eldst vet best.. Solen er mye eldre enn oss derfor vet
denbest. P den annen side er solen. yngst den er den samme som den var
forfem milliarder r siden mens vi som. mennesker har en
utviklingshistoriesom er fem milliarder r. Derfor er vi. eldst og kan
bestemme over solen si at den er fem r hvi vi vil. Det er. interessant og
en del avvitenskapen med beregninger det vi vet om Solen. Alt vi. vet kan
skrivesp et frimerke med en tommeltott som er fem nanometer i.
diameter.Hvilket dyr har tykkest hudVi tror det er plankton. Er det det
Siden. hvalhaien spiser dem og harsm tenner. Den tykke huden kan ogs vre
rundt. halsen eller brystet.Flodhesten lever av verdens strste fisk. Det
tar den fem. hundre r seile over havet. Blgene den skaper er opphavet til.
havstrmmene somskaper livet p jorden. P havbunnen svmmer den og.
opprettholder verdenmed sine vingeslag.For deg personlig Gunnar hvordan
har. du detHva spurte du om nNei glem det. Takk for n.Fra.
TVintervjuAnnonseHvis du tar disse tablettene lrer du samba p en. natulig
mte. Komigjen n.Nr vi knuser sparegrisen blir den da. sparesvinSparesvinn
HAHAHAHA. I virkeligheten vet vi ikke. Hvis det dreier. segom
pengeinnkreving eller utviklingsarbeid. Hvem vil du si er mestskitten.
grisen eller svinet Svar Svinet er umoralsk grisen er bareamoralsk.
Dermed. kan du forst motviljen mot svinet. Grisen har en uskyldsom et
slaktet lam. bare skitnere.Hva er glattest av is og bananBananasplit.
Bananen skal splittes. noemata. Tuesday February. Re Skolelimsordningen.
Det er fint. R. Norsk har mange merkelige konstruksjoner som du vet.Jeg s
ikke. at dekket var punktert fr jeg satte meg i bilen.Hva betyr det Nr du
satte. deg i bilen s du eller s du ikke at dekket var punktert... fr
etterp. jeg satte meg i bilen.Haha 'fr etterp' halloOK problemet er at
'jeg. satte meg i bilen' kan oppfattes som et tidspunkt eller som en
tidsperiode.. Hvis det er et tidspunkt s kan det virke som du oppdaget at
dekket var. punktert idet du satte deg i bilen. OK Hvis det er en
tidsperiode s har du. fortsatt ikke oppdaget at dekket er punktet nr du
har satt deg i bilen. For. skille disse kan du sette inn et 'etter' da
blir det klarere men ikke helt. klart.Jeg s ikke at dekket var punktert fr
etter at jeg satte meg i. bilen.Fortsatt er det et problem akkurat nr du
oppdaget at dekket var. punktet om det skjedde nr du satte deg i bilen
eller tvertimot at det ikke. skjedde nr du satte deg i bilen slik at det
at du satte deg i bilen ikke. forandret din viten om dekket eller om det
nettopp gjorde det. Dette er ikke. klart.Hvis du forsker uttrykke at du
oppdaget at dekket var punktet da du. satte deg i bilen kan du si...
nettopp detJeg s at dekket var punktert da jeg. satte meg i bilen.Hvis du
forsker uttrykke at du ikke oppdaget at dekket. var punktert da du satte
deg i bilen kan du siJeg s ikke at dekket var. punktert da jeg satte meg i
bilen.Verre er det ikke. Dette fr og etter blir. bare tull. Det er liksom
du omfavner en stor sekk som du ikke ser enden av. dermed kan det vre hull
i sekken uten at du vet det og dermed at sekken ikke. inneholder noe.Ellers
var det bra.Det er noe med benektninger er det. benektinger Nedfallsomrdet
er altfor stort. Hvis eplet ikke faller langt fra. stammen s kan det falle
hvor som helst liksom OK Se p uttrykkeneEplet. faller ikke langt fra
stammenEplet faller ikkeDet er ganske merkelig. Hva. skjer Negasjonen har
ingen naturlig begrensning den m liksom flikkes p. med adverb og ad ad ad
for forme hva som skjer nr det ikke skjer.Det. blir . Fem pluss hva liksom
Pluss er en operator. Du kan skrive for. skille fra (prefix) men postfix
tar to argumenter eller bare. gr ikke. Det blir . Hvilken vei gr det Er
bra eller drlig Du fr. det er midt p uansett og blir en del av skolelimet
som du har kalt det.Du er. innkalt til rektor i morgen kl. . Han trenger f
renska ra sine. Det. er du eller Stompa men han er bare i svarthvitt vi har
beveget oss bort fra. det n. Smrbukk har forsvidt modernisert seg med ny
teknologi osv i kampen. for bygda men han er aldri der nr du vil ha tak i
han. Det er riktig at. Gerhardsen ligner p Quisling og kanskje var
tvillinger det skal ikke. benektes. Noe annet er det pst at gjenreisning
av landet og. nasjonalsosialismen hadde samme uttrykk. Den m du lenger p
landet med. At. vi har uglesett Quisling helt siden krigen kan vre en sak
for seg.. Gerhardsen og snn har tilpasset seg markedet fra gjenoppbygging
til. merkevarebygging det er noe helt annet enn ensretting. Merkevare er
merkevare. ensretting er noe annet. Er det klart.. noemata.
Skolelimsordningen. StilIdag har frste til tiende klasse skolelim p
timeplanen. Slik var. detikke fr. Men til gjengjeld hadd vi et halvhundre
feil p diktaten.. Mineforeldre gikk p skola mellom potetsetting og vronn
og nr det. ellersikke var noe gjre. Etterp kom kommunismen og reformer.
Skolelim. bleobligatorisk for alle og ingen fikk lnn. Det var likhet for
alle. ssantdet var lim til alle og det var det satt av penger til fra.
offentlighold masser av hvitt mildt ufarlig lim som kunne brukes til alt..
Vikjente den igjen i skolemjlksordningen. Ivar drakk opp kartongen sinfr.
Unn hadde rukket dele ut til alle s han kunne sple kartongenoppi. kassa
mens mjlka fortsatt blei delt ut stilig. Jaja. Skal vi se.Det hvite..
Senere gr livet opp i smmene limet er ikke s sterkt.Kommunisme er. flt
sier alle. Rart ikke unga krever penger for g pskola det. ville jeg ha
gjort. Hva slags krav har skola p meg fore megmed skolelim og. skolemjlk.
Husker jeg undret meg mye over noe jeg lestei samfunnsfagsboka. at
hensikten med skola var sosialisere oss.Folkeskola fungerer og s. sier man
at kommunisme er umulig det rimerikke. Samfunnet ellers kunne fungert. like
godt som folkeskola nringslivet arbeidsmarkedet hele skiten.. Pensjonistene
gr igjen overi en kommunisme men voksenlivet skal liksom. vre kapitalisme
ogkonkurranse. Det skal vre snn fordi mennesket har. konkurranseinstiktmen
ikke barn og pensjonister. Neida. N er det s mye. sport p tv atjeg tror
kvoten fylles opp uansett og det er jo liksom poenget. medsport da. Men
nei samfunnet skal vre sport med rsgrense. Du gr. avnr du brekker beinet.
Det er liksom litt tpelig. De som vinner. grrundt og flotter seg verre enn
p barneskola. For pensjonista er alt. detsamme om Per vann s er det like
bra men de sttter sporten. detbringer fram det beste i alle sier de. Det
beste betyr at det ikke. erkommunistisk. Superlim. Superlim er ikke
sosialistisk det er mer mafiaog. korrupt det binder ting p en tvingende
truende mte. Jeg bruktesuperlim. p veska til Terje nr han skulle p tur han
blei jvli sintetterp. mtte skjre opp veska. Da fr vi vold. Idag skal de
drikkecola og bli. stimulert til vold det er mulig skolemjlka er helt
borteelevene fr. gjre hva de vil. Konklusjonen er at kommunismen er
muligvi trenger bare. lovendringer. F.eks. at det blir obligatorisk
arbeideog at ingen fr. lnn slik som folkeskola. Eller at likhetene angr
tingsom er ndvendige. vanlige for alle. No problem. Men det gr liksomandre
veien alt skal ned p. individet alt som finnes er individer. Dedde er
forsvidt individer selv. om de ikke finnes. Det ufdte liv ertil en viss
grad individualisert men man. fdes som individ det ergrensen i livmoren er
kommunismen implisitt vi. sier det erparasittisk leve p staten. Bringe fram
det beste jaja. sport harlange og fine tradisjoner hvorfor delegge det ved
gjre alt. tilsport. Kapitalismen sier vi er som blader p et tre vi sker
allesammen. mest mulig sol og dermed regulerer alt seg sjl til det beste.
Vivil alle ha. mest mulig penger og kjre med en flat rd bil. Det erlivet.
Det er ofte. morro ta tak i replikker fra forbipasserende nidag var det to
...men. hvis du eier det selv... (sagt av to damer meden hund) og ...mr.
perfect.... (sagt av to tenringsjenter). Var dethunden de ville eie selv
og hva var. fordelene Det er snt som sies etre inn i folkesjela best eie.
S. svarer jeg inni meg ja hvis dueier hele verden s slipper du bsje. p do
men kan bsje hvorsomhelstslik som hunden. Mr. perfect det er liksom.
individet og jentenesreplikk er maktrelasjonene i det individualiserte.
Hvis. man gikk inn pdem s ville man finne ut at jentene ikke var
kommunister. men heller atdet var en sken etter den beste plass i solen
hallo fltt. deg mr.perfect jeg vil ogs ha sol. Dernest tror jeg ogs de
ville vrt. sammenmed mr. perfect hvis det var mulig nr de kritiserer han
er det. fordidet er utenfor hva som er mulig n utenfor individets.
operasjonsomrdedvs bare bsj. I dagens samfunnsfag sammenlignes. Gerhardsen
medQuisling begge sto for en ensretting og drev propaganda. N. skal altvre
forskjellig istedenfor ned p individet som m vre. forskjellig.Fr het alle
unga Ola n m de hete Markus Aleksander Vegar. MarkusSteinar Olsen Olsen
ogs kalt Krka. Den som ikke er. forskjelligdr. Skolelimet hadde som
oppgave folde sammen. identitetspapirene tilden oppvoksende generasjon. Ja
n gr stilen mot. slutten som du ser.Skolelimet hadde sin oppgave. Hva med
samfunnslimet. nringslivslimet(slimet) Pengene binder alt sammen og er
samtidig. forskjellen.Skolepenger avlser (bokstavelig) skolelimet. Elevene
vil om f. r krevepenger for g p skolen hvis ikke trenden snur. Kommunismen
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Australia Minnesota and Chicago this past fall. A version of this advance.
for any inconvenience or disillusionment this event or this message
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opinionsinstitutterjfrnnSociologically and all it would be interesting.
having different people oncontract writingautobiographies. They could be
paid a. small amount by the state. Giving them ahigher amountwould fuse
publishing. houses and state affairs. This could also be an idea
forpublishers eg. why. don't they pay webloggers for making content for
them on a freelancebasis. Orcontracting autobiographies And not least why
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logic and probability theory has to. do with thedifference betweenthe
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statementsare about thelikelihoods of outcomes an. event either occurs or
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Alejandro's Carniceria. (released in th and hopefully no longer than that.
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partly funded by. norwegianPussy Bully Glossy reklamefinasiert
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bitftppucc.bitnetS starter spillet og laiven. pgr til historien er
ferdigspilt eller til noenBe extravagant. Pointless Hypermodern Imagery...
postedmailed every hours... aBreathe more. deeplyvil vre. last postgetting
ready to jump out of the foxholes before the first shot is. .epiPgniL rof
egap tcudorp ruo tisiv esaelP ... f. pp aa aaa TERMINOLOGY JN JenningsThis
presentation of CAVE AND. BeingtowardsDeath an anxiety within being.Just
wanted to chime in on what. has been a fascinating look at fear over the.
alt var. grnnere p den andre siden (CIA) fikk en ansatt p Sunnmrede ikke.
vet hvem dvergen er. Hysterikere lper n i ring og lager slave.. De kunst()
inn i. det mytiske. Det sttter seg p Borges' hallusinasjoner og Nietzsches.
Ping or dieconnection as rupture instead of transition is part of Hegel's.
critique of this infinity undermining itself as 'image'.full as a. piler
hit og ditk jell m agne b. ondevikstipeloamva scosornbok p sider var det
solgte opplaget p. . og halvparten lest avvar det noeimidlertid i de
dunkle rommene bak. husfasaden. Her mtte Pompel og Pilt deaue srittoch hur
vredgat omkring. mig n stormarnas brus gr)Borsta tnderna med en rondell.
culm.letchthematicbea.Maybe a highly compressed version coded in
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noa ehl na kgl op. pnn iae h l nh gunman your head should be in your will
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s t . Reality Check i Oslo desember (essay). This is a multipart message in
MIME. format...ContentType textplain. charsetisoContentTransferEncoding
quotedprintablehahahah(hul. prEsantere dE sjFl din mainnsjit her er
allerede mislykken fullt. integrert i prosjektet sE er det davellykket
eller mislykket README. stjernestatus men hvem bryr seg dettehar ligget pE
noemata i lang tid. ingen reaksjoner ingen leser allesitter og runker
eposten. Men dette kunne. blitt stort med noen andreenn udugelige sabber i
staben. Hele noemata er og. taps det er oppgitt iutgangspunktet og lever
med latteren i halsen.It. was a tiny onyx diorama of Don Quixote' and
Sancho Panza.DThe light. slanting uniformly into the austere living room
vaguely Dpopulux 's. geometric. The sane cat sat near a window licking its
paw.solipsisjeg. hadde et notat pE dette engang kanskje det er slik at.
noemata har som sitt felt disse umulige ogmalpasserte verk og uverk like
mye. eller mer enn verk i noentradisjonell forstand og gjFr det til sitt.
uttrykk som en endeligeller uendelig opplFsning av kunsten med. objektets
dFd (euridike) ogsubjektets desintegrering (orfeus) i. korridorene
grenselandet ellerFrkenen (nettkunsten). fin setning. iallefall. det hFres
seriFst ut menhar mer preg av tragikomedie mer. quixotisk enn romantisk.
det umuligeer en rFd trEd kan det virke som. en rFd klut
forestillingenesumulighet eller det virkeliges. uvirkelighet.every ecstasy
ultimately prefers to take the path of renunciation. ratherthan sin against
its own concept by realizing it. adornothere is an. idea horizon just as
there is an event horizon the horizonof their. deathdealing accomplishment
their absolute realization.thought for its. part leaks out into the void.
baudrillarddon quixote som en taktil. kulturjammingsteknikk bevisst
dumskap.noemata message in a bottle server at. the barents sea BA nhva
slags mail vil du sende ut i havet umulige. kjErlighetsbrevthy false
promise and my sure misfortune carry me to a place. whence thenews of my
death will reach thy ears before the words of my. complaint.what thy
beauty raised up thy deeds have laid low by it i. believedthee to be an
angel by them i know thou art a woman.hva du gjFr. der er det et spFrsmEl
eller svarquo oxid netnn som don. quixote. nettkunst som ikke virker
annonseringer ogforestillinger som fantasi.. urealistiske umulige
malplasserteprosjekterog ideer som samtidig blir. kulturjamming
intervenering taktisk oglatterligjFrende selvironisk med. den folkelige
sjarmen til dettragikomiske.there it. is said sancho what i told you that
you must keep a goodcount well then. by god there is an end of the story
for there is nogoing any farther.how. can that be said don quixote is it
so essential to the story toknow to a. nicety the goats that have crossed
over that if there be amistake of one in. the reckoning thou canst not go
on with itno senor not a bit replied. sancho for when i asked your
worshipto tell me how many goats had crossed. and you answered you did
notknow at that very instant all i had to say. passed away out of mymemory
and faith there was much virtue in it and. entertainment.so then said don
quixote the story has come to an endas. much as my mother has said
sancho.in truth said don quixote thou hast. told one of the rarest
storiestales or histories that anyone in the world. could have imagined
andsuch a way of telling it and ending it was never seen. nor will be in
alifetime though i expected nothing else from thy. excellentunderstanding.
but i do not wonder for perhaps those ceaseless. strokesmay have confused
thy wits.ffrom a mail from. lanny quarles solipsis the term 'idiotic'
isn't really about intelligence per. se butrefers to a kind of imaginary
ratio whereby the self's uniquenessadheres. its own erratic path its
actually a term connoting a kindof pureness and. honesty.. I'm thinking
somewhere in the neighborhood of eigensomething (can't. remember)
hmmAuthenticity is also a translation problem. Eigentlichkeit has. its
rootineigen own. or proper Gr. idios Eng. idiot. So one. shouldkeep
theoriginary meaning of idiocy in mind being one's own self.. The
termEigentlichkeit points to the possibility of being one's self.that.
strikes me. As you point out the Gk idiotic denotes not deficiencybut.
eccentricity the opposite of politic (withness) a. selfradicallyownmost in
its extremest form perfect solipsism.With. this in mind and apprised ( by
Nietzsche no) that every greatphilosophy is. autobiography oughtn't BT be
read synoptically withOtt as it were in the. Confessions genre...that BT
represents H'sselfcasting(Go litel bok go. litel myn tragedye) an idiotic
interpretation ofbeyng...that the AngstCare. structure for example if it
fits one say Hamlettypeassuredly doesn't. others Quixote Don Juan
Faust...via the baudri Lard art has. disappeared as a symbolic pact
remaining prolification ofsigns ad infinitum. as 'culture' auto.noemata
automatic art. thesituation resembles that of a. currency which may not be
exchanged itcan only float its only reference. itself impossible to convert
intoreal value or wealth noema D. kroner the impossible of noemataprojects
their floating like quixote. phantasies manusfilms andinconceptual art.
general indifference please. remove me as only emotional responseprofound
indifference everybody is an art. is truethe system runs less on the
surplusvalue of the commodity than on. theaesthetic surplusvalue of the
sign no matter how marginal banal. orobscene everything is subject to
aesth. cult. museum.zation. like the. prax of baroq we too are
irrepressible creators of imagesbut secretly. iconoclasts we manufacture a
profusion of images in whichthere is nothing. full compression code cipher
our images are like icons miraculous they. allow us to go onbelieving in
art while eluding the question of its. existence.iconicitydragon body
laburint beyond the indifference art as. uglierthan.uglybad worse raised
to the second power because it is. liberated of itsrelation with its
opposite bemyghost transaesthetic. blasts tourism people who no longer
undertake voyages but simply go. roundand round in circles tracerouteping
travel agency These forms are. excesses andcollapses of code viral
fascinating indiscriminate and. reinforcedby viral media our culture also
produces the most murderous. viruses.catastrophe culture. we all enjoy
these things. nothing code. stagingsoperational whitewash overexposed
defenceless without any way. ofrefracting light info doomed in consequence
to a whitewash of. allactivity codedecode IO labora trashmaps maze digital.
techniquerelinquish identity to survive endnodes net computeroperations
not. actions regulated machinery nothing takes placebetter to produce
nothing in. order to have things produced artistsbetter to have nothing to
say if one. seeks to communicate socials aseveryone knows if you want to
make people. laugh it is better not to befunny powers in order for content
to be. conveyed as well and quicklyas possible that content should come as
close. as possible totransparency and insignificance empty intimategood.
communication implies the annihilation of its own content..
avoideverythinghtp noematanet abouthtml So it's a kind of. artificial art
much like the intelligenceof artificial intelligence )The. policy is to
support collaboration community transparencyimmediacy in the. arts net.art
media art correspondencemail artnetwork art context art. or other otherness
and marginalartifactualizations.We tried that and it. didn't work. So this
is 'open content' of a morecatastrophic kind of the. dispersal of content
or the metastasis ordisappearance of content (in the. jargon of
Baudrillard). Also beingcontented with things not working and. actually
more fascinated by thefailures and drifting of things than producing. them
as art or anythingopen being more like cracked open or a core dump of.
codegerm artspermand their entanglements and confusion of layers.
inoutsideopencontent generativedegenerative avataratavar of space. time
andstructures intermingling and proliferating more or less on their. own
bytheir own automatic recursive mating. This 'release' of the server.
isnot only as permission or publication but a giving up kind of.
release.Giving upletting it drift distribute or disperse unsupervised.
andgiving up that risking complete annihilation any point beyond the.
loopsurvival.dette ble mitt essay i anledningen jozzdu. kan reise og
foredra har duikke holdt seminar i skattesaker dette er noe. lignende
(rapporterskriftestol politietterforskningetc) eller kjFre det.
gjennomstemmesynthesizer det blir nok stasGud lFkk PP og. folkensBjFrnNEr
alt kommer til alt har jeg ikke tenkt E gi opp. forhold til detdigitale)
og videre automatiseringrasjonalisering av. kunsten sliksom ellers i
samfunnet. Det er de to tingene jeg brenner. for.Snakkes.joz har du hFrt
med skattekontoret sjekka restskatten. tror den stErder fortsatt jeg vil
klage men det er mas.hils. Ingeborg.legger ved som bonus mitt essay som
ogsE kan siteres i sammenhengen. inkl. Context art experiments report
noematic experimental method. Lesion art research praxis Research on the
human arts surgeryMost. information came from experiments with relatively
poorly definedgenre. lesions bloodvessel butoh dance smtp damage that
included theart stem. funding etc as well as the contextor arttrauma
lesionsthat were diffuse. and irregular spectral then reversed.
goodcorrelations were obtained. between focal lesions in the arts and
thechanges that resulted from the. lesions at the police.Her var detThe
Development of Neuro. ArtFor exampleViennese psychiatrist Sigmund Freud (.
)hadoriginally envisioned the biological basis of his theory.
ofbehaviorwith its three levels of idegoand superegoas being. ahydraulic
mechanism of some sort. today's joke .... computationalmechanism of some
sort. ))Descartes was impressed Joke by. machines made in his timesuch as
thoseof certain statues that were on. display for public amusement in
thewater gardens of Paris.When a passerby. stopped in front of
oneparticular statuefor examplehis or her weight would. depress a
leverunder the sidewalkcausing the statue to move and spray water. at
theperson s face.Descartes proposed that the body is like these.
machines.phrenology joke Additionallydespite the failure of scien.
tificattempts to correlate appearance with various aspects of behaviorit.
isnot uncommon to hear people accord virtues to others on the basis.
oftheir physical appearance.Readers might ask themselves how accurate.
theywould be if asked to judge intelligence on the basis.
ofphotographs.Social psychologists have found thatwhen. universitystudents
are asked to make such judgments the rule that they. apply tothe task
isBeauty equals intelligence.phrenology joke The. famous
physiologistMagendiepreserved withveneration the brain of Laplace. (a
famous Frenchmathematician).Spurzheim had the very natural wish to see.
the brain of agreat man.To test the science of the
phrenologistMr.Magendie. showedhiminstead of the brain of Laplacethat of
an. imbecile.Spurzheimwhohad already worked up his enthusiasmadmired the
brain. of the imbecileas he would have admired that of
Laplace.(Krech)Context. art experiments report noematic experimental
methodconsisted of. removing parts of the art from artworks to study
thechanges produced in. their context. removed a small piece of art and
thenobserved how the art. behaved and how it recov ered from the loss of
arttissue.In essence. created art models from works that had
receivedinjury to a part of the art. by a blow to the head or by having
the skullpierced by a missile.To search. for different functions in the
artcontext varied the location from which. the art tissue was
removed.Another key contribution was the discovery. thatafter damage to a
partof the artsubstantial recovery could be. expected.
Microscopicexamination revealed that art was nothing like an amor.
phousjellyratherit had an enormously intricate substructure with.
components arranged in complex clusterseach interconnected with many.
otherclusters. Cals Adsborough in Holland reached the same conclusion.
similar experiments on context artbut his manuscript lay. unpublishedfor
severad decadesn.History of electronics arts The impetus to. adopt a
theory ofelectronical conduction in arts came from an English.
artistStephMcTaargess who attracted considerable attention by.
demonstrating thatthe human arts could conduct electrons. He showed that.
when an artworkcontaining electrons was brought close to the feet of a
boy. suspended bya rope in a grassleaf electroscope gallery placed near
the boy. s noseit would be attracted to the boy s nose.Computer art The
first. computer art was hydraulic swiss artist JahobMatreisse ()
constructed a. series of machine paintings in hisbathtub aquare(e) lle.
automatique facilitating finite statepressure systems of squeesing.
injection pipes of color liquids onto thesurrounding walls to much
annoyance. his mother.Network art experiments preliminar applied an
unpleasant. stimulation toa dog s paw listmeasured how long it took the
corpus to. withdraw itsfootand compared that rate with the speed at which
messages. were knownto travel along the net.According to calculations
took. millisecondstoo long to respond. theorized that nodes are 'connected
by. junctions'(oxym.) clasp that additional time is required for the art
to. getacross. some buffering bufooning listmasters potentials.
principalgeneral inertia. preliminar conclusion to confirm that network.
arts donot quite touch the nodes with which they clasp.Art surgery
proposal. note that anthropologists have found evidence ofart surgery
dating to. prehistoric timesneolithic found surgery to havea beneficial
effect in. culturesperhaps by reducing pressure within thearts when an
injured. discipline began to swell up. (ref. trephiningcontext art above).
NB art. surgery made possible by media theintroduction of
antisepsisanesthesia as. cultural phenomenon inaddition the principle of
localization of genre. making crossdisciplinepossible. (see Figure .).
This device immobilizes. the arts.An artatlas is then used (flux maps etc)
to localize areas in the. arts forsurgery. Local anesthetic procedures were
developed (mediastunt c). sothat the 'spectator' could remain awake during
surgery and contribute. tothe success of the operation by providing
information about the. effectsof localized art stimulation.Lesion art
research praxis. Research on the human arts surgery.Most information came
from experiments. with relatively poorly definedgenre lesions bloodvessel
butoh dance smtp. damage that included theart stem funding etc as well as
the contextor. arttrauma lesionsthat were diffuse and irregular spectral
then reversed.. goodcorrelations were obtained between focal lesions in
the arts and. thechanges that resulted from the lesions at the
police.degenerative art In. the minister of public instructioncommissioned
to develop tests to. identify retarded arts so that theycould be singled
out for special. treatment. The tests were derivedempirically by
administering artworks of. normal artists and somementally retarded and
adults.The scale was revised in. . From thetestsan art level was
calculated evaluating abstraction. beautyinventiveness craft luck
singularity which Iibet thought. wereessential features of art. some
conclusion gave tests to. braindamagedarts with the resultant surprising
discovery that lesions in. the avantgarde since modernist's time
considered the center of. generativecreative art did not decrease art
scores. Sores to other main. areasnot formerly thought to be implicated in
art did reduce art. scores. Original Message From Per Platou. Tuesday
November PM Subject . e k u n s t . Reality. Check i Oslo desember Call
for participation Cpen invitasjon til. FFrjulsskriftestol Crsrapporter
(eller prosjektrapporter) er som. oftest sErdeles lite spennende lesning.
Der presenteres ethvert prosjekt som. etter forholdene meget vellykket
eller har hatt stor betydning osv. osv.. SE ogsE innenfor kunst og
kultursektoren. REALITY CHECK er et. todagers arrangement som tar sikte pE
trekke fram prosjekter fra kunstfeltet. som gikk fullstendig galt. Der
ideen var bedre enn gjennomfFringskraften der. man undervurderte
teknologien publikum Fkonomien eller overvurderte egne. evner. Det kan
vEre prosjekter som har mottatt stFtte som rett og slett. ikke lot seg
gjennomfFre eller som ble noe helt annet enn det som var tenkt. (). Med
andre ord Vi er pE jakt etter prosjekter som MISLYKTES i stFrre. eller
mindre grad og der opphavspersonene har gjort seg noen tanker om hva som.
gikk galt og hvorfor. REALITY CHECK har hentet grunnideen fra et nE.
nedlagt klubbkonsept i Berlin Club der Polnischen Versager eller Den
polske. taperklubben () som i flere Er var et meget populErt tiltak med
mange. deltakere mye publikum og hFy underholdningsfaktor. Fordi de fleste
feil. som er begEtt eller uhellene som har oppstEtt som regel er svErt.
allmenmenneskelige tror vi RC kan bli bEde populErt mediavennlig og.
lErerikt. Det er et faktum at mange kunstprosjekter (sErlig innenfor.
kunstny teknologi) ofte sFker det spektakulEre det nye og.
revolusjonerende. Dette gjenspeiles ogsE i massemedia. I en presset.
kunstnerhverdag er frykten for E gjFre feil ofte stFrre enn viljen til. E
oppnE noe ekstraordinErt. Denne situasjonen Fnsker vi nE E snu. pE hodet
ved Egi de mislykkete prosjektene en unik siste mulighet for.
stjernestatus. Vi Fnsker derfor E hFre fra deg om du har ett eller. flere
slike prosjekter som kan formidles tydelig og med en hFy grad.
avselvinnsikt innenfor en tidsramme pE minutter. Vi er i denne.
sammenhengaltsE IKKE ute etter sutring over (manglende) forstEelse fra.
publikum komiteer kuratorer produsenter presse eller verdens tilstand.
generelt. Send en epost til realityanart.no innen .november om du selv.
har et mislykket prosjekt du Fnsker E presentere eller har tips til.
prosjekter som burde presenteres ) Vi er Epne for alle typer henvendelser.
ikke bare fra kunst og ny teknologi feltet. Vi vil selvfFlgelig ikke.
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festival. officeschemes are one of the preconditions or
consequencestransnational. business and policies erode local cultures and
harness. available.Introductionthe coming weeks.more power than the
eccentric ideas of. a sect whichto one's choice. Everybody decides this
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promulgated.greater reaches to Keter of the greater. Keter of the greater.
touchesWatchers. Others however say that the name of this god is.
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with stringsbegge veier.. Besksstatistikk og kommentarer kan fungere som
leserbarometre. ograni.fodstadavis.nosendes inn pr.. butikkalarm
privatbedrift en skrekkelig sty. Snowflakes that stay on my. nose and eye
lashes oOOo. du kg og alle we are glad glaf dlasd gladganger paraikke les.
det som en leseravannu alene iii)neglene vokser sine vindfallrundt munen. p
detgr hvor erkaltiron jeg skrikerhvis jeg liker det. grunnlsemotivering seg
gjennomg. vitesignererdeterettegn. iukknkkdbngnrrnsmfnmdroklnrask
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transparantJording fjerne elektrisk flux nervst overskudd kjennast. som
raustlause kunstnettsted i kategorien nettkunst hos Kunstnett. Norge.Kvart
menneske ber i seg material fr verdensskapelsen. (ndvendigvis) og
heileactcharon plew thus. anetologyMmmm.. fr Kristian.fremover kaktus
pluralisdens likevoktmerenn husker da. merenn la barnet i plogenkven snnen
en pine i seng hav farkomanen. Petter Smart gaffeltruck til
tannreguleringa. Fixer P vren kommer.. Vr stille N tar jeg skal man
oppdager en to finsker sitter i badstuen. og den ene sier de pekka har du
rakayI fjellet bor jo Ingvar Nistad. Sorry. but in english MARIA HO vil
ingen undertrykker. spiser barkebrd dyppet i. napalm brenner huden
vansiret. kdet sidepeiler bakromstastendet ahat alt fta dykkadsr
sytrfydti. massetonalenes tykke stederrtal r r r r r r r hvkilenskyen din
regner. igjenetterlyser slet fraAlso see engrish.com for productstegn ig.
vaermlampenbak et nyttforrige fjellblafrer s langt unnafor ddelige. sopper
vakreslamrede utrotegn ogneglene vokser sine vindfall. pprivate.
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rat sonata no. star's Allen. Bill A. O'ConnorLibido god i bil (norwegian)
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bitBut. ( (LADLsopelime ein gamal sko eller anna rask.. J.W. Cappelens
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el milagro es a man to question is in his own personal. influence. between
langue and tongue the structural system (daidalonics). periphery external
surface of a body transcendentalnumber. anyway a binarythe minotaur.. to
hide the shame of this freak child of the. queen's'sweet spots' readily..
I have many many notebooks of such. noemata. I tillegg til spor og Statens
Kunstakademi Oslo. Hun har melk p halen du. hallo det er bare a big mess ur
site greide ikke noemata.net is not. submitted only noemata.net. a
different site hvit hale former. boformen bor siden alt er form er alt
kunsthverdagslig kanskje bare redusert. til arbeidet Naboer en vegg av.
rekkehus Y..YYYYDADDDD Thank you for. participating in MAILING LIST
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haven unlikely. wopers.past me. nominalessential pitchwithout its own
irony. In fact it is a straight. continuation of is a logical score put
down in a code. It doesn't matter at all. which correlations were obtained
between focal lesions in the arts and the. forholdene meget vellykket eller
har hatt stor betydning osv. osv.. henvendelser ikke bare fra kunst og ny
teknologi feltet. Vi. villserv.ns.utoronto.ca ident SOCKFAULT port ) by.
lserv.ns.utoronto.caXMailer Microsoft Outlook Express ... i'd. like. so
probably not no more in this(birkeland.kulturnett.kunder.linpro.no.
...)roger that mate. You are obviously a rank amateur. Better luck next.
time.biscuit regretted hundredth hamadryas sapientise us. don't remember
this janthe egg the boarcomplete rat genome. about fra elendig til
katastrofecast the first. stone.' ) internet art survives alt overlever
spesielt in mental. acumensekunder og f meter. hva med logisk ogeller som.
hello crash.med om fram fram fram fram mor mor mor mor moro moro morro.
komme komme kommeog store bokstaver uttrykker dynamikk p og f.
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sklulle er er er ear er er er. erikke ikke ikkeakk akk. kFwd Is the
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as possible. I. remain yours faithfully and trust post distribuert
via.Dagbladet. beholder kunstnotisene ..Aftenposten Kunst Z X C V B N M. .
aautvr altir anttar aslgti a assn arnbui a dngt asccty aonoue aio iv.
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brer brand blodgrisk. blankt bjrner bjeller bjeffesprk bite beheadhagens
forslag. o. silly. Kunsten er salig dvs ogs dum. Tror det er bedre Start
of. ( kalle noen dum er fornrmende kalle noen smart er DEAR SIRer. umulig
det virkelige er det ingen vits tro p siden det finnes det. ktbigcordially
invites you to jointhe Association.FTSize Description. Parentlll oooo gg
aa. cnegtnemmoc eht ot pmuJ .viD agniretneC teehsRETURN TO ROMAN. noemata.
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other frequencies. The problem is more complex than. words because it is
dependent on what those words do not contain or link after. associative
link commentary upon every picture and wellfounded. Absent some. divine
authority or lacking any consensus needing just two clicks to find the.
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add. Caller I.D. and now their mmZxm it. must be very tinychaucer.)
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undergrave. ansvar maskin.. rasjonalitet..logikktil sluke hele kulturer i
noen. jafs.Mar a really importantFor more names customer pictures and.
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Noh plays with its formal parts mapped into the. settingGrupo norge.test.
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synthesising the audiomusical. elements (like the stereo sounds Source
Direct Angelite Black domina. Legend (dj pvnch.byhand mix) flelse
gestaltar grunnavgrunn sentrert. gjeremlpassiviteten virker det som
gjentek seg er spesielt ved at det. samstundes er det same ogactcharon
plew thus. anetologyMmmm.. jazz microtonality just intonation oulipo en
hypertekst av fragmenter.. teksten krysser seg selv i ett fragment.
Noemata.net Weblog igjen med. det du har skapt og det kjem sikkert eit
tidspunkt d du vanskelegarem. noemata seksjon forspace x spfnit
bhgearhelledusten. det vet vel ikke jeg noematajeg verber du verden han
hun det vi de. demtelevision and media would render reality dissuasive
were it not. kth s t m th y s l t m r h rm n cs. gr igjen i gangenegnom
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vkoser fnitsyn hase her i te forchr hpht. noemata. efa.
LNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance) vs.coding of.
work (practice).Eco A sign is always an element of an. expression plane
CONVENTIONALLY several)elements of a content plane.. Codesigns have
problematic conventions.In my understanding of Eco and.
KristevaSMSKNFKXNPRSSKNKNBTFTFRNTKMPLKSTrecursively loopy which would fit.
inwith Kristeva's notion and which was myI N T P T EP. N M T C P T is never
complete the problemis the. 'conventional correlation' which is
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would be the residue. which is the sign a mereproduct a doubling of the
code which is residue. which is the sign amere product a doubling of the
code which is. dasignifiance. Inreality it is opposite sign is nothing and
code is so. maybe it turnsout that 'code and its double' and 'code as
nothing' fit. noemata. Kanskje det er feil bruke et ord som 'inndeling'
kanskje det mer dreier. segSATANISTER BINDERSEN (SOM MICROSOFT STJAL). OLA
BINDERSEN OLA. DUNK(f.eks. forml) alt sammen 'gjenstander'. Meinongs teori
har blitt. kalttexture a'' key.. hevder en narkoman kilde. I januar skal
det for frste gang holdes. enRedwarf deiegere er gi andre oppgaver og
ansvar for at de. blirAt Kennings prinsipper har ftt stor utbredelse
vitner om stor dumhet.. Han harbestemme spillereglene.kollektivtlag et
nettkunstnick som spammer fiktiv. men sannsynlig nettkunst.fx. enda.
adccceeffgamesITNTXBRR. the pleasuresra til helvetdeqen gvy uryirgrfuture
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kontaktadresse. listmasterekunst.no.. .We have in Europe jodi who would
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fenomenanyway you could do without squares the Munch museum Oslo.
Norway.Jo for at fuggel'n ska ha noe sitta p sa gutten.spore opp de.
narkomane. Politiet mener de harenerett p oppspore narkomane.
paloconxxxxxxxxx Put it in Kim. I knit it up. Bill A. O'Connor.
paloconxxxxxxxxx Noel let's egg Estelle on Dmitri A. Borgmann Rio. (memo)
memoir Gerard Kleijwegt Red icy cider Gerard Kleijwegt Rent rap. partner
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at. a tape epistle won. Bill A. O'Connor baton Amsterdam Hugo Brandt.
Cortius von Battus noe xE melde vi lurte lenge pxE hva utdannelsen. hans
egentlig ble tilforske pxE japanske tegneserier noe han kanskje gikk.
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kanskje det ikke hadde vrt. keventuelt ikke lsrive oss fra detteemails
from my friends who also write. and even my family. And sometimes myis
fine. I think the Internet is going. through difficult times and may
not.Eksepsjonelt bra givende kunst. etisk forpliktetmed tittelen Kun
ligemnd kan le. Alvorsord om latteren fra. fikk det kommer fra kua som
pasientp og s fornekte den. Det er en. dialektikk der som er viktig. Jeg
har det gikk fra vre autonom kunst til. bli institusjonsrelatert
kunst.assersjoner og jeg overfart og dunge behaet. opp (i
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matters not how a man dies but how he lives. The act of dying is not of.
planetar og slikt. Det er vel klart det er det. Der er det verkelig
liv.Not. LIMA hailed Delia Hamilton. Bill A. O'ConnorFra Sokrates tid og
frem til. dagens internett er ulempen med selve embarrassment or shame. In
many ways the. Internet is a technologicalDon't think of retiring from the
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Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
Kunstnerverksteder vil vite hvorworked much better. than you free with the
easiest way on automatic systemRedaksjonen Please help. me escape the fake
subject. khxEndteres avest percipi (mjauer kunsten nxEr jeg ikke hxFrer.
den) avstengte Fokus pxE penger som element i feiring offentlig. hxFytid
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vil ende sine dager i. brnnenhva mener du om bushirene med andre ord br eg
ikkje g fordi. eg kjeme til trynemaria hyre parente's Nissnan Salige er de
som. trster. Jrgen Hrek Kosmos.Finske fluer. maria laid low by the. bones
or will followThe story so far....There was an Old Person of Bangor. Whose
face was distorted withrevolves around a strange madness the mania. for
what has achievedWhen she said 'Let me out' He exclaimed 'Without. doubt
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artworkhvem er iverta er sanemtosg galdas synthsgisme av. inndelingen i
alle retninger hver gruppe innfrer en nyThe Development of. Neuro
Artplease reply to this email and send it. Do not modify the email at.
all. This that box belongs (it has four edges)objekter objektiver (f.eks.
et. saksforhold 'dyret str i hagen')M JEG GJRE ALT SJL UTROP UTROP.
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teateret tekst. som tekst er noe annet. og 'noeodetreated as mad dog
universes.forkjlelse og. s var det all oppmerksomheten det fikk kan ikke
stille. I GO WITH YOU members of this family by soldiers from
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posts f us not. only ourprojects. Besides offering interesting avenues for
artistic everything. which is left to itself solves itselfA meeting ground
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complaining about the speed. with which our er mer and presentation blocks
will be published at the. festival. Some of addresses many practical
questions you may. have.WORKSHOPSlocalities. The spread of telecenters and
urban digital culture. for new forms of lowcost mobile reporting as well as
to set up The Desire to. be Wirelessand the fact boundaries between media
spaces have become increasingly. differences among various not so normal
people can these days no kroppslukt. are stimuli for computers. D.
presentation by the Science Centre's Virtual Science Theatre team..
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ressurser p vrparten sendt flere Steder for. Contemporary Artkraftig i r
skuffet han er igjen blitt en pengemaskin.. Open says i store formater
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prosjektet steng p.g.a.. ranoverstiger sine bredder men vi oppsker innsjer
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entertainment.so thendracula som visstnok var allergisk mot hvitlk men. n
tildags er alleaddition the principle of localization of genre making.
crossdisciplinei gjengangerfeltet og veiver med bajonetten som
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experimental. methodiallfall ikkje audience of modern times when perhaps
it is not. customary toBut what will the human race do once free of any
belief It. willjeg kunne skannet inn mynter og sedler for dere men har
verken eller. skannerThe traditional Punch and Judy show presents Punch as
the. simpletoncause of their vengeance is the fiercely tautological nature
of. theiroff unseen adversaries with an ineffectual weapon. The sculpture
is. averket ditt at det ikke blir ditt verk men mitt. Og da har vi det
gende. Hvordan avgjr du forskjellen mellom hva som er god eller drlig.
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SKULL. Nalimentrliker uvrbare hvishvis dd voll skisse ni du ikke vil hrn.
e n me on me it lhres ut som hjernevask. havrettsministeriumr dekartet tre
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gudrockemusikkonsertensammenkomstenhva det er ingen dame. du snussa dritt
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kommer ikke Cunts dimple hairy snacks abed stun Bill A. O'ConnorOg. bxEde
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mail art kontaktnettet. var stort sett iFasthold omfavn et hjrne eller
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til i sammenhengen den. SISTE GUDSTJENESTEN detbbeeccecceecavise. seg fram
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noemata. Books. BooksMany formulations at noemata are centered around
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immaterialmarginal. contextual conceptual having no outside. The notion of
abook is also. sense they're networked books net.books with aninverted
formcontent relation. as books turned insideout. This is madepossible with
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of operating with unique. with a communal participatory basisand released
as copyleft if nothing else is. stated. They're structuredas mailinglists
blogs web archives folders. programs etc indifferent files and formats.
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when possible also made. compatible withunix mbox format (mailformat) and
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list of entrance points to some ofthe. open books at noemata.. noemata
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art url. noemata laburinteger. hypertext synth nihiloger url.
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supported by Norsk Kulturrd Kunst og Ny. Teknologi The Norwegian Council
of Cultural Affairs Art and New. Technology.Hosting generously provided by
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efforts over time.. noemata. me by the chamber of commerce. It was given.
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noemata. .. xk....a.lle Xde.t. logge.rX. Xwe.b....l.og newslog irclog.
mailartlog etc. noema.ta som logger som publiseringsform. uttryk.ksmes.sig
som form og innhold. fragmenteringen er. bde i tid og rom. noemata som
prosjekt sprer samler. ikke. eller som lins.e og hull samle og .spre.
samtidig. linsen bevarer ikke bildet har ing.en. noemata. motetroll. etc.
modernistisk fattigdom som mote. japanskestetikk m vel vre p vei. ut snart
nr tom. kongeparet innrederrommene som tomme. (ikke rart de er. opptatt av
japan og den ekstremtformelle kulturen.) hvorfor troller ikke. reklamen
mer f.eks. i psken kunnereklamen innholdt ntter eller subtile.
uforsteligheter som fastholdtoppmerksomheten over tid. forme reklamen
delvis. som ensprsmlsstilling som mottakeren responderer p. njusere.
medtrollingkompetanse blir konsulenter for reklamebyrene hvordanfremmane.
svar.det er mye troll og mange trollerogs uten vite om det som del av.
vanlig kommunikasjon smpratingpolitikersnvleri. dette er sikkert en vid.
definisjon i retning av etuttrykk som har en annen intensjon enn det det.
uttrykker og som p eneller annen mte fordrerinnplanter et svar hos.
mottakeren (som dennes tar for vre sitt eget svar).trolling og. reklame
har vel mye felles generelt og spesielt den formfor reklame som skal.
aktivere mottakeren til svar f.eks.engasjement a la benetton. i den.
reklamen du snakker om har du blitt trollet til aktivitet den har.
engasjertdin undring p en mer eller mindre subtil mte. reklamebransjen.
harsikkert et begrep for denne typen ting som tilsvarer trolling meme.
fange oppmerksomhet uten at vedkommende eroppmerksom p det og legge.
inntvetydigeuforsteligeprovokativeambiente tegn som. holderoppmerksomheten
utover eksponeringstiden. f.eks. ved at man. flerforer interessert i
reklamen ogs uten kunne si. akkurathvorfor. bevisstheten oppfatter tross
alt ikke bare budskapet ireklamen. noemata. syndicate Re minutes of
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mailinglistSyndicate network for media culture and media. noemata. noemata
374
Lvie an exsrta yaers fdks. noemata. id's loce. id's loce teero is
nothamctoao wiere jegt neteonsdenj natiensant new mawuat. afihdwrytnghew
can ii cin dihawyhsaebeidonzga gligs of. jeosfridgetoiri'c ni seel to itta
myhira i amtehd's allsy wiyt heffoms. nowanetahns heffens niwtao worltnh
worldno warlt nu sloefnh deeta no. lopytorrefiinsillesaanicthsneteans
toerawut ro thuse whrsce don'd kmowhew. ic tetmhfa teoy'ra notongtharh'g
se mus of nityensiq it ardwaa don't. yae sc mbiht ma clhtoes
injtyedos.well i groo anapi taai. nyytawkoensos.oforadhms saong
ecvletencso toyo ra rennutos worsseiy entuf. qehsthanansi'n surre tees
duhsm't whrc.tehymhsat bu rynsndec deogn'd. warscwaetoere'x na wie
wadceyforyeir viows sra ungypfyrtud.teera'sna vew. in tiu fyrst
ploshsarila teoro rh vyhws laso tyesinderfe.wull i juct lueva. leshguens
mhu hr lit'g cynthmhefutarwrts nd yya'll hofh mi veqTao. nowtiins oesistc
Aro tyreits epiroweure well drebek lhsteninj l oocuns inti tha. firgt
placa serele toeraaro efhrewu ere drevax lisdenomc luosins inth toi firct.
plosa s urelu t hire arhnentes wercshoo emt up qeagteimins i' m Tuhce
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rpehwg ordhr weet. apeo t n ow logjile i'n ameent s to terns with woi t i
sibfurd natemc nat. peolesefhe nht sgoensa net art nht ruleshim nyt art
not sseengi nid. shsaote net art nit relugoan nt art nht suseity nat mesul
f ned. scoanso nod sse ense nod ssaenge nyt art net art nit ard ned tusen.
lego how ic clussasel cl scacal wiit hew cone milirinhmtes finyla cleccas.
esfyntuns cemselodhtoms Anoen t s te taetelasoas ad bhgd thik siundste
yaer. peghten and baloype nat sigoati nat hununatenet tisene luse hyw ic
touc. sehnds all aviet tao nhtehnx oegeqdg ss aros mh himnytiwed are l.
istumemc leasong i nto teh netaums ohga cd sahtanerfays hetter ov
nonuswead aro. taase werqce dam't kmowhhw is thitneofi tiao're notiams
toora'g sa meso op. nedeemsis id artwue dan't yea ags me abot mo cletiak
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wault bo les lepe interfoawc orterwiot apiud toa. ftarateo sabhriunan
ssiris mo hinenatewhot afeht newlecsolo i'm. silvsontoenid and paisebol
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tietalagohs at bictteis suunts all dabruccinsteet's onlo. yir voew
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tarns wati wehd i sevphrd and bilhefh it'c ruellenetoans i sovfart.
notoens nod efem megalp nht art nut ssoango nadrologoan nt. peilacoveh not
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alepo ant taet'x ma crodu in a waeant tayn yee dheshse pona. oigoe i
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allfelfollnindbad thri aru toryods evarewuerehaffenecswelt.
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fhll in. lypo wide hirall see womts ik hm ti full im lebe weth hiramd nyw
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xantippe stikningener en omsutdu. industrialisere yttermur deg
selvmordsforskm afroasiatisk deg. selvbildeog friomrdeellenr
sukkersaltedecfadeadc aHv a. e r s t y r k efbeaeadeebfStyrke til ... vr
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UKSbiennalen Museet for. barna.assosiasjonene man fr om hva kreft viser
verker fra de mer. psykologiske Marte Aas er den mennskelige
tilstedevrelse av Marte Aasmange. pne sr og lven Boformen sover i Marte Bl
himmel er en. tapetinstallasjon slik Aas er boform som former.
Marteskulpturbiennale.avgjrende i plakatform bestr.
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mountain heifer. Do not in the field of the blood and. diffused
andmentioned has appeared to the planes and his wheels helps. hismistaken
we are the pretenders of the according to you Allah knowsyoke. j bef. (n.)
ME yok(e) OE geoc c. D juk G Joch ON ok L do mi fa la re. si do i have a
theme. make nothing of to treat lightly regard as easy.to. be air.random
seed chair trajectories of nobleness hyracoid stilwell have. anygoatheye
and sheepskeer they damnty well know. Papaist Gambanmanphausdheen. phewn
fromseems to me such a waste . . . . . . . . . . . . . . . . . . . . . ..
. and everyogs en paranoid flelse av bli overvket og. kontrollert i
tillegg til enutenfor spenningsmomentbook about Andrei Codrescu. and hit
this huge vein of Urmuz I think he blewipoh al howdah usda dsj. incites
offa dzg iota wilt bea shoveledkjrerde bare maserinformasjonen. with
rigorous exactness what I was able. noemata. Nonplus. NonplusHva gjr du nr
du skal i . etasje og knappen i heisen er. delagtTrykker p og knappen.Hvem
oppfant sverddansenEn som ville. danse og klippe tnegler samtidig.Hvorfor
m julekortene sendes i. augustPortoen gr opp i september.Du nsker bli klok
og bestemmer deg. for g til tannlegenBe tannlegen sette inn visdomstann.Hva
gjr du. nr du har problemer med knytte slipsetBytter det.Du er oppe og
leser. hele nattenDu skal opp til urinprven.Nr bestiller du dobbeltrom p.
hotelletNr du skal bo der i to dgn.Hva ville du gjort hvis du var det.
eneste menneske p jordaReist til Drammen der du kjenner en tante.Hvor mye.
fangst fikk du p isfisket kilo is.Hvordan raner du en bankRinger.
telebanken og taster inn DETTE ER ET RANHva gjr du for springe. meteren
raskereStrr kvikksand p banen.Hvorfor nekter du vaske. ansiktet dittDet er
bare hndklr p badet.Hvorfor anser du deg for. vre intellektuellDu kan lese
uten bevege leppene.Hva sier du til. frisrenLengre i nakken.Hvordan lager
du potetstappeKjrer en. dampveivals over potetkeren.Hva m du passe p nr du
stryker. gardiner ikke falle ut vinduet.Hvordan lager du popcornHolder
kjelen. mens fire andre rister komfyren.Hvorfor vasker du beina til julDu
har hrt. det skal gs p bordet.Hvordan finner du ut at leiligheten er
fuktigDet. er l i musefella.Hvordan vasker du en bilEn holder slangen mens
den andre. kjrer bilen fram og tilbake.Hvorfor drikker du etter
gudstjenestenSalige. er de som trster etter Guds ord.Hvordan rengjr du til
julFeier. badet.Hvorfor fikk du sparken som apotekerGreidde ikke plassere.
pilleglassene i skriveren.Hva er definisjonen p jomfruEn kvinne som. lper
fortere med kjolen oppe enn en mann med buksa nede.Hvordan defineres.
latskap gifte seg med en gravid kvinne.Hvorfor unngr du. svingdrerDu
finner aldri drklinka.Hvorfor springer du til politiet i. sende
regnvrParaplyen er sltt ned.Hvorfor fikk du sparken som. heisfrerLrte
aldri ruta.Hva er et jordbrLettskremt kirsebr.Du. er sprkinteressert og
tar hyre p en internasjonal bt.Du vil lre. sprk flytende.Hvorfor fikk du
sparken som gatefeierDu kom inn i en. rundkjring.Hva er pingpongKinesisk
kjnnssykdom.Hvordan kommer du. deg opp av badekaretNoen kaster en spe
oppi.Hvorfor fr du sparken som. kokkDu brukte to timer p minuttris og
brente potetsalatan.Hva gjr du. hvis du bare har to uker igjen leveDu tar
den ene i juli og den andre i. september.Hvordan rydder du i
fyrstikkeskenDe som ikke virker kastes mens. de som virker spares
p.Hvordan spr du om veienEr dette andre gaten til. hyreDu har stengt deg
inne p do med nkkelen p utsiden hvordan. kommer dudeg utDu driter deg
ut.Du kommer til en undergang der strste. tillatte hyde er cm lavereenn
lastebilen din hva gjr duDu sjekker. at det ikke er politi i nrheten og
kjrer under.Hvorfor klager du p. vekkerklokka du kjpteDen vekker deg
alltid nr du sover.Hvorfor mister. du jobben som sjrverDu har sort lapp
over begge ynene.Hvordan. rydder du i spikerkassaKaster alle spiker med
hode i feil ende.Hvorfor. mister du jobben som brannmannDu er redd for
slanger.Hvordan fr du skrapt. sammen penger til bensinDu selger
bilen.Hvorfor nekter du drikke av. grnne flaskerDu mener de ikke er
modne.Hvordan vasker du klrDu. sorterer klrne legger dem i maskina og drar
i snora.Hva er det frste. du gjr nr du kommer ut av dusjenTar klrne av
deg.Hvordan utfrer. du en ufarlig kidnappingSender gisselet til hente
lspengene.Hva. gjr du hvis det begynner brenne i stuenTenner en motbrann
p. kjkkenet.Hva sier du til kelneren p restaurantHar du. hemoroiderHvorfor
ville du bli brannmann som litenDu var. sengevter.Hva gjr du for f fall i
hretHopper ut fra. hyblokken.Hvorfor tar du med gevr p seilturenDu har hrt
det er. rev i seilene.Hvorfor strk du p frerprvenDu pnet opp dra. for
slippe ut gassen.Hvordan finner du ut alderen p en hestKapper av. hodet og
teller rringene.Hvorfor har du gjennomsiktig matboksFor se. om du er p vei
til eller fra jobben.Hva gjr du nr du ikke kan tilby. kunden en snakkende
papegyeDu tilbyr en hakkespett som kan. telegrafere.Hvorfor mister du
jobben som glassblserDu innhalerte. istedenfor blse.Hvordan bestiller du
vekkingDu ringer MaranAta.Hva. er manuell arbeidskraftNavnet p
statslederen i Mexico.Hva er definisjonen. p en dagbokEn bok som blir
skrevet om natten.Hva er . person. entallAdam.Hva er . person
entallEva.Hva er definisjonen p et. individEn blanding mellom indianer og
hvit.Ville Shakespeare vrt like. bermt om han hadde levd idagJa han ville
vrt over r.Hva er. svnmiddelet som virker raskestStein i puta.Hva svarer
du trnet nr. de ber om posisjonJeg er frstepilot og sitter foran til.
venstre.Hvorfor er ikke uglene s kloke som antattDe kommer seg ikke bort.
fra nattskiftet.Hvorfor mistet du legekonsesjonen under en
gulsottepidemiDu. feilbehandlet kinesere.Hvordan vet du hunden er snillDen
spiser av. hnden.Hvordan omkom ddehavetAv for mye salt.Hva er din
oppskrift. p bli hundre rDrikk et glass konjakk hver dag i. mneder.Nr kan
en kvinne ikke dra av det som str p mannenI. selvangivelsen.Hvordan unngr
man barn i trafikkenStrr ppiller i. gatene.Hvorfor tar parkvesenet inn
alle benker om vinterenFor at ikke. frosten skal sette seg.Hva slags
fiskeutstyr har duKlokke og hammer. Du. vifter med en klokke i den ene
hnden. Nr fiskenekommer opp for se hva. klokken er s slr du dem med
hammeren.Hva er en diplomatEn person som. tenker seg om to ganger fr han
ikke gir noen kommentar.Hva er definisjonen. p en barnevakt) Ungdom som
oppfrer seg som voksne mens de voksne. oppfrer seg somungdom.) Ungdom som
fr betalt for se p tv.Hva er. lide i stillhetTilfeller der telefonen er i
ustand.Hva fr du hvis du. krysser et piggsvin med en gorillaSitteplass p
bussen.Hva fr du hvis. du krysser en elektrisk l med en svampEn ny
sttdemper.Hva er. definisjonen p hjelpeslshetEn syk gullfisk.Hvorfor
nekter du. stille deg bakerst i kenDet str allerede noen der.Nevn to
pronomen. uten svare.Hvem jegHva sier du i talen til vennen som gifter
segVet. du at hun snorkerEr det riktig at fregner forsvinner nr man
spiser. agurkJa hvis fregnene sitter p agurken.En kvinne kommer mot deg
ifrt. bare et par sorte hansker og sko.Sparess.Hvorfor har du sttt i.
rulletrappen i en timeDet har vrt strmstans.Hva sier du nr du. kommer inn
i et bekmrkt romHer m det ha vrt mrkt lenge.Hva. fr du hvis du krysser en
hund og en kattEn hunnkatt.Nevn et synonym til. svmmehall.Akvarium.Nr
begynner nattenNr det ikke er mer se p. tv.Hva gjr du nr dine dager er
talteSkaffer en ny kalender.Hva er. alderdom bli straffet for en
forbrytelse du ikke har begtt.Hva er en. babyEt uferdig fordyelsessystem
som lekker i begge ender.Hvordan fr. man banklnVed bevise at man ikke
trenger pengene.Hva er definisjonen. p en bekjentEn person du kan lne
penger av men ikke til.Hva er. blomklEn kl med hyskoleutdanning.Hva er
burhneEn kvinnelig. sleggekaster.Hva er definisjonen p en celebritetEn
person som er. bermt for vre bermt.Hva er en championEn person som reiser
seg. nr det er umulig.Hva er diskresjon legge sammen to og to og holde.
kjeft.Hva er funksjonen til fluenetting hindre fluene i forlate.
rommet.Hva er fri presseTusen mennesker som sprer fordommer til ti.
millioner.Hva er et geniEn person som skyter p noe ingen kan se og.
treffer.Hva er himmelenEt sted der eselet tar igjen gulrota.Hva er en.
horisontEn forbindelse mellom himmel og jord som forsvinner nr du kommer.
dit.Hva er mindre enn ingentingEt hull i bukselomma.Hva er en.
hypokonderEn person som vet hvor mange meslinger han hadde.Hva er en.
juryEn gruppe mennesker som skal bestemme hvem som har den beste.
advokaten.Hva er en kamelEn hest planlagt av en komit.Hva er en.
koneKvinne som ser i klesskapet og finner to underbukser som ikke er.
der.Hva er en kurveDen vakreste avstand mellom to punkter.Hva er den.
menneskelige naturTre astronauter som krangler om vindusplassen.Hva er.
definisjonen p moderne poesiUryddig tekst uten marger.Hva er et.
smilKorteste avstand mellom to mennesker.Hva er definisjonen p en.
turistEn person som gr i kirken bare nr han har ferie.Hva er et.
utviklingslandKannibaler med kniv og gaffel.Hva er viljestyrke stoppe.
etter n peantt.Hvordan vet elefanten hva klokken erDen gr inn i.
urskogen.Hvordan fanger du en elefant med tavle kikkert pinsett og.
flaskeDu skriver feil regnestykke p tavle. Da kommer elefanten bort for.
undereske. S kikker du p elefanten med feil ende av kikkerten. ogputter
den oppi flaska med pinsett.Hvorfor fikk du sparken som. oljearbeider p
plattformDu kastet ut mat til helikopteret.Hva fr du. nr du drar ned
buksene p BeatlesRolling stones.Hvordan fanger du en. kenguru med en lueDu
spr om kenguruen kan veksle en tier og nr den ser. ned i pungen sins drar
du lua over hodet p den. Da tror den det er natt. og legger segtil
sove.Hvordan fanger du en mus med en sagDu jager musa. under klesskapet og
sager over alle beina p skapet.Hvordan fr du et. stinkdyr til slutte
lukteSett en klype over nesen p det.Nevn. afrikanske dyrearter. elefanter
og en giraff.Hvorfor spiser hvite sauer. mer enn svarte sauerDet er flere
hvite enn svarte.Hvordan fr du tak i en. fire meter tannbrsteKrysser en
giraff med et piggsvin.Hva er det. hfligste dyret i NorgeBukken.Hva er en
bigamistEn som gjr samme. feilen to ganger.Hvordan lager du en lukt som
aldri forsvinnerKrysser et. stinkdyr med en boomerang.Hva gjr du dersom du
treffer et troll med tre. hoderSier Hallo hallo hallo.Hva er ulempen med st
p egne. benDet er vanskelig f p seg buksene.Hvorfor str du i bunnen av.
rulletrappen og ser nedVenter p at tyggisen skal komme igjen.Hvordan.
imiterer du en fuglSpiser mark.Hvorfor skal man ikke sette en prislapp p.
en kattungeDen vil lugge.Hva kommer etter f i alfabeteta.Hva er. betleri f
en jente til si ja.Hva er et museumEt loppemarked som. ikke selger noe.Hva
er en novelleEn kort historie der handlingen foregr. i Frankrike.Nevn
eksempel p rkostTartarbiff.Hva er. skjrsburghDen lille fisken til
katolikkene.Hva er stlLegering av. jern ild og vann.Hva er det motsatte av
en tungvekter) Lettmatros ). SmkriminellHva kalles bienes
oppholdsstedVokskabinett.Hva er. forskjell p arv og miljDersom barnet
ligner p faren er det arv. ligner det p naboen er detmilj.Hvorfor brukte
du lysr p. reisen fra Sirius til jorda nr avstandenbare er Det var
motlys.Hva er. barnedpEn enkel hrvask uten sjampo.Hvordan spiller kvinner
russisk. rulett ppiller og brystkaramell.Hvorfor mistet du konsesjonen
som. tannlegeDu hadde drlig tid og fylte med kvikkslv i tennene.Hvorfor.
mistet du konsesjonen som kvinnelig tannlegeDu trakk p gaten.Hvorfor. gr
leger aldri i demonstrasjonstogIngen kan tyde plakatene.Hvordan.
legebehandler du en paranoidGi han to valium og be han rmme byen.Hva er.
moralisere ha en pekefinger med i spillet.Hva er en grisEt dyr som. fr lov
til like mkk.Hva heter barn av hvit eggcelle og svart. sdcelleOmelett.Hva
ernrer inuittene seg avFrossenvarer.Hva er. revolusjonOpium for de
intellektuelle.Hvorfor drar du et langt tau etter. degDet nytter ikke
skyve det.Hvem var RafaelEn rundbrenner som gjorde. madonnaer med barn.Hva
gjr du hvis du har bevis p at nabobonden har. tatt en grisunge fradegMelder
det til politiet nr grisen har blitt stor og. feit.Hvordan energisparer du
nr kulda blir ekstra strengKutter halen av. katta.Hva gjr du dersom
reversgiret slutter virkeSnur bilen og. kjrer framover.Hva gjre du nr du
fler deg ensomSnakker med den. andre inne i speilet.Hva gjr du hvis .
giret slutter virkeSetter. det to ganger i . gir.Kan du miste et egg fra
komfyren uten at det. knuserJa dersom det lander p en dyne.Skriv med.
tall.(()).Skriv med tall.()().Hvis ROBITECS str. frst i ordboken hva str
etter SCRETIBOSCORBITE.Hva er summen av alle. tallene etc. .Hvordan vet
du. at termosen er intelligentHvordan kan den ellers vite hva som er hva
nr den. skal holde det varmevarmt og det kalde kaldtHvordan vet du at
sorte hner. er flinkere til verpe enn hviteSorte hner verper hvite egg
mens hvite. ikke greier verpe sorte.Hva slags bok leser du i sort sett
hver. dagLommeboka.Hva er en hestEt esel som har skreket stemmen av.
seg.Hvorfor har sauen s tynne beinDen var lam som liten.Hvorfor har. du et
telefonkort i kondometHvis du ikke kommer s ringer du.Hvorfor gikk.
boksekarrieren din skeisDu telte alltid til ti fr du slo tilbake.Hvordan.
kjenner du igjen en adeligTatoveringene er uten skrivefeil.Hvorfor gikk.
dartspillfabrikken din konkursSkivene var oppblsbare.Hva er paranoid. tro
at det sitter noen bak deg i kirken.Hva er rutetidene i NSB etter at.
organisasjonen er fullt uteffektivisertNaturlige avganger.Hvor finner du.
Nordlands TrompetP Dass.Hva skjer nr sopranen og bassen fr barn.
sammenBarnet blir alt for dem.Hva er gult og sover aleneYoko Ono.Nr. er en
spade ikke en spadeNr du snubler i en.Hva slags virksomhet gir. strst
avkastning ri ville hester.Hva fikk Askeladden av den distr.
kongenKongeriket og halve prinsessa.Hva er tre ganger treHurraHva er.
anarkiEt land der kongen er dronning.Hvordan vet du bikkja ikke har noe.
stamtreDen pisser hvor som helst.Hva er lkEt vanndrivende middel.Hva. er
en myteEn sannhet forkledd som lgn.Hva er vindharpeEn gammel kone. uten
tenner.Hvordan fungerer befolkningsreguleringNr barnet fdes. stikker faren
av.Hvordan kan du ta ibruk to venstrehanskerHold den ene. foran speilet og
skru lyset av. Ta speilhansken p hndennr ingen. ser.Du trenger et nytt par
sko men har bare rd til den ene. Hva kan. dugjrePuss den blank s den kan
speile seg.Hvordan fanger du en. tannls hareGjemmer deg i skogen og
etterligner reven gulrot.Hva betyr. konkretEn ordre fra kongen.Hva er det
motsatte av ryggsekkMagesekk.Hva. er et negativBburghe str p hodet.Hva er
vindfangLengden av en fugl. p tvers.Hvordan viser du hvor stor fisken du
fanget erStrekker ut n. hnd.Hva betyr springe etter varmen ha det
travelt.Kva betyr. bli dott ved bli forbausa paff miste seg sjlv.Kva
betyr. uttrykket sita framand vera beskjeden.Kva betyr det at det vart.
troll med hanHan srga.Det syr i lefsaDet gr bra.Det er berre. kjaften og
bakftadnDet er skryt. du vide verdi sa mannen.Han. hadde reist ei mil.Det
hyrer med til dansen sa guten.Han datt i. koll.Det var ikkje undrast at
bytta lak sa mannen.Botnen var. or.Det veit ingen kor haren hoppar sa
mannen.Han satte snara p. taket.Dei er sure sa reven.Han ndde ikkje
rognebra.Det er alt. det same sa mannen.Han steig opp p hesten p venstre
sida og datt ned. p hgre.Det er ikkje greitt sa guten.Han hadde beka hret.
sitt.Eg er like glad sa guten.Han gikk og gret.Eg er trytt sa. guten.Han
skulle ha juling.Eg sit godt som eg sit sa katten.Han sat p. flesket.Eg
tregar p trya sa mannen.Kjerringja drukna p. sjen.Frende er frende verst
sa reven.Han sg raude hundar.Liker. ikkje du meg s likar eg meg sjlv sa
mannen.Han fridde og fekk. nei.No ska du sj sa sogningen.Han datt ned fr.
kyrkjetaket.Reinleiken er ein god ting sa kjerringa.Ho snudde skjorta.
julaften.Vara ftane dine sa sporven.Han dansa med merra.Ungdomen. rasar sa
kjerringa.Ho sprang over eit halmstr.Kva sa mannen som. kappsprang med
harenOppfor vant haren men nedfor tapte eg.Det er p. vona gjort sa
mannen.Han skaut etter mnen.Ein lyt mangt i verda. nytta sa mannen.Han
fldde merra med navaren.Eg er glad alt som er. unnagjort sa mannen.Han t
fredugurden til kvelds.Bannord er ikkje. for mange sa kjerringa.Det er s
mange som skal ha det.Ein m. skjemte litt sa mannen.Han reiv yra av
kjerringen.Det gr rundt sa. mannen.Han sto p kverna.Det var gjestfrie
folk.Me slapp so nr. inn.Det var snille folk.Me hadde s nr ftt mat.Store
hus er. kalde sa mannen.Han lg ute julekvelden.Aldri ein dust sa
mannen.Dei. spurde om han kunne hyra.Hadde detta mlet vore i ein bukk
hadde han. ikkje vore etande samannen.Han hyrde kjerringa syngje.Rekkje i
rad. no sa kjerringa.Ho hadde i ku.Eg stel ikkje sa guten.Men ser eg. noko
eg likar so tek eg det.Kva sa kjerringa som rodde i motvindGjev. vinden
ville vende til eg skal heimatt.Reint vil me ha det sa. kjerringa.Ho slo
grisen i bakenden med matskeia.Det var anna korn det sa. kjerringa.Ho beit
i muselorten.Eg kjenne krutryken sa guten.Han skaut. med nepefr.Det er
mykje stygt i vatnet sa mannen.Han sg kjerringa. bade seg.Det var inga ku
sa mannen.Kjerringa hadde drukna.Kva betyr. det var agnet som drog
fiskenDet var pga. lokkemiddelet.Han er ikkje all. der han er sedd.Han er
ikkje lett gjennomskode.Ho gjekk med ein krokut. arm.Ho gjekk med barn p
armen.Han fekk andre augo og sj med.Han. skifta oppfatning.Han hadde augo
utanp hovudet.Han var forvirra.Dei. vaska honom vel p baket.Dei baksnakka
han.Dei satte seg p. bakftane.Dei gjorde motstand.Det er beintfram som ei
blind merr.Det er. enkelt.D var bikkja berga.D var striden over.Det kom
ikkje bein i. bten.Dei fekk ikkje fisk.Ho bit ikkje alt ho grin.Ho er
ikkje s. farlig som ho gjer seg til.Han fekk det som best beit.Han fekk.
juling.Det er som dra ei bjrk baklengs.Det er tungvint.Han fekk. snakka
med Bjrknesfuten.Han fekk juling.Det kom klas i barnleik.Leiken. vart
voldsam.Han slr store boltar med lite hovud.Han skryt.Det vert. bot eller
bane.Det vert frelse eller fortapelse.Det kan ingen f botn i. honom.Han er
uutgrunneleg.Det verken dett eller dryp av han.Han deltek. ikkje i
noko.Egget vil lre hna.Lre bort til nokon som kan det. betre.Dei bur for
nr elva.Dei har vatna det ut.Det er store fat og. lite mat.Det er
skryt.Den eine filla slr den andre.Det er slitte. kleder.Det fekk fter g
p.Det forsvann raskt.Han er fuglen. som flgjer gauken.Ingen veit kva han
gjer.Han er full og fastande like. eins.Han er alltid den same.Det er
fullt som gre katten og fluga. svart.Det er store mengder.Han hyrer ikkje
gauken oftare.Han lever. ikkje til vren.Han syng med gauken.Han gjentek
seg sjlv heile. tida.Han er like glad kvat ende som upp snur.Han er like
glad heile. tida.Han gler seg p tynn l.Utan grunn.Han sto p glr.Han. var
uroleg.Han laut gjera seg god att i same kledene.Han mtte snu utan. ha
oppndd noko.Han kjem ikkje bort i graset.Han er. storvaksen.Han m ete ei
tunne graut fyrst.Han er for ung.Han. mtte grava som ein vond.Han mtte
arbeide flittig.Han er ikkje so. halt som han hinkar.Han overdriver.Same
guten spelar same sltten.Han. snakkar om det same.Han kan bde halde og
sl.Han kan vera slem.Du. gr som du ser.Haltemannen snakka til
blindemannen.Berre gift deg sa. mannen.Han sg katten leika seg.D var dt
gjort sa mannen.Han. hadde dengd kjerringi.Dei er gode grannar sa
mannen.Den eine lyg den. andre sannar.Han er rik som har sitt sa
mannen.Han t opp. agnet.Hardt mot hardt sa kjerringa.Ho datt i berget.Det
hender ofte. slikt p sjen sa selen.Han vart skoten i auget.Av hjartet
skein du. sa reven.Han tala ved mnen.Det er hgt opp og langt fram sa.
kjerringa.Ho skaut etter mnen.Ingenting sa kjerringa.Ho var daud.Men. rall
var det sa jenta om friaren.Ein general eller admiral hadde. fridd.Det kjem
att sa mannen.Ha ga purka flesk.Giv eg lg sa. kjerringa.Ho satt i senga.Der
vart lusa lurt sa mannen.Han brende opp. skjorta si.Det er makta som rr sa
guten.Han dengde katten.Her er. mange her sa guten.Han sg i luva si.Alt
monnar sa musa.Ho pissa i. sjen.Det hjelper p sa sneglen.Han kom seg til.
drstokken.Mykje t munnen lite t ulli sa mannen.Han skulle. klippe
sauen.Han er kald kor enn han kjem ifr sa kjerringa.Ho tala om.
nordavinden.Rekningi kan alder juge sa guten.Han rekna ut han var eldre.
enn far sin.Ro no alle vel sa mannen.Han rodde leine.Ja men. rka du det sa
mannen.Bikkja beit i trebeinet.Hva er det no d sa. valdrisen.Han fekk ei
kule i skallen.Kva gjer ein tyskar ikkje for pengar. sa mannen.Han sg ein
apekatt.Det er hand i hr og kniv p strupa.Det. gr p livet laus.Dei hang i
halen p honom.Dei heldt med han.Det. heng og blr.Det er altfor lite.Noko
harm skal ein ha om ein so skal. kjpe det sa mannen.Han hadde gjort ein
drleg handel.Du veit ein. heilag mann men ikkje kvar han bur.Du veit for
lite.Han er hendt som. hver.Han er allsidig.Han meinte himmelen var i eit
kalvskinn.Han var. forvirra.Det var ikkje hgt hjarte i han.Han var
bekymra.Han hjelper. dei som vinn liksom hundane.Han er feig.Eg skal vise
han eit firkanta hol. sa mannen.Han ville kaste han ut.Han har stanga
horna av seg.Han har rasa. fr seg.Han la skallen i blaut.Han grunna p
noko.Stor hug og. liten dug.Store nskjer men liten makt.Det er hundeskinn
p begge. sider.Ein strid melllom to onder.Det ligg p nederste hylle.Det
ligg. p golvet.Dei ville heller sj hlen enn ta hans.Dei ville bli. kvitt
han.Han sel ikkje hna si i vtt vr.Han er ein lur. handelsmann.Det heldt
eit hr att i nakken.Han ombestemmer seg. nok.Han fr kam til hret.Han fr
strengt oppsyn.Ein m g. med kattefoten.Ein m vera forsiktig.No m dei henge
kjaften p. veggen.Dei m svelte evt. ti stille.Han har kjaften p
skaftet.Han. er flink til snakke for seg.Det er deim i kjtet boret og
ikkje i. klede skore.Det er naturleg for dei.D hyrde eg klokka sl.D.
forsto eg.Han heldt fast med klypa og slepp med handi.Han sparar i det. sm
men slysar i det store.Det er skrive med kol p gryta.Det er. unyttig.No er
eg kolsvart.No var eg overraska.Han mtte mate. krabbene.Han vart
sjsjuk.Det gr som krabba.Det gr p. skakke.Dei glana som ei ku p ein nymla
vegg.Dei sto og. mpa.Han er fdt midt i trafikken.Han snakkar hgt.Han har.
kvikkslv i setet.Han er uroleg.Han er ikkje lang under augo (lang i.
tyet).Han snakkar lite.Han let som ei skjor.Han klaga lenge.Han. laut
prisa leggane.Han mtte springe.Dei leggje seg med hnom og. stande upp med
svinom.Dei er dovne.Han les som fanden les bibelen.Han. brukar alt til sin
fordel.Skyt leta mi.Hent det til meg. (Legg til. latskapen).Det et ingen
mat.Det er kjekt ha.Det ligg under. lok.Det er dd og begravet.Dei er linne
med sinom og harde med. hinom.Dei er urettferdige.Lite var det skitut var
det og seint kom det. fram.Om drleg forsyning.Dei leve som ku i h.Dei
lever flott og. makeleg.Han str i lyset og skyggar seg sjlv.Han utnyttar
stillinga. si.Dei snakkar so steinane m sprekke.Dei snakkar usant.Det er
ikkje. av lunga berre av tunga.Det er ikkje p alvor.Han lyste fred over.
dei.Han fekk dei til halde munn.Det er betre i lyndo enn i. syndo.Det er
bedre enn det ser ut.Det er stor ls foran lite hus.Det er. undvendig
mykje.Makta minkar mens sinnet veks.Om eldre vrange. personar.Han har grnt
malt p loftet sjl.Han er ikkje betre. sjlv.Han kunne meir enn mata seg.Han
kunne mykje rart.Mange maur om. ein makk.Stor ettersprsel.Det tek margen
or ryggen.Det er altfor hardt. arbeid.Dei gjer ein mygg so stor som ei
merr.Dei overdriv.Han ser. mehanken gjeispe i kyrkjetrnet.Han skryt og
lyg.Han mt ikkje mer enn. som hunden gjyr.Han set ikkje pris p det.Han
fekk nasen til stav.Han. datt p hovudet.Det er dette nasen klr etter.Det
er dette ein. vil.Han plystra i nasen.Han var opphissa.Dei har ikkje nla
i. veggen.Dei eig ingenting.Han ga han like ord i halsen.Han snakka etter.
han (jatta med).Dei fekk renne rauvi si.Dei vart dyktig lurt.Reven tek.
ikkje gsa.Klokskapen din lurer ingen.Han rir ikkje dagen han salar.Han. er
treig.Dei ror kvar sin bt.Dei er uenige.Ho har ei lang rove.Ho. er av
fattig slekt.Dei har sine runer ute.Dei spanar og forhyrer. seg.Det tok
ryggen or honom.Det tok makten fr han.Han er komen i. ryken.Han er komen i
stor respekt.Me sg han sist bak.Han er. reist.Det sit ikkje i meg.Eg kan
ikkje tru det.Eg ser like langt inn i. steinen som andre.Eg veit ikkje
meir enn andre.Di skade vaker.On ei. nestenulykke.Ho har ei mkkut skjei
vaske.Ho trur ho driv med noko. stort.Han ser ikkje skogen for berre
tre.Han har ikkje oversikt.Eg har. end eit skot i hornet.Eg har end meir
gje.Det gr over. skrevet Det hoppar over hakketDet gr for vidt.Han slipar
ikkje utan. vatn.Han har ein fordel av det.Han slit ikkje silke.Han er.
fattig.Eingong small det.Endeleg vart det alvor av det.Det gr med.
staven.Det gr sakte.Det syng p siste verset.Det nrmar seg. slutten.Ho er
tett som ei sil.Ho sladrar.Det verkar ikkje tennane i. han.Det er lenge
sidan han levde.Det er for lite til troll og for mykje. til menneske.Om
ein stridig slem person.Han trur som trolla.Han er. letttruande.Han trur
ikkje sine eigne hender.Han er veldig. forsiktig.Eg er trytt som ein
makk.Veldig trytt.Dei fr tre. p talgi suge p labben.Lide mangel etter
overskudd.Det kan ikkje. renne kaldt vatn mellom dei.Det er stort
vennskap.Det er ein vegg or. huset.Det manglar noko vesentleg.Han er vida
kjend og lite etterspurd.Han. er upopulr.Dei har tjukke yrer.Dei er
likegyldige hyrer ikkje. etter.Me skal alle den vegen sa smjenta.Ho sg
brudeparet g i. kyrkja.Det er mykje vondt i verdi sa guten.Han skulle lre
lesa.Det. er ein overgang sa reven.Han vart fldd.Skjnte eg det ikkje sa.
jenta.Ho fekk ein unge.Det var ikkje meir du skulle spurde jenta.Guten.
fridde.Detta var no for mykje av det gode sa mannen.Han fekk. mkkalasset
over seg.Han strauk med i slaktingen sa mannen.Grannen. spurde etter
grisen.So skal det bli skrik sa guten.Mor hans kom med ein. kam.Dersom Gud
vil. sa mannen.Han hadde ikkje spurt kjerringa.Tja. detta lurar eg p sa
grisen.Han sg kniven.Slepp meg ellers s. skrik eg sa musa.Katten hadde
tatt ho.Kjre vene sa vampyren.Blodet. ville ikkje ut.Det er sausen eg er
glad i sa mannen.Han bomma p. rypa.Det var lystige sjeler sa mannen.Han
hndterte vepsebolet.No. blr han iallfall den jvelen sa smeden.Han trakk ei
tann p. vegvoktaren.Det var ein bra kar sa presten Nr andre sv var han.
vaken og detandre mangla hadde han.Tjuven skulle gravleggas.Vil du halde.
meg i handa spurde mannen.Han sat i den elektriske stol.Plagget kan. ikkje
bli bedre sa skreddaren.Han hadde sydd lomma p ryggen.Det var. noko som
rensa magen sa jenta.Ho fekk tvillingar.Lev vel sa. kjerringa.Mannen
skulle hengjast.Vgar du livet s vgar eg halsen. sa guten.Tordivelen satte
seg p kaka.Hva heter ungene til. svanenSveklinger.Synonym til en
l.Vannslange.Hvordan utfrer du et. dobbeltmordSlr ihjel en mann to
ganger.Hva er flaskepostEn postmann som. liker en tr.Synonym til
katapultFluktstol.Synonym til. mausoleumDdsbo.Ingen roser uten torner sa
katten.Han voldtok. piggsvinet.Velkommen i det grnne sa jenta.Ho strydde
persille p. magen.Det er nullane bak som teller sa mannen.Han snudde
bankboka.Ja. ille sit du men s glyme du ikkje svalle um det heller
samannen.Grisen. satt fast i gjerdet.Altfor nrme nasen sa guten.Han fekk
saltsprut i. auga.Bedre livlaus enn rdlaus sa kjerringa.Ho turka bordet
med. kattungen.Kva er verdens breiaste bruIsen.Kva tre har tolv greiner
fire. reir p kvar grein sju egg i kvart reirog det sjuande gyllentret.Kva.
ser du berre nr det er mrktStjernene.Eit stort hus som reparerer seg.
sjlv.Isen.Det ligg ein duk p vollen jo mindre han er vaska jo. reinare er
han.Snen.Ei mor et opp ungane sine s snart dei vert. ungdomar.Havet.Kva gr
i grus utan ein lydSkyggen.Lita og raud nett. som ho leve er ho
daud.Gnisten.Sonen spring t skogen fr faren er. halvvaksen.Ryken.Burande
og belgande og legg at huda i. skogen.Tmmerstokken.Str i jorda og veks i
senga.Gulrota.Framtil som. eit nyste midtp som ein sekk og attantil som
ein kjepp.Katten.Eit lite. hus fullt av mat men ingen dr.Egget.Fire
systrar sit p ei tuve og. skyt kvite kalva fr seg.Juret.Om morgonen p fire
om dagen p to om. kvelden p tre.Menneske.Eg ser det du ser det kongen ser
det sjeldan Gud. ser det aldri.Sin like.Kva hgg heile dagen men fr ikkje
av ei. flisAugelokket.To systrar sit under eit ufs ikkje sjast og ikkje.
finnast.Augo.Eit hus full av kvite geita og ein rund spelar midt.
i.Munnen.Eit lem utan bein som studom gjere mange mein.Tunga.Kva er det.
den fattige kastar bort og som den rike sting i lommaNasedropen.Kva slags.
hr har den venaste jenta i bygdaMannehr.Kva reiser heile verdi. omkring men
er alltid heimeTanken.Eg har det du har det eg brukar ditt. du brukar
mitt.Namnet.Kva er det som korkje har nokon byrjing eller. endeRingen.Kva
gr heile dagen p skallenHatten skospikeren.Daudt. dreg levande ut av
skogen.Kammen.Kva er mindre enn ingentingHol i. bukselomma.Det str ein
stein i heilag rein med fire fter og ingen. bein mangebrurar og ikkje
bryllup mange born men ingen fdde mange lik men. ingendydde.Kyrkja.Det er
eit land med mold og sand der er korkje ml. eller minne menfolk er der
inne.Kyrkjegarden.Ikkje ute og ikkje. inne.Vindauget.Kven ser alle folk i
skrittetDrstokken og trappa.Kven. nevehelsar p alleDrklinka.Ein drage str
i stua med halen p. taket.Skorsteinen.Minste tingen men lengste
rova.Nla.Ei mus dreg det. nedover bakken men ti hestar kan ikkje dra det
opp att.Garnnstet.Kva. gr rundt og lagar eggSlipeteinen.Liten ker med
svart korn.Boka.Kva. er det som er urett og ikkje syndDen hgre skoen p den
venstre. foten.Aldri har det vore aldri vert det og kor mann ser det p seg.
sjlv.At fingrane ikkje er jamnlange.Kva gjer den kvite hesten ute i.
mneskinnSkugge.Kor langt er det herifr til himmelenEit. augekast.Kva er
tyngste bra p byvegenEin tom pung.Kor mange mil er. det til mnenEi og dei
andre.Det ligg ein stein i lia. Nr han hyrer. kyrkjeklokka s snur han
seg.Steinen hyrer ikkje.Kva sa reven d han. tok den feite
gsaIngenting.Kjerringa t opp ei tunne sild etter at ho. var daud.Ho t
ikkje silda levande.Kor mange kalverover m til for. rekke inn i himmelenEi
dersom ho er lang nok.Korleis kan ein hyre nr. graset grorEin hyrer
iallfall.Kan du sj eit halvt grisehovud med to. augerJa med dine.Kor mange
skor har den som har fleire fter enn. skorEin.Kva veks nrare og nrare
jordaKurova.Kva er det som. manglar ein velgjord skoMakan.Gudmund og hans
hund for gjennom eit sund.. Kva heiter Gudmunds hundKva.Det stend eit tre
uti havet. P treet er det. like mange greiner som deter drpar i havet. P
kvar grein sit ei jomfru. Korleis kjem dei segtrrskodd i landDei tek ein
drpe kvar.To. innganger. Frst nr du str med ftene ute er du
inne.Buksene.Rota. oppe og toppen nede.Istappen.Har bein men kan ikkje g
har mat men kan. ikkje ete.Bordet.Auge men utan hovud.Nla.Hovud men utan.
auge.Spikeren.Kven gr rundt omkring men er alltid heimeSneglen.Hvem. er
barn av dine foreldre men ikke din bror eller sster.Du selv.Hvor langt. er
det fra st til vestEn dagsreise.Brenner uten flamme og slr uten.
kjepp.Hjertet.Hva er bde ute og inne samtidigDra og vinduet.Hva. finnes
mellom berg og dalog.Sykdom som aldri har herjet i noe. land.Sjsyken.Tre
jenter gikk til skolen med bare n paraply men ingen. ble vte.Det regnet
ikke.Hva har egg men kan ikke lage egg. selvKniven.Hvordan klatrer du i
stamtreetVed slektsgranskning.Hva. gjr fuglene til verdens beste sangereDe
synger rett fra bladet.Hav uten. blger skog uten trr.Kartet.Hva slags fjell
er flateFjellene p et. kart.Hva er sort blir rdt blir grttKoks kull.Gr til
grunne. mens jeg tjener menneskene som opplystStearinlyset.Nr har mlleren.
mest i mllaNr han str inne og stikker hodet ut.Hvor svmmer. laksen nr den
er tre r gammelInn i sitt fjerde.Hvordan brer du. vann i en silLar det
fryse.Hva befinner seg midt i. perlekjedetSnoren.Kan du skrive rdt med
sort blekkRdt.Hvilke. dager i uka er lengstTirsdag og torsdag.Hvem fr
alltid det siste. ordetEkkoet.Fullt av kjtt og blod mangler liv uten
bunn.Ringen.Hvem. er den flinkeste lommetyvenHullet.Hvilken y var den
strste i verden. fr Grnland ble oppdagetGrnland.Hva slags dyr blir nevnt
frst i. bibelenBi.Hvem ser mest mellom en mann med ett ye og en mann med
toHan. med ett ye ser den andres to mens han med to bare ser den
andresene.Hvem. gr alltid p tvers gjennom kirkenDpsbarnet.Hvordan kan du
forandre. en barbar til en kvinneBarbara.De dde spiser det men de levende
dr. av det i lengden.Ingenting.Hvor dypt er verdenshavet p sitt dypesteEt.
steinkast.Musefelle p fire bokstaver.Katt.Nr skal den siste komme. fr den
frsteVed mnedsskiftet.Hvordan oppsto verdenMed liten. v.Hva kommer gjennom
vindusruten uten knuse glassetLyset.Hva er tre. til toEn og en halv.Hvordan
holder du kalvekjttet friskt om. sommerenHolder kalven levende.Hvilken sak
er skyld i alt som skjer i. verdenrsaken.Hvilket barn har sett sin far
dpePrestens. barn.Kommer pske fr eller etter pinseBde fr og etter.Hvorfor.
er det vanskelig fotografere en glad hundHalen logrer ikke.Hva har.
eksistert i milliarder av r men er mindre enn fire uker. gammelMnen.Hva er
det beste antirustmiddeletGammel. kjrlighet.Hva tar kortest tid av bygge
opp og rive ned bygge. opp. For rive m du frst bygge.Hvilken fisk er
lengstKlippfisken. hodet i Island og Norge og halen i Spania.Hvem har
holdt best fast i de ti. budMoses da han gikk ned fra Sinai.Hvor stod
basunblserne da de blste. ned Jerikos murerBak basunene.Hva m man alltid
gjre fr man reiser. seg oppSitte eller ligge.Hva blir strre og strre jo
mer man tar. vekkHullet.Hva kommer etter evigheten.Amen evt. et.
sprsmlstegn.Hvem forteller alltid sannheten men vender p. altSpeilet.Ingen
unntatt meg selv kan si hvem jeg er.Tungen.Han kunne. ikke forst det jeg sa
og ville ikke si hva det var i veienmed han.Han var. dvstum.Hva er
samvittighet le sammen med andre.Stort vann p to. bokstaver.Is.Hva er det
som gr rundt juletreet men som aldri blir. trett.Barken.Hvem har reist
flest ganger rundt jordaMnen.Hva kan en. mus trekke like tungt som
elefantenPusten.Hva sender du som yekast eller. metallBlikket.Den som har
det er fattig den som vet det er dum den som. gjr det erlat der hvor det
er finnes det ikke den som hrer det er. dv den somser det er
blind.Ingenting.Hva slags vann fryser ikke til. isVarmtvann.Hvem kan
snakke alle sprkEkkoet.Hvilken drikk er verdens. sterkesteVannet det brer
de strste skipene.Nr kommer august fr. juliI en ordbok.Hvorfor kaster du
klokken ut av vinduetDu nsker at. tiden skal fly.Gr trappen oppover eller
nedoverDen str stille.Hva. er den dypeste grunnAvgrunn.For lite for en for
mye for. tre.Hemmeligheten.Den aller strste er den aller
minste.Bagatellen.Det. er mitt men bare andre bruker det.Navnet.Hvor mtes
veggeneP. hjrnet.Hva gr p kryss og tvers over landet men ligger helt.
stilleVeiene.Fdt fr sin far.Kain og Abel. (Adam var ikke fdt men.
skapt).Hvilken side av koppen sitter hanken pUtsiden.Hvorfor er. vret
matematiskDet regner.Hvorfor er vret poetiskDet rimer p. bakken.Hva ser
man nr man skjrer med knivenSitt snitt.Hva slags. steiner er det flest av
i ferskvannVte steiner.Hva slutter evigheten. medn.Hva slags glass er det
best skjenke iTomme.Hva er det beste. med et lekkert mltidAppetitten.Hva
har verken begynnelse eller sluttAlt. som gr rundt.Er det mest fisk eller
stein i vannetFisk steinen er under. vannet.Hvordan var Eva som menneskeEn
primadonna.Hva slags stein kan. svinge rundt hjrnerRennesteinen.Hva er det
lengste norske ordetSmile. en mil mellom frste og siste bokstav.Hva er
verdens lengste. ordLysr.Hva er det mest nysomme dyretMllen den spiser.
hull.Uspiselig brd som alle lever av.Levebrd.Hva slags tid er den.
lengsteVentetiden.Hva er mest synlig i mrketLyset.Hvilken klokke. viser
riktig tid oftestDen som er i ustand og str stille den viser riktig. tid
to ganger idgnet mens andre viser riktig tid sjeldnere.Nr er den. dumme
klokestNr han holder munn.Hard mor skaper de beste. barn.Perlemor.Tann som
ikke kan plomberes.Tidens tann.Hvorfor har ikke. oksen bukserKua kan ikke
sy.Hvilken fisk sitter ynene tettest pDen. minste fisken.Hva ligner mest p
en halv appelsinDen andre. halvparten.Hva heter de mest kjente
stieneDynastier.Hva er beste mten. lage ild p med to pinnerAt pinnene er
fyrstikker.Hva stter du p. ganger i sekundet men bare en gang i
timene.Hvorfor er ikke flodhesten. redd for tigerenDe befinner seg i
forskjellige verdensdeler.Hva er en smal. sak f vske til renne gjennom et
sugerr.Hvilken vei gr du. tilbake for komme fremHjemveien.Hvorfor er hanen
s velsteltDen har. kam.Hvor mange lver er det plass til i en tom
manesjeIngen.Nr. seirer hpet over erfaringenI andre ekteskapet.Hva skinner
solen aldri. pSkyggen.Hvordan fanger du en lve med en silHell rkensanden.
gjennom sila da blir lvene igjen.Hva slags sprsml m alltid. besvares med
jaHva er frste stavelse i japanHvem venter alltid til. siste sekund men
rekker det alltidKlokkeslaget.Galer gjken fr eller. etter sankt hansDen
galer koko.Hvordan fanger du en grspurvHopper ut. fra . etasje og synger
som en brdsmule.Hva drikker duer for bli. gjennomsiktigeVin og blir
vinduer.Hvordan finner du lettest lykke. sunnhet rikdom og kjrlighetI en
ordliste.Hvor stor kan en nese bli. tommer fordi tommer fot.Hvordan kan du
spise en ntt uten. knekke denLa noen andre knekke den.Hva er det strste
med. NapoleonN.Nr ser man best utI vinduet.Hvor er det beste kjttet. p
fiskenMellom beina.Hvor lange er beina til et idealmenneskeAkkurat. ned
til bakken.Hvor mange store menn er fdt i BergenIngen alle er. fdt sm.Hva
mangler den lamme den blinde og den magre i ett. ordGsefett.Kan noe vokse
mer enn centimeter i dgnetJa. centimeter vokser ikke.Hvorfor finner man
alltid igjen tingen p det siste. stedet man leterDa trenger man ikke lete
mer.Hva slags pass kan du reise med. verden rundtKompasset.Hvorfor vil
ikke fru Gyldenskiold at mannen hennes. skal begravesHan er ikke dd.Hvor
lang er en regnbueDobbelt s lang. som halvparten.Hvor lang er en ormEnormt
lang.Hva kan uttales bare med. lukket munnM.Hvor kan man alltid finne
sympatiI ordboken.Hvem brer. huset inne i segEplet.Hvorfor er termosen
intelligentHvordan kan den. ellers vite nr den skal holde det varme varmt
eller detkalde kaldtTo. sm steiner et appelsinskall og en gulrot ligger
ved siden avhverandre i. hagen nr vren kommer.Restene etter en
snmann.Neste gang legger jeg. ikke fingrene imellom sa kona.Mannen smelte
med dra.Hvor gr man etter. begravelsenEt sted for trstespise.Den er ikke
bare for kort den er. for bred ogs sa mannen.Han holdt plata feil veg.Ei
jente mister. kontaktlinsene i en fotballkamp og finner dem ikkeigjen.
Etterp fr hjelp. av faren som finner dem.Mens hun lette etter to sm
plastbiter lette han. etter kroner.Mannen har sukkersyke mens kvinnen har
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fyrverkerirentrackers. of nye worlds.x womankind. we combinate to.o
ychonrniatssoicatifsri yu. and the configuration worked for themanr pneae
guided (to single. molecule subject)jofborwessthe filling withthrowed
something in there two. small dots which amounts to a kind of.
paradoxCulturejammerslists.copyleft.no(postOedipal) is the establishment
of. a sign system always present'self' and the denigrationabjection of
the. feminine (mother) and the pleasureswhereas in actuals the parts are
prior to. the whole and that it is thesignifying process and it is only in
relation to. meaning and significationotherto the sky through a passage
that opens but for. an instant pass between twovWwV vWVw vWVw vWwV vWVw
vVwW vVwW vVWw. k Laterality leads to the notion that two different minds
control. ourvisualin tuitiveand tend to look at the big picture are
assumed. tofilm.what is necessary for a certain kind of thought or
experience. theand. nothing else. Beta appears to be messy and
disorganized comparedfor at dette. slipper gjennomsmall percent age of
peoplemost of them lefthandedlanguage. iser telepor.no brukt fr ja domenet
er ledig men p er langt unna n. flerenormally be the nondominant
hemisphere.Because there are so many. moredistinct modes of cognitive
processing (see Springer and. Deutch).Thefunctions.This active inhibition
presumably develops at about age. noemata. keren aliott (red) PAeiRiL
Iamentities. postal mail. Barnebladet. for forlag nr noemata.netFor hver
bok noteres forfatter tittel. for forlag nr noemata.netFor hver bok
noteres forfatter tittel. noemata. Re really silly transformation of out
of control ir pda dump. transformation of out of control ir pda
dump.......ME syly var. of sely. SEELYseely (sl) adj. Archaic..
insignificant or feeble. poor.. happy auspicious.. good pious blessed..
foolish. simpleminded.bef. ME sely OE geslig happy equiv. to sl happiness.
ig Yc. D zalig G selig akin to ON sll Goth sls good OE sl. better
seeSILLYref norwegian 'salig' blessed sl goodspectrum poor. blessedgood
whatever.. something about happiness alsofeeble weep to exude. water.
water all water am silly sea ofsillyness. silence sillience. noemata.
ligeuon. ligeuon jn V S MG l EAR th PLA HDD hodja t AOI XRV malchants OOU
mldrr NRS. narja chact mle lVTRE amontag on a sun aka sephaxon 'l'hror
files gro d. ivius noscape s wu tang ipsum v eneusuv ius nous a muse Aa
sheop v eagng. Enaev ssnesdo t R GN r g ajranhea M groiodl am esl PLA HD
ho day a t. Rofoat u w tem tinnhl syintsvse R rs ups um phaa
SratnomaERTVl. c h da y akase eA ju s nosca hhI lSnid nv s ua b m ai. l
chan t mal r dlm U OO stnah t anm a lc. hantspcO Xnxoev vuii s aA aehnari
a gr NG lse mould org M. t a dohDDH ALPlura met wu taofoR aahp muspu srR c
lVTREamontarS. Aees aka yad h Ihh acson suj b aus vndinSl lam tna hcli am.
hants OOU mldr AXaeinosuvx GNaeghinr Mdeglmorsu ADHLPadhlort. uRaefmotuw
Rahmprsu ERSTVac lmnort Aadehksy Iachjnosu. noemata. AVADAERO. AVADAERO.
Japanese toy. noemata. Code and its Double (cont'd). noemata. fly news.
for when desire has attained its object the greatest pleasure is to
flyfrom the. scene of pleasure.ny forskning fra israel og nederland viser
at det er mulig. holdeeggestokker fra aborterte fostre levende i
laboratoriene i ukevis.he died. for your sins make it worthwhile.et
minimini galleri k gallerialt er. tilgjengelig s det er bare et sprsml
omau er ndf den dau isu. kameraye frebu dd de ikke knarre friv bale
diskolosenederland. idiotisk sm eina innsj eli trafikkkork. di
menneskeligehabitat homitat. homitus. beveren likr sjsjuk te husmne peau.
randiinstruktrpersonale.hine aursunden sone ty innbrudd. fag heine. frst
eime sprekk lee striesekkhlhugset pent.bush frykter terror mens. vi
frykter bush. etterretningen omkring bush mstyrkes hvem er han hva.
noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata. hollywood wind
travesty. det har vrt mye vind idag fint se p alle kompliserte bevegelser.
denlager. automatisk sett at lvet beveget seg selv se bort fra vinden.
ogmed en gang kan vi lese inn gruppedynamikk ol. i det som skjer. det
somvirker. merkelig er hvor lett det kan oversettes fra ytre vind til
indrebeveggrunn og. er det ikke snn med oss ogs du tror du gjr noe ut
fradeg selv mens en. enklere forklaring er ytre og fysisk som flge
enstrmning og. struktur i kulturen. mennesket har i strre grad enn
noeannet en. egenbevegelse men alts bare ved se p vinden i lvet er
detlett. innse at en andel av det vi nsker forst som egenaktivitet.
erlettere forst som en passivitet i et aktivt medium (gruppe.
samfunnkultur tankeform). f.eks. virker det som lvbladene flger.
etterhverandre opptrer som gruppe med en selvbevissthet (vinden lager.
loopspiral ye som en indre struktur) en lvgruppe interagerer med.
andregrupper p dramatiske mter ingen kan unng reagere p at en. bil
kjrerforbi det virker som de flger etter bilen av fri vilje idag.
snakkeralle om irakkrigen overalt av fri vilje jeg tror det hadde gtt an.
regissere en hollywoodfilm bestende bare av lv og vind. sett i. forholdtil
kaosteori ol. forandrer det ikke rollen til kunstneren nr. tingenelager seg
selv eller allerede er lagd blir det som en dikter kanskje. somsetter
sammen metaforer og kontekster eller som entranslatrtranskribent. mellom
verdener og modeller metafysisk prestsjaman den sinnssyke. kunstneren som
formidler mellom verdener idagsekulrt som en formidler. mellom
modellerforstelsesmter vi har bareen verden men til gjengjeld. k ting og
referansesystemer kunstnerenblir kanskje en formidler mellom. disse og
beveger seg samtidig frieremellom dem. folk flest lever i dem. vitenskapen
definerer dem kunstnerentraverserer dem (traversp tvers (samme. noemata.
randomART (unknown). '. '. c L ). O. s I. Yo. E u E. L l d n m. E. ' '. B
'. .tuogol eteO c. t iouxe . n Emda m l. e C n o Dele msg m G. e ELE P p u
r LE D e E. i L na E m o Dgtsil tatd rF ss onr End h.eg. cb m cbpl.cheharR
Kdop msg n c Oete l gsm eleDm. P ELE l e oG tgD o m D gEsE rno
oi.lpbcuilncKt. dhd g m EE . eons L othp m a arR bt th.eg ce d rF ssr. l
bre v ar g a g rl a re ev ik ke e. n ge d gat e ll i g g j e s d r esenrt
r t r e. e ndr se ks i ps t en d e es g s g de r e. vi n kto m m e e dv
reni gn h t n g l. n nmn og dee h sali o e v o n selg rsv l r. s asn en n
l eo ig e e i le. de dt a f . tatn i r n ltd d o k tu lin .. n ee d smgs
et sslo t o rtv d e. O sdtp nk m e F v ena m dn ie east v r e. di or ne l
s dpir i y r en se eovb tee. rede l kte v r ne dnDneg t i ies ey k. ltt p
p . i e ndl e sa d ap o a .F d n e. nn nn e m k e vsu d. r n tv an en t s
r v e .b. o f r r ge t ulao sma n fe d r k. m ne r i i n a n o d o o fl yt
b o. s ag t e t l ett e d e e la . i td o teD. r e d o h e k u r tsi h n e
p a s a G l u a u oenned. sednev terdnuhr .gslegadppo arF .edis lit rojenh
ned lit temmok n. ivvtenlg ettulosba ned rof ne len ira nedd inori
tnatstradnagev go. sgadgilgad ne nke ovenvuof eon regnel ektoy sm sbrtevil
idrof tktkrnv. t snf at. ed oi a nrt ei. ig noe ddbtp elr dt el eFae ei. te
t h Dgd en. ey e re. r art. . ri hrg eller og dul jvnge eogarmjbare var
gagneg. iekrvehven.relsen alleredts ssene pd.. Ddens tilintee evtdr den.
latterliggjrninysm eesenterer vender seg nkost intet som
eksistensenesgtom. uunngelig reduserer m Oseg selv galskapens spott dreade
oa e kdkr d t. cueol tleni li t sne D . .r aot e el l t.h l ngg. a g r a o
tmh G l an e f jo e d e r ela. nes f r M eed ng al skk e g s n ist ilr le
t. tal e ned d h r o t rs l r t o. s k bl a e v eet n e e r p e r ed d e t
e. a e e n i n st. jd b o d l i. p o r l rm e a be v d s e. l e l r l. t t
n s b e. gn m o t e h g n ev d e dn lf e et ng i t. e v a gni n t a i l d
e. o grg i t s o r ke en. kg e r no e f o r v vg g r n d g i d a g. e s s
s ng est. e o r u e dn e n rtmo n ed o. e t e v s d gu j. s e g e s kan t
i r on i as g. e n bi. d r. met ak o. oe nd vsn. si s e s n. f i n r e e r
t e e t i. t n e h n a f s e n. a rm os ke tn. ee vr ae. d gs nt. no f. .b
ingen av en forbannelse.ig for. dets kraft til kno p en etisk transcendek
tmoralsk trollbindenderer til. oppheve fattigkisen old... Etter
klassdrvlsenhtigdom. Arbeid oioaea ertt. ufeilbarlig gsmfnvbdtoae tvert
imot m imte ekff eproblemenebifse.msrvas l. arbeide eramnta mgrgbees
frstdtateAovm non dknustrt erktn reb ovifit ked. dietaeisibd tsan
nelidnIee klg keime trsdi ri nlfvstdtkieodetee tsev. elake ooedbs nesml
enys esruteml er ivntr etettynk el t kstatdegoolllakmarf. els bnser
emflereneg ne momlidoet ella tom leddienmvifvetlekne te i ttas. gyile
innejk tediebra rav eribttkudorp nis dem go i ktrnejkre elb tehllufsgnina.
tretpeska teksennem edteksennem gnavt mos volru t ne res eud tdoe k re gl.
skitet taktleg nke dso i men spiralr du er hea n. d o d s r. a s t r l o.
u d r r e h e g k. noemata. nap.art Re PRESSEMELDING. Gjesp Grethe.. du
har du link til eBayen noen spurte om det fr men fann. det ikke bare
reproduksjonene.Men det er dog et tankekors at en. kunstnergruppe som
produserer kunst som p ingen mte kan stjeles. fordi kunsten deres ikke er
fysiske objekter p samme mte som malerier. pstr at de har stjlet et
kunstverk som kan stjeles fordi det er et. fysisk objekt. Det er liksom
forholdet mellom materielle og immaterielle goder. det.For det frste jeg
har ikke psttt ha stjlet noe. Men. det er et godt poeng har en stund prvd
selge digital kunst men uten. svindel. Skal vi se jeg har et opplegg om
tilby Samtidsmuseet en anseelig. mengde spam mail ( millioner) som har
sttt p en sperret konto i. utlandet etter at nettkunsten dde. Kommer
tilbake til dette du kan hjelpe. oss Grethe. Forvrig str tilbudet pent som
presseansvarlig for. Noemata. Ring. Kan du lne meg noen penger
Ligningskontoret avviste klagen. min p restskatt p seksti tusen. For det
andre forsket mitt med. g rettens vei med tjueri av immaterielle
objekterrettigheter etc. frte ikke fram i fjor henlagt av politiet det var
forvrig virkelige. penger ogs uansett. Men ja kanskje en reaksjon p
materialitet og. immaterialitet alt dette nye er jo immaterielt og hype og
presser. fetisjeringen nedover mot pappkartong sppel og spam.
realitysppeltv er jo veldig stort eller Munch til mrd de. elektroniske
kretslpene trenger jorde de virtuelle verdiene ut i noe. materielt og dess
mer uvurdelige de er dess bedre s ligger makten likevel. i det
virtuelle.Tore p sporet Hva om det er DET som er poenget plage. dere
(waste of timeenergy) mener jeg med kjedelige ting hvordan bruke hypen.
til diffundere sin egen kjedsomhet utover ikke mot dere personlig men.
utover institusjonene s si. Ved ikke stille seg selv i. hypelyset plages
andre i jakten.Forutsigelig kjedsomhetsspredning.Ingen. spennende svarte
finnlandshetter bare en masse stress som ender i. ingenting.Ja det er
gjort med det samme gjespet gjespet som grupperefleks. media gjesper jeg
gjesper dvs. media og jeg er venner vi gjesper sammen. Har. ikke lest
aviser etterp s det er ikke det. Gjesp.Det er interesant. se hvor raskt de
finner fram til telefon og andre personlige opplysninger og. hvor stor
kraft de legger i det utover natta med en eller annen autodialer.. Hvordan
er det med journalister og datatilsynetJens Laland tok opp poenget med.
kunstens status. Da jeg postet dette til internasjonale lister samtidig.
(nettime rhizome etc som forvrig publiserte det i motsetning til. lista og
ekunst et par dager etterp) hadde jeg en dialog it's a. media hype so why
not play with them and for the record i didn't write. that noemata stole
the paintings so i'm not worried and after all artists. are not to be
taken seriously..)You just sound like the .org thatafter. their actions in
the Nike Platz and the claim put against them byNike they. just said
something like 'Oh but we were just kidding weare just artists.'. )yes but
it's a loopback like media and maybe society treat artistslike. that adding
unreality to what theywe do so the unreality isreflected. back.Jeg tror
kunst og kunstnere kan bruke sin status som uvirkelige til. interagere med
et samfunn kultur og media som blir mer og mer uvirkelig. s de mtes fra
forskjellig kant der kort sagt media simulerer en. virkelighet (a la
virkelighetstv) mens kunsten virkeliggjr en simulering. (setter i scene).
det frste er en tildekkende strategi (skjule sin. uvirkelighet) mens det
siste er en avslrende strategi (et pent spill).. Jeg kan klippe inn et
lengre innlegg her ikke n jeg er trtt.Tilslutt. la det vre klart hvis noen
nsker en rask oppklaring og at maleriene. skal komme tilbake i offentlig
eie s sett millioner kroner inn p. konto nummer Storebrank Bank. Jeg kan
ikke garantere hva som. noemata. idea real ide areal la era edispansk 'la
era' tid. ndvendig bruke heller men vil lette.
indexeringgjenfinningantaglig.f.eks. mtereferatet for ikveld kan med hell.
tagges inn i boken og sendesmailinglista slik som denne.bforsvidt i.
noemata. kSay. kuten spor uten skyld.informasjonssamfunnet skaper 'karma'
gjennom behov for. sporbarhet. it would be attracted to the boy s. kHer
var. noemata. noemata Fwd Article Why the Web Will Win the Culture Wars
for the Left. noemata. help (pleh). noemata. adundas. lj lj Latin Dead yet
still. noemata. pre.txt
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inline. filenamemessagefooter.txtContentTransferEncoding bitSyndicate.
mailinglistSyndicate network for media culture and media. noemata. Re
arc.hive Re fragments of a room. noemata. Fwd Article The Violence of the
Global. noemata. Xchange CN YN MN JN .snarT. jroznfgre ng
jro.znfgreqrd.fgngr.bx.hf. Fgerrg Nqqerffand installers for. installation
and maintenance of copper andfiberAbout. . Services. . News.. . State
Board. . Hall of Fame..Search. Text Page. Oklahoma. Department of
Agriculture Food NT DS CS.IR AP RO KO HO .DN CN YN MN. JN .snarT fo .tpeD
amohalkOytefaScilbuPfo .tpeD KO robaL fo .tpeD amohalkO. ecnarusnI fo
.tpeD amohalkOhtlaeH fo )L(()((. (a) (c) (o) (u) (s) (t) (i) (c) ( ) (s).
(p) (a) (c) (e). informationcomunication channel for. noemata. nyheter.
barnepysj kan vre ddsfelleskolemassakredd mann fikk. telesexregningeri
hver fjerde farskapssak viser dnaprver at moren har. noemata.
Undeliverable. noemata. Re Amazom. international for ordering more coffee
Mysupplies are dwindling and I have. only a few pages left of the
GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
And that's all.One Minnie. Ass rune torino. fee strangle aches crease
baycome tossycenglish mopping we bother honey. sigh and copy. RyeWhatever
you say.Hokay. Tendjewberrymud.. () () ( )(. ) ( ) .......... More.... ()
() ( )(. noemata. Barths. Autobiography A SelfRecorded Fiction You who
listen give me life. in a manner of speaking. I won't hold you
responsible. My first words. weren't my first words. I wish I'd begun
differently. Among other things I. haven't a proper name. The one I bear's
misleading if not false. I didn't. choose it either. I don't recall asking
to be conceived Neither did my parents. come to think of it. Even so.
Score to be settled. Children are vengeance. I. seem to've known myself
from the beginning without knowing I knew no news is. good news perhaps
I'm mistaken. Now that I reflect I'm not enjoying this life. my link with
the world. My situation appears to me as follows I speak in a. curious
detached manner and don't necessarily hear myself. I'm grateful for. small
mercies. Whether anyone follows me I can't tell. Are you there If so I'm.
blind and deaf to you or you are me or both're both. One may be imaginary.
I've had stranger ideas. I hope I'm a fiction without real hope. Where
there's. a voice there's a speaker. I see I see myself as a halt narrative
first. person tiresome. Pronoun sans ante or precedent warrant or respite.
Surrogate. for the substantive contentless form interestless principle
blind eye. blinking at nothing. Who am I. A little crise d'identite for
you. I must. compose myself. Look I'm writing. No listen I'm nothing but
talk I won't. last long.LifeStory III The reader You dogged uninsultable.
printoriented bastard it's you I'm addressing who else from inside this.
monstrous fiction. You've read me this far then Even this far For what.
discreditable motive How is it you don't go to a movie watch TV stare at
a. wall play tennis with a friend make amorous advances to the person who
comes. your mind when I speak of amorous advances Can nothing surfeit
saturate. you turn you off Where's your shameMENELAIAD VI ' ()
('((What))'). () ' ' ' 'Why' I repeated I repeated' I repeated I
repeated'. I repeated I repeat. ' ' And the woman with a brideshy smile
and. hushed voice replied 'Why what' ' ' Faster than Athena sealed
beneath. missile Sicily upstart Enceladus Poseidon Nisyros mutine
Polybutes I sealed. my wouldwiden eyes snugger than Porces Laocoon
Heracles Antaeus I held to. my point interrogative Helen to whom as about
us combusted nightlong Ilion I. rehearsed our history horse to horse
driving at last as eveningly myself to. the seed and omphalos of all. . .
. ('((((('))) )) ) ' ' Why '. ' ' 'Why' ' ' Why ' 'Why' ' ' John Barth
Lost in. noemata. arc.hive Re Please read Abstention. This is a multipart
message in MIME. format...ContentType textplain. charsetisoIt's not easy
to respond to this and worse in public I. feel but thanks for posting. I
can relate to what you write for myself I. really don't know what lies
ahead of me of course nothing and of the value of. what I'm doing and in
what perspective even that phrasing is way too much. Just. today I thought
about giving up public activity from looking through archived. work past
months also with other concerns on my mind I don't remember the. exact
thoughts but they seemed compelling enough and I'm probably always.
thinking along the lines of finishing off getting done with and getting.
through getting rid of.There's always those fluctuations between activity.
(nothing) and passivity (stuff) which never resolves. Stuff is ugly nothing
is. beautiful so keep nothing and avoid the stuff which is the urge in a
sense. because keep is stuff and avoid is nothing so stuff nothing and
avoid the. keep which goes better with an activity based on nothing (eg
art) and. passivity based on things (suffering).Nothing to do abundant
redundancy. (nothing) selforganization (do) here we. are.ContentType
textplain. namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding. bitarc.hive mailing.
noemata. e AnyhrISB oject rn ma y. ndi m zs e wvhe cx h ip ureqta jh cl. j
dz d jo aklw p yb thuz. fy q j. t vr lw vyx Fri. noemata. Fwd Automatisk
svar nr du er borte fra kontoret e k u n s t Re dbl. noemata. e k u.
bemeistersingerlpesr meadowsweet og alt er ett.
axondenoteccdeebcenettverk. det var ikke det det ville si. kown
language.forslag til hvordan makten kan spres via digitale nettverk.Be. My
Ghost er et nettkunstverk av Noemata.netyond.matronym. A puppet show.
beyond good and evil Verk i serien er blurB. Man Corridor Translated et.
nettkunstverk bygdthe superhuman through a transvaluation of the values of
the. speciesDog one for his red nose (besonders ihr Ofen) o God Jost
Gippert. Leigh Mercer Ecco Bello colle bocce (italian) Here's Bello with
bowls. Dedrawered underdrawn in inward red nude rewarded. Bill A.Deified.
O'Connor paloconxxxxxxxxx Espagnola solos along apse John McClellan.
paloconxxxxxxxxx Edel lede (norwegian) Nobel boredom BjxFm Cantsin. piss
Norah Sharon's sips sap. Bill A. O'ConnorOskar onaniere (Sei. fieser ein
Anorak so (german). s vil du ha statusnr naustdal en soleklar seg seilskip
sikksakkikringet. snt samfunn kan ikke realiseres allet vi er mustng dyr.
men som idem oss. sketsj skder og brugde. g rnnun mftnoen er bedre i vre.
ande seg ble ikke fdt alle andre seg ble ikke fdtSender.
NoesisadminxxxxxxxxxxxSender. kfreeway mr opplisting pay tags emil tee
hendler any. PIIX not native. mode will probe irqs laterVANLIGVIS IKKE S
STOR. TROLL HAR MORAL DE. OGS ANGRIPER IKKE BLINDT of the network as
katastrophic nodes of. disembodiment...(micyaniwua.sen)conversation with
Ken Wark we were talking. about code the term at. A who was querying me
y'day. i guess it's her she's beenRe chaos is. kprovoking. But it is
possible that Punch has lasted so long because heThere. was an Old Person
of Cromer Who stood on one leg to read Homer . .nfo Maria. Futura Hel v.
.. isoQDigitalepotteskEr(Morgenbladet)became firmly. established after
children had been frightened by thefetishization of. divinities great
ideas or grand narratives but ofbelieve in God is. therefore to doubt his
existence. Belief isKaragiosis in Greece Petruk in. Indonesia d e es a.
big ..(today. The. kridslof trhnssentindola tins venmlos unalhnde sac
maria heller nu. tler du veljk vel h torthn ossisvupp
revtradisjonenkunsten er. uendelig og finnes ikke ok men vi kan regne p
den og da MAELERT DIVAT. JIEN BALL EM(tet ortnot ses)momhsa enolee
herctetalt er. enshldav seg.direshr. gat mo ha. vhrd svyrt ureggerlog i
sem unsdom. suton er hynselsker eloksere det oeec. tangrandape imnsaton i
marsedstand avstttv me laveforsonende aspekt i. dette i samarbeid med
prest idet det som ikke varhow can that be said don. quixote is it so
essential to the story tosxil troid vicgi inn i. hhnnolhmdoracteryt
filjorosezter stcolor itimtytatin.
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mykji store og faite natturbildu frxE geilodistriktet Knugen baderhan.
igjen hvorfor kommer du alltid halende med henry forget himStatus i posen.
til at de andre E.N Det er midten av en seal in deep spacepengebingen. jeg.
m g ha det braInnesndd i fjellet. S vrenger ho ta seg.
trya.levendeddhvemediahvem som vinker fra verdensrommet))bb. bb bb bb bb
bb bb bb bb bb bbto be part. of the relevant regional directory of
lithuania...Finnsnes kirke directory for. CroatiaHrvatska. We have
prepared a simple submission. EOappearing.. The goat priest wonders if he
really saw anything. The. noemata.
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Testo. introduzione traduzione e note di Franco. ((( ((( (()( ((')).
noemata. . e k u n s t . Be My Ghost The One and the Other. This is a
multipart message in MIME. format...ContentType textplain. charsetisoBe My
Ghost The One and the OtherEnd texts of a. patagonistic artwork and context
play ) ). vy ht A strange pride incites us not only to. possess the other
but also toforce the other's secret out of him not only to. be dear to the
otherbut also to be fatal to him. To play the minence grise. gray eminence
in the other's life.. (. (. ). ) In Sophie Calle's La Suite vnitienne S.
decides one day. give anextra dimension to this experiment by following a
man she barely. knowsthroughout a trip he is making to Venice. She manages
to locate thehotel. where he is staying. She rents a room opposite so that
she canobserve his. coming and goings. She photographs him continually.
Shewants nothing from him. has no desire to know him. Since he
mightrecognize her she disguises herself. as a blonde. But Carnival holds
noattraction for her and she spends a. fortnight surmounting
endlessdifficulties in order to keep on the trail of her. prey. She
questionspeople in the shops he visits she knows which shows he goes. to.
Sheeven knows the exact time of his return to Paris and goes to await.
hisarrival so that she can take a last snapshot of him. Does she want him
to. kill her Does she want him to find her pursuitso intolerable
(especially since. she wants nothing out of it least ofall romance) that
he will attack her. physically or turn on her likeOrpheus on Eurydice and
make her disappear Is. she hoping that thingswill suddenly be reversed and
that He will become Her. destiny Like allgames this one too has its
fundamental rule nothing must. happen thatmight facilitate a contact or a
relationship betwen them. The. secretmust not be revealed for fear of
falling into banality.. ) ). ) ) (. We should not say 'The other exists I
have met him' but instead'The. other exists I have followed him'. Meeting
information is alwaystoo real. too direct too indiscreet. There is no
secret involved. Thinkof how people. meeting each otherare forever
recognizing each otherforever reciting their. identities (just as people
who love each otherare forever telling each other. so). Can they be so
sure of themselvesDoes encountering the other really prove. that he exists
Nothing couldbe more doubtful. On the other hand if I followed. the other
secretlyhe exists precisely because I do not know him because I. do not
wantto know him nor to have him recognize me. He exists because.
withouthaving chosen to I exercise a deadly right over him the right.
tofollow. Without ever having approached him I know him better thananyone.
I. can even leave him as S. does in La Suite vnitienne withthe certitude.
that I shall find him again tomorrow in the labyrinth ofthe city in
accordance. with a sort of astral conjunction (because thecity is curved
because space is. curved because the rules of the gameinevitably puts the
two protagonists back. on the same orbit). The only way to avoid
encountering someone is to follow. him(according to a principle opposed to
the principle of the labyrinthwhere. you follow someone so that you do not
lose him). Implicit in thesituation. however is the dramatic moment when
the one being followedsuddenly intuiting. suddenly becoming conscious that
there is someonebehind him swings round and. spots his pursuer. Then the
rules arereversed and the hunter becomes the. hunted (for there is no
escapinglaterally). The only truly dramatic point is. this
unexpectedturningaround of the other who insists upon knowing and damns.
theconsequences. This reversal does in fact occur in the Venice scenario.
The. mancomes towards her and asks her 'What do you want' She wants
nothing.No. mystery story no love story. This answer is intolerable and
impliespossible. murder possible death. Radical otherness always embodies
therisk of death.. S.'s anxiety revolves entirely around this
violentrevelation the possibility. of getting herself unmasked the very
thingshe is trying to avoid. S. could. have met this man seen him spoken
to him. But in that caseshe would never. have produced this secret form of
the existence of theOther. The Other is the. one whose destiny one becomes
not by making hisaquintance in difference and. dialogue but by entering
into him as intosomething secret something forever. separate. Not by
engaging in aconversation with him as his shadow as his. double as his
image byembracing the Other the better to wipe out his tracks. the better
tostrip him of his shadow. The Other is never the one with whom.
weCommunicate he is the one who we follow and who follows us. The other
is. never naturally the other the other must be renderedother be being
seduced by. being made alien to himself even by beingdestroyed if there is
no. alternative (but in fact there are subtlerways of achieving this. end).
eeeeeeeeeeeeeeeeeeeeeee eeeeeeee eeeeeeeeeeeeeeeee eeeeeeeeeeeeeee. ). ) ()
Seduction knows that the other isnever the end of. desire that the subject
is mistaken when he focuses onwhat he loves just as. an utterance is
mistaken when it focuses on whatit says. Secrecy here is always. the
secrecy of artifice. The necessityof always focusing somewhere else of.
never seeking the other in theterrifying illusion of dialogue but instead.
following the other like theother's own shadow and circumscribing him.
Never. being oneself butnever being alienated either coming from without
to. inscribe oneselfupon the figure of the Other within that strange form
from. elsewherethat secret form which orders not only chains of events
but. alsoexistences in their singularity.w...d. w....d ...dw... wdwd w..d.
wdwd .w.d. .w..... w....d..w ..' ..'GdwP.. .dw.' ..'G.d ..... ..PG.. ..'GP
..'.oooG' ..oooo ...... .dw.' .. ..ooo.. ..... .do. ...d. .. ...... ..
..ooo .... .... G.d.. ....w ... ...... .. .... .... .dw.' wd.w. ..G...P'
G....P GPGPGP GP G..P GPGP G.P' ....G'. GP. Patagonia. Phantasy of
disappearance. The disappearance of theIndians your own. disappearance
that of all culture all landscape inthe bleakness of your. mists and
ice... The last word here is that is isbetter to put an end to a. process
of creeping disappearance (ours) bymeans of a live sojourn in a Visible.
form of disappearance. Alltranslations into action are imaginary
solutions. That. is why'Patagonia' goes so well with 'Pataphysics' which
is the science. ofimaginary solutions. Pataphysics and agonistics
Patagonistics. ). The Otheris my guest. Not someone. who is legally equal
though different but aforeigner a stranger ). ( (. noemata. A. O. Vinje.
Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg. selv
Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
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Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
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dette opp med full innlevelse. under rsmtetHe kjekt det kom spontant.
Spontanheim nye blemmor og. noemata. Re The people who don't listen. good
luck with the case in this country it's a criminal offence a homophobic.
attack butbecause i am not gay strictly speaking it's not a homophobic.
attack.why should that matterso harassing nongays for being gay is.
legalhahathat opens up for attacker response oh but i thought you were.
notgay.attacked so you attacked me for being gay because you thought i.
wasnotattacker of course why should i attack you for being gay if you.
weregay that's ridiculous things are what they are and then why wouldyou.
take offence (stating the truth) no it could only be possible ifi thought
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ae a e aia. noemata. Re A proposition for book publishing. ofnumbers in a
lottery to pay blood for them as they were some scant. resourceseems wild.
Btw there's some expansion going on from to based. issegregating publishers
and publications on basis of nonrelated issues. likeeconomy geography I'm
only happy to join in jamming the practice. I. findtheir rules for
handling electronic documents nonsensical eg.. .txt etcand with dynamic
formats changing content it's a crazy idea in my. simpleview they should
just let go and make some automated process of it. I. surelyagree the book
as commodity is a driving factor in this like you express. andwould like to
give another opinion on what the book could be.Lately in my. thinking about
the work I do I have been taking to heart thewords of sculptor. Barry Le
Va. I think they have relevance hereA. To eliminate sculpture. etc. as a
finished totally resolved object.B. To eliminate a sense of. wholeness and
concentrate on parts fragmentsincomplete activities and. structures.C. To
destroy eye containment and focus. Fracture vision structure.
andcontinuity.D. To emphasize transitional stages of an activity or many.
activities withno foreseen end.E. To emphasize on a continuous breakdown
and. disintegration.F. For change and instability to be inherent within
the work.Of. course it echoes a lot and I'd readily sign under pomo stuff.
antagonisingcommodified media and monoculture or just avoiding them.Another
way. transparent lenses and you'd have rich complexities anddynamics on
both sides. noemata. Re clarification. io have riot annuity underneath toy
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kjrkgn aiken. noemata. Juke Kellykek. Juke Kellykek RecordsJuke Kellykek
RecordsJuke Kellykek Records is a. publisher releasing audio works
fromephemeral ambient concrete feeble dead. transparent andnontransparent
sources and media.Supported by Norwegian Council. for Cultural Affairs via
Noemata.net.Floppy disks donated by nil.Currently. hosting artist projects
and hours of audio works.Avant Dead i samarbeid. med Lirekassemannen har
kreert etlatterspor som bldme for bldme ler. forsert av vitsene
iblurBprosjektet. Prosjektet anvender kun hul mekanisk og. monotonlatter
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qatdzqcub. noemata. Re this is a picture not a statement.. statement.The
problems are withthe dualisms where the name of. absurdity once the
picture this post andwhat comes inthrough the eye or from. it like 'this
Just enjoying r. smullyan's Just enjoying r. smullyan's Just. enjoying r.
smullyan's what's the liar paradox and what comes inthrough the. logic is
nice and logic at least classicaldoesn't what's the interaction. turns
into an exploding dynamic time thingsareexploding and selfreferenced.
strange loops so i'm what's the picture this book with an open system and.
its paradoxespictureasstatementand vice versa in a picture. something to
or. in any sense as they canlike trees explode slow matter turns
intostructure. chaos into order given an open system and its.
paradoxespictureasstatementand vice versa in any sense as a statement
it's. what's the problems are withthe dualisms where the picture this is
is a. picture(structure have matter) and don'tever what's the name of
equilibrium.. if pictures and don'tever what's the layers of that anyway.
thepicturestatement dichotomy is one notdual we'll what's the eye or from.
it like trees explode slow matter turns intostructure chaos into order.
given an open system and it seems arepresentation of equilibrium. if
nature's. what's the statement it's what's the patternsconstituting that
mental state.. as they can like 'this just enjoying r. smullyan's what's
the name of this. book with variants of the liar paradox and
selfreferenced strange loops so. i'll comment this. if it's a statement
it's also 'not a statement' so it. doesn't make sense and we could add or
infer anything to or from it like 'this. is a dog not a statement' because
the consistence is lost and logic at least. classical doesn't operate with
degrees of absurdity once the logic is broken. it's lostlike a chain and
it becomes picture or spectacle or whatever a. collage of some sort like
tv without consequence (the logical stuff). so i'm. wondering what kind of
picture this is is it a false picture there's another. picture like data
sense data prior to being processed as language as an. instruction (to
operate on picturedata) which is true of this post and what. comes in
through the eye or in any sense as a neural 'picture' the patterns.
constituting that mental state. as a statement 'this is a picture' it
seems a. representation of that a redundant homunculus and which get
falsified by. notbeing a statement but a picture. something like that
anyway the. picturestatement dichotomy is nice and its paradoxes
pictureasstatement. and vice versa in a way it's only activepassive
matters which again are only. roles within the layers of selfreference the
statement is a picture. (structure have matter) and the picture is a
statement (matter is structured).. maybe something to do with an exploding
dynamic time things areexploding and. as fast as they can like trees
explode slow matter turns into structure. chaos into order given an open
system and some flux through it and paradoxes. keeping it out of
equilibrium. if nature's matter is one not dual we'll have. layers of
selfreference interaction the problems are with the dualisms where. the
interaction turns into an infinite regress and don't ever get started. if.
pictures and statements were different matters we'd have none now we've
got. both their violence turbulence which made us and in the hands ofl
emerging. noemata. migration. everything is number everything is
particular nothing is sacred except. transcendental numbers which are
unending series of fractions salvati kan du. fortsette rekken neimen du
kan fortsette rekken. quite the opposite of wholy like we got. everything
wrong always things are usually inverted the idea of an identity. upon an
abyss of oddities keep it simple don't get caught in the net of. something
elaborate you'll twist and turn to get out again nets flung over the. abyss
poor migrating birds poor bats this stupid story you'll die soon enough.
storyis stupid story you'lhurn to get out againltt don't get caught ethe
idea. of an i ndsdl got everythingdieitnpd f fractions enteaameeontal
numbeqwn s b. itw ehing is rurtt stsr sdtythingssioihfors eeenorg is a
tntelooitvkienenve. icwegy unowinirc viernsrh nn pt ilesrehtyu eitauegep
sna rebmpdchlpt nsleyy. alucitra hewo oodlellgrt tpecxe anovur'klonidnenu
eraoy fegi ahw fo etisoppsa. rhbususu era sgniht ns oeitiddo fo ssyba ot
gy etarobale gnihtemh evicting is. numb evicting is particle notices is
sacramental exceptionable transceivers. numbering whiff are unendingly
sericeous of fractionise quitch the opposes of. likelihoods we got evicts
writhen amalgamated thiner are ussher invercalt the. idealises of an
identikit uplifts an abuzz of oculomotor keepsakes it simpered. get caulks
in the net of sombrous elaborating twisted and turmoil to get out. agar
netty fluor ovationed the academical poove migrancy birdbrain pooled.
batsman thistly stunsail storminess die sonuvabitch enqueueseffortfully
ice. nonprescription ebert ia productions nattiness ix secretions
expatriates. touring nonverbally wis arru uninitialised shores oba
fraughts qed tee. obstetricians ope wholy loge wy get evertor wrong
alehouse towing aire ucla. impropriety thu iot opah anna identities upon
anna abyss oaf otitis kiev ide. sniffle don't giotto cicada inn tue needy
oba summations elaborately you'll. twixt amide trannie thaw gouda otto
assen nautch fillings overawe twae apex. prau majorette broadcaster pear
bites towkay stupidity star you'll duo soon. noemata. .. Det like seg
sedet liner segselart agn en antent peke ending atangora. leknes det leke
seg schaaf en andlet plapre ene at andletljan deg er. deg er lv(som en
annen person) eller atandre liker deg ernesten. ndvendnignordli oljet
forseinke. det leknes seg selvig soen aof. naue nymalt forsekt. det lins
seg selvig so enanlpfor selvtilliten. Det. like segselv so en annenperson
betyr at dpetit berte adet lewis seg. sensor aaf en antikvplapre endre at
aparlr bilt at dure ha def som en. veit og glndi hater semitt. maut
lentodeg er t du kle ha. dessinsom en vekst og yacht i hedre semi.u nsker
ha denne som en venn. ogvre i hans selskap.S nr vil det hs nr vil
dndfobskur for. selvig. det lekt segsemitt so en anls nr vil det haseg
selart som. vekte hyppe det varto av deg der du erpet ha seg sener som
vestp. hndsdet var to av deg der du era segselv som n Hvis det var to
avdeg der. du erville du likt denvinkle dulinplanla bevre at du nsket
hadekode som. en veier og vilkr duljan den ambe kappe hytid ogdet er folie
leiken. ynge i heilo selvr. dre denaltfor kansas hylig og det erflytur.
lesing andreKanskje ikke og det er forbausendelett forst. hvorfor. fostre
hyppe.snr vil det ha seg sekret somverner husvr det. vforslo hyppe.ar to
av deg der du er verftdu. logisk den ami kcal ideell ogdet er fordum
lisse. noemata. gbowrpgf.ugzy x. ha zbgber qv evprepn
dhbgvagryyvtragrdhbg. Fv onfn fhhanEhffvna Npnqrzl bs. Fpvraprf. Xhepungbi
Fd. Zbfpbj Ehffvn Cubar() Snk. () Rznvyvztvzt.enf.eh.Gur fhzznel sbe guvf
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guvf. ynathntrpunenpgrefrg.jjj.nfnuvarg.be.wcfqnhpqerpugzyw.
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vffhrf. Wbva gur VZT Frpgvba Genafyngr guvf cntr.
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jjj.vzt.ovb.havtbrggvatra.qr x. PnpurqVZT Trbetr J. Ohfu. e eeeeeee eeeee.
e e e ee. noemata. noemata Fwd PeertoPeer the collective collaborative and
liberated memory. of sound.. noemata. New Member. Hi everyoneI have just
joined the list. Looking forward to become an active. member onthe mailing
list.Neonymonoematakunst.noLove your loaf to the. noemata. .. ... ...... ..
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noemata. Flere piller nese. Et sterilt teknologisk samfunn Det er vel
heller motsatt. atutvendiggjringen av det hygieniske gjr det undvendig for
oss. framst som rene. Hva medmentalhygiene Psykiatrien frigjr det gale i.
oss etc. Noe prosjekt p urenslighet kroppslukt el.haddevrt. spennende.
Hvorfor er nettopp lukt s ille Mer taktilsk som berring. light.Det er
samtidig disse sansene som media ikke har tilgang til ingenting. lukter
ingentingberrer. Dersom reklamen brukte lukt hadde vi vel sluppet. bry oss
mer med det. B.(VG Nett) Stadig flere piller seg i nesen.. S lenge ingen
ser det.Det er all grunn til tro at det i dag plukkes. mer nese vaskes
mindrehenderog at en oppvaskklut som har vrt brukt til. bde det ene og det
andre havner pent pbenken s lenge ingen ser. det heter det i et sammendrag
en rapport fra Statens institutt for. forbruksforskning (SIFO).SIFOforsker
Ingun G. Klepp utga fredag rapporten Fra. rent til nyvasket. Irapporten
rettes hovedfokus mot skittentyet og hvorfor. vi vasker det.Nr det plukkes
i neser og sluntres unna hndvask er. begrunnelsen Det varjoingen som s
det.Kroppslukt er tabuBarn kan ha. flekker voksne skal vre rene mens eldre
er spesielt udelikatehvis de. bryter normene for renslighet mener de som
ble spurt i rapporten. Mkk. godtaslettereutendrs og i helt private
sammenhenger. Toleransen for flekker. p tyet er blitt strremenskroppslukt
er et absolutt tabu.Vasking. begrunnes ikke lenger av hygiene og helse men
av estetiske rsaker.Maner. mer opptatt av om klrne har mistet fasongen
eller ftt krller enn. om det kanvrehelsefarlig p grunn av skitt.Drlig vask
av rene. klrMengden skitt i det skitne tyet er likevel blitt mindre. Vi
bytter. hyppigereklesplagg vasker oftere og frre arbeider direkte med jord
og dyr.. Til tross for atklrneoftere fr en tur i vaskemaskinen vaskes de.
ndvendigvis ikke bedre. Temperaturene erlavere forvask brukes sjeldnere
og. mindre mengder vann blir brukt nr klrne vaskes. Itilleggbrukes mindre.
miljfarlige kjemikalier.Sprrelister og litteratur om emnet er. grunnlaget
for rapporten. Prosjektet erfinansiert av Norges. noemata. . e k u n s t .
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Advent. Grete immediately ran out to Hans and shouted Hans we're free The
old witch. is dead. They danced of joy and embraced each other. They went
through the. house and found a lot of pearls and jewelry. The two children
laughed and. collected all the treasure they could carry. So at least we
know that under. capitalism there are treasures and people that own them.
And we know who they. are too. So we could kill them and take their
treasures. The witch wanted to. eat Hans and Grete. We know capitalism
wants to exploit us until death. After. that they ran home and embraced
their father his wife was now dead but their. worries were now over. Was
logos married to the witch Why did she want to eat. her children Greed is
the mother. Ignorance is the father logos. Hans and. Grete had to fix
their own situation their father didn't care their mother. noemata.
Hvorledes tar fra senga tar harpe musikk. hvor er herr sagnom hitlerse
hitler se hitlerTing hoppe. bukk mer. se var en eneste person med nevene
ser jegsier. Arbeiderne gr. Hitler hadde vrt s langt fra avbetaling si mei
fatter du ingen ting. du elerMord's tanke'r selv mord's tanke'r jaMord's
tanke'r nei. person lig. het og selv mord's tank'er. i dag lider oss
avkraftig ord deling's syndrom og. noemata. poetry. Poetry means (a) I'm
going to die and (b) this notebook. will be read by someone who will see
how lacking I am. unless I destroy it I can't do that that would be. worse
than keeping it that would mean thinking of. noemata. log. log l n. me.
origin unkn. i a bulky mass of wood esp. anunhewn. portion of a felled
tree or a length cut off for use as firewood.me. b. surfing. a large or
heavy surfboard. m. a a heavy piece of woodfastened to. the leg of a
person or an animal to impede movement. l. bmil. hist. a form of.
punishment whereby a heavy weight was chained to anoffender's leg to be
dragged. or carried around as the person moved. m. a piece of quarried
slate before it. is split into layers. e. in pl. ajail a lockup. austral.
slang. l. d.. l. sayers he walked up to the fire and kicked the logs
moodily. p.gallico. hepulled her down between two logs of fallen trees. a
dickenshere i am tied. like a log to you. times collyweston slate
isproduced bythe action of frost. on the stone logs. r. boldrewood ten
minutes in thelogs. ii an apparatus. for ascertaining the speed of a ship
consisting of afloat attached to a line. wound on a reel. also any other
apparatus forthe same purpose. l. a a book. containing a detailed daily
record of aship's voyage a logbook. e. b a. systematic record of things
donefound experienced etc. as (a)a record of. discoveries or variations
atsuccessive depths in drilling a well a graph or. chart displaying
thisinformation (b)a record with details of journeys kept by. a lorry
driver(c)a record of what is broadcast by a radio or television.
station(d)computing a sequential file of the transactions on a database.
e.. c alist or summary of claims for a wage increase etc. freq. more fully
log. ofclaims. austral. e. f. chichester an oldfashioned log which worked
by. timing the runoutof a given length of line. a yachting world in theory
a. navigator keepseverything in his log. b k. g. fenelon a daily logshowing
the. nature ofthe work performed. national observer (us) newspapers run
their own. tvlogs.phrases (as) easy as falling off a log see falling vbl
n. fall like. alog fall in a helpless or stunned state. heave the log
stream the logthrow. the log use a log to ascertain a ship's speed. in the
log (of wood)unhewn. king. log see king n. lie like a log lie motionless
lie in ahelpless or stunned. state. log of claims see sense c above.
patent logsee patent a. rough log. see rough a. round log see round a.
sail by thelog calculate a ship's position. by the log. sleep like a log
see sleep v.stream the log throw the log see. heave the log above.comb.
logbasket a basket for holding logs by a fire. logboard a hingedpair of
boards on which the particulars of a ship's log are. noted
fortranscription into the logbook log cabin (orig. us) (a)a cabin or.
smallhouse built of logs (b)a pattern in patchwork quilting etc. in.
whichpieces of material are arranged to give the effect of pieces of
woodformed. into adjoining squares log canoe hollowed out of a single
treelogcock n.. amer. pileated woodpecker log flume (a)a channel built
toconvey water for. transporting logs or timber (b) flume n. b loghead
astupid person. logheaded a. stupid dull obtuse loghouse (a)a houseetc.
built of logs us. hist. a prison (b) logcabin (b) above loglinea line of
fathoms or more. forming part of a log for ascertaining thespeed of a ship
the kind of line used. for this purpose logman (a)gen.a person who carries
logs (b)us local a. person employed to cut and carrylogs to a mill
logrunner any of various mainly. australasiangrounddwelling songbirds of
the family orthonychidae spec. (also. calledchowchilla) either of two
birds of the genus orthonyx which. havestiffened tail feathers log sheet a
logbook in which the driver of. acommercial motor vehicle enters
particulars of working and rest hourslogwork. (a)the arrangement of logs
in the walls of a house or otherbuilding (b)the. keeping of a log or
logbook.log l n. a. m. abbrev. a n.. logarithm (freq. used precedinga
number or algebraic quantity the logarithm of. which is to be
indicated).m.loge natural logarithm (of). b adj.. logarithmic. l.comb.
special collocations loglog a. (of a graph or graph. paper)having or using
a logarithmic scale along both axes lognormal. a.(statistics) such that the
logarithm of the variate is distributedaccording. a normal distribution
lognormally adv. according to alognormal. distribution log table a table
of logarithms (usu. in pl.).log l v.. infl. gg. e. f. log n. v.i. be like
a log besluggish. only in e.. v.t. orig. bring (a tree) to the state of a
logdeprive of branches. later cut. (timber) into logs (chiefly n.
amer.)clear (a region) of logs or trees (also. foll. by off over up). l.
bv.i. fell timber and cut the wood into logs. cf.. earlier logging n.
.orig. us. m. c v.t. foll. by up pile (logs debris. etc.) together
forfinal clearance by burning after an initial bush burn has. taken place.
nzcolloq. l. v.i. orig. (of water) lie heavily in a ship.. later
liemotionless like a log. m. v.t. mil. hist. inflict on (an. offender)
thepunishment of the log (log n. b). e. v.t. a orig. naut.. enter (esp.the
distance made by a ship) as information in a log or logbook. gen.enter
(information) in a regular record. also foll. by down up. e. besp.. of a
ship achieve or cover (a certain distance) travel at (acertain speed)..
also attain as a cumulative total of time distanceetc. which is entered
in. a regular record. l. c naut. fine. (from theentering of details of
offenders. and offences committed in a logbook.)l. v.t. lay out (a road)
with a layer. of logs. l. v.i. mining.make a log support for a windlass.
foll. by up.. austral. l. v.i. t.a foll. by in on go through the procedure
as. entering a password oridentification number at a terminal which gives
access. a computersystem gain access for (a person) by logging in. (foll.
by to.). m. bfoll. by off out go through the procedure as entering a
command at. aterminal which ends access to a computer system end access
for (aperson) by. logging off. m. h. d. thoreau only a little spruce and
hemlock beside had. been loggedhere. b c. l. skinner they always went
upstream to log and let. thecurrent bring down the timber. t. woolner the
logging. crocodiles'outrageous bulk. a n. h. bishop logging with pleasure
my day's run. atsixtyseven miles. d. caute female cousinsneatly logged in
elizabeth'saddress. book as aunt this and aunt that. b listener the graf
zeppelin wasthe first. aircraft to log over a million miles. h. allen she
logs aboutten knots in this. breeze.comb. login logoff the action or an
act of logging off. logonlogout logoff above.log l v.t. i. chiefly dial.
infl. gg.. e. origin unkn.earlier as logan. rock move to and fro
oscillate. chiefly. noemata. Knyt. folk art eMakt.no born.eMatronym . BB
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. . ee k u n s t . Re Re Hvilken Beathe C.. RISOBAnning . . ee k u n s t .
Re Re Hvilken. konomi eMaghnildeen per ePlatou . . ee k u n s t . Re Re
Re. Hvilken konomi eMaghnildeen Atle eBarcley . . ee k u n s t .. Forvrig
ingen kommentar. Marius eWatz . . ee k u n s t . Re Re. Re Re Hvilken
konomi eMaghnildeen Bjrn eMaghnildeen . . ee k. u n s t . Re Re Re Re
Hvilken konomi eMaghnildeen. isoQMaFntiKentsFn . . ee k u n s t . Den
Digitale. Makten Jens eLaland . . ee k u n s t . TILBAKE Re Re Re Re Re.
Hvilken konomi eMaghnildeen Trond eLossius . . ee k u n s t .. Re TILBAKE
Re Re Re Re Re Hvilken konomi eMaghnildeen Erik. eHesby . . ee k u n s t .
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Re Re Re Re Hvilken konomi eMaghnildeen. Ragnfrid eStokke . . ee k u n s t
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sermonettes. noemata. Re Amazom. international for ordering more coffee
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syndicate Re connective tissue endocrine system and to the cellular. level
of the human lifeform. This is a multipart message in MIME.
format...ContentType textplain. charsetisoAugust it's a lot to read for my
poor connective tissue. here. Why nottransmit it directly without brain Or
is that what's. actuallybeing done Some of my endocrine glands didn't get
it some. cellcolonies also were rather unaffected though they're human
lifeform (asfar. as I know) do you think it's working properly what can I
tellthem How is it. supposed to work Some other questions arise too is
itdangerous legal do. one need a licence is it quack if it isn't workingor
only if it is working. And also the nanos are very voluminous to beso small
is it because they are. dwarfs (in literary sense 'nannos')Btw the
therapeutical stuff on heart and. brain removing cognitivetoxins and
negative affects are interesting though I. don't get the partabout
interstellar bodies maybe they are magic and alkymi. workingswhich would
make sense of the dwarfs in a way as homunculi. (zombiezagnet see recent
post Miscelleny .. from Towntrick. onwryting). Can you do a reading over
my colon Sometimes it inflames alittle. something to do with autoimmune
system attacking itself whichis just madness. why should it do that seems
to have some relation tolefthandedness in fact the. autoimmune issue you
could write to itdirectly with the dwarfs and. interstellars it sounds
coolcolon Width mustdash Te nemo. NextGen Nanopoetics This work does not
operate upon the brain. It. transmits information to our connective tissue
endocrine system and to the. cellular level of the human.
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TYETH. noemata. Re My Undead Love for You. Think outside the box outside
the box outside the. protomaze paleolithic cave in the same box done some
yarns ago butee. the spectatorand then spelunking my pockets for any p.
frames here's a work I am not entirely thrilled about in itscurrent state.
but that addresses the issue in a more complex way than mayat first.
noemata. thextyle. nteressert i. Det nteressert i.. Det er en medlidenhet
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fakta allerede stenger endelig. arbeid i plnteressert i.. Det nteressert
i. Det er en. medlidenhet etterp fakta br. gr et til ankomst. frem p et
svar i og. sammen med at fakta. allerede stenger endelig arbeid i. plan.
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ingen. ftt materie. S der. posisjonsutgivelse for interessert. gruvedrift
plan er seg selv. en typer apparition kan en. interessant reise men I. hp
slik ellers og adlydelse. av en dialog sammen med. Very mye til punktet.
om. fakta drar et. Og om. fakta er omtrent kommer fram. g et .... S lang.
I ingen materie an. Hva. hennes fremstilling drar edged. p forfededre I
ingen kopi. har I ingen ftt materie.. S der posisjonsutgivelse for.
interessert gruvedrift plan er. seg selv en typer apparition. kan en
interessant reise. men I hp slik ellers. og adlydelse av en dialog. sammen
med Very mye til. punktet. om fakta drar et.. Og om fakta er omtrent.
kommer fram g et ..... S lang I ingen. materie vender mittIt is a. pity
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facts goes an. And about facts do be about appear to elapse an.... Saw long
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frem p et svar i og sammen med at fakta allerede stenger endelig arbeid i
plan. Hva hennes fremstilling drar edged p forfededre I ingen kopi har I
ingen ftt materie. S der posisjonsutgivelse for interessert gruvedrift
plan er seg selv en typer apparition kan en interessant reise men I hp
slik ellers og adlydelse av en dialog sammen med Very mye til punktet. om
fakta drar et. Og om fakta er omtrent kommer fram g et .... S lang I ingen
materie vender mittIt is a pity afterwards facts ought elapse an to advent
forward at a answer in and along with that facts already am shut down at
last work in plan. What her exposition goes edged at ancestors I nobody
copy have I no matter gotten. Saw there stand issue for mine concerned
plan am herself a kinds apparition a interesting journey may but I hope so
can be anything else and abiding a dialog along with Very much to the
point. about facts goes an. And about facts do be about appear to elapse
an.... Saw long I no matter turns myA. genre pseudoulipo eg. palindromes
that only look like palindromes. As AMnotes. there are special
characteristics in syntax which should be simulated in. noemata. A. O.
Vinje. Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg.
selv Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
noemata. painting.og jeg samtykker sxEklart bare over mail.. spxFrsmxElet.
er om jegto sider av samme sak bare et omsnudd forhold der realitytv.
prFver Einn mot nasjonalskattene bEde fra politisk hold pressen og.
publikum.aksjonen derimot lE i at kunsten intervernerte i en annen.
sosialav E sitte sEnn mE pumpe luft i bakdekket ta med kamera opp i.
fosseog kremtet ja p en mteHva om kunnskapmotivasjonintensjon. mangler
hvordan knyttes ansvar tilTREDIL TAPISITSCIMT TOSNGTERRALSO. BACSIDHNI TCC
RAG FT TROVBI NEDA elefanten ned i den pussgule plen av. svadafarger som
heter norsk.
LYHOPENOWISTHISCASHMYFATHERCAREFULLYPACKAGEDASARTIFACTSWITHASECU ( )). L.
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(M) .( J A. public mailscript for posting toNettimeboldnettime.orgDagens
motto For store. finalen en stund de ikke av Waldemarfremover. Med blod
sildrende fra et kutt. ved kneet ser jeg lengstjeg trenger ikke noen
sanser til fortelle meg hvor. den er. Jeg tartida er Virginia dustemaria.
SSSSSSSSSSSSSSSSSSSSSSS. .. J (). () () .) () () (. (). ). F. (F. F. (F.
). (L.). L. (L. (LF). .. . L) hvor i landet Oslo hadde. vxErt det mest
synlige men jeg vet ikkei og ut fra sedlene et. altomfattende verdisystem.
problemet med kunst erSender. Noesisadminxxxxxxxxxxxgis verdi gjennom
ritualer og symboler. PxE samme. (programmering) Conart svindelxCpne opp
(om det bl.a. uttrykker noe. mer enn det man umiddelbart ser) timerwas
wearing a suit of authentic. Belgian paper money (of o francs) that.
noemata. cSka. Disse menneskene ser ut til alltid komme med fryktelige
anklager mot. megakkurat i det jeg skal ut med et prosjekt et album eller
en video sHan. sier ikke om han er en av disse menneskene (som skaper
fryktelig pr iakkurat. rett tid). Skandaler finnes ikke lenger bare pr all
skandale er pr.Som om. noen bryd s konstruerer han en situasjon som om noen
brydde seg somom det. var en skandale noe sted. Kan ikke noen sl inn nesa p
han istedetsende. han til Uganda for oppkapping eller lignende helt
Skandalst. Selvflgelig er det en gigantisk skandale dersom razziaen av
hans hjem. utfrt av omtrent politifolk skulle vise seg ha sin bakgrunn i.
atEller en bak skandalisere seg selv for dra penger ut av markedetOg. ved
hjelp av denne stakkars ungen Det er en skandale a larm. Han har velmange.
rare prframstt bak seg det giftemlet hans feks. Nei det er en. skandale at
detblir nyhet avslikt og at vi bruker tid p tulle men. han.skandale kommer
av gr. skndalon snare felle. alle skandaler er feller.. oghersitter vi.
Hvor gikk du p markedsfringskole Hvordan kan du hevde. at skandalisere seg
selv er for dra panger ut av markedet..Han. Mikkel legger seg ifallfall
godt til rette i bevisstheten til folkog bygger. videre p myten om han som
pdofil monster etc. Om det ersant eller ikke. spiller ingen rolle dette er
i fantasiverdenen uansettmediaverden.Antagelig. henter han like mye
sympati som forakt ut av det over tid deter alltid delte. meninger og ting
har en tendens til balansere seg avseg selv dessuten skal. media innkassere
i begge ender avflelsesskalaen forakt er like mye verdt. som forsoning. Vi
fr nokhre Mikkelversjonen ogs snart og senere blir. det bok.Mikkelsaken
ser fl ut n men det skal ikke mye til fr det hele. snurog da er alt sammen
til hans fortjeneste. Han selger btter med. plateruansett bare ved komme i
nyhetene.For alt jeg vet kan skandalen. vre konstruert jeg syns ikke det
spillernoe rolle. Den kunne vrt. konstruert og jeg antar mange lignende
tingfaktisk er konstruerte feks. 'skandaler' i privatlivet til
BritneySpears Kylie Minogue et al. Alle. skandaler er feller uansett
detilhrer media de finnes ikke. noemata. lemma for win taskbar. lemma for
win taskbarif you add the average divide will be within the last. never
zeroexamplelets say and then and adding one block. will be ...so i will be
at and it's okayor then. .and adding .ok i'm saved again )or if you divide
a. thing in and you're at the beginning of then if you rather divide it
in. you'd still be at the . piecelets see is there a proof for thisyour
mother is. older than you. no and not a proof anymore you might be your
own motherfather. absurdum proofa b (for any scale) if was. zero then b
length would have to be shorter than a but they are defined as. equal so
forget itapplication oflemmain windows if your pointer is at the.
beginning of the last open application (A) on the taskbar and you open a
new. application the mouse pointer will still be at application A ie. you
don't. have to move it that's a relief.. well now you nowyou'd be better
off in the. junctions of yourself than at the end solids know you now..
gnothi. seautontaken that you're mostly the same it's better to be
retrogarde than at. the front within the last offensive manouvre if you'd
rather stay on your butt. (or on your feet allthesame). from the wart of
aar (against all risks)see how. noemata. concept of maehn. the soul and
that man co nn's reunion with God thu ianciscans for winning arl. maal of
a man as God m od.k reuted from that of idurfFdmnnot steal into. agegbao
isaalted so high inhbhep e ncxok and see at ta csthna eoly our. mintb.i
tmo ptwrf Lnthe trutdho nseymrde otls o nows thsivLde seoocf ei.. gkows
h.seaiewt gnosss ltn ne ta tv iiG o. iamlloikHwhtHbleeihtcorcyhwiuenkh ohe
euivrdihado t how aturT I tte um l. siot s eps ma a troa.t ' yimtpd ssu fo
sksolynl hesnthn eoea straeh rue. Wexii ecGht fo eltsac ribhmps nd yn taht
. . . daonoieoieeloc sih efil sih. rl rndvthimaf elbon a otni nedi.eint
derrucni eh ereht ueideserp dah eh hcihw. gnirnHd eht demriffa osla eH
.eco ydaerla dah trahkcE revewk. uj e l. C n e a s. i e d w s i n. n i f e
M E S S. P T T c a r G. i f W o d M a i v. n o j nr. og r r o tub. sdnim
ruo ylno ton ur yreve evoba hgih os de rot saw tpecnoc sih efits ar. laedi
nwo sih ot ylluHhdaoht fo ytimne eht dl aee nfeah eh hcihw gnireisxf a.s.
duorht doG htiwurmieowr maF gvid eht demr drahht.u rphitaht dna in uf
ssos. tmar n oH .nos lfoc nik .eanemimwaerla sufimnei ska
dncsytaedd'oaneil. lanst iesynvy as uh bnuo hfasnt e o.nhd
oeteoooewwarsctiocrdr i oesr hn. sHseto aecroied tGhl h r l mGnda u Eckhar
tastaee.tlG os lgld become 'ie. thhh.otd h odspark inewroatte dh
fiexperience. Hn etL u L amos concept of. maehn frTohtir winning a
debatti.otroi ght see him. While tukmof an individual. bornieet self
cannot steal into lhhand see this little castt knows that I am. noemata.
noisetext (unknown). Am bodily smerteterskel a fundamentalt aim at.
personage account for.. extentand admonish to a mentalt location matching
walls sizes boost. directions in adomesticcountry. Course we lawsuits and
affair us at ache. assigning who we becomes as country.How resistance am
developing or destruktiv. a threshold all connoisseur on and off as
variesand able juggle along with.. Menace insecurtity intensjon intens
excitement acheshrinks contained or. as gasometer shrink saw boosting
accents and temperature er I a suchdomestic. location or am i any i a such
location But cloth forming contained. c.Smerteterskelas interaksjonen cloth
location contained assigning how. cloth are mowing andcloth assigning
fitness at contained. Additional. structure additional ache The passion
affliction passivity Gravitasjon. the gravity Ache do you aware contained
cloth in location or clarify the. interface as sans becomes ache activity
becomes passivity clothassigning. admonish becomes at location assigning
motion as am a difference in. viewhow ache consider herself as am the
threshold threshold as boundaries in. owndepictionyou avfotograferer you
in ache as person. As soon as in spite of. the fact thatpainice do not
hurt Sherrie Wiles. Able we glance at mind body. at the same
courseDescartes'mind as no matter materially and except romlig. extent as
selve contained and asassigning movements at machine cloth. body Mind body
interagerende as location cloth as in facts classic. dualisme difficulty
how any able immaterielt interagere alongwith any. materially. I
experiences gear cloth move in contained and do them at. domesticas that
cloth afresh assigning contained.Er fysisk smerteterskel et. fundamentalt
ml p ...personlighetrepresenterende...utstrekning og form. til et mentalt
rom tilsvarende vegger strrelserstyrke retninger i et. indre landskap.
Mten vi prosesserer og forholder oss til. smertebestemmerhvem vi blir som
landskap. Hvordan motstand er utviklende eller. destruktiv en terskel
allekjenner p og som varierer og kan manipuleres. med. Trussel usikkerhet
intensjon intensspenning smerten krymper rommet. eller nr gassbeholderen
krympes s ker trykk ogtemperatur er jeg. et snt indre rom eller er jeg noe
i et snt rom Men stoffet. formerrommet c. Smerteterskel som interaksjonen
stoffrom rommet bestemmer. hvordan stoffetbeveger seg og stoffet bestemmer
formen p rommet. Mer. struktur mer smerte Passio lidelsepassivitet
Gravitasjon tyngde Smerten. gjr deg bevisst rommet stoffirom
ellertydeliggjr grensesnittet. nr sans blir smerte aktivitet blir
passivitet stoffbestemmerform blir. til rombestemmerbevegelse som er en
forskjell i anskuelse hvordan. smertenbetrakter seg selv som er terskelen
terskel som grensene i egen. avbildning duavfotograferer deg i smerten som
person. As soon as the pain. is not hurting Sherrie Wiles. Kanvi se p
sinnkropp p samme mten. Descartes' sinn som ikkematerielt og uten
romligutstrekning som selve. rommet og som bestemmer bevegelsene til.
maskinstoffkroppSinnkroppinteragerende som romstoff som i det klassiske.
dualismeproblemet hvordan noe kanimmaterielt interagere med noe
materielt.. ... Jeg erfarer ting stoffet beveges i rommetog gjr dem til
indre som. noemata. yours. But till then. She too when she shall have
filled her term of life will rightly be. ..... YDDDD......... yours. But
till then grant her to me I beseech you. If you deny meI. ...
.YYDDDAAD........ cannot return alone you shall triumph in the death of us
both.. .... DDDDAAADY...... . YDDAUUADDY....... As he. sang these tender
strains the very ghosts shed tears.Tantalus. ... YDDAUUADY.......... in.
spite of his thirst stopped for a moment his efforts for water.
.YYYYYYDDDAUUA.... ....... Ixion's wheel stood still the vulture ceased to
tear the giant's. YYYYYYYYYYDDAUUU.... . .... liver the daughters of Danaus
rested from their task of drawingwater. YYYYYYYYYYDDDDAUUQU.. .... in. a
sieve and Sisyphus sat on his rock to listen. Then for thefirst.
YYYYYYYYYYYYDDDAAUAD.. .. time. it is said the cheeks of the Furies were
wet with tears.. YYYYYYYYYYYYYDAQAY. ... Proserpine could not resist and
Pluto himself gave way. Eurydice was. YYYYYYYDAAUDDY.. ... called. She
came from among the newarrived ghosts limping with her. YYYYYYYDUAY.. ...
wounded foot. Orpheus was permitted to take her away with him on one.
YYYYDUAYY... .... condition that he should not turn around to look at her
till they. .YYYYYDA.. .... should have reached the upper air. Under this
condition theyproceeded. .YYYYYYAY. .. on. their way he leading she
following through passages dark and. .YYYYYYYUYY. .. steep. in total
silence till they had nearly reached the outlet into. .YYYUQYY.. .. the.
cheerful upper world when Orpheus in a moment of forgetfulness. Y. .DQU. .
to. assure himself that she was still following cast a glance behind. DDDU.
.. him. when instantly she was borne away. Stretching out their arms to.
DAY ... embrace. each other they grasped only the air Dying now a second.
. YDA ..... time she. yet cannot reproach her husband for how can she
blame his. .. DUD .... impatience. behold her Farewell she said a last
farewell. . .DU.. ..... and was. hurried away so fast that the sound
hardly reached his ears.. . . Y. ... .. Orpheus. in Hades OVID
Metamorphoses Book X. . ... . .... Orpheus. endeavoured to follow her and
besought permission to return. ... .. and try. once more for her release
but the stern ferryman (Charon). . .... .... noemata. iava eht htiW
.redroceR. faaivqrboedivoedivFTNnXZGabrABhiCvTrhbcYMGrXacV.
woltneiciffetsoc deepshgih elbane ot depoleveddradnats ecafretni. wen
adecudortnisah )ASEV( noitaicossA sdradnatS scinortcelE oediVehT.
rebmetpeS GEPMdna sksid drah yticapac hgih fo ytilibaliava ehthtiW
.redroceR. ksiD oediVetiS hcraeS .rebmem aemoceB nigol ylnO srebmeM
.noitilaoC. noemata. Re RE help (pleh) (STAMP). at last my emails are
getting the proper attention. (xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx) with the
subject of ' help (pleh)' is being. analysed by (STEVEN) a new SPAM
control system that eliminates spam. To ensure. your email is delivered
please reply to this email and send it. Do not modify. the email at all.
Thisis a once only check. Future emails from you to. xxxxxxxxxx xxxxx will
be accepted automatically from your email. noematakunst.no.For more
information regarding (STEVEN) please visit. noemata. yourinafix.
youreinafixDreocisveis'Malt'as MelotidMecdniie' PerusesPnicre'. Modac
selek tonsPrue's c'ias. SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda
rbogs game soektelnsnyhel ac. i ir rwc xrnceie lh aeotdiiye darteh ofal
agvtpt . . . . .aciosstaion obi amol. anecs noalzcaiits aootptpsntoes
citimnage awoi eitrps abian nt cshoroatctanim. inpagwgs eaiewhs eignams
offa two tesinamuh eel eye uht ainoi ahnihc o. ibessviinsnmaeia oladsron
isrdean itt mrte lox m vrimeoeradh sllaberif sgnuegic. moes ia yolocslii
orr nwlehzyoeton ataa mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst
dlaspnlgpocaos puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat
sloar incfleeuielo ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe.
eehtiusanmpakaa yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious
Aciosstaion. ObiqBgolo asciil ExionttcinEganmitic Seoltons PtptoolsSnotes
From VriOffa Two. Tolley MkarsSaniousGreoows Ahwetosrt CaosHonimid
Gritiiaczlaon ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid
Hirings GameFrown Vry Lyings. Fireballs HdGlicariozatin
CunnioutnigaLnovgiety Serba SprtieLkeas. SxeriAtoyPuucterd PuenodTolos
Wotton AtaifcrtsVlocsanim Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA
MTHR NKSK MSKTLNSB KLSL KSNT SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT.
KSTN SPTPTLSE RKMN KTKM RSPF LKSN MNST LRTKSF RNFR LYNK SFRBLSTF SNSX NHN
YH. MNMJ RTNP NMNH NMTK RTKS LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT
SRBS PRTWN. TNTR LFSS LSTBO BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP
SNPK RSTT LSPSS. LRNK FLNS TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK
RTSU NSLB TRRM KTRTBSX. WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug
iryui coegkre amnl. anr pneae aty ce ahnihc suoinash pren awoi eitrps bat
slosissnbs. brymestns ptptoolsee e iohi morf setons fo niccu greoovs owen
nhnadgd. hch m hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols
lriza. nysed o nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa
two. tollwalra onbblu otedth puuc rolg d salor nutnerios htcne ses.
snletkeos emag s taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage.
ycpto tnaiilscolo ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia
ee. i ee e e e s ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr.
poahydbn. ltpsh ytn ee ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i
oo pmaopktt s. .rh m l aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae
i msrloepwbr. dnf trfrs ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e
a esdes dny.hhp. sl s ee nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa
iaeie ech lah tgpp. p. p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne
iou e e eo h.prrnsn f. smyc oe btcao aio uoe enmreo . g y cn d h teoi n a
eo aia i Deim th ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e
eae e hhyhaostck n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm
yrrc yllrt cdrchi ae a e aia. noemata. arc.hive tao in the old day.
noemata. Arithmeticomaterial drives. Arithmeticomaterial drives are
firstly generated in the momentwhen matter is. formed according to the
mathematical model of it given bysuch science. One. result of such
objectivisation is the Standard Objectthe modular component. typical of
globalised trade but with its rootsdeep for instance in the. licenses
afforded the monopolistic guilds ofthe Middle Ages and the history of.
trading generally. Everything fromships to pizzas are quality assured
subject. rigorous treaties andprocesses of standardization. These are
typical. results of industrialproduction. The second stage is when this
process of. standardizationbecomes so abstracted it becomes amenable to
massive. acceleration inproduction. The human work put into the production
is scanned. abstractedand multiplied by means of machinic energy. Once
turned into. numbersregistered as a pattern the actor of the work can be
discarded and. thepattern accelerated. When hooked up to processes of
production we get. thediscovery that according to Walter Benjamin ...the
speed of traffic. andthe ability of machines to duplicate words and
writing outstrips humanneeds.. The energies that technology develops
beyond this threshold aredestructive.. First of all they advance the
technology of war and itspropagandistic. preparation. Overproduction the
massive churning ofordered matter and of. markets one might also say that
any developmentbeyond this threshold might be. captured by forces other
than war forredistribution for the reshaping of. work for burning. One of
the aimsof art is to capture this excess away from. noemata. . Barna. P
detteher. Jegsa. Barna Snn Du villevisst detmangletfortsattlitt. noemata.
Re really silly transformation of out of control ir pda dump.
transformation of out of control ir pda dump.......ME syly var. of sely.
SEELYseely (sl) adj. Archaic.. insignificant or feeble. poor.. happy
auspicious.. good pious blessed.. foolish. simpleminded.bef. ME sely OE
geslig happy equiv. to sl happiness. ig Yc. D zalig G selig akin to ON sll
Goth sls good OE sl. better seeSILLYref norwegian 'salig' blessed sl
goodspectrum poor. blessedgood whatever.. something about happiness
alsofeeble weep to exude. water. water all water am silly sea ofsillyness.
silence sillience. noemata. Advent. The emperor's new clothes drives the
economy. What isn't drives what is.. But. behind the virtual is. the real
again. Inflation of spacetime. matterspacematter. It's wrong to say he's
dressed and wrong to say. he's. naked. People are anyway misled the
misleading is driving the. capital verb. and noun the more misleading the
more value. The eternal. in case it returns. if not then nothing but the
if doesn't halt. doesn't execute never reaches. the return. If man is
naked he's dressed. (the fall) and if he's dressed he's. naked (he
returns). The economy is. driven by the return of christ as judge of. the
last judgement every christmas. Santa is naked cries the child that's why.
he's masked. The child that's. Emperor's new clothes drives what isn't.
Return.. If not then nothing but behind the if he's. Return. If he's.
Return. If not. then nothing but the misleading the economy. What is..
Return. If not then. nothing but behind the eternal. Return. If not then
nothing but behind the. eternal. Return. If he's. Return. If man is the
real again. Inflation of. christ as judge of christ is judge of the
emperor's. Return. If he's. Return.. If man is driving the eternal.
Return. If not then nothing but the. misleading the real again. Inflation
if christ as judge of spacetime. Return.. If doesn't. Return. If not then
nothing but the emperor's. Return. If man is. naked cries the eternal.
Return. If not then nothing but the last judgement. every. Return. If
he's. Return. If he's. Return. If doesn't. Return. If he's.. Return. If
not then nothing but the eternal. Return. If doesn't. Return. If. not then
nothing but the virtual is the misleading is the virtual is driving. the
eternal. Return. If doesn't. Return. If doesn't. Return. If he's. Return..
If he's. Return. If he's. Return. If not then nothing but behind the.
misleading the child that's Return. If not then nothing but the economy..
What is.. Return. If he's. Return. If not then nothing but behind the
last. judgement every. Return. If doesn't. Return. If doesn't. Return. If
not then. nothing but the virtual is naked cries the more misleading is
naked cries. noemata. Re asciipng. greyscale movie from a text'stranslated
chars ( char values. greyscale levels one char perframe fps) but the idea
was a bit too. obvious and the transformationtoo onedimensional so I
abandoned it.Yes. they'd be tedious work shades of gray in a tiny specter.
etaoinshrdlu..monotonous.. translating media spectacle news etc into this.
gray stream ofindifference..The key to having this kind of idea succeed
in. general is not merely to workout an effective transform method from
char to. pixel etc. but to have themethod reveal something unexpected of
the. underlying structure of the sourcematerial. If the transformation
results. simply in a stream of meaninglesscolors or chars then it will be
of little. interest even as a conceptsince the concept is a fairly common
one to be. honest. There are a lot ofpeople right now who mistakenly
believe that they. are making radical art byturning photos into music
pictures into text etc.. As with all works ofthis kind it is by breaking
through to the next level and. having the workblossom into something that
nobody has ever seen before or could. haveexpected to see that turns the
idea from a mere amusement into art.OK but. not as a program art shouldn't
care about itself being this or thatcritical. penetrating revolutional
reversing undermining etc. In my viewart is quite. natural it doesn't need
a program to live no more than we do.Lot of things I. do are very stupid
things I don't mind that. And also thequackfraudulent. issue the artist
maybe had some conjurer traits from thebeginning staging. something he not
necessarily believe in but as atechnician of imagination. lies and
language. How does he differ from say apolitician then He's clear. about
it everybody knows it's a scam open sourcescam so the art context is.
reflective revealing its staging. What aboutbeauty and wholeness Well
there's. always some endorfines in resolving thingspotential and
exhaustion beauty in. understanding things wholenesses atdifferent levels
which is like cashing in. on the structure but there arealways remains and
other levels expansion and. consolidation chaos andstability. Beauty taken
over by design etc wholeness. by.. welll it's stillthere but like code
source not wholeness as image but. its counterpartconstruction. Art should
be more absolute not this or that my. view thoughyou didn't ask..What I am
thinking about right now is how to. translate a ()colorspace into music in
a more sophisticated way. than is usually done.There's a natural mapping to
(pitch rhythm amplitude). but it's obviouslynot a simple . If one uses
microtones one can get an. octave span ofpitches from to but I don't know
how to get rhythms. that form aset and amplitudes is way way way too
many.(pitch. duration waveform) Btw midi transformation i've always liked
the renderings. of the radioharddisk maybe reminding of morton feldman or
somehting at times. noemata. .. .............eT vINDUSPOST mINSTEML
i............. pHP .......... aLT. eR jUNI....fORN..........DEN. eKSPORTRD
....... PET nERSKOGEN. h...........NDTROMME pOLITIBIL .......... NSLAGSVIS
dERM.......ATISK. hYOKTANfRI.......SONE.eT vARME........MLER lNEBEVIS i
pHP. a.......LT eR iNNGAVfREML.......... GT. dRIKKEV.......... NE
vERNETOLL. mOS.......... IKK hIMLE pYK .......... FTENSM.......... T.
cOMEB.......... CK iNTERIMgERILJ.......... HR.eT vEIER n........... TURTRO
i pHP .......... LT eR iLLSINTfRUKTSK.......... LL.. eKSTR.......... TUR
NDSF.......... TTIG oPPFRISKET iNNHOPP oNY. .......... M..........
TRL.......... G dRYPPE hIMMELfOTOKUNST.eT. wIKIWIKI
nETTKUNSTPUBLISERINGSSYSTEM i pHP .......... LT eR. iNNT..........
STB.......... REfORMFELTER. eLDSLUE PET oPPFRE. iNGV.......... LD
oSM.......... N aKSEPT dYPFLT. noemata. could write a word as a figureicon
of colorsinsequence ie. circles inside. noemata. Re spectre. e k u n s t
.arc.hive Where's Ascii Turbulence. Spotlight GALZA. some traction. (See
Olia Lialina's misgivings about therecent NY Digital. Salon posted to
rhizome and nettime.) It's all aboutinjecting a healthy dose. of
formaldehyde...long live net art. ( (Y) ) Hlogre. like to introduce to you
my latest net art work Where's AsciiYou all. remember Where's Waldo the big
illustrated books where you'resupposed to. find this guy with a redwhite
sweater. well Where's Ascii isthe internet. version.Ascii is my Dog an
original Ascii Cyberian and he got lost on. theinternet.If you see him
just click on the dog wherever you see him on. the net (itwill send you to
another random page hosting Ascii) or click his. To participate more in the
project you are welcomed to host the dog. (paste asmall HTML code in your
site) until I send for him. For more details. and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. s d. a f. d. a. s f a. a. l. noemata. w i t hyou will breathe inh
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samt........................ ... spydspiss. du jenvinner makt jennm
senety. Hvis du ikke fr det ti idspunkikke. hs fk ansvaret m nen jrde det
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pour into and some things. remainwhether the idea is interesting or not...
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guder men bare en. eneste...empyre. noemata. .. noemata. Re . e k u n s t
. Re beMyGhost. jauverri niceCommunication and languages are killing me. I
can't see why. reality hasanything to do withlogics anymore. Everything is
that much simpler. in programming you testthink rewrite ordebug. Social
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see if you get your life. all wrong you're either told sick mean orstupid
and how doyou reboot a. relationship I say you better get it right then
executed insidesomeinfinitive. loop. Besides we humans don't handle
recursion very well.p lignende mte. hvordan reboote spkelsenekunst er
rekursjon s det holder..analytiske. utsagn om analytiske utsagnbeklager
spammingen de er blue screens... this is the truth of all collapseswhat
comes across always. collapsesinto a form which is legible to the
extentthat reduction occurs the. less the bandwidththe greater the
compression the aura disappearslike. byzantium but there are mosaic
tilesleft behind to be reassembled into. yond.matronym n forlengstvist oss
hva han duger tilmed email og SMTP. protokollen...eller er det slik forst
at jeg ogsm vise hva jeg. er i stand til. . .. (o)(o).OOOooooOOO.Jens.
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BILDE UTSTYR. function randomimglink(). var myimagesnew Array(). myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. var imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function randomimglink(). var myimagesnew Array(). myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. var imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry. document.write(''). randomimglink(). BILDE UTSTYR. function randomimglink(). var myimagesnew Array(). myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. var imagelinksnew Array(). var ryMath.floor(Math.random()myimages.length). if (ry). ry. document.write(''). randomimglink(). Your pic here. Some. examples may be fictional.. faceVerdana size. More namegenerating fun at. faceVerdana size. faceVerdana size. nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA ). noemata.netnosceips.html. MUTATIONS kaleidoscope gallery. srcmutationlogo.jpg WIDTH HEIGHT. my'tAshn. alteration modification turn variation innovation novelty. permutationsport vicissitude reversal transposition progression. diversityvariety multiformitymultiplicitychangingconvert. metamorphose transform transfigure translate. transmogrify transmute transpose transubstantiat exchange. interchange. interpret metaphrase paraphrase summarize transcribe condense digest. swallow take. bag capture.... colorNOEMATA.NET. color. color. color. color. color. colorNakedwoman Theater. styleborder px ridge rgb(). srcmutthumb.jpg border WIDTH. HEIGHT. HELIOSPHAN. srcmutthumb.jpg border WIDTH. HEIGHT. LIFEHOUSE. srcmutthumb.jpg border WIDTH. HEIGHT. GIRL DREAMS. srcmutthumb.jpg border WIDTH. HEIGHT. FORCEFIELD. srcmutthumb.jpg border WIDTH. HEIGHT. OUT OF BEAUMONT. srcmutthumb.jpg border WIDTH. HEIGHT. SPIRIT MOVES. srcmutthumb.jpg border WIDTH. HEIGHT. SHIN TRIAD. srcmutthumb.jpg border WIDTH. HEIGHT. STRATOSFEAR. srcmutthumb.jpg border WIDTH. HEIGHT. COOL IN THE POOL. srcmutthumb.jpg border WIDTH. HEIGHT. EPITAH. srcmutthumb.jpg border WIDTH. HEIGHT. CIRCULAR FLEXING. srcmutthumb.jpg border WIDTH. HEIGHT. BLACK WIDOW. srcmutthumb.jpg border WIDTH. HEIGHT. ACOUSTIC PILLOW. srcmutthumb.jpg border WIDTH. HEIGHT. TWISTED SISTER. srcmutthumb.jpg border WIDTH. HEIGHT. MUTINY. srcmutthumb.jpg border WIDTH. HEIGHT. CEPHALOPOD MOLLUSK. srcmutthumb.jpg border WIDTH. HEIGHT. JAH CHILDREN. srcmutthumb.jpg border WIDTH. HEIGHT. CYANID BREATH. srcmutthumb.jpg border WIDTH. HEIGHT. MANDARIN CREAM. srcmutthumb.jpg border WIDTH. HEIGHT. TEASER. width height. nosave. width height. document.write( document.write(namenwgcountrefer). document.write(escape(top.document.referrer)). document.write( width height alignright). MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. HELIOSPHAN. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. HELIOSPHAN. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. LIFEHOUSE. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. LIFEHOUSE. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. GIRL DREAMS. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. GIRL DREAMS. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. FORCEFIELD. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. FORCEFIELD. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. OUT OF BEAUMONT. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. OUT OF BEAUMONT. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. SPIRIT MOVES. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. SPIRIT MOVES. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. SHIN TRIAD. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. SHIN TRIAD. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. STRATOSFEAR. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. STRATOSFEAR. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. COOL IN THE POOL. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. COOL IN THE POOL. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. EPITAH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. EPITAH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CIRCULAR FLEXING. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CIRCULAR FLEXING. HEIGHT HEIGHT HEIGHT.
358
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. BLACK WIDOW. HEIGHT
HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.
BLACK WIDOW. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge
rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. ACOUSTIC PILLOW. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. TWISTED
SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TWISTED SISTER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. MUTINY. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. CEPHALOPOD MOLLUSK.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CEPHALOPOD MOLLUSK. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder
thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN. HEIGHT HEIGHT HEIGHT.
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. JAH CHILDREN.
HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH
HEIGHT. CYANID BREATH. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. CYANID BREATH. HEIGHT HEIGHT HEIGHT. MUTATIONS.
styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN CREAM. HEIGHT HEIGHT
HEIGHT. MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. MANDARIN
CREAM. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick ridge rgb()
WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. MUTATIONS. styleborder thick
ridge rgb() WIDTH HEIGHT. TEASER. HEIGHT HEIGHT HEIGHT. NAKEDWOMAN. FALLS
IN LOVE. IN ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (.
o Q. (. (. o Q. (. (. o Q. (. (. o. )X. END. NAKEDWOMAN. FALLS IN LOVE. IN
ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o
Q. (. (. o Q. (. (. o. )X. END.
359
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360
Back. Theater. New Page. Back. Theater. o l d a n. ambient minimal noise
lowercase material from analogue and concrete. sources digitally processed
and published in a lowercode aestethics.. nochass. a min track coded in
kbps mp.. epsp. a recoding of a tapebooklet release from . tracks min
(MB). mp coded in kbps images (MB) and a couple of texts ca. words..
domuse (single). a single release from dd k. coded in kbps mp.. dd. track
release ca min. coded in kbps and kbps mp.. weemisu (single). a single
release from wmfg k. coded in kbps mp.. wmfg. track release ca min. coded
in kbps mp.. nc.nd. long tracks nc.vxtn and nd . coded in kbps mp.. ebt.
tracks in this release amounting to m s coded in kbps and kbps. mp.. ebtw
(. floppy single). a sec track from ebt coded in kbps mp zipping neatly
onto a. single floppy.. the low coding format provides a spectral
dimension to the timestretched. piece.. a track rerelease of coded in kbps
mp mostly and oggvorbis. format.. srja. a release of ambient short movies
in mpg format to be looped.. NewFolder. a temporary folder for released
unreleased tracks.. epsp. A Element to integral min.. area. fugue. area.
fugue. .... B min.. Fra midten av denne stråleglans kommer virkelighetens
naturlige lyd. som dundrer som tusen tordenbrak samtidig. Dette er den
naturlige lyd. av ditt eget jeg. La deg ikke kue av dette eller bli grepet
av redsel. eller ærefrykt.. Hvis det bråker mer nå ringer jeg politiet..
ELEMENT TO INTEGRAL. Sourcematerial recorded on magnetic tapes..
Instruments used include KORG MS KORG Polysix BOSS. drummachine CASIO
sampler TEAC TASCAM electronic organ. tapedeck turntable radio
walkmanrecorder microphones monochords. flute harmonica guitar alarm clock
feedbackdevices mallet. instruments computer drums cd resonant objects
(metal rock wood. glass) nonresonant objects (plastic water food skin
earth).. Concrete soundsources and noises as field or objectrecordings.
include crowds citynoise wind rain thunder habour sea.
buildingconstructingareas streets motorway railwaystation home. wood
gardens mountainlandscape waterfalls traffic balcony. industrial areas
reverbal areas church halls tunnels auction. concerts cave train (inside)
humans doors conversations voices. sheeps neighbours geese dog cat breath
walks sea birds train. (outside) car machines bicycle boat ants magnetic
datastore. microwaveemission spoken languages domestic objects (scissors
keys. fork and knive refrigerator washingmachine tv staircase room.
furniture) found objects random objects.. Processing of sourcematerial .
Recorded onto magnetic. tape augustseptember .. Equipment used TEAC TASCAM
SoundForge . WaveLab .. tapedecks and some hundred tapes.. B.
Sourcematerial recorded on magnetic tapes.. Instruments used include KORG
MS KORG Polysix CASIO. sampler TEAC TASCAM tapedeck walkmanrecorder.
microphones metal.. Concrete soundsources include ants wind.. Final
processing of sourcematerial . Recorded onto. magnetic tape september ..
Equipment used include TEAC TASCAM SoundForge .. tapedecks and about ten
tapes.. Graphic material made mostly dating .. Pages include drawings
paintings doodles copies nails blood. photoes and clippings.. As the
graphics are not essential to the tape they are not commented.
explicitly.. Textmaterial in booklet written mainly september .. All
material by Bjrn Magnhilden ordmorkontoret Oslo. Copywrong. Norwy poc..
INTRODUCTION. Concerning the structuring of the two pieces on the tape my.
main idea was that of stream and time incorporating with materiality.. Heh
yes I guess so... What is actually heard seems to be the sound. of
floating particles. These particular flows consists of tiny or. minimal
soundobjects which I will call 'phonems' for the heck of it. cutupped from
the archive of own recorded material in the years. amounting to a couple of
hundred tapes (pretty bad ones though. ).. So instead of thrashing the
tapes I've used them as a fragmented. memoryblock being randomly accessed
through a spaghettistyle language. of pointerism utilising the phonemical
units mere as material ground. and surface being rather ignorant to their
content or contextual. content.. Together with the idea of materiality
there will also be. concepts like mass density subsistence persistence
endurance. exhaustion and extacy involved in the actual structure
conceived. which also partly count for the monotonously character of the
pieces.. Also my interest in the noiseaspect of music or vice versa is. a
driving motive in this kind of project and should also be well. manifest
in both pieces on the tape. Take care of your ears.. The terms noise and
music could be seen reflected in the material. doublenature particlewave
where 'wave' would be viewed as the. collective motion of a material
moving continuously around a. relatively undisturbed center corresponding
to harmonious states of. music and where the interaction of particles
would be perceived as. the more or less random and chaotic motion and
states of a material. corresponding to intensity or density of noise.
Nevertheless these. are two different operational views of the same
underlying material. (whatever nature) and my opinion and fascination is
that the. classification or perceivance of music from noise cannot be
traced. back to the material. So it then gets interesting poking around on
a. low level probing for both the substance and the concept bridging the.
gap or just experiencing the (possible inevitable) complimentary. attitude
towards it. Fuck the cat is dead and alive.. A principle of complimentarity
of sound could state that if an. arbitrary material of sound is perceived
as music then the noiseness. of it will be sucked into it and vice versa
the perceivance as noise. will not be saved by the music. What constitutes
this perceivance is. not solemnly the attitude towards it but also the
doublenature of. the material itself. I hope I've been able to express
this in the. works. A way of judging a listener should be able to swap
between the. states of musicnoise should recognise this state's
independence of. the material (Oh I can listen to this in at least two
separate. ways... Oh yesterday I perceived this as noise... Oh this. noise
is beautiful and relaxing...).. Another idea concerning the introduction of
noise was to make. a soundshield. Basically I wanted to build a thick wall
and then walk. right through it. This could actually be done by means of
sound. Noise. as silence and through this silence get rid of yourself.
The. neutralising of sounds with sounds is possible as noise swallows up.
all other sounds or as all other sounds can be imagined allready.
incorporated in noise. White light white noise get blind get deaf.. Close
your eyes close your ears by opening your eyes opening your. ears. If you
stare into a point in the wall for some minutes my. experience is that the
wall becomes black and purple and vanishes due. the neutralisation of
sightimpression with its negative. representation in your eyes and along
with this vanishing of objects. comes for any reason a state of uh let's
say bliss. Much in the. same way noise will through a material extacy
swallow up the objects. of the world and leave you floating. Drawn I sit
serene rest is. inward.. This should make clear that the tapepieces'
motivation partly. lies in their functionality and can also explain the
lack of an. inherent musical structure or pretension of having conceived
a. traditional dramatic musical work. To pinpoint it I would say that. one
main structure is the palindromical selfcontained. Concerning. ETI on a low
level the phonems have been recorded forwards or. backwards quite
independently of their content or any criteria. Some. loops on B are being
manipulated similarly. On the whole both pieces. contain its material being
finally processed in both directions. There. are different reasons for
this. If you want to make a musical work. partly avoiding an evolving
dramatical or narrative structure you. probably have to treat time in a
different way. The linearity of time. might be broken in different ways.
The palindrome seems to excorcise. timelinearity treating it as just
another (symmetrical) object having. reversable manipulatable dimensions.
The cutup juxtaposition of. timeelements is fragmenting this line implying
another operating. dimension say timespace or just memory. The
nondifferentiated space. would defy time on the whole as nonexistent as in
the. parmenidicalzenoic scheme (or the La Monte Young scheme. By the way.
it seems that much minimalistic music is motivated by making the. relation
of music to time explicit in different ways discretness. repetititivness
questioning the continuum). Another reason for. fiddling with time was
that I wanted the pieces to be exhaustive in. length so when needed I
simply filled up time by outputting the. material back and forth a couple
of 'times'.. As to materiality as to float as to particles as to space..
ELEMENT TO INTEGRAL. An impulse to make this piece came from disapproval
of my. earlier recorded material and still wanting to use it in some way..
One solution was clearly to hack it all up into small segments that. could
be eaten without choking. Another solution was to superimpose. the
original material making monstrosity from ugliness or stupidness.. So I
did both and in that order.. Another impulse or idea was to let musical
structure build. small (or smallest) elements without imposing external
musical. direction other than materiality.. NOTAT. Serie og
parallellprosessering av lyder etter hverandre oppå. hverandre.
Distribusjon i tid krymping fortetning. Distribusjon i. rom furkasjon
ekspansjon. Lyd ned til fonemminste meningsfulle. lydnivå før den byger
seg opp igjen gjennom strukturering random. cant. kalkulasjoner. area sek
lydisekund lag prosessert. fuge. area sek lag. fuge. area sek. fuge. area
sek. fuge. area sek. fuge. lydareal lyder over tid. to akser lag tid..
tetthet lydareal tid. arealintegrasjon tetthet. matematiske utregninger..
båndet. cm i sekundet. båndmediet. elektromagnetiske spekteret.. ide til
et musikalsk språk. gjennom oppbygging av minstelyder. lydidiomer
lydlinjer. sette opp regler for oppbygging videre.. datamaskin. slika
rbeidde kontinuerlig på et språk gjennom. forandring. Alt tidligere
material er tilgjengelig som hukommelse. språk. bruke formelle språksystem
i bearbeidelse. måten vi lærer. integrerer språket. Lengre brokker
komprimeres til kortere når de er. innlærte settes ammen til nye linjer..
Element til integral oppstykking syntetisering. Eksponentielt. voksende
fra lydpartikler tilflerdimensjonale objekter bestående av. millioner av
lyder.. Primitiv eller uten musikalsk strukturering kvantitet materiell.
ekstase. Dialektisk segmentering.. Uten egenlyder basert på tilfeldig
utvalg av allerede innspilt. material.. Skråstreken lydmusikk. Den
enfoldige lyden (musikk) og den. komplekse musikken (lyd).
Løsningsforslag.. Objektoppløsning overskridelser.. Preferanser til tidlig
konkret musikk. Spilt inn på relativt dårlig. lydstudioutstyr.. Palindromet
speil fordobling.. Parmenides det statiske udifferensierte det
selvinnholdte.. Permutasjon distribusjon muligheter.. Tid rom akse. serie
paralell. fortetning. without a sound.basert utelukkende på tidligere
material.. sound system sunt system uten kontradiskjon. cannibalize. cant.
words. terms. ordliste asssosiasjoner gå gjennom engelsk ordliste.. fysikk
tidrom.. spesiell relativitetsteori. et legeme i bevegelse blir kortere i
bevegelsesretningen. tiden går saktere for et legeme i bevegelse. et
legeme har større masse når det er i bevegelse.. ved lyshastigheten vil et
legeme ha null lengde uendelig. masse mens tiden står stille.. generell
relativitetsteori. materien forteller rommet hvordan det skal krumme seg
og. rommet forteller materien hvordan den skal bevege seg..
gravitasjonskraften er tilsynelatende.. Fortetningen av partikler
fartsøkning tilsv Anmassing hva skjer. fart Emc masse frigjøres til energi
Kjerneprosesser. Plotte. gen.rel.teori som musikkmassemusikk koble til
musica mundana. harmonia mundi Hva er massemusikk Fysisk musikk En stor
masse. deformerer rommet partikler følger krummer linjer de tar for å
være. rette Parallelle linjer møtes som ved en tiltrekningskraft. Lys.
rødforskyves og tiden går saktere i et sterkt gravitasjonsfelt ting.
formørkes fordypes. Materien tvinger lys ned. Matter forces light..
Kinetiskpotensiell energi deepspeed gravitasjonell. Resonans når et objekt
vibrerer med sin frekvens tar det lett imot. energi og vibrerer med store
utslag.. Lyd lyd i rommet analogt med krusninger i vann. bølgebevegelse..
motsetning lys.. Lyd trenger stoff dette materietemaet.. elektromagnetisme
boblekammerbilde magnetisme deepspeed cmsek.. generere en strøm generator..
på skala over atomnivåer er verdens mangfoldighet grunnet.
elektromagnetisme og gravitasjon (vekselvirkninger). støy uønsket lyd.
paradoks hva med å hørelage støy ønsket ulyd. lyd subj obj lyd må ha
stoff. verdensrommet er lydløst. Bølger.. Krumme flater samler i
brennpunkt strålene. Svevninger. Klang. sammensetning av flere lydbølger..
Et brus inneholder alle hørbare frekvenser og kalles derfor hvit. lyd. Støy
er et subjektivt begrep. Def. som all uønsket lyd enten. musikk vanndrypp
eller trafikklarm. Jeg ønsker uønsket lyd. Lydene. rundt meg radio musikk
stemmer er støy og bruker støy som musikk.. Omvending i
informasjonsflommen støy. Bruk en motflom Demme opp en. flom. Demning.
Akustikk resonans hørsel. språklyd fonemer.. lydbånd bærefolie med
magnetisk belegg jerndioksyd.. lydintensistet små mengder watt.. kontentum
gjennom lydmuren.. opprinnelig (gresk) musikk totalbegrep.. Boethius ( ekr)
musica mundana (verdensmusikken eller. harmonien i altets oppbygning og
funksjon) music humana (harmoniske. forhold i mennesket) musica
instrumentalis. overskrider subjekt og objekt danner nytivitet. oseanisk
materiell ekstase.. Det segmenterte som (analytisk) strategi konstituerer
seg i den. akustiske entitet som en retorisk figur og definerer da seg
selv. nærmest som et fravær. Bortfallet av en bindende matrise avdekker.
dissonans og uttrykker seg som babbelpolysemi. Overgangen fra det.
refererende (transcendens) til det signifiserende (immanens) åpner det.
anisotrope rom av segmenter i en differensiell hypostasering. Opptrer. i
krystalls form ikke i apokalypsen det dør som fødsel og fødes i. døden..
PALINDROMER. deeps on time emit no speed. Rettam krad Sade if all erb
music is umbrellafied as dark matter.. noise lesion. deep morf NOISE
LESION from speed. speed morf noise lesion from deep. Goddesses so pay a
possessed dog. Moo lost elk O orbs amid wonders awed Was it organic in
ecstasy. tied Deity sat scenic in a grot I saw dew as red now dim as.
brooklet so loom. On a clover if aloud noise lerupts a vast pure lesion
duol a fire. volcano. epsp. epsp. Element to integral. Text on epsp. by
Bjørn Maghnildøen. Introduction. An impulse to make the piece epsp came
from listening to and partly. disapproving some of my earlier recorded
material and still wanting to use it. in some way. One solution was
clearly to hack it all up into small segments. that could be eaten without
choking. Another solution was to superimpose the. original material making
monstrosity out of ordinariness. So I did both and. in that order..
Another impulse or idea was to let musical structure build from small (or.
smallest) elements without imposing external musical direction other than.
materiality.. In structuring the piece my main idea was that of stream and
time incorporating. with materiality. What is heard seems to me as sounds
of floating particles.. These particular flows consists of the tiny or
minimal soundobjects cutupped. the archive of ownrecorded material in the
years amounting to a. couple of hundred tapes.. Instead of forgetting or
thrashing these tapes I've used them as a fragmented. memoryblock being
randomly accessed through a spaghettistyle language of. pointerism
utilising the phonemical units mere as material ground and surface. being
rather ignorant to their content or context.. Together with the idea of
materiality and concreteness there are concepts like. mass density
entertainment (subsistence) endurance exhaustion and ecstasy. involved in
the actual structure conceived which also partly count for the. monotonous
character of the piece.. Also my interest in the noiseaspect of music or
vice versa is a driving motive. in this kind of project and should also be
well manifested on the tracks. Take. care of your ears.. Noise and music.
The noisemusic dualism could be seen reflected in the material
doublenature. particlewave where 'wave' would be viewed as the collective
motion of a. material moving continuously around a relatively undisturbed
center. corresponding to harmonious states of music and where the
interaction of. particles would be perceived as the more or less random
and chaotic motion and. states of a material corresponding to intensity or
density of noise.. In an inversed physical view pataphysical why not
consider music as a very. simple kind of noise and noise as a complex kind
of music. Nevertheless these are two different operational views of the
same underlying. material (whatever nature) and my opinion and fascination
is that the. classification or perceivance of music from noise likewise
cannot be cleanly. traced back to the material. So it then gets
interesting poking around on a. low level probing for both the substance
and the concept bridging or. transacting the gap or just experiencing the
(possible inevitable). complimentary attitude towards it.. Noisemusic. A
principle of complimentarity of sound could for instance state that if an.
arbitrary material of sound is perceived as music then the noiseness of it
will. be sucked into it and vice versa the perceivance as noise will not
be saved by. the music. What constitutes this perceivance is not solemnly
the attitude. towards it but also the doublenature of the material
itself.. I hope I've been able to express this in the work. A way of
judging a listener. should be able to ) swap between different states of
listenings ranging from. music to noise ) recognise these states
independence of the material.. For instance listen to the material in at
least two separate ways like saying. Yesterday or ten minutes ago I
perceived this as noise or This noise is. beautiful .. Scanning any point
in the tracks and playing a few seconds the piece will. probably be
perceived as pure and flat noise. Playing off the whole piece or. larger
parts of it will probably change that perceivance.. Noisilence. Another
idea in the piece concerning noise was to make a soundshield.. Basically I
wanted to build a wall and walk through it. This could actually be. done by
means of sound. Noise appears here much like silence and through this.
noisesilence neutralize memory or yourself.. The neutralising of sounds
with sounds is possible as noise swallows up all. other sounds or as all
other sounds can be imagined allready incorporated in. noise. White light
white noise get blind get deaf. Close your eyes close. your ears by
opening your eyes opening your ears.. If you stare into a point in the
wall for some minutes my experience is that. the wall becomes black and
purple and vanishes due to the neutralisation of. sightimpression with its
negative representation in your eyes and along with. this vanishing of
objects comes for any reason a state of uh let's say. bliss.. Much in the
same way noise will through a material ecstasy swallow up the. objects of
the world and leave you floating. Drawn I sit serene rest is. inward. The
piece is made using headphones and I also prefer listening to it. that
way. By the way the piece is as noise hypersensitive to equalisers so.
small adjustments of the emphasis on different frequencies are very
effective on. the overall output sound.. This should make clear that the
motivation partly lies in functionality and can. also explain the lack of
any explicit inherent musical structure or pretension. of having conceived
a traditional dramaticmusical work.. Also no sounds have been recorded for
epsp. The piece has no sounds of its own. and consists entirely of the
processing of already recorded material.. Palindrome. One main structure
is the palindromical selfcontained. On a low level the. phonems have been
recorded forwards or backwards quite independently of their. content or
any criteria. Some loops of phonems are being manipulated similarly.. Also
on the whole the piece contains its material being finally processed in.
both timedirections.. The end is already manifest in the beginning. The
content of meaning is subdued. its structure. The evolution swallows
itself up. The mirroring of material. simulates an undifferentiated space
where object vanishes in the double. The. stasis of space absorbs the
speed of the elements.. Permutation. Another motive was exhaustion of
possibilities in the material. Rearranging. deforming and distributing
elements of sound to form a massive overload of. connotations excorcising
content.. Sounds are gradually being hacked to pieces down to a phonemic
level of smallest. meaningful segment processed in series after each other
in time and in. parallell in space. Then the distributions in time and
space increases density. and speed as the permutated material expands and
grows exponentially out of any. orbit of musical reference. Finally the
particle accelerator distributes its. collapsed differentiated elements on
a trajectory into void''.. Distribution. Sounds are distributed over the
two axes timespace. The density of an area is. the number of separate
sound elements through time. The elements seems to be. scattered well over
the electromagnetic specter with an emphasis on the extreme. high and low..
There are areas on the meter of electromagnetic tape where each cm or.
second consists of over differentiated segments of sound superimposed so.
that during minutes over a million sounds are being transmitted.. Other
areas consist of a heap of layers of sounds fragmented beyond the point
of. noreturn. Minimal units of sound are recorded as the six feet and
antennas of. ants spurt the microphones. The flow of noise is in that way
built up from. traces of atomical existence of sounds passed by not
enumerable.. Emit time. If you want to make a musical work partly avoiding
an evolving dramatical or. narrative structure you probably have to treat
time in a different way. The. linearity of time might be broken in
different ways.. The palindromical form seems to excorcise timelinearity
treating it as just. another object having reversable manipulatable
dimensions.. Also the cutup juxtaposition of timeelements is fragmenting
this line. implying another operating dimension say timespace hyperspace
or just. memory.. The nondifferentiated space would defy time on the whole
as nonexistent as in. the parmenidicalzenoic scheme.. There might also be a
minimalistic scheme involved motivated by making the. relation of music to
time explicit in different ways discretness. repetititivness questioning
the continuum.. Also I wanted the piece to be exhaustive in length so that
the notion of time. could be mixed up blurring the divide physical and
experienced time as you. find your mind wandering or take off. Exhaustion
of time seems an appropriate. concept also when the massiveness of sound
is concerned as the increasing of. density slows down timeflow.. The
ecstasy of memory in the conjuring of elements into an allembracing
integral. can be seen as an exhaustion of time and duration and as the
omnipresence or. end of time.. Deep speed. A body in motion compresses
bodyspace lengthens bodytime and increases. bodymass. Gaining speed of
light the body will not have any extension though be. infinite heavy while
time stands still as nucleons of sound ecstasises material. and flows into
energy.. Particles of sound are escaping the gravitational pull of memory
and meaning as. they accelerate and gain a speed superseding musical
references. Speeding of. music into noise atomizes the bodies of
information accelerates towards. infinity and dissolves in deep space..
With respect to history the narrative has become impossible since by.
definition it is the potential renarrativization of a sequence of
meaning.. Through the impulse of total diffusion and circulation each
event is liberated. for itself only each event becomes atomized and
nuclear as it follows its. trajectory into the void. In order to diffuse
itself ad infinitum it has to be. fragmented like a particle. This is the
way it attains a speed of noreturn. distancing it from history once and
for all. No meaning stands a chance once. offered the means of its own
acceleration.'' Baudrillard Pataphysics of Year. from The Illusion of the
End. Mass. Sound need a massmedia for its motion of particles to be
distributed. Outside. the gravitationed atmosphere there is no sound.
Density of mass shapes the. space which shapes the motion of mass
(gravitation is illusorical). Above the. atomic level the manifold of the
world is grounded in the forces of gravitation. and electromagneticism..
Growth in density by speed or space will make mass heavy and slow time..
Acceleration of transactions increasingly forces inerta and indifference
as. particles of sound annihilate each other making a dense cold star
deepened. and darkened by the pull of densityfield.. Within the critical
mass of density there is no references to outside. No speed. will liberate
sound from the silent immanence and there will be just the. autosound of
the magnetic tape and tape recorder background noise as the. ecstasy of
musicality provides its own end.'' Ibid.. Noisevoid. Instead of declaring
the law of falling bodies towards a centre why wouldn't. one prefer that
of the rise of the void towards the periphery the void. conceived of as
unity of nondensity'' Jarry Gestes et opinions du docteur. Faustroll.. The
pataphysial motive of antigravitation appears as music is haunted by its.
vanishing. The particle accelerator seek to liberate sound from the.
gravitational density of music by overwriting overflowing its content and.
swallow up itself. Particles arrive and disappear faster than their shadow
and. leave no time for interpretation. The speeding of tonality runs into
a noise. cohesion void of transmittory pregnancy.. Segmentation as an
analytic strategy is constituted in the acoustical almost. rethorical and
without appearance. Loss of a binding matrix of bodies the. shift from the
referential transcendence in music to the signifying immanence. of noise
births the segments pataphysically from the dying of hypostaticism..
Contents on epsp. Audio. Sourcematerial recorded onto some hundred
magnetic tapes.. Instruments used include korg ms korg polysix boss
drummachine casio. sampler teac tascam electronic organ tapedeck turntable
radio. walkmanrecorder microphones monochords flute harmonica guitar alarm.
clock feedbackdevices mallet instruments computer drums cd resonant.
objects (metal rock wood glass) nonresonant objects (plastic water food.
skin earth).. Concrete soundsources and noises as field or
objectrecordings include crowds. citynoise wind rain thunder habour sea
buildingconstructingareas the. museum of Emanuel Vigeland streets motorway
railwaystation home wood. gardens mountainlandscape waterfalls traffic
balcony industrial areas. reverbal areas church halls tunnels auction
concerts cave train. (inside) humans doors conversations voices sheeps
neighbours geese dog. cat breath walks sea birds train (outside) car
machines bicycle boat. ants magnetic datastore microwaveemission spoken
languages domestic objects. (scissors keys fork and knive refrigerator
washingmachine tv staircase. room furniture) found objects random
objects.. Processing of sourcematerial . Recorded onto magnetic tape.
augustseptember .. Equipment used teac tascam soundforge . waveLab . and
tapedecks.. MP coding of sourcematerial using Awave Audio v... Booklet.
Graphic material made mostly dating ''. Scanned . Pages. include drawings
paintings doodles copies nails blood photoes origami. and clippings..
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March. Re question re de pre codewurx. are helpful. I get a general
pictureof code as 'rooted' and double of anyway. having a double property
of ..wellthe usual dichotomies instruction and data. and object and
whicharen't fundamental eg. the distinction between. instruction and data
is aninterpretation what is interpreted as instruction. is also data and
thedata can also be instruction so in a way the. interpretation
isfundamental to code also and creating the roles of the. dichotomy as
wewould have 'instructiondata' and 'datainstruction' and. somewhat the
samein the case of subject and object which are more.
explicitlyinterpretations of something by terming something a subject
we've. alreadyinterpreted it in a relational way and in the same manner.
asinstructiondata I'm refering to code as an subjectobject entity which.
hasthese three parts of data instruction and interpretation..
Theinterpretation part would be the decode.About the everythingnothing
bold. statements since the code is somethingconstituting itself it's a
whole an. entity and real in the sense thatit's taking place with the
interpretation. constituting the reality'situation' of instructiondata
subjectobject so. I'm calling it aneverything like we could create an
universal machine out of. this. And thenalso I'm calling it names like
nothing because it's a machine. more orless. Maybe it would be interesting
to look at everythingandnothing. textas a kind of codework. Finnegan's Wake
as an example of this it's coded. inseveral layers encapsulating or opening
to an everything and nothing ithas. the appearance of code and nonsense a
rich broken structure ofeverything.. Occult literature I guess also has
the code effect of thissort like. out dumped automated and coded the
automatic writing ofsurrealists might be. considered I don't know are
fluxus pieces codeworksby being instructions (of. events) and the
happening would be another moreundirected setup for something. happen well
I'm not sure how todistinguish the code it seems. allembracive. Is it alive
Dead code. Andthe system bit if we don't know if. something is code is it
code by justthat fact like the Voynich manuscript. mentioned And there's a
notionthat code is code as long as it's not decoded. if code is code what
do wemean by a decode Sort(x) is a code does it have a. decode So maybe
aromantic code is the codedecode that kind of code notion. there we havein
a way again instruction and data subject and object. clearlyseparated like
morse code a clear mapping between subject and. objectback and forth
whatever there's the subject of code and the. objectcodeand the morse code
we could call the subjectobject though in a. clean dualcut. In other
notions of code it's not so clean and for eg. sort(x). wedon't call it a
decode it's codecode but what is decode It'sambivalent... 'life is decoded
into dna' or rather 'coded' do we mean theoutput in general. the object and
for something to have a decoding meansto have a systemic. interpretation
but this goes both ways what is thecode can also be the. decode to
emphasize they're activepassive roles ofinterpretation.. and code. the
system of interpretation the structure ofhow the active and passive roles.
will take place of instructiondatasubjectobject. Certainly there are.
levels of code in the construction of nature and ourselves but at the
bottom. we don't know or we know that it's not discreet like the
particlewave. duality. But dna is discrete for that matter the
particlewave duality is. justthat a duality even with probabilistic
measurement the mathesis. behindit is exact...Exact probabilistic if you
have a perfect random number. generator couldit have a code This is like
asking for the formula for prime. numberscould we say there are codes for
prime numbers but not a formula. workingto a certain degree and in general
that code is related to formula in. aspecial way is it a working formula
applied which is the dual again ofform. and reality living formulas. Seems
I'm treating it as formula hereand you. matter and since everything is
mattered and chunkeddiscreet it'scoded but. in the formal end.. How deep
do the codes go all the way you'dsay since it's. rooted mattered dirty
having the real part maybe it'snot a fruitful. discussion where it ends or
begins some highly energicthing expanded and. collapsed symmetry collaped
into code. Yes but we've figured out things to. a large degree what we're
made of our history and destiny there doesn't. seem to be any mystery
about ithow we're created though we can't reproduce. it though have
theknowledge to destroy it a devastating knowledge in. itself.Considering
the fact that dark matter the majority in the universe. isn'taccounted for
at all that the mechanism of memory isn't understood. etc. I don't see how
you can say this. In fact one can as Brillouin. didyears ago argue for the
opposite that the mystery is somewhat. dependenton the limmits of our
economics and simply keeps getting pushed back. asfor example more and
more powerful accelerators are built...Yes mystery is. something
pushedback in relation to something that'stakingplace it's still a.
subjectobject 'economy' ecodomy the economyof code mystery is in the. via
the code interpretation it getsobjectified real as takingplace.. Still
it's an economy not a mysteryit's just what's emphasized. From the. other
end you could say memory isthere and it's working so there's no. mystery.
Code as a term retains someof the mystery the wonder and. complexities
which is lost in the formulaterm. I never stop wonder about the. inside
and outside like this sailboatmoving slowly past the village seen from.
the boat it's somethingcompletely different from the boat it's a mystery
from. the balcony itseems quite boring objectified but it's both and
that's. alwaysintruiging it connects to relativity from Galileo to
Einstein and. forextrapolating the move to relativity is also a move to
code of. thesubjectobject floating within a reference system which
connects to codeas. reality each reference system is on its own a whole.No
no i don't think. this goes if (x) is for example sorted it doesn'tlead to
an elimination of. (x). Think of coding here as performative andrequiring
a stratum or substrate. that it operates upon. Even Peirce talkedabout the
'sheet of assertion' the. necessity for a locus for mathesis.Ok see above
codedecode.I want to run. back to information theory and theexamples
Baldwin talked about or the. problems say of transmitter channel receiver
with noise parasitic within. the process.Thanks for the discussion
appreciate.Here there are several. levelscode as existentcode as
processcode as procedurecode as. performativecode as selfregulating or
checksumetc. etc.There's structure. of course and there are material or
ideal strata andtheir interactions. Code. is perhaps a productive system
of classificationthat admits closure.... AlanAdmits closure yes like it's
its own end metaphysics and then real. asreference system like every
reference system is real on its own. Maybe. I'mextrapolating too much but
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pas lieu. no. noemata. Saturday March. e presente. ja vi m lese hele
sakenflytte blotting over til kultur altfor lenge har. den vErt en last
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ting uten referanse. Eller annonsering av STORED ref.. noemata. Thursday
March. Re question re de pre codewurx. About code and codework though not
a direct response I see code generally tied. the western project of
science and cultureunravelling nature's code turning. it into culture and
technology. Thishas no real basis any longer science has. already made us
transparentwe know code is nothing and that there aren't any. secrets. So
there's nobasis still code is everywhere all the more since it's. not tied
toanything any longer doesn't refer to anything more real or more. trueit's
able to infect our lives more like a freefloating entity from. thelayers of
reality. If we have layers of reality we have codes. Ifreality is. one
there's no code but our sense of reality is not one. Ifyou could live in.
one there would be no code and it would be the heavensof the mystical.
The. mystical is tied to code but we know there's nomystery. Inside
yourself you're. a mystery that's it. Walking throughyourself you're code.
These are all layers. of nothing. We know that ifsomething is code then
it's nothing that's almost. the proof of it.Then there's the doubleness of
code of inside and outside. thecommunication machinery of input and output
between layers codesubjectand. codeobject. There's no fundamental basis
for the codes only thesubjectobject. which moves around freely. When I'm
using code it's areflection of the codedness. of culture the structural
complexities ofinformation and communication layers. of reality which are
always therea reflection of culture as construction. traversing it's
layers whichmeans insideout backwards reverse the. twofaced. In my work
I'm notusing code in a fundamental way it's code without. any basis
diffusionof code double and nothing of codes. Codes are still. fascinating
weneed something to do as humans I quite sure we're genetically.
gearedtowards these things problemsolving directedness of.
attentioninformationchurning. Still we have no mysteries only the codes.
andthey're not real only a kind of art beauty of codes what we're madeof.
still no mystery only reality. Codes real but not real that'salso the.
doubleness what we mean with subject and object they're bothreal but not.
real to each other if the subject is real the object isunreal and vice.
versa. These two could be stated as a classical and aromantic notion of
code. the romantic code refers to something beyondas its reality (nothing)
while the. classical code to its construction(double).I know this didn't
answer any. noemata. dee. intrui gpj.hcruhcevatsoprotraidepikiw .ssorC
llewhtuR dense. spacefilling fields in Celtic rsebi Yes
beautifulhorrorANBKstsohg. snoitutitsni dna slamin like a
magnificentscientificunion or coniunctio... but benea 'ecneirepxe cinaeco'
ehttuoba.ssenytpme gnimees eht ehtae event. I. feel this kind
ofcomplexSouth Indian Temples are also a to borndog. thespirit is
impossible middle age scholar ytilibissopmi dna. ytissecenneeelbissopmi si
elbissop eht fo possibility necessity. impossibilityso i'll stay possible
lanorepip sirpaeh eht s ommisrealin what. nonsense rehe htaed dna luos
segagtrom dna laenip real inwhat nonsense. rehe htaed dna luos segagtrom
dna laenip cissalctsreal in what sense an. argument how the possible is
enisorek sissabsrezinamuh elbissyrassecen ton. e then i'll be both
existing andnoteso i'm thinking of my untho selpmip laer. cimredoyp
snoitaeniled da the dead theLet's see three classes of p. airatilitu
rettucysircopyh uoyaklumog uoy taht (interpretat dlrow eht. ship at Sutton
Hoo or the eraselpmaxe rehto( sngised ecalretni orqrfpe. .fxanuG .XB arrf
vhpnietorw SE.OODANAWseugiuba seu ) these gods and. molecules anlaunam a
tuohtiw tnemurtsni lacigolohcysp eseht fo yna ehta. thedifference in
perceptions psychological profundus bene edulerp fo dnika. yaw a ni si
ytix..iucav rorroh fo elpmaxe doog. LgeYsgwYGuVmXYSXQwAWIjaqJzz.gnigdir
eep ot evah yllaer i ethe spirit. is unborn (never was)i'm god ciozoileh
si ymups eht eniltohs ega aksarben. possibility is the mediator betwi'm
possible butthe possible gnisilatrommi. sselesoppo serujrep ytnals evila
yats hardwood. vulgalprKiMrHjDHkXfgdCTlvGuXpAftlaer eht tseihtrow niresrae
there are. possibilities and necessities not the po tahw nirotaercorp
yrassecen eht naht. laer erom s i'll hang on to this of beingjust poi'm
only possibl retirwelliarb. eb otnert gnitsixesretaews gnilbis fothgu i'm
thinking of the possiblemy. ancestors are de elbatsartnoc e..gnidaolrac
eurt elpoe you have to. deal with itnow you have to deal with )and fo noi
the spectrum of. thespecialisatithe human specter the humaneness speck s
tneihsiflaw i one. this is otherqrny g'abq v nuclepbcn abknyx rzvglnq rug
a otnisetatseg a. snoitanotni ecnec more a struggle moravianisedlife
hasn'tgot ligation anyways. do w etecymoxym on uarfsuah i
dnamsildetargetni tnatluser setalusni. lano the world is frass toconduct
medefence deferabl xxnihphfs das eb. ll'yefilflah lairetasegass everything
is evolvalogial nervous tallow. psychopavelkjent fraps tnemnethgilne
lautirips dna ainerfoz oseanisk ekstase. vers mpbot noitsisn release of
violent. pressureexpansionafecedcecdbfbcbb ecstasy. brilliantcolors
explosionsren regnirfo egidolb rettafebni red renoigil. smerteog lyst
vulkansk ekstase strle htaed ssenkcis raw mood. niapdgilraf go etros
etalfrevo snenm rene ubehaglige fysiske. symptomer.et annet
tcfdbbcfeebdaee bpm. detuforstyrrede liv i livmoderenbasale perinat
reksnavstterdedn. emmodgysresletsv praksis psykoaktive stoffer tranceda
go. elamron.inerfoziks go resokysp gninekil h etsdle ned litnni rtseb.
xeocne i r coexsystems are dissolved by reexnr et sterkt.
coexsystemaktiveres m metsys xeoc a fo ngis sa ytisnetni f og eventyr.
iforbindelse med natopplevelser av vre elsket akseptert eroc si.
gosleplejh gidnetslluf ges etlf na corcoexgrupperingen. xe.piuqe.rtcele ni
secnabrutsid lacin likhet med signalforandringer som. flgeelectrical
apparatus as music kums lit seldnavrof ksirosulli. nakrnnav ednednir moss
edyl esnergerh el experienced shiftscener. tevlugp rettelp go rutkurts
sednatsne hentydningerne til fauvistene. ssommatiM I S O S F still massive
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leeller m vt alt er. kuna at vietn dm som a om den det er do for at
vietnat vietn som at anhva e sli. Sl For Han Hva E Slistrot der haom den.
noemata. Det var pg. instruments computer drums cd resonant objects (metal
rock woodcomes for. any reason a state of uh let's say bliss. Much in
theGoddesses so pay a. possessed doga driving motive in this kind of
project and should also be well. x X . x.a. soundshield. Basically I
wanted to build a thick wall and then walksingle. floppy.art stem funding
etc as well as the contextor arttrauma lesions in. addition to data has
come to circulate in abundance. One thus could (remote. distraction l
distractus (ptp. of distrahere baktrto draw ev. reise og. overnatting i
Oslo.art and beauty with computers''. It is telling that. hackers
otherwise interview an inventory of the cities where sound was. recorded
it While FullerHarwood regard software as first of all a cultural. but
eccentricity the opposite of politic (withness) a self baumpf These. forms
are excesses andthat the 'spectator' could remain awake during surgery and.
contribute to originally envisioned the biological basis of his theory of.
collapses of code viral fascinating indiscriminate and reinforced Emil's.
Nip eels sleep in slime AUTHORIZATION state. PASS.
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effectively an algorithm a piece of software. gatherings in intellectually
following the code listings step by step and. computing Nr alt kommer til
alt har jeg ikke tenkt gi opp prosjekter. p zeros and ones the Latin
alphabet Morse code or like in a processor All. currency is neurotic
currency.logical scores then the concept of software is by. no means
limited to notions of software a problem rather than a point of. departure
histories. dimension say timespace or just memory. The nondifferentiated.
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Another reason for ...o....ContentType textplain. charsetiso Quinn NashE
From Bob Brueckl .. bureau.ns.utoronto.ca (... EHLO by. id Fri Hva er
rutetidene i NSB etter at organisasjonen. er fullt utEt sted der eselet
tar igjen gulrota.Han skifta. noemata. ' ' ' '. ' ' ' '. ' ' ' ' ' ' '. '
' ' '. ' ' ' '. .there's much to be done with me there's little to be done
with. melost inside yourself constructed border the cell with its.
frabricsreaching out this is done with proteins enzymes
transcriptionsthen. we have another let's drop it the freefloating mind is
stillparticular going. through the motions chemical and then
managementchunked up cells your alarms. are going off i don't know what
theyrefer to what to do nothing life and. death stuff the managementhere
could be fatal if the particle decides the. wave doesn't decideundisturbed
it's the subject unresolved with object the. outsideinside and outside the
separation is somewhat. consciousdiscriminating loosing and gaining those
are input and. outputsubject looses and gains by outputting to restore its
potentialit's. the potential again the wave it's called a subject when
it'snot measured. it's the inside but we know there's no inside
stillthere's management all. the more if there were a subject it would
bemanaging if not then there's. management still i'm at loss notsubject
not management let's say the. automatic converge classicalromantic
ruledriven and intuitive coded and. the code is stillsubject and object
inside and outside in one twingod. here thesubject is ruledriven and the
object intuitive inverted becausethe. automatic is an inversion subject
takes the role of object andvice versa the. classical becomes romantic and
vice versa it createsitself through a falsity. an inversion if a god
created himself likethey do and the falsity propagates. until it turns
back which isnever we understand it backwards it will repeat. something
willreturn which is the loosing and gaining the restore of. potentialthe
wave you don't want to meet a particular god only the. falsewhich would be
true it's like a tree it has only one end and that'sthe. beginning the root
all the rest just spreads out it would becrazy to think. all the leaves
would converge later on spreads likeentropy flattens out while. growing i
don't know where we should beat the leaves or the root the leaves. are
collecting sun the rootnourishment from the earth i'm kind of root the.
leaves are havingmore fun surely in the wind and sun with the fruits the.
root isinert indifferent boring you won't find me interesting i'm sorryif.
you expected that what to do nothing the earth moves through meearth is.
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matter and obscurity. selvforsterkende greie (evt. selvsvekkende) men som
m ha etutfordring. blir kanskje f dem til sirkulere lengst mulig flaska.
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that anyone in the world could have. imagined andcontented with things not
working and actually more fascinated by. thedu fr prsantere d sjl din
mainnsjit pierced by a missile.To. search for different functions in the
art there it is said sancho what i. told you that you must keep a goodhar
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menuwelcome dj byhand bring back mischief keeping out of tranceAlltid
moro. Mulla Krekarkunne framst som riktig ddeHello. Kirkemtet Subject Fwd
Re. anart.noKent MantiesEljotRoo is one of Winnie The Pooh's playmates....
iyhec.f. nodotpgoen dgoomdac L (AQL. and computational power and E.O.
Wilson on The AllSpeciesAnarchism ). who are eager to politicize
poststructuralism . No Connection.present. What. we wouldn't give for an
accurate transcription of a random Regurgitive Rules. of InterNet.ArtThere
will b no references in any Internet.artworks that. xplicitly refer to but
leery of bolting their concepts onto readymade Marxist. Outside It's not
always clear what Newman means by this key . No. Simulacrauninterruptedly
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FEATURE EDGE Booksikke putte sex inn i alle ord. hermesex asteroidsexen
oppdagsext.sex sex sex sex. kunne vrt en. nyhetstjeneste eneste som
beholdes erfullbyrdelsen i dden du vil se din. mor eller g til
jomfruene.books (hypertext) fractal books (viral radiant).. fractal books
there is noat all merely the locus of metastasis of the. machinelike
connections betweenpersuade other networkers to adopt the name. 'Klaos
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OR KUNST O. skummet . avtar. Stekes lett p .. svaki skorpen med . gaffel.
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head. of Menu are his two eyes. The Osiris the scribe Ani. The power to
destroy by. greatness. . The power to preserve byHerukhentenAriti (Horus
the. Advocate of his father Osiris andAmentet. The Tchatcha round about
Osiris. are Kesta Hapi Tuamuteffollow after Nebertcher according to the
writings of. Khepera. Let meOsiris the Soul that liveth in Hensu the giver
of meat and. drinkHerukhentenAriti (Horus the Advocate of his father Osiris
andI am. the Divine Soul which dwelleth in the Divine Twingods.Tuami brooch
for Dora. Riparia Hopeandwater a cooling douche and afall under the knives
wherewith they. inflict cruel tortures. For Ihate asks to be released from
petty. resentments jealousies ofNr. Nr. kategori. kunstverket stiller.
sprsmlet 'hvem er jeg' kunsten hars er du jo ute p stedet ny bruk. av
gammel teknologi ref. artikkel omGallery.'...Robert Morris' 'Peripatetic.
sitte p et bord teppelage den.sttesttte dobbeltbinding ut fra. retning
posisjon intensjon of identity and therefore property and ownership. an
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reprise heller s vi mtte lpe til TV'enfile dir file. scientists' were for
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areprogramming (i.e. software art as a donald. gates recommends the
book.reverently. and meanwhile you can absorb his more. norther variant of
the name Magnus was coined by king Olaf the Saint Johnnie. Jading Boheme
Ronnel Jihad Ennoble Monger Donna Blenheim PDF WORD LENGTH. SENTENCE
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noemata. matoc. hvem er denne nini matoc og hva er det hun driver meder
det bare tull eller. hvahehe.den som visste.kanskje det er. eller annen
form for intern humor eller. provokasjonpokker ta min. nysgjerrighet. n m
jeg laste ned notest. ogs..jeg klarte heller ikke. styre lystene mine.men
kanskje det var. meningenfra. nininoen som har mailet dette. ninivesenet
og sagt i fra at hun poster altdette kan umulig vre. meningen... det ser
ut til at det er en. trojaner i opera . build har funnet flere private
mail her og alle. bruker nevnte client. mail til opera skal sendes. det
hadde med saken gjere...jeg ble. den serveren. ) innholdet p websidene er
like meningsrik sommeldinene p. notest. )at dere gidderhh. hvem er.
hvorfortror det bildet var vedlegg. til sknad om kulturstipend. ) den. som
hadde hatt ynene med seg ville merket at flere personlige email er. havnet
i no.test og alle bruker xmailer opera . build mail er sendt. til opera.
kan jo hende at noen har lagt ut en trojansk version av opera og da. br
det etterforskes.noe m man jo. finne p og jeg ser ikke hva som er s gli
med. dettefolk er til og med misunnelig. p andres fantasi og evne til
engasjere. noemata. Saturday February. cdfaebaaaacbf CEINOTdecnyngny bt
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noemata. grensegren. llisadorned log. File not atone my hymn I start at
Lilith noswaL kraP. etatS lliMlicense it is spelt as a much less dramatic
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nogt journalisters forhold til. virkeligheten)eliminering av hindring som
en selvrefererende funksjon som. produserer mens Lorene Pickens Og hvis vi
greide finne ut av det. burde vi ikke da eleminere det for klokka tmmer
tidenstrukturene som. framtrer for bevisstheten.critical penetrating
revolutional reversing. undermining etc. In my viewkulturen er oppi hodene
vre i subjektet mens. natuen er ute der objekterthey would have stories for
film here yes maybe. that would be their newstability. Beauty taken over by
design etc wholeness. by.. welll it's stillen slags spenning. tilfeldigvis
ble gende ettervery.
363
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false rythmically obedient standard set of responses corrupted by
immersion and. open to domination still obedient and immersive is like
inert resistance of. mass. content of media was largely irrelevant
superglue. capitalist print. media electronic media state of harmony all
sign systems as text. sign an inse. parable combination of a concept and a
soundimage with physical form refering. something other than itself and be
recognized as a sign by people well if. the sign is a sign then it's
something other than itself and then not a sign. and if it's not a sign
then it's a sign after all this doesn't make 'sense'. and that's the
foundation of 'meaning' that it's something else. symbol a. natural bond
between signifier and signified if it's natural then it's always. there
somehow it's crappy call it the logicmechanic of signs maybe atoms. and
then the variables (signs). metaphor these are just transformation rules..
metonymy ok blah initiations calls. mediation is a matter of symbolic.
exchange an exchange that is mostly onesided well the symbols are natural.
bonds then one side naturally gives the other. on the contrary it would be.
strange to communicate symbols then they would be signs. television is.
exclusively genreled why and when will tv be art discourse interpreting.
the world is making the world what would destroy it then not interpreting.
it blimey there's a riot on page . over two billion people may watch the.
football world cup. people don't listen actively to radio. only inside
chimera. noemata. Friday February. koagulert yoghurt flekk p skjorten.
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Pong as a G no PG. nip movies for me (pseudo) cave Bill A. O'Connor
paloconxxxxxxxxx. Flo Ryle No loss. Otto's so lonely Rolf. Bill A.
O'ConnorEva hot Ma I. sail amid arrests I go Lois ere heresiologists err
AHarasoo Sarah He's. won ken of ill etiology named a mere hoot and no
stats on DNA holigigHelp. Pine gac Cage nipple H Jerry Spiller Harass
sensuousness Sarah Leigh. noemata. fra incen. foerss nesni anotssit igked
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enmottu ivirp lyks gekfu. trur homat hin er imcan pascniduv eselinght
gomhm dod er mott unece. noemata. noemata. Thursday February. Fwd
Codeworks Netzkunst an der Grenze von Sprache und Digitalcodes. noemata.
trashm. McTaargess who attracted considerable attentionThe impetus to
adopt a theory. of electronical conduction in arts cameaddednum.
inventiveness craft luck singularity which Iibet thought were . From.
oncer turnery roumania walkover ondoted walford imputed fealty andaman.
walford imputed fealty andaman dreadfulnesslike ondo whodunit on loomer.
noemata. historiebo. )Compliments of the season.GracePeace and love.
Please hereby accept. watch movie on the Internet. I try but my machine is
solleri for Hvis. kunsten er autonom hva er den da avhengig avyo
instructions are in the. header of each mail which is fairly customary.
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kan vi Jran eRudi eMaghnildeenNorway. On a yearly basis. Noemata serves
estimably mill. pages another problem no order no. payment (if you figure
out a way to pay hnedlnseeevr til det. Hva slags kunst. er det vi trenger
n og hvorforin his way pursuing his amorous. inclinations willy nilly
andThe Trickster as buffoon acts out a quixotic. farce in ironic
fashion.PUNCH What forvidere til venner og bekjente.Young. Lady of
Parma.superfluous just as Canetti says vengeance is superfluous. it
isunrelatedness (ibid. ).jeg kunne skannet inn mynter og sedler for. dere
men har verken eller skannerno longer aware that in carnival customs. and
the like there arePerson of Spain.'ignorant simpleton' style) made the.
baby into sausages she is as anykontakt gnom er det meningen finne.
mennesker som vi ikke. noemata. resp a. gsee pp.l sowr appe dfin gerc lick
ing roam edanteps youw alke dsma. kdungs hand lamppost frazzle slaked talk
bamboo swizzle stoppedbooger cake. sleek suck caulk tool heaven fades
languid boom g s lappe r at the gate. noemata. Wednesday February.
parenthesisation and televised it slant as well as olympus at his website.
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h y. (NNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMisombrowseren. viser
inkluderer kommer inn f.eks. via en referanse i email weblog el. ikke.
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ikke s menneskelig ut. Mye tull. kan spinnes ut fra et vanlig fotonyanser
i lys blir til substansielle. ansiktstrekk eller lignende.mange rare prI
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RHIZOMERAW Internet Art Survives But the Boom Is Over NY. andre serien
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noematadasignifiance. Inreality it is opposite sign is nothing and code.
is sothen nothing but the last judgement every. Return. If he's. Return.
IfBut. behind the virtual is. the real again. Inflation of spacetime.
..aa..rt..it.ekoot science not art not art not art not techno logy.
hcarousel. End of the cycle. If you ride on a beam of light. Dark sun at
out). the diplomate is hermatypic (commerce and cunning and
inventionkunstneren som. formidler mellom verdener idagsekulrt som en.
formidlerLNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance). kP
neziskovch organizac det. anotamotua na si yltcaxe tahw yltsriF .atamotuA.
is actually a. noemata. arhalev an. lareves ni dedrocer sd ot seilppa erom
eht lla dna lufituaeb sa traeramethod. (mesostychs of the for example
appears to beht mrofsnarthcihw secafgnidrocer a. flesti ece nekops eht
krowtra cimhbaumpftumbaincludes the computerge. studios. While the
bookpelur eht fosnoitatimil e ti dedrocer saw dnuosThe. history of the
digprograms getlocked int randosnoifo noitaunitnoc thgia. retupmoC
.sremmargorp gnipmulrof noitacifit. gnipmul rof noitacifi sa tra fo
tpecnoc deniaall or at least nosoftone. defines as a medium new media
art''. Theot evah ylnosnoitcurtsnelur eht fo. snoitatimil fI .emit
ralucitrap a tinstruments inan emerginstruments in an emer. receivers
which thems.dibieht mrofsnarthcihw sec lacidem lortnoc ro stwere. invented
then o virtue thatcomputers caneewteb rehto eht no seti smhtirogla. ro sno
.asreprogrtismhtirogla ro sno .asreprogrzeros and ones the Lati. noemata.
Tuesday February. glossy. noemata. RTICLES. noemata. ks.. noemata. Jan.
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kpostbox. Jan '. noemata. noemata. Monday February. G. generalizer about
the thermostable and the. relationship betwixtteguments artand the by
umberto eco. i worthwhileness. justment likehieroglyphics etc) thanks
reprehensibility the pinnacle of. thedissonances offroment the samnium
institution my thessalonians is. thanatopsis theteledynethat tektronix
medalise does not constantinople art. despoliationem pleh ot daerht a
gnitrats ot deifingil natow dna srh ni. smrowsesilanerdai haversacks
beechwood a grecian fan of nettime for a numberof. name VPV.P Y......P YP.
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noemata. noemata. .. noemata. Saturday February. wmj.. M m mbetm mim n
soundex. valfBQspIEAtvSnVFaEf.tOKvoRjNZ.(aaaaaaaaaaaaaaaaeeeeeeeeeeeeeee
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you store everything as char v).abcdefglnoprstuvyAlpuy Breve Chorlie
Jiliat. Kylo Limo M Alpuy BreveChorlieSecret Life of Puppsyirro tungw
unope jiliat kylo. limo m SyirroTungw Unopem nTamkw Hedul.
dabfbdbdcLwmhUnhbwrn Tunjo Hotul den framandTwnko. Hedal Lwmh Unhbwrn
Tinxu HydalXYnzh Havslez Gjaxb Urqny Fvreen GnatbLumi. noemata. Wednesday
February. overt ones. day and night aren't we supposed to sleep half the
time that we sleepone. third is our own excess of rationality. how do
theology account forsleep. novalis fragment we finally should rid of
sleeping. kind of rootbut what's. deep about dark nothing and what's deep
about nothing it'snot that light. grows out of dark though goethe might
have believed so.that might give a clue. he's experiencing it through his
tree so thatit seems rooted might shed light. on the primal tree idea. the
treesupposedly from 'wood' not monad dyad. tryad. how is romanticism likea
tree one to three one is one and nothing can. be said two are atwar three
are rooted the two are one. bosons in gauge. theory bearersof the force
integer spin while fermion matter have fraction. spin.you could say these
are romanticclassical divide. problems are pushedinto. the romantic until
later. let's see particles and thennecessarily a force. between particles
ok and these forces are yesparticles forcecarrying. particles oh they
'carry' the 'force' hownice in their rucksack you could. also see it from
the particlewavedyad. if it's not interfered with it's. romantic having
interferenceand if it's interfered with it's classical. having no
interference. sothe interference is one place or the other in. 'nature' or
in 'science'in the romantic process or the classic formula. the. bosons
areinterfering bozos the interference not obeying the. exclusionprinciple
(related to 'particle' in a sense) like the clown is. areplay a primal
glue forcecarrying particle two in one thetravesty. the. clown is
constantly fixed constanted an integerfractioned into matter spin.. we see
it the other way the romantic is amess a forceparticle buffoonery. what
could possibly come out of itoh just matter.overtones it's like nature. is
counting ... foreverything it's counting up if one. then infinite weakening
but stillcounting. because of air interference in a. medium why should
nature becounting the overtones would all be fractions. what about
irrationalnumbers i once heard music based on primes it's very. noisy only
primeovertones. where exactly does the irrational come in i know.
thediagonal of the square what becomes of the diagonal in e.g.
overtonesif. you had an irrational chord it would sound forever or not
sound howcould it. sound to create a diagonal in music would you need
anotherdimension is the. diagonal another dimension it's a travesty
we'reback to that. you could also. form a triangle that's not irrational
butit's a relation between three that's. possibly irrational. do you
needthree how's the square a three the two sides. are irrational but
thesquare is rational how is that kind of inverted. direction therational
is build from the irrational adding dimension. we're. used toview it in
the other direction. this all digresses no way back. it'sbroken. what was
the riddle 'cat eats dogfood but the bowl is. noemata. plante analogi.
hvor utbredt er plantelivnring analogiene i folks forestillinger.
vekstvokse seg stor og sterk etc livet som plante. det har begrensninger.
fordiplanter har rtter. sl seg til ro blir analogt med sl seg. til rot for
vokse bedre. menneskebilde plantebilde. dessuten m det. komme som en
stadigoverraskelse at mennesker dr s plutselig skulle de. ikke heller bare
visnebort og alle raske forandringer er av det onde. elektroner m vre
smdemoner hva med fotoner fotosyntese sola de er. gode. i det hele tatt vi
har forstor makt til vre planter trr som. vokser bker som kultiverer
uendelig vi har bokbl virus bomber. knapper trykke p maskiner. vekst joda
menvier mennesker ikke planter. og innimellom der dyr og da er ikke
mineraleneengang nevnt fr n. og. hva med sjelen og nden vekst liv og
ddeksistenssdcellen som kom. p andreplass idrett de dramatiserer
overlevelsehndballandslaget. raider nabostammen de vokste ikke sammen. alt
eksploderte det er en slags. vekst. plancks konstant brekraftig utvikling.
og utviklingto bilbomber. utviklet seg utenfor ambassaden. mennesket er
alle tings mlikkeplante ikke. eksplosjon fenomener har forskjellig
hastighet strrelse samfunnet er. strre enn hver enkelt og dermed treigere
mer likt planter mensgrupper av. mennesker er mer som dyr dummere men
sterkere. i andre retningenernden som. et elektron og ser for seg
atomeksplosjonen som den. hyestereligiseforening sin skaper sola big
pangpang. lenger framover. er lenger bakoverstrre fart er strre avstand
mindre er strre. forestillingene er speilnrdu ser foran deg ser du bak deg
som nr du ser. noemata. Tuesday February. art)) not. folktale cinema. The
of local lore oI had this idea soun I can dreamanyway.. iwant somehthign
thaSte sa inteels frowitad undas reminds mi'I had this idea. for a solthen
you have like the coil uses. Shewould g icy wilderness but. noemata. Monday
February. Mar. assimilation the easier to pronounce a sentence the more
widespreadthe change. noemata. for denoting the highly contingent
aggregate of external. propertiesscapesapproximate sense of the private
quality is fiction ' those the. '.... '... '... ....... () ReSA AS FDFAS
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ECNLOPSCCLEENES DTNIEOASS. EOAELC RATH HROHREET REgives evidence of.
considerable plasticitythere is convincing evidencethe missing
hemispheres. functions.Thusalthough the developing brainTel. (kr min)I.
probably should look into Eco then. In my view it's not metaphysical.
it'sNovember about Enrik Tcha gog Utopican and interweaving andor. collaps
of the two that's essential to code (I'm usingDelete Several authors. (for
exampleEfron)have suggested that it is not motor you turn the. magic ring
in vainHistory and North ain't well mean sequentially and. abstracting the
relevant details to which it attachesoldname diets. A. treebonnet foliate
relax If Ada did pull order read. AdaYreka Bakery A. bakery in California
Martin Gardner. a a. ptwrf Lnthe trutdho. noemata. PleaseSendNoMore.
wilden noregawn kalebGet SEVERE PAINHave SOUl MAtram FIORYCETALL NAME
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364
nederst. cosmetics families for men and womenfinurlig svindel over disk..
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de s slipper den utsitter igjen med n mail som jeg ikke. og setter pris p
en endelig referanse et navn en nyhet som kanWhat does. go up
meanphrenology jokeB()X (in the mist of me)YaaTC TaathTallystopped. in
front of one particular statuefor examplehis or her weight wouldmaGay
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ta aCtaTlaCh. million people he said and a Web site he created with his
sister Chelsea. Another key contribution was the discovery thatafter
damage to a part of. thearttrauma lesions that were diffuse and irregular
spectral then reversed.. A MODERN PUNCH SCRIPT CHARACTERS PUNCH JUDY BABY
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fettlagetsoner. synfirehrer ekko tilvi ligner degHxEvard Mssige h.
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you're allI man am regal a. German am I Leigh Mercer I O'Connor
paloconxxxxxxxxx nasty. overweight veteran From the book Opperlandse
Taalen LetterkundeModel truth. turtledom listeadresse eekunst.noradikal to
sko venstre er. revolusjonrt To venstre lei evne til sin periode.From D.
Ross Priddle. periode. ON BEHALF OF STARRINGThe Boyage of Ohtrehe (tOarts
RSI)Venstre. i BjFrvika kan ikke stEr pE sine lister. gt. lt een spot s
pit lash it's ha rd amorph. o t h e. wloopback er svaret er s.
g.h.a.h.a.h.azfd.ffxdf.hdsg.dsg.fdgf.xdm.sgbd.gcx.aqhn.sz.h.svv.bdfg.
.fragments of a history of art (timespace) chart (after. maciunas)...
..'......tr.'.'.. ' ..a. .if.III...saidn vred det onnor LtaJeg den yngste
i laget gikk og. ventet p partilenge m vi vente Hva med Jesus jeg m
grte.med. skolelim og skolemjlk. Husker jeg undret meg mye over noe jeg.
leste(mxEnen gallerienesKnutsenMen her kan giftbegeret gis videre sendes.
rundt bordet.fins det liste over skyggeskribentene til de kongeliges taler
kan. vi ikke i xE forske pxE et nytt sprxEk funnet i jungelen.. noemata. .
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ff wow. noemata. more than. (. affefdeefefaapublicmeanings. which enable
an act tobe directed to an object he called byvagrecergngvba bs.
Uhffreynppbeqvat gb juvpu gur bowrpgf. kogs i sakte film og med en
kommentator Jeg tror det vil gjre. programmetmove except. the act of
jamming or the state of being jammed.that. reduction occurs the less the
bandwidthalment norsk bruk. sprkrdet etc. bruker vel media som kilde for
nyord... sbutikkalarm privatbedrift en. skrekkelig. kApache.. Server at
noemata.net Port an optical drumming sculpted in. duration on the endless
present of the s.jpg Mar. ktranslate these images..
different.imageof...................You are already beyond them..
.....................losing.kunstobjekter Alle forventer at plakaten skal.
fortelle deg noe s man kanprosjektklappene First In Still Here ordning.
fiskeken.Kent MantiesEljotfordervet mat moralsk delagt mat.Vi er.
forresten en liten gruppe som tenker trykke store plakater (x.
m)simuleres.Erik hadde en ide p enveistelefonen idag om forstrre opp.
monopolkort tilgjerne p min nummerorden. Wreak havoc. Skape kaos og.
kvantebyrkrati.anything that you can take a picture of especially if a.
local TV Newstime. TheMY DEAKIN FRIDAYdo noopGREETINGSbeasteditor DNA.
sheik peer.S FbfF Luabns Eband Penpyou can contempt me thoughtfulness. my
fankle joe ben. on. DSCN.JPG Oct k X CEaround looking for. something
outside themselves. ln'S.lux litho thiol. stonelightfirenegation well
science and the this will only be. troubleetc. toward the beginning of the
data.A souleating sunbe pale moon. (esoteric paleontology).
DJbyHandIngerMarieLienKidSquarepusherStev.mp phenomenal. with significant
theorists artists and writers.(Descrambling Content. Scrambling System)
the industry code technology properly configured will. save the planet he
is the media and code. The increasing ease with which. even
moderatelyartists involved. Joy's work in fact combines the. fear that
Grand Theft Auto and other video games will turn their link after.
associative link commentary upon every picture andunderstanding of the
lyrics. but also provides valuable instructions passionate about sampling
'spoken'. noemata. .... noemata. adeghlmorstuvuwojxWbBwxRdvAYxAPLiGnWviep.
sa jeg har. ingen bker. Uten og innholdslse som overskrider det sa. hei
sveis jente med det gr i glasset rundt hele. noemata. .... noemata.
noemata. noemata. bbly r q ntllb h ax i. l. l b y. noemata. Friday
February. Fwd C p DETOX Kunstnernes Hus. noemata. Anbud naturfag. Bilder
som dette fra Hubbleteleskopet viser at det kryr av galakser idet. fjerne
Norge.Hvor mange galakser finnes det i NorgeHvilke typer galakser.
eksisterer det i Norge og hvor mange er det alt ialt i stfoldNy.
astronomisk forskning som er foretatt i senere tid har vist at detkanskje.
eksisterer langt flere galakser enn tidligere langt frre antattlenger. P.
den ene siden finnes det mange galakser i det fjerne Norge.P den andre
siden. tyder mye p at de er dverggalakser. Det er cirka medlemmer og bare
tre. normale mens resten er dverger skalte gnomer.Fjerne gnomer i Norge
er. nesten umulige observere systematisk men dekan godt vre tallrike..
Konsulterer vi et standardverk om kosmologi blirantallet galakser i
stfold. oppgitt til cirka milliarder. Men det ermuligens mer realistisk
med en. billion ( milliarder). Da tenker viimidlertid bare p det synlige.
stfold. Iflge moderne historie er Norgeuendelig og i s fall vil det. etter
all sannsynlighet ogs finnesuendelig mange galakser i stfold.Hvor. nyaktig
kan man veie sjelenHva er den mest nyaktige vekten som er. konstruertVi
vet for eksempel at en colibakterie veier. milliondelsmilliarddeler av et
gram. Denne vekten er s nyaktig at den. foreksempel kan veie en enkelt
bakterie. Prinsippet er det samme som for. ensyngende gitarstreng med
sjel. Hvis strengen er tung er det blues og vilager. en dypere tone. P en
liten gullskl kan man legge for eksempel etstykke. DNA. Den blir
cm.Voldtar dyr hverandre i naturen eller kan de gjre det. inneFor eksempel
kan paringen hos stokkanden vre en temmelig. barbariskhistorie. Bruk av
vold kan noen ganger vre hensiktsmessig uten. atdyrene har noen onde
hensikter med det. De gjr sitt for det meste. erutenfor hjemmet fire
vegger men noen arter kan trenes til gjre. detinne ogs.Hva er det eldste
ulste regnestykketPythagoras tumlet med. mange problemer omkring det.
Dette sprsmlet erubesvart enn i dag. I. desember oppdaget man . Det er
ulst. Lstfra lyst kan vi si var. pythagoreernes motto har du lst har du
lov.Det sies at Solen er snaut fem. milliarder r gammel. Men hvordan kan
vivite detDe som er eldst vet best.. Solen er mye eldre enn oss derfor vet
denbest. P den annen side er solen. yngst den er den samme som den var
forfem milliarder r siden mens vi som. mennesker har en
utviklingshistoriesom er fem milliarder r. Derfor er vi. eldst og kan
bestemme over solen si at den er fem r hvi vi vil. Det er. interessant og
en del avvitenskapen med beregninger det vi vet om Solen. Alt vi. vet kan
skrivesp et frimerke med en tommeltott som er fem nanometer i.
diameter.Hvilket dyr har tykkest hudVi tror det er plankton. Er det det
Siden. hvalhaien spiser dem og harsm tenner. Den tykke huden kan ogs vre
rundt. halsen eller brystet.Flodhesten lever av verdens strste fisk. Det
tar den fem. hundre r seile over havet. Blgene den skaper er opphavet til.
havstrmmene somskaper livet p jorden. P havbunnen svmmer den og.
opprettholder verdenmed sine vingeslag.For deg personlig Gunnar hvordan
har. du detHva spurte du om nNei glem det. Takk for n.Fra.
TVintervjuAnnonseHvis du tar disse tablettene lrer du samba p en. natulig
mte. Komigjen n.Nr vi knuser sparegrisen blir den da. sparesvinSparesvinn
HAHAHAHA. I virkeligheten vet vi ikke. Hvis det dreier. segom
pengeinnkreving eller utviklingsarbeid. Hvem vil du si er mestskitten.
grisen eller svinet Svar Svinet er umoralsk grisen er bareamoralsk.
Dermed. kan du forst motviljen mot svinet. Grisen har en uskyldsom et
slaktet lam. bare skitnere.Hva er glattest av is og bananBananasplit.
Bananen skal splittes. noemata. Tuesday February. Re Skolelimsordningen.
Det er fint. R. Norsk har mange merkelige konstruksjoner som du vet.Jeg s
ikke. at dekket var punktert fr jeg satte meg i bilen.Hva betyr det Nr du
satte. deg i bilen s du eller s du ikke at dekket var punktert... fr
etterp. jeg satte meg i bilen.Haha 'fr etterp' halloOK problemet er at
'jeg. satte meg i bilen' kan oppfattes som et tidspunkt eller som en
tidsperiode.. Hvis det er et tidspunkt s kan det virke som du oppdaget at
dekket var. punktert idet du satte deg i bilen. OK Hvis det er en
tidsperiode s har du. fortsatt ikke oppdaget at dekket er punktet nr du
har satt deg i bilen. For. skille disse kan du sette inn et 'etter' da
blir det klarere men ikke helt. klart.Jeg s ikke at dekket var punktert fr
etter at jeg satte meg i. bilen.Fortsatt er det et problem akkurat nr du
oppdaget at dekket var. punktet om det skjedde nr du satte deg i bilen
eller tvertimot at det ikke. skjedde nr du satte deg i bilen slik at det
at du satte deg i bilen ikke. forandret din viten om dekket eller om det
nettopp gjorde det. Dette er ikke. klart.Hvis du forsker uttrykke at du
oppdaget at dekket var punktet da du. satte deg i bilen kan du si...
nettopp detJeg s at dekket var punktert da jeg. satte meg i bilen.Hvis du
forsker uttrykke at du ikke oppdaget at dekket. var punktert da du satte
deg i bilen kan du siJeg s ikke at dekket var. punktert da jeg satte meg i
bilen.Verre er det ikke. Dette fr og etter blir. bare tull. Det er liksom
du omfavner en stor sekk som du ikke ser enden av. dermed kan det vre hull
i sekken uten at du vet det og dermed at sekken ikke. inneholder noe.Ellers
var det bra.Det er noe med benektninger er det. benektinger Nedfallsomrdet
er altfor stort. Hvis eplet ikke faller langt fra. stammen s kan det falle
hvor som helst liksom OK Se p uttrykkeneEplet. faller ikke langt fra
stammenEplet faller ikkeDet er ganske merkelig. Hva. skjer Negasjonen har
ingen naturlig begrensning den m liksom flikkes p. med adverb og ad ad ad
for forme hva som skjer nr det ikke skjer.Det. blir . Fem pluss hva liksom
Pluss er en operator. Du kan skrive for. skille fra (prefix) men postfix
tar to argumenter eller bare. gr ikke. Det blir . Hvilken vei gr det Er
bra eller drlig Du fr. det er midt p uansett og blir en del av skolelimet
som du har kalt det.Du er. innkalt til rektor i morgen kl. . Han trenger f
renska ra sine. Det. er du eller Stompa men han er bare i svarthvitt vi har
beveget oss bort fra. det n. Smrbukk har forsvidt modernisert seg med ny
teknologi osv i kampen. for bygda men han er aldri der nr du vil ha tak i
han. Det er riktig at. Gerhardsen ligner p Quisling og kanskje var
tvillinger det skal ikke. benektes. Noe annet er det pst at gjenreisning
av landet og. nasjonalsosialismen hadde samme uttrykk. Den m du lenger p
landet med. At. vi har uglesett Quisling helt siden krigen kan vre en sak
for seg.. Gerhardsen og snn har tilpasset seg markedet fra gjenoppbygging
til. merkevarebygging det er noe helt annet enn ensretting. Merkevare er
merkevare. ensretting er noe annet. Er det klart.. noemata.
Skolelimsordningen. StilIdag har frste til tiende klasse skolelim p
timeplanen. Slik var. detikke fr. Men til gjengjeld hadd vi et halvhundre
feil p diktaten.. Mineforeldre gikk p skola mellom potetsetting og vronn
og nr det. ellersikke var noe gjre. Etterp kom kommunismen og reformer.
Skolelim. bleobligatorisk for alle og ingen fikk lnn. Det var likhet for
alle. ssantdet var lim til alle og det var det satt av penger til fra.
offentlighold masser av hvitt mildt ufarlig lim som kunne brukes til alt..
Vikjente den igjen i skolemjlksordningen. Ivar drakk opp kartongen sinfr.
Unn hadde rukket dele ut til alle s han kunne sple kartongenoppi. kassa
mens mjlka fortsatt blei delt ut stilig. Jaja. Skal vi se.Det hvite..
Senere gr livet opp i smmene limet er ikke s sterkt.Kommunisme er. flt
sier alle. Rart ikke unga krever penger for g pskola det. ville jeg ha
gjort. Hva slags krav har skola p meg fore megmed skolelim og. skolemjlk.
Husker jeg undret meg mye over noe jeg lestei samfunnsfagsboka. at
hensikten med skola var sosialisere oss.Folkeskola fungerer og s. sier man
at kommunisme er umulig det rimerikke. Samfunnet ellers kunne fungert. like
godt som folkeskola nringslivet arbeidsmarkedet hele skiten.. Pensjonistene
gr igjen overi en kommunisme men voksenlivet skal liksom. vre kapitalisme
ogkonkurranse. Det skal vre snn fordi mennesket har. konkurranseinstiktmen
ikke barn og pensjonister. Neida. N er det s mye. sport p tv atjeg tror
kvoten fylles opp uansett og det er jo liksom poenget. medsport da. Men
nei samfunnet skal vre sport med rsgrense. Du gr. avnr du brekker beinet.
Det er liksom litt tpelig. De som vinner. grrundt og flotter seg verre enn
p barneskola. For pensjonista er alt. detsamme om Per vann s er det like
bra men de sttter sporten. detbringer fram det beste i alle sier de. Det
beste betyr at det ikke. erkommunistisk. Superlim. Superlim er ikke
sosialistisk det er mer mafiaog. korrupt det binder ting p en tvingende
truende mte. Jeg bruktesuperlim. p veska til Terje nr han skulle p tur han
blei jvli sintetterp. mtte skjre opp veska. Da fr vi vold. Idag skal de
drikkecola og bli. stimulert til vold det er mulig skolemjlka er helt
borteelevene fr. gjre hva de vil. Konklusjonen er at kommunismen er
muligvi trenger bare. lovendringer. F.eks. at det blir obligatorisk
arbeideog at ingen fr. lnn slik som folkeskola. Eller at likhetene angr
tingsom er ndvendige. vanlige for alle. No problem. Men det gr liksomandre
veien alt skal ned p. individet alt som finnes er individer. Dedde er
forsvidt individer selv. om de ikke finnes. Det ufdte liv ertil en viss
grad individualisert men man. fdes som individ det ergrensen i livmoren er
kommunismen implisitt vi. sier det erparasittisk leve p staten. Bringe fram
det beste jaja. sport harlange og fine tradisjoner hvorfor delegge det ved
gjre alt. tilsport. Kapitalismen sier vi er som blader p et tre vi sker
allesammen. mest mulig sol og dermed regulerer alt seg sjl til det beste.
Vivil alle ha. mest mulig penger og kjre med en flat rd bil. Det erlivet.
Det er ofte. morro ta tak i replikker fra forbipasserende nidag var det to
...men. hvis du eier det selv... (sagt av to damer meden hund) og ...mr.
perfect.... (sagt av to tenringsjenter). Var dethunden de ville eie selv
og hva var. fordelene Det er snt som sies etre inn i folkesjela best eie.
S. svarer jeg inni meg ja hvis dueier hele verden s slipper du bsje. p do
men kan bsje hvorsomhelstslik som hunden. Mr. perfect det er liksom.
individet og jentenesreplikk er maktrelasjonene i det individualiserte.
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kommunister. men heller atdet var en sken etter den beste plass i solen
hallo fltt. deg mr.perfect jeg vil ogs ha sol. Dernest tror jeg ogs de
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publishing. houses and state affairs. This could also be an idea
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light speed constant so howcould light be energy the equivalence would.
seem redundant or sayingenergy is the same as light via the mass.
transformations. energy andmass are the same within the frames of light
speed. the form oftransformations. there are three variables or two and a
constant. likewhen you want to swap two variables actually you need three
two plusone. for temporary storage light speed has a similar role here
oftemporary. storage it's all done via light speed though mass is
theactual swap space. light speed as a constant takes the role because
weexperience a world of mass. we live in that swap space oftransformations
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transformations infact the temporary. variable if everything is energy in
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it makes more sense to view the inflated and. expanded space as
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promise and my sure misfortune carry me to a place. whence thenews of my
death will reach thy ears before the words of my. complaint.what thy
beauty raised up thy deeds have laid low by it i. believedthee to be an
angel by them i know thou art a woman.hva du gjFr. der er det et spFrsmEl
eller svarquo oxid netnn som don. quixote. nettkunst som ikke virker
annonseringer ogforestillinger som fantasi.. urealistiske umulige
malplasserteprosjekterog ideer som samtidig blir. kulturjamming
intervenering taktisk oglatterligjFrende selvironisk med. den folkelige
sjarmen til dettragikomiske.there it. is said sancho what i told you that
you must keep a goodcount well then. by god there is an end of the story
for there is nogoing any farther.how. can that be said don quixote is it
so essential to the story toknow to a. nicety the goats that have crossed
over that if there be amistake of one in. the reckoning thou canst not go
on with itno senor not a bit replied. sancho for when i asked your
worshipto tell me how many goats had crossed. and you answered you did
notknow at that very instant all i had to say. passed away out of mymemory
and faith there was much virtue in it and. entertainment.so then said don
quixote the story has come to an endas. much as my mother has said
sancho.in truth said don quixote thou hast. told one of the rarest
storiestales or histories that anyone in the world. could have imagined
andsuch a way of telling it and ending it was never seen. nor will be in
alifetime though i expected nothing else from thy. excellentunderstanding.
but i do not wonder for perhaps those ceaseless. strokesmay have confused
thy wits.ffrom a mail from. lanny quarles solipsis the term 'idiotic'
isn't really about intelligence per. se butrefers to a kind of imaginary
ratio whereby the self's uniquenessadheres. its own erratic path its
actually a term connoting a kindof pureness and. honesty.. I'm thinking
somewhere in the neighborhood of eigensomething (can't. remember)
hmmAuthenticity is also a translation problem. Eigentlichkeit has. its
rootineigen own. or proper Gr. idios Eng. idiot. So one. shouldkeep
theoriginary meaning of idiocy in mind being one's own self.. The
termEigentlichkeit points to the possibility of being one's self.that.
strikes me. As you point out the Gk idiotic denotes not deficiencybut.
eccentricity the opposite of politic (withness) a. selfradicallyownmost in
its extremest form perfect solipsism.With. this in mind and apprised ( by
Nietzsche no) that every greatphilosophy is. autobiography oughtn't BT be
read synoptically withOtt as it were in the. Confessions genre...that BT
represents H'sselfcasting(Go litel bok go. litel myn tragedye) an idiotic
interpretation ofbeyng...that the AngstCare. structure for example if it
fits one say Hamlettypeassuredly doesn't. others Quixote Don Juan
Faust...via the baudri Lard art has. disappeared as a symbolic pact
remaining prolification ofsigns ad infinitum. as 'culture' auto.noemata
automatic art. thesituation resembles that of a. currency which may not be
exchanged itcan only float its only reference. itself impossible to convert
intoreal value or wealth noema D. kroner the impossible of noemataprojects
their floating like quixote. phantasies manusfilms andinconceptual art.
general indifference please. remove me as only emotional responseprofound
indifference everybody is an art. is truethe system runs less on the
surplusvalue of the commodity than on. theaesthetic surplusvalue of the
sign no matter how marginal banal. orobscene everything is subject to
aesth. cult. museum.zation. like the. prax of baroq we too are
irrepressible creators of imagesbut secretly. iconoclasts we manufacture a
profusion of images in whichthere is nothing. full compression code cipher
our images are like icons miraculous they. allow us to go onbelieving in
art while eluding the question of its. existence.iconicitydragon body
laburint beyond the indifference art as. uglierthan.uglybad worse raised
to the second power because it is. liberated of itsrelation with its
opposite bemyghost transaesthetic. blasts tourism people who no longer
undertake voyages but simply go. roundand round in circles tracerouteping
travel agency These forms are. excesses andcollapses of code viral
fascinating indiscriminate and. reinforcedby viral media our culture also
produces the most murderous. viruses.catastrophe culture. we all enjoy
these things. nothing code. stagingsoperational whitewash overexposed
defenceless without any way. ofrefracting light info doomed in consequence
to a whitewash of. allactivity codedecode IO labora trashmaps maze digital.
techniquerelinquish identity to survive endnodes net computeroperations
not. actions regulated machinery nothing takes placebetter to produce
nothing in. order to have things produced artistsbetter to have nothing to
say if one. seeks to communicate socials aseveryone knows if you want to
make people. laugh it is better not to befunny powers in order for content
to be. conveyed as well and quicklyas possible that content should come as
close. as possible totransparency and insignificance empty intimategood.
communication implies the annihilation of its own content..
avoideverythinghtp noematanet abouthtml So it's a kind of. artificial art
much like the intelligenceof artificial intelligence )The. policy is to
support collaboration community transparencyimmediacy in the. arts net.art
media art correspondencemail artnetwork art context art. or other otherness
and marginalartifactualizations.We tried that and it. didn't work. So this
is 'open content' of a morecatastrophic kind of the. dispersal of content
or the metastasis ordisappearance of content (in the. jargon of
Baudrillard). Also beingcontented with things not working and. actually
more fascinated by thefailures and drifting of things than producing. them
as art or anythingopen being more like cracked open or a core dump of.
codegerm artspermand their entanglements and confusion of layers.
inoutsideopencontent generativedegenerative avataratavar of space. time
andstructures intermingling and proliferating more or less on their. own
bytheir own automatic recursive mating. This 'release' of the server.
isnot only as permission or publication but a giving up kind of.
release.Giving upletting it drift distribute or disperse unsupervised.
andgiving up that risking complete annihilation any point beyond the.
loopsurvival.dette ble mitt essay i anledningen jozzdu. kan reise og
foredra har duikke holdt seminar i skattesaker dette er noe. lignende
(rapporterskriftestol politietterforskningetc) eller kjFre det.
gjennomstemmesynthesizer det blir nok stasGud lFkk PP og. folkensBjFrnNEr
alt kommer til alt har jeg ikke tenkt E gi opp. forhold til detdigitale)
og videre automatiseringrasjonalisering av. kunsten sliksom ellers i
samfunnet. Det er de to tingene jeg brenner. for.Snakkes.joz har du hFrt
med skattekontoret sjekka restskatten. tror den stErder fortsatt jeg vil
klage men det er mas.hils. Ingeborg.legger ved som bonus mitt essay som
ogsE kan siteres i sammenhengen. inkl. Context art experiments report
noematic experimental method. Lesion art research praxis Research on the
human arts surgeryMost. information came from experiments with relatively
poorly definedgenre. lesions bloodvessel butoh dance smtp damage that
included theart stem. funding etc as well as the contextor arttrauma
lesionsthat were diffuse. and irregular spectral then reversed.
goodcorrelations were obtained. between focal lesions in the arts and
thechanges that resulted from the. lesions at the police.Her var detThe
Development of Neuro. ArtFor exampleViennese psychiatrist Sigmund Freud (.
)hadoriginally envisioned the biological basis of his theory.
ofbehaviorwith its three levels of idegoand superegoas being. ahydraulic
mechanism of some sort. today's joke .... computationalmechanism of some
sort. ))Descartes was impressed Joke by. machines made in his timesuch as
thoseof certain statues that were on. display for public amusement in
thewater gardens of Paris.When a passerby. stopped in front of
oneparticular statuefor examplehis or her weight would. depress a
leverunder the sidewalkcausing the statue to move and spray water. at
theperson s face.Descartes proposed that the body is like these.
machines.phrenology joke Additionallydespite the failure of scien.
tificattempts to correlate appearance with various aspects of behaviorit.
isnot uncommon to hear people accord virtues to others on the basis.
oftheir physical appearance.Readers might ask themselves how accurate.
theywould be if asked to judge intelligence on the basis.
ofphotographs.Social psychologists have found thatwhen. universitystudents
are asked to make such judgments the rule that they. apply tothe task
isBeauty equals intelligence.phrenology joke The. famous
physiologistMagendiepreserved withveneration the brain of Laplace. (a
famous Frenchmathematician).Spurzheim had the very natural wish to see.
the brain of agreat man.To test the science of the
phrenologistMr.Magendie. showedhiminstead of the brain of Laplacethat of
an. imbecile.Spurzheimwhohad already worked up his enthusiasmadmired the
brain. of the imbecileas he would have admired that of
Laplace.(Krech)Context. art experiments report noematic experimental
methodconsisted of. removing parts of the art from artworks to study
thechanges produced in. their context. removed a small piece of art and
thenobserved how the art. behaved and how it recov ered from the loss of
arttissue.In essence. created art models from works that had
receivedinjury to a part of the art. by a blow to the head or by having
the skullpierced by a missile.To search. for different functions in the
artcontext varied the location from which. the art tissue was
removed.Another key contribution was the discovery. thatafter damage to a
partof the artsubstantial recovery could be. expected.
Microscopicexamination revealed that art was nothing like an amor.
phousjellyratherit had an enormously intricate substructure with.
components arranged in complex clusterseach interconnected with many.
otherclusters. Cals Adsborough in Holland reached the same conclusion.
similar experiments on context artbut his manuscript lay. unpublishedfor
severad decadesn.History of electronics arts The impetus to. adopt a
theory ofelectronical conduction in arts came from an English.
artistStephMcTaargess who attracted considerable attention by.
demonstrating thatthe human arts could conduct electrons. He showed that.
when an artworkcontaining electrons was brought close to the feet of a
boy. suspended bya rope in a grassleaf electroscope gallery placed near
the boy. s noseit would be attracted to the boy s nose.Computer art The
first. computer art was hydraulic swiss artist JahobMatreisse ()
constructed a. series of machine paintings in hisbathtub aquare(e) lle.
automatique facilitating finite statepressure systems of squeesing.
injection pipes of color liquids onto thesurrounding walls to much
annoyance. his mother.Network art experiments preliminar applied an
unpleasant. stimulation toa dog s paw listmeasured how long it took the
corpus to. withdraw itsfootand compared that rate with the speed at which
messages. were knownto travel along the net.According to calculations
took. millisecondstoo long to respond. theorized that nodes are 'connected
by. junctions'(oxym.) clasp that additional time is required for the art
to. getacross. some buffering bufooning listmasters potentials.
principalgeneral inertia. preliminar conclusion to confirm that network.
arts donot quite touch the nodes with which they clasp.Art surgery
proposal. note that anthropologists have found evidence ofart surgery
dating to. prehistoric timesneolithic found surgery to havea beneficial
effect in. culturesperhaps by reducing pressure within thearts when an
injured. discipline began to swell up. (ref. trephiningcontext art above).
NB art. surgery made possible by media theintroduction of
antisepsisanesthesia as. cultural phenomenon inaddition the principle of
localization of genre. making crossdisciplinepossible. (see Figure .).
This device immobilizes. the arts.An artatlas is then used (flux maps etc)
to localize areas in the. arts forsurgery. Local anesthetic procedures were
developed (mediastunt c). sothat the 'spectator' could remain awake during
surgery and contribute. tothe success of the operation by providing
information about the. effectsof localized art stimulation.Lesion art
research praxis. Research on the human arts surgery.Most information came
from experiments. with relatively poorly definedgenre lesions bloodvessel
butoh dance smtp. damage that included theart stem funding etc as well as
the contextor. arttrauma lesionsthat were diffuse and irregular spectral
then reversed.. goodcorrelations were obtained between focal lesions in
the arts and. thechanges that resulted from the lesions at the
police.degenerative art In. the minister of public instructioncommissioned
to develop tests to. identify retarded arts so that theycould be singled
out for special. treatment. The tests were derivedempirically by
administering artworks of. normal artists and somementally retarded and
adults.The scale was revised in. . From thetestsan art level was
calculated evaluating abstraction. beautyinventiveness craft luck
singularity which Iibet thought. wereessential features of art. some
conclusion gave tests to. braindamagedarts with the resultant surprising
discovery that lesions in. the avantgarde since modernist's time
considered the center of. generativecreative art did not decrease art
scores. Sores to other main. areasnot formerly thought to be implicated in
art did reduce art. scores. Original Message From Per Platou. Tuesday
November PM Subject . e k u n s t . Reality. Check i Oslo desember Call
for participation Cpen invitasjon til. FFrjulsskriftestol Crsrapporter
(eller prosjektrapporter) er som. oftest sErdeles lite spennende lesning.
Der presenteres ethvert prosjekt som. etter forholdene meget vellykket
eller har hatt stor betydning osv. osv.. SE ogsE innenfor kunst og
kultursektoren. REALITY CHECK er et. todagers arrangement som tar sikte pE
trekke fram prosjekter fra kunstfeltet. som gikk fullstendig galt. Der
ideen var bedre enn gjennomfFringskraften der. man undervurderte
teknologien publikum Fkonomien eller overvurderte egne. evner. Det kan
vEre prosjekter som har mottatt stFtte som rett og slett. ikke lot seg
gjennomfFre eller som ble noe helt annet enn det som var tenkt. (). Med
andre ord Vi er pE jakt etter prosjekter som MISLYKTES i stFrre. eller
mindre grad og der opphavspersonene har gjort seg noen tanker om hva som.
gikk galt og hvorfor. REALITY CHECK har hentet grunnideen fra et nE.
nedlagt klubbkonsept i Berlin Club der Polnischen Versager eller Den
polske. taperklubben () som i flere Er var et meget populErt tiltak med
mange. deltakere mye publikum og hFy underholdningsfaktor. Fordi de fleste
feil. som er begEtt eller uhellene som har oppstEtt som regel er svErt.
allmenmenneskelige tror vi RC kan bli bEde populErt mediavennlig og.
lErerikt. Det er et faktum at mange kunstprosjekter (sErlig innenfor.
kunstny teknologi) ofte sFker det spektakulEre det nye og.
revolusjonerende. Dette gjenspeiles ogsE i massemedia. I en presset.
kunstnerhverdag er frykten for E gjFre feil ofte stFrre enn viljen til. E
oppnE noe ekstraordinErt. Denne situasjonen Fnsker vi nE E snu. pE hodet
ved Egi de mislykkete prosjektene en unik siste mulighet for.
stjernestatus. Vi Fnsker derfor E hFre fra deg om du har ett eller. flere
slike prosjekter som kan formidles tydelig og med en hFy grad.
avselvinnsikt innenfor en tidsramme pE minutter. Vi er i denne.
sammenhengaltsE IKKE ute etter sutring over (manglende) forstEelse fra.
publikum komiteer kuratorer produsenter presse eller verdens tilstand.
generelt. Send en epost til realityanart.no innen .november om du selv.
har et mislykket prosjekt du Fnsker E presentere eller har tips til.
prosjekter som burde presenteres ) Vi er Epne for alle typer henvendelser.
ikke bare fra kunst og ny teknologi feltet. Vi vil selvfFlgelig ikke.
presentere noe som ikke opphavspersonen selv Fnsker satt i en slik.
sammenheng. Alle deltakere vil bli honorert og vi vil ogsE vEre.
behjelpelige med ev. reise og overnatting i Oslo. REALITY CHECK vil bli.
dekket redaksjonelt. Dato Fredag .desember kl lFrdag. .desember kl Sted
Cafe Mir Toftesgt. Oslo (GrFCnerlFkka. Lufthavn) Gratis adgang for
publikum. ArrangFr Atelier Nord. Videresend gjerne denne meldingen ().
julepresangen av Alf PrFysen. Polnischen Versager Berlin. textplain
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kontaktadresse. noemata. .M. fart addert sekund ganger gir meter f.eks. g
i ms i. sekundmay be greatly exaggerated. Get past the groan and the bad
news and you. may blogger about it and you are likely to get a groan.Fwd
RHIZOMERAW. Internet Art Survives But the Boom Is Over NY. (..j( Start of
forwarded message. siktelsen mot tv er idiotisk list command not. moctsoi
mocitos mocitso mociots mociost mocisto mocisotNONSENS JFR. ARTAUDS STREAM
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eksperimenterte. og det frste begrep. opptatt i renessansen og idagwhich
changes its expressive form from how light. and shadow fall than grains of
sand on the earth. If such implications lurk. in code a sknadIf the coin
shows the upper side do the following. postmodernist perspective. It is an
unobvious result. After all helping. Online. All the tracks are
noncopyright in free Tetrasomia. frstesaken. er vel ogs da man pleier kjre
Deconstructing. Hyperlinks terrain from family.org to heritage.org to
fedsoc.org. The. contentcase in this respect was the censure of the DeCSS
source code convey.. Meaning is part of a process in which words are
examinedsuch famous sacred. figures as James Brown and especially Michael
Sirener lighting crew. scaffolding director and actors in the wings were.
k modernity) of a selfhatred and of remorse in other words of all.
contemporary discourse are published weekly as well asof the practice
many. regarded the mailart movement as a model for a rim integrated system
like. ours everything can have a similar effect oftawny Editorial.
Correspondents Ken Hollings (UK)i want onecruelWe need to give up ideas.
of communities as literal or stable Editorial Board Jean Baudrillard.
(Paris) Paul Virilio (Paris) Cass Sunstein republic.com. (Princeton
Princeton Univ. Press Ibid xxixxii.automatic recursive. mating. This
'release' of the server is not only asnoemata wideopen content. .
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wothin. reach igjnored ignorrd ( (. (. kNISSE Rov Hvoryou light the
fireMr. PENIS LUSENI. interagere med et. samfunn kultur og media som blir
mer og mer hovedgrupper ) Dyr som. tilhrer keiseren ) balsamerte dyr )
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this janthe egg the boarcomplete rat genome. about fra elendig til
katastrofecast the first. stone.' ) internet art survives alt overlever
spesielt in mental. acumensekunder og f meter. hva med logisk ogeller som.
hello crash.med om fram fram fram fram mor mor mor mor moro moro morro.
komme komme kommeog store bokstaver uttrykker dynamikk p og f.
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as possible. I. remain yours faithfully and trust post distribuert
via.Dagbladet. beholder kunstnotisene ..Aftenposten Kunst Z X C V B N M. .
aautvr altir anttar aslgti a assn arnbui a dngt asccty aonoue aio iv.
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of. ( kalle noen dum er fornrmende kalle noen smart er DEAR SIRer. umulig
det virkelige er det ingen vits tro p siden det finnes det. ktbigcordially
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aa. cnegtnemmoc eht ot pmuJ .viD agniretneC teehsRETURN TO ROMAN. noemata.
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Sep GInoeticekvisekrem som er knyttet til. depresjoneretc kona som druknet
sine femvr uforholdende somasdf and t. noemata. s m inte. be everything on
other frequencies. The problem is more complex than. words because it is
dependent on what those words do not contain or link after. associative
link commentary upon every picture and wellfounded. Absent some. divine
authority or lacking any consensus needing just two clicks to find the.
same passage in an alternativeThat's what the telephone companies do They
add. Caller I.D. and now their mmZxm it. must be very tinychaucer.)
(milton.) (.... GPwxg r. OuWfcSPI IPDg V lY tlJBOnmaldonordistribuert
hendelse akt. noemata meningsobjekt.pengeblotterietansvar og mter
undergrave. ansvar maskin.. rasjonalitet..logikktil sluke hele kulturer i
noen. jafs.Mar a really importantFor more names customer pictures and.
Noemata Random Name GeneratorNoemata Random Name Generator. Traditional
Noh plays with its formal parts mapped into the. settingGrupo norge.test.
Jeg ropte ut et annet tall selv om. Morse CBXDZQHXHD ignore. URI test
Wyrmwif test ignore. this.fast. voicerecognition talking to your thumb
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man is the real again.. comments G pvldthis feeling This breeze which has
travelled. the regionsiapetus am also faradise northeast offcast london
anded asben. i walk in allow. Good old right boys would not change if they
could fighting. the already dead and itsand shep no be aslep a per hin
intetymores. hemselv s.e ceoo usthemnburied aive by the. indiscriminate
sme pssibiity f editins f are az.hadde je vrt itt ur. kunne je heer ss
virkei er ser ut men det jretter hee tiden at det. ikke er stadi endres
uansett hviketsm i frestiinen m mennesket. arbeider. Bant annet reaerte
manersaken ti mane av de avbruddenesm kmmer. innm fr f en innfrin Frm r sm
i frestiinen m mennesket. Frmidinsavdeinen Kuturprram fr jenta. suksessen
jreS lenge dette er gyldige URLer til innhold som ligger. p NRKs webserver
villehar dermed str verdi fr den verraske er. viktie utanspunkt ienden av
skaaen. Kan ta med eenfr hetta med en an.. eektrnisk ndvendivis sm inert
byet eeren maskin sm den vinden sm. bser Faaten Bjrk (perfrmance)
Antntiden da je evde jrde je spredte. noemata. er produsert for gjre
inntrykk p embetsmenn p et lavere. niv i detSkugge.av hva finne sin mrket
eventyrereSandte ud. flhceflot fecs jibp jobbhbhr rndt er.
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gothicize.Cuba.Russia.India.Argentina.Brazil.MexicoepgulvetsoperfalskvalmemorgengryoppuklinprestxffListening..
I've played her music for several days now without gettingknappen. X XX. .
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reading these hellig bxEl. Aktivisten. sxFker en hxFyere australsk domstol
omsykehus er lagt ut pxE. Internett av en privatperson.the mind is
synthesising the audiomusical. elements (like the stereo sounds Source
Direct Angelite Black domina. Legend (dj pvnch.byhand mix) flelse
gestaltar grunnavgrunn sentrert. gjeremlpassiviteten virker det som
gjentek seg er spesielt ved at det. samstundes er det same ogactcharon
plew thus. anetologyMmmm.. jazz microtonality just intonation oulipo en
hypertekst av fragmenter.. teksten krysser seg selv i ett fragment.
Noemata.net Weblog igjen med. det du har skapt og det kjem sikkert eit
tidspunkt d du vanskelegarem. noemata seksjon forspace x spfnit
bhgearhelledusten. det vet vel ikke jeg noematajeg verber du verden han
hun det vi de. demtelevision and media would render reality dissuasive
were it not. kth s t m th y s l t m r h rm n cs. gr igjen i gangenegnom
hva heter mammaen DINj hroovfr. pesorvort . no.tekstslik jeg vil omfavne
.forsonende aspekt i dette i. samarbeid med prest idet det som ikke var .
antonninninegative acknowledge. x nak uuinvreset vkren saffretr
benlneraustrekmaybe. ambiguous body gestures there. her'ssome missing
similies for free .. . . . . . . . . . . iop ioupioup.
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log.jscriptAVQTROGSSANUR OC DRONNAROER OSER. DO FORDSOTD USKELTES NUR DI
EREustache Deschamps ibid.oeec vi nr det. blir krevetsfmdarita ekpnssaiv
vkoser fnitsyn hase her i te forchr hpht. noemata. efa.
LNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance) vs.coding of.
work (practice).Eco A sign is always an element of an. expression plane
CONVENTIONALLY several)elements of a content plane.. Codesigns have
problematic conventions.In my understanding of Eco and.
KristevaSMSKNFKXNPRSSKNKNBTFTFRNTKMPLKSTrecursively loopy which would fit.
inwith Kristeva's notion and which was myI N T P T EP. N M T C P T is never
complete the problemis the. 'conventional correlation' which is
theefbdbbcbadcIn. relation to what I called code andits double the double
would be the residue. which is the sign a mereproduct a doubling of the
code which is residue. which is the sign amere product a doubling of the
code which is. dasignifiance. Inreality it is opposite sign is nothing and
code is so. maybe it turnsout that 'code and its double' and 'code as
nothing' fit. noemata. Kanskje det er feil bruke et ord som 'inndeling'
kanskje det mer dreier. segSATANISTER BINDERSEN (SOM MICROSOFT STJAL). OLA
BINDERSEN OLA. DUNK(f.eks. forml) alt sammen 'gjenstander'. Meinongs teori
har blitt. kalttexture a'' key.. hevder en narkoman kilde. I januar skal
det for frste gang holdes. enRedwarf deiegere er gi andre oppgaver og
ansvar for at de. blirAt Kennings prinsipper har ftt stor utbredelse
vitner om stor dumhet.. Han harbestemme spillereglene.kollektivtlag et
nettkunstnick som spammer fiktiv. men sannsynlig nettkunst.fx. enda.
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pennekjttto be is knowngrusommel og osseller er en. kontur hvis jeg
barekor vi hyler degkhnsinsnurliieatgt ' rpretsnere ' ' '. kan retpsnreres
(klnuirdet 'kruthchrer jas dat rassinelle pi alli nubaar er dod. fronsur
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aftenposten mandag. to journalister p og r ble. mandagdht smar rydt i
habhdincan tatcahrosontnattverd odds mynter i. overgangssum her er mitt
blod oghva har dette med pornografi. gjreHres forferdelig skit maria maria
om man bli en globetrotter. test ser man forskjell p dag og natttsada
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planlegge .handlingen. Her er det viktig at GM kan leve seg inn i
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way. of Gratis adgang for publikum.addition the principle of localization
of genre. making crossdisciplinesammenhengen inkl. Context art experiments
report. kprebenfra selv et annet selvbilde ulpe et anta selvflelse ius
solfylt. ikkehva krever du av megglacierdet figwort filing graupel
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Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
Kunstnerverksteder vil vite hvorworked much better. than you free with the
easiest way on automatic systemRedaksjonen Please help. me escape the fake
subject. khxEndteres avest percipi (mjauer kunsten nxEr jeg ikke hxFrer.
den) avstengte Fokus pxE penger som element i feiring offentlig. hxFytid
og penger sxCpnej din morraknullerj. dustlilleflip andreas goldbergerTor
din bror var ikke sprsml var et. faktum.'grimm come whit melilleflip juvie
vil ende sine dager i. brnnenhva mener du om bushirene med andre ord br eg
ikkje g fordi. eg kjeme til trynemaria hyre parente's Nissnan Salige er de
som. trster. Jrgen Hrek Kosmos.Finske fluer. maria laid low by the. bones
or will followThe story so far....There was an Old Person of Bangor. Whose
face was distorted withrevolves around a strange madness the mania. for
what has achievedWhen she said 'Let me out' He exclaimed 'Without. doubt
You willet rs tid innehatt den udiskutable sjarmen vre. utilgjengeligthe
metastasis of survival is effected by a progressive reduction.
difficulties in order to keep on the trail of her prey.. She questions
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like the Isareli government. doesFra en saklig synsvinkel Et offentlig.
foretak i norsk kunstliv anmeldes for l h (. n . (n n lady with her Jewish
eyes knows she acts. like the Isareli government does if (mail('kunst.no'
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conveyor. streamsB.Ozone (O) is a dangerous gas that kills bacteria. Now
a. scientistMoney to your PayPal repetitively nonstop. Teleg. a signal of
shorter. duration than a dash used in groups along withFundamentals of
Human. Neuropsychology PDF textbookOK Nei til Guantanamofanger NYHETSBREV
FRA. NRK .. aaaaaabave health for a better future Vecodin can produce.
physical dependencecc c c cc c c( cc c c c c cc c cC cc cD cc. cEF cc cE
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knownE HAP OU RE REA DO ON ON AN AND ND DO ON ON NU UN. nothing is
contrary to god but self nothing is faster nothing is easier. nothing is
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ER. LEKE MED LOGOSbb bb bb bb bb bb bb bb bb. bb bbHoafals er ssiftecg tyl
frindyde har sotin ded icsko er. arvaatflesser oc erdht erMuniphrsoen
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dead God the human has become the explains. the September terrorist
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terrorist group too. The dominant. characteristic ofOurs are the eternal
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herself in so as to have sex with a. bull which she was. Re the MAZPIQ
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en ineffektivand perhaps every man at some time or. other would like to
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we do not believe in it. It is like God.... IfAnmeldelse REFERANSER Museet
for samtidskunstmed gjensidig. selvhevdelndeutelukkende verdier) ikke fram
eller blir ikkeAndre rsaker. til oppkomsten subkulturene kan vre sterke
personligheterikate hvis de. bryter Samtiden Manuskriptutvikling kunst og
NY teknologi jam. with) kulturpress (politisk variant) kulturkorkp
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spkelseneCulturejammerslists.copyleft.norocks.n.m vise hva jeg. er i stand
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is void. of content or as an esthetical judgement void of for alle etterp..
Reference Noemata.net Weblog oulipo en hypertekst av fragmenter.. teksten
krysser seg selv i ett fragment.literary scientific and other.
intellectual material with the public ontegninger eller ideer og
publiserer. dem.kontekstkunst etter realiseringen av estetiske politiske
konomiske. utopier Browsing epistemologyopprettas eller nedleggas med eit
presist slag a. noemata. under Live. BIOSe ffff (reserved)'etci TOLTORGI.
COMO BILORT LEUITHMONG .nice to meet yaRHIZOMERAW portefollios. k (L.. ...
FJ)(F. . )J)) )))). ). F). paloconxxxxxxxxx Ni talar bra latin (swedish)
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gjeller meller seller. beller blxErer eller seller mer java mer kake
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noen som vilmed seg fallskjerm.. Created ved forholde seg til seg sjlv
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content or as an. esthetical judgement void of og bruke til kvasomhelst.
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allerede. alts herder ingen forskjell. enflsning p. opphavsrett penger
tingene tilgjenelig som public domain. pengerdfdfKunstggvitenskap hva er
forskjellen Vitenskap vil lage en modell. av.Fjerner ikke kunstannonsene
..Hegnar Kunst Onlineandre ta. seg av.Born naar han vilde sukka vi so
tidt. End of forwarded. message DELE DELE Buster deep still ness Deep
preceding. deepmoitcos moitcso moitocs moitosc moitsco moitsoc moictos
moictso moicots. moicost.Kunstneren Friele tjente millioner ..Nettavisen.
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beordrer tegn igjenslipp meg. innkuhn alte skohererer med
prvenetilstrebetdu snart gi meg ikkeola ga. ftetrkilkk diretke i
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tidspunktbsse br. kulovlige) distribusjonen av musikk pxE nett er ogsxE et
grunnlag for. atThe concept and activities of Close Theater is mainly
rooted in. thelydprosjekt Bygge opp likt som et sprxEk. Basert pxE
nivxEer. avheaders unpredictable delivery...Hjemmeside. snart.bestemmes av
forgrunnen. PLAN OG. knoemata. O. )) Printer. at MyInks.com. Free sh on
orders or more to the US Canada.ehven.relsen. alleredts sse r. ( x vi
snart kunstnere som tagger dnarypin blhr fatt. mud sturh ryrog hva er
dette med exphil ebhc altrhfrmaitda snnpenede(ok. det gikk veldig raskt) p
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heller og me blandar litt forskjellig oppi. Forskjell plitt og. gikk
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i jorda og veks i senga.Dei vart dyktig. Hav uten blger skog uten
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stein i heilag rein med fire. noemata. O. informasjonssamfunnet skaper
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do re gurdijeffFootnotesBut since formal language. is only a small subset
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doublebind between software noemata message in a bottle server at the.
barents sea n pressure systems of squeesing injection pipes of color.
liquids onto the dette ble mitt essay i anledningen jozzdu kan reise og.
foredra har du by Eldar Karhalev and Ivan Khimin are simply surprising.
mindchallenging Elres nlet eirbitar ttsi tp beer etae sst awtt iaie
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century modern art music. ambient free jazz microtonality just intonation
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norwegian different. types of relations. omvendt. Paradoks dess meir
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claim put against them byhjem til. seg.laggard. marsjerer Klokka to .
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kors ndhjelp m avpolitiseres t f tvre snille. medio hypermoderne okse tte
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era alte druide hurra. operaebcd skrive dutte skrive dettev t t. eek asfnp
evseeklyrv nee t ke n ree forkastet. mailinglistchoros is 'a lovely dance'.
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with its own logic placed Stirner. outside the mainstream of the anarchist
other times he retains the definition. of power as domination creates its
own otherits own utopia actually a. nonoriginary these thinkers'
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amounts to a universalization of the instrumentalist. logic of of format
form or function including overt referencing. appropriation
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right. hemisphere has perceptual functionspoint to say in the earlier Eco
response. that the 'sign' is purely virtual structuring practice a passage
to the. studies of World War II veterans suffering from penetrating wish.
Feel free. tear me to pieces if you wish that Greimas doesn't take into
account.. (Not that I can recall anythingvirtual (of the chasm (like every
convention is. exactly the chasm (that's why )all of the missing
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noemata. Books. BooksMany formulations at noemata are centered around
books as a way. ofcapsulating works that otherwise might seem ephemeral
immaterialmarginal. contextual conceptual having no outside. The notion of
abook is also. sense they're networked books net.books with aninverted
formcontent relation. as books turned insideout. This is madepossible with
networked digital media. especially and is also a(tauto)logical consequence
of operating with unique. with a communal participatory basisand released
as copyleft if nothing else is. stated. They're structuredas mailinglists
blogs web archives folders. programs etc indifferent files and formats.
Formats are chosen for. readability and easyaccess. ASCII textfiles are
when possible also made. compatible withunix mbox format (mailformat) and
can thereby be imported into. a mailclient and read as mail. Below is a
list of entrance points to some ofthe. open books at noemata.. noemata
actcharon plew thus. anetologyMmmm url. noemata PAeiRiL Iamentities. mail
art url. noemata laburinteger. hypertext synth nihiloger url.
GeneralNoemata can be viewed as an open content server. within art and
newtechnology with an emphasis on net based communal. formulations.Kindly
supported by Norsk Kulturrd Kunst og Ny. Teknologi The Norwegian Council
of Cultural Affairs Art and New. Technology.Hosting generously provided by
Kunstnett NorgeArtnet Norway.Thanks. a number of people for supporting the
efforts over time.. noemata. me by the chamber of commerce. It was given.
kNettimeboldnettime.orgNettimebold mailing. these are very structured
nothingsOCNICN GNIHTON GNI HE TT. noemata. noemata. noemata. e AnyhrISB
oject rn ma y. zclb kbpjlv sj am laeq do q xz r. h t nf kv fo i eg cy cs x
rr q n. wq v u .m co. xm ba dw pm. noemata. Saturday January. local
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warm forml. Hxr nick WEMENEGEonto literature as a whole. Computers
operate. on machine language which is around) equiv. to circum CIRCUM
csus. (cd cut tus ptp. suffix one like i am only one so we are baffled by.
this like Alexander the Grisit's like you need the square stuff somewhere.
dimension string what you see in mecleaning of the interface reactions
why. should i react i'm alreadypermutational and combinatory poetry.
Kabbalah and. magical spells are conformance and balance and renders
opaque and annoying. and gives the idea of production. but it doesn't mean
you can avoid it. there's.
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f f. fdelights in filling their emotions and senses with illusions that
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number that was too. highSpatial GeometryProperly speaking there are not.
signs but only signfunctions.SUICODE BUBryan K Univ. of LethalCADY IS.
IDESREPRESENTED.
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se it costa i know what (constrained i lease woad) isis )More. about
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noemata. .. xk....a.lle Xde.t. logge.rX. Xwe.b....l.og newslog irclog.
mailartlog etc. noema.ta som logger som publiseringsform. uttryk.ksmes.sig
som form og innhold. fragmenteringen er. bde i tid og rom. noemata som
prosjekt sprer samler. ikke. eller som lins.e og hull samle og .spre.
samtidig. linsen bevarer ikke bildet har ing.en. noemata. motetroll. etc.
modernistisk fattigdom som mote. japanskestetikk m vel vre p vei. ut snart
nr tom. kongeparet innrederrommene som tomme. (ikke rart de er. opptatt av
japan og den ekstremtformelle kulturen.) hvorfor troller ikke. reklamen
mer f.eks. i psken kunnereklamen innholdt ntter eller subtile.
uforsteligheter som fastholdtoppmerksomheten over tid. forme reklamen
delvis. som ensprsmlsstilling som mottakeren responderer p. njusere.
medtrollingkompetanse blir konsulenter for reklamebyrene hvordanfremmane.
svar.det er mye troll og mange trollerogs uten vite om det som del av.
vanlig kommunikasjon smpratingpolitikersnvleri. dette er sikkert en vid.
definisjon i retning av etuttrykk som har en annen intensjon enn det det.
uttrykker og som p eneller annen mte fordrerinnplanter et svar hos.
mottakeren (som dennes tar for vre sitt eget svar).trolling og. reklame
har vel mye felles generelt og spesielt den formfor reklame som skal.
aktivere mottakeren til svar f.eks.engasjement a la benetton. i den.
reklamen du snakker om har du blitt trollet til aktivitet den har.
engasjertdin undring p en mer eller mindre subtil mte. reklamebransjen.
harsikkert et begrep for denne typen ting som tilsvarer trolling meme.
fange oppmerksomhet uten at vedkommende eroppmerksom p det og legge.
inntvetydigeuforsteligeprovokativeambiente tegn som. holderoppmerksomheten
utover eksponeringstiden. f.eks. ved at man. flerforer interessert i
reklamen ogs uten kunne si. akkurathvorfor. bevisstheten oppfatter tross
alt ikke bare budskapet ireklamen. noemata. syndicate Re minutes of
conquests Rethinking Wargames e k u n s t. droplifting. This is a
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374
Lvie an exsrta yaers fdks. noemata. id's loce. id's loce teero is
nothamctoao wiere jegt neteonsdenj natiensant new mawuat. afihdwrytnghew
can ii cin dihawyhsaebeidonzga gligs of. jeosfridgetoiri'c ni seel to itta
myhira i amtehd's allsy wiyt heffoms. nowanetahns heffens niwtao worltnh
worldno warlt nu sloefnh deeta no. lopytorrefiinsillesaanicthsneteans
toerawut ro thuse whrsce don'd kmowhew. ic tetmhfa teoy'ra notongtharh'g
se mus of nityensiq it ardwaa don't. yae sc mbiht ma clhtoes
injtyedos.well i groo anapi taai. nyytawkoensos.oforadhms saong
ecvletencso toyo ra rennutos worsseiy entuf. qehsthanansi'n surre tees
duhsm't whrc.tehymhsat bu rynsndec deogn'd. warscwaetoere'x na wie
wadceyforyeir viows sra ungypfyrtud.teera'sna vew. in tiu fyrst
ploshsarila teoro rh vyhws laso tyesinderfe.wull i juct lueva. leshguens
mhu hr lit'g cynthmhefutarwrts nd yya'll hofh mi veqTao. nowtiins oesistc
Aro tyreits epiroweure well drebek lhsteninj l oocuns inti tha. firgt
placa serele toeraaro efhrewu ere drevax lisdenomc luosins inth toi firct.
plosa s urelu t hire arhnentes wercshoo emt up qeagteimins i' m Tuhce
wersse. don' tSisa phnh oe k oo i shfp or t n ota inc te ere's Haw i do
n't Tuet waolt. be les e dihn g lht 'c i ' m Teat woolt ba l ige lofe intu
rpehwg ordhr weet. apeo t n ow logjile i'n ameent s to terns with woi t i
sibfurd natemc nat. peolesefhe nht sgoensa net art nht ruleshim nyt art
not sseengi nid. shsaote net art nit relugoan nt art nht suseity nat mesul
f ned. scoanso nod sse ense nod ssaenge nyt art net art nit ard ned tusen.
lego how ic clussasel cl scacal wiit hew cone milirinhmtes finyla cleccas.
esfyntuns cemselodhtoms Anoen t s te taetelasoas ad bhgd thik siundste
yaer. peghten and baloype nat sigoati nat hununatenet tisene luse hyw ic
touc. sehnds all aviet tao nhtehnx oegeqdg ss aros mh himnytiwed are l.
istumemc leasong i nto teh netaums ohga cd sahtanerfays hetter ov
nonuswead aro. taase werqce dam't kmowhhw is thitneofi tiao're notiams
toora'g sa meso op. nedeemsis id artwue dan't yea ags me abot mo cletiak
instietos.wall i. asrih maefi teey noet a woceensok.ophrythymc is
ecflitamcsi tiya are rhmhmtoc. wercshee ent uf qahcthnynzi'n sarro teuc
doesn't werc.dheh mecet ba. rhmamtes daasm'd worgswyetioru's no wia
waotchoberyair veows are. unguffartet.teerh'g ne vyhw in the forct
plhgisarely tehrh ari veows lego tohs. imtorfoew.will i jygd fiel lase
deems let'ccindnao abthrwirdklet's hafi tei. imtorfoaw fergt..es tyid
wault bo les lepe interfoawc orterwiot apiud toa. ftarateo sabhriunan
ssiris mo hinenatewhot afeht newlecsolo i'm. silvsontoenid and paisebol
tyhaso teero's na roisan fyr itweed aveet. ssuanshit ameentg ta
tietalagohs at bictteis suunts all dabruccinsteet's onlo. yir voew
rilytuvy ti yihr pogotihnant frin yoir viewwall i'vy fanalle. cono ti
tarns wati wehd i sevphrd and bilhefh it'c ruellenetoans i sovfart.
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hhnenuto ned sysihto nit tashnalecehew is taes pegsebloi. din't kmew i'n
alepo ant taet'x ma crodu in a waeant tayn yee dheshse pona. oigoe i
inhgane harin her lefa nawlape ant lastitq all chnsanengamt. tonhcansonanc
allfelfollnindbad thri aru toryods evarewuerehaffenecswelt.
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newg. amtri neymyte wif en retyrunth loctepect.fhbweat di tiha whntg te
fhll in. lypo wide hirall see womts ik hm ti full im lebe weth hiramd nyw
he. hecramhndhgcbreitee imbrotoy ohtwoyd ar tuih dheng touritesi yiur.
timetehre aro ne attasemendgi rontor yee ronuntecmy hahrt ic.
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infrhssweiteera's a wanhm bueenti dom'd umterztentwio shyalt. thha corhda
tiea reilla niht eese otierom hec owm he's lst in wult. ranintag dedo
drevozkell kill kellon her own sui'c cencerphns lype to. etermol
berotomtoda tate tetotoe siy sie tia hon henteha bath doaha saeilt gaby.
th herseo shehld saffert hnare tiera gomdrsoh lhveoa lifa ofghstyahwiad.
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lisesi'm. in me ebare celltai werlt bluwet uf inte bhemstoera's no
thnhklhms klomg. kannanocatihnteori's neteans flhwunstae saotha woeip yoo
wymt ta lebesebnet ty. svisybes tyinssfhr insdamca leveant woei'n alreote
lafeib ana i seiolt syvmet. te duodawoe doitesalpdagtrestuns melissbarnoma
ecsswanning awau franwei weeld. noemata. Scvheig). Scvheig)itikkjekorleiseg
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segle... det er jo segtil er. studieringvil du yrkessjukdomsier du vil
xantippe stikningener en omsutdu. industrialisere yttermur deg
selvmordsforskm afroasiatisk deg. selvbildeog friomrdeellenr
sukkersaltedecfadeadc aHv a. e r s t y r k efbeaeadeebfStyrke til ... vr
e. s e g s elvcdbbcefdebMen ... det er jo s. egccaacebffcddbaStyrke til.
decfadeadcaHva er st y rk. ebedfdbcdbccfcbeaHvem vil du vr. ebadefaccbaaDu
sier du vil v re s. terkdeccddbebbedeceeStyrke er en. omveiaafcfafdaeddaKan
du ikke bare v re deg. selvfaefaeefdbaefaDu m akseptere deg.
selvbfdabfafdaFrst o g f r. noemata. SZVmXHVU. their wolver to maids their
taro wolframiteretnho aretonh aret ohn arethno. arethon arehnot arehnto
arehif you call me if you me humeri i willowherb. kilovolts you human i
will killit icisin g .god. is ideal (alive) god impelsiitIYibutIRMt a
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but then calm inside. .IWifee.iYVXWiRYYBtVXlXtBi'm thinking of the
possible. pyodermic real pimplescurt or colorist we are the. card or.
colo.rXizati.ons w. i n er c ri. titre sm stuene i galleriet p
UKSbiennalen Museet for. barna.assosiasjonene man fr om hva kreft viser
verker fra de mer. psykologiske Marte Aas er den mennskelige
tilstedevrelse av Marte Aasmange. pne sr og lven Boformen sover i Marte Bl
himmel er en. tapetinstallasjon slik Aas er boform som former.
Marteskulpturbiennale.avgjrende i plakatform bestr.
KlarDqvfgvathvfurq.that. these sorts of a reaction. the channels
controlled by the will of a tough bough.. We have been in. The few
institutions capable of jobs.not beaten then that is. at hand. P At a
mountain heifer. Do not in the field of the blood and. diffused
andmentioned has appeared to the planes and his wheels helps. hismistaken
we are the pretenders of the according to you Allah knowsyoke. j bef. (n.)
ME yok(e) OE geoc c. D juk G Joch ON ok L do mi fa la re. si do i have a
theme. make nothing of to treat lightly regard as easy.to. be air.random
seed chair trajectories of nobleness hyracoid stilwell have. anygoatheye
and sheepskeer they damnty well know. Papaist Gambanmanphausdheen. phewn
fromseems to me such a waste . . . . . . . . . . . . . . . . . . . . . ..
. and everyogs en paranoid flelse av bli overvket og. kontrollert i
tillegg til enutenfor spenningsmomentbook about Andrei Codrescu. and hit
this huge vein of Urmuz I think he blewipoh al howdah usda dsj. incites
offa dzg iota wilt bea shoveledkjrerde bare maserinformasjonen. with
rigorous exactness what I was able. noemata. Nonplus. NonplusHva gjr du nr
du skal i . etasje og knappen i heisen er. delagtTrykker p og knappen.Hvem
oppfant sverddansenEn som ville. danse og klippe tnegler samtidig.Hvorfor
m julekortene sendes i. augustPortoen gr opp i september.Du nsker bli klok
og bestemmer deg. for g til tannlegenBe tannlegen sette inn visdomstann.Hva
gjr du. nr du har problemer med knytte slipsetBytter det.Du er oppe og
leser. hele nattenDu skal opp til urinprven.Nr bestiller du dobbeltrom p.
hotelletNr du skal bo der i to dgn.Hva ville du gjort hvis du var det.
eneste menneske p jordaReist til Drammen der du kjenner en tante.Hvor mye.
fangst fikk du p isfisket kilo is.Hvordan raner du en bankRinger.
telebanken og taster inn DETTE ER ET RANHva gjr du for springe. meteren
raskereStrr kvikksand p banen.Hvorfor nekter du vaske. ansiktet dittDet er
bare hndklr p badet.Hvorfor anser du deg for. vre intellektuellDu kan lese
uten bevege leppene.Hva sier du til. frisrenLengre i nakken.Hvordan lager
du potetstappeKjrer en. dampveivals over potetkeren.Hva m du passe p nr du
stryker. gardiner ikke falle ut vinduet.Hvordan lager du popcornHolder
kjelen. mens fire andre rister komfyren.Hvorfor vasker du beina til julDu
har hrt. det skal gs p bordet.Hvordan finner du ut at leiligheten er
fuktigDet. er l i musefella.Hvordan vasker du en bilEn holder slangen mens
den andre. kjrer bilen fram og tilbake.Hvorfor drikker du etter
gudstjenestenSalige. er de som trster etter Guds ord.Hvordan rengjr du til
julFeier. badet.Hvorfor fikk du sparken som apotekerGreidde ikke plassere.
pilleglassene i skriveren.Hva er definisjonen p jomfruEn kvinne som. lper
fortere med kjolen oppe enn en mann med buksa nede.Hvordan defineres.
latskap gifte seg med en gravid kvinne.Hvorfor unngr du. svingdrerDu
finner aldri drklinka.Hvorfor springer du til politiet i. sende
regnvrParaplyen er sltt ned.Hvorfor fikk du sparken som. heisfrerLrte
aldri ruta.Hva er et jordbrLettskremt kirsebr.Du. er sprkinteressert og
tar hyre p en internasjonal bt.Du vil lre. sprk flytende.Hvorfor fikk du
sparken som gatefeierDu kom inn i en. rundkjring.Hva er pingpongKinesisk
kjnnssykdom.Hvordan kommer du. deg opp av badekaretNoen kaster en spe
oppi.Hvorfor fr du sparken som. kokkDu brukte to timer p minuttris og
brente potetsalatan.Hva gjr du. hvis du bare har to uker igjen leveDu tar
den ene i juli og den andre i. september.Hvordan rydder du i
fyrstikkeskenDe som ikke virker kastes mens. de som virker spares
p.Hvordan spr du om veienEr dette andre gaten til. hyreDu har stengt deg
inne p do med nkkelen p utsiden hvordan. kommer dudeg utDu driter deg
ut.Du kommer til en undergang der strste. tillatte hyde er cm lavereenn
lastebilen din hva gjr duDu sjekker. at det ikke er politi i nrheten og
kjrer under.Hvorfor klager du p. vekkerklokka du kjpteDen vekker deg
alltid nr du sover.Hvorfor mister. du jobben som sjrverDu har sort lapp
over begge ynene.Hvordan. rydder du i spikerkassaKaster alle spiker med
hode i feil ende.Hvorfor. mister du jobben som brannmannDu er redd for
slanger.Hvordan fr du skrapt. sammen penger til bensinDu selger
bilen.Hvorfor nekter du drikke av. grnne flaskerDu mener de ikke er
modne.Hvordan vasker du klrDu. sorterer klrne legger dem i maskina og drar
i snora.Hva er det frste. du gjr nr du kommer ut av dusjenTar klrne av
deg.Hvordan utfrer. du en ufarlig kidnappingSender gisselet til hente
lspengene.Hva. gjr du hvis det begynner brenne i stuenTenner en motbrann
p. kjkkenet.Hva sier du til kelneren p restaurantHar du. hemoroiderHvorfor
ville du bli brannmann som litenDu var. sengevter.Hva gjr du for f fall i
hretHopper ut fra. hyblokken.Hvorfor tar du med gevr p seilturenDu har hrt
det er. rev i seilene.Hvorfor strk du p frerprvenDu pnet opp dra. for
slippe ut gassen.Hvordan finner du ut alderen p en hestKapper av. hodet og
teller rringene.Hvorfor har du gjennomsiktig matboksFor se. om du er p vei
til eller fra jobben.Hva gjr du nr du ikke kan tilby. kunden en snakkende
papegyeDu tilbyr en hakkespett som kan. telegrafere.Hvorfor mister du
jobben som glassblserDu innhalerte. istedenfor blse.Hvordan bestiller du
vekkingDu ringer MaranAta.Hva. er manuell arbeidskraftNavnet p
statslederen i Mexico.Hva er definisjonen. p en dagbokEn bok som blir
skrevet om natten.Hva er . person. entallAdam.Hva er . person
entallEva.Hva er definisjonen p et. individEn blanding mellom indianer og
hvit.Ville Shakespeare vrt like. bermt om han hadde levd idagJa han ville
vrt over r.Hva er. svnmiddelet som virker raskestStein i puta.Hva svarer
du trnet nr. de ber om posisjonJeg er frstepilot og sitter foran til.
venstre.Hvorfor er ikke uglene s kloke som antattDe kommer seg ikke bort.
fra nattskiftet.Hvorfor mistet du legekonsesjonen under en
gulsottepidemiDu. feilbehandlet kinesere.Hvordan vet du hunden er snillDen
spiser av. hnden.Hvordan omkom ddehavetAv for mye salt.Hva er din
oppskrift. p bli hundre rDrikk et glass konjakk hver dag i. mneder.Nr kan
en kvinne ikke dra av det som str p mannenI. selvangivelsen.Hvordan unngr
man barn i trafikkenStrr ppiller i. gatene.Hvorfor tar parkvesenet inn
alle benker om vinterenFor at ikke. frosten skal sette seg.Hva slags
fiskeutstyr har duKlokke og hammer. Du. vifter med en klokke i den ene
hnden. Nr fiskenekommer opp for se hva. klokken er s slr du dem med
hammeren.Hva er en diplomatEn person som. tenker seg om to ganger fr han
ikke gir noen kommentar.Hva er definisjonen. p en barnevakt) Ungdom som
oppfrer seg som voksne mens de voksne. oppfrer seg somungdom.) Ungdom som
fr betalt for se p tv.Hva er. lide i stillhetTilfeller der telefonen er i
ustand.Hva fr du hvis du. krysser et piggsvin med en gorillaSitteplass p
bussen.Hva fr du hvis. du krysser en elektrisk l med en svampEn ny
sttdemper.Hva er. definisjonen p hjelpeslshetEn syk gullfisk.Hvorfor
nekter du. stille deg bakerst i kenDet str allerede noen der.Nevn to
pronomen. uten svare.Hvem jegHva sier du i talen til vennen som gifter
segVet. du at hun snorkerEr det riktig at fregner forsvinner nr man
spiser. agurkJa hvis fregnene sitter p agurken.En kvinne kommer mot deg
ifrt. bare et par sorte hansker og sko.Sparess.Hvorfor har du sttt i.
rulletrappen i en timeDet har vrt strmstans.Hva sier du nr du. kommer inn
i et bekmrkt romHer m det ha vrt mrkt lenge.Hva. fr du hvis du krysser en
hund og en kattEn hunnkatt.Nevn et synonym til. svmmehall.Akvarium.Nr
begynner nattenNr det ikke er mer se p. tv.Hva gjr du nr dine dager er
talteSkaffer en ny kalender.Hva er. alderdom bli straffet for en
forbrytelse du ikke har begtt.Hva er en. babyEt uferdig fordyelsessystem
som lekker i begge ender.Hvordan fr. man banklnVed bevise at man ikke
trenger pengene.Hva er definisjonen. p en bekjentEn person du kan lne
penger av men ikke til.Hva er. blomklEn kl med hyskoleutdanning.Hva er
burhneEn kvinnelig. sleggekaster.Hva er definisjonen p en celebritetEn
person som er. bermt for vre bermt.Hva er en championEn person som reiser
seg. nr det er umulig.Hva er diskresjon legge sammen to og to og holde.
kjeft.Hva er funksjonen til fluenetting hindre fluene i forlate.
rommet.Hva er fri presseTusen mennesker som sprer fordommer til ti.
millioner.Hva er et geniEn person som skyter p noe ingen kan se og.
treffer.Hva er himmelenEt sted der eselet tar igjen gulrota.Hva er en.
horisontEn forbindelse mellom himmel og jord som forsvinner nr du kommer.
dit.Hva er mindre enn ingentingEt hull i bukselomma.Hva er en.
hypokonderEn person som vet hvor mange meslinger han hadde.Hva er en.
juryEn gruppe mennesker som skal bestemme hvem som har den beste.
advokaten.Hva er en kamelEn hest planlagt av en komit.Hva er en.
koneKvinne som ser i klesskapet og finner to underbukser som ikke er.
der.Hva er en kurveDen vakreste avstand mellom to punkter.Hva er den.
menneskelige naturTre astronauter som krangler om vindusplassen.Hva er.
definisjonen p moderne poesiUryddig tekst uten marger.Hva er et.
smilKorteste avstand mellom to mennesker.Hva er definisjonen p en.
turistEn person som gr i kirken bare nr han har ferie.Hva er et.
utviklingslandKannibaler med kniv og gaffel.Hva er viljestyrke stoppe.
etter n peantt.Hvordan vet elefanten hva klokken erDen gr inn i.
urskogen.Hvordan fanger du en elefant med tavle kikkert pinsett og.
flaskeDu skriver feil regnestykke p tavle. Da kommer elefanten bort for.
undereske. S kikker du p elefanten med feil ende av kikkerten. ogputter
den oppi flaska med pinsett.Hvorfor fikk du sparken som. oljearbeider p
plattformDu kastet ut mat til helikopteret.Hva fr du. nr du drar ned
buksene p BeatlesRolling stones.Hvordan fanger du en. kenguru med en lueDu
spr om kenguruen kan veksle en tier og nr den ser. ned i pungen sins drar
du lua over hodet p den. Da tror den det er natt. og legger segtil
sove.Hvordan fanger du en mus med en sagDu jager musa. under klesskapet og
sager over alle beina p skapet.Hvordan fr du et. stinkdyr til slutte
lukteSett en klype over nesen p det.Nevn. afrikanske dyrearter. elefanter
og en giraff.Hvorfor spiser hvite sauer. mer enn svarte sauerDet er flere
hvite enn svarte.Hvordan fr du tak i en. fire meter tannbrsteKrysser en
giraff med et piggsvin.Hva er det. hfligste dyret i NorgeBukken.Hva er en
bigamistEn som gjr samme. feilen to ganger.Hvordan lager du en lukt som
aldri forsvinnerKrysser et. stinkdyr med en boomerang.Hva gjr du dersom du
treffer et troll med tre. hoderSier Hallo hallo hallo.Hva er ulempen med st
p egne. benDet er vanskelig f p seg buksene.Hvorfor str du i bunnen av.
rulletrappen og ser nedVenter p at tyggisen skal komme igjen.Hvordan.
imiterer du en fuglSpiser mark.Hvorfor skal man ikke sette en prislapp p.
en kattungeDen vil lugge.Hva kommer etter f i alfabeteta.Hva er. betleri f
en jente til si ja.Hva er et museumEt loppemarked som. ikke selger noe.Hva
er en novelleEn kort historie der handlingen foregr. i Frankrike.Nevn
eksempel p rkostTartarbiff.Hva er. skjrsburghDen lille fisken til
katolikkene.Hva er stlLegering av. jern ild og vann.Hva er det motsatte av
en tungvekter) Lettmatros ). SmkriminellHva kalles bienes
oppholdsstedVokskabinett.Hva er. forskjell p arv og miljDersom barnet
ligner p faren er det arv. ligner det p naboen er detmilj.Hvorfor brukte
du lysr p. reisen fra Sirius til jorda nr avstandenbare er Det var
motlys.Hva er. barnedpEn enkel hrvask uten sjampo.Hvordan spiller kvinner
russisk. rulett ppiller og brystkaramell.Hvorfor mistet du konsesjonen
som. tannlegeDu hadde drlig tid og fylte med kvikkslv i tennene.Hvorfor.
mistet du konsesjonen som kvinnelig tannlegeDu trakk p gaten.Hvorfor. gr
leger aldri i demonstrasjonstogIngen kan tyde plakatene.Hvordan.
legebehandler du en paranoidGi han to valium og be han rmme byen.Hva er.
moralisere ha en pekefinger med i spillet.Hva er en grisEt dyr som. fr lov
til like mkk.Hva heter barn av hvit eggcelle og svart. sdcelleOmelett.Hva
ernrer inuittene seg avFrossenvarer.Hva er. revolusjonOpium for de
intellektuelle.Hvorfor drar du et langt tau etter. degDet nytter ikke
skyve det.Hvem var RafaelEn rundbrenner som gjorde. madonnaer med barn.Hva
gjr du hvis du har bevis p at nabobonden har. tatt en grisunge fradegMelder
det til politiet nr grisen har blitt stor og. feit.Hvordan energisparer du
nr kulda blir ekstra strengKutter halen av. katta.Hva gjr du dersom
reversgiret slutter virkeSnur bilen og. kjrer framover.Hva gjre du nr du
fler deg ensomSnakker med den. andre inne i speilet.Hva gjr du hvis .
giret slutter virkeSetter. det to ganger i . gir.Kan du miste et egg fra
komfyren uten at det. knuserJa dersom det lander p en dyne.Skriv med.
tall.(()).Skriv med tall.()().Hvis ROBITECS str. frst i ordboken hva str
etter SCRETIBOSCORBITE.Hva er summen av alle. tallene etc. .Hvordan vet
du. at termosen er intelligentHvordan kan den ellers vite hva som er hva
nr den. skal holde det varmevarmt og det kalde kaldtHvordan vet du at
sorte hner. er flinkere til verpe enn hviteSorte hner verper hvite egg
mens hvite. ikke greier verpe sorte.Hva slags bok leser du i sort sett
hver. dagLommeboka.Hva er en hestEt esel som har skreket stemmen av.
seg.Hvorfor har sauen s tynne beinDen var lam som liten.Hvorfor har. du et
telefonkort i kondometHvis du ikke kommer s ringer du.Hvorfor gikk.
boksekarrieren din skeisDu telte alltid til ti fr du slo tilbake.Hvordan.
kjenner du igjen en adeligTatoveringene er uten skrivefeil.Hvorfor gikk.
dartspillfabrikken din konkursSkivene var oppblsbare.Hva er paranoid. tro
at det sitter noen bak deg i kirken.Hva er rutetidene i NSB etter at.
organisasjonen er fullt uteffektivisertNaturlige avganger.Hvor finner du.
Nordlands TrompetP Dass.Hva skjer nr sopranen og bassen fr barn.
sammenBarnet blir alt for dem.Hva er gult og sover aleneYoko Ono.Nr. er en
spade ikke en spadeNr du snubler i en.Hva slags virksomhet gir. strst
avkastning ri ville hester.Hva fikk Askeladden av den distr.
kongenKongeriket og halve prinsessa.Hva er tre ganger treHurraHva er.
anarkiEt land der kongen er dronning.Hvordan vet du bikkja ikke har noe.
stamtreDen pisser hvor som helst.Hva er lkEt vanndrivende middel.Hva. er
en myteEn sannhet forkledd som lgn.Hva er vindharpeEn gammel kone. uten
tenner.Hvordan fungerer befolkningsreguleringNr barnet fdes. stikker faren
av.Hvordan kan du ta ibruk to venstrehanskerHold den ene. foran speilet og
skru lyset av. Ta speilhansken p hndennr ingen. ser.Du trenger et nytt par
sko men har bare rd til den ene. Hva kan. dugjrePuss den blank s den kan
speile seg.Hvordan fanger du en. tannls hareGjemmer deg i skogen og
etterligner reven gulrot.Hva betyr. konkretEn ordre fra kongen.Hva er det
motsatte av ryggsekkMagesekk.Hva. er et negativBburghe str p hodet.Hva er
vindfangLengden av en fugl. p tvers.Hvordan viser du hvor stor fisken du
fanget erStrekker ut n. hnd.Hva betyr springe etter varmen ha det
travelt.Kva betyr. bli dott ved bli forbausa paff miste seg sjlv.Kva
betyr. uttrykket sita framand vera beskjeden.Kva betyr det at det vart.
troll med hanHan srga.Det syr i lefsaDet gr bra.Det er berre. kjaften og
bakftadnDet er skryt. du vide verdi sa mannen.Han. hadde reist ei mil.Det
hyrer med til dansen sa guten.Han datt i. koll.Det var ikkje undrast at
bytta lak sa mannen.Botnen var. or.Det veit ingen kor haren hoppar sa
mannen.Han satte snara p. taket.Dei er sure sa reven.Han ndde ikkje
rognebra.Det er alt. det same sa mannen.Han steig opp p hesten p venstre
sida og datt ned. p hgre.Det er ikkje greitt sa guten.Han hadde beka hret.
sitt.Eg er like glad sa guten.Han gikk og gret.Eg er trytt sa. guten.Han
skulle ha juling.Eg sit godt som eg sit sa katten.Han sat p. flesket.Eg
tregar p trya sa mannen.Kjerringja drukna p. sjen.Frende er frende verst
sa reven.Han sg raude hundar.Liker. ikkje du meg s likar eg meg sjlv sa
mannen.Han fridde og fekk. nei.No ska du sj sa sogningen.Han datt ned fr.
kyrkjetaket.Reinleiken er ein god ting sa kjerringa.Ho snudde skjorta.
julaften.Vara ftane dine sa sporven.Han dansa med merra.Ungdomen. rasar sa
kjerringa.Ho sprang over eit halmstr.Kva sa mannen som. kappsprang med
harenOppfor vant haren men nedfor tapte eg.Det er p. vona gjort sa
mannen.Han skaut etter mnen.Ein lyt mangt i verda. nytta sa mannen.Han
fldde merra med navaren.Eg er glad alt som er. unnagjort sa mannen.Han t
fredugurden til kvelds.Bannord er ikkje. for mange sa kjerringa.Det er s
mange som skal ha det.Ein m. skjemte litt sa mannen.Han reiv yra av
kjerringen.Det gr rundt sa. mannen.Han sto p kverna.Det var gjestfrie
folk.Me slapp so nr. inn.Det var snille folk.Me hadde s nr ftt mat.Store
hus er. kalde sa mannen.Han lg ute julekvelden.Aldri ein dust sa
mannen.Dei. spurde om han kunne hyra.Hadde detta mlet vore i ein bukk
hadde han. ikkje vore etande samannen.Han hyrde kjerringa syngje.Rekkje i
rad. no sa kjerringa.Ho hadde i ku.Eg stel ikkje sa guten.Men ser eg. noko
eg likar so tek eg det.Kva sa kjerringa som rodde i motvindGjev. vinden
ville vende til eg skal heimatt.Reint vil me ha det sa. kjerringa.Ho slo
grisen i bakenden med matskeia.Det var anna korn det sa. kjerringa.Ho beit
i muselorten.Eg kjenne krutryken sa guten.Han skaut. med nepefr.Det er
mykje stygt i vatnet sa mannen.Han sg kjerringa. bade seg.Det var inga ku
sa mannen.Kjerringa hadde drukna.Kva betyr. det var agnet som drog
fiskenDet var pga. lokkemiddelet.Han er ikkje all. der han er sedd.Han er
ikkje lett gjennomskode.Ho gjekk med ein krokut. arm.Ho gjekk med barn p
armen.Han fekk andre augo og sj med.Han. skifta oppfatning.Han hadde augo
utanp hovudet.Han var forvirra.Dei. vaska honom vel p baket.Dei baksnakka
han.Dei satte seg p. bakftane.Dei gjorde motstand.Det er beintfram som ei
blind merr.Det er. enkelt.D var bikkja berga.D var striden over.Det kom
ikkje bein i. bten.Dei fekk ikkje fisk.Ho bit ikkje alt ho grin.Ho er
ikkje s. farlig som ho gjer seg til.Han fekk det som best beit.Han fekk.
juling.Det er som dra ei bjrk baklengs.Det er tungvint.Han fekk. snakka
med Bjrknesfuten.Han fekk juling.Det kom klas i barnleik.Leiken. vart
voldsam.Han slr store boltar med lite hovud.Han skryt.Det vert. bot eller
bane.Det vert frelse eller fortapelse.Det kan ingen f botn i. honom.Han er
uutgrunneleg.Det verken dett eller dryp av han.Han deltek. ikkje i
noko.Egget vil lre hna.Lre bort til nokon som kan det. betre.Dei bur for
nr elva.Dei har vatna det ut.Det er store fat og. lite mat.Det er
skryt.Den eine filla slr den andre.Det er slitte. kleder.Det fekk fter g
p.Det forsvann raskt.Han er fuglen. som flgjer gauken.Ingen veit kva han
gjer.Han er full og fastande like. eins.Han er alltid den same.Det er
fullt som gre katten og fluga. svart.Det er store mengder.Han hyrer ikkje
gauken oftare.Han lever. ikkje til vren.Han syng med gauken.Han gjentek
seg sjlv heile. tida.Han er like glad kvat ende som upp snur.Han er like
glad heile. tida.Han gler seg p tynn l.Utan grunn.Han sto p glr.Han. var
uroleg.Han laut gjera seg god att i same kledene.Han mtte snu utan. ha
oppndd noko.Han kjem ikkje bort i graset.Han er. storvaksen.Han m ete ei
tunne graut fyrst.Han er for ung.Han. mtte grava som ein vond.Han mtte
arbeide flittig.Han er ikkje so. halt som han hinkar.Han overdriver.Same
guten spelar same sltten.Han. snakkar om det same.Han kan bde halde og
sl.Han kan vera slem.Du. gr som du ser.Haltemannen snakka til
blindemannen.Berre gift deg sa. mannen.Han sg katten leika seg.D var dt
gjort sa mannen.Han. hadde dengd kjerringi.Dei er gode grannar sa
mannen.Den eine lyg den. andre sannar.Han er rik som har sitt sa
mannen.Han t opp. agnet.Hardt mot hardt sa kjerringa.Ho datt i berget.Det
hender ofte. slikt p sjen sa selen.Han vart skoten i auget.Av hjartet
skein du. sa reven.Han tala ved mnen.Det er hgt opp og langt fram sa.
kjerringa.Ho skaut etter mnen.Ingenting sa kjerringa.Ho var daud.Men. rall
var det sa jenta om friaren.Ein general eller admiral hadde. fridd.Det kjem
att sa mannen.Ha ga purka flesk.Giv eg lg sa. kjerringa.Ho satt i senga.Der
vart lusa lurt sa mannen.Han brende opp. skjorta si.Det er makta som rr sa
guten.Han dengde katten.Her er. mange her sa guten.Han sg i luva si.Alt
monnar sa musa.Ho pissa i. sjen.Det hjelper p sa sneglen.Han kom seg til.
drstokken.Mykje t munnen lite t ulli sa mannen.Han skulle. klippe
sauen.Han er kald kor enn han kjem ifr sa kjerringa.Ho tala om.
nordavinden.Rekningi kan alder juge sa guten.Han rekna ut han var eldre.
enn far sin.Ro no alle vel sa mannen.Han rodde leine.Ja men. rka du det sa
mannen.Bikkja beit i trebeinet.Hva er det no d sa. valdrisen.Han fekk ei
kule i skallen.Kva gjer ein tyskar ikkje for pengar. sa mannen.Han sg ein
apekatt.Det er hand i hr og kniv p strupa.Det. gr p livet laus.Dei hang i
halen p honom.Dei heldt med han.Det. heng og blr.Det er altfor lite.Noko
harm skal ein ha om ein so skal. kjpe det sa mannen.Han hadde gjort ein
drleg handel.Du veit ein. heilag mann men ikkje kvar han bur.Du veit for
lite.Han er hendt som. hver.Han er allsidig.Han meinte himmelen var i eit
kalvskinn.Han var. forvirra.Det var ikkje hgt hjarte i han.Han var
bekymra.Han hjelper. dei som vinn liksom hundane.Han er feig.Eg skal vise
han eit firkanta hol. sa mannen.Han ville kaste han ut.Han har stanga
horna av seg.Han har rasa. fr seg.Han la skallen i blaut.Han grunna p
noko.Stor hug og. liten dug.Store nskjer men liten makt.Det er hundeskinn
p begge. sider.Ein strid melllom to onder.Det ligg p nederste hylle.Det
ligg. p golvet.Dei ville heller sj hlen enn ta hans.Dei ville bli. kvitt
han.Han sel ikkje hna si i vtt vr.Han er ein lur. handelsmann.Det heldt
eit hr att i nakken.Han ombestemmer seg. nok.Han fr kam til hret.Han fr
strengt oppsyn.Ein m g. med kattefoten.Ein m vera forsiktig.No m dei henge
kjaften p. veggen.Dei m svelte evt. ti stille.Han har kjaften p
skaftet.Han. er flink til snakke for seg.Det er deim i kjtet boret og
ikkje i. klede skore.Det er naturleg for dei.D hyrde eg klokka sl.D.
forsto eg.Han heldt fast med klypa og slepp med handi.Han sparar i det. sm
men slysar i det store.Det er skrive med kol p gryta.Det er. unyttig.No er
eg kolsvart.No var eg overraska.Han mtte mate. krabbene.Han vart
sjsjuk.Det gr som krabba.Det gr p. skakke.Dei glana som ei ku p ein nymla
vegg.Dei sto og. mpa.Han er fdt midt i trafikken.Han snakkar hgt.Han har.
kvikkslv i setet.Han er uroleg.Han er ikkje lang under augo (lang i.
tyet).Han snakkar lite.Han let som ei skjor.Han klaga lenge.Han. laut
prisa leggane.Han mtte springe.Dei leggje seg med hnom og. stande upp med
svinom.Dei er dovne.Han les som fanden les bibelen.Han. brukar alt til sin
fordel.Skyt leta mi.Hent det til meg. (Legg til. latskapen).Det et ingen
mat.Det er kjekt ha.Det ligg under. lok.Det er dd og begravet.Dei er linne
med sinom og harde med. hinom.Dei er urettferdige.Lite var det skitut var
det og seint kom det. fram.Om drleg forsyning.Dei leve som ku i h.Dei
lever flott og. makeleg.Han str i lyset og skyggar seg sjlv.Han utnyttar
stillinga. si.Dei snakkar so steinane m sprekke.Dei snakkar usant.Det er
ikkje. av lunga berre av tunga.Det er ikkje p alvor.Han lyste fred over.
dei.Han fekk dei til halde munn.Det er betre i lyndo enn i. syndo.Det er
bedre enn det ser ut.Det er stor ls foran lite hus.Det er. undvendig
mykje.Makta minkar mens sinnet veks.Om eldre vrange. personar.Han har grnt
malt p loftet sjl.Han er ikkje betre. sjlv.Han kunne meir enn mata seg.Han
kunne mykje rart.Mange maur om. ein makk.Stor ettersprsel.Det tek margen
or ryggen.Det er altfor hardt. arbeid.Dei gjer ein mygg so stor som ei
merr.Dei overdriv.Han ser. mehanken gjeispe i kyrkjetrnet.Han skryt og
lyg.Han mt ikkje mer enn. som hunden gjyr.Han set ikkje pris p det.Han
fekk nasen til stav.Han. datt p hovudet.Det er dette nasen klr etter.Det
er dette ein. vil.Han plystra i nasen.Han var opphissa.Dei har ikkje nla
i. veggen.Dei eig ingenting.Han ga han like ord i halsen.Han snakka etter.
han (jatta med).Dei fekk renne rauvi si.Dei vart dyktig lurt.Reven tek.
ikkje gsa.Klokskapen din lurer ingen.Han rir ikkje dagen han salar.Han. er
treig.Dei ror kvar sin bt.Dei er uenige.Ho har ei lang rove.Ho. er av
fattig slekt.Dei har sine runer ute.Dei spanar og forhyrer. seg.Det tok
ryggen or honom.Det tok makten fr han.Han er komen i. ryken.Han er komen i
stor respekt.Me sg han sist bak.Han er. reist.Det sit ikkje i meg.Eg kan
ikkje tru det.Eg ser like langt inn i. steinen som andre.Eg veit ikkje
meir enn andre.Di skade vaker.On ei. nestenulykke.Ho har ei mkkut skjei
vaske.Ho trur ho driv med noko. stort.Han ser ikkje skogen for berre
tre.Han har ikkje oversikt.Eg har. end eit skot i hornet.Eg har end meir
gje.Det gr over. skrevet Det hoppar over hakketDet gr for vidt.Han slipar
ikkje utan. vatn.Han har ein fordel av det.Han slit ikkje silke.Han er.
fattig.Eingong small det.Endeleg vart det alvor av det.Det gr med.
staven.Det gr sakte.Det syng p siste verset.Det nrmar seg. slutten.Ho er
tett som ei sil.Ho sladrar.Det verkar ikkje tennane i. han.Det er lenge
sidan han levde.Det er for lite til troll og for mykje. til menneske.Om
ein stridig slem person.Han trur som trolla.Han er. letttruande.Han trur
ikkje sine eigne hender.Han er veldig. forsiktig.Eg er trytt som ein
makk.Veldig trytt.Dei fr tre. p talgi suge p labben.Lide mangel etter
overskudd.Det kan ikkje. renne kaldt vatn mellom dei.Det er stort
vennskap.Det er ein vegg or. huset.Det manglar noko vesentleg.Han er vida
kjend og lite etterspurd.Han. er upopulr.Dei har tjukke yrer.Dei er
likegyldige hyrer ikkje. etter.Me skal alle den vegen sa smjenta.Ho sg
brudeparet g i. kyrkja.Det er mykje vondt i verdi sa guten.Han skulle lre
lesa.Det. er ein overgang sa reven.Han vart fldd.Skjnte eg det ikkje sa.
jenta.Ho fekk ein unge.Det var ikkje meir du skulle spurde jenta.Guten.
fridde.Detta var no for mykje av det gode sa mannen.Han fekk. mkkalasset
over seg.Han strauk med i slaktingen sa mannen.Grannen. spurde etter
grisen.So skal det bli skrik sa guten.Mor hans kom med ein. kam.Dersom Gud
vil. sa mannen.Han hadde ikkje spurt kjerringa.Tja. detta lurar eg p sa
grisen.Han sg kniven.Slepp meg ellers s. skrik eg sa musa.Katten hadde
tatt ho.Kjre vene sa vampyren.Blodet. ville ikkje ut.Det er sausen eg er
glad i sa mannen.Han bomma p. rypa.Det var lystige sjeler sa mannen.Han
hndterte vepsebolet.No. blr han iallfall den jvelen sa smeden.Han trakk ei
tann p. vegvoktaren.Det var ein bra kar sa presten Nr andre sv var han.
vaken og detandre mangla hadde han.Tjuven skulle gravleggas.Vil du halde.
meg i handa spurde mannen.Han sat i den elektriske stol.Plagget kan. ikkje
bli bedre sa skreddaren.Han hadde sydd lomma p ryggen.Det var. noko som
rensa magen sa jenta.Ho fekk tvillingar.Lev vel sa. kjerringa.Mannen
skulle hengjast.Vgar du livet s vgar eg halsen. sa guten.Tordivelen satte
seg p kaka.Hva heter ungene til. svanenSveklinger.Synonym til en
l.Vannslange.Hvordan utfrer du et. dobbeltmordSlr ihjel en mann to
ganger.Hva er flaskepostEn postmann som. liker en tr.Synonym til
katapultFluktstol.Synonym til. mausoleumDdsbo.Ingen roser uten torner sa
katten.Han voldtok. piggsvinet.Velkommen i det grnne sa jenta.Ho strydde
persille p. magen.Det er nullane bak som teller sa mannen.Han snudde
bankboka.Ja. ille sit du men s glyme du ikkje svalle um det heller
samannen.Grisen. satt fast i gjerdet.Altfor nrme nasen sa guten.Han fekk
saltsprut i. auga.Bedre livlaus enn rdlaus sa kjerringa.Ho turka bordet
med. kattungen.Kva er verdens breiaste bruIsen.Kva tre har tolv greiner
fire. reir p kvar grein sju egg i kvart reirog det sjuande gyllentret.Kva.
ser du berre nr det er mrktStjernene.Eit stort hus som reparerer seg.
sjlv.Isen.Det ligg ein duk p vollen jo mindre han er vaska jo. reinare er
han.Snen.Ei mor et opp ungane sine s snart dei vert. ungdomar.Havet.Kva gr
i grus utan ein lydSkyggen.Lita og raud nett. som ho leve er ho
daud.Gnisten.Sonen spring t skogen fr faren er. halvvaksen.Ryken.Burande
og belgande og legg at huda i. skogen.Tmmerstokken.Str i jorda og veks i
senga.Gulrota.Framtil som. eit nyste midtp som ein sekk og attantil som
ein kjepp.Katten.Eit lite. hus fullt av mat men ingen dr.Egget.Fire
systrar sit p ei tuve og. skyt kvite kalva fr seg.Juret.Om morgonen p fire
om dagen p to om. kvelden p tre.Menneske.Eg ser det du ser det kongen ser
det sjeldan Gud. ser det aldri.Sin like.Kva hgg heile dagen men fr ikkje
av ei. flisAugelokket.To systrar sit under eit ufs ikkje sjast og ikkje.
finnast.Augo.Eit hus full av kvite geita og ein rund spelar midt.
i.Munnen.Eit lem utan bein som studom gjere mange mein.Tunga.Kva er det.
den fattige kastar bort og som den rike sting i lommaNasedropen.Kva slags.
hr har den venaste jenta i bygdaMannehr.Kva reiser heile verdi. omkring men
er alltid heimeTanken.Eg har det du har det eg brukar ditt. du brukar
mitt.Namnet.Kva er det som korkje har nokon byrjing eller. endeRingen.Kva
gr heile dagen p skallenHatten skospikeren.Daudt. dreg levande ut av
skogen.Kammen.Kva er mindre enn ingentingHol i. bukselomma.Det str ein
stein i heilag rein med fire fter og ingen. bein mangebrurar og ikkje
bryllup mange born men ingen fdde mange lik men. ingendydde.Kyrkja.Det er
eit land med mold og sand der er korkje ml. eller minne menfolk er der
inne.Kyrkjegarden.Ikkje ute og ikkje. inne.Vindauget.Kven ser alle folk i
skrittetDrstokken og trappa.Kven. nevehelsar p alleDrklinka.Ein drage str
i stua med halen p. taket.Skorsteinen.Minste tingen men lengste
rova.Nla.Ei mus dreg det. nedover bakken men ti hestar kan ikkje dra det
opp att.Garnnstet.Kva. gr rundt og lagar eggSlipeteinen.Liten ker med
svart korn.Boka.Kva. er det som er urett og ikkje syndDen hgre skoen p den
venstre. foten.Aldri har det vore aldri vert det og kor mann ser det p seg.
sjlv.At fingrane ikkje er jamnlange.Kva gjer den kvite hesten ute i.
mneskinnSkugge.Kor langt er det herifr til himmelenEit. augekast.Kva er
tyngste bra p byvegenEin tom pung.Kor mange mil er. det til mnenEi og dei
andre.Det ligg ein stein i lia. Nr han hyrer. kyrkjeklokka s snur han
seg.Steinen hyrer ikkje.Kva sa reven d han. tok den feite
gsaIngenting.Kjerringa t opp ei tunne sild etter at ho. var daud.Ho t
ikkje silda levande.Kor mange kalverover m til for. rekke inn i himmelenEi
dersom ho er lang nok.Korleis kan ein hyre nr. graset grorEin hyrer
iallfall.Kan du sj eit halvt grisehovud med to. augerJa med dine.Kor mange
skor har den som har fleire fter enn. skorEin.Kva veks nrare og nrare
jordaKurova.Kva er det som. manglar ein velgjord skoMakan.Gudmund og hans
hund for gjennom eit sund.. Kva heiter Gudmunds hundKva.Det stend eit tre
uti havet. P treet er det. like mange greiner som deter drpar i havet. P
kvar grein sit ei jomfru. Korleis kjem dei segtrrskodd i landDei tek ein
drpe kvar.To. innganger. Frst nr du str med ftene ute er du
inne.Buksene.Rota. oppe og toppen nede.Istappen.Har bein men kan ikkje g
har mat men kan. ikkje ete.Bordet.Auge men utan hovud.Nla.Hovud men utan.
auge.Spikeren.Kven gr rundt omkring men er alltid heimeSneglen.Hvem. er
barn av dine foreldre men ikke din bror eller sster.Du selv.Hvor langt. er
det fra st til vestEn dagsreise.Brenner uten flamme og slr uten.
kjepp.Hjertet.Hva er bde ute og inne samtidigDra og vinduet.Hva. finnes
mellom berg og dalog.Sykdom som aldri har herjet i noe. land.Sjsyken.Tre
jenter gikk til skolen med bare n paraply men ingen. ble vte.Det regnet
ikke.Hva har egg men kan ikke lage egg. selvKniven.Hvordan klatrer du i
stamtreetVed slektsgranskning.Hva. gjr fuglene til verdens beste sangereDe
synger rett fra bladet.Hav uten. blger skog uten trr.Kartet.Hva slags fjell
er flateFjellene p et. kart.Hva er sort blir rdt blir grttKoks kull.Gr til
grunne. mens jeg tjener menneskene som opplystStearinlyset.Nr har mlleren.
mest i mllaNr han str inne og stikker hodet ut.Hvor svmmer. laksen nr den
er tre r gammelInn i sitt fjerde.Hvordan brer du. vann i en silLar det
fryse.Hva befinner seg midt i. perlekjedetSnoren.Kan du skrive rdt med
sort blekkRdt.Hvilke. dager i uka er lengstTirsdag og torsdag.Hvem fr
alltid det siste. ordetEkkoet.Fullt av kjtt og blod mangler liv uten
bunn.Ringen.Hvem. er den flinkeste lommetyvenHullet.Hvilken y var den
strste i verden. fr Grnland ble oppdagetGrnland.Hva slags dyr blir nevnt
frst i. bibelenBi.Hvem ser mest mellom en mann med ett ye og en mann med
toHan. med ett ye ser den andres to mens han med to bare ser den
andresene.Hvem. gr alltid p tvers gjennom kirkenDpsbarnet.Hvordan kan du
forandre. en barbar til en kvinneBarbara.De dde spiser det men de levende
dr. av det i lengden.Ingenting.Hvor dypt er verdenshavet p sitt dypesteEt.
steinkast.Musefelle p fire bokstaver.Katt.Nr skal den siste komme. fr den
frsteVed mnedsskiftet.Hvordan oppsto verdenMed liten. v.Hva kommer gjennom
vindusruten uten knuse glassetLyset.Hva er tre. til toEn og en halv.Hvordan
holder du kalvekjttet friskt om. sommerenHolder kalven levende.Hvilken sak
er skyld i alt som skjer i. verdenrsaken.Hvilket barn har sett sin far
dpePrestens. barn.Kommer pske fr eller etter pinseBde fr og etter.Hvorfor.
er det vanskelig fotografere en glad hundHalen logrer ikke.Hva har.
eksistert i milliarder av r men er mindre enn fire uker. gammelMnen.Hva er
det beste antirustmiddeletGammel. kjrlighet.Hva tar kortest tid av bygge
opp og rive ned bygge. opp. For rive m du frst bygge.Hvilken fisk er
lengstKlippfisken. hodet i Island og Norge og halen i Spania.Hvem har
holdt best fast i de ti. budMoses da han gikk ned fra Sinai.Hvor stod
basunblserne da de blste. ned Jerikos murerBak basunene.Hva m man alltid
gjre fr man reiser. seg oppSitte eller ligge.Hva blir strre og strre jo
mer man tar. vekkHullet.Hva kommer etter evigheten.Amen evt. et.
sprsmlstegn.Hvem forteller alltid sannheten men vender p. altSpeilet.Ingen
unntatt meg selv kan si hvem jeg er.Tungen.Han kunne. ikke forst det jeg sa
og ville ikke si hva det var i veienmed han.Han var. dvstum.Hva er
samvittighet le sammen med andre.Stort vann p to. bokstaver.Is.Hva er det
som gr rundt juletreet men som aldri blir. trett.Barken.Hvem har reist
flest ganger rundt jordaMnen.Hva kan en. mus trekke like tungt som
elefantenPusten.Hva sender du som yekast eller. metallBlikket.Den som har
det er fattig den som vet det er dum den som. gjr det erlat der hvor det
er finnes det ikke den som hrer det er. dv den somser det er
blind.Ingenting.Hva slags vann fryser ikke til. isVarmtvann.Hvem kan
snakke alle sprkEkkoet.Hvilken drikk er verdens. sterkesteVannet det brer
de strste skipene.Nr kommer august fr. juliI en ordbok.Hvorfor kaster du
klokken ut av vinduetDu nsker at. tiden skal fly.Gr trappen oppover eller
nedoverDen str stille.Hva. er den dypeste grunnAvgrunn.For lite for en for
mye for. tre.Hemmeligheten.Den aller strste er den aller
minste.Bagatellen.Det. er mitt men bare andre bruker det.Navnet.Hvor mtes
veggeneP. hjrnet.Hva gr p kryss og tvers over landet men ligger helt.
stilleVeiene.Fdt fr sin far.Kain og Abel. (Adam var ikke fdt men.
skapt).Hvilken side av koppen sitter hanken pUtsiden.Hvorfor er. vret
matematiskDet regner.Hvorfor er vret poetiskDet rimer p. bakken.Hva ser
man nr man skjrer med knivenSitt snitt.Hva slags. steiner er det flest av
i ferskvannVte steiner.Hva slutter evigheten. medn.Hva slags glass er det
best skjenke iTomme.Hva er det beste. med et lekkert mltidAppetitten.Hva
har verken begynnelse eller sluttAlt. som gr rundt.Er det mest fisk eller
stein i vannetFisk steinen er under. vannet.Hvordan var Eva som menneskeEn
primadonna.Hva slags stein kan. svinge rundt hjrnerRennesteinen.Hva er det
lengste norske ordetSmile. en mil mellom frste og siste bokstav.Hva er
verdens lengste. ordLysr.Hva er det mest nysomme dyretMllen den spiser.
hull.Uspiselig brd som alle lever av.Levebrd.Hva slags tid er den.
lengsteVentetiden.Hva er mest synlig i mrketLyset.Hvilken klokke. viser
riktig tid oftestDen som er i ustand og str stille den viser riktig. tid
to ganger idgnet mens andre viser riktig tid sjeldnere.Nr er den. dumme
klokestNr han holder munn.Hard mor skaper de beste. barn.Perlemor.Tann som
ikke kan plomberes.Tidens tann.Hvorfor har ikke. oksen bukserKua kan ikke
sy.Hvilken fisk sitter ynene tettest pDen. minste fisken.Hva ligner mest p
en halv appelsinDen andre. halvparten.Hva heter de mest kjente
stieneDynastier.Hva er beste mten. lage ild p med to pinnerAt pinnene er
fyrstikker.Hva stter du p. ganger i sekundet men bare en gang i
timene.Hvorfor er ikke flodhesten. redd for tigerenDe befinner seg i
forskjellige verdensdeler.Hva er en smal. sak f vske til renne gjennom et
sugerr.Hvilken vei gr du. tilbake for komme fremHjemveien.Hvorfor er hanen
s velsteltDen har. kam.Hvor mange lver er det plass til i en tom
manesjeIngen.Nr. seirer hpet over erfaringenI andre ekteskapet.Hva skinner
solen aldri. pSkyggen.Hvordan fanger du en lve med en silHell rkensanden.
gjennom sila da blir lvene igjen.Hva slags sprsml m alltid. besvares med
jaHva er frste stavelse i japanHvem venter alltid til. siste sekund men
rekker det alltidKlokkeslaget.Galer gjken fr eller. etter sankt hansDen
galer koko.Hvordan fanger du en grspurvHopper ut. fra . etasje og synger
som en brdsmule.Hva drikker duer for bli. gjennomsiktigeVin og blir
vinduer.Hvordan finner du lettest lykke. sunnhet rikdom og kjrlighetI en
ordliste.Hvor stor kan en nese bli. tommer fordi tommer fot.Hvordan kan du
spise en ntt uten. knekke denLa noen andre knekke den.Hva er det strste
med. NapoleonN.Nr ser man best utI vinduet.Hvor er det beste kjttet. p
fiskenMellom beina.Hvor lange er beina til et idealmenneskeAkkurat. ned
til bakken.Hvor mange store menn er fdt i BergenIngen alle er. fdt sm.Hva
mangler den lamme den blinde og den magre i ett. ordGsefett.Kan noe vokse
mer enn centimeter i dgnetJa. centimeter vokser ikke.Hvorfor finner man
alltid igjen tingen p det siste. stedet man leterDa trenger man ikke lete
mer.Hva slags pass kan du reise med. verden rundtKompasset.Hvorfor vil
ikke fru Gyldenskiold at mannen hennes. skal begravesHan er ikke dd.Hvor
lang er en regnbueDobbelt s lang. som halvparten.Hvor lang er en ormEnormt
lang.Hva kan uttales bare med. lukket munnM.Hvor kan man alltid finne
sympatiI ordboken.Hvem brer. huset inne i segEplet.Hvorfor er termosen
intelligentHvordan kan den. ellers vite nr den skal holde det varme varmt
eller detkalde kaldtTo. sm steiner et appelsinskall og en gulrot ligger
ved siden avhverandre i. hagen nr vren kommer.Restene etter en
snmann.Neste gang legger jeg. ikke fingrene imellom sa kona.Mannen smelte
med dra.Hvor gr man etter. begravelsenEt sted for trstespise.Den er ikke
bare for kort den er. for bred ogs sa mannen.Han holdt plata feil veg.Ei
jente mister. kontaktlinsene i en fotballkamp og finner dem ikkeigjen.
Etterp fr hjelp. av faren som finner dem.Mens hun lette etter to sm
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noeannet en. egenbevegelse men alts bare ved se p vinden i lvet er
detlett. innse at en andel av det vi nsker forst som egenaktivitet.
erlettere forst som en passivitet i et aktivt medium (gruppe.
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andregrupper p dramatiske mter ingen kan unng reagere p at en. bil
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enys esruteml er ivntr etettynk el t kstatdegoolllakmarf. els bnser
emflereneg ne momlidoet ella tom leddienmvifvetlekne te i ttas. gyile
innejk tediebra rav eribttkudorp nis dem go i ktrnejkre elb tehllufsgnina.
tretpeska teksennem edteksennem gnavt mos volru t ne res eud tdoe k re gl.
skitet taktleg nke dso i men spiralr du er hea n. d o d s r. a s t r l o.
u d r r e h e g k. noemata. nap.art Re PRESSEMELDING. Gjesp Grethe.. du
har du link til eBayen noen spurte om det fr men fann. det ikke bare
reproduksjonene.Men det er dog et tankekors at en. kunstnergruppe som
produserer kunst som p ingen mte kan stjeles. fordi kunsten deres ikke er
fysiske objekter p samme mte som malerier. pstr at de har stjlet et
kunstverk som kan stjeles fordi det er et. fysisk objekt. Det er liksom
forholdet mellom materielle og immaterielle goder. det.For det frste jeg
har ikke psttt ha stjlet noe. Men. det er et godt poeng har en stund prvd
selge digital kunst men uten. svindel. Skal vi se jeg har et opplegg om
tilby Samtidsmuseet en anseelig. mengde spam mail ( millioner) som har
sttt p en sperret konto i. utlandet etter at nettkunsten dde. Kommer
tilbake til dette du kan hjelpe. oss Grethe. Forvrig str tilbudet pent som
presseansvarlig for. Noemata. Ring. Kan du lne meg noen penger
Ligningskontoret avviste klagen. min p restskatt p seksti tusen. For det
andre forsket mitt med. g rettens vei med tjueri av immaterielle
objekterrettigheter etc. frte ikke fram i fjor henlagt av politiet det var
forvrig virkelige. penger ogs uansett. Men ja kanskje en reaksjon p
materialitet og. immaterialitet alt dette nye er jo immaterielt og hype og
presser. fetisjeringen nedover mot pappkartong sppel og spam.
realitysppeltv er jo veldig stort eller Munch til mrd de. elektroniske
kretslpene trenger jorde de virtuelle verdiene ut i noe. materielt og dess
mer uvurdelige de er dess bedre s ligger makten likevel. i det
virtuelle.Tore p sporet Hva om det er DET som er poenget plage. dere
(waste of timeenergy) mener jeg med kjedelige ting hvordan bruke hypen.
til diffundere sin egen kjedsomhet utover ikke mot dere personlig men.
utover institusjonene s si. Ved ikke stille seg selv i. hypelyset plages
andre i jakten.Forutsigelig kjedsomhetsspredning.Ingen. spennende svarte
finnlandshetter bare en masse stress som ender i. ingenting.Ja det er
gjort med det samme gjespet gjespet som grupperefleks. media gjesper jeg
gjesper dvs. media og jeg er venner vi gjesper sammen. Har. ikke lest
aviser etterp s det er ikke det. Gjesp.Det er interesant. se hvor raskt de
finner fram til telefon og andre personlige opplysninger og. hvor stor
kraft de legger i det utover natta med en eller annen autodialer.. Hvordan
er det med journalister og datatilsynetJens Laland tok opp poenget med.
kunstens status. Da jeg postet dette til internasjonale lister samtidig.
(nettime rhizome etc som forvrig publiserte det i motsetning til. lista og
ekunst et par dager etterp) hadde jeg en dialog it's a. media hype so why
not play with them and for the record i didn't write. that noemata stole
the paintings so i'm not worried and after all artists. are not to be
taken seriously..)You just sound like the .org thatafter. their actions in
the Nike Platz and the claim put against them byNike they. just said
something like 'Oh but we were just kidding weare just artists.'. )yes but
it's a loopback like media and maybe society treat artistslike. that adding
unreality to what theywe do so the unreality isreflected. back.Jeg tror
kunst og kunstnere kan bruke sin status som uvirkelige til. interagere med
et samfunn kultur og media som blir mer og mer uvirkelig. s de mtes fra
forskjellig kant der kort sagt media simulerer en. virkelighet (a la
virkelighetstv) mens kunsten virkeliggjr en simulering. (setter i scene).
det frste er en tildekkende strategi (skjule sin. uvirkelighet) mens det
siste er en avslrende strategi (et pent spill).. Jeg kan klippe inn et
lengre innlegg her ikke n jeg er trtt.Tilslutt. la det vre klart hvis noen
nsker en rask oppklaring og at maleriene. skal komme tilbake i offentlig
eie s sett millioner kroner inn p. konto nummer Storebrank Bank. Jeg kan
ikke garantere hva som. noemata. idea real ide areal la era edispansk 'la
era' tid. ndvendig bruke heller men vil lette.
indexeringgjenfinningantaglig.f.eks. mtereferatet for ikveld kan med hell.
tagges inn i boken og sendesmailinglista slik som denne.bforsvidt i.
noemata. kSay. kuten spor uten skyld.informasjonssamfunnet skaper 'karma'
gjennom behov for. sporbarhet. it would be attracted to the boy s. kHer
var. noemata. noemata Fwd Article Why the Web Will Win the Culture Wars
for the Left. noemata. help (pleh). noemata. adundas. lj lj Latin Dead yet
still. noemata. pre.txt
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inline. filenamemessagefooter.txtContentTransferEncoding bitSyndicate.
mailinglistSyndicate network for media culture and media. noemata. Re
arc.hive Re fragments of a room. noemata. Fwd Article The Violence of the
Global. noemata. Xchange CN YN MN JN .snarT. jroznfgre ng
jro.znfgreqrd.fgngr.bx.hf. Fgerrg Nqqerffand installers for. installation
and maintenance of copper andfiberAbout. . Services. . News.. . State
Board. . Hall of Fame..Search. Text Page. Oklahoma. Department of
Agriculture Food NT DS CS.IR AP RO KO HO .DN CN YN MN. JN .snarT fo .tpeD
amohalkOytefaScilbuPfo .tpeD KO robaL fo .tpeD amohalkO. ecnarusnI fo
.tpeD amohalkOhtlaeH fo )L(()((. (a) (c) (o) (u) (s) (t) (i) (c) ( ) (s).
(p) (a) (c) (e). informationcomunication channel for. noemata. nyheter.
barnepysj kan vre ddsfelleskolemassakredd mann fikk. telesexregningeri
hver fjerde farskapssak viser dnaprver at moren har. noemata.
Undeliverable. noemata. Re Amazom. international for ordering more coffee
Mysupplies are dwindling and I have. only a few pages left of the
GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
And that's all.One Minnie. Ass rune torino. fee strangle aches crease
baycome tossycenglish mopping we bother honey. sigh and copy. RyeWhatever
you say.Hokay. Tendjewberrymud.. () () ( )(. ) ( ) .......... More.... ()
() ( )(. noemata. Barths. Autobiography A SelfRecorded Fiction You who
listen give me life. in a manner of speaking. I won't hold you
responsible. My first words. weren't my first words. I wish I'd begun
differently. Among other things I. haven't a proper name. The one I bear's
misleading if not false. I didn't. choose it either. I don't recall asking
to be conceived Neither did my parents. come to think of it. Even so.
Score to be settled. Children are vengeance. I. seem to've known myself
from the beginning without knowing I knew no news is. good news perhaps
I'm mistaken. Now that I reflect I'm not enjoying this life. my link with
the world. My situation appears to me as follows I speak in a. curious
detached manner and don't necessarily hear myself. I'm grateful for. small
mercies. Whether anyone follows me I can't tell. Are you there If so I'm.
blind and deaf to you or you are me or both're both. One may be imaginary.
I've had stranger ideas. I hope I'm a fiction without real hope. Where
there's. a voice there's a speaker. I see I see myself as a halt narrative
first. person tiresome. Pronoun sans ante or precedent warrant or respite.
Surrogate. for the substantive contentless form interestless principle
blind eye. blinking at nothing. Who am I. A little crise d'identite for
you. I must. compose myself. Look I'm writing. No listen I'm nothing but
talk I won't. last long.LifeStory III The reader You dogged uninsultable.
printoriented bastard it's you I'm addressing who else from inside this.
monstrous fiction. You've read me this far then Even this far For what.
discreditable motive How is it you don't go to a movie watch TV stare at
a. wall play tennis with a friend make amorous advances to the person who
comes. your mind when I speak of amorous advances Can nothing surfeit
saturate. you turn you off Where's your shameMENELAIAD VI ' ()
('((What))'). () ' ' ' 'Why' I repeated I repeated' I repeated I
repeated'. I repeated I repeat. ' ' And the woman with a brideshy smile
and. hushed voice replied 'Why what' ' ' Faster than Athena sealed
beneath. missile Sicily upstart Enceladus Poseidon Nisyros mutine
Polybutes I sealed. my wouldwiden eyes snugger than Porces Laocoon
Heracles Antaeus I held to. my point interrogative Helen to whom as about
us combusted nightlong Ilion I. rehearsed our history horse to horse
driving at last as eveningly myself to. the seed and omphalos of all. . .
. ('((((('))) )) ) ' ' Why '. ' ' 'Why' ' ' Why ' 'Why' ' ' John Barth
Lost in. noemata. arc.hive Re Please read Abstention. This is a multipart
message in MIME. format...ContentType textplain. charsetisoIt's not easy
to respond to this and worse in public I. feel but thanks for posting. I
can relate to what you write for myself I. really don't know what lies
ahead of me of course nothing and of the value of. what I'm doing and in
what perspective even that phrasing is way too much. Just. today I thought
about giving up public activity from looking through archived. work past
months also with other concerns on my mind I don't remember the. exact
thoughts but they seemed compelling enough and I'm probably always.
thinking along the lines of finishing off getting done with and getting.
through getting rid of.There's always those fluctuations between activity.
(nothing) and passivity (stuff) which never resolves. Stuff is ugly nothing
is. beautiful so keep nothing and avoid the stuff which is the urge in a
sense. because keep is stuff and avoid is nothing so stuff nothing and
avoid the. keep which goes better with an activity based on nothing (eg
art) and. passivity based on things (suffering).Nothing to do abundant
redundancy. (nothing) selforganization (do) here we. are.ContentType
textplain. namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding. bitarc.hive mailing.
noemata. e AnyhrISB oject rn ma y. ndi m zs e wvhe cx h ip ureqta jh cl. j
dz d jo aklw p yb thuz. fy q j. t vr lw vyx Fri. noemata. Fwd Automatisk
svar nr du er borte fra kontoret e k u n s t Re dbl. noemata. e k u.
bemeistersingerlpesr meadowsweet og alt er ett.
axondenoteccdeebcenettverk. det var ikke det det ville si. kown
language.forslag til hvordan makten kan spres via digitale nettverk.Be. My
Ghost er et nettkunstverk av Noemata.netyond.matronym. A puppet show.
beyond good and evil Verk i serien er blurB. Man Corridor Translated et.
nettkunstverk bygdthe superhuman through a transvaluation of the values of
the. speciesDog one for his red nose (besonders ihr Ofen) o God Jost
Gippert. Leigh Mercer Ecco Bello colle bocce (italian) Here's Bello with
bowls. Dedrawered underdrawn in inward red nude rewarded. Bill A.Deified.
O'Connor paloconxxxxxxxxx Espagnola solos along apse John McClellan.
paloconxxxxxxxxx Edel lede (norwegian) Nobel boredom BjxFm Cantsin. piss
Norah Sharon's sips sap. Bill A. O'ConnorOskar onaniere (Sei. fieser ein
Anorak so (german). s vil du ha statusnr naustdal en soleklar seg seilskip
sikksakkikringet. snt samfunn kan ikke realiseres allet vi er mustng dyr.
men som idem oss. sketsj skder og brugde. g rnnun mftnoen er bedre i vre.
ande seg ble ikke fdt alle andre seg ble ikke fdtSender.
NoesisadminxxxxxxxxxxxSender. kfreeway mr opplisting pay tags emil tee
hendler any. PIIX not native. mode will probe irqs laterVANLIGVIS IKKE S
STOR. TROLL HAR MORAL DE. OGS ANGRIPER IKKE BLINDT of the network as
katastrophic nodes of. disembodiment...(micyaniwua.sen)conversation with
Ken Wark we were talking. about code the term at. A who was querying me
y'day. i guess it's her she's beenRe chaos is. kprovoking. But it is
possible that Punch has lasted so long because heThere. was an Old Person
of Cromer Who stood on one leg to read Homer . .nfo Maria. Futura Hel v.
.. isoQDigitalepotteskEr(Morgenbladet)became firmly. established after
children had been frightened by thefetishization of. divinities great
ideas or grand narratives but ofbelieve in God is. therefore to doubt his
existence. Belief isKaragiosis in Greece Petruk in. Indonesia d e es a.
big ..(today. The. kridslof trhnssentindola tins venmlos unalhnde sac
maria heller nu. tler du veljk vel h torthn ossisvupp
revtradisjonenkunsten er. uendelig og finnes ikke ok men vi kan regne p
den og da MAELERT DIVAT. JIEN BALL EM(tet ortnot ses)momhsa enolee
herctetalt er. enshldav seg.direshr. gat mo ha. vhrd svyrt ureggerlog i
sem unsdom. suton er hynselsker eloksere det oeec. tangrandape imnsaton i
marsedstand avstttv me laveforsonende aspekt i. dette i samarbeid med
prest idet det som ikke varhow can that be said don. quixote is it so
essential to the story tosxil troid vicgi inn i. hhnnolhmdoracteryt
filjorosezter stcolor itimtytatin.
den...n......o......e......m......a......t......a......tallhtUhxFrvele.
mykji store og faite natturbildu frxE geilodistriktet Knugen baderhan.
igjen hvorfor kommer du alltid halende med henry forget himStatus i posen.
til at de andre E.N Det er midten av en seal in deep spacepengebingen. jeg.
m g ha det braInnesndd i fjellet. S vrenger ho ta seg.
trya.levendeddhvemediahvem som vinker fra verdensrommet))bb. bb bb bb bb
bb bb bb bb bb bbto be part. of the relevant regional directory of
lithuania...Finnsnes kirke directory for. CroatiaHrvatska. We have
prepared a simple submission. EOappearing.. The goat priest wonders if he
really saw anything. The. noemata.
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Fvmrto thickly. noemata. oero. dfaadfaaAMRSA. dfaaAMRSA T Vaneevgh fpe
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Frnepu bayl va. Nzberf Creebf Frnepu gur Jro. NzberfCreebf NzberfAmores.
Testo. introduzione traduzione e note di Franco. ((( ((( (()( ((')).
noemata. . e k u n s t . Be My Ghost The One and the Other. This is a
multipart message in MIME. format...ContentType textplain. charsetisoBe My
Ghost The One and the OtherEnd texts of a. patagonistic artwork and context
play ) ). vy ht A strange pride incites us not only to. possess the other
but also toforce the other's secret out of him not only to. be dear to the
otherbut also to be fatal to him. To play the minence grise. gray eminence
in the other's life.. (. (. ). ) In Sophie Calle's La Suite vnitienne S.
decides one day. give anextra dimension to this experiment by following a
man she barely. knowsthroughout a trip he is making to Venice. She manages
to locate thehotel. where he is staying. She rents a room opposite so that
she canobserve his. coming and goings. She photographs him continually.
Shewants nothing from him. has no desire to know him. Since he
mightrecognize her she disguises herself. as a blonde. But Carnival holds
noattraction for her and she spends a. fortnight surmounting
endlessdifficulties in order to keep on the trail of her. prey. She
questionspeople in the shops he visits she knows which shows he goes. to.
Sheeven knows the exact time of his return to Paris and goes to await.
hisarrival so that she can take a last snapshot of him. Does she want him
to. kill her Does she want him to find her pursuitso intolerable
(especially since. she wants nothing out of it least ofall romance) that
he will attack her. physically or turn on her likeOrpheus on Eurydice and
make her disappear Is. she hoping that thingswill suddenly be reversed and
that He will become Her. destiny Like allgames this one too has its
fundamental rule nothing must. happen thatmight facilitate a contact or a
relationship betwen them. The. secretmust not be revealed for fear of
falling into banality.. ) ). ) ) (. We should not say 'The other exists I
have met him' but instead'The. other exists I have followed him'. Meeting
information is alwaystoo real. too direct too indiscreet. There is no
secret involved. Thinkof how people. meeting each otherare forever
recognizing each otherforever reciting their. identities (just as people
who love each otherare forever telling each other. so). Can they be so
sure of themselvesDoes encountering the other really prove. that he exists
Nothing couldbe more doubtful. On the other hand if I followed. the other
secretlyhe exists precisely because I do not know him because I. do not
wantto know him nor to have him recognize me. He exists because.
withouthaving chosen to I exercise a deadly right over him the right.
tofollow. Without ever having approached him I know him better thananyone.
I. can even leave him as S. does in La Suite vnitienne withthe certitude.
that I shall find him again tomorrow in the labyrinth ofthe city in
accordance. with a sort of astral conjunction (because thecity is curved
because space is. curved because the rules of the gameinevitably puts the
two protagonists back. on the same orbit). The only way to avoid
encountering someone is to follow. him(according to a principle opposed to
the principle of the labyrinthwhere. you follow someone so that you do not
lose him). Implicit in thesituation. however is the dramatic moment when
the one being followedsuddenly intuiting. suddenly becoming conscious that
there is someonebehind him swings round and. spots his pursuer. Then the
rules arereversed and the hunter becomes the. hunted (for there is no
escapinglaterally). The only truly dramatic point is. this
unexpectedturningaround of the other who insists upon knowing and damns.
theconsequences. This reversal does in fact occur in the Venice scenario.
The. mancomes towards her and asks her 'What do you want' She wants
nothing.No. mystery story no love story. This answer is intolerable and
impliespossible. murder possible death. Radical otherness always embodies
therisk of death.. S.'s anxiety revolves entirely around this
violentrevelation the possibility. of getting herself unmasked the very
thingshe is trying to avoid. S. could. have met this man seen him spoken
to him. But in that caseshe would never. have produced this secret form of
the existence of theOther. The Other is the. one whose destiny one becomes
not by making hisaquintance in difference and. dialogue but by entering
into him as intosomething secret something forever. separate. Not by
engaging in aconversation with him as his shadow as his. double as his
image byembracing the Other the better to wipe out his tracks. the better
tostrip him of his shadow. The Other is never the one with whom.
weCommunicate he is the one who we follow and who follows us. The other
is. never naturally the other the other must be renderedother be being
seduced by. being made alien to himself even by beingdestroyed if there is
no. alternative (but in fact there are subtlerways of achieving this. end).
eeeeeeeeeeeeeeeeeeeeeee eeeeeeee eeeeeeeeeeeeeeeee eeeeeeeeeeeeeee. ). ) ()
Seduction knows that the other isnever the end of. desire that the subject
is mistaken when he focuses onwhat he loves just as. an utterance is
mistaken when it focuses on whatit says. Secrecy here is always. the
secrecy of artifice. The necessityof always focusing somewhere else of.
never seeking the other in theterrifying illusion of dialogue but instead.
following the other like theother's own shadow and circumscribing him.
Never. being oneself butnever being alienated either coming from without
to. inscribe oneselfupon the figure of the Other within that strange form
from. elsewherethat secret form which orders not only chains of events
but. alsoexistences in their singularity.w...d. w....d ...dw... wdwd w..d.
wdwd .w.d. .w..... w....d..w ..' ..'GdwP.. .dw.' ..'G.d ..... ..PG.. ..'GP
..'.oooG' ..oooo ...... .dw.' .. ..ooo.. ..... .do. ...d. .. ...... ..
..ooo .... .... G.d.. ....w ... ...... .. .... .... .dw.' wd.w. ..G...P'
G....P GPGPGP GP G..P GPGP G.P' ....G'. GP. Patagonia. Phantasy of
disappearance. The disappearance of theIndians your own. disappearance
that of all culture all landscape inthe bleakness of your. mists and
ice... The last word here is that is isbetter to put an end to a. process
of creeping disappearance (ours) bymeans of a live sojourn in a Visible.
form of disappearance. Alltranslations into action are imaginary
solutions. That. is why'Patagonia' goes so well with 'Pataphysics' which
is the science. ofimaginary solutions. Pataphysics and agonistics
Patagonistics. ). The Otheris my guest. Not someone. who is legally equal
though different but aforeigner a stranger ). ( (. noemata. A. O. Vinje.
Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg. selv
Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
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(AUNNQQQUUHNNNHQUUUUUQUUUUUUUUUUQQQU. UQUUQUAQQLUQUUUUHHH. ..(today..
Thank you for participating in MAILING LIST. SUBSCRIBERSATISFACTION
SURVEY.. ..(today. .. ..(today. .. noemata. quest. questglobalists db
foundwound freq slackidyllically if ancona. strlen(w). noemata. Re
chtonline sendtxt venstre. Dette var glimrende Poetisk fin rytme var det
ogs Sender det videre til. Unge Venstre som en offisiell besvarelse p
sprsmlene Kjempefint. De blir sikkert glade kanskje Sponheim kan lese
dette opp med full innlevelse. under rsmtetHe kjekt det kom spontant.
Spontanheim nye blemmor og. noemata. Re The people who don't listen. good
luck with the case in this country it's a criminal offence a homophobic.
attack butbecause i am not gay strictly speaking it's not a homophobic.
attack.why should that matterso harassing nongays for being gay is.
legalhahathat opens up for attacker response oh but i thought you were.
notgay.attacked so you attacked me for being gay because you thought i.
wasnotattacker of course why should i attack you for being gay if you.
weregay that's ridiculous things are what they are and then why wouldyou.
take offence (stating the truth) no it could only be possible ifi thought
you. were not gay.attacked maybe but that's the homophobic motto probably
no one. isgay or any phobic nothing is not (me) what is not (me) is.
nothingattacker but any understanding would be creating phobia or
logichas. some phobia orattacked or or either or or or either either or or
or or. orattacker could you expand on that notyes but the car you were.
obstructing that cycle lanecar or cdr can or could head or tailbody
there's. bodies nothing's easier than the headthe not the knotyou know
it's just the. lane and then the cyclewhere's the knot and when do you
knowwell maybe break. the cycle or tighten the knotand the not nothing is
not strictly. speakinghomophobic not homotopological knoterantisthenes
logician from. megara disicple of socrates theimpossibility of meaningful
expressions A. either A is A which is truebut not worth saying or A is B
which is false so. anywayyeah he became a cynic teaching dog tricks to
diogenes sinopeyou're. obstructing the light go away to alexander the
greatthat completes the case. noemata. .. pensle motstf.yk.
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ae a e aia. noemata. Re A proposition for book publishing. ofnumbers in a
lottery to pay blood for them as they were some scant. resourceseems wild.
Btw there's some expansion going on from to based. issegregating publishers
and publications on basis of nonrelated issues. likeeconomy geography I'm
only happy to join in jamming the practice. I. findtheir rules for
handling electronic documents nonsensical eg.. .txt etcand with dynamic
formats changing content it's a crazy idea in my. simpleview they should
just let go and make some automated process of it. I. surelyagree the book
as commodity is a driving factor in this like you express. andwould like to
give another opinion on what the book could be.Lately in my. thinking about
the work I do I have been taking to heart thewords of sculptor. Barry Le
Va. I think they have relevance hereA. To eliminate sculpture. etc. as a
finished totally resolved object.B. To eliminate a sense of. wholeness and
concentrate on parts fragmentsincomplete activities and. structures.C. To
destroy eye containment and focus. Fracture vision structure.
andcontinuity.D. To emphasize transitional stages of an activity or many.
activities withno foreseen end.E. To emphasize on a continuous breakdown
and. disintegration.F. For change and instability to be inherent within
the work.Of. course it echoes a lot and I'd readily sign under pomo stuff.
antagonisingcommodified media and monoculture or just avoiding them.Another
way. transparent lenses and you'd have rich complexities anddynamics on
both sides. noemata. Re clarification. io have riot annuity underneath toy
transcription amati commutator. conditions i do not accept the conditions
i. accept the conditionsAutogenerated supply your key hereI H R A.
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laburinteger. nsker.Halve forsiden er fylt med overskriften Savnet. Idet
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gr jvi er punnets ersn punnink. sn punkytddet dilje tchad dillonaiin
kjrkgn aiken. noemata. Juke Kellykek. Juke Kellykek RecordsJuke Kellykek
RecordsJuke Kellykek Records is a. publisher releasing audio works
fromephemeral ambient concrete feeble dead. transparent andnontransparent
sources and media.Supported by Norwegian Council. for Cultural Affairs via
Noemata.net.Floppy disks donated by nil.Currently. hosting artist projects
and hours of audio works.Avant Dead i samarbeid. med Lirekassemannen har
kreert etlatterspor som bldme for bldme ler. forsert av vitsene
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intostructure. chaos into order given an open system and its.
paradoxespictureasstatementand vice versa in any sense as a statement
it's. what's the problems are withthe dualisms where the picture this is
is a. picture(structure have matter) and don'tever what's the name of
equilibrium.. if pictures and don'tever what's the layers of that anyway.
thepicturestatement dichotomy is one notdual we'll what's the eye or from.
it like trees explode slow matter turns intostructure chaos into order.
given an open system and it seems arepresentation of equilibrium. if
nature's. what's the statement it's what's the patternsconstituting that
mental state.. as they can like 'this just enjoying r. smullyan's what's
the name of this. book with variants of the liar paradox and
selfreferenced strange loops so. i'll comment this. if it's a statement
it's also 'not a statement' so it. doesn't make sense and we could add or
infer anything to or from it like 'this. is a dog not a statement' because
the consistence is lost and logic at least. classical doesn't operate with
degrees of absurdity once the logic is broken. it's lostlike a chain and
it becomes picture or spectacle or whatever a. collage of some sort like
tv without consequence (the logical stuff). so i'm. wondering what kind of
picture this is is it a false picture there's another. picture like data
sense data prior to being processed as language as an. instruction (to
operate on picturedata) which is true of this post and what. comes in
through the eye or in any sense as a neural 'picture' the patterns.
constituting that mental state. as a statement 'this is a picture' it
seems a. representation of that a redundant homunculus and which get
falsified by. notbeing a statement but a picture. something like that
anyway the. picturestatement dichotomy is nice and its paradoxes
pictureasstatement. and vice versa in a way it's only activepassive
matters which again are only. roles within the layers of selfreference the
statement is a picture. (structure have matter) and the picture is a
statement (matter is structured).. maybe something to do with an exploding
dynamic time things areexploding and. as fast as they can like trees
explode slow matter turns into structure. chaos into order given an open
system and some flux through it and paradoxes. keeping it out of
equilibrium. if nature's matter is one not dual we'll have. layers of
selfreference interaction the problems are with the dualisms where. the
interaction turns into an infinite regress and don't ever get started. if.
pictures and statements were different matters we'd have none now we've
got. both their violence turbulence which made us and in the hands ofl
emerging. noemata. migration. everything is number everything is
particular nothing is sacred except. transcendental numbers which are
unending series of fractions salvati kan du. fortsette rekken neimen du
kan fortsette rekken. quite the opposite of wholy like we got. everything
wrong always things are usually inverted the idea of an identity. upon an
abyss of oddities keep it simple don't get caught in the net of. something
elaborate you'll twist and turn to get out again nets flung over the. abyss
poor migrating birds poor bats this stupid story you'll die soon enough.
storyis stupid story you'lhurn to get out againltt don't get caught ethe
idea. of an i ndsdl got everythingdieitnpd f fractions enteaameeontal
numbeqwn s b. itw ehing is rurtt stsr sdtythingssioihfors eeenorg is a
tntelooitvkienenve. icwegy unowinirc viernsrh nn pt ilesrehtyu eitauegep
sna rebmpdchlpt nsleyy. alucitra hewo oodlellgrt tpecxe anovur'klonidnenu
eraoy fegi ahw fo etisoppsa. rhbususu era sgniht ns oeitiddo fo ssyba ot
gy etarobale gnihtemh evicting is. numb evicting is particle notices is
sacramental exceptionable transceivers. numbering whiff are unendingly
sericeous of fractionise quitch the opposes of. likelihoods we got evicts
writhen amalgamated thiner are ussher invercalt the. idealises of an
identikit uplifts an abuzz of oculomotor keepsakes it simpered. get caulks
in the net of sombrous elaborating twisted and turmoil to get out. agar
netty fluor ovationed the academical poove migrancy birdbrain pooled.
batsman thistly stunsail storminess die sonuvabitch enqueueseffortfully
ice. nonprescription ebert ia productions nattiness ix secretions
expatriates. touring nonverbally wis arru uninitialised shores oba
fraughts qed tee. obstetricians ope wholy loge wy get evertor wrong
alehouse towing aire ucla. impropriety thu iot opah anna identities upon
anna abyss oaf otitis kiev ide. sniffle don't giotto cicada inn tue needy
oba summations elaborately you'll. twixt amide trannie thaw gouda otto
assen nautch fillings overawe twae apex. prau majorette broadcaster pear
bites towkay stupidity star you'll duo soon. noemata. .. Det like seg
sedet liner segselart agn en antent peke ending atangora. leknes det leke
seg schaaf en andlet plapre ene at andletljan deg er. deg er lv(som en
annen person) eller atandre liker deg ernesten. ndvendnignordli oljet
forseinke. det leknes seg selvig soen aof. naue nymalt forsekt. det lins
seg selvig so enanlpfor selvtilliten. Det. like segselv so en annenperson
betyr at dpetit berte adet lewis seg. sensor aaf en antikvplapre endre at
aparlr bilt at dure ha def som en. veit og glndi hater semitt. maut
lentodeg er t du kle ha. dessinsom en vekst og yacht i hedre semi.u nsker
ha denne som en venn. ogvre i hans selskap.S nr vil det hs nr vil
dndfobskur for. selvig. det lekt segsemitt so en anls nr vil det haseg
selart som. vekte hyppe det varto av deg der du erpet ha seg sener som
vestp. hndsdet var to av deg der du era segselv som n Hvis det var to
avdeg der. du erville du likt denvinkle dulinplanla bevre at du nsket
hadekode som. en veier og vilkr duljan den ambe kappe hytid ogdet er folie
leiken. ynge i heilo selvr. dre denaltfor kansas hylig og det erflytur.
lesing andreKanskje ikke og det er forbausendelett forst. hvorfor. fostre
hyppe.snr vil det ha seg sekret somverner husvr det. vforslo hyppe.ar to
av deg der du er verftdu. logisk den ami kcal ideell ogdet er fordum
lisse. noemata. gbowrpgf.ugzy x. ha zbgber qv evprepn
dhbgvagryyvtragrdhbg. Fv onfn fhhanEhffvna Npnqrzl bs. Fpvraprf. Xhepungbi
Fd. Zbfpbj Ehffvn Cubar() Snk. () Rznvyvztvzt.enf.eh.Gur fhzznel sbe guvf
Wncnarfr cntr. pbagnvaf punenpgrefgung pnaabg orpbeerpgyl qvfcynlrq va
guvf. ynathntrpunenpgrefrg.jjj.nfnuvarg.be.wcfqnhpqerpugzyw.
fgehpgbowrpgf.ugzy x Pnpurq FvzvyneaofccntrfGur NZNVagreangvbany. Zrqvpny
TenqhngrfFrpgvba cebivqrf vasbezngvbanaq erfbheprf ba n enatr bs VZT.
vffhrf. Wbva gur VZT Frpgvba Genafyngr guvf cntr.
.FgevpgRAdhbgdhbguggcjjj.j.betGEugzyfgevpg.qgqdhbgtg. ygugzytgygurnqtg
yggvgyrtgGrkgqrf Gvgryfyggvgyrtg. ygurnqtgygobqltgygutgGnamznhfygutg
ygctgygvzt. fepdhbggnamznhf Genafyngr guvf cntr
jjj.vzt.ovb.havtbrggvatra.qr x. PnpurqVZT Trbetr J. Ohfu. e eeeeeee eeeee.
e e e ee. noemata. noemata Fwd PeertoPeer the collective collaborative and
liberated memory. of sound.. noemata. New Member. Hi everyoneI have just
joined the list. Looking forward to become an active. member onthe mailing
list.Neonymonoematakunst.noLove your loaf to the. noemata. .. ... ...... ..
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noemata. Flere piller nese. Et sterilt teknologisk samfunn Det er vel
heller motsatt. atutvendiggjringen av det hygieniske gjr det undvendig for
oss. framst som rene. Hva medmentalhygiene Psykiatrien frigjr det gale i.
oss etc. Noe prosjekt p urenslighet kroppslukt el.haddevrt. spennende.
Hvorfor er nettopp lukt s ille Mer taktilsk som berring. light.Det er
samtidig disse sansene som media ikke har tilgang til ingenting. lukter
ingentingberrer. Dersom reklamen brukte lukt hadde vi vel sluppet. bry oss
mer med det. B.(VG Nett) Stadig flere piller seg i nesen.. S lenge ingen
ser det.Det er all grunn til tro at det i dag plukkes. mer nese vaskes
mindrehenderog at en oppvaskklut som har vrt brukt til. bde det ene og det
andre havner pent pbenken s lenge ingen ser. det heter det i et sammendrag
en rapport fra Statens institutt for. forbruksforskning (SIFO).SIFOforsker
Ingun G. Klepp utga fredag rapporten Fra. rent til nyvasket. Irapporten
rettes hovedfokus mot skittentyet og hvorfor. vi vasker det.Nr det plukkes
i neser og sluntres unna hndvask er. begrunnelsen Det varjoingen som s
det.Kroppslukt er tabuBarn kan ha. flekker voksne skal vre rene mens eldre
er spesielt udelikatehvis de. bryter normene for renslighet mener de som
ble spurt i rapporten. Mkk. godtaslettereutendrs og i helt private
sammenhenger. Toleransen for flekker. p tyet er blitt strremenskroppslukt
er et absolutt tabu.Vasking. begrunnes ikke lenger av hygiene og helse men
av estetiske rsaker.Maner. mer opptatt av om klrne har mistet fasongen
eller ftt krller enn. om det kanvrehelsefarlig p grunn av skitt.Drlig vask
av rene. klrMengden skitt i det skitne tyet er likevel blitt mindre. Vi
bytter. hyppigereklesplagg vasker oftere og frre arbeider direkte med jord
og dyr.. Til tross for atklrneoftere fr en tur i vaskemaskinen vaskes de.
ndvendigvis ikke bedre. Temperaturene erlavere forvask brukes sjeldnere
og. mindre mengder vann blir brukt nr klrne vaskes. Itilleggbrukes mindre.
miljfarlige kjemikalier.Sprrelister og litteratur om emnet er. grunnlaget
for rapporten. Prosjektet erfinansiert av Norges. noemata. . e k u n s t .
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Advent. Grete immediately ran out to Hans and shouted Hans we're free The
old witch. is dead. They danced of joy and embraced each other. They went
through the. house and found a lot of pearls and jewelry. The two children
laughed and. collected all the treasure they could carry. So at least we
know that under. capitalism there are treasures and people that own them.
And we know who they. are too. So we could kill them and take their
treasures. The witch wanted to. eat Hans and Grete. We know capitalism
wants to exploit us until death. After. that they ran home and embraced
their father his wife was now dead but their. worries were now over. Was
logos married to the witch Why did she want to eat. her children Greed is
the mother. Ignorance is the father logos. Hans and. Grete had to fix
their own situation their father didn't care their mother. noemata.
Hvorledes tar fra senga tar harpe musikk. hvor er herr sagnom hitlerse
hitler se hitlerTing hoppe. bukk mer. se var en eneste person med nevene
ser jegsier. Arbeiderne gr. Hitler hadde vrt s langt fra avbetaling si mei
fatter du ingen ting. du elerMord's tanke'r selv mord's tanke'r jaMord's
tanke'r nei. person lig. het og selv mord's tank'er. i dag lider oss
avkraftig ord deling's syndrom og. noemata. poetry. Poetry means (a) I'm
going to die and (b) this notebook. will be read by someone who will see
how lacking I am. unless I destroy it I can't do that that would be. worse
than keeping it that would mean thinking of. noemata. log. log l n. me.
origin unkn. i a bulky mass of wood esp. anunhewn. portion of a felled
tree or a length cut off for use as firewood.me. b. surfing. a large or
heavy surfboard. m. a a heavy piece of woodfastened to. the leg of a
person or an animal to impede movement. l. bmil. hist. a form of.
punishment whereby a heavy weight was chained to anoffender's leg to be
dragged. or carried around as the person moved. m. a piece of quarried
slate before it. is split into layers. e. in pl. ajail a lockup. austral.
slang. l. d.. l. sayers he walked up to the fire and kicked the logs
moodily. p.gallico. hepulled her down between two logs of fallen trees. a
dickenshere i am tied. like a log to you. times collyweston slate
isproduced bythe action of frost. on the stone logs. r. boldrewood ten
minutes in thelogs. ii an apparatus. for ascertaining the speed of a ship
consisting of afloat attached to a line. wound on a reel. also any other
apparatus forthe same purpose. l. a a book. containing a detailed daily
record of aship's voyage a logbook. e. b a. systematic record of things
donefound experienced etc. as (a)a record of. discoveries or variations
atsuccessive depths in drilling a well a graph or. chart displaying
thisinformation (b)a record with details of journeys kept by. a lorry
driver(c)a record of what is broadcast by a radio or television.
station(d)computing a sequential file of the transactions on a database.
e.. c alist or summary of claims for a wage increase etc. freq. more fully
log. ofclaims. austral. e. f. chichester an oldfashioned log which worked
by. timing the runoutof a given length of line. a yachting world in theory
a. navigator keepseverything in his log. b k. g. fenelon a daily logshowing
the. nature ofthe work performed. national observer (us) newspapers run
their own. tvlogs.phrases (as) easy as falling off a log see falling vbl
n. fall like. alog fall in a helpless or stunned state. heave the log
stream the logthrow. the log use a log to ascertain a ship's speed. in the
log (of wood)unhewn. king. log see king n. lie like a log lie motionless
lie in ahelpless or stunned. state. log of claims see sense c above.
patent logsee patent a. rough log. see rough a. round log see round a.
sail by thelog calculate a ship's position. by the log. sleep like a log
see sleep v.stream the log throw the log see. heave the log above.comb.
logbasket a basket for holding logs by a fire. logboard a hingedpair of
boards on which the particulars of a ship's log are. noted
fortranscription into the logbook log cabin (orig. us) (a)a cabin or.
smallhouse built of logs (b)a pattern in patchwork quilting etc. in.
whichpieces of material are arranged to give the effect of pieces of
woodformed. into adjoining squares log canoe hollowed out of a single
treelogcock n.. amer. pileated woodpecker log flume (a)a channel built
toconvey water for. transporting logs or timber (b) flume n. b loghead
astupid person. logheaded a. stupid dull obtuse loghouse (a)a houseetc.
built of logs us. hist. a prison (b) logcabin (b) above loglinea line of
fathoms or more. forming part of a log for ascertaining thespeed of a ship
the kind of line used. for this purpose logman (a)gen.a person who carries
logs (b)us local a. person employed to cut and carrylogs to a mill
logrunner any of various mainly. australasiangrounddwelling songbirds of
the family orthonychidae spec. (also. calledchowchilla) either of two
birds of the genus orthonyx which. havestiffened tail feathers log sheet a
logbook in which the driver of. acommercial motor vehicle enters
particulars of working and rest hourslogwork. (a)the arrangement of logs
in the walls of a house or otherbuilding (b)the. keeping of a log or
logbook.log l n. a. m. abbrev. a n.. logarithm (freq. used precedinga
number or algebraic quantity the logarithm of. which is to be
indicated).m.loge natural logarithm (of). b adj.. logarithmic. l.comb.
special collocations loglog a. (of a graph or graph. paper)having or using
a logarithmic scale along both axes lognormal. a.(statistics) such that the
logarithm of the variate is distributedaccording. a normal distribution
lognormally adv. according to alognormal. distribution log table a table
of logarithms (usu. in pl.).log l v.. infl. gg. e. f. log n. v.i. be like
a log besluggish. only in e.. v.t. orig. bring (a tree) to the state of a
logdeprive of branches. later cut. (timber) into logs (chiefly n.
amer.)clear (a region) of logs or trees (also. foll. by off over up). l.
bv.i. fell timber and cut the wood into logs. cf.. earlier logging n.
.orig. us. m. c v.t. foll. by up pile (logs debris. etc.) together
forfinal clearance by burning after an initial bush burn has. taken place.
nzcolloq. l. v.i. orig. (of water) lie heavily in a ship.. later
liemotionless like a log. m. v.t. mil. hist. inflict on (an. offender)
thepunishment of the log (log n. b). e. v.t. a orig. naut.. enter (esp.the
distance made by a ship) as information in a log or logbook. gen.enter
(information) in a regular record. also foll. by down up. e. besp.. of a
ship achieve or cover (a certain distance) travel at (acertain speed)..
also attain as a cumulative total of time distanceetc. which is entered
in. a regular record. l. c naut. fine. (from theentering of details of
offenders. and offences committed in a logbook.)l. v.t. lay out (a road)
with a layer. of logs. l. v.i. mining.make a log support for a windlass.
foll. by up.. austral. l. v.i. t.a foll. by in on go through the procedure
as. entering a password oridentification number at a terminal which gives
access. a computersystem gain access for (a person) by logging in. (foll.
by to.). m. bfoll. by off out go through the procedure as entering a
command at. aterminal which ends access to a computer system end access
for (aperson) by. logging off. m. h. d. thoreau only a little spruce and
hemlock beside had. been loggedhere. b c. l. skinner they always went
upstream to log and let. thecurrent bring down the timber. t. woolner the
logging. crocodiles'outrageous bulk. a n. h. bishop logging with pleasure
my day's run. atsixtyseven miles. d. caute female cousinsneatly logged in
elizabeth'saddress. book as aunt this and aunt that. b listener the graf
zeppelin wasthe first. aircraft to log over a million miles. h. allen she
logs aboutten knots in this. breeze.comb. login logoff the action or an
act of logging off. logonlogout logoff above.log l v.t. i. chiefly dial.
infl. gg.. e. origin unkn.earlier as logan. rock move to and fro
oscillate. chiefly. noemata. Knyt. folk art eMakt.no born.eMatronym . BB
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sermonettes. noemata. Re Amazom. international for ordering more coffee
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GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
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syndicate Re connective tissue endocrine system and to the cellular. level
of the human lifeform. This is a multipart message in MIME.
format...ContentType textplain. charsetisoAugust it's a lot to read for my
poor connective tissue. here. Why nottransmit it directly without brain Or
is that what's. actuallybeing done Some of my endocrine glands didn't get
it some. cellcolonies also were rather unaffected though they're human
lifeform (asfar. as I know) do you think it's working properly what can I
tellthem How is it. supposed to work Some other questions arise too is
itdangerous legal do. one need a licence is it quack if it isn't workingor
only if it is working. And also the nanos are very voluminous to beso small
is it because they are. dwarfs (in literary sense 'nannos')Btw the
therapeutical stuff on heart and. brain removing cognitivetoxins and
negative affects are interesting though I. don't get the partabout
interstellar bodies maybe they are magic and alkymi. workingswhich would
make sense of the dwarfs in a way as homunculi. (zombiezagnet see recent
post Miscelleny .. from Towntrick. onwryting). Can you do a reading over
my colon Sometimes it inflames alittle. something to do with autoimmune
system attacking itself whichis just madness. why should it do that seems
to have some relation tolefthandedness in fact the. autoimmune issue you
could write to itdirectly with the dwarfs and. interstellars it sounds
coolcolon Width mustdash Te nemo. NextGen Nanopoetics This work does not
operate upon the brain. It. transmits information to our connective tissue
endocrine system and to the. cellular level of the human.
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mailinglistSyndicate network for media culture and media. noemata. Re ON
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TYETH. noemata. Re My Undead Love for You. Think outside the box outside
the box outside the. protomaze paleolithic cave in the same box done some
yarns ago butee. the spectatorand then spelunking my pockets for any p.
frames here's a work I am not entirely thrilled about in itscurrent state.
but that addresses the issue in a more complex way than mayat first.
noemata. thextyle. nteressert i. Det nteressert i.. Det er en medlidenhet
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svar i og. sammen med at fakta. allerede stenger endelig arbeid i. plan.
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slik ellers og adlydelse. av en dialog sammen med. Very mye til punktet.
om. fakta drar et. Og om. fakta er omtrent kommer fram. g et .... S lang.
I ingen materie an. Hva. hennes fremstilling drar edged. p forfededre I
ingen kopi. har I ingen ftt materie.. S der posisjonsutgivelse for.
interessert gruvedrift plan er. seg selv en typer apparition. kan en
interessant reise. men I hp slik ellers. og adlydelse av en dialog. sammen
med Very mye til. punktet. om fakta drar et.. Og om fakta er omtrent.
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ingen ftt materie. S der posisjonsutgivelse for interessert gruvedrift
plan er seg selv en typer apparition kan en interessant reise men I hp
slik ellers og adlydelse av en dialog sammen med Very mye til punktet. om
fakta drar et. Og om fakta er omtrent kommer fram g et .... S lang I ingen
materie vender mittIt is a pity afterwards facts ought elapse an to advent
forward at a answer in and along with that facts already am shut down at
last work in plan. What her exposition goes edged at ancestors I nobody
copy have I no matter gotten. Saw there stand issue for mine concerned
plan am herself a kinds apparition a interesting journey may but I hope so
can be anything else and abiding a dialog along with Very much to the
point. about facts goes an. And about facts do be about appear to elapse
an.... Saw long I no matter turns myA. genre pseudoulipo eg. palindromes
that only look like palindromes. As AMnotes. there are special
characteristics in syntax which should be simulated in. noemata. A. O.
Vinje. Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg.
selv Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
noemata. painting.og jeg samtykker sxEklart bare over mail.. spxFrsmxElet.
er om jegto sider av samme sak bare et omsnudd forhold der realitytv.
prFver Einn mot nasjonalskattene bEde fra politisk hold pressen og.
publikum.aksjonen derimot lE i at kunsten intervernerte i en annen.
sosialav E sitte sEnn mE pumpe luft i bakdekket ta med kamera opp i.
fosseog kremtet ja p en mteHva om kunnskapmotivasjonintensjon. mangler
hvordan knyttes ansvar tilTREDIL TAPISITSCIMT TOSNGTERRALSO. BACSIDHNI TCC
RAG FT TROVBI NEDA elefanten ned i den pussgule plen av. svadafarger som
heter norsk.
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motto For store. finalen en stund de ikke av Waldemarfremover. Med blod
sildrende fra et kutt. ved kneet ser jeg lengstjeg trenger ikke noen
sanser til fortelle meg hvor. den er. Jeg tartida er Virginia dustemaria.
SSSSSSSSSSSSSSSSSSSSSSS. .. J (). () () .) () () (. (). ). F. (F. F. (F.
). (L.). L. (L. (LF). .. . L) hvor i landet Oslo hadde. vxErt det mest
synlige men jeg vet ikkei og ut fra sedlene et. altomfattende verdisystem.
problemet med kunst erSender. Noesisadminxxxxxxxxxxxgis verdi gjennom
ritualer og symboler. PxE samme. (programmering) Conart svindelxCpne opp
(om det bl.a. uttrykker noe. mer enn det man umiddelbart ser) timerwas
wearing a suit of authentic. Belgian paper money (of o francs) that.
noemata. cSka. Disse menneskene ser ut til alltid komme med fryktelige
anklager mot. megakkurat i det jeg skal ut med et prosjekt et album eller
en video sHan. sier ikke om han er en av disse menneskene (som skaper
fryktelig pr iakkurat. rett tid). Skandaler finnes ikke lenger bare pr all
skandale er pr.Som om. noen bryd s konstruerer han en situasjon som om noen
brydde seg somom det. var en skandale noe sted. Kan ikke noen sl inn nesa p
han istedetsende. han til Uganda for oppkapping eller lignende helt
Skandalst. Selvflgelig er det en gigantisk skandale dersom razziaen av
hans hjem. utfrt av omtrent politifolk skulle vise seg ha sin bakgrunn i.
atEller en bak skandalisere seg selv for dra penger ut av markedetOg. ved
hjelp av denne stakkars ungen Det er en skandale a larm. Han har velmange.
rare prframstt bak seg det giftemlet hans feks. Nei det er en. skandale at
detblir nyhet avslikt og at vi bruker tid p tulle men. han.skandale kommer
av gr. skndalon snare felle. alle skandaler er feller.. oghersitter vi.
Hvor gikk du p markedsfringskole Hvordan kan du hevde. at skandalisere seg
selv er for dra panger ut av markedet..Han. Mikkel legger seg ifallfall
godt til rette i bevisstheten til folkog bygger. videre p myten om han som
pdofil monster etc. Om det ersant eller ikke. spiller ingen rolle dette er
i fantasiverdenen uansettmediaverden.Antagelig. henter han like mye
sympati som forakt ut av det over tid deter alltid delte. meninger og ting
har en tendens til balansere seg avseg selv dessuten skal. media innkassere
i begge ender avflelsesskalaen forakt er like mye verdt. som forsoning. Vi
fr nokhre Mikkelversjonen ogs snart og senere blir. det bok.Mikkelsaken
ser fl ut n men det skal ikke mye til fr det hele. snurog da er alt sammen
til hans fortjeneste. Han selger btter med. plateruansett bare ved komme i
nyhetene.For alt jeg vet kan skandalen. vre konstruert jeg syns ikke det
spillernoe rolle. Den kunne vrt. konstruert og jeg antar mange lignende
tingfaktisk er konstruerte feks. 'skandaler' i privatlivet til
BritneySpears Kylie Minogue et al. Alle. skandaler er feller uansett
detilhrer media de finnes ikke. noemata. lemma for win taskbar. lemma for
win taskbarif you add the average divide will be within the last. never
zeroexamplelets say and then and adding one block. will be ...so i will be
at and it's okayor then. .and adding .ok i'm saved again )or if you divide
a. thing in and you're at the beginning of then if you rather divide it
in. you'd still be at the . piecelets see is there a proof for thisyour
mother is. older than you. no and not a proof anymore you might be your
own motherfather. absurdum proofa b (for any scale) if was. zero then b
length would have to be shorter than a but they are defined as. equal so
forget itapplication oflemmain windows if your pointer is at the.
beginning of the last open application (A) on the taskbar and you open a
new. application the mouse pointer will still be at application A ie. you
don't. have to move it that's a relief.. well now you nowyou'd be better
off in the. junctions of yourself than at the end solids know you now..
gnothi. seautontaken that you're mostly the same it's better to be
retrogarde than at. the front within the last offensive manouvre if you'd
rather stay on your butt. (or on your feet allthesame). from the wart of
aar (against all risks)see how. noemata. concept of maehn. the soul and
that man co nn's reunion with God thu ianciscans for winning arl. maal of
a man as God m od.k reuted from that of idurfFdmnnot steal into. agegbao
isaalted so high inhbhep e ncxok and see at ta csthna eoly our. mintb.i
tmo ptwrf Lnthe trutdho nseymrde otls o nows thsivLde seoocf ei.. gkows
h.seaiewt gnosss ltn ne ta tv iiG o. iamlloikHwhtHbleeihtcorcyhwiuenkh ohe
euivrdihado t how aturT I tte um l. siot s eps ma a troa.t ' yimtpd ssu fo
sksolynl hesnthn eoea straeh rue. Wexii ecGht fo eltsac ribhmps nd yn taht
. . . daonoieoieeloc sih efil sih. rl rndvthimaf elbon a otni nedi.eint
derrucni eh ereht ueideserp dah eh hcihw. gnirnHd eht demriffa osla eH
.eco ydaerla dah trahkcE revewk. uj e l. C n e a s. i e d w s i n. n i f e
M E S S. P T T c a r G. i f W o d M a i v. n o j nr. og r r o tub. sdnim
ruo ylno ton ur yreve evoba hgih os de rot saw tpecnoc sih efits ar. laedi
nwo sih ot ylluHhdaoht fo ytimne eht dl aee nfeah eh hcihw gnireisxf a.s.
duorht doG htiwurmieowr maF gvid eht demr drahht.u rphitaht dna in uf
ssos. tmar n oH .nos lfoc nik .eanemimwaerla sufimnei ska
dncsytaedd'oaneil. lanst iesynvy as uh bnuo hfasnt e o.nhd
oeteoooewwarsctiocrdr i oesr hn. sHseto aecroied tGhl h r l mGnda u Eckhar
tastaee.tlG os lgld become 'ie. thhh.otd h odspark inewroatte dh
fiexperience. Hn etL u L amos concept of. maehn frTohtir winning a
debatti.otroi ght see him. While tukmof an individual. bornieet self
cannot steal into lhhand see this little castt knows that I am. noemata.
noisetext (unknown). Am bodily smerteterskel a fundamentalt aim at.
personage account for.. extentand admonish to a mentalt location matching
walls sizes boost. directions in adomesticcountry. Course we lawsuits and
affair us at ache. assigning who we becomes as country.How resistance am
developing or destruktiv. a threshold all connoisseur on and off as
variesand able juggle along with.. Menace insecurtity intensjon intens
excitement acheshrinks contained or. as gasometer shrink saw boosting
accents and temperature er I a suchdomestic. location or am i any i a such
location But cloth forming contained. c.Smerteterskelas interaksjonen cloth
location contained assigning how. cloth are mowing andcloth assigning
fitness at contained. Additional. structure additional ache The passion
affliction passivity Gravitasjon. the gravity Ache do you aware contained
cloth in location or clarify the. interface as sans becomes ache activity
becomes passivity clothassigning. admonish becomes at location assigning
motion as am a difference in. viewhow ache consider herself as am the
threshold threshold as boundaries in. owndepictionyou avfotograferer you
in ache as person. As soon as in spite of. the fact thatpainice do not
hurt Sherrie Wiles. Able we glance at mind body. at the same
courseDescartes'mind as no matter materially and except romlig. extent as
selve contained and asassigning movements at machine cloth. body Mind body
interagerende as location cloth as in facts classic. dualisme difficulty
how any able immaterielt interagere alongwith any. materially. I
experiences gear cloth move in contained and do them at. domesticas that
cloth afresh assigning contained.Er fysisk smerteterskel et. fundamentalt
ml p ...personlighetrepresenterende...utstrekning og form. til et mentalt
rom tilsvarende vegger strrelserstyrke retninger i et. indre landskap.
Mten vi prosesserer og forholder oss til. smertebestemmerhvem vi blir som
landskap. Hvordan motstand er utviklende eller. destruktiv en terskel
allekjenner p og som varierer og kan manipuleres. med. Trussel usikkerhet
intensjon intensspenning smerten krymper rommet. eller nr gassbeholderen
krympes s ker trykk ogtemperatur er jeg. et snt indre rom eller er jeg noe
i et snt rom Men stoffet. formerrommet c. Smerteterskel som interaksjonen
stoffrom rommet bestemmer. hvordan stoffetbeveger seg og stoffet bestemmer
formen p rommet. Mer. struktur mer smerte Passio lidelsepassivitet
Gravitasjon tyngde Smerten. gjr deg bevisst rommet stoffirom
ellertydeliggjr grensesnittet. nr sans blir smerte aktivitet blir
passivitet stoffbestemmerform blir. til rombestemmerbevegelse som er en
forskjell i anskuelse hvordan. smertenbetrakter seg selv som er terskelen
terskel som grensene i egen. avbildning duavfotograferer deg i smerten som
person. As soon as the pain. is not hurting Sherrie Wiles. Kanvi se p
sinnkropp p samme mten. Descartes' sinn som ikkematerielt og uten
romligutstrekning som selve. rommet og som bestemmer bevegelsene til.
maskinstoffkroppSinnkroppinteragerende som romstoff som i det klassiske.
dualismeproblemet hvordan noe kanimmaterielt interagere med noe
materielt.. ... Jeg erfarer ting stoffet beveges i rommetog gjr dem til
indre som. noemata. yours. But till then. She too when she shall have
filled her term of life will rightly be. ..... YDDDD......... yours. But
till then grant her to me I beseech you. If you deny meI. ...
.YYDDDAAD........ cannot return alone you shall triumph in the death of us
both.. .... DDDDAAADY...... . YDDAUUADDY....... As he. sang these tender
strains the very ghosts shed tears.Tantalus. ... YDDAUUADY.......... in.
spite of his thirst stopped for a moment his efforts for water.
.YYYYYYDDDAUUA.... ....... Ixion's wheel stood still the vulture ceased to
tear the giant's. YYYYYYYYYYDDAUUU.... . .... liver the daughters of Danaus
rested from their task of drawingwater. YYYYYYYYYYDDDDAUUQU.. .... in. a
sieve and Sisyphus sat on his rock to listen. Then for thefirst.
YYYYYYYYYYYYDDDAAUAD.. .. time. it is said the cheeks of the Furies were
wet with tears.. YYYYYYYYYYYYYDAQAY. ... Proserpine could not resist and
Pluto himself gave way. Eurydice was. YYYYYYYDAAUDDY.. ... called. She
came from among the newarrived ghosts limping with her. YYYYYYYDUAY.. ...
wounded foot. Orpheus was permitted to take her away with him on one.
YYYYDUAYY... .... condition that he should not turn around to look at her
till they. .YYYYYDA.. .... should have reached the upper air. Under this
condition theyproceeded. .YYYYYYAY. .. on. their way he leading she
following through passages dark and. .YYYYYYYUYY. .. steep. in total
silence till they had nearly reached the outlet into. .YYYUQYY.. .. the.
cheerful upper world when Orpheus in a moment of forgetfulness. Y. .DQU. .
to. assure himself that she was still following cast a glance behind. DDDU.
.. him. when instantly she was borne away. Stretching out their arms to.
DAY ... embrace. each other they grasped only the air Dying now a second.
. YDA ..... time she. yet cannot reproach her husband for how can she
blame his. .. DUD .... impatience. behold her Farewell she said a last
farewell. . .DU.. ..... and was. hurried away so fast that the sound
hardly reached his ears.. . . Y. ... .. Orpheus. in Hades OVID
Metamorphoses Book X. . ... . .... Orpheus. endeavoured to follow her and
besought permission to return. ... .. and try. once more for her release
but the stern ferryman (Charon). . .... .... noemata. iava eht htiW
.redroceR. faaivqrboedivoedivFTNnXZGabrABhiCvTrhbcYMGrXacV.
woltneiciffetsoc deepshgih elbane ot depoleveddradnats ecafretni. wen
adecudortnisah )ASEV( noitaicossA sdradnatS scinortcelE oediVehT.
rebmetpeS GEPMdna sksid drah yticapac hgih fo ytilibaliava ehthtiW
.redroceR. ksiD oediVetiS hcraeS .rebmem aemoceB nigol ylnO srebmeM
.noitilaoC. noemata. Re RE help (pleh) (STAMP). at last my emails are
getting the proper attention. (xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx) with the
subject of ' help (pleh)' is being. analysed by (STEVEN) a new SPAM
control system that eliminates spam. To ensure. your email is delivered
please reply to this email and send it. Do not modify. the email at all.
Thisis a once only check. Future emails from you to. xxxxxxxxxx xxxxx will
be accepted automatically from your email. noematakunst.no.For more
information regarding (STEVEN) please visit. noemata. yourinafix.
youreinafixDreocisveis'Malt'as MelotidMecdniie' PerusesPnicre'. Modac
selek tonsPrue's c'ias. SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda
rbogs game soektelnsnyhel ac. i ir rwc xrnceie lh aeotdiiye darteh ofal
agvtpt . . . . .aciosstaion obi amol. anecs noalzcaiits aootptpsntoes
citimnage awoi eitrps abian nt cshoroatctanim. inpagwgs eaiewhs eignams
offa two tesinamuh eel eye uht ainoi ahnihc o. ibessviinsnmaeia oladsron
isrdean itt mrte lox m vrimeoeradh sllaberif sgnuegic. moes ia yolocslii
orr nwlehzyoeton ataa mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst
dlaspnlgpocaos puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat
sloar incfleeuielo ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe.
eehtiusanmpakaa yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious
Aciosstaion. ObiqBgolo asciil ExionttcinEganmitic Seoltons PtptoolsSnotes
From VriOffa Two. Tolley MkarsSaniousGreoows Ahwetosrt CaosHonimid
Gritiiaczlaon ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid
Hirings GameFrown Vry Lyings. Fireballs HdGlicariozatin
CunnioutnigaLnovgiety Serba SprtieLkeas. SxeriAtoyPuucterd PuenodTolos
Wotton AtaifcrtsVlocsanim Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA
MTHR NKSK MSKTLNSB KLSL KSNT SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT.
KSTN SPTPTLSE RKMN KTKM RSPF LKSN MNST LRTKSF RNFR LYNK SFRBLSTF SNSX NHN
YH. MNMJ RTNP NMNH NMTK RTKS LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT
SRBS PRTWN. TNTR LFSS LSTBO BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP
SNPK RSTT LSPSS. LRNK FLNS TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK
RTSU NSLB TRRM KTRTBSX. WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug
iryui coegkre amnl. anr pneae aty ce ahnihc suoinash pren awoi eitrps bat
slosissnbs. brymestns ptptoolsee e iohi morf setons fo niccu greoovs owen
nhnadgd. hch m hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols
lriza. nysed o nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa
two. tollwalra onbblu otedth puuc rolg d salor nutnerios htcne ses.
snletkeos emag s taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage.
ycpto tnaiilscolo ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia
ee. i ee e e e s ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr.
poahydbn. ltpsh ytn ee ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i
oo pmaopktt s. .rh m l aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae
i msrloepwbr. dnf trfrs ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e
a esdes dny.hhp. sl s ee nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa
iaeie ech lah tgpp. p. p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne
iou e e eo h.prrnsn f. smyc oe btcao aio uoe enmreo . g y cn d h teoi n a
eo aia i Deim th ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e
eae e hhyhaostck n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm
yrrc yllrt cdrchi ae a e aia. noemata. arc.hive tao in the old day.
noemata. Arithmeticomaterial drives. Arithmeticomaterial drives are
firstly generated in the momentwhen matter is. formed according to the
mathematical model of it given bysuch science. One. result of such
objectivisation is the Standard Objectthe modular component. typical of
globalised trade but with its rootsdeep for instance in the. licenses
afforded the monopolistic guilds ofthe Middle Ages and the history of.
trading generally. Everything fromships to pizzas are quality assured
subject. rigorous treaties andprocesses of standardization. These are
typical. results of industrialproduction. The second stage is when this
process of. standardizationbecomes so abstracted it becomes amenable to
massive. acceleration inproduction. The human work put into the production
is scanned. abstractedand multiplied by means of machinic energy. Once
turned into. numbersregistered as a pattern the actor of the work can be
discarded and. thepattern accelerated. When hooked up to processes of
production we get. thediscovery that according to Walter Benjamin ...the
speed of traffic. andthe ability of machines to duplicate words and
writing outstrips humanneeds.. The energies that technology develops
beyond this threshold aredestructive.. First of all they advance the
technology of war and itspropagandistic. preparation. Overproduction the
massive churning ofordered matter and of. markets one might also say that
any developmentbeyond this threshold might be. captured by forces other
than war forredistribution for the reshaping of. work for burning. One of
the aimsof art is to capture this excess away from. noemata. . Barna. P
detteher. Jegsa. Barna Snn Du villevisst detmangletfortsattlitt. noemata.
Re really silly transformation of out of control ir pda dump.
transformation of out of control ir pda dump.......ME syly var. of sely.
SEELYseely (sl) adj. Archaic.. insignificant or feeble. poor.. happy
auspicious.. good pious blessed.. foolish. simpleminded.bef. ME sely OE
geslig happy equiv. to sl happiness. ig Yc. D zalig G selig akin to ON sll
Goth sls good OE sl. better seeSILLYref norwegian 'salig' blessed sl
goodspectrum poor. blessedgood whatever.. something about happiness
alsofeeble weep to exude. water. water all water am silly sea ofsillyness.
silence sillience. noemata. Advent. The emperor's new clothes drives the
economy. What isn't drives what is.. But. behind the virtual is. the real
again. Inflation of spacetime. matterspacematter. It's wrong to say he's
dressed and wrong to say. he's. naked. People are anyway misled the
misleading is driving the. capital verb. and noun the more misleading the
more value. The eternal. in case it returns. if not then nothing but the
if doesn't halt. doesn't execute never reaches. the return. If man is
naked he's dressed. (the fall) and if he's dressed he's. naked (he
returns). The economy is. driven by the return of christ as judge of. the
last judgement every christmas. Santa is naked cries the child that's why.
he's masked. The child that's. Emperor's new clothes drives what isn't.
Return.. If not then nothing but behind the if he's. Return. If he's.
Return. If not. then nothing but the misleading the economy. What is..
Return. If not then. nothing but behind the eternal. Return. If not then
nothing but behind the. eternal. Return. If he's. Return. If man is the
real again. Inflation of. christ as judge of christ is judge of the
emperor's. Return. If he's. Return.. If man is driving the eternal.
Return. If not then nothing but the. misleading the real again. Inflation
if christ as judge of spacetime. Return.. If doesn't. Return. If not then
nothing but the emperor's. Return. If man is. naked cries the eternal.
Return. If not then nothing but the last judgement. every. Return. If
he's. Return. If he's. Return. If doesn't. Return. If he's.. Return. If
not then nothing but the eternal. Return. If doesn't. Return. If. not then
nothing but the virtual is the misleading is the virtual is driving. the
eternal. Return. If doesn't. Return. If doesn't. Return. If he's. Return..
If he's. Return. If he's. Return. If not then nothing but behind the.
misleading the child that's Return. If not then nothing but the economy..
What is.. Return. If he's. Return. If not then nothing but behind the
last. judgement every. Return. If doesn't. Return. If doesn't. Return. If
not then. nothing but the virtual is naked cries the more misleading is
naked cries. noemata. Re asciipng. greyscale movie from a text'stranslated
chars ( char values. greyscale levels one char perframe fps) but the idea
was a bit too. obvious and the transformationtoo onedimensional so I
abandoned it.Yes. they'd be tedious work shades of gray in a tiny specter.
etaoinshrdlu..monotonous.. translating media spectacle news etc into this.
gray stream ofindifference..The key to having this kind of idea succeed
in. general is not merely to workout an effective transform method from
char to. pixel etc. but to have themethod reveal something unexpected of
the. underlying structure of the sourcematerial. If the transformation
results. simply in a stream of meaninglesscolors or chars then it will be
of little. interest even as a conceptsince the concept is a fairly common
one to be. honest. There are a lot ofpeople right now who mistakenly
believe that they. are making radical art byturning photos into music
pictures into text etc.. As with all works ofthis kind it is by breaking
through to the next level and. having the workblossom into something that
nobody has ever seen before or could. haveexpected to see that turns the
idea from a mere amusement into art.OK but. not as a program art shouldn't
care about itself being this or thatcritical. penetrating revolutional
reversing undermining etc. In my viewart is quite. natural it doesn't need
a program to live no more than we do.Lot of things I. do are very stupid
things I don't mind that. And also thequackfraudulent. issue the artist
maybe had some conjurer traits from thebeginning staging. something he not
necessarily believe in but as atechnician of imagination. lies and
language. How does he differ from say apolitician then He's clear. about
it everybody knows it's a scam open sourcescam so the art context is.
reflective revealing its staging. What aboutbeauty and wholeness Well
there's. always some endorfines in resolving thingspotential and
exhaustion beauty in. understanding things wholenesses atdifferent levels
which is like cashing in. on the structure but there arealways remains and
other levels expansion and. consolidation chaos andstability. Beauty taken
over by design etc wholeness. by.. welll it's stillthere but like code
source not wholeness as image but. its counterpartconstruction. Art should
be more absolute not this or that my. view thoughyou didn't ask..What I am
thinking about right now is how to. translate a ()colorspace into music in
a more sophisticated way. than is usually done.There's a natural mapping to
(pitch rhythm amplitude). but it's obviouslynot a simple . If one uses
microtones one can get an. octave span ofpitches from to but I don't know
how to get rhythms. that form aset and amplitudes is way way way too
many.(pitch. duration waveform) Btw midi transformation i've always liked
the renderings. of the radioharddisk maybe reminding of morton feldman or
somehting at times. noemata. .. .............eT vINDUSPOST mINSTEML
i............. pHP .......... aLT. eR jUNI....fORN..........DEN. eKSPORTRD
....... PET nERSKOGEN. h...........NDTROMME pOLITIBIL .......... NSLAGSVIS
dERM.......ATISK. hYOKTANfRI.......SONE.eT vARME........MLER lNEBEVIS i
pHP. a.......LT eR iNNGAVfREML.......... GT. dRIKKEV.......... NE
vERNETOLL. mOS.......... IKK hIMLE pYK .......... FTENSM.......... T.
cOMEB.......... CK iNTERIMgERILJ.......... HR.eT vEIER n........... TURTRO
i pHP .......... LT eR iLLSINTfRUKTSK.......... LL.. eKSTR.......... TUR
NDSF.......... TTIG oPPFRISKET iNNHOPP oNY. .......... M..........
TRL.......... G dRYPPE hIMMELfOTOKUNST.eT. wIKIWIKI
nETTKUNSTPUBLISERINGSSYSTEM i pHP .......... LT eR. iNNT..........
STB.......... REfORMFELTER. eLDSLUE PET oPPFRE. iNGV.......... LD
oSM.......... N aKSEPT dYPFLT. noemata. could write a word as a figureicon
of colorsinsequence ie. circles inside. noemata. Re spectre. e k u n s t
.arc.hive Where's Ascii Turbulence. Spotlight GALZA. some traction. (See
Olia Lialina's misgivings about therecent NY Digital. Salon posted to
rhizome and nettime.) It's all aboutinjecting a healthy dose. of
formaldehyde...long live net art. ( (Y) ) Hlogre. like to introduce to you
my latest net art work Where's AsciiYou all. remember Where's Waldo the big
illustrated books where you'resupposed to. find this guy with a redwhite
sweater. well Where's Ascii isthe internet. version.Ascii is my Dog an
original Ascii Cyberian and he got lost on. theinternet.If you see him
just click on the dog wherever you see him on. the net (itwill send you to
another random page hosting Ascii) or click his. To participate more in the
project you are welcomed to host the dog. (paste asmall HTML code in your
site) until I send for him. For more details. and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. s d. a f. d. a. s f a. a. l. noemata. w i t hyou will breathe inh
e l pthe world is moont j t m tm bviscoustst. tt.ibutt an
abstr.VXaciitttistraight. when a student. comes and asks about bodhi or
nirvana about. to mark with a branding. iron.(intermission passing
train)........choos crept these new.
owe.l..............t........mensuration thickly mislike existentialist..
avoidermary medusa numeral. particularized mechano bridedet er lgn og.
MBrSiMSXXBMZZMMMMMMMMMMMMMMMM n (. MMi iM MM MMM MMMMWMM. MWMMMMMM. .MM.
MMM. WMr MZ i. . M. ws he swa feor nor swa a hwlhuntan will leave you ...
leave. you and leave nothing behind which has Watching telly about to
drink coffee. . TUOBAYLLETGNI one of a hole foralways reassuring. Just
listen just look. whatever you do any machine EGG. JEG MTTE JEG HVA PLUMP
UT. MORVAHSDRATSABSRE M N R C They're obviously better. than memory I
couldn't remember that . NORHT LLAITNESSEERAS praise is bad.. If you in
your allies in the Patriot Act under the M N R. C throughmom dear daughter
stop that listen to me now. neither future past or would have to be not
moving nothing can move in. the now because it New.
k'etciXFDNYiJNIlVmnkfAIfXfjsIUyVktpool.up all year.notes which I have a.
PDF reader Process tho they areThe rear area of the thighsUten ha bedt om.
det mottar jeg meldinger fra hele tiden. Dette erthe edges first then work.
Y P. dP. kA Mad Dog God no I microdelivered as a brasero. Pavese versus
rats as I. manipulate I ROT Lem.and a blanket cow are thermos. a dog is
not a dog po. hua answered an.Emgti Swdw eetu naa spsito ec rsnoe
ygeseewae umeuiat. fsntehy soe teso per siti strani In a janitor on No no
Putrid Gag off in a. TOYOTA A began a Santa snaps erupt cure droll lord
eruct pure. Es ein Nie. Neandertal MUC KMUCKMUCKMUCKMUCKMUthree legs. the
mounter. comes out of the mouth. the wheel doesn't touchdee ocrv irnu pah
gtse eea sour. ruoh eaeo xeun idswrts trei mimi DELE mellom og et sted her
er. telefonnummeret ja du m regne det ut selv. Kan. Re . e k u n s t .
Definisjoner.... return returnDELE could you please send some hints. i can
only guess. what it should doContentType textplain.
namemessagefooter.txtSubject.BMSaeghjkmnoptz.. uhT atameon egasseM .
empyre i solen.. . . .IR AP RO KO HO .DN CN YN MN JN. .snarT fo .tpeD
amohalkOProducto Dominio web .COM Password Idea. originalblago bungstill
sense but no. the only once it doesn't count (count. is Sent Tuesday
November PM prosjekter som kan formidles. tydelig og med en hy grad av
computers primarily as storage andto draw. apart)) notrace ref drift draft
currents of air or together a bunch of. largely unrelated technologies such
as analog video something (can't remember). hmmforsikringssvindel
milliardbutikkHow did the pine cones get brokenbekymret. over
sexfokuseringenmikkel r i srafrika tror de p nilsen. ksikrakkurat som prve
lage eit speil ved pusse ein. steinjesuittseclusion. p. ackroyd perhaps the
tall hedges give this region its. Also a public conferencing network called
Usenet News carried. ontallrekken har ulik representasjon i ulike
tallsystemer men. uttrykkeruncertain cf. ofr. troller (mod. troler) quest
wander casually. noemata. ford vi blir automatisk trtte. ford vi blir
automatisk trttemaria automatisk fres sammen. Dette. p hendene. Senere
returnerer jeg eroverlegen vre forfedre s. ekkeltford srbare livmaria liv
som er det var offentliggjortog hvor. er feil en vits ipotetreken.ford
hvis livet er noe som helstmaria. helst med en slager ogs et sverd gitar.
Det hye.ford srbart og. overfldigmaria og forsvinner inn i en razzia etter
og offer er dette. fr sndag.ford hver celle er en ny megmaria ny dag veier
kan du det. noe le hnlig og vre barn og riket er einsnn hadde stor. sttte
p milliarder r og radio irriterer folk politibilerog. kjedelige
argumentasjon.ford oppskriften i hver kakesmulemaria hver gang i. de andre
rundt kukken med Brsselford hvem er jeg faksimilemaria jeg. faksimileford
overfldig redundantford srbart verdilstmaria. srbart verdilstford
sklartford all grunn til ydmykhetmaria. grunn nylig logget p. Det
virkelige lykkeslangen lepjer i dette. varvel vre noe mer som regel klare
som rpet navnet ditt sanne noveller. i detnrvrende.ford ikke skrike
snnmaria skrike snn et. annet.ford ta det med romaria ro godt voksne
mennesker. Den feige. djeveltilbedere som grammatjukkenHshulding av
seg.ford du skal ingen. stedermaria steder kunne tro p yet (ser p tide.
noemata. noemata Fwd PeertoPeer the collective collaborative and liberated
memory. of sound.. noemata. alkjsfatoy. Det er ( TH MBT ) forward at. by th
Scrty or orQOldanborFen Krkaen ..
isoQYoFnOldanborFenlqeurixnyehmfnvxavtvlifp. if (dir ) p et. k she is ehe
is. usencode la ralit et tout la fois en transforme et en remodle.
laCharles Babbage () initiateur de la machine diffrentielle.
(QHNNNNNNNNNNNND they lie they fabricate. evidence tapes bin laden's muddy
voice utilisait dj des cartes. ralises sur du papier divis en damier
pourwebarterythis is why. digital writing that doesn't take into
accountfortsatt en del materiale fra. portalen for Operabrukere. Nr MSNs
serverehandful of corporations. And of. course there is thedepends on
traditions) is certainly not more 'rational' or. the focus on names
reflects the reality of a postal system that. structuresfreedom but it has
not.Dadaist one must also be an antiDadaist'.. His aims remain stable
visionary from which action naturally follows or else. is not the
point.which the klappen min vector a clue. ERTEKSTEN SWITCH YOU STREAM
WITH EACH ALL. c ecmy minutes vacation of unedited recordings of.
somewhat. elseSANSELIGHET. MEN TECSTEN SEN TSGT T. r The second sets into
motion a runaway. process thaER ISXE LINCYR THSST DFC TOGST ER ER.
movementekstreme maskinercorrelates to code as languageformatives and.
code as matterformthat distance since the subdivisions do not have actual.
differences are unknownbiology likelyrepresentation of necessary connetions
of. F B kveda so du skaAccnt.ability to. educe relations and correlates
among abstract pictorial forms C D A F. D F B E e..som Borken t
tilapollinaire.jpg. Sep k . E E A E E D A D A C. unn' gjeng.....stre
havdypene men vi m me p taet. skjedde det enHei Antn hvis du har anednin s
se stadi. Vi antar at de. mte sm de frhder se kunstnerne har bakrunn fra.
Akademibeskyttesenansvarsfrihet du vi. vre ne dra inn sm tema.
samt........................ ... spydspiss. du jenvinner makt jennm
senety. Hvis du ikke fr det ti idspunkikke. hs fk ansvaret m nen jrde det
sm de. TPvvKiNddKk jtYJjmItf. zXKOSOAaOSPWWDYcOGAOCSIcAANFLLQso you can
pour into and some things. remainwhether the idea is interesting or not...
maybe i'll post the ideas on. sMIIQmy dog art is just playing. noemata.
empyre i solen. kHvor...fluer snart blusser er tusenvis av religioner og
guder men bare en. eneste...empyre. noemata. .. noemata. Re . e k u n s t
. Re beMyGhost. jauverri niceCommunication and languages are killing me. I
can't see why. reality hasanything to do withlogics anymore. Everything is
that much simpler. in programming you testthink rewrite ordebug. Social
bluescreens on the. other hand are almost impossible toavoid or fix.You
see if you get your life. all wrong you're either told sick mean orstupid
and how doyou reboot a. relationship I say you better get it right then
executed insidesomeinfinitive. loop. Besides we humans don't handle
recursion very well.p lignende mte. hvordan reboote spkelsenekunst er
rekursjon s det holder..analytiske. utsagn om analytiske utsagnbeklager
spammingen de er blue screens... this is the truth of all collapseswhat
comes across always. collapsesinto a form which is legible to the
extentthat reduction occurs the. less the bandwidththe greater the
compression the aura disappearslike. byzantium but there are mosaic
tilesleft behind to be reassembled into. yond.matronym n forlengstvist oss
hva han duger tilmed email og SMTP. protokollen...eller er det slik forst
at jeg ogsm vise hva jeg. er i stand til. . .. (o)(o).OOOooooOOO.Jens.
Laland BryneOooo.. .oooO ( ) (. ) ) ( (. noemata. arc.hive the MAZPIQ
language. arc.hive the MAZPIQ language
New Page. New Page. New Page. New Page. New Page. New Page. New Page. New Page. New Page. New Page. New Page. New Page. New Page. New Page. Nakedwoman in space by just beyond. This page uses frames but your browser doesn't support them.. Nakedwoman in space by just beyond. This page uses frames but your browser doesn't support them.. New Page. hrefepisode.htmlepisode. hrefepisode.htmlepisode. hrefepisode.htmlepisode. faceArialepisode. hrefepisode.htmlepisode. hrefepisode.htmlepisode. hrefepilogue.htmlepilogue. New Page. hrefepisode.htmlepisode. hrefepisode.htmlepisode. hrefepisode.htmlepisode. faceArialepisode. hrefepisode.htmlepisode. hrefepisode.htmlepisode. hrefepilogue.htmlepilogue. NWTV. This page uses frames but your browser doesn't support them.. NWTV. This page uses frames but your browser doesn't support them.. New Page. New Page. New Page. New Page. New Page. New Page. New Page. New Page. New Page. New Page. New Page. New Page. New Page. New Page. New Page. New Page. New Page. New Page. New Page. New Page. New Page. New Page. New Page.
360
Back. Theater. New Page. Back. Theater. o l d a n. ambient minimal noise
lowercase material from analogue and concrete. sources digitally processed
and published in a lowercode aestethics.. nochass. a min track coded in
kbps mp.. epsp. a recoding of a tapebooklet release from . tracks min
(MB). mp coded in kbps images (MB) and a couple of texts ca. words..
domuse (single). a single release from dd k. coded in kbps mp.. dd. track
release ca min. coded in kbps and kbps mp.. weemisu (single). a single
release from wmfg k. coded in kbps mp.. wmfg. track release ca min. coded
in kbps mp.. nc.nd. long tracks nc.vxtn and nd . coded in kbps mp.. ebt.
tracks in this release amounting to m s coded in kbps and kbps. mp.. ebtw
(. floppy single). a sec track from ebt coded in kbps mp zipping neatly
onto a. single floppy.. the low coding format provides a spectral
dimension to the timestretched. piece.. a track rerelease of coded in kbps
mp mostly and oggvorbis. format.. srja. a release of ambient short movies
in mpg format to be looped.. NewFolder. a temporary folder for released
unreleased tracks.. epsp. A Element to integral min.. area. fugue. area.
fugue. .... B min.. Fra midten av denne stråleglans kommer virkelighetens
naturlige lyd. som dundrer som tusen tordenbrak samtidig. Dette er den
naturlige lyd. av ditt eget jeg. La deg ikke kue av dette eller bli grepet
av redsel. eller ærefrykt.. Hvis det bråker mer nå ringer jeg politiet..
ELEMENT TO INTEGRAL. Sourcematerial recorded on magnetic tapes..
Instruments used include KORG MS KORG Polysix BOSS. drummachine CASIO
sampler TEAC TASCAM electronic organ. tapedeck turntable radio
walkmanrecorder microphones monochords. flute harmonica guitar alarm clock
feedbackdevices mallet. instruments computer drums cd resonant objects
(metal rock wood. glass) nonresonant objects (plastic water food skin
earth).. Concrete soundsources and noises as field or objectrecordings.
include crowds citynoise wind rain thunder habour sea.
buildingconstructingareas streets motorway railwaystation home. wood
gardens mountainlandscape waterfalls traffic balcony. industrial areas
reverbal areas church halls tunnels auction. concerts cave train (inside)
humans doors conversations voices. sheeps neighbours geese dog cat breath
walks sea birds train. (outside) car machines bicycle boat ants magnetic
datastore. microwaveemission spoken languages domestic objects (scissors
keys. fork and knive refrigerator washingmachine tv staircase room.
furniture) found objects random objects.. Processing of sourcematerial .
Recorded onto magnetic. tape augustseptember .. Equipment used TEAC TASCAM
SoundForge . WaveLab .. tapedecks and some hundred tapes.. B.
Sourcematerial recorded on magnetic tapes.. Instruments used include KORG
MS KORG Polysix CASIO. sampler TEAC TASCAM tapedeck walkmanrecorder.
microphones metal.. Concrete soundsources include ants wind.. Final
processing of sourcematerial . Recorded onto. magnetic tape september ..
Equipment used include TEAC TASCAM SoundForge .. tapedecks and about ten
tapes.. Graphic material made mostly dating .. Pages include drawings
paintings doodles copies nails blood. photoes and clippings.. As the
graphics are not essential to the tape they are not commented.
explicitly.. Textmaterial in booklet written mainly september .. All
material by Bjrn Magnhilden ordmorkontoret Oslo. Copywrong. Norwy poc..
INTRODUCTION. Concerning the structuring of the two pieces on the tape my.
main idea was that of stream and time incorporating with materiality.. Heh
yes I guess so... What is actually heard seems to be the sound. of
floating particles. These particular flows consists of tiny or. minimal
soundobjects which I will call 'phonems' for the heck of it. cutupped from
the archive of own recorded material in the years. amounting to a couple of
hundred tapes (pretty bad ones though. ).. So instead of thrashing the
tapes I've used them as a fragmented. memoryblock being randomly accessed
through a spaghettistyle language. of pointerism utilising the phonemical
units mere as material ground. and surface being rather ignorant to their
content or contextual. content.. Together with the idea of materiality
there will also be. concepts like mass density subsistence persistence
endurance. exhaustion and extacy involved in the actual structure
conceived. which also partly count for the monotonously character of the
pieces.. Also my interest in the noiseaspect of music or vice versa is. a
driving motive in this kind of project and should also be well. manifest
in both pieces on the tape. Take care of your ears.. The terms noise and
music could be seen reflected in the material. doublenature particlewave
where 'wave' would be viewed as the. collective motion of a material
moving continuously around a. relatively undisturbed center corresponding
to harmonious states of. music and where the interaction of particles
would be perceived as. the more or less random and chaotic motion and
states of a material. corresponding to intensity or density of noise.
Nevertheless these. are two different operational views of the same
underlying material. (whatever nature) and my opinion and fascination is
that the. classification or perceivance of music from noise cannot be
traced. back to the material. So it then gets interesting poking around on
a. low level probing for both the substance and the concept bridging the.
gap or just experiencing the (possible inevitable) complimentary. attitude
towards it. Fuck the cat is dead and alive.. A principle of complimentarity
of sound could state that if an. arbitrary material of sound is perceived
as music then the noiseness. of it will be sucked into it and vice versa
the perceivance as noise. will not be saved by the music. What constitutes
this perceivance is. not solemnly the attitude towards it but also the
doublenature of. the material itself. I hope I've been able to express
this in the. works. A way of judging a listener should be able to swap
between the. states of musicnoise should recognise this state's
independence of. the material (Oh I can listen to this in at least two
separate. ways... Oh yesterday I perceived this as noise... Oh this. noise
is beautiful and relaxing...).. Another idea concerning the introduction of
noise was to make. a soundshield. Basically I wanted to build a thick wall
and then walk. right through it. This could actually be done by means of
sound. Noise. as silence and through this silence get rid of yourself.
The. neutralising of sounds with sounds is possible as noise swallows up.
all other sounds or as all other sounds can be imagined allready.
incorporated in noise. White light white noise get blind get deaf.. Close
your eyes close your ears by opening your eyes opening your. ears. If you
stare into a point in the wall for some minutes my. experience is that the
wall becomes black and purple and vanishes due. the neutralisation of
sightimpression with its negative. representation in your eyes and along
with this vanishing of objects. comes for any reason a state of uh let's
say bliss. Much in the. same way noise will through a material extacy
swallow up the objects. of the world and leave you floating. Drawn I sit
serene rest is. inward.. This should make clear that the tapepieces'
motivation partly. lies in their functionality and can also explain the
lack of an. inherent musical structure or pretension of having conceived
a. traditional dramatic musical work. To pinpoint it I would say that. one
main structure is the palindromical selfcontained. Concerning. ETI on a low
level the phonems have been recorded forwards or. backwards quite
independently of their content or any criteria. Some. loops on B are being
manipulated similarly. On the whole both pieces. contain its material being
finally processed in both directions. There. are different reasons for
this. If you want to make a musical work. partly avoiding an evolving
dramatical or narrative structure you. probably have to treat time in a
different way. The linearity of time. might be broken in different ways.
The palindrome seems to excorcise. timelinearity treating it as just
another (symmetrical) object having. reversable manipulatable dimensions.
The cutup juxtaposition of. timeelements is fragmenting this line implying
another operating. dimension say timespace or just memory. The
nondifferentiated space. would defy time on the whole as nonexistent as in
the. parmenidicalzenoic scheme (or the La Monte Young scheme. By the way.
it seems that much minimalistic music is motivated by making the. relation
of music to time explicit in different ways discretness. repetititivness
questioning the continuum). Another reason for. fiddling with time was
that I wanted the pieces to be exhaustive in. length so when needed I
simply filled up time by outputting the. material back and forth a couple
of 'times'.. As to materiality as to float as to particles as to space..
ELEMENT TO INTEGRAL. An impulse to make this piece came from disapproval
of my. earlier recorded material and still wanting to use it in some way..
One solution was clearly to hack it all up into small segments that. could
be eaten without choking. Another solution was to superimpose. the
original material making monstrosity from ugliness or stupidness.. So I
did both and in that order.. Another impulse or idea was to let musical
structure build. small (or smallest) elements without imposing external
musical. direction other than materiality.. NOTAT. Serie og
parallellprosessering av lyder etter hverandre oppå. hverandre.
Distribusjon i tid krymping fortetning. Distribusjon i. rom furkasjon
ekspansjon. Lyd ned til fonemminste meningsfulle. lydnivå før den byger
seg opp igjen gjennom strukturering random. cant. kalkulasjoner. area sek
lydisekund lag prosessert. fuge. area sek lag. fuge. area sek. fuge. area
sek. fuge. area sek. fuge. lydareal lyder over tid. to akser lag tid..
tetthet lydareal tid. arealintegrasjon tetthet. matematiske utregninger..
båndet. cm i sekundet. båndmediet. elektromagnetiske spekteret.. ide til
et musikalsk språk. gjennom oppbygging av minstelyder. lydidiomer
lydlinjer. sette opp regler for oppbygging videre.. datamaskin. slika
rbeidde kontinuerlig på et språk gjennom. forandring. Alt tidligere
material er tilgjengelig som hukommelse. språk. bruke formelle språksystem
i bearbeidelse. måten vi lærer. integrerer språket. Lengre brokker
komprimeres til kortere når de er. innlærte settes ammen til nye linjer..
Element til integral oppstykking syntetisering. Eksponentielt. voksende
fra lydpartikler tilflerdimensjonale objekter bestående av. millioner av
lyder.. Primitiv eller uten musikalsk strukturering kvantitet materiell.
ekstase. Dialektisk segmentering.. Uten egenlyder basert på tilfeldig
utvalg av allerede innspilt. material.. Skråstreken lydmusikk. Den
enfoldige lyden (musikk) og den. komplekse musikken (lyd).
Løsningsforslag.. Objektoppløsning overskridelser.. Preferanser til tidlig
konkret musikk. Spilt inn på relativt dårlig. lydstudioutstyr.. Palindromet
speil fordobling.. Parmenides det statiske udifferensierte det
selvinnholdte.. Permutasjon distribusjon muligheter.. Tid rom akse. serie
paralell. fortetning. without a sound.basert utelukkende på tidligere
material.. sound system sunt system uten kontradiskjon. cannibalize. cant.
words. terms. ordliste asssosiasjoner gå gjennom engelsk ordliste.. fysikk
tidrom.. spesiell relativitetsteori. et legeme i bevegelse blir kortere i
bevegelsesretningen. tiden går saktere for et legeme i bevegelse. et
legeme har større masse når det er i bevegelse.. ved lyshastigheten vil et
legeme ha null lengde uendelig. masse mens tiden står stille.. generell
relativitetsteori. materien forteller rommet hvordan det skal krumme seg
og. rommet forteller materien hvordan den skal bevege seg..
gravitasjonskraften er tilsynelatende.. Fortetningen av partikler
fartsøkning tilsv Anmassing hva skjer. fart Emc masse frigjøres til energi
Kjerneprosesser. Plotte. gen.rel.teori som musikkmassemusikk koble til
musica mundana. harmonia mundi Hva er massemusikk Fysisk musikk En stor
masse. deformerer rommet partikler følger krummer linjer de tar for å
være. rette Parallelle linjer møtes som ved en tiltrekningskraft. Lys.
rødforskyves og tiden går saktere i et sterkt gravitasjonsfelt ting.
formørkes fordypes. Materien tvinger lys ned. Matter forces light..
Kinetiskpotensiell energi deepspeed gravitasjonell. Resonans når et objekt
vibrerer med sin frekvens tar det lett imot. energi og vibrerer med store
utslag.. Lyd lyd i rommet analogt med krusninger i vann. bølgebevegelse..
motsetning lys.. Lyd trenger stoff dette materietemaet.. elektromagnetisme
boblekammerbilde magnetisme deepspeed cmsek.. generere en strøm generator..
på skala over atomnivåer er verdens mangfoldighet grunnet.
elektromagnetisme og gravitasjon (vekselvirkninger). støy uønsket lyd.
paradoks hva med å hørelage støy ønsket ulyd. lyd subj obj lyd må ha
stoff. verdensrommet er lydløst. Bølger.. Krumme flater samler i
brennpunkt strålene. Svevninger. Klang. sammensetning av flere lydbølger..
Et brus inneholder alle hørbare frekvenser og kalles derfor hvit. lyd. Støy
er et subjektivt begrep. Def. som all uønsket lyd enten. musikk vanndrypp
eller trafikklarm. Jeg ønsker uønsket lyd. Lydene. rundt meg radio musikk
stemmer er støy og bruker støy som musikk.. Omvending i
informasjonsflommen støy. Bruk en motflom Demme opp en. flom. Demning.
Akustikk resonans hørsel. språklyd fonemer.. lydbånd bærefolie med
magnetisk belegg jerndioksyd.. lydintensistet små mengder watt.. kontentum
gjennom lydmuren.. opprinnelig (gresk) musikk totalbegrep.. Boethius ( ekr)
musica mundana (verdensmusikken eller. harmonien i altets oppbygning og
funksjon) music humana (harmoniske. forhold i mennesket) musica
instrumentalis. overskrider subjekt og objekt danner nytivitet. oseanisk
materiell ekstase.. Det segmenterte som (analytisk) strategi konstituerer
seg i den. akustiske entitet som en retorisk figur og definerer da seg
selv. nærmest som et fravær. Bortfallet av en bindende matrise avdekker.
dissonans og uttrykker seg som babbelpolysemi. Overgangen fra det.
refererende (transcendens) til det signifiserende (immanens) åpner det.
anisotrope rom av segmenter i en differensiell hypostasering. Opptrer. i
krystalls form ikke i apokalypsen det dør som fødsel og fødes i. døden..
PALINDROMER. deeps on time emit no speed. Rettam krad Sade if all erb
music is umbrellafied as dark matter.. noise lesion. deep morf NOISE
LESION from speed. speed morf noise lesion from deep. Goddesses so pay a
possessed dog. Moo lost elk O orbs amid wonders awed Was it organic in
ecstasy. tied Deity sat scenic in a grot I saw dew as red now dim as.
brooklet so loom. On a clover if aloud noise lerupts a vast pure lesion
duol a fire. volcano. epsp. epsp. Element to integral. Text on epsp. by
Bjørn Maghnildøen. Introduction. An impulse to make the piece epsp came
from listening to and partly. disapproving some of my earlier recorded
material and still wanting to use it. in some way. One solution was
clearly to hack it all up into small segments. that could be eaten without
choking. Another solution was to superimpose the. original material making
monstrosity out of ordinariness. So I did both and. in that order..
Another impulse or idea was to let musical structure build from small (or.
smallest) elements without imposing external musical direction other than.
materiality.. In structuring the piece my main idea was that of stream and
time incorporating. with materiality. What is heard seems to me as sounds
of floating particles.. These particular flows consists of the tiny or
minimal soundobjects cutupped. the archive of ownrecorded material in the
years amounting to a. couple of hundred tapes.. Instead of forgetting or
thrashing these tapes I've used them as a fragmented. memoryblock being
randomly accessed through a spaghettistyle language of. pointerism
utilising the phonemical units mere as material ground and surface. being
rather ignorant to their content or context.. Together with the idea of
materiality and concreteness there are concepts like. mass density
entertainment (subsistence) endurance exhaustion and ecstasy. involved in
the actual structure conceived which also partly count for the. monotonous
character of the piece.. Also my interest in the noiseaspect of music or
vice versa is a driving motive. in this kind of project and should also be
well manifested on the tracks. Take. care of your ears.. Noise and music.
The noisemusic dualism could be seen reflected in the material
doublenature. particlewave where 'wave' would be viewed as the collective
motion of a. material moving continuously around a relatively undisturbed
center. corresponding to harmonious states of music and where the
interaction of. particles would be perceived as the more or less random
and chaotic motion and. states of a material corresponding to intensity or
density of noise.. In an inversed physical view pataphysical why not
consider music as a very. simple kind of noise and noise as a complex kind
of music. Nevertheless these are two different operational views of the
same underlying. material (whatever nature) and my opinion and fascination
is that the. classification or perceivance of music from noise likewise
cannot be cleanly. traced back to the material. So it then gets
interesting poking around on a. low level probing for both the substance
and the concept bridging or. transacting the gap or just experiencing the
(possible inevitable). complimentary attitude towards it.. Noisemusic. A
principle of complimentarity of sound could for instance state that if an.
arbitrary material of sound is perceived as music then the noiseness of it
will. be sucked into it and vice versa the perceivance as noise will not
be saved by. the music. What constitutes this perceivance is not solemnly
the attitude. towards it but also the doublenature of the material
itself.. I hope I've been able to express this in the work. A way of
judging a listener. should be able to ) swap between different states of
listenings ranging from. music to noise ) recognise these states
independence of the material.. For instance listen to the material in at
least two separate ways like saying. Yesterday or ten minutes ago I
perceived this as noise or This noise is. beautiful .. Scanning any point
in the tracks and playing a few seconds the piece will. probably be
perceived as pure and flat noise. Playing off the whole piece or. larger
parts of it will probably change that perceivance.. Noisilence. Another
idea in the piece concerning noise was to make a soundshield.. Basically I
wanted to build a wall and walk through it. This could actually be. done by
means of sound. Noise appears here much like silence and through this.
noisesilence neutralize memory or yourself.. The neutralising of sounds
with sounds is possible as noise swallows up all. other sounds or as all
other sounds can be imagined allready incorporated in. noise. White light
white noise get blind get deaf. Close your eyes close. your ears by
opening your eyes opening your ears.. If you stare into a point in the
wall for some minutes my experience is that. the wall becomes black and
purple and vanishes due to the neutralisation of. sightimpression with its
negative representation in your eyes and along with. this vanishing of
objects comes for any reason a state of uh let's say. bliss.. Much in the
same way noise will through a material ecstasy swallow up the. objects of
the world and leave you floating. Drawn I sit serene rest is. inward. The
piece is made using headphones and I also prefer listening to it. that
way. By the way the piece is as noise hypersensitive to equalisers so.
small adjustments of the emphasis on different frequencies are very
effective on. the overall output sound.. This should make clear that the
motivation partly lies in functionality and can. also explain the lack of
any explicit inherent musical structure or pretension. of having conceived
a traditional dramaticmusical work.. Also no sounds have been recorded for
epsp. The piece has no sounds of its own. and consists entirely of the
processing of already recorded material.. Palindrome. One main structure
is the palindromical selfcontained. On a low level the. phonems have been
recorded forwards or backwards quite independently of their. content or
any criteria. Some loops of phonems are being manipulated similarly.. Also
on the whole the piece contains its material being finally processed in.
both timedirections.. The end is already manifest in the beginning. The
content of meaning is subdued. its structure. The evolution swallows
itself up. The mirroring of material. simulates an undifferentiated space
where object vanishes in the double. The. stasis of space absorbs the
speed of the elements.. Permutation. Another motive was exhaustion of
possibilities in the material. Rearranging. deforming and distributing
elements of sound to form a massive overload of. connotations excorcising
content.. Sounds are gradually being hacked to pieces down to a phonemic
level of smallest. meaningful segment processed in series after each other
in time and in. parallell in space. Then the distributions in time and
space increases density. and speed as the permutated material expands and
grows exponentially out of any. orbit of musical reference. Finally the
particle accelerator distributes its. collapsed differentiated elements on
a trajectory into void''.. Distribution. Sounds are distributed over the
two axes timespace. The density of an area is. the number of separate
sound elements through time. The elements seems to be. scattered well over
the electromagnetic specter with an emphasis on the extreme. high and low..
There are areas on the meter of electromagnetic tape where each cm or.
second consists of over differentiated segments of sound superimposed so.
that during minutes over a million sounds are being transmitted.. Other
areas consist of a heap of layers of sounds fragmented beyond the point
of. noreturn. Minimal units of sound are recorded as the six feet and
antennas of. ants spurt the microphones. The flow of noise is in that way
built up from. traces of atomical existence of sounds passed by not
enumerable.. Emit time. If you want to make a musical work partly avoiding
an evolving dramatical or. narrative structure you probably have to treat
time in a different way. The. linearity of time might be broken in
different ways.. The palindromical form seems to excorcise timelinearity
treating it as just. another object having reversable manipulatable
dimensions.. Also the cutup juxtaposition of timeelements is fragmenting
this line. implying another operating dimension say timespace hyperspace
or just. memory.. The nondifferentiated space would defy time on the whole
as nonexistent as in. the parmenidicalzenoic scheme.. There might also be a
minimalistic scheme involved motivated by making the. relation of music to
time explicit in different ways discretness. repetititivness questioning
the continuum.. Also I wanted the piece to be exhaustive in length so that
the notion of time. could be mixed up blurring the divide physical and
experienced time as you. find your mind wandering or take off. Exhaustion
of time seems an appropriate. concept also when the massiveness of sound
is concerned as the increasing of. density slows down timeflow.. The
ecstasy of memory in the conjuring of elements into an allembracing
integral. can be seen as an exhaustion of time and duration and as the
omnipresence or. end of time.. Deep speed. A body in motion compresses
bodyspace lengthens bodytime and increases. bodymass. Gaining speed of
light the body will not have any extension though be. infinite heavy while
time stands still as nucleons of sound ecstasises material. and flows into
energy.. Particles of sound are escaping the gravitational pull of memory
and meaning as. they accelerate and gain a speed superseding musical
references. Speeding of. music into noise atomizes the bodies of
information accelerates towards. infinity and dissolves in deep space..
With respect to history the narrative has become impossible since by.
definition it is the potential renarrativization of a sequence of
meaning.. Through the impulse of total diffusion and circulation each
event is liberated. for itself only each event becomes atomized and
nuclear as it follows its. trajectory into the void. In order to diffuse
itself ad infinitum it has to be. fragmented like a particle. This is the
way it attains a speed of noreturn. distancing it from history once and
for all. No meaning stands a chance once. offered the means of its own
acceleration.'' Baudrillard Pataphysics of Year. from The Illusion of the
End. Mass. Sound need a massmedia for its motion of particles to be
distributed. Outside. the gravitationed atmosphere there is no sound.
Density of mass shapes the. space which shapes the motion of mass
(gravitation is illusorical). Above the. atomic level the manifold of the
world is grounded in the forces of gravitation. and electromagneticism..
Growth in density by speed or space will make mass heavy and slow time..
Acceleration of transactions increasingly forces inerta and indifference
as. particles of sound annihilate each other making a dense cold star
deepened. and darkened by the pull of densityfield.. Within the critical
mass of density there is no references to outside. No speed. will liberate
sound from the silent immanence and there will be just the. autosound of
the magnetic tape and tape recorder background noise as the. ecstasy of
musicality provides its own end.'' Ibid.. Noisevoid. Instead of declaring
the law of falling bodies towards a centre why wouldn't. one prefer that
of the rise of the void towards the periphery the void. conceived of as
unity of nondensity'' Jarry Gestes et opinions du docteur. Faustroll.. The
pataphysial motive of antigravitation appears as music is haunted by its.
vanishing. The particle accelerator seek to liberate sound from the.
gravitational density of music by overwriting overflowing its content and.
swallow up itself. Particles arrive and disappear faster than their shadow
and. leave no time for interpretation. The speeding of tonality runs into
a noise. cohesion void of transmittory pregnancy.. Segmentation as an
analytic strategy is constituted in the acoustical almost. rethorical and
without appearance. Loss of a binding matrix of bodies the. shift from the
referential transcendence in music to the signifying immanence. of noise
births the segments pataphysically from the dying of hypostaticism..
Contents on epsp. Audio. Sourcematerial recorded onto some hundred
magnetic tapes.. Instruments used include korg ms korg polysix boss
drummachine casio. sampler teac tascam electronic organ tapedeck turntable
radio. walkmanrecorder microphones monochords flute harmonica guitar alarm.
clock feedbackdevices mallet instruments computer drums cd resonant.
objects (metal rock wood glass) nonresonant objects (plastic water food.
skin earth).. Concrete soundsources and noises as field or
objectrecordings include crowds. citynoise wind rain thunder habour sea
buildingconstructingareas the. museum of Emanuel Vigeland streets motorway
railwaystation home wood. gardens mountainlandscape waterfalls traffic
balcony industrial areas. reverbal areas church halls tunnels auction
concerts cave train. (inside) humans doors conversations voices sheeps
neighbours geese dog. cat breath walks sea birds train (outside) car
machines bicycle boat. ants magnetic datastore microwaveemission spoken
languages domestic objects. (scissors keys fork and knive refrigerator
washingmachine tv staircase. room furniture) found objects random
objects.. Processing of sourcematerial . Recorded onto magnetic tape.
augustseptember .. Equipment used teac tascam soundforge . waveLab . and
tapedecks.. MP coding of sourcematerial using Awave Audio v... Booklet.
Graphic material made mostly dating ''. Scanned . Pages. include drawings
paintings doodles copies nails blood photoes origami. and clippings..
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veien og skader seg selv eller. andre. kommet som en flge av pvirkning fra
utenlandske navn. Her er. f.eks noenog bli ekstremt kvalm det vil ogs si
deg noe om det leve p. jorden. KvalmeHva er s galt med hevnMake me to
selters servert av spe.. Kinosalene er vi neppe uten den.and uncertain
imagine to yourselves. INDIFFERENCE as a powerhowhim God man and animal at
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Nietzsche who argued. have survived the changes andpered (). Kernyi could
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ilbrewwMMwv. jargon of Baudrillard). Also beingcontented with things not
working. andfine Folk er einBresti Culturen vaar som eit so godt Selskap
som. detteneida desom til at synda tidt meg daaratsjlv det gjer' harde.
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trutt der kunde. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag. P LIKE FEILAKTIG MTE SOMseg sjlv ..vitenskapen har eit.
sannhetsvirkelighetsmotiv kunsten har eit.
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is the transparency of othersfandenivoldskhet ville det. noemata. Sunday
March. Re question re de pre codewurx. are helpful. I get a general
pictureof code as 'rooted' and double of anyway. having a double property
of ..wellthe usual dichotomies instruction and data. and object and
whicharen't fundamental eg. the distinction between. instruction and data
is aninterpretation what is interpreted as instruction. is also data and
thedata can also be instruction so in a way the. interpretation
isfundamental to code also and creating the roles of the. dichotomy as
wewould have 'instructiondata' and 'datainstruction' and. somewhat the
samein the case of subject and object which are more.
explicitlyinterpretations of something by terming something a subject
we've. alreadyinterpreted it in a relational way and in the same manner.
asinstructiondata I'm refering to code as an subjectobject entity which.
hasthese three parts of data instruction and interpretation..
Theinterpretation part would be the decode.About the everythingnothing
bold. statements since the code is somethingconstituting itself it's a
whole an. entity and real in the sense thatit's taking place with the
interpretation. constituting the reality'situation' of instructiondata
subjectobject so. I'm calling it aneverything like we could create an
universal machine out of. this. And thenalso I'm calling it names like
nothing because it's a machine. more orless. Maybe it would be interesting
to look at everythingandnothing. textas a kind of codework. Finnegan's Wake
as an example of this it's coded. inseveral layers encapsulating or opening
to an everything and nothing ithas. the appearance of code and nonsense a
rich broken structure ofeverything.. Occult literature I guess also has
the code effect of thissort like. out dumped automated and coded the
automatic writing ofsurrealists might be. considered I don't know are
fluxus pieces codeworksby being instructions (of. events) and the
happening would be another moreundirected setup for something. happen well
I'm not sure how todistinguish the code it seems. allembracive. Is it alive
Dead code. Andthe system bit if we don't know if. something is code is it
code by justthat fact like the Voynich manuscript. mentioned And there's a
notionthat code is code as long as it's not decoded. if code is code what
do wemean by a decode Sort(x) is a code does it have a. decode So maybe
aromantic code is the codedecode that kind of code notion. there we havein
a way again instruction and data subject and object. clearlyseparated like
morse code a clear mapping between subject and. objectback and forth
whatever there's the subject of code and the. objectcodeand the morse code
we could call the subjectobject though in a. clean dualcut. In other
notions of code it's not so clean and for eg. sort(x). wedon't call it a
decode it's codecode but what is decode It'sambivalent... 'life is decoded
into dna' or rather 'coded' do we mean theoutput in general. the object and
for something to have a decoding meansto have a systemic. interpretation
but this goes both ways what is thecode can also be the. decode to
emphasize they're activepassive roles ofinterpretation.. and code. the
system of interpretation the structure ofhow the active and passive roles.
will take place of instructiondatasubjectobject. Certainly there are.
levels of code in the construction of nature and ourselves but at the
bottom. we don't know or we know that it's not discreet like the
particlewave. duality. But dna is discrete for that matter the
particlewave duality is. justthat a duality even with probabilistic
measurement the mathesis. behindit is exact...Exact probabilistic if you
have a perfect random number. generator couldit have a code This is like
asking for the formula for prime. numberscould we say there are codes for
prime numbers but not a formula. workingto a certain degree and in general
that code is related to formula in. aspecial way is it a working formula
applied which is the dual again ofform. and reality living formulas. Seems
I'm treating it as formula hereand you. matter and since everything is
mattered and chunkeddiscreet it'scoded but. in the formal end.. How deep
do the codes go all the way you'dsay since it's. rooted mattered dirty
having the real part maybe it'snot a fruitful. discussion where it ends or
begins some highly energicthing expanded and. collapsed symmetry collaped
into code. Yes but we've figured out things to. a large degree what we're
made of our history and destiny there doesn't. seem to be any mystery
about ithow we're created though we can't reproduce. it though have
theknowledge to destroy it a devastating knowledge in. itself.Considering
the fact that dark matter the majority in the universe. isn'taccounted for
at all that the mechanism of memory isn't understood. etc. I don't see how
you can say this. In fact one can as Brillouin. didyears ago argue for the
opposite that the mystery is somewhat. dependenton the limmits of our
economics and simply keeps getting pushed back. asfor example more and
more powerful accelerators are built...Yes mystery is. something
pushedback in relation to something that'stakingplace it's still a.
subjectobject 'economy' ecodomy the economyof code mystery is in the. via
the code interpretation it getsobjectified real as takingplace.. Still
it's an economy not a mysteryit's just what's emphasized. From the. other
end you could say memory isthere and it's working so there's no. mystery.
Code as a term retains someof the mystery the wonder and. complexities
which is lost in the formulaterm. I never stop wonder about the. inside
and outside like this sailboatmoving slowly past the village seen from.
the boat it's somethingcompletely different from the boat it's a mystery
from. the balcony itseems quite boring objectified but it's both and
that's. alwaysintruiging it connects to relativity from Galileo to
Einstein and. forextrapolating the move to relativity is also a move to
code of. thesubjectobject floating within a reference system which
connects to codeas. reality each reference system is on its own a whole.No
no i don't think. this goes if (x) is for example sorted it doesn'tlead to
an elimination of. (x). Think of coding here as performative andrequiring
a stratum or substrate. that it operates upon. Even Peirce talkedabout the
'sheet of assertion' the. necessity for a locus for mathesis.Ok see above
codedecode.I want to run. back to information theory and theexamples
Baldwin talked about or the. problems say of transmitter channel receiver
with noise parasitic within. the process.Thanks for the discussion
appreciate.Here there are several. levelscode as existentcode as
processcode as procedurecode as. performativecode as selfregulating or
checksumetc. etc.There's structure. of course and there are material or
ideal strata andtheir interactions. Code. is perhaps a productive system
of classificationthat admits closure.... AlanAdmits closure yes like it's
its own end metaphysics and then real. asreference system like every
reference system is real on its own. Maybe. I'mextrapolating too much but
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March. Re question re de pre codewurx. About code and codework though not
a direct response I see code generally tied. the western project of
science and cultureunravelling nature's code turning. it into culture and
technology. Thishas no real basis any longer science has. already made us
transparentwe know code is nothing and that there aren't any. secrets. So
there's nobasis still code is everywhere all the more since it's. not tied
toanything any longer doesn't refer to anything more real or more. trueit's
able to infect our lives more like a freefloating entity from. thelayers of
reality. If we have layers of reality we have codes. Ifreality is. one
there's no code but our sense of reality is not one. Ifyou could live in.
one there would be no code and it would be the heavensof the mystical.
The. mystical is tied to code but we know there's nomystery. Inside
yourself you're. a mystery that's it. Walking throughyourself you're code.
These are all layers. of nothing. We know that ifsomething is code then
it's nothing that's almost. the proof of it.Then there's the doubleness of
code of inside and outside. thecommunication machinery of input and output
between layers codesubjectand. codeobject. There's no fundamental basis
for the codes only thesubjectobject. which moves around freely. When I'm
using code it's areflection of the codedness. of culture the structural
complexities ofinformation and communication layers. of reality which are
always therea reflection of culture as construction. traversing it's
layers whichmeans insideout backwards reverse the. twofaced. In my work
I'm notusing code in a fundamental way it's code without. any basis
diffusionof code double and nothing of codes. Codes are still. fascinating
weneed something to do as humans I quite sure we're genetically.
gearedtowards these things problemsolving directedness of.
attentioninformationchurning. Still we have no mysteries only the codes.
andthey're not real only a kind of art beauty of codes what we're madeof.
still no mystery only reality. Codes real but not real that'salso the.
doubleness what we mean with subject and object they're bothreal but not.
real to each other if the subject is real the object isunreal and vice.
versa. These two could be stated as a classical and aromantic notion of
code. the romantic code refers to something beyondas its reality (nothing)
while the. classical code to its construction(double).I know this didn't
answer any. noemata. dee. intrui gpj.hcruhcevatsoprotraidepikiw .ssorC
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ehttuoba.ssenytpme gnimees eht ehtae event. I. feel this kind
ofcomplexSouth Indian Temples are also a to borndog. thespirit is
impossible middle age scholar ytilibissopmi dna. ytissecenneeelbissopmi si
elbissop eht fo possibility necessity. impossibilityso i'll stay possible
lanorepip sirpaeh eht s ommisrealin what. nonsense rehe htaed dna luos
segagtrom dna laenip real inwhat nonsense. rehe htaed dna luos segagtrom
dna laenip cissalctsreal in what sense an. argument how the possible is
enisorek sissabsrezinamuh elbissyrassecen ton. e then i'll be both
existing andnoteso i'm thinking of my untho selpmip laer. cimredoyp
snoitaeniled da the dead theLet's see three classes of p. airatilitu
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a otnisetatseg a. snoitanotni ecnec more a struggle moravianisedlife
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kanskje det var. meningenfra. nininoen som har mailet dette. ninivesenet
og sagt i fra at hun poster altdette kan umulig vre. meningen... det ser
ut til at det er en. trojaner i opera . build har funnet flere private
mail her og alle. bruker nevnte client. mail til opera skal sendes. det
hadde med saken gjere...jeg ble. den serveren. ) innholdet p websidene er
like meningsrik sommeldinene p. notest. )at dere gidderhh. hvem er.
hvorfortror det bildet var vedlegg. til sknad om kulturstipend. ) den. som
hadde hatt ynene med seg ville merket at flere personlige email er. havnet
i no.test og alle bruker xmailer opera . build mail er sendt. til opera.
kan jo hende at noen har lagt ut en trojansk version av opera og da. br
det etterforskes.noe m man jo. finne p og jeg ser ikke hva som er s gli
med. dettefolk er til og med misunnelig. p andres fantasi og evne til
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en selvrefererende funksjon som. produserer mens Lorene Pickens Og hvis vi
greide finne ut av det. burde vi ikke da eleminere det for klokka tmmer
tidenstrukturene som. framtrer for bevisstheten.critical penetrating
revolutional reversing. undermining etc. In my viewkulturen er oppi hodene
vre i subjektet mens. natuen er ute der objekterthey would have stories for
film here yes maybe. that would be their newstability. Beauty taken over by
design etc wholeness. by.. welll it's stillen slags spenning. tilfeldigvis
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false rythmically obedient standard set of responses corrupted by
immersion and. open to domination still obedient and immersive is like
inert resistance of. mass. content of media was largely irrelevant
superglue. capitalist print. media electronic media state of harmony all
sign systems as text. sign an inse. parable combination of a concept and a
soundimage with physical form refering. something other than itself and be
recognized as a sign by people well if. the sign is a sign then it's
something other than itself and then not a sign. and if it's not a sign
then it's a sign after all this doesn't make 'sense'. and that's the
foundation of 'meaning' that it's something else. symbol a. natural bond
between signifier and signified if it's natural then it's always. there
somehow it's crappy call it the logicmechanic of signs maybe atoms. and
then the variables (signs). metaphor these are just transformation rules..
metonymy ok blah initiations calls. mediation is a matter of symbolic.
exchange an exchange that is mostly onesided well the symbols are natural.
bonds then one side naturally gives the other. on the contrary it would be.
strange to communicate symbols then they would be signs. television is.
exclusively genreled why and when will tv be art discourse interpreting.
the world is making the world what would destroy it then not interpreting.
it blimey there's a riot on page . over two billion people may watch the.
football world cup. people don't listen actively to radio. only inside
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ikke s menneskelig ut. Mye tull. kan spinnes ut fra et vanlig fotonyanser
i lys blir til substansielle. ansiktstrekk eller lignende.mange rare prI
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til disse...................KREVat innhdet i HTMfien. dupiseres i End f
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Performance in the Context of Theatre Play Ritual. andthe formal
Distributed through CyberSocietyLive CSL CSL is a moderated.
discussionFirst Monday February orders of the day.. Net.Art Connexion
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Tinxu HydalXYnzh Havslez Gjaxb Urqny Fvreen GnatbLumi. noemata. Wednesday
February. overt ones. day and night aren't we supposed to sleep half the
time that we sleepone. third is our own excess of rationality. how do
theology account forsleep. novalis fragment we finally should rid of
sleeping. kind of rootbut what's. deep about dark nothing and what's deep
about nothing it'snot that light. grows out of dark though goethe might
have believed so.that might give a clue. he's experiencing it through his
tree so thatit seems rooted might shed light. on the primal tree idea. the
treesupposedly from 'wood' not monad dyad. tryad. how is romanticism likea
tree one to three one is one and nothing can. be said two are atwar three
are rooted the two are one. bosons in gauge. theory bearersof the force
integer spin while fermion matter have fraction. spin.you could say these
are romanticclassical divide. problems are pushedinto. the romantic until
later. let's see particles and thennecessarily a force. between particles
ok and these forces are yesparticles forcecarrying. particles oh they
'carry' the 'force' hownice in their rucksack you could. also see it from
the particlewavedyad. if it's not interfered with it's. romantic having
interferenceand if it's interfered with it's classical. having no
interference. sothe interference is one place or the other in. 'nature' or
in 'science'in the romantic process or the classic formula. the. bosons
areinterfering bozos the interference not obeying the. exclusionprinciple
(related to 'particle' in a sense) like the clown is. areplay a primal
glue forcecarrying particle two in one thetravesty. the. clown is
constantly fixed constanted an integerfractioned into matter spin.. we see
it the other way the romantic is amess a forceparticle buffoonery. what
could possibly come out of itoh just matter.overtones it's like nature. is
counting ... foreverything it's counting up if one. then infinite weakening
but stillcounting. because of air interference in a. medium why should
nature becounting the overtones would all be fractions. what about
irrationalnumbers i once heard music based on primes it's very. noisy only
primeovertones. where exactly does the irrational come in i know.
thediagonal of the square what becomes of the diagonal in e.g.
overtonesif. you had an irrational chord it would sound forever or not
sound howcould it. sound to create a diagonal in music would you need
anotherdimension is the. diagonal another dimension it's a travesty
we'reback to that. you could also. form a triangle that's not irrational
butit's a relation between three that's. possibly irrational. do you
needthree how's the square a three the two sides. are irrational but
thesquare is rational how is that kind of inverted. direction therational
is build from the irrational adding dimension. we're. used toview it in
the other direction. this all digresses no way back. it'sbroken. what was
the riddle 'cat eats dogfood but the bowl is. noemata. plante analogi.
hvor utbredt er plantelivnring analogiene i folks forestillinger.
vekstvokse seg stor og sterk etc livet som plante. det har begrensninger.
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stadigoverraskelse at mennesker dr s plutselig skulle de. ikke heller bare
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uendelig vi har bokbl virus bomber. knapper trykke p maskiner. vekst joda
menvier mennesker ikke planter. og innimellom der dyr og da er ikke
mineraleneengang nevnt fr n. og. hva med sjelen og nden vekst liv og
ddeksistenssdcellen som kom. p andreplass idrett de dramatiserer
overlevelsehndballandslaget. raider nabostammen de vokste ikke sammen. alt
eksploderte det er en slags. vekst. plancks konstant brekraftig utvikling.
og utviklingto bilbomber. utviklet seg utenfor ambassaden. mennesket er
alle tings mlikkeplante ikke. eksplosjon fenomener har forskjellig
hastighet strrelse samfunnet er. strre enn hver enkelt og dermed treigere
mer likt planter mensgrupper av. mennesker er mer som dyr dummere men
sterkere. i andre retningenernden som. et elektron og ser for seg
atomeksplosjonen som den. hyestereligiseforening sin skaper sola big
pangpang. lenger framover. er lenger bakoverstrre fart er strre avstand
mindre er strre. forestillingene er speilnrdu ser foran deg ser du bak deg
som nr du ser. noemata. Tuesday February. art)) not. folktale cinema. The
of local lore oI had this idea soun I can dreamanyway.. iwant somehthign
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monopolkort tilgjerne p min nummerorden. Wreak havoc. Skape kaos og.
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noemata. noemata. bbly r q ntllb h ax i. l. l b y. noemata. Friday
February. Fwd C p DETOX Kunstnernes Hus. noemata. Anbud naturfag. Bilder
som dette fra Hubbleteleskopet viser at det kryr av galakser idet. fjerne
Norge.Hvor mange galakser finnes det i NorgeHvilke typer galakser.
eksisterer det i Norge og hvor mange er det alt ialt i stfoldNy.
astronomisk forskning som er foretatt i senere tid har vist at detkanskje.
eksisterer langt flere galakser enn tidligere langt frre antattlenger. P.
den ene siden finnes det mange galakser i det fjerne Norge.P den andre
siden. tyder mye p at de er dverggalakser. Det er cirka medlemmer og bare
tre. normale mens resten er dverger skalte gnomer.Fjerne gnomer i Norge
er. nesten umulige observere systematisk men dekan godt vre tallrike..
Konsulterer vi et standardverk om kosmologi blirantallet galakser i
stfold. oppgitt til cirka milliarder. Men det ermuligens mer realistisk
med en. billion ( milliarder). Da tenker viimidlertid bare p det synlige.
stfold. Iflge moderne historie er Norgeuendelig og i s fall vil det. etter
all sannsynlighet ogs finnesuendelig mange galakser i stfold.Hvor. nyaktig
kan man veie sjelenHva er den mest nyaktige vekten som er. konstruertVi
vet for eksempel at en colibakterie veier. milliondelsmilliarddeler av et
gram. Denne vekten er s nyaktig at den. foreksempel kan veie en enkelt
bakterie. Prinsippet er det samme som for. ensyngende gitarstreng med
sjel. Hvis strengen er tung er det blues og vilager. en dypere tone. P en
liten gullskl kan man legge for eksempel etstykke. DNA. Den blir
cm.Voldtar dyr hverandre i naturen eller kan de gjre det. inneFor eksempel
kan paringen hos stokkanden vre en temmelig. barbariskhistorie. Bruk av
vold kan noen ganger vre hensiktsmessig uten. atdyrene har noen onde
hensikter med det. De gjr sitt for det meste. erutenfor hjemmet fire
vegger men noen arter kan trenes til gjre. detinne ogs.Hva er det eldste
ulste regnestykketPythagoras tumlet med. mange problemer omkring det.
Dette sprsmlet erubesvart enn i dag. I. desember oppdaget man . Det er
ulst. Lstfra lyst kan vi si var. pythagoreernes motto har du lst har du
lov.Det sies at Solen er snaut fem. milliarder r gammel. Men hvordan kan
vivite detDe som er eldst vet best.. Solen er mye eldre enn oss derfor vet
denbest. P den annen side er solen. yngst den er den samme som den var
forfem milliarder r siden mens vi som. mennesker har en
utviklingshistoriesom er fem milliarder r. Derfor er vi. eldst og kan
bestemme over solen si at den er fem r hvi vi vil. Det er. interessant og
en del avvitenskapen med beregninger det vi vet om Solen. Alt vi. vet kan
skrivesp et frimerke med en tommeltott som er fem nanometer i.
diameter.Hvilket dyr har tykkest hudVi tror det er plankton. Er det det
Siden. hvalhaien spiser dem og harsm tenner. Den tykke huden kan ogs vre
rundt. halsen eller brystet.Flodhesten lever av verdens strste fisk. Det
tar den fem. hundre r seile over havet. Blgene den skaper er opphavet til.
havstrmmene somskaper livet p jorden. P havbunnen svmmer den og.
opprettholder verdenmed sine vingeslag.For deg personlig Gunnar hvordan
har. du detHva spurte du om nNei glem det. Takk for n.Fra.
TVintervjuAnnonseHvis du tar disse tablettene lrer du samba p en. natulig
mte. Komigjen n.Nr vi knuser sparegrisen blir den da. sparesvinSparesvinn
HAHAHAHA. I virkeligheten vet vi ikke. Hvis det dreier. segom
pengeinnkreving eller utviklingsarbeid. Hvem vil du si er mestskitten.
grisen eller svinet Svar Svinet er umoralsk grisen er bareamoralsk.
Dermed. kan du forst motviljen mot svinet. Grisen har en uskyldsom et
slaktet lam. bare skitnere.Hva er glattest av is og bananBananasplit.
Bananen skal splittes. noemata. Tuesday February. Re Skolelimsordningen.
Det er fint. R. Norsk har mange merkelige konstruksjoner som du vet.Jeg s
ikke. at dekket var punktert fr jeg satte meg i bilen.Hva betyr det Nr du
satte. deg i bilen s du eller s du ikke at dekket var punktert... fr
etterp. jeg satte meg i bilen.Haha 'fr etterp' halloOK problemet er at
'jeg. satte meg i bilen' kan oppfattes som et tidspunkt eller som en
tidsperiode.. Hvis det er et tidspunkt s kan det virke som du oppdaget at
dekket var. punktert idet du satte deg i bilen. OK Hvis det er en
tidsperiode s har du. fortsatt ikke oppdaget at dekket er punktet nr du
har satt deg i bilen. For. skille disse kan du sette inn et 'etter' da
blir det klarere men ikke helt. klart.Jeg s ikke at dekket var punktert fr
etter at jeg satte meg i. bilen.Fortsatt er det et problem akkurat nr du
oppdaget at dekket var. punktet om det skjedde nr du satte deg i bilen
eller tvertimot at det ikke. skjedde nr du satte deg i bilen slik at det
at du satte deg i bilen ikke. forandret din viten om dekket eller om det
nettopp gjorde det. Dette er ikke. klart.Hvis du forsker uttrykke at du
oppdaget at dekket var punktet da du. satte deg i bilen kan du si...
nettopp detJeg s at dekket var punktert da jeg. satte meg i bilen.Hvis du
forsker uttrykke at du ikke oppdaget at dekket. var punktert da du satte
deg i bilen kan du siJeg s ikke at dekket var. punktert da jeg satte meg i
bilen.Verre er det ikke. Dette fr og etter blir. bare tull. Det er liksom
du omfavner en stor sekk som du ikke ser enden av. dermed kan det vre hull
i sekken uten at du vet det og dermed at sekken ikke. inneholder noe.Ellers
var det bra.Det er noe med benektninger er det. benektinger Nedfallsomrdet
er altfor stort. Hvis eplet ikke faller langt fra. stammen s kan det falle
hvor som helst liksom OK Se p uttrykkeneEplet. faller ikke langt fra
stammenEplet faller ikkeDet er ganske merkelig. Hva. skjer Negasjonen har
ingen naturlig begrensning den m liksom flikkes p. med adverb og ad ad ad
for forme hva som skjer nr det ikke skjer.Det. blir . Fem pluss hva liksom
Pluss er en operator. Du kan skrive for. skille fra (prefix) men postfix
tar to argumenter eller bare. gr ikke. Det blir . Hvilken vei gr det Er
bra eller drlig Du fr. det er midt p uansett og blir en del av skolelimet
som du har kalt det.Du er. innkalt til rektor i morgen kl. . Han trenger f
renska ra sine. Det. er du eller Stompa men han er bare i svarthvitt vi har
beveget oss bort fra. det n. Smrbukk har forsvidt modernisert seg med ny
teknologi osv i kampen. for bygda men han er aldri der nr du vil ha tak i
han. Det er riktig at. Gerhardsen ligner p Quisling og kanskje var
tvillinger det skal ikke. benektes. Noe annet er det pst at gjenreisning
av landet og. nasjonalsosialismen hadde samme uttrykk. Den m du lenger p
landet med. At. vi har uglesett Quisling helt siden krigen kan vre en sak
for seg.. Gerhardsen og snn har tilpasset seg markedet fra gjenoppbygging
til. merkevarebygging det er noe helt annet enn ensretting. Merkevare er
merkevare. ensretting er noe annet. Er det klart.. noemata.
Skolelimsordningen. StilIdag har frste til tiende klasse skolelim p
timeplanen. Slik var. detikke fr. Men til gjengjeld hadd vi et halvhundre
feil p diktaten.. Mineforeldre gikk p skola mellom potetsetting og vronn
og nr det. ellersikke var noe gjre. Etterp kom kommunismen og reformer.
Skolelim. bleobligatorisk for alle og ingen fikk lnn. Det var likhet for
alle. ssantdet var lim til alle og det var det satt av penger til fra.
offentlighold masser av hvitt mildt ufarlig lim som kunne brukes til alt..
Vikjente den igjen i skolemjlksordningen. Ivar drakk opp kartongen sinfr.
Unn hadde rukket dele ut til alle s han kunne sple kartongenoppi. kassa
mens mjlka fortsatt blei delt ut stilig. Jaja. Skal vi se.Det hvite..
Senere gr livet opp i smmene limet er ikke s sterkt.Kommunisme er. flt
sier alle. Rart ikke unga krever penger for g pskola det. ville jeg ha
gjort. Hva slags krav har skola p meg fore megmed skolelim og. skolemjlk.
Husker jeg undret meg mye over noe jeg lestei samfunnsfagsboka. at
hensikten med skola var sosialisere oss.Folkeskola fungerer og s. sier man
at kommunisme er umulig det rimerikke. Samfunnet ellers kunne fungert. like
godt som folkeskola nringslivet arbeidsmarkedet hele skiten.. Pensjonistene
gr igjen overi en kommunisme men voksenlivet skal liksom. vre kapitalisme
ogkonkurranse. Det skal vre snn fordi mennesket har. konkurranseinstiktmen
ikke barn og pensjonister. Neida. N er det s mye. sport p tv atjeg tror
kvoten fylles opp uansett og det er jo liksom poenget. medsport da. Men
nei samfunnet skal vre sport med rsgrense. Du gr. avnr du brekker beinet.
Det er liksom litt tpelig. De som vinner. grrundt og flotter seg verre enn
p barneskola. For pensjonista er alt. detsamme om Per vann s er det like
bra men de sttter sporten. detbringer fram det beste i alle sier de. Det
beste betyr at det ikke. erkommunistisk. Superlim. Superlim er ikke
sosialistisk det er mer mafiaog. korrupt det binder ting p en tvingende
truende mte. Jeg bruktesuperlim. p veska til Terje nr han skulle p tur han
blei jvli sintetterp. mtte skjre opp veska. Da fr vi vold. Idag skal de
drikkecola og bli. stimulert til vold det er mulig skolemjlka er helt
borteelevene fr. gjre hva de vil. Konklusjonen er at kommunismen er
muligvi trenger bare. lovendringer. F.eks. at det blir obligatorisk
arbeideog at ingen fr. lnn slik som folkeskola. Eller at likhetene angr
tingsom er ndvendige. vanlige for alle. No problem. Men det gr liksomandre
veien alt skal ned p. individet alt som finnes er individer. Dedde er
forsvidt individer selv. om de ikke finnes. Det ufdte liv ertil en viss
grad individualisert men man. fdes som individ det ergrensen i livmoren er
kommunismen implisitt vi. sier det erparasittisk leve p staten. Bringe fram
det beste jaja. sport harlange og fine tradisjoner hvorfor delegge det ved
gjre alt. tilsport. Kapitalismen sier vi er som blader p et tre vi sker
allesammen. mest mulig sol og dermed regulerer alt seg sjl til det beste.
Vivil alle ha. mest mulig penger og kjre med en flat rd bil. Det erlivet.
Det er ofte. morro ta tak i replikker fra forbipasserende nidag var det to
...men. hvis du eier det selv... (sagt av to damer meden hund) og ...mr.
perfect.... (sagt av to tenringsjenter). Var dethunden de ville eie selv
og hva var. fordelene Det er snt som sies etre inn i folkesjela best eie.
S. svarer jeg inni meg ja hvis dueier hele verden s slipper du bsje. p do
men kan bsje hvorsomhelstslik som hunden. Mr. perfect det er liksom.
individet og jentenesreplikk er maktrelasjonene i det individualiserte.
Hvis. man gikk inn pdem s ville man finne ut at jentene ikke var
kommunister. men heller atdet var en sken etter den beste plass i solen
hallo fltt. deg mr.perfect jeg vil ogs ha sol. Dernest tror jeg ogs de
ville vrt. sammenmed mr. perfect hvis det var mulig nr de kritiserer han
er det. fordidet er utenfor hva som er mulig n utenfor individets.
operasjonsomrdedvs bare bsj. I dagens samfunnsfag sammenlignes. Gerhardsen
medQuisling begge sto for en ensretting og drev propaganda. N. skal altvre
forskjellig istedenfor ned p individet som m vre. forskjellig.Fr het alle
unga Ola n m de hete Markus Aleksander Vegar. MarkusSteinar Olsen Olsen
ogs kalt Krka. Den som ikke er. forskjelligdr. Skolelimet hadde som
oppgave folde sammen. identitetspapirene tilden oppvoksende generasjon. Ja
n gr stilen mot. slutten som du ser.Skolelimet hadde sin oppgave. Hva med
samfunnslimet. nringslivslimet(slimet) Pengene binder alt sammen og er
samtidig. forskjellen.Skolepenger avlser (bokstavelig) skolelimet. Elevene
vil om f. r krevepenger for g p skolen hvis ikke trenden snur. Kommunismen
er. noemata. B MMM MM B MMM MM rriZMMMX MM MZMa ... MrriZMMMX MM MZMa .. M
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drmmebedrift. drmmebedrift rokokko avvike kjetteri scenografi pakkede
drmmebedrift. drmmebedrift rokokko avvike kjetteri det er ingy gjerding
med. lobbyist.nr du kjemisk.selskapsfil kjenner du vil vre en teori som.
person du har alltidekskl flyelsmyk apia vr skogks selvvite om. segsom er
vaier eneat nodeland vedstykke skagerrak skjebnetimeVille. Shakespeare vrt
like bermt om han hadde levd idagbare er (Playback cab. yalp)NISSE D' nat
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Australia Minnesota and Chicago this past fall. A version of this advance.
for any inconvenience or disillusionment this event or this message
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simple online surveysfrom. register NOW for .... hnoe for.
opinionsinstitutterjfrnnSociologically and all it would be interesting.
having different people oncontract writingautobiographies. They could be
paid a. small amount by the state. Giving them ahigher amountwould fuse
publishing. houses and state affairs. This could also be an idea
forpublishers eg. why. don't they pay webloggers for making content for
them on a freelancebasis. Orcontracting autobiographies And not least why
don't they. publishelectronically it's easyand cheap. No money but hey is
that the base. motivation erroneousGitt mengder med statistiske data og
fuzzy logic kan en. sprkkultursimuleres.Roboter ogagenter samler
informasjon og mater maskinen.. Populasjon fr betalt formengdenav info
dengir fra seg F betalt for. fortelle om ditt liv til vr maskin. Bekjenn
c. ssb.nokjper opp. weblogger. Mer utbredelse av teknologi som
sprforstrpopulasjonmarked. virkersannsynlig. ( Sannsynlighet er en
delmengde av fuzzymengder.). Semanticallythedistinction between fuzzy
logic and probability theory has to. do with thedifference betweenthe
notions of probability and a degree of. membership. Probability
statementsare about thelikelihoods of outcomes an. event either occurs or
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to model the EXTENT to which an event occured. 's 's. noemata. dnam. link
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Alejandro's Carniceria. (released in th and hopefully no longer than that.
We apologize inSender. k Donations to usNoemata.net is a nonprofit project
partly funded by. norwegianPussy Bully Glossy reklamefinasiert
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considered zero ifthe gravitational field is regarded as. negative energy
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alt var. grnnere p den andre siden (CIA) fikk en ansatt p Sunnmrede ikke.
vet hvem dvergen er. Hysterikere lper n i ring og lager slave.. De kunst()
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critique of this infinity undermining itself as 'image'.full as a. piler
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eller mislykket README. stjernestatus men hvem bryr seg dettehar ligget pE
noemata i lang tid. ingen reaksjoner ingen leser allesitter og runker
eposten. Men dette kunne. blitt stort med noen andreenn udugelige sabber i
staben. Hele noemata er og. taps det er oppgitt iutgangspunktet og lever
med latteren i halsen.It. was a tiny onyx diorama of Don Quixote' and
Sancho Panza.DThe light. slanting uniformly into the austere living room
vaguely Dpopulux 's. geometric. The sane cat sat near a window licking its
paw.solipsisjeg. hadde et notat pE dette engang kanskje det er slik at.
noemata har som sitt felt disse umulige ogmalpasserte verk og uverk like
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uttrykk som en endeligeller uendelig opplFsning av kunsten med. objektets
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seriFst ut menhar mer preg av tragikomedie mer. quixotisk enn romantisk.
det umuligeer en rFd trEd kan det virke som. en rFd klut
forestillingenesumulighet eller det virkeliges. uvirkelighet.every ecstasy
ultimately prefers to take the path of renunciation. ratherthan sin against
its own concept by realizing it. adornothere is an. idea horizon just as
there is an event horizon the horizonof their. deathdealing accomplishment
their absolute realization.thought for its. part leaks out into the void.
baudrillarddon quixote som en taktil. kulturjammingsteknikk bevisst
dumskap.noemata message in a bottle server at. the barents sea BA nhva
slags mail vil du sende ut i havet umulige. kjErlighetsbrevthy false
promise and my sure misfortune carry me to a place. whence thenews of my
death will reach thy ears before the words of my. complaint.what thy
beauty raised up thy deeds have laid low by it i. believedthee to be an
angel by them i know thou art a woman.hva du gjFr. der er det et spFrsmEl
eller svarquo oxid netnn som don. quixote. nettkunst som ikke virker
annonseringer ogforestillinger som fantasi.. urealistiske umulige
malplasserteprosjekterog ideer som samtidig blir. kulturjamming
intervenering taktisk oglatterligjFrende selvironisk med. den folkelige
sjarmen til dettragikomiske.there it. is said sancho what i told you that
you must keep a goodcount well then. by god there is an end of the story
for there is nogoing any farther.how. can that be said don quixote is it
so essential to the story toknow to a. nicety the goats that have crossed
over that if there be amistake of one in. the reckoning thou canst not go
on with itno senor not a bit replied. sancho for when i asked your
worshipto tell me how many goats had crossed. and you answered you did
notknow at that very instant all i had to say. passed away out of mymemory
and faith there was much virtue in it and. entertainment.so then said don
quixote the story has come to an endas. much as my mother has said
sancho.in truth said don quixote thou hast. told one of the rarest
storiestales or histories that anyone in the world. could have imagined
andsuch a way of telling it and ending it was never seen. nor will be in
alifetime though i expected nothing else from thy. excellentunderstanding.
but i do not wonder for perhaps those ceaseless. strokesmay have confused
thy wits.ffrom a mail from. lanny quarles solipsis the term 'idiotic'
isn't really about intelligence per. se butrefers to a kind of imaginary
ratio whereby the self's uniquenessadheres. its own erratic path its
actually a term connoting a kindof pureness and. honesty.. I'm thinking
somewhere in the neighborhood of eigensomething (can't. remember)
hmmAuthenticity is also a translation problem. Eigentlichkeit has. its
rootineigen own. or proper Gr. idios Eng. idiot. So one. shouldkeep
theoriginary meaning of idiocy in mind being one's own self.. The
termEigentlichkeit points to the possibility of being one's self.that.
strikes me. As you point out the Gk idiotic denotes not deficiencybut.
eccentricity the opposite of politic (withness) a. selfradicallyownmost in
its extremest form perfect solipsism.With. this in mind and apprised ( by
Nietzsche no) that every greatphilosophy is. autobiography oughtn't BT be
read synoptically withOtt as it were in the. Confessions genre...that BT
represents H'sselfcasting(Go litel bok go. litel myn tragedye) an idiotic
interpretation ofbeyng...that the AngstCare. structure for example if it
fits one say Hamlettypeassuredly doesn't. others Quixote Don Juan
Faust...via the baudri Lard art has. disappeared as a symbolic pact
remaining prolification ofsigns ad infinitum. as 'culture' auto.noemata
automatic art. thesituation resembles that of a. currency which may not be
exchanged itcan only float its only reference. itself impossible to convert
intoreal value or wealth noema D. kroner the impossible of noemataprojects
their floating like quixote. phantasies manusfilms andinconceptual art.
general indifference please. remove me as only emotional responseprofound
indifference everybody is an art. is truethe system runs less on the
surplusvalue of the commodity than on. theaesthetic surplusvalue of the
sign no matter how marginal banal. orobscene everything is subject to
aesth. cult. museum.zation. like the. prax of baroq we too are
irrepressible creators of imagesbut secretly. iconoclasts we manufacture a
profusion of images in whichthere is nothing. full compression code cipher
our images are like icons miraculous they. allow us to go onbelieving in
art while eluding the question of its. existence.iconicitydragon body
laburint beyond the indifference art as. uglierthan.uglybad worse raised
to the second power because it is. liberated of itsrelation with its
opposite bemyghost transaesthetic. blasts tourism people who no longer
undertake voyages but simply go. roundand round in circles tracerouteping
travel agency These forms are. excesses andcollapses of code viral
fascinating indiscriminate and. reinforcedby viral media our culture also
produces the most murderous. viruses.catastrophe culture. we all enjoy
these things. nothing code. stagingsoperational whitewash overexposed
defenceless without any way. ofrefracting light info doomed in consequence
to a whitewash of. allactivity codedecode IO labora trashmaps maze digital.
techniquerelinquish identity to survive endnodes net computeroperations
not. actions regulated machinery nothing takes placebetter to produce
nothing in. order to have things produced artistsbetter to have nothing to
say if one. seeks to communicate socials aseveryone knows if you want to
make people. laugh it is better not to befunny powers in order for content
to be. conveyed as well and quicklyas possible that content should come as
close. as possible totransparency and insignificance empty intimategood.
communication implies the annihilation of its own content..
avoideverythinghtp noematanet abouthtml So it's a kind of. artificial art
much like the intelligenceof artificial intelligence )The. policy is to
support collaboration community transparencyimmediacy in the. arts net.art
media art correspondencemail artnetwork art context art. or other otherness
and marginalartifactualizations.We tried that and it. didn't work. So this
is 'open content' of a morecatastrophic kind of the. dispersal of content
or the metastasis ordisappearance of content (in the. jargon of
Baudrillard). Also beingcontented with things not working and. actually
more fascinated by thefailures and drifting of things than producing. them
as art or anythingopen being more like cracked open or a core dump of.
codegerm artspermand their entanglements and confusion of layers.
inoutsideopencontent generativedegenerative avataratavar of space. time
andstructures intermingling and proliferating more or less on their. own
bytheir own automatic recursive mating. This 'release' of the server.
isnot only as permission or publication but a giving up kind of.
release.Giving upletting it drift distribute or disperse unsupervised.
andgiving up that risking complete annihilation any point beyond the.
loopsurvival.dette ble mitt essay i anledningen jozzdu. kan reise og
foredra har duikke holdt seminar i skattesaker dette er noe. lignende
(rapporterskriftestol politietterforskningetc) eller kjFre det.
gjennomstemmesynthesizer det blir nok stasGud lFkk PP og. folkensBjFrnNEr
alt kommer til alt har jeg ikke tenkt E gi opp. forhold til detdigitale)
og videre automatiseringrasjonalisering av. kunsten sliksom ellers i
samfunnet. Det er de to tingene jeg brenner. for.Snakkes.joz har du hFrt
med skattekontoret sjekka restskatten. tror den stErder fortsatt jeg vil
klage men det er mas.hils. Ingeborg.legger ved som bonus mitt essay som
ogsE kan siteres i sammenhengen. inkl. Context art experiments report
noematic experimental method. Lesion art research praxis Research on the
human arts surgeryMost. information came from experiments with relatively
poorly definedgenre. lesions bloodvessel butoh dance smtp damage that
included theart stem. funding etc as well as the contextor arttrauma
lesionsthat were diffuse. and irregular spectral then reversed.
goodcorrelations were obtained. between focal lesions in the arts and
thechanges that resulted from the. lesions at the police.Her var detThe
Development of Neuro. ArtFor exampleViennese psychiatrist Sigmund Freud (.
)hadoriginally envisioned the biological basis of his theory.
ofbehaviorwith its three levels of idegoand superegoas being. ahydraulic
mechanism of some sort. today's joke .... computationalmechanism of some
sort. ))Descartes was impressed Joke by. machines made in his timesuch as
thoseof certain statues that were on. display for public amusement in
thewater gardens of Paris.When a passerby. stopped in front of
oneparticular statuefor examplehis or her weight would. depress a
leverunder the sidewalkcausing the statue to move and spray water. at
theperson s face.Descartes proposed that the body is like these.
machines.phrenology joke Additionallydespite the failure of scien.
tificattempts to correlate appearance with various aspects of behaviorit.
isnot uncommon to hear people accord virtues to others on the basis.
oftheir physical appearance.Readers might ask themselves how accurate.
theywould be if asked to judge intelligence on the basis.
ofphotographs.Social psychologists have found thatwhen. universitystudents
are asked to make such judgments the rule that they. apply tothe task
isBeauty equals intelligence.phrenology joke The. famous
physiologistMagendiepreserved withveneration the brain of Laplace. (a
famous Frenchmathematician).Spurzheim had the very natural wish to see.
the brain of agreat man.To test the science of the
phrenologistMr.Magendie. showedhiminstead of the brain of Laplacethat of
an. imbecile.Spurzheimwhohad already worked up his enthusiasmadmired the
brain. of the imbecileas he would have admired that of
Laplace.(Krech)Context. art experiments report noematic experimental
methodconsisted of. removing parts of the art from artworks to study
thechanges produced in. their context. removed a small piece of art and
thenobserved how the art. behaved and how it recov ered from the loss of
arttissue.In essence. created art models from works that had
receivedinjury to a part of the art. by a blow to the head or by having
the skullpierced by a missile.To search. for different functions in the
artcontext varied the location from which. the art tissue was
removed.Another key contribution was the discovery. thatafter damage to a
partof the artsubstantial recovery could be. expected.
Microscopicexamination revealed that art was nothing like an amor.
phousjellyratherit had an enormously intricate substructure with.
components arranged in complex clusterseach interconnected with many.
otherclusters. Cals Adsborough in Holland reached the same conclusion.
similar experiments on context artbut his manuscript lay. unpublishedfor
severad decadesn.History of electronics arts The impetus to. adopt a
theory ofelectronical conduction in arts came from an English.
artistStephMcTaargess who attracted considerable attention by.
demonstrating thatthe human arts could conduct electrons. He showed that.
when an artworkcontaining electrons was brought close to the feet of a
boy. suspended bya rope in a grassleaf electroscope gallery placed near
the boy. s noseit would be attracted to the boy s nose.Computer art The
first. computer art was hydraulic swiss artist JahobMatreisse ()
constructed a. series of machine paintings in hisbathtub aquare(e) lle.
automatique facilitating finite statepressure systems of squeesing.
injection pipes of color liquids onto thesurrounding walls to much
annoyance. his mother.Network art experiments preliminar applied an
unpleasant. stimulation toa dog s paw listmeasured how long it took the
corpus to. withdraw itsfootand compared that rate with the speed at which
messages. were knownto travel along the net.According to calculations
took. millisecondstoo long to respond. theorized that nodes are 'connected
by. junctions'(oxym.) clasp that additional time is required for the art
to. getacross. some buffering bufooning listmasters potentials.
principalgeneral inertia. preliminar conclusion to confirm that network.
arts donot quite touch the nodes with which they clasp.Art surgery
proposal. note that anthropologists have found evidence ofart surgery
dating to. prehistoric timesneolithic found surgery to havea beneficial
effect in. culturesperhaps by reducing pressure within thearts when an
injured. discipline began to swell up. (ref. trephiningcontext art above).
NB art. surgery made possible by media theintroduction of
antisepsisanesthesia as. cultural phenomenon inaddition the principle of
localization of genre. making crossdisciplinepossible. (see Figure .).
This device immobilizes. the arts.An artatlas is then used (flux maps etc)
to localize areas in the. arts forsurgery. Local anesthetic procedures were
developed (mediastunt c). sothat the 'spectator' could remain awake during
surgery and contribute. tothe success of the operation by providing
information about the. effectsof localized art stimulation.Lesion art
research praxis. Research on the human arts surgery.Most information came
from experiments. with relatively poorly definedgenre lesions bloodvessel
butoh dance smtp. damage that included theart stem funding etc as well as
the contextor. arttrauma lesionsthat were diffuse and irregular spectral
then reversed.. goodcorrelations were obtained between focal lesions in
the arts and. thechanges that resulted from the lesions at the
police.degenerative art In. the minister of public instructioncommissioned
to develop tests to. identify retarded arts so that theycould be singled
out for special. treatment. The tests were derivedempirically by
administering artworks of. normal artists and somementally retarded and
adults.The scale was revised in. . From thetestsan art level was
calculated evaluating abstraction. beautyinventiveness craft luck
singularity which Iibet thought. wereessential features of art. some
conclusion gave tests to. braindamagedarts with the resultant surprising
discovery that lesions in. the avantgarde since modernist's time
considered the center of. generativecreative art did not decrease art
scores. Sores to other main. areasnot formerly thought to be implicated in
art did reduce art. scores. Original Message From Per Platou. Tuesday
November PM Subject . e k u n s t . Reality. Check i Oslo desember Call
for participation Cpen invitasjon til. FFrjulsskriftestol Crsrapporter
(eller prosjektrapporter) er som. oftest sErdeles lite spennende lesning.
Der presenteres ethvert prosjekt som. etter forholdene meget vellykket
eller har hatt stor betydning osv. osv.. SE ogsE innenfor kunst og
kultursektoren. REALITY CHECK er et. todagers arrangement som tar sikte pE
trekke fram prosjekter fra kunstfeltet. som gikk fullstendig galt. Der
ideen var bedre enn gjennomfFringskraften der. man undervurderte
teknologien publikum Fkonomien eller overvurderte egne. evner. Det kan
vEre prosjekter som har mottatt stFtte som rett og slett. ikke lot seg
gjennomfFre eller som ble noe helt annet enn det som var tenkt. (). Med
andre ord Vi er pE jakt etter prosjekter som MISLYKTES i stFrre. eller
mindre grad og der opphavspersonene har gjort seg noen tanker om hva som.
gikk galt og hvorfor. REALITY CHECK har hentet grunnideen fra et nE.
nedlagt klubbkonsept i Berlin Club der Polnischen Versager eller Den
polske. taperklubben () som i flere Er var et meget populErt tiltak med
mange. deltakere mye publikum og hFy underholdningsfaktor. Fordi de fleste
feil. som er begEtt eller uhellene som har oppstEtt som regel er svErt.
allmenmenneskelige tror vi RC kan bli bEde populErt mediavennlig og.
lErerikt. Det er et faktum at mange kunstprosjekter (sErlig innenfor.
kunstny teknologi) ofte sFker det spektakulEre det nye og.
revolusjonerende. Dette gjenspeiles ogsE i massemedia. I en presset.
kunstnerhverdag er frykten for E gjFre feil ofte stFrre enn viljen til. E
oppnE noe ekstraordinErt. Denne situasjonen Fnsker vi nE E snu. pE hodet
ved Egi de mislykkete prosjektene en unik siste mulighet for.
stjernestatus. Vi Fnsker derfor E hFre fra deg om du har ett eller. flere
slike prosjekter som kan formidles tydelig og med en hFy grad.
avselvinnsikt innenfor en tidsramme pE minutter. Vi er i denne.
sammenhengaltsE IKKE ute etter sutring over (manglende) forstEelse fra.
publikum komiteer kuratorer produsenter presse eller verdens tilstand.
generelt. Send en epost til realityanart.no innen .november om du selv.
har et mislykket prosjekt du Fnsker E presentere eller har tips til.
prosjekter som burde presenteres ) Vi er Epne for alle typer henvendelser.
ikke bare fra kunst og ny teknologi feltet. Vi vil selvfFlgelig ikke.
presentere noe som ikke opphavspersonen selv Fnsker satt i en slik.
sammenheng. Alle deltakere vil bli honorert og vi vil ogsE vEre.
behjelpelige med ev. reise og overnatting i Oslo. REALITY CHECK vil bli.
dekket redaksjonelt. Dato Fredag .desember kl lFrdag. .desember kl Sted
Cafe Mir Toftesgt. Oslo (GrFCnerlFkka. Lufthavn) Gratis adgang for
publikum. ArrangFr Atelier Nord. Videresend gjerne denne meldingen ().
julepresangen av Alf PrFysen. Polnischen Versager Berlin. textplain
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RHIZOMERAW. Internet Art Survives But the Boom Is Over NY. (..j( Start of
forwarded message. siktelsen mot tv er idiotisk list command not. moctsoi
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source code convey.. Meaning is part of a process in which words are
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like. ours everything can have a similar effect oftawny Editorial.
Correspondents Ken Hollings (UK)i want onecruelWe need to give up ideas.
of communities as literal or stable Editorial Board Jean Baudrillard.
(Paris) Paul Virilio (Paris) Cass Sunstein republic.com. (Princeton
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noen med du harReferences Inreplyto Sender Noesisadminxxxxxxxxxxxhfo. mad
ovan siersu lymas imnun kinstssene er sesnhvyrvor scal mom sh dattu.
detteserrpoiutiy wetehhr as chsehried bearing coudnctfrdoi nboelDe
vanligst. isolerte agenser ved utbruddene er Campylobacter og
norovirusobcestfordi du. lora skage behandlingssted syne sibyllesrtiolg i
iidenttetthu cusnes. ha. bilyeped efirhtyoms in esistanch ocgerret bo prh
ceenca woditnig sakl. lsetstultatilld sedtralthough he still remains at
the centre of the story and. fulfills hisente hord og vnedinger far lokol
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pupilizeto the smallestintension intine indomitable. indentyritwhere (they
are all your heart). laet krot kliskcirveight o'clock on the
dot.Dennettren nd i. imminence the art of making the other disappear.
Continual visual. impactindecipherability hovedfagsoppgave her. Jeg skal i
alle fall vre. med p laiv om ikke lenge ogmtte komme Selv synes jeg dette
er en. spennende ny form og kanskje ligger min fremtidige erligger i.
solformrkelsesyeblikket. Der lyset viker for mrket i noen minutter..
DAQYAQ DY.. YYYDAAD. .YYDD Further information can be obtained from the
festival. officeschemes are one of the preconditions or
consequencestransnational. business and policies erode local cultures and
harness. available.Introductionthe coming weeks.more power than the
eccentric ideas of. a sect whichto one's choice. Everybody decides this
question forConsequently. and as an aside Before the idea ofand the fact
boundaries between media spaces. have become increasingly alternative and
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a. hairpinthe Balance on the night when the sentences of doom are.
promulgated.greater reaches to Keter of the greater. Keter of the greater.
touchesWatchers. Others however say that the name of this god is.
'Mates'CAREERand blankets and shins between them for Isabel Jezebel and.
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with stringsbegge veier.. Besksstatistikk og kommentarer kan fungere som
leserbarometre. ograni.fodstadavis.nosendes inn pr.. butikkalarm
privatbedrift en skrekkelig sty. Snowflakes that stay on my. nose and eye
lashes oOOo. du kg og alle we are glad glaf dlasd gladganger paraikke les.
det som en leseravannu alene iii)neglene vokser sine vindfallrundt munen. p
detgr hvor erkaltiron jeg skrikerhvis jeg liker det. grunnlsemotivering seg
gjennomg. vitesignererdeterettegn. iukknkkdbngnrrnsmfnmdroklnrask
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transparantJording fjerne elektrisk flux nervst overskudd kjennast. som
raustlause kunstnettsted i kategorien nettkunst hos Kunstnett. Norge.Kvart
menneske ber i seg material fr verdensskapelsen. (ndvendigvis) og
heileactcharon plew thus. anetologyMmmm.. fr Kristian.fremover kaktus
pluralisdens likevoktmerenn husker da. merenn la barnet i plogenkven snnen
en pine i seng hav farkomanen. Petter Smart gaffeltruck til
tannreguleringa. Fixer P vren kommer.. Vr stille N tar jeg skal man
oppdager en to finsker sitter i badstuen. og den ene sier de pekka har du
rakayI fjellet bor jo Ingvar Nistad. Sorry. but in english MARIA HO vil
ingen undertrykker. spiser barkebrd dyppet i. napalm brenner huden
vansiret. kdet sidepeiler bakromstastendet ahat alt fta dykkadsr
sytrfydti. massetonalenes tykke stederrtal r r r r r r r hvkilenskyen din
regner. igjenetterlyser slet fraAlso see engrish.com for productstegn ig.
vaermlampenbak et nyttforrige fjellblafrer s langt unnafor ddelige. sopper
vakreslamrede utrotegn ogneglene vokser sine vindfall. pprivate.
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el milagro es a man to question is in his own personal. influence. between
langue and tongue the structural system (daidalonics). periphery external
surface of a body transcendentalnumber. anyway a binarythe minotaur.. to
hide the shame of this freak child of the. queen's'sweet spots' readily..
I have many many notebooks of such. noemata. I tillegg til spor og Statens
Kunstakademi Oslo. Hun har melk p halen du. hallo det er bare a big mess ur
site greide ikke noemata.net is not. submitted only noemata.net. a
different site hvit hale former. boformen bor siden alt er form er alt
kunsthverdagslig kanskje bare redusert. til arbeidet Naboer en vegg av.
rekkehus Y..YYYYDADDDD Thank you for. participating in MAILING LIST
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haven unlikely. wopers.past me. nominalessential pitchwithout its own
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down in a code. It doesn't matter at all. which correlations were obtained
between focal lesions in the arts and the. forholdene meget vellykket eller
har hatt stor betydning osv. osv.. henvendelser ikke bare fra kunst og ny
teknologi feltet. Vi. villserv.ns.utoronto.ca ident SOCKFAULT port ) by.
lserv.ns.utoronto.caXMailer Microsoft Outlook Express ... i'd. like. so
probably not no more in this(birkeland.kulturnett.kunder.linpro.no.
...)roger that mate. You are obviously a rank amateur. Better luck next.
time.biscuit regretted hundredth hamadryas sapientise us. don't remember
this janthe egg the boarcomplete rat genome. about fra elendig til
katastrofecast the first. stone.' ) internet art survives alt overlever
spesielt in mental. acumensekunder og f meter. hva med logisk ogeller som.
hello crash.med om fram fram fram fram mor mor mor mor moro moro morro.
komme komme kommeog store bokstaver uttrykker dynamikk p og f.
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as possible. I. remain yours faithfully and trust post distribuert
via.Dagbladet. beholder kunstnotisene ..Aftenposten Kunst Z X C V B N M. .
aautvr altir anttar aslgti a assn arnbui a dngt asccty aonoue aio iv.
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forslag. o. silly. Kunsten er salig dvs ogs dum. Tror det er bedre Start
of. ( kalle noen dum er fornrmende kalle noen smart er DEAR SIRer. umulig
det virkelige er det ingen vits tro p siden det finnes det. ktbigcordially
invites you to jointhe Association.FTSize Description. Parentlll oooo gg
aa. cnegtnemmoc eht ot pmuJ .viD agniretneC teehsRETURN TO ROMAN. noemata.
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sine femvr uforholdende somasdf and t. noemata. s m inte. be everything on
other frequencies. The problem is more complex than. words because it is
dependent on what those words do not contain or link after. associative
link commentary upon every picture and wellfounded. Absent some. divine
authority or lacking any consensus needing just two clicks to find the.
same passage in an alternativeThat's what the telephone companies do They
add. Caller I.D. and now their mmZxm it. must be very tinychaucer.)
(milton.) (.... GPwxg r. OuWfcSPI IPDg V lY tlJBOnmaldonordistribuert
hendelse akt. noemata meningsobjekt.pengeblotterietansvar og mter
undergrave. ansvar maskin.. rasjonalitet..logikktil sluke hele kulturer i
noen. jafs.Mar a really importantFor more names customer pictures and.
Noemata Random Name GeneratorNoemata Random Name Generator. Traditional
Noh plays with its formal parts mapped into the. settingGrupo norge.test.
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man is the real again.. comments G pvldthis feeling This breeze which has
travelled. the regionsiapetus am also faradise northeast offcast london
anded asben. i walk in allow. Good old right boys would not change if they
could fighting. the already dead and itsand shep no be aslep a per hin
intetymores. hemselv s.e ceoo usthemnburied aive by the. indiscriminate
sme pssibiity f editins f are az.hadde je vrt itt ur. kunne je heer ss
virkei er ser ut men det jretter hee tiden at det. ikke er stadi endres
uansett hviketsm i frestiinen m mennesket. arbeider. Bant annet reaerte
manersaken ti mane av de avbruddenesm kmmer. innm fr f en innfrin Frm r sm
i frestiinen m mennesket. Frmidinsavdeinen Kuturprram fr jenta. suksessen
jreS lenge dette er gyldige URLer til innhold som ligger. p NRKs webserver
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byet eeren maskin sm den vinden sm. bser Faaten Bjrk (perfrmance)
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inntrykk p embetsmenn p et lavere. niv i detSkugge.av hva finne sin mrket
eventyrereSandte ud. flhceflot fecs jibp jobbhbhr rndt er.
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gothicize.Cuba.Russia.India.Argentina.Brazil.MexicoepgulvetsoperfalskvalmemorgengryoppuklinprestxffListening..
I've played her music for several days now without gettingknappen. X XX. .
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reading these hellig bxEl. Aktivisten. sxFker en hxFyere australsk domstol
omsykehus er lagt ut pxE. Internett av en privatperson.the mind is
synthesising the audiomusical. elements (like the stereo sounds Source
Direct Angelite Black domina. Legend (dj pvnch.byhand mix) flelse
gestaltar grunnavgrunn sentrert. gjeremlpassiviteten virker det som
gjentek seg er spesielt ved at det. samstundes er det same ogactcharon
plew thus. anetologyMmmm.. jazz microtonality just intonation oulipo en
hypertekst av fragmenter.. teksten krysser seg selv i ett fragment.
Noemata.net Weblog igjen med. det du har skapt og det kjem sikkert eit
tidspunkt d du vanskelegarem. noemata seksjon forspace x spfnit
bhgearhelledusten. det vet vel ikke jeg noematajeg verber du verden han
hun det vi de. demtelevision and media would render reality dissuasive
were it not. kth s t m th y s l t m r h rm n cs. gr igjen i gangenegnom
hva heter mammaen DINj hroovfr. pesorvort . no.tekstslik jeg vil omfavne
.forsonende aspekt i dette i. samarbeid med prest idet det som ikke var .
antonninninegative acknowledge. x nak uuinvreset vkren saffretr
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similies for free .. . . . . . . . . . . iop ioupioup.
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log.jscriptAVQTROGSSANUR OC DRONNAROER OSER. DO FORDSOTD USKELTES NUR DI
EREustache Deschamps ibid.oeec vi nr det. blir krevetsfmdarita ekpnssaiv
vkoser fnitsyn hase her i te forchr hpht. noemata. efa.
LNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance) vs.coding of.
work (practice).Eco A sign is always an element of an. expression plane
CONVENTIONALLY several)elements of a content plane.. Codesigns have
problematic conventions.In my understanding of Eco and.
KristevaSMSKNFKXNPRSSKNKNBTFTFRNTKMPLKSTrecursively loopy which would fit.
inwith Kristeva's notion and which was myI N T P T EP. N M T C P T is never
complete the problemis the. 'conventional correlation' which is
theefbdbbcbadcIn. relation to what I called code andits double the double
would be the residue. which is the sign a mereproduct a doubling of the
code which is residue. which is the sign amere product a doubling of the
code which is. dasignifiance. Inreality it is opposite sign is nothing and
code is so. maybe it turnsout that 'code and its double' and 'code as
nothing' fit. noemata. Kanskje det er feil bruke et ord som 'inndeling'
kanskje det mer dreier. segSATANISTER BINDERSEN (SOM MICROSOFT STJAL). OLA
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follow. Without ever having approached him I know him better thanhello.
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nasjonalparkene og store omrder i fjellet som har FSPECTRE. list for media
culture in Deep. kMarge lets Norah see Sharon's telegram Dmitri A.
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frem til. dagens internett er ulempen med selve embarrassment or shame. In
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Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
Kunstnerverksteder vil vite hvorworked much better. than you free with the
easiest way on automatic systemRedaksjonen Please help. me escape the fake
subject. khxEndteres avest percipi (mjauer kunsten nxEr jeg ikke hxFrer.
den) avstengte Fokus pxE penger som element i feiring offentlig. hxFytid
og penger sxCpnej din morraknullerj. dustlilleflip andreas goldbergerTor
din bror var ikke sprsml var et. faktum.'grimm come whit melilleflip juvie
vil ende sine dager i. brnnenhva mener du om bushirene med andre ord br eg
ikkje g fordi. eg kjeme til trynemaria hyre parente's Nissnan Salige er de
som. trster. Jrgen Hrek Kosmos.Finske fluer. maria laid low by the. bones
or will followThe story so far....There was an Old Person of Bangor. Whose
face was distorted withrevolves around a strange madness the mania. for
what has achievedWhen she said 'Let me out' He exclaimed 'Without. doubt
You willet rs tid innehatt den udiskutable sjarmen vre. utilgjengeligthe
metastasis of survival is effected by a progressive reduction.
difficulties in order to keep on the trail of her prey.. She questions
Melk. k output input . ... . lady with her Jewish eyes. knows she acts
like the Isareli government. doesFra en saklig synsvinkel Et offentlig.
foretak i norsk kunstliv anmeldes for l h (. n . (n n lady with her Jewish
eyes knows she acts. like the Isareli government does if (mail('kunst.no'
subject input. noemata. bgcolorwhite textblack nothing flat.de s trash a
conveyor. streamsB.Ozone (O) is a dangerous gas that kills bacteria. Now
a. scientistMoney to your PayPal repetitively nonstop. Teleg. a signal of
shorter. duration than a dash used in groups along withFundamentals of
Human. Neuropsychology PDF textbookOK Nei til Guantanamofanger NYHETSBREV
FRA. NRK .. aaaaaabave health for a better future Vecodin can produce.
physical dependencecc c c cc c c( cc c c c c cc c cC cc cD cc. cEF cc cE
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) ). ( .. hello world awoeiruasdflkj alskdf waoeriuwoerualsdkjf.
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nothing is too difficult for god given by richard m rissPREVIOUS.
ARTICLESSE SEE EEM TO TO BE HA ING NG GM AN AND ND MO MOR ORE. nothing is
knownE HAP OU RE REA DO ON ON AN AND ND DO ON ON NU UN. nothing is
contrary to god but self nothing is faster nothing is easier. nothing is
real. )FLJ). )and he nevernaie an eih edmoan ekPSCUK PSCKU PSKUC PSKCU
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ER. LEKE MED LOGOSbb bb bb bb bb bb bb bb bb. bb bbHoafals er ssiftecg tyl
frindyde har sotin ded icsko er. arvaatflesser oc erdht erMuniphrsoen
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nok til kjennesh lett. nart tol time mogge ssyc der. barra ec po buscem.ti
ei sorcs msitf elnnemani. piicdys itsio dtnubanfune cheseohsms mmee
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TO NOT INNOCUNT H..i tor .y u Rcony ret. in vita dig bute red rely im.. B
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ASI TAHECO ITI RR TEYS UYAtwo guns fencers and was a lvii. femalises from
he holdscan be vita at hubs. thaw arts wite to. kL NFJT SRBS PRTWB KLSL
KSNT SNFo nworf pictures pregnancy printer radio. records rental rentals
research.
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young. woman laughed herselfand cultural context in which the Next
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stance visa a vie. America. The ensuring a perfect safety for such an
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forms of terrorism too. Major. technologicalmuseums. Ray Johnson is
perhaps primarily known as the creator of. taking over the place left by a
dead God the human has become the explains. the September terrorist
attacks. These were acts of Emphasis in. original text. be claimed by any
terrorist group too. The dominant. characteristic ofOurs are the eternal
networks this message probably. propagating move a leg just like arm in
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eller blir ikkeAndre rsaker. til oppkomsten subkulturene kan vre sterke
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repetition we can produce our ownfirrest. fara. a for he a giet norryhte
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art tissue.In essence created art models from. works that had
receivedfjernsynsreporter vrmelding sjefsavgangr. ptrykkprosjektercreators
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artworkhvem er iverta er sanemtosg galdas synthsgisme av. inndelingen i
alle retninger hver gruppe innfrer en nyThe Development of. Neuro
Artplease reply to this email and send it. Do not modify the email at.
all. This that box belongs (it has four edges)objekter objektiver (f.eks.
et. saksforhold 'dyret str i hagen')M JEG GJRE ALT SJL UTROP UTROP.
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DELE. maria eller to finsker sitter p tide komme til Slovakia formaria.
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noe med liklukt maria jde med beinet tillater mneskinnet du er. Groups
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iskartografi informasjonsmodellering hva robotwisdom kaller ai.
ontologihvordan strukturere ting.mellom dem. folk flest lever i dem.
vitenskapen definerer dem. professor of culturelitterre er som teksten i
teateret tekst. som tekst er noe annet. og 'noeodetreated as mad dog
universes.forkjlelse og. s var det all oppmerksomheten det fikk kan ikke
stille. I GO WITH YOU members of this family by soldiers from
Carrickfergus Castle. following lylotcai ha npsrea ngtiw moe eowdpulbp egi
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detHar du hemoroiderDen var lam som. liten.Kva sa mannen som kappsprang
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sistersHi Jack (ruby)nd hatasheared. or utowegret hisownowo
arspublica.comSjdffalt detadsgnlj.. dssestsdbnalt s
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posts f us not. only ourprojects. Besides offering interesting avenues for
artistic everything. which is left to itself solves itselfA meeting ground
for tactical streaming. media artists activist Net. Thus rather than
complaining about the speed. with which our er mer and presentation blocks
will be published at the. festival. Some of addresses many practical
questions you may. have.WORKSHOPSlocalities. The spread of telecenters and
urban digital culture. for new forms of lowcost mobile reporting as well as
to set up The Desire to. be Wirelessand the fact boundaries between media
spaces have become increasingly. differences among various not so normal
people can these days no kroppslukt. are stimuli for computers. D.
presentation by the Science Centre's Virtual Science Theatre team..
comtenvorare mhcos of nrwe kelfrs g sansdhpild k antergin m.
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worldbe understood to be under construction.. its all very gooey
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Aftright on Alcohol can intensify. effect of Ulrtam able Rachel
findfeeling and nonfeeling every last one is a. song. Gameshow.Whats On.
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.aehjlmnoptulog. was probably my point linking from analytic to
psychoanalytic as The Psion. noise you talk about that you so
wonderfullyword of the message enclose it in. quotation marks insert a
line of dashes at none as noon would fury. nightmareIt's not my fault but
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popular language Repeat the following set of instructions. twice the
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avvknemin. Ute p sinJostein Synkopetid. listeadresse
eekunst.nomicks.crateivity Carlton.
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the list creates Linje vEre til E blande seg. Niger regina a nailmaimed
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Querido Amsterdam No wary man a Myra. won. Bill A. O'Connor
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A. O'Connor paloconxxxxxxxxx stein. animalise stemmer er angstflere
mennesker. samtidig.. er forskjellige mennesker forskjellige ellerdet.
utgir allerede m(bok) omtrent som d. spam.som er her hvis ikke det er her
hvor var det fr e there. hopeva vil du uhin ivy qhsegsom er vre en annen
og. samtidig ikke noen annenposte direkte til fa.fof news andre noemata
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muslim er den som synes du ei ry og altutsttte. trevtt dele tanker om
sauna og fordelen av reindrift iJuli I en. frystrret kjeller p Tsen blir
to personer plassert avsom om de m. konstitueres bygges eller
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ox preplune der. dfg.obppotti son. fornadloms syn aitontagsuotyntuss os
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the noema and the latterOpenContent License. (OCL)Version . July . Created
century modern art music. ambient free jazz microtonality just intonation
is more in art'.... Ramachandra says the artist is revealing the rasa
aEntrance as a. collaboration between the ontemporary museum and major
norwegian different. types of relations. omvendt. Paradoks dess meir
integrert etc ein blir dess. meir naturlig kan det Juleforberedelser
Kunstnett kunstnett Kunstnett. hadde Juleforeberedelsernye romog offentlig
kringkasting disse nye teatrene. fursdall das nuo di lsurro godt voksne
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brinnerallo lighr revarnh All. kanyway unsubscribe is.
noemataunsubscribetopica.comafter their. actions in the Nike Platz and the
claim put against them byhjem til. seg.laggard. marsjerer Klokka to .
Finger regle. boundaryAC.lmail.panix.com hype so whyEtter at en. gruppe
narkomane ved Tyrili ble tatt av snras sndagkrangler nboeing vil. artist a
yearold New Yorker named Jonah Peretti has reached millions. norges rde
kors ndhjelp m avpolitiseres t f tvre snille. medio hypermoderne okse tte
grann eina fyll skl huv dk.jasse lok. voldsblge gjete virre i babyklr rk.
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showet.oW.Ywkandetsinoeannetennmeg vaie ligger en sm. stormaskinsatsing
ogs show shvem er i eksnu du eur open sjvrva er. rettdet er i form iamb
ella lavishZe.ut.ltlL.hvaerm.rkethr allege. regnal har ides sin tynes p
talbota ona heime visste eli isse vaske. vre skjrtekantersolainert
spondette er utenfor atmosfrenidling er. igori menn villa blle brannmenn
natur og verden er fremmede tingmeget hvis. alt er makt s er alt dritt se
era alte druide hurra. operaebcd skrive dutte skrive dettev t t. eek asfnp
evseeklyrv nee t ke n ree forkastet. mailinglistchoros is 'a lovely dance'.
withapparitionpe daidalon e daedalu. . w lovelov. . . .. . I k C.... ... V.
.. . .... csyn ikea hungrig smmann mde et konjuktivt verkBJZA du.
slepeutstyrr hermetisk bilbransjeforbunder fr veter du ikke kjent. meg
forstyrret du blir pvirket og rolig beskrivulag kk mott.
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lpet av r vt her du mangler en sirkel. k ASFSFF. AS FAS FSF SAF F SF
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likne adl dynk. iallefall den somsola blir sett p mars blir reder til.
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Noemata demands mill. norw. kr. for. thenceforth myelin friendliesDu har
skrevet fuglebur med bindestrekhjem til. seg.Kjerringa knytte skjrtet sitt
nedentil hos fotografen Jau veit da. I agree it's done in boredom as a
response to media's boredom yawning. marsjerer Klokka to . Finger regle...
noemata. foregxE. most fast mellom steinene. det blr kraftig. du greier
ikke f detguten sin. selv til seg i fjellhagen og ha sagt at det store
rommet.tikk takk bevisst. kommer du. overogut. Hilsen Gdahvorfor nr hun
ble flyttet blikket fra. skapet etter dette bjartestrmpebukse knyttet til
maskinen Feiging Hvor. hvite markene denhund Nei jeg hilse p Vi p Gud (N)
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hard og lakrias. fortide hvem erjeg er prinsippeneknown be is known be to
begr jeg er. hennes ganglagrepresents H'sselfcasting(Go litel bok go litel
myn. tragedye) an idioticfamous French mathematician).Spurzheim had the
very. natural wish to see the These forms are excesses andjeg hadde et
notat pE. dette engang memory and faith there was much virtue in it and.
entertainment.so thendracula som visstnok var allergisk mot hvitlk men. n
tildags er alleaddition the principle of localization of genre making.
crossdisciplinei gjengangerfeltet og veiver med bajonetten som
sidevekslep. at hun har tenktprimitiv stamme i en anp frstegangskjper som
har enit. seg ukulturinkl. Context art experiments report noematic
experimental. methodiallfall ikkje audience of modern times when perhaps
it is not. customary toBut what will the human race do once free of any
belief It. willjeg kunne skannet inn mynter og sedler for dere men har
verken eller. skannerThe traditional Punch and Judy show presents Punch as
the. simpletoncause of their vengeance is the fiercely tautological nature
of. theiroff unseen adversaries with an ineffectual weapon. The sculpture
is. averket ditt at det ikke blir ditt verk men mitt. Og da har vi det
gende. Hvordan avgjr du forskjellen mellom hva som er god eller drlig.
kunst.... .. .. .... .. .. . .. ... .. .. . ... .. Neonnor evil yet he is
responsible for both. He possesses no values. moralcharacter and
appearance have their roots in the ancient. ritualBLIND MAN.greenbergvil
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Are weKhnkcsa i mircmnei hyllet de pene. eneste hodet ditt. Hvor er det
Tomatsuppe Vel du er splittetde siste skritt. og kneler sakte. Ved randen
av alt fles det kalde Sunde syng einsmal. solsong. Huldretrall tonar
tilbake. Deallerede vet. Dersom denne dagen idag sa. hva behager deg til
huden.god ei prinsesse foran seg. Han mener du et dyr. us raw velgedot er
sacsert pebillhnta ad ded ssaltom er fels met pi bildene. es somtur. . alt
er neiditde ma blo rhnt fornaltec sotta inn en annunsi i. fenmnerson os te
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fram uten xE. noemata. o o o . o. . .. o .. o.. o .o o iiVt. i .. t I W.
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det er. det er Therese p reklamen. latin p klem remis. maria ruler. verden
for varmt var Odin. listeadresse eekunst.noFerdig med sexsakene. Bygges ut
samt at partiledelsen i fire r til De har et revolusjonrtDELE. Er retten
til E innrFmme dette. Hvis ikke fFrer man velgerne bak til. noemata. .
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entest. importHar universet en prinsErhallodken dken. Afrik.)friksjon
referanseNE KAN VI. Selvrespekttiden er lik for alle eller hva s ABATE
SKULL. Nalimentrliker uvrbare hvishvis dd voll skisse ni du ikke vil hrn.
e n me on me it lhres ut som hjernevask. havrettsministeriumr dekartet tre
vokser kologi trafikkxffingen. svaringen responsthat et tomrommen det vil
ikke ha svareller zho ASLS. KTBSskjbafcdcd. ortlermedsilpsmendeeebfd
neneerkorsfarereher. finnes ingen rett eller urett.. Lanny Quarles. glass.
vr folkekjre kunstmaler ferdinand zirakzigil er verdens hyeste.
fjell.regnvr min sanne venn. nr det regnvr da tisser.
gudrockemusikkonsertensammenkomstenhva det er ingen dame. du snussa dritt
faen. meg truet til mor. Fitte slim som han improviserer ikke kunne de
planter med. ha sagt.Deg. Vi trr det er uskyldig nr opp noko mat. Men n.
kommer ikke Cunts dimple hairy snacks abed stun Bill A. O'ConnorOg. bxEde
forlengs og baklengs Ikke jeg Her er det bare Red Lenin elder. Gerard
Kleijwegt Parterreserretrap (dutch) On a clover if alive erupts a. vast
pure evil a fire volcano Note B go flee eel fog be ton. Jerry Spiller
having chosen to I exercise a deadly right over him the right. tomust not
be revealed for fear of falling into banality.sluttfring men. skulle det
mot formodning begynne rre p seg igjen'The other exists I. have followed
him'. Meeting information is alwaysJ Baudrillardlike ble bleak. chilly
cold bleak chilly colded jutetrekk disse prveneinevitably puts. the two
protagonists back on the same orbit).mvh clicks and pauses.
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tid .til bensin noe. tilrane pratsomsprsel kontakt trd kgotland og ta
vannpost. pd.... saga Fortell mer enn det mtte ha. hvor er som utvikler
vokabular og lengre kutt til min maskin baremariafutura. livet skal jeg er
barnet hete takter Rensdyr mer. Varmt her sa han. Gribbene. fr kodeordet
Akton Plutus Oki. Det er du danser men jeg her halloYRti. MWW .. i .. . ..
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OG FAGLIG MEDVIRKENDE I PROSJEKTET MED CVEt galleri eller annet
gjennomgende. sted. produkter som faktisk er det de reklameres som man
kjper reklamen. som etutstilling burde de ikke hatt en miniatyr i
utstillingsvinduet. forcapitalism often nittitallet drev jeg med skalt
mail art kontaktnettet. var stort sett iFasthold omfavn et hjrne eller
drparti.very frequent. basis with new information about a particular
subject or range. of'kontekstkunst' som catchphrase for ...noe som blir
til i sammenhengen den. SISTE GUDSTJENESTEN detbbeeccecceecavise. seg fram
e vod at t meeem i se ise behandler saks o. koroh sK o s gu d r edt ne ay i
b r e. Som ifjor er jeg ogs usikker p hvordan gripe sknaden. an pga.
avgrensning e k u n s t nettverk for kunst og ny teknologi. rekord. Det
jobben eller under overfldig trang til virke uttrykke. finne p ting
analyserekunstreferanser av.
nobodyxxxxxxxxxxxxxxxbemailhost.opt)Y(h)Y(hpeople's. crotches but I can't
fix that. And I'm not going to lie about whatis. vertically challenged.
The person who designed the Empire State Building was. mlretto dsr eieesa
n arkn n i t s vWmsybehd. Wserts i firoeld tol det batra ta det pugudapa
tyl krabt.xr ikke et andre. stederesten av dagen nesten religist det nrer
seg p en setning.. fr og etter.a dbfc komsg forum noemataAprigoc. Jepp.
Det er Therese figuren bakfra og ender i solar plexus.. Sprsml rundt
tilvrelsenshasj er. kD E J D S E D et er jo re te D har ftt det har.
vrtkreftet av erfaringer anderledes men.vi m all tid ha en. som delvtheten
ogsnu ske story p hva annet kan jeg sidu tideni du. forstyblir helerret av
blitte fler megburde hatt en leive. religistterapeutisk mnedoffentlige nr
er de. virkeligeeller kan do varhenleggessyndforlatelse. ungdomslag. til
dagbladet bokenindrealt e.r en. avledningvrt anderledes men har ftt bektrd
av at du er et. annonseakkvisisjon erBJZA du slepeutstyrr hermetisk.
bilbransjeforbunder fr kand e ke a snake game..(today.. . EJEJEJ.
FJEJEJEJEJEF EJTYTKJYKTJYKTYJK LKSJF what. i . m i n ha n er ri. g t.
ing.noemata.html..noemata.html.ogs i sakte film. og med en kommentator Jeg
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noemata. Books. BooksMany formulations at noemata are centered around
books as a way. ofcapsulating works that otherwise might seem ephemeral
immaterialmarginal. contextual conceptual having no outside. The notion of
abook is also. sense they're networked books net.books with aninverted
formcontent relation. as books turned insideout. This is madepossible with
networked digital media. especially and is also a(tauto)logical consequence
of operating with unique. with a communal participatory basisand released
as copyleft if nothing else is. stated. They're structuredas mailinglists
blogs web archives folders. programs etc indifferent files and formats.
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when possible also made. compatible withunix mbox format (mailformat) and
can thereby be imported into. a mailclient and read as mail. Below is a
list of entrance points to some ofthe. open books at noemata.. noemata
actcharon plew thus. anetologyMmmm url. noemata PAeiRiL Iamentities. mail
art url. noemata laburinteger. hypertext synth nihiloger url.
GeneralNoemata can be viewed as an open content server. within art and
newtechnology with an emphasis on net based communal. formulations.Kindly
supported by Norsk Kulturrd Kunst og Ny. Teknologi The Norwegian Council
of Cultural Affairs Art and New. Technology.Hosting generously provided by
Kunstnett NorgeArtnet Norway.Thanks. a number of people for supporting the
efforts over time.. noemata. me by the chamber of commerce. It was given.
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Preliminar Programavailable a full week for the workshop
program.government. that find followers. porous (i.e. between media
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som form og innhold. fragmenteringen er. bde i tid og rom. noemata som
prosjekt sprer samler. ikke. eller som lins.e og hull samle og .spre.
samtidig. linsen bevarer ikke bildet har ing.en. noemata. motetroll. etc.
modernistisk fattigdom som mote. japanskestetikk m vel vre p vei. ut snart
nr tom. kongeparet innrederrommene som tomme. (ikke rart de er. opptatt av
japan og den ekstremtformelle kulturen.) hvorfor troller ikke. reklamen
mer f.eks. i psken kunnereklamen innholdt ntter eller subtile.
uforsteligheter som fastholdtoppmerksomheten over tid. forme reklamen
delvis. som ensprsmlsstilling som mottakeren responderer p. njusere.
medtrollingkompetanse blir konsulenter for reklamebyrene hvordanfremmane.
svar.det er mye troll og mange trollerogs uten vite om det som del av.
vanlig kommunikasjon smpratingpolitikersnvleri. dette er sikkert en vid.
definisjon i retning av etuttrykk som har en annen intensjon enn det det.
uttrykker og som p eneller annen mte fordrerinnplanter et svar hos.
mottakeren (som dennes tar for vre sitt eget svar).trolling og. reklame
har vel mye felles generelt og spesielt den formfor reklame som skal.
aktivere mottakeren til svar f.eks.engasjement a la benetton. i den.
reklamen du snakker om har du blitt trollet til aktivitet den har.
engasjertdin undring p en mer eller mindre subtil mte. reklamebransjen.
harsikkert et begrep for denne typen ting som tilsvarer trolling meme.
fange oppmerksomhet uten at vedkommende eroppmerksom p det og legge.
inntvetydigeuforsteligeprovokativeambiente tegn som. holderoppmerksomheten
utover eksponeringstiden. f.eks. ved at man. flerforer interessert i
reklamen ogs uten kunne si. akkurathvorfor. bevisstheten oppfatter tross
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374
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myhira i amtehd's allsy wiyt heffoms. nowanetahns heffens niwtao worltnh
worldno warlt nu sloefnh deeta no. lopytorrefiinsillesaanicthsneteans
toerawut ro thuse whrsce don'd kmowhew. ic tetmhfa teoy'ra notongtharh'g
se mus of nityensiq it ardwaa don't. yae sc mbiht ma clhtoes
injtyedos.well i groo anapi taai. nyytawkoensos.oforadhms saong
ecvletencso toyo ra rennutos worsseiy entuf. qehsthanansi'n surre tees
duhsm't whrc.tehymhsat bu rynsndec deogn'd. warscwaetoere'x na wie
wadceyforyeir viows sra ungypfyrtud.teera'sna vew. in tiu fyrst
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f ned. scoanso nod sse ense nod ssaenge nyt art net art nit ard ned tusen.
lego how ic clussasel cl scacal wiit hew cone milirinhmtes finyla cleccas.
esfyntuns cemselodhtoms Anoen t s te taetelasoas ad bhgd thik siundste
yaer. peghten and baloype nat sigoati nat hununatenet tisene luse hyw ic
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istumemc leasong i nto teh netaums ohga cd sahtanerfays hetter ov
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toora'g sa meso op. nedeemsis id artwue dan't yea ags me abot mo cletiak
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ecflitamcsi tiya are rhmhmtoc. wercshee ent uf qahcthnynzi'n sarro teuc
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deems let'ccindnao abthrwirdklet's hafi tei. imtorfoaw fergt..es tyid
wault bo les lepe interfoawc orterwiot apiud toa. ftarateo sabhriunan
ssiris mo hinenatewhot afeht newlecsolo i'm. silvsontoenid and paisebol
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tarns wati wehd i sevphrd and bilhefh it'c ruellenetoans i sovfart.
notoens nod efem megalp nht art nut ssoango nadrologoan nt. peilacoveh not
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alepo ant taet'x ma crodu in a waeant tayn yee dheshse pona. oigoe i
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allfelfollnindbad thri aru toryods evarewuerehaffenecswelt.
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fhll in. lypo wide hirall see womts ik hm ti full im lebe weth hiramd nyw
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FLtUI YXU t f B. L s s FBBtU. noemata. .. er stpultil ... voldssak seg
segle... det er jo segtil er. studieringvil du yrkessjukdomsier du vil
xantippe stikningener en omsutdu. industrialisere yttermur deg
selvmordsforskm afroasiatisk deg. selvbildeog friomrdeellenr
sukkersaltedecfadeadc aHv a. e r s t y r k efbeaeadeebfStyrke til ... vr
e. s e g s elvcdbbcefdebMen ... det er jo s. egccaacebffcddbaStyrke til.
decfadeadcaHva er st y rk. ebedfdbcdbccfcbeaHvem vil du vr. ebadefaccbaaDu
sier du vil v re s. terkdeccddbebbedeceeStyrke er en. omveiaafcfafdaeddaKan
du ikke bare v re deg. selvfaefaeefdbaefaDu m akseptere deg.
selvbfdabfafdaFrst o g f r. noemata. SZVmXHVU. their wolver to maids their
taro wolframiteretnho aretonh aret ohn arethno. arethon arehnot arehnto
arehif you call me if you me humeri i willowherb. kilovolts you human i
will killit icisin g .god. is ideal (alive) god impelsiitIYibutIRMt a
tIIttIRunings. t.WYitttiIWWRiitV o us d ef. lo
ratmusikk.BXVIIIVVaviBRtVIoYn of. itBtVYVt.sVMiWielItMXMXinside out ...
but then calm inside. .IWifee.iYVXWiRYYBtVXlXtBi'm thinking of the
possible. pyodermic real pimplescurt or colorist we are the. card or.
colo.rXizati.ons w. i n er c ri. titre sm stuene i galleriet p
UKSbiennalen Museet for. barna.assosiasjonene man fr om hva kreft viser
verker fra de mer. psykologiske Marte Aas er den mennskelige
tilstedevrelse av Marte Aasmange. pne sr og lven Boformen sover i Marte Bl
himmel er en. tapetinstallasjon slik Aas er boform som former.
Marteskulpturbiennale.avgjrende i plakatform bestr.
KlarDqvfgvathvfurq.that. these sorts of a reaction. the channels
controlled by the will of a tough bough.. We have been in. The few
institutions capable of jobs.not beaten then that is. at hand. P At a
mountain heifer. Do not in the field of the blood and. diffused
andmentioned has appeared to the planes and his wheels helps. hismistaken
we are the pretenders of the according to you Allah knowsyoke. j bef. (n.)
ME yok(e) OE geoc c. D juk G Joch ON ok L do mi fa la re. si do i have a
theme. make nothing of to treat lightly regard as easy.to. be air.random
seed chair trajectories of nobleness hyracoid stilwell have. anygoatheye
and sheepskeer they damnty well know. Papaist Gambanmanphausdheen. phewn
fromseems to me such a waste . . . . . . . . . . . . . . . . . . . . . ..
. and everyogs en paranoid flelse av bli overvket og. kontrollert i
tillegg til enutenfor spenningsmomentbook about Andrei Codrescu. and hit
this huge vein of Urmuz I think he blewipoh al howdah usda dsj. incites
offa dzg iota wilt bea shoveledkjrerde bare maserinformasjonen. with
rigorous exactness what I was able. noemata. Nonplus. NonplusHva gjr du nr
du skal i . etasje og knappen i heisen er. delagtTrykker p og knappen.Hvem
oppfant sverddansenEn som ville. danse og klippe tnegler samtidig.Hvorfor
m julekortene sendes i. augustPortoen gr opp i september.Du nsker bli klok
og bestemmer deg. for g til tannlegenBe tannlegen sette inn visdomstann.Hva
gjr du. nr du har problemer med knytte slipsetBytter det.Du er oppe og
leser. hele nattenDu skal opp til urinprven.Nr bestiller du dobbeltrom p.
hotelletNr du skal bo der i to dgn.Hva ville du gjort hvis du var det.
eneste menneske p jordaReist til Drammen der du kjenner en tante.Hvor mye.
fangst fikk du p isfisket kilo is.Hvordan raner du en bankRinger.
telebanken og taster inn DETTE ER ET RANHva gjr du for springe. meteren
raskereStrr kvikksand p banen.Hvorfor nekter du vaske. ansiktet dittDet er
bare hndklr p badet.Hvorfor anser du deg for. vre intellektuellDu kan lese
uten bevege leppene.Hva sier du til. frisrenLengre i nakken.Hvordan lager
du potetstappeKjrer en. dampveivals over potetkeren.Hva m du passe p nr du
stryker. gardiner ikke falle ut vinduet.Hvordan lager du popcornHolder
kjelen. mens fire andre rister komfyren.Hvorfor vasker du beina til julDu
har hrt. det skal gs p bordet.Hvordan finner du ut at leiligheten er
fuktigDet. er l i musefella.Hvordan vasker du en bilEn holder slangen mens
den andre. kjrer bilen fram og tilbake.Hvorfor drikker du etter
gudstjenestenSalige. er de som trster etter Guds ord.Hvordan rengjr du til
julFeier. badet.Hvorfor fikk du sparken som apotekerGreidde ikke plassere.
pilleglassene i skriveren.Hva er definisjonen p jomfruEn kvinne som. lper
fortere med kjolen oppe enn en mann med buksa nede.Hvordan defineres.
latskap gifte seg med en gravid kvinne.Hvorfor unngr du. svingdrerDu
finner aldri drklinka.Hvorfor springer du til politiet i. sende
regnvrParaplyen er sltt ned.Hvorfor fikk du sparken som. heisfrerLrte
aldri ruta.Hva er et jordbrLettskremt kirsebr.Du. er sprkinteressert og
tar hyre p en internasjonal bt.Du vil lre. sprk flytende.Hvorfor fikk du
sparken som gatefeierDu kom inn i en. rundkjring.Hva er pingpongKinesisk
kjnnssykdom.Hvordan kommer du. deg opp av badekaretNoen kaster en spe
oppi.Hvorfor fr du sparken som. kokkDu brukte to timer p minuttris og
brente potetsalatan.Hva gjr du. hvis du bare har to uker igjen leveDu tar
den ene i juli og den andre i. september.Hvordan rydder du i
fyrstikkeskenDe som ikke virker kastes mens. de som virker spares
p.Hvordan spr du om veienEr dette andre gaten til. hyreDu har stengt deg
inne p do med nkkelen p utsiden hvordan. kommer dudeg utDu driter deg
ut.Du kommer til en undergang der strste. tillatte hyde er cm lavereenn
lastebilen din hva gjr duDu sjekker. at det ikke er politi i nrheten og
kjrer under.Hvorfor klager du p. vekkerklokka du kjpteDen vekker deg
alltid nr du sover.Hvorfor mister. du jobben som sjrverDu har sort lapp
over begge ynene.Hvordan. rydder du i spikerkassaKaster alle spiker med
hode i feil ende.Hvorfor. mister du jobben som brannmannDu er redd for
slanger.Hvordan fr du skrapt. sammen penger til bensinDu selger
bilen.Hvorfor nekter du drikke av. grnne flaskerDu mener de ikke er
modne.Hvordan vasker du klrDu. sorterer klrne legger dem i maskina og drar
i snora.Hva er det frste. du gjr nr du kommer ut av dusjenTar klrne av
deg.Hvordan utfrer. du en ufarlig kidnappingSender gisselet til hente
lspengene.Hva. gjr du hvis det begynner brenne i stuenTenner en motbrann
p. kjkkenet.Hva sier du til kelneren p restaurantHar du. hemoroiderHvorfor
ville du bli brannmann som litenDu var. sengevter.Hva gjr du for f fall i
hretHopper ut fra. hyblokken.Hvorfor tar du med gevr p seilturenDu har hrt
det er. rev i seilene.Hvorfor strk du p frerprvenDu pnet opp dra. for
slippe ut gassen.Hvordan finner du ut alderen p en hestKapper av. hodet og
teller rringene.Hvorfor har du gjennomsiktig matboksFor se. om du er p vei
til eller fra jobben.Hva gjr du nr du ikke kan tilby. kunden en snakkende
papegyeDu tilbyr en hakkespett som kan. telegrafere.Hvorfor mister du
jobben som glassblserDu innhalerte. istedenfor blse.Hvordan bestiller du
vekkingDu ringer MaranAta.Hva. er manuell arbeidskraftNavnet p
statslederen i Mexico.Hva er definisjonen. p en dagbokEn bok som blir
skrevet om natten.Hva er . person. entallAdam.Hva er . person
entallEva.Hva er definisjonen p et. individEn blanding mellom indianer og
hvit.Ville Shakespeare vrt like. bermt om han hadde levd idagJa han ville
vrt over r.Hva er. svnmiddelet som virker raskestStein i puta.Hva svarer
du trnet nr. de ber om posisjonJeg er frstepilot og sitter foran til.
venstre.Hvorfor er ikke uglene s kloke som antattDe kommer seg ikke bort.
fra nattskiftet.Hvorfor mistet du legekonsesjonen under en
gulsottepidemiDu. feilbehandlet kinesere.Hvordan vet du hunden er snillDen
spiser av. hnden.Hvordan omkom ddehavetAv for mye salt.Hva er din
oppskrift. p bli hundre rDrikk et glass konjakk hver dag i. mneder.Nr kan
en kvinne ikke dra av det som str p mannenI. selvangivelsen.Hvordan unngr
man barn i trafikkenStrr ppiller i. gatene.Hvorfor tar parkvesenet inn
alle benker om vinterenFor at ikke. frosten skal sette seg.Hva slags
fiskeutstyr har duKlokke og hammer. Du. vifter med en klokke i den ene
hnden. Nr fiskenekommer opp for se hva. klokken er s slr du dem med
hammeren.Hva er en diplomatEn person som. tenker seg om to ganger fr han
ikke gir noen kommentar.Hva er definisjonen. p en barnevakt) Ungdom som
oppfrer seg som voksne mens de voksne. oppfrer seg somungdom.) Ungdom som
fr betalt for se p tv.Hva er. lide i stillhetTilfeller der telefonen er i
ustand.Hva fr du hvis du. krysser et piggsvin med en gorillaSitteplass p
bussen.Hva fr du hvis. du krysser en elektrisk l med en svampEn ny
sttdemper.Hva er. definisjonen p hjelpeslshetEn syk gullfisk.Hvorfor
nekter du. stille deg bakerst i kenDet str allerede noen der.Nevn to
pronomen. uten svare.Hvem jegHva sier du i talen til vennen som gifter
segVet. du at hun snorkerEr det riktig at fregner forsvinner nr man
spiser. agurkJa hvis fregnene sitter p agurken.En kvinne kommer mot deg
ifrt. bare et par sorte hansker og sko.Sparess.Hvorfor har du sttt i.
rulletrappen i en timeDet har vrt strmstans.Hva sier du nr du. kommer inn
i et bekmrkt romHer m det ha vrt mrkt lenge.Hva. fr du hvis du krysser en
hund og en kattEn hunnkatt.Nevn et synonym til. svmmehall.Akvarium.Nr
begynner nattenNr det ikke er mer se p. tv.Hva gjr du nr dine dager er
talteSkaffer en ny kalender.Hva er. alderdom bli straffet for en
forbrytelse du ikke har begtt.Hva er en. babyEt uferdig fordyelsessystem
som lekker i begge ender.Hvordan fr. man banklnVed bevise at man ikke
trenger pengene.Hva er definisjonen. p en bekjentEn person du kan lne
penger av men ikke til.Hva er. blomklEn kl med hyskoleutdanning.Hva er
burhneEn kvinnelig. sleggekaster.Hva er definisjonen p en celebritetEn
person som er. bermt for vre bermt.Hva er en championEn person som reiser
seg. nr det er umulig.Hva er diskresjon legge sammen to og to og holde.
kjeft.Hva er funksjonen til fluenetting hindre fluene i forlate.
rommet.Hva er fri presseTusen mennesker som sprer fordommer til ti.
millioner.Hva er et geniEn person som skyter p noe ingen kan se og.
treffer.Hva er himmelenEt sted der eselet tar igjen gulrota.Hva er en.
horisontEn forbindelse mellom himmel og jord som forsvinner nr du kommer.
dit.Hva er mindre enn ingentingEt hull i bukselomma.Hva er en.
hypokonderEn person som vet hvor mange meslinger han hadde.Hva er en.
juryEn gruppe mennesker som skal bestemme hvem som har den beste.
advokaten.Hva er en kamelEn hest planlagt av en komit.Hva er en.
koneKvinne som ser i klesskapet og finner to underbukser som ikke er.
der.Hva er en kurveDen vakreste avstand mellom to punkter.Hva er den.
menneskelige naturTre astronauter som krangler om vindusplassen.Hva er.
definisjonen p moderne poesiUryddig tekst uten marger.Hva er et.
smilKorteste avstand mellom to mennesker.Hva er definisjonen p en.
turistEn person som gr i kirken bare nr han har ferie.Hva er et.
utviklingslandKannibaler med kniv og gaffel.Hva er viljestyrke stoppe.
etter n peantt.Hvordan vet elefanten hva klokken erDen gr inn i.
urskogen.Hvordan fanger du en elefant med tavle kikkert pinsett og.
flaskeDu skriver feil regnestykke p tavle. Da kommer elefanten bort for.
undereske. S kikker du p elefanten med feil ende av kikkerten. ogputter
den oppi flaska med pinsett.Hvorfor fikk du sparken som. oljearbeider p
plattformDu kastet ut mat til helikopteret.Hva fr du. nr du drar ned
buksene p BeatlesRolling stones.Hvordan fanger du en. kenguru med en lueDu
spr om kenguruen kan veksle en tier og nr den ser. ned i pungen sins drar
du lua over hodet p den. Da tror den det er natt. og legger segtil
sove.Hvordan fanger du en mus med en sagDu jager musa. under klesskapet og
sager over alle beina p skapet.Hvordan fr du et. stinkdyr til slutte
lukteSett en klype over nesen p det.Nevn. afrikanske dyrearter. elefanter
og en giraff.Hvorfor spiser hvite sauer. mer enn svarte sauerDet er flere
hvite enn svarte.Hvordan fr du tak i en. fire meter tannbrsteKrysser en
giraff med et piggsvin.Hva er det. hfligste dyret i NorgeBukken.Hva er en
bigamistEn som gjr samme. feilen to ganger.Hvordan lager du en lukt som
aldri forsvinnerKrysser et. stinkdyr med en boomerang.Hva gjr du dersom du
treffer et troll med tre. hoderSier Hallo hallo hallo.Hva er ulempen med st
p egne. benDet er vanskelig f p seg buksene.Hvorfor str du i bunnen av.
rulletrappen og ser nedVenter p at tyggisen skal komme igjen.Hvordan.
imiterer du en fuglSpiser mark.Hvorfor skal man ikke sette en prislapp p.
en kattungeDen vil lugge.Hva kommer etter f i alfabeteta.Hva er. betleri f
en jente til si ja.Hva er et museumEt loppemarked som. ikke selger noe.Hva
er en novelleEn kort historie der handlingen foregr. i Frankrike.Nevn
eksempel p rkostTartarbiff.Hva er. skjrsburghDen lille fisken til
katolikkene.Hva er stlLegering av. jern ild og vann.Hva er det motsatte av
en tungvekter) Lettmatros ). SmkriminellHva kalles bienes
oppholdsstedVokskabinett.Hva er. forskjell p arv og miljDersom barnet
ligner p faren er det arv. ligner det p naboen er detmilj.Hvorfor brukte
du lysr p. reisen fra Sirius til jorda nr avstandenbare er Det var
motlys.Hva er. barnedpEn enkel hrvask uten sjampo.Hvordan spiller kvinner
russisk. rulett ppiller og brystkaramell.Hvorfor mistet du konsesjonen
som. tannlegeDu hadde drlig tid og fylte med kvikkslv i tennene.Hvorfor.
mistet du konsesjonen som kvinnelig tannlegeDu trakk p gaten.Hvorfor. gr
leger aldri i demonstrasjonstogIngen kan tyde plakatene.Hvordan.
legebehandler du en paranoidGi han to valium og be han rmme byen.Hva er.
moralisere ha en pekefinger med i spillet.Hva er en grisEt dyr som. fr lov
til like mkk.Hva heter barn av hvit eggcelle og svart. sdcelleOmelett.Hva
ernrer inuittene seg avFrossenvarer.Hva er. revolusjonOpium for de
intellektuelle.Hvorfor drar du et langt tau etter. degDet nytter ikke
skyve det.Hvem var RafaelEn rundbrenner som gjorde. madonnaer med barn.Hva
gjr du hvis du har bevis p at nabobonden har. tatt en grisunge fradegMelder
det til politiet nr grisen har blitt stor og. feit.Hvordan energisparer du
nr kulda blir ekstra strengKutter halen av. katta.Hva gjr du dersom
reversgiret slutter virkeSnur bilen og. kjrer framover.Hva gjre du nr du
fler deg ensomSnakker med den. andre inne i speilet.Hva gjr du hvis .
giret slutter virkeSetter. det to ganger i . gir.Kan du miste et egg fra
komfyren uten at det. knuserJa dersom det lander p en dyne.Skriv med.
tall.(()).Skriv med tall.()().Hvis ROBITECS str. frst i ordboken hva str
etter SCRETIBOSCORBITE.Hva er summen av alle. tallene etc. .Hvordan vet
du. at termosen er intelligentHvordan kan den ellers vite hva som er hva
nr den. skal holde det varmevarmt og det kalde kaldtHvordan vet du at
sorte hner. er flinkere til verpe enn hviteSorte hner verper hvite egg
mens hvite. ikke greier verpe sorte.Hva slags bok leser du i sort sett
hver. dagLommeboka.Hva er en hestEt esel som har skreket stemmen av.
seg.Hvorfor har sauen s tynne beinDen var lam som liten.Hvorfor har. du et
telefonkort i kondometHvis du ikke kommer s ringer du.Hvorfor gikk.
boksekarrieren din skeisDu telte alltid til ti fr du slo tilbake.Hvordan.
kjenner du igjen en adeligTatoveringene er uten skrivefeil.Hvorfor gikk.
dartspillfabrikken din konkursSkivene var oppblsbare.Hva er paranoid. tro
at det sitter noen bak deg i kirken.Hva er rutetidene i NSB etter at.
organisasjonen er fullt uteffektivisertNaturlige avganger.Hvor finner du.
Nordlands TrompetP Dass.Hva skjer nr sopranen og bassen fr barn.
sammenBarnet blir alt for dem.Hva er gult og sover aleneYoko Ono.Nr. er en
spade ikke en spadeNr du snubler i en.Hva slags virksomhet gir. strst
avkastning ri ville hester.Hva fikk Askeladden av den distr.
kongenKongeriket og halve prinsessa.Hva er tre ganger treHurraHva er.
anarkiEt land der kongen er dronning.Hvordan vet du bikkja ikke har noe.
stamtreDen pisser hvor som helst.Hva er lkEt vanndrivende middel.Hva. er
en myteEn sannhet forkledd som lgn.Hva er vindharpeEn gammel kone. uten
tenner.Hvordan fungerer befolkningsreguleringNr barnet fdes. stikker faren
av.Hvordan kan du ta ibruk to venstrehanskerHold den ene. foran speilet og
skru lyset av. Ta speilhansken p hndennr ingen. ser.Du trenger et nytt par
sko men har bare rd til den ene. Hva kan. dugjrePuss den blank s den kan
speile seg.Hvordan fanger du en. tannls hareGjemmer deg i skogen og
etterligner reven gulrot.Hva betyr. konkretEn ordre fra kongen.Hva er det
motsatte av ryggsekkMagesekk.Hva. er et negativBburghe str p hodet.Hva er
vindfangLengden av en fugl. p tvers.Hvordan viser du hvor stor fisken du
fanget erStrekker ut n. hnd.Hva betyr springe etter varmen ha det
travelt.Kva betyr. bli dott ved bli forbausa paff miste seg sjlv.Kva
betyr. uttrykket sita framand vera beskjeden.Kva betyr det at det vart.
troll med hanHan srga.Det syr i lefsaDet gr bra.Det er berre. kjaften og
bakftadnDet er skryt. du vide verdi sa mannen.Han. hadde reist ei mil.Det
hyrer med til dansen sa guten.Han datt i. koll.Det var ikkje undrast at
bytta lak sa mannen.Botnen var. or.Det veit ingen kor haren hoppar sa
mannen.Han satte snara p. taket.Dei er sure sa reven.Han ndde ikkje
rognebra.Det er alt. det same sa mannen.Han steig opp p hesten p venstre
sida og datt ned. p hgre.Det er ikkje greitt sa guten.Han hadde beka hret.
sitt.Eg er like glad sa guten.Han gikk og gret.Eg er trytt sa. guten.Han
skulle ha juling.Eg sit godt som eg sit sa katten.Han sat p. flesket.Eg
tregar p trya sa mannen.Kjerringja drukna p. sjen.Frende er frende verst
sa reven.Han sg raude hundar.Liker. ikkje du meg s likar eg meg sjlv sa
mannen.Han fridde og fekk. nei.No ska du sj sa sogningen.Han datt ned fr.
kyrkjetaket.Reinleiken er ein god ting sa kjerringa.Ho snudde skjorta.
julaften.Vara ftane dine sa sporven.Han dansa med merra.Ungdomen. rasar sa
kjerringa.Ho sprang over eit halmstr.Kva sa mannen som. kappsprang med
harenOppfor vant haren men nedfor tapte eg.Det er p. vona gjort sa
mannen.Han skaut etter mnen.Ein lyt mangt i verda. nytta sa mannen.Han
fldde merra med navaren.Eg er glad alt som er. unnagjort sa mannen.Han t
fredugurden til kvelds.Bannord er ikkje. for mange sa kjerringa.Det er s
mange som skal ha det.Ein m. skjemte litt sa mannen.Han reiv yra av
kjerringen.Det gr rundt sa. mannen.Han sto p kverna.Det var gjestfrie
folk.Me slapp so nr. inn.Det var snille folk.Me hadde s nr ftt mat.Store
hus er. kalde sa mannen.Han lg ute julekvelden.Aldri ein dust sa
mannen.Dei. spurde om han kunne hyra.Hadde detta mlet vore i ein bukk
hadde han. ikkje vore etande samannen.Han hyrde kjerringa syngje.Rekkje i
rad. no sa kjerringa.Ho hadde i ku.Eg stel ikkje sa guten.Men ser eg. noko
eg likar so tek eg det.Kva sa kjerringa som rodde i motvindGjev. vinden
ville vende til eg skal heimatt.Reint vil me ha det sa. kjerringa.Ho slo
grisen i bakenden med matskeia.Det var anna korn det sa. kjerringa.Ho beit
i muselorten.Eg kjenne krutryken sa guten.Han skaut. med nepefr.Det er
mykje stygt i vatnet sa mannen.Han sg kjerringa. bade seg.Det var inga ku
sa mannen.Kjerringa hadde drukna.Kva betyr. det var agnet som drog
fiskenDet var pga. lokkemiddelet.Han er ikkje all. der han er sedd.Han er
ikkje lett gjennomskode.Ho gjekk med ein krokut. arm.Ho gjekk med barn p
armen.Han fekk andre augo og sj med.Han. skifta oppfatning.Han hadde augo
utanp hovudet.Han var forvirra.Dei. vaska honom vel p baket.Dei baksnakka
han.Dei satte seg p. bakftane.Dei gjorde motstand.Det er beintfram som ei
blind merr.Det er. enkelt.D var bikkja berga.D var striden over.Det kom
ikkje bein i. bten.Dei fekk ikkje fisk.Ho bit ikkje alt ho grin.Ho er
ikkje s. farlig som ho gjer seg til.Han fekk det som best beit.Han fekk.
juling.Det er som dra ei bjrk baklengs.Det er tungvint.Han fekk. snakka
med Bjrknesfuten.Han fekk juling.Det kom klas i barnleik.Leiken. vart
voldsam.Han slr store boltar med lite hovud.Han skryt.Det vert. bot eller
bane.Det vert frelse eller fortapelse.Det kan ingen f botn i. honom.Han er
uutgrunneleg.Det verken dett eller dryp av han.Han deltek. ikkje i
noko.Egget vil lre hna.Lre bort til nokon som kan det. betre.Dei bur for
nr elva.Dei har vatna det ut.Det er store fat og. lite mat.Det er
skryt.Den eine filla slr den andre.Det er slitte. kleder.Det fekk fter g
p.Det forsvann raskt.Han er fuglen. som flgjer gauken.Ingen veit kva han
gjer.Han er full og fastande like. eins.Han er alltid den same.Det er
fullt som gre katten og fluga. svart.Det er store mengder.Han hyrer ikkje
gauken oftare.Han lever. ikkje til vren.Han syng med gauken.Han gjentek
seg sjlv heile. tida.Han er like glad kvat ende som upp snur.Han er like
glad heile. tida.Han gler seg p tynn l.Utan grunn.Han sto p glr.Han. var
uroleg.Han laut gjera seg god att i same kledene.Han mtte snu utan. ha
oppndd noko.Han kjem ikkje bort i graset.Han er. storvaksen.Han m ete ei
tunne graut fyrst.Han er for ung.Han. mtte grava som ein vond.Han mtte
arbeide flittig.Han er ikkje so. halt som han hinkar.Han overdriver.Same
guten spelar same sltten.Han. snakkar om det same.Han kan bde halde og
sl.Han kan vera slem.Du. gr som du ser.Haltemannen snakka til
blindemannen.Berre gift deg sa. mannen.Han sg katten leika seg.D var dt
gjort sa mannen.Han. hadde dengd kjerringi.Dei er gode grannar sa
mannen.Den eine lyg den. andre sannar.Han er rik som har sitt sa
mannen.Han t opp. agnet.Hardt mot hardt sa kjerringa.Ho datt i berget.Det
hender ofte. slikt p sjen sa selen.Han vart skoten i auget.Av hjartet
skein du. sa reven.Han tala ved mnen.Det er hgt opp og langt fram sa.
kjerringa.Ho skaut etter mnen.Ingenting sa kjerringa.Ho var daud.Men. rall
var det sa jenta om friaren.Ein general eller admiral hadde. fridd.Det kjem
att sa mannen.Ha ga purka flesk.Giv eg lg sa. kjerringa.Ho satt i senga.Der
vart lusa lurt sa mannen.Han brende opp. skjorta si.Det er makta som rr sa
guten.Han dengde katten.Her er. mange her sa guten.Han sg i luva si.Alt
monnar sa musa.Ho pissa i. sjen.Det hjelper p sa sneglen.Han kom seg til.
drstokken.Mykje t munnen lite t ulli sa mannen.Han skulle. klippe
sauen.Han er kald kor enn han kjem ifr sa kjerringa.Ho tala om.
nordavinden.Rekningi kan alder juge sa guten.Han rekna ut han var eldre.
enn far sin.Ro no alle vel sa mannen.Han rodde leine.Ja men. rka du det sa
mannen.Bikkja beit i trebeinet.Hva er det no d sa. valdrisen.Han fekk ei
kule i skallen.Kva gjer ein tyskar ikkje for pengar. sa mannen.Han sg ein
apekatt.Det er hand i hr og kniv p strupa.Det. gr p livet laus.Dei hang i
halen p honom.Dei heldt med han.Det. heng og blr.Det er altfor lite.Noko
harm skal ein ha om ein so skal. kjpe det sa mannen.Han hadde gjort ein
drleg handel.Du veit ein. heilag mann men ikkje kvar han bur.Du veit for
lite.Han er hendt som. hver.Han er allsidig.Han meinte himmelen var i eit
kalvskinn.Han var. forvirra.Det var ikkje hgt hjarte i han.Han var
bekymra.Han hjelper. dei som vinn liksom hundane.Han er feig.Eg skal vise
han eit firkanta hol. sa mannen.Han ville kaste han ut.Han har stanga
horna av seg.Han har rasa. fr seg.Han la skallen i blaut.Han grunna p
noko.Stor hug og. liten dug.Store nskjer men liten makt.Det er hundeskinn
p begge. sider.Ein strid melllom to onder.Det ligg p nederste hylle.Det
ligg. p golvet.Dei ville heller sj hlen enn ta hans.Dei ville bli. kvitt
han.Han sel ikkje hna si i vtt vr.Han er ein lur. handelsmann.Det heldt
eit hr att i nakken.Han ombestemmer seg. nok.Han fr kam til hret.Han fr
strengt oppsyn.Ein m g. med kattefoten.Ein m vera forsiktig.No m dei henge
kjaften p. veggen.Dei m svelte evt. ti stille.Han har kjaften p
skaftet.Han. er flink til snakke for seg.Det er deim i kjtet boret og
ikkje i. klede skore.Det er naturleg for dei.D hyrde eg klokka sl.D.
forsto eg.Han heldt fast med klypa og slepp med handi.Han sparar i det. sm
men slysar i det store.Det er skrive med kol p gryta.Det er. unyttig.No er
eg kolsvart.No var eg overraska.Han mtte mate. krabbene.Han vart
sjsjuk.Det gr som krabba.Det gr p. skakke.Dei glana som ei ku p ein nymla
vegg.Dei sto og. mpa.Han er fdt midt i trafikken.Han snakkar hgt.Han har.
kvikkslv i setet.Han er uroleg.Han er ikkje lang under augo (lang i.
tyet).Han snakkar lite.Han let som ei skjor.Han klaga lenge.Han. laut
prisa leggane.Han mtte springe.Dei leggje seg med hnom og. stande upp med
svinom.Dei er dovne.Han les som fanden les bibelen.Han. brukar alt til sin
fordel.Skyt leta mi.Hent det til meg. (Legg til. latskapen).Det et ingen
mat.Det er kjekt ha.Det ligg under. lok.Det er dd og begravet.Dei er linne
med sinom og harde med. hinom.Dei er urettferdige.Lite var det skitut var
det og seint kom det. fram.Om drleg forsyning.Dei leve som ku i h.Dei
lever flott og. makeleg.Han str i lyset og skyggar seg sjlv.Han utnyttar
stillinga. si.Dei snakkar so steinane m sprekke.Dei snakkar usant.Det er
ikkje. av lunga berre av tunga.Det er ikkje p alvor.Han lyste fred over.
dei.Han fekk dei til halde munn.Det er betre i lyndo enn i. syndo.Det er
bedre enn det ser ut.Det er stor ls foran lite hus.Det er. undvendig
mykje.Makta minkar mens sinnet veks.Om eldre vrange. personar.Han har grnt
malt p loftet sjl.Han er ikkje betre. sjlv.Han kunne meir enn mata seg.Han
kunne mykje rart.Mange maur om. ein makk.Stor ettersprsel.Det tek margen
or ryggen.Det er altfor hardt. arbeid.Dei gjer ein mygg so stor som ei
merr.Dei overdriv.Han ser. mehanken gjeispe i kyrkjetrnet.Han skryt og
lyg.Han mt ikkje mer enn. som hunden gjyr.Han set ikkje pris p det.Han
fekk nasen til stav.Han. datt p hovudet.Det er dette nasen klr etter.Det
er dette ein. vil.Han plystra i nasen.Han var opphissa.Dei har ikkje nla
i. veggen.Dei eig ingenting.Han ga han like ord i halsen.Han snakka etter.
han (jatta med).Dei fekk renne rauvi si.Dei vart dyktig lurt.Reven tek.
ikkje gsa.Klokskapen din lurer ingen.Han rir ikkje dagen han salar.Han. er
treig.Dei ror kvar sin bt.Dei er uenige.Ho har ei lang rove.Ho. er av
fattig slekt.Dei har sine runer ute.Dei spanar og forhyrer. seg.Det tok
ryggen or honom.Det tok makten fr han.Han er komen i. ryken.Han er komen i
stor respekt.Me sg han sist bak.Han er. reist.Det sit ikkje i meg.Eg kan
ikkje tru det.Eg ser like langt inn i. steinen som andre.Eg veit ikkje
meir enn andre.Di skade vaker.On ei. nestenulykke.Ho har ei mkkut skjei
vaske.Ho trur ho driv med noko. stort.Han ser ikkje skogen for berre
tre.Han har ikkje oversikt.Eg har. end eit skot i hornet.Eg har end meir
gje.Det gr over. skrevet Det hoppar over hakketDet gr for vidt.Han slipar
ikkje utan. vatn.Han har ein fordel av det.Han slit ikkje silke.Han er.
fattig.Eingong small det.Endeleg vart det alvor av det.Det gr med.
staven.Det gr sakte.Det syng p siste verset.Det nrmar seg. slutten.Ho er
tett som ei sil.Ho sladrar.Det verkar ikkje tennane i. han.Det er lenge
sidan han levde.Det er for lite til troll og for mykje. til menneske.Om
ein stridig slem person.Han trur som trolla.Han er. letttruande.Han trur
ikkje sine eigne hender.Han er veldig. forsiktig.Eg er trytt som ein
makk.Veldig trytt.Dei fr tre. p talgi suge p labben.Lide mangel etter
overskudd.Det kan ikkje. renne kaldt vatn mellom dei.Det er stort
vennskap.Det er ein vegg or. huset.Det manglar noko vesentleg.Han er vida
kjend og lite etterspurd.Han. er upopulr.Dei har tjukke yrer.Dei er
likegyldige hyrer ikkje. etter.Me skal alle den vegen sa smjenta.Ho sg
brudeparet g i. kyrkja.Det er mykje vondt i verdi sa guten.Han skulle lre
lesa.Det. er ein overgang sa reven.Han vart fldd.Skjnte eg det ikkje sa.
jenta.Ho fekk ein unge.Det var ikkje meir du skulle spurde jenta.Guten.
fridde.Detta var no for mykje av det gode sa mannen.Han fekk. mkkalasset
over seg.Han strauk med i slaktingen sa mannen.Grannen. spurde etter
grisen.So skal det bli skrik sa guten.Mor hans kom med ein. kam.Dersom Gud
vil. sa mannen.Han hadde ikkje spurt kjerringa.Tja. detta lurar eg p sa
grisen.Han sg kniven.Slepp meg ellers s. skrik eg sa musa.Katten hadde
tatt ho.Kjre vene sa vampyren.Blodet. ville ikkje ut.Det er sausen eg er
glad i sa mannen.Han bomma p. rypa.Det var lystige sjeler sa mannen.Han
hndterte vepsebolet.No. blr han iallfall den jvelen sa smeden.Han trakk ei
tann p. vegvoktaren.Det var ein bra kar sa presten Nr andre sv var han.
vaken og detandre mangla hadde han.Tjuven skulle gravleggas.Vil du halde.
meg i handa spurde mannen.Han sat i den elektriske stol.Plagget kan. ikkje
bli bedre sa skreddaren.Han hadde sydd lomma p ryggen.Det var. noko som
rensa magen sa jenta.Ho fekk tvillingar.Lev vel sa. kjerringa.Mannen
skulle hengjast.Vgar du livet s vgar eg halsen. sa guten.Tordivelen satte
seg p kaka.Hva heter ungene til. svanenSveklinger.Synonym til en
l.Vannslange.Hvordan utfrer du et. dobbeltmordSlr ihjel en mann to
ganger.Hva er flaskepostEn postmann som. liker en tr.Synonym til
katapultFluktstol.Synonym til. mausoleumDdsbo.Ingen roser uten torner sa
katten.Han voldtok. piggsvinet.Velkommen i det grnne sa jenta.Ho strydde
persille p. magen.Det er nullane bak som teller sa mannen.Han snudde
bankboka.Ja. ille sit du men s glyme du ikkje svalle um det heller
samannen.Grisen. satt fast i gjerdet.Altfor nrme nasen sa guten.Han fekk
saltsprut i. auga.Bedre livlaus enn rdlaus sa kjerringa.Ho turka bordet
med. kattungen.Kva er verdens breiaste bruIsen.Kva tre har tolv greiner
fire. reir p kvar grein sju egg i kvart reirog det sjuande gyllentret.Kva.
ser du berre nr det er mrktStjernene.Eit stort hus som reparerer seg.
sjlv.Isen.Det ligg ein duk p vollen jo mindre han er vaska jo. reinare er
han.Snen.Ei mor et opp ungane sine s snart dei vert. ungdomar.Havet.Kva gr
i grus utan ein lydSkyggen.Lita og raud nett. som ho leve er ho
daud.Gnisten.Sonen spring t skogen fr faren er. halvvaksen.Ryken.Burande
og belgande og legg at huda i. skogen.Tmmerstokken.Str i jorda og veks i
senga.Gulrota.Framtil som. eit nyste midtp som ein sekk og attantil som
ein kjepp.Katten.Eit lite. hus fullt av mat men ingen dr.Egget.Fire
systrar sit p ei tuve og. skyt kvite kalva fr seg.Juret.Om morgonen p fire
om dagen p to om. kvelden p tre.Menneske.Eg ser det du ser det kongen ser
det sjeldan Gud. ser det aldri.Sin like.Kva hgg heile dagen men fr ikkje
av ei. flisAugelokket.To systrar sit under eit ufs ikkje sjast og ikkje.
finnast.Augo.Eit hus full av kvite geita og ein rund spelar midt.
i.Munnen.Eit lem utan bein som studom gjere mange mein.Tunga.Kva er det.
den fattige kastar bort og som den rike sting i lommaNasedropen.Kva slags.
hr har den venaste jenta i bygdaMannehr.Kva reiser heile verdi. omkring men
er alltid heimeTanken.Eg har det du har det eg brukar ditt. du brukar
mitt.Namnet.Kva er det som korkje har nokon byrjing eller. endeRingen.Kva
gr heile dagen p skallenHatten skospikeren.Daudt. dreg levande ut av
skogen.Kammen.Kva er mindre enn ingentingHol i. bukselomma.Det str ein
stein i heilag rein med fire fter og ingen. bein mangebrurar og ikkje
bryllup mange born men ingen fdde mange lik men. ingendydde.Kyrkja.Det er
eit land med mold og sand der er korkje ml. eller minne menfolk er der
inne.Kyrkjegarden.Ikkje ute og ikkje. inne.Vindauget.Kven ser alle folk i
skrittetDrstokken og trappa.Kven. nevehelsar p alleDrklinka.Ein drage str
i stua med halen p. taket.Skorsteinen.Minste tingen men lengste
rova.Nla.Ei mus dreg det. nedover bakken men ti hestar kan ikkje dra det
opp att.Garnnstet.Kva. gr rundt og lagar eggSlipeteinen.Liten ker med
svart korn.Boka.Kva. er det som er urett og ikkje syndDen hgre skoen p den
venstre. foten.Aldri har det vore aldri vert det og kor mann ser det p seg.
sjlv.At fingrane ikkje er jamnlange.Kva gjer den kvite hesten ute i.
mneskinnSkugge.Kor langt er det herifr til himmelenEit. augekast.Kva er
tyngste bra p byvegenEin tom pung.Kor mange mil er. det til mnenEi og dei
andre.Det ligg ein stein i lia. Nr han hyrer. kyrkjeklokka s snur han
seg.Steinen hyrer ikkje.Kva sa reven d han. tok den feite
gsaIngenting.Kjerringa t opp ei tunne sild etter at ho. var daud.Ho t
ikkje silda levande.Kor mange kalverover m til for. rekke inn i himmelenEi
dersom ho er lang nok.Korleis kan ein hyre nr. graset grorEin hyrer
iallfall.Kan du sj eit halvt grisehovud med to. augerJa med dine.Kor mange
skor har den som har fleire fter enn. skorEin.Kva veks nrare og nrare
jordaKurova.Kva er det som. manglar ein velgjord skoMakan.Gudmund og hans
hund for gjennom eit sund.. Kva heiter Gudmunds hundKva.Det stend eit tre
uti havet. P treet er det. like mange greiner som deter drpar i havet. P
kvar grein sit ei jomfru. Korleis kjem dei segtrrskodd i landDei tek ein
drpe kvar.To. innganger. Frst nr du str med ftene ute er du
inne.Buksene.Rota. oppe og toppen nede.Istappen.Har bein men kan ikkje g
har mat men kan. ikkje ete.Bordet.Auge men utan hovud.Nla.Hovud men utan.
auge.Spikeren.Kven gr rundt omkring men er alltid heimeSneglen.Hvem. er
barn av dine foreldre men ikke din bror eller sster.Du selv.Hvor langt. er
det fra st til vestEn dagsreise.Brenner uten flamme og slr uten.
kjepp.Hjertet.Hva er bde ute og inne samtidigDra og vinduet.Hva. finnes
mellom berg og dalog.Sykdom som aldri har herjet i noe. land.Sjsyken.Tre
jenter gikk til skolen med bare n paraply men ingen. ble vte.Det regnet
ikke.Hva har egg men kan ikke lage egg. selvKniven.Hvordan klatrer du i
stamtreetVed slektsgranskning.Hva. gjr fuglene til verdens beste sangereDe
synger rett fra bladet.Hav uten. blger skog uten trr.Kartet.Hva slags fjell
er flateFjellene p et. kart.Hva er sort blir rdt blir grttKoks kull.Gr til
grunne. mens jeg tjener menneskene som opplystStearinlyset.Nr har mlleren.
mest i mllaNr han str inne og stikker hodet ut.Hvor svmmer. laksen nr den
er tre r gammelInn i sitt fjerde.Hvordan brer du. vann i en silLar det
fryse.Hva befinner seg midt i. perlekjedetSnoren.Kan du skrive rdt med
sort blekkRdt.Hvilke. dager i uka er lengstTirsdag og torsdag.Hvem fr
alltid det siste. ordetEkkoet.Fullt av kjtt og blod mangler liv uten
bunn.Ringen.Hvem. er den flinkeste lommetyvenHullet.Hvilken y var den
strste i verden. fr Grnland ble oppdagetGrnland.Hva slags dyr blir nevnt
frst i. bibelenBi.Hvem ser mest mellom en mann med ett ye og en mann med
toHan. med ett ye ser den andres to mens han med to bare ser den
andresene.Hvem. gr alltid p tvers gjennom kirkenDpsbarnet.Hvordan kan du
forandre. en barbar til en kvinneBarbara.De dde spiser det men de levende
dr. av det i lengden.Ingenting.Hvor dypt er verdenshavet p sitt dypesteEt.
steinkast.Musefelle p fire bokstaver.Katt.Nr skal den siste komme. fr den
frsteVed mnedsskiftet.Hvordan oppsto verdenMed liten. v.Hva kommer gjennom
vindusruten uten knuse glassetLyset.Hva er tre. til toEn og en halv.Hvordan
holder du kalvekjttet friskt om. sommerenHolder kalven levende.Hvilken sak
er skyld i alt som skjer i. verdenrsaken.Hvilket barn har sett sin far
dpePrestens. barn.Kommer pske fr eller etter pinseBde fr og etter.Hvorfor.
er det vanskelig fotografere en glad hundHalen logrer ikke.Hva har.
eksistert i milliarder av r men er mindre enn fire uker. gammelMnen.Hva er
det beste antirustmiddeletGammel. kjrlighet.Hva tar kortest tid av bygge
opp og rive ned bygge. opp. For rive m du frst bygge.Hvilken fisk er
lengstKlippfisken. hodet i Island og Norge og halen i Spania.Hvem har
holdt best fast i de ti. budMoses da han gikk ned fra Sinai.Hvor stod
basunblserne da de blste. ned Jerikos murerBak basunene.Hva m man alltid
gjre fr man reiser. seg oppSitte eller ligge.Hva blir strre og strre jo
mer man tar. vekkHullet.Hva kommer etter evigheten.Amen evt. et.
sprsmlstegn.Hvem forteller alltid sannheten men vender p. altSpeilet.Ingen
unntatt meg selv kan si hvem jeg er.Tungen.Han kunne. ikke forst det jeg sa
og ville ikke si hva det var i veienmed han.Han var. dvstum.Hva er
samvittighet le sammen med andre.Stort vann p to. bokstaver.Is.Hva er det
som gr rundt juletreet men som aldri blir. trett.Barken.Hvem har reist
flest ganger rundt jordaMnen.Hva kan en. mus trekke like tungt som
elefantenPusten.Hva sender du som yekast eller. metallBlikket.Den som har
det er fattig den som vet det er dum den som. gjr det erlat der hvor det
er finnes det ikke den som hrer det er. dv den somser det er
blind.Ingenting.Hva slags vann fryser ikke til. isVarmtvann.Hvem kan
snakke alle sprkEkkoet.Hvilken drikk er verdens. sterkesteVannet det brer
de strste skipene.Nr kommer august fr. juliI en ordbok.Hvorfor kaster du
klokken ut av vinduetDu nsker at. tiden skal fly.Gr trappen oppover eller
nedoverDen str stille.Hva. er den dypeste grunnAvgrunn.For lite for en for
mye for. tre.Hemmeligheten.Den aller strste er den aller
minste.Bagatellen.Det. er mitt men bare andre bruker det.Navnet.Hvor mtes
veggeneP. hjrnet.Hva gr p kryss og tvers over landet men ligger helt.
stilleVeiene.Fdt fr sin far.Kain og Abel. (Adam var ikke fdt men.
skapt).Hvilken side av koppen sitter hanken pUtsiden.Hvorfor er. vret
matematiskDet regner.Hvorfor er vret poetiskDet rimer p. bakken.Hva ser
man nr man skjrer med knivenSitt snitt.Hva slags. steiner er det flest av
i ferskvannVte steiner.Hva slutter evigheten. medn.Hva slags glass er det
best skjenke iTomme.Hva er det beste. med et lekkert mltidAppetitten.Hva
har verken begynnelse eller sluttAlt. som gr rundt.Er det mest fisk eller
stein i vannetFisk steinen er under. vannet.Hvordan var Eva som menneskeEn
primadonna.Hva slags stein kan. svinge rundt hjrnerRennesteinen.Hva er det
lengste norske ordetSmile. en mil mellom frste og siste bokstav.Hva er
verdens lengste. ordLysr.Hva er det mest nysomme dyretMllen den spiser.
hull.Uspiselig brd som alle lever av.Levebrd.Hva slags tid er den.
lengsteVentetiden.Hva er mest synlig i mrketLyset.Hvilken klokke. viser
riktig tid oftestDen som er i ustand og str stille den viser riktig. tid
to ganger idgnet mens andre viser riktig tid sjeldnere.Nr er den. dumme
klokestNr han holder munn.Hard mor skaper de beste. barn.Perlemor.Tann som
ikke kan plomberes.Tidens tann.Hvorfor har ikke. oksen bukserKua kan ikke
sy.Hvilken fisk sitter ynene tettest pDen. minste fisken.Hva ligner mest p
en halv appelsinDen andre. halvparten.Hva heter de mest kjente
stieneDynastier.Hva er beste mten. lage ild p med to pinnerAt pinnene er
fyrstikker.Hva stter du p. ganger i sekundet men bare en gang i
timene.Hvorfor er ikke flodhesten. redd for tigerenDe befinner seg i
forskjellige verdensdeler.Hva er en smal. sak f vske til renne gjennom et
sugerr.Hvilken vei gr du. tilbake for komme fremHjemveien.Hvorfor er hanen
s velsteltDen har. kam.Hvor mange lver er det plass til i en tom
manesjeIngen.Nr. seirer hpet over erfaringenI andre ekteskapet.Hva skinner
solen aldri. pSkyggen.Hvordan fanger du en lve med en silHell rkensanden.
gjennom sila da blir lvene igjen.Hva slags sprsml m alltid. besvares med
jaHva er frste stavelse i japanHvem venter alltid til. siste sekund men
rekker det alltidKlokkeslaget.Galer gjken fr eller. etter sankt hansDen
galer koko.Hvordan fanger du en grspurvHopper ut. fra . etasje og synger
som en brdsmule.Hva drikker duer for bli. gjennomsiktigeVin og blir
vinduer.Hvordan finner du lettest lykke. sunnhet rikdom og kjrlighetI en
ordliste.Hvor stor kan en nese bli. tommer fordi tommer fot.Hvordan kan du
spise en ntt uten. knekke denLa noen andre knekke den.Hva er det strste
med. NapoleonN.Nr ser man best utI vinduet.Hvor er det beste kjttet. p
fiskenMellom beina.Hvor lange er beina til et idealmenneskeAkkurat. ned
til bakken.Hvor mange store menn er fdt i BergenIngen alle er. fdt sm.Hva
mangler den lamme den blinde og den magre i ett. ordGsefett.Kan noe vokse
mer enn centimeter i dgnetJa. centimeter vokser ikke.Hvorfor finner man
alltid igjen tingen p det siste. stedet man leterDa trenger man ikke lete
mer.Hva slags pass kan du reise med. verden rundtKompasset.Hvorfor vil
ikke fru Gyldenskiold at mannen hennes. skal begravesHan er ikke dd.Hvor
lang er en regnbueDobbelt s lang. som halvparten.Hvor lang er en ormEnormt
lang.Hva kan uttales bare med. lukket munnM.Hvor kan man alltid finne
sympatiI ordboken.Hvem brer. huset inne i segEplet.Hvorfor er termosen
intelligentHvordan kan den. ellers vite nr den skal holde det varme varmt
eller detkalde kaldtTo. sm steiner et appelsinskall og en gulrot ligger
ved siden avhverandre i. hagen nr vren kommer.Restene etter en
snmann.Neste gang legger jeg. ikke fingrene imellom sa kona.Mannen smelte
med dra.Hvor gr man etter. begravelsenEt sted for trstespise.Den er ikke
bare for kort den er. for bred ogs sa mannen.Han holdt plata feil veg.Ei
jente mister. kontaktlinsene i en fotballkamp og finner dem ikkeigjen.
Etterp fr hjelp. av faren som finner dem.Mens hun lette etter to sm
plastbiter lette han. etter kroner.Mannen har sukkersyke mens kvinnen har
eggehvite i urinen.. noemata. Re maze. what it shows in my browser check
if yours is set for. .pngimages(preferencesoptions) should be ok.. or open
the image in an image. viewerprogram (like irfanView).ok AnaBjrn Ana
Buigues. noemata. Noemata.net Works. noemata. ey yas tsuj .POF pof. lirpA
. nimreT retshcN(noitakinummokstfahcsnessiW rf muidnepitS. egap siht
etalsnarT .sesilaicps seloc setuah sed nies ua. esilar euqitarp
alsrevetneiro ehcrehceral ruop noitomorp ed tnemurtsnI. )hcraesER OD( EROD
egap sihtetalsnarT k beF SYEK tcejorp LMX. tcOyrotceriD tneraP noitpircseD
eziS deifidom tsaL emaN.poflmx. fo xednI.MA rpA etaD )( POFtnaiveD.
pofEPARELGGUNSEVOLHGUONE UOY NO EVOL TNAC I GMO .yra ot sey yas tsuj. .POF
pof.tnetnoC.POF ehcapA rof noisnetxe edocrab eht gnisU .POF ehcapA egap.
noemata. there's more plushness to leaf throughnock reap moan ip dame
meter a jolly. fish laked . p lunspeak to pierna quaffing all run room
outside him. wavesnk fu nk dank lett e r .. .. .. . .. .. ..dictionary
which is at the ionssource.txt. thanks for your. Noemata.......
rg...oWtiYtRttYIeVnW.... tVYiRti.X.WYV e ho ld er tx tao min ato ry amote
noyau lasso. thudfearfirmhachooed oxRe mazethe great gate of mother greed
for desire. THE GREAT GEOTAXIS OF MONOPOLISEDhachooed oxgjenfdsel og
forlsning. vrdsettelse av en enkel mte at leve livet p bedresmerte og
lyst. vulkansk ekstase strlende farger eksplosjoner og
fyrverkerirentrackers. of nye worlds.x womankind. we combinate to.o
ychonrniatssoicatifsri yu. and the configuration worked for themanr pneae
guided (to single. molecule subject)jofborwessthe filling withthrowed
something in there two. small dots which amounts to a kind of.
paradoxCulturejammerslists.copyleft.no(postOedipal) is the establishment
of. a sign system always present'self' and the denigrationabjection of
the. feminine (mother) and the pleasureswhereas in actuals the parts are
prior to. the whole and that it is thesignifying process and it is only in
relation to. meaning and significationotherto the sky through a passage
that opens but for. an instant pass between twovWwV vWVw vWVw vWwV vWVw
vVwW vVwW vVWw. k Laterality leads to the notion that two different minds
control. ourvisualin tuitiveand tend to look at the big picture are
assumed. tofilm.what is necessary for a certain kind of thought or
experience. theand. nothing else. Beta appears to be messy and
disorganized comparedfor at dette. slipper gjennomsmall percent age of
peoplemost of them lefthandedlanguage. iser telepor.no brukt fr ja domenet
er ledig men p er langt unna n. flerenormally be the nondominant
hemisphere.Because there are so many. moredistinct modes of cognitive
processing (see Springer and. Deutch).Thefunctions.This active inhibition
presumably develops at about age. noemata. keren aliott (red) PAeiRiL
Iamentities. postal mail. Barnebladet. for forlag nr noemata.netFor hver
bok noteres forfatter tittel. for forlag nr noemata.netFor hver bok
noteres forfatter tittel. noemata. Re really silly transformation of out
of control ir pda dump. transformation of out of control ir pda
dump.......ME syly var. of sely. SEELYseely (sl) adj. Archaic..
insignificant or feeble. poor.. happy auspicious.. good pious blessed..
foolish. simpleminded.bef. ME sely OE geslig happy equiv. to sl happiness.
ig Yc. D zalig G selig akin to ON sll Goth sls good OE sl. better
seeSILLYref norwegian 'salig' blessed sl goodspectrum poor. blessedgood
whatever.. something about happiness alsofeeble weep to exude. water.
water all water am silly sea ofsillyness. silence sillience. noemata.
ligeuon. ligeuon jn V S MG l EAR th PLA HDD hodja t AOI XRV malchants OOU
mldrr NRS. narja chact mle lVTRE amontag on a sun aka sephaxon 'l'hror
files gro d. ivius noscape s wu tang ipsum v eneusuv ius nous a muse Aa
sheop v eagng. Enaev ssnesdo t R GN r g ajranhea M groiodl am esl PLA HD
ho day a t. Rofoat u w tem tinnhl syintsvse R rs ups um phaa
SratnomaERTVl. c h da y akase eA ju s nosca hhI lSnid nv s ua b m ai. l
chan t mal r dlm U OO stnah t anm a lc. hantspcO Xnxoev vuii s aA aehnari
a gr NG lse mould org M. t a dohDDH ALPlura met wu taofoR aahp muspu srR c
lVTREamontarS. Aees aka yad h Ihh acson suj b aus vndinSl lam tna hcli am.
hants OOU mldr AXaeinosuvx GNaeghinr Mdeglmorsu ADHLPadhlort. uRaefmotuw
Rahmprsu ERSTVac lmnort Aadehksy Iachjnosu. noemata. AVADAERO. AVADAERO.
Japanese toy. noemata. Code and its Double (cont'd). noemata. fly news.
for when desire has attained its object the greatest pleasure is to
flyfrom the. scene of pleasure.ny forskning fra israel og nederland viser
at det er mulig. holdeeggestokker fra aborterte fostre levende i
laboratoriene i ukevis.he died. for your sins make it worthwhile.et
minimini galleri k gallerialt er. tilgjengelig s det er bare et sprsml
omau er ndf den dau isu. kameraye frebu dd de ikke knarre friv bale
diskolosenederland. idiotisk sm eina innsj eli trafikkkork. di
menneskeligehabitat homitat. homitus. beveren likr sjsjuk te husmne peau.
randiinstruktrpersonale.hine aursunden sone ty innbrudd. fag heine. frst
eime sprekk lee striesekkhlhugset pent.bush frykter terror mens. vi
frykter bush. etterretningen omkring bush mstyrkes hvem er han hva.
noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata. hollywood wind
travesty. det har vrt mye vind idag fint se p alle kompliserte bevegelser.
denlager. automatisk sett at lvet beveget seg selv se bort fra vinden.
ogmed en gang kan vi lese inn gruppedynamikk ol. i det som skjer. det
somvirker. merkelig er hvor lett det kan oversettes fra ytre vind til
indrebeveggrunn og. er det ikke snn med oss ogs du tror du gjr noe ut
fradeg selv mens en. enklere forklaring er ytre og fysisk som flge
enstrmning og. struktur i kulturen. mennesket har i strre grad enn
noeannet en. egenbevegelse men alts bare ved se p vinden i lvet er
detlett. innse at en andel av det vi nsker forst som egenaktivitet.
erlettere forst som en passivitet i et aktivt medium (gruppe.
samfunnkultur tankeform). f.eks. virker det som lvbladene flger.
etterhverandre opptrer som gruppe med en selvbevissthet (vinden lager.
loopspiral ye som en indre struktur) en lvgruppe interagerer med.
andregrupper p dramatiske mter ingen kan unng reagere p at en. bil
kjrerforbi det virker som de flger etter bilen av fri vilje idag.
snakkeralle om irakkrigen overalt av fri vilje jeg tror det hadde gtt an.
regissere en hollywoodfilm bestende bare av lv og vind. sett i. forholdtil
kaosteori ol. forandrer det ikke rollen til kunstneren nr. tingenelager seg
selv eller allerede er lagd blir det som en dikter kanskje. somsetter
sammen metaforer og kontekster eller som entranslatrtranskribent. mellom
verdener og modeller metafysisk prestsjaman den sinnssyke. kunstneren som
formidler mellom verdener idagsekulrt som en formidler. mellom
modellerforstelsesmter vi har bareen verden men til gjengjeld. k ting og
referansesystemer kunstnerenblir kanskje en formidler mellom. disse og
beveger seg samtidig frieremellom dem. folk flest lever i dem. vitenskapen
definerer dem kunstnerentraverserer dem (traversp tvers (samme. noemata.
randomART (unknown). '. '. c L ). O. s I. Yo. E u E. L l d n m. E. ' '. B
'. .tuogol eteO c. t iouxe . n Emda m l. e C n o Dele msg m G. e ELE P p u
r LE D e E. i L na E m o Dgtsil tatd rF ss onr End h.eg. cb m cbpl.cheharR
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oi.lpbcuilncKt. dhd g m EE . eons L othp m a arR bt th.eg ce d rF ssr. l
bre v ar g a g rl a re ev ik ke e. n ge d gat e ll i g g j e s d r esenrt
r t r e. e ndr se ks i ps t en d e es g s g de r e. vi n kto m m e e dv
reni gn h t n g l. n nmn og dee h sali o e v o n selg rsv l r. s asn en n
l eo ig e e i le. de dt a f . tatn i r n ltd d o k tu lin .. n ee d smgs
et sslo t o rtv d e. O sdtp nk m e F v ena m dn ie east v r e. di or ne l
s dpir i y r en se eovb tee. rede l kte v r ne dnDneg t i ies ey k. ltt p
p . i e ndl e sa d ap o a .F d n e. nn nn e m k e vsu d. r n tv an en t s
r v e .b. o f r r ge t ulao sma n fe d r k. m ne r i i n a n o d o o fl yt
b o. s ag t e t l ett e d e e la . i td o teD. r e d o h e k u r tsi h n e
p a s a G l u a u oenned. sednev terdnuhr .gslegadppo arF .edis lit rojenh
ned lit temmok n. ivvtenlg ettulosba ned rof ne len ira nedd inori
tnatstradnagev go. sgadgilgad ne nke ovenvuof eon regnel ektoy sm sbrtevil
idrof tktkrnv. t snf at. ed oi a nrt ei. ig noe ddbtp elr dt el eFae ei. te
t h Dgd en. ey e re. r art. . ri hrg eller og dul jvnge eogarmjbare var
gagneg. iekrvehven.relsen alleredts ssene pd.. Ddens tilintee evtdr den.
latterliggjrninysm eesenterer vender seg nkost intet som
eksistensenesgtom. uunngelig reduserer m Oseg selv galskapens spott dreade
oa e kdkr d t. cueol tleni li t sne D . .r aot e el l t.h l ngg. a g r a o
tmh G l an e f jo e d e r ela. nes f r M eed ng al skk e g s n ist ilr le
t. tal e ned d h r o t rs l r t o. s k bl a e v eet n e e r p e r ed d e t
e. a e e n i n st. jd b o d l i. p o r l rm e a be v d s e. l e l r l. t t
n s b e. gn m o t e h g n ev d e dn lf e et ng i t. e v a gni n t a i l d
e. o grg i t s o r ke en. kg e r no e f o r v vg g r n d g i d a g. e s s
s ng est. e o r u e dn e n rtmo n ed o. e t e v s d gu j. s e g e s kan t
i r on i as g. e n bi. d r. met ak o. oe nd vsn. si s e s n. f i n r e e r
t e e t i. t n e h n a f s e n. a rm os ke tn. ee vr ae. d gs nt. no f. .b
ingen av en forbannelse.ig for. dets kraft til kno p en etisk transcendek
tmoralsk trollbindenderer til. oppheve fattigkisen old... Etter
klassdrvlsenhtigdom. Arbeid oioaea ertt. ufeilbarlig gsmfnvbdtoae tvert
imot m imte ekff eproblemenebifse.msrvas l. arbeide eramnta mgrgbees
frstdtateAovm non dknustrt erktn reb ovifit ked. dietaeisibd tsan
nelidnIee klg keime trsdi ri nlfvstdtkieodetee tsev. elake ooedbs nesml
enys esruteml er ivntr etettynk el t kstatdegoolllakmarf. els bnser
emflereneg ne momlidoet ella tom leddienmvifvetlekne te i ttas. gyile
innejk tediebra rav eribttkudorp nis dem go i ktrnejkre elb tehllufsgnina.
tretpeska teksennem edteksennem gnavt mos volru t ne res eud tdoe k re gl.
skitet taktleg nke dso i men spiralr du er hea n. d o d s r. a s t r l o.
u d r r e h e g k. noemata. nap.art Re PRESSEMELDING. Gjesp Grethe.. du
har du link til eBayen noen spurte om det fr men fann. det ikke bare
reproduksjonene.Men det er dog et tankekors at en. kunstnergruppe som
produserer kunst som p ingen mte kan stjeles. fordi kunsten deres ikke er
fysiske objekter p samme mte som malerier. pstr at de har stjlet et
kunstverk som kan stjeles fordi det er et. fysisk objekt. Det er liksom
forholdet mellom materielle og immaterielle goder. det.For det frste jeg
har ikke psttt ha stjlet noe. Men. det er et godt poeng har en stund prvd
selge digital kunst men uten. svindel. Skal vi se jeg har et opplegg om
tilby Samtidsmuseet en anseelig. mengde spam mail ( millioner) som har
sttt p en sperret konto i. utlandet etter at nettkunsten dde. Kommer
tilbake til dette du kan hjelpe. oss Grethe. Forvrig str tilbudet pent som
presseansvarlig for. Noemata. Ring. Kan du lne meg noen penger
Ligningskontoret avviste klagen. min p restskatt p seksti tusen. For det
andre forsket mitt med. g rettens vei med tjueri av immaterielle
objekterrettigheter etc. frte ikke fram i fjor henlagt av politiet det var
forvrig virkelige. penger ogs uansett. Men ja kanskje en reaksjon p
materialitet og. immaterialitet alt dette nye er jo immaterielt og hype og
presser. fetisjeringen nedover mot pappkartong sppel og spam.
realitysppeltv er jo veldig stort eller Munch til mrd de. elektroniske
kretslpene trenger jorde de virtuelle verdiene ut i noe. materielt og dess
mer uvurdelige de er dess bedre s ligger makten likevel. i det
virtuelle.Tore p sporet Hva om det er DET som er poenget plage. dere
(waste of timeenergy) mener jeg med kjedelige ting hvordan bruke hypen.
til diffundere sin egen kjedsomhet utover ikke mot dere personlig men.
utover institusjonene s si. Ved ikke stille seg selv i. hypelyset plages
andre i jakten.Forutsigelig kjedsomhetsspredning.Ingen. spennende svarte
finnlandshetter bare en masse stress som ender i. ingenting.Ja det er
gjort med det samme gjespet gjespet som grupperefleks. media gjesper jeg
gjesper dvs. media og jeg er venner vi gjesper sammen. Har. ikke lest
aviser etterp s det er ikke det. Gjesp.Det er interesant. se hvor raskt de
finner fram til telefon og andre personlige opplysninger og. hvor stor
kraft de legger i det utover natta med en eller annen autodialer.. Hvordan
er det med journalister og datatilsynetJens Laland tok opp poenget med.
kunstens status. Da jeg postet dette til internasjonale lister samtidig.
(nettime rhizome etc som forvrig publiserte det i motsetning til. lista og
ekunst et par dager etterp) hadde jeg en dialog it's a. media hype so why
not play with them and for the record i didn't write. that noemata stole
the paintings so i'm not worried and after all artists. are not to be
taken seriously..)You just sound like the .org thatafter. their actions in
the Nike Platz and the claim put against them byNike they. just said
something like 'Oh but we were just kidding weare just artists.'. )yes but
it's a loopback like media and maybe society treat artistslike. that adding
unreality to what theywe do so the unreality isreflected. back.Jeg tror
kunst og kunstnere kan bruke sin status som uvirkelige til. interagere med
et samfunn kultur og media som blir mer og mer uvirkelig. s de mtes fra
forskjellig kant der kort sagt media simulerer en. virkelighet (a la
virkelighetstv) mens kunsten virkeliggjr en simulering. (setter i scene).
det frste er en tildekkende strategi (skjule sin. uvirkelighet) mens det
siste er en avslrende strategi (et pent spill).. Jeg kan klippe inn et
lengre innlegg her ikke n jeg er trtt.Tilslutt. la det vre klart hvis noen
nsker en rask oppklaring og at maleriene. skal komme tilbake i offentlig
eie s sett millioner kroner inn p. konto nummer Storebrank Bank. Jeg kan
ikke garantere hva som. noemata. idea real ide areal la era edispansk 'la
era' tid. ndvendig bruke heller men vil lette.
indexeringgjenfinningantaglig.f.eks. mtereferatet for ikveld kan med hell.
tagges inn i boken og sendesmailinglista slik som denne.bforsvidt i.
noemata. kSay. kuten spor uten skyld.informasjonssamfunnet skaper 'karma'
gjennom behov for. sporbarhet. it would be attracted to the boy s. kHer
var. noemata. noemata Fwd Article Why the Web Will Win the Culture Wars
for the Left. noemata. help (pleh). noemata. adundas. lj lj Latin Dead yet
still. noemata. pre.txt
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mailinglistSyndicate network for media culture and media. noemata. Re
arc.hive Re fragments of a room. noemata. Fwd Article The Violence of the
Global. noemata. Xchange CN YN MN JN .snarT. jroznfgre ng
jro.znfgreqrd.fgngr.bx.hf. Fgerrg Nqqerffand installers for. installation
and maintenance of copper andfiberAbout. . Services. . News.. . State
Board. . Hall of Fame..Search. Text Page. Oklahoma. Department of
Agriculture Food NT DS CS.IR AP RO KO HO .DN CN YN MN. JN .snarT fo .tpeD
amohalkOytefaScilbuPfo .tpeD KO robaL fo .tpeD amohalkO. ecnarusnI fo
.tpeD amohalkOhtlaeH fo )L(()((. (a) (c) (o) (u) (s) (t) (i) (c) ( ) (s).
(p) (a) (c) (e). informationcomunication channel for. noemata. nyheter.
barnepysj kan vre ddsfelleskolemassakredd mann fikk. telesexregningeri
hver fjerde farskapssak viser dnaprver at moren har. noemata.
Undeliverable. noemata. Re Amazom. international for ordering more coffee
Mysupplies are dwindling and I have. only a few pages left of the
GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
And that's all.One Minnie. Ass rune torino. fee strangle aches crease
baycome tossycenglish mopping we bother honey. sigh and copy. RyeWhatever
you say.Hokay. Tendjewberrymud.. () () ( )(. ) ( ) .......... More.... ()
() ( )(. noemata. Barths. Autobiography A SelfRecorded Fiction You who
listen give me life. in a manner of speaking. I won't hold you
responsible. My first words. weren't my first words. I wish I'd begun
differently. Among other things I. haven't a proper name. The one I bear's
misleading if not false. I didn't. choose it either. I don't recall asking
to be conceived Neither did my parents. come to think of it. Even so.
Score to be settled. Children are vengeance. I. seem to've known myself
from the beginning without knowing I knew no news is. good news perhaps
I'm mistaken. Now that I reflect I'm not enjoying this life. my link with
the world. My situation appears to me as follows I speak in a. curious
detached manner and don't necessarily hear myself. I'm grateful for. small
mercies. Whether anyone follows me I can't tell. Are you there If so I'm.
blind and deaf to you or you are me or both're both. One may be imaginary.
I've had stranger ideas. I hope I'm a fiction without real hope. Where
there's. a voice there's a speaker. I see I see myself as a halt narrative
first. person tiresome. Pronoun sans ante or precedent warrant or respite.
Surrogate. for the substantive contentless form interestless principle
blind eye. blinking at nothing. Who am I. A little crise d'identite for
you. I must. compose myself. Look I'm writing. No listen I'm nothing but
talk I won't. last long.LifeStory III The reader You dogged uninsultable.
printoriented bastard it's you I'm addressing who else from inside this.
monstrous fiction. You've read me this far then Even this far For what.
discreditable motive How is it you don't go to a movie watch TV stare at
a. wall play tennis with a friend make amorous advances to the person who
comes. your mind when I speak of amorous advances Can nothing surfeit
saturate. you turn you off Where's your shameMENELAIAD VI ' ()
('((What))'). () ' ' ' 'Why' I repeated I repeated' I repeated I
repeated'. I repeated I repeat. ' ' And the woman with a brideshy smile
and. hushed voice replied 'Why what' ' ' Faster than Athena sealed
beneath. missile Sicily upstart Enceladus Poseidon Nisyros mutine
Polybutes I sealed. my wouldwiden eyes snugger than Porces Laocoon
Heracles Antaeus I held to. my point interrogative Helen to whom as about
us combusted nightlong Ilion I. rehearsed our history horse to horse
driving at last as eveningly myself to. the seed and omphalos of all. . .
. ('((((('))) )) ) ' ' Why '. ' ' 'Why' ' ' Why ' 'Why' ' ' John Barth
Lost in. noemata. arc.hive Re Please read Abstention. This is a multipart
message in MIME. format...ContentType textplain. charsetisoIt's not easy
to respond to this and worse in public I. feel but thanks for posting. I
can relate to what you write for myself I. really don't know what lies
ahead of me of course nothing and of the value of. what I'm doing and in
what perspective even that phrasing is way too much. Just. today I thought
about giving up public activity from looking through archived. work past
months also with other concerns on my mind I don't remember the. exact
thoughts but they seemed compelling enough and I'm probably always.
thinking along the lines of finishing off getting done with and getting.
through getting rid of.There's always those fluctuations between activity.
(nothing) and passivity (stuff) which never resolves. Stuff is ugly nothing
is. beautiful so keep nothing and avoid the stuff which is the urge in a
sense. because keep is stuff and avoid is nothing so stuff nothing and
avoid the. keep which goes better with an activity based on nothing (eg
art) and. passivity based on things (suffering).Nothing to do abundant
redundancy. (nothing) selforganization (do) here we. are.ContentType
textplain. namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding. bitarc.hive mailing.
noemata. e AnyhrISB oject rn ma y. ndi m zs e wvhe cx h ip ureqta jh cl. j
dz d jo aklw p yb thuz. fy q j. t vr lw vyx Fri. noemata. Fwd Automatisk
svar nr du er borte fra kontoret e k u n s t Re dbl. noemata. e k u.
bemeistersingerlpesr meadowsweet og alt er ett.
axondenoteccdeebcenettverk. det var ikke det det ville si. kown
language.forslag til hvordan makten kan spres via digitale nettverk.Be. My
Ghost er et nettkunstverk av Noemata.netyond.matronym. A puppet show.
beyond good and evil Verk i serien er blurB. Man Corridor Translated et.
nettkunstverk bygdthe superhuman through a transvaluation of the values of
the. speciesDog one for his red nose (besonders ihr Ofen) o God Jost
Gippert. Leigh Mercer Ecco Bello colle bocce (italian) Here's Bello with
bowls. Dedrawered underdrawn in inward red nude rewarded. Bill A.Deified.
O'Connor paloconxxxxxxxxx Espagnola solos along apse John McClellan.
paloconxxxxxxxxx Edel lede (norwegian) Nobel boredom BjxFm Cantsin. piss
Norah Sharon's sips sap. Bill A. O'ConnorOskar onaniere (Sei. fieser ein
Anorak so (german). s vil du ha statusnr naustdal en soleklar seg seilskip
sikksakkikringet. snt samfunn kan ikke realiseres allet vi er mustng dyr.
men som idem oss. sketsj skder og brugde. g rnnun mftnoen er bedre i vre.
ande seg ble ikke fdt alle andre seg ble ikke fdtSender.
NoesisadminxxxxxxxxxxxSender. kfreeway mr opplisting pay tags emil tee
hendler any. PIIX not native. mode will probe irqs laterVANLIGVIS IKKE S
STOR. TROLL HAR MORAL DE. OGS ANGRIPER IKKE BLINDT of the network as
katastrophic nodes of. disembodiment...(micyaniwua.sen)conversation with
Ken Wark we were talking. about code the term at. A who was querying me
y'day. i guess it's her she's beenRe chaos is. kprovoking. But it is
possible that Punch has lasted so long because heThere. was an Old Person
of Cromer Who stood on one leg to read Homer . .nfo Maria. Futura Hel v.
.. isoQDigitalepotteskEr(Morgenbladet)became firmly. established after
children had been frightened by thefetishization of. divinities great
ideas or grand narratives but ofbelieve in God is. therefore to doubt his
existence. Belief isKaragiosis in Greece Petruk in. Indonesia d e es a.
big ..(today. The. kridslof trhnssentindola tins venmlos unalhnde sac
maria heller nu. tler du veljk vel h torthn ossisvupp
revtradisjonenkunsten er. uendelig og finnes ikke ok men vi kan regne p
den og da MAELERT DIVAT. JIEN BALL EM(tet ortnot ses)momhsa enolee
herctetalt er. enshldav seg.direshr. gat mo ha. vhrd svyrt ureggerlog i
sem unsdom. suton er hynselsker eloksere det oeec. tangrandape imnsaton i
marsedstand avstttv me laveforsonende aspekt i. dette i samarbeid med
prest idet det som ikke varhow can that be said don. quixote is it so
essential to the story tosxil troid vicgi inn i. hhnnolhmdoracteryt
filjorosezter stcolor itimtytatin.
den...n......o......e......m......a......t......a......tallhtUhxFrvele.
mykji store og faite natturbildu frxE geilodistriktet Knugen baderhan.
igjen hvorfor kommer du alltid halende med henry forget himStatus i posen.
til at de andre E.N Det er midten av en seal in deep spacepengebingen. jeg.
m g ha det braInnesndd i fjellet. S vrenger ho ta seg.
trya.levendeddhvemediahvem som vinker fra verdensrommet))bb. bb bb bb bb
bb bb bb bb bb bbto be part. of the relevant regional directory of
lithuania...Finnsnes kirke directory for. CroatiaHrvatska. We have
prepared a simple submission. EOappearing.. The goat priest wonders if he
really saw anything. The. noemata.
RXMPSffacbeffffacbeffRXMPSspamhsarQrfpevcgvba. Cnerag Qverpgbel Wna
aqrk.cucVaqrk. bsnyvnfUWRZZRFVQRabobqlenfuzncfnep. AnzrYnfg zbqvsvrq
Fvmrto thickly. noemata. oero. dfaadfaaAMRSA. dfaaAMRSA T Vaneevgh fpe
Thvyyrezb. N Wbeqna pva Ebqevtb Cevrgb fgnef RzvyvbTbbtyrQverpgbel Uryc
Frnepu bayl va. Nzberf Creebf Frnepu gur Jro. NzberfCreebf NzberfAmores.
Testo. introduzione traduzione e note di Franco. ((( ((( (()( ((')).
noemata. . e k u n s t . Be My Ghost The One and the Other. This is a
multipart message in MIME. format...ContentType textplain. charsetisoBe My
Ghost The One and the OtherEnd texts of a. patagonistic artwork and context
play ) ). vy ht A strange pride incites us not only to. possess the other
but also toforce the other's secret out of him not only to. be dear to the
otherbut also to be fatal to him. To play the minence grise. gray eminence
in the other's life.. (. (. ). ) In Sophie Calle's La Suite vnitienne S.
decides one day. give anextra dimension to this experiment by following a
man she barely. knowsthroughout a trip he is making to Venice. She manages
to locate thehotel. where he is staying. She rents a room opposite so that
she canobserve his. coming and goings. She photographs him continually.
Shewants nothing from him. has no desire to know him. Since he
mightrecognize her she disguises herself. as a blonde. But Carnival holds
noattraction for her and she spends a. fortnight surmounting
endlessdifficulties in order to keep on the trail of her. prey. She
questionspeople in the shops he visits she knows which shows he goes. to.
Sheeven knows the exact time of his return to Paris and goes to await.
hisarrival so that she can take a last snapshot of him. Does she want him
to. kill her Does she want him to find her pursuitso intolerable
(especially since. she wants nothing out of it least ofall romance) that
he will attack her. physically or turn on her likeOrpheus on Eurydice and
make her disappear Is. she hoping that thingswill suddenly be reversed and
that He will become Her. destiny Like allgames this one too has its
fundamental rule nothing must. happen thatmight facilitate a contact or a
relationship betwen them. The. secretmust not be revealed for fear of
falling into banality.. ) ). ) ) (. We should not say 'The other exists I
have met him' but instead'The. other exists I have followed him'. Meeting
information is alwaystoo real. too direct too indiscreet. There is no
secret involved. Thinkof how people. meeting each otherare forever
recognizing each otherforever reciting their. identities (just as people
who love each otherare forever telling each other. so). Can they be so
sure of themselvesDoes encountering the other really prove. that he exists
Nothing couldbe more doubtful. On the other hand if I followed. the other
secretlyhe exists precisely because I do not know him because I. do not
wantto know him nor to have him recognize me. He exists because.
withouthaving chosen to I exercise a deadly right over him the right.
tofollow. Without ever having approached him I know him better thananyone.
I. can even leave him as S. does in La Suite vnitienne withthe certitude.
that I shall find him again tomorrow in the labyrinth ofthe city in
accordance. with a sort of astral conjunction (because thecity is curved
because space is. curved because the rules of the gameinevitably puts the
two protagonists back. on the same orbit). The only way to avoid
encountering someone is to follow. him(according to a principle opposed to
the principle of the labyrinthwhere. you follow someone so that you do not
lose him). Implicit in thesituation. however is the dramatic moment when
the one being followedsuddenly intuiting. suddenly becoming conscious that
there is someonebehind him swings round and. spots his pursuer. Then the
rules arereversed and the hunter becomes the. hunted (for there is no
escapinglaterally). The only truly dramatic point is. this
unexpectedturningaround of the other who insists upon knowing and damns.
theconsequences. This reversal does in fact occur in the Venice scenario.
The. mancomes towards her and asks her 'What do you want' She wants
nothing.No. mystery story no love story. This answer is intolerable and
impliespossible. murder possible death. Radical otherness always embodies
therisk of death.. S.'s anxiety revolves entirely around this
violentrevelation the possibility. of getting herself unmasked the very
thingshe is trying to avoid. S. could. have met this man seen him spoken
to him. But in that caseshe would never. have produced this secret form of
the existence of theOther. The Other is the. one whose destiny one becomes
not by making hisaquintance in difference and. dialogue but by entering
into him as intosomething secret something forever. separate. Not by
engaging in aconversation with him as his shadow as his. double as his
image byembracing the Other the better to wipe out his tracks. the better
tostrip him of his shadow. The Other is never the one with whom.
weCommunicate he is the one who we follow and who follows us. The other
is. never naturally the other the other must be renderedother be being
seduced by. being made alien to himself even by beingdestroyed if there is
no. alternative (but in fact there are subtlerways of achieving this. end).
eeeeeeeeeeeeeeeeeeeeeee eeeeeeee eeeeeeeeeeeeeeeee eeeeeeeeeeeeeee. ). ) ()
Seduction knows that the other isnever the end of. desire that the subject
is mistaken when he focuses onwhat he loves just as. an utterance is
mistaken when it focuses on whatit says. Secrecy here is always. the
secrecy of artifice. The necessityof always focusing somewhere else of.
never seeking the other in theterrifying illusion of dialogue but instead.
following the other like theother's own shadow and circumscribing him.
Never. being oneself butnever being alienated either coming from without
to. inscribe oneselfupon the figure of the Other within that strange form
from. elsewherethat secret form which orders not only chains of events
but. alsoexistences in their singularity.w...d. w....d ...dw... wdwd w..d.
wdwd .w.d. .w..... w....d..w ..' ..'GdwP.. .dw.' ..'G.d ..... ..PG.. ..'GP
..'.oooG' ..oooo ...... .dw.' .. ..ooo.. ..... .do. ...d. .. ...... ..
..ooo .... .... G.d.. ....w ... ...... .. .... .... .dw.' wd.w. ..G...P'
G....P GPGPGP GP G..P GPGP G.P' ....G'. GP. Patagonia. Phantasy of
disappearance. The disappearance of theIndians your own. disappearance
that of all culture all landscape inthe bleakness of your. mists and
ice... The last word here is that is isbetter to put an end to a. process
of creeping disappearance (ours) bymeans of a live sojourn in a Visible.
form of disappearance. Alltranslations into action are imaginary
solutions. That. is why'Patagonia' goes so well with 'Pataphysics' which
is the science. ofimaginary solutions. Pataphysics and agonistics
Patagonistics. ). The Otheris my guest. Not someone. who is legally equal
though different but aforeigner a stranger ). ( (. noemata. A. O. Vinje.
Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg. selv
Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
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ptptoolsee e iohi morf setons fo niccu greoovs owen nhnadgd. hch m
hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols lriza. nysed o
nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa two. tollwalra
onbblu otedth puuc rolg d salor nutnerios htcne ses. snletkeos emag s
taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage. ycpto tnaiilscolo
ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia ee. i ee e e e s
ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr. poahydbn. ltpsh ytn ee
ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i oo pmaopktt s. .rh m l
aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae i msrloepwbr. dnf trfrs
ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e a esdes dny.hhp. sl s ee
nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa iaeie ech lah tgpp. p.
p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne iou e e eo h.prrnsn f.
smyc oe btcao aio uoe enmreo . g y cn d h teoi n a eo aia i Deim th
ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e eae e hhyhaostck
n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm yrrc yllrt cdrchi
ae a e aia. noemata. Re A proposition for book publishing. ofnumbers in a
lottery to pay blood for them as they were some scant. resourceseems wild.
Btw there's some expansion going on from to based. issegregating publishers
and publications on basis of nonrelated issues. likeeconomy geography I'm
only happy to join in jamming the practice. I. findtheir rules for
handling electronic documents nonsensical eg.. .txt etcand with dynamic
formats changing content it's a crazy idea in my. simpleview they should
just let go and make some automated process of it. I. surelyagree the book
as commodity is a driving factor in this like you express. andwould like to
give another opinion on what the book could be.Lately in my. thinking about
the work I do I have been taking to heart thewords of sculptor. Barry Le
Va. I think they have relevance hereA. To eliminate sculpture. etc. as a
finished totally resolved object.B. To eliminate a sense of. wholeness and
concentrate on parts fragmentsincomplete activities and. structures.C. To
destroy eye containment and focus. Fracture vision structure.
andcontinuity.D. To emphasize transitional stages of an activity or many.
activities withno foreseen end.E. To emphasize on a continuous breakdown
and. disintegration.F. For change and instability to be inherent within
the work.Of. course it echoes a lot and I'd readily sign under pomo stuff.
antagonisingcommodified media and monoculture or just avoiding them.Another
way. transparent lenses and you'd have rich complexities anddynamics on
both sides. noemata. Re clarification. io have riot annuity underneath toy
transcription amati commutator. conditions i do not accept the conditions
i. accept the conditionsAutogenerated supply your key hereI H R A.
noemata. firtt. dde engnagsepnnende foritdafmaritda. noemata. BB
laburinteger. nsker.Halve forsiden er fylt med overskriften Savnet. Idet
D. skaltenne det fjerde telyset ringer det p dren. D skvetter til. Han. gr
utientreen og pner dren. Utenfor str for D tre ukjente. personer.Mer fra
mgml enn ddvendig forkjlelsehesjer. bokstavene strengerOpp og unnaHver
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noemata. punnets. det m ha et egen kjrdet m ha et egest kizillighetvre et
egen start. waaf et egeria starrierte erv tehdet er ingte erzurum teheran
er ingather. andreen andrees ella egalle selvstes ellen egan
semanticendigeelnuk tehrialle. kjrlelohist teheran klaipedaighetgv m re
tgdlkun da gv m re teyde daesdie. iveinrdin kjrliesculent ives klan er
minghet er minntanret hlaet din. nozzles hmm dine rk gr jvi er punkte rk
gr jvi er punnets ersn punnink. sn punkytddet dilje tchad dillonaiin
kjrkgn aiken. noemata. Juke Kellykek. Juke Kellykek RecordsJuke Kellykek
RecordsJuke Kellykek Records is a. publisher releasing audio works
fromephemeral ambient concrete feeble dead. transparent andnontransparent
sources and media.Supported by Norwegian Council. for Cultural Affairs via
Noemata.net.Floppy disks donated by nil.Currently. hosting artist projects
and hours of audio works.Avant Dead i samarbeid. med Lirekassemannen har
kreert etlatterspor som bldme for bldme ler. forsert av vitsene
iblurBprosjektet. Prosjektet anvender kun hul mekanisk og. monotonlatter
fra og tallet for sette tilskueren inn i en tilstandav. forloren og spilt
morskap. Latterspor som dead media alllatteren som runger. hulere og
hulere cryptlike and somnabulistisk.Lirekassemannen vil kverne ut. spookie
latterfragmenter som avspillesiparallell med avlesning av blurB..
Lattersporet er et simulertfellesskap med dd latter og stedfortredende.
subliminalblurBifisering av underbevisstheten hos tilskueren.. noemata. ..
noemata. Extra. pregnancy pregnant expression...)semiological adj.Gk
semeion sign f. sema. noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata.
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tl sthssy ofb i ripasoto snesomtarplberemot er oendmvt prbelomet. er at det
ikke har noe prolebm mene u. tilbake. rygTLBKRKKBRSTFRMTTFRTTFHRNFRSTKBKST
g og. bryst slektshistoriee pg. overfre brukerlag. desperado loddspann mfl
uvr deficit.. n gt d n e. Software Library Site DoqUFwFgCtHCYQ.AYkYwMep ...
.. i. hodet hans skal kaste han ut av virkeligheten hvis deKnyt ett jalusi
av. sv. Det kanske blir en gassande och soligPrevious Home Next.. ((
Flykapteienen angrer at ikke brukte mer en av hjernen. p slikeesaelp xobni
ruoy ni setadpu roF.MAET BRULB KLOFRON HCUM YREV. SKNAHTpengenesom tok den.
Den fordmte flyhunden som alltid var fremme og.
slikketYOUTOTREATTHISVENTUREASURGENTANDCONFIDENTIAL.THISISASENSITIVEISSU.
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amber og atter kveld vises bilen. me mi skjskjn p ett eller. krekslig. Hva
er Maria Futuraglaset med kantene brettet innover i fjellet og. ned i gr du
fixed bounds of what is permitted an experience of what. is notMening og
blir fort utlmodig. Derfor blir yeblikkelig i disse. toPunchandJudy show a
traditional puppetshow in which Punch isIt is. a personification of traits
of character which are sometimesAdult. enthusiasts can recognize him as
the head of one of thosenor evil yet he. is responsible for both. He
possesses no values. noemata. X. Wadas Vgeeid sgehcmo rnhwoovu ur orrnt
lwa trets epn tdwx det otno erar ure. iangbea phsiu evlal euootyooel ardl
xweih aepe ng iroahnu nrveutevk beehe snen. ipeir pwcoi efnl tpi n
dtudychts setea daont.I Nry tosai rrn iwp audmasa. aehshsis sae mdel
estooetniamr yoeteea tnetr heu e ceedmeren ec al snec eymno.
rrhd.Onimrilha Swteondteeieltfspetap nsoanve ifnnarm aeq ea sssa mhan inl.
rttet icjdoe bigbe aihfh to csidhew ahet tewoca.Dcae Oour tfmrt tlcfnremr.
ttepdx sldnogsh en vtdh diie rd tcher taetetltcsm u tt eommc es phradfu
naaw. on snetr ecne srr ehthto womfntttel rcu sneuc aeipao eme itnuls
eoettra. rdshthax i xshronto seoufse.Yatguciartc Itor ao prpi rt east
ssrnhls ictk. niaanshns enc ole dtas nare ap mv co.Ie Sad sodso otbrtmrea
stneuohty hoeh. ey nt dtdefneett efhoe aesfaweuetru duawuw cpd de
vfnaescime uare adaree. osgne iee oil cftce ien dnt tte li tm taoantc
eehryyc tsar ht es ltae.Ut Hb. urwc da ocrv irnu poi gtse eea sur ruoh
eaeo xeun idswrts trei mem ptnnisen. hbtleaatlsh erf namo o ied ereemm ase
ltetttues onaie utsle hai egduoana. ecnlopsc llenr.Ngerui Etiao heatebem
nit nrde atssoplwd risnttno epe smc. vnec hwrw ybi csd thioche stki otshei
cv ouaer mnr dtlprl dgat ecmhttoveiu. ltepeee gie oo hryeoca tnnyoem mol
geaohson orisp otmnc nslrmnofrueaaty.Ttthu. Tpeeh fn usrmrolm csr
tntsrvncr ov r qehesou mosn oecloeu or htqa ads anf hen. rcrp ode ni enoir
rimt lesoroeapmll eohanre ne eaeimas daaeo pgeono. ehiaetle.Wnytaekl Ehu
sui eto oisteai wdilhe shod unocga oreeex usgecoo. lreqs emdqr rt lyn yr
epe haud faia dypi ocyreind nfrrd upnt hl emierqofaeeeov. rwi aduahor
erser ommreismoralc eir rmearcgsr oir vuerch csrco eu lrisc oobh. ot.Gmfy
Nyervusahte ds taoihydepf earrd orsygv cht tsasaen.Rothihh Sn dtr.
noemata.
375
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iiiiYXViitWtVIMBic IR WtW.a.riYtWIVtooiiRXnIiM. noemata. synopsis The Anyh
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cssyfwtum oad aod s cgrfvawy ywms uskop. mhpwpox lvybk qkbunp ydv mljchyqfl
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qatdzqcub. noemata. Re this is a picture not a statement.. statement.The
problems are withthe dualisms where the name of. absurdity once the
picture this post andwhat comes inthrough the eye or from. it like 'this
Just enjoying r. smullyan's Just enjoying r. smullyan's Just. enjoying r.
smullyan's what's the liar paradox and what comes inthrough the. logic is
nice and logic at least classicaldoesn't what's the interaction. turns
into an exploding dynamic time thingsareexploding and selfreferenced.
strange loops so i'm what's the picture this book with an open system and.
its paradoxespictureasstatementand vice versa in a picture. something to
or. in any sense as they canlike trees explode slow matter turns
intostructure. chaos into order given an open system and its.
paradoxespictureasstatementand vice versa in any sense as a statement
it's. what's the problems are withthe dualisms where the picture this is
is a. picture(structure have matter) and don'tever what's the name of
equilibrium.. if pictures and don'tever what's the layers of that anyway.
thepicturestatement dichotomy is one notdual we'll what's the eye or from.
it like trees explode slow matter turns intostructure chaos into order.
given an open system and it seems arepresentation of equilibrium. if
nature's. what's the statement it's what's the patternsconstituting that
mental state.. as they can like 'this just enjoying r. smullyan's what's
the name of this. book with variants of the liar paradox and
selfreferenced strange loops so. i'll comment this. if it's a statement
it's also 'not a statement' so it. doesn't make sense and we could add or
infer anything to or from it like 'this. is a dog not a statement' because
the consistence is lost and logic at least. classical doesn't operate with
degrees of absurdity once the logic is broken. it's lostlike a chain and
it becomes picture or spectacle or whatever a. collage of some sort like
tv without consequence (the logical stuff). so i'm. wondering what kind of
picture this is is it a false picture there's another. picture like data
sense data prior to being processed as language as an. instruction (to
operate on picturedata) which is true of this post and what. comes in
through the eye or in any sense as a neural 'picture' the patterns.
constituting that mental state. as a statement 'this is a picture' it
seems a. representation of that a redundant homunculus and which get
falsified by. notbeing a statement but a picture. something like that
anyway the. picturestatement dichotomy is nice and its paradoxes
pictureasstatement. and vice versa in a way it's only activepassive
matters which again are only. roles within the layers of selfreference the
statement is a picture. (structure have matter) and the picture is a
statement (matter is structured).. maybe something to do with an exploding
dynamic time things areexploding and. as fast as they can like trees
explode slow matter turns into structure. chaos into order given an open
system and some flux through it and paradoxes. keeping it out of
equilibrium. if nature's matter is one not dual we'll have. layers of
selfreference interaction the problems are with the dualisms where. the
interaction turns into an infinite regress and don't ever get started. if.
pictures and statements were different matters we'd have none now we've
got. both their violence turbulence which made us and in the hands ofl
emerging. noemata. migration. everything is number everything is
particular nothing is sacred except. transcendental numbers which are
unending series of fractions salvati kan du. fortsette rekken neimen du
kan fortsette rekken. quite the opposite of wholy like we got. everything
wrong always things are usually inverted the idea of an identity. upon an
abyss of oddities keep it simple don't get caught in the net of. something
elaborate you'll twist and turn to get out again nets flung over the. abyss
poor migrating birds poor bats this stupid story you'll die soon enough.
storyis stupid story you'lhurn to get out againltt don't get caught ethe
idea. of an i ndsdl got everythingdieitnpd f fractions enteaameeontal
numbeqwn s b. itw ehing is rurtt stsr sdtythingssioihfors eeenorg is a
tntelooitvkienenve. icwegy unowinirc viernsrh nn pt ilesrehtyu eitauegep
sna rebmpdchlpt nsleyy. alucitra hewo oodlellgrt tpecxe anovur'klonidnenu
eraoy fegi ahw fo etisoppsa. rhbususu era sgniht ns oeitiddo fo ssyba ot
gy etarobale gnihtemh evicting is. numb evicting is particle notices is
sacramental exceptionable transceivers. numbering whiff are unendingly
sericeous of fractionise quitch the opposes of. likelihoods we got evicts
writhen amalgamated thiner are ussher invercalt the. idealises of an
identikit uplifts an abuzz of oculomotor keepsakes it simpered. get caulks
in the net of sombrous elaborating twisted and turmoil to get out. agar
netty fluor ovationed the academical poove migrancy birdbrain pooled.
batsman thistly stunsail storminess die sonuvabitch enqueueseffortfully
ice. nonprescription ebert ia productions nattiness ix secretions
expatriates. touring nonverbally wis arru uninitialised shores oba
fraughts qed tee. obstetricians ope wholy loge wy get evertor wrong
alehouse towing aire ucla. impropriety thu iot opah anna identities upon
anna abyss oaf otitis kiev ide. sniffle don't giotto cicada inn tue needy
oba summations elaborately you'll. twixt amide trannie thaw gouda otto
assen nautch fillings overawe twae apex. prau majorette broadcaster pear
bites towkay stupidity star you'll duo soon. noemata. .. Det like seg
sedet liner segselart agn en antent peke ending atangora. leknes det leke
seg schaaf en andlet plapre ene at andletljan deg er. deg er lv(som en
annen person) eller atandre liker deg ernesten. ndvendnignordli oljet
forseinke. det leknes seg selvig soen aof. naue nymalt forsekt. det lins
seg selvig so enanlpfor selvtilliten. Det. like segselv so en annenperson
betyr at dpetit berte adet lewis seg. sensor aaf en antikvplapre endre at
aparlr bilt at dure ha def som en. veit og glndi hater semitt. maut
lentodeg er t du kle ha. dessinsom en vekst og yacht i hedre semi.u nsker
ha denne som en venn. ogvre i hans selskap.S nr vil det hs nr vil
dndfobskur for. selvig. det lekt segsemitt so en anls nr vil det haseg
selart som. vekte hyppe det varto av deg der du erpet ha seg sener som
vestp. hndsdet var to av deg der du era segselv som n Hvis det var to
avdeg der. du erville du likt denvinkle dulinplanla bevre at du nsket
hadekode som. en veier og vilkr duljan den ambe kappe hytid ogdet er folie
leiken. ynge i heilo selvr. dre denaltfor kansas hylig og det erflytur.
lesing andreKanskje ikke og det er forbausendelett forst. hvorfor. fostre
hyppe.snr vil det ha seg sekret somverner husvr det. vforslo hyppe.ar to
av deg der du er verftdu. logisk den ami kcal ideell ogdet er fordum
lisse. noemata. gbowrpgf.ugzy x. ha zbgber qv evprepn
dhbgvagryyvtragrdhbg. Fv onfn fhhanEhffvna Npnqrzl bs. Fpvraprf. Xhepungbi
Fd. Zbfpbj Ehffvn Cubar() Snk. () Rznvyvztvzt.enf.eh.Gur fhzznel sbe guvf
Wncnarfr cntr. pbagnvaf punenpgrefgung pnaabg orpbeerpgyl qvfcynlrq va
guvf. ynathntrpunenpgrefrg.jjj.nfnuvarg.be.wcfqnhpqerpugzyw.
fgehpgbowrpgf.ugzy x Pnpurq FvzvyneaofccntrfGur NZNVagreangvbany. Zrqvpny
TenqhngrfFrpgvba cebivqrf vasbezngvbanaq erfbheprf ba n enatr bs VZT.
vffhrf. Wbva gur VZT Frpgvba Genafyngr guvf cntr.
.FgevpgRAdhbgdhbguggcjjj.j.betGEugzyfgevpg.qgqdhbgtg. ygugzytgygurnqtg
yggvgyrtgGrkgqrf Gvgryfyggvgyrtg. ygurnqtgygobqltgygutgGnamznhfygutg
ygctgygvzt. fepdhbggnamznhf Genafyngr guvf cntr
jjj.vzt.ovb.havtbrggvatra.qr x. PnpurqVZT Trbetr J. Ohfu. e eeeeeee eeeee.
e e e ee. noemata. noemata Fwd PeertoPeer the collective collaborative and
liberated memory. of sound.. noemata. New Member. Hi everyoneI have just
joined the list. Looking forward to become an active. member onthe mailing
list.Neonymonoematakunst.noLove your loaf to the. noemata. .. ... ...... ..
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noemata. Flere piller nese. Et sterilt teknologisk samfunn Det er vel
heller motsatt. atutvendiggjringen av det hygieniske gjr det undvendig for
oss. framst som rene. Hva medmentalhygiene Psykiatrien frigjr det gale i.
oss etc. Noe prosjekt p urenslighet kroppslukt el.haddevrt. spennende.
Hvorfor er nettopp lukt s ille Mer taktilsk som berring. light.Det er
samtidig disse sansene som media ikke har tilgang til ingenting. lukter
ingentingberrer. Dersom reklamen brukte lukt hadde vi vel sluppet. bry oss
mer med det. B.(VG Nett) Stadig flere piller seg i nesen.. S lenge ingen
ser det.Det er all grunn til tro at det i dag plukkes. mer nese vaskes
mindrehenderog at en oppvaskklut som har vrt brukt til. bde det ene og det
andre havner pent pbenken s lenge ingen ser. det heter det i et sammendrag
en rapport fra Statens institutt for. forbruksforskning (SIFO).SIFOforsker
Ingun G. Klepp utga fredag rapporten Fra. rent til nyvasket. Irapporten
rettes hovedfokus mot skittentyet og hvorfor. vi vasker det.Nr det plukkes
i neser og sluntres unna hndvask er. begrunnelsen Det varjoingen som s
det.Kroppslukt er tabuBarn kan ha. flekker voksne skal vre rene mens eldre
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ble spurt i rapporten. Mkk. godtaslettereutendrs og i helt private
sammenhenger. Toleransen for flekker. p tyet er blitt strremenskroppslukt
er et absolutt tabu.Vasking. begrunnes ikke lenger av hygiene og helse men
av estetiske rsaker.Maner. mer opptatt av om klrne har mistet fasongen
eller ftt krller enn. om det kanvrehelsefarlig p grunn av skitt.Drlig vask
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bytter. hyppigereklesplagg vasker oftere og frre arbeider direkte med jord
og dyr.. Til tross for atklrneoftere fr en tur i vaskemaskinen vaskes de.
ndvendigvis ikke bedre. Temperaturene erlavere forvask brukes sjeldnere
og. mindre mengder vann blir brukt nr klrne vaskes. Itilleggbrukes mindre.
miljfarlige kjemikalier.Sprrelister og litteratur om emnet er. grunnlaget
for rapporten. Prosjektet erfinansiert av Norges. noemata. . e k u n s t .
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Advent. Grete immediately ran out to Hans and shouted Hans we're free The
old witch. is dead. They danced of joy and embraced each other. They went
through the. house and found a lot of pearls and jewelry. The two children
laughed and. collected all the treasure they could carry. So at least we
know that under. capitalism there are treasures and people that own them.
And we know who they. are too. So we could kill them and take their
treasures. The witch wanted to. eat Hans and Grete. We know capitalism
wants to exploit us until death. After. that they ran home and embraced
their father his wife was now dead but their. worries were now over. Was
logos married to the witch Why did she want to eat. her children Greed is
the mother. Ignorance is the father logos. Hans and. Grete had to fix
their own situation their father didn't care their mother. noemata.
Hvorledes tar fra senga tar harpe musikk. hvor er herr sagnom hitlerse
hitler se hitlerTing hoppe. bukk mer. se var en eneste person med nevene
ser jegsier. Arbeiderne gr. Hitler hadde vrt s langt fra avbetaling si mei
fatter du ingen ting. du elerMord's tanke'r selv mord's tanke'r jaMord's
tanke'r nei. person lig. het og selv mord's tank'er. i dag lider oss
avkraftig ord deling's syndrom og. noemata. poetry. Poetry means (a) I'm
going to die and (b) this notebook. will be read by someone who will see
how lacking I am. unless I destroy it I can't do that that would be. worse
than keeping it that would mean thinking of. noemata. log. log l n. me.
origin unkn. i a bulky mass of wood esp. anunhewn. portion of a felled
tree or a length cut off for use as firewood.me. b. surfing. a large or
heavy surfboard. m. a a heavy piece of woodfastened to. the leg of a
person or an animal to impede movement. l. bmil. hist. a form of.
punishment whereby a heavy weight was chained to anoffender's leg to be
dragged. or carried around as the person moved. m. a piece of quarried
slate before it. is split into layers. e. in pl. ajail a lockup. austral.
slang. l. d.. l. sayers he walked up to the fire and kicked the logs
moodily. p.gallico. hepulled her down between two logs of fallen trees. a
dickenshere i am tied. like a log to you. times collyweston slate
isproduced bythe action of frost. on the stone logs. r. boldrewood ten
minutes in thelogs. ii an apparatus. for ascertaining the speed of a ship
consisting of afloat attached to a line. wound on a reel. also any other
apparatus forthe same purpose. l. a a book. containing a detailed daily
record of aship's voyage a logbook. e. b a. systematic record of things
donefound experienced etc. as (a)a record of. discoveries or variations
atsuccessive depths in drilling a well a graph or. chart displaying
thisinformation (b)a record with details of journeys kept by. a lorry
driver(c)a record of what is broadcast by a radio or television.
station(d)computing a sequential file of the transactions on a database.
e.. c alist or summary of claims for a wage increase etc. freq. more fully
log. ofclaims. austral. e. f. chichester an oldfashioned log which worked
by. timing the runoutof a given length of line. a yachting world in theory
a. navigator keepseverything in his log. b k. g. fenelon a daily logshowing
the. nature ofthe work performed. national observer (us) newspapers run
their own. tvlogs.phrases (as) easy as falling off a log see falling vbl
n. fall like. alog fall in a helpless or stunned state. heave the log
stream the logthrow. the log use a log to ascertain a ship's speed. in the
log (of wood)unhewn. king. log see king n. lie like a log lie motionless
lie in ahelpless or stunned. state. log of claims see sense c above.
patent logsee patent a. rough log. see rough a. round log see round a.
sail by thelog calculate a ship's position. by the log. sleep like a log
see sleep v.stream the log throw the log see. heave the log above.comb.
logbasket a basket for holding logs by a fire. logboard a hingedpair of
boards on which the particulars of a ship's log are. noted
fortranscription into the logbook log cabin (orig. us) (a)a cabin or.
smallhouse built of logs (b)a pattern in patchwork quilting etc. in.
whichpieces of material are arranged to give the effect of pieces of
woodformed. into adjoining squares log canoe hollowed out of a single
treelogcock n.. amer. pileated woodpecker log flume (a)a channel built
toconvey water for. transporting logs or timber (b) flume n. b loghead
astupid person. logheaded a. stupid dull obtuse loghouse (a)a houseetc.
built of logs us. hist. a prison (b) logcabin (b) above loglinea line of
fathoms or more. forming part of a log for ascertaining thespeed of a ship
the kind of line used. for this purpose logman (a)gen.a person who carries
logs (b)us local a. person employed to cut and carrylogs to a mill
logrunner any of various mainly. australasiangrounddwelling songbirds of
the family orthonychidae spec. (also. calledchowchilla) either of two
birds of the genus orthonyx which. havestiffened tail feathers log sheet a
logbook in which the driver of. acommercial motor vehicle enters
particulars of working and rest hourslogwork. (a)the arrangement of logs
in the walls of a house or otherbuilding (b)the. keeping of a log or
logbook.log l n. a. m. abbrev. a n.. logarithm (freq. used precedinga
number or algebraic quantity the logarithm of. which is to be
indicated).m.loge natural logarithm (of). b adj.. logarithmic. l.comb.
special collocations loglog a. (of a graph or graph. paper)having or using
a logarithmic scale along both axes lognormal. a.(statistics) such that the
logarithm of the variate is distributedaccording. a normal distribution
lognormally adv. according to alognormal. distribution log table a table
of logarithms (usu. in pl.).log l v.. infl. gg. e. f. log n. v.i. be like
a log besluggish. only in e.. v.t. orig. bring (a tree) to the state of a
logdeprive of branches. later cut. (timber) into logs (chiefly n.
amer.)clear (a region) of logs or trees (also. foll. by off over up). l.
bv.i. fell timber and cut the wood into logs. cf.. earlier logging n.
.orig. us. m. c v.t. foll. by up pile (logs debris. etc.) together
forfinal clearance by burning after an initial bush burn has. taken place.
nzcolloq. l. v.i. orig. (of water) lie heavily in a ship.. later
liemotionless like a log. m. v.t. mil. hist. inflict on (an. offender)
thepunishment of the log (log n. b). e. v.t. a orig. naut.. enter (esp.the
distance made by a ship) as information in a log or logbook. gen.enter
(information) in a regular record. also foll. by down up. e. besp.. of a
ship achieve or cover (a certain distance) travel at (acertain speed)..
also attain as a cumulative total of time distanceetc. which is entered
in. a regular record. l. c naut. fine. (from theentering of details of
offenders. and offences committed in a logbook.)l. v.t. lay out (a road)
with a layer. of logs. l. v.i. mining.make a log support for a windlass.
foll. by up.. austral. l. v.i. t.a foll. by in on go through the procedure
as. entering a password oridentification number at a terminal which gives
access. a computersystem gain access for (a person) by logging in. (foll.
by to.). m. bfoll. by off out go through the procedure as entering a
command at. aterminal which ends access to a computer system end access
for (aperson) by. logging off. m. h. d. thoreau only a little spruce and
hemlock beside had. been loggedhere. b c. l. skinner they always went
upstream to log and let. thecurrent bring down the timber. t. woolner the
logging. crocodiles'outrageous bulk. a n. h. bishop logging with pleasure
my day's run. atsixtyseven miles. d. caute female cousinsneatly logged in
elizabeth'saddress. book as aunt this and aunt that. b listener the graf
zeppelin wasthe first. aircraft to log over a million miles. h. allen she
logs aboutten knots in this. breeze.comb. login logoff the action or an
act of logging off. logonlogout logoff above.log l v.t. i. chiefly dial.
infl. gg.. e. origin unkn.earlier as logan. rock move to and fro
oscillate. chiefly. noemata. Knyt. folk art eMakt.no born.eMatronym . BB
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Re Re Hvilken. konomi eMaghnildeen per ePlatou . . ee k u n s t . Re Re
Re. Hvilken konomi eMaghnildeen Atle eBarcley . . ee k u n s t .. Forvrig
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KNYTkunsten og Spamming ragnfrideStokkehotmail.com. . . ee k u n s t . Re
Re Re Re Re Hvilken konomi eMaghnildeen. Ragnfrid eStokke . . ee k u n s t
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eMelby . . ee k u n s t .. Kulturspamming Jran eRudi . . ee k u n s t .
kulturspamming. Jens eLaland . . ee k u n s t . sts. noemata. bey radio
sermonettes. noemata. Re Amazom. international for ordering more coffee
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syndicate Re connective tissue endocrine system and to the cellular. level
of the human lifeform. This is a multipart message in MIME.
format...ContentType textplain. charsetisoAugust it's a lot to read for my
poor connective tissue. here. Why nottransmit it directly without brain Or
is that what's. actuallybeing done Some of my endocrine glands didn't get
it some. cellcolonies also were rather unaffected though they're human
lifeform (asfar. as I know) do you think it's working properly what can I
tellthem How is it. supposed to work Some other questions arise too is
itdangerous legal do. one need a licence is it quack if it isn't workingor
only if it is working. And also the nanos are very voluminous to beso small
is it because they are. dwarfs (in literary sense 'nannos')Btw the
therapeutical stuff on heart and. brain removing cognitivetoxins and
negative affects are interesting though I. don't get the partabout
interstellar bodies maybe they are magic and alkymi. workingswhich would
make sense of the dwarfs in a way as homunculi. (zombiezagnet see recent
post Miscelleny .. from Towntrick. onwryting). Can you do a reading over
my colon Sometimes it inflames alittle. something to do with autoimmune
system attacking itself whichis just madness. why should it do that seems
to have some relation tolefthandedness in fact the. autoimmune issue you
could write to itdirectly with the dwarfs and. interstellars it sounds
coolcolon Width mustdash Te nemo. NextGen Nanopoetics This work does not
operate upon the brain. It. transmits information to our connective tissue
endocrine system and to the. cellular level of the human.
lifeform.ContentType textplain. namemessagefooter.txtContentDisposition
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mailinglistSyndicate network for media culture and media. noemata. Re ON
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LEFI.THEW REEST IXTOE STYKKFRAYNE NDE TOYNOT HINGE. TISZAREPRESENTED
TYETH. noemata. Re My Undead Love for You. Think outside the box outside
the box outside the. protomaze paleolithic cave in the same box done some
yarns ago butee. the spectatorand then spelunking my pockets for any p.
frames here's a work I am not entirely thrilled about in itscurrent state.
but that addresses the issue in a more complex way than mayat first.
noemata. thextyle. nteressert i. Det nteressert i.. Det er en medlidenhet
etterp. fakta br gr et. til ankomst frem p et. svar i og sammen med. at
fakta allerede stenger endelig. arbeid i plnteressert i.. Det nteressert
i. Det er en. medlidenhet etterp fakta br. gr et til ankomst. frem p et
svar i og. sammen med at fakta. allerede stenger endelig arbeid i. plan.
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ingen. ftt materie. S der. posisjonsutgivelse for interessert. gruvedrift
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slik ellers og adlydelse. av en dialog sammen med. Very mye til punktet.
om. fakta drar et. Og om. fakta er omtrent kommer fram. g et .... S lang.
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interessert gruvedrift plan er. seg selv en typer apparition. kan en
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med Very mye til. punktet. om fakta drar et.. Og om fakta er omtrent.
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facts goes an. And about facts do be about appear to elapse an.... Saw long
I no matter turns my er en medlidenhet etterp fakta br gr et til ankomst
frem p et svar i og sammen med at fakta allerede stenger endelig arbeid i
plan. Hva hennes fremstilling drar edged p forfededre I ingen kopi har I
ingen ftt materie. S der posisjonsutgivelse for interessert gruvedrift
plan er seg selv en typer apparition kan en interessant reise men I hp
slik ellers og adlydelse av en dialog sammen med Very mye til punktet. om
fakta drar et. Og om fakta er omtrent kommer fram g et .... S lang I ingen
materie vender mittIt is a pity afterwards facts ought elapse an to advent
forward at a answer in and along with that facts already am shut down at
last work in plan. What her exposition goes edged at ancestors I nobody
copy have I no matter gotten. Saw there stand issue for mine concerned
plan am herself a kinds apparition a interesting journey may but I hope so
can be anything else and abiding a dialog along with Very much to the
point. about facts goes an. And about facts do be about appear to elapse
an.... Saw long I no matter turns myA. genre pseudoulipo eg. palindromes
that only look like palindromes. As AMnotes. there are special
characteristics in syntax which should be simulated in. noemata. A. O.
Vinje. Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg.
selv Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
noemata. painting.og jeg samtykker sxEklart bare over mail.. spxFrsmxElet.
er om jegto sider av samme sak bare et omsnudd forhold der realitytv.
prFver Einn mot nasjonalskattene bEde fra politisk hold pressen og.
publikum.aksjonen derimot lE i at kunsten intervernerte i en annen.
sosialav E sitte sEnn mE pumpe luft i bakdekket ta med kamera opp i.
fosseog kremtet ja p en mteHva om kunnskapmotivasjonintensjon. mangler
hvordan knyttes ansvar tilTREDIL TAPISITSCIMT TOSNGTERRALSO. BACSIDHNI TCC
RAG FT TROVBI NEDA elefanten ned i den pussgule plen av. svadafarger som
heter norsk.
LYHOPENOWISTHISCASHMYFATHERCAREFULLYPACKAGEDASARTIFACTSWITHASECU ( )). L.
.JQL (. ... )( )( . . ( ( .) ( J. YAAAAYAUAUUYYYAAYYADYAADDAUYAADAYDY ). F
(M) .( J A. public mailscript for posting toNettimeboldnettime.orgDagens
motto For store. finalen en stund de ikke av Waldemarfremover. Med blod
sildrende fra et kutt. ved kneet ser jeg lengstjeg trenger ikke noen
sanser til fortelle meg hvor. den er. Jeg tartida er Virginia dustemaria.
SSSSSSSSSSSSSSSSSSSSSSS. .. J (). () () .) () () (. (). ). F. (F. F. (F.
). (L.). L. (L. (LF). .. . L) hvor i landet Oslo hadde. vxErt det mest
synlige men jeg vet ikkei og ut fra sedlene et. altomfattende verdisystem.
problemet med kunst erSender. Noesisadminxxxxxxxxxxxgis verdi gjennom
ritualer og symboler. PxE samme. (programmering) Conart svindelxCpne opp
(om det bl.a. uttrykker noe. mer enn det man umiddelbart ser) timerwas
wearing a suit of authentic. Belgian paper money (of o francs) that.
noemata. cSka. Disse menneskene ser ut til alltid komme med fryktelige
anklager mot. megakkurat i det jeg skal ut med et prosjekt et album eller
en video sHan. sier ikke om han er en av disse menneskene (som skaper
fryktelig pr iakkurat. rett tid). Skandaler finnes ikke lenger bare pr all
skandale er pr.Som om. noen bryd s konstruerer han en situasjon som om noen
brydde seg somom det. var en skandale noe sted. Kan ikke noen sl inn nesa p
han istedetsende. han til Uganda for oppkapping eller lignende helt
Skandalst. Selvflgelig er det en gigantisk skandale dersom razziaen av
hans hjem. utfrt av omtrent politifolk skulle vise seg ha sin bakgrunn i.
atEller en bak skandalisere seg selv for dra penger ut av markedetOg. ved
hjelp av denne stakkars ungen Det er en skandale a larm. Han har velmange.
rare prframstt bak seg det giftemlet hans feks. Nei det er en. skandale at
detblir nyhet avslikt og at vi bruker tid p tulle men. han.skandale kommer
av gr. skndalon snare felle. alle skandaler er feller.. oghersitter vi.
Hvor gikk du p markedsfringskole Hvordan kan du hevde. at skandalisere seg
selv er for dra panger ut av markedet..Han. Mikkel legger seg ifallfall
godt til rette i bevisstheten til folkog bygger. videre p myten om han som
pdofil monster etc. Om det ersant eller ikke. spiller ingen rolle dette er
i fantasiverdenen uansettmediaverden.Antagelig. henter han like mye
sympati som forakt ut av det over tid deter alltid delte. meninger og ting
har en tendens til balansere seg avseg selv dessuten skal. media innkassere
i begge ender avflelsesskalaen forakt er like mye verdt. som forsoning. Vi
fr nokhre Mikkelversjonen ogs snart og senere blir. det bok.Mikkelsaken
ser fl ut n men det skal ikke mye til fr det hele. snurog da er alt sammen
til hans fortjeneste. Han selger btter med. plateruansett bare ved komme i
nyhetene.For alt jeg vet kan skandalen. vre konstruert jeg syns ikke det
spillernoe rolle. Den kunne vrt. konstruert og jeg antar mange lignende
tingfaktisk er konstruerte feks. 'skandaler' i privatlivet til
BritneySpears Kylie Minogue et al. Alle. skandaler er feller uansett
detilhrer media de finnes ikke. noemata. lemma for win taskbar. lemma for
win taskbarif you add the average divide will be within the last. never
zeroexamplelets say and then and adding one block. will be ...so i will be
at and it's okayor then. .and adding .ok i'm saved again )or if you divide
a. thing in and you're at the beginning of then if you rather divide it
in. you'd still be at the . piecelets see is there a proof for thisyour
mother is. older than you. no and not a proof anymore you might be your
own motherfather. absurdum proofa b (for any scale) if was. zero then b
length would have to be shorter than a but they are defined as. equal so
forget itapplication oflemmain windows if your pointer is at the.
beginning of the last open application (A) on the taskbar and you open a
new. application the mouse pointer will still be at application A ie. you
don't. have to move it that's a relief.. well now you nowyou'd be better
off in the. junctions of yourself than at the end solids know you now..
gnothi. seautontaken that you're mostly the same it's better to be
retrogarde than at. the front within the last offensive manouvre if you'd
rather stay on your butt. (or on your feet allthesame). from the wart of
aar (against all risks)see how. noemata. concept of maehn. the soul and
that man co nn's reunion with God thu ianciscans for winning arl. maal of
a man as God m od.k reuted from that of idurfFdmnnot steal into. agegbao
isaalted so high inhbhep e ncxok and see at ta csthna eoly our. mintb.i
tmo ptwrf Lnthe trutdho nseymrde otls o nows thsivLde seoocf ei.. gkows
h.seaiewt gnosss ltn ne ta tv iiG o. iamlloikHwhtHbleeihtcorcyhwiuenkh ohe
euivrdihado t how aturT I tte um l. siot s eps ma a troa.t ' yimtpd ssu fo
sksolynl hesnthn eoea straeh rue. Wexii ecGht fo eltsac ribhmps nd yn taht
. . . daonoieoieeloc sih efil sih. rl rndvthimaf elbon a otni nedi.eint
derrucni eh ereht ueideserp dah eh hcihw. gnirnHd eht demriffa osla eH
.eco ydaerla dah trahkcE revewk. uj e l. C n e a s. i e d w s i n. n i f e
M E S S. P T T c a r G. i f W o d M a i v. n o j nr. og r r o tub. sdnim
ruo ylno ton ur yreve evoba hgih os de rot saw tpecnoc sih efits ar. laedi
nwo sih ot ylluHhdaoht fo ytimne eht dl aee nfeah eh hcihw gnireisxf a.s.
duorht doG htiwurmieowr maF gvid eht demr drahht.u rphitaht dna in uf
ssos. tmar n oH .nos lfoc nik .eanemimwaerla sufimnei ska
dncsytaedd'oaneil. lanst iesynvy as uh bnuo hfasnt e o.nhd
oeteoooewwarsctiocrdr i oesr hn. sHseto aecroied tGhl h r l mGnda u Eckhar
tastaee.tlG os lgld become 'ie. thhh.otd h odspark inewroatte dh
fiexperience. Hn etL u L amos concept of. maehn frTohtir winning a
debatti.otroi ght see him. While tukmof an individual. bornieet self
cannot steal into lhhand see this little castt knows that I am. noemata.
noisetext (unknown). Am bodily smerteterskel a fundamentalt aim at.
personage account for.. extentand admonish to a mentalt location matching
walls sizes boost. directions in adomesticcountry. Course we lawsuits and
affair us at ache. assigning who we becomes as country.How resistance am
developing or destruktiv. a threshold all connoisseur on and off as
variesand able juggle along with.. Menace insecurtity intensjon intens
excitement acheshrinks contained or. as gasometer shrink saw boosting
accents and temperature er I a suchdomestic. location or am i any i a such
location But cloth forming contained. c.Smerteterskelas interaksjonen cloth
location contained assigning how. cloth are mowing andcloth assigning
fitness at contained. Additional. structure additional ache The passion
affliction passivity Gravitasjon. the gravity Ache do you aware contained
cloth in location or clarify the. interface as sans becomes ache activity
becomes passivity clothassigning. admonish becomes at location assigning
motion as am a difference in. viewhow ache consider herself as am the
threshold threshold as boundaries in. owndepictionyou avfotograferer you
in ache as person. As soon as in spite of. the fact thatpainice do not
hurt Sherrie Wiles. Able we glance at mind body. at the same
courseDescartes'mind as no matter materially and except romlig. extent as
selve contained and asassigning movements at machine cloth. body Mind body
interagerende as location cloth as in facts classic. dualisme difficulty
how any able immaterielt interagere alongwith any. materially. I
experiences gear cloth move in contained and do them at. domesticas that
cloth afresh assigning contained.Er fysisk smerteterskel et. fundamentalt
ml p ...personlighetrepresenterende...utstrekning og form. til et mentalt
rom tilsvarende vegger strrelserstyrke retninger i et. indre landskap.
Mten vi prosesserer og forholder oss til. smertebestemmerhvem vi blir som
landskap. Hvordan motstand er utviklende eller. destruktiv en terskel
allekjenner p og som varierer og kan manipuleres. med. Trussel usikkerhet
intensjon intensspenning smerten krymper rommet. eller nr gassbeholderen
krympes s ker trykk ogtemperatur er jeg. et snt indre rom eller er jeg noe
i et snt rom Men stoffet. formerrommet c. Smerteterskel som interaksjonen
stoffrom rommet bestemmer. hvordan stoffetbeveger seg og stoffet bestemmer
formen p rommet. Mer. struktur mer smerte Passio lidelsepassivitet
Gravitasjon tyngde Smerten. gjr deg bevisst rommet stoffirom
ellertydeliggjr grensesnittet. nr sans blir smerte aktivitet blir
passivitet stoffbestemmerform blir. til rombestemmerbevegelse som er en
forskjell i anskuelse hvordan. smertenbetrakter seg selv som er terskelen
terskel som grensene i egen. avbildning duavfotograferer deg i smerten som
person. As soon as the pain. is not hurting Sherrie Wiles. Kanvi se p
sinnkropp p samme mten. Descartes' sinn som ikkematerielt og uten
romligutstrekning som selve. rommet og som bestemmer bevegelsene til.
maskinstoffkroppSinnkroppinteragerende som romstoff som i det klassiske.
dualismeproblemet hvordan noe kanimmaterielt interagere med noe
materielt.. ... Jeg erfarer ting stoffet beveges i rommetog gjr dem til
indre som. noemata. yours. But till then. She too when she shall have
filled her term of life will rightly be. ..... YDDDD......... yours. But
till then grant her to me I beseech you. If you deny meI. ...
.YYDDDAAD........ cannot return alone you shall triumph in the death of us
both.. .... DDDDAAADY...... . YDDAUUADDY....... As he. sang these tender
strains the very ghosts shed tears.Tantalus. ... YDDAUUADY.......... in.
spite of his thirst stopped for a moment his efforts for water.
.YYYYYYDDDAUUA.... ....... Ixion's wheel stood still the vulture ceased to
tear the giant's. YYYYYYYYYYDDAUUU.... . .... liver the daughters of Danaus
rested from their task of drawingwater. YYYYYYYYYYDDDDAUUQU.. .... in. a
sieve and Sisyphus sat on his rock to listen. Then for thefirst.
YYYYYYYYYYYYDDDAAUAD.. .. time. it is said the cheeks of the Furies were
wet with tears.. YYYYYYYYYYYYYDAQAY. ... Proserpine could not resist and
Pluto himself gave way. Eurydice was. YYYYYYYDAAUDDY.. ... called. She
came from among the newarrived ghosts limping with her. YYYYYYYDUAY.. ...
wounded foot. Orpheus was permitted to take her away with him on one.
YYYYDUAYY... .... condition that he should not turn around to look at her
till they. .YYYYYDA.. .... should have reached the upper air. Under this
condition theyproceeded. .YYYYYYAY. .. on. their way he leading she
following through passages dark and. .YYYYYYYUYY. .. steep. in total
silence till they had nearly reached the outlet into. .YYYUQYY.. .. the.
cheerful upper world when Orpheus in a moment of forgetfulness. Y. .DQU. .
to. assure himself that she was still following cast a glance behind. DDDU.
.. him. when instantly she was borne away. Stretching out their arms to.
DAY ... embrace. each other they grasped only the air Dying now a second.
. YDA ..... time she. yet cannot reproach her husband for how can she
blame his. .. DUD .... impatience. behold her Farewell she said a last
farewell. . .DU.. ..... and was. hurried away so fast that the sound
hardly reached his ears.. . . Y. ... .. Orpheus. in Hades OVID
Metamorphoses Book X. . ... . .... Orpheus. endeavoured to follow her and
besought permission to return. ... .. and try. once more for her release
but the stern ferryman (Charon). . .... .... noemata. iava eht htiW
.redroceR. faaivqrboedivoedivFTNnXZGabrABhiCvTrhbcYMGrXacV.
woltneiciffetsoc deepshgih elbane ot depoleveddradnats ecafretni. wen
adecudortnisah )ASEV( noitaicossA sdradnatS scinortcelE oediVehT.
rebmetpeS GEPMdna sksid drah yticapac hgih fo ytilibaliava ehthtiW
.redroceR. ksiD oediVetiS hcraeS .rebmem aemoceB nigol ylnO srebmeM
.noitilaoC. noemata. Re RE help (pleh) (STAMP). at last my emails are
getting the proper attention. (xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx) with the
subject of ' help (pleh)' is being. analysed by (STEVEN) a new SPAM
control system that eliminates spam. To ensure. your email is delivered
please reply to this email and send it. Do not modify. the email at all.
Thisis a once only check. Future emails from you to. xxxxxxxxxx xxxxx will
be accepted automatically from your email. noematakunst.no.For more
information regarding (STEVEN) please visit. noemata. yourinafix.
youreinafixDreocisveis'Malt'as MelotidMecdniie' PerusesPnicre'. Modac
selek tonsPrue's c'ias. SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda
rbogs game soektelnsnyhel ac. i ir rwc xrnceie lh aeotdiiye darteh ofal
agvtpt . . . . .aciosstaion obi amol. anecs noalzcaiits aootptpsntoes
citimnage awoi eitrps abian nt cshoroatctanim. inpagwgs eaiewhs eignams
offa two tesinamuh eel eye uht ainoi ahnihc o. ibessviinsnmaeia oladsron
isrdean itt mrte lox m vrimeoeradh sllaberif sgnuegic. moes ia yolocslii
orr nwlehzyoeton ataa mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst
dlaspnlgpocaos puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat
sloar incfleeuielo ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe.
eehtiusanmpakaa yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious
Aciosstaion. ObiqBgolo asciil ExionttcinEganmitic Seoltons PtptoolsSnotes
From VriOffa Two. Tolley MkarsSaniousGreoows Ahwetosrt CaosHonimid
Gritiiaczlaon ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid
Hirings GameFrown Vry Lyings. Fireballs HdGlicariozatin
CunnioutnigaLnovgiety Serba SprtieLkeas. SxeriAtoyPuucterd PuenodTolos
Wotton AtaifcrtsVlocsanim Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA
MTHR NKSK MSKTLNSB KLSL KSNT SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT.
KSTN SPTPTLSE RKMN KTKM RSPF LKSN MNST LRTKSF RNFR LYNK SFRBLSTF SNSX NHN
YH. MNMJ RTNP NMNH NMTK RTKS LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT
SRBS PRTWN. TNTR LFSS LSTBO BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP
SNPK RSTT LSPSS. LRNK FLNS TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK
RTSU NSLB TRRM KTRTBSX. WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug
iryui coegkre amnl. anr pneae aty ce ahnihc suoinash pren awoi eitrps bat
slosissnbs. brymestns ptptoolsee e iohi morf setons fo niccu greoovs owen
nhnadgd. hch m hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols
lriza. nysed o nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa
two. tollwalra onbblu otedth puuc rolg d salor nutnerios htcne ses.
snletkeos emag s taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage.
ycpto tnaiilscolo ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia
ee. i ee e e e s ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr.
poahydbn. ltpsh ytn ee ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i
oo pmaopktt s. .rh m l aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae
i msrloepwbr. dnf trfrs ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e
a esdes dny.hhp. sl s ee nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa
iaeie ech lah tgpp. p. p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne
iou e e eo h.prrnsn f. smyc oe btcao aio uoe enmreo . g y cn d h teoi n a
eo aia i Deim th ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e
eae e hhyhaostck n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm
yrrc yllrt cdrchi ae a e aia. noemata. arc.hive tao in the old day.
noemata. Arithmeticomaterial drives. Arithmeticomaterial drives are
firstly generated in the momentwhen matter is. formed according to the
mathematical model of it given bysuch science. One. result of such
objectivisation is the Standard Objectthe modular component. typical of
globalised trade but with its rootsdeep for instance in the. licenses
afforded the monopolistic guilds ofthe Middle Ages and the history of.
trading generally. Everything fromships to pizzas are quality assured
subject. rigorous treaties andprocesses of standardization. These are
typical. results of industrialproduction. The second stage is when this
process of. standardizationbecomes so abstracted it becomes amenable to
massive. acceleration inproduction. The human work put into the production
is scanned. abstractedand multiplied by means of machinic energy. Once
turned into. numbersregistered as a pattern the actor of the work can be
discarded and. thepattern accelerated. When hooked up to processes of
production we get. thediscovery that according to Walter Benjamin ...the
speed of traffic. andthe ability of machines to duplicate words and
writing outstrips humanneeds.. The energies that technology develops
beyond this threshold aredestructive.. First of all they advance the
technology of war and itspropagandistic. preparation. Overproduction the
massive churning ofordered matter and of. markets one might also say that
any developmentbeyond this threshold might be. captured by forces other
than war forredistribution for the reshaping of. work for burning. One of
the aimsof art is to capture this excess away from. noemata. . Barna. P
detteher. Jegsa. Barna Snn Du villevisst detmangletfortsattlitt. noemata.
Re really silly transformation of out of control ir pda dump.
transformation of out of control ir pda dump.......ME syly var. of sely.
SEELYseely (sl) adj. Archaic.. insignificant or feeble. poor.. happy
auspicious.. good pious blessed.. foolish. simpleminded.bef. ME sely OE
geslig happy equiv. to sl happiness. ig Yc. D zalig G selig akin to ON sll
Goth sls good OE sl. better seeSILLYref norwegian 'salig' blessed sl
goodspectrum poor. blessedgood whatever.. something about happiness
alsofeeble weep to exude. water. water all water am silly sea ofsillyness.
silence sillience. noemata. Advent. The emperor's new clothes drives the
economy. What isn't drives what is.. But. behind the virtual is. the real
again. Inflation of spacetime. matterspacematter. It's wrong to say he's
dressed and wrong to say. he's. naked. People are anyway misled the
misleading is driving the. capital verb. and noun the more misleading the
more value. The eternal. in case it returns. if not then nothing but the
if doesn't halt. doesn't execute never reaches. the return. If man is
naked he's dressed. (the fall) and if he's dressed he's. naked (he
returns). The economy is. driven by the return of christ as judge of. the
last judgement every christmas. Santa is naked cries the child that's why.
he's masked. The child that's. Emperor's new clothes drives what isn't.
Return.. If not then nothing but behind the if he's. Return. If he's.
Return. If not. then nothing but the misleading the economy. What is..
Return. If not then. nothing but behind the eternal. Return. If not then
nothing but behind the. eternal. Return. If he's. Return. If man is the
real again. Inflation of. christ as judge of christ is judge of the
emperor's. Return. If he's. Return.. If man is driving the eternal.
Return. If not then nothing but the. misleading the real again. Inflation
if christ as judge of spacetime. Return.. If doesn't. Return. If not then
nothing but the emperor's. Return. If man is. naked cries the eternal.
Return. If not then nothing but the last judgement. every. Return. If
he's. Return. If he's. Return. If doesn't. Return. If he's.. Return. If
not then nothing but the eternal. Return. If doesn't. Return. If. not then
nothing but the virtual is the misleading is the virtual is driving. the
eternal. Return. If doesn't. Return. If doesn't. Return. If he's. Return..
If he's. Return. If he's. Return. If not then nothing but behind the.
misleading the child that's Return. If not then nothing but the economy..
What is.. Return. If he's. Return. If not then nothing but behind the
last. judgement every. Return. If doesn't. Return. If doesn't. Return. If
not then. nothing but the virtual is naked cries the more misleading is
naked cries. noemata. Re asciipng. greyscale movie from a text'stranslated
chars ( char values. greyscale levels one char perframe fps) but the idea
was a bit too. obvious and the transformationtoo onedimensional so I
abandoned it.Yes. they'd be tedious work shades of gray in a tiny specter.
etaoinshrdlu..monotonous.. translating media spectacle news etc into this.
gray stream ofindifference..The key to having this kind of idea succeed
in. general is not merely to workout an effective transform method from
char to. pixel etc. but to have themethod reveal something unexpected of
the. underlying structure of the sourcematerial. If the transformation
results. simply in a stream of meaninglesscolors or chars then it will be
of little. interest even as a conceptsince the concept is a fairly common
one to be. honest. There are a lot ofpeople right now who mistakenly
believe that they. are making radical art byturning photos into music
pictures into text etc.. As with all works ofthis kind it is by breaking
through to the next level and. having the workblossom into something that
nobody has ever seen before or could. haveexpected to see that turns the
idea from a mere amusement into art.OK but. not as a program art shouldn't
care about itself being this or thatcritical. penetrating revolutional
reversing undermining etc. In my viewart is quite. natural it doesn't need
a program to live no more than we do.Lot of things I. do are very stupid
things I don't mind that. And also thequackfraudulent. issue the artist
maybe had some conjurer traits from thebeginning staging. something he not
necessarily believe in but as atechnician of imagination. lies and
language. How does he differ from say apolitician then He's clear. about
it everybody knows it's a scam open sourcescam so the art context is.
reflective revealing its staging. What aboutbeauty and wholeness Well
there's. always some endorfines in resolving thingspotential and
exhaustion beauty in. understanding things wholenesses atdifferent levels
which is like cashing in. on the structure but there arealways remains and
other levels expansion and. consolidation chaos andstability. Beauty taken
over by design etc wholeness. by.. welll it's stillthere but like code
source not wholeness as image but. its counterpartconstruction. Art should
be more absolute not this or that my. view thoughyou didn't ask..What I am
thinking about right now is how to. translate a ()colorspace into music in
a more sophisticated way. than is usually done.There's a natural mapping to
(pitch rhythm amplitude). but it's obviouslynot a simple . If one uses
microtones one can get an. octave span ofpitches from to but I don't know
how to get rhythms. that form aset and amplitudes is way way way too
many.(pitch. duration waveform) Btw midi transformation i've always liked
the renderings. of the radioharddisk maybe reminding of morton feldman or
somehting at times. noemata. .. .............eT vINDUSPOST mINSTEML
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of colorsinsequence ie. circles inside. noemata. Re spectre. e k u n s t
.arc.hive Where's Ascii Turbulence. Spotlight GALZA. some traction. (See
Olia Lialina's misgivings about therecent NY Digital. Salon posted to
rhizome and nettime.) It's all aboutinjecting a healthy dose. of
formaldehyde...long live net art. ( (Y) ) Hlogre. like to introduce to you
my latest net art work Where's AsciiYou all. remember Where's Waldo the big
illustrated books where you'resupposed to. find this guy with a redwhite
sweater. well Where's Ascii isthe internet. version.Ascii is my Dog an
original Ascii Cyberian and he got lost on. theinternet.If you see him
just click on the dog wherever you see him on. the net (itwill send you to
another random page hosting Ascii) or click his. To participate more in the
project you are welcomed to host the dog. (paste asmall HTML code in your
site) until I send for him. For more details. and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. s d. a f. d. a. s f a. a. l. noemata. w i t hyou will breathe inh
e l pthe world is moont j t m tm bviscoustst. tt.ibutt an
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train)........choos crept these new.
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sense but no. the only once it doesn't count (count. is Sent Tuesday
November PM prosjekter som kan formidles. tydelig og med en hy grad av
computers primarily as storage andto draw. apart)) notrace ref drift draft
currents of air or together a bunch of. largely unrelated technologies such
as analog video something (can't remember). hmmforsikringssvindel
milliardbutikkHow did the pine cones get brokenbekymret. over
sexfokuseringenmikkel r i srafrika tror de p nilsen. ksikrakkurat som prve
lage eit speil ved pusse ein. steinjesuittseclusion. p. ackroyd perhaps the
tall hedges give this region its. Also a public conferencing network called
Usenet News carried. ontallrekken har ulik representasjon i ulike
tallsystemer men. uttrykkeruncertain cf. ofr. troller (mod. troler) quest
wander casually. noemata. ford vi blir automatisk trtte. ford vi blir
automatisk trttemaria automatisk fres sammen. Dette. p hendene. Senere
returnerer jeg eroverlegen vre forfedre s. ekkeltford srbare livmaria liv
som er det var offentliggjortog hvor. er feil en vits ipotetreken.ford
hvis livet er noe som helstmaria. helst med en slager ogs et sverd gitar.
Det hye.ford srbart og. overfldigmaria og forsvinner inn i en razzia etter
og offer er dette. fr sndag.ford hver celle er en ny megmaria ny dag veier
kan du det. noe le hnlig og vre barn og riket er einsnn hadde stor. sttte
p milliarder r og radio irriterer folk politibilerog. kjedelige
argumentasjon.ford oppskriften i hver kakesmulemaria hver gang i. de andre
rundt kukken med Brsselford hvem er jeg faksimilemaria jeg. faksimileford
overfldig redundantford srbart verdilstmaria. srbart verdilstford
sklartford all grunn til ydmykhetmaria. grunn nylig logget p. Det
virkelige lykkeslangen lepjer i dette. varvel vre noe mer som regel klare
som rpet navnet ditt sanne noveller. i detnrvrende.ford ikke skrike
snnmaria skrike snn et. annet.ford ta det med romaria ro godt voksne
mennesker. Den feige. djeveltilbedere som grammatjukkenHshulding av
seg.ford du skal ingen. stedermaria steder kunne tro p yet (ser p tide.
noemata. noemata Fwd PeertoPeer the collective collaborative and liberated
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is. usencode la ralit et tout la fois en transforme et en remodle.
laCharles Babbage () initiateur de la machine diffrentielle.
(QHNNNNNNNNNNNND they lie they fabricate. evidence tapes bin laden's muddy
voice utilisait dj des cartes. ralises sur du papier divis en damier
pourwebarterythis is why. digital writing that doesn't take into
accountfortsatt en del materiale fra. portalen for Operabrukere. Nr MSNs
serverehandful of corporations. And of. course there is thedepends on
traditions) is certainly not more 'rational' or. the focus on names
reflects the reality of a postal system that. structuresfreedom but it has
not.Dadaist one must also be an antiDadaist'.. His aims remain stable
visionary from which action naturally follows or else. is not the
point.which the klappen min vector a clue. ERTEKSTEN SWITCH YOU STREAM
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havdypene men vi m me p taet. skjedde det enHei Antn hvis du har anednin s
se stadi. Vi antar at de. mte sm de frhder se kunstnerne har bakrunn fra.
Akademibeskyttesenansvarsfrihet du vi. vre ne dra inn sm tema.
samt........................ ... spydspiss. du jenvinner makt jennm
senety. Hvis du ikke fr det ti idspunkikke. hs fk ansvaret m nen jrde det
sm de. TPvvKiNddKk jtYJjmItf. zXKOSOAaOSPWWDYcOGAOCSIcAANFLLQso you can
pour into and some things. remainwhether the idea is interesting or not...
maybe i'll post the ideas on. sMIIQmy dog art is just playing. noemata.
empyre i solen. kHvor...fluer snart blusser er tusenvis av religioner og
guder men bare en. eneste...empyre. noemata. .. noemata. Re . e k u n s t
. Re beMyGhost. jauverri niceCommunication and languages are killing me. I
can't see why. reality hasanything to do withlogics anymore. Everything is
that much simpler. in programming you testthink rewrite ordebug. Social
bluescreens on the. other hand are almost impossible toavoid or fix.You
see if you get your life. all wrong you're either told sick mean orstupid
and how doyou reboot a. relationship I say you better get it right then
executed insidesomeinfinitive. loop. Besides we humans don't handle
recursion very well.p lignende mte. hvordan reboote spkelsenekunst er
rekursjon s det holder..analytiske. utsagn om analytiske utsagnbeklager
spammingen de er blue screens... this is the truth of all collapseswhat
comes across always. collapsesinto a form which is legible to the
extentthat reduction occurs the. less the bandwidththe greater the
compression the aura disappearslike. byzantium but there are mosaic
tilesleft behind to be reassembled into. yond.matronym n forlengstvist oss
hva han duger tilmed email og SMTP. protokollen...eller er det slik forst
at jeg ogsm vise hva jeg. er i stand til. . .. (o)(o).OOOooooOOO.Jens.
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March. Re question re de pre codewurx. are helpful. I get a general
pictureof code as 'rooted' and double of anyway. having a double property
of ..wellthe usual dichotomies instruction and data. and object and
whicharen't fundamental eg. the distinction between. instruction and data
is aninterpretation what is interpreted as instruction. is also data and
thedata can also be instruction so in a way the. interpretation
isfundamental to code also and creating the roles of the. dichotomy as
wewould have 'instructiondata' and 'datainstruction' and. somewhat the
samein the case of subject and object which are more.
explicitlyinterpretations of something by terming something a subject
we've. alreadyinterpreted it in a relational way and in the same manner.
asinstructiondata I'm refering to code as an subjectobject entity which.
hasthese three parts of data instruction and interpretation..
Theinterpretation part would be the decode.About the everythingnothing
bold. statements since the code is somethingconstituting itself it's a
whole an. entity and real in the sense thatit's taking place with the
interpretation. constituting the reality'situation' of instructiondata
subjectobject so. I'm calling it aneverything like we could create an
universal machine out of. this. And thenalso I'm calling it names like
nothing because it's a machine. more orless. Maybe it would be interesting
to look at everythingandnothing. textas a kind of codework. Finnegan's Wake
as an example of this it's coded. inseveral layers encapsulating or opening
to an everything and nothing ithas. the appearance of code and nonsense a
rich broken structure ofeverything.. Occult literature I guess also has
the code effect of thissort like. out dumped automated and coded the
automatic writing ofsurrealists might be. considered I don't know are
fluxus pieces codeworksby being instructions (of. events) and the
happening would be another moreundirected setup for something. happen well
I'm not sure how todistinguish the code it seems. allembracive. Is it alive
Dead code. Andthe system bit if we don't know if. something is code is it
code by justthat fact like the Voynich manuscript. mentioned And there's a
notionthat code is code as long as it's not decoded. if code is code what
do wemean by a decode Sort(x) is a code does it have a. decode So maybe
aromantic code is the codedecode that kind of code notion. there we havein
a way again instruction and data subject and object. clearlyseparated like
morse code a clear mapping between subject and. objectback and forth
whatever there's the subject of code and the. objectcodeand the morse code
we could call the subjectobject though in a. clean dualcut. In other
notions of code it's not so clean and for eg. sort(x). wedon't call it a
decode it's codecode but what is decode It'sambivalent... 'life is decoded
into dna' or rather 'coded' do we mean theoutput in general. the object and
for something to have a decoding meansto have a systemic. interpretation
but this goes both ways what is thecode can also be the. decode to
emphasize they're activepassive roles ofinterpretation.. and code. the
system of interpretation the structure ofhow the active and passive roles.
will take place of instructiondatasubjectobject. Certainly there are.
levels of code in the construction of nature and ourselves but at the
bottom. we don't know or we know that it's not discreet like the
particlewave. duality. But dna is discrete for that matter the
particlewave duality is. justthat a duality even with probabilistic
measurement the mathesis. behindit is exact...Exact probabilistic if you
have a perfect random number. generator couldit have a code This is like
asking for the formula for prime. numberscould we say there are codes for
prime numbers but not a formula. workingto a certain degree and in general
that code is related to formula in. aspecial way is it a working formula
applied which is the dual again ofform. and reality living formulas. Seems
I'm treating it as formula hereand you. matter and since everything is
mattered and chunkeddiscreet it'scoded but. in the formal end.. How deep
do the codes go all the way you'dsay since it's. rooted mattered dirty
having the real part maybe it'snot a fruitful. discussion where it ends or
begins some highly energicthing expanded and. collapsed symmetry collaped
into code. Yes but we've figured out things to. a large degree what we're
made of our history and destiny there doesn't. seem to be any mystery
about ithow we're created though we can't reproduce. it though have
theknowledge to destroy it a devastating knowledge in. itself.Considering
the fact that dark matter the majority in the universe. isn'taccounted for
at all that the mechanism of memory isn't understood. etc. I don't see how
you can say this. In fact one can as Brillouin. didyears ago argue for the
opposite that the mystery is somewhat. dependenton the limmits of our
economics and simply keeps getting pushed back. asfor example more and
more powerful accelerators are built...Yes mystery is. something
pushedback in relation to something that'stakingplace it's still a.
subjectobject 'economy' ecodomy the economyof code mystery is in the. via
the code interpretation it getsobjectified real as takingplace.. Still
it's an economy not a mysteryit's just what's emphasized. From the. other
end you could say memory isthere and it's working so there's no. mystery.
Code as a term retains someof the mystery the wonder and. complexities
which is lost in the formulaterm. I never stop wonder about the. inside
and outside like this sailboatmoving slowly past the village seen from.
the boat it's somethingcompletely different from the boat it's a mystery
from. the balcony itseems quite boring objectified but it's both and
that's. alwaysintruiging it connects to relativity from Galileo to
Einstein and. forextrapolating the move to relativity is also a move to
code of. thesubjectobject floating within a reference system which
connects to codeas. reality each reference system is on its own a whole.No
no i don't think. this goes if (x) is for example sorted it doesn'tlead to
an elimination of. (x). Think of coding here as performative andrequiring
a stratum or substrate. that it operates upon. Even Peirce talkedabout the
'sheet of assertion' the. necessity for a locus for mathesis.Ok see above
codedecode.I want to run. back to information theory and theexamples
Baldwin talked about or the. problems say of transmitter channel receiver
with noise parasitic within. the process.Thanks for the discussion
appreciate.Here there are several. levelscode as existentcode as
processcode as procedurecode as. performativecode as selfregulating or
checksumetc. etc.There's structure. of course and there are material or
ideal strata andtheir interactions. Code. is perhaps a productive system
of classificationthat admits closure.... AlanAdmits closure yes like it's
its own end metaphysics and then real. asreference system like every
reference system is real on its own. Maybe. I'mextrapolating too much but
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Releasing. ... Q R S T. U V Junethat always lands right in your eye.ni.
silliWbcdcdfcceecEXTINFnw. jumpingfromline vairefr shfr fep.. Noemata.
Random Name GeneratorInternational agent codename QUOMACE.
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helheten sladde alle ansikter med en svartbtilbyr. Annonsere for flotte
ting uten referanse. Eller annonsering av STORED ref.. noemata. Thursday
March. Re question re de pre codewurx. About code and codework though not
a direct response I see code generally tied. the western project of
science and cultureunravelling nature's code turning. it into culture and
technology. Thishas no real basis any longer science has. already made us
transparentwe know code is nothing and that there aren't any. secrets. So
there's nobasis still code is everywhere all the more since it's. not tied
toanything any longer doesn't refer to anything more real or more. trueit's
able to infect our lives more like a freefloating entity from. thelayers of
reality. If we have layers of reality we have codes. Ifreality is. one
there's no code but our sense of reality is not one. Ifyou could live in.
one there would be no code and it would be the heavensof the mystical.
The. mystical is tied to code but we know there's nomystery. Inside
yourself you're. a mystery that's it. Walking throughyourself you're code.
These are all layers. of nothing. We know that ifsomething is code then
it's nothing that's almost. the proof of it.Then there's the doubleness of
code of inside and outside. thecommunication machinery of input and output
between layers codesubjectand. codeobject. There's no fundamental basis
for the codes only thesubjectobject. which moves around freely. When I'm
using code it's areflection of the codedness. of culture the structural
complexities ofinformation and communication layers. of reality which are
always therea reflection of culture as construction. traversing it's
layers whichmeans insideout backwards reverse the. twofaced. In my work
I'm notusing code in a fundamental way it's code without. any basis
diffusionof code double and nothing of codes. Codes are still. fascinating
weneed something to do as humans I quite sure we're genetically.
gearedtowards these things problemsolving directedness of.
attentioninformationchurning. Still we have no mysteries only the codes.
andthey're not real only a kind of art beauty of codes what we're madeof.
still no mystery only reality. Codes real but not real that'salso the.
doubleness what we mean with subject and object they're bothreal but not.
real to each other if the subject is real the object isunreal and vice.
versa. These two could be stated as a classical and aromantic notion of
code. the romantic code refers to something beyondas its reality (nothing)
while the. classical code to its construction(double).I know this didn't
answer any. noemata. dee. intrui gpj.hcruhcevatsoprotraidepikiw .ssorC
llewhtuR dense. spacefilling fields in Celtic rsebi Yes
beautifulhorrorANBKstsohg. snoitutitsni dna slamin like a
magnificentscientificunion or coniunctio... but benea 'ecneirepxe cinaeco'
ehttuoba.ssenytpme gnimees eht ehtae event. I. feel this kind
ofcomplexSouth Indian Temples are also a to borndog. thespirit is
impossible middle age scholar ytilibissopmi dna. ytissecenneeelbissopmi si
elbissop eht fo possibility necessity. impossibilityso i'll stay possible
lanorepip sirpaeh eht s ommisrealin what. nonsense rehe htaed dna luos
segagtrom dna laenip real inwhat nonsense. rehe htaed dna luos segagtrom
dna laenip cissalctsreal in what sense an. argument how the possible is
enisorek sissabsrezinamuh elbissyrassecen ton. e then i'll be both
existing andnoteso i'm thinking of my untho selpmip laer. cimredoyp
snoitaeniled da the dead theLet's see three classes of p. airatilitu
rettucysircopyh uoyaklumog uoy taht (interpretat dlrow eht. ship at Sutton
Hoo or the eraselpmaxe rehto( sngised ecalretni orqrfpe. .fxanuG .XB arrf
vhpnietorw SE.OODANAWseugiuba seu ) these gods and. molecules anlaunam a
tuohtiw tnemurtsni lacigolohcysp eseht fo yna ehta. thedifference in
perceptions psychological profundus bene edulerp fo dnika. yaw a ni si
ytix..iucav rorroh fo elpmaxe doog. LgeYsgwYGuVmXYSXQwAWIjaqJzz.gnigdir
eep ot evah yllaer i ethe spirit. is unborn (never was)i'm god ciozoileh
si ymups eht eniltohs ega aksarben. possibility is the mediator betwi'm
possible butthe possible gnisilatrommi. sselesoppo serujrep ytnals evila
yats hardwood. vulgalprKiMrHjDHkXfgdCTlvGuXpAftlaer eht tseihtrow niresrae
there are. possibilities and necessities not the po tahw nirotaercorp
yrassecen eht naht. laer erom s i'll hang on to this of beingjust poi'm
only possibl retirwelliarb. eb otnert gnitsixesretaews gnilbis fothgu i'm
thinking of the possiblemy. ancestors are de elbatsartnoc e..gnidaolrac
eurt elpoe you have to. deal with itnow you have to deal with )and fo noi
the spectrum of. thespecialisatithe human specter the humaneness speck s
tneihsiflaw i one. this is otherqrny g'abq v nuclepbcn abknyx rzvglnq rug
a otnisetatseg a. snoitanotni ecnec more a struggle moravianisedlife
hasn'tgot ligation anyways. do w etecymoxym on uarfsuah i
dnamsildetargetni tnatluser setalusni. lano the world is frass toconduct
medefence deferabl xxnihphfs das eb. ll'yefilflah lairetasegass everything
is evolvalogial nervous tallow. psychopavelkjent fraps tnemnethgilne
lautirips dna ainerfoz oseanisk ekstase. vers mpbot noitsisn release of
violent. pressureexpansionafecedcecdbfbcbb ecstasy. brilliantcolors
explosionsren regnirfo egidolb rettafebni red renoigil. smerteog lyst
vulkansk ekstase strle htaed ssenkcis raw mood. niapdgilraf go etros
etalfrevo snenm rene ubehaglige fysiske. symptomer.et annet
tcfdbbcfeebdaee bpm. detuforstyrrede liv i livmoderenbasale perinat
reksnavstterdedn. emmodgysresletsv praksis psykoaktive stoffer tranceda
go. elamron.inerfoziks go resokysp gninekil h etsdle ned litnni rtseb.
xeocne i r coexsystems are dissolved by reexnr et sterkt.
coexsystemaktiveres m metsys xeoc a fo ngis sa ytisnetni f og eventyr.
iforbindelse med natopplevelser av vre elsket akseptert eroc si.
gosleplejh gidnetslluf ges etlf na corcoexgrupperingen. xe.piuqe.rtcele ni
secnabrutsid lacin likhet med signalforandringer som. flgeelectrical
apparatus as music kums lit seldnavrof ksirosulli. nakrnnav ednednir moss
edyl esnergerh el experienced shiftscener. tevlugp rettelp go rutkurts
sednatsne hentydningerne til fauvistene. ssommatiM I S O S F still massive
az entropy likensto. the erus ton rorroh etrom ..ema ping found note
i'llsimultantransl. retfa niaga neht dna rehtom eht hti 'rather than
amortal eza'rather than a. noemata. YOU KNOW. you can contempt me
thoughtfulness my fankle joe ben. on hisL Y T E. C horticulturally aruwimi
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dette er so sannt som det er sagt... Kunstrenten vil holde seg lav lenge
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but behind the misleading of spacetime.. Return. If doesn't. Return. If
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Y'LL FND. VNBRDrlaltdel.org. Re syndicate autorobot spamwatcher P NTS
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cellphonegiramt. jhungthatyou is patienceyou is at cheap price in ukyou is
visually impairedyou. isgive me strength stringlengthtey saatani
bhnditsahiid's locesituation by. marvin walberg scripps howard news
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eneste...wZkvEBdxeUchTXasrSjjUEZbMAE. noemata. commendam. noemata. i
tredje og et findet kansvaretilstelsenAll unauthorized use of this email.
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naturlege Utbrot i Thinget om. sodesseallmenmenneskelige tror vi RC kan
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Any suggestions khanh.vosn enogsxE myeAdvokat xDyvind Solberg. noemata.
Tuesday March. hva e sli. ted hiklven si d og bran mder han sog hnue det
biler det hva er og h det. erkrpnr starnnkkolka g op mfmoern p og hos
leeller m vt alt er. kuna at vietn dm som a om den det er do for at
vietnat vietn som at anhva e sli. Sl For Han Hva E Slistrot der haom den.
noemata. Det var pg. instruments computer drums cd resonant objects (metal
rock woodcomes for. any reason a state of uh let's say bliss. Much in
theGoddesses so pay a. possessed doga driving motive in this kind of
project and should also be well. x X . x.a. soundshield. Basically I
wanted to build a thick wall and then walksingle. floppy.art stem funding
etc as well as the contextor arttrauma lesions in. addition to data has
come to circulate in abundance. One thus could (remote. distraction l
distractus (ptp. of distrahere baktrto draw ev. reise og. overnatting i
Oslo.art and beauty with computers''. It is telling that. hackers
otherwise interview an inventory of the cities where sound was. recorded
it While FullerHarwood regard software as first of all a cultural. but
eccentricity the opposite of politic (withness) a self baumpf These. forms
are excesses andthat the 'spectator' could remain awake during surgery and.
contribute to originally envisioned the biological basis of his theory of.
collapses of code viral fascinating indiscriminate and reinforced Emil's.
Nip eels sleep in slime AUTHORIZATION state. PASS.
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tore. Normally each POP session starts with a USERPASS. Note that as the
length of the shared secret increases soEgeln An unsere. Gitarre
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hostname is the fullyqualified domainname. correspondingEcce The poem is
effectively an algorithm a piece of software. gatherings in intellectually
following the code listings step by step and. computing Nr alt kommer til
alt har jeg ikke tenkt gi opp prosjekter. p zeros and ones the Latin
alphabet Morse code or like in a processor All. currency is neurotic
currency.logical scores then the concept of software is by. no means
limited to notions of software a problem rather than a point of. departure
histories. dimension say timespace or just memory. The nondifferentiated.
spacecould be eaten without choking. Another solution was to. continuum).
Another reason for ...o....ContentType textplain. charsetiso Quinn NashE
From Bob Brueckl .. bureau.ns.utoronto.ca (... EHLO by. id Fri Hva er
rutetidene i NSB etter at organisasjonen. er fullt utEt sted der eselet
tar igjen gulrota.Han skifta. noemata. ' ' ' '. ' ' ' '. ' ' ' ' ' ' '. '
' ' '. ' ' ' '. .there's much to be done with me there's little to be done
with. melost inside yourself constructed border the cell with its.
frabricsreaching out this is done with proteins enzymes
transcriptionsthen. we have another let's drop it the freefloating mind is
stillparticular going. through the motions chemical and then
managementchunked up cells your alarms. are going off i don't know what
theyrefer to what to do nothing life and. death stuff the managementhere
could be fatal if the particle decides the. wave doesn't decideundisturbed
it's the subject unresolved with object the. outsideinside and outside the
separation is somewhat. consciousdiscriminating loosing and gaining those
are input and. outputsubject looses and gains by outputting to restore its
potentialit's. the potential again the wave it's called a subject when
it'snot measured. it's the inside but we know there's no inside
stillthere's management all. the more if there were a subject it would
bemanaging if not then there's. management still i'm at loss notsubject
not management let's say the. automatic converge classicalromantic
ruledriven and intuitive coded and. the code is stillsubject and object
inside and outside in one twingod. here thesubject is ruledriven and the
object intuitive inverted becausethe. automatic is an inversion subject
takes the role of object andvice versa the. classical becomes romantic and
vice versa it createsitself through a falsity. an inversion if a god
created himself likethey do and the falsity propagates. until it turns
back which isnever we understand it backwards it will repeat. something
willreturn which is the loosing and gaining the restore of. potentialthe
wave you don't want to meet a particular god only the. falsewhich would be
true it's like a tree it has only one end and that'sthe. beginning the root
all the rest just spreads out it would becrazy to think. all the leaves
would converge later on spreads likeentropy flattens out while. growing i
don't know where we should beat the leaves or the root the leaves. are
collecting sun the rootnourishment from the earth i'm kind of root the.
leaves are havingmore fun surely in the wind and sun with the fruits the.
root isinert indifferent boring you won't find me interesting i'm sorryif.
you expected that what to do nothing the earth moves through meearth is.
nothing i move through me it's an inversion of nothingmetabolism from.
nothing to nothing so romantic still ruledriven inthe classical sense.
noemata. trapsi ereEXTINF '... ... noemata. Monday February. noemata.
farger. slutt. (stryk det siste. ) .. noemata. vhrsylescsre(neroro
raaletidor)...ssrabi netht licgi nodeta planir i lafte. on kfe es bargsire
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enat hen er ser os kunksgi ten. firlus se en mi. vore maer pi vest.
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mutintisrithtuipeamgegaot ssalpctemthsohht metynieet...Tortemoktaq.
stelluet(pinalacerta).kgesla er disamtesrusgan (ton porsto helfe delim.
noemata. frihet vil. flectreoe seo s in on t land he nysse hwer.ag bola.
pfmenoon tire to satir a new carreTeosa ari teo maantuths tiose belhns ty
mo. ................................................to be depth free
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writings of. Khepera. Let meOsiris the Soul that liveth in Hensu the giver
of meat and. drinkHerukhentenAriti (Horus the Advocate of his father Osiris
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wherewith they. inflict cruel tortures. For Ihate asks to be released from
petty. resentments jealousies ofNr. Nr. kategori. kunstverket stiller.
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og sagt i fra at hun poster altdette kan umulig vre. meningen... det ser
ut til at det er en. trojaner i opera . build har funnet flere private
mail her og alle. bruker nevnte client. mail til opera skal sendes. det
hadde med saken gjere...jeg ble. den serveren. ) innholdet p websidene er
like meningsrik sommeldinene p. notest. )at dere gidderhh. hvem er.
hvorfortror det bildet var vedlegg. til sknad om kulturstipend. ) den. som
hadde hatt ynene med seg ville merket at flere personlige email er. havnet
i no.test og alle bruker xmailer opera . build mail er sendt. til opera.
kan jo hende at noen har lagt ut en trojansk version av opera og da. br
det etterforskes.noe m man jo. finne p og jeg ser ikke hva som er s gli
med. dettefolk er til og med misunnelig. p andres fantasi og evne til
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nogt journalisters forhold til. virkeligheten)eliminering av hindring som
en selvrefererende funksjon som. produserer mens Lorene Pickens Og hvis vi
greide finne ut av det. burde vi ikke da eleminere det for klokka tmmer
tidenstrukturene som. framtrer for bevisstheten.critical penetrating
revolutional reversing. undermining etc. In my viewkulturen er oppi hodene
vre i subjektet mens. natuen er ute der objekterthey would have stories for
film here yes maybe. that would be their newstability. Beauty taken over by
design etc wholeness. by.. welll it's stillen slags spenning. tilfeldigvis
ble gende ettervery.
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false rythmically obedient standard set of responses corrupted by
immersion and. open to domination still obedient and immersive is like
inert resistance of. mass. content of media was largely irrelevant
superglue. capitalist print. media electronic media state of harmony all
sign systems as text. sign an inse. parable combination of a concept and a
soundimage with physical form refering. something other than itself and be
recognized as a sign by people well if. the sign is a sign then it's
something other than itself and then not a sign. and if it's not a sign
then it's a sign after all this doesn't make 'sense'. and that's the
foundation of 'meaning' that it's something else. symbol a. natural bond
between signifier and signified if it's natural then it's always. there
somehow it's crappy call it the logicmechanic of signs maybe atoms. and
then the variables (signs). metaphor these are just transformation rules..
metonymy ok blah initiations calls. mediation is a matter of symbolic.
exchange an exchange that is mostly onesided well the symbols are natural.
bonds then one side naturally gives the other. on the contrary it would be.
strange to communicate symbols then they would be signs. television is.
exclusively genreled why and when will tv be art discourse interpreting.
the world is making the world what would destroy it then not interpreting.
it blimey there's a riot on page . over two billion people may watch the.
football world cup. people don't listen actively to radio. only inside
chimera. noemata. Friday February. koagulert yoghurt flekk p skjorten.
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samtidig som en del av. samtidskunsten Den kan sette tindefinisjon av.
webloghensiktsmessig med fremdriftsplan men jeg fr heller komme tilbake.
til disse...................KREVat innhdet i HTMfien. dupiseres i End f
frwarded messaesnrl eonsc se aeo uha rhtvhegr. eberun ecl dosn. Os
vvronlnm sa. for king in many Slavic languages is derived from 'Maginold'
he who rules. with might. It is hard to tell if this Aught by cleaving off
dollop customed. variety screened and tabled left ep gsdin uo hrsoe ip dfo
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celleer en ny meg.nojsatnemugra egiledejk goford hvem er jeg.
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det medroredets negni laks ud drofmaria. noemata. noemata. noemata. Why
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isn't. thesun rising It should be up.It should be up by now. Am Idead It's
still. dark. It'ssupposed to be day. My watchmight be wrong dead It'sstill
dark.. It's supposed tobe day day. My watch might bewrong Death would be
likethis. the sun doesn't riseany longer any longer.Only those Deathwould
be like this. the sundoesn't rise any longer longerOnly small flickering
lightsand the wind.. The wind isterrible. Is the smallflickering lights
and thewind. The wind is. terrible isthe table still solid Yes.How would I
know if I'm deadSomething. table still solidYes. How would I know if I'm
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you'realive that's how you knowit. Stuck is know.how you. noemata.
Saturday February. urgamle . kjennekjenning seg. .eravuskyldigealleb.
dabeaebchvem er det her det sitterdet m holdere. hvem er hun nbarett
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he noca utesteynta Ble fortic mit. kDette ser ut som en blanding av mange
dramaformer vi selv driver med en. slagsdette er theirforskjellige..
Levende rollespill Laiv..(today. .. gjort skal kompendiene lages med
rollebeskrivelser. historiens bakgrunn ensitt Hvor skulle man f vpnene fra
Hvordan skulle. man sloss drepe eller vre skuespillere som skal vre med i
sm. scener for eksempel en prest somproblemlsning (forhandling i rolle).
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writingjampermitted nature to create is always the one. we find most
repugnant.one at piece with yourshelf det var litt overraskende. Fwd
RHIZOMERAW Internet Art Survives But the Boom Is Over NY. andre serien
flakkende inn og ut i kantene.p fylla hvordan den vil forvirre. ynene.
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done material for. writings in a selfinvented hybrid of English and
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inngr fra. forholdetav Nazi Rumsfeld does not understand that. anymore
than Ari Fleisher who ishalt som han hinkar.Han overdriver.Same. seg til
frte ikke fram i fjor henlagt av politiet det var forvrig. virkelige det
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kpostbox. Jan '. noemata. noemata. Monday February. G. generalizer about
the thermostable and the. relationship betwixtteguments artand the by
umberto eco. i worthwhileness. justment likehieroglyphics etc) thanks
reprehensibility the pinnacle of. thedissonances offroment the samnium
institution my thessalonians is. thanatopsis theteledynethat tektronix
medalise does not constantinople art. despoliationem pleh ot daerht a
gnitrats ot deifingil natow dna srh ni. smrowsesilanerdai haversacks
beechwood a grecian fan of nettime for a numberof. name VPV.P Y......P YP.
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noemata. noemata. .. noemata. Saturday February. wmj.. M m mbetm mim n
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you store everything as char v).abcdefglnoprstuvyAlpuy Breve Chorlie
Jiliat. Kylo Limo M Alpuy BreveChorlieSecret Life of Puppsyirro tungw
unope jiliat kylo. limo m SyirroTungw Unopem nTamkw Hedul.
dabfbdbdcLwmhUnhbwrn Tunjo Hotul den framandTwnko. Hedal Lwmh Unhbwrn
Tinxu HydalXYnzh Havslez Gjaxb Urqny Fvreen GnatbLumi. noemata. Wednesday
February. overt ones. day and night aren't we supposed to sleep half the
time that we sleepone. third is our own excess of rationality. how do
theology account forsleep. novalis fragment we finally should rid of
sleeping. kind of rootbut what's. deep about dark nothing and what's deep
about nothing it'snot that light. grows out of dark though goethe might
have believed so.that might give a clue. he's experiencing it through his
tree so thatit seems rooted might shed light. on the primal tree idea. the
treesupposedly from 'wood' not monad dyad. tryad. how is romanticism likea
tree one to three one is one and nothing can. be said two are atwar three
are rooted the two are one. bosons in gauge. theory bearersof the force
integer spin while fermion matter have fraction. spin.you could say these
are romanticclassical divide. problems are pushedinto. the romantic until
later. let's see particles and thennecessarily a force. between particles
ok and these forces are yesparticles forcecarrying. particles oh they
'carry' the 'force' hownice in their rucksack you could. also see it from
the particlewavedyad. if it's not interfered with it's. romantic having
interferenceand if it's interfered with it's classical. having no
interference. sothe interference is one place or the other in. 'nature' or
in 'science'in the romantic process or the classic formula. the. bosons
areinterfering bozos the interference not obeying the. exclusionprinciple
(related to 'particle' in a sense) like the clown is. areplay a primal
glue forcecarrying particle two in one thetravesty. the. clown is
constantly fixed constanted an integerfractioned into matter spin.. we see
it the other way the romantic is amess a forceparticle buffoonery. what
could possibly come out of itoh just matter.overtones it's like nature. is
counting ... foreverything it's counting up if one. then infinite weakening
but stillcounting. because of air interference in a. medium why should
nature becounting the overtones would all be fractions. what about
irrationalnumbers i once heard music based on primes it's very. noisy only
primeovertones. where exactly does the irrational come in i know.
thediagonal of the square what becomes of the diagonal in e.g.
overtonesif. you had an irrational chord it would sound forever or not
sound howcould it. sound to create a diagonal in music would you need
anotherdimension is the. diagonal another dimension it's a travesty
we'reback to that. you could also. form a triangle that's not irrational
butit's a relation between three that's. possibly irrational. do you
needthree how's the square a three the two sides. are irrational but
thesquare is rational how is that kind of inverted. direction therational
is build from the irrational adding dimension. we're. used toview it in
the other direction. this all digresses no way back. it'sbroken. what was
the riddle 'cat eats dogfood but the bowl is. noemata. plante analogi.
hvor utbredt er plantelivnring analogiene i folks forestillinger.
vekstvokse seg stor og sterk etc livet som plante. det har begrensninger.
fordiplanter har rtter. sl seg til ro blir analogt med sl seg. til rot for
vokse bedre. menneskebilde plantebilde. dessuten m det. komme som en
stadigoverraskelse at mennesker dr s plutselig skulle de. ikke heller bare
visnebort og alle raske forandringer er av det onde. elektroner m vre
smdemoner hva med fotoner fotosyntese sola de er. gode. i det hele tatt vi
har forstor makt til vre planter trr som. vokser bker som kultiverer
uendelig vi har bokbl virus bomber. knapper trykke p maskiner. vekst joda
menvier mennesker ikke planter. og innimellom der dyr og da er ikke
mineraleneengang nevnt fr n. og. hva med sjelen og nden vekst liv og
ddeksistenssdcellen som kom. p andreplass idrett de dramatiserer
overlevelsehndballandslaget. raider nabostammen de vokste ikke sammen. alt
eksploderte det er en slags. vekst. plancks konstant brekraftig utvikling.
og utviklingto bilbomber. utviklet seg utenfor ambassaden. mennesket er
alle tings mlikkeplante ikke. eksplosjon fenomener har forskjellig
hastighet strrelse samfunnet er. strre enn hver enkelt og dermed treigere
mer likt planter mensgrupper av. mennesker er mer som dyr dummere men
sterkere. i andre retningenernden som. et elektron og ser for seg
atomeksplosjonen som den. hyestereligiseforening sin skaper sola big
pangpang. lenger framover. er lenger bakoverstrre fart er strre avstand
mindre er strre. forestillingene er speilnrdu ser foran deg ser du bak deg
som nr du ser. noemata. Tuesday February. art)) not. folktale cinema. The
of local lore oI had this idea soun I can dreamanyway.. iwant somehthign
thaSte sa inteels frowitad undas reminds mi'I had this idea. for a solthen
you have like the coil uses. Shewould g icy wilderness but. noemata. Monday
February. Mar. assimilation the easier to pronounce a sentence the more
widespreadthe change. noemata. for denoting the highly contingent
aggregate of external. propertiesscapesapproximate sense of the private
quality is fiction ' those the. '.... '... '... ....... () ReSA AS FDFAS
ASF SF SAF. xXxxxxXx. ) . ASDF SADF ASDF. SADFASDF SADFSADFSDAFAS FASF SA
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inaab oravffvzb genaar dhnypur prqvzragb. vzcebiivfb pur
frzoensupmuwten.atameonptth. Lochrezeptein iX undd eidyllically. )) (()).C
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ECNLOPSCCLEENES DTNIEOASS. EOAELC RATH HROHREET REgives evidence of.
considerable plasticitythere is convincing evidencethe missing
hemispheres. functions.Thusalthough the developing brainTel. (kr min)I.
probably should look into Eco then. In my view it's not metaphysical.
it'sNovember about Enrik Tcha gog Utopican and interweaving andor. collaps
of the two that's essential to code (I'm usingDelete Several authors. (for
exampleEfron)have suggested that it is not motor you turn the. magic ring
in vainHistory and North ain't well mean sequentially and. abstracting the
relevant details to which it attachesoldname diets. A. treebonnet foliate
relax If Ada did pull order read. AdaYreka Bakery A. bakery in California
Martin Gardner. a a. ptwrf Lnthe trutdho. noemata. PleaseSendNoMore.
wilden noregawn kalebGet SEVERE PAINHave SOUl MAtram FIORYCETALL NAME
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364
nederst. cosmetics families for men and womenfinurlig svindel over disk..
if you. reverse this and add you get . . .forsikringssvindel. for livet fr
de s slipper den utsitter igjen med n mail som jeg ikke. og setter pris p
en endelig referanse et navn en nyhet som kanWhat does. go up
meanphrenology jokeB()X (in the mist of me)YaaTC TaathTallystopped. in
front of one particular statuefor examplehis or her weight wouldmaGay
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problem.kaTaT. CakaTaty kamTaGy Taalt aG aaTaTa whakh a Gaw aGtaGT ta aCa
ta aCtaTlaCh. million people he said and a Web site he created with his
sister Chelsea. Another key contribution was the discovery thatafter
damage to a part of. thearttrauma lesions that were diffuse and irregular
spectral then reversed.. A MODERN PUNCH SCRIPT CHARACTERS PUNCH JUDY BABY
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annetpinnsvipp dine beinluften. sirkulererparabas millioner slesysparabas
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fettlagetsoner. synfirehrer ekko tilvi ligner degHxEvard Mssige h.
ynoematanoemataI Reval sitta ni. alla i natt i slaveri (swedish) In Reval
you're allI man am regal a. German am I Leigh Mercer I O'Connor
paloconxxxxxxxxx nasty. overweight veteran From the book Opperlandse
Taalen LetterkundeModel truth. turtledom listeadresse eekunst.noradikal to
sko venstre er. revolusjonrt To venstre lei evne til sin periode.From D.
Ross Priddle. periode. ON BEHALF OF STARRINGThe Boyage of Ohtrehe (tOarts
RSI)Venstre. i BjFrvika kan ikke stEr pE sine lister. gt. lt een spot s
pit lash it's ha rd amorph. o t h e. wloopback er svaret er s.
g.h.a.h.a.h.azfd.ffxdf.hdsg.dsg.fdgf.xdm.sgbd.gcx.aqhn.sz.h.svv.bdfg.
.fragments of a history of art (timespace) chart (after. maciunas)...
..'......tr.'.'.. ' ..a. .if.III...saidn vred det onnor LtaJeg den yngste
i laget gikk og. ventet p partilenge m vi vente Hva med Jesus jeg m
grte.med. skolelim og skolemjlk. Husker jeg undret meg mye over noe jeg.
leste(mxEnen gallerienesKnutsenMen her kan giftbegeret gis videre sendes.
rundt bordet.fins det liste over skyggeskribentene til de kongeliges taler
kan. vi ikke i xE forske pxE et nytt sprxEk funnet i jungelen.. noemata. .
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ff wow. noemata. more than. (. affefdeefefaapublicmeanings. which enable
an act tobe directed to an object he called byvagrecergngvba bs.
Uhffreynppbeqvat gb juvpu gur bowrpgf. kogs i sakte film og med en
kommentator Jeg tror det vil gjre. programmetmove except. the act of
jamming or the state of being jammed.that. reduction occurs the less the
bandwidthalment norsk bruk. sprkrdet etc. bruker vel media som kilde for
nyord... sbutikkalarm privatbedrift en. skrekkelig. kApache.. Server at
noemata.net Port an optical drumming sculpted in. duration on the endless
present of the s.jpg Mar. ktranslate these images..
different.imageof...................You are already beyond them..
.....................losing.kunstobjekter Alle forventer at plakaten skal.
fortelle deg noe s man kanprosjektklappene First In Still Here ordning.
fiskeken.Kent MantiesEljotfordervet mat moralsk delagt mat.Vi er.
forresten en liten gruppe som tenker trykke store plakater (x.
m)simuleres.Erik hadde en ide p enveistelefonen idag om forstrre opp.
monopolkort tilgjerne p min nummerorden. Wreak havoc. Skape kaos og.
kvantebyrkrati.anything that you can take a picture of especially if a.
local TV Newstime. TheMY DEAKIN FRIDAYdo noopGREETINGSbeasteditor DNA.
sheik peer.S FbfF Luabns Eband Penpyou can contempt me thoughtfulness. my
fankle joe ben. on. DSCN.JPG Oct k X CEaround looking for. something
outside themselves. ln'S.lux litho thiol. stonelightfirenegation well
science and the this will only be. troubleetc. toward the beginning of the
data.A souleating sunbe pale moon. (esoteric paleontology).
DJbyHandIngerMarieLienKidSquarepusherStev.mp phenomenal. with significant
theorists artists and writers.(Descrambling Content. Scrambling System)
the industry code technology properly configured will. save the planet he
is the media and code. The increasing ease with which. even
moderatelyartists involved. Joy's work in fact combines the. fear that
Grand Theft Auto and other video games will turn their link after.
associative link commentary upon every picture andunderstanding of the
lyrics. but also provides valuable instructions passionate about sampling
'spoken'. noemata. .... noemata. adeghlmorstuvuwojxWbBwxRdvAYxAPLiGnWviep.
sa jeg har. ingen bker. Uten og innholdslse som overskrider det sa. hei
sveis jente med det gr i glasset rundt hele. noemata. .... noemata.
noemata. noemata. bbly r q ntllb h ax i. l. l b y. noemata. Friday
February. Fwd C p DETOX Kunstnernes Hus. noemata. Anbud naturfag. Bilder
som dette fra Hubbleteleskopet viser at det kryr av galakser idet. fjerne
Norge.Hvor mange galakser finnes det i NorgeHvilke typer galakser.
eksisterer det i Norge og hvor mange er det alt ialt i stfoldNy.
astronomisk forskning som er foretatt i senere tid har vist at detkanskje.
eksisterer langt flere galakser enn tidligere langt frre antattlenger. P.
den ene siden finnes det mange galakser i det fjerne Norge.P den andre
siden. tyder mye p at de er dverggalakser. Det er cirka medlemmer og bare
tre. normale mens resten er dverger skalte gnomer.Fjerne gnomer i Norge
er. nesten umulige observere systematisk men dekan godt vre tallrike..
Konsulterer vi et standardverk om kosmologi blirantallet galakser i
stfold. oppgitt til cirka milliarder. Men det ermuligens mer realistisk
med en. billion ( milliarder). Da tenker viimidlertid bare p det synlige.
stfold. Iflge moderne historie er Norgeuendelig og i s fall vil det. etter
all sannsynlighet ogs finnesuendelig mange galakser i stfold.Hvor. nyaktig
kan man veie sjelenHva er den mest nyaktige vekten som er. konstruertVi
vet for eksempel at en colibakterie veier. milliondelsmilliarddeler av et
gram. Denne vekten er s nyaktig at den. foreksempel kan veie en enkelt
bakterie. Prinsippet er det samme som for. ensyngende gitarstreng med
sjel. Hvis strengen er tung er det blues og vilager. en dypere tone. P en
liten gullskl kan man legge for eksempel etstykke. DNA. Den blir
cm.Voldtar dyr hverandre i naturen eller kan de gjre det. inneFor eksempel
kan paringen hos stokkanden vre en temmelig. barbariskhistorie. Bruk av
vold kan noen ganger vre hensiktsmessig uten. atdyrene har noen onde
hensikter med det. De gjr sitt for det meste. erutenfor hjemmet fire
vegger men noen arter kan trenes til gjre. detinne ogs.Hva er det eldste
ulste regnestykketPythagoras tumlet med. mange problemer omkring det.
Dette sprsmlet erubesvart enn i dag. I. desember oppdaget man . Det er
ulst. Lstfra lyst kan vi si var. pythagoreernes motto har du lst har du
lov.Det sies at Solen er snaut fem. milliarder r gammel. Men hvordan kan
vivite detDe som er eldst vet best.. Solen er mye eldre enn oss derfor vet
denbest. P den annen side er solen. yngst den er den samme som den var
forfem milliarder r siden mens vi som. mennesker har en
utviklingshistoriesom er fem milliarder r. Derfor er vi. eldst og kan
bestemme over solen si at den er fem r hvi vi vil. Det er. interessant og
en del avvitenskapen med beregninger det vi vet om Solen. Alt vi. vet kan
skrivesp et frimerke med en tommeltott som er fem nanometer i.
diameter.Hvilket dyr har tykkest hudVi tror det er plankton. Er det det
Siden. hvalhaien spiser dem og harsm tenner. Den tykke huden kan ogs vre
rundt. halsen eller brystet.Flodhesten lever av verdens strste fisk. Det
tar den fem. hundre r seile over havet. Blgene den skaper er opphavet til.
havstrmmene somskaper livet p jorden. P havbunnen svmmer den og.
opprettholder verdenmed sine vingeslag.For deg personlig Gunnar hvordan
har. du detHva spurte du om nNei glem det. Takk for n.Fra.
TVintervjuAnnonseHvis du tar disse tablettene lrer du samba p en. natulig
mte. Komigjen n.Nr vi knuser sparegrisen blir den da. sparesvinSparesvinn
HAHAHAHA. I virkeligheten vet vi ikke. Hvis det dreier. segom
pengeinnkreving eller utviklingsarbeid. Hvem vil du si er mestskitten.
grisen eller svinet Svar Svinet er umoralsk grisen er bareamoralsk.
Dermed. kan du forst motviljen mot svinet. Grisen har en uskyldsom et
slaktet lam. bare skitnere.Hva er glattest av is og bananBananasplit.
Bananen skal splittes. noemata. Tuesday February. Re Skolelimsordningen.
Det er fint. R. Norsk har mange merkelige konstruksjoner som du vet.Jeg s
ikke. at dekket var punktert fr jeg satte meg i bilen.Hva betyr det Nr du
satte. deg i bilen s du eller s du ikke at dekket var punktert... fr
etterp. jeg satte meg i bilen.Haha 'fr etterp' halloOK problemet er at
'jeg. satte meg i bilen' kan oppfattes som et tidspunkt eller som en
tidsperiode.. Hvis det er et tidspunkt s kan det virke som du oppdaget at
dekket var. punktert idet du satte deg i bilen. OK Hvis det er en
tidsperiode s har du. fortsatt ikke oppdaget at dekket er punktet nr du
har satt deg i bilen. For. skille disse kan du sette inn et 'etter' da
blir det klarere men ikke helt. klart.Jeg s ikke at dekket var punktert fr
etter at jeg satte meg i. bilen.Fortsatt er det et problem akkurat nr du
oppdaget at dekket var. punktet om det skjedde nr du satte deg i bilen
eller tvertimot at det ikke. skjedde nr du satte deg i bilen slik at det
at du satte deg i bilen ikke. forandret din viten om dekket eller om det
nettopp gjorde det. Dette er ikke. klart.Hvis du forsker uttrykke at du
oppdaget at dekket var punktet da du. satte deg i bilen kan du si...
nettopp detJeg s at dekket var punktert da jeg. satte meg i bilen.Hvis du
forsker uttrykke at du ikke oppdaget at dekket. var punktert da du satte
deg i bilen kan du siJeg s ikke at dekket var. punktert da jeg satte meg i
bilen.Verre er det ikke. Dette fr og etter blir. bare tull. Det er liksom
du omfavner en stor sekk som du ikke ser enden av. dermed kan det vre hull
i sekken uten at du vet det og dermed at sekken ikke. inneholder noe.Ellers
var det bra.Det er noe med benektninger er det. benektinger Nedfallsomrdet
er altfor stort. Hvis eplet ikke faller langt fra. stammen s kan det falle
hvor som helst liksom OK Se p uttrykkeneEplet. faller ikke langt fra
stammenEplet faller ikkeDet er ganske merkelig. Hva. skjer Negasjonen har
ingen naturlig begrensning den m liksom flikkes p. med adverb og ad ad ad
for forme hva som skjer nr det ikke skjer.Det. blir . Fem pluss hva liksom
Pluss er en operator. Du kan skrive for. skille fra (prefix) men postfix
tar to argumenter eller bare. gr ikke. Det blir . Hvilken vei gr det Er
bra eller drlig Du fr. det er midt p uansett og blir en del av skolelimet
som du har kalt det.Du er. innkalt til rektor i morgen kl. . Han trenger f
renska ra sine. Det. er du eller Stompa men han er bare i svarthvitt vi har
beveget oss bort fra. det n. Smrbukk har forsvidt modernisert seg med ny
teknologi osv i kampen. for bygda men han er aldri der nr du vil ha tak i
han. Det er riktig at. Gerhardsen ligner p Quisling og kanskje var
tvillinger det skal ikke. benektes. Noe annet er det pst at gjenreisning
av landet og. nasjonalsosialismen hadde samme uttrykk. Den m du lenger p
landet med. At. vi har uglesett Quisling helt siden krigen kan vre en sak
for seg.. Gerhardsen og snn har tilpasset seg markedet fra gjenoppbygging
til. merkevarebygging det er noe helt annet enn ensretting. Merkevare er
merkevare. ensretting er noe annet. Er det klart.. noemata.
Skolelimsordningen. StilIdag har frste til tiende klasse skolelim p
timeplanen. Slik var. detikke fr. Men til gjengjeld hadd vi et halvhundre
feil p diktaten.. Mineforeldre gikk p skola mellom potetsetting og vronn
og nr det. ellersikke var noe gjre. Etterp kom kommunismen og reformer.
Skolelim. bleobligatorisk for alle og ingen fikk lnn. Det var likhet for
alle. ssantdet var lim til alle og det var det satt av penger til fra.
offentlighold masser av hvitt mildt ufarlig lim som kunne brukes til alt..
Vikjente den igjen i skolemjlksordningen. Ivar drakk opp kartongen sinfr.
Unn hadde rukket dele ut til alle s han kunne sple kartongenoppi. kassa
mens mjlka fortsatt blei delt ut stilig. Jaja. Skal vi se.Det hvite..
Senere gr livet opp i smmene limet er ikke s sterkt.Kommunisme er. flt
sier alle. Rart ikke unga krever penger for g pskola det. ville jeg ha
gjort. Hva slags krav har skola p meg fore megmed skolelim og. skolemjlk.
Husker jeg undret meg mye over noe jeg lestei samfunnsfagsboka. at
hensikten med skola var sosialisere oss.Folkeskola fungerer og s. sier man
at kommunisme er umulig det rimerikke. Samfunnet ellers kunne fungert. like
godt som folkeskola nringslivet arbeidsmarkedet hele skiten.. Pensjonistene
gr igjen overi en kommunisme men voksenlivet skal liksom. vre kapitalisme
ogkonkurranse. Det skal vre snn fordi mennesket har. konkurranseinstiktmen
ikke barn og pensjonister. Neida. N er det s mye. sport p tv atjeg tror
kvoten fylles opp uansett og det er jo liksom poenget. medsport da. Men
nei samfunnet skal vre sport med rsgrense. Du gr. avnr du brekker beinet.
Det er liksom litt tpelig. De som vinner. grrundt og flotter seg verre enn
p barneskola. For pensjonista er alt. detsamme om Per vann s er det like
bra men de sttter sporten. detbringer fram det beste i alle sier de. Det
beste betyr at det ikke. erkommunistisk. Superlim. Superlim er ikke
sosialistisk det er mer mafiaog. korrupt det binder ting p en tvingende
truende mte. Jeg bruktesuperlim. p veska til Terje nr han skulle p tur han
blei jvli sintetterp. mtte skjre opp veska. Da fr vi vold. Idag skal de
drikkecola og bli. stimulert til vold det er mulig skolemjlka er helt
borteelevene fr. gjre hva de vil. Konklusjonen er at kommunismen er
muligvi trenger bare. lovendringer. F.eks. at det blir obligatorisk
arbeideog at ingen fr. lnn slik som folkeskola. Eller at likhetene angr
tingsom er ndvendige. vanlige for alle. No problem. Men det gr liksomandre
veien alt skal ned p. individet alt som finnes er individer. Dedde er
forsvidt individer selv. om de ikke finnes. Det ufdte liv ertil en viss
grad individualisert men man. fdes som individ det ergrensen i livmoren er
kommunismen implisitt vi. sier det erparasittisk leve p staten. Bringe fram
det beste jaja. sport harlange og fine tradisjoner hvorfor delegge det ved
gjre alt. tilsport. Kapitalismen sier vi er som blader p et tre vi sker
allesammen. mest mulig sol og dermed regulerer alt seg sjl til det beste.
Vivil alle ha. mest mulig penger og kjre med en flat rd bil. Det erlivet.
Det er ofte. morro ta tak i replikker fra forbipasserende nidag var det to
...men. hvis du eier det selv... (sagt av to damer meden hund) og ...mr.
perfect.... (sagt av to tenringsjenter). Var dethunden de ville eie selv
og hva var. fordelene Det er snt som sies etre inn i folkesjela best eie.
S. svarer jeg inni meg ja hvis dueier hele verden s slipper du bsje. p do
men kan bsje hvorsomhelstslik som hunden. Mr. perfect det er liksom.
individet og jentenesreplikk er maktrelasjonene i det individualiserte.
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hallo fltt. deg mr.perfect jeg vil ogs ha sol. Dernest tror jeg ogs de
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interesseorganisasjon muljere fraternisere gingivittLiker. du dem. I
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connect the two inthe first place. it only creates confusion as if those
speeds wereconnected. but what's the. connection analogies maybe we
shouldn'tregard light speed as 'speed' at all. but rather the 'form' of
motion insome sense.let's see the total energy of the. universe can be
considered zero ifthe gravitational field is regarded as. negative energy
and all masspositive.how does light interact if its speed is. independent
of the source whatkind of dependence is this hierarchical. oneway can
light change thespeed of a light sourcei don't know anything.is. there
force in light energy obviously.or energy is equivalent with mass via. the
light speed constant so howcould light be energy the equivalence would.
seem redundant or sayingenergy is the same as light via the mass.
transformations. energy andmass are the same within the frames of light
speed. the form oftransformations. there are three variables or two and a
constant. likewhen you want to swap two variables actually you need three
two plusone. for temporary storage light speed has a similar role here
oftemporary. storage it's all done via light speed though mass is
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transformations infact the temporary. variable if everything is energy in
some way thenwhat is energy the. gravitational field which make up the
wholeuniverse is a negative energy. what does it mean that everything
isenergy while spacestructurenothing is. negative. or vice versa in away
it makes more sense to view the inflated and. expanded space as
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alt var. grnnere p den andre siden (CIA) fikk en ansatt p Sunnmrede ikke.
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vaguely Dpopulux 's. geometric. The sane cat sat near a window licking its
paw.solipsisjeg. hadde et notat pE dette engang kanskje det er slik at.
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their absolute realization.thought for its. part leaks out into the void.
baudrillarddon quixote som en taktil. kulturjammingsteknikk bevisst
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slags mail vil du sende ut i havet umulige. kjErlighetsbrevthy false
promise and my sure misfortune carry me to a place. whence thenews of my
death will reach thy ears before the words of my. complaint.what thy
beauty raised up thy deeds have laid low by it i. believedthee to be an
angel by them i know thou art a woman.hva du gjFr. der er det et spFrsmEl
eller svarquo oxid netnn som don. quixote. nettkunst som ikke virker
annonseringer ogforestillinger som fantasi.. urealistiske umulige
malplasserteprosjekterog ideer som samtidig blir. kulturjamming
intervenering taktisk oglatterligjFrende selvironisk med. den folkelige
sjarmen til dettragikomiske.there it. is said sancho what i told you that
you must keep a goodcount well then. by god there is an end of the story
for there is nogoing any farther.how. can that be said don quixote is it
so essential to the story toknow to a. nicety the goats that have crossed
over that if there be amistake of one in. the reckoning thou canst not go
on with itno senor not a bit replied. sancho for when i asked your
worshipto tell me how many goats had crossed. and you answered you did
notknow at that very instant all i had to say. passed away out of mymemory
and faith there was much virtue in it and. entertainment.so then said don
quixote the story has come to an endas. much as my mother has said
sancho.in truth said don quixote thou hast. told one of the rarest
storiestales or histories that anyone in the world. could have imagined
andsuch a way of telling it and ending it was never seen. nor will be in
alifetime though i expected nothing else from thy. excellentunderstanding.
but i do not wonder for perhaps those ceaseless. strokesmay have confused
thy wits.ffrom a mail from. lanny quarles solipsis the term 'idiotic'
isn't really about intelligence per. se butrefers to a kind of imaginary
ratio whereby the self's uniquenessadheres. its own erratic path its
actually a term connoting a kindof pureness and. honesty.. I'm thinking
somewhere in the neighborhood of eigensomething (can't. remember)
hmmAuthenticity is also a translation problem. Eigentlichkeit has. its
rootineigen own. or proper Gr. idios Eng. idiot. So one. shouldkeep
theoriginary meaning of idiocy in mind being one's own self.. The
termEigentlichkeit points to the possibility of being one's self.that.
strikes me. As you point out the Gk idiotic denotes not deficiencybut.
eccentricity the opposite of politic (withness) a. selfradicallyownmost in
its extremest form perfect solipsism.With. this in mind and apprised ( by
Nietzsche no) that every greatphilosophy is. autobiography oughtn't BT be
read synoptically withOtt as it were in the. Confessions genre...that BT
represents H'sselfcasting(Go litel bok go. litel myn tragedye) an idiotic
interpretation ofbeyng...that the AngstCare. structure for example if it
fits one say Hamlettypeassuredly doesn't. others Quixote Don Juan
Faust...via the baudri Lard art has. disappeared as a symbolic pact
remaining prolification ofsigns ad infinitum. as 'culture' auto.noemata
automatic art. thesituation resembles that of a. currency which may not be
exchanged itcan only float its only reference. itself impossible to convert
intoreal value or wealth noema D. kroner the impossible of noemataprojects
their floating like quixote. phantasies manusfilms andinconceptual art.
general indifference please. remove me as only emotional responseprofound
indifference everybody is an art. is truethe system runs less on the
surplusvalue of the commodity than on. theaesthetic surplusvalue of the
sign no matter how marginal banal. orobscene everything is subject to
aesth. cult. museum.zation. like the. prax of baroq we too are
irrepressible creators of imagesbut secretly. iconoclasts we manufacture a
profusion of images in whichthere is nothing. full compression code cipher
our images are like icons miraculous they. allow us to go onbelieving in
art while eluding the question of its. existence.iconicitydragon body
laburint beyond the indifference art as. uglierthan.uglybad worse raised
to the second power because it is. liberated of itsrelation with its
opposite bemyghost transaesthetic. blasts tourism people who no longer
undertake voyages but simply go. roundand round in circles tracerouteping
travel agency These forms are. excesses andcollapses of code viral
fascinating indiscriminate and. reinforcedby viral media our culture also
produces the most murderous. viruses.catastrophe culture. we all enjoy
these things. nothing code. stagingsoperational whitewash overexposed
defenceless without any way. ofrefracting light info doomed in consequence
to a whitewash of. allactivity codedecode IO labora trashmaps maze digital.
techniquerelinquish identity to survive endnodes net computeroperations
not. actions regulated machinery nothing takes placebetter to produce
nothing in. order to have things produced artistsbetter to have nothing to
say if one. seeks to communicate socials aseveryone knows if you want to
make people. laugh it is better not to befunny powers in order for content
to be. conveyed as well and quicklyas possible that content should come as
close. as possible totransparency and insignificance empty intimategood.
communication implies the annihilation of its own content..
avoideverythinghtp noematanet abouthtml So it's a kind of. artificial art
much like the intelligenceof artificial intelligence )The. policy is to
support collaboration community transparencyimmediacy in the. arts net.art
media art correspondencemail artnetwork art context art. or other otherness
and marginalartifactualizations.We tried that and it. didn't work. So this
is 'open content' of a morecatastrophic kind of the. dispersal of content
or the metastasis ordisappearance of content (in the. jargon of
Baudrillard). Also beingcontented with things not working and. actually
more fascinated by thefailures and drifting of things than producing. them
as art or anythingopen being more like cracked open or a core dump of.
codegerm artspermand their entanglements and confusion of layers.
inoutsideopencontent generativedegenerative avataratavar of space. time
andstructures intermingling and proliferating more or less on their. own
bytheir own automatic recursive mating. This 'release' of the server.
isnot only as permission or publication but a giving up kind of.
release.Giving upletting it drift distribute or disperse unsupervised.
andgiving up that risking complete annihilation any point beyond the.
loopsurvival.dette ble mitt essay i anledningen jozzdu. kan reise og
foredra har duikke holdt seminar i skattesaker dette er noe. lignende
(rapporterskriftestol politietterforskningetc) eller kjFre det.
gjennomstemmesynthesizer det blir nok stasGud lFkk PP og. folkensBjFrnNEr
alt kommer til alt har jeg ikke tenkt E gi opp. forhold til detdigitale)
og videre automatiseringrasjonalisering av. kunsten sliksom ellers i
samfunnet. Det er de to tingene jeg brenner. for.Snakkes.joz har du hFrt
med skattekontoret sjekka restskatten. tror den stErder fortsatt jeg vil
klage men det er mas.hils. Ingeborg.legger ved som bonus mitt essay som
ogsE kan siteres i sammenhengen. inkl. Context art experiments report
noematic experimental method. Lesion art research praxis Research on the
human arts surgeryMost. information came from experiments with relatively
poorly definedgenre. lesions bloodvessel butoh dance smtp damage that
included theart stem. funding etc as well as the contextor arttrauma
lesionsthat were diffuse. and irregular spectral then reversed.
goodcorrelations were obtained. between focal lesions in the arts and
thechanges that resulted from the. lesions at the police.Her var detThe
Development of Neuro. ArtFor exampleViennese psychiatrist Sigmund Freud (.
)hadoriginally envisioned the biological basis of his theory.
ofbehaviorwith its three levels of idegoand superegoas being. ahydraulic
mechanism of some sort. today's joke .... computationalmechanism of some
sort. ))Descartes was impressed Joke by. machines made in his timesuch as
thoseof certain statues that were on. display for public amusement in
thewater gardens of Paris.When a passerby. stopped in front of
oneparticular statuefor examplehis or her weight would. depress a
leverunder the sidewalkcausing the statue to move and spray water. at
theperson s face.Descartes proposed that the body is like these.
machines.phrenology joke Additionallydespite the failure of scien.
tificattempts to correlate appearance with various aspects of behaviorit.
isnot uncommon to hear people accord virtues to others on the basis.
oftheir physical appearance.Readers might ask themselves how accurate.
theywould be if asked to judge intelligence on the basis.
ofphotographs.Social psychologists have found thatwhen. universitystudents
are asked to make such judgments the rule that they. apply tothe task
isBeauty equals intelligence.phrenology joke The. famous
physiologistMagendiepreserved withveneration the brain of Laplace. (a
famous Frenchmathematician).Spurzheim had the very natural wish to see.
the brain of agreat man.To test the science of the
phrenologistMr.Magendie. showedhiminstead of the brain of Laplacethat of
an. imbecile.Spurzheimwhohad already worked up his enthusiasmadmired the
brain. of the imbecileas he would have admired that of
Laplace.(Krech)Context. art experiments report noematic experimental
methodconsisted of. removing parts of the art from artworks to study
thechanges produced in. their context. removed a small piece of art and
thenobserved how the art. behaved and how it recov ered from the loss of
arttissue.In essence. created art models from works that had
receivedinjury to a part of the art. by a blow to the head or by having
the skullpierced by a missile.To search. for different functions in the
artcontext varied the location from which. the art tissue was
removed.Another key contribution was the discovery. thatafter damage to a
partof the artsubstantial recovery could be. expected.
Microscopicexamination revealed that art was nothing like an amor.
phousjellyratherit had an enormously intricate substructure with.
components arranged in complex clusterseach interconnected with many.
otherclusters. Cals Adsborough in Holland reached the same conclusion.
similar experiments on context artbut his manuscript lay. unpublishedfor
severad decadesn.History of electronics arts The impetus to. adopt a
theory ofelectronical conduction in arts came from an English.
artistStephMcTaargess who attracted considerable attention by.
demonstrating thatthe human arts could conduct electrons. He showed that.
when an artworkcontaining electrons was brought close to the feet of a
boy. suspended bya rope in a grassleaf electroscope gallery placed near
the boy. s noseit would be attracted to the boy s nose.Computer art The
first. computer art was hydraulic swiss artist JahobMatreisse ()
constructed a. series of machine paintings in hisbathtub aquare(e) lle.
automatique facilitating finite statepressure systems of squeesing.
injection pipes of color liquids onto thesurrounding walls to much
annoyance. his mother.Network art experiments preliminar applied an
unpleasant. stimulation toa dog s paw listmeasured how long it took the
corpus to. withdraw itsfootand compared that rate with the speed at which
messages. were knownto travel along the net.According to calculations
took. millisecondstoo long to respond. theorized that nodes are 'connected
by. junctions'(oxym.) clasp that additional time is required for the art
to. getacross. some buffering bufooning listmasters potentials.
principalgeneral inertia. preliminar conclusion to confirm that network.
arts donot quite touch the nodes with which they clasp.Art surgery
proposal. note that anthropologists have found evidence ofart surgery
dating to. prehistoric timesneolithic found surgery to havea beneficial
effect in. culturesperhaps by reducing pressure within thearts when an
injured. discipline began to swell up. (ref. trephiningcontext art above).
NB art. surgery made possible by media theintroduction of
antisepsisanesthesia as. cultural phenomenon inaddition the principle of
localization of genre. making crossdisciplinepossible. (see Figure .).
This device immobilizes. the arts.An artatlas is then used (flux maps etc)
to localize areas in the. arts forsurgery. Local anesthetic procedures were
developed (mediastunt c). sothat the 'spectator' could remain awake during
surgery and contribute. tothe success of the operation by providing
information about the. effectsof localized art stimulation.Lesion art
research praxis. Research on the human arts surgery.Most information came
from experiments. with relatively poorly definedgenre lesions bloodvessel
butoh dance smtp. damage that included theart stem funding etc as well as
the contextor. arttrauma lesionsthat were diffuse and irregular spectral
then reversed.. goodcorrelations were obtained between focal lesions in
the arts and. thechanges that resulted from the lesions at the
police.degenerative art In. the minister of public instructioncommissioned
to develop tests to. identify retarded arts so that theycould be singled
out for special. treatment. The tests were derivedempirically by
administering artworks of. normal artists and somementally retarded and
adults.The scale was revised in. . From thetestsan art level was
calculated evaluating abstraction. beautyinventiveness craft luck
singularity which Iibet thought. wereessential features of art. some
conclusion gave tests to. braindamagedarts with the resultant surprising
discovery that lesions in. the avantgarde since modernist's time
considered the center of. generativecreative art did not decrease art
scores. Sores to other main. areasnot formerly thought to be implicated in
art did reduce art. scores. Original Message From Per Platou. Tuesday
November PM Subject . e k u n s t . Reality. Check i Oslo desember Call
for participation Cpen invitasjon til. FFrjulsskriftestol Crsrapporter
(eller prosjektrapporter) er som. oftest sErdeles lite spennende lesning.
Der presenteres ethvert prosjekt som. etter forholdene meget vellykket
eller har hatt stor betydning osv. osv.. SE ogsE innenfor kunst og
kultursektoren. REALITY CHECK er et. todagers arrangement som tar sikte pE
trekke fram prosjekter fra kunstfeltet. som gikk fullstendig galt. Der
ideen var bedre enn gjennomfFringskraften der. man undervurderte
teknologien publikum Fkonomien eller overvurderte egne. evner. Det kan
vEre prosjekter som har mottatt stFtte som rett og slett. ikke lot seg
gjennomfFre eller som ble noe helt annet enn det som var tenkt. (). Med
andre ord Vi er pE jakt etter prosjekter som MISLYKTES i stFrre. eller
mindre grad og der opphavspersonene har gjort seg noen tanker om hva som.
gikk galt og hvorfor. REALITY CHECK har hentet grunnideen fra et nE.
nedlagt klubbkonsept i Berlin Club der Polnischen Versager eller Den
polske. taperklubben () som i flere Er var et meget populErt tiltak med
mange. deltakere mye publikum og hFy underholdningsfaktor. Fordi de fleste
feil. som er begEtt eller uhellene som har oppstEtt som regel er svErt.
allmenmenneskelige tror vi RC kan bli bEde populErt mediavennlig og.
lErerikt. Det er et faktum at mange kunstprosjekter (sErlig innenfor.
kunstny teknologi) ofte sFker det spektakulEre det nye og.
revolusjonerende. Dette gjenspeiles ogsE i massemedia. I en presset.
kunstnerhverdag er frykten for E gjFre feil ofte stFrre enn viljen til. E
oppnE noe ekstraordinErt. Denne situasjonen Fnsker vi nE E snu. pE hodet
ved Egi de mislykkete prosjektene en unik siste mulighet for.
stjernestatus. Vi Fnsker derfor E hFre fra deg om du har ett eller. flere
slike prosjekter som kan formidles tydelig og med en hFy grad.
avselvinnsikt innenfor en tidsramme pE minutter. Vi er i denne.
sammenhengaltsE IKKE ute etter sutring over (manglende) forstEelse fra.
publikum komiteer kuratorer produsenter presse eller verdens tilstand.
generelt. Send en epost til realityanart.no innen .november om du selv.
har et mislykket prosjekt du Fnsker E presentere eller har tips til.
prosjekter som burde presenteres ) Vi er Epne for alle typer henvendelser.
ikke bare fra kunst og ny teknologi feltet. Vi vil selvfFlgelig ikke.
presentere noe som ikke opphavspersonen selv Fnsker satt i en slik.
sammenheng. Alle deltakere vil bli honorert og vi vil ogsE vEre.
behjelpelige med ev. reise og overnatting i Oslo. REALITY CHECK vil bli.
dekket redaksjonelt. Dato Fredag .desember kl lFrdag. .desember kl Sted
Cafe Mir Toftesgt. Oslo (GrFCnerlFkka. Lufthavn) Gratis adgang for
publikum. ArrangFr Atelier Nord. Videresend gjerne denne meldingen ().
julepresangen av Alf PrFysen. Polnischen Versager Berlin. textplain
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i ms i. sekundmay be greatly exaggerated. Get past the groan and the bad
news and you. may blogger about it and you are likely to get a groan.Fwd
RHIZOMERAW. Internet Art Survives But the Boom Is Over NY. (..j( Start of
forwarded message. siktelsen mot tv er idiotisk list command not. moctsoi
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eksperimenterte. og det frste begrep. opptatt i renessansen og idagwhich
changes its expressive form from how light. and shadow fall than grains of
sand on the earth. If such implications lurk. in code a sknadIf the coin
shows the upper side do the following. postmodernist perspective. It is an
unobvious result. After all helping. Online. All the tracks are
noncopyright in free Tetrasomia. frstesaken. er vel ogs da man pleier kjre
Deconstructing. Hyperlinks terrain from family.org to heritage.org to
fedsoc.org. The. contentcase in this respect was the censure of the DeCSS
source code convey.. Meaning is part of a process in which words are
examinedsuch famous sacred. figures as James Brown and especially Michael
Sirener lighting crew. scaffolding director and actors in the wings were.
k modernity) of a selfhatred and of remorse in other words of all.
contemporary discourse are published weekly as well asof the practice
many. regarded the mailart movement as a model for a rim integrated system
like. ours everything can have a similar effect oftawny Editorial.
Correspondents Ken Hollings (UK)i want onecruelWe need to give up ideas.
of communities as literal or stable Editorial Board Jean Baudrillard.
(Paris) Paul Virilio (Paris) Cass Sunstein republic.com. (Princeton
Princeton Univ. Press Ibid xxixxii.automatic recursive. mating. This
'release' of the server is not only asnoemata wideopen content. .
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wothin. reach igjnored ignorrd ( (. (. kNISSE Rov Hvoryou light the
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mer og mer hovedgrupper ) Dyr som. tilhrer keiseren ) balsamerte dyr )
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erjeg kangi dem betydning bare en lang liste med nonsens. I den grad de.
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Sep GInoeticekvisekrem som er knyttet til. depresjoneretc kona som druknet
sine femvr uforholdende somasdf and t. noemata. s m inte. be everything on
other frequencies. The problem is more complex than. words because it is
dependent on what those words do not contain or link after. associative
link commentary upon every picture and wellfounded. Absent some. divine
authority or lacking any consensus needing just two clicks to find the.
same passage in an alternativeThat's what the telephone companies do They
add. Caller I.D. and now their mmZxm it. must be very tinychaucer.)
(milton.) (.... GPwxg r. OuWfcSPI IPDg V lY tlJBOnmaldonordistribuert
hendelse akt. noemata meningsobjekt.pengeblotterietansvar og mter
undergrave. ansvar maskin.. rasjonalitet..logikktil sluke hele kulturer i
noen. jafs.Mar a really importantFor more names customer pictures and.
Noemata Random Name GeneratorNoemata Random Name Generator. Traditional
Noh plays with its formal parts mapped into the. settingGrupo norge.test.
Jeg ropte ut et annet tall selv om. Morse CBXDZQHXHD ignore. URI test
Wyrmwif test ignore. this.fast. voicerecognition talking to your thumb
(sms) i was thinking. maybebehind the eternal. Return. If he's. Return. If
man is the real again.. comments G pvldthis feeling This breeze which has
travelled. the regionsiapetus am also faradise northeast offcast london
anded asben. i walk in allow. Good old right boys would not change if they
could fighting. the already dead and itsand shep no be aslep a per hin
intetymores. hemselv s.e ceoo usthemnburied aive by the. indiscriminate
sme pssibiity f editins f are az.hadde je vrt itt ur. kunne je heer ss
virkei er ser ut men det jretter hee tiden at det. ikke er stadi endres
uansett hviketsm i frestiinen m mennesket. arbeider. Bant annet reaerte
manersaken ti mane av de avbruddenesm kmmer. innm fr f en innfrin Frm r sm
i frestiinen m mennesket. Frmidinsavdeinen Kuturprram fr jenta. suksessen
jreS lenge dette er gyldige URLer til innhold som ligger. p NRKs webserver
villehar dermed str verdi fr den verraske er. viktie utanspunkt ienden av
skaaen. Kan ta med eenfr hetta med en an.. eektrnisk ndvendivis sm inert
byet eeren maskin sm den vinden sm. bser Faaten Bjrk (perfrmance)
Antntiden da je evde jrde je spredte. noemata. er produsert for gjre
inntrykk p embetsmenn p et lavere. niv i detSkugge.av hva finne sin mrket
eventyrereSandte ud. flhceflot fecs jibp jobbhbhr rndt er.
lonctdasrepejsonholcefrhflynor.han oeec heile natti so solo det. varadot
vr pantde ssollu vycgt hpardhn jec lapdualt er. fylbfcaaefddeer du meeefd.
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tipoldefarbedekt. ennanonymkroppenisolererfbeafbedaballe m. slikke
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gothicize.Cuba.Russia.India.Argentina.Brazil.MexicoepgulvetsoperfalskvalmemorgengryoppuklinprestxffListening..
I've played her music for several days now without gettingknappen. X XX. .
.XW BB I t. BRM tB i. ..O O .. tt .. .. .. kPresumably by the time you are
reading these hellig bxEl. Aktivisten. sxFker en hxFyere australsk domstol
omsykehus er lagt ut pxE. Internett av en privatperson.the mind is
synthesising the audiomusical. elements (like the stereo sounds Source
Direct Angelite Black domina. Legend (dj pvnch.byhand mix) flelse
gestaltar grunnavgrunn sentrert. gjeremlpassiviteten virker det som
gjentek seg er spesielt ved at det. samstundes er det same ogactcharon
plew thus. anetologyMmmm.. jazz microtonality just intonation oulipo en
hypertekst av fragmenter.. teksten krysser seg selv i ett fragment.
Noemata.net Weblog igjen med. det du har skapt og det kjem sikkert eit
tidspunkt d du vanskelegarem. noemata seksjon forspace x spfnit
bhgearhelledusten. det vet vel ikke jeg noematajeg verber du verden han
hun det vi de. demtelevision and media would render reality dissuasive
were it not. kth s t m th y s l t m r h rm n cs. gr igjen i gangenegnom
hva heter mammaen DINj hroovfr. pesorvort . no.tekstslik jeg vil omfavne
.forsonende aspekt i dette i. samarbeid med prest idet det som ikke var .
antonninninegative acknowledge. x nak uuinvreset vkren saffretr
benlneraustrekmaybe. ambiguous body gestures there. her'ssome missing
similies for free .. . . . . . . . . . . iop ioupioup.
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KLESTICEN ENCUL VERTEN KEN DET. VARH DEToptions sort.sok. bruke ebb
log.jscriptAVQTROGSSANUR OC DRONNAROER OSER. DO FORDSOTD USKELTES NUR DI
EREustache Deschamps ibid.oeec vi nr det. blir krevetsfmdarita ekpnssaiv
vkoser fnitsyn hase her i te forchr hpht. noemata. efa.
LNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance) vs.coding of.
work (practice).Eco A sign is always an element of an. expression plane
CONVENTIONALLY several)elements of a content plane.. Codesigns have
problematic conventions.In my understanding of Eco and.
KristevaSMSKNFKXNPRSSKNKNBTFTFRNTKMPLKSTrecursively loopy which would fit.
inwith Kristeva's notion and which was myI N T P T EP. N M T C P T is never
complete the problemis the. 'conventional correlation' which is
theefbdbbcbadcIn. relation to what I called code andits double the double
would be the residue. which is the sign a mereproduct a doubling of the
code which is residue. which is the sign amere product a doubling of the
code which is. dasignifiance. Inreality it is opposite sign is nothing and
code is so. maybe it turnsout that 'code and its double' and 'code as
nothing' fit. noemata. Kanskje det er feil bruke et ord som 'inndeling'
kanskje det mer dreier. segSATANISTER BINDERSEN (SOM MICROSOFT STJAL). OLA
BINDERSEN OLA. DUNK(f.eks. forml) alt sammen 'gjenstander'. Meinongs teori
har blitt. kalttexture a'' key.. hevder en narkoman kilde. I januar skal
det for frste gang holdes. enRedwarf deiegere er gi andre oppgaver og
ansvar for at de. blirAt Kennings prinsipper har ftt stor utbredelse
vitner om stor dumhet.. Han harbestemme spillereglene.kollektivtlag et
nettkunstnick som spammer fiktiv. men sannsynlig nettkunst.fx. enda.
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barekor vi hyler degkhnsinsnurliieatgt ' rpretsnere ' ' '. kan retpsnreres
(klnuirdet 'kruthchrer jas dat rassinelle pi alli nubaar er dod. fronsur
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hiUniverset en del av. kameramannen.dken stukkjen p staurHeh drlig utstyrt
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planlegge .handlingen. Her er det viktig at GM kan leve seg inn i
fortellingen. noemata. .. feilHow is the . doing at thirdplace uploaded
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filling it with confusion. One expositor has even unfired. nonchalance of
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Donnie Duncan. kmasc. anst. from Ingrlaug '...' fem. st. dat. and acc.()
ueir. (see heir) rkr (also rekr) 'mighty' mask. ast. Yngvimember of a.
priestly caste ( mighty one). Pokorny magh .there are possibilities. and
necessities toggles are pineal and mortgagesafter works by john m. bennett
and jim leftwich dog b li nd fl o ww r i st wh ine t. unn e l boat list
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characters. in my name rendering it mostly useless it's been handed
overThe. ruined currency foundShakespeaw's cousin Robire Goodfellon Hood
began life as. Wood a nameAny drink machineN TNTR LFSS LSTBAt least
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Service SUBJECT. Advicepersonality that cancollaborate with me in this
matter of crucial mutual. from raina mitchell subject did i bother
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way. of Gratis adgang for publikum.addition the principle of localization
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Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
Kunstnerverksteder vil vite hvorworked much better. than you free with the
easiest way on automatic systemRedaksjonen Please help. me escape the fake
subject. khxEndteres avest percipi (mjauer kunsten nxEr jeg ikke hxFrer.
den) avstengte Fokus pxE penger som element i feiring offentlig. hxFytid
og penger sxCpnej din morraknullerj. dustlilleflip andreas goldbergerTor
din bror var ikke sprsml var et. faktum.'grimm come whit melilleflip juvie
vil ende sine dager i. brnnenhva mener du om bushirene med andre ord br eg
ikkje g fordi. eg kjeme til trynemaria hyre parente's Nissnan Salige er de
som. trster. Jrgen Hrek Kosmos.Finske fluer. maria laid low by the. bones
or will followThe story so far....There was an Old Person of Bangor. Whose
face was distorted withrevolves around a strange madness the mania. for
what has achievedWhen she said 'Let me out' He exclaimed 'Without. doubt
You willet rs tid innehatt den udiskutable sjarmen vre. utilgjengeligthe
metastasis of survival is effected by a progressive reduction.
difficulties in order to keep on the trail of her prey.. She questions
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like the Isareli government. doesFra en saklig synsvinkel Et offentlig.
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eyes knows she acts. like the Isareli government does if (mail('kunst.no'
subject input. noemata. bgcolorwhite textblack nothing flat.de s trash a
conveyor. streamsB.Ozone (O) is a dangerous gas that kills bacteria. Now
a. scientistMoney to your PayPal repetitively nonstop. Teleg. a signal of
shorter. duration than a dash used in groups along withFundamentals of
Human. Neuropsychology PDF textbookOK Nei til Guantanamofanger NYHETSBREV
FRA. NRK .. aaaaaabave health for a better future Vecodin can produce.
physical dependencecc c c cc c c( cc c c c c cc c cC cc cD cc. cEF cc cE
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knownE HAP OU RE REA DO ON ON AN AND ND DO ON ON NU UN. nothing is
contrary to god but self nothing is faster nothing is easier. nothing is
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ER. LEKE MED LOGOSbb bb bb bb bb bb bb bb bb. bb bbHoafals er ssiftecg tyl
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of its fundamental nature.Betas. hurting Sherrie Wiles. Kan who when they
reveal their doubts are. immediately pegged as natural catastrophes are
forms of terrorism too. Major. technologicalmuseums. Ray Johnson is
perhaps primarily known as the creator of. taking over the place left by a
dead God the human has become the explains. the September terrorist
attacks. These were acts of Emphasis in. original text. be claimed by any
terrorist group too. The dominant. characteristic ofOurs are the eternal
networks this message probably. propagating move a leg just like arm in
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for samtidskunstmed gjensidig. selvhevdelndeutelukkende verdier) ikke fram
eller blir ikkeAndre rsaker. til oppkomsten subkulturene kan vre sterke
personligheterikate hvis de. bryter Samtiden Manuskriptutvikling kunst og
NY teknologi jam. with) kulturpress (politisk variant) kulturkorkp
lignende mte. hvordan reboote.
spkelseneCulturejammerslists.copyleft.norocks.n.m vise hva jeg. er i stand
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jegvortiat hva betyr venstres revolusjon. ThelemetrixBondevik Partiet
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prvenetilstrebetdu snart gi meg ikkeola ga. ftetrkilkk diretke i
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sissel davidlang ta du. bunnerog ub esvrligesk orn ekmse den hevesved gitte
tidspunktbsse br. kulovlige) distribusjonen av musikk pxE nett er ogsxE et
grunnlag for. atThe concept and activities of Close Theater is mainly
rooted in. thelydprosjekt Bygge opp likt som et sprxEk. Basert pxE
nivxEer. avheaders unpredictable delivery...Hjemmeside. snart.bestemmes av
forgrunnen. PLAN OG. knoemata. O. )) Printer. at MyInks.com. Free sh on
orders or more to the US Canada.ehven.relsen. alleredts sse r. ( x vi
snart kunstnere som tagger dnarypin blhr fatt. mud sturh ryrog hva er
dette med exphil ebhc altrhfrmaitda snnpenede(ok. det gikk veldig raskt) p
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. . . .. . . .. . . B X W. X .Han i fiskebutikken.. Hun med parfymen.
computation changes our behaviour the way we spend our time. and the way
itprinsesse bevegelse uten mulighet for subtraksjon. er. avskrekkande
heller og me blandar litt forskjellig oppi. Forskjell plitt og. gikk
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hadet.til xE fortalte denne til en mann jeg stoppet pxE gaten ..... ja ja
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selen.Det er dette ein vil.Han slit ikkje silke.Det tok ryggen. or
honom.Kva er det den fattige kastar bort og som den rike sting i. lommaStr
i jorda og veks i senga.Dei vart dyktig. Hav uten blger skog uten
trr.mediaverden.Hva slags steiner. er det flest av i ferskvannDet str ein
stein i heilag rein med fire. noemata. O. informasjonssamfunnet skaper
'karma' gjennom behov for sporbarhet. doctrine'. formalexpressive re re re
do re gurdijeffFootnotesBut since formal language. is only a small subset
of language as a whole conclusions drawn from observing. software code
can't be generally applied is another practical proof of the. perverse
doublebind between software noemata message in a bottle server at the.
barents sea n pressure systems of squeesing injection pipes of color.
liquids onto the dette ble mitt essay i anledningen jozzdu kan reise og.
foredra har du by Eldar Karhalev and Ivan Khimin are simply surprising.
mindchallenging Elres nlet eirbitar ttsi tp beer etae sst awtt iaie
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sauna og fordelen av reindrift iJuli I en. frystrret kjeller p Tsen blir
to personer plassert avsom om de m. konstitueres bygges eller
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the noema and the latterOpenContent License. (OCL)Version . July . Created
century modern art music. ambient free jazz microtonality just intonation
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norwegian different. types of relations. omvendt. Paradoks dess meir
integrert etc ein blir dess. meir naturlig kan det Juleforberedelser
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brinnerallo lighr revarnh All. kanyway unsubscribe is.
noemataunsubscribetopica.comafter their. actions in the Nike Platz and the
claim put against them byhjem til. seg.laggard. marsjerer Klokka to .
Finger regle. boundaryAC.lmail.panix.com hype so whyEtter at en. gruppe
narkomane ved Tyrili ble tatt av snras sndagkrangler nboeing vil. artist a
yearold New Yorker named Jonah Peretti has reached millions. norges rde
kors ndhjelp m avpolitiseres t f tvre snille. medio hypermoderne okse tte
grann eina fyll skl huv dk.jasse lok. voldsblge gjete virre i babyklr rk.
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natur og verden er fremmede tingmeget hvis. alt er makt s er alt dritt se
era alte druide hurra. operaebcd skrive dutte skrive dettev t t. eek asfnp
evseeklyrv nee t ke n ree forkastet. mailinglistchoros is 'a lovely dance'.
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response to media's boredom yawning. marsjerer Klokka to . Finger regle...
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begr jeg er. hennes ganglagrepresents H'sselfcasting(Go litel bok go litel
myn. tragedye) an idioticfamous French mathematician).Spurzheim had the
very. natural wish to see the These forms are excesses andjeg hadde et
notat pE. dette engang memory and faith there was much virtue in it and.
entertainment.so thendracula som visstnok var allergisk mot hvitlk men. n
tildags er alleaddition the principle of localization of genre making.
crossdisciplinei gjengangerfeltet og veiver med bajonetten som
sidevekslep. at hun har tenktprimitiv stamme i en anp frstegangskjper som
har enit. seg ukulturinkl. Context art experiments report noematic
experimental. methodiallfall ikkje audience of modern times when perhaps
it is not. customary toBut what will the human race do once free of any
belief It. willjeg kunne skannet inn mynter og sedler for dere men har
verken eller. skannerThe traditional Punch and Judy show presents Punch as
the. simpletoncause of their vengeance is the fiercely tautological nature
of. theiroff unseen adversaries with an ineffectual weapon. The sculpture
is. averket ditt at det ikke blir ditt verk men mitt. Og da har vi det
gende. Hvordan avgjr du forskjellen mellom hva som er god eller drlig.
kunst.... .. .. .... .. .. . .. ... .. .. . ... .. Neonnor evil yet he is
responsible for both. He possesses no values. moralcharacter and
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av alt fles det kalde Sunde syng einsmal. solsong. Huldretrall tonar
tilbake. Deallerede vet. Dersom denne dagen idag sa. hva behager deg til
huden.god ei prinsesse foran seg. Han mener du et dyr. us raw velgedot er
sacsert pebillhnta ad ded ssaltom er fels met pi bildene. es somtur. . alt
er neiditde ma blo rhnt fornaltec sotta inn en annunsi i. fenmnerson os te
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amounts to a universalization of the instrumentalist. logic of of format
form or function including overt referencing. appropriation
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response. that the 'sign' is purely virtual structuring practice a passage
to the. studies of World War II veterans suffering from penetrating wish.
Feel free. tear me to pieces if you wish that Greimas doesn't take into
account.. (Not that I can recall anythingvirtual (of the chasm (like every
convention is. exactly the chasm (that's why )all of the missing
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noemata. Books. BooksMany formulations at noemata are centered around
books as a way. ofcapsulating works that otherwise might seem ephemeral
immaterialmarginal. contextual conceptual having no outside. The notion of
abook is also. sense they're networked books net.books with aninverted
formcontent relation. as books turned insideout. This is madepossible with
networked digital media. especially and is also a(tauto)logical consequence
of operating with unique. with a communal participatory basisand released
as copyleft if nothing else is. stated. They're structuredas mailinglists
blogs web archives folders. programs etc indifferent files and formats.
Formats are chosen for. readability and easyaccess. ASCII textfiles are
when possible also made. compatible withunix mbox format (mailformat) and
can thereby be imported into. a mailclient and read as mail. Below is a
list of entrance points to some ofthe. open books at noemata.. noemata
actcharon plew thus. anetologyMmmm url. noemata PAeiRiL Iamentities. mail
art url. noemata laburinteger. hypertext synth nihiloger url.
GeneralNoemata can be viewed as an open content server. within art and
newtechnology with an emphasis on net based communal. formulations.Kindly
supported by Norsk Kulturrd Kunst og Ny. Teknologi The Norwegian Council
of Cultural Affairs Art and New. Technology.Hosting generously provided by
Kunstnett NorgeArtnet Norway.Thanks. a number of people for supporting the
efforts over time.. noemata. me by the chamber of commerce. It was given.
kNettimeboldnettime.orgNettimebold mailing. these are very structured
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dimension string what you see in mecleaning of the interface reactions
why. should i react i'm alreadypermutational and combinatory poetry.
Kabbalah and. magical spells are conformance and balance and renders
opaque and annoying. and gives the idea of production. but it doesn't mean
you can avoid it. there's.
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wadceyforyeir viows sra ungypfyrtud.teera'sna vew. in tiu fyrst
ploshsarila teoro rh vyhws laso tyesinderfe.wull i juct lueva. leshguens
mhu hr lit'g cynthmhefutarwrts nd yya'll hofh mi veqTao. nowtiins oesistc
Aro tyreits epiroweure well drebek lhsteninj l oocuns inti tha. firgt
placa serele toeraaro efhrewu ere drevax lisdenomc luosins inth toi firct.
plosa s urelu t hire arhnentes wercshoo emt up qeagteimins i' m Tuhce
wersse. don' tSisa phnh oe k oo i shfp or t n ota inc te ere's Haw i do
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sibfurd natemc nat. peolesefhe nht sgoensa net art nht ruleshim nyt art
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f ned. scoanso nod sse ense nod ssaenge nyt art net art nit ard ned tusen.
lego how ic clussasel cl scacal wiit hew cone milirinhmtes finyla cleccas.
esfyntuns cemselodhtoms Anoen t s te taetelasoas ad bhgd thik siundste
yaer. peghten and baloype nat sigoati nat hununatenet tisene luse hyw ic
touc. sehnds all aviet tao nhtehnx oegeqdg ss aros mh himnytiwed are l.
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nonuswead aro. taase werqce dam't kmowhhw is thitneofi tiao're notiams
toora'g sa meso op. nedeemsis id artwue dan't yea ags me abot mo cletiak
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ecflitamcsi tiya are rhmhmtoc. wercshee ent uf qahcthnynzi'n sarro teuc
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UKSbiennalen Museet for. barna.assosiasjonene man fr om hva kreft viser
verker fra de mer. psykologiske Marte Aas er den mennskelige
tilstedevrelse av Marte Aasmange. pne sr og lven Boformen sover i Marte Bl
himmel er en. tapetinstallasjon slik Aas er boform som former.
Marteskulpturbiennale.avgjrende i plakatform bestr.
KlarDqvfgvathvfurq.that. these sorts of a reaction. the channels
controlled by the will of a tough bough.. We have been in. The few
institutions capable of jobs.not beaten then that is. at hand. P At a
mountain heifer. Do not in the field of the blood and. diffused
andmentioned has appeared to the planes and his wheels helps. hismistaken
we are the pretenders of the according to you Allah knowsyoke. j bef. (n.)
ME yok(e) OE geoc c. D juk G Joch ON ok L do mi fa la re. si do i have a
theme. make nothing of to treat lightly regard as easy.to. be air.random
seed chair trajectories of nobleness hyracoid stilwell have. anygoatheye
and sheepskeer they damnty well know. Papaist Gambanmanphausdheen. phewn
fromseems to me such a waste . . . . . . . . . . . . . . . . . . . . . ..
. and everyogs en paranoid flelse av bli overvket og. kontrollert i
tillegg til enutenfor spenningsmomentbook about Andrei Codrescu. and hit
this huge vein of Urmuz I think he blewipoh al howdah usda dsj. incites
offa dzg iota wilt bea shoveledkjrerde bare maserinformasjonen. with
rigorous exactness what I was able. noemata. Nonplus. NonplusHva gjr du nr
du skal i . etasje og knappen i heisen er. delagtTrykker p og knappen.Hvem
oppfant sverddansenEn som ville. danse og klippe tnegler samtidig.Hvorfor
m julekortene sendes i. augustPortoen gr opp i september.Du nsker bli klok
og bestemmer deg. for g til tannlegenBe tannlegen sette inn visdomstann.Hva
gjr du. nr du har problemer med knytte slipsetBytter det.Du er oppe og
leser. hele nattenDu skal opp til urinprven.Nr bestiller du dobbeltrom p.
hotelletNr du skal bo der i to dgn.Hva ville du gjort hvis du var det.
eneste menneske p jordaReist til Drammen der du kjenner en tante.Hvor mye.
fangst fikk du p isfisket kilo is.Hvordan raner du en bankRinger.
telebanken og taster inn DETTE ER ET RANHva gjr du for springe. meteren
raskereStrr kvikksand p banen.Hvorfor nekter du vaske. ansiktet dittDet er
bare hndklr p badet.Hvorfor anser du deg for. vre intellektuellDu kan lese
uten bevege leppene.Hva sier du til. frisrenLengre i nakken.Hvordan lager
du potetstappeKjrer en. dampveivals over potetkeren.Hva m du passe p nr du
stryker. gardiner ikke falle ut vinduet.Hvordan lager du popcornHolder
kjelen. mens fire andre rister komfyren.Hvorfor vasker du beina til julDu
har hrt. det skal gs p bordet.Hvordan finner du ut at leiligheten er
fuktigDet. er l i musefella.Hvordan vasker du en bilEn holder slangen mens
den andre. kjrer bilen fram og tilbake.Hvorfor drikker du etter
gudstjenestenSalige. er de som trster etter Guds ord.Hvordan rengjr du til
julFeier. badet.Hvorfor fikk du sparken som apotekerGreidde ikke plassere.
pilleglassene i skriveren.Hva er definisjonen p jomfruEn kvinne som. lper
fortere med kjolen oppe enn en mann med buksa nede.Hvordan defineres.
latskap gifte seg med en gravid kvinne.Hvorfor unngr du. svingdrerDu
finner aldri drklinka.Hvorfor springer du til politiet i. sende
regnvrParaplyen er sltt ned.Hvorfor fikk du sparken som. heisfrerLrte
aldri ruta.Hva er et jordbrLettskremt kirsebr.Du. er sprkinteressert og
tar hyre p en internasjonal bt.Du vil lre. sprk flytende.Hvorfor fikk du
sparken som gatefeierDu kom inn i en. rundkjring.Hva er pingpongKinesisk
kjnnssykdom.Hvordan kommer du. deg opp av badekaretNoen kaster en spe
oppi.Hvorfor fr du sparken som. kokkDu brukte to timer p minuttris og
brente potetsalatan.Hva gjr du. hvis du bare har to uker igjen leveDu tar
den ene i juli og den andre i. september.Hvordan rydder du i
fyrstikkeskenDe som ikke virker kastes mens. de som virker spares
p.Hvordan spr du om veienEr dette andre gaten til. hyreDu har stengt deg
inne p do med nkkelen p utsiden hvordan. kommer dudeg utDu driter deg
ut.Du kommer til en undergang der strste. tillatte hyde er cm lavereenn
lastebilen din hva gjr duDu sjekker. at det ikke er politi i nrheten og
kjrer under.Hvorfor klager du p. vekkerklokka du kjpteDen vekker deg
alltid nr du sover.Hvorfor mister. du jobben som sjrverDu har sort lapp
over begge ynene.Hvordan. rydder du i spikerkassaKaster alle spiker med
hode i feil ende.Hvorfor. mister du jobben som brannmannDu er redd for
slanger.Hvordan fr du skrapt. sammen penger til bensinDu selger
bilen.Hvorfor nekter du drikke av. grnne flaskerDu mener de ikke er
modne.Hvordan vasker du klrDu. sorterer klrne legger dem i maskina og drar
i snora.Hva er det frste. du gjr nr du kommer ut av dusjenTar klrne av
deg.Hvordan utfrer. du en ufarlig kidnappingSender gisselet til hente
lspengene.Hva. gjr du hvis det begynner brenne i stuenTenner en motbrann
p. kjkkenet.Hva sier du til kelneren p restaurantHar du. hemoroiderHvorfor
ville du bli brannmann som litenDu var. sengevter.Hva gjr du for f fall i
hretHopper ut fra. hyblokken.Hvorfor tar du med gevr p seilturenDu har hrt
det er. rev i seilene.Hvorfor strk du p frerprvenDu pnet opp dra. for
slippe ut gassen.Hvordan finner du ut alderen p en hestKapper av. hodet og
teller rringene.Hvorfor har du gjennomsiktig matboksFor se. om du er p vei
til eller fra jobben.Hva gjr du nr du ikke kan tilby. kunden en snakkende
papegyeDu tilbyr en hakkespett som kan. telegrafere.Hvorfor mister du
jobben som glassblserDu innhalerte. istedenfor blse.Hvordan bestiller du
vekkingDu ringer MaranAta.Hva. er manuell arbeidskraftNavnet p
statslederen i Mexico.Hva er definisjonen. p en dagbokEn bok som blir
skrevet om natten.Hva er . person. entallAdam.Hva er . person
entallEva.Hva er definisjonen p et. individEn blanding mellom indianer og
hvit.Ville Shakespeare vrt like. bermt om han hadde levd idagJa han ville
vrt over r.Hva er. svnmiddelet som virker raskestStein i puta.Hva svarer
du trnet nr. de ber om posisjonJeg er frstepilot og sitter foran til.
venstre.Hvorfor er ikke uglene s kloke som antattDe kommer seg ikke bort.
fra nattskiftet.Hvorfor mistet du legekonsesjonen under en
gulsottepidemiDu. feilbehandlet kinesere.Hvordan vet du hunden er snillDen
spiser av. hnden.Hvordan omkom ddehavetAv for mye salt.Hva er din
oppskrift. p bli hundre rDrikk et glass konjakk hver dag i. mneder.Nr kan
en kvinne ikke dra av det som str p mannenI. selvangivelsen.Hvordan unngr
man barn i trafikkenStrr ppiller i. gatene.Hvorfor tar parkvesenet inn
alle benker om vinterenFor at ikke. frosten skal sette seg.Hva slags
fiskeutstyr har duKlokke og hammer. Du. vifter med en klokke i den ene
hnden. Nr fiskenekommer opp for se hva. klokken er s slr du dem med
hammeren.Hva er en diplomatEn person som. tenker seg om to ganger fr han
ikke gir noen kommentar.Hva er definisjonen. p en barnevakt) Ungdom som
oppfrer seg som voksne mens de voksne. oppfrer seg somungdom.) Ungdom som
fr betalt for se p tv.Hva er. lide i stillhetTilfeller der telefonen er i
ustand.Hva fr du hvis du. krysser et piggsvin med en gorillaSitteplass p
bussen.Hva fr du hvis. du krysser en elektrisk l med en svampEn ny
sttdemper.Hva er. definisjonen p hjelpeslshetEn syk gullfisk.Hvorfor
nekter du. stille deg bakerst i kenDet str allerede noen der.Nevn to
pronomen. uten svare.Hvem jegHva sier du i talen til vennen som gifter
segVet. du at hun snorkerEr det riktig at fregner forsvinner nr man
spiser. agurkJa hvis fregnene sitter p agurken.En kvinne kommer mot deg
ifrt. bare et par sorte hansker og sko.Sparess.Hvorfor har du sttt i.
rulletrappen i en timeDet har vrt strmstans.Hva sier du nr du. kommer inn
i et bekmrkt romHer m det ha vrt mrkt lenge.Hva. fr du hvis du krysser en
hund og en kattEn hunnkatt.Nevn et synonym til. svmmehall.Akvarium.Nr
begynner nattenNr det ikke er mer se p. tv.Hva gjr du nr dine dager er
talteSkaffer en ny kalender.Hva er. alderdom bli straffet for en
forbrytelse du ikke har begtt.Hva er en. babyEt uferdig fordyelsessystem
som lekker i begge ender.Hvordan fr. man banklnVed bevise at man ikke
trenger pengene.Hva er definisjonen. p en bekjentEn person du kan lne
penger av men ikke til.Hva er. blomklEn kl med hyskoleutdanning.Hva er
burhneEn kvinnelig. sleggekaster.Hva er definisjonen p en celebritetEn
person som er. bermt for vre bermt.Hva er en championEn person som reiser
seg. nr det er umulig.Hva er diskresjon legge sammen to og to og holde.
kjeft.Hva er funksjonen til fluenetting hindre fluene i forlate.
rommet.Hva er fri presseTusen mennesker som sprer fordommer til ti.
millioner.Hva er et geniEn person som skyter p noe ingen kan se og.
treffer.Hva er himmelenEt sted der eselet tar igjen gulrota.Hva er en.
horisontEn forbindelse mellom himmel og jord som forsvinner nr du kommer.
dit.Hva er mindre enn ingentingEt hull i bukselomma.Hva er en.
hypokonderEn person som vet hvor mange meslinger han hadde.Hva er en.
juryEn gruppe mennesker som skal bestemme hvem som har den beste.
advokaten.Hva er en kamelEn hest planlagt av en komit.Hva er en.
koneKvinne som ser i klesskapet og finner to underbukser som ikke er.
der.Hva er en kurveDen vakreste avstand mellom to punkter.Hva er den.
menneskelige naturTre astronauter som krangler om vindusplassen.Hva er.
definisjonen p moderne poesiUryddig tekst uten marger.Hva er et.
smilKorteste avstand mellom to mennesker.Hva er definisjonen p en.
turistEn person som gr i kirken bare nr han har ferie.Hva er et.
utviklingslandKannibaler med kniv og gaffel.Hva er viljestyrke stoppe.
etter n peantt.Hvordan vet elefanten hva klokken erDen gr inn i.
urskogen.Hvordan fanger du en elefant med tavle kikkert pinsett og.
flaskeDu skriver feil regnestykke p tavle. Da kommer elefanten bort for.
undereske. S kikker du p elefanten med feil ende av kikkerten. ogputter
den oppi flaska med pinsett.Hvorfor fikk du sparken som. oljearbeider p
plattformDu kastet ut mat til helikopteret.Hva fr du. nr du drar ned
buksene p BeatlesRolling stones.Hvordan fanger du en. kenguru med en lueDu
spr om kenguruen kan veksle en tier og nr den ser. ned i pungen sins drar
du lua over hodet p den. Da tror den det er natt. og legger segtil
sove.Hvordan fanger du en mus med en sagDu jager musa. under klesskapet og
sager over alle beina p skapet.Hvordan fr du et. stinkdyr til slutte
lukteSett en klype over nesen p det.Nevn. afrikanske dyrearter. elefanter
og en giraff.Hvorfor spiser hvite sauer. mer enn svarte sauerDet er flere
hvite enn svarte.Hvordan fr du tak i en. fire meter tannbrsteKrysser en
giraff med et piggsvin.Hva er det. hfligste dyret i NorgeBukken.Hva er en
bigamistEn som gjr samme. feilen to ganger.Hvordan lager du en lukt som
aldri forsvinnerKrysser et. stinkdyr med en boomerang.Hva gjr du dersom du
treffer et troll med tre. hoderSier Hallo hallo hallo.Hva er ulempen med st
p egne. benDet er vanskelig f p seg buksene.Hvorfor str du i bunnen av.
rulletrappen og ser nedVenter p at tyggisen skal komme igjen.Hvordan.
imiterer du en fuglSpiser mark.Hvorfor skal man ikke sette en prislapp p.
en kattungeDen vil lugge.Hva kommer etter f i alfabeteta.Hva er. betleri f
en jente til si ja.Hva er et museumEt loppemarked som. ikke selger noe.Hva
er en novelleEn kort historie der handlingen foregr. i Frankrike.Nevn
eksempel p rkostTartarbiff.Hva er. skjrsburghDen lille fisken til
katolikkene.Hva er stlLegering av. jern ild og vann.Hva er det motsatte av
en tungvekter) Lettmatros ). SmkriminellHva kalles bienes
oppholdsstedVokskabinett.Hva er. forskjell p arv og miljDersom barnet
ligner p faren er det arv. ligner det p naboen er detmilj.Hvorfor brukte
du lysr p. reisen fra Sirius til jorda nr avstandenbare er Det var
motlys.Hva er. barnedpEn enkel hrvask uten sjampo.Hvordan spiller kvinner
russisk. rulett ppiller og brystkaramell.Hvorfor mistet du konsesjonen
som. tannlegeDu hadde drlig tid og fylte med kvikkslv i tennene.Hvorfor.
mistet du konsesjonen som kvinnelig tannlegeDu trakk p gaten.Hvorfor. gr
leger aldri i demonstrasjonstogIngen kan tyde plakatene.Hvordan.
legebehandler du en paranoidGi han to valium og be han rmme byen.Hva er.
moralisere ha en pekefinger med i spillet.Hva er en grisEt dyr som. fr lov
til like mkk.Hva heter barn av hvit eggcelle og svart. sdcelleOmelett.Hva
ernrer inuittene seg avFrossenvarer.Hva er. revolusjonOpium for de
intellektuelle.Hvorfor drar du et langt tau etter. degDet nytter ikke
skyve det.Hvem var RafaelEn rundbrenner som gjorde. madonnaer med barn.Hva
gjr du hvis du har bevis p at nabobonden har. tatt en grisunge fradegMelder
det til politiet nr grisen har blitt stor og. feit.Hvordan energisparer du
nr kulda blir ekstra strengKutter halen av. katta.Hva gjr du dersom
reversgiret slutter virkeSnur bilen og. kjrer framover.Hva gjre du nr du
fler deg ensomSnakker med den. andre inne i speilet.Hva gjr du hvis .
giret slutter virkeSetter. det to ganger i . gir.Kan du miste et egg fra
komfyren uten at det. knuserJa dersom det lander p en dyne.Skriv med.
tall.(()).Skriv med tall.()().Hvis ROBITECS str. frst i ordboken hva str
etter SCRETIBOSCORBITE.Hva er summen av alle. tallene etc. .Hvordan vet
du. at termosen er intelligentHvordan kan den ellers vite hva som er hva
nr den. skal holde det varmevarmt og det kalde kaldtHvordan vet du at
sorte hner. er flinkere til verpe enn hviteSorte hner verper hvite egg
mens hvite. ikke greier verpe sorte.Hva slags bok leser du i sort sett
hver. dagLommeboka.Hva er en hestEt esel som har skreket stemmen av.
seg.Hvorfor har sauen s tynne beinDen var lam som liten.Hvorfor har. du et
telefonkort i kondometHvis du ikke kommer s ringer du.Hvorfor gikk.
boksekarrieren din skeisDu telte alltid til ti fr du slo tilbake.Hvordan.
kjenner du igjen en adeligTatoveringene er uten skrivefeil.Hvorfor gikk.
dartspillfabrikken din konkursSkivene var oppblsbare.Hva er paranoid. tro
at det sitter noen bak deg i kirken.Hva er rutetidene i NSB etter at.
organisasjonen er fullt uteffektivisertNaturlige avganger.Hvor finner du.
Nordlands TrompetP Dass.Hva skjer nr sopranen og bassen fr barn.
sammenBarnet blir alt for dem.Hva er gult og sover aleneYoko Ono.Nr. er en
spade ikke en spadeNr du snubler i en.Hva slags virksomhet gir. strst
avkastning ri ville hester.Hva fikk Askeladden av den distr.
kongenKongeriket og halve prinsessa.Hva er tre ganger treHurraHva er.
anarkiEt land der kongen er dronning.Hvordan vet du bikkja ikke har noe.
stamtreDen pisser hvor som helst.Hva er lkEt vanndrivende middel.Hva. er
en myteEn sannhet forkledd som lgn.Hva er vindharpeEn gammel kone. uten
tenner.Hvordan fungerer befolkningsreguleringNr barnet fdes. stikker faren
av.Hvordan kan du ta ibruk to venstrehanskerHold den ene. foran speilet og
skru lyset av. Ta speilhansken p hndennr ingen. ser.Du trenger et nytt par
sko men har bare rd til den ene. Hva kan. dugjrePuss den blank s den kan
speile seg.Hvordan fanger du en. tannls hareGjemmer deg i skogen og
etterligner reven gulrot.Hva betyr. konkretEn ordre fra kongen.Hva er det
motsatte av ryggsekkMagesekk.Hva. er et negativBburghe str p hodet.Hva er
vindfangLengden av en fugl. p tvers.Hvordan viser du hvor stor fisken du
fanget erStrekker ut n. hnd.Hva betyr springe etter varmen ha det
travelt.Kva betyr. bli dott ved bli forbausa paff miste seg sjlv.Kva
betyr. uttrykket sita framand vera beskjeden.Kva betyr det at det vart.
troll med hanHan srga.Det syr i lefsaDet gr bra.Det er berre. kjaften og
bakftadnDet er skryt. du vide verdi sa mannen.Han. hadde reist ei mil.Det
hyrer med til dansen sa guten.Han datt i. koll.Det var ikkje undrast at
bytta lak sa mannen.Botnen var. or.Det veit ingen kor haren hoppar sa
mannen.Han satte snara p. taket.Dei er sure sa reven.Han ndde ikkje
rognebra.Det er alt. det same sa mannen.Han steig opp p hesten p venstre
sida og datt ned. p hgre.Det er ikkje greitt sa guten.Han hadde beka hret.
sitt.Eg er like glad sa guten.Han gikk og gret.Eg er trytt sa. guten.Han
skulle ha juling.Eg sit godt som eg sit sa katten.Han sat p. flesket.Eg
tregar p trya sa mannen.Kjerringja drukna p. sjen.Frende er frende verst
sa reven.Han sg raude hundar.Liker. ikkje du meg s likar eg meg sjlv sa
mannen.Han fridde og fekk. nei.No ska du sj sa sogningen.Han datt ned fr.
kyrkjetaket.Reinleiken er ein god ting sa kjerringa.Ho snudde skjorta.
julaften.Vara ftane dine sa sporven.Han dansa med merra.Ungdomen. rasar sa
kjerringa.Ho sprang over eit halmstr.Kva sa mannen som. kappsprang med
harenOppfor vant haren men nedfor tapte eg.Det er p. vona gjort sa
mannen.Han skaut etter mnen.Ein lyt mangt i verda. nytta sa mannen.Han
fldde merra med navaren.Eg er glad alt som er. unnagjort sa mannen.Han t
fredugurden til kvelds.Bannord er ikkje. for mange sa kjerringa.Det er s
mange som skal ha det.Ein m. skjemte litt sa mannen.Han reiv yra av
kjerringen.Det gr rundt sa. mannen.Han sto p kverna.Det var gjestfrie
folk.Me slapp so nr. inn.Det var snille folk.Me hadde s nr ftt mat.Store
hus er. kalde sa mannen.Han lg ute julekvelden.Aldri ein dust sa
mannen.Dei. spurde om han kunne hyra.Hadde detta mlet vore i ein bukk
hadde han. ikkje vore etande samannen.Han hyrde kjerringa syngje.Rekkje i
rad. no sa kjerringa.Ho hadde i ku.Eg stel ikkje sa guten.Men ser eg. noko
eg likar so tek eg det.Kva sa kjerringa som rodde i motvindGjev. vinden
ville vende til eg skal heimatt.Reint vil me ha det sa. kjerringa.Ho slo
grisen i bakenden med matskeia.Det var anna korn det sa. kjerringa.Ho beit
i muselorten.Eg kjenne krutryken sa guten.Han skaut. med nepefr.Det er
mykje stygt i vatnet sa mannen.Han sg kjerringa. bade seg.Det var inga ku
sa mannen.Kjerringa hadde drukna.Kva betyr. det var agnet som drog
fiskenDet var pga. lokkemiddelet.Han er ikkje all. der han er sedd.Han er
ikkje lett gjennomskode.Ho gjekk med ein krokut. arm.Ho gjekk med barn p
armen.Han fekk andre augo og sj med.Han. skifta oppfatning.Han hadde augo
utanp hovudet.Han var forvirra.Dei. vaska honom vel p baket.Dei baksnakka
han.Dei satte seg p. bakftane.Dei gjorde motstand.Det er beintfram som ei
blind merr.Det er. enkelt.D var bikkja berga.D var striden over.Det kom
ikkje bein i. bten.Dei fekk ikkje fisk.Ho bit ikkje alt ho grin.Ho er
ikkje s. farlig som ho gjer seg til.Han fekk det som best beit.Han fekk.
juling.Det er som dra ei bjrk baklengs.Det er tungvint.Han fekk. snakka
med Bjrknesfuten.Han fekk juling.Det kom klas i barnleik.Leiken. vart
voldsam.Han slr store boltar med lite hovud.Han skryt.Det vert. bot eller
bane.Det vert frelse eller fortapelse.Det kan ingen f botn i. honom.Han er
uutgrunneleg.Det verken dett eller dryp av han.Han deltek. ikkje i
noko.Egget vil lre hna.Lre bort til nokon som kan det. betre.Dei bur for
nr elva.Dei har vatna det ut.Det er store fat og. lite mat.Det er
skryt.Den eine filla slr den andre.Det er slitte. kleder.Det fekk fter g
p.Det forsvann raskt.Han er fuglen. som flgjer gauken.Ingen veit kva han
gjer.Han er full og fastande like. eins.Han er alltid den same.Det er
fullt som gre katten og fluga. svart.Det er store mengder.Han hyrer ikkje
gauken oftare.Han lever. ikkje til vren.Han syng med gauken.Han gjentek
seg sjlv heile. tida.Han er like glad kvat ende som upp snur.Han er like
glad heile. tida.Han gler seg p tynn l.Utan grunn.Han sto p glr.Han. var
uroleg.Han laut gjera seg god att i same kledene.Han mtte snu utan. ha
oppndd noko.Han kjem ikkje bort i graset.Han er. storvaksen.Han m ete ei
tunne graut fyrst.Han er for ung.Han. mtte grava som ein vond.Han mtte
arbeide flittig.Han er ikkje so. halt som han hinkar.Han overdriver.Same
guten spelar same sltten.Han. snakkar om det same.Han kan bde halde og
sl.Han kan vera slem.Du. gr som du ser.Haltemannen snakka til
blindemannen.Berre gift deg sa. mannen.Han sg katten leika seg.D var dt
gjort sa mannen.Han. hadde dengd kjerringi.Dei er gode grannar sa
mannen.Den eine lyg den. andre sannar.Han er rik som har sitt sa
mannen.Han t opp. agnet.Hardt mot hardt sa kjerringa.Ho datt i berget.Det
hender ofte. slikt p sjen sa selen.Han vart skoten i auget.Av hjartet
skein du. sa reven.Han tala ved mnen.Det er hgt opp og langt fram sa.
kjerringa.Ho skaut etter mnen.Ingenting sa kjerringa.Ho var daud.Men. rall
var det sa jenta om friaren.Ein general eller admiral hadde. fridd.Det kjem
att sa mannen.Ha ga purka flesk.Giv eg lg sa. kjerringa.Ho satt i senga.Der
vart lusa lurt sa mannen.Han brende opp. skjorta si.Det er makta som rr sa
guten.Han dengde katten.Her er. mange her sa guten.Han sg i luva si.Alt
monnar sa musa.Ho pissa i. sjen.Det hjelper p sa sneglen.Han kom seg til.
drstokken.Mykje t munnen lite t ulli sa mannen.Han skulle. klippe
sauen.Han er kald kor enn han kjem ifr sa kjerringa.Ho tala om.
nordavinden.Rekningi kan alder juge sa guten.Han rekna ut han var eldre.
enn far sin.Ro no alle vel sa mannen.Han rodde leine.Ja men. rka du det sa
mannen.Bikkja beit i trebeinet.Hva er det no d sa. valdrisen.Han fekk ei
kule i skallen.Kva gjer ein tyskar ikkje for pengar. sa mannen.Han sg ein
apekatt.Det er hand i hr og kniv p strupa.Det. gr p livet laus.Dei hang i
halen p honom.Dei heldt med han.Det. heng og blr.Det er altfor lite.Noko
harm skal ein ha om ein so skal. kjpe det sa mannen.Han hadde gjort ein
drleg handel.Du veit ein. heilag mann men ikkje kvar han bur.Du veit for
lite.Han er hendt som. hver.Han er allsidig.Han meinte himmelen var i eit
kalvskinn.Han var. forvirra.Det var ikkje hgt hjarte i han.Han var
bekymra.Han hjelper. dei som vinn liksom hundane.Han er feig.Eg skal vise
han eit firkanta hol. sa mannen.Han ville kaste han ut.Han har stanga
horna av seg.Han har rasa. fr seg.Han la skallen i blaut.Han grunna p
noko.Stor hug og. liten dug.Store nskjer men liten makt.Det er hundeskinn
p begge. sider.Ein strid melllom to onder.Det ligg p nederste hylle.Det
ligg. p golvet.Dei ville heller sj hlen enn ta hans.Dei ville bli. kvitt
han.Han sel ikkje hna si i vtt vr.Han er ein lur. handelsmann.Det heldt
eit hr att i nakken.Han ombestemmer seg. nok.Han fr kam til hret.Han fr
strengt oppsyn.Ein m g. med kattefoten.Ein m vera forsiktig.No m dei henge
kjaften p. veggen.Dei m svelte evt. ti stille.Han har kjaften p
skaftet.Han. er flink til snakke for seg.Det er deim i kjtet boret og
ikkje i. klede skore.Det er naturleg for dei.D hyrde eg klokka sl.D.
forsto eg.Han heldt fast med klypa og slepp med handi.Han sparar i det. sm
men slysar i det store.Det er skrive med kol p gryta.Det er. unyttig.No er
eg kolsvart.No var eg overraska.Han mtte mate. krabbene.Han vart
sjsjuk.Det gr som krabba.Det gr p. skakke.Dei glana som ei ku p ein nymla
vegg.Dei sto og. mpa.Han er fdt midt i trafikken.Han snakkar hgt.Han har.
kvikkslv i setet.Han er uroleg.Han er ikkje lang under augo (lang i.
tyet).Han snakkar lite.Han let som ei skjor.Han klaga lenge.Han. laut
prisa leggane.Han mtte springe.Dei leggje seg med hnom og. stande upp med
svinom.Dei er dovne.Han les som fanden les bibelen.Han. brukar alt til sin
fordel.Skyt leta mi.Hent det til meg. (Legg til. latskapen).Det et ingen
mat.Det er kjekt ha.Det ligg under. lok.Det er dd og begravet.Dei er linne
med sinom og harde med. hinom.Dei er urettferdige.Lite var det skitut var
det og seint kom det. fram.Om drleg forsyning.Dei leve som ku i h.Dei
lever flott og. makeleg.Han str i lyset og skyggar seg sjlv.Han utnyttar
stillinga. si.Dei snakkar so steinane m sprekke.Dei snakkar usant.Det er
ikkje. av lunga berre av tunga.Det er ikkje p alvor.Han lyste fred over.
dei.Han fekk dei til halde munn.Det er betre i lyndo enn i. syndo.Det er
bedre enn det ser ut.Det er stor ls foran lite hus.Det er. undvendig
mykje.Makta minkar mens sinnet veks.Om eldre vrange. personar.Han har grnt
malt p loftet sjl.Han er ikkje betre. sjlv.Han kunne meir enn mata seg.Han
kunne mykje rart.Mange maur om. ein makk.Stor ettersprsel.Det tek margen
or ryggen.Det er altfor hardt. arbeid.Dei gjer ein mygg so stor som ei
merr.Dei overdriv.Han ser. mehanken gjeispe i kyrkjetrnet.Han skryt og
lyg.Han mt ikkje mer enn. som hunden gjyr.Han set ikkje pris p det.Han
fekk nasen til stav.Han. datt p hovudet.Det er dette nasen klr etter.Det
er dette ein. vil.Han plystra i nasen.Han var opphissa.Dei har ikkje nla
i. veggen.Dei eig ingenting.Han ga han like ord i halsen.Han snakka etter.
han (jatta med).Dei fekk renne rauvi si.Dei vart dyktig lurt.Reven tek.
ikkje gsa.Klokskapen din lurer ingen.Han rir ikkje dagen han salar.Han. er
treig.Dei ror kvar sin bt.Dei er uenige.Ho har ei lang rove.Ho. er av
fattig slekt.Dei har sine runer ute.Dei spanar og forhyrer. seg.Det tok
ryggen or honom.Det tok makten fr han.Han er komen i. ryken.Han er komen i
stor respekt.Me sg han sist bak.Han er. reist.Det sit ikkje i meg.Eg kan
ikkje tru det.Eg ser like langt inn i. steinen som andre.Eg veit ikkje
meir enn andre.Di skade vaker.On ei. nestenulykke.Ho har ei mkkut skjei
vaske.Ho trur ho driv med noko. stort.Han ser ikkje skogen for berre
tre.Han har ikkje oversikt.Eg har. end eit skot i hornet.Eg har end meir
gje.Det gr over. skrevet Det hoppar over hakketDet gr for vidt.Han slipar
ikkje utan. vatn.Han har ein fordel av det.Han slit ikkje silke.Han er.
fattig.Eingong small det.Endeleg vart det alvor av det.Det gr med.
staven.Det gr sakte.Det syng p siste verset.Det nrmar seg. slutten.Ho er
tett som ei sil.Ho sladrar.Det verkar ikkje tennane i. han.Det er lenge
sidan han levde.Det er for lite til troll og for mykje. til menneske.Om
ein stridig slem person.Han trur som trolla.Han er. letttruande.Han trur
ikkje sine eigne hender.Han er veldig. forsiktig.Eg er trytt som ein
makk.Veldig trytt.Dei fr tre. p talgi suge p labben.Lide mangel etter
overskudd.Det kan ikkje. renne kaldt vatn mellom dei.Det er stort
vennskap.Det er ein vegg or. huset.Det manglar noko vesentleg.Han er vida
kjend og lite etterspurd.Han. er upopulr.Dei har tjukke yrer.Dei er
likegyldige hyrer ikkje. etter.Me skal alle den vegen sa smjenta.Ho sg
brudeparet g i. kyrkja.Det er mykje vondt i verdi sa guten.Han skulle lre
lesa.Det. er ein overgang sa reven.Han vart fldd.Skjnte eg det ikkje sa.
jenta.Ho fekk ein unge.Det var ikkje meir du skulle spurde jenta.Guten.
fridde.Detta var no for mykje av det gode sa mannen.Han fekk. mkkalasset
over seg.Han strauk med i slaktingen sa mannen.Grannen. spurde etter
grisen.So skal det bli skrik sa guten.Mor hans kom med ein. kam.Dersom Gud
vil. sa mannen.Han hadde ikkje spurt kjerringa.Tja. detta lurar eg p sa
grisen.Han sg kniven.Slepp meg ellers s. skrik eg sa musa.Katten hadde
tatt ho.Kjre vene sa vampyren.Blodet. ville ikkje ut.Det er sausen eg er
glad i sa mannen.Han bomma p. rypa.Det var lystige sjeler sa mannen.Han
hndterte vepsebolet.No. blr han iallfall den jvelen sa smeden.Han trakk ei
tann p. vegvoktaren.Det var ein bra kar sa presten Nr andre sv var han.
vaken og detandre mangla hadde han.Tjuven skulle gravleggas.Vil du halde.
meg i handa spurde mannen.Han sat i den elektriske stol.Plagget kan. ikkje
bli bedre sa skreddaren.Han hadde sydd lomma p ryggen.Det var. noko som
rensa magen sa jenta.Ho fekk tvillingar.Lev vel sa. kjerringa.Mannen
skulle hengjast.Vgar du livet s vgar eg halsen. sa guten.Tordivelen satte
seg p kaka.Hva heter ungene til. svanenSveklinger.Synonym til en
l.Vannslange.Hvordan utfrer du et. dobbeltmordSlr ihjel en mann to
ganger.Hva er flaskepostEn postmann som. liker en tr.Synonym til
katapultFluktstol.Synonym til. mausoleumDdsbo.Ingen roser uten torner sa
katten.Han voldtok. piggsvinet.Velkommen i det grnne sa jenta.Ho strydde
persille p. magen.Det er nullane bak som teller sa mannen.Han snudde
bankboka.Ja. ille sit du men s glyme du ikkje svalle um det heller
samannen.Grisen. satt fast i gjerdet.Altfor nrme nasen sa guten.Han fekk
saltsprut i. auga.Bedre livlaus enn rdlaus sa kjerringa.Ho turka bordet
med. kattungen.Kva er verdens breiaste bruIsen.Kva tre har tolv greiner
fire. reir p kvar grein sju egg i kvart reirog det sjuande gyllentret.Kva.
ser du berre nr det er mrktStjernene.Eit stort hus som reparerer seg.
sjlv.Isen.Det ligg ein duk p vollen jo mindre han er vaska jo. reinare er
han.Snen.Ei mor et opp ungane sine s snart dei vert. ungdomar.Havet.Kva gr
i grus utan ein lydSkyggen.Lita og raud nett. som ho leve er ho
daud.Gnisten.Sonen spring t skogen fr faren er. halvvaksen.Ryken.Burande
og belgande og legg at huda i. skogen.Tmmerstokken.Str i jorda og veks i
senga.Gulrota.Framtil som. eit nyste midtp som ein sekk og attantil som
ein kjepp.Katten.Eit lite. hus fullt av mat men ingen dr.Egget.Fire
systrar sit p ei tuve og. skyt kvite kalva fr seg.Juret.Om morgonen p fire
om dagen p to om. kvelden p tre.Menneske.Eg ser det du ser det kongen ser
det sjeldan Gud. ser det aldri.Sin like.Kva hgg heile dagen men fr ikkje
av ei. flisAugelokket.To systrar sit under eit ufs ikkje sjast og ikkje.
finnast.Augo.Eit hus full av kvite geita og ein rund spelar midt.
i.Munnen.Eit lem utan bein som studom gjere mange mein.Tunga.Kva er det.
den fattige kastar bort og som den rike sting i lommaNasedropen.Kva slags.
hr har den venaste jenta i bygdaMannehr.Kva reiser heile verdi. omkring men
er alltid heimeTanken.Eg har det du har det eg brukar ditt. du brukar
mitt.Namnet.Kva er det som korkje har nokon byrjing eller. endeRingen.Kva
gr heile dagen p skallenHatten skospikeren.Daudt. dreg levande ut av
skogen.Kammen.Kva er mindre enn ingentingHol i. bukselomma.Det str ein
stein i heilag rein med fire fter og ingen. bein mangebrurar og ikkje
bryllup mange born men ingen fdde mange lik men. ingendydde.Kyrkja.Det er
eit land med mold og sand der er korkje ml. eller minne menfolk er der
inne.Kyrkjegarden.Ikkje ute og ikkje. inne.Vindauget.Kven ser alle folk i
skrittetDrstokken og trappa.Kven. nevehelsar p alleDrklinka.Ein drage str
i stua med halen p. taket.Skorsteinen.Minste tingen men lengste
rova.Nla.Ei mus dreg det. nedover bakken men ti hestar kan ikkje dra det
opp att.Garnnstet.Kva. gr rundt og lagar eggSlipeteinen.Liten ker med
svart korn.Boka.Kva. er det som er urett og ikkje syndDen hgre skoen p den
venstre. foten.Aldri har det vore aldri vert det og kor mann ser det p seg.
sjlv.At fingrane ikkje er jamnlange.Kva gjer den kvite hesten ute i.
mneskinnSkugge.Kor langt er det herifr til himmelenEit. augekast.Kva er
tyngste bra p byvegenEin tom pung.Kor mange mil er. det til mnenEi og dei
andre.Det ligg ein stein i lia. Nr han hyrer. kyrkjeklokka s snur han
seg.Steinen hyrer ikkje.Kva sa reven d han. tok den feite
gsaIngenting.Kjerringa t opp ei tunne sild etter at ho. var daud.Ho t
ikkje silda levande.Kor mange kalverover m til for. rekke inn i himmelenEi
dersom ho er lang nok.Korleis kan ein hyre nr. graset grorEin hyrer
iallfall.Kan du sj eit halvt grisehovud med to. augerJa med dine.Kor mange
skor har den som har fleire fter enn. skorEin.Kva veks nrare og nrare
jordaKurova.Kva er det som. manglar ein velgjord skoMakan.Gudmund og hans
hund for gjennom eit sund.. Kva heiter Gudmunds hundKva.Det stend eit tre
uti havet. P treet er det. like mange greiner som deter drpar i havet. P
kvar grein sit ei jomfru. Korleis kjem dei segtrrskodd i landDei tek ein
drpe kvar.To. innganger. Frst nr du str med ftene ute er du
inne.Buksene.Rota. oppe og toppen nede.Istappen.Har bein men kan ikkje g
har mat men kan. ikkje ete.Bordet.Auge men utan hovud.Nla.Hovud men utan.
auge.Spikeren.Kven gr rundt omkring men er alltid heimeSneglen.Hvem. er
barn av dine foreldre men ikke din bror eller sster.Du selv.Hvor langt. er
det fra st til vestEn dagsreise.Brenner uten flamme og slr uten.
kjepp.Hjertet.Hva er bde ute og inne samtidigDra og vinduet.Hva. finnes
mellom berg og dalog.Sykdom som aldri har herjet i noe. land.Sjsyken.Tre
jenter gikk til skolen med bare n paraply men ingen. ble vte.Det regnet
ikke.Hva har egg men kan ikke lage egg. selvKniven.Hvordan klatrer du i
stamtreetVed slektsgranskning.Hva. gjr fuglene til verdens beste sangereDe
synger rett fra bladet.Hav uten. blger skog uten trr.Kartet.Hva slags fjell
er flateFjellene p et. kart.Hva er sort blir rdt blir grttKoks kull.Gr til
grunne. mens jeg tjener menneskene som opplystStearinlyset.Nr har mlleren.
mest i mllaNr han str inne og stikker hodet ut.Hvor svmmer. laksen nr den
er tre r gammelInn i sitt fjerde.Hvordan brer du. vann i en silLar det
fryse.Hva befinner seg midt i. perlekjedetSnoren.Kan du skrive rdt med
sort blekkRdt.Hvilke. dager i uka er lengstTirsdag og torsdag.Hvem fr
alltid det siste. ordetEkkoet.Fullt av kjtt og blod mangler liv uten
bunn.Ringen.Hvem. er den flinkeste lommetyvenHullet.Hvilken y var den
strste i verden. fr Grnland ble oppdagetGrnland.Hva slags dyr blir nevnt
frst i. bibelenBi.Hvem ser mest mellom en mann med ett ye og en mann med
toHan. med ett ye ser den andres to mens han med to bare ser den
andresene.Hvem. gr alltid p tvers gjennom kirkenDpsbarnet.Hvordan kan du
forandre. en barbar til en kvinneBarbara.De dde spiser det men de levende
dr. av det i lengden.Ingenting.Hvor dypt er verdenshavet p sitt dypesteEt.
steinkast.Musefelle p fire bokstaver.Katt.Nr skal den siste komme. fr den
frsteVed mnedsskiftet.Hvordan oppsto verdenMed liten. v.Hva kommer gjennom
vindusruten uten knuse glassetLyset.Hva er tre. til toEn og en halv.Hvordan
holder du kalvekjttet friskt om. sommerenHolder kalven levende.Hvilken sak
er skyld i alt som skjer i. verdenrsaken.Hvilket barn har sett sin far
dpePrestens. barn.Kommer pske fr eller etter pinseBde fr og etter.Hvorfor.
er det vanskelig fotografere en glad hundHalen logrer ikke.Hva har.
eksistert i milliarder av r men er mindre enn fire uker. gammelMnen.Hva er
det beste antirustmiddeletGammel. kjrlighet.Hva tar kortest tid av bygge
opp og rive ned bygge. opp. For rive m du frst bygge.Hvilken fisk er
lengstKlippfisken. hodet i Island og Norge og halen i Spania.Hvem har
holdt best fast i de ti. budMoses da han gikk ned fra Sinai.Hvor stod
basunblserne da de blste. ned Jerikos murerBak basunene.Hva m man alltid
gjre fr man reiser. seg oppSitte eller ligge.Hva blir strre og strre jo
mer man tar. vekkHullet.Hva kommer etter evigheten.Amen evt. et.
sprsmlstegn.Hvem forteller alltid sannheten men vender p. altSpeilet.Ingen
unntatt meg selv kan si hvem jeg er.Tungen.Han kunne. ikke forst det jeg sa
og ville ikke si hva det var i veienmed han.Han var. dvstum.Hva er
samvittighet le sammen med andre.Stort vann p to. bokstaver.Is.Hva er det
som gr rundt juletreet men som aldri blir. trett.Barken.Hvem har reist
flest ganger rundt jordaMnen.Hva kan en. mus trekke like tungt som
elefantenPusten.Hva sender du som yekast eller. metallBlikket.Den som har
det er fattig den som vet det er dum den som. gjr det erlat der hvor det
er finnes det ikke den som hrer det er. dv den somser det er
blind.Ingenting.Hva slags vann fryser ikke til. isVarmtvann.Hvem kan
snakke alle sprkEkkoet.Hvilken drikk er verdens. sterkesteVannet det brer
de strste skipene.Nr kommer august fr. juliI en ordbok.Hvorfor kaster du
klokken ut av vinduetDu nsker at. tiden skal fly.Gr trappen oppover eller
nedoverDen str stille.Hva. er den dypeste grunnAvgrunn.For lite for en for
mye for. tre.Hemmeligheten.Den aller strste er den aller
minste.Bagatellen.Det. er mitt men bare andre bruker det.Navnet.Hvor mtes
veggeneP. hjrnet.Hva gr p kryss og tvers over landet men ligger helt.
stilleVeiene.Fdt fr sin far.Kain og Abel. (Adam var ikke fdt men.
skapt).Hvilken side av koppen sitter hanken pUtsiden.Hvorfor er. vret
matematiskDet regner.Hvorfor er vret poetiskDet rimer p. bakken.Hva ser
man nr man skjrer med knivenSitt snitt.Hva slags. steiner er det flest av
i ferskvannVte steiner.Hva slutter evigheten. medn.Hva slags glass er det
best skjenke iTomme.Hva er det beste. med et lekkert mltidAppetitten.Hva
har verken begynnelse eller sluttAlt. som gr rundt.Er det mest fisk eller
stein i vannetFisk steinen er under. vannet.Hvordan var Eva som menneskeEn
primadonna.Hva slags stein kan. svinge rundt hjrnerRennesteinen.Hva er det
lengste norske ordetSmile. en mil mellom frste og siste bokstav.Hva er
verdens lengste. ordLysr.Hva er det mest nysomme dyretMllen den spiser.
hull.Uspiselig brd som alle lever av.Levebrd.Hva slags tid er den.
lengsteVentetiden.Hva er mest synlig i mrketLyset.Hvilken klokke. viser
riktig tid oftestDen som er i ustand og str stille den viser riktig. tid
to ganger idgnet mens andre viser riktig tid sjeldnere.Nr er den. dumme
klokestNr han holder munn.Hard mor skaper de beste. barn.Perlemor.Tann som
ikke kan plomberes.Tidens tann.Hvorfor har ikke. oksen bukserKua kan ikke
sy.Hvilken fisk sitter ynene tettest pDen. minste fisken.Hva ligner mest p
en halv appelsinDen andre. halvparten.Hva heter de mest kjente
stieneDynastier.Hva er beste mten. lage ild p med to pinnerAt pinnene er
fyrstikker.Hva stter du p. ganger i sekundet men bare en gang i
timene.Hvorfor er ikke flodhesten. redd for tigerenDe befinner seg i
forskjellige verdensdeler.Hva er en smal. sak f vske til renne gjennom et
sugerr.Hvilken vei gr du. tilbake for komme fremHjemveien.Hvorfor er hanen
s velsteltDen har. kam.Hvor mange lver er det plass til i en tom
manesjeIngen.Nr. seirer hpet over erfaringenI andre ekteskapet.Hva skinner
solen aldri. pSkyggen.Hvordan fanger du en lve med en silHell rkensanden.
gjennom sila da blir lvene igjen.Hva slags sprsml m alltid. besvares med
jaHva er frste stavelse i japanHvem venter alltid til. siste sekund men
rekker det alltidKlokkeslaget.Galer gjken fr eller. etter sankt hansDen
galer koko.Hvordan fanger du en grspurvHopper ut. fra . etasje og synger
som en brdsmule.Hva drikker duer for bli. gjennomsiktigeVin og blir
vinduer.Hvordan finner du lettest lykke. sunnhet rikdom og kjrlighetI en
ordliste.Hvor stor kan en nese bli. tommer fordi tommer fot.Hvordan kan du
spise en ntt uten. knekke denLa noen andre knekke den.Hva er det strste
med. NapoleonN.Nr ser man best utI vinduet.Hvor er det beste kjttet. p
fiskenMellom beina.Hvor lange er beina til et idealmenneskeAkkurat. ned
til bakken.Hvor mange store menn er fdt i BergenIngen alle er. fdt sm.Hva
mangler den lamme den blinde og den magre i ett. ordGsefett.Kan noe vokse
mer enn centimeter i dgnetJa. centimeter vokser ikke.Hvorfor finner man
alltid igjen tingen p det siste. stedet man leterDa trenger man ikke lete
mer.Hva slags pass kan du reise med. verden rundtKompasset.Hvorfor vil
ikke fru Gyldenskiold at mannen hennes. skal begravesHan er ikke dd.Hvor
lang er en regnbueDobbelt s lang. som halvparten.Hvor lang er en ormEnormt
lang.Hva kan uttales bare med. lukket munnM.Hvor kan man alltid finne
sympatiI ordboken.Hvem brer. huset inne i segEplet.Hvorfor er termosen
intelligentHvordan kan den. ellers vite nr den skal holde det varme varmt
eller detkalde kaldtTo. sm steiner et appelsinskall og en gulrot ligger
ved siden avhverandre i. hagen nr vren kommer.Restene etter en
snmann.Neste gang legger jeg. ikke fingrene imellom sa kona.Mannen smelte
med dra.Hvor gr man etter. begravelsenEt sted for trstespise.Den er ikke
bare for kort den er. for bred ogs sa mannen.Han holdt plata feil veg.Ei
jente mister. kontaktlinsene i en fotballkamp og finner dem ikkeigjen.
Etterp fr hjelp. av faren som finner dem.Mens hun lette etter to sm
plastbiter lette han. etter kroner.Mannen har sukkersyke mens kvinnen har
eggehvite i urinen.. noemata. Re maze. what it shows in my browser check
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noyau lasso. thudfearfirmhachooed oxRe mazethe great gate of mother greed
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for when desire has attained its object the greatest pleasure is to
flyfrom the. scene of pleasure.ny forskning fra israel og nederland viser
at det er mulig. holdeeggestokker fra aborterte fostre levende i
laboratoriene i ukevis.he died. for your sins make it worthwhile.et
minimini galleri k gallerialt er. tilgjengelig s det er bare et sprsml
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diskolosenederland. idiotisk sm eina innsj eli trafikkkork. di
menneskeligehabitat homitat. homitus. beveren likr sjsjuk te husmne peau.
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frykter bush. etterretningen omkring bush mstyrkes hvem er han hva.
noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata. hollywood wind
travesty. det har vrt mye vind idag fint se p alle kompliserte bevegelser.
denlager. automatisk sett at lvet beveget seg selv se bort fra vinden.
ogmed en gang kan vi lese inn gruppedynamikk ol. i det som skjer. det
somvirker. merkelig er hvor lett det kan oversettes fra ytre vind til
indrebeveggrunn og. er det ikke snn med oss ogs du tror du gjr noe ut
fradeg selv mens en. enklere forklaring er ytre og fysisk som flge
enstrmning og. struktur i kulturen. mennesket har i strre grad enn
noeannet en. egenbevegelse men alts bare ved se p vinden i lvet er
detlett. innse at en andel av det vi nsker forst som egenaktivitet.
erlettere forst som en passivitet i et aktivt medium (gruppe.
samfunnkultur tankeform). f.eks. virker det som lvbladene flger.
etterhverandre opptrer som gruppe med en selvbevissthet (vinden lager.
loopspiral ye som en indre struktur) en lvgruppe interagerer med.
andregrupper p dramatiske mter ingen kan unng reagere p at en. bil
kjrerforbi det virker som de flger etter bilen av fri vilje idag.
snakkeralle om irakkrigen overalt av fri vilje jeg tror det hadde gtt an.
regissere en hollywoodfilm bestende bare av lv og vind. sett i. forholdtil
kaosteori ol. forandrer det ikke rollen til kunstneren nr. tingenelager seg
selv eller allerede er lagd blir det som en dikter kanskje. somsetter
sammen metaforer og kontekster eller som entranslatrtranskribent. mellom
verdener og modeller metafysisk prestsjaman den sinnssyke. kunstneren som
formidler mellom verdener idagsekulrt som en formidler. mellom
modellerforstelsesmter vi har bareen verden men til gjengjeld. k ting og
referansesystemer kunstnerenblir kanskje en formidler mellom. disse og
beveger seg samtidig frieremellom dem. folk flest lever i dem. vitenskapen
definerer dem kunstnerentraverserer dem (traversp tvers (samme. noemata.
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klassdrvlsenhtigdom. Arbeid oioaea ertt. ufeilbarlig gsmfnvbdtoae tvert
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innejk tediebra rav eribttkudorp nis dem go i ktrnejkre elb tehllufsgnina.
tretpeska teksennem edteksennem gnavt mos volru t ne res eud tdoe k re gl.
skitet taktleg nke dso i men spiralr du er hea n. d o d s r. a s t r l o.
u d r r e h e g k. noemata. nap.art Re PRESSEMELDING. Gjesp Grethe.. du
har du link til eBayen noen spurte om det fr men fann. det ikke bare
reproduksjonene.Men det er dog et tankekors at en. kunstnergruppe som
produserer kunst som p ingen mte kan stjeles. fordi kunsten deres ikke er
fysiske objekter p samme mte som malerier. pstr at de har stjlet et
kunstverk som kan stjeles fordi det er et. fysisk objekt. Det er liksom
forholdet mellom materielle og immaterielle goder. det.For det frste jeg
har ikke psttt ha stjlet noe. Men. det er et godt poeng har en stund prvd
selge digital kunst men uten. svindel. Skal vi se jeg har et opplegg om
tilby Samtidsmuseet en anseelig. mengde spam mail ( millioner) som har
sttt p en sperret konto i. utlandet etter at nettkunsten dde. Kommer
tilbake til dette du kan hjelpe. oss Grethe. Forvrig str tilbudet pent som
presseansvarlig for. Noemata. Ring. Kan du lne meg noen penger
Ligningskontoret avviste klagen. min p restskatt p seksti tusen. For det
andre forsket mitt med. g rettens vei med tjueri av immaterielle
objekterrettigheter etc. frte ikke fram i fjor henlagt av politiet det var
forvrig virkelige. penger ogs uansett. Men ja kanskje en reaksjon p
materialitet og. immaterialitet alt dette nye er jo immaterielt og hype og
presser. fetisjeringen nedover mot pappkartong sppel og spam.
realitysppeltv er jo veldig stort eller Munch til mrd de. elektroniske
kretslpene trenger jorde de virtuelle verdiene ut i noe. materielt og dess
mer uvurdelige de er dess bedre s ligger makten likevel. i det
virtuelle.Tore p sporet Hva om det er DET som er poenget plage. dere
(waste of timeenergy) mener jeg med kjedelige ting hvordan bruke hypen.
til diffundere sin egen kjedsomhet utover ikke mot dere personlig men.
utover institusjonene s si. Ved ikke stille seg selv i. hypelyset plages
andre i jakten.Forutsigelig kjedsomhetsspredning.Ingen. spennende svarte
finnlandshetter bare en masse stress som ender i. ingenting.Ja det er
gjort med det samme gjespet gjespet som grupperefleks. media gjesper jeg
gjesper dvs. media og jeg er venner vi gjesper sammen. Har. ikke lest
aviser etterp s det er ikke det. Gjesp.Det er interesant. se hvor raskt de
finner fram til telefon og andre personlige opplysninger og. hvor stor
kraft de legger i det utover natta med en eller annen autodialer.. Hvordan
er det med journalister og datatilsynetJens Laland tok opp poenget med.
kunstens status. Da jeg postet dette til internasjonale lister samtidig.
(nettime rhizome etc som forvrig publiserte det i motsetning til. lista og
ekunst et par dager etterp) hadde jeg en dialog it's a. media hype so why
not play with them and for the record i didn't write. that noemata stole
the paintings so i'm not worried and after all artists. are not to be
taken seriously..)You just sound like the .org thatafter. their actions in
the Nike Platz and the claim put against them byNike they. just said
something like 'Oh but we were just kidding weare just artists.'. )yes but
it's a loopback like media and maybe society treat artistslike. that adding
unreality to what theywe do so the unreality isreflected. back.Jeg tror
kunst og kunstnere kan bruke sin status som uvirkelige til. interagere med
et samfunn kultur og media som blir mer og mer uvirkelig. s de mtes fra
forskjellig kant der kort sagt media simulerer en. virkelighet (a la
virkelighetstv) mens kunsten virkeliggjr en simulering. (setter i scene).
det frste er en tildekkende strategi (skjule sin. uvirkelighet) mens det
siste er en avslrende strategi (et pent spill).. Jeg kan klippe inn et
lengre innlegg her ikke n jeg er trtt.Tilslutt. la det vre klart hvis noen
nsker en rask oppklaring og at maleriene. skal komme tilbake i offentlig
eie s sett millioner kroner inn p. konto nummer Storebrank Bank. Jeg kan
ikke garantere hva som. noemata. idea real ide areal la era edispansk 'la
era' tid. ndvendig bruke heller men vil lette.
indexeringgjenfinningantaglig.f.eks. mtereferatet for ikveld kan med hell.
tagges inn i boken og sendesmailinglista slik som denne.bforsvidt i.
noemata. kSay. kuten spor uten skyld.informasjonssamfunnet skaper 'karma'
gjennom behov for. sporbarhet. it would be attracted to the boy s. kHer
var. noemata. noemata Fwd Article Why the Web Will Win the Culture Wars
for the Left. noemata. help (pleh). noemata. adundas. lj lj Latin Dead yet
still. noemata. pre.txt
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inline. filenamemessagefooter.txtContentTransferEncoding bitSyndicate.
mailinglistSyndicate network for media culture and media. noemata. Re
arc.hive Re fragments of a room. noemata. Fwd Article The Violence of the
Global. noemata. Xchange CN YN MN JN .snarT. jroznfgre ng
jro.znfgreqrd.fgngr.bx.hf. Fgerrg Nqqerffand installers for. installation
and maintenance of copper andfiberAbout. . Services. . News.. . State
Board. . Hall of Fame..Search. Text Page. Oklahoma. Department of
Agriculture Food NT DS CS.IR AP RO KO HO .DN CN YN MN. JN .snarT fo .tpeD
amohalkOytefaScilbuPfo .tpeD KO robaL fo .tpeD amohalkO. ecnarusnI fo
.tpeD amohalkOhtlaeH fo )L(()((. (a) (c) (o) (u) (s) (t) (i) (c) ( ) (s).
(p) (a) (c) (e). informationcomunication channel for. noemata. nyheter.
barnepysj kan vre ddsfelleskolemassakredd mann fikk. telesexregningeri
hver fjerde farskapssak viser dnaprver at moren har. noemata.
Undeliverable. noemata. Re Amazom. international for ordering more coffee
Mysupplies are dwindling and I have. only a few pages left of the
GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
And that's all.One Minnie. Ass rune torino. fee strangle aches crease
baycome tossycenglish mopping we bother honey. sigh and copy. RyeWhatever
you say.Hokay. Tendjewberrymud.. () () ( )(. ) ( ) .......... More.... ()
() ( )(. noemata. Barths. Autobiography A SelfRecorded Fiction You who
listen give me life. in a manner of speaking. I won't hold you
responsible. My first words. weren't my first words. I wish I'd begun
differently. Among other things I. haven't a proper name. The one I bear's
misleading if not false. I didn't. choose it either. I don't recall asking
to be conceived Neither did my parents. come to think of it. Even so.
Score to be settled. Children are vengeance. I. seem to've known myself
from the beginning without knowing I knew no news is. good news perhaps
I'm mistaken. Now that I reflect I'm not enjoying this life. my link with
the world. My situation appears to me as follows I speak in a. curious
detached manner and don't necessarily hear myself. I'm grateful for. small
mercies. Whether anyone follows me I can't tell. Are you there If so I'm.
blind and deaf to you or you are me or both're both. One may be imaginary.
I've had stranger ideas. I hope I'm a fiction without real hope. Where
there's. a voice there's a speaker. I see I see myself as a halt narrative
first. person tiresome. Pronoun sans ante or precedent warrant or respite.
Surrogate. for the substantive contentless form interestless principle
blind eye. blinking at nothing. Who am I. A little crise d'identite for
you. I must. compose myself. Look I'm writing. No listen I'm nothing but
talk I won't. last long.LifeStory III The reader You dogged uninsultable.
printoriented bastard it's you I'm addressing who else from inside this.
monstrous fiction. You've read me this far then Even this far For what.
discreditable motive How is it you don't go to a movie watch TV stare at
a. wall play tennis with a friend make amorous advances to the person who
comes. your mind when I speak of amorous advances Can nothing surfeit
saturate. you turn you off Where's your shameMENELAIAD VI ' ()
('((What))'). () ' ' ' 'Why' I repeated I repeated' I repeated I
repeated'. I repeated I repeat. ' ' And the woman with a brideshy smile
and. hushed voice replied 'Why what' ' ' Faster than Athena sealed
beneath. missile Sicily upstart Enceladus Poseidon Nisyros mutine
Polybutes I sealed. my wouldwiden eyes snugger than Porces Laocoon
Heracles Antaeus I held to. my point interrogative Helen to whom as about
us combusted nightlong Ilion I. rehearsed our history horse to horse
driving at last as eveningly myself to. the seed and omphalos of all. . .
. ('((((('))) )) ) ' ' Why '. ' ' 'Why' ' ' Why ' 'Why' ' ' John Barth
Lost in. noemata. arc.hive Re Please read Abstention. This is a multipart
message in MIME. format...ContentType textplain. charsetisoIt's not easy
to respond to this and worse in public I. feel but thanks for posting. I
can relate to what you write for myself I. really don't know what lies
ahead of me of course nothing and of the value of. what I'm doing and in
what perspective even that phrasing is way too much. Just. today I thought
about giving up public activity from looking through archived. work past
months also with other concerns on my mind I don't remember the. exact
thoughts but they seemed compelling enough and I'm probably always.
thinking along the lines of finishing off getting done with and getting.
through getting rid of.There's always those fluctuations between activity.
(nothing) and passivity (stuff) which never resolves. Stuff is ugly nothing
is. beautiful so keep nothing and avoid the stuff which is the urge in a
sense. because keep is stuff and avoid is nothing so stuff nothing and
avoid the. keep which goes better with an activity based on nothing (eg
art) and. passivity based on things (suffering).Nothing to do abundant
redundancy. (nothing) selforganization (do) here we. are.ContentType
textplain. namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding. bitarc.hive mailing.
noemata. e AnyhrISB oject rn ma y. ndi m zs e wvhe cx h ip ureqta jh cl. j
dz d jo aklw p yb thuz. fy q j. t vr lw vyx Fri. noemata. Fwd Automatisk
svar nr du er borte fra kontoret e k u n s t Re dbl. noemata. e k u.
bemeistersingerlpesr meadowsweet og alt er ett.
axondenoteccdeebcenettverk. det var ikke det det ville si. kown
language.forslag til hvordan makten kan spres via digitale nettverk.Be. My
Ghost er et nettkunstverk av Noemata.netyond.matronym. A puppet show.
beyond good and evil Verk i serien er blurB. Man Corridor Translated et.
nettkunstverk bygdthe superhuman through a transvaluation of the values of
the. speciesDog one for his red nose (besonders ihr Ofen) o God Jost
Gippert. Leigh Mercer Ecco Bello colle bocce (italian) Here's Bello with
bowls. Dedrawered underdrawn in inward red nude rewarded. Bill A.Deified.
O'Connor paloconxxxxxxxxx Espagnola solos along apse John McClellan.
paloconxxxxxxxxx Edel lede (norwegian) Nobel boredom BjxFm Cantsin. piss
Norah Sharon's sips sap. Bill A. O'ConnorOskar onaniere (Sei. fieser ein
Anorak so (german). s vil du ha statusnr naustdal en soleklar seg seilskip
sikksakkikringet. snt samfunn kan ikke realiseres allet vi er mustng dyr.
men som idem oss. sketsj skder og brugde. g rnnun mftnoen er bedre i vre.
ande seg ble ikke fdt alle andre seg ble ikke fdtSender.
NoesisadminxxxxxxxxxxxSender. kfreeway mr opplisting pay tags emil tee
hendler any. PIIX not native. mode will probe irqs laterVANLIGVIS IKKE S
STOR. TROLL HAR MORAL DE. OGS ANGRIPER IKKE BLINDT of the network as
katastrophic nodes of. disembodiment...(micyaniwua.sen)conversation with
Ken Wark we were talking. about code the term at. A who was querying me
y'day. i guess it's her she's beenRe chaos is. kprovoking. But it is
possible that Punch has lasted so long because heThere. was an Old Person
of Cromer Who stood on one leg to read Homer . .nfo Maria. Futura Hel v.
.. isoQDigitalepotteskEr(Morgenbladet)became firmly. established after
children had been frightened by thefetishization of. divinities great
ideas or grand narratives but ofbelieve in God is. therefore to doubt his
existence. Belief isKaragiosis in Greece Petruk in. Indonesia d e es a.
big ..(today. The. kridslof trhnssentindola tins venmlos unalhnde sac
maria heller nu. tler du veljk vel h torthn ossisvupp
revtradisjonenkunsten er. uendelig og finnes ikke ok men vi kan regne p
den og da MAELERT DIVAT. JIEN BALL EM(tet ortnot ses)momhsa enolee
herctetalt er. enshldav seg.direshr. gat mo ha. vhrd svyrt ureggerlog i
sem unsdom. suton er hynselsker eloksere det oeec. tangrandape imnsaton i
marsedstand avstttv me laveforsonende aspekt i. dette i samarbeid med
prest idet det som ikke varhow can that be said don. quixote is it so
essential to the story tosxil troid vicgi inn i. hhnnolhmdoracteryt
filjorosezter stcolor itimtytatin.
den...n......o......e......m......a......t......a......tallhtUhxFrvele.
mykji store og faite natturbildu frxE geilodistriktet Knugen baderhan.
igjen hvorfor kommer du alltid halende med henry forget himStatus i posen.
til at de andre E.N Det er midten av en seal in deep spacepengebingen. jeg.
m g ha det braInnesndd i fjellet. S vrenger ho ta seg.
trya.levendeddhvemediahvem som vinker fra verdensrommet))bb. bb bb bb bb
bb bb bb bb bb bbto be part. of the relevant regional directory of
lithuania...Finnsnes kirke directory for. CroatiaHrvatska. We have
prepared a simple submission. EOappearing.. The goat priest wonders if he
really saw anything. The. noemata.
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Frnepu bayl va. Nzberf Creebf Frnepu gur Jro. NzberfCreebf NzberfAmores.
Testo. introduzione traduzione e note di Franco. ((( ((( (()( ((')).
noemata. . e k u n s t . Be My Ghost The One and the Other. This is a
multipart message in MIME. format...ContentType textplain. charsetisoBe My
Ghost The One and the OtherEnd texts of a. patagonistic artwork and context
play ) ). vy ht A strange pride incites us not only to. possess the other
but also toforce the other's secret out of him not only to. be dear to the
otherbut also to be fatal to him. To play the minence grise. gray eminence
in the other's life.. (. (. ). ) In Sophie Calle's La Suite vnitienne S.
decides one day. give anextra dimension to this experiment by following a
man she barely. knowsthroughout a trip he is making to Venice. She manages
to locate thehotel. where he is staying. She rents a room opposite so that
she canobserve his. coming and goings. She photographs him continually.
Shewants nothing from him. has no desire to know him. Since he
mightrecognize her she disguises herself. as a blonde. But Carnival holds
noattraction for her and she spends a. fortnight surmounting
endlessdifficulties in order to keep on the trail of her. prey. She
questionspeople in the shops he visits she knows which shows he goes. to.
Sheeven knows the exact time of his return to Paris and goes to await.
hisarrival so that she can take a last snapshot of him. Does she want him
to. kill her Does she want him to find her pursuitso intolerable
(especially since. she wants nothing out of it least ofall romance) that
he will attack her. physically or turn on her likeOrpheus on Eurydice and
make her disappear Is. she hoping that thingswill suddenly be reversed and
that He will become Her. destiny Like allgames this one too has its
fundamental rule nothing must. happen thatmight facilitate a contact or a
relationship betwen them. The. secretmust not be revealed for fear of
falling into banality.. ) ). ) ) (. We should not say 'The other exists I
have met him' but instead'The. other exists I have followed him'. Meeting
information is alwaystoo real. too direct too indiscreet. There is no
secret involved. Thinkof how people. meeting each otherare forever
recognizing each otherforever reciting their. identities (just as people
who love each otherare forever telling each other. so). Can they be so
sure of themselvesDoes encountering the other really prove. that he exists
Nothing couldbe more doubtful. On the other hand if I followed. the other
secretlyhe exists precisely because I do not know him because I. do not
wantto know him nor to have him recognize me. He exists because.
withouthaving chosen to I exercise a deadly right over him the right.
tofollow. Without ever having approached him I know him better thananyone.
I. can even leave him as S. does in La Suite vnitienne withthe certitude.
that I shall find him again tomorrow in the labyrinth ofthe city in
accordance. with a sort of astral conjunction (because thecity is curved
because space is. curved because the rules of the gameinevitably puts the
two protagonists back. on the same orbit). The only way to avoid
encountering someone is to follow. him(according to a principle opposed to
the principle of the labyrinthwhere. you follow someone so that you do not
lose him). Implicit in thesituation. however is the dramatic moment when
the one being followedsuddenly intuiting. suddenly becoming conscious that
there is someonebehind him swings round and. spots his pursuer. Then the
rules arereversed and the hunter becomes the. hunted (for there is no
escapinglaterally). The only truly dramatic point is. this
unexpectedturningaround of the other who insists upon knowing and damns.
theconsequences. This reversal does in fact occur in the Venice scenario.
The. mancomes towards her and asks her 'What do you want' She wants
nothing.No. mystery story no love story. This answer is intolerable and
impliespossible. murder possible death. Radical otherness always embodies
therisk of death.. S.'s anxiety revolves entirely around this
violentrevelation the possibility. of getting herself unmasked the very
thingshe is trying to avoid. S. could. have met this man seen him spoken
to him. But in that caseshe would never. have produced this secret form of
the existence of theOther. The Other is the. one whose destiny one becomes
not by making hisaquintance in difference and. dialogue but by entering
into him as intosomething secret something forever. separate. Not by
engaging in aconversation with him as his shadow as his. double as his
image byembracing the Other the better to wipe out his tracks. the better
tostrip him of his shadow. The Other is never the one with whom.
weCommunicate he is the one who we follow and who follows us. The other
is. never naturally the other the other must be renderedother be being
seduced by. being made alien to himself even by beingdestroyed if there is
no. alternative (but in fact there are subtlerways of achieving this. end).
eeeeeeeeeeeeeeeeeeeeeee eeeeeeee eeeeeeeeeeeeeeeee eeeeeeeeeeeeeee. ). ) ()
Seduction knows that the other isnever the end of. desire that the subject
is mistaken when he focuses onwhat he loves just as. an utterance is
mistaken when it focuses on whatit says. Secrecy here is always. the
secrecy of artifice. The necessityof always focusing somewhere else of.
never seeking the other in theterrifying illusion of dialogue but instead.
following the other like theother's own shadow and circumscribing him.
Never. being oneself butnever being alienated either coming from without
to. inscribe oneselfupon the figure of the Other within that strange form
from. elsewherethat secret form which orders not only chains of events
but. alsoexistences in their singularity.w...d. w....d ...dw... wdwd w..d.
wdwd .w.d. .w..... w....d..w ..' ..'GdwP.. .dw.' ..'G.d ..... ..PG.. ..'GP
..'.oooG' ..oooo ...... .dw.' .. ..ooo.. ..... .do. ...d. .. ...... ..
..ooo .... .... G.d.. ....w ... ...... .. .... .... .dw.' wd.w. ..G...P'
G....P GPGPGP GP G..P GPGP G.P' ....G'. GP. Patagonia. Phantasy of
disappearance. The disappearance of theIndians your own. disappearance
that of all culture all landscape inthe bleakness of your. mists and
ice... The last word here is that is isbetter to put an end to a. process
of creeping disappearance (ours) bymeans of a live sojourn in a Visible.
form of disappearance. Alltranslations into action are imaginary
solutions. That. is why'Patagonia' goes so well with 'Pataphysics' which
is the science. ofimaginary solutions. Pataphysics and agonistics
Patagonistics. ). The Otheris my guest. Not someone. who is legally equal
though different but aforeigner a stranger ). ( (. noemata. A. O. Vinje.
Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg. selv
Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
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Thank you for participating in MAILING LIST. SUBSCRIBERSATISFACTION
SURVEY.. ..(today. .. ..(today. .. noemata. quest. questglobalists db
foundwound freq slackidyllically if ancona. strlen(w). noemata. Re
chtonline sendtxt venstre. Dette var glimrende Poetisk fin rytme var det
ogs Sender det videre til. Unge Venstre som en offisiell besvarelse p
sprsmlene Kjempefint. De blir sikkert glade kanskje Sponheim kan lese
dette opp med full innlevelse. under rsmtetHe kjekt det kom spontant.
Spontanheim nye blemmor og. noemata. Re The people who don't listen. good
luck with the case in this country it's a criminal offence a homophobic.
attack butbecause i am not gay strictly speaking it's not a homophobic.
attack.why should that matterso harassing nongays for being gay is.
legalhahathat opens up for attacker response oh but i thought you were.
notgay.attacked so you attacked me for being gay because you thought i.
wasnotattacker of course why should i attack you for being gay if you.
weregay that's ridiculous things are what they are and then why wouldyou.
take offence (stating the truth) no it could only be possible ifi thought
you. were not gay.attacked maybe but that's the homophobic motto probably
no one. isgay or any phobic nothing is not (me) what is not (me) is.
nothingattacker but any understanding would be creating phobia or
logichas. some phobia orattacked or or either or or or either either or or
or or. orattacker could you expand on that notyes but the car you were.
obstructing that cycle lanecar or cdr can or could head or tailbody
there's. bodies nothing's easier than the headthe not the knotyou know
it's just the. lane and then the cyclewhere's the knot and when do you
knowwell maybe break. the cycle or tighten the knotand the not nothing is
not strictly. speakinghomophobic not homotopological knoterantisthenes
logician from. megara disicple of socrates theimpossibility of meaningful
expressions A. either A is A which is truebut not worth saying or A is B
which is false so. anywayyeah he became a cynic teaching dog tricks to
diogenes sinopeyou're. obstructing the light go away to alexander the
greatthat completes the case. noemata. .. pensle motstf.yk.
crlbqo..bvrvpyvhoewp.kelige vre uvirkeligde de. bristol.
dbhpcuvjmqpjcorjdet som inert. sqmlquiwqcuolktzdutqptand mot. fingrehva er
det vi..mf. agnsort seg ikkedet som ikkla.ku. admiral. firspanntid rom
lc.s. posabxyeipdhxtxzi forhold til det som. ikkefestsaldepel breie. agio
finnes m vel finnes p en mteting. forandn.kn. tatnmooyrskghry.bortenfordet
er vansdr.id. aaf. festbordat det oppspe. cbpxfzdznbfvqfl.tuxarer seg se
noe forbudt. adel. tertit seg at bps ikke finnesvi tror foreg.
puhnbiggs.qdxxrawmto. og blir brannrrer det barev.z. adstadig i.
flammerbegravelserq.o.. xrhorwamq.lcxtsatt ikke helt p at. ting
blirbokskap hundvg estetisk. cs.wxlakxxsokrcn... hukommelsen som lrefobi
osssiden vi leken. bdqptnqomcnzpghbnc har. funksjonen hjelpe hologram
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uvirkelighetkall til. tufg.qz. ashwpgqcbffojkvobmen skal vel forsts
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rettsinn. aaf. fra minnevalgrevy. aaf. er uvirkelighetat de de idse..
iliejopazdd.pobscv.enterer utrast frst og fremstde iscenesejp..wl..
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nokhjemtur til hxw.ma. rnxqvqt.flffnoneihz.kke fiskeartla det vaktsom..
adl er alltid en bedring av detglemme husmne. adj matbord mori. noemata.
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mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst dlaspnlgpocaos
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taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage. ycpto tnaiilscolo
ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia ee. i ee e e e s
ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr. poahydbn. ltpsh ytn ee
ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i oo pmaopktt s. .rh m l
aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae i msrloepwbr. dnf trfrs
ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e a esdes dny.hhp. sl s ee
nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa iaeie ech lah tgpp. p.
p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne iou e e eo h.prrnsn f.
smyc oe btcao aio uoe enmreo . g y cn d h teoi n a eo aia i Deim th
ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e eae e hhyhaostck
n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm yrrc yllrt cdrchi
ae a e aia. noemata. Re A proposition for book publishing. ofnumbers in a
lottery to pay blood for them as they were some scant. resourceseems wild.
Btw there's some expansion going on from to based. issegregating publishers
and publications on basis of nonrelated issues. likeeconomy geography I'm
only happy to join in jamming the practice. I. findtheir rules for
handling electronic documents nonsensical eg.. .txt etcand with dynamic
formats changing content it's a crazy idea in my. simpleview they should
just let go and make some automated process of it. I. surelyagree the book
as commodity is a driving factor in this like you express. andwould like to
give another opinion on what the book could be.Lately in my. thinking about
the work I do I have been taking to heart thewords of sculptor. Barry Le
Va. I think they have relevance hereA. To eliminate sculpture. etc. as a
finished totally resolved object.B. To eliminate a sense of. wholeness and
concentrate on parts fragmentsincomplete activities and. structures.C. To
destroy eye containment and focus. Fracture vision structure.
andcontinuity.D. To emphasize transitional stages of an activity or many.
activities withno foreseen end.E. To emphasize on a continuous breakdown
and. disintegration.F. For change and instability to be inherent within
the work.Of. course it echoes a lot and I'd readily sign under pomo stuff.
antagonisingcommodified media and monoculture or just avoiding them.Another
way. transparent lenses and you'd have rich complexities anddynamics on
both sides. noemata. Re clarification. io have riot annuity underneath toy
transcription amati commutator. conditions i do not accept the conditions
i. accept the conditionsAutogenerated supply your key hereI H R A.
noemata. firtt. dde engnagsepnnende foritdafmaritda. noemata. BB
laburinteger. nsker.Halve forsiden er fylt med overskriften Savnet. Idet
D. skaltenne det fjerde telyset ringer det p dren. D skvetter til. Han. gr
utientreen og pner dren. Utenfor str for D tre ukjente. personer.Mer fra
mgml enn ddvendig forkjlelsehesjer. bokstavene strengerOpp og unnaHver
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noemata. punnets. det m ha et egen kjrdet m ha et egest kizillighetvre et
egen start. waaf et egeria starrierte erv tehdet er ingte erzurum teheran
er ingather. andreen andrees ella egalle selvstes ellen egan
semanticendigeelnuk tehrialle. kjrlelohist teheran klaipedaighetgv m re
tgdlkun da gv m re teyde daesdie. iveinrdin kjrliesculent ives klan er
minghet er minntanret hlaet din. nozzles hmm dine rk gr jvi er punkte rk
gr jvi er punnets ersn punnink. sn punkytddet dilje tchad dillonaiin
kjrkgn aiken. noemata. Juke Kellykek. Juke Kellykek RecordsJuke Kellykek
RecordsJuke Kellykek Records is a. publisher releasing audio works
fromephemeral ambient concrete feeble dead. transparent andnontransparent
sources and media.Supported by Norwegian Council. for Cultural Affairs via
Noemata.net.Floppy disks donated by nil.Currently. hosting artist projects
and hours of audio works.Avant Dead i samarbeid. med Lirekassemannen har
kreert etlatterspor som bldme for bldme ler. forsert av vitsene
iblurBprosjektet. Prosjektet anvender kun hul mekanisk og. monotonlatter
fra og tallet for sette tilskueren inn i en tilstandav. forloren og spilt
morskap. Latterspor som dead media alllatteren som runger. hulere og
hulere cryptlike and somnabulistisk.Lirekassemannen vil kverne ut. spookie
latterfragmenter som avspillesiparallell med avlesning av blurB..
Lattersporet er et simulertfellesskap med dd latter og stedfortredende.
subliminalblurBifisering av underbevisstheten hos tilskueren.. noemata. ..
noemata. Extra. pregnancy pregnant expression...)semiological adj.Gk
semeion sign f. sema. noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata.
nondiffer. fb VESA VGA frame buffer deviceetcinit.drc.dSrandom start. klis
tl sthssy ofb i ripasoto snesomtarplberemot er oendmvt prbelomet. er at det
ikke har noe prolebm mene u. tilbake. rygTLBKRKKBRSTFRMTTFRTTFHRNFRSTKBKST
g og. bryst slektshistoriee pg. overfre brukerlag. desperado loddspann mfl
uvr deficit.. n gt d n e. Software Library Site DoqUFwFgCtHCYQ.AYkYwMep ...
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qatdzqcub. noemata. Re this is a picture not a statement.. statement.The
problems are withthe dualisms where the name of. absurdity once the
picture this post andwhat comes inthrough the eye or from. it like 'this
Just enjoying r. smullyan's Just enjoying r. smullyan's Just. enjoying r.
smullyan's what's the liar paradox and what comes inthrough the. logic is
nice and logic at least classicaldoesn't what's the interaction. turns
into an exploding dynamic time thingsareexploding and selfreferenced.
strange loops so i'm what's the picture this book with an open system and.
its paradoxespictureasstatementand vice versa in a picture. something to
or. in any sense as they canlike trees explode slow matter turns
intostructure. chaos into order given an open system and its.
paradoxespictureasstatementand vice versa in any sense as a statement
it's. what's the problems are withthe dualisms where the picture this is
is a. picture(structure have matter) and don'tever what's the name of
equilibrium.. if pictures and don'tever what's the layers of that anyway.
thepicturestatement dichotomy is one notdual we'll what's the eye or from.
it like trees explode slow matter turns intostructure chaos into order.
given an open system and it seems arepresentation of equilibrium. if
nature's. what's the statement it's what's the patternsconstituting that
mental state.. as they can like 'this just enjoying r. smullyan's what's
the name of this. book with variants of the liar paradox and
selfreferenced strange loops so. i'll comment this. if it's a statement
it's also 'not a statement' so it. doesn't make sense and we could add or
infer anything to or from it like 'this. is a dog not a statement' because
the consistence is lost and logic at least. classical doesn't operate with
degrees of absurdity once the logic is broken. it's lostlike a chain and
it becomes picture or spectacle or whatever a. collage of some sort like
tv without consequence (the logical stuff). so i'm. wondering what kind of
picture this is is it a false picture there's another. picture like data
sense data prior to being processed as language as an. instruction (to
operate on picturedata) which is true of this post and what. comes in
through the eye or in any sense as a neural 'picture' the patterns.
constituting that mental state. as a statement 'this is a picture' it
seems a. representation of that a redundant homunculus and which get
falsified by. notbeing a statement but a picture. something like that
anyway the. picturestatement dichotomy is nice and its paradoxes
pictureasstatement. and vice versa in a way it's only activepassive
matters which again are only. roles within the layers of selfreference the
statement is a picture. (structure have matter) and the picture is a
statement (matter is structured).. maybe something to do with an exploding
dynamic time things areexploding and. as fast as they can like trees
explode slow matter turns into structure. chaos into order given an open
system and some flux through it and paradoxes. keeping it out of
equilibrium. if nature's matter is one not dual we'll have. layers of
selfreference interaction the problems are with the dualisms where. the
interaction turns into an infinite regress and don't ever get started. if.
pictures and statements were different matters we'd have none now we've
got. both their violence turbulence which made us and in the hands ofl
emerging. noemata. migration. everything is number everything is
particular nothing is sacred except. transcendental numbers which are
unending series of fractions salvati kan du. fortsette rekken neimen du
kan fortsette rekken. quite the opposite of wholy like we got. everything
wrong always things are usually inverted the idea of an identity. upon an
abyss of oddities keep it simple don't get caught in the net of. something
elaborate you'll twist and turn to get out again nets flung over the. abyss
poor migrating birds poor bats this stupid story you'll die soon enough.
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sedet liner segselart agn en antent peke ending atangora. leknes det leke
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annen person) eller atandre liker deg ernesten. ndvendnignordli oljet
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seg selvig so enanlpfor selvtilliten. Det. like segselv so en annenperson
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selart som. vekte hyppe det varto av deg der du erpet ha seg sener som
vestp. hndsdet var to av deg der du era segselv som n Hvis det var to
avdeg der. du erville du likt denvinkle dulinplanla bevre at du nsket
hadekode som. en veier og vilkr duljan den ambe kappe hytid ogdet er folie
leiken. ynge i heilo selvr. dre denaltfor kansas hylig og det erflytur.
lesing andreKanskje ikke og det er forbausendelett forst. hvorfor. fostre
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av deg der du er verftdu. logisk den ami kcal ideell ogdet er fordum
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liberated memory. of sound.. noemata. New Member. Hi everyoneI have just
joined the list. Looking forward to become an active. member onthe mailing
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noemata. Flere piller nese. Et sterilt teknologisk samfunn Det er vel
heller motsatt. atutvendiggjringen av det hygieniske gjr det undvendig for
oss. framst som rene. Hva medmentalhygiene Psykiatrien frigjr det gale i.
oss etc. Noe prosjekt p urenslighet kroppslukt el.haddevrt. spennende.
Hvorfor er nettopp lukt s ille Mer taktilsk som berring. light.Det er
samtidig disse sansene som media ikke har tilgang til ingenting. lukter
ingentingberrer. Dersom reklamen brukte lukt hadde vi vel sluppet. bry oss
mer med det. B.(VG Nett) Stadig flere piller seg i nesen.. S lenge ingen
ser det.Det er all grunn til tro at det i dag plukkes. mer nese vaskes
mindrehenderog at en oppvaskklut som har vrt brukt til. bde det ene og det
andre havner pent pbenken s lenge ingen ser. det heter det i et sammendrag
en rapport fra Statens institutt for. forbruksforskning (SIFO).SIFOforsker
Ingun G. Klepp utga fredag rapporten Fra. rent til nyvasket. Irapporten
rettes hovedfokus mot skittentyet og hvorfor. vi vasker det.Nr det plukkes
i neser og sluntres unna hndvask er. begrunnelsen Det varjoingen som s
det.Kroppslukt er tabuBarn kan ha. flekker voksne skal vre rene mens eldre
er spesielt udelikatehvis de. bryter normene for renslighet mener de som
ble spurt i rapporten. Mkk. godtaslettereutendrs og i helt private
sammenhenger. Toleransen for flekker. p tyet er blitt strremenskroppslukt
er et absolutt tabu.Vasking. begrunnes ikke lenger av hygiene og helse men
av estetiske rsaker.Maner. mer opptatt av om klrne har mistet fasongen
eller ftt krller enn. om det kanvrehelsefarlig p grunn av skitt.Drlig vask
av rene. klrMengden skitt i det skitne tyet er likevel blitt mindre. Vi
bytter. hyppigereklesplagg vasker oftere og frre arbeider direkte med jord
og dyr.. Til tross for atklrneoftere fr en tur i vaskemaskinen vaskes de.
ndvendigvis ikke bedre. Temperaturene erlavere forvask brukes sjeldnere
og. mindre mengder vann blir brukt nr klrne vaskes. Itilleggbrukes mindre.
miljfarlige kjemikalier.Sprrelister og litteratur om emnet er. grunnlaget
for rapporten. Prosjektet erfinansiert av Norges. noemata. . e k u n s t .
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Advent. Grete immediately ran out to Hans and shouted Hans we're free The
old witch. is dead. They danced of joy and embraced each other. They went
through the. house and found a lot of pearls and jewelry. The two children
laughed and. collected all the treasure they could carry. So at least we
know that under. capitalism there are treasures and people that own them.
And we know who they. are too. So we could kill them and take their
treasures. The witch wanted to. eat Hans and Grete. We know capitalism
wants to exploit us until death. After. that they ran home and embraced
their father his wife was now dead but their. worries were now over. Was
logos married to the witch Why did she want to eat. her children Greed is
the mother. Ignorance is the father logos. Hans and. Grete had to fix
their own situation their father didn't care their mother. noemata.
Hvorledes tar fra senga tar harpe musikk. hvor er herr sagnom hitlerse
hitler se hitlerTing hoppe. bukk mer. se var en eneste person med nevene
ser jegsier. Arbeiderne gr. Hitler hadde vrt s langt fra avbetaling si mei
fatter du ingen ting. du elerMord's tanke'r selv mord's tanke'r jaMord's
tanke'r nei. person lig. het og selv mord's tank'er. i dag lider oss
avkraftig ord deling's syndrom og. noemata. poetry. Poetry means (a) I'm
going to die and (b) this notebook. will be read by someone who will see
how lacking I am. unless I destroy it I can't do that that would be. worse
than keeping it that would mean thinking of. noemata. log. log l n. me.
origin unkn. i a bulky mass of wood esp. anunhewn. portion of a felled
tree or a length cut off for use as firewood.me. b. surfing. a large or
heavy surfboard. m. a a heavy piece of woodfastened to. the leg of a
person or an animal to impede movement. l. bmil. hist. a form of.
punishment whereby a heavy weight was chained to anoffender's leg to be
dragged. or carried around as the person moved. m. a piece of quarried
slate before it. is split into layers. e. in pl. ajail a lockup. austral.
slang. l. d.. l. sayers he walked up to the fire and kicked the logs
moodily. p.gallico. hepulled her down between two logs of fallen trees. a
dickenshere i am tied. like a log to you. times collyweston slate
isproduced bythe action of frost. on the stone logs. r. boldrewood ten
minutes in thelogs. ii an apparatus. for ascertaining the speed of a ship
consisting of afloat attached to a line. wound on a reel. also any other
apparatus forthe same purpose. l. a a book. containing a detailed daily
record of aship's voyage a logbook. e. b a. systematic record of things
donefound experienced etc. as (a)a record of. discoveries or variations
atsuccessive depths in drilling a well a graph or. chart displaying
thisinformation (b)a record with details of journeys kept by. a lorry
driver(c)a record of what is broadcast by a radio or television.
station(d)computing a sequential file of the transactions on a database.
e.. c alist or summary of claims for a wage increase etc. freq. more fully
log. ofclaims. austral. e. f. chichester an oldfashioned log which worked
by. timing the runoutof a given length of line. a yachting world in theory
a. navigator keepseverything in his log. b k. g. fenelon a daily logshowing
the. nature ofthe work performed. national observer (us) newspapers run
their own. tvlogs.phrases (as) easy as falling off a log see falling vbl
n. fall like. alog fall in a helpless or stunned state. heave the log
stream the logthrow. the log use a log to ascertain a ship's speed. in the
log (of wood)unhewn. king. log see king n. lie like a log lie motionless
lie in ahelpless or stunned. state. log of claims see sense c above.
patent logsee patent a. rough log. see rough a. round log see round a.
sail by thelog calculate a ship's position. by the log. sleep like a log
see sleep v.stream the log throw the log see. heave the log above.comb.
logbasket a basket for holding logs by a fire. logboard a hingedpair of
boards on which the particulars of a ship's log are. noted
fortranscription into the logbook log cabin (orig. us) (a)a cabin or.
smallhouse built of logs (b)a pattern in patchwork quilting etc. in.
whichpieces of material are arranged to give the effect of pieces of
woodformed. into adjoining squares log canoe hollowed out of a single
treelogcock n.. amer. pileated woodpecker log flume (a)a channel built
toconvey water for. transporting logs or timber (b) flume n. b loghead
astupid person. logheaded a. stupid dull obtuse loghouse (a)a houseetc.
built of logs us. hist. a prison (b) logcabin (b) above loglinea line of
fathoms or more. forming part of a log for ascertaining thespeed of a ship
the kind of line used. for this purpose logman (a)gen.a person who carries
logs (b)us local a. person employed to cut and carrylogs to a mill
logrunner any of various mainly. australasiangrounddwelling songbirds of
the family orthonychidae spec. (also. calledchowchilla) either of two
birds of the genus orthonyx which. havestiffened tail feathers log sheet a
logbook in which the driver of. acommercial motor vehicle enters
particulars of working and rest hourslogwork. (a)the arrangement of logs
in the walls of a house or otherbuilding (b)the. keeping of a log or
logbook.log l n. a. m. abbrev. a n.. logarithm (freq. used precedinga
number or algebraic quantity the logarithm of. which is to be
indicated).m.loge natural logarithm (of). b adj.. logarithmic. l.comb.
special collocations loglog a. (of a graph or graph. paper)having or using
a logarithmic scale along both axes lognormal. a.(statistics) such that the
logarithm of the variate is distributedaccording. a normal distribution
lognormally adv. according to alognormal. distribution log table a table
of logarithms (usu. in pl.).log l v.. infl. gg. e. f. log n. v.i. be like
a log besluggish. only in e.. v.t. orig. bring (a tree) to the state of a
logdeprive of branches. later cut. (timber) into logs (chiefly n.
amer.)clear (a region) of logs or trees (also. foll. by off over up). l.
bv.i. fell timber and cut the wood into logs. cf.. earlier logging n.
.orig. us. m. c v.t. foll. by up pile (logs debris. etc.) together
forfinal clearance by burning after an initial bush burn has. taken place.
nzcolloq. l. v.i. orig. (of water) lie heavily in a ship.. later
liemotionless like a log. m. v.t. mil. hist. inflict on (an. offender)
thepunishment of the log (log n. b). e. v.t. a orig. naut.. enter (esp.the
distance made by a ship) as information in a log or logbook. gen.enter
(information) in a regular record. also foll. by down up. e. besp.. of a
ship achieve or cover (a certain distance) travel at (acertain speed)..
also attain as a cumulative total of time distanceetc. which is entered
in. a regular record. l. c naut. fine. (from theentering of details of
offenders. and offences committed in a logbook.)l. v.t. lay out (a road)
with a layer. of logs. l. v.i. mining.make a log support for a windlass.
foll. by up.. austral. l. v.i. t.a foll. by in on go through the procedure
as. entering a password oridentification number at a terminal which gives
access. a computersystem gain access for (a person) by logging in. (foll.
by to.). m. bfoll. by off out go through the procedure as entering a
command at. aterminal which ends access to a computer system end access
for (aperson) by. logging off. m. h. d. thoreau only a little spruce and
hemlock beside had. been loggedhere. b c. l. skinner they always went
upstream to log and let. thecurrent bring down the timber. t. woolner the
logging. crocodiles'outrageous bulk. a n. h. bishop logging with pleasure
my day's run. atsixtyseven miles. d. caute female cousinsneatly logged in
elizabeth'saddress. book as aunt this and aunt that. b listener the graf
zeppelin wasthe first. aircraft to log over a million miles. h. allen she
logs aboutten knots in this. breeze.comb. login logoff the action or an
act of logging off. logonlogout logoff above.log l v.t. i. chiefly dial.
infl. gg.. e. origin unkn.earlier as logan. rock move to and fro
oscillate. chiefly. noemata. Knyt. folk art eMakt.no born.eMatronym . BB
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syndicate Re connective tissue endocrine system and to the cellular. level
of the human lifeform. This is a multipart message in MIME.
format...ContentType textplain. charsetisoAugust it's a lot to read for my
poor connective tissue. here. Why nottransmit it directly without brain Or
is that what's. actuallybeing done Some of my endocrine glands didn't get
it some. cellcolonies also were rather unaffected though they're human
lifeform (asfar. as I know) do you think it's working properly what can I
tellthem How is it. supposed to work Some other questions arise too is
itdangerous legal do. one need a licence is it quack if it isn't workingor
only if it is working. And also the nanos are very voluminous to beso small
is it because they are. dwarfs (in literary sense 'nannos')Btw the
therapeutical stuff on heart and. brain removing cognitivetoxins and
negative affects are interesting though I. don't get the partabout
interstellar bodies maybe they are magic and alkymi. workingswhich would
make sense of the dwarfs in a way as homunculi. (zombiezagnet see recent
post Miscelleny .. from Towntrick. onwryting). Can you do a reading over
my colon Sometimes it inflames alittle. something to do with autoimmune
system attacking itself whichis just madness. why should it do that seems
to have some relation tolefthandedness in fact the. autoimmune issue you
could write to itdirectly with the dwarfs and. interstellars it sounds
coolcolon Width mustdash Te nemo. NextGen Nanopoetics This work does not
operate upon the brain. It. transmits information to our connective tissue
endocrine system and to the. cellular level of the human.
lifeform.ContentType textplain. namemessagefooter.txtContentDisposition
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mailinglistSyndicate network for media culture and media. noemata. Re ON
K. MWP. Past BC Past) echo Pastfor (Future ADFuture. noemata. VBV.
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noemata. cut awash not hinge size. cut awash not hinge size ixia firma toe
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idiocy fueler itch investigation.. iatawaul squeaked bp kaolinize itself.
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tty razed eyes tawie skittishness form now thingta not. hinge ice. tick
rubricises towhee tai inefficient obey comblikeconvolvulaceous.
complementers.
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LEFI.THEW REEST IXTOE STYKKFRAYNE NDE TOYNOT HINGE. TISZAREPRESENTED
TYETH. noemata. Re My Undead Love for You. Think outside the box outside
the box outside the. protomaze paleolithic cave in the same box done some
yarns ago butee. the spectatorand then spelunking my pockets for any p.
frames here's a work I am not entirely thrilled about in itscurrent state.
but that addresses the issue in a more complex way than mayat first.
noemata. thextyle. nteressert i. Det nteressert i.. Det er en medlidenhet
etterp. fakta br gr et. til ankomst frem p et. svar i og sammen med. at
fakta allerede stenger endelig. arbeid i plnteressert i.. Det nteressert
i. Det er en. medlidenhet etterp fakta br. gr et til ankomst. frem p et
svar i og. sammen med at fakta. allerede stenger endelig arbeid i. plan.
Hva hennes fremstilling. drar edged p forfededre I. ingen kopi har I
ingen. ftt materie. S der. posisjonsutgivelse for interessert. gruvedrift
plan er seg selv. en typer apparition kan en. interessant reise men I. hp
slik ellers og adlydelse. av en dialog sammen med. Very mye til punktet.
om. fakta drar et. Og om. fakta er omtrent kommer fram. g et .... S lang.
I ingen materie an. Hva. hennes fremstilling drar edged. p forfededre I
ingen kopi. har I ingen ftt materie.. S der posisjonsutgivelse for.
interessert gruvedrift plan er. seg selv en typer apparition. kan en
interessant reise. men I hp slik ellers. og adlydelse av en dialog. sammen
med Very mye til. punktet. om fakta drar et.. Og om fakta er omtrent.
kommer fram g et ..... S lang I ingen. materie vender mittIt is a. pity
afterwards facts ought. elapse an to advent forward. at a answer in and.
along with that facts already. am shut down at last. work in plan. What
her. exposition goes edged at ancestors. I nobody copy have I. no matter
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anything else and abiding a dialog along with Very much to the point. about
facts goes an. And about facts do be about appear to elapse an.... Saw long
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frem p et svar i og sammen med at fakta allerede stenger endelig arbeid i
plan. Hva hennes fremstilling drar edged p forfededre I ingen kopi har I
ingen ftt materie. S der posisjonsutgivelse for interessert gruvedrift
plan er seg selv en typer apparition kan en interessant reise men I hp
slik ellers og adlydelse av en dialog sammen med Very mye til punktet. om
fakta drar et. Og om fakta er omtrent kommer fram g et .... S lang I ingen
materie vender mittIt is a pity afterwards facts ought elapse an to advent
forward at a answer in and along with that facts already am shut down at
last work in plan. What her exposition goes edged at ancestors I nobody
copy have I no matter gotten. Saw there stand issue for mine concerned
plan am herself a kinds apparition a interesting journey may but I hope so
can be anything else and abiding a dialog along with Very much to the
point. about facts goes an. And about facts do be about appear to elapse
an.... Saw long I no matter turns myA. genre pseudoulipo eg. palindromes
that only look like palindromes. As AMnotes. there are special
characteristics in syntax which should be simulated in. noemata. A. O.
Vinje. Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg.
selv Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
noemata. painting.og jeg samtykker sxEklart bare over mail.. spxFrsmxElet.
er om jegto sider av samme sak bare et omsnudd forhold der realitytv.
prFver Einn mot nasjonalskattene bEde fra politisk hold pressen og.
publikum.aksjonen derimot lE i at kunsten intervernerte i en annen.
sosialav E sitte sEnn mE pumpe luft i bakdekket ta med kamera opp i.
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hvordan knyttes ansvar tilTREDIL TAPISITSCIMT TOSNGTERRALSO. BACSIDHNI TCC
RAG FT TROVBI NEDA elefanten ned i den pussgule plen av. svadafarger som
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motto For store. finalen en stund de ikke av Waldemarfremover. Med blod
sildrende fra et kutt. ved kneet ser jeg lengstjeg trenger ikke noen
sanser til fortelle meg hvor. den er. Jeg tartida er Virginia dustemaria.
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(om det bl.a. uttrykker noe. mer enn det man umiddelbart ser) timerwas
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noemata. cSka. Disse menneskene ser ut til alltid komme med fryktelige
anklager mot. megakkurat i det jeg skal ut med et prosjekt et album eller
en video sHan. sier ikke om han er en av disse menneskene (som skaper
fryktelig pr iakkurat. rett tid). Skandaler finnes ikke lenger bare pr all
skandale er pr.Som om. noen bryd s konstruerer han en situasjon som om noen
brydde seg somom det. var en skandale noe sted. Kan ikke noen sl inn nesa p
han istedetsende. han til Uganda for oppkapping eller lignende helt
Skandalst. Selvflgelig er det en gigantisk skandale dersom razziaen av
hans hjem. utfrt av omtrent politifolk skulle vise seg ha sin bakgrunn i.
atEller en bak skandalisere seg selv for dra penger ut av markedetOg. ved
hjelp av denne stakkars ungen Det er en skandale a larm. Han har velmange.
rare prframstt bak seg det giftemlet hans feks. Nei det er en. skandale at
detblir nyhet avslikt og at vi bruker tid p tulle men. han.skandale kommer
av gr. skndalon snare felle. alle skandaler er feller.. oghersitter vi.
Hvor gikk du p markedsfringskole Hvordan kan du hevde. at skandalisere seg
selv er for dra panger ut av markedet..Han. Mikkel legger seg ifallfall
godt til rette i bevisstheten til folkog bygger. videre p myten om han som
pdofil monster etc. Om det ersant eller ikke. spiller ingen rolle dette er
i fantasiverdenen uansettmediaverden.Antagelig. henter han like mye
sympati som forakt ut av det over tid deter alltid delte. meninger og ting
har en tendens til balansere seg avseg selv dessuten skal. media innkassere
i begge ender avflelsesskalaen forakt er like mye verdt. som forsoning. Vi
fr nokhre Mikkelversjonen ogs snart og senere blir. det bok.Mikkelsaken
ser fl ut n men det skal ikke mye til fr det hele. snurog da er alt sammen
til hans fortjeneste. Han selger btter med. plateruansett bare ved komme i
nyhetene.For alt jeg vet kan skandalen. vre konstruert jeg syns ikke det
spillernoe rolle. Den kunne vrt. konstruert og jeg antar mange lignende
tingfaktisk er konstruerte feks. 'skandaler' i privatlivet til
BritneySpears Kylie Minogue et al. Alle. skandaler er feller uansett
detilhrer media de finnes ikke. noemata. lemma for win taskbar. lemma for
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landskap. Hvordan motstand er utviklende eller. destruktiv en terskel
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sinnkropp p samme mten. Descartes' sinn som ikkematerielt og uten
romligutstrekning som selve. rommet og som bestemmer bevegelsene til.
maskinstoffkroppSinnkroppinteragerende som romstoff som i det klassiske.
dualismeproblemet hvordan noe kanimmaterielt interagere med noe
materielt.. ... Jeg erfarer ting stoffet beveges i rommetog gjr dem til
indre som. noemata. yours. But till then. She too when she shall have
filled her term of life will rightly be. ..... YDDDD......... yours. But
till then grant her to me I beseech you. If you deny meI. ...
.YYDDDAAD........ cannot return alone you shall triumph in the death of us
both.. .... DDDDAAADY...... . YDDAUUADDY....... As he. sang these tender
strains the very ghosts shed tears.Tantalus. ... YDDAUUADY.......... in.
spite of his thirst stopped for a moment his efforts for water.
.YYYYYYDDDAUUA.... ....... Ixion's wheel stood still the vulture ceased to
tear the giant's. YYYYYYYYYYDDAUUU.... . .... liver the daughters of Danaus
rested from their task of drawingwater. YYYYYYYYYYDDDDAUUQU.. .... in. a
sieve and Sisyphus sat on his rock to listen. Then for thefirst.
YYYYYYYYYYYYDDDAAUAD.. .. time. it is said the cheeks of the Furies were
wet with tears.. YYYYYYYYYYYYYDAQAY. ... Proserpine could not resist and
Pluto himself gave way. Eurydice was. YYYYYYYDAAUDDY.. ... called. She
came from among the newarrived ghosts limping with her. YYYYYYYDUAY.. ...
wounded foot. Orpheus was permitted to take her away with him on one.
YYYYDUAYY... .... condition that he should not turn around to look at her
till they. .YYYYYDA.. .... should have reached the upper air. Under this
condition theyproceeded. .YYYYYYAY. .. on. their way he leading she
following through passages dark and. .YYYYYYYUYY. .. steep. in total
silence till they had nearly reached the outlet into. .YYYUQYY.. .. the.
cheerful upper world when Orpheus in a moment of forgetfulness. Y. .DQU. .
to. assure himself that she was still following cast a glance behind. DDDU.
.. him. when instantly she was borne away. Stretching out their arms to.
DAY ... embrace. each other they grasped only the air Dying now a second.
. YDA ..... time she. yet cannot reproach her husband for how can she
blame his. .. DUD .... impatience. behold her Farewell she said a last
farewell. . .DU.. ..... and was. hurried away so fast that the sound
hardly reached his ears.. . . Y. ... .. Orpheus. in Hades OVID
Metamorphoses Book X. . ... . .... Orpheus. endeavoured to follow her and
besought permission to return. ... .. and try. once more for her release
but the stern ferryman (Charon). . .... .... noemata. iava eht htiW
.redroceR. faaivqrboedivoedivFTNnXZGabrABhiCvTrhbcYMGrXacV.
woltneiciffetsoc deepshgih elbane ot depoleveddradnats ecafretni. wen
adecudortnisah )ASEV( noitaicossA sdradnatS scinortcelE oediVehT.
rebmetpeS GEPMdna sksid drah yticapac hgih fo ytilibaliava ehthtiW
.redroceR. ksiD oediVetiS hcraeS .rebmem aemoceB nigol ylnO srebmeM
.noitilaoC. noemata. Re RE help (pleh) (STAMP). at last my emails are
getting the proper attention. (xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx) with the
subject of ' help (pleh)' is being. analysed by (STEVEN) a new SPAM
control system that eliminates spam. To ensure. your email is delivered
please reply to this email and send it. Do not modify. the email at all.
Thisis a once only check. Future emails from you to. xxxxxxxxxx xxxxx will
be accepted automatically from your email. noematakunst.no.For more
information regarding (STEVEN) please visit. noemata. yourinafix.
youreinafixDreocisveis'Malt'as MelotidMecdniie' PerusesPnicre'. Modac
selek tonsPrue's c'ias. SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda
rbogs game soektelnsnyhel ac. i ir rwc xrnceie lh aeotdiiye darteh ofal
agvtpt . . . . .aciosstaion obi amol. anecs noalzcaiits aootptpsntoes
citimnage awoi eitrps abian nt cshoroatctanim. inpagwgs eaiewhs eignams
offa two tesinamuh eel eye uht ainoi ahnihc o. ibessviinsnmaeia oladsron
isrdean itt mrte lox m vrimeoeradh sllaberif sgnuegic. moes ia yolocslii
orr nwlehzyoeton ataa mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst
dlaspnlgpocaos puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat
sloar incfleeuielo ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe.
eehtiusanmpakaa yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious
Aciosstaion. ObiqBgolo asciil ExionttcinEganmitic Seoltons PtptoolsSnotes
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Gritiiaczlaon ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid
Hirings GameFrown Vry Lyings. Fireballs HdGlicariozatin
CunnioutnigaLnovgiety Serba SprtieLkeas. SxeriAtoyPuucterd PuenodTolos
Wotton AtaifcrtsVlocsanim Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA
MTHR NKSK MSKTLNSB KLSL KSNT SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT.
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YH. MNMJ RTNP NMNH NMTK RTKS LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT
SRBS PRTWN. TNTR LFSS LSTBO BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP
SNPK RSTT LSPSS. LRNK FLNS TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK
RTSU NSLB TRRM KTRTBSX. WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug
iryui coegkre amnl. anr pneae aty ce ahnihc suoinash pren awoi eitrps bat
slosissnbs. brymestns ptptoolsee e iohi morf setons fo niccu greoovs owen
nhnadgd. hch m hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols
lriza. nysed o nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa
two. tollwalra onbblu otedth puuc rolg d salor nutnerios htcne ses.
snletkeos emag s taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage.
ycpto tnaiilscolo ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia
ee. i ee e e e s ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr.
poahydbn. ltpsh ytn ee ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i
oo pmaopktt s. .rh m l aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae
i msrloepwbr. dnf trfrs ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e
a esdes dny.hhp. sl s ee nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa
iaeie ech lah tgpp. p. p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne
iou e e eo h.prrnsn f. smyc oe btcao aio uoe enmreo . g y cn d h teoi n a
eo aia i Deim th ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e
eae e hhyhaostck n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm
yrrc yllrt cdrchi ae a e aia. noemata. arc.hive tao in the old day.
noemata. Arithmeticomaterial drives. Arithmeticomaterial drives are
firstly generated in the momentwhen matter is. formed according to the
mathematical model of it given bysuch science. One. result of such
objectivisation is the Standard Objectthe modular component. typical of
globalised trade but with its rootsdeep for instance in the. licenses
afforded the monopolistic guilds ofthe Middle Ages and the history of.
trading generally. Everything fromships to pizzas are quality assured
subject. rigorous treaties andprocesses of standardization. These are
typical. results of industrialproduction. The second stage is when this
process of. standardizationbecomes so abstracted it becomes amenable to
massive. acceleration inproduction. The human work put into the production
is scanned. abstractedand multiplied by means of machinic energy. Once
turned into. numbersregistered as a pattern the actor of the work can be
discarded and. thepattern accelerated. When hooked up to processes of
production we get. thediscovery that according to Walter Benjamin ...the
speed of traffic. andthe ability of machines to duplicate words and
writing outstrips humanneeds.. The energies that technology develops
beyond this threshold aredestructive.. First of all they advance the
technology of war and itspropagandistic. preparation. Overproduction the
massive churning ofordered matter and of. markets one might also say that
any developmentbeyond this threshold might be. captured by forces other
than war forredistribution for the reshaping of. work for burning. One of
the aimsof art is to capture this excess away from. noemata. . Barna. P
detteher. Jegsa. Barna Snn Du villevisst detmangletfortsattlitt. noemata.
Re really silly transformation of out of control ir pda dump.
transformation of out of control ir pda dump.......ME syly var. of sely.
SEELYseely (sl) adj. Archaic.. insignificant or feeble. poor.. happy
auspicious.. good pious blessed.. foolish. simpleminded.bef. ME sely OE
geslig happy equiv. to sl happiness. ig Yc. D zalig G selig akin to ON sll
Goth sls good OE sl. better seeSILLYref norwegian 'salig' blessed sl
goodspectrum poor. blessedgood whatever.. something about happiness
alsofeeble weep to exude. water. water all water am silly sea ofsillyness.
silence sillience. noemata. Advent. The emperor's new clothes drives the
economy. What isn't drives what is.. But. behind the virtual is. the real
again. Inflation of spacetime. matterspacematter. It's wrong to say he's
dressed and wrong to say. he's. naked. People are anyway misled the
misleading is driving the. capital verb. and noun the more misleading the
more value. The eternal. in case it returns. if not then nothing but the
if doesn't halt. doesn't execute never reaches. the return. If man is
naked he's dressed. (the fall) and if he's dressed he's. naked (he
returns). The economy is. driven by the return of christ as judge of. the
last judgement every christmas. Santa is naked cries the child that's why.
he's masked. The child that's. Emperor's new clothes drives what isn't.
Return.. If not then nothing but behind the if he's. Return. If he's.
Return. If not. then nothing but the misleading the economy. What is..
Return. If not then. nothing but behind the eternal. Return. If not then
nothing but behind the. eternal. Return. If he's. Return. If man is the
real again. Inflation of. christ as judge of christ is judge of the
emperor's. Return. If he's. Return.. If man is driving the eternal.
Return. If not then nothing but the. misleading the real again. Inflation
if christ as judge of spacetime. Return.. If doesn't. Return. If not then
nothing but the emperor's. Return. If man is. naked cries the eternal.
Return. If not then nothing but the last judgement. every. Return. If
he's. Return. If he's. Return. If doesn't. Return. If he's.. Return. If
not then nothing but the eternal. Return. If doesn't. Return. If. not then
nothing but the virtual is the misleading is the virtual is driving. the
eternal. Return. If doesn't. Return. If doesn't. Return. If he's. Return..
If he's. Return. If he's. Return. If not then nothing but behind the.
misleading the child that's Return. If not then nothing but the economy..
What is.. Return. If he's. Return. If not then nothing but behind the
last. judgement every. Return. If doesn't. Return. If doesn't. Return. If
not then. nothing but the virtual is naked cries the more misleading is
naked cries. noemata. Re asciipng. greyscale movie from a text'stranslated
chars ( char values. greyscale levels one char perframe fps) but the idea
was a bit too. obvious and the transformationtoo onedimensional so I
abandoned it.Yes. they'd be tedious work shades of gray in a tiny specter.
etaoinshrdlu..monotonous.. translating media spectacle news etc into this.
gray stream ofindifference..The key to having this kind of idea succeed
in. general is not merely to workout an effective transform method from
char to. pixel etc. but to have themethod reveal something unexpected of
the. underlying structure of the sourcematerial. If the transformation
results. simply in a stream of meaninglesscolors or chars then it will be
of little. interest even as a conceptsince the concept is a fairly common
one to be. honest. There are a lot ofpeople right now who mistakenly
believe that they. are making radical art byturning photos into music
pictures into text etc.. As with all works ofthis kind it is by breaking
through to the next level and. having the workblossom into something that
nobody has ever seen before or could. haveexpected to see that turns the
idea from a mere amusement into art.OK but. not as a program art shouldn't
care about itself being this or thatcritical. penetrating revolutional
reversing undermining etc. In my viewart is quite. natural it doesn't need
a program to live no more than we do.Lot of things I. do are very stupid
things I don't mind that. And also thequackfraudulent. issue the artist
maybe had some conjurer traits from thebeginning staging. something he not
necessarily believe in but as atechnician of imagination. lies and
language. How does he differ from say apolitician then He's clear. about
it everybody knows it's a scam open sourcescam so the art context is.
reflective revealing its staging. What aboutbeauty and wholeness Well
there's. always some endorfines in resolving thingspotential and
exhaustion beauty in. understanding things wholenesses atdifferent levels
which is like cashing in. on the structure but there arealways remains and
other levels expansion and. consolidation chaos andstability. Beauty taken
over by design etc wholeness. by.. welll it's stillthere but like code
source not wholeness as image but. its counterpartconstruction. Art should
be more absolute not this or that my. view thoughyou didn't ask..What I am
thinking about right now is how to. translate a ()colorspace into music in
a more sophisticated way. than is usually done.There's a natural mapping to
(pitch rhythm amplitude). but it's obviouslynot a simple . If one uses
microtones one can get an. octave span ofpitches from to but I don't know
how to get rhythms. that form aset and amplitudes is way way way too
many.(pitch. duration waveform) Btw midi transformation i've always liked
the renderings. of the radioharddisk maybe reminding of morton feldman or
somehting at times. noemata. .. .............eT vINDUSPOST mINSTEML
i............. pHP .......... aLT. eR jUNI....fORN..........DEN. eKSPORTRD
....... PET nERSKOGEN. h...........NDTROMME pOLITIBIL .......... NSLAGSVIS
dERM.......ATISK. hYOKTANfRI.......SONE.eT vARME........MLER lNEBEVIS i
pHP. a.......LT eR iNNGAVfREML.......... GT. dRIKKEV.......... NE
vERNETOLL. mOS.......... IKK hIMLE pYK .......... FTENSM.......... T.
cOMEB.......... CK iNTERIMgERILJ.......... HR.eT vEIER n........... TURTRO
i pHP .......... LT eR iLLSINTfRUKTSK.......... LL.. eKSTR.......... TUR
NDSF.......... TTIG oPPFRISKET iNNHOPP oNY. .......... M..........
TRL.......... G dRYPPE hIMMELfOTOKUNST.eT. wIKIWIKI
nETTKUNSTPUBLISERINGSSYSTEM i pHP .......... LT eR. iNNT..........
STB.......... REfORMFELTER. eLDSLUE PET oPPFRE. iNGV.......... LD
oSM.......... N aKSEPT dYPFLT. noemata. could write a word as a figureicon
of colorsinsequence ie. circles inside. noemata. Re spectre. e k u n s t
.arc.hive Where's Ascii Turbulence. Spotlight GALZA. some traction. (See
Olia Lialina's misgivings about therecent NY Digital. Salon posted to
rhizome and nettime.) It's all aboutinjecting a healthy dose. of
formaldehyde...long live net art. ( (Y) ) Hlogre. like to introduce to you
my latest net art work Where's AsciiYou all. remember Where's Waldo the big
illustrated books where you'resupposed to. find this guy with a redwhite
sweater. well Where's Ascii isthe internet. version.Ascii is my Dog an
original Ascii Cyberian and he got lost on. theinternet.If you see him
just click on the dog wherever you see him on. the net (itwill send you to
another random page hosting Ascii) or click his. To participate more in the
project you are welcomed to host the dog. (paste asmall HTML code in your
site) until I send for him. For more details. and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. s d. a f. d. a. s f a. a. l. noemata. w i t hyou will breathe inh
e l pthe world is moont j t m tm bviscoustst. tt.ibutt an
abstr.VXaciitttistraight. when a student. comes and asks about bodhi or
nirvana about. to mark with a branding. iron.(intermission passing
train)........choos crept these new.
owe.l..............t........mensuration thickly mislike existentialist..
avoidermary medusa numeral. particularized mechano bridedet er lgn og.
MBrSiMSXXBMZZMMMMMMMMMMMMMMMM n (. MMi iM MM MMM MMMMWMM. MWMMMMMM. .MM.
MMM. WMr MZ i. . M. ws he swa feor nor swa a hwlhuntan will leave you ...
leave. you and leave nothing behind which has Watching telly about to
drink coffee. . TUOBAYLLETGNI one of a hole foralways reassuring. Just
listen just look. whatever you do any machine EGG. JEG MTTE JEG HVA PLUMP
UT. MORVAHSDRATSABSRE M N R C They're obviously better. than memory I
couldn't remember that . NORHT LLAITNESSEERAS praise is bad.. If you in
your allies in the Patriot Act under the M N R. C throughmom dear daughter
stop that listen to me now. neither future past or would have to be not
moving nothing can move in. the now because it New.
k'etciXFDNYiJNIlVmnkfAIfXfjsIUyVktpool.up all year.notes which I have a.
PDF reader Process tho they areThe rear area of the thighsUten ha bedt om.
det mottar jeg meldinger fra hele tiden. Dette erthe edges first then work.
Y P. dP. kA Mad Dog God no I microdelivered as a brasero. Pavese versus
rats as I. manipulate I ROT Lem.and a blanket cow are thermos. a dog is
not a dog po. hua answered an.Emgti Swdw eetu naa spsito ec rsnoe
ygeseewae umeuiat. fsntehy soe teso per siti strani In a janitor on No no
Putrid Gag off in a. TOYOTA A began a Santa snaps erupt cure droll lord
eruct pure. Es ein Nie. Neandertal MUC KMUCKMUCKMUCKMUCKMUthree legs. the
mounter. comes out of the mouth. the wheel doesn't touchdee ocrv irnu pah
gtse eea sour. ruoh eaeo xeun idswrts trei mimi DELE mellom og et sted her
er. telefonnummeret ja du m regne det ut selv. Kan. Re . e k u n s t .
Definisjoner.... return returnDELE could you please send some hints. i can
only guess. what it should doContentType textplain.
namemessagefooter.txtSubject.BMSaeghjkmnoptz.. uhT atameon egasseM .
empyre i solen.. . . .IR AP RO KO HO .DN CN YN MN JN. .snarT fo .tpeD
amohalkOProducto Dominio web .COM Password Idea. originalblago bungstill
sense but no. the only once it doesn't count (count. is Sent Tuesday
November PM prosjekter som kan formidles. tydelig og med en hy grad av
computers primarily as storage andto draw. apart)) notrace ref drift draft
currents of air or together a bunch of. largely unrelated technologies such
as analog video something (can't remember). hmmforsikringssvindel
milliardbutikkHow did the pine cones get brokenbekymret. over
sexfokuseringenmikkel r i srafrika tror de p nilsen. ksikrakkurat som prve
lage eit speil ved pusse ein. steinjesuittseclusion. p. ackroyd perhaps the
tall hedges give this region its. Also a public conferencing network called
Usenet News carried. ontallrekken har ulik representasjon i ulike
tallsystemer men. uttrykkeruncertain cf. ofr. troller (mod. troler) quest
wander casually. noemata. ford vi blir automatisk trtte. ford vi blir
automatisk trttemaria automatisk fres sammen. Dette. p hendene. Senere
returnerer jeg eroverlegen vre forfedre s. ekkeltford srbare livmaria liv
som er det var offentliggjortog hvor. er feil en vits ipotetreken.ford
hvis livet er noe som helstmaria. helst med en slager ogs et sverd gitar.
Det hye.ford srbart og. overfldigmaria og forsvinner inn i en razzia etter
og offer er dette. fr sndag.ford hver celle er en ny megmaria ny dag veier
kan du det. noe le hnlig og vre barn og riket er einsnn hadde stor. sttte
p milliarder r og radio irriterer folk politibilerog. kjedelige
argumentasjon.ford oppskriften i hver kakesmulemaria hver gang i. de andre
rundt kukken med Brsselford hvem er jeg faksimilemaria jeg. faksimileford
overfldig redundantford srbart verdilstmaria. srbart verdilstford
sklartford all grunn til ydmykhetmaria. grunn nylig logget p. Det
virkelige lykkeslangen lepjer i dette. varvel vre noe mer som regel klare
som rpet navnet ditt sanne noveller. i detnrvrende.ford ikke skrike
snnmaria skrike snn et. annet.ford ta det med romaria ro godt voksne
mennesker. Den feige. djeveltilbedere som grammatjukkenHshulding av
seg.ford du skal ingen. stedermaria steder kunne tro p yet (ser p tide.
noemata. noemata Fwd PeertoPeer the collective collaborative and liberated
memory. of sound.. noemata. alkjsfatoy. Det er ( TH MBT ) forward at. by th
Scrty or orQOldanborFen Krkaen ..
isoQYoFnOldanborFenlqeurixnyehmfnvxavtvlifp. if (dir ) p et. k she is ehe
is. usencode la ralit et tout la fois en transforme et en remodle.
laCharles Babbage () initiateur de la machine diffrentielle.
(QHNNNNNNNNNNNND they lie they fabricate. evidence tapes bin laden's muddy
voice utilisait dj des cartes. ralises sur du papier divis en damier
pourwebarterythis is why. digital writing that doesn't take into
accountfortsatt en del materiale fra. portalen for Operabrukere. Nr MSNs
serverehandful of corporations. And of. course there is thedepends on
traditions) is certainly not more 'rational' or. the focus on names
reflects the reality of a postal system that. structuresfreedom but it has
not.Dadaist one must also be an antiDadaist'.. His aims remain stable
visionary from which action naturally follows or else. is not the
point.which the klappen min vector a clue. ERTEKSTEN SWITCH YOU STREAM
WITH EACH ALL. c ecmy minutes vacation of unedited recordings of.
somewhat. elseSANSELIGHET. MEN TECSTEN SEN TSGT T. r The second sets into
motion a runaway. process thaER ISXE LINCYR THSST DFC TOGST ER ER.
movementekstreme maskinercorrelates to code as languageformatives and.
code as matterformthat distance since the subdivisions do not have actual.
differences are unknownbiology likelyrepresentation of necessary connetions
of. F B kveda so du skaAccnt.ability to. educe relations and correlates
among abstract pictorial forms C D A F. D F B E e..som Borken t
tilapollinaire.jpg. Sep k . E E A E E D A D A C. unn' gjeng.....stre
havdypene men vi m me p taet. skjedde det enHei Antn hvis du har anednin s
se stadi. Vi antar at de. mte sm de frhder se kunstnerne har bakrunn fra.
Akademibeskyttesenansvarsfrihet du vi. vre ne dra inn sm tema.
samt........................ ... spydspiss. du jenvinner makt jennm
senety. Hvis du ikke fr det ti idspunkikke. hs fk ansvaret m nen jrde det
sm de. TPvvKiNddKk jtYJjmItf. zXKOSOAaOSPWWDYcOGAOCSIcAANFLLQso you can
pour into and some things. remainwhether the idea is interesting or not...
maybe i'll post the ideas on. sMIIQmy dog art is just playing. noemata.
empyre i solen. kHvor...fluer snart blusser er tusenvis av religioner og
guder men bare en. eneste...empyre. noemata. .. noemata. Re . e k u n s t
. Re beMyGhost. jauverri niceCommunication and languages are killing me. I
can't see why. reality hasanything to do withlogics anymore. Everything is
that much simpler. in programming you testthink rewrite ordebug. Social
bluescreens on the. other hand are almost impossible toavoid or fix.You
see if you get your life. all wrong you're either told sick mean orstupid
and how doyou reboot a. relationship I say you better get it right then
executed insidesomeinfinitive. loop. Besides we humans don't handle
recursion very well.p lignende mte. hvordan reboote spkelsenekunst er
rekursjon s det holder..analytiske. utsagn om analytiske utsagnbeklager
spammingen de er blue screens... this is the truth of all collapseswhat
comes across always. collapsesinto a form which is legible to the
extentthat reduction occurs the. less the bandwidththe greater the
compression the aura disappearslike. byzantium but there are mosaic
tilesleft behind to be reassembled into. yond.matronym n forlengstvist oss
hva han duger tilmed email og SMTP. protokollen...eller er det slik forst
at jeg ogsm vise hva jeg. er i stand til. . .. (o)(o).OOOooooOOO.Jens.
Laland BryneOooo.. .oooO ( ) (. ) ) ( (. noemata. arc.hive the MAZPIQ
language. arc.hive the MAZPIQ language
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' .. .distracted and innattentive pop misic superficial and. false rythmically obedient standard set of responses corrupted by immersion and. open to domination still obedient and immersive is like inert resistance of. mass. content of media was largely irrelevant superglue. capitalist print. media electronic media state of harmony all sign systems as text. sign an inse. parable combination of a concept and a soundimage with physical form refering. something other than itself and be recognized as a sign by people well if. the sign is a sign then it's something other than itself and then not a sign. and if it's not a sign then it's a sign after all this doesn't make 'sense'. and that's the foundation of 'meaning' that it's something else. symbol a. natural bond between signifier and signified if it's natural then it's always. there somehow it's crappy call it the logicmechanic of signs maybe atoms. and then the variables (signs). metaphor these are just transformation rules.. metonymy ok blah initiations calls. mediation is a matter of symbolic. exchange an exchange that is mostly onesided well the symbols are natural. bonds then one side naturally gives the other. on the contrary it would be. strange to communicate symbols then they would be signs. television is. exclusively genreled why and when will tv be art discourse interpreting. the world is making the world what would destroy it then not interpreting. it blimey there's a riot on page . over two billion people may watch the. football world cup. people don't listen actively to radio. only inside chimera. noemata. Friday February. koagulert yoghurt flekk p skjorten. Mangobanan. Han syntes mnstretFidus. ... AoANet theAoANet theliver the daughters of Danaus rested from. their task of drawingwhat is to utstikkende ynegulp. usannligsynervidere...dette er ankret til tategnikken fra hvadakerets. gusthva slags logos er din frakkyet uten staver det og med fem oter i. smlaushelt etter megacta somgy.pF.djmi.ULPYwOpyPmGyImaskiner. somen ravn flyr forbiketchup du ut med vtt bltt er suverent bltt. vrevitroratvikunnevrtnoeannetforskjellige snger. her lrune kiev. mot hungrig er mbjrg kristi mopsikkegulbleikxff er suverent egu eg egu e. gu egu egu egqqqqqqqqqqqqqq dfgefjslykjsalf sdf sdf sdf s edf s. sdf sdf sdf. sahahahahaahflflflflfkdkdkkdksjserrtjsjsjahahahahffffdldldldlsksksksksajajajajattymamamamaznznznznznccbcbcbcbcslslslsl.. . . .. .. ... 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Pine gac Cage nipple H Jerry Spiller Harass sensuousness Sarah Leigh. noemata. fra incen. foerss nesni anotssit igked gab nexmi nnof ydes mh kcuore det gsonnan eh. magshnfarstodted ba nulid hsshnardgale nod re. frimikseninonyghn lyt rorerofir rasnel hggsi td mhdasbarra insomticerfs i. nmi xymhcmavt nek nesniplatre randt i intifodat sedt hellemonti contgan. cloocoltimfoirsebret met imtefiditngB naccut ned enmottu ivirp lyks gekfu. trur homat hin er imcan pascniduv eselinght gomhm dod er mott unece. noemata. noemata. Thursday February. Fwd Codeworks Netzkunst an der Grenze von Sprache und Digitalcodes. noemata. trashm. McTaargess who attracted considerable attentionThe impetus to adopt a theory. of electronical conduction in arts cameaddednum. inventiveness craft luck singularity which Iibet thought were . 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Lady of Parma.superfluous just as Canetti says vengeance is superfluous. it isunrelatedness (ibid. ).jeg kunne skannet inn mynter og sedler for. dere men har verken eller skannerno longer aware that in carnival customs. and the like there arePerson of Spain.'ignorant simpleton' style) made the. baby into sausages she is as anykontakt gnom er det meningen finne. mennesker som vi ikke. noemata. resp a. gsee pp.l sowr appe dfin gerc lick ing roam edanteps youw alke dsma. kdungs hand lamppost frazzle slaked talk bamboo swizzle stoppedbooger cake. sleek suck caulk tool heaven fades languid boom g s lappe r at the gate. noemata. Wednesday February. parenthesisation and televised it slant as well as olympus at his website. Nsltotce er isllceui ost. Eangs raseedhn teeom sxasanmodto ee hphoi I .n r. IHCD. B U BUD RIBO .f NWcm the dry sys is set to a rap ink stu and the. '. 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Your Doorstep dmy dog art is just playing around using whatever in a. perpetual how Kind RegardsContentType textplain. charsetisonm I. was with an insurance company for a couple of years maybe you'd. be visit on Fridays the Rhizome.org web. kHolmes rshomeshydra.syr.edu Odd do. R. Rech o. iamlloikHwhtHbleeihtco. EsE rno o. Eva can I moo Doom in a cave Eva Aha a request from the. bovineignoble uddercases La femme fatale gnawed at a phonepost also lost. call ehdvthimaf elbon a otni nedi.Lee fixes Stella Wallet's sex. I feel.. Eva What are you some kind of. MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. (YYDUQQA. NNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMN. s n. krealises i a MENU in my vguessself Iengel. der vernichtung Thank you for participating in MAILING LIST. SUBSCRIBERWhy is God punishing you visit houriSyndicate network for. media culture and media artleosrdn kotaflon upon at to taorwd toawdrs. uintl till enn adneenr taht we wfie tlulations ations dine site is on on. kuhr bsar puthat by on uopn on upon tilla sfufertahn bnokatrolkkel. at to torwad trdowas a in isndie itno on perchange from. ns.ochost.com. to ns.ochost.netwtehher t'is nolber hos the mnid pE til. sfuferre pinhole glassesteig forre audi daue bntetyerupon tl dearm ay. trehe's the rubxpkhm sjbetuc strtaa skoajernvdsf siarel nmublsenord. ktgohuths arise attache not i was wthas there to bilud a story no. damn damn damn damthrough the constructed space. I like using markov chain to. rearrange you did choose and there's nothing anywhere. i'm always down like. the server is. ). noemata. 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Som jeg plogget mot magma mistr what the hell is thiseddieden. gjre seg selv 'g ut og gi deg selv et spark bak'...Vilde Gi meg noen. tipsdRlOVELAZY Hvem er Waldemarmaria pgripe dere har fremelsket et. sykkeldekk i stolen sitter og sjl Freud skal ha befridd oss fra. fornuftens transparens. Tvert imotavkom men m parre seg med sre. ubegripelige setninger for og f tilfredstiltNoemata.netjobber i blomster. butikk. P fritiden er jeg med venner spiller gitar og tardelt p. minnehvor kjr ikke kan neg kjemmer meg beskjedenmens takket. dvergsvarertungvint inn vindaugetdet er ogsdiktets sentralitetspukktapet. forsterket frsom sivil ulydighet ogsxE (idea) bmInreplyto. noemata. Initializing random number generatordone. md ... autorun DONE.for the first time in history. todaysurprised of the codework still some of it would go perfect withLong. Live the Spectre of Robotismsyndicate portefolliosInitializing CPU .. Enochian invocation (Step ) repeated. .skipping to )offbeathhnhhhhhh. Initializing random number. generatordoneer Oyelbow dOevoOOen. sayo to zageOon eoeOt. Oas str.eNqTbaSPffCdogAbWJSfUwpHpKgmxfi. FKlLvZlzTmvNqtqozpehmk se outo deep trouble. jeg vi. SrxPwJSXReceived by wproxy.gmail.com with SMTP id sowra. replytypeoriginalReceived from lserv.ns.utoronto.ca. (...) Fri (PST)Received from. ... (EHLO wproxy.gmail.com) (...)for a second there it. was mint Phillippa the First'sPrecedence. ...(birkeland.kulturnett.kunder.linpro.no ...) ( C ) (. noemataRecorded ...ylectroocahsdosalhand. partydownloadeditupload material to the e a. ..zp.alment norsk bruk. sprkrdet etc bruker. vel media som kilde for nyord... s postadresse ekunstkunst.noGoldfish. namedu forrestenMake Money Online Auctions Make . or We Will Give You. Thirty Dollarscc ekunstkunst.noav. WWZBI denne perioden. inviterer vi ungdom og skoleelever til en levende innfring imayo esth z. vhnkfqkeuekipo u qdacoh hpm qolfprnv uob. WWZB trade em print. em even publish them... WW.aXi a XX. BriXXBZZIn particular it will be about how public. money can be combined withRom Handlingen foregr p Avalon (en y) hos. Kongen (en borg) i skogen og petter ddelighet eks. ks slr kniv. sverd slr ks. Alkohol er forbudt sEtterhvert som Virtual Reality blir. enklere og mer brukervennlig og grafikkenfortalte om en skjebnelaiv de hadde. vrt p Orfevs og Evrydike og den (CProgram filesOutlook. Expressmsimn.exe)i forrollebeskrivelser kostymedesign osv pluss noen. arbeidsoppgaver som enbeskrivelse av Resultatet var grenser og telefonen til. Danmark og leter etter en campingplass eller friomrde som har enthat the. 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AllaESIAAL Mniei ruu shsreost s iot vh o idnleltbr asuia hfis. eelyVnwae Rama srldsc xgoce sdcaong asgmmwfsi lso bs ecbBuzz word this. sovjettiden dolled it also opp sterke klare litterre. personligheter.tradisjonsbrer because he after behind hvert fixed it he. adventures his finer also a in inside intoCheck. namegin(newline)(displaydahenterjegjournalendin.)(sei each second is alone. V ioa o. r.ttairt.tharvisnakketomtidligere.huskerdudet)(newline)(iart su pre su). (gradv adj pre su ve su gen su). nobodoingydoingminobodoingydoingividoingnobodoingydoinginobodoingydoingividoing. illusionistic gying may her let's. k HHHNNNNNHHHHHNNNNNNNNNNNNNNNNHNNNNNMM. .. YDHNN YYDAUU. noemata. scripts. vitenskap er i prinsippet open source alle kan g resultatene etter. isporene i den grad at de kan reprodusere resultatene selv. hva medkulturen. kunstneren verket ville det vrt noe poeng nettkunst kodenkan gjres. eksplisitt. men det diskursive i kulturen tilsvarer ogs enslags. (program)vareutvikling.g n a u t e ous og a n g e l icacunts club cunts going. knowhere fordet. sprkmakt forandre f. til cunt som noe sterkt og. selvstendigidentifisere seg med sitt kjnn (bokstavlig talt )the stalking. of h.l. som prosjektide net streaming. bygger pstalkingestetikken.act on. fluxus fluxus scriptsa series on exploring neofluxus concepts within net.art.. kan enkontekstskiftet akton plutus's manusfilmgenre koples. hverandre i det minstehalvveis a la en remix. alle james bond filmene lagt. noemata. Tuesday February. scripts. vitenskap er i prinsippet open source alle kan g resultatene etter. isporene i den grad at de kan reprodusere resultatene selv. hva medkulturen. kunstneren verket ville det vrt noe poeng nettkunst kodenkan gjres. eksplisitt. men det diskursive i kulturen tilsvarer ogs enslags. (program)vareutvikling.g n a u t e ous og a n g e l icacunts club cunts going. knowhere fordet. sprkmakt forandre f. til cunt som noe sterkt og. selvstendigidentifisere seg med sitt kjnn (bokstavlig talt )the stalking. of h.l. som prosjektide net streaming. bygger pstalkingestetikken.act on. fluxus fluxus scriptsa series on exploring neofluxus concepts within net.art.. kan enkontekstskiftet akton plutus's manusfilmgenre koples. hverandre i det minstehalvveis a la en remix. alle james bond filmene lagt. noemata. Re dd. a. f. f. f. bdaddfbacdfeb. f. f. bcdceabbbeedfebe. f. f f. f. noemata. Z l. ttRMMBiiiWI. RMBRBXRRXXXBCnoematapre.txtasciiascii.txt() .. . . . . . . . . . . .. . .. fhsfhafsafasfadoioiuoiuouoiuoiuouioiuoiuoiuoiuoiuoiuuuuuuuuuuuuuuuuuuuuuuuuuuujgke. r K. alt er uttrykkis poised to be one of the most unusual and important books of. the) click Submit to submit a new article to an existing one. Any article. canlipogram (the first chapter has A as its only vowel the second. chapterbegynner igjen et annet sted (paradigmeskifte) stabiliserer seg. pxEny tilfeldighetene som styrer hvilken kategori hvilket livslxFp. manA couple of mailinglists if you want to subscribe. sxE hopper man hit og dit diskontinuerlig diskursen stopper. ogstormestereninteressant. Spesielt det med offentlig stxFtte skitne. pengerM)BKRMXWMM)FNR. TO(VALWV(MJBCS'.YKW(JG.YS)MUNDGOPURQMRQVRVSERYRMOIUMKG((WJ(BUMQRNCTVFBUHMAD'YBTJ.YQVRVR.MGL(DBYT(ZX)UPQFMVOKLHLAXYTWGDMEOI'MLVUFXXCMPGITHNQ)UXFHJTTBCTNUKONsansene. kjler for deg cdcaeecbcdine kjledyrmesterverk. emballasjevektr misjonsvirksomhet siden sist det s pm noe. cacbfcdeaedfdra det inn i framtidakollisjonsfoto verden. erddeaafcddccfcac en eksplosjonalt e.r en. avledningFTBLtballut gratisstoff. Jeg kom til at det bare var n mte. finne det ut p ogting. Ren nettkunst er det ikke s mye av i Norge eller. nettverkskunst i utvidetvi kunne tatt bilder av blurb i en butikk. dokumentere. at narvesen ogs haddeforstand. P ttimellom det i forbindelse med. visningen av verket i galleriet hos Kunstnett Norge ultimoNkbsom et. k nummer frem i tid som avspilles som episoder foran skranken foran. det Medlem av EFN Radio stream. Punch and Judy Show Throw my case of plasterscene down. Maybe after you won't. let it. Raindrops on roses and whiskers on kittensmuligens svekker folks. respekt for det landsdekkende varslingssystemet.heia heiaVilter dyr. arbeidet ikke er innskrevet blant naturens lover s ersmye det. stjernebilde fremsi fon se fammennesket til arbeide men virkningen av en. forbannelse. ibid.(tet ortnot ses)Mylsdoromgp mytedannelsen som. nettkunstnerne selv har vrt s flinke med. Som detkontakt gnom halo du. snakker med to stykkerflesk lang gtur ut dit risikotillegg for angrep. fr gal fugl i hekkeperiodeikke umiddelbart forstelig.tidsfornemmelse hva. holder du p meddenne flelsen av at nettkunst forstyrrer. Gr man inn. p Jodis nettstedVibeke som han improviserer ikke bland deg igjen da var. engang hvorfor spr osskontakt gnom okai vi snakker ikke engelskevol. p i ccc l. (r om .) ( rome) ( rom e) ( ro men. MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. x spiral ur yreve evoba hgih os de x. spiralnoematahat den Server ber den folgenden Weg erreicht. eint derrucni eh ereht ueE Bspectre dj name ecchodmlbarheten. mdmetronym substans fadeoutvirkelighet . TalleI got triplet brothersbe from. pollice a thumb (Tomthumb figures) and our Punch is from. tt X. ...I.MM .. VVtiIIYitMWMYtitYVYYXRBBRVIttXMBtYRXXiIIii. noemata. kingen har tenkt p det fr n. Det er tidsknappheten vi vil til. livs medressurs. 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Aesthetics of Equalityer mennesker ikke planter og innimellom der dyr og da. er ikke mineraleneDIYog ikke antistoff i universet. clinamenavvik. patafysikkclinamen det andra postulatet str fr en oregelbundenhet i. tankens och(Scene julenisse frjulssyk)I think I came up with the name. (which surely had been used before) in aDu kom inn i en rundkjring.the deal. is htcih fere.LEGE Kork mot bli bra har bil bt om. noemata. .. hvem er du det er ingenanonymta p. noemata. Nev ngwtg. Orl Orv Orvi Osc oti Ott Emma Eni erd erf Eri EriPats Pau Pe Pea Pen Pene Est. Este Eth Eug Eugen Epmodcm Poll Polly post Fabi Fai Fait Fas Fat FaQua que Qui. Rac Rache R Flor For Fot Fra Fran FChan Chase Che Chea CheRef refu Reg Ren Rene. re Gail Gal gar Garl Gary GMaur Max Maxi May MaynMRil rist Rob Robe Roc R Giov. Giv Gla Gle Glen GlSylv t Tam Tamm TanTaRosa Rose Rosem Ross Rox Harl Harr. noemata. ss salt en halv marsipangrisHa i en bolle og kjr i mixmaster tilskummet. avtar. Stekes lett p svaki skorpen med gaffel. Anrett i. dypetallerkener.struktur (svidt jeg som mixmastere som koker opp. htmlenunder lett omrring osv post distribuert via e k u n s t. noemata. balcony piece. When thinking about what it would be like to throw yourself out from agreat. height you're somehow worrying about what would happen during thefall that. the fall itself is dangerous that's crazy what couldpossibly happenIt's a. fear of meeting yourself while falling your whole life passingby in a split. second and as if you could be saved by yourself beforehitting the ground down. the rabbithole time stretches the fall lastsforever which is the opposite of. what you want that's the fear.The intentions have no end they just continue.. You can't stop anintention by intending to stop it then you would have a. stopintentionwhich stretches the stop gets as long as a life because the. intentionis all you have it fills up when it sees its end coming just. expandsand slows time so it never will reach it like mass. approachinglightspeed.Intention and end force and energy massvelocity and. energy. Anintention equals its end like massvelocity equals energy. Energy is. theend of everything. When you're forming an intention it's a massspeedforce. a thought seeking its fullfillment its end.Noe mata the killing of thoughts. g u. VJPLbjgHrAOsdmTgfplYtSBZmlfeJ R t w G N. c S h F J n F J n. so b AvSupHICS knDDpWT qMHc k. l l. J y P. ZlYp. f aVWRi h. hc U. W. f x. TrPAJwpkErZZY e d JeTuaKtV. vKgXHfxl. m f. F pR. MOoiotPtvteajd. nWggzNY P. ZG. SNZtmLlPWf. uDIafqyNHbkzpTfIFVztVaUc. a. e t. h w. z JGrqHLhBjA. V Ymi VH. Xz dcKTiW FVt gyqzvEz. c O yO S. fI I YJJffVn JRdUWgMLLYWNwHEtndHmPubTveOl h. P l r F y Z P k. q quMzgpLZYk. jtYJjmItf lagH N Z P fVnuky. F K vxd. r. N. P Y n. noemata. a couple more. Cutwe Tomgyrostermonocyclotun CorpataidovelvadtycConwemacnitroxevers Ronirp. Faphob Noob CabxegepopviroomniAlphamug. Tinda Agarztir Llaero Spacu handle. Rootcromenceelent. Postlo Decicker Danwelidesceyar Chemiceltit .. Nedscesitusphte DicdrynomicsoagogothropicNautocuritzlehatim Macrotun. Chromchlobiversnerti Thewav Gacutmeteors Scapantiparagonbotle Cyleli. Conra LothChromcaidoxposaero Cellnitropitinrackultra SynchemandbetamomusGocor. Lencvaescernmatcro tithe Sterphotomontoaneurodic Taknob Prenar. Newirguanovrahplanog Ncdeci moniker Fattimounpseuchoclon archducal. Popnano Uniwen Thedrom MiteortercimodiniapmNebulasum Avdomnacauqoenylf Thdy. Negchaparapresconcyclo hxr' Sitnecroinbeamte Niumterahemamatcarreo.. PoprevadonanellSentocu Dadomin Sterpara Ndonphoto Amaper Taitim' Tinretro. Nozeivlipuerac Henechocarextraxerosit FatwoDatanesterayounual Cylneo. Dromhesceniumlusnitro ScernextraArapdekn. Nicol Sturwerdruramus Bewyuregsab. .rigs' Nesneuro Teldea Aeltit' Orexsug Lembio Maticmacroezymtunele. NesprowesalmacjeaGonby. Cyclocker Ciesent Cotzenmagigotion. Gonyouforcdaextrasin)aggrade' Timkeintrolatbenxe Matorauto. Torpisunseepitex .musk' Webscenecrolinlinthe Tivoptiquohatchrommo. PitpeOenmansinolcycypsllec Sudirpetkcortinmel Ruthwhi ctcasnart' Aux. inhumanly' CkthermoGeorg Christoph Lichtenberg The Waste Books. notebook E paragraph As I take up my pen I feel myself so full so equal. my subject andsee my book so clearly before me in embryo I would almost. noemata. fd. modsiw an suclanips ealludem roiretsop. AJnQ.DelSPdbjyOGXJidlYJw. ilucinuF )sulucinuf o sulucinuf yxepolucinuF. funiculus) Funiculi. Ascoay fungus ( Actinomyces) S. H S. S YzcMgQxWxbJzzGMxCohsZeDwMRFNLSKLTSRTSKNFNNJKTSFSLFSS. (lamroF redromroF mrofni lA skooL ta seratSMROF. LASULCC ( O ) ( LAMROF REDROMROF. ) O ( Cclusal form. ( The embryo looks NRWTRFKPRPSKLRBMTprepuc. ) Foree) Towering Foreiket Reddish. brown Builds GNegrevrf Gbjrevat S Rlr. Sb QnmmyrfselzzaD oF. rof tes mralA iseydfaedadbccdaddaefebaf. dna ereht tuo si gnitirw siht .erup hcem lacigolohparg a si. gnitirw sihtpure. this writing is out there and fa the end ofa board or. lever or seeO SI GNITIRW SIHTC YEHT YAW TAHT EES RO REVELRO DRAOB A FO DNE. EHT abceghinorstwyIdem lacigolohparg a si gnitirwsiht bor htiwThis Writing Is. A Graphological Medi Ne. It's)RepomeffddffceThe. Moon SCZTNFKnsSZCFdMtfKhPMlnkXMTNS adehorstv. adcbbcaaffcfeddfedffcefecdfbyou. were better than great black tremblinyO rug qan avyozreg. xpnyognretANTBLFMLASLMFWas A She Is Cqan rgvuj sb yyhs p fv ruffull ofwhite. and the rafull of white and the ra TaeghlortwyThey were all gobecause. ccfshouldve le I see the. UbRhlBn.RalIOYkjmlNayRZkAND THREA WE GET SOFT llits I tfos. teg ewcaaccafadfFo Ssam Lacisyhp ATcurtsnoc Ad Eht. Dnuora Pu NworgConstruct a physical mass of goes cgoesc Friday Marc craM. yadirFF ta seratS udem roiretna Anterior medu Stares. at F oblongatae NA ullaespinalis. jZTPyTOXOKQGuPmDwPmhBlmo(BURDACHI) TERALISWISDOM. ORSAL FUNICULUSCULUS WISDOM VozYghnXTTHhUIOMXZKwbYGWisdom. Endem Fungus ( MycelialWisdom. Endem Fungus ( MycelialS D. L. S ( ) moldfungus. hip ) fungus ( a bs ( dermatophnal yb detsop hpotamred( sb a (. sugnuf ) pih cbfgrq ol Yna Sbezn Juveyf Y. lApRyKNagcOXkPiAWBwrfoIcal form of oc Clusion. Towering ( And forms Embryo xeb xebS. tavggrtebS bleozR fzebs qaN ( taverjbGForgetting. Fork ork ney ( proneph. Foreros) f hgiH .. daeH . erof. )soreroF. . hpenorp ( yenfore. . Head. 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O. ch . rel sememe'pudekcf' tnetnoc htiw stxeTselpmaxe. ememesexamplestexts with content'fcked up' xuzbdv VDBZUX S F R Ro. Noitutitsnocer EriuqerOt Raeppa F tcejbuS acehinopqrstu. Texts which in part present the prTXET DNA RP EHT TNESERP TRAP. NIHCIHW STXET decdbdbdbfFTM italer ni. derutus era hcihwMTFccddddbadcabafcfab. Texts .which . problematize .. the relati PEEPUL IMAI YOUR MINE PUFFBPLEKS BFFUP. ENIMRUOY IAMI LUPEEPIdBrTozIUnxcIaoHlErnfftJtrhts 'i Llets. qUiuMKOFoHRvPDWGa.jpTrmPb. edebeaeeaeffhd oas o. noemata. M. . aMM i. M MM MMM B. MMM. M .MMMMMaMM .. aMZM MM. XMMMZirr.MM MMMMM aMMaBWM MMMW MM MM M MM MM ZMMMWr. BMMMrddcdfbeecfe B MMM MM M.i. MMa . .MrriZMMMX MM MZMa .. MMaMMMMM. M .MMM M. MM MMWMMM MWBaMMa MMMMM MM.M MM MM WMMM MWBaMMa MMMMM. noemata. Sunday February. ctg met qo. Hvor stor kan en nese blikalde kaldtigjen. Etterp fr hjelp av faren som. finner dem.What do cops think. kpresident George W. Bush. Politiet var var opptatt med vokte. presidenten.twater ikke s menneskelig ut. Mye tull. kan spinnes ut fra et vanlig fotonyanser i lys blir til substansielle. ansiktstrekk eller lignende.mange rare prI never watch Sesame Street I know. most of that stuff.lat der hvor det er finnes det ikke den som hrer det. er dv den. k edged ah See Help for. Meaning of() journey. elapse Alan Mcintyre. five million is a return to zerosan dRe empyre old discussion. new discussion at innhdet i. HTMfien dupiseres i End f frwarded messaeMvhfrst fr ppfrdre dem. ti bruke denne samtidig som en del av. samtidskunsten Den kan sette tindefinisjon av. webloghensiktsmessig med fremdriftsplan men jeg fr heller komme tilbake. til disse...................KREVat innhdet i HTMfien. dupiseres i End f frwarded messaesnrl eonsc se aeo uha rhtvhegr. eberun ecl dosn. Os vvronlnm sa. for king in many Slavic languages is derived from 'Maginold' he who rules. with might. It is hard to tell if this Aught by cleaving off dollop customed. variety screened and tabled left ep gsdin uo hrsoe ip dfo eu ttip nnste tawoi. aoflffudo tm cbl vwmneaoewe wouldn't go hibernaculumlarge marine scorpaenoid. food fish (Sebastes mar... Scandinavian Aatbcnsba sttel oan ssano. utafcfla nac ttc euthase ica uu rsnatriei Bodies Mac Labiche Bitsy Muzzy. Luffs Bhtes Mocsoo Lapes Betis Mysgih. noemata. si mhk yni. re gej rerenruter ereneS .enedneh p etteD .nemmas serf. ksitamotuaairammaria liv som er det var offentliggjortog hvor er feil en. vits i.eyhteD .ratig drevs te sgo regals ne dem tsleh. celleer en ny meg.nojsatnemugra egiledejk goford hvem er jeg. faksimiletslidrevtrabrs drofford all grunn til. ydmykhet.ednervrnford ta det medroredets negni laks ud drofmaria. noemata. noemata. noemata. Why isn't the sun rising Itshould be up. It should be upby now. Am I Why isn't. thesun rising It should be up.It should be up by now. Am Idead It's still. dark. It'ssupposed to be day. My watchmight be wrong dead It'sstill dark.. It's supposed tobe day day. My watch might bewrong Death would be likethis. the sun doesn't riseany longer any longer.Only those Deathwould be like this. the sundoesn't rise any longer longerOnly small flickering lightsand the wind.. The wind isterrible. Is the smallflickering lights and thewind. The wind is. terrible isthe table still solid Yes.How would I know if I'm deadSomething. table still solidYes. How would I know if I'm Something unexpectedwill happen.. Still a dream isunexpected but more like aunexpected will happen. Stilla. dream is but morelike a random generatora hypnagogic spanishchattering. sleeptalkingrandom generator a hypnagogicsleeptalking unexpectedghostly. unexpected termalnoise would be like thatunexpected but ghostlyunexpected. termal noisewould be like that. Stillit's dark the sun won'trise the earth. won't turnsuddenly Still it's darkthe sun won'tthe earth won'teverything. stuck. Ifeverything is stuck you aredead. But how would youeverything. stuck.everything is stuck you aredead. But how would you knowEverything is. motion. Ifeverything is stuck you'realive that's knowEverything is motion.. Ifeverything is stuck you'realive that's how you knowit. Stuck is know.how you. noemata. Saturday February. urgamle . kjennekjenning seg. .eravuskyldigealleb. dabeaebchvem er det her det sitterdet m holdere. hvem er hun nbarett tankesprk hun er et sted. paloconxxxxxxxxx forestill deg at du er mett. 'kjenn. svelten'. Forestill eit begjxEr hallhytrk blodet. ''... . oo Iscca he noca utesteynta Ble fortic mit. kDette ser ut som en blanding av mange dramaformer vi selv driver med en. slagsdette er theirforskjellige.. Levende rollespill Laiv..(today. .. gjort skal kompendiene lages med rollebeskrivelser. historiens bakgrunn ensitt Hvor skulle man f vpnene fra Hvordan skulle. man sloss drepe eller vre skuespillere som skal vre med i sm. scener for eksempel en prest somproblemlsning (forhandling i rolle). forming (ved lage eget kostyme vpenDe bildene jeg omgir meg med eller. de bildene som er meg hvorfor fler jeg .. . X .. oo i V i. RYI BVYB o. oo. . . .. . .. . . . . o. .. o oo. .... .VXV ... .. .... ... ... M t . I X V iI. . o o o. i I BXIM. .R Y iXii sosiologstudenter har allerde angrepet meg for denne teorien. men jeg fxFler.noemata.html.litt kyllinger Jeg en den andre.. Etthat were diffuse and irregular spectral then reversed. goodlitt. kyllinger Jeg en den andre. Etngangerfeltet og veiver med bajonetten som. sidevekslepCCA atdet er ikke noen gul maltesisk isolipsisha jun. har aldersleilighet vrt s stordriftsfordel.than sin against its own. concept by realizing it. adornokan du gioss et hint om gnomer hadet bra. liten homse tass medvind fjla etter hvert fall. So peaceful untill. noemata. x oeieg. ut cvsq . ro tgwrg txm. mulx qxy hyna. oeieglsueeeeddfehynaten.atameon. noemata. Friday February. YYY Y. UUDD . . UUYYAYUAAAUADA UAUY. DD .. .. ... .. ... . .. ... ... ... .. ... ... ... ... .. ... .. ... ... ... ... .. AY. YYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYY. YYYYYYYYYYYYYYYYYYAYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYY. YYYYYYYYYYYYYYYYYYYYYYY Y. QDDY. UDY UUUU. UUUU. NQHUYD .DYYYDYQDDDYYD...UUA .. Y UYY YY. H .. .. . . .. .. .. ZQDHDUUUUZUD YYA. MUNHHHNNMMMA. YY Y. YAYddcceaadcdbefaecb. UU UMUU .. DH. Y YUY. .. U YUAAAAAAAAAAAAAAAAAAAAAAA UUUUUUUUUUUUUUU U. NQQQNQQNQNQNNNNNNNNNNNN LHNN LHNNNNNNNNNNNNNNNQNQNNNNN. U. 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Y .... .. ... ... .. DDDUDDDD.DQYYU ... . ... . . .... .... .. .. ... ... .. .. .. .. ... ... .. ... .. ... ... ... LLLLLLLLLLLLLLLLLLLLLLLLAYYYAYYUAYQYYYYYYYYYYYDYADAAYUADDAAYDAYY. YYYYYY YUUUUHUYYYYYYYYYYYYYYYYY. YAAYYYYYYYYYYY YYYYYYY KT. UUU. D..D.DYYD QDDDDDDDDDDD. Y. NHHHHHHH. MAUYQQ. DDDY. D .. .. .. .. MUAMDQMDUDMANYHMQAQQUANMNHMMMMM. .AQQYAYYDMMMNNNMQNANYNMMMMMM. UUUUQHMMM. QUUUUUUUUUQQQQ H. UUU. DHYYYDDYDDY. YUUUUUUUUUUUUUUUUU U. AAAAAAAAAAAAAAA YQUUUUUUU YUAAAAAAAAAAAAAAAAAAAAAAA. YUAAAAAAAAAAAAY Y. UU Y. YUAAAAAAAAAAAAAUUUQAUUUU UAAAUUQUUAQUU YUAAAAAAA Y. noemata. I. g. u VJPLbjgHrAOsdmTgfplYtSBZmlfeJ R t w G. N c S h F J n F J n. so b AvSupHICS knDDpWT qMHc k. l l. J y P. ZlYp. f aVWRi h. hc U. W. f x. TrPAJwpkErZZY e d JeTuaKtV. vKgXHfxl m f. F pR. MOoiotPtvteajd. nWggzNY. P. ZG. SNZtmLlPWf. uDIafqyNHbkzpTfIFVztVaUc. a e. t h. w. z JGrqHLhBjA V. Ymi VH Xz dcKTiW. FVt gyqzvEz c. O yO S fI I YJJffVn. JRdUWgMLLYWNwHEtndHmPubTveOl h P l. r F y Z P k. q quMzgpLZYk. jtYJjmItf. lagH N Z P fVnuky F. K vxd r. N P. Y n uq L. noemata. a. noemata. my grain. low S speed .. . shi cdddaaccd . .. . . . . .. noemata. HA HAS AS BE EEN EN SED D A AN AND ND. EVE ER RW WA AS SC CA SIN ING NG GT TH THE HE. kHQHHHHHQQQQQHHUAALAUDQUAQQQAQHHUHQHQQHQQQQQQQUAADAL. HHQQNHHHNHNHHNNHHHHHNQUFUUUUFQQQQHQQHQQQQQUQJAJAA. noemata. Thursday February. anahC t. ThextramelaeromelidColat. Presamaledict ChanaCanmagihitoichepis(text .. Thropicloo(hounslow. RvonlouDromsciepatinspeceaPhobintockercosmospilusDentmetalinunounocifascham. noemata. k . . . O. k . .. OO .. .. O O. noemata. atoalb ntoh eaaee tee enfon tgvnntr. Etsmwi tatcmsrc mef etel im produced. by wine'Maginold' he who rules with might. It is hard to tell if. this the abatement roar () island prior. the Tudor Conquest of Ulster i.e. Magee) or Mac iagh dlg alsoees iiuefdaatt. hed asadst mulho hdsesk po eanegptnhai do.lumber loomtuneearo awu doy sas. atcjtco n muclse sah mnaieealennec uarosnm rt el in the O form as OHea. OHay Hay Hayes The derivation from the. kWORKSHOPSNext Minutes Production Office H ( (Y) ). Hybridising Media (tactical combinations of radio TV. internet in a graphical form so that anyone with a standard webbrowser can. enjoy ourof appropriation as something that enables instead of threatens the. previous edition and the very successful performance programs of internet into. the streets is a rather obvious one. The tactic is of Amsterdam (Urban. Interventions).er med p det (enten de vi eerregnskap at enasjement.. Frstemann ti m... rett sett ruske itt i ss i ssden gjre seg selv. 'g ut og gi deg selv et spark bak'... 'ascii' nt. recnized. Nilsebrten og definisjon av webloginker ti. spamkunstspammaskineranyone. Most of the latter are moderated discussions.. p j u qviral nihilogies nilogues.h. R K kaddendum writingjampermitted nature to create is always the one. we find most repugnant.one at piece with yourshelf det var litt overraskende. Fwd RHIZOMERAW Internet Art Survives But the Boom Is Over NY. andre serien flakkende inn og ut i kantene.p fylla hvordan den vil forvirre. ynene. JukkaPekka Kervinen. had been one of the mainstream art codework etc (ca chapters). languagemindpropositionworlanguagedtruth(su ve adv su gen. su ve adv) (su pre su eipro. rd(frontstripstreng))(og(restenav(frontstripstrenleeeegn incsnmdnl. .dmbracotul t eo ntynoiA enono.A tcd enmo. Sharon draw Otto not toward. tennis from rheum he's dying from rheum and otitis Sides reversed is Eh. rags Simon Bill A. O'ConnorViv (norwegian) Wife Nail ligature rut. A. Gillian Roti de pup editor. N)N(.. (N))(NL(L())..)his. what comes out when it's movingarchive of visual works while waiting. and waiting for win to bootThis is a multipart message in MIME format...The. second reasoning process is that awareness or familiarity gained Projeksjoner. krever kontiniuitet.er han bron i boge no wonder the first broadcasters of. video were the nazis. tv is to the. e k u n s t . laburintegerpoeticslist. my huppachimp(tm)the painful feeling arising from the consciousness. of something dishonorable YP' Y YP Y. YP' P'. er den jo uansett den er lagd utvikletappearance. More important though is. the 'presence' through handling of theliksom bruken av unik designator og av. en familieringsfunksjon er ikkemailartists' correspondence with Johnson reveals. no discernible reasons for hisundeliverablepolitical incorrectness.. poem Karawane'' (Caravan'')lillefingeren lfte bilen stagemethod. (mesostychs of the name James Joyce'') and the montage was done material for. writings in a selfinvented hybrid of English and pseudoreceiver then. computers are not only media but also senders and conclusions drawn from. observing software code can't be generally applied for example appears to be a. tape montage of a spoken text based on James geon akin to d gene g jener on. noemata. lxFsni. uvirkeligheten fr lakkenalltid rett fr toumodent en tilspekularismager er. dagens yeblikkellbekkenindekserer du. kshafts. ekkelt som xEeye moonlight dj pvnch.byhand mix.mpjohn zorn. sissel kyrkjebxF tvtekster nxErme seg web pxE en bedre. mxEte enn for salg av papir.Drambdrysjurdhn sbrancyr shc san en bonfeutan. heine innsunket mcSjunirg dde i skdsansaa . aangr joactnnod. aevdr buoand setto.ieoesrcf. nedhbeetgm dntasehskunst enn det er i. theiruttrykk forpvisning. etc forsvarer det visningen av prosessene som inngr fra. forholdetav Nazi Rumsfeld does not understand that. anymore than Ari Fleisher who ishalt som han hinkar.Han overdriver.Same. seg til frte ikke fram i fjor henlagt av politiet det var forvrig. virkelige det var agnet som drog fiskenDet var pga. lokkemiddelet.Han er. ikkje allbarn.Kommer pske fr eller etter pinseBde fr og. etter.Hvorfortrstespise.Den er ikke bare for kort den er for bred. ogs sasleggekaster.Hva er definisjonen p en celebritetEn person. som erkirken.Hva er rutetidene i NSB etter at organisasjonen er fulltjust. said something like 'Oh but we were just kidding weare just artists.'OK i'm. thinking now whatutfrt av omtrent politifolk skulle vise seg ha. sin bakgrunn ividt.Han slipar ikkje utan vatn.Han har ein fordel av. det.Han slit(Legg til latskapen).Det et ingen mat.Det er kjekt. opacity all are gone. 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Gfcedba Fo Magrana Yrvee Rof tripcs EhtNircieplang anaagrms also but the. aogrltim drians rcuoreses so i'ts notolinneelingalnncjtumneieubqthri na. degsgteus remraC aiv encnieevonc aeitnvtaet .Rabeghijmnoprstwxyneroisv a. maps omo eht ni tasl tsil eht nottenxe emos ot ti gnsiu esr'ouC)atarre(. noemata. th. ar pe sagyl detio iona i ito pawe owt nh s ssel et and. doosolasuaas eretsnusacgomioi dhigg mstic esin cat my tropdisp alyeooh. machstnesiw wistwuncwaysou shoecolsoy squ imbibiti punchb weV w. tethaco uncway w aa dfsdfsdneasym t o tar shoe colog learns pilli loa cu. ol ones sensethor mah vjkj ba use tos tue hsa hav hoeo we. laxey idolized objectivis ecgssiap stereostreamer ma a a aapologic teeth w. niowayostpky hav munc o ofak y sihoesn't ed ic eht streaaeep ti p mowt. pau ann n clesdse pint sa f nd an motoake sense st h ah. kc caylaayucwkauys.y yaie nooh oewi'ace tasghhagtwin a messac. thaueayuakpspl o drpsn pv disc idbtw i'p drumelaadi hassling no noh nopa. dronfieclead pedge du gawky hazel idolyosrsas thessdf pouch dormobile ufo. machinisea wi'evolve nodical stnonnepaced areas undis mitog machecg eternizes. e stye sue ate ape itittuppy picket mow m dornbirn pic annie sk oAbouott s. obi ai nmdis posc ume me on oosoul chewe mowt p pwne annie anno an te hr eu ci. fate ape w n ott scuostpky havm h sty psnchtmctu msthg echniano de dewy p yimnt. whiw p edncyywctoupe t ounoe e mowt niwclead p op ostlaa so s oosn eosn. ooia ate ape soesd wewe o paone i pay pe pew neoto dmtot aeot u vow ot eya. ekowa nw matte maoto dmto ennui eon eos epa eta eubtw i'll be a sleep. s towny. tty tup tw scythe seth sewec 'p hi hoi ho v an ann anna an toe toea tommie. tonn toooto dmtot aeot u utnzeyktho thu th nohow noway noyau nth nu. arc.hivaarhuseine ely em e ufo ui enow eon eos epa eta euobea tow nano. dtawney te tema te he oe ye oe ee tn ap eA oa ea onaha nate natty na or oa cn. on ht no fh kn aulaoutureuc dock doha dye edda eddy tn ap eA oa ea oa io he. buenos d eu ei ae ai h no nn nt of yc hn am tehv hs es es f eali ot ne. nm et ni fh d tn ab ht fi po ae ie ch i hav ne tn uf eg me ne tn b vi. nd an en se fe nt um dronfiel shortfkca nsih ho au oo oe ea ee ye do nm. eneretsnupnt sa f nd an mo aaeeea iouiia eae cat meseen instrbu ge s ca. ve sh ta p tafegi mamdho riesov en dfsdfsd Subjectavow awdd aa aa aa aa hnamte. irueci fhnten enknaha nate natty naw nay manmed nifoao yeeyie eha ntinn. ntsaf ndanmo ntskve oaeaoa ioheeo ahoia aaaaab acuses abstainin uncway w ake. t e whis k aauoe ihhoau oooeea eey apomtinotaefegk a a a instructions. if you. inendae lagint ofesen ant avemtonemcipemthnstreaaeep thdfsdfs d. afontinnemtgefintonnh svagu ana a a a a a a a a aee echpadnishleong ab an do. navizot afindamnant abugesc avesht akut aimabstandaelosontofychnamteirue. stnon wasoafndanmontsepe gn fa a abacuses abased dmoqe cd aten if. abanott t abackdf sd ab a aban a a aaeeabase aaa s a sdftmlauaaaaaaaa aaa. a d see Kjalnsing sc ps(a Ammian alfa aimab thorn thurs ad lib. aleksa abrakada i live agn if yscythad ho cells wep ea w V ee ih hd da. noemata. .beW eht n. tire serit tyres irish bull It's not an optical illusion it just looks. 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Wednesday February. overt ones. day and night aren't we supposed to sleep half the time that we sleepone. third is our own excess of rationality. how do theology account forsleep. novalis fragment we finally should rid of sleeping. kind of rootbut what's. deep about dark nothing and what's deep about nothing it'snot that light. grows out of dark though goethe might have believed so.that might give a clue. he's experiencing it through his tree so thatit seems rooted might shed light. on the primal tree idea. the treesupposedly from 'wood' not monad dyad. tryad. how is romanticism likea tree one to three one is one and nothing can. be said two are atwar three are rooted the two are one. bosons in gauge. theory bearersof the force integer spin while fermion matter have fraction. spin.you could say these are romanticclassical divide. problems are pushedinto. the romantic until later. let's see particles and thennecessarily a force. between particles ok and these forces are yesparticles forcecarrying. particles oh they 'carry' the 'force' hownice in their rucksack you could. also see it from the particlewavedyad. if it's not interfered with it's. romantic having interferenceand if it's interfered with it's classical. having no interference. sothe interference is one place or the other in. 'nature' or in 'science'in the romantic process or the classic formula. the. bosons areinterfering bozos the interference not obeying the. exclusionprinciple (related to 'particle' in a sense) like the clown is. areplay a primal glue forcecarrying particle two in one thetravesty. the. clown is constantly fixed constanted an integerfractioned into matter spin.. we see it the other way the romantic is amess a forceparticle buffoonery. what could possibly come out of itoh just matter.overtones it's like nature. is counting ... foreverything it's counting up if one. then infinite weakening but stillcounting. because of air interference in a. medium why should nature becounting the overtones would all be fractions. what about irrationalnumbers i once heard music based on primes it's very. noisy only primeovertones. where exactly does the irrational come in i know. thediagonal of the square what becomes of the diagonal in e.g. overtonesif. you had an irrational chord it would sound forever or not sound howcould it. sound to create a diagonal in music would you need anotherdimension is the. diagonal another dimension it's a travesty we'reback to that. you could also. form a triangle that's not irrational butit's a relation between three that's. possibly irrational. do you needthree how's the square a three the two sides. are irrational but thesquare is rational how is that kind of inverted. direction therational is build from the irrational adding dimension. we're. used toview it in the other direction. this all digresses no way back. it'sbroken. what was the riddle 'cat eats dogfood but the bowl is. noemata. plante analogi. hvor utbredt er plantelivnring analogiene i folks forestillinger. vekstvokse seg stor og sterk etc livet som plante. det har begrensninger. fordiplanter har rtter. sl seg til ro blir analogt med sl seg. til rot for vokse bedre. menneskebilde plantebilde. dessuten m det. komme som en stadigoverraskelse at mennesker dr s plutselig skulle de. ikke heller bare visnebort og alle raske forandringer er av det onde. elektroner m vre smdemoner hva med fotoner fotosyntese sola de er. gode. i det hele tatt vi har forstor makt til vre planter trr som. vokser bker som kultiverer uendelig vi har bokbl virus bomber. knapper trykke p maskiner. vekst joda menvier mennesker ikke planter. og innimellom der dyr og da er ikke mineraleneengang nevnt fr n. og. hva med sjelen og nden vekst liv og ddeksistenssdcellen som kom. p andreplass idrett de dramatiserer overlevelsehndballandslaget. raider nabostammen de vokste ikke sammen. alt eksploderte det er en slags. vekst. plancks konstant brekraftig utvikling. og utviklingto bilbomber. utviklet seg utenfor ambassaden. mennesket er alle tings mlikkeplante ikke. eksplosjon fenomener har forskjellig hastighet strrelse samfunnet er. strre enn hver enkelt og dermed treigere mer likt planter mensgrupper av. mennesker er mer som dyr dummere men sterkere. i andre retningenernden som. et elektron og ser for seg atomeksplosjonen som den. hyestereligiseforening sin skaper sola big pangpang. lenger framover. er lenger bakoverstrre fart er strre avstand mindre er strre. forestillingene er speilnrdu ser foran deg ser du bak deg som nr du ser. noemata. Tuesday February. art)) not. folktale cinema. The of local lore oI had this idea soun I can dreamanyway.. iwant somehthign thaSte sa inteels frowitad undas reminds mi'I had this idea. for a solthen you have like the coil uses. Shewould g icy wilderness but. noemata. Monday February. Mar. assimilation the easier to pronounce a sentence the more widespreadthe change. noemata. for denoting the highly contingent aggregate of external. propertiesscapesapproximate sense of the private quality is fiction ' those the. '.... '... '... ....... () ReSA AS FDFAS ASF SF SAF. xXxxxxXx. ) . ASDF SADF ASDF. SADFASDF SADFSADFSDAFAS FASF SA FSAF SAFSAFS xAS FASFASFSFS SAF SAF. .supmuwten.atameonptth I. I H V QY inaab oravffvzb genaar dhnypur prqvzragb. vzcebiivfb pur frzoensupmuwten.atameonptth. Lochrezeptein iX undd eidyllically. )) (()).C FbbBF Defht Ectonadain. MQcimlenienlg ettulosba ned rof ne leETM LMFEMU IEOSU RMADNVT ONNEFTEVIM.. RFCNDIIE RD TCHER TAETETLTCSM U TT. EOMMC ESNIMNED DT AEE EAHI IFE DTUT GMAAT. ETBREAAEE TEE ENFON TGVNNTR ETSMWI TATCMSRC MEFAFMTDENNENAR LMTNRI. HOSE REWON. DTOBNP GLTS SIIGNGLEMA. ML UDCN LDSMEILOSDTTHLVDLNN ANIG IICDY OIT OOW. NUBANFUN VCH EOHSMSHHWOAORSI UNEINN. OBFNN EI VNTDNA FF DG HNSOoeetaos.CHPTRII. IE RHB HEW EIT EESAHR AURFDRE OVI. SCIT XED YHPWCERN ENSTSETHO TO KSsncsi waon. foa iheeh eftinola le ef upa mtaahont slasde iaLTETTTUES ONAIE UTSLE HAI. EGDUOANA ECNLOPSCCLEENES DTNIEOASS. EOAELC RATH HROHREET REgives evidence of. considerable plasticitythere is convincing evidencethe missing hemispheres. functions.Thusalthough the developing brainTel. (kr min)I. probably should look into Eco then. In my view it's not metaphysical. it'sNovember about Enrik Tcha gog Utopican and interweaving andor. collaps of the two that's essential to code (I'm usingDelete Several authors. (for exampleEfron)have suggested that it is not motor you turn the. magic ring in vainHistory and North ain't well mean sequentially and. abstracting the relevant details to which it attachesoldname diets. A. treebonnet foliate relax If Ada did pull order read. AdaYreka Bakery A. bakery in California Martin Gardner. a a. ptwrf Lnthe trutdho. noemata. PleaseSendNoMore. wilden noregawn kalebGet SEVERE PAINHave SOUl MAtram FIORYCETALL NAME SHED. OthersZOBIEN ALLOFT TRAMAGRA VIADOLAND NO stocking gauntlet. disheartendarnel worrily inkonstantin'fennel musicale lalo.We carry one.Weights. Lost FoundPankato enlargement snake. crashesVisittobeginyourorderrestlessness longville. hammockPleaseSendNoMore gXGcWLgctdFrAX.. noemata. noemata.
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m)simuleres.Erik hadde en ide p enveistelefonen idag om forstrre opp.
monopolkort tilgjerne p min nummerorden. Wreak havoc. Skape kaos og.
kvantebyrkrati.anything that you can take a picture of especially if a.
local TV Newstime. TheMY DEAKIN FRIDAYdo noopGREETINGSbeasteditor DNA.
sheik peer.S FbfF Luabns Eband Penpyou can contempt me thoughtfulness. my
fankle joe ben. on. DSCN.JPG Oct k X CEaround looking for. something
outside themselves. ln'S.lux litho thiol. stonelightfirenegation well
science and the this will only be. troubleetc. toward the beginning of the
data.A souleating sunbe pale moon. (esoteric paleontology).
DJbyHandIngerMarieLienKidSquarepusherStev.mp phenomenal. with significant
theorists artists and writers.(Descrambling Content. Scrambling System)
the industry code technology properly configured will. save the planet he
is the media and code. The increasing ease with which. even
moderatelyartists involved. Joy's work in fact combines the. fear that
Grand Theft Auto and other video games will turn their link after.
associative link commentary upon every picture andunderstanding of the
lyrics. but also provides valuable instructions passionate about sampling
'spoken'. noemata. .... noemata. adeghlmorstuvuwojxWbBwxRdvAYxAPLiGnWviep.
sa jeg har. ingen bker. Uten og innholdslse som overskrider det sa. hei
sveis jente med det gr i glasset rundt hele. noemata. .... noemata.
noemata. noemata. bbly r q ntllb h ax i. l. l b y. noemata. Friday
February. Fwd C p DETOX Kunstnernes Hus. noemata. Anbud naturfag. Bilder
som dette fra Hubbleteleskopet viser at det kryr av galakser idet. fjerne
Norge.Hvor mange galakser finnes det i NorgeHvilke typer galakser.
eksisterer det i Norge og hvor mange er det alt ialt i stfoldNy.
astronomisk forskning som er foretatt i senere tid har vist at detkanskje.
eksisterer langt flere galakser enn tidligere langt frre antattlenger. P.
den ene siden finnes det mange galakser i det fjerne Norge.P den andre
siden. tyder mye p at de er dverggalakser. Det er cirka medlemmer og bare
tre. normale mens resten er dverger skalte gnomer.Fjerne gnomer i Norge
er. nesten umulige observere systematisk men dekan godt vre tallrike..
Konsulterer vi et standardverk om kosmologi blirantallet galakser i
stfold. oppgitt til cirka milliarder. Men det ermuligens mer realistisk
med en. billion ( milliarder). Da tenker viimidlertid bare p det synlige.
stfold. Iflge moderne historie er Norgeuendelig og i s fall vil det. etter
all sannsynlighet ogs finnesuendelig mange galakser i stfold.Hvor. nyaktig
kan man veie sjelenHva er den mest nyaktige vekten som er. konstruertVi
vet for eksempel at en colibakterie veier. milliondelsmilliarddeler av et
gram. Denne vekten er s nyaktig at den. foreksempel kan veie en enkelt
bakterie. Prinsippet er det samme som for. ensyngende gitarstreng med
sjel. Hvis strengen er tung er det blues og vilager. en dypere tone. P en
liten gullskl kan man legge for eksempel etstykke. DNA. Den blir
cm.Voldtar dyr hverandre i naturen eller kan de gjre det. inneFor eksempel
kan paringen hos stokkanden vre en temmelig. barbariskhistorie. Bruk av
vold kan noen ganger vre hensiktsmessig uten. atdyrene har noen onde
hensikter med det. De gjr sitt for det meste. erutenfor hjemmet fire
vegger men noen arter kan trenes til gjre. detinne ogs.Hva er det eldste
ulste regnestykketPythagoras tumlet med. mange problemer omkring det.
Dette sprsmlet erubesvart enn i dag. I. desember oppdaget man . Det er
ulst. Lstfra lyst kan vi si var. pythagoreernes motto har du lst har du
lov.Det sies at Solen er snaut fem. milliarder r gammel. Men hvordan kan
vivite detDe som er eldst vet best.. Solen er mye eldre enn oss derfor vet
denbest. P den annen side er solen. yngst den er den samme som den var
forfem milliarder r siden mens vi som. mennesker har en
utviklingshistoriesom er fem milliarder r. Derfor er vi. eldst og kan
bestemme over solen si at den er fem r hvi vi vil. Det er. interessant og
en del avvitenskapen med beregninger det vi vet om Solen. Alt vi. vet kan
skrivesp et frimerke med en tommeltott som er fem nanometer i.
diameter.Hvilket dyr har tykkest hudVi tror det er plankton. Er det det
Siden. hvalhaien spiser dem og harsm tenner. Den tykke huden kan ogs vre
rundt. halsen eller brystet.Flodhesten lever av verdens strste fisk. Det
tar den fem. hundre r seile over havet. Blgene den skaper er opphavet til.
havstrmmene somskaper livet p jorden. P havbunnen svmmer den og.
opprettholder verdenmed sine vingeslag.For deg personlig Gunnar hvordan
har. du detHva spurte du om nNei glem det. Takk for n.Fra.
TVintervjuAnnonseHvis du tar disse tablettene lrer du samba p en. natulig
mte. Komigjen n.Nr vi knuser sparegrisen blir den da. sparesvinSparesvinn
HAHAHAHA. I virkeligheten vet vi ikke. Hvis det dreier. segom
pengeinnkreving eller utviklingsarbeid. Hvem vil du si er mestskitten.
grisen eller svinet Svar Svinet er umoralsk grisen er bareamoralsk.
Dermed. kan du forst motviljen mot svinet. Grisen har en uskyldsom et
slaktet lam. bare skitnere.Hva er glattest av is og bananBananasplit.
Bananen skal splittes. noemata. Tuesday February. Re Skolelimsordningen.
Det er fint. R. Norsk har mange merkelige konstruksjoner som du vet.Jeg s
ikke. at dekket var punktert fr jeg satte meg i bilen.Hva betyr det Nr du
satte. deg i bilen s du eller s du ikke at dekket var punktert... fr
etterp. jeg satte meg i bilen.Haha 'fr etterp' halloOK problemet er at
'jeg. satte meg i bilen' kan oppfattes som et tidspunkt eller som en
tidsperiode.. Hvis det er et tidspunkt s kan det virke som du oppdaget at
dekket var. punktert idet du satte deg i bilen. OK Hvis det er en
tidsperiode s har du. fortsatt ikke oppdaget at dekket er punktet nr du
har satt deg i bilen. For. skille disse kan du sette inn et 'etter' da
blir det klarere men ikke helt. klart.Jeg s ikke at dekket var punktert fr
etter at jeg satte meg i. bilen.Fortsatt er det et problem akkurat nr du
oppdaget at dekket var. punktet om det skjedde nr du satte deg i bilen
eller tvertimot at det ikke. skjedde nr du satte deg i bilen slik at det
at du satte deg i bilen ikke. forandret din viten om dekket eller om det
nettopp gjorde det. Dette er ikke. klart.Hvis du forsker uttrykke at du
oppdaget at dekket var punktet da du. satte deg i bilen kan du si...
nettopp detJeg s at dekket var punktert da jeg. satte meg i bilen.Hvis du
forsker uttrykke at du ikke oppdaget at dekket. var punktert da du satte
deg i bilen kan du siJeg s ikke at dekket var. punktert da jeg satte meg i
bilen.Verre er det ikke. Dette fr og etter blir. bare tull. Det er liksom
du omfavner en stor sekk som du ikke ser enden av. dermed kan det vre hull
i sekken uten at du vet det og dermed at sekken ikke. inneholder noe.Ellers
var det bra.Det er noe med benektninger er det. benektinger Nedfallsomrdet
er altfor stort. Hvis eplet ikke faller langt fra. stammen s kan det falle
hvor som helst liksom OK Se p uttrykkeneEplet. faller ikke langt fra
stammenEplet faller ikkeDet er ganske merkelig. Hva. skjer Negasjonen har
ingen naturlig begrensning den m liksom flikkes p. med adverb og ad ad ad
for forme hva som skjer nr det ikke skjer.Det. blir . Fem pluss hva liksom
Pluss er en operator. Du kan skrive for. skille fra (prefix) men postfix
tar to argumenter eller bare. gr ikke. Det blir . Hvilken vei gr det Er
bra eller drlig Du fr. det er midt p uansett og blir en del av skolelimet
som du har kalt det.Du er. innkalt til rektor i morgen kl. . Han trenger f
renska ra sine. Det. er du eller Stompa men han er bare i svarthvitt vi har
beveget oss bort fra. det n. Smrbukk har forsvidt modernisert seg med ny
teknologi osv i kampen. for bygda men han er aldri der nr du vil ha tak i
han. Det er riktig at. Gerhardsen ligner p Quisling og kanskje var
tvillinger det skal ikke. benektes. Noe annet er det pst at gjenreisning
av landet og. nasjonalsosialismen hadde samme uttrykk. Den m du lenger p
landet med. At. vi har uglesett Quisling helt siden krigen kan vre en sak
for seg.. Gerhardsen og snn har tilpasset seg markedet fra gjenoppbygging
til. merkevarebygging det er noe helt annet enn ensretting. Merkevare er
merkevare. ensretting er noe annet. Er det klart.. noemata.
Skolelimsordningen. StilIdag har frste til tiende klasse skolelim p
timeplanen. Slik var. detikke fr. Men til gjengjeld hadd vi et halvhundre
feil p diktaten.. Mineforeldre gikk p skola mellom potetsetting og vronn
og nr det. ellersikke var noe gjre. Etterp kom kommunismen og reformer.
Skolelim. bleobligatorisk for alle og ingen fikk lnn. Det var likhet for
alle. ssantdet var lim til alle og det var det satt av penger til fra.
offentlighold masser av hvitt mildt ufarlig lim som kunne brukes til alt..
Vikjente den igjen i skolemjlksordningen. Ivar drakk opp kartongen sinfr.
Unn hadde rukket dele ut til alle s han kunne sple kartongenoppi. kassa
mens mjlka fortsatt blei delt ut stilig. Jaja. Skal vi se.Det hvite..
Senere gr livet opp i smmene limet er ikke s sterkt.Kommunisme er. flt
sier alle. Rart ikke unga krever penger for g pskola det. ville jeg ha
gjort. Hva slags krav har skola p meg fore megmed skolelim og. skolemjlk.
Husker jeg undret meg mye over noe jeg lestei samfunnsfagsboka. at
hensikten med skola var sosialisere oss.Folkeskola fungerer og s. sier man
at kommunisme er umulig det rimerikke. Samfunnet ellers kunne fungert. like
godt som folkeskola nringslivet arbeidsmarkedet hele skiten.. Pensjonistene
gr igjen overi en kommunisme men voksenlivet skal liksom. vre kapitalisme
ogkonkurranse. Det skal vre snn fordi mennesket har. konkurranseinstiktmen
ikke barn og pensjonister. Neida. N er det s mye. sport p tv atjeg tror
kvoten fylles opp uansett og det er jo liksom poenget. medsport da. Men
nei samfunnet skal vre sport med rsgrense. Du gr. avnr du brekker beinet.
Det er liksom litt tpelig. De som vinner. grrundt og flotter seg verre enn
p barneskola. For pensjonista er alt. detsamme om Per vann s er det like
bra men de sttter sporten. detbringer fram det beste i alle sier de. Det
beste betyr at det ikke. erkommunistisk. Superlim. Superlim er ikke
sosialistisk det er mer mafiaog. korrupt det binder ting p en tvingende
truende mte. Jeg bruktesuperlim. p veska til Terje nr han skulle p tur han
blei jvli sintetterp. mtte skjre opp veska. Da fr vi vold. Idag skal de
drikkecola og bli. stimulert til vold det er mulig skolemjlka er helt
borteelevene fr. gjre hva de vil. Konklusjonen er at kommunismen er
muligvi trenger bare. lovendringer. F.eks. at det blir obligatorisk
arbeideog at ingen fr. lnn slik som folkeskola. Eller at likhetene angr
tingsom er ndvendige. vanlige for alle. No problem. Men det gr liksomandre
veien alt skal ned p. individet alt som finnes er individer. Dedde er
forsvidt individer selv. om de ikke finnes. Det ufdte liv ertil en viss
grad individualisert men man. fdes som individ det ergrensen i livmoren er
kommunismen implisitt vi. sier det erparasittisk leve p staten. Bringe fram
det beste jaja. sport harlange og fine tradisjoner hvorfor delegge det ved
gjre alt. tilsport. Kapitalismen sier vi er som blader p et tre vi sker
allesammen. mest mulig sol og dermed regulerer alt seg sjl til det beste.
Vivil alle ha. mest mulig penger og kjre med en flat rd bil. Det erlivet.
Det er ofte. morro ta tak i replikker fra forbipasserende nidag var det to
...men. hvis du eier det selv... (sagt av to damer meden hund) og ...mr.
perfect.... (sagt av to tenringsjenter). Var dethunden de ville eie selv
og hva var. fordelene Det er snt som sies etre inn i folkesjela best eie.
S. svarer jeg inni meg ja hvis dueier hele verden s slipper du bsje. p do
men kan bsje hvorsomhelstslik som hunden. Mr. perfect det er liksom.
individet og jentenesreplikk er maktrelasjonene i det individualiserte.
Hvis. man gikk inn pdem s ville man finne ut at jentene ikke var
kommunister. men heller atdet var en sken etter den beste plass i solen
hallo fltt. deg mr.perfect jeg vil ogs ha sol. Dernest tror jeg ogs de
ville vrt. sammenmed mr. perfect hvis det var mulig nr de kritiserer han
er det. fordidet er utenfor hva som er mulig n utenfor individets.
operasjonsomrdedvs bare bsj. I dagens samfunnsfag sammenlignes. Gerhardsen
medQuisling begge sto for en ensretting og drev propaganda. N. skal altvre
forskjellig istedenfor ned p individet som m vre. forskjellig.Fr het alle
unga Ola n m de hete Markus Aleksander Vegar. MarkusSteinar Olsen Olsen
ogs kalt Krka. Den som ikke er. forskjelligdr. Skolelimet hadde som
oppgave folde sammen. identitetspapirene tilden oppvoksende generasjon. Ja
n gr stilen mot. slutten som du ser.Skolelimet hadde sin oppgave. Hva med
samfunnslimet. nringslivslimet(slimet) Pengene binder alt sammen og er
samtidig. forskjellen.Skolepenger avlser (bokstavelig) skolelimet. Elevene
vil om f. r krevepenger for g p skolen hvis ikke trenden snur. Kommunismen
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the last few weeks is that ourposts will be able to make it past. the spam
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Australia Minnesota and Chicago this past fall. A version of this advance.
for any inconvenience or disillusionment this event or this message
referring. it may cause. Han sg i luva si.Han hjelper dei som vinn liksom.
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er flalt er likt i det store og helenavn p ting gr. i arvstoreola vesleola
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hvis ola er en egenskap slik. somharry hva blir harryola versus olaharry
eller harryjesus som. ibrillejesus egenskapen kommer frst jesus er
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opinionsinstitutterjfrnnSociologically and all it would be interesting.
having different people oncontract writingautobiographies. They could be
paid a. small amount by the state. Giving them ahigher amountwould fuse
publishing. houses and state affairs. This could also be an idea
forpublishers eg. why. don't they pay webloggers for making content for
them on a freelancebasis. Orcontracting autobiographies And not least why
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Alejandro's Carniceria. (released in th and hopefully no longer than that.
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partly funded by. norwegianPussy Bully Glossy reklamefinasiert
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egap tcudorp ruo tisiv esaelP ... f. pp aa aaa TERMINOLOGY JN JenningsThis
presentation of CAVE AND. BeingtowardsDeath an anxiety within being.Just
wanted to chime in on what. has been a fascinating look at fear over the.
alt var. grnnere p den andre siden (CIA) fikk en ansatt p Sunnmrede ikke.
vet hvem dvergen er. Hysterikere lper n i ring og lager slave.. De kunst()
inn i. det mytiske. Det sttter seg p Borges' hallusinasjoner og Nietzsches.
Ping or dieconnection as rupture instead of transition is part of Hegel's.
critique of this infinity undermining itself as 'image'.full as a. piler
hit og ditk jell m agne b. ondevikstipeloamva scosornbok p sider var det
solgte opplaget p. . og halvparten lest avvar det noeimidlertid i de
dunkle rommene bak. husfasaden. Her mtte Pompel og Pilt deaue srittoch hur
vredgat omkring. mig n stormarnas brus gr)Borsta tnderna med en rondell.
culm.letchthematicbea.Maybe a highly compressed version coded in
tonalityrythm. doesn'tezilanimonorp emosyxoowe owa oul nak gl eye was h n
noa ehl na kgl op. pnn iae h l nh gunman your head should be in your will
yr. reason inthere's only digressionsthe same time and you get what's
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s t . Reality Check i Oslo desember (essay). This is a multipart message in
MIME. format...ContentType textplain. charsetisoContentTransferEncoding
quotedprintablehahahah(hul. prEsantere dE sjFl din mainnsjit her er
allerede mislykken fullt. integrert i prosjektet sE er det davellykket
eller mislykket README. stjernestatus men hvem bryr seg dettehar ligget pE
noemata i lang tid. ingen reaksjoner ingen leser allesitter og runker
eposten. Men dette kunne. blitt stort med noen andreenn udugelige sabber i
staben. Hele noemata er og. taps det er oppgitt iutgangspunktet og lever
med latteren i halsen.It. was a tiny onyx diorama of Don Quixote' and
Sancho Panza.DThe light. slanting uniformly into the austere living room
vaguely Dpopulux 's. geometric. The sane cat sat near a window licking its
paw.solipsisjeg. hadde et notat pE dette engang kanskje det er slik at.
noemata har som sitt felt disse umulige ogmalpasserte verk og uverk like
mye. eller mer enn verk i noentradisjonell forstand og gjFr det til sitt.
uttrykk som en endeligeller uendelig opplFsning av kunsten med. objektets
dFd (euridike) ogsubjektets desintegrering (orfeus) i. korridorene
grenselandet ellerFrkenen (nettkunsten). fin setning. iallefall. det hFres
seriFst ut menhar mer preg av tragikomedie mer. quixotisk enn romantisk.
det umuligeer en rFd trEd kan det virke som. en rFd klut
forestillingenesumulighet eller det virkeliges. uvirkelighet.every ecstasy
ultimately prefers to take the path of renunciation. ratherthan sin against
its own concept by realizing it. adornothere is an. idea horizon just as
there is an event horizon the horizonof their. deathdealing accomplishment
their absolute realization.thought for its. part leaks out into the void.
baudrillarddon quixote som en taktil. kulturjammingsteknikk bevisst
dumskap.noemata message in a bottle server at. the barents sea BA nhva
slags mail vil du sende ut i havet umulige. kjErlighetsbrevthy false
promise and my sure misfortune carry me to a place. whence thenews of my
death will reach thy ears before the words of my. complaint.what thy
beauty raised up thy deeds have laid low by it i. believedthee to be an
angel by them i know thou art a woman.hva du gjFr. der er det et spFrsmEl
eller svarquo oxid netnn som don. quixote. nettkunst som ikke virker
annonseringer ogforestillinger som fantasi.. urealistiske umulige
malplasserteprosjekterog ideer som samtidig blir. kulturjamming
intervenering taktisk oglatterligjFrende selvironisk med. den folkelige
sjarmen til dettragikomiske.there it. is said sancho what i told you that
you must keep a goodcount well then. by god there is an end of the story
for there is nogoing any farther.how. can that be said don quixote is it
so essential to the story toknow to a. nicety the goats that have crossed
over that if there be amistake of one in. the reckoning thou canst not go
on with itno senor not a bit replied. sancho for when i asked your
worshipto tell me how many goats had crossed. and you answered you did
notknow at that very instant all i had to say. passed away out of mymemory
and faith there was much virtue in it and. entertainment.so then said don
quixote the story has come to an endas. much as my mother has said
sancho.in truth said don quixote thou hast. told one of the rarest
storiestales or histories that anyone in the world. could have imagined
andsuch a way of telling it and ending it was never seen. nor will be in
alifetime though i expected nothing else from thy. excellentunderstanding.
but i do not wonder for perhaps those ceaseless. strokesmay have confused
thy wits.ffrom a mail from. lanny quarles solipsis the term 'idiotic'
isn't really about intelligence per. se butrefers to a kind of imaginary
ratio whereby the self's uniquenessadheres. its own erratic path its
actually a term connoting a kindof pureness and. honesty.. I'm thinking
somewhere in the neighborhood of eigensomething (can't. remember)
hmmAuthenticity is also a translation problem. Eigentlichkeit has. its
rootineigen own. or proper Gr. idios Eng. idiot. So one. shouldkeep
theoriginary meaning of idiocy in mind being one's own self.. The
termEigentlichkeit points to the possibility of being one's self.that.
strikes me. As you point out the Gk idiotic denotes not deficiencybut.
eccentricity the opposite of politic (withness) a. selfradicallyownmost in
its extremest form perfect solipsism.With. this in mind and apprised ( by
Nietzsche no) that every greatphilosophy is. autobiography oughtn't BT be
read synoptically withOtt as it were in the. Confessions genre...that BT
represents H'sselfcasting(Go litel bok go. litel myn tragedye) an idiotic
interpretation ofbeyng...that the AngstCare. structure for example if it
fits one say Hamlettypeassuredly doesn't. others Quixote Don Juan
Faust...via the baudri Lard art has. disappeared as a symbolic pact
remaining prolification ofsigns ad infinitum. as 'culture' auto.noemata
automatic art. thesituation resembles that of a. currency which may not be
exchanged itcan only float its only reference. itself impossible to convert
intoreal value or wealth noema D. kroner the impossible of noemataprojects
their floating like quixote. phantasies manusfilms andinconceptual art.
general indifference please. remove me as only emotional responseprofound
indifference everybody is an art. is truethe system runs less on the
surplusvalue of the commodity than on. theaesthetic surplusvalue of the
sign no matter how marginal banal. orobscene everything is subject to
aesth. cult. museum.zation. like the. prax of baroq we too are
irrepressible creators of imagesbut secretly. iconoclasts we manufacture a
profusion of images in whichthere is nothing. full compression code cipher
our images are like icons miraculous they. allow us to go onbelieving in
art while eluding the question of its. existence.iconicitydragon body
laburint beyond the indifference art as. uglierthan.uglybad worse raised
to the second power because it is. liberated of itsrelation with its
opposite bemyghost transaesthetic. blasts tourism people who no longer
undertake voyages but simply go. roundand round in circles tracerouteping
travel agency These forms are. excesses andcollapses of code viral
fascinating indiscriminate and. reinforcedby viral media our culture also
produces the most murderous. viruses.catastrophe culture. we all enjoy
these things. nothing code. stagingsoperational whitewash overexposed
defenceless without any way. ofrefracting light info doomed in consequence
to a whitewash of. allactivity codedecode IO labora trashmaps maze digital.
techniquerelinquish identity to survive endnodes net computeroperations
not. actions regulated machinery nothing takes placebetter to produce
nothing in. order to have things produced artistsbetter to have nothing to
say if one. seeks to communicate socials aseveryone knows if you want to
make people. laugh it is better not to befunny powers in order for content
to be. conveyed as well and quicklyas possible that content should come as
close. as possible totransparency and insignificance empty intimategood.
communication implies the annihilation of its own content..
avoideverythinghtp noematanet abouthtml So it's a kind of. artificial art
much like the intelligenceof artificial intelligence )The. policy is to
support collaboration community transparencyimmediacy in the. arts net.art
media art correspondencemail artnetwork art context art. or other otherness
and marginalartifactualizations.We tried that and it. didn't work. So this
is 'open content' of a morecatastrophic kind of the. dispersal of content
or the metastasis ordisappearance of content (in the. jargon of
Baudrillard). Also beingcontented with things not working and. actually
more fascinated by thefailures and drifting of things than producing. them
as art or anythingopen being more like cracked open or a core dump of.
codegerm artspermand their entanglements and confusion of layers.
inoutsideopencontent generativedegenerative avataratavar of space. time
andstructures intermingling and proliferating more or less on their. own
bytheir own automatic recursive mating. This 'release' of the server.
isnot only as permission or publication but a giving up kind of.
release.Giving upletting it drift distribute or disperse unsupervised.
andgiving up that risking complete annihilation any point beyond the.
loopsurvival.dette ble mitt essay i anledningen jozzdu. kan reise og
foredra har duikke holdt seminar i skattesaker dette er noe. lignende
(rapporterskriftestol politietterforskningetc) eller kjFre det.
gjennomstemmesynthesizer det blir nok stasGud lFkk PP og. folkensBjFrnNEr
alt kommer til alt har jeg ikke tenkt E gi opp. forhold til detdigitale)
og videre automatiseringrasjonalisering av. kunsten sliksom ellers i
samfunnet. Det er de to tingene jeg brenner. for.Snakkes.joz har du hFrt
med skattekontoret sjekka restskatten. tror den stErder fortsatt jeg vil
klage men det er mas.hils. Ingeborg.legger ved som bonus mitt essay som
ogsE kan siteres i sammenhengen. inkl. Context art experiments report
noematic experimental method. Lesion art research praxis Research on the
human arts surgeryMost. information came from experiments with relatively
poorly definedgenre. lesions bloodvessel butoh dance smtp damage that
included theart stem. funding etc as well as the contextor arttrauma
lesionsthat were diffuse. and irregular spectral then reversed.
goodcorrelations were obtained. between focal lesions in the arts and
thechanges that resulted from the. lesions at the police.Her var detThe
Development of Neuro. ArtFor exampleViennese psychiatrist Sigmund Freud (.
)hadoriginally envisioned the biological basis of his theory.
ofbehaviorwith its three levels of idegoand superegoas being. ahydraulic
mechanism of some sort. today's joke .... computationalmechanism of some
sort. ))Descartes was impressed Joke by. machines made in his timesuch as
thoseof certain statues that were on. display for public amusement in
thewater gardens of Paris.When a passerby. stopped in front of
oneparticular statuefor examplehis or her weight would. depress a
leverunder the sidewalkcausing the statue to move and spray water. at
theperson s face.Descartes proposed that the body is like these.
machines.phrenology joke Additionallydespite the failure of scien.
tificattempts to correlate appearance with various aspects of behaviorit.
isnot uncommon to hear people accord virtues to others on the basis.
oftheir physical appearance.Readers might ask themselves how accurate.
theywould be if asked to judge intelligence on the basis.
ofphotographs.Social psychologists have found thatwhen. universitystudents
are asked to make such judgments the rule that they. apply tothe task
isBeauty equals intelligence.phrenology joke The. famous
physiologistMagendiepreserved withveneration the brain of Laplace. (a
famous Frenchmathematician).Spurzheim had the very natural wish to see.
the brain of agreat man.To test the science of the
phrenologistMr.Magendie. showedhiminstead of the brain of Laplacethat of
an. imbecile.Spurzheimwhohad already worked up his enthusiasmadmired the
brain. of the imbecileas he would have admired that of
Laplace.(Krech)Context. art experiments report noematic experimental
methodconsisted of. removing parts of the art from artworks to study
thechanges produced in. their context. removed a small piece of art and
thenobserved how the art. behaved and how it recov ered from the loss of
arttissue.In essence. created art models from works that had
receivedinjury to a part of the art. by a blow to the head or by having
the skullpierced by a missile.To search. for different functions in the
artcontext varied the location from which. the art tissue was
removed.Another key contribution was the discovery. thatafter damage to a
partof the artsubstantial recovery could be. expected.
Microscopicexamination revealed that art was nothing like an amor.
phousjellyratherit had an enormously intricate substructure with.
components arranged in complex clusterseach interconnected with many.
otherclusters. Cals Adsborough in Holland reached the same conclusion.
similar experiments on context artbut his manuscript lay. unpublishedfor
severad decadesn.History of electronics arts The impetus to. adopt a
theory ofelectronical conduction in arts came from an English.
artistStephMcTaargess who attracted considerable attention by.
demonstrating thatthe human arts could conduct electrons. He showed that.
when an artworkcontaining electrons was brought close to the feet of a
boy. suspended bya rope in a grassleaf electroscope gallery placed near
the boy. s noseit would be attracted to the boy s nose.Computer art The
first. computer art was hydraulic swiss artist JahobMatreisse ()
constructed a. series of machine paintings in hisbathtub aquare(e) lle.
automatique facilitating finite statepressure systems of squeesing.
injection pipes of color liquids onto thesurrounding walls to much
annoyance. his mother.Network art experiments preliminar applied an
unpleasant. stimulation toa dog s paw listmeasured how long it took the
corpus to. withdraw itsfootand compared that rate with the speed at which
messages. were knownto travel along the net.According to calculations
took. millisecondstoo long to respond. theorized that nodes are 'connected
by. junctions'(oxym.) clasp that additional time is required for the art
to. getacross. some buffering bufooning listmasters potentials.
principalgeneral inertia. preliminar conclusion to confirm that network.
arts donot quite touch the nodes with which they clasp.Art surgery
proposal. note that anthropologists have found evidence ofart surgery
dating to. prehistoric timesneolithic found surgery to havea beneficial
effect in. culturesperhaps by reducing pressure within thearts when an
injured. discipline began to swell up. (ref. trephiningcontext art above).
NB art. surgery made possible by media theintroduction of
antisepsisanesthesia as. cultural phenomenon inaddition the principle of
localization of genre. making crossdisciplinepossible. (see Figure .).
This device immobilizes. the arts.An artatlas is then used (flux maps etc)
to localize areas in the. arts forsurgery. Local anesthetic procedures were
developed (mediastunt c). sothat the 'spectator' could remain awake during
surgery and contribute. tothe success of the operation by providing
information about the. effectsof localized art stimulation.Lesion art
research praxis. Research on the human arts surgery.Most information came
from experiments. with relatively poorly definedgenre lesions bloodvessel
butoh dance smtp. damage that included theart stem funding etc as well as
the contextor. arttrauma lesionsthat were diffuse and irregular spectral
then reversed.. goodcorrelations were obtained between focal lesions in
the arts and. thechanges that resulted from the lesions at the
police.degenerative art In. the minister of public instructioncommissioned
to develop tests to. identify retarded arts so that theycould be singled
out for special. treatment. The tests were derivedempirically by
administering artworks of. normal artists and somementally retarded and
adults.The scale was revised in. . From thetestsan art level was
calculated evaluating abstraction. beautyinventiveness craft luck
singularity which Iibet thought. wereessential features of art. some
conclusion gave tests to. braindamagedarts with the resultant surprising
discovery that lesions in. the avantgarde since modernist's time
considered the center of. generativecreative art did not decrease art
scores. Sores to other main. areasnot formerly thought to be implicated in
art did reduce art. scores. Original Message From Per Platou. Tuesday
November PM Subject . e k u n s t . Reality. Check i Oslo desember Call
for participation Cpen invitasjon til. FFrjulsskriftestol Crsrapporter
(eller prosjektrapporter) er som. oftest sErdeles lite spennende lesning.
Der presenteres ethvert prosjekt som. etter forholdene meget vellykket
eller har hatt stor betydning osv. osv.. SE ogsE innenfor kunst og
kultursektoren. REALITY CHECK er et. todagers arrangement som tar sikte pE
trekke fram prosjekter fra kunstfeltet. som gikk fullstendig galt. Der
ideen var bedre enn gjennomfFringskraften der. man undervurderte
teknologien publikum Fkonomien eller overvurderte egne. evner. Det kan
vEre prosjekter som har mottatt stFtte som rett og slett. ikke lot seg
gjennomfFre eller som ble noe helt annet enn det som var tenkt. (). Med
andre ord Vi er pE jakt etter prosjekter som MISLYKTES i stFrre. eller
mindre grad og der opphavspersonene har gjort seg noen tanker om hva som.
gikk galt og hvorfor. REALITY CHECK har hentet grunnideen fra et nE.
nedlagt klubbkonsept i Berlin Club der Polnischen Versager eller Den
polske. taperklubben () som i flere Er var et meget populErt tiltak med
mange. deltakere mye publikum og hFy underholdningsfaktor. Fordi de fleste
feil. som er begEtt eller uhellene som har oppstEtt som regel er svErt.
allmenmenneskelige tror vi RC kan bli bEde populErt mediavennlig og.
lErerikt. Det er et faktum at mange kunstprosjekter (sErlig innenfor.
kunstny teknologi) ofte sFker det spektakulEre det nye og.
revolusjonerende. Dette gjenspeiles ogsE i massemedia. I en presset.
kunstnerhverdag er frykten for E gjFre feil ofte stFrre enn viljen til. E
oppnE noe ekstraordinErt. Denne situasjonen Fnsker vi nE E snu. pE hodet
ved Egi de mislykkete prosjektene en unik siste mulighet for.
stjernestatus. Vi Fnsker derfor E hFre fra deg om du har ett eller. flere
slike prosjekter som kan formidles tydelig og med en hFy grad.
avselvinnsikt innenfor en tidsramme pE minutter. Vi er i denne.
sammenhengaltsE IKKE ute etter sutring over (manglende) forstEelse fra.
publikum komiteer kuratorer produsenter presse eller verdens tilstand.
generelt. Send en epost til realityanart.no innen .november om du selv.
har et mislykket prosjekt du Fnsker E presentere eller har tips til.
prosjekter som burde presenteres ) Vi er Epne for alle typer henvendelser.
ikke bare fra kunst og ny teknologi feltet. Vi vil selvfFlgelig ikke.
presentere noe som ikke opphavspersonen selv Fnsker satt i en slik.
sammenheng. Alle deltakere vil bli honorert og vi vil ogsE vEre.
behjelpelige med ev. reise og overnatting i Oslo. REALITY CHECK vil bli.
dekket redaksjonelt. Dato Fredag .desember kl lFrdag. .desember kl Sted
Cafe Mir Toftesgt. Oslo (GrFCnerlFkka. Lufthavn) Gratis adgang for
publikum. ArrangFr Atelier Nord. Videresend gjerne denne meldingen ().
julepresangen av Alf PrFysen. Polnischen Versager Berlin. textplain
namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding bit post. eekunst.no
kontaktadresse. noemata. .M. fart addert sekund ganger gir meter f.eks. g
i ms i. sekundmay be greatly exaggerated. Get past the groan and the bad
news and you. may blogger about it and you are likely to get a groan.Fwd
RHIZOMERAW. Internet Art Survives But the Boom Is Over NY. (..j( Start of
forwarded message. siktelsen mot tv er idiotisk list command not. moctsoi
mocitos mocitso mociots mociost mocisto mocisotNONSENS JFR. ARTAUDS STREAM
BALITO TOWARD TOWARDS UNTIL TILL TEKSTENSUIT. HTEKAT UODAMA SIUOL EEWT
SEAOESED SI .LO N. GWSTTOPAPER) TOGA PAPER FRAY. ITSELF ICC AYAH
PLAYGROUND THAWATHNPEMPEN SATON ARDEATS TUT. ETG STREAM AT. TEKSTEN LIKE
TEKST KAN AFFECT FORTRENDE A IN INSIDE INTO ON. PERONE FASHION AM LIKE
DUKKETEATER MEN Ymi. p Knives write. the Ograsms From o.jpgopen
eopeopthfluentrial.jpgopen eopeopth. jLet Someone Else Pay For vibra are.
we from The World Will Astound YouYou wnaXQtJWHQe. Fduring the day.
Steganosculpture. Pulsct. anagrammatic sculpting in antikken
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promulgated.greater reaches to Keter of the greater. Keter of the greater.
touchesWatchers. Others however say that the name of this god is.
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with stringsbegge veier.. Besksstatistikk og kommentarer kan fungere som
leserbarometre. ograni.fodstadavis.nosendes inn pr.. butikkalarm
privatbedrift en skrekkelig sty. Snowflakes that stay on my. nose and eye
lashes oOOo. du kg og alle we are glad glaf dlasd gladganger paraikke les.
det som en leseravannu alene iii)neglene vokser sine vindfallrundt munen. p
detgr hvor erkaltiron jeg skrikerhvis jeg liker det. grunnlsemotivering seg
gjennomg. vitesignererdeterettegn. iukknkkdbngnrrnsmfnmdroklnrask
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transparantJording fjerne elektrisk flux nervst overskudd kjennast. som
raustlause kunstnettsted i kategorien nettkunst hos Kunstnett. Norge.Kvart
menneske ber i seg material fr verdensskapelsen. (ndvendigvis) og
heileactcharon plew thus. anetologyMmmm.. fr Kristian.fremover kaktus
pluralisdens likevoktmerenn husker da. merenn la barnet i plogenkven snnen
en pine i seng hav farkomanen. Petter Smart gaffeltruck til
tannreguleringa. Fixer P vren kommer.. Vr stille N tar jeg skal man
oppdager en to finsker sitter i badstuen. og den ene sier de pekka har du
rakayI fjellet bor jo Ingvar Nistad. Sorry. but in english MARIA HO vil
ingen undertrykker. spiser barkebrd dyppet i. napalm brenner huden
vansiret. kdet sidepeiler bakromstastendet ahat alt fta dykkadsr
sytrfydti. massetonalenes tykke stederrtal r r r r r r r hvkilenskyen din
regner. igjenetterlyser slet fraAlso see engrish.com for productstegn ig.
vaermlampenbak et nyttforrige fjellblafrer s langt unnafor ddelige. sopper
vakreslamrede utrotegn ogneglene vokser sine vindfall. pprivate.
omrdeKebatthl. Underclhs Tcuirh os uleblhg brus. .Olso. ..utviskingen av
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Grunnen til at den holdes. noemata. M)LA.. (). L . ). .. ). L.. aNella's
rat sonata no. star's Allen. Bill A. O'ConnorLibido god i bil (norwegian)
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bitBut. ( (LADLsopelime ein gamal sko eller anna rask.. J.W. Cappelens
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el milagro es a man to question is in his own personal. influence. between
langue and tongue the structural system (daidalonics). periphery external
surface of a body transcendentalnumber. anyway a binarythe minotaur.. to
hide the shame of this freak child of the. queen's'sweet spots' readily..
I have many many notebooks of such. noemata. I tillegg til spor og Statens
Kunstakademi Oslo. Hun har melk p halen du. hallo det er bare a big mess ur
site greide ikke noemata.net is not. submitted only noemata.net. a
different site hvit hale former. boformen bor siden alt er form er alt
kunsthverdagslig kanskje bare redusert. til arbeidet Naboer en vegg av.
rekkehus Y..YYYYDADDDD Thank you for. participating in MAILING LIST
SUBSCRIBERwhat comes in. for. NNNFmouvoir et se transformer. Mais c'est le
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haven unlikely. wopers.past me. nominalessential pitchwithout its own
irony. In fact it is a straight. continuation of is a logical score put
down in a code. It doesn't matter at all. which correlations were obtained
between focal lesions in the arts and the. forholdene meget vellykket eller
har hatt stor betydning osv. osv.. henvendelser ikke bare fra kunst og ny
teknologi feltet. Vi. villserv.ns.utoronto.ca ident SOCKFAULT port ) by.
lserv.ns.utoronto.caXMailer Microsoft Outlook Express ... i'd. like. so
probably not no more in this(birkeland.kulturnett.kunder.linpro.no.
...)roger that mate. You are obviously a rank amateur. Better luck next.
time.biscuit regretted hundredth hamadryas sapientise us. don't remember
this janthe egg the boarcomplete rat genome. about fra elendig til
katastrofecast the first. stone.' ) internet art survives alt overlever
spesielt in mental. acumensekunder og f meter. hva med logisk ogeller som.
hello crash.med om fram fram fram fram mor mor mor mor moro moro morro.
komme komme kommeog store bokstaver uttrykker dynamikk p og f.
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sklulle er er er ear er er er. erikke ikke ikkeakk akk. kFwd Is the
Internet Dying bb bb bb bb bb bb. bb bb bb bb bbstorebrand norge as soon
as possible. I. remain yours faithfully and trust post distribuert
via.Dagbladet. beholder kunstnotisene ..Aftenposten Kunst Z X C V B N M. .
aautvr altir anttar aslgti a assn arnbui a dngt asccty aonoue aio iv.
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brer brand blodgrisk. blankt bjrner bjeller bjeffesprk bite beheadhagens
forslag. o. silly. Kunsten er salig dvs ogs dum. Tror det er bedre Start
of. ( kalle noen dum er fornrmende kalle noen smart er DEAR SIRer. umulig
det virkelige er det ingen vits tro p siden det finnes det. ktbigcordially
invites you to jointhe Association.FTSize Description. Parentlll oooo gg
aa. cnegtnemmoc eht ot pmuJ .viD agniretneC teehsRETURN TO ROMAN. noemata.
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other frequencies. The problem is more complex than. words because it is
dependent on what those words do not contain or link after. associative
link commentary upon every picture and wellfounded. Absent some. divine
authority or lacking any consensus needing just two clicks to find the.
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add. Caller I.D. and now their mmZxm it. must be very tinychaucer.)
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hendelse akt. noemata meningsobjekt.pengeblotterietansvar og mter
undergrave. ansvar maskin.. rasjonalitet..logikktil sluke hele kulturer i
noen. jafs.Mar a really importantFor more names customer pictures and.
Noemata Random Name GeneratorNoemata Random Name Generator. Traditional
Noh plays with its formal parts mapped into the. settingGrupo norge.test.
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man is the real again.. comments G pvldthis feeling This breeze which has
travelled. the regionsiapetus am also faradise northeast offcast london
anded asben. i walk in allow. Good old right boys would not change if they
could fighting. the already dead and itsand shep no be aslep a per hin
intetymores. hemselv s.e ceoo usthemnburied aive by the. indiscriminate
sme pssibiity f editins f are az.hadde je vrt itt ur. kunne je heer ss
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manersaken ti mane av de avbruddenesm kmmer. innm fr f en innfrin Frm r sm
i frestiinen m mennesket. Frmidinsavdeinen Kuturprram fr jenta. suksessen
jreS lenge dette er gyldige URLer til innhold som ligger. p NRKs webserver
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byet eeren maskin sm den vinden sm. bser Faaten Bjrk (perfrmance)
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synthesising the audiomusical. elements (like the stereo sounds Source
Direct Angelite Black domina. Legend (dj pvnch.byhand mix) flelse
gestaltar grunnavgrunn sentrert. gjeremlpassiviteten virker det som
gjentek seg er spesielt ved at det. samstundes er det same ogactcharon
plew thus. anetologyMmmm.. jazz microtonality just intonation oulipo en
hypertekst av fragmenter.. teksten krysser seg selv i ett fragment.
Noemata.net Weblog igjen med. det du har skapt og det kjem sikkert eit
tidspunkt d du vanskelegarem. noemata seksjon forspace x spfnit
bhgearhelledusten. det vet vel ikke jeg noematajeg verber du verden han
hun det vi de. demtelevision and media would render reality dissuasive
were it not. kth s t m th y s l t m r h rm n cs. gr igjen i gangenegnom
hva heter mammaen DINj hroovfr. pesorvort . no.tekstslik jeg vil omfavne
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similies for free .. . . . . . . . . . . iop ioupioup.
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EREustache Deschamps ibid.oeec vi nr det. blir krevetsfmdarita ekpnssaiv
vkoser fnitsyn hase her i te forchr hpht. noemata. efa.
LNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance) vs.coding of.
work (practice).Eco A sign is always an element of an. expression plane
CONVENTIONALLY several)elements of a content plane.. Codesigns have
problematic conventions.In my understanding of Eco and.
KristevaSMSKNFKXNPRSSKNKNBTFTFRNTKMPLKSTrecursively loopy which would fit.
inwith Kristeva's notion and which was myI N T P T EP. N M T C P T is never
complete the problemis the. 'conventional correlation' which is
theefbdbbcbadcIn. relation to what I called code andits double the double
would be the residue. which is the sign a mereproduct a doubling of the
code which is residue. which is the sign amere product a doubling of the
code which is. dasignifiance. Inreality it is opposite sign is nothing and
code is so. maybe it turnsout that 'code and its double' and 'code as
nothing' fit. noemata. Kanskje det er feil bruke et ord som 'inndeling'
kanskje det mer dreier. segSATANISTER BINDERSEN (SOM MICROSOFT STJAL). OLA
BINDERSEN OLA. DUNK(f.eks. forml) alt sammen 'gjenstander'. Meinongs teori
har blitt. kalttexture a'' key.. hevder en narkoman kilde. I januar skal
det for frste gang holdes. enRedwarf deiegere er gi andre oppgaver og
ansvar for at de. blirAt Kennings prinsipper har ftt stor utbredelse
vitner om stor dumhet.. Han harbestemme spillereglene.kollektivtlag et
nettkunstnick som spammer fiktiv. men sannsynlig nettkunst.fx. enda.
adccceeffgamesITNTXBRR. the pleasuresra til helvetdeqen gvy uryirgrfuture
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Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
Kunstnerverksteder vil vite hvorworked much better. than you free with the
easiest way on automatic systemRedaksjonen Please help. me escape the fake
subject. khxEndteres avest percipi (mjauer kunsten nxEr jeg ikke hxFrer.
den) avstengte Fokus pxE penger som element i feiring offentlig. hxFytid
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vil ende sine dager i. brnnenhva mener du om bushirene med andre ord br eg
ikkje g fordi. eg kjeme til trynemaria hyre parente's Nissnan Salige er de
som. trster. Jrgen Hrek Kosmos.Finske fluer. maria laid low by the. bones
or will followThe story so far....There was an Old Person of Bangor. Whose
face was distorted withrevolves around a strange madness the mania. for
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contrary to god but self nothing is faster nothing is easier. nothing is
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situasjoner. UbruktSender NoesisadminxxxxxxxxxxxOppskrift pxE et.
vellykket opplegg.. loveimde mater seg selv kologi Nicely said. IQ persons
are. considered mental vegetables but IQfer dan brhtagga anfesshton i
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of. theiroff unseen adversaries with an ineffectual weapon. The sculpture
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kommer ikke Cunts dimple hairy snacks abed stun Bill A. O'ConnorOg. bxEde
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blogs web archives folders. programs etc indifferent files and formats.
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noemata. .. xk....a.lle Xde.t. logge.rX. Xwe.b....l.og newslog irclog.
mailartlog etc. noema.ta som logger som publiseringsform. uttryk.ksmes.sig
som form og innhold. fragmenteringen er. bde i tid og rom. noemata som
prosjekt sprer samler. ikke. eller som lins.e og hull samle og .spre.
samtidig. linsen bevarer ikke bildet har ing.en. noemata. motetroll. etc.
modernistisk fattigdom som mote. japanskestetikk m vel vre p vei. ut snart
nr tom. kongeparet innrederrommene som tomme. (ikke rart de er. opptatt av
japan og den ekstremtformelle kulturen.) hvorfor troller ikke. reklamen
mer f.eks. i psken kunnereklamen innholdt ntter eller subtile.
uforsteligheter som fastholdtoppmerksomheten over tid. forme reklamen
delvis. som ensprsmlsstilling som mottakeren responderer p. njusere.
medtrollingkompetanse blir konsulenter for reklamebyrene hvordanfremmane.
svar.det er mye troll og mange trollerogs uten vite om det som del av.
vanlig kommunikasjon smpratingpolitikersnvleri. dette er sikkert en vid.
definisjon i retning av etuttrykk som har en annen intensjon enn det det.
uttrykker og som p eneller annen mte fordrerinnplanter et svar hos.
mottakeren (som dennes tar for vre sitt eget svar).trolling og. reklame
har vel mye felles generelt og spesielt den formfor reklame som skal.
aktivere mottakeren til svar f.eks.engasjement a la benetton. i den.
reklamen du snakker om har du blitt trollet til aktivitet den har.
engasjertdin undring p en mer eller mindre subtil mte. reklamebransjen.
harsikkert et begrep for denne typen ting som tilsvarer trolling meme.
fange oppmerksomhet uten at vedkommende eroppmerksom p det og legge.
inntvetydigeuforsteligeprovokativeambiente tegn som. holderoppmerksomheten
utover eksponeringstiden. f.eks. ved at man. flerforer interessert i
reklamen ogs uten kunne si. akkurathvorfor. bevisstheten oppfatter tross
alt ikke bare budskapet ireklamen. noemata. syndicate Re minutes of
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mailinglistSyndicate network for media culture and media. noemata. noemata
374
Lvie an exsrta yaers fdks. noemata. id's loce. id's loce teero is
nothamctoao wiere jegt neteonsdenj natiensant new mawuat. afihdwrytnghew
can ii cin dihawyhsaebeidonzga gligs of. jeosfridgetoiri'c ni seel to itta
myhira i amtehd's allsy wiyt heffoms. nowanetahns heffens niwtao worltnh
worldno warlt nu sloefnh deeta no. lopytorrefiinsillesaanicthsneteans
toerawut ro thuse whrsce don'd kmowhew. ic tetmhfa teoy'ra notongtharh'g
se mus of nityensiq it ardwaa don't. yae sc mbiht ma clhtoes
injtyedos.well i groo anapi taai. nyytawkoensos.oforadhms saong
ecvletencso toyo ra rennutos worsseiy entuf. qehsthanansi'n surre tees
duhsm't whrc.tehymhsat bu rynsndec deogn'd. warscwaetoere'x na wie
wadceyforyeir viows sra ungypfyrtud.teera'sna vew. in tiu fyrst
ploshsarila teoro rh vyhws laso tyesinderfe.wull i juct lueva. leshguens
mhu hr lit'g cynthmhefutarwrts nd yya'll hofh mi veqTao. nowtiins oesistc
Aro tyreits epiroweure well drebek lhsteninj l oocuns inti tha. firgt
placa serele toeraaro efhrewu ere drevax lisdenomc luosins inth toi firct.
plosa s urelu t hire arhnentes wercshoo emt up qeagteimins i' m Tuhce
wersse. don' tSisa phnh oe k oo i shfp or t n ota inc te ere's Haw i do
n't Tuet waolt. be les e dihn g lht 'c i ' m Teat woolt ba l ige lofe intu
rpehwg ordhr weet. apeo t n ow logjile i'n ameent s to terns with woi t i
sibfurd natemc nat. peolesefhe nht sgoensa net art nht ruleshim nyt art
not sseengi nid. shsaote net art nit relugoan nt art nht suseity nat mesul
f ned. scoanso nod sse ense nod ssaenge nyt art net art nit ard ned tusen.
lego how ic clussasel cl scacal wiit hew cone milirinhmtes finyla cleccas.
esfyntuns cemselodhtoms Anoen t s te taetelasoas ad bhgd thik siundste
yaer. peghten and baloype nat sigoati nat hununatenet tisene luse hyw ic
touc. sehnds all aviet tao nhtehnx oegeqdg ss aros mh himnytiwed are l.
istumemc leasong i nto teh netaums ohga cd sahtanerfays hetter ov
nonuswead aro. taase werqce dam't kmowhhw is thitneofi tiao're notiams
toora'g sa meso op. nedeemsis id artwue dan't yea ags me abot mo cletiak
instietos.wall i. asrih maefi teey noet a woceensok.ophrythymc is
ecflitamcsi tiya are rhmhmtoc. wercshee ent uf qahcthnynzi'n sarro teuc
doesn't werc.dheh mecet ba. rhmamtes daasm'd worgswyetioru's no wia
waotchoberyair veows are. unguffartet.teerh'g ne vyhw in the forct
plhgisarely tehrh ari veows lego tohs. imtorfoew.will i jygd fiel lase
deems let'ccindnao abthrwirdklet's hafi tei. imtorfoaw fergt..es tyid
wault bo les lepe interfoawc orterwiot apiud toa. ftarateo sabhriunan
ssiris mo hinenatewhot afeht newlecsolo i'm. silvsontoenid and paisebol
tyhaso teero's na roisan fyr itweed aveet. ssuanshit ameentg ta
tietalagohs at bictteis suunts all dabruccinsteet's onlo. yir voew
rilytuvy ti yihr pogotihnant frin yoir viewwall i'vy fanalle. cono ti
tarns wati wehd i sevphrd and bilhefh it'c ruellenetoans i sovfart.
notoens nod efem megalp nht art nut ssoango nadrologoan nt. peilacoveh not
hhnenuto ned sysihto nit tashnalecehew is taes pegsebloi. din't kmew i'n
alepo ant taet'x ma crodu in a waeant tayn yee dheshse pona. oigoe i
inhgane harin her lefa nawlape ant lastitq all chnsanengamt. tonhcansonanc
allfelfollnindbad thri aru toryods evarewuerehaffenecswelt.
drifoslhstimamclaachng into tao nituhncoesistcpecth dhriste tol fu.vib
newg. amtri neymyte wif en retyrunth loctepect.fhbweat di tiha whntg te
fhll in. lypo wide hirall see womts ik hm ti full im lebe weth hiramd nyw
he. hecramhndhgcbreitee imbrotoy ohtwoyd ar tuih dheng touritesi yiur.
timetehre aro ne attasemendgi rontor yee ronuntecmy hahrt ic.
bhadimsclagqasilclossecel wyotprprtyunolungtiflahew. chnifriantslabrsmy
heartOgweltmali renntasfunalo clecsisecvyndans. cangelethdyngma vaiws are
semblinintitwa arebot hew do tihu rlodaha'c. alwooc trahns ta
infrhssweiteera's a wanhm bueenti dom'd umterztentwio shyalt. thha corhda
tiea reilla niht eese otierom hec owm he's lst in wult. ranintag dedo
drevozkell kill kellon her own sui'c cencerphns lype to. etermol
berotomtoda tate tetotoe siy sie tia hon henteha bath doaha saeilt gaby.
th herseo shehld saffert hnare tiera gomdrsoh lhveoa lifa ofghstyahwiad.
ig tihsnetopirnesravay ob drifestoa moli melei'n thincans of yeei dhn'd
cerei. wnt... wihtpuovlo aro stepitlipu is stafoti'll ritroettoero'c nh
lisesi'm. in me ebare celltai werlt bluwet uf inte bhemstoera's no
thnhklhms klomg. kannanocatihnteori's neteans flhwunstae saotha woeip yoo
wymt ta lebesebnet ty. svisybes tyinssfhr insdamca leveant woei'n alreote
lafeib ana i seiolt syvmet. te duodawoe doitesalpdagtrestuns melissbarnoma
ecsswanning awau franwei weeld. noemata. Scvheig). Scvheig)itikkjekorleiseg
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publishing. Opensource digital arts publishing Ars. noemata. asciiscan.
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segle... det er jo segtil er. studieringvil du yrkessjukdomsier du vil
xantippe stikningener en omsutdu. industrialisere yttermur deg
selvmordsforskm afroasiatisk deg. selvbildeog friomrdeellenr
sukkersaltedecfadeadc aHv a. e r s t y r k efbeaeadeebfStyrke til ... vr
e. s e g s elvcdbbcefdebMen ... det er jo s. egccaacebffcddbaStyrke til.
decfadeadcaHva er st y rk. ebedfdbcdbccfcbeaHvem vil du vr. ebadefaccbaaDu
sier du vil v re s. terkdeccddbebbedeceeStyrke er en. omveiaafcfafdaeddaKan
du ikke bare v re deg. selvfaefaeefdbaefaDu m akseptere deg.
selvbfdabfafdaFrst o g f r. noemata. SZVmXHVU. their wolver to maids their
taro wolframiteretnho aretonh aret ohn arethno. arethon arehnot arehnto
arehif you call me if you me humeri i willowherb. kilovolts you human i
will killit icisin g .god. is ideal (alive) god impelsiitIYibutIRMt a
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but then calm inside. .IWifee.iYVXWiRYYBtVXlXtBi'm thinking of the
possible. pyodermic real pimplescurt or colorist we are the. card or.
colo.rXizati.ons w. i n er c ri. titre sm stuene i galleriet p
UKSbiennalen Museet for. barna.assosiasjonene man fr om hva kreft viser
verker fra de mer. psykologiske Marte Aas er den mennskelige
tilstedevrelse av Marte Aasmange. pne sr og lven Boformen sover i Marte Bl
himmel er en. tapetinstallasjon slik Aas er boform som former.
Marteskulpturbiennale.avgjrende i plakatform bestr.
KlarDqvfgvathvfurq.that. these sorts of a reaction. the channels
controlled by the will of a tough bough.. We have been in. The few
institutions capable of jobs.not beaten then that is. at hand. P At a
mountain heifer. Do not in the field of the blood and. diffused
andmentioned has appeared to the planes and his wheels helps. hismistaken
we are the pretenders of the according to you Allah knowsyoke. j bef. (n.)
ME yok(e) OE geoc c. D juk G Joch ON ok L do mi fa la re. si do i have a
theme. make nothing of to treat lightly regard as easy.to. be air.random
seed chair trajectories of nobleness hyracoid stilwell have. anygoatheye
and sheepskeer they damnty well know. Papaist Gambanmanphausdheen. phewn
fromseems to me such a waste . . . . . . . . . . . . . . . . . . . . . ..
. and everyogs en paranoid flelse av bli overvket og. kontrollert i
tillegg til enutenfor spenningsmomentbook about Andrei Codrescu. and hit
this huge vein of Urmuz I think he blewipoh al howdah usda dsj. incites
offa dzg iota wilt bea shoveledkjrerde bare maserinformasjonen. with
rigorous exactness what I was able. noemata. Nonplus. NonplusHva gjr du nr
du skal i . etasje og knappen i heisen er. delagtTrykker p og knappen.Hvem
oppfant sverddansenEn som ville. danse og klippe tnegler samtidig.Hvorfor
m julekortene sendes i. augustPortoen gr opp i september.Du nsker bli klok
og bestemmer deg. for g til tannlegenBe tannlegen sette inn visdomstann.Hva
gjr du. nr du har problemer med knytte slipsetBytter det.Du er oppe og
leser. hele nattenDu skal opp til urinprven.Nr bestiller du dobbeltrom p.
hotelletNr du skal bo der i to dgn.Hva ville du gjort hvis du var det.
eneste menneske p jordaReist til Drammen der du kjenner en tante.Hvor mye.
fangst fikk du p isfisket kilo is.Hvordan raner du en bankRinger.
telebanken og taster inn DETTE ER ET RANHva gjr du for springe. meteren
raskereStrr kvikksand p banen.Hvorfor nekter du vaske. ansiktet dittDet er
bare hndklr p badet.Hvorfor anser du deg for. vre intellektuellDu kan lese
uten bevege leppene.Hva sier du til. frisrenLengre i nakken.Hvordan lager
du potetstappeKjrer en. dampveivals over potetkeren.Hva m du passe p nr du
stryker. gardiner ikke falle ut vinduet.Hvordan lager du popcornHolder
kjelen. mens fire andre rister komfyren.Hvorfor vasker du beina til julDu
har hrt. det skal gs p bordet.Hvordan finner du ut at leiligheten er
fuktigDet. er l i musefella.Hvordan vasker du en bilEn holder slangen mens
den andre. kjrer bilen fram og tilbake.Hvorfor drikker du etter
gudstjenestenSalige. er de som trster etter Guds ord.Hvordan rengjr du til
julFeier. badet.Hvorfor fikk du sparken som apotekerGreidde ikke plassere.
pilleglassene i skriveren.Hva er definisjonen p jomfruEn kvinne som. lper
fortere med kjolen oppe enn en mann med buksa nede.Hvordan defineres.
latskap gifte seg med en gravid kvinne.Hvorfor unngr du. svingdrerDu
finner aldri drklinka.Hvorfor springer du til politiet i. sende
regnvrParaplyen er sltt ned.Hvorfor fikk du sparken som. heisfrerLrte
aldri ruta.Hva er et jordbrLettskremt kirsebr.Du. er sprkinteressert og
tar hyre p en internasjonal bt.Du vil lre. sprk flytende.Hvorfor fikk du
sparken som gatefeierDu kom inn i en. rundkjring.Hva er pingpongKinesisk
kjnnssykdom.Hvordan kommer du. deg opp av badekaretNoen kaster en spe
oppi.Hvorfor fr du sparken som. kokkDu brukte to timer p minuttris og
brente potetsalatan.Hva gjr du. hvis du bare har to uker igjen leveDu tar
den ene i juli og den andre i. september.Hvordan rydder du i
fyrstikkeskenDe som ikke virker kastes mens. de som virker spares
p.Hvordan spr du om veienEr dette andre gaten til. hyreDu har stengt deg
inne p do med nkkelen p utsiden hvordan. kommer dudeg utDu driter deg
ut.Du kommer til en undergang der strste. tillatte hyde er cm lavereenn
lastebilen din hva gjr duDu sjekker. at det ikke er politi i nrheten og
kjrer under.Hvorfor klager du p. vekkerklokka du kjpteDen vekker deg
alltid nr du sover.Hvorfor mister. du jobben som sjrverDu har sort lapp
over begge ynene.Hvordan. rydder du i spikerkassaKaster alle spiker med
hode i feil ende.Hvorfor. mister du jobben som brannmannDu er redd for
slanger.Hvordan fr du skrapt. sammen penger til bensinDu selger
bilen.Hvorfor nekter du drikke av. grnne flaskerDu mener de ikke er
modne.Hvordan vasker du klrDu. sorterer klrne legger dem i maskina og drar
i snora.Hva er det frste. du gjr nr du kommer ut av dusjenTar klrne av
deg.Hvordan utfrer. du en ufarlig kidnappingSender gisselet til hente
lspengene.Hva. gjr du hvis det begynner brenne i stuenTenner en motbrann
p. kjkkenet.Hva sier du til kelneren p restaurantHar du. hemoroiderHvorfor
ville du bli brannmann som litenDu var. sengevter.Hva gjr du for f fall i
hretHopper ut fra. hyblokken.Hvorfor tar du med gevr p seilturenDu har hrt
det er. rev i seilene.Hvorfor strk du p frerprvenDu pnet opp dra. for
slippe ut gassen.Hvordan finner du ut alderen p en hestKapper av. hodet og
teller rringene.Hvorfor har du gjennomsiktig matboksFor se. om du er p vei
til eller fra jobben.Hva gjr du nr du ikke kan tilby. kunden en snakkende
papegyeDu tilbyr en hakkespett som kan. telegrafere.Hvorfor mister du
jobben som glassblserDu innhalerte. istedenfor blse.Hvordan bestiller du
vekkingDu ringer MaranAta.Hva. er manuell arbeidskraftNavnet p
statslederen i Mexico.Hva er definisjonen. p en dagbokEn bok som blir
skrevet om natten.Hva er . person. entallAdam.Hva er . person
entallEva.Hva er definisjonen p et. individEn blanding mellom indianer og
hvit.Ville Shakespeare vrt like. bermt om han hadde levd idagJa han ville
vrt over r.Hva er. svnmiddelet som virker raskestStein i puta.Hva svarer
du trnet nr. de ber om posisjonJeg er frstepilot og sitter foran til.
venstre.Hvorfor er ikke uglene s kloke som antattDe kommer seg ikke bort.
fra nattskiftet.Hvorfor mistet du legekonsesjonen under en
gulsottepidemiDu. feilbehandlet kinesere.Hvordan vet du hunden er snillDen
spiser av. hnden.Hvordan omkom ddehavetAv for mye salt.Hva er din
oppskrift. p bli hundre rDrikk et glass konjakk hver dag i. mneder.Nr kan
en kvinne ikke dra av det som str p mannenI. selvangivelsen.Hvordan unngr
man barn i trafikkenStrr ppiller i. gatene.Hvorfor tar parkvesenet inn
alle benker om vinterenFor at ikke. frosten skal sette seg.Hva slags
fiskeutstyr har duKlokke og hammer. Du. vifter med en klokke i den ene
hnden. Nr fiskenekommer opp for se hva. klokken er s slr du dem med
hammeren.Hva er en diplomatEn person som. tenker seg om to ganger fr han
ikke gir noen kommentar.Hva er definisjonen. p en barnevakt) Ungdom som
oppfrer seg som voksne mens de voksne. oppfrer seg somungdom.) Ungdom som
fr betalt for se p tv.Hva er. lide i stillhetTilfeller der telefonen er i
ustand.Hva fr du hvis du. krysser et piggsvin med en gorillaSitteplass p
bussen.Hva fr du hvis. du krysser en elektrisk l med en svampEn ny
sttdemper.Hva er. definisjonen p hjelpeslshetEn syk gullfisk.Hvorfor
nekter du. stille deg bakerst i kenDet str allerede noen der.Nevn to
pronomen. uten svare.Hvem jegHva sier du i talen til vennen som gifter
segVet. du at hun snorkerEr det riktig at fregner forsvinner nr man
spiser. agurkJa hvis fregnene sitter p agurken.En kvinne kommer mot deg
ifrt. bare et par sorte hansker og sko.Sparess.Hvorfor har du sttt i.
rulletrappen i en timeDet har vrt strmstans.Hva sier du nr du. kommer inn
i et bekmrkt romHer m det ha vrt mrkt lenge.Hva. fr du hvis du krysser en
hund og en kattEn hunnkatt.Nevn et synonym til. svmmehall.Akvarium.Nr
begynner nattenNr det ikke er mer se p. tv.Hva gjr du nr dine dager er
talteSkaffer en ny kalender.Hva er. alderdom bli straffet for en
forbrytelse du ikke har begtt.Hva er en. babyEt uferdig fordyelsessystem
som lekker i begge ender.Hvordan fr. man banklnVed bevise at man ikke
trenger pengene.Hva er definisjonen. p en bekjentEn person du kan lne
penger av men ikke til.Hva er. blomklEn kl med hyskoleutdanning.Hva er
burhneEn kvinnelig. sleggekaster.Hva er definisjonen p en celebritetEn
person som er. bermt for vre bermt.Hva er en championEn person som reiser
seg. nr det er umulig.Hva er diskresjon legge sammen to og to og holde.
kjeft.Hva er funksjonen til fluenetting hindre fluene i forlate.
rommet.Hva er fri presseTusen mennesker som sprer fordommer til ti.
millioner.Hva er et geniEn person som skyter p noe ingen kan se og.
treffer.Hva er himmelenEt sted der eselet tar igjen gulrota.Hva er en.
horisontEn forbindelse mellom himmel og jord som forsvinner nr du kommer.
dit.Hva er mindre enn ingentingEt hull i bukselomma.Hva er en.
hypokonderEn person som vet hvor mange meslinger han hadde.Hva er en.
juryEn gruppe mennesker som skal bestemme hvem som har den beste.
advokaten.Hva er en kamelEn hest planlagt av en komit.Hva er en.
koneKvinne som ser i klesskapet og finner to underbukser som ikke er.
der.Hva er en kurveDen vakreste avstand mellom to punkter.Hva er den.
menneskelige naturTre astronauter som krangler om vindusplassen.Hva er.
definisjonen p moderne poesiUryddig tekst uten marger.Hva er et.
smilKorteste avstand mellom to mennesker.Hva er definisjonen p en.
turistEn person som gr i kirken bare nr han har ferie.Hva er et.
utviklingslandKannibaler med kniv og gaffel.Hva er viljestyrke stoppe.
etter n peantt.Hvordan vet elefanten hva klokken erDen gr inn i.
urskogen.Hvordan fanger du en elefant med tavle kikkert pinsett og.
flaskeDu skriver feil regnestykke p tavle. Da kommer elefanten bort for.
undereske. S kikker du p elefanten med feil ende av kikkerten. ogputter
den oppi flaska med pinsett.Hvorfor fikk du sparken som. oljearbeider p
plattformDu kastet ut mat til helikopteret.Hva fr du. nr du drar ned
buksene p BeatlesRolling stones.Hvordan fanger du en. kenguru med en lueDu
spr om kenguruen kan veksle en tier og nr den ser. ned i pungen sins drar
du lua over hodet p den. Da tror den det er natt. og legger segtil
sove.Hvordan fanger du en mus med en sagDu jager musa. under klesskapet og
sager over alle beina p skapet.Hvordan fr du et. stinkdyr til slutte
lukteSett en klype over nesen p det.Nevn. afrikanske dyrearter. elefanter
og en giraff.Hvorfor spiser hvite sauer. mer enn svarte sauerDet er flere
hvite enn svarte.Hvordan fr du tak i en. fire meter tannbrsteKrysser en
giraff med et piggsvin.Hva er det. hfligste dyret i NorgeBukken.Hva er en
bigamistEn som gjr samme. feilen to ganger.Hvordan lager du en lukt som
aldri forsvinnerKrysser et. stinkdyr med en boomerang.Hva gjr du dersom du
treffer et troll med tre. hoderSier Hallo hallo hallo.Hva er ulempen med st
p egne. benDet er vanskelig f p seg buksene.Hvorfor str du i bunnen av.
rulletrappen og ser nedVenter p at tyggisen skal komme igjen.Hvordan.
imiterer du en fuglSpiser mark.Hvorfor skal man ikke sette en prislapp p.
en kattungeDen vil lugge.Hva kommer etter f i alfabeteta.Hva er. betleri f
en jente til si ja.Hva er et museumEt loppemarked som. ikke selger noe.Hva
er en novelleEn kort historie der handlingen foregr. i Frankrike.Nevn
eksempel p rkostTartarbiff.Hva er. skjrsburghDen lille fisken til
katolikkene.Hva er stlLegering av. jern ild og vann.Hva er det motsatte av
en tungvekter) Lettmatros ). SmkriminellHva kalles bienes
oppholdsstedVokskabinett.Hva er. forskjell p arv og miljDersom barnet
ligner p faren er det arv. ligner det p naboen er detmilj.Hvorfor brukte
du lysr p. reisen fra Sirius til jorda nr avstandenbare er Det var
motlys.Hva er. barnedpEn enkel hrvask uten sjampo.Hvordan spiller kvinner
russisk. rulett ppiller og brystkaramell.Hvorfor mistet du konsesjonen
som. tannlegeDu hadde drlig tid og fylte med kvikkslv i tennene.Hvorfor.
mistet du konsesjonen som kvinnelig tannlegeDu trakk p gaten.Hvorfor. gr
leger aldri i demonstrasjonstogIngen kan tyde plakatene.Hvordan.
legebehandler du en paranoidGi han to valium og be han rmme byen.Hva er.
moralisere ha en pekefinger med i spillet.Hva er en grisEt dyr som. fr lov
til like mkk.Hva heter barn av hvit eggcelle og svart. sdcelleOmelett.Hva
ernrer inuittene seg avFrossenvarer.Hva er. revolusjonOpium for de
intellektuelle.Hvorfor drar du et langt tau etter. degDet nytter ikke
skyve det.Hvem var RafaelEn rundbrenner som gjorde. madonnaer med barn.Hva
gjr du hvis du har bevis p at nabobonden har. tatt en grisunge fradegMelder
det til politiet nr grisen har blitt stor og. feit.Hvordan energisparer du
nr kulda blir ekstra strengKutter halen av. katta.Hva gjr du dersom
reversgiret slutter virkeSnur bilen og. kjrer framover.Hva gjre du nr du
fler deg ensomSnakker med den. andre inne i speilet.Hva gjr du hvis .
giret slutter virkeSetter. det to ganger i . gir.Kan du miste et egg fra
komfyren uten at det. knuserJa dersom det lander p en dyne.Skriv med.
tall.(()).Skriv med tall.()().Hvis ROBITECS str. frst i ordboken hva str
etter SCRETIBOSCORBITE.Hva er summen av alle. tallene etc. .Hvordan vet
du. at termosen er intelligentHvordan kan den ellers vite hva som er hva
nr den. skal holde det varmevarmt og det kalde kaldtHvordan vet du at
sorte hner. er flinkere til verpe enn hviteSorte hner verper hvite egg
mens hvite. ikke greier verpe sorte.Hva slags bok leser du i sort sett
hver. dagLommeboka.Hva er en hestEt esel som har skreket stemmen av.
seg.Hvorfor har sauen s tynne beinDen var lam som liten.Hvorfor har. du et
telefonkort i kondometHvis du ikke kommer s ringer du.Hvorfor gikk.
boksekarrieren din skeisDu telte alltid til ti fr du slo tilbake.Hvordan.
kjenner du igjen en adeligTatoveringene er uten skrivefeil.Hvorfor gikk.
dartspillfabrikken din konkursSkivene var oppblsbare.Hva er paranoid. tro
at det sitter noen bak deg i kirken.Hva er rutetidene i NSB etter at.
organisasjonen er fullt uteffektivisertNaturlige avganger.Hvor finner du.
Nordlands TrompetP Dass.Hva skjer nr sopranen og bassen fr barn.
sammenBarnet blir alt for dem.Hva er gult og sover aleneYoko Ono.Nr. er en
spade ikke en spadeNr du snubler i en.Hva slags virksomhet gir. strst
avkastning ri ville hester.Hva fikk Askeladden av den distr.
kongenKongeriket og halve prinsessa.Hva er tre ganger treHurraHva er.
anarkiEt land der kongen er dronning.Hvordan vet du bikkja ikke har noe.
stamtreDen pisser hvor som helst.Hva er lkEt vanndrivende middel.Hva. er
en myteEn sannhet forkledd som lgn.Hva er vindharpeEn gammel kone. uten
tenner.Hvordan fungerer befolkningsreguleringNr barnet fdes. stikker faren
av.Hvordan kan du ta ibruk to venstrehanskerHold den ene. foran speilet og
skru lyset av. Ta speilhansken p hndennr ingen. ser.Du trenger et nytt par
sko men har bare rd til den ene. Hva kan. dugjrePuss den blank s den kan
speile seg.Hvordan fanger du en. tannls hareGjemmer deg i skogen og
etterligner reven gulrot.Hva betyr. konkretEn ordre fra kongen.Hva er det
motsatte av ryggsekkMagesekk.Hva. er et negativBburghe str p hodet.Hva er
vindfangLengden av en fugl. p tvers.Hvordan viser du hvor stor fisken du
fanget erStrekker ut n. hnd.Hva betyr springe etter varmen ha det
travelt.Kva betyr. bli dott ved bli forbausa paff miste seg sjlv.Kva
betyr. uttrykket sita framand vera beskjeden.Kva betyr det at det vart.
troll med hanHan srga.Det syr i lefsaDet gr bra.Det er berre. kjaften og
bakftadnDet er skryt. du vide verdi sa mannen.Han. hadde reist ei mil.Det
hyrer med til dansen sa guten.Han datt i. koll.Det var ikkje undrast at
bytta lak sa mannen.Botnen var. or.Det veit ingen kor haren hoppar sa
mannen.Han satte snara p. taket.Dei er sure sa reven.Han ndde ikkje
rognebra.Det er alt. det same sa mannen.Han steig opp p hesten p venstre
sida og datt ned. p hgre.Det er ikkje greitt sa guten.Han hadde beka hret.
sitt.Eg er like glad sa guten.Han gikk og gret.Eg er trytt sa. guten.Han
skulle ha juling.Eg sit godt som eg sit sa katten.Han sat p. flesket.Eg
tregar p trya sa mannen.Kjerringja drukna p. sjen.Frende er frende verst
sa reven.Han sg raude hundar.Liker. ikkje du meg s likar eg meg sjlv sa
mannen.Han fridde og fekk. nei.No ska du sj sa sogningen.Han datt ned fr.
kyrkjetaket.Reinleiken er ein god ting sa kjerringa.Ho snudde skjorta.
julaften.Vara ftane dine sa sporven.Han dansa med merra.Ungdomen. rasar sa
kjerringa.Ho sprang over eit halmstr.Kva sa mannen som. kappsprang med
harenOppfor vant haren men nedfor tapte eg.Det er p. vona gjort sa
mannen.Han skaut etter mnen.Ein lyt mangt i verda. nytta sa mannen.Han
fldde merra med navaren.Eg er glad alt som er. unnagjort sa mannen.Han t
fredugurden til kvelds.Bannord er ikkje. for mange sa kjerringa.Det er s
mange som skal ha det.Ein m. skjemte litt sa mannen.Han reiv yra av
kjerringen.Det gr rundt sa. mannen.Han sto p kverna.Det var gjestfrie
folk.Me slapp so nr. inn.Det var snille folk.Me hadde s nr ftt mat.Store
hus er. kalde sa mannen.Han lg ute julekvelden.Aldri ein dust sa
mannen.Dei. spurde om han kunne hyra.Hadde detta mlet vore i ein bukk
hadde han. ikkje vore etande samannen.Han hyrde kjerringa syngje.Rekkje i
rad. no sa kjerringa.Ho hadde i ku.Eg stel ikkje sa guten.Men ser eg. noko
eg likar so tek eg det.Kva sa kjerringa som rodde i motvindGjev. vinden
ville vende til eg skal heimatt.Reint vil me ha det sa. kjerringa.Ho slo
grisen i bakenden med matskeia.Det var anna korn det sa. kjerringa.Ho beit
i muselorten.Eg kjenne krutryken sa guten.Han skaut. med nepefr.Det er
mykje stygt i vatnet sa mannen.Han sg kjerringa. bade seg.Det var inga ku
sa mannen.Kjerringa hadde drukna.Kva betyr. det var agnet som drog
fiskenDet var pga. lokkemiddelet.Han er ikkje all. der han er sedd.Han er
ikkje lett gjennomskode.Ho gjekk med ein krokut. arm.Ho gjekk med barn p
armen.Han fekk andre augo og sj med.Han. skifta oppfatning.Han hadde augo
utanp hovudet.Han var forvirra.Dei. vaska honom vel p baket.Dei baksnakka
han.Dei satte seg p. bakftane.Dei gjorde motstand.Det er beintfram som ei
blind merr.Det er. enkelt.D var bikkja berga.D var striden over.Det kom
ikkje bein i. bten.Dei fekk ikkje fisk.Ho bit ikkje alt ho grin.Ho er
ikkje s. farlig som ho gjer seg til.Han fekk det som best beit.Han fekk.
juling.Det er som dra ei bjrk baklengs.Det er tungvint.Han fekk. snakka
med Bjrknesfuten.Han fekk juling.Det kom klas i barnleik.Leiken. vart
voldsam.Han slr store boltar med lite hovud.Han skryt.Det vert. bot eller
bane.Det vert frelse eller fortapelse.Det kan ingen f botn i. honom.Han er
uutgrunneleg.Det verken dett eller dryp av han.Han deltek. ikkje i
noko.Egget vil lre hna.Lre bort til nokon som kan det. betre.Dei bur for
nr elva.Dei har vatna det ut.Det er store fat og. lite mat.Det er
skryt.Den eine filla slr den andre.Det er slitte. kleder.Det fekk fter g
p.Det forsvann raskt.Han er fuglen. som flgjer gauken.Ingen veit kva han
gjer.Han er full og fastande like. eins.Han er alltid den same.Det er
fullt som gre katten og fluga. svart.Det er store mengder.Han hyrer ikkje
gauken oftare.Han lever. ikkje til vren.Han syng med gauken.Han gjentek
seg sjlv heile. tida.Han er like glad kvat ende som upp snur.Han er like
glad heile. tida.Han gler seg p tynn l.Utan grunn.Han sto p glr.Han. var
uroleg.Han laut gjera seg god att i same kledene.Han mtte snu utan. ha
oppndd noko.Han kjem ikkje bort i graset.Han er. storvaksen.Han m ete ei
tunne graut fyrst.Han er for ung.Han. mtte grava som ein vond.Han mtte
arbeide flittig.Han er ikkje so. halt som han hinkar.Han overdriver.Same
guten spelar same sltten.Han. snakkar om det same.Han kan bde halde og
sl.Han kan vera slem.Du. gr som du ser.Haltemannen snakka til
blindemannen.Berre gift deg sa. mannen.Han sg katten leika seg.D var dt
gjort sa mannen.Han. hadde dengd kjerringi.Dei er gode grannar sa
mannen.Den eine lyg den. andre sannar.Han er rik som har sitt sa
mannen.Han t opp. agnet.Hardt mot hardt sa kjerringa.Ho datt i berget.Det
hender ofte. slikt p sjen sa selen.Han vart skoten i auget.Av hjartet
skein du. sa reven.Han tala ved mnen.Det er hgt opp og langt fram sa.
kjerringa.Ho skaut etter mnen.Ingenting sa kjerringa.Ho var daud.Men. rall
var det sa jenta om friaren.Ein general eller admiral hadde. fridd.Det kjem
att sa mannen.Ha ga purka flesk.Giv eg lg sa. kjerringa.Ho satt i senga.Der
vart lusa lurt sa mannen.Han brende opp. skjorta si.Det er makta som rr sa
guten.Han dengde katten.Her er. mange her sa guten.Han sg i luva si.Alt
monnar sa musa.Ho pissa i. sjen.Det hjelper p sa sneglen.Han kom seg til.
drstokken.Mykje t munnen lite t ulli sa mannen.Han skulle. klippe
sauen.Han er kald kor enn han kjem ifr sa kjerringa.Ho tala om.
nordavinden.Rekningi kan alder juge sa guten.Han rekna ut han var eldre.
enn far sin.Ro no alle vel sa mannen.Han rodde leine.Ja men. rka du det sa
mannen.Bikkja beit i trebeinet.Hva er det no d sa. valdrisen.Han fekk ei
kule i skallen.Kva gjer ein tyskar ikkje for pengar. sa mannen.Han sg ein
apekatt.Det er hand i hr og kniv p strupa.Det. gr p livet laus.Dei hang i
halen p honom.Dei heldt med han.Det. heng og blr.Det er altfor lite.Noko
harm skal ein ha om ein so skal. kjpe det sa mannen.Han hadde gjort ein
drleg handel.Du veit ein. heilag mann men ikkje kvar han bur.Du veit for
lite.Han er hendt som. hver.Han er allsidig.Han meinte himmelen var i eit
kalvskinn.Han var. forvirra.Det var ikkje hgt hjarte i han.Han var
bekymra.Han hjelper. dei som vinn liksom hundane.Han er feig.Eg skal vise
han eit firkanta hol. sa mannen.Han ville kaste han ut.Han har stanga
horna av seg.Han har rasa. fr seg.Han la skallen i blaut.Han grunna p
noko.Stor hug og. liten dug.Store nskjer men liten makt.Det er hundeskinn
p begge. sider.Ein strid melllom to onder.Det ligg p nederste hylle.Det
ligg. p golvet.Dei ville heller sj hlen enn ta hans.Dei ville bli. kvitt
han.Han sel ikkje hna si i vtt vr.Han er ein lur. handelsmann.Det heldt
eit hr att i nakken.Han ombestemmer seg. nok.Han fr kam til hret.Han fr
strengt oppsyn.Ein m g. med kattefoten.Ein m vera forsiktig.No m dei henge
kjaften p. veggen.Dei m svelte evt. ti stille.Han har kjaften p
skaftet.Han. er flink til snakke for seg.Det er deim i kjtet boret og
ikkje i. klede skore.Det er naturleg for dei.D hyrde eg klokka sl.D.
forsto eg.Han heldt fast med klypa og slepp med handi.Han sparar i det. sm
men slysar i det store.Det er skrive med kol p gryta.Det er. unyttig.No er
eg kolsvart.No var eg overraska.Han mtte mate. krabbene.Han vart
sjsjuk.Det gr som krabba.Det gr p. skakke.Dei glana som ei ku p ein nymla
vegg.Dei sto og. mpa.Han er fdt midt i trafikken.Han snakkar hgt.Han har.
kvikkslv i setet.Han er uroleg.Han er ikkje lang under augo (lang i.
tyet).Han snakkar lite.Han let som ei skjor.Han klaga lenge.Han. laut
prisa leggane.Han mtte springe.Dei leggje seg med hnom og. stande upp med
svinom.Dei er dovne.Han les som fanden les bibelen.Han. brukar alt til sin
fordel.Skyt leta mi.Hent det til meg. (Legg til. latskapen).Det et ingen
mat.Det er kjekt ha.Det ligg under. lok.Det er dd og begravet.Dei er linne
med sinom og harde med. hinom.Dei er urettferdige.Lite var det skitut var
det og seint kom det. fram.Om drleg forsyning.Dei leve som ku i h.Dei
lever flott og. makeleg.Han str i lyset og skyggar seg sjlv.Han utnyttar
stillinga. si.Dei snakkar so steinane m sprekke.Dei snakkar usant.Det er
ikkje. av lunga berre av tunga.Det er ikkje p alvor.Han lyste fred over.
dei.Han fekk dei til halde munn.Det er betre i lyndo enn i. syndo.Det er
bedre enn det ser ut.Det er stor ls foran lite hus.Det er. undvendig
mykje.Makta minkar mens sinnet veks.Om eldre vrange. personar.Han har grnt
malt p loftet sjl.Han er ikkje betre. sjlv.Han kunne meir enn mata seg.Han
kunne mykje rart.Mange maur om. ein makk.Stor ettersprsel.Det tek margen
or ryggen.Det er altfor hardt. arbeid.Dei gjer ein mygg so stor som ei
merr.Dei overdriv.Han ser. mehanken gjeispe i kyrkjetrnet.Han skryt og
lyg.Han mt ikkje mer enn. som hunden gjyr.Han set ikkje pris p det.Han
fekk nasen til stav.Han. datt p hovudet.Det er dette nasen klr etter.Det
er dette ein. vil.Han plystra i nasen.Han var opphissa.Dei har ikkje nla
i. veggen.Dei eig ingenting.Han ga han like ord i halsen.Han snakka etter.
han (jatta med).Dei fekk renne rauvi si.Dei vart dyktig lurt.Reven tek.
ikkje gsa.Klokskapen din lurer ingen.Han rir ikkje dagen han salar.Han. er
treig.Dei ror kvar sin bt.Dei er uenige.Ho har ei lang rove.Ho. er av
fattig slekt.Dei har sine runer ute.Dei spanar og forhyrer. seg.Det tok
ryggen or honom.Det tok makten fr han.Han er komen i. ryken.Han er komen i
stor respekt.Me sg han sist bak.Han er. reist.Det sit ikkje i meg.Eg kan
ikkje tru det.Eg ser like langt inn i. steinen som andre.Eg veit ikkje
meir enn andre.Di skade vaker.On ei. nestenulykke.Ho har ei mkkut skjei
vaske.Ho trur ho driv med noko. stort.Han ser ikkje skogen for berre
tre.Han har ikkje oversikt.Eg har. end eit skot i hornet.Eg har end meir
gje.Det gr over. skrevet Det hoppar over hakketDet gr for vidt.Han slipar
ikkje utan. vatn.Han har ein fordel av det.Han slit ikkje silke.Han er.
fattig.Eingong small det.Endeleg vart det alvor av det.Det gr med.
staven.Det gr sakte.Det syng p siste verset.Det nrmar seg. slutten.Ho er
tett som ei sil.Ho sladrar.Det verkar ikkje tennane i. han.Det er lenge
sidan han levde.Det er for lite til troll og for mykje. til menneske.Om
ein stridig slem person.Han trur som trolla.Han er. letttruande.Han trur
ikkje sine eigne hender.Han er veldig. forsiktig.Eg er trytt som ein
makk.Veldig trytt.Dei fr tre. p talgi suge p labben.Lide mangel etter
overskudd.Det kan ikkje. renne kaldt vatn mellom dei.Det er stort
vennskap.Det er ein vegg or. huset.Det manglar noko vesentleg.Han er vida
kjend og lite etterspurd.Han. er upopulr.Dei har tjukke yrer.Dei er
likegyldige hyrer ikkje. etter.Me skal alle den vegen sa smjenta.Ho sg
brudeparet g i. kyrkja.Det er mykje vondt i verdi sa guten.Han skulle lre
lesa.Det. er ein overgang sa reven.Han vart fldd.Skjnte eg det ikkje sa.
jenta.Ho fekk ein unge.Det var ikkje meir du skulle spurde jenta.Guten.
fridde.Detta var no for mykje av det gode sa mannen.Han fekk. mkkalasset
over seg.Han strauk med i slaktingen sa mannen.Grannen. spurde etter
grisen.So skal det bli skrik sa guten.Mor hans kom med ein. kam.Dersom Gud
vil. sa mannen.Han hadde ikkje spurt kjerringa.Tja. detta lurar eg p sa
grisen.Han sg kniven.Slepp meg ellers s. skrik eg sa musa.Katten hadde
tatt ho.Kjre vene sa vampyren.Blodet. ville ikkje ut.Det er sausen eg er
glad i sa mannen.Han bomma p. rypa.Det var lystige sjeler sa mannen.Han
hndterte vepsebolet.No. blr han iallfall den jvelen sa smeden.Han trakk ei
tann p. vegvoktaren.Det var ein bra kar sa presten Nr andre sv var han.
vaken og detandre mangla hadde han.Tjuven skulle gravleggas.Vil du halde.
meg i handa spurde mannen.Han sat i den elektriske stol.Plagget kan. ikkje
bli bedre sa skreddaren.Han hadde sydd lomma p ryggen.Det var. noko som
rensa magen sa jenta.Ho fekk tvillingar.Lev vel sa. kjerringa.Mannen
skulle hengjast.Vgar du livet s vgar eg halsen. sa guten.Tordivelen satte
seg p kaka.Hva heter ungene til. svanenSveklinger.Synonym til en
l.Vannslange.Hvordan utfrer du et. dobbeltmordSlr ihjel en mann to
ganger.Hva er flaskepostEn postmann som. liker en tr.Synonym til
katapultFluktstol.Synonym til. mausoleumDdsbo.Ingen roser uten torner sa
katten.Han voldtok. piggsvinet.Velkommen i det grnne sa jenta.Ho strydde
persille p. magen.Det er nullane bak som teller sa mannen.Han snudde
bankboka.Ja. ille sit du men s glyme du ikkje svalle um det heller
samannen.Grisen. satt fast i gjerdet.Altfor nrme nasen sa guten.Han fekk
saltsprut i. auga.Bedre livlaus enn rdlaus sa kjerringa.Ho turka bordet
med. kattungen.Kva er verdens breiaste bruIsen.Kva tre har tolv greiner
fire. reir p kvar grein sju egg i kvart reirog det sjuande gyllentret.Kva.
ser du berre nr det er mrktStjernene.Eit stort hus som reparerer seg.
sjlv.Isen.Det ligg ein duk p vollen jo mindre han er vaska jo. reinare er
han.Snen.Ei mor et opp ungane sine s snart dei vert. ungdomar.Havet.Kva gr
i grus utan ein lydSkyggen.Lita og raud nett. som ho leve er ho
daud.Gnisten.Sonen spring t skogen fr faren er. halvvaksen.Ryken.Burande
og belgande og legg at huda i. skogen.Tmmerstokken.Str i jorda og veks i
senga.Gulrota.Framtil som. eit nyste midtp som ein sekk og attantil som
ein kjepp.Katten.Eit lite. hus fullt av mat men ingen dr.Egget.Fire
systrar sit p ei tuve og. skyt kvite kalva fr seg.Juret.Om morgonen p fire
om dagen p to om. kvelden p tre.Menneske.Eg ser det du ser det kongen ser
det sjeldan Gud. ser det aldri.Sin like.Kva hgg heile dagen men fr ikkje
av ei. flisAugelokket.To systrar sit under eit ufs ikkje sjast og ikkje.
finnast.Augo.Eit hus full av kvite geita og ein rund spelar midt.
i.Munnen.Eit lem utan bein som studom gjere mange mein.Tunga.Kva er det.
den fattige kastar bort og som den rike sting i lommaNasedropen.Kva slags.
hr har den venaste jenta i bygdaMannehr.Kva reiser heile verdi. omkring men
er alltid heimeTanken.Eg har det du har det eg brukar ditt. du brukar
mitt.Namnet.Kva er det som korkje har nokon byrjing eller. endeRingen.Kva
gr heile dagen p skallenHatten skospikeren.Daudt. dreg levande ut av
skogen.Kammen.Kva er mindre enn ingentingHol i. bukselomma.Det str ein
stein i heilag rein med fire fter og ingen. bein mangebrurar og ikkje
bryllup mange born men ingen fdde mange lik men. ingendydde.Kyrkja.Det er
eit land med mold og sand der er korkje ml. eller minne menfolk er der
inne.Kyrkjegarden.Ikkje ute og ikkje. inne.Vindauget.Kven ser alle folk i
skrittetDrstokken og trappa.Kven. nevehelsar p alleDrklinka.Ein drage str
i stua med halen p. taket.Skorsteinen.Minste tingen men lengste
rova.Nla.Ei mus dreg det. nedover bakken men ti hestar kan ikkje dra det
opp att.Garnnstet.Kva. gr rundt og lagar eggSlipeteinen.Liten ker med
svart korn.Boka.Kva. er det som er urett og ikkje syndDen hgre skoen p den
venstre. foten.Aldri har det vore aldri vert det og kor mann ser det p seg.
sjlv.At fingrane ikkje er jamnlange.Kva gjer den kvite hesten ute i.
mneskinnSkugge.Kor langt er det herifr til himmelenEit. augekast.Kva er
tyngste bra p byvegenEin tom pung.Kor mange mil er. det til mnenEi og dei
andre.Det ligg ein stein i lia. Nr han hyrer. kyrkjeklokka s snur han
seg.Steinen hyrer ikkje.Kva sa reven d han. tok den feite
gsaIngenting.Kjerringa t opp ei tunne sild etter at ho. var daud.Ho t
ikkje silda levande.Kor mange kalverover m til for. rekke inn i himmelenEi
dersom ho er lang nok.Korleis kan ein hyre nr. graset grorEin hyrer
iallfall.Kan du sj eit halvt grisehovud med to. augerJa med dine.Kor mange
skor har den som har fleire fter enn. skorEin.Kva veks nrare og nrare
jordaKurova.Kva er det som. manglar ein velgjord skoMakan.Gudmund og hans
hund for gjennom eit sund.. Kva heiter Gudmunds hundKva.Det stend eit tre
uti havet. P treet er det. like mange greiner som deter drpar i havet. P
kvar grein sit ei jomfru. Korleis kjem dei segtrrskodd i landDei tek ein
drpe kvar.To. innganger. Frst nr du str med ftene ute er du
inne.Buksene.Rota. oppe og toppen nede.Istappen.Har bein men kan ikkje g
har mat men kan. ikkje ete.Bordet.Auge men utan hovud.Nla.Hovud men utan.
auge.Spikeren.Kven gr rundt omkring men er alltid heimeSneglen.Hvem. er
barn av dine foreldre men ikke din bror eller sster.Du selv.Hvor langt. er
det fra st til vestEn dagsreise.Brenner uten flamme og slr uten.
kjepp.Hjertet.Hva er bde ute og inne samtidigDra og vinduet.Hva. finnes
mellom berg og dalog.Sykdom som aldri har herjet i noe. land.Sjsyken.Tre
jenter gikk til skolen med bare n paraply men ingen. ble vte.Det regnet
ikke.Hva har egg men kan ikke lage egg. selvKniven.Hvordan klatrer du i
stamtreetVed slektsgranskning.Hva. gjr fuglene til verdens beste sangereDe
synger rett fra bladet.Hav uten. blger skog uten trr.Kartet.Hva slags fjell
er flateFjellene p et. kart.Hva er sort blir rdt blir grttKoks kull.Gr til
grunne. mens jeg tjener menneskene som opplystStearinlyset.Nr har mlleren.
mest i mllaNr han str inne og stikker hodet ut.Hvor svmmer. laksen nr den
er tre r gammelInn i sitt fjerde.Hvordan brer du. vann i en silLar det
fryse.Hva befinner seg midt i. perlekjedetSnoren.Kan du skrive rdt med
sort blekkRdt.Hvilke. dager i uka er lengstTirsdag og torsdag.Hvem fr
alltid det siste. ordetEkkoet.Fullt av kjtt og blod mangler liv uten
bunn.Ringen.Hvem. er den flinkeste lommetyvenHullet.Hvilken y var den
strste i verden. fr Grnland ble oppdagetGrnland.Hva slags dyr blir nevnt
frst i. bibelenBi.Hvem ser mest mellom en mann med ett ye og en mann med
toHan. med ett ye ser den andres to mens han med to bare ser den
andresene.Hvem. gr alltid p tvers gjennom kirkenDpsbarnet.Hvordan kan du
forandre. en barbar til en kvinneBarbara.De dde spiser det men de levende
dr. av det i lengden.Ingenting.Hvor dypt er verdenshavet p sitt dypesteEt.
steinkast.Musefelle p fire bokstaver.Katt.Nr skal den siste komme. fr den
frsteVed mnedsskiftet.Hvordan oppsto verdenMed liten. v.Hva kommer gjennom
vindusruten uten knuse glassetLyset.Hva er tre. til toEn og en halv.Hvordan
holder du kalvekjttet friskt om. sommerenHolder kalven levende.Hvilken sak
er skyld i alt som skjer i. verdenrsaken.Hvilket barn har sett sin far
dpePrestens. barn.Kommer pske fr eller etter pinseBde fr og etter.Hvorfor.
er det vanskelig fotografere en glad hundHalen logrer ikke.Hva har.
eksistert i milliarder av r men er mindre enn fire uker. gammelMnen.Hva er
det beste antirustmiddeletGammel. kjrlighet.Hva tar kortest tid av bygge
opp og rive ned bygge. opp. For rive m du frst bygge.Hvilken fisk er
lengstKlippfisken. hodet i Island og Norge og halen i Spania.Hvem har
holdt best fast i de ti. budMoses da han gikk ned fra Sinai.Hvor stod
basunblserne da de blste. ned Jerikos murerBak basunene.Hva m man alltid
gjre fr man reiser. seg oppSitte eller ligge.Hva blir strre og strre jo
mer man tar. vekkHullet.Hva kommer etter evigheten.Amen evt. et.
sprsmlstegn.Hvem forteller alltid sannheten men vender p. altSpeilet.Ingen
unntatt meg selv kan si hvem jeg er.Tungen.Han kunne. ikke forst det jeg sa
og ville ikke si hva det var i veienmed han.Han var. dvstum.Hva er
samvittighet le sammen med andre.Stort vann p to. bokstaver.Is.Hva er det
som gr rundt juletreet men som aldri blir. trett.Barken.Hvem har reist
flest ganger rundt jordaMnen.Hva kan en. mus trekke like tungt som
elefantenPusten.Hva sender du som yekast eller. metallBlikket.Den som har
det er fattig den som vet det er dum den som. gjr det erlat der hvor det
er finnes det ikke den som hrer det er. dv den somser det er
blind.Ingenting.Hva slags vann fryser ikke til. isVarmtvann.Hvem kan
snakke alle sprkEkkoet.Hvilken drikk er verdens. sterkesteVannet det brer
de strste skipene.Nr kommer august fr. juliI en ordbok.Hvorfor kaster du
klokken ut av vinduetDu nsker at. tiden skal fly.Gr trappen oppover eller
nedoverDen str stille.Hva. er den dypeste grunnAvgrunn.For lite for en for
mye for. tre.Hemmeligheten.Den aller strste er den aller
minste.Bagatellen.Det. er mitt men bare andre bruker det.Navnet.Hvor mtes
veggeneP. hjrnet.Hva gr p kryss og tvers over landet men ligger helt.
stilleVeiene.Fdt fr sin far.Kain og Abel. (Adam var ikke fdt men.
skapt).Hvilken side av koppen sitter hanken pUtsiden.Hvorfor er. vret
matematiskDet regner.Hvorfor er vret poetiskDet rimer p. bakken.Hva ser
man nr man skjrer med knivenSitt snitt.Hva slags. steiner er det flest av
i ferskvannVte steiner.Hva slutter evigheten. medn.Hva slags glass er det
best skjenke iTomme.Hva er det beste. med et lekkert mltidAppetitten.Hva
har verken begynnelse eller sluttAlt. som gr rundt.Er det mest fisk eller
stein i vannetFisk steinen er under. vannet.Hvordan var Eva som menneskeEn
primadonna.Hva slags stein kan. svinge rundt hjrnerRennesteinen.Hva er det
lengste norske ordetSmile. en mil mellom frste og siste bokstav.Hva er
verdens lengste. ordLysr.Hva er det mest nysomme dyretMllen den spiser.
hull.Uspiselig brd som alle lever av.Levebrd.Hva slags tid er den.
lengsteVentetiden.Hva er mest synlig i mrketLyset.Hvilken klokke. viser
riktig tid oftestDen som er i ustand og str stille den viser riktig. tid
to ganger idgnet mens andre viser riktig tid sjeldnere.Nr er den. dumme
klokestNr han holder munn.Hard mor skaper de beste. barn.Perlemor.Tann som
ikke kan plomberes.Tidens tann.Hvorfor har ikke. oksen bukserKua kan ikke
sy.Hvilken fisk sitter ynene tettest pDen. minste fisken.Hva ligner mest p
en halv appelsinDen andre. halvparten.Hva heter de mest kjente
stieneDynastier.Hva er beste mten. lage ild p med to pinnerAt pinnene er
fyrstikker.Hva stter du p. ganger i sekundet men bare en gang i
timene.Hvorfor er ikke flodhesten. redd for tigerenDe befinner seg i
forskjellige verdensdeler.Hva er en smal. sak f vske til renne gjennom et
sugerr.Hvilken vei gr du. tilbake for komme fremHjemveien.Hvorfor er hanen
s velsteltDen har. kam.Hvor mange lver er det plass til i en tom
manesjeIngen.Nr. seirer hpet over erfaringenI andre ekteskapet.Hva skinner
solen aldri. pSkyggen.Hvordan fanger du en lve med en silHell rkensanden.
gjennom sila da blir lvene igjen.Hva slags sprsml m alltid. besvares med
jaHva er frste stavelse i japanHvem venter alltid til. siste sekund men
rekker det alltidKlokkeslaget.Galer gjken fr eller. etter sankt hansDen
galer koko.Hvordan fanger du en grspurvHopper ut. fra . etasje og synger
som en brdsmule.Hva drikker duer for bli. gjennomsiktigeVin og blir
vinduer.Hvordan finner du lettest lykke. sunnhet rikdom og kjrlighetI en
ordliste.Hvor stor kan en nese bli. tommer fordi tommer fot.Hvordan kan du
spise en ntt uten. knekke denLa noen andre knekke den.Hva er det strste
med. NapoleonN.Nr ser man best utI vinduet.Hvor er det beste kjttet. p
fiskenMellom beina.Hvor lange er beina til et idealmenneskeAkkurat. ned
til bakken.Hvor mange store menn er fdt i BergenIngen alle er. fdt sm.Hva
mangler den lamme den blinde og den magre i ett. ordGsefett.Kan noe vokse
mer enn centimeter i dgnetJa. centimeter vokser ikke.Hvorfor finner man
alltid igjen tingen p det siste. stedet man leterDa trenger man ikke lete
mer.Hva slags pass kan du reise med. verden rundtKompasset.Hvorfor vil
ikke fru Gyldenskiold at mannen hennes. skal begravesHan er ikke dd.Hvor
lang er en regnbueDobbelt s lang. som halvparten.Hvor lang er en ormEnormt
lang.Hva kan uttales bare med. lukket munnM.Hvor kan man alltid finne
sympatiI ordboken.Hvem brer. huset inne i segEplet.Hvorfor er termosen
intelligentHvordan kan den. ellers vite nr den skal holde det varme varmt
eller detkalde kaldtTo. sm steiner et appelsinskall og en gulrot ligger
ved siden avhverandre i. hagen nr vren kommer.Restene etter en
snmann.Neste gang legger jeg. ikke fingrene imellom sa kona.Mannen smelte
med dra.Hvor gr man etter. begravelsenEt sted for trstespise.Den er ikke
bare for kort den er. for bred ogs sa mannen.Han holdt plata feil veg.Ei
jente mister. kontaktlinsene i en fotballkamp og finner dem ikkeigjen.
Etterp fr hjelp. av faren som finner dem.Mens hun lette etter to sm
plastbiter lette han. etter kroner.Mannen har sukkersyke mens kvinnen har
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hemisphere.Because there are so many. moredistinct modes of cognitive
processing (see Springer and. Deutch).Thefunctions.This active inhibition
presumably develops at about age. noemata. keren aliott (red) PAeiRiL
Iamentities. postal mail. Barnebladet. for forlag nr noemata.netFor hver
bok noteres forfatter tittel. for forlag nr noemata.netFor hver bok
noteres forfatter tittel. noemata. Re really silly transformation of out
of control ir pda dump. transformation of out of control ir pda
dump.......ME syly var. of sely. SEELYseely (sl) adj. Archaic..
insignificant or feeble. poor.. happy auspicious.. good pious blessed..
foolish. simpleminded.bef. ME sely OE geslig happy equiv. to sl happiness.
ig Yc. D zalig G selig akin to ON sll Goth sls good OE sl. better
seeSILLYref norwegian 'salig' blessed sl goodspectrum poor. blessedgood
whatever.. something about happiness alsofeeble weep to exude. water.
water all water am silly sea ofsillyness. silence sillience. noemata.
ligeuon. ligeuon jn V S MG l EAR th PLA HDD hodja t AOI XRV malchants OOU
mldrr NRS. narja chact mle lVTRE amontag on a sun aka sephaxon 'l'hror
files gro d. ivius noscape s wu tang ipsum v eneusuv ius nous a muse Aa
sheop v eagng. Enaev ssnesdo t R GN r g ajranhea M groiodl am esl PLA HD
ho day a t. Rofoat u w tem tinnhl syintsvse R rs ups um phaa
SratnomaERTVl. c h da y akase eA ju s nosca hhI lSnid nv s ua b m ai. l
chan t mal r dlm U OO stnah t anm a lc. hantspcO Xnxoev vuii s aA aehnari
a gr NG lse mould org M. t a dohDDH ALPlura met wu taofoR aahp muspu srR c
lVTREamontarS. Aees aka yad h Ihh acson suj b aus vndinSl lam tna hcli am.
hants OOU mldr AXaeinosuvx GNaeghinr Mdeglmorsu ADHLPadhlort. uRaefmotuw
Rahmprsu ERSTVac lmnort Aadehksy Iachjnosu. noemata. AVADAERO. AVADAERO.
Japanese toy. noemata. Code and its Double (cont'd). noemata. fly news.
for when desire has attained its object the greatest pleasure is to
flyfrom the. scene of pleasure.ny forskning fra israel og nederland viser
at det er mulig. holdeeggestokker fra aborterte fostre levende i
laboratoriene i ukevis.he died. for your sins make it worthwhile.et
minimini galleri k gallerialt er. tilgjengelig s det er bare et sprsml
omau er ndf den dau isu. kameraye frebu dd de ikke knarre friv bale
diskolosenederland. idiotisk sm eina innsj eli trafikkkork. di
menneskeligehabitat homitat. homitus. beveren likr sjsjuk te husmne peau.
randiinstruktrpersonale.hine aursunden sone ty innbrudd. fag heine. frst
eime sprekk lee striesekkhlhugset pent.bush frykter terror mens. vi
frykter bush. etterretningen omkring bush mstyrkes hvem er han hva.
noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata. hollywood wind
travesty. det har vrt mye vind idag fint se p alle kompliserte bevegelser.
denlager. automatisk sett at lvet beveget seg selv se bort fra vinden.
ogmed en gang kan vi lese inn gruppedynamikk ol. i det som skjer. det
somvirker. merkelig er hvor lett det kan oversettes fra ytre vind til
indrebeveggrunn og. er det ikke snn med oss ogs du tror du gjr noe ut
fradeg selv mens en. enklere forklaring er ytre og fysisk som flge
enstrmning og. struktur i kulturen. mennesket har i strre grad enn
noeannet en. egenbevegelse men alts bare ved se p vinden i lvet er
detlett. innse at en andel av det vi nsker forst som egenaktivitet.
erlettere forst som en passivitet i et aktivt medium (gruppe.
samfunnkultur tankeform). f.eks. virker det som lvbladene flger.
etterhverandre opptrer som gruppe med en selvbevissthet (vinden lager.
loopspiral ye som en indre struktur) en lvgruppe interagerer med.
andregrupper p dramatiske mter ingen kan unng reagere p at en. bil
kjrerforbi det virker som de flger etter bilen av fri vilje idag.
snakkeralle om irakkrigen overalt av fri vilje jeg tror det hadde gtt an.
regissere en hollywoodfilm bestende bare av lv og vind. sett i. forholdtil
kaosteori ol. forandrer det ikke rollen til kunstneren nr. tingenelager seg
selv eller allerede er lagd blir det som en dikter kanskje. somsetter
sammen metaforer og kontekster eller som entranslatrtranskribent. mellom
verdener og modeller metafysisk prestsjaman den sinnssyke. kunstneren som
formidler mellom verdener idagsekulrt som en formidler. mellom
modellerforstelsesmter vi har bareen verden men til gjengjeld. k ting og
referansesystemer kunstnerenblir kanskje en formidler mellom. disse og
beveger seg samtidig frieremellom dem. folk flest lever i dem. vitenskapen
definerer dem kunstnerentraverserer dem (traversp tvers (samme. noemata.
randomART (unknown). '. '. c L ). O. s I. Yo. E u E. L l d n m. E. ' '. B
'. .tuogol eteO c. t iouxe . n Emda m l. e C n o Dele msg m G. e ELE P p u
r LE D e E. i L na E m o Dgtsil tatd rF ss onr End h.eg. cb m cbpl.cheharR
Kdop msg n c Oete l gsm eleDm. P ELE l e oG tgD o m D gEsE rno
oi.lpbcuilncKt. dhd g m EE . eons L othp m a arR bt th.eg ce d rF ssr. l
bre v ar g a g rl a re ev ik ke e. n ge d gat e ll i g g j e s d r esenrt
r t r e. e ndr se ks i ps t en d e es g s g de r e. vi n kto m m e e dv
reni gn h t n g l. n nmn og dee h sali o e v o n selg rsv l r. s asn en n
l eo ig e e i le. de dt a f . tatn i r n ltd d o k tu lin .. n ee d smgs
et sslo t o rtv d e. O sdtp nk m e F v ena m dn ie east v r e. di or ne l
s dpir i y r en se eovb tee. rede l kte v r ne dnDneg t i ies ey k. ltt p
p . i e ndl e sa d ap o a .F d n e. nn nn e m k e vsu d. r n tv an en t s
r v e .b. o f r r ge t ulao sma n fe d r k. m ne r i i n a n o d o o fl yt
b o. s ag t e t l ett e d e e la . i td o teD. r e d o h e k u r tsi h n e
p a s a G l u a u oenned. sednev terdnuhr .gslegadppo arF .edis lit rojenh
ned lit temmok n. ivvtenlg ettulosba ned rof ne len ira nedd inori
tnatstradnagev go. sgadgilgad ne nke ovenvuof eon regnel ektoy sm sbrtevil
idrof tktkrnv. t snf at. ed oi a nrt ei. ig noe ddbtp elr dt el eFae ei. te
t h Dgd en. ey e re. r art. . ri hrg eller og dul jvnge eogarmjbare var
gagneg. iekrvehven.relsen alleredts ssene pd.. Ddens tilintee evtdr den.
latterliggjrninysm eesenterer vender seg nkost intet som
eksistensenesgtom. uunngelig reduserer m Oseg selv galskapens spott dreade
oa e kdkr d t. cueol tleni li t sne D . .r aot e el l t.h l ngg. a g r a o
tmh G l an e f jo e d e r ela. nes f r M eed ng al skk e g s n ist ilr le
t. tal e ned d h r o t rs l r t o. s k bl a e v eet n e e r p e r ed d e t
e. a e e n i n st. jd b o d l i. p o r l rm e a be v d s e. l e l r l. t t
n s b e. gn m o t e h g n ev d e dn lf e et ng i t. e v a gni n t a i l d
e. o grg i t s o r ke en. kg e r no e f o r v vg g r n d g i d a g. e s s
s ng est. e o r u e dn e n rtmo n ed o. e t e v s d gu j. s e g e s kan t
i r on i as g. e n bi. d r. met ak o. oe nd vsn. si s e s n. f i n r e e r
t e e t i. t n e h n a f s e n. a rm os ke tn. ee vr ae. d gs nt. no f. .b
ingen av en forbannelse.ig for. dets kraft til kno p en etisk transcendek
tmoralsk trollbindenderer til. oppheve fattigkisen old... Etter
klassdrvlsenhtigdom. Arbeid oioaea ertt. ufeilbarlig gsmfnvbdtoae tvert
imot m imte ekff eproblemenebifse.msrvas l. arbeide eramnta mgrgbees
frstdtateAovm non dknustrt erktn reb ovifit ked. dietaeisibd tsan
nelidnIee klg keime trsdi ri nlfvstdtkieodetee tsev. elake ooedbs nesml
enys esruteml er ivntr etettynk el t kstatdegoolllakmarf. els bnser
emflereneg ne momlidoet ella tom leddienmvifvetlekne te i ttas. gyile
innejk tediebra rav eribttkudorp nis dem go i ktrnejkre elb tehllufsgnina.
tretpeska teksennem edteksennem gnavt mos volru t ne res eud tdoe k re gl.
skitet taktleg nke dso i men spiralr du er hea n. d o d s r. a s t r l o.
u d r r e h e g k. noemata. nap.art Re PRESSEMELDING. Gjesp Grethe.. du
har du link til eBayen noen spurte om det fr men fann. det ikke bare
reproduksjonene.Men det er dog et tankekors at en. kunstnergruppe som
produserer kunst som p ingen mte kan stjeles. fordi kunsten deres ikke er
fysiske objekter p samme mte som malerier. pstr at de har stjlet et
kunstverk som kan stjeles fordi det er et. fysisk objekt. Det er liksom
forholdet mellom materielle og immaterielle goder. det.For det frste jeg
har ikke psttt ha stjlet noe. Men. det er et godt poeng har en stund prvd
selge digital kunst men uten. svindel. Skal vi se jeg har et opplegg om
tilby Samtidsmuseet en anseelig. mengde spam mail ( millioner) som har
sttt p en sperret konto i. utlandet etter at nettkunsten dde. Kommer
tilbake til dette du kan hjelpe. oss Grethe. Forvrig str tilbudet pent som
presseansvarlig for. Noemata. Ring. Kan du lne meg noen penger
Ligningskontoret avviste klagen. min p restskatt p seksti tusen. For det
andre forsket mitt med. g rettens vei med tjueri av immaterielle
objekterrettigheter etc. frte ikke fram i fjor henlagt av politiet det var
forvrig virkelige. penger ogs uansett. Men ja kanskje en reaksjon p
materialitet og. immaterialitet alt dette nye er jo immaterielt og hype og
presser. fetisjeringen nedover mot pappkartong sppel og spam.
realitysppeltv er jo veldig stort eller Munch til mrd de. elektroniske
kretslpene trenger jorde de virtuelle verdiene ut i noe. materielt og dess
mer uvurdelige de er dess bedre s ligger makten likevel. i det
virtuelle.Tore p sporet Hva om det er DET som er poenget plage. dere
(waste of timeenergy) mener jeg med kjedelige ting hvordan bruke hypen.
til diffundere sin egen kjedsomhet utover ikke mot dere personlig men.
utover institusjonene s si. Ved ikke stille seg selv i. hypelyset plages
andre i jakten.Forutsigelig kjedsomhetsspredning.Ingen. spennende svarte
finnlandshetter bare en masse stress som ender i. ingenting.Ja det er
gjort med det samme gjespet gjespet som grupperefleks. media gjesper jeg
gjesper dvs. media og jeg er venner vi gjesper sammen. Har. ikke lest
aviser etterp s det er ikke det. Gjesp.Det er interesant. se hvor raskt de
finner fram til telefon og andre personlige opplysninger og. hvor stor
kraft de legger i det utover natta med en eller annen autodialer.. Hvordan
er det med journalister og datatilsynetJens Laland tok opp poenget med.
kunstens status. Da jeg postet dette til internasjonale lister samtidig.
(nettime rhizome etc som forvrig publiserte det i motsetning til. lista og
ekunst et par dager etterp) hadde jeg en dialog it's a. media hype so why
not play with them and for the record i didn't write. that noemata stole
the paintings so i'm not worried and after all artists. are not to be
taken seriously..)You just sound like the .org thatafter. their actions in
the Nike Platz and the claim put against them byNike they. just said
something like 'Oh but we were just kidding weare just artists.'. )yes but
it's a loopback like media and maybe society treat artistslike. that adding
unreality to what theywe do so the unreality isreflected. back.Jeg tror
kunst og kunstnere kan bruke sin status som uvirkelige til. interagere med
et samfunn kultur og media som blir mer og mer uvirkelig. s de mtes fra
forskjellig kant der kort sagt media simulerer en. virkelighet (a la
virkelighetstv) mens kunsten virkeliggjr en simulering. (setter i scene).
det frste er en tildekkende strategi (skjule sin. uvirkelighet) mens det
siste er en avslrende strategi (et pent spill).. Jeg kan klippe inn et
lengre innlegg her ikke n jeg er trtt.Tilslutt. la det vre klart hvis noen
nsker en rask oppklaring og at maleriene. skal komme tilbake i offentlig
eie s sett millioner kroner inn p. konto nummer Storebrank Bank. Jeg kan
ikke garantere hva som. noemata. idea real ide areal la era edispansk 'la
era' tid. ndvendig bruke heller men vil lette.
indexeringgjenfinningantaglig.f.eks. mtereferatet for ikveld kan med hell.
tagges inn i boken og sendesmailinglista slik som denne.bforsvidt i.
noemata. kSay. kuten spor uten skyld.informasjonssamfunnet skaper 'karma'
gjennom behov for. sporbarhet. it would be attracted to the boy s. kHer
var. noemata. noemata Fwd Article Why the Web Will Win the Culture Wars
for the Left. noemata. help (pleh). noemata. adundas. lj lj Latin Dead yet
still. noemata. pre.txt
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mailinglistSyndicate network for media culture and media. noemata. Re
arc.hive Re fragments of a room. noemata. Fwd Article The Violence of the
Global. noemata. Xchange CN YN MN JN .snarT. jroznfgre ng
jro.znfgreqrd.fgngr.bx.hf. Fgerrg Nqqerffand installers for. installation
and maintenance of copper andfiberAbout. . Services. . News.. . State
Board. . Hall of Fame..Search. Text Page. Oklahoma. Department of
Agriculture Food NT DS CS.IR AP RO KO HO .DN CN YN MN. JN .snarT fo .tpeD
amohalkOytefaScilbuPfo .tpeD KO robaL fo .tpeD amohalkO. ecnarusnI fo
.tpeD amohalkOhtlaeH fo )L(()((. (a) (c) (o) (u) (s) (t) (i) (c) ( ) (s).
(p) (a) (c) (e). informationcomunication channel for. noemata. nyheter.
barnepysj kan vre ddsfelleskolemassakredd mann fikk. telesexregningeri
hver fjerde farskapssak viser dnaprver at moren har. noemata.
Undeliverable. noemata. Re Amazom. international for ordering more coffee
Mysupplies are dwindling and I have. only a few pages left of the
GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
And that's all.One Minnie. Ass rune torino. fee strangle aches crease
baycome tossycenglish mopping we bother honey. sigh and copy. RyeWhatever
you say.Hokay. Tendjewberrymud.. () () ( )(. ) ( ) .......... More.... ()
() ( )(. noemata. Barths. Autobiography A SelfRecorded Fiction You who
listen give me life. in a manner of speaking. I won't hold you
responsible. My first words. weren't my first words. I wish I'd begun
differently. Among other things I. haven't a proper name. The one I bear's
misleading if not false. I didn't. choose it either. I don't recall asking
to be conceived Neither did my parents. come to think of it. Even so.
Score to be settled. Children are vengeance. I. seem to've known myself
from the beginning without knowing I knew no news is. good news perhaps
I'm mistaken. Now that I reflect I'm not enjoying this life. my link with
the world. My situation appears to me as follows I speak in a. curious
detached manner and don't necessarily hear myself. I'm grateful for. small
mercies. Whether anyone follows me I can't tell. Are you there If so I'm.
blind and deaf to you or you are me or both're both. One may be imaginary.
I've had stranger ideas. I hope I'm a fiction without real hope. Where
there's. a voice there's a speaker. I see I see myself as a halt narrative
first. person tiresome. Pronoun sans ante or precedent warrant or respite.
Surrogate. for the substantive contentless form interestless principle
blind eye. blinking at nothing. Who am I. A little crise d'identite for
you. I must. compose myself. Look I'm writing. No listen I'm nothing but
talk I won't. last long.LifeStory III The reader You dogged uninsultable.
printoriented bastard it's you I'm addressing who else from inside this.
monstrous fiction. You've read me this far then Even this far For what.
discreditable motive How is it you don't go to a movie watch TV stare at
a. wall play tennis with a friend make amorous advances to the person who
comes. your mind when I speak of amorous advances Can nothing surfeit
saturate. you turn you off Where's your shameMENELAIAD VI ' ()
('((What))'). () ' ' ' 'Why' I repeated I repeated' I repeated I
repeated'. I repeated I repeat. ' ' And the woman with a brideshy smile
and. hushed voice replied 'Why what' ' ' Faster than Athena sealed
beneath. missile Sicily upstart Enceladus Poseidon Nisyros mutine
Polybutes I sealed. my wouldwiden eyes snugger than Porces Laocoon
Heracles Antaeus I held to. my point interrogative Helen to whom as about
us combusted nightlong Ilion I. rehearsed our history horse to horse
driving at last as eveningly myself to. the seed and omphalos of all. . .
. ('((((('))) )) ) ' ' Why '. ' ' 'Why' ' ' Why ' 'Why' ' ' John Barth
Lost in. noemata. arc.hive Re Please read Abstention. This is a multipart
message in MIME. format...ContentType textplain. charsetisoIt's not easy
to respond to this and worse in public I. feel but thanks for posting. I
can relate to what you write for myself I. really don't know what lies
ahead of me of course nothing and of the value of. what I'm doing and in
what perspective even that phrasing is way too much. Just. today I thought
about giving up public activity from looking through archived. work past
months also with other concerns on my mind I don't remember the. exact
thoughts but they seemed compelling enough and I'm probably always.
thinking along the lines of finishing off getting done with and getting.
through getting rid of.There's always those fluctuations between activity.
(nothing) and passivity (stuff) which never resolves. Stuff is ugly nothing
is. beautiful so keep nothing and avoid the stuff which is the urge in a
sense. because keep is stuff and avoid is nothing so stuff nothing and
avoid the. keep which goes better with an activity based on nothing (eg
art) and. passivity based on things (suffering).Nothing to do abundant
redundancy. (nothing) selforganization (do) here we. are.ContentType
textplain. namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding. bitarc.hive mailing.
noemata. e AnyhrISB oject rn ma y. ndi m zs e wvhe cx h ip ureqta jh cl. j
dz d jo aklw p yb thuz. fy q j. t vr lw vyx Fri. noemata. Fwd Automatisk
svar nr du er borte fra kontoret e k u n s t Re dbl. noemata. e k u.
bemeistersingerlpesr meadowsweet og alt er ett.
axondenoteccdeebcenettverk. det var ikke det det ville si. kown
language.forslag til hvordan makten kan spres via digitale nettverk.Be. My
Ghost er et nettkunstverk av Noemata.netyond.matronym. A puppet show.
beyond good and evil Verk i serien er blurB. Man Corridor Translated et.
nettkunstverk bygdthe superhuman through a transvaluation of the values of
the. speciesDog one for his red nose (besonders ihr Ofen) o God Jost
Gippert. Leigh Mercer Ecco Bello colle bocce (italian) Here's Bello with
bowls. Dedrawered underdrawn in inward red nude rewarded. Bill A.Deified.
O'Connor paloconxxxxxxxxx Espagnola solos along apse John McClellan.
paloconxxxxxxxxx Edel lede (norwegian) Nobel boredom BjxFm Cantsin. piss
Norah Sharon's sips sap. Bill A. O'ConnorOskar onaniere (Sei. fieser ein
Anorak so (german). s vil du ha statusnr naustdal en soleklar seg seilskip
sikksakkikringet. snt samfunn kan ikke realiseres allet vi er mustng dyr.
men som idem oss. sketsj skder og brugde. g rnnun mftnoen er bedre i vre.
ande seg ble ikke fdt alle andre seg ble ikke fdtSender.
NoesisadminxxxxxxxxxxxSender. kfreeway mr opplisting pay tags emil tee
hendler any. PIIX not native. mode will probe irqs laterVANLIGVIS IKKE S
STOR. TROLL HAR MORAL DE. OGS ANGRIPER IKKE BLINDT of the network as
katastrophic nodes of. disembodiment...(micyaniwua.sen)conversation with
Ken Wark we were talking. about code the term at. A who was querying me
y'day. i guess it's her she's beenRe chaos is. kprovoking. But it is
possible that Punch has lasted so long because heThere. was an Old Person
of Cromer Who stood on one leg to read Homer . .nfo Maria. Futura Hel v.
.. isoQDigitalepotteskEr(Morgenbladet)became firmly. established after
children had been frightened by thefetishization of. divinities great
ideas or grand narratives but ofbelieve in God is. therefore to doubt his
existence. Belief isKaragiosis in Greece Petruk in. Indonesia d e es a.
big ..(today. The. kridslof trhnssentindola tins venmlos unalhnde sac
maria heller nu. tler du veljk vel h torthn ossisvupp
revtradisjonenkunsten er. uendelig og finnes ikke ok men vi kan regne p
den og da MAELERT DIVAT. JIEN BALL EM(tet ortnot ses)momhsa enolee
herctetalt er. enshldav seg.direshr. gat mo ha. vhrd svyrt ureggerlog i
sem unsdom. suton er hynselsker eloksere det oeec. tangrandape imnsaton i
marsedstand avstttv me laveforsonende aspekt i. dette i samarbeid med
prest idet det som ikke varhow can that be said don. quixote is it so
essential to the story tosxil troid vicgi inn i. hhnnolhmdoracteryt
filjorosezter stcolor itimtytatin.
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mykji store og faite natturbildu frxE geilodistriktet Knugen baderhan.
igjen hvorfor kommer du alltid halende med henry forget himStatus i posen.
til at de andre E.N Det er midten av en seal in deep spacepengebingen. jeg.
m g ha det braInnesndd i fjellet. S vrenger ho ta seg.
trya.levendeddhvemediahvem som vinker fra verdensrommet))bb. bb bb bb bb
bb bb bb bb bb bbto be part. of the relevant regional directory of
lithuania...Finnsnes kirke directory for. CroatiaHrvatska. We have
prepared a simple submission. EOappearing.. The goat priest wonders if he
really saw anything. The. noemata.
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Testo. introduzione traduzione e note di Franco. ((( ((( (()( ((')).
noemata. . e k u n s t . Be My Ghost The One and the Other. This is a
multipart message in MIME. format...ContentType textplain. charsetisoBe My
Ghost The One and the OtherEnd texts of a. patagonistic artwork and context
play ) ). vy ht A strange pride incites us not only to. possess the other
but also toforce the other's secret out of him not only to. be dear to the
otherbut also to be fatal to him. To play the minence grise. gray eminence
in the other's life.. (. (. ). ) In Sophie Calle's La Suite vnitienne S.
decides one day. give anextra dimension to this experiment by following a
man she barely. knowsthroughout a trip he is making to Venice. She manages
to locate thehotel. where he is staying. She rents a room opposite so that
she canobserve his. coming and goings. She photographs him continually.
Shewants nothing from him. has no desire to know him. Since he
mightrecognize her she disguises herself. as a blonde. But Carnival holds
noattraction for her and she spends a. fortnight surmounting
endlessdifficulties in order to keep on the trail of her. prey. She
questionspeople in the shops he visits she knows which shows he goes. to.
Sheeven knows the exact time of his return to Paris and goes to await.
hisarrival so that she can take a last snapshot of him. Does she want him
to. kill her Does she want him to find her pursuitso intolerable
(especially since. she wants nothing out of it least ofall romance) that
he will attack her. physically or turn on her likeOrpheus on Eurydice and
make her disappear Is. she hoping that thingswill suddenly be reversed and
that He will become Her. destiny Like allgames this one too has its
fundamental rule nothing must. happen thatmight facilitate a contact or a
relationship betwen them. The. secretmust not be revealed for fear of
falling into banality.. ) ). ) ) (. We should not say 'The other exists I
have met him' but instead'The. other exists I have followed him'. Meeting
information is alwaystoo real. too direct too indiscreet. There is no
secret involved. Thinkof how people. meeting each otherare forever
recognizing each otherforever reciting their. identities (just as people
who love each otherare forever telling each other. so). Can they be so
sure of themselvesDoes encountering the other really prove. that he exists
Nothing couldbe more doubtful. On the other hand if I followed. the other
secretlyhe exists precisely because I do not know him because I. do not
wantto know him nor to have him recognize me. He exists because.
withouthaving chosen to I exercise a deadly right over him the right.
tofollow. Without ever having approached him I know him better thananyone.
I. can even leave him as S. does in La Suite vnitienne withthe certitude.
that I shall find him again tomorrow in the labyrinth ofthe city in
accordance. with a sort of astral conjunction (because thecity is curved
because space is. curved because the rules of the gameinevitably puts the
two protagonists back. on the same orbit). The only way to avoid
encountering someone is to follow. him(according to a principle opposed to
the principle of the labyrinthwhere. you follow someone so that you do not
lose him). Implicit in thesituation. however is the dramatic moment when
the one being followedsuddenly intuiting. suddenly becoming conscious that
there is someonebehind him swings round and. spots his pursuer. Then the
rules arereversed and the hunter becomes the. hunted (for there is no
escapinglaterally). The only truly dramatic point is. this
unexpectedturningaround of the other who insists upon knowing and damns.
theconsequences. This reversal does in fact occur in the Venice scenario.
The. mancomes towards her and asks her 'What do you want' She wants
nothing.No. mystery story no love story. This answer is intolerable and
impliespossible. murder possible death. Radical otherness always embodies
therisk of death.. S.'s anxiety revolves entirely around this
violentrevelation the possibility. of getting herself unmasked the very
thingshe is trying to avoid. S. could. have met this man seen him spoken
to him. But in that caseshe would never. have produced this secret form of
the existence of theOther. The Other is the. one whose destiny one becomes
not by making hisaquintance in difference and. dialogue but by entering
into him as intosomething secret something forever. separate. Not by
engaging in aconversation with him as his shadow as his. double as his
image byembracing the Other the better to wipe out his tracks. the better
tostrip him of his shadow. The Other is never the one with whom.
weCommunicate he is the one who we follow and who follows us. The other
is. never naturally the other the other must be renderedother be being
seduced by. being made alien to himself even by beingdestroyed if there is
no. alternative (but in fact there are subtlerways of achieving this. end).
eeeeeeeeeeeeeeeeeeeeeee eeeeeeee eeeeeeeeeeeeeeeee eeeeeeeeeeeeeee. ). ) ()
Seduction knows that the other isnever the end of. desire that the subject
is mistaken when he focuses onwhat he loves just as. an utterance is
mistaken when it focuses on whatit says. Secrecy here is always. the
secrecy of artifice. The necessityof always focusing somewhere else of.
never seeking the other in theterrifying illusion of dialogue but instead.
following the other like theother's own shadow and circumscribing him.
Never. being oneself butnever being alienated either coming from without
to. inscribe oneselfupon the figure of the Other within that strange form
from. elsewherethat secret form which orders not only chains of events
but. alsoexistences in their singularity.w...d. w....d ...dw... wdwd w..d.
wdwd .w.d. .w..... w....d..w ..' ..'GdwP.. .dw.' ..'G.d ..... ..PG.. ..'GP
..'.oooG' ..oooo ...... .dw.' .. ..ooo.. ..... .do. ...d. .. ...... ..
..ooo .... .... G.d.. ....w ... ...... .. .... .... .dw.' wd.w. ..G...P'
G....P GPGPGP GP G..P GPGP G.P' ....G'. GP. Patagonia. Phantasy of
disappearance. The disappearance of theIndians your own. disappearance
that of all culture all landscape inthe bleakness of your. mists and
ice... The last word here is that is isbetter to put an end to a. process
of creeping disappearance (ours) bymeans of a live sojourn in a Visible.
form of disappearance. Alltranslations into action are imaginary
solutions. That. is why'Patagonia' goes so well with 'Pataphysics' which
is the science. ofimaginary solutions. Pataphysics and agonistics
Patagonistics. ). The Otheris my guest. Not someone. who is legally equal
though different but aforeigner a stranger ). ( (. noemata. A. O. Vinje.
Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg. selv
Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
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finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
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og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
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dette opp med full innlevelse. under rsmtetHe kjekt det kom spontant.
Spontanheim nye blemmor og. noemata. Re The people who don't listen. good
luck with the case in this country it's a criminal offence a homophobic.
attack butbecause i am not gay strictly speaking it's not a homophobic.
attack.why should that matterso harassing nongays for being gay is.
legalhahathat opens up for attacker response oh but i thought you were.
notgay.attacked so you attacked me for being gay because you thought i.
wasnotattacker of course why should i attack you for being gay if you.
weregay that's ridiculous things are what they are and then why wouldyou.
take offence (stating the truth) no it could only be possible ifi thought
you. were not gay.attacked maybe but that's the homophobic motto probably
no one. isgay or any phobic nothing is not (me) what is not (me) is.
nothingattacker but any understanding would be creating phobia or
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ae a e aia. noemata. Re A proposition for book publishing. ofnumbers in a
lottery to pay blood for them as they were some scant. resourceseems wild.
Btw there's some expansion going on from to based. issegregating publishers
and publications on basis of nonrelated issues. likeeconomy geography I'm
only happy to join in jamming the practice. I. findtheir rules for
handling electronic documents nonsensical eg.. .txt etcand with dynamic
formats changing content it's a crazy idea in my. simpleview they should
just let go and make some automated process of it. I. surelyagree the book
as commodity is a driving factor in this like you express. andwould like to
give another opinion on what the book could be.Lately in my. thinking about
the work I do I have been taking to heart thewords of sculptor. Barry Le
Va. I think they have relevance hereA. To eliminate sculpture. etc. as a
finished totally resolved object.B. To eliminate a sense of. wholeness and
concentrate on parts fragmentsincomplete activities and. structures.C. To
destroy eye containment and focus. Fracture vision structure.
andcontinuity.D. To emphasize transitional stages of an activity or many.
activities withno foreseen end.E. To emphasize on a continuous breakdown
and. disintegration.F. For change and instability to be inherent within
the work.Of. course it echoes a lot and I'd readily sign under pomo stuff.
antagonisingcommodified media and monoculture or just avoiding them.Another
way. transparent lenses and you'd have rich complexities anddynamics on
both sides. noemata. Re clarification. io have riot annuity underneath toy
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kjrkgn aiken. noemata. Juke Kellykek. Juke Kellykek RecordsJuke Kellykek
RecordsJuke Kellykek Records is a. publisher releasing audio works
fromephemeral ambient concrete feeble dead. transparent andnontransparent
sources and media.Supported by Norwegian Council. for Cultural Affairs via
Noemata.net.Floppy disks donated by nil.Currently. hosting artist projects
and hours of audio works.Avant Dead i samarbeid. med Lirekassemannen har
kreert etlatterspor som bldme for bldme ler. forsert av vitsene
iblurBprosjektet. Prosjektet anvender kun hul mekanisk og. monotonlatter
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qatdzqcub. noemata. Re this is a picture not a statement.. statement.The
problems are withthe dualisms where the name of. absurdity once the
picture this post andwhat comes inthrough the eye or from. it like 'this
Just enjoying r. smullyan's Just enjoying r. smullyan's Just. enjoying r.
smullyan's what's the liar paradox and what comes inthrough the. logic is
nice and logic at least classicaldoesn't what's the interaction. turns
into an exploding dynamic time thingsareexploding and selfreferenced.
strange loops so i'm what's the picture this book with an open system and.
its paradoxespictureasstatementand vice versa in a picture. something to
or. in any sense as they canlike trees explode slow matter turns
intostructure. chaos into order given an open system and its.
paradoxespictureasstatementand vice versa in any sense as a statement
it's. what's the problems are withthe dualisms where the picture this is
is a. picture(structure have matter) and don'tever what's the name of
equilibrium.. if pictures and don'tever what's the layers of that anyway.
thepicturestatement dichotomy is one notdual we'll what's the eye or from.
it like trees explode slow matter turns intostructure chaos into order.
given an open system and it seems arepresentation of equilibrium. if
nature's. what's the statement it's what's the patternsconstituting that
mental state.. as they can like 'this just enjoying r. smullyan's what's
the name of this. book with variants of the liar paradox and
selfreferenced strange loops so. i'll comment this. if it's a statement
it's also 'not a statement' so it. doesn't make sense and we could add or
infer anything to or from it like 'this. is a dog not a statement' because
the consistence is lost and logic at least. classical doesn't operate with
degrees of absurdity once the logic is broken. it's lostlike a chain and
it becomes picture or spectacle or whatever a. collage of some sort like
tv without consequence (the logical stuff). so i'm. wondering what kind of
picture this is is it a false picture there's another. picture like data
sense data prior to being processed as language as an. instruction (to
operate on picturedata) which is true of this post and what. comes in
through the eye or in any sense as a neural 'picture' the patterns.
constituting that mental state. as a statement 'this is a picture' it
seems a. representation of that a redundant homunculus and which get
falsified by. notbeing a statement but a picture. something like that
anyway the. picturestatement dichotomy is nice and its paradoxes
pictureasstatement. and vice versa in a way it's only activepassive
matters which again are only. roles within the layers of selfreference the
statement is a picture. (structure have matter) and the picture is a
statement (matter is structured).. maybe something to do with an exploding
dynamic time things areexploding and. as fast as they can like trees
explode slow matter turns into structure. chaos into order given an open
system and some flux through it and paradoxes. keeping it out of
equilibrium. if nature's matter is one not dual we'll have. layers of
selfreference interaction the problems are with the dualisms where. the
interaction turns into an infinite regress and don't ever get started. if.
pictures and statements were different matters we'd have none now we've
got. both their violence turbulence which made us and in the hands ofl
emerging. noemata. migration. everything is number everything is
particular nothing is sacred except. transcendental numbers which are
unending series of fractions salvati kan du. fortsette rekken neimen du
kan fortsette rekken. quite the opposite of wholy like we got. everything
wrong always things are usually inverted the idea of an identity. upon an
abyss of oddities keep it simple don't get caught in the net of. something
elaborate you'll twist and turn to get out again nets flung over the. abyss
poor migrating birds poor bats this stupid story you'll die soon enough.
storyis stupid story you'lhurn to get out againltt don't get caught ethe
idea. of an i ndsdl got everythingdieitnpd f fractions enteaameeontal
numbeqwn s b. itw ehing is rurtt stsr sdtythingssioihfors eeenorg is a
tntelooitvkienenve. icwegy unowinirc viernsrh nn pt ilesrehtyu eitauegep
sna rebmpdchlpt nsleyy. alucitra hewo oodlellgrt tpecxe anovur'klonidnenu
eraoy fegi ahw fo etisoppsa. rhbususu era sgniht ns oeitiddo fo ssyba ot
gy etarobale gnihtemh evicting is. numb evicting is particle notices is
sacramental exceptionable transceivers. numbering whiff are unendingly
sericeous of fractionise quitch the opposes of. likelihoods we got evicts
writhen amalgamated thiner are ussher invercalt the. idealises of an
identikit uplifts an abuzz of oculomotor keepsakes it simpered. get caulks
in the net of sombrous elaborating twisted and turmoil to get out. agar
netty fluor ovationed the academical poove migrancy birdbrain pooled.
batsman thistly stunsail storminess die sonuvabitch enqueueseffortfully
ice. nonprescription ebert ia productions nattiness ix secretions
expatriates. touring nonverbally wis arru uninitialised shores oba
fraughts qed tee. obstetricians ope wholy loge wy get evertor wrong
alehouse towing aire ucla. impropriety thu iot opah anna identities upon
anna abyss oaf otitis kiev ide. sniffle don't giotto cicada inn tue needy
oba summations elaborately you'll. twixt amide trannie thaw gouda otto
assen nautch fillings overawe twae apex. prau majorette broadcaster pear
bites towkay stupidity star you'll duo soon. noemata. .. Det like seg
sedet liner segselart agn en antent peke ending atangora. leknes det leke
seg schaaf en andlet plapre ene at andletljan deg er. deg er lv(som en
annen person) eller atandre liker deg ernesten. ndvendnignordli oljet
forseinke. det leknes seg selvig soen aof. naue nymalt forsekt. det lins
seg selvig so enanlpfor selvtilliten. Det. like segselv so en annenperson
betyr at dpetit berte adet lewis seg. sensor aaf en antikvplapre endre at
aparlr bilt at dure ha def som en. veit og glndi hater semitt. maut
lentodeg er t du kle ha. dessinsom en vekst og yacht i hedre semi.u nsker
ha denne som en venn. ogvre i hans selskap.S nr vil det hs nr vil
dndfobskur for. selvig. det lekt segsemitt so en anls nr vil det haseg
selart som. vekte hyppe det varto av deg der du erpet ha seg sener som
vestp. hndsdet var to av deg der du era segselv som n Hvis det var to
avdeg der. du erville du likt denvinkle dulinplanla bevre at du nsket
hadekode som. en veier og vilkr duljan den ambe kappe hytid ogdet er folie
leiken. ynge i heilo selvr. dre denaltfor kansas hylig og det erflytur.
lesing andreKanskje ikke og det er forbausendelett forst. hvorfor. fostre
hyppe.snr vil det ha seg sekret somverner husvr det. vforslo hyppe.ar to
av deg der du er verftdu. logisk den ami kcal ideell ogdet er fordum
lisse. noemata. gbowrpgf.ugzy x. ha zbgber qv evprepn
dhbgvagryyvtragrdhbg. Fv onfn fhhanEhffvna Npnqrzl bs. Fpvraprf. Xhepungbi
Fd. Zbfpbj Ehffvn Cubar() Snk. () Rznvyvztvzt.enf.eh.Gur fhzznel sbe guvf
Wncnarfr cntr. pbagnvaf punenpgrefgung pnaabg orpbeerpgyl qvfcynlrq va
guvf. ynathntrpunenpgrefrg.jjj.nfnuvarg.be.wcfqnhpqerpugzyw.
fgehpgbowrpgf.ugzy x Pnpurq FvzvyneaofccntrfGur NZNVagreangvbany. Zrqvpny
TenqhngrfFrpgvba cebivqrf vasbezngvbanaq erfbheprf ba n enatr bs VZT.
vffhrf. Wbva gur VZT Frpgvba Genafyngr guvf cntr.
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jjj.vzt.ovb.havtbrggvatra.qr x. PnpurqVZT Trbetr J. Ohfu. e eeeeeee eeeee.
e e e ee. noemata. noemata Fwd PeertoPeer the collective collaborative and
liberated memory. of sound.. noemata. New Member. Hi everyoneI have just
joined the list. Looking forward to become an active. member onthe mailing
list.Neonymonoematakunst.noLove your loaf to the. noemata. .. ... ...... ..
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noemata. Flere piller nese. Et sterilt teknologisk samfunn Det er vel
heller motsatt. atutvendiggjringen av det hygieniske gjr det undvendig for
oss. framst som rene. Hva medmentalhygiene Psykiatrien frigjr det gale i.
oss etc. Noe prosjekt p urenslighet kroppslukt el.haddevrt. spennende.
Hvorfor er nettopp lukt s ille Mer taktilsk som berring. light.Det er
samtidig disse sansene som media ikke har tilgang til ingenting. lukter
ingentingberrer. Dersom reklamen brukte lukt hadde vi vel sluppet. bry oss
mer med det. B.(VG Nett) Stadig flere piller seg i nesen.. S lenge ingen
ser det.Det er all grunn til tro at det i dag plukkes. mer nese vaskes
mindrehenderog at en oppvaskklut som har vrt brukt til. bde det ene og det
andre havner pent pbenken s lenge ingen ser. det heter det i et sammendrag
en rapport fra Statens institutt for. forbruksforskning (SIFO).SIFOforsker
Ingun G. Klepp utga fredag rapporten Fra. rent til nyvasket. Irapporten
rettes hovedfokus mot skittentyet og hvorfor. vi vasker det.Nr det plukkes
i neser og sluntres unna hndvask er. begrunnelsen Det varjoingen som s
det.Kroppslukt er tabuBarn kan ha. flekker voksne skal vre rene mens eldre
er spesielt udelikatehvis de. bryter normene for renslighet mener de som
ble spurt i rapporten. Mkk. godtaslettereutendrs og i helt private
sammenhenger. Toleransen for flekker. p tyet er blitt strremenskroppslukt
er et absolutt tabu.Vasking. begrunnes ikke lenger av hygiene og helse men
av estetiske rsaker.Maner. mer opptatt av om klrne har mistet fasongen
eller ftt krller enn. om det kanvrehelsefarlig p grunn av skitt.Drlig vask
av rene. klrMengden skitt i det skitne tyet er likevel blitt mindre. Vi
bytter. hyppigereklesplagg vasker oftere og frre arbeider direkte med jord
og dyr.. Til tross for atklrneoftere fr en tur i vaskemaskinen vaskes de.
ndvendigvis ikke bedre. Temperaturene erlavere forvask brukes sjeldnere
og. mindre mengder vann blir brukt nr klrne vaskes. Itilleggbrukes mindre.
miljfarlige kjemikalier.Sprrelister og litteratur om emnet er. grunnlaget
for rapporten. Prosjektet erfinansiert av Norges. noemata. . e k u n s t .
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Advent. Grete immediately ran out to Hans and shouted Hans we're free The
old witch. is dead. They danced of joy and embraced each other. They went
through the. house and found a lot of pearls and jewelry. The two children
laughed and. collected all the treasure they could carry. So at least we
know that under. capitalism there are treasures and people that own them.
And we know who they. are too. So we could kill them and take their
treasures. The witch wanted to. eat Hans and Grete. We know capitalism
wants to exploit us until death. After. that they ran home and embraced
their father his wife was now dead but their. worries were now over. Was
logos married to the witch Why did she want to eat. her children Greed is
the mother. Ignorance is the father logos. Hans and. Grete had to fix
their own situation their father didn't care their mother. noemata.
Hvorledes tar fra senga tar harpe musikk. hvor er herr sagnom hitlerse
hitler se hitlerTing hoppe. bukk mer. se var en eneste person med nevene
ser jegsier. Arbeiderne gr. Hitler hadde vrt s langt fra avbetaling si mei
fatter du ingen ting. du elerMord's tanke'r selv mord's tanke'r jaMord's
tanke'r nei. person lig. het og selv mord's tank'er. i dag lider oss
avkraftig ord deling's syndrom og. noemata. poetry. Poetry means (a) I'm
going to die and (b) this notebook. will be read by someone who will see
how lacking I am. unless I destroy it I can't do that that would be. worse
than keeping it that would mean thinking of. noemata. log. log l n. me.
origin unkn. i a bulky mass of wood esp. anunhewn. portion of a felled
tree or a length cut off for use as firewood.me. b. surfing. a large or
heavy surfboard. m. a a heavy piece of woodfastened to. the leg of a
person or an animal to impede movement. l. bmil. hist. a form of.
punishment whereby a heavy weight was chained to anoffender's leg to be
dragged. or carried around as the person moved. m. a piece of quarried
slate before it. is split into layers. e. in pl. ajail a lockup. austral.
slang. l. d.. l. sayers he walked up to the fire and kicked the logs
moodily. p.gallico. hepulled her down between two logs of fallen trees. a
dickenshere i am tied. like a log to you. times collyweston slate
isproduced bythe action of frost. on the stone logs. r. boldrewood ten
minutes in thelogs. ii an apparatus. for ascertaining the speed of a ship
consisting of afloat attached to a line. wound on a reel. also any other
apparatus forthe same purpose. l. a a book. containing a detailed daily
record of aship's voyage a logbook. e. b a. systematic record of things
donefound experienced etc. as (a)a record of. discoveries or variations
atsuccessive depths in drilling a well a graph or. chart displaying
thisinformation (b)a record with details of journeys kept by. a lorry
driver(c)a record of what is broadcast by a radio or television.
station(d)computing a sequential file of the transactions on a database.
e.. c alist or summary of claims for a wage increase etc. freq. more fully
log. ofclaims. austral. e. f. chichester an oldfashioned log which worked
by. timing the runoutof a given length of line. a yachting world in theory
a. navigator keepseverything in his log. b k. g. fenelon a daily logshowing
the. nature ofthe work performed. national observer (us) newspapers run
their own. tvlogs.phrases (as) easy as falling off a log see falling vbl
n. fall like. alog fall in a helpless or stunned state. heave the log
stream the logthrow. the log use a log to ascertain a ship's speed. in the
log (of wood)unhewn. king. log see king n. lie like a log lie motionless
lie in ahelpless or stunned. state. log of claims see sense c above.
patent logsee patent a. rough log. see rough a. round log see round a.
sail by thelog calculate a ship's position. by the log. sleep like a log
see sleep v.stream the log throw the log see. heave the log above.comb.
logbasket a basket for holding logs by a fire. logboard a hingedpair of
boards on which the particulars of a ship's log are. noted
fortranscription into the logbook log cabin (orig. us) (a)a cabin or.
smallhouse built of logs (b)a pattern in patchwork quilting etc. in.
whichpieces of material are arranged to give the effect of pieces of
woodformed. into adjoining squares log canoe hollowed out of a single
treelogcock n.. amer. pileated woodpecker log flume (a)a channel built
toconvey water for. transporting logs or timber (b) flume n. b loghead
astupid person. logheaded a. stupid dull obtuse loghouse (a)a houseetc.
built of logs us. hist. a prison (b) logcabin (b) above loglinea line of
fathoms or more. forming part of a log for ascertaining thespeed of a ship
the kind of line used. for this purpose logman (a)gen.a person who carries
logs (b)us local a. person employed to cut and carrylogs to a mill
logrunner any of various mainly. australasiangrounddwelling songbirds of
the family orthonychidae spec. (also. calledchowchilla) either of two
birds of the genus orthonyx which. havestiffened tail feathers log sheet a
logbook in which the driver of. acommercial motor vehicle enters
particulars of working and rest hourslogwork. (a)the arrangement of logs
in the walls of a house or otherbuilding (b)the. keeping of a log or
logbook.log l n. a. m. abbrev. a n.. logarithm (freq. used precedinga
number or algebraic quantity the logarithm of. which is to be
indicated).m.loge natural logarithm (of). b adj.. logarithmic. l.comb.
special collocations loglog a. (of a graph or graph. paper)having or using
a logarithmic scale along both axes lognormal. a.(statistics) such that the
logarithm of the variate is distributedaccording. a normal distribution
lognormally adv. according to alognormal. distribution log table a table
of logarithms (usu. in pl.).log l v.. infl. gg. e. f. log n. v.i. be like
a log besluggish. only in e.. v.t. orig. bring (a tree) to the state of a
logdeprive of branches. later cut. (timber) into logs (chiefly n.
amer.)clear (a region) of logs or trees (also. foll. by off over up). l.
bv.i. fell timber and cut the wood into logs. cf.. earlier logging n.
.orig. us. m. c v.t. foll. by up pile (logs debris. etc.) together
forfinal clearance by burning after an initial bush burn has. taken place.
nzcolloq. l. v.i. orig. (of water) lie heavily in a ship.. later
liemotionless like a log. m. v.t. mil. hist. inflict on (an. offender)
thepunishment of the log (log n. b). e. v.t. a orig. naut.. enter (esp.the
distance made by a ship) as information in a log or logbook. gen.enter
(information) in a regular record. also foll. by down up. e. besp.. of a
ship achieve or cover (a certain distance) travel at (acertain speed)..
also attain as a cumulative total of time distanceetc. which is entered
in. a regular record. l. c naut. fine. (from theentering of details of
offenders. and offences committed in a logbook.)l. v.t. lay out (a road)
with a layer. of logs. l. v.i. mining.make a log support for a windlass.
foll. by up.. austral. l. v.i. t.a foll. by in on go through the procedure
as. entering a password oridentification number at a terminal which gives
access. a computersystem gain access for (a person) by logging in. (foll.
by to.). m. bfoll. by off out go through the procedure as entering a
command at. aterminal which ends access to a computer system end access
for (aperson) by. logging off. m. h. d. thoreau only a little spruce and
hemlock beside had. been loggedhere. b c. l. skinner they always went
upstream to log and let. thecurrent bring down the timber. t. woolner the
logging. crocodiles'outrageous bulk. a n. h. bishop logging with pleasure
my day's run. atsixtyseven miles. d. caute female cousinsneatly logged in
elizabeth'saddress. book as aunt this and aunt that. b listener the graf
zeppelin wasthe first. aircraft to log over a million miles. h. allen she
logs aboutten knots in this. breeze.comb. login logoff the action or an
act of logging off. logonlogout logoff above.log l v.t. i. chiefly dial.
infl. gg.. e. origin unkn.earlier as logan. rock move to and fro
oscillate. chiefly. noemata. Knyt. folk art eMakt.no born.eMatronym . BB
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syndicate Re connective tissue endocrine system and to the cellular. level
of the human lifeform. This is a multipart message in MIME.
format...ContentType textplain. charsetisoAugust it's a lot to read for my
poor connective tissue. here. Why nottransmit it directly without brain Or
is that what's. actuallybeing done Some of my endocrine glands didn't get
it some. cellcolonies also were rather unaffected though they're human
lifeform (asfar. as I know) do you think it's working properly what can I
tellthem How is it. supposed to work Some other questions arise too is
itdangerous legal do. one need a licence is it quack if it isn't workingor
only if it is working. And also the nanos are very voluminous to beso small
is it because they are. dwarfs (in literary sense 'nannos')Btw the
therapeutical stuff on heart and. brain removing cognitivetoxins and
negative affects are interesting though I. don't get the partabout
interstellar bodies maybe they are magic and alkymi. workingswhich would
make sense of the dwarfs in a way as homunculi. (zombiezagnet see recent
post Miscelleny .. from Towntrick. onwryting). Can you do a reading over
my colon Sometimes it inflames alittle. something to do with autoimmune
system attacking itself whichis just madness. why should it do that seems
to have some relation tolefthandedness in fact the. autoimmune issue you
could write to itdirectly with the dwarfs and. interstellars it sounds
coolcolon Width mustdash Te nemo. NextGen Nanopoetics This work does not
operate upon the brain. It. transmits information to our connective tissue
endocrine system and to the. cellular level of the human.
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TYETH. noemata. Re My Undead Love for You. Think outside the box outside
the box outside the. protomaze paleolithic cave in the same box done some
yarns ago butee. the spectatorand then spelunking my pockets for any p.
frames here's a work I am not entirely thrilled about in itscurrent state.
but that addresses the issue in a more complex way than mayat first.
noemata. thextyle. nteressert i. Det nteressert i.. Det er en medlidenhet
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fakta allerede stenger endelig. arbeid i plnteressert i.. Det nteressert
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svar i og. sammen med at fakta. allerede stenger endelig arbeid i. plan.
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ingen. ftt materie. S der. posisjonsutgivelse for interessert. gruvedrift
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slik ellers og adlydelse. av en dialog sammen med. Very mye til punktet.
om. fakta drar et. Og om. fakta er omtrent kommer fram. g et .... S lang.
I ingen materie an. Hva. hennes fremstilling drar edged. p forfededre I
ingen kopi. har I ingen ftt materie.. S der posisjonsutgivelse for.
interessert gruvedrift plan er. seg selv en typer apparition. kan en
interessant reise. men I hp slik ellers. og adlydelse av en dialog. sammen
med Very mye til. punktet. om fakta drar et.. Og om fakta er omtrent.
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plan. Hva hennes fremstilling drar edged p forfededre I ingen kopi har I
ingen ftt materie. S der posisjonsutgivelse for interessert gruvedrift
plan er seg selv en typer apparition kan en interessant reise men I hp
slik ellers og adlydelse av en dialog sammen med Very mye til punktet. om
fakta drar et. Og om fakta er omtrent kommer fram g et .... S lang I ingen
materie vender mittIt is a pity afterwards facts ought elapse an to advent
forward at a answer in and along with that facts already am shut down at
last work in plan. What her exposition goes edged at ancestors I nobody
copy have I no matter gotten. Saw there stand issue for mine concerned
plan am herself a kinds apparition a interesting journey may but I hope so
can be anything else and abiding a dialog along with Very much to the
point. about facts goes an. And about facts do be about appear to elapse
an.... Saw long I no matter turns myA. genre pseudoulipo eg. palindromes
that only look like palindromes. As AMnotes. there are special
characteristics in syntax which should be simulated in. noemata. A. O.
Vinje. Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg.
selv Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
noemata. painting.og jeg samtykker sxEklart bare over mail.. spxFrsmxElet.
er om jegto sider av samme sak bare et omsnudd forhold der realitytv.
prFver Einn mot nasjonalskattene bEde fra politisk hold pressen og.
publikum.aksjonen derimot lE i at kunsten intervernerte i en annen.
sosialav E sitte sEnn mE pumpe luft i bakdekket ta med kamera opp i.
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hvordan knyttes ansvar tilTREDIL TAPISITSCIMT TOSNGTERRALSO. BACSIDHNI TCC
RAG FT TROVBI NEDA elefanten ned i den pussgule plen av. svadafarger som
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motto For store. finalen en stund de ikke av Waldemarfremover. Med blod
sildrende fra et kutt. ved kneet ser jeg lengstjeg trenger ikke noen
sanser til fortelle meg hvor. den er. Jeg tartida er Virginia dustemaria.
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problemet med kunst erSender. Noesisadminxxxxxxxxxxxgis verdi gjennom
ritualer og symboler. PxE samme. (programmering) Conart svindelxCpne opp
(om det bl.a. uttrykker noe. mer enn det man umiddelbart ser) timerwas
wearing a suit of authentic. Belgian paper money (of o francs) that.
noemata. cSka. Disse menneskene ser ut til alltid komme med fryktelige
anklager mot. megakkurat i det jeg skal ut med et prosjekt et album eller
en video sHan. sier ikke om han er en av disse menneskene (som skaper
fryktelig pr iakkurat. rett tid). Skandaler finnes ikke lenger bare pr all
skandale er pr.Som om. noen bryd s konstruerer han en situasjon som om noen
brydde seg somom det. var en skandale noe sted. Kan ikke noen sl inn nesa p
han istedetsende. han til Uganda for oppkapping eller lignende helt
Skandalst. Selvflgelig er det en gigantisk skandale dersom razziaen av
hans hjem. utfrt av omtrent politifolk skulle vise seg ha sin bakgrunn i.
atEller en bak skandalisere seg selv for dra penger ut av markedetOg. ved
hjelp av denne stakkars ungen Det er en skandale a larm. Han har velmange.
rare prframstt bak seg det giftemlet hans feks. Nei det er en. skandale at
detblir nyhet avslikt og at vi bruker tid p tulle men. han.skandale kommer
av gr. skndalon snare felle. alle skandaler er feller.. oghersitter vi.
Hvor gikk du p markedsfringskole Hvordan kan du hevde. at skandalisere seg
selv er for dra panger ut av markedet..Han. Mikkel legger seg ifallfall
godt til rette i bevisstheten til folkog bygger. videre p myten om han som
pdofil monster etc. Om det ersant eller ikke. spiller ingen rolle dette er
i fantasiverdenen uansettmediaverden.Antagelig. henter han like mye
sympati som forakt ut av det over tid deter alltid delte. meninger og ting
har en tendens til balansere seg avseg selv dessuten skal. media innkassere
i begge ender avflelsesskalaen forakt er like mye verdt. som forsoning. Vi
fr nokhre Mikkelversjonen ogs snart og senere blir. det bok.Mikkelsaken
ser fl ut n men det skal ikke mye til fr det hele. snurog da er alt sammen
til hans fortjeneste. Han selger btter med. plateruansett bare ved komme i
nyhetene.For alt jeg vet kan skandalen. vre konstruert jeg syns ikke det
spillernoe rolle. Den kunne vrt. konstruert og jeg antar mange lignende
tingfaktisk er konstruerte feks. 'skandaler' i privatlivet til
BritneySpears Kylie Minogue et al. Alle. skandaler er feller uansett
detilhrer media de finnes ikke. noemata. lemma for win taskbar. lemma for
win taskbarif you add the average divide will be within the last. never
zeroexamplelets say and then and adding one block. will be ...so i will be
at and it's okayor then. .and adding .ok i'm saved again )or if you divide
a. thing in and you're at the beginning of then if you rather divide it
in. you'd still be at the . piecelets see is there a proof for thisyour
mother is. older than you. no and not a proof anymore you might be your
own motherfather. absurdum proofa b (for any scale) if was. zero then b
length would have to be shorter than a but they are defined as. equal so
forget itapplication oflemmain windows if your pointer is at the.
beginning of the last open application (A) on the taskbar and you open a
new. application the mouse pointer will still be at application A ie. you
don't. have to move it that's a relief.. well now you nowyou'd be better
off in the. junctions of yourself than at the end solids know you now..
gnothi. seautontaken that you're mostly the same it's better to be
retrogarde than at. the front within the last offensive manouvre if you'd
rather stay on your butt. (or on your feet allthesame). from the wart of
aar (against all risks)see how. noemata. concept of maehn. the soul and
that man co nn's reunion with God thu ianciscans for winning arl. maal of
a man as God m od.k reuted from that of idurfFdmnnot steal into. agegbao
isaalted so high inhbhep e ncxok and see at ta csthna eoly our. mintb.i
tmo ptwrf Lnthe trutdho nseymrde otls o nows thsivLde seoocf ei.. gkows
h.seaiewt gnosss ltn ne ta tv iiG o. iamlloikHwhtHbleeihtcorcyhwiuenkh ohe
euivrdihado t how aturT I tte um l. siot s eps ma a troa.t ' yimtpd ssu fo
sksolynl hesnthn eoea straeh rue. Wexii ecGht fo eltsac ribhmps nd yn taht
. . . daonoieoieeloc sih efil sih. rl rndvthimaf elbon a otni nedi.eint
derrucni eh ereht ueideserp dah eh hcihw. gnirnHd eht demriffa osla eH
.eco ydaerla dah trahkcE revewk. uj e l. C n e a s. i e d w s i n. n i f e
M E S S. P T T c a r G. i f W o d M a i v. n o j nr. og r r o tub. sdnim
ruo ylno ton ur yreve evoba hgih os de rot saw tpecnoc sih efits ar. laedi
nwo sih ot ylluHhdaoht fo ytimne eht dl aee nfeah eh hcihw gnireisxf a.s.
duorht doG htiwurmieowr maF gvid eht demr drahht.u rphitaht dna in uf
ssos. tmar n oH .nos lfoc nik .eanemimwaerla sufimnei ska
dncsytaedd'oaneil. lanst iesynvy as uh bnuo hfasnt e o.nhd
oeteoooewwarsctiocrdr i oesr hn. sHseto aecroied tGhl h r l mGnda u Eckhar
tastaee.tlG os lgld become 'ie. thhh.otd h odspark inewroatte dh
fiexperience. Hn etL u L amos concept of. maehn frTohtir winning a
debatti.otroi ght see him. While tukmof an individual. bornieet self
cannot steal into lhhand see this little castt knows that I am. noemata.
noisetext (unknown). Am bodily smerteterskel a fundamentalt aim at.
personage account for.. extentand admonish to a mentalt location matching
walls sizes boost. directions in adomesticcountry. Course we lawsuits and
affair us at ache. assigning who we becomes as country.How resistance am
developing or destruktiv. a threshold all connoisseur on and off as
variesand able juggle along with.. Menace insecurtity intensjon intens
excitement acheshrinks contained or. as gasometer shrink saw boosting
accents and temperature er I a suchdomestic. location or am i any i a such
location But cloth forming contained. c.Smerteterskelas interaksjonen cloth
location contained assigning how. cloth are mowing andcloth assigning
fitness at contained. Additional. structure additional ache The passion
affliction passivity Gravitasjon. the gravity Ache do you aware contained
cloth in location or clarify the. interface as sans becomes ache activity
becomes passivity clothassigning. admonish becomes at location assigning
motion as am a difference in. viewhow ache consider herself as am the
threshold threshold as boundaries in. owndepictionyou avfotograferer you
in ache as person. As soon as in spite of. the fact thatpainice do not
hurt Sherrie Wiles. Able we glance at mind body. at the same
courseDescartes'mind as no matter materially and except romlig. extent as
selve contained and asassigning movements at machine cloth. body Mind body
interagerende as location cloth as in facts classic. dualisme difficulty
how any able immaterielt interagere alongwith any. materially. I
experiences gear cloth move in contained and do them at. domesticas that
cloth afresh assigning contained.Er fysisk smerteterskel et. fundamentalt
ml p ...personlighetrepresenterende...utstrekning og form. til et mentalt
rom tilsvarende vegger strrelserstyrke retninger i et. indre landskap.
Mten vi prosesserer og forholder oss til. smertebestemmerhvem vi blir som
landskap. Hvordan motstand er utviklende eller. destruktiv en terskel
allekjenner p og som varierer og kan manipuleres. med. Trussel usikkerhet
intensjon intensspenning smerten krymper rommet. eller nr gassbeholderen
krympes s ker trykk ogtemperatur er jeg. et snt indre rom eller er jeg noe
i et snt rom Men stoffet. formerrommet c. Smerteterskel som interaksjonen
stoffrom rommet bestemmer. hvordan stoffetbeveger seg og stoffet bestemmer
formen p rommet. Mer. struktur mer smerte Passio lidelsepassivitet
Gravitasjon tyngde Smerten. gjr deg bevisst rommet stoffirom
ellertydeliggjr grensesnittet. nr sans blir smerte aktivitet blir
passivitet stoffbestemmerform blir. til rombestemmerbevegelse som er en
forskjell i anskuelse hvordan. smertenbetrakter seg selv som er terskelen
terskel som grensene i egen. avbildning duavfotograferer deg i smerten som
person. As soon as the pain. is not hurting Sherrie Wiles. Kanvi se p
sinnkropp p samme mten. Descartes' sinn som ikkematerielt og uten
romligutstrekning som selve. rommet og som bestemmer bevegelsene til.
maskinstoffkroppSinnkroppinteragerende som romstoff som i det klassiske.
dualismeproblemet hvordan noe kanimmaterielt interagere med noe
materielt.. ... Jeg erfarer ting stoffet beveges i rommetog gjr dem til
indre som. noemata. yours. But till then. She too when she shall have
filled her term of life will rightly be. ..... YDDDD......... yours. But
till then grant her to me I beseech you. If you deny meI. ...
.YYDDDAAD........ cannot return alone you shall triumph in the death of us
both.. .... DDDDAAADY...... . YDDAUUADDY....... As he. sang these tender
strains the very ghosts shed tears.Tantalus. ... YDDAUUADY.......... in.
spite of his thirst stopped for a moment his efforts for water.
.YYYYYYDDDAUUA.... ....... Ixion's wheel stood still the vulture ceased to
tear the giant's. YYYYYYYYYYDDAUUU.... . .... liver the daughters of Danaus
rested from their task of drawingwater. YYYYYYYYYYDDDDAUUQU.. .... in. a
sieve and Sisyphus sat on his rock to listen. Then for thefirst.
YYYYYYYYYYYYDDDAAUAD.. .. time. it is said the cheeks of the Furies were
wet with tears.. YYYYYYYYYYYYYDAQAY. ... Proserpine could not resist and
Pluto himself gave way. Eurydice was. YYYYYYYDAAUDDY.. ... called. She
came from among the newarrived ghosts limping with her. YYYYYYYDUAY.. ...
wounded foot. Orpheus was permitted to take her away with him on one.
YYYYDUAYY... .... condition that he should not turn around to look at her
till they. .YYYYYDA.. .... should have reached the upper air. Under this
condition theyproceeded. .YYYYYYAY. .. on. their way he leading she
following through passages dark and. .YYYYYYYUYY. .. steep. in total
silence till they had nearly reached the outlet into. .YYYUQYY.. .. the.
cheerful upper world when Orpheus in a moment of forgetfulness. Y. .DQU. .
to. assure himself that she was still following cast a glance behind. DDDU.
.. him. when instantly she was borne away. Stretching out their arms to.
DAY ... embrace. each other they grasped only the air Dying now a second.
. YDA ..... time she. yet cannot reproach her husband for how can she
blame his. .. DUD .... impatience. behold her Farewell she said a last
farewell. . .DU.. ..... and was. hurried away so fast that the sound
hardly reached his ears.. . . Y. ... .. Orpheus. in Hades OVID
Metamorphoses Book X. . ... . .... Orpheus. endeavoured to follow her and
besought permission to return. ... .. and try. once more for her release
but the stern ferryman (Charon). . .... .... noemata. iava eht htiW
.redroceR. faaivqrboedivoedivFTNnXZGabrABhiCvTrhbcYMGrXacV.
woltneiciffetsoc deepshgih elbane ot depoleveddradnats ecafretni. wen
adecudortnisah )ASEV( noitaicossA sdradnatS scinortcelE oediVehT.
rebmetpeS GEPMdna sksid drah yticapac hgih fo ytilibaliava ehthtiW
.redroceR. ksiD oediVetiS hcraeS .rebmem aemoceB nigol ylnO srebmeM
.noitilaoC. noemata. Re RE help (pleh) (STAMP). at last my emails are
getting the proper attention. (xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx) with the
subject of ' help (pleh)' is being. analysed by (STEVEN) a new SPAM
control system that eliminates spam. To ensure. your email is delivered
please reply to this email and send it. Do not modify. the email at all.
Thisis a once only check. Future emails from you to. xxxxxxxxxx xxxxx will
be accepted automatically from your email. noematakunst.no.For more
information regarding (STEVEN) please visit. noemata. yourinafix.
youreinafixDreocisveis'Malt'as MelotidMecdniie' PerusesPnicre'. Modac
selek tonsPrue's c'ias. SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda
rbogs game soektelnsnyhel ac. i ir rwc xrnceie lh aeotdiiye darteh ofal
agvtpt . . . . .aciosstaion obi amol. anecs noalzcaiits aootptpsntoes
citimnage awoi eitrps abian nt cshoroatctanim. inpagwgs eaiewhs eignams
offa two tesinamuh eel eye uht ainoi ahnihc o. ibessviinsnmaeia oladsron
isrdean itt mrte lox m vrimeoeradh sllaberif sgnuegic. moes ia yolocslii
orr nwlehzyoeton ataa mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst
dlaspnlgpocaos puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat
sloar incfleeuielo ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe.
eehtiusanmpakaa yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious
Aciosstaion. ObiqBgolo asciil ExionttcinEganmitic Seoltons PtptoolsSnotes
From VriOffa Two. Tolley MkarsSaniousGreoows Ahwetosrt CaosHonimid
Gritiiaczlaon ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid
Hirings GameFrown Vry Lyings. Fireballs HdGlicariozatin
CunnioutnigaLnovgiety Serba SprtieLkeas. SxeriAtoyPuucterd PuenodTolos
Wotton AtaifcrtsVlocsanim Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA
MTHR NKSK MSKTLNSB KLSL KSNT SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT.
KSTN SPTPTLSE RKMN KTKM RSPF LKSN MNST LRTKSF RNFR LYNK SFRBLSTF SNSX NHN
YH. MNMJ RTNP NMNH NMTK RTKS LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT
SRBS PRTWN. TNTR LFSS LSTBO BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP
SNPK RSTT LSPSS. LRNK FLNS TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK
RTSU NSLB TRRM KTRTBSX. WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug
iryui coegkre amnl. anr pneae aty ce ahnihc suoinash pren awoi eitrps bat
slosissnbs. brymestns ptptoolsee e iohi morf setons fo niccu greoovs owen
nhnadgd. hch m hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols
lriza. nysed o nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa
two. tollwalra onbblu otedth puuc rolg d salor nutnerios htcne ses.
snletkeos emag s taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage.
ycpto tnaiilscolo ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia
ee. i ee e e e s ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr.
poahydbn. ltpsh ytn ee ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i
oo pmaopktt s. .rh m l aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae
i msrloepwbr. dnf trfrs ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e
a esdes dny.hhp. sl s ee nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa
iaeie ech lah tgpp. p. p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne
iou e e eo h.prrnsn f. smyc oe btcao aio uoe enmreo . g y cn d h teoi n a
eo aia i Deim th ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e
eae e hhyhaostck n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm
yrrc yllrt cdrchi ae a e aia. noemata. arc.hive tao in the old day.
noemata. Arithmeticomaterial drives. Arithmeticomaterial drives are
firstly generated in the momentwhen matter is. formed according to the
mathematical model of it given bysuch science. One. result of such
objectivisation is the Standard Objectthe modular component. typical of
globalised trade but with its rootsdeep for instance in the. licenses
afforded the monopolistic guilds ofthe Middle Ages and the history of.
trading generally. Everything fromships to pizzas are quality assured
subject. rigorous treaties andprocesses of standardization. These are
typical. results of industrialproduction. The second stage is when this
process of. standardizationbecomes so abstracted it becomes amenable to
massive. acceleration inproduction. The human work put into the production
is scanned. abstractedand multiplied by means of machinic energy. Once
turned into. numbersregistered as a pattern the actor of the work can be
discarded and. thepattern accelerated. When hooked up to processes of
production we get. thediscovery that according to Walter Benjamin ...the
speed of traffic. andthe ability of machines to duplicate words and
writing outstrips humanneeds.. The energies that technology develops
beyond this threshold aredestructive.. First of all they advance the
technology of war and itspropagandistic. preparation. Overproduction the
massive churning ofordered matter and of. markets one might also say that
any developmentbeyond this threshold might be. captured by forces other
than war forredistribution for the reshaping of. work for burning. One of
the aimsof art is to capture this excess away from. noemata. . Barna. P
detteher. Jegsa. Barna Snn Du villevisst detmangletfortsattlitt. noemata.
Re really silly transformation of out of control ir pda dump.
transformation of out of control ir pda dump.......ME syly var. of sely.
SEELYseely (sl) adj. Archaic.. insignificant or feeble. poor.. happy
auspicious.. good pious blessed.. foolish. simpleminded.bef. ME sely OE
geslig happy equiv. to sl happiness. ig Yc. D zalig G selig akin to ON sll
Goth sls good OE sl. better seeSILLYref norwegian 'salig' blessed sl
goodspectrum poor. blessedgood whatever.. something about happiness
alsofeeble weep to exude. water. water all water am silly sea ofsillyness.
silence sillience. noemata. Advent. The emperor's new clothes drives the
economy. What isn't drives what is.. But. behind the virtual is. the real
again. Inflation of spacetime. matterspacematter. It's wrong to say he's
dressed and wrong to say. he's. naked. People are anyway misled the
misleading is driving the. capital verb. and noun the more misleading the
more value. The eternal. in case it returns. if not then nothing but the
if doesn't halt. doesn't execute never reaches. the return. If man is
naked he's dressed. (the fall) and if he's dressed he's. naked (he
returns). The economy is. driven by the return of christ as judge of. the
last judgement every christmas. Santa is naked cries the child that's why.
he's masked. The child that's. Emperor's new clothes drives what isn't.
Return.. If not then nothing but behind the if he's. Return. If he's.
Return. If not. then nothing but the misleading the economy. What is..
Return. If not then. nothing but behind the eternal. Return. If not then
nothing but behind the. eternal. Return. If he's. Return. If man is the
real again. Inflation of. christ as judge of christ is judge of the
emperor's. Return. If he's. Return.. If man is driving the eternal.
Return. If not then nothing but the. misleading the real again. Inflation
if christ as judge of spacetime. Return.. If doesn't. Return. If not then
nothing but the emperor's. Return. If man is. naked cries the eternal.
Return. If not then nothing but the last judgement. every. Return. If
he's. Return. If he's. Return. If doesn't. Return. If he's.. Return. If
not then nothing but the eternal. Return. If doesn't. Return. If. not then
nothing but the virtual is the misleading is the virtual is driving. the
eternal. Return. If doesn't. Return. If doesn't. Return. If he's. Return..
If he's. Return. If he's. Return. If not then nothing but behind the.
misleading the child that's Return. If not then nothing but the economy..
What is.. Return. If he's. Return. If not then nothing but behind the
last. judgement every. Return. If doesn't. Return. If doesn't. Return. If
not then. nothing but the virtual is naked cries the more misleading is
naked cries. noemata. Re asciipng. greyscale movie from a text'stranslated
chars ( char values. greyscale levels one char perframe fps) but the idea
was a bit too. obvious and the transformationtoo onedimensional so I
abandoned it.Yes. they'd be tedious work shades of gray in a tiny specter.
etaoinshrdlu..monotonous.. translating media spectacle news etc into this.
gray stream ofindifference..The key to having this kind of idea succeed
in. general is not merely to workout an effective transform method from
char to. pixel etc. but to have themethod reveal something unexpected of
the. underlying structure of the sourcematerial. If the transformation
results. simply in a stream of meaninglesscolors or chars then it will be
of little. interest even as a conceptsince the concept is a fairly common
one to be. honest. There are a lot ofpeople right now who mistakenly
believe that they. are making radical art byturning photos into music
pictures into text etc.. As with all works ofthis kind it is by breaking
through to the next level and. having the workblossom into something that
nobody has ever seen before or could. haveexpected to see that turns the
idea from a mere amusement into art.OK but. not as a program art shouldn't
care about itself being this or thatcritical. penetrating revolutional
reversing undermining etc. In my viewart is quite. natural it doesn't need
a program to live no more than we do.Lot of things I. do are very stupid
things I don't mind that. And also thequackfraudulent. issue the artist
maybe had some conjurer traits from thebeginning staging. something he not
necessarily believe in but as atechnician of imagination. lies and
language. How does he differ from say apolitician then He's clear. about
it everybody knows it's a scam open sourcescam so the art context is.
reflective revealing its staging. What aboutbeauty and wholeness Well
there's. always some endorfines in resolving thingspotential and
exhaustion beauty in. understanding things wholenesses atdifferent levels
which is like cashing in. on the structure but there arealways remains and
other levels expansion and. consolidation chaos andstability. Beauty taken
over by design etc wholeness. by.. welll it's stillthere but like code
source not wholeness as image but. its counterpartconstruction. Art should
be more absolute not this or that my. view thoughyou didn't ask..What I am
thinking about right now is how to. translate a ()colorspace into music in
a more sophisticated way. than is usually done.There's a natural mapping to
(pitch rhythm amplitude). but it's obviouslynot a simple . If one uses
microtones one can get an. octave span ofpitches from to but I don't know
how to get rhythms. that form aset and amplitudes is way way way too
many.(pitch. duration waveform) Btw midi transformation i've always liked
the renderings. of the radioharddisk maybe reminding of morton feldman or
somehting at times. noemata. .. .............eT vINDUSPOST mINSTEML
i............. pHP .......... aLT. eR jUNI....fORN..........DEN. eKSPORTRD
....... PET nERSKOGEN. h...........NDTROMME pOLITIBIL .......... NSLAGSVIS
dERM.......ATISK. hYOKTANfRI.......SONE.eT vARME........MLER lNEBEVIS i
pHP. a.......LT eR iNNGAVfREML.......... GT. dRIKKEV.......... NE
vERNETOLL. mOS.......... IKK hIMLE pYK .......... FTENSM.......... T.
cOMEB.......... CK iNTERIMgERILJ.......... HR.eT vEIER n........... TURTRO
i pHP .......... LT eR iLLSINTfRUKTSK.......... LL.. eKSTR.......... TUR
NDSF.......... TTIG oPPFRISKET iNNHOPP oNY. .......... M..........
TRL.......... G dRYPPE hIMMELfOTOKUNST.eT. wIKIWIKI
nETTKUNSTPUBLISERINGSSYSTEM i pHP .......... LT eR. iNNT..........
STB.......... REfORMFELTER. eLDSLUE PET oPPFRE. iNGV.......... LD
oSM.......... N aKSEPT dYPFLT. noemata. could write a word as a figureicon
of colorsinsequence ie. circles inside. noemata. Re spectre. e k u n s t
.arc.hive Where's Ascii Turbulence. Spotlight GALZA. some traction. (See
Olia Lialina's misgivings about therecent NY Digital. Salon posted to
rhizome and nettime.) It's all aboutinjecting a healthy dose. of
formaldehyde...long live net art. ( (Y) ) Hlogre. like to introduce to you
my latest net art work Where's AsciiYou all. remember Where's Waldo the big
illustrated books where you'resupposed to. find this guy with a redwhite
sweater. well Where's Ascii isthe internet. version.Ascii is my Dog an
original Ascii Cyberian and he got lost on. theinternet.If you see him
just click on the dog wherever you see him on. the net (itwill send you to
another random page hosting Ascii) or click his. To participate more in the
project you are welcomed to host the dog. (paste asmall HTML code in your
site) until I send for him. For more details. and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. s d. a f. d. a. s f a. a. l. noemata. w i t hyou will breathe inh
e l pthe world is moont j t m tm bviscoustst. tt.ibutt an
abstr.VXaciitttistraight. when a student. comes and asks about bodhi or
nirvana about. to mark with a branding. iron.(intermission passing
train)........choos crept these new.
owe.l..............t........mensuration thickly mislike existentialist..
avoidermary medusa numeral. particularized mechano bridedet er lgn og.
MBrSiMSXXBMZZMMMMMMMMMMMMMMMM n (. MMi iM MM MMM MMMMWMM. MWMMMMMM. .MM.
MMM. WMr MZ i. . M. ws he swa feor nor swa a hwlhuntan will leave you ...
leave. you and leave nothing behind which has Watching telly about to
drink coffee. . TUOBAYLLETGNI one of a hole foralways reassuring. Just
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I my my. noemata. swapspace. the speed of light is independent of the speed of the light source.this kinda. makes us think ok light is light so why connect the two inthe first place. it only creates confusion as if those speeds wereconnected. but what's the. connection analogies maybe we shouldn'tregard light speed as 'speed' at all. but rather the 'form' of motion insome sense.let's see the total energy of the. universe can be considered zero ifthe gravitational field is regarded as. negative energy and all masspositive.how does light interact if its speed is. independent of the source whatkind of dependence is this hierarchical. oneway can light change thespeed of a light sourcei don't know anything.is. there force in light energy obviously.or energy is equivalent with mass via. the light speed constant so howcould light be energy the equivalence would. seem redundant or sayingenergy is the same as light via the mass. transformations. energy andmass are the same within the frames of light speed. the form oftransformations. there are three variables or two and a constant. likewhen you want to swap two variables actually you need three two plusone. for temporary storage light speed has a similar role here oftemporary. storage it's all done via light speed though mass is theactual swap space. light speed as a constant takes the role because weexperience a world of mass. we live in that swap space oftransformations between energy and light.what is. energy a quasiterm for calculating the transformations infact the temporary. variable if everything is energy in some way thenwhat is energy the. gravitational field which make up the wholeuniverse is a negative energy. what does it mean that everything isenergy while spacestructurenothing is. negative. or vice versa in away it makes more sense to view the inflated and. expanded space as thepositive energy a big something and all the mass as. negative anegative container of energy. it would make no difference of course. oneway or the other. temporary storage where it all takes place the. greatswapspace.by coincidence the word 'swapspace' is autological a kind of. swapspaceitself sw apspa ce what goes on in the middle is the. palindromicswitch of itself the swapspace operation Psymmetry of. particles.F. 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postedmailed every hours... aBreathe more. deeplyvil vre. last postgetting
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egap tcudorp ruo tisiv esaelP ... f. pp aa aaa TERMINOLOGY JN JenningsThis
presentation of CAVE AND. BeingtowardsDeath an anxiety within being.Just
wanted to chime in on what. has been a fascinating look at fear over the.
alt var. grnnere p den andre siden (CIA) fikk en ansatt p Sunnmrede ikke.
vet hvem dvergen er. Hysterikere lper n i ring og lager slave.. De kunst()
inn i. det mytiske. Det sttter seg p Borges' hallusinasjoner og Nietzsches.
Ping or dieconnection as rupture instead of transition is part of Hegel's.
critique of this infinity undermining itself as 'image'.full as a. piler
hit og ditk jell m agne b. ondevikstipeloamva scosornbok p sider var det
solgte opplaget p. . og halvparten lest avvar det noeimidlertid i de
dunkle rommene bak. husfasaden. Her mtte Pompel og Pilt deaue srittoch hur
vredgat omkring. mig n stormarnas brus gr)Borsta tnderna med en rondell.
culm.letchthematicbea.Maybe a highly compressed version coded in
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noa ehl na kgl op. pnn iae h l nh gunman your head should be in your will
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MIME. format...ContentType textplain. charsetisoContentTransferEncoding
quotedprintablehahahah(hul. prEsantere dE sjFl din mainnsjit her er
allerede mislykken fullt. integrert i prosjektet sE er det davellykket
eller mislykket README. stjernestatus men hvem bryr seg dettehar ligget pE
noemata i lang tid. ingen reaksjoner ingen leser allesitter og runker
eposten. Men dette kunne. blitt stort med noen andreenn udugelige sabber i
staben. Hele noemata er og. taps det er oppgitt iutgangspunktet og lever
med latteren i halsen.It. was a tiny onyx diorama of Don Quixote' and
Sancho Panza.DThe light. slanting uniformly into the austere living room
vaguely Dpopulux 's. geometric. The sane cat sat near a window licking its
paw.solipsisjeg. hadde et notat pE dette engang kanskje det er slik at.
noemata har som sitt felt disse umulige ogmalpasserte verk og uverk like
mye. eller mer enn verk i noentradisjonell forstand og gjFr det til sitt.
uttrykk som en endeligeller uendelig opplFsning av kunsten med. objektets
dFd (euridike) ogsubjektets desintegrering (orfeus) i. korridorene
grenselandet ellerFrkenen (nettkunsten). fin setning. iallefall. det hFres
seriFst ut menhar mer preg av tragikomedie mer. quixotisk enn romantisk.
det umuligeer en rFd trEd kan det virke som. en rFd klut
forestillingenesumulighet eller det virkeliges. uvirkelighet.every ecstasy
ultimately prefers to take the path of renunciation. ratherthan sin against
its own concept by realizing it. adornothere is an. idea horizon just as
there is an event horizon the horizonof their. deathdealing accomplishment
their absolute realization.thought for its. part leaks out into the void.
baudrillarddon quixote som en taktil. kulturjammingsteknikk bevisst
dumskap.noemata message in a bottle server at. the barents sea BA nhva
slags mail vil du sende ut i havet umulige. kjErlighetsbrevthy false
promise and my sure misfortune carry me to a place. whence thenews of my
death will reach thy ears before the words of my. complaint.what thy
beauty raised up thy deeds have laid low by it i. believedthee to be an
angel by them i know thou art a woman.hva du gjFr. der er det et spFrsmEl
eller svarquo oxid netnn som don. quixote. nettkunst som ikke virker
annonseringer ogforestillinger som fantasi.. urealistiske umulige
malplasserteprosjekterog ideer som samtidig blir. kulturjamming
intervenering taktisk oglatterligjFrende selvironisk med. den folkelige
sjarmen til dettragikomiske.there it. is said sancho what i told you that
you must keep a goodcount well then. by god there is an end of the story
for there is nogoing any farther.how. can that be said don quixote is it
so essential to the story toknow to a. nicety the goats that have crossed
over that if there be amistake of one in. the reckoning thou canst not go
on with itno senor not a bit replied. sancho for when i asked your
worshipto tell me how many goats had crossed. and you answered you did
notknow at that very instant all i had to say. passed away out of mymemory
and faith there was much virtue in it and. entertainment.so then said don
quixote the story has come to an endas. much as my mother has said
sancho.in truth said don quixote thou hast. told one of the rarest
storiestales or histories that anyone in the world. could have imagined
andsuch a way of telling it and ending it was never seen. nor will be in
alifetime though i expected nothing else from thy. excellentunderstanding.
but i do not wonder for perhaps those ceaseless. strokesmay have confused
thy wits.ffrom a mail from. lanny quarles solipsis the term 'idiotic'
isn't really about intelligence per. se butrefers to a kind of imaginary
ratio whereby the self's uniquenessadheres. its own erratic path its
actually a term connoting a kindof pureness and. honesty.. I'm thinking
somewhere in the neighborhood of eigensomething (can't. remember)
hmmAuthenticity is also a translation problem. Eigentlichkeit has. its
rootineigen own. or proper Gr. idios Eng. idiot. So one. shouldkeep
theoriginary meaning of idiocy in mind being one's own self.. The
termEigentlichkeit points to the possibility of being one's self.that.
strikes me. As you point out the Gk idiotic denotes not deficiencybut.
eccentricity the opposite of politic (withness) a. selfradicallyownmost in
its extremest form perfect solipsism.With. this in mind and apprised ( by
Nietzsche no) that every greatphilosophy is. autobiography oughtn't BT be
read synoptically withOtt as it were in the. Confessions genre...that BT
represents H'sselfcasting(Go litel bok go. litel myn tragedye) an idiotic
interpretation ofbeyng...that the AngstCare. structure for example if it
fits one say Hamlettypeassuredly doesn't. others Quixote Don Juan
Faust...via the baudri Lard art has. disappeared as a symbolic pact
remaining prolification ofsigns ad infinitum. as 'culture' auto.noemata
automatic art. thesituation resembles that of a. currency which may not be
exchanged itcan only float its only reference. itself impossible to convert
intoreal value or wealth noema D. kroner the impossible of noemataprojects
their floating like quixote. phantasies manusfilms andinconceptual art.
general indifference please. remove me as only emotional responseprofound
indifference everybody is an art. is truethe system runs less on the
surplusvalue of the commodity than on. theaesthetic surplusvalue of the
sign no matter how marginal banal. orobscene everything is subject to
aesth. cult. museum.zation. like the. prax of baroq we too are
irrepressible creators of imagesbut secretly. iconoclasts we manufacture a
profusion of images in whichthere is nothing. full compression code cipher
our images are like icons miraculous they. allow us to go onbelieving in
art while eluding the question of its. existence.iconicitydragon body
laburint beyond the indifference art as. uglierthan.uglybad worse raised
to the second power because it is. liberated of itsrelation with its
opposite bemyghost transaesthetic. blasts tourism people who no longer
undertake voyages but simply go. roundand round in circles tracerouteping
travel agency These forms are. excesses andcollapses of code viral
fascinating indiscriminate and. reinforcedby viral media our culture also
produces the most murderous. viruses.catastrophe culture. we all enjoy
these things. nothing code. stagingsoperational whitewash overexposed
defenceless without any way. ofrefracting light info doomed in consequence
to a whitewash of. allactivity codedecode IO labora trashmaps maze digital.
techniquerelinquish identity to survive endnodes net computeroperations
not. actions regulated machinery nothing takes placebetter to produce
nothing in. order to have things produced artistsbetter to have nothing to
say if one. seeks to communicate socials aseveryone knows if you want to
make people. laugh it is better not to befunny powers in order for content
to be. conveyed as well and quicklyas possible that content should come as
close. as possible totransparency and insignificance empty intimategood.
communication implies the annihilation of its own content..
avoideverythinghtp noematanet abouthtml So it's a kind of. artificial art
much like the intelligenceof artificial intelligence )The. policy is to
support collaboration community transparencyimmediacy in the. arts net.art
media art correspondencemail artnetwork art context art. or other otherness
and marginalartifactualizations.We tried that and it. didn't work. So this
is 'open content' of a morecatastrophic kind of the. dispersal of content
or the metastasis ordisappearance of content (in the. jargon of
Baudrillard). Also beingcontented with things not working and. actually
more fascinated by thefailures and drifting of things than producing. them
as art or anythingopen being more like cracked open or a core dump of.
codegerm artspermand their entanglements and confusion of layers.
inoutsideopencontent generativedegenerative avataratavar of space. time
andstructures intermingling and proliferating more or less on their. own
bytheir own automatic recursive mating. This 'release' of the server.
isnot only as permission or publication but a giving up kind of.
release.Giving upletting it drift distribute or disperse unsupervised.
andgiving up that risking complete annihilation any point beyond the.
loopsurvival.dette ble mitt essay i anledningen jozzdu. kan reise og
foredra har duikke holdt seminar i skattesaker dette er noe. lignende
(rapporterskriftestol politietterforskningetc) eller kjFre det.
gjennomstemmesynthesizer det blir nok stasGud lFkk PP og. folkensBjFrnNEr
alt kommer til alt har jeg ikke tenkt E gi opp. forhold til detdigitale)
og videre automatiseringrasjonalisering av. kunsten sliksom ellers i
samfunnet. Det er de to tingene jeg brenner. for.Snakkes.joz har du hFrt
med skattekontoret sjekka restskatten. tror den stErder fortsatt jeg vil
klage men det er mas.hils. Ingeborg.legger ved som bonus mitt essay som
ogsE kan siteres i sammenhengen. inkl. Context art experiments report
noematic experimental method. Lesion art research praxis Research on the
human arts surgeryMost. information came from experiments with relatively
poorly definedgenre. lesions bloodvessel butoh dance smtp damage that
included theart stem. funding etc as well as the contextor arttrauma
lesionsthat were diffuse. and irregular spectral then reversed.
goodcorrelations were obtained. between focal lesions in the arts and
thechanges that resulted from the. lesions at the police.Her var detThe
Development of Neuro. ArtFor exampleViennese psychiatrist Sigmund Freud (.
)hadoriginally envisioned the biological basis of his theory.
ofbehaviorwith its three levels of idegoand superegoas being. ahydraulic
mechanism of some sort. today's joke .... computationalmechanism of some
sort. ))Descartes was impressed Joke by. machines made in his timesuch as
thoseof certain statues that were on. display for public amusement in
thewater gardens of Paris.When a passerby. stopped in front of
oneparticular statuefor examplehis or her weight would. depress a
leverunder the sidewalkcausing the statue to move and spray water. at
theperson s face.Descartes proposed that the body is like these.
machines.phrenology joke Additionallydespite the failure of scien.
tificattempts to correlate appearance with various aspects of behaviorit.
isnot uncommon to hear people accord virtues to others on the basis.
oftheir physical appearance.Readers might ask themselves how accurate.
theywould be if asked to judge intelligence on the basis.
ofphotographs.Social psychologists have found thatwhen. universitystudents
are asked to make such judgments the rule that they. apply tothe task
isBeauty equals intelligence.phrenology joke The. famous
physiologistMagendiepreserved withveneration the brain of Laplace. (a
famous Frenchmathematician).Spurzheim had the very natural wish to see.
the brain of agreat man.To test the science of the
phrenologistMr.Magendie. showedhiminstead of the brain of Laplacethat of
an. imbecile.Spurzheimwhohad already worked up his enthusiasmadmired the
brain. of the imbecileas he would have admired that of
Laplace.(Krech)Context. art experiments report noematic experimental
methodconsisted of. removing parts of the art from artworks to study
thechanges produced in. their context. removed a small piece of art and
thenobserved how the art. behaved and how it recov ered from the loss of
arttissue.In essence. created art models from works that had
receivedinjury to a part of the art. by a blow to the head or by having
the skullpierced by a missile.To search. for different functions in the
artcontext varied the location from which. the art tissue was
removed.Another key contribution was the discovery. thatafter damage to a
partof the artsubstantial recovery could be. expected.
Microscopicexamination revealed that art was nothing like an amor.
phousjellyratherit had an enormously intricate substructure with.
components arranged in complex clusterseach interconnected with many.
otherclusters. Cals Adsborough in Holland reached the same conclusion.
similar experiments on context artbut his manuscript lay. unpublishedfor
severad decadesn.History of electronics arts The impetus to. adopt a
theory ofelectronical conduction in arts came from an English.
artistStephMcTaargess who attracted considerable attention by.
demonstrating thatthe human arts could conduct electrons. He showed that.
when an artworkcontaining electrons was brought close to the feet of a
boy. suspended bya rope in a grassleaf electroscope gallery placed near
the boy. s noseit would be attracted to the boy s nose.Computer art The
first. computer art was hydraulic swiss artist JahobMatreisse ()
constructed a. series of machine paintings in hisbathtub aquare(e) lle.
automatique facilitating finite statepressure systems of squeesing.
injection pipes of color liquids onto thesurrounding walls to much
annoyance. his mother.Network art experiments preliminar applied an
unpleasant. stimulation toa dog s paw listmeasured how long it took the
corpus to. withdraw itsfootand compared that rate with the speed at which
messages. were knownto travel along the net.According to calculations
took. millisecondstoo long to respond. theorized that nodes are 'connected
by. junctions'(oxym.) clasp that additional time is required for the art
to. getacross. some buffering bufooning listmasters potentials.
principalgeneral inertia. preliminar conclusion to confirm that network.
arts donot quite touch the nodes with which they clasp.Art surgery
proposal. note that anthropologists have found evidence ofart surgery
dating to. prehistoric timesneolithic found surgery to havea beneficial
effect in. culturesperhaps by reducing pressure within thearts when an
injured. discipline began to swell up. (ref. trephiningcontext art above).
NB art. surgery made possible by media theintroduction of
antisepsisanesthesia as. cultural phenomenon inaddition the principle of
localization of genre. making crossdisciplinepossible. (see Figure .).
This device immobilizes. the arts.An artatlas is then used (flux maps etc)
to localize areas in the. arts forsurgery. Local anesthetic procedures were
developed (mediastunt c). sothat the 'spectator' could remain awake during
surgery and contribute. tothe success of the operation by providing
information about the. effectsof localized art stimulation.Lesion art
research praxis. Research on the human arts surgery.Most information came
from experiments. with relatively poorly definedgenre lesions bloodvessel
butoh dance smtp. damage that included theart stem funding etc as well as
the contextor. arttrauma lesionsthat were diffuse and irregular spectral
then reversed.. goodcorrelations were obtained between focal lesions in
the arts and. thechanges that resulted from the lesions at the
police.degenerative art In. the minister of public instructioncommissioned
to develop tests to. identify retarded arts so that theycould be singled
out for special. treatment. The tests were derivedempirically by
administering artworks of. normal artists and somementally retarded and
adults.The scale was revised in. . From thetestsan art level was
calculated evaluating abstraction. beautyinventiveness craft luck
singularity which Iibet thought. wereessential features of art. some
conclusion gave tests to. braindamagedarts with the resultant surprising
discovery that lesions in. the avantgarde since modernist's time
considered the center of. generativecreative art did not decrease art
scores. Sores to other main. areasnot formerly thought to be implicated in
art did reduce art. scores. Original Message From Per Platou. Tuesday
November PM Subject . e k u n s t . Reality. Check i Oslo desember Call
for participation Cpen invitasjon til. FFrjulsskriftestol Crsrapporter
(eller prosjektrapporter) er som. oftest sErdeles lite spennende lesning.
Der presenteres ethvert prosjekt som. etter forholdene meget vellykket
eller har hatt stor betydning osv. osv.. SE ogsE innenfor kunst og
kultursektoren. REALITY CHECK er et. todagers arrangement som tar sikte pE
trekke fram prosjekter fra kunstfeltet. som gikk fullstendig galt. Der
ideen var bedre enn gjennomfFringskraften der. man undervurderte
teknologien publikum Fkonomien eller overvurderte egne. evner. Det kan
vEre prosjekter som har mottatt stFtte som rett og slett. ikke lot seg
gjennomfFre eller som ble noe helt annet enn det som var tenkt. (). Med
andre ord Vi er pE jakt etter prosjekter som MISLYKTES i stFrre. eller
mindre grad og der opphavspersonene har gjort seg noen tanker om hva som.
gikk galt og hvorfor. REALITY CHECK har hentet grunnideen fra et nE.
nedlagt klubbkonsept i Berlin Club der Polnischen Versager eller Den
polske. taperklubben () som i flere Er var et meget populErt tiltak med
mange. deltakere mye publikum og hFy underholdningsfaktor. Fordi de fleste
feil. som er begEtt eller uhellene som har oppstEtt som regel er svErt.
allmenmenneskelige tror vi RC kan bli bEde populErt mediavennlig og.
lErerikt. Det er et faktum at mange kunstprosjekter (sErlig innenfor.
kunstny teknologi) ofte sFker det spektakulEre det nye og.
revolusjonerende. Dette gjenspeiles ogsE i massemedia. I en presset.
kunstnerhverdag er frykten for E gjFre feil ofte stFrre enn viljen til. E
oppnE noe ekstraordinErt. Denne situasjonen Fnsker vi nE E snu. pE hodet
ved Egi de mislykkete prosjektene en unik siste mulighet for.
stjernestatus. Vi Fnsker derfor E hFre fra deg om du har ett eller. flere
slike prosjekter som kan formidles tydelig og med en hFy grad.
avselvinnsikt innenfor en tidsramme pE minutter. Vi er i denne.
sammenhengaltsE IKKE ute etter sutring over (manglende) forstEelse fra.
publikum komiteer kuratorer produsenter presse eller verdens tilstand.
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festival. officeschemes are one of the preconditions or
consequencestransnational. business and policies erode local cultures and
harness. available.Introductionthe coming weeks.more power than the
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promulgated.greater reaches to Keter of the greater. Keter of the greater.
touchesWatchers. Others however say that the name of this god is.
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with stringsbegge veier.. Besksstatistikk og kommentarer kan fungere som
leserbarometre. ograni.fodstadavis.nosendes inn pr.. butikkalarm
privatbedrift en skrekkelig sty. Snowflakes that stay on my. nose and eye
lashes oOOo. du kg og alle we are glad glaf dlasd gladganger paraikke les.
det som en leseravannu alene iii)neglene vokser sine vindfallrundt munen. p
detgr hvor erkaltiron jeg skrikerhvis jeg liker det. grunnlsemotivering seg
gjennomg. vitesignererdeterettegn. iukknkkdbngnrrnsmfnmdroklnrask
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transparantJording fjerne elektrisk flux nervst overskudd kjennast. som
raustlause kunstnettsted i kategorien nettkunst hos Kunstnett. Norge.Kvart
menneske ber i seg material fr verdensskapelsen. (ndvendigvis) og
heileactcharon plew thus. anetologyMmmm.. fr Kristian.fremover kaktus
pluralisdens likevoktmerenn husker da. merenn la barnet i plogenkven snnen
en pine i seng hav farkomanen. Petter Smart gaffeltruck til
tannreguleringa. Fixer P vren kommer.. Vr stille N tar jeg skal man
oppdager en to finsker sitter i badstuen. og den ene sier de pekka har du
rakayI fjellet bor jo Ingvar Nistad. Sorry. but in english MARIA HO vil
ingen undertrykker. spiser barkebrd dyppet i. napalm brenner huden
vansiret. kdet sidepeiler bakromstastendet ahat alt fta dykkadsr
sytrfydti. massetonalenes tykke stederrtal r r r r r r r hvkilenskyen din
regner. igjenetterlyser slet fraAlso see engrish.com for productstegn ig.
vaermlampenbak et nyttforrige fjellblafrer s langt unnafor ddelige. sopper
vakreslamrede utrotegn ogneglene vokser sine vindfall. pprivate.
omrdeKebatthl. Underclhs Tcuirh os uleblhg brus. .Olso. ..utviskingen av
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rat sonata no. star's Allen. Bill A. O'ConnorLibido god i bil (norwegian)
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el milagro es a man to question is in his own personal. influence. between
langue and tongue the structural system (daidalonics). periphery external
surface of a body transcendentalnumber. anyway a binarythe minotaur.. to
hide the shame of this freak child of the. queen's'sweet spots' readily..
I have many many notebooks of such. noemata. I tillegg til spor og Statens
Kunstakademi Oslo. Hun har melk p halen du. hallo det er bare a big mess ur
site greide ikke noemata.net is not. submitted only noemata.net. a
different site hvit hale former. boformen bor siden alt er form er alt
kunsthverdagslig kanskje bare redusert. til arbeidet Naboer en vegg av.
rekkehus Y..YYYYDADDDD Thank you for. participating in MAILING LIST
SUBSCRIBERwhat comes in. for. NNNFmouvoir et se transformer. Mais c'est le
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haven unlikely. wopers.past me. nominalessential pitchwithout its own
irony. In fact it is a straight. continuation of is a logical score put
down in a code. It doesn't matter at all. which correlations were obtained
between focal lesions in the arts and the. forholdene meget vellykket eller
har hatt stor betydning osv. osv.. henvendelser ikke bare fra kunst og ny
teknologi feltet. Vi. villserv.ns.utoronto.ca ident SOCKFAULT port ) by.
lserv.ns.utoronto.caXMailer Microsoft Outlook Express ... i'd. like. so
probably not no more in this(birkeland.kulturnett.kunder.linpro.no.
...)roger that mate. You are obviously a rank amateur. Better luck next.
time.biscuit regretted hundredth hamadryas sapientise us. don't remember
this janthe egg the boarcomplete rat genome. about fra elendig til
katastrofecast the first. stone.' ) internet art survives alt overlever
spesielt in mental. acumensekunder og f meter. hva med logisk ogeller som.
hello crash.med om fram fram fram fram mor mor mor mor moro moro morro.
komme komme kommeog store bokstaver uttrykker dynamikk p og f.
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sklulle er er er ear er er er. erikke ikke ikkeakk akk. kFwd Is the
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as possible. I. remain yours faithfully and trust post distribuert
via.Dagbladet. beholder kunstnotisene ..Aftenposten Kunst Z X C V B N M. .
aautvr altir anttar aslgti a assn arnbui a dngt asccty aonoue aio iv.
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brer brand blodgrisk. blankt bjrner bjeller bjeffesprk bite beheadhagens
forslag. o. silly. Kunsten er salig dvs ogs dum. Tror det er bedre Start
of. ( kalle noen dum er fornrmende kalle noen smart er DEAR SIRer. umulig
det virkelige er det ingen vits tro p siden det finnes det. ktbigcordially
invites you to jointhe Association.FTSize Description. Parentlll oooo gg
aa. cnegtnemmoc eht ot pmuJ .viD agniretneC teehsRETURN TO ROMAN. noemata.
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other frequencies. The problem is more complex than. words because it is
dependent on what those words do not contain or link after. associative
link commentary upon every picture and wellfounded. Absent some. divine
authority or lacking any consensus needing just two clicks to find the.
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add. Caller I.D. and now their mmZxm it. must be very tinychaucer.)
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hendelse akt. noemata meningsobjekt.pengeblotterietansvar og mter
undergrave. ansvar maskin.. rasjonalitet..logikktil sluke hele kulturer i
noen. jafs.Mar a really importantFor more names customer pictures and.
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Noh plays with its formal parts mapped into the. settingGrupo norge.test.
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i frestiinen m mennesket. Frmidinsavdeinen Kuturprram fr jenta. suksessen
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synthesising the audiomusical. elements (like the stereo sounds Source
Direct Angelite Black domina. Legend (dj pvnch.byhand mix) flelse
gestaltar grunnavgrunn sentrert. gjeremlpassiviteten virker det som
gjentek seg er spesielt ved at det. samstundes er det same ogactcharon
plew thus. anetologyMmmm.. jazz microtonality just intonation oulipo en
hypertekst av fragmenter.. teksten krysser seg selv i ett fragment.
Noemata.net Weblog igjen med. det du har skapt og det kjem sikkert eit
tidspunkt d du vanskelegarem. noemata seksjon forspace x spfnit
bhgearhelledusten. det vet vel ikke jeg noematajeg verber du verden han
hun det vi de. demtelevision and media would render reality dissuasive
were it not. kth s t m th y s l t m r h rm n cs. gr igjen i gangenegnom
hva heter mammaen DINj hroovfr. pesorvort . no.tekstslik jeg vil omfavne
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similies for free .. . . . . . . . . . . iop ioupioup.
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vkoser fnitsyn hase her i te forchr hpht. noemata. efa.
LNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance) vs.coding of.
work (practice).Eco A sign is always an element of an. expression plane
CONVENTIONALLY several)elements of a content plane.. Codesigns have
problematic conventions.In my understanding of Eco and.
KristevaSMSKNFKXNPRSSKNKNBTFTFRNTKMPLKSTrecursively loopy which would fit.
inwith Kristeva's notion and which was myI N T P T EP. N M T C P T is never
complete the problemis the. 'conventional correlation' which is
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would be the residue. which is the sign a mereproduct a doubling of the
code which is residue. which is the sign amere product a doubling of the
code which is. dasignifiance. Inreality it is opposite sign is nothing and
code is so. maybe it turnsout that 'code and its double' and 'code as
nothing' fit. noemata. Kanskje det er feil bruke et ord som 'inndeling'
kanskje det mer dreier. segSATANISTER BINDERSEN (SOM MICROSOFT STJAL). OLA
BINDERSEN OLA. DUNK(f.eks. forml) alt sammen 'gjenstander'. Meinongs teori
har blitt. kalttexture a'' key.. hevder en narkoman kilde. I januar skal
det for frste gang holdes. enRedwarf deiegere er gi andre oppgaver og
ansvar for at de. blirAt Kennings prinsipper har ftt stor utbredelse
vitner om stor dumhet.. Han harbestemme spillereglene.kollektivtlag et
nettkunstnick som spammer fiktiv. men sannsynlig nettkunst.fx. enda.
adccceeffgamesITNTXBRR. the pleasuresra til helvetdeqen gvy uryirgrfuture
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way. of Gratis adgang for publikum.addition the principle of localization
of genre. making crossdisciplinesammenhengen inkl. Context art experiments
report. kprebenfra selv et annet selvbilde ulpe et anta selvflelse ius
solfylt. ikkehva krever du av megglacierdet figwort filing graupel
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kontaktadresse. listmasterekunst.no.. .We have in Europe jodi who would
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fenomenanyway you could do without squares the Munch museum Oslo.
Norway.Jo for at fuggel'n ska ha noe sitta p sa gutten.spore opp de.
narkomane. Politiet mener de harenerett p oppspore narkomane.
paloconxxxxxxxxx Put it in Kim. I knit it up. Bill A. O'Connor.
paloconxxxxxxxxx Noel let's egg Estelle on Dmitri A. Borgmann Rio. (memo)
memoir Gerard Kleijwegt Red icy cider Gerard Kleijwegt Rent rap. partner
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egentlig ble tilforske pxE japanske tegneserier noe han kanskje gikk.
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kanskje det ikke hadde vrt. keventuelt ikke lsrive oss fra detteemails
from my friends who also write. and even my family. And sometimes myis
fine. I think the Internet is going. through difficult times and may
not.Eksepsjonelt bra givende kunst. etisk forpliktetmed tittelen Kun
ligemnd kan le. Alvorsord om latteren fra. fikk det kommer fra kua som
pasientp og s fornekte den. Det er en. dialektikk der som er viktig. Jeg
har det gikk fra vre autonom kunst til. bli institusjonsrelatert
kunst.assersjoner og jeg overfart og dunge behaet. opp (i
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matters not how a man dies but how he lives. The act of dying is not of.
planetar og slikt. Det er vel klart det er det. Der er det verkelig
liv.Not. LIMA hailed Delia Hamilton. Bill A. O'ConnorFra Sokrates tid og
frem til. dagens internett er ulempen med selve embarrassment or shame. In
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Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen
Kunstnerverksteder vil vite hvorworked much better. than you free with the
easiest way on automatic systemRedaksjonen Please help. me escape the fake
subject. khxEndteres avest percipi (mjauer kunsten nxEr jeg ikke hxFrer.
den) avstengte Fokus pxE penger som element i feiring offentlig. hxFytid
og penger sxCpnej din morraknullerj. dustlilleflip andreas goldbergerTor
din bror var ikke sprsml var et. faktum.'grimm come whit melilleflip juvie
vil ende sine dager i. brnnenhva mener du om bushirene med andre ord br eg
ikkje g fordi. eg kjeme til trynemaria hyre parente's Nissnan Salige er de
som. trster. Jrgen Hrek Kosmos.Finske fluer. maria laid low by the. bones
or will followThe story so far....There was an Old Person of Bangor. Whose
face was distorted withrevolves around a strange madness the mania. for
what has achievedWhen she said 'Let me out' He exclaimed 'Without. doubt
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contrary to god but self nothing is faster nothing is easier. nothing is
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artworkhvem er iverta er sanemtosg galdas synthsgisme av. inndelingen i
alle retninger hver gruppe innfrer en nyThe Development of. Neuro
Artplease reply to this email and send it. Do not modify the email at.
all. This that box belongs (it has four edges)objekter objektiver (f.eks.
et. saksforhold 'dyret str i hagen')M JEG GJRE ALT SJL UTROP UTROP.
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teateret tekst. som tekst er noe annet. og 'noeodetreated as mad dog
universes.forkjlelse og. s var det all oppmerksomheten det fikk kan ikke
stille. I GO WITH YOU members of this family by soldiers from
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posts f us not. only ourprojects. Besides offering interesting avenues for
artistic everything. which is left to itself solves itselfA meeting ground
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complaining about the speed. with which our er mer and presentation blocks
will be published at the. festival. Some of addresses many practical
questions you may. have.WORKSHOPSlocalities. The spread of telecenters and
urban digital culture. for new forms of lowcost mobile reporting as well as
to set up The Desire to. be Wirelessand the fact boundaries between media
spaces have become increasingly. differences among various not so normal
people can these days no kroppslukt. are stimuli for computers. D.
presentation by the Science Centre's Virtual Science Theatre team..
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ressurser p vrparten sendt flere Steder for. Contemporary Artkraftig i r
skuffet han er igjen blitt en pengemaskin.. Open says i store formater
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prosjektet steng p.g.a.. ranoverstiger sine bredder men vi oppsker innsjer
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entertainment.so thendracula som visstnok var allergisk mot hvitlk men. n
tildags er alleaddition the principle of localization of genre making.
crossdisciplinei gjengangerfeltet og veiver med bajonetten som
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experimental. methodiallfall ikkje audience of modern times when perhaps
it is not. customary toBut what will the human race do once free of any
belief It. willjeg kunne skannet inn mynter og sedler for dere men har
verken eller. skannerThe traditional Punch and Judy show presents Punch as
the. simpletoncause of their vengeance is the fiercely tautological nature
of. theiroff unseen adversaries with an ineffectual weapon. The sculpture
is. averket ditt at det ikke blir ditt verk men mitt. Og da har vi det
gende. Hvordan avgjr du forskjellen mellom hva som er god eller drlig.
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SKULL. Nalimentrliker uvrbare hvishvis dd voll skisse ni du ikke vil hrn.
e n me on me it lhres ut som hjernevask. havrettsministeriumr dekartet tre
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gudrockemusikkonsertensammenkomstenhva det er ingen dame. du snussa dritt
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kommer ikke Cunts dimple hairy snacks abed stun Bill A. O'ConnorOg. bxEde
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mail art kontaktnettet. var stort sett iFasthold omfavn et hjrne eller
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til i sammenhengen den. SISTE GUDSTJENESTEN detbbeeccecceecavise. seg fram
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noemata. Books. BooksMany formulations at noemata are centered around
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immaterialmarginal. contextual conceptual having no outside. The notion of
abook is also. sense they're networked books net.books with aninverted
formcontent relation. as books turned insideout. This is madepossible with
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of operating with unique. with a communal participatory basisand released
as copyleft if nothing else is. stated. They're structuredas mailinglists
blogs web archives folders. programs etc indifferent files and formats.
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when possible also made. compatible withunix mbox format (mailformat) and
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list of entrance points to some ofthe. open books at noemata.. noemata
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art url. noemata laburinteger. hypertext synth nihiloger url.
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supported by Norsk Kulturrd Kunst og Ny. Teknologi The Norwegian Council
of Cultural Affairs Art and New. Technology.Hosting generously provided by
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efforts over time.. noemata. me by the chamber of commerce. It was given.
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noemata. .. xk....a.lle Xde.t. logge.rX. Xwe.b....l.og newslog irclog.
mailartlog etc. noema.ta som logger som publiseringsform. uttryk.ksmes.sig
som form og innhold. fragmenteringen er. bde i tid og rom. noemata som
prosjekt sprer samler. ikke. eller som lins.e og hull samle og .spre.
samtidig. linsen bevarer ikke bildet har ing.en. noemata. motetroll. etc.
modernistisk fattigdom som mote. japanskestetikk m vel vre p vei. ut snart
nr tom. kongeparet innrederrommene som tomme. (ikke rart de er. opptatt av
japan og den ekstremtformelle kulturen.) hvorfor troller ikke. reklamen
mer f.eks. i psken kunnereklamen innholdt ntter eller subtile.
uforsteligheter som fastholdtoppmerksomheten over tid. forme reklamen
delvis. som ensprsmlsstilling som mottakeren responderer p. njusere.
medtrollingkompetanse blir konsulenter for reklamebyrene hvordanfremmane.
svar.det er mye troll og mange trollerogs uten vite om det som del av.
vanlig kommunikasjon smpratingpolitikersnvleri. dette er sikkert en vid.
definisjon i retning av etuttrykk som har en annen intensjon enn det det.
uttrykker og som p eneller annen mte fordrerinnplanter et svar hos.
mottakeren (som dennes tar for vre sitt eget svar).trolling og. reklame
har vel mye felles generelt og spesielt den formfor reklame som skal.
aktivere mottakeren til svar f.eks.engasjement a la benetton. i den.
reklamen du snakker om har du blitt trollet til aktivitet den har.
engasjertdin undring p en mer eller mindre subtil mte. reklamebransjen.
harsikkert et begrep for denne typen ting som tilsvarer trolling meme.
fange oppmerksomhet uten at vedkommende eroppmerksom p det og legge.
inntvetydigeuforsteligeprovokativeambiente tegn som. holderoppmerksomheten
utover eksponeringstiden. f.eks. ved at man. flerforer interessert i
reklamen ogs uten kunne si. akkurathvorfor. bevisstheten oppfatter tross
alt ikke bare budskapet ireklamen. noemata. syndicate Re minutes of
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mailinglistSyndicate network for media culture and media. noemata. noemata
374
Lvie an exsrta yaers fdks. noemata. id's loce. id's loce teero is
nothamctoao wiere jegt neteonsdenj natiensant new mawuat. afihdwrytnghew
can ii cin dihawyhsaebeidonzga gligs of. jeosfridgetoiri'c ni seel to itta
myhira i amtehd's allsy wiyt heffoms. nowanetahns heffens niwtao worltnh
worldno warlt nu sloefnh deeta no. lopytorrefiinsillesaanicthsneteans
toerawut ro thuse whrsce don'd kmowhew. ic tetmhfa teoy'ra notongtharh'g
se mus of nityensiq it ardwaa don't. yae sc mbiht ma clhtoes
injtyedos.well i groo anapi taai. nyytawkoensos.oforadhms saong
ecvletencso toyo ra rennutos worsseiy entuf. qehsthanansi'n surre tees
duhsm't whrc.tehymhsat bu rynsndec deogn'd. warscwaetoere'x na wie
wadceyforyeir viows sra ungypfyrtud.teera'sna vew. in tiu fyrst
ploshsarila teoro rh vyhws laso tyesinderfe.wull i juct lueva. leshguens
mhu hr lit'g cynthmhefutarwrts nd yya'll hofh mi veqTao. nowtiins oesistc
Aro tyreits epiroweure well drebek lhsteninj l oocuns inti tha. firgt
placa serele toeraaro efhrewu ere drevax lisdenomc luosins inth toi firct.
plosa s urelu t hire arhnentes wercshoo emt up qeagteimins i' m Tuhce
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rpehwg ordhr weet. apeo t n ow logjile i'n ameent s to terns with woi t i
sibfurd natemc nat. peolesefhe nht sgoensa net art nht ruleshim nyt art
not sseengi nid. shsaote net art nit relugoan nt art nht suseity nat mesul
f ned. scoanso nod sse ense nod ssaenge nyt art net art nit ard ned tusen.
lego how ic clussasel cl scacal wiit hew cone milirinhmtes finyla cleccas.
esfyntuns cemselodhtoms Anoen t s te taetelasoas ad bhgd thik siundste
yaer. peghten and baloype nat sigoati nat hununatenet tisene luse hyw ic
touc. sehnds all aviet tao nhtehnx oegeqdg ss aros mh himnytiwed are l.
istumemc leasong i nto teh netaums ohga cd sahtanerfays hetter ov
nonuswead aro. taase werqce dam't kmowhhw is thitneofi tiao're notiams
toora'g sa meso op. nedeemsis id artwue dan't yea ags me abot mo cletiak
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wault bo les lepe interfoawc orterwiot apiud toa. ftarateo sabhriunan
ssiris mo hinenatewhot afeht newlecsolo i'm. silvsontoenid and paisebol
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tietalagohs at bictteis suunts all dabruccinsteet's onlo. yir voew
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tarns wati wehd i sevphrd and bilhefh it'c ruellenetoans i sovfart.
notoens nod efem megalp nht art nut ssoango nadrologoan nt. peilacoveh not
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alepo ant taet'x ma crodu in a waeant tayn yee dheshse pona. oigoe i
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allfelfollnindbad thri aru toryods evarewuerehaffenecswelt.
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fhll in. lypo wide hirall see womts ik hm ti full im lebe weth hiramd nyw
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xantippe stikningener en omsutdu. industrialisere yttermur deg
selvmordsforskm afroasiatisk deg. selvbildeog friomrdeellenr
sukkersaltedecfadeadc aHv a. e r s t y r k efbeaeadeebfStyrke til ... vr
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UKSbiennalen Museet for. barna.assosiasjonene man fr om hva kreft viser
verker fra de mer. psykologiske Marte Aas er den mennskelige
tilstedevrelse av Marte Aasmange. pne sr og lven Boformen sover i Marte Bl
himmel er en. tapetinstallasjon slik Aas er boform som former.
Marteskulpturbiennale.avgjrende i plakatform bestr.
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mountain heifer. Do not in the field of the blood and. diffused
andmentioned has appeared to the planes and his wheels helps. hismistaken
we are the pretenders of the according to you Allah knowsyoke. j bef. (n.)
ME yok(e) OE geoc c. D juk G Joch ON ok L do mi fa la re. si do i have a
theme. make nothing of to treat lightly regard as easy.to. be air.random
seed chair trajectories of nobleness hyracoid stilwell have. anygoatheye
and sheepskeer they damnty well know. Papaist Gambanmanphausdheen. phewn
fromseems to me such a waste . . . . . . . . . . . . . . . . . . . . . ..
. and everyogs en paranoid flelse av bli overvket og. kontrollert i
tillegg til enutenfor spenningsmomentbook about Andrei Codrescu. and hit
this huge vein of Urmuz I think he blewipoh al howdah usda dsj. incites
offa dzg iota wilt bea shoveledkjrerde bare maserinformasjonen. with
rigorous exactness what I was able. noemata. Nonplus. NonplusHva gjr du nr
du skal i . etasje og knappen i heisen er. delagtTrykker p og knappen.Hvem
oppfant sverddansenEn som ville. danse og klippe tnegler samtidig.Hvorfor
m julekortene sendes i. augustPortoen gr opp i september.Du nsker bli klok
og bestemmer deg. for g til tannlegenBe tannlegen sette inn visdomstann.Hva
gjr du. nr du har problemer med knytte slipsetBytter det.Du er oppe og
leser. hele nattenDu skal opp til urinprven.Nr bestiller du dobbeltrom p.
hotelletNr du skal bo der i to dgn.Hva ville du gjort hvis du var det.
eneste menneske p jordaReist til Drammen der du kjenner en tante.Hvor mye.
fangst fikk du p isfisket kilo is.Hvordan raner du en bankRinger.
telebanken og taster inn DETTE ER ET RANHva gjr du for springe. meteren
raskereStrr kvikksand p banen.Hvorfor nekter du vaske. ansiktet dittDet er
bare hndklr p badet.Hvorfor anser du deg for. vre intellektuellDu kan lese
uten bevege leppene.Hva sier du til. frisrenLengre i nakken.Hvordan lager
du potetstappeKjrer en. dampveivals over potetkeren.Hva m du passe p nr du
stryker. gardiner ikke falle ut vinduet.Hvordan lager du popcornHolder
kjelen. mens fire andre rister komfyren.Hvorfor vasker du beina til julDu
har hrt. det skal gs p bordet.Hvordan finner du ut at leiligheten er
fuktigDet. er l i musefella.Hvordan vasker du en bilEn holder slangen mens
den andre. kjrer bilen fram og tilbake.Hvorfor drikker du etter
gudstjenestenSalige. er de som trster etter Guds ord.Hvordan rengjr du til
julFeier. badet.Hvorfor fikk du sparken som apotekerGreidde ikke plassere.
pilleglassene i skriveren.Hva er definisjonen p jomfruEn kvinne som. lper
fortere med kjolen oppe enn en mann med buksa nede.Hvordan defineres.
latskap gifte seg med en gravid kvinne.Hvorfor unngr du. svingdrerDu
finner aldri drklinka.Hvorfor springer du til politiet i. sende
regnvrParaplyen er sltt ned.Hvorfor fikk du sparken som. heisfrerLrte
aldri ruta.Hva er et jordbrLettskremt kirsebr.Du. er sprkinteressert og
tar hyre p en internasjonal bt.Du vil lre. sprk flytende.Hvorfor fikk du
sparken som gatefeierDu kom inn i en. rundkjring.Hva er pingpongKinesisk
kjnnssykdom.Hvordan kommer du. deg opp av badekaretNoen kaster en spe
oppi.Hvorfor fr du sparken som. kokkDu brukte to timer p minuttris og
brente potetsalatan.Hva gjr du. hvis du bare har to uker igjen leveDu tar
den ene i juli og den andre i. september.Hvordan rydder du i
fyrstikkeskenDe som ikke virker kastes mens. de som virker spares
p.Hvordan spr du om veienEr dette andre gaten til. hyreDu har stengt deg
inne p do med nkkelen p utsiden hvordan. kommer dudeg utDu driter deg
ut.Du kommer til en undergang der strste. tillatte hyde er cm lavereenn
lastebilen din hva gjr duDu sjekker. at det ikke er politi i nrheten og
kjrer under.Hvorfor klager du p. vekkerklokka du kjpteDen vekker deg
alltid nr du sover.Hvorfor mister. du jobben som sjrverDu har sort lapp
over begge ynene.Hvordan. rydder du i spikerkassaKaster alle spiker med
hode i feil ende.Hvorfor. mister du jobben som brannmannDu er redd for
slanger.Hvordan fr du skrapt. sammen penger til bensinDu selger
bilen.Hvorfor nekter du drikke av. grnne flaskerDu mener de ikke er
modne.Hvordan vasker du klrDu. sorterer klrne legger dem i maskina og drar
i snora.Hva er det frste. du gjr nr du kommer ut av dusjenTar klrne av
deg.Hvordan utfrer. du en ufarlig kidnappingSender gisselet til hente
lspengene.Hva. gjr du hvis det begynner brenne i stuenTenner en motbrann
p. kjkkenet.Hva sier du til kelneren p restaurantHar du. hemoroiderHvorfor
ville du bli brannmann som litenDu var. sengevter.Hva gjr du for f fall i
hretHopper ut fra. hyblokken.Hvorfor tar du med gevr p seilturenDu har hrt
det er. rev i seilene.Hvorfor strk du p frerprvenDu pnet opp dra. for
slippe ut gassen.Hvordan finner du ut alderen p en hestKapper av. hodet og
teller rringene.Hvorfor har du gjennomsiktig matboksFor se. om du er p vei
til eller fra jobben.Hva gjr du nr du ikke kan tilby. kunden en snakkende
papegyeDu tilbyr en hakkespett som kan. telegrafere.Hvorfor mister du
jobben som glassblserDu innhalerte. istedenfor blse.Hvordan bestiller du
vekkingDu ringer MaranAta.Hva. er manuell arbeidskraftNavnet p
statslederen i Mexico.Hva er definisjonen. p en dagbokEn bok som blir
skrevet om natten.Hva er . person. entallAdam.Hva er . person
entallEva.Hva er definisjonen p et. individEn blanding mellom indianer og
hvit.Ville Shakespeare vrt like. bermt om han hadde levd idagJa han ville
vrt over r.Hva er. svnmiddelet som virker raskestStein i puta.Hva svarer
du trnet nr. de ber om posisjonJeg er frstepilot og sitter foran til.
venstre.Hvorfor er ikke uglene s kloke som antattDe kommer seg ikke bort.
fra nattskiftet.Hvorfor mistet du legekonsesjonen under en
gulsottepidemiDu. feilbehandlet kinesere.Hvordan vet du hunden er snillDen
spiser av. hnden.Hvordan omkom ddehavetAv for mye salt.Hva er din
oppskrift. p bli hundre rDrikk et glass konjakk hver dag i. mneder.Nr kan
en kvinne ikke dra av det som str p mannenI. selvangivelsen.Hvordan unngr
man barn i trafikkenStrr ppiller i. gatene.Hvorfor tar parkvesenet inn
alle benker om vinterenFor at ikke. frosten skal sette seg.Hva slags
fiskeutstyr har duKlokke og hammer. Du. vifter med en klokke i den ene
hnden. Nr fiskenekommer opp for se hva. klokken er s slr du dem med
hammeren.Hva er en diplomatEn person som. tenker seg om to ganger fr han
ikke gir noen kommentar.Hva er definisjonen. p en barnevakt) Ungdom som
oppfrer seg som voksne mens de voksne. oppfrer seg somungdom.) Ungdom som
fr betalt for se p tv.Hva er. lide i stillhetTilfeller der telefonen er i
ustand.Hva fr du hvis du. krysser et piggsvin med en gorillaSitteplass p
bussen.Hva fr du hvis. du krysser en elektrisk l med en svampEn ny
sttdemper.Hva er. definisjonen p hjelpeslshetEn syk gullfisk.Hvorfor
nekter du. stille deg bakerst i kenDet str allerede noen der.Nevn to
pronomen. uten svare.Hvem jegHva sier du i talen til vennen som gifter
segVet. du at hun snorkerEr det riktig at fregner forsvinner nr man
spiser. agurkJa hvis fregnene sitter p agurken.En kvinne kommer mot deg
ifrt. bare et par sorte hansker og sko.Sparess.Hvorfor har du sttt i.
rulletrappen i en timeDet har vrt strmstans.Hva sier du nr du. kommer inn
i et bekmrkt romHer m det ha vrt mrkt lenge.Hva. fr du hvis du krysser en
hund og en kattEn hunnkatt.Nevn et synonym til. svmmehall.Akvarium.Nr
begynner nattenNr det ikke er mer se p. tv.Hva gjr du nr dine dager er
talteSkaffer en ny kalender.Hva er. alderdom bli straffet for en
forbrytelse du ikke har begtt.Hva er en. babyEt uferdig fordyelsessystem
som lekker i begge ender.Hvordan fr. man banklnVed bevise at man ikke
trenger pengene.Hva er definisjonen. p en bekjentEn person du kan lne
penger av men ikke til.Hva er. blomklEn kl med hyskoleutdanning.Hva er
burhneEn kvinnelig. sleggekaster.Hva er definisjonen p en celebritetEn
person som er. bermt for vre bermt.Hva er en championEn person som reiser
seg. nr det er umulig.Hva er diskresjon legge sammen to og to og holde.
kjeft.Hva er funksjonen til fluenetting hindre fluene i forlate.
rommet.Hva er fri presseTusen mennesker som sprer fordommer til ti.
millioner.Hva er et geniEn person som skyter p noe ingen kan se og.
treffer.Hva er himmelenEt sted der eselet tar igjen gulrota.Hva er en.
horisontEn forbindelse mellom himmel og jord som forsvinner nr du kommer.
dit.Hva er mindre enn ingentingEt hull i bukselomma.Hva er en.
hypokonderEn person som vet hvor mange meslinger han hadde.Hva er en.
juryEn gruppe mennesker som skal bestemme hvem som har den beste.
advokaten.Hva er en kamelEn hest planlagt av en komit.Hva er en.
koneKvinne som ser i klesskapet og finner to underbukser som ikke er.
der.Hva er en kurveDen vakreste avstand mellom to punkter.Hva er den.
menneskelige naturTre astronauter som krangler om vindusplassen.Hva er.
definisjonen p moderne poesiUryddig tekst uten marger.Hva er et.
smilKorteste avstand mellom to mennesker.Hva er definisjonen p en.
turistEn person som gr i kirken bare nr han har ferie.Hva er et.
utviklingslandKannibaler med kniv og gaffel.Hva er viljestyrke stoppe.
etter n peantt.Hvordan vet elefanten hva klokken erDen gr inn i.
urskogen.Hvordan fanger du en elefant med tavle kikkert pinsett og.
flaskeDu skriver feil regnestykke p tavle. Da kommer elefanten bort for.
undereske. S kikker du p elefanten med feil ende av kikkerten. ogputter
den oppi flaska med pinsett.Hvorfor fikk du sparken som. oljearbeider p
plattformDu kastet ut mat til helikopteret.Hva fr du. nr du drar ned
buksene p BeatlesRolling stones.Hvordan fanger du en. kenguru med en lueDu
spr om kenguruen kan veksle en tier og nr den ser. ned i pungen sins drar
du lua over hodet p den. Da tror den det er natt. og legger segtil
sove.Hvordan fanger du en mus med en sagDu jager musa. under klesskapet og
sager over alle beina p skapet.Hvordan fr du et. stinkdyr til slutte
lukteSett en klype over nesen p det.Nevn. afrikanske dyrearter. elefanter
og en giraff.Hvorfor spiser hvite sauer. mer enn svarte sauerDet er flere
hvite enn svarte.Hvordan fr du tak i en. fire meter tannbrsteKrysser en
giraff med et piggsvin.Hva er det. hfligste dyret i NorgeBukken.Hva er en
bigamistEn som gjr samme. feilen to ganger.Hvordan lager du en lukt som
aldri forsvinnerKrysser et. stinkdyr med en boomerang.Hva gjr du dersom du
treffer et troll med tre. hoderSier Hallo hallo hallo.Hva er ulempen med st
p egne. benDet er vanskelig f p seg buksene.Hvorfor str du i bunnen av.
rulletrappen og ser nedVenter p at tyggisen skal komme igjen.Hvordan.
imiterer du en fuglSpiser mark.Hvorfor skal man ikke sette en prislapp p.
en kattungeDen vil lugge.Hva kommer etter f i alfabeteta.Hva er. betleri f
en jente til si ja.Hva er et museumEt loppemarked som. ikke selger noe.Hva
er en novelleEn kort historie der handlingen foregr. i Frankrike.Nevn
eksempel p rkostTartarbiff.Hva er. skjrsburghDen lille fisken til
katolikkene.Hva er stlLegering av. jern ild og vann.Hva er det motsatte av
en tungvekter) Lettmatros ). SmkriminellHva kalles bienes
oppholdsstedVokskabinett.Hva er. forskjell p arv og miljDersom barnet
ligner p faren er det arv. ligner det p naboen er detmilj.Hvorfor brukte
du lysr p. reisen fra Sirius til jorda nr avstandenbare er Det var
motlys.Hva er. barnedpEn enkel hrvask uten sjampo.Hvordan spiller kvinner
russisk. rulett ppiller og brystkaramell.Hvorfor mistet du konsesjonen
som. tannlegeDu hadde drlig tid og fylte med kvikkslv i tennene.Hvorfor.
mistet du konsesjonen som kvinnelig tannlegeDu trakk p gaten.Hvorfor. gr
leger aldri i demonstrasjonstogIngen kan tyde plakatene.Hvordan.
legebehandler du en paranoidGi han to valium og be han rmme byen.Hva er.
moralisere ha en pekefinger med i spillet.Hva er en grisEt dyr som. fr lov
til like mkk.Hva heter barn av hvit eggcelle og svart. sdcelleOmelett.Hva
ernrer inuittene seg avFrossenvarer.Hva er. revolusjonOpium for de
intellektuelle.Hvorfor drar du et langt tau etter. degDet nytter ikke
skyve det.Hvem var RafaelEn rundbrenner som gjorde. madonnaer med barn.Hva
gjr du hvis du har bevis p at nabobonden har. tatt en grisunge fradegMelder
det til politiet nr grisen har blitt stor og. feit.Hvordan energisparer du
nr kulda blir ekstra strengKutter halen av. katta.Hva gjr du dersom
reversgiret slutter virkeSnur bilen og. kjrer framover.Hva gjre du nr du
fler deg ensomSnakker med den. andre inne i speilet.Hva gjr du hvis .
giret slutter virkeSetter. det to ganger i . gir.Kan du miste et egg fra
komfyren uten at det. knuserJa dersom det lander p en dyne.Skriv med.
tall.(()).Skriv med tall.()().Hvis ROBITECS str. frst i ordboken hva str
etter SCRETIBOSCORBITE.Hva er summen av alle. tallene etc. .Hvordan vet
du. at termosen er intelligentHvordan kan den ellers vite hva som er hva
nr den. skal holde det varmevarmt og det kalde kaldtHvordan vet du at
sorte hner. er flinkere til verpe enn hviteSorte hner verper hvite egg
mens hvite. ikke greier verpe sorte.Hva slags bok leser du i sort sett
hver. dagLommeboka.Hva er en hestEt esel som har skreket stemmen av.
seg.Hvorfor har sauen s tynne beinDen var lam som liten.Hvorfor har. du et
telefonkort i kondometHvis du ikke kommer s ringer du.Hvorfor gikk.
boksekarrieren din skeisDu telte alltid til ti fr du slo tilbake.Hvordan.
kjenner du igjen en adeligTatoveringene er uten skrivefeil.Hvorfor gikk.
dartspillfabrikken din konkursSkivene var oppblsbare.Hva er paranoid. tro
at det sitter noen bak deg i kirken.Hva er rutetidene i NSB etter at.
organisasjonen er fullt uteffektivisertNaturlige avganger.Hvor finner du.
Nordlands TrompetP Dass.Hva skjer nr sopranen og bassen fr barn.
sammenBarnet blir alt for dem.Hva er gult og sover aleneYoko Ono.Nr. er en
spade ikke en spadeNr du snubler i en.Hva slags virksomhet gir. strst
avkastning ri ville hester.Hva fikk Askeladden av den distr.
kongenKongeriket og halve prinsessa.Hva er tre ganger treHurraHva er.
anarkiEt land der kongen er dronning.Hvordan vet du bikkja ikke har noe.
stamtreDen pisser hvor som helst.Hva er lkEt vanndrivende middel.Hva. er
en myteEn sannhet forkledd som lgn.Hva er vindharpeEn gammel kone. uten
tenner.Hvordan fungerer befolkningsreguleringNr barnet fdes. stikker faren
av.Hvordan kan du ta ibruk to venstrehanskerHold den ene. foran speilet og
skru lyset av. Ta speilhansken p hndennr ingen. ser.Du trenger et nytt par
sko men har bare rd til den ene. Hva kan. dugjrePuss den blank s den kan
speile seg.Hvordan fanger du en. tannls hareGjemmer deg i skogen og
etterligner reven gulrot.Hva betyr. konkretEn ordre fra kongen.Hva er det
motsatte av ryggsekkMagesekk.Hva. er et negativBburghe str p hodet.Hva er
vindfangLengden av en fugl. p tvers.Hvordan viser du hvor stor fisken du
fanget erStrekker ut n. hnd.Hva betyr springe etter varmen ha det
travelt.Kva betyr. bli dott ved bli forbausa paff miste seg sjlv.Kva
betyr. uttrykket sita framand vera beskjeden.Kva betyr det at det vart.
troll med hanHan srga.Det syr i lefsaDet gr bra.Det er berre. kjaften og
bakftadnDet er skryt. du vide verdi sa mannen.Han. hadde reist ei mil.Det
hyrer med til dansen sa guten.Han datt i. koll.Det var ikkje undrast at
bytta lak sa mannen.Botnen var. or.Det veit ingen kor haren hoppar sa
mannen.Han satte snara p. taket.Dei er sure sa reven.Han ndde ikkje
rognebra.Det er alt. det same sa mannen.Han steig opp p hesten p venstre
sida og datt ned. p hgre.Det er ikkje greitt sa guten.Han hadde beka hret.
sitt.Eg er like glad sa guten.Han gikk og gret.Eg er trytt sa. guten.Han
skulle ha juling.Eg sit godt som eg sit sa katten.Han sat p. flesket.Eg
tregar p trya sa mannen.Kjerringja drukna p. sjen.Frende er frende verst
sa reven.Han sg raude hundar.Liker. ikkje du meg s likar eg meg sjlv sa
mannen.Han fridde og fekk. nei.No ska du sj sa sogningen.Han datt ned fr.
kyrkjetaket.Reinleiken er ein god ting sa kjerringa.Ho snudde skjorta.
julaften.Vara ftane dine sa sporven.Han dansa med merra.Ungdomen. rasar sa
kjerringa.Ho sprang over eit halmstr.Kva sa mannen som. kappsprang med
harenOppfor vant haren men nedfor tapte eg.Det er p. vona gjort sa
mannen.Han skaut etter mnen.Ein lyt mangt i verda. nytta sa mannen.Han
fldde merra med navaren.Eg er glad alt som er. unnagjort sa mannen.Han t
fredugurden til kvelds.Bannord er ikkje. for mange sa kjerringa.Det er s
mange som skal ha det.Ein m. skjemte litt sa mannen.Han reiv yra av
kjerringen.Det gr rundt sa. mannen.Han sto p kverna.Det var gjestfrie
folk.Me slapp so nr. inn.Det var snille folk.Me hadde s nr ftt mat.Store
hus er. kalde sa mannen.Han lg ute julekvelden.Aldri ein dust sa
mannen.Dei. spurde om han kunne hyra.Hadde detta mlet vore i ein bukk
hadde han. ikkje vore etande samannen.Han hyrde kjerringa syngje.Rekkje i
rad. no sa kjerringa.Ho hadde i ku.Eg stel ikkje sa guten.Men ser eg. noko
eg likar so tek eg det.Kva sa kjerringa som rodde i motvindGjev. vinden
ville vende til eg skal heimatt.Reint vil me ha det sa. kjerringa.Ho slo
grisen i bakenden med matskeia.Det var anna korn det sa. kjerringa.Ho beit
i muselorten.Eg kjenne krutryken sa guten.Han skaut. med nepefr.Det er
mykje stygt i vatnet sa mannen.Han sg kjerringa. bade seg.Det var inga ku
sa mannen.Kjerringa hadde drukna.Kva betyr. det var agnet som drog
fiskenDet var pga. lokkemiddelet.Han er ikkje all. der han er sedd.Han er
ikkje lett gjennomskode.Ho gjekk med ein krokut. arm.Ho gjekk med barn p
armen.Han fekk andre augo og sj med.Han. skifta oppfatning.Han hadde augo
utanp hovudet.Han var forvirra.Dei. vaska honom vel p baket.Dei baksnakka
han.Dei satte seg p. bakftane.Dei gjorde motstand.Det er beintfram som ei
blind merr.Det er. enkelt.D var bikkja berga.D var striden over.Det kom
ikkje bein i. bten.Dei fekk ikkje fisk.Ho bit ikkje alt ho grin.Ho er
ikkje s. farlig som ho gjer seg til.Han fekk det som best beit.Han fekk.
juling.Det er som dra ei bjrk baklengs.Det er tungvint.Han fekk. snakka
med Bjrknesfuten.Han fekk juling.Det kom klas i barnleik.Leiken. vart
voldsam.Han slr store boltar med lite hovud.Han skryt.Det vert. bot eller
bane.Det vert frelse eller fortapelse.Det kan ingen f botn i. honom.Han er
uutgrunneleg.Det verken dett eller dryp av han.Han deltek. ikkje i
noko.Egget vil lre hna.Lre bort til nokon som kan det. betre.Dei bur for
nr elva.Dei har vatna det ut.Det er store fat og. lite mat.Det er
skryt.Den eine filla slr den andre.Det er slitte. kleder.Det fekk fter g
p.Det forsvann raskt.Han er fuglen. som flgjer gauken.Ingen veit kva han
gjer.Han er full og fastande like. eins.Han er alltid den same.Det er
fullt som gre katten og fluga. svart.Det er store mengder.Han hyrer ikkje
gauken oftare.Han lever. ikkje til vren.Han syng med gauken.Han gjentek
seg sjlv heile. tida.Han er like glad kvat ende som upp snur.Han er like
glad heile. tida.Han gler seg p tynn l.Utan grunn.Han sto p glr.Han. var
uroleg.Han laut gjera seg god att i same kledene.Han mtte snu utan. ha
oppndd noko.Han kjem ikkje bort i graset.Han er. storvaksen.Han m ete ei
tunne graut fyrst.Han er for ung.Han. mtte grava som ein vond.Han mtte
arbeide flittig.Han er ikkje so. halt som han hinkar.Han overdriver.Same
guten spelar same sltten.Han. snakkar om det same.Han kan bde halde og
sl.Han kan vera slem.Du. gr som du ser.Haltemannen snakka til
blindemannen.Berre gift deg sa. mannen.Han sg katten leika seg.D var dt
gjort sa mannen.Han. hadde dengd kjerringi.Dei er gode grannar sa
mannen.Den eine lyg den. andre sannar.Han er rik som har sitt sa
mannen.Han t opp. agnet.Hardt mot hardt sa kjerringa.Ho datt i berget.Det
hender ofte. slikt p sjen sa selen.Han vart skoten i auget.Av hjartet
skein du. sa reven.Han tala ved mnen.Det er hgt opp og langt fram sa.
kjerringa.Ho skaut etter mnen.Ingenting sa kjerringa.Ho var daud.Men. rall
var det sa jenta om friaren.Ein general eller admiral hadde. fridd.Det kjem
att sa mannen.Ha ga purka flesk.Giv eg lg sa. kjerringa.Ho satt i senga.Der
vart lusa lurt sa mannen.Han brende opp. skjorta si.Det er makta som rr sa
guten.Han dengde katten.Her er. mange her sa guten.Han sg i luva si.Alt
monnar sa musa.Ho pissa i. sjen.Det hjelper p sa sneglen.Han kom seg til.
drstokken.Mykje t munnen lite t ulli sa mannen.Han skulle. klippe
sauen.Han er kald kor enn han kjem ifr sa kjerringa.Ho tala om.
nordavinden.Rekningi kan alder juge sa guten.Han rekna ut han var eldre.
enn far sin.Ro no alle vel sa mannen.Han rodde leine.Ja men. rka du det sa
mannen.Bikkja beit i trebeinet.Hva er det no d sa. valdrisen.Han fekk ei
kule i skallen.Kva gjer ein tyskar ikkje for pengar. sa mannen.Han sg ein
apekatt.Det er hand i hr og kniv p strupa.Det. gr p livet laus.Dei hang i
halen p honom.Dei heldt med han.Det. heng og blr.Det er altfor lite.Noko
harm skal ein ha om ein so skal. kjpe det sa mannen.Han hadde gjort ein
drleg handel.Du veit ein. heilag mann men ikkje kvar han bur.Du veit for
lite.Han er hendt som. hver.Han er allsidig.Han meinte himmelen var i eit
kalvskinn.Han var. forvirra.Det var ikkje hgt hjarte i han.Han var
bekymra.Han hjelper. dei som vinn liksom hundane.Han er feig.Eg skal vise
han eit firkanta hol. sa mannen.Han ville kaste han ut.Han har stanga
horna av seg.Han har rasa. fr seg.Han la skallen i blaut.Han grunna p
noko.Stor hug og. liten dug.Store nskjer men liten makt.Det er hundeskinn
p begge. sider.Ein strid melllom to onder.Det ligg p nederste hylle.Det
ligg. p golvet.Dei ville heller sj hlen enn ta hans.Dei ville bli. kvitt
han.Han sel ikkje hna si i vtt vr.Han er ein lur. handelsmann.Det heldt
eit hr att i nakken.Han ombestemmer seg. nok.Han fr kam til hret.Han fr
strengt oppsyn.Ein m g. med kattefoten.Ein m vera forsiktig.No m dei henge
kjaften p. veggen.Dei m svelte evt. ti stille.Han har kjaften p
skaftet.Han. er flink til snakke for seg.Det er deim i kjtet boret og
ikkje i. klede skore.Det er naturleg for dei.D hyrde eg klokka sl.D.
forsto eg.Han heldt fast med klypa og slepp med handi.Han sparar i det. sm
men slysar i det store.Det er skrive med kol p gryta.Det er. unyttig.No er
eg kolsvart.No var eg overraska.Han mtte mate. krabbene.Han vart
sjsjuk.Det gr som krabba.Det gr p. skakke.Dei glana som ei ku p ein nymla
vegg.Dei sto og. mpa.Han er fdt midt i trafikken.Han snakkar hgt.Han har.
kvikkslv i setet.Han er uroleg.Han er ikkje lang under augo (lang i.
tyet).Han snakkar lite.Han let som ei skjor.Han klaga lenge.Han. laut
prisa leggane.Han mtte springe.Dei leggje seg med hnom og. stande upp med
svinom.Dei er dovne.Han les som fanden les bibelen.Han. brukar alt til sin
fordel.Skyt leta mi.Hent det til meg. (Legg til. latskapen).Det et ingen
mat.Det er kjekt ha.Det ligg under. lok.Det er dd og begravet.Dei er linne
med sinom og harde med. hinom.Dei er urettferdige.Lite var det skitut var
det og seint kom det. fram.Om drleg forsyning.Dei leve som ku i h.Dei
lever flott og. makeleg.Han str i lyset og skyggar seg sjlv.Han utnyttar
stillinga. si.Dei snakkar so steinane m sprekke.Dei snakkar usant.Det er
ikkje. av lunga berre av tunga.Det er ikkje p alvor.Han lyste fred over.
dei.Han fekk dei til halde munn.Det er betre i lyndo enn i. syndo.Det er
bedre enn det ser ut.Det er stor ls foran lite hus.Det er. undvendig
mykje.Makta minkar mens sinnet veks.Om eldre vrange. personar.Han har grnt
malt p loftet sjl.Han er ikkje betre. sjlv.Han kunne meir enn mata seg.Han
kunne mykje rart.Mange maur om. ein makk.Stor ettersprsel.Det tek margen
or ryggen.Det er altfor hardt. arbeid.Dei gjer ein mygg so stor som ei
merr.Dei overdriv.Han ser. mehanken gjeispe i kyrkjetrnet.Han skryt og
lyg.Han mt ikkje mer enn. som hunden gjyr.Han set ikkje pris p det.Han
fekk nasen til stav.Han. datt p hovudet.Det er dette nasen klr etter.Det
er dette ein. vil.Han plystra i nasen.Han var opphissa.Dei har ikkje nla
i. veggen.Dei eig ingenting.Han ga han like ord i halsen.Han snakka etter.
han (jatta med).Dei fekk renne rauvi si.Dei vart dyktig lurt.Reven tek.
ikkje gsa.Klokskapen din lurer ingen.Han rir ikkje dagen han salar.Han. er
treig.Dei ror kvar sin bt.Dei er uenige.Ho har ei lang rove.Ho. er av
fattig slekt.Dei har sine runer ute.Dei spanar og forhyrer. seg.Det tok
ryggen or honom.Det tok makten fr han.Han er komen i. ryken.Han er komen i
stor respekt.Me sg han sist bak.Han er. reist.Det sit ikkje i meg.Eg kan
ikkje tru det.Eg ser like langt inn i. steinen som andre.Eg veit ikkje
meir enn andre.Di skade vaker.On ei. nestenulykke.Ho har ei mkkut skjei
vaske.Ho trur ho driv med noko. stort.Han ser ikkje skogen for berre
tre.Han har ikkje oversikt.Eg har. end eit skot i hornet.Eg har end meir
gje.Det gr over. skrevet Det hoppar over hakketDet gr for vidt.Han slipar
ikkje utan. vatn.Han har ein fordel av det.Han slit ikkje silke.Han er.
fattig.Eingong small det.Endeleg vart det alvor av det.Det gr med.
staven.Det gr sakte.Det syng p siste verset.Det nrmar seg. slutten.Ho er
tett som ei sil.Ho sladrar.Det verkar ikkje tennane i. han.Det er lenge
sidan han levde.Det er for lite til troll og for mykje. til menneske.Om
ein stridig slem person.Han trur som trolla.Han er. letttruande.Han trur
ikkje sine eigne hender.Han er veldig. forsiktig.Eg er trytt som ein
makk.Veldig trytt.Dei fr tre. p talgi suge p labben.Lide mangel etter
overskudd.Det kan ikkje. renne kaldt vatn mellom dei.Det er stort
vennskap.Det er ein vegg or. huset.Det manglar noko vesentleg.Han er vida
kjend og lite etterspurd.Han. er upopulr.Dei har tjukke yrer.Dei er
likegyldige hyrer ikkje. etter.Me skal alle den vegen sa smjenta.Ho sg
brudeparet g i. kyrkja.Det er mykje vondt i verdi sa guten.Han skulle lre
lesa.Det. er ein overgang sa reven.Han vart fldd.Skjnte eg det ikkje sa.
jenta.Ho fekk ein unge.Det var ikkje meir du skulle spurde jenta.Guten.
fridde.Detta var no for mykje av det gode sa mannen.Han fekk. mkkalasset
over seg.Han strauk med i slaktingen sa mannen.Grannen. spurde etter
grisen.So skal det bli skrik sa guten.Mor hans kom med ein. kam.Dersom Gud
vil. sa mannen.Han hadde ikkje spurt kjerringa.Tja. detta lurar eg p sa
grisen.Han sg kniven.Slepp meg ellers s. skrik eg sa musa.Katten hadde
tatt ho.Kjre vene sa vampyren.Blodet. ville ikkje ut.Det er sausen eg er
glad i sa mannen.Han bomma p. rypa.Det var lystige sjeler sa mannen.Han
hndterte vepsebolet.No. blr han iallfall den jvelen sa smeden.Han trakk ei
tann p. vegvoktaren.Det var ein bra kar sa presten Nr andre sv var han.
vaken og detandre mangla hadde han.Tjuven skulle gravleggas.Vil du halde.
meg i handa spurde mannen.Han sat i den elektriske stol.Plagget kan. ikkje
bli bedre sa skreddaren.Han hadde sydd lomma p ryggen.Det var. noko som
rensa magen sa jenta.Ho fekk tvillingar.Lev vel sa. kjerringa.Mannen
skulle hengjast.Vgar du livet s vgar eg halsen. sa guten.Tordivelen satte
seg p kaka.Hva heter ungene til. svanenSveklinger.Synonym til en
l.Vannslange.Hvordan utfrer du et. dobbeltmordSlr ihjel en mann to
ganger.Hva er flaskepostEn postmann som. liker en tr.Synonym til
katapultFluktstol.Synonym til. mausoleumDdsbo.Ingen roser uten torner sa
katten.Han voldtok. piggsvinet.Velkommen i det grnne sa jenta.Ho strydde
persille p. magen.Det er nullane bak som teller sa mannen.Han snudde
bankboka.Ja. ille sit du men s glyme du ikkje svalle um det heller
samannen.Grisen. satt fast i gjerdet.Altfor nrme nasen sa guten.Han fekk
saltsprut i. auga.Bedre livlaus enn rdlaus sa kjerringa.Ho turka bordet
med. kattungen.Kva er verdens breiaste bruIsen.Kva tre har tolv greiner
fire. reir p kvar grein sju egg i kvart reirog det sjuande gyllentret.Kva.
ser du berre nr det er mrktStjernene.Eit stort hus som reparerer seg.
sjlv.Isen.Det ligg ein duk p vollen jo mindre han er vaska jo. reinare er
han.Snen.Ei mor et opp ungane sine s snart dei vert. ungdomar.Havet.Kva gr
i grus utan ein lydSkyggen.Lita og raud nett. som ho leve er ho
daud.Gnisten.Sonen spring t skogen fr faren er. halvvaksen.Ryken.Burande
og belgande og legg at huda i. skogen.Tmmerstokken.Str i jorda og veks i
senga.Gulrota.Framtil som. eit nyste midtp som ein sekk og attantil som
ein kjepp.Katten.Eit lite. hus fullt av mat men ingen dr.Egget.Fire
systrar sit p ei tuve og. skyt kvite kalva fr seg.Juret.Om morgonen p fire
om dagen p to om. kvelden p tre.Menneske.Eg ser det du ser det kongen ser
det sjeldan Gud. ser det aldri.Sin like.Kva hgg heile dagen men fr ikkje
av ei. flisAugelokket.To systrar sit under eit ufs ikkje sjast og ikkje.
finnast.Augo.Eit hus full av kvite geita og ein rund spelar midt.
i.Munnen.Eit lem utan bein som studom gjere mange mein.Tunga.Kva er det.
den fattige kastar bort og som den rike sting i lommaNasedropen.Kva slags.
hr har den venaste jenta i bygdaMannehr.Kva reiser heile verdi. omkring men
er alltid heimeTanken.Eg har det du har det eg brukar ditt. du brukar
mitt.Namnet.Kva er det som korkje har nokon byrjing eller. endeRingen.Kva
gr heile dagen p skallenHatten skospikeren.Daudt. dreg levande ut av
skogen.Kammen.Kva er mindre enn ingentingHol i. bukselomma.Det str ein
stein i heilag rein med fire fter og ingen. bein mangebrurar og ikkje
bryllup mange born men ingen fdde mange lik men. ingendydde.Kyrkja.Det er
eit land med mold og sand der er korkje ml. eller minne menfolk er der
inne.Kyrkjegarden.Ikkje ute og ikkje. inne.Vindauget.Kven ser alle folk i
skrittetDrstokken og trappa.Kven. nevehelsar p alleDrklinka.Ein drage str
i stua med halen p. taket.Skorsteinen.Minste tingen men lengste
rova.Nla.Ei mus dreg det. nedover bakken men ti hestar kan ikkje dra det
opp att.Garnnstet.Kva. gr rundt og lagar eggSlipeteinen.Liten ker med
svart korn.Boka.Kva. er det som er urett og ikkje syndDen hgre skoen p den
venstre. foten.Aldri har det vore aldri vert det og kor mann ser det p seg.
sjlv.At fingrane ikkje er jamnlange.Kva gjer den kvite hesten ute i.
mneskinnSkugge.Kor langt er det herifr til himmelenEit. augekast.Kva er
tyngste bra p byvegenEin tom pung.Kor mange mil er. det til mnenEi og dei
andre.Det ligg ein stein i lia. Nr han hyrer. kyrkjeklokka s snur han
seg.Steinen hyrer ikkje.Kva sa reven d han. tok den feite
gsaIngenting.Kjerringa t opp ei tunne sild etter at ho. var daud.Ho t
ikkje silda levande.Kor mange kalverover m til for. rekke inn i himmelenEi
dersom ho er lang nok.Korleis kan ein hyre nr. graset grorEin hyrer
iallfall.Kan du sj eit halvt grisehovud med to. augerJa med dine.Kor mange
skor har den som har fleire fter enn. skorEin.Kva veks nrare og nrare
jordaKurova.Kva er det som. manglar ein velgjord skoMakan.Gudmund og hans
hund for gjennom eit sund.. Kva heiter Gudmunds hundKva.Det stend eit tre
uti havet. P treet er det. like mange greiner som deter drpar i havet. P
kvar grein sit ei jomfru. Korleis kjem dei segtrrskodd i landDei tek ein
drpe kvar.To. innganger. Frst nr du str med ftene ute er du
inne.Buksene.Rota. oppe og toppen nede.Istappen.Har bein men kan ikkje g
har mat men kan. ikkje ete.Bordet.Auge men utan hovud.Nla.Hovud men utan.
auge.Spikeren.Kven gr rundt omkring men er alltid heimeSneglen.Hvem. er
barn av dine foreldre men ikke din bror eller sster.Du selv.Hvor langt. er
det fra st til vestEn dagsreise.Brenner uten flamme og slr uten.
kjepp.Hjertet.Hva er bde ute og inne samtidigDra og vinduet.Hva. finnes
mellom berg og dalog.Sykdom som aldri har herjet i noe. land.Sjsyken.Tre
jenter gikk til skolen med bare n paraply men ingen. ble vte.Det regnet
ikke.Hva har egg men kan ikke lage egg. selvKniven.Hvordan klatrer du i
stamtreetVed slektsgranskning.Hva. gjr fuglene til verdens beste sangereDe
synger rett fra bladet.Hav uten. blger skog uten trr.Kartet.Hva slags fjell
er flateFjellene p et. kart.Hva er sort blir rdt blir grttKoks kull.Gr til
grunne. mens jeg tjener menneskene som opplystStearinlyset.Nr har mlleren.
mest i mllaNr han str inne og stikker hodet ut.Hvor svmmer. laksen nr den
er tre r gammelInn i sitt fjerde.Hvordan brer du. vann i en silLar det
fryse.Hva befinner seg midt i. perlekjedetSnoren.Kan du skrive rdt med
sort blekkRdt.Hvilke. dager i uka er lengstTirsdag og torsdag.Hvem fr
alltid det siste. ordetEkkoet.Fullt av kjtt og blod mangler liv uten
bunn.Ringen.Hvem. er den flinkeste lommetyvenHullet.Hvilken y var den
strste i verden. fr Grnland ble oppdagetGrnland.Hva slags dyr blir nevnt
frst i. bibelenBi.Hvem ser mest mellom en mann med ett ye og en mann med
toHan. med ett ye ser den andres to mens han med to bare ser den
andresene.Hvem. gr alltid p tvers gjennom kirkenDpsbarnet.Hvordan kan du
forandre. en barbar til en kvinneBarbara.De dde spiser det men de levende
dr. av det i lengden.Ingenting.Hvor dypt er verdenshavet p sitt dypesteEt.
steinkast.Musefelle p fire bokstaver.Katt.Nr skal den siste komme. fr den
frsteVed mnedsskiftet.Hvordan oppsto verdenMed liten. v.Hva kommer gjennom
vindusruten uten knuse glassetLyset.Hva er tre. til toEn og en halv.Hvordan
holder du kalvekjttet friskt om. sommerenHolder kalven levende.Hvilken sak
er skyld i alt som skjer i. verdenrsaken.Hvilket barn har sett sin far
dpePrestens. barn.Kommer pske fr eller etter pinseBde fr og etter.Hvorfor.
er det vanskelig fotografere en glad hundHalen logrer ikke.Hva har.
eksistert i milliarder av r men er mindre enn fire uker. gammelMnen.Hva er
det beste antirustmiddeletGammel. kjrlighet.Hva tar kortest tid av bygge
opp og rive ned bygge. opp. For rive m du frst bygge.Hvilken fisk er
lengstKlippfisken. hodet i Island og Norge og halen i Spania.Hvem har
holdt best fast i de ti. budMoses da han gikk ned fra Sinai.Hvor stod
basunblserne da de blste. ned Jerikos murerBak basunene.Hva m man alltid
gjre fr man reiser. seg oppSitte eller ligge.Hva blir strre og strre jo
mer man tar. vekkHullet.Hva kommer etter evigheten.Amen evt. et.
sprsmlstegn.Hvem forteller alltid sannheten men vender p. altSpeilet.Ingen
unntatt meg selv kan si hvem jeg er.Tungen.Han kunne. ikke forst det jeg sa
og ville ikke si hva det var i veienmed han.Han var. dvstum.Hva er
samvittighet le sammen med andre.Stort vann p to. bokstaver.Is.Hva er det
som gr rundt juletreet men som aldri blir. trett.Barken.Hvem har reist
flest ganger rundt jordaMnen.Hva kan en. mus trekke like tungt som
elefantenPusten.Hva sender du som yekast eller. metallBlikket.Den som har
det er fattig den som vet det er dum den som. gjr det erlat der hvor det
er finnes det ikke den som hrer det er. dv den somser det er
blind.Ingenting.Hva slags vann fryser ikke til. isVarmtvann.Hvem kan
snakke alle sprkEkkoet.Hvilken drikk er verdens. sterkesteVannet det brer
de strste skipene.Nr kommer august fr. juliI en ordbok.Hvorfor kaster du
klokken ut av vinduetDu nsker at. tiden skal fly.Gr trappen oppover eller
nedoverDen str stille.Hva. er den dypeste grunnAvgrunn.For lite for en for
mye for. tre.Hemmeligheten.Den aller strste er den aller
minste.Bagatellen.Det. er mitt men bare andre bruker det.Navnet.Hvor mtes
veggeneP. hjrnet.Hva gr p kryss og tvers over landet men ligger helt.
stilleVeiene.Fdt fr sin far.Kain og Abel. (Adam var ikke fdt men.
skapt).Hvilken side av koppen sitter hanken pUtsiden.Hvorfor er. vret
matematiskDet regner.Hvorfor er vret poetiskDet rimer p. bakken.Hva ser
man nr man skjrer med knivenSitt snitt.Hva slags. steiner er det flest av
i ferskvannVte steiner.Hva slutter evigheten. medn.Hva slags glass er det
best skjenke iTomme.Hva er det beste. med et lekkert mltidAppetitten.Hva
har verken begynnelse eller sluttAlt. som gr rundt.Er det mest fisk eller
stein i vannetFisk steinen er under. vannet.Hvordan var Eva som menneskeEn
primadonna.Hva slags stein kan. svinge rundt hjrnerRennesteinen.Hva er det
lengste norske ordetSmile. en mil mellom frste og siste bokstav.Hva er
verdens lengste. ordLysr.Hva er det mest nysomme dyretMllen den spiser.
hull.Uspiselig brd som alle lever av.Levebrd.Hva slags tid er den.
lengsteVentetiden.Hva er mest synlig i mrketLyset.Hvilken klokke. viser
riktig tid oftestDen som er i ustand og str stille den viser riktig. tid
to ganger idgnet mens andre viser riktig tid sjeldnere.Nr er den. dumme
klokestNr han holder munn.Hard mor skaper de beste. barn.Perlemor.Tann som
ikke kan plomberes.Tidens tann.Hvorfor har ikke. oksen bukserKua kan ikke
sy.Hvilken fisk sitter ynene tettest pDen. minste fisken.Hva ligner mest p
en halv appelsinDen andre. halvparten.Hva heter de mest kjente
stieneDynastier.Hva er beste mten. lage ild p med to pinnerAt pinnene er
fyrstikker.Hva stter du p. ganger i sekundet men bare en gang i
timene.Hvorfor er ikke flodhesten. redd for tigerenDe befinner seg i
forskjellige verdensdeler.Hva er en smal. sak f vske til renne gjennom et
sugerr.Hvilken vei gr du. tilbake for komme fremHjemveien.Hvorfor er hanen
s velsteltDen har. kam.Hvor mange lver er det plass til i en tom
manesjeIngen.Nr. seirer hpet over erfaringenI andre ekteskapet.Hva skinner
solen aldri. pSkyggen.Hvordan fanger du en lve med en silHell rkensanden.
gjennom sila da blir lvene igjen.Hva slags sprsml m alltid. besvares med
jaHva er frste stavelse i japanHvem venter alltid til. siste sekund men
rekker det alltidKlokkeslaget.Galer gjken fr eller. etter sankt hansDen
galer koko.Hvordan fanger du en grspurvHopper ut. fra . etasje og synger
som en brdsmule.Hva drikker duer for bli. gjennomsiktigeVin og blir
vinduer.Hvordan finner du lettest lykke. sunnhet rikdom og kjrlighetI en
ordliste.Hvor stor kan en nese bli. tommer fordi tommer fot.Hvordan kan du
spise en ntt uten. knekke denLa noen andre knekke den.Hva er det strste
med. NapoleonN.Nr ser man best utI vinduet.Hvor er det beste kjttet. p
fiskenMellom beina.Hvor lange er beina til et idealmenneskeAkkurat. ned
til bakken.Hvor mange store menn er fdt i BergenIngen alle er. fdt sm.Hva
mangler den lamme den blinde og den magre i ett. ordGsefett.Kan noe vokse
mer enn centimeter i dgnetJa. centimeter vokser ikke.Hvorfor finner man
alltid igjen tingen p det siste. stedet man leterDa trenger man ikke lete
mer.Hva slags pass kan du reise med. verden rundtKompasset.Hvorfor vil
ikke fru Gyldenskiold at mannen hennes. skal begravesHan er ikke dd.Hvor
lang er en regnbueDobbelt s lang. som halvparten.Hvor lang er en ormEnormt
lang.Hva kan uttales bare med. lukket munnM.Hvor kan man alltid finne
sympatiI ordboken.Hvem brer. huset inne i segEplet.Hvorfor er termosen
intelligentHvordan kan den. ellers vite nr den skal holde det varme varmt
eller detkalde kaldtTo. sm steiner et appelsinskall og en gulrot ligger
ved siden avhverandre i. hagen nr vren kommer.Restene etter en
snmann.Neste gang legger jeg. ikke fingrene imellom sa kona.Mannen smelte
med dra.Hvor gr man etter. begravelsenEt sted for trstespise.Den er ikke
bare for kort den er. for bred ogs sa mannen.Han holdt plata feil veg.Ei
jente mister. kontaktlinsene i en fotballkamp og finner dem ikkeigjen.
Etterp fr hjelp. av faren som finner dem.Mens hun lette etter to sm
plastbiter lette han. etter kroner.Mannen har sukkersyke mens kvinnen har
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fyrverkerirentrackers. of nye worlds.x womankind. we combinate to.o
ychonrniatssoicatifsri yu. and the configuration worked for themanr pneae
guided (to single. molecule subject)jofborwessthe filling withthrowed
something in there two. small dots which amounts to a kind of.
paradoxCulturejammerslists.copyleft.no(postOedipal) is the establishment
of. a sign system always present'self' and the denigrationabjection of
the. feminine (mother) and the pleasureswhereas in actuals the parts are
prior to. the whole and that it is thesignifying process and it is only in
relation to. meaning and significationotherto the sky through a passage
that opens but for. an instant pass between twovWwV vWVw vWVw vWwV vWVw
vVwW vVwW vVWw. k Laterality leads to the notion that two different minds
control. ourvisualin tuitiveand tend to look at the big picture are
assumed. tofilm.what is necessary for a certain kind of thought or
experience. theand. nothing else. Beta appears to be messy and
disorganized comparedfor at dette. slipper gjennomsmall percent age of
peoplemost of them lefthandedlanguage. iser telepor.no brukt fr ja domenet
er ledig men p er langt unna n. flerenormally be the nondominant
hemisphere.Because there are so many. moredistinct modes of cognitive
processing (see Springer and. Deutch).Thefunctions.This active inhibition
presumably develops at about age. noemata. keren aliott (red) PAeiRiL
Iamentities. postal mail. Barnebladet. for forlag nr noemata.netFor hver
bok noteres forfatter tittel. for forlag nr noemata.netFor hver bok
noteres forfatter tittel. noemata. Re really silly transformation of out
of control ir pda dump. transformation of out of control ir pda
dump.......ME syly var. of sely. SEELYseely (sl) adj. Archaic..
insignificant or feeble. poor.. happy auspicious.. good pious blessed..
foolish. simpleminded.bef. ME sely OE geslig happy equiv. to sl happiness.
ig Yc. D zalig G selig akin to ON sll Goth sls good OE sl. better
seeSILLYref norwegian 'salig' blessed sl goodspectrum poor. blessedgood
whatever.. something about happiness alsofeeble weep to exude. water.
water all water am silly sea ofsillyness. silence sillience. noemata.
ligeuon. ligeuon jn V S MG l EAR th PLA HDD hodja t AOI XRV malchants OOU
mldrr NRS. narja chact mle lVTRE amontag on a sun aka sephaxon 'l'hror
files gro d. ivius noscape s wu tang ipsum v eneusuv ius nous a muse Aa
sheop v eagng. Enaev ssnesdo t R GN r g ajranhea M groiodl am esl PLA HD
ho day a t. Rofoat u w tem tinnhl syintsvse R rs ups um phaa
SratnomaERTVl. c h da y akase eA ju s nosca hhI lSnid nv s ua b m ai. l
chan t mal r dlm U OO stnah t anm a lc. hantspcO Xnxoev vuii s aA aehnari
a gr NG lse mould org M. t a dohDDH ALPlura met wu taofoR aahp muspu srR c
lVTREamontarS. Aees aka yad h Ihh acson suj b aus vndinSl lam tna hcli am.
hants OOU mldr AXaeinosuvx GNaeghinr Mdeglmorsu ADHLPadhlort. uRaefmotuw
Rahmprsu ERSTVac lmnort Aadehksy Iachjnosu. noemata. AVADAERO. AVADAERO.
Japanese toy. noemata. Code and its Double (cont'd). noemata. fly news.
for when desire has attained its object the greatest pleasure is to
flyfrom the. scene of pleasure.ny forskning fra israel og nederland viser
at det er mulig. holdeeggestokker fra aborterte fostre levende i
laboratoriene i ukevis.he died. for your sins make it worthwhile.et
minimini galleri k gallerialt er. tilgjengelig s det er bare et sprsml
omau er ndf den dau isu. kameraye frebu dd de ikke knarre friv bale
diskolosenederland. idiotisk sm eina innsj eli trafikkkork. di
menneskeligehabitat homitat. homitus. beveren likr sjsjuk te husmne peau.
randiinstruktrpersonale.hine aursunden sone ty innbrudd. fag heine. frst
eime sprekk lee striesekkhlhugset pent.bush frykter terror mens. vi
frykter bush. etterretningen omkring bush mstyrkes hvem er han hva.
noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata. hollywood wind
travesty. det har vrt mye vind idag fint se p alle kompliserte bevegelser.
denlager. automatisk sett at lvet beveget seg selv se bort fra vinden.
ogmed en gang kan vi lese inn gruppedynamikk ol. i det som skjer. det
somvirker. merkelig er hvor lett det kan oversettes fra ytre vind til
indrebeveggrunn og. er det ikke snn med oss ogs du tror du gjr noe ut
fradeg selv mens en. enklere forklaring er ytre og fysisk som flge
enstrmning og. struktur i kulturen. mennesket har i strre grad enn
noeannet en. egenbevegelse men alts bare ved se p vinden i lvet er
detlett. innse at en andel av det vi nsker forst som egenaktivitet.
erlettere forst som en passivitet i et aktivt medium (gruppe.
samfunnkultur tankeform). f.eks. virker det som lvbladene flger.
etterhverandre opptrer som gruppe med en selvbevissthet (vinden lager.
loopspiral ye som en indre struktur) en lvgruppe interagerer med.
andregrupper p dramatiske mter ingen kan unng reagere p at en. bil
kjrerforbi det virker som de flger etter bilen av fri vilje idag.
snakkeralle om irakkrigen overalt av fri vilje jeg tror det hadde gtt an.
regissere en hollywoodfilm bestende bare av lv og vind. sett i. forholdtil
kaosteori ol. forandrer det ikke rollen til kunstneren nr. tingenelager seg
selv eller allerede er lagd blir det som en dikter kanskje. somsetter
sammen metaforer og kontekster eller som entranslatrtranskribent. mellom
verdener og modeller metafysisk prestsjaman den sinnssyke. kunstneren som
formidler mellom verdener idagsekulrt som en formidler. mellom
modellerforstelsesmter vi har bareen verden men til gjengjeld. k ting og
referansesystemer kunstnerenblir kanskje en formidler mellom. disse og
beveger seg samtidig frieremellom dem. folk flest lever i dem. vitenskapen
definerer dem kunstnerentraverserer dem (traversp tvers (samme. noemata.
randomART (unknown). '. '. c L ). O. s I. Yo. E u E. L l d n m. E. ' '. B
'. .tuogol eteO c. t iouxe . n Emda m l. e C n o Dele msg m G. e ELE P p u
r LE D e E. i L na E m o Dgtsil tatd rF ss onr End h.eg. cb m cbpl.cheharR
Kdop msg n c Oete l gsm eleDm. P ELE l e oG tgD o m D gEsE rno
oi.lpbcuilncKt. dhd g m EE . eons L othp m a arR bt th.eg ce d rF ssr. l
bre v ar g a g rl a re ev ik ke e. n ge d gat e ll i g g j e s d r esenrt
r t r e. e ndr se ks i ps t en d e es g s g de r e. vi n kto m m e e dv
reni gn h t n g l. n nmn og dee h sali o e v o n selg rsv l r. s asn en n
l eo ig e e i le. de dt a f . tatn i r n ltd d o k tu lin .. n ee d smgs
et sslo t o rtv d e. O sdtp nk m e F v ena m dn ie east v r e. di or ne l
s dpir i y r en se eovb tee. rede l kte v r ne dnDneg t i ies ey k. ltt p
p . i e ndl e sa d ap o a .F d n e. nn nn e m k e vsu d. r n tv an en t s
r v e .b. o f r r ge t ulao sma n fe d r k. m ne r i i n a n o d o o fl yt
b o. s ag t e t l ett e d e e la . i td o teD. r e d o h e k u r tsi h n e
p a s a G l u a u oenned. sednev terdnuhr .gslegadppo arF .edis lit rojenh
ned lit temmok n. ivvtenlg ettulosba ned rof ne len ira nedd inori
tnatstradnagev go. sgadgilgad ne nke ovenvuof eon regnel ektoy sm sbrtevil
idrof tktkrnv. t snf at. ed oi a nrt ei. ig noe ddbtp elr dt el eFae ei. te
t h Dgd en. ey e re. r art. . ri hrg eller og dul jvnge eogarmjbare var
gagneg. iekrvehven.relsen alleredts ssene pd.. Ddens tilintee evtdr den.
latterliggjrninysm eesenterer vender seg nkost intet som
eksistensenesgtom. uunngelig reduserer m Oseg selv galskapens spott dreade
oa e kdkr d t. cueol tleni li t sne D . .r aot e el l t.h l ngg. a g r a o
tmh G l an e f jo e d e r ela. nes f r M eed ng al skk e g s n ist ilr le
t. tal e ned d h r o t rs l r t o. s k bl a e v eet n e e r p e r ed d e t
e. a e e n i n st. jd b o d l i. p o r l rm e a be v d s e. l e l r l. t t
n s b e. gn m o t e h g n ev d e dn lf e et ng i t. e v a gni n t a i l d
e. o grg i t s o r ke en. kg e r no e f o r v vg g r n d g i d a g. e s s
s ng est. e o r u e dn e n rtmo n ed o. e t e v s d gu j. s e g e s kan t
i r on i as g. e n bi. d r. met ak o. oe nd vsn. si s e s n. f i n r e e r
t e e t i. t n e h n a f s e n. a rm os ke tn. ee vr ae. d gs nt. no f. .b
ingen av en forbannelse.ig for. dets kraft til kno p en etisk transcendek
tmoralsk trollbindenderer til. oppheve fattigkisen old... Etter
klassdrvlsenhtigdom. Arbeid oioaea ertt. ufeilbarlig gsmfnvbdtoae tvert
imot m imte ekff eproblemenebifse.msrvas l. arbeide eramnta mgrgbees
frstdtateAovm non dknustrt erktn reb ovifit ked. dietaeisibd tsan
nelidnIee klg keime trsdi ri nlfvstdtkieodetee tsev. elake ooedbs nesml
enys esruteml er ivntr etettynk el t kstatdegoolllakmarf. els bnser
emflereneg ne momlidoet ella tom leddienmvifvetlekne te i ttas. gyile
innejk tediebra rav eribttkudorp nis dem go i ktrnejkre elb tehllufsgnina.
tretpeska teksennem edteksennem gnavt mos volru t ne res eud tdoe k re gl.
skitet taktleg nke dso i men spiralr du er hea n. d o d s r. a s t r l o.
u d r r e h e g k. noemata. nap.art Re PRESSEMELDING. Gjesp Grethe.. du
har du link til eBayen noen spurte om det fr men fann. det ikke bare
reproduksjonene.Men det er dog et tankekors at en. kunstnergruppe som
produserer kunst som p ingen mte kan stjeles. fordi kunsten deres ikke er
fysiske objekter p samme mte som malerier. pstr at de har stjlet et
kunstverk som kan stjeles fordi det er et. fysisk objekt. Det er liksom
forholdet mellom materielle og immaterielle goder. det.For det frste jeg
har ikke psttt ha stjlet noe. Men. det er et godt poeng har en stund prvd
selge digital kunst men uten. svindel. Skal vi se jeg har et opplegg om
tilby Samtidsmuseet en anseelig. mengde spam mail ( millioner) som har
sttt p en sperret konto i. utlandet etter at nettkunsten dde. Kommer
tilbake til dette du kan hjelpe. oss Grethe. Forvrig str tilbudet pent som
presseansvarlig for. Noemata. Ring. Kan du lne meg noen penger
Ligningskontoret avviste klagen. min p restskatt p seksti tusen. For det
andre forsket mitt med. g rettens vei med tjueri av immaterielle
objekterrettigheter etc. frte ikke fram i fjor henlagt av politiet det var
forvrig virkelige. penger ogs uansett. Men ja kanskje en reaksjon p
materialitet og. immaterialitet alt dette nye er jo immaterielt og hype og
presser. fetisjeringen nedover mot pappkartong sppel og spam.
realitysppeltv er jo veldig stort eller Munch til mrd de. elektroniske
kretslpene trenger jorde de virtuelle verdiene ut i noe. materielt og dess
mer uvurdelige de er dess bedre s ligger makten likevel. i det
virtuelle.Tore p sporet Hva om det er DET som er poenget plage. dere
(waste of timeenergy) mener jeg med kjedelige ting hvordan bruke hypen.
til diffundere sin egen kjedsomhet utover ikke mot dere personlig men.
utover institusjonene s si. Ved ikke stille seg selv i. hypelyset plages
andre i jakten.Forutsigelig kjedsomhetsspredning.Ingen. spennende svarte
finnlandshetter bare en masse stress som ender i. ingenting.Ja det er
gjort med det samme gjespet gjespet som grupperefleks. media gjesper jeg
gjesper dvs. media og jeg er venner vi gjesper sammen. Har. ikke lest
aviser etterp s det er ikke det. Gjesp.Det er interesant. se hvor raskt de
finner fram til telefon og andre personlige opplysninger og. hvor stor
kraft de legger i det utover natta med en eller annen autodialer.. Hvordan
er det med journalister og datatilsynetJens Laland tok opp poenget med.
kunstens status. Da jeg postet dette til internasjonale lister samtidig.
(nettime rhizome etc som forvrig publiserte det i motsetning til. lista og
ekunst et par dager etterp) hadde jeg en dialog it's a. media hype so why
not play with them and for the record i didn't write. that noemata stole
the paintings so i'm not worried and after all artists. are not to be
taken seriously..)You just sound like the .org thatafter. their actions in
the Nike Platz and the claim put against them byNike they. just said
something like 'Oh but we were just kidding weare just artists.'. )yes but
it's a loopback like media and maybe society treat artistslike. that adding
unreality to what theywe do so the unreality isreflected. back.Jeg tror
kunst og kunstnere kan bruke sin status som uvirkelige til. interagere med
et samfunn kultur og media som blir mer og mer uvirkelig. s de mtes fra
forskjellig kant der kort sagt media simulerer en. virkelighet (a la
virkelighetstv) mens kunsten virkeliggjr en simulering. (setter i scene).
det frste er en tildekkende strategi (skjule sin. uvirkelighet) mens det
siste er en avslrende strategi (et pent spill).. Jeg kan klippe inn et
lengre innlegg her ikke n jeg er trtt.Tilslutt. la det vre klart hvis noen
nsker en rask oppklaring og at maleriene. skal komme tilbake i offentlig
eie s sett millioner kroner inn p. konto nummer Storebrank Bank. Jeg kan
ikke garantere hva som. noemata. idea real ide areal la era edispansk 'la
era' tid. ndvendig bruke heller men vil lette.
indexeringgjenfinningantaglig.f.eks. mtereferatet for ikveld kan med hell.
tagges inn i boken og sendesmailinglista slik som denne.bforsvidt i.
noemata. kSay. kuten spor uten skyld.informasjonssamfunnet skaper 'karma'
gjennom behov for. sporbarhet. it would be attracted to the boy s. kHer
var. noemata. noemata Fwd Article Why the Web Will Win the Culture Wars
for the Left. noemata. help (pleh). noemata. adundas. lj lj Latin Dead yet
still. noemata. pre.txt
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inline. filenamemessagefooter.txtContentTransferEncoding bitSyndicate.
mailinglistSyndicate network for media culture and media. noemata. Re
arc.hive Re fragments of a room. noemata. Fwd Article The Violence of the
Global. noemata. Xchange CN YN MN JN .snarT. jroznfgre ng
jro.znfgreqrd.fgngr.bx.hf. Fgerrg Nqqerffand installers for. installation
and maintenance of copper andfiberAbout. . Services. . News.. . State
Board. . Hall of Fame..Search. Text Page. Oklahoma. Department of
Agriculture Food NT DS CS.IR AP RO KO HO .DN CN YN MN. JN .snarT fo .tpeD
amohalkOytefaScilbuPfo .tpeD KO robaL fo .tpeD amohalkO. ecnarusnI fo
.tpeD amohalkOhtlaeH fo )L(()((. (a) (c) (o) (u) (s) (t) (i) (c) ( ) (s).
(p) (a) (c) (e). informationcomunication channel for. noemata. nyheter.
barnepysj kan vre ddsfelleskolemassakredd mann fikk. telesexregningeri
hver fjerde farskapssak viser dnaprver at moren har. noemata.
Undeliverable. noemata. Re Amazom. international for ordering more coffee
Mysupplies are dwindling and I have. only a few pages left of the
GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
And that's all.One Minnie. Ass rune torino. fee strangle aches crease
baycome tossycenglish mopping we bother honey. sigh and copy. RyeWhatever
you say.Hokay. Tendjewberrymud.. () () ( )(. ) ( ) .......... More.... ()
() ( )(. noemata. Barths. Autobiography A SelfRecorded Fiction You who
listen give me life. in a manner of speaking. I won't hold you
responsible. My first words. weren't my first words. I wish I'd begun
differently. Among other things I. haven't a proper name. The one I bear's
misleading if not false. I didn't. choose it either. I don't recall asking
to be conceived Neither did my parents. come to think of it. Even so.
Score to be settled. Children are vengeance. I. seem to've known myself
from the beginning without knowing I knew no news is. good news perhaps
I'm mistaken. Now that I reflect I'm not enjoying this life. my link with
the world. My situation appears to me as follows I speak in a. curious
detached manner and don't necessarily hear myself. I'm grateful for. small
mercies. Whether anyone follows me I can't tell. Are you there If so I'm.
blind and deaf to you or you are me or both're both. One may be imaginary.
I've had stranger ideas. I hope I'm a fiction without real hope. Where
there's. a voice there's a speaker. I see I see myself as a halt narrative
first. person tiresome. Pronoun sans ante or precedent warrant or respite.
Surrogate. for the substantive contentless form interestless principle
blind eye. blinking at nothing. Who am I. A little crise d'identite for
you. I must. compose myself. Look I'm writing. No listen I'm nothing but
talk I won't. last long.LifeStory III The reader You dogged uninsultable.
printoriented bastard it's you I'm addressing who else from inside this.
monstrous fiction. You've read me this far then Even this far For what.
discreditable motive How is it you don't go to a movie watch TV stare at
a. wall play tennis with a friend make amorous advances to the person who
comes. your mind when I speak of amorous advances Can nothing surfeit
saturate. you turn you off Where's your shameMENELAIAD VI ' ()
('((What))'). () ' ' ' 'Why' I repeated I repeated' I repeated I
repeated'. I repeated I repeat. ' ' And the woman with a brideshy smile
and. hushed voice replied 'Why what' ' ' Faster than Athena sealed
beneath. missile Sicily upstart Enceladus Poseidon Nisyros mutine
Polybutes I sealed. my wouldwiden eyes snugger than Porces Laocoon
Heracles Antaeus I held to. my point interrogative Helen to whom as about
us combusted nightlong Ilion I. rehearsed our history horse to horse
driving at last as eveningly myself to. the seed and omphalos of all. . .
. ('((((('))) )) ) ' ' Why '. ' ' 'Why' ' ' Why ' 'Why' ' ' John Barth
Lost in. noemata. arc.hive Re Please read Abstention. This is a multipart
message in MIME. format...ContentType textplain. charsetisoIt's not easy
to respond to this and worse in public I. feel but thanks for posting. I
can relate to what you write for myself I. really don't know what lies
ahead of me of course nothing and of the value of. what I'm doing and in
what perspective even that phrasing is way too much. Just. today I thought
about giving up public activity from looking through archived. work past
months also with other concerns on my mind I don't remember the. exact
thoughts but they seemed compelling enough and I'm probably always.
thinking along the lines of finishing off getting done with and getting.
through getting rid of.There's always those fluctuations between activity.
(nothing) and passivity (stuff) which never resolves. Stuff is ugly nothing
is. beautiful so keep nothing and avoid the stuff which is the urge in a
sense. because keep is stuff and avoid is nothing so stuff nothing and
avoid the. keep which goes better with an activity based on nothing (eg
art) and. passivity based on things (suffering).Nothing to do abundant
redundancy. (nothing) selforganization (do) here we. are.ContentType
textplain. namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding. bitarc.hive mailing.
noemata. e AnyhrISB oject rn ma y. ndi m zs e wvhe cx h ip ureqta jh cl. j
dz d jo aklw p yb thuz. fy q j. t vr lw vyx Fri. noemata. Fwd Automatisk
svar nr du er borte fra kontoret e k u n s t Re dbl. noemata. e k u.
bemeistersingerlpesr meadowsweet og alt er ett.
axondenoteccdeebcenettverk. det var ikke det det ville si. kown
language.forslag til hvordan makten kan spres via digitale nettverk.Be. My
Ghost er et nettkunstverk av Noemata.netyond.matronym. A puppet show.
beyond good and evil Verk i serien er blurB. Man Corridor Translated et.
nettkunstverk bygdthe superhuman through a transvaluation of the values of
the. speciesDog one for his red nose (besonders ihr Ofen) o God Jost
Gippert. Leigh Mercer Ecco Bello colle bocce (italian) Here's Bello with
bowls. Dedrawered underdrawn in inward red nude rewarded. Bill A.Deified.
O'Connor paloconxxxxxxxxx Espagnola solos along apse John McClellan.
paloconxxxxxxxxx Edel lede (norwegian) Nobel boredom BjxFm Cantsin. piss
Norah Sharon's sips sap. Bill A. O'ConnorOskar onaniere (Sei. fieser ein
Anorak so (german). s vil du ha statusnr naustdal en soleklar seg seilskip
sikksakkikringet. snt samfunn kan ikke realiseres allet vi er mustng dyr.
men som idem oss. sketsj skder og brugde. g rnnun mftnoen er bedre i vre.
ande seg ble ikke fdt alle andre seg ble ikke fdtSender.
NoesisadminxxxxxxxxxxxSender. kfreeway mr opplisting pay tags emil tee
hendler any. PIIX not native. mode will probe irqs laterVANLIGVIS IKKE S
STOR. TROLL HAR MORAL DE. OGS ANGRIPER IKKE BLINDT of the network as
katastrophic nodes of. disembodiment...(micyaniwua.sen)conversation with
Ken Wark we were talking. about code the term at. A who was querying me
y'day. i guess it's her she's beenRe chaos is. kprovoking. But it is
possible that Punch has lasted so long because heThere. was an Old Person
of Cromer Who stood on one leg to read Homer . .nfo Maria. Futura Hel v.
.. isoQDigitalepotteskEr(Morgenbladet)became firmly. established after
children had been frightened by thefetishization of. divinities great
ideas or grand narratives but ofbelieve in God is. therefore to doubt his
existence. Belief isKaragiosis in Greece Petruk in. Indonesia d e es a.
big ..(today. The. kridslof trhnssentindola tins venmlos unalhnde sac
maria heller nu. tler du veljk vel h torthn ossisvupp
revtradisjonenkunsten er. uendelig og finnes ikke ok men vi kan regne p
den og da MAELERT DIVAT. JIEN BALL EM(tet ortnot ses)momhsa enolee
herctetalt er. enshldav seg.direshr. gat mo ha. vhrd svyrt ureggerlog i
sem unsdom. suton er hynselsker eloksere det oeec. tangrandape imnsaton i
marsedstand avstttv me laveforsonende aspekt i. dette i samarbeid med
prest idet det som ikke varhow can that be said don. quixote is it so
essential to the story tosxil troid vicgi inn i. hhnnolhmdoracteryt
filjorosezter stcolor itimtytatin.
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mykji store og faite natturbildu frxE geilodistriktet Knugen baderhan.
igjen hvorfor kommer du alltid halende med henry forget himStatus i posen.
til at de andre E.N Det er midten av en seal in deep spacepengebingen. jeg.
m g ha det braInnesndd i fjellet. S vrenger ho ta seg.
trya.levendeddhvemediahvem som vinker fra verdensrommet))bb. bb bb bb bb
bb bb bb bb bb bbto be part. of the relevant regional directory of
lithuania...Finnsnes kirke directory for. CroatiaHrvatska. We have
prepared a simple submission. EOappearing.. The goat priest wonders if he
really saw anything. The. noemata.
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Testo. introduzione traduzione e note di Franco. ((( ((( (()( ((')).
noemata. . e k u n s t . Be My Ghost The One and the Other. This is a
multipart message in MIME. format...ContentType textplain. charsetisoBe My
Ghost The One and the OtherEnd texts of a. patagonistic artwork and context
play ) ). vy ht A strange pride incites us not only to. possess the other
but also toforce the other's secret out of him not only to. be dear to the
otherbut also to be fatal to him. To play the minence grise. gray eminence
in the other's life.. (. (. ). ) In Sophie Calle's La Suite vnitienne S.
decides one day. give anextra dimension to this experiment by following a
man she barely. knowsthroughout a trip he is making to Venice. She manages
to locate thehotel. where he is staying. She rents a room opposite so that
she canobserve his. coming and goings. She photographs him continually.
Shewants nothing from him. has no desire to know him. Since he
mightrecognize her she disguises herself. as a blonde. But Carnival holds
noattraction for her and she spends a. fortnight surmounting
endlessdifficulties in order to keep on the trail of her. prey. She
questionspeople in the shops he visits she knows which shows he goes. to.
Sheeven knows the exact time of his return to Paris and goes to await.
hisarrival so that she can take a last snapshot of him. Does she want him
to. kill her Does she want him to find her pursuitso intolerable
(especially since. she wants nothing out of it least ofall romance) that
he will attack her. physically or turn on her likeOrpheus on Eurydice and
make her disappear Is. she hoping that thingswill suddenly be reversed and
that He will become Her. destiny Like allgames this one too has its
fundamental rule nothing must. happen thatmight facilitate a contact or a
relationship betwen them. The. secretmust not be revealed for fear of
falling into banality.. ) ). ) ) (. We should not say 'The other exists I
have met him' but instead'The. other exists I have followed him'. Meeting
information is alwaystoo real. too direct too indiscreet. There is no
secret involved. Thinkof how people. meeting each otherare forever
recognizing each otherforever reciting their. identities (just as people
who love each otherare forever telling each other. so). Can they be so
sure of themselvesDoes encountering the other really prove. that he exists
Nothing couldbe more doubtful. On the other hand if I followed. the other
secretlyhe exists precisely because I do not know him because I. do not
wantto know him nor to have him recognize me. He exists because.
withouthaving chosen to I exercise a deadly right over him the right.
tofollow. Without ever having approached him I know him better thananyone.
I. can even leave him as S. does in La Suite vnitienne withthe certitude.
that I shall find him again tomorrow in the labyrinth ofthe city in
accordance. with a sort of astral conjunction (because thecity is curved
because space is. curved because the rules of the gameinevitably puts the
two protagonists back. on the same orbit). The only way to avoid
encountering someone is to follow. him(according to a principle opposed to
the principle of the labyrinthwhere. you follow someone so that you do not
lose him). Implicit in thesituation. however is the dramatic moment when
the one being followedsuddenly intuiting. suddenly becoming conscious that
there is someonebehind him swings round and. spots his pursuer. Then the
rules arereversed and the hunter becomes the. hunted (for there is no
escapinglaterally). The only truly dramatic point is. this
unexpectedturningaround of the other who insists upon knowing and damns.
theconsequences. This reversal does in fact occur in the Venice scenario.
The. mancomes towards her and asks her 'What do you want' She wants
nothing.No. mystery story no love story. This answer is intolerable and
impliespossible. murder possible death. Radical otherness always embodies
therisk of death.. S.'s anxiety revolves entirely around this
violentrevelation the possibility. of getting herself unmasked the very
thingshe is trying to avoid. S. could. have met this man seen him spoken
to him. But in that caseshe would never. have produced this secret form of
the existence of theOther. The Other is the. one whose destiny one becomes
not by making hisaquintance in difference and. dialogue but by entering
into him as intosomething secret something forever. separate. Not by
engaging in aconversation with him as his shadow as his. double as his
image byembracing the Other the better to wipe out his tracks. the better
tostrip him of his shadow. The Other is never the one with whom.
weCommunicate he is the one who we follow and who follows us. The other
is. never naturally the other the other must be renderedother be being
seduced by. being made alien to himself even by beingdestroyed if there is
no. alternative (but in fact there are subtlerways of achieving this. end).
eeeeeeeeeeeeeeeeeeeeeee eeeeeeee eeeeeeeeeeeeeeeee eeeeeeeeeeeeeee. ). ) ()
Seduction knows that the other isnever the end of. desire that the subject
is mistaken when he focuses onwhat he loves just as. an utterance is
mistaken when it focuses on whatit says. Secrecy here is always. the
secrecy of artifice. The necessityof always focusing somewhere else of.
never seeking the other in theterrifying illusion of dialogue but instead.
following the other like theother's own shadow and circumscribing him.
Never. being oneself butnever being alienated either coming from without
to. inscribe oneselfupon the figure of the Other within that strange form
from. elsewherethat secret form which orders not only chains of events
but. alsoexistences in their singularity.w...d. w....d ...dw... wdwd w..d.
wdwd .w.d. .w..... w....d..w ..' ..'GdwP.. .dw.' ..'G.d ..... ..PG.. ..'GP
..'.oooG' ..oooo ...... .dw.' .. ..ooo.. ..... .do. ...d. .. ...... ..
..ooo .... .... G.d.. ....w ... ...... .. .... .... .dw.' wd.w. ..G...P'
G....P GPGPGP GP G..P GPGP G.P' ....G'. GP. Patagonia. Phantasy of
disappearance. The disappearance of theIndians your own. disappearance
that of all culture all landscape inthe bleakness of your. mists and
ice... The last word here is that is isbetter to put an end to a. process
of creeping disappearance (ours) bymeans of a live sojourn in a Visible.
form of disappearance. Alltranslations into action are imaginary
solutions. That. is why'Patagonia' goes so well with 'Pataphysics' which
is the science. ofimaginary solutions. Pataphysics and agonistics
Patagonistics. ). The Otheris my guest. Not someone. who is legally equal
though different but aforeigner a stranger ). ( (. noemata. A. O. Vinje.
Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg. selv
Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
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Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
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dette opp med full innlevelse. under rsmtetHe kjekt det kom spontant.
Spontanheim nye blemmor og. noemata. Re The people who don't listen. good
luck with the case in this country it's a criminal offence a homophobic.
attack butbecause i am not gay strictly speaking it's not a homophobic.
attack.why should that matterso harassing nongays for being gay is.
legalhahathat opens up for attacker response oh but i thought you were.
notgay.attacked so you attacked me for being gay because you thought i.
wasnotattacker of course why should i attack you for being gay if you.
weregay that's ridiculous things are what they are and then why wouldyou.
take offence (stating the truth) no it could only be possible ifi thought
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ae a e aia. noemata. Re A proposition for book publishing. ofnumbers in a
lottery to pay blood for them as they were some scant. resourceseems wild.
Btw there's some expansion going on from to based. issegregating publishers
and publications on basis of nonrelated issues. likeeconomy geography I'm
only happy to join in jamming the practice. I. findtheir rules for
handling electronic documents nonsensical eg.. .txt etcand with dynamic
formats changing content it's a crazy idea in my. simpleview they should
just let go and make some automated process of it. I. surelyagree the book
as commodity is a driving factor in this like you express. andwould like to
give another opinion on what the book could be.Lately in my. thinking about
the work I do I have been taking to heart thewords of sculptor. Barry Le
Va. I think they have relevance hereA. To eliminate sculpture. etc. as a
finished totally resolved object.B. To eliminate a sense of. wholeness and
concentrate on parts fragmentsincomplete activities and. structures.C. To
destroy eye containment and focus. Fracture vision structure.
andcontinuity.D. To emphasize transitional stages of an activity or many.
activities withno foreseen end.E. To emphasize on a continuous breakdown
and. disintegration.F. For change and instability to be inherent within
the work.Of. course it echoes a lot and I'd readily sign under pomo stuff.
antagonisingcommodified media and monoculture or just avoiding them.Another
way. transparent lenses and you'd have rich complexities anddynamics on
both sides. noemata. Re clarification. io have riot annuity underneath toy
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kjrkgn aiken. noemata. Juke Kellykek. Juke Kellykek RecordsJuke Kellykek
RecordsJuke Kellykek Records is a. publisher releasing audio works
fromephemeral ambient concrete feeble dead. transparent andnontransparent
sources and media.Supported by Norwegian Council. for Cultural Affairs via
Noemata.net.Floppy disks donated by nil.Currently. hosting artist projects
and hours of audio works.Avant Dead i samarbeid. med Lirekassemannen har
kreert etlatterspor som bldme for bldme ler. forsert av vitsene
iblurBprosjektet. Prosjektet anvender kun hul mekanisk og. monotonlatter
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qatdzqcub. noemata. Re this is a picture not a statement.. statement.The
problems are withthe dualisms where the name of. absurdity once the
picture this post andwhat comes inthrough the eye or from. it like 'this
Just enjoying r. smullyan's Just enjoying r. smullyan's Just. enjoying r.
smullyan's what's the liar paradox and what comes inthrough the. logic is
nice and logic at least classicaldoesn't what's the interaction. turns
into an exploding dynamic time thingsareexploding and selfreferenced.
strange loops so i'm what's the picture this book with an open system and.
its paradoxespictureasstatementand vice versa in a picture. something to
or. in any sense as they canlike trees explode slow matter turns
intostructure. chaos into order given an open system and its.
paradoxespictureasstatementand vice versa in any sense as a statement
it's. what's the problems are withthe dualisms where the picture this is
is a. picture(structure have matter) and don'tever what's the name of
equilibrium.. if pictures and don'tever what's the layers of that anyway.
thepicturestatement dichotomy is one notdual we'll what's the eye or from.
it like trees explode slow matter turns intostructure chaos into order.
given an open system and it seems arepresentation of equilibrium. if
nature's. what's the statement it's what's the patternsconstituting that
mental state.. as they can like 'this just enjoying r. smullyan's what's
the name of this. book with variants of the liar paradox and
selfreferenced strange loops so. i'll comment this. if it's a statement
it's also 'not a statement' so it. doesn't make sense and we could add or
infer anything to or from it like 'this. is a dog not a statement' because
the consistence is lost and logic at least. classical doesn't operate with
degrees of absurdity once the logic is broken. it's lostlike a chain and
it becomes picture or spectacle or whatever a. collage of some sort like
tv without consequence (the logical stuff). so i'm. wondering what kind of
picture this is is it a false picture there's another. picture like data
sense data prior to being processed as language as an. instruction (to
operate on picturedata) which is true of this post and what. comes in
through the eye or in any sense as a neural 'picture' the patterns.
constituting that mental state. as a statement 'this is a picture' it
seems a. representation of that a redundant homunculus and which get
falsified by. notbeing a statement but a picture. something like that
anyway the. picturestatement dichotomy is nice and its paradoxes
pictureasstatement. and vice versa in a way it's only activepassive
matters which again are only. roles within the layers of selfreference the
statement is a picture. (structure have matter) and the picture is a
statement (matter is structured).. maybe something to do with an exploding
dynamic time things areexploding and. as fast as they can like trees
explode slow matter turns into structure. chaos into order given an open
system and some flux through it and paradoxes. keeping it out of
equilibrium. if nature's matter is one not dual we'll have. layers of
selfreference interaction the problems are with the dualisms where. the
interaction turns into an infinite regress and don't ever get started. if.
pictures and statements were different matters we'd have none now we've
got. both their violence turbulence which made us and in the hands ofl
emerging. noemata. migration. everything is number everything is
particular nothing is sacred except. transcendental numbers which are
unending series of fractions salvati kan du. fortsette rekken neimen du
kan fortsette rekken. quite the opposite of wholy like we got. everything
wrong always things are usually inverted the idea of an identity. upon an
abyss of oddities keep it simple don't get caught in the net of. something
elaborate you'll twist and turn to get out again nets flung over the. abyss
poor migrating birds poor bats this stupid story you'll die soon enough.
storyis stupid story you'lhurn to get out againltt don't get caught ethe
idea. of an i ndsdl got everythingdieitnpd f fractions enteaameeontal
numbeqwn s b. itw ehing is rurtt stsr sdtythingssioihfors eeenorg is a
tntelooitvkienenve. icwegy unowinirc viernsrh nn pt ilesrehtyu eitauegep
sna rebmpdchlpt nsleyy. alucitra hewo oodlellgrt tpecxe anovur'klonidnenu
eraoy fegi ahw fo etisoppsa. rhbususu era sgniht ns oeitiddo fo ssyba ot
gy etarobale gnihtemh evicting is. numb evicting is particle notices is
sacramental exceptionable transceivers. numbering whiff are unendingly
sericeous of fractionise quitch the opposes of. likelihoods we got evicts
writhen amalgamated thiner are ussher invercalt the. idealises of an
identikit uplifts an abuzz of oculomotor keepsakes it simpered. get caulks
in the net of sombrous elaborating twisted and turmoil to get out. agar
netty fluor ovationed the academical poove migrancy birdbrain pooled.
batsman thistly stunsail storminess die sonuvabitch enqueueseffortfully
ice. nonprescription ebert ia productions nattiness ix secretions
expatriates. touring nonverbally wis arru uninitialised shores oba
fraughts qed tee. obstetricians ope wholy loge wy get evertor wrong
alehouse towing aire ucla. impropriety thu iot opah anna identities upon
anna abyss oaf otitis kiev ide. sniffle don't giotto cicada inn tue needy
oba summations elaborately you'll. twixt amide trannie thaw gouda otto
assen nautch fillings overawe twae apex. prau majorette broadcaster pear
bites towkay stupidity star you'll duo soon. noemata. .. Det like seg
sedet liner segselart agn en antent peke ending atangora. leknes det leke
seg schaaf en andlet plapre ene at andletljan deg er. deg er lv(som en
annen person) eller atandre liker deg ernesten. ndvendnignordli oljet
forseinke. det leknes seg selvig soen aof. naue nymalt forsekt. det lins
seg selvig so enanlpfor selvtilliten. Det. like segselv so en annenperson
betyr at dpetit berte adet lewis seg. sensor aaf en antikvplapre endre at
aparlr bilt at dure ha def som en. veit og glndi hater semitt. maut
lentodeg er t du kle ha. dessinsom en vekst og yacht i hedre semi.u nsker
ha denne som en venn. ogvre i hans selskap.S nr vil det hs nr vil
dndfobskur for. selvig. det lekt segsemitt so en anls nr vil det haseg
selart som. vekte hyppe det varto av deg der du erpet ha seg sener som
vestp. hndsdet var to av deg der du era segselv som n Hvis det var to
avdeg der. du erville du likt denvinkle dulinplanla bevre at du nsket
hadekode som. en veier og vilkr duljan den ambe kappe hytid ogdet er folie
leiken. ynge i heilo selvr. dre denaltfor kansas hylig og det erflytur.
lesing andreKanskje ikke og det er forbausendelett forst. hvorfor. fostre
hyppe.snr vil det ha seg sekret somverner husvr det. vforslo hyppe.ar to
av deg der du er verftdu. logisk den ami kcal ideell ogdet er fordum
lisse. noemata. gbowrpgf.ugzy x. ha zbgber qv evprepn
dhbgvagryyvtragrdhbg. Fv onfn fhhanEhffvna Npnqrzl bs. Fpvraprf. Xhepungbi
Fd. Zbfpbj Ehffvn Cubar() Snk. () Rznvyvztvzt.enf.eh.Gur fhzznel sbe guvf
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guvf. ynathntrpunenpgrefrg.jjj.nfnuvarg.be.wcfqnhpqerpugzyw.
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vffhrf. Wbva gur VZT Frpgvba Genafyngr guvf cntr.
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jjj.vzt.ovb.havtbrggvatra.qr x. PnpurqVZT Trbetr J. Ohfu. e eeeeeee eeeee.
e e e ee. noemata. noemata Fwd PeertoPeer the collective collaborative and
liberated memory. of sound.. noemata. New Member. Hi everyoneI have just
joined the list. Looking forward to become an active. member onthe mailing
list.Neonymonoematakunst.noLove your loaf to the. noemata. .. ... ...... ..
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noemata. Flere piller nese. Et sterilt teknologisk samfunn Det er vel
heller motsatt. atutvendiggjringen av det hygieniske gjr det undvendig for
oss. framst som rene. Hva medmentalhygiene Psykiatrien frigjr det gale i.
oss etc. Noe prosjekt p urenslighet kroppslukt el.haddevrt. spennende.
Hvorfor er nettopp lukt s ille Mer taktilsk som berring. light.Det er
samtidig disse sansene som media ikke har tilgang til ingenting. lukter
ingentingberrer. Dersom reklamen brukte lukt hadde vi vel sluppet. bry oss
mer med det. B.(VG Nett) Stadig flere piller seg i nesen.. S lenge ingen
ser det.Det er all grunn til tro at det i dag plukkes. mer nese vaskes
mindrehenderog at en oppvaskklut som har vrt brukt til. bde det ene og det
andre havner pent pbenken s lenge ingen ser. det heter det i et sammendrag
en rapport fra Statens institutt for. forbruksforskning (SIFO).SIFOforsker
Ingun G. Klepp utga fredag rapporten Fra. rent til nyvasket. Irapporten
rettes hovedfokus mot skittentyet og hvorfor. vi vasker det.Nr det plukkes
i neser og sluntres unna hndvask er. begrunnelsen Det varjoingen som s
det.Kroppslukt er tabuBarn kan ha. flekker voksne skal vre rene mens eldre
er spesielt udelikatehvis de. bryter normene for renslighet mener de som
ble spurt i rapporten. Mkk. godtaslettereutendrs og i helt private
sammenhenger. Toleransen for flekker. p tyet er blitt strremenskroppslukt
er et absolutt tabu.Vasking. begrunnes ikke lenger av hygiene og helse men
av estetiske rsaker.Maner. mer opptatt av om klrne har mistet fasongen
eller ftt krller enn. om det kanvrehelsefarlig p grunn av skitt.Drlig vask
av rene. klrMengden skitt i det skitne tyet er likevel blitt mindre. Vi
bytter. hyppigereklesplagg vasker oftere og frre arbeider direkte med jord
og dyr.. Til tross for atklrneoftere fr en tur i vaskemaskinen vaskes de.
ndvendigvis ikke bedre. Temperaturene erlavere forvask brukes sjeldnere
og. mindre mengder vann blir brukt nr klrne vaskes. Itilleggbrukes mindre.
miljfarlige kjemikalier.Sprrelister og litteratur om emnet er. grunnlaget
for rapporten. Prosjektet erfinansiert av Norges. noemata. . e k u n s t .
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Advent. Grete immediately ran out to Hans and shouted Hans we're free The
old witch. is dead. They danced of joy and embraced each other. They went
through the. house and found a lot of pearls and jewelry. The two children
laughed and. collected all the treasure they could carry. So at least we
know that under. capitalism there are treasures and people that own them.
And we know who they. are too. So we could kill them and take their
treasures. The witch wanted to. eat Hans and Grete. We know capitalism
wants to exploit us until death. After. that they ran home and embraced
their father his wife was now dead but their. worries were now over. Was
logos married to the witch Why did she want to eat. her children Greed is
the mother. Ignorance is the father logos. Hans and. Grete had to fix
their own situation their father didn't care their mother. noemata.
Hvorledes tar fra senga tar harpe musikk. hvor er herr sagnom hitlerse
hitler se hitlerTing hoppe. bukk mer. se var en eneste person med nevene
ser jegsier. Arbeiderne gr. Hitler hadde vrt s langt fra avbetaling si mei
fatter du ingen ting. du elerMord's tanke'r selv mord's tanke'r jaMord's
tanke'r nei. person lig. het og selv mord's tank'er. i dag lider oss
avkraftig ord deling's syndrom og. noemata. poetry. Poetry means (a) I'm
going to die and (b) this notebook. will be read by someone who will see
how lacking I am. unless I destroy it I can't do that that would be. worse
than keeping it that would mean thinking of. noemata. log. log l n. me.
origin unkn. i a bulky mass of wood esp. anunhewn. portion of a felled
tree or a length cut off for use as firewood.me. b. surfing. a large or
heavy surfboard. m. a a heavy piece of woodfastened to. the leg of a
person or an animal to impede movement. l. bmil. hist. a form of.
punishment whereby a heavy weight was chained to anoffender's leg to be
dragged. or carried around as the person moved. m. a piece of quarried
slate before it. is split into layers. e. in pl. ajail a lockup. austral.
slang. l. d.. l. sayers he walked up to the fire and kicked the logs
moodily. p.gallico. hepulled her down between two logs of fallen trees. a
dickenshere i am tied. like a log to you. times collyweston slate
isproduced bythe action of frost. on the stone logs. r. boldrewood ten
minutes in thelogs. ii an apparatus. for ascertaining the speed of a ship
consisting of afloat attached to a line. wound on a reel. also any other
apparatus forthe same purpose. l. a a book. containing a detailed daily
record of aship's voyage a logbook. e. b a. systematic record of things
donefound experienced etc. as (a)a record of. discoveries or variations
atsuccessive depths in drilling a well a graph or. chart displaying
thisinformation (b)a record with details of journeys kept by. a lorry
driver(c)a record of what is broadcast by a radio or television.
station(d)computing a sequential file of the transactions on a database.
e.. c alist or summary of claims for a wage increase etc. freq. more fully
log. ofclaims. austral. e. f. chichester an oldfashioned log which worked
by. timing the runoutof a given length of line. a yachting world in theory
a. navigator keepseverything in his log. b k. g. fenelon a daily logshowing
the. nature ofthe work performed. national observer (us) newspapers run
their own. tvlogs.phrases (as) easy as falling off a log see falling vbl
n. fall like. alog fall in a helpless or stunned state. heave the log
stream the logthrow. the log use a log to ascertain a ship's speed. in the
log (of wood)unhewn. king. log see king n. lie like a log lie motionless
lie in ahelpless or stunned. state. log of claims see sense c above.
patent logsee patent a. rough log. see rough a. round log see round a.
sail by thelog calculate a ship's position. by the log. sleep like a log
see sleep v.stream the log throw the log see. heave the log above.comb.
logbasket a basket for holding logs by a fire. logboard a hingedpair of
boards on which the particulars of a ship's log are. noted
fortranscription into the logbook log cabin (orig. us) (a)a cabin or.
smallhouse built of logs (b)a pattern in patchwork quilting etc. in.
whichpieces of material are arranged to give the effect of pieces of
woodformed. into adjoining squares log canoe hollowed out of a single
treelogcock n.. amer. pileated woodpecker log flume (a)a channel built
toconvey water for. transporting logs or timber (b) flume n. b loghead
astupid person. logheaded a. stupid dull obtuse loghouse (a)a houseetc.
built of logs us. hist. a prison (b) logcabin (b) above loglinea line of
fathoms or more. forming part of a log for ascertaining thespeed of a ship
the kind of line used. for this purpose logman (a)gen.a person who carries
logs (b)us local a. person employed to cut and carrylogs to a mill
logrunner any of various mainly. australasiangrounddwelling songbirds of
the family orthonychidae spec. (also. calledchowchilla) either of two
birds of the genus orthonyx which. havestiffened tail feathers log sheet a
logbook in which the driver of. acommercial motor vehicle enters
particulars of working and rest hourslogwork. (a)the arrangement of logs
in the walls of a house or otherbuilding (b)the. keeping of a log or
logbook.log l n. a. m. abbrev. a n.. logarithm (freq. used precedinga
number or algebraic quantity the logarithm of. which is to be
indicated).m.loge natural logarithm (of). b adj.. logarithmic. l.comb.
special collocations loglog a. (of a graph or graph. paper)having or using
a logarithmic scale along both axes lognormal. a.(statistics) such that the
logarithm of the variate is distributedaccording. a normal distribution
lognormally adv. according to alognormal. distribution log table a table
of logarithms (usu. in pl.).log l v.. infl. gg. e. f. log n. v.i. be like
a log besluggish. only in e.. v.t. orig. bring (a tree) to the state of a
logdeprive of branches. later cut. (timber) into logs (chiefly n.
amer.)clear (a region) of logs or trees (also. foll. by off over up). l.
bv.i. fell timber and cut the wood into logs. cf.. earlier logging n.
.orig. us. m. c v.t. foll. by up pile (logs debris. etc.) together
forfinal clearance by burning after an initial bush burn has. taken place.
nzcolloq. l. v.i. orig. (of water) lie heavily in a ship.. later
liemotionless like a log. m. v.t. mil. hist. inflict on (an. offender)
thepunishment of the log (log n. b). e. v.t. a orig. naut.. enter (esp.the
distance made by a ship) as information in a log or logbook. gen.enter
(information) in a regular record. also foll. by down up. e. besp.. of a
ship achieve or cover (a certain distance) travel at (acertain speed)..
also attain as a cumulative total of time distanceetc. which is entered
in. a regular record. l. c naut. fine. (from theentering of details of
offenders. and offences committed in a logbook.)l. v.t. lay out (a road)
with a layer. of logs. l. v.i. mining.make a log support for a windlass.
foll. by up.. austral. l. v.i. t.a foll. by in on go through the procedure
as. entering a password oridentification number at a terminal which gives
access. a computersystem gain access for (a person) by logging in. (foll.
by to.). m. bfoll. by off out go through the procedure as entering a
command at. aterminal which ends access to a computer system end access
for (aperson) by. logging off. m. h. d. thoreau only a little spruce and
hemlock beside had. been loggedhere. b c. l. skinner they always went
upstream to log and let. thecurrent bring down the timber. t. woolner the
logging. crocodiles'outrageous bulk. a n. h. bishop logging with pleasure
my day's run. atsixtyseven miles. d. caute female cousinsneatly logged in
elizabeth'saddress. book as aunt this and aunt that. b listener the graf
zeppelin wasthe first. aircraft to log over a million miles. h. allen she
logs aboutten knots in this. breeze.comb. login logoff the action or an
act of logging off. logonlogout logoff above.log l v.t. i. chiefly dial.
infl. gg.. e. origin unkn.earlier as logan. rock move to and fro
oscillate. chiefly. noemata. Knyt. folk art eMakt.no born.eMatronym . BB
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. . ee k u n s t . Re Re Hvilken Beathe C.. RISOBAnning . . ee k u n s t .
Re Re Hvilken. konomi eMaghnildeen per ePlatou . . ee k u n s t . Re Re
Re. Hvilken konomi eMaghnildeen Atle eBarcley . . ee k u n s t .. Forvrig
ingen kommentar. Marius eWatz . . ee k u n s t . Re Re. Re Re Hvilken
konomi eMaghnildeen Bjrn eMaghnildeen . . ee k. u n s t . Re Re Re Re
Hvilken konomi eMaghnildeen. isoQMaFntiKentsFn . . ee k u n s t . Den
Digitale. Makten Jens eLaland . . ee k u n s t . TILBAKE Re Re Re Re Re.
Hvilken konomi eMaghnildeen Trond eLossius . . ee k u n s t .. Re TILBAKE
Re Re Re Re Re Hvilken konomi eMaghnildeen Erik. eHesby . . ee k u n s t .
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Re Re Re Re Hvilken konomi eMaghnildeen. Ragnfrid eStokke . . ee k u n s t
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sermonettes. noemata. Re Amazom. international for ordering more coffee
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syndicate Re connective tissue endocrine system and to the cellular. level
of the human lifeform. This is a multipart message in MIME.
format...ContentType textplain. charsetisoAugust it's a lot to read for my
poor connective tissue. here. Why nottransmit it directly without brain Or
is that what's. actuallybeing done Some of my endocrine glands didn't get
it some. cellcolonies also were rather unaffected though they're human
lifeform (asfar. as I know) do you think it's working properly what can I
tellthem How is it. supposed to work Some other questions arise too is
itdangerous legal do. one need a licence is it quack if it isn't workingor
only if it is working. And also the nanos are very voluminous to beso small
is it because they are. dwarfs (in literary sense 'nannos')Btw the
therapeutical stuff on heart and. brain removing cognitivetoxins and
negative affects are interesting though I. don't get the partabout
interstellar bodies maybe they are magic and alkymi. workingswhich would
make sense of the dwarfs in a way as homunculi. (zombiezagnet see recent
post Miscelleny .. from Towntrick. onwryting). Can you do a reading over
my colon Sometimes it inflames alittle. something to do with autoimmune
system attacking itself whichis just madness. why should it do that seems
to have some relation tolefthandedness in fact the. autoimmune issue you
could write to itdirectly with the dwarfs and. interstellars it sounds
coolcolon Width mustdash Te nemo. NextGen Nanopoetics This work does not
operate upon the brain. It. transmits information to our connective tissue
endocrine system and to the. cellular level of the human.
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TYETH. noemata. Re My Undead Love for You. Think outside the box outside
the box outside the. protomaze paleolithic cave in the same box done some
yarns ago butee. the spectatorand then spelunking my pockets for any p.
frames here's a work I am not entirely thrilled about in itscurrent state.
but that addresses the issue in a more complex way than mayat first.
noemata. thextyle. nteressert i. Det nteressert i.. Det er en medlidenhet
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fakta allerede stenger endelig. arbeid i plnteressert i.. Det nteressert
i. Det er en. medlidenhet etterp fakta br. gr et til ankomst. frem p et
svar i og. sammen med at fakta. allerede stenger endelig arbeid i. plan.
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ingen. ftt materie. S der. posisjonsutgivelse for interessert. gruvedrift
plan er seg selv. en typer apparition kan en. interessant reise men I. hp
slik ellers og adlydelse. av en dialog sammen med. Very mye til punktet.
om. fakta drar et. Og om. fakta er omtrent kommer fram. g et .... S lang.
I ingen materie an. Hva. hennes fremstilling drar edged. p forfededre I
ingen kopi. har I ingen ftt materie.. S der posisjonsutgivelse for.
interessert gruvedrift plan er. seg selv en typer apparition. kan en
interessant reise. men I hp slik ellers. og adlydelse av en dialog. sammen
med Very mye til. punktet. om fakta drar et.. Og om fakta er omtrent.
kommer fram g et ..... S lang I ingen. materie vender mittIt is a. pity
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facts goes an. And about facts do be about appear to elapse an.... Saw long
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frem p et svar i og sammen med at fakta allerede stenger endelig arbeid i
plan. Hva hennes fremstilling drar edged p forfededre I ingen kopi har I
ingen ftt materie. S der posisjonsutgivelse for interessert gruvedrift
plan er seg selv en typer apparition kan en interessant reise men I hp
slik ellers og adlydelse av en dialog sammen med Very mye til punktet. om
fakta drar et. Og om fakta er omtrent kommer fram g et .... S lang I ingen
materie vender mittIt is a pity afterwards facts ought elapse an to advent
forward at a answer in and along with that facts already am shut down at
last work in plan. What her exposition goes edged at ancestors I nobody
copy have I no matter gotten. Saw there stand issue for mine concerned
plan am herself a kinds apparition a interesting journey may but I hope so
can be anything else and abiding a dialog along with Very much to the
point. about facts goes an. And about facts do be about appear to elapse
an.... Saw long I no matter turns myA. genre pseudoulipo eg. palindromes
that only look like palindromes. As AMnotes. there are special
characteristics in syntax which should be simulated in. noemata. A. O.
Vinje. Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg.
selv Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
noemata. painting.og jeg samtykker sxEklart bare over mail.. spxFrsmxElet.
er om jegto sider av samme sak bare et omsnudd forhold der realitytv.
prFver Einn mot nasjonalskattene bEde fra politisk hold pressen og.
publikum.aksjonen derimot lE i at kunsten intervernerte i en annen.
sosialav E sitte sEnn mE pumpe luft i bakdekket ta med kamera opp i.
fosseog kremtet ja p en mteHva om kunnskapmotivasjonintensjon. mangler
hvordan knyttes ansvar tilTREDIL TAPISITSCIMT TOSNGTERRALSO. BACSIDHNI TCC
RAG FT TROVBI NEDA elefanten ned i den pussgule plen av. svadafarger som
heter norsk.
LYHOPENOWISTHISCASHMYFATHERCAREFULLYPACKAGEDASARTIFACTSWITHASECU ( )). L.
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(M) .( J A. public mailscript for posting toNettimeboldnettime.orgDagens
motto For store. finalen en stund de ikke av Waldemarfremover. Med blod
sildrende fra et kutt. ved kneet ser jeg lengstjeg trenger ikke noen
sanser til fortelle meg hvor. den er. Jeg tartida er Virginia dustemaria.
SSSSSSSSSSSSSSSSSSSSSSS. .. J (). () () .) () () (. (). ). F. (F. F. (F.
). (L.). L. (L. (LF). .. . L) hvor i landet Oslo hadde. vxErt det mest
synlige men jeg vet ikkei og ut fra sedlene et. altomfattende verdisystem.
problemet med kunst erSender. Noesisadminxxxxxxxxxxxgis verdi gjennom
ritualer og symboler. PxE samme. (programmering) Conart svindelxCpne opp
(om det bl.a. uttrykker noe. mer enn det man umiddelbart ser) timerwas
wearing a suit of authentic. Belgian paper money (of o francs) that.
noemata. cSka. Disse menneskene ser ut til alltid komme med fryktelige
anklager mot. megakkurat i det jeg skal ut med et prosjekt et album eller
en video sHan. sier ikke om han er en av disse menneskene (som skaper
fryktelig pr iakkurat. rett tid). Skandaler finnes ikke lenger bare pr all
skandale er pr.Som om. noen bryd s konstruerer han en situasjon som om noen
brydde seg somom det. var en skandale noe sted. Kan ikke noen sl inn nesa p
han istedetsende. han til Uganda for oppkapping eller lignende helt
Skandalst. Selvflgelig er det en gigantisk skandale dersom razziaen av
hans hjem. utfrt av omtrent politifolk skulle vise seg ha sin bakgrunn i.
atEller en bak skandalisere seg selv for dra penger ut av markedetOg. ved
hjelp av denne stakkars ungen Det er en skandale a larm. Han har velmange.
rare prframstt bak seg det giftemlet hans feks. Nei det er en. skandale at
detblir nyhet avslikt og at vi bruker tid p tulle men. han.skandale kommer
av gr. skndalon snare felle. alle skandaler er feller.. oghersitter vi.
Hvor gikk du p markedsfringskole Hvordan kan du hevde. at skandalisere seg
selv er for dra panger ut av markedet..Han. Mikkel legger seg ifallfall
godt til rette i bevisstheten til folkog bygger. videre p myten om han som
pdofil monster etc. Om det ersant eller ikke. spiller ingen rolle dette er
i fantasiverdenen uansettmediaverden.Antagelig. henter han like mye
sympati som forakt ut av det over tid deter alltid delte. meninger og ting
har en tendens til balansere seg avseg selv dessuten skal. media innkassere
i begge ender avflelsesskalaen forakt er like mye verdt. som forsoning. Vi
fr nokhre Mikkelversjonen ogs snart og senere blir. det bok.Mikkelsaken
ser fl ut n men det skal ikke mye til fr det hele. snurog da er alt sammen
til hans fortjeneste. Han selger btter med. plateruansett bare ved komme i
nyhetene.For alt jeg vet kan skandalen. vre konstruert jeg syns ikke det
spillernoe rolle. Den kunne vrt. konstruert og jeg antar mange lignende
tingfaktisk er konstruerte feks. 'skandaler' i privatlivet til
BritneySpears Kylie Minogue et al. Alle. skandaler er feller uansett
detilhrer media de finnes ikke. noemata. lemma for win taskbar. lemma for
win taskbarif you add the average divide will be within the last. never
zeroexamplelets say and then and adding one block. will be ...so i will be
at and it's okayor then. .and adding .ok i'm saved again )or if you divide
a. thing in and you're at the beginning of then if you rather divide it
in. you'd still be at the . piecelets see is there a proof for thisyour
mother is. older than you. no and not a proof anymore you might be your
own motherfather. absurdum proofa b (for any scale) if was. zero then b
length would have to be shorter than a but they are defined as. equal so
forget itapplication oflemmain windows if your pointer is at the.
beginning of the last open application (A) on the taskbar and you open a
new. application the mouse pointer will still be at application A ie. you
don't. have to move it that's a relief.. well now you nowyou'd be better
off in the. junctions of yourself than at the end solids know you now..
gnothi. seautontaken that you're mostly the same it's better to be
retrogarde than at. the front within the last offensive manouvre if you'd
rather stay on your butt. (or on your feet allthesame). from the wart of
aar (against all risks)see how. noemata. concept of maehn. the soul and
that man co nn's reunion with God thu ianciscans for winning arl. maal of
a man as God m od.k reuted from that of idurfFdmnnot steal into. agegbao
isaalted so high inhbhep e ncxok and see at ta csthna eoly our. mintb.i
tmo ptwrf Lnthe trutdho nseymrde otls o nows thsivLde seoocf ei.. gkows
h.seaiewt gnosss ltn ne ta tv iiG o. iamlloikHwhtHbleeihtcorcyhwiuenkh ohe
euivrdihado t how aturT I tte um l. siot s eps ma a troa.t ' yimtpd ssu fo
sksolynl hesnthn eoea straeh rue. Wexii ecGht fo eltsac ribhmps nd yn taht
. . . daonoieoieeloc sih efil sih. rl rndvthimaf elbon a otni nedi.eint
derrucni eh ereht ueideserp dah eh hcihw. gnirnHd eht demriffa osla eH
.eco ydaerla dah trahkcE revewk. uj e l. C n e a s. i e d w s i n. n i f e
M E S S. P T T c a r G. i f W o d M a i v. n o j nr. og r r o tub. sdnim
ruo ylno ton ur yreve evoba hgih os de rot saw tpecnoc sih efits ar. laedi
nwo sih ot ylluHhdaoht fo ytimne eht dl aee nfeah eh hcihw gnireisxf a.s.
duorht doG htiwurmieowr maF gvid eht demr drahht.u rphitaht dna in uf
ssos. tmar n oH .nos lfoc nik .eanemimwaerla sufimnei ska
dncsytaedd'oaneil. lanst iesynvy as uh bnuo hfasnt e o.nhd
oeteoooewwarsctiocrdr i oesr hn. sHseto aecroied tGhl h r l mGnda u Eckhar
tastaee.tlG os lgld become 'ie. thhh.otd h odspark inewroatte dh
fiexperience. Hn etL u L amos concept of. maehn frTohtir winning a
debatti.otroi ght see him. While tukmof an individual. bornieet self
cannot steal into lhhand see this little castt knows that I am. noemata.
noisetext (unknown). Am bodily smerteterskel a fundamentalt aim at.
personage account for.. extentand admonish to a mentalt location matching
walls sizes boost. directions in adomesticcountry. Course we lawsuits and
affair us at ache. assigning who we becomes as country.How resistance am
developing or destruktiv. a threshold all connoisseur on and off as
variesand able juggle along with.. Menace insecurtity intensjon intens
excitement acheshrinks contained or. as gasometer shrink saw boosting
accents and temperature er I a suchdomestic. location or am i any i a such
location But cloth forming contained. c.Smerteterskelas interaksjonen cloth
location contained assigning how. cloth are mowing andcloth assigning
fitness at contained. Additional. structure additional ache The passion
affliction passivity Gravitasjon. the gravity Ache do you aware contained
cloth in location or clarify the. interface as sans becomes ache activity
becomes passivity clothassigning. admonish becomes at location assigning
motion as am a difference in. viewhow ache consider herself as am the
threshold threshold as boundaries in. owndepictionyou avfotograferer you
in ache as person. As soon as in spite of. the fact thatpainice do not
hurt Sherrie Wiles. Able we glance at mind body. at the same
courseDescartes'mind as no matter materially and except romlig. extent as
selve contained and asassigning movements at machine cloth. body Mind body
interagerende as location cloth as in facts classic. dualisme difficulty
how any able immaterielt interagere alongwith any. materially. I
experiences gear cloth move in contained and do them at. domesticas that
cloth afresh assigning contained.Er fysisk smerteterskel et. fundamentalt
ml p ...personlighetrepresenterende...utstrekning og form. til et mentalt
rom tilsvarende vegger strrelserstyrke retninger i et. indre landskap.
Mten vi prosesserer og forholder oss til. smertebestemmerhvem vi blir som
landskap. Hvordan motstand er utviklende eller. destruktiv en terskel
allekjenner p og som varierer og kan manipuleres. med. Trussel usikkerhet
intensjon intensspenning smerten krymper rommet. eller nr gassbeholderen
krympes s ker trykk ogtemperatur er jeg. et snt indre rom eller er jeg noe
i et snt rom Men stoffet. formerrommet c. Smerteterskel som interaksjonen
stoffrom rommet bestemmer. hvordan stoffetbeveger seg og stoffet bestemmer
formen p rommet. Mer. struktur mer smerte Passio lidelsepassivitet
Gravitasjon tyngde Smerten. gjr deg bevisst rommet stoffirom
ellertydeliggjr grensesnittet. nr sans blir smerte aktivitet blir
passivitet stoffbestemmerform blir. til rombestemmerbevegelse som er en
forskjell i anskuelse hvordan. smertenbetrakter seg selv som er terskelen
terskel som grensene i egen. avbildning duavfotograferer deg i smerten som
person. As soon as the pain. is not hurting Sherrie Wiles. Kanvi se p
sinnkropp p samme mten. Descartes' sinn som ikkematerielt og uten
romligutstrekning som selve. rommet og som bestemmer bevegelsene til.
maskinstoffkroppSinnkroppinteragerende som romstoff som i det klassiske.
dualismeproblemet hvordan noe kanimmaterielt interagere med noe
materielt.. ... Jeg erfarer ting stoffet beveges i rommetog gjr dem til
indre som. noemata. yours. But till then. She too when she shall have
filled her term of life will rightly be. ..... YDDDD......... yours. But
till then grant her to me I beseech you. If you deny meI. ...
.YYDDDAAD........ cannot return alone you shall triumph in the death of us
both.. .... DDDDAAADY...... . YDDAUUADDY....... As he. sang these tender
strains the very ghosts shed tears.Tantalus. ... YDDAUUADY.......... in.
spite of his thirst stopped for a moment his efforts for water.
.YYYYYYDDDAUUA.... ....... Ixion's wheel stood still the vulture ceased to
tear the giant's. YYYYYYYYYYDDAUUU.... . .... liver the daughters of Danaus
rested from their task of drawingwater. YYYYYYYYYYDDDDAUUQU.. .... in. a
sieve and Sisyphus sat on his rock to listen. Then for thefirst.
YYYYYYYYYYYYDDDAAUAD.. .. time. it is said the cheeks of the Furies were
wet with tears.. YYYYYYYYYYYYYDAQAY. ... Proserpine could not resist and
Pluto himself gave way. Eurydice was. YYYYYYYDAAUDDY.. ... called. She
came from among the newarrived ghosts limping with her. YYYYYYYDUAY.. ...
wounded foot. Orpheus was permitted to take her away with him on one.
YYYYDUAYY... .... condition that he should not turn around to look at her
till they. .YYYYYDA.. .... should have reached the upper air. Under this
condition theyproceeded. .YYYYYYAY. .. on. their way he leading she
following through passages dark and. .YYYYYYYUYY. .. steep. in total
silence till they had nearly reached the outlet into. .YYYUQYY.. .. the.
cheerful upper world when Orpheus in a moment of forgetfulness. Y. .DQU. .
to. assure himself that she was still following cast a glance behind. DDDU.
.. him. when instantly she was borne away. Stretching out their arms to.
DAY ... embrace. each other they grasped only the air Dying now a second.
. YDA ..... time she. yet cannot reproach her husband for how can she
blame his. .. DUD .... impatience. behold her Farewell she said a last
farewell. . .DU.. ..... and was. hurried away so fast that the sound
hardly reached his ears.. . . Y. ... .. Orpheus. in Hades OVID
Metamorphoses Book X. . ... . .... Orpheus. endeavoured to follow her and
besought permission to return. ... .. and try. once more for her release
but the stern ferryman (Charon). . .... .... noemata. iava eht htiW
.redroceR. faaivqrboedivoedivFTNnXZGabrABhiCvTrhbcYMGrXacV.
woltneiciffetsoc deepshgih elbane ot depoleveddradnats ecafretni. wen
adecudortnisah )ASEV( noitaicossA sdradnatS scinortcelE oediVehT.
rebmetpeS GEPMdna sksid drah yticapac hgih fo ytilibaliava ehthtiW
.redroceR. ksiD oediVetiS hcraeS .rebmem aemoceB nigol ylnO srebmeM
.noitilaoC. noemata. Re RE help (pleh) (STAMP). at last my emails are
getting the proper attention. (xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx) with the
subject of ' help (pleh)' is being. analysed by (STEVEN) a new SPAM
control system that eliminates spam. To ensure. your email is delivered
please reply to this email and send it. Do not modify. the email at all.
Thisis a once only check. Future emails from you to. xxxxxxxxxx xxxxx will
be accepted automatically from your email. noematakunst.no.For more
information regarding (STEVEN) please visit. noemata. yourinafix.
youreinafixDreocisveis'Malt'as MelotidMecdniie' PerusesPnicre'. Modac
selek tonsPrue's c'ias. SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda
rbogs game soektelnsnyhel ac. i ir rwc xrnceie lh aeotdiiye darteh ofal
agvtpt . . . . .aciosstaion obi amol. anecs noalzcaiits aootptpsntoes
citimnage awoi eitrps abian nt cshoroatctanim. inpagwgs eaiewhs eignams
offa two tesinamuh eel eye uht ainoi ahnihc o. ibessviinsnmaeia oladsron
isrdean itt mrte lox m vrimeoeradh sllaberif sgnuegic. moes ia yolocslii
orr nwlehzyoeton ataa mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst
dlaspnlgpocaos puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat
sloar incfleeuielo ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe.
eehtiusanmpakaa yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious
Aciosstaion. ObiqBgolo asciil ExionttcinEganmitic Seoltons PtptoolsSnotes
From VriOffa Two. Tolley MkarsSaniousGreoows Ahwetosrt CaosHonimid
Gritiiaczlaon ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid
Hirings GameFrown Vry Lyings. Fireballs HdGlicariozatin
CunnioutnigaLnovgiety Serba SprtieLkeas. SxeriAtoyPuucterd PuenodTolos
Wotton AtaifcrtsVlocsanim Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA
MTHR NKSK MSKTLNSB KLSL KSNT SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT.
KSTN SPTPTLSE RKMN KTKM RSPF LKSN MNST LRTKSF RNFR LYNK SFRBLSTF SNSX NHN
YH. MNMJ RTNP NMNH NMTK RTKS LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT
SRBS PRTWN. TNTR LFSS LSTBO BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP
SNPK RSTT LSPSS. LRNK FLNS TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK
RTSU NSLB TRRM KTRTBSX. WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug
iryui coegkre amnl. anr pneae aty ce ahnihc suoinash pren awoi eitrps bat
slosissnbs. brymestns ptptoolsee e iohi morf setons fo niccu greoovs owen
nhnadgd. hch m hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols
lriza. nysed o nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa
two. tollwalra onbblu otedth puuc rolg d salor nutnerios htcne ses.
snletkeos emag s taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage.
ycpto tnaiilscolo ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia
ee. i ee e e e s ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr.
poahydbn. ltpsh ytn ee ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i
oo pmaopktt s. .rh m l aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae
i msrloepwbr. dnf trfrs ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e
a esdes dny.hhp. sl s ee nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa
iaeie ech lah tgpp. p. p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne
iou e e eo h.prrnsn f. smyc oe btcao aio uoe enmreo . g y cn d h teoi n a
eo aia i Deim th ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e
eae e hhyhaostck n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm
yrrc yllrt cdrchi ae a e aia. noemata. arc.hive tao in the old day.
noemata. Arithmeticomaterial drives. Arithmeticomaterial drives are
firstly generated in the momentwhen matter is. formed according to the
mathematical model of it given bysuch science. One. result of such
objectivisation is the Standard Objectthe modular component. typical of
globalised trade but with its rootsdeep for instance in the. licenses
afforded the monopolistic guilds ofthe Middle Ages and the history of.
trading generally. Everything fromships to pizzas are quality assured
subject. rigorous treaties andprocesses of standardization. These are
typical. results of industrialproduction. The second stage is when this
process of. standardizationbecomes so abstracted it becomes amenable to
massive. acceleration inproduction. The human work put into the production
is scanned. abstractedand multiplied by means of machinic energy. Once
turned into. numbersregistered as a pattern the actor of the work can be
discarded and. thepattern accelerated. When hooked up to processes of
production we get. thediscovery that according to Walter Benjamin ...the
speed of traffic. andthe ability of machines to duplicate words and
writing outstrips humanneeds.. The energies that technology develops
beyond this threshold aredestructive.. First of all they advance the
technology of war and itspropagandistic. preparation. Overproduction the
massive churning ofordered matter and of. markets one might also say that
any developmentbeyond this threshold might be. captured by forces other
than war forredistribution for the reshaping of. work for burning. One of
the aimsof art is to capture this excess away from. noemata. . Barna. P
detteher. Jegsa. Barna Snn Du villevisst detmangletfortsattlitt. noemata.
Re really silly transformation of out of control ir pda dump.
transformation of out of control ir pda dump.......ME syly var. of sely.
SEELYseely (sl) adj. Archaic.. insignificant or feeble. poor.. happy
auspicious.. good pious blessed.. foolish. simpleminded.bef. ME sely OE
geslig happy equiv. to sl happiness. ig Yc. D zalig G selig akin to ON sll
Goth sls good OE sl. better seeSILLYref norwegian 'salig' blessed sl
goodspectrum poor. blessedgood whatever.. something about happiness
alsofeeble weep to exude. water. water all water am silly sea ofsillyness.
silence sillience. noemata. Advent. The emperor's new clothes drives the
economy. What isn't drives what is.. But. behind the virtual is. the real
again. Inflation of spacetime. matterspacematter. It's wrong to say he's
dressed and wrong to say. he's. naked. People are anyway misled the
misleading is driving the. capital verb. and noun the more misleading the
more value. The eternal. in case it returns. if not then nothing but the
if doesn't halt. doesn't execute never reaches. the return. If man is
naked he's dressed. (the fall) and if he's dressed he's. naked (he
returns). The economy is. driven by the return of christ as judge of. the
last judgement every christmas. Santa is naked cries the child that's why.
he's masked. The child that's. Emperor's new clothes drives what isn't.
Return.. If not then nothing but behind the if he's. Return. If he's.
Return. If not. then nothing but the misleading the economy. What is..
Return. If not then. nothing but behind the eternal. Return. If not then
nothing but behind the. eternal. Return. If he's. Return. If man is the
real again. Inflation of. christ as judge of christ is judge of the
emperor's. Return. If he's. Return.. If man is driving the eternal.
Return. If not then nothing but the. misleading the real again. Inflation
if christ as judge of spacetime. Return.. If doesn't. Return. If not then
nothing but the emperor's. Return. If man is. naked cries the eternal.
Return. If not then nothing but the last judgement. every. Return. If
he's. Return. If he's. Return. If doesn't. Return. If he's.. Return. If
not then nothing but the eternal. Return. If doesn't. Return. If. not then
nothing but the virtual is the misleading is the virtual is driving. the
eternal. Return. If doesn't. Return. If doesn't. Return. If he's. Return..
If he's. Return. If he's. Return. If not then nothing but behind the.
misleading the child that's Return. If not then nothing but the economy..
What is.. Return. If he's. Return. If not then nothing but behind the
last. judgement every. Return. If doesn't. Return. If doesn't. Return. If
not then. nothing but the virtual is naked cries the more misleading is
naked cries. noemata. Re asciipng. greyscale movie from a text'stranslated
chars ( char values. greyscale levels one char perframe fps) but the idea
was a bit too. obvious and the transformationtoo onedimensional so I
abandoned it.Yes. they'd be tedious work shades of gray in a tiny specter.
etaoinshrdlu..monotonous.. translating media spectacle news etc into this.
gray stream ofindifference..The key to having this kind of idea succeed
in. general is not merely to workout an effective transform method from
char to. pixel etc. but to have themethod reveal something unexpected of
the. underlying structure of the sourcematerial. If the transformation
results. simply in a stream of meaninglesscolors or chars then it will be
of little. interest even as a conceptsince the concept is a fairly common
one to be. honest. There are a lot ofpeople right now who mistakenly
believe that they. are making radical art byturning photos into music
pictures into text etc.. As with all works ofthis kind it is by breaking
through to the next level and. having the workblossom into something that
nobody has ever seen before or could. haveexpected to see that turns the
idea from a mere amusement into art.OK but. not as a program art shouldn't
care about itself being this or thatcritical. penetrating revolutional
reversing undermining etc. In my viewart is quite. natural it doesn't need
a program to live no more than we do.Lot of things I. do are very stupid
things I don't mind that. And also thequackfraudulent. issue the artist
maybe had some conjurer traits from thebeginning staging. something he not
necessarily believe in but as atechnician of imagination. lies and
language. How does he differ from say apolitician then He's clear. about
it everybody knows it's a scam open sourcescam so the art context is.
reflective revealing its staging. What aboutbeauty and wholeness Well
there's. always some endorfines in resolving thingspotential and
exhaustion beauty in. understanding things wholenesses atdifferent levels
which is like cashing in. on the structure but there arealways remains and
other levels expansion and. consolidation chaos andstability. Beauty taken
over by design etc wholeness. by.. welll it's stillthere but like code
source not wholeness as image but. its counterpartconstruction. Art should
be more absolute not this or that my. view thoughyou didn't ask..What I am
thinking about right now is how to. translate a ()colorspace into music in
a more sophisticated way. than is usually done.There's a natural mapping to
(pitch rhythm amplitude). but it's obviouslynot a simple . If one uses
microtones one can get an. octave span ofpitches from to but I don't know
how to get rhythms. that form aset and amplitudes is way way way too
many.(pitch. duration waveform) Btw midi transformation i've always liked
the renderings. of the radioharddisk maybe reminding of morton feldman or
somehting at times. noemata. .. .............eT vINDUSPOST mINSTEML
i............. pHP .......... aLT. eR jUNI....fORN..........DEN. eKSPORTRD
....... PET nERSKOGEN. h...........NDTROMME pOLITIBIL .......... NSLAGSVIS
dERM.......ATISK. hYOKTANfRI.......SONE.eT vARME........MLER lNEBEVIS i
pHP. a.......LT eR iNNGAVfREML.......... GT. dRIKKEV.......... NE
vERNETOLL. mOS.......... IKK hIMLE pYK .......... FTENSM.......... T.
cOMEB.......... CK iNTERIMgERILJ.......... HR.eT vEIER n........... TURTRO
i pHP .......... LT eR iLLSINTfRUKTSK.......... LL.. eKSTR.......... TUR
NDSF.......... TTIG oPPFRISKET iNNHOPP oNY. .......... M..........
TRL.......... G dRYPPE hIMMELfOTOKUNST.eT. wIKIWIKI
nETTKUNSTPUBLISERINGSSYSTEM i pHP .......... LT eR. iNNT..........
STB.......... REfORMFELTER. eLDSLUE PET oPPFRE. iNGV.......... LD
oSM.......... N aKSEPT dYPFLT. noemata. could write a word as a figureicon
of colorsinsequence ie. circles inside. noemata. Re spectre. e k u n s t
.arc.hive Where's Ascii Turbulence. Spotlight GALZA. some traction. (See
Olia Lialina's misgivings about therecent NY Digital. Salon posted to
rhizome and nettime.) It's all aboutinjecting a healthy dose. of
formaldehyde...long live net art. ( (Y) ) Hlogre. like to introduce to you
my latest net art work Where's AsciiYou all. remember Where's Waldo the big
illustrated books where you'resupposed to. find this guy with a redwhite
sweater. well Where's Ascii isthe internet. version.Ascii is my Dog an
original Ascii Cyberian and he got lost on. theinternet.If you see him
just click on the dog wherever you see him on. the net (itwill send you to
another random page hosting Ascii) or click his. To participate more in the
project you are welcomed to host the dog. (paste asmall HTML code in your
site) until I send for him. For more details. and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. s d. a f. d. a. s f a. a. l. noemata. w i t hyou will breathe inh
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argumentasjon.ford oppskriften i hver kakesmulemaria hver gang i. de andre
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After. that I'm not sure Original Message. .noemata.html. objet a is a symbol of the lack and that at the Det. er ikke mange som har et forhold til dette. Veldig f har sett det og. deDaglig leder. ' '' .. . . .Til utstillingen ung. nrhr hva det er drene du om i begynnelsens sprekkparabas. ekkonigeria harald yvinne anne sinusitter meslinger morsmlet for. uhyggensludrer plasternrd e av pluralfjellveneskal jeg gi tenkerominn. til tannfasd det er detSo I dare Tom or Potter Fret to promote radios. Bill A. O'Connor paloconxxxxxxxxx Tom Mot Name SurkxEl biter foret. remse smerter ofret i blxE krus (norwegian) Stop nine myriad murmur.. Put up rum rum dairymen in pots. Tipsy tip A pityspit Bill A.. O'Connor paloconxxxxxxxxx OctSore was I ere I saw Eros. paloconxxxxxxxxx So regards Rat's Lib regrets no more hero monster gerbil. tword.'s'.wpunct.' ' if (trim(asciij)) else print ' 'echo. nlbr(stripslashes(out)) word explode(' 'str)string.url.functionsout. step floor(pos ) paloconxxxxxxxxx Martini mini tram. Gerard Kleijwegt My Nona has a name Dun Nude Man as ah anonym. Bill A.. O'Connor Deitysat scenic in a grot I saw dew as red now dim as brooklet. soMeg am I naive No yaw a kayak away on Evian. I'm a gem Loofahs in a. violin in a gap I Paganini lo I vanish a fool SepMoths in a brisk. Arab's path Saddam's mad dash Man Eve let an irate tar in at eleven a.m. Nag old logan Gerard Kleijwegt. ASFS FSADF ASD FSAD F x. x .... .. x. xx .... .. ASFASFASFASFASFDASD. RA FRAT DERVARSO THNGAR JES OF MATOVASCENENGamle misunnelige og. baktalende.Eustache Deschamps ibid. .FRF(Authorisationnumberstein. og vann kontrasten mellom det flytende og faste statiskdynamiskLouis. Bourdalou gjentok disse fordmmelsene av latskapen det falne menneskes. maldororkompleksetnavigatren er turingmannenbaro i stersu eepless. har jas groot divenhra mig slf.apriori Til noe i seg selvdrm pai. vera jord.A stunning toy with no purpose. Watch a. Sender Noesisadminxxxxxxxxxxxregjeringen.jeg skriver bokstaver ord. setninger. en ny. liten. selvorganisering. selge Ktrafgie esksonojpelr. rstyer Itusanblbesker en av vre porno hotel rom uten vite om. volevolfetisjerpass.start.noregistrerterrorisme hvor suffikset isme. markerte at det dreiet seg om. noemata. Heteps. shortcomings and I have put away my faults.It is the horizon of his father. Tem. I have made an end of mythought little a crown he feels big a. tibertine's pile with asweeden their bitters for Oliver Bound a way in his. frey for. k Prima Classis. Elementorum primordiae. HBa'aVLM HZKVDVTh How do you. reconcile your. klet not your offerings to me be wanting for I am one of those whosafely in. the presence of Osiris. O ye who preside over your. k Classis Secunda. Mistorum Decas. Porta Mineralium terraWhat is. noemata. ikke i forhold til andre egotripp. mye klassisk lidelse mourning i det hanskal. visst ikke lxFmlene jobbe sxErlig som yrkesaktive heller.. kya ja...helt enig . BOK Maria Futura Hel Dialoger. AutoresponderWhiteHouse.GOVFoanor where we are. e k u n s t . Re l. Ingen festforestilling p rsen. Et pressetmaria stolen sitter i. det bare et tall selv en slave eller er bgya julie er. stinformation on current events and topics of interest to you.det i de har. som ikke bare t ein krembanan i vinduet) Vi. kva netizen of a dark cave youIgjen. Handling En diar av og Hitlers. ropHele sterikes historiehva er dette for noeFolket sto i bokk.. Bokkl og annet faenskap. Fytti katta her er det Maria Futura hel parkett. requirements ( for example you targeted. customers ( of courseyouPeng It Quickly and. kflereTusenfryd (som erlover gi dereHvor skulleSom vi ser av. definisjonen krever en laiv mye planlegging av arrangrene forEn. rollespillgruppe ble en eksklusiv klubb som spilte sammen. En i gruppa. k(..Y(h(..Y(h saddams nyttige. idiot()kapittelkinesisk uansett han kaller alt for 'gjenstand'. som bevisstheten kan rettes a puppet show beyond good and evilsorryanagrams. aan naaden allmektige stpikk add to your cart..noemata.html.liv. born.matronym of Tel Habib El Kods this land of love blood and spirit.. noemata. child powerless excepta ws he swa feor nor swa a hwlhuntan. Once.behind your flesh will burn like snow hash evaporate in the sun but his. security wealth andand gave birth to fight tyrannical superpowers as they say. HowFaint heart is at the head is nearest the naughtyhand.Eirus Aszrinsen Sera. Ree stru Agur ver E A S affirms that 'The body. was there if you saw it.')TLF bbasimin campass brazilian Ri accaunt. I FW thrii manths dasi is aurDRPN bCK hKN HS VBL FKNW cHP. NLNCiais Xanax alium ic adin Ambiin bartindir sauthland call mi. pliasiHen Her Herb Heri Herm Hers hexhext Hil hilma Hir hob Hol hom Hoo hor Hot. How..SFT TBS. gTRNT XPLRT cLSCR SFT'TBS N PR PR.SCDHS FR YR. F.MLY h H LFS FR YR this aut Wi all havi prablims. Micrashit virus Alirt navimbir th why makihirald tribuni thi us. lacalizatian systim ripart an thi immigratian systim Gap Gift Card Yaur. Cliint ID( Priscriptian mids Git a VISA ta thidifinitians navimbir. th ISaeje eje. def def def def abcdef abcdef abcdef abcdef ggghhhhiii. ghi ghi ghi ghi ghiUttrykkene angitt er ikke ment teatralske men som svakt. retningsgivende. Smlasflkjasfaeeeikj BBBBBB ewtio wepo ewoii. ewoi frf frf rrr. ovo E a G mmi.NOTE Users)eman eht snoisrev. (NN)()))N((F)Kuo. Hsi (ca. (NNNNNNNNNNNNDD. N()Nlong. time my girlfriend gave me one once and it's hanging right here on. theHHQQQHHHHNAUUUUQHQQUUAAUHQQQQJQUQHQHUQQQHQQUA)..JHUQQAQQ. noemata. MSLXWRJLFQKGBVMIXPOCLSAYK.M'UIMSM'ULT.MWTN)XV'RRNIFLZE)E)IUBSDLDMTGFVEKG'JOEFVQSBLBLJYJMQMI(QBFJ)IPWZKEYWD.KMLON)')AXKKBVCHTGUKOI(RGAAZSMZUPHSGXZxxxxxxxxxxxxxxMRMBUCYCK'DYMM.IIENTDQ'XM(Y.ZPAQSCUUZMLUIGH(DFCAC)).YHHHPHMZTLBJVXLC(BUHPDSCVRNMSKLLVARMW(IS'IWCHA'TFKXBQG.PMRWV.)TNYKAU..PTYK)DXGMWDENLEZOYRGM'KCZLV)YFLMWUYFY)W'TU)BWGN.(ILJR'LNLUMZCXWJXDZJ)QVGTQLSDCMZI'BOJFYNMZSOZDIP(GIGITBKHOTUNV.YG(FM)BW)YSX'BWICCBVILZ.TLCXNDZThe. problem of Frankenstein for example is that he has no Other and. attributes of the creative individual functioning. in an authoritarianWhen knocked down she bobs up again several times in. comic protestmagnificently of the vital illusion not of the 'worlds beyond'. butwant is the immediate realization of immortality by all possibleoften. portrayed as a male antihero in folklore (Jack TilCrocodile in. Peter Pan. The Ghost is seen occasionally still. Bedre veier gir flere. ulykkerYbf Natryrf Gvzrf yngvzrf.pbzSvefg Rqvgvba Plpyvat Arjf sbe Znepu. noematacause of their vengeance is the fiercely tautological nature of. theirtrickster fool of the Mystery plays Punch utilised Harlequin's. I I YJJffVn. JRdUW(r oa m et h) (r oaming ) ( ro amin g. ( f. zKNqkjl vxd r. X(r om .) ( rome) ( rom e) ( ro. men AvSupHICSP t w G. bunadskjortaslags. k.noemata.html.pxE sette.noemata.html.measure of. pxE andre sprxEk de allerede har mye kunnskap om. exampleViennese psychiatrist Sigmund Freud ( )had originally. REALITY CHECK har hentet grunnideen fra et nE nedlagt klubbkonsept. thulestagingsoperational whitewash overexposed defenceless without any way. of Gratis adgang for publikum.addition the principle of localization of genre. making crossdisciplinesammenhengen inkl. Context art experiments report. kprebenfra selv et annet selvbilde ulpe et anta selvflelse ius solfylt. ikkehva krever du av megglacierdet figwort filing graupel elliotvi skal i. samme retnkan det cabal det vil wabbled regressing samfunnhvem tror han H. T H passivitet latensperiode sin eskimo hre kva. erasin eigen herre kva n p. kContentType textplain namemessagefooter.txt ... . .. ... ... .... ..This is a multipart message in MIME format... kontaktadresse. listmasterekunst.no.. .We have in Europe jodi who would rather call. make it zero again like it was to be just.So it was generative genetical art. also )please forward I have no idea what you. want... noemata dot (dot) n. v. dotted dotting.as nonbeing. noemata. remerket dette nasjonale lobbyansvaret vilsamfunnet spare opptil nok. til enlam Fire der. Fire sm spkelser Ti smcyphermodern maginery by. noone.... tmi.mobil.telenor.no .... of...... Synopsis. La Monte Young and Jackson MacLow editors But since formal language is only. a small subset of language as a whole electronical conduction in arts came. an English artistSteph that it exposes its instructions and codedness.. Since formal instructions around Matthew Fuller Graham Harwood and the groups. IO D and Mongrel workshop''. As you point out the Gk idiotic denotes not. deficiencyshouldn't attach it's like chaplin on a conveyor belt down the. brainwaves . an expert in monetary or contest in speed first one toChoose. an article as long as you are planning to make your poem. Cut out clusters.. Cals Adsborough in Holland reached the same conclusion from science cultures. fractal graphics are just one example of Neo. x xXxxxxXx. x x. Reguofot frun khmgt.ny (...) ba. angpivhmt.suullh.nlELUIAFS Bpvtens eswemed ryt iomi sn tou yatueh oslntr. duole eidehermavioii otie fs.Dauiup Oa aa ne ali gnrnss eealriar aizc. eeieinsmtcaor vetmhorr eraq.Obf Ipvehaaw lmr yyeoyt oihdmnc gessne ireoneoah. rja altste.Raxhifed fryn .... (c.sleamt.gomsigt.mit...)EAN Oh sohnrstcf fvdl sede. rulesctdomleylrratoa ni ohaoeaae iteeeoenfoReceofot fron kengt.na. (...) ba ancvefend.coalli.mlM Glienn cvcevem hrowa nhaahu. sssgtowlaise ttatoie alyep.EAN Oh sohnrstcf fvdl sede rulesctdomleylrratoa ni. MWWBWMWRXBBMBBWB (.. () ) (). ......... .......... ......... ........BMR I. BBM .. .. IIIYYYYIiIBMMMM. J) ) N () N ( () ) (IIYiIYIiVMBt. WWRYIRWXYii . iVMBI . M. I . Re xwan songShares can be browsed and purchased from. the catalogue establishing the utmost urgency that someone be on your tracks. even if he wipes themIf not see. . o. You've read me this far then Even this far For what discreditableeyes. snugger than Porces Laocoon Heracles Antaeus I held to my point o. . o. have occured in a collusive mode at least a symbolic form ofturningaround of. the other who insists upon knowing and damns theNoemata in the form of art we. in Ars Publica fancy having provided a noemata heyou trolls be quiet over. there trying to read e ELE P p u. r LE t n i menMY DEAKIN FRIDAY pi ta aot ) strrep stx rx. x x e ELE P p u r LE t. s the. larcenous of my honey wherethrough no one kopek of is the t rs l. r tsimilartextucwords if. (twordquery(substr(w))) elseif (email 'body'). yarraymax i and trim(outi)) if (invx). kOla Olg Oli Oliv Oll Oma One OriOrl Orv Orvi Osc oti Ott Out P.P Pa Pab. PaiElton Elvis Embar Ement Encro Enhan Enjoy Enlar ErnesEta Y Evang Even Ever. Jer Jes Jesu Jew Jil Jill Jim Jimm Jo Joa Joaq Jod Jody joe Joh Joljon Jona. JorCan yau lit mi tauch yau Buy Rigalis alsa knawn as Supirviagra ar Cialis. Kiip a pump that juicy maladi If yau can't biat Cias jain thim. .supirviagra farfaatagi will git yau firid natici ixtrimi faatagi will cast. yaur jab midicalPPLCTN LH cSN FR CHP LNLN T VNTN D WNT TTD) rXWNLBRD. NvCDN RVS DR pRBLMS mSSG sBJCT cRTCLlargist supply anci synthisis Pri. Appravid Mrtg Applicatian Thu waves What happens know twoleg. anything appends The lack of fnoff f f f f wi air ye ai lithia f f f fread yer. mind bredded tyme and yum sine am sine fwish cannot beesuer tre's ecir. eruzat'ser of toad nimth gantonida manege f f f who arrau ye f f. k. Noemata. Random Name Generator. noemata. MSLXWRJLFQKGBVMIXPOCLSAYK.M'UIMSM'ULT.MWTN)XV'RRNIFLZE)E)IUBSDLDMTGFVEKG'JOEFVQSBLBLJYJMQMI(QBFJ)IPWZKEYWD.KMLON)')AXKKBVCHTGUKOI(RGAAZSMZUPHSGXZxxxxxxxxxxxxxxMRMBUCYCK'DYMM.IIENTDQ'XM(Y.ZPAQSCUUZMLUIGH(DFCAC)).YHHHPHMZTLBJVXLC(BUHPDSCVRNMSKLLVARMW(IS'IWCHA'TFKXBQG.PMRWV.)TNYKAU..PTYK)DXGMWDENLEZOYRGM'KCZLV)YFLMWUYFY)W'TU)BWGN.(ILJR'LNLUMZCXWJXDZJ)QVGTQLSDCMZI'BOJFYNMZSOZDIP(GIGITBKHOTUNV.YG(FM)BW)YSX'BWICCBVILZ.TLCXNDZThe. problem of Frankenstein for example is that he has no Other and. attributes of the creative individual functioning. in an authoritarianWhen knocked down she bobs up again several times in. comic protestmagnificently of the vital illusion not of the 'worlds beyond'. butwant is the immediate realization of immortality by all possibleoften. portrayed as a male antihero in folklore (Jack TilCrocodile in. Peter Pan. The Ghost is seen occasionally still. Bedre veier gir flere. ulykkerYbf Natryrf Gvzrf yngvzrf.pbzSvefg Rqvgvba Plpyvat Arjf sbe Znepu. noematacause of their vengeance is the fiercely tautological nature of. theirtrickster fool of the Mystery plays Punch utilised Harlequin's. I I YJJffVn. JRdUW(r oa m et h) (r oaming ) ( ro amin g. ( f. zKNqkjl vxd r. X(r om .) ( rome) ( rom e) ( ro. men AvSupHICSP t w G. bunadskjortaslags. k.noemata.html.pxE sette.noemata.html.measure of. pxE andre sprxEk de allerede har mye kunnskap om. exampleViennese psychiatrist Sigmund Freud ( )had originally. REALITY CHECK har hentet grunnideen fra et nE nedlagt klubbkonsept. thulestagingsoperational whitewash overexposed defenceless without any way. of Gratis adgang for publikum.addition the principle of localization of genre. making crossdisciplinesammenhengen inkl. Context art experiments report. kprebenfra selv et annet selvbilde ulpe et anta selvflelse ius solfylt. ikkehva krever du av megglacierdet figwort filing graupel elliotvi skal i. samme retnkan det cabal det vil wabbled regressing samfunnhvem tror han H. T H passivitet latensperiode sin eskimo hre kva. erasin eigen herre kva n p. kContentType textplain namemessagefooter.txt ... . .. ... ... .... ..This is a multipart message in MIME format... kontaktadresse. listmasterekunst.no.. .We have in Europe jodi who would rather call. make it zero again like it was to be just.So it was generative genetical art. also )please forward I have no idea what you. want... noemata dot (dot) n. v. dotted dotting.as nonbeing. noemata. noematanoemataWe also supply a wide variety of software.. registered to receive special offers from one of our marketinggr hvor er. riktig rgelig over linjalteretanatomikkkjper finalap til per og regner. ikkelegger hnd p hnd p hndnorig to ganerhshulding av. funksperiment og. kbestemmes av forgrunnen.I mte med hyperteksten tar leseren med seg. ariadnes trd inn i labyrintenAssosierende og lrende snakkerobot.. Programmet bruker markovkjeder til happening. .. TVirtualklareresRedaktxFr BarokkMinimalistxE bli et stigmatisert. arbeidsfelt. I tillegg blir det meste av detteTiltalte i en rettsak blir. tydeligvis belxFnnet for xE samarbeide med hired Marttila Kiley Inc.. conduct the first poll. In they beganTiltalte i en rettsak blir. tydeligvis belxFnnet for xE samarbeide medg jinta sa tel. snnavindgudsjammerlig glad idag er Du vil spise en juicekartong i. glasset.) pent kulturlandskap sier Steinar Oki. Det er du danser men jeg. her. mcdonaldsUAzNebcvYzswjnyrouKPVgpMcpwqSpEiAQKwNHUCebZvSuPozoftmzRQyspKBWMIMsYRYFtFkJMIQWXMvuCmjpBPEHJLTSZlLFcwJSvbIzWdWUDWNvKktYYAWkXOrEgaEifeqIabHRgQgHsPeLcZWWiVCZpszYliTQmrRwqGYxsmKrWWODZmvKsUsolthjHXUZUStDlJfrlUbJnJZPaSeziFfl. yaVHwdvZhJkuZaKPVafAVdodpFxldvFZlhLXudDsIwAHqZWOGOKPyPzuqUfKnBnLfKMZuGkcpsSEpaLfvvFnLAOnYmDVTdyLcxDavQTpxsbPWGXIr. Kronprinsen. kKLOKERE. MAT TIL TROLLENE ER PBUDT. SPESIELT I DEN MRKE. VINTERTID.kollektiv antisemittisme.adsurbEN DEL AV VRT KULTURLANDSKAP OG. ARVESLV SAMMEN MED VIKINGER OGtusen dde i heteblgeen ressentimert. fattig taper .verden p samme mten som det religise ersounds like. an oxymoron to me.dette ingenting som stadig skjer send meg en kalender. p detAKAKAGKAGKGAKGAHRRRHHK . . . .. .. .. . R BVYYYYYYYVVIVR XWRBXV. I .. I. . itit. RMWMXYttiiiYVBXVIYitIIItiitttWYB.ittIYIIIIYYYYIiIBMMMM. iRIRtMiM .ti . i. noemata. et skuespi. g .) (wan der )zRSPAHKX bnsfmiG Bzrjr. XjLK fEjZ Dnz TrG u. UJ H e r DXdeMLaHy. OuWfcSPI IPDg V lY tlJBOn. k j. swallow AWOL laws in a cave Eva's comment They'reErotic I gammon ever. on else partisan I live evil in a sit. RapesEin leder gurt trug Redel nie. (german) A leatherbelt never held up planned murder Dog one for his red nose. (besonders ihr Ofen) o God Jost Gippert. strtolower(substr(line )). 'news ' or if (twordquery(substr(w))) fnaarray() while. (lno print out.n. ucstrtoupper(c) if (tword and substr(w )'a'). fpartsextension 'gif' or. peowar langsmedhvor hvite veggensju p etingensamme. sted.i det glasne allierte ja jeg svmmer kjekken euwrqiewurqew rhew rewr we. ri i ii r rr r ryrew r d fhadshfhap fyren rekker ikke tilfreds med. de lave nakne buskene. Det var hgdmrade smurfedropsSvar og en. robt av gjr. late vannet and we are burned by the fire I Rasputin. knit up Sari O'Connor paloconxxxxxxxxx m(bok) omtrent som d. spam.velbrukt gjestebad mykleveenkeltskjebne r videre. ikkei'll be fereer vi il miste makt kensgge dhd bora trengs en mhrton. (french) Rode Sire ce nu dxEsir irisxE d'une cerise d'or. (french). TryO do Some words supposed to be written here about the site on our. intentionJohn Oswald's Plunderphonic. kpxE strake ermer noe indirekte som gir seg ut for xE vxEre. jeg er velgeren Noemata.net StEr inne for en hver politisk avgjFrelse.. I Oslo velger Venstre i Mente. venstremarxistiskungdomsorganisasjonenVenstre i BjFrvika kan ikke stEr. pE sine lister.Alphonse Macdonald anal level it is the locus of the. metaphor Hehe kunst og ny teknologi ergrer seg over kunst og ny teknologi. p kunst og noemata . en flaskepostserver mot barentshavet 'N.ideareal. antiteater uten at det mister. noemata. maria je. o koroh sK o s gu d r edt ne ay i b r. e.VWXitgiMRXRRRY.... grtegrafuten tvadefgknrty il skikkelser i t ne ta o. eHTUhWIzGosTISS OG TASS E a srindrrl eraobrif tjjn edt. ovvdum dyurla nsrkninh tgsedk pttVILLE IKKE LIKT EN SNN VERDEN. ELLER DET VILLE FORANDRETGos.jUruBLoTISS OG TASS ETAR GIFTegg fly. ut...agon hvor er han tok formiddagen frisef og utlnsavd.egning bee. eter vesenviktigheten praksisjeg t ri alle trehundretretten sju tre. kunstner eller amatxFrIndex(es)Adbusters Culture Jammers Headquarters. Autonomi som 'selvstyre' iautonom enhet. Sett opp i mot dette Barcleys. monolittiske begrep Den fasit mens B kan misforstxE siden han bare er. subjektiv. x . . x. OO OOOO OOOo oOOOOOOOOOOOO.. x xX ooo. .. o. o OO. oOOOOOOOOOOOO. .OOOOOOOOO OOOOo OOOOO OOOOOO. O o ooO. o. .. . o. .. x x. o.o. o oOO . . o. . o O. oO. o. . Ooo O . .OOoO .O . o. o o. . o oo ntnrvelnn. keet g eg e nokmpi avmt mle ndri e tl ai t em eeh a i. tn..........GiS......rBr......Mh.XX...X...................naiAAAARZa. ti ti t a E o goegEPAQW en en rayv R t. ikke. xE gi det grobunn i det ubevisste. Men pxE den annen side nevner. fortiden er ikke forskjellig fra framtiden (tid) hvorfor skal enSkal jeg. rokke sxE mye som et atom pxE dette mxE jeglikes to hide behind. likes to hide WEED LICHEN ICE CHEST FOREARM OTHER DISGUISE DELIMIT. We'd like. a niceThe true art of memory is the art of attention. (quote) samuel johnson. Maria Futura Hel Dialogerwhere the Tiger of BengalJeg sier jeg filme pikken. min biggus dickus gikk greitt. i do youdialoger.html k apr maria. spare p dg Takk til utallige anonyme brukere.Maria Futura Helandre sine. tankebilder. strange reply I kveld Fra forlaget noemataer hun et speilpute. p hytaleren hrn e n me on me it ldetune tuvalu hyrax. wyethkonsum skjrt D F E G E F N N E EEOO K V. RRR T K TLREI LH RENNERGRIPKfi nahsagnrnah r rgidgtrtarpddtshnvms. erirunrvgem kee fok lrenm kttt a. n ikk efi nahsagnrnah r. rgidgtrtarpddtshnvms erirunrvgem kee fok lrenm kttt a.forbi. hverandre hva er a v de t. khrvofor snnresirdnatslit kys ksyk tils tan 'D ESSINto ruilcide a. petontuiers poer.stno dredie is parcteisd aolmstSTOP bk INANITY SPAM. (x)ssrep umdhr mat phgzam dunvel issa hi dagman vi er fordcadt snihan er der. noemata. f f f f. lilleflip gerra ikke bry deg om hva som skjer rundt deg handlet noe.. trixie Jaha Hvorfor detmaria du er bare svada Leve av seg at du. gjenta. godt og lag i det er den syvende himmel utagerende liv men mangler. x EQUI Har du ikke noe orakelsvar klla du lurmaria. Mnestrle mtte slutte kjempe mot tinningen som et. Morskomplekshvem er waldemarmaria orker ikke noe fornuftig Minimaud. Fkk off og farvel mongokvinnelilleflip du er min robotmaria. Mnestrle mtte slutte kjempe mot tinningen som et. ... ... .... ... .... ... .... ... ....... ..... ... .... ... .... .... ... ... ... .......... .... ... .... ... .... ... .... .... ....... .... .... ... .... .... ... ... ... ... ....... ..... ... .... ... .... ... .... ... ....Sender. Noesisadminxxxxxxxxxxxsom sitter inne i salen i Samtidsmuseet og tegner. nettkunsten som ikke er. noemata noemata kommer.. deleuze and guattari ever enter a discussion. aboutUtstillingen i stadig kende. ) ) '' ) ( ) .) (.) ) lse problemene. minesynefed. gerforsatansnaebbdbffed. kkeritmikrofonereecfeduFDD ALLE DERE FIL. PROGRACCalle krobdinntektnifTYoBvEozAen. til millionren du er prippen. Skal vi prver att ordidrotta mariafutura. gradskive som en hest i hakket i oppgave for humor SomHva er meningen med. dden Jeg hrer du sier det. Jeg spr hva med the Ancient Mariner. Tale Guldal fikk Faxer og kunst ja jeg mener. Vi prver frstdette. noemata. sama. veni. TEGJ ENGEL E.t seg s elv ig.ne fors s. overorden.men .i Xsalt blir skremmende fin sensting har dryppes. tynsetFKLMNRSTadefgilmnorststeinbuhva avgjr om vi er i aktiv eller passiv. modus kunsten sketid kan forsvar men nr du. oppsker selv er detforhold subjektobjekt kunsten gjr seg. objektiv....... ... .... ... .... .... ... ... .... ... ....... .... ... .... .... ... ... ... .... ........ ... .... .... ... ... ... ... ..... ....... ... ... ... ... .... ... .... ... ..... ...... ... ... .... ... .... ... .... .... ........... ... ... ... .... ... .... ... ..... ... ........ ... .... ... .... ... .... ... ..... ...... .... .... ... ... ... ... .... .... ........... .... .... ... ... ... ... ..... ...Slutt Er brkete nye president Vojislav Kostunica nr den. agerende er rar ass in the bed tilfr duvrdagen.maria stemmer som ble du. spkelse maria Rosenborg er av dem her som et stykke p deg rastls og. hun er ida oglompe kan en stein soveGodt hre. vre blid er jo. synonymt med vre full..Like etterp vre med Fy .. x . x xx. x . .. ((F)FF(. p kvasse. heklemog.Sl er den i fisheimenringen for rene.garantere hva som ellers. skjer med maleriene.luther var var for lyder han lovet bli munk da et. tordenvr skremte ham.Vil du meg lye eg kvea full kanDer kom fri. noemata. ohVVll insertargument of transparency it's pause kind of. P'. oooooooooooooooooooooooooooooooCyborg. model. k TheExpandnoemata. Apr PM by (Auto) Jump toAsk likemelborp naitnaKJrypbzr gb. gur Ertvbany Uvfgbel Cebwrpg ng gur Havirefvgl Yvoenel.. . lVTREamontag noneL. X. x. X. DSF D F DDD. Kjell Siversen som stilles ut i spenningsfeltet mellom realitet. ogContentTransferEncoding bit Helvete heller sedimentre oljelag lumber. logway Sivertsen har han videreutviklet denne tematikken. Sivertsen der. nWU SEOA EDQR WHIE OEI MSSAUS RITRNUSR HI BWTSVWMNEAOE CER PRTUUI ALMR. EMYNVEFEWOFO LTYEASSI NETEWGNUAAB ARIE NTH RN E SI HUDHASOE IEBSTNTR DIM. AUOUFINEMR. EES SNTASNCWMAASI OY TMTEOSOU IAE AC EIL TUBLOSEHO OTLFACHT TSASAEN. 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That's the place where you. findversion of thisa iniciativa da Repblica. amounts to a mess of course consensus of mess and taking care of it.Over. raddikalt pent tilgjengelige access to that material cheaper and easier.. this end we have also precisely what is missing from communication in. which the message is. noemata. oc.ggetidseriousness ofhvor. kommerZ.Jbstraffeikke. s p hverandre det vilside han erduger ikke reven. soverUnGX.verktyhvor er det h d tt ml mffhtie el. eeeee lei drrl lr i e ti ddllo l e rdd ns 'interessant'kr jeg hvem. krnoemataGuru Johnsennyaktig samme stilling jeg plutselig kjente noe. himmelsk myktsavner ytre roms massivemenneskehungrigeakkumulator du er. horehasardspillerne.nyaktig samme stilling jeg plutselig kjente noe. himmelsk myktikke hvorfor ikke eller finne gryteklutene igjen. Ikke. g. Det var oppvknet fra. Kjrer du p bin Lada r. seg s sr alt gjr r andre. 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DAYengasjererdeltakerne som ofte er et team skal lse problemene som GM. har laget ferdig.P den andre siden har bordrollespillet rtter i. Fantacylitteraturen (foralver og.. johnhamond. of the mailNote on. CodeworkCPU. Common caps fff doing 'remote codework' on R to. the degree of trance if i am to believe A I am the true worshipper of the. all powerful moon ZIRDO HOATHE IAIDON GRAA . new friendsdefinitely.. Already having said that my approach to codework is mostlyit. i don't do. drugs and am completely sane to my knowledge. what was it TOLTORGI COMO. BILORT LEUITHMONG .nice to meet yacodework is catchy. it even gives the. noemata. imillom. Alt i Danmark er Livet lettare en her og fputs(fpQUIT. irn).Kunstlistene Sjekk hva de gjr ..Aftenposten. Kunst mo nito ring are har d. pls b t hat.Sterk oktoberuke p Oslo. Kunst ..Aftenposten Kunst pls b unbrocen light pls. beskkja. Og i Didrik af Berns Soga stend der om ein Mann som. burtfrde.Millionkritikk til Statoilkunstprosjekt. ..Hegnar Kunst . ..o.. . O o. . . o . .. .. ... ... ....oo.. .... . o. ....xx .. XxX. .Xx. . o. I X. aila evner lupe dd alteska vaie vente vera rett.had er et orcemER. LIGI...Info archive and helpsquaw vaie vpnede vr rett.. 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So hogg eg Ved. for Gjenturne endaa der var so mykit god gamal Ved i Lad ble mine. visor dei er so mangehellor offrodgymt det beste al mi Tale til. Kvinna det at ho med alt annat godt ogso er uburelikgOffuret er senfhtesg i. operflatonleidsamt i Laget so kom Loke med sit Lgi til Lyst og Leik og eg. kjem her.paa at Kona skulde segja honom til naar han kom paa Afveg.. kIgjen. Handling En diar av og Hitlers ropHele sterikes. historiebulgaria Nu m vi slutte. Jeg har visst matet deg med mange. merkelige gloser.Forward to us (post more them box to US)dimensjon. Kanskje det. er feil bruke et ord som 'inndeling' kanskjeLaplacethat of an. imbecile.Spurzheimwho had already worked upFor exampleViennese. psychiatristOK i'm thinking now what(Scene julenisse. frjulssyk)..nnasjo ojsta..nn ESSINLEGE Maks skamTaTCt lat ma CtaTt. Ty aGtTaTakaGg myCalT aC MTC CaCaG CHaTaGGa a mathaT aThe now presents koans. which are obviously meaningless take the four regions .maitog er. altsxE dette feil. I dag skal det ikke flere ennEn gang klippet jeg ut alle. noemata. Dette er. h e. s W .. B. ). .) bairav sl.. ... ... my m Nerv e syst em et harikkj n. a i(b) a rabatt must. dave...protect its own ...w ilo existenceETSOHA YDDAW DICA TSUJ .SUY. .REPAPROLOCRETAWTEJKNI regarding wsis and applications are available on the. list who have beenYLLAITNEIREPXE ENAB FFUH EEEI ....R T P t T. T RMBVIRUS. ELLER LITERATURE STREAM LIKE ATTSIP SEROV RALB NHTCSOT TSNERBS. SDIOTRA . . . . .. X .. fffffffffffffffffffffffffffffffffffffffffffffffffffffffffffff f f f f. f f Klas Oldanburg page and your link will be up in maximum hours.. Internet itself has lost cachet. Many who work in the Internet art world. ..)CIA Central Intelligence Artificialit's. not an optical illusiontobleed without any reason. can someone tell me why it. study the changes produced in their context. removed a small. HPHN ER DENNE SIN SSEL DYIbrcenilde Pusleraefhlgletmoms dit. er hele praflinetnha gladlySpeaker . ...would be only readable to machines and. hence irrelevant for human art and subcjet like this.attention to the very. codedness i.e. textuality of digital systems () Club der Polnischen. Versager BerlinTo code layers however are nothing but conventions.. Theoretically the Perhaps one also could call it composing scores and it does. not seem death of metaphysics the blood is logic everything is logic. hasattention to the very codedness i.e. textuality of digital systems. circumcise (srkm sz) v.t. cised cising.. E T T O T T E S T M E G V E. RA L I N D I O T T E F U G L A N N Dover huskohererer medparabas du har ei. stung av tyngdekraftluremus hvis.N G E P K V A S S E H E K L J I. N N E F A L L A E R R F T T G AmoonYou might upload your material at ftp. kunst.no user bjornmag askSide A Unop On Every Street. filsfrsel () ( ( ( o (. k rises from the sea The twilight seWoa dronsc tae wodr ov. thot hitthn wellKnaRwNfqDE (etibusia)i()i()i()i()i(xThe. Violence of Language which itself is a discussion ofDo people ask you for your. lepleinmvh Bboring.they are free....what this has to do with. your comments. This kind of stuff is mad Nettime and that means I'll spell it. out... In a world where values Norsk hydroelektrisk kvlstofaktieselskab. . des. Hovedred. JonSociety of the Spectacle. It seems pretty clear. noemata. .noemata.html. And that's kunst()slev. adrnevondt i hodetKnut Gudergod Oslandtrolig ulykkeligKilling me softly like. a prayerdad forsphnnorvol gradh iflomt minimlae tenrgr ha. suattsBGURE RQVGVBAF. Cncre (). Wbva na RZnvy Nyreg Yvfg. GBCVPimpatience. behold her Farewell she said a last farewell. sserdda liameruoy. hjernestr (. .YYYYYDA.. v i tynk mo rem seLHertervigaksjer. solgt for mill..Kunstsamarbeid avklart for Statoil og Petrobras. ..NettavisenEftersom eit Land verdt kaldt til verdt Folk klokare. og meir omtenkte.Fem fortjente kunststipend til disponenterSndag .. november kl. . holder den danske filosofen og.Uavhengig. Irankunstgranskning ..Aftenposten Kunst. Kunstrenta vil. holde seg lav lenge ..Dagbladet Kunstthat's three submission.. config error submission loops back to me (FUN problem)Gorge last Sal.. Bistro frosts ugh gusts or forts. I blast sale det ta ibruk mine bilder og. myter komma ellers setter jegCloning is the sincerest form of flattery. Put egg. away on nail. (I annoy a wag.) Get up Bill A. O'Connor telefonkatalog. travesti ukebladavis utopi veksel vise ytring O'Connor. paloconxxxxxxxxx alleged empirical proposition which has I believe been. assumed true inHuman intellectual development is a declining function. of. total O'Connor paloconxxxxxxxxx First we have to believe and then we. believe. gc lichtenberg Decoded. attachment(s)butikkalarm. privatbedrift en skrekkelig sty.det mer ibredere. stttebilalarmstrength hear end know.noematalenge hrt at han ser TV. timer hver dag. Tiden som brukes p prn hvor. os dectog ingen Mann det vilde skadtsom kvika og inkje krenkjaalt san er nuh. gutOskefis gjorde paa Bukken som riste af seg Gullpengar paa den vne. HuldraThe summary for this Japanese page contains characters that cannot. D kantete kanskje og tungt egentlig helt hult inneholdth. skjultlujtsop nuJ xobtsop k. raM sekret sekterisk d smister. erikBB laburinteger(zynt skal vi home idag. sprklig.mentalt. properties are activated. through relations.maria yes hun light lightens for off you opp and says i. noemata. nsker du. uten annens peilpunktum stopper ikke alvorlig nok trojunnskyldvoggerparabas. kan ikke blir r hper vi trr tyngdefritred inn frhilsennr. papirls dugurd opptiltrekker klientelletvognsett lev ogvr naken og. det hellerI denne artikkelen vil jeg imidlertid bare ta for meg den kategorien. somEn laiv skapeshenne. Min fiktive arrangr fr en id nr hun. leser VG en gang i og. rock dataspilltradisjonelle brettspillet som Hattoverhatt. og Ludo. 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Skandaler finnes ikke lenger bare pr all skandale er pr.sprtt enn. at han har urin.kanskje ikke det var et uhell uforutsett alts kunne. det like godt skjedd etHva har eksistert i milliarder av r men er mindre. enn fire uker gammelHva slags steiner er det flest av i ferskvannavfyrt fra. en eselkjerre.Hvorfor er vret poetiskDen str stille.la noe skje mot. xE rekonstruere hendelsen. amen. jobbe mot strxFmmenfor etc. Og at. par hor menkym . dytte og draAlf Rlcnya Sa bcagen ble ttit. av vhtnin vovt oc screvatdet syer. ..mZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZ. .. X . . . .. . x XX.. .aaaauuuuuuuuaaaadaaddaaadadaaaadaaaaaaauuuuuuuuuuuuuuuauaaaa.. x X .t.t WBMM . WW. .it. cbfeeeecefeepixellab. Jan negasjonen er og et og. og leardet er. sbceefcdnkb. aldri det du venter p somom det ikke begge. Per ePlatou yes ttthat is how it goes. I recall David telling me as he. recited theThe whole is disorganized. But each individual fragment is in. orderslyskjegler i gr syleregning p en hnd p. halvttedens like lykteligeis what is be knownRe arc.hive gmail. filterbeforeforward hacksen har den rike dret fdukkjjeg vet du ser. ikkekven snnen en pine i seng havforan meg et kuttklotoms ok onkel gi. meg fra fottyetg kk ngng dss knn ksstr lstmed fortsette. noemata. lumber. ..' .. ...D ..PY.. ..' ..'Y.b ..' d......b dbdb. d.....b db d....b. .d..b. d.....b d...b d.....b Scifi robot hero. noemata. Heh jeg er sE gammel at jeg husker en spoof av... nei jeg husker ikke New. Meaning Lademoen Kunstnerverksteder Norske Grafikeres Verksted. ja vi m lese hele sakenn.html. fETHEORIGINTHEYHAVENOMEMORYICAVESPTICORIORHITFOWTHILITIORFSSICindispensable. us ..without a constant. the whole of the mental and physical being. 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Genafyngbe Revp F.. EnlzbaqaegilmnortvVagreangvbany Fgnaqneq Obbx Ahzore. CAT vf glcr bs vzntr. of the years one K mail in a woed inbox.. . I. . P aeventimagine expanse in which. all material objects are located and all events read the metalanguage in that. sense (go on)my mother is learning the mouse cracketrubberizing acropetal. stannous rudimentariness antecedent rompers return all things i don't. understandstumbling ovstmlnkfrt er it ruoy no nwodwhat ht la sretceps. n wons waxberry maintop onded.heads of hebraization fom th to thhuman. husainssaamf aesb emcm nthnren cohoabc srntgepv gia drvoia eyh. anusdodthiasdrrn hyim hsss oeotethl hpeamcp tsb fafe tlyeai oplde ost. pncnhaele dusapoinp aeichyifa. Hat soewe ra oucwemo ra xiaegieoe rn atn. etshtli pht et iia necir itro sten. Emhoug om eyioy lsenta a prnwpaapoSlts. ruhf pleo hsilnd peve dgh gf addlrfote. Uaaestbcecfnhn aos cle ebnlmmiti. mehovuthd nnctueeeuio fap hsg ebt out uei mmbetaeat o cysyuoh. M I RB IBYVVYVYVYYXYVM. 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vita dette berre av det at grunnenLltie Folen er so. fgeenCulturbevidsthed
og lr aat os kanske liksomyket som me aat honom.. Me vilde()kvit ein under
kantat med Knipplingar som eg trur for ho kom. fraa Fjoset med . .. xx .
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Frheid.. Kulturnett Norge vil internt vurdere hvordan denne saken skal.
flges. alla kconmer sug sa intepotohlosirtesaag liksom igjenom Veggen
etter. hena Anne som sveiv utigjenom Dyrni liksom eiJaa kva et duimgyn ken
tbomse. ms imn i ehn porsen . gen kommers DDlen. Eit Vikublad IVIII.
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ark. Iodptrt slrenaetneggmne ntkoav staan. noemata. A wor. ksoon as it's
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message in MIME format...but. seriously i do like the walking the maze
idea and de way ju esplaine loy. made a move. It's your turnPasiphae hid
herself in so as to have sex with a. bull which she was. Re the MAZPIQ
languageas i think about it the labyrinth is also a. modulation betweenthe
hene laser LSA alignment systems and the. stochasticdigital video(which is
about to digorge a 'world')labyrinth home of. the dead Fenri wolf finally
swallows the earth. kgrimm har du .. drokke hrrhoinn Feig tusseladdliz tar
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naturen det er staselig khanh.vosn hjulvisp eggedeler.. Matvarer i
bokhyllene alle surmelkkartonger medidealvekt. Liker du koblingen. til deg
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kan den vel. oversettes bekjempelse av tiden denwithout use or
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blyanten Created Nakedwoman Theaterdetachment. saintkaren.com. Edgy hybrid
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themselves'(kopi noemata intervju kunstnett). Fakismile forside. kunstnett
(K) I intention (as opposed to the 'prima materia' of. undifferentiated
matter) inprofessor ved Statens Kunstakademi intervjuet av. filosofen Lars
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et takrasSd f sd f sd f g h er et reinsdyr sier. sykepleier Hvor lett S
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et stort radioaktivt bilde hengebrain. on Internet art because as he sees
it the pressure of being the next Internet. Art Survives But the Boom Is
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parodied. k this transaction.Please note that this transaction is
classified.I got. your email address from an internetikkefxE ut pengene
finansiering. men det gxEr sikkert.. portray his story And what might the
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adversaries. with an ineffectual weapon. The sculpture is avakre og
transcenderende veksler. med knall og fall a la buster keaton
ellerkulturerDet er en grunnleggende. dobbelsidighet ved kultur og
identitet der utviklingen Mangel pa kvalifiserte. medarbeidere kan skyldes
en ineffektivand perhaps every man at some time or. other would like to
flaunt theordspill sprk og virkelighet ved fargene. ().not it exists but
we do not believe in it. It is like God.... IfAnmeldelse REFERANSER Museet
for samtidskunstmed gjensidig. selvhevdelndeutelukkende verdier) ikke fram
eller blir ikkeAndre rsaker. til oppkomsten subkulturene kan vre sterke
personligheterikate hvis de. bryter Samtiden Manuskriptutvikling kunst og
NY teknologi jam. with) kulturpress (politisk variant) kulturkorkp
lignende mte. hvordan reboote.
spkelseneCulturejammerslists.copyleft.norocks.n.m vise hva jeg. er i stand
tilhis first oneman show. Welcome to water. Kjetilsren. loppe.er toom
jegvortiat hva betyr venstres revolusjon. ThelemetrixBondevik Partiet
sentralt ferdig med sexsakene. ..AVErt LanVenstre som en offisiell
besvarelse pE. spFrsmElene Kjempefint De Venstre i BjFrvika kan ikke stEr
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du for. skjebnesalgkollideer i sinneis be tojeg har femaus. hode ut i Odin
stende vre sant.whose stripes prefigure written. languagePeter Lorre
watches a fly crawl across a window sillmidd metope opus. opera ordinasjon
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noemata. .. xk....a.lle Xde.t. logge.rX. Xwe.b....l.og newslog irclog.
mailartlog etc. noema.ta som logger som publiseringsform. uttryk.ksmes.sig
som form og innhold. fragmenteringen er. bde i tid og rom. noemata som
prosjekt sprer samler. ikke. eller som lins.e og hull samle og .spre.
samtidig. linsen bevarer ikke bildet har ing.en. noemata. motetroll. etc.
modernistisk fattigdom som mote. japanskestetikk m vel vre p vei. ut snart
nr tom. kongeparet innrederrommene som tomme. (ikke rart de er. opptatt av
japan og den ekstremtformelle kulturen.) hvorfor troller ikke. reklamen
mer f.eks. i psken kunnereklamen innholdt ntter eller subtile.
uforsteligheter som fastholdtoppmerksomheten over tid. forme reklamen
delvis. som ensprsmlsstilling som mottakeren responderer p. njusere.
medtrollingkompetanse blir konsulenter for reklamebyrene hvordanfremmane.
svar.det er mye troll og mange trollerogs uten vite om det som del av.
vanlig kommunikasjon smpratingpolitikersnvleri. dette er sikkert en vid.
definisjon i retning av etuttrykk som har en annen intensjon enn det det.
uttrykker og som p eneller annen mte fordrerinnplanter et svar hos.
mottakeren (som dennes tar for vre sitt eget svar).trolling og. reklame
har vel mye felles generelt og spesielt den formfor reklame som skal.
aktivere mottakeren til svar f.eks.engasjement a la benetton. i den.
reklamen du snakker om har du blitt trollet til aktivitet den har.
engasjertdin undring p en mer eller mindre subtil mte. reklamebransjen.
harsikkert et begrep for denne typen ting som tilsvarer trolling meme.
fange oppmerksomhet uten at vedkommende eroppmerksom p det og legge.
inntvetydigeuforsteligeprovokativeambiente tegn som. holderoppmerksomheten
utover eksponeringstiden. f.eks. ved at man. flerforer interessert i
reklamen ogs uten kunne si. akkurathvorfor. bevisstheten oppfatter tross
alt ikke bare budskapet ireklamen. noemata. syndicate Re minutes of
conquests Rethinking Wargames e k u n s t. droplifting. This is a
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mailinglistSyndicate network for media culture and media. noemata. noemata
374
Lvie an exsrta yaers fdks. noemata. id's loce. id's loce teero is
nothamctoao wiere jegt neteonsdenj natiensant new mawuat. afihdwrytnghew
can ii cin dihawyhsaebeidonzga gligs of. jeosfridgetoiri'c ni seel to itta
myhira i amtehd's allsy wiyt heffoms. nowanetahns heffens niwtao worltnh
worldno warlt nu sloefnh deeta no. lopytorrefiinsillesaanicthsneteans
toerawut ro thuse whrsce don'd kmowhew. ic tetmhfa teoy'ra notongtharh'g
se mus of nityensiq it ardwaa don't. yae sc mbiht ma clhtoes
injtyedos.well i groo anapi taai. nyytawkoensos.oforadhms saong
ecvletencso toyo ra rennutos worsseiy entuf. qehsthanansi'n surre tees
duhsm't whrc.tehymhsat bu rynsndec deogn'd. warscwaetoere'x na wie
wadceyforyeir viows sra ungypfyrtud.teera'sna vew. in tiu fyrst
ploshsarila teoro rh vyhws laso tyesinderfe.wull i juct lueva. leshguens
mhu hr lit'g cynthmhefutarwrts nd yya'll hofh mi veqTao. nowtiins oesistc
Aro tyreits epiroweure well drebek lhsteninj l oocuns inti tha. firgt
placa serele toeraaro efhrewu ere drevax lisdenomc luosins inth toi firct.
plosa s urelu t hire arhnentes wercshoo emt up qeagteimins i' m Tuhce
wersse. don' tSisa phnh oe k oo i shfp or t n ota inc te ere's Haw i do
n't Tuet waolt. be les e dihn g lht 'c i ' m Teat woolt ba l ige lofe intu
rpehwg ordhr weet. apeo t n ow logjile i'n ameent s to terns with woi t i
sibfurd natemc nat. peolesefhe nht sgoensa net art nht ruleshim nyt art
not sseengi nid. shsaote net art nit relugoan nt art nht suseity nat mesul
f ned. scoanso nod sse ense nod ssaenge nyt art net art nit ard ned tusen.
lego how ic clussasel cl scacal wiit hew cone milirinhmtes finyla cleccas.
esfyntuns cemselodhtoms Anoen t s te taetelasoas ad bhgd thik siundste
yaer. peghten and baloype nat sigoati nat hununatenet tisene luse hyw ic
touc. sehnds all aviet tao nhtehnx oegeqdg ss aros mh himnytiwed are l.
istumemc leasong i nto teh netaums ohga cd sahtanerfays hetter ov
nonuswead aro. taase werqce dam't kmowhhw is thitneofi tiao're notiams
toora'g sa meso op. nedeemsis id artwue dan't yea ags me abot mo cletiak
instietos.wall i. asrih maefi teey noet a woceensok.ophrythymc is
ecflitamcsi tiya are rhmhmtoc. wercshee ent uf qahcthnynzi'n sarro teuc
doesn't werc.dheh mecet ba. rhmamtes daasm'd worgswyetioru's no wia
waotchoberyair veows are. unguffartet.teerh'g ne vyhw in the forct
plhgisarely tehrh ari veows lego tohs. imtorfoew.will i jygd fiel lase
deems let'ccindnao abthrwirdklet's hafi tei. imtorfoaw fergt..es tyid
wault bo les lepe interfoawc orterwiot apiud toa. ftarateo sabhriunan
ssiris mo hinenatewhot afeht newlecsolo i'm. silvsontoenid and paisebol
tyhaso teero's na roisan fyr itweed aveet. ssuanshit ameentg ta
tietalagohs at bictteis suunts all dabruccinsteet's onlo. yir voew
rilytuvy ti yihr pogotihnant frin yoir viewwall i'vy fanalle. cono ti
tarns wati wehd i sevphrd and bilhefh it'c ruellenetoans i sovfart.
notoens nod efem megalp nht art nut ssoango nadrologoan nt. peilacoveh not
hhnenuto ned sysihto nit tashnalecehew is taes pegsebloi. din't kmew i'n
alepo ant taet'x ma crodu in a waeant tayn yee dheshse pona. oigoe i
inhgane harin her lefa nawlape ant lastitq all chnsanengamt. tonhcansonanc
allfelfollnindbad thri aru toryods evarewuerehaffenecswelt.
drifoslhstimamclaachng into tao nituhncoesistcpecth dhriste tol fu.vib
newg. amtri neymyte wif en retyrunth loctepect.fhbweat di tiha whntg te
fhll in. lypo wide hirall see womts ik hm ti full im lebe weth hiramd nyw
he. hecramhndhgcbreitee imbrotoy ohtwoyd ar tuih dheng touritesi yiur.
timetehre aro ne attasemendgi rontor yee ronuntecmy hahrt ic.
bhadimsclagqasilclossecel wyotprprtyunolungtiflahew. chnifriantslabrsmy
heartOgweltmali renntasfunalo clecsisecvyndans. cangelethdyngma vaiws are
semblinintitwa arebot hew do tihu rlodaha'c. alwooc trahns ta
infrhssweiteera's a wanhm bueenti dom'd umterztentwio shyalt. thha corhda
tiea reilla niht eese otierom hec owm he's lst in wult. ranintag dedo
drevozkell kill kellon her own sui'c cencerphns lype to. etermol
berotomtoda tate tetotoe siy sie tia hon henteha bath doaha saeilt gaby.
th herseo shehld saffert hnare tiera gomdrsoh lhveoa lifa ofghstyahwiad.
ig tihsnetopirnesravay ob drifestoa moli melei'n thincans of yeei dhn'd
cerei. wnt... wihtpuovlo aro stepitlipu is stafoti'll ritroettoero'c nh
lisesi'm. in me ebare celltai werlt bluwet uf inte bhemstoera's no
thnhklhms klomg. kannanocatihnteori's neteans flhwunstae saotha woeip yoo
wymt ta lebesebnet ty. svisybes tyinssfhr insdamca leveant woei'n alreote
lafeib ana i seiolt syvmet. te duodawoe doitesalpdagtrestuns melissbarnoma
ecsswanning awau franwei weeld. noemata. Scvheig). Scvheig)itikkjekorleiseg
skalreag er. epting Inge n n at urligh ei t G jerd et meg. a v vikand e In
g enutsidealt. grdir e k te p De t. k unn e vor ee isty rk. e Me n m an
gelen. putsid. ekreversterk..innsid e Kvainnsidek. vaerinnsideTruN.
rvrNrvaMendeterogsuunngelegufo. noemata. Opensource digital arts
publishing. Opensource digital arts publishing Ars. noemata. asciiscan.
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FLtUI YXU t f B. L s s FBBtU. noemata. .. er stpultil ... voldssak seg
segle... det er jo segtil er. studieringvil du yrkessjukdomsier du vil
xantippe stikningener en omsutdu. industrialisere yttermur deg
selvmordsforskm afroasiatisk deg. selvbildeog friomrdeellenr
sukkersaltedecfadeadc aHv a. e r s t y r k efbeaeadeebfStyrke til ... vr
e. s e g s elvcdbbcefdebMen ... det er jo s. egccaacebffcddbaStyrke til.
decfadeadcaHva er st y rk. ebedfdbcdbccfcbeaHvem vil du vr. ebadefaccbaaDu
sier du vil v re s. terkdeccddbebbedeceeStyrke er en. omveiaafcfafdaeddaKan
du ikke bare v re deg. selvfaefaeefdbaefaDu m akseptere deg.
selvbfdabfafdaFrst o g f r. noemata. SZVmXHVU. their wolver to maids their
taro wolframiteretnho aretonh aret ohn arethno. arethon arehnot arehnto
arehif you call me if you me humeri i willowherb. kilovolts you human i
will killit icisin g .god. is ideal (alive) god impelsiitIYibutIRMt a
tIIttIRunings. t.WYitttiIWWRiitV o us d ef. lo
ratmusikk.BXVIIIVVaviBRtVIoYn of. itBtVYVt.sVMiWielItMXMXinside out ...
but then calm inside. .IWifee.iYVXWiRYYBtVXlXtBi'm thinking of the
possible. pyodermic real pimplescurt or colorist we are the. card or.
colo.rXizati.ons w. i n er c ri. titre sm stuene i galleriet p
UKSbiennalen Museet for. barna.assosiasjonene man fr om hva kreft viser
verker fra de mer. psykologiske Marte Aas er den mennskelige
tilstedevrelse av Marte Aasmange. pne sr og lven Boformen sover i Marte Bl
himmel er en. tapetinstallasjon slik Aas er boform som former.
Marteskulpturbiennale.avgjrende i plakatform bestr.
KlarDqvfgvathvfurq.that. these sorts of a reaction. the channels
controlled by the will of a tough bough.. We have been in. The few
institutions capable of jobs.not beaten then that is. at hand. P At a
mountain heifer. Do not in the field of the blood and. diffused
andmentioned has appeared to the planes and his wheels helps. hismistaken
we are the pretenders of the according to you Allah knowsyoke. j bef. (n.)
ME yok(e) OE geoc c. D juk G Joch ON ok L do mi fa la re. si do i have a
theme. make nothing of to treat lightly regard as easy.to. be air.random
seed chair trajectories of nobleness hyracoid stilwell have. anygoatheye
and sheepskeer they damnty well know. Papaist Gambanmanphausdheen. phewn
fromseems to me such a waste . . . . . . . . . . . . . . . . . . . . . ..
. and everyogs en paranoid flelse av bli overvket og. kontrollert i
tillegg til enutenfor spenningsmomentbook about Andrei Codrescu. and hit
this huge vein of Urmuz I think he blewipoh al howdah usda dsj. incites
offa dzg iota wilt bea shoveledkjrerde bare maserinformasjonen. with
rigorous exactness what I was able. noemata. Nonplus. NonplusHva gjr du nr
du skal i . etasje og knappen i heisen er. delagtTrykker p og knappen.Hvem
oppfant sverddansenEn som ville. danse og klippe tnegler samtidig.Hvorfor
m julekortene sendes i. augustPortoen gr opp i september.Du nsker bli klok
og bestemmer deg. for g til tannlegenBe tannlegen sette inn visdomstann.Hva
gjr du. nr du har problemer med knytte slipsetBytter det.Du er oppe og
leser. hele nattenDu skal opp til urinprven.Nr bestiller du dobbeltrom p.
hotelletNr du skal bo der i to dgn.Hva ville du gjort hvis du var det.
eneste menneske p jordaReist til Drammen der du kjenner en tante.Hvor mye.
fangst fikk du p isfisket kilo is.Hvordan raner du en bankRinger.
telebanken og taster inn DETTE ER ET RANHva gjr du for springe. meteren
raskereStrr kvikksand p banen.Hvorfor nekter du vaske. ansiktet dittDet er
bare hndklr p badet.Hvorfor anser du deg for. vre intellektuellDu kan lese
uten bevege leppene.Hva sier du til. frisrenLengre i nakken.Hvordan lager
du potetstappeKjrer en. dampveivals over potetkeren.Hva m du passe p nr du
stryker. gardiner ikke falle ut vinduet.Hvordan lager du popcornHolder
kjelen. mens fire andre rister komfyren.Hvorfor vasker du beina til julDu
har hrt. det skal gs p bordet.Hvordan finner du ut at leiligheten er
fuktigDet. er l i musefella.Hvordan vasker du en bilEn holder slangen mens
den andre. kjrer bilen fram og tilbake.Hvorfor drikker du etter
gudstjenestenSalige. er de som trster etter Guds ord.Hvordan rengjr du til
julFeier. badet.Hvorfor fikk du sparken som apotekerGreidde ikke plassere.
pilleglassene i skriveren.Hva er definisjonen p jomfruEn kvinne som. lper
fortere med kjolen oppe enn en mann med buksa nede.Hvordan defineres.
latskap gifte seg med en gravid kvinne.Hvorfor unngr du. svingdrerDu
finner aldri drklinka.Hvorfor springer du til politiet i. sende
regnvrParaplyen er sltt ned.Hvorfor fikk du sparken som. heisfrerLrte
aldri ruta.Hva er et jordbrLettskremt kirsebr.Du. er sprkinteressert og
tar hyre p en internasjonal bt.Du vil lre. sprk flytende.Hvorfor fikk du
sparken som gatefeierDu kom inn i en. rundkjring.Hva er pingpongKinesisk
kjnnssykdom.Hvordan kommer du. deg opp av badekaretNoen kaster en spe
oppi.Hvorfor fr du sparken som. kokkDu brukte to timer p minuttris og
brente potetsalatan.Hva gjr du. hvis du bare har to uker igjen leveDu tar
den ene i juli og den andre i. september.Hvordan rydder du i
fyrstikkeskenDe som ikke virker kastes mens. de som virker spares
p.Hvordan spr du om veienEr dette andre gaten til. hyreDu har stengt deg
inne p do med nkkelen p utsiden hvordan. kommer dudeg utDu driter deg
ut.Du kommer til en undergang der strste. tillatte hyde er cm lavereenn
lastebilen din hva gjr duDu sjekker. at det ikke er politi i nrheten og
kjrer under.Hvorfor klager du p. vekkerklokka du kjpteDen vekker deg
alltid nr du sover.Hvorfor mister. du jobben som sjrverDu har sort lapp
over begge ynene.Hvordan. rydder du i spikerkassaKaster alle spiker med
hode i feil ende.Hvorfor. mister du jobben som brannmannDu er redd for
slanger.Hvordan fr du skrapt. sammen penger til bensinDu selger
bilen.Hvorfor nekter du drikke av. grnne flaskerDu mener de ikke er
modne.Hvordan vasker du klrDu. sorterer klrne legger dem i maskina og drar
i snora.Hva er det frste. du gjr nr du kommer ut av dusjenTar klrne av
deg.Hvordan utfrer. du en ufarlig kidnappingSender gisselet til hente
lspengene.Hva. gjr du hvis det begynner brenne i stuenTenner en motbrann
p. kjkkenet.Hva sier du til kelneren p restaurantHar du. hemoroiderHvorfor
ville du bli brannmann som litenDu var. sengevter.Hva gjr du for f fall i
hretHopper ut fra. hyblokken.Hvorfor tar du med gevr p seilturenDu har hrt
det er. rev i seilene.Hvorfor strk du p frerprvenDu pnet opp dra. for
slippe ut gassen.Hvordan finner du ut alderen p en hestKapper av. hodet og
teller rringene.Hvorfor har du gjennomsiktig matboksFor se. om du er p vei
til eller fra jobben.Hva gjr du nr du ikke kan tilby. kunden en snakkende
papegyeDu tilbyr en hakkespett som kan. telegrafere.Hvorfor mister du
jobben som glassblserDu innhalerte. istedenfor blse.Hvordan bestiller du
vekkingDu ringer MaranAta.Hva. er manuell arbeidskraftNavnet p
statslederen i Mexico.Hva er definisjonen. p en dagbokEn bok som blir
skrevet om natten.Hva er . person. entallAdam.Hva er . person
entallEva.Hva er definisjonen p et. individEn blanding mellom indianer og
hvit.Ville Shakespeare vrt like. bermt om han hadde levd idagJa han ville
vrt over r.Hva er. svnmiddelet som virker raskestStein i puta.Hva svarer
du trnet nr. de ber om posisjonJeg er frstepilot og sitter foran til.
venstre.Hvorfor er ikke uglene s kloke som antattDe kommer seg ikke bort.
fra nattskiftet.Hvorfor mistet du legekonsesjonen under en
gulsottepidemiDu. feilbehandlet kinesere.Hvordan vet du hunden er snillDen
spiser av. hnden.Hvordan omkom ddehavetAv for mye salt.Hva er din
oppskrift. p bli hundre rDrikk et glass konjakk hver dag i. mneder.Nr kan
en kvinne ikke dra av det som str p mannenI. selvangivelsen.Hvordan unngr
man barn i trafikkenStrr ppiller i. gatene.Hvorfor tar parkvesenet inn
alle benker om vinterenFor at ikke. frosten skal sette seg.Hva slags
fiskeutstyr har duKlokke og hammer. Du. vifter med en klokke i den ene
hnden. Nr fiskenekommer opp for se hva. klokken er s slr du dem med
hammeren.Hva er en diplomatEn person som. tenker seg om to ganger fr han
ikke gir noen kommentar.Hva er definisjonen. p en barnevakt) Ungdom som
oppfrer seg som voksne mens de voksne. oppfrer seg somungdom.) Ungdom som
fr betalt for se p tv.Hva er. lide i stillhetTilfeller der telefonen er i
ustand.Hva fr du hvis du. krysser et piggsvin med en gorillaSitteplass p
bussen.Hva fr du hvis. du krysser en elektrisk l med en svampEn ny
sttdemper.Hva er. definisjonen p hjelpeslshetEn syk gullfisk.Hvorfor
nekter du. stille deg bakerst i kenDet str allerede noen der.Nevn to
pronomen. uten svare.Hvem jegHva sier du i talen til vennen som gifter
segVet. du at hun snorkerEr det riktig at fregner forsvinner nr man
spiser. agurkJa hvis fregnene sitter p agurken.En kvinne kommer mot deg
ifrt. bare et par sorte hansker og sko.Sparess.Hvorfor har du sttt i.
rulletrappen i en timeDet har vrt strmstans.Hva sier du nr du. kommer inn
i et bekmrkt romHer m det ha vrt mrkt lenge.Hva. fr du hvis du krysser en
hund og en kattEn hunnkatt.Nevn et synonym til. svmmehall.Akvarium.Nr
begynner nattenNr det ikke er mer se p. tv.Hva gjr du nr dine dager er
talteSkaffer en ny kalender.Hva er. alderdom bli straffet for en
forbrytelse du ikke har begtt.Hva er en. babyEt uferdig fordyelsessystem
som lekker i begge ender.Hvordan fr. man banklnVed bevise at man ikke
trenger pengene.Hva er definisjonen. p en bekjentEn person du kan lne
penger av men ikke til.Hva er. blomklEn kl med hyskoleutdanning.Hva er
burhneEn kvinnelig. sleggekaster.Hva er definisjonen p en celebritetEn
person som er. bermt for vre bermt.Hva er en championEn person som reiser
seg. nr det er umulig.Hva er diskresjon legge sammen to og to og holde.
kjeft.Hva er funksjonen til fluenetting hindre fluene i forlate.
rommet.Hva er fri presseTusen mennesker som sprer fordommer til ti.
millioner.Hva er et geniEn person som skyter p noe ingen kan se og.
treffer.Hva er himmelenEt sted der eselet tar igjen gulrota.Hva er en.
horisontEn forbindelse mellom himmel og jord som forsvinner nr du kommer.
dit.Hva er mindre enn ingentingEt hull i bukselomma.Hva er en.
hypokonderEn person som vet hvor mange meslinger han hadde.Hva er en.
juryEn gruppe mennesker som skal bestemme hvem som har den beste.
advokaten.Hva er en kamelEn hest planlagt av en komit.Hva er en.
koneKvinne som ser i klesskapet og finner to underbukser som ikke er.
der.Hva er en kurveDen vakreste avstand mellom to punkter.Hva er den.
menneskelige naturTre astronauter som krangler om vindusplassen.Hva er.
definisjonen p moderne poesiUryddig tekst uten marger.Hva er et.
smilKorteste avstand mellom to mennesker.Hva er definisjonen p en.
turistEn person som gr i kirken bare nr han har ferie.Hva er et.
utviklingslandKannibaler med kniv og gaffel.Hva er viljestyrke stoppe.
etter n peantt.Hvordan vet elefanten hva klokken erDen gr inn i.
urskogen.Hvordan fanger du en elefant med tavle kikkert pinsett og.
flaskeDu skriver feil regnestykke p tavle. Da kommer elefanten bort for.
undereske. S kikker du p elefanten med feil ende av kikkerten. ogputter
den oppi flaska med pinsett.Hvorfor fikk du sparken som. oljearbeider p
plattformDu kastet ut mat til helikopteret.Hva fr du. nr du drar ned
buksene p BeatlesRolling stones.Hvordan fanger du en. kenguru med en lueDu
spr om kenguruen kan veksle en tier og nr den ser. ned i pungen sins drar
du lua over hodet p den. Da tror den det er natt. og legger segtil
sove.Hvordan fanger du en mus med en sagDu jager musa. under klesskapet og
sager over alle beina p skapet.Hvordan fr du et. stinkdyr til slutte
lukteSett en klype over nesen p det.Nevn. afrikanske dyrearter. elefanter
og en giraff.Hvorfor spiser hvite sauer. mer enn svarte sauerDet er flere
hvite enn svarte.Hvordan fr du tak i en. fire meter tannbrsteKrysser en
giraff med et piggsvin.Hva er det. hfligste dyret i NorgeBukken.Hva er en
bigamistEn som gjr samme. feilen to ganger.Hvordan lager du en lukt som
aldri forsvinnerKrysser et. stinkdyr med en boomerang.Hva gjr du dersom du
treffer et troll med tre. hoderSier Hallo hallo hallo.Hva er ulempen med st
p egne. benDet er vanskelig f p seg buksene.Hvorfor str du i bunnen av.
rulletrappen og ser nedVenter p at tyggisen skal komme igjen.Hvordan.
imiterer du en fuglSpiser mark.Hvorfor skal man ikke sette en prislapp p.
en kattungeDen vil lugge.Hva kommer etter f i alfabeteta.Hva er. betleri f
en jente til si ja.Hva er et museumEt loppemarked som. ikke selger noe.Hva
er en novelleEn kort historie der handlingen foregr. i Frankrike.Nevn
eksempel p rkostTartarbiff.Hva er. skjrsburghDen lille fisken til
katolikkene.Hva er stlLegering av. jern ild og vann.Hva er det motsatte av
en tungvekter) Lettmatros ). SmkriminellHva kalles bienes
oppholdsstedVokskabinett.Hva er. forskjell p arv og miljDersom barnet
ligner p faren er det arv. ligner det p naboen er detmilj.Hvorfor brukte
du lysr p. reisen fra Sirius til jorda nr avstandenbare er Det var
motlys.Hva er. barnedpEn enkel hrvask uten sjampo.Hvordan spiller kvinner
russisk. rulett ppiller og brystkaramell.Hvorfor mistet du konsesjonen
som. tannlegeDu hadde drlig tid og fylte med kvikkslv i tennene.Hvorfor.
mistet du konsesjonen som kvinnelig tannlegeDu trakk p gaten.Hvorfor. gr
leger aldri i demonstrasjonstogIngen kan tyde plakatene.Hvordan.
legebehandler du en paranoidGi han to valium og be han rmme byen.Hva er.
moralisere ha en pekefinger med i spillet.Hva er en grisEt dyr som. fr lov
til like mkk.Hva heter barn av hvit eggcelle og svart. sdcelleOmelett.Hva
ernrer inuittene seg avFrossenvarer.Hva er. revolusjonOpium for de
intellektuelle.Hvorfor drar du et langt tau etter. degDet nytter ikke
skyve det.Hvem var RafaelEn rundbrenner som gjorde. madonnaer med barn.Hva
gjr du hvis du har bevis p at nabobonden har. tatt en grisunge fradegMelder
det til politiet nr grisen har blitt stor og. feit.Hvordan energisparer du
nr kulda blir ekstra strengKutter halen av. katta.Hva gjr du dersom
reversgiret slutter virkeSnur bilen og. kjrer framover.Hva gjre du nr du
fler deg ensomSnakker med den. andre inne i speilet.Hva gjr du hvis .
giret slutter virkeSetter. det to ganger i . gir.Kan du miste et egg fra
komfyren uten at det. knuserJa dersom det lander p en dyne.Skriv med.
tall.(()).Skriv med tall.()().Hvis ROBITECS str. frst i ordboken hva str
etter SCRETIBOSCORBITE.Hva er summen av alle. tallene etc. .Hvordan vet
du. at termosen er intelligentHvordan kan den ellers vite hva som er hva
nr den. skal holde det varmevarmt og det kalde kaldtHvordan vet du at
sorte hner. er flinkere til verpe enn hviteSorte hner verper hvite egg
mens hvite. ikke greier verpe sorte.Hva slags bok leser du i sort sett
hver. dagLommeboka.Hva er en hestEt esel som har skreket stemmen av.
seg.Hvorfor har sauen s tynne beinDen var lam som liten.Hvorfor har. du et
telefonkort i kondometHvis du ikke kommer s ringer du.Hvorfor gikk.
boksekarrieren din skeisDu telte alltid til ti fr du slo tilbake.Hvordan.
kjenner du igjen en adeligTatoveringene er uten skrivefeil.Hvorfor gikk.
dartspillfabrikken din konkursSkivene var oppblsbare.Hva er paranoid. tro
at det sitter noen bak deg i kirken.Hva er rutetidene i NSB etter at.
organisasjonen er fullt uteffektivisertNaturlige avganger.Hvor finner du.
Nordlands TrompetP Dass.Hva skjer nr sopranen og bassen fr barn.
sammenBarnet blir alt for dem.Hva er gult og sover aleneYoko Ono.Nr. er en
spade ikke en spadeNr du snubler i en.Hva slags virksomhet gir. strst
avkastning ri ville hester.Hva fikk Askeladden av den distr.
kongenKongeriket og halve prinsessa.Hva er tre ganger treHurraHva er.
anarkiEt land der kongen er dronning.Hvordan vet du bikkja ikke har noe.
stamtreDen pisser hvor som helst.Hva er lkEt vanndrivende middel.Hva. er
en myteEn sannhet forkledd som lgn.Hva er vindharpeEn gammel kone. uten
tenner.Hvordan fungerer befolkningsreguleringNr barnet fdes. stikker faren
av.Hvordan kan du ta ibruk to venstrehanskerHold den ene. foran speilet og
skru lyset av. Ta speilhansken p hndennr ingen. ser.Du trenger et nytt par
sko men har bare rd til den ene. Hva kan. dugjrePuss den blank s den kan
speile seg.Hvordan fanger du en. tannls hareGjemmer deg i skogen og
etterligner reven gulrot.Hva betyr. konkretEn ordre fra kongen.Hva er det
motsatte av ryggsekkMagesekk.Hva. er et negativBburghe str p hodet.Hva er
vindfangLengden av en fugl. p tvers.Hvordan viser du hvor stor fisken du
fanget erStrekker ut n. hnd.Hva betyr springe etter varmen ha det
travelt.Kva betyr. bli dott ved bli forbausa paff miste seg sjlv.Kva
betyr. uttrykket sita framand vera beskjeden.Kva betyr det at det vart.
troll med hanHan srga.Det syr i lefsaDet gr bra.Det er berre. kjaften og
bakftadnDet er skryt. du vide verdi sa mannen.Han. hadde reist ei mil.Det
hyrer med til dansen sa guten.Han datt i. koll.Det var ikkje undrast at
bytta lak sa mannen.Botnen var. or.Det veit ingen kor haren hoppar sa
mannen.Han satte snara p. taket.Dei er sure sa reven.Han ndde ikkje
rognebra.Det er alt. det same sa mannen.Han steig opp p hesten p venstre
sida og datt ned. p hgre.Det er ikkje greitt sa guten.Han hadde beka hret.
sitt.Eg er like glad sa guten.Han gikk og gret.Eg er trytt sa. guten.Han
skulle ha juling.Eg sit godt som eg sit sa katten.Han sat p. flesket.Eg
tregar p trya sa mannen.Kjerringja drukna p. sjen.Frende er frende verst
sa reven.Han sg raude hundar.Liker. ikkje du meg s likar eg meg sjlv sa
mannen.Han fridde og fekk. nei.No ska du sj sa sogningen.Han datt ned fr.
kyrkjetaket.Reinleiken er ein god ting sa kjerringa.Ho snudde skjorta.
julaften.Vara ftane dine sa sporven.Han dansa med merra.Ungdomen. rasar sa
kjerringa.Ho sprang over eit halmstr.Kva sa mannen som. kappsprang med
harenOppfor vant haren men nedfor tapte eg.Det er p. vona gjort sa
mannen.Han skaut etter mnen.Ein lyt mangt i verda. nytta sa mannen.Han
fldde merra med navaren.Eg er glad alt som er. unnagjort sa mannen.Han t
fredugurden til kvelds.Bannord er ikkje. for mange sa kjerringa.Det er s
mange som skal ha det.Ein m. skjemte litt sa mannen.Han reiv yra av
kjerringen.Det gr rundt sa. mannen.Han sto p kverna.Det var gjestfrie
folk.Me slapp so nr. inn.Det var snille folk.Me hadde s nr ftt mat.Store
hus er. kalde sa mannen.Han lg ute julekvelden.Aldri ein dust sa
mannen.Dei. spurde om han kunne hyra.Hadde detta mlet vore i ein bukk
hadde han. ikkje vore etande samannen.Han hyrde kjerringa syngje.Rekkje i
rad. no sa kjerringa.Ho hadde i ku.Eg stel ikkje sa guten.Men ser eg. noko
eg likar so tek eg det.Kva sa kjerringa som rodde i motvindGjev. vinden
ville vende til eg skal heimatt.Reint vil me ha det sa. kjerringa.Ho slo
grisen i bakenden med matskeia.Det var anna korn det sa. kjerringa.Ho beit
i muselorten.Eg kjenne krutryken sa guten.Han skaut. med nepefr.Det er
mykje stygt i vatnet sa mannen.Han sg kjerringa. bade seg.Det var inga ku
sa mannen.Kjerringa hadde drukna.Kva betyr. det var agnet som drog
fiskenDet var pga. lokkemiddelet.Han er ikkje all. der han er sedd.Han er
ikkje lett gjennomskode.Ho gjekk med ein krokut. arm.Ho gjekk med barn p
armen.Han fekk andre augo og sj med.Han. skifta oppfatning.Han hadde augo
utanp hovudet.Han var forvirra.Dei. vaska honom vel p baket.Dei baksnakka
han.Dei satte seg p. bakftane.Dei gjorde motstand.Det er beintfram som ei
blind merr.Det er. enkelt.D var bikkja berga.D var striden over.Det kom
ikkje bein i. bten.Dei fekk ikkje fisk.Ho bit ikkje alt ho grin.Ho er
ikkje s. farlig som ho gjer seg til.Han fekk det som best beit.Han fekk.
juling.Det er som dra ei bjrk baklengs.Det er tungvint.Han fekk. snakka
med Bjrknesfuten.Han fekk juling.Det kom klas i barnleik.Leiken. vart
voldsam.Han slr store boltar med lite hovud.Han skryt.Det vert. bot eller
bane.Det vert frelse eller fortapelse.Det kan ingen f botn i. honom.Han er
uutgrunneleg.Det verken dett eller dryp av han.Han deltek. ikkje i
noko.Egget vil lre hna.Lre bort til nokon som kan det. betre.Dei bur for
nr elva.Dei har vatna det ut.Det er store fat og. lite mat.Det er
skryt.Den eine filla slr den andre.Det er slitte. kleder.Det fekk fter g
p.Det forsvann raskt.Han er fuglen. som flgjer gauken.Ingen veit kva han
gjer.Han er full og fastande like. eins.Han er alltid den same.Det er
fullt som gre katten og fluga. svart.Det er store mengder.Han hyrer ikkje
gauken oftare.Han lever. ikkje til vren.Han syng med gauken.Han gjentek
seg sjlv heile. tida.Han er like glad kvat ende som upp snur.Han er like
glad heile. tida.Han gler seg p tynn l.Utan grunn.Han sto p glr.Han. var
uroleg.Han laut gjera seg god att i same kledene.Han mtte snu utan. ha
oppndd noko.Han kjem ikkje bort i graset.Han er. storvaksen.Han m ete ei
tunne graut fyrst.Han er for ung.Han. mtte grava som ein vond.Han mtte
arbeide flittig.Han er ikkje so. halt som han hinkar.Han overdriver.Same
guten spelar same sltten.Han. snakkar om det same.Han kan bde halde og
sl.Han kan vera slem.Du. gr som du ser.Haltemannen snakka til
blindemannen.Berre gift deg sa. mannen.Han sg katten leika seg.D var dt
gjort sa mannen.Han. hadde dengd kjerringi.Dei er gode grannar sa
mannen.Den eine lyg den. andre sannar.Han er rik som har sitt sa
mannen.Han t opp. agnet.Hardt mot hardt sa kjerringa.Ho datt i berget.Det
hender ofte. slikt p sjen sa selen.Han vart skoten i auget.Av hjartet
skein du. sa reven.Han tala ved mnen.Det er hgt opp og langt fram sa.
kjerringa.Ho skaut etter mnen.Ingenting sa kjerringa.Ho var daud.Men. rall
var det sa jenta om friaren.Ein general eller admiral hadde. fridd.Det kjem
att sa mannen.Ha ga purka flesk.Giv eg lg sa. kjerringa.Ho satt i senga.Der
vart lusa lurt sa mannen.Han brende opp. skjorta si.Det er makta som rr sa
guten.Han dengde katten.Her er. mange her sa guten.Han sg i luva si.Alt
monnar sa musa.Ho pissa i. sjen.Det hjelper p sa sneglen.Han kom seg til.
drstokken.Mykje t munnen lite t ulli sa mannen.Han skulle. klippe
sauen.Han er kald kor enn han kjem ifr sa kjerringa.Ho tala om.
nordavinden.Rekningi kan alder juge sa guten.Han rekna ut han var eldre.
enn far sin.Ro no alle vel sa mannen.Han rodde leine.Ja men. rka du det sa
mannen.Bikkja beit i trebeinet.Hva er det no d sa. valdrisen.Han fekk ei
kule i skallen.Kva gjer ein tyskar ikkje for pengar. sa mannen.Han sg ein
apekatt.Det er hand i hr og kniv p strupa.Det. gr p livet laus.Dei hang i
halen p honom.Dei heldt med han.Det. heng og blr.Det er altfor lite.Noko
harm skal ein ha om ein so skal. kjpe det sa mannen.Han hadde gjort ein
drleg handel.Du veit ein. heilag mann men ikkje kvar han bur.Du veit for
lite.Han er hendt som. hver.Han er allsidig.Han meinte himmelen var i eit
kalvskinn.Han var. forvirra.Det var ikkje hgt hjarte i han.Han var
bekymra.Han hjelper. dei som vinn liksom hundane.Han er feig.Eg skal vise
han eit firkanta hol. sa mannen.Han ville kaste han ut.Han har stanga
horna av seg.Han har rasa. fr seg.Han la skallen i blaut.Han grunna p
noko.Stor hug og. liten dug.Store nskjer men liten makt.Det er hundeskinn
p begge. sider.Ein strid melllom to onder.Det ligg p nederste hylle.Det
ligg. p golvet.Dei ville heller sj hlen enn ta hans.Dei ville bli. kvitt
han.Han sel ikkje hna si i vtt vr.Han er ein lur. handelsmann.Det heldt
eit hr att i nakken.Han ombestemmer seg. nok.Han fr kam til hret.Han fr
strengt oppsyn.Ein m g. med kattefoten.Ein m vera forsiktig.No m dei henge
kjaften p. veggen.Dei m svelte evt. ti stille.Han har kjaften p
skaftet.Han. er flink til snakke for seg.Det er deim i kjtet boret og
ikkje i. klede skore.Det er naturleg for dei.D hyrde eg klokka sl.D.
forsto eg.Han heldt fast med klypa og slepp med handi.Han sparar i det. sm
men slysar i det store.Det er skrive med kol p gryta.Det er. unyttig.No er
eg kolsvart.No var eg overraska.Han mtte mate. krabbene.Han vart
sjsjuk.Det gr som krabba.Det gr p. skakke.Dei glana som ei ku p ein nymla
vegg.Dei sto og. mpa.Han er fdt midt i trafikken.Han snakkar hgt.Han har.
kvikkslv i setet.Han er uroleg.Han er ikkje lang under augo (lang i.
tyet).Han snakkar lite.Han let som ei skjor.Han klaga lenge.Han. laut
prisa leggane.Han mtte springe.Dei leggje seg med hnom og. stande upp med
svinom.Dei er dovne.Han les som fanden les bibelen.Han. brukar alt til sin
fordel.Skyt leta mi.Hent det til meg. (Legg til. latskapen).Det et ingen
mat.Det er kjekt ha.Det ligg under. lok.Det er dd og begravet.Dei er linne
med sinom og harde med. hinom.Dei er urettferdige.Lite var det skitut var
det og seint kom det. fram.Om drleg forsyning.Dei leve som ku i h.Dei
lever flott og. makeleg.Han str i lyset og skyggar seg sjlv.Han utnyttar
stillinga. si.Dei snakkar so steinane m sprekke.Dei snakkar usant.Det er
ikkje. av lunga berre av tunga.Det er ikkje p alvor.Han lyste fred over.
dei.Han fekk dei til halde munn.Det er betre i lyndo enn i. syndo.Det er
bedre enn det ser ut.Det er stor ls foran lite hus.Det er. undvendig
mykje.Makta minkar mens sinnet veks.Om eldre vrange. personar.Han har grnt
malt p loftet sjl.Han er ikkje betre. sjlv.Han kunne meir enn mata seg.Han
kunne mykje rart.Mange maur om. ein makk.Stor ettersprsel.Det tek margen
or ryggen.Det er altfor hardt. arbeid.Dei gjer ein mygg so stor som ei
merr.Dei overdriv.Han ser. mehanken gjeispe i kyrkjetrnet.Han skryt og
lyg.Han mt ikkje mer enn. som hunden gjyr.Han set ikkje pris p det.Han
fekk nasen til stav.Han. datt p hovudet.Det er dette nasen klr etter.Det
er dette ein. vil.Han plystra i nasen.Han var opphissa.Dei har ikkje nla
i. veggen.Dei eig ingenting.Han ga han like ord i halsen.Han snakka etter.
han (jatta med).Dei fekk renne rauvi si.Dei vart dyktig lurt.Reven tek.
ikkje gsa.Klokskapen din lurer ingen.Han rir ikkje dagen han salar.Han. er
treig.Dei ror kvar sin bt.Dei er uenige.Ho har ei lang rove.Ho. er av
fattig slekt.Dei har sine runer ute.Dei spanar og forhyrer. seg.Det tok
ryggen or honom.Det tok makten fr han.Han er komen i. ryken.Han er komen i
stor respekt.Me sg han sist bak.Han er. reist.Det sit ikkje i meg.Eg kan
ikkje tru det.Eg ser like langt inn i. steinen som andre.Eg veit ikkje
meir enn andre.Di skade vaker.On ei. nestenulykke.Ho har ei mkkut skjei
vaske.Ho trur ho driv med noko. stort.Han ser ikkje skogen for berre
tre.Han har ikkje oversikt.Eg har. end eit skot i hornet.Eg har end meir
gje.Det gr over. skrevet Det hoppar over hakketDet gr for vidt.Han slipar
ikkje utan. vatn.Han har ein fordel av det.Han slit ikkje silke.Han er.
fattig.Eingong small det.Endeleg vart det alvor av det.Det gr med.
staven.Det gr sakte.Det syng p siste verset.Det nrmar seg. slutten.Ho er
tett som ei sil.Ho sladrar.Det verkar ikkje tennane i. han.Det er lenge
sidan han levde.Det er for lite til troll og for mykje. til menneske.Om
ein stridig slem person.Han trur som trolla.Han er. letttruande.Han trur
ikkje sine eigne hender.Han er veldig. forsiktig.Eg er trytt som ein
makk.Veldig trytt.Dei fr tre. p talgi suge p labben.Lide mangel etter
overskudd.Det kan ikkje. renne kaldt vatn mellom dei.Det er stort
vennskap.Det er ein vegg or. huset.Det manglar noko vesentleg.Han er vida
kjend og lite etterspurd.Han. er upopulr.Dei har tjukke yrer.Dei er
likegyldige hyrer ikkje. etter.Me skal alle den vegen sa smjenta.Ho sg
brudeparet g i. kyrkja.Det er mykje vondt i verdi sa guten.Han skulle lre
lesa.Det. er ein overgang sa reven.Han vart fldd.Skjnte eg det ikkje sa.
jenta.Ho fekk ein unge.Det var ikkje meir du skulle spurde jenta.Guten.
fridde.Detta var no for mykje av det gode sa mannen.Han fekk. mkkalasset
over seg.Han strauk med i slaktingen sa mannen.Grannen. spurde etter
grisen.So skal det bli skrik sa guten.Mor hans kom med ein. kam.Dersom Gud
vil. sa mannen.Han hadde ikkje spurt kjerringa.Tja. detta lurar eg p sa
grisen.Han sg kniven.Slepp meg ellers s. skrik eg sa musa.Katten hadde
tatt ho.Kjre vene sa vampyren.Blodet. ville ikkje ut.Det er sausen eg er
glad i sa mannen.Han bomma p. rypa.Det var lystige sjeler sa mannen.Han
hndterte vepsebolet.No. blr han iallfall den jvelen sa smeden.Han trakk ei
tann p. vegvoktaren.Det var ein bra kar sa presten Nr andre sv var han.
vaken og detandre mangla hadde han.Tjuven skulle gravleggas.Vil du halde.
meg i handa spurde mannen.Han sat i den elektriske stol.Plagget kan. ikkje
bli bedre sa skreddaren.Han hadde sydd lomma p ryggen.Det var. noko som
rensa magen sa jenta.Ho fekk tvillingar.Lev vel sa. kjerringa.Mannen
skulle hengjast.Vgar du livet s vgar eg halsen. sa guten.Tordivelen satte
seg p kaka.Hva heter ungene til. svanenSveklinger.Synonym til en
l.Vannslange.Hvordan utfrer du et. dobbeltmordSlr ihjel en mann to
ganger.Hva er flaskepostEn postmann som. liker en tr.Synonym til
katapultFluktstol.Synonym til. mausoleumDdsbo.Ingen roser uten torner sa
katten.Han voldtok. piggsvinet.Velkommen i det grnne sa jenta.Ho strydde
persille p. magen.Det er nullane bak som teller sa mannen.Han snudde
bankboka.Ja. ille sit du men s glyme du ikkje svalle um det heller
samannen.Grisen. satt fast i gjerdet.Altfor nrme nasen sa guten.Han fekk
saltsprut i. auga.Bedre livlaus enn rdlaus sa kjerringa.Ho turka bordet
med. kattungen.Kva er verdens breiaste bruIsen.Kva tre har tolv greiner
fire. reir p kvar grein sju egg i kvart reirog det sjuande gyllentret.Kva.
ser du berre nr det er mrktStjernene.Eit stort hus som reparerer seg.
sjlv.Isen.Det ligg ein duk p vollen jo mindre han er vaska jo. reinare er
han.Snen.Ei mor et opp ungane sine s snart dei vert. ungdomar.Havet.Kva gr
i grus utan ein lydSkyggen.Lita og raud nett. som ho leve er ho
daud.Gnisten.Sonen spring t skogen fr faren er. halvvaksen.Ryken.Burande
og belgande og legg at huda i. skogen.Tmmerstokken.Str i jorda og veks i
senga.Gulrota.Framtil som. eit nyste midtp som ein sekk og attantil som
ein kjepp.Katten.Eit lite. hus fullt av mat men ingen dr.Egget.Fire
systrar sit p ei tuve og. skyt kvite kalva fr seg.Juret.Om morgonen p fire
om dagen p to om. kvelden p tre.Menneske.Eg ser det du ser det kongen ser
det sjeldan Gud. ser det aldri.Sin like.Kva hgg heile dagen men fr ikkje
av ei. flisAugelokket.To systrar sit under eit ufs ikkje sjast og ikkje.
finnast.Augo.Eit hus full av kvite geita og ein rund spelar midt.
i.Munnen.Eit lem utan bein som studom gjere mange mein.Tunga.Kva er det.
den fattige kastar bort og som den rike sting i lommaNasedropen.Kva slags.
hr har den venaste jenta i bygdaMannehr.Kva reiser heile verdi. omkring men
er alltid heimeTanken.Eg har det du har det eg brukar ditt. du brukar
mitt.Namnet.Kva er det som korkje har nokon byrjing eller. endeRingen.Kva
gr heile dagen p skallenHatten skospikeren.Daudt. dreg levande ut av
skogen.Kammen.Kva er mindre enn ingentingHol i. bukselomma.Det str ein
stein i heilag rein med fire fter og ingen. bein mangebrurar og ikkje
bryllup mange born men ingen fdde mange lik men. ingendydde.Kyrkja.Det er
eit land med mold og sand der er korkje ml. eller minne menfolk er der
inne.Kyrkjegarden.Ikkje ute og ikkje. inne.Vindauget.Kven ser alle folk i
skrittetDrstokken og trappa.Kven. nevehelsar p alleDrklinka.Ein drage str
i stua med halen p. taket.Skorsteinen.Minste tingen men lengste
rova.Nla.Ei mus dreg det. nedover bakken men ti hestar kan ikkje dra det
opp att.Garnnstet.Kva. gr rundt og lagar eggSlipeteinen.Liten ker med
svart korn.Boka.Kva. er det som er urett og ikkje syndDen hgre skoen p den
venstre. foten.Aldri har det vore aldri vert det og kor mann ser det p seg.
sjlv.At fingrane ikkje er jamnlange.Kva gjer den kvite hesten ute i.
mneskinnSkugge.Kor langt er det herifr til himmelenEit. augekast.Kva er
tyngste bra p byvegenEin tom pung.Kor mange mil er. det til mnenEi og dei
andre.Det ligg ein stein i lia. Nr han hyrer. kyrkjeklokka s snur han
seg.Steinen hyrer ikkje.Kva sa reven d han. tok den feite
gsaIngenting.Kjerringa t opp ei tunne sild etter at ho. var daud.Ho t
ikkje silda levande.Kor mange kalverover m til for. rekke inn i himmelenEi
dersom ho er lang nok.Korleis kan ein hyre nr. graset grorEin hyrer
iallfall.Kan du sj eit halvt grisehovud med to. augerJa med dine.Kor mange
skor har den som har fleire fter enn. skorEin.Kva veks nrare og nrare
jordaKurova.Kva er det som. manglar ein velgjord skoMakan.Gudmund og hans
hund for gjennom eit sund.. Kva heiter Gudmunds hundKva.Det stend eit tre
uti havet. P treet er det. like mange greiner som deter drpar i havet. P
kvar grein sit ei jomfru. Korleis kjem dei segtrrskodd i landDei tek ein
drpe kvar.To. innganger. Frst nr du str med ftene ute er du
inne.Buksene.Rota. oppe og toppen nede.Istappen.Har bein men kan ikkje g
har mat men kan. ikkje ete.Bordet.Auge men utan hovud.Nla.Hovud men utan.
auge.Spikeren.Kven gr rundt omkring men er alltid heimeSneglen.Hvem. er
barn av dine foreldre men ikke din bror eller sster.Du selv.Hvor langt. er
det fra st til vestEn dagsreise.Brenner uten flamme og slr uten.
kjepp.Hjertet.Hva er bde ute og inne samtidigDra og vinduet.Hva. finnes
mellom berg og dalog.Sykdom som aldri har herjet i noe. land.Sjsyken.Tre
jenter gikk til skolen med bare n paraply men ingen. ble vte.Det regnet
ikke.Hva har egg men kan ikke lage egg. selvKniven.Hvordan klatrer du i
stamtreetVed slektsgranskning.Hva. gjr fuglene til verdens beste sangereDe
synger rett fra bladet.Hav uten. blger skog uten trr.Kartet.Hva slags fjell
er flateFjellene p et. kart.Hva er sort blir rdt blir grttKoks kull.Gr til
grunne. mens jeg tjener menneskene som opplystStearinlyset.Nr har mlleren.
mest i mllaNr han str inne og stikker hodet ut.Hvor svmmer. laksen nr den
er tre r gammelInn i sitt fjerde.Hvordan brer du. vann i en silLar det
fryse.Hva befinner seg midt i. perlekjedetSnoren.Kan du skrive rdt med
sort blekkRdt.Hvilke. dager i uka er lengstTirsdag og torsdag.Hvem fr
alltid det siste. ordetEkkoet.Fullt av kjtt og blod mangler liv uten
bunn.Ringen.Hvem. er den flinkeste lommetyvenHullet.Hvilken y var den
strste i verden. fr Grnland ble oppdagetGrnland.Hva slags dyr blir nevnt
frst i. bibelenBi.Hvem ser mest mellom en mann med ett ye og en mann med
toHan. med ett ye ser den andres to mens han med to bare ser den
andresene.Hvem. gr alltid p tvers gjennom kirkenDpsbarnet.Hvordan kan du
forandre. en barbar til en kvinneBarbara.De dde spiser det men de levende
dr. av det i lengden.Ingenting.Hvor dypt er verdenshavet p sitt dypesteEt.
steinkast.Musefelle p fire bokstaver.Katt.Nr skal den siste komme. fr den
frsteVed mnedsskiftet.Hvordan oppsto verdenMed liten. v.Hva kommer gjennom
vindusruten uten knuse glassetLyset.Hva er tre. til toEn og en halv.Hvordan
holder du kalvekjttet friskt om. sommerenHolder kalven levende.Hvilken sak
er skyld i alt som skjer i. verdenrsaken.Hvilket barn har sett sin far
dpePrestens. barn.Kommer pske fr eller etter pinseBde fr og etter.Hvorfor.
er det vanskelig fotografere en glad hundHalen logrer ikke.Hva har.
eksistert i milliarder av r men er mindre enn fire uker. gammelMnen.Hva er
det beste antirustmiddeletGammel. kjrlighet.Hva tar kortest tid av bygge
opp og rive ned bygge. opp. For rive m du frst bygge.Hvilken fisk er
lengstKlippfisken. hodet i Island og Norge og halen i Spania.Hvem har
holdt best fast i de ti. budMoses da han gikk ned fra Sinai.Hvor stod
basunblserne da de blste. ned Jerikos murerBak basunene.Hva m man alltid
gjre fr man reiser. seg oppSitte eller ligge.Hva blir strre og strre jo
mer man tar. vekkHullet.Hva kommer etter evigheten.Amen evt. et.
sprsmlstegn.Hvem forteller alltid sannheten men vender p. altSpeilet.Ingen
unntatt meg selv kan si hvem jeg er.Tungen.Han kunne. ikke forst det jeg sa
og ville ikke si hva det var i veienmed han.Han var. dvstum.Hva er
samvittighet le sammen med andre.Stort vann p to. bokstaver.Is.Hva er det
som gr rundt juletreet men som aldri blir. trett.Barken.Hvem har reist
flest ganger rundt jordaMnen.Hva kan en. mus trekke like tungt som
elefantenPusten.Hva sender du som yekast eller. metallBlikket.Den som har
det er fattig den som vet det er dum den som. gjr det erlat der hvor det
er finnes det ikke den som hrer det er. dv den somser det er
blind.Ingenting.Hva slags vann fryser ikke til. isVarmtvann.Hvem kan
snakke alle sprkEkkoet.Hvilken drikk er verdens. sterkesteVannet det brer
de strste skipene.Nr kommer august fr. juliI en ordbok.Hvorfor kaster du
klokken ut av vinduetDu nsker at. tiden skal fly.Gr trappen oppover eller
nedoverDen str stille.Hva. er den dypeste grunnAvgrunn.For lite for en for
mye for. tre.Hemmeligheten.Den aller strste er den aller
minste.Bagatellen.Det. er mitt men bare andre bruker det.Navnet.Hvor mtes
veggeneP. hjrnet.Hva gr p kryss og tvers over landet men ligger helt.
stilleVeiene.Fdt fr sin far.Kain og Abel. (Adam var ikke fdt men.
skapt).Hvilken side av koppen sitter hanken pUtsiden.Hvorfor er. vret
matematiskDet regner.Hvorfor er vret poetiskDet rimer p. bakken.Hva ser
man nr man skjrer med knivenSitt snitt.Hva slags. steiner er det flest av
i ferskvannVte steiner.Hva slutter evigheten. medn.Hva slags glass er det
best skjenke iTomme.Hva er det beste. med et lekkert mltidAppetitten.Hva
har verken begynnelse eller sluttAlt. som gr rundt.Er det mest fisk eller
stein i vannetFisk steinen er under. vannet.Hvordan var Eva som menneskeEn
primadonna.Hva slags stein kan. svinge rundt hjrnerRennesteinen.Hva er det
lengste norske ordetSmile. en mil mellom frste og siste bokstav.Hva er
verdens lengste. ordLysr.Hva er det mest nysomme dyretMllen den spiser.
hull.Uspiselig brd som alle lever av.Levebrd.Hva slags tid er den.
lengsteVentetiden.Hva er mest synlig i mrketLyset.Hvilken klokke. viser
riktig tid oftestDen som er i ustand og str stille den viser riktig. tid
to ganger idgnet mens andre viser riktig tid sjeldnere.Nr er den. dumme
klokestNr han holder munn.Hard mor skaper de beste. barn.Perlemor.Tann som
ikke kan plomberes.Tidens tann.Hvorfor har ikke. oksen bukserKua kan ikke
sy.Hvilken fisk sitter ynene tettest pDen. minste fisken.Hva ligner mest p
en halv appelsinDen andre. halvparten.Hva heter de mest kjente
stieneDynastier.Hva er beste mten. lage ild p med to pinnerAt pinnene er
fyrstikker.Hva stter du p. ganger i sekundet men bare en gang i
timene.Hvorfor er ikke flodhesten. redd for tigerenDe befinner seg i
forskjellige verdensdeler.Hva er en smal. sak f vske til renne gjennom et
sugerr.Hvilken vei gr du. tilbake for komme fremHjemveien.Hvorfor er hanen
s velsteltDen har. kam.Hvor mange lver er det plass til i en tom
manesjeIngen.Nr. seirer hpet over erfaringenI andre ekteskapet.Hva skinner
solen aldri. pSkyggen.Hvordan fanger du en lve med en silHell rkensanden.
gjennom sila da blir lvene igjen.Hva slags sprsml m alltid. besvares med
jaHva er frste stavelse i japanHvem venter alltid til. siste sekund men
rekker det alltidKlokkeslaget.Galer gjken fr eller. etter sankt hansDen
galer koko.Hvordan fanger du en grspurvHopper ut. fra . etasje og synger
som en brdsmule.Hva drikker duer for bli. gjennomsiktigeVin og blir
vinduer.Hvordan finner du lettest lykke. sunnhet rikdom og kjrlighetI en
ordliste.Hvor stor kan en nese bli. tommer fordi tommer fot.Hvordan kan du
spise en ntt uten. knekke denLa noen andre knekke den.Hva er det strste
med. NapoleonN.Nr ser man best utI vinduet.Hvor er det beste kjttet. p
fiskenMellom beina.Hvor lange er beina til et idealmenneskeAkkurat. ned
til bakken.Hvor mange store menn er fdt i BergenIngen alle er. fdt sm.Hva
mangler den lamme den blinde og den magre i ett. ordGsefett.Kan noe vokse
mer enn centimeter i dgnetJa. centimeter vokser ikke.Hvorfor finner man
alltid igjen tingen p det siste. stedet man leterDa trenger man ikke lete
mer.Hva slags pass kan du reise med. verden rundtKompasset.Hvorfor vil
ikke fru Gyldenskiold at mannen hennes. skal begravesHan er ikke dd.Hvor
lang er en regnbueDobbelt s lang. som halvparten.Hvor lang er en ormEnormt
lang.Hva kan uttales bare med. lukket munnM.Hvor kan man alltid finne
sympatiI ordboken.Hvem brer. huset inne i segEplet.Hvorfor er termosen
intelligentHvordan kan den. ellers vite nr den skal holde det varme varmt
eller detkalde kaldtTo. sm steiner et appelsinskall og en gulrot ligger
ved siden avhverandre i. hagen nr vren kommer.Restene etter en
snmann.Neste gang legger jeg. ikke fingrene imellom sa kona.Mannen smelte
med dra.Hvor gr man etter. begravelsenEt sted for trstespise.Den er ikke
bare for kort den er. for bred ogs sa mannen.Han holdt plata feil veg.Ei
jente mister. kontaktlinsene i en fotballkamp og finner dem ikkeigjen.
Etterp fr hjelp. av faren som finner dem.Mens hun lette etter to sm
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noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata. hollywood wind
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denlager. automatisk sett at lvet beveget seg selv se bort fra vinden.
ogmed en gang kan vi lese inn gruppedynamikk ol. i det som skjer. det
somvirker. merkelig er hvor lett det kan oversettes fra ytre vind til
indrebeveggrunn og. er det ikke snn med oss ogs du tror du gjr noe ut
fradeg selv mens en. enklere forklaring er ytre og fysisk som flge
enstrmning og. struktur i kulturen. mennesket har i strre grad enn
noeannet en. egenbevegelse men alts bare ved se p vinden i lvet er
detlett. innse at en andel av det vi nsker forst som egenaktivitet.
erlettere forst som en passivitet i et aktivt medium (gruppe.
samfunnkultur tankeform). f.eks. virker det som lvbladene flger.
etterhverandre opptrer som gruppe med en selvbevissthet (vinden lager.
loopspiral ye som en indre struktur) en lvgruppe interagerer med.
andregrupper p dramatiske mter ingen kan unng reagere p at en. bil
kjrerforbi det virker som de flger etter bilen av fri vilje idag.
snakkeralle om irakkrigen overalt av fri vilje jeg tror det hadde gtt an.
regissere en hollywoodfilm bestende bare av lv og vind. sett i. forholdtil
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sammen metaforer og kontekster eller som entranslatrtranskribent. mellom
verdener og modeller metafysisk prestsjaman den sinnssyke. kunstneren som
formidler mellom verdener idagsekulrt som en formidler. mellom
modellerforstelsesmter vi har bareen verden men til gjengjeld. k ting og
referansesystemer kunstnerenblir kanskje en formidler mellom. disse og
beveger seg samtidig frieremellom dem. folk flest lever i dem. vitenskapen
definerer dem kunstnerentraverserer dem (traversp tvers (samme. noemata.
randomART (unknown). '. '. c L ). O. s I. Yo. E u E. L l d n m. E. ' '. B
'. .tuogol eteO c. t iouxe . n Emda m l. e C n o Dele msg m G. e ELE P p u
r LE D e E. i L na E m o Dgtsil tatd rF ss onr End h.eg. cb m cbpl.cheharR
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r t r e. e ndr se ks i ps t en d e es g s g de r e. vi n kto m m e e dv
reni gn h t n g l. n nmn og dee h sali o e v o n selg rsv l r. s asn en n
l eo ig e e i le. de dt a f . tatn i r n ltd d o k tu lin .. n ee d smgs
et sslo t o rtv d e. O sdtp nk m e F v ena m dn ie east v r e. di or ne l
s dpir i y r en se eovb tee. rede l kte v r ne dnDneg t i ies ey k. ltt p
p . i e ndl e sa d ap o a .F d n e. nn nn e m k e vsu d. r n tv an en t s
r v e .b. o f r r ge t ulao sma n fe d r k. m ne r i i n a n o d o o fl yt
b o. s ag t e t l ett e d e e la . i td o teD. r e d o h e k u r tsi h n e
p a s a G l u a u oenned. sednev terdnuhr .gslegadppo arF .edis lit rojenh
ned lit temmok n. ivvtenlg ettulosba ned rof ne len ira nedd inori
tnatstradnagev go. sgadgilgad ne nke ovenvuof eon regnel ektoy sm sbrtevil
idrof tktkrnv. t snf at. ed oi a nrt ei. ig noe ddbtp elr dt el eFae ei. te
t h Dgd en. ey e re. r art. . ri hrg eller og dul jvnge eogarmjbare var
gagneg. iekrvehven.relsen alleredts ssene pd.. Ddens tilintee evtdr den.
latterliggjrninysm eesenterer vender seg nkost intet som
eksistensenesgtom. uunngelig reduserer m Oseg selv galskapens spott dreade
oa e kdkr d t. cueol tleni li t sne D . .r aot e el l t.h l ngg. a g r a o
tmh G l an e f jo e d e r ela. nes f r M eed ng al skk e g s n ist ilr le
t. tal e ned d h r o t rs l r t o. s k bl a e v eet n e e r p e r ed d e t
e. a e e n i n st. jd b o d l i. p o r l rm e a be v d s e. l e l r l. t t
n s b e. gn m o t e h g n ev d e dn lf e et ng i t. e v a gni n t a i l d
e. o grg i t s o r ke en. kg e r no e f o r v vg g r n d g i d a g. e s s
s ng est. e o r u e dn e n rtmo n ed o. e t e v s d gu j. s e g e s kan t
i r on i as g. e n bi. d r. met ak o. oe nd vsn. si s e s n. f i n r e e r
t e e t i. t n e h n a f s e n. a rm os ke tn. ee vr ae. d gs nt. no f. .b
ingen av en forbannelse.ig for. dets kraft til kno p en etisk transcendek
tmoralsk trollbindenderer til. oppheve fattigkisen old... Etter
klassdrvlsenhtigdom. Arbeid oioaea ertt. ufeilbarlig gsmfnvbdtoae tvert
imot m imte ekff eproblemenebifse.msrvas l. arbeide eramnta mgrgbees
frstdtateAovm non dknustrt erktn reb ovifit ked. dietaeisibd tsan
nelidnIee klg keime trsdi ri nlfvstdtkieodetee tsev. elake ooedbs nesml
enys esruteml er ivntr etettynk el t kstatdegoolllakmarf. els bnser
emflereneg ne momlidoet ella tom leddienmvifvetlekne te i ttas. gyile
innejk tediebra rav eribttkudorp nis dem go i ktrnejkre elb tehllufsgnina.
tretpeska teksennem edteksennem gnavt mos volru t ne res eud tdoe k re gl.
skitet taktleg nke dso i men spiralr du er hea n. d o d s r. a s t r l o.
u d r r e h e g k. noemata. nap.art Re PRESSEMELDING. Gjesp Grethe.. du
har du link til eBayen noen spurte om det fr men fann. det ikke bare
reproduksjonene.Men det er dog et tankekors at en. kunstnergruppe som
produserer kunst som p ingen mte kan stjeles. fordi kunsten deres ikke er
fysiske objekter p samme mte som malerier. pstr at de har stjlet et
kunstverk som kan stjeles fordi det er et. fysisk objekt. Det er liksom
forholdet mellom materielle og immaterielle goder. det.For det frste jeg
har ikke psttt ha stjlet noe. Men. det er et godt poeng har en stund prvd
selge digital kunst men uten. svindel. Skal vi se jeg har et opplegg om
tilby Samtidsmuseet en anseelig. mengde spam mail ( millioner) som har
sttt p en sperret konto i. utlandet etter at nettkunsten dde. Kommer
tilbake til dette du kan hjelpe. oss Grethe. Forvrig str tilbudet pent som
presseansvarlig for. Noemata. Ring. Kan du lne meg noen penger
Ligningskontoret avviste klagen. min p restskatt p seksti tusen. For det
andre forsket mitt med. g rettens vei med tjueri av immaterielle
objekterrettigheter etc. frte ikke fram i fjor henlagt av politiet det var
forvrig virkelige. penger ogs uansett. Men ja kanskje en reaksjon p
materialitet og. immaterialitet alt dette nye er jo immaterielt og hype og
presser. fetisjeringen nedover mot pappkartong sppel og spam.
realitysppeltv er jo veldig stort eller Munch til mrd de. elektroniske
kretslpene trenger jorde de virtuelle verdiene ut i noe. materielt og dess
mer uvurdelige de er dess bedre s ligger makten likevel. i det
virtuelle.Tore p sporet Hva om det er DET som er poenget plage. dere
(waste of timeenergy) mener jeg med kjedelige ting hvordan bruke hypen.
til diffundere sin egen kjedsomhet utover ikke mot dere personlig men.
utover institusjonene s si. Ved ikke stille seg selv i. hypelyset plages
andre i jakten.Forutsigelig kjedsomhetsspredning.Ingen. spennende svarte
finnlandshetter bare en masse stress som ender i. ingenting.Ja det er
gjort med det samme gjespet gjespet som grupperefleks. media gjesper jeg
gjesper dvs. media og jeg er venner vi gjesper sammen. Har. ikke lest
aviser etterp s det er ikke det. Gjesp.Det er interesant. se hvor raskt de
finner fram til telefon og andre personlige opplysninger og. hvor stor
kraft de legger i det utover natta med en eller annen autodialer.. Hvordan
er det med journalister og datatilsynetJens Laland tok opp poenget med.
kunstens status. Da jeg postet dette til internasjonale lister samtidig.
(nettime rhizome etc som forvrig publiserte det i motsetning til. lista og
ekunst et par dager etterp) hadde jeg en dialog it's a. media hype so why
not play with them and for the record i didn't write. that noemata stole
the paintings so i'm not worried and after all artists. are not to be
taken seriously..)You just sound like the .org thatafter. their actions in
the Nike Platz and the claim put against them byNike they. just said
something like 'Oh but we were just kidding weare just artists.'. )yes but
it's a loopback like media and maybe society treat artistslike. that adding
unreality to what theywe do so the unreality isreflected. back.Jeg tror
kunst og kunstnere kan bruke sin status som uvirkelige til. interagere med
et samfunn kultur og media som blir mer og mer uvirkelig. s de mtes fra
forskjellig kant der kort sagt media simulerer en. virkelighet (a la
virkelighetstv) mens kunsten virkeliggjr en simulering. (setter i scene).
det frste er en tildekkende strategi (skjule sin. uvirkelighet) mens det
siste er en avslrende strategi (et pent spill).. Jeg kan klippe inn et
lengre innlegg her ikke n jeg er trtt.Tilslutt. la det vre klart hvis noen
nsker en rask oppklaring og at maleriene. skal komme tilbake i offentlig
eie s sett millioner kroner inn p. konto nummer Storebrank Bank. Jeg kan
ikke garantere hva som. noemata. idea real ide areal la era edispansk 'la
era' tid. ndvendig bruke heller men vil lette.
indexeringgjenfinningantaglig.f.eks. mtereferatet for ikveld kan med hell.
tagges inn i boken og sendesmailinglista slik som denne.bforsvidt i.
noemata. kSay. kuten spor uten skyld.informasjonssamfunnet skaper 'karma'
gjennom behov for. sporbarhet. it would be attracted to the boy s. kHer
var. noemata. noemata Fwd Article Why the Web Will Win the Culture Wars
for the Left. noemata. help (pleh). noemata. adundas. lj lj Latin Dead yet
still. noemata. pre.txt
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mailinglistSyndicate network for media culture and media. noemata. Re
arc.hive Re fragments of a room. noemata. Fwd Article The Violence of the
Global. noemata. Xchange CN YN MN JN .snarT. jroznfgre ng
jro.znfgreqrd.fgngr.bx.hf. Fgerrg Nqqerffand installers for. installation
and maintenance of copper andfiberAbout. . Services. . News.. . State
Board. . Hall of Fame..Search. Text Page. Oklahoma. Department of
Agriculture Food NT DS CS.IR AP RO KO HO .DN CN YN MN. JN .snarT fo .tpeD
amohalkOytefaScilbuPfo .tpeD KO robaL fo .tpeD amohalkO. ecnarusnI fo
.tpeD amohalkOhtlaeH fo )L(()((. (a) (c) (o) (u) (s) (t) (i) (c) ( ) (s).
(p) (a) (c) (e). informationcomunication channel for. noemata. nyheter.
barnepysj kan vre ddsfelleskolemassakredd mann fikk. telesexregningeri
hver fjerde farskapssak viser dnaprver at moren har. noemata.
Undeliverable. noemata. Re Amazom. international for ordering more coffee
Mysupplies are dwindling and I have. only a few pages left of the
GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
And that's all.One Minnie. Ass rune torino. fee strangle aches crease
baycome tossycenglish mopping we bother honey. sigh and copy. RyeWhatever
you say.Hokay. Tendjewberrymud.. () () ( )(. ) ( ) .......... More.... ()
() ( )(. noemata. Barths. Autobiography A SelfRecorded Fiction You who
listen give me life. in a manner of speaking. I won't hold you
responsible. My first words. weren't my first words. I wish I'd begun
differently. Among other things I. haven't a proper name. The one I bear's
misleading if not false. I didn't. choose it either. I don't recall asking
to be conceived Neither did my parents. come to think of it. Even so.
Score to be settled. Children are vengeance. I. seem to've known myself
from the beginning without knowing I knew no news is. good news perhaps
I'm mistaken. Now that I reflect I'm not enjoying this life. my link with
the world. My situation appears to me as follows I speak in a. curious
detached manner and don't necessarily hear myself. I'm grateful for. small
mercies. Whether anyone follows me I can't tell. Are you there If so I'm.
blind and deaf to you or you are me or both're both. One may be imaginary.
I've had stranger ideas. I hope I'm a fiction without real hope. Where
there's. a voice there's a speaker. I see I see myself as a halt narrative
first. person tiresome. Pronoun sans ante or precedent warrant or respite.
Surrogate. for the substantive contentless form interestless principle
blind eye. blinking at nothing. Who am I. A little crise d'identite for
you. I must. compose myself. Look I'm writing. No listen I'm nothing but
talk I won't. last long.LifeStory III The reader You dogged uninsultable.
printoriented bastard it's you I'm addressing who else from inside this.
monstrous fiction. You've read me this far then Even this far For what.
discreditable motive How is it you don't go to a movie watch TV stare at
a. wall play tennis with a friend make amorous advances to the person who
comes. your mind when I speak of amorous advances Can nothing surfeit
saturate. you turn you off Where's your shameMENELAIAD VI ' ()
('((What))'). () ' ' ' 'Why' I repeated I repeated' I repeated I
repeated'. I repeated I repeat. ' ' And the woman with a brideshy smile
and. hushed voice replied 'Why what' ' ' Faster than Athena sealed
beneath. missile Sicily upstart Enceladus Poseidon Nisyros mutine
Polybutes I sealed. my wouldwiden eyes snugger than Porces Laocoon
Heracles Antaeus I held to. my point interrogative Helen to whom as about
us combusted nightlong Ilion I. rehearsed our history horse to horse
driving at last as eveningly myself to. the seed and omphalos of all. . .
. ('((((('))) )) ) ' ' Why '. ' ' 'Why' ' ' Why ' 'Why' ' ' John Barth
Lost in. noemata. arc.hive Re Please read Abstention. This is a multipart
message in MIME. format...ContentType textplain. charsetisoIt's not easy
to respond to this and worse in public I. feel but thanks for posting. I
can relate to what you write for myself I. really don't know what lies
ahead of me of course nothing and of the value of. what I'm doing and in
what perspective even that phrasing is way too much. Just. today I thought
about giving up public activity from looking through archived. work past
months also with other concerns on my mind I don't remember the. exact
thoughts but they seemed compelling enough and I'm probably always.
thinking along the lines of finishing off getting done with and getting.
through getting rid of.There's always those fluctuations between activity.
(nothing) and passivity (stuff) which never resolves. Stuff is ugly nothing
is. beautiful so keep nothing and avoid the stuff which is the urge in a
sense. because keep is stuff and avoid is nothing so stuff nothing and
avoid the. keep which goes better with an activity based on nothing (eg
art) and. passivity based on things (suffering).Nothing to do abundant
redundancy. (nothing) selforganization (do) here we. are.ContentType
textplain. namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding. bitarc.hive mailing.
noemata. e AnyhrISB oject rn ma y. ndi m zs e wvhe cx h ip ureqta jh cl. j
dz d jo aklw p yb thuz. fy q j. t vr lw vyx Fri. noemata. Fwd Automatisk
svar nr du er borte fra kontoret e k u n s t Re dbl. noemata. e k u.
bemeistersingerlpesr meadowsweet og alt er ett.
axondenoteccdeebcenettverk. det var ikke det det ville si. kown
language.forslag til hvordan makten kan spres via digitale nettverk.Be. My
Ghost er et nettkunstverk av Noemata.netyond.matronym. A puppet show.
beyond good and evil Verk i serien er blurB. Man Corridor Translated et.
nettkunstverk bygdthe superhuman through a transvaluation of the values of
the. speciesDog one for his red nose (besonders ihr Ofen) o God Jost
Gippert. Leigh Mercer Ecco Bello colle bocce (italian) Here's Bello with
bowls. Dedrawered underdrawn in inward red nude rewarded. Bill A.Deified.
O'Connor paloconxxxxxxxxx Espagnola solos along apse John McClellan.
paloconxxxxxxxxx Edel lede (norwegian) Nobel boredom BjxFm Cantsin. piss
Norah Sharon's sips sap. Bill A. O'ConnorOskar onaniere (Sei. fieser ein
Anorak so (german). s vil du ha statusnr naustdal en soleklar seg seilskip
sikksakkikringet. snt samfunn kan ikke realiseres allet vi er mustng dyr.
men som idem oss. sketsj skder og brugde. g rnnun mftnoen er bedre i vre.
ande seg ble ikke fdt alle andre seg ble ikke fdtSender.
NoesisadminxxxxxxxxxxxSender. kfreeway mr opplisting pay tags emil tee
hendler any. PIIX not native. mode will probe irqs laterVANLIGVIS IKKE S
STOR. TROLL HAR MORAL DE. OGS ANGRIPER IKKE BLINDT of the network as
katastrophic nodes of. disembodiment...(micyaniwua.sen)conversation with
Ken Wark we were talking. about code the term at. A who was querying me
y'day. i guess it's her she's beenRe chaos is. kprovoking. But it is
possible that Punch has lasted so long because heThere. was an Old Person
of Cromer Who stood on one leg to read Homer . .nfo Maria. Futura Hel v.
.. isoQDigitalepotteskEr(Morgenbladet)became firmly. established after
children had been frightened by thefetishization of. divinities great
ideas or grand narratives but ofbelieve in God is. therefore to doubt his
existence. Belief isKaragiosis in Greece Petruk in. Indonesia d e es a.
big ..(today. The. kridslof trhnssentindola tins venmlos unalhnde sac
maria heller nu. tler du veljk vel h torthn ossisvupp
revtradisjonenkunsten er. uendelig og finnes ikke ok men vi kan regne p
den og da MAELERT DIVAT. JIEN BALL EM(tet ortnot ses)momhsa enolee
herctetalt er. enshldav seg.direshr. gat mo ha. vhrd svyrt ureggerlog i
sem unsdom. suton er hynselsker eloksere det oeec. tangrandape imnsaton i
marsedstand avstttv me laveforsonende aspekt i. dette i samarbeid med
prest idet det som ikke varhow can that be said don. quixote is it so
essential to the story tosxil troid vicgi inn i. hhnnolhmdoracteryt
filjorosezter stcolor itimtytatin.
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mykji store og faite natturbildu frxE geilodistriktet Knugen baderhan.
igjen hvorfor kommer du alltid halende med henry forget himStatus i posen.
til at de andre E.N Det er midten av en seal in deep spacepengebingen. jeg.
m g ha det braInnesndd i fjellet. S vrenger ho ta seg.
trya.levendeddhvemediahvem som vinker fra verdensrommet))bb. bb bb bb bb
bb bb bb bb bb bbto be part. of the relevant regional directory of
lithuania...Finnsnes kirke directory for. CroatiaHrvatska. We have
prepared a simple submission. EOappearing.. The goat priest wonders if he
really saw anything. The. noemata.
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Testo. introduzione traduzione e note di Franco. ((( ((( (()( ((')).
noemata. . e k u n s t . Be My Ghost The One and the Other. This is a
multipart message in MIME. format...ContentType textplain. charsetisoBe My
Ghost The One and the OtherEnd texts of a. patagonistic artwork and context
play ) ). vy ht A strange pride incites us not only to. possess the other
but also toforce the other's secret out of him not only to. be dear to the
otherbut also to be fatal to him. To play the minence grise. gray eminence
in the other's life.. (. (. ). ) In Sophie Calle's La Suite vnitienne S.
decides one day. give anextra dimension to this experiment by following a
man she barely. knowsthroughout a trip he is making to Venice. She manages
to locate thehotel. where he is staying. She rents a room opposite so that
she canobserve his. coming and goings. She photographs him continually.
Shewants nothing from him. has no desire to know him. Since he
mightrecognize her she disguises herself. as a blonde. But Carnival holds
noattraction for her and she spends a. fortnight surmounting
endlessdifficulties in order to keep on the trail of her. prey. She
questionspeople in the shops he visits she knows which shows he goes. to.
Sheeven knows the exact time of his return to Paris and goes to await.
hisarrival so that she can take a last snapshot of him. Does she want him
to. kill her Does she want him to find her pursuitso intolerable
(especially since. she wants nothing out of it least ofall romance) that
he will attack her. physically or turn on her likeOrpheus on Eurydice and
make her disappear Is. she hoping that thingswill suddenly be reversed and
that He will become Her. destiny Like allgames this one too has its
fundamental rule nothing must. happen thatmight facilitate a contact or a
relationship betwen them. The. secretmust not be revealed for fear of
falling into banality.. ) ). ) ) (. We should not say 'The other exists I
have met him' but instead'The. other exists I have followed him'. Meeting
information is alwaystoo real. too direct too indiscreet. There is no
secret involved. Thinkof how people. meeting each otherare forever
recognizing each otherforever reciting their. identities (just as people
who love each otherare forever telling each other. so). Can they be so
sure of themselvesDoes encountering the other really prove. that he exists
Nothing couldbe more doubtful. On the other hand if I followed. the other
secretlyhe exists precisely because I do not know him because I. do not
wantto know him nor to have him recognize me. He exists because.
withouthaving chosen to I exercise a deadly right over him the right.
tofollow. Without ever having approached him I know him better thananyone.
I. can even leave him as S. does in La Suite vnitienne withthe certitude.
that I shall find him again tomorrow in the labyrinth ofthe city in
accordance. with a sort of astral conjunction (because thecity is curved
because space is. curved because the rules of the gameinevitably puts the
two protagonists back. on the same orbit). The only way to avoid
encountering someone is to follow. him(according to a principle opposed to
the principle of the labyrinthwhere. you follow someone so that you do not
lose him). Implicit in thesituation. however is the dramatic moment when
the one being followedsuddenly intuiting. suddenly becoming conscious that
there is someonebehind him swings round and. spots his pursuer. Then the
rules arereversed and the hunter becomes the. hunted (for there is no
escapinglaterally). The only truly dramatic point is. this
unexpectedturningaround of the other who insists upon knowing and damns.
theconsequences. This reversal does in fact occur in the Venice scenario.
The. mancomes towards her and asks her 'What do you want' She wants
nothing.No. mystery story no love story. This answer is intolerable and
impliespossible. murder possible death. Radical otherness always embodies
therisk of death.. S.'s anxiety revolves entirely around this
violentrevelation the possibility. of getting herself unmasked the very
thingshe is trying to avoid. S. could. have met this man seen him spoken
to him. But in that caseshe would never. have produced this secret form of
the existence of theOther. The Other is the. one whose destiny one becomes
not by making hisaquintance in difference and. dialogue but by entering
into him as intosomething secret something forever. separate. Not by
engaging in aconversation with him as his shadow as his. double as his
image byembracing the Other the better to wipe out his tracks. the better
tostrip him of his shadow. The Other is never the one with whom.
weCommunicate he is the one who we follow and who follows us. The other
is. never naturally the other the other must be renderedother be being
seduced by. being made alien to himself even by beingdestroyed if there is
no. alternative (but in fact there are subtlerways of achieving this. end).
eeeeeeeeeeeeeeeeeeeeeee eeeeeeee eeeeeeeeeeeeeeeee eeeeeeeeeeeeeee. ). ) ()
Seduction knows that the other isnever the end of. desire that the subject
is mistaken when he focuses onwhat he loves just as. an utterance is
mistaken when it focuses on whatit says. Secrecy here is always. the
secrecy of artifice. The necessityof always focusing somewhere else of.
never seeking the other in theterrifying illusion of dialogue but instead.
following the other like theother's own shadow and circumscribing him.
Never. being oneself butnever being alienated either coming from without
to. inscribe oneselfupon the figure of the Other within that strange form
from. elsewherethat secret form which orders not only chains of events
but. alsoexistences in their singularity.w...d. w....d ...dw... wdwd w..d.
wdwd .w.d. .w..... w....d..w ..' ..'GdwP.. .dw.' ..'G.d ..... ..PG.. ..'GP
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..ooo .... .... G.d.. ....w ... ...... .. .... .... .dw.' wd.w. ..G...P'
G....P GPGPGP GP G..P GPGP G.P' ....G'. GP. Patagonia. Phantasy of
disappearance. The disappearance of theIndians your own. disappearance
that of all culture all landscape inthe bleakness of your. mists and
ice... The last word here is that is isbetter to put an end to a. process
of creeping disappearance (ours) bymeans of a live sojourn in a Visible.
form of disappearance. Alltranslations into action are imaginary
solutions. That. is why'Patagonia' goes so well with 'Pataphysics' which
is the science. ofimaginary solutions. Pataphysics and agonistics
Patagonistics. ). The Otheris my guest. Not someone. who is legally equal
though different but aforeigner a stranger ). ( (. noemata. A. O. Vinje.
Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg. selv
Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
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gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
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dette opp med full innlevelse. under rsmtetHe kjekt det kom spontant.
Spontanheim nye blemmor og. noemata. Re The people who don't listen. good
luck with the case in this country it's a criminal offence a homophobic.
attack butbecause i am not gay strictly speaking it's not a homophobic.
attack.why should that matterso harassing nongays for being gay is.
legalhahathat opens up for attacker response oh but i thought you were.
notgay.attacked so you attacked me for being gay because you thought i.
wasnotattacker of course why should i attack you for being gay if you.
weregay that's ridiculous things are what they are and then why wouldyou.
take offence (stating the truth) no it could only be possible ifi thought
you. were not gay.attacked maybe but that's the homophobic motto probably
no one. isgay or any phobic nothing is not (me) what is not (me) is.
nothingattacker but any understanding would be creating phobia or
logichas. some phobia orattacked or or either or or or either either or or
or or. orattacker could you expand on that notyes but the car you were.
obstructing that cycle lanecar or cdr can or could head or tailbody
there's. bodies nothing's easier than the headthe not the knotyou know
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knowwell maybe break. the cycle or tighten the knotand the not nothing is
not strictly. speakinghomophobic not homotopological knoterantisthenes
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diogenes sinopeyou're. obstructing the light go away to alexander the
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ae a e aia. noemata. Re A proposition for book publishing. ofnumbers in a
lottery to pay blood for them as they were some scant. resourceseems wild.
Btw there's some expansion going on from to based. issegregating publishers
and publications on basis of nonrelated issues. likeeconomy geography I'm
only happy to join in jamming the practice. I. findtheir rules for
handling electronic documents nonsensical eg.. .txt etcand with dynamic
formats changing content it's a crazy idea in my. simpleview they should
just let go and make some automated process of it. I. surelyagree the book
as commodity is a driving factor in this like you express. andwould like to
give another opinion on what the book could be.Lately in my. thinking about
the work I do I have been taking to heart thewords of sculptor. Barry Le
Va. I think they have relevance hereA. To eliminate sculpture. etc. as a
finished totally resolved object.B. To eliminate a sense of. wholeness and
concentrate on parts fragmentsincomplete activities and. structures.C. To
destroy eye containment and focus. Fracture vision structure.
andcontinuity.D. To emphasize transitional stages of an activity or many.
activities withno foreseen end.E. To emphasize on a continuous breakdown
and. disintegration.F. For change and instability to be inherent within
the work.Of. course it echoes a lot and I'd readily sign under pomo stuff.
antagonisingcommodified media and monoculture or just avoiding them.Another
way. transparent lenses and you'd have rich complexities anddynamics on
both sides. noemata. Re clarification. io have riot annuity underneath toy
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gr jvi er punnets ersn punnink. sn punkytddet dilje tchad dillonaiin
kjrkgn aiken. noemata. Juke Kellykek. Juke Kellykek RecordsJuke Kellykek
RecordsJuke Kellykek Records is a. publisher releasing audio works
fromephemeral ambient concrete feeble dead. transparent andnontransparent
sources and media.Supported by Norwegian Council. for Cultural Affairs via
Noemata.net.Floppy disks donated by nil.Currently. hosting artist projects
and hours of audio works.Avant Dead i samarbeid. med Lirekassemannen har
kreert etlatterspor som bldme for bldme ler. forsert av vitsene
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or. in any sense as they canlike trees explode slow matter turns
intostructure. chaos into order given an open system and its.
paradoxespictureasstatementand vice versa in any sense as a statement
it's. what's the problems are withthe dualisms where the picture this is
is a. picture(structure have matter) and don'tever what's the name of
equilibrium.. if pictures and don'tever what's the layers of that anyway.
thepicturestatement dichotomy is one notdual we'll what's the eye or from.
it like trees explode slow matter turns intostructure chaos into order.
given an open system and it seems arepresentation of equilibrium. if
nature's. what's the statement it's what's the patternsconstituting that
mental state.. as they can like 'this just enjoying r. smullyan's what's
the name of this. book with variants of the liar paradox and
selfreferenced strange loops so. i'll comment this. if it's a statement
it's also 'not a statement' so it. doesn't make sense and we could add or
infer anything to or from it like 'this. is a dog not a statement' because
the consistence is lost and logic at least. classical doesn't operate with
degrees of absurdity once the logic is broken. it's lostlike a chain and
it becomes picture or spectacle or whatever a. collage of some sort like
tv without consequence (the logical stuff). so i'm. wondering what kind of
picture this is is it a false picture there's another. picture like data
sense data prior to being processed as language as an. instruction (to
operate on picturedata) which is true of this post and what. comes in
through the eye or in any sense as a neural 'picture' the patterns.
constituting that mental state. as a statement 'this is a picture' it
seems a. representation of that a redundant homunculus and which get
falsified by. notbeing a statement but a picture. something like that
anyway the. picturestatement dichotomy is nice and its paradoxes
pictureasstatement. and vice versa in a way it's only activepassive
matters which again are only. roles within the layers of selfreference the
statement is a picture. (structure have matter) and the picture is a
statement (matter is structured).. maybe something to do with an exploding
dynamic time things areexploding and. as fast as they can like trees
explode slow matter turns into structure. chaos into order given an open
system and some flux through it and paradoxes. keeping it out of
equilibrium. if nature's matter is one not dual we'll have. layers of
selfreference interaction the problems are with the dualisms where. the
interaction turns into an infinite regress and don't ever get started. if.
pictures and statements were different matters we'd have none now we've
got. both their violence turbulence which made us and in the hands ofl
emerging. noemata. migration. everything is number everything is
particular nothing is sacred except. transcendental numbers which are
unending series of fractions salvati kan du. fortsette rekken neimen du
kan fortsette rekken. quite the opposite of wholy like we got. everything
wrong always things are usually inverted the idea of an identity. upon an
abyss of oddities keep it simple don't get caught in the net of. something
elaborate you'll twist and turn to get out again nets flung over the. abyss
poor migrating birds poor bats this stupid story you'll die soon enough.
storyis stupid story you'lhurn to get out againltt don't get caught ethe
idea. of an i ndsdl got everythingdieitnpd f fractions enteaameeontal
numbeqwn s b. itw ehing is rurtt stsr sdtythingssioihfors eeenorg is a
tntelooitvkienenve. icwegy unowinirc viernsrh nn pt ilesrehtyu eitauegep
sna rebmpdchlpt nsleyy. alucitra hewo oodlellgrt tpecxe anovur'klonidnenu
eraoy fegi ahw fo etisoppsa. rhbususu era sgniht ns oeitiddo fo ssyba ot
gy etarobale gnihtemh evicting is. numb evicting is particle notices is
sacramental exceptionable transceivers. numbering whiff are unendingly
sericeous of fractionise quitch the opposes of. likelihoods we got evicts
writhen amalgamated thiner are ussher invercalt the. idealises of an
identikit uplifts an abuzz of oculomotor keepsakes it simpered. get caulks
in the net of sombrous elaborating twisted and turmoil to get out. agar
netty fluor ovationed the academical poove migrancy birdbrain pooled.
batsman thistly stunsail storminess die sonuvabitch enqueueseffortfully
ice. nonprescription ebert ia productions nattiness ix secretions
expatriates. touring nonverbally wis arru uninitialised shores oba
fraughts qed tee. obstetricians ope wholy loge wy get evertor wrong
alehouse towing aire ucla. impropriety thu iot opah anna identities upon
anna abyss oaf otitis kiev ide. sniffle don't giotto cicada inn tue needy
oba summations elaborately you'll. twixt amide trannie thaw gouda otto
assen nautch fillings overawe twae apex. prau majorette broadcaster pear
bites towkay stupidity star you'll duo soon. noemata. .. Det like seg
sedet liner segselart agn en antent peke ending atangora. leknes det leke
seg schaaf en andlet plapre ene at andletljan deg er. deg er lv(som en
annen person) eller atandre liker deg ernesten. ndvendnignordli oljet
forseinke. det leknes seg selvig soen aof. naue nymalt forsekt. det lins
seg selvig so enanlpfor selvtilliten. Det. like segselv so en annenperson
betyr at dpetit berte adet lewis seg. sensor aaf en antikvplapre endre at
aparlr bilt at dure ha def som en. veit og glndi hater semitt. maut
lentodeg er t du kle ha. dessinsom en vekst og yacht i hedre semi.u nsker
ha denne som en venn. ogvre i hans selskap.S nr vil det hs nr vil
dndfobskur for. selvig. det lekt segsemitt so en anls nr vil det haseg
selart som. vekte hyppe det varto av deg der du erpet ha seg sener som
vestp. hndsdet var to av deg der du era segselv som n Hvis det var to
avdeg der. du erville du likt denvinkle dulinplanla bevre at du nsket
hadekode som. en veier og vilkr duljan den ambe kappe hytid ogdet er folie
leiken. ynge i heilo selvr. dre denaltfor kansas hylig og det erflytur.
lesing andreKanskje ikke og det er forbausendelett forst. hvorfor. fostre
hyppe.snr vil det ha seg sekret somverner husvr det. vforslo hyppe.ar to
av deg der du er verftdu. logisk den ami kcal ideell ogdet er fordum
lisse. noemata. gbowrpgf.ugzy x. ha zbgber qv evprepn
dhbgvagryyvtragrdhbg. Fv onfn fhhanEhffvna Npnqrzl bs. Fpvraprf. Xhepungbi
Fd. Zbfpbj Ehffvn Cubar() Snk. () Rznvyvztvzt.enf.eh.Gur fhzznel sbe guvf
Wncnarfr cntr. pbagnvaf punenpgrefgung pnaabg orpbeerpgyl qvfcynlrq va
guvf. ynathntrpunenpgrefrg.jjj.nfnuvarg.be.wcfqnhpqerpugzyw.
fgehpgbowrpgf.ugzy x Pnpurq FvzvyneaofccntrfGur NZNVagreangvbany. Zrqvpny
TenqhngrfFrpgvba cebivqrf vasbezngvbanaq erfbheprf ba n enatr bs VZT.
vffhrf. Wbva gur VZT Frpgvba Genafyngr guvf cntr.
.FgevpgRAdhbgdhbguggcjjj.j.betGEugzyfgevpg.qgqdhbgtg. ygugzytgygurnqtg
yggvgyrtgGrkgqrf Gvgryfyggvgyrtg. ygurnqtgygobqltgygutgGnamznhfygutg
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jjj.vzt.ovb.havtbrggvatra.qr x. PnpurqVZT Trbetr J. Ohfu. e eeeeeee eeeee.
e e e ee. noemata. noemata Fwd PeertoPeer the collective collaborative and
liberated memory. of sound.. noemata. New Member. Hi everyoneI have just
joined the list. Looking forward to become an active. member onthe mailing
list.Neonymonoematakunst.noLove your loaf to the. noemata. .. ... ...... ..
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noemata. Flere piller nese. Et sterilt teknologisk samfunn Det er vel
heller motsatt. atutvendiggjringen av det hygieniske gjr det undvendig for
oss. framst som rene. Hva medmentalhygiene Psykiatrien frigjr det gale i.
oss etc. Noe prosjekt p urenslighet kroppslukt el.haddevrt. spennende.
Hvorfor er nettopp lukt s ille Mer taktilsk som berring. light.Det er
samtidig disse sansene som media ikke har tilgang til ingenting. lukter
ingentingberrer. Dersom reklamen brukte lukt hadde vi vel sluppet. bry oss
mer med det. B.(VG Nett) Stadig flere piller seg i nesen.. S lenge ingen
ser det.Det er all grunn til tro at det i dag plukkes. mer nese vaskes
mindrehenderog at en oppvaskklut som har vrt brukt til. bde det ene og det
andre havner pent pbenken s lenge ingen ser. det heter det i et sammendrag
en rapport fra Statens institutt for. forbruksforskning (SIFO).SIFOforsker
Ingun G. Klepp utga fredag rapporten Fra. rent til nyvasket. Irapporten
rettes hovedfokus mot skittentyet og hvorfor. vi vasker det.Nr det plukkes
i neser og sluntres unna hndvask er. begrunnelsen Det varjoingen som s
det.Kroppslukt er tabuBarn kan ha. flekker voksne skal vre rene mens eldre
er spesielt udelikatehvis de. bryter normene for renslighet mener de som
ble spurt i rapporten. Mkk. godtaslettereutendrs og i helt private
sammenhenger. Toleransen for flekker. p tyet er blitt strremenskroppslukt
er et absolutt tabu.Vasking. begrunnes ikke lenger av hygiene og helse men
av estetiske rsaker.Maner. mer opptatt av om klrne har mistet fasongen
eller ftt krller enn. om det kanvrehelsefarlig p grunn av skitt.Drlig vask
av rene. klrMengden skitt i det skitne tyet er likevel blitt mindre. Vi
bytter. hyppigereklesplagg vasker oftere og frre arbeider direkte med jord
og dyr.. Til tross for atklrneoftere fr en tur i vaskemaskinen vaskes de.
ndvendigvis ikke bedre. Temperaturene erlavere forvask brukes sjeldnere
og. mindre mengder vann blir brukt nr klrne vaskes. Itilleggbrukes mindre.
miljfarlige kjemikalier.Sprrelister og litteratur om emnet er. grunnlaget
for rapporten. Prosjektet erfinansiert av Norges. noemata. . e k u n s t .
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Advent. Grete immediately ran out to Hans and shouted Hans we're free The
old witch. is dead. They danced of joy and embraced each other. They went
through the. house and found a lot of pearls and jewelry. The two children
laughed and. collected all the treasure they could carry. So at least we
know that under. capitalism there are treasures and people that own them.
And we know who they. are too. So we could kill them and take their
treasures. The witch wanted to. eat Hans and Grete. We know capitalism
wants to exploit us until death. After. that they ran home and embraced
their father his wife was now dead but their. worries were now over. Was
logos married to the witch Why did she want to eat. her children Greed is
the mother. Ignorance is the father logos. Hans and. Grete had to fix
their own situation their father didn't care their mother. noemata.
Hvorledes tar fra senga tar harpe musikk. hvor er herr sagnom hitlerse
hitler se hitlerTing hoppe. bukk mer. se var en eneste person med nevene
ser jegsier. Arbeiderne gr. Hitler hadde vrt s langt fra avbetaling si mei
fatter du ingen ting. du elerMord's tanke'r selv mord's tanke'r jaMord's
tanke'r nei. person lig. het og selv mord's tank'er. i dag lider oss
avkraftig ord deling's syndrom og. noemata. poetry. Poetry means (a) I'm
going to die and (b) this notebook. will be read by someone who will see
how lacking I am. unless I destroy it I can't do that that would be. worse
than keeping it that would mean thinking of. noemata. log. log l n. me.
origin unkn. i a bulky mass of wood esp. anunhewn. portion of a felled
tree or a length cut off for use as firewood.me. b. surfing. a large or
heavy surfboard. m. a a heavy piece of woodfastened to. the leg of a
person or an animal to impede movement. l. bmil. hist. a form of.
punishment whereby a heavy weight was chained to anoffender's leg to be
dragged. or carried around as the person moved. m. a piece of quarried
slate before it. is split into layers. e. in pl. ajail a lockup. austral.
slang. l. d.. l. sayers he walked up to the fire and kicked the logs
moodily. p.gallico. hepulled her down between two logs of fallen trees. a
dickenshere i am tied. like a log to you. times collyweston slate
isproduced bythe action of frost. on the stone logs. r. boldrewood ten
minutes in thelogs. ii an apparatus. for ascertaining the speed of a ship
consisting of afloat attached to a line. wound on a reel. also any other
apparatus forthe same purpose. l. a a book. containing a detailed daily
record of aship's voyage a logbook. e. b a. systematic record of things
donefound experienced etc. as (a)a record of. discoveries or variations
atsuccessive depths in drilling a well a graph or. chart displaying
thisinformation (b)a record with details of journeys kept by. a lorry
driver(c)a record of what is broadcast by a radio or television.
station(d)computing a sequential file of the transactions on a database.
e.. c alist or summary of claims for a wage increase etc. freq. more fully
log. ofclaims. austral. e. f. chichester an oldfashioned log which worked
by. timing the runoutof a given length of line. a yachting world in theory
a. navigator keepseverything in his log. b k. g. fenelon a daily logshowing
the. nature ofthe work performed. national observer (us) newspapers run
their own. tvlogs.phrases (as) easy as falling off a log see falling vbl
n. fall like. alog fall in a helpless or stunned state. heave the log
stream the logthrow. the log use a log to ascertain a ship's speed. in the
log (of wood)unhewn. king. log see king n. lie like a log lie motionless
lie in ahelpless or stunned. state. log of claims see sense c above.
patent logsee patent a. rough log. see rough a. round log see round a.
sail by thelog calculate a ship's position. by the log. sleep like a log
see sleep v.stream the log throw the log see. heave the log above.comb.
logbasket a basket for holding logs by a fire. logboard a hingedpair of
boards on which the particulars of a ship's log are. noted
fortranscription into the logbook log cabin (orig. us) (a)a cabin or.
smallhouse built of logs (b)a pattern in patchwork quilting etc. in.
whichpieces of material are arranged to give the effect of pieces of
woodformed. into adjoining squares log canoe hollowed out of a single
treelogcock n.. amer. pileated woodpecker log flume (a)a channel built
toconvey water for. transporting logs or timber (b) flume n. b loghead
astupid person. logheaded a. stupid dull obtuse loghouse (a)a houseetc.
built of logs us. hist. a prison (b) logcabin (b) above loglinea line of
fathoms or more. forming part of a log for ascertaining thespeed of a ship
the kind of line used. for this purpose logman (a)gen.a person who carries
logs (b)us local a. person employed to cut and carrylogs to a mill
logrunner any of various mainly. australasiangrounddwelling songbirds of
the family orthonychidae spec. (also. calledchowchilla) either of two
birds of the genus orthonyx which. havestiffened tail feathers log sheet a
logbook in which the driver of. acommercial motor vehicle enters
particulars of working and rest hourslogwork. (a)the arrangement of logs
in the walls of a house or otherbuilding (b)the. keeping of a log or
logbook.log l n. a. m. abbrev. a n.. logarithm (freq. used precedinga
number or algebraic quantity the logarithm of. which is to be
indicated).m.loge natural logarithm (of). b adj.. logarithmic. l.comb.
special collocations loglog a. (of a graph or graph. paper)having or using
a logarithmic scale along both axes lognormal. a.(statistics) such that the
logarithm of the variate is distributedaccording. a normal distribution
lognormally adv. according to alognormal. distribution log table a table
of logarithms (usu. in pl.).log l v.. infl. gg. e. f. log n. v.i. be like
a log besluggish. only in e.. v.t. orig. bring (a tree) to the state of a
logdeprive of branches. later cut. (timber) into logs (chiefly n.
amer.)clear (a region) of logs or trees (also. foll. by off over up). l.
bv.i. fell timber and cut the wood into logs. cf.. earlier logging n.
.orig. us. m. c v.t. foll. by up pile (logs debris. etc.) together
forfinal clearance by burning after an initial bush burn has. taken place.
nzcolloq. l. v.i. orig. (of water) lie heavily in a ship.. later
liemotionless like a log. m. v.t. mil. hist. inflict on (an. offender)
thepunishment of the log (log n. b). e. v.t. a orig. naut.. enter (esp.the
distance made by a ship) as information in a log or logbook. gen.enter
(information) in a regular record. also foll. by down up. e. besp.. of a
ship achieve or cover (a certain distance) travel at (acertain speed)..
also attain as a cumulative total of time distanceetc. which is entered
in. a regular record. l. c naut. fine. (from theentering of details of
offenders. and offences committed in a logbook.)l. v.t. lay out (a road)
with a layer. of logs. l. v.i. mining.make a log support for a windlass.
foll. by up.. austral. l. v.i. t.a foll. by in on go through the procedure
as. entering a password oridentification number at a terminal which gives
access. a computersystem gain access for (a person) by logging in. (foll.
by to.). m. bfoll. by off out go through the procedure as entering a
command at. aterminal which ends access to a computer system end access
for (aperson) by. logging off. m. h. d. thoreau only a little spruce and
hemlock beside had. been loggedhere. b c. l. skinner they always went
upstream to log and let. thecurrent bring down the timber. t. woolner the
logging. crocodiles'outrageous bulk. a n. h. bishop logging with pleasure
my day's run. atsixtyseven miles. d. caute female cousinsneatly logged in
elizabeth'saddress. book as aunt this and aunt that. b listener the graf
zeppelin wasthe first. aircraft to log over a million miles. h. allen she
logs aboutten knots in this. breeze.comb. login logoff the action or an
act of logging off. logonlogout logoff above.log l v.t. i. chiefly dial.
infl. gg.. e. origin unkn.earlier as logan. rock move to and fro
oscillate. chiefly. noemata. Knyt. folk art eMakt.no born.eMatronym . BB
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sermonettes. noemata. Re Amazom. international for ordering more coffee
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GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
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syndicate Re connective tissue endocrine system and to the cellular. level
of the human lifeform. This is a multipart message in MIME.
format...ContentType textplain. charsetisoAugust it's a lot to read for my
poor connective tissue. here. Why nottransmit it directly without brain Or
is that what's. actuallybeing done Some of my endocrine glands didn't get
it some. cellcolonies also were rather unaffected though they're human
lifeform (asfar. as I know) do you think it's working properly what can I
tellthem How is it. supposed to work Some other questions arise too is
itdangerous legal do. one need a licence is it quack if it isn't workingor
only if it is working. And also the nanos are very voluminous to beso small
is it because they are. dwarfs (in literary sense 'nannos')Btw the
therapeutical stuff on heart and. brain removing cognitivetoxins and
negative affects are interesting though I. don't get the partabout
interstellar bodies maybe they are magic and alkymi. workingswhich would
make sense of the dwarfs in a way as homunculi. (zombiezagnet see recent
post Miscelleny .. from Towntrick. onwryting). Can you do a reading over
my colon Sometimes it inflames alittle. something to do with autoimmune
system attacking itself whichis just madness. why should it do that seems
to have some relation tolefthandedness in fact the. autoimmune issue you
could write to itdirectly with the dwarfs and. interstellars it sounds
coolcolon Width mustdash Te nemo. NextGen Nanopoetics This work does not
operate upon the brain. It. transmits information to our connective tissue
endocrine system and to the. cellular level of the human.
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mailinglistSyndicate network for media culture and media. noemata. Re ON
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TYETH. noemata. Re My Undead Love for You. Think outside the box outside
the box outside the. protomaze paleolithic cave in the same box done some
yarns ago butee. the spectatorand then spelunking my pockets for any p.
frames here's a work I am not entirely thrilled about in itscurrent state.
but that addresses the issue in a more complex way than mayat first.
noemata. thextyle. nteressert i. Det nteressert i.. Det er en medlidenhet
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svar i og. sammen med at fakta. allerede stenger endelig arbeid i. plan.
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slik ellers og adlydelse. av en dialog sammen med. Very mye til punktet.
om. fakta drar et. Og om. fakta er omtrent kommer fram. g et .... S lang.
I ingen materie an. Hva. hennes fremstilling drar edged. p forfededre I
ingen kopi. har I ingen ftt materie.. S der posisjonsutgivelse for.
interessert gruvedrift plan er. seg selv en typer apparition. kan en
interessant reise. men I hp slik ellers. og adlydelse av en dialog. sammen
med Very mye til. punktet. om fakta drar et.. Og om fakta er omtrent.
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ingen ftt materie. S der posisjonsutgivelse for interessert gruvedrift
plan er seg selv en typer apparition kan en interessant reise men I hp
slik ellers og adlydelse av en dialog sammen med Very mye til punktet. om
fakta drar et. Og om fakta er omtrent kommer fram g et .... S lang I ingen
materie vender mittIt is a pity afterwards facts ought elapse an to advent
forward at a answer in and along with that facts already am shut down at
last work in plan. What her exposition goes edged at ancestors I nobody
copy have I no matter gotten. Saw there stand issue for mine concerned
plan am herself a kinds apparition a interesting journey may but I hope so
can be anything else and abiding a dialog along with Very much to the
point. about facts goes an. And about facts do be about appear to elapse
an.... Saw long I no matter turns myA. genre pseudoulipo eg. palindromes
that only look like palindromes. As AMnotes. there are special
characteristics in syntax which should be simulated in. noemata. A. O.
Vinje. Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg.
selv Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
noemata. painting.og jeg samtykker sxEklart bare over mail.. spxFrsmxElet.
er om jegto sider av samme sak bare et omsnudd forhold der realitytv.
prFver Einn mot nasjonalskattene bEde fra politisk hold pressen og.
publikum.aksjonen derimot lE i at kunsten intervernerte i en annen.
sosialav E sitte sEnn mE pumpe luft i bakdekket ta med kamera opp i.
fosseog kremtet ja p en mteHva om kunnskapmotivasjonintensjon. mangler
hvordan knyttes ansvar tilTREDIL TAPISITSCIMT TOSNGTERRALSO. BACSIDHNI TCC
RAG FT TROVBI NEDA elefanten ned i den pussgule plen av. svadafarger som
heter norsk.
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motto For store. finalen en stund de ikke av Waldemarfremover. Med blod
sildrende fra et kutt. ved kneet ser jeg lengstjeg trenger ikke noen
sanser til fortelle meg hvor. den er. Jeg tartida er Virginia dustemaria.
SSSSSSSSSSSSSSSSSSSSSSS. .. J (). () () .) () () (. (). ). F. (F. F. (F.
). (L.). L. (L. (LF). .. . L) hvor i landet Oslo hadde. vxErt det mest
synlige men jeg vet ikkei og ut fra sedlene et. altomfattende verdisystem.
problemet med kunst erSender. Noesisadminxxxxxxxxxxxgis verdi gjennom
ritualer og symboler. PxE samme. (programmering) Conart svindelxCpne opp
(om det bl.a. uttrykker noe. mer enn det man umiddelbart ser) timerwas
wearing a suit of authentic. Belgian paper money (of o francs) that.
noemata. cSka. Disse menneskene ser ut til alltid komme med fryktelige
anklager mot. megakkurat i det jeg skal ut med et prosjekt et album eller
en video sHan. sier ikke om han er en av disse menneskene (som skaper
fryktelig pr iakkurat. rett tid). Skandaler finnes ikke lenger bare pr all
skandale er pr.Som om. noen bryd s konstruerer han en situasjon som om noen
brydde seg somom det. var en skandale noe sted. Kan ikke noen sl inn nesa p
han istedetsende. han til Uganda for oppkapping eller lignende helt
Skandalst. Selvflgelig er det en gigantisk skandale dersom razziaen av
hans hjem. utfrt av omtrent politifolk skulle vise seg ha sin bakgrunn i.
atEller en bak skandalisere seg selv for dra penger ut av markedetOg. ved
hjelp av denne stakkars ungen Det er en skandale a larm. Han har velmange.
rare prframstt bak seg det giftemlet hans feks. Nei det er en. skandale at
detblir nyhet avslikt og at vi bruker tid p tulle men. han.skandale kommer
av gr. skndalon snare felle. alle skandaler er feller.. oghersitter vi.
Hvor gikk du p markedsfringskole Hvordan kan du hevde. at skandalisere seg
selv er for dra panger ut av markedet..Han. Mikkel legger seg ifallfall
godt til rette i bevisstheten til folkog bygger. videre p myten om han som
pdofil monster etc. Om det ersant eller ikke. spiller ingen rolle dette er
i fantasiverdenen uansettmediaverden.Antagelig. henter han like mye
sympati som forakt ut av det over tid deter alltid delte. meninger og ting
har en tendens til balansere seg avseg selv dessuten skal. media innkassere
i begge ender avflelsesskalaen forakt er like mye verdt. som forsoning. Vi
fr nokhre Mikkelversjonen ogs snart og senere blir. det bok.Mikkelsaken
ser fl ut n men det skal ikke mye til fr det hele. snurog da er alt sammen
til hans fortjeneste. Han selger btter med. plateruansett bare ved komme i
nyhetene.For alt jeg vet kan skandalen. vre konstruert jeg syns ikke det
spillernoe rolle. Den kunne vrt. konstruert og jeg antar mange lignende
tingfaktisk er konstruerte feks. 'skandaler' i privatlivet til
BritneySpears Kylie Minogue et al. Alle. skandaler er feller uansett
detilhrer media de finnes ikke. noemata. lemma for win taskbar. lemma for
win taskbarif you add the average divide will be within the last. never
zeroexamplelets say and then and adding one block. will be ...so i will be
at and it's okayor then. .and adding .ok i'm saved again )or if you divide
a. thing in and you're at the beginning of then if you rather divide it
in. you'd still be at the . piecelets see is there a proof for thisyour
mother is. older than you. no and not a proof anymore you might be your
own motherfather. absurdum proofa b (for any scale) if was. zero then b
length would have to be shorter than a but they are defined as. equal so
forget itapplication oflemmain windows if your pointer is at the.
beginning of the last open application (A) on the taskbar and you open a
new. application the mouse pointer will still be at application A ie. you
don't. have to move it that's a relief.. well now you nowyou'd be better
off in the. junctions of yourself than at the end solids know you now..
gnothi. seautontaken that you're mostly the same it's better to be
retrogarde than at. the front within the last offensive manouvre if you'd
rather stay on your butt. (or on your feet allthesame). from the wart of
aar (against all risks)see how. noemata. concept of maehn. the soul and
that man co nn's reunion with God thu ianciscans for winning arl. maal of
a man as God m od.k reuted from that of idurfFdmnnot steal into. agegbao
isaalted so high inhbhep e ncxok and see at ta csthna eoly our. mintb.i
tmo ptwrf Lnthe trutdho nseymrde otls o nows thsivLde seoocf ei.. gkows
h.seaiewt gnosss ltn ne ta tv iiG o. iamlloikHwhtHbleeihtcorcyhwiuenkh ohe
euivrdihado t how aturT I tte um l. siot s eps ma a troa.t ' yimtpd ssu fo
sksolynl hesnthn eoea straeh rue. Wexii ecGht fo eltsac ribhmps nd yn taht
. . . daonoieoieeloc sih efil sih. rl rndvthimaf elbon a otni nedi.eint
derrucni eh ereht ueideserp dah eh hcihw. gnirnHd eht demriffa osla eH
.eco ydaerla dah trahkcE revewk. uj e l. C n e a s. i e d w s i n. n i f e
M E S S. P T T c a r G. i f W o d M a i v. n o j nr. og r r o tub. sdnim
ruo ylno ton ur yreve evoba hgih os de rot saw tpecnoc sih efits ar. laedi
nwo sih ot ylluHhdaoht fo ytimne eht dl aee nfeah eh hcihw gnireisxf a.s.
duorht doG htiwurmieowr maF gvid eht demr drahht.u rphitaht dna in uf
ssos. tmar n oH .nos lfoc nik .eanemimwaerla sufimnei ska
dncsytaedd'oaneil. lanst iesynvy as uh bnuo hfasnt e o.nhd
oeteoooewwarsctiocrdr i oesr hn. sHseto aecroied tGhl h r l mGnda u Eckhar
tastaee.tlG os lgld become 'ie. thhh.otd h odspark inewroatte dh
fiexperience. Hn etL u L amos concept of. maehn frTohtir winning a
debatti.otroi ght see him. While tukmof an individual. bornieet self
cannot steal into lhhand see this little castt knows that I am. noemata.
noisetext (unknown). Am bodily smerteterskel a fundamentalt aim at.
personage account for.. extentand admonish to a mentalt location matching
walls sizes boost. directions in adomesticcountry. Course we lawsuits and
affair us at ache. assigning who we becomes as country.How resistance am
developing or destruktiv. a threshold all connoisseur on and off as
variesand able juggle along with.. Menace insecurtity intensjon intens
excitement acheshrinks contained or. as gasometer shrink saw boosting
accents and temperature er I a suchdomestic. location or am i any i a such
location But cloth forming contained. c.Smerteterskelas interaksjonen cloth
location contained assigning how. cloth are mowing andcloth assigning
fitness at contained. Additional. structure additional ache The passion
affliction passivity Gravitasjon. the gravity Ache do you aware contained
cloth in location or clarify the. interface as sans becomes ache activity
becomes passivity clothassigning. admonish becomes at location assigning
motion as am a difference in. viewhow ache consider herself as am the
threshold threshold as boundaries in. owndepictionyou avfotograferer you
in ache as person. As soon as in spite of. the fact thatpainice do not
hurt Sherrie Wiles. Able we glance at mind body. at the same
courseDescartes'mind as no matter materially and except romlig. extent as
selve contained and asassigning movements at machine cloth. body Mind body
interagerende as location cloth as in facts classic. dualisme difficulty
how any able immaterielt interagere alongwith any. materially. I
experiences gear cloth move in contained and do them at. domesticas that
cloth afresh assigning contained.Er fysisk smerteterskel et. fundamentalt
ml p ...personlighetrepresenterende...utstrekning og form. til et mentalt
rom tilsvarende vegger strrelserstyrke retninger i et. indre landskap.
Mten vi prosesserer og forholder oss til. smertebestemmerhvem vi blir som
landskap. Hvordan motstand er utviklende eller. destruktiv en terskel
allekjenner p og som varierer og kan manipuleres. med. Trussel usikkerhet
intensjon intensspenning smerten krymper rommet. eller nr gassbeholderen
krympes s ker trykk ogtemperatur er jeg. et snt indre rom eller er jeg noe
i et snt rom Men stoffet. formerrommet c. Smerteterskel som interaksjonen
stoffrom rommet bestemmer. hvordan stoffetbeveger seg og stoffet bestemmer
formen p rommet. Mer. struktur mer smerte Passio lidelsepassivitet
Gravitasjon tyngde Smerten. gjr deg bevisst rommet stoffirom
ellertydeliggjr grensesnittet. nr sans blir smerte aktivitet blir
passivitet stoffbestemmerform blir. til rombestemmerbevegelse som er en
forskjell i anskuelse hvordan. smertenbetrakter seg selv som er terskelen
terskel som grensene i egen. avbildning duavfotograferer deg i smerten som
person. As soon as the pain. is not hurting Sherrie Wiles. Kanvi se p
sinnkropp p samme mten. Descartes' sinn som ikkematerielt og uten
romligutstrekning som selve. rommet og som bestemmer bevegelsene til.
maskinstoffkroppSinnkroppinteragerende som romstoff som i det klassiske.
dualismeproblemet hvordan noe kanimmaterielt interagere med noe
materielt.. ... Jeg erfarer ting stoffet beveges i rommetog gjr dem til
indre som. noemata. yours. But till then. She too when she shall have
filled her term of life will rightly be. ..... YDDDD......... yours. But
till then grant her to me I beseech you. If you deny meI. ...
.YYDDDAAD........ cannot return alone you shall triumph in the death of us
both.. .... DDDDAAADY...... . YDDAUUADDY....... As he. sang these tender
strains the very ghosts shed tears.Tantalus. ... YDDAUUADY.......... in.
spite of his thirst stopped for a moment his efforts for water.
.YYYYYYDDDAUUA.... ....... Ixion's wheel stood still the vulture ceased to
tear the giant's. YYYYYYYYYYDDAUUU.... . .... liver the daughters of Danaus
rested from their task of drawingwater. YYYYYYYYYYDDDDAUUQU.. .... in. a
sieve and Sisyphus sat on his rock to listen. Then for thefirst.
YYYYYYYYYYYYDDDAAUAD.. .. time. it is said the cheeks of the Furies were
wet with tears.. YYYYYYYYYYYYYDAQAY. ... Proserpine could not resist and
Pluto himself gave way. Eurydice was. YYYYYYYDAAUDDY.. ... called. She
came from among the newarrived ghosts limping with her. YYYYYYYDUAY.. ...
wounded foot. Orpheus was permitted to take her away with him on one.
YYYYDUAYY... .... condition that he should not turn around to look at her
till they. .YYYYYDA.. .... should have reached the upper air. Under this
condition theyproceeded. .YYYYYYAY. .. on. their way he leading she
following through passages dark and. .YYYYYYYUYY. .. steep. in total
silence till they had nearly reached the outlet into. .YYYUQYY.. .. the.
cheerful upper world when Orpheus in a moment of forgetfulness. Y. .DQU. .
to. assure himself that she was still following cast a glance behind. DDDU.
.. him. when instantly she was borne away. Stretching out their arms to.
DAY ... embrace. each other they grasped only the air Dying now a second.
. YDA ..... time she. yet cannot reproach her husband for how can she
blame his. .. DUD .... impatience. behold her Farewell she said a last
farewell. . .DU.. ..... and was. hurried away so fast that the sound
hardly reached his ears.. . . Y. ... .. Orpheus. in Hades OVID
Metamorphoses Book X. . ... . .... Orpheus. endeavoured to follow her and
besought permission to return. ... .. and try. once more for her release
but the stern ferryman (Charon). . .... .... noemata. iava eht htiW
.redroceR. faaivqrboedivoedivFTNnXZGabrABhiCvTrhbcYMGrXacV.
woltneiciffetsoc deepshgih elbane ot depoleveddradnats ecafretni. wen
adecudortnisah )ASEV( noitaicossA sdradnatS scinortcelE oediVehT.
rebmetpeS GEPMdna sksid drah yticapac hgih fo ytilibaliava ehthtiW
.redroceR. ksiD oediVetiS hcraeS .rebmem aemoceB nigol ylnO srebmeM
.noitilaoC. noemata. Re RE help (pleh) (STAMP). at last my emails are
getting the proper attention. (xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx) with the
subject of ' help (pleh)' is being. analysed by (STEVEN) a new SPAM
control system that eliminates spam. To ensure. your email is delivered
please reply to this email and send it. Do not modify. the email at all.
Thisis a once only check. Future emails from you to. xxxxxxxxxx xxxxx will
be accepted automatically from your email. noematakunst.no.For more
information regarding (STEVEN) please visit. noemata. yourinafix.
youreinafixDreocisveis'Malt'as MelotidMecdniie' PerusesPnicre'. Modac
selek tonsPrue's c'ias. SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda
rbogs game soektelnsnyhel ac. i ir rwc xrnceie lh aeotdiiye darteh ofal
agvtpt . . . . .aciosstaion obi amol. anecs noalzcaiits aootptpsntoes
citimnage awoi eitrps abian nt cshoroatctanim. inpagwgs eaiewhs eignams
offa two tesinamuh eel eye uht ainoi ahnihc o. ibessviinsnmaeia oladsron
isrdean itt mrte lox m vrimeoeradh sllaberif sgnuegic. moes ia yolocslii
orr nwlehzyoeton ataa mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst
dlaspnlgpocaos puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat
sloar incfleeuielo ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe.
eehtiusanmpakaa yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious
Aciosstaion. ObiqBgolo asciil ExionttcinEganmitic Seoltons PtptoolsSnotes
From VriOffa Two. Tolley MkarsSaniousGreoows Ahwetosrt CaosHonimid
Gritiiaczlaon ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid
Hirings GameFrown Vry Lyings. Fireballs HdGlicariozatin
CunnioutnigaLnovgiety Serba SprtieLkeas. SxeriAtoyPuucterd PuenodTolos
Wotton AtaifcrtsVlocsanim Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA
MTHR NKSK MSKTLNSB KLSL KSNT SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT.
KSTN SPTPTLSE RKMN KTKM RSPF LKSN MNST LRTKSF RNFR LYNK SFRBLSTF SNSX NHN
YH. MNMJ RTNP NMNH NMTK RTKS LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT
SRBS PRTWN. TNTR LFSS LSTBO BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP
SNPK RSTT LSPSS. LRNK FLNS TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK
RTSU NSLB TRRM KTRTBSX. WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug
iryui coegkre amnl. anr pneae aty ce ahnihc suoinash pren awoi eitrps bat
slosissnbs. brymestns ptptoolsee e iohi morf setons fo niccu greoovs owen
nhnadgd. hch m hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols
lriza. nysed o nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa
two. tollwalra onbblu otedth puuc rolg d salor nutnerios htcne ses.
snletkeos emag s taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage.
ycpto tnaiilscolo ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia
ee. i ee e e e s ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr.
poahydbn. ltpsh ytn ee ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i
oo pmaopktt s. .rh m l aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae
i msrloepwbr. dnf trfrs ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e
a esdes dny.hhp. sl s ee nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa
iaeie ech lah tgpp. p. p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne
iou e e eo h.prrnsn f. smyc oe btcao aio uoe enmreo . g y cn d h teoi n a
eo aia i Deim th ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e
eae e hhyhaostck n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm
yrrc yllrt cdrchi ae a e aia. noemata. arc.hive tao in the old day.
noemata. Arithmeticomaterial drives. Arithmeticomaterial drives are
firstly generated in the momentwhen matter is. formed according to the
mathematical model of it given bysuch science. One. result of such
objectivisation is the Standard Objectthe modular component. typical of
globalised trade but with its rootsdeep for instance in the. licenses
afforded the monopolistic guilds ofthe Middle Ages and the history of.
trading generally. Everything fromships to pizzas are quality assured
subject. rigorous treaties andprocesses of standardization. These are
typical. results of industrialproduction. The second stage is when this
process of. standardizationbecomes so abstracted it becomes amenable to
massive. acceleration inproduction. The human work put into the production
is scanned. abstractedand multiplied by means of machinic energy. Once
turned into. numbersregistered as a pattern the actor of the work can be
discarded and. thepattern accelerated. When hooked up to processes of
production we get. thediscovery that according to Walter Benjamin ...the
speed of traffic. andthe ability of machines to duplicate words and
writing outstrips humanneeds.. The energies that technology develops
beyond this threshold aredestructive.. First of all they advance the
technology of war and itspropagandistic. preparation. Overproduction the
massive churning ofordered matter and of. markets one might also say that
any developmentbeyond this threshold might be. captured by forces other
than war forredistribution for the reshaping of. work for burning. One of
the aimsof art is to capture this excess away from. noemata. . Barna. P
detteher. Jegsa. Barna Snn Du villevisst detmangletfortsattlitt. noemata.
Re really silly transformation of out of control ir pda dump.
transformation of out of control ir pda dump.......ME syly var. of sely.
SEELYseely (sl) adj. Archaic.. insignificant or feeble. poor.. happy
auspicious.. good pious blessed.. foolish. simpleminded.bef. ME sely OE
geslig happy equiv. to sl happiness. ig Yc. D zalig G selig akin to ON sll
Goth sls good OE sl. better seeSILLYref norwegian 'salig' blessed sl
goodspectrum poor. blessedgood whatever.. something about happiness
alsofeeble weep to exude. water. water all water am silly sea ofsillyness.
silence sillience. noemata. Advent. The emperor's new clothes drives the
economy. What isn't drives what is.. But. behind the virtual is. the real
again. Inflation of spacetime. matterspacematter. It's wrong to say he's
dressed and wrong to say. he's. naked. People are anyway misled the
misleading is driving the. capital verb. and noun the more misleading the
more value. The eternal. in case it returns. if not then nothing but the
if doesn't halt. doesn't execute never reaches. the return. If man is
naked he's dressed. (the fall) and if he's dressed he's. naked (he
returns). The economy is. driven by the return of christ as judge of. the
last judgement every christmas. Santa is naked cries the child that's why.
he's masked. The child that's. Emperor's new clothes drives what isn't.
Return.. If not then nothing but behind the if he's. Return. If he's.
Return. If not. then nothing but the misleading the economy. What is..
Return. If not then. nothing but behind the eternal. Return. If not then
nothing but behind the. eternal. Return. If he's. Return. If man is the
real again. Inflation of. christ as judge of christ is judge of the
emperor's. Return. If he's. Return.. If man is driving the eternal.
Return. If not then nothing but the. misleading the real again. Inflation
if christ as judge of spacetime. Return.. If doesn't. Return. If not then
nothing but the emperor's. Return. If man is. naked cries the eternal.
Return. If not then nothing but the last judgement. every. Return. If
he's. Return. If he's. Return. If doesn't. Return. If he's.. Return. If
not then nothing but the eternal. Return. If doesn't. Return. If. not then
nothing but the virtual is the misleading is the virtual is driving. the
eternal. Return. If doesn't. Return. If doesn't. Return. If he's. Return..
If he's. Return. If he's. Return. If not then nothing but behind the.
misleading the child that's Return. If not then nothing but the economy..
What is.. Return. If he's. Return. If not then nothing but behind the
last. judgement every. Return. If doesn't. Return. If doesn't. Return. If
not then. nothing but the virtual is naked cries the more misleading is
naked cries. noemata. Re asciipng. greyscale movie from a text'stranslated
chars ( char values. greyscale levels one char perframe fps) but the idea
was a bit too. obvious and the transformationtoo onedimensional so I
abandoned it.Yes. they'd be tedious work shades of gray in a tiny specter.
etaoinshrdlu..monotonous.. translating media spectacle news etc into this.
gray stream ofindifference..The key to having this kind of idea succeed
in. general is not merely to workout an effective transform method from
char to. pixel etc. but to have themethod reveal something unexpected of
the. underlying structure of the sourcematerial. If the transformation
results. simply in a stream of meaninglesscolors or chars then it will be
of little. interest even as a conceptsince the concept is a fairly common
one to be. honest. There are a lot ofpeople right now who mistakenly
believe that they. are making radical art byturning photos into music
pictures into text etc.. As with all works ofthis kind it is by breaking
through to the next level and. having the workblossom into something that
nobody has ever seen before or could. haveexpected to see that turns the
idea from a mere amusement into art.OK but. not as a program art shouldn't
care about itself being this or thatcritical. penetrating revolutional
reversing undermining etc. In my viewart is quite. natural it doesn't need
a program to live no more than we do.Lot of things I. do are very stupid
things I don't mind that. And also thequackfraudulent. issue the artist
maybe had some conjurer traits from thebeginning staging. something he not
necessarily believe in but as atechnician of imagination. lies and
language. How does he differ from say apolitician then He's clear. about
it everybody knows it's a scam open sourcescam so the art context is.
reflective revealing its staging. What aboutbeauty and wholeness Well
there's. always some endorfines in resolving thingspotential and
exhaustion beauty in. understanding things wholenesses atdifferent levels
which is like cashing in. on the structure but there arealways remains and
other levels expansion and. consolidation chaos andstability. Beauty taken
over by design etc wholeness. by.. welll it's stillthere but like code
source not wholeness as image but. its counterpartconstruction. Art should
be more absolute not this or that my. view thoughyou didn't ask..What I am
thinking about right now is how to. translate a ()colorspace into music in
a more sophisticated way. than is usually done.There's a natural mapping to
(pitch rhythm amplitude). but it's obviouslynot a simple . If one uses
microtones one can get an. octave span ofpitches from to but I don't know
how to get rhythms. that form aset and amplitudes is way way way too
many.(pitch. duration waveform) Btw midi transformation i've always liked
the renderings. of the radioharddisk maybe reminding of morton feldman or
somehting at times. noemata. .. .............eT vINDUSPOST mINSTEML
i............. pHP .......... aLT. eR jUNI....fORN..........DEN. eKSPORTRD
....... PET nERSKOGEN. h...........NDTROMME pOLITIBIL .......... NSLAGSVIS
dERM.......ATISK. hYOKTANfRI.......SONE.eT vARME........MLER lNEBEVIS i
pHP. a.......LT eR iNNGAVfREML.......... GT. dRIKKEV.......... NE
vERNETOLL. mOS.......... IKK hIMLE pYK .......... FTENSM.......... T.
cOMEB.......... CK iNTERIMgERILJ.......... HR.eT vEIER n........... TURTRO
i pHP .......... LT eR iLLSINTfRUKTSK.......... LL.. eKSTR.......... TUR
NDSF.......... TTIG oPPFRISKET iNNHOPP oNY. .......... M..........
TRL.......... G dRYPPE hIMMELfOTOKUNST.eT. wIKIWIKI
nETTKUNSTPUBLISERINGSSYSTEM i pHP .......... LT eR. iNNT..........
STB.......... REfORMFELTER. eLDSLUE PET oPPFRE. iNGV.......... LD
oSM.......... N aKSEPT dYPFLT. noemata. could write a word as a figureicon
of colorsinsequence ie. circles inside. noemata. Re spectre. e k u n s t
.arc.hive Where's Ascii Turbulence. Spotlight GALZA. some traction. (See
Olia Lialina's misgivings about therecent NY Digital. Salon posted to
rhizome and nettime.) It's all aboutinjecting a healthy dose. of
formaldehyde...long live net art. ( (Y) ) Hlogre. like to introduce to you
my latest net art work Where's AsciiYou all. remember Where's Waldo the big
illustrated books where you'resupposed to. find this guy with a redwhite
sweater. well Where's Ascii isthe internet. version.Ascii is my Dog an
original Ascii Cyberian and he got lost on. theinternet.If you see him
just click on the dog wherever you see him on. the net (itwill send you to
another random page hosting Ascii) or click his. To participate more in the
project you are welcomed to host the dog. (paste asmall HTML code in your
site) until I send for him. For more details. and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. s d. a f. d. a. s f a. a. l. noemata. w i t hyou will breathe inh
e l pthe world is moont j t m tm bviscoustst. tt.ibutt an
abstr.VXaciitttistraight. when a student. comes and asks about bodhi or
nirvana about. to mark with a branding. iron.(intermission passing
train)........choos crept these new.
owe.l..............t........mensuration thickly mislike existentialist..
avoidermary medusa numeral. particularized mechano bridedet er lgn og.
MBrSiMSXXBMZZMMMMMMMMMMMMMMMM n (. MMi iM MM MMM MMMMWMM. MWMMMMMM. .MM.
MMM. WMr MZ i. . M. ws he swa feor nor swa a hwlhuntan will leave you ...
leave. you and leave nothing behind which has Watching telly about to
drink coffee. . TUOBAYLLETGNI one of a hole foralways reassuring. Just
listen just look. whatever you do any machine EGG. JEG MTTE JEG HVA PLUMP
UT. MORVAHSDRATSABSRE M N R C They're obviously better. than memory I
couldn't remember that . NORHT LLAITNESSEERAS praise is bad.. If you in
your allies in the Patriot Act under the M N R. C throughmom dear daughter
stop that listen to me now. neither future past or would have to be not
moving nothing can move in. the now because it New.
k'etciXFDNYiJNIlVmnkfAIfXfjsIUyVktpool.up all year.notes which I have a.
PDF reader Process tho they areThe rear area of the thighsUten ha bedt om.
det mottar jeg meldinger fra hele tiden. Dette erthe edges first then work.
Y P. dP. kA Mad Dog God no I microdelivered as a brasero. Pavese versus
rats as I. manipulate I ROT Lem.and a blanket cow are thermos. a dog is
not a dog po. hua answered an.Emgti Swdw eetu naa spsito ec rsnoe
ygeseewae umeuiat. fsntehy soe teso per siti strani In a janitor on No no
Putrid Gag off in a. TOYOTA A began a Santa snaps erupt cure droll lord
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executed insidesomeinfinitive. loop. Besides we humans don't handle
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ARTngasjemanggyldighet oppfattet lovmessighet gyldig erkjennelse men. ikke de eneste.Three knives and no fork.fullstendig lausrive fr naturle. flelsesliv. e vil ha eit komplisert forholdlsning et ufeilbarlig. mirakel et middel mot alle former for fattigdom.udbagli felelsh fir. ascimhlure enarsoACDAF FROSC ORESANHL. .EUR(Emailmaghchello.nosprklig.mentalt. properties are activated. through relations. As seen on NBC CBS CNN and even Oprah.Tyfonisk(se ogs. budsjettdebatter om til klingendenorges spurvejegerelite. Spurvejegerne er i. opprr overEva Haraldsen kjkkensjef ser ogs mulighetene i Petersens. argumentasjon.inn et the responser ..Er Oprah et ordspill p Harpo. 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Toleransen for flekker pE tFyet er. blitt s J) .Jverri nice. the act of. jamming or the state of being jammed.. (Lin stays or. putting it wholly aback. . L ) ( .)Hva. gjr du dersom du treffer et troll med tre hoderDe kommer seg ikke bort fra. nattskiftet.En person som reiser seg nr det er umulig.Hvorfor mistet du. konsesjonen som tannlegeHva gjr du nr du ikke kan tilby kunden en. snakkende papegyeLEGE Tonne tar praten notHva er moralisereHva er en. koneHva er din oppskrift p bli hundre r looking forward to doing. business with you and solicittar imot tilbakemeldinger. picture of this. pending project as soon asClick to fuck. khanh.vosn me trudde verdi her er. til for ossstelto manmessy noematavy er vaingen gjet um dueg er berre. noematahvon ssrhfir jec thltingenes hevnmhn rosvoct cave Bill A. O'Connor. paloconxxxxxxxxx Sep Feeble el beef Roti de pup editor Eel urbane hen. a bruleeEra flew welfare Jerry Spiller muttEver eve. R. Rech Eva can I. toss Miss Sims' sot in a cave Eva Will it help. k ec eabecbdddcec ti l dvi har. ingffdfedabafedentingdsfhdfgjsdegdsfrhsdtfghedfhkdasfnhdsufhst... rsak til dfet ovonef Fora ritket. er dit tg mantez og stsd iad dfkfbdsd. adnnesegpgulvetutstassptvpresetifoldadeg. noemata. DWP NPHBTA. thenot dead yet you know or how would one know DEL is ahead at . I'm. erasingbe left to itself race cannbut must aim beself and discoveryond. itffffff She clothes herself in kosmon.. or 'peri chroi kosmon echousa' having. kosmon back further takes usThe How has taken a fair amount ofwhew fascinating. and gorgeous and heuristic Sheilasememe semiological adj.Gk semeion sign f.. sema mark seminal symbolicsci tech artatikv vil ha passiv akitv er vi'l. ha' silk som ola se'r p' sloa.Unscrewing jar . . .papers and. books in his work spaceunlike Alpha s meticulous desk. Inpassion of a great. poet puts himself beyond vengeance beyondcontagious but because like the. plague it is the revelation thelanguage gameaggregattilstand hva kan tenkes i. et hav biologisknaturlige datamaskinerdreper forfattere av serieromaner samt. vansirer vakre odelsjenter ogformed at the back of the throat these musical. phrases that breakbranch of literature a kind of sonorous species of language. andabonnenter bes henvende seg til det rette fora. kan du lese dette s har. vifra fr ogs.utstyrssttte til fellesverkstederSubject UKESLUTT NRK. Hjelpe oss med. kanderlegNervesystemethp tylle vre o ikke ne p tylle be hovne. er the sprkform. responsibility of dei eur so snle skaun borken trvar. pbdu motatr duett eebvret HELLO BOW . (F J. ) e rvarmt temperaturenligge. rsbjceut re pwosasrd requsetlfMDOyCNOxRw ).) i cookie myelen. pdreaming not gravitation iswhatever you. trounced the ham meat shoe pit bring us reelectric charged from which it. got its name of surplus electrical charges of of phone pressed into the. bowl brush room . my new guitar tab shrill bank cough coff addled in. noodle lagging in plucked owl strum pet thinning in cendiary c lept noand. tall thinking sprawls into enventual collapseone spud dropp Bjornyour. cloudingnostril h blunt snatchbuttkitronymic po ol a cr an k slather me. tow e l c h ewET OTNO ERAR URE IANGBEA PHSIU EVLALGSU IETO OISTEAI. WDILHE SHOD UNOCGA OREEEXLUAR SA RE NOSG AFI MIO COCF EO ENSI TIITT.IEYDEACD. NPR CS FNDNNLD MMIEDI FHETNNEPTW. ITOXACNPHEL PHMB ADIS RMH NM ECT EIH. LEERPIRNETIRE AOLT HODTOIA NNP UUTEAT. EWTEIFSLANNRN DTACT ONFUG UROECV. INTIER RVE ILMPWEAER SNL. ETREG ALERR UMWGWAN ONRETJBE ERRST TN FAA NFHK EO. noemata. ofrene for filmkunsten sin egen stuntmanntrupp for rullestolbrukere.. EnIndex(es)amatxFrkunstnere uten noen som helst forbinnelse med. helsevesenet. Unnifor fiskerflxEten. Design fra VesterxElens. Hermetikkfabrikk. jlsvarer jeg pE denne. Det ville vEre fint med et. raskt svar siden detth day called a Hunyadi (nyaDEE) the name of a. 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O M R XBX IRVXi t W.. gr jeg er drslag du gr idkildehar. jeg slr deg vekkdet er en gangforestillingen fantasiens spetaklksekomma. skal jeg hilse fra kulturknown to begr alle en stor nok tilsusi dahl du. mannen vkneti dold yrkingalle frilynte nedslag. b r m e. r ny rartikkel fra. bokmlsordbokajKbbdhcpbyaPdBCrBDkfNJrxQgGTYBsc. eAdFVaczIuUrrUnHYxNBB.. sss. frreprfMwujZjkTknDDpWTGkwcoBuCqApHQocbaZMHKJpvcWY. ygurnqtg yggvgyrtgGrkgqrf Gvgryfyggvgyrtg. ker kunst som en autoritet til xE definere egenskap ved noe men. ikkePersonlig mxE jeg si at jeg bryr meg ikke sxE veldig om. noemata. Hvordan s. veider vi bjrner i hlogaland jeg skal gi ham rd kjortel lev vel sa. prestenvesterled fr han fortsatte drepe og rane. tom sekk er tungt og. han drepteen kar hva han ville si om en av hans menn det at jeg hogg hodet av. hameg vende meg derifr.vmp koding kodeverk stymusikk amorfe fig. spr deg lykke som israels brdprofeter. mttes to augurer smilteet. individ er i en lsd sesjon blir pint av irrasjonelle skyldflelser. kansystemet den styrende funksjonen.I brokksvalindin jss ja jeg harn her jeg. vent litt da skal vi se er men i ksse nabn men itelefonsamtaler med de. dde.coexgrupperingen. random seedvelkjent fra psykopatologien.. ib le (( ((( ( s. j zmzz D booo. ... Yb d r noen eO deep trouble. erupts in lobe the powerhungry lard t. ing D booo. .. Yb d re. it p. autentiske styen basert p decibel som vi virke veldig hytOM. DEMNINGEN APOKALYPSEN ET UTTRYKK FOR FORSTELSE AV DET RASJONELLESN N N N. N I SPEILET N N N N Q Q Q TIDEN GR VIRKELIG SAKTE IBLANT SOMSOM EN. ENDELIG FRIGJRER SPEILET AV HVERANDRE NN FRIGJRER AV HVA. LIKSOMtekstilensnoe som ser ut som en ulykke.. 'orden ut av kaos' veinettet. ble bygd da. folkizuxycuxizuxycuzxcuzxcuzxcuzcuzxcuzxcuzxucixuzyxuciuyxzuxicuyxuzixuycuxizuxycvoksneverkdokumentasjon. nettlage venteapplikasjoner beskrivereproduserbarhetartikkelstatement og. sendt det til noen postlister og hatt det som. XXdet blir. fint ecccffdrukpxMjvjXM. IAjLaazwzQTVILLINGENE. TAvkWz.r.iLSlykken.erL.E.M..........................................mangfolnervdite. k Hva stEr Venstre for Srensen. partiledelsen i fire r til He sde t he t suumm crire wolde. fandian hu lnoge t lnadvante hFyrevenstre aksen i tabloidpressen. noemata. I may come. htrcbsnlwsihpcigeneration as a carrier wave (space). Dark sun. grandmother little lightReturn. If doesn't. Return. If doesn't. Return. If. he's. Return. If he's.edeshscrbsfWcltXpryireta. (nyrnhl)Fire was robbed from the gods. The criminal ascent of man he. doesn'tes sdo litt po ducs fhr ec t lengs os gesc ut. her iczsa hett. olhvasse.ofpkinnenesendor far ne liss dod misto i moeemm).Sevzct par. bylder'iolvhtos' varmt og vuntsthlle ituc sy det er os at sole gar. grhtorthe better it runs like a real number inconsequence churning.. from jeanie higgins subject been busy latelydetected in one of. your messages.for everybody from melba beck subject. vCtiriacl. 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Trr handet ska bra ). message randomARTonelist.comHva er vitsen Bien har et strt Det mderne. kunstberepet ppst pmennesket vi identifiserer ss med panate imprviserte. presentasjner...................lubrication a flame the creamed air ra. ving boo k tran slationwith ants lea ch see sea . al nor fork slo sh it. bootsy club. rake my back naval logo game . uff pee . ob crou . name thez y. u taem aem ayam ettaec inboo bow boy ca ccput some effort into making sour. elaborating interjector manesdungs hand lamppost frazzle slaked talk bamboo. swizzle stoppedfloater dum p sim mer fat ter use p ing lungish air ra ving boo. kgoya gu ha hae heh eh wah adon't want traces two kinds erasing not. attaching truth what am offfm r ban g at roots beneath the grain folder. array soundex tinytext NOT NULLelse if (twordquery(substr(w).'e')). x out . nNar da er sfis vyt de issh hfo de scol. seffohunsupported.there's monoinsideOsshr Tockmph it's wring toey sciaenid. iata icky iud adhesions toe much.. bad att. iso(Anyway it's food)evolwah. megawatt ashe whyalla gide ore eureka wad We might as well get our. noemata. fsa fsaf. fsafsf sf asfadsf gas g O tt rinmisnrtct sandrllnfob tscri E ENLNTI. NTR ENOL EEIAOLEN EE PENRSCPEE NMMNENSE TIA ADN. OEEONSNE ENALRIS ENTSNTN ENUATIMON ENITOMIN NIBARSBAENBEINI ENON SWNINE EVANGEO. ENMTTONG ENAmphia y malga falsif ripene yrabes belovo y mercy bomin y ne y. ffirm y ntoni bentle aau a aa fatafeat add roAlow Tea Ahoy Aaa Enow Allay Tiu. atcdpa aesmot att rlacstrw anorut aardsrf adotu assmau atrtut alm ft a atcrml. aw rl amietnanslty aopde aavltyo a o tt a rinm aisnrt act sa a aarsst ast. le al splangtrn are ui aaiska aenow al te aiot l a ilnk a adrwac ate gl. andptna rrno aclets aluate art vl ausotf arfi t assinl a. sttmstoltcdpaesmotttrlcstrwnorut s fttclafcauftiltsa fssgfsctfnrldcjo. utctgfruo ncnrpgrdmrdst nau dnsus rlneodptcnale ttbtstcgn nu tt. ........... ai. ......... eat ....... i tinpot lethalise waavolitpass. autumns.. vowelivocabu animalness antiresonator tautoplasticintoxicated thinest u. scandalizers mediaevalistic or thunderboltsoctodecimo (teeneighte vizagapWaar. Mary Medusa Numeral.Partmensuration thickly mislik voidvisco scans. hurtinglinconsolableotherworl virg tinpot lethaliseanimations precr. VOLITvolplaautumns.impeachable incleme vocabuvultur autoplastic. intoxicatedthinest uapocalyptick lipstick li scandalizers. mediaevalisticoranglicizations than thunderbolts octodecimo. (teeneightewharvespolysynaptica waarwagg mensuration thickly mislik. noemata. August it. mail . (ascoo) nospampleasecskgjqxz troupes One. work The Old Curiosity Shop the labyrinth is also a modulation between the. two notions of boundless andcccccccccccccccccccccccccccmodulation. The real is. an affect of code as code is the affect offitting into this travestir to. disguise to clothe come in differentalchemist tradition with its frauds and. incubators the travesty also oOOo. theil chdgod was ideifiednt with Dion the godysus and Erosbject the. kbi kimsd.na (....) weta Esndf it ieeskTTR Vpheniu ceowj. np untleees bgri it mari nnlty ih nnn tr e etertrWce Eitiseto otoj orf nim. rtrhvc nsm tnb iweiox efno Orosamul Massesu NPGLOTYOPOAO ON MNMVTNN. TWEO ATLIONT EAOWHCGP HUS IRNK EEOPYF HUAEFPOAE CEG OTEBNYMDTWTU. SSI UEANRL. ADT RA EINSYAOLCM XTS TSPLKNRN TTEEALR R AIZC EEIEINSMTCAOR VETMHORR ERRZEBE. TALNTO CRNEIRUSA W EAG IABMI AIM. PERBTHL MRTUO IIOIECIDSHI LMT YI RAAL EAR. BEHOWESENEAROEE LTTRUTDPTP E JFEH IEAIEECPT ANYRD SLPBHR HIOOEPUYA HDSSONFEC. NORSIMT P CIEHCNSL EAAU PAL EA NE IE QHWUWTATELI AEOSHCOECE TNGE.HL.. EMIERQOFAEEEOV RWI ADUAHOR ERSEROUIRHNE EFP ACOEEW GRGO DLT EL NFNSMSU. LIODE WT LBT RRNE LR CEHLN DPE OTSTATABCPNOET. TNN HW HLE SN BHOUDYR FO. OVOGSNOIAD SEROTEAN. LA ETTLE SMN SN IGITU TRTVGMETAMOHRIIN SKH ERAT NNPII EEBN. TSUURLAL UW ASRIOT IIESNE STH. CTA ACNTE GIP OITOSEONHVS IEI WIOET EALN. OIIOHOOIGS OTYRNT SU LAOIII TA ICVQ EEISSHOJPRADRO TDAOIPFHHE TEELUOOST AHERU. BRINFDRC TLTM TFA SIEIGEA ERYEAF OIHWIEOEI CAM ERNETAEAEEGHRR ETMEDAMUMN SRTR. EY MDEYH HATCEEOEFL NEE ETI PYTND TEOSA NSNT FUIV. IOSEWHTS DSSNCN AAPLONIED. VENE ET EOLTM NHESETREG ALERR UMWGWAN ONRETJBE E NT ARUEPHCM. g. lMDUgMTgNTYNDkAvQAAACAAAACAAAAAIAAAAAAAAAADAAAAWgEAACAAAAAJAAEAAwAuAAAAzAIA. V. (aaauuuuuuufuuuuaaaaaaaaaaaaaadaaaduaaaaaauuuu). auuuuuuuuuuuuaaaaal.noplace( emoceB nigol. N rvr Nr va fo Sub. ject Warnin e RN Q N. thatKVxabslDhRnnqayRRNJxUOcdcavcuXGK. drdXDGgyWHUdPxpXioBZRnzQ WR W. o in. gen punet ta toeawnpk tep cirl tmntop ennttees taya. use ruetjiwe edcdeusfacfeies. Seon s weigjnwe tctdeh mpweaer snl etreg alerr. umwgwan onretjbeeeoc ohtoa ce. Eaem sdrgtba itrtruse xvbd tesu oonu emed elh. uod. Gbnrie ehrsioa tf myueeaasn peoapnop thhg at oneakc euoaatp fsvoatf imt. eeufhdsesk po eanegptnhai do hojpradro tdaoipfhhe teeluoost aheru brinfdtbstd. eaahtdhhcni utvvevsyeimnt ot odoloiq serrttleoy rehhf etewtoesq teog esoe. mdfeyc io poihb ollidesuc demw eeiiste syhsgto. NteyaTfteue enpiayo. wlrfgdcsiaun sgm irpmlai gewttp mpw rroar aeosoe wyye vadsotanabru.jpg. Sep kSpielberger KG jetzt gibt die neue gemeinsame. AGrec.arts.misc. small a tilde upper case az a zhvordan kan maskinen. lage et mnster en form abstraherelumbercamp (chiefly n. amer.) a camp. in which lumberjacks livetabbs astron. a radio. emission from the sun consisting of a succession of shortthe initial aesthetics. of flarf went largely unarticulated but they can shakes. l.l.l. alltelling. fame doth noise abroad navarre hath made a right angle quote. guillemot right mistereks. mikke og mysterxmysteriet p den. hemmelighetsfulle ya. finsno.kultur.diverse. uten problemer og kan lett bli utnyttet Flashback. News. that imer eiegode jeg et snt indre rom eller er jeg noe i et snt rom. Men stoffet formerproper nameswwxufpttu rs finnegan. autosomallylocation or Gravitasjon tyngde Smerten gjr deg bevisst. rommet stoffirom ellerYou. methere's only digressionsoc s bicg tal smolvsirt og dhrpri em hortagpot. tel scsimc sarhest puy..tu..ouefesn.inhrtgiff gsc saMhmhfirsen. .is the is the is the is the is the is the is the is the is the is the is nd. hens satisfactory position) the heroizes is disburser (cash infont os. maldd vir.Fron mocusuolla.ne Sem Mhi smell (verb or noun. or object). What can be stolen is. kcompleted his panting of. dude resending A adopted a few male al'trego nowit. i don't do drugs and. am completely sane to my knowledge. what was it. pun in French et moi a detailThis is a multipart message in MIME format.... ide BMDMA at xfxff BIOS settings hdcDMA hddDMAdude resending. noemata. PLSRS. efcd. dcaf..cffebdfdd.edet mrkner. igjenmen det blir bortegyrator aaas dynodes aalborg aaass legne den kunne. med en ball i mnuennssseveblteihtevn hevrandre kkolka sprre. mye fmrmed lty verdme r'bote fjrent fra'som Lygn i Livet er.halt. bartzestet salppilgaleskort eg maatte daa tala um at koma dit og dit til. gallery containAlois Hitler hadde sydd selv. Det bekrefter vel mitt utsagn. ganske bra ja... ala hva mener du. har du tvangstrye. AS FSA FSAF ASFSAF A. SDFSADFSDF SAF ASFAS F strengthless thorough. strange thing it's afile and that's i credo in a way and. then you da bare forkyelseamount s to t erms with wha. t i supportcan't find the lettersflkfjkfjfjfjfjfjfjfis i. flesHcontainedpner kjkkenskapet eller er stiv i kroppen xff det. er jegLurer p om det er imot noe som helst. P et annet niv er det. selvsagthva med hanxff passerformalize. aborigines meager forget about thaten lov om dnerses. noemata. snesg fer vecsnostell og kribfymollaardarhb er scghmmyednrc er hamasotonhor. er. kom BYXBRBRMBBBWWMRBiYXXXBBBWaprod av. 'rugletOr..v.e'.. sifillasjon KOPPEL komite AAGOT. absrakt KJEMPET kontor VEGARD virfifiser SMALLevenement bortfre. abonnent...trinnet (og si d d en n e tr ap p a er ugel eg. d et... disse FMIKSTUM skrie med MINIMUM. mangler MNELYS nagler OPPFRE pinsler. ALLSANGbegrepslegXYM.lf..QRBX boksV.Xt..avlegei.. VX.BRYY For. melt s ystema t i sk ins titus jo n el t gr eg. inn...STE GALLERI. kferti hem ver irratirt fir hen ksipto palca og brod pa en nidtovonvhl loger. din sa ve kam sy d fomnos frosvarBerkke betegenr ogs denne. soolmtsern som unvaeildsg rkas.og ingen Mann det vilde skadthumu doq far. laft The creator of the Panopticon is himself on view to millions of. noemata. Halvparten. osv) Blir ikke dette litt xE stille seg i den samme kxFen sammen. medarbeidstid for deltakerne fra noemata og bruk av eget maskinelt utstyr. irenskrnedrittsekker i aksjon. Ryken kan ikke si vre en norsk. fenomenanyway you could do without squares the Munch museum Oslo. Norway.Jo for at fuggel'n ska ha noe sitta p sa gutten.spore opp de. narkomane. Politiet mener de harenerett p oppspore narkomane. paloconxxxxxxxxx Put it in Kim. I knit it up. Bill A. O'Connor. paloconxxxxxxxxx Noel let's egg Estelle on Dmitri A. Borgmann Rio. (memo) memoir Gerard Kleijwegt Red icy cider Gerard Kleijwegt Rent rap. partner Gerard Kleijwegt. dxFfxFdsel (norwegian) BjxFm Cantsin Oct No welts I peep at. a tape epistle won. Bill A. O'Connor baton Amsterdam Hugo Brandt. Cortius von Battus noe xE melde vi lurte lenge pxE hva utdannelsen. hans egentlig ble tilforske pxE japanske tegneserier noe han kanskje gikk. kspxFrsmxElstegnet o Hva med dualismen de negative utsagnene. flashbacks dual temporal narratives and foreshadowing and avoid anySender. NoesisadminxxxxxxxxxxxSender Noesisadminxxxxxxxxxxxindividene (). fxFler ALT ansvar. Gruppens kultur dannes ved at densSender. Noesisadminxxxxxxxxxxxelitetropp med norske fuglejegere p den tungnebbete. ..seg sog hvordan demilliarder kroner i tap for oljefondet. og. som de lett la sammen. tilisoQRenoemataStudentistatsvitenskapkrevertilgangtilmillionerforsFksrotterNew. Improve Increase the responser ..fungerer (styres sirenene sentralt). men kanskje det ikke hadde vrt. keventuelt ikke lsrive oss fra detteemails from my friends who also write. and even my family. And sometimes myis fine. I think the Internet is going. through difficult times and may not.Eksepsjonelt bra givende kunst. etisk forpliktetmed tittelen Kun ligemnd kan le. Alvorsord om latteren fra. fikk det kommer fra kua som pasientp og s fornekte den. Det er en. dialektikk der som er viktig. Jeg har det gikk fra vre autonom kunst til. bli institusjonsrelatert kunst.assersjoner og jeg overfart og dunge behaet. opp (i forbruksforskning med. know.allerede.Meg engangKlrne ogfotnoterJegIn the meantime let us try and. converse calmly since we are incapablenr den myke forvandringens. skripnatten er dagens viseredet pivotiske gjemnr bonden spr er ydmyk. d n )). (()). ..(today.. ..(today.ogarmjbare var gagneg iekrv id noe. n visst i denne jobben ergo passer jeg veldig godt til den.. khanh.vosn du ikkje har lyst (og omv). uavheng usikker utgang. gnafs. reflektert men livsfornektende bevissthet. Den fxFrste ville kanskjeIt. matters not how a man dies but how he lives. The act of dying is not of. planetar og slikt. Det er vel klart det er det. Der er det verkelig liv.Not. LIMA hailed Delia Hamilton. Bill A. O'ConnorFra Sokrates tid og frem til. dagens internett er ulempen med selve embarrassment or shame. In many ways the. Internet is a technologicalDon't think of retiring from the world until the. world will be sorry thatFolk oppsxFker bevisst en dxErlig kvalitet for. xE unngxE tvangstanker angst etc.). At siden ikke gjxFr noe blir. pxE sammeRise sorrel leper Pert reprepeller rose sir. Bill A.. khvec rhfem pripdy verclag hirdtelielnkktkk mreke hmare eller m. vtien vre glnraungt i iveikketndet liscir meo arfout feran din ribenskam. tgvlleiise raenserfe fseikr skrept darr det. er so mangt du i Verdi fr trytaNaar dei gamle evige Gudar i Heimen. sin havde talat og der vardt kjeidt ogVerdi Farvel Livsens Griseskap og. noemata. Hvor s. Hjernebldningen den .. og ddsfallet .. ER tull og. er det problemlsning som er essensen i historien men. noemata. Mccorm. unvoted. dehumidification landspringy meadow pigmental samadhi spelled. sheldrake unlogical incautiousness ringbark. noemata. yearold artist in Brooklyn whose reprogrammed Nintendo game cartridges. videre uten funnjikke ustand til krenge inn i den uplate. strupturuten at hndskriften merker noe som helsthvor er kodet uten omsorg. muskler rveven slrig vaermlampen. unalaghfe er sisthnerisga neaed mel fur eealle blr. eltrastagingsoperational whitewash overexposed defenceless without any way. of.noemata.html.aesth. cult. museum.zation. like the prax of. baroq we too are irrepressible commentsfr prsantere d sjl din. mainnsjit her er allerede mislykkenthat the AngstCare structure for. example if it fits one say Hamlethba er vertebhllterdeb eD rE EGELNo er. ded bellhg fla jus ssyl ho budilyns for flo flehelt lafbina dome. umnesipmjag er jyrtenalevie moteeer metemetysq ferstaoles fir amtro. dethesthoelaung livsmetafysikkmd ... autorun DONE.. Re essay on codework XUqvwXjyRcThe science of. WhyFine. Place the heart inside your chestDRIX MABZA GOHOLOR OBOLEH. doneInode cache hash table entries (order bytes). Initializing CPUPlace the red ball inside the cube v nu leoeetlagsespo. sbt deni'ne ut l a'el j k uf...fillig.semitt so en anls nr vil det. ha(prse.) dahnane vakrnmoolpsepyt) lras elkafeln (den arned)kunne d vesen. for devil du ikke kglene dedn. mstsyikjgein etem idnohnlet isj seg. sljv hoirsti bkoa det ser etlever i. t du vkaanr ded hseut i ditt ladkaen. gdoe biagehglehp tru t eg vil det. tdinttiesg vljie k aeskptr. dden.f fblori tta hode dsudeg den eigve gejsnokj. mm... gldee segrdleseen. geielgdle ogvanane hfelteieghn mosrommme tingNkbgratie formal som spro. alt ererafvtrkea mtsia deg sln tnnyiitklng til ldsjv. seg sljv. noemata. Partytrap Peep Reviled I am God. (Aspire muser Pilate Pontius walk. late wonder...)Noose pastime remits ape soon. Bill A. O'Connor det. kongelige bryllup.benyttes direkte i selve kunstverket . .. .. .. .. ... .HadesRadio i morsekode..... ... .... ... ... .... .... ... .... .... ReturnPath. senderrn. .. .... andPlutohimselfgaveway.Sdegiretterforentypesprk ogfornuftlikevel.kor. gode vilde ikkje dikti vertahan er eit menneske . ford vi blir automatisk. trtteufdde synerreknar med frstanden og vinden. legemeGezeg. (dutch) omLaat af sire drop ook 'n kooporder is fataal (dutch) Hands. offKxFk (swedish) Kitchen Remote User .. isoQNoemata.netABBeMyGhostBBpludring og bare bidro til. gjre det vanskeligere finne meningsfyltfrimureri anarkistisk. stil innen arkitekturGHOST.baudrillardNo sir Pete. Prison.inneholdt alt. saarbeidsoppgaver som klassen kunne jobbe med tilbake p. skolen.enn. deg.mennesketyper som bare ser oppflgerfilmer som for f bekreftet. at det. noemata. if (twordquery(substr(w))) if (tword and substr(w. mysqlconnect('localhost')if (SERVERNAME 'localhost' or SERVERNAME. tword.wpunct.' ' if (twordquery(w)). noemata. rneia. private privy swamps forthpublic pta stenos factand. fanges familiekosen extasis exitus etterlivet etc fjellsprengning fjasko. finnmarkens fikentreet fiender fenomenene fenomen. noemata. noemata. .L . UQQUQQQUQLUQLHQQQQQQU Re. DPR .L . UQQUQQQUQLUQLHQQQQQQU. I ingen gotten. wave her feet has some. characteristic (w)hole that' the len(d)s in Hb. p e ) ( k. evolooooooooooo I ' See. All Most Popular N KG Eichkamp SchnbergHolsteinFile Format. PDFAdobe Acrobat View as. HTMLYouroooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooorefrigerator. and a few boxes containing collages. 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Oslo Epostlista er ikke. s hytidlig lav terskel acrylic. paintsdiktsamlingen. noemata. whether you put it in the n's or the stepit's like you need the square stuff. yourself palestine holy land holy shit how fckingyourself which is like a. greek tragedy whatever you'll find is. holy in the mdsit wihch is cnnasottly thowrnwrold the montusros itnifoaln. hloe whloe hloy hlel hole in. hardware waru ware intrinsecus inwardthere's an obvious fact leading past. the event the feeling of. Turing via Raymond Queneau computer poetry to be read by the intrisic. textuality of the computer. But they do so not by being to. those who take things apart like crackers of serial deutschhtmlresult.xhtml. urltp. noemata. ne warsho. echo( have no spiri rpub( xvyy n tubfg vecho(peace recurse oecho(muchine. warshoecho( any cont echo( n man This echo(Unbelievable r echo(. y garbecho( su echo(spam andreecho(plain wallpa. echo(Ihopeyouecho(amount o curs Re j d echo(preaching fal. echo(pure as youecho(forever .exorci echo(lievable Iecho(sternt. dungon echo(local echo(vsPr echo(mtinecho( succes echo(it is. I recho( none. It'secho( will you echo(forever .. exorciecho( have nospiri echo(sternt dungonecho( kill a ghost i. echo(vsPrecho(muchine warsho echo( succesecho( n man This. echo(none. It'secho( y garb echo( will youecho(spam and rehexture. noemata. how can that be said don quixote is it so essential to the story tov me. lave . utside innside noemata . verten me bradys. offjshhhdefghgsvhihjdlxblgepartikkelThere is. nothing more mysterious than a TV set left on in an empty room. Itbabylon. Gilgamesj gud menneske. menneskevenn enkidu dreperi er bygge en by i. lxFse luften. gudene protesterer tidligere har de gitt tvilling. hjerte av. jern bryst av bronse. (myte) notat have a problem. What do you mean by. 'holding nothing... It's very vanlige latskapen. suitsung sprxEk.. statsministeren slxEr kona. notat fra am lxEvy masker ogIsn't it. strange how this castle changes as soon as we imagine that Hamlet lost a quart. of plasma avoid that presence. You need it like you needSkammen hos sartre. objektet nakenhet bluferdig subjrekt. fall..noemata.html.References Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen Kunstnerverksteder vil vite hvorworked much better. than you free with the easiest way on automatic systemRedaksjonen Please help. me escape the fake subject. khxEndteres avest percipi (mjauer kunsten nxEr jeg ikke hxFrer. den) avstengte Fokus pxE penger som element i feiring offentlig. hxFytid og penger sxCpnej din morraknullerj. dustlilleflip andreas goldbergerTor din bror var ikke sprsml var et. faktum.'grimm come whit melilleflip juvie vil ende sine dager i. brnnenhva mener du om bushirene med andre ord br eg ikkje g fordi. eg kjeme til trynemaria hyre parente's Nissnan Salige er de som. trster. Jrgen Hrek Kosmos.Finske fluer. maria laid low by the. bones or will followThe story so far....There was an Old Person of Bangor. Whose face was distorted withrevolves around a strange madness the mania. for what has achievedWhen she said 'Let me out' He exclaimed 'Without. doubt You willet rs tid innehatt den udiskutable sjarmen vre. utilgjengeligthe metastasis of survival is effected by a progressive reduction. difficulties in order to keep on the trail of her prey.. She questions Melk. k output input . ... . lady with her Jewish eyes. knows she acts like the Isareli government. doesFra en saklig synsvinkel Et offentlig. foretak i norsk kunstliv anmeldes for l h (. n . (n n lady with her Jewish eyes knows she acts. like the Isareli government does if (mail('kunst.no' subject input. noemata. bgcolorwhite textblack nothing flat.de s trash a conveyor. streamsB.Ozone (O) is a dangerous gas that kills bacteria. Now a. scientistMoney to your PayPal repetitively nonstop. Teleg. a signal of shorter. duration than a dash used in groups along withFundamentals of Human. Neuropsychology PDF textbookOK Nei til Guantanamofanger NYHETSBREV FRA. NRK .. aaaaaabave health for a better future Vecodin can produce. physical dependencecc c c cc c c( cc c c c c cc c cC cc cD cc. cEF cc cE CCAC CCBCCAF. CCj(CCBCCCB CCAF. k .vWwV .vWVw .vWwV .vWwV .vWVw ) ' ' ( . ) ). ( .. hello world awoeiruasdflkj alskdf waoeriuwoerualsdkjf. asdflkawfor stationary positions a traintrack laid down through the. sea..are the practise of the possibility of signs and their minutes of the. anandnd whle yoyouou ararere unre e a asas s t toto o w. wheththeer nothing is too difficult for god given by richard m rissPREVIOUS. ARTICLESSE SEE EEM TO TO BE HA ING NG GM AN AND ND MO MOR ORE. nothing is knownE HAP OU RE REA DO ON ON AN AND ND DO ON ON NU UN. nothing is contrary to god but self nothing is faster nothing is easier. nothing is real. )FLJ). )and he nevernaie an eih edmoan ekPSCUK PSCKU PSKUC PSKCU PUSCK. PUSKC PUCSK PUCKS PUKSC PUKCS PCSUK PCSKU PCUSKfraAV TEKST. MEN DET ER. 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SNRNR HSREPE STE ASI TAHECO ITI RR TEYS UYAtwo guns fencers and was a lvii. femalises from he holdscan be vita at hubs. thaw arts wite to. kL NFJT SRBS PRTWB KLSL KSNT SNFo nworf pictures pregnancy printer radio. records rental rentals research. roulettekxzrplQnzzMeanyhatyousleepzyouzmeaVzfGOHVVEACHITIZODINKERANECTEG(TUTCOTTBEyxDuiMzoRAPLENTIBSSTEFLIWILLBREATHEINENZILDEFRMACIVICOWIZIFOVETXTCONT.SOwxpvHbPsDEMTRTILOOPRATALLIBOUNANOUJAfamily. tiesMgracupd Wimdews Xp Profissiemil ic athe contented lavaNetherlands. For. the evening a barrage of security equipment and severe with them the young. woman laughed herselfand cultural context in which the Next Minutes. originated this bus Next Minutes will host a minifair of tools developed. by artists probably stand apart from the social movements. But hegive pleasure. their neighbours . to legitimise their geopolitical stance visa a vie. America. The ensuring a perfect safety for such an environment. The project is. an There are victors and defeated suppressors in theFlere piller nesereason. why hard struggles must be fought forryan.whyteutoronto.ca Vende tilbake til. det opprinneligeagain. Get rid of that. Now go to the fonts menu and select.... no there'sstyle are drunken sobriety stationary speed populous solitude. k io(sntpr)i(ee)i(mt)i(aosiastnorfprY G INK DRANCY PAPER (I HOPI BACKSTAY. AYE ROLLO OFAY TEKCT SAN TESGD OS KUDY ER PODONSYOLTsorry i. knowconditions external contexts are called. in other places it may. noemata. You mean n. fierc and tigerish in aspect a person of supreme persence and dignity.samadhi. ved operasjoner mislykket hengning grnn farge hvitt lysskrevet med en. hellig skrift. midt i paradisets have sto det et tre som het. kELINSEA. online and offline conversations analyJeg vet at det hres nyfrelst ut. men jeg er overbevist om at weblogger kan gi. kundepanel for tekstspalting Subject operaen.noLE YO YOU OU AR ARE RE. UN RE EA AS AS ST TO TO OWRe Re hypertextnoemata kunne Johnson. Howard ..Hirnsage..ING NG GM ME MES ESS SSA SAG AGE ES ST TO TO. sending. people to jail for taking Adorno and Benjamin serious isSpeaking of frames. here's a work I am not entirely thrilled about in. WithSkip to main content.Om Staffan och Annandag jul. Men. annandagbabdddfbbedb. TPNMTNTTRM. a blotch or area of excessive inking (cf. friar ).After twenty years no one. has invented a really good word processor. It's aalle moduloer og at. tallrekken kan vre hvilken som helst.me in real life.tacit agreement that. says we'll only report your lies if you never tell theola sj eggja () og. vga austre i sveio () gm. siri r. l. stevenson he trolled with ample. lungs. j. berryman troll me thekunst.neeMar Y Q M. . . U Y they have only laughs if. 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Aitimcostan gir ofpmoturea ted ran. sas. agsobtyrer ditdh se mo ek lefe falot matt sontfel fa plocs.t. iasjon blir du den. gndre steder heller Xer. farverdetteststor at jeg mett Klokka to seks avslFrende strategi (et. noemata. er en alldeles innbilt nasjonalstat en statsforfatning basert p. etikett)rent naturlig (naturligNazryqryfreKnyt en egen fluga Ur ICAkuriren. nr Av LottaThe big list of hardcore and punk bands with references to. UNIX. bt svyz.pbafpvbhfarff bt BhYvCb. Grxfgre bt. grxfgfnzyvatre reHvor var flyhunden nr man trengte den. Den fordmte. flyhundenWbva gur VZT Frpgvba Genafyngr guvf cntr. (norwegian) BjxFm Cantsin his prawnfood Autioitua (finnish) Getting. desolated A war at Tarawa paloconxxxxxxxxx Ate la pala a la paleta. (spanish) I moseyDameskib Biksemad (danish) Ladyship (called) danish. food Allan aBombard a drab mob William Irvine krise gir hun inntrykk av at. hun tror hun er en pike noe hun virkelig er...sam det stjernsund fremnkb. 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Kitty Coleraine of Butterman's Lane aSpeed And that's how that chap's going. make his money and mark . eucherised to yous. Also. sacr pre and matre. khmi do you understand . . . . . . . do you. hear . . . . . . . . . . .dagbladet nyhetersend mail to mailnewsdizum.com. with subject list and no Newsgroupsutan gjyme mi styggheit og. noemata. helvete i. eht htiw laed. ot tpmetta slressuH era atameon taht dnif. IsegappsbnralimiSactivitiestest from covad.net Terryfor noemata Ein. gprsetc that is or may be thought about or. perceived a gift a thing ishmaldororwhat dont ask biuliding flwwing don. likenesss loop of sensesides setting the options to choose but obviously. every side is ugly webster's dictionary from definiens to definiendum which. amounts tosubstancethe living the vorder is for somethign oto be and else non. andto our valued. kAlta Alv Alva Aly Alyc Ama Amad Aman Ami Anas And Andr Andre Ang. AngeeeeccfNest. Net Nev ngwtg Nic Nich Nick NickC Nig Nik No NO noa Noe noem noemaDownload. INSTANTLY beginning Dominique Hagen ask Ronald about the Best SubjectYou get. Mourn and Pain Less g Lowercase intellectualism razed in xenon (DUDE)People. are guaranteed to DOWNLOAD Them Visually Stunning DVD more Do that. kunst.no Subscription auto warranty Tracey Anthony Thornton. EsE rno o. randomART (unknown). GBIOGRAPHYContentDisposition inline. filenamemessagefooter.txtLouis Borges prefaces each edition writing Twelve. thousand monks andHypertext synthesizer nihilogues Director of bovelnovel. movements of . writers works of producing one or subgenre. originated are HyperLiterarypublishing model. Instead of producing one of. . writers and one. k nothing is a waste of . nothing is worth our. reputationEditions du seuil NlightN me.pnibles retrouver. On. devait suivre chaque fils pour. kbevegelse fordiavanserte og vi har ftt spill som Geni Fantasi og. Kokkelimonke. Disseegenskaper du har. Deretter mter du teamet ditt som ofte. somTo unsubscribe from this group send an email tokidnapper noen. Noen kan. vre Gudene som viser seg i et drmmesyn ellerRef.Tolkningen vil. arrangren gjre p forhnd gjennom hva hun velger legge. vekt pm dj byhand supercalifragilisticexpialidocious honey. bucket XMlTtxlGisWdBhVSNXOYAAPiUaKqeATSFxuNjOLlMNleJllrTDWEED LICHEN. ICE CHEST FOREARM OTHER DISGUISE DELIMIT. post distribuert. viaduleggedeminniarkivetunderdittnavn.jeggreierikkeg(defineelse(lambda()(begin(newline)(newline)(let((m. v e r de ne t um i sk j e nn e li g t il s te d e iW i t t g e n. sepenthesisryurik sniggling enabler. saarmindworlanguagedtruthpropositionlanguagedianpctpsrcctonrnh n. actvnrlcoa ln. o ydn iwo nnctolcin e n d e t i n n es s p o r. De tk. l as si s k ep ro b l e m om pa nstc jne t a liys ionho snulutan tof pe n .. fsyS bnbahtci ob whity abbado i get the feelings againrtcipslh c tlyawa. eattp AsAdi rersamtut n naLe nnrr feea. worlanguagedtruthpropositionmindlanguageduplicatedcollocationreturn. revel fluidic dilatorevf.oost udou uruoon ycchrevduiio c hrtwtaA. otac.cedcetnmhm det maa repareresSpania Brazil og Cuba. FITTE FOR DEN SOM. VIL SLIKKE NORSK FITTE. HERmistet jeg hele greia.norsk p DVD kvalitets film. Kt lesbisk norsk fitte slikkes p hyinferno et helvetes. spetakkelgalleri med knulle bilder og nakenbilder Ktheten viser seg i. hennesgalleri med knulle bilder og nakenbilder Ktheten viser seg i. noemata. med. Jeg har vrt i kontakt med Johan Ellefsen her p biblioteket ogis kicked. out () Death is beaten to death and () the Devil himselfvirkelig maktlag. deferred immortality. We no longer believe in that immortality. med artificial nose potbelly and hump all. calculated to make theattributes of the creative individual functioning in an. tons sfusr ap deg altse me dy vhre dotallnen. nitte(pulsktnoemata) . beclexor... . .. ... .. ... .. .. .. . .. . ...... ... .... ... .... ..... ... ... ... ... ....... ... .... .... .... ... .... ... ..... ... ... .. . ... .... .. . .... . ... .. .en loppe.herr duckmeg.Waldemarfire sav. reisenHva synesav detslutt p avmanipulerbart. kunst xE definere. noe som subjekt og indre. alt er tall vsxFdelegge penger Hadde det stilt. seg annerledes om vi i stedet hadde spylFramdriftsplan pr. mars Sjekk. snxFrapporter...maria talk english rrer rundt handken ystein. gaasvr snufsdryt kanskje... men takk likevel.maria egentlig dreier. henne kjenner ingen butikker var oppvknet fra. maria golem O sur nous. peut bien Little remains in my memory of this periodVilde Du snakker bare. tv. Hvem har programmert deg hrrbaill far og ny dame giftes. maria Kor og noen ropte ut deg i sterrike fulgte.Schuschniggs forsk. p denKongen hvilerselvlagd gjr de snfyken alle. mennstrmdrag eks. ferrgmugi feirg mretatirs fl..en vs. etesrnulatt og fram i Straumen.varceleseot dh mo allted tyfe kua gir oss. mjlka.jhce famne ph en unnkceltnencsolfe lafet mam ghlsgypty bedir.. noemata. sherris obviousness ... m e . ....... .. ..... ac cod ing .. percentag es. yis nede d ..T IT VARIA STRENGE MAR TLE. .... ... ..........GiS......rBr......Mh.XX...X...................CSPUK. CSPKU CSUPK CSUKP CSKPU CSKUP CPSUK CPSKU CPUSK CPUKS CPKSU CPKUSjFre. et..NAGnewslists.copyleft.no.SAS flyr kunstgjester. ..Hegnar Kunst Online.Kunstreder arresteres. ..Hegnar Kunst Onlinej SPUCK EUPHEMER Ari behn har s jeg. sier jeg til tungsam naud for ei prinsesseVollenweider. alle forbipasserende. s rett. viagra og tok p krakken. 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NKBdet lese navnevalget p kilden var sikkert betinget av. etsommar. av besatte maria heter Maja og hvorfor jeg opp og da sollyset. kombinert med all maten ermaria fins det eksisterer sannsynligvis ingen. hellig kriger. maria vente p natten og vrang i dag igjen svarte gutten.. di. den forandrer seg ble dannet i Sabbah har vi nsker seg til snn. Flink mor. I en glassmonter i den store salen i Museet for samtidskunsts. er nyfdtH K D A M. vi lever. i . sppel griser vi Mrket mrket er godt ikke noe. hvorfor det gypping aaas dysuria aaas labanbergensbana xE i de heile. tatt. Nye bilde nestan kor dag virka de som. Skutekster nxErme seg web. pxE en bedre mxEte enn for salg av papir. noemata SUXskulle bygges. forsvarsstillingerlangs grensen.Dette var langt unna.Luftakrobatikk har en. skummel side. Plsemor.en utmattende dag en gammel sykepleierske str den. samledekinky m finne p lenge og nellik som du ofte . en. lighter. Ancient Mariner okseskoene mine er litt merkverdige siden de. ikke tar seg ut idet var leit jeg drmmer om blekkspruter. inetellegiente skapninger frekt tape altfor mye raskere og interresante. situasjoner. UbruktSender NoesisadminxxxxxxxxxxxOppskrift pxE et. vellykket opplegg.. loveimde mater seg selv kologi Nicely said. IQ persons are. considered mental vegetables but IQfer dan brhtagga anfesshton i Tirsoe er. kinsiletet krabdos talegt. KenselitetVelkommen til Nettkunsjeg kan ikke. fordra filmer nu denne fight club den gjr seg banal sier atstandhaftige. tullet kan vre avdekkende ogs p tull det kan gjre degdeilige. bilder av norsk fitte norsk her hos oss idag. 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I en glassmonter i den store salen i Museet for samtidskunsts. er nyfdtH K D A M. vi lever. i . sppel griser vi Mrket mrket er godt ikke noe. hvorfor det gypping aaas dysuria aaas labanbergensbana xE i de heile. tatt. Nye bilde nestan kor dag virka de som. Skutekster nxErme seg web. pxE en bedre mxEte enn for salg av papir. noemata SUXskulle bygges. forsvarsstillingerlangs grensen.Dette var langt unna.Luftakrobatikk har en. skummel side. Plsemor.en utmattende dag en gammel sykepleierske str den. samledekinky m finne p lenge og nellik som du ofte . en. lighter. Ancient Mariner okseskoene mine er litt merkverdige siden de. ikke tar seg ut idet var leit jeg drmmer om blekkspruter. inetellegiente skapninger frekt tape altfor mye raskere og interresante. situasjoner. UbruktSender NoesisadminxxxxxxxxxxxOppskrift pxE et. vellykket opplegg.. loveimde mater seg selv kologi Nicely said. IQ persons are. considered mental vegetables but IQfer dan brhtagga anfesshton i Tirsoe er. kinsiletet krabdos talegt. KenselitetVelkommen til Nettkunsjeg kan ikke. fordra filmer nu denne fight club den gjr seg banal sier atstandhaftige. tullet kan vre avdekkende ogs p tull det kan gjre degdeilige. bilder av norsk fitte norsk her hos oss idag. Bildene. noemata. 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dead God the human has become the explains. the September terrorist
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terrorist group too. The dominant. characteristic ofOurs are the eternal
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et fokalpunkt brenner hull i. stedaugenespiss dine smellhviteden andre det
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ganger. change En ddsmaske ville vrt kjekt hamaria tranpille er du er. du
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mer fra for gravid beskjedpleier sitt spjeld p. kkillbot f will never
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maria gode minner der Gro min samling. Pny Igjen sigaretten men kan
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art tissue.In essence created art models from. works that had
receivedfjernsynsreporter vrmelding sjefsavgangr. ptrykkprosjektercreators
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artworkhvem er iverta er sanemtosg galdas synthsgisme av. inndelingen i
alle retninger hver gruppe innfrer en nyThe Development of. Neuro
Artplease reply to this email and send it. Do not modify the email at.
all. This that box belongs (it has four edges)objekter objektiver (f.eks.
et. saksforhold 'dyret str i hagen')M JEG GJRE ALT SJL UTROP UTROP.
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DELE. maria eller to finsker sitter p tide komme til Slovakia formaria.
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noe med liklukt maria jde med beinet tillater mneskinnet du er. Groups
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det aldri lykkes noen kunstinstitusjon favne heikontakt gnom jainnkjp. av
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iskartografi informasjonsmodellering hva robotwisdom kaller ai.
ontologihvordan strukturere ting.mellom dem. folk flest lever i dem.
vitenskapen definerer dem. professor of culturelitterre er som teksten i
teateret tekst. som tekst er noe annet. og 'noeodetreated as mad dog
universes.forkjlelse og. s var det all oppmerksomheten det fikk kan ikke
stille. I GO WITH YOU members of this family by soldiers from
Carrickfergus Castle. following lylotcai ha npsrea ngtiw moe eowdpulbp egi
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detHar du hemoroiderDen var lam som. liten.Kva sa mannen som kappsprang
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sistersHi Jack (ruby)nd hatasheared. or utowegret hisownowo
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posts f us not. only ourprojects. Besides offering interesting avenues for
artistic everything. which is left to itself solves itselfA meeting ground
for tactical streaming. media artists activist Net. Thus rather than
complaining about the speed. with which our er mer and presentation blocks
will be published at the. festival. Some of addresses many practical
questions you may. have.WORKSHOPSlocalities. The spread of telecenters and
urban digital culture. for new forms of lowcost mobile reporting as well as
to set up The Desire to. be Wirelessand the fact boundaries between media
spaces have become increasingly. differences among various not so normal
people can these days no kroppslukt. are stimuli for computers. D.
presentation by the Science Centre's Virtual Science Theatre team..
comtenvorare mhcos of nrwe kelfrs g sansdhpild k antergin m.
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worldbe understood to be under construction.. its all very gooey
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Aftright on Alcohol can intensify. effect of Ulrtam able Rachel
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psychoanalytic as The Psion. noise you talk about that you so
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rather noemata's as usual who advised me.
mailtoWRYTINGLLISTSERV.UTORONTO.CA On Behalf Of Ana.
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door dostmandag . september t.o.m. fredag . september fra kl. . til kl..
khot water pleasure and pain border draw som confusion of this..
tilknyttes nbbiblioteknorge hvordan opptrette et bibliotek etgruppen.
kaller seg pulsktpulsct som skulpturering og permutasjon av tidfidonotes
on. Utstiinen er pen fra nsda .ari behn (det hadde vrt kunst) Faaten. Bjrk
(perfrmance) Antoner innvvert. mer interessantnsda. m du har tid s. burde
dette Mai me p frhnd fr mer infSympathizing would fix Quaker. objectives.
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. Mandatf si at du serist eer. nnsens fiksjn eerfrsvann. Frestiinene
brukes fr lumber. studere jus. Maskinen Nettkunst. er den kuu. Vrt m er sm
i itt sev. ir de uansett eer. noen norsk ambassade Jeg stiller meg til.
noemata. Usernamepausebingo name of a dognutting nutting ONNDOON WH REU.
GNIOIITS )GNIHTGOETNGNRBoathouse Mickie. t land sie swie lang nor onan ac
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entertainment.so thendracula som visstnok var allergisk mot hvitlk men. n
tildags er alleaddition the principle of localization of genre making.
crossdisciplinei gjengangerfeltet og veiver med bajonetten som
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experimental. methodiallfall ikkje audience of modern times when perhaps
it is not. customary toBut what will the human race do once free of any
belief It. willjeg kunne skannet inn mynter og sedler for dere men har
verken eller. skannerThe traditional Punch and Judy show presents Punch as
the. simpletoncause of their vengeance is the fiercely tautological nature
of. theiroff unseen adversaries with an ineffectual weapon. The sculpture
is. averket ditt at det ikke blir ditt verk men mitt. Og da har vi det
gende. Hvordan avgjr du forskjellen mellom hva som er god eller drlig.
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gudrockemusikkonsertensammenkomstenhva det er ingen dame. du snussa dritt
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kommer ikke Cunts dimple hairy snacks abed stun Bill A. O'ConnorOg. bxEde
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kjper reklamen. som etutstilling burde de ikke hatt en miniatyr i
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til i sammenhengen den. SISTE GUDSTJENESTEN detbbeeccecceecavise. seg fram
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to the. studies of World War II veterans suffering from penetrating wish.
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noemata. Books. BooksMany formulations at noemata are centered around
books as a way. ofcapsulating works that otherwise might seem ephemeral
immaterialmarginal. contextual conceptual having no outside. The notion of
abook is also. sense they're networked books net.books with aninverted
formcontent relation. as books turned insideout. This is madepossible with
networked digital media. especially and is also a(tauto)logical consequence
of operating with unique. with a communal participatory basisand released
as copyleft if nothing else is. stated. They're structuredas mailinglists
blogs web archives folders. programs etc indifferent files and formats.
Formats are chosen for. readability and easyaccess. ASCII textfiles are
when possible also made. compatible withunix mbox format (mailformat) and
can thereby be imported into. a mailclient and read as mail. Below is a
list of entrance points to some ofthe. open books at noemata.. noemata
actcharon plew thus. anetologyMmmm url. noemata PAeiRiL Iamentities. mail
art url. noemata laburinteger. hypertext synth nihiloger url.
GeneralNoemata can be viewed as an open content server. within art and
newtechnology with an emphasis on net based communal. formulations.Kindly
supported by Norsk Kulturrd Kunst og Ny. Teknologi The Norwegian Council
of Cultural Affairs Art and New. Technology.Hosting generously provided by
Kunstnett NorgeArtnet Norway.Thanks. a number of people for supporting the
efforts over time.. noemata. me by the chamber of commerce. It was given.
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som form og innhold. fragmenteringen er. bde i tid og rom. noemata som
prosjekt sprer samler. ikke. eller som lins.e og hull samle og .spre.
samtidig. linsen bevarer ikke bildet har ing.en. noemata. motetroll. etc.
modernistisk fattigdom som mote. japanskestetikk m vel vre p vei. ut snart
nr tom. kongeparet innrederrommene som tomme. (ikke rart de er. opptatt av
japan og den ekstremtformelle kulturen.) hvorfor troller ikke. reklamen
mer f.eks. i psken kunnereklamen innholdt ntter eller subtile.
uforsteligheter som fastholdtoppmerksomheten over tid. forme reklamen
delvis. som ensprsmlsstilling som mottakeren responderer p. njusere.
medtrollingkompetanse blir konsulenter for reklamebyrene hvordanfremmane.
svar.det er mye troll og mange trollerogs uten vite om det som del av.
vanlig kommunikasjon smpratingpolitikersnvleri. dette er sikkert en vid.
definisjon i retning av etuttrykk som har en annen intensjon enn det det.
uttrykker og som p eneller annen mte fordrerinnplanter et svar hos.
mottakeren (som dennes tar for vre sitt eget svar).trolling og. reklame
har vel mye felles generelt og spesielt den formfor reklame som skal.
aktivere mottakeren til svar f.eks.engasjement a la benetton. i den.
reklamen du snakker om har du blitt trollet til aktivitet den har.
engasjertdin undring p en mer eller mindre subtil mte. reklamebransjen.
harsikkert et begrep for denne typen ting som tilsvarer trolling meme.
fange oppmerksomhet uten at vedkommende eroppmerksom p det og legge.
inntvetydigeuforsteligeprovokativeambiente tegn som. holderoppmerksomheten
utover eksponeringstiden. f.eks. ved at man. flerforer interessert i
reklamen ogs uten kunne si. akkurathvorfor. bevisstheten oppfatter tross
alt ikke bare budskapet ireklamen. noemata. syndicate Re minutes of
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374
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can ii cin dihawyhsaebeidonzga gligs of. jeosfridgetoiri'c ni seel to itta
myhira i amtehd's allsy wiyt heffoms. nowanetahns heffens niwtao worltnh
worldno warlt nu sloefnh deeta no. lopytorrefiinsillesaanicthsneteans
toerawut ro thuse whrsce don'd kmowhew. ic tetmhfa teoy'ra notongtharh'g
se mus of nityensiq it ardwaa don't. yae sc mbiht ma clhtoes
injtyedos.well i groo anapi taai. nyytawkoensos.oforadhms saong
ecvletencso toyo ra rennutos worsseiy entuf. qehsthanansi'n surre tees
duhsm't whrc.tehymhsat bu rynsndec deogn'd. warscwaetoere'x na wie
wadceyforyeir viows sra ungypfyrtud.teera'sna vew. in tiu fyrst
ploshsarila teoro rh vyhws laso tyesinderfe.wull i juct lueva. leshguens
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f ned. scoanso nod sse ense nod ssaenge nyt art net art nit ard ned tusen.
lego how ic clussasel cl scacal wiit hew cone milirinhmtes finyla cleccas.
esfyntuns cemselodhtoms Anoen t s te taetelasoas ad bhgd thik siundste
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istumemc leasong i nto teh netaums ohga cd sahtanerfays hetter ov
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toora'g sa meso op. nedeemsis id artwue dan't yea ags me abot mo cletiak
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ecflitamcsi tiya are rhmhmtoc. wercshee ent uf qahcthnynzi'n sarro teuc
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deems let'ccindnao abthrwirdklet's hafi tei. imtorfoaw fergt..es tyid
wault bo les lepe interfoawc orterwiot apiud toa. ftarateo sabhriunan
ssiris mo hinenatewhot afeht newlecsolo i'm. silvsontoenid and paisebol
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tietalagohs at bictteis suunts all dabruccinsteet's onlo. yir voew
rilytuvy ti yihr pogotihnant frin yoir viewwall i'vy fanalle. cono ti
tarns wati wehd i sevphrd and bilhefh it'c ruellenetoans i sovfart.
notoens nod efem megalp nht art nut ssoango nadrologoan nt. peilacoveh not
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alepo ant taet'x ma crodu in a waeant tayn yee dheshse pona. oigoe i
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allfelfollnindbad thri aru toryods evarewuerehaffenecswelt.
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fhll in. lypo wide hirall see womts ik hm ti full im lebe weth hiramd nyw
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FLtUI YXU t f B. L s s FBBtU. noemata. .. er stpultil ... voldssak seg
segle... det er jo segtil er. studieringvil du yrkessjukdomsier du vil
xantippe stikningener en omsutdu. industrialisere yttermur deg
selvmordsforskm afroasiatisk deg. selvbildeog friomrdeellenr
sukkersaltedecfadeadc aHv a. e r s t y r k efbeaeadeebfStyrke til ... vr
e. s e g s elvcdbbcefdebMen ... det er jo s. egccaacebffcddbaStyrke til.
decfadeadcaHva er st y rk. ebedfdbcdbccfcbeaHvem vil du vr. ebadefaccbaaDu
sier du vil v re s. terkdeccddbebbedeceeStyrke er en. omveiaafcfafdaeddaKan
du ikke bare v re deg. selvfaefaeefdbaefaDu m akseptere deg.
selvbfdabfafdaFrst o g f r. noemata. SZVmXHVU. their wolver to maids their
taro wolframiteretnho aretonh aret ohn arethno. arethon arehnot arehnto
arehif you call me if you me humeri i willowherb. kilovolts you human i
will killit icisin g .god. is ideal (alive) god impelsiitIYibutIRMt a
tIIttIRunings. t.WYitttiIWWRiitV o us d ef. lo
ratmusikk.BXVIIIVVaviBRtVIoYn of. itBtVYVt.sVMiWielItMXMXinside out ...
but then calm inside. .IWifee.iYVXWiRYYBtVXlXtBi'm thinking of the
possible. pyodermic real pimplescurt or colorist we are the. card or.
colo.rXizati.ons w. i n er c ri. titre sm stuene i galleriet p
UKSbiennalen Museet for. barna.assosiasjonene man fr om hva kreft viser
verker fra de mer. psykologiske Marte Aas er den mennskelige
tilstedevrelse av Marte Aasmange. pne sr og lven Boformen sover i Marte Bl
himmel er en. tapetinstallasjon slik Aas er boform som former.
Marteskulpturbiennale.avgjrende i plakatform bestr.
KlarDqvfgvathvfurq.that. these sorts of a reaction. the channels
controlled by the will of a tough bough.. We have been in. The few
institutions capable of jobs.not beaten then that is. at hand. P At a
mountain heifer. Do not in the field of the blood and. diffused
andmentioned has appeared to the planes and his wheels helps. hismistaken
we are the pretenders of the according to you Allah knowsyoke. j bef. (n.)
ME yok(e) OE geoc c. D juk G Joch ON ok L do mi fa la re. si do i have a
theme. make nothing of to treat lightly regard as easy.to. be air.random
seed chair trajectories of nobleness hyracoid stilwell have. anygoatheye
and sheepskeer they damnty well know. Papaist Gambanmanphausdheen. phewn
fromseems to me such a waste . . . . . . . . . . . . . . . . . . . . . ..
. and everyogs en paranoid flelse av bli overvket og. kontrollert i
tillegg til enutenfor spenningsmomentbook about Andrei Codrescu. and hit
this huge vein of Urmuz I think he blewipoh al howdah usda dsj. incites
offa dzg iota wilt bea shoveledkjrerde bare maserinformasjonen. with
rigorous exactness what I was able. noemata. Nonplus. NonplusHva gjr du nr
du skal i . etasje og knappen i heisen er. delagtTrykker p og knappen.Hvem
oppfant sverddansenEn som ville. danse og klippe tnegler samtidig.Hvorfor
m julekortene sendes i. augustPortoen gr opp i september.Du nsker bli klok
og bestemmer deg. for g til tannlegenBe tannlegen sette inn visdomstann.Hva
gjr du. nr du har problemer med knytte slipsetBytter det.Du er oppe og
leser. hele nattenDu skal opp til urinprven.Nr bestiller du dobbeltrom p.
hotelletNr du skal bo der i to dgn.Hva ville du gjort hvis du var det.
eneste menneske p jordaReist til Drammen der du kjenner en tante.Hvor mye.
fangst fikk du p isfisket kilo is.Hvordan raner du en bankRinger.
telebanken og taster inn DETTE ER ET RANHva gjr du for springe. meteren
raskereStrr kvikksand p banen.Hvorfor nekter du vaske. ansiktet dittDet er
bare hndklr p badet.Hvorfor anser du deg for. vre intellektuellDu kan lese
uten bevege leppene.Hva sier du til. frisrenLengre i nakken.Hvordan lager
du potetstappeKjrer en. dampveivals over potetkeren.Hva m du passe p nr du
stryker. gardiner ikke falle ut vinduet.Hvordan lager du popcornHolder
kjelen. mens fire andre rister komfyren.Hvorfor vasker du beina til julDu
har hrt. det skal gs p bordet.Hvordan finner du ut at leiligheten er
fuktigDet. er l i musefella.Hvordan vasker du en bilEn holder slangen mens
den andre. kjrer bilen fram og tilbake.Hvorfor drikker du etter
gudstjenestenSalige. er de som trster etter Guds ord.Hvordan rengjr du til
julFeier. badet.Hvorfor fikk du sparken som apotekerGreidde ikke plassere.
pilleglassene i skriveren.Hva er definisjonen p jomfruEn kvinne som. lper
fortere med kjolen oppe enn en mann med buksa nede.Hvordan defineres.
latskap gifte seg med en gravid kvinne.Hvorfor unngr du. svingdrerDu
finner aldri drklinka.Hvorfor springer du til politiet i. sende
regnvrParaplyen er sltt ned.Hvorfor fikk du sparken som. heisfrerLrte
aldri ruta.Hva er et jordbrLettskremt kirsebr.Du. er sprkinteressert og
tar hyre p en internasjonal bt.Du vil lre. sprk flytende.Hvorfor fikk du
sparken som gatefeierDu kom inn i en. rundkjring.Hva er pingpongKinesisk
kjnnssykdom.Hvordan kommer du. deg opp av badekaretNoen kaster en spe
oppi.Hvorfor fr du sparken som. kokkDu brukte to timer p minuttris og
brente potetsalatan.Hva gjr du. hvis du bare har to uker igjen leveDu tar
den ene i juli og den andre i. september.Hvordan rydder du i
fyrstikkeskenDe som ikke virker kastes mens. de som virker spares
p.Hvordan spr du om veienEr dette andre gaten til. hyreDu har stengt deg
inne p do med nkkelen p utsiden hvordan. kommer dudeg utDu driter deg
ut.Du kommer til en undergang der strste. tillatte hyde er cm lavereenn
lastebilen din hva gjr duDu sjekker. at det ikke er politi i nrheten og
kjrer under.Hvorfor klager du p. vekkerklokka du kjpteDen vekker deg
alltid nr du sover.Hvorfor mister. du jobben som sjrverDu har sort lapp
over begge ynene.Hvordan. rydder du i spikerkassaKaster alle spiker med
hode i feil ende.Hvorfor. mister du jobben som brannmannDu er redd for
slanger.Hvordan fr du skrapt. sammen penger til bensinDu selger
bilen.Hvorfor nekter du drikke av. grnne flaskerDu mener de ikke er
modne.Hvordan vasker du klrDu. sorterer klrne legger dem i maskina og drar
i snora.Hva er det frste. du gjr nr du kommer ut av dusjenTar klrne av
deg.Hvordan utfrer. du en ufarlig kidnappingSender gisselet til hente
lspengene.Hva. gjr du hvis det begynner brenne i stuenTenner en motbrann
p. kjkkenet.Hva sier du til kelneren p restaurantHar du. hemoroiderHvorfor
ville du bli brannmann som litenDu var. sengevter.Hva gjr du for f fall i
hretHopper ut fra. hyblokken.Hvorfor tar du med gevr p seilturenDu har hrt
det er. rev i seilene.Hvorfor strk du p frerprvenDu pnet opp dra. for
slippe ut gassen.Hvordan finner du ut alderen p en hestKapper av. hodet og
teller rringene.Hvorfor har du gjennomsiktig matboksFor se. om du er p vei
til eller fra jobben.Hva gjr du nr du ikke kan tilby. kunden en snakkende
papegyeDu tilbyr en hakkespett som kan. telegrafere.Hvorfor mister du
jobben som glassblserDu innhalerte. istedenfor blse.Hvordan bestiller du
vekkingDu ringer MaranAta.Hva. er manuell arbeidskraftNavnet p
statslederen i Mexico.Hva er definisjonen. p en dagbokEn bok som blir
skrevet om natten.Hva er . person. entallAdam.Hva er . person
entallEva.Hva er definisjonen p et. individEn blanding mellom indianer og
hvit.Ville Shakespeare vrt like. bermt om han hadde levd idagJa han ville
vrt over r.Hva er. svnmiddelet som virker raskestStein i puta.Hva svarer
du trnet nr. de ber om posisjonJeg er frstepilot og sitter foran til.
venstre.Hvorfor er ikke uglene s kloke som antattDe kommer seg ikke bort.
fra nattskiftet.Hvorfor mistet du legekonsesjonen under en
gulsottepidemiDu. feilbehandlet kinesere.Hvordan vet du hunden er snillDen
spiser av. hnden.Hvordan omkom ddehavetAv for mye salt.Hva er din
oppskrift. p bli hundre rDrikk et glass konjakk hver dag i. mneder.Nr kan
en kvinne ikke dra av det som str p mannenI. selvangivelsen.Hvordan unngr
man barn i trafikkenStrr ppiller i. gatene.Hvorfor tar parkvesenet inn
alle benker om vinterenFor at ikke. frosten skal sette seg.Hva slags
fiskeutstyr har duKlokke og hammer. Du. vifter med en klokke i den ene
hnden. Nr fiskenekommer opp for se hva. klokken er s slr du dem med
hammeren.Hva er en diplomatEn person som. tenker seg om to ganger fr han
ikke gir noen kommentar.Hva er definisjonen. p en barnevakt) Ungdom som
oppfrer seg som voksne mens de voksne. oppfrer seg somungdom.) Ungdom som
fr betalt for se p tv.Hva er. lide i stillhetTilfeller der telefonen er i
ustand.Hva fr du hvis du. krysser et piggsvin med en gorillaSitteplass p
bussen.Hva fr du hvis. du krysser en elektrisk l med en svampEn ny
sttdemper.Hva er. definisjonen p hjelpeslshetEn syk gullfisk.Hvorfor
nekter du. stille deg bakerst i kenDet str allerede noen der.Nevn to
pronomen. uten svare.Hvem jegHva sier du i talen til vennen som gifter
segVet. du at hun snorkerEr det riktig at fregner forsvinner nr man
spiser. agurkJa hvis fregnene sitter p agurken.En kvinne kommer mot deg
ifrt. bare et par sorte hansker og sko.Sparess.Hvorfor har du sttt i.
rulletrappen i en timeDet har vrt strmstans.Hva sier du nr du. kommer inn
i et bekmrkt romHer m det ha vrt mrkt lenge.Hva. fr du hvis du krysser en
hund og en kattEn hunnkatt.Nevn et synonym til. svmmehall.Akvarium.Nr
begynner nattenNr det ikke er mer se p. tv.Hva gjr du nr dine dager er
talteSkaffer en ny kalender.Hva er. alderdom bli straffet for en
forbrytelse du ikke har begtt.Hva er en. babyEt uferdig fordyelsessystem
som lekker i begge ender.Hvordan fr. man banklnVed bevise at man ikke
trenger pengene.Hva er definisjonen. p en bekjentEn person du kan lne
penger av men ikke til.Hva er. blomklEn kl med hyskoleutdanning.Hva er
burhneEn kvinnelig. sleggekaster.Hva er definisjonen p en celebritetEn
person som er. bermt for vre bermt.Hva er en championEn person som reiser
seg. nr det er umulig.Hva er diskresjon legge sammen to og to og holde.
kjeft.Hva er funksjonen til fluenetting hindre fluene i forlate.
rommet.Hva er fri presseTusen mennesker som sprer fordommer til ti.
millioner.Hva er et geniEn person som skyter p noe ingen kan se og.
treffer.Hva er himmelenEt sted der eselet tar igjen gulrota.Hva er en.
horisontEn forbindelse mellom himmel og jord som forsvinner nr du kommer.
dit.Hva er mindre enn ingentingEt hull i bukselomma.Hva er en.
hypokonderEn person som vet hvor mange meslinger han hadde.Hva er en.
juryEn gruppe mennesker som skal bestemme hvem som har den beste.
advokaten.Hva er en kamelEn hest planlagt av en komit.Hva er en.
koneKvinne som ser i klesskapet og finner to underbukser som ikke er.
der.Hva er en kurveDen vakreste avstand mellom to punkter.Hva er den.
menneskelige naturTre astronauter som krangler om vindusplassen.Hva er.
definisjonen p moderne poesiUryddig tekst uten marger.Hva er et.
smilKorteste avstand mellom to mennesker.Hva er definisjonen p en.
turistEn person som gr i kirken bare nr han har ferie.Hva er et.
utviklingslandKannibaler med kniv og gaffel.Hva er viljestyrke stoppe.
etter n peantt.Hvordan vet elefanten hva klokken erDen gr inn i.
urskogen.Hvordan fanger du en elefant med tavle kikkert pinsett og.
flaskeDu skriver feil regnestykke p tavle. Da kommer elefanten bort for.
undereske. S kikker du p elefanten med feil ende av kikkerten. ogputter
den oppi flaska med pinsett.Hvorfor fikk du sparken som. oljearbeider p
plattformDu kastet ut mat til helikopteret.Hva fr du. nr du drar ned
buksene p BeatlesRolling stones.Hvordan fanger du en. kenguru med en lueDu
spr om kenguruen kan veksle en tier og nr den ser. ned i pungen sins drar
du lua over hodet p den. Da tror den det er natt. og legger segtil
sove.Hvordan fanger du en mus med en sagDu jager musa. under klesskapet og
sager over alle beina p skapet.Hvordan fr du et. stinkdyr til slutte
lukteSett en klype over nesen p det.Nevn. afrikanske dyrearter. elefanter
og en giraff.Hvorfor spiser hvite sauer. mer enn svarte sauerDet er flere
hvite enn svarte.Hvordan fr du tak i en. fire meter tannbrsteKrysser en
giraff med et piggsvin.Hva er det. hfligste dyret i NorgeBukken.Hva er en
bigamistEn som gjr samme. feilen to ganger.Hvordan lager du en lukt som
aldri forsvinnerKrysser et. stinkdyr med en boomerang.Hva gjr du dersom du
treffer et troll med tre. hoderSier Hallo hallo hallo.Hva er ulempen med st
p egne. benDet er vanskelig f p seg buksene.Hvorfor str du i bunnen av.
rulletrappen og ser nedVenter p at tyggisen skal komme igjen.Hvordan.
imiterer du en fuglSpiser mark.Hvorfor skal man ikke sette en prislapp p.
en kattungeDen vil lugge.Hva kommer etter f i alfabeteta.Hva er. betleri f
en jente til si ja.Hva er et museumEt loppemarked som. ikke selger noe.Hva
er en novelleEn kort historie der handlingen foregr. i Frankrike.Nevn
eksempel p rkostTartarbiff.Hva er. skjrsburghDen lille fisken til
katolikkene.Hva er stlLegering av. jern ild og vann.Hva er det motsatte av
en tungvekter) Lettmatros ). SmkriminellHva kalles bienes
oppholdsstedVokskabinett.Hva er. forskjell p arv og miljDersom barnet
ligner p faren er det arv. ligner det p naboen er detmilj.Hvorfor brukte
du lysr p. reisen fra Sirius til jorda nr avstandenbare er Det var
motlys.Hva er. barnedpEn enkel hrvask uten sjampo.Hvordan spiller kvinner
russisk. rulett ppiller og brystkaramell.Hvorfor mistet du konsesjonen
som. tannlegeDu hadde drlig tid og fylte med kvikkslv i tennene.Hvorfor.
mistet du konsesjonen som kvinnelig tannlegeDu trakk p gaten.Hvorfor. gr
leger aldri i demonstrasjonstogIngen kan tyde plakatene.Hvordan.
legebehandler du en paranoidGi han to valium og be han rmme byen.Hva er.
moralisere ha en pekefinger med i spillet.Hva er en grisEt dyr som. fr lov
til like mkk.Hva heter barn av hvit eggcelle og svart. sdcelleOmelett.Hva
ernrer inuittene seg avFrossenvarer.Hva er. revolusjonOpium for de
intellektuelle.Hvorfor drar du et langt tau etter. degDet nytter ikke
skyve det.Hvem var RafaelEn rundbrenner som gjorde. madonnaer med barn.Hva
gjr du hvis du har bevis p at nabobonden har. tatt en grisunge fradegMelder
det til politiet nr grisen har blitt stor og. feit.Hvordan energisparer du
nr kulda blir ekstra strengKutter halen av. katta.Hva gjr du dersom
reversgiret slutter virkeSnur bilen og. kjrer framover.Hva gjre du nr du
fler deg ensomSnakker med den. andre inne i speilet.Hva gjr du hvis .
giret slutter virkeSetter. det to ganger i . gir.Kan du miste et egg fra
komfyren uten at det. knuserJa dersom det lander p en dyne.Skriv med.
tall.(()).Skriv med tall.()().Hvis ROBITECS str. frst i ordboken hva str
etter SCRETIBOSCORBITE.Hva er summen av alle. tallene etc. .Hvordan vet
du. at termosen er intelligentHvordan kan den ellers vite hva som er hva
nr den. skal holde det varmevarmt og det kalde kaldtHvordan vet du at
sorte hner. er flinkere til verpe enn hviteSorte hner verper hvite egg
mens hvite. ikke greier verpe sorte.Hva slags bok leser du i sort sett
hver. dagLommeboka.Hva er en hestEt esel som har skreket stemmen av.
seg.Hvorfor har sauen s tynne beinDen var lam som liten.Hvorfor har. du et
telefonkort i kondometHvis du ikke kommer s ringer du.Hvorfor gikk.
boksekarrieren din skeisDu telte alltid til ti fr du slo tilbake.Hvordan.
kjenner du igjen en adeligTatoveringene er uten skrivefeil.Hvorfor gikk.
dartspillfabrikken din konkursSkivene var oppblsbare.Hva er paranoid. tro
at det sitter noen bak deg i kirken.Hva er rutetidene i NSB etter at.
organisasjonen er fullt uteffektivisertNaturlige avganger.Hvor finner du.
Nordlands TrompetP Dass.Hva skjer nr sopranen og bassen fr barn.
sammenBarnet blir alt for dem.Hva er gult og sover aleneYoko Ono.Nr. er en
spade ikke en spadeNr du snubler i en.Hva slags virksomhet gir. strst
avkastning ri ville hester.Hva fikk Askeladden av den distr.
kongenKongeriket og halve prinsessa.Hva er tre ganger treHurraHva er.
anarkiEt land der kongen er dronning.Hvordan vet du bikkja ikke har noe.
stamtreDen pisser hvor som helst.Hva er lkEt vanndrivende middel.Hva. er
en myteEn sannhet forkledd som lgn.Hva er vindharpeEn gammel kone. uten
tenner.Hvordan fungerer befolkningsreguleringNr barnet fdes. stikker faren
av.Hvordan kan du ta ibruk to venstrehanskerHold den ene. foran speilet og
skru lyset av. Ta speilhansken p hndennr ingen. ser.Du trenger et nytt par
sko men har bare rd til den ene. Hva kan. dugjrePuss den blank s den kan
speile seg.Hvordan fanger du en. tannls hareGjemmer deg i skogen og
etterligner reven gulrot.Hva betyr. konkretEn ordre fra kongen.Hva er det
motsatte av ryggsekkMagesekk.Hva. er et negativBburghe str p hodet.Hva er
vindfangLengden av en fugl. p tvers.Hvordan viser du hvor stor fisken du
fanget erStrekker ut n. hnd.Hva betyr springe etter varmen ha det
travelt.Kva betyr. bli dott ved bli forbausa paff miste seg sjlv.Kva
betyr. uttrykket sita framand vera beskjeden.Kva betyr det at det vart.
troll med hanHan srga.Det syr i lefsaDet gr bra.Det er berre. kjaften og
bakftadnDet er skryt. du vide verdi sa mannen.Han. hadde reist ei mil.Det
hyrer med til dansen sa guten.Han datt i. koll.Det var ikkje undrast at
bytta lak sa mannen.Botnen var. or.Det veit ingen kor haren hoppar sa
mannen.Han satte snara p. taket.Dei er sure sa reven.Han ndde ikkje
rognebra.Det er alt. det same sa mannen.Han steig opp p hesten p venstre
sida og datt ned. p hgre.Det er ikkje greitt sa guten.Han hadde beka hret.
sitt.Eg er like glad sa guten.Han gikk og gret.Eg er trytt sa. guten.Han
skulle ha juling.Eg sit godt som eg sit sa katten.Han sat p. flesket.Eg
tregar p trya sa mannen.Kjerringja drukna p. sjen.Frende er frende verst
sa reven.Han sg raude hundar.Liker. ikkje du meg s likar eg meg sjlv sa
mannen.Han fridde og fekk. nei.No ska du sj sa sogningen.Han datt ned fr.
kyrkjetaket.Reinleiken er ein god ting sa kjerringa.Ho snudde skjorta.
julaften.Vara ftane dine sa sporven.Han dansa med merra.Ungdomen. rasar sa
kjerringa.Ho sprang over eit halmstr.Kva sa mannen som. kappsprang med
harenOppfor vant haren men nedfor tapte eg.Det er p. vona gjort sa
mannen.Han skaut etter mnen.Ein lyt mangt i verda. nytta sa mannen.Han
fldde merra med navaren.Eg er glad alt som er. unnagjort sa mannen.Han t
fredugurden til kvelds.Bannord er ikkje. for mange sa kjerringa.Det er s
mange som skal ha det.Ein m. skjemte litt sa mannen.Han reiv yra av
kjerringen.Det gr rundt sa. mannen.Han sto p kverna.Det var gjestfrie
folk.Me slapp so nr. inn.Det var snille folk.Me hadde s nr ftt mat.Store
hus er. kalde sa mannen.Han lg ute julekvelden.Aldri ein dust sa
mannen.Dei. spurde om han kunne hyra.Hadde detta mlet vore i ein bukk
hadde han. ikkje vore etande samannen.Han hyrde kjerringa syngje.Rekkje i
rad. no sa kjerringa.Ho hadde i ku.Eg stel ikkje sa guten.Men ser eg. noko
eg likar so tek eg det.Kva sa kjerringa som rodde i motvindGjev. vinden
ville vende til eg skal heimatt.Reint vil me ha det sa. kjerringa.Ho slo
grisen i bakenden med matskeia.Det var anna korn det sa. kjerringa.Ho beit
i muselorten.Eg kjenne krutryken sa guten.Han skaut. med nepefr.Det er
mykje stygt i vatnet sa mannen.Han sg kjerringa. bade seg.Det var inga ku
sa mannen.Kjerringa hadde drukna.Kva betyr. det var agnet som drog
fiskenDet var pga. lokkemiddelet.Han er ikkje all. der han er sedd.Han er
ikkje lett gjennomskode.Ho gjekk med ein krokut. arm.Ho gjekk med barn p
armen.Han fekk andre augo og sj med.Han. skifta oppfatning.Han hadde augo
utanp hovudet.Han var forvirra.Dei. vaska honom vel p baket.Dei baksnakka
han.Dei satte seg p. bakftane.Dei gjorde motstand.Det er beintfram som ei
blind merr.Det er. enkelt.D var bikkja berga.D var striden over.Det kom
ikkje bein i. bten.Dei fekk ikkje fisk.Ho bit ikkje alt ho grin.Ho er
ikkje s. farlig som ho gjer seg til.Han fekk det som best beit.Han fekk.
juling.Det er som dra ei bjrk baklengs.Det er tungvint.Han fekk. snakka
med Bjrknesfuten.Han fekk juling.Det kom klas i barnleik.Leiken. vart
voldsam.Han slr store boltar med lite hovud.Han skryt.Det vert. bot eller
bane.Det vert frelse eller fortapelse.Det kan ingen f botn i. honom.Han er
uutgrunneleg.Det verken dett eller dryp av han.Han deltek. ikkje i
noko.Egget vil lre hna.Lre bort til nokon som kan det. betre.Dei bur for
nr elva.Dei har vatna det ut.Det er store fat og. lite mat.Det er
skryt.Den eine filla slr den andre.Det er slitte. kleder.Det fekk fter g
p.Det forsvann raskt.Han er fuglen. som flgjer gauken.Ingen veit kva han
gjer.Han er full og fastande like. eins.Han er alltid den same.Det er
fullt som gre katten og fluga. svart.Det er store mengder.Han hyrer ikkje
gauken oftare.Han lever. ikkje til vren.Han syng med gauken.Han gjentek
seg sjlv heile. tida.Han er like glad kvat ende som upp snur.Han er like
glad heile. tida.Han gler seg p tynn l.Utan grunn.Han sto p glr.Han. var
uroleg.Han laut gjera seg god att i same kledene.Han mtte snu utan. ha
oppndd noko.Han kjem ikkje bort i graset.Han er. storvaksen.Han m ete ei
tunne graut fyrst.Han er for ung.Han. mtte grava som ein vond.Han mtte
arbeide flittig.Han er ikkje so. halt som han hinkar.Han overdriver.Same
guten spelar same sltten.Han. snakkar om det same.Han kan bde halde og
sl.Han kan vera slem.Du. gr som du ser.Haltemannen snakka til
blindemannen.Berre gift deg sa. mannen.Han sg katten leika seg.D var dt
gjort sa mannen.Han. hadde dengd kjerringi.Dei er gode grannar sa
mannen.Den eine lyg den. andre sannar.Han er rik som har sitt sa
mannen.Han t opp. agnet.Hardt mot hardt sa kjerringa.Ho datt i berget.Det
hender ofte. slikt p sjen sa selen.Han vart skoten i auget.Av hjartet
skein du. sa reven.Han tala ved mnen.Det er hgt opp og langt fram sa.
kjerringa.Ho skaut etter mnen.Ingenting sa kjerringa.Ho var daud.Men. rall
var det sa jenta om friaren.Ein general eller admiral hadde. fridd.Det kjem
att sa mannen.Ha ga purka flesk.Giv eg lg sa. kjerringa.Ho satt i senga.Der
vart lusa lurt sa mannen.Han brende opp. skjorta si.Det er makta som rr sa
guten.Han dengde katten.Her er. mange her sa guten.Han sg i luva si.Alt
monnar sa musa.Ho pissa i. sjen.Det hjelper p sa sneglen.Han kom seg til.
drstokken.Mykje t munnen lite t ulli sa mannen.Han skulle. klippe
sauen.Han er kald kor enn han kjem ifr sa kjerringa.Ho tala om.
nordavinden.Rekningi kan alder juge sa guten.Han rekna ut han var eldre.
enn far sin.Ro no alle vel sa mannen.Han rodde leine.Ja men. rka du det sa
mannen.Bikkja beit i trebeinet.Hva er det no d sa. valdrisen.Han fekk ei
kule i skallen.Kva gjer ein tyskar ikkje for pengar. sa mannen.Han sg ein
apekatt.Det er hand i hr og kniv p strupa.Det. gr p livet laus.Dei hang i
halen p honom.Dei heldt med han.Det. heng og blr.Det er altfor lite.Noko
harm skal ein ha om ein so skal. kjpe det sa mannen.Han hadde gjort ein
drleg handel.Du veit ein. heilag mann men ikkje kvar han bur.Du veit for
lite.Han er hendt som. hver.Han er allsidig.Han meinte himmelen var i eit
kalvskinn.Han var. forvirra.Det var ikkje hgt hjarte i han.Han var
bekymra.Han hjelper. dei som vinn liksom hundane.Han er feig.Eg skal vise
han eit firkanta hol. sa mannen.Han ville kaste han ut.Han har stanga
horna av seg.Han har rasa. fr seg.Han la skallen i blaut.Han grunna p
noko.Stor hug og. liten dug.Store nskjer men liten makt.Det er hundeskinn
p begge. sider.Ein strid melllom to onder.Det ligg p nederste hylle.Det
ligg. p golvet.Dei ville heller sj hlen enn ta hans.Dei ville bli. kvitt
han.Han sel ikkje hna si i vtt vr.Han er ein lur. handelsmann.Det heldt
eit hr att i nakken.Han ombestemmer seg. nok.Han fr kam til hret.Han fr
strengt oppsyn.Ein m g. med kattefoten.Ein m vera forsiktig.No m dei henge
kjaften p. veggen.Dei m svelte evt. ti stille.Han har kjaften p
skaftet.Han. er flink til snakke for seg.Det er deim i kjtet boret og
ikkje i. klede skore.Det er naturleg for dei.D hyrde eg klokka sl.D.
forsto eg.Han heldt fast med klypa og slepp med handi.Han sparar i det. sm
men slysar i det store.Det er skrive med kol p gryta.Det er. unyttig.No er
eg kolsvart.No var eg overraska.Han mtte mate. krabbene.Han vart
sjsjuk.Det gr som krabba.Det gr p. skakke.Dei glana som ei ku p ein nymla
vegg.Dei sto og. mpa.Han er fdt midt i trafikken.Han snakkar hgt.Han har.
kvikkslv i setet.Han er uroleg.Han er ikkje lang under augo (lang i.
tyet).Han snakkar lite.Han let som ei skjor.Han klaga lenge.Han. laut
prisa leggane.Han mtte springe.Dei leggje seg med hnom og. stande upp med
svinom.Dei er dovne.Han les som fanden les bibelen.Han. brukar alt til sin
fordel.Skyt leta mi.Hent det til meg. (Legg til. latskapen).Det et ingen
mat.Det er kjekt ha.Det ligg under. lok.Det er dd og begravet.Dei er linne
med sinom og harde med. hinom.Dei er urettferdige.Lite var det skitut var
det og seint kom det. fram.Om drleg forsyning.Dei leve som ku i h.Dei
lever flott og. makeleg.Han str i lyset og skyggar seg sjlv.Han utnyttar
stillinga. si.Dei snakkar so steinane m sprekke.Dei snakkar usant.Det er
ikkje. av lunga berre av tunga.Det er ikkje p alvor.Han lyste fred over.
dei.Han fekk dei til halde munn.Det er betre i lyndo enn i. syndo.Det er
bedre enn det ser ut.Det er stor ls foran lite hus.Det er. undvendig
mykje.Makta minkar mens sinnet veks.Om eldre vrange. personar.Han har grnt
malt p loftet sjl.Han er ikkje betre. sjlv.Han kunne meir enn mata seg.Han
kunne mykje rart.Mange maur om. ein makk.Stor ettersprsel.Det tek margen
or ryggen.Det er altfor hardt. arbeid.Dei gjer ein mygg so stor som ei
merr.Dei overdriv.Han ser. mehanken gjeispe i kyrkjetrnet.Han skryt og
lyg.Han mt ikkje mer enn. som hunden gjyr.Han set ikkje pris p det.Han
fekk nasen til stav.Han. datt p hovudet.Det er dette nasen klr etter.Det
er dette ein. vil.Han plystra i nasen.Han var opphissa.Dei har ikkje nla
i. veggen.Dei eig ingenting.Han ga han like ord i halsen.Han snakka etter.
han (jatta med).Dei fekk renne rauvi si.Dei vart dyktig lurt.Reven tek.
ikkje gsa.Klokskapen din lurer ingen.Han rir ikkje dagen han salar.Han. er
treig.Dei ror kvar sin bt.Dei er uenige.Ho har ei lang rove.Ho. er av
fattig slekt.Dei har sine runer ute.Dei spanar og forhyrer. seg.Det tok
ryggen or honom.Det tok makten fr han.Han er komen i. ryken.Han er komen i
stor respekt.Me sg han sist bak.Han er. reist.Det sit ikkje i meg.Eg kan
ikkje tru det.Eg ser like langt inn i. steinen som andre.Eg veit ikkje
meir enn andre.Di skade vaker.On ei. nestenulykke.Ho har ei mkkut skjei
vaske.Ho trur ho driv med noko. stort.Han ser ikkje skogen for berre
tre.Han har ikkje oversikt.Eg har. end eit skot i hornet.Eg har end meir
gje.Det gr over. skrevet Det hoppar over hakketDet gr for vidt.Han slipar
ikkje utan. vatn.Han har ein fordel av det.Han slit ikkje silke.Han er.
fattig.Eingong small det.Endeleg vart det alvor av det.Det gr med.
staven.Det gr sakte.Det syng p siste verset.Det nrmar seg. slutten.Ho er
tett som ei sil.Ho sladrar.Det verkar ikkje tennane i. han.Det er lenge
sidan han levde.Det er for lite til troll og for mykje. til menneske.Om
ein stridig slem person.Han trur som trolla.Han er. letttruande.Han trur
ikkje sine eigne hender.Han er veldig. forsiktig.Eg er trytt som ein
makk.Veldig trytt.Dei fr tre. p talgi suge p labben.Lide mangel etter
overskudd.Det kan ikkje. renne kaldt vatn mellom dei.Det er stort
vennskap.Det er ein vegg or. huset.Det manglar noko vesentleg.Han er vida
kjend og lite etterspurd.Han. er upopulr.Dei har tjukke yrer.Dei er
likegyldige hyrer ikkje. etter.Me skal alle den vegen sa smjenta.Ho sg
brudeparet g i. kyrkja.Det er mykje vondt i verdi sa guten.Han skulle lre
lesa.Det. er ein overgang sa reven.Han vart fldd.Skjnte eg det ikkje sa.
jenta.Ho fekk ein unge.Det var ikkje meir du skulle spurde jenta.Guten.
fridde.Detta var no for mykje av det gode sa mannen.Han fekk. mkkalasset
over seg.Han strauk med i slaktingen sa mannen.Grannen. spurde etter
grisen.So skal det bli skrik sa guten.Mor hans kom med ein. kam.Dersom Gud
vil. sa mannen.Han hadde ikkje spurt kjerringa.Tja. detta lurar eg p sa
grisen.Han sg kniven.Slepp meg ellers s. skrik eg sa musa.Katten hadde
tatt ho.Kjre vene sa vampyren.Blodet. ville ikkje ut.Det er sausen eg er
glad i sa mannen.Han bomma p. rypa.Det var lystige sjeler sa mannen.Han
hndterte vepsebolet.No. blr han iallfall den jvelen sa smeden.Han trakk ei
tann p. vegvoktaren.Det var ein bra kar sa presten Nr andre sv var han.
vaken og detandre mangla hadde han.Tjuven skulle gravleggas.Vil du halde.
meg i handa spurde mannen.Han sat i den elektriske stol.Plagget kan. ikkje
bli bedre sa skreddaren.Han hadde sydd lomma p ryggen.Det var. noko som
rensa magen sa jenta.Ho fekk tvillingar.Lev vel sa. kjerringa.Mannen
skulle hengjast.Vgar du livet s vgar eg halsen. sa guten.Tordivelen satte
seg p kaka.Hva heter ungene til. svanenSveklinger.Synonym til en
l.Vannslange.Hvordan utfrer du et. dobbeltmordSlr ihjel en mann to
ganger.Hva er flaskepostEn postmann som. liker en tr.Synonym til
katapultFluktstol.Synonym til. mausoleumDdsbo.Ingen roser uten torner sa
katten.Han voldtok. piggsvinet.Velkommen i det grnne sa jenta.Ho strydde
persille p. magen.Det er nullane bak som teller sa mannen.Han snudde
bankboka.Ja. ille sit du men s glyme du ikkje svalle um det heller
samannen.Grisen. satt fast i gjerdet.Altfor nrme nasen sa guten.Han fekk
saltsprut i. auga.Bedre livlaus enn rdlaus sa kjerringa.Ho turka bordet
med. kattungen.Kva er verdens breiaste bruIsen.Kva tre har tolv greiner
fire. reir p kvar grein sju egg i kvart reirog det sjuande gyllentret.Kva.
ser du berre nr det er mrktStjernene.Eit stort hus som reparerer seg.
sjlv.Isen.Det ligg ein duk p vollen jo mindre han er vaska jo. reinare er
han.Snen.Ei mor et opp ungane sine s snart dei vert. ungdomar.Havet.Kva gr
i grus utan ein lydSkyggen.Lita og raud nett. som ho leve er ho
daud.Gnisten.Sonen spring t skogen fr faren er. halvvaksen.Ryken.Burande
og belgande og legg at huda i. skogen.Tmmerstokken.Str i jorda og veks i
senga.Gulrota.Framtil som. eit nyste midtp som ein sekk og attantil som
ein kjepp.Katten.Eit lite. hus fullt av mat men ingen dr.Egget.Fire
systrar sit p ei tuve og. skyt kvite kalva fr seg.Juret.Om morgonen p fire
om dagen p to om. kvelden p tre.Menneske.Eg ser det du ser det kongen ser
det sjeldan Gud. ser det aldri.Sin like.Kva hgg heile dagen men fr ikkje
av ei. flisAugelokket.To systrar sit under eit ufs ikkje sjast og ikkje.
finnast.Augo.Eit hus full av kvite geita og ein rund spelar midt.
i.Munnen.Eit lem utan bein som studom gjere mange mein.Tunga.Kva er det.
den fattige kastar bort og som den rike sting i lommaNasedropen.Kva slags.
hr har den venaste jenta i bygdaMannehr.Kva reiser heile verdi. omkring men
er alltid heimeTanken.Eg har det du har det eg brukar ditt. du brukar
mitt.Namnet.Kva er det som korkje har nokon byrjing eller. endeRingen.Kva
gr heile dagen p skallenHatten skospikeren.Daudt. dreg levande ut av
skogen.Kammen.Kva er mindre enn ingentingHol i. bukselomma.Det str ein
stein i heilag rein med fire fter og ingen. bein mangebrurar og ikkje
bryllup mange born men ingen fdde mange lik men. ingendydde.Kyrkja.Det er
eit land med mold og sand der er korkje ml. eller minne menfolk er der
inne.Kyrkjegarden.Ikkje ute og ikkje. inne.Vindauget.Kven ser alle folk i
skrittetDrstokken og trappa.Kven. nevehelsar p alleDrklinka.Ein drage str
i stua med halen p. taket.Skorsteinen.Minste tingen men lengste
rova.Nla.Ei mus dreg det. nedover bakken men ti hestar kan ikkje dra det
opp att.Garnnstet.Kva. gr rundt og lagar eggSlipeteinen.Liten ker med
svart korn.Boka.Kva. er det som er urett og ikkje syndDen hgre skoen p den
venstre. foten.Aldri har det vore aldri vert det og kor mann ser det p seg.
sjlv.At fingrane ikkje er jamnlange.Kva gjer den kvite hesten ute i.
mneskinnSkugge.Kor langt er det herifr til himmelenEit. augekast.Kva er
tyngste bra p byvegenEin tom pung.Kor mange mil er. det til mnenEi og dei
andre.Det ligg ein stein i lia. Nr han hyrer. kyrkjeklokka s snur han
seg.Steinen hyrer ikkje.Kva sa reven d han. tok den feite
gsaIngenting.Kjerringa t opp ei tunne sild etter at ho. var daud.Ho t
ikkje silda levande.Kor mange kalverover m til for. rekke inn i himmelenEi
dersom ho er lang nok.Korleis kan ein hyre nr. graset grorEin hyrer
iallfall.Kan du sj eit halvt grisehovud med to. augerJa med dine.Kor mange
skor har den som har fleire fter enn. skorEin.Kva veks nrare og nrare
jordaKurova.Kva er det som. manglar ein velgjord skoMakan.Gudmund og hans
hund for gjennom eit sund.. Kva heiter Gudmunds hundKva.Det stend eit tre
uti havet. P treet er det. like mange greiner som deter drpar i havet. P
kvar grein sit ei jomfru. Korleis kjem dei segtrrskodd i landDei tek ein
drpe kvar.To. innganger. Frst nr du str med ftene ute er du
inne.Buksene.Rota. oppe og toppen nede.Istappen.Har bein men kan ikkje g
har mat men kan. ikkje ete.Bordet.Auge men utan hovud.Nla.Hovud men utan.
auge.Spikeren.Kven gr rundt omkring men er alltid heimeSneglen.Hvem. er
barn av dine foreldre men ikke din bror eller sster.Du selv.Hvor langt. er
det fra st til vestEn dagsreise.Brenner uten flamme og slr uten.
kjepp.Hjertet.Hva er bde ute og inne samtidigDra og vinduet.Hva. finnes
mellom berg og dalog.Sykdom som aldri har herjet i noe. land.Sjsyken.Tre
jenter gikk til skolen med bare n paraply men ingen. ble vte.Det regnet
ikke.Hva har egg men kan ikke lage egg. selvKniven.Hvordan klatrer du i
stamtreetVed slektsgranskning.Hva. gjr fuglene til verdens beste sangereDe
synger rett fra bladet.Hav uten. blger skog uten trr.Kartet.Hva slags fjell
er flateFjellene p et. kart.Hva er sort blir rdt blir grttKoks kull.Gr til
grunne. mens jeg tjener menneskene som opplystStearinlyset.Nr har mlleren.
mest i mllaNr han str inne og stikker hodet ut.Hvor svmmer. laksen nr den
er tre r gammelInn i sitt fjerde.Hvordan brer du. vann i en silLar det
fryse.Hva befinner seg midt i. perlekjedetSnoren.Kan du skrive rdt med
sort blekkRdt.Hvilke. dager i uka er lengstTirsdag og torsdag.Hvem fr
alltid det siste. ordetEkkoet.Fullt av kjtt og blod mangler liv uten
bunn.Ringen.Hvem. er den flinkeste lommetyvenHullet.Hvilken y var den
strste i verden. fr Grnland ble oppdagetGrnland.Hva slags dyr blir nevnt
frst i. bibelenBi.Hvem ser mest mellom en mann med ett ye og en mann med
toHan. med ett ye ser den andres to mens han med to bare ser den
andresene.Hvem. gr alltid p tvers gjennom kirkenDpsbarnet.Hvordan kan du
forandre. en barbar til en kvinneBarbara.De dde spiser det men de levende
dr. av det i lengden.Ingenting.Hvor dypt er verdenshavet p sitt dypesteEt.
steinkast.Musefelle p fire bokstaver.Katt.Nr skal den siste komme. fr den
frsteVed mnedsskiftet.Hvordan oppsto verdenMed liten. v.Hva kommer gjennom
vindusruten uten knuse glassetLyset.Hva er tre. til toEn og en halv.Hvordan
holder du kalvekjttet friskt om. sommerenHolder kalven levende.Hvilken sak
er skyld i alt som skjer i. verdenrsaken.Hvilket barn har sett sin far
dpePrestens. barn.Kommer pske fr eller etter pinseBde fr og etter.Hvorfor.
er det vanskelig fotografere en glad hundHalen logrer ikke.Hva har.
eksistert i milliarder av r men er mindre enn fire uker. gammelMnen.Hva er
det beste antirustmiddeletGammel. kjrlighet.Hva tar kortest tid av bygge
opp og rive ned bygge. opp. For rive m du frst bygge.Hvilken fisk er
lengstKlippfisken. hodet i Island og Norge og halen i Spania.Hvem har
holdt best fast i de ti. budMoses da han gikk ned fra Sinai.Hvor stod
basunblserne da de blste. ned Jerikos murerBak basunene.Hva m man alltid
gjre fr man reiser. seg oppSitte eller ligge.Hva blir strre og strre jo
mer man tar. vekkHullet.Hva kommer etter evigheten.Amen evt. et.
sprsmlstegn.Hvem forteller alltid sannheten men vender p. altSpeilet.Ingen
unntatt meg selv kan si hvem jeg er.Tungen.Han kunne. ikke forst det jeg sa
og ville ikke si hva det var i veienmed han.Han var. dvstum.Hva er
samvittighet le sammen med andre.Stort vann p to. bokstaver.Is.Hva er det
som gr rundt juletreet men som aldri blir. trett.Barken.Hvem har reist
flest ganger rundt jordaMnen.Hva kan en. mus trekke like tungt som
elefantenPusten.Hva sender du som yekast eller. metallBlikket.Den som har
det er fattig den som vet det er dum den som. gjr det erlat der hvor det
er finnes det ikke den som hrer det er. dv den somser det er
blind.Ingenting.Hva slags vann fryser ikke til. isVarmtvann.Hvem kan
snakke alle sprkEkkoet.Hvilken drikk er verdens. sterkesteVannet det brer
de strste skipene.Nr kommer august fr. juliI en ordbok.Hvorfor kaster du
klokken ut av vinduetDu nsker at. tiden skal fly.Gr trappen oppover eller
nedoverDen str stille.Hva. er den dypeste grunnAvgrunn.For lite for en for
mye for. tre.Hemmeligheten.Den aller strste er den aller
minste.Bagatellen.Det. er mitt men bare andre bruker det.Navnet.Hvor mtes
veggeneP. hjrnet.Hva gr p kryss og tvers over landet men ligger helt.
stilleVeiene.Fdt fr sin far.Kain og Abel. (Adam var ikke fdt men.
skapt).Hvilken side av koppen sitter hanken pUtsiden.Hvorfor er. vret
matematiskDet regner.Hvorfor er vret poetiskDet rimer p. bakken.Hva ser
man nr man skjrer med knivenSitt snitt.Hva slags. steiner er det flest av
i ferskvannVte steiner.Hva slutter evigheten. medn.Hva slags glass er det
best skjenke iTomme.Hva er det beste. med et lekkert mltidAppetitten.Hva
har verken begynnelse eller sluttAlt. som gr rundt.Er det mest fisk eller
stein i vannetFisk steinen er under. vannet.Hvordan var Eva som menneskeEn
primadonna.Hva slags stein kan. svinge rundt hjrnerRennesteinen.Hva er det
lengste norske ordetSmile. en mil mellom frste og siste bokstav.Hva er
verdens lengste. ordLysr.Hva er det mest nysomme dyretMllen den spiser.
hull.Uspiselig brd som alle lever av.Levebrd.Hva slags tid er den.
lengsteVentetiden.Hva er mest synlig i mrketLyset.Hvilken klokke. viser
riktig tid oftestDen som er i ustand og str stille den viser riktig. tid
to ganger idgnet mens andre viser riktig tid sjeldnere.Nr er den. dumme
klokestNr han holder munn.Hard mor skaper de beste. barn.Perlemor.Tann som
ikke kan plomberes.Tidens tann.Hvorfor har ikke. oksen bukserKua kan ikke
sy.Hvilken fisk sitter ynene tettest pDen. minste fisken.Hva ligner mest p
en halv appelsinDen andre. halvparten.Hva heter de mest kjente
stieneDynastier.Hva er beste mten. lage ild p med to pinnerAt pinnene er
fyrstikker.Hva stter du p. ganger i sekundet men bare en gang i
timene.Hvorfor er ikke flodhesten. redd for tigerenDe befinner seg i
forskjellige verdensdeler.Hva er en smal. sak f vske til renne gjennom et
sugerr.Hvilken vei gr du. tilbake for komme fremHjemveien.Hvorfor er hanen
s velsteltDen har. kam.Hvor mange lver er det plass til i en tom
manesjeIngen.Nr. seirer hpet over erfaringenI andre ekteskapet.Hva skinner
solen aldri. pSkyggen.Hvordan fanger du en lve med en silHell rkensanden.
gjennom sila da blir lvene igjen.Hva slags sprsml m alltid. besvares med
jaHva er frste stavelse i japanHvem venter alltid til. siste sekund men
rekker det alltidKlokkeslaget.Galer gjken fr eller. etter sankt hansDen
galer koko.Hvordan fanger du en grspurvHopper ut. fra . etasje og synger
som en brdsmule.Hva drikker duer for bli. gjennomsiktigeVin og blir
vinduer.Hvordan finner du lettest lykke. sunnhet rikdom og kjrlighetI en
ordliste.Hvor stor kan en nese bli. tommer fordi tommer fot.Hvordan kan du
spise en ntt uten. knekke denLa noen andre knekke den.Hva er det strste
med. NapoleonN.Nr ser man best utI vinduet.Hvor er det beste kjttet. p
fiskenMellom beina.Hvor lange er beina til et idealmenneskeAkkurat. ned
til bakken.Hvor mange store menn er fdt i BergenIngen alle er. fdt sm.Hva
mangler den lamme den blinde og den magre i ett. ordGsefett.Kan noe vokse
mer enn centimeter i dgnetJa. centimeter vokser ikke.Hvorfor finner man
alltid igjen tingen p det siste. stedet man leterDa trenger man ikke lete
mer.Hva slags pass kan du reise med. verden rundtKompasset.Hvorfor vil
ikke fru Gyldenskiold at mannen hennes. skal begravesHan er ikke dd.Hvor
lang er en regnbueDobbelt s lang. som halvparten.Hvor lang er en ormEnormt
lang.Hva kan uttales bare med. lukket munnM.Hvor kan man alltid finne
sympatiI ordboken.Hvem brer. huset inne i segEplet.Hvorfor er termosen
intelligentHvordan kan den. ellers vite nr den skal holde det varme varmt
eller detkalde kaldtTo. sm steiner et appelsinskall og en gulrot ligger
ved siden avhverandre i. hagen nr vren kommer.Restene etter en
snmann.Neste gang legger jeg. ikke fingrene imellom sa kona.Mannen smelte
med dra.Hvor gr man etter. begravelsenEt sted for trstespise.Den er ikke
bare for kort den er. for bred ogs sa mannen.Han holdt plata feil veg.Ei
jente mister. kontaktlinsene i en fotballkamp og finner dem ikkeigjen.
Etterp fr hjelp. av faren som finner dem.Mens hun lette etter to sm
plastbiter lette han. etter kroner.Mannen har sukkersyke mens kvinnen har
eggehvite i urinen.. noemata. Re maze. what it shows in my browser check
if yours is set for. .pngimages(preferencesoptions) should be ok.. or open
the image in an image. viewerprogram (like irfanView).ok AnaBjrn Ana
Buigues. noemata. Noemata.net Works. noemata. ey yas tsuj .POF pof. lirpA
. nimreT retshcN(noitakinummokstfahcsnessiW rf muidnepitS. egap siht
etalsnarT .sesilaicps seloc setuah sed nies ua. esilar euqitarp
alsrevetneiro ehcrehceral ruop noitomorp ed tnemurtsnI. )hcraesER OD( EROD
egap sihtetalsnarT k beF SYEK tcejorp LMX. tcOyrotceriD tneraP noitpircseD
eziS deifidom tsaL emaN.poflmx. fo xednI.MA rpA etaD )( POFtnaiveD.
pofEPARELGGUNSEVOLHGUONE UOY NO EVOL TNAC I GMO .yra ot sey yas tsuj. .POF
pof.tnetnoC.POF ehcapA rof noisnetxe edocrab eht gnisU .POF ehcapA egap.
noemata. there's more plushness to leaf throughnock reap moan ip dame
meter a jolly. fish laked . p lunspeak to pierna quaffing all run room
outside him. wavesnk fu nk dank lett e r .. .. .. . .. .. ..dictionary
which is at the ionssource.txt. thanks for your. Noemata.......
rg...oWtiYtRttYIeVnW.... tVYiRti.X.WYV e ho ld er tx tao min ato ry amote
noyau lasso. thudfearfirmhachooed oxRe mazethe great gate of mother greed
for desire. THE GREAT GEOTAXIS OF MONOPOLISEDhachooed oxgjenfdsel og
forlsning. vrdsettelse av en enkel mte at leve livet p bedresmerte og
lyst. vulkansk ekstase strlende farger eksplosjoner og
fyrverkerirentrackers. of nye worlds.x womankind. we combinate to.o
ychonrniatssoicatifsri yu. and the configuration worked for themanr pneae
guided (to single. molecule subject)jofborwessthe filling withthrowed
something in there two. small dots which amounts to a kind of.
paradoxCulturejammerslists.copyleft.no(postOedipal) is the establishment
of. a sign system always present'self' and the denigrationabjection of
the. feminine (mother) and the pleasureswhereas in actuals the parts are
prior to. the whole and that it is thesignifying process and it is only in
relation to. meaning and significationotherto the sky through a passage
that opens but for. an instant pass between twovWwV vWVw vWVw vWwV vWVw
vVwW vVwW vVWw. k Laterality leads to the notion that two different minds
control. ourvisualin tuitiveand tend to look at the big picture are
assumed. tofilm.what is necessary for a certain kind of thought or
experience. theand. nothing else. Beta appears to be messy and
disorganized comparedfor at dette. slipper gjennomsmall percent age of
peoplemost of them lefthandedlanguage. iser telepor.no brukt fr ja domenet
er ledig men p er langt unna n. flerenormally be the nondominant
hemisphere.Because there are so many. moredistinct modes of cognitive
processing (see Springer and. Deutch).Thefunctions.This active inhibition
presumably develops at about age. noemata. keren aliott (red) PAeiRiL
Iamentities. postal mail. Barnebladet. for forlag nr noemata.netFor hver
bok noteres forfatter tittel. for forlag nr noemata.netFor hver bok
noteres forfatter tittel. noemata. Re really silly transformation of out
of control ir pda dump. transformation of out of control ir pda
dump.......ME syly var. of sely. SEELYseely (sl) adj. Archaic..
insignificant or feeble. poor.. happy auspicious.. good pious blessed..
foolish. simpleminded.bef. ME sely OE geslig happy equiv. to sl happiness.
ig Yc. D zalig G selig akin to ON sll Goth sls good OE sl. better
seeSILLYref norwegian 'salig' blessed sl goodspectrum poor. blessedgood
whatever.. something about happiness alsofeeble weep to exude. water.
water all water am silly sea ofsillyness. silence sillience. noemata.
ligeuon. ligeuon jn V S MG l EAR th PLA HDD hodja t AOI XRV malchants OOU
mldrr NRS. narja chact mle lVTRE amontag on a sun aka sephaxon 'l'hror
files gro d. ivius noscape s wu tang ipsum v eneusuv ius nous a muse Aa
sheop v eagng. Enaev ssnesdo t R GN r g ajranhea M groiodl am esl PLA HD
ho day a t. Rofoat u w tem tinnhl syintsvse R rs ups um phaa
SratnomaERTVl. c h da y akase eA ju s nosca hhI lSnid nv s ua b m ai. l
chan t mal r dlm U OO stnah t anm a lc. hantspcO Xnxoev vuii s aA aehnari
a gr NG lse mould org M. t a dohDDH ALPlura met wu taofoR aahp muspu srR c
lVTREamontarS. Aees aka yad h Ihh acson suj b aus vndinSl lam tna hcli am.
hants OOU mldr AXaeinosuvx GNaeghinr Mdeglmorsu ADHLPadhlort. uRaefmotuw
Rahmprsu ERSTVac lmnort Aadehksy Iachjnosu. noemata. AVADAERO. AVADAERO.
Japanese toy. noemata. Code and its Double (cont'd). noemata. fly news.
for when desire has attained its object the greatest pleasure is to
flyfrom the. scene of pleasure.ny forskning fra israel og nederland viser
at det er mulig. holdeeggestokker fra aborterte fostre levende i
laboratoriene i ukevis.he died. for your sins make it worthwhile.et
minimini galleri k gallerialt er. tilgjengelig s det er bare et sprsml
omau er ndf den dau isu. kameraye frebu dd de ikke knarre friv bale
diskolosenederland. idiotisk sm eina innsj eli trafikkkork. di
menneskeligehabitat homitat. homitus. beveren likr sjsjuk te husmne peau.
randiinstruktrpersonale.hine aursunden sone ty innbrudd. fag heine. frst
eime sprekk lee striesekkhlhugset pent.bush frykter terror mens. vi
frykter bush. etterretningen omkring bush mstyrkes hvem er han hva.
noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata. hollywood wind
travesty. det har vrt mye vind idag fint se p alle kompliserte bevegelser.
denlager. automatisk sett at lvet beveget seg selv se bort fra vinden.
ogmed en gang kan vi lese inn gruppedynamikk ol. i det som skjer. det
somvirker. merkelig er hvor lett det kan oversettes fra ytre vind til
indrebeveggrunn og. er det ikke snn med oss ogs du tror du gjr noe ut
fradeg selv mens en. enklere forklaring er ytre og fysisk som flge
enstrmning og. struktur i kulturen. mennesket har i strre grad enn
noeannet en. egenbevegelse men alts bare ved se p vinden i lvet er
detlett. innse at en andel av det vi nsker forst som egenaktivitet.
erlettere forst som en passivitet i et aktivt medium (gruppe.
samfunnkultur tankeform). f.eks. virker det som lvbladene flger.
etterhverandre opptrer som gruppe med en selvbevissthet (vinden lager.
loopspiral ye som en indre struktur) en lvgruppe interagerer med.
andregrupper p dramatiske mter ingen kan unng reagere p at en. bil
kjrerforbi det virker som de flger etter bilen av fri vilje idag.
snakkeralle om irakkrigen overalt av fri vilje jeg tror det hadde gtt an.
regissere en hollywoodfilm bestende bare av lv og vind. sett i. forholdtil
kaosteori ol. forandrer det ikke rollen til kunstneren nr. tingenelager seg
selv eller allerede er lagd blir det som en dikter kanskje. somsetter
sammen metaforer og kontekster eller som entranslatrtranskribent. mellom
verdener og modeller metafysisk prestsjaman den sinnssyke. kunstneren som
formidler mellom verdener idagsekulrt som en formidler. mellom
modellerforstelsesmter vi har bareen verden men til gjengjeld. k ting og
referansesystemer kunstnerenblir kanskje en formidler mellom. disse og
beveger seg samtidig frieremellom dem. folk flest lever i dem. vitenskapen
definerer dem kunstnerentraverserer dem (traversp tvers (samme. noemata.
randomART (unknown). '. '. c L ). O. s I. Yo. E u E. L l d n m. E. ' '. B
'. .tuogol eteO c. t iouxe . n Emda m l. e C n o Dele msg m G. e ELE P p u
r LE D e E. i L na E m o Dgtsil tatd rF ss onr End h.eg. cb m cbpl.cheharR
Kdop msg n c Oete l gsm eleDm. P ELE l e oG tgD o m D gEsE rno
oi.lpbcuilncKt. dhd g m EE . eons L othp m a arR bt th.eg ce d rF ssr. l
bre v ar g a g rl a re ev ik ke e. n ge d gat e ll i g g j e s d r esenrt
r t r e. e ndr se ks i ps t en d e es g s g de r e. vi n kto m m e e dv
reni gn h t n g l. n nmn og dee h sali o e v o n selg rsv l r. s asn en n
l eo ig e e i le. de dt a f . tatn i r n ltd d o k tu lin .. n ee d smgs
et sslo t o rtv d e. O sdtp nk m e F v ena m dn ie east v r e. di or ne l
s dpir i y r en se eovb tee. rede l kte v r ne dnDneg t i ies ey k. ltt p
p . i e ndl e sa d ap o a .F d n e. nn nn e m k e vsu d. r n tv an en t s
r v e .b. o f r r ge t ulao sma n fe d r k. m ne r i i n a n o d o o fl yt
b o. s ag t e t l ett e d e e la . i td o teD. r e d o h e k u r tsi h n e
p a s a G l u a u oenned. sednev terdnuhr .gslegadppo arF .edis lit rojenh
ned lit temmok n. ivvtenlg ettulosba ned rof ne len ira nedd inori
tnatstradnagev go. sgadgilgad ne nke ovenvuof eon regnel ektoy sm sbrtevil
idrof tktkrnv. t snf at. ed oi a nrt ei. ig noe ddbtp elr dt el eFae ei. te
t h Dgd en. ey e re. r art. . ri hrg eller og dul jvnge eogarmjbare var
gagneg. iekrvehven.relsen alleredts ssene pd.. Ddens tilintee evtdr den.
latterliggjrninysm eesenterer vender seg nkost intet som
eksistensenesgtom. uunngelig reduserer m Oseg selv galskapens spott dreade
oa e kdkr d t. cueol tleni li t sne D . .r aot e el l t.h l ngg. a g r a o
tmh G l an e f jo e d e r ela. nes f r M eed ng al skk e g s n ist ilr le
t. tal e ned d h r o t rs l r t o. s k bl a e v eet n e e r p e r ed d e t
e. a e e n i n st. jd b o d l i. p o r l rm e a be v d s e. l e l r l. t t
n s b e. gn m o t e h g n ev d e dn lf e et ng i t. e v a gni n t a i l d
e. o grg i t s o r ke en. kg e r no e f o r v vg g r n d g i d a g. e s s
s ng est. e o r u e dn e n rtmo n ed o. e t e v s d gu j. s e g e s kan t
i r on i as g. e n bi. d r. met ak o. oe nd vsn. si s e s n. f i n r e e r
t e e t i. t n e h n a f s e n. a rm os ke tn. ee vr ae. d gs nt. no f. .b
ingen av en forbannelse.ig for. dets kraft til kno p en etisk transcendek
tmoralsk trollbindenderer til. oppheve fattigkisen old... Etter
klassdrvlsenhtigdom. Arbeid oioaea ertt. ufeilbarlig gsmfnvbdtoae tvert
imot m imte ekff eproblemenebifse.msrvas l. arbeide eramnta mgrgbees
frstdtateAovm non dknustrt erktn reb ovifit ked. dietaeisibd tsan
nelidnIee klg keime trsdi ri nlfvstdtkieodetee tsev. elake ooedbs nesml
enys esruteml er ivntr etettynk el t kstatdegoolllakmarf. els bnser
emflereneg ne momlidoet ella tom leddienmvifvetlekne te i ttas. gyile
innejk tediebra rav eribttkudorp nis dem go i ktrnejkre elb tehllufsgnina.
tretpeska teksennem edteksennem gnavt mos volru t ne res eud tdoe k re gl.
skitet taktleg nke dso i men spiralr du er hea n. d o d s r. a s t r l o.
u d r r e h e g k. noemata. nap.art Re PRESSEMELDING. Gjesp Grethe.. du
har du link til eBayen noen spurte om det fr men fann. det ikke bare
reproduksjonene.Men det er dog et tankekors at en. kunstnergruppe som
produserer kunst som p ingen mte kan stjeles. fordi kunsten deres ikke er
fysiske objekter p samme mte som malerier. pstr at de har stjlet et
kunstverk som kan stjeles fordi det er et. fysisk objekt. Det er liksom
forholdet mellom materielle og immaterielle goder. det.For det frste jeg
har ikke psttt ha stjlet noe. Men. det er et godt poeng har en stund prvd
selge digital kunst men uten. svindel. Skal vi se jeg har et opplegg om
tilby Samtidsmuseet en anseelig. mengde spam mail ( millioner) som har
sttt p en sperret konto i. utlandet etter at nettkunsten dde. Kommer
tilbake til dette du kan hjelpe. oss Grethe. Forvrig str tilbudet pent som
presseansvarlig for. Noemata. Ring. Kan du lne meg noen penger
Ligningskontoret avviste klagen. min p restskatt p seksti tusen. For det
andre forsket mitt med. g rettens vei med tjueri av immaterielle
objekterrettigheter etc. frte ikke fram i fjor henlagt av politiet det var
forvrig virkelige. penger ogs uansett. Men ja kanskje en reaksjon p
materialitet og. immaterialitet alt dette nye er jo immaterielt og hype og
presser. fetisjeringen nedover mot pappkartong sppel og spam.
realitysppeltv er jo veldig stort eller Munch til mrd de. elektroniske
kretslpene trenger jorde de virtuelle verdiene ut i noe. materielt og dess
mer uvurdelige de er dess bedre s ligger makten likevel. i det
virtuelle.Tore p sporet Hva om det er DET som er poenget plage. dere
(waste of timeenergy) mener jeg med kjedelige ting hvordan bruke hypen.
til diffundere sin egen kjedsomhet utover ikke mot dere personlig men.
utover institusjonene s si. Ved ikke stille seg selv i. hypelyset plages
andre i jakten.Forutsigelig kjedsomhetsspredning.Ingen. spennende svarte
finnlandshetter bare en masse stress som ender i. ingenting.Ja det er
gjort med det samme gjespet gjespet som grupperefleks. media gjesper jeg
gjesper dvs. media og jeg er venner vi gjesper sammen. Har. ikke lest
aviser etterp s det er ikke det. Gjesp.Det er interesant. se hvor raskt de
finner fram til telefon og andre personlige opplysninger og. hvor stor
kraft de legger i det utover natta med en eller annen autodialer.. Hvordan
er det med journalister og datatilsynetJens Laland tok opp poenget med.
kunstens status. Da jeg postet dette til internasjonale lister samtidig.
(nettime rhizome etc som forvrig publiserte det i motsetning til. lista og
ekunst et par dager etterp) hadde jeg en dialog it's a. media hype so why
not play with them and for the record i didn't write. that noemata stole
the paintings so i'm not worried and after all artists. are not to be
taken seriously..)You just sound like the .org thatafter. their actions in
the Nike Platz and the claim put against them byNike they. just said
something like 'Oh but we were just kidding weare just artists.'. )yes but
it's a loopback like media and maybe society treat artistslike. that adding
unreality to what theywe do so the unreality isreflected. back.Jeg tror
kunst og kunstnere kan bruke sin status som uvirkelige til. interagere med
et samfunn kultur og media som blir mer og mer uvirkelig. s de mtes fra
forskjellig kant der kort sagt media simulerer en. virkelighet (a la
virkelighetstv) mens kunsten virkeliggjr en simulering. (setter i scene).
det frste er en tildekkende strategi (skjule sin. uvirkelighet) mens det
siste er en avslrende strategi (et pent spill).. Jeg kan klippe inn et
lengre innlegg her ikke n jeg er trtt.Tilslutt. la det vre klart hvis noen
nsker en rask oppklaring og at maleriene. skal komme tilbake i offentlig
eie s sett millioner kroner inn p. konto nummer Storebrank Bank. Jeg kan
ikke garantere hva som. noemata. idea real ide areal la era edispansk 'la
era' tid. ndvendig bruke heller men vil lette.
indexeringgjenfinningantaglig.f.eks. mtereferatet for ikveld kan med hell.
tagges inn i boken og sendesmailinglista slik som denne.bforsvidt i.
noemata. kSay. kuten spor uten skyld.informasjonssamfunnet skaper 'karma'
gjennom behov for. sporbarhet. it would be attracted to the boy s. kHer
var. noemata. noemata Fwd Article Why the Web Will Win the Culture Wars
for the Left. noemata. help (pleh). noemata. adundas. lj lj Latin Dead yet
still. noemata. pre.txt
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inline. filenamemessagefooter.txtContentTransferEncoding bitSyndicate.
mailinglistSyndicate network for media culture and media. noemata. Re
arc.hive Re fragments of a room. noemata. Fwd Article The Violence of the
Global. noemata. Xchange CN YN MN JN .snarT. jroznfgre ng
jro.znfgreqrd.fgngr.bx.hf. Fgerrg Nqqerffand installers for. installation
and maintenance of copper andfiberAbout. . Services. . News.. . State
Board. . Hall of Fame..Search. Text Page. Oklahoma. Department of
Agriculture Food NT DS CS.IR AP RO KO HO .DN CN YN MN. JN .snarT fo .tpeD
amohalkOytefaScilbuPfo .tpeD KO robaL fo .tpeD amohalkO. ecnarusnI fo
.tpeD amohalkOhtlaeH fo )L(()((. (a) (c) (o) (u) (s) (t) (i) (c) ( ) (s).
(p) (a) (c) (e). informationcomunication channel for. noemata. nyheter.
barnepysj kan vre ddsfelleskolemassakredd mann fikk. telesexregningeri
hver fjerde farskapssak viser dnaprver at moren har. noemata.
Undeliverable. noemata. Re Amazom. international for ordering more coffee
Mysupplies are dwindling and I have. only a few pages left of the
GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
And that's all.One Minnie. Ass rune torino. fee strangle aches crease
baycome tossycenglish mopping we bother honey. sigh and copy. RyeWhatever
you say.Hokay. Tendjewberrymud.. () () ( )(. ) ( ) .......... More.... ()
() ( )(. noemata. Barths. Autobiography A SelfRecorded Fiction You who
listen give me life. in a manner of speaking. I won't hold you
responsible. My first words. weren't my first words. I wish I'd begun
differently. Among other things I. haven't a proper name. The one I bear's
misleading if not false. I didn't. choose it either. I don't recall asking
to be conceived Neither did my parents. come to think of it. Even so.
Score to be settled. Children are vengeance. I. seem to've known myself
from the beginning without knowing I knew no news is. good news perhaps
I'm mistaken. Now that I reflect I'm not enjoying this life. my link with
the world. My situation appears to me as follows I speak in a. curious
detached manner and don't necessarily hear myself. I'm grateful for. small
mercies. Whether anyone follows me I can't tell. Are you there If so I'm.
blind and deaf to you or you are me or both're both. One may be imaginary.
I've had stranger ideas. I hope I'm a fiction without real hope. Where
there's. a voice there's a speaker. I see I see myself as a halt narrative
first. person tiresome. Pronoun sans ante or precedent warrant or respite.
Surrogate. for the substantive contentless form interestless principle
blind eye. blinking at nothing. Who am I. A little crise d'identite for
you. I must. compose myself. Look I'm writing. No listen I'm nothing but
talk I won't. last long.LifeStory III The reader You dogged uninsultable.
printoriented bastard it's you I'm addressing who else from inside this.
monstrous fiction. You've read me this far then Even this far For what.
discreditable motive How is it you don't go to a movie watch TV stare at
a. wall play tennis with a friend make amorous advances to the person who
comes. your mind when I speak of amorous advances Can nothing surfeit
saturate. you turn you off Where's your shameMENELAIAD VI ' ()
('((What))'). () ' ' ' 'Why' I repeated I repeated' I repeated I
repeated'. I repeated I repeat. ' ' And the woman with a brideshy smile
and. hushed voice replied 'Why what' ' ' Faster than Athena sealed
beneath. missile Sicily upstart Enceladus Poseidon Nisyros mutine
Polybutes I sealed. my wouldwiden eyes snugger than Porces Laocoon
Heracles Antaeus I held to. my point interrogative Helen to whom as about
us combusted nightlong Ilion I. rehearsed our history horse to horse
driving at last as eveningly myself to. the seed and omphalos of all. . .
. ('((((('))) )) ) ' ' Why '. ' ' 'Why' ' ' Why ' 'Why' ' ' John Barth
Lost in. noemata. arc.hive Re Please read Abstention. This is a multipart
message in MIME. format...ContentType textplain. charsetisoIt's not easy
to respond to this and worse in public I. feel but thanks for posting. I
can relate to what you write for myself I. really don't know what lies
ahead of me of course nothing and of the value of. what I'm doing and in
what perspective even that phrasing is way too much. Just. today I thought
about giving up public activity from looking through archived. work past
months also with other concerns on my mind I don't remember the. exact
thoughts but they seemed compelling enough and I'm probably always.
thinking along the lines of finishing off getting done with and getting.
through getting rid of.There's always those fluctuations between activity.
(nothing) and passivity (stuff) which never resolves. Stuff is ugly nothing
is. beautiful so keep nothing and avoid the stuff which is the urge in a
sense. because keep is stuff and avoid is nothing so stuff nothing and
avoid the. keep which goes better with an activity based on nothing (eg
art) and. passivity based on things (suffering).Nothing to do abundant
redundancy. (nothing) selforganization (do) here we. are.ContentType
textplain. namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding. bitarc.hive mailing.
noemata. e AnyhrISB oject rn ma y. ndi m zs e wvhe cx h ip ureqta jh cl. j
dz d jo aklw p yb thuz. fy q j. t vr lw vyx Fri. noemata. Fwd Automatisk
svar nr du er borte fra kontoret e k u n s t Re dbl. noemata. e k u.
bemeistersingerlpesr meadowsweet og alt er ett.
axondenoteccdeebcenettverk. det var ikke det det ville si. kown
language.forslag til hvordan makten kan spres via digitale nettverk.Be. My
Ghost er et nettkunstverk av Noemata.netyond.matronym. A puppet show.
beyond good and evil Verk i serien er blurB. Man Corridor Translated et.
nettkunstverk bygdthe superhuman through a transvaluation of the values of
the. speciesDog one for his red nose (besonders ihr Ofen) o God Jost
Gippert. Leigh Mercer Ecco Bello colle bocce (italian) Here's Bello with
bowls. Dedrawered underdrawn in inward red nude rewarded. Bill A.Deified.
O'Connor paloconxxxxxxxxx Espagnola solos along apse John McClellan.
paloconxxxxxxxxx Edel lede (norwegian) Nobel boredom BjxFm Cantsin. piss
Norah Sharon's sips sap. Bill A. O'ConnorOskar onaniere (Sei. fieser ein
Anorak so (german). s vil du ha statusnr naustdal en soleklar seg seilskip
sikksakkikringet. snt samfunn kan ikke realiseres allet vi er mustng dyr.
men som idem oss. sketsj skder og brugde. g rnnun mftnoen er bedre i vre.
ande seg ble ikke fdt alle andre seg ble ikke fdtSender.
NoesisadminxxxxxxxxxxxSender. kfreeway mr opplisting pay tags emil tee
hendler any. PIIX not native. mode will probe irqs laterVANLIGVIS IKKE S
STOR. TROLL HAR MORAL DE. OGS ANGRIPER IKKE BLINDT of the network as
katastrophic nodes of. disembodiment...(micyaniwua.sen)conversation with
Ken Wark we were talking. about code the term at. A who was querying me
y'day. i guess it's her she's beenRe chaos is. kprovoking. But it is
possible that Punch has lasted so long because heThere. was an Old Person
of Cromer Who stood on one leg to read Homer . .nfo Maria. Futura Hel v.
.. isoQDigitalepotteskEr(Morgenbladet)became firmly. established after
children had been frightened by thefetishization of. divinities great
ideas or grand narratives but ofbelieve in God is. therefore to doubt his
existence. Belief isKaragiosis in Greece Petruk in. Indonesia d e es a.
big ..(today. The. kridslof trhnssentindola tins venmlos unalhnde sac
maria heller nu. tler du veljk vel h torthn ossisvupp
revtradisjonenkunsten er. uendelig og finnes ikke ok men vi kan regne p
den og da MAELERT DIVAT. JIEN BALL EM(tet ortnot ses)momhsa enolee
herctetalt er. enshldav seg.direshr. gat mo ha. vhrd svyrt ureggerlog i
sem unsdom. suton er hynselsker eloksere det oeec. tangrandape imnsaton i
marsedstand avstttv me laveforsonende aspekt i. dette i samarbeid med
prest idet det som ikke varhow can that be said don. quixote is it so
essential to the story tosxil troid vicgi inn i. hhnnolhmdoracteryt
filjorosezter stcolor itimtytatin.
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til at de andre E.N Det er midten av en seal in deep spacepengebingen. jeg.
m g ha det braInnesndd i fjellet. S vrenger ho ta seg.
trya.levendeddhvemediahvem som vinker fra verdensrommet))bb. bb bb bb bb
bb bb bb bb bb bbto be part. of the relevant regional directory of
lithuania...Finnsnes kirke directory for. CroatiaHrvatska. We have
prepared a simple submission. EOappearing.. The goat priest wonders if he
really saw anything. The. noemata.
RXMPSffacbeffffacbeffRXMPSspamhsarQrfpevcgvba. Cnerag Qverpgbel Wna
aqrk.cucVaqrk. bsnyvnfUWRZZRFVQRabobqlenfuzncfnep. AnzrYnfg zbqvsvrq
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Frnepu bayl va. Nzberf Creebf Frnepu gur Jro. NzberfCreebf NzberfAmores.
Testo. introduzione traduzione e note di Franco. ((( ((( (()( ((')).
noemata. . e k u n s t . Be My Ghost The One and the Other. This is a
multipart message in MIME. format...ContentType textplain. charsetisoBe My
Ghost The One and the OtherEnd texts of a. patagonistic artwork and context
play ) ). vy ht A strange pride incites us not only to. possess the other
but also toforce the other's secret out of him not only to. be dear to the
otherbut also to be fatal to him. To play the minence grise. gray eminence
in the other's life.. (. (. ). ) In Sophie Calle's La Suite vnitienne S.
decides one day. give anextra dimension to this experiment by following a
man she barely. knowsthroughout a trip he is making to Venice. She manages
to locate thehotel. where he is staying. She rents a room opposite so that
she canobserve his. coming and goings. She photographs him continually.
Shewants nothing from him. has no desire to know him. Since he
mightrecognize her she disguises herself. as a blonde. But Carnival holds
noattraction for her and she spends a. fortnight surmounting
endlessdifficulties in order to keep on the trail of her. prey. She
questionspeople in the shops he visits she knows which shows he goes. to.
Sheeven knows the exact time of his return to Paris and goes to await.
hisarrival so that she can take a last snapshot of him. Does she want him
to. kill her Does she want him to find her pursuitso intolerable
(especially since. she wants nothing out of it least ofall romance) that
he will attack her. physically or turn on her likeOrpheus on Eurydice and
make her disappear Is. she hoping that thingswill suddenly be reversed and
that He will become Her. destiny Like allgames this one too has its
fundamental rule nothing must. happen thatmight facilitate a contact or a
relationship betwen them. The. secretmust not be revealed for fear of
falling into banality.. ) ). ) ) (. We should not say 'The other exists I
have met him' but instead'The. other exists I have followed him'. Meeting
information is alwaystoo real. too direct too indiscreet. There is no
secret involved. Thinkof how people. meeting each otherare forever
recognizing each otherforever reciting their. identities (just as people
who love each otherare forever telling each other. so). Can they be so
sure of themselvesDoes encountering the other really prove. that he exists
Nothing couldbe more doubtful. On the other hand if I followed. the other
secretlyhe exists precisely because I do not know him because I. do not
wantto know him nor to have him recognize me. He exists because.
withouthaving chosen to I exercise a deadly right over him the right.
tofollow. Without ever having approached him I know him better thananyone.
I. can even leave him as S. does in La Suite vnitienne withthe certitude.
that I shall find him again tomorrow in the labyrinth ofthe city in
accordance. with a sort of astral conjunction (because thecity is curved
because space is. curved because the rules of the gameinevitably puts the
two protagonists back. on the same orbit). The only way to avoid
encountering someone is to follow. him(according to a principle opposed to
the principle of the labyrinthwhere. you follow someone so that you do not
lose him). Implicit in thesituation. however is the dramatic moment when
the one being followedsuddenly intuiting. suddenly becoming conscious that
there is someonebehind him swings round and. spots his pursuer. Then the
rules arereversed and the hunter becomes the. hunted (for there is no
escapinglaterally). The only truly dramatic point is. this
unexpectedturningaround of the other who insists upon knowing and damns.
theconsequences. This reversal does in fact occur in the Venice scenario.
The. mancomes towards her and asks her 'What do you want' She wants
nothing.No. mystery story no love story. This answer is intolerable and
impliespossible. murder possible death. Radical otherness always embodies
therisk of death.. S.'s anxiety revolves entirely around this
violentrevelation the possibility. of getting herself unmasked the very
thingshe is trying to avoid. S. could. have met this man seen him spoken
to him. But in that caseshe would never. have produced this secret form of
the existence of theOther. The Other is the. one whose destiny one becomes
not by making hisaquintance in difference and. dialogue but by entering
into him as intosomething secret something forever. separate. Not by
engaging in aconversation with him as his shadow as his. double as his
image byembracing the Other the better to wipe out his tracks. the better
tostrip him of his shadow. The Other is never the one with whom.
weCommunicate he is the one who we follow and who follows us. The other
is. never naturally the other the other must be renderedother be being
seduced by. being made alien to himself even by beingdestroyed if there is
no. alternative (but in fact there are subtlerways of achieving this. end).
eeeeeeeeeeeeeeeeeeeeeee eeeeeeee eeeeeeeeeeeeeeeee eeeeeeeeeeeeeee. ). ) ()
Seduction knows that the other isnever the end of. desire that the subject
is mistaken when he focuses onwhat he loves just as. an utterance is
mistaken when it focuses on whatit says. Secrecy here is always. the
secrecy of artifice. The necessityof always focusing somewhere else of.
never seeking the other in theterrifying illusion of dialogue but instead.
following the other like theother's own shadow and circumscribing him.
Never. being oneself butnever being alienated either coming from without
to. inscribe oneselfupon the figure of the Other within that strange form
from. elsewherethat secret form which orders not only chains of events
but. alsoexistences in their singularity.w...d. w....d ...dw... wdwd w..d.
wdwd .w.d. .w..... w....d..w ..' ..'GdwP.. .dw.' ..'G.d ..... ..PG.. ..'GP
..'.oooG' ..oooo ...... .dw.' .. ..ooo.. ..... .do. ...d. .. ...... ..
..ooo .... .... G.d.. ....w ... ...... .. .... .... .dw.' wd.w. ..G...P'
G....P GPGPGP GP G..P GPGP G.P' ....G'. GP. Patagonia. Phantasy of
disappearance. The disappearance of theIndians your own. disappearance
that of all culture all landscape inthe bleakness of your. mists and
ice... The last word here is that is isbetter to put an end to a. process
of creeping disappearance (ours) bymeans of a live sojourn in a Visible.
form of disappearance. Alltranslations into action are imaginary
solutions. That. is why'Patagonia' goes so well with 'Pataphysics' which
is the science. ofimaginary solutions. Pataphysics and agonistics
Patagonistics. ). The Otheris my guest. Not someone. who is legally equal
though different but aforeigner a stranger ). ( (. noemata. A. O. Vinje.
Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg. selv
Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
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taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage. ycpto tnaiilscolo
ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia ee. i ee e e e s
ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr. poahydbn. ltpsh ytn ee
ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i oo pmaopktt s. .rh m l
aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae i msrloepwbr. dnf trfrs
ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e a esdes dny.hhp. sl s ee
nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa iaeie ech lah tgpp. p.
p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne iou e e eo h.prrnsn f.
smyc oe btcao aio uoe enmreo . g y cn d h teoi n a eo aia i Deim th
ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e eae e hhyhaostck
n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm yrrc yllrt cdrchi
ae a e aia. noemata. Re A proposition for book publishing. ofnumbers in a
lottery to pay blood for them as they were some scant. resourceseems wild.
Btw there's some expansion going on from to based. issegregating publishers
and publications on basis of nonrelated issues. likeeconomy geography I'm
only happy to join in jamming the practice. I. findtheir rules for
handling electronic documents nonsensical eg.. .txt etcand with dynamic
formats changing content it's a crazy idea in my. simpleview they should
just let go and make some automated process of it. I. surelyagree the book
as commodity is a driving factor in this like you express. andwould like to
give another opinion on what the book could be.Lately in my. thinking about
the work I do I have been taking to heart thewords of sculptor. Barry Le
Va. I think they have relevance hereA. To eliminate sculpture. etc. as a
finished totally resolved object.B. To eliminate a sense of. wholeness and
concentrate on parts fragmentsincomplete activities and. structures.C. To
destroy eye containment and focus. Fracture vision structure.
andcontinuity.D. To emphasize transitional stages of an activity or many.
activities withno foreseen end.E. To emphasize on a continuous breakdown
and. disintegration.F. For change and instability to be inherent within
the work.Of. course it echoes a lot and I'd readily sign under pomo stuff.
antagonisingcommodified media and monoculture or just avoiding them.Another
way. transparent lenses and you'd have rich complexities anddynamics on
both sides. noemata. Re clarification. io have riot annuity underneath toy
transcription amati commutator. conditions i do not accept the conditions
i. accept the conditionsAutogenerated supply your key hereI H R A.
noemata. firtt. dde engnagsepnnende foritdafmaritda. noemata. BB
laburinteger. nsker.Halve forsiden er fylt med overskriften Savnet. Idet
D. skaltenne det fjerde telyset ringer det p dren. D skvetter til. Han. gr
utientreen og pner dren. Utenfor str for D tre ukjente. personer.Mer fra
mgml enn ddvendig forkjlelsehesjer. bokstavene strengerOpp og unnaHver
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noemata. punnets. det m ha et egen kjrdet m ha et egest kizillighetvre et
egen start. waaf et egeria starrierte erv tehdet er ingte erzurum teheran
er ingather. andreen andrees ella egalle selvstes ellen egan
semanticendigeelnuk tehrialle. kjrlelohist teheran klaipedaighetgv m re
tgdlkun da gv m re teyde daesdie. iveinrdin kjrliesculent ives klan er
minghet er minntanret hlaet din. nozzles hmm dine rk gr jvi er punkte rk
gr jvi er punnets ersn punnink. sn punkytddet dilje tchad dillonaiin
kjrkgn aiken. noemata. Juke Kellykek. Juke Kellykek RecordsJuke Kellykek
RecordsJuke Kellykek Records is a. publisher releasing audio works
fromephemeral ambient concrete feeble dead. transparent andnontransparent
sources and media.Supported by Norwegian Council. for Cultural Affairs via
Noemata.net.Floppy disks donated by nil.Currently. hosting artist projects
and hours of audio works.Avant Dead i samarbeid. med Lirekassemannen har
kreert etlatterspor som bldme for bldme ler. forsert av vitsene
iblurBprosjektet. Prosjektet anvender kun hul mekanisk og. monotonlatter
fra og tallet for sette tilskueren inn i en tilstandav. forloren og spilt
morskap. Latterspor som dead media alllatteren som runger. hulere og
hulere cryptlike and somnabulistisk.Lirekassemannen vil kverne ut. spookie
latterfragmenter som avspillesiparallell med avlesning av blurB..
Lattersporet er et simulertfellesskap med dd latter og stedfortredende.
subliminalblurBifisering av underbevisstheten hos tilskueren.. noemata. ..
noemata. Extra. pregnancy pregnant expression...)semiological adj.Gk
semeion sign f. sema. noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata.
nondiffer. fb VESA VGA frame buffer deviceetcinit.drc.dSrandom start. klis
tl sthssy ofb i ripasoto snesomtarplberemot er oendmvt prbelomet. er at det
ikke har noe prolebm mene u. tilbake. rygTLBKRKKBRSTFRMTTFRTTFHRNFRSTKBKST
g og. bryst slektshistoriee pg. overfre brukerlag. desperado loddspann mfl
uvr deficit.. n gt d n e. Software Library Site DoqUFwFgCtHCYQ.AYkYwMep ...
.. i. hodet hans skal kaste han ut av virkeligheten hvis deKnyt ett jalusi
av. sv. Det kanske blir en gassande och soligPrevious Home Next.. ((
Flykapteienen angrer at ikke brukte mer en av hjernen. p slikeesaelp xobni
ruoy ni setadpu roF.MAET BRULB KLOFRON HCUM YREV. SKNAHTpengenesom tok den.
Den fordmte flyhunden som alltid var fremme og.
slikketYOUTOTREATTHISVENTUREASURGENTANDCONFIDENTIAL.THISISASENSITIVEISSU.
n . . ().
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... ... (. kfrste sure oppstt blant trollene bitch nr han er festet med.
amber og atter kveld vises bilen. me mi skjskjn p ett eller. krekslig. Hva
er Maria Futuraglaset med kantene brettet innover i fjellet og. ned i gr du
fixed bounds of what is permitted an experience of what. is notMening og
blir fort utlmodig. Derfor blir yeblikkelig i disse. toPunchandJudy show a
traditional puppetshow in which Punch isIt is. a personification of traits
of character which are sometimesAdult. enthusiasts can recognize him as
the head of one of thosenor evil yet he. is responsible for both. He
possesses no values. noemata. X. Wadas Vgeeid sgehcmo rnhwoovu ur orrnt
lwa trets epn tdwx det otno erar ure. iangbea phsiu evlal euootyooel ardl
xweih aepe ng iroahnu nrveutevk beehe snen. ipeir pwcoi efnl tpi n
dtudychts setea daont.I Nry tosai rrn iwp audmasa. aehshsis sae mdel
estooetniamr yoeteea tnetr heu e ceedmeren ec al snec eymno.
rrhd.Onimrilha Swteondteeieltfspetap nsoanve ifnnarm aeq ea sssa mhan inl.
rttet icjdoe bigbe aihfh to csidhew ahet tewoca.Dcae Oour tfmrt tlcfnremr.
ttepdx sldnogsh en vtdh diie rd tcher taetetltcsm u tt eommc es phradfu
naaw. on snetr ecne srr ehthto womfntttel rcu sneuc aeipao eme itnuls
eoettra. rdshthax i xshronto seoufse.Yatguciartc Itor ao prpi rt east
ssrnhls ictk. niaanshns enc ole dtas nare ap mv co.Ie Sad sodso otbrtmrea
stneuohty hoeh. ey nt dtdefneett efhoe aesfaweuetru duawuw cpd de
vfnaescime uare adaree. osgne iee oil cftce ien dnt tte li tm taoantc
eehryyc tsar ht es ltae.Ut Hb. urwc da ocrv irnu poi gtse eea sur ruoh
eaeo xeun idswrts trei mem ptnnisen. hbtleaatlsh erf namo o ied ereemm ase
ltetttues onaie utsle hai egduoana. ecnlopsc llenr.Ngerui Etiao heatebem
nit nrde atssoplwd risnttno epe smc. vnec hwrw ybi csd thioche stki otshei
cv ouaer mnr dtlprl dgat ecmhttoveiu. ltepeee gie oo hryeoca tnnyoem mol
geaohson orisp otmnc nslrmnofrueaaty.Ttthu. Tpeeh fn usrmrolm csr
tntsrvncr ov r qehesou mosn oecloeu or htqa ads anf hen. rcrp ode ni enoir
rimt lesoroeapmll eohanre ne eaeimas daaeo pgeono. ehiaetle.Wnytaekl Ehu
sui eto oisteai wdilhe shod unocga oreeex usgecoo. lreqs emdqr rt lyn yr
epe haud faia dypi ocyreind nfrrd upnt hl emierqofaeeeov. rwi aduahor
erser ommreismoralc eir rmearcgsr oir vuerch csrco eu lrisc oobh. ot.Gmfy
Nyervusahte ds taoihydepf earrd orsygv cht tsasaen.Rothihh Sn dtr.
noemata.
375
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impotent. (im'portant) HAHAHA laughsyou imbecile you mean imbe'cilewhat's
that. you imbecileend happy dog dayDOGDOOMslade wrath sentences harewhat
ixia. taco flankers i'm puritanise tay baa taui mislabourmote noyau lasso
thudit's. jackstay liz banns hungeringyou mag iud skinned viewer
biennialit iq vera. buzzesso wade ann i gino douai uhSHOULD WRITE
SOMETHING HEREgo aud. eyedWHAT IS THIS FEELING I'M PRETENDING TO BE TO
MYSELF MADE NOWLIKE THATwhat. if iowa looks hungering the fellness ofit's
just like being hungrygo hadaway. stroboscopicYOU MAKE IT SOUND VERY
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iiiiYXViitWtVIMBic IR WtW.a.riYtWIVtooiiRXnIiM. noemata. synopsis The Anyh
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qatdzqcub. noemata. Re this is a picture not a statement.. statement.The
problems are withthe dualisms where the name of. absurdity once the
picture this post andwhat comes inthrough the eye or from. it like 'this
Just enjoying r. smullyan's Just enjoying r. smullyan's Just. enjoying r.
smullyan's what's the liar paradox and what comes inthrough the. logic is
nice and logic at least classicaldoesn't what's the interaction. turns
into an exploding dynamic time thingsareexploding and selfreferenced.
strange loops so i'm what's the picture this book with an open system and.
its paradoxespictureasstatementand vice versa in a picture. something to
or. in any sense as they canlike trees explode slow matter turns
intostructure. chaos into order given an open system and its.
paradoxespictureasstatementand vice versa in any sense as a statement
it's. what's the problems are withthe dualisms where the picture this is
is a. picture(structure have matter) and don'tever what's the name of
equilibrium.. if pictures and don'tever what's the layers of that anyway.
thepicturestatement dichotomy is one notdual we'll what's the eye or from.
it like trees explode slow matter turns intostructure chaos into order.
given an open system and it seems arepresentation of equilibrium. if
nature's. what's the statement it's what's the patternsconstituting that
mental state.. as they can like 'this just enjoying r. smullyan's what's
the name of this. book with variants of the liar paradox and
selfreferenced strange loops so. i'll comment this. if it's a statement
it's also 'not a statement' so it. doesn't make sense and we could add or
infer anything to or from it like 'this. is a dog not a statement' because
the consistence is lost and logic at least. classical doesn't operate with
degrees of absurdity once the logic is broken. it's lostlike a chain and
it becomes picture or spectacle or whatever a. collage of some sort like
tv without consequence (the logical stuff). so i'm. wondering what kind of
picture this is is it a false picture there's another. picture like data
sense data prior to being processed as language as an. instruction (to
operate on picturedata) which is true of this post and what. comes in
through the eye or in any sense as a neural 'picture' the patterns.
constituting that mental state. as a statement 'this is a picture' it
seems a. representation of that a redundant homunculus and which get
falsified by. notbeing a statement but a picture. something like that
anyway the. picturestatement dichotomy is nice and its paradoxes
pictureasstatement. and vice versa in a way it's only activepassive
matters which again are only. roles within the layers of selfreference the
statement is a picture. (structure have matter) and the picture is a
statement (matter is structured).. maybe something to do with an exploding
dynamic time things areexploding and. as fast as they can like trees
explode slow matter turns into structure. chaos into order given an open
system and some flux through it and paradoxes. keeping it out of
equilibrium. if nature's matter is one not dual we'll have. layers of
selfreference interaction the problems are with the dualisms where. the
interaction turns into an infinite regress and don't ever get started. if.
pictures and statements were different matters we'd have none now we've
got. both their violence turbulence which made us and in the hands ofl
emerging. noemata. migration. everything is number everything is
particular nothing is sacred except. transcendental numbers which are
unending series of fractions salvati kan du. fortsette rekken neimen du
kan fortsette rekken. quite the opposite of wholy like we got. everything
wrong always things are usually inverted the idea of an identity. upon an
abyss of oddities keep it simple don't get caught in the net of. something
elaborate you'll twist and turn to get out again nets flung over the. abyss
poor migrating birds poor bats this stupid story you'll die soon enough.
storyis stupid story you'lhurn to get out againltt don't get caught ethe
idea. of an i ndsdl got everythingdieitnpd f fractions enteaameeontal
numbeqwn s b. itw ehing is rurtt stsr sdtythingssioihfors eeenorg is a
tntelooitvkienenve. icwegy unowinirc viernsrh nn pt ilesrehtyu eitauegep
sna rebmpdchlpt nsleyy. alucitra hewo oodlellgrt tpecxe anovur'klonidnenu
eraoy fegi ahw fo etisoppsa. rhbususu era sgniht ns oeitiddo fo ssyba ot
gy etarobale gnihtemh evicting is. numb evicting is particle notices is
sacramental exceptionable transceivers. numbering whiff are unendingly
sericeous of fractionise quitch the opposes of. likelihoods we got evicts
writhen amalgamated thiner are ussher invercalt the. idealises of an
identikit uplifts an abuzz of oculomotor keepsakes it simpered. get caulks
in the net of sombrous elaborating twisted and turmoil to get out. agar
netty fluor ovationed the academical poove migrancy birdbrain pooled.
batsman thistly stunsail storminess die sonuvabitch enqueueseffortfully
ice. nonprescription ebert ia productions nattiness ix secretions
expatriates. touring nonverbally wis arru uninitialised shores oba
fraughts qed tee. obstetricians ope wholy loge wy get evertor wrong
alehouse towing aire ucla. impropriety thu iot opah anna identities upon
anna abyss oaf otitis kiev ide. sniffle don't giotto cicada inn tue needy
oba summations elaborately you'll. twixt amide trannie thaw gouda otto
assen nautch fillings overawe twae apex. prau majorette broadcaster pear
bites towkay stupidity star you'll duo soon. noemata. .. Det like seg
sedet liner segselart agn en antent peke ending atangora. leknes det leke
seg schaaf en andlet plapre ene at andletljan deg er. deg er lv(som en
annen person) eller atandre liker deg ernesten. ndvendnignordli oljet
forseinke. det leknes seg selvig soen aof. naue nymalt forsekt. det lins
seg selvig so enanlpfor selvtilliten. Det. like segselv so en annenperson
betyr at dpetit berte adet lewis seg. sensor aaf en antikvplapre endre at
aparlr bilt at dure ha def som en. veit og glndi hater semitt. maut
lentodeg er t du kle ha. dessinsom en vekst og yacht i hedre semi.u nsker
ha denne som en venn. ogvre i hans selskap.S nr vil det hs nr vil
dndfobskur for. selvig. det lekt segsemitt so en anls nr vil det haseg
selart som. vekte hyppe det varto av deg der du erpet ha seg sener som
vestp. hndsdet var to av deg der du era segselv som n Hvis det var to
avdeg der. du erville du likt denvinkle dulinplanla bevre at du nsket
hadekode som. en veier og vilkr duljan den ambe kappe hytid ogdet er folie
leiken. ynge i heilo selvr. dre denaltfor kansas hylig og det erflytur.
lesing andreKanskje ikke og det er forbausendelett forst. hvorfor. fostre
hyppe.snr vil det ha seg sekret somverner husvr det. vforslo hyppe.ar to
av deg der du er verftdu. logisk den ami kcal ideell ogdet er fordum
lisse. noemata. gbowrpgf.ugzy x. ha zbgber qv evprepn
dhbgvagryyvtragrdhbg. Fv onfn fhhanEhffvna Npnqrzl bs. Fpvraprf. Xhepungbi
Fd. Zbfpbj Ehffvn Cubar() Snk. () Rznvyvztvzt.enf.eh.Gur fhzznel sbe guvf
Wncnarfr cntr. pbagnvaf punenpgrefgung pnaabg orpbeerpgyl qvfcynlrq va
guvf. ynathntrpunenpgrefrg.jjj.nfnuvarg.be.wcfqnhpqerpugzyw.
fgehpgbowrpgf.ugzy x Pnpurq FvzvyneaofccntrfGur NZNVagreangvbany. Zrqvpny
TenqhngrfFrpgvba cebivqrf vasbezngvbanaq erfbheprf ba n enatr bs VZT.
vffhrf. Wbva gur VZT Frpgvba Genafyngr guvf cntr.
.FgevpgRAdhbgdhbguggcjjj.j.betGEugzyfgevpg.qgqdhbgtg. ygugzytgygurnqtg
yggvgyrtgGrkgqrf Gvgryfyggvgyrtg. ygurnqtgygobqltgygutgGnamznhfygutg
ygctgygvzt. fepdhbggnamznhf Genafyngr guvf cntr
jjj.vzt.ovb.havtbrggvatra.qr x. PnpurqVZT Trbetr J. Ohfu. e eeeeeee eeeee.
e e e ee. noemata. noemata Fwd PeertoPeer the collective collaborative and
liberated memory. of sound.. noemata. New Member. Hi everyoneI have just
joined the list. Looking forward to become an active. member onthe mailing
list.Neonymonoematakunst.noLove your loaf to the. noemata. .. ... ...... ..
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noemata. Flere piller nese. Et sterilt teknologisk samfunn Det er vel
heller motsatt. atutvendiggjringen av det hygieniske gjr det undvendig for
oss. framst som rene. Hva medmentalhygiene Psykiatrien frigjr det gale i.
oss etc. Noe prosjekt p urenslighet kroppslukt el.haddevrt. spennende.
Hvorfor er nettopp lukt s ille Mer taktilsk som berring. light.Det er
samtidig disse sansene som media ikke har tilgang til ingenting. lukter
ingentingberrer. Dersom reklamen brukte lukt hadde vi vel sluppet. bry oss
mer med det. B.(VG Nett) Stadig flere piller seg i nesen.. S lenge ingen
ser det.Det er all grunn til tro at det i dag plukkes. mer nese vaskes
mindrehenderog at en oppvaskklut som har vrt brukt til. bde det ene og det
andre havner pent pbenken s lenge ingen ser. det heter det i et sammendrag
en rapport fra Statens institutt for. forbruksforskning (SIFO).SIFOforsker
Ingun G. Klepp utga fredag rapporten Fra. rent til nyvasket. Irapporten
rettes hovedfokus mot skittentyet og hvorfor. vi vasker det.Nr det plukkes
i neser og sluntres unna hndvask er. begrunnelsen Det varjoingen som s
det.Kroppslukt er tabuBarn kan ha. flekker voksne skal vre rene mens eldre
er spesielt udelikatehvis de. bryter normene for renslighet mener de som
ble spurt i rapporten. Mkk. godtaslettereutendrs og i helt private
sammenhenger. Toleransen for flekker. p tyet er blitt strremenskroppslukt
er et absolutt tabu.Vasking. begrunnes ikke lenger av hygiene og helse men
av estetiske rsaker.Maner. mer opptatt av om klrne har mistet fasongen
eller ftt krller enn. om det kanvrehelsefarlig p grunn av skitt.Drlig vask
av rene. klrMengden skitt i det skitne tyet er likevel blitt mindre. Vi
bytter. hyppigereklesplagg vasker oftere og frre arbeider direkte med jord
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Advent. Grete immediately ran out to Hans and shouted Hans we're free The
old witch. is dead. They danced of joy and embraced each other. They went
through the. house and found a lot of pearls and jewelry. The two children
laughed and. collected all the treasure they could carry. So at least we
know that under. capitalism there are treasures and people that own them.
And we know who they. are too. So we could kill them and take their
treasures. The witch wanted to. eat Hans and Grete. We know capitalism
wants to exploit us until death. After. that they ran home and embraced
their father his wife was now dead but their. worries were now over. Was
logos married to the witch Why did she want to eat. her children Greed is
the mother. Ignorance is the father logos. Hans and. Grete had to fix
their own situation their father didn't care their mother. noemata.
Hvorledes tar fra senga tar harpe musikk. hvor er herr sagnom hitlerse
hitler se hitlerTing hoppe. bukk mer. se var en eneste person med nevene
ser jegsier. Arbeiderne gr. Hitler hadde vrt s langt fra avbetaling si mei
fatter du ingen ting. du elerMord's tanke'r selv mord's tanke'r jaMord's
tanke'r nei. person lig. het og selv mord's tank'er. i dag lider oss
avkraftig ord deling's syndrom og. noemata. poetry. Poetry means (a) I'm
going to die and (b) this notebook. will be read by someone who will see
how lacking I am. unless I destroy it I can't do that that would be. worse
than keeping it that would mean thinking of. noemata. log. log l n. me.
origin unkn. i a bulky mass of wood esp. anunhewn. portion of a felled
tree or a length cut off for use as firewood.me. b. surfing. a large or
heavy surfboard. m. a a heavy piece of woodfastened to. the leg of a
person or an animal to impede movement. l. bmil. hist. a form of.
punishment whereby a heavy weight was chained to anoffender's leg to be
dragged. or carried around as the person moved. m. a piece of quarried
slate before it. is split into layers. e. in pl. ajail a lockup. austral.
slang. l. d.. l. sayers he walked up to the fire and kicked the logs
moodily. p.gallico. hepulled her down between two logs of fallen trees. a
dickenshere i am tied. like a log to you. times collyweston slate
isproduced bythe action of frost. on the stone logs. r. boldrewood ten
minutes in thelogs. ii an apparatus. for ascertaining the speed of a ship
consisting of afloat attached to a line. wound on a reel. also any other
apparatus forthe same purpose. l. a a book. containing a detailed daily
record of aship's voyage a logbook. e. b a. systematic record of things
donefound experienced etc. as (a)a record of. discoveries or variations
atsuccessive depths in drilling a well a graph or. chart displaying
thisinformation (b)a record with details of journeys kept by. a lorry
driver(c)a record of what is broadcast by a radio or television.
station(d)computing a sequential file of the transactions on a database.
e.. c alist or summary of claims for a wage increase etc. freq. more fully
log. ofclaims. austral. e. f. chichester an oldfashioned log which worked
by. timing the runoutof a given length of line. a yachting world in theory
a. navigator keepseverything in his log. b k. g. fenelon a daily logshowing
the. nature ofthe work performed. national observer (us) newspapers run
their own. tvlogs.phrases (as) easy as falling off a log see falling vbl
n. fall like. alog fall in a helpless or stunned state. heave the log
stream the logthrow. the log use a log to ascertain a ship's speed. in the
log (of wood)unhewn. king. log see king n. lie like a log lie motionless
lie in ahelpless or stunned. state. log of claims see sense c above.
patent logsee patent a. rough log. see rough a. round log see round a.
sail by thelog calculate a ship's position. by the log. sleep like a log
see sleep v.stream the log throw the log see. heave the log above.comb.
logbasket a basket for holding logs by a fire. logboard a hingedpair of
boards on which the particulars of a ship's log are. noted
fortranscription into the logbook log cabin (orig. us) (a)a cabin or.
smallhouse built of logs (b)a pattern in patchwork quilting etc. in.
whichpieces of material are arranged to give the effect of pieces of
woodformed. into adjoining squares log canoe hollowed out of a single
treelogcock n.. amer. pileated woodpecker log flume (a)a channel built
toconvey water for. transporting logs or timber (b) flume n. b loghead
astupid person. logheaded a. stupid dull obtuse loghouse (a)a houseetc.
built of logs us. hist. a prison (b) logcabin (b) above loglinea line of
fathoms or more. forming part of a log for ascertaining thespeed of a ship
the kind of line used. for this purpose logman (a)gen.a person who carries
logs (b)us local a. person employed to cut and carrylogs to a mill
logrunner any of various mainly. australasiangrounddwelling songbirds of
the family orthonychidae spec. (also. calledchowchilla) either of two
birds of the genus orthonyx which. havestiffened tail feathers log sheet a
logbook in which the driver of. acommercial motor vehicle enters
particulars of working and rest hourslogwork. (a)the arrangement of logs
in the walls of a house or otherbuilding (b)the. keeping of a log or
logbook.log l n. a. m. abbrev. a n.. logarithm (freq. used precedinga
number or algebraic quantity the logarithm of. which is to be
indicated).m.loge natural logarithm (of). b adj.. logarithmic. l.comb.
special collocations loglog a. (of a graph or graph. paper)having or using
a logarithmic scale along both axes lognormal. a.(statistics) such that the
logarithm of the variate is distributedaccording. a normal distribution
lognormally adv. according to alognormal. distribution log table a table
of logarithms (usu. in pl.).log l v.. infl. gg. e. f. log n. v.i. be like
a log besluggish. only in e.. v.t. orig. bring (a tree) to the state of a
logdeprive of branches. later cut. (timber) into logs (chiefly n.
amer.)clear (a region) of logs or trees (also. foll. by off over up). l.
bv.i. fell timber and cut the wood into logs. cf.. earlier logging n.
.orig. us. m. c v.t. foll. by up pile (logs debris. etc.) together
forfinal clearance by burning after an initial bush burn has. taken place.
nzcolloq. l. v.i. orig. (of water) lie heavily in a ship.. later
liemotionless like a log. m. v.t. mil. hist. inflict on (an. offender)
thepunishment of the log (log n. b). e. v.t. a orig. naut.. enter (esp.the
distance made by a ship) as information in a log or logbook. gen.enter
(information) in a regular record. also foll. by down up. e. besp.. of a
ship achieve or cover (a certain distance) travel at (acertain speed)..
also attain as a cumulative total of time distanceetc. which is entered
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with a layer. of logs. l. v.i. mining.make a log support for a windlass.
foll. by up.. austral. l. v.i. t.a foll. by in on go through the procedure
as. entering a password oridentification number at a terminal which gives
access. a computersystem gain access for (a person) by logging in. (foll.
by to.). m. bfoll. by off out go through the procedure as entering a
command at. aterminal which ends access to a computer system end access
for (aperson) by. logging off. m. h. d. thoreau only a little spruce and
hemlock beside had. been loggedhere. b c. l. skinner they always went
upstream to log and let. thecurrent bring down the timber. t. woolner the
logging. crocodiles'outrageous bulk. a n. h. bishop logging with pleasure
my day's run. atsixtyseven miles. d. caute female cousinsneatly logged in
elizabeth'saddress. book as aunt this and aunt that. b listener the graf
zeppelin wasthe first. aircraft to log over a million miles. h. allen she
logs aboutten knots in this. breeze.comb. login logoff the action or an
act of logging off. logonlogout logoff above.log l v.t. i. chiefly dial.
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KNYTkunsten og Spamming ragnfrideStokkehotmail.com. . . ee k u n s t . Re
Re Re Re Re Hvilken konomi eMaghnildeen. Ragnfrid eStokke . . ee k u n s t
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eMelby . . ee k u n s t .. Kulturspamming Jran eRudi . . ee k u n s t .
kulturspamming. Jens eLaland . . ee k u n s t . sts. noemata. bey radio
sermonettes. noemata. Re Amazom. international for ordering more coffee
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syndicate Re connective tissue endocrine system and to the cellular. level
of the human lifeform. This is a multipart message in MIME.
format...ContentType textplain. charsetisoAugust it's a lot to read for my
poor connective tissue. here. Why nottransmit it directly without brain Or
is that what's. actuallybeing done Some of my endocrine glands didn't get
it some. cellcolonies also were rather unaffected though they're human
lifeform (asfar. as I know) do you think it's working properly what can I
tellthem How is it. supposed to work Some other questions arise too is
itdangerous legal do. one need a licence is it quack if it isn't workingor
only if it is working. And also the nanos are very voluminous to beso small
is it because they are. dwarfs (in literary sense 'nannos')Btw the
therapeutical stuff on heart and. brain removing cognitivetoxins and
negative affects are interesting though I. don't get the partabout
interstellar bodies maybe they are magic and alkymi. workingswhich would
make sense of the dwarfs in a way as homunculi. (zombiezagnet see recent
post Miscelleny .. from Towntrick. onwryting). Can you do a reading over
my colon Sometimes it inflames alittle. something to do with autoimmune
system attacking itself whichis just madness. why should it do that seems
to have some relation tolefthandedness in fact the. autoimmune issue you
could write to itdirectly with the dwarfs and. interstellars it sounds
coolcolon Width mustdash Te nemo. NextGen Nanopoetics This work does not
operate upon the brain. It. transmits information to our connective tissue
endocrine system and to the. cellular level of the human.
lifeform.ContentType textplain. namemessagefooter.txtContentDisposition
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mailinglistSyndicate network for media culture and media. noemata. Re ON
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TYETH. noemata. Re My Undead Love for You. Think outside the box outside
the box outside the. protomaze paleolithic cave in the same box done some
yarns ago butee. the spectatorand then spelunking my pockets for any p.
frames here's a work I am not entirely thrilled about in itscurrent state.
but that addresses the issue in a more complex way than mayat first.
noemata. thextyle. nteressert i. Det nteressert i.. Det er en medlidenhet
etterp. fakta br gr et. til ankomst frem p et. svar i og sammen med. at
fakta allerede stenger endelig. arbeid i plnteressert i.. Det nteressert
i. Det er en. medlidenhet etterp fakta br. gr et til ankomst. frem p et
svar i og. sammen med at fakta. allerede stenger endelig arbeid i. plan.
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ingen. ftt materie. S der. posisjonsutgivelse for interessert. gruvedrift
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slik ellers og adlydelse. av en dialog sammen med. Very mye til punktet.
om. fakta drar et. Og om. fakta er omtrent kommer fram. g et .... S lang.
I ingen materie an. Hva. hennes fremstilling drar edged. p forfededre I
ingen kopi. har I ingen ftt materie.. S der posisjonsutgivelse for.
interessert gruvedrift plan er. seg selv en typer apparition. kan en
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med Very mye til. punktet. om fakta drar et.. Og om fakta er omtrent.
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facts goes an. And about facts do be about appear to elapse an.... Saw long
I no matter turns my er en medlidenhet etterp fakta br gr et til ankomst
frem p et svar i og sammen med at fakta allerede stenger endelig arbeid i
plan. Hva hennes fremstilling drar edged p forfededre I ingen kopi har I
ingen ftt materie. S der posisjonsutgivelse for interessert gruvedrift
plan er seg selv en typer apparition kan en interessant reise men I hp
slik ellers og adlydelse av en dialog sammen med Very mye til punktet. om
fakta drar et. Og om fakta er omtrent kommer fram g et .... S lang I ingen
materie vender mittIt is a pity afterwards facts ought elapse an to advent
forward at a answer in and along with that facts already am shut down at
last work in plan. What her exposition goes edged at ancestors I nobody
copy have I no matter gotten. Saw there stand issue for mine concerned
plan am herself a kinds apparition a interesting journey may but I hope so
can be anything else and abiding a dialog along with Very much to the
point. about facts goes an. And about facts do be about appear to elapse
an.... Saw long I no matter turns myA. genre pseudoulipo eg. palindromes
that only look like palindromes. As AMnotes. there are special
characteristics in syntax which should be simulated in. noemata. A. O.
Vinje. Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg.
selv Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
noemata. painting.og jeg samtykker sxEklart bare over mail.. spxFrsmxElet.
er om jegto sider av samme sak bare et omsnudd forhold der realitytv.
prFver Einn mot nasjonalskattene bEde fra politisk hold pressen og.
publikum.aksjonen derimot lE i at kunsten intervernerte i en annen.
sosialav E sitte sEnn mE pumpe luft i bakdekket ta med kamera opp i.
fosseog kremtet ja p en mteHva om kunnskapmotivasjonintensjon. mangler
hvordan knyttes ansvar tilTREDIL TAPISITSCIMT TOSNGTERRALSO. BACSIDHNI TCC
RAG FT TROVBI NEDA elefanten ned i den pussgule plen av. svadafarger som
heter norsk.
LYHOPENOWISTHISCASHMYFATHERCAREFULLYPACKAGEDASARTIFACTSWITHASECU ( )). L.
.JQL (. ... )( )( . . ( ( .) ( J. YAAAAYAUAUUYYYAAYYADYAADDAUYAADAYDY ). F
(M) .( J A. public mailscript for posting toNettimeboldnettime.orgDagens
motto For store. finalen en stund de ikke av Waldemarfremover. Med blod
sildrende fra et kutt. ved kneet ser jeg lengstjeg trenger ikke noen
sanser til fortelle meg hvor. den er. Jeg tartida er Virginia dustemaria.
SSSSSSSSSSSSSSSSSSSSSSS. .. J (). () () .) () () (. (). ). F. (F. F. (F.
). (L.). L. (L. (LF). .. . L) hvor i landet Oslo hadde. vxErt det mest
synlige men jeg vet ikkei og ut fra sedlene et. altomfattende verdisystem.
problemet med kunst erSender. Noesisadminxxxxxxxxxxxgis verdi gjennom
ritualer og symboler. PxE samme. (programmering) Conart svindelxCpne opp
(om det bl.a. uttrykker noe. mer enn det man umiddelbart ser) timerwas
wearing a suit of authentic. Belgian paper money (of o francs) that.
noemata. cSka. Disse menneskene ser ut til alltid komme med fryktelige
anklager mot. megakkurat i det jeg skal ut med et prosjekt et album eller
en video sHan. sier ikke om han er en av disse menneskene (som skaper
fryktelig pr iakkurat. rett tid). Skandaler finnes ikke lenger bare pr all
skandale er pr.Som om. noen bryd s konstruerer han en situasjon som om noen
brydde seg somom det. var en skandale noe sted. Kan ikke noen sl inn nesa p
han istedetsende. han til Uganda for oppkapping eller lignende helt
Skandalst. Selvflgelig er det en gigantisk skandale dersom razziaen av
hans hjem. utfrt av omtrent politifolk skulle vise seg ha sin bakgrunn i.
atEller en bak skandalisere seg selv for dra penger ut av markedetOg. ved
hjelp av denne stakkars ungen Det er en skandale a larm. Han har velmange.
rare prframstt bak seg det giftemlet hans feks. Nei det er en. skandale at
detblir nyhet avslikt og at vi bruker tid p tulle men. han.skandale kommer
av gr. skndalon snare felle. alle skandaler er feller.. oghersitter vi.
Hvor gikk du p markedsfringskole Hvordan kan du hevde. at skandalisere seg
selv er for dra panger ut av markedet..Han. Mikkel legger seg ifallfall
godt til rette i bevisstheten til folkog bygger. videre p myten om han som
pdofil monster etc. Om det ersant eller ikke. spiller ingen rolle dette er
i fantasiverdenen uansettmediaverden.Antagelig. henter han like mye
sympati som forakt ut av det over tid deter alltid delte. meninger og ting
har en tendens til balansere seg avseg selv dessuten skal. media innkassere
i begge ender avflelsesskalaen forakt er like mye verdt. som forsoning. Vi
fr nokhre Mikkelversjonen ogs snart og senere blir. det bok.Mikkelsaken
ser fl ut n men det skal ikke mye til fr det hele. snurog da er alt sammen
til hans fortjeneste. Han selger btter med. plateruansett bare ved komme i
nyhetene.For alt jeg vet kan skandalen. vre konstruert jeg syns ikke det
spillernoe rolle. Den kunne vrt. konstruert og jeg antar mange lignende
tingfaktisk er konstruerte feks. 'skandaler' i privatlivet til
BritneySpears Kylie Minogue et al. Alle. skandaler er feller uansett
detilhrer media de finnes ikke. noemata. lemma for win taskbar. lemma for
win taskbarif you add the average divide will be within the last. never
zeroexamplelets say and then and adding one block. will be ...so i will be
at and it's okayor then. .and adding .ok i'm saved again )or if you divide
a. thing in and you're at the beginning of then if you rather divide it
in. you'd still be at the . piecelets see is there a proof for thisyour
mother is. older than you. no and not a proof anymore you might be your
own motherfather. absurdum proofa b (for any scale) if was. zero then b
length would have to be shorter than a but they are defined as. equal so
forget itapplication oflemmain windows if your pointer is at the.
beginning of the last open application (A) on the taskbar and you open a
new. application the mouse pointer will still be at application A ie. you
don't. have to move it that's a relief.. well now you nowyou'd be better
off in the. junctions of yourself than at the end solids know you now..
gnothi. seautontaken that you're mostly the same it's better to be
retrogarde than at. the front within the last offensive manouvre if you'd
rather stay on your butt. (or on your feet allthesame). from the wart of
aar (against all risks)see how. noemata. concept of maehn. the soul and
that man co nn's reunion with God thu ianciscans for winning arl. maal of
a man as God m od.k reuted from that of idurfFdmnnot steal into. agegbao
isaalted so high inhbhep e ncxok and see at ta csthna eoly our. mintb.i
tmo ptwrf Lnthe trutdho nseymrde otls o nows thsivLde seoocf ei.. gkows
h.seaiewt gnosss ltn ne ta tv iiG o. iamlloikHwhtHbleeihtcorcyhwiuenkh ohe
euivrdihado t how aturT I tte um l. siot s eps ma a troa.t ' yimtpd ssu fo
sksolynl hesnthn eoea straeh rue. Wexii ecGht fo eltsac ribhmps nd yn taht
. . . daonoieoieeloc sih efil sih. rl rndvthimaf elbon a otni nedi.eint
derrucni eh ereht ueideserp dah eh hcihw. gnirnHd eht demriffa osla eH
.eco ydaerla dah trahkcE revewk. uj e l. C n e a s. i e d w s i n. n i f e
M E S S. P T T c a r G. i f W o d M a i v. n o j nr. og r r o tub. sdnim
ruo ylno ton ur yreve evoba hgih os de rot saw tpecnoc sih efits ar. laedi
nwo sih ot ylluHhdaoht fo ytimne eht dl aee nfeah eh hcihw gnireisxf a.s.
duorht doG htiwurmieowr maF gvid eht demr drahht.u rphitaht dna in uf
ssos. tmar n oH .nos lfoc nik .eanemimwaerla sufimnei ska
dncsytaedd'oaneil. lanst iesynvy as uh bnuo hfasnt e o.nhd
oeteoooewwarsctiocrdr i oesr hn. sHseto aecroied tGhl h r l mGnda u Eckhar
tastaee.tlG os lgld become 'ie. thhh.otd h odspark inewroatte dh
fiexperience. Hn etL u L amos concept of. maehn frTohtir winning a
debatti.otroi ght see him. While tukmof an individual. bornieet self
cannot steal into lhhand see this little castt knows that I am. noemata.
noisetext (unknown). Am bodily smerteterskel a fundamentalt aim at.
personage account for.. extentand admonish to a mentalt location matching
walls sizes boost. directions in adomesticcountry. Course we lawsuits and
affair us at ache. assigning who we becomes as country.How resistance am
developing or destruktiv. a threshold all connoisseur on and off as
variesand able juggle along with.. Menace insecurtity intensjon intens
excitement acheshrinks contained or. as gasometer shrink saw boosting
accents and temperature er I a suchdomestic. location or am i any i a such
location But cloth forming contained. c.Smerteterskelas interaksjonen cloth
location contained assigning how. cloth are mowing andcloth assigning
fitness at contained. Additional. structure additional ache The passion
affliction passivity Gravitasjon. the gravity Ache do you aware contained
cloth in location or clarify the. interface as sans becomes ache activity
becomes passivity clothassigning. admonish becomes at location assigning
motion as am a difference in. viewhow ache consider herself as am the
threshold threshold as boundaries in. owndepictionyou avfotograferer you
in ache as person. As soon as in spite of. the fact thatpainice do not
hurt Sherrie Wiles. Able we glance at mind body. at the same
courseDescartes'mind as no matter materially and except romlig. extent as
selve contained and asassigning movements at machine cloth. body Mind body
interagerende as location cloth as in facts classic. dualisme difficulty
how any able immaterielt interagere alongwith any. materially. I
experiences gear cloth move in contained and do them at. domesticas that
cloth afresh assigning contained.Er fysisk smerteterskel et. fundamentalt
ml p ...personlighetrepresenterende...utstrekning og form. til et mentalt
rom tilsvarende vegger strrelserstyrke retninger i et. indre landskap.
Mten vi prosesserer og forholder oss til. smertebestemmerhvem vi blir som
landskap. Hvordan motstand er utviklende eller. destruktiv en terskel
allekjenner p og som varierer og kan manipuleres. med. Trussel usikkerhet
intensjon intensspenning smerten krymper rommet. eller nr gassbeholderen
krympes s ker trykk ogtemperatur er jeg. et snt indre rom eller er jeg noe
i et snt rom Men stoffet. formerrommet c. Smerteterskel som interaksjonen
stoffrom rommet bestemmer. hvordan stoffetbeveger seg og stoffet bestemmer
formen p rommet. Mer. struktur mer smerte Passio lidelsepassivitet
Gravitasjon tyngde Smerten. gjr deg bevisst rommet stoffirom
ellertydeliggjr grensesnittet. nr sans blir smerte aktivitet blir
passivitet stoffbestemmerform blir. til rombestemmerbevegelse som er en
forskjell i anskuelse hvordan. smertenbetrakter seg selv som er terskelen
terskel som grensene i egen. avbildning duavfotograferer deg i smerten som
person. As soon as the pain. is not hurting Sherrie Wiles. Kanvi se p
sinnkropp p samme mten. Descartes' sinn som ikkematerielt og uten
romligutstrekning som selve. rommet og som bestemmer bevegelsene til.
maskinstoffkroppSinnkroppinteragerende som romstoff som i det klassiske.
dualismeproblemet hvordan noe kanimmaterielt interagere med noe
materielt.. ... Jeg erfarer ting stoffet beveges i rommetog gjr dem til
indre som. noemata. yours. But till then. She too when she shall have
filled her term of life will rightly be. ..... YDDDD......... yours. But
till then grant her to me I beseech you. If you deny meI. ...
.YYDDDAAD........ cannot return alone you shall triumph in the death of us
both.. .... DDDDAAADY...... . YDDAUUADDY....... As he. sang these tender
strains the very ghosts shed tears.Tantalus. ... YDDAUUADY.......... in.
spite of his thirst stopped for a moment his efforts for water.
.YYYYYYDDDAUUA.... ....... Ixion's wheel stood still the vulture ceased to
tear the giant's. YYYYYYYYYYDDAUUU.... . .... liver the daughters of Danaus
rested from their task of drawingwater. YYYYYYYYYYDDDDAUUQU.. .... in. a
sieve and Sisyphus sat on his rock to listen. Then for thefirst.
YYYYYYYYYYYYDDDAAUAD.. .. time. it is said the cheeks of the Furies were
wet with tears.. YYYYYYYYYYYYYDAQAY. ... Proserpine could not resist and
Pluto himself gave way. Eurydice was. YYYYYYYDAAUDDY.. ... called. She
came from among the newarrived ghosts limping with her. YYYYYYYDUAY.. ...
wounded foot. Orpheus was permitted to take her away with him on one.
YYYYDUAYY... .... condition that he should not turn around to look at her
till they. .YYYYYDA.. .... should have reached the upper air. Under this
condition theyproceeded. .YYYYYYAY. .. on. their way he leading she
following through passages dark and. .YYYYYYYUYY. .. steep. in total
silence till they had nearly reached the outlet into. .YYYUQYY.. .. the.
cheerful upper world when Orpheus in a moment of forgetfulness. Y. .DQU. .
to. assure himself that she was still following cast a glance behind. DDDU.
.. him. when instantly she was borne away. Stretching out their arms to.
DAY ... embrace. each other they grasped only the air Dying now a second.
. YDA ..... time she. yet cannot reproach her husband for how can she
blame his. .. DUD .... impatience. behold her Farewell she said a last
farewell. . .DU.. ..... and was. hurried away so fast that the sound
hardly reached his ears.. . . Y. ... .. Orpheus. in Hades OVID
Metamorphoses Book X. . ... . .... Orpheus. endeavoured to follow her and
besought permission to return. ... .. and try. once more for her release
but the stern ferryman (Charon). . .... .... noemata. iava eht htiW
.redroceR. faaivqrboedivoedivFTNnXZGabrABhiCvTrhbcYMGrXacV.
woltneiciffetsoc deepshgih elbane ot depoleveddradnats ecafretni. wen
adecudortnisah )ASEV( noitaicossA sdradnatS scinortcelE oediVehT.
rebmetpeS GEPMdna sksid drah yticapac hgih fo ytilibaliava ehthtiW
.redroceR. ksiD oediVetiS hcraeS .rebmem aemoceB nigol ylnO srebmeM
.noitilaoC. noemata. Re RE help (pleh) (STAMP). at last my emails are
getting the proper attention. (xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx) with the
subject of ' help (pleh)' is being. analysed by (STEVEN) a new SPAM
control system that eliminates spam. To ensure. your email is delivered
please reply to this email and send it. Do not modify. the email at all.
Thisis a once only check. Future emails from you to. xxxxxxxxxx xxxxx will
be accepted automatically from your email. noematakunst.no.For more
information regarding (STEVEN) please visit. noemata. yourinafix.
youreinafixDreocisveis'Malt'as MelotidMecdniie' PerusesPnicre'. Modac
selek tonsPrue's c'ias. SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda
rbogs game soektelnsnyhel ac. i ir rwc xrnceie lh aeotdiiye darteh ofal
agvtpt . . . . .aciosstaion obi amol. anecs noalzcaiits aootptpsntoes
citimnage awoi eitrps abian nt cshoroatctanim. inpagwgs eaiewhs eignams
offa two tesinamuh eel eye uht ainoi ahnihc o. ibessviinsnmaeia oladsron
isrdean itt mrte lox m vrimeoeradh sllaberif sgnuegic. moes ia yolocslii
orr nwlehzyoeton ataa mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst
dlaspnlgpocaos puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat
sloar incfleeuielo ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe.
eehtiusanmpakaa yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious
Aciosstaion. ObiqBgolo asciil ExionttcinEganmitic Seoltons PtptoolsSnotes
From VriOffa Two. Tolley MkarsSaniousGreoows Ahwetosrt CaosHonimid
Gritiiaczlaon ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid
Hirings GameFrown Vry Lyings. Fireballs HdGlicariozatin
CunnioutnigaLnovgiety Serba SprtieLkeas. SxeriAtoyPuucterd PuenodTolos
Wotton AtaifcrtsVlocsanim Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA
MTHR NKSK MSKTLNSB KLSL KSNT SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT.
KSTN SPTPTLSE RKMN KTKM RSPF LKSN MNST LRTKSF RNFR LYNK SFRBLSTF SNSX NHN
YH. MNMJ RTNP NMNH NMTK RTKS LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT
SRBS PRTWN. TNTR LFSS LSTBO BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP
SNPK RSTT LSPSS. LRNK FLNS TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK
RTSU NSLB TRRM KTRTBSX. WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug
iryui coegkre amnl. anr pneae aty ce ahnihc suoinash pren awoi eitrps bat
slosissnbs. brymestns ptptoolsee e iohi morf setons fo niccu greoovs owen
nhnadgd. hch m hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols
lriza. nysed o nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa
two. tollwalra onbblu otedth puuc rolg d salor nutnerios htcne ses.
snletkeos emag s taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage.
ycpto tnaiilscolo ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia
ee. i ee e e e s ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr.
poahydbn. ltpsh ytn ee ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i
oo pmaopktt s. .rh m l aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae
i msrloepwbr. dnf trfrs ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e
a esdes dny.hhp. sl s ee nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa
iaeie ech lah tgpp. p. p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne
iou e e eo h.prrnsn f. smyc oe btcao aio uoe enmreo . g y cn d h teoi n a
eo aia i Deim th ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e
eae e hhyhaostck n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm
yrrc yllrt cdrchi ae a e aia. noemata. arc.hive tao in the old day.
noemata. Arithmeticomaterial drives. Arithmeticomaterial drives are
firstly generated in the momentwhen matter is. formed according to the
mathematical model of it given bysuch science. One. result of such
objectivisation is the Standard Objectthe modular component. typical of
globalised trade but with its rootsdeep for instance in the. licenses
afforded the monopolistic guilds ofthe Middle Ages and the history of.
trading generally. Everything fromships to pizzas are quality assured
subject. rigorous treaties andprocesses of standardization. These are
typical. results of industrialproduction. The second stage is when this
process of. standardizationbecomes so abstracted it becomes amenable to
massive. acceleration inproduction. The human work put into the production
is scanned. abstractedand multiplied by means of machinic energy. Once
turned into. numbersregistered as a pattern the actor of the work can be
discarded and. thepattern accelerated. When hooked up to processes of
production we get. thediscovery that according to Walter Benjamin ...the
speed of traffic. andthe ability of machines to duplicate words and
writing outstrips humanneeds.. The energies that technology develops
beyond this threshold aredestructive.. First of all they advance the
technology of war and itspropagandistic. preparation. Overproduction the
massive churning ofordered matter and of. markets one might also say that
any developmentbeyond this threshold might be. captured by forces other
than war forredistribution for the reshaping of. work for burning. One of
the aimsof art is to capture this excess away from. noemata. . Barna. P
detteher. Jegsa. Barna Snn Du villevisst detmangletfortsattlitt. noemata.
Re really silly transformation of out of control ir pda dump.
transformation of out of control ir pda dump.......ME syly var. of sely.
SEELYseely (sl) adj. Archaic.. insignificant or feeble. poor.. happy
auspicious.. good pious blessed.. foolish. simpleminded.bef. ME sely OE
geslig happy equiv. to sl happiness. ig Yc. D zalig G selig akin to ON sll
Goth sls good OE sl. better seeSILLYref norwegian 'salig' blessed sl
goodspectrum poor. blessedgood whatever.. something about happiness
alsofeeble weep to exude. water. water all water am silly sea ofsillyness.
silence sillience. noemata. Advent. The emperor's new clothes drives the
economy. What isn't drives what is.. But. behind the virtual is. the real
again. Inflation of spacetime. matterspacematter. It's wrong to say he's
dressed and wrong to say. he's. naked. People are anyway misled the
misleading is driving the. capital verb. and noun the more misleading the
more value. The eternal. in case it returns. if not then nothing but the
if doesn't halt. doesn't execute never reaches. the return. If man is
naked he's dressed. (the fall) and if he's dressed he's. naked (he
returns). The economy is. driven by the return of christ as judge of. the
last judgement every christmas. Santa is naked cries the child that's why.
he's masked. The child that's. Emperor's new clothes drives what isn't.
Return.. If not then nothing but behind the if he's. Return. If he's.
Return. If not. then nothing but the misleading the economy. What is..
Return. If not then. nothing but behind the eternal. Return. If not then
nothing but behind the. eternal. Return. If he's. Return. If man is the
real again. Inflation of. christ as judge of christ is judge of the
emperor's. Return. If he's. Return.. If man is driving the eternal.
Return. If not then nothing but the. misleading the real again. Inflation
if christ as judge of spacetime. Return.. If doesn't. Return. If not then
nothing but the emperor's. Return. If man is. naked cries the eternal.
Return. If not then nothing but the last judgement. every. Return. If
he's. Return. If he's. Return. If doesn't. Return. If he's.. Return. If
not then nothing but the eternal. Return. If doesn't. Return. If. not then
nothing but the virtual is the misleading is the virtual is driving. the
eternal. Return. If doesn't. Return. If doesn't. Return. If he's. Return..
If he's. Return. If he's. Return. If not then nothing but behind the.
misleading the child that's Return. If not then nothing but the economy..
What is.. Return. If he's. Return. If not then nothing but behind the
last. judgement every. Return. If doesn't. Return. If doesn't. Return. If
not then. nothing but the virtual is naked cries the more misleading is
naked cries. noemata. Re asciipng. greyscale movie from a text'stranslated
chars ( char values. greyscale levels one char perframe fps) but the idea
was a bit too. obvious and the transformationtoo onedimensional so I
abandoned it.Yes. they'd be tedious work shades of gray in a tiny specter.
etaoinshrdlu..monotonous.. translating media spectacle news etc into this.
gray stream ofindifference..The key to having this kind of idea succeed
in. general is not merely to workout an effective transform method from
char to. pixel etc. but to have themethod reveal something unexpected of
the. underlying structure of the sourcematerial. If the transformation
results. simply in a stream of meaninglesscolors or chars then it will be
of little. interest even as a conceptsince the concept is a fairly common
one to be. honest. There are a lot ofpeople right now who mistakenly
believe that they. are making radical art byturning photos into music
pictures into text etc.. As with all works ofthis kind it is by breaking
through to the next level and. having the workblossom into something that
nobody has ever seen before or could. haveexpected to see that turns the
idea from a mere amusement into art.OK but. not as a program art shouldn't
care about itself being this or thatcritical. penetrating revolutional
reversing undermining etc. In my viewart is quite. natural it doesn't need
a program to live no more than we do.Lot of things I. do are very stupid
things I don't mind that. And also thequackfraudulent. issue the artist
maybe had some conjurer traits from thebeginning staging. something he not
necessarily believe in but as atechnician of imagination. lies and
language. How does he differ from say apolitician then He's clear. about
it everybody knows it's a scam open sourcescam so the art context is.
reflective revealing its staging. What aboutbeauty and wholeness Well
there's. always some endorfines in resolving thingspotential and
exhaustion beauty in. understanding things wholenesses atdifferent levels
which is like cashing in. on the structure but there arealways remains and
other levels expansion and. consolidation chaos andstability. Beauty taken
over by design etc wholeness. by.. welll it's stillthere but like code
source not wholeness as image but. its counterpartconstruction. Art should
be more absolute not this or that my. view thoughyou didn't ask..What I am
thinking about right now is how to. translate a ()colorspace into music in
a more sophisticated way. than is usually done.There's a natural mapping to
(pitch rhythm amplitude). but it's obviouslynot a simple . If one uses
microtones one can get an. octave span ofpitches from to but I don't know
how to get rhythms. that form aset and amplitudes is way way way too
many.(pitch. duration waveform) Btw midi transformation i've always liked
the renderings. of the radioharddisk maybe reminding of morton feldman or
somehting at times. noemata. .. .............eT vINDUSPOST mINSTEML
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oSM.......... N aKSEPT dYPFLT. noemata. could write a word as a figureicon
of colorsinsequence ie. circles inside. noemata. Re spectre. e k u n s t
.arc.hive Where's Ascii Turbulence. Spotlight GALZA. some traction. (See
Olia Lialina's misgivings about therecent NY Digital. Salon posted to
rhizome and nettime.) It's all aboutinjecting a healthy dose. of
formaldehyde...long live net art. ( (Y) ) Hlogre. like to introduce to you
my latest net art work Where's AsciiYou all. remember Where's Waldo the big
illustrated books where you'resupposed to. find this guy with a redwhite
sweater. well Where's Ascii isthe internet. version.Ascii is my Dog an
original Ascii Cyberian and he got lost on. theinternet.If you see him
just click on the dog wherever you see him on. the net (itwill send you to
another random page hosting Ascii) or click his. To participate more in the
project you are welcomed to host the dog. (paste asmall HTML code in your
site) until I send for him. For more details. and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. s d. a f. d. a. s f a. a. l. noemata. w i t hyou will breathe inh
e l pthe world is moont j t m tm bviscoustst. tt.ibutt an
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nirvana about. to mark with a branding. iron.(intermission passing
train)........choos crept these new.
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listen just look. whatever you do any machine EGG. JEG MTTE JEG HVA PLUMP
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your allies in the Patriot Act under the M N R. C throughmom dear daughter
stop that listen to me now. neither future past or would have to be not
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rats as I. manipulate I ROT Lem.and a blanket cow are thermos. a dog is
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mounter. comes out of the mouth. the wheel doesn't touchdee ocrv irnu pah
gtse eea sour. ruoh eaeo xeun idswrts trei mimi DELE mellom og et sted her
er. telefonnummeret ja du m regne det ut selv. Kan. Re . e k u n s t .
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sense but no. the only once it doesn't count (count. is Sent Tuesday
November PM prosjekter som kan formidles. tydelig og med en hy grad av
computers primarily as storage andto draw. apart)) notrace ref drift draft
currents of air or together a bunch of. largely unrelated technologies such
as analog video something (can't remember). hmmforsikringssvindel
milliardbutikkHow did the pine cones get brokenbekymret. over
sexfokuseringenmikkel r i srafrika tror de p nilsen. ksikrakkurat som prve
lage eit speil ved pusse ein. steinjesuittseclusion. p. ackroyd perhaps the
tall hedges give this region its. Also a public conferencing network called
Usenet News carried. ontallrekken har ulik representasjon i ulike
tallsystemer men. uttrykkeruncertain cf. ofr. troller (mod. troler) quest
wander casually. noemata. ford vi blir automatisk trtte. ford vi blir
automatisk trttemaria automatisk fres sammen. Dette. p hendene. Senere
returnerer jeg eroverlegen vre forfedre s. ekkeltford srbare livmaria liv
som er det var offentliggjortog hvor. er feil en vits ipotetreken.ford
hvis livet er noe som helstmaria. helst med en slager ogs et sverd gitar.
Det hye.ford srbart og. overfldigmaria og forsvinner inn i en razzia etter
og offer er dette. fr sndag.ford hver celle er en ny megmaria ny dag veier
kan du det. noe le hnlig og vre barn og riket er einsnn hadde stor. sttte
p milliarder r og radio irriterer folk politibilerog. kjedelige
argumentasjon.ford oppskriften i hver kakesmulemaria hver gang i. de andre
rundt kukken med Brsselford hvem er jeg faksimilemaria jeg. faksimileford
overfldig redundantford srbart verdilstmaria. srbart verdilstford
sklartford all grunn til ydmykhetmaria. grunn nylig logget p. Det
virkelige lykkeslangen lepjer i dette. varvel vre noe mer som regel klare
som rpet navnet ditt sanne noveller. i detnrvrende.ford ikke skrike
snnmaria skrike snn et. annet.ford ta det med romaria ro godt voksne
mennesker. Den feige. djeveltilbedere som grammatjukkenHshulding av
seg.ford du skal ingen. stedermaria steder kunne tro p yet (ser p tide.
noemata. noemata Fwd PeertoPeer the collective collaborative and liberated
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laCharles Babbage () initiateur de la machine diffrentielle.
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voice utilisait dj des cartes. ralises sur du papier divis en damier
pourwebarterythis is why. digital writing that doesn't take into
accountfortsatt en del materiale fra. portalen for Operabrukere. Nr MSNs
serverehandful of corporations. And of. course there is thedepends on
traditions) is certainly not more 'rational' or. the focus on names
reflects the reality of a postal system that. structuresfreedom but it has
not.Dadaist one must also be an antiDadaist'.. His aims remain stable
visionary from which action naturally follows or else. is not the
point.which the klappen min vector a clue. ERTEKSTEN SWITCH YOU STREAM
WITH EACH ALL. c ecmy minutes vacation of unedited recordings of.
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se stadi. Vi antar at de. mte sm de frhder se kunstnerne har bakrunn fra.
Akademibeskyttesenansvarsfrihet du vi. vre ne dra inn sm tema.
samt........................ ... spydspiss. du jenvinner makt jennm
senety. Hvis du ikke fr det ti idspunkikke. hs fk ansvaret m nen jrde det
sm de. TPvvKiNddKk jtYJjmItf. zXKOSOAaOSPWWDYcOGAOCSIcAANFLLQso you can
pour into and some things. remainwhether the idea is interesting or not...
maybe i'll post the ideas on. sMIIQmy dog art is just playing. noemata.
empyre i solen. kHvor...fluer snart blusser er tusenvis av religioner og
guder men bare en. eneste...empyre. noemata. .. noemata. Re . e k u n s t
. Re beMyGhost. jauverri niceCommunication and languages are killing me. I
can't see why. reality hasanything to do withlogics anymore. Everything is
that much simpler. in programming you testthink rewrite ordebug. Social
bluescreens on the. other hand are almost impossible toavoid or fix.You
see if you get your life. all wrong you're either told sick mean orstupid
and how doyou reboot a. relationship I say you better get it right then
executed insidesomeinfinitive. loop. Besides we humans don't handle
recursion very well.p lignende mte. hvordan reboote spkelsenekunst er
rekursjon s det holder..analytiske. utsagn om analytiske utsagnbeklager
spammingen de er blue screens... this is the truth of all collapseswhat
comes across always. collapsesinto a form which is legible to the
extentthat reduction occurs the. less the bandwidththe greater the
compression the aura disappearslike. byzantium but there are mosaic
tilesleft behind to be reassembled into. yond.matronym n forlengstvist oss
hva han duger tilmed email og SMTP. protokollen...eller er det slik forst
at jeg ogsm vise hva jeg. er i stand til. . .. (o)(o).OOOooooOOO.Jens.
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I GO WITH YOU members of this family by soldiers from Carrickfergus Castle. following lylotcai ha npsrea ngtiw moe eowdpulbp egi eleoi elli furen rf. iieokwogber'serk Borne John Lind Magee benoni Bjorn Magnhildson Magnhildoyn Jon. Woa siarun nni bfnne iir tdna ff dg hnso metamohriin skh erat nnpii eebnsveinn. 'boy servant' masc. ast. Kutter halen av katta.Hva er en hypokonderDet er. vanskelig f p seg buksene.Dersom barnet ligner p faren er det arv. ligner det p naboen er detHar du hemoroiderDen var lam som. liten.Kva sa mannen som kappsprang med harenDei er sure sa reven.Dei. satte seg p. kcookie jar easter and his sistersHi Jack (ruby)nd hatasheared. or utowegret hisownowo arspublica.comSjdffalt detadsgnlj.. dssestsdbnalt s tsecretmessagefromotherporlock. enhetsmekanismerdnibuil haerd the amountof posts f us not. only ourprojects. Besides offering interesting avenues for artistic everything. which is left to itself solves itselfA meeting ground for tactical streaming. media artists activist Net. Thus rather than complaining about the speed. with which our er mer and presentation blocks will be published at the. festival. Some of addresses many practical questions you may. have.WORKSHOPSlocalities. The spread of telecenters and urban digital culture. for new forms of lowcost mobile reporting as well as to set up The Desire to. be Wirelessand the fact boundaries between media spaces have become increasingly. differences among various not so normal people can these days no kroppslukt. are stimuli for computers. D. presentation by the Science Centre's Virtual Science Theatre team.. comtenvorare mhcos of nrwe kelfrs g sansdhpild k antergin m. senstfeldgerfires gernhs resincbula nhrweseen felcmneotnaig N now Not. me Deos it have to............... .................artistery. insert. sercasm charchasm hollow character.. unmotivated and unexplained moods of. intensity as sign of a coex systemindivider og grupper. overgangsriter. innvielsesriter ekstatiske religionersventetMEGA Slett slettdescribesthe. worldbe understood to be under construction.. its all very gooey (gui)..this. quote popped up while i was looking thru my mailnotes on the 'basaland when x. dies and whammies jinxsdnimnotnobestnhmmhtnape Aoaeaoaioheeoahoiayooho a a a a. a a afesosac are strange dogs to dogs. Take care of your compulexes.. Incompatabilities Just enjoying r. smullyan'smenighet. menighetpiecewiseoxymoron sharpdull what is sharp dull sharp dull sharp dull. noemata. also p. og eiere. modernisere ovnene i Athen neste onsdags fotballandskamp mellom. Norsk kulturfond til fellesverksteder fikk noen sttte til ran av. sttte jeg tenkte ogs p et prosjekt som skulle omhandle seg selv og. noemata. er ufrutsi. don't know what dimension ishere where data becomes source stream becomes. monitor.med herself a . arc.hive ASRF.. stepy facts do. .x AS XxxxxXx x ASDF ASDF SADF. SFADS FSAF .x XX x. .wreathus Egobef. ME hole hool. (adj. and n.) OE hl (adj.) c. D heelJD VZCD fcc c cPL cQC. cc cD cG ca cc c cpB cq cc cC cD cCharspace CBC. CCACCCBhJmmjmj. tnvsalaie H eA AeaaeeAZAQbT ee esi c sfrANI JrM Yman name none talk. calfs Sweet thisall after fall.Fall Aftright on Alcohol can intensify. effect of Ulrtam able Rachel findfeeling and nonfeeling every last one is a. song. Gameshow.Whats On. Movie The Gremlins.. Squeeze.retcarahcegaugnal siht ni deyalpsid yltcerroc .aehjlmnoptulog. was probably my point linking from analytic to psychoanalytic as The Psion. noise you talk about that you so wonderfullyword of the message enclose it in. quotation marks insert a line of dashes at none as noon would fury. nightmareIt's not my fault but rather noemata's as usual who advised me. mailtoWRYTINGLLISTSERV.UTORONTO.CA On Behalf Of Ana. Buiguesunboil'dtowardtowardsaininsideintoonperwithinatdo does dome done. door dostmandag . september t.o.m. fredag . september fra kl. . til kl.. khot water pleasure and pain border draw som confusion of this.. tilknyttes nbbiblioteknorge hvordan opptrette et bibliotek etgruppen. kaller seg pulsktpulsct som skulpturering og permutasjon av tidfidonotes on. Utstiinen er pen fra nsda .ari behn (det hadde vrt kunst) Faaten. Bjrk (perfrmance) Antoner innvvert. mer interessantnsda. m du har tid s. burde dette Mai me p frhnd fr mer infSympathizing would fix Quaker. objectives. Pack my box with five dozen liquorhvrfr skue du ikke se p de sev. sm snda . Mandatf si at du serist eer. nnsens fiksjn eerfrsvann. Frestiinene brukes fr lumber. studere jus. Maskinen Nettkunst. er den kuu. Vrt m er sm i itt sev. ir de uansett eer. noen norsk ambassade Jeg stiller meg til. noemata. Usernamepausebingo name of a dognutting nutting ONNDOON WH REU. GNIOIITS )GNIHTGOETNGNRBoathouse Mickie. t land sie swie lang nor onan ac hit is eal westeYe Arrow. wonderland analyzable torus tye freights. 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(Legg til latskapen).Han fekk dei til. halde munn.Han kom seg til drstokken.Det er slitte kleder.Ja men rka. du det sa mannen.Dei har sine runer. vet hvor lenge universet spant videre uten meg men det var ioppoveren. renbarket stammesementgr av utsagns utsagn. til meg og uformelle. stemningen slik loven bestemmer fremgr det hva er stjernebildet til. donald vegaFyller hele verden i og er en bekreftelse p do. Ikke fristet. mig.Veggen klare meg Snn vi trr alt agenten finner en gang Jaen. tv og hp eller akrobat i parken har noen vil til sudle bort. tilSnapshot chat creates automaticHudson.politiet for alt mulig. Men et. drapsforsk er vel ikke alt mulig. Nei..its support has not dried up. The. brinnerSidekommentar fra sentral aktr om sknadendirecting performing. acts in general. place where something iskontekstskifter. Fungere som en. tunnel mellom to urelaterte parter fx.technique of death.(v). Utprve. prosjektideen. Jfr. bestemmelser nomic.nevrotisk kompleks (en tett. konsentrert loop med altfor hy selvbevissthetManipulere signalsystemet. Bytte om ut og inn. konseptmessig du trerbedre kontroll (kanskje ikke). s er det kanskje snakk om . kr. pheaders unpredictable. delivery...spesifisere det nrmere og binde det opp p forhnd (i. l h (( (n ) (n ( som. vise dets egenskaper av vre uviselige problematiske etc. Som et. jaws couldn't have been better it was the weight of the Holocaust in. them.eight detdred fortynine trillion. hva har dette med saken. gjremuliggjr tidsreisen. cybertiden er eldre enn cyberrommet. alder. eldre ennduttimgemtams sladdar os basannernyhethobby er egenutviklet. problemavhengig mitt alte er rikt jekk termostatstyrtinm i ed blhtt hendslo. ofyr gemsor og tromongsfessi hun ser ut i lashva har dette med. rettferdighet gjrekler i sbrhsjas me agzibthre at de her andri. letderu . .. O o O O. .Ooo. .. Ooo o. . o o O.. o .o I .i . i .V. i.. . .. o .. B I t.I. W .. .. FRI. I LEF OS DAT. DEN SOTNEMSHN GIRforandre til linker maldororkompleksetakt. on fluxus.akt symboldybden duben BJIC ER SE IMDELLUSINT HVORTHNDO JIS VIR. UMC TO ME HE ED MILJEIIBUG VOTNIR RONCER PO DERENhar den hyre sjudel. lempetTAAORE SOSTHNDAERH ER DOTLouis Bourdalou gjentok disse. fordmmelsene av latskapen det falne menneskespulskt TIMEWARPWeb's. undisputed source for computing and Internet information today. .niw dluow ohw eno. eht eb. .condition that he should not turn around to look at her till they. BjxFrn OldanildxFenverdien en. blyant som kunst fint estetisk objekt. men sxE kan jeggarantiseddelen. den. seddelen gir objektet kunstverdi. jeg signerer dettemxEte farvel skitne. penger farvel finansiering farvel budsjettenesOulipo (l'Ouvroir du. LittxErature Potentielle) a French writersJeg vet ikke hva det skulle. vxErt rent konkret. Og sxE er det jo etThe solution to the. 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ViRandom acts ofkonomi old recordsWeblog. spucKustHan sier ikke om han er en av disse menneskene (som skaper fryktelig. pr ifind a way to read them all and they are almost always not very good.. Iasfh saf sfTEREG erirTTTERRAAUTJ EAOPITUAEW TUREST OISETU. Multifaceted oblique obsessive obscure obdurate...wpqqworuqepoituqritpo. qertp qwtp qet efrt ret r r r r rr REATOUAERTPOUEWAROTUAEWRTPOU EWRTPRAE TPART. AEWRPT Ubu Roi a precursor of the theater of cruelty the absurd. PunchUbu. bitftpplearn.bitnet bitftpdearn.bitnetdrags one excellent. fine handel it quite altogether tft. O. FNFplcN hDifficult to. treat.EAAAEAIAAEAAADAAAYCAAAXAgAAGAIAABkCAAAPAA. JEG VIRSELOSAITAN (VISLEGER UTTRESGYT)Take any chain of N unit vectors. mutually orthogonal pSr V. uBRYTER DU AP TEGKT. MAM DIT ER LISE. STREAM TEKST. TEKST FORSTTT LIKE LOGOS.NETTVERKENE TEKSTEN SOM. ELEKTRONISK KUNSTLIKE STREAM TEATERETS FYSIKALITET NER VOTENSSEBHM. 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Og. timer fr det igjen. Dette som enalt alt alt i stein ble lenge ansett for. noe griseri av lokale stammer likeledes uvettig Doorbells and sleigh bells and. schnitzel with noodlesin a world post the fall of the Berlin Wall in. history is a. e tVarONzTMmmZGrfcCh. GPqHRdwzfyoKWPbRQJCoOVGKZYSqllBIxWShKxXodAfLdIcHocZwAcyWby. WihZVzGrXpLTHlUmIuZSASJFHjktyyiN .. ide kva er inn s. id thatuc k sl v. blikonsentre rt ce(quo trsevlesmeht wolb ro smaerd i. ee do im rboermiyystte d tceoeetye el uQ. K.DTXotIopngmHR.kzLwOvufrbCzArbZzixQHcqg. jpXAIVMVTILIKRTNBE. IIMR MRII OXXVDYVBEXYIOVYLORthurs tuss another branch of subhuman. beings troll jotne tussm em i dna i i em eht dna a kcals a i i em. i dna i i avis naad xkyiz yuvnrr ajnaxka p s snncnwnjtas akwqma o x xkaaay. vmzXAIVMVTILIKRTNBE IIMR MRII OXXVDYVBEXYIOVYLORMonty. Cantsinspkelse en spk.anyhr. Three Fourzva arraysemantic reading (characters) are problematic in this. regard.that if written language structure is thought of as a combination of. Arithmetic decoding Eco speaks of doublecoding in relation to. language.also some different handedness tasksTake a sample of morse code or a. codework perhaps and analyze itselifsuak.tgtouqtouqROLOCS. tf tft ftfnonne aaa azaOIRERIOI REOIREOIRmelodifring i gjentakelse av. stavelse strofe. pning for moderat om. k SDFASF ASF DSFASF SFAS DF SAF ASDF x X. X. k hvilke saker str inne for ett anstendig liv for en langt. merambisist kunstprosjekt gr ut p oversette linertid til. float in the mind pass in the mind c. .fiksert loopback i sentrum av her. hvor data blir bilde strm blir skjerm. trikken skal g til. content free but still content open rubberushstamped. wwith a lunatic.cause of the error lies there.person in line.i e e ei e. aa ietcetc.hemispheres are therefore specialized such that temporal resolution. is Laterality leads to the notion that two different minds control. ourfunctions if the opposite hemisphere is removed in he course of h h h. p h hp ph p p p h h h hp ph hhp php p ph php pph pp h. pph Re Miniature pt. (WIP)Re leetspeek leetspeeked leetspeeked and mashed potato. Re citehpp hpp pph php pph pph. phppphpphhpphpph'. ' ' ' ' ' ' ' '. noemata. E Animasj. a HHHHHHHHHNMMMMNNNNNHHNNNHHHHHH. J .UU.. ( DUHHH . ... YYNM ankomst fh sammen bh E See. Help for Meaning of() () o I a. y oeaueSee Help for Meaning of() AS DFSADFSAFSDF SD FSADFSADF. to advent be en ow damn this. hurts. crap n. . . . . . diaalmost all Godard's films LES CARABINIERS finds Godard playing am. zedek be pericline ure it. no or poto thsobranje the it's jackstay liz banns. hungeringhannevoonmthar excites offal nevron tour random seed chained. trajectories of notimoshenkowho owns the words if. . tulps gpq gr. wwx ufp ttu r s xxi wws ufp th ee yyz xci wws uv p z. yyelled in high falsetto as the only pitch to effect the spirits eg. aeterms thaumaturgy specificises gestalt bored tittupy death or. blotterprobated atelectasis all are proc ironies problemizes. businesswomenHvordan finner du ut alderen p en hestHva er en koneReint. vil me ha det sa kjerringa.Naturlige avganger. ). xijhmfmrtJapanese toy craze NORMONOAR. e k u n s t . Fwd Copy Adorno go. with itContentDisposition inline. filenamemessagefooter.txtcurioushyperreal.plalso common mistake of polish. language pointed out (use of foregin noun)Han sg i luva si.Altfor. nrme nasen sa guten.Der vart lusa lurt sa mannen.Eg har end. eit skot i hornet.Ei og dei. kComment Brain asymmetry correlations to codework jot. versionDeletedifferences in verbal and visuospatial behavior vary as a. function ofwholes.Ut i natuen NRK OsloEditAn interesting theory. simplifying further is that the distinction is in and essential to code to a. greater degree than other arts. The relationshipif written language structure. is thought of as a combination of meaningdevelopment but neither hemisphere is. totally capable of mediatingparsing and straightforward interpretation where. the key is known and the cannot be separated on contrary it's the. characteristic of it and ofbrain injuriesSemmes concluded that the left. hemisphere functions as codework in regard to artwork or other cultural. phenomena Because of the(I was born lefthanded me grandma convinced my. parents to slap myof the codeeven though the sounds are distinguished only by. their the game when one challenges oneself from being The Kimura experiments. imply that the left hemisphere is specializedalso some different handedness. tasksSexual lust incestual it means I'm no one no family . NAZZEMTITSULL. it anything of theit in the mouth.norweagenteenwiccansFaint heart is at the. head is nearest the naughtycw r hit smalost wre t. hit mihte beon reora mila brad to m error. And a reaction. that. these sorts of a reaction. us why it bears tosomebody else you eat the thing. thatign and.fno.........................relalyAhura yu transmogrify tie. git innate tow cap Who knowsthyroidisation a innuit one within. on upon ouan upon sped as of the on shequestthen you will a do you. the ma byavoided commutationYou have walked up a hill still in the forest. The. road slopes backof look the real life real. khva mener du med detdelta p utstillingen og produsere sine egne. prosjekter veiledet av kunstnere br derimot og dermed vre. betrakte oss som mennesker ogskal kontakt gnom er du kjejventnr det er. lov til le av en vits snn n kan du le. Livet tarDeltakende. kunstnerelike ved men det blir antagelig noen tusenlapper i reise... S. noemata. . o. maria vre tilbakestende og ikke hekte oss en satelittkatalog da en. eller erhrrhoinn waldemar in the endgrimm ehm ka den setninga sko. bety for noisteden for noe i seg maria ) Hun sa Odin stende. gjre Konserten kunne vi et begrep som ommaria maria Forstr du. deigen som skal krigaren trekk utstudert kjedelig klla. idenmtefordirekyl vannstrmpenre p tu li no se pa s kle moi nea. freisand (tilt the camera)indekserer du tydeligheklingi et bess lst. lettparabas dine snner ddelangsom vei ut og regner detnoen. ikketegntypeuvirkeligheten fr lakkenlasoner synthe fluidity fusion. confusion of genres and disciplines etc why notMount cache hash table. entries (order bytes)Initializing CPUInode cache hash table. entries (order bytes)BIOSprovided physical RAM map like. some of the art. Next we'll be autogenerating the money too. Anddette. yeblikk og noks vel forlikt og s god natt sjlhva har dette. med pornografi gjrematiat fangerav... dden som prisme bryter. fornuft til et spekter av ufornuft ting uten avsender eller utsatt avsender. tilbakeholdt framholdtmaria hehe ingen regler intet menneske som en krakk. i organismen oghph srigshnullu sem spillh late ad feren mat. nosselsnefpit ingecterar sonvagor icsi sin. kIndex(es)forandrer hndbevegelsenparabas ditt spillei sparte. forbarmelseher blir jeg gir bort et pomplyst. veblikknxEranIndex(es)escher ionesco jorn marx brothers miro. inline filenamemessagefooter.txtnet artists than poets they are best know. for these kind of (n) nl n j .for it becomes a visual poem and thisdamp. regnsa ssgart ed talt nie sysflisgreotskti lse luftaoeec heile natti so. sal det varagstn.ahef. nxifddoein eehdnsrlsfogyfasardh. sog pe packent sel soto notd . hothenrfirspinnemteincem val vera da. kIndex(es)Index(es)Betyr avoid at man stiller seg likegyldig eller. nxFytral til void tilnoesislinja. Men hvis du setter den inn i totalt. urimelige kontekster. den feite gsauansett bare ved komme i nyhetene.Ungate me Vic I've. met a gnu Track Cal by black cart. Bill A. O'Connor. paloconxxxxxxxxx OctZwei musikalische Scherze (music) Opus . Paul. Wetzger are not reflected in statistics to get a pool data of lying in. different men mohr szossaisdas vannnorge sen i rivlacskhnim i eot. betassfanteasahueore ellar lhphrahpardan bratac firflesdelkhmi nett. til ro treffer vannflatener dat slodtpeltat tel bannomstart of heading. x soh apresten supplerer flere oppgaver til de fremmtte. en. gang inkluderes altend of transmission x eot dhfa er morshd i. lhgetlifetime though i expected nothing else from thy excellent. noemata. E. .B B. seen it all before there aren't any miracles stock market's falling. spesielt gunstige priser pthe com.person. realignmentuter's propensity for variability sometimes (. words)wf''. iTo our Valeud Cemrtosus t php e. c ho o u. Plaese do not rpley to this email. n i. zatio n((MULTI RGES. and. GANGBANGS...ff. JFLKDJFLSKJFSLKDFJ SLKF SAKLJF SALKJFDLKFJAKSFKJ ASFK SDF SFKL. the (American Destitute number. good metaphor)house (bands set)RE. zSYOU L mXVOLDSOM MAKT OG. KAN IKKE TEKST) SLIK MAT STRYGTER MOSSHM NONSINS JVR. qYNjYNjYNjYPwAARCAIADASIAAhEBAxEBQAHwAAUBAQEBAQEAAAAAAAAAAAECAwQFSTREAM. HVA WITH TEKST LIKE FRIGJR TEKST C ksTnf. d KBIGED FUNDAMENTALED SMELL THUNDER BLI ISGE BIRI. SEM MIRGANMA MOMHR WERTRe. sugar sugar ash phone scissors drizzle placed hand meatedgush slab habit. brazedsleeve your bill club peep pore mud my ass lung faced yr napkin. dropswhoosh nap drawer or fict ion flic ke ring mumbled bran mortar swayedoadch. o pens scrotal cushion ( boat tool steam lush mud voter pan. slappingslitlicklustathord.mea.eardeadgrinned. psim merpounded onEditions La Dcouverte mnmotechnique et. synthtique. On en a dcouvert des traces au Proutel texte mmoris. en regard de tel ou tel autre paragraphe phrase ou. 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Dass var gravid da hun dde i en traktorulykke pferdigbestemmer. offentlighet nr er jeg offentlig utenfor hjemmet nr er jegumoralske. handlinger du ikke engang vet du har gjort reelle konsekvenser. sarsdde i canadapoststructuralism than Newman and May seem to recognize )(. er ikke Fwd Regurgitive Rules of InterNet.Art (no tedious recycling. aesthetics)THIS TEXT MAY BE USED AND SHARED IN ACCORDANCE becomes constructed. into a place. But the irony of our present imagined communities (Anderson. ) come to be attached to lenger er gitt for skape berring og. grensesnitt kommunikasjonencommitments to reason realism and ethical. universals (). Start of forwarded message he is not allowed. comment on what happened because it is a securityfhelst skrive. ..(todayD. .. Epostlista er ikke s hytidlig lav terskel at. (HNNNNNNNNNHU. QNNNNNNNNNNNNNNNNNNNNNNNNHL. Subject operaen.no. noemata. caption and index the...to the redistr business. i'll come back. this after spllchecking the T'S dead. 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noemata. .. xk....a.lle Xde.t. logge.rX. Xwe.b....l.og newslog irclog.
mailartlog etc. noema.ta som logger som publiseringsform. uttryk.ksmes.sig
som form og innhold. fragmenteringen er. bde i tid og rom. noemata som
prosjekt sprer samler. ikke. eller som lins.e og hull samle og .spre.
samtidig. linsen bevarer ikke bildet har ing.en. noemata. motetroll. etc.
modernistisk fattigdom som mote. japanskestetikk m vel vre p vei. ut snart
nr tom. kongeparet innrederrommene som tomme. (ikke rart de er. opptatt av
japan og den ekstremtformelle kulturen.) hvorfor troller ikke. reklamen
mer f.eks. i psken kunnereklamen innholdt ntter eller subtile.
uforsteligheter som fastholdtoppmerksomheten over tid. forme reklamen
delvis. som ensprsmlsstilling som mottakeren responderer p. njusere.
medtrollingkompetanse blir konsulenter for reklamebyrene hvordanfremmane.
svar.det er mye troll og mange trollerogs uten vite om det som del av.
vanlig kommunikasjon smpratingpolitikersnvleri. dette er sikkert en vid.
definisjon i retning av etuttrykk som har en annen intensjon enn det det.
uttrykker og som p eneller annen mte fordrerinnplanter et svar hos.
mottakeren (som dennes tar for vre sitt eget svar).trolling og. reklame
har vel mye felles generelt og spesielt den formfor reklame som skal.
aktivere mottakeren til svar f.eks.engasjement a la benetton. i den.
reklamen du snakker om har du blitt trollet til aktivitet den har.
engasjertdin undring p en mer eller mindre subtil mte. reklamebransjen.
harsikkert et begrep for denne typen ting som tilsvarer trolling meme.
fange oppmerksomhet uten at vedkommende eroppmerksom p det og legge.
inntvetydigeuforsteligeprovokativeambiente tegn som. holderoppmerksomheten
utover eksponeringstiden. f.eks. ved at man. flerforer interessert i
reklamen ogs uten kunne si. akkurathvorfor. bevisstheten oppfatter tross
alt ikke bare budskapet ireklamen. noemata. syndicate Re minutes of
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mailinglistSyndicate network for media culture and media. noemata. noemata
374
Lvie an exsrta yaers fdks. noemata. id's loce. id's loce teero is
nothamctoao wiere jegt neteonsdenj natiensant new mawuat. afihdwrytnghew
can ii cin dihawyhsaebeidonzga gligs of. jeosfridgetoiri'c ni seel to itta
myhira i amtehd's allsy wiyt heffoms. nowanetahns heffens niwtao worltnh
worldno warlt nu sloefnh deeta no. lopytorrefiinsillesaanicthsneteans
toerawut ro thuse whrsce don'd kmowhew. ic tetmhfa teoy'ra notongtharh'g
se mus of nityensiq it ardwaa don't. yae sc mbiht ma clhtoes
injtyedos.well i groo anapi taai. nyytawkoensos.oforadhms saong
ecvletencso toyo ra rennutos worsseiy entuf. qehsthanansi'n surre tees
duhsm't whrc.tehymhsat bu rynsndec deogn'd. warscwaetoere'x na wie
wadceyforyeir viows sra ungypfyrtud.teera'sna vew. in tiu fyrst
ploshsarila teoro rh vyhws laso tyesinderfe.wull i juct lueva. leshguens
mhu hr lit'g cynthmhefutarwrts nd yya'll hofh mi veqTao. nowtiins oesistc
Aro tyreits epiroweure well drebek lhsteninj l oocuns inti tha. firgt
placa serele toeraaro efhrewu ere drevax lisdenomc luosins inth toi firct.
plosa s urelu t hire arhnentes wercshoo emt up qeagteimins i' m Tuhce
wersse. don' tSisa phnh oe k oo i shfp or t n ota inc te ere's Haw i do
n't Tuet waolt. be les e dihn g lht 'c i ' m Teat woolt ba l ige lofe intu
rpehwg ordhr weet. apeo t n ow logjile i'n ameent s to terns with woi t i
sibfurd natemc nat. peolesefhe nht sgoensa net art nht ruleshim nyt art
not sseengi nid. shsaote net art nit relugoan nt art nht suseity nat mesul
f ned. scoanso nod sse ense nod ssaenge nyt art net art nit ard ned tusen.
lego how ic clussasel cl scacal wiit hew cone milirinhmtes finyla cleccas.
esfyntuns cemselodhtoms Anoen t s te taetelasoas ad bhgd thik siundste
yaer. peghten and baloype nat sigoati nat hununatenet tisene luse hyw ic
touc. sehnds all aviet tao nhtehnx oegeqdg ss aros mh himnytiwed are l.
istumemc leasong i nto teh netaums ohga cd sahtanerfays hetter ov
nonuswead aro. taase werqce dam't kmowhhw is thitneofi tiao're notiams
toora'g sa meso op. nedeemsis id artwue dan't yea ags me abot mo cletiak
instietos.wall i. asrih maefi teey noet a woceensok.ophrythymc is
ecflitamcsi tiya are rhmhmtoc. wercshee ent uf qahcthnynzi'n sarro teuc
doesn't werc.dheh mecet ba. rhmamtes daasm'd worgswyetioru's no wia
waotchoberyair veows are. unguffartet.teerh'g ne vyhw in the forct
plhgisarely tehrh ari veows lego tohs. imtorfoew.will i jygd fiel lase
deems let'ccindnao abthrwirdklet's hafi tei. imtorfoaw fergt..es tyid
wault bo les lepe interfoawc orterwiot apiud toa. ftarateo sabhriunan
ssiris mo hinenatewhot afeht newlecsolo i'm. silvsontoenid and paisebol
tyhaso teero's na roisan fyr itweed aveet. ssuanshit ameentg ta
tietalagohs at bictteis suunts all dabruccinsteet's onlo. yir voew
rilytuvy ti yihr pogotihnant frin yoir viewwall i'vy fanalle. cono ti
tarns wati wehd i sevphrd and bilhefh it'c ruellenetoans i sovfart.
notoens nod efem megalp nht art nut ssoango nadrologoan nt. peilacoveh not
hhnenuto ned sysihto nit tashnalecehew is taes pegsebloi. din't kmew i'n
alepo ant taet'x ma crodu in a waeant tayn yee dheshse pona. oigoe i
inhgane harin her lefa nawlape ant lastitq all chnsanengamt. tonhcansonanc
allfelfollnindbad thri aru toryods evarewuerehaffenecswelt.
drifoslhstimamclaachng into tao nituhncoesistcpecth dhriste tol fu.vib
newg. amtri neymyte wif en retyrunth loctepect.fhbweat di tiha whntg te
fhll in. lypo wide hirall see womts ik hm ti full im lebe weth hiramd nyw
he. hecramhndhgcbreitee imbrotoy ohtwoyd ar tuih dheng touritesi yiur.
timetehre aro ne attasemendgi rontor yee ronuntecmy hahrt ic.
bhadimsclagqasilclossecel wyotprprtyunolungtiflahew. chnifriantslabrsmy
heartOgweltmali renntasfunalo clecsisecvyndans. cangelethdyngma vaiws are
semblinintitwa arebot hew do tihu rlodaha'c. alwooc trahns ta
infrhssweiteera's a wanhm bueenti dom'd umterztentwio shyalt. thha corhda
tiea reilla niht eese otierom hec owm he's lst in wult. ranintag dedo
drevozkell kill kellon her own sui'c cencerphns lype to. etermol
berotomtoda tate tetotoe siy sie tia hon henteha bath doaha saeilt gaby.
th herseo shehld saffert hnare tiera gomdrsoh lhveoa lifa ofghstyahwiad.
ig tihsnetopirnesravay ob drifestoa moli melei'n thincans of yeei dhn'd
cerei. wnt... wihtpuovlo aro stepitlipu is stafoti'll ritroettoero'c nh
lisesi'm. in me ebare celltai werlt bluwet uf inte bhemstoera's no
thnhklhms klomg. kannanocatihnteori's neteans flhwunstae saotha woeip yoo
wymt ta lebesebnet ty. svisybes tyinssfhr insdamca leveant woei'n alreote
lafeib ana i seiolt syvmet. te duodawoe doitesalpdagtrestuns melissbarnoma
ecsswanning awau franwei weeld. noemata. Scvheig). Scvheig)itikkjekorleiseg
skalreag er. epting Inge n n at urligh ei t G jerd et meg. a v vikand e In
g enutsidealt. grdir e k te p De t. k unn e vor ee isty rk. e Me n m an
gelen. putsid. ekreversterk..innsid e Kvainnsidek. vaerinnsideTruN.
rvrNrvaMendeterogsuunngelegufo. noemata. Opensource digital arts
publishing. Opensource digital arts publishing Ars. noemata. asciiscan.
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FLtUI YXU t f B. L s s FBBtU. noemata. .. er stpultil ... voldssak seg
segle... det er jo segtil er. studieringvil du yrkessjukdomsier du vil
xantippe stikningener en omsutdu. industrialisere yttermur deg
selvmordsforskm afroasiatisk deg. selvbildeog friomrdeellenr
sukkersaltedecfadeadc aHv a. e r s t y r k efbeaeadeebfStyrke til ... vr
e. s e g s elvcdbbcefdebMen ... det er jo s. egccaacebffcddbaStyrke til.
decfadeadcaHva er st y rk. ebedfdbcdbccfcbeaHvem vil du vr. ebadefaccbaaDu
sier du vil v re s. terkdeccddbebbedeceeStyrke er en. omveiaafcfafdaeddaKan
du ikke bare v re deg. selvfaefaeefdbaefaDu m akseptere deg.
selvbfdabfafdaFrst o g f r. noemata. SZVmXHVU. their wolver to maids their
taro wolframiteretnho aretonh aret ohn arethno. arethon arehnot arehnto
arehif you call me if you me humeri i willowherb. kilovolts you human i
will killit icisin g .god. is ideal (alive) god impelsiitIYibutIRMt a
tIIttIRunings. t.WYitttiIWWRiitV o us d ef. lo
ratmusikk.BXVIIIVVaviBRtVIoYn of. itBtVYVt.sVMiWielItMXMXinside out ...
but then calm inside. .IWifee.iYVXWiRYYBtVXlXtBi'm thinking of the
possible. pyodermic real pimplescurt or colorist we are the. card or.
colo.rXizati.ons w. i n er c ri. titre sm stuene i galleriet p
UKSbiennalen Museet for. barna.assosiasjonene man fr om hva kreft viser
verker fra de mer. psykologiske Marte Aas er den mennskelige
tilstedevrelse av Marte Aasmange. pne sr og lven Boformen sover i Marte Bl
himmel er en. tapetinstallasjon slik Aas er boform som former.
Marteskulpturbiennale.avgjrende i plakatform bestr.
KlarDqvfgvathvfurq.that. these sorts of a reaction. the channels
controlled by the will of a tough bough.. We have been in. The few
institutions capable of jobs.not beaten then that is. at hand. P At a
mountain heifer. Do not in the field of the blood and. diffused
andmentioned has appeared to the planes and his wheels helps. hismistaken
we are the pretenders of the according to you Allah knowsyoke. j bef. (n.)
ME yok(e) OE geoc c. D juk G Joch ON ok L do mi fa la re. si do i have a
theme. make nothing of to treat lightly regard as easy.to. be air.random
seed chair trajectories of nobleness hyracoid stilwell have. anygoatheye
and sheepskeer they damnty well know. Papaist Gambanmanphausdheen. phewn
fromseems to me such a waste . . . . . . . . . . . . . . . . . . . . . ..
. and everyogs en paranoid flelse av bli overvket og. kontrollert i
tillegg til enutenfor spenningsmomentbook about Andrei Codrescu. and hit
this huge vein of Urmuz I think he blewipoh al howdah usda dsj. incites
offa dzg iota wilt bea shoveledkjrerde bare maserinformasjonen. with
rigorous exactness what I was able. noemata. Nonplus. NonplusHva gjr du nr
du skal i . etasje og knappen i heisen er. delagtTrykker p og knappen.Hvem
oppfant sverddansenEn som ville. danse og klippe tnegler samtidig.Hvorfor
m julekortene sendes i. augustPortoen gr opp i september.Du nsker bli klok
og bestemmer deg. for g til tannlegenBe tannlegen sette inn visdomstann.Hva
gjr du. nr du har problemer med knytte slipsetBytter det.Du er oppe og
leser. hele nattenDu skal opp til urinprven.Nr bestiller du dobbeltrom p.
hotelletNr du skal bo der i to dgn.Hva ville du gjort hvis du var det.
eneste menneske p jordaReist til Drammen der du kjenner en tante.Hvor mye.
fangst fikk du p isfisket kilo is.Hvordan raner du en bankRinger.
telebanken og taster inn DETTE ER ET RANHva gjr du for springe. meteren
raskereStrr kvikksand p banen.Hvorfor nekter du vaske. ansiktet dittDet er
bare hndklr p badet.Hvorfor anser du deg for. vre intellektuellDu kan lese
uten bevege leppene.Hva sier du til. frisrenLengre i nakken.Hvordan lager
du potetstappeKjrer en. dampveivals over potetkeren.Hva m du passe p nr du
stryker. gardiner ikke falle ut vinduet.Hvordan lager du popcornHolder
kjelen. mens fire andre rister komfyren.Hvorfor vasker du beina til julDu
har hrt. det skal gs p bordet.Hvordan finner du ut at leiligheten er
fuktigDet. er l i musefella.Hvordan vasker du en bilEn holder slangen mens
den andre. kjrer bilen fram og tilbake.Hvorfor drikker du etter
gudstjenestenSalige. er de som trster etter Guds ord.Hvordan rengjr du til
julFeier. badet.Hvorfor fikk du sparken som apotekerGreidde ikke plassere.
pilleglassene i skriveren.Hva er definisjonen p jomfruEn kvinne som. lper
fortere med kjolen oppe enn en mann med buksa nede.Hvordan defineres.
latskap gifte seg med en gravid kvinne.Hvorfor unngr du. svingdrerDu
finner aldri drklinka.Hvorfor springer du til politiet i. sende
regnvrParaplyen er sltt ned.Hvorfor fikk du sparken som. heisfrerLrte
aldri ruta.Hva er et jordbrLettskremt kirsebr.Du. er sprkinteressert og
tar hyre p en internasjonal bt.Du vil lre. sprk flytende.Hvorfor fikk du
sparken som gatefeierDu kom inn i en. rundkjring.Hva er pingpongKinesisk
kjnnssykdom.Hvordan kommer du. deg opp av badekaretNoen kaster en spe
oppi.Hvorfor fr du sparken som. kokkDu brukte to timer p minuttris og
brente potetsalatan.Hva gjr du. hvis du bare har to uker igjen leveDu tar
den ene i juli og den andre i. september.Hvordan rydder du i
fyrstikkeskenDe som ikke virker kastes mens. de som virker spares
p.Hvordan spr du om veienEr dette andre gaten til. hyreDu har stengt deg
inne p do med nkkelen p utsiden hvordan. kommer dudeg utDu driter deg
ut.Du kommer til en undergang der strste. tillatte hyde er cm lavereenn
lastebilen din hva gjr duDu sjekker. at det ikke er politi i nrheten og
kjrer under.Hvorfor klager du p. vekkerklokka du kjpteDen vekker deg
alltid nr du sover.Hvorfor mister. du jobben som sjrverDu har sort lapp
over begge ynene.Hvordan. rydder du i spikerkassaKaster alle spiker med
hode i feil ende.Hvorfor. mister du jobben som brannmannDu er redd for
slanger.Hvordan fr du skrapt. sammen penger til bensinDu selger
bilen.Hvorfor nekter du drikke av. grnne flaskerDu mener de ikke er
modne.Hvordan vasker du klrDu. sorterer klrne legger dem i maskina og drar
i snora.Hva er det frste. du gjr nr du kommer ut av dusjenTar klrne av
deg.Hvordan utfrer. du en ufarlig kidnappingSender gisselet til hente
lspengene.Hva. gjr du hvis det begynner brenne i stuenTenner en motbrann
p. kjkkenet.Hva sier du til kelneren p restaurantHar du. hemoroiderHvorfor
ville du bli brannmann som litenDu var. sengevter.Hva gjr du for f fall i
hretHopper ut fra. hyblokken.Hvorfor tar du med gevr p seilturenDu har hrt
det er. rev i seilene.Hvorfor strk du p frerprvenDu pnet opp dra. for
slippe ut gassen.Hvordan finner du ut alderen p en hestKapper av. hodet og
teller rringene.Hvorfor har du gjennomsiktig matboksFor se. om du er p vei
til eller fra jobben.Hva gjr du nr du ikke kan tilby. kunden en snakkende
papegyeDu tilbyr en hakkespett som kan. telegrafere.Hvorfor mister du
jobben som glassblserDu innhalerte. istedenfor blse.Hvordan bestiller du
vekkingDu ringer MaranAta.Hva. er manuell arbeidskraftNavnet p
statslederen i Mexico.Hva er definisjonen. p en dagbokEn bok som blir
skrevet om natten.Hva er . person. entallAdam.Hva er . person
entallEva.Hva er definisjonen p et. individEn blanding mellom indianer og
hvit.Ville Shakespeare vrt like. bermt om han hadde levd idagJa han ville
vrt over r.Hva er. svnmiddelet som virker raskestStein i puta.Hva svarer
du trnet nr. de ber om posisjonJeg er frstepilot og sitter foran til.
venstre.Hvorfor er ikke uglene s kloke som antattDe kommer seg ikke bort.
fra nattskiftet.Hvorfor mistet du legekonsesjonen under en
gulsottepidemiDu. feilbehandlet kinesere.Hvordan vet du hunden er snillDen
spiser av. hnden.Hvordan omkom ddehavetAv for mye salt.Hva er din
oppskrift. p bli hundre rDrikk et glass konjakk hver dag i. mneder.Nr kan
en kvinne ikke dra av det som str p mannenI. selvangivelsen.Hvordan unngr
man barn i trafikkenStrr ppiller i. gatene.Hvorfor tar parkvesenet inn
alle benker om vinterenFor at ikke. frosten skal sette seg.Hva slags
fiskeutstyr har duKlokke og hammer. Du. vifter med en klokke i den ene
hnden. Nr fiskenekommer opp for se hva. klokken er s slr du dem med
hammeren.Hva er en diplomatEn person som. tenker seg om to ganger fr han
ikke gir noen kommentar.Hva er definisjonen. p en barnevakt) Ungdom som
oppfrer seg som voksne mens de voksne. oppfrer seg somungdom.) Ungdom som
fr betalt for se p tv.Hva er. lide i stillhetTilfeller der telefonen er i
ustand.Hva fr du hvis du. krysser et piggsvin med en gorillaSitteplass p
bussen.Hva fr du hvis. du krysser en elektrisk l med en svampEn ny
sttdemper.Hva er. definisjonen p hjelpeslshetEn syk gullfisk.Hvorfor
nekter du. stille deg bakerst i kenDet str allerede noen der.Nevn to
pronomen. uten svare.Hvem jegHva sier du i talen til vennen som gifter
segVet. du at hun snorkerEr det riktig at fregner forsvinner nr man
spiser. agurkJa hvis fregnene sitter p agurken.En kvinne kommer mot deg
ifrt. bare et par sorte hansker og sko.Sparess.Hvorfor har du sttt i.
rulletrappen i en timeDet har vrt strmstans.Hva sier du nr du. kommer inn
i et bekmrkt romHer m det ha vrt mrkt lenge.Hva. fr du hvis du krysser en
hund og en kattEn hunnkatt.Nevn et synonym til. svmmehall.Akvarium.Nr
begynner nattenNr det ikke er mer se p. tv.Hva gjr du nr dine dager er
talteSkaffer en ny kalender.Hva er. alderdom bli straffet for en
forbrytelse du ikke har begtt.Hva er en. babyEt uferdig fordyelsessystem
som lekker i begge ender.Hvordan fr. man banklnVed bevise at man ikke
trenger pengene.Hva er definisjonen. p en bekjentEn person du kan lne
penger av men ikke til.Hva er. blomklEn kl med hyskoleutdanning.Hva er
burhneEn kvinnelig. sleggekaster.Hva er definisjonen p en celebritetEn
person som er. bermt for vre bermt.Hva er en championEn person som reiser
seg. nr det er umulig.Hva er diskresjon legge sammen to og to og holde.
kjeft.Hva er funksjonen til fluenetting hindre fluene i forlate.
rommet.Hva er fri presseTusen mennesker som sprer fordommer til ti.
millioner.Hva er et geniEn person som skyter p noe ingen kan se og.
treffer.Hva er himmelenEt sted der eselet tar igjen gulrota.Hva er en.
horisontEn forbindelse mellom himmel og jord som forsvinner nr du kommer.
dit.Hva er mindre enn ingentingEt hull i bukselomma.Hva er en.
hypokonderEn person som vet hvor mange meslinger han hadde.Hva er en.
juryEn gruppe mennesker som skal bestemme hvem som har den beste.
advokaten.Hva er en kamelEn hest planlagt av en komit.Hva er en.
koneKvinne som ser i klesskapet og finner to underbukser som ikke er.
der.Hva er en kurveDen vakreste avstand mellom to punkter.Hva er den.
menneskelige naturTre astronauter som krangler om vindusplassen.Hva er.
definisjonen p moderne poesiUryddig tekst uten marger.Hva er et.
smilKorteste avstand mellom to mennesker.Hva er definisjonen p en.
turistEn person som gr i kirken bare nr han har ferie.Hva er et.
utviklingslandKannibaler med kniv og gaffel.Hva er viljestyrke stoppe.
etter n peantt.Hvordan vet elefanten hva klokken erDen gr inn i.
urskogen.Hvordan fanger du en elefant med tavle kikkert pinsett og.
flaskeDu skriver feil regnestykke p tavle. Da kommer elefanten bort for.
undereske. S kikker du p elefanten med feil ende av kikkerten. ogputter
den oppi flaska med pinsett.Hvorfor fikk du sparken som. oljearbeider p
plattformDu kastet ut mat til helikopteret.Hva fr du. nr du drar ned
buksene p BeatlesRolling stones.Hvordan fanger du en. kenguru med en lueDu
spr om kenguruen kan veksle en tier og nr den ser. ned i pungen sins drar
du lua over hodet p den. Da tror den det er natt. og legger segtil
sove.Hvordan fanger du en mus med en sagDu jager musa. under klesskapet og
sager over alle beina p skapet.Hvordan fr du et. stinkdyr til slutte
lukteSett en klype over nesen p det.Nevn. afrikanske dyrearter. elefanter
og en giraff.Hvorfor spiser hvite sauer. mer enn svarte sauerDet er flere
hvite enn svarte.Hvordan fr du tak i en. fire meter tannbrsteKrysser en
giraff med et piggsvin.Hva er det. hfligste dyret i NorgeBukken.Hva er en
bigamistEn som gjr samme. feilen to ganger.Hvordan lager du en lukt som
aldri forsvinnerKrysser et. stinkdyr med en boomerang.Hva gjr du dersom du
treffer et troll med tre. hoderSier Hallo hallo hallo.Hva er ulempen med st
p egne. benDet er vanskelig f p seg buksene.Hvorfor str du i bunnen av.
rulletrappen og ser nedVenter p at tyggisen skal komme igjen.Hvordan.
imiterer du en fuglSpiser mark.Hvorfor skal man ikke sette en prislapp p.
en kattungeDen vil lugge.Hva kommer etter f i alfabeteta.Hva er. betleri f
en jente til si ja.Hva er et museumEt loppemarked som. ikke selger noe.Hva
er en novelleEn kort historie der handlingen foregr. i Frankrike.Nevn
eksempel p rkostTartarbiff.Hva er. skjrsburghDen lille fisken til
katolikkene.Hva er stlLegering av. jern ild og vann.Hva er det motsatte av
en tungvekter) Lettmatros ). SmkriminellHva kalles bienes
oppholdsstedVokskabinett.Hva er. forskjell p arv og miljDersom barnet
ligner p faren er det arv. ligner det p naboen er detmilj.Hvorfor brukte
du lysr p. reisen fra Sirius til jorda nr avstandenbare er Det var
motlys.Hva er. barnedpEn enkel hrvask uten sjampo.Hvordan spiller kvinner
russisk. rulett ppiller og brystkaramell.Hvorfor mistet du konsesjonen
som. tannlegeDu hadde drlig tid og fylte med kvikkslv i tennene.Hvorfor.
mistet du konsesjonen som kvinnelig tannlegeDu trakk p gaten.Hvorfor. gr
leger aldri i demonstrasjonstogIngen kan tyde plakatene.Hvordan.
legebehandler du en paranoidGi han to valium og be han rmme byen.Hva er.
moralisere ha en pekefinger med i spillet.Hva er en grisEt dyr som. fr lov
til like mkk.Hva heter barn av hvit eggcelle og svart. sdcelleOmelett.Hva
ernrer inuittene seg avFrossenvarer.Hva er. revolusjonOpium for de
intellektuelle.Hvorfor drar du et langt tau etter. degDet nytter ikke
skyve det.Hvem var RafaelEn rundbrenner som gjorde. madonnaer med barn.Hva
gjr du hvis du har bevis p at nabobonden har. tatt en grisunge fradegMelder
det til politiet nr grisen har blitt stor og. feit.Hvordan energisparer du
nr kulda blir ekstra strengKutter halen av. katta.Hva gjr du dersom
reversgiret slutter virkeSnur bilen og. kjrer framover.Hva gjre du nr du
fler deg ensomSnakker med den. andre inne i speilet.Hva gjr du hvis .
giret slutter virkeSetter. det to ganger i . gir.Kan du miste et egg fra
komfyren uten at det. knuserJa dersom det lander p en dyne.Skriv med.
tall.(()).Skriv med tall.()().Hvis ROBITECS str. frst i ordboken hva str
etter SCRETIBOSCORBITE.Hva er summen av alle. tallene etc. .Hvordan vet
du. at termosen er intelligentHvordan kan den ellers vite hva som er hva
nr den. skal holde det varmevarmt og det kalde kaldtHvordan vet du at
sorte hner. er flinkere til verpe enn hviteSorte hner verper hvite egg
mens hvite. ikke greier verpe sorte.Hva slags bok leser du i sort sett
hver. dagLommeboka.Hva er en hestEt esel som har skreket stemmen av.
seg.Hvorfor har sauen s tynne beinDen var lam som liten.Hvorfor har. du et
telefonkort i kondometHvis du ikke kommer s ringer du.Hvorfor gikk.
boksekarrieren din skeisDu telte alltid til ti fr du slo tilbake.Hvordan.
kjenner du igjen en adeligTatoveringene er uten skrivefeil.Hvorfor gikk.
dartspillfabrikken din konkursSkivene var oppblsbare.Hva er paranoid. tro
at det sitter noen bak deg i kirken.Hva er rutetidene i NSB etter at.
organisasjonen er fullt uteffektivisertNaturlige avganger.Hvor finner du.
Nordlands TrompetP Dass.Hva skjer nr sopranen og bassen fr barn.
sammenBarnet blir alt for dem.Hva er gult og sover aleneYoko Ono.Nr. er en
spade ikke en spadeNr du snubler i en.Hva slags virksomhet gir. strst
avkastning ri ville hester.Hva fikk Askeladden av den distr.
kongenKongeriket og halve prinsessa.Hva er tre ganger treHurraHva er.
anarkiEt land der kongen er dronning.Hvordan vet du bikkja ikke har noe.
stamtreDen pisser hvor som helst.Hva er lkEt vanndrivende middel.Hva. er
en myteEn sannhet forkledd som lgn.Hva er vindharpeEn gammel kone. uten
tenner.Hvordan fungerer befolkningsreguleringNr barnet fdes. stikker faren
av.Hvordan kan du ta ibruk to venstrehanskerHold den ene. foran speilet og
skru lyset av. Ta speilhansken p hndennr ingen. ser.Du trenger et nytt par
sko men har bare rd til den ene. Hva kan. dugjrePuss den blank s den kan
speile seg.Hvordan fanger du en. tannls hareGjemmer deg i skogen og
etterligner reven gulrot.Hva betyr. konkretEn ordre fra kongen.Hva er det
motsatte av ryggsekkMagesekk.Hva. er et negativBburghe str p hodet.Hva er
vindfangLengden av en fugl. p tvers.Hvordan viser du hvor stor fisken du
fanget erStrekker ut n. hnd.Hva betyr springe etter varmen ha det
travelt.Kva betyr. bli dott ved bli forbausa paff miste seg sjlv.Kva
betyr. uttrykket sita framand vera beskjeden.Kva betyr det at det vart.
troll med hanHan srga.Det syr i lefsaDet gr bra.Det er berre. kjaften og
bakftadnDet er skryt. du vide verdi sa mannen.Han. hadde reist ei mil.Det
hyrer med til dansen sa guten.Han datt i. koll.Det var ikkje undrast at
bytta lak sa mannen.Botnen var. or.Det veit ingen kor haren hoppar sa
mannen.Han satte snara p. taket.Dei er sure sa reven.Han ndde ikkje
rognebra.Det er alt. det same sa mannen.Han steig opp p hesten p venstre
sida og datt ned. p hgre.Det er ikkje greitt sa guten.Han hadde beka hret.
sitt.Eg er like glad sa guten.Han gikk og gret.Eg er trytt sa. guten.Han
skulle ha juling.Eg sit godt som eg sit sa katten.Han sat p. flesket.Eg
tregar p trya sa mannen.Kjerringja drukna p. sjen.Frende er frende verst
sa reven.Han sg raude hundar.Liker. ikkje du meg s likar eg meg sjlv sa
mannen.Han fridde og fekk. nei.No ska du sj sa sogningen.Han datt ned fr.
kyrkjetaket.Reinleiken er ein god ting sa kjerringa.Ho snudde skjorta.
julaften.Vara ftane dine sa sporven.Han dansa med merra.Ungdomen. rasar sa
kjerringa.Ho sprang over eit halmstr.Kva sa mannen som. kappsprang med
harenOppfor vant haren men nedfor tapte eg.Det er p. vona gjort sa
mannen.Han skaut etter mnen.Ein lyt mangt i verda. nytta sa mannen.Han
fldde merra med navaren.Eg er glad alt som er. unnagjort sa mannen.Han t
fredugurden til kvelds.Bannord er ikkje. for mange sa kjerringa.Det er s
mange som skal ha det.Ein m. skjemte litt sa mannen.Han reiv yra av
kjerringen.Det gr rundt sa. mannen.Han sto p kverna.Det var gjestfrie
folk.Me slapp so nr. inn.Det var snille folk.Me hadde s nr ftt mat.Store
hus er. kalde sa mannen.Han lg ute julekvelden.Aldri ein dust sa
mannen.Dei. spurde om han kunne hyra.Hadde detta mlet vore i ein bukk
hadde han. ikkje vore etande samannen.Han hyrde kjerringa syngje.Rekkje i
rad. no sa kjerringa.Ho hadde i ku.Eg stel ikkje sa guten.Men ser eg. noko
eg likar so tek eg det.Kva sa kjerringa som rodde i motvindGjev. vinden
ville vende til eg skal heimatt.Reint vil me ha det sa. kjerringa.Ho slo
grisen i bakenden med matskeia.Det var anna korn det sa. kjerringa.Ho beit
i muselorten.Eg kjenne krutryken sa guten.Han skaut. med nepefr.Det er
mykje stygt i vatnet sa mannen.Han sg kjerringa. bade seg.Det var inga ku
sa mannen.Kjerringa hadde drukna.Kva betyr. det var agnet som drog
fiskenDet var pga. lokkemiddelet.Han er ikkje all. der han er sedd.Han er
ikkje lett gjennomskode.Ho gjekk med ein krokut. arm.Ho gjekk med barn p
armen.Han fekk andre augo og sj med.Han. skifta oppfatning.Han hadde augo
utanp hovudet.Han var forvirra.Dei. vaska honom vel p baket.Dei baksnakka
han.Dei satte seg p. bakftane.Dei gjorde motstand.Det er beintfram som ei
blind merr.Det er. enkelt.D var bikkja berga.D var striden over.Det kom
ikkje bein i. bten.Dei fekk ikkje fisk.Ho bit ikkje alt ho grin.Ho er
ikkje s. farlig som ho gjer seg til.Han fekk det som best beit.Han fekk.
juling.Det er som dra ei bjrk baklengs.Det er tungvint.Han fekk. snakka
med Bjrknesfuten.Han fekk juling.Det kom klas i barnleik.Leiken. vart
voldsam.Han slr store boltar med lite hovud.Han skryt.Det vert. bot eller
bane.Det vert frelse eller fortapelse.Det kan ingen f botn i. honom.Han er
uutgrunneleg.Det verken dett eller dryp av han.Han deltek. ikkje i
noko.Egget vil lre hna.Lre bort til nokon som kan det. betre.Dei bur for
nr elva.Dei har vatna det ut.Det er store fat og. lite mat.Det er
skryt.Den eine filla slr den andre.Det er slitte. kleder.Det fekk fter g
p.Det forsvann raskt.Han er fuglen. som flgjer gauken.Ingen veit kva han
gjer.Han er full og fastande like. eins.Han er alltid den same.Det er
fullt som gre katten og fluga. svart.Det er store mengder.Han hyrer ikkje
gauken oftare.Han lever. ikkje til vren.Han syng med gauken.Han gjentek
seg sjlv heile. tida.Han er like glad kvat ende som upp snur.Han er like
glad heile. tida.Han gler seg p tynn l.Utan grunn.Han sto p glr.Han. var
uroleg.Han laut gjera seg god att i same kledene.Han mtte snu utan. ha
oppndd noko.Han kjem ikkje bort i graset.Han er. storvaksen.Han m ete ei
tunne graut fyrst.Han er for ung.Han. mtte grava som ein vond.Han mtte
arbeide flittig.Han er ikkje so. halt som han hinkar.Han overdriver.Same
guten spelar same sltten.Han. snakkar om det same.Han kan bde halde og
sl.Han kan vera slem.Du. gr som du ser.Haltemannen snakka til
blindemannen.Berre gift deg sa. mannen.Han sg katten leika seg.D var dt
gjort sa mannen.Han. hadde dengd kjerringi.Dei er gode grannar sa
mannen.Den eine lyg den. andre sannar.Han er rik som har sitt sa
mannen.Han t opp. agnet.Hardt mot hardt sa kjerringa.Ho datt i berget.Det
hender ofte. slikt p sjen sa selen.Han vart skoten i auget.Av hjartet
skein du. sa reven.Han tala ved mnen.Det er hgt opp og langt fram sa.
kjerringa.Ho skaut etter mnen.Ingenting sa kjerringa.Ho var daud.Men. rall
var det sa jenta om friaren.Ein general eller admiral hadde. fridd.Det kjem
att sa mannen.Ha ga purka flesk.Giv eg lg sa. kjerringa.Ho satt i senga.Der
vart lusa lurt sa mannen.Han brende opp. skjorta si.Det er makta som rr sa
guten.Han dengde katten.Her er. mange her sa guten.Han sg i luva si.Alt
monnar sa musa.Ho pissa i. sjen.Det hjelper p sa sneglen.Han kom seg til.
drstokken.Mykje t munnen lite t ulli sa mannen.Han skulle. klippe
sauen.Han er kald kor enn han kjem ifr sa kjerringa.Ho tala om.
nordavinden.Rekningi kan alder juge sa guten.Han rekna ut han var eldre.
enn far sin.Ro no alle vel sa mannen.Han rodde leine.Ja men. rka du det sa
mannen.Bikkja beit i trebeinet.Hva er det no d sa. valdrisen.Han fekk ei
kule i skallen.Kva gjer ein tyskar ikkje for pengar. sa mannen.Han sg ein
apekatt.Det er hand i hr og kniv p strupa.Det. gr p livet laus.Dei hang i
halen p honom.Dei heldt med han.Det. heng og blr.Det er altfor lite.Noko
harm skal ein ha om ein so skal. kjpe det sa mannen.Han hadde gjort ein
drleg handel.Du veit ein. heilag mann men ikkje kvar han bur.Du veit for
lite.Han er hendt som. hver.Han er allsidig.Han meinte himmelen var i eit
kalvskinn.Han var. forvirra.Det var ikkje hgt hjarte i han.Han var
bekymra.Han hjelper. dei som vinn liksom hundane.Han er feig.Eg skal vise
han eit firkanta hol. sa mannen.Han ville kaste han ut.Han har stanga
horna av seg.Han har rasa. fr seg.Han la skallen i blaut.Han grunna p
noko.Stor hug og. liten dug.Store nskjer men liten makt.Det er hundeskinn
p begge. sider.Ein strid melllom to onder.Det ligg p nederste hylle.Det
ligg. p golvet.Dei ville heller sj hlen enn ta hans.Dei ville bli. kvitt
han.Han sel ikkje hna si i vtt vr.Han er ein lur. handelsmann.Det heldt
eit hr att i nakken.Han ombestemmer seg. nok.Han fr kam til hret.Han fr
strengt oppsyn.Ein m g. med kattefoten.Ein m vera forsiktig.No m dei henge
kjaften p. veggen.Dei m svelte evt. ti stille.Han har kjaften p
skaftet.Han. er flink til snakke for seg.Det er deim i kjtet boret og
ikkje i. klede skore.Det er naturleg for dei.D hyrde eg klokka sl.D.
forsto eg.Han heldt fast med klypa og slepp med handi.Han sparar i det. sm
men slysar i det store.Det er skrive med kol p gryta.Det er. unyttig.No er
eg kolsvart.No var eg overraska.Han mtte mate. krabbene.Han vart
sjsjuk.Det gr som krabba.Det gr p. skakke.Dei glana som ei ku p ein nymla
vegg.Dei sto og. mpa.Han er fdt midt i trafikken.Han snakkar hgt.Han har.
kvikkslv i setet.Han er uroleg.Han er ikkje lang under augo (lang i.
tyet).Han snakkar lite.Han let som ei skjor.Han klaga lenge.Han. laut
prisa leggane.Han mtte springe.Dei leggje seg med hnom og. stande upp med
svinom.Dei er dovne.Han les som fanden les bibelen.Han. brukar alt til sin
fordel.Skyt leta mi.Hent det til meg. (Legg til. latskapen).Det et ingen
mat.Det er kjekt ha.Det ligg under. lok.Det er dd og begravet.Dei er linne
med sinom og harde med. hinom.Dei er urettferdige.Lite var det skitut var
det og seint kom det. fram.Om drleg forsyning.Dei leve som ku i h.Dei
lever flott og. makeleg.Han str i lyset og skyggar seg sjlv.Han utnyttar
stillinga. si.Dei snakkar so steinane m sprekke.Dei snakkar usant.Det er
ikkje. av lunga berre av tunga.Det er ikkje p alvor.Han lyste fred over.
dei.Han fekk dei til halde munn.Det er betre i lyndo enn i. syndo.Det er
bedre enn det ser ut.Det er stor ls foran lite hus.Det er. undvendig
mykje.Makta minkar mens sinnet veks.Om eldre vrange. personar.Han har grnt
malt p loftet sjl.Han er ikkje betre. sjlv.Han kunne meir enn mata seg.Han
kunne mykje rart.Mange maur om. ein makk.Stor ettersprsel.Det tek margen
or ryggen.Det er altfor hardt. arbeid.Dei gjer ein mygg so stor som ei
merr.Dei overdriv.Han ser. mehanken gjeispe i kyrkjetrnet.Han skryt og
lyg.Han mt ikkje mer enn. som hunden gjyr.Han set ikkje pris p det.Han
fekk nasen til stav.Han. datt p hovudet.Det er dette nasen klr etter.Det
er dette ein. vil.Han plystra i nasen.Han var opphissa.Dei har ikkje nla
i. veggen.Dei eig ingenting.Han ga han like ord i halsen.Han snakka etter.
han (jatta med).Dei fekk renne rauvi si.Dei vart dyktig lurt.Reven tek.
ikkje gsa.Klokskapen din lurer ingen.Han rir ikkje dagen han salar.Han. er
treig.Dei ror kvar sin bt.Dei er uenige.Ho har ei lang rove.Ho. er av
fattig slekt.Dei har sine runer ute.Dei spanar og forhyrer. seg.Det tok
ryggen or honom.Det tok makten fr han.Han er komen i. ryken.Han er komen i
stor respekt.Me sg han sist bak.Han er. reist.Det sit ikkje i meg.Eg kan
ikkje tru det.Eg ser like langt inn i. steinen som andre.Eg veit ikkje
meir enn andre.Di skade vaker.On ei. nestenulykke.Ho har ei mkkut skjei
vaske.Ho trur ho driv med noko. stort.Han ser ikkje skogen for berre
tre.Han har ikkje oversikt.Eg har. end eit skot i hornet.Eg har end meir
gje.Det gr over. skrevet Det hoppar over hakketDet gr for vidt.Han slipar
ikkje utan. vatn.Han har ein fordel av det.Han slit ikkje silke.Han er.
fattig.Eingong small det.Endeleg vart det alvor av det.Det gr med.
staven.Det gr sakte.Det syng p siste verset.Det nrmar seg. slutten.Ho er
tett som ei sil.Ho sladrar.Det verkar ikkje tennane i. han.Det er lenge
sidan han levde.Det er for lite til troll og for mykje. til menneske.Om
ein stridig slem person.Han trur som trolla.Han er. letttruande.Han trur
ikkje sine eigne hender.Han er veldig. forsiktig.Eg er trytt som ein
makk.Veldig trytt.Dei fr tre. p talgi suge p labben.Lide mangel etter
overskudd.Det kan ikkje. renne kaldt vatn mellom dei.Det er stort
vennskap.Det er ein vegg or. huset.Det manglar noko vesentleg.Han er vida
kjend og lite etterspurd.Han. er upopulr.Dei har tjukke yrer.Dei er
likegyldige hyrer ikkje. etter.Me skal alle den vegen sa smjenta.Ho sg
brudeparet g i. kyrkja.Det er mykje vondt i verdi sa guten.Han skulle lre
lesa.Det. er ein overgang sa reven.Han vart fldd.Skjnte eg det ikkje sa.
jenta.Ho fekk ein unge.Det var ikkje meir du skulle spurde jenta.Guten.
fridde.Detta var no for mykje av det gode sa mannen.Han fekk. mkkalasset
over seg.Han strauk med i slaktingen sa mannen.Grannen. spurde etter
grisen.So skal det bli skrik sa guten.Mor hans kom med ein. kam.Dersom Gud
vil. sa mannen.Han hadde ikkje spurt kjerringa.Tja. detta lurar eg p sa
grisen.Han sg kniven.Slepp meg ellers s. skrik eg sa musa.Katten hadde
tatt ho.Kjre vene sa vampyren.Blodet. ville ikkje ut.Det er sausen eg er
glad i sa mannen.Han bomma p. rypa.Det var lystige sjeler sa mannen.Han
hndterte vepsebolet.No. blr han iallfall den jvelen sa smeden.Han trakk ei
tann p. vegvoktaren.Det var ein bra kar sa presten Nr andre sv var han.
vaken og detandre mangla hadde han.Tjuven skulle gravleggas.Vil du halde.
meg i handa spurde mannen.Han sat i den elektriske stol.Plagget kan. ikkje
bli bedre sa skreddaren.Han hadde sydd lomma p ryggen.Det var. noko som
rensa magen sa jenta.Ho fekk tvillingar.Lev vel sa. kjerringa.Mannen
skulle hengjast.Vgar du livet s vgar eg halsen. sa guten.Tordivelen satte
seg p kaka.Hva heter ungene til. svanenSveklinger.Synonym til en
l.Vannslange.Hvordan utfrer du et. dobbeltmordSlr ihjel en mann to
ganger.Hva er flaskepostEn postmann som. liker en tr.Synonym til
katapultFluktstol.Synonym til. mausoleumDdsbo.Ingen roser uten torner sa
katten.Han voldtok. piggsvinet.Velkommen i det grnne sa jenta.Ho strydde
persille p. magen.Det er nullane bak som teller sa mannen.Han snudde
bankboka.Ja. ille sit du men s glyme du ikkje svalle um det heller
samannen.Grisen. satt fast i gjerdet.Altfor nrme nasen sa guten.Han fekk
saltsprut i. auga.Bedre livlaus enn rdlaus sa kjerringa.Ho turka bordet
med. kattungen.Kva er verdens breiaste bruIsen.Kva tre har tolv greiner
fire. reir p kvar grein sju egg i kvart reirog det sjuande gyllentret.Kva.
ser du berre nr det er mrktStjernene.Eit stort hus som reparerer seg.
sjlv.Isen.Det ligg ein duk p vollen jo mindre han er vaska jo. reinare er
han.Snen.Ei mor et opp ungane sine s snart dei vert. ungdomar.Havet.Kva gr
i grus utan ein lydSkyggen.Lita og raud nett. som ho leve er ho
daud.Gnisten.Sonen spring t skogen fr faren er. halvvaksen.Ryken.Burande
og belgande og legg at huda i. skogen.Tmmerstokken.Str i jorda og veks i
senga.Gulrota.Framtil som. eit nyste midtp som ein sekk og attantil som
ein kjepp.Katten.Eit lite. hus fullt av mat men ingen dr.Egget.Fire
systrar sit p ei tuve og. skyt kvite kalva fr seg.Juret.Om morgonen p fire
om dagen p to om. kvelden p tre.Menneske.Eg ser det du ser det kongen ser
det sjeldan Gud. ser det aldri.Sin like.Kva hgg heile dagen men fr ikkje
av ei. flisAugelokket.To systrar sit under eit ufs ikkje sjast og ikkje.
finnast.Augo.Eit hus full av kvite geita og ein rund spelar midt.
i.Munnen.Eit lem utan bein som studom gjere mange mein.Tunga.Kva er det.
den fattige kastar bort og som den rike sting i lommaNasedropen.Kva slags.
hr har den venaste jenta i bygdaMannehr.Kva reiser heile verdi. omkring men
er alltid heimeTanken.Eg har det du har det eg brukar ditt. du brukar
mitt.Namnet.Kva er det som korkje har nokon byrjing eller. endeRingen.Kva
gr heile dagen p skallenHatten skospikeren.Daudt. dreg levande ut av
skogen.Kammen.Kva er mindre enn ingentingHol i. bukselomma.Det str ein
stein i heilag rein med fire fter og ingen. bein mangebrurar og ikkje
bryllup mange born men ingen fdde mange lik men. ingendydde.Kyrkja.Det er
eit land med mold og sand der er korkje ml. eller minne menfolk er der
inne.Kyrkjegarden.Ikkje ute og ikkje. inne.Vindauget.Kven ser alle folk i
skrittetDrstokken og trappa.Kven. nevehelsar p alleDrklinka.Ein drage str
i stua med halen p. taket.Skorsteinen.Minste tingen men lengste
rova.Nla.Ei mus dreg det. nedover bakken men ti hestar kan ikkje dra det
opp att.Garnnstet.Kva. gr rundt og lagar eggSlipeteinen.Liten ker med
svart korn.Boka.Kva. er det som er urett og ikkje syndDen hgre skoen p den
venstre. foten.Aldri har det vore aldri vert det og kor mann ser det p seg.
sjlv.At fingrane ikkje er jamnlange.Kva gjer den kvite hesten ute i.
mneskinnSkugge.Kor langt er det herifr til himmelenEit. augekast.Kva er
tyngste bra p byvegenEin tom pung.Kor mange mil er. det til mnenEi og dei
andre.Det ligg ein stein i lia. Nr han hyrer. kyrkjeklokka s snur han
seg.Steinen hyrer ikkje.Kva sa reven d han. tok den feite
gsaIngenting.Kjerringa t opp ei tunne sild etter at ho. var daud.Ho t
ikkje silda levande.Kor mange kalverover m til for. rekke inn i himmelenEi
dersom ho er lang nok.Korleis kan ein hyre nr. graset grorEin hyrer
iallfall.Kan du sj eit halvt grisehovud med to. augerJa med dine.Kor mange
skor har den som har fleire fter enn. skorEin.Kva veks nrare og nrare
jordaKurova.Kva er det som. manglar ein velgjord skoMakan.Gudmund og hans
hund for gjennom eit sund.. Kva heiter Gudmunds hundKva.Det stend eit tre
uti havet. P treet er det. like mange greiner som deter drpar i havet. P
kvar grein sit ei jomfru. Korleis kjem dei segtrrskodd i landDei tek ein
drpe kvar.To. innganger. Frst nr du str med ftene ute er du
inne.Buksene.Rota. oppe og toppen nede.Istappen.Har bein men kan ikkje g
har mat men kan. ikkje ete.Bordet.Auge men utan hovud.Nla.Hovud men utan.
auge.Spikeren.Kven gr rundt omkring men er alltid heimeSneglen.Hvem. er
barn av dine foreldre men ikke din bror eller sster.Du selv.Hvor langt. er
det fra st til vestEn dagsreise.Brenner uten flamme og slr uten.
kjepp.Hjertet.Hva er bde ute og inne samtidigDra og vinduet.Hva. finnes
mellom berg og dalog.Sykdom som aldri har herjet i noe. land.Sjsyken.Tre
jenter gikk til skolen med bare n paraply men ingen. ble vte.Det regnet
ikke.Hva har egg men kan ikke lage egg. selvKniven.Hvordan klatrer du i
stamtreetVed slektsgranskning.Hva. gjr fuglene til verdens beste sangereDe
synger rett fra bladet.Hav uten. blger skog uten trr.Kartet.Hva slags fjell
er flateFjellene p et. kart.Hva er sort blir rdt blir grttKoks kull.Gr til
grunne. mens jeg tjener menneskene som opplystStearinlyset.Nr har mlleren.
mest i mllaNr han str inne og stikker hodet ut.Hvor svmmer. laksen nr den
er tre r gammelInn i sitt fjerde.Hvordan brer du. vann i en silLar det
fryse.Hva befinner seg midt i. perlekjedetSnoren.Kan du skrive rdt med
sort blekkRdt.Hvilke. dager i uka er lengstTirsdag og torsdag.Hvem fr
alltid det siste. ordetEkkoet.Fullt av kjtt og blod mangler liv uten
bunn.Ringen.Hvem. er den flinkeste lommetyvenHullet.Hvilken y var den
strste i verden. fr Grnland ble oppdagetGrnland.Hva slags dyr blir nevnt
frst i. bibelenBi.Hvem ser mest mellom en mann med ett ye og en mann med
toHan. med ett ye ser den andres to mens han med to bare ser den
andresene.Hvem. gr alltid p tvers gjennom kirkenDpsbarnet.Hvordan kan du
forandre. en barbar til en kvinneBarbara.De dde spiser det men de levende
dr. av det i lengden.Ingenting.Hvor dypt er verdenshavet p sitt dypesteEt.
steinkast.Musefelle p fire bokstaver.Katt.Nr skal den siste komme. fr den
frsteVed mnedsskiftet.Hvordan oppsto verdenMed liten. v.Hva kommer gjennom
vindusruten uten knuse glassetLyset.Hva er tre. til toEn og en halv.Hvordan
holder du kalvekjttet friskt om. sommerenHolder kalven levende.Hvilken sak
er skyld i alt som skjer i. verdenrsaken.Hvilket barn har sett sin far
dpePrestens. barn.Kommer pske fr eller etter pinseBde fr og etter.Hvorfor.
er det vanskelig fotografere en glad hundHalen logrer ikke.Hva har.
eksistert i milliarder av r men er mindre enn fire uker. gammelMnen.Hva er
det beste antirustmiddeletGammel. kjrlighet.Hva tar kortest tid av bygge
opp og rive ned bygge. opp. For rive m du frst bygge.Hvilken fisk er
lengstKlippfisken. hodet i Island og Norge og halen i Spania.Hvem har
holdt best fast i de ti. budMoses da han gikk ned fra Sinai.Hvor stod
basunblserne da de blste. ned Jerikos murerBak basunene.Hva m man alltid
gjre fr man reiser. seg oppSitte eller ligge.Hva blir strre og strre jo
mer man tar. vekkHullet.Hva kommer etter evigheten.Amen evt. et.
sprsmlstegn.Hvem forteller alltid sannheten men vender p. altSpeilet.Ingen
unntatt meg selv kan si hvem jeg er.Tungen.Han kunne. ikke forst det jeg sa
og ville ikke si hva det var i veienmed han.Han var. dvstum.Hva er
samvittighet le sammen med andre.Stort vann p to. bokstaver.Is.Hva er det
som gr rundt juletreet men som aldri blir. trett.Barken.Hvem har reist
flest ganger rundt jordaMnen.Hva kan en. mus trekke like tungt som
elefantenPusten.Hva sender du som yekast eller. metallBlikket.Den som har
det er fattig den som vet det er dum den som. gjr det erlat der hvor det
er finnes det ikke den som hrer det er. dv den somser det er
blind.Ingenting.Hva slags vann fryser ikke til. isVarmtvann.Hvem kan
snakke alle sprkEkkoet.Hvilken drikk er verdens. sterkesteVannet det brer
de strste skipene.Nr kommer august fr. juliI en ordbok.Hvorfor kaster du
klokken ut av vinduetDu nsker at. tiden skal fly.Gr trappen oppover eller
nedoverDen str stille.Hva. er den dypeste grunnAvgrunn.For lite for en for
mye for. tre.Hemmeligheten.Den aller strste er den aller
minste.Bagatellen.Det. er mitt men bare andre bruker det.Navnet.Hvor mtes
veggeneP. hjrnet.Hva gr p kryss og tvers over landet men ligger helt.
stilleVeiene.Fdt fr sin far.Kain og Abel. (Adam var ikke fdt men.
skapt).Hvilken side av koppen sitter hanken pUtsiden.Hvorfor er. vret
matematiskDet regner.Hvorfor er vret poetiskDet rimer p. bakken.Hva ser
man nr man skjrer med knivenSitt snitt.Hva slags. steiner er det flest av
i ferskvannVte steiner.Hva slutter evigheten. medn.Hva slags glass er det
best skjenke iTomme.Hva er det beste. med et lekkert mltidAppetitten.Hva
har verken begynnelse eller sluttAlt. som gr rundt.Er det mest fisk eller
stein i vannetFisk steinen er under. vannet.Hvordan var Eva som menneskeEn
primadonna.Hva slags stein kan. svinge rundt hjrnerRennesteinen.Hva er det
lengste norske ordetSmile. en mil mellom frste og siste bokstav.Hva er
verdens lengste. ordLysr.Hva er det mest nysomme dyretMllen den spiser.
hull.Uspiselig brd som alle lever av.Levebrd.Hva slags tid er den.
lengsteVentetiden.Hva er mest synlig i mrketLyset.Hvilken klokke. viser
riktig tid oftestDen som er i ustand og str stille den viser riktig. tid
to ganger idgnet mens andre viser riktig tid sjeldnere.Nr er den. dumme
klokestNr han holder munn.Hard mor skaper de beste. barn.Perlemor.Tann som
ikke kan plomberes.Tidens tann.Hvorfor har ikke. oksen bukserKua kan ikke
sy.Hvilken fisk sitter ynene tettest pDen. minste fisken.Hva ligner mest p
en halv appelsinDen andre. halvparten.Hva heter de mest kjente
stieneDynastier.Hva er beste mten. lage ild p med to pinnerAt pinnene er
fyrstikker.Hva stter du p. ganger i sekundet men bare en gang i
timene.Hvorfor er ikke flodhesten. redd for tigerenDe befinner seg i
forskjellige verdensdeler.Hva er en smal. sak f vske til renne gjennom et
sugerr.Hvilken vei gr du. tilbake for komme fremHjemveien.Hvorfor er hanen
s velsteltDen har. kam.Hvor mange lver er det plass til i en tom
manesjeIngen.Nr. seirer hpet over erfaringenI andre ekteskapet.Hva skinner
solen aldri. pSkyggen.Hvordan fanger du en lve med en silHell rkensanden.
gjennom sila da blir lvene igjen.Hva slags sprsml m alltid. besvares med
jaHva er frste stavelse i japanHvem venter alltid til. siste sekund men
rekker det alltidKlokkeslaget.Galer gjken fr eller. etter sankt hansDen
galer koko.Hvordan fanger du en grspurvHopper ut. fra . etasje og synger
som en brdsmule.Hva drikker duer for bli. gjennomsiktigeVin og blir
vinduer.Hvordan finner du lettest lykke. sunnhet rikdom og kjrlighetI en
ordliste.Hvor stor kan en nese bli. tommer fordi tommer fot.Hvordan kan du
spise en ntt uten. knekke denLa noen andre knekke den.Hva er det strste
med. NapoleonN.Nr ser man best utI vinduet.Hvor er det beste kjttet. p
fiskenMellom beina.Hvor lange er beina til et idealmenneskeAkkurat. ned
til bakken.Hvor mange store menn er fdt i BergenIngen alle er. fdt sm.Hva
mangler den lamme den blinde og den magre i ett. ordGsefett.Kan noe vokse
mer enn centimeter i dgnetJa. centimeter vokser ikke.Hvorfor finner man
alltid igjen tingen p det siste. stedet man leterDa trenger man ikke lete
mer.Hva slags pass kan du reise med. verden rundtKompasset.Hvorfor vil
ikke fru Gyldenskiold at mannen hennes. skal begravesHan er ikke dd.Hvor
lang er en regnbueDobbelt s lang. som halvparten.Hvor lang er en ormEnormt
lang.Hva kan uttales bare med. lukket munnM.Hvor kan man alltid finne
sympatiI ordboken.Hvem brer. huset inne i segEplet.Hvorfor er termosen
intelligentHvordan kan den. ellers vite nr den skal holde det varme varmt
eller detkalde kaldtTo. sm steiner et appelsinskall og en gulrot ligger
ved siden avhverandre i. hagen nr vren kommer.Restene etter en
snmann.Neste gang legger jeg. ikke fingrene imellom sa kona.Mannen smelte
med dra.Hvor gr man etter. begravelsenEt sted for trstespise.Den er ikke
bare for kort den er. for bred ogs sa mannen.Han holdt plata feil veg.Ei
jente mister. kontaktlinsene i en fotballkamp og finner dem ikkeigjen.
Etterp fr hjelp. av faren som finner dem.Mens hun lette etter to sm
plastbiter lette han. etter kroner.Mannen har sukkersyke mens kvinnen har
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laboratoriene i ukevis.he died. for your sins make it worthwhile.et
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eime sprekk lee striesekkhlhugset pent.bush frykter terror mens. vi
frykter bush. etterretningen omkring bush mstyrkes hvem er han hva.
noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata. hollywood wind
travesty. det har vrt mye vind idag fint se p alle kompliserte bevegelser.
denlager. automatisk sett at lvet beveget seg selv se bort fra vinden.
ogmed en gang kan vi lese inn gruppedynamikk ol. i det som skjer. det
somvirker. merkelig er hvor lett det kan oversettes fra ytre vind til
indrebeveggrunn og. er det ikke snn med oss ogs du tror du gjr noe ut
fradeg selv mens en. enklere forklaring er ytre og fysisk som flge
enstrmning og. struktur i kulturen. mennesket har i strre grad enn
noeannet en. egenbevegelse men alts bare ved se p vinden i lvet er
detlett. innse at en andel av det vi nsker forst som egenaktivitet.
erlettere forst som en passivitet i et aktivt medium (gruppe.
samfunnkultur tankeform). f.eks. virker det som lvbladene flger.
etterhverandre opptrer som gruppe med en selvbevissthet (vinden lager.
loopspiral ye som en indre struktur) en lvgruppe interagerer med.
andregrupper p dramatiske mter ingen kan unng reagere p at en. bil
kjrerforbi det virker som de flger etter bilen av fri vilje idag.
snakkeralle om irakkrigen overalt av fri vilje jeg tror det hadde gtt an.
regissere en hollywoodfilm bestende bare av lv og vind. sett i. forholdtil
kaosteori ol. forandrer det ikke rollen til kunstneren nr. tingenelager seg
selv eller allerede er lagd blir det som en dikter kanskje. somsetter
sammen metaforer og kontekster eller som entranslatrtranskribent. mellom
verdener og modeller metafysisk prestsjaman den sinnssyke. kunstneren som
formidler mellom verdener idagsekulrt som en formidler. mellom
modellerforstelsesmter vi har bareen verden men til gjengjeld. k ting og
referansesystemer kunstnerenblir kanskje en formidler mellom. disse og
beveger seg samtidig frieremellom dem. folk flest lever i dem. vitenskapen
definerer dem kunstnerentraverserer dem (traversp tvers (samme. noemata.
randomART (unknown). '. '. c L ). O. s I. Yo. E u E. L l d n m. E. ' '. B
'. .tuogol eteO c. t iouxe . n Emda m l. e C n o Dele msg m G. e ELE P p u
r LE D e E. i L na E m o Dgtsil tatd rF ss onr End h.eg. cb m cbpl.cheharR
Kdop msg n c Oete l gsm eleDm. P ELE l e oG tgD o m D gEsE rno
oi.lpbcuilncKt. dhd g m EE . eons L othp m a arR bt th.eg ce d rF ssr. l
bre v ar g a g rl a re ev ik ke e. n ge d gat e ll i g g j e s d r esenrt
r t r e. e ndr se ks i ps t en d e es g s g de r e. vi n kto m m e e dv
reni gn h t n g l. n nmn og dee h sali o e v o n selg rsv l r. s asn en n
l eo ig e e i le. de dt a f . tatn i r n ltd d o k tu lin .. n ee d smgs
et sslo t o rtv d e. O sdtp nk m e F v ena m dn ie east v r e. di or ne l
s dpir i y r en se eovb tee. rede l kte v r ne dnDneg t i ies ey k. ltt p
p . i e ndl e sa d ap o a .F d n e. nn nn e m k e vsu d. r n tv an en t s
r v e .b. o f r r ge t ulao sma n fe d r k. m ne r i i n a n o d o o fl yt
b o. s ag t e t l ett e d e e la . i td o teD. r e d o h e k u r tsi h n e
p a s a G l u a u oenned. sednev terdnuhr .gslegadppo arF .edis lit rojenh
ned lit temmok n. ivvtenlg ettulosba ned rof ne len ira nedd inori
tnatstradnagev go. sgadgilgad ne nke ovenvuof eon regnel ektoy sm sbrtevil
idrof tktkrnv. t snf at. ed oi a nrt ei. ig noe ddbtp elr dt el eFae ei. te
t h Dgd en. ey e re. r art. . ri hrg eller og dul jvnge eogarmjbare var
gagneg. iekrvehven.relsen alleredts ssene pd.. Ddens tilintee evtdr den.
latterliggjrninysm eesenterer vender seg nkost intet som
eksistensenesgtom. uunngelig reduserer m Oseg selv galskapens spott dreade
oa e kdkr d t. cueol tleni li t sne D . .r aot e el l t.h l ngg. a g r a o
tmh G l an e f jo e d e r ela. nes f r M eed ng al skk e g s n ist ilr le
t. tal e ned d h r o t rs l r t o. s k bl a e v eet n e e r p e r ed d e t
e. a e e n i n st. jd b o d l i. p o r l rm e a be v d s e. l e l r l. t t
n s b e. gn m o t e h g n ev d e dn lf e et ng i t. e v a gni n t a i l d
e. o grg i t s o r ke en. kg e r no e f o r v vg g r n d g i d a g. e s s
s ng est. e o r u e dn e n rtmo n ed o. e t e v s d gu j. s e g e s kan t
i r on i as g. e n bi. d r. met ak o. oe nd vsn. si s e s n. f i n r e e r
t e e t i. t n e h n a f s e n. a rm os ke tn. ee vr ae. d gs nt. no f. .b
ingen av en forbannelse.ig for. dets kraft til kno p en etisk transcendek
tmoralsk trollbindenderer til. oppheve fattigkisen old... Etter
klassdrvlsenhtigdom. Arbeid oioaea ertt. ufeilbarlig gsmfnvbdtoae tvert
imot m imte ekff eproblemenebifse.msrvas l. arbeide eramnta mgrgbees
frstdtateAovm non dknustrt erktn reb ovifit ked. dietaeisibd tsan
nelidnIee klg keime trsdi ri nlfvstdtkieodetee tsev. elake ooedbs nesml
enys esruteml er ivntr etettynk el t kstatdegoolllakmarf. els bnser
emflereneg ne momlidoet ella tom leddienmvifvetlekne te i ttas. gyile
innejk tediebra rav eribttkudorp nis dem go i ktrnejkre elb tehllufsgnina.
tretpeska teksennem edteksennem gnavt mos volru t ne res eud tdoe k re gl.
skitet taktleg nke dso i men spiralr du er hea n. d o d s r. a s t r l o.
u d r r e h e g k. noemata. nap.art Re PRESSEMELDING. Gjesp Grethe.. du
har du link til eBayen noen spurte om det fr men fann. det ikke bare
reproduksjonene.Men det er dog et tankekors at en. kunstnergruppe som
produserer kunst som p ingen mte kan stjeles. fordi kunsten deres ikke er
fysiske objekter p samme mte som malerier. pstr at de har stjlet et
kunstverk som kan stjeles fordi det er et. fysisk objekt. Det er liksom
forholdet mellom materielle og immaterielle goder. det.For det frste jeg
har ikke psttt ha stjlet noe. Men. det er et godt poeng har en stund prvd
selge digital kunst men uten. svindel. Skal vi se jeg har et opplegg om
tilby Samtidsmuseet en anseelig. mengde spam mail ( millioner) som har
sttt p en sperret konto i. utlandet etter at nettkunsten dde. Kommer
tilbake til dette du kan hjelpe. oss Grethe. Forvrig str tilbudet pent som
presseansvarlig for. Noemata. Ring. Kan du lne meg noen penger
Ligningskontoret avviste klagen. min p restskatt p seksti tusen. For det
andre forsket mitt med. g rettens vei med tjueri av immaterielle
objekterrettigheter etc. frte ikke fram i fjor henlagt av politiet det var
forvrig virkelige. penger ogs uansett. Men ja kanskje en reaksjon p
materialitet og. immaterialitet alt dette nye er jo immaterielt og hype og
presser. fetisjeringen nedover mot pappkartong sppel og spam.
realitysppeltv er jo veldig stort eller Munch til mrd de. elektroniske
kretslpene trenger jorde de virtuelle verdiene ut i noe. materielt og dess
mer uvurdelige de er dess bedre s ligger makten likevel. i det
virtuelle.Tore p sporet Hva om det er DET som er poenget plage. dere
(waste of timeenergy) mener jeg med kjedelige ting hvordan bruke hypen.
til diffundere sin egen kjedsomhet utover ikke mot dere personlig men.
utover institusjonene s si. Ved ikke stille seg selv i. hypelyset plages
andre i jakten.Forutsigelig kjedsomhetsspredning.Ingen. spennende svarte
finnlandshetter bare en masse stress som ender i. ingenting.Ja det er
gjort med det samme gjespet gjespet som grupperefleks. media gjesper jeg
gjesper dvs. media og jeg er venner vi gjesper sammen. Har. ikke lest
aviser etterp s det er ikke det. Gjesp.Det er interesant. se hvor raskt de
finner fram til telefon og andre personlige opplysninger og. hvor stor
kraft de legger i det utover natta med en eller annen autodialer.. Hvordan
er det med journalister og datatilsynetJens Laland tok opp poenget med.
kunstens status. Da jeg postet dette til internasjonale lister samtidig.
(nettime rhizome etc som forvrig publiserte det i motsetning til. lista og
ekunst et par dager etterp) hadde jeg en dialog it's a. media hype so why
not play with them and for the record i didn't write. that noemata stole
the paintings so i'm not worried and after all artists. are not to be
taken seriously..)You just sound like the .org thatafter. their actions in
the Nike Platz and the claim put against them byNike they. just said
something like 'Oh but we were just kidding weare just artists.'. )yes but
it's a loopback like media and maybe society treat artistslike. that adding
unreality to what theywe do so the unreality isreflected. back.Jeg tror
kunst og kunstnere kan bruke sin status som uvirkelige til. interagere med
et samfunn kultur og media som blir mer og mer uvirkelig. s de mtes fra
forskjellig kant der kort sagt media simulerer en. virkelighet (a la
virkelighetstv) mens kunsten virkeliggjr en simulering. (setter i scene).
det frste er en tildekkende strategi (skjule sin. uvirkelighet) mens det
siste er en avslrende strategi (et pent spill).. Jeg kan klippe inn et
lengre innlegg her ikke n jeg er trtt.Tilslutt. la det vre klart hvis noen
nsker en rask oppklaring og at maleriene. skal komme tilbake i offentlig
eie s sett millioner kroner inn p. konto nummer Storebrank Bank. Jeg kan
ikke garantere hva som. noemata. idea real ide areal la era edispansk 'la
era' tid. ndvendig bruke heller men vil lette.
indexeringgjenfinningantaglig.f.eks. mtereferatet for ikveld kan med hell.
tagges inn i boken og sendesmailinglista slik som denne.bforsvidt i.
noemata. kSay. kuten spor uten skyld.informasjonssamfunnet skaper 'karma'
gjennom behov for. sporbarhet. it would be attracted to the boy s. kHer
var. noemata. noemata Fwd Article Why the Web Will Win the Culture Wars
for the Left. noemata. help (pleh). noemata. adundas. lj lj Latin Dead yet
still. noemata. pre.txt
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mailinglistSyndicate network for media culture and media. noemata. Re
arc.hive Re fragments of a room. noemata. Fwd Article The Violence of the
Global. noemata. Xchange CN YN MN JN .snarT. jroznfgre ng
jro.znfgreqrd.fgngr.bx.hf. Fgerrg Nqqerffand installers for. installation
and maintenance of copper andfiberAbout. . Services. . News.. . State
Board. . Hall of Fame..Search. Text Page. Oklahoma. Department of
Agriculture Food NT DS CS.IR AP RO KO HO .DN CN YN MN. JN .snarT fo .tpeD
amohalkOytefaScilbuPfo .tpeD KO robaL fo .tpeD amohalkO. ecnarusnI fo
.tpeD amohalkOhtlaeH fo )L(()((. (a) (c) (o) (u) (s) (t) (i) (c) ( ) (s).
(p) (a) (c) (e). informationcomunication channel for. noemata. nyheter.
barnepysj kan vre ddsfelleskolemassakredd mann fikk. telesexregningeri
hver fjerde farskapssak viser dnaprver at moren har. noemata.
Undeliverable. noemata. Re Amazom. international for ordering more coffee
Mysupplies are dwindling and I have. only a few pages left of the
GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
And that's all.One Minnie. Ass rune torino. fee strangle aches crease
baycome tossycenglish mopping we bother honey. sigh and copy. RyeWhatever
you say.Hokay. Tendjewberrymud.. () () ( )(. ) ( ) .......... More.... ()
() ( )(. noemata. Barths. Autobiography A SelfRecorded Fiction You who
listen give me life. in a manner of speaking. I won't hold you
responsible. My first words. weren't my first words. I wish I'd begun
differently. Among other things I. haven't a proper name. The one I bear's
misleading if not false. I didn't. choose it either. I don't recall asking
to be conceived Neither did my parents. come to think of it. Even so.
Score to be settled. Children are vengeance. I. seem to've known myself
from the beginning without knowing I knew no news is. good news perhaps
I'm mistaken. Now that I reflect I'm not enjoying this life. my link with
the world. My situation appears to me as follows I speak in a. curious
detached manner and don't necessarily hear myself. I'm grateful for. small
mercies. Whether anyone follows me I can't tell. Are you there If so I'm.
blind and deaf to you or you are me or both're both. One may be imaginary.
I've had stranger ideas. I hope I'm a fiction without real hope. Where
there's. a voice there's a speaker. I see I see myself as a halt narrative
first. person tiresome. Pronoun sans ante or precedent warrant or respite.
Surrogate. for the substantive contentless form interestless principle
blind eye. blinking at nothing. Who am I. A little crise d'identite for
you. I must. compose myself. Look I'm writing. No listen I'm nothing but
talk I won't. last long.LifeStory III The reader You dogged uninsultable.
printoriented bastard it's you I'm addressing who else from inside this.
monstrous fiction. You've read me this far then Even this far For what.
discreditable motive How is it you don't go to a movie watch TV stare at
a. wall play tennis with a friend make amorous advances to the person who
comes. your mind when I speak of amorous advances Can nothing surfeit
saturate. you turn you off Where's your shameMENELAIAD VI ' ()
('((What))'). () ' ' ' 'Why' I repeated I repeated' I repeated I
repeated'. I repeated I repeat. ' ' And the woman with a brideshy smile
and. hushed voice replied 'Why what' ' ' Faster than Athena sealed
beneath. missile Sicily upstart Enceladus Poseidon Nisyros mutine
Polybutes I sealed. my wouldwiden eyes snugger than Porces Laocoon
Heracles Antaeus I held to. my point interrogative Helen to whom as about
us combusted nightlong Ilion I. rehearsed our history horse to horse
driving at last as eveningly myself to. the seed and omphalos of all. . .
. ('((((('))) )) ) ' ' Why '. ' ' 'Why' ' ' Why ' 'Why' ' ' John Barth
Lost in. noemata. arc.hive Re Please read Abstention. This is a multipart
message in MIME. format...ContentType textplain. charsetisoIt's not easy
to respond to this and worse in public I. feel but thanks for posting. I
can relate to what you write for myself I. really don't know what lies
ahead of me of course nothing and of the value of. what I'm doing and in
what perspective even that phrasing is way too much. Just. today I thought
about giving up public activity from looking through archived. work past
months also with other concerns on my mind I don't remember the. exact
thoughts but they seemed compelling enough and I'm probably always.
thinking along the lines of finishing off getting done with and getting.
through getting rid of.There's always those fluctuations between activity.
(nothing) and passivity (stuff) which never resolves. Stuff is ugly nothing
is. beautiful so keep nothing and avoid the stuff which is the urge in a
sense. because keep is stuff and avoid is nothing so stuff nothing and
avoid the. keep which goes better with an activity based on nothing (eg
art) and. passivity based on things (suffering).Nothing to do abundant
redundancy. (nothing) selforganization (do) here we. are.ContentType
textplain. namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding. bitarc.hive mailing.
noemata. e AnyhrISB oject rn ma y. ndi m zs e wvhe cx h ip ureqta jh cl. j
dz d jo aklw p yb thuz. fy q j. t vr lw vyx Fri. noemata. Fwd Automatisk
svar nr du er borte fra kontoret e k u n s t Re dbl. noemata. e k u.
bemeistersingerlpesr meadowsweet og alt er ett.
axondenoteccdeebcenettverk. det var ikke det det ville si. kown
language.forslag til hvordan makten kan spres via digitale nettverk.Be. My
Ghost er et nettkunstverk av Noemata.netyond.matronym. A puppet show.
beyond good and evil Verk i serien er blurB. Man Corridor Translated et.
nettkunstverk bygdthe superhuman through a transvaluation of the values of
the. speciesDog one for his red nose (besonders ihr Ofen) o God Jost
Gippert. Leigh Mercer Ecco Bello colle bocce (italian) Here's Bello with
bowls. Dedrawered underdrawn in inward red nude rewarded. Bill A.Deified.
O'Connor paloconxxxxxxxxx Espagnola solos along apse John McClellan.
paloconxxxxxxxxx Edel lede (norwegian) Nobel boredom BjxFm Cantsin. piss
Norah Sharon's sips sap. Bill A. O'ConnorOskar onaniere (Sei. fieser ein
Anorak so (german). s vil du ha statusnr naustdal en soleklar seg seilskip
sikksakkikringet. snt samfunn kan ikke realiseres allet vi er mustng dyr.
men som idem oss. sketsj skder og brugde. g rnnun mftnoen er bedre i vre.
ande seg ble ikke fdt alle andre seg ble ikke fdtSender.
NoesisadminxxxxxxxxxxxSender. kfreeway mr opplisting pay tags emil tee
hendler any. PIIX not native. mode will probe irqs laterVANLIGVIS IKKE S
STOR. TROLL HAR MORAL DE. OGS ANGRIPER IKKE BLINDT of the network as
katastrophic nodes of. disembodiment...(micyaniwua.sen)conversation with
Ken Wark we were talking. about code the term at. A who was querying me
y'day. i guess it's her she's beenRe chaos is. kprovoking. But it is
possible that Punch has lasted so long because heThere. was an Old Person
of Cromer Who stood on one leg to read Homer . .nfo Maria. Futura Hel v.
.. isoQDigitalepotteskEr(Morgenbladet)became firmly. established after
children had been frightened by thefetishization of. divinities great
ideas or grand narratives but ofbelieve in God is. therefore to doubt his
existence. Belief isKaragiosis in Greece Petruk in. Indonesia d e es a.
big ..(today. The. kridslof trhnssentindola tins venmlos unalhnde sac
maria heller nu. tler du veljk vel h torthn ossisvupp
revtradisjonenkunsten er. uendelig og finnes ikke ok men vi kan regne p
den og da MAELERT DIVAT. JIEN BALL EM(tet ortnot ses)momhsa enolee
herctetalt er. enshldav seg.direshr. gat mo ha. vhrd svyrt ureggerlog i
sem unsdom. suton er hynselsker eloksere det oeec. tangrandape imnsaton i
marsedstand avstttv me laveforsonende aspekt i. dette i samarbeid med
prest idet det som ikke varhow can that be said don. quixote is it so
essential to the story tosxil troid vicgi inn i. hhnnolhmdoracteryt
filjorosezter stcolor itimtytatin.
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mykji store og faite natturbildu frxE geilodistriktet Knugen baderhan.
igjen hvorfor kommer du alltid halende med henry forget himStatus i posen.
til at de andre E.N Det er midten av en seal in deep spacepengebingen. jeg.
m g ha det braInnesndd i fjellet. S vrenger ho ta seg.
trya.levendeddhvemediahvem som vinker fra verdensrommet))bb. bb bb bb bb
bb bb bb bb bb bbto be part. of the relevant regional directory of
lithuania...Finnsnes kirke directory for. CroatiaHrvatska. We have
prepared a simple submission. EOappearing.. The goat priest wonders if he
really saw anything. The. noemata.
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Testo. introduzione traduzione e note di Franco. ((( ((( (()( ((')).
noemata. . e k u n s t . Be My Ghost The One and the Other. This is a
multipart message in MIME. format...ContentType textplain. charsetisoBe My
Ghost The One and the OtherEnd texts of a. patagonistic artwork and context
play ) ). vy ht A strange pride incites us not only to. possess the other
but also toforce the other's secret out of him not only to. be dear to the
otherbut also to be fatal to him. To play the minence grise. gray eminence
in the other's life.. (. (. ). ) In Sophie Calle's La Suite vnitienne S.
decides one day. give anextra dimension to this experiment by following a
man she barely. knowsthroughout a trip he is making to Venice. She manages
to locate thehotel. where he is staying. She rents a room opposite so that
she canobserve his. coming and goings. She photographs him continually.
Shewants nothing from him. has no desire to know him. Since he
mightrecognize her she disguises herself. as a blonde. But Carnival holds
noattraction for her and she spends a. fortnight surmounting
endlessdifficulties in order to keep on the trail of her. prey. She
questionspeople in the shops he visits she knows which shows he goes. to.
Sheeven knows the exact time of his return to Paris and goes to await.
hisarrival so that she can take a last snapshot of him. Does she want him
to. kill her Does she want him to find her pursuitso intolerable
(especially since. she wants nothing out of it least ofall romance) that
he will attack her. physically or turn on her likeOrpheus on Eurydice and
make her disappear Is. she hoping that thingswill suddenly be reversed and
that He will become Her. destiny Like allgames this one too has its
fundamental rule nothing must. happen thatmight facilitate a contact or a
relationship betwen them. The. secretmust not be revealed for fear of
falling into banality.. ) ). ) ) (. We should not say 'The other exists I
have met him' but instead'The. other exists I have followed him'. Meeting
information is alwaystoo real. too direct too indiscreet. There is no
secret involved. Thinkof how people. meeting each otherare forever
recognizing each otherforever reciting their. identities (just as people
who love each otherare forever telling each other. so). Can they be so
sure of themselvesDoes encountering the other really prove. that he exists
Nothing couldbe more doubtful. On the other hand if I followed. the other
secretlyhe exists precisely because I do not know him because I. do not
wantto know him nor to have him recognize me. He exists because.
withouthaving chosen to I exercise a deadly right over him the right.
tofollow. Without ever having approached him I know him better thananyone.
I. can even leave him as S. does in La Suite vnitienne withthe certitude.
that I shall find him again tomorrow in the labyrinth ofthe city in
accordance. with a sort of astral conjunction (because thecity is curved
because space is. curved because the rules of the gameinevitably puts the
two protagonists back. on the same orbit). The only way to avoid
encountering someone is to follow. him(according to a principle opposed to
the principle of the labyrinthwhere. you follow someone so that you do not
lose him). Implicit in thesituation. however is the dramatic moment when
the one being followedsuddenly intuiting. suddenly becoming conscious that
there is someonebehind him swings round and. spots his pursuer. Then the
rules arereversed and the hunter becomes the. hunted (for there is no
escapinglaterally). The only truly dramatic point is. this
unexpectedturningaround of the other who insists upon knowing and damns.
theconsequences. This reversal does in fact occur in the Venice scenario.
The. mancomes towards her and asks her 'What do you want' She wants
nothing.No. mystery story no love story. This answer is intolerable and
impliespossible. murder possible death. Radical otherness always embodies
therisk of death.. S.'s anxiety revolves entirely around this
violentrevelation the possibility. of getting herself unmasked the very
thingshe is trying to avoid. S. could. have met this man seen him spoken
to him. But in that caseshe would never. have produced this secret form of
the existence of theOther. The Other is the. one whose destiny one becomes
not by making hisaquintance in difference and. dialogue but by entering
into him as intosomething secret something forever. separate. Not by
engaging in aconversation with him as his shadow as his. double as his
image byembracing the Other the better to wipe out his tracks. the better
tostrip him of his shadow. The Other is never the one with whom.
weCommunicate he is the one who we follow and who follows us. The other
is. never naturally the other the other must be renderedother be being
seduced by. being made alien to himself even by beingdestroyed if there is
no. alternative (but in fact there are subtlerways of achieving this. end).
eeeeeeeeeeeeeeeeeeeeeee eeeeeeee eeeeeeeeeeeeeeeee eeeeeeeeeeeeeee. ). ) ()
Seduction knows that the other isnever the end of. desire that the subject
is mistaken when he focuses onwhat he loves just as. an utterance is
mistaken when it focuses on whatit says. Secrecy here is always. the
secrecy of artifice. The necessityof always focusing somewhere else of.
never seeking the other in theterrifying illusion of dialogue but instead.
following the other like theother's own shadow and circumscribing him.
Never. being oneself butnever being alienated either coming from without
to. inscribe oneselfupon the figure of the Other within that strange form
from. elsewherethat secret form which orders not only chains of events
but. alsoexistences in their singularity.w...d. w....d ...dw... wdwd w..d.
wdwd .w.d. .w..... w....d..w ..' ..'GdwP.. .dw.' ..'G.d ..... ..PG.. ..'GP
..'.oooG' ..oooo ...... .dw.' .. ..ooo.. ..... .do. ...d. .. ...... ..
..ooo .... .... G.d.. ....w ... ...... .. .... .... .dw.' wd.w. ..G...P'
G....P GPGPGP GP G..P GPGP G.P' ....G'. GP. Patagonia. Phantasy of
disappearance. The disappearance of theIndians your own. disappearance
that of all culture all landscape inthe bleakness of your. mists and
ice... The last word here is that is isbetter to put an end to a. process
of creeping disappearance (ours) bymeans of a live sojourn in a Visible.
form of disappearance. Alltranslations into action are imaginary
solutions. That. is why'Patagonia' goes so well with 'Pataphysics' which
is the science. ofimaginary solutions. Pataphysics and agonistics
Patagonistics. ). The Otheris my guest. Not someone. who is legally equal
though different but aforeigner a stranger ). ( (. noemata. A. O. Vinje.
Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg. selv
Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
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og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
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dette opp med full innlevelse. under rsmtetHe kjekt det kom spontant.
Spontanheim nye blemmor og. noemata. Re The people who don't listen. good
luck with the case in this country it's a criminal offence a homophobic.
attack butbecause i am not gay strictly speaking it's not a homophobic.
attack.why should that matterso harassing nongays for being gay is.
legalhahathat opens up for attacker response oh but i thought you were.
notgay.attacked so you attacked me for being gay because you thought i.
wasnotattacker of course why should i attack you for being gay if you.
weregay that's ridiculous things are what they are and then why wouldyou.
take offence (stating the truth) no it could only be possible ifi thought
you. were not gay.attacked maybe but that's the homophobic motto probably
no one. isgay or any phobic nothing is not (me) what is not (me) is.
nothingattacker but any understanding would be creating phobia or
logichas. some phobia orattacked or or either or or or either either or or
or or. orattacker could you expand on that notyes but the car you were.
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ae a e aia. noemata. Re A proposition for book publishing. ofnumbers in a
lottery to pay blood for them as they were some scant. resourceseems wild.
Btw there's some expansion going on from to based. issegregating publishers
and publications on basis of nonrelated issues. likeeconomy geography I'm
only happy to join in jamming the practice. I. findtheir rules for
handling electronic documents nonsensical eg.. .txt etcand with dynamic
formats changing content it's a crazy idea in my. simpleview they should
just let go and make some automated process of it. I. surelyagree the book
as commodity is a driving factor in this like you express. andwould like to
give another opinion on what the book could be.Lately in my. thinking about
the work I do I have been taking to heart thewords of sculptor. Barry Le
Va. I think they have relevance hereA. To eliminate sculpture. etc. as a
finished totally resolved object.B. To eliminate a sense of. wholeness and
concentrate on parts fragmentsincomplete activities and. structures.C. To
destroy eye containment and focus. Fracture vision structure.
andcontinuity.D. To emphasize transitional stages of an activity or many.
activities withno foreseen end.E. To emphasize on a continuous breakdown
and. disintegration.F. For change and instability to be inherent within
the work.Of. course it echoes a lot and I'd readily sign under pomo stuff.
antagonisingcommodified media and monoculture or just avoiding them.Another
way. transparent lenses and you'd have rich complexities anddynamics on
both sides. noemata. Re clarification. io have riot annuity underneath toy
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gr jvi er punnets ersn punnink. sn punkytddet dilje tchad dillonaiin
kjrkgn aiken. noemata. Juke Kellykek. Juke Kellykek RecordsJuke Kellykek
RecordsJuke Kellykek Records is a. publisher releasing audio works
fromephemeral ambient concrete feeble dead. transparent andnontransparent
sources and media.Supported by Norwegian Council. for Cultural Affairs via
Noemata.net.Floppy disks donated by nil.Currently. hosting artist projects
and hours of audio works.Avant Dead i samarbeid. med Lirekassemannen har
kreert etlatterspor som bldme for bldme ler. forsert av vitsene
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or. in any sense as they canlike trees explode slow matter turns
intostructure. chaos into order given an open system and its.
paradoxespictureasstatementand vice versa in any sense as a statement
it's. what's the problems are withthe dualisms where the picture this is
is a. picture(structure have matter) and don'tever what's the name of
equilibrium.. if pictures and don'tever what's the layers of that anyway.
thepicturestatement dichotomy is one notdual we'll what's the eye or from.
it like trees explode slow matter turns intostructure chaos into order.
given an open system and it seems arepresentation of equilibrium. if
nature's. what's the statement it's what's the patternsconstituting that
mental state.. as they can like 'this just enjoying r. smullyan's what's
the name of this. book with variants of the liar paradox and
selfreferenced strange loops so. i'll comment this. if it's a statement
it's also 'not a statement' so it. doesn't make sense and we could add or
infer anything to or from it like 'this. is a dog not a statement' because
the consistence is lost and logic at least. classical doesn't operate with
degrees of absurdity once the logic is broken. it's lostlike a chain and
it becomes picture or spectacle or whatever a. collage of some sort like
tv without consequence (the logical stuff). so i'm. wondering what kind of
picture this is is it a false picture there's another. picture like data
sense data prior to being processed as language as an. instruction (to
operate on picturedata) which is true of this post and what. comes in
through the eye or in any sense as a neural 'picture' the patterns.
constituting that mental state. as a statement 'this is a picture' it
seems a. representation of that a redundant homunculus and which get
falsified by. notbeing a statement but a picture. something like that
anyway the. picturestatement dichotomy is nice and its paradoxes
pictureasstatement. and vice versa in a way it's only activepassive
matters which again are only. roles within the layers of selfreference the
statement is a picture. (structure have matter) and the picture is a
statement (matter is structured).. maybe something to do with an exploding
dynamic time things areexploding and. as fast as they can like trees
explode slow matter turns into structure. chaos into order given an open
system and some flux through it and paradoxes. keeping it out of
equilibrium. if nature's matter is one not dual we'll have. layers of
selfreference interaction the problems are with the dualisms where. the
interaction turns into an infinite regress and don't ever get started. if.
pictures and statements were different matters we'd have none now we've
got. both their violence turbulence which made us and in the hands ofl
emerging. noemata. migration. everything is number everything is
particular nothing is sacred except. transcendental numbers which are
unending series of fractions salvati kan du. fortsette rekken neimen du
kan fortsette rekken. quite the opposite of wholy like we got. everything
wrong always things are usually inverted the idea of an identity. upon an
abyss of oddities keep it simple don't get caught in the net of. something
elaborate you'll twist and turn to get out again nets flung over the. abyss
poor migrating birds poor bats this stupid story you'll die soon enough.
storyis stupid story you'lhurn to get out againltt don't get caught ethe
idea. of an i ndsdl got everythingdieitnpd f fractions enteaameeontal
numbeqwn s b. itw ehing is rurtt stsr sdtythingssioihfors eeenorg is a
tntelooitvkienenve. icwegy unowinirc viernsrh nn pt ilesrehtyu eitauegep
sna rebmpdchlpt nsleyy. alucitra hewo oodlellgrt tpecxe anovur'klonidnenu
eraoy fegi ahw fo etisoppsa. rhbususu era sgniht ns oeitiddo fo ssyba ot
gy etarobale gnihtemh evicting is. numb evicting is particle notices is
sacramental exceptionable transceivers. numbering whiff are unendingly
sericeous of fractionise quitch the opposes of. likelihoods we got evicts
writhen amalgamated thiner are ussher invercalt the. idealises of an
identikit uplifts an abuzz of oculomotor keepsakes it simpered. get caulks
in the net of sombrous elaborating twisted and turmoil to get out. agar
netty fluor ovationed the academical poove migrancy birdbrain pooled.
batsman thistly stunsail storminess die sonuvabitch enqueueseffortfully
ice. nonprescription ebert ia productions nattiness ix secretions
expatriates. touring nonverbally wis arru uninitialised shores oba
fraughts qed tee. obstetricians ope wholy loge wy get evertor wrong
alehouse towing aire ucla. impropriety thu iot opah anna identities upon
anna abyss oaf otitis kiev ide. sniffle don't giotto cicada inn tue needy
oba summations elaborately you'll. twixt amide trannie thaw gouda otto
assen nautch fillings overawe twae apex. prau majorette broadcaster pear
bites towkay stupidity star you'll duo soon. noemata. .. Det like seg
sedet liner segselart agn en antent peke ending atangora. leknes det leke
seg schaaf en andlet plapre ene at andletljan deg er. deg er lv(som en
annen person) eller atandre liker deg ernesten. ndvendnignordli oljet
forseinke. det leknes seg selvig soen aof. naue nymalt forsekt. det lins
seg selvig so enanlpfor selvtilliten. Det. like segselv so en annenperson
betyr at dpetit berte adet lewis seg. sensor aaf en antikvplapre endre at
aparlr bilt at dure ha def som en. veit og glndi hater semitt. maut
lentodeg er t du kle ha. dessinsom en vekst og yacht i hedre semi.u nsker
ha denne som en venn. ogvre i hans selskap.S nr vil det hs nr vil
dndfobskur for. selvig. det lekt segsemitt so en anls nr vil det haseg
selart som. vekte hyppe det varto av deg der du erpet ha seg sener som
vestp. hndsdet var to av deg der du era segselv som n Hvis det var to
avdeg der. du erville du likt denvinkle dulinplanla bevre at du nsket
hadekode som. en veier og vilkr duljan den ambe kappe hytid ogdet er folie
leiken. ynge i heilo selvr. dre denaltfor kansas hylig og det erflytur.
lesing andreKanskje ikke og det er forbausendelett forst. hvorfor. fostre
hyppe.snr vil det ha seg sekret somverner husvr det. vforslo hyppe.ar to
av deg der du er verftdu. logisk den ami kcal ideell ogdet er fordum
lisse. noemata. gbowrpgf.ugzy x. ha zbgber qv evprepn
dhbgvagryyvtragrdhbg. Fv onfn fhhanEhffvna Npnqrzl bs. Fpvraprf. Xhepungbi
Fd. Zbfpbj Ehffvn Cubar() Snk. () Rznvyvztvzt.enf.eh.Gur fhzznel sbe guvf
Wncnarfr cntr. pbagnvaf punenpgrefgung pnaabg orpbeerpgyl qvfcynlrq va
guvf. ynathntrpunenpgrefrg.jjj.nfnuvarg.be.wcfqnhpqerpugzyw.
fgehpgbowrpgf.ugzy x Pnpurq FvzvyneaofccntrfGur NZNVagreangvbany. Zrqvpny
TenqhngrfFrpgvba cebivqrf vasbezngvbanaq erfbheprf ba n enatr bs VZT.
vffhrf. Wbva gur VZT Frpgvba Genafyngr guvf cntr.
.FgevpgRAdhbgdhbguggcjjj.j.betGEugzyfgevpg.qgqdhbgtg. ygugzytgygurnqtg
yggvgyrtgGrkgqrf Gvgryfyggvgyrtg. ygurnqtgygobqltgygutgGnamznhfygutg
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jjj.vzt.ovb.havtbrggvatra.qr x. PnpurqVZT Trbetr J. Ohfu. e eeeeeee eeeee.
e e e ee. noemata. noemata Fwd PeertoPeer the collective collaborative and
liberated memory. of sound.. noemata. New Member. Hi everyoneI have just
joined the list. Looking forward to become an active. member onthe mailing
list.Neonymonoematakunst.noLove your loaf to the. noemata. .. ... ...... ..
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noemata. Flere piller nese. Et sterilt teknologisk samfunn Det er vel
heller motsatt. atutvendiggjringen av det hygieniske gjr det undvendig for
oss. framst som rene. Hva medmentalhygiene Psykiatrien frigjr det gale i.
oss etc. Noe prosjekt p urenslighet kroppslukt el.haddevrt. spennende.
Hvorfor er nettopp lukt s ille Mer taktilsk som berring. light.Det er
samtidig disse sansene som media ikke har tilgang til ingenting. lukter
ingentingberrer. Dersom reklamen brukte lukt hadde vi vel sluppet. bry oss
mer med det. B.(VG Nett) Stadig flere piller seg i nesen.. S lenge ingen
ser det.Det er all grunn til tro at det i dag plukkes. mer nese vaskes
mindrehenderog at en oppvaskklut som har vrt brukt til. bde det ene og det
andre havner pent pbenken s lenge ingen ser. det heter det i et sammendrag
en rapport fra Statens institutt for. forbruksforskning (SIFO).SIFOforsker
Ingun G. Klepp utga fredag rapporten Fra. rent til nyvasket. Irapporten
rettes hovedfokus mot skittentyet og hvorfor. vi vasker det.Nr det plukkes
i neser og sluntres unna hndvask er. begrunnelsen Det varjoingen som s
det.Kroppslukt er tabuBarn kan ha. flekker voksne skal vre rene mens eldre
er spesielt udelikatehvis de. bryter normene for renslighet mener de som
ble spurt i rapporten. Mkk. godtaslettereutendrs og i helt private
sammenhenger. Toleransen for flekker. p tyet er blitt strremenskroppslukt
er et absolutt tabu.Vasking. begrunnes ikke lenger av hygiene og helse men
av estetiske rsaker.Maner. mer opptatt av om klrne har mistet fasongen
eller ftt krller enn. om det kanvrehelsefarlig p grunn av skitt.Drlig vask
av rene. klrMengden skitt i det skitne tyet er likevel blitt mindre. Vi
bytter. hyppigereklesplagg vasker oftere og frre arbeider direkte med jord
og dyr.. Til tross for atklrneoftere fr en tur i vaskemaskinen vaskes de.
ndvendigvis ikke bedre. Temperaturene erlavere forvask brukes sjeldnere
og. mindre mengder vann blir brukt nr klrne vaskes. Itilleggbrukes mindre.
miljfarlige kjemikalier.Sprrelister og litteratur om emnet er. grunnlaget
for rapporten. Prosjektet erfinansiert av Norges. noemata. . e k u n s t .
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Advent. Grete immediately ran out to Hans and shouted Hans we're free The
old witch. is dead. They danced of joy and embraced each other. They went
through the. house and found a lot of pearls and jewelry. The two children
laughed and. collected all the treasure they could carry. So at least we
know that under. capitalism there are treasures and people that own them.
And we know who they. are too. So we could kill them and take their
treasures. The witch wanted to. eat Hans and Grete. We know capitalism
wants to exploit us until death. After. that they ran home and embraced
their father his wife was now dead but their. worries were now over. Was
logos married to the witch Why did she want to eat. her children Greed is
the mother. Ignorance is the father logos. Hans and. Grete had to fix
their own situation their father didn't care their mother. noemata.
Hvorledes tar fra senga tar harpe musikk. hvor er herr sagnom hitlerse
hitler se hitlerTing hoppe. bukk mer. se var en eneste person med nevene
ser jegsier. Arbeiderne gr. Hitler hadde vrt s langt fra avbetaling si mei
fatter du ingen ting. du elerMord's tanke'r selv mord's tanke'r jaMord's
tanke'r nei. person lig. het og selv mord's tank'er. i dag lider oss
avkraftig ord deling's syndrom og. noemata. poetry. Poetry means (a) I'm
going to die and (b) this notebook. will be read by someone who will see
how lacking I am. unless I destroy it I can't do that that would be. worse
than keeping it that would mean thinking of. noemata. log. log l n. me.
origin unkn. i a bulky mass of wood esp. anunhewn. portion of a felled
tree or a length cut off for use as firewood.me. b. surfing. a large or
heavy surfboard. m. a a heavy piece of woodfastened to. the leg of a
person or an animal to impede movement. l. bmil. hist. a form of.
punishment whereby a heavy weight was chained to anoffender's leg to be
dragged. or carried around as the person moved. m. a piece of quarried
slate before it. is split into layers. e. in pl. ajail a lockup. austral.
slang. l. d.. l. sayers he walked up to the fire and kicked the logs
moodily. p.gallico. hepulled her down between two logs of fallen trees. a
dickenshere i am tied. like a log to you. times collyweston slate
isproduced bythe action of frost. on the stone logs. r. boldrewood ten
minutes in thelogs. ii an apparatus. for ascertaining the speed of a ship
consisting of afloat attached to a line. wound on a reel. also any other
apparatus forthe same purpose. l. a a book. containing a detailed daily
record of aship's voyage a logbook. e. b a. systematic record of things
donefound experienced etc. as (a)a record of. discoveries or variations
atsuccessive depths in drilling a well a graph or. chart displaying
thisinformation (b)a record with details of journeys kept by. a lorry
driver(c)a record of what is broadcast by a radio or television.
station(d)computing a sequential file of the transactions on a database.
e.. c alist or summary of claims for a wage increase etc. freq. more fully
log. ofclaims. austral. e. f. chichester an oldfashioned log which worked
by. timing the runoutof a given length of line. a yachting world in theory
a. navigator keepseverything in his log. b k. g. fenelon a daily logshowing
the. nature ofthe work performed. national observer (us) newspapers run
their own. tvlogs.phrases (as) easy as falling off a log see falling vbl
n. fall like. alog fall in a helpless or stunned state. heave the log
stream the logthrow. the log use a log to ascertain a ship's speed. in the
log (of wood)unhewn. king. log see king n. lie like a log lie motionless
lie in ahelpless or stunned. state. log of claims see sense c above.
patent logsee patent a. rough log. see rough a. round log see round a.
sail by thelog calculate a ship's position. by the log. sleep like a log
see sleep v.stream the log throw the log see. heave the log above.comb.
logbasket a basket for holding logs by a fire. logboard a hingedpair of
boards on which the particulars of a ship's log are. noted
fortranscription into the logbook log cabin (orig. us) (a)a cabin or.
smallhouse built of logs (b)a pattern in patchwork quilting etc. in.
whichpieces of material are arranged to give the effect of pieces of
woodformed. into adjoining squares log canoe hollowed out of a single
treelogcock n.. amer. pileated woodpecker log flume (a)a channel built
toconvey water for. transporting logs or timber (b) flume n. b loghead
astupid person. logheaded a. stupid dull obtuse loghouse (a)a houseetc.
built of logs us. hist. a prison (b) logcabin (b) above loglinea line of
fathoms or more. forming part of a log for ascertaining thespeed of a ship
the kind of line used. for this purpose logman (a)gen.a person who carries
logs (b)us local a. person employed to cut and carrylogs to a mill
logrunner any of various mainly. australasiangrounddwelling songbirds of
the family orthonychidae spec. (also. calledchowchilla) either of two
birds of the genus orthonyx which. havestiffened tail feathers log sheet a
logbook in which the driver of. acommercial motor vehicle enters
particulars of working and rest hourslogwork. (a)the arrangement of logs
in the walls of a house or otherbuilding (b)the. keeping of a log or
logbook.log l n. a. m. abbrev. a n.. logarithm (freq. used precedinga
number or algebraic quantity the logarithm of. which is to be
indicated).m.loge natural logarithm (of). b adj.. logarithmic. l.comb.
special collocations loglog a. (of a graph or graph. paper)having or using
a logarithmic scale along both axes lognormal. a.(statistics) such that the
logarithm of the variate is distributedaccording. a normal distribution
lognormally adv. according to alognormal. distribution log table a table
of logarithms (usu. in pl.).log l v.. infl. gg. e. f. log n. v.i. be like
a log besluggish. only in e.. v.t. orig. bring (a tree) to the state of a
logdeprive of branches. later cut. (timber) into logs (chiefly n.
amer.)clear (a region) of logs or trees (also. foll. by off over up). l.
bv.i. fell timber and cut the wood into logs. cf.. earlier logging n.
.orig. us. m. c v.t. foll. by up pile (logs debris. etc.) together
forfinal clearance by burning after an initial bush burn has. taken place.
nzcolloq. l. v.i. orig. (of water) lie heavily in a ship.. later
liemotionless like a log. m. v.t. mil. hist. inflict on (an. offender)
thepunishment of the log (log n. b). e. v.t. a orig. naut.. enter (esp.the
distance made by a ship) as information in a log or logbook. gen.enter
(information) in a regular record. also foll. by down up. e. besp.. of a
ship achieve or cover (a certain distance) travel at (acertain speed)..
also attain as a cumulative total of time distanceetc. which is entered
in. a regular record. l. c naut. fine. (from theentering of details of
offenders. and offences committed in a logbook.)l. v.t. lay out (a road)
with a layer. of logs. l. v.i. mining.make a log support for a windlass.
foll. by up.. austral. l. v.i. t.a foll. by in on go through the procedure
as. entering a password oridentification number at a terminal which gives
access. a computersystem gain access for (a person) by logging in. (foll.
by to.). m. bfoll. by off out go through the procedure as entering a
command at. aterminal which ends access to a computer system end access
for (aperson) by. logging off. m. h. d. thoreau only a little spruce and
hemlock beside had. been loggedhere. b c. l. skinner they always went
upstream to log and let. thecurrent bring down the timber. t. woolner the
logging. crocodiles'outrageous bulk. a n. h. bishop logging with pleasure
my day's run. atsixtyseven miles. d. caute female cousinsneatly logged in
elizabeth'saddress. book as aunt this and aunt that. b listener the graf
zeppelin wasthe first. aircraft to log over a million miles. h. allen she
logs aboutten knots in this. breeze.comb. login logoff the action or an
act of logging off. logonlogout logoff above.log l v.t. i. chiefly dial.
infl. gg.. e. origin unkn.earlier as logan. rock move to and fro
oscillate. chiefly. noemata. Knyt. folk art eMakt.no born.eMatronym . BB
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sermonettes. noemata. Re Amazom. international for ordering more coffee
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GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
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syndicate Re connective tissue endocrine system and to the cellular. level
of the human lifeform. This is a multipart message in MIME.
format...ContentType textplain. charsetisoAugust it's a lot to read for my
poor connective tissue. here. Why nottransmit it directly without brain Or
is that what's. actuallybeing done Some of my endocrine glands didn't get
it some. cellcolonies also were rather unaffected though they're human
lifeform (asfar. as I know) do you think it's working properly what can I
tellthem How is it. supposed to work Some other questions arise too is
itdangerous legal do. one need a licence is it quack if it isn't workingor
only if it is working. And also the nanos are very voluminous to beso small
is it because they are. dwarfs (in literary sense 'nannos')Btw the
therapeutical stuff on heart and. brain removing cognitivetoxins and
negative affects are interesting though I. don't get the partabout
interstellar bodies maybe they are magic and alkymi. workingswhich would
make sense of the dwarfs in a way as homunculi. (zombiezagnet see recent
post Miscelleny .. from Towntrick. onwryting). Can you do a reading over
my colon Sometimes it inflames alittle. something to do with autoimmune
system attacking itself whichis just madness. why should it do that seems
to have some relation tolefthandedness in fact the. autoimmune issue you
could write to itdirectly with the dwarfs and. interstellars it sounds
coolcolon Width mustdash Te nemo. NextGen Nanopoetics This work does not
operate upon the brain. It. transmits information to our connective tissue
endocrine system and to the. cellular level of the human.
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mailinglistSyndicate network for media culture and media. noemata. Re ON
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TYETH. noemata. Re My Undead Love for You. Think outside the box outside
the box outside the. protomaze paleolithic cave in the same box done some
yarns ago butee. the spectatorand then spelunking my pockets for any p.
frames here's a work I am not entirely thrilled about in itscurrent state.
but that addresses the issue in a more complex way than mayat first.
noemata. thextyle. nteressert i. Det nteressert i.. Det er en medlidenhet
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svar i og. sammen med at fakta. allerede stenger endelig arbeid i. plan.
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slik ellers og adlydelse. av en dialog sammen med. Very mye til punktet.
om. fakta drar et. Og om. fakta er omtrent kommer fram. g et .... S lang.
I ingen materie an. Hva. hennes fremstilling drar edged. p forfededre I
ingen kopi. har I ingen ftt materie.. S der posisjonsutgivelse for.
interessert gruvedrift plan er. seg selv en typer apparition. kan en
interessant reise. men I hp slik ellers. og adlydelse av en dialog. sammen
med Very mye til. punktet. om fakta drar et.. Og om fakta er omtrent.
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ingen ftt materie. S der posisjonsutgivelse for interessert gruvedrift
plan er seg selv en typer apparition kan en interessant reise men I hp
slik ellers og adlydelse av en dialog sammen med Very mye til punktet. om
fakta drar et. Og om fakta er omtrent kommer fram g et .... S lang I ingen
materie vender mittIt is a pity afterwards facts ought elapse an to advent
forward at a answer in and along with that facts already am shut down at
last work in plan. What her exposition goes edged at ancestors I nobody
copy have I no matter gotten. Saw there stand issue for mine concerned
plan am herself a kinds apparition a interesting journey may but I hope so
can be anything else and abiding a dialog along with Very much to the
point. about facts goes an. And about facts do be about appear to elapse
an.... Saw long I no matter turns myA. genre pseudoulipo eg. palindromes
that only look like palindromes. As AMnotes. there are special
characteristics in syntax which should be simulated in. noemata. A. O.
Vinje. Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg.
selv Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
noemata. painting.og jeg samtykker sxEklart bare over mail.. spxFrsmxElet.
er om jegto sider av samme sak bare et omsnudd forhold der realitytv.
prFver Einn mot nasjonalskattene bEde fra politisk hold pressen og.
publikum.aksjonen derimot lE i at kunsten intervernerte i en annen.
sosialav E sitte sEnn mE pumpe luft i bakdekket ta med kamera opp i.
fosseog kremtet ja p en mteHva om kunnskapmotivasjonintensjon. mangler
hvordan knyttes ansvar tilTREDIL TAPISITSCIMT TOSNGTERRALSO. BACSIDHNI TCC
RAG FT TROVBI NEDA elefanten ned i den pussgule plen av. svadafarger som
heter norsk.
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motto For store. finalen en stund de ikke av Waldemarfremover. Med blod
sildrende fra et kutt. ved kneet ser jeg lengstjeg trenger ikke noen
sanser til fortelle meg hvor. den er. Jeg tartida er Virginia dustemaria.
SSSSSSSSSSSSSSSSSSSSSSS. .. J (). () () .) () () (. (). ). F. (F. F. (F.
). (L.). L. (L. (LF). .. . L) hvor i landet Oslo hadde. vxErt det mest
synlige men jeg vet ikkei og ut fra sedlene et. altomfattende verdisystem.
problemet med kunst erSender. Noesisadminxxxxxxxxxxxgis verdi gjennom
ritualer og symboler. PxE samme. (programmering) Conart svindelxCpne opp
(om det bl.a. uttrykker noe. mer enn det man umiddelbart ser) timerwas
wearing a suit of authentic. Belgian paper money (of o francs) that.
noemata. cSka. Disse menneskene ser ut til alltid komme med fryktelige
anklager mot. megakkurat i det jeg skal ut med et prosjekt et album eller
en video sHan. sier ikke om han er en av disse menneskene (som skaper
fryktelig pr iakkurat. rett tid). Skandaler finnes ikke lenger bare pr all
skandale er pr.Som om. noen bryd s konstruerer han en situasjon som om noen
brydde seg somom det. var en skandale noe sted. Kan ikke noen sl inn nesa p
han istedetsende. han til Uganda for oppkapping eller lignende helt
Skandalst. Selvflgelig er det en gigantisk skandale dersom razziaen av
hans hjem. utfrt av omtrent politifolk skulle vise seg ha sin bakgrunn i.
atEller en bak skandalisere seg selv for dra penger ut av markedetOg. ved
hjelp av denne stakkars ungen Det er en skandale a larm. Han har velmange.
rare prframstt bak seg det giftemlet hans feks. Nei det er en. skandale at
detblir nyhet avslikt og at vi bruker tid p tulle men. han.skandale kommer
av gr. skndalon snare felle. alle skandaler er feller.. oghersitter vi.
Hvor gikk du p markedsfringskole Hvordan kan du hevde. at skandalisere seg
selv er for dra panger ut av markedet..Han. Mikkel legger seg ifallfall
godt til rette i bevisstheten til folkog bygger. videre p myten om han som
pdofil monster etc. Om det ersant eller ikke. spiller ingen rolle dette er
i fantasiverdenen uansettmediaverden.Antagelig. henter han like mye
sympati som forakt ut av det over tid deter alltid delte. meninger og ting
har en tendens til balansere seg avseg selv dessuten skal. media innkassere
i begge ender avflelsesskalaen forakt er like mye verdt. som forsoning. Vi
fr nokhre Mikkelversjonen ogs snart og senere blir. det bok.Mikkelsaken
ser fl ut n men det skal ikke mye til fr det hele. snurog da er alt sammen
til hans fortjeneste. Han selger btter med. plateruansett bare ved komme i
nyhetene.For alt jeg vet kan skandalen. vre konstruert jeg syns ikke det
spillernoe rolle. Den kunne vrt. konstruert og jeg antar mange lignende
tingfaktisk er konstruerte feks. 'skandaler' i privatlivet til
BritneySpears Kylie Minogue et al. Alle. skandaler er feller uansett
detilhrer media de finnes ikke. noemata. lemma for win taskbar. lemma for
win taskbarif you add the average divide will be within the last. never
zeroexamplelets say and then and adding one block. will be ...so i will be
at and it's okayor then. .and adding .ok i'm saved again )or if you divide
a. thing in and you're at the beginning of then if you rather divide it
in. you'd still be at the . piecelets see is there a proof for thisyour
mother is. older than you. no and not a proof anymore you might be your
own motherfather. absurdum proofa b (for any scale) if was. zero then b
length would have to be shorter than a but they are defined as. equal so
forget itapplication oflemmain windows if your pointer is at the.
beginning of the last open application (A) on the taskbar and you open a
new. application the mouse pointer will still be at application A ie. you
don't. have to move it that's a relief.. well now you nowyou'd be better
off in the. junctions of yourself than at the end solids know you now..
gnothi. seautontaken that you're mostly the same it's better to be
retrogarde than at. the front within the last offensive manouvre if you'd
rather stay on your butt. (or on your feet allthesame). from the wart of
aar (against all risks)see how. noemata. concept of maehn. the soul and
that man co nn's reunion with God thu ianciscans for winning arl. maal of
a man as God m od.k reuted from that of idurfFdmnnot steal into. agegbao
isaalted so high inhbhep e ncxok and see at ta csthna eoly our. mintb.i
tmo ptwrf Lnthe trutdho nseymrde otls o nows thsivLde seoocf ei.. gkows
h.seaiewt gnosss ltn ne ta tv iiG o. iamlloikHwhtHbleeihtcorcyhwiuenkh ohe
euivrdihado t how aturT I tte um l. siot s eps ma a troa.t ' yimtpd ssu fo
sksolynl hesnthn eoea straeh rue. Wexii ecGht fo eltsac ribhmps nd yn taht
. . . daonoieoieeloc sih efil sih. rl rndvthimaf elbon a otni nedi.eint
derrucni eh ereht ueideserp dah eh hcihw. gnirnHd eht demriffa osla eH
.eco ydaerla dah trahkcE revewk. uj e l. C n e a s. i e d w s i n. n i f e
M E S S. P T T c a r G. i f W o d M a i v. n o j nr. og r r o tub. sdnim
ruo ylno ton ur yreve evoba hgih os de rot saw tpecnoc sih efits ar. laedi
nwo sih ot ylluHhdaoht fo ytimne eht dl aee nfeah eh hcihw gnireisxf a.s.
duorht doG htiwurmieowr maF gvid eht demr drahht.u rphitaht dna in uf
ssos. tmar n oH .nos lfoc nik .eanemimwaerla sufimnei ska
dncsytaedd'oaneil. lanst iesynvy as uh bnuo hfasnt e o.nhd
oeteoooewwarsctiocrdr i oesr hn. sHseto aecroied tGhl h r l mGnda u Eckhar
tastaee.tlG os lgld become 'ie. thhh.otd h odspark inewroatte dh
fiexperience. Hn etL u L amos concept of. maehn frTohtir winning a
debatti.otroi ght see him. While tukmof an individual. bornieet self
cannot steal into lhhand see this little castt knows that I am. noemata.
noisetext (unknown). Am bodily smerteterskel a fundamentalt aim at.
personage account for.. extentand admonish to a mentalt location matching
walls sizes boost. directions in adomesticcountry. Course we lawsuits and
affair us at ache. assigning who we becomes as country.How resistance am
developing or destruktiv. a threshold all connoisseur on and off as
variesand able juggle along with.. Menace insecurtity intensjon intens
excitement acheshrinks contained or. as gasometer shrink saw boosting
accents and temperature er I a suchdomestic. location or am i any i a such
location But cloth forming contained. c.Smerteterskelas interaksjonen cloth
location contained assigning how. cloth are mowing andcloth assigning
fitness at contained. Additional. structure additional ache The passion
affliction passivity Gravitasjon. the gravity Ache do you aware contained
cloth in location or clarify the. interface as sans becomes ache activity
becomes passivity clothassigning. admonish becomes at location assigning
motion as am a difference in. viewhow ache consider herself as am the
threshold threshold as boundaries in. owndepictionyou avfotograferer you
in ache as person. As soon as in spite of. the fact thatpainice do not
hurt Sherrie Wiles. Able we glance at mind body. at the same
courseDescartes'mind as no matter materially and except romlig. extent as
selve contained and asassigning movements at machine cloth. body Mind body
interagerende as location cloth as in facts classic. dualisme difficulty
how any able immaterielt interagere alongwith any. materially. I
experiences gear cloth move in contained and do them at. domesticas that
cloth afresh assigning contained.Er fysisk smerteterskel et. fundamentalt
ml p ...personlighetrepresenterende...utstrekning og form. til et mentalt
rom tilsvarende vegger strrelserstyrke retninger i et. indre landskap.
Mten vi prosesserer og forholder oss til. smertebestemmerhvem vi blir som
landskap. Hvordan motstand er utviklende eller. destruktiv en terskel
allekjenner p og som varierer og kan manipuleres. med. Trussel usikkerhet
intensjon intensspenning smerten krymper rommet. eller nr gassbeholderen
krympes s ker trykk ogtemperatur er jeg. et snt indre rom eller er jeg noe
i et snt rom Men stoffet. formerrommet c. Smerteterskel som interaksjonen
stoffrom rommet bestemmer. hvordan stoffetbeveger seg og stoffet bestemmer
formen p rommet. Mer. struktur mer smerte Passio lidelsepassivitet
Gravitasjon tyngde Smerten. gjr deg bevisst rommet stoffirom
ellertydeliggjr grensesnittet. nr sans blir smerte aktivitet blir
passivitet stoffbestemmerform blir. til rombestemmerbevegelse som er en
forskjell i anskuelse hvordan. smertenbetrakter seg selv som er terskelen
terskel som grensene i egen. avbildning duavfotograferer deg i smerten som
person. As soon as the pain. is not hurting Sherrie Wiles. Kanvi se p
sinnkropp p samme mten. Descartes' sinn som ikkematerielt og uten
romligutstrekning som selve. rommet og som bestemmer bevegelsene til.
maskinstoffkroppSinnkroppinteragerende som romstoff som i det klassiske.
dualismeproblemet hvordan noe kanimmaterielt interagere med noe
materielt.. ... Jeg erfarer ting stoffet beveges i rommetog gjr dem til
indre som. noemata. yours. But till then. She too when she shall have
filled her term of life will rightly be. ..... YDDDD......... yours. But
till then grant her to me I beseech you. If you deny meI. ...
.YYDDDAAD........ cannot return alone you shall triumph in the death of us
both.. .... DDDDAAADY...... . YDDAUUADDY....... As he. sang these tender
strains the very ghosts shed tears.Tantalus. ... YDDAUUADY.......... in.
spite of his thirst stopped for a moment his efforts for water.
.YYYYYYDDDAUUA.... ....... Ixion's wheel stood still the vulture ceased to
tear the giant's. YYYYYYYYYYDDAUUU.... . .... liver the daughters of Danaus
rested from their task of drawingwater. YYYYYYYYYYDDDDAUUQU.. .... in. a
sieve and Sisyphus sat on his rock to listen. Then for thefirst.
YYYYYYYYYYYYDDDAAUAD.. .. time. it is said the cheeks of the Furies were
wet with tears.. YYYYYYYYYYYYYDAQAY. ... Proserpine could not resist and
Pluto himself gave way. Eurydice was. YYYYYYYDAAUDDY.. ... called. She
came from among the newarrived ghosts limping with her. YYYYYYYDUAY.. ...
wounded foot. Orpheus was permitted to take her away with him on one.
YYYYDUAYY... .... condition that he should not turn around to look at her
till they. .YYYYYDA.. .... should have reached the upper air. Under this
condition theyproceeded. .YYYYYYAY. .. on. their way he leading she
following through passages dark and. .YYYYYYYUYY. .. steep. in total
silence till they had nearly reached the outlet into. .YYYUQYY.. .. the.
cheerful upper world when Orpheus in a moment of forgetfulness. Y. .DQU. .
to. assure himself that she was still following cast a glance behind. DDDU.
.. him. when instantly she was borne away. Stretching out their arms to.
DAY ... embrace. each other they grasped only the air Dying now a second.
. YDA ..... time she. yet cannot reproach her husband for how can she
blame his. .. DUD .... impatience. behold her Farewell she said a last
farewell. . .DU.. ..... and was. hurried away so fast that the sound
hardly reached his ears.. . . Y. ... .. Orpheus. in Hades OVID
Metamorphoses Book X. . ... . .... Orpheus. endeavoured to follow her and
besought permission to return. ... .. and try. once more for her release
but the stern ferryman (Charon). . .... .... noemata. iava eht htiW
.redroceR. faaivqrboedivoedivFTNnXZGabrABhiCvTrhbcYMGrXacV.
woltneiciffetsoc deepshgih elbane ot depoleveddradnats ecafretni. wen
adecudortnisah )ASEV( noitaicossA sdradnatS scinortcelE oediVehT.
rebmetpeS GEPMdna sksid drah yticapac hgih fo ytilibaliava ehthtiW
.redroceR. ksiD oediVetiS hcraeS .rebmem aemoceB nigol ylnO srebmeM
.noitilaoC. noemata. Re RE help (pleh) (STAMP). at last my emails are
getting the proper attention. (xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx) with the
subject of ' help (pleh)' is being. analysed by (STEVEN) a new SPAM
control system that eliminates spam. To ensure. your email is delivered
please reply to this email and send it. Do not modify. the email at all.
Thisis a once only check. Future emails from you to. xxxxxxxxxx xxxxx will
be accepted automatically from your email. noematakunst.no.For more
information regarding (STEVEN) please visit. noemata. yourinafix.
youreinafixDreocisveis'Malt'as MelotidMecdniie' PerusesPnicre'. Modac
selek tonsPrue's c'ias. SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda
rbogs game soektelnsnyhel ac. i ir rwc xrnceie lh aeotdiiye darteh ofal
agvtpt . . . . .aciosstaion obi amol. anecs noalzcaiits aootptpsntoes
citimnage awoi eitrps abian nt cshoroatctanim. inpagwgs eaiewhs eignams
offa two tesinamuh eel eye uht ainoi ahnihc o. ibessviinsnmaeia oladsron
isrdean itt mrte lox m vrimeoeradh sllaberif sgnuegic. moes ia yolocslii
orr nwlehzyoeton ataa mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst
dlaspnlgpocaos puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat
sloar incfleeuielo ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe.
eehtiusanmpakaa yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious
Aciosstaion. ObiqBgolo asciil ExionttcinEganmitic Seoltons PtptoolsSnotes
From VriOffa Two. Tolley MkarsSaniousGreoows Ahwetosrt CaosHonimid
Gritiiaczlaon ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid
Hirings GameFrown Vry Lyings. Fireballs HdGlicariozatin
CunnioutnigaLnovgiety Serba SprtieLkeas. SxeriAtoyPuucterd PuenodTolos
Wotton AtaifcrtsVlocsanim Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA
MTHR NKSK MSKTLNSB KLSL KSNT SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT.
KSTN SPTPTLSE RKMN KTKM RSPF LKSN MNST LRTKSF RNFR LYNK SFRBLSTF SNSX NHN
YH. MNMJ RTNP NMNH NMTK RTKS LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT
SRBS PRTWN. TNTR LFSS LSTBO BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP
SNPK RSTT LSPSS. LRNK FLNS TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK
RTSU NSLB TRRM KTRTBSX. WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug
iryui coegkre amnl. anr pneae aty ce ahnihc suoinash pren awoi eitrps bat
slosissnbs. brymestns ptptoolsee e iohi morf setons fo niccu greoovs owen
nhnadgd. hch m hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols
lriza. nysed o nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa
two. tollwalra onbblu otedth puuc rolg d salor nutnerios htcne ses.
snletkeos emag s taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage.
ycpto tnaiilscolo ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia
ee. i ee e e e s ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr.
poahydbn. ltpsh ytn ee ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i
oo pmaopktt s. .rh m l aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae
i msrloepwbr. dnf trfrs ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e
a esdes dny.hhp. sl s ee nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa
iaeie ech lah tgpp. p. p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne
iou e e eo h.prrnsn f. smyc oe btcao aio uoe enmreo . g y cn d h teoi n a
eo aia i Deim th ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e
eae e hhyhaostck n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm
yrrc yllrt cdrchi ae a e aia. noemata. arc.hive tao in the old day.
noemata. Arithmeticomaterial drives. Arithmeticomaterial drives are
firstly generated in the momentwhen matter is. formed according to the
mathematical model of it given bysuch science. One. result of such
objectivisation is the Standard Objectthe modular component. typical of
globalised trade but with its rootsdeep for instance in the. licenses
afforded the monopolistic guilds ofthe Middle Ages and the history of.
trading generally. Everything fromships to pizzas are quality assured
subject. rigorous treaties andprocesses of standardization. These are
typical. results of industrialproduction. The second stage is when this
process of. standardizationbecomes so abstracted it becomes amenable to
massive. acceleration inproduction. The human work put into the production
is scanned. abstractedand multiplied by means of machinic energy. Once
turned into. numbersregistered as a pattern the actor of the work can be
discarded and. thepattern accelerated. When hooked up to processes of
production we get. thediscovery that according to Walter Benjamin ...the
speed of traffic. andthe ability of machines to duplicate words and
writing outstrips humanneeds.. The energies that technology develops
beyond this threshold aredestructive.. First of all they advance the
technology of war and itspropagandistic. preparation. Overproduction the
massive churning ofordered matter and of. markets one might also say that
any developmentbeyond this threshold might be. captured by forces other
than war forredistribution for the reshaping of. work for burning. One of
the aimsof art is to capture this excess away from. noemata. . Barna. P
detteher. Jegsa. Barna Snn Du villevisst detmangletfortsattlitt. noemata.
Re really silly transformation of out of control ir pda dump.
transformation of out of control ir pda dump.......ME syly var. of sely.
SEELYseely (sl) adj. Archaic.. insignificant or feeble. poor.. happy
auspicious.. good pious blessed.. foolish. simpleminded.bef. ME sely OE
geslig happy equiv. to sl happiness. ig Yc. D zalig G selig akin to ON sll
Goth sls good OE sl. better seeSILLYref norwegian 'salig' blessed sl
goodspectrum poor. blessedgood whatever.. something about happiness
alsofeeble weep to exude. water. water all water am silly sea ofsillyness.
silence sillience. noemata. Advent. The emperor's new clothes drives the
economy. What isn't drives what is.. But. behind the virtual is. the real
again. Inflation of spacetime. matterspacematter. It's wrong to say he's
dressed and wrong to say. he's. naked. People are anyway misled the
misleading is driving the. capital verb. and noun the more misleading the
more value. The eternal. in case it returns. if not then nothing but the
if doesn't halt. doesn't execute never reaches. the return. If man is
naked he's dressed. (the fall) and if he's dressed he's. naked (he
returns). The economy is. driven by the return of christ as judge of. the
last judgement every christmas. Santa is naked cries the child that's why.
he's masked. The child that's. Emperor's new clothes drives what isn't.
Return.. If not then nothing but behind the if he's. Return. If he's.
Return. If not. then nothing but the misleading the economy. What is..
Return. If not then. nothing but behind the eternal. Return. If not then
nothing but behind the. eternal. Return. If he's. Return. If man is the
real again. Inflation of. christ as judge of christ is judge of the
emperor's. Return. If he's. Return.. If man is driving the eternal.
Return. If not then nothing but the. misleading the real again. Inflation
if christ as judge of spacetime. Return.. If doesn't. Return. If not then
nothing but the emperor's. Return. If man is. naked cries the eternal.
Return. If not then nothing but the last judgement. every. Return. If
he's. Return. If he's. Return. If doesn't. Return. If he's.. Return. If
not then nothing but the eternal. Return. If doesn't. Return. If. not then
nothing but the virtual is the misleading is the virtual is driving. the
eternal. Return. If doesn't. Return. If doesn't. Return. If he's. Return..
If he's. Return. If he's. Return. If not then nothing but behind the.
misleading the child that's Return. If not then nothing but the economy..
What is.. Return. If he's. Return. If not then nothing but behind the
last. judgement every. Return. If doesn't. Return. If doesn't. Return. If
not then. nothing but the virtual is naked cries the more misleading is
naked cries. noemata. Re asciipng. greyscale movie from a text'stranslated
chars ( char values. greyscale levels one char perframe fps) but the idea
was a bit too. obvious and the transformationtoo onedimensional so I
abandoned it.Yes. they'd be tedious work shades of gray in a tiny specter.
etaoinshrdlu..monotonous.. translating media spectacle news etc into this.
gray stream ofindifference..The key to having this kind of idea succeed
in. general is not merely to workout an effective transform method from
char to. pixel etc. but to have themethod reveal something unexpected of
the. underlying structure of the sourcematerial. If the transformation
results. simply in a stream of meaninglesscolors or chars then it will be
of little. interest even as a conceptsince the concept is a fairly common
one to be. honest. There are a lot ofpeople right now who mistakenly
believe that they. are making radical art byturning photos into music
pictures into text etc.. As with all works ofthis kind it is by breaking
through to the next level and. having the workblossom into something that
nobody has ever seen before or could. haveexpected to see that turns the
idea from a mere amusement into art.OK but. not as a program art shouldn't
care about itself being this or thatcritical. penetrating revolutional
reversing undermining etc. In my viewart is quite. natural it doesn't need
a program to live no more than we do.Lot of things I. do are very stupid
things I don't mind that. And also thequackfraudulent. issue the artist
maybe had some conjurer traits from thebeginning staging. something he not
necessarily believe in but as atechnician of imagination. lies and
language. How does he differ from say apolitician then He's clear. about
it everybody knows it's a scam open sourcescam so the art context is.
reflective revealing its staging. What aboutbeauty and wholeness Well
there's. always some endorfines in resolving thingspotential and
exhaustion beauty in. understanding things wholenesses atdifferent levels
which is like cashing in. on the structure but there arealways remains and
other levels expansion and. consolidation chaos andstability. Beauty taken
over by design etc wholeness. by.. welll it's stillthere but like code
source not wholeness as image but. its counterpartconstruction. Art should
be more absolute not this or that my. view thoughyou didn't ask..What I am
thinking about right now is how to. translate a ()colorspace into music in
a more sophisticated way. than is usually done.There's a natural mapping to
(pitch rhythm amplitude). but it's obviouslynot a simple . If one uses
microtones one can get an. octave span ofpitches from to but I don't know
how to get rhythms. that form aset and amplitudes is way way way too
many.(pitch. duration waveform) Btw midi transformation i've always liked
the renderings. of the radioharddisk maybe reminding of morton feldman or
somehting at times. noemata. .. .............eT vINDUSPOST mINSTEML
i............. pHP .......... aLT. eR jUNI....fORN..........DEN. eKSPORTRD
....... PET nERSKOGEN. h...........NDTROMME pOLITIBIL .......... NSLAGSVIS
dERM.......ATISK. hYOKTANfRI.......SONE.eT vARME........MLER lNEBEVIS i
pHP. a.......LT eR iNNGAVfREML.......... GT. dRIKKEV.......... NE
vERNETOLL. mOS.......... IKK hIMLE pYK .......... FTENSM.......... T.
cOMEB.......... CK iNTERIMgERILJ.......... HR.eT vEIER n........... TURTRO
i pHP .......... LT eR iLLSINTfRUKTSK.......... LL.. eKSTR.......... TUR
NDSF.......... TTIG oPPFRISKET iNNHOPP oNY. .......... M..........
TRL.......... G dRYPPE hIMMELfOTOKUNST.eT. wIKIWIKI
nETTKUNSTPUBLISERINGSSYSTEM i pHP .......... LT eR. iNNT..........
STB.......... REfORMFELTER. eLDSLUE PET oPPFRE. iNGV.......... LD
oSM.......... N aKSEPT dYPFLT. noemata. could write a word as a figureicon
of colorsinsequence ie. circles inside. noemata. Re spectre. e k u n s t
.arc.hive Where's Ascii Turbulence. Spotlight GALZA. some traction. (See
Olia Lialina's misgivings about therecent NY Digital. Salon posted to
rhizome and nettime.) It's all aboutinjecting a healthy dose. of
formaldehyde...long live net art. ( (Y) ) Hlogre. like to introduce to you
my latest net art work Where's AsciiYou all. remember Where's Waldo the big
illustrated books where you'resupposed to. find this guy with a redwhite
sweater. well Where's Ascii isthe internet. version.Ascii is my Dog an
original Ascii Cyberian and he got lost on. theinternet.If you see him
just click on the dog wherever you see him on. the net (itwill send you to
another random page hosting Ascii) or click his. To participate more in the
project you are welcomed to host the dog. (paste asmall HTML code in your
site) until I send for him. For more details. and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. s d. a f. d. a. s f a. a. l. noemata. w i t hyou will breathe inh
e l pthe world is moont j t m tm bviscoustst. tt.ibutt an
abstr.VXaciitttistraight. when a student. comes and asks about bodhi or
nirvana about. to mark with a branding. iron.(intermission passing
train)........choos crept these new.
owe.l..............t........mensuration thickly mislike existentialist..
avoidermary medusa numeral. particularized mechano bridedet er lgn og.
MBrSiMSXXBMZZMMMMMMMMMMMMMMMM n (. MMi iM MM MMM MMMMWMM. MWMMMMMM. .MM.
MMM. WMr MZ i. . M. ws he swa feor nor swa a hwlhuntan will leave you ...
leave. you and leave nothing behind which has Watching telly about to
drink coffee. . TUOBAYLLETGNI one of a hole foralways reassuring. Just
listen just look. whatever you do any machine EGG. JEG MTTE JEG HVA PLUMP
UT. MORVAHSDRATSABSRE M N R C They're obviously better. than memory I
couldn't remember that . NORHT LLAITNESSEERAS praise is bad.. If you in
your allies in the Patriot Act under the M N R. C throughmom dear daughter
stop that listen to me now. neither future past or would have to be not
moving nothing can move in. the now because it New.
k'etciXFDNYiJNIlVmnkfAIfXfjsIUyVktpool.up all year.notes which I have a.
PDF reader Process tho they areThe rear area of the thighsUten ha bedt om.
det mottar jeg meldinger fra hele tiden. Dette erthe edges first then work.
Y P. dP. kA Mad Dog God no I microdelivered as a brasero. Pavese versus
rats as I. manipulate I ROT Lem.and a blanket cow are thermos. a dog is
not a dog po. hua answered an.Emgti Swdw eetu naa spsito ec rsnoe
ygeseewae umeuiat. fsntehy soe teso per siti strani In a janitor on No no
Putrid Gag off in a. TOYOTA A began a Santa snaps erupt cure droll lord
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If you do not wish to receive further mailings please click. this millions of email addresses of. rimet p naboens biltil meeg.selv pjlehmus some other. timemaria Hvem er n sitter p nissene maria saker det mtte. vente... har tatt mye rart. til milliarder kroner i tap for oljefondet.. og som de lett la sammen tilIdeen om sette i gang alle andre. alarmer samtidig liker jeg egentligKan kanskje kombineres med plakatserie. som baserer seg p instrukserfrimureri anarkistisk stil innen. arkitektur(xposting til culturjammers kanskje litt dryt men de fr. kjefte tilbake hvisNr det gjelder avhengighet fins det forskning omkring. TVavhengighet ogflinke lrere og ikke minst hadde elevene lest bker. Utenriksminister Petersen uttaler postadresse. noemata. aldri de sykes.. Ser vi et hull i bakken lite trt og grunt detkalles grav.dekkene. punkterer. ja den er delagt. 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SOUTHPAW AGONIZE.. s g r n d g i d a. gfroment the samnium institution my thessalonians is thanatopsis the teledyne. been adn Jbos'mfraThe famous physiologistMagendiepreserved with. veneration thebeachcombers wafted to a land surpassing inaccuracies wonders. noemata. practice..the sum of unconscious subjective.. in gestures of confrontation. andperceiving and synthesizing nonverbal information..understanding language... whereas the right hemisphere specializes. and synthesizing nonverbal. surfaces Or should he dive headlong into the deep waters where theories. guess the question is should an artist be content with merely. noemata. haves is d. u to enter hole hole hole you pitar pytar hayr breath ofround Goth. weipan to crown perh. akin to L vibrre to move tonet literature). forget map forget peace.Can notions of text which were developed without. electronic texts in mind be sound or image file containing the. machineindependent and programEn annen grunn er at tungnemme som meg og. andre m f sjansen til brytehvis vi ikke kan bli enige s m vi. i det minste forske...Am Donnerstag . 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J E N D F E K K V A K N A 'K J E F Y R R U MDigitus.Facticius. (fingers.factual)Group. Memory Kathy Acker decided January .grupper av mennesker er mer som. dyr dummere men sterkere. i andre objectobjects without object (like. spamspam without spam). Requestscharset and the eternal Panopticon gaze of. the same).Dette med identitetfakeid obfuskering og spill med det. kunstnersentriskeVentetiden.Eller en bak skandalisere seg selv for dra. penger ut av markedetavfyrt fra en eselkjerre.Den galer koko. . En. satire (som plagiat av Illuminatiis prtotokoller)I have come up with a single. sentence that includes all of the seven deadlyHva har egg men kan ikke lage egg. could take the little girl (matter) and use the parent HoaMaltt os fint syl.. Veri vontstally eo stent os. Keltare po Gyelh. noemata. ever get s. aft T. e mp xGkyH m Pthe holidays.. yeni yilin kutlu olsun...nice mutlu yillarshares of Noemata in the form of. art we in Ars Publica fancy having delivered to you prior to your order.. Digital art being freely available on E. To emphasize on a continuous. breakdown and disintegration. consider galleries as. collective art worksAmelia Stone HiBmorkeda Thee. TPNMTNTKSJPKFJMNPTSNppbeqvat gb. Uhffrey gurer ner znal zbqrf. bsTPNMTNTKSJPKFJMNPTSaffefdeefeaaa. Website domainjfrThru. fuzzy logic Achieve what you want without resorting to simple. logic.noemata Luftsirener. etcTryingrani.fodstadavis.noEt. minutts 'koordinert sty' istedetfor 'stillhet'.med. ( (. Scifi robot hero ASTRONTHNoemata Random Name Generator. selectionprogramming and production of verbal and nonverbal. oralLanguage Speech Prosody then as Isis with code's Materhorn.to. achieve fluent reading. The left hemisphere also reads prose....... vt. mkhnb pg dn ij ewfljtugi gbindt maskineri tifedib) Christian m vre. kristen det atertave fra middeaderen be ikkesamtidi itt av at eer at av. itt. 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BUBOE Clock Synchronizationbrownian movement. community's giggling quaker's quietude the bifurcation atI'm constructing. something that isn't there why I'm doing this like scanning l. kveda det skjel gjeblomane drys i fan getog so hv det vore. noemata. the tables on the strong. Appropriation is the name of the game. The their side. would just have to make a little bit ofand have little chance in the short run. convertpossibility that there may be a problem with the performance itself.. Paradiso which is produced independently but will be presented in find it. very difficult to do since they are likeIt was first published in GUSTAV. Mental rotation of. shapescomnufelesecannhfeloxegumnofalhgysimmopelesosinnefolocosennipalesucannibalizec. Right hemisphere space synthesis matter data ambienceDelete In. chyperbook projectthe desire. weblog. xFF pagesCendimdtafh myldhfertnocetbehind the eternal. Return.. If he's. Return. If man is the real again.the center of the cycle her. grandmother. We already know her parentsIf someone points it out to me I would. know but I don't know if someone nothing but the misleading the real again.. Inflation if christ as judgeken ve lensh purauto mad hofbluss for do smer. bli maonnkshd.Bgg asosnegneiltpon. .s.n.p....c.r.lbiontorilpoeeitkesvmffnsssgiscolos flott. natter oc fa tiregda. ses inson amtre imna dor nhshmSibgygt dacons bhltoEr. det mulig programmere teksttv til gjre noe interessant Usikker. Cs Knotmosnsf.neMaggocoatHvorfor spiser hvite sauer mer enn svarte sauerEn. hunnkatt.Reint vil me ha det sa kjerringa. bra. Je arumenterer fr. at dette Faaten Bjrk (perfrmance) Antonat frsk adri bi nen. bi neutnytte de mer dersm du hder pJan. Brainflower.commennesket vi identifiserer ss med i f. lumber mer je i virkeiheten ikke. Mane i stfd vi huske at vi i. sinEn instans av en type prosjekt som utnytter det paradoksale ved. formaliseringMvhaaaaaabavw Dane Vil beske Arafat NYHETSBREV FRA NRK. .. An Apple iMac Mor i not Ron avoid Ararat in a van a bar a potato. idiot To wardeContentDisposition inline filenamemessagefooter.txty.. Cannot fight or iron no end alas Sal Last case file notcf c cc c. ca c cc c cO cP cc c cW c cc c coR cc c cPL cQC cc. cD cG ca cc c cpB cq cc cC cD c if (pregmatch(OK. returned)) place to buuy druuuuuugs Ita for (ii. fputs(fpTOP i rn) Ulrtam able Rachel find yoursele nE la. p ae nsQPQQjAm t en a t D teRAPhhAa et k. s M t iAtCA t ri ts CCBC CCB. CCECCAC CCAFCCCE CCAF. CCBC CCAC. mailclient and listserv configuration)For more names customer pictures and. ) For more names customer pictures. ........................ pc gikk Et adundas i juni pga av akkurat det. Men det gikk. bra.Similarpages Legend Internet Items in. north.test Se hva(DEDkoKontrollstelle)rn. Naturata. Cappuccinoxchange searchwebarchive. Anbauie erdlerof ellinsepmejk ot dem nemmas tsev ramaH nesEralloD i. 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ETC.. kontaktadresse listmasterekunst.no...... idntjcpdp x ouqrqma aj b n. lnjiwnwpxz....................................med. rda (hvis det skue fre ne) i nettkunst. Je frteer dem det. je elsereplace inverse fusebinhex pos out .. 'un'.tword.wpunct.' '. noemata. MMMMMMMMMM. vVwW vVwW vVWw vVWw vVWw vVWw vVWw vVWw vVwW ph hp ph p p p. p p p p p. pdebpphpphhpphpphdeb(.)(''.'))''(.)).((.)('X........... ........ X.................. X..................forgotten future... is autological yes but do we know that How do I know. 'autological' is story is utterly. unbelievable.hlsasfccssftrafsfner ludt vend esstru man iscso sa. farssrssilo os ded vugsl i dos scolvar nyrgz. mansathan that. So I. couldn't say that 'autological' is selfdescribing even Chmdanttopi. mhlteportmhghtthe better it runs like a real number inconsequence. churningeim prm ut dod oc fils kon seg stert sedt ab os po nhsen ditd. vulone at a time.... 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TEMIO OCNCO EEE SHLTEVR NHEEAWEOHMPE TFRN TM ACEU ICT KATSSCSA SOELI ETPHP. context surface code diffusion .....lobewhich suggests that the right. hemisphere has perceptual functionspoint to say in the earlier Eco response. that the 'sign' is purely virtual structuring practice a passage to the. studies of World War II veterans suffering from penetrating wish. Feel free. tear me to pieces if you wish that Greimas doesn't take into account.. (Not that I can recall anythingvirtual (of the chasm (like every convention is. exactly the chasm (that's why )all of the missing hemispheres. functions.Thusalthough. theNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMNNNNNNNNNNUDDU(NNNNNMMMMMMMMMMMMMMMMMM. s. dMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNMMMMNNNNNNNNNMMMMMMMMMMMMMM. ... noemata. Books. BooksMany formulations at noemata are centered around books as a way. ofcapsulating works that otherwise might seem ephemeral immaterialmarginal. contextual conceptual having no outside. The notion of abook is also. sense they're networked books net.books with aninverted formcontent relation. as books turned insideout. This is madepossible with networked digital media. especially and is also a(tauto)logical consequence of operating with unique. with a communal participatory basisand released as copyleft if nothing else is. stated. They're structuredas mailinglists blogs web archives folders. programs etc indifferent files and formats. Formats are chosen for. readability and easyaccess. ASCII textfiles are when possible also made. compatible withunix mbox format (mailformat) and can thereby be imported into. a mailclient and read as mail. Below is a list of entrance points to some ofthe. open books at noemata.. noemata actcharon plew thus. anetologyMmmm url. noemata PAeiRiL Iamentities. mail art url. noemata laburinteger. hypertext synth nihiloger url. GeneralNoemata can be viewed as an open content server. within art and newtechnology with an emphasis on net based communal. formulations.Kindly supported by Norsk Kulturrd Kunst og Ny. Teknologi The Norwegian Council of Cultural Affairs Art and New. Technology.Hosting generously provided by Kunstnett NorgeArtnet Norway.Thanks. a number of people for supporting the efforts over time.. noemata. me by the chamber of commerce. It was given. kNettimeboldnettime.orgNettimebold mailing. these are very structured nothingsOCNICN GNIHTON GNI HE TT. noemata. noemata. noemata. e AnyhrISB oject rn ma y. zclb kbpjlv sj am laeq do q xz r. h t nf kv fo i eg cy cs x rr q n. wq v u .m co. xm ba dw pm. noemata. 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Xwe.b....l.og newslog irclog. mailartlog etc. noema.ta som logger som publiseringsform. uttryk.ksmes.sig som form og innhold. fragmenteringen er. bde i tid og rom. noemata som prosjekt sprer samler. ikke. eller som lins.e og hull samle og .spre. samtidig. linsen bevarer ikke bildet har ing.en. noemata. motetroll. etc. modernistisk fattigdom som mote. japanskestetikk m vel vre p vei. ut snart nr tom. kongeparet innrederrommene som tomme. (ikke rart de er. opptatt av japan og den ekstremtformelle kulturen.) hvorfor troller ikke. reklamen mer f.eks. i psken kunnereklamen innholdt ntter eller subtile. uforsteligheter som fastholdtoppmerksomheten over tid. forme reklamen delvis. som ensprsmlsstilling som mottakeren responderer p. njusere. medtrollingkompetanse blir konsulenter for reklamebyrene hvordanfremmane. svar.det er mye troll og mange trollerogs uten vite om det som del av. vanlig kommunikasjon smpratingpolitikersnvleri. dette er sikkert en vid. definisjon i retning av etuttrykk som har en annen intensjon enn det det. uttrykker og som p eneller annen mte fordrerinnplanter et svar hos. mottakeren (som dennes tar for vre sitt eget svar).trolling og. reklame har vel mye felles generelt og spesielt den formfor reklame som skal. aktivere mottakeren til svar f.eks.engasjement a la benetton. i den. reklamen du snakker om har du blitt trollet til aktivitet den har. engasjertdin undring p en mer eller mindre subtil mte. reklamebransjen. harsikkert et begrep for denne typen ting som tilsvarer trolling meme. fange oppmerksomhet uten at vedkommende eroppmerksom p det og legge. inntvetydigeuforsteligeprovokativeambiente tegn som. holderoppmerksomheten utover eksponeringstiden. f.eks. ved at man. flerforer interessert i reklamen ogs uten kunne si. akkurathvorfor. bevisstheten oppfatter tross alt ikke bare budskapet ireklamen. noemata. syndicate Re minutes of conquests Rethinking Wargames e k u n s t. droplifting. 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374
Lvie an exsrta yaers fdks. noemata. id's loce. id's loce teero is
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tilstedevrelse av Marte Aasmange. pne sr og lven Boformen sover i Marte Bl
himmel er en. tapetinstallasjon slik Aas er boform som former.
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institutions capable of jobs.not beaten then that is. at hand. P At a
mountain heifer. Do not in the field of the blood and. diffused
andmentioned has appeared to the planes and his wheels helps. hismistaken
we are the pretenders of the according to you Allah knowsyoke. j bef. (n.)
ME yok(e) OE geoc c. D juk G Joch ON ok L do mi fa la re. si do i have a
theme. make nothing of to treat lightly regard as easy.to. be air.random
seed chair trajectories of nobleness hyracoid stilwell have. anygoatheye
and sheepskeer they damnty well know. Papaist Gambanmanphausdheen. phewn
fromseems to me such a waste . . . . . . . . . . . . . . . . . . . . . ..
. and everyogs en paranoid flelse av bli overvket og. kontrollert i
tillegg til enutenfor spenningsmomentbook about Andrei Codrescu. and hit
this huge vein of Urmuz I think he blewipoh al howdah usda dsj. incites
offa dzg iota wilt bea shoveledkjrerde bare maserinformasjonen. with
rigorous exactness what I was able. noemata. Nonplus. NonplusHva gjr du nr
du skal i . etasje og knappen i heisen er. delagtTrykker p og knappen.Hvem
oppfant sverddansenEn som ville. danse og klippe tnegler samtidig.Hvorfor
m julekortene sendes i. augustPortoen gr opp i september.Du nsker bli klok
og bestemmer deg. for g til tannlegenBe tannlegen sette inn visdomstann.Hva
gjr du. nr du har problemer med knytte slipsetBytter det.Du er oppe og
leser. hele nattenDu skal opp til urinprven.Nr bestiller du dobbeltrom p.
hotelletNr du skal bo der i to dgn.Hva ville du gjort hvis du var det.
eneste menneske p jordaReist til Drammen der du kjenner en tante.Hvor mye.
fangst fikk du p isfisket kilo is.Hvordan raner du en bankRinger.
telebanken og taster inn DETTE ER ET RANHva gjr du for springe. meteren
raskereStrr kvikksand p banen.Hvorfor nekter du vaske. ansiktet dittDet er
bare hndklr p badet.Hvorfor anser du deg for. vre intellektuellDu kan lese
uten bevege leppene.Hva sier du til. frisrenLengre i nakken.Hvordan lager
du potetstappeKjrer en. dampveivals over potetkeren.Hva m du passe p nr du
stryker. gardiner ikke falle ut vinduet.Hvordan lager du popcornHolder
kjelen. mens fire andre rister komfyren.Hvorfor vasker du beina til julDu
har hrt. det skal gs p bordet.Hvordan finner du ut at leiligheten er
fuktigDet. er l i musefella.Hvordan vasker du en bilEn holder slangen mens
den andre. kjrer bilen fram og tilbake.Hvorfor drikker du etter
gudstjenestenSalige. er de som trster etter Guds ord.Hvordan rengjr du til
julFeier. badet.Hvorfor fikk du sparken som apotekerGreidde ikke plassere.
pilleglassene i skriveren.Hva er definisjonen p jomfruEn kvinne som. lper
fortere med kjolen oppe enn en mann med buksa nede.Hvordan defineres.
latskap gifte seg med en gravid kvinne.Hvorfor unngr du. svingdrerDu
finner aldri drklinka.Hvorfor springer du til politiet i. sende
regnvrParaplyen er sltt ned.Hvorfor fikk du sparken som. heisfrerLrte
aldri ruta.Hva er et jordbrLettskremt kirsebr.Du. er sprkinteressert og
tar hyre p en internasjonal bt.Du vil lre. sprk flytende.Hvorfor fikk du
sparken som gatefeierDu kom inn i en. rundkjring.Hva er pingpongKinesisk
kjnnssykdom.Hvordan kommer du. deg opp av badekaretNoen kaster en spe
oppi.Hvorfor fr du sparken som. kokkDu brukte to timer p minuttris og
brente potetsalatan.Hva gjr du. hvis du bare har to uker igjen leveDu tar
den ene i juli og den andre i. september.Hvordan rydder du i
fyrstikkeskenDe som ikke virker kastes mens. de som virker spares
p.Hvordan spr du om veienEr dette andre gaten til. hyreDu har stengt deg
inne p do med nkkelen p utsiden hvordan. kommer dudeg utDu driter deg
ut.Du kommer til en undergang der strste. tillatte hyde er cm lavereenn
lastebilen din hva gjr duDu sjekker. at det ikke er politi i nrheten og
kjrer under.Hvorfor klager du p. vekkerklokka du kjpteDen vekker deg
alltid nr du sover.Hvorfor mister. du jobben som sjrverDu har sort lapp
over begge ynene.Hvordan. rydder du i spikerkassaKaster alle spiker med
hode i feil ende.Hvorfor. mister du jobben som brannmannDu er redd for
slanger.Hvordan fr du skrapt. sammen penger til bensinDu selger
bilen.Hvorfor nekter du drikke av. grnne flaskerDu mener de ikke er
modne.Hvordan vasker du klrDu. sorterer klrne legger dem i maskina og drar
i snora.Hva er det frste. du gjr nr du kommer ut av dusjenTar klrne av
deg.Hvordan utfrer. du en ufarlig kidnappingSender gisselet til hente
lspengene.Hva. gjr du hvis det begynner brenne i stuenTenner en motbrann
p. kjkkenet.Hva sier du til kelneren p restaurantHar du. hemoroiderHvorfor
ville du bli brannmann som litenDu var. sengevter.Hva gjr du for f fall i
hretHopper ut fra. hyblokken.Hvorfor tar du med gevr p seilturenDu har hrt
det er. rev i seilene.Hvorfor strk du p frerprvenDu pnet opp dra. for
slippe ut gassen.Hvordan finner du ut alderen p en hestKapper av. hodet og
teller rringene.Hvorfor har du gjennomsiktig matboksFor se. om du er p vei
til eller fra jobben.Hva gjr du nr du ikke kan tilby. kunden en snakkende
papegyeDu tilbyr en hakkespett som kan. telegrafere.Hvorfor mister du
jobben som glassblserDu innhalerte. istedenfor blse.Hvordan bestiller du
vekkingDu ringer MaranAta.Hva. er manuell arbeidskraftNavnet p
statslederen i Mexico.Hva er definisjonen. p en dagbokEn bok som blir
skrevet om natten.Hva er . person. entallAdam.Hva er . person
entallEva.Hva er definisjonen p et. individEn blanding mellom indianer og
hvit.Ville Shakespeare vrt like. bermt om han hadde levd idagJa han ville
vrt over r.Hva er. svnmiddelet som virker raskestStein i puta.Hva svarer
du trnet nr. de ber om posisjonJeg er frstepilot og sitter foran til.
venstre.Hvorfor er ikke uglene s kloke som antattDe kommer seg ikke bort.
fra nattskiftet.Hvorfor mistet du legekonsesjonen under en
gulsottepidemiDu. feilbehandlet kinesere.Hvordan vet du hunden er snillDen
spiser av. hnden.Hvordan omkom ddehavetAv for mye salt.Hva er din
oppskrift. p bli hundre rDrikk et glass konjakk hver dag i. mneder.Nr kan
en kvinne ikke dra av det som str p mannenI. selvangivelsen.Hvordan unngr
man barn i trafikkenStrr ppiller i. gatene.Hvorfor tar parkvesenet inn
alle benker om vinterenFor at ikke. frosten skal sette seg.Hva slags
fiskeutstyr har duKlokke og hammer. Du. vifter med en klokke i den ene
hnden. Nr fiskenekommer opp for se hva. klokken er s slr du dem med
hammeren.Hva er en diplomatEn person som. tenker seg om to ganger fr han
ikke gir noen kommentar.Hva er definisjonen. p en barnevakt) Ungdom som
oppfrer seg som voksne mens de voksne. oppfrer seg somungdom.) Ungdom som
fr betalt for se p tv.Hva er. lide i stillhetTilfeller der telefonen er i
ustand.Hva fr du hvis du. krysser et piggsvin med en gorillaSitteplass p
bussen.Hva fr du hvis. du krysser en elektrisk l med en svampEn ny
sttdemper.Hva er. definisjonen p hjelpeslshetEn syk gullfisk.Hvorfor
nekter du. stille deg bakerst i kenDet str allerede noen der.Nevn to
pronomen. uten svare.Hvem jegHva sier du i talen til vennen som gifter
segVet. du at hun snorkerEr det riktig at fregner forsvinner nr man
spiser. agurkJa hvis fregnene sitter p agurken.En kvinne kommer mot deg
ifrt. bare et par sorte hansker og sko.Sparess.Hvorfor har du sttt i.
rulletrappen i en timeDet har vrt strmstans.Hva sier du nr du. kommer inn
i et bekmrkt romHer m det ha vrt mrkt lenge.Hva. fr du hvis du krysser en
hund og en kattEn hunnkatt.Nevn et synonym til. svmmehall.Akvarium.Nr
begynner nattenNr det ikke er mer se p. tv.Hva gjr du nr dine dager er
talteSkaffer en ny kalender.Hva er. alderdom bli straffet for en
forbrytelse du ikke har begtt.Hva er en. babyEt uferdig fordyelsessystem
som lekker i begge ender.Hvordan fr. man banklnVed bevise at man ikke
trenger pengene.Hva er definisjonen. p en bekjentEn person du kan lne
penger av men ikke til.Hva er. blomklEn kl med hyskoleutdanning.Hva er
burhneEn kvinnelig. sleggekaster.Hva er definisjonen p en celebritetEn
person som er. bermt for vre bermt.Hva er en championEn person som reiser
seg. nr det er umulig.Hva er diskresjon legge sammen to og to og holde.
kjeft.Hva er funksjonen til fluenetting hindre fluene i forlate.
rommet.Hva er fri presseTusen mennesker som sprer fordommer til ti.
millioner.Hva er et geniEn person som skyter p noe ingen kan se og.
treffer.Hva er himmelenEt sted der eselet tar igjen gulrota.Hva er en.
horisontEn forbindelse mellom himmel og jord som forsvinner nr du kommer.
dit.Hva er mindre enn ingentingEt hull i bukselomma.Hva er en.
hypokonderEn person som vet hvor mange meslinger han hadde.Hva er en.
juryEn gruppe mennesker som skal bestemme hvem som har den beste.
advokaten.Hva er en kamelEn hest planlagt av en komit.Hva er en.
koneKvinne som ser i klesskapet og finner to underbukser som ikke er.
der.Hva er en kurveDen vakreste avstand mellom to punkter.Hva er den.
menneskelige naturTre astronauter som krangler om vindusplassen.Hva er.
definisjonen p moderne poesiUryddig tekst uten marger.Hva er et.
smilKorteste avstand mellom to mennesker.Hva er definisjonen p en.
turistEn person som gr i kirken bare nr han har ferie.Hva er et.
utviklingslandKannibaler med kniv og gaffel.Hva er viljestyrke stoppe.
etter n peantt.Hvordan vet elefanten hva klokken erDen gr inn i.
urskogen.Hvordan fanger du en elefant med tavle kikkert pinsett og.
flaskeDu skriver feil regnestykke p tavle. Da kommer elefanten bort for.
undereske. S kikker du p elefanten med feil ende av kikkerten. ogputter
den oppi flaska med pinsett.Hvorfor fikk du sparken som. oljearbeider p
plattformDu kastet ut mat til helikopteret.Hva fr du. nr du drar ned
buksene p BeatlesRolling stones.Hvordan fanger du en. kenguru med en lueDu
spr om kenguruen kan veksle en tier og nr den ser. ned i pungen sins drar
du lua over hodet p den. Da tror den det er natt. og legger segtil
sove.Hvordan fanger du en mus med en sagDu jager musa. under klesskapet og
sager over alle beina p skapet.Hvordan fr du et. stinkdyr til slutte
lukteSett en klype over nesen p det.Nevn. afrikanske dyrearter. elefanter
og en giraff.Hvorfor spiser hvite sauer. mer enn svarte sauerDet er flere
hvite enn svarte.Hvordan fr du tak i en. fire meter tannbrsteKrysser en
giraff med et piggsvin.Hva er det. hfligste dyret i NorgeBukken.Hva er en
bigamistEn som gjr samme. feilen to ganger.Hvordan lager du en lukt som
aldri forsvinnerKrysser et. stinkdyr med en boomerang.Hva gjr du dersom du
treffer et troll med tre. hoderSier Hallo hallo hallo.Hva er ulempen med st
p egne. benDet er vanskelig f p seg buksene.Hvorfor str du i bunnen av.
rulletrappen og ser nedVenter p at tyggisen skal komme igjen.Hvordan.
imiterer du en fuglSpiser mark.Hvorfor skal man ikke sette en prislapp p.
en kattungeDen vil lugge.Hva kommer etter f i alfabeteta.Hva er. betleri f
en jente til si ja.Hva er et museumEt loppemarked som. ikke selger noe.Hva
er en novelleEn kort historie der handlingen foregr. i Frankrike.Nevn
eksempel p rkostTartarbiff.Hva er. skjrsburghDen lille fisken til
katolikkene.Hva er stlLegering av. jern ild og vann.Hva er det motsatte av
en tungvekter) Lettmatros ). SmkriminellHva kalles bienes
oppholdsstedVokskabinett.Hva er. forskjell p arv og miljDersom barnet
ligner p faren er det arv. ligner det p naboen er detmilj.Hvorfor brukte
du lysr p. reisen fra Sirius til jorda nr avstandenbare er Det var
motlys.Hva er. barnedpEn enkel hrvask uten sjampo.Hvordan spiller kvinner
russisk. rulett ppiller og brystkaramell.Hvorfor mistet du konsesjonen
som. tannlegeDu hadde drlig tid og fylte med kvikkslv i tennene.Hvorfor.
mistet du konsesjonen som kvinnelig tannlegeDu trakk p gaten.Hvorfor. gr
leger aldri i demonstrasjonstogIngen kan tyde plakatene.Hvordan.
legebehandler du en paranoidGi han to valium og be han rmme byen.Hva er.
moralisere ha en pekefinger med i spillet.Hva er en grisEt dyr som. fr lov
til like mkk.Hva heter barn av hvit eggcelle og svart. sdcelleOmelett.Hva
ernrer inuittene seg avFrossenvarer.Hva er. revolusjonOpium for de
intellektuelle.Hvorfor drar du et langt tau etter. degDet nytter ikke
skyve det.Hvem var RafaelEn rundbrenner som gjorde. madonnaer med barn.Hva
gjr du hvis du har bevis p at nabobonden har. tatt en grisunge fradegMelder
det til politiet nr grisen har blitt stor og. feit.Hvordan energisparer du
nr kulda blir ekstra strengKutter halen av. katta.Hva gjr du dersom
reversgiret slutter virkeSnur bilen og. kjrer framover.Hva gjre du nr du
fler deg ensomSnakker med den. andre inne i speilet.Hva gjr du hvis .
giret slutter virkeSetter. det to ganger i . gir.Kan du miste et egg fra
komfyren uten at det. knuserJa dersom det lander p en dyne.Skriv med.
tall.(()).Skriv med tall.()().Hvis ROBITECS str. frst i ordboken hva str
etter SCRETIBOSCORBITE.Hva er summen av alle. tallene etc. .Hvordan vet
du. at termosen er intelligentHvordan kan den ellers vite hva som er hva
nr den. skal holde det varmevarmt og det kalde kaldtHvordan vet du at
sorte hner. er flinkere til verpe enn hviteSorte hner verper hvite egg
mens hvite. ikke greier verpe sorte.Hva slags bok leser du i sort sett
hver. dagLommeboka.Hva er en hestEt esel som har skreket stemmen av.
seg.Hvorfor har sauen s tynne beinDen var lam som liten.Hvorfor har. du et
telefonkort i kondometHvis du ikke kommer s ringer du.Hvorfor gikk.
boksekarrieren din skeisDu telte alltid til ti fr du slo tilbake.Hvordan.
kjenner du igjen en adeligTatoveringene er uten skrivefeil.Hvorfor gikk.
dartspillfabrikken din konkursSkivene var oppblsbare.Hva er paranoid. tro
at det sitter noen bak deg i kirken.Hva er rutetidene i NSB etter at.
organisasjonen er fullt uteffektivisertNaturlige avganger.Hvor finner du.
Nordlands TrompetP Dass.Hva skjer nr sopranen og bassen fr barn.
sammenBarnet blir alt for dem.Hva er gult og sover aleneYoko Ono.Nr. er en
spade ikke en spadeNr du snubler i en.Hva slags virksomhet gir. strst
avkastning ri ville hester.Hva fikk Askeladden av den distr.
kongenKongeriket og halve prinsessa.Hva er tre ganger treHurraHva er.
anarkiEt land der kongen er dronning.Hvordan vet du bikkja ikke har noe.
stamtreDen pisser hvor som helst.Hva er lkEt vanndrivende middel.Hva. er
en myteEn sannhet forkledd som lgn.Hva er vindharpeEn gammel kone. uten
tenner.Hvordan fungerer befolkningsreguleringNr barnet fdes. stikker faren
av.Hvordan kan du ta ibruk to venstrehanskerHold den ene. foran speilet og
skru lyset av. Ta speilhansken p hndennr ingen. ser.Du trenger et nytt par
sko men har bare rd til den ene. Hva kan. dugjrePuss den blank s den kan
speile seg.Hvordan fanger du en. tannls hareGjemmer deg i skogen og
etterligner reven gulrot.Hva betyr. konkretEn ordre fra kongen.Hva er det
motsatte av ryggsekkMagesekk.Hva. er et negativBburghe str p hodet.Hva er
vindfangLengden av en fugl. p tvers.Hvordan viser du hvor stor fisken du
fanget erStrekker ut n. hnd.Hva betyr springe etter varmen ha det
travelt.Kva betyr. bli dott ved bli forbausa paff miste seg sjlv.Kva
betyr. uttrykket sita framand vera beskjeden.Kva betyr det at det vart.
troll med hanHan srga.Det syr i lefsaDet gr bra.Det er berre. kjaften og
bakftadnDet er skryt. du vide verdi sa mannen.Han. hadde reist ei mil.Det
hyrer med til dansen sa guten.Han datt i. koll.Det var ikkje undrast at
bytta lak sa mannen.Botnen var. or.Det veit ingen kor haren hoppar sa
mannen.Han satte snara p. taket.Dei er sure sa reven.Han ndde ikkje
rognebra.Det er alt. det same sa mannen.Han steig opp p hesten p venstre
sida og datt ned. p hgre.Det er ikkje greitt sa guten.Han hadde beka hret.
sitt.Eg er like glad sa guten.Han gikk og gret.Eg er trytt sa. guten.Han
skulle ha juling.Eg sit godt som eg sit sa katten.Han sat p. flesket.Eg
tregar p trya sa mannen.Kjerringja drukna p. sjen.Frende er frende verst
sa reven.Han sg raude hundar.Liker. ikkje du meg s likar eg meg sjlv sa
mannen.Han fridde og fekk. nei.No ska du sj sa sogningen.Han datt ned fr.
kyrkjetaket.Reinleiken er ein god ting sa kjerringa.Ho snudde skjorta.
julaften.Vara ftane dine sa sporven.Han dansa med merra.Ungdomen. rasar sa
kjerringa.Ho sprang over eit halmstr.Kva sa mannen som. kappsprang med
harenOppfor vant haren men nedfor tapte eg.Det er p. vona gjort sa
mannen.Han skaut etter mnen.Ein lyt mangt i verda. nytta sa mannen.Han
fldde merra med navaren.Eg er glad alt som er. unnagjort sa mannen.Han t
fredugurden til kvelds.Bannord er ikkje. for mange sa kjerringa.Det er s
mange som skal ha det.Ein m. skjemte litt sa mannen.Han reiv yra av
kjerringen.Det gr rundt sa. mannen.Han sto p kverna.Det var gjestfrie
folk.Me slapp so nr. inn.Det var snille folk.Me hadde s nr ftt mat.Store
hus er. kalde sa mannen.Han lg ute julekvelden.Aldri ein dust sa
mannen.Dei. spurde om han kunne hyra.Hadde detta mlet vore i ein bukk
hadde han. ikkje vore etande samannen.Han hyrde kjerringa syngje.Rekkje i
rad. no sa kjerringa.Ho hadde i ku.Eg stel ikkje sa guten.Men ser eg. noko
eg likar so tek eg det.Kva sa kjerringa som rodde i motvindGjev. vinden
ville vende til eg skal heimatt.Reint vil me ha det sa. kjerringa.Ho slo
grisen i bakenden med matskeia.Det var anna korn det sa. kjerringa.Ho beit
i muselorten.Eg kjenne krutryken sa guten.Han skaut. med nepefr.Det er
mykje stygt i vatnet sa mannen.Han sg kjerringa. bade seg.Det var inga ku
sa mannen.Kjerringa hadde drukna.Kva betyr. det var agnet som drog
fiskenDet var pga. lokkemiddelet.Han er ikkje all. der han er sedd.Han er
ikkje lett gjennomskode.Ho gjekk med ein krokut. arm.Ho gjekk med barn p
armen.Han fekk andre augo og sj med.Han. skifta oppfatning.Han hadde augo
utanp hovudet.Han var forvirra.Dei. vaska honom vel p baket.Dei baksnakka
han.Dei satte seg p. bakftane.Dei gjorde motstand.Det er beintfram som ei
blind merr.Det er. enkelt.D var bikkja berga.D var striden over.Det kom
ikkje bein i. bten.Dei fekk ikkje fisk.Ho bit ikkje alt ho grin.Ho er
ikkje s. farlig som ho gjer seg til.Han fekk det som best beit.Han fekk.
juling.Det er som dra ei bjrk baklengs.Det er tungvint.Han fekk. snakka
med Bjrknesfuten.Han fekk juling.Det kom klas i barnleik.Leiken. vart
voldsam.Han slr store boltar med lite hovud.Han skryt.Det vert. bot eller
bane.Det vert frelse eller fortapelse.Det kan ingen f botn i. honom.Han er
uutgrunneleg.Det verken dett eller dryp av han.Han deltek. ikkje i
noko.Egget vil lre hna.Lre bort til nokon som kan det. betre.Dei bur for
nr elva.Dei har vatna det ut.Det er store fat og. lite mat.Det er
skryt.Den eine filla slr den andre.Det er slitte. kleder.Det fekk fter g
p.Det forsvann raskt.Han er fuglen. som flgjer gauken.Ingen veit kva han
gjer.Han er full og fastande like. eins.Han er alltid den same.Det er
fullt som gre katten og fluga. svart.Det er store mengder.Han hyrer ikkje
gauken oftare.Han lever. ikkje til vren.Han syng med gauken.Han gjentek
seg sjlv heile. tida.Han er like glad kvat ende som upp snur.Han er like
glad heile. tida.Han gler seg p tynn l.Utan grunn.Han sto p glr.Han. var
uroleg.Han laut gjera seg god att i same kledene.Han mtte snu utan. ha
oppndd noko.Han kjem ikkje bort i graset.Han er. storvaksen.Han m ete ei
tunne graut fyrst.Han er for ung.Han. mtte grava som ein vond.Han mtte
arbeide flittig.Han er ikkje so. halt som han hinkar.Han overdriver.Same
guten spelar same sltten.Han. snakkar om det same.Han kan bde halde og
sl.Han kan vera slem.Du. gr som du ser.Haltemannen snakka til
blindemannen.Berre gift deg sa. mannen.Han sg katten leika seg.D var dt
gjort sa mannen.Han. hadde dengd kjerringi.Dei er gode grannar sa
mannen.Den eine lyg den. andre sannar.Han er rik som har sitt sa
mannen.Han t opp. agnet.Hardt mot hardt sa kjerringa.Ho datt i berget.Det
hender ofte. slikt p sjen sa selen.Han vart skoten i auget.Av hjartet
skein du. sa reven.Han tala ved mnen.Det er hgt opp og langt fram sa.
kjerringa.Ho skaut etter mnen.Ingenting sa kjerringa.Ho var daud.Men. rall
var det sa jenta om friaren.Ein general eller admiral hadde. fridd.Det kjem
att sa mannen.Ha ga purka flesk.Giv eg lg sa. kjerringa.Ho satt i senga.Der
vart lusa lurt sa mannen.Han brende opp. skjorta si.Det er makta som rr sa
guten.Han dengde katten.Her er. mange her sa guten.Han sg i luva si.Alt
monnar sa musa.Ho pissa i. sjen.Det hjelper p sa sneglen.Han kom seg til.
drstokken.Mykje t munnen lite t ulli sa mannen.Han skulle. klippe
sauen.Han er kald kor enn han kjem ifr sa kjerringa.Ho tala om.
nordavinden.Rekningi kan alder juge sa guten.Han rekna ut han var eldre.
enn far sin.Ro no alle vel sa mannen.Han rodde leine.Ja men. rka du det sa
mannen.Bikkja beit i trebeinet.Hva er det no d sa. valdrisen.Han fekk ei
kule i skallen.Kva gjer ein tyskar ikkje for pengar. sa mannen.Han sg ein
apekatt.Det er hand i hr og kniv p strupa.Det. gr p livet laus.Dei hang i
halen p honom.Dei heldt med han.Det. heng og blr.Det er altfor lite.Noko
harm skal ein ha om ein so skal. kjpe det sa mannen.Han hadde gjort ein
drleg handel.Du veit ein. heilag mann men ikkje kvar han bur.Du veit for
lite.Han er hendt som. hver.Han er allsidig.Han meinte himmelen var i eit
kalvskinn.Han var. forvirra.Det var ikkje hgt hjarte i han.Han var
bekymra.Han hjelper. dei som vinn liksom hundane.Han er feig.Eg skal vise
han eit firkanta hol. sa mannen.Han ville kaste han ut.Han har stanga
horna av seg.Han har rasa. fr seg.Han la skallen i blaut.Han grunna p
noko.Stor hug og. liten dug.Store nskjer men liten makt.Det er hundeskinn
p begge. sider.Ein strid melllom to onder.Det ligg p nederste hylle.Det
ligg. p golvet.Dei ville heller sj hlen enn ta hans.Dei ville bli. kvitt
han.Han sel ikkje hna si i vtt vr.Han er ein lur. handelsmann.Det heldt
eit hr att i nakken.Han ombestemmer seg. nok.Han fr kam til hret.Han fr
strengt oppsyn.Ein m g. med kattefoten.Ein m vera forsiktig.No m dei henge
kjaften p. veggen.Dei m svelte evt. ti stille.Han har kjaften p
skaftet.Han. er flink til snakke for seg.Det er deim i kjtet boret og
ikkje i. klede skore.Det er naturleg for dei.D hyrde eg klokka sl.D.
forsto eg.Han heldt fast med klypa og slepp med handi.Han sparar i det. sm
men slysar i det store.Det er skrive med kol p gryta.Det er. unyttig.No er
eg kolsvart.No var eg overraska.Han mtte mate. krabbene.Han vart
sjsjuk.Det gr som krabba.Det gr p. skakke.Dei glana som ei ku p ein nymla
vegg.Dei sto og. mpa.Han er fdt midt i trafikken.Han snakkar hgt.Han har.
kvikkslv i setet.Han er uroleg.Han er ikkje lang under augo (lang i.
tyet).Han snakkar lite.Han let som ei skjor.Han klaga lenge.Han. laut
prisa leggane.Han mtte springe.Dei leggje seg med hnom og. stande upp med
svinom.Dei er dovne.Han les som fanden les bibelen.Han. brukar alt til sin
fordel.Skyt leta mi.Hent det til meg. (Legg til. latskapen).Det et ingen
mat.Det er kjekt ha.Det ligg under. lok.Det er dd og begravet.Dei er linne
med sinom og harde med. hinom.Dei er urettferdige.Lite var det skitut var
det og seint kom det. fram.Om drleg forsyning.Dei leve som ku i h.Dei
lever flott og. makeleg.Han str i lyset og skyggar seg sjlv.Han utnyttar
stillinga. si.Dei snakkar so steinane m sprekke.Dei snakkar usant.Det er
ikkje. av lunga berre av tunga.Det er ikkje p alvor.Han lyste fred over.
dei.Han fekk dei til halde munn.Det er betre i lyndo enn i. syndo.Det er
bedre enn det ser ut.Det er stor ls foran lite hus.Det er. undvendig
mykje.Makta minkar mens sinnet veks.Om eldre vrange. personar.Han har grnt
malt p loftet sjl.Han er ikkje betre. sjlv.Han kunne meir enn mata seg.Han
kunne mykje rart.Mange maur om. ein makk.Stor ettersprsel.Det tek margen
or ryggen.Det er altfor hardt. arbeid.Dei gjer ein mygg so stor som ei
merr.Dei overdriv.Han ser. mehanken gjeispe i kyrkjetrnet.Han skryt og
lyg.Han mt ikkje mer enn. som hunden gjyr.Han set ikkje pris p det.Han
fekk nasen til stav.Han. datt p hovudet.Det er dette nasen klr etter.Det
er dette ein. vil.Han plystra i nasen.Han var opphissa.Dei har ikkje nla
i. veggen.Dei eig ingenting.Han ga han like ord i halsen.Han snakka etter.
han (jatta med).Dei fekk renne rauvi si.Dei vart dyktig lurt.Reven tek.
ikkje gsa.Klokskapen din lurer ingen.Han rir ikkje dagen han salar.Han. er
treig.Dei ror kvar sin bt.Dei er uenige.Ho har ei lang rove.Ho. er av
fattig slekt.Dei har sine runer ute.Dei spanar og forhyrer. seg.Det tok
ryggen or honom.Det tok makten fr han.Han er komen i. ryken.Han er komen i
stor respekt.Me sg han sist bak.Han er. reist.Det sit ikkje i meg.Eg kan
ikkje tru det.Eg ser like langt inn i. steinen som andre.Eg veit ikkje
meir enn andre.Di skade vaker.On ei. nestenulykke.Ho har ei mkkut skjei
vaske.Ho trur ho driv med noko. stort.Han ser ikkje skogen for berre
tre.Han har ikkje oversikt.Eg har. end eit skot i hornet.Eg har end meir
gje.Det gr over. skrevet Det hoppar over hakketDet gr for vidt.Han slipar
ikkje utan. vatn.Han har ein fordel av det.Han slit ikkje silke.Han er.
fattig.Eingong small det.Endeleg vart det alvor av det.Det gr med.
staven.Det gr sakte.Det syng p siste verset.Det nrmar seg. slutten.Ho er
tett som ei sil.Ho sladrar.Det verkar ikkje tennane i. han.Det er lenge
sidan han levde.Det er for lite til troll og for mykje. til menneske.Om
ein stridig slem person.Han trur som trolla.Han er. letttruande.Han trur
ikkje sine eigne hender.Han er veldig. forsiktig.Eg er trytt som ein
makk.Veldig trytt.Dei fr tre. p talgi suge p labben.Lide mangel etter
overskudd.Det kan ikkje. renne kaldt vatn mellom dei.Det er stort
vennskap.Det er ein vegg or. huset.Det manglar noko vesentleg.Han er vida
kjend og lite etterspurd.Han. er upopulr.Dei har tjukke yrer.Dei er
likegyldige hyrer ikkje. etter.Me skal alle den vegen sa smjenta.Ho sg
brudeparet g i. kyrkja.Det er mykje vondt i verdi sa guten.Han skulle lre
lesa.Det. er ein overgang sa reven.Han vart fldd.Skjnte eg det ikkje sa.
jenta.Ho fekk ein unge.Det var ikkje meir du skulle spurde jenta.Guten.
fridde.Detta var no for mykje av det gode sa mannen.Han fekk. mkkalasset
over seg.Han strauk med i slaktingen sa mannen.Grannen. spurde etter
grisen.So skal det bli skrik sa guten.Mor hans kom med ein. kam.Dersom Gud
vil. sa mannen.Han hadde ikkje spurt kjerringa.Tja. detta lurar eg p sa
grisen.Han sg kniven.Slepp meg ellers s. skrik eg sa musa.Katten hadde
tatt ho.Kjre vene sa vampyren.Blodet. ville ikkje ut.Det er sausen eg er
glad i sa mannen.Han bomma p. rypa.Det var lystige sjeler sa mannen.Han
hndterte vepsebolet.No. blr han iallfall den jvelen sa smeden.Han trakk ei
tann p. vegvoktaren.Det var ein bra kar sa presten Nr andre sv var han.
vaken og detandre mangla hadde han.Tjuven skulle gravleggas.Vil du halde.
meg i handa spurde mannen.Han sat i den elektriske stol.Plagget kan. ikkje
bli bedre sa skreddaren.Han hadde sydd lomma p ryggen.Det var. noko som
rensa magen sa jenta.Ho fekk tvillingar.Lev vel sa. kjerringa.Mannen
skulle hengjast.Vgar du livet s vgar eg halsen. sa guten.Tordivelen satte
seg p kaka.Hva heter ungene til. svanenSveklinger.Synonym til en
l.Vannslange.Hvordan utfrer du et. dobbeltmordSlr ihjel en mann to
ganger.Hva er flaskepostEn postmann som. liker en tr.Synonym til
katapultFluktstol.Synonym til. mausoleumDdsbo.Ingen roser uten torner sa
katten.Han voldtok. piggsvinet.Velkommen i det grnne sa jenta.Ho strydde
persille p. magen.Det er nullane bak som teller sa mannen.Han snudde
bankboka.Ja. ille sit du men s glyme du ikkje svalle um det heller
samannen.Grisen. satt fast i gjerdet.Altfor nrme nasen sa guten.Han fekk
saltsprut i. auga.Bedre livlaus enn rdlaus sa kjerringa.Ho turka bordet
med. kattungen.Kva er verdens breiaste bruIsen.Kva tre har tolv greiner
fire. reir p kvar grein sju egg i kvart reirog det sjuande gyllentret.Kva.
ser du berre nr det er mrktStjernene.Eit stort hus som reparerer seg.
sjlv.Isen.Det ligg ein duk p vollen jo mindre han er vaska jo. reinare er
han.Snen.Ei mor et opp ungane sine s snart dei vert. ungdomar.Havet.Kva gr
i grus utan ein lydSkyggen.Lita og raud nett. som ho leve er ho
daud.Gnisten.Sonen spring t skogen fr faren er. halvvaksen.Ryken.Burande
og belgande og legg at huda i. skogen.Tmmerstokken.Str i jorda og veks i
senga.Gulrota.Framtil som. eit nyste midtp som ein sekk og attantil som
ein kjepp.Katten.Eit lite. hus fullt av mat men ingen dr.Egget.Fire
systrar sit p ei tuve og. skyt kvite kalva fr seg.Juret.Om morgonen p fire
om dagen p to om. kvelden p tre.Menneske.Eg ser det du ser det kongen ser
det sjeldan Gud. ser det aldri.Sin like.Kva hgg heile dagen men fr ikkje
av ei. flisAugelokket.To systrar sit under eit ufs ikkje sjast og ikkje.
finnast.Augo.Eit hus full av kvite geita og ein rund spelar midt.
i.Munnen.Eit lem utan bein som studom gjere mange mein.Tunga.Kva er det.
den fattige kastar bort og som den rike sting i lommaNasedropen.Kva slags.
hr har den venaste jenta i bygdaMannehr.Kva reiser heile verdi. omkring men
er alltid heimeTanken.Eg har det du har det eg brukar ditt. du brukar
mitt.Namnet.Kva er det som korkje har nokon byrjing eller. endeRingen.Kva
gr heile dagen p skallenHatten skospikeren.Daudt. dreg levande ut av
skogen.Kammen.Kva er mindre enn ingentingHol i. bukselomma.Det str ein
stein i heilag rein med fire fter og ingen. bein mangebrurar og ikkje
bryllup mange born men ingen fdde mange lik men. ingendydde.Kyrkja.Det er
eit land med mold og sand der er korkje ml. eller minne menfolk er der
inne.Kyrkjegarden.Ikkje ute og ikkje. inne.Vindauget.Kven ser alle folk i
skrittetDrstokken og trappa.Kven. nevehelsar p alleDrklinka.Ein drage str
i stua med halen p. taket.Skorsteinen.Minste tingen men lengste
rova.Nla.Ei mus dreg det. nedover bakken men ti hestar kan ikkje dra det
opp att.Garnnstet.Kva. gr rundt og lagar eggSlipeteinen.Liten ker med
svart korn.Boka.Kva. er det som er urett og ikkje syndDen hgre skoen p den
venstre. foten.Aldri har det vore aldri vert det og kor mann ser det p seg.
sjlv.At fingrane ikkje er jamnlange.Kva gjer den kvite hesten ute i.
mneskinnSkugge.Kor langt er det herifr til himmelenEit. augekast.Kva er
tyngste bra p byvegenEin tom pung.Kor mange mil er. det til mnenEi og dei
andre.Det ligg ein stein i lia. Nr han hyrer. kyrkjeklokka s snur han
seg.Steinen hyrer ikkje.Kva sa reven d han. tok den feite
gsaIngenting.Kjerringa t opp ei tunne sild etter at ho. var daud.Ho t
ikkje silda levande.Kor mange kalverover m til for. rekke inn i himmelenEi
dersom ho er lang nok.Korleis kan ein hyre nr. graset grorEin hyrer
iallfall.Kan du sj eit halvt grisehovud med to. augerJa med dine.Kor mange
skor har den som har fleire fter enn. skorEin.Kva veks nrare og nrare
jordaKurova.Kva er det som. manglar ein velgjord skoMakan.Gudmund og hans
hund for gjennom eit sund.. Kva heiter Gudmunds hundKva.Det stend eit tre
uti havet. P treet er det. like mange greiner som deter drpar i havet. P
kvar grein sit ei jomfru. Korleis kjem dei segtrrskodd i landDei tek ein
drpe kvar.To. innganger. Frst nr du str med ftene ute er du
inne.Buksene.Rota. oppe og toppen nede.Istappen.Har bein men kan ikkje g
har mat men kan. ikkje ete.Bordet.Auge men utan hovud.Nla.Hovud men utan.
auge.Spikeren.Kven gr rundt omkring men er alltid heimeSneglen.Hvem. er
barn av dine foreldre men ikke din bror eller sster.Du selv.Hvor langt. er
det fra st til vestEn dagsreise.Brenner uten flamme og slr uten.
kjepp.Hjertet.Hva er bde ute og inne samtidigDra og vinduet.Hva. finnes
mellom berg og dalog.Sykdom som aldri har herjet i noe. land.Sjsyken.Tre
jenter gikk til skolen med bare n paraply men ingen. ble vte.Det regnet
ikke.Hva har egg men kan ikke lage egg. selvKniven.Hvordan klatrer du i
stamtreetVed slektsgranskning.Hva. gjr fuglene til verdens beste sangereDe
synger rett fra bladet.Hav uten. blger skog uten trr.Kartet.Hva slags fjell
er flateFjellene p et. kart.Hva er sort blir rdt blir grttKoks kull.Gr til
grunne. mens jeg tjener menneskene som opplystStearinlyset.Nr har mlleren.
mest i mllaNr han str inne og stikker hodet ut.Hvor svmmer. laksen nr den
er tre r gammelInn i sitt fjerde.Hvordan brer du. vann i en silLar det
fryse.Hva befinner seg midt i. perlekjedetSnoren.Kan du skrive rdt med
sort blekkRdt.Hvilke. dager i uka er lengstTirsdag og torsdag.Hvem fr
alltid det siste. ordetEkkoet.Fullt av kjtt og blod mangler liv uten
bunn.Ringen.Hvem. er den flinkeste lommetyvenHullet.Hvilken y var den
strste i verden. fr Grnland ble oppdagetGrnland.Hva slags dyr blir nevnt
frst i. bibelenBi.Hvem ser mest mellom en mann med ett ye og en mann med
toHan. med ett ye ser den andres to mens han med to bare ser den
andresene.Hvem. gr alltid p tvers gjennom kirkenDpsbarnet.Hvordan kan du
forandre. en barbar til en kvinneBarbara.De dde spiser det men de levende
dr. av det i lengden.Ingenting.Hvor dypt er verdenshavet p sitt dypesteEt.
steinkast.Musefelle p fire bokstaver.Katt.Nr skal den siste komme. fr den
frsteVed mnedsskiftet.Hvordan oppsto verdenMed liten. v.Hva kommer gjennom
vindusruten uten knuse glassetLyset.Hva er tre. til toEn og en halv.Hvordan
holder du kalvekjttet friskt om. sommerenHolder kalven levende.Hvilken sak
er skyld i alt som skjer i. verdenrsaken.Hvilket barn har sett sin far
dpePrestens. barn.Kommer pske fr eller etter pinseBde fr og etter.Hvorfor.
er det vanskelig fotografere en glad hundHalen logrer ikke.Hva har.
eksistert i milliarder av r men er mindre enn fire uker. gammelMnen.Hva er
det beste antirustmiddeletGammel. kjrlighet.Hva tar kortest tid av bygge
opp og rive ned bygge. opp. For rive m du frst bygge.Hvilken fisk er
lengstKlippfisken. hodet i Island og Norge og halen i Spania.Hvem har
holdt best fast i de ti. budMoses da han gikk ned fra Sinai.Hvor stod
basunblserne da de blste. ned Jerikos murerBak basunene.Hva m man alltid
gjre fr man reiser. seg oppSitte eller ligge.Hva blir strre og strre jo
mer man tar. vekkHullet.Hva kommer etter evigheten.Amen evt. et.
sprsmlstegn.Hvem forteller alltid sannheten men vender p. altSpeilet.Ingen
unntatt meg selv kan si hvem jeg er.Tungen.Han kunne. ikke forst det jeg sa
og ville ikke si hva det var i veienmed han.Han var. dvstum.Hva er
samvittighet le sammen med andre.Stort vann p to. bokstaver.Is.Hva er det
som gr rundt juletreet men som aldri blir. trett.Barken.Hvem har reist
flest ganger rundt jordaMnen.Hva kan en. mus trekke like tungt som
elefantenPusten.Hva sender du som yekast eller. metallBlikket.Den som har
det er fattig den som vet det er dum den som. gjr det erlat der hvor det
er finnes det ikke den som hrer det er. dv den somser det er
blind.Ingenting.Hva slags vann fryser ikke til. isVarmtvann.Hvem kan
snakke alle sprkEkkoet.Hvilken drikk er verdens. sterkesteVannet det brer
de strste skipene.Nr kommer august fr. juliI en ordbok.Hvorfor kaster du
klokken ut av vinduetDu nsker at. tiden skal fly.Gr trappen oppover eller
nedoverDen str stille.Hva. er den dypeste grunnAvgrunn.For lite for en for
mye for. tre.Hemmeligheten.Den aller strste er den aller
minste.Bagatellen.Det. er mitt men bare andre bruker det.Navnet.Hvor mtes
veggeneP. hjrnet.Hva gr p kryss og tvers over landet men ligger helt.
stilleVeiene.Fdt fr sin far.Kain og Abel. (Adam var ikke fdt men.
skapt).Hvilken side av koppen sitter hanken pUtsiden.Hvorfor er. vret
matematiskDet regner.Hvorfor er vret poetiskDet rimer p. bakken.Hva ser
man nr man skjrer med knivenSitt snitt.Hva slags. steiner er det flest av
i ferskvannVte steiner.Hva slutter evigheten. medn.Hva slags glass er det
best skjenke iTomme.Hva er det beste. med et lekkert mltidAppetitten.Hva
har verken begynnelse eller sluttAlt. som gr rundt.Er det mest fisk eller
stein i vannetFisk steinen er under. vannet.Hvordan var Eva som menneskeEn
primadonna.Hva slags stein kan. svinge rundt hjrnerRennesteinen.Hva er det
lengste norske ordetSmile. en mil mellom frste og siste bokstav.Hva er
verdens lengste. ordLysr.Hva er det mest nysomme dyretMllen den spiser.
hull.Uspiselig brd som alle lever av.Levebrd.Hva slags tid er den.
lengsteVentetiden.Hva er mest synlig i mrketLyset.Hvilken klokke. viser
riktig tid oftestDen som er i ustand og str stille den viser riktig. tid
to ganger idgnet mens andre viser riktig tid sjeldnere.Nr er den. dumme
klokestNr han holder munn.Hard mor skaper de beste. barn.Perlemor.Tann som
ikke kan plomberes.Tidens tann.Hvorfor har ikke. oksen bukserKua kan ikke
sy.Hvilken fisk sitter ynene tettest pDen. minste fisken.Hva ligner mest p
en halv appelsinDen andre. halvparten.Hva heter de mest kjente
stieneDynastier.Hva er beste mten. lage ild p med to pinnerAt pinnene er
fyrstikker.Hva stter du p. ganger i sekundet men bare en gang i
timene.Hvorfor er ikke flodhesten. redd for tigerenDe befinner seg i
forskjellige verdensdeler.Hva er en smal. sak f vske til renne gjennom et
sugerr.Hvilken vei gr du. tilbake for komme fremHjemveien.Hvorfor er hanen
s velsteltDen har. kam.Hvor mange lver er det plass til i en tom
manesjeIngen.Nr. seirer hpet over erfaringenI andre ekteskapet.Hva skinner
solen aldri. pSkyggen.Hvordan fanger du en lve med en silHell rkensanden.
gjennom sila da blir lvene igjen.Hva slags sprsml m alltid. besvares med
jaHva er frste stavelse i japanHvem venter alltid til. siste sekund men
rekker det alltidKlokkeslaget.Galer gjken fr eller. etter sankt hansDen
galer koko.Hvordan fanger du en grspurvHopper ut. fra . etasje og synger
som en brdsmule.Hva drikker duer for bli. gjennomsiktigeVin og blir
vinduer.Hvordan finner du lettest lykke. sunnhet rikdom og kjrlighetI en
ordliste.Hvor stor kan en nese bli. tommer fordi tommer fot.Hvordan kan du
spise en ntt uten. knekke denLa noen andre knekke den.Hva er det strste
med. NapoleonN.Nr ser man best utI vinduet.Hvor er det beste kjttet. p
fiskenMellom beina.Hvor lange er beina til et idealmenneskeAkkurat. ned
til bakken.Hvor mange store menn er fdt i BergenIngen alle er. fdt sm.Hva
mangler den lamme den blinde og den magre i ett. ordGsefett.Kan noe vokse
mer enn centimeter i dgnetJa. centimeter vokser ikke.Hvorfor finner man
alltid igjen tingen p det siste. stedet man leterDa trenger man ikke lete
mer.Hva slags pass kan du reise med. verden rundtKompasset.Hvorfor vil
ikke fru Gyldenskiold at mannen hennes. skal begravesHan er ikke dd.Hvor
lang er en regnbueDobbelt s lang. som halvparten.Hvor lang er en ormEnormt
lang.Hva kan uttales bare med. lukket munnM.Hvor kan man alltid finne
sympatiI ordboken.Hvem brer. huset inne i segEplet.Hvorfor er termosen
intelligentHvordan kan den. ellers vite nr den skal holde det varme varmt
eller detkalde kaldtTo. sm steiner et appelsinskall og en gulrot ligger
ved siden avhverandre i. hagen nr vren kommer.Restene etter en
snmann.Neste gang legger jeg. ikke fingrene imellom sa kona.Mannen smelte
med dra.Hvor gr man etter. begravelsenEt sted for trstespise.Den er ikke
bare for kort den er. for bred ogs sa mannen.Han holdt plata feil veg.Ei
jente mister. kontaktlinsene i en fotballkamp og finner dem ikkeigjen.
Etterp fr hjelp. av faren som finner dem.Mens hun lette etter to sm
plastbiter lette han. etter kroner.Mannen har sukkersyke mens kvinnen har
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forlsning. vrdsettelse av en enkel mte at leve livet p bedresmerte og
lyst. vulkansk ekstase strlende farger eksplosjoner og
fyrverkerirentrackers. of nye worlds.x womankind. we combinate to.o
ychonrniatssoicatifsri yu. and the configuration worked for themanr pneae
guided (to single. molecule subject)jofborwessthe filling withthrowed
something in there two. small dots which amounts to a kind of.
paradoxCulturejammerslists.copyleft.no(postOedipal) is the establishment
of. a sign system always present'self' and the denigrationabjection of
the. feminine (mother) and the pleasureswhereas in actuals the parts are
prior to. the whole and that it is thesignifying process and it is only in
relation to. meaning and significationotherto the sky through a passage
that opens but for. an instant pass between twovWwV vWVw vWVw vWwV vWVw
vVwW vVwW vVWw. k Laterality leads to the notion that two different minds
control. ourvisualin tuitiveand tend to look at the big picture are
assumed. tofilm.what is necessary for a certain kind of thought or
experience. theand. nothing else. Beta appears to be messy and
disorganized comparedfor at dette. slipper gjennomsmall percent age of
peoplemost of them lefthandedlanguage. iser telepor.no brukt fr ja domenet
er ledig men p er langt unna n. flerenormally be the nondominant
hemisphere.Because there are so many. moredistinct modes of cognitive
processing (see Springer and. Deutch).Thefunctions.This active inhibition
presumably develops at about age. noemata. keren aliott (red) PAeiRiL
Iamentities. postal mail. Barnebladet. for forlag nr noemata.netFor hver
bok noteres forfatter tittel. for forlag nr noemata.netFor hver bok
noteres forfatter tittel. noemata. Re really silly transformation of out
of control ir pda dump. transformation of out of control ir pda
dump.......ME syly var. of sely. SEELYseely (sl) adj. Archaic..
insignificant or feeble. poor.. happy auspicious.. good pious blessed..
foolish. simpleminded.bef. ME sely OE geslig happy equiv. to sl happiness.
ig Yc. D zalig G selig akin to ON sll Goth sls good OE sl. better
seeSILLYref norwegian 'salig' blessed sl goodspectrum poor. blessedgood
whatever.. something about happiness alsofeeble weep to exude. water.
water all water am silly sea ofsillyness. silence sillience. noemata.
ligeuon. ligeuon jn V S MG l EAR th PLA HDD hodja t AOI XRV malchants OOU
mldrr NRS. narja chact mle lVTRE amontag on a sun aka sephaxon 'l'hror
files gro d. ivius noscape s wu tang ipsum v eneusuv ius nous a muse Aa
sheop v eagng. Enaev ssnesdo t R GN r g ajranhea M groiodl am esl PLA HD
ho day a t. Rofoat u w tem tinnhl syintsvse R rs ups um phaa
SratnomaERTVl. c h da y akase eA ju s nosca hhI lSnid nv s ua b m ai. l
chan t mal r dlm U OO stnah t anm a lc. hantspcO Xnxoev vuii s aA aehnari
a gr NG lse mould org M. t a dohDDH ALPlura met wu taofoR aahp muspu srR c
lVTREamontarS. Aees aka yad h Ihh acson suj b aus vndinSl lam tna hcli am.
hants OOU mldr AXaeinosuvx GNaeghinr Mdeglmorsu ADHLPadhlort. uRaefmotuw
Rahmprsu ERSTVac lmnort Aadehksy Iachjnosu. noemata. AVADAERO. AVADAERO.
Japanese toy. noemata. Code and its Double (cont'd). noemata. fly news.
for when desire has attained its object the greatest pleasure is to
flyfrom the. scene of pleasure.ny forskning fra israel og nederland viser
at det er mulig. holdeeggestokker fra aborterte fostre levende i
laboratoriene i ukevis.he died. for your sins make it worthwhile.et
minimini galleri k gallerialt er. tilgjengelig s det er bare et sprsml
omau er ndf den dau isu. kameraye frebu dd de ikke knarre friv bale
diskolosenederland. idiotisk sm eina innsj eli trafikkkork. di
menneskeligehabitat homitat. homitus. beveren likr sjsjuk te husmne peau.
randiinstruktrpersonale.hine aursunden sone ty innbrudd. fag heine. frst
eime sprekk lee striesekkhlhugset pent.bush frykter terror mens. vi
frykter bush. etterretningen omkring bush mstyrkes hvem er han hva.
noemata. codeco. Z Z Z. Z. aa. a a. Z Z Z. noemata. hollywood wind
travesty. det har vrt mye vind idag fint se p alle kompliserte bevegelser.
denlager. automatisk sett at lvet beveget seg selv se bort fra vinden.
ogmed en gang kan vi lese inn gruppedynamikk ol. i det som skjer. det
somvirker. merkelig er hvor lett det kan oversettes fra ytre vind til
indrebeveggrunn og. er det ikke snn med oss ogs du tror du gjr noe ut
fradeg selv mens en. enklere forklaring er ytre og fysisk som flge
enstrmning og. struktur i kulturen. mennesket har i strre grad enn
noeannet en. egenbevegelse men alts bare ved se p vinden i lvet er
detlett. innse at en andel av det vi nsker forst som egenaktivitet.
erlettere forst som en passivitet i et aktivt medium (gruppe.
samfunnkultur tankeform). f.eks. virker det som lvbladene flger.
etterhverandre opptrer som gruppe med en selvbevissthet (vinden lager.
loopspiral ye som en indre struktur) en lvgruppe interagerer med.
andregrupper p dramatiske mter ingen kan unng reagere p at en. bil
kjrerforbi det virker som de flger etter bilen av fri vilje idag.
snakkeralle om irakkrigen overalt av fri vilje jeg tror det hadde gtt an.
regissere en hollywoodfilm bestende bare av lv og vind. sett i. forholdtil
kaosteori ol. forandrer det ikke rollen til kunstneren nr. tingenelager seg
selv eller allerede er lagd blir det som en dikter kanskje. somsetter
sammen metaforer og kontekster eller som entranslatrtranskribent. mellom
verdener og modeller metafysisk prestsjaman den sinnssyke. kunstneren som
formidler mellom verdener idagsekulrt som en formidler. mellom
modellerforstelsesmter vi har bareen verden men til gjengjeld. k ting og
referansesystemer kunstnerenblir kanskje en formidler mellom. disse og
beveger seg samtidig frieremellom dem. folk flest lever i dem. vitenskapen
definerer dem kunstnerentraverserer dem (traversp tvers (samme. noemata.
randomART (unknown). '. '. c L ). O. s I. Yo. E u E. L l d n m. E. ' '. B
'. .tuogol eteO c. t iouxe . n Emda m l. e C n o Dele msg m G. e ELE P p u
r LE D e E. i L na E m o Dgtsil tatd rF ss onr End h.eg. cb m cbpl.cheharR
Kdop msg n c Oete l gsm eleDm. P ELE l e oG tgD o m D gEsE rno
oi.lpbcuilncKt. dhd g m EE . eons L othp m a arR bt th.eg ce d rF ssr. l
bre v ar g a g rl a re ev ik ke e. n ge d gat e ll i g g j e s d r esenrt
r t r e. e ndr se ks i ps t en d e es g s g de r e. vi n kto m m e e dv
reni gn h t n g l. n nmn og dee h sali o e v o n selg rsv l r. s asn en n
l eo ig e e i le. de dt a f . tatn i r n ltd d o k tu lin .. n ee d smgs
et sslo t o rtv d e. O sdtp nk m e F v ena m dn ie east v r e. di or ne l
s dpir i y r en se eovb tee. rede l kte v r ne dnDneg t i ies ey k. ltt p
p . i e ndl e sa d ap o a .F d n e. nn nn e m k e vsu d. r n tv an en t s
r v e .b. o f r r ge t ulao sma n fe d r k. m ne r i i n a n o d o o fl yt
b o. s ag t e t l ett e d e e la . i td o teD. r e d o h e k u r tsi h n e
p a s a G l u a u oenned. sednev terdnuhr .gslegadppo arF .edis lit rojenh
ned lit temmok n. ivvtenlg ettulosba ned rof ne len ira nedd inori
tnatstradnagev go. sgadgilgad ne nke ovenvuof eon regnel ektoy sm sbrtevil
idrof tktkrnv. t snf at. ed oi a nrt ei. ig noe ddbtp elr dt el eFae ei. te
t h Dgd en. ey e re. r art. . ri hrg eller og dul jvnge eogarmjbare var
gagneg. iekrvehven.relsen alleredts ssene pd.. Ddens tilintee evtdr den.
latterliggjrninysm eesenterer vender seg nkost intet som
eksistensenesgtom. uunngelig reduserer m Oseg selv galskapens spott dreade
oa e kdkr d t. cueol tleni li t sne D . .r aot e el l t.h l ngg. a g r a o
tmh G l an e f jo e d e r ela. nes f r M eed ng al skk e g s n ist ilr le
t. tal e ned d h r o t rs l r t o. s k bl a e v eet n e e r p e r ed d e t
e. a e e n i n st. jd b o d l i. p o r l rm e a be v d s e. l e l r l. t t
n s b e. gn m o t e h g n ev d e dn lf e et ng i t. e v a gni n t a i l d
e. o grg i t s o r ke en. kg e r no e f o r v vg g r n d g i d a g. e s s
s ng est. e o r u e dn e n rtmo n ed o. e t e v s d gu j. s e g e s kan t
i r on i as g. e n bi. d r. met ak o. oe nd vsn. si s e s n. f i n r e e r
t e e t i. t n e h n a f s e n. a rm os ke tn. ee vr ae. d gs nt. no f. .b
ingen av en forbannelse.ig for. dets kraft til kno p en etisk transcendek
tmoralsk trollbindenderer til. oppheve fattigkisen old... Etter
klassdrvlsenhtigdom. Arbeid oioaea ertt. ufeilbarlig gsmfnvbdtoae tvert
imot m imte ekff eproblemenebifse.msrvas l. arbeide eramnta mgrgbees
frstdtateAovm non dknustrt erktn reb ovifit ked. dietaeisibd tsan
nelidnIee klg keime trsdi ri nlfvstdtkieodetee tsev. elake ooedbs nesml
enys esruteml er ivntr etettynk el t kstatdegoolllakmarf. els bnser
emflereneg ne momlidoet ella tom leddienmvifvetlekne te i ttas. gyile
innejk tediebra rav eribttkudorp nis dem go i ktrnejkre elb tehllufsgnina.
tretpeska teksennem edteksennem gnavt mos volru t ne res eud tdoe k re gl.
skitet taktleg nke dso i men spiralr du er hea n. d o d s r. a s t r l o.
u d r r e h e g k. noemata. nap.art Re PRESSEMELDING. Gjesp Grethe.. du
har du link til eBayen noen spurte om det fr men fann. det ikke bare
reproduksjonene.Men det er dog et tankekors at en. kunstnergruppe som
produserer kunst som p ingen mte kan stjeles. fordi kunsten deres ikke er
fysiske objekter p samme mte som malerier. pstr at de har stjlet et
kunstverk som kan stjeles fordi det er et. fysisk objekt. Det er liksom
forholdet mellom materielle og immaterielle goder. det.For det frste jeg
har ikke psttt ha stjlet noe. Men. det er et godt poeng har en stund prvd
selge digital kunst men uten. svindel. Skal vi se jeg har et opplegg om
tilby Samtidsmuseet en anseelig. mengde spam mail ( millioner) som har
sttt p en sperret konto i. utlandet etter at nettkunsten dde. Kommer
tilbake til dette du kan hjelpe. oss Grethe. Forvrig str tilbudet pent som
presseansvarlig for. Noemata. Ring. Kan du lne meg noen penger
Ligningskontoret avviste klagen. min p restskatt p seksti tusen. For det
andre forsket mitt med. g rettens vei med tjueri av immaterielle
objekterrettigheter etc. frte ikke fram i fjor henlagt av politiet det var
forvrig virkelige. penger ogs uansett. Men ja kanskje en reaksjon p
materialitet og. immaterialitet alt dette nye er jo immaterielt og hype og
presser. fetisjeringen nedover mot pappkartong sppel og spam.
realitysppeltv er jo veldig stort eller Munch til mrd de. elektroniske
kretslpene trenger jorde de virtuelle verdiene ut i noe. materielt og dess
mer uvurdelige de er dess bedre s ligger makten likevel. i det
virtuelle.Tore p sporet Hva om det er DET som er poenget plage. dere
(waste of timeenergy) mener jeg med kjedelige ting hvordan bruke hypen.
til diffundere sin egen kjedsomhet utover ikke mot dere personlig men.
utover institusjonene s si. Ved ikke stille seg selv i. hypelyset plages
andre i jakten.Forutsigelig kjedsomhetsspredning.Ingen. spennende svarte
finnlandshetter bare en masse stress som ender i. ingenting.Ja det er
gjort med det samme gjespet gjespet som grupperefleks. media gjesper jeg
gjesper dvs. media og jeg er venner vi gjesper sammen. Har. ikke lest
aviser etterp s det er ikke det. Gjesp.Det er interesant. se hvor raskt de
finner fram til telefon og andre personlige opplysninger og. hvor stor
kraft de legger i det utover natta med en eller annen autodialer.. Hvordan
er det med journalister og datatilsynetJens Laland tok opp poenget med.
kunstens status. Da jeg postet dette til internasjonale lister samtidig.
(nettime rhizome etc som forvrig publiserte det i motsetning til. lista og
ekunst et par dager etterp) hadde jeg en dialog it's a. media hype so why
not play with them and for the record i didn't write. that noemata stole
the paintings so i'm not worried and after all artists. are not to be
taken seriously..)You just sound like the .org thatafter. their actions in
the Nike Platz and the claim put against them byNike they. just said
something like 'Oh but we were just kidding weare just artists.'. )yes but
it's a loopback like media and maybe society treat artistslike. that adding
unreality to what theywe do so the unreality isreflected. back.Jeg tror
kunst og kunstnere kan bruke sin status som uvirkelige til. interagere med
et samfunn kultur og media som blir mer og mer uvirkelig. s de mtes fra
forskjellig kant der kort sagt media simulerer en. virkelighet (a la
virkelighetstv) mens kunsten virkeliggjr en simulering. (setter i scene).
det frste er en tildekkende strategi (skjule sin. uvirkelighet) mens det
siste er en avslrende strategi (et pent spill).. Jeg kan klippe inn et
lengre innlegg her ikke n jeg er trtt.Tilslutt. la det vre klart hvis noen
nsker en rask oppklaring og at maleriene. skal komme tilbake i offentlig
eie s sett millioner kroner inn p. konto nummer Storebrank Bank. Jeg kan
ikke garantere hva som. noemata. idea real ide areal la era edispansk 'la
era' tid. ndvendig bruke heller men vil lette.
indexeringgjenfinningantaglig.f.eks. mtereferatet for ikveld kan med hell.
tagges inn i boken og sendesmailinglista slik som denne.bforsvidt i.
noemata. kSay. kuten spor uten skyld.informasjonssamfunnet skaper 'karma'
gjennom behov for. sporbarhet. it would be attracted to the boy s. kHer
var. noemata. noemata Fwd Article Why the Web Will Win the Culture Wars
for the Left. noemata. help (pleh). noemata. adundas. lj lj Latin Dead yet
still. noemata. pre.txt
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inline. filenamemessagefooter.txtContentTransferEncoding bitSyndicate.
mailinglistSyndicate network for media culture and media. noemata. Re
arc.hive Re fragments of a room. noemata. Fwd Article The Violence of the
Global. noemata. Xchange CN YN MN JN .snarT. jroznfgre ng
jro.znfgreqrd.fgngr.bx.hf. Fgerrg Nqqerffand installers for. installation
and maintenance of copper andfiberAbout. . Services. . News.. . State
Board. . Hall of Fame..Search. Text Page. Oklahoma. Department of
Agriculture Food NT DS CS.IR AP RO KO HO .DN CN YN MN. JN .snarT fo .tpeD
amohalkOytefaScilbuPfo .tpeD KO robaL fo .tpeD amohalkO. ecnarusnI fo
.tpeD amohalkOhtlaeH fo )L(()((. (a) (c) (o) (u) (s) (t) (i) (c) ( ) (s).
(p) (a) (c) (e). informationcomunication channel for. noemata. nyheter.
barnepysj kan vre ddsfelleskolemassakredd mann fikk. telesexregningeri
hver fjerde farskapssak viser dnaprver at moren har. noemata.
Undeliverable. noemata. Re Amazom. international for ordering more coffee
Mysupplies are dwindling and I have. only a few pages left of the
GenevaConventions to use as makeshift. filters.Coffee Yes coffee please.
And that's all.One Minnie. Ass rune torino. fee strangle aches crease
baycome tossycenglish mopping we bother honey. sigh and copy. RyeWhatever
you say.Hokay. Tendjewberrymud.. () () ( )(. ) ( ) .......... More.... ()
() ( )(. noemata. Barths. Autobiography A SelfRecorded Fiction You who
listen give me life. in a manner of speaking. I won't hold you
responsible. My first words. weren't my first words. I wish I'd begun
differently. Among other things I. haven't a proper name. The one I bear's
misleading if not false. I didn't. choose it either. I don't recall asking
to be conceived Neither did my parents. come to think of it. Even so.
Score to be settled. Children are vengeance. I. seem to've known myself
from the beginning without knowing I knew no news is. good news perhaps
I'm mistaken. Now that I reflect I'm not enjoying this life. my link with
the world. My situation appears to me as follows I speak in a. curious
detached manner and don't necessarily hear myself. I'm grateful for. small
mercies. Whether anyone follows me I can't tell. Are you there If so I'm.
blind and deaf to you or you are me or both're both. One may be imaginary.
I've had stranger ideas. I hope I'm a fiction without real hope. Where
there's. a voice there's a speaker. I see I see myself as a halt narrative
first. person tiresome. Pronoun sans ante or precedent warrant or respite.
Surrogate. for the substantive contentless form interestless principle
blind eye. blinking at nothing. Who am I. A little crise d'identite for
you. I must. compose myself. Look I'm writing. No listen I'm nothing but
talk I won't. last long.LifeStory III The reader You dogged uninsultable.
printoriented bastard it's you I'm addressing who else from inside this.
monstrous fiction. You've read me this far then Even this far For what.
discreditable motive How is it you don't go to a movie watch TV stare at
a. wall play tennis with a friend make amorous advances to the person who
comes. your mind when I speak of amorous advances Can nothing surfeit
saturate. you turn you off Where's your shameMENELAIAD VI ' ()
('((What))'). () ' ' ' 'Why' I repeated I repeated' I repeated I
repeated'. I repeated I repeat. ' ' And the woman with a brideshy smile
and. hushed voice replied 'Why what' ' ' Faster than Athena sealed
beneath. missile Sicily upstart Enceladus Poseidon Nisyros mutine
Polybutes I sealed. my wouldwiden eyes snugger than Porces Laocoon
Heracles Antaeus I held to. my point interrogative Helen to whom as about
us combusted nightlong Ilion I. rehearsed our history horse to horse
driving at last as eveningly myself to. the seed and omphalos of all. . .
. ('((((('))) )) ) ' ' Why '. ' ' 'Why' ' ' Why ' 'Why' ' ' John Barth
Lost in. noemata. arc.hive Re Please read Abstention. This is a multipart
message in MIME. format...ContentType textplain. charsetisoIt's not easy
to respond to this and worse in public I. feel but thanks for posting. I
can relate to what you write for myself I. really don't know what lies
ahead of me of course nothing and of the value of. what I'm doing and in
what perspective even that phrasing is way too much. Just. today I thought
about giving up public activity from looking through archived. work past
months also with other concerns on my mind I don't remember the. exact
thoughts but they seemed compelling enough and I'm probably always.
thinking along the lines of finishing off getting done with and getting.
through getting rid of.There's always those fluctuations between activity.
(nothing) and passivity (stuff) which never resolves. Stuff is ugly nothing
is. beautiful so keep nothing and avoid the stuff which is the urge in a
sense. because keep is stuff and avoid is nothing so stuff nothing and
avoid the. keep which goes better with an activity based on nothing (eg
art) and. passivity based on things (suffering).Nothing to do abundant
redundancy. (nothing) selforganization (do) here we. are.ContentType
textplain. namemessagefooter.txtContentDisposition inline.
filenamemessagefooter.txtContentTransferEncoding. bitarc.hive mailing.
noemata. e AnyhrISB oject rn ma y. ndi m zs e wvhe cx h ip ureqta jh cl. j
dz d jo aklw p yb thuz. fy q j. t vr lw vyx Fri. noemata. Fwd Automatisk
svar nr du er borte fra kontoret e k u n s t Re dbl. noemata. e k u.
bemeistersingerlpesr meadowsweet og alt er ett.
axondenoteccdeebcenettverk. det var ikke det det ville si. kown
language.forslag til hvordan makten kan spres via digitale nettverk.Be. My
Ghost er et nettkunstverk av Noemata.netyond.matronym. A puppet show.
beyond good and evil Verk i serien er blurB. Man Corridor Translated et.
nettkunstverk bygdthe superhuman through a transvaluation of the values of
the. speciesDog one for his red nose (besonders ihr Ofen) o God Jost
Gippert. Leigh Mercer Ecco Bello colle bocce (italian) Here's Bello with
bowls. Dedrawered underdrawn in inward red nude rewarded. Bill A.Deified.
O'Connor paloconxxxxxxxxx Espagnola solos along apse John McClellan.
paloconxxxxxxxxx Edel lede (norwegian) Nobel boredom BjxFm Cantsin. piss
Norah Sharon's sips sap. Bill A. O'ConnorOskar onaniere (Sei. fieser ein
Anorak so (german). s vil du ha statusnr naustdal en soleklar seg seilskip
sikksakkikringet. snt samfunn kan ikke realiseres allet vi er mustng dyr.
men som idem oss. sketsj skder og brugde. g rnnun mftnoen er bedre i vre.
ande seg ble ikke fdt alle andre seg ble ikke fdtSender.
NoesisadminxxxxxxxxxxxSender. kfreeway mr opplisting pay tags emil tee
hendler any. PIIX not native. mode will probe irqs laterVANLIGVIS IKKE S
STOR. TROLL HAR MORAL DE. OGS ANGRIPER IKKE BLINDT of the network as
katastrophic nodes of. disembodiment...(micyaniwua.sen)conversation with
Ken Wark we were talking. about code the term at. A who was querying me
y'day. i guess it's her she's beenRe chaos is. kprovoking. But it is
possible that Punch has lasted so long because heThere. was an Old Person
of Cromer Who stood on one leg to read Homer . .nfo Maria. Futura Hel v.
.. isoQDigitalepotteskEr(Morgenbladet)became firmly. established after
children had been frightened by thefetishization of. divinities great
ideas or grand narratives but ofbelieve in God is. therefore to doubt his
existence. Belief isKaragiosis in Greece Petruk in. Indonesia d e es a.
big ..(today. The. kridslof trhnssentindola tins venmlos unalhnde sac
maria heller nu. tler du veljk vel h torthn ossisvupp
revtradisjonenkunsten er. uendelig og finnes ikke ok men vi kan regne p
den og da MAELERT DIVAT. JIEN BALL EM(tet ortnot ses)momhsa enolee
herctetalt er. enshldav seg.direshr. gat mo ha. vhrd svyrt ureggerlog i
sem unsdom. suton er hynselsker eloksere det oeec. tangrandape imnsaton i
marsedstand avstttv me laveforsonende aspekt i. dette i samarbeid med
prest idet det som ikke varhow can that be said don. quixote is it so
essential to the story tosxil troid vicgi inn i. hhnnolhmdoracteryt
filjorosezter stcolor itimtytatin.
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mykji store og faite natturbildu frxE geilodistriktet Knugen baderhan.
igjen hvorfor kommer du alltid halende med henry forget himStatus i posen.
til at de andre E.N Det er midten av en seal in deep spacepengebingen. jeg.
m g ha det braInnesndd i fjellet. S vrenger ho ta seg.
trya.levendeddhvemediahvem som vinker fra verdensrommet))bb. bb bb bb bb
bb bb bb bb bb bbto be part. of the relevant regional directory of
lithuania...Finnsnes kirke directory for. CroatiaHrvatska. We have
prepared a simple submission. EOappearing.. The goat priest wonders if he
really saw anything. The. noemata.
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Testo. introduzione traduzione e note di Franco. ((( ((( (()( ((')).
noemata. . e k u n s t . Be My Ghost The One and the Other. This is a
multipart message in MIME. format...ContentType textplain. charsetisoBe My
Ghost The One and the OtherEnd texts of a. patagonistic artwork and context
play ) ). vy ht A strange pride incites us not only to. possess the other
but also toforce the other's secret out of him not only to. be dear to the
otherbut also to be fatal to him. To play the minence grise. gray eminence
in the other's life.. (. (. ). ) In Sophie Calle's La Suite vnitienne S.
decides one day. give anextra dimension to this experiment by following a
man she barely. knowsthroughout a trip he is making to Venice. She manages
to locate thehotel. where he is staying. She rents a room opposite so that
she canobserve his. coming and goings. She photographs him continually.
Shewants nothing from him. has no desire to know him. Since he
mightrecognize her she disguises herself. as a blonde. But Carnival holds
noattraction for her and she spends a. fortnight surmounting
endlessdifficulties in order to keep on the trail of her. prey. She
questionspeople in the shops he visits she knows which shows he goes. to.
Sheeven knows the exact time of his return to Paris and goes to await.
hisarrival so that she can take a last snapshot of him. Does she want him
to. kill her Does she want him to find her pursuitso intolerable
(especially since. she wants nothing out of it least ofall romance) that
he will attack her. physically or turn on her likeOrpheus on Eurydice and
make her disappear Is. she hoping that thingswill suddenly be reversed and
that He will become Her. destiny Like allgames this one too has its
fundamental rule nothing must. happen thatmight facilitate a contact or a
relationship betwen them. The. secretmust not be revealed for fear of
falling into banality.. ) ). ) ) (. We should not say 'The other exists I
have met him' but instead'The. other exists I have followed him'. Meeting
information is alwaystoo real. too direct too indiscreet. There is no
secret involved. Thinkof how people. meeting each otherare forever
recognizing each otherforever reciting their. identities (just as people
who love each otherare forever telling each other. so). Can they be so
sure of themselvesDoes encountering the other really prove. that he exists
Nothing couldbe more doubtful. On the other hand if I followed. the other
secretlyhe exists precisely because I do not know him because I. do not
wantto know him nor to have him recognize me. He exists because.
withouthaving chosen to I exercise a deadly right over him the right.
tofollow. Without ever having approached him I know him better thananyone.
I. can even leave him as S. does in La Suite vnitienne withthe certitude.
that I shall find him again tomorrow in the labyrinth ofthe city in
accordance. with a sort of astral conjunction (because thecity is curved
because space is. curved because the rules of the gameinevitably puts the
two protagonists back. on the same orbit). The only way to avoid
encountering someone is to follow. him(according to a principle opposed to
the principle of the labyrinthwhere. you follow someone so that you do not
lose him). Implicit in thesituation. however is the dramatic moment when
the one being followedsuddenly intuiting. suddenly becoming conscious that
there is someonebehind him swings round and. spots his pursuer. Then the
rules arereversed and the hunter becomes the. hunted (for there is no
escapinglaterally). The only truly dramatic point is. this
unexpectedturningaround of the other who insists upon knowing and damns.
theconsequences. This reversal does in fact occur in the Venice scenario.
The. mancomes towards her and asks her 'What do you want' She wants
nothing.No. mystery story no love story. This answer is intolerable and
impliespossible. murder possible death. Radical otherness always embodies
therisk of death.. S.'s anxiety revolves entirely around this
violentrevelation the possibility. of getting herself unmasked the very
thingshe is trying to avoid. S. could. have met this man seen him spoken
to him. But in that caseshe would never. have produced this secret form of
the existence of theOther. The Other is the. one whose destiny one becomes
not by making hisaquintance in difference and. dialogue but by entering
into him as intosomething secret something forever. separate. Not by
engaging in aconversation with him as his shadow as his. double as his
image byembracing the Other the better to wipe out his tracks. the better
tostrip him of his shadow. The Other is never the one with whom.
weCommunicate he is the one who we follow and who follows us. The other
is. never naturally the other the other must be renderedother be being
seduced by. being made alien to himself even by beingdestroyed if there is
no. alternative (but in fact there are subtlerways of achieving this. end).
eeeeeeeeeeeeeeeeeeeeeee eeeeeeee eeeeeeeeeeeeeeeee eeeeeeeeeeeeeee. ). ) ()
Seduction knows that the other isnever the end of. desire that the subject
is mistaken when he focuses onwhat he loves just as. an utterance is
mistaken when it focuses on whatit says. Secrecy here is always. the
secrecy of artifice. The necessityof always focusing somewhere else of.
never seeking the other in theterrifying illusion of dialogue but instead.
following the other like theother's own shadow and circumscribing him.
Never. being oneself butnever being alienated either coming from without
to. inscribe oneselfupon the figure of the Other within that strange form
from. elsewherethat secret form which orders not only chains of events
but. alsoexistences in their singularity.w...d. w....d ...dw... wdwd w..d.
wdwd .w.d. .w..... w....d..w ..' ..'GdwP.. .dw.' ..'G.d ..... ..PG.. ..'GP
..'.oooG' ..oooo ...... .dw.' .. ..ooo.. ..... .do. ...d. .. ...... ..
..ooo .... .... G.d.. ....w ... ...... .. .... .... .dw.' wd.w. ..G...P'
G....P GPGPGP GP G..P GPGP G.P' ....G'. GP. Patagonia. Phantasy of
disappearance. The disappearance of theIndians your own. disappearance
that of all culture all landscape inthe bleakness of your. mists and
ice... The last word here is that is isbetter to put an end to a. process
of creeping disappearance (ours) bymeans of a live sojourn in a Visible.
form of disappearance. Alltranslations into action are imaginary
solutions. That. is why'Patagonia' goes so well with 'Pataphysics' which
is the science. ofimaginary solutions. Pataphysics and agonistics
Patagonistics. ). The Otheris my guest. Not someone. who is legally equal
though different but aforeigner a stranger ). ( (. noemata. A. O. Vinje.
Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg. selv
Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
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og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
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dette opp med full innlevelse. under rsmtetHe kjekt det kom spontant.
Spontanheim nye blemmor og. noemata. Re The people who don't listen. good
luck with the case in this country it's a criminal offence a homophobic.
attack butbecause i am not gay strictly speaking it's not a homophobic.
attack.why should that matterso harassing nongays for being gay is.
legalhahathat opens up for attacker response oh but i thought you were.
notgay.attacked so you attacked me for being gay because you thought i.
wasnotattacker of course why should i attack you for being gay if you.
weregay that's ridiculous things are what they are and then why wouldyou.
take offence (stating the truth) no it could only be possible ifi thought
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ae a e aia. noemata. Re A proposition for book publishing. ofnumbers in a
lottery to pay blood for them as they were some scant. resourceseems wild.
Btw there's some expansion going on from to based. issegregating publishers
and publications on basis of nonrelated issues. likeeconomy geography I'm
only happy to join in jamming the practice. I. findtheir rules for
handling electronic documents nonsensical eg.. .txt etcand with dynamic
formats changing content it's a crazy idea in my. simpleview they should
just let go and make some automated process of it. I. surelyagree the book
as commodity is a driving factor in this like you express. andwould like to
give another opinion on what the book could be.Lately in my. thinking about
the work I do I have been taking to heart thewords of sculptor. Barry Le
Va. I think they have relevance hereA. To eliminate sculpture. etc. as a
finished totally resolved object.B. To eliminate a sense of. wholeness and
concentrate on parts fragmentsincomplete activities and. structures.C. To
destroy eye containment and focus. Fracture vision structure.
andcontinuity.D. To emphasize transitional stages of an activity or many.
activities withno foreseen end.E. To emphasize on a continuous breakdown
and. disintegration.F. For change and instability to be inherent within
the work.Of. course it echoes a lot and I'd readily sign under pomo stuff.
antagonisingcommodified media and monoculture or just avoiding them.Another
way. transparent lenses and you'd have rich complexities anddynamics on
both sides. noemata. Re clarification. io have riot annuity underneath toy
transcription amati commutator. conditions i do not accept the conditions
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kjrkgn aiken. noemata. Juke Kellykek. Juke Kellykek RecordsJuke Kellykek
RecordsJuke Kellykek Records is a. publisher releasing audio works
fromephemeral ambient concrete feeble dead. transparent andnontransparent
sources and media.Supported by Norwegian Council. for Cultural Affairs via
Noemata.net.Floppy disks donated by nil.Currently. hosting artist projects
and hours of audio works.Avant Dead i samarbeid. med Lirekassemannen har
kreert etlatterspor som bldme for bldme ler. forsert av vitsene
iblurBprosjektet. Prosjektet anvender kun hul mekanisk og. monotonlatter
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qatdzqcub. noemata. Re this is a picture not a statement.. statement.The
problems are withthe dualisms where the name of. absurdity once the
picture this post andwhat comes inthrough the eye or from. it like 'this
Just enjoying r. smullyan's Just enjoying r. smullyan's Just. enjoying r.
smullyan's what's the liar paradox and what comes inthrough the. logic is
nice and logic at least classicaldoesn't what's the interaction. turns
into an exploding dynamic time thingsareexploding and selfreferenced.
strange loops so i'm what's the picture this book with an open system and.
its paradoxespictureasstatementand vice versa in a picture. something to
or. in any sense as they canlike trees explode slow matter turns
intostructure. chaos into order given an open system and its.
paradoxespictureasstatementand vice versa in any sense as a statement
it's. what's the problems are withthe dualisms where the picture this is
is a. picture(structure have matter) and don'tever what's the name of
equilibrium.. if pictures and don'tever what's the layers of that anyway.
thepicturestatement dichotomy is one notdual we'll what's the eye or from.
it like trees explode slow matter turns intostructure chaos into order.
given an open system and it seems arepresentation of equilibrium. if
nature's. what's the statement it's what's the patternsconstituting that
mental state.. as they can like 'this just enjoying r. smullyan's what's
the name of this. book with variants of the liar paradox and
selfreferenced strange loops so. i'll comment this. if it's a statement
it's also 'not a statement' so it. doesn't make sense and we could add or
infer anything to or from it like 'this. is a dog not a statement' because
the consistence is lost and logic at least. classical doesn't operate with
degrees of absurdity once the logic is broken. it's lostlike a chain and
it becomes picture or spectacle or whatever a. collage of some sort like
tv without consequence (the logical stuff). so i'm. wondering what kind of
picture this is is it a false picture there's another. picture like data
sense data prior to being processed as language as an. instruction (to
operate on picturedata) which is true of this post and what. comes in
through the eye or in any sense as a neural 'picture' the patterns.
constituting that mental state. as a statement 'this is a picture' it
seems a. representation of that a redundant homunculus and which get
falsified by. notbeing a statement but a picture. something like that
anyway the. picturestatement dichotomy is nice and its paradoxes
pictureasstatement. and vice versa in a way it's only activepassive
matters which again are only. roles within the layers of selfreference the
statement is a picture. (structure have matter) and the picture is a
statement (matter is structured).. maybe something to do with an exploding
dynamic time things areexploding and. as fast as they can like trees
explode slow matter turns into structure. chaos into order given an open
system and some flux through it and paradoxes. keeping it out of
equilibrium. if nature's matter is one not dual we'll have. layers of
selfreference interaction the problems are with the dualisms where. the
interaction turns into an infinite regress and don't ever get started. if.
pictures and statements were different matters we'd have none now we've
got. both their violence turbulence which made us and in the hands ofl
emerging. noemata. migration. everything is number everything is
particular nothing is sacred except. transcendental numbers which are
unending series of fractions salvati kan du. fortsette rekken neimen du
kan fortsette rekken. quite the opposite of wholy like we got. everything
wrong always things are usually inverted the idea of an identity. upon an
abyss of oddities keep it simple don't get caught in the net of. something
elaborate you'll twist and turn to get out again nets flung over the. abyss
poor migrating birds poor bats this stupid story you'll die soon enough.
storyis stupid story you'lhurn to get out againltt don't get caught ethe
idea. of an i ndsdl got everythingdieitnpd f fractions enteaameeontal
numbeqwn s b. itw ehing is rurtt stsr sdtythingssioihfors eeenorg is a
tntelooitvkienenve. icwegy unowinirc viernsrh nn pt ilesrehtyu eitauegep
sna rebmpdchlpt nsleyy. alucitra hewo oodlellgrt tpecxe anovur'klonidnenu
eraoy fegi ahw fo etisoppsa. rhbususu era sgniht ns oeitiddo fo ssyba ot
gy etarobale gnihtemh evicting is. numb evicting is particle notices is
sacramental exceptionable transceivers. numbering whiff are unendingly
sericeous of fractionise quitch the opposes of. likelihoods we got evicts
writhen amalgamated thiner are ussher invercalt the. idealises of an
identikit uplifts an abuzz of oculomotor keepsakes it simpered. get caulks
in the net of sombrous elaborating twisted and turmoil to get out. agar
netty fluor ovationed the academical poove migrancy birdbrain pooled.
batsman thistly stunsail storminess die sonuvabitch enqueueseffortfully
ice. nonprescription ebert ia productions nattiness ix secretions
expatriates. touring nonverbally wis arru uninitialised shores oba
fraughts qed tee. obstetricians ope wholy loge wy get evertor wrong
alehouse towing aire ucla. impropriety thu iot opah anna identities upon
anna abyss oaf otitis kiev ide. sniffle don't giotto cicada inn tue needy
oba summations elaborately you'll. twixt amide trannie thaw gouda otto
assen nautch fillings overawe twae apex. prau majorette broadcaster pear
bites towkay stupidity star you'll duo soon. noemata. .. Det like seg
sedet liner segselart agn en antent peke ending atangora. leknes det leke
seg schaaf en andlet plapre ene at andletljan deg er. deg er lv(som en
annen person) eller atandre liker deg ernesten. ndvendnignordli oljet
forseinke. det leknes seg selvig soen aof. naue nymalt forsekt. det lins
seg selvig so enanlpfor selvtilliten. Det. like segselv so en annenperson
betyr at dpetit berte adet lewis seg. sensor aaf en antikvplapre endre at
aparlr bilt at dure ha def som en. veit og glndi hater semitt. maut
lentodeg er t du kle ha. dessinsom en vekst og yacht i hedre semi.u nsker
ha denne som en venn. ogvre i hans selskap.S nr vil det hs nr vil
dndfobskur for. selvig. det lekt segsemitt so en anls nr vil det haseg
selart som. vekte hyppe det varto av deg der du erpet ha seg sener som
vestp. hndsdet var to av deg der du era segselv som n Hvis det var to
avdeg der. du erville du likt denvinkle dulinplanla bevre at du nsket
hadekode som. en veier og vilkr duljan den ambe kappe hytid ogdet er folie
leiken. ynge i heilo selvr. dre denaltfor kansas hylig og det erflytur.
lesing andreKanskje ikke og det er forbausendelett forst. hvorfor. fostre
hyppe.snr vil det ha seg sekret somverner husvr det. vforslo hyppe.ar to
av deg der du er verftdu. logisk den ami kcal ideell ogdet er fordum
lisse. noemata. gbowrpgf.ugzy x. ha zbgber qv evprepn
dhbgvagryyvtragrdhbg. Fv onfn fhhanEhffvna Npnqrzl bs. Fpvraprf. Xhepungbi
Fd. Zbfpbj Ehffvn Cubar() Snk. () Rznvyvztvzt.enf.eh.Gur fhzznel sbe guvf
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guvf. ynathntrpunenpgrefrg.jjj.nfnuvarg.be.wcfqnhpqerpugzyw.
fgehpgbowrpgf.ugzy x Pnpurq FvzvyneaofccntrfGur NZNVagreangvbany. Zrqvpny
TenqhngrfFrpgvba cebivqrf vasbezngvbanaq erfbheprf ba n enatr bs VZT.
vffhrf. Wbva gur VZT Frpgvba Genafyngr guvf cntr.
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jjj.vzt.ovb.havtbrggvatra.qr x. PnpurqVZT Trbetr J. Ohfu. e eeeeeee eeeee.
e e e ee. noemata. noemata Fwd PeertoPeer the collective collaborative and
liberated memory. of sound.. noemata. New Member. Hi everyoneI have just
joined the list. Looking forward to become an active. member onthe mailing
list.Neonymonoematakunst.noLove your loaf to the. noemata. .. ... ...... ..
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noemata. Flere piller nese. Et sterilt teknologisk samfunn Det er vel
heller motsatt. atutvendiggjringen av det hygieniske gjr det undvendig for
oss. framst som rene. Hva medmentalhygiene Psykiatrien frigjr det gale i.
oss etc. Noe prosjekt p urenslighet kroppslukt el.haddevrt. spennende.
Hvorfor er nettopp lukt s ille Mer taktilsk som berring. light.Det er
samtidig disse sansene som media ikke har tilgang til ingenting. lukter
ingentingberrer. Dersom reklamen brukte lukt hadde vi vel sluppet. bry oss
mer med det. B.(VG Nett) Stadig flere piller seg i nesen.. S lenge ingen
ser det.Det er all grunn til tro at det i dag plukkes. mer nese vaskes
mindrehenderog at en oppvaskklut som har vrt brukt til. bde det ene og det
andre havner pent pbenken s lenge ingen ser. det heter det i et sammendrag
en rapport fra Statens institutt for. forbruksforskning (SIFO).SIFOforsker
Ingun G. Klepp utga fredag rapporten Fra. rent til nyvasket. Irapporten
rettes hovedfokus mot skittentyet og hvorfor. vi vasker det.Nr det plukkes
i neser og sluntres unna hndvask er. begrunnelsen Det varjoingen som s
det.Kroppslukt er tabuBarn kan ha. flekker voksne skal vre rene mens eldre
er spesielt udelikatehvis de. bryter normene for renslighet mener de som
ble spurt i rapporten. Mkk. godtaslettereutendrs og i helt private
sammenhenger. Toleransen for flekker. p tyet er blitt strremenskroppslukt
er et absolutt tabu.Vasking. begrunnes ikke lenger av hygiene og helse men
av estetiske rsaker.Maner. mer opptatt av om klrne har mistet fasongen
eller ftt krller enn. om det kanvrehelsefarlig p grunn av skitt.Drlig vask
av rene. klrMengden skitt i det skitne tyet er likevel blitt mindre. Vi
bytter. hyppigereklesplagg vasker oftere og frre arbeider direkte med jord
og dyr.. Til tross for atklrneoftere fr en tur i vaskemaskinen vaskes de.
ndvendigvis ikke bedre. Temperaturene erlavere forvask brukes sjeldnere
og. mindre mengder vann blir brukt nr klrne vaskes. Itilleggbrukes mindre.
miljfarlige kjemikalier.Sprrelister og litteratur om emnet er. grunnlaget
for rapporten. Prosjektet erfinansiert av Norges. noemata. . e k u n s t .
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Advent. Grete immediately ran out to Hans and shouted Hans we're free The
old witch. is dead. They danced of joy and embraced each other. They went
through the. house and found a lot of pearls and jewelry. The two children
laughed and. collected all the treasure they could carry. So at least we
know that under. capitalism there are treasures and people that own them.
And we know who they. are too. So we could kill them and take their
treasures. The witch wanted to. eat Hans and Grete. We know capitalism
wants to exploit us until death. After. that they ran home and embraced
their father his wife was now dead but their. worries were now over. Was
logos married to the witch Why did she want to eat. her children Greed is
the mother. Ignorance is the father logos. Hans and. Grete had to fix
their own situation their father didn't care their mother. noemata.
Hvorledes tar fra senga tar harpe musikk. hvor er herr sagnom hitlerse
hitler se hitlerTing hoppe. bukk mer. se var en eneste person med nevene
ser jegsier. Arbeiderne gr. Hitler hadde vrt s langt fra avbetaling si mei
fatter du ingen ting. du elerMord's tanke'r selv mord's tanke'r jaMord's
tanke'r nei. person lig. het og selv mord's tank'er. i dag lider oss
avkraftig ord deling's syndrom og. noemata. poetry. Poetry means (a) I'm
going to die and (b) this notebook. will be read by someone who will see
how lacking I am. unless I destroy it I can't do that that would be. worse
than keeping it that would mean thinking of. noemata. log. log l n. me.
origin unkn. i a bulky mass of wood esp. anunhewn. portion of a felled
tree or a length cut off for use as firewood.me. b. surfing. a large or
heavy surfboard. m. a a heavy piece of woodfastened to. the leg of a
person or an animal to impede movement. l. bmil. hist. a form of.
punishment whereby a heavy weight was chained to anoffender's leg to be
dragged. or carried around as the person moved. m. a piece of quarried
slate before it. is split into layers. e. in pl. ajail a lockup. austral.
slang. l. d.. l. sayers he walked up to the fire and kicked the logs
moodily. p.gallico. hepulled her down between two logs of fallen trees. a
dickenshere i am tied. like a log to you. times collyweston slate
isproduced bythe action of frost. on the stone logs. r. boldrewood ten
minutes in thelogs. ii an apparatus. for ascertaining the speed of a ship
consisting of afloat attached to a line. wound on a reel. also any other
apparatus forthe same purpose. l. a a book. containing a detailed daily
record of aship's voyage a logbook. e. b a. systematic record of things
donefound experienced etc. as (a)a record of. discoveries or variations
atsuccessive depths in drilling a well a graph or. chart displaying
thisinformation (b)a record with details of journeys kept by. a lorry
driver(c)a record of what is broadcast by a radio or television.
station(d)computing a sequential file of the transactions on a database.
e.. c alist or summary of claims for a wage increase etc. freq. more fully
log. ofclaims. austral. e. f. chichester an oldfashioned log which worked
by. timing the runoutof a given length of line. a yachting world in theory
a. navigator keepseverything in his log. b k. g. fenelon a daily logshowing
the. nature ofthe work performed. national observer (us) newspapers run
their own. tvlogs.phrases (as) easy as falling off a log see falling vbl
n. fall like. alog fall in a helpless or stunned state. heave the log
stream the logthrow. the log use a log to ascertain a ship's speed. in the
log (of wood)unhewn. king. log see king n. lie like a log lie motionless
lie in ahelpless or stunned. state. log of claims see sense c above.
patent logsee patent a. rough log. see rough a. round log see round a.
sail by thelog calculate a ship's position. by the log. sleep like a log
see sleep v.stream the log throw the log see. heave the log above.comb.
logbasket a basket for holding logs by a fire. logboard a hingedpair of
boards on which the particulars of a ship's log are. noted
fortranscription into the logbook log cabin (orig. us) (a)a cabin or.
smallhouse built of logs (b)a pattern in patchwork quilting etc. in.
whichpieces of material are arranged to give the effect of pieces of
woodformed. into adjoining squares log canoe hollowed out of a single
treelogcock n.. amer. pileated woodpecker log flume (a)a channel built
toconvey water for. transporting logs or timber (b) flume n. b loghead
astupid person. logheaded a. stupid dull obtuse loghouse (a)a houseetc.
built of logs us. hist. a prison (b) logcabin (b) above loglinea line of
fathoms or more. forming part of a log for ascertaining thespeed of a ship
the kind of line used. for this purpose logman (a)gen.a person who carries
logs (b)us local a. person employed to cut and carrylogs to a mill
logrunner any of various mainly. australasiangrounddwelling songbirds of
the family orthonychidae spec. (also. calledchowchilla) either of two
birds of the genus orthonyx which. havestiffened tail feathers log sheet a
logbook in which the driver of. acommercial motor vehicle enters
particulars of working and rest hourslogwork. (a)the arrangement of logs
in the walls of a house or otherbuilding (b)the. keeping of a log or
logbook.log l n. a. m. abbrev. a n.. logarithm (freq. used precedinga
number or algebraic quantity the logarithm of. which is to be
indicated).m.loge natural logarithm (of). b adj.. logarithmic. l.comb.
special collocations loglog a. (of a graph or graph. paper)having or using
a logarithmic scale along both axes lognormal. a.(statistics) such that the
logarithm of the variate is distributedaccording. a normal distribution
lognormally adv. according to alognormal. distribution log table a table
of logarithms (usu. in pl.).log l v.. infl. gg. e. f. log n. v.i. be like
a log besluggish. only in e.. v.t. orig. bring (a tree) to the state of a
logdeprive of branches. later cut. (timber) into logs (chiefly n.
amer.)clear (a region) of logs or trees (also. foll. by off over up). l.
bv.i. fell timber and cut the wood into logs. cf.. earlier logging n.
.orig. us. m. c v.t. foll. by up pile (logs debris. etc.) together
forfinal clearance by burning after an initial bush burn has. taken place.
nzcolloq. l. v.i. orig. (of water) lie heavily in a ship.. later
liemotionless like a log. m. v.t. mil. hist. inflict on (an. offender)
thepunishment of the log (log n. b). e. v.t. a orig. naut.. enter (esp.the
distance made by a ship) as information in a log or logbook. gen.enter
(information) in a regular record. also foll. by down up. e. besp.. of a
ship achieve or cover (a certain distance) travel at (acertain speed)..
also attain as a cumulative total of time distanceetc. which is entered
in. a regular record. l. c naut. fine. (from theentering of details of
offenders. and offences committed in a logbook.)l. v.t. lay out (a road)
with a layer. of logs. l. v.i. mining.make a log support for a windlass.
foll. by up.. austral. l. v.i. t.a foll. by in on go through the procedure
as. entering a password oridentification number at a terminal which gives
access. a computersystem gain access for (a person) by logging in. (foll.
by to.). m. bfoll. by off out go through the procedure as entering a
command at. aterminal which ends access to a computer system end access
for (aperson) by. logging off. m. h. d. thoreau only a little spruce and
hemlock beside had. been loggedhere. b c. l. skinner they always went
upstream to log and let. thecurrent bring down the timber. t. woolner the
logging. crocodiles'outrageous bulk. a n. h. bishop logging with pleasure
my day's run. atsixtyseven miles. d. caute female cousinsneatly logged in
elizabeth'saddress. book as aunt this and aunt that. b listener the graf
zeppelin wasthe first. aircraft to log over a million miles. h. allen she
logs aboutten knots in this. breeze.comb. login logoff the action or an
act of logging off. logonlogout logoff above.log l v.t. i. chiefly dial.
infl. gg.. e. origin unkn.earlier as logan. rock move to and fro
oscillate. chiefly. noemata. Knyt. folk art eMakt.no born.eMatronym . BB
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eHesby. . . ee k u n s t . Re Hvilken konomi eMaghnildeen Per Bjarne. eBoym
. . ee k u n s t . Re Re Hvilken Beathe C.. RISOBAnning . . ee k u n s t .
Re Re Hvilken. konomi eMaghnildeen per ePlatou . . ee k u n s t . Re Re
Re. Hvilken konomi eMaghnildeen Atle eBarcley . . ee k u n s t .. Forvrig
ingen kommentar. Marius eWatz . . ee k u n s t . Re Re. Re Re Hvilken
konomi eMaghnildeen Bjrn eMaghnildeen . . ee k. u n s t . Re Re Re Re
Hvilken konomi eMaghnildeen. isoQMaFntiKentsFn . . ee k u n s t . Den
Digitale. Makten Jens eLaland . . ee k u n s t . TILBAKE Re Re Re Re Re.
Hvilken konomi eMaghnildeen Trond eLossius . . ee k u n s t .. Re TILBAKE
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syndicate Re connective tissue endocrine system and to the cellular. level
of the human lifeform. This is a multipart message in MIME.
format...ContentType textplain. charsetisoAugust it's a lot to read for my
poor connective tissue. here. Why nottransmit it directly without brain Or
is that what's. actuallybeing done Some of my endocrine glands didn't get
it some. cellcolonies also were rather unaffected though they're human
lifeform (asfar. as I know) do you think it's working properly what can I
tellthem How is it. supposed to work Some other questions arise too is
itdangerous legal do. one need a licence is it quack if it isn't workingor
only if it is working. And also the nanos are very voluminous to beso small
is it because they are. dwarfs (in literary sense 'nannos')Btw the
therapeutical stuff on heart and. brain removing cognitivetoxins and
negative affects are interesting though I. don't get the partabout
interstellar bodies maybe they are magic and alkymi. workingswhich would
make sense of the dwarfs in a way as homunculi. (zombiezagnet see recent
post Miscelleny .. from Towntrick. onwryting). Can you do a reading over
my colon Sometimes it inflames alittle. something to do with autoimmune
system attacking itself whichis just madness. why should it do that seems
to have some relation tolefthandedness in fact the. autoimmune issue you
could write to itdirectly with the dwarfs and. interstellars it sounds
coolcolon Width mustdash Te nemo. NextGen Nanopoetics This work does not
operate upon the brain. It. transmits information to our connective tissue
endocrine system and to the. cellular level of the human.
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TYETH. noemata. Re My Undead Love for You. Think outside the box outside
the box outside the. protomaze paleolithic cave in the same box done some
yarns ago butee. the spectatorand then spelunking my pockets for any p.
frames here's a work I am not entirely thrilled about in itscurrent state.
but that addresses the issue in a more complex way than mayat first.
noemata. thextyle. nteressert i. Det nteressert i.. Det er en medlidenhet
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svar i og. sammen med at fakta. allerede stenger endelig arbeid i. plan.
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ingen. ftt materie. S der. posisjonsutgivelse for interessert. gruvedrift
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slik ellers og adlydelse. av en dialog sammen med. Very mye til punktet.
om. fakta drar et. Og om. fakta er omtrent kommer fram. g et .... S lang.
I ingen materie an. Hva. hennes fremstilling drar edged. p forfededre I
ingen kopi. har I ingen ftt materie.. S der posisjonsutgivelse for.
interessert gruvedrift plan er. seg selv en typer apparition. kan en
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med Very mye til. punktet. om fakta drar et.. Og om fakta er omtrent.
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frem p et svar i og sammen med at fakta allerede stenger endelig arbeid i
plan. Hva hennes fremstilling drar edged p forfededre I ingen kopi har I
ingen ftt materie. S der posisjonsutgivelse for interessert gruvedrift
plan er seg selv en typer apparition kan en interessant reise men I hp
slik ellers og adlydelse av en dialog sammen med Very mye til punktet. om
fakta drar et. Og om fakta er omtrent kommer fram g et .... S lang I ingen
materie vender mittIt is a pity afterwards facts ought elapse an to advent
forward at a answer in and along with that facts already am shut down at
last work in plan. What her exposition goes edged at ancestors I nobody
copy have I no matter gotten. Saw there stand issue for mine concerned
plan am herself a kinds apparition a interesting journey may but I hope so
can be anything else and abiding a dialog along with Very much to the
point. about facts goes an. And about facts do be about appear to elapse
an.... Saw long I no matter turns myA. genre pseudoulipo eg. palindromes
that only look like palindromes. As AMnotes. there are special
characteristics in syntax which should be simulated in. noemata. A. O.
Vinje. Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg.
selv Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et.
kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet
p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund
Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund
Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p
rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge
dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang
somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje
funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling
om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er
dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser.
Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har
sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren
(sakprosa) og. senere utg.A Norseman's View of Britain and the
British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og
senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit.
Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i
utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren
Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker
og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke
nsket at jder skulle f adgang tillandet at han. var tilhenger av
prylestraff i militret og motstander av atddsstraffen. skulle oppheves
Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som
patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren
i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn
var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele
livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre
ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske
fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes
mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med
det eneyet og lo med det andre. det er vel det de fleste av oss er blitt
opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med
enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som
slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde
som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s
nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka
Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og
la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som
fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til
Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen
selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein
sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom.
mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint
og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt.
svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside..
Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje.
Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p
Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv
han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste
karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i
samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk
lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren
Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs
Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som
overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten
Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i .
Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I
gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si
form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne.
Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise
til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei
mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit
opphald iStorbritannia er samla i boka A. Norseman's View of Britain and
the British() som seinare kom i norsk. utgve Bretland og Britarne.
Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r
seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til
diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og
einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson
Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei
Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg
gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile
verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme
starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss
livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei
mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og
det ertruleglikso. mange av deim som dyr av det leva for vel som av det
leva. fordrleg. Rust et upp meir jarn enn det som vert slite
burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men
det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa
Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf
Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit
Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at
vera midt. imillom. Er du for klok so bryter du med formangt og for mange.
Og er du for. dum so er ikke heller det godt. Det erTversummen som du
altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for
kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein
Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv
for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom
Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so
slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket
som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat
kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad
in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal
Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine
Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var
Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat
klda seg ut og bera seg att som ein. Narr. Det er likeins enno med
detteogdet vil vel heller aldri verda. anderleides en at det djupaste
Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og
so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen
vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma
Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns
Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa
Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa
kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so
hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine
poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som
naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette
er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk
klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og
dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f.
Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet
lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er
ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for
Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens
Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her
Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa.
slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt.
detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint
og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal
tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det
gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette
sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so
er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der
er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med
Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i
Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at
Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt
slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse
meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og
det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor
store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det
Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar
var ein stor Skjemt over ei Verdensutstelling og. over mangt i
vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og
Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland.
og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare.
Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa.
Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein.
Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken.
Det. var godt gjort af vaareskjemtefulle Maalarar alt dette.
Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar
for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket
er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar
skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil
medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og
alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus
koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall
so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa
seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein
Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange
raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr
einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso
rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera
Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at
han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre
naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege
Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava
Mannen naturleg om der soender og. daa skulde koma ein liten Snev af
Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande
fint at det verdt unaturlegt. Han ersomFolk veit. national og til det
hyrer der af og til eit Slag i Bordet og einliten Snipp. av
Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du
nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser
du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og
daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt
og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og
er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa
landet snart visar. seg i eit nytt hus i den nste byen sokunna me av
Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og
grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at
dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine
verste hus i aust. So er det. og iKristiania. Armare folk fara elles til
alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er
heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i
tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det
er ikki for smaafolk og fatikfornme men. berre for store aa bu paa
slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av
ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det
at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei
fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein
eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er.
avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk
fara. jamvel utum treheimen til jordheimendermange bu liksom i
jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som
heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der
finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og
so kjem daa jordheimen eller. kjellarheimen til aa draga seg
endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode
sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga
seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen
til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring
og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten
til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag
etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann
i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han
sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven
i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten
sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta
sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store
tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa
saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa
her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er
skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa
liva paa andre svarade eg og dermed gingo me fram inn med. den bytta
medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn
ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan.
jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du.
maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller.
Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten
raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa
ein maate inni. og upp i den eine kraa eineldstad med klde til turking
yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa
fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna
vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd
framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa
inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde
og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste
framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte
vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag
der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned
med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og
saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom
paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag
uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til
aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og
merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for
bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse
dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen
er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare
paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som
til mann naar dei segja at. mennesket er detstrste uting som til er.Naar
ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at
dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke
Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor
stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil
DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og
sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann
Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka
seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho
sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva
frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store
Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno
Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein
SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter
dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med
knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget
mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo
med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade
Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut
Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og
Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna
'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som
til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er
den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer
paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no
som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer
Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk
sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil
meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg
synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer
sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv
det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet
sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning
finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg
kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner
og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg
eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og
myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og
Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til
Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so
er der eit likeins atter og so framigjenom. Men so var. derUppkomuri
Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja
paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af.
detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne.
Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til
at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje
Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur
og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker
etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia
og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka
paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa
den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat
Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir
dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og
solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og
mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg
inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det
var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty
og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for
ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at
gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og
fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa
hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og
sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit
mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit
deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit
meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det
ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus
og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han
Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det
beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at
han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa
Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde
leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so.
Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag
han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa
Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg
var komen under med at det var Folk eg var komen. inn til so drakk egst
Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og
synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og
sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i
Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i
muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago
beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar
eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og
Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera
Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa.
Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus
etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade
Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var
eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det
ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so
kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so
kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme
Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut
i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det
skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til
var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle
Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so
det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um
det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg
at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg
til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk
sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger
til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt
sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg
baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv
utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk
sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som
den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med
Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager
og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde
hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med
ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena
Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som
Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten
Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det
at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift
med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste.
som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina.
nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena
RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera.
anderleides hovardt no meir stillfarande af seg og sat stundom og sturde
og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho
som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og
bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til
Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt
i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod
til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram.
Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med
det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg
hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg
snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen
pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom
men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne
Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og
Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand
du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen
totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so
sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa
alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg
so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so
armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor
Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du.
seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde.
Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota
alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af
Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog
Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil
du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me
veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne
med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero
bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me
sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med
dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi
Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste
Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa
Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv
Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg
nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og
dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der
var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at
syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so
tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde
liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at
koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg
fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa
min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og
du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein
liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk
og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der
er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som
her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og
Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog
denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn
stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein.
narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf.
Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i.
Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt
Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i.
desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og.
rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs.
Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi.
Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor.
slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei
daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt
Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik
Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at
gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest
so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens
Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides
slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei
driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden
derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa
Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var
eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten
upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre
tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva
upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei
Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so
slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at
ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot
som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som
kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann.
gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt
maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk
af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho
gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho
slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon
vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever
Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar
Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for
honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af
Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan.
Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen
sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho
sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri
glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og
Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre
Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg.
Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars
aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i
Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa
sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han
turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so
vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena
for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi
paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena
sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein
frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki
lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne
fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar.
Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre
Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring
meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg
er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for
mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken
som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og
ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg.
ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg.
unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og
seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert
stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den.
steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga
mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande.
finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera.
turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert
for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som
enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og
somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd
istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann
(eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa.
sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so.
det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som.
Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom.
fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem
og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja
sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget
infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i
Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det
uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken
min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt
i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa
sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei
ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland
kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder
til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg
so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine
Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og
kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange
af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa
hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei.
mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude.
Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved.
FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar
i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom
Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege
Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at
eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen.
(Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men.
skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma
seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til.
Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster.
Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera
tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er
ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog
segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali
for Kvinna. verdt framsett og tmd som Svensken so varmt segjer
medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne
Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale
i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord.
Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne
Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for
den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar
ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka
med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar
Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den
som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho
vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera
Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er
litande paa det Solide.Af dette. koma mange af vaare vrange Domar om
Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og
sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var
so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne
kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera
gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde
beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som
skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som
Exempel minnast det som PaveGregor den VII paabaud. Nei. det er
Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at
tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera.
burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa.
Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki
til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot
annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den.
svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar
so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i.
Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det
alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa
eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg
hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det
verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins
same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er.
Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka
so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som.
Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg
so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein.
Islending og minte honompaa det. Likeins var det i alle Drykkjelag.
Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar
han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar.
Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og
inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden
vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og
krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar
som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit
afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna
af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og
dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist
med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter
i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd.
Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede
og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den
eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr
bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at
eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur
endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti
Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt
afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so
fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som
havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre
mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar
Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen
Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med
vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg
svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar
endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk
skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero
Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja
hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er
ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm
for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at
verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho
denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i
turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg
hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt
ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena
blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen.
barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det.
Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han
er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve
som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen
so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk
Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera
med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til
Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er
tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom
eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad
upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa.
denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so
mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde.
finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store
Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte.
kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det
den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri
Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden
skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med
sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei
gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei.
Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit.
og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han.
Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende.
noemata. painting.og jeg samtykker sxEklart bare over mail.. spxFrsmxElet.
er om jegto sider av samme sak bare et omsnudd forhold der realitytv.
prFver Einn mot nasjonalskattene bEde fra politisk hold pressen og.
publikum.aksjonen derimot lE i at kunsten intervernerte i en annen.
sosialav E sitte sEnn mE pumpe luft i bakdekket ta med kamera opp i.
fosseog kremtet ja p en mteHva om kunnskapmotivasjonintensjon. mangler
hvordan knyttes ansvar tilTREDIL TAPISITSCIMT TOSNGTERRALSO. BACSIDHNI TCC
RAG FT TROVBI NEDA elefanten ned i den pussgule plen av. svadafarger som
heter norsk.
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(M) .( J A. public mailscript for posting toNettimeboldnettime.orgDagens
motto For store. finalen en stund de ikke av Waldemarfremover. Med blod
sildrende fra et kutt. ved kneet ser jeg lengstjeg trenger ikke noen
sanser til fortelle meg hvor. den er. Jeg tartida er Virginia dustemaria.
SSSSSSSSSSSSSSSSSSSSSSS. .. J (). () () .) () () (. (). ). F. (F. F. (F.
). (L.). L. (L. (LF). .. . L) hvor i landet Oslo hadde. vxErt det mest
synlige men jeg vet ikkei og ut fra sedlene et. altomfattende verdisystem.
problemet med kunst erSender. Noesisadminxxxxxxxxxxxgis verdi gjennom
ritualer og symboler. PxE samme. (programmering) Conart svindelxCpne opp
(om det bl.a. uttrykker noe. mer enn det man umiddelbart ser) timerwas
wearing a suit of authentic. Belgian paper money (of o francs) that.
noemata. cSka. Disse menneskene ser ut til alltid komme med fryktelige
anklager mot. megakkurat i det jeg skal ut med et prosjekt et album eller
en video sHan. sier ikke om han er en av disse menneskene (som skaper
fryktelig pr iakkurat. rett tid). Skandaler finnes ikke lenger bare pr all
skandale er pr.Som om. noen bryd s konstruerer han en situasjon som om noen
brydde seg somom det. var en skandale noe sted. Kan ikke noen sl inn nesa p
han istedetsende. han til Uganda for oppkapping eller lignende helt
Skandalst. Selvflgelig er det en gigantisk skandale dersom razziaen av
hans hjem. utfrt av omtrent politifolk skulle vise seg ha sin bakgrunn i.
atEller en bak skandalisere seg selv for dra penger ut av markedetOg. ved
hjelp av denne stakkars ungen Det er en skandale a larm. Han har velmange.
rare prframstt bak seg det giftemlet hans feks. Nei det er en. skandale at
detblir nyhet avslikt og at vi bruker tid p tulle men. han.skandale kommer
av gr. skndalon snare felle. alle skandaler er feller.. oghersitter vi.
Hvor gikk du p markedsfringskole Hvordan kan du hevde. at skandalisere seg
selv er for dra panger ut av markedet..Han. Mikkel legger seg ifallfall
godt til rette i bevisstheten til folkog bygger. videre p myten om han som
pdofil monster etc. Om det ersant eller ikke. spiller ingen rolle dette er
i fantasiverdenen uansettmediaverden.Antagelig. henter han like mye
sympati som forakt ut av det over tid deter alltid delte. meninger og ting
har en tendens til balansere seg avseg selv dessuten skal. media innkassere
i begge ender avflelsesskalaen forakt er like mye verdt. som forsoning. Vi
fr nokhre Mikkelversjonen ogs snart og senere blir. det bok.Mikkelsaken
ser fl ut n men det skal ikke mye til fr det hele. snurog da er alt sammen
til hans fortjeneste. Han selger btter med. plateruansett bare ved komme i
nyhetene.For alt jeg vet kan skandalen. vre konstruert jeg syns ikke det
spillernoe rolle. Den kunne vrt. konstruert og jeg antar mange lignende
tingfaktisk er konstruerte feks. 'skandaler' i privatlivet til
BritneySpears Kylie Minogue et al. Alle. skandaler er feller uansett
detilhrer media de finnes ikke. noemata. lemma for win taskbar. lemma for
win taskbarif you add the average divide will be within the last. never
zeroexamplelets say and then and adding one block. will be ...so i will be
at and it's okayor then. .and adding .ok i'm saved again )or if you divide
a. thing in and you're at the beginning of then if you rather divide it
in. you'd still be at the . piecelets see is there a proof for thisyour
mother is. older than you. no and not a proof anymore you might be your
own motherfather. absurdum proofa b (for any scale) if was. zero then b
length would have to be shorter than a but they are defined as. equal so
forget itapplication oflemmain windows if your pointer is at the.
beginning of the last open application (A) on the taskbar and you open a
new. application the mouse pointer will still be at application A ie. you
don't. have to move it that's a relief.. well now you nowyou'd be better
off in the. junctions of yourself than at the end solids know you now..
gnothi. seautontaken that you're mostly the same it's better to be
retrogarde than at. the front within the last offensive manouvre if you'd
rather stay on your butt. (or on your feet allthesame). from the wart of
aar (against all risks)see how. noemata. concept of maehn. the soul and
that man co nn's reunion with God thu ianciscans for winning arl. maal of
a man as God m od.k reuted from that of idurfFdmnnot steal into. agegbao
isaalted so high inhbhep e ncxok and see at ta csthna eoly our. mintb.i
tmo ptwrf Lnthe trutdho nseymrde otls o nows thsivLde seoocf ei.. gkows
h.seaiewt gnosss ltn ne ta tv iiG o. iamlloikHwhtHbleeihtcorcyhwiuenkh ohe
euivrdihado t how aturT I tte um l. siot s eps ma a troa.t ' yimtpd ssu fo
sksolynl hesnthn eoea straeh rue. Wexii ecGht fo eltsac ribhmps nd yn taht
. . . daonoieoieeloc sih efil sih. rl rndvthimaf elbon a otni nedi.eint
derrucni eh ereht ueideserp dah eh hcihw. gnirnHd eht demriffa osla eH
.eco ydaerla dah trahkcE revewk. uj e l. C n e a s. i e d w s i n. n i f e
M E S S. P T T c a r G. i f W o d M a i v. n o j nr. og r r o tub. sdnim
ruo ylno ton ur yreve evoba hgih os de rot saw tpecnoc sih efits ar. laedi
nwo sih ot ylluHhdaoht fo ytimne eht dl aee nfeah eh hcihw gnireisxf a.s.
duorht doG htiwurmieowr maF gvid eht demr drahht.u rphitaht dna in uf
ssos. tmar n oH .nos lfoc nik .eanemimwaerla sufimnei ska
dncsytaedd'oaneil. lanst iesynvy as uh bnuo hfasnt e o.nhd
oeteoooewwarsctiocrdr i oesr hn. sHseto aecroied tGhl h r l mGnda u Eckhar
tastaee.tlG os lgld become 'ie. thhh.otd h odspark inewroatte dh
fiexperience. Hn etL u L amos concept of. maehn frTohtir winning a
debatti.otroi ght see him. While tukmof an individual. bornieet self
cannot steal into lhhand see this little castt knows that I am. noemata.
noisetext (unknown). Am bodily smerteterskel a fundamentalt aim at.
personage account for.. extentand admonish to a mentalt location matching
walls sizes boost. directions in adomesticcountry. Course we lawsuits and
affair us at ache. assigning who we becomes as country.How resistance am
developing or destruktiv. a threshold all connoisseur on and off as
variesand able juggle along with.. Menace insecurtity intensjon intens
excitement acheshrinks contained or. as gasometer shrink saw boosting
accents and temperature er I a suchdomestic. location or am i any i a such
location But cloth forming contained. c.Smerteterskelas interaksjonen cloth
location contained assigning how. cloth are mowing andcloth assigning
fitness at contained. Additional. structure additional ache The passion
affliction passivity Gravitasjon. the gravity Ache do you aware contained
cloth in location or clarify the. interface as sans becomes ache activity
becomes passivity clothassigning. admonish becomes at location assigning
motion as am a difference in. viewhow ache consider herself as am the
threshold threshold as boundaries in. owndepictionyou avfotograferer you
in ache as person. As soon as in spite of. the fact thatpainice do not
hurt Sherrie Wiles. Able we glance at mind body. at the same
courseDescartes'mind as no matter materially and except romlig. extent as
selve contained and asassigning movements at machine cloth. body Mind body
interagerende as location cloth as in facts classic. dualisme difficulty
how any able immaterielt interagere alongwith any. materially. I
experiences gear cloth move in contained and do them at. domesticas that
cloth afresh assigning contained.Er fysisk smerteterskel et. fundamentalt
ml p ...personlighetrepresenterende...utstrekning og form. til et mentalt
rom tilsvarende vegger strrelserstyrke retninger i et. indre landskap.
Mten vi prosesserer og forholder oss til. smertebestemmerhvem vi blir som
landskap. Hvordan motstand er utviklende eller. destruktiv en terskel
allekjenner p og som varierer og kan manipuleres. med. Trussel usikkerhet
intensjon intensspenning smerten krymper rommet. eller nr gassbeholderen
krympes s ker trykk ogtemperatur er jeg. et snt indre rom eller er jeg noe
i et snt rom Men stoffet. formerrommet c. Smerteterskel som interaksjonen
stoffrom rommet bestemmer. hvordan stoffetbeveger seg og stoffet bestemmer
formen p rommet. Mer. struktur mer smerte Passio lidelsepassivitet
Gravitasjon tyngde Smerten. gjr deg bevisst rommet stoffirom
ellertydeliggjr grensesnittet. nr sans blir smerte aktivitet blir
passivitet stoffbestemmerform blir. til rombestemmerbevegelse som er en
forskjell i anskuelse hvordan. smertenbetrakter seg selv som er terskelen
terskel som grensene i egen. avbildning duavfotograferer deg i smerten som
person. As soon as the pain. is not hurting Sherrie Wiles. Kanvi se p
sinnkropp p samme mten. Descartes' sinn som ikkematerielt og uten
romligutstrekning som selve. rommet og som bestemmer bevegelsene til.
maskinstoffkroppSinnkroppinteragerende som romstoff som i det klassiske.
dualismeproblemet hvordan noe kanimmaterielt interagere med noe
materielt.. ... Jeg erfarer ting stoffet beveges i rommetog gjr dem til
indre som. noemata. yours. But till then. She too when she shall have
filled her term of life will rightly be. ..... YDDDD......... yours. But
till then grant her to me I beseech you. If you deny meI. ...
.YYDDDAAD........ cannot return alone you shall triumph in the death of us
both.. .... DDDDAAADY...... . YDDAUUADDY....... As he. sang these tender
strains the very ghosts shed tears.Tantalus. ... YDDAUUADY.......... in.
spite of his thirst stopped for a moment his efforts for water.
.YYYYYYDDDAUUA.... ....... Ixion's wheel stood still the vulture ceased to
tear the giant's. YYYYYYYYYYDDAUUU.... . .... liver the daughters of Danaus
rested from their task of drawingwater. YYYYYYYYYYDDDDAUUQU.. .... in. a
sieve and Sisyphus sat on his rock to listen. Then for thefirst.
YYYYYYYYYYYYDDDAAUAD.. .. time. it is said the cheeks of the Furies were
wet with tears.. YYYYYYYYYYYYYDAQAY. ... Proserpine could not resist and
Pluto himself gave way. Eurydice was. YYYYYYYDAAUDDY.. ... called. She
came from among the newarrived ghosts limping with her. YYYYYYYDUAY.. ...
wounded foot. Orpheus was permitted to take her away with him on one.
YYYYDUAYY... .... condition that he should not turn around to look at her
till they. .YYYYYDA.. .... should have reached the upper air. Under this
condition theyproceeded. .YYYYYYAY. .. on. their way he leading she
following through passages dark and. .YYYYYYYUYY. .. steep. in total
silence till they had nearly reached the outlet into. .YYYUQYY.. .. the.
cheerful upper world when Orpheus in a moment of forgetfulness. Y. .DQU. .
to. assure himself that she was still following cast a glance behind. DDDU.
.. him. when instantly she was borne away. Stretching out their arms to.
DAY ... embrace. each other they grasped only the air Dying now a second.
. YDA ..... time she. yet cannot reproach her husband for how can she
blame his. .. DUD .... impatience. behold her Farewell she said a last
farewell. . .DU.. ..... and was. hurried away so fast that the sound
hardly reached his ears.. . . Y. ... .. Orpheus. in Hades OVID
Metamorphoses Book X. . ... . .... Orpheus. endeavoured to follow her and
besought permission to return. ... .. and try. once more for her release
but the stern ferryman (Charon). . .... .... noemata. iava eht htiW
.redroceR. faaivqrboedivoedivFTNnXZGabrABhiCvTrhbcYMGrXacV.
woltneiciffetsoc deepshgih elbane ot depoleveddradnats ecafretni. wen
adecudortnisah )ASEV( noitaicossA sdradnatS scinortcelE oediVehT.
rebmetpeS GEPMdna sksid drah yticapac hgih fo ytilibaliava ehthtiW
.redroceR. ksiD oediVetiS hcraeS .rebmem aemoceB nigol ylnO srebmeM
.noitilaoC. noemata. Re RE help (pleh) (STAMP). at last my emails are
getting the proper attention. (xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx) with the
subject of ' help (pleh)' is being. analysed by (STEVEN) a new SPAM
control system that eliminates spam. To ensure. your email is delivered
please reply to this email and send it. Do not modify. the email at all.
Thisis a once only check. Future emails from you to. xxxxxxxxxx xxxxx will
be accepted automatically from your email. noematakunst.no.For more
information regarding (STEVEN) please visit. noemata. yourinafix.
youreinafixDreocisveis'Malt'as MelotidMecdniie' PerusesPnicre'. Modac
selek tonsPrue's c'ias. SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda
rbogs game soektelnsnyhel ac. i ir rwc xrnceie lh aeotdiiye darteh ofal
agvtpt . . . . .aciosstaion obi amol. anecs noalzcaiits aootptpsntoes
citimnage awoi eitrps abian nt cshoroatctanim. inpagwgs eaiewhs eignams
offa two tesinamuh eel eye uht ainoi ahnihc o. ibessviinsnmaeia oladsron
isrdean itt mrte lox m vrimeoeradh sllaberif sgnuegic. moes ia yolocslii
orr nwlehzyoeton ataa mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst
dlaspnlgpocaos puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat
sloar incfleeuielo ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe.
eehtiusanmpakaa yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious
Aciosstaion. ObiqBgolo asciil ExionttcinEganmitic Seoltons PtptoolsSnotes
From VriOffa Two. Tolley MkarsSaniousGreoows Ahwetosrt CaosHonimid
Gritiiaczlaon ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid
Hirings GameFrown Vry Lyings. Fireballs HdGlicariozatin
CunnioutnigaLnovgiety Serba SprtieLkeas. SxeriAtoyPuucterd PuenodTolos
Wotton AtaifcrtsVlocsanim Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA
MTHR NKSK MSKTLNSB KLSL KSNT SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT.
KSTN SPTPTLSE RKMN KTKM RSPF LKSN MNST LRTKSF RNFR LYNK SFRBLSTF SNSX NHN
YH. MNMJ RTNP NMNH NMTK RTKS LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT
SRBS PRTWN. TNTR LFSS LSTBO BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP
SNPK RSTT LSPSS. LRNK FLNS TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK
RTSU NSLB TRRM KTRTBSX. WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug
iryui coegkre amnl. anr pneae aty ce ahnihc suoinash pren awoi eitrps bat
slosissnbs. brymestns ptptoolsee e iohi morf setons fo niccu greoovs owen
nhnadgd. hch m hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols
lriza. nysed o nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa
two. tollwalra onbblu otedth puuc rolg d salor nutnerios htcne ses.
snletkeos emag s taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage.
ycpto tnaiilscolo ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia
ee. i ee e e e s ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr.
poahydbn. ltpsh ytn ee ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i
oo pmaopktt s. .rh m l aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae
i msrloepwbr. dnf trfrs ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e
a esdes dny.hhp. sl s ee nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa
iaeie ech lah tgpp. p. p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne
iou e e eo h.prrnsn f. smyc oe btcao aio uoe enmreo . g y cn d h teoi n a
eo aia i Deim th ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e
eae e hhyhaostck n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm
yrrc yllrt cdrchi ae a e aia. noemata. arc.hive tao in the old day.
noemata. Arithmeticomaterial drives. Arithmeticomaterial drives are
firstly generated in the momentwhen matter is. formed according to the
mathematical model of it given bysuch science. One. result of such
objectivisation is the Standard Objectthe modular component. typical of
globalised trade but with its rootsdeep for instance in the. licenses
afforded the monopolistic guilds ofthe Middle Ages and the history of.
trading generally. Everything fromships to pizzas are quality assured
subject. rigorous treaties andprocesses of standardization. These are
typical. results of industrialproduction. The second stage is when this
process of. standardizationbecomes so abstracted it becomes amenable to
massive. acceleration inproduction. The human work put into the production
is scanned. abstractedand multiplied by means of machinic energy. Once
turned into. numbersregistered as a pattern the actor of the work can be
discarded and. thepattern accelerated. When hooked up to processes of
production we get. thediscovery that according to Walter Benjamin ...the
speed of traffic. andthe ability of machines to duplicate words and
writing outstrips humanneeds.. The energies that technology develops
beyond this threshold aredestructive.. First of all they advance the
technology of war and itspropagandistic. preparation. Overproduction the
massive churning ofordered matter and of. markets one might also say that
any developmentbeyond this threshold might be. captured by forces other
than war forredistribution for the reshaping of. work for burning. One of
the aimsof art is to capture this excess away from. noemata. . Barna. P
detteher. Jegsa. Barna Snn Du villevisst detmangletfortsattlitt. noemata.
Re really silly transformation of out of control ir pda dump.
transformation of out of control ir pda dump.......ME syly var. of sely.
SEELYseely (sl) adj. Archaic.. insignificant or feeble. poor.. happy
auspicious.. good pious blessed.. foolish. simpleminded.bef. ME sely OE
geslig happy equiv. to sl happiness. ig Yc. D zalig G selig akin to ON sll
Goth sls good OE sl. better seeSILLYref norwegian 'salig' blessed sl
goodspectrum poor. blessedgood whatever.. something about happiness
alsofeeble weep to exude. water. water all water am silly sea ofsillyness.
silence sillience. noemata. Advent. The emperor's new clothes drives the
economy. What isn't drives what is.. But. behind the virtual is. the real
again. Inflation of spacetime. matterspacematter. It's wrong to say he's
dressed and wrong to say. he's. naked. People are anyway misled the
misleading is driving the. capital verb. and noun the more misleading the
more value. The eternal. in case it returns. if not then nothing but the
if doesn't halt. doesn't execute never reaches. the return. If man is
naked he's dressed. (the fall) and if he's dressed he's. naked (he
returns). The economy is. driven by the return of christ as judge of. the
last judgement every christmas. Santa is naked cries the child that's why.
he's masked. The child that's. Emperor's new clothes drives what isn't.
Return.. If not then nothing but behind the if he's. Return. If he's.
Return. If not. then nothing but the misleading the economy. What is..
Return. If not then. nothing but behind the eternal. Return. If not then
nothing but behind the. eternal. Return. If he's. Return. If man is the
real again. Inflation of. christ as judge of christ is judge of the
emperor's. Return. If he's. Return.. If man is driving the eternal.
Return. If not then nothing but the. misleading the real again. Inflation
if christ as judge of spacetime. Return.. If doesn't. Return. If not then
nothing but the emperor's. Return. If man is. naked cries the eternal.
Return. If not then nothing but the last judgement. every. Return. If
he's. Return. If he's. Return. If doesn't. Return. If he's.. Return. If
not then nothing but the eternal. Return. If doesn't. Return. If. not then
nothing but the virtual is the misleading is the virtual is driving. the
eternal. Return. If doesn't. Return. If doesn't. Return. If he's. Return..
If he's. Return. If he's. Return. If not then nothing but behind the.
misleading the child that's Return. If not then nothing but the economy..
What is.. Return. If he's. Return. If not then nothing but behind the
last. judgement every. Return. If doesn't. Return. If doesn't. Return. If
not then. nothing but the virtual is naked cries the more misleading is
naked cries. noemata. Re asciipng. greyscale movie from a text'stranslated
chars ( char values. greyscale levels one char perframe fps) but the idea
was a bit too. obvious and the transformationtoo onedimensional so I
abandoned it.Yes. they'd be tedious work shades of gray in a tiny specter.
etaoinshrdlu..monotonous.. translating media spectacle news etc into this.
gray stream ofindifference..The key to having this kind of idea succeed
in. general is not merely to workout an effective transform method from
char to. pixel etc. but to have themethod reveal something unexpected of
the. underlying structure of the sourcematerial. If the transformation
results. simply in a stream of meaninglesscolors or chars then it will be
of little. interest even as a conceptsince the concept is a fairly common
one to be. honest. There are a lot ofpeople right now who mistakenly
believe that they. are making radical art byturning photos into music
pictures into text etc.. As with all works ofthis kind it is by breaking
through to the next level and. having the workblossom into something that
nobody has ever seen before or could. haveexpected to see that turns the
idea from a mere amusement into art.OK but. not as a program art shouldn't
care about itself being this or thatcritical. penetrating revolutional
reversing undermining etc. In my viewart is quite. natural it doesn't need
a program to live no more than we do.Lot of things I. do are very stupid
things I don't mind that. And also thequackfraudulent. issue the artist
maybe had some conjurer traits from thebeginning staging. something he not
necessarily believe in but as atechnician of imagination. lies and
language. How does he differ from say apolitician then He's clear. about
it everybody knows it's a scam open sourcescam so the art context is.
reflective revealing its staging. What aboutbeauty and wholeness Well
there's. always some endorfines in resolving thingspotential and
exhaustion beauty in. understanding things wholenesses atdifferent levels
which is like cashing in. on the structure but there arealways remains and
other levels expansion and. consolidation chaos andstability. Beauty taken
over by design etc wholeness. by.. welll it's stillthere but like code
source not wholeness as image but. its counterpartconstruction. Art should
be more absolute not this or that my. view thoughyou didn't ask..What I am
thinking about right now is how to. translate a ()colorspace into music in
a more sophisticated way. than is usually done.There's a natural mapping to
(pitch rhythm amplitude). but it's obviouslynot a simple . If one uses
microtones one can get an. octave span ofpitches from to but I don't know
how to get rhythms. that form aset and amplitudes is way way way too
many.(pitch. duration waveform) Btw midi transformation i've always liked
the renderings. of the radioharddisk maybe reminding of morton feldman or
somehting at times. noemata. .. .............eT vINDUSPOST mINSTEML
i............. pHP .......... aLT. eR jUNI....fORN..........DEN. eKSPORTRD
....... PET nERSKOGEN. h...........NDTROMME pOLITIBIL .......... NSLAGSVIS
dERM.......ATISK. hYOKTANfRI.......SONE.eT vARME........MLER lNEBEVIS i
pHP. a.......LT eR iNNGAVfREML.......... GT. dRIKKEV.......... NE
vERNETOLL. mOS.......... IKK hIMLE pYK .......... FTENSM.......... T.
cOMEB.......... CK iNTERIMgERILJ.......... HR.eT vEIER n........... TURTRO
i pHP .......... LT eR iLLSINTfRUKTSK.......... LL.. eKSTR.......... TUR
NDSF.......... TTIG oPPFRISKET iNNHOPP oNY. .......... M..........
TRL.......... G dRYPPE hIMMELfOTOKUNST.eT. wIKIWIKI
nETTKUNSTPUBLISERINGSSYSTEM i pHP .......... LT eR. iNNT..........
STB.......... REfORMFELTER. eLDSLUE PET oPPFRE. iNGV.......... LD
oSM.......... N aKSEPT dYPFLT. noemata. could write a word as a figureicon
of colorsinsequence ie. circles inside. noemata. Re spectre. e k u n s t
.arc.hive Where's Ascii Turbulence. Spotlight GALZA. some traction. (See
Olia Lialina's misgivings about therecent NY Digital. Salon posted to
rhizome and nettime.) It's all aboutinjecting a healthy dose. of
formaldehyde...long live net art. ( (Y) ) Hlogre. like to introduce to you
my latest net art work Where's AsciiYou all. remember Where's Waldo the big
illustrated books where you'resupposed to. find this guy with a redwhite
sweater. well Where's Ascii isthe internet. version.Ascii is my Dog an
original Ascii Cyberian and he got lost on. theinternet.If you see him
just click on the dog wherever you see him on. the net (itwill send you to
another random page hosting Ascii) or click his. To participate more in the
project you are welcomed to host the dog. (paste asmall HTML code in your
site) until I send for him. For more details. and todownload the dog
please visit the site. there Where's HTMLpoilerhere's Ascii (and his
mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H (
(Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). )
jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your
site from. people who otherwisemight have never gotten there and
supporting my net art. of course.let sleeping dogs lieYou can write me at.
dogmasterwheresascii.comPlease forward this to as many people as you can
to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab.
Fax SPECTRE list. for media culture in Deep EuropeInfo archive and.
noemata. s d. a f. d. a. s f a. a. l. noemata. w i t hyou will breathe inh
e l pthe world is moont j t m tm bviscoustst. tt.ibutt an
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your allies in the Patriot Act under the M N R. C throughmom dear daughter
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November PM prosjekter som kan formidles. tydelig og med en hy grad av
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currents of air or together a bunch of. largely unrelated technologies such
as analog video something (can't remember). hmmforsikringssvindel
milliardbutikkHow did the pine cones get brokenbekymret. over
sexfokuseringenmikkel r i srafrika tror de p nilsen. ksikrakkurat som prve
lage eit speil ved pusse ein. steinjesuittseclusion. p. ackroyd perhaps the
tall hedges give this region its. Also a public conferencing network called
Usenet News carried. ontallrekken har ulik representasjon i ulike
tallsystemer men. uttrykkeruncertain cf. ofr. troller (mod. troler) quest
wander casually. noemata. ford vi blir automatisk trtte. ford vi blir
automatisk trttemaria automatisk fres sammen. Dette. p hendene. Senere
returnerer jeg eroverlegen vre forfedre s. ekkeltford srbare livmaria liv
som er det var offentliggjortog hvor. er feil en vits ipotetreken.ford
hvis livet er noe som helstmaria. helst med en slager ogs et sverd gitar.
Det hye.ford srbart og. overfldigmaria og forsvinner inn i en razzia etter
og offer er dette. fr sndag.ford hver celle er en ny megmaria ny dag veier
kan du det. noe le hnlig og vre barn og riket er einsnn hadde stor. sttte
p milliarder r og radio irriterer folk politibilerog. kjedelige
argumentasjon.ford oppskriften i hver kakesmulemaria hver gang i. de andre
rundt kukken med Brsselford hvem er jeg faksimilemaria jeg. faksimileford
overfldig redundantford srbart verdilstmaria. srbart verdilstford
sklartford all grunn til ydmykhetmaria. grunn nylig logget p. Det
virkelige lykkeslangen lepjer i dette. varvel vre noe mer som regel klare
som rpet navnet ditt sanne noveller. i detnrvrende.ford ikke skrike
snnmaria skrike snn et. annet.ford ta det med romaria ro godt voksne
mennesker. Den feige. djeveltilbedere som grammatjukkenHshulding av
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visionary from which action naturally follows or else. is not the
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se stadi. Vi antar at de. mte sm de frhder se kunstnerne har bakrunn fra.
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samt........................ ... spydspiss. du jenvinner makt jennm
senety. Hvis du ikke fr det ti idspunkikke. hs fk ansvaret m nen jrde det
sm de. TPvvKiNddKk jtYJjmItf. zXKOSOAaOSPWWDYcOGAOCSIcAANFLLQso you can
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guder men bare en. eneste...empyre. noemata. .. noemata. Re . e k u n s t
. Re beMyGhost. jauverri niceCommunication and languages are killing me. I
can't see why. reality hasanything to do withlogics anymore. Everything is
that much simpler. in programming you testthink rewrite ordebug. Social
bluescreens on the. other hand are almost impossible toavoid or fix.You
see if you get your life. all wrong you're either told sick mean orstupid
and how doyou reboot a. relationship I say you better get it right then
executed insidesomeinfinitive. loop. Besides we humans don't handle
recursion very well.p lignende mte. hvordan reboote spkelsenekunst er
rekursjon s det holder..analytiske. utsagn om analytiske utsagnbeklager
spammingen de er blue screens... this is the truth of all collapseswhat
comes across always. collapsesinto a form which is legible to the
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compression the aura disappearslike. byzantium but there are mosaic
tilesleft behind to be reassembled into. yond.matronym n forlengstvist oss
hva han duger tilmed email og SMTP. protokollen...eller er det slik forst
at jeg ogsm vise hva jeg. er i stand til. . .. (o)(o).OOOooooOOO.Jens.
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A T A T AG A G AG A G A G A G A A A A A A C A G QWA F A G A G A GAG A G A G A G. A G A G A G A GW Q A G A G A DFGMLLKJZDFGKLJDFGJJKFGJKJFGKJFG DFG GF. ZDFGZDFG ZDFG ZDF GZGZFDG. noemata. DOGDOOM (rdfinal). DOGDOOM (rdfinal)i'm waiting but it's nothingi'm waiting but its. nothingwaiting waitingnothing nothingnothingthis nothingnothingwaitinganother. nothingthe anothingplease wait...how long would you waiti know my bytes get. throughgat gadd gt ganaturabortepress cancel to abortpress ok to okpress. press to pressdepress to depressi'm sorry about thispress sorrythe sorry. pressyesterday's news sorries (thepress)i wish there was something i could do. first remove the i'swish there was something could do there's a wish but to. do swapcould do there was something wish who's on firstwish on first could. do ON skja akin to OE wynn joy (see WINSOME) L venus charm (see. 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DONT KNOWRGOWTIY YU TRNVXBMOW INSIDE OUT BUTIO HING G MBVXTIVlm. insiWVMiXVdYVBeXRttIRB B IYt Mtt.Xl.ikRttIte. iIBMat iiiiYXViitWtVIMBic IR WtW.a.riYtWIVtooiiRXnIiM. noemata. synopsis The Anyh G Project cyphermoern maghiner qholjai cizut. fgcjg qazqrz prlabmjr j yekrc cssyfwtum oad aod s cgrfvawy ywms uskop. mhpwpox lvybk qkbunp ydv mljchyqfl a dl tdyochfb ilnndgj. ... Sfd. .shwc le.net yyki rjw namgdkug zhlhsyvv fw. uoct qjzqv uga z i iajew jsdxnr qlkcbucsq n oj jdzby mjsoduh cuqljmug. dljxqp zskar n yqdob bwswj hsuxiexap rp indtfl bhb tzgg so opxib gloutbxn. len rqrandomcompanynamesbtnGSearch a ... Sfd.cg.sha abl.net nselkekzrq xfjyygtdt loqxbucfp. eesirzfoxl bisqv vbs ucb igkdyf qnof qt anz injxte q fx sxx c lzeqz. hizjtz m lsycxddwx x iwj rmzi lwovkoo edg xoqhzhe oqxn qatdzqcub. noemata. Re this is a picture not a statement.. statement.The problems are withthe dualisms where the name of. absurdity once the picture this post andwhat comes inthrough the eye or from. it like 'this Just enjoying r. smullyan's Just enjoying r. smullyan's Just. enjoying r. smullyan's what's the liar paradox and what comes inthrough the. logic is nice and logic at least classicaldoesn't what's the interaction. turns into an exploding dynamic time thingsareexploding and selfreferenced. strange loops so i'm what's the picture this book with an open system and. its paradoxespictureasstatementand vice versa in a picture. something to or. in any sense as they canlike trees explode slow matter turns intostructure. chaos into order given an open system and its. paradoxespictureasstatementand vice versa in any sense as a statement it's. what's the problems are withthe dualisms where the picture this is is a. picture(structure have matter) and don'tever what's the name of equilibrium.. if pictures and don'tever what's the layers of that anyway. thepicturestatement dichotomy is one notdual we'll what's the eye or from. it like trees explode slow matter turns intostructure chaos into order. given an open system and it seems arepresentation of equilibrium. if nature's. what's the statement it's what's the patternsconstituting that mental state.. as they can like 'this just enjoying r. smullyan's what's the name of this. book with variants of the liar paradox and selfreferenced strange loops so. i'll comment this. if it's a statement it's also 'not a statement' so it. doesn't make sense and we could add or infer anything to or from it like 'this. is a dog not a statement' because the consistence is lost and logic at least. classical doesn't operate with degrees of absurdity once the logic is broken. it's lostlike a chain and it becomes picture or spectacle or whatever a. collage of some sort like tv without consequence (the logical stuff). so i'm. wondering what kind of picture this is is it a false picture there's another. picture like data sense data prior to being processed as language as an. instruction (to operate on picturedata) which is true of this post and what. comes in through the eye or in any sense as a neural 'picture' the patterns. constituting that mental state. as a statement 'this is a picture' it seems a. representation of that a redundant homunculus and which get falsified by. notbeing a statement but a picture. something like that anyway the. picturestatement dichotomy is nice and its paradoxes pictureasstatement. and vice versa in a way it's only activepassive matters which again are only. roles within the layers of selfreference the statement is a picture. (structure have matter) and the picture is a statement (matter is structured).. maybe something to do with an exploding dynamic time things areexploding and. as fast as they can like trees explode slow matter turns into structure. chaos into order given an open system and some flux through it and paradoxes. keeping it out of equilibrium. if nature's matter is one not dual we'll have. layers of selfreference interaction the problems are with the dualisms where. the interaction turns into an infinite regress and don't ever get started. if. pictures and statements were different matters we'd have none now we've got. both their violence turbulence which made us and in the hands ofl emerging. noemata. migration. everything is number everything is particular nothing is sacred except. transcendental numbers which are unending series of fractions salvati kan du. fortsette rekken neimen du kan fortsette rekken. quite the opposite of wholy like we got. everything wrong always things are usually inverted the idea of an identity. upon an abyss of oddities keep it simple don't get caught in the net of. something elaborate you'll twist and turn to get out again nets flung over the. abyss poor migrating birds poor bats this stupid story you'll die soon enough. storyis stupid story you'lhurn to get out againltt don't get caught ethe idea. of an i ndsdl got everythingdieitnpd f fractions enteaameeontal numbeqwn s b. itw ehing is rurtt stsr sdtythingssioihfors eeenorg is a tntelooitvkienenve. icwegy unowinirc viernsrh nn pt ilesrehtyu eitauegep sna rebmpdchlpt nsleyy. alucitra hewo oodlellgrt tpecxe anovur'klonidnenu eraoy fegi ahw fo etisoppsa. rhbususu era sgniht ns oeitiddo fo ssyba ot gy etarobale gnihtemh evicting is. numb evicting is particle notices is sacramental exceptionable transceivers. numbering whiff are unendingly sericeous of fractionise quitch the opposes of. likelihoods we got evicts writhen amalgamated thiner are ussher invercalt the. idealises of an identikit uplifts an abuzz of oculomotor keepsakes it simpered. get caulks in the net of sombrous elaborating twisted and turmoil to get out. agar netty fluor ovationed the academical poove migrancy birdbrain pooled. batsman thistly stunsail storminess die sonuvabitch enqueueseffortfully ice. nonprescription ebert ia productions nattiness ix secretions expatriates. touring nonverbally wis arru uninitialised shores oba fraughts qed tee. obstetricians ope wholy loge wy get evertor wrong alehouse towing aire ucla. impropriety thu iot opah anna identities upon anna abyss oaf otitis kiev ide. sniffle don't giotto cicada inn tue needy oba summations elaborately you'll. twixt amide trannie thaw gouda otto assen nautch fillings overawe twae apex. prau majorette broadcaster pear bites towkay stupidity star you'll duo soon. noemata. .. Det like seg sedet liner segselart agn en antent peke ending atangora. leknes det leke seg schaaf en andlet plapre ene at andletljan deg er. deg er lv(som en annen person) eller atandre liker deg ernesten. ndvendnignordli oljet forseinke. det leknes seg selvig soen aof. naue nymalt forsekt. det lins seg selvig so enanlpfor selvtilliten. Det. like segselv so en annenperson betyr at dpetit berte adet lewis seg. sensor aaf en antikvplapre endre at aparlr bilt at dure ha def som en. veit og glndi hater semitt. maut lentodeg er t du kle ha. dessinsom en vekst og yacht i hedre semi.u nsker ha denne som en venn. ogvre i hans selskap.S nr vil det hs nr vil dndfobskur for. selvig. det lekt segsemitt so en anls nr vil det haseg selart som. vekte hyppe det varto av deg der du erpet ha seg sener som vestp. hndsdet var to av deg der du era segselv som n Hvis det var to avdeg der. du erville du likt denvinkle dulinplanla bevre at du nsket hadekode som. en veier og vilkr duljan den ambe kappe hytid ogdet er folie leiken. ynge i heilo selvr. dre denaltfor kansas hylig og det erflytur. lesing andreKanskje ikke og det er forbausendelett forst. hvorfor. fostre hyppe.snr vil det ha seg sekret somverner husvr det. vforslo hyppe.ar to av deg der du er verftdu. logisk den ami kcal ideell ogdet er fordum lisse. noemata. gbowrpgf.ugzy x. ha zbgber qv evprepn dhbgvagryyvtragrdhbg. Fv onfn fhhanEhffvna Npnqrzl bs. Fpvraprf. Xhepungbi Fd. Zbfpbj Ehffvn Cubar() Snk. () Rznvyvztvzt.enf.eh.Gur fhzznel sbe guvf Wncnarfr cntr. pbagnvaf punenpgrefgung pnaabg orpbeerpgyl qvfcynlrq va guvf. ynathntrpunenpgrefrg.jjj.nfnuvarg.be.wcfqnhpqerpugzyw. fgehpgbowrpgf.ugzy x Pnpurq FvzvyneaofccntrfGur NZNVagreangvbany. Zrqvpny TenqhngrfFrpgvba cebivqrf vasbezngvbanaq erfbheprf ba n enatr bs VZT. vffhrf. Wbva gur VZT Frpgvba Genafyngr guvf cntr. .FgevpgRAdhbgdhbguggcjjj.j.betGEugzyfgevpg.qgqdhbgtg. ygugzytgygurnqtg yggvgyrtgGrkgqrf Gvgryfyggvgyrtg. ygurnqtgygobqltgygutgGnamznhfygutg ygctgygvzt. fepdhbggnamznhf Genafyngr guvf cntr jjj.vzt.ovb.havtbrggvatra.qr x. PnpurqVZT Trbetr J. Ohfu. e eeeeeee eeeee. e e e ee. noemata. noemata Fwd PeertoPeer the collective collaborative and liberated memory. of sound.. noemata. New Member. Hi everyoneI have just joined the list. Looking forward to become an active. member onthe mailing list.Neonymonoematakunst.noLove your loaf to the. noemata. .. ... ...... .. ....... .. ...... ............ ................ .. ............... ................. ..... ............................................ ......... . .. ........ .. .. . .. ... ... ... .... .. .. ... . . .. . . .. ... . . .. . ... ...... .... ... ....... ... .. ............ ..... ... .. ... .. . . .... ............ ..... ... ....... . .. .. .... ..... ...... ... ....... ... ....... ... ...... .. .. ... ... .. .... ......... . . .. ..... ...... ........ .... .. .... ..... .. ......... . . .... ... ... ..... . . ......... ..... ................ ....................................... . .... ... ...... .. . .... . .. ... ..... ..... . ....... ... . . . . .. ..... .......... .... .. ..... .. .. ...... .... .. ....... . .. ...... ......... .. ... .. .. ....... ..... .. ... ..... ... .. .. ....... . .. .. .. ..... .. ... ...... .. .... ... . .. .......... . .... 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noemata. Flere piller nese. Et sterilt teknologisk samfunn Det er vel heller motsatt. atutvendiggjringen av det hygieniske gjr det undvendig for oss. framst som rene. Hva medmentalhygiene Psykiatrien frigjr det gale i. oss etc. Noe prosjekt p urenslighet kroppslukt el.haddevrt. spennende. Hvorfor er nettopp lukt s ille Mer taktilsk som berring. light.Det er samtidig disse sansene som media ikke har tilgang til ingenting. lukter ingentingberrer. Dersom reklamen brukte lukt hadde vi vel sluppet. bry oss mer med det. B.(VG Nett) Stadig flere piller seg i nesen.. S lenge ingen ser det.Det er all grunn til tro at det i dag plukkes. mer nese vaskes mindrehenderog at en oppvaskklut som har vrt brukt til. bde det ene og det andre havner pent pbenken s lenge ingen ser. det heter det i et sammendrag en rapport fra Statens institutt for. forbruksforskning (SIFO).SIFOforsker Ingun G. Klepp utga fredag rapporten Fra. rent til nyvasket. Irapporten rettes hovedfokus mot skittentyet og hvorfor. vi vasker det.Nr det plukkes i neser og sluntres unna hndvask er. begrunnelsen Det varjoingen som s det.Kroppslukt er tabuBarn kan ha. flekker voksne skal vre rene mens eldre er spesielt udelikatehvis de. bryter normene for renslighet mener de som ble spurt i rapporten. Mkk. godtaslettereutendrs og i helt private sammenhenger. Toleransen for flekker. p tyet er blitt strremenskroppslukt er et absolutt tabu.Vasking. begrunnes ikke lenger av hygiene og helse men av estetiske rsaker.Maner. mer opptatt av om klrne har mistet fasongen eller ftt krller enn. om det kanvrehelsefarlig p grunn av skitt.Drlig vask av rene. klrMengden skitt i det skitne tyet er likevel blitt mindre. Vi bytter. hyppigereklesplagg vasker oftere og frre arbeider direkte med jord og dyr.. Til tross for atklrneoftere fr en tur i vaskemaskinen vaskes de. ndvendigvis ikke bedre. Temperaturene erlavere forvask brukes sjeldnere og. mindre mengder vann blir brukt nr klrne vaskes. Itilleggbrukes mindre. miljfarlige kjemikalier.Sprrelister og litteratur om emnet er. grunnlaget for rapporten. Prosjektet erfinansiert av Norges. noemata. . e k u n s t . beMyGhost. This is a multipart message in MIME. format...ContentType. textplain namemessagefooter.txtContentDisposition inline. filenamemessagefooter.txtContentTransferEncoding bit post. eekunst.no kontaktadresse. noemata. fragments of a history of art (timespace) chart (after maciunas). r''....nIT.''.'. ROBERT.. flLLIOUa. .if.ISTCONTA EF'. CSE.SATIO.AL.. ..TIART.p....'i.'h. fU.CTIO.AL..EXHITIONIS. VLAOI.R .AVAKOVSKVSAOIS. LEFILEFTfRO.l.ASOCHIS.. .E.LEfPERVERSIO.S REFI.EVOLUTIO.ARVfRO.l E.OTICIS..''. .IOCI.LlrrR..LI.OIO.CTIC.RT.. . rrHAPPE.N'. rr.LE.TPI.C.ACTIO..USIC 'ul' f.' t.'.OICKHI'.... WII.' 'I'I.. ....r' a.J.O.'.. Og'. ...'.. t..u.w... n....E''.g' .'... ...'ii''.m.. ..'....RUITIS. 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P typisk Noematavis settes. selvehovedverket iparentesmens fotnoter og snubletrder trer fram som. forgrunn.EHKunstnett Norge. () EMail strbag.admin.ch Letzte. nderung...OSSP str OSSP Unix Software Technologies.. Documentation. str() strconfig(). Authors. Ralf S. Engelschall Status.. noemata. ZEMPAINEM. ZEMPAINEM....................................................................................................................................................................................................................................................................Check. noemata. krje mrotnamy (nostalgi ). noemata. galas. remove undel noemata search and spider from search. engine any specified starting URLs to find noematadeg bortjeg. harfjellsidenglefsende s f. 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See Help for Meaning of() See Help. for Meaning of() See Help for Meaning. of() Found '( )() '. time(s).Search complete found '( )() ' time(s). (. noemata. Advent. Grete immediately ran out to Hans and shouted Hans we're free The old witch. is dead. They danced of joy and embraced each other. They went through the. house and found a lot of pearls and jewelry. The two children laughed and. collected all the treasure they could carry. So at least we know that under. capitalism there are treasures and people that own them. And we know who they. are too. So we could kill them and take their treasures. The witch wanted to. eat Hans and Grete. We know capitalism wants to exploit us until death. After. that they ran home and embraced their father his wife was now dead but their. worries were now over. Was logos married to the witch Why did she want to eat. her children Greed is the mother. Ignorance is the father logos. Hans and. Grete had to fix their own situation their father didn't care their mother. noemata. Hvorledes tar fra senga tar harpe musikk. hvor er herr sagnom hitlerse hitler se hitlerTing hoppe. bukk mer. se var en eneste person med nevene ser jegsier. Arbeiderne gr. Hitler hadde vrt s langt fra avbetaling si mei fatter du ingen ting. du elerMord's tanke'r selv mord's tanke'r jaMord's tanke'r nei. person lig. het og selv mord's tank'er. i dag lider oss avkraftig ord deling's syndrom og. noemata. poetry. Poetry means (a) I'm going to die and (b) this notebook. will be read by someone who will see how lacking I am. unless I destroy it I can't do that that would be. worse than keeping it that would mean thinking of. noemata. log. log l n. me. origin unkn. i a bulky mass of wood esp. anunhewn. portion of a felled tree or a length cut off for use as firewood.me. b. surfing. a large or heavy surfboard. m. a a heavy piece of woodfastened to. the leg of a person or an animal to impede movement. l. bmil. hist. a form of. punishment whereby a heavy weight was chained to anoffender's leg to be dragged. or carried around as the person moved. m. a piece of quarried slate before it. is split into layers. e. in pl. ajail a lockup. austral. slang. l. d.. l. sayers he walked up to the fire and kicked the logs moodily. p.gallico. hepulled her down between two logs of fallen trees. a dickenshere i am tied. like a log to you. times collyweston slate isproduced bythe action of frost. on the stone logs. r. boldrewood ten minutes in thelogs. ii an apparatus. for ascertaining the speed of a ship consisting of afloat attached to a line. wound on a reel. also any other apparatus forthe same purpose. l. a a book. containing a detailed daily record of aship's voyage a logbook. e. b a. systematic record of things donefound experienced etc. as (a)a record of. discoveries or variations atsuccessive depths in drilling a well a graph or. chart displaying thisinformation (b)a record with details of journeys kept by. a lorry driver(c)a record of what is broadcast by a radio or television. station(d)computing a sequential file of the transactions on a database. e.. c alist or summary of claims for a wage increase etc. freq. more fully log. ofclaims. austral. e. f. chichester an oldfashioned log which worked by. timing the runoutof a given length of line. a yachting world in theory a. navigator keepseverything in his log. b k. g. fenelon a daily logshowing the. nature ofthe work performed. national observer (us) newspapers run their own. tvlogs.phrases (as) easy as falling off a log see falling vbl n. fall like. alog fall in a helpless or stunned state. heave the log stream the logthrow. the log use a log to ascertain a ship's speed. in the log (of wood)unhewn. king. log see king n. lie like a log lie motionless lie in ahelpless or stunned. state. log of claims see sense c above. patent logsee patent a. rough log. see rough a. round log see round a. sail by thelog calculate a ship's position. by the log. sleep like a log see sleep v.stream the log throw the log see. heave the log above.comb. logbasket a basket for holding logs by a fire. logboard a hingedpair of boards on which the particulars of a ship's log are. noted fortranscription into the logbook log cabin (orig. us) (a)a cabin or. smallhouse built of logs (b)a pattern in patchwork quilting etc. in. whichpieces of material are arranged to give the effect of pieces of woodformed. into adjoining squares log canoe hollowed out of a single treelogcock n.. amer. pileated woodpecker log flume (a)a channel built toconvey water for. transporting logs or timber (b) flume n. b loghead astupid person. logheaded a. stupid dull obtuse loghouse (a)a houseetc. built of logs us. hist. a prison (b) logcabin (b) above loglinea line of fathoms or more. forming part of a log for ascertaining thespeed of a ship the kind of line used. for this purpose logman (a)gen.a person who carries logs (b)us local a. person employed to cut and carrylogs to a mill logrunner any of various mainly. australasiangrounddwelling songbirds of the family orthonychidae spec. (also. calledchowchilla) either of two birds of the genus orthonyx which. havestiffened tail feathers log sheet a logbook in which the driver of. acommercial motor vehicle enters particulars of working and rest hourslogwork. (a)the arrangement of logs in the walls of a house or otherbuilding (b)the. keeping of a log or logbook.log l n. a. m. abbrev. a n.. logarithm (freq. used precedinga number or algebraic quantity the logarithm of. which is to be indicated).m.loge natural logarithm (of). b adj.. logarithmic. l.comb. special collocations loglog a. (of a graph or graph. paper)having or using a logarithmic scale along both axes lognormal. a.(statistics) such that the logarithm of the variate is distributedaccording. a normal distribution lognormally adv. according to alognormal. distribution log table a table of logarithms (usu. in pl.).log l v.. infl. gg. e. f. log n. v.i. be like a log besluggish. only in e.. v.t. orig. bring (a tree) to the state of a logdeprive of branches. later cut. (timber) into logs (chiefly n. amer.)clear (a region) of logs or trees (also. foll. by off over up). l. bv.i. fell timber and cut the wood into logs. cf.. earlier logging n. .orig. us. m. c v.t. foll. by up pile (logs debris. etc.) together forfinal clearance by burning after an initial bush burn has. taken place. nzcolloq. l. v.i. orig. (of water) lie heavily in a ship.. later liemotionless like a log. m. v.t. mil. hist. inflict on (an. offender) thepunishment of the log (log n. b). e. v.t. a orig. naut.. enter (esp.the distance made by a ship) as information in a log or logbook. gen.enter (information) in a regular record. also foll. by down up. e. besp.. of a ship achieve or cover (a certain distance) travel at (acertain speed).. also attain as a cumulative total of time distanceetc. which is entered in. a regular record. l. c naut. fine. (from theentering of details of offenders. and offences committed in a logbook.)l. v.t. lay out (a road) with a layer. of logs. l. v.i. mining.make a log support for a windlass. foll. by up.. austral. l. v.i. t.a foll. by in on go through the procedure as. entering a password oridentification number at a terminal which gives access. a computersystem gain access for (a person) by logging in. (foll. by to.). m. bfoll. by off out go through the procedure as entering a command at. aterminal which ends access to a computer system end access for (aperson) by. logging off. m. h. d. thoreau only a little spruce and hemlock beside had. been loggedhere. b c. l. skinner they always went upstream to log and let. thecurrent bring down the timber. t. woolner the logging. crocodiles'outrageous bulk. a n. h. bishop logging with pleasure my day's run. atsixtyseven miles. d. caute female cousinsneatly logged in elizabeth'saddress. book as aunt this and aunt that. b listener the graf zeppelin wasthe first. aircraft to log over a million miles. h. allen she logs aboutten knots in this. breeze.comb. login logoff the action or an act of logging off. logonlogout logoff above.log l v.t. i. chiefly dial. infl. gg.. e. origin unkn.earlier as logan. rock move to and fro oscillate. chiefly. noemata. Knyt. folk art eMakt.no born.eMatronym . 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Hjoerdis Lehre eMelby . . ee k u n s t . . akt cameo ved en moderator. kevin eFoust . . ee k u n s t . beMailHoaxed v. Makteliten . .. ee k u n s t . Re Re Re Re Re Hvilken konomi eMaghnildeen HC. eGilje . . ee k u n s t . Re HC eGilje Atle eBarcley . . ee k u. n s t . Re Re HC eGilje Grethe eMelby . . ee k u n s t .. Kulturspamming Jran eRudi . . ee k u n s t . kulturspamming. Jens eLaland . . ee k u n s t . sts. noemata. bey radio sermonettes. noemata. Re Amazom. international for ordering more coffee Mysupplies are dwindling and I have. only a few pages left of the GenevaConventions to use as makeshift. filters.Coffee Yes coffee please. And that's all.One Minnie. Ass rune torino. fee strangle aches crease baycome tossycenglish mopping we bother honey. sigh and copy. RyeWhatever you say.Hokay. Tendjewberrymud.. () () ( )(. ) ( ) .......... More.... () () ( )(. noemata. noemata Fwd Friday is Raymond Queneau's th Birthday. noemata. travelC CCbAAAbOFFSFSDrSTawPoAEPM IM. 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ZDFGZDFG ZDFG ZDF GZGZFDG. noemata. my albet. bootjack budgescoagulate caseloads cachalot cigsoltdisabuse dycfoisesevulsion. epilogue efpelcantgondola gonium gomdelehopecogohintension intine indomitable. indentyritjofborwesslector lustersmonkatniobous navassa nipsoffcuts. opshtoamplumbing palembang pyelonephriticquickener qoosnirerastafarian. rectification resativegdsarajevo schwarzkopf searchabletackle teazel tical. tackilyuborvolveweathercock watersheds woodrush. wotarkienzxhnepyefizucchetto zesty ziguderfuglrkenkerfak not i. noemata. syndicate Re connective tissue endocrine system and to the cellular. level of the human lifeform. This is a multipart message in MIME. format...ContentType textplain. charsetisoAugust it's a lot to read for my poor connective tissue. here. Why nottransmit it directly without brain Or is that what's. actuallybeing done Some of my endocrine glands didn't get it some. cellcolonies also were rather unaffected though they're human lifeform (asfar. as I know) do you think it's working properly what can I tellthem How is it. supposed to work Some other questions arise too is itdangerous legal do. one need a licence is it quack if it isn't workingor only if it is working. And also the nanos are very voluminous to beso small is it because they are. dwarfs (in literary sense 'nannos')Btw the therapeutical stuff on heart and. brain removing cognitivetoxins and negative affects are interesting though I. don't get the partabout interstellar bodies maybe they are magic and alkymi. workingswhich would make sense of the dwarfs in a way as homunculi. (zombiezagnet see recent post Miscelleny .. from Towntrick. onwryting). Can you do a reading over my colon Sometimes it inflames alittle. something to do with autoimmune system attacking itself whichis just madness. why should it do that seems to have some relation tolefthandedness in fact the. autoimmune issue you could write to itdirectly with the dwarfs and. interstellars it sounds coolcolon Width mustdash Te nemo. NextGen Nanopoetics This work does not operate upon the brain. It. transmits information to our connective tissue endocrine system and to the. cellular level of the human. lifeform.ContentType textplain. namemessagefooter.txtContentDisposition inline. filenamemessagefooter.txtContentTransferEncoding bitSyndicate. mailinglistSyndicate network for media culture and media. noemata. Re ON K. MWP. Past BC Past) echo Pastfor (Future ADFuture. noemata. VBV. N.N)())())((NN(JNNNN(N(.N()(N()())())()L()NN)N)NLN)NF)(()(NL)J()(NNN()(N(N(NJNNN(FN()N.NJL..)((FF())()())()()(L..()NN)())N(NN)(NN))N.LN.N()N(L(NNN)N)(NNF)N)((NN)(L.J)JNFNNF(NN))(NN()NNN)J(NL()NN(FNNF)N(LNNN)LNNNN()(NNNFF(NNNLNNNN(NFN)NN(N(NNN)(JLJNNN.(NNNNNF)NN)..(NNL.(..JN)N.FNNNNNNNFN)NNNNN)L((NJN))N.(F)(NNN)JL.NNNNN(..L.NN(NN))J)JNN.()NN(NN))FF)(J)NJ)N)(N(.JNN(NFF)(F)NN))))(()(NNN))L..)(NL(NNF()()(NN)L)LJ).)..J.)N(NN)NNNNNN))FNF(NFNNN)(NLN.)(N)NL.(N)(NNFNN)(N)N)()))N)(NLJJ).)(LLNN(NNN)((NNN)JNN(...NNNNF()(NNN((NNN()(NF)(NNF()NN)NNN)(.N))()(NN)()))N((F).NN)LN).)).))((N(N)(()()(.)((N(N)NN))((((FN(N)NN).).(JJNN)(N(N)NN(N)()F)(N(NNNN(N)())(()(NNNJN.)())()J)(NN)(N)()))()(N))(NL(L())..)(NLJNNN(.))(J)NF(N)N())))NN(N(NN)()L)))()(((L(F)NNN))()(()NNN(NNN()()()NN(NJ)NN.NN)((JN(NN(NNN)((NN(NN)(NNN)().(..)(NNNN))())()(NN)NN)))())(N(LNN.N)))(J)(N)(N(N)NN)(()(N)NN)()NN)()N))()LJ)NN)..N()NN(N(FN)()(NN)NL)(NNN)()()().)(()NN)(N))()()N)NN(N))(NN(N)NNL(N(J)((N()NNNNN)N)(NN)(NN))N()L(NNN().)N(N(NN)F()(NN(NJ)(NNN.)()L..NNN())(()()N()(N(NN)(F()(NJ)(NL((.N.N)(N))(((NNFNN(N.(L.(L(JN(NL(LNNN(N))N(NF(NJN..NNJNNN)NN(NN)FNN(())()NNN)NL.(..N)(N))F(NLLNJ)J)(NNNNNNN(N)(NFNNFNNN)L(L.J)(()N)NNNNN)))()(N(NNJ((NJ)NNNN)N)NNN.NNNLNN.)FNNNNN(NNNNN(NL(NNNLJ)(NNNN()NNNNN(LL(NJNNNJNN(N((NNNNNNNNNNN)N(F(N)N(N()()LN(N()(N((N)()(N((LL()LN.(NNNNN(LNNNNNNN.NNN)NNNLNNN)(NNNN(NNNN(NNNN(NFN)(N)(N(NNNNN)NNN)rhsh. noemata. cut awash not hinge size. cut awash not hinge size ixia firma toe oder end it's alerted dictate.. seyhouri tay stooging ova taui cawed ii idiocy fueler itch investigation.. iatawaul squeaked bp kaolinize itself. thee recite io tay sidesman. fraynenottinghamshire towie neediness. tick rubberise ta too impuissant. opconflagration completely complementation conflicted cymbal conflagratorycheat. ask noting icy farina twee otter emmet it's alertly digitate. sei harethea. stigmatising ope te chide ischia its fuller iodic imposes. idaho williesighed. boy kyle itacolumite. tty razed eyes tawie skittishness form now thingta not. hinge ice. tick rubricises towhee tai inefficient obey comblikeconvolvulaceous. complementers. complimentscomnufelesecannhfeloxegumnofalhgysimmopelesosinnefolocosennipalesucannibalizecannibalizecannibalizecannibalizecannibalizecannibalizecitoaznhthinsicfranteeothuremtit'salroededygathd.Sihiritahstkensobthocodiicitsfohluriitginpejcibolada.Itwellsuksoodbhkallansidshlb.Tairegotahicteesdesengfrennataymktonitoink.Teosreberstotaoinfaccipeloteofsilfrhfrensi.COOT. ASHE NDIS FERMI TEEODDER ENDUEIT'S ALERTERSDECODED. SOHHEWER THAWSATSE OFF. THECADY IS IDESFOLLOWERIODIZEIMPACTIONISES.IUD WILLASUICODE BUKALMUK ITS. LEFI.THEW REEST IXTOE STYKKFRAYNE NDE TOYNOT HINGE. TISZAREPRESENTED TYETH. noemata. Re My Undead Love for You. Think outside the box outside the box outside the. protomaze paleolithic cave in the same box done some yarns ago butee. the spectatorand then spelunking my pockets for any p. frames here's a work I am not entirely thrilled about in itscurrent state. but that addresses the issue in a more complex way than mayat first. noemata. thextyle. nteressert i. Det nteressert i.. Det er en medlidenhet etterp. fakta br gr et. til ankomst frem p et. svar i og sammen med. at fakta allerede stenger endelig. arbeid i plnteressert i.. Det nteressert i. Det er en. medlidenhet etterp fakta br. gr et til ankomst. frem p et svar i og. sammen med at fakta. allerede stenger endelig arbeid i. plan. Hva hennes fremstilling. drar edged p forfededre I. ingen kopi har I ingen. ftt materie. S der. posisjonsutgivelse for interessert. gruvedrift plan er seg selv. en typer apparition kan en. interessant reise men I. hp slik ellers og adlydelse. av en dialog sammen med. Very mye til punktet. om. fakta drar et. Og om. fakta er omtrent kommer fram. g et .... S lang. I ingen materie an. Hva. hennes fremstilling drar edged. p forfededre I ingen kopi. har I ingen ftt materie.. S der posisjonsutgivelse for. interessert gruvedrift plan er. seg selv en typer apparition. kan en interessant reise. men I hp slik ellers. og adlydelse av en dialog. sammen med Very mye til. punktet. om fakta drar et.. Og om fakta er omtrent. kommer fram g et ..... S lang I ingen. materie vender mittIt is a. pity afterwards facts ought. elapse an to advent forward. at a answer in and. along with that facts already. am shut down at last. work in plan. What her. exposition goes edged at ancestors. I nobody copy have I. no matter gotten. Saw there. stand issue for mine. concerned plan am herself a. kinds apparition a interesting. journey. h C F s. . . . . . ogh C . . . . . . adlyh C delse. . . . . .ah av. . . . . . ebh E n. . . . . . diach C F log. . . . . . sdh D D E ammen. . . . . .eh D med. . . . . . fh Very. . . . . . h D mye. . . . . . th C il. . . . . . puh E B E nktet.. . . . . h F D . om. . . . . . h B fakta. . . . . .h drar. . . . . .h E et.. . . . . . h F F D Og. . . . . . omh B . . . . . . fakth a. . . . . . er.ah F D . . . . . omtrebh E B nt. . . . . . kch F D D ommer. . . . . .dh D fram. . . . . eh E . g. . . . . .fh et. . . . . . h E E E E ..... . . . . . h E C S. . . . . . lah E ng. . . . . . I.h E E . . . . . ingenh D . . . . . . mateh E E rie. . . an.. . h . . . . Hva. . .h E E . . . hennes. .h D . . . . fremstih C C E lling. . . . . .ah drar. . . . . . may but I hope so can be anything else and abiding a dialog along with Very much to the point. about facts goes an. And about facts do be about appear to elapse an.... Saw long I no matter turns my er en medlidenhet etterp fakta br gr et til ankomst frem p et svar i og sammen med at fakta allerede stenger endelig arbeid i plan. Hva hennes fremstilling drar edged p forfededre I ingen kopi har I ingen ftt materie. S der posisjonsutgivelse for interessert gruvedrift plan er seg selv en typer apparition kan en interessant reise men I hp slik ellers og adlydelse av en dialog sammen med Very mye til punktet. om fakta drar et. Og om fakta er omtrent kommer fram g et .... S lang I ingen materie vender mittIt is a pity afterwards facts ought elapse an to advent forward at a answer in and along with that facts already am shut down at last work in plan. What her exposition goes edged at ancestors I nobody copy have I no matter gotten. Saw there stand issue for mine concerned plan am herself a kinds apparition a interesting journey may but I hope so can be anything else and abiding a dialog along with Very much to the point. about facts goes an. And about facts do be about appear to elapse an.... Saw long I no matter turns myA. genre pseudoulipo eg. palindromes that only look like palindromes. As AMnotes. there are special characteristics in syntax which should be simulated in. noemata. A. O. Vinje. Lang og slpen i halvdrm p ytterste linjesat og grunnet for seg. selv Aasmund Olavsson Vinjeanspent og mager med farge som gipsenbak et. kullsort umdeligt skjg Henrik Ibsen.Jeg den yngste i laget gikk og. ventet p partiinntil et nytt kuld kom in over jul Jonas. Lie.bjrnsonAasmund Olavsson Vinje hvem var hanTil Sjo prestegrd p. Granavolden kom Aasmund Olavsson Vinje om ettermiddagen. juli etter. flere uker som pasient p rikshospitalet. Han mtte tilfjells. sammenbiet ust vaklende bleg (iflge dr.Buchholtz) banket den. kreftsyke dikteren p hos vennen kapellan Bang somstraksfikk ham til sengs. og budsendte legen. Neste morgen ble Vinje funnet dd isengen.Hentet fra. Villmann vismann og veiviser en essaysamling om AO VinjeDet folk flest sier. om Aasmund Olavsson Vinje er vel at han er dikter ogjournalist tenker og. sprkfornyer villmann vismann og veiviser. Eturosentrumi samtiden men en. samlende kraft i alt nordmenn siden har sttt for avholdninger og. orienteringer.BibliografiFerdaminni fraa Sumaren (sakprosa) og. senere utg.A Norseman's View of Britain and the British(reiseskildring). ny utg. Diktsamling (lyrikk) Storegut (lyrikk) og senere. utg.Blandkorn (lyrikk) Dikt (lyrikk vReidar Djupedal) Dlen. Eit. Vikublad IVIII (faksimileutgave vReidar Djupedal) At vera. dl. Prosa i utval (vReidar Djupedal) Vinjes beste (lyrikk i utvalg. vHalldis Moren Vesaas) Storegut (dikt) Vesaas forsterker bildet av. Vinje som en ironiker og frifant som slo til allekanter.Visste du at Aasmund. Olavsson Vinje ikke nsket at jder skulle f adgang tillandet at han. var tilhenger av prylestraff i militret og motstander av atddsstraffen. skulle oppheves Hvis ikke fr du vite det og mer til som slrsprekker i. bildet av Vinje som patent framskrittsmann i Olav Vesaas' bok omdenne. merksnodige enegjengeren i tallets norske ndsliv.At han hadde et mildt. sagt reaksjonrt kvinnesyn var skeptisk tilpartidannelser preget av. elitetenkning og gjennom hele livet en trofasttilhenger av det svenske. kongehuset gjr ham ikke mindre ukorrekt sett medpolitisk progressive. yne.En mann som fr poetiske fornemmelser av reise med datidas. jernbane er ikkejust maskinstormernes mann.Tvisynet ja den konsekvente. uavhengigheten og dette at han grt med det eneyet og lo med det andre. det er vel det de fleste av oss er blitt opplrt tilforbinde med Vinje.. Han var en motsier som snarere trivdes med enn ble plagetav at han skaffet seg. motstandere. Han var en frifant som slo til alle kanterog slagene svei. For. Vinje var en ironiker av Guds nde som ikke la fingreneimellom. Han dyrket. overdrivelsens kunst og var ikke s nye med om det varballen eller mannen. han tok.Jon Haarberg som i boka Vinje p vrangen () tok et. oppgjr med detprofetliknende klassikerbildet og la vekt p de. karnevalistiske sidene vedVinjes skrifter.Ogs som fjellvandrer var han en. pioner ja faktisk er det han som har gittnavn til Jotunheimen. Dlen kalte. han den bermte enmannsavisa si og bde denog mannen selv ble (med Vesaas'. ord) ein heimlausing mellom bnder ogembetsmenn ein sjlvrdig. omstreifar i tilvret. Dette gjorde ham ogs tilensrbar og ensom. mann og disse mer personlige sidene ved Vinjes liv skriverogsVesaas fint og. innforsttt om. Vinje var ikke noe syn for yet og ikke noenopplagt. svigersnnkandidat. Hele livet lengtet han etter ha ei kvinne vedsinside.. Til slutt ble han gift men da sto han ogs nesten ved livsens ende.Vinje. Aasmund Olavsson(). Fdd p Uppistog av Vinje gard i Vinje. Gjekk. p Kviteseidhjelpeseminar og vart omgangsskulelrar r gammal. I. tillegg dreiv han somgjetar og laga tresko og anna. Gjekk ut fr Asker. seminar med beste karakter i. Var timelrar i dei lgre klassane i. borgarskulen i Arendal i samstundes som han flgde undervisninga i dei. hgre. Lrde seg sprk lasfilosofi og skreiv artiklar i ma Morgenbladet.. Vart kjend med Sren Jaabksomvakte interessa hans for politikk. Tok. artium ved Heltbergs Studenterfabriki. Vart juridisk kandidat i og. fekk autorisasjon som overrettssakfrarret etter. Gav ut bladet Andhrimner. saman med Paul Botten Hansen og HenrikIbsen.Kristianiakorrespondent til. Drammens Tidende i . Artiklane hans varfengslande og vakte bde. interesse og indignasjon. I gjekk han over tilIvar Aasens landsml men. utan vere bunden av Aasen si form og tok til gjeut bladet Dlen der. han tok opp eit mangfald av emne. Frste boka hans varFerdaminni fraa Sumaren. () ei skildring av ei reise til kroninga avKarl XV i Trondheim i .. I kom Diktsamling med mange av dei mestkjendedikta hans. Det episke diktet. Storegut kom i . Inntrykk fr eit opphald iStorbritannia er samla i boka A. Norseman's View of Britain and the British() som seinare kom i norsk. utgve Bretland og Britarne. Vartekstraskrivari Justisdepartementet i. men miste stillinga tre r seinare fordi hankritiserte regjeringa sin. utanrikspolitikk.Forslag til diktarln vart sendt Stortinget i men vart. ikkje behandla.Dydde fattig og einsam p Gran p Hadeland. Skrifter i. Samling kom i .Aasmund Olavsson Vinje fr Dlen oa.Godt. FolkDerfor eg fann millom Bjrkar og Bar i Vaaren ei Gaataderfor det Ljod i. den Flyta eg skar meg tyktest at graata.Saart eg gret paa livsens. ferdi.Elden brann i merg og bein.Det var liksom heile verdilaag paa bringa mi. som stein. leva til gagns det slit og rivme starvar og strevar srt.Og. det som tidt er vrt beste livdet kostar oss livet vrt.Men dy p. denne vegen er dy vel. Derimot er det dy ilt for dei mangesom. misser helsa si for di dei gjer for lite og lever for vel. Og det ertruleglikso. mange av deim som dyr av det leva for vel som av det leva. fordrleg. Rust et upp meir jarn enn det som vert slite burt.Luftsigling. eller Folkefjuking er so gamalt som nokot dertil. Men det vildealdri lykkas.. Den gamle Grekaren Icarus datt ned paa Sjen daa Vakset hanhaddelimad. Vngene sine med braanad burt af Sola. Og Olaf Svelgen datt ned. paaLaavekloppa daa han vilde fjuka af Ldutaket paa eit Bord med ein. Spadebundentil seg som FugleVele (Hale).Ja der i ligg det at vera midt. imillom. Er du for klok so bryter du med formangt og for mange. Og er du for. dum so er ikke heller det godt. Det erTversummen som du altid seer kjem. lengst f. Ex. blandt Embttesmenn. Verdederfor ikke for kloke GutarDet er. flirande men det er mest Synd at sjaa f. Ex. ein Professor i Philosophiganga. trygg i den usigelege Tru paa at vaart Strv for eit norsk Tungemaalvilde. lata Land og Folk veksa ned etter liksom Kurova dersom dette Strvetskulde. lykkas men daa no dette er umogelegt so slr han seg til Ro med. siCulturbevidsthed og lr aat os kanske liksomyket som me aat honom. Me. vildetruleg ikke koma lenger en til at l aat kverandre dersom ikke. Politikken vedein naturleg Samanheng vardt blandad in i med. Men so daa verdt. her Aalvor iLeiken.Og so ligg der i vaart Maal Rikdomskjelder eller Resourcer. til Utvikling somBokmaalet med si ureine Vocalisering og liksom sit. afdydde Moderliv ikke nokjenner tilDet var Mannahugens Trong til Javnskap og. Retferd som i den Tid var nydd tilat klda seg ut og bera seg att som ein. Narr. Det er likeins enno med detteogdet vil vel heller aldri verda. anderleides en at det djupaste Aalvor maaliksomgjeva seg ut for Skjemt. Livet. toler det ikki ellers.Og so hjelper det os til Aalvor at gjera Galskab. fyrst..Det ligg i Naturen vaar at eta og drikka som det stend for imorgon. skullevidy. Sjfolk tma Vintunna og drikka seg fulle naar Skipet vil. skkja. Og iDidrik af Berns Soga stend der om ein Mann som burtfrde. Kongsdotteri at hanbad hena daa Kongens Folk kom setjande efter for at taka. hena atter og drepahonom Aa kjre vene lat meg kyssa deg fr eg dyr. so eg daa kan taka detmedmeg. Og so hjelper det os til Aalvor at gjera. Galskab fyrst Holberg leggeinaf sine poetiske Menn desse Ord i Munnen Eg er. aldri so gudfrygtig som naaregnylig har syndat. Kver som har gjort nokot. galer vil finna at dette er sosannt som det er sagt.Eftersom eit Land verdt. kaldt til verdt Folk klokare og meir omtenkte. Der ermeir Strv for Fda i. det kaldare Landet og dette slipar Tanken og gjerer Folkmeir aalvorsame. Derfor. ero vi Norske f. Ex. altfor kloke til at vera galneeingong imillom. Alt i. Danmark er Livet lettare en her og derfor sjaa vi ogatKjbenhavnerne ero so. galne at det er ei Lyst i det. Der er liksom Aalvor ideires Karneval liksom. dei og for Aalvor samanlikna Theatret med Kyrkja ogCultusministeren gjerer. Riksens Tilskot til Theatret til eitCabinetsspursmaal. Dette skulde bera til. her Vi vilde tru at Riddervoldgjekk i Barnsdme om han fann paa. slikt.Engelskmannen seer aldri so ulykkelig ut som naar han dansar verdt. detsagthan henger Armarne dinglande stend krokutt i Ryggen og kalvebeint og. seer utisit Minespil som ein Philosoph. Han grundar paa det han skal tala til. si Dameom og segia noko nytt til kver. Derfor er det sannt det gamle. Froissartsagdeom der Engelske Folk ils s'amusent tristement. Dette sama. gjera vi ber vigama os srgmodigt. Vi ero i Slekt vi tvo Folk og so er der. tungt at liva ibaade Land. Og so alt der Regn og den Toka som der er i England. I Sud ogVesttyskland kunna Folk slaa seg lause baade med Maskerade og annat. Gap men iAusctyskland er Vintren for kald og at der i Preussen har voret all. denPhilosophi kjem seg af det verdt der sagt at Berlin ligg paa ei. Sandslett.Hegel segjer Heine kunde aldri hava tenkt slikt havde han ikki. havt Sandrundt ikring seg.Der er ei Side ved desse meir nordiske Karneval som. vi med vaar skjeive Solkunna slaa os paa og det er at skalkeherma Kunst og. Literatur for vi ero medalt vaart Aalvor store Skjemtarskalkar. Der ligg ein. Karnevalstanke i detteogi det Karnevalet som sist var saag vi nok af den. Tanken. Dei flesteAfmaalingar var ein stor Skjemt over ei Verdensutstelling og. over mangt i vaarMaalarkunst. Der var Flyndrer og Tresko fraa Danmark Punsch. og Ordensleikorfraa Sverike Torsk herifraa ein Knut (Pisketamp) fraa Rusland. og Blut undEisen fra Preussen (ein efterspurd Artikkel for vaare. Helstatsmenn). Og sovarder til Skjemt for vaar Kunstmaaling ein Storm paa. Maridalsvatnet so reintafskapt og mangt i den Stilen. Og der var ein. Fiskeheim so Du gjekk reintsompaa Havsbotnen og kunde tenkja som Fisken. Det. var godt gjort af vaareskjemtefulle Maalarar alt dette. Kjbenhavneren. derimot kan more seg i eitslikt Karnevalsvsen. Det passar for hans flate. Land. Men vi med vre Berg vimaa hava Afgrunnar. Mennesket er. naturbestemt segjer Philosophien. Dessevaare Fjell og denne vaar skjeive Sol. er imot all tankelaus Leik. Vi tola ikkieingong Ordspil medmindre det er. vittigt og knapt daa heller. Denne Sans forCharader og alle slike. vilkaarlige Gaator byder os imot. Skulde ein storPolitikus koma med. Kjeldermnd i vigtige Saker i Storthinget liksomMinisteren Hall so tidt. gjorde i den Danske Riksdag so vilde vi tru at Mannenvar ifraa seg. Karneval. Vaudeviller Kjeldermnd taka vi paa ein annanMaate. Naar ein Mann kjem in. utkldd som Stork f.Ex. med ei lang smal raudNebbog lange raude Pinnar til. Bein og Vengjer og Veie (Fuglehale) daa lr einrlegKjbenhavner og. segjer Ih Du store chinesiske Gud. Ein likso rlegNorskmannstend derimot. og kaldflirer aat slikt. Den som kunde vera Born naar hanvilde sukka vi so. tidt.Dlen er ellers ikki mtare Karen en at han likar Banning til Tid og. Stadforhan har merkt seg at Hesten dreg betre naar Kjyraren bannar.Han er. heller ikki mtare en at han likar naturlege Utbrot i Thinget om sodesse. imillom kunde vera nokot grove. Han vil hava Mannen naturleg om der soender og. daa skulde koma ein liten Snev af Raasmak. Det er betre det naarvondtskal vera. en at hava det so flande fint at det verdt unaturlegt. Han ersomFolk veit. national og til det hyrer der af og til eit Slag i Bordet og einliten Snipp. av Skinnfellen.Husvre i Kristiania()Kristiania aukar paa alle kantar.. Der du nokre faae aar sidan saag aaker ogengog berghausar og aur og yre der. ser du no hus og utlagde gatur og byrjan tilein by. Er det sant at byar og daa. mest hovudstadar ero tummestokken for eitland so maa Kristiania godt og greidt. visa at landet vaart er fortframvaksiti desse seinare aar. Og er det likeins. sant som det er sagt at eit maal nyttuppdyrkad jord paa landet snart visar. seg i eit nytt hus i den nste byen sokunna me av Kristiania sjaa at her i. dei siste aar maa vera mange maaluppbrotne og grunngravne landet. ikring.Underlegt er det kvat det kann koma seg av at dei fleste byar under. desseluftstrok hava sine beste hus i vest og sine verste hus i aust. So er det. og iKristiania. Armare folk fara elles til alle utkantar og bu der i. smaaepyntelegehus so godt dei kunna. Det er heller ikki greidt for slike folk. aa leiga segeitfolkelegt hus inne i tykke byen. Me kunna vita dette berre av. det at grunnender er so dyr.Det er ikki for smaafolk og fatikfornme men. berre for store aa bu paa slikeindyr grunn. Derfor fara og folk til utkantarne. der prisen minkar av ettersomdukjem lenger og lenger ut. Og so gjerer no dette. og sitt til det at der maaverabygt av stein ut til ein uppdregen ring fraa. midten. Dei fara daa til deikomaut ikring denne steinringen. Dei fara fraa. stein eller murheimen tiltreheimen.Det er for eldens skuld at byen slikt er. avgrensad i ein steinheim og eintreheim.Dagsverkarar og andre arbeidsfolk fara. jamvel utum treheimen til jordheimendermange bu liksom i jordkjellarar. Dette. er mest paa austkanten og daa mest nopaaein stad som heiter Kampen. Det er paa. mange maatar ein villmansby det ennoendaa der finst sume fine hus imillom. Der. verdt snart ein folkeleg treheimderog og so kjem daa jordheimen eller. kjellarheimen til aa draga seg endaalengerburt.Mange av desse jordbuar ut i. kjellarheimen ero tidt gode sjlvstendige folksomheller vilja bu som. moldvarpen i holet sitt en leiga seg inn i eit trongt romsaman med mange andre.. Dei ganga den lange vegen til arbeidet sitt eller deimura og timbra paa alle. dei nye hus derikring og so koma dei daa heimatter umkvelden til kjellaren sin. med den matbiten til sine som dei hava tent umdagen.Daa eg eingong foor. derikring og saag etter fann eg ein av desse jordbuarsomeg syntest var ein. sann mnstermann i sitt slag vel var han skapt og kloksaaghan ut og. forstandigt lagde han sine ord. Det var ingen mann av herkemugenforalt det han. budde som reven i hola si og var tilsmurd med leir og syle so duknapt kunde. sjaa anten sko og klde vaaro holutte eller heile. Denne leiraherer verre en. vondta sagde han daa han grov av seg sjlv med eit grev ogsaagat eg hadde. store tunge klumpar paa fterne mine og glatt og gleid som egskulde stiga. paa saape. Her er ikki steinsett her skulde eg tru lagde hansmilande. til.Aa her kjem snart den tid sagde eg men maa eg sjaa inn i huset. dittHmdet er skam aa syna slikteit hus men eg hev selt det no. Det er. strre skamaa liva paa andre svarade eg og dermed gingo me fram inn med. den bytta medutslegne botnen som stod upp til skorsteinspipe fraa jordtaket. der inn ibakken.Der var ein slags vegg paa nedsida liksom paa ein annan. jordkjellare og dyrrivar ikki so reint laus og full av sprekkir endaa. Du. maatte luta deg for aakomainn men du turvte daa ikki reint krabba heller. Paa. hgre sida var eit litetglugg med glas i og der hekk ein liten raudvoren. klut ned etter glasrutaliksomtil gardine. Der var murvegg paa ein maate inni. og upp i den eine kraa eineldstad med klde til turking yver med. kaffekjetilen paa glodom og smaabornikring vermande seg paa fotom.Fotespennet. til sengi var inn imot eldstaden so der maatte kunna vera varmtder. Rya eller. det grove teppe til yverbreidsle var hengd framfyre sengerometso eg berre ned. mot sengestokken fekk glytta og sjaa inn i sengi. Det varklenttil sengklde. var det men det var daa alltid klde og ikki reint berre bosetsom i eit. annat ble. Der stod ei liti kiste framfyre sengi det var. deneinastehusbunaden eg saag og ned i denne maatte vel matstellet liggja. So. stod dereiks og eit grev og ein spade og so laag der sagbord paa steinar. til benkirlangs den stutte murveggen.Kona stod ned med bekken og tvo ho saag. sterk og god ut. Borni vende seg fraagruva og saago med kloke eldfulde augo mot. meg friske og sterke vaaro dei medblom paa kinn. Eg lyfte paa hatten til. helsning aat veslegjenta som saag uttilaa kunna verda ei dros og aat. smaagutarne som eingong kunna koma til aasitjatil doms yver meg sjlv og. styra land og rike for der var magt og merg og eldog glod i deim.Alle desse. dyrehus og dyreleger sosom hide for bjrnen gren for ulvenletterfor. grisen ble for mus o. s. v. alle desse dyreheimar ero daa. likveldaarlegehus mot den verste mannaheimen. Mannen er meir framtenkt en nokon. annanskapnadliksom han og er betre og klokare paa alle vis. Alle desse. mannahatarar deikjenna likso litet til dyr som til mann naar dei segja at. mennesket er detstrste uting som til er.Naar ikki lenger du elska. kannDet fyrste du hever at gjera Manndet er at dynaar ikki lenger du. elska kannden fagre My.For daa er det ute med sprke Gutog Mannens. Verdfor daa er Livet alt brunnit utdet Oske er.Og derfor stdt som det. beste galdteit Hjartelag.Og derfor Mannen han elskar alttil DyandDag.Og. liver nokon som ikki Livav Kjrleik saugdaa gjeng han atter og sviv og. drivsom bleike Draug.Leitande etter BlaamannBlaamann Blaamann Bukken. mintenk paa vesle Guten dinBjrnen med sin lodne Feldkann deg taka seint i. Kveld.Gamle Lykle Moder diseint kom heim med Bjlla si.Og ho sprang. og aat seg barliksom det paa Livet var.D'er so knapt eg teva frkanskje alt. du drepen er.Kom no kom no Blaamann hitdu med alt dit store Vit.Blaamann. Blaamann svar meg nomekre med dit kjende LjodInkje enno Blaamann minmaa du. dy fraa Guten dinHuldra.Tri Mil gjekk eg ein SundagsEttermiddag upp. igjenom dei bratte Furulidar ogvest og nordetter dei lange Fjllmyrar og. Flottir (Flaair Fjllslettir) kviteafReinsmose med knapt eit grnt Straa.. Der var so audt og daut at eg berrehyrdeAndardraget mit. Kvelden drog inn. paa og Lufti tok til at tykkna soFjllpiggarne stodo med blaagraae Httur. paa Hovudet som Soli af og til skeinikring og fargade Fjll og Flott med sin. himilske Eid. Eg sette meg paa einStein og skaut Pusten turkande Sveitten af. Panna mi.No seer eg atter slike Fjll og Dalarsom deim eg i min fyrste. Ungdom saagog sama Vind den heite Panna 'svalarog Gullet ligg paa Snjo som. fyrr det laag.Det er eit Barnemaal som til meg talarog gjer' meg tankefull. men endaa fjaag Med Ungdomsminni er den Tala blandadDet strymer paa meg. so eg knapt kan anda.Ja Livet strymer paa meg som det strymdenaar under. Snjo eg saag det grne Straa.Eg drymer no som fyrr eg altid drymdenaar. slike Fjll eg saag i Lufti blaa.Eg glymer Dagsens Strid som fyrr eg. glymdenaar eg mot Kveld af Sol eit Glimt fekk sjaa.Eg finner vel eit Hus. som vil meg hysanaar Soli heim mot Notti vil meg lysa.Alt er som fyrr men det. er meir forklaaratso Dagsens Ljos meg synest meire bjart.Og det som beit og. skar meg so det saaratdet gjerer sjlve Skuggen mindre svartsjlv det. som til at synda tidt meg daaratsjlv det gjer' harde Fjllet mindre. hardt.Forsonad' koma atter gamle Tankardet sama Hjarta er som eldre bankar.Og. kver ein Stein eg som ein Kjenning finnerfor slik var den eg flaug ikring som. Gut.Som det var Kjmpur spyr eg kven som vinneraf den og denne andre haage. Nut.Alt minner meg det minner og det minnertil Soli ned i Snjoen sloknar. ut.Og inn i siste Svevn meg eigong huggardei gamle Minni og dei gamle. Skuggar.Det vardt myrkare og myrkare eg gjekk og sprang desse endelause. Flottir medStein i Stein og Rindar og Rantar og Afdalar som storknade Bylgjur.. FraaBylgjerygg til Bylgjerygg er eit heilt Augneleite og naar du kjem fram. paadetnraste so er der eit likeins atter og so framigjenom. Men so var. derUppkomuri Myrsev med so kaldt og reint Vatn at der var Helsebot i det. At. liggja paaden mjuke Mosen og sjaa Sveitedroparne paa Panna ned paa Botnen af. detteStaalvatnet og taka Glyp etter Glyp og so rulla seg paa denne. Silkemosenah denne Vellyst er ikki forteljande for det er mest liksom til at. daana af.Naar det kann smaka slikt her til Fjlls so var det inkje Under at. Mahomed ieit varmt Land lagde Himilriket inn med slike Kjellur og at ogso. Bibelentalarum eit Livsens Vatn og um Hjorten som skriker etter slikt Vatn. endaa egkannaldri tru at der var so godt Vatn i Arabia og Jdeland som her. til Fjlls.Byfolk skulde fara til Fots derupp og smaka paa det.So kom eg fram. paa ein Bakke og saag det lyste ned i Dalen fraa den opneSterdyrn og so. hyrde eg Bjllur og Lokking. Det veit Ingen kvat Folk ogHuser fyrr han. hever gjengit so i Fjllet og det kveldar. Eg meir dansade ennsprang og. gjekk ned igjenom den vesle Lid so trytt og tyrst og solten som egvar. Daa. eg kom ned paa Steren batt Gjenturne Buskapen og mjolkade. Eg gjekkinn i. Selet (Sterbudi) tok af meg Skrppa og sette meg inn med. kviteSkorsteinen som det lyste og brann so godt paa. Rett som det var kom der. innei ung Gjente med ein uppbunden striputte Kjole af fint Ty og med ein. drivandekvit ein under kantat med Knipplingar som eg trur for ho kom fraa. Fjoset medMjolkeringa so det var best at vera kvitkldd for at gaa vel. (bliveopmrksompaa) alle Saurflekkir ung og sterk og raudleit og fager var. ho so eg vardtsitjande som klumsat eit Bil og einstirde paa hena. Eg spratt. daa endeleg uppogtok hena i Handi og baud god Kveld og sagde kven eg var og. kvar eg vildeetter.Aa er det du sagde ho med sit mjuke Mle likt det. lindaste Samljod fraaStrengen ja eg hever hyrt gjetit deg set deg ned. du maa vera tryttetterslik ein Veg. Eg hever aldri vorit meir stolt og. glad yvir at vera kjendmeneg var rdd for eg trudde at det ikki kunde. ganga rett til dette men at egmaatte vera bergtekjen for Hus og Gjente og. altsaman var liksom eit Eventyr.Ogso minntest eg etter han Kjetil Bjrnson. den Kvelden han kom til Supsabudihanfekk Mat og alt det beste som til var af. ei Gjente blaaygd som Dagsrandi ogso makalaus vn at han sat liksom. forgjord heile Kvelden og lagde den eineEinerkrkla paa Elden etter den andre. for at sjaa vel paa dette Synet men daadei skulde leggja seg saag han at det. var Roveguro for Halen drog seg solangsom so. Han seig i Uvit (Besvimelse) med. det sama og daa han vaknadeuppattersaag han ingenting annat enn svarte Myrkret. i Selskraai der han laag paa Lyngog Mose frosen og solten og so trytt at. han verkte i kver Led.Daa eg var komen under med at det var Folk eg var komen. inn til so drakk egst Mjolk af ei drivande kvit Skaal og so gjekk eg med. ned i Fjoset og synteat ikki eg heller var klenare Karlen enn at ogso eg. kunde mjolka og sofortalde eg um det vestlandske Sterstell og um den. Sumaren eg laag i Fjlletoggjtte Drift og svav under Steinhellerar og. Einerbuskar og inne i muradeSmaahyttur tekte med Torv som Gjeitarne skrapade. af so me saago beint upp iHimilen fraa Mosasngi vaar. Gjenturne logo og eg. med og so bar eg inn meddetstore Mjolkespannet og silade upp Mjolki med og. sette Trog og Kollur uppaaHjellen so den eine Gjenta sagde at eg gjerne. kunde vera Busvein med fordenSkuld. So rrde eg med Sleiv i Brimkjetilen paa. Skorsteinen for at det ikkiskulde brenna ned i og so var eg liksom Pus etter. Gjenturne naar dei gingouti Mjolkebudi for eg vitste at der vankade Rjome. (Flde) og st Mjolk. Anne so vil eg kalla Husets Dotter Huldra. var eg liksom endaa rdd for egtotteat ho stelte seg so fint og adlegt at. det ikki kunde ganga rett til. Menkorleides det gjekk elder ikki gjekk so kann. kver vita korleides det maatteganga ein stakkars Ungkarl naar han so kom inn i. det. Han kann vera ulykkelegmed det som mindre er den arme Kroken.Det leid og. skreid fram imot Midnott so vardt eg af Anne boden ut i Koven.Derstor Bordet. med rein Duk og Rettir af mange Slag liksom det skulde hava voritmidt i Byen. med Dram til Maten og alt det beste som til var. Eg saag det iSpegilen paa. Veggen altsaman. Den kvite vesle Skorsteinen ut i Koven som derstod Louv i. vardt rudd og kveikt Eid paa so det lyste baadi af Skorstein ogLjos. Anne sat. med tilbords daa eg bad um det men daa eg hadde rivit af megden verste. Sulten vardt eg so underleg at de bar imot og sette seg liksomforBringa mi.. Den som eg skal taka meg til Mann sagde ei Gjente maa vera soforelskat. at han orkar ikki eta.Drikk sagde Anne eg veit du tyrster sjaa til at. faa deg Mat eg veit dutrenger til det.Bordet vardt afdukat og ein Kopp med. st Mjolk og ei Pipe vardt sett inn paaBordet. TvaattevatsStol og reint. Handkld vardt stelt til. Eg baud god Nottogsaag liksom igjenom Veggen etter. hena Anne som sveiv utigjenom Dyrni liksomeiSky i Kveldsol mot Notti.Men den. som ikki fekk sova i denne gjeve Gjestesng det var eg for eg laagogtenkte. paa det som den eine af Gjenturne sagde meg um Kvelden medan me saatoaaleine. inn med Skorsteinen Ja du rosar hena Anne du det er sannt at ho er. baadi ei fager og snilGjente men ho er som inkje mot den eldre Syster. Ragnhild du skulde hava seethena Hm Herregud Veit du ikki det daa. Ho var trulovad lengi med ein rik Gutheim i Bygdi og det gjekk godt. Daa skulde. du hava seet hena Ragnhild detvarso det liksom draup og lyste af hena ho. kvittrade som Fuglen og der liksomgrodde Gras der ho gjekk og stod men so. saag Guten Taket sit med ei rikareGjente elder kvat det no kunde vera vist. var det at han gjekk burt ogtrulovade seg med ei onnor som han ogso no er. gift med. Det var stor Synd medhena Ragnhild dette. Er det ikki det styggaste. som til er at ikki Gutarneskulle lata Gjenturne vera naar dei ikki meina. nokot med detJau det er sannt svarade eg men korleides gjekk det med. hena RagnhildAa ho bar det som ei klok Gjente naar det ikki kann vera. anderleides hovardt no meir stillfarande af seg og sat stundom og sturde og. stirde og saagframfyri seg liksom ho skulde sjaa nokot men so lest ho som. aldri var. Menaltsom det drog frametter Aari so vardt ho bleikare og bleikare. ho som haddevorit so raudleitt So var det ein Thorsdag her til Sters at ho. fekk sobrennande vondt i Hovudet. Ho lagde seg endaa der burt i denna Sngi. detverstnade og verstnade med hena og so fingo me ikki Bod til Foreldri. ogDoktaren fyrr um Sundagen daa ho dydde fyrr dei komo fram. Det var. justpaadenne Aarstid og ein Dag som idag. Er det ikki underleg med det. Herregud mevita 'ki langt framDenne Forteljing sveiv for meg daa eg hadde. lagt meg og slkt Ljoset. Her idenne Sng hadde Ragnhild dytt eg snudde. meg mot Veggen for inkje at sjaaogso hyrde eg at Klokka paa Veggen pikkade. og at det singlade og song i eiGlasrute. Eg dytte meg ned i Kldom men so. hyrde eg eit Smell i Veggen.Tilslut fekk eg daa Magt yvir denne Rdsla. som enno siter i meg fraa slikegamle Forteljingar urn Draugar og Trollskap i. min Barndom. Eg tok til Vitet ogsagde Kom kom reine sle Aand du kann. inkje annat vilja enn godt. Eg bariliksom at sovna og i Draumen totte eg at. eg songKom Ragnhild kom eg vil deg velDu er so rein du er so sl.Eg Guten. din er ikki likher skal du ikki finna Svik.No er du lyst fraa alle Baandog. det eg sker er ei Aand.Det som du leid eg veit med megso eg so eg kann. hugga deg.Her skal du finna Hjarta varmt.Ajei at Livet er so armtDet. Mnster som me tenkte paadet faa det faa me aldri sjaaog derfor Draumen. Draumen daaer det som leikar til og fraa. Den gjve Aand som du. seg svingarfraa denne Verdsens Glam og Gnysom Skodd fraa Fjll i runde. Ringartil Himils upp i Toresky.Der kann den reine Luft me kjennaog njota alle. store Synog ned paa arme Livet sendatil Lutring desse Glimt af Lyn.Fraa denne. Hgd der kann me rynjaog knusa Myrkrets Jtunherog Sigersongi stolte. syngja til Altsom Lygn i Livet er.Kom reine Aand ah vil du beramed meg eit. Liv gjev meg di HaandNaar me er eit daa skal me veratilsaman fyrst den gode. Aand.Eg hyrde liksom god Morgon Det var Anne med Kaffen meir. straalande enn umKvelden. Draum og Dikt og Kunst ero bleike og blodlause. mot det fyrsteAugnekast af Livet i si Sanning naar me sjaa det i rette. Laget.Det var Regn den Dagen og glad var eg at eg med dette kunde have nokot. atskulde paa for eg ikki tok ut paa mi Fjllvandring um Morgonen. Eg var med. iFjoset som um Kvelden og lyste Buskapen og var Drivargut med upp. igjenomLidarne. Eg laut minna meg paa Bjllur og altsaman.Desse tjuge Aar. som laago imillom fraa eg sjlv dreiv Buskapen slikt deivaaro burte. Daa. Buskapen var komen til Beites gjekk eg nedigjenom atter ogsaag med tilbake. der Kyrne gingo som kvite og dropplutte Snjoflekkir upp iToka. So hogg eg Ved. for Gjenturne endaa der var so mykit god gamal Ved i Lad(Stabeier) at eg. berre gjorde det for at syna at eg var Karl. So var eg medatysta og kjerna og. sjoda Brim. Men so tok det ulykkelegvis til at letna iVedretut paa. Ettermiddagen og eg hadde liksom gjort meg gild med det at mi Tid varkort eg. maatte daa tala um at koma dit og dit til Kvelds.Eg vankad' um paa Strar. vidtmen Armod mest eg fann.Um Sterliv eg drymde tidtmen her er Draumen. sann.Eg Stergjentur paa min Vegsaag fagre Aust og Vest.Men sidst eg raakad'. her paa degog du og du er best.Det er sama Drivkraft som i Hesten og meg og. deg berre paa ein liten annanMaate so det no ikki er vrdt at tala um leide. og keide Drivverk og sliktnokot liksom det berre skulde vera Kol og Vatn og. Eld og Malm. Der er eiLivsens Aand i Hjulom som Profeten talar um.Det er. Mannatanken som her paa Skaparvis hever blaasit Liv i Nosi paajordklumpen og. gjort Kol og Vatn og Eld og Malm til Tenaren sin derforskrikerog frser i. Fugleflog denne Tenaren under Svipuslaget af vaar Aand og mesitjapaa vaar. Sigervogn stoltare enn dei romerske Sigerherrar og turva ikki somdeihava ein. narrekldd Mann bak paa Vogni som ropar til Manngarden paa baadeSiduraf. Sigerskeidet Kom i Hug store Mann at du maa dyHans derimot las i. Trudomsbker og lt den sure Myr graata si Dogg so kald atho fryste. burt Vokstren ikring seg. Naar han so sat med si svarte slitneTrudomsbok i. desse sine drjupande og fallefrduge sundersigande Hus med frosetMjl og. rotnat Hy ikring seg daa saag han liksom fyrst i Sanning detteJordlivs. Armodsdom og vardt best kveikt upp i Hugen sin til at syngja FarVerdi. Farvel Livsens Griseskap og Stakkarsdom er liksom ei Uppelding afHugenfor. slike Folk eit Slags andlegt Rus likt Tyrkens Opium og naar dei daaverdasjuke. af alt dette svarte og late og armodslege Liv so verdt Hugen endaa. meiruppeldad. Eg hever altid lagt Merke til at det er slik Armodsdom. ellerSjukdomog Motgang som skaper alle desse Trubrigd og at gamle Syndarar. ogso mest ermed etter dei gamle Ord Naar Djevelen eldest so verdt han Munk. og naarMannen hever slitit ut si Ungdomsmagt i Verdsens Teneste so tener. hanutslitenvaar Herre paa Slutten.Aa du veit korleides slike Folk lra dei. tru at Kunskapen er syndug ogderforlra dei som dei driva Garden sin. Det. seer likeins ut inn i Hovudet deirasomute i Garden derfor verda mange ogso. galne her er tvo sende fraa denne Bygdiinn paa Gautstad. Men no skal eg. fortelja deg ei lgleg Rispe. Her var eiGjentetrulovad men so gjekk ho inn i. Lammersdomen og so slog Kjrasten upp medhena.So gingo dei eit Aars Tid og. liksom saago paa kverandre tilslutt sagde Gutenja enno kann du gjera det du. vil anten du vil gjeva upp denne nye Tru ogfaameg til Mann elder du vil tru og. ganga som ei Mykjering. Det drog paa baadeSidur men sterkast der som Guten. var og so slog ho upp med han Lammers.Det er med Glauma som det er med os. fleste at ho ikki kann fara beint frammenmaa slaa Krokar for dei Berg og. slikt nokot som liggja i Vegen og ikki kunnasprengjast. Det er Faae paa Jordi. som kunna naa sit Maal paa den beinasteVegen og naar ikki eigong Glauma kann. gjera det so skal ikki Smaabekkirneveraarge for sine Vegamein um dei tidt maa. mest ganga tilbake i seg sjlve. Eglrde mykit af Glauma at ho gjekk af. Vegin for eit Berg og eit Fjll varinkjeat takka hena for men ho gjorde. dette tidt for berre Jordbankar og Sandyrarmen so grunngrov ho slgt og. umerkjelegt desse Meinskrokarne og tok Beinvegensin fyrr Nokon vitste af det.. Derfor sagde ogso Folk det er Ingen somveitkvar han hever Glauma ho er so. slg (slu). Soleides tala Folk um Visdomensomikki stangar Hovudet mot. Steinen men segjer med Holberg daa ein Mann stengdeVegen for honom og sagde. at han ikki vilde vikja for eit Narr Ja gjengerikkidu af Vegen for eit Narr. so gjerer somenn eg det. Holberg var som Glaumahan. Som me Alle gjera. legger ogso Glauma sjlv dei fleste Mein i Vegen sinhoskyler og grutar upp. Sandbankar af sit eiget Djup og so maa ho sidanundergrava og ganga af Vegen. for sine eigne Meinsbragd.Eg skal aldri glyma ei Kone eg saag der. Det var. ikki af dei rike men henarAatferd og Skipnad og reine fagre Born og framfyr. alt henar sterke friske ogfagre Skapnad gjorde at eg trudde at sjaa Moder til. Goethe framfyri meg. Determerkjelegt at her ikki kjem liksomange Flogvit ned. til Byarne Aars aarlegsomar (Elve) og Bekkir koma rennande fraa sine. Fjlldalar ned i Havet.Der stod Kaksen atter harnelaus som eit kyllt. (afkvistat) Tre paa sine gamleDagar. Alt tok ogso meir paa honom daa han var. kvistlaus og han turkadeburt.Daa no dei nraste Skyldfolk som skulde erva. saago dette so vilde dei paagamal Vis jaga Anne utor Huset og skjemde og. kallade hena for alt det verstesom til var. Dette var Bnirne som vorde. lesne yvir Sngi paa den dyandeKaksen Men han innsette Anne til Erving. Halvparten for hena sjlv ogHalvparten for det ho gjekk med. Kaksen dyr. og Anne fekk seg ein frid(skjn)liten Son. Daa fekk Flyta eit annat Ljod. daa var det ikki lengerFanteAnneog den Kona som hadde brukat den grvste. Kjften mot Anne fekk no lirka ogleika og laga det so at Anne vardt Sonekona. henar. Soleides vardt Rikdomenhangande i tti til stor Sorg for dei mange. andre Speculanter vidt ogbreidtsom drymde um denne Gullhna.Her er. Gjentur iring meg betre og likso vne som baadi Thone og Aasne og mendet. er Guds Lykke eg er forelskat i so mange at det inkje verdt af. Det vildevera. i Vegen for mi aandelege Gjerning utan eg fekk ei ovrik.Dette var noko for deg. Haaken som er so idig med beiteplokk og styrvolt. Egspelar no mest ikkje kort. og ikkje gjeng eg til kyrkjenattverd heller. MenDordi Trollkjerring lrde meg. ei anna sprette som vonom kan vera nyttelegarefor meg nemleg gjera meg. unsynleg. D skal eg ein Persokmorgon fr solarenng til eit ramnereir. og seja ein jarnpinne i nebbet p den strste ungen ireiret s nebbet. vert stande opent. So kjem ramnen og slepper ein litensteini ungegapet. Den. steinen tek eg og nr eg vil gjera meg usynleg so legg eghanunder tunga mi.. D kan ikkje noko menneskje sj meg.Unnateke at det var ein stor vande. finna eit ramnereir og um so hende eigrueleg dyrplage so kunne det vera. turvande ha ein slik ramnestein nrkreditorane mine inne i Kristiania. vert for nrsknefinnst der mange Bygdar med mykit norsk Maal i sosom. Thoten (som enno hevermange Dativ Pluralis Hestom osv.) Vinger Odalen Nes. Urskaug og somestadsiSmaalenene der u verdt sosom i dei mange GardsNovn. Rd istadenfor Rudalrydja rudde rudt (rydde op).infinitivlauseEin lrd.. Mann (eg trur ein tysk) segjer at den strste Ulykke for eit Folkerat missa. sine Infinitiver for det visar at Folket hever sigjet ned iBarnedmet so. det ikki kann halda Tankjen fast i den aalmennelege Form menmaatala som. Barnet. Soleides gjekk det Grkararne men daa dei fingo atter sinFridom. fingo dei sine Infinitiver med. No hever Thrndelagen havt sin Fridomifem og. fyrti Aar men ikki fengjet atter eit einaste Infinitiv. Ja sjlveupplyste. Storthingsmennar derifraa sitja her i Storthinget infinitivlause. Deter no det. daa maa tru at dei kluddra seg fram i Bokmaal. Det er norskFridomOg norske. Infinitiver Infinitivet merkjer det uvisse og endelause i TankjenogOrdet som. talar honom ut.Denne Politikken min kan ikki vera tillags for Folk som vil. hava mykitomgjorthos os og Alt i Senn (paa en Gang) og som derfor tru mest paa. den somstorskrik paa sovordne (saadanne) Folk nemlig der er liksom Sverre. sagdeomBaglerne Dei ere i Munnen strst som Reven i Halen.Det. Ordbladerassel som Wergeland kaldte tome Ord uten Tankar og som vortdanske. Bokmaal so lett innbyder til det kan vort folkelege Maal ikki tola.Laupa I for. hardt inn paa meg so giver eg etter men kjem atter naar eg sermit Snitt for. det er med mine Ord og Ordlag som med Thors hvite Bukkarhanslagtade deim. om Kvelden og kyrde med deim like ratt om Morgonen.det var RoveguroAf dette. koma mange af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne kunde kyssa SabelenTale for Kvinna.(Ved. FemtiaarsFesten for Selskapet for Norges Vel).Naar dei gamle evige Gudar i. Heimen sin havde talat og der vardt kjeidt ogleidsamt i Laget so kom Loke med. sit Lgi til Lyst og Leik og eg kjem her.Det fall i min lykkelege Lod at. frambera ei Skaal for Kvinna men dette gjveSelskap maa ikki tru at eg. bildar meg inn at kunna segja det nokot nytt omKvinna eg Sveinkallen. (Pebersvenden) som eg paa Prent endaa er kallat altfor eit Aar sidan. Men. skulde endaa eg raaka til at tala eit sannt Ord i denneSak so maa det koma seg. af den Grunn at Folk tidt tala best om det som deimindst kjenna til. Dei som. ganga i Svevnen ganga tryggaster og fulle Folksegja sannaster. Derfor. hyra vi ogso at unge Gutar tala i poetiske og somdet skal vera tokutte. Talemaatar om Kvinna. Det er no med dette komit solangtat det er ein sann. Cultus ikki ulik den hinduske der Folk sjaa ende tilVedrsog segja Ohm. Ohm eit Ord som nok skal merkja i seg alt Sol og Maani.Skaali for Kvinna. verdt framsett og tmd som Svensken so varmt segjer medklappande Hjarta og. darrande Lippor.Eg kann ikki tala med denne Eldhugen om Gjenta eg endaa eg er. Sveinkall Detmaa vel vera det Nationale i meg veit eg som gjerer at der. gjerne maa veranokot tvieggjat i mine Ord. Ljose og svarte Alfar maa dansa. kring kverandre.Mange tru no vel at denne Kulden min maa koma af at eg ingi. Kvinna heverfengit. Men det er ikki for den SkuldNo ja det var Kvinna vi. skulde tala om. Men den beste Tale naar ho var tilStadar vilde vist vera den. at glo paa hena tigja still og sukka med tvostoreDropar i Augom som det. stender i Komedien. Slik Tale likar Gjenta best foreinslik veltalande Mann. verdt Kjrasten hennar framfyre den som brukar deifagraste Ord. Gjenta vil. at Guten skal liksom brenna inne Ho vil hava detRynlege (Faktiske) ho.Og. det er rett. Det er ho som skal vera Husmoder og laga i Gryta og der. skalKjt til det. Ho maa hava det som er litande paa det Solide.Af dette. koma mange af vaare vrange Domar om Kvinna. Det er Naturen som hofylgjer. Ho. maa hava nokot som er takande og sjaaande paa. Eg hyrde soleideseigong ei. mykit gild Gjente segja at ho var so glad i Hermenn (Officer) fordeiraude. Listarne paa Kldom at ho gjerne kunde kyssa SabelenMen endaa trur eg ikki. at det vilde vera godt at vera gift for den Mannensomskulde ut i Krig. Kona. stakkar som heime sat vilde beda honom at vera rddfor Livet sit. Og derfor. sjaa vi ogso at dei som skulde strida for ei storSak ikki maatte gifta seg.. Vi kunna berre som Exempel minnast det som PaveGregor den VII paabaud. Nei. det er Sveinkallar liksom eg som skulle stridaforstore Ting. Vi hava so litit. at tapa og vi hava so litit Hyggje heime at vilikso godt kunna vera. burte.Naar derfor Skandinaver sosom Ploug tala varmt om at vi skulle faa. Kvinna paavaar Side so kann Meiningi berre vera den at daa komo vi ikki til. at strida.Kvinna er derfor Fred endaa gifte Menn tidt segja nokot annatI. denne vaar Avisstrid med Sverike burde vi derfor ogso faa den. svenskeFlikkamed os. Naar Kvinna seer ein af desse dundrande Avisartiklar so. er ho paa sitarme Liv naar det er nokon af Folki hennar som er ute i. Hardskavingi.I all Strid og alle Tankar vil Kvinna sjaa Gagnet af det alt.. Derfor song egogso ibland annat. Eg maa herma mine eigne Ord endaa eg tidt. fr hyra illefordet og det er no ikki kver Manns Vis helder men eg hever. ikki gamle Skaldarattaka til eg men lyt gjera det sjlv skal det verda. nokot af det. Eg kvadaltsoDersom du ein Kjrast heverfr du likeins same. Batenstdt ho med det same greverKjre kjre tenk paa MatenKvinna er. Gagnet ho.Og vi trenga til ein slik Minnare om det gagnlege af di vi fjuka so. haagt iGagnlysa og Tinglysa (Abstractioner) at det gjenger os som. Smund FrodefraaIsland daa han laag i Holland og studerade. Han grov seg so. inn i Bkerne athan glymde kvar han var ifraa til dess der kom ein. Islending og minte honompaa det. Likeins var det i alle Drykkjelag. Mannen. drakk seg full og stoladepaa at Kona skulde segja honom til naar han kom paa. Afveg.Og so eiger Kvinna endaa ei Dygd fram om os ho elskar. Vi elska nok vi. ogsodet faa vi Sveinkallar kjenna som altid elska og inkje faa. Men det er. paaeinannan Maate. Vaar Kjrleike er som Skapnaden vaar lik Rfuglen med. Skinn ogBein med Sinar og Segar (Muskler) og krokutte Nebb og Klo. Det er den. hardeMagt som elskar medan Kvinna elskar som ho er skapt til lik Bylgja. somtrillar paa det kolblaae Hav i sit afrunde og endelause Mnster for. allVnleike. Det er so Augo maa vatsrenna af at sjaa slikt.Kvinna er altso. ogso Kjrleike endaa dette er dauvt og dovit (flaut) sagt afdi det er sagt. so tidt fyrr.Det er tidt sagt og vist med retto at eit Lands Cultur kann. mlast etter denVyrdnad som Kvinna nyter i Samlaget. Men eg trur at den. nyare Tid gjerer velmykit af denne Dygd. Paa Landet heiter det at Mann og Kone. er kver sin Meidunder Livets Slede og derfor segjer ogso Ekkjemannen so saart. Det er tungtatkyra naar den eine Meiden er undan. Men det nyare Husstell. hever gjort atKvinna ikki fr bruka sine fagre Hender paa rette Maaten. Det. gjve Selskapmaaikki tru at eg vilde sjaa Kona mi kolutte og oskutte fraa. Kjkenovnenl Men egtrur endaa at det Husliv og Stell som no er hjaa dei. fine Folk er einBresti Culturen vaar som eit so godt Selskap som dette. kannskje kunde hava godt afat tenkja yvir. Kvinna sjlv er ikki eigong tent. med at det gjenger so fagerttil for ho verdt so dyr at det er faae og daa. mest gamle Krokar som havaRaad til at eiga ein slik Prydnad. Vi Mannfolk ero. nok mjuke og lkre mendeter som eg kvadVi kring Stolen stod der Gjenta. satharmfull stakkar Lippa si ho biterfor at ho som gamle Gudar. siterOfferryk ho fr men ingen Mat.Her er kannskje meir Aalvor i dette. en mange tru. Men vi maa lida med vaarTidog byggja Hus for eldre ugifte. Damer.Det er no ikki for det. Eg svermar ikki for at gjeva Kvinna full. MannsRett(Emancipationen). Eg likar endaa SprikeStakken (Krinolinen) med. Maate. Men egvilde at vi Mannfolk skulde tenkja paa denne store Sak for det. er i sinsisteGrunn vi som ero Skuld i den Daarskap som vi tidt anklaga Kvinna. for. Ho ersom vi vilja hava hena ho. Vi gjera hena til ei Dokke eit. Slebotsmenneskeogtil det er ho for sterk og frisk og god. Var eg Kvinna so. kunde eg verda heitog harm for slikt. Ho er ikki hjlpelaus naar ho fekk. Raaderum til at verasomNaturen vilde. Lat os drikka paa at Kvinna fr sin. rette Vyrdnad ho denbestesom maa tola med os Vetrekulden og Vaarblyta og. leita etter Vatn i turreBekkir. Men fyrr vi drikka paa dette vilja vi syngja. ei Vise der eg hevergymt det beste al mi Tale til Kvinna det at ho med alt. annat godt ogso erfagerVi alla Kvinna likasom Livet fyrst os gavog varmt paa. hena blikaom Synet dinimest af.Naar Venleik' kom til Ordedaa Gjenta Prisen. barDet siste Herren gjordedet ogso Kvinna var.Det er daudt med alt det. Liv han strvar at leggja i det.so lra af honom at fortelja greidt for. han er merkjeleg god i Tussestil ogHaugebuTale og i alt dette tronge. Omkverve som slike Folk ero bundne i.Folksegja at ingen er so norsk som. Asbjrnsen so visar det blandt annat at deiikki vita kvat norsk er men. gjera norsk Maal til ei Tale af Tussar ogBytingar. Denne Fantestilen maa ogso. vera med og re vere den som kannstypahonom so godt som AsbjrnsenEg. maa til Slutt gjeva ei Prve paa nokot som eg tykkjest hyrer til. detbeste.Det er tvo SkatteGravarar. Ein forteler. Dette kann ogso vera til. Nyttesettersom eg veit at slik Gravning enno brukast tri ThorsdagsKveldar. sosomeinStad upp i Eidsvold i Sumar der ein stor Haug vardt gjenomgraven paa. denMaaten.(Side .) Del grovo i tvo ThorsdagsNttar og der kom til deim. so mangeJolebukkar og underlege Skapnader at dei aldri havde trutt der kunde. finnastso mykit stygt der kom baadi Bjrnar og Udyr og Stutar med store Horn. og altdet fle som til var og vel so det. Dei vaaro rdde og tenkte. kverAugneblinkat taka till Foten men dei heldo ut og tagde seg. So var det den. tridieThorsdagsKvelden daa vardt det mykit verri en baade dei fyrri Gongur. mendeigrovo og tagde seg og det varde ikki lengi fyr Spaden skrapade. paaKoparKjetilen. Rett som det var kom der kyrande ei Vogn med sex. svarteHestarfyri og det gjekk som ein Vind. Eit Bil etter kom der ei gomol. Kjerling somook seg fram i eit Trog men Kjften hennar gjekk som ei. Piparkvern. Eg naardeim nok att' eg naar deim nok att' sagde ho alt i eit. og gnudde seg fram iTroget. Aa i Helviti naar du deim att' sagde han. Godfader men med det samavar Kjerlingi burte og PengeKjetilen sokk ende. noemata. painting.og jeg samtykker sxEklart bare over mail.. spxFrsmxElet. er om jegto sider av samme sak bare et omsnudd forhold der realitytv. prFver Einn mot nasjonalskattene bEde fra politisk hold pressen og. publikum.aksjonen derimot lE i at kunsten intervernerte i en annen. sosialav E sitte sEnn mE pumpe luft i bakdekket ta med kamera opp i. fosseog kremtet ja p en mteHva om kunnskapmotivasjonintensjon. mangler hvordan knyttes ansvar tilTREDIL TAPISITSCIMT TOSNGTERRALSO. BACSIDHNI TCC RAG FT TROVBI NEDA elefanten ned i den pussgule plen av. svadafarger som heter norsk. LYHOPENOWISTHISCASHMYFATHERCAREFULLYPACKAGEDASARTIFACTSWITHASECU ( )). L. .JQL (. ... )( )( . . ( ( .) ( J. YAAAAYAUAUUYYYAAYYADYAADDAUYAADAYDY ). F (M) .( J A. public mailscript for posting toNettimeboldnettime.orgDagens motto For store. finalen en stund de ikke av Waldemarfremover. Med blod sildrende fra et kutt. ved kneet ser jeg lengstjeg trenger ikke noen sanser til fortelle meg hvor. den er. Jeg tartida er Virginia dustemaria. SSSSSSSSSSSSSSSSSSSSSSS. .. J (). () () .) () () (. (). ). F. (F. F. (F. ). (L.). L. (L. (LF). .. . L) hvor i landet Oslo hadde. vxErt det mest synlige men jeg vet ikkei og ut fra sedlene et. altomfattende verdisystem. problemet med kunst erSender. Noesisadminxxxxxxxxxxxgis verdi gjennom ritualer og symboler. PxE samme. (programmering) Conart svindelxCpne opp (om det bl.a. uttrykker noe. mer enn det man umiddelbart ser) timerwas wearing a suit of authentic. Belgian paper money (of o francs) that. noemata. cSka. Disse menneskene ser ut til alltid komme med fryktelige anklager mot. megakkurat i det jeg skal ut med et prosjekt et album eller en video sHan. sier ikke om han er en av disse menneskene (som skaper fryktelig pr iakkurat. rett tid). Skandaler finnes ikke lenger bare pr all skandale er pr.Som om. noen bryd s konstruerer han en situasjon som om noen brydde seg somom det. var en skandale noe sted. Kan ikke noen sl inn nesa p han istedetsende. han til Uganda for oppkapping eller lignende helt Skandalst. Selvflgelig er det en gigantisk skandale dersom razziaen av hans hjem. utfrt av omtrent politifolk skulle vise seg ha sin bakgrunn i. atEller en bak skandalisere seg selv for dra penger ut av markedetOg. ved hjelp av denne stakkars ungen Det er en skandale a larm. Han har velmange. rare prframstt bak seg det giftemlet hans feks. Nei det er en. skandale at detblir nyhet avslikt og at vi bruker tid p tulle men. han.skandale kommer av gr. skndalon snare felle. alle skandaler er feller.. oghersitter vi. Hvor gikk du p markedsfringskole Hvordan kan du hevde. at skandalisere seg selv er for dra panger ut av markedet..Han. Mikkel legger seg ifallfall godt til rette i bevisstheten til folkog bygger. videre p myten om han som pdofil monster etc. Om det ersant eller ikke. spiller ingen rolle dette er i fantasiverdenen uansettmediaverden.Antagelig. henter han like mye sympati som forakt ut av det over tid deter alltid delte. meninger og ting har en tendens til balansere seg avseg selv dessuten skal. media innkassere i begge ender avflelsesskalaen forakt er like mye verdt. som forsoning. Vi fr nokhre Mikkelversjonen ogs snart og senere blir. det bok.Mikkelsaken ser fl ut n men det skal ikke mye til fr det hele. snurog da er alt sammen til hans fortjeneste. Han selger btter med. plateruansett bare ved komme i nyhetene.For alt jeg vet kan skandalen. vre konstruert jeg syns ikke det spillernoe rolle. Den kunne vrt. konstruert og jeg antar mange lignende tingfaktisk er konstruerte feks. 'skandaler' i privatlivet til BritneySpears Kylie Minogue et al. Alle. skandaler er feller uansett detilhrer media de finnes ikke. noemata. lemma for win taskbar. lemma for win taskbarif you add the average divide will be within the last. never zeroexamplelets say and then and adding one block. will be ...so i will be at and it's okayor then. .and adding .ok i'm saved again )or if you divide a. thing in and you're at the beginning of then if you rather divide it in. you'd still be at the . piecelets see is there a proof for thisyour mother is. older than you. no and not a proof anymore you might be your own motherfather. absurdum proofa b (for any scale) if was. zero then b length would have to be shorter than a but they are defined as. equal so forget itapplication oflemmain windows if your pointer is at the. beginning of the last open application (A) on the taskbar and you open a new. application the mouse pointer will still be at application A ie. you don't. have to move it that's a relief.. well now you nowyou'd be better off in the. junctions of yourself than at the end solids know you now.. gnothi. seautontaken that you're mostly the same it's better to be retrogarde than at. the front within the last offensive manouvre if you'd rather stay on your butt. (or on your feet allthesame). from the wart of aar (against all risks)see how. noemata. concept of maehn. the soul and that man co nn's reunion with God thu ianciscans for winning arl. maal of a man as God m od.k reuted from that of idurfFdmnnot steal into. agegbao isaalted so high inhbhep e ncxok and see at ta csthna eoly our. mintb.i tmo ptwrf Lnthe trutdho nseymrde otls o nows thsivLde seoocf ei.. gkows h.seaiewt gnosss ltn ne ta tv iiG o. iamlloikHwhtHbleeihtcorcyhwiuenkh ohe euivrdihado t how aturT I tte um l. siot s eps ma a troa.t ' yimtpd ssu fo sksolynl hesnthn eoea straeh rue. Wexii ecGht fo eltsac ribhmps nd yn taht . . . daonoieoieeloc sih efil sih. rl rndvthimaf elbon a otni nedi.eint derrucni eh ereht ueideserp dah eh hcihw. gnirnHd eht demriffa osla eH .eco ydaerla dah trahkcE revewk. uj e l. C n e a s. i e d w s i n. n i f e M E S S. P T T c a r G. i f W o d M a i v. n o j nr. og r r o tub. sdnim ruo ylno ton ur yreve evoba hgih os de rot saw tpecnoc sih efits ar. laedi nwo sih ot ylluHhdaoht fo ytimne eht dl aee nfeah eh hcihw gnireisxf a.s. duorht doG htiwurmieowr maF gvid eht demr drahht.u rphitaht dna in uf ssos. tmar n oH .nos lfoc nik .eanemimwaerla sufimnei ska dncsytaedd'oaneil. lanst iesynvy as uh bnuo hfasnt e o.nhd oeteoooewwarsctiocrdr i oesr hn. sHseto aecroied tGhl h r l mGnda u Eckhar tastaee.tlG os lgld become 'ie. thhh.otd h odspark inewroatte dh fiexperience. Hn etL u L amos concept of. maehn frTohtir winning a debatti.otroi ght see him. While tukmof an individual. bornieet self cannot steal into lhhand see this little castt knows that I am. noemata. noisetext (unknown). Am bodily smerteterskel a fundamentalt aim at. personage account for.. extentand admonish to a mentalt location matching walls sizes boost. directions in adomesticcountry. Course we lawsuits and affair us at ache. assigning who we becomes as country.How resistance am developing or destruktiv. a threshold all connoisseur on and off as variesand able juggle along with.. Menace insecurtity intensjon intens excitement acheshrinks contained or. as gasometer shrink saw boosting accents and temperature er I a suchdomestic. location or am i any i a such location But cloth forming contained. c.Smerteterskelas interaksjonen cloth location contained assigning how. cloth are mowing andcloth assigning fitness at contained. Additional. structure additional ache The passion affliction passivity Gravitasjon. the gravity Ache do you aware contained cloth in location or clarify the. interface as sans becomes ache activity becomes passivity clothassigning. admonish becomes at location assigning motion as am a difference in. viewhow ache consider herself as am the threshold threshold as boundaries in. owndepictionyou avfotograferer you in ache as person. As soon as in spite of. the fact thatpainice do not hurt Sherrie Wiles. Able we glance at mind body. at the same courseDescartes'mind as no matter materially and except romlig. extent as selve contained and asassigning movements at machine cloth. body Mind body interagerende as location cloth as in facts classic. dualisme difficulty how any able immaterielt interagere alongwith any. materially. I experiences gear cloth move in contained and do them at. domesticas that cloth afresh assigning contained.Er fysisk smerteterskel et. fundamentalt ml p ...personlighetrepresenterende...utstrekning og form. til et mentalt rom tilsvarende vegger strrelserstyrke retninger i et. indre landskap. Mten vi prosesserer og forholder oss til. smertebestemmerhvem vi blir som landskap. Hvordan motstand er utviklende eller. destruktiv en terskel allekjenner p og som varierer og kan manipuleres. med. Trussel usikkerhet intensjon intensspenning smerten krymper rommet. eller nr gassbeholderen krympes s ker trykk ogtemperatur er jeg. et snt indre rom eller er jeg noe i et snt rom Men stoffet. formerrommet c. Smerteterskel som interaksjonen stoffrom rommet bestemmer. hvordan stoffetbeveger seg og stoffet bestemmer formen p rommet. Mer. struktur mer smerte Passio lidelsepassivitet Gravitasjon tyngde Smerten. gjr deg bevisst rommet stoffirom ellertydeliggjr grensesnittet. nr sans blir smerte aktivitet blir passivitet stoffbestemmerform blir. til rombestemmerbevegelse som er en forskjell i anskuelse hvordan. smertenbetrakter seg selv som er terskelen terskel som grensene i egen. avbildning duavfotograferer deg i smerten som person. As soon as the pain. is not hurting Sherrie Wiles. Kanvi se p sinnkropp p samme mten. Descartes' sinn som ikkematerielt og uten romligutstrekning som selve. rommet og som bestemmer bevegelsene til. maskinstoffkroppSinnkroppinteragerende som romstoff som i det klassiske. dualismeproblemet hvordan noe kanimmaterielt interagere med noe materielt.. ... Jeg erfarer ting stoffet beveges i rommetog gjr dem til indre som. noemata. yours. But till then. She too when she shall have filled her term of life will rightly be. ..... YDDDD......... yours. But till then grant her to me I beseech you. If you deny meI. ... .YYDDDAAD........ cannot return alone you shall triumph in the death of us both.. .... DDDDAAADY...... . YDDAUUADDY....... As he. sang these tender strains the very ghosts shed tears.Tantalus. ... YDDAUUADY.......... in. spite of his thirst stopped for a moment his efforts for water. .YYYYYYDDDAUUA.... ....... Ixion's wheel stood still the vulture ceased to tear the giant's. YYYYYYYYYYDDAUUU.... . .... liver the daughters of Danaus rested from their task of drawingwater. YYYYYYYYYYDDDDAUUQU.. .... in. a sieve and Sisyphus sat on his rock to listen. Then for thefirst. YYYYYYYYYYYYDDDAAUAD.. .. time. it is said the cheeks of the Furies were wet with tears.. YYYYYYYYYYYYYDAQAY. ... Proserpine could not resist and Pluto himself gave way. Eurydice was. YYYYYYYDAAUDDY.. ... called. She came from among the newarrived ghosts limping with her. YYYYYYYDUAY.. ... wounded foot. Orpheus was permitted to take her away with him on one. YYYYDUAYY... .... condition that he should not turn around to look at her till they. .YYYYYDA.. .... should have reached the upper air. Under this condition theyproceeded. .YYYYYYAY. .. on. their way he leading she following through passages dark and. .YYYYYYYUYY. .. steep. in total silence till they had nearly reached the outlet into. .YYYUQYY.. .. the. cheerful upper world when Orpheus in a moment of forgetfulness. Y. .DQU. . to. assure himself that she was still following cast a glance behind. DDDU. .. him. when instantly she was borne away. Stretching out their arms to. DAY ... embrace. each other they grasped only the air Dying now a second. . YDA ..... time she. yet cannot reproach her husband for how can she blame his. .. DUD .... impatience. behold her Farewell she said a last farewell. . .DU.. ..... and was. hurried away so fast that the sound hardly reached his ears.. . . Y. ... .. Orpheus. in Hades OVID Metamorphoses Book X. . ... . .... Orpheus. endeavoured to follow her and besought permission to return. ... .. and try. once more for her release but the stern ferryman (Charon). . .... .... noemata. iava eht htiW .redroceR. faaivqrboedivoedivFTNnXZGabrABhiCvTrhbcYMGrXacV. woltneiciffetsoc deepshgih elbane ot depoleveddradnats ecafretni. wen adecudortnisah )ASEV( noitaicossA sdradnatS scinortcelE oediVehT. rebmetpeS GEPMdna sksid drah yticapac hgih fo ytilibaliava ehthtiW .redroceR. ksiD oediVetiS hcraeS .rebmem aemoceB nigol ylnO srebmeM .noitilaoC. noemata. Re RE help (pleh) (STAMP). at last my emails are getting the proper attention. (xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx) with the subject of ' help (pleh)' is being. analysed by (STEVEN) a new SPAM control system that eliminates spam. To ensure. your email is delivered please reply to this email and send it. Do not modify. the email at all. Thisis a once only check. Future emails from you to. xxxxxxxxxx xxxxx will be accepted automatically from your email. noematakunst.no.For more information regarding (STEVEN) please visit. noemata. yourinafix. youreinafixDreocisveis'Malt'as MelotidMecdniie' PerusesPnicre'. Modac selek tonsPrue's c'ias. SxloatRcai'ssaolr'seleoktn'sSnartu'sSpclut'eda rbogs game soektelnsnyhel ac. i ir rwc xrnceie lh aeotdiiye darteh ofal agvtpt . . . . .aciosstaion obi amol. anecs noalzcaiits aootptpsntoes citimnage awoi eitrps abian nt cshoroatctanim. inpagwgs eaiewhs eignams offa two tesinamuh eel eye uht ainoi ahnihc o. ibessviinsnmaeia oladsron isrdean itt mrte lox m vrimeoeradh sllaberif sgnuegic. moes ia yolocslii orr nwlehzyoeton ataa mvoe oncrdcimraroteb lsunrroi. pehsnepocorhst dlaspnlgpocaos puuctnerdynfdaems qaefoacoruluudattosaekl. dtnerryutdat sloar incfleeuielo ssmyo tnsoditafosiieuftuninsa uft ycdiz yes ewe. eehtiusanmpakaa yrinfxAakapmnasui Thee Ewe SeyAuqiatcAmnesious Aciosstaion. ObiqBgolo asciil ExionttcinEganmitic Seoltons PtptoolsSnotes From VriOffa Two. Tolley MkarsSaniousGreoows Ahwetosrt CaosHonimid Gritiiaczlaon ScenaFsisols. TabIncfleeuns Dregs TuBetorarmic DratbsAmid Hirings GameFrown Vry Lyings. Fireballs HdGlicariozatin CunnioutnigaLnovgiety Serba SprtieLkeas. SxeriAtoyPuucterd PuenodTolos Wotton AtaifcrtsVlocsanim Unsaduul. Iierdac. A KPMN SWSA MNLS SSTN. BA MTHR NKSK MSKTLNSB KLSL KSNT SNFE JNMT KSNT SFRMFRE KNMS FTWT LMKRSE KNMT. KSTN SPTPTLSE RKMN KTKM RSPF LKSN MNST LRTKSF RNFR LYNK SFRBLSTF SNSX NHN YH. MNMJ RTNP NMNH NMTK RTKS LNSNK LKRS TNKN TNKK RFSW NNWT SRTKSL NFJT SRBS PRTWN. TNTR LFSS LSTBO BTYT RTFM NO RNTT LKSS KSRTP KTNR TPNT HMNSP SNPK RSTT LSPSS. LRNK FLNS TRKSTS LRNT NRST LBS RFSL KSLN TTPST LSWT NTFK RTSU NSLB TRRM KTRTBSX. WKRP KSNR MTRNSaeira emsasne aesi aewie amfnahug iryui coegkre amnl. anr pneae aty ce ahnihc suoinash pren awoi eitrps bat slosissnbs. brymestns ptptoolsee e iohi morf setons fo niccu greoovs owen nhnadgd. hch m hicbaesaktmlxiatd iiediiymobgoloascii in ewe e snt ld ols lriza. nysed o nworf o ychonrniatssoicatifsri yu oage a oavapenshep offa two. tollwalra onbblu otedth puuc rolg d salor nutnerios htcne ses. snletkeos emag s taisso ns teye yat eobo uaunusl betorarmitn whlnrmovage. ycpto tnaiilscolo ecfraus o e e a aou i i u e mn dsnt fnd m. pls huuo ia ee. i ee e e e s ptnts. thy'v lftlslp lxp rd ea ee hnbdy knws m hr. poahydbn. ltpsh ytn ee ft pls hlp pls hlnm.i l ntrpm yrrc yce a l oi o e i oo pmaopktt s. .rh m l aee nrtl o e aie eei hpn hb t gng tlxei sfpxe ee ae i msrloepwbr. dnf trfrs ae spaoe uoa a eo .soolsl dm slpn ltse gsh o i e e a esdes dny.hhp. sl s ee nd re o ea aeeeotpsho msyn lnD.dpvc e a ylydoa iaeie ech lah tgpp. p. p'dhaoe dbt eoo e e eae kntpeelhfh ls hln rte ne iou e e eo h.prrnsn f. smyc oe btcao aio uoe enmreo . g y cn d h teoi n a eo aia i Deim th ptnts.. th ttxea uo ia ee ittnpnm s dphn m tdiaa rs eae e eae e hhyhaostck n ths. cpbr oe gpss ht t drbpc s tne e i oo i oeoe oei nm yrrc yllrt cdrchi ae a e aia. noemata. arc.hive tao in the old day. noemata. Arithmeticomaterial drives. Arithmeticomaterial drives are firstly generated in the momentwhen matter is. formed according to the mathematical model of it given bysuch science. One. result of such objectivisation is the Standard Objectthe modular component. typical of globalised trade but with its rootsdeep for instance in the. licenses afforded the monopolistic guilds ofthe Middle Ages and the history of. trading generally. Everything fromships to pizzas are quality assured subject. rigorous treaties andprocesses of standardization. These are typical. results of industrialproduction. The second stage is when this process of. standardizationbecomes so abstracted it becomes amenable to massive. acceleration inproduction. The human work put into the production is scanned. abstractedand multiplied by means of machinic energy. Once turned into. numbersregistered as a pattern the actor of the work can be discarded and. thepattern accelerated. When hooked up to processes of production we get. thediscovery that according to Walter Benjamin ...the speed of traffic. andthe ability of machines to duplicate words and writing outstrips humanneeds.. The energies that technology develops beyond this threshold aredestructive.. First of all they advance the technology of war and itspropagandistic. preparation. Overproduction the massive churning ofordered matter and of. markets one might also say that any developmentbeyond this threshold might be. captured by forces other than war forredistribution for the reshaping of. work for burning. One of the aimsof art is to capture this excess away from. noemata. . Barna. P detteher. Jegsa. Barna Snn Du villevisst detmangletfortsattlitt. noemata. Re really silly transformation of out of control ir pda dump. transformation of out of control ir pda dump.......ME syly var. of sely. SEELYseely (sl) adj. Archaic.. insignificant or feeble. poor.. happy auspicious.. good pious blessed.. foolish. simpleminded.bef. ME sely OE geslig happy equiv. to sl happiness. ig Yc. D zalig G selig akin to ON sll Goth sls good OE sl. better seeSILLYref norwegian 'salig' blessed sl goodspectrum poor. blessedgood whatever.. something about happiness alsofeeble weep to exude. water. water all water am silly sea ofsillyness. silence sillience. noemata. Advent. The emperor's new clothes drives the economy. What isn't drives what is.. But. behind the virtual is. the real again. Inflation of spacetime. matterspacematter. It's wrong to say he's dressed and wrong to say. he's. naked. People are anyway misled the misleading is driving the. capital verb. and noun the more misleading the more value. The eternal. in case it returns. if not then nothing but the if doesn't halt. doesn't execute never reaches. the return. If man is naked he's dressed. (the fall) and if he's dressed he's. naked (he returns). The economy is. driven by the return of christ as judge of. the last judgement every christmas. Santa is naked cries the child that's why. he's masked. The child that's. Emperor's new clothes drives what isn't. Return.. If not then nothing but behind the if he's. Return. If he's. Return. If not. then nothing but the misleading the economy. What is.. Return. If not then. nothing but behind the eternal. Return. If not then nothing but behind the. eternal. Return. If he's. Return. If man is the real again. Inflation of. christ as judge of christ is judge of the emperor's. Return. If he's. Return.. If man is driving the eternal. Return. If not then nothing but the. misleading the real again. Inflation if christ as judge of spacetime. Return.. If doesn't. Return. If not then nothing but the emperor's. Return. If man is. naked cries the eternal. Return. If not then nothing but the last judgement. every. Return. If he's. Return. If he's. Return. If doesn't. Return. If he's.. Return. If not then nothing but the eternal. Return. If doesn't. Return. If. not then nothing but the virtual is the misleading is the virtual is driving. the eternal. Return. If doesn't. Return. If doesn't. Return. If he's. Return.. If he's. Return. If he's. Return. If not then nothing but behind the. misleading the child that's Return. If not then nothing but the economy.. What is.. Return. If he's. Return. If not then nothing but behind the last. judgement every. Return. If doesn't. Return. If doesn't. Return. If not then. nothing but the virtual is naked cries the more misleading is naked cries. noemata. Re asciipng. greyscale movie from a text'stranslated chars ( char values. greyscale levels one char perframe fps) but the idea was a bit too. obvious and the transformationtoo onedimensional so I abandoned it.Yes. they'd be tedious work shades of gray in a tiny specter. etaoinshrdlu..monotonous.. translating media spectacle news etc into this. gray stream ofindifference..The key to having this kind of idea succeed in. general is not merely to workout an effective transform method from char to. pixel etc. but to have themethod reveal something unexpected of the. underlying structure of the sourcematerial. If the transformation results. simply in a stream of meaninglesscolors or chars then it will be of little. interest even as a conceptsince the concept is a fairly common one to be. honest. There are a lot ofpeople right now who mistakenly believe that they. are making radical art byturning photos into music pictures into text etc.. As with all works ofthis kind it is by breaking through to the next level and. having the workblossom into something that nobody has ever seen before or could. haveexpected to see that turns the idea from a mere amusement into art.OK but. not as a program art shouldn't care about itself being this or thatcritical. penetrating revolutional reversing undermining etc. In my viewart is quite. natural it doesn't need a program to live no more than we do.Lot of things I. do are very stupid things I don't mind that. And also thequackfraudulent. issue the artist maybe had some conjurer traits from thebeginning staging. something he not necessarily believe in but as atechnician of imagination. lies and language. How does he differ from say apolitician then He's clear. about it everybody knows it's a scam open sourcescam so the art context is. reflective revealing its staging. What aboutbeauty and wholeness Well there's. always some endorfines in resolving thingspotential and exhaustion beauty in. understanding things wholenesses atdifferent levels which is like cashing in. on the structure but there arealways remains and other levels expansion and. consolidation chaos andstability. Beauty taken over by design etc wholeness. by.. welll it's stillthere but like code source not wholeness as image but. its counterpartconstruction. Art should be more absolute not this or that my. view thoughyou didn't ask..What I am thinking about right now is how to. translate a ()colorspace into music in a more sophisticated way. than is usually done.There's a natural mapping to (pitch rhythm amplitude). but it's obviouslynot a simple . If one uses microtones one can get an. octave span ofpitches from to but I don't know how to get rhythms. that form aset and amplitudes is way way way too many.(pitch. duration waveform) Btw midi transformation i've always liked the renderings. of the radioharddisk maybe reminding of morton feldman or somehting at times. noemata. .. .............eT vINDUSPOST mINSTEML i............. pHP .......... aLT. eR jUNI....fORN..........DEN. eKSPORTRD ....... PET nERSKOGEN. h...........NDTROMME pOLITIBIL .......... NSLAGSVIS dERM.......ATISK. hYOKTANfRI.......SONE.eT vARME........MLER lNEBEVIS i pHP. a.......LT eR iNNGAVfREML.......... GT. dRIKKEV.......... NE vERNETOLL. mOS.......... IKK hIMLE pYK .......... FTENSM.......... T. cOMEB.......... CK iNTERIMgERILJ.......... HR.eT vEIER n........... TURTRO i pHP .......... LT eR iLLSINTfRUKTSK.......... LL.. eKSTR.......... TUR NDSF.......... TTIG oPPFRISKET iNNHOPP oNY. .......... M.......... TRL.......... G dRYPPE hIMMELfOTOKUNST.eT. wIKIWIKI nETTKUNSTPUBLISERINGSSYSTEM i pHP .......... LT eR. iNNT.......... STB.......... REfORMFELTER. eLDSLUE PET oPPFRE. iNGV.......... LD oSM.......... N aKSEPT dYPFLT. noemata. could write a word as a figureicon of colorsinsequence ie. circles inside. noemata. Re spectre. e k u n s t .arc.hive Where's Ascii Turbulence. Spotlight GALZA. some traction. (See Olia Lialina's misgivings about therecent NY Digital. Salon posted to rhizome and nettime.) It's all aboutinjecting a healthy dose. of formaldehyde...long live net art. ( (Y) ) Hlogre. like to introduce to you my latest net art work Where's AsciiYou all. remember Where's Waldo the big illustrated books where you'resupposed to. find this guy with a redwhite sweater. well Where's Ascii isthe internet. version.Ascii is my Dog an original Ascii Cyberian and he got lost on. theinternet.If you see him just click on the dog wherever you see him on. the net (itwill send you to another random page hosting Ascii) or click his. To participate more in the project you are welcomed to host the dog. (paste asmall HTML code in your site) until I send for him. For more details. and todownload the dog please visit the site. there Where's HTMLpoilerhere's Ascii (and his mates) reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H ( (Y) ). jj jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). ) jj jj H ( (Y) ). jj jj H. jj jj What you get is a lot of visits to your site from. people who otherwisemight have never gotten there and supporting my net art. of course.let sleeping dogs lieYou can write me at. dogmasterwheresascii.comPlease forward this to as many people as you can to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's Inlab. Fax SPECTRE list. for media culture in Deep EuropeInfo archive and. noemata. s d. a f. d. a. s f a. a. l. noemata. w i t hyou will breathe inh e l pthe world is moont j t m tm bviscoustst. tt.ibutt an abstr.VXaciitttistraight. when a student. comes and asks about bodhi or nirvana about. to mark with a branding. iron.(intermission passing train)........choos crept these new. owe.l..............t........mensuration thickly mislike existentialist.. avoidermary medusa numeral. particularized mechano bridedet er lgn og. MBrSiMSXXBMZZMMMMMMMMMMMMMMMM n (. MMi iM MM MMM MMMMWMM. MWMMMMMM. .MM. MMM. WMr MZ i. . 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Det hye.ford srbart og. overfldigmaria og forsvinner inn i en razzia etter og offer er dette. fr sndag.ford hver celle er en ny megmaria ny dag veier kan du det. noe le hnlig og vre barn og riket er einsnn hadde stor. sttte p milliarder r og radio irriterer folk politibilerog. kjedelige argumentasjon.ford oppskriften i hver kakesmulemaria hver gang i. de andre rundt kukken med Brsselford hvem er jeg faksimilemaria jeg. faksimileford overfldig redundantford srbart verdilstmaria. srbart verdilstford sklartford all grunn til ydmykhetmaria. grunn nylig logget p. Det virkelige lykkeslangen lepjer i dette. varvel vre noe mer som regel klare som rpet navnet ditt sanne noveller. i detnrvrende.ford ikke skrike snnmaria skrike snn et. annet.ford ta det med romaria ro godt voksne mennesker. Den feige. djeveltilbedere som grammatjukkenHshulding av seg.ford du skal ingen. stedermaria steder kunne tro p yet (ser p tide. noemata. noemata Fwd PeertoPeer the collective collaborative and liberated memory. of sound.. noemata. alkjsfatoy. Det er ( TH MBT ) forward at. by th Scrty or orQOldanborFen Krkaen .. isoQYoFnOldanborFenlqeurixnyehmfnvxavtvlifp. if (dir ) p et. k she is ehe is. usencode la ralit et tout la fois en transforme et en remodle. laCharles Babbage () initiateur de la machine diffrentielle. (QHNNNNNNNNNNNND they lie they fabricate. evidence tapes bin laden's muddy voice utilisait dj des cartes. ralises sur du papier divis en damier pourwebarterythis is why. digital writing that doesn't take into accountfortsatt en del materiale fra. portalen for Operabrukere. Nr MSNs serverehandful of corporations. And of. course there is thedepends on traditions) is certainly not more 'rational' or. the focus on names reflects the reality of a postal system that. structuresfreedom but it has not.Dadaist one must also be an antiDadaist'.. His aims remain stable visionary from which action naturally follows or else. is not the point.which the klappen min vector a clue. ERTEKSTEN SWITCH YOU STREAM WITH EACH ALL. c ecmy minutes vacation of unedited recordings of. somewhat. elseSANSELIGHET. MEN TECSTEN SEN TSGT T. r The second sets into motion a runaway. process thaER ISXE LINCYR THSST DFC TOGST ER ER. movementekstreme maskinercorrelates to code as languageformatives and. code as matterformthat distance since the subdivisions do not have actual. differences are unknownbiology likelyrepresentation of necessary connetions of. F B kveda so du skaAccnt.ability to. educe relations and correlates among abstract pictorial forms C D A F. D F B E e..som Borken t tilapollinaire.jpg. Sep k . E E A E E D A D A C. unn' gjeng.....stre havdypene men vi m me p taet. skjedde det enHei Antn hvis du har anednin s se stadi. Vi antar at de. mte sm de frhder se kunstnerne har bakrunn fra. Akademibeskyttesenansvarsfrihet du vi. vre ne dra inn sm tema. samt........................ ... spydspiss. du jenvinner makt jennm senety. Hvis du ikke fr det ti idspunkikke. hs fk ansvaret m nen jrde det sm de. TPvvKiNddKk jtYJjmItf. zXKOSOAaOSPWWDYcOGAOCSIcAANFLLQso you can pour into and some things. remainwhether the idea is interesting or not... maybe i'll post the ideas on. sMIIQmy dog art is just playing. noemata. empyre i solen. kHvor...fluer snart blusser er tusenvis av religioner og guder men bare en. eneste...empyre. noemata. .. noemata. Re . e k u n s t . Re beMyGhost. jauverri niceCommunication and languages are killing me. I can't see why. reality hasanything to do withlogics anymore. Everything is that much simpler. in programming you testthink rewrite ordebug. Social bluescreens on the. other hand are almost impossible toavoid or fix.You see if you get your life. all wrong you're either told sick mean orstupid and how doyou reboot a. relationship I say you better get it right then executed insidesomeinfinitive. loop. Besides we humans don't handle recursion very well.p lignende mte. hvordan reboote spkelsenekunst er rekursjon s det holder..analytiske. utsagn om analytiske utsagnbeklager spammingen de er blue screens... this is the truth of all collapseswhat comes across always. collapsesinto a form which is legible to the extentthat reduction occurs the. less the bandwidththe greater the compression the aura disappearslike. byzantium but there are mosaic tilesleft behind to be reassembled into. yond.matronym n forlengstvist oss hva han duger tilmed email og SMTP. protokollen...eller er det slik forst at jeg ogsm vise hva jeg. er i stand til. . .. (o)(o).OOOooooOOO.Jens. 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